summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--10910-0.txt1468
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/10910-8.txt1891
-rw-r--r--old/10910-8.zipbin0 -> 25564 bytes
-rw-r--r--old/10910.txt1891
-rw-r--r--old/10910.zipbin0 -> 25540 bytes
8 files changed, 5266 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/10910-0.txt b/10910-0.txt
new file mode 100644
index 0000000..c3c4fe6
--- /dev/null
+++ b/10910-0.txt
@@ -0,0 +1,1468 @@
+*** START OF THE PROJECT GUTENBERG EBOOK 10910 ***
+
+ROBERT
+
+LOUIS
+
+STEVENSON
+
+
+AN ELEGY
+
+
+AND OTHER POEMS MAINLY PERSONAL
+
+BY
+RICHARD LE GALLIENNE
+
+
+MDCCCXCV
+
+
+TO
+MY DEAR MOTHER AND FATHER
+THESE POEMS ARE LOVINGLY
+DEDICATED
+
+
+
+CONTENTS
+
+ROBERT LOUIS STEVENSON: AN ELEGY
+AN ODE TO SPRING
+TREE-WORSHIP
+A BALLAD OF LONDON
+PARIS DAY BY DAY: A FAMILIAR EPISTLE
+ALFRED TENNYSON
+PROFESSOR MINTO
+ON MR. GLADSTONE'S RETIREMENT
+OMAR KHAYYAM
+THE SECOND CRUCIFIXION
+AN IMPRESSION
+NATURAL RELIGION
+FAITH REBORN
+HESPERIDES
+JENNY DEAD
+MY BOOKS
+MAMMON
+ART
+TO A POET
+A NEW YEAR LETTER
+SNATCH
+MY MAIDEN VOTE
+THE ANIMALCULE ON MAN
+COME, MY CELIA
+TIME'S MONOTONE
+
+
+ COR CORDIUM
+
+O GOLDEN DAY! O SILVER NIGHT!
+LOVE'S EXCHANGE
+TO A SIMPLE HOUSEWIFE
+LOVE'S WISDOM
+HOME
+LOVE'S LANDMARKS
+IF, AFTER ALL...!
+SPIRIT OF SADNESS
+AN INSCRIPTION
+SONG
+
+
+
+ROBERT LOUIS STEVENSON
+
+AN ELEGY
+
+High on his Patmos of the Southern Seas
+Our northern dreamer sleeps,
+Strange stars above him, and above his grave
+Strange leaves and wings their tropic splendours wave,
+While, far beneath, mile after shimmering mile,
+The great Pacific, with its faery deeps,
+Smiles all day long its silken secret smile.
+
+Son of a race nomadic, finding still
+Its home in regions furthest from its home,
+Ranging untired the borders of the world,
+And resting but to roam;
+Loved of his land, and making all his boast
+The birthright of the blood from which he came,
+Heir to those lights that guard the Scottish coast,
+And caring only for a filial fame;
+Proud, if a poet, he was Scotsman most,
+And bore a Scottish name.
+
+Death, that long sought our poet, finds at last,
+Death, that pursued him over land and sea:
+Not his the flight of fear, the heart aghast
+With stony dread of immortality,
+He fled 'not cowardly';
+Fled, as some captain, in whose shaping hand
+Lie the momentous fortunes of his land,
+Sheds not vainglorious blood upon the field,
+Death! why at last he finds his treasure isle,
+And he the pirate of its hidden hoard;
+Life! 'twas the ship he sailed to seek it in,
+And Death is but the pilot come aboard,
+Methinks I see him smile a boy's glad smile
+On maddened winds and waters, reefs unknown,
+As thunders in the sail the dread typhoon,
+And in the surf the shuddering timbers groan;
+Horror ahead, and Death beside the wheel:
+Then--spreading stillness of the broad lagoon,
+And lap of waters round the resting keel.
+
+Strange Isle of Voices! must we ask in vain,
+In vain beseech and win no answering word,
+Save mocking echoes of our lonely pain
+From lonely hill and bird?
+Island beneath whose unrelenting coast,
+As though it never in the sun had been,
+The whole world's treasure lieth sunk and lost,
+Unsunned, unseen.
+For, either sunk beyond the diver's skill,
+There, fathoms deep, our gold is all arust,
+Or in that island it is hoarded still.
+Yea, some have said, within thy dreadful wall
+There is a folk that know not death at all,
+The loved we lost, the lost we love, are there.
+Will no kind voice make answer to our cry,
+Give to our aching hearts some little trust,
+Show how 'tis good to live, but best to die?
+Some voice that knows
+Whither the dead man goes:
+We hear his music from the other side,
+Maybe a little tapping on the door,
+A something called, a something sighed--
+No more.
+O for some voice to valiantly declare
+The best news true!
+Then, Happy Island of the Happy Dead,
+How gladly would we spread
+Impatient sail for you!
+
+O vanished loveliness of flowers and faces,
+Treasure of hair, and great immortal eyes,
+Are there for these no safe and secret places?
+And is it true that beauty never dies?
+Soldiers and saints, haughty and lovely names,
+Women who set the whole wide world in flames,
+Poets who sang their passion to the skies,
+And lovers wild and wise:
+Fought they and prayed for some poor flitting gleam,
+Was all they loved and worshipped but a dream?
+Is Love a lie and fame indeed a breath,
+And is there no sure thing in life--but death?
+Or may it be, within that guarded shore,
+He meets Her now whom I shall meet no more
+Till kind Death fold me 'neath his shadowy wing:
+She whom within my heart I softly tell
+That he is dead whom once we loved so well,
+He, the immortal master whom I sing.
+
+Immortal! yea, dare we the word again,
+If aught remaineth of our mortal day,
+That which is written--shall it not remain?
+That which is sung, is it not built for aye?
+Faces must fade, for all their golden looks,
+Unless some poet them eternalise,
+Make live those golden looks in golden books;
+Death, soon or late, will quench the brightest eyes--
+'Tis only what is written never dies.
+Yea, memories that guard like sacred gold
+Some sainted face, they also must grow old,
+Pass and forget, and think--or darest thou not!--
+On all the beauty that is quite forgot.
+
+Strange craft of words, strange magic of the pen,
+Whereby the dead still talk with living men;
+Whereby a sentence, in its trivial scope,
+May centre all we love and all we hope;
+And in a couplet, like a rosebud furled,
+Lie all the wistful wonder of the world.
+
+Old are the stars, and yet they still endure,
+Old are the flowers, yet never fail the spring:
+Why is the song that is so old so new,
+Known and yet strange each sweet small shape and hue?
+How may a poet thus for ever sing,
+Thus build his climbing music sweet and sure,
+As builds in stars and flowers the Eternal mind?
+Ah, Poet, that is yours to seek and find!
+Yea, yours that magisterial skill whereby
+God put all Heaven in a woman's eye,
+Nature's own mighty and mysterious art
+That knows to pack the whole within the part:
+The shell that hums the music of the sea,
+The little word big with Eternity,
+The cosmic rhythm in microcosmic things--
+One song the lark and one the planet sings,
+One kind heart beating warm in bird and tree--
+To hear it beat, who knew so well as he?
+
+Virgil of prose! far distant is the day
+When at the mention of your heartfelt name
+Shall shake the head, and men, oblivious, say:
+'We know him not, this master, nor his fame.'
+Not for so swift forgetfulness you wrought,
+Day upon day, with rapt fastidious pen,
+Turning, like precious stones, with anxious thought,
+This word and that again and yet again,
+Seeking to match its meaning with the world;
+Nor to the morning stars gave ears attent,
+That you, indeed, might ever dare to be
+With other praise than immortality
+Unworthily content.
+
+Not while a boy still whistles on the earth,
+Not while a single human heart beats true,
+Not while Love lasts, and Honour, and the Brave,
+Has earth a grave,
+O well-beloved, for you!
+
+
+
+
+AN ODE TO SPRING
+
+(TO GRANT AND NELLIE ALLEN)
+
+Is it the Spring?
+ Or are the birds all wrong
+That play on flute and viol,
+ A thousand strong,
+In minstrel galleries
+ Of the long deep wood,
+Epiphanies
+ Of bloom and bud.
+
+Grave minstrels those,
+ Of deep responsive chant;
+But see how yonder goes,
+ Dew-drunk, with giddy slant,
+Yon Shelley-lark,
+ And hark!
+Him on the giddy brink
+ Of pearly heaven
+His fairy anvil clink.
+
+Or watch, in fancy,
+ How the brimming note
+Falls, like a string of pearls,
+ From out his heavenly throat;
+Or like a fountain
+ In Hesperides,
+Raining its silver rain,
+ In gleam and chime,
+On backs of ivory girls--
+ Twice happy rhyme!
+
+Ah, none of these
+ May make it plain,
+No image we may seek
+ Shall match the magic of his gurgling beak.
+
+And many a silly thing
+ That hops and cheeps,
+And perks his tiny tail,
+ And sideway peeps,
+And flitters little wing,
+ Seems in his consequential way
+To tell of Spring.
+
+The river warbles soft and runs
+ With fuller curve and sleeker line,
+Though on the winter-blackened hedge
+ Twigs of unbudding iron shine,
+And trampled still the river sedge.
+
+And O the Sun!
+ I have no friend so generous as this Sun
+That comes to meet me with his big warm hands.
+ And O the Sky!
+There is no maid, how true,
+ Is half so chaste
+As the pure kiss of greening willow wands
+ Against the intense pale blue
+Of this sweet boundless overarching waste.
+
+And see!--dear Heaven, but it is the Spring!--
+ See yonder, yonder, by the river there,
+Long glittering pearly fingers flash
+ Upon the warm bright air:
+Why, 'tis the heavenly palm,
+ The Christian tree,
+Whose budding is a psalm
+ Of natural piety:
+Soft silver notches up the smooth green stem--
+ Ah, Spring must follow them,
+It is the Spring!
+
+O Spirit of Spring,
+ Whose strange instinctive art
+Makes the bird sing,
+ And brings the bud again;
+O in my heart
+ Take up thy heavenly reign,
+And from its deeps
+ Draw out the hidden flower,
+And where it sleeps,
+ Throughout the winter long,
+O sweet mysterious power
+ Awake the slothful song!
+
+_February_ 7, 1893.
+
+
+
+
+TREE-WORSHIP
+
+(TO JOHN LANE)
+
+Vast and mysterious brother, ere was yet of me
+ So much as men may poise upon a needle's end,
+Still shook with laughter all this monstrous might of thee,
+ And still with haughty crest it called the morning friend.
+
+Thy latticed column jetted up the bright blue air,
+ Tall as a mast it was, and stronger than a tower;
+Three hundred winters had beheld thee mighty there,
+ Before my little life had lived one little hour.
+
+With rocky foot stern-set like iron in the land,
+ With leafy rustling crest the morning sows with pearls,
+Huge as a minster, half in heaven men saw thee stand,
+ Thy rugged girth the waists of fifty Eastern girls.
+
+Knotted and warted, slabbed and armoured like the hide
+ Of tropic elephant; unstormable and steep
+As some grim fortress with a princess-pearl inside,
+ Where savage guardian faces beard the bastioned keep:
+
+So hard a rind, old tree, shielding so soft a heart--
+ A woman's heart of tender little nestling leaves;
+Nor rind so hard but that a touch so soft can part,
+ And Spring's first baby-bud an easy passage cleaves.
+
+I picture thee within with dainty satin sides,
+ Where all the long day through the sleeping dryad dreams,
+But when the moon bends low and taps thee thrice she glides,
+ Knowing the fairy knock, to bask within her beams.
+
+And all the long night through, for him with eyes and ears,
+ She sways within thine arms and sings a fairy tune,
+Till, startled with the dawn, she softly disappears,
+ And sleeps and dreams again until the rising moon.
+
+But with the peep of day great bands of heavenly birds
+ Fill all thy branchy chambers with a thousand flutes,
+And with the torrid noon stroll up the weary herds,
+ To seek thy friendly shade and doze about thy roots--
+
+Till with the setting sun they turn them once more home;
+ And, ere the moon dawns, for a brief enchanted space,
+Weary with million miles, the sore-spent star-beams come,
+ And moths and bats hold witches' sabbath in the place.
+
+And then I picture thee some bloodstained Holyrood,
+ Dread haunted palace of the bat and owl, whence steal,
+Shrouded all day, lost murdered spirits of the wood,
+ And fright young happy nests with homeless hoot and squeal.
+
+Then, maybe, dangling from thy gloomy gallows boughs,
+ A human corpse swings, mournful, rattling bones and chains--
+His eighteenth century flesh hath fattened nineteenth century cows--
+ Ghastly Aeolian harp fingered of winds and rains.
+
+Poor Rizpah comes to reap each newly-fallen bone
+ That once thrilled soft, a little limb, within her womb;
+And mark yon alchemist, with zodiac-spangled zone,
+ Wrenching the mandrake root that fattens in the gloom.
+
+So rounds thy day, from maiden morn to haunted night,
+ From larks and sunlit dreams to owl and gibbering ghost;
+A catacomb of dark, a maze of living light,
+ To the wide sea of air a green and welcome coast.
+
+I seek a god, old tree: accept my worship, thou!
+ All other gods have failed me always in my need;
+I hang my votive song beneath thy temple bough,
+ Unto thy strength I cry--Old monster, be my creed!
+
+Give me to clasp this earth with feeding roots like thine,
+ To mount yon heaven with such star-aspiring head,
+Fill full with sap and buds this shrunken life of mine,
+ And from my boughs oh! might such stalwart sons be shed.
+
+With loving cheek pressed close against thy horny breast,
+ I hear the roar of sap mounting within thy veins;
+Tingling with buds, thy great hands open towards the west,
+ To catch the sweetheart winds that bring the sister rains.
+
+O winds that blow from out the fruitful mouth of God,
+ O rains that softly fall from His all-loving eyes,
+You that bring buds to trees and daisies to the sod--
+ O God's best Angel of the Spring, in me arise.
+
+
+
+
+A BALLAD OF LONDON
+
+(TO H. W. MASSINSHAM)
+
+Ah, London! London! our delight,
+Great flower that opens but at night,
+Great City of the Midnight Sun,
+Whose day begins when day is done.
+
+Lamp after lamp against the sky
+Opens a sudden beaming eye,
+Leaping alight on either hand,
+The iron lilies of the Strand.
+
+Like dragonflies, the hansoms hover,
+With jewelled eyes, to catch the lover;
+The streets are full of lights and loves,
+Soft gowns, and flutter of soiled doves.
+
+The human moths about the light
+Dash and cling close in dazed delight,
+And burn and laugh, the world and wife,
+For this is London, this is life!
+
+Upon thy petals butterflies,
+But at thy root, some say, there lies
+A world of weeping trodden things,
+Poor worms that have not eyes or wings.
+
+From out corruption of their woe
+Springs this bright flower that charms us so,
+Men die and rot deep out of sight
+To keep this jungle-flower bright.
+
+Paris and London, World-Flowers twain
+Wherewith the World-Tree blooms again,
+Since Time hath gathered Babylon,
+And withered Rome still withers on.
+
+Sidon and Tyre were such as ye,
+How bright they shone upon the Tree!
+But Time hath gathered, both are gone,
+And no man sails to Babylon.
+
+Ah, London! London! our delight,
+For thee, too, the eternal night,
+And Circe Paris hath no charm
+To stay Time's unrelenting arm.
+
+Time and his moths shall eat up all.
+Your chiming towers proud and tall
+He shall most utterly abase,
+And set a desert in their place.
+
+
+
+
+PARIS DAY BY DAY: A FAMILIAR EPISTLE
+
+(TO MRS. HENRY HARLAND[1])
+
+Paris, half Angel, half Grisette,
+I would that I were with thee yet,
+Where the long boulevard at even
+Stretches its starry lamps to heaven,
+And whispers from a thousand trees
+Vague hints of the Hesperides.
+
+Once more, once more, my heart, to sit
+With Aline's smile and Harry's wit,
+To sit and sip the cloudy green,
+With dreamy hints of speech between;
+
+Or, may be, flashing all intent
+At call of some stern argument,
+When the New Woman fain would be,
+Like the Old Male, her husband, free.
+The prose-man takes his mighty lyre
+And talks like music set on fire!
+
+The while the merry crowd slips by
+Glittering and glancing to the eye,
+All happy lovers on their way
+To make a golden end of day--
+Ah! Café truly called _La Paix_!
+
+Or at the _pension_ I would be
+With Transatlantic maidens three,
+The same, I vow, who once of old
+Guarded with song the trees of gold.
+
+O Lady, lady, _Vis-à-Vis_,
+When shall I cease to think of thee,
+On whose fair head the Golden Fleece
+Too soon, too soon, returns to Greece--
+Oh, why to Athens e'er depart?
+Come back, come back, and bring my heart!
+
+And she whose gentle silver grace,
+So wise of speech and kind of face,
+Whose every wise and witty word
+Fell shy, half blushing to be heard.
+
+Last, but ah! surely not least dear,
+That blithe and buxom buccaneer,
+Th' avenging goddess of her sex,
+Born the base soul of man to vex,
+And wring from him those tears and sighs
+Tortured from woman's heart and eyes.
+Ah! fury, fascinating, fair--
+When shall I cease to think of _her_!
+
+Paris, half Angel, half Grisette,
+I would that I were with thee yet,
+But London waits me, like a wife,--
+London, the love of my whole life.
+
+Tell her not, Paris, mercy me!
+How I have flirted, dear, with thee.
+
+[1] By kind permission of the Editor of _The Yellow Book_.
+
+
+
+
+ALFRED TENNYSON
+
+(WESTMINSTER, OCTOBER 12, 1892)
+
+Great man of song, whose glorious laurelled head
+ Within the lap of death sleeps well at last,
+Down the dark road, seeking the deathless dead,
+ Thy faithful, fearless, shining soul hath passed.
+
+Fame blows his silver trumpet o'er thy sleep,
+ And Love stands broken by thy lonely lyre;
+So pure the fire God gave this clay to keep,
+ The clay must still seem holy for the fire.
+
+Poor dupes of sense, we deem the close-shut eye,
+ So faithful servant of his golden tongue,
+Still holds the hoarded lights of earth and sky,
+ We deem the mouth still full of sleeping song.
+
+We mourn as though the great good song he gave
+ Passed with the singer's own informing breath:
+Ah, golden book, for thee there is no grave,
+ Thine is a rhyme that shall not taste of death.
+
+Great wife of his great heart--'tis yours to mourn,
+ Son well-beloved, 'tis yours, who loved him so:
+But we!--hath death one perfect page out-torn
+ From the great song whereby alone we know
+
+The splendid spirit imperiously shy,--
+ Husband to you and father--we afar
+Hail poet of God, and name as one should cry:
+ 'Yonder a king, and yonder lo! a star!'
+
+So great his song we deem a little while
+ That Song itself with his great voice hath fled,
+So grand the toga-sweep of his great style,
+ So vast the theme on which his song was fed.
+
+One sings a flower, and one a face, and one
+ Screens from the world a corner choice and small,
+Each toy its little laureate hath, but none
+ Sings of the whole: yea, only he sang all.
+
+Poor little bards, so shameless in your care
+ To snatch the mighty laurel from his head,
+Have you no fear, dwarfs in the giant's chair,
+ How men shall laugh, remembering the dead?
+
+Great is advertisement! 'tis almost fate,
+ But, little mushroom-men, of puff-ball fame,
+Ah, do you dream to be mistaken great
+ And to be really great are just the same?
+
+Ah, fools! he was a laureate ere one leaf
+ Of the great crown had whispered on his brows;
+Fame shrilled his song, Love carolled it, and Grief
+ Blessed it with tears within her lonely house.
+
+Fame loved him well, because he loved not Fame,
+ But Peace and Love, all other things before,
+A man was he ere yet he was a name,
+ His song was much because his love was more.
+
+
+
+
+PROFESSOR MINTO
+
+Nature, that makes Professors all day long,
+And, filling idle souls with idle song,
+Turns out small Poets every other minute,
+Made earth for men--but seldom puts men in it.
+
+Ah, Minto, thou of that minority
+Wert man of men--we had deep need of thee!
+Had Heaven a deeper? Did the heavenly Chair
+Of Earthly Love wait empty for thee there?
+
+_March_ 1, 1893.
+
+
+
+
+ON MR. GLADSTONE'S RETIREMENT
+
+The world grows Lilliput, the great men go;
+ If greatness be, it wears no outer sign;
+ No more the signet of the mighty line
+Stamps the great brow for all the world to know.
+Shrunken the mould of manhood is, and lo!
+ Fragments and fractions of the old divine,
+ Men pert of brain, planned on a mean design,
+Dapper and undistinguished--such we grow.
+
+No more the leonine heroic head,
+ The ruling arm, great heart, and kingly eye;
+No more th' alchemic tongue that turned poor themes
+ Of statecraft into golden-glowing dreams;
+ No more a man for man to deify:
+Laurel no more--the heroic age is dead.
+
+
+
+
+OMAR KHAYYÁM
+
+(TO THE OMAR KHAYYÁM CLUB)
+
+Great Omar, here to-night we drain a bowl
+Unto thy long-since transmigrated soul,
+ Ours all unworthy in thy place to sit,
+Ours still to read in life's enchanted scroll.
+
+For us like thee a little hour to stay,
+For us like thee a little hour of play,
+ A little hour for wine and love and song,
+And we too turn the glass and take our way.
+
+So many years your tomb the roses strew,
+Yet not one penny wiser we than you,
+The doubts that wearied you are with us still,
+And, Heaven be thanked! your wine is with us too.
+
+For, have the years a better message brought
+To match the simple wisdom that you taught:
+ Love, wine and verse, and just a little bread--
+For these to live and count the rest as nought?
+
+Therefore, Great Omar, here our homage deep
+We drain to thee, though all too fast asleep
+ In Death's intoxication art thou sunk
+To know the solemn revels that we keep.
+
+Oh, had we, best-loved Poet, but the power
+From our own lives to pluck one golden hour,
+And give it unto thee in thy great need,
+How would we welcome thee to this bright bower!
+
+O life that is so warm, 'twas Omar's too;
+O wine that is so red, he drank of you:
+ Yet life and wine must all be put away,
+And we go sleep with Omar--yea, 'tis true.
+
+And when in some great city yet to be
+The sacred wine is spilt for you and me,
+ To those great fames that we have yet to build,
+We'll know as little of it all as he.
+
+
+
+
+THE SECOND CRUCIFIXION
+
+Loud mockers in the roaring street
+ Say Christ is crucified again:
+Twice pierced His gospel-bringing feet,
+ Twice broken His great heart in vain.
+
+I hear, and to myself I smile,
+For Christ talks with me all the while.
+
+No angel now to roll the stone
+ From off His unawaking sleep,
+In vain shall Mary watch alone,
+ In vain the soldiers vigil keep.
+
+Yet while they deem my Lord is dead
+My eyes are on His shining head.
+
+Ah! never more shall Mary hear
+ That voice exceeding sweet and low
+Within the garden calling clear:
+ Her Lord is gone, and she must go.
+
+Yet all the while my Lord I meet
+In every London lane and street.
+
+Poor Lazarus shall wait in vain,
+ And Bartimaeus still go blind;
+The healing hem shall ne'er again
+ Be touched by suffering humankind.
+
+Yet all the while I see them rest,
+The poor and outcast, in His breast.
+
+No more unto the stubborn heart
+ With gentle knocking shall He plead,
+No more the mystic pity start,
+ For Christ twice dead is dead indeed.
+
+So in the street I hear men say,
+Yet Christ is with me all the day.
+
+
+
+
+AN IMPRESSION
+
+The floating call of the cuckoo,
+Soft little globes of bosom-shaped sound,
+Came and went at the window;
+And, out in the great green world,
+Those maidens each morn the flowers
+Opened their white little bodices wide to the sun:
+And the man sighed--sighed--in his sleep,
+And the woman smiled.
+
+Then a lark staggered singing by
+Up his shining ladder of dew,
+And the airs of dawn walked softly about the room,
+Filling the morning sky with the scent of the woman's hair,
+And giving, in sweet exchange, its hawthorn and daisy breath:
+And the man awoke with a sob--
+But the woman dreamed.
+
+
+
+
+NATURAL RELIGION
+
+Up through the mystic deeps of sunny air
+I cried to God--'O Father, art Thou there?'
+Sudden the answer, like a flute, I heard:
+It was an angel, though it seemed a bird.
+
+
+
+
+FAITH REBORN
+
+'The old gods pass,' the cry goes round;
+'Lo! how their temples strew the ground';
+Nor mark we where, on new-fledged wings,
+Faith, like the phoenix, soars and sings.
+
+
+
+
+HESPERIDES
+
+Men say--beyond the western seas
+ The happy isles no longer glow,
+No sailor sights Hesperides,
+ All that was long ago.
+
+No longer in a glittering morn
+ Their misty meadows flicker nigh,
+No singing with the spray is borne,
+ All that is long gone by.
+
+To-day upon the golden beach
+ No gold-haired guardian maidens stand,
+No apples ripen out of reach,
+ And none are mad to land.
+
+The merchant-men, 'tis they say so,
+ That trade across the western seas,
+In hurried transit to and fro,
+ About Hesperides.
+
+But, Reader, not as these thou art,
+ So, loose thy shallop from its hold,
+And, trusting to the ancient chart,
+ Thou 'It make them as of old.
+
+
+
+
+JENNY DEAD
+
+Like a flower in the frost
+ Sweet Jenny lies,
+With her frail hands calmly crossed,
+ And close-shut eyes.
+
+Bring a candle, for the room
+ Is dark and cold,
+Antechamber of the tomb--
+ O grief untold!
+
+Like a snowdrift is her bed,
+ Dinted the snow,
+Faint frozen lines from foot to head,--
+ She lies below.
+
+Turn from off her shrouded face
+ The frigid sheet....
+Death hath doubled all her grace--
+ O Jenny, sweet!
+
+
+
+
+MY BOOKS
+
+What are my books?--My friends, my loves,
+ My church, my tavern, and my only wealth;
+My garden: yea, my flowers, my bees, my doves;
+ My only doctors--and my only health.
+
+
+
+
+MAMMON
+
+(FOR MR, G. F. WATTS'S PICTURE)
+
+Mammon is this, of murder and of gold,
+To-day, to-morrow, and ever from of old,
+Th' Almighty God, and King of every land.
+Man 'neath his foot, and woman 'neath his hand,
+Kneel prostrate: he, 'tis meant to symbolise,
+Steals our strong men and our sweet women buys.
+
+O! rather grind me down into the dust
+Than choose me for the vessel of thy lust.
+
+
+
+
+ART
+
+Art is a gipsy,
+ Fickle as fair,
+Good to kiss and flirt with,
+ But marry--if you dare!
+
+
+
+
+TO A POET
+
+(TO EDMUND GOSSE)
+
+Still towards the steep Parnassian way
+The moon-led pilgrims wend,
+Ah, who of all that start to-day
+Shall ever reach the end?
+
+Year after year a dream-fed band
+That scorn the vales below,
+And scorn the fatness of the land
+To win those heights of snow,--
+
+Leave barns and kine and flocks behind,
+And count their fortune fair,
+If they a dozen leaves may bind
+Of laurel in their hair.
+
+Like us, dear Poet, once you trod
+That sweet moon-smitten way,
+With mouth of silver sought the god
+All night and all the day;
+
+Sought singing, till in rosy fire
+The white Apollo came,
+And touched your brow, and wreathed your lyre,
+And named you by his name;
+
+And led you, loving, by the hand
+To those grave laurelled bowers,
+Where keep your high immortal band
+Your high immortal hours.
+
+Strait was the way, thorn-set and long--
+Ah, tell us, shining there,
+Is fame as wonderful as song?
+And laurels in your hair!
+
+
+
+
+A NEW YEAR LETTER
+
+_To Two Friends married in the New Year_
+
+(TO. MR. AND MRS. WELCH)
+
+Another year to its last day,
+Like a lost sovereign, runaway,
+Tips down the gloomy grid of time:
+In vain to holloa, 'Stop it! hey!'--
+A cab-horse that has taken fright,
+Be you a policeman, stop you may;
+But not a sovereign mad with glee
+That scampers to the grid, perdie,
+And not a year that's taken flight;
+To both 'tis just a grim good night.
+
+But no! the imagery, say you,
+Is wondrous witty--but not true;
+For the old year that last night went
+Has not been so much lost as spent:
+You gave it in exchange to Death
+For just twelve months of happy breath.
+
+It was a ticket to admit
+Two happy people close to sit--
+A 'Season' ticket, one might say,
+At Time's eternal passion play.
+
+O magic overture of Spring,
+O Summer like an Eastern King,
+O Autumn, splendid widowed Queen,
+O Winter, alabaster tomb
+Where lie the regal twain serene,
+Gone to their yearly doom.
+
+But all you bought with that spent year,--
+Ah, friends! it was as nothing, was it?
+Nothing at all to hold compare
+With what you buy with this New Year.
+A home! ah me, you could not buy
+Another half so precious toy,
+With all the other years to come
+As that grown-up doll's house--a home.
+
+O wine upon its threshold stone,
+And horse-shoes on the lintel of it,
+And happy hearts to keep it warm,
+And God Himself to love it!
+Dear little nest built snug on bough
+Within the World-Tree's mighty arms,
+I would I knew a spell that charms
+Eternal safety from the storm;
+
+To give you always stars above,
+And always roses on the bough--
+But then the Tree's own root is Love,
+Love, love, all love, I vow.
+
+_New Year_ 1893.
+
+
+
+
+SNATCH
+
+From tavern to tavern
+ Youth passes along,
+With an armful of girl
+ And a heart full of song.
+
+From flower to flower
+ The butterfly sips,
+O passionate limbs
+ And importunate lips!
+
+From candle to candle
+ The moth loves to fly,
+O sweet, sweet to burn!
+ And still sweeter to die!
+
+
+
+
+MY MAIDEN VOTE
+
+(TO JOHN FRASER)
+
+There, in my mind's-eye, pure it lay,
+My lodger's vote! 'Twas mine to-day.
+It seemed a sort of maidenhood,
+My little power for public good,--
+Oh keep it uncorrupted, pray!
+And, when it must be given away,
+See it be given with a sense
+Of most uncanvassed innocence.
+Alas!--but few there be that know't--
+How grave a thing it is to vote!
+For most men's votes are given, I hear,
+Either for rhetoric or--beer.
+
+A young man's vote--O fair estate!
+Of the great tree electorate
+A living leaf, of this great sea
+A motive wave of empire I,
+On this stupendous wheel--a fly.
+O maiden vote, how pure must be
+The party that is worthy thee!
+And thereupon my mind began
+That perfect government to plan,
+The high millennium of man.
+
+Then in my dream I saw arise
+An England, ah! so fair and wise,
+An England generously great,
+No selfish island, but a state
+Upon the world's bright forehead worn,
+A mighty star of mighty morn.
+
+And statesmen in that dream became
+No tricksters of the petty aim,
+Mere speculators in the rise
+Of programmes and of party cries,
+Expert in all those turns and tricks
+That make this senate-house of ours,
+Westminster, with its lordly towers,
+The stock-exchange of politics.
+But that ideal Parliament
+Did all it said, said all it meant,
+And every Minister of State
+Was guileless--as a candidate.
+
+Statesmen no more the tinker's way
+Mended and patched from day to day,
+Content with piecing part with part,
+But took the mighty problem whole,
+Beginning with the human heart:
+For noble rulers make in vain
+Unselfish laws for selfish men,
+And give the whole wide world its vote,
+But who is going to give it soul?
+
+And then I dreamed had come to reign
+True peace within our land again;
+Not peace that rots the soul with ease,
+Or those ignoble 'rivalries
+Of peace' more murderous than war,
+But just the simple peasant peace
+The weary world is waiting for.
+With simple food and simple wear
+Go lots of love and little care,
+And joy is saved from over-sweet
+By struggle not too hard to bear.
+
+So dreamed I on from dream to dream,
+Till, slow returning to my theme,
+Upon my vote I looked again--
+To whom was I to give it then?
+That uncorrupted maidenhood,
+My little power for public good.
+What party was there that I knew
+That I might dare intrust it to,
+A perfect party fair and square--
+My House of Commons in the air?
+
+Though called by many different names,
+Each one professed the noblest aims;
+Should all be right, 'twas logical
+That I should give my vote to all!
+
+And then, of parties old and new
+Which one, if only one, were true?
+
+The divination passed my skill,--
+My maiden vote is maiden still.
+
+
+
+
+THE ANIMALCULE ON MAN
+
+An animalcule in my blood
+ Rose up against me as I dreamed,
+He was so tiny as he stood,
+ You had not heard him, though he screamed.
+
+He cried 'There is no Man!'
+ And thumped the table with his fist,
+Then died--his day was scarce a span,--
+ That microscopic atheist.
+
+Yet all the while his little soul
+ Within what he denied did live,--
+Poor part, how could he know the whole?
+ And yet he was so positive!
+
+And all the while he thus blasphemed
+ My (solar) system went its round,
+My heart beat on, my head still dreamed,--
+ But my poor atheist was drowned.
+
+
+
+
+COME, MY CELIA
+
+Come, my Celia, let us prove,
+While we may, how wise is love--
+Love grown old and grey with years,
+Love whose blood is thinned with tears.
+
+Philosophic lover I,
+Broke my heart, its love run dry,
+And I warble passion's words
+But to hear them sing like birds.
+
+When the lightning struck my side,
+Love shrieked and for ever died,
+Leaving nought of him behind
+But these playthings of the mind.
+
+Now the real play is over
+I can only _act_ a lover,
+Now the mimic play begins
+With its puppet joys and sins.
+
+When the heart no longer feels,
+And the blood with caution steals,
+Then, ah! then--my heart, forgive!--
+Then we dare begin to live.
+
+Dipped in Stygian waves of pain,
+We can never feel again;
+Time may hurl his deadliest darts,
+Love may practise all his arts;
+
+Like some Balder, lo! we stand
+Safe 'mid hurtling spear and brand,
+Only Death--ah! sweet Death, throw!--
+Holds the fatal mistletoe.
+
+Let the young unconquered soul
+Love the unit as the whole,
+Let the young uncheated eye
+Love the face fore-doomed to die:
+
+But, my Celia, not for us
+Pleasures half so hazardous;
+Let us set our hearts on play,
+'Tis, alas! the only way--
+
+Make of life the jest it is,
+Laugh and fool and (maybe!) kiss,
+Never for a moment, dear,
+Love so well to risk a fear.
+
+Is not this, my Celia, say,
+The only wise--and weary--way?
+
+
+
+
+TIME'S MONOTONE
+
+ Autumn and Winter,
+ Summer and Spring--
+Hath Time no other song to sing?
+Weary we grow of the changeless tune--
+ June--December,
+ December--June!
+
+Time, like a bird, hath but one song,
+ One way to build, like a bird hath he;
+Thus hath he built so long, so long,
+ Thus hath he sung--Ah me!
+
+Time, like a spider, knows, be sure,
+ One only wile, though he seems so wise:
+Death is his web, and Love his lure,
+ And you and I his flies.
+
+
+ 'Love!' he sings
+ In the morning clear,
+ 'Love! Love! Love!'
+ And you never hear
+ How, under his breath,
+ He whispers, 'Death!
+ Death! Death!'
+
+Yet Time--'tis the strangest thing of all--
+ Knoweth not the sense of the words he saith;
+Eternity taught him his parrot-call
+ Of 'Love and Death.'
+
+Year after year doth the old man climb
+ The mountainous knees of Eternity,
+But Eternity telleth nothing to Time--
+ It may not be.
+
+
+
+
+COR CORDIUM
+
+
+O GOLDEN DAY! O SILVER NIGHT!
+
+O golden day! O silver night!
+ That brought my own true love at last,
+Ah, wilt thou drop from out our sight,
+ And drown within the past?
+
+One wave, no more, in life's wide sea,
+ One little nameless crest of foam,
+The day that gave her all to me
+ And brought us to our home.
+
+Nay, rather as the morning grows
+ In flush, and gleam, and kingly ray,
+While up the heaven the sun-god goes,
+ So shall ascend our day.
+
+And when at last the long night nears,
+ And love grows angel in the gloam,
+Nay, sweetheart, what of fears and tears?--
+ The stars shall see us home.
+
+
+
+
+LOVE'S EXCHANGE
+
+Simple am I, I care no whit
+ For pelf or place,
+It is enough for me to sit
+ And watch Dulcinea's face;
+To mark the lights and shadows flit
+ Across the silver moon of it.
+
+I have no other merchandise,
+ No stocks or shares,
+No other gold but just what lies
+ In those deep eyes of hers;
+And, sure, if all the world were wise,
+It too would bank within her eyes.
+
+I buy up all her smiles all day
+ With all my love,
+And sell them back, cost-price, or, say,
+ A kiss or two above;
+It is a speculation fine,
+The profit must be always mine.
+
+The world has many things, 'tis true,
+ To fill its time,
+Far more important things to do
+ Than making love and rhyme;
+Yet, if it asked me to advise,
+I'd say--buy up Dulcinea's eyes!
+
+
+
+
+TO A SIMPLE HOUSEWIFE
+
+Who dough shall knead as for God's sake
+ Shall fill it with celestial leaven,
+And every loaf that she shall bake
+ Be eaten of the Blest in heaven.
+
+
+
+
+LOVE'S WISDOM
+
+Sometimes my idle heart would roam
+ Far from its quiet happy nest,
+To seek some other newer home,
+ Some unaccustomed Best:
+But ere it spreads its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+Sometimes my idle heart would sail
+ From out its quiet sheltered bay,
+To tempt a less pacific gale,
+ And oceans far away:
+But ere it shakes its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+Sometimes my idle heart would fly,
+ Mothlike, to reach some shining sin,
+It seems so sweet to burn and die
+ That wondrous light within:
+But ere it burns its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+
+
+
+HOME ...
+
+'We're going home!' I heard two lovers say,
+ They kissed their friends and bade them bright good-byes;
+ I hid the deadly hunger in my eyes,
+And, lest I might have killed them, turned away.
+Ah, love! we too once gambolled home as they,
+ Home from the town with such fair merchandise,--
+ Wine and great grapes--the happy lover buys:
+A little cosy feast to crown the day.
+
+Yes! we had once a heaven we called a home
+ Its empty rooms still haunt me like thine eyes,
+When the last sunset softly faded there;
+Each day I tread each empty haunted room,
+ And now and then a little baby cries,
+ Or laughs a lovely laughter worse to bear.
+
+
+
+
+LOVE'S LANDMARKS
+
+The woods we used to walk, my love,
+ Are woods no more,
+But' villas' now with sounding names--
+ All name and door.
+
+The pond, where, early on in March,
+ The yellow cup
+Of water-lilies made us glad,
+ Is now filled up.
+
+But ah! what if they fill or fell
+ Each pond, each tree,
+What matters it to-day, my love,
+ To me--to thee?
+
+The jerry-builder may consume,
+ A greedy moth,
+God's mantle of the living green,
+ I feel no wrath;
+
+Eat up the beauty of the world,
+ And gorge his fill
+On mead and winding country lane,
+ And grassy hill.
+
+I only laugh, for now of these
+ I have no care,
+Now that to me the fair is foul,
+ And foul as fair.
+
+
+
+
+IF, AFTER ALL ...!
+
+This life I squander, hating the long days
+That will not bring me either Rest or Thee,
+This health I hack and ravage as with knives,
+These nerves I fain would shatter, and this heart
+I fain would break--this heart that, traitor-like,
+Beats on with foolish and elastic beat:
+If, after all, this life I waste and kill
+Should still be thine, may still be lived for thee!
+And this the dreadful trial of my love,
+This silence and this blank that makes me mad,
+That I be man to-day of all the days
+My one poor hope of meeting thee again--
+If Death be Love, and God's great purpose kind!
+
+Oh, love, if some day on the heavenly stair
+A wild ecstatic moment we should stand,
+And I, all hungry for your eyes and hair,
+Should meet instead your great accusing gaze,
+And hear, instead of welcome into heaven:
+'Ah! hadst thou but been true! but manfully
+Borne the high pangs that all high souls must bear,
+Nor fled to low nepenthes for your pain!
+Hadst said--"Is she not here? more reason then
+To live as though still guarded by her eyes,
+Cleaner my thought, and purer be my deed;
+True will I be, though God Himself be false!"'
+
+Oh, hadst thou thus been man, to-day had we
+Walked on together undivided now--
+But now a thousand flaming years must pass,
+And all the trial be gone o'er again.
+
+
+
+
+SPIRIT OF SADNESS
+
+She loved the Autumn, I the Spring,
+Sad all the songs she loved to sing;
+And in her face was strangely set
+Some great inherited regret.
+
+Some look in all things made her sigh,
+Yea! sad to her the morning sky:
+'So sad! so sad its beauty seems'--
+I hear her say it still in dreams.
+
+But when the day grew grey and old,
+And rising stars shone strange and cold,
+Then only in her face I saw
+A mystic glee, a joyous awe.
+
+Spirit of Sadness, in the spheres
+Is there an end of mortal tears?
+Or is there still in those great eyes
+That look of lonely hills and skies?
+
+
+
+
+AN INSCRIPTION
+
+Precious the box that Mary brake
+Of spikenard for her Master's sake,
+But ah! it held nought half so dear
+As the sweet dust that whitens here.
+The greater wonder who shall say:
+To make so white a soul of clay,
+From clay to win a face so fair,
+Those strange great eyes, that sunlit hair
+A-ripple o'er her witty brain,--
+Or turn all back to dust again.
+
+Who knows--but, in some happy hour,
+The God whose strange alchemic power
+Wrought her of dust, again may turn
+To woman this immortal urn.
+
+
+
+
+SONG
+
+She's somewhere in the sunlight strong,
+ Her tears are in the falling rain,
+She calls me in the wind's soft song,
+ And with the flowers she comes again.
+
+Yon bird is but her messenger,
+ The moon is but her silver car;
+Yea! sun and moon are sent by her,
+ And every wistful waiting star.
+
+
+
+
+
+End of the Project Gutenberg EBook of Robert Louis Stevenson, an Elegy; And
+Other Poems, by Richard Le Gallienne
+
+*** END OF THE PROJECT GUTENBERG EBOOK 10910 ***
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..ec2a6ad
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #10910 (https://www.gutenberg.org/ebooks/10910)
diff --git a/old/10910-8.txt b/old/10910-8.txt
new file mode 100644
index 0000000..ad553fa
--- /dev/null
+++ b/old/10910-8.txt
@@ -0,0 +1,1891 @@
+The Project Gutenberg EBook of Robert Louis Stevenson, an Elegy; And Other
+Poems, by Richard Le Gallienne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Robert Louis Stevenson, an Elegy; And Other Poems
+
+Author: Richard Le Gallienne
+
+Release Date: February 2, 2004 [EBook #10910]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK STEVENSON AND ELEGY ***
+
+
+
+
+Produced by Brendan Lane, Carol David and the Online Distributed
+Proofreading Team
+
+
+
+
+
+ROBERT
+
+LOUIS
+
+STEVENSON
+
+
+AN ELEGY
+
+
+AND OTHER POEMS MAINLY PERSONAL
+
+BY
+RICHARD LE GALLIENNE
+
+
+MDCCCXCV
+
+
+TO
+MY DEAR MOTHER AND FATHER
+THESE POEMS ARE LOVINGLY
+DEDICATED
+
+
+
+CONTENTS
+
+ROBERT LOUIS STEVENSON: AN ELEGY
+AN ODE TO SPRING
+TREE-WORSHIP
+A BALLAD OF LONDON
+PARIS DAY BY DAY: A FAMILIAR EPISTLE
+ALFRED TENNYSON
+PROFESSOR MINTO
+ON MR. GLADSTONE'S RETIREMENT
+OMAR KHAYYAM
+THE SECOND CRUCIFIXION
+AN IMPRESSION
+NATURAL RELIGION
+FAITH REBORN
+HESPERIDES
+JENNY DEAD
+MY BOOKS
+MAMMON
+ART
+TO A POET
+A NEW YEAR LETTER
+SNATCH
+MY MAIDEN VOTE
+THE ANIMALCULE ON MAN
+COME, MY CELIA
+TIME'S MONOTONE
+
+
+ COR CORDIUM
+
+O GOLDEN DAY! O SILVER NIGHT!
+LOVE'S EXCHANGE
+TO A SIMPLE HOUSEWIFE
+LOVE'S WISDOM
+HOME
+LOVE'S LANDMARKS
+IF, AFTER ALL...!
+SPIRIT OF SADNESS
+AN INSCRIPTION
+SONG
+
+
+
+ROBERT LOUIS STEVENSON
+
+AN ELEGY
+
+High on his Patmos of the Southern Seas
+Our northern dreamer sleeps,
+Strange stars above him, and above his grave
+Strange leaves and wings their tropic splendours wave,
+While, far beneath, mile after shimmering mile,
+The great Pacific, with its faery deeps,
+Smiles all day long its silken secret smile.
+
+Son of a race nomadic, finding still
+Its home in regions furthest from its home,
+Ranging untired the borders of the world,
+And resting but to roam;
+Loved of his land, and making all his boast
+The birthright of the blood from which he came,
+Heir to those lights that guard the Scottish coast,
+And caring only for a filial fame;
+Proud, if a poet, he was Scotsman most,
+And bore a Scottish name.
+
+Death, that long sought our poet, finds at last,
+Death, that pursued him over land and sea:
+Not his the flight of fear, the heart aghast
+With stony dread of immortality,
+He fled 'not cowardly';
+Fled, as some captain, in whose shaping hand
+Lie the momentous fortunes of his land,
+Sheds not vainglorious blood upon the field,
+Death! why at last he finds his treasure isle,
+And he the pirate of its hidden hoard;
+Life! 'twas the ship he sailed to seek it in,
+And Death is but the pilot come aboard,
+Methinks I see him smile a boy's glad smile
+On maddened winds and waters, reefs unknown,
+As thunders in the sail the dread typhoon,
+And in the surf the shuddering timbers groan;
+Horror ahead, and Death beside the wheel:
+Then--spreading stillness of the broad lagoon,
+And lap of waters round the resting keel.
+
+Strange Isle of Voices! must we ask in vain,
+In vain beseech and win no answering word,
+Save mocking echoes of our lonely pain
+From lonely hill and bird?
+Island beneath whose unrelenting coast,
+As though it never in the sun had been,
+The whole world's treasure lieth sunk and lost,
+Unsunned, unseen.
+For, either sunk beyond the diver's skill,
+There, fathoms deep, our gold is all arust,
+Or in that island it is hoarded still.
+Yea, some have said, within thy dreadful wall
+There is a folk that know not death at all,
+The loved we lost, the lost we love, are there.
+Will no kind voice make answer to our cry,
+Give to our aching hearts some little trust,
+Show how 'tis good to live, but best to die?
+Some voice that knows
+Whither the dead man goes:
+We hear his music from the other side,
+Maybe a little tapping on the door,
+A something called, a something sighed--
+No more.
+O for some voice to valiantly declare
+The best news true!
+Then, Happy Island of the Happy Dead,
+How gladly would we spread
+Impatient sail for you!
+
+O vanished loveliness of flowers and faces,
+Treasure of hair, and great immortal eyes,
+Are there for these no safe and secret places?
+And is it true that beauty never dies?
+Soldiers and saints, haughty and lovely names,
+Women who set the whole wide world in flames,
+Poets who sang their passion to the skies,
+And lovers wild and wise:
+Fought they and prayed for some poor flitting gleam,
+Was all they loved and worshipped but a dream?
+Is Love a lie and fame indeed a breath,
+And is there no sure thing in life--but death?
+Or may it be, within that guarded shore,
+He meets Her now whom I shall meet no more
+Till kind Death fold me 'neath his shadowy wing:
+She whom within my heart I softly tell
+That he is dead whom once we loved so well,
+He, the immortal master whom I sing.
+
+Immortal! yea, dare we the word again,
+If aught remaineth of our mortal day,
+That which is written--shall it not remain?
+That which is sung, is it not built for aye?
+Faces must fade, for all their golden looks,
+Unless some poet them eternalise,
+Make live those golden looks in golden books;
+Death, soon or late, will quench the brightest eyes--
+'Tis only what is written never dies.
+Yea, memories that guard like sacred gold
+Some sainted face, they also must grow old,
+Pass and forget, and think--or darest thou not!--
+On all the beauty that is quite forgot.
+
+Strange craft of words, strange magic of the pen,
+Whereby the dead still talk with living men;
+Whereby a sentence, in its trivial scope,
+May centre all we love and all we hope;
+And in a couplet, like a rosebud furled,
+Lie all the wistful wonder of the world.
+
+Old are the stars, and yet they still endure,
+Old are the flowers, yet never fail the spring:
+Why is the song that is so old so new,
+Known and yet strange each sweet small shape and hue?
+How may a poet thus for ever sing,
+Thus build his climbing music sweet and sure,
+As builds in stars and flowers the Eternal mind?
+Ah, Poet, that is yours to seek and find!
+Yea, yours that magisterial skill whereby
+God put all Heaven in a woman's eye,
+Nature's own mighty and mysterious art
+That knows to pack the whole within the part:
+The shell that hums the music of the sea,
+The little word big with Eternity,
+The cosmic rhythm in microcosmic things--
+One song the lark and one the planet sings,
+One kind heart beating warm in bird and tree--
+To hear it beat, who knew so well as he?
+
+Virgil of prose! far distant is the day
+When at the mention of your heartfelt name
+Shall shake the head, and men, oblivious, say:
+'We know him not, this master, nor his fame.'
+Not for so swift forgetfulness you wrought,
+Day upon day, with rapt fastidious pen,
+Turning, like precious stones, with anxious thought,
+This word and that again and yet again,
+Seeking to match its meaning with the world;
+Nor to the morning stars gave ears attent,
+That you, indeed, might ever dare to be
+With other praise than immortality
+Unworthily content.
+
+Not while a boy still whistles on the earth,
+Not while a single human heart beats true,
+Not while Love lasts, and Honour, and the Brave,
+Has earth a grave,
+O well-beloved, for you!
+
+
+
+
+AN ODE TO SPRING
+
+(TO GRANT AND NELLIE ALLEN)
+
+Is it the Spring?
+ Or are the birds all wrong
+That play on flute and viol,
+ A thousand strong,
+In minstrel galleries
+ Of the long deep wood,
+Epiphanies
+ Of bloom and bud.
+
+Grave minstrels those,
+ Of deep responsive chant;
+But see how yonder goes,
+ Dew-drunk, with giddy slant,
+Yon Shelley-lark,
+ And hark!
+Him on the giddy brink
+ Of pearly heaven
+His fairy anvil clink.
+
+Or watch, in fancy,
+ How the brimming note
+Falls, like a string of pearls,
+ From out his heavenly throat;
+Or like a fountain
+ In Hesperides,
+Raining its silver rain,
+ In gleam and chime,
+On backs of ivory girls--
+ Twice happy rhyme!
+
+Ah, none of these
+ May make it plain,
+No image we may seek
+ Shall match the magic of his gurgling beak.
+
+And many a silly thing
+ That hops and cheeps,
+And perks his tiny tail,
+ And sideway peeps,
+And flitters little wing,
+ Seems in his consequential way
+To tell of Spring.
+
+The river warbles soft and runs
+ With fuller curve and sleeker line,
+Though on the winter-blackened hedge
+ Twigs of unbudding iron shine,
+And trampled still the river sedge.
+
+And O the Sun!
+ I have no friend so generous as this Sun
+That comes to meet me with his big warm hands.
+ And O the Sky!
+There is no maid, how true,
+ Is half so chaste
+As the pure kiss of greening willow wands
+ Against the intense pale blue
+Of this sweet boundless overarching waste.
+
+And see!--dear Heaven, but it is the Spring!--
+ See yonder, yonder, by the river there,
+Long glittering pearly fingers flash
+ Upon the warm bright air:
+Why, 'tis the heavenly palm,
+ The Christian tree,
+Whose budding is a psalm
+ Of natural piety:
+Soft silver notches up the smooth green stem--
+ Ah, Spring must follow them,
+It is the Spring!
+
+O Spirit of Spring,
+ Whose strange instinctive art
+Makes the bird sing,
+ And brings the bud again;
+O in my heart
+ Take up thy heavenly reign,
+And from its deeps
+ Draw out the hidden flower,
+And where it sleeps,
+ Throughout the winter long,
+O sweet mysterious power
+ Awake the slothful song!
+
+_February_ 7, 1893.
+
+
+
+
+TREE-WORSHIP
+
+(TO JOHN LANE)
+
+Vast and mysterious brother, ere was yet of me
+ So much as men may poise upon a needle's end,
+Still shook with laughter all this monstrous might of thee,
+ And still with haughty crest it called the morning friend.
+
+Thy latticed column jetted up the bright blue air,
+ Tall as a mast it was, and stronger than a tower;
+Three hundred winters had beheld thee mighty there,
+ Before my little life had lived one little hour.
+
+With rocky foot stern-set like iron in the land,
+ With leafy rustling crest the morning sows with pearls,
+Huge as a minster, half in heaven men saw thee stand,
+ Thy rugged girth the waists of fifty Eastern girls.
+
+Knotted and warted, slabbed and armoured like the hide
+ Of tropic elephant; unstormable and steep
+As some grim fortress with a princess-pearl inside,
+ Where savage guardian faces beard the bastioned keep:
+
+So hard a rind, old tree, shielding so soft a heart--
+ A woman's heart of tender little nestling leaves;
+Nor rind so hard but that a touch so soft can part,
+ And Spring's first baby-bud an easy passage cleaves.
+
+I picture thee within with dainty satin sides,
+ Where all the long day through the sleeping dryad dreams,
+But when the moon bends low and taps thee thrice she glides,
+ Knowing the fairy knock, to bask within her beams.
+
+And all the long night through, for him with eyes and ears,
+ She sways within thine arms and sings a fairy tune,
+Till, startled with the dawn, she softly disappears,
+ And sleeps and dreams again until the rising moon.
+
+But with the peep of day great bands of heavenly birds
+ Fill all thy branchy chambers with a thousand flutes,
+And with the torrid noon stroll up the weary herds,
+ To seek thy friendly shade and doze about thy roots--
+
+Till with the setting sun they turn them once more home;
+ And, ere the moon dawns, for a brief enchanted space,
+Weary with million miles, the sore-spent star-beams come,
+ And moths and bats hold witches' sabbath in the place.
+
+And then I picture thee some bloodstained Holyrood,
+ Dread haunted palace of the bat and owl, whence steal,
+Shrouded all day, lost murdered spirits of the wood,
+ And fright young happy nests with homeless hoot and squeal.
+
+Then, maybe, dangling from thy gloomy gallows boughs,
+ A human corpse swings, mournful, rattling bones and chains--
+His eighteenth century flesh hath fattened nineteenth century cows--
+ Ghastly Aeolian harp fingered of winds and rains.
+
+Poor Rizpah comes to reap each newly-fallen bone
+ That once thrilled soft, a little limb, within her womb;
+And mark yon alchemist, with zodiac-spangled zone,
+ Wrenching the mandrake root that fattens in the gloom.
+
+So rounds thy day, from maiden morn to haunted night,
+ From larks and sunlit dreams to owl and gibbering ghost;
+A catacomb of dark, a maze of living light,
+ To the wide sea of air a green and welcome coast.
+
+I seek a god, old tree: accept my worship, thou!
+ All other gods have failed me always in my need;
+I hang my votive song beneath thy temple bough,
+ Unto thy strength I cry--Old monster, be my creed!
+
+Give me to clasp this earth with feeding roots like thine,
+ To mount yon heaven with such star-aspiring head,
+Fill full with sap and buds this shrunken life of mine,
+ And from my boughs oh! might such stalwart sons be shed.
+
+With loving cheek pressed close against thy horny breast,
+ I hear the roar of sap mounting within thy veins;
+Tingling with buds, thy great hands open towards the west,
+ To catch the sweetheart winds that bring the sister rains.
+
+O winds that blow from out the fruitful mouth of God,
+ O rains that softly fall from His all-loving eyes,
+You that bring buds to trees and daisies to the sod--
+ O God's best Angel of the Spring, in me arise.
+
+
+
+
+A BALLAD OF LONDON
+
+(TO H. W. MASSINSHAM)
+
+Ah, London! London! our delight,
+Great flower that opens but at night,
+Great City of the Midnight Sun,
+Whose day begins when day is done.
+
+Lamp after lamp against the sky
+Opens a sudden beaming eye,
+Leaping alight on either hand,
+The iron lilies of the Strand.
+
+Like dragonflies, the hansoms hover,
+With jewelled eyes, to catch the lover;
+The streets are full of lights and loves,
+Soft gowns, and flutter of soiled doves.
+
+The human moths about the light
+Dash and cling close in dazed delight,
+And burn and laugh, the world and wife,
+For this is London, this is life!
+
+Upon thy petals butterflies,
+But at thy root, some say, there lies
+A world of weeping trodden things,
+Poor worms that have not eyes or wings.
+
+From out corruption of their woe
+Springs this bright flower that charms us so,
+Men die and rot deep out of sight
+To keep this jungle-flower bright.
+
+Paris and London, World-Flowers twain
+Wherewith the World-Tree blooms again,
+Since Time hath gathered Babylon,
+And withered Rome still withers on.
+
+Sidon and Tyre were such as ye,
+How bright they shone upon the Tree!
+But Time hath gathered, both are gone,
+And no man sails to Babylon.
+
+Ah, London! London! our delight,
+For thee, too, the eternal night,
+And Circe Paris hath no charm
+To stay Time's unrelenting arm.
+
+Time and his moths shall eat up all.
+Your chiming towers proud and tall
+He shall most utterly abase,
+And set a desert in their place.
+
+
+
+
+PARIS DAY BY DAY: A FAMILIAR EPISTLE
+
+(TO MRS. HENRY HARLAND[1])
+
+Paris, half Angel, half Grisette,
+I would that I were with thee yet,
+Where the long boulevard at even
+Stretches its starry lamps to heaven,
+And whispers from a thousand trees
+Vague hints of the Hesperides.
+
+Once more, once more, my heart, to sit
+With Aline's smile and Harry's wit,
+To sit and sip the cloudy green,
+With dreamy hints of speech between;
+
+Or, may be, flashing all intent
+At call of some stern argument,
+When the New Woman fain would be,
+Like the Old Male, her husband, free.
+The prose-man takes his mighty lyre
+And talks like music set on fire!
+
+The while the merry crowd slips by
+Glittering and glancing to the eye,
+All happy lovers on their way
+To make a golden end of day--
+Ah! Caf truly called _La Paix_!
+
+Or at the _pension_ I would be
+With Transatlantic maidens three,
+The same, I vow, who once of old
+Guarded with song the trees of gold.
+
+O Lady, lady, _Vis--Vis_,
+When shall I cease to think of thee,
+On whose fair head the Golden Fleece
+Too soon, too soon, returns to Greece--
+Oh, why to Athens e'er depart?
+Come back, come back, and bring my heart!
+
+And she whose gentle silver grace,
+So wise of speech and kind of face,
+Whose every wise and witty word
+Fell shy, half blushing to be heard.
+
+Last, but ah! surely not least dear,
+That blithe and buxom buccaneer,
+Th' avenging goddess of her sex,
+Born the base soul of man to vex,
+And wring from him those tears and sighs
+Tortured from woman's heart and eyes.
+Ah! fury, fascinating, fair--
+When shall I cease to think of _her_!
+
+Paris, half Angel, half Grisette,
+I would that I were with thee yet,
+But London waits me, like a wife,--
+London, the love of my whole life.
+
+Tell her not, Paris, mercy me!
+How I have flirted, dear, with thee.
+
+[1] By kind permission of the Editor of _The Yellow Book_.
+
+
+
+
+ALFRED TENNYSON
+
+(WESTMINSTER, OCTOBER 12, 1892)
+
+Great man of song, whose glorious laurelled head
+ Within the lap of death sleeps well at last,
+Down the dark road, seeking the deathless dead,
+ Thy faithful, fearless, shining soul hath passed.
+
+Fame blows his silver trumpet o'er thy sleep,
+ And Love stands broken by thy lonely lyre;
+So pure the fire God gave this clay to keep,
+ The clay must still seem holy for the fire.
+
+Poor dupes of sense, we deem the close-shut eye,
+ So faithful servant of his golden tongue,
+Still holds the hoarded lights of earth and sky,
+ We deem the mouth still full of sleeping song.
+
+We mourn as though the great good song he gave
+ Passed with the singer's own informing breath:
+Ah, golden book, for thee there is no grave,
+ Thine is a rhyme that shall not taste of death.
+
+Great wife of his great heart--'tis yours to mourn,
+ Son well-beloved, 'tis yours, who loved him so:
+But we!--hath death one perfect page out-torn
+ From the great song whereby alone we know
+
+The splendid spirit imperiously shy,--
+ Husband to you and father--we afar
+Hail poet of God, and name as one should cry:
+ 'Yonder a king, and yonder lo! a star!'
+
+So great his song we deem a little while
+ That Song itself with his great voice hath fled,
+So grand the toga-sweep of his great style,
+ So vast the theme on which his song was fed.
+
+One sings a flower, and one a face, and one
+ Screens from the world a corner choice and small,
+Each toy its little laureate hath, but none
+ Sings of the whole: yea, only he sang all.
+
+Poor little bards, so shameless in your care
+ To snatch the mighty laurel from his head,
+Have you no fear, dwarfs in the giant's chair,
+ How men shall laugh, remembering the dead?
+
+Great is advertisement! 'tis almost fate,
+ But, little mushroom-men, of puff-ball fame,
+Ah, do you dream to be mistaken great
+ And to be really great are just the same?
+
+Ah, fools! he was a laureate ere one leaf
+ Of the great crown had whispered on his brows;
+Fame shrilled his song, Love carolled it, and Grief
+ Blessed it with tears within her lonely house.
+
+Fame loved him well, because he loved not Fame,
+ But Peace and Love, all other things before,
+A man was he ere yet he was a name,
+ His song was much because his love was more.
+
+
+
+
+PROFESSOR MINTO
+
+Nature, that makes Professors all day long,
+And, filling idle souls with idle song,
+Turns out small Poets every other minute,
+Made earth for men--but seldom puts men in it.
+
+Ah, Minto, thou of that minority
+Wert man of men--we had deep need of thee!
+Had Heaven a deeper? Did the heavenly Chair
+Of Earthly Love wait empty for thee there?
+
+_March_ 1, 1893.
+
+
+
+
+ON MR. GLADSTONE'S RETIREMENT
+
+The world grows Lilliput, the great men go;
+ If greatness be, it wears no outer sign;
+ No more the signet of the mighty line
+Stamps the great brow for all the world to know.
+Shrunken the mould of manhood is, and lo!
+ Fragments and fractions of the old divine,
+ Men pert of brain, planned on a mean design,
+Dapper and undistinguished--such we grow.
+
+No more the leonine heroic head,
+ The ruling arm, great heart, and kingly eye;
+No more th' alchemic tongue that turned poor themes
+ Of statecraft into golden-glowing dreams;
+ No more a man for man to deify:
+Laurel no more--the heroic age is dead.
+
+
+
+
+OMAR KHAYYM
+
+(TO THE OMAR KHAYYM CLUB)
+
+Great Omar, here to-night we drain a bowl
+Unto thy long-since transmigrated soul,
+ Ours all unworthy in thy place to sit,
+Ours still to read in life's enchanted scroll.
+
+For us like thee a little hour to stay,
+For us like thee a little hour of play,
+ A little hour for wine and love and song,
+And we too turn the glass and take our way.
+
+So many years your tomb the roses strew,
+Yet not one penny wiser we than you,
+The doubts that wearied you are with us still,
+And, Heaven be thanked! your wine is with us too.
+
+For, have the years a better message brought
+To match the simple wisdom that you taught:
+ Love, wine and verse, and just a little bread--
+For these to live and count the rest as nought?
+
+Therefore, Great Omar, here our homage deep
+We drain to thee, though all too fast asleep
+ In Death's intoxication art thou sunk
+To know the solemn revels that we keep.
+
+Oh, had we, best-loved Poet, but the power
+From our own lives to pluck one golden hour,
+And give it unto thee in thy great need,
+How would we welcome thee to this bright bower!
+
+O life that is so warm, 'twas Omar's too;
+O wine that is so red, he drank of you:
+ Yet life and wine must all be put away,
+And we go sleep with Omar--yea, 'tis true.
+
+And when in some great city yet to be
+The sacred wine is spilt for you and me,
+ To those great fames that we have yet to build,
+We'll know as little of it all as he.
+
+
+
+
+THE SECOND CRUCIFIXION
+
+Loud mockers in the roaring street
+ Say Christ is crucified again:
+Twice pierced His gospel-bringing feet,
+ Twice broken His great heart in vain.
+
+I hear, and to myself I smile,
+For Christ talks with me all the while.
+
+No angel now to roll the stone
+ From off His unawaking sleep,
+In vain shall Mary watch alone,
+ In vain the soldiers vigil keep.
+
+Yet while they deem my Lord is dead
+My eyes are on His shining head.
+
+Ah! never more shall Mary hear
+ That voice exceeding sweet and low
+Within the garden calling clear:
+ Her Lord is gone, and she must go.
+
+Yet all the while my Lord I meet
+In every London lane and street.
+
+Poor Lazarus shall wait in vain,
+ And Bartimaeus still go blind;
+The healing hem shall ne'er again
+ Be touched by suffering humankind.
+
+Yet all the while I see them rest,
+The poor and outcast, in His breast.
+
+No more unto the stubborn heart
+ With gentle knocking shall He plead,
+No more the mystic pity start,
+ For Christ twice dead is dead indeed.
+
+So in the street I hear men say,
+Yet Christ is with me all the day.
+
+
+
+
+AN IMPRESSION
+
+The floating call of the cuckoo,
+Soft little globes of bosom-shaped sound,
+Came and went at the window;
+And, out in the great green world,
+Those maidens each morn the flowers
+Opened their white little bodices wide to the sun:
+And the man sighed--sighed--in his sleep,
+And the woman smiled.
+
+Then a lark staggered singing by
+Up his shining ladder of dew,
+And the airs of dawn walked softly about the room,
+Filling the morning sky with the scent of the woman's hair,
+And giving, in sweet exchange, its hawthorn and daisy breath:
+And the man awoke with a sob--
+But the woman dreamed.
+
+
+
+
+NATURAL RELIGION
+
+Up through the mystic deeps of sunny air
+I cried to God--'O Father, art Thou there?'
+Sudden the answer, like a flute, I heard:
+It was an angel, though it seemed a bird.
+
+
+
+
+FAITH REBORN
+
+'The old gods pass,' the cry goes round;
+'Lo! how their temples strew the ground';
+Nor mark we where, on new-fledged wings,
+Faith, like the phoenix, soars and sings.
+
+
+
+
+HESPERIDES
+
+Men say--beyond the western seas
+ The happy isles no longer glow,
+No sailor sights Hesperides,
+ All that was long ago.
+
+No longer in a glittering morn
+ Their misty meadows flicker nigh,
+No singing with the spray is borne,
+ All that is long gone by.
+
+To-day upon the golden beach
+ No gold-haired guardian maidens stand,
+No apples ripen out of reach,
+ And none are mad to land.
+
+The merchant-men, 'tis they say so,
+ That trade across the western seas,
+In hurried transit to and fro,
+ About Hesperides.
+
+But, Reader, not as these thou art,
+ So, loose thy shallop from its hold,
+And, trusting to the ancient chart,
+ Thou 'It make them as of old.
+
+
+
+
+JENNY DEAD
+
+Like a flower in the frost
+ Sweet Jenny lies,
+With her frail hands calmly crossed,
+ And close-shut eyes.
+
+Bring a candle, for the room
+ Is dark and cold,
+Antechamber of the tomb--
+ O grief untold!
+
+Like a snowdrift is her bed,
+ Dinted the snow,
+Faint frozen lines from foot to head,--
+ She lies below.
+
+Turn from off her shrouded face
+ The frigid sheet....
+Death hath doubled all her grace--
+ O Jenny, sweet!
+
+
+
+
+MY BOOKS
+
+What are my books?--My friends, my loves,
+ My church, my tavern, and my only wealth;
+My garden: yea, my flowers, my bees, my doves;
+ My only doctors--and my only health.
+
+
+
+
+MAMMON
+
+(FOR MR, G. F. WATTS'S PICTURE)
+
+Mammon is this, of murder and of gold,
+To-day, to-morrow, and ever from of old,
+Th' Almighty God, and King of every land.
+Man 'neath his foot, and woman 'neath his hand,
+Kneel prostrate: he, 'tis meant to symbolise,
+Steals our strong men and our sweet women buys.
+
+O! rather grind me down into the dust
+Than choose me for the vessel of thy lust.
+
+
+
+
+ART
+
+Art is a gipsy,
+ Fickle as fair,
+Good to kiss and flirt with,
+ But marry--if you dare!
+
+
+
+
+TO A POET
+
+(TO EDMUND GOSSE)
+
+Still towards the steep Parnassian way
+The moon-led pilgrims wend,
+Ah, who of all that start to-day
+Shall ever reach the end?
+
+Year after year a dream-fed band
+That scorn the vales below,
+And scorn the fatness of the land
+To win those heights of snow,--
+
+Leave barns and kine and flocks behind,
+And count their fortune fair,
+If they a dozen leaves may bind
+Of laurel in their hair.
+
+Like us, dear Poet, once you trod
+That sweet moon-smitten way,
+With mouth of silver sought the god
+All night and all the day;
+
+Sought singing, till in rosy fire
+The white Apollo came,
+And touched your brow, and wreathed your lyre,
+And named you by his name;
+
+And led you, loving, by the hand
+To those grave laurelled bowers,
+Where keep your high immortal band
+Your high immortal hours.
+
+Strait was the way, thorn-set and long--
+Ah, tell us, shining there,
+Is fame as wonderful as song?
+And laurels in your hair!
+
+
+
+
+A NEW YEAR LETTER
+
+_To Two Friends married in the New Year_
+
+(TO. MR. AND MRS. WELCH)
+
+Another year to its last day,
+Like a lost sovereign, runaway,
+Tips down the gloomy grid of time:
+In vain to holloa, 'Stop it! hey!'--
+A cab-horse that has taken fright,
+Be you a policeman, stop you may;
+But not a sovereign mad with glee
+That scampers to the grid, perdie,
+And not a year that's taken flight;
+To both 'tis just a grim good night.
+
+But no! the imagery, say you,
+Is wondrous witty--but not true;
+For the old year that last night went
+Has not been so much lost as spent:
+You gave it in exchange to Death
+For just twelve months of happy breath.
+
+It was a ticket to admit
+Two happy people close to sit--
+A 'Season' ticket, one might say,
+At Time's eternal passion play.
+
+O magic overture of Spring,
+O Summer like an Eastern King,
+O Autumn, splendid widowed Queen,
+O Winter, alabaster tomb
+Where lie the regal twain serene,
+Gone to their yearly doom.
+
+But all you bought with that spent year,--
+Ah, friends! it was as nothing, was it?
+Nothing at all to hold compare
+With what you buy with this New Year.
+A home! ah me, you could not buy
+Another half so precious toy,
+With all the other years to come
+As that grown-up doll's house--a home.
+
+O wine upon its threshold stone,
+And horse-shoes on the lintel of it,
+And happy hearts to keep it warm,
+And God Himself to love it!
+Dear little nest built snug on bough
+Within the World-Tree's mighty arms,
+I would I knew a spell that charms
+Eternal safety from the storm;
+
+To give you always stars above,
+And always roses on the bough--
+But then the Tree's own root is Love,
+Love, love, all love, I vow.
+
+_New Year_ 1893.
+
+
+
+
+SNATCH
+
+From tavern to tavern
+ Youth passes along,
+With an armful of girl
+ And a heart full of song.
+
+From flower to flower
+ The butterfly sips,
+O passionate limbs
+ And importunate lips!
+
+From candle to candle
+ The moth loves to fly,
+O sweet, sweet to burn!
+ And still sweeter to die!
+
+
+
+
+MY MAIDEN VOTE
+
+(TO JOHN FRASER)
+
+There, in my mind's-eye, pure it lay,
+My lodger's vote! 'Twas mine to-day.
+It seemed a sort of maidenhood,
+My little power for public good,--
+Oh keep it uncorrupted, pray!
+And, when it must be given away,
+See it be given with a sense
+Of most uncanvassed innocence.
+Alas!--but few there be that know't--
+How grave a thing it is to vote!
+For most men's votes are given, I hear,
+Either for rhetoric or--beer.
+
+A young man's vote--O fair estate!
+Of the great tree electorate
+A living leaf, of this great sea
+A motive wave of empire I,
+On this stupendous wheel--a fly.
+O maiden vote, how pure must be
+The party that is worthy thee!
+And thereupon my mind began
+That perfect government to plan,
+The high millennium of man.
+
+Then in my dream I saw arise
+An England, ah! so fair and wise,
+An England generously great,
+No selfish island, but a state
+Upon the world's bright forehead worn,
+A mighty star of mighty morn.
+
+And statesmen in that dream became
+No tricksters of the petty aim,
+Mere speculators in the rise
+Of programmes and of party cries,
+Expert in all those turns and tricks
+That make this senate-house of ours,
+Westminster, with its lordly towers,
+The stock-exchange of politics.
+But that ideal Parliament
+Did all it said, said all it meant,
+And every Minister of State
+Was guileless--as a candidate.
+
+Statesmen no more the tinker's way
+Mended and patched from day to day,
+Content with piecing part with part,
+But took the mighty problem whole,
+Beginning with the human heart:
+For noble rulers make in vain
+Unselfish laws for selfish men,
+And give the whole wide world its vote,
+But who is going to give it soul?
+
+And then I dreamed had come to reign
+True peace within our land again;
+Not peace that rots the soul with ease,
+Or those ignoble 'rivalries
+Of peace' more murderous than war,
+But just the simple peasant peace
+The weary world is waiting for.
+With simple food and simple wear
+Go lots of love and little care,
+And joy is saved from over-sweet
+By struggle not too hard to bear.
+
+So dreamed I on from dream to dream,
+Till, slow returning to my theme,
+Upon my vote I looked again--
+To whom was I to give it then?
+That uncorrupted maidenhood,
+My little power for public good.
+What party was there that I knew
+That I might dare intrust it to,
+A perfect party fair and square--
+My House of Commons in the air?
+
+Though called by many different names,
+Each one professed the noblest aims;
+Should all be right, 'twas logical
+That I should give my vote to all!
+
+And then, of parties old and new
+Which one, if only one, were true?
+
+The divination passed my skill,--
+My maiden vote is maiden still.
+
+
+
+
+THE ANIMALCULE ON MAN
+
+An animalcule in my blood
+ Rose up against me as I dreamed,
+He was so tiny as he stood,
+ You had not heard him, though he screamed.
+
+He cried 'There is no Man!'
+ And thumped the table with his fist,
+Then died--his day was scarce a span,--
+ That microscopic atheist.
+
+Yet all the while his little soul
+ Within what he denied did live,--
+Poor part, how could he know the whole?
+ And yet he was so positive!
+
+And all the while he thus blasphemed
+ My (solar) system went its round,
+My heart beat on, my head still dreamed,--
+ But my poor atheist was drowned.
+
+
+
+
+COME, MY CELIA
+
+Come, my Celia, let us prove,
+While we may, how wise is love--
+Love grown old and grey with years,
+Love whose blood is thinned with tears.
+
+Philosophic lover I,
+Broke my heart, its love run dry,
+And I warble passion's words
+But to hear them sing like birds.
+
+When the lightning struck my side,
+Love shrieked and for ever died,
+Leaving nought of him behind
+But these playthings of the mind.
+
+Now the real play is over
+I can only _act_ a lover,
+Now the mimic play begins
+With its puppet joys and sins.
+
+When the heart no longer feels,
+And the blood with caution steals,
+Then, ah! then--my heart, forgive!--
+Then we dare begin to live.
+
+Dipped in Stygian waves of pain,
+We can never feel again;
+Time may hurl his deadliest darts,
+Love may practise all his arts;
+
+Like some Balder, lo! we stand
+Safe 'mid hurtling spear and brand,
+Only Death--ah! sweet Death, throw!--
+Holds the fatal mistletoe.
+
+Let the young unconquered soul
+Love the unit as the whole,
+Let the young uncheated eye
+Love the face fore-doomed to die:
+
+But, my Celia, not for us
+Pleasures half so hazardous;
+Let us set our hearts on play,
+'Tis, alas! the only way--
+
+Make of life the jest it is,
+Laugh and fool and (maybe!) kiss,
+Never for a moment, dear,
+Love so well to risk a fear.
+
+Is not this, my Celia, say,
+The only wise--and weary--way?
+
+
+
+
+TIME'S MONOTONE
+
+ Autumn and Winter,
+ Summer and Spring--
+Hath Time no other song to sing?
+Weary we grow of the changeless tune--
+ June--December,
+ December--June!
+
+Time, like a bird, hath but one song,
+ One way to build, like a bird hath he;
+Thus hath he built so long, so long,
+ Thus hath he sung--Ah me!
+
+Time, like a spider, knows, be sure,
+ One only wile, though he seems so wise:
+Death is his web, and Love his lure,
+ And you and I his flies.
+
+
+ 'Love!' he sings
+ In the morning clear,
+ 'Love! Love! Love!'
+ And you never hear
+ How, under his breath,
+ He whispers, 'Death!
+ Death! Death!'
+
+Yet Time--'tis the strangest thing of all--
+ Knoweth not the sense of the words he saith;
+Eternity taught him his parrot-call
+ Of 'Love and Death.'
+
+Year after year doth the old man climb
+ The mountainous knees of Eternity,
+But Eternity telleth nothing to Time--
+ It may not be.
+
+
+
+
+COR CORDIUM
+
+
+O GOLDEN DAY! O SILVER NIGHT!
+
+O golden day! O silver night!
+ That brought my own true love at last,
+Ah, wilt thou drop from out our sight,
+ And drown within the past?
+
+One wave, no more, in life's wide sea,
+ One little nameless crest of foam,
+The day that gave her all to me
+ And brought us to our home.
+
+Nay, rather as the morning grows
+ In flush, and gleam, and kingly ray,
+While up the heaven the sun-god goes,
+ So shall ascend our day.
+
+And when at last the long night nears,
+ And love grows angel in the gloam,
+Nay, sweetheart, what of fears and tears?--
+ The stars shall see us home.
+
+
+
+
+LOVE'S EXCHANGE
+
+Simple am I, I care no whit
+ For pelf or place,
+It is enough for me to sit
+ And watch Dulcinea's face;
+To mark the lights and shadows flit
+ Across the silver moon of it.
+
+I have no other merchandise,
+ No stocks or shares,
+No other gold but just what lies
+ In those deep eyes of hers;
+And, sure, if all the world were wise,
+It too would bank within her eyes.
+
+I buy up all her smiles all day
+ With all my love,
+And sell them back, cost-price, or, say,
+ A kiss or two above;
+It is a speculation fine,
+The profit must be always mine.
+
+The world has many things, 'tis true,
+ To fill its time,
+Far more important things to do
+ Than making love and rhyme;
+Yet, if it asked me to advise,
+I'd say--buy up Dulcinea's eyes!
+
+
+
+
+TO A SIMPLE HOUSEWIFE
+
+Who dough shall knead as for God's sake
+ Shall fill it with celestial leaven,
+And every loaf that she shall bake
+ Be eaten of the Blest in heaven.
+
+
+
+
+LOVE'S WISDOM
+
+Sometimes my idle heart would roam
+ Far from its quiet happy nest,
+To seek some other newer home,
+ Some unaccustomed Best:
+But ere it spreads its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+Sometimes my idle heart would sail
+ From out its quiet sheltered bay,
+To tempt a less pacific gale,
+ And oceans far away:
+But ere it shakes its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+Sometimes my idle heart would fly,
+ Mothlike, to reach some shining sin,
+It seems so sweet to burn and die
+ That wondrous light within:
+But ere it burns its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+
+
+
+HOME ...
+
+'We're going home!' I heard two lovers say,
+ They kissed their friends and bade them bright good-byes;
+ I hid the deadly hunger in my eyes,
+And, lest I might have killed them, turned away.
+Ah, love! we too once gambolled home as they,
+ Home from the town with such fair merchandise,--
+ Wine and great grapes--the happy lover buys:
+A little cosy feast to crown the day.
+
+Yes! we had once a heaven we called a home
+ Its empty rooms still haunt me like thine eyes,
+When the last sunset softly faded there;
+Each day I tread each empty haunted room,
+ And now and then a little baby cries,
+ Or laughs a lovely laughter worse to bear.
+
+
+
+
+LOVE'S LANDMARKS
+
+The woods we used to walk, my love,
+ Are woods no more,
+But' villas' now with sounding names--
+ All name and door.
+
+The pond, where, early on in March,
+ The yellow cup
+Of water-lilies made us glad,
+ Is now filled up.
+
+But ah! what if they fill or fell
+ Each pond, each tree,
+What matters it to-day, my love,
+ To me--to thee?
+
+The jerry-builder may consume,
+ A greedy moth,
+God's mantle of the living green,
+ I feel no wrath;
+
+Eat up the beauty of the world,
+ And gorge his fill
+On mead and winding country lane,
+ And grassy hill.
+
+I only laugh, for now of these
+ I have no care,
+Now that to me the fair is foul,
+ And foul as fair.
+
+
+
+
+IF, AFTER ALL ...!
+
+This life I squander, hating the long days
+That will not bring me either Rest or Thee,
+This health I hack and ravage as with knives,
+These nerves I fain would shatter, and this heart
+I fain would break--this heart that, traitor-like,
+Beats on with foolish and elastic beat:
+If, after all, this life I waste and kill
+Should still be thine, may still be lived for thee!
+And this the dreadful trial of my love,
+This silence and this blank that makes me mad,
+That I be man to-day of all the days
+My one poor hope of meeting thee again--
+If Death be Love, and God's great purpose kind!
+
+Oh, love, if some day on the heavenly stair
+A wild ecstatic moment we should stand,
+And I, all hungry for your eyes and hair,
+Should meet instead your great accusing gaze,
+And hear, instead of welcome into heaven:
+'Ah! hadst thou but been true! but manfully
+Borne the high pangs that all high souls must bear,
+Nor fled to low nepenthes for your pain!
+Hadst said--"Is she not here? more reason then
+To live as though still guarded by her eyes,
+Cleaner my thought, and purer be my deed;
+True will I be, though God Himself be false!"'
+
+Oh, hadst thou thus been man, to-day had we
+Walked on together undivided now--
+But now a thousand flaming years must pass,
+And all the trial be gone o'er again.
+
+
+
+
+SPIRIT OF SADNESS
+
+She loved the Autumn, I the Spring,
+Sad all the songs she loved to sing;
+And in her face was strangely set
+Some great inherited regret.
+
+Some look in all things made her sigh,
+Yea! sad to her the morning sky:
+'So sad! so sad its beauty seems'--
+I hear her say it still in dreams.
+
+But when the day grew grey and old,
+And rising stars shone strange and cold,
+Then only in her face I saw
+A mystic glee, a joyous awe.
+
+Spirit of Sadness, in the spheres
+Is there an end of mortal tears?
+Or is there still in those great eyes
+That look of lonely hills and skies?
+
+
+
+
+AN INSCRIPTION
+
+Precious the box that Mary brake
+Of spikenard for her Master's sake,
+But ah! it held nought half so dear
+As the sweet dust that whitens here.
+The greater wonder who shall say:
+To make so white a soul of clay,
+From clay to win a face so fair,
+Those strange great eyes, that sunlit hair
+A-ripple o'er her witty brain,--
+Or turn all back to dust again.
+
+Who knows--but, in some happy hour,
+The God whose strange alchemic power
+Wrought her of dust, again may turn
+To woman this immortal urn.
+
+
+
+
+SONG
+
+She's somewhere in the sunlight strong,
+ Her tears are in the falling rain,
+She calls me in the wind's soft song,
+ And with the flowers she comes again.
+
+Yon bird is but her messenger,
+ The moon is but her silver car;
+Yea! sun and moon are sent by her,
+ And every wistful waiting star.
+
+
+
+
+
+End of the Project Gutenberg EBook of Robert Louis Stevenson, an Elegy; And
+Other Poems, by Richard Le Gallienne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK STEVENSON AND ELEGY ***
+
+***** This file should be named 10910-8.txt or 10910-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/0/9/1/10910/
+
+Produced by Brendan Lane, Carol David and the Online Distributed
+Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/10910-8.zip b/old/10910-8.zip
new file mode 100644
index 0000000..889b969
--- /dev/null
+++ b/old/10910-8.zip
Binary files differ
diff --git a/old/10910.txt b/old/10910.txt
new file mode 100644
index 0000000..8496d04
--- /dev/null
+++ b/old/10910.txt
@@ -0,0 +1,1891 @@
+The Project Gutenberg EBook of Robert Louis Stevenson, an Elegy; And Other
+Poems, by Richard Le Gallienne
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Robert Louis Stevenson, an Elegy; And Other Poems
+
+Author: Richard Le Gallienne
+
+Release Date: February 2, 2004 [EBook #10910]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK STEVENSON AND ELEGY ***
+
+
+
+
+Produced by Brendan Lane, Carol David and the Online Distributed
+Proofreading Team
+
+
+
+
+
+ROBERT
+
+LOUIS
+
+STEVENSON
+
+
+AN ELEGY
+
+
+AND OTHER POEMS MAINLY PERSONAL
+
+BY
+RICHARD LE GALLIENNE
+
+
+MDCCCXCV
+
+
+TO
+MY DEAR MOTHER AND FATHER
+THESE POEMS ARE LOVINGLY
+DEDICATED
+
+
+
+CONTENTS
+
+ROBERT LOUIS STEVENSON: AN ELEGY
+AN ODE TO SPRING
+TREE-WORSHIP
+A BALLAD OF LONDON
+PARIS DAY BY DAY: A FAMILIAR EPISTLE
+ALFRED TENNYSON
+PROFESSOR MINTO
+ON MR. GLADSTONE'S RETIREMENT
+OMAR KHAYYAM
+THE SECOND CRUCIFIXION
+AN IMPRESSION
+NATURAL RELIGION
+FAITH REBORN
+HESPERIDES
+JENNY DEAD
+MY BOOKS
+MAMMON
+ART
+TO A POET
+A NEW YEAR LETTER
+SNATCH
+MY MAIDEN VOTE
+THE ANIMALCULE ON MAN
+COME, MY CELIA
+TIME'S MONOTONE
+
+
+ COR CORDIUM
+
+O GOLDEN DAY! O SILVER NIGHT!
+LOVE'S EXCHANGE
+TO A SIMPLE HOUSEWIFE
+LOVE'S WISDOM
+HOME
+LOVE'S LANDMARKS
+IF, AFTER ALL...!
+SPIRIT OF SADNESS
+AN INSCRIPTION
+SONG
+
+
+
+ROBERT LOUIS STEVENSON
+
+AN ELEGY
+
+High on his Patmos of the Southern Seas
+Our northern dreamer sleeps,
+Strange stars above him, and above his grave
+Strange leaves and wings their tropic splendours wave,
+While, far beneath, mile after shimmering mile,
+The great Pacific, with its faery deeps,
+Smiles all day long its silken secret smile.
+
+Son of a race nomadic, finding still
+Its home in regions furthest from its home,
+Ranging untired the borders of the world,
+And resting but to roam;
+Loved of his land, and making all his boast
+The birthright of the blood from which he came,
+Heir to those lights that guard the Scottish coast,
+And caring only for a filial fame;
+Proud, if a poet, he was Scotsman most,
+And bore a Scottish name.
+
+Death, that long sought our poet, finds at last,
+Death, that pursued him over land and sea:
+Not his the flight of fear, the heart aghast
+With stony dread of immortality,
+He fled 'not cowardly';
+Fled, as some captain, in whose shaping hand
+Lie the momentous fortunes of his land,
+Sheds not vainglorious blood upon the field,
+Death! why at last he finds his treasure isle,
+And he the pirate of its hidden hoard;
+Life! 'twas the ship he sailed to seek it in,
+And Death is but the pilot come aboard,
+Methinks I see him smile a boy's glad smile
+On maddened winds and waters, reefs unknown,
+As thunders in the sail the dread typhoon,
+And in the surf the shuddering timbers groan;
+Horror ahead, and Death beside the wheel:
+Then--spreading stillness of the broad lagoon,
+And lap of waters round the resting keel.
+
+Strange Isle of Voices! must we ask in vain,
+In vain beseech and win no answering word,
+Save mocking echoes of our lonely pain
+From lonely hill and bird?
+Island beneath whose unrelenting coast,
+As though it never in the sun had been,
+The whole world's treasure lieth sunk and lost,
+Unsunned, unseen.
+For, either sunk beyond the diver's skill,
+There, fathoms deep, our gold is all arust,
+Or in that island it is hoarded still.
+Yea, some have said, within thy dreadful wall
+There is a folk that know not death at all,
+The loved we lost, the lost we love, are there.
+Will no kind voice make answer to our cry,
+Give to our aching hearts some little trust,
+Show how 'tis good to live, but best to die?
+Some voice that knows
+Whither the dead man goes:
+We hear his music from the other side,
+Maybe a little tapping on the door,
+A something called, a something sighed--
+No more.
+O for some voice to valiantly declare
+The best news true!
+Then, Happy Island of the Happy Dead,
+How gladly would we spread
+Impatient sail for you!
+
+O vanished loveliness of flowers and faces,
+Treasure of hair, and great immortal eyes,
+Are there for these no safe and secret places?
+And is it true that beauty never dies?
+Soldiers and saints, haughty and lovely names,
+Women who set the whole wide world in flames,
+Poets who sang their passion to the skies,
+And lovers wild and wise:
+Fought they and prayed for some poor flitting gleam,
+Was all they loved and worshipped but a dream?
+Is Love a lie and fame indeed a breath,
+And is there no sure thing in life--but death?
+Or may it be, within that guarded shore,
+He meets Her now whom I shall meet no more
+Till kind Death fold me 'neath his shadowy wing:
+She whom within my heart I softly tell
+That he is dead whom once we loved so well,
+He, the immortal master whom I sing.
+
+Immortal! yea, dare we the word again,
+If aught remaineth of our mortal day,
+That which is written--shall it not remain?
+That which is sung, is it not built for aye?
+Faces must fade, for all their golden looks,
+Unless some poet them eternalise,
+Make live those golden looks in golden books;
+Death, soon or late, will quench the brightest eyes--
+'Tis only what is written never dies.
+Yea, memories that guard like sacred gold
+Some sainted face, they also must grow old,
+Pass and forget, and think--or darest thou not!--
+On all the beauty that is quite forgot.
+
+Strange craft of words, strange magic of the pen,
+Whereby the dead still talk with living men;
+Whereby a sentence, in its trivial scope,
+May centre all we love and all we hope;
+And in a couplet, like a rosebud furled,
+Lie all the wistful wonder of the world.
+
+Old are the stars, and yet they still endure,
+Old are the flowers, yet never fail the spring:
+Why is the song that is so old so new,
+Known and yet strange each sweet small shape and hue?
+How may a poet thus for ever sing,
+Thus build his climbing music sweet and sure,
+As builds in stars and flowers the Eternal mind?
+Ah, Poet, that is yours to seek and find!
+Yea, yours that magisterial skill whereby
+God put all Heaven in a woman's eye,
+Nature's own mighty and mysterious art
+That knows to pack the whole within the part:
+The shell that hums the music of the sea,
+The little word big with Eternity,
+The cosmic rhythm in microcosmic things--
+One song the lark and one the planet sings,
+One kind heart beating warm in bird and tree--
+To hear it beat, who knew so well as he?
+
+Virgil of prose! far distant is the day
+When at the mention of your heartfelt name
+Shall shake the head, and men, oblivious, say:
+'We know him not, this master, nor his fame.'
+Not for so swift forgetfulness you wrought,
+Day upon day, with rapt fastidious pen,
+Turning, like precious stones, with anxious thought,
+This word and that again and yet again,
+Seeking to match its meaning with the world;
+Nor to the morning stars gave ears attent,
+That you, indeed, might ever dare to be
+With other praise than immortality
+Unworthily content.
+
+Not while a boy still whistles on the earth,
+Not while a single human heart beats true,
+Not while Love lasts, and Honour, and the Brave,
+Has earth a grave,
+O well-beloved, for you!
+
+
+
+
+AN ODE TO SPRING
+
+(TO GRANT AND NELLIE ALLEN)
+
+Is it the Spring?
+ Or are the birds all wrong
+That play on flute and viol,
+ A thousand strong,
+In minstrel galleries
+ Of the long deep wood,
+Epiphanies
+ Of bloom and bud.
+
+Grave minstrels those,
+ Of deep responsive chant;
+But see how yonder goes,
+ Dew-drunk, with giddy slant,
+Yon Shelley-lark,
+ And hark!
+Him on the giddy brink
+ Of pearly heaven
+His fairy anvil clink.
+
+Or watch, in fancy,
+ How the brimming note
+Falls, like a string of pearls,
+ From out his heavenly throat;
+Or like a fountain
+ In Hesperides,
+Raining its silver rain,
+ In gleam and chime,
+On backs of ivory girls--
+ Twice happy rhyme!
+
+Ah, none of these
+ May make it plain,
+No image we may seek
+ Shall match the magic of his gurgling beak.
+
+And many a silly thing
+ That hops and cheeps,
+And perks his tiny tail,
+ And sideway peeps,
+And flitters little wing,
+ Seems in his consequential way
+To tell of Spring.
+
+The river warbles soft and runs
+ With fuller curve and sleeker line,
+Though on the winter-blackened hedge
+ Twigs of unbudding iron shine,
+And trampled still the river sedge.
+
+And O the Sun!
+ I have no friend so generous as this Sun
+That comes to meet me with his big warm hands.
+ And O the Sky!
+There is no maid, how true,
+ Is half so chaste
+As the pure kiss of greening willow wands
+ Against the intense pale blue
+Of this sweet boundless overarching waste.
+
+And see!--dear Heaven, but it is the Spring!--
+ See yonder, yonder, by the river there,
+Long glittering pearly fingers flash
+ Upon the warm bright air:
+Why, 'tis the heavenly palm,
+ The Christian tree,
+Whose budding is a psalm
+ Of natural piety:
+Soft silver notches up the smooth green stem--
+ Ah, Spring must follow them,
+It is the Spring!
+
+O Spirit of Spring,
+ Whose strange instinctive art
+Makes the bird sing,
+ And brings the bud again;
+O in my heart
+ Take up thy heavenly reign,
+And from its deeps
+ Draw out the hidden flower,
+And where it sleeps,
+ Throughout the winter long,
+O sweet mysterious power
+ Awake the slothful song!
+
+_February_ 7, 1893.
+
+
+
+
+TREE-WORSHIP
+
+(TO JOHN LANE)
+
+Vast and mysterious brother, ere was yet of me
+ So much as men may poise upon a needle's end,
+Still shook with laughter all this monstrous might of thee,
+ And still with haughty crest it called the morning friend.
+
+Thy latticed column jetted up the bright blue air,
+ Tall as a mast it was, and stronger than a tower;
+Three hundred winters had beheld thee mighty there,
+ Before my little life had lived one little hour.
+
+With rocky foot stern-set like iron in the land,
+ With leafy rustling crest the morning sows with pearls,
+Huge as a minster, half in heaven men saw thee stand,
+ Thy rugged girth the waists of fifty Eastern girls.
+
+Knotted and warted, slabbed and armoured like the hide
+ Of tropic elephant; unstormable and steep
+As some grim fortress with a princess-pearl inside,
+ Where savage guardian faces beard the bastioned keep:
+
+So hard a rind, old tree, shielding so soft a heart--
+ A woman's heart of tender little nestling leaves;
+Nor rind so hard but that a touch so soft can part,
+ And Spring's first baby-bud an easy passage cleaves.
+
+I picture thee within with dainty satin sides,
+ Where all the long day through the sleeping dryad dreams,
+But when the moon bends low and taps thee thrice she glides,
+ Knowing the fairy knock, to bask within her beams.
+
+And all the long night through, for him with eyes and ears,
+ She sways within thine arms and sings a fairy tune,
+Till, startled with the dawn, she softly disappears,
+ And sleeps and dreams again until the rising moon.
+
+But with the peep of day great bands of heavenly birds
+ Fill all thy branchy chambers with a thousand flutes,
+And with the torrid noon stroll up the weary herds,
+ To seek thy friendly shade and doze about thy roots--
+
+Till with the setting sun they turn them once more home;
+ And, ere the moon dawns, for a brief enchanted space,
+Weary with million miles, the sore-spent star-beams come,
+ And moths and bats hold witches' sabbath in the place.
+
+And then I picture thee some bloodstained Holyrood,
+ Dread haunted palace of the bat and owl, whence steal,
+Shrouded all day, lost murdered spirits of the wood,
+ And fright young happy nests with homeless hoot and squeal.
+
+Then, maybe, dangling from thy gloomy gallows boughs,
+ A human corpse swings, mournful, rattling bones and chains--
+His eighteenth century flesh hath fattened nineteenth century cows--
+ Ghastly Aeolian harp fingered of winds and rains.
+
+Poor Rizpah comes to reap each newly-fallen bone
+ That once thrilled soft, a little limb, within her womb;
+And mark yon alchemist, with zodiac-spangled zone,
+ Wrenching the mandrake root that fattens in the gloom.
+
+So rounds thy day, from maiden morn to haunted night,
+ From larks and sunlit dreams to owl and gibbering ghost;
+A catacomb of dark, a maze of living light,
+ To the wide sea of air a green and welcome coast.
+
+I seek a god, old tree: accept my worship, thou!
+ All other gods have failed me always in my need;
+I hang my votive song beneath thy temple bough,
+ Unto thy strength I cry--Old monster, be my creed!
+
+Give me to clasp this earth with feeding roots like thine,
+ To mount yon heaven with such star-aspiring head,
+Fill full with sap and buds this shrunken life of mine,
+ And from my boughs oh! might such stalwart sons be shed.
+
+With loving cheek pressed close against thy horny breast,
+ I hear the roar of sap mounting within thy veins;
+Tingling with buds, thy great hands open towards the west,
+ To catch the sweetheart winds that bring the sister rains.
+
+O winds that blow from out the fruitful mouth of God,
+ O rains that softly fall from His all-loving eyes,
+You that bring buds to trees and daisies to the sod--
+ O God's best Angel of the Spring, in me arise.
+
+
+
+
+A BALLAD OF LONDON
+
+(TO H. W. MASSINSHAM)
+
+Ah, London! London! our delight,
+Great flower that opens but at night,
+Great City of the Midnight Sun,
+Whose day begins when day is done.
+
+Lamp after lamp against the sky
+Opens a sudden beaming eye,
+Leaping alight on either hand,
+The iron lilies of the Strand.
+
+Like dragonflies, the hansoms hover,
+With jewelled eyes, to catch the lover;
+The streets are full of lights and loves,
+Soft gowns, and flutter of soiled doves.
+
+The human moths about the light
+Dash and cling close in dazed delight,
+And burn and laugh, the world and wife,
+For this is London, this is life!
+
+Upon thy petals butterflies,
+But at thy root, some say, there lies
+A world of weeping trodden things,
+Poor worms that have not eyes or wings.
+
+From out corruption of their woe
+Springs this bright flower that charms us so,
+Men die and rot deep out of sight
+To keep this jungle-flower bright.
+
+Paris and London, World-Flowers twain
+Wherewith the World-Tree blooms again,
+Since Time hath gathered Babylon,
+And withered Rome still withers on.
+
+Sidon and Tyre were such as ye,
+How bright they shone upon the Tree!
+But Time hath gathered, both are gone,
+And no man sails to Babylon.
+
+Ah, London! London! our delight,
+For thee, too, the eternal night,
+And Circe Paris hath no charm
+To stay Time's unrelenting arm.
+
+Time and his moths shall eat up all.
+Your chiming towers proud and tall
+He shall most utterly abase,
+And set a desert in their place.
+
+
+
+
+PARIS DAY BY DAY: A FAMILIAR EPISTLE
+
+(TO MRS. HENRY HARLAND[1])
+
+Paris, half Angel, half Grisette,
+I would that I were with thee yet,
+Where the long boulevard at even
+Stretches its starry lamps to heaven,
+And whispers from a thousand trees
+Vague hints of the Hesperides.
+
+Once more, once more, my heart, to sit
+With Aline's smile and Harry's wit,
+To sit and sip the cloudy green,
+With dreamy hints of speech between;
+
+Or, may be, flashing all intent
+At call of some stern argument,
+When the New Woman fain would be,
+Like the Old Male, her husband, free.
+The prose-man takes his mighty lyre
+And talks like music set on fire!
+
+The while the merry crowd slips by
+Glittering and glancing to the eye,
+All happy lovers on their way
+To make a golden end of day--
+Ah! Cafe truly called _La Paix_!
+
+Or at the _pension_ I would be
+With Transatlantic maidens three,
+The same, I vow, who once of old
+Guarded with song the trees of gold.
+
+O Lady, lady, _Vis-a-Vis_,
+When shall I cease to think of thee,
+On whose fair head the Golden Fleece
+Too soon, too soon, returns to Greece--
+Oh, why to Athens e'er depart?
+Come back, come back, and bring my heart!
+
+And she whose gentle silver grace,
+So wise of speech and kind of face,
+Whose every wise and witty word
+Fell shy, half blushing to be heard.
+
+Last, but ah! surely not least dear,
+That blithe and buxom buccaneer,
+Th' avenging goddess of her sex,
+Born the base soul of man to vex,
+And wring from him those tears and sighs
+Tortured from woman's heart and eyes.
+Ah! fury, fascinating, fair--
+When shall I cease to think of _her_!
+
+Paris, half Angel, half Grisette,
+I would that I were with thee yet,
+But London waits me, like a wife,--
+London, the love of my whole life.
+
+Tell her not, Paris, mercy me!
+How I have flirted, dear, with thee.
+
+[1] By kind permission of the Editor of _The Yellow Book_.
+
+
+
+
+ALFRED TENNYSON
+
+(WESTMINSTER, OCTOBER 12, 1892)
+
+Great man of song, whose glorious laurelled head
+ Within the lap of death sleeps well at last,
+Down the dark road, seeking the deathless dead,
+ Thy faithful, fearless, shining soul hath passed.
+
+Fame blows his silver trumpet o'er thy sleep,
+ And Love stands broken by thy lonely lyre;
+So pure the fire God gave this clay to keep,
+ The clay must still seem holy for the fire.
+
+Poor dupes of sense, we deem the close-shut eye,
+ So faithful servant of his golden tongue,
+Still holds the hoarded lights of earth and sky,
+ We deem the mouth still full of sleeping song.
+
+We mourn as though the great good song he gave
+ Passed with the singer's own informing breath:
+Ah, golden book, for thee there is no grave,
+ Thine is a rhyme that shall not taste of death.
+
+Great wife of his great heart--'tis yours to mourn,
+ Son well-beloved, 'tis yours, who loved him so:
+But we!--hath death one perfect page out-torn
+ From the great song whereby alone we know
+
+The splendid spirit imperiously shy,--
+ Husband to you and father--we afar
+Hail poet of God, and name as one should cry:
+ 'Yonder a king, and yonder lo! a star!'
+
+So great his song we deem a little while
+ That Song itself with his great voice hath fled,
+So grand the toga-sweep of his great style,
+ So vast the theme on which his song was fed.
+
+One sings a flower, and one a face, and one
+ Screens from the world a corner choice and small,
+Each toy its little laureate hath, but none
+ Sings of the whole: yea, only he sang all.
+
+Poor little bards, so shameless in your care
+ To snatch the mighty laurel from his head,
+Have you no fear, dwarfs in the giant's chair,
+ How men shall laugh, remembering the dead?
+
+Great is advertisement! 'tis almost fate,
+ But, little mushroom-men, of puff-ball fame,
+Ah, do you dream to be mistaken great
+ And to be really great are just the same?
+
+Ah, fools! he was a laureate ere one leaf
+ Of the great crown had whispered on his brows;
+Fame shrilled his song, Love carolled it, and Grief
+ Blessed it with tears within her lonely house.
+
+Fame loved him well, because he loved not Fame,
+ But Peace and Love, all other things before,
+A man was he ere yet he was a name,
+ His song was much because his love was more.
+
+
+
+
+PROFESSOR MINTO
+
+Nature, that makes Professors all day long,
+And, filling idle souls with idle song,
+Turns out small Poets every other minute,
+Made earth for men--but seldom puts men in it.
+
+Ah, Minto, thou of that minority
+Wert man of men--we had deep need of thee!
+Had Heaven a deeper? Did the heavenly Chair
+Of Earthly Love wait empty for thee there?
+
+_March_ 1, 1893.
+
+
+
+
+ON MR. GLADSTONE'S RETIREMENT
+
+The world grows Lilliput, the great men go;
+ If greatness be, it wears no outer sign;
+ No more the signet of the mighty line
+Stamps the great brow for all the world to know.
+Shrunken the mould of manhood is, and lo!
+ Fragments and fractions of the old divine,
+ Men pert of brain, planned on a mean design,
+Dapper and undistinguished--such we grow.
+
+No more the leonine heroic head,
+ The ruling arm, great heart, and kingly eye;
+No more th' alchemic tongue that turned poor themes
+ Of statecraft into golden-glowing dreams;
+ No more a man for man to deify:
+Laurel no more--the heroic age is dead.
+
+
+
+
+OMAR KHAYYAM
+
+(TO THE OMAR KHAYYAM CLUB)
+
+Great Omar, here to-night we drain a bowl
+Unto thy long-since transmigrated soul,
+ Ours all unworthy in thy place to sit,
+Ours still to read in life's enchanted scroll.
+
+For us like thee a little hour to stay,
+For us like thee a little hour of play,
+ A little hour for wine and love and song,
+And we too turn the glass and take our way.
+
+So many years your tomb the roses strew,
+Yet not one penny wiser we than you,
+The doubts that wearied you are with us still,
+And, Heaven be thanked! your wine is with us too.
+
+For, have the years a better message brought
+To match the simple wisdom that you taught:
+ Love, wine and verse, and just a little bread--
+For these to live and count the rest as nought?
+
+Therefore, Great Omar, here our homage deep
+We drain to thee, though all too fast asleep
+ In Death's intoxication art thou sunk
+To know the solemn revels that we keep.
+
+Oh, had we, best-loved Poet, but the power
+From our own lives to pluck one golden hour,
+And give it unto thee in thy great need,
+How would we welcome thee to this bright bower!
+
+O life that is so warm, 'twas Omar's too;
+O wine that is so red, he drank of you:
+ Yet life and wine must all be put away,
+And we go sleep with Omar--yea, 'tis true.
+
+And when in some great city yet to be
+The sacred wine is spilt for you and me,
+ To those great fames that we have yet to build,
+We'll know as little of it all as he.
+
+
+
+
+THE SECOND CRUCIFIXION
+
+Loud mockers in the roaring street
+ Say Christ is crucified again:
+Twice pierced His gospel-bringing feet,
+ Twice broken His great heart in vain.
+
+I hear, and to myself I smile,
+For Christ talks with me all the while.
+
+No angel now to roll the stone
+ From off His unawaking sleep,
+In vain shall Mary watch alone,
+ In vain the soldiers vigil keep.
+
+Yet while they deem my Lord is dead
+My eyes are on His shining head.
+
+Ah! never more shall Mary hear
+ That voice exceeding sweet and low
+Within the garden calling clear:
+ Her Lord is gone, and she must go.
+
+Yet all the while my Lord I meet
+In every London lane and street.
+
+Poor Lazarus shall wait in vain,
+ And Bartimaeus still go blind;
+The healing hem shall ne'er again
+ Be touched by suffering humankind.
+
+Yet all the while I see them rest,
+The poor and outcast, in His breast.
+
+No more unto the stubborn heart
+ With gentle knocking shall He plead,
+No more the mystic pity start,
+ For Christ twice dead is dead indeed.
+
+So in the street I hear men say,
+Yet Christ is with me all the day.
+
+
+
+
+AN IMPRESSION
+
+The floating call of the cuckoo,
+Soft little globes of bosom-shaped sound,
+Came and went at the window;
+And, out in the great green world,
+Those maidens each morn the flowers
+Opened their white little bodices wide to the sun:
+And the man sighed--sighed--in his sleep,
+And the woman smiled.
+
+Then a lark staggered singing by
+Up his shining ladder of dew,
+And the airs of dawn walked softly about the room,
+Filling the morning sky with the scent of the woman's hair,
+And giving, in sweet exchange, its hawthorn and daisy breath:
+And the man awoke with a sob--
+But the woman dreamed.
+
+
+
+
+NATURAL RELIGION
+
+Up through the mystic deeps of sunny air
+I cried to God--'O Father, art Thou there?'
+Sudden the answer, like a flute, I heard:
+It was an angel, though it seemed a bird.
+
+
+
+
+FAITH REBORN
+
+'The old gods pass,' the cry goes round;
+'Lo! how their temples strew the ground';
+Nor mark we where, on new-fledged wings,
+Faith, like the phoenix, soars and sings.
+
+
+
+
+HESPERIDES
+
+Men say--beyond the western seas
+ The happy isles no longer glow,
+No sailor sights Hesperides,
+ All that was long ago.
+
+No longer in a glittering morn
+ Their misty meadows flicker nigh,
+No singing with the spray is borne,
+ All that is long gone by.
+
+To-day upon the golden beach
+ No gold-haired guardian maidens stand,
+No apples ripen out of reach,
+ And none are mad to land.
+
+The merchant-men, 'tis they say so,
+ That trade across the western seas,
+In hurried transit to and fro,
+ About Hesperides.
+
+But, Reader, not as these thou art,
+ So, loose thy shallop from its hold,
+And, trusting to the ancient chart,
+ Thou 'It make them as of old.
+
+
+
+
+JENNY DEAD
+
+Like a flower in the frost
+ Sweet Jenny lies,
+With her frail hands calmly crossed,
+ And close-shut eyes.
+
+Bring a candle, for the room
+ Is dark and cold,
+Antechamber of the tomb--
+ O grief untold!
+
+Like a snowdrift is her bed,
+ Dinted the snow,
+Faint frozen lines from foot to head,--
+ She lies below.
+
+Turn from off her shrouded face
+ The frigid sheet....
+Death hath doubled all her grace--
+ O Jenny, sweet!
+
+
+
+
+MY BOOKS
+
+What are my books?--My friends, my loves,
+ My church, my tavern, and my only wealth;
+My garden: yea, my flowers, my bees, my doves;
+ My only doctors--and my only health.
+
+
+
+
+MAMMON
+
+(FOR MR, G. F. WATTS'S PICTURE)
+
+Mammon is this, of murder and of gold,
+To-day, to-morrow, and ever from of old,
+Th' Almighty God, and King of every land.
+Man 'neath his foot, and woman 'neath his hand,
+Kneel prostrate: he, 'tis meant to symbolise,
+Steals our strong men and our sweet women buys.
+
+O! rather grind me down into the dust
+Than choose me for the vessel of thy lust.
+
+
+
+
+ART
+
+Art is a gipsy,
+ Fickle as fair,
+Good to kiss and flirt with,
+ But marry--if you dare!
+
+
+
+
+TO A POET
+
+(TO EDMUND GOSSE)
+
+Still towards the steep Parnassian way
+The moon-led pilgrims wend,
+Ah, who of all that start to-day
+Shall ever reach the end?
+
+Year after year a dream-fed band
+That scorn the vales below,
+And scorn the fatness of the land
+To win those heights of snow,--
+
+Leave barns and kine and flocks behind,
+And count their fortune fair,
+If they a dozen leaves may bind
+Of laurel in their hair.
+
+Like us, dear Poet, once you trod
+That sweet moon-smitten way,
+With mouth of silver sought the god
+All night and all the day;
+
+Sought singing, till in rosy fire
+The white Apollo came,
+And touched your brow, and wreathed your lyre,
+And named you by his name;
+
+And led you, loving, by the hand
+To those grave laurelled bowers,
+Where keep your high immortal band
+Your high immortal hours.
+
+Strait was the way, thorn-set and long--
+Ah, tell us, shining there,
+Is fame as wonderful as song?
+And laurels in your hair!
+
+
+
+
+A NEW YEAR LETTER
+
+_To Two Friends married in the New Year_
+
+(TO. MR. AND MRS. WELCH)
+
+Another year to its last day,
+Like a lost sovereign, runaway,
+Tips down the gloomy grid of time:
+In vain to holloa, 'Stop it! hey!'--
+A cab-horse that has taken fright,
+Be you a policeman, stop you may;
+But not a sovereign mad with glee
+That scampers to the grid, perdie,
+And not a year that's taken flight;
+To both 'tis just a grim good night.
+
+But no! the imagery, say you,
+Is wondrous witty--but not true;
+For the old year that last night went
+Has not been so much lost as spent:
+You gave it in exchange to Death
+For just twelve months of happy breath.
+
+It was a ticket to admit
+Two happy people close to sit--
+A 'Season' ticket, one might say,
+At Time's eternal passion play.
+
+O magic overture of Spring,
+O Summer like an Eastern King,
+O Autumn, splendid widowed Queen,
+O Winter, alabaster tomb
+Where lie the regal twain serene,
+Gone to their yearly doom.
+
+But all you bought with that spent year,--
+Ah, friends! it was as nothing, was it?
+Nothing at all to hold compare
+With what you buy with this New Year.
+A home! ah me, you could not buy
+Another half so precious toy,
+With all the other years to come
+As that grown-up doll's house--a home.
+
+O wine upon its threshold stone,
+And horse-shoes on the lintel of it,
+And happy hearts to keep it warm,
+And God Himself to love it!
+Dear little nest built snug on bough
+Within the World-Tree's mighty arms,
+I would I knew a spell that charms
+Eternal safety from the storm;
+
+To give you always stars above,
+And always roses on the bough--
+But then the Tree's own root is Love,
+Love, love, all love, I vow.
+
+_New Year_ 1893.
+
+
+
+
+SNATCH
+
+From tavern to tavern
+ Youth passes along,
+With an armful of girl
+ And a heart full of song.
+
+From flower to flower
+ The butterfly sips,
+O passionate limbs
+ And importunate lips!
+
+From candle to candle
+ The moth loves to fly,
+O sweet, sweet to burn!
+ And still sweeter to die!
+
+
+
+
+MY MAIDEN VOTE
+
+(TO JOHN FRASER)
+
+There, in my mind's-eye, pure it lay,
+My lodger's vote! 'Twas mine to-day.
+It seemed a sort of maidenhood,
+My little power for public good,--
+Oh keep it uncorrupted, pray!
+And, when it must be given away,
+See it be given with a sense
+Of most uncanvassed innocence.
+Alas!--but few there be that know't--
+How grave a thing it is to vote!
+For most men's votes are given, I hear,
+Either for rhetoric or--beer.
+
+A young man's vote--O fair estate!
+Of the great tree electorate
+A living leaf, of this great sea
+A motive wave of empire I,
+On this stupendous wheel--a fly.
+O maiden vote, how pure must be
+The party that is worthy thee!
+And thereupon my mind began
+That perfect government to plan,
+The high millennium of man.
+
+Then in my dream I saw arise
+An England, ah! so fair and wise,
+An England generously great,
+No selfish island, but a state
+Upon the world's bright forehead worn,
+A mighty star of mighty morn.
+
+And statesmen in that dream became
+No tricksters of the petty aim,
+Mere speculators in the rise
+Of programmes and of party cries,
+Expert in all those turns and tricks
+That make this senate-house of ours,
+Westminster, with its lordly towers,
+The stock-exchange of politics.
+But that ideal Parliament
+Did all it said, said all it meant,
+And every Minister of State
+Was guileless--as a candidate.
+
+Statesmen no more the tinker's way
+Mended and patched from day to day,
+Content with piecing part with part,
+But took the mighty problem whole,
+Beginning with the human heart:
+For noble rulers make in vain
+Unselfish laws for selfish men,
+And give the whole wide world its vote,
+But who is going to give it soul?
+
+And then I dreamed had come to reign
+True peace within our land again;
+Not peace that rots the soul with ease,
+Or those ignoble 'rivalries
+Of peace' more murderous than war,
+But just the simple peasant peace
+The weary world is waiting for.
+With simple food and simple wear
+Go lots of love and little care,
+And joy is saved from over-sweet
+By struggle not too hard to bear.
+
+So dreamed I on from dream to dream,
+Till, slow returning to my theme,
+Upon my vote I looked again--
+To whom was I to give it then?
+That uncorrupted maidenhood,
+My little power for public good.
+What party was there that I knew
+That I might dare intrust it to,
+A perfect party fair and square--
+My House of Commons in the air?
+
+Though called by many different names,
+Each one professed the noblest aims;
+Should all be right, 'twas logical
+That I should give my vote to all!
+
+And then, of parties old and new
+Which one, if only one, were true?
+
+The divination passed my skill,--
+My maiden vote is maiden still.
+
+
+
+
+THE ANIMALCULE ON MAN
+
+An animalcule in my blood
+ Rose up against me as I dreamed,
+He was so tiny as he stood,
+ You had not heard him, though he screamed.
+
+He cried 'There is no Man!'
+ And thumped the table with his fist,
+Then died--his day was scarce a span,--
+ That microscopic atheist.
+
+Yet all the while his little soul
+ Within what he denied did live,--
+Poor part, how could he know the whole?
+ And yet he was so positive!
+
+And all the while he thus blasphemed
+ My (solar) system went its round,
+My heart beat on, my head still dreamed,--
+ But my poor atheist was drowned.
+
+
+
+
+COME, MY CELIA
+
+Come, my Celia, let us prove,
+While we may, how wise is love--
+Love grown old and grey with years,
+Love whose blood is thinned with tears.
+
+Philosophic lover I,
+Broke my heart, its love run dry,
+And I warble passion's words
+But to hear them sing like birds.
+
+When the lightning struck my side,
+Love shrieked and for ever died,
+Leaving nought of him behind
+But these playthings of the mind.
+
+Now the real play is over
+I can only _act_ a lover,
+Now the mimic play begins
+With its puppet joys and sins.
+
+When the heart no longer feels,
+And the blood with caution steals,
+Then, ah! then--my heart, forgive!--
+Then we dare begin to live.
+
+Dipped in Stygian waves of pain,
+We can never feel again;
+Time may hurl his deadliest darts,
+Love may practise all his arts;
+
+Like some Balder, lo! we stand
+Safe 'mid hurtling spear and brand,
+Only Death--ah! sweet Death, throw!--
+Holds the fatal mistletoe.
+
+Let the young unconquered soul
+Love the unit as the whole,
+Let the young uncheated eye
+Love the face fore-doomed to die:
+
+But, my Celia, not for us
+Pleasures half so hazardous;
+Let us set our hearts on play,
+'Tis, alas! the only way--
+
+Make of life the jest it is,
+Laugh and fool and (maybe!) kiss,
+Never for a moment, dear,
+Love so well to risk a fear.
+
+Is not this, my Celia, say,
+The only wise--and weary--way?
+
+
+
+
+TIME'S MONOTONE
+
+ Autumn and Winter,
+ Summer and Spring--
+Hath Time no other song to sing?
+Weary we grow of the changeless tune--
+ June--December,
+ December--June!
+
+Time, like a bird, hath but one song,
+ One way to build, like a bird hath he;
+Thus hath he built so long, so long,
+ Thus hath he sung--Ah me!
+
+Time, like a spider, knows, be sure,
+ One only wile, though he seems so wise:
+Death is his web, and Love his lure,
+ And you and I his flies.
+
+
+ 'Love!' he sings
+ In the morning clear,
+ 'Love! Love! Love!'
+ And you never hear
+ How, under his breath,
+ He whispers, 'Death!
+ Death! Death!'
+
+Yet Time--'tis the strangest thing of all--
+ Knoweth not the sense of the words he saith;
+Eternity taught him his parrot-call
+ Of 'Love and Death.'
+
+Year after year doth the old man climb
+ The mountainous knees of Eternity,
+But Eternity telleth nothing to Time--
+ It may not be.
+
+
+
+
+COR CORDIUM
+
+
+O GOLDEN DAY! O SILVER NIGHT!
+
+O golden day! O silver night!
+ That brought my own true love at last,
+Ah, wilt thou drop from out our sight,
+ And drown within the past?
+
+One wave, no more, in life's wide sea,
+ One little nameless crest of foam,
+The day that gave her all to me
+ And brought us to our home.
+
+Nay, rather as the morning grows
+ In flush, and gleam, and kingly ray,
+While up the heaven the sun-god goes,
+ So shall ascend our day.
+
+And when at last the long night nears,
+ And love grows angel in the gloam,
+Nay, sweetheart, what of fears and tears?--
+ The stars shall see us home.
+
+
+
+
+LOVE'S EXCHANGE
+
+Simple am I, I care no whit
+ For pelf or place,
+It is enough for me to sit
+ And watch Dulcinea's face;
+To mark the lights and shadows flit
+ Across the silver moon of it.
+
+I have no other merchandise,
+ No stocks or shares,
+No other gold but just what lies
+ In those deep eyes of hers;
+And, sure, if all the world were wise,
+It too would bank within her eyes.
+
+I buy up all her smiles all day
+ With all my love,
+And sell them back, cost-price, or, say,
+ A kiss or two above;
+It is a speculation fine,
+The profit must be always mine.
+
+The world has many things, 'tis true,
+ To fill its time,
+Far more important things to do
+ Than making love and rhyme;
+Yet, if it asked me to advise,
+I'd say--buy up Dulcinea's eyes!
+
+
+
+
+TO A SIMPLE HOUSEWIFE
+
+Who dough shall knead as for God's sake
+ Shall fill it with celestial leaven,
+And every loaf that she shall bake
+ Be eaten of the Blest in heaven.
+
+
+
+
+LOVE'S WISDOM
+
+Sometimes my idle heart would roam
+ Far from its quiet happy nest,
+To seek some other newer home,
+ Some unaccustomed Best:
+But ere it spreads its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+Sometimes my idle heart would sail
+ From out its quiet sheltered bay,
+To tempt a less pacific gale,
+ And oceans far away:
+But ere it shakes its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+Sometimes my idle heart would fly,
+ Mothlike, to reach some shining sin,
+It seems so sweet to burn and die
+ That wondrous light within:
+But ere it burns its foolish wings,
+'Heart, stay at home, be wise!' Love's wisdom sings.
+
+
+
+
+HOME ...
+
+'We're going home!' I heard two lovers say,
+ They kissed their friends and bade them bright good-byes;
+ I hid the deadly hunger in my eyes,
+And, lest I might have killed them, turned away.
+Ah, love! we too once gambolled home as they,
+ Home from the town with such fair merchandise,--
+ Wine and great grapes--the happy lover buys:
+A little cosy feast to crown the day.
+
+Yes! we had once a heaven we called a home
+ Its empty rooms still haunt me like thine eyes,
+When the last sunset softly faded there;
+Each day I tread each empty haunted room,
+ And now and then a little baby cries,
+ Or laughs a lovely laughter worse to bear.
+
+
+
+
+LOVE'S LANDMARKS
+
+The woods we used to walk, my love,
+ Are woods no more,
+But' villas' now with sounding names--
+ All name and door.
+
+The pond, where, early on in March,
+ The yellow cup
+Of water-lilies made us glad,
+ Is now filled up.
+
+But ah! what if they fill or fell
+ Each pond, each tree,
+What matters it to-day, my love,
+ To me--to thee?
+
+The jerry-builder may consume,
+ A greedy moth,
+God's mantle of the living green,
+ I feel no wrath;
+
+Eat up the beauty of the world,
+ And gorge his fill
+On mead and winding country lane,
+ And grassy hill.
+
+I only laugh, for now of these
+ I have no care,
+Now that to me the fair is foul,
+ And foul as fair.
+
+
+
+
+IF, AFTER ALL ...!
+
+This life I squander, hating the long days
+That will not bring me either Rest or Thee,
+This health I hack and ravage as with knives,
+These nerves I fain would shatter, and this heart
+I fain would break--this heart that, traitor-like,
+Beats on with foolish and elastic beat:
+If, after all, this life I waste and kill
+Should still be thine, may still be lived for thee!
+And this the dreadful trial of my love,
+This silence and this blank that makes me mad,
+That I be man to-day of all the days
+My one poor hope of meeting thee again--
+If Death be Love, and God's great purpose kind!
+
+Oh, love, if some day on the heavenly stair
+A wild ecstatic moment we should stand,
+And I, all hungry for your eyes and hair,
+Should meet instead your great accusing gaze,
+And hear, instead of welcome into heaven:
+'Ah! hadst thou but been true! but manfully
+Borne the high pangs that all high souls must bear,
+Nor fled to low nepenthes for your pain!
+Hadst said--"Is she not here? more reason then
+To live as though still guarded by her eyes,
+Cleaner my thought, and purer be my deed;
+True will I be, though God Himself be false!"'
+
+Oh, hadst thou thus been man, to-day had we
+Walked on together undivided now--
+But now a thousand flaming years must pass,
+And all the trial be gone o'er again.
+
+
+
+
+SPIRIT OF SADNESS
+
+She loved the Autumn, I the Spring,
+Sad all the songs she loved to sing;
+And in her face was strangely set
+Some great inherited regret.
+
+Some look in all things made her sigh,
+Yea! sad to her the morning sky:
+'So sad! so sad its beauty seems'--
+I hear her say it still in dreams.
+
+But when the day grew grey and old,
+And rising stars shone strange and cold,
+Then only in her face I saw
+A mystic glee, a joyous awe.
+
+Spirit of Sadness, in the spheres
+Is there an end of mortal tears?
+Or is there still in those great eyes
+That look of lonely hills and skies?
+
+
+
+
+AN INSCRIPTION
+
+Precious the box that Mary brake
+Of spikenard for her Master's sake,
+But ah! it held nought half so dear
+As the sweet dust that whitens here.
+The greater wonder who shall say:
+To make so white a soul of clay,
+From clay to win a face so fair,
+Those strange great eyes, that sunlit hair
+A-ripple o'er her witty brain,--
+Or turn all back to dust again.
+
+Who knows--but, in some happy hour,
+The God whose strange alchemic power
+Wrought her of dust, again may turn
+To woman this immortal urn.
+
+
+
+
+SONG
+
+She's somewhere in the sunlight strong,
+ Her tears are in the falling rain,
+She calls me in the wind's soft song,
+ And with the flowers she comes again.
+
+Yon bird is but her messenger,
+ The moon is but her silver car;
+Yea! sun and moon are sent by her,
+ And every wistful waiting star.
+
+
+
+
+
+End of the Project Gutenberg EBook of Robert Louis Stevenson, an Elegy; And
+Other Poems, by Richard Le Gallienne
+
+*** END OF THIS PROJECT GUTENBERG EBOOK STEVENSON AND ELEGY ***
+
+***** This file should be named 10910.txt or 10910.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/1/0/9/1/10910/
+
+Produced by Brendan Lane, Carol David and the Online Distributed
+Proofreading Team
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Each eBook is in a subdirectory of the same number as the eBook's
+eBook number, often in several formats including plain vanilla ASCII,
+compressed (zipped), HTML and others.
+
+Corrected EDITIONS of our eBooks replace the old file and take over
+the old filename and etext number. The replaced older file is renamed.
+VERSIONS based on separate sources are treated as new eBooks receiving
+new filenames and etext numbers.
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+EBooks posted prior to November 2003, with eBook numbers BELOW #10000,
+are filed in directories based on their release date. If you want to
+download any of these eBooks directly, rather than using the regular
+search system you may utilize the following addresses and just
+download by the etext year.
+
+ https://www.gutenberg.org/etext06
+
+ (Or /etext 05, 04, 03, 02, 01, 00, 99,
+ 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
+
+EBooks posted since November 2003, with etext numbers OVER #10000, are
+filed in a different way. The year of a release date is no longer part
+of the directory path. The path is based on the etext number (which is
+identical to the filename). The path to the file is made up of single
+digits corresponding to all but the last digit in the filename. For
+example an eBook of filename 10234 would be found at:
+
+ https://www.gutenberg.org/1/0/2/3/10234
+
+or filename 24689 would be found at:
+ https://www.gutenberg.org/2/4/6/8/24689
+
+An alternative method of locating eBooks:
+ https://www.gutenberg.org/GUTINDEX.ALL
+
+
diff --git a/old/10910.zip b/old/10910.zip
new file mode 100644
index 0000000..2a9ec97
--- /dev/null
+++ b/old/10910.zip
Binary files differ