initial commit of ebook 15219HEADmain

9 files changed, 26043 insertions, 0 deletions

diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/15219-8.txt b/15219-8.txt
new file mode 100644
index 0000000..a2243e9
--- /dev/null
+++ b/15219-8.txt
@@ -0,0 +1,7650 @@
+The Project Gutenberg EBook of If Only etc.
+by Francis Clement Philips and Augustus Harris
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: If Only etc.
+
+Author: Francis Clement Philips and Augustus Harris
+
+Release Date: March 1, 2005 [EBook #15219]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IF ONLY ETC. ***
+
+
+
+
+Produced by Martin Agren, Leonard Johnson and the PG Online
+Distributed Proofreading Team at https://www.pgdp.net.
+
+
+
+
+
+
+IF ONLY
+
+ETC.
+
+BY
+
+F.C. PHILIPS
+
+AUTHOR OF "AS IN A LOOKING GLASS," ETC. ETC.
+
+
+
+LEIPZIG
+
+BERNHARD TAUCHNITZ
+
+1904.
+
+
+
+
+TO
+
+MY OLD FRIEND AND COLLABORATOR,
+
+SYDNEY GRUNDY,
+
+I DEDICATE THESE PAGES.
+
+F.C. PHILIPS.
+
+
+
+
+CONTENTS.
+
+
+
+IF ONLY
+
+ONE CAN'T ALWAYS TELL
+
+SONGS. AFTER VICTOR HUGO, ARMAND SILVESTRE,
+CHARLES ROUSSEAU AND THE VICOMTE DE BORELLI
+
+LOVE WENT OUT WHEN MONEY WAS INVENTED
+
+A PUZZLED PAINTER. (WRITTEN IN COLLABORATION
+WITH THE LATE SIR AUGUSTUS HARRIS)
+
+       *       *       *       *       *
+
+
+
+
+IF ONLY.
+
+
+
+
+CHAPTER I.
+
+
+There is a vast deal talked in the present day about Freewill. We
+like to feel that we are independent agents and are ready to overlook
+the fact that our surroundings and circumstances and the hundred and
+one subtle and mysterious workings of the fate we can none of us
+escape, control our actions and are responsible for our movements,
+and make us to a great extent what we are.
+
+A man is not even a free agent when he takes the most important step
+of his whole life, and marries a wife. He is impelled to it by
+considerations outside of himself; it affects not only his own
+present and future, but that of others, very often, and he must be
+guided accordingly.
+
+Emerson says; "The soul has inalienable rights, and the first of
+these is love," but he does not say marriage. Love is the business of
+the idle and the idleness of the busy, but marriage is quite another
+affair--a grave matter, and not to be undertaken lightly, since it is
+the one step that can never be retraced, save through the unsavoury
+channels of shame and notoriety, or death itself.
+
+But perhaps Jack Chetwynd was hampered with fewer restraining
+influences than most men, for he was alone in the world, without kith
+or kin, and might be fairly allowed to please himself, and pleasing
+himself in this case meant leading to the altar, or rather to the
+Registry Office, Miss Bella Blackall, music-hall singer and step
+dancer.
+
+It was unquestionably a case of love at first sight. The girl was
+barely seventeen, and her girlishness attracted him quite as much as
+her beauty, which was exceptional. There was nothing meretricious
+about it, for as yet she owed nothing to art--brown hair, warm lips,
+soft blue eyes, and a complexion like the leaf of a white rose--a
+woman blossom. Then, too, she was a happy creature, full of life and
+happiness and bubbling over with childish merriment--no one could
+help liking her, he told himself, but it was something warmer than
+that. What makes the difference between liking and love? It is so
+little and yet so much. There was an air of refinement about her,
+too, which to his fancy seemed to protest against the vulgarities of
+her surroundings. He thought he could discern the stuff that meant an
+actress in her, and prophesied that she would before long be playing
+Juliet at the Haymarket. He was still at the age when the habit is to
+discover geniuses in unlikely places, especially when the women are
+pretty. He raved about her when he adjourned with his companions to
+the bar, and they chaffed him a good deal to his face and sneered at
+him behind his back. He was there the next night, and the night,
+after and by-and-by he managed to get introduced to her.
+
+She was prettier off the stage than on, and her manner was charming,
+and her voice delicious with its racy accent.
+
+She was an American, and had been in London only a few months; and he
+was duly taken to a second-rate lodging in a side street near the
+Waterloo Road, and presented to "Ma,"--a black satined and beaded
+type of the race. There was also a sister, whom, truth to tell, he
+objected to more than her maternal relative, for she was distinctly
+professional, not to say loud, and the little mannerisms which were
+so taking in his inamorata were very much the reverse in Miss Saidie
+Blackall.
+
+Still, he told himself, he was not going to marry the whole family;
+which might be true in a sense and yet might not mean the entire
+independence it implied. Bella's relations must, if he made her his
+wife, mean more or less to him.
+
+However, youth is sanguine, and Jack Chetwynd did not look too
+closely at the thorns which hedged his dainty rose-bud round. She at
+least was all he could wish her to be--unsophisticated as a child,
+and pure and good at heart.
+
+After a month's acquaintance it began to be understood that he was
+engaged to her. "Ma" wept copious tears, and reckoned her Bella was a
+lucky girl to get such an "elegant" husband; and Saidie wished him
+happiness in a voice like a corn-crake, and declared that her sister
+was "just the sweetest and best girl out of N'York," which she was;
+"and born to lead a private life," which she wasn't.
+
+Bella herself had very little to say. She blushed rosily when Jack
+made fervent love to her; acquiesced confusedly when he told her she
+must give up the music-hall stage, and seemed to take happily to the
+idea of a quiet, uneventful life as Mrs. Jack Chetwynd.
+
+They took a small house in Camberwell New Road. Jack put up a brass
+plate with his name on it, and M.D. in imposing letters, and invested
+in a telephone for the accommodation of night callers; and Bella
+began to busy herself about the furnishing.
+
+That was a delightful time. The little bride elect was so excited and
+eager, and showed herself wonderfully capable, and with quite a
+pretty taste in draping and ornamenting; but there was a terrible
+hole in Jack's purse: chairs and tables seemed to cost a mint of
+money; and the young man sighed and hoped fervently that it would not
+be long before patients appeared, or he would be obliged to say No to
+his darling when she turned her appealing eyes upon him and begged
+him to give her money for that "duck of a screen," or something else
+that was from her point of view the most extraordinary bargain, but
+which, Jack reflected, privately, they could very well have done
+without.
+
+He was giving up a certainty in settling in Camberwell, for as House
+Surgeon at St. Mark's his income was assured; but then as a married
+man he could no longer have lived at the hospital, and "one must risk
+something" said Jack, hopefully.
+
+They were married in May, just three months from that eventful night
+when our hero first saw pretty Bella Blackall, on the boards at the
+"Band Box," and Mrs. John Chetwynd was altogether so sweet and
+winsome in her simple white gown, that Saidie was right when she
+hilariously remarked that Jack might well be forgiven for falling in
+love with her "all over again."
+
+The wedding was just as quiet as it could be, for Jack did not care
+to invite any of his friends. "Ma" and Saidie were altogether too
+impossible; and unfortunately no one seemed to mind whether he did or
+not. There was one unpleasantness connected with the day which
+Chetwynd felt Bella might have had tact enough to avoid. Two or three
+of Saidie's friends, in light and eminently professional attire, were
+of the party, the women a good deal worse than the men; and they all
+returned together to Holly Street, where a meal had been prepared in
+the front parlours, the landlady having generously placed them at the
+disposal of her lodgers for the occasion. There was a good deal of
+banter and side jokes were bandied about from one to another; which
+was galling to young Chetwynd, and made him devoutly thankful that
+none of his own companions and friends were present. When at last
+Bella rose from the table to change her gown for the pale grey he
+himself had chosen, with the big hat and nodding plumes in which she
+had looked such a dainty little mortal, he pushed his chair back with
+a look of disgust on his face and left them to talk amongst
+themselves.
+
+Saidie was distributing small pieces of wedding cake, laughing and
+screaming at the top of her voice.
+
+"Saikes, man! you are not to eat it. Put it under your pillow and as
+sure as I'm a Yank you'll see your intended," she cried. And then
+followed an amount of vulgar chaff and coarse pleasantry which caused
+the "happy man" to set his teeth hard and register a vow at the
+bottom of his heart that this should be the last occasion on which
+his wife should associate with her sister's friends.
+
+And then Bella came tripping down the narrow staircase, her cheeks
+warm with a pale pink colour that made her inexpressibly lovely; and
+the carriage which Mrs. Blackall had insisted upon ordering to take
+the young couple to the station was at the door, and in the bustle
+that ensued Jack lost sight of all annoyances and remembered only
+that he had married the girl he loved and that he was the happiest
+fellow in the universe; and amid a shower of rice and a white satin
+slipper (one of Saidie's), which fell right into Bella's lap; the
+last farewell was spoken, and they drove away.
+
+"Only to Brighton!" cried Nina Nankin, the celebrity famed for the
+height to which she could raise one leg while standing upon the
+other. "What a mean chap! He might have forked out enough for a trip
+to Paris, I should have thought."
+
+"It wouldn't satisfy me," returned Saidie, turning up her nose
+disdainfully; "but he isn't my style, anyway."
+
+"Bit of a prig, eh?"
+
+Saidie nodded.
+
+"I do detest a man who fancies himself a head and shoulders above the
+rest of his kind," said that young lady vehemently; "you'll generally
+find out he don't amount to a row of pins. My! ain't I glad I'm not
+going to live with him. I would as lief go to Bible-class every day
+of the week. I'll bet my bottom dollar Bella'll see the mistake she's
+made before she's many weeks older. There's a chip of the old block
+about that young woman, for all her baby ways and her innocent
+know-nothing. He'll be a spry man, will Dr. Chetwynd, to come up to
+her. It'll take him all he knows to get ahead, you bet".
+
+Saidie lay back in the chair and laughed till the tears ran down her
+cheeks.
+
+
+
+
+CHAPTER II
+
+
+It was not long before Dr. Chetwynd's eyes were fully open to the
+mistake he had made and that he realised the fact that you cannot
+fashion a Dresden vase out of earthenware, and though pinchbeck may
+pass muster for gold, it does not make it the real article.
+
+At first Bella did try her "level best" as Saidie put it, to be all
+that Jack required of her. She took his lecturings humbly, held her
+peace when he scolded her (and I am afraid he constantly did), and
+acknowledged in the depths of her shallow little mind that she fell
+far short of what his wife should be. But as time went on she grew
+less solicitous about pleasing him. His standard was an almost
+impossible one to the very second-rate little American girl, to whom
+the atmosphere of the "Halls" was far more congenial than the
+humdrum, quiet life she led in the Camberwell New Road, and she
+slipped back little by little into the mire out of which he had
+raised her.
+
+"I can never learn to be what he wants me to," she said a little
+pathetically to Saidie--"It is like standing on tiptoe all the time
+trying to reach up to his standard. I'm sick of it. If he loved me
+well enough to marry me, the same love ought to be strong enough to
+make him contented with me. After all, I'm the same Bella now that I
+was then."
+
+A word of advice at this juncture might have quieted the poor little
+wife, and brought her back into safe paths, for she really loved Jack
+in her heart; but Saidie was not the person to give it. Privately she
+considered her sister a fool to have put up with this ridiculous
+nonsense of her husband's as long as she had done; and the line of
+argument she took was about the worst she could have adopted for the
+happiness and peace of the Camberwell household.
+
+She was a good deal older than Bella, and the girl had been wont to
+rely upon her in a great measure, and to look up to her as a
+practical, sensible person, which Bella was quite ready to admit she
+herself was very far from being; so now, when Saidie spoke in a
+resolute, determined way, she listened meekly, if she did not in so
+many words acquiesce in the wisdom and justice of what she said.
+
+"As far as I can see, you don't get a bit of fun and happiness out of
+your life," remarked Saidie, critically examining her features in the
+glass. "What did you marry him for, I should like to know? You might
+as well be Bella Blackall, on the boards again, and free, as the wife
+of a stingy fellow like that."
+
+"Oh! Saidie, he doesn't grudge me anything." The young wife felt a
+little compunction in her heart.
+
+"Yes he does." Saidie turned round and faced her sister. "He don't
+like you to enjoy yourself, not a little bit. He would keep you
+wrapped up in cotton wool if he could, and if you don't make a stand
+now, once and for all, and let him see you have a mind of your own
+and intend to do as you like, you'll regret it to the last day of
+your life. Who is he, anyway? I guess our family's as good, if we
+knew anything about them, which we don't, worse luck. Just you give
+him back his own sauce, Bella, and next time he finds fault with you,
+laugh in his face and tell him he has got to put up with what he
+finds, for it ain't likely you can alter your nature to suit his high
+mightiness. Pitch on a thing or two he does which you don't like, and
+give him a sermon as long as your arm. You see; he will come off his
+pedestal. Sakes alive! he ought to have me to deal with; I bet I'd
+teach him a thing or two."
+
+And then Saidie whipped herself off to the "Rivolette," where she
+sang a doubtful song and displayed her finely turned limbs in a style
+that would have disgusted her brother-in-law, if he had been there to
+see.
+
+But music halls were not to his liking under any circumstances. He
+had never really cared for them, even in his bachelor days, and now
+he would have cut his right hand off rather than be seen with his
+young wife beside him, at such resorts.
+
+Then, too, Dr. Chetwynd felt that it behoved him to be circumspect in
+all his actions, for his practice was steadily increasing and he was
+becoming popular, and had serious thoughts of migrating westward. It
+was a constant source of vexation to him that Bella was not liked as
+much as her handsome, clever husband, and he began to be painfully
+alive to the fact that she could not have been received in certain
+houses whose doors would have been gradually opened to him. In a
+social sense his wife was a failure, and with a sigh he realised that
+it was almost an impossibility to show her where the fault lay; he
+could not always be at her elbow to guard against little solecisms of
+manner and speech which he knew must jar and grate on others even
+more than on himself.
+
+It went terribly against the grain, for he loved her none the less
+that his eyes were not blinded to her shortcomings. She was still the
+same winsome girl he had made his own; large-hearted, gentle and
+affectionate, but--and he sighed impatiently, for that something
+lacking was for ever pulling him back and standing in the way of his
+own social advancement.
+
+He became less demonstrative, less congenial, and his practice made
+huge demands upon his time, and left but scant opportunity for
+pleasure-seeking. Lines traced themselves upon his brow and lurked at
+the corners of his mouth; he aged rapidly, and began to look like an
+elderly man while Bella was still little more than a girl.
+
+On the night of Mrs. Chetwynd's return from the maternal roof (for
+Mrs. Blackall still lived near the Waterloo Road, and her elder
+daughter continued to make her home with her), she found her husband,
+a good deal to her surprise, seated in the drawing-room, gay with
+flowers and crowded with knick-nacks of every description. He had in
+his hand a book which he flung down with an annoyed gesture as his
+wife opened the door.
+
+It was perhaps no worse than others of its type, but it had not an
+honest moral tone and was not therefore, John Chetwynd considered, a
+desirable work for his young wife's perusal.
+
+"Have you read this?" he asked.
+
+"No; it is one of Saidie's. Is it interesting?"
+
+John Chetwynd's answer was to hurl the volume under the grate with an
+angry word.
+
+Bella flushed.
+
+"Why did you do that? I want to read it."
+
+"I will not allow you to sully your mind with such filth. It only
+goes to prove what I have so often told you, that your sister is not
+a proper associate for any young woman. A book of that
+description--faugh!"
+
+Bella picked up the offending volume and looked ruefully at its
+battered condition. "I should have supposed that as a married woman I
+might read anything," she said with an assumption of dignity.
+
+"Why should you be less pure because you have a husband, my child?
+Don't run away with any such notion."
+
+"Well, I will read it and give you my opinion of it."
+
+"You will do no such thing. I forbid it, Bella."
+
+"In a matter like this I shall judge for myself." Her cheeks were
+scarlet, and she kept her eyes downbent.
+
+"I will not--"
+
+"Bella!"
+
+It was the first time in their married life that she had defied him,
+and he looked at her in utter astonishment.
+
+"Yes," she cried, turning on him like a small fury, with the book
+tightly held in both hands; "I'm not a child to be dictated to and
+ordered to do this and that. I'm perfectly well able to act for
+myself and I intend to do so now and always. I'm sick of your eternal
+fault-finding, and the sooner you know it the better. If it's not one
+thing it's another. Nothing I do is right and I'm about tired of it."
+
+John Chetwynd sat perfectly silent under this tirade. He was a shrewd
+man, and he knew that Bella had been spending the evening with her
+own people, and jumped at once to the conclusion that in defying him
+she was acting by their advice, and his brow grew black and lowering.
+
+Then he looked up at Bella, who, a little ashamed of her vehemence,
+was slowly unbuttoning her gloves, having laid aside the unlucky
+cause of the battle royal.
+
+"My wife," he said kindly, "if you will not act on my advice, let me
+beg of you to think twice before accepting that of others, since I at
+least may be credited with having your real good at heart."
+
+"And you think that--you mean to imply that--"
+
+"That your sister has her own ends to serve? Undoubtedly I do."
+
+"You are all wrong--all wrong." But the tell-tale blushes on Bella's
+face showed him plainly enough that he had been right in his
+conjecture, and had to thank his wife's relatives for her rebellion
+and newly developed obstinacy and resentment.
+
+"Now, Bella, from to-night I cannot allow you to go to Holly Street:
+stay," as Bella would have spoken, "you may see your mother here when
+you please, but you must let your sister fully understand that she
+will not be welcome. Something surely is due to me as your husband,
+and that there is no great amount of sympathy between you and Saidie
+you have said repeatedly; therefore I am asking no great sacrifice of
+you. Do you hear me, Bella?"
+
+"Yes, I hear."
+
+"And you will respect my wishes in the matter?"
+
+"I don't know," she spoke uncertainly.
+
+She was not fond of her sister, as he had said; certainly not
+sufficiently fond of her to allow her to come between herself and
+Jack; and yet she felt that it would be unwise and undignified if she
+were to give in and refuse Saidie admission to their house. She had
+just declared that she would stand no coercion; and after all, what
+had poor Saidie done?
+
+"I don't think you have any right to keep my people away," she said
+at last, sullenly. "This is my house as well as yours, remember."
+
+"I am not going to argue over it, my dear girl." Dr. Chetwynd rose
+determinedly from his chair with an expression on his face which his
+wife had learned to know and dread. "I forbid you to ask your sister
+here again. I am sorry to have to speak so decidedly; but your
+conduct leaves me no alternative."
+
+And he walked quickly across the floor and the next moment the door
+closed upon him.
+
+"I don't care what he says. I won't be ordered about," flashed out
+Bella, all that was worst in her nature roused by Jack's resolution.
+"Saidie is quite right; if I don't put my foot down I shall soon be
+nothing better than a white slave."
+
+"Putting her foot down," certainly had one effect, namely, that of
+making life anything but a bed of roses for the unfortunate doctor.
+
+Never had Bella shown herself so unamiable and unloveable as during
+the next two days. She hardly addressed her husband and she flounced
+about the room and tossed her head and hummed music-hall ditties
+(which she had caught from Saidie) under her breath, and altogether
+comported herself in the most exasperating fashion.
+
+John Chetwynd hardly knew how to act towards her. If he pretended to
+be unconscious of anything unusual, it would probably provoke her to
+stronger measures, and yet he was very loth to stir up strife between
+them, and leant towards the hope that this spirit of fractiousness
+would die out in time and that Bella would become her loving,
+tractable self again. But he reckoned without his host.
+
+Saidie, who was duly apprised of the condition of things, urged upon
+her sister to stick to her guns and on no account to yield an inch,
+and although desperately miserable, Bella took her advice.
+
+Returning from seeing a patient a day or two later, Dr. Chetwynd ran
+into the arms of an old friend, a man he had not seen since his
+marriage.
+
+"Why, Meynell, old chap, where have you dropped from?" he exclaimed,
+grasping the outstretched hand.
+
+"Where have _you_ hidden yourself? is more to the purpose. No one
+ever sees you nowadays."
+
+Dr. Chetwynd smiled.
+
+"Perhaps you do not know I am a married man," he said. "Which
+accounts for a good deal of my time, and as a matter of fact I have
+but little leisure, for my practice keeps me always at the
+grindstone."
+
+"Doing pretty well?"
+
+"Yes, I think I may say I am. Uphill work, of course, but still--"
+
+"And where are you living?"
+
+Chetwynd hesitated.
+
+"Close by here," he replied the next moment. "Come home with me now,
+if you have nothing better to do, and allow me to present my wife to
+you."
+
+And they walked on side by side.
+
+"You have dined? I am afraid--"
+
+"My dear fellow, I have this moment left the club."
+
+Dr. Chetwynd put his latch-key into the lock and ushered his friend
+upstairs to his wife's pretty drawing-room.
+
+But Bella was not there; and finding that she was not in her bedroom,
+or in fact in the house at all, he rang the bell and questioned the
+maid as to when her mistress had gone out and if she knew when she
+would be likely to return.
+
+"No, sir, that I'm sure I don't. My mistress never said anything to
+me."
+
+"Well, she is not likely to be away long," remarked the doctor
+philosophically. "Have a cigar, Meynell."
+
+"Thanks, no. Your wife spoils you, Jack, if she allows you to smoke
+in her pretty little room."
+
+"Oh, she will not mind; but we will go down to my den shortly. You
+see, Meynell, I'm a bit of a Bohemian, although I like to preserve
+the customs of the civilised world all the same, to a certain extent.
+But my little wife--well--she--she--I daresay you may have heard she
+was on the stage before I married her."
+
+"No, indeed I hadn't." Gus Meynell looked a good deal surprised.
+
+"Well, I mention it because perhaps she is not quite like the
+ordinary run of women."
+
+Meynell could no longer be blind to the want of ease in his host's
+manner, and in his turn became proportionately uncomfortable.
+
+"Hang it all! A man marries to please himself," he said awkwardly.
+
+"She is just the dearest girl in the world," continued Jack Chetwynd,
+with warmth. "I'm not only fond of her, but proud of her too, but you
+know--"
+
+"I perfectly understand what you mean. To my idea unconventionality
+is the most charming thing a woman can have. I hate the bride
+manufactured out of the schoolgirl. The oppressive resemblance
+between most of our friends' wives is one of the safe-guards of
+society."
+
+"What is that?" Chetwynd broke in upon his friend's speech with a
+nervous start and exclamation. The hall door opened with a loud bang
+and a woman's noisy laugh could be heard as a pelter of high-heeled
+shoes came along the tesselated hall and then the vision of a pretty
+girl at the doorway, accompanied by a man and two women.
+
+"Hallo, Jack! You are home before me, then."
+
+"Bella, my dear, I must introduce you to an old friend of mine:
+Meynell, my wife."
+
+Bella bowed a little coldly.
+
+"My sister, Mr. Meynell," she said, seeing that the doctor was
+looking straight over Saidie's head. "My sister, Miss Saidie
+Blackall; daresay you have seen her from the front before." Then,
+looking towards the open door, "Come in, come in. Jack, I think you
+have already met Mr. and Mrs. Doss."
+
+Chetwynd looked terribly annoyed; but there was no choice left for
+him but to extend his hand and mutter something to the effect that he
+had not had the pleasure of making the acquaintance of his wife's
+friends before.
+
+"Glad to know you, sir--not one of us--not in the profession, I
+think?"
+
+"No--er--no," responded Chetwynd feebly.
+
+"And the 'appier you, take my tip for it. The wear and tear of the
+'alls, sir, no one but a pro can estimate."
+
+Here his wife, an over-dressed, showy individual a shade more of a
+cockney than himself, interposed with a coarse laugh.
+
+"Get along, you jolly old humbug, you! You couldn't live away from
+them--could he, dear?" addressing Saidie, who was maliciously
+enjoying the effect that their sudden entrance had produced upon her
+brother-in-law and his friend.
+
+"Ah; you think so, d'ye? that's all you know about it. Give me a nice
+quiet 'public' with a hold-established trade and me and the missis
+cosy-like in the private bar; that's the life for yours truly when he
+can take the farewell ben."
+
+"How soon are your friends going to take their leave, Bella?" asked
+Chetwynd in an undertone to his wife.
+
+But Bella turned her back upon him without deigning to give him so
+much as a word.
+
+"I think I had the pleasure of seeing you perform the other night,
+Mrs. Doss," remarked Mr. Meynell.
+
+"Don't she look a figger in tights? now tell the truth and shame the
+old gentleman: a female as fat as my wife ought not never to leave
+off her petticoats, that's what I says."
+
+"Samuel, fie! You make me blush." His wife coughed discreetly behind
+her hand. "It's a new departure, I grant; but I've had a good many
+compliments paid me since I took to the nautical style, I can tell
+you."
+
+"Gammon!" grunted Mr. Doss, with a dissatisfied air. "Did you see her
+as the 'Rabbit Queen,' sir? My! the patience that woman displayed in
+the training of them little furry animals would have astonished you.
+Struck the line, sir, out of her own 'ed! 'I'm going, Samuel,' she
+said, 'to supply a want.' 'You!' I says. 'Me!' says she; 'they have
+got their serpents,' she says, 'and their ducks, and their pigeons
+and their kangaroos,' 'What's their void?' said I. 'Rabbits,' she
+says, and there you are!"
+
+"Saidie, why don't you sit down? We will have some supper directly,"
+said Bella.
+
+"Oh, my dear, I'm dying for a drink!" cried Miss Blackall, flinging
+herself in an attitude more easy than graceful into an armchair.
+
+Bella opened the chiffonier and produced glasses and a spirit stand.
+
+"Saves the trouble of ringing for the servant," she said archly to
+Meynell.
+
+Chetwynd could fairly have groaned; and when his wife put the climax
+upon everything by drinking out of her sister's glass he could
+contain himself no longer. "I never saw you touch spirits before," he
+said, determined that his friend should know that his wife was an
+abstemious woman.
+
+"Ah," she said lightly, "there are lots of things you never saw me
+do, Jack, which I am capable of, all the same." Whereupon Saidie
+burst out laughing as at some prodigious joke.
+
+"Good for you, Bella! All right, dear! I'm not one to tell tales out
+of school."
+
+"Are you a married man, sir, may I ask?"
+
+Doss put his thumbs under his arm-pits and looked scrutinisingly into
+Meynell's face. "I should say not."
+
+"No, I'm a bachelor, and likely to continue one."
+
+"Well," remarked Mrs. Doss sentimentally, "I don't know nothing
+jollier than courting time. Such little ordinary things seem sweet
+like, then."
+
+"Hark at the old girl," chuckled Doss.
+
+"You can't kidd me, Doss. You know it, too. I think of our own
+billing and cooing, sir--his and mine. I was not a draw in those
+days; the last turn in the bill at the "Middlesex" was about my mark,
+and Doss, he hadn't risen, neither. We used to walk 'ome that lovin'
+up Drury Lane, and Doss, he would say, 'fish, Tilda,' and I would
+say, 'if you could fancy a bit, Sam.' And in he would pop for two
+penny slices and chips. And eat--lor', how we did eat. When I look
+back on that fish, sometimes I could cry. Money and fame ain't
+everythink in the world, believe me, they ain't. You may be 'appy in
+your 'umbleness."
+
+All this was gall and wormwood to John Chetwynd, and he approached
+his wife again and whispered.
+
+"It is getting late--are these people never going?"
+
+"Not until they have had supper, most certainly."
+
+"And do you expect my friend to join you?"
+
+"You can please yourselves. I don't think either of you would be much
+acquisition in your present frame of mind. Mrs. Doss, somebody
+interrupted you; you were talking about a kindred soul and an attic.
+Money and position are not everything you were saying. I agree with
+you. Give me an easy life and no stilts."
+
+John Chetwynd could stand it no longer.
+
+"Madam," he said, addressing Mrs. Doss; "I must really apologise, but
+Mr. Meynell and I have important business to discuss, and--"
+
+Mrs. Doss might be vulgar, but she was not obtuse. Seeing she and her
+husband were not wanted, she sprang to her feet.
+
+"Sam--right about face; we must be off 'ome."
+
+"Nonsense, you must have some supper before you go," said Bella.
+
+"Oh, I think we will be toddling, thanks. Are you coming with us,
+Saidie?"
+
+"No, I'm not," returned that young woman, sturdily. "Since this house
+is the joint property of Dr. John Chetwynd and his wife, I reckon I
+shall stop awhile. Bella, you are not going to turn me out, are you?"
+
+"Not I. I can't imagine what Jack means by behaving so inhospitably.
+I hope you will all stop."
+
+But Mr. Doss, exceedingly affronted at the slight offered him, had
+tucked his wife's arm under his own and was already at the door.
+
+"Good night, gents. My best respects to you, Mrs. Chetwynd, but we
+knows who wants us and who doesn't."
+
+Bella turned indignantly to her husband. "And you call yourself a
+gentleman!" she cried.
+
+"For heaven's sake remember we are not alone!" whispered Chetwynd in
+distress, "you have distinguished yourself quite enough."
+
+"I don't care--you have insulted my friends."
+
+"Friends!"
+
+"Yes, and as good as you or I. What did you marry me for if you are
+ashamed of my connections?"
+
+"I did not marry the whole variety stage."
+
+At this juncture Meynell rose.
+
+"Awfully sorry, but I must be going old chap, promised to look in
+again at the club." And Chetwynd did not press him to stay.
+Humiliated to the last degree, he followed him downstairs.
+
+"I have given you a very enjoyable evening, Meynell," he said
+bitterly.
+
+"My dear fellow, what ought I to say?"
+
+"I'm damned if I know; I've never visited a friend who made such a
+marriage as mine. I should have pitied the poor devil profoundly if I
+had. Good night, old chap."
+
+The hall door shut, and Chetwynd went slowly, sorrowfully back to the
+drawing-room.
+
+"I hope you have disgraced me enough to-night," he said stormily.
+
+"Where's the disgrace, I should like to know, in inviting a couple of
+old friends into one's own house?" demanded Saidie aggressively.
+
+Chetwynd promptly turned his back upon her. "I am addressing my
+wife," he said frigidly.
+
+"Yes; I would like to see you talking to _me_ in that tone of voice,"
+returned his sister-in-law.
+
+"Bella, what have you to say for yourself? Have you no self-respect
+whatever, and no consideration for your husband's position?"
+
+"Oh, I'm sick of hearing about your position," said his wife
+pettishly. "In the days when you had not any, we were a lot happier.
+You didn't turn up your nose at my associates when I was on the
+boards at the Band Box! Everything was charming. You laughed then at
+what you now call "vulgar," and you thought it good fun, and you
+would have taken the property man to your heart if I had told you he
+was my brother. But now I am your wife it is quite a different tale.
+My friends are too common for you to mix with. By the Lord! I'm not
+at all certain whether you think _me_ good enough for you, myself."
+
+"Bella, Bella!"
+
+"Oh! Yes, it is easy enough to look broken-hearted. How dare you turn
+my friends out of the place? It is you, not I, who have brought
+disgrace upon us by introducing a stranger here and mortifying and
+humbling me in front of him. If the Dosses are good enough for me,
+they are good enough for my husband."
+
+"My dear wife, they are not good enough for you. There is the whole
+truth. Why are you so altered? Why will you not listen to me and take
+my advice as you used to do? Have you forgotten how happy we once
+were with each other?"
+
+There was a little break in his voice, but Bella was too incensed to
+heed it.
+
+"You mean that you did not abuse me when you had it entirely your own
+way! Wonderful! Perhaps you did not know that you bored me to death
+the whole time. And now you have got it at last. I'm tired of your
+cheap gentility and Brummagem pretensions; sick to death of hearing
+that nothing I have been used to is "proper." If my world is a second
+rate one, show me a better. Why don't you introduce me to your own,
+if it is so vastly superior? Have you done it? Not you! You bury me
+in this poky little hole and deliberately insult the only friends I
+have who take the trouble to come and look me up."
+
+Chetwynd passed his hand over his brow dreamily. The whole thing was
+such a shock to him, he could hardly realise it.
+
+"I hope you are saying much more than you mean," he said at last.
+"God knows if you have been dull I never suspected it."
+
+"Because I have not grumbled--because I smiled instead of yawning,
+and laughed when I felt like crying, you never suspected it! Did you
+ever ask yourself what amusements you were providing for me while you
+were out all day? Not for a moment. Men like you never do, when they
+marry girls like us. You fancy you have been very noble and
+chivalrous and plucky; but what you have really done is to get what
+you want and leave me to pay the cost. Once your wife, there was an
+end of the matter so far as you were concerned, and to marry you was
+to complete my destiny! I was to sit all day long staring at the four
+walls, and if I happened to feel lonely, take a look at my marriage
+certificate to cheer myself up! well--" she drew a long breath and
+suddenly left her seat and came quite close to him. "Well," she said
+again, "I am not satisfied--do you hear? It may be the height of
+ingratitude, but it is a fact all the same. I am not content and I
+have made up my mind (you may as well know it now as at any other
+time) to go back to the stage. The life suits me and I am going to do
+it." And then she paused.
+
+If she expected her husband to storm and rave, insist and
+expostulate, she was disappointed. He sat dumb and voiceless, his
+face buried in his hands, and he did not even look up when, with the
+air of a victor, Bella marched across the floor, beckoned to her
+sister, and went up to her own room.
+
+"I never gave you credit for such real grit," began Saidie,
+admiringly; but to her surprise Bella flung herself on the bed and
+burst into uncontrollable sobs.
+
+"I wish I was dead," she cried. "I am a beast--an ungrateful beast;
+and I have said what is not true. I have loved him always--always."
+
+"Well, you can't go back from your word now," said Saidie; "You said
+you would do it."
+
+"Yes, and I will." Bella sat up and dried her eyes. "I will go back
+to the stage; but I did not say I would stop there, and I shan't if
+I'm not happy, and if it makes a break between me and Jack."
+
+"Don't talk like that," cried Saidie disdainfully, "You make me
+tired!"
+
+
+
+
+CHAPTER III.
+
+
+After this there was a lull; John Chetwynd observed that he had need
+of more forbearance towards his wilful wife, and tried to exercise
+it. He told himself that there was love enough and to spare; that
+with the deep affection he was convinced Bella bore him there was
+nothing really to fear. She was young and ill-advised, and it behoved
+him to keep a careful watch over her, and above all things not to
+draw too tight a rein. As for her threat of returning to her old life
+and its meretricious attractions, after the first shock he dismissed
+it from his mind. She had not really intended doing anything of the
+sort; such a step was impossible. It was a wild idea, born of the
+excitement of the moment, and unworthy of a further thought, and so
+he put it aside. Had not the question been argued and threshed out
+once and for all soon after marriage? He recalled with a curious lump
+in his throat how she had put her hands into his and said; "Your
+wishes are my wishes, now and always, Jack." And there had been an
+end of the matter.
+
+"I will wait until the atmosphere has cleared a little," said John
+Chetwynd, reflectively, "and then I'll tell her that at the end of
+the year we will leave Camberwell and take a larger house in a better
+neighbourhood."
+
+Thus, out of his love for his young wife, he made excuses for her and
+took her back to his heart again.
+
+And Bella? Jack's conduct puzzled her. She had fully expected that he
+would be exceedingly angry and displeased, and in her own mind had
+prepared certain little set phrases which were to impress him with
+the fact that she intended to do as she pleased and would not allow
+herself to be dictated to or coerced. And thus it was that on the
+following morning she came down to breakfast with it must be
+confessed a forbidding look upon her pretty face and a defiant air
+about her bearing. But all her newly formed resolves were put to
+flight when Jack came towards her and deliberately kissed the lips
+which she vainly tried to withhold.
+
+"Bella, you and I love each other too well to quarrel," he said
+kindly; "let us forget all that happened last night."
+
+What could she say? In spite of herself she felt that she was
+yielding; and though she did not meet him half way as he had fondly
+anticipated she would do, still she allowed him to draw her into his
+arms and did not repulse his caresses.
+
+She might have shown a more generous spirit, it is true. Since he had
+tacitly acknowledged that they had been mutually to blame, she might
+have offered something in the shape of an expression of regret; but
+peace in any shape and at any cost Chetwynd felt he must have.
+
+But Bella had by no means surrendered her determination of going on
+the stage again, and was already with Saidie's assistance on the
+look-out for an engagement. It would be difficult to define her
+feelings towards her husband at this juncture. That there was still a
+veiled hostility John Chetwynd could not fail to see; but in his
+newly formed resolution to be patient and forbearing, he simply
+ignored it and diligently cultivated a kindly, gentle bearing,
+interesting himself in her little domesticities and the general
+routine of her everyday life. This amused Bella intensely, and
+although she would not have acknowledged it, perhaps touched her a
+little.
+
+Why had he not done this before? And having been careless and
+indifferent once, why was he not so still? For this is how it was
+with Bella; she was learning to compare her husband with her lover,
+and be very sure the former suffered by comparison.
+
+"Les absents ont toujours tort" and Saidie found so much to say and
+said it in such a contemptuous, scornful way to Howard Astley, about
+her sister's husband, that perhaps there was some little excuse for
+the young man's impression that Bella Chetwynd would be vastly better
+off under his protection than amid her present surroundings.
+
+"The man was a brute," Miss Blackall declared.
+
+Poor John Chetwynd! Not only was he far removed from being a brute,
+but he was also miles above the man whom Saidie delighted to honour,
+and whose addresses and attentions she thrust upon Bella at every
+turn.
+
+At first, to do her justice, the young wife shrank back dismayed.
+Beyond his handsome face, Howard Astley had but little to recommend
+him, and after listening to his commonplaces and enduring the fulsome
+compliments it pleased him to pay, she would hurry home with tingling
+pulses and a shamed heart to Jack--Jack, who had once been all the
+world to her.
+
+Once! Oh, and such a little time ago! After all, how little she had
+to complain of in the man who had made her his wife!
+
+He was "uninteresting," wrapped up in his profession, "dull." That
+was all, but it meant a very great deal to Bella. It meant
+everything; and the sluggish conscience which just at first had a
+word or two to say in his defence, gradually went to sleep again and
+troubled its owner no longer.
+
+Why should she not enjoy herself as other women of her age did?
+
+Why, indeed? She did not intend to do anything that was really wrong,
+or even unbecoming in her position as Jack's wife; but still she was
+resolved on extracting the utmost amount of amusement possible out of
+life, and thus with slow, subtle drifting and unconscious eyes--eyes
+that would not see their peril--she reached the point where
+temptation steps in.
+
+It was his wealth that dazzled her.
+
+She did so long to be rich. John was apt to be mean about trifles,
+but this man--the man she allowed to make love to her--was a very
+prodigal in his liberality. He spent money like water. He rarely came
+empty-handed. Probably he knew the manner of woman he had to deal
+with, and Bella hid the trinkets away with a guilty blush; they were
+not much good to her after all, for she did not dare to wear them,
+lest Jack should ask awkward questions concerning the source from
+whence they came.
+
+"I never can do anything I like," said Bella with a pout.
+
+And then there came a night when John Chetwynd found the pretty
+drawing-room deserted and his wife flown.
+
+The hours went by and as she did not return he grew seriously uneasy.
+
+Where could she be? When eleven o'clock struck he put on his hat and,
+terribly though it went against the grain, started for Holly
+Street--she might be at her mother's.
+
+No, Mrs. Blackall had not seen her, she said; and she looked
+searchingly into her son-in-law's face as she spoke. "Did Dr.
+Chetwynd really not know where she was?"
+
+"No, madam, or assuredly I should not be here."
+
+The doctor spoke with some heat; that there was something behind all
+this was very evident, and he naturally objected to being made a fool
+of.
+
+"You don't know, then, that Bella is on at the Tivoli?"
+
+John Chetwynd sat down suddenly. This news literally took his breath
+away.
+
+It was not possible that Bella had taken such a step without his
+knowledge or sanction. He looked up with such hopeless misery written
+in his white face that Mrs. Blackall could not help a certain pity
+for her son-in-law, although in her opinion he had brought the thing
+upon himself, and the very compassion she felt for his suffering had
+the effect of making her more harsh and unsympathetic.
+
+"What did you expect?" she asked. "As a man of the world could you
+really imagine that a young, high-spirited girl like my daughter
+would content herself with the life you tried to chain her down to?
+She had had just taste enough of the admiration and applause of a
+public life to get a liking for it, and in an instant it is all taken
+away and nothing given her in its place. It ain't commonsense, it--"
+
+"It may not be," said Chetwynd wearily; "but there are women
+nevertheless to whom home and husband are all-sufficient and who ask
+for nothing beyond."
+
+"You made a great mistake, Mr. Chetwynd, when you--"
+
+"I did," he interrupted quickly; "you are perfectly right; I did when
+I believed my wife and your daughter to be one of these. Well," and
+he rose wearily, "she has put a barrier between us to-night that can
+never be broken down."
+
+"Tut, tut, man; you have got your duty to do by her, and I'll take
+good care you do it. She is doing no wrong to join her profession
+again."
+
+"Our ideas as to right and wrong probably differ. I am certainly not
+going to argue the point, nor do I wish to shirk what responsibility
+I took on my shoulders when I married. But if it is upon your advice
+she has acted in this matter, ask God to forgive you for the cruel
+wrong you have done us both!"
+
+Then he picked up his hat and went out of the house. It was long past
+midnight when Bella returned; but late though it was, she knew by the
+lights in the drawing room that her husband was waiting up for her,
+and with an impatient sigh, determined to get her lecture over, she
+ran lightly up-stairs.
+
+He was there, sitting in her own cosy armchair, and he looked round
+expectantly as the door opened.
+
+"Well," she said nervously, stripping off her gloves, and avoiding
+meeting his stern, sad gaze. "I daresay you wonder where I have been
+and what has kept me so late; but, my dear old Jack, you will have to
+give up the bad habit of sitting up to all hours for me, for I'm
+likely to be late most nights now."
+
+She paused for a reply, but none came. Her easy assurance staggered
+him; he could hardly believe that this self-composed, glib-spoken
+young woman had been at one time his diffident, shy little love. The
+unhappy man found it very hard to reconcile the two. "Why don't you
+speak?" she asked impatiently, facing him in a defiant manner; and as
+he looked up at her he noticed for the first time that she had grown
+older and had lost all at once--at least, so it seemed to him--the
+rounded, childish look from her sweet face and involuntarily a sigh
+broke from him.
+
+"One would think I had committed a crime," cried she in disdain, and
+then, catching her skirts up, she broke into a step dance, humming a
+popular music-hall air.
+
+"Stop--do you hear me?--this instant stop!" the devil in him burst
+out; he could restrain himself no longer.
+
+"Woman! What are you made of?" he cried in a voice of thunder, and
+she, shrinking back a little, fell half frightened into a chair. He
+never could quite remember afterwards what he did say. He tried with
+rough eloquence, that might have moved a heart of stone, to show her
+what it was she was doing, to appeal to her better, nobler self, to
+her love for him; he implored and entreated her to give up this new
+life--for his sake.
+
+He had nothing better to urge than that, poor fool! It weighed with
+her as just so much chaff. The time had gone by when his words would
+have touched her; they glided lightly over what she called her
+"heart" now and left no impression there.
+
+And then he went on his knees beside her and prayed her to grant him
+this one boon; he poured out a flood of feverish words, hardly
+pausing to think; he tried to paint an alluring picture of their life
+in the future: they would leave Camberwell, he said; she should go
+where she liked if she would but listen to reason; it would ruin him
+in his profession, he pleaded, if she persisted in returning to the
+stage. As he talked the pretty face grew harder and older. Bella had
+made up her mind, and the man beside her had not the faintest power
+to sway her by his reproaches or entreaties.
+
+And then he stumbled to his feet and stood waiting for his answer.
+
+It came at last, clear and cold, falling like pellets of ice upon his
+impatient fervour.
+
+"The thing is done now, and all the talking in the world will not
+alter it."
+
+"And that is your last word to me--your husband?"
+
+Finding she did not speak, he walked across the floor, turning at the
+door, hoping against hope, but she lay back as still as if she were
+dead.
+
+When he had gone, Bella opened her eyes and held up her hand
+curiously. It was wet with--what?--tears.
+
+Her eyes were bright and dry.
+
+For a moment something of the old feeling swept over her.
+
+Poor Jack! She half rose, then sank back again.
+
+It was too late, she was thinking; as if it were ever too late to
+make amends, to atone, while we have still breath and life!
+
+"It is all for the best, anyhow," she murmured after awhile, and when
+philosophy is well to the fore, love hides its diminished head.
+
+
+
+
+CHAPTER IV.
+
+
+Six months wore themselves away; six months in every day of which
+John Chetwynd lived a year, measured by the anxiety and misery it
+held for him. He could no longer delude himself into the belief that
+Bella loved him, for all her actions went to prove the contrary. But
+her end just once gained, there were no more bickerings and
+disputes--she even condescended to consider her husband's wishes,
+when they did not clash or interfere with her own. But night after
+night he sat alone with the hateful consciousness that the woman who
+bore his name was parading her charms to Dick, Tom and Harry; in
+fact, to anybody who chose to pay his shilling for the privilege of
+contemplating them. It was in moments such as these that the iron
+entered his soul and there was no escape from it; he must bear his
+burden as many a better man had borne it before him. And thus it was
+he buried himself in his profession, working with a will and vigour
+that astonished no one so much as himself. He was rapidly becoming a
+popular man. Through sheer good luck (as he really believed it to be)
+he had diagnosed one or two cases with an ease and accuracy which not
+only filled his purse beyond his utmost expectations, but helped him
+up the ladder of fame at an amazing rate. But when emboldened by
+success, and always remembering the fact that however wilful and
+oblivious she might be, she was still to all intents and purposes the
+wife of his bosom and equally interested with himself in all his
+undertakings, he recounted his triumphs and declared his intention of
+leaving Camberwell forthwith and settling in Camelot Square, Bella
+smiled, yet proved in no way elated at the intelligence.
+
+"So, my dear, you can go as soon as you like and fix upon a house,"
+he said.
+
+Bella yawned and stretched her arms above her head.
+
+"Oh, you will know much better than I what is required," she replied.
+
+"Have you, then, no interest in our new home?" he asked, more hurt
+than he could well have expressed.
+
+"Do you ever show the slightest interest in what concerns me?" she
+retorted.
+
+He winced. "This is a mutual interest, surely, since we must occupy
+it together."
+
+"Must?" she echoed dreamily.
+
+"What do you mean?" he asked sharply.
+
+"Nothing, except that 'must' is the word I have banished from my
+vocabulary," and she smiled at him--actually smiled, though she must
+have known she was stabbing him to the very heart.
+
+He said no more; and indeed, words seemed to be useless.
+
+So he chose the house himself,--one that could not fail to please
+Bella, he felt exultantly. She would be less than woman if she were
+not glad to exchange the second-rate little dwelling in the
+Camberwell New Road for the substantial residence, with its modern
+improvements and embellishments in such a neighbourhood as Camelot
+Square.
+
+It was not perhaps a palace, but it was a very great deal more
+imposing than anything they had dreamt of in the early days of their
+married life, and yet John Chetwynd told himself with a sigh that he
+would gladly give up fame and prosperity to win back the old
+love-light in his wife's eyes.
+
+And there are some among us who cannot love for so little--"Of man's
+love a thing apart." Perhaps John Chetwynd would have been a happier
+man had he been one of these.
+
+Even the task of furnishing fell to the doctor's lot. Bella did not
+refuse, nor did she object to accompany him on what he might have
+naturally supposed would be a congenial task for her, but she showed
+herself so indifferent throughout that, after an effort or two to
+make her contented, he gave it up, and it ended in his carrying the
+whole thing through himself.
+
+And he was not sorry when at length it was completed. On the morrow
+he would bring Bella to her new home.
+
+He stood under the bright lighted chandelier and looked round him.
+The carpet was thick and soft. Bella liked carpets her feet could
+sink into, she had once said. There by the fireplace was the most
+luxurious easy chair he could purchase, upholstered in her favourite
+colour, pale blue. He pictured the dainty figure nestling in it, and
+a little glow stirred at his heart. After all, she was his wife, his
+fondly loved wife, and who could tell? Perhaps with the old life, old
+feuds would die out and with the new, joy and happiness dawn for them
+both once more.
+
+John Chetwynd was not a religious man; he rarely went to church and
+he never prayed; but now he covered his face with his hands, and his
+lips moved inaudibly.
+
+He was asking for a blessing on the new life, and there was something
+like a tear in his eye and a suspicious huskiness in his voice as he
+called out "Come in" in answer to a hurried knock at the door and
+flung open the lid of a grand piano which was littered with music and
+songs, running his hands over the keys and smiling a little.
+
+The piano was to be a surprise: Bella knew nothing about it.
+
+Perhaps it would keep her more at home, for she was very fond of
+music.
+
+It had cost more than he ought to have paid, but still it was for
+her.
+
+"Come in, Mrs. Brewer--what is it? I'm just off. You will have us
+both here to-morrow at this time for good and all, I hope."
+
+"Indeed, sir, and I'm glad to hear it. Things do look most beautiful,
+and no mistake."
+
+The good soul shambled across the floor and held out a letter wrapped
+in the corner of her apron.
+
+"A boy brought it, sir, half an hour ago, but I clean forgot it, and
+that's a fact."
+
+"Never mind. It is probably of no importance."
+
+But it was. By-and-by his eyes fell on it as it lay where Mrs.
+Brewer's hard-working fingers had placed it, on the edge of a little
+gaily-lined work table destined to hold Bella Chetwynd's cotton and
+needles, and to his astonishment he observed it was in his wife's
+handwriting.
+
+Ah! written just before she started for the----.He caught it up and
+tore it open. The next instant it fluttered from his hold.
+
+For fully ten seconds John Chetwynd sat spell-bound, and then he
+broke into a laugh--mirthless, hollow.
+
+"And I prayed to my God to send his blessing on--our--future," he
+said in a dull, mechanical manner. "Well, the last act is played out
+and they may ring the curtain down. From to-night I believe neither
+in woman, Heaven, nor hell, save that which each man makes for
+himself."
+
+Bella had turned her shapely back on the apotheosis of respectability
+for a life of excitement and the protection of another man. Nobody
+was surprised but John himself.
+
+Everybody had predicted it months ago. The only astonishing feature
+of the scandal was, that it had not occurred before.
+
+The one other thing people found surprising was the callousness with
+which the injured husband took it.
+
+It had always been believed that what love there was, was on his
+side, but now--
+
+Well, it is indeed an ill wind that blows us no good. If notoriety
+was what John Chetwynd desired, he got it in full measure, well
+pressed down and brimming over; his waiting room was besieged, for
+many patients flocked there, wide eyed in scrutiny, martyrs to
+symptoms discovered or invented for the occasion.
+
+Of course he would divorce her. And he did.
+
+In due course he obtained his decree _nisi_, which later on was made
+absolute.
+
+Bella's picture no longer stared him in the face from every hoarding,
+and the newspaper advertisements knew her no more. She had gone back
+to the States, and by-and-by was forgotten on this side the Atlantic.
+
+Now and then he was disagreeably reminded of her existence.
+
+Once in the Club a young fellow to whom Chetwynd was personally
+unknown stretched himself behind a newspaper and muttered, "Bella
+Blackall Wasn't that the name of Dr. Somebody's wife who ran away
+with another fellow?"
+
+"Yes, Bella Blackall was my wife," John Chetwynd answered with
+unruffled equanimity, picking up the paper which the other had thrown
+down. "She used to be rather a clever dancer, too."
+
+And he calmly perused the line which included her name among some
+well known American stars touring in the provinces.
+
+"And he never turned a grizzled hair! I give you my word I felt more
+over the thing than he did," remarked Captain Hetherington
+afterwards; "without exception the most cold-blooded individual ever
+met."
+
+But John Chetwynd was far from being this. He had felt his wife's
+desertion far too deeply to show his scars, nor was he a man to wear
+his heart upon his sleeve; but as time went by and the utter
+callousness of Bella's conduct came home to him, he realised to the
+full that she was unworthy of a single pang, and he became reconciled
+to the inevitable. His profession claimed every spare moment, and for
+a man ill at ease there is no specific like hard work. By-and-by as
+the years rolled on, another distraction presented itself. He became
+interested in one of his patients, the only daughter of the Duke of
+Huddersfield, Lady Ethel Claremont, and this interest blossomed into
+something stronger and warmer--something that at last he dignified by
+the name of love, though he was by no means without misgivings as to
+whether it could ever really lay claim to the title.
+
+Certain it was that there was no more of the old exultation about his
+heart that had formed so large a part of his former courtship; there
+were no extravagances, no quickened pulses--rapture's warmth had
+yielded to the mildest of after-glows; but there was no reason that
+it should not prove as satisfactory in the long run. It is an open
+question whether the doctor, popular though he undoubtedly was, would
+have been considered an eligible suitor from the maternal point of
+view, had it not been that just about this time fortune elected to
+bestow another favour upon him; his career had reached its apex, and
+(again through sheer good luck, as John Chetwynd modestly declared)
+he was offered a baronetcy.
+
+Now, every man is flattered and gratified that his merits should be
+recognised, and Chetwynd was no exception to the general rule, but
+there were a good many bitters mingled with the sweets, and the
+hidden thorn among the rose-leaves had a nasty trick of obtruding
+itself. This step in social advancement materially helped his cause
+with Lady Ethel, and the Duchess of Huddersfield deigned to smile
+graciously upon her future son-in-law.
+
+Ethel Claremont was an excellent girl, precisely the type he ought to
+marry. Decorous, with an ease and repose about her manner that were
+eminently patrician, she would be even more admirable as a wife than
+as a _fiancée_, but he could have found it in him to wish that she
+were just a little less faultless, a little more "human," he would
+have said, only that the word has not a pleasant ring; yet it was not
+easy to substitute another unless it were "womanly."
+
+"Pshaw!" he cried angrily, "who am I that I should be exacting, with
+such a past, such a history? and yet I am ready to quarrel with
+perfection, I who can never be grateful enough! A little wealth and
+the love of a charming woman--what more can I possibly desire? It is
+strange how soon one becomes accustomed to changes in life, and how
+quickly an emotion fades into a memory. If I could but feel as I felt
+when I was struggling along battling with the hundred and one
+difficulties which beset the path of a poor man, instead of having to
+remind myself perpetually what my emotions were then, there would be
+some excitement in the contrast. I--I wonder--what she is doing? Is
+she alive or is she dead? What does it matter? But at times the doubt
+will come whether--no, no; it is wicked--I was always good to her. I
+loved her, and she dishonoured me. The book is closed for ever, and I
+am weak when I reopen it."
+
+
+
+
+CHAPTER V.
+
+
+Since the thing was to be, there was nothing to be gained by
+postponement. So decided the Duchess, and however fond of airing her
+own sentiments and securing her own way Lady Ethel might be, on
+ordinary occasions, for once she raised no objection. She was
+perfectly willing that her marriage with Sir John Chetwynd should
+take place at once. Perhaps in her home Lady Ethel was not quite the
+plastic lay figure she was wont to appear in public, and the Duchess
+had spoken to her most intimate and confidential friends of the
+approaching nuptials with almost a sigh of relief, and a whispered
+word.
+
+"She has indeed been very difficult to manage, and really, though I
+am speaking of my own daughter, I never can quite understand Ethel;
+she is not like other girls. It will be a huge responsibility shifted
+from my shoulders when she is married."
+
+And everybody had wondered what the girl had seen in Sir John, that
+he should have taken her fancy. To the outside world and to those who
+had not come within the immediate charm of his manner and bearing, it
+did offer food for speculation, and since his engagement he had grown
+greyer and stiffer and more professionally precise than ever.
+
+But he suited Lady Ethel, or she fancied he did; which answered the
+purpose quite as well. She had always detested very young men; she
+liked a man whom she could look up to and lean upon, and certainly
+this she could do with perfect faith as regarded her _fiancé_. Now
+Duchesses are no more exempt from the weary ills which weak flesh is
+heir to than their less favoured brothers and sisters, and in the
+early summer the Duchess began to complain of certain aches and pains
+and to bethink her that Sir John's advice might be worth following;
+so she drove over to Camelot Square and was shown into the waiting
+room with the rest of his patients. She had some little time to wait,
+and while the Duchess sat tapping her foot impatiently at the delay,
+Ethel looked round the spacious apartment and decided on certain
+improvements she would effect when she should preside over John's
+establishment.
+
+And then the door was flung open, and Soames, the eminently correct
+footman, ushered them into his master's presence.
+
+The Duchess advanced gushing a little.
+
+"So good of you to see us so soon! I was positively timid at coming
+without an appointment, even with Ethel."
+
+"It is you who are good, Duchess, to give me such an unexpected
+pleasure."
+
+Sir John touched Ethel's cheek lightly with his lips and motioned his
+visitors to be seated.
+
+"Now is not that a pretty speech from a professional man! Ah, you
+lovers, you are all alike, and when you are married--Ah! then you are
+all the same."
+
+"What an accusation! I hope Ethel does not credit it, or I shall
+never be permitted an opportunity of refuting such a calumny."
+
+"I know too well how highly Mamma thinks of you, John," said Ethel,
+prettily.
+
+"Well, I admit it--I do admire you immensely--I admire your power,
+your position, your ability to make an income--a large income,
+sitting comfortably in an arm chair. And then there is such solidity
+in a doctor's profession--people are always ill."
+
+"Mamma is ill herself," broke in Lady Ethel, "and that is why we have
+intruded to-day."
+
+"I hope it is nothing serious, my dear Duchess."
+
+"How sweet of you! Ah, I am a martyr! I have hay fever to such a
+distressing extent that I am positively ashamed to go into society."
+
+Her daughter laughed.
+
+"We were at the Opera last night, and Mamma's sneezes were most
+_mal-à-propos._ It was very embarrassing."
+
+"Yes, I am convinced that Romeo glowered at me, and at church on
+Sunday it was such a charming sermon, so encouraging and tactful, I
+sneezed violently in the man's best moments. At my age I cannot
+consent to become a public infliction, yet I feel I am a nuisance."
+
+"Mamma said, as soon as we got home--'I shall go and consult Sir
+John,'" cooed Ethel.
+
+"And now you can cure me?" The Duchess looked anxiously into the
+grave face opposite.
+
+"I have not the slightest doubt you will be entirely recovered in a
+few days at most," said Sir John reassuringly; "you have caught a
+severe cold."
+
+"Nothing of the sort, I assure you. I have had colds before, and I
+know better."
+
+"What, better than your doctor?" The stern face relaxed, and Sir John
+laughed.
+
+"Well, better than my future son-in-law. Now I beg you not to be
+obstinate. Give me something potent--one of those drugs that work
+such instantaneous wonders."
+
+"I fear they are not in the Pharmacopoeia."
+
+"I don't think it is kind of you to discourage me."
+
+"But if I make you well in a week, will not that satisfy your Grace?"
+
+"I shall be radiant."
+
+"I will write you a prescription."
+
+"Thanks! What an invaluable husband you will make with all that
+knowledge at your finger ends! I need have no misgivings as to
+Ethel's health, and she has always been so subject to chills. The
+risk of entrusting one's daughter to an unobservant man is shocking,
+but to a physician! To have for one's daily companion a great and
+renowned doctor, what an advantage--what a security!"
+
+"Really, mamma, to hear you talk one would suppose that I was an
+invalid, and I never remember to have suffered from anything worse
+than the measles."
+
+"When Ethel comes to me she will be guarded as sacredly as a girl can
+be."
+
+Sir John smiled kindly at his betrothed.
+
+"I have made but a few protestations of what I feel for her; perhaps
+I am more reserved than I should be, but I am no longer a boy. I
+doubt whether I ever was very romantic, even in my younger days, but
+I think that she and I understand each other, and if we don't tiff
+and 'make it up,' if we have been engaged three months and have never
+had a quarrel, that does not mean that my affection is not most
+sincere and deep."
+
+"I should hope we like each other too well to quarrel," said Lady
+Ethel haughtily.
+
+Like! After all, was it love on either side? Sir John asked himself.
+
+"My dear Sir John," broke in the Duchess pompously. "A few words from
+such a man as yourself impress me more profoundly than rhapsodies
+from another. Ethel, just look out of the window and see if the
+carriage is waiting. We are going to take the Lancaster girls to the
+Academy, and Payne has driven round to fetch them while we had our
+consultation with you."
+
+"Yes, mamma, it is there."
+
+"I will follow you in a minute, Ethel; say good-bye to John--," and
+when the door had closed upon her daughter, she began hurriedly:
+
+"It is hardly the time and place perhaps, but you will pardon that.
+I--really, it is very awkward. Can you not help me, Sir John? The
+weeks are slipping by, and I should, I confess, like to make my
+arrangements for leaving home, but until I know definitely what yours
+are--."
+
+"Mine?"
+
+"Yes; yours and Ethel's."
+
+A light broke in upon Sir John's somewhat obtuse mind. He had no
+desire to expedite matters, but then he was not the principal person
+to be consulted, and it certainly was not for him to raise any
+objection, so he acted immediately on the hint given him.
+
+"My dear Duchess, what can I say? The matter rests entirely in your
+hands. Let it be when you please. In another month I shall be
+comparatively free, and we can visit Switzerland if Ethel wishes."
+
+The Duchess smiled. "That you must arrange with Ethel herself, and
+perhaps you had better broach the subject yourself to her. Girls are
+apt to be a little curious on these points."
+
+"Then I will ask her to fix the day for our marriage." He bowed with
+old-fashioned gallantry over the pearl-grey suede, held out in
+farewell, and the Duchess rustled away with Soames, the deferential,
+in close attendance.
+
+Soames did not like the idea of a mistress, but these "accidents" he
+was well aware, would happen in the best regulated families, so he
+was now bent on making friends with the Mammon of Unrighteousness in
+the shape of the Duchess of Huddersfield and the bride elect.
+
+Left alone, Sir John stood upright, his hand on the back of his chair
+and his brows tightly drawn together.
+
+Well, why not? What possible excuse could he make to his own heart
+for the delay?
+
+None, none. And yet he felt a good deal as if a thunderbolt had
+fallen from the skies at his feet, and it was more or less of a shock
+to him.
+
+Presently he rang his bell.
+
+"Who comes next, Soames?"
+
+"Lady Rutherven, Sir John, but--but a lady who has no appointment has
+been waiting for more than an hour, and I thought perhaps you would
+see her first. She seems very ill."
+
+"Show her in!"
+
+A second later the door swung open again and Soames announced:
+
+"Miss Blackall!"
+
+Sir John started, but recovered himself in the next instant.
+
+"Take a seat, madam."
+
+He waved her to a chair and for several minutes they looked at each
+other without speaking. The woman was the first to break the silence.
+
+"I have come back," she said with a nervous laugh. "I am ill; I
+thought you might try to cure me."
+
+She had seated herself, but he remained standing.
+
+What a handsome woman she had become, he was thinking, and how
+expensively dressed! There was something strange in the very
+familiarity of the countenance presented to him. It had altered much
+from what he remembered it, but curiously enough he remembered it the
+more vividly because of that very alteration.
+
+"What is your trouble?" he asked huskily--"Why have you
+consulted--me?"
+
+"It is my lungs. I don't know--let us call it a whim. I thought you
+would do me good if anyone could." She paused a second: "You used to
+be my husband once."
+
+"Once! Well, I am willing to be your doctor."
+
+"I suppose you would do your best for a dog if it were dying,
+wouldn't you? though you might not care if it recovered."
+
+"I have a very faithful dog," he said significantly.
+
+Bella winced.
+
+"Dogs ask so little for their love. Oh, I didn't come here without a
+struggle. And I knew you would speak like this. But I have been
+abroad so long, and on the voyage home I got worse, and women--women
+of your sort who had taken no notice of me, suddenly grew kind. I
+said to myself, 'Bella, it looks bad for you when ladies forget how
+common you are,' and then the thought struck me, London meant you! As
+a patient I might come to your house and be let in. You are clever
+and you are great; if I had any self-respect I could not ask you; but
+I have not, you know; I never had any and'--and--I am--frightened! It
+keeps me awake at nights, the fear. I--I am not going to--die?"
+
+"I have said I will do what I can for you."
+
+"You will sound me?"
+
+"Loosen your dress."
+
+As he bent over her she raised her hand as if to smoothe his hair,
+and the colour came into her face, but she did not touch him.
+
+Her fingers, from which she had drawn her gloves, were laden with
+rings--rings which he had not given her. His breath came a little
+faster as he stooped over her neck.
+
+"Don't be scared to tell me the truth," she said; "I guess I'm pretty
+bad. You need not take the trouble to lie about it."
+
+He examined her thoroughly and replaced the stethoscope before he
+spoke.
+
+"Your lungs are not right. They used to be."
+
+"Oh," she replied bitterly, "I used to be. I have come too late--is
+that what you mean?"
+
+"I mean that you must exercise great care and avoid excitement. Don't
+brood--don't worry yourself by misgivings, which will only do you
+harm. Go away from England when the summer is over; go where the sun
+shines and the air is mild. Lead a life of ease and indolence. I can
+say no more."
+
+"And then?"
+
+"And then I see no reason why you should not live for years to come."
+
+Bella flung her hands out with a sort of despair.
+
+"Your prescription is impossible," she said dully.
+
+"Impossible?"
+
+"I have only just come over from the States. I have an engagement at
+the Empire for six months. I have got to stay."
+
+"You will be very unwise. The laws of health demand that you should
+cancel any such contract."
+
+"Beggars can't be choosers. I must sing to live. It is my trade now."
+
+He sighed. "You do not look as if you were in pecuniary
+difficulties."
+
+"Well, I make money easily enough, but it melts like ice cream;
+everything is so beastly dear."
+
+"Are you not with--him?"
+
+"Him? Oh no; he left me years ago. I am alone--very much alone. It
+seems sometimes as if I had spent the best part of my life alone. I
+am so dull I--I wonder why I dread to die. There! I can follow your
+advice so far as this; I'll take the greatest care of myself--in
+London. I am glad I came to you, though it does not seem to have
+delighted you much. I suppose if--if I had run straight and stayed
+with you, I might have been quite well, eh?"
+
+"That is difficult to say. Bella, have you--it is a foolish question,
+but--have you ever regretted?"
+
+She laughed recklessly.
+
+"Oh, as to that--what is the good of looking back, anyhow? I have and
+I haven't--when I have been sick it has been awful lonesome. You
+didn't grieve much, that's certain. And you got your title soon after
+I went. It was lucky for you. Scot! I should have been Lady Chetwynd
+if I had stopped with you, wouldn't I?"
+
+"You would have been an honest woman."
+
+"Ah!" She rose from her chair and looked curiously round the room. "I
+remember those bronzes," she said; "they used to hang in your little
+library in the old house. You are a good deal changed in the face;
+your manner is just the same. You were always a good fellow, I will
+say that. I know it better than I used to now I have had so--since I
+have been--"
+
+"Hush--the past is dead. I was not so patient and tender with you as
+I should have been."
+
+"You saw that--you had made a mistake, but you tried to hide how
+sorry you were--I know you did that and I--well, I didn't marry you
+to make you sorry. Do you know how we lived--he and I, when I left
+you? He took me to Paris; and didn't we make the dollars spin, the
+pair of us--rather; and then one fine morning we heard a beastly bank
+had gone smash and he had lost pretty well all he had got."
+
+"And you left him?"
+
+A smile curled the corners of her mouth.
+
+"No," she said, slowly; "I didn't. We took two little rooms over a
+baker's shop in the High Street, Islington, and I stuck to him. I
+used to go out in an evening and do the marketing with a hand basket,
+to get it cheap. When we wanted a change we would take a bus to the
+Park and look at the swells across the railings; and sometimes Saidie
+gave us tickets for the theatres. Seems odd, don't it? but it's a
+fact. I was livelier then than ever I've been in my life. While he
+was fond of me--he showed me he was fond of me, you see."
+
+"You were capable of love, then, after all?" he said bitterly.
+
+"I don't know. I loved the freedom I think, anyway, and perhaps I
+took him with it. I don't know! what does it matter? It was a release
+for you and you are glad that it happened, eh? now that the shame of
+it is forgotten? We were never suited to each other, were we?"
+
+"Why speak of what is past?"
+
+"You see, if I had remained with you I should have been no happier,"
+said Bella, reflectively; "you expected too much from me."
+
+"I did my best to make you happy."
+
+"Yes, perhaps! then if I had been more grateful and different, would
+you be glad if I was with you still?"
+
+"I cannot answer that question. I loved you--I had no thought for any
+human being outside yourself."
+
+"But now," she persisted, "now that the wound is old, do you not say
+to yourself, 'it was better so'? Suppose that you and I were still
+what we were once to each other, would you be happy to know that I
+was your wife to-day?"
+
+"I beg you to be silent. It is impossible that we can discuss such a
+question."
+
+She came close to his chair.
+
+"I am," she said with a sort of feverish eagerness, "no more of a
+lady now than I was then. I am just what I used to be when I made you
+ashamed of my ignorance and my mistakes. But if I were pure, if I had
+never been divorced, if I were standing here your faithful wife,
+would you be glad?"
+
+"Hush! You are paining yourself and me."
+
+"Jack!"
+
+"For God's sake be still!"
+
+She fell on her knees beside him.
+
+"Jack, say you would be glad."
+
+"If you had never left me, if you had remained my faithful wife,
+heaven knows that I should be a happier man!"
+
+Bella burst into tears and sobbed convulsively, then pressed her
+handkerchief to her mouth. It was bright with blood when she withdrew
+it.
+
+"Oh, be careful of yourself," said John Chetwynd, terribly moved;
+"you must do what I advise."
+
+"I'll try. I wonder why you should care one way or the other. It is
+more than I deserve--you make me so sorry and ashamed. I shall never
+see you any more, shall I?"
+
+"I cannot."
+
+"No; I understand, I ought not to ask you. Well, good-bye. There is
+my address if you should take a notion to come. It is only a six
+months' engagement over here, and if I'm not long for this wicked
+world, I may not live to finish it. Keep my card. If one day you
+should feel that you could come--just once. You don't hate me?"
+
+"Hate you? No."
+
+"I dare not ask you to forgive; but I begin to know and feel what my
+action towards you really meant. Jack, see I am on my knees. Forgive
+me!"
+
+"I do. I forgive. If I was hard to you; if, as you say, I expected
+and exacted too much from you, may God forgive me."
+
+The tears were still raining down Bella's cheeks.
+
+"Kiss me, Jack."
+
+He shrank back. "You must not ask me that. I cannot."
+
+"Is it that you despise me so utterly?"
+
+"No, no; you don't understand. I--"
+
+"Kiss me."
+
+"Why do you make me speak? I am going to be married again. I kissed
+her--a young girl--in this room half an hour ago. I could not outrage
+her trust in me."
+
+A sort of stung expression came into the face of the kneeling woman
+and she staggered to her feet.
+
+"You are going to take another wife! My God! I never thought--I never
+dreamt. It seemed so--so--impossible. I hope she will make you
+happier than I did."
+
+"Oh, hush, hush!"
+
+"She is one of your own class--a lady? What is her name?"
+
+"I would rather not mention it. Give me your hand and let us part in
+peace."
+
+"Tell it me," she pleaded. "What name do you call her by?"
+
+"Ethel."
+
+"Ethel and Bella. Ah, Ethel is far the nicer name. We didn't think
+once that you would ever be telling me you were going to be married
+to someone else, did we? It feels queer, and it hurts me--a little, I
+think. Good-bye, Jack. I see now why you could not kiss me--it would
+not be right of you. She is a young girl and she might find it hard
+to forgive you if she knew. I am going. You used to have a bell on
+your table, I recollect, with a little white knob that you pressed
+when Mary was to go to the hall door. Do you use it still? Oh, I see.
+Let me press it instead of you, may I? I sha'n't feel so much as if
+you were turning me out. Good-bye." She said the word lingeringly,
+tenderly. "Say 'Bella' once again, for the sake of old times."
+
+Jack Chetwynd took the slender trembling hand in his with God knows
+what of anguish and pity stirring at his heart.
+
+"Good-bye--Bella."
+
+And the door fell to.
+
+She was gone.
+
+He could hear her hollow cough as she passed down the tesselated
+corridor.
+
+
+
+
+CHAPTER VI.
+
+
+It was two days later. Sir John Chetwynd sat in his big easy chair
+with an open letter before him. "We are surprised to have seen and
+heard nothing of you," wrote the Duchess; "more especially as after
+the few words we had in private upon a certain important matter, I
+fully anticipated an early visit from you. But such a busy man as
+yourself and one so much in request, both socially and
+professionally, must not be judged by the rules which govern the
+common herd, I suppose; at the same time (although I assure you she
+has not said a word upon the subject) I can say that dear Ethel feels
+herself a wee bit neglected. You must have been _professionally_
+engaged last night, I presume, since we were obliged to dine without
+you and go to see Sarah Bernhardt alone."
+
+He had spent the whole evening in his consulting rooms, totally
+forgetting his promise to escort his _fiancée_ and her mother to the
+theatre.
+
+Well, he would see them both on the morrow and make his peace, and
+then--he dropped his head on his hands and fairly groaned. It was
+useless to argue with himself, to bring commonsense to bear upon the
+point, to count up the advantages to be derived from this union with
+Lady Ethel; look at it which way he would, the fact remained the
+same, that he had no longer the remotest desire to marry again.
+
+The knowledge had certainly come tardily, but not the less surely.
+
+He did not, he told himself, love Lady Ethel as a man should love the
+wife of his bosom. Middle-aged, worn, and unemotional though he might
+be, he knew that he was yet capable of a much deeper feeling than she
+had evoked and he had wakened to a realisation of this since he had
+again seen Bella.
+
+He was no fool; he was, on the contrary, a shrewd, clever,
+quick-witted man of the world and it was impossible to shut his eyes
+to the trouble. He thought of Bella as she was when he had first
+married her; he recalled their courtship, her pretty half shy, half
+tender ways--the girlish prettiness which time had turned into shame.
+
+She had left a scrap of lace on his table for her throat or her
+veil--Heaven knew what--and his eyes grew blurred and dim as he gazed
+at it. He repeated mentally phrases which had fallen from her,
+piecing them together and trying to weave the pattern of her life out
+of the fragments.
+
+She had changed pathetically. She had acquired the manner that her
+sister used to have, and which he had so strenuously objected to--the
+slangy, devil-may-care tone, the total absence of which in the old
+days had made his little sweetheart so conspicuously different from
+her environment. She wore now the impress of evil, from her Regent
+Street hat to her Paris gown. Manifestly she had risen in her
+vocation, but he knew that her salary alone had never supplied the
+costume or the rings, and his heart ached.
+
+That night he sat at the Duchess of Huddersfield's table facing his
+_fiancée_, and for the first time he wondered if sang-froid or
+perfect equanimity were all that a man such as himself might desire.
+She was, as Bella had put it, "One of his own class--a lady," which
+she had never been, poor Bella! but he did wonder just a little how
+much of real heart beat under the dainty laces that shrouded Lady
+Ethel's bosom. He had reflected once and not so long ago that that
+portion of a woman's anatomy was superfluous, but he wavered in his
+belief now. He could stake his professional honour, his hopes of
+eternity--of--everything--on the absolute purity of this girl;
+nothing would ever tempt Lady Ethel to swerve ever so little from the
+path of rectitude and decorum. The cold, proud patrician face spoke
+for itself, and yet--he was in a brown study when the voice of his
+prospective mother-in-law brought him out of the clouds.
+
+"And now," she said in a significant tone and with a glance full of
+meaning, "now I suppose you young people have lots to talk about, and
+will forgive me if I run away."
+
+And the silken draperies swept themselves across the floor and the
+door closed softly upon her Grace.
+
+Ethel lay back in a low, lounging chair with a big ostrich feather
+fan in her hand, and she looked up expectantly into her lover's face.
+There was nothing else for it, and he took the plunge valiantly--and
+with precisely the correct amount of maidenly hesitancy, Lady Ethel
+named a day for their marriage. And then--somehow there seemed
+nothing more to be said; each sat silent.
+
+Sir John felt rather than saw his companion yawn behind her fan, and
+realised desperately that he must break the silence.
+
+"Ethel," he said gently; "I am old compared with yourself, and grave
+and sad even beyond my years; are you sure I can make your future
+happy?"
+
+She looked at him with a good deal of surprise, and a frown puckered
+her smooth brow.
+
+"Why not? Why should we wish for rhapsodies and commonplace
+love-making? We can leave all that to the Chloes and Daphnes of a
+by-gone age. It would be boring to the last degree. One must take
+pleasure just as much as sorrow, with a certain amount of equanimity.
+If there is one thing more than another that I hate, it is to be
+ruffled. Emotion of any sort ages a girl so terribly."
+
+The sword would never wear out the scabbard so far as Lady Ethel was
+concerned! He doubted if she were capable of any great depth of
+feeling. But he did not say now as he would have done a week ago--"So
+much the better;" he no longer felt that it was altogether desirable.
+
+He looked at her more scrutinisingly than he had ever done before,
+and for the first time he told himself that the beautifully moulded
+mouth was hard and unloving, and that the chin spoke of self-will and
+an amount of resolution unusual in such a young girl.
+
+He hastened to change the subject.
+
+"You would like to visit Switzerland or Italy?" he asked.
+
+"No; I don't care for scenery much, or nature! I like human nature
+best; it is much more interesting, I consider. I should prefer Paris
+or Vienna."
+
+"Then Paris or Vienna let it be, by all means," he hastened to reply,
+and Lady Ethel smiled, well pleased.
+
+"Mamma," said Sir John's _fiancée_ an hour or two later, when mother
+and daughter were alone. "Do you know who Mrs. Chetwynd was?"
+
+"My dear Ethel, it is much better that subject should not be
+discussed."
+
+"I don't agree with you. Since I am going to marry John it can only
+be right and proper that I should be made aware of every detail
+connected with his former marriage."
+
+When Lady Ethel adopted that tone, her mother knew by past experience
+that it was a saving of time and temper to yield.
+
+"I only know that she was beneath him in position--a dancer, I
+believe, and she ran away with someone else. Really providential, I
+consider; it must have been a happy release for poor Sir John."
+
+"He was plain Mr. Chetwynd."
+
+"Yes; but already very popular. It was exceedingly fortunate that he
+did not get his baronetcy earlier, for had he done so, she would
+probably have refused to be faithless."
+
+"I wonder if he felt her desertion much?"
+
+"The world says not; they had lived unhappily for some time before,
+and the general impression was that he did not care in the least."
+
+"But you spoke of her to him when he asked your consent to our
+marriage?"
+
+"Yes, Ethel, I did; I referred to it as delicately as possible, of
+course. I believe I said, 'your early misfortune,' or something to
+that effect."
+
+"And what did he say?"
+
+"Well, he spoke very nicely; he said he was aware that it added to
+the disparity between a man in his position and my daughter."
+
+"And you?"
+
+"I believe I replied that because a bad woman had caused him misery
+and suffering in the past, it was no reason why he should not win and
+hold the love of a good girl, and that because of the sorrow he had
+endured, I felt the more assured in trusting my child's happiness
+into his keeping."
+
+"That was sweet of you, mother; but did it not occur to you that
+there was just--a little risk?"
+
+"How?"
+
+"I don't think that John is a man who would forget easily."
+
+"Good Heavens, child! what do you mean? you cannot doubt the
+sincerity of his protestations of affection for you, surely?"
+
+Her daughter laughed.
+
+"I certainly do not wish him to be more demonstrative, mother dear;
+love-making is the most boring process imaginable; but still, I
+should prefer, I must confess, that there was no under-current of
+feeling for wife number one."
+
+"You amaze me, Ethel, by suggesting such a horrible idea. The woman
+may be dead for anything I know; at all events, she left England
+before he obtained his divorce, and no one has heard anything of her
+since. It is extremely improbable that she will ever return to this
+country."
+
+But in this, as we know, the Duchess was in grave error.
+
+At that very moment Bella was sitting by the open piano in her cosy
+apartments in a street off the Strand, idly striking a note here and
+there and humming the air of a new song; but her cough, which was
+incessant, made singing almost out of the question.
+
+"I believe I'm getting worse," she cried, rising and flinging herself
+on the sofa, "I'm sure I was not so bad as this three months ago--not
+so bad when--he never came. Ah! why should he? How could I expect it?
+Perhaps to-day may have been his wedding day! Come in."
+
+The door opened noisily, and Saidie Blackall, very much over-dressed
+and distinctly rouged and made up, entered, followed by Mr. and Mrs.
+Doss, looking precisely the same as on that memorable night when they
+had been the innocent cause of so much trouble to Bella's husband.
+The old music-hall singer and his wife had lost no time in looking
+her up when she returned from the States, and were really
+well-meaning, kindly folk.
+
+"Hallo, Bella, you look done up!"
+
+"I am," admitted the girl wearily. "It was as much as I could do to
+pull through to-night, and I have got a beastly new song to tackle."
+
+"I don't like your cough, my dear," said Mrs. Doss, looking
+distressed; "it shakes you to bits."
+
+"I've got a little more cold, I fancy; but I'll be all right in a day
+or two."
+
+"You're not looking the thing--I saw you from the front
+to-night--and--well, I guess it was a bit of a heffort to sing at
+all, eh?"
+
+Bella turned quickly and looked sharply into Mr. Doss's face.
+
+"If you have got anything disagreeable to say, don't be afraid, out
+with it. I suppose you have jumped to the notion that I'm dying?"
+
+She tried to laugh, but it was a piteous attempt, and ended in a fit
+of coughing which left her white and trembling in every limb.
+
+"There, there!" cried Mrs. Doss, compassionately; "you must not
+excite yourself; we will do the talking, and you keep quiet."
+
+Bella lay back on her cushions, weak and exhausted, and when the
+Dosses at length went away she gave a sigh of relief.
+
+"What did they come for to-night?" she said thoughtfully.
+
+"Well, Bella, Doss had heard a bit of bad news and thought it as well
+to put you on your guard; but finding you like this put it out of his
+head, I suppose."
+
+"Bad news? What do you mean? He's not married, is he?"
+
+Saidie stared at her.
+
+"Not that I know of--why, he would have you to-morrow; you know that
+as well as I do! you are treating him in a rough way; there's no
+mistake about it."
+
+Bella fell back again relievedly.
+
+"Oh, you're talking about Charlie, are you?" she said.
+
+"Who should I be talking about? There isn't no one else as wants to
+make an honest woman of you, is there?"
+
+The shaft fell short of its mark. Bella did not even wince.
+
+"Well, it strikes me, my girl, you'll have to fall in with his
+views," Saidie continued presently; "for if what has come to Doss's
+ears is true, you'll be out of a berth before you can say Christopher
+Columbus."
+
+"What on earth do you mean?"
+
+"The management are getting dissatisfied, and we know what that
+means."
+
+The pale face flushed poppy red.
+
+"They can't help themselves," she said eagerly. "I have a contract
+for six months. They cannot cancel it, you must know they can't, and
+it's not very likely I shall allow myself to be played fast and loose
+with as the fancy takes them."
+
+"But if you're not able to fulfil your share of the contract--"
+
+"Who says I am not?" cried Bella fiercely. "Old Robertson is a fool,
+and if he thinks I'm going to put up with any hanky-panky, he's jolly
+well mistaken. Let him try it on, that's all! I should immediately
+take steps to enforce my rights, the law is on my side, that's clear
+enough."
+
+"I don't know! You heard what Doss said--about how you looked from
+the front; and others have got their eyesight as well as him, and can
+see you are not well and not--"
+
+"Not fit to sing--that's what you are driving at?"
+
+Saidie was silent.
+
+"I tell you I will sing. Nothing and no one shall stop me. I shall
+just defy them all, and go on, and there's no law in England to stop
+me."
+
+"If you are not a goose, Bella, I never saw one! What in all the
+world keeps you on the boards, I cannot see. Here's a man come over
+from N'York with the intention of marrying you; a man who is earning
+his hundred dollars a week, and you turn up your nose at him. I can't
+understand you. You seemed proud enough of him a week or two back;
+but now all on a sudden, for no earthly reason, you show him the cold
+shoulder."
+
+"I suppose I can please myself," answered Bella, and her lip
+quivered, and the tears began to roll down her cheeks.
+
+"I wish to God I had never left--Jack," she said weakly.
+
+Whereupon Saidie gave her what she was pleased to call a "piece of
+her mind" as to the insane folly of any such speech, the result of
+which was that Bella wept and coughed herself into a state of
+collapse, and had to be carried off to bed.
+
+Things did not mend. Bella persisted, ill though she was, in
+appearing night after night in public until at length what Saidie had
+predicted came to pass, and she received a formal notice cancelling
+her engagement at the Empire on the ground of the extreme delicacy of
+her health.
+
+Mr. and Mrs. Doss happened to be with her at the time she received
+the notice, and Bella partially appealed to them.
+
+"You will help me, won't you? You won't allow them to impose upon me
+so shamefully. They have no right to do it. It's infamous--'annul my
+engagement' indeed! They shall find out who they are dealing with. It
+would be ruin for me, it would simply spoil my career. I shall go
+down at once and see Robertson. It's a likely thing that I'm going to
+sit down calmly and quietly and accept my dismissal. Not if I know
+it. I'll give Robertson beans."
+
+"I wouldn't do it if I were you," said Mrs. Doss quietly.
+
+"Not do it; what do you mean? You must be dreaming. It is the only
+thing to be done."
+
+And now Mr. Doss, obeying a pathetic glance of his better half, put
+in his oar.
+
+"Be a bit patient; wait and see how things turn out; don't do
+anything in a 'urry--that's our advice--the old gal's and mine."
+
+"Yes, take things heasy, I say," chimed in the "Rabbit Queen."
+
+"I don't see what there is to wait for. Show me what is to be gained
+by waiting, and I will consider it."
+
+"Well, Bella; Doss here will tell you what we was thinking of; he
+puts things clear like."
+
+"What was in our mind was to talk the thing over first. Allus talk
+the matter well over, was my motto as a boy. It saves a peck o'
+bother and a deal o' doing. Don't flare out about it, but take it
+gently and conversational."
+
+"Fussing over things won't make you no better," echoed Mrs. Doss.
+"Lor', bless me, didn't I have a sister what killed herself fussing!
+Fussed herself into the grave, she did! And might have been here,
+leastways in Camberwell--alive and hearty at this minute."
+
+"The question is--am I too ill to fulfil my engagement? and I say
+'no,'" cried Bella, angrily.
+
+"And me, the missis and me--we says, certainly you are, and so
+heverybody says. You want a thorough rest, and then you will pick up
+again."
+
+"That may be your opinion; it is not mine! you may talk till
+doomsday; you won't convince me. I may surely be allowed to be the
+best judge of my own state of health. I shall not wait a day--not an
+hour. I'm going at once down to Robertson to have the matter out with
+him."
+
+The distressed pair exchanged glances, and then Mrs. Doss said in a
+coaxing way, "If you must go, you will let me come with you, my
+dear."
+
+Bella hesitated.
+
+"If you're on my side and mean to stick up for me, all right; but if
+you're going to hum and haw and look grave, and take the part of the
+management, you had best stay away."
+
+Mrs. Doss tucked Bella's arm within her own and trotted upstairs to
+the bedroom, where Bella arrayed herself in total silence, and her
+friend, beyond a vigorous sigh or two, was mute also.
+
+Mr. Robertson was disengaged, and the ladies were at once ushered
+into his presence.
+
+"Now then," began Bella, dashing into her subject, "I have come to
+know what all this means. You cannot dismiss me at a moment's notice,
+and you know it just as well as I do. Ain't you satisfied with me?"
+
+"Perfectly. It is no question of that sort--but in your present state
+of health you are not up to your work, and there was no other
+alternative."
+
+"Oh!" said Bella disagreeably, "does anybody else say I am not up to
+work except you?"
+
+"My dear Miss Blackall, I regret that this has been necessary. I am
+exceedingly sorry that we brought you over from America and then are
+compelled to terminate your engagement so soon, but in your present
+condition--"
+
+Mr. Robertson flung out his hands with an eloquent gesture.
+
+"Well, look here; I'll give up my dance--that does shake me a bit,
+I'll grant; but you must let me sing the new song--you really must;
+I'm a nailer at it and I'll wrap up! My cough will soon go: give me
+another chance!"
+
+Her cheeks were flushed with excitement and her eyes were
+sparkling--she really did not look so very ill this morning; perhaps
+after all, things had been exaggerated. Mr. Robertson wavered. Bella
+was quick to see her advantage and to press it.
+
+"Withdraw your notice," she said, "and let me come on for one song
+only for a week or two."
+
+"It would really be better, I think, if you were to have an entire
+rest for a month or so."
+
+"Yes, for someone else to step into my shoes! Thank you for nothing."
+
+"I will pay you a fortnight's salary in lieu of longer notice; and if
+you are desirous of returning to your friends in the States, perhaps
+something might be arranged."
+
+"I have no friends here or there," said Bella simply; "my profession
+is all I have."
+
+"Well, well, we'll give it a week's trial. If at the end of that time
+you are sufficiently recovered to do your work properly, well and
+good; but if not, you must really consider your engagement at an
+end."
+
+All this time Mrs. Doss had said nothing. Bella had talked so volubly
+and so fast, there had really been no chance of getting in a word;
+and when the manager rose to his feet to intimate that the interview
+was at an end, there was nothing to be done but to follow Bella out
+into the street.
+
+"There!" she cried triumphantly, "I told you I would bring him to his
+senses. You saw how soon he caved in. It is not a question of my
+health at all; you may bet your bottom dollar I have an enemy, but I
+flatter myself I've routed him."
+
+Her breath was coming in gasps and she spoke with difficulty. Now
+that the excitement was over and the necessity for bearing up at an
+end, there came the reaction.
+
+"I think I had better go home and lie down," she said, "or I shall
+not be at my post to-night, and I must, you know, I must."
+
+"Poor child, I could fairly have cried," said kindly Mrs. Doss to her
+spouse after Bella had been safely escorted home.
+
+"I'm not satisfied with you, old girl," said Mr. Doss, shaking his
+head mournfully. "I can't 'elp thinking you might ha' managed things
+better. If Bella Blackall goes on a singing at the Hempire, you mark
+my words, she'll sing herself into 'eaven."
+
+
+
+
+CHAPTER VII.
+
+
+A week went by slowly: the hours crept like snails, and yet the days
+were surely slipping away, bringing nearer and nearer the one which
+was to give Sir John Chetwynd his second wife.
+
+He had hardly seen Lady Ethel since the evening when she had yielded
+a coy assent to his not (it must be confessed) very amorous request
+that she would fix an early day for their nuptials, and his state of
+mind was anything but an enviable one. If ever a man was torn two
+ways, halting between prudence and worldly consideration on one side
+and the force and power of a love which he had honestly believed was
+laid for ever in its grave, that man was Sir John. The idea of seeing
+Bella again did not occur to him for some days, but when it fastened
+on him he could not shake it off. It was stronger than himself. He
+excused his temptation by the condition of her health, though in his
+heart of hearts he knew well enough that this was not sufficiently
+critical to serve for a reason.
+
+Twice he seized his hat with the intention of going to her, then laid
+it aside, angry and disgusted with his own weakness.
+
+His profession no longer occupied his thoughts to the exclusion of
+every other topic. He sat for hours buried in the newly awakened
+memories that that one brief glimpse of her had conjured up, unable,
+unwilling to rouse himself.
+
+And then he made a compromise with his own weakness and irresolution.
+He would not go to Cecil Street, since by so doing he would be
+offering a tacit insult to the woman he had pledged himself to marry,
+but he would, he must see Bella, himself unseen and his presence
+unsuspected, and this he could effect easily by going to the Empire.
+
+The notion pleased him, and that self-same evening he carried it out.
+
+Bella was worse. She could no longer deceive herself. It was only by
+a superhuman effort that she could pull herself together sufficiently
+to sing the one song which was all her part consisted of now.
+
+After she had got into her pretty sea-green skirts of lace and tulle
+and shimmering silk, like so much sea foam, she had to lie still and,
+let the poor over-strained lungs and heart recover themselves, and
+then, when the summons came she called up a smile to her wan face and
+pluckily did her best.
+
+But that night she looked up at Saidie after the last ribbon was in
+its place.
+
+"I'll have to throw up the sponge, after all," she said wearily; "it
+is beyond me. They are right and I was wrong,--I must have a rest."
+
+Saidie muttered something in reply, but when the door closed upon her
+sister, she sighed.
+
+"She _is_ bad; there is no denying it," remarked the dresser, who was
+busily stroking out the roses which were to garland Saidie's dress.
+"It gives me a turn every time I see her go on the stage."
+
+"She looks worse than she really is," returned Saidie; "sometimes she
+is as brisk and lively as you like--she so soon gets tired."
+
+"She is a tidy sight worse than 'tired,' and it strikes me her voice
+was weak like to-night. Did you notice it, Miss?"
+
+"Oh, she varies so. I guess she would be as right as any of us the
+moment she was on the boards."
+
+Nevertheless, although she was not going to confess it, Saidie was
+troubled and uneasy. There was something in Bella's face she had not
+seen before, and it frightened her--a little. She stood at the wings
+with a quick-beating heart, but the next moment laughed at her own
+fears.
+
+Bella was singing her very best. Not a falter in the clear, bell-like
+tones, and her face was smiling and radiant.
+
+And then--her eyes fastened themselves on a box in the grand tier;
+with a scared expression she shrank back a little, and her lip
+quivered, but with a mighty effort she controlled herself and caught
+up the refrain again--carolled a word or two, faltered, swayed
+helplessly, uncertainly forward, and fell headlong on the stage.
+
+They were round her in a second, lifting her gently and tenderly. Her
+head had fallen back and a thin stream of blood was welling over the
+laces at her bosom.
+
+"She is dead!" cried Saidie. "Oh, will someone fetch a doctor,
+quick!"
+
+But almost before the words were spoken he was there, and when Bella
+opened her eyes they fell on the grave, anxious, kindly face of the
+man whose wife she had been.
+
+"Jack! Jack! is this--the end?"
+
+"Hush--no--no! Keep still--perfectly still--you must not move."
+
+"I am not--in pain--a little dizzy--nothing more, and my head feels
+light."
+
+"Drink this and don't talk. As soon as you are a little recovered we
+will go home."
+
+"Home! Jack!"
+
+Oh, the wistful look in the deep blue eyes--the prophetic droop about
+the perfect mouth! It was almost more than he could bear.
+
+"I will go with you myself if you will do what I tell you, keep
+absolutely quiet--your life depends upon it."
+
+She looked up tremulously.
+
+"I don't care--a--cent _now_," she whispered.
+
+She bore the journey to Cecil Street better than they could hope, and
+the bleeding from the lungs had ceased.
+
+Downstairs Saidie expressed a wish to remain all night with her
+sister.
+
+"She ought not to be left," she said.
+
+"Most decidedly she must not be left," replied Sir John--"I intend
+remaining with your sister."
+
+"You! Well, this beats all, upon my word!"
+
+So great was Miss Blackall's surprise that when she found herself
+ousted from the position of head nurse and the door metaphorically
+closed upon her, she had not a word to say, but called a hansom and
+had herself driven to Bayswater, where she had been living since her
+mother's death, now nearly a year ago.
+
+"And I used to think he didn't amount to a row of pins," she murmured
+with an odd sort of penitence. "Well, I guess I was wrong, that's
+all."
+
+Through the long hours of that never-ending night John Chetwynd
+watched by Bella's bedside. For the most part, she lay mute and
+inert, but towards morning she grew restless.
+
+"I must talk," she cried excitedly--"to see you sit there and to
+think--to remember--oh! if only I had run straight, Jack--I don't
+think I was meant for this, do you?"
+
+He had no words with which to answer her. He folded his arms across
+his chest and looked out vaguely into the slant of room beyond. The
+folding doors were open and on the sideboard he could see a basket
+full of peaches, at this season an extravagance denied his own table.
+On the mantelshelf to his right hand were some exquisite hot-house
+flowers, carelessly crushed into a cracked, cheap little vase, and a
+penny packet of stationery and a powder puff in a sprinkling of
+chalk.
+
+She stretched out her arms so that her fingers touched him, and he
+held them tightly in his own--rings and all.
+
+She was never meant for the life she had chosen!
+
+His heart felt breaking.
+
+The delicate features, the sweet, wistful, childish face, the pathos
+in her regretful cry--the past with its load of gall and shame and
+misery--which could never be obliterated. Never!
+
+"Why do you look at me like that? I am better. I know I am better. I
+thought--I feared--I was going to die; if I had there was no one to
+care but--Saidie."
+
+"Do you not think what it would mean to--me?"
+
+The words broke from him against his will.
+
+"To--you, Jack! then you care--still!"
+
+"Care!"
+
+He drew his hand away and walked over to the window. The morning was
+breaking: morning in the Strand; and already there was a busy hum
+without.
+
+Her eyes followed him wistfully, with a little wonderment in
+them--and then the lids fell over them.
+
+"I feel strangely weak--but--so--happy, Jack," she said. Her breath
+came more easily and she slept.
+
+Sir John Chetwynd was in his accustomed place at the accustomed hour,
+grave, attentive and professional as was his wont; but after his
+consulting hours were over, he went back to Cecil Street, leaving
+word with Soames where he was to be found, if wanted, prepared for
+another night's vigil.
+
+"She seems neither better nor worse," said Saidie, meeting him in the
+little sitting-room and carefully pulling to the door behind her.
+"She is very, very weak. Is there a chance for her?"
+
+"I am afraid to say--it depends so much on what recuperative power
+she has. If the bleeding can be stopped, I shall be more hopeful."
+
+"What is she to do, poor Bella? She will never be able to sing again,
+I suppose?"
+
+"Never." He spoke curtly, almost cruelly. Saidie burst into tears.
+
+At that moment came a smart tap at the door.
+
+"Mr. Bolingbroke, Miss," said a voice from without.
+
+"He can't come up." Saidie sprang from her chair. But she was too
+late. The handle turned, and a tall, distinctly good-looking man
+walked in.
+
+"Miss Blackhall--how unkind to deny me admittance. You must know how
+fearfully anxious I am. How is she?"
+
+"There's the doctor--ask him."
+
+The stranger turned eagerly.
+
+"This is not serious, I trust. She was always delicate, but--it is
+wonderful how she pulls together when the worst is over."
+
+For almost the first time in his life John Chetwynd was tongue-tied.
+
+Who and what was this man, and what was he to Bella? He forced
+himself to give a professional opinion, and answered mechanically a
+string of questions Mr. Bolingbroke poured forth, but he hardly knew
+what he was saying.
+
+"If only she gets over this she shall never be bothered any more,
+poor darling," he said brokenly. "I suppose I can go in, eh?"
+
+His hand was on the door--John Chetwynd sprang to his feet.
+
+"No one must see her," he cried excitedly. "I absolutely forbid it.
+It would be most dangerous--most improper."
+
+The two men looked into each other's faces for the space of several
+seconds; then Mr. Bolingbroke turned away with a sigh and an
+impatient word. "Absurd! As if I could do her any harm," he said.
+"Well, I will be round again later in the day," he added with a nod
+to Saidie, and a minute later the hall door shut upon him.
+
+"Who is that man?" asked Sir John sternly.
+
+Saidie shrugged her shoulders.
+
+"You shall tell me--what is he to Bella?"
+
+"He is a good and noble man, and let me tell you there ain't too many
+knocking around. If she lives to get over this he will make her his
+wife."
+
+And there was silence--a silence in which John Chetwynd read clearly
+his own heart at last, and stood face to face with facts--facts
+stripped of false adornments--naked, convincing.
+
+Then he strode across the room and entered that in which Bella lay.
+
+She was asleep, and he drew his chair close to the bedside and fixed
+his eyes on the wan, thin face, fever flushed, and fought the
+fiercest battle of his life with his inner self; and when the
+struggle was over, Pride lay in tatters and Love was conqueror.
+
+She slept at intervals almost the whole of that day. Waking late in
+the afternoon, her eyes fell on the silent watcher by her side, and
+she smiled happily, contentedly.
+
+Saidie bent over her and whispered a word or two.
+
+"No--no," cried Bella vehemently; "send him away. I don't want to see
+him."
+
+"But he is so anxious, dear."
+
+"Is he?--poor Charlie! Tell him I am in no pain, and I should like to
+think he will never quite forget me."
+
+"He will never do that," said Saidie, going away with her message but
+half satisfied, and Bella turned a flushed cheek to her pillow.
+
+And then, for the second time, John Chetwynd asked, "Who is that
+man?"
+
+And Bella tried feebly to tell him. He had been attached to her for a
+long time, and had come over with her from the States.
+
+"And you--did you mean to marry him, Bella?"
+
+"I had thought of it--it seemed suicidal to say no to such an offer,
+and then I--oh, Jack, when I saw you I knew I could never love any
+other man!"
+
+He poured out a draught and held it to her trembling lips.
+
+"I feel so strangely weak," she said; "you are going to marry Ethel,
+and I am nothing to you now?"
+
+John Chetwynd drew her close to him, so that the tired head rested on
+his shoulder with the sweet familiarity of long ago.
+
+"Listen," he said. "I have been a coward, frightened of the truth.
+The world was dearer to me than happiness, or I thought so, and I
+hesitated, afraid of its contempt. But amid my weakness was one
+thought, one impulse, which no amount of worldly prudence or
+consideration could stifle, and Bella--my wife--that was my love for
+you."
+
+"Jack, Jack, is it true?"
+
+"I have loved you always, through all my life, you and no other. I
+see now how hard I must have seemed to you and how wild and
+unreasonable I was in my expectation from you and how at last it
+drove you from my side. The shame of it is not more yours than mine.
+We both erred, we both sinned; but I was older and should have been
+wiser; the burden of it should fall on me. The world is nothing to me
+now--less than nothing. Let us take up life where we broke it off.
+Give me back the past, which held for me all of happiness I have ever
+known."
+
+She lay with a smile of peace upon her face, both hands clinging to
+his.
+
+"I have communed with myself and thought it well out, and I believe
+that to bind my life, with its memories of you, to the girl to whom I
+am engaged, would be a cruel wrong and an injustice to her. She
+deserves a better fate, and I honestly feel that the rupture will not
+grieve her much. We will remarry, you and I. I will take you away
+from England, I will guard and cherish you, and in my love for you,
+you will grow stronger. Oh! my darling, my darling, if you knew what
+life has been to me since you went; how I have blamed myself,--I who
+ought to have shielded you against yourself, and have been a moral
+backbone to your weakness. Then as time went on I persuaded myself
+that I had succeeded in putting you out of my heart,--that I had
+forgotten you,--and then--you came back to me, and the past leapt
+living from the years that had no power to bury it, and I knew that
+you were more to me than honour or fame or anything the world held.
+Hence-forth I will be so gentle with you, so tender--so loving."
+
+"Will you--kiss me--Jack?"
+
+She had gradually pulled herself upright on the pillows.
+
+"Will you kiss me--and say--once more, as you used to--'God bless
+you--wifie'?"
+
+Their lips met and clung together.
+
+"God bless you--wifie."
+
+And there was silence, a long silence, broken by a gasp, a sigh, and
+a gentle unloosening of the clasping arms.
+
+"Bella--Bella--speak to me, my beloved."
+
+But the passionate cry fell on ears that heard not.
+
+The tempest-tossed soul was at rest; above were the pitying Angels'
+wings, and over all the solemn hush of Death.
+
+       *       *       *       *       *
+
+
+
+
+ONE CAN'T ALWAYS TELL.
+
+
+_From Miss Rose Dacre, Southampton, to Miss Amy Conway, 30, Alford
+Street, Park Lane_.
+
+YACHT "MARIE,"
+SOUTHAMPTON.
+_July 15th, 1901._
+
+Dearest Amy,
+
+Here am I on Jack's yacht, anchored in Southampton waters. The weather
+is perfect, and I am having a very good time. Jack's mother is on
+board, and is really devoted to me. I am a lucky girl to have such a
+sweet mother-in-law in prospective. She is the dearest old lady in the
+world. The wedding has been decided upon for the last week in
+September, so I suppose that I shall have to come back to town before
+very long to see about my trousseau.
+
+There is really nothing so bewildering to anyone who sees it for the
+first time as the exquisite order and dainty perfection of a yacht in
+which its owner takes a pride, and can afford to gratify his whim. And
+this is the case with Jack. The deck shines like polished parquet. The
+sails and ropes are faultlessly clean, and Jack says that the masts
+have just been scraped and the funnel repainted. The brass nails and
+the binnacle are as perfectly in order as if they were costly
+instruments in an optician's window. There is a small deck cargo of
+coal in white canvas sacks, with leather straps and handles. And there
+is the deck-house with its plate-glass windows and velvet fittings and
+spring-blinds.
+
+Soon after I arrived I went down into the engine-room, where I saw
+machinery as scrupulously clean as if it were part of some gigantic
+watch which a grain of dust might throw out of gear. On the deck are
+delightful P. and O. lounges with their arms doing duty for small
+tables. All around the wheel and upon the roof of the deck-house, and
+here and there on stands against the bulwarks, there are ranged in
+pots, bright red geraniums contrasted with the yellow calceolaria, and
+the deliriously scented heliotrope. Altogether, everything is charming.
+
+We go delightful trips every day, and it doesn't matter whether there
+is a favourable wind or not, as Jack's is a steam yacht. We have slept
+on board except one night when it was rather rough, and then Mrs.
+Vivian and I stayed at the South Western Hotel.
+
+Altogether I am enjoying myself more than I have ever done in my life.
+Jack is an angel and adores me, the darling.
+
+Fond love,
+From your affectionate
+ROSE.
+
+P.S.--There is a Mrs. Tenterden, a widow, coming down to the yacht on
+Thursday to stay for a few days. Mrs. Vivian tells me that she is very
+good-looking.
+
+
+_From the Same to the Same._
+
+YACHT "MARIE,"
+SOUTHAMPTON.
+_July 22nd, 1901._
+
+Dearest Amy,
+
+We are still here. Mrs. Tenterden, the lady I spoke about in my last
+letter, arrived here on Thursday.
+
+I hate her! I hate her!! I hate her!!!
+
+You will doubtless wonder why I, who am, as a rule, a quiet, harmless
+little dove, should indulge in such sinful feelings, but you will cease
+doing so when I tell you the truth.
+
+Mrs. Tenterden has set her cap at Jack! He has--I  know it--fallen
+under the spell of the enchantress. And she is an enchantress. She is a
+woman of about thirty, tall, fair, with striking features, lovely eyes,
+and the most superb complexion I have ever seen. The best complexion I
+ever recollect was that of a peasant girl's at Ivy Bridge in
+Devonshire, but hers was nothing to compare with Mrs. Tenterden's. It
+is perfect. I can say no more.
+
+Then she is extremely amusing, being a brilliant talker (for I heard
+Jack say so) and very witty (for he is constantly laughing at the
+things she says, and which for the most part I don't understand).
+
+But this I know, that since her advent I have changed from the happiest
+girl in the world into one of the most miserable.
+
+Mrs. Tenterden is the widow of Colonel Tenterden, who was a brother
+officer of Jack's father, Colonel Vivian. Her husband died in India
+about six months ago, and she has lately returned to England. Jack had
+never seen her before, but Mrs. Vivian, who knew her as a young girl,
+asked her down here.
+
+She has made a dead set at Jack, and I feel (I can't help it) that he
+has fallen a captive to her bow and spear, for his manner towards me
+has entirely changed. He is not my darling, loving Jack, at all, but
+merely a polite friend.
+
+Mrs. Vivian must be blind not to see what is going on. But I cannot
+enlighten her, and what am I to do? Do give me your advice, dear Amy?
+
+Ever your affectionate
+ROSE.
+
+
+_From Miss Amy Conway to Miss Rose Dacre_.
+
+ALFORD STREET.
+TUESDAY.
+
+My dearest Child,
+
+Just got yours. You ask my advice, and to use a phrase of my brother
+Tom's, "I give it you in once." Don't be a little goose and bother your
+pretty little head. I am older than you, and I understand women of the
+Mrs. Tenterden type. They amuse men for a time, and very often take
+them captive, but in nineteen cases out of twenty the prisoner escapes.
+In other words, they are not the women who men care to marry. Fancy
+your Jack, for instance, preferring a _rusée_ garrison hack, like Mrs.
+Tenterden, to your own sweet self. It is absolutely ridiculous.
+
+Do nothing and say nothing. Don't worry yourself and all will come
+right. The temporary infatuation will pass away, and Mr. Vivian will
+love you all the better afterwards. You will see if I am not right.
+
+So be comforted, darling Rose.
+Ever your loving
+AMY.
+
+
+_From Mrs. Tenterden to Mrs. Montague Mount_, 170A, _Ebury Street,
+S.W._
+
+YACHT "MARIE,"
+SOUTHAMPTON.
+_July 23rd_, 1901.
+
+DEAREST LILY,
+
+I promised to let you know how I got on, and to write as soon as there
+was anything to write about. So here goes. I am on board Jack Vivian's
+yacht, and a ripper it is. That is to say, I am on the yacht in the
+day, but sleep at the South Western Hotel. I hate sleeping on board a
+yacht, and never do so if I can help it. It may benefit one's
+health--daresay that it does--but I do like to take my rest on shore.
+Well, now, as to my news. I have made a great impression on Mr. Vivian.
+He is the easiest man to deal with I ever met in my life, and he is as
+putty in my hands. That stupid girl, Miss Dacre, to whom he is supposed
+to be engaged--I say supposed because he does not seem to be quite
+clear about it himself--hasn't got a chance with me. What Jack Vivian
+could have ever seen in her I can't guess. She is the usual type of
+English Miss who can say "Papa and Mamma," and that is about all. I can
+see that she loathes me, and I don't wonder at it. But I am perfectly
+charming to her, and affect not to notice her palpable dislike.
+
+Mrs. Vivian--Jack's mother--seems not to have the remotest idea how
+matters are shaping, and fondly imagines that her beloved son is going
+to marry Miss Dacre. My dear Lily, as the Americans say, "it will be a
+cold day in August before that event comes off." The fact is that Jack
+pays her only the slightest attention and is absolutely engrossed with
+me. If I, therefore, don't pull off this _coup_ I deserve to be hanged.
+When I have actually landed my fish I shall take my departure for a day
+while he breaks matters off with mademoiselle. You may not perhaps
+approve of this, but I know what I am about.
+
+More in a day or two.
+
+Ever yours,
+ALICE.
+
+
+_From Mrs. Montague Mount to Mrs. Tenterden_.
+
+170A, EBURY STREET,
+_24th July_ 1901.
+
+DEAREST ALICE,
+
+I was much interested in your letter. Needless to say that I wish you
+the success that you are sure to attain. One word of advice. If I were
+you, while you are at Southampton, I should manage to be a good deal
+more at the hotel than you appear to be. You cannot have much
+opportunity for conversation on board the yacht, but at the hotel you
+can have Mr. Vivian all to yourself. And you can easily make excuses to
+get off the yacht, and as he is evidently so _épris_, he will follow
+you to the hotel, when you will have him more or less at your mercy. I
+shall be longing to hear how the plot thickens.
+
+With fond love,
+Believe me,
+Your devoted friend,
+LILY.
+
+
+_From Mrs. Tenterden to Mrs. Montague Mount_.
+
+_July 29th,_ 1901.
+
+DEAREST LILY,
+
+Thanks for yours. My dear child, I have taken your excellent advice and
+am very glad that I did so. Your plan of campaign has proved most
+successful. I have had Jack with me for hours in the smoking room at
+the hotel, where the ladies staying in the hotel as well as the men
+always resort. It is a large room and affords ample opportunity for a
+_tête-à-tête_. Of these opportunities I have availed myself to the
+fullest possible extent. And with what result, you will naturally ask?
+With the result, my dear, of making this man absolutely mad about me.
+He has become an utter imbecile. _C'est tout dit_. His incoherent
+raving would only bore you, so, like the kindhearted little person I
+am, I spare you this infliction. Suffice it to say that he is mine body
+and soul. I say nothing about his fortune, because that naturally goes
+with the other two.
+
+Let me thank you sincerely for your wise counsels,
+
+And, believe me,
+Ever affectionately yours,
+ALICE.
+
+
+_Miss Amy Conway to Miss Rose Dacre_.
+
+ALFORD STREET.
+THURSDAY.
+
+DEAREST ROSE,
+
+I have been anxiously expecting to hear from you, but you have not sent
+me a single line. I say "anxiously," not that I really feel the least
+anxiety about you, being perfectly positive, as I am, that all will be
+right. But, my dearest girl, I am so deeply interested in this affair
+that, of course, I am anxious to hear how matters are going on. And you
+are a very naughty child not to have written to me before. Repair your
+sin of omission as soon as possible, and let me have a full account of
+all your proceedings.
+
+With much love,
+Yours ever,
+AMY.
+
+
+_From Miss Rose Dacre to Miss Amy Conway,_ 30, _Alford Street, Park
+Lane_.
+
+YACHT "MARIE,"
+COWES.
+_August 2nd_, 1901.
+
+DEAREST AMY,
+
+Pray forgive me for not having written sooner. But as the French say,
+_tout savoir est tout pardonner._ And having been for many days in the
+depth of despair, worried out of my life, and half dead with anxiety, I
+have not really been able to put pen to paper. But now all is changed,
+and I am able to address you with a light heart.
+
+I am sure, Amy, that you will be longing to know why, and for this
+reason I will not for a moment leave you a victim to the most terrible
+ailment that can attack our sex--unsatisfied feminine curiosity.
+
+Two days ago we were still at Southampton, and it was proposed that
+after lunch we should take a little trip down the river Hamble--a river
+which runs into Southampton Water. Well, we started--Jack, and a friend
+of his, Captain Cleland, Mrs. Vivian, Mrs. Tenterden, and myself. All
+went well for about an hour, when a breeze sprang up which soon
+developed into half a gale. At least I understood the captain of the
+yacht to say so. I didn't mind it in the least, but Mrs. Vivian, poor
+old lady, was dreadfully ill and nervous, and though I did all I could
+to comfort and reassure her, it was not of much use. As for Mrs.
+Tenterden, she absolutely collapsed. In abject terror she uttered
+incoherent cries, and no one could make out what she wished to be done.
+Jack seemed very upset and tried to soothe her as well as he could, but
+it was all to no effect, and indeed she once turned on him just like a
+virago, saying,
+
+"I never wanted to come on your horrid yacht, but you would make me,
+and see what has happened to me now."
+
+Poor Jack--I call him "Poor Jack" although he has behaved like a very
+naughty boy--seemed to wince, but made no reply.
+
+Eventually we arrived opposite the village of Hamble, and there the
+anchor was weighed--if that is the right expression. Jack suggested
+that the three ladies, including myself, should go ashore in the dingey
+and stay at the hotel. Mrs. Vivian said that she did not want to do
+this, and Mrs. Tenterden positively refused.
+
+"Do you think that I am going to risk my life that jim-crack boat?" she
+asked. "I am not quite an imbecile. Though I think I must be after all,
+otherwise I should not have come on this idiotic cruise."
+
+Jack again made no reply, but there was something in his face that told
+me that he was becoming disillusioned.
+
+Shortly after that he sent the skipper and a boy ashore, who returned
+with some marvellous looking lobsters and a huge crab. It seems that
+this place is famous for its shell-fish, and I can only say that I
+never tasted anything more delicious than the crab in question.
+
+Mrs. Vivian managed to eat a little dinner, but Mrs. Tenterden retired
+to her cabin and contented herself with some soup.
+
+I for my part, ate a most capital dinner, and I fancied that Jack
+seemed sorry for the way he has been treating me lately; treatment
+which I should never have put up with, except from a man whom I love so
+devotedly--a man whom I meant to rescue (selfishly, I admit) from that
+siren's clutches. In all I have done I have been guided by your advice,
+and therefore to you remains all the credit, coupled with the life-long
+devotion of your little friend.
+
+Well, we slept on board the yacht, and the morning brought its
+revelations.
+
+Mrs. Tenterden was not present at breakfast, and came on deck very
+late. And only imagine, my dear, how she had changed. That beautiful
+pink complexion that I had admired so much, and even envied, had
+disappeared altogether. Her face was of a greyish hue, and possessed no
+shade of pink. Those beautiful pencilled eyebrows seemed to have
+strangely altered, and to have unaccountably thinned down. The charming
+woman-of-the-world manner had entirely disappeared, and, later on, when
+we descended to the cabin, at luncheon time, Mrs. Tenterden cast
+furtive and certainly not reassuring glances at the little mirror
+hanging there.
+
+I confess that at first I was a wee bit sorry for her, but after all,
+this Nemesis was thoroughly deserved, and when I saw the impression
+that the metamorphosis had made on Jack--the darling goose can't
+conceal his feelings--I must own to having been overjoyed.
+
+"The Enchantress" left for London the same evening, looking in her war
+paint quite a different being. But this made no difference, for Jack, I
+need scarcely say, had evidently altered his mind.
+
+Since her departure, everything has gone back to its old state. Jack,
+poor fickle boy, is devotion itself, and I have not thought proper to
+resist his entreaties to consent to an immediate marriage. You will not
+blame me, darling, will you?
+
+Ever your affectionate and
+Happy friend,
+ROSE.
+
+
+
+
+SONGS.
+
+AFTER VICTOR HUGO, ARMAND SILVESTRE, CHARLES ROUSSEAU AND THE VICOMTE
+DE BORELLI.
+
+
+DARLING ARISE.
+
+(AFTER VICTOR HUGO.)
+
+  Pretty one, tho' the morning is breaking
+  Thy lattice is fasten'd close
+  How is it that thou art not waking
+  When awake is the rose?
+
+  Darling, arise! for I am he
+  Thy lover who sighs and sings to thee,
+  Thy lover who sighs and sings to thee.
+
+  Nature loud at thy lattice is beating:
+  I am Day says the morning above
+  I am music the bird sings repeating,
+  And my heart cries "I am Love."
+
+  Darling, arise! for I am he,
+  Thy lover who sighs and sings to thee,
+  Thy lover who sighs and sings to thee.
+
+
+ROSE.
+
+(VIELLE CHANSON DU JEUNE TEMPS.)
+
+(AFTER VICTOR HUGO.)
+
+  I never thought at all of Rose,
+  As Rose and I went through the dell,
+  We fell a talking I suppose,
+  But yet of what I cannot tell.
+
+  Pebbles below and mosses over,
+  Rippled a cool and limpid rill;
+  Nature lay sleeping like a lover
+  In the embrace of the woods so still.
+
+  Shoes and stockings off she slipped,
+  And with her sweetly innocent air
+  Into the stream her feet she dipped,
+  Yet I never saw her feet were bare.
+
+  I only talked, the time beguiling
+  As we wandered, she and I;
+  And sometimes I saw her smiling,
+  But now and then I heard her sigh.
+
+  Only her beauty dawned on me
+  When silent woods were left behind,
+  "Never mind that now!" said she
+  And now I shall always mind.
+
+
+REGRETS.
+
+(AFTER CHARLES ROUSSEAU.)
+
+  Let me cherish in my sadness
+  Those fair days of youth and gladness!
+  Moments of delightful madness
+  Gone, alas, for evermore!
+  Vain regrets for misspent powers,
+  Wasted chances, faded flowers,
+  Vex my lonely spirit sore.
+  Had I only known before!
+  Let me cherish in my sadness
+  Those fair days of youth and gladness!
+  Moments of delightful madness
+  Gone, alas, for evermore!
+
+
+TOO LATE.
+
+(PEINE D'AMOUR.)
+
+(AFTER ARMAND SILVESTRE.)
+
+  When your hand was laid upon mine
+  'Twas in painful dread that I grasped it,
+  For some hesitation malign,
+  Made tremble the fingers that clasped it.
+
+  When you turned your forehead so near,
+  'Twas in painful dread that I kissed it,
+  For some cruel prompting of fear
+  Made me timidly seek to resist it.
+
+  Ah!--and my life thenceforward approved
+  Sorrow's bitterness had o'ercome me,
+  I only knew how I loved
+  The day that had taken you from me.
+
+
+IF THERE BE A GARDEN GAY.
+
+(S'IL EST UN CHARMANT GAZON.)
+
+(AFTER VICTOR HUGO.)
+
+  If there be a garden gay
+  Man has not molested,
+  Where blaze through the summer day
+  Flowers golden crested,
+  Where tallest lilies grow,
+  And honeysuckles blow
+  There, oh there I fain would go
+  Where thy foot, thy foot has rested!
+
+  If there be a rosy dream
+  By true love invested,
+  Where all things delightful seem
+  Close together nested
+  Where soul to soul may tell
+  The joy they know so well
+  'Tis there, oh there I fain would dwell
+  Where thy heart, thy heart has rested.
+
+
+THE MESSAGE OF THE ROSES.
+
+(ENVOI DE ROSES.)
+
+(AFTER VICOMTE DE BORELLI.)
+
+  Oh, if the fairest of these roses
+  With its red lips to thee shall tell
+  Such things as language knows not of,
+  As in thy bosom it reposes,
+  Then keep it well
+  It is my love!
+
+  But if the sweetest of the roses
+  With its red lips shall silent be,
+  And only seek instead the bliss
+  Which thy delightful mouth discloses,
+  Return it me
+  It is my kiss!
+
+
+
+
+LOVE WENT OUT WHEN MONEY WAS INVENTED.
+
+
+"You're a very foolish man, John," said my sister Ruth. "You're worse
+than foolish. A man never gets any happiness by marrying out of his
+station."
+
+"You may be right," I answered, "but after all I have something to
+offer. I am rich, and Marie is poor. I admit that she is a patrician
+and that I am a plebeian. But money, after all, counts for something,
+especially in these days. I don't see how Marie can spend a very happy
+existence now, but I am determined to make her life a dream of
+happiness. You will see, my dear Ruth, that my marriage will be a
+success."
+
+"I think not," replied my sister, "and I therefore give you my warning
+before it is too late. If you don't heed it and decide on marrying Miss
+Dalmayne, I shall naturally do any little thing in my power to
+endeavour to prove that I have been a false prophetess; but, mark my
+words, John, I shan't succeed. And, to tell you the truth, my dear
+brother, I tremble for the future."
+
+"You're a sweet little silly goose," I answered. "You let your
+affection for me run away with your better judgment. Why in heaven's
+name should I not be happy with Marie? She is beautiful, and I admit
+that it was her rare beauty that first commended her to me, and she has
+a sweet nature and character; and after all, goodness of character
+outweighs even good looks. Then, too, she is very clever and bright,
+and altogether she is exactly the sort of girl calculated to make a man
+happy."
+
+"I hope that I may be wrong, and that you may be right, John," said
+Ruth; "but I don't think that I am wrong, and, of course, time will
+only show. At present we need say no more. Your mind is evidently made
+up, and I shall urge nothing further to prevent you from following your
+own inclinations. But in the time to come, don't forget that your
+sister warned you." And with that last shaft Ruth left the room.
+
+My name is John Gardner, my age is thirty-six, and I am what is
+generally known as "a self-made man." But had I really had the making
+of myself I should have endeavoured to produce a different being. I
+recollect at the grammar school in Cambridgeshire, where I received a
+plain education, hearing one of the masters, Mr. Ruddock, mention a
+Greek proverb, "Know thyself," and advise the boys in his form to act
+upon the advice given by the Greek sage who pronounced these words. I
+was not, as a rule, struck with much that fell from Mr. Ruddock's lips,
+for he was a dull, stupid, and pompous man, possessing much more force
+of manner than of character. But I did take this advice to heart and
+endeavoured to act up to it, with the result that I know as much about
+my own uninteresting self as most other human beings know about
+themselves.
+
+Well, this is how I appear in my own eyes. A strong, healthy man with
+an active disposition, and capable of, and a lover of hard work. A
+blunt manner, and with an entire absence of tact in anything in which
+strict business is not concerned. I know that I am truthful, for, in
+addition to a natural hatred of lying which I must have inherited from
+my dear parents, I have always recognised the fact that in business and
+in everything else the truth always pays the best. During the sixteen
+years that I have devoted to business I have endeavoured to act
+squarely and fairly with everyone with whom I have been brought in
+contact, and I may say without conceit that I have earned a good name
+in addition to the three hundred thousand pounds that I have been able
+to save.
+
+I have never got on particularly well with the other sex, partly, I
+suppose, from my manners, which, to say the least, are not attractive,
+and partly to the fact that up to the time I met Marie Dalmayne I have
+never cared for a woman. I came across the girl that I have grown to
+love so well in this fashion. I am interested in a West Australian mine
+to the extent of about a hundred thousand pounds, and am one of the
+three partners who control the concern. One of them is a member of the
+great City house of Bleichopsheim, and the other is Mr. Ross, a wealthy
+iron-master. It was at the latter's house in St. James's Square that I
+met my fate.
+
+I took Miss Dalmayne down to dinner, and I think that my heart went out
+to her from the first. I found her clever and sensible, and with
+apparently little of the frivolity which characterises most of the
+young women with whom I have been brought in contact. Her conversation,
+if not absolutely brilliant, was at any rate bright and amusing, and
+possessed a considerable amount of shrewdness.
+
+Miss Dalmayne was about twenty-three, tall and fair,' possessing a
+perfect figure and the most beautiful and expressive hazel eyes. Her
+hair was nut brown with a warm reddish sun-kissed glint, and her
+features were regular and aristocratic. Her smile was delightful. In
+short, I fell in love.
+
+Next morning I ascertained from Adam Ross full particulars in reference
+to Miss Dalmayne. She is the only daughter of the Honourable George
+Dalmayne, and is related to many of the highest English families. Mr.
+Dalmayne and his wife are not well off, and the former is very much in
+debt and has taxed the generosity of my friend Ross to a very
+considerable extent. The Dalmaynes live in a small house in Eaton
+Terrace. They have only one other child, and that is a son who is in
+the Army and is at present with his regiment in India.
+
+There are some people that one feels one can confide in in matters of a
+delicate nature, and there are others to whom one could never open
+one's mouth. Now, Ross and I have been friends for ten years, during
+which time we have never had the least difference. He is a man
+absolutely to be trusted. I told him during this interview what a deep
+impression Miss Dalmayne had made upon me. He said that he did not in
+the least wonder at it, for she was greatly admired, and added that if
+it were not for her father she would no doubt have made a brilliant
+marriage already. I told my friend that I cared nothing about her
+father, that I was not marrying him but his daughter--that is to say,
+if I were fortunate enough to induce her to become my wife.
+
+"I don't think that there is much fear of a failure," answered Ross,
+"old Dalmayne is looking out for a rich husband for Marie. Indeed, in a
+confidential mood one day recently he told me almost as much himself.
+And he is not likely in a hurry to find one so rich as yourself."
+
+"Well, I shall call upon him to-morrow," said I, "and ask his
+permission to speak to his daughter."
+
+"I wish you every success, my dear friend," said Ross, "and I have no
+doubt as to the result of your interview. And I don't see why you
+should not be very happy. After all, as you say, you are not marrying
+the father. You are marrying Marie, who is a very high-principled girl,
+who is beautiful, who is accomplished, and who would, I am certain, do
+everything to make her husband happy."
+
+And so it was settled, and next morning I called on Mr. Dalmayne.
+
+Mr. Dalmayne, a tall, aristocratic man of about sixty, received me with
+great cordiality.  Whether Ross, who had dined with him on the previous
+night, had mentioned anything of my matter to him I don't know, but the
+old gentleman did not seem to be the least surprised when I told him
+what the object of my visit was.
+
+"Mr. Dalmayne," said I, "you will doubtless be wondering why I have
+called to see you"--Mr. Dalmayne's face assumed a sphinx-like
+expression--I will not keep you waiting for an explanation. The truth
+is that I have fallen in love with your daughter. Our mutual friend
+Adam Ross can tell you all about me, and I don't think that his report
+would be an unfavourable one. My position is this. I have saved three
+hundred thousand pounds, which produces an income of about twelve
+thousand a year. And I am making at least another twenty thousand a
+year from my share of our mine and other sound enterprises. Should you
+permit me to address Miss Dalmayne, and should I be happy and fortunate
+enough to induce her to become my wife, I should propose to settle two
+hundred thousand pounds upon her for her exclusive use."
+
+"Your proposals are most generous," said Mr. Dalmayne, "and do you
+credit. But in matters of this kind I should never dream of attempting
+to control my daughter. You have, however, my full permission to speak
+to her, and if she is willing to marry you, you both have my full
+consent. My wife shares my views entirely. Marie is out with her mother
+at the present moment, but she will be in all the afternoon, and if you
+will call about four I will see that you have the opportunity for which
+you are seeking."
+
+I thanked Mr. Dalmayne most cordially and promised to return in the
+afternoon. When I again arrived at Eaton Terrace I was shown into the
+drawing-room, where I found Mrs. and Miss Dalmayne and a sister of Mrs.
+Dalmayne's. Tea was brought in, and shortly afterwards the visitor took
+her departure. A few minutes later Mrs. Dalmayne made some excuse for
+leaving the room, and I was left alone with Marie. My heart had beaten
+hard from excitement as I had knocked at the door, but strange to say I
+felt no nervousness now. I plunged into the matter that brought me
+without delay. I told Miss Dalmayne of the wonderful effect produced
+upon me by her beauty and charm, and in the fewest words possible I
+asked her to be my wife, promising that she would never repent it.
+
+"You have done me a great honour," said Miss Dalmayne, "but I must have
+a little time to think over what you have said and to consult my
+parents. You shall hear from me at latest the day after tomorrow."
+
+I shortly afterwards took my leave, and departed buoyed up by the
+strong hope that the desire of my heart would be obtained.
+
+Nor was I disappointed. On the day she had promised I received a letter
+from Miss Dalmayne saying that she was willing to accept me, but
+frankly confessing that she had no love for me as yet, though admitting
+that she liked me. "If," she continued, "you are willing to take me on
+this understanding, I am ready to be your wife."
+
+Needless to say I was willing to accept these terms, and three months
+afterwards we were man and wife.
+
+It was in the month of July that we were married, and we went to
+Aix-les-Bains for the honeymoon. A few days previously Mr. Dalmayne
+asked me to lend him a thousand pounds, which I did cheerfully, for
+after what my friend Ross had told me I was fully prepared for such a
+request.
+
+My wife had never been to Aix before, and seemed to amuse herself very
+much. She played a little at the tables, and with a considerable amount
+of success. I must admit that she was very kind to me, and though of
+course I easily saw that I did not at present possess her real
+affection, I was not discontented, and hoped for the time to come when
+we should be all in all to each other. We had met very few
+acquaintances at Aix, for it was not a good season as far as English
+visitors were concerned, owing to attacks on our country and Government
+by the French papers. But when we had been there about three weeks a
+Captain Morland came upon the scene. Captain Morland, who was an
+officer in the Grenadier Guards, had known my wife since she was a
+child. They seemed very pleased to see each other again, but there was
+a certain sadness that I noticed in the young officer's manner. He had
+just been invalided home from South Africa, where he had been on active
+service during the time with which my narrative deals. He was a
+handsome young man, tall and well built, and with kind and expressive
+blue eyes. He was singularly reticent as to his exploits during the
+war, though I heard from a friend of his who was with him at Aix that
+he had been mentioned in despatches and had been recommended for the
+D.S.O. He was a man to whom the merest chance acquaintance was certain
+to take a fancy. I am bound to say that I did so myself, and I hope
+that in what I am calmly relating I shall not be considered to have
+intentionally failed to do him justice.
+
+It was the second week in August, and as the weather was very hot, my
+wife and I had determined to leave Aix and go to Trouville for a little
+sea air and bathing. Three days before our departure I returned to the
+hotel to dress for dinner. I was just going through the corridor when I
+heard voices in our sitting-room. They were the voices of my wife and
+Captain Morland.
+
+I don't think that I am naturally a mean man, but I was mean enough to
+listen on this occasion.
+
+"You mustn't blame me, Hubert," said my wife, "we were all on the verge
+of ruin, and I was bound to marry him."
+
+"How could you consent to do such a thing? You don't care for him in
+the least."
+
+"No," said my wife; "nor shall I ever do so if I live for fifty years.
+I care for no one but you. But I shall always do my duty to my husband,
+who is a kind and good man and lives entirely for me."
+
+"If he died, you would marry me?" asked Captain Morland.
+
+"Of course I would, and, as the children's storybooks say, 'live
+happily ever afterwards.' But don't let us discuss deplorable
+futurities."
+
+This was enough for me. I saw, now that it was too late, how wise my
+sister Ruth had been, and how foolishly I had acted. There was nothing
+to be done, however, to remedy matters, in view of the words spoken by
+my wife, and words which breathed of truth. I went out quietly into the
+garden of the hotel and came back a few minutes later. I asked Captain
+Morland to dine with us, and he accepted my invitation. I carefully
+watched him and my wife during the evening, and clearly saw that the
+case was hopeless from my point of view.
+
+On the morrow I made my will, and left everything to my wife with the
+exception of fifty thousand pounds for my sister Ruth. I then wrote the
+little history of my mistake, and am posting it from the top of Mont
+Revard to my friend Ross, and have asked him to act as he thinks best.
+It is hard to die, but, in my position, it is still harder to live.
+
+Having set my entire affections in one direction, and having been
+hopelessly unsuccessful, there is only one thing to be done, and that
+is to end matters. And I shall end them to-night.
+
+       *       *       *       *       *
+
+Extract from an Aix-les-Bains newspaper:--
+
+"The body of a rich Englishman, named Gardner, who was staying at the
+Hotel de l'Europe, was found lying at the bottom of the precipice
+between Aix and Mont Revard. It is, of course, pure conjecture how the
+unfortunate gentleman met his fate, but no foul play is suspected, as
+his money and valuables were found upon his body. We anxiously await
+developments. The police are maintaining a strict reserve."
+
+       *       *       *       *       *
+
+
+
+
+A PUZZLED PAINTER.
+
+WRITTEN IN COLLABORATION WITH THE LATE SIR AUGUSTUS HARRIS.
+
+
+CAST.
+
+
+REMBRANDT TEMPENNY, an Artist.
+
+MRS. TEMPENNY, his Wife.
+
+CHARLES SYLVESTER, an Artist.
+
+MRS. SYLVESTER, his Wife.
+
+ROSALINE, a Model.
+
+HENRICH SCHERCL, an Art Dealer.
+
+ROBERT ADDISON, a Sporting Man.
+
+SARAH ANN, a Maid-of-all-Work.
+
+SUSAN, Parlourmaid at the Tempenny's.
+
+GROGGINS, a Sheriff's Officer.
+
+
+
+
+A PUZZLED PAINTER.
+
+
+
+
+ACT I.
+
+
+(SCENE I. TEMPENNY'S _Studio Doors R.L. and in Flat. As Curtain rises a
+knocking is heard at D.R_.)
+
+MRS. TEMPENNY (_off_).
+
+Rembrandt--Rembrandt!
+
+(_Door opens, enter_ MRS. TEMPENNY; _followed by_ MRS. SYLVESTER.)
+
+MRS. TEMPENNY.
+
+He isn't here. Come in, dear; I am sure he will be pleased to see
+you--we will wait.
+
+MRS. SYLVESTER.
+
+_My_ husband hates to be disturbed in his studio. He says he can never
+work again all day.
+
+MRS. TEMPENNY.
+
+Artists are so different; Mr. Sylvester is more highly strung than
+Rembrandt, I sometimes think. Rembrandt likes to see his friends in his
+studio. I wonder where he has gone.
+
+MRS. SYLVESTER.
+
+Gone to have a drink, I daresay.
+
+MRS. TEMPENNY.
+
+Adelaide!
+
+MRS. SYLVESTER.
+
+He does drink, doesn't he--when he's thirsty anyhow? And artists are so
+often thirsty. Charles is often thirsty. He says it is a characteristic
+feature of the artistic temperament. Ah! my dear.
+
+MRS. TEMPENNY.
+
+Why that sigh?
+
+MRS. SYLVESTER (_sighing again_).
+
+Heigh ho!
+
+MRS. TEMPENNY (_affectionately_).
+
+Adelaide?
+
+MRS. SYLVESTER.
+
+Eugenia!
+
+(_They touch each other's hands sympathetically_.)
+
+MRS. TEMPENNY.
+
+Aren't you happy, Adelaide?
+
+MRS. SYLVESTER.
+
+I am married to an artist, Euna! I wouldn't say as much to anybody
+else, but we were girls at school together.
+
+MRS. TEMPENNY.
+
+But, dear Addie, everybody knows you are married to an artist.
+
+MRS. SYLVESTER.
+
+I mean I would not say to anybody else that I am not entirely happy.
+
+MRS. TEMPENNY (_enthusiastically_).
+
+Do tell me all about it.
+
+MRS. SYLVESTER.
+
+I am jealous.
+
+MRS. TEMPENNY.
+
+Of whom?
+
+MRS. SYLVESTER.
+
+Oh no one--of everybody; of my husband's past, which I know--of his
+life to-day, which is too circumspect to be sincere.
+
+MRS. TEMPENNY (_with misgiving_).
+
+But--but Rembrandt's life is also circumspect.
+
+MRS. SYLVESTER.
+
+Poor child.
+
+MRS. TEMPENNY.
+
+You pity me?
+
+MRS. SYLVESTER.
+
+Horribly. To be married to a painter--what a fate! To have a husband
+who is shut up alone all day with a creature who--who wears--
+
+MRS. TEMPENNY.
+
+Rembrandt's models _do_--.
+
+MRS. SYLVESTER.
+
+Wear--?
+
+MRS. TEMPENNY.
+
+Plenty!
+
+MRS. SYLVESTER (_gloomily_).
+
+Clothes sometimes cover a multitude of sins. They are no guarantee.
+Rosaline wore them!
+
+MRS. TEMPENNY.
+
+Rosaline?
+
+MRS. SYLVESTER.
+
+You have not heard of Rosaline?
+
+MRS. TEMPENNY.
+
+No. A model?
+
+MRS. SYLVESTER.
+
+A serpent!
+
+MRS. TEMPENNY.
+
+The wretch. Pretty of course?
+
+MRS. SYLVESTER.
+
+Serpents are always pretty. One day, not long after we were married, I
+came across her photograph--I was tidying up an old desk of Charles', a
+photo, my dear, with an inscription that left no doubt what their
+relations had been. I tore it up before his face; and for a time,
+excepting for the girlish illusions he had shattered, that was an end
+of the matter.
+
+MRS. TEMPENNY.
+
+But only for a time?
+
+MRS. SYLVESTER (_impressively_).
+
+Two years ago I went into his studio, and found her there.
+
+MRS. TEMPENNY.
+
+Horrible.
+
+MRS. SYLVESTER.
+
+You may well say so. She was sitting on a table drinking brandy and
+soda as bold as brass. Of course he swore that he needed her for a
+picture he was going to work on--and, I don't know, perhaps it was
+true. Still considering what had been, her presence there was an
+outrage, and I shall never forget the quarrel there was between Charles
+and me. That was the last I have seen of Rosaline--she went flying.
+
+MRS. TEMPENNY.
+
+And was it the last that Mr. Sylvester has seen of her?
+
+MRS. SYLVESTER.
+
+So far as I know. But there is always the lurking, horrid doubt. You
+know now why I am not the light-hearted girl you remember, and why I
+distrust artists as a class.
+
+_Pause_.
+
+MRS. TEMPENNY (_meditatively_).
+
+I don't see why you should distrust Mr. Tempenny because Mr. Sylvester
+is not steady.
+
+MRS. SYLVESTER.
+
+Are you quite contented?
+
+MRS. TEMPENNY.
+
+No--we are too hard up, but I believe Rembrandt loves me, and I love
+him.
+
+MRS. SYLVESTER (_heavily_).
+
+Poor child.
+
+(_Enter_ REMBRANDT TEMPENNY _door in flat. He wears long
+hair, and a brown velveteen jacket, and is smoking a short pipe_.)
+
+REMBRANDT TEMPENNY.
+
+Eugenia? And Mrs. Sylvester? Why, bless my soul, how nice, what a
+surprise! Don't move--don't. (_Stands peering at them with his hands
+over his eyes._) What a charming effect of light on your profile, Mrs.
+Sylvester--how rich--how transcendental! Glorious! (_Comes down._)
+Well, well, well, and so you ladies have come to pay me a visit. Can I
+offer you anything?
+
+MRS. TEMPENNY.
+
+I called on Mrs. Tempenny to inquire whether you would dine with us
+to-night, and she said she could not answer without consulting you.
+
+MRS. TEMPENNY.
+
+You have no engagement, Rembrandt?
+
+REMBRANDT TEMPENNY.
+
+I am quite at liberty, Eugenia, quite. I shall be most pleased and
+delighted. (_Aside._) Another confoundedly dull evening, I know!
+(_Aloud._) Sylvester is well?
+
+MRS. SYLVESTER.
+
+Sylvester is always well.
+
+REMBRANDT TEMPENNY.
+
+Happy Sylvester! Myself, I am a wreck.
+
+MRS. TEMPENNY.
+
+I want some money, Rembrandt.
+
+REMBRANDT TEMPENNY (_disconcerted._)
+
+Eh? Oh! (_To_ MRS. SYLVESTER.) And working hard I have no doubt.
+
+MRS. SYLVESTER.
+
+I believe so--he is out all day.
+
+REMBRANDT TEMPENNY.
+
+Admirable--what industry!
+
+MRS. TEMPENNY.
+
+(_Aside to_ REMBRANDT TEMPENNY.) Rembrandt, I want some money--have you
+got a couple of pounds you can let me have?
+
+REMBRANDT TEMPENNY (_affecting not to hear_).
+
+The hardest working people under the sun are artists, I always say so.
+Hard worked--hard worked! (_Fills his pipe_).
+
+MRS. SYLVESTER.
+
+May I look round your studio, Mr. Tempenny?
+
+REMBRANDT TEMPENNY (_waving his hand_).
+
+Charmed, positively!
+
+(MRS. SYLVESTER _moves up_.)
+
+MRS. TEMPENNY (_insistently_).
+
+Rembrandt, all the neighbourhood knows the butcher summoned us, and
+none of the tradespeople will serve us with anything unless we pay
+cash.
+
+REMBRANDT TEMPENNY.
+
+Well, we're going out to dinner.
+
+MRS. TEMPENNY.
+
+Oh, you drive me wild with your improvident, Bohemian ways. There's
+to-morrow.
+
+REMBRANDT TEMPENNY.
+
+Sufficient for the day is the dinner thereof. Don't be greedy.
+
+MRS. SYLVESTER (_looking round_).
+
+You have sold most of your canvasses, I see, Mr. Tempenny.
+
+REMBRANDT TEMPENNY (_aside_).
+
+I thought she wouldn't find the gallery extensive, I must really do
+something to-day, I must indeed! (_Aloud_.) Sold? Yes, yes. I am
+starting on a fresh commission now. There's a little sketch up there
+you may fancy;--a mere impression, but full of tenderness, I think, and
+rapture.
+
+MRS. SYLVESTER.
+
+Rapture?
+
+REMBRANDT TEMPENNY.
+
+It is the newest word by which we explain the inexplicable. "Rapture!"
+It says everything, does it not?
+
+MRS. SYLVESTER (_vaguely_).
+
+Yes--yes, indeed.
+
+REMBRANDT TEMPENNY (_aside_).
+
+I made it up myself on the spot.
+
+MRS. TEMPENNY.
+
+(_Laying her hand on his arm earnestly_). Rembrandt--
+
+REMBRANDT TEMPENNY.
+
+Yes, dear, I know what you're going to say. The other tradespeople know
+we haven't paid the butcher and you want two pounds. I'll give it you
+this evening--(_Aside_.) If I can borrow it.
+
+MRS. SYLVESTER (_coming down_).
+
+Then we shall see you this evening at seven sharp, Mr. Tempenny? I am
+going to take Eugenia round to the house with me now, to spend the
+afternoon. You'll find her there when you come.
+
+REMBRANDT TEMPENNY.
+
+Good. (_Aside_.) I wish they'd go! (_Aloud_.) You don't mean to run
+away yet?
+
+MRS. SYLVESTER (_doubtfully_).
+
+I think so.
+
+REMBRANDT TEMPENNY (_with alacrity_).
+
+Well, if you really must--
+
+(_Opens door_ D.F.)
+
+MRS. SYLVESTER.
+
+Till seven o'clock.
+
+REMBRANDT TEMPENNY.
+
+Till seven.
+
+MRS. TEMPENNY.
+
+Au revoir, dear. (_Aside to him_.) You won't forget the--?
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ MRS. TEMPENNY.) The two pounds, and the butcher; I won't
+forget 'em. I only hope the _butcher_ may forget _me_.
+
+(_Exit_ MRS. SYLVESTER.)
+
+MRS. TEMPENNY.
+
+By-bye, sweetheart.
+
+REMBRANDT TEMPENNY.
+
+Ta, ta, Duckie.
+
+MRS. TEMPENNY.
+
+Don't do too much--remember your precious health.
+
+REMBRANDT TEMPENNY.
+
+All right, my love.
+
+MRS. TEMPENNY (_blowing a kiss_).
+
+There.
+
+REMBRANDT TEMPENNY (_blowing a kiss_).
+
+There.
+
+MRS. TEMPENNY.
+
+My own darling husband!
+
+REMBRANDT TEMPENNY.
+
+My angel.
+
+(_Exit_ MRS. TEMPENNY.)
+
+REMBRANDT TEMPENNY (_with a deep sigh of relief_).
+
+Thank heaven! (_Sinks into armchair, and puts his feet on the
+mantelpiece_) The corner is getting tight, Rembrandt. This sort of
+thing won't boil the pot. It won't, sonny, I assure you! Where's the
+sketch of my _magnum opus_. 'Pon my word, I haven't seen the thing for
+a month or more. (_Gets up and rummages in a portfolio_.) Ah, here we
+have it! (_Holds up and contemplates a small charcoal sketch_.)
+"Susannah before the Elders" beautiful! composition charming!
+Rembrandt, old pal,--I congratulate you! But where's the picture of it?
+"Oh where, and oh where!" Rembrandt, you're developing into a
+thorough-paced loafer. You always had a talent that way, but of late
+you've broken your own record. I'll turn over a new leaf; I will, I'll
+be a new man. Why not? We've the new woman; why not the new man?
+Excellent idea. Rembrandt Tempenny, the new man--the coming man--by
+George the GREAT man! I'm in earnest, I'm in a fever. I bubble over
+with noble resolutions. I wish the tradespeople didn't want
+cash--tradespeople who want cash are so damping to noble resolutions!
+
+(_Gets out Easel and canvas, and takes off coat_.)
+
+(_Door in Flat is kicked open. Enter_ ROBERT ADDISON.)
+
+ROBERT ADDISON.
+
+Hullo!
+
+REMBRANDT TEMPENNY.
+
+Hullo!
+
+ROBERT ADDISON.
+
+How are you, old chap?
+
+REMBRANDT TEMPENNY.
+
+I'm the new man.
+
+ROBERT ADDISON.
+
+The devil you are! What does it feel like?
+
+REMBRANDT TEMPENNY.
+
+Unfamiliar--like somebody's else's boots. I say, dear boy, can you lend
+me a couple of thick 'uns.
+
+ROBERT ADDISON.
+
+Eh?
+
+REMBRANDT TEMPENNY.
+
+It's for the tradespeople.
+
+ROBERT ADDISON.
+
+Oh really--on principle you know--I never pay tradespeople.
+
+REMBRANDT TEMPENNY.
+
+Well, not to put too fine a point upon it, it's for my wife.
+
+ROBERT ADDISON.
+
+I warned you not to marry. Now you see how right I was--she wants two
+thick 'uns.
+
+REMBRANDT TEMPENNY.
+
+I know it's rough on you.
+
+ROBERT ADDISON.
+
+It is. I'm a sociable chap by nature, and I'm rapidly being left
+without a friend to bless myself with.
+
+REMBRANDT TEMPENNY.
+
+I don't grasp!
+
+ROBERT ADDISON.
+
+They all borrow my money, and then they say they're out the next time I
+call.
+
+REMBRANDT TEMPENNY.
+
+I have got a big thing on, only temporarily I'm in a hole.
+
+ROBERT ADDISON.
+
+I never knew a fellow in a hole who hadn't a big thing on. What is it?
+
+REMBRANDT TEMPENNY.
+
+The hole?
+
+ROBERT ADDISON.
+
+No, the big thing--the stable tip?
+
+REMBRANDT TEMPENNY.
+
+It's nothing to do with the turf. Look here, Schercl--you know Schercl?
+
+ROBERT ADDISON.
+
+I know him.
+
+REMBRANDT TEMPENNY.
+
+He gave me a commission for a picture six weeks ago; he's going to pay
+three hundred for it. He advanced a century when I accepted the offer.
+
+ROBERT ADDISON.
+
+They are wonderful terms, Tempenny, for _you_.
+
+REMBRANDT TEMPENNY.
+
+Seems rather funny, doesn't it,--but it's a fact. "Nobody more
+astonished than the striker," I confess.
+
+ROBERT ADDIS ON.
+
+Well, where's the picture?
+
+REMBRANDT TEMPENNY.
+
+(_Turning round the big blank canvas_). There!
+
+ROBERT ADDISON (_with a whistle_).
+
+Oh my sainted mother! How does Schercl like it?
+
+REMBRANDT TEMPENNY.
+
+It's good work, isn't it? Fine colour and tone! How do the harmonies
+strike you--correct?
+
+ROBERT ADDISON.
+
+Unbosom, what does it mean?
+
+REMBRANDT TEMPENNY.
+
+Dear boy, it means it was a royal order, and that I've been on the
+royal loaf on the strength of it; and, now that I repent me, I haven't
+got a model.
+
+ROBERT ADDISON.
+
+No model?
+
+REMBRANDT TEMPENNY.
+
+The subject is to be Susannah--Susannah before the Elders. You know the
+kind of thing--(_whispers_).
+
+ROBERT ADDISON.
+
+Yes, of course, and I suppose--? (_whispers_).
+
+REMBRANDT TEMPENNY.
+
+Yes, and--(_touches his arms and chest, signifying a fine
+woman_--_whispers_).
+
+ROBERT ADDISON.
+
+Exactly. I think I can recommend the very model you want.
+
+REMBRANDT TEMPENNY.
+
+You? Where did you meet her--on a racecourse?
+
+ROBERT ADDISON.
+
+I know her--and she's worth backing.
+
+REMBRANDT TEMPENNY.
+
+My dear friend, you have saved me! Where is she?
+
+ROBERT ADDISON.
+
+I'll look her up.
+
+REMBRANDT TEMPENNY.
+
+To-day?
+
+ROBERT ADDISON.
+
+Now if you like. Her name is Rosaline, and she's a ripper.
+
+REMBRANDT TEMPENNY.
+
+"Rosaline the Ripper," Robert, fetch her. No wait a moment, I can't do
+the picture here; I daren't.
+
+ROBERT ADDISON.
+
+Why not?
+
+REMBRANDT TEMPENNY.
+
+Well, you see, my wife wouldn't approve, and I blush to say that in the
+exuberance of early matrimony I encouraged her in an inconvenient habit
+of running into my studio at all hours. I'll have to work in a pal's.
+
+ROBERT ADDISON.
+
+All right, I'll send her there.
+
+REMBRANDT TEMPENNY.
+
+Well, you might bring her now, if you can, and I'll arrange the
+sittings with her. Does she hang out in the neighbourhood?
+
+ROBERT ADDISON.
+
+Over a coffee-shop in Golden Street.
+
+REMBRANDT TEMPENNY.
+
+Go! And I'll stand you a swagger supper when the picture's done, and
+Schercl parts. By the way--
+
+ROBERT ADDISON.
+
+Yes?
+
+REMBRANDT TEMPENNY.
+
+Touching the two quid?
+
+ROBERT ADDISON (_giving the money_).
+
+Here you are.
+
+REMBRANDT TEMPENNY.
+
+I do touch 'em. Ecstasy! Bob, you're a brick; now cut along and get
+back with the damsel sharp. (_Knock heard at_ D.F.) Hullo, whom have we
+here? Come in. (_Knock repeated_.) Come in. (_Knock again_.) Come in,
+you fat-headed, lop-sided, splay-footed, bandy-legged jay; come in!
+
+(_Enter_ SCHERCL).
+
+REMBRANDT TEMPENNY (_aside_).
+
+Schercl! Good Lord! He's come to see the work.
+
+ROBERT ADDISON.
+
+(_Aside to_ REMBRANDT TEMPENNY). I'm off.
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ ROBERT ADDISON). No, I say, Bob, wait and see me through
+it.
+
+ROBERT ADDISON.
+
+Rosaline may go out--I must hurry. See you again in half an hour.
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ ROBERT ADDISON). What shall I do?
+
+ROBERT ADDISON.
+
+(_Aside to_ REMBRANDT TEMPENNY). Lie! Ta-ta. I say--! You don't think
+it possible old Schercl has made a mistake and taken you for Tempenny
+the R.A.?
+
+REMBRANDT TEMPENNY (_staggered_).
+
+What!!
+
+ROBERT ADDISON.
+
+It would explain the terms, that's all, dear boy. Au revoir. (_Exit_
+ROBERT ADDISON D.F.)
+
+REMBRANDT TEMPENNY (_aside_).
+
+Good Lord! (_Aloud, blandly_). My dear Mr. Schercl, this is a pleasure
+indeed.
+
+HENRICH SCHERCL.
+
+I do not know dat it is a great bleasure, but pusiness must be attended
+to, hein? Vell, my friendt, and how is the bicture, eh! Let us see how
+it has brogressed.
+
+REMBRANDT TEMPENNY.
+
+The picture is going well--well, very well,--excellently. I am a modest
+man--
+
+HENRICH SCHERCL.
+
+Humph! (_Aside_.) This is a very boor blace for zo famous a bainter. I
+do not understand it! But I have certainly done goot business mid him!
+
+REMBRANDT TEMPENNY (_disconcerted_).
+
+I say I am a modest man, Mr. Schercl, but I feel safe in declaring that
+you will be satisfied with your bargain.
+
+HENRICH SCHERCL.
+
+"Bargain?" I do not tink dat ven I pay tree hundred bounds for a
+bicture it should be called a "pargain." Tree hundred bounds is very
+large brice; I shall have not made a pargain.
+
+REMBRANDT TEMPENNY.
+
+Er--quite so. You misunderstand me. I should have said your
+"contract"--you will be satisfied with your contract.
+
+HENRICH SCHERCL.
+
+If you should have said "gontract," vy did you say "Pargain." Vell,
+vell, let us see the bicture.
+
+REMBRANDT TEMPENNY.
+
+(_With a desperate attempt to throw enthusiasm in his voice_.) It is
+the best work I have done. I look to "Susannah" to advance my position
+enormously. People will talk about "Susannah." It is--er--full of
+rapture.
+
+HENRICH SCHERCL.
+
+"Rapture?" Vat is "Rapture?"
+
+REMBRANDT TEMPENNY.
+
+_You_ know what "rapture" is. It is the term best understood by the
+movement of to-day. It is our watchword, our ideal. "Rapture!"
+
+HENRICH SCHERCL.
+
+(_Puzzled, but not wishing to appear ignorant_.) Oh "Rapture," I did
+not understand you. Of course I know what rapture is.
+
+REMBRANDT TEMPENNY.
+
+Of course you do. Well, "Susannah" brims over with it.
+
+HENRICH SCHERCL.
+
+Goot, goot.
+
+REMBRANDT TEMPENNY.
+
+It is the very apotheosis of rapture.
+
+HENRICH SCHERCL.
+
+I gongratulate you.
+
+REMBRANDT TEMPENNY.
+
+It exudes with rapture.
+
+HENRICH SCHERCL.
+
+Is dat so?
+
+REMBRANDT TEMPENNY.
+
+It is bathed in rapture. (_Aside_.) I can't go on much longer.
+
+HENRICH SCHERCL.
+
+Now show it to me.
+
+REMBRANDT TEMPENNY (_with feigned surprise_).
+
+Show it to you? I can't show it to you--it isn't here.
+
+HENRICH SCHERCL.
+
+Vat is dat you say? Not here?
+
+REMBRANDT TEMPENNY.
+
+Certainly not. I am working on it in a friend's studio, not my own. The
+light here is not nearly good enough for a work like that.
+
+HENRICH SCHERCL.
+
+You have always found it goot enough, I pelieve?
+
+REMBRANDT TEMPENNY (_with enthusiasm_).
+
+But not for "Susannah"--not nearly good enough for "Susannah,"
+"Susannah" demands so much; she is exacting--she must be humoured.
+
+HENRICH SCHERCL.
+
+Vell, I am very disappointed; I came expressly to see how you had
+brogressed. Will you make me an abbointment?
+
+REMBRANDT TEMPENNY.
+
+Certainly I will. I will write you to-morrow. I am anxious to have your
+opinion.
+
+HENRICH SCHERCL.
+
+Who is the friend in whose studio you vork?
+
+REMBRANDT TEMPENNY.
+
+Eh? In Mr. Sylvester's--Charles Sylvester. You should hear him talk
+about it. By Jove, he does think a lot of it. I blush to repeat what he
+says. He considers it magnificent.
+
+(_Enter_ SYLVESTER.)
+
+CHARLES SYLVESTER.
+
+Afternoon, Rembrandt. Ah, Mr. Schercl, how-d'ye do.
+
+REMBRANDT TEMPENNY.
+
+Sylvester himself--the devil. (_Aloud_.) Dear old man, we were talking
+of you! I was just telling Mr. Schercl what you are kind enough to say
+of "Susannah."
+
+(_Kicks him aside_.)
+
+HENRICH SCHERCL.
+
+You think it goot, Mr. Sylvester, yes?
+
+REMBRANDT TEMPENNY.
+
+He thinks it superb, so far as it has gone.
+
+(_Kicks him again_.)
+
+CHARLES SYLVESTER.
+
+What's that? Who is "Susannah?"
+
+REMBRANDT TEMPENNY.
+
+"Who is Susannah!" (_With a sickly laugh_.) What a chap to chaff you
+are. "Who is Susannah?" Ha, ha, ha.
+
+HENRICH SCHERCL.
+
+But in pusiness I do not like the chokes. Let us be serious if you
+please. What is your opinion, Mr. Sylvester, of the vork?
+
+REMBRANDT TEMPENNY (_desperately_).
+
+Yes, I quite agree with you, Mr. Schercl, I quite agree--there is a
+time for all things. Tell Mr. Schercl what you think of it, Charlie,
+do.
+
+(_Kicks him savagely_.)
+
+CHARLES SYLVESTER (_aside to_ TEMPENNY).
+
+You'll break my ankle directly, hang you. What do you want?
+
+REMBRANDT TEMPENNY (_aside to_ SYLVESTER).
+
+Intelligence. I'll break your neck in another minute, you born fool!
+(_Aloud suavely_.) Mr. Schercl is naturally anxious to hear how the
+picture he had given me a commission for is getting along. I was
+telling him how much you think of it but he would like to hear your
+views from your own mouth.
+
+CHARLES SYLVESTER.
+
+Oh--oh!--now I know what you're talking about! Well, I have a very high
+opinion of the work indeed, Mr. Schercl--a very high opinion. (_Aside
+to_ TEMPENNY.) What's the subject?
+
+REMBRANDT TEMPENNY (_aside to_ SYLVESTER).
+
+"Susannah before the Elders"--pitch it strong.
+
+CHARLES SYLVESTER.
+
+The conception of Susannah, and in fact the entire treatment if I may
+say so, is bold in the extreme. He makes a school, our friend here. You
+will be surprised when you see the work, and impressed.
+
+HENRICH SCHERCL.
+
+Vell, we will make the abbointment soon, Mr. Tempenny. I am sorry I
+could not see it to-day. So I shall be imbressed? That is goot.
+Gootday, gentlemen. We will make the abbointment very soon.
+
+(_Exit_ SCHERCL.)
+
+REMBRANDT TEMPENNY.
+
+(_Calling after him from open door_.) Mind the bottom step, it's
+awkward. Got it?
+
+HENRICH SCHERCL (_off_).
+
+It is so dark your staircase.
+
+REMBRANDT TEMPENNY.
+
+Yes, it is dark, isn't it? Good afternoon. (_Closes door.)(To_
+SYLVESTER.) Phew! You couldn't have arrived at a worse time.
+
+CHARLES SYLVESTER.
+
+Thanks.
+
+REMBRANDT TEMPENNY.
+
+I don't mean to be inhospitable, but the ice was thin.
+
+CHARLES SYLVESTER.
+
+Have you done anything to "Susannah?"
+
+REMBRANDT TEMPENNY.
+
+Not a stroke, but I commence to-morrow in earnest. I've a model coming
+this afternoon, and if you'll let me use your studio, I shall knock in
+enough in a week for old Schercl to see when he calls again.
+
+CHARLES SYLVESTER.
+
+Why do you want my studio--what's the matter with this?
+
+REMBRANDT TEMPENNY.
+
+Well, the fact is my wife is always popping in here, and if she found
+me with a model posed as Susannah she'd go into hysterics. You
+understand me?
+
+CHARLES SYLVESTER.
+
+Understand you. I'm a married man.
+
+(TEMPENNY _looks at him silently, and then puts out his hand_.
+SYLVESTER _grasps it_.)
+
+REMBRANDT TEMPENNY.
+
+I don't want to gush, but--I feel for you, old chap.
+
+CHARLES SYLVESTER (_gratefully_).
+
+I know--I know.
+
+REMBRANDT TEMPENNY (_offering pouch_).
+
+Smoke?
+
+CHARLES SYLVESTER (_producing pipe_).
+
+Thanks.
+
+(_They fill their pipes without speaking and puff sympathetically_.)
+
+CHARLES SYLVESTER.
+
+Not but what she is a good sort--I don't want to say anything against
+her.
+
+REMBRANDT TEMPENNY.
+
+Of course not.
+
+CHARLES SYLVESTER.
+
+But--I suppose she's too fond of me.
+
+REMBRANDT TEMPENNY.
+
+It's a way wives have--they repay the superabundance of your devotion
+during the courtship.
+
+CHARLES SYLVESTER.
+
+Exactly. She's jealous.
+
+REMBRANDT TEMPENNY.
+
+Of whom?
+
+CHARLES SYLVESTER.
+
+Of nobody--of everyone. Of my past, which was rather more decent than
+most fellows--of my life to-day, which is a pattern for a County
+Councillor.
+
+REMBRANDT TEMPENNY.
+
+Poor beggar.
+
+CHARLES SYLVESTER.
+
+You're sorry for me?
+
+REMBRANDT TEMPENNY.
+
+Devilishly. To be married to a jealous woman!--what a fate.
+
+CHARLES SYLVESTER (_with a groan_).
+
+Ah! Tempenny, there was a girl I used to know when I was a
+bachelor--she was a model. My wife found her likeness one day after we
+were married. A likeness, nothing more--I thought I had destroyed it.
+Well, if you'd have heard the ructions she made; you'd have thought
+she'd found a harem.
+
+REMBRANDT TEMPENNY.
+
+Ah!
+
+CHARLES SYLVESTER.
+
+A year or two ago the girl turned up again--walked into my studio, and
+wanted to sit to me. As it happened I could have used her very well.
+Just as I had given her a drink who should march in too, but my wife.
+
+REMBRANDT TEMPENNY.
+
+The devil.
+
+CHARLES SYLVESTER.
+
+I _said_ my wife--but--
+
+REMBRANDT TEMPENNY.
+
+Yes, go on.
+
+CHARLES SYLVESTER.
+
+She recognised my visitor in a moment from the photograph--abused her,
+insulted me, and raised a royal row. The girl cleared out like a shot,
+and I pledge you my word I have never seen her since, but from that
+hour to this not a day passes without Mrs. Sylvester making some
+allusion to the incident. I am the most moral man alive, and I'm
+watched and suspected as if I were a criminal.
+
+REMBRANDT TEMPENNY.
+
+We must see more of each other than we have of late. When I work in
+your studio we shall be company for each other.
+
+CHARLES SYLVESTER.
+
+I shall be very glad. Well, I'll be off, now. See you to-morrow then?
+
+REMBRANDT TEMPENNY.
+
+To-morrow! Au revoir, dear boy.
+
+(_Exit_ SYLVESTER.)
+
+REMBRANDT TEMPENNY.
+
+Poor old Sylvester! Had no idea Mrs. Sylvester was such a termagant. I
+must cheer him up a bit. So there was a girl, was there, and Mrs.
+Sylvester is jealous of her? Wonder who she was! Nice girl I
+daresay--Sylvester's taste was always good excepting when he married.
+Where is Bob with my model?--time he was back! (_Goes to window_.)
+There goes Sylvester--funny thing you can always tell a married man by
+his walk. There is a solidity about it--a sort of resignation. (_Turns
+looking off the other way_.) And here comes a pretty girl.--What a
+pretty girl--Funny thing you can always tell a pretty girl by her walk.
+There is a consciousness about it--a thanksgiving. She is stopping
+here. Lovely woman stopping here!
+
+(_Throws up window, and leans out more and more till gradually only a
+small section of his legs remain on the stage_)
+
+ROSALINE (_off_).
+
+Is this Mr. Tempenny's studio?
+
+REMBRANDT TEMPENNY.
+
+It is. I am Mr. Tempenny. Come up do.
+
+ROSALINE.
+
+No kid?
+
+REMBRANDT TEMPENNY.
+
+Not yet--I am recently married.
+
+ROSALINE.
+
+I mean you are really Mr. Tempenny.
+
+REMBRANDT TEMPENNY.
+
+Really and truly. (_Withdraws from window, wreathed in smiles_.) How do
+I look? (_Smoothes his hair before mirror_.) Perhaps she is a buyer--I
+had better appear busy--or inspired. (_Seats himself and adopts a
+far-away engrossed expression_.) "Rembrandt Tempenny at Home."
+
+_Knock at door. Enter_ ROSALINE.
+
+ROSALINE.
+
+May I come in?
+
+REMBRANDT TEMPENNY.
+
+Enter pray. An idea has struck me. May I beg you to sit down a
+moment,--In a moment I shall be at your service.
+
+ROSALINE _sits_. REMBRANDT TEMPENNY _stares raptly before him as if
+lost in composition. (Business.) He starts up and rushes to small
+canvas, making violent sketch upon it. Then brushes his hand across his
+brow, and turns to her_.
+
+REMBRANDT TEMPENNY.
+
+I dared not lose it--my idea! Forgive me--I have it down now, it is
+saved. What can I do for you?
+
+ROSALINE.
+
+Mr. Addison sent me. He said you wanted a model.
+
+REMBRANDT TEMPENNY.
+
+Oh--you are Rosaline?
+
+ROSALINE.
+
+You have guessed it in once. He could not come back with me, so he sent
+me here alone.
+
+REMBRANDT TEMPENNY.
+
+Oh!
+
+ROSALINE.
+
+What do you think of me?
+
+REMBRANDT TEMPENNY.
+
+I think you a charming young lady.
+
+ROSALINE.
+
+Then what is the matter?
+
+REMBRANDT TEMPENNY.
+
+Well, I thought you were somebody else, that is all. So you are
+Rosaline.
+
+ROSALINE.
+
+You keep telling me I am Rosaline--I know I am. The question is how do
+I do?
+
+REMBRANDT TEMPENNY.
+
+How do you do?
+
+ROSALINE.
+
+You misunderstand me. The question is how do I suit you?
+
+REMBRANDT TEMPENNY.
+
+Quite so--you bring me to the point. You suit me entirely. Mr. Addison
+perhaps explained to you the subject of my picture?
+
+ROSALINE.
+
+"Susannah." Susannah is a very ugly name--.
+
+REMBRANDT TEMPENNY.
+
+But she will be a very pretty girl, won't she?
+
+ROSALINE.
+
+Oh, go away with you.
+
+REMBRANDT TEMPENNY.
+
+Humour, only my humour! You musn't think any familiarity was intended.
+I am not that sort of man at all.
+
+ROSALINE.
+
+No?
+
+REMBRANDT TEMPENNY.
+
+Not a bit. As I told you out of the window, I'm married.
+
+ROSALINE.
+
+Well, I am sorry to hear it.
+
+REMBRANDT TEMPENNY.
+
+Now you are flattering me--now _I_ must say, "go away with you."
+
+ROSALINE.
+
+I am sorry to hear it because I prefer sitting to single artists. Wives
+sometimes make rumpuses.
+
+REMBRANDT TEMPENNY.
+
+Oh, you have found that?
+
+ROSALINE.
+
+I have indeed. I shall never forget one of my experiences as long as I
+live.
+
+REMBRANDT TEMPENNY.
+
+Really? You interest me.
+
+ROSALINE _(sentimentally)_.
+
+I loved a man with all my soul, and _he_ loved _me_. He married! No,
+you must not blame him for it--he was weak, and the temptation came.
+"To err is human,"--he married. Oh, my heart! (_She presses her hand to
+her side_.) Forgive me while I shed a tear.
+
+REMBRANDT TEMPENNY.
+
+Shed two.
+
+ROSALINE.
+
+I forgave him; I struggled to subdue the rage within me. I forgave him,
+and went to see him again. I had conquered my scorn--my better nature
+had triumphed--I went to him with all the old tenderness that I had
+lavished on him in the days gone by. He was startled, even cold, but
+still I feel I should have won him back to me had not something
+happened.
+
+REMBRANDT TEMPENNY.
+
+Something so often happens. It is an aggravating way of something.
+
+ROSALINE.
+
+His wife came between us. All was over.
+
+REMBRANDT TEMPENNY.
+
+Designing wretch!
+
+ROSALINE.
+
+I have never seen him since; I have banished his image from my mind.
+But that time has left its mark on me for ever. It transformed a simple
+credulous girl into a hardened worldly woman. I shall never feel a
+liking for wives again.
+
+REMBRANDT TEMPENNY.
+
+One cannot blame you.
+
+ROSALINE.
+
+I felt you would say that. (_Presses her handkerchief to her eyes_.) It
+was cruel.
+
+REMBRANDT TEMPENNY.
+
+But in my case you will not be troubled by my wife. The sittings won't
+take place here, and so she will not see you.
+
+ROSALINE.
+
+How is that?
+
+REMBRANDT TEMPENNY.
+
+Well, it is very odd, but Mrs. Tempenny has the same objection to
+models that you have to wives. It is ridiculous, in fact it is wicked
+of her, but I find it best to humour her prejudices. Will you go
+to-morrow to Sycamore Place, Number five?
+
+ROSALINE.
+
+I'll be there--on one condition. No wives, or I throw up the job.
+
+REMBRANDT TEMPENNY (_alarmed_).
+
+For Heaven's sake don't talk of doing that--my whole life hangs on the
+picture. If you don't sit to me I'm a ruined man. Rosaline, I swear to
+you no wives shall cross your path.
+
+MRS. TEMPENNY (_off_).
+
+Rembrandt, Rembrandt.
+
+ROSALINE.
+
+Who's that?
+
+REMBRANDT TEMPENNY.
+
+Mrs. Tempenny, but I won't let her in.
+
+ROSALINE (_angrily_).
+
+Wives already!--Everywhere--wives.
+
+MRS. TEMPENNY (_off_).
+
+Rembrandt, I must see you. Where are you--quick!
+
+ROSALINE.
+
+Here, I know the pattern of this! Let me go!
+
+REMBRANDT TEMPENNY (_alarmed_).
+
+No. No. I'll get rid of her. (_Runs to window, and leans
+out--calling_.) Don't wait, my dear. I'm busy. I'll be with you soon.
+
+ROSALINE (_contemptuously_).
+
+Why, you're scared out of your life of her I can see! I have had enough
+of this,--I don't want the job. (_As if to go_.)
+
+REMBRANDT TEMPENNY.
+
+(_Leaving window and running back to her_). I tell you if you don't sit
+to me I'm a ruined man. Rosaline, I implore you!
+
+MRS. TEMPENNY (_off_).
+
+I am coming up at once.
+
+REMBRANDT TEMPENNY (_rushing to window again_).
+
+On no account, my darling, I can't be disturbed.
+
+ROSALINE.
+
+I'm off. Ta-ta.
+
+REMBRANDT TEMPENNY (_back to her again_).
+
+You shan't go--I'll lock you in first. There! (_Locks door, and takes
+out key_.)
+
+MRS. TEMPENNY (_off_).
+
+Rembrandt, I must come up. Something is the matter.
+
+REMBRANDT TEMPENNY.
+
+No, no, no. Go home, and see the tradespeople, catch! (_Takes out the
+two sovereigns, and runs to window again: in his excitement he throws
+with the wrong hand--throwing out key_.) Good Lord! I've thrown her the
+key. (_Leans out of the window_.) She is coming upstairs. Skip inside
+there till she goes. Hurry! (_Motions_ ROSALINE _off R_.)
+
+ROSALINE (_scornfully_).
+
+Wives, wives, wives!
+
+(_Exit Rosaline_.)
+
+MRS. TEMPENNY.
+
+Rembrandt! Why did you keep me waiting--there's a sheriff's officer on
+his way here with a warrant. He has been at the house, and the servant
+ran round to Sylvester's to tell me. You must escape.
+
+REMBRANDT TEMPENNY.
+
+Escape?
+
+MRS. TEMPENNY.
+
+Fly!
+
+REMBRANDT TEMPENNY.
+
+I can't fly--I am not built for flying.
+
+MRS. TEMPENNY.
+
+Then you must hide.
+
+REMBRANDT TEMPENNY.
+
+Where?
+
+MRS. TEMPENNY.
+
+(_Pointing to room where Rosaline is concealed_.) There!
+
+REMBRANDT TEMPENNY.
+
+No, no, Hark!
+
+(_Very heavy steps are heard ascending stairs_.)
+
+REMBRANDT TEMPENNY.
+
+I hear a footfall.
+
+MRS. TEMPENNY (_in terror_).
+
+Hide yourself--quick.
+
+REMBRANDT TEMPENNY (_in terror_).
+
+I can't.
+
+MRS. TEMPENNY.
+
+Why not?
+
+REMBRANDT TEMPENNY (_loftily_).
+
+A hero never hides. Ah, I have it. I'll jump from the window.
+
+(_Struggles into his coat and hat_.)
+
+MRS. TEMPENNY.
+
+There is the conservatory underneath.
+
+REMBRANDT TEMPENNY.
+
+I'll jump clear of it. Don't let him in for a minute.
+
+(_He plants a lay-figure in front of canvas, with its back to door in
+flat, then proceeds to dress it up to resemble himself at work. Brush
+in hand, etc_.)
+
+GROGGINS (_off_).
+
+Mr. Tempenny!
+
+(_Knocks at door_.)
+
+MRS. TEMPENNY.
+
+Who's there?
+
+(_She goes to door, half opening it, so that_ GROGGINS _has a partial
+view of lay-figure_.)
+
+GROGGINS.
+
+I have a warrant here for Mr. Rembrandt Tempenny--matter of forty pun'.
+
+MRS. TEMPENNY.
+
+Sh! He is painting.
+
+GROGGINS.
+
+I can't help whether he's painting or not, marm. The question is
+whether he is paying or not.
+
+MRS. TEMPENNY.
+
+Man, my husband cannot be disturbed. Don't you see?--he is inspired.
+
+GROGGINS.
+
+Well, he'll be in--Wandsworth if he don't part.
+
+MRS. TEMPENNY.
+
+Sh! talk softly. Your voice will jar upon him.
+
+REMBRANDT TEMPENNY (_aside_).
+
+Now for it. (_At window_.) One--two--three--I don't like the look of
+that glass-house much.
+
+_(Hesitates)._
+
+GROGGINS (_decisively_).
+
+I must come in, marm--out of the way if _you_ please.
+
+REMBRANDT TEMPENNY (_aside_).
+
+Oh! It's now or never.
+
+(_Jumps out. A tremendous crash of broken glass is heard_.)
+
+MRS. TEMPENNY (_with a shriek_).
+
+Ah!
+
+GROGGINS (_pushing her aside_).
+
+What's that? (_Aside_.) Oh, there he is. (_Aloud_.) Here you Mr.
+Tempenny, sir, I've a warrant 'ere on a judgment summons.--Suit of Cole
+the butcher. (_Addressing lay-figure_.) Do you pay up, or come along o'
+me?
+
+MRS. TEMPENNY (_at window--aside_).
+
+He's picked himself up--he waves his hand--all is well.
+
+GROGGINS.
+
+Which is it, sir? I allus likes to do business pleasant, only you must
+make up your mind, you know. Pay up, or lock up--take your choice.
+
+MRS. TEMPENNY.
+
+(_At window. Excitedly aside_.) He disappears--he's lost to view--the
+danger's past.
+
+GROGGINS.
+
+Well, if you _won't_ speak, you _won't_, of course! I've done my 'umble
+best to do my dooty affable, and since you're sulky, why--(_Going up to
+lay-figure_) Mr. Rembrandt Tempenny, I've a warrant for your arrest.
+
+(_He slaps the lay-figure on the shoulder, it collapses with a crash_).
+
+GROGGINS (_falling back in terror_).
+
+Got 'em again, as I'm a sinner!
+
+(MRS. TEMPENNY _runs to_ D.F. _as if to go_. ROSALINE _half opens_ R.D.
+_and pops her head out with an ejaculation_.)
+
+_Act drop, quick_.
+
+
+
+
+ACT II.
+
+
+SCENE:--SYLVESTER'S _Studio_. (_The next day_.) _Doors R. and L. At
+back cupboard_. TEMPENNY _discovered painting_, ROSALINE _posed_.
+
+ROSALINE.
+
+I'm getting tired.
+
+REMBRANDT TEMPENNY.
+
+Sh! (_goes on working frenziedly_).
+
+ROSALINE.
+
+I say I'm getting tired.
+
+REMBRANDT TEMPENNY.
+
+Wait a minute, and you shall rest. There! now you can move if you like.
+
+ROSALINE (_stretching herself_).
+
+Thank goodness. Let us look! (_Looks at canvas_.) Oh!
+
+REMBRANDT TEMPENNY.
+
+What do you think of it?
+
+ROSALINE.
+
+Not much.
+
+REMBRANDT TEMPENNY.
+
+Ah, that shows your profound ignorance of the School. It promises to be
+a superb example. (_Contemplates it sideways_.) Exquisite!
+
+ROSALINE.
+
+I say, where is your friend?
+
+REMBRANDT TEMPENNY.
+
+Who?
+
+ROSALINE.
+
+Didn't you say this studio belonged to a friend of yours?
+
+REMBRANDT TEMPENNY.
+
+Oh yes; he hasn't come yet. I expect he will be here this afternoon.
+
+ROSALINE.
+
+What's this? (_picking up Mandarin's Wig_.) One of his props?
+
+REMBRANDT TEMPENNY.
+
+That? That is a Mandarin's wig. Yes, of course it is one of his props.
+He has just been engaged on a great work: "The Decapitation of a
+Mandarin after a Chinese Reverse." The gentleman who sat for the
+Mandarin wore that wig.
+
+ROSALINE.
+
+What a funny subject to choose.
+
+REMBRANDT TEMPENNY.
+
+Rather playful, isn't it? He likes 'em like that. That's his forte.
+
+ROSALINE.
+
+What is his name--do I know him?
+
+REMBRANDT TEMPENNY.
+
+Charlie Sylvester; and a rattling good chap he is, let me tell you.
+
+ROSALINE (_with a shriek_).
+
+Oh, my heart! This is fate!
+
+REMBRANDT TEMPENNY (_alarmed_.)
+
+I beg your pardon? Don't go off like that. What's the matter?
+
+ROSALINE.
+
+It is _He_--_He_ who--! Oh, I am going to faint.
+
+REMBRANDT TEMPENNY.
+
+No,--no, for goodness' sake, don't do that. What do you mean by "he?"
+Here, I say, compose yourself.
+
+ROSALINE.
+
+It is the man I love. The finger of Fate is in it. Where is he? Bring
+him to me! Charlie, my own!
+
+REMBRANDT TEMPENNY (_very flustered_).
+
+Oh I say--look here, you know--? (_Aside_.) This is the devil and
+all--Charlie will never forgive me! (_Aloud_.) My dear good girl, he
+_isn't_ your "own," I assure you he isn't. There is a Mrs. Sylvester,
+as you know very well. (_Aside_.) If he comes in and finds her here,
+there's an end of all my sittings. What a piece of infernal luck to be
+sure!
+
+ROSALINE _(resolutely)._
+
+Where is he?
+
+REMBRANDT TEMPENNY (_sullenly_).
+
+I don't know--I suppose he is at home.
+
+ROSALINE.
+
+Fetch him then--let me see his dear face again.
+
+REMBRANDT TEMPENNY.
+
+What???
+
+ROSALINE.
+
+Bring him to me--now, this instant! We have been divided too long
+already.
+
+REMBRANDT TEMPENNY.
+
+You have, have you?
+
+ROSALINE.
+
+Far, far too long.
+
+REMBRANDT TEMPENNY (_aside_).
+
+I must humour her. (_Aloud_.) Well, perhaps you _have_, on second
+thoughts. Yes, it is a long time.
+
+ROSALINE.
+
+I have never forgotten him. I have always treasured his memory in my
+soul.
+
+REMBRANDT TEMPENNY (_soothingly_).
+
+That was very nice of you. You are a very nice girl--I saw it at once.
+
+ROSALINE.
+
+_He_ used to say that--he used to call me his "Toppett."
+
+REMBRANDT TEMPENNY.
+
+His little "Toppett?" It is a pretty name, and I am sure he will be
+delighted to find you here, when he comes. It will be a surprise for
+him, won't it; quite a surprise! (_Aside_.) A perfect devil of a
+surprise!
+
+ROSALINE.
+
+For all he knows I might be dead--dead with the violets blooming over
+my tomb.
+
+REMBRANDT TEMPENNY.
+
+Yes, yes,--buttercups and daisies. (_Aside_.) I shall get the giddy
+push from here when he does come; I see it sticking out a foot.
+(_Aloud_.) I say, Poppett--I mean "Rosaline," do you feel equal to
+going on with the sitting till he arrives?
+
+ROSALINE (_passively_).
+
+As you please--I must live.
+
+REMBRANDT TEMPENNY (_aside._)
+
+It is doubtful whether Sylvester will see it in the same light.
+(_Aloud_.) Well, then, suppose you take up your position again.
+
+(_He poses her with much difficulty, as each time he places her arms in
+the required attitude, she moves to wipe away a tear_).
+
+REMBRANDT TEMPENNY.
+
+There, now we've got it at last. (_He goes back to the easel, and
+commences to work_).
+
+ROSALINE.
+
+(_Bursting into sobs, and collapsing altogether_.) Boo--hoo--hoo!
+
+REMBRANDT TEMPENNY (_despairingly_).
+
+Oh, great Jupiter! This is too much! Can't you contain your emotion? I
+know it is very praiseworthy, but can't you bottle it up? How on earth
+am I to paint you while you keep going on like this.
+
+(_The street-door bell rings_).
+
+ROSALINE (_joyously_).
+
+He! (_She clasps her hands and listens_.) My heart tells me so!
+
+REMBRANDT TEMPENNY (_disagreeably_).
+
+It _ain't_ he--because he never rings. So your heart's told you a lie.
+
+MRS. SYLVESTER (_off_).
+
+Mr. Sylvester--is he in? Not in? What do you mean?
+
+REMBRANDT TEMPENNY.
+
+Snakes!--it's his Missus.
+
+ROSALINE (_passionately_).
+
+_Another_ wife?
+
+REMBRANDT TEMPENNY.
+
+No, it is the same one--do you think he is the Grand Mogul?--but she
+will be enough for _you_ if she finds you here, and for _me_ too!
+
+ROSALINE.
+
+I do not fear her. I am doing no harm--I am your Model, brought here by
+you.
+
+REMBRANDT TEMPENNY (_in terror_).
+
+Now look here, you know, don't say that; I won't be mixed up in it! I
+tell you I'll have nothing to do with the matter! I didn't know who you
+were, or I wouldn't have brought you within a hundred miles of the
+place. Hark.
+
+MRS. SYLVESTER (_off_).
+
+I will wait in his studio till he comes. He ought to have been here
+long ago.
+
+REMBRANDT TEMPENNY (_in terror_).
+
+_Ought_ he! I won't be seen here--I can't. She is a friend of my
+wife's. I won't be found in your company. I'm a moral man, and she
+knows you.
+
+ROSALINE (_indignantly_).
+
+What?
+
+REMBRANDT TEMPENNY.
+
+Here, hi, I will be a lay-figure. By George, I've got it--I will be the
+Mandarin, see!
+
+(_He disguises himself with Rosaline's assistance as a Mandarin, and
+sits cross-legged at back, wagging his head_.)
+
+REMBRANDT TEMPENNY.
+
+How is that?
+
+ROSALINE.
+
+Beautiful. Hush!
+
+REMBRANDT TEMPENNY.
+
+Am I sufficiently impregnated with the Chinese sentiment?
+
+ROSALINE.
+
+I don't know what you mean. Sh! Here she is.
+
+(_Enter_ MRS. SYLVESTER _L_.)
+
+MRS. SYLVESTER (_aside_).
+
+A young woman--who is this?
+
+ROSALINE.
+
+Good morning, madam. Who do you wish to see?
+
+MRS. SYLVESTER (_with a start_).
+
+Can I be deceived? Is it possible you are the--ahem--the person I take
+you for?
+
+ROSALINE.
+
+I really don't know who you take me for. My name is Rosaline, and I'm a
+model.
+
+MRS. SYLVESTER.
+
+I knew it! How dare you come here--how dare you? Two years ago I
+forbade you ever to enter my husband's studio again.
+
+ROSALINE.
+
+I did not know it was your husband's studio when I came. I am here to
+sit to a friend of his.
+
+REMBRANDT TEMPENNY.
+
+I'm the friend.
+
+MRS. SYLVESTER (_to_ ROSALINE).
+
+What did you say?
+
+ROSALINE.
+
+I did not speak.
+
+MRS. SYLVESTER.
+
+Now let me quite understand you. Do you mean to say that it was not Mr.
+Sylvester who brought you here?
+
+ROSALINE.
+
+Certainly I do. I came to Mr.--
+
+REMBRANDT TEMPENNY (_in terror aside to_ ROSALINE).
+
+Mr. Brown.
+
+MRS. SYLVESTER.
+
+Who did you say? Who is Mr. Brown?
+
+ROSALINE.
+
+I did not say "Mr. Brown." A gentleman engaged me to sit to him, and
+told me to come here this morning at ten o'clock. He said he was a
+friend of Mr. Sylvester's.
+
+MRS. SYLVESTER.
+
+Then you did know that this was Mr. Sylvester's studio!
+
+ROSALINE.
+
+I did not. He said it belonged to a friend of his, but did not mention
+his name.
+
+MRS. SYLVESTER (_impatiently_).
+
+Whose name?
+
+ROSALINE.
+
+His friend's name.
+
+MRS. SYLVESTER (_passionately_).
+
+Who was this friend, girl? Who told you to come? Answer me.
+
+ROSALINE.
+
+Oh, that is very easy. I was engaged by Mr.--
+
+REMBRANDT TEMPENNY (_aside to_ ROSALINE).
+
+Mr. Smith.
+
+MRS. SYLVESTER.
+
+I do not know any Mr. Smith. Where has he gone?
+
+ROSALINE.
+
+I never said "Mr. Smith."
+
+MRS. SYLVESTER.
+
+What?
+
+ROSALINE.
+
+Certainly not. I have no reason to mind telling the truth. I am
+naturally a truthful girl. His name was--
+
+REMBRANDT TEMPENNY (_aside to_ ROSALINE).
+
+Robinson.
+
+MRS. SYLVESTER.
+
+Once and for all--will you tell me the man's name?
+
+REMBRANDT TEMPENNY (_aside to_ ROSALINE).
+
+No, never!
+
+MRS. SYLVESTER.
+
+You refuse?
+
+ROSALINE.
+
+No.
+
+MRS. SYLYESTER.
+
+Then why did you say "never?"
+
+ROSALINE.
+
+I never said "Never."
+
+MRS. SYLVESTER.
+
+I warn you, girl, my patience is nearly exhausted.
+
+REMBRANDT TEMPENNY (_aside_).
+
+So am I. My legs ache at the joints.
+
+MRS. SYLVESTER.
+
+You will either make a clean breast of it, or I shall take steps--
+
+REMBRANDT TEMPENNY (_aside to_ ROSALINE).
+
+Let her take steps--that's what I want her to do.
+
+MRS. SYLVESTER.
+
+Ah, wait--doubtless my husband is in hiding. I will see.
+
+(_She opens_ R.D. _and exit_.)
+
+ROSALINE (_going up to_ REMBRANDT TEMPENNY _angrily_).
+
+What do you mean by getting me into all this trouble? What do you mean
+by it?
+
+REMBRANDT TEMPENNY.
+
+Oh, you be hanged--you're a perfect nuisance.
+
+ROSALINE.
+
+What!
+
+(_She slaps his face_. MRS. SYLVESTER _re-enters_.)
+
+MRS. SYLVESTER.
+
+I heard a noise.
+
+ROSALINE.
+
+I was playing with the idol, that is all.
+
+(REMBRANDT TEMPENNY _wags his head mechanically_.
+
+REMBRANDT TEMPENNY (_aside_).
+
+This is a dignified position for a husband and a ratepayer!--the butt
+of a bad girl!
+
+MRS. SYLVESTER.
+
+Your frivolity will avail you nothing. If you were indeed brought here
+by a friend of Mr. Sylvester's, I can guess who he is. His name is
+Tempenny, and I shall enquire into the matter at once. (_Going_.)
+
+ROSALINE.
+
+Of course his name is Tempenny--I never denied it.
+
+REMBRANDT TEMPENNY and MRS. SYLVESTER (_aside_).
+
+What?
+
+ROSALINE.
+
+I am nobody's accomplice--I am an honest woman earning a living. I will
+tell lies for no one.
+
+REMBRANDT TEMPENNY (_aside_).
+
+The cat!
+
+MRS. SYLVESTER.
+
+Oh, this is infamous! So Mr. Tempenny assists my husband to deceive me,
+does he? We will see what his wife has to say to it. Birds of a
+feather--as I always thought. Abandoned wretches both!
+
+(_Exit L_.)
+
+REMBRANDT TEMPENNY (_springing up_).
+
+You mischief-making little beast--what have you done?
+
+ROSALINE.
+
+Don't you talk to me like that--I won't have it!
+
+REMBRANDT TEMPENNY (_furiously_).
+
+You won't have it!
+
+ROSALINE.
+
+No, I won't.
+
+REMBRANDT TEMPENNY.
+
+You--you--! You smacked my face!
+
+ROSALINE.
+
+And I'll smack it again if you aggravate me. If it weren't that _he_
+will be here later on, I'd walk straight out of the studio, and never
+come into it again.
+
+REMBRANDT TEMPENNY.
+
+I've a good mind to bundle you out neck and crop, I can tell you. That
+woman has gone off to complain to my wife. Here, get me out of these
+things. (_He divests himself of the Chinese wig and costume_.) I think
+I had better go. I don't know how I'll do the picture--I'll _never_ do
+the picture. I think _you_ had better go--if Charlie Sylvester finds
+you here after this, he will murder you.
+
+CHARLES SYLVESTER (_off_).
+
+Tempenny!--Tempenny--are you upstairs?
+
+REMBRANDT TEMPENNY (_agitated_).
+
+He! Oh, I say, you know--don't yer know--this is awful!
+
+ROSALINE (_rapturously_).
+
+I know his voice.
+
+REMBRANDT TEMPENNY (_dancing with terror_).
+
+Yes, so do I! He'll kill you--I warn you he will make a corse of
+you--or _me_. I won't meet him. I can't. Get rid of him for the Lord's
+sake--I'll hide in there till he has gone.
+
+(_Exit R_.)
+
+ROSALINE (_taking out powder puff_).
+
+After years we meet again!
+
+(_Enter_ SYLVESTER _L_.)
+
+CHARLES SYLVESTER.
+
+Why the devil couldn't you answer, Tempenny, I say--
+
+ROSALINE (_turning_).
+
+Charles! Ah! once more!
+
+CHARLES SYLVESTER.
+
+Great Scott! My dear girl, what on earth are you here for?
+
+ROSALINE.
+
+It is like that you greet me?
+
+CHARLES SYLVESTER.
+
+"Greet" you? Well, upon my word I don't quite know what you expect. I
+thought it was understood between us last time we met that--that--we
+weren't to meet? You see I've got a wife, and--
+
+ROSALINE.
+
+I know. I have just seen her.
+
+CHARLES SYLVESTER.
+
+What's that you say? You have just seen my wife?
+
+ROSALINE (_nodding_).
+
+She has been here. She has only just gone.
+
+CHARLES SYLVESTER.
+
+The devil! What did she say to you--what did she think?
+
+ROSALINE.
+
+She thought you knew about it--she was angry!
+
+CHARLES SYLVESTER (_furiously_).
+
+And very rightly too. You have no business here--why did you come?
+
+ROSALINE.
+
+Mr. Tempenny brought me.
+
+CHARLES SYLVESTER.
+
+What? Are _you_ his model? This is really too bad. Where is he?
+
+ROSALINE (_pointing R_.).
+
+He has gone in there.
+
+CHARLES SYLVESTER.
+
+What for? (_Calling_.) Tempenny! I say, Tempenny, I want you!
+
+(_Enter_ REMBRANDT TEMPENNY _very nervously_.)
+
+REMBRANDT TEMPENNY.
+
+Ah--er--good morning, dear boy. What weather, eh? What weather we're
+having to be sure. (_Aside to_ ROSALINE.) You malicious,
+base-hearted--(_Shakes his fist at her_.) Oh!
+
+CHARLES SYLVESTER.
+
+Look here, you know, Tempenny, this won't do. You have no right to
+bring the girl here. I don't think it was at all friendly of you. I--I
+consider it a damned liberty of you in fact.
+
+REMBRANDT TEMPENNY (_shrinking_).
+
+I was afraid you would be vexed, but don't be cross, dear old man;
+don't be "put out" about it. (_Trying to laugh_.) There are worse
+troubles at sea, as they say--worse troubles at sea!
+
+CHARLES SYLVESTER.
+
+(_With rising indignation_.) But I _am_ put out. Damn the sea--what's
+that got to do with it. Mrs. Sylvester has been in and seen her, I
+understand? You have served me a very shabby trick, Tempenny--I am very
+sorry about it!
+
+REMBRANDT TEMPENNY.
+
+(_Still trying to laugh it off_.) All comes out in the wash, old
+chap--all comes out in the wash, I assure you! (_Slaps him on the
+shoulder_.)
+
+CHARLES SYLVESTER.
+
+Don't do that--I don't like it!
+
+REMBRANDT TEMPENNY (_nervously_).
+
+Ha, ha, ha! (_Does it again_.)
+
+CHARLES SYLVESTER (_shouting_).
+
+Don't!
+
+REMBRANDT TEMPENNY (_collapsing_).
+
+All right, I won't.
+
+ROSALINE (_advancing_).
+
+Charlie!
+
+CHARLES SYLVESTER.
+
+Don't call me "Charlie"--I don't like it.
+
+ROSALINE.
+
+Once--
+
+CHARLES SYLVESTER.
+
+Well, then, I don't like it twice--do you hear! This is all your fault,
+Tempenny. You have got me into a pretty mess upon my word. My wife
+won't believe me, and I shall never hear the end of it.
+
+REMBRANDT TEMPENNY.
+
+And what about mine?
+
+CHARLES SYLVESTER.
+
+Yours?
+
+ROSALINE.
+
+Yes, she has gone to tell her.
+
+CHARLES SYLVESTER (_roaring with laughter_).
+
+Ha, ha, ha!
+
+REMBRANDT TEMPENNY (_miserably_).
+
+Remarkably funny, isn't it?
+
+CHARLES SYLVESTER.
+
+Ha, ha, ha!
+
+ROSALINE.
+
+Ha, ha, ha!
+
+REMBRANDT TEMPENNY.
+
+(_To_ CHARLES SYLVESTER; _pointing to_ ROSALINE.) That girl is a
+perfect devil. She smacked my face just now when I was posing as a
+mandarin.
+
+CHARLES SYLVESTER (_staring_).
+
+As a what!
+
+REMBRANDT TEMPENNY.
+
+I was a mandarin when your wife came in--I thought it best--and this
+ex-mash of yours took advantage of me, and smacked my face.
+
+CHARLES SYLVESTER.
+
+(_To_ ROSALINE.) I tell you what it is,--I think you had better go. You
+had better be off--I can't have you here.
+
+REMBRANDT TEMPENNY.
+
+I quite agree. _I_ don't want her--she is more trouble than she is
+worth.
+
+ROSALINE.
+
+You are very rude to me, both of you. (_To_ CHARLES SYLVESTER.) Your
+manners have not improved with matrimony, my friend.
+
+CHARLES SYLVESTER.
+
+I am not going to discuss my manners--
+
+REMBRANDT TEMPENNY.
+
+No, he is not going to discuss his manners.
+
+CHARLES SYLVESTER.
+
+The point is--
+
+REMBRANDT TEMPENNY.
+
+The point is--git!
+
+ROSALINE.
+
+The point is that if you don't ask me properly, I shall do nothing of
+the kind. Now you've got it.
+
+CHARLES SYLVESTER.
+
+(_To_ REMBRANDT TEMPENNY _angrily_.) What the devil do you mean by
+bringing such a firebrand here?
+
+REMBRANDT TEMPENNY.
+
+Now don't lose your temper again. (_To_ ROSALINE.) Will you go?
+
+ROSALINE.
+
+No, I won't.
+
+REMBRANDT TEMPENNY.
+
+That settles it. (_The two men look at each other helplessly_.)
+
+(_Enter_ SARAH ANN.)
+
+SARAH ANN.
+
+If you please, sir, there is a gentleman downstairs who wants to see
+Mr. Tempenny.
+
+REMBRANDT TEMPENNY.
+
+Me? What's his name? What does he want?
+
+SARAH ANN.
+
+He says his name is Mr. Schercl.
+
+REMBRANDT TEMPENNY.
+
+I'm out. Go and tell him so. It only wanted this to complete my
+happiness. I won't see him, do you hear?
+
+SARAH ANN.
+
+If you please the gentleman said he must see you, but if you was
+engaged, he'd wait.
+
+CHARLES SYLVESTER.
+
+You won't get rid of old Schercl in a hurry, if he has advanced you any
+of the "ready."
+
+REMBRANDT TEMPENNY.
+
+Tell him I'm out. Then let him come up if he likes.
+
+CHARLES SYLVESTER.
+
+What are you going to do?
+
+REMBRANDT TEMPENNY.
+
+I am going to dissemble. I am going to be an Eastern potentate, and I
+am going to spoof the old boy. (_To_ SARAH ANN.) Menial, slope! (_To_
+CHARLES SYLVESTER.) Help me.
+
+ROSALINE.
+
+This is the rummiest studio that ever I was in!
+
+REMBRANDT TEMPENNY.
+
+Yes, originality is what we pride ourselves on. (_He disguises himself
+as the Maharajah of Slamthedoor_.)
+
+CHARLES SYLVESTER.
+
+And what am _I_ to do?
+
+REMBRANDT TEMPENNY.
+
+You must be very deferential. I think you had better salaam when you
+speak to me. Try it.
+
+CHARLES SYLVESTER.
+
+Like this? (_Salaams_.)
+
+REMBRANDT TEMPENNY.
+
+That's it, only more so. And mind, if he wants to see Susannah, you
+don't let him look at it. It's only just begun. How do I look?
+
+ROSALINE.
+
+You look like a Guy Fawkes.
+
+REMBRANDT TEMPENNY.
+
+Dear child! how pretty she talks! Where did you originally find such a
+treasure?
+
+(_Enter_ HENRICH SCHERCL _L_.)
+
+HENRICH SCHERCL.
+
+Ah, Mr. Sylvester, how do you do? Where is Mr. Tempenny? I hoped to see
+him.
+
+CHARLES SYLVESTER.
+
+He has been compelled to go out on most important business.
+
+HENRICH SCHERCL.
+
+The business of you gentlemen is always "most important" excepting when
+it concerns them that find you the wherewithal. (_Aside_.) What a nice
+girl!
+
+(ROSALINE _smiles at him_.)
+
+CHARLES SILVESTER.
+
+I don't think, my dear Schercl, that you have much cause to complain.
+You don't lose by us; now confess!
+
+HENRICH SCHERCL.
+
+My dear sir, if I lost by you how do you think I should garry on my
+business? One must live. But you artists don't give us much chance. You
+are always bleeding us for what you call "a bit on aggount."
+
+REMBRANDT TEMPENNY (_coming down_).
+
+Your conversation is very interesting, but I wish to see Mr. Tempenny.
+He is not here, and if he is not coming I shall go. Allah Bismillah
+Remdazzlegefoo!
+
+HENRICH SCHERCL.
+
+(_Aside to_ CHARLES SYLVESTER.) What does he say?
+
+CHARLES SYLVESTER.
+
+(_Aside to_ HENRICH SCHERCL.) He's swearing because Tempenny is out.
+
+REMBRANDT TEMPENNY.
+
+I wanted to buy some of his great works. The Maharajah of Battledore
+told me that he was one of your most favourite painters.
+
+ROSALINE (_aside_).
+
+Good old Rembrandt Tempenny. What larks!
+
+HENRICH SCHERCL.
+
+(_Aside to_ CHARLES SYLVESTER.) Let _me_ deal with this sportsman.
+
+CHARLES SYLVESTER.
+
+(_Aside to_ HENRICH SCHERCL.) Bosh, why should you?
+
+HENRICH SCHERCL.
+
+Do you want to sell your "Battle of Agincourt?"
+
+CHARLES SYLVESTER.
+
+Of course I do.
+
+HENRICH SCHERCL.
+
+How much?
+
+CHARLES SYLVESTER.
+
+Two hundred--you know that!
+
+HENRICH SCHERCL.
+
+A hundred ready?
+
+CHARLES SYLVESTER.
+
+Yes.
+
+HENRICH SCHERCL.
+
+You will have a jeque to-night.
+
+CHARLES SYLVESTER.
+
+On your word?
+
+HENRICH SCHERCL.
+
+On my word.
+
+CHARLES SYLVESTER.
+
+An open one?
+
+HENRICH SCHERCL.
+
+Yes, my dear young friend. Now oblige me by skipping.
+
+CHARLES SYLVESTER.
+
+Right you are. Allow me to introduce to your Highness, Mr. Schercl--Mr.
+Schercl, the Maharajah of Slamthedoor.
+
+(_Exit R_.)
+
+REMBRANDT TEMPENNY.
+
+Allah Bismillah Pottamarmala Goo!
+
+HENRICH SCHERCL (_aside_).
+
+He's swearing again. (_Aloud_.) I am sorry your Royal Highness has been
+kept waiting. These artists are such gurious people. Your Highness
+broboses to buy bictures, yes?
+
+REMBRANDT TEMPENNY.
+
+I have built a new palace at Slamthedoor, and I must have, of course,
+some pictures for my galleries.
+
+ROSALINE.
+
+Does your Highness want any slaves too?
+
+HENRICH SCHERCL.
+
+(_Aside to_ ROSALINE.) Go away, girl--go away! One deal at a time!
+(_Aloud_) May I make so bold as to enquire the size of the new palace,
+Oh glorious One? (_Salaams_.) (_Aside_.) I think that is right!
+
+REMBRANDT TEMPENNY.
+
+The size? It is no bigger than my other one--it is about four times as
+large as your Buckingham Palace.
+
+HENRICH SCHERCL.
+
+Great heavens! And you will have a vast picture gallery, Oh Light of my
+Eyes!
+
+REMBRANDT TEMPENNY.
+
+Five--five picture galleries, and I desire to fill them. That is why I
+am looking up these artists. My cousin the Maharajah of Battledore has
+given me several introductions.
+
+ROSALINE.
+
+_Doesn't_ your Royal Highness want any slaves? Ye before whose radiance
+the sun pales and the stars grow dim--no slaves?
+
+REMBRANDT TEMPENNY.
+
+Can you dance, damsel, as I would see you?
+
+HENRICH SCHERCL.
+
+(_Aside to_ ROSALINE.) Go away--go away--go away. Oh, demmit, will you
+go away! (_Salaaming_.) Most Serene One--
+
+REMBRANDT TEMPENNY.
+
+Proceed. But be quick--I am impatient to be gone. Allah Bismillah, be
+quick!
+
+HENRICH SCHERCL (_aside_).
+
+What a temper he's got! (_Aloud_.) Be guided by your servant. I have
+your Royal Highness's interest at heart. (_Aside_.) Also my own.
+(_Aloud_.) These bainters are so queer--they do not understand business
+at all, at all. Nach, they know nothing about it--at least very few of
+them. The less you have to do with them directly the better for your
+Royal Highness. If your Royal Highness wishes to fill the picture
+galleries of your new palace I'll take on the job at contract. I'll
+save you sixty per cent, s'welp me!
+
+REMBRANDT TEMPENNY.
+
+That is very kind of you. Why should you do it?
+
+HENRICH SCHERCL.
+
+Well, your Royal Highness, I was struck by your demeanour and to tell
+your Royal Highness the truth, except with the Brince of Westphalia I
+have never done any business with royal families before.
+
+ROSALINE (_aside_.)
+
+Modest violet! There's nothing like being frank!
+
+REMBRANDT TEMPENNY.
+
+You do not advise me then to see this Mr. Tempenny, or the other
+painters whose names I have?
+
+HENRICH SCHERCL.
+
+Certainly not, your Royal Highness. Let _me_ arrange everything. Here's
+my card--Heinrich Schercl, 41 Golden Square.
+
+ROSALINE.
+
+(_Aside to_ HENRICH SCHERCL). Look here, what am I to have for this.
+
+HENRICH SCHERCL.
+
+(_Aside to_ ROSALINE). For what?
+
+ROSALINE.
+
+(_Aside to_ HENRICH SCHERCL). I can queer your pitch.
+
+HENRICH SCHERCL.
+
+(_Aside to_ ROSALINE). We will talk later--we will talk later. Don't
+bother me!
+
+REMBRANDT TEMPENNY.
+
+My dear Mr. Schercl, I am delighted to have met you. You are quite
+confident you can _fill_ my galleries?
+
+HENRICH SCHERCL.
+
+With genuine works of art. (_Aside_.) Poor Gamboge died last week; I am
+sure he hasn't sold more than three pictures during the last ten
+years--I can get the lot cheap. Only there must be 200 at least. What
+with all the other stony devils I can lay hands on, I'll soon decorate
+the old josser's walls.
+
+REMBRANDT TEMPENNY.
+
+Well then, I shall wait no longer--there is no need now. I shall call
+upon you, and settle our business together. Good-bye, miss, for the
+present. This is your daughter, I suppose?
+
+HENRICH SCHERCL.
+
+Eh--oh, yes, my youngest--my ewe lamb.
+
+REMBRANDT TEMPENNY.
+
+I congratulate you. She is worthy to be a Princess.
+
+ROSALINE (_aside_).
+
+This man's a flyer! I thought he was a mild young mug, but he fairly
+takes the merry little bun!
+
+REMBRANDT TEMPENNY.
+
+Good day, sir. My time in London is short. If I cannot call upon you, I
+will ask you to come to me at Claridge's.
+
+HENRICH SCHERCL.
+
+Charmed, your Royal Highness. I shall be entirely at your disposition.
+
+REMBRANDT TEMPENNY.
+
+That is well.
+
+(_Exit R_. SCHERCL _and_ ROSALINE _salaam_).
+
+HENRICH SCHERCL.
+
+(_Skipping with ecstasy_). Jampagne! Little girl, I will stand you
+jampagne to zelebrate the deal.
+
+ROSALINE.
+
+Good biz! (_Opens L.D. and calls_). Here Mary, Matilda, Susan, or
+whatever your name is, you're wanted.
+
+HENRICH SCHERCL.
+
+And you are a very charming girl, that is a fact. (_Lighting a
+cigarette_). I think I must give you a sovereign, yes?
+
+ROSALINE.
+
+I don't mind if I do. (_Taking cigarette from his case_). A
+"sovereign?" What are you talking about? My commission on this is a
+tenner--and I'm cheap at that!
+
+(_Enter_ SARAH ANN _L_.)
+
+HENRICH SCHERCL.
+
+(_Giving her money_). Fetch me a bottle of jampagne, and bring two
+glasses, eh?
+
+SARAH ANN.
+
+Yessir.
+
+ROSALINE.
+
+And look slippy. Go on, I'm parched. Mind, the _best_ champagne. (_To_
+HENRICH SCHERCL.) Got a light?
+
+(_Exit_ SARAH ANN _L_.)
+
+HENRICH SCHERCL.
+
+What is your name, my dear? (_Gives her light_).
+
+ROSALINE.
+
+Rosaline--you may call me "Rosie" if you like.
+
+HENRICH SCHERCL.
+
+May I--why? (_Chuckles_).
+
+ROSALINE.
+
+Well, I was struck by your demeanour, and to tell your Royal Highness
+the truth I have never done business with such a nice gentleman as you
+before.
+
+HENRICH SCHERCL.
+
+Ha, ha, ha! You are a sharp girl too! You are too good to go to India
+to be a slave. You could do better in London.
+
+ROSALINE.
+
+(_Coquettishly_). Think so?
+
+HENRICH SCHERCL.
+
+You shall have a slave of your own--a slave who would love you.
+
+ROSALINE.
+
+It sounds very well. In the meantime what about the tenner?
+
+HENRICH SCHERCL.
+
+(_Taking out his notebook_). You shall have it. There! Will you give me
+a kiss for that, my Rosie, with your rosy-posy lips?
+
+(_Enter_ SARAH ANN _L. with champagne and glasses_).
+
+ROSALINE.
+
+Not before the child! Put it down, my girl, that'll do--Come on,
+Heinrich of the Golden Square, come and pour out the fluid.
+
+(_Exit_ SARAH ANN _L_.)
+
+HENRICH SCHERCL.
+
+(_Lifting his glass_). Gezunteit!
+
+ROSALINE.
+
+Very likely. (_Aside_.) This is the best day's sitting I've ever done.
+(_Aloud_.) Now this is what I call comfortable: a bottle of the boy, a
+cigarette, and a cosy chat. I am very glad to have met you.
+
+HENRICH SCHERCL.
+
+(_Putting his arm round her waist_). Really--is that so?
+
+ROSALINE.
+
+That is really so. But mind you, an hour ago, I should not have let you
+do this.
+
+HENRICH SCHERCL.
+
+I am so blessed we did not meet an hour ago.
+
+ROSALINE.
+
+It is true. An hour ago I was in love, but I have been treated very
+badly. Just now my heart is at the rebound.
+
+HENRICH SCHERCL.
+
+Leedle heart--let me gatch it!
+
+ROSALINE.
+
+Now you are making fun of me. I am not so simple as you think. Why, we
+have only just met.
+
+HENRICH SCHERCL.
+
+But we can meet again. Besides, I am not going yet--I will stop and
+talk to you. You shall tell me all about your love-trouble, and I will
+gonsole you. Hark, what is that?
+
+ROSALINE.
+
+Somebody is coming upstairs.
+
+HENRICH SCHERCL.
+
+Then I will step into the next room. It would not look vell that I
+should be found trinking jampagne mid a pretty girl like you. When they
+are gone I will come back.
+
+ROSALINE.
+
+Mr. Sylvester is in there. Here, if you don't want to be seen, get into
+this cupboard.
+
+HENRICH SCHERCL.
+
+Is it glean? Are you sure?
+
+ROSALINE.
+
+Clean as a new pin. Come on if you mean it, there's no time to waste.
+Now or never?
+
+HENRICH SCHERCL.
+
+(_Going into cupboard, gingerly_). I am certain it is not glean.
+
+(ROSALINE _shuts the door and turns as_ MRS. SYLVESTER _re-enters with_
+MRS. TEMPENNY).
+
+MRS. SYLVESTER.
+
+I told you so! Here she is as bold as brass. Now what do you say to
+that?
+
+MRS. TEMPENNY.
+
+If indeed my husband brought her here--if he has really assisted Mr.
+Sylvester to deceive you--
+
+MRS. SYLVESTER.
+
+(_Scornfully_). "IF!" The creature does not deny it. Speak, girl.
+
+ROSALINE.
+
+Good afternoon.
+
+MRS. SYLVESTER.
+
+"Good afternoon?" It isn't a "good afternoon" I want you to say. Speak,
+I tell you.
+
+ROSALINE.
+
+What shall we talk about?
+
+(_R.D. slowly opens a little_--_showing_ REMBRANDT TEMPENNY _and_
+CHARLES SYLVESTER _listening_).
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ CHARLES SYLVESTER). Can you do it, do you think?
+
+CHARLES SYLVESTER.
+
+I can do it.
+
+REMBRANDT TEMPENNY.
+
+Threaten to punch my head.
+
+CHARLES SYLVESTER.
+
+Yes, yes--and you had better be very violent too.
+
+REMBRANDT TEMPENNY.
+
+I twig. Wait a moment.
+
+(_They withdraw_).
+
+MRS. TEMPENNY.
+
+(_Bursting into tears_). I will never forgive him as long as I live.
+
+MRS. SYLVESTER.
+
+I should think not. When I see Charles--!
+
+MRS. TEMPENNY.
+
+Oh, and when I see Rembrandt--!
+
+MRS. SYLVESTER.
+
+I _will_ see him, if I stop till midnight!
+
+MRS. TEMPENNY.
+
+And _I'll_ see him, if I don't go home for a week!
+
+(_Enter_ REMBRANDT TEMPENNY _backwards, very disordered attire_--_his
+entrance to suggest that he has been flung in_. CHARLES SYLVESTER
+_follows_).
+
+CHARLES SYLVESTER.
+
+(_With affected fury_). If you did not bring this person here, sir, how
+did she come?
+
+REMBRANDT TEMPENNY.
+
+How?
+
+CHARLES SYLVESTER.
+
+Yes, sir--how?
+
+REMBRANDT TEMPENNY.
+
+How do I know?
+
+MRS. SYLVESTER and MRS. TEMPENNY.
+
+What is all this? Oh, good gracious, the men have been fighting!
+
+ROSALINE (_aside_).
+
+_I_ know what it is--it's spoof.
+
+MRS. SYLVESTER.
+
+(_Rushing to_ CHARLES SYLVESTER). Charles--Charles, compose yourself!
+
+MRS. TEMPENNY.
+
+(_Rushing to_ REMBRANDT TEMPENNY). Rembrandt, be calm.
+
+CHARLES SYLVESTER.
+
+Don't interfere, Adelaide.
+
+REMBRANDT TEMPENNY.
+
+Eugenia, this concerns us alone. Mr. Sylvester accuses me--
+
+CHARLES SYLVESTER.
+
+Yes, sir, I accuse you--
+
+REMBRANDT TEMPENNY.
+
+(_Throwing himself upon him_). Ah!
+
+(CHARLES SYLVESTER _throws him off_).
+
+REMBRANDT TEMPENNY.
+
+The best of wives--
+
+CHARLES SYLVESTER.
+
+Don't you dare to mention Mrs. Sylvester's name, sir!
+
+REMBRANDT TEMPENNY.
+
+I am talking about Mrs. Tempenny. I say you would lead the best of
+wives to suppose that I--I--introduced this creature into your room.
+(_Weeps_.)
+
+CHARLES SYLVESTER.
+
+And through you I may be falsely suspected by Adelaide. (_Weeps_.)
+
+(ROSALINE _whispers to_ REMBRANDT TEMPENNY _aside_.)
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ ROSALINE.) Great Jupiter!
+
+MRS. SYLVESTER.
+
+All this is very fine--but who _is_ the man who brought her here if you
+didn't? Answer that.
+
+MRS. TEMPENNY.
+
+Yes, if neither of _you_ did it, who did? Where _is_ the man?
+
+REMBRANDT TEMPENNY.
+
+(_Throwing open cupboard triumphantly and disclosing_ SCHERCL _covered
+with paint_.) There!
+
+_Curtain_.
+
+
+
+
+ACT III.
+
+
+SCENE:--_Drawing-room at Tempenny's house._
+
+TIME:--_Next day_.
+
+(SUSAN _discovered dusting. As Curtain goes up bell is heard off_.)
+
+SUSAN.
+
+Was that the bell again? It is not the sort of place I am used to,
+this--where the master's afraid to see half the people who calls for
+him. I only hopes my wages is right. They was precious particular about
+_my_ references when they took me. Was I sober, honest and industrious,
+and the Lord knows what? Wish I'd been equal particular about theirs.
+The master ain't remarkably industrious, that I do know, for he often
+don't paint nothing for a week at a time; and he frequently ain't
+sober. Whether or not he is honest I shall find out at the end of my
+month. (_Bell rings again_.) It _was_ the bell--I'd better go and see
+who it is.
+
+(_Exit L_.)
+
+HENRICH SCHERCL (_heard off_).
+
+Mr. Tempenny in? Nonsense. Then I'll wait till he is.
+
+SUSAN (_expostulating_).
+
+But, sir, if you please, sir, really--
+
+(_Enter_ HENRICH SCHERCL _followed by_ SUSAN.)
+
+HENRICH SCHERCL.
+
+I tell you I mean to see him. Now let us have the truth, girl, where is
+he?
+
+SUSAN.
+
+Mr. Tempenny, sir?
+
+HENRICH SCHERCL.
+
+"Mr. Tempenny, sir?" Yes, ma'am, who else? Now, is he at home?
+
+SUSAN.
+
+No, sir, he isn't; he has gone out.
+
+HENRICH SCHERCL.
+
+Not to his studio, for I've just been there.
+
+SUSAN.
+
+No, sir, he has gone to his dentist.
+
+HENRICH SCHERCL.
+
+Then I'll just sit down here till he comes back. You may go in and tell
+him so.
+
+SUSAN (_confused_).
+
+I hope you don't think I tell stories, sir? If Mr. Tempenny's out how
+can I take him your message?
+
+(_Enter_ REMBRANDT TEMPENNY _R_.)
+
+REMBRANDT TEMPENNY (_briskly_).
+
+Now, you understand, Susan, I am out to everyone, and if a Mr. Schercl
+calls--(_seeing_ HENRICH SCHERCL--_aside_). Good gracious! (_Aloud_.)
+Beg him to wait till I return--I want to see him.
+
+HENRICH SCHERCL (_sardonically_).
+
+He _is_ waiting, sir.
+
+REMBRANDT TEMPENNY (_affecting surprise_).
+
+My dear friend, how glad I am--how very glad! (_Aside_.) This is the
+very devil! (_Aloud_.) All right, Susan, you can go.
+
+HENRICH SCHERCL.
+
+I want a leedle talk with you, my friend, without delay.
+
+SUSAN (_aside_).
+
+I hope the master'll enjoy himself, I'm sure! I did _my_ best for him
+anyhow!
+
+(_Exit L_.)
+
+HENRICH SCHERCL.
+
+Mr. Tempenny, I am here to demand an exblanation, sir--an exblanation
+of your strange behaviour of yesterday. And there is something else,
+sir. I find you are not Mr. Tempenny at all, sir, you are an imposter.
+
+REMBRANDT TEMPENNY (_aside_).
+
+He did take me for Tempenny R.A., Addison was right! (_Aloud_.) An
+imposter, Mr. Schercl?
+
+HENRICH SCHERCL.
+
+Zertainly, sir. I took you for _the_ Mr. Tempenny--it was to _the_ Mr.
+Tempenny, I brobosed to give my commission. You 'ave cheated me, you
+fellow.
+
+REMBRANDT TEMPENNY.
+
+Now, now, take care! How was _I_ to know you took me for somebody else?
+You came to me, and you made me an offer, and I accepted it. How could
+I tell you thought I was another--I may say an _inferior_--Tempenny? I
+say how could I know you were making a mistake?
+
+HENRICH SCHERCL.
+
+You knew it very well. I would not pay tree 'undred pounds to _you_!
+What do you think I am--a fool? You 'ave obtained an order from me
+under false pretences, do you hear. I say you 'ave robbed me.
+
+REMBRANDT TEMPENNY.
+
+Gently! gently! this is slander, old gentleman. It will cost you a good
+deal _more_ than three hundred pounds if you aren't more guarded in
+your remarks.
+
+HENRICH SCHERCL (_spluttering_).
+
+What?
+
+REMBRANDT TEMPENNY.
+
+It will really. I shall owe it to myself to have you up for slander,
+and it would be a very good advertisement for me too.
+
+HENRICH SCHERCL.
+
+What! what! what!
+
+REMBRANDT TEMPENNY.
+
+A really excellent advertisement. And what a fool you'd look! Come,
+come, you don't suppose your other Tempenny would have done you a work
+of this size for three hundred, do you? Nor as good either? No, no! As
+to the affair of yesterday, my wife was very much to blame--I am very
+angry with her. You see she has such curious ideas, and when she found
+you hidden in a cupboard with a paint-pot upset over you she thought it
+strange. It _wasn't_ strange, of course--(_airily_) most natural thing
+in the world, but she couldn't see it.
+
+HENRICH SCHERCL.
+
+I felt very hurt to be so misunderstood. The only person who abbeared
+to have any zympathy for me was your model--the Miss Rosaline.
+
+REMBRANDT TEMPENNY.
+
+Nice girl! charming girl, isn't she? Full of feeling, and--I say,
+Schercl, you've made a conquest there, and no error.
+
+HENRICH SCHERCL.
+
+Nonsense--go away mid your rubbidge!
+
+REMBRANDT TEMPENNY.
+
+Well, you have, you know! She made an awful scene after you left--said
+you were the only man she ever saw look dignified with a pot of paint
+upset over him. It is a pity in one way she _is_ so taken with you--I
+feel for her.
+
+HENRICH SCHERCL (_flattered_).
+
+Vat rot you talk. Why should you feel for her?
+
+REMBRANDT TEMPENNY.
+
+Because you meant nothing by your attentions, Schercl, and the poor
+girl doesn't know that. She is thinking about you--not to put too fine
+a point upon it, she has fallen in love with you; and what do _you_
+care?--you laugh!
+
+HENRICH SCHERCL.
+
+No, I do not laff--I have a 'eart, have I not? I have the emotions and
+sensibilities.
+
+REMBRANDT TEMPENNY.
+
+You have, you have. But you do not realise how serious an impression
+you have made.
+
+HENRICH SCHERCL.
+
+Well, now about Susannah. You can do it as well as your namesake. Yes?
+
+REMBRANDT TEMPENNY.
+
+Ah! (_Enthusiastically_.) Wait till you see it!
+
+HENRICH SCHERCL.
+
+It still progresses?
+
+REMBRANDT TEMPENNY.
+
+Superbly.
+
+HENRICH SCHERCL.
+
+"Zuperbly!" But I do not see it, and to me you never abbear to paint.
+
+REMBRANDT TEMPENNY.
+
+My dear friend, how can you doubt the success of the picture after you
+have seen the model who is sitting for it? Fair--beautiful
+form--exquisite arms--er--
+
+HENRICH SCHERCL.
+
+Yes, yes, yes. So Miss Rosaline sits for your Susannah, eh?
+
+REMBRANDT TEMPENNY.
+
+Won't it be worth the three hundred--won't it be a dream.
+
+HENRICH SCHERCL (_eagerly_).
+
+I will come in one morning when you are at work! Yes, I am satisfied
+with the gontract--I say no more. I will come in when she is sitting.
+
+REMBRANDT TEMPENNV.
+
+No, you don't, my boy--oh no, you don't! The picture is what you get
+for your money--the real, living, breathing woman ain't included. Not
+much! Oh, no, Schercl, you old rogue--only the picture, sonny, no more.
+Ha, ha, ha!
+
+HENRICH SCHERCL (_confused_).
+
+You misunderstood me quite--I had no idea but of my business. I do not
+think of other things. Er--when will the picture be done, Tempenny, I
+would like it soon?
+
+REMBRANDT TEMPENNY.
+
+Ha, ha, ha! Control yourself, Romeo, it's coming on.
+
+HENRICH SCHERCL.
+
+But according to our contract, it should be done in a week's time. If
+you disappoint me, my friend, we shall fall out again.
+
+REMBRANDT TEMPENNY (_aside_).
+
+It strikes me you'll be precious lucky if you get it at all. The
+infernal "contract" is the bane of my life. (_Aloud_.) All right,
+Schercl, I will push on with it--I want the other two hundred, you
+know. I shan't delay for my own sake. (_Enter_ CHARLES SYLVESTER _L_.)
+Hallo, Charlie, how d'ye do. How are things at home?
+
+HENRICH SCHERCL.
+
+I see another of yesterday's gulprits. However I have forgiven you.
+
+CHARLES SYLVESTER.
+
+That's all right. (_Aside to_ REMBRANDT TEMPENNY:) Rosaline's
+downstairs--wanting to see you. Where is your wife?
+
+REMBRANDT TEMPENNY.
+
+Out. (_To_ HENRICH SCHERCL.) That poor girl has followed you here.
+Perhaps out of pity you ought to go down to her and say a kind word.
+
+HENRICH SCHERCL.
+
+Miss Rosaline--she is here? Well, I never! Yes, I will go down and
+speak to her. Where is she?
+
+(_Enter_ ROSALINE _L_.)
+
+REMBRANDT TEMPENNY (_aside_).
+
+Damn it, in the drawing-room! Look here, Schercl, you can't go till
+_she_ does. If my wife comes in and finds her, she is your affair.
+Don't leave her for Heaven's sake.
+
+ROSALINE.
+
+Good morning, gentlemen. Oh, Mr. Schercl! What a pleasure--how _do_ you
+do?
+
+HENRICH SCHERCL.
+
+I am very well, I thank you. And you?--I need not ask, you look most
+beautiful.
+
+ROSALINE (_aside_).
+
+Dear man!
+
+HENRICH SCHERCL.
+
+(_Aside to_ CHARLES SYLVESTER.) Why is Tempenny so afraid his wife
+should see her? You too--why are _you_ so afraid? Is she not of a good
+character, this Miss Rosaline?
+
+CHARLES SYLVESTER.
+
+(_Aside to_ HENRICH SCHERCL.) The girl is a paragon. They are jealous
+of her, that's all. She is too good-looking for 'em.
+
+HENRICH SCHERCL.
+
+Ha, ha, I see!
+
+REMBRANDT TEMPENNY.
+
+I think we'll leave you, old man. Rosaline, Mr. Schercl, has something
+to say to you--we shall be in the way. (_Aside to_ CHARLES SYLVESTER.)
+Come on, old chap--I wouldn't risk being found in the room again with
+the girl for a monkey.
+
+CHARLES SYLVESTER.
+
+Yes, I have some business to discuss with Mr. Tempenny. If you will
+excuse us--
+
+(_Exit R._)
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ HENRICH SCHERCL.) Take her away soon, there's a trump, or
+there will be another row. I give you five minutes to get her out of
+the house, Take her to breakfast--or--or--wherever you like, only
+hurry! (_Exit L._)
+
+ROSALINE.
+
+How funny to be left alone like this, isn't it, I really called to know
+when Mr. Tempenny proposed to continue the sittings. Do you know?
+
+HENRICH SCHERCL.
+
+No, I have no idea. But I am very glad you called--our conversation
+yesterday was so inderrupted.
+
+ROSALINE.
+
+Yes, and we were getting on so nicely too, weren't we? Do you like my
+new hat? I bought it out of the tenner you gave me. What do you think
+of the bow--isn't it a duck?
+
+HENRICH SCHERCL.
+
+You do not sit to Mr. Tempenny in a hat, I think.
+
+ROSALINE.
+
+In a--? Oh no, not in--. The subject is classical.
+
+HENRICH SCHERCL.
+
+Zo I understand (_he sighs_).
+
+ROSALINE (_sighing_).
+
+Ah!
+
+HENRICH SCHERCL.
+
+Why do you sigh? You are not happy?
+
+ROSALINE.
+
+Did I sigh? I was thinking.
+
+HENRICH SCHERCL (_sighing_).
+
+Heigho!
+
+ROSALINE.
+
+But now it is _you_ who sighs. Aren't _you_ happy?
+
+HENRICH SCHERCL.
+
+I alzo, I was thinking.
+
+ROSALINE.
+
+Of what?
+
+HENRICH SCHERCL.
+
+If I was to tell you, you would call me "sentimental old fool."
+
+ROSALINE.
+
+Not _old_. Never a _fool_. (_With sudden persuasiveness_.) _Tell_ me!
+
+HENRICH SCHERCL.
+
+I was thinking then, of you.
+
+ROSALINE.
+
+Of little me? What of me.
+
+HENRICH SCHERCL.
+
+I was wishing I was this Mr. Tempenny.
+
+ROSALINE.
+
+Why? (_Realising reason, and covering her face bashfully_.) Oh!
+
+HENRICH SCHERCL.
+
+I mean you go to him every day, and your zociety is very fascinating.
+That is all.
+
+ROSALINE.
+
+Of course, if you were Mr. Tempenny, you would see more of me. I should
+have said you would see me "_oftener_."
+
+HENRICH SCHERCL.
+
+Heigho!
+
+ROSALINE.
+
+Heigho!
+
+HENRICH SCHERCL.
+
+The little that I _have_ seen has made a great impression on me,
+Rosie--I shall never forget your face.
+
+ROSALINE.
+
+Really?
+
+HENRICH SCHERCL (_eagerly_).
+
+Yes, yes, really--it is true.
+
+ROSALINE.
+
+I am only a model, you know--a poor girl.
+
+HENRICH SCHERCL.
+
+You are a model of perfection. I zympathise with you.
+
+ROSALINE.
+
+You do not think the less of me because?
+
+HENRICH SCHERCL.
+
+I assure you I think of you the more. Nevertheless I do not like the
+idea.
+
+ROSALINE.
+
+And why?
+
+HENRICH SCHERCL.
+
+You must find it zo chilly in the winter.
+
+ROSALINE.
+
+I have got used to it. And besides I am fortunately of a warm
+temperament. The wind is tempered to the shorn lamb.
+
+HENRICH SCHERCL.
+
+I have not ever in my life seen a young lady who did make me feel for
+her the strange attraction that I feel for you, Rosie. I am jealous of
+this Mr. Tempenny.
+
+ROSALINE.
+
+Jealous! Do you mean you are in love with me? (_Aside_.) Oh, my
+goodness, what a joke!
+
+HENRICH SCHERCL.
+
+And if I did, would you laugh at me? Supposing I was to say to
+you--"Rosie, I would like to marry you," what would you answer?
+
+ROSALINE.
+
+Say it, and see. (_Aside_.) He's in earnest. I do believe.
+
+HENRICH SCHERCL.
+
+I am a very rich man. I could give you lots of such hats, and
+jewellery, and a big house.
+
+ROSALINE (_sentimentally_).
+
+I wish that you were poor.
+
+HENRICH SCHERCL (_in a fright_).
+
+No, no, for goodness sake, don't say that! Why?
+
+ROSALINE.
+
+You would not doubt my sincerity then. Now, you may think--
+
+HENRICH SCHERCL.
+
+No, no, I do believe you. Do you care for me a little, Rosie?
+
+ROSALINE (_archly_).
+
+Perhaps I do--a little. No, you are making game of me! (_Turns up_.)
+
+HENRICH SCHERCL.
+
+I am not--I am not! I love you desperately. Rosie, will you be my wife.
+Say "yes" my darling.
+
+ROSALINE.
+
+Yes. Now you may kiss me.
+
+HENRICH SCHERCL (_kissing her_).
+
+This is paradise. And Rosie--
+
+ROSALINE.
+
+Yes, Mr. Schercl.
+
+HENRICH SCHERCL.
+
+Ah, no, you must say Heinrich.
+
+ROSALINE.
+
+Yes--Heinrich?
+
+HENRICH SCHERCL.
+
+You will not sit to Mr. Tempenny any more? It is not fit, now that you
+are to be Mrs. Schercl, that you should earn your living in such a way.
+
+ROSALINE (_doubtfully_).
+
+He will be very disappointed. He can't finish "Susannah" without me,
+and if he don't finish it, he won't get the two hundred pounds.
+
+(_Enter_ MRS. SYLVESTER _and_ MRS. TEMPENNY. _L. dressed for walking_.)
+
+MRS. TEMPENNY.
+
+Sir!
+
+HENRICH SCHERCL.
+
+Ah, my friend Tempenny's wife. And Mrs. Sylvester--how do you do?
+
+MRS. SYLVESTER.
+
+This creature again?
+
+MRS. TEMPENNY.
+
+By what right, sir, do you bring this person again--and into my private
+house.
+
+ROSALINE.
+
+Creature! Stand up for me, Heinrich.
+
+HENRICH SCHERCL.
+
+I will, my treasure. (_To_ MRS. TEMPENNY.) I must trouble you, my good
+madam, to speak in terms of more respect of a lady who will shortly be
+my wife.
+
+MRS. TEMPENNY  }
+               } (_aside_).
+MRS. SYLVESTER }
+
+Schercl's wife! We must be very civil to her!
+
+HENRICH SCHERCL.
+
+Let me introduce you: Mrs. Tempenny, Mrs. Sylvester--the future Mrs.
+Heinrich Schercl.
+
+(_The two women gush up to her and shake her hands_.)
+
+(_Enter_ TEMPENNY _and_ SYLVESTER. _L._)
+
+REMBRANDT TEMPENNY.
+
+What's this I see, do I dream?
+
+CHARLES SYLVESTER.
+
+Are visions about?
+
+MRS. TEMPENNY (_aside to_ TEMPENNY).
+
+Why on earth didn't you tell me? They are engaged--I might have
+offended him for life!
+
+MRS. SYLVESTER (_aside to_ SYLVESTER).
+
+How stupid you were! They are going to be married. Why, you might never
+have got an order from him again!
+
+REMBRANDT TEMPENNY.
+
+Dear, dear, dear, but my very good friend, if this lady is going to be
+your wife, how about "Susannah?"
+
+HENRICH SCHERCL.
+
+Forgive me, "Susannah" cannot be. I release you from the contract.
+
+REMBRANDT TEMPENNY (_aside_).
+
+Tidings of joy! (_Aloud_.) But--but--this is very hard on me.
+
+HENRICH SCHERCL.
+
+I release you, and I pay you just the same.
+
+REMBRANDT TFMPENNY.
+
+But she has had the money for a dozen sittings.
+
+HENRICH SCHERCL.
+
+I pay.
+
+(_Enter_ SUSAN.)
+
+SUSAN.
+
+If you please, sir, there's a hofficer of the law downstairs and he
+wants Mr. Tempenny or forty pun', sixteen shillings and ninepence.
+
+REMBRANDT TEMPENNY (_waving his hand_).
+
+Schercl!
+
+HENRICH SCHERCL.
+
+I pay--and I gif you the balance by a jeque.
+
+REMBRANDT TEMPENNY (_with mock despair_).
+
+Pay--you pay? But the work of my life unfinished.--What money can
+compensate for that?
+
+(_Sinks forlornly into chair_.)
+
+_Curtain_.
+
+
+
+
+THE END.
+
+PRINTING OFFICE OF THE PUBLISHER.
+
+
+
+
+
+End of the Project Gutenberg EBook of If Only etc.
+by Francis Clement Philips and Augustus Harris
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IF ONLY ETC. ***
+
+***** This file should be named 15219-8.txt or 15219-8.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/1/5/2/1/15219/
+
+Produced by Martin Agren, Leonard Johnson and the PG Online
+Distributed Proofreading Team at https://www.pgdp.net.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/15219-8.zip b/15219-8.zip
new file mode 100644
index 0000000..1fe4334
--- /dev/null
+++ b/15219-8.zip
diff --git a/15219-h.zip b/15219-h.zip
new file mode 100644
index 0000000..931dea5
--- /dev/null
+++ b/15219-h.zip
diff --git a/15219-h/15219-h.htm b/15219-h/15219-h.htm
new file mode 100644
index 0000000..783cc0e
--- /dev/null
+++ b/15219-h/15219-h.htm
@@ -0,0 +1,10727 @@
+<?xml version="1.0" encoding="iso-8859-1"?>
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+    "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+  <head>
+    <meta name="generator" content=
+    "HTML Tidy for Linux/x86 (vers 1st August 2004), see www.w3.org" />
+    <meta http-equiv="Content-Type" content=
+    "text/html; charset=iso-8859-1" />
+    <title>
+      The Project Gutenberg EBook of If Only Etc. by F.C. Philips
+    </title>
+<style type="text/css">
+/*<![CDATA[*/
+
+  <!--
+
+        body {margin-left:8%; margin-right:7%; max-width: 40em;}
+
+        p { /* all paragraphs unless overridden */
+                margin-top: 1em;
+                margin-bottom: 0;
+                line-height: 1.4em;
+        }
+
+        body > p { /* paras at <body> level - not in <div> or <table>  */
+                text-align: justify;
+        }
+
+        p.break { margin-top: 2em; } /* use for some thought-breaks */
+
+        li {/* loosen spacing in list items */
+                list-style-type: none; /* a list with no symbol */
+                margin-top: 0.33em;
+                line-height: 1.2em; }
+
+        h1, h2, h3, h5 {text-align: center;}
+
+        h2.chp {text-align: center; margin-top: 4em;
+               }
+        p.quotdate { /* date of a letter aligned right */
+                text-align: right;
+                }
+        p.quotsig { /* author signature at end of letter */
+                margin-left: 35%;
+                text-indent: -4em; /* gimmick to move 2nd line right */
+                }
+
+        ul.TOC { /* styling the Table of Contents */
+                list-style-type: none; /* a list with no symbol */
+               }
+        hr {
+                width:45%;
+                margin-top: 1em;
+                margin-left: auto;  /* these two ensure a.. */
+                margin-right: auto; /* ..centered rule */
+                clear: both; /* don't let sidebars & floats overlap rule */
+                }
+
+         div.ctr table { margin-left: auto; margin-right: auto;  text-align: left; }
+        .ctr { text-align: center; }
+
+        .poem {
+                text-align: left;
+                margin-left: 5%; margin-right: 5%; margin-top: 1em;
+                position: relative;  /* basis of .linenum positions */
+                }
+        .poem p {line-height: 1.1em;
+                margin-top: 0em; margin-bottom: 0em;
+                }
+        .poem h4 {
+                margin-left: 5em; margin-top: 2em;
+                }
+        .poem .stanza {
+                margin-top: 1em; /* vertical break between stanzas */
+                }
+       .i1 {margin-left: 1em;} /* p or span indents */
+       .i2 {margin-left: 2em;} /* indents */
+       .i3 {margin-left: 3em;} /* indents */
+       .i4 {margin-left: 4em;} /* indents */
+       .i5 {margin-left: 5em;} /* indents */
+       .i6 {margin-left: 6em;} /* indents */
+       .i7 {margin-left: 7em;} /* indents */
+       .i8 {margin-left: 8em;} /* indents */
+       .i9 {margin-left: 9em;} /* indents */
+       .i10 {margin-left: 10em;} /* indents */
+       .i11 {margin-left: 11em;} /* indents */
+       .i12 {margin-left: 12em;} /* indents */
+       .i13 {margin-left: 13em;} /* indents */
+       .i14 {margin-left: 14em;} /* indents */
+       .i15 {margin-left: 15em;} /* indents */
+       .i16 {margin-left: 16em;} /* indents */
+       .i17 {margin-left: 17em;} /* indents */
+       .i18 {margin-left: 18em;} /* indents */
+
+/*
+ * Stylings for drama:
+ *    h3.act is the act-header,
+ *    h4.scn is the scene-header,
+ *    p.cnm is for all character-names
+ *    p.dlg is for all dialogue
+ *    p.sdm is for scene direction centered
+ *    p.sdr is for scene direction right justified
+ *    p.sdn is for scene direction normal
+*/
+
+        h3.act { margin-top: 4em; font-weight: bold; text-align: center;
+        }
+        h4.scn {      text-align: left; font-weight: normal; margin-top: 3em;
+        }
+        p.sdn { text-align: justify;
+        }
+        p.sdm { text-align: center;
+        }
+        p.sdr { text-align: right;
+        }
+        p.cnm { text-align: center; margin-top: 2em;
+        }
+        p.dlg { margin:0.25em;
+                line-height: 1.2em;
+                position: relative; /* establish "container" for span.sdn */
+        }
+        span.sdr { font-style: normal;
+                position: absolute;
+                text-align: right;
+                right: 0; top:auto;
+        }
+
+              a:link {color:#0000ff;
+                              text-decoration:none}
+              link {color:#0000ff;
+                                text-decoration:none}
+              a:visited {color:#0000ff;
+                              text-decoration:none}
+              a:hover {color:#ff0000}
+
+        pre             {font-size: 8pt;}
+
+  -->
+
+/*]]>*/
+</style>
+  </head>
+  <body>
+
+
+<pre>
+
+The Project Gutenberg EBook of If Only etc.
+by Francis Clement Philips and Augustus Harris
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: If Only etc.
+
+Author: Francis Clement Philips and Augustus Harris
+
+Release Date: March 1, 2005 [EBook #15219]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IF ONLY ETC. ***
+
+
+
+
+Produced by Martin Agren, Leonard Johnson and the PG Online
+Distributed Proofreading Team at https://www.pgdp.net.
+
+
+
+
+
+
+</pre>
+
+    <h1>
+      IF ONLY
+    </h1>
+    <h1>
+      ETC.
+    </h1>
+    <h5>
+      BY
+    </h5>
+    <h2>
+      F.C. PHILIPS
+    </h2>
+    <h5>
+      AUTHOR OF "AS IN A LOOKING GLASS," ETC. ETC.
+    </h5>
+    <h3>
+      LEIPZIG
+      <br />
+      BERNHARD TAUCHNITZ
+      <br />
+      1904.
+    </h3>
+    <hr />
+    <h5>
+      TO
+      <br />
+      MY OLD FRIEND AND COLLABORATOR,
+      <br />
+      SYDNEY GRUNDY,
+      <br />
+      I DEDICATE THESE PAGES.
+      <br />
+      F.C. PHILIPS.
+    </h5>
+    <hr />
+    <h2>
+      CONTENTS.
+    </h2>
+    <ul class="TOC">
+      <li>
+        <a href="#if">IF ONLY</a>
+      </li>
+      <li>
+        <a href="#one">ONE CAN'T ALWAYS TELL</a>
+      </li>
+      <li>
+        <a href="#songs">SONGS.</a> AFTER VICTOR HUGO, ARMAND
+        SILVESTRE, CHARLES ROUSSEAU AND THE VICOMTE DE BORELLI
+      </li>
+      <li>
+        <a href="#love">LOVE WENT OUT WHEN MONEY WAS INVENTED</a>
+      </li>
+      <li>
+        <a href="#puzzle">A PUZZLED PAINTER.</a> (WRITTEN IN
+        COLLABORATION WITH THE LATE SIR AUGUSTUS HARRIS)
+      </li>
+    </ul>
+    <hr />
+    <h2 class="chp">
+      <a id="if" name="if">IF ONLY.</a>
+    </h2>
+    <h2 class="chp">
+      CHAPTER I.
+    </h2>
+    <p>
+      There is a vast deal talked in the present day about Freewill. We
+      like to feel that we are independent agents and are ready to
+      overlook the fact that our surroundings and circumstances and the
+      hundred and one subtle and mysterious workings of the fate we can
+      none of us escape, control our actions and are responsible for
+      our movements, and make us to a great extent what we are.
+    </p>
+    <p>
+      A man is not even a free agent when he takes the most important
+      step of his whole life, and marries a wife. He is impelled to it
+      by considerations outside of himself; it affects not only his own
+      present and future, but that of others, very often, and he must
+      be guided accordingly.
+    </p>
+    <p>
+      Emerson says; "The soul has inalienable rights, and the first of
+      these is love," but he does not say marriage. Love is the
+      business of the idle and the idleness of the busy, but marriage
+      is quite another affair&mdash;a grave matter, and not to be
+      undertaken lightly, since it is the one step that can never be
+      retraced, save through the unsavoury channels of shame and
+      notoriety, or death itself.
+    </p>
+    <p>
+      But perhaps Jack Chetwynd was hampered with fewer restraining
+      influences than most men, for he was alone in the world, without
+      kith or kin, and might be fairly allowed to please himself, and
+      pleasing himself in this case meant leading to the altar, or
+      rather to the Registry Office, Miss Bella Blackall, music-hall
+      singer and step dancer.
+    </p>
+    <p>
+      It was unquestionably a case of love at first sight. The girl was
+      barely seventeen, and her girlishness attracted him quite as much
+      as her beauty, which was exceptional. There was nothing
+      meretricious about it, for as yet she owed nothing to
+      art&mdash;brown hair, warm lips, soft blue eyes, and a complexion
+      like the leaf of a white rose&mdash;a woman blossom. Then, too,
+      she was a happy creature, full of life and happiness and bubbling
+      over with childish merriment&mdash;no one could help liking her,
+      he told himself, but it was something warmer than that. What
+      makes the difference between liking and love? It is so little and
+      yet so much. There was an air of refinement about her, too, which
+      to his fancy seemed to protest against the vulgarities of her
+      surroundings. He thought he could discern the stuff that meant an
+      actress in her, and prophesied that she would before long be
+      playing Juliet at the Haymarket. He was still at the age when the
+      habit is to discover geniuses in unlikely places, especially when
+      the women are pretty. He raved about her when he adjourned with
+      his companions to the bar, and they chaffed him a good deal to
+      his face and sneered at him behind his back. He was there the
+      next night, and the night, after and by-and-by he managed to get
+      introduced to her.
+    </p>
+    <p>
+      She was prettier off the stage than on, and her manner was
+      charming, and her voice delicious with its racy accent.
+    </p>
+    <p>
+      She was an American, and had been in London only a few months;
+      and he was duly taken to a second-rate lodging in a side street
+      near the Waterloo Road, and presented to "Ma,"&mdash;a black
+      satined and beaded type of the race. There was also a sister,
+      whom, truth to tell, he objected to more than her maternal
+      relative, for she was distinctly professional, not to say loud,
+      and the little mannerisms which were so taking in his inamorata
+      were very much the reverse in Miss Saidie Blackall.
+    </p>
+    <p>
+      Still, he told himself, he was not going to marry the whole
+      family; which might be true in a sense and yet might not mean the
+      entire independence it implied. Bella's relations must, if he
+      made her his wife, mean more or less to him.
+    </p>
+    <p>
+      However, youth is sanguine, and Jack Chetwynd did not look too
+      closely at the thorns which hedged his dainty rose-bud round. She
+      at least was all he could wish her to be&mdash;unsophisticated as
+      a child, and pure and good at heart.
+    </p>
+    <p>
+      After a month's acquaintance it began to be understood that he
+      was engaged to her. "Ma" wept copious tears, and reckoned her
+      Bella was a lucky girl to get such an "elegant" husband; and
+      Saidie wished him happiness in a voice like a corn-crake, and
+      declared that her sister was "just the sweetest and best girl out
+      of N'York," which she was; "and born to lead a private life,"
+      which she wasn't.
+    </p>
+    <p>
+      Bella herself had very little to say. She blushed rosily when
+      Jack made fervent love to her; acquiesced confusedly when he told
+      her she must give up the music-hall stage, and seemed to take
+      happily to the idea of a quiet, uneventful life as Mrs. Jack
+      Chetwynd.
+    </p>
+    <p>
+      They took a small house in Camberwell New Road. Jack put up a
+      brass plate with his name on it, and M.D. in imposing letters,
+      and invested in a telephone for the accommodation of night
+      callers; and Bella began to busy herself about the furnishing.
+    </p>
+    <p>
+      That was a delightful time. The little bride elect was so excited
+      and eager, and showed herself wonderfully capable, and with quite
+      a pretty taste in draping and ornamenting; but there was a
+      terrible hole in Jack's purse: chairs and tables seemed to cost a
+      mint of money; and the young man sighed and hoped fervently that
+      it would not be long before patients appeared, or he would be
+      obliged to say No to his darling when she turned her appealing
+      eyes upon him and begged him to give her money for that "duck of
+      a screen," or something else that was from her point of view the
+      most extraordinary bargain, but which, Jack reflected, privately,
+      they could very well have done without.
+    </p>
+    <p>
+      He was giving up a certainty in settling in Camberwell, for as
+      House Surgeon at St. Mark's his income was assured; but then as a
+      married man he could no longer have lived at the hospital, and
+      "one must risk something" said Jack, hopefully.
+    </p>
+    <p>
+      They were married in May, just three months from that eventful
+      night when our hero first saw pretty Bella Blackall, on the
+      boards at the "Band Box," and Mrs. John Chetwynd was altogether
+      so sweet and winsome in her simple white gown, that Saidie was
+      right when she hilariously remarked that Jack might well be
+      forgiven for falling in love with her "all over again."
+    </p>
+    <p>
+      The wedding was just as quiet as it could be, for Jack did not
+      care to invite any of his friends. "Ma" and Saidie were
+      altogether too impossible; and unfortunately no one seemed to
+      mind whether he did or not. There was one unpleasantness
+      connected with the day which Chetwynd felt Bella might have had
+      tact enough to avoid. Two or three of Saidie's friends, in light
+      and eminently professional attire, were of the party, the women a
+      good deal worse than the men; and they all returned together to
+      Holly Street, where a meal had been prepared in the front
+      parlours, the landlady having generously placed them at the
+      disposal of her lodgers for the occasion. There was a good deal
+      of banter and side jokes were bandied about from one to another;
+      which was galling to young Chetwynd, and made him devoutly
+      thankful that none of his own companions and friends were
+      present. When at last Bella rose from the table to change her
+      gown for the pale grey he himself had chosen, with the big hat
+      and nodding plumes in which she had looked such a dainty little
+      mortal, he pushed his chair back with a look of disgust on his
+      face and left them to talk amongst themselves.
+    </p>
+    <p>
+      Saidie was distributing small pieces of wedding cake, laughing
+      and screaming at the top of her voice.
+    </p>
+    <p>
+      "Saikes, man! you are not to eat it. Put it under your pillow and
+      as sure as I'm a Yank you'll see your intended," she cried. And
+      then followed an amount of vulgar chaff and coarse pleasantry
+      which caused the "happy man" to set his teeth hard and register a
+      vow at the bottom of his heart that this should be the last
+      occasion on which his wife should associate with her sister's
+      friends.
+    </p>
+    <p>
+      And then Bella came tripping down the narrow staircase, her
+      cheeks warm with a pale pink colour that made her inexpressibly
+      lovely; and the carriage which Mrs. Blackall had insisted upon
+      ordering to take the young couple to the station was at the door,
+      and in the bustle that ensued Jack lost sight of all annoyances
+      and remembered only that he had married the girl he loved and
+      that he was the happiest fellow in the universe; and amid a
+      shower of rice and a white satin slipper (one of Saidie's), which
+      fell right into Bella's lap; the last farewell was spoken, and
+      they drove away.
+    </p>
+    <p>
+      "Only to Brighton!" cried Nina Nankin, the celebrity famed for
+      the height to which she could raise one leg while standing upon
+      the other. "What a mean chap! He might have forked out enough for
+      a trip to Paris, I should have thought."
+    </p>
+    <p>
+      "It wouldn't satisfy me," returned Saidie, turning up her nose
+      disdainfully; "but he isn't my style, anyway."
+    </p>
+    <p>
+      "Bit of a prig, eh?"
+    </p>
+    <p>
+      Saidie nodded.
+    </p>
+    <p>
+      "I do detest a man who fancies himself a head and shoulders above
+      the rest of his kind," said that young lady vehemently; "you'll
+      generally find out he don't amount to a row of pins. My! ain't I
+      glad I'm not going to live with him. I would as lief go to
+      Bible-class every day of the week. I'll bet my bottom dollar
+      Bella'll see the mistake she's made before she's many weeks
+      older. There's a chip of the old block about that young woman,
+      for all her baby ways and her innocent know-nothing. He'll be a
+      spry man, will Dr. Chetwynd, to come up to her. It'll take him
+      all he knows to get ahead, you bet".
+    </p>
+    <p>
+      Saidie lay back in the chair and laughed till the tears ran down
+      her cheeks.
+    </p>
+    <h2 class="chp">
+      CHAPTER II
+    </h2>
+    <p>
+      It was not long before Dr. Chetwynd's eyes were fully open to the
+      mistake he had made and that he realised the fact that you cannot
+      fashion a Dresden vase out of earthenware, and though pinchbeck
+      may pass muster for gold, it does not make it the real article.
+    </p>
+    <p>
+      At first Bella did try her "level best" as Saidie put it, to be
+      all that Jack required of her. She took his lecturings humbly,
+      held her peace when he scolded her (and I am afraid he constantly
+      did), and acknowledged in the depths of her shallow little mind
+      that she fell far short of what his wife should be. But as time
+      went on she grew less solicitous about pleasing him. His standard
+      was an almost impossible one to the very second-rate little
+      American girl, to whom the atmosphere of the "Halls" was far more
+      congenial than the humdrum, quiet life she led in the Camberwell
+      New Road, and she slipped back little by little into the mire out
+      of which he had raised her.
+    </p>
+    <p>
+      "I can never learn to be what he wants me to," she said a little
+      pathetically to Saidie&mdash;"It is like standing on tiptoe all
+      the time trying to reach up to his standard. I'm sick of it. If
+      he loved me well enough to marry me, the same love ought to be
+      strong enough to make him contented with me. After all, I'm the
+      same Bella now that I was then."
+    </p>
+    <p>
+      A word of advice at this juncture might have quieted the poor
+      little wife, and brought her back into safe paths, for she really
+      loved Jack in her heart; but Saidie was not the person to give
+      it. Privately she considered her sister a fool to have put up
+      with this ridiculous nonsense of her husband's as long as she had
+      done; and the line of argument she took was about the worst she
+      could have adopted for the happiness and peace of the Camberwell
+      household.
+    </p>
+    <p>
+      She was a good deal older than Bella, and the girl had been wont
+      to rely upon her in a great measure, and to look up to her as a
+      practical, sensible person, which Bella was quite ready to admit
+      she herself was very far from being; so now, when Saidie spoke in
+      a resolute, determined way, she listened meekly, if she did not
+      in so many words acquiesce in the wisdom and justice of what she
+      said.
+    </p>
+    <p>
+      "As far as I can see, you don't get a bit of fun and happiness
+      out of your life," remarked Saidie, critically examining her
+      features in the glass. "What did you marry him for, I should like
+      to know? You might as well be Bella Blackall, on the boards
+      again, and free, as the wife of a stingy fellow like that."
+    </p>
+    <p>
+      "Oh! Saidie, he doesn't grudge me anything." The young wife felt
+      a little compunction in her heart.
+    </p>
+    <p>
+      "Yes he does." Saidie turned round and faced her sister. "He
+      don't like you to enjoy yourself, not a little bit. He would keep
+      you wrapped up in cotton wool if he could, and if you don't make
+      a stand now, once and for all, and let him see you have a mind of
+      your own and intend to do as you like, you'll regret it to the
+      last day of your life. Who is he, anyway? I guess our family's as
+      good, if we knew anything about them, which we don't, worse luck.
+      Just you give him back his own sauce, Bella, and next time he
+      finds fault with you, laugh in his face and tell him he has got
+      to put up with what he finds, for it ain't likely you can alter
+      your nature to suit his high mightiness. Pitch on a thing or two
+      he does which you don't like, and give him a sermon as long as
+      your arm. You see; he will come off his pedestal. Sakes alive! he
+      ought to have me to deal with; I bet I'd teach him a thing or
+      two."
+    </p>
+    <p>
+      And then Saidie whipped herself off to the "Rivolette," where she
+      sang a doubtful song and displayed her finely turned limbs in a
+      style that would have disgusted her brother-in-law, if he had
+      been there to see.
+    </p>
+    <p>
+      But music halls were not to his liking under any circumstances.
+      He had never really cared for them, even in his bachelor days,
+      and now he would have cut his right hand off rather than be seen
+      with his young wife beside him, at such resorts.
+    </p>
+    <p>
+      Then, too, Dr. Chetwynd felt that it behoved him to be
+      circumspect in all his actions, for his practice was steadily
+      increasing and he was becoming popular, and had serious thoughts
+      of migrating westward. It was a constant source of vexation to
+      him that Bella was not liked as much as her handsome, clever
+      husband, and he began to be painfully alive to the fact that she
+      could not have been received in certain houses whose doors would
+      have been gradually opened to him. In a social sense his wife was
+      a failure, and with a sigh he realised that it was almost an
+      impossibility to show her where the fault lay; he could not
+      always be at her elbow to guard against little solecisms of
+      manner and speech which he knew must jar and grate on others even
+      more than on himself.
+    </p>
+    <p>
+      It went terribly against the grain, for he loved her none the
+      less that his eyes were not blinded to her shortcomings. She was
+      still the same winsome girl he had made his own; large-hearted,
+      gentle and affectionate, but&mdash;and he sighed impatiently, for
+      that something lacking was for ever pulling him back and standing
+      in the way of his own social advancement.
+    </p>
+    <p>
+      He became less demonstrative, less congenial, and his practice
+      made huge demands upon his time, and left but scant opportunity
+      for pleasure-seeking. Lines traced themselves upon his brow and
+      lurked at the corners of his mouth; he aged rapidly, and began to
+      look like an elderly man while Bella was still little more than a
+      girl.
+    </p>
+    <p>
+      On the night of Mrs. Chetwynd's return from the maternal roof
+      (for Mrs. Blackall still lived near the Waterloo Road, and her
+      elder daughter continued to make her home with her), she found
+      her husband, a good deal to her surprise, seated in the
+      drawing-room, gay with flowers and crowded with knick-nacks of
+      every description. He had in his hand a book which he flung down
+      with an annoyed gesture as his wife opened the door.
+    </p>
+    <p>
+      It was perhaps no worse than others of its type, but it had not
+      an honest moral tone and was not therefore, John Chetwynd
+      considered, a desirable work for his young wife's perusal.
+    </p>
+    <p>
+      "Have you read this?" he asked.
+    </p>
+    <p>
+      "No; it is one of Saidie's. Is it interesting?"
+    </p>
+    <p>
+      John Chetwynd's answer was to hurl the volume under the grate
+      with an angry word.
+    </p>
+    <p>
+      Bella flushed.
+    </p>
+    <p>
+      "Why did you do that? I want to read it."
+    </p>
+    <p>
+      "I will not allow you to sully your mind with such filth. It only
+      goes to prove what I have so often told you, that your sister is
+      not a proper associate for any young woman. A book of that
+      description&mdash;faugh!"
+    </p>
+    <p>
+      Bella picked up the offending volume and looked ruefully at its
+      battered condition. "I should have supposed that as a married
+      woman I might read anything," she said with an assumption of
+      dignity.
+    </p>
+    <p>
+      "Why should you be less pure because you have a husband, my
+      child? Don't run away with any such notion."
+    </p>
+    <p>
+      "Well, I will read it and give you my opinion of it."
+    </p>
+    <p>
+      "You will do no such thing. I forbid it, Bella."
+    </p>
+    <p>
+      "In a matter like this I shall judge for myself." Her cheeks were
+      scarlet, and she kept her eyes downbent.
+    </p>
+    <p>
+      "I will not&mdash;"
+    </p>
+    <p>
+      "Bella!"
+    </p>
+    <p>
+      It was the first time in their married life that she had defied
+      him, and he looked at her in utter astonishment.
+    </p>
+    <p>
+      "Yes," she cried, turning on him like a small fury, with the book
+      tightly held in both hands; "I'm not a child to be dictated to
+      and ordered to do this and that. I'm perfectly well able to act
+      for myself and I intend to do so now and always. I'm sick of your
+      eternal fault-finding, and the sooner you know it the better. If
+      it's not one thing it's another. Nothing I do is right and I'm
+      about tired of it."
+    </p>
+    <p>
+      John Chetwynd sat perfectly silent under this tirade. He was a
+      shrewd man, and he knew that Bella had been spending the evening
+      with her own people, and jumped at once to the conclusion that in
+      defying him she was acting by their advice, and his brow grew
+      black and lowering.
+    </p>
+    <p>
+      Then he looked up at Bella, who, a little ashamed of her
+      vehemence, was slowly unbuttoning her gloves, having laid aside
+      the unlucky cause of the battle royal.
+    </p>
+    <p>
+      "My wife," he said kindly, "if you will not act on my advice, let
+      me beg of you to think twice before accepting that of others,
+      since I at least may be credited with having your real good at
+      heart."
+    </p>
+    <p>
+      "And you think that&mdash;you mean to imply that&mdash;"
+    </p>
+    <p>
+      "That your sister has her own ends to serve? Undoubtedly I do."
+    </p>
+    <p>
+      "You are all wrong&mdash;all wrong." But the tell-tale blushes on
+      Bella's face showed him plainly enough that he had been right in
+      his conjecture, and had to thank his wife's relatives for her
+      rebellion and newly developed obstinacy and resentment.
+    </p>
+    <p>
+      "Now, Bella, from to-night I cannot allow you to go to Holly
+      Street: stay," as Bella would have spoken, "you may see your
+      mother here when you please, but you must let your sister fully
+      understand that she will not be welcome. Something surely is due
+      to me as your husband, and that there is no great amount of
+      sympathy between you and Saidie you have said repeatedly;
+      therefore I am asking no great sacrifice of you. Do you hear me,
+      Bella?"
+    </p>
+    <p>
+      "Yes, I hear."
+    </p>
+    <p>
+      "And you will respect my wishes in the matter?"
+    </p>
+    <p>
+      "I don't know," she spoke uncertainly.
+    </p>
+    <p>
+      She was not fond of her sister, as he had said; certainly not
+      sufficiently fond of her to allow her to come between herself and
+      Jack; and yet she felt that it would be unwise and undignified if
+      she were to give in and refuse Saidie admission to their house.
+      She had just declared that she would stand no coercion; and after
+      all, what had poor Saidie done?
+    </p>
+    <p>
+      "I don't think you have any right to keep my people away," she
+      said at last, sullenly. "This is my house as well as yours,
+      remember."
+    </p>
+    <p>
+      "I am not going to argue over it, my dear girl." Dr. Chetwynd
+      rose determinedly from his chair with an expression on his face
+      which his wife had learned to know and dread. "I forbid you to
+      ask your sister here again. I am sorry to have to speak so
+      decidedly; but your conduct leaves me no alternative."
+    </p>
+    <p>
+      And he walked quickly across the floor and the next moment the
+      door closed upon him.
+    </p>
+    <p>
+      "I don't care what he says. I won't be ordered about," flashed
+      out Bella, all that was worst in her nature roused by Jack's
+      resolution. "Saidie is quite right; if I don't put my foot down I
+      shall soon be nothing better than a white slave."
+    </p>
+    <p>
+      "Putting her foot down," certainly had one effect, namely, that
+      of making life anything but a bed of roses for the unfortunate
+      doctor.
+    </p>
+    <p>
+      Never had Bella shown herself so unamiable and unloveable as
+      during the next two days. She hardly addressed her husband and
+      she flounced about the room and tossed her head and hummed
+      music-hall ditties (which she had caught from Saidie) under her
+      breath, and altogether comported herself in the most exasperating
+      fashion.
+    </p>
+    <p>
+      John Chetwynd hardly knew how to act towards her. If he pretended
+      to be unconscious of anything unusual, it would probably provoke
+      her to stronger measures, and yet he was very loth to stir up
+      strife between them, and leant towards the hope that this spirit
+      of fractiousness would die out in time and that Bella would
+      become her loving, tractable self again. But he reckoned without
+      his host.
+    </p>
+    <p>
+      Saidie, who was duly apprised of the condition of things, urged
+      upon her sister to stick to her guns and on no account to yield
+      an inch, and although desperately miserable, Bella took her
+      advice.
+    </p>
+    <p>
+      Returning from seeing a patient a day or two later, Dr. Chetwynd
+      ran into the arms of an old friend, a man he had not seen since
+      his marriage.
+    </p>
+    <p>
+      "Why, Meynell, old chap, where have you dropped from?" he
+      exclaimed, grasping the outstretched hand.
+    </p>
+    <p>
+      "Where have <i>you</i> hidden yourself? is more to the purpose.
+      No one ever sees you nowadays."
+    </p>
+    <p>
+      Dr. Chetwynd smiled.
+    </p>
+    <p>
+      "Perhaps you do not know I am a married man," he said. "Which
+      accounts for a good deal of my time, and as a matter of fact I
+      have but little leisure, for my practice keeps me always at the
+      grindstone."
+    </p>
+    <p>
+      "Doing pretty well?"
+    </p>
+    <p>
+      "Yes, I think I may say I am. Uphill work, of course, but
+      still&mdash;"
+    </p>
+    <p>
+      "And where are you living?"
+    </p>
+    <p>
+      Chetwynd hesitated.
+    </p>
+    <p>
+      "Close by here," he replied the next moment. "Come home with me
+      now, if you have nothing better to do, and allow me to present my
+      wife to you."
+    </p>
+    <p>
+      And they walked on side by side.
+    </p>
+    <p>
+      "You have dined? I am afraid&mdash;"
+    </p>
+    <p>
+      "My dear fellow, I have this moment left the club."
+    </p>
+    <p>
+      Dr. Chetwynd put his latch-key into the lock and ushered his
+      friend upstairs to his wife's pretty drawing-room.
+    </p>
+    <p>
+      But Bella was not there; and finding that she was not in her
+      bedroom, or in fact in the house at all, he rang the bell and
+      questioned the maid as to when her mistress had gone out and if
+      she knew when she would be likely to return.
+    </p>
+    <p>
+      "No, sir, that I'm sure I don't. My mistress never said anything
+      to me."
+    </p>
+    <p>
+      "Well, she is not likely to be away long," remarked the doctor
+      philosophically. "Have a cigar, Meynell."
+    </p>
+    <p>
+      "Thanks, no. Your wife spoils you, Jack, if she allows you to
+      smoke in her pretty little room."
+    </p>
+    <p>
+      "Oh, she will not mind; but we will go down to my den shortly.
+      You see, Meynell, I'm a bit of a Bohemian, although I like to
+      preserve the customs of the civilised world all the same, to a
+      certain extent. But my little
+      wife&mdash;well&mdash;she&mdash;she&mdash;I daresay you may have
+      heard she was on the stage before I married her."
+    </p>
+    <p>
+      "No, indeed I hadn't." Gus Meynell looked a good deal surprised.
+    </p>
+    <p>
+      "Well, I mention it because perhaps she is not quite like the
+      ordinary run of women."
+    </p>
+    <p>
+      Meynell could no longer be blind to the want of ease in his
+      host's manner, and in his turn became proportionately
+      uncomfortable.
+    </p>
+    <p>
+      "Hang it all! A man marries to please himself," he said
+      awkwardly.
+    </p>
+    <p>
+      "She is just the dearest girl in the world," continued Jack
+      Chetwynd, with warmth. "I'm not only fond of her, but proud of
+      her too, but you know&mdash;"
+    </p>
+    <p>
+      "I perfectly understand what you mean. To my idea
+      unconventionality is the most charming thing a woman can have. I
+      hate the bride manufactured out of the schoolgirl. The oppressive
+      resemblance between most of our friends' wives is one of the
+      safe-guards of society."
+    </p>
+    <p>
+      "What is that?" Chetwynd broke in upon his friend's speech with a
+      nervous start and exclamation. The hall door opened with a loud
+      bang and a woman's noisy laugh could be heard as a pelter of
+      high-heeled shoes came along the tesselated hall and then the
+      vision of a pretty girl at the doorway, accompanied by a man and
+      two women.
+    </p>
+    <p>
+      "Hallo, Jack! You are home before me, then."
+    </p>
+    <p>
+      "Bella, my dear, I must introduce you to an old friend of mine:
+      Meynell, my wife."
+    </p>
+    <p>
+      Bella bowed a little coldly.
+    </p>
+    <p>
+      "My sister, Mr. Meynell," she said, seeing that the doctor was
+      looking straight over Saidie's head. "My sister, Miss Saidie
+      Blackall; daresay you have seen her from the front before." Then,
+      looking towards the open door, "Come in, come in. Jack, I think
+      you have already met Mr. and Mrs. Doss."
+    </p>
+    <p>
+      Chetwynd looked terribly annoyed; but there was no choice left
+      for him but to extend his hand and mutter something to the effect
+      that he had not had the pleasure of making the acquaintance of
+      his wife's friends before.
+    </p>
+    <p>
+      "Glad to know you, sir&mdash;not one of us&mdash;not in the
+      profession, I think?"
+    </p>
+    <p>
+      "No&mdash;er&mdash;no," responded Chetwynd feebly.
+    </p>
+    <p>
+      "And the 'appier you, take my tip for it. The wear and tear of
+      the 'alls, sir, no one but a pro can estimate."
+    </p>
+    <p>
+      Here his wife, an over-dressed, showy individual a shade more of
+      a cockney than himself, interposed with a coarse laugh.
+    </p>
+    <p>
+      "Get along, you jolly old humbug, you! You couldn't live away
+      from them&mdash;could he, dear?" addressing Saidie, who was
+      maliciously enjoying the effect that their sudden entrance had
+      produced upon her brother-in-law and his friend.
+    </p>
+    <p>
+      "Ah; you think so, d'ye? that's all you know about it. Give me a
+      nice quiet 'public' with a hold-established trade and me and the
+      missis cosy-like in the private bar; that's the life for yours
+      truly when he can take the farewell ben."
+    </p>
+    <p>
+      "How soon are your friends going to take their leave, Bella?"
+      asked Chetwynd in an undertone to his wife.
+    </p>
+    <p>
+      But Bella turned her back upon him without deigning to give him
+      so much as a word.
+    </p>
+    <p>
+      "I think I had the pleasure of seeing you perform the other
+      night, Mrs. Doss," remarked Mr. Meynell.
+    </p>
+    <p>
+      "Don't she look a figger in tights? now tell the truth and shame
+      the old gentleman: a female as fat as my wife ought not never to
+      leave off her petticoats, that's what I says."
+    </p>
+    <p>
+      "Samuel, fie! You make me blush." His wife coughed discreetly
+      behind her hand. "It's a new departure, I grant; but I've had a
+      good many compliments paid me since I took to the nautical style,
+      I can tell you."
+    </p>
+    <p>
+      "Gammon!" grunted Mr. Doss, with a dissatisfied air. "Did you see
+      her as the 'Rabbit Queen,' sir? My! the patience that woman
+      displayed in the training of them little furry animals would have
+      astonished you. Struck the line, sir, out of her own 'ed! 'I'm
+      going, Samuel,' she said, 'to supply a want.' 'You!' I says.
+      'Me!' says she; 'they have got their serpents,' she says, 'and
+      their ducks, and their pigeons and their kangaroos,' 'What's
+      their void?' said I. 'Rabbits,' she says, and there you are!"
+    </p>
+    <p>
+      "Saidie, why don't you sit down? We will have some supper
+      directly," said Bella.
+    </p>
+    <p>
+      "Oh, my dear, I'm dying for a drink!" cried Miss Blackall,
+      flinging herself in an attitude more easy than graceful into an
+      armchair.
+    </p>
+    <p>
+      Bella opened the chiffonier and produced glasses and a spirit
+      stand.
+    </p>
+    <p>
+      "Saves the trouble of ringing for the servant," she said archly
+      to Meynell.
+    </p>
+    <p>
+      Chetwynd could fairly have groaned; and when his wife put the
+      climax upon everything by drinking out of her sister's glass he
+      could contain himself no longer. "I never saw you touch spirits
+      before," he said, determined that his friend should know that his
+      wife was an abstemious woman.
+    </p>
+    <p>
+      "Ah," she said lightly, "there are lots of things you never saw
+      me do, Jack, which I am capable of, all the same." Whereupon
+      Saidie burst out laughing as at some prodigious joke.
+    </p>
+    <p>
+      "Good for you, Bella! All right, dear! I'm not one to tell tales
+      out of school."
+    </p>
+    <p>
+      "Are you a married man, sir, may I ask?"
+    </p>
+    <p>
+      Doss put his thumbs under his arm-pits and looked scrutinisingly
+      into Meynell's face. "I should say not."
+    </p>
+    <p>
+      "No, I'm a bachelor, and likely to continue one."
+    </p>
+    <p>
+      "Well," remarked Mrs. Doss sentimentally, "I don't know nothing
+      jollier than courting time. Such little ordinary things seem
+      sweet like, then."
+    </p>
+    <p>
+      "Hark at the old girl," chuckled Doss.
+    </p>
+    <p>
+      "You can't kidd me, Doss. You know it, too. I think of our own
+      billing and cooing, sir&mdash;his and mine. I was not a draw in
+      those days; the last turn in the bill at the "Middlesex" was
+      about my mark, and Doss, he hadn't risen, neither. We used to
+      walk 'ome that lovin' up Drury Lane, and Doss, he would say,
+      'fish, Tilda,' and I would say, 'if you could fancy a bit, Sam.'
+      And in he would pop for two penny slices and chips. And
+      eat&mdash;lor', how we did eat. When I look back on that fish,
+      sometimes I could cry. Money and fame ain't everythink in the
+      world, believe me, they ain't. You may be 'appy in your
+      'umbleness."
+    </p>
+    <p>
+      All this was gall and wormwood to John Chetwynd, and he
+      approached his wife again and whispered.
+    </p>
+    <p>
+      "It is getting late&mdash;are these people never going?"
+    </p>
+    <p>
+      "Not until they have had supper, most certainly."
+    </p>
+    <p>
+      "And do you expect my friend to join you?"
+    </p>
+    <p>
+      "You can please yourselves. I don't think either of you would be
+      much acquisition in your present frame of mind. Mrs. Doss,
+      somebody interrupted you; you were talking about a kindred soul
+      and an attic. Money and position are not everything you were
+      saying. I agree with you. Give me an easy life and no stilts."
+    </p>
+    <p>
+      John Chetwynd could stand it no longer.
+    </p>
+    <p>
+      "Madam," he said, addressing Mrs. Doss; "I must really apologise,
+      but Mr. Meynell and I have important business to discuss,
+      and&mdash;"
+    </p>
+    <p>
+      Mrs. Doss might be vulgar, but she was not obtuse. Seeing she and
+      her husband were not wanted, she sprang to her feet.
+    </p>
+    <p>
+      "Sam&mdash;right about face; we must be off 'ome."
+    </p>
+    <p>
+      "Nonsense, you must have some supper before you go," said Bella.
+    </p>
+    <p>
+      "Oh, I think we will be toddling, thanks. Are you coming with us,
+      Saidie?"
+    </p>
+    <p>
+      "No, I'm not," returned that young woman, sturdily. "Since this
+      house is the joint property of Dr. John Chetwynd and his wife, I
+      reckon I shall stop awhile. Bella, you are not going to turn me
+      out, are you?"
+    </p>
+    <p>
+      "Not I. I can't imagine what Jack means by behaving so
+      inhospitably. I hope you will all stop."
+    </p>
+    <p>
+      But Mr. Doss, exceedingly affronted at the slight offered him,
+      had tucked his wife's arm under his own and was already at the
+      door.
+    </p>
+    <p>
+      "Good night, gents. My best respects to you, Mrs. Chetwynd, but
+      we knows who wants us and who doesn't."
+    </p>
+    <p>
+      Bella turned indignantly to her husband. "And you call yourself a
+      gentleman!" she cried.
+    </p>
+    <p>
+      "For heaven's sake remember we are not alone!" whispered Chetwynd
+      in distress, "you have distinguished yourself quite enough."
+    </p>
+    <p>
+      "I don't care&mdash;you have insulted my friends."
+    </p>
+    <p>
+      "Friends!"
+    </p>
+    <p>
+      "Yes, and as good as you or I. What did you marry me for if you
+      are ashamed of my connections?"
+    </p>
+    <p>
+      "I did not marry the whole variety stage."
+    </p>
+    <p>
+      At this juncture Meynell rose.
+    </p>
+    <p>
+      "Awfully sorry, but I must be going old chap, promised to look in
+      again at the club." And Chetwynd did not press him to stay.
+      Humiliated to the last degree, he followed him downstairs.
+    </p>
+    <p>
+      "I have given you a very enjoyable evening, Meynell," he said
+      bitterly.
+    </p>
+    <p>
+      "My dear fellow, what ought I to say?"
+    </p>
+    <p>
+      "I'm damned if I know; I've never visited a friend who made such
+      a marriage as mine. I should have pitied the poor devil
+      profoundly if I had. Good night, old chap."
+    </p>
+    <p>
+      The hall door shut, and Chetwynd went slowly, sorrowfully back to
+      the drawing-room.
+    </p>
+    <p>
+      "I hope you have disgraced me enough to-night," he said stormily.
+    </p>
+    <p>
+      "Where's the disgrace, I should like to know, in inviting a
+      couple of old friends into one's own house?" demanded Saidie
+      aggressively.
+    </p>
+    <p>
+      Chetwynd promptly turned his back upon her. "I am addressing my
+      wife," he said frigidly.
+    </p>
+    <p>
+      "Yes; I would like to see you talking to <i>me</i> in that tone
+      of voice," returned his sister-in-law.
+    </p>
+    <p>
+      "Bella, what have you to say for yourself? Have you no
+      self-respect whatever, and no consideration for your husband's
+      position?"
+    </p>
+    <p>
+      "Oh, I'm sick of hearing about your position," said his wife
+      pettishly. "In the days when you had not any, we were a lot
+      happier. You didn't turn up your nose at my associates when I was
+      on the boards at the Band Box! Everything was charming. You
+      laughed then at what you now call "vulgar," and you thought it
+      good fun, and you would have taken the property man to your heart
+      if I had told you he was my brother. But now I am your wife it is
+      quite a different tale. My friends are too common for you to mix
+      with. By the Lord! I'm not at all certain whether you think
+      <i>me</i> good enough for you, myself."
+    </p>
+    <p>
+      "Bella, Bella!"
+    </p>
+    <p>
+      "Oh! Yes, it is easy enough to look broken-hearted. How dare you
+      turn my friends out of the place? It is you, not I, who have
+      brought disgrace upon us by introducing a stranger here and
+      mortifying and humbling me in front of him. If the Dosses are
+      good enough for me, they are good enough for my husband."
+    </p>
+    <p>
+      "My dear wife, they are not good enough for you. There is the
+      whole truth. Why are you so altered? Why will you not listen to
+      me and take my advice as you used to do? Have you forgotten how
+      happy we once were with each other?"
+    </p>
+    <p>
+      There was a little break in his voice, but Bella was too incensed
+      to heed it.
+    </p>
+    <p>
+      "You mean that you did not abuse me when you had it entirely your
+      own way! Wonderful! Perhaps you did not know that you bored me to
+      death the whole time. And now you have got it at last. I'm tired
+      of your cheap gentility and Brummagem pretensions; sick to death
+      of hearing that nothing I have been used to is "proper." If my
+      world is a second rate one, show me a better. Why don't you
+      introduce me to your own, if it is so vastly superior? Have you
+      done it? Not you! You bury me in this poky little hole and
+      deliberately insult the only friends I have who take the trouble
+      to come and look me up."
+    </p>
+    <p>
+      Chetwynd passed his hand over his brow dreamily. The whole thing
+      was such a shock to him, he could hardly realise it.
+    </p>
+    <p>
+      "I hope you are saying much more than you mean," he said at last.
+      "God knows if you have been dull I never suspected it."
+    </p>
+    <p>
+      "Because I have not grumbled&mdash;because I smiled instead of
+      yawning, and laughed when I felt like crying, you never suspected
+      it! Did you ever ask yourself what amusements you were providing
+      for me while you were out all day? Not for a moment. Men like you
+      never do, when they marry girls like us. You fancy you have been
+      very noble and chivalrous and plucky; but what you have really
+      done is to get what you want and leave me to pay the cost. Once
+      your wife, there was an end of the matter so far as you were
+      concerned, and to marry you was to complete my destiny! I was to
+      sit all day long staring at the four walls, and if I happened to
+      feel lonely, take a look at my marriage certificate to cheer
+      myself up! well&mdash;" she drew a long breath and suddenly left
+      her seat and came quite close to him. "Well," she said again, "I
+      am not satisfied&mdash;do you hear? It may be the height of
+      ingratitude, but it is a fact all the same. I am not content and
+      I have made up my mind (you may as well know it now as at any
+      other time) to go back to the stage. The life suits me and I am
+      going to do it." And then she paused.
+    </p>
+    <p>
+      If she expected her husband to storm and rave, insist and
+      expostulate, she was disappointed. He sat dumb and voiceless, his
+      face buried in his hands, and he did not even look up when, with
+      the air of a victor, Bella marched across the floor, beckoned to
+      her sister, and went up to her own room.
+    </p>
+    <p>
+      "I never gave you credit for such real grit," began Saidie,
+      admiringly; but to her surprise Bella flung herself on the bed
+      and burst into uncontrollable sobs.
+    </p>
+    <p>
+      "I wish I was dead," she cried. "I am a beast&mdash;an ungrateful
+      beast; and I have said what is not true. I have loved him
+      always&mdash;always."
+    </p>
+    <p>
+      "Well, you can't go back from your word now," said Saidie; "You
+      said you would do it."
+    </p>
+    <p>
+      "Yes, and I will." Bella sat up and dried her eyes. "I will go
+      back to the stage; but I did not say I would stop there, and I
+      shan't if I'm not happy, and if it makes a break between me and
+      Jack."
+    </p>
+    <p>
+      "Don't talk like that," cried Saidie disdainfully, "You make me
+      tired!"
+    </p>
+    <h2 class="chp">
+      CHAPTER III.
+    </h2>
+    <p>
+      After this there was a lull; John Chetwynd observed that he had
+      need of more forbearance towards his wilful wife, and tried to
+      exercise it. He told himself that there was love enough and to
+      spare; that with the deep affection he was convinced Bella bore
+      him there was nothing really to fear. She was young and
+      ill-advised, and it behoved him to keep a careful watch over her,
+      and above all things not to draw too tight a rein. As for her
+      threat of returning to her old life and its meretricious
+      attractions, after the first shock he dismissed it from his mind.
+      She had not really intended doing anything of the sort; such a
+      step was impossible. It was a wild idea, born of the excitement
+      of the moment, and unworthy of a further thought, and so he put
+      it aside. Had not the question been argued and threshed out once
+      and for all soon after marriage? He recalled with a curious lump
+      in his throat how she had put her hands into his and said; "Your
+      wishes are my wishes, now and always, Jack." And there had been
+      an end of the matter.
+    </p>
+    <p>
+      "I will wait until the atmosphere has cleared a little," said
+      John Chetwynd, reflectively, "and then I'll tell her that at the
+      end of the year we will leave Camberwell and take a larger house
+      in a better neighbourhood."
+    </p>
+    <p>
+      Thus, out of his love for his young wife, he made excuses for her
+      and took her back to his heart again.
+    </p>
+    <p>
+      And Bella? Jack's conduct puzzled her. She had fully expected
+      that he would be exceedingly angry and displeased, and in her own
+      mind had prepared certain little set phrases which were to
+      impress him with the fact that she intended to do as she pleased
+      and would not allow herself to be dictated to or coerced. And
+      thus it was that on the following morning she came down to
+      breakfast with it must be confessed a forbidding look upon her
+      pretty face and a defiant air about her bearing. But all her
+      newly formed resolves were put to flight when Jack came towards
+      her and deliberately kissed the lips which she vainly tried to
+      withhold.
+    </p>
+    <p>
+      "Bella, you and I love each other too well to quarrel," he said
+      kindly; "let us forget all that happened last night."
+    </p>
+    <p>
+      What could she say? In spite of herself she felt that she was
+      yielding; and though she did not meet him half way as he had
+      fondly anticipated she would do, still she allowed him to draw
+      her into his arms and did not repulse his caresses.
+    </p>
+    <p>
+      She might have shown a more generous spirit, it is true. Since he
+      had tacitly acknowledged that they had been mutually to blame,
+      she might have offered something in the shape of an expression of
+      regret; but peace in any shape and at any cost Chetwynd felt he
+      must have.
+    </p>
+    <p>
+      But Bella had by no means surrendered her determination of going
+      on the stage again, and was already with Saidie's assistance on
+      the look-out for an engagement. It would be difficult to define
+      her feelings towards her husband at this juncture. That there was
+      still a veiled hostility John Chetwynd could not fail to see; but
+      in his newly formed resolution to be patient and forbearing, he
+      simply ignored it and diligently cultivated a kindly, gentle
+      bearing, interesting himself in her little domesticities and the
+      general routine of her everyday life. This amused Bella
+      intensely, and although she would not have acknowledged it,
+      perhaps touched her a little.
+    </p>
+    <p>
+      Why had he not done this before? And having been careless and
+      indifferent once, why was he not so still? For this is how it was
+      with Bella; she was learning to compare her husband with her
+      lover, and be very sure the former suffered by comparison.
+    </p>
+    <p>
+      "Les absents ont toujours tort" and Saidie found so much to say
+      and said it in such a contemptuous, scornful way to Howard
+      Astley, about her sister's husband, that perhaps there was some
+      little excuse for the young man's impression that Bella Chetwynd
+      would be vastly better off under his protection than amid her
+      present surroundings.
+    </p>
+    <p>
+      "The man was a brute," Miss Blackall declared.
+    </p>
+    <p>
+      Poor John Chetwynd! Not only was he far removed from being a
+      brute, but he was also miles above the man whom Saidie delighted
+      to honour, and whose addresses and attentions she thrust upon
+      Bella at every turn.
+    </p>
+    <p>
+      At first, to do her justice, the young wife shrank back dismayed.
+      Beyond his handsome face, Howard Astley had but little to
+      recommend him, and after listening to his commonplaces and
+      enduring the fulsome compliments it pleased him to pay, she would
+      hurry home with tingling pulses and a shamed heart to
+      Jack&mdash;Jack, who had once been all the world to her.
+    </p>
+    <p>
+      Once! Oh, and such a little time ago! After all, how little she
+      had to complain of in the man who had made her his wife!
+    </p>
+    <p>
+      He was "uninteresting," wrapped up in his profession, "dull."
+      That was all, but it meant a very great deal to Bella. It meant
+      everything; and the sluggish conscience which just at first had a
+      word or two to say in his defence, gradually went to sleep again
+      and troubled its owner no longer.
+    </p>
+    <p>
+      Why should she not enjoy herself as other women of her age did?
+    </p>
+    <p>
+      Why, indeed? She did not intend to do anything that was really
+      wrong, or even unbecoming in her position as Jack's wife; but
+      still she was resolved on extracting the utmost amount of
+      amusement possible out of life, and thus with slow, subtle
+      drifting and unconscious eyes&mdash;eyes that would not see their
+      peril&mdash;she reached the point where temptation steps in.
+    </p>
+    <p>
+      It was his wealth that dazzled her.
+    </p>
+    <p>
+      She did so long to be rich. John was apt to be mean about
+      trifles, but this man&mdash;the man she allowed to make love to
+      her&mdash;was a very prodigal in his liberality. He spent money
+      like water. He rarely came empty-handed. Probably he knew the
+      manner of woman he had to deal with, and Bella hid the trinkets
+      away with a guilty blush; they were not much good to her after
+      all, for she did not dare to wear them, lest Jack should ask
+      awkward questions concerning the source from whence they came.
+    </p>
+    <p>
+      "I never can do anything I like," said Bella with a pout.
+    </p>
+    <p>
+      And then there came a night when John Chetwynd found the pretty
+      drawing-room deserted and his wife flown.
+    </p>
+    <p>
+      The hours went by and as she did not return he grew seriously
+      uneasy.
+    </p>
+    <p>
+      Where could she be? When eleven o'clock struck he put on his hat
+      and, terribly though it went against the grain, started for Holly
+      Street&mdash;she might be at her mother's.
+    </p>
+    <p>
+      No, Mrs. Blackall had not seen her, she said; and she looked
+      searchingly into her son-in-law's face as she spoke. "Did Dr.
+      Chetwynd really not know where she was?"
+    </p>
+    <p>
+      "No, madam, or assuredly I should not be here."
+    </p>
+    <p>
+      The doctor spoke with some heat; that there was something behind
+      all this was very evident, and he naturally objected to being
+      made a fool of.
+    </p>
+    <p>
+      "You don't know, then, that Bella is on at the Tivoli?"
+    </p>
+    <p>
+      John Chetwynd sat down suddenly. This news literally took his
+      breath away.
+    </p>
+    <p>
+      It was not possible that Bella had taken such a step without his
+      knowledge or sanction. He looked up with such hopeless misery
+      written in his white face that Mrs. Blackall could not help a
+      certain pity for her son-in-law, although in her opinion he had
+      brought the thing upon himself, and the very compassion she felt
+      for his suffering had the effect of making her more harsh and
+      unsympathetic.
+    </p>
+    <p>
+      "What did you expect?" she asked. "As a man of the world could
+      you really imagine that a young, high-spirited girl like my
+      daughter would content herself with the life you tried to chain
+      her down to? She had had just taste enough of the admiration and
+      applause of a public life to get a liking for it, and in an
+      instant it is all taken away and nothing given her in its place.
+      It ain't commonsense, it&mdash;"
+    </p>
+    <p>
+      "It may not be," said Chetwynd wearily; "but there are women
+      nevertheless to whom home and husband are all-sufficient and who
+      ask for nothing beyond."
+    </p>
+    <p>
+      "You made a great mistake, Mr. Chetwynd, when you&mdash;"
+    </p>
+    <p>
+      "I did," he interrupted quickly; "you are perfectly right; I did
+      when I believed my wife and your daughter to be one of these.
+      Well," and he rose wearily, "she has put a barrier between us
+      to-night that can never be broken down."
+    </p>
+    <p>
+      "Tut, tut, man; you have got your duty to do by her, and I'll
+      take good care you do it. She is doing no wrong to join her
+      profession again."
+    </p>
+    <p>
+      "Our ideas as to right and wrong probably differ. I am certainly
+      not going to argue the point, nor do I wish to shirk what
+      responsibility I took on my shoulders when I married. But if it
+      is upon your advice she has acted in this matter, ask God to
+      forgive you for the cruel wrong you have done us both!"
+    </p>
+    <p>
+      Then he picked up his hat and went out of the house. It was long
+      past midnight when Bella returned; but late though it was, she
+      knew by the lights in the drawing room that her husband was
+      waiting up for her, and with an impatient sigh, determined to get
+      her lecture over, she ran lightly up-stairs.
+    </p>
+    <p>
+      He was there, sitting in her own cosy armchair, and he looked
+      round expectantly as the door opened.
+    </p>
+    <p>
+      "Well," she said nervously, stripping off her gloves, and
+      avoiding meeting his stern, sad gaze. "I daresay you wonder where
+      I have been and what has kept me so late; but, my dear old Jack,
+      you will have to give up the bad habit of sitting up to all hours
+      for me, for I'm likely to be late most nights now."
+    </p>
+    <p>
+      She paused for a reply, but none came. Her easy assurance
+      staggered him; he could hardly believe that this self-composed,
+      glib-spoken young woman had been at one time his diffident, shy
+      little love. The unhappy man found it very hard to reconcile the
+      two. "Why don't you speak?" she asked impatiently, facing him in
+      a defiant manner; and as he looked up at her he noticed for the
+      first time that she had grown older and had lost all at
+      once&mdash;at least, so it seemed to him&mdash;the rounded,
+      childish look from her sweet face and involuntarily a sigh broke
+      from him.
+    </p>
+    <p>
+      "One would think I had committed a crime," cried she in disdain,
+      and then, catching her skirts up, she broke into a step dance,
+      humming a popular music-hall air.
+    </p>
+    <p>
+      "Stop&mdash;do you hear me?&mdash;this instant stop!" the devil
+      in him burst out; he could restrain himself no longer.
+    </p>
+    <p>
+      "Woman! What are you made of?" he cried in a voice of thunder,
+      and she, shrinking back a little, fell half frightened into a
+      chair. He never could quite remember afterwards what he did say.
+      He tried with rough eloquence, that might have moved a heart of
+      stone, to show her what it was she was doing, to appeal to her
+      better, nobler self, to her love for him; he implored and
+      entreated her to give up this new life&mdash;for his sake.
+    </p>
+    <p>
+      He had nothing better to urge than that, poor fool! It weighed
+      with her as just so much chaff. The time had gone by when his
+      words would have touched her; they glided lightly over what she
+      called her "heart" now and left no impression there.
+    </p>
+    <p>
+      And then he went on his knees beside her and prayed her to grant
+      him this one boon; he poured out a flood of feverish words,
+      hardly pausing to think; he tried to paint an alluring picture of
+      their life in the future: they would leave Camberwell, he said;
+      she should go where she liked if she would but listen to reason;
+      it would ruin him in his profession, he pleaded, if she persisted
+      in returning to the stage. As he talked the pretty face grew
+      harder and older. Bella had made up her mind, and the man beside
+      her had not the faintest power to sway her by his reproaches or
+      entreaties.
+    </p>
+    <p>
+      And then he stumbled to his feet and stood waiting for his
+      answer.
+    </p>
+    <p>
+      It came at last, clear and cold, falling like pellets of ice upon
+      his impatient fervour.
+    </p>
+    <p>
+      "The thing is done now, and all the talking in the world will not
+      alter it."
+    </p>
+    <p>
+      "And that is your last word to me&mdash;your husband?"
+    </p>
+    <p>
+      Finding she did not speak, he walked across the floor, turning at
+      the door, hoping against hope, but she lay back as still as if
+      she were dead.
+    </p>
+    <p>
+      When he had gone, Bella opened her eyes and held up her hand
+      curiously. It was wet with&mdash;what?&mdash;tears.
+    </p>
+    <p>
+      Her eyes were bright and dry.
+    </p>
+    <p>
+      For a moment something of the old feeling swept over her.
+    </p>
+    <p>
+      Poor Jack! She half rose, then sank back again.
+    </p>
+    <p>
+      It was too late, she was thinking; as if it were ever too late to
+      make amends, to atone, while we have still breath and life!
+    </p>
+    <p>
+      "It is all for the best, anyhow," she murmured after awhile, and
+      when philosophy is well to the fore, love hides its diminished
+      head.
+    </p>
+    <h2 class="chp">
+      CHAPTER IV.
+    </h2>
+    <p>
+      Six months wore themselves away; six months in every day of which
+      John Chetwynd lived a year, measured by the anxiety and misery it
+      held for him. He could no longer delude himself into the belief
+      that Bella loved him, for all her actions went to prove the
+      contrary. But her end just once gained, there were no more
+      bickerings and disputes&mdash;she even condescended to consider
+      her husband's wishes, when they did not clash or interfere with
+      her own. But night after night he sat alone with the hateful
+      consciousness that the woman who bore his name was parading her
+      charms to Dick, Tom and Harry; in fact, to anybody who chose to
+      pay his shilling for the privilege of contemplating them. It was
+      in moments such as these that the iron entered his soul and there
+      was no escape from it; he must bear his burden as many a better
+      man had borne it before him. And thus it was he buried himself in
+      his profession, working with a will and vigour that astonished no
+      one so much as himself. He was rapidly becoming a popular man.
+      Through sheer good luck (as he really believed it to be) he had
+      diagnosed one or two cases with an ease and accuracy which not
+      only filled his purse beyond his utmost expectations, but helped
+      him up the ladder of fame at an amazing rate. But when emboldened
+      by success, and always remembering the fact that however wilful
+      and oblivious she might be, she was still to all intents and
+      purposes the wife of his bosom and equally interested with
+      himself in all his undertakings, he recounted his triumphs and
+      declared his intention of leaving Camberwell forthwith and
+      settling in Camelot Square, Bella smiled, yet proved in no way
+      elated at the intelligence.
+    </p>
+    <p>
+      "So, my dear, you can go as soon as you like and fix upon a
+      house," he said.
+    </p>
+    <p>
+      Bella yawned and stretched her arms above her head.
+    </p>
+    <p>
+      "Oh, you will know much better than I what is required," she
+      replied.
+    </p>
+    <p>
+      "Have you, then, no interest in our new home?" he asked, more
+      hurt than he could well have expressed.
+    </p>
+    <p>
+      "Do you ever show the slightest interest in what concerns me?"
+      she retorted.
+    </p>
+    <p>
+      He winced. "This is a mutual interest, surely, since we must
+      occupy it together."
+    </p>
+    <p>
+      "Must?" she echoed dreamily.
+    </p>
+    <p>
+      "What do you mean?" he asked sharply.
+    </p>
+    <p>
+      "Nothing, except that 'must' is the word I have banished from my
+      vocabulary," and she smiled at him&mdash;actually smiled, though
+      she must have known she was stabbing him to the very heart.
+    </p>
+    <p>
+      He said no more; and indeed, words seemed to be useless.
+    </p>
+    <p>
+      So he chose the house himself,&mdash;one that could not fail to
+      please Bella, he felt exultantly. She would be less than woman if
+      she were not glad to exchange the second-rate little dwelling in
+      the Camberwell New Road for the substantial residence, with its
+      modern improvements and embellishments in such a neighbourhood as
+      Camelot Square.
+    </p>
+    <p>
+      It was not perhaps a palace, but it was a very great deal more
+      imposing than anything they had dreamt of in the early days of
+      their married life, and yet John Chetwynd told himself with a
+      sigh that he would gladly give up fame and prosperity to win back
+      the old love-light in his wife's eyes.
+    </p>
+    <p>
+      And there are some among us who cannot love for so
+      little&mdash;"Of man's love a thing apart." Perhaps John Chetwynd
+      would have been a happier man had he been one of these.
+    </p>
+    <p>
+      Even the task of furnishing fell to the doctor's lot. Bella did
+      not refuse, nor did she object to accompany him on what he might
+      have naturally supposed would be a congenial task for her, but
+      she showed herself so indifferent throughout that, after an
+      effort or two to make her contented, he gave it up, and it ended
+      in his carrying the whole thing through himself.
+    </p>
+    <p>
+      And he was not sorry when at length it was completed. On the
+      morrow he would bring Bella to her new home.
+    </p>
+    <p>
+      He stood under the bright lighted chandelier and looked round
+      him. The carpet was thick and soft. Bella liked carpets her feet
+      could sink into, she had once said. There by the fireplace was
+      the most luxurious easy chair he could purchase, upholstered in
+      her favourite colour, pale blue. He pictured the dainty figure
+      nestling in it, and a little glow stirred at his heart. After
+      all, she was his wife, his fondly loved wife, and who could tell?
+      Perhaps with the old life, old feuds would die out and with the
+      new, joy and happiness dawn for them both once more.
+    </p>
+    <p>
+      John Chetwynd was not a religious man; he rarely went to church
+      and he never prayed; but now he covered his face with his hands,
+      and his lips moved inaudibly.
+    </p>
+    <p>
+      He was asking for a blessing on the new life, and there was
+      something like a tear in his eye and a suspicious huskiness in
+      his voice as he called out "Come in" in answer to a hurried knock
+      at the door and flung open the lid of a grand piano which was
+      littered with music and songs, running his hands over the keys
+      and smiling a little.
+    </p>
+    <p>
+      The piano was to be a surprise: Bella knew nothing about it.
+    </p>
+    <p>
+      Perhaps it would keep her more at home, for she was very fond of
+      music.
+    </p>
+    <p>
+      It had cost more than he ought to have paid, but still it was for
+      her.
+    </p>
+    <p>
+      "Come in, Mrs. Brewer&mdash;what is it? I'm just off. You will
+      have us both here to-morrow at this time for good and all, I
+      hope."
+    </p>
+    <p>
+      "Indeed, sir, and I'm glad to hear it. Things do look most
+      beautiful, and no mistake."
+    </p>
+    <p>
+      The good soul shambled across the floor and held out a letter
+      wrapped in the corner of her apron.
+    </p>
+    <p>
+      "A boy brought it, sir, half an hour ago, but I clean forgot it,
+      and that's a fact."
+    </p>
+    <p>
+      "Never mind. It is probably of no importance."
+    </p>
+    <p>
+      But it was. By-and-by his eyes fell on it as it lay where Mrs.
+      Brewer's hard-working fingers had placed it, on the edge of a
+      little gaily-lined work table destined to hold Bella Chetwynd's
+      cotton and needles, and to his astonishment he observed it was in
+      his wife's handwriting.
+    </p>
+    <p>
+      Ah! written just before she started for the&mdash;&mdash;.He
+      caught it up and tore it open. The next instant it fluttered from
+      his hold.
+    </p>
+    <p>
+      For fully ten seconds John Chetwynd sat spell-bound, and then he
+      broke into a laugh&mdash;mirthless, hollow.
+    </p>
+    <p>
+      "And I prayed to my God to send his blessing
+      on&mdash;our&mdash;future," he said in a dull, mechanical manner.
+      "Well, the last act is played out and they may ring the curtain
+      down. From to-night I believe neither in woman, Heaven, nor hell,
+      save that which each man makes for himself."
+    </p>
+    <p>
+      Bella had turned her shapely back on the apotheosis of
+      respectability for a life of excitement and the protection of
+      another man. Nobody was surprised but John himself.
+    </p>
+    <p>
+      Everybody had predicted it months ago. The only astonishing
+      feature of the scandal was, that it had not occurred before.
+    </p>
+    <p>
+      The one other thing people found surprising was the callousness
+      with which the injured husband took it.
+    </p>
+    <p>
+      It had always been believed that what love there was, was on his
+      side, but now&mdash;
+    </p>
+    <p>
+      Well, it is indeed an ill wind that blows us no good. If
+      notoriety was what John Chetwynd desired, he got it in full
+      measure, well pressed down and brimming over; his waiting room
+      was besieged, for many patients flocked there, wide eyed in
+      scrutiny, martyrs to symptoms discovered or invented for the
+      occasion.
+    </p>
+    <p>
+      Of course he would divorce her. And he did.
+    </p>
+    <p>
+      In due course he obtained his decree <i>nisi</i>, which later on
+      was made absolute.
+    </p>
+    <p>
+      Bella's picture no longer stared him in the face from every
+      hoarding, and the newspaper advertisements knew her no more. She
+      had gone back to the States, and by-and-by was forgotten on this
+      side the Atlantic.
+    </p>
+    <p>
+      Now and then he was disagreeably reminded of her existence.
+    </p>
+    <p>
+      Once in the Club a young fellow to whom Chetwynd was personally
+      unknown stretched himself behind a newspaper and muttered, "Bella
+      Blackall Wasn't that the name of Dr. Somebody's wife who ran away
+      with another fellow?"
+    </p>
+    <p>
+      "Yes, Bella Blackall was my wife," John Chetwynd answered with
+      unruffled equanimity, picking up the paper which the other had
+      thrown down. "She used to be rather a clever dancer, too."
+    </p>
+    <p>
+      And he calmly perused the line which included her name among some
+      well known American stars touring in the provinces.
+    </p>
+    <p>
+      "And he never turned a grizzled hair! I give you my word I felt
+      more over the thing than he did," remarked Captain Hetherington
+      afterwards; "without exception the most cold-blooded individual
+      ever met."
+    </p>
+    <p>
+      But John Chetwynd was far from being this. He had felt his wife's
+      desertion far too deeply to show his scars, nor was he a man to
+      wear his heart upon his sleeve; but as time went by and the utter
+      callousness of Bella's conduct came home to him, he realised to
+      the full that she was unworthy of a single pang, and he became
+      reconciled to the inevitable. His profession claimed every spare
+      moment, and for a man ill at ease there is no specific like hard
+      work. By-and-by as the years rolled on, another distraction
+      presented itself. He became interested in one of his patients,
+      the only daughter of the Duke of Huddersfield, Lady Ethel
+      Claremont, and this interest blossomed into something stronger
+      and warmer&mdash;something that at last he dignified by the name
+      of love, though he was by no means without misgivings as to
+      whether it could ever really lay claim to the title.
+    </p>
+    <p>
+      Certain it was that there was no more of the old exultation about
+      his heart that had formed so large a part of his former
+      courtship; there were no extravagances, no quickened
+      pulses&mdash;rapture's warmth had yielded to the mildest of
+      after-glows; but there was no reason that it should not prove as
+      satisfactory in the long run. It is an open question whether the
+      doctor, popular though he undoubtedly was, would have been
+      considered an eligible suitor from the maternal point of view,
+      had it not been that just about this time fortune elected to
+      bestow another favour upon him; his career had reached its apex,
+      and (again through sheer good luck, as John Chetwynd modestly
+      declared) he was offered a baronetcy.
+    </p>
+    <p>
+      Now, every man is flattered and gratified that his merits should
+      be recognised, and Chetwynd was no exception to the general rule,
+      but there were a good many bitters mingled with the sweets, and
+      the hidden thorn among the rose-leaves had a nasty trick of
+      obtruding itself. This step in social advancement materially
+      helped his cause with Lady Ethel, and the Duchess of Huddersfield
+      deigned to smile graciously upon her future son-in-law.
+    </p>
+    <p>
+      Ethel Claremont was an excellent girl, precisely the type he
+      ought to marry. Decorous, with an ease and repose about her
+      manner that were eminently patrician, she would be even more
+      admirable as a wife than as a <i>fiancée</i>, but he could have
+      found it in him to wish that she were just a little less
+      faultless, a little more "human," he would have said, only that
+      the word has not a pleasant ring; yet it was not easy to
+      substitute another unless it were "womanly."
+    </p>
+    <p>
+      "Pshaw!" he cried angrily, "who am I that I should be exacting,
+      with such a past, such a history? and yet I am ready to quarrel
+      with perfection, I who can never be grateful enough! A little
+      wealth and the love of a charming woman&mdash;what more can I
+      possibly desire? It is strange how soon one becomes accustomed to
+      changes in life, and how quickly an emotion fades into a memory.
+      If I could but feel as I felt when I was struggling along
+      battling with the hundred and one difficulties which beset the
+      path of a poor man, instead of having to remind myself
+      perpetually what my emotions were then, there would be some
+      excitement in the contrast. I&mdash;I wonder&mdash;what she is
+      doing? Is she alive or is she dead? What does it matter? But at
+      times the doubt will come whether&mdash;no, no; it is
+      wicked&mdash;I was always good to her. I loved her, and she
+      dishonoured me. The book is closed for ever, and I am weak when I
+      reopen it."
+    </p>
+    <h2 class="chp">
+      CHAPTER V.
+    </h2>
+    <p>
+      Since the thing was to be, there was nothing to be gained by
+      postponement. So decided the Duchess, and however fond of airing
+      her own sentiments and securing her own way Lady Ethel might be,
+      on ordinary occasions, for once she raised no objection. She was
+      perfectly willing that her marriage with Sir John Chetwynd should
+      take place at once. Perhaps in her home Lady Ethel was not quite
+      the plastic lay figure she was wont to appear in public, and the
+      Duchess had spoken to her most intimate and confidential friends
+      of the approaching nuptials with almost a sigh of relief, and a
+      whispered word.
+    </p>
+    <p>
+      "She has indeed been very difficult to manage, and really, though
+      I am speaking of my own daughter, I never can quite understand
+      Ethel; she is not like other girls. It will be a huge
+      responsibility shifted from my shoulders when she is married."
+    </p>
+    <p>
+      And everybody had wondered what the girl had seen in Sir John,
+      that he should have taken her fancy. To the outside world and to
+      those who had not come within the immediate charm of his manner
+      and bearing, it did offer food for speculation, and since his
+      engagement he had grown greyer and stiffer and more
+      professionally precise than ever.
+    </p>
+    <p>
+      But he suited Lady Ethel, or she fancied he did; which answered
+      the purpose quite as well. She had always detested very young
+      men; she liked a man whom she could look up to and lean upon, and
+      certainly this she could do with perfect faith as regarded her
+      <i>fiancé</i>. Now Duchesses are no more exempt from the weary
+      ills which weak flesh is heir to than their less favoured
+      brothers and sisters, and in the early summer the Duchess began
+      to complain of certain aches and pains and to bethink her that
+      Sir John's advice might be worth following; so she drove over to
+      Camelot Square and was shown into the waiting room with the rest
+      of his patients. She had some little time to wait, and while the
+      Duchess sat tapping her foot impatiently at the delay, Ethel
+      looked round the spacious apartment and decided on certain
+      improvements she would effect when she should preside over John's
+      establishment.
+    </p>
+    <p>
+      And then the door was flung open, and Soames, the eminently
+      correct footman, ushered them into his master's presence.
+    </p>
+    <p>
+      The Duchess advanced gushing a little.
+    </p>
+    <p>
+      "So good of you to see us so soon! I was positively timid at
+      coming without an appointment, even with Ethel."
+    </p>
+    <p>
+      "It is you who are good, Duchess, to give me such an unexpected
+      pleasure."
+    </p>
+    <p>
+      Sir John touched Ethel's cheek lightly with his lips and motioned
+      his visitors to be seated.
+    </p>
+    <p>
+      "Now is not that a pretty speech from a professional man! Ah, you
+      lovers, you are all alike, and when you are married&mdash;Ah!
+      then you are all the same."
+    </p>
+    <p>
+      "What an accusation! I hope Ethel does not credit it, or I shall
+      never be permitted an opportunity of refuting such a calumny."
+    </p>
+    <p>
+      "I know too well how highly Mamma thinks of you, John," said
+      Ethel, prettily.
+    </p>
+    <p>
+      "Well, I admit it&mdash;I do admire you immensely&mdash;I admire
+      your power, your position, your ability to make an income&mdash;a
+      large income, sitting comfortably in an arm chair. And then there
+      is such solidity in a doctor's profession&mdash;people are always
+      ill."
+    </p>
+    <p>
+      "Mamma is ill herself," broke in Lady Ethel, "and that is why we
+      have intruded to-day."
+    </p>
+    <p>
+      "I hope it is nothing serious, my dear Duchess."
+    </p>
+    <p>
+      "How sweet of you! Ah, I am a martyr! I have hay fever to such a
+      distressing extent that I am positively ashamed to go into
+      society."
+    </p>
+    <p>
+      Her daughter laughed.
+    </p>
+    <p>
+      "We were at the Opera last night, and Mamma's sneezes were most
+      <i>mal-à-propos.</i> It was very embarrassing."
+    </p>
+    <p>
+      "Yes, I am convinced that Romeo glowered at me, and at church on
+      Sunday it was such a charming sermon, so encouraging and tactful,
+      I sneezed violently in the man's best moments. At my age I cannot
+      consent to become a public infliction, yet I feel I am a
+      nuisance."
+    </p>
+    <p>
+      "Mamma said, as soon as we got home&mdash;'I shall go and consult
+      Sir John,'" cooed Ethel.
+    </p>
+    <p>
+      "And now you can cure me?" The Duchess looked anxiously into the
+      grave face opposite.
+    </p>
+    <p>
+      "I have not the slightest doubt you will be entirely recovered in
+      a few days at most," said Sir John reassuringly; "you have caught
+      a severe cold."
+    </p>
+    <p>
+      "Nothing of the sort, I assure you. I have had colds before, and
+      I know better."
+    </p>
+    <p>
+      "What, better than your doctor?" The stern face relaxed, and Sir
+      John laughed.
+    </p>
+    <p>
+      "Well, better than my future son-in-law. Now I beg you not to be
+      obstinate. Give me something potent&mdash;one of those drugs that
+      work such instantaneous wonders."
+    </p>
+    <p>
+      "I fear they are not in the Pharmacopoeia."
+    </p>
+    <p>
+      "I don't think it is kind of you to discourage me."
+    </p>
+    <p>
+      "But if I make you well in a week, will not that satisfy your
+      Grace?"
+    </p>
+    <p>
+      "I shall be radiant."
+    </p>
+    <p>
+      "I will write you a prescription."
+    </p>
+    <p>
+      "Thanks! What an invaluable husband you will make with all that
+      knowledge at your finger ends! I need have no misgivings as to
+      Ethel's health, and she has always been so subject to chills. The
+      risk of entrusting one's daughter to an unobservant man is
+      shocking, but to a physician! To have for one's daily companion a
+      great and renowned doctor, what an advantage&mdash;what a
+      security!"
+    </p>
+    <p>
+      "Really, mamma, to hear you talk one would suppose that I was an
+      invalid, and I never remember to have suffered from anything
+      worse than the measles."
+    </p>
+    <p>
+      "When Ethel comes to me she will be guarded as sacredly as a girl
+      can be."
+    </p>
+    <p>
+      Sir John smiled kindly at his betrothed.
+    </p>
+    <p>
+      "I have made but a few protestations of what I feel for her;
+      perhaps I am more reserved than I should be, but I am no longer a
+      boy. I doubt whether I ever was very romantic, even in my younger
+      days, but I think that she and I understand each other, and if we
+      don't tiff and 'make it up,' if we have been engaged three months
+      and have never had a quarrel, that does not mean that my
+      affection is not most sincere and deep."
+    </p>
+    <p>
+      "I should hope we like each other too well to quarrel," said Lady
+      Ethel haughtily.
+    </p>
+    <p>
+      Like! After all, was it love on either side? Sir John asked
+      himself.
+    </p>
+    <p>
+      "My dear Sir John," broke in the Duchess pompously. "A few words
+      from such a man as yourself impress me more profoundly than
+      rhapsodies from another. Ethel, just look out of the window and
+      see if the carriage is waiting. We are going to take the
+      Lancaster girls to the Academy, and Payne has driven round to
+      fetch them while we had our consultation with you."
+    </p>
+    <p>
+      "Yes, mamma, it is there."
+    </p>
+    <p>
+      "I will follow you in a minute, Ethel; say good-bye to
+      John&mdash;," and when the door had closed upon her daughter, she
+      began hurriedly:
+    </p>
+    <p>
+      "It is hardly the time and place perhaps, but you will pardon
+      that. I&mdash;really, it is very awkward. Can you not help me,
+      Sir John? The weeks are slipping by, and I should, I confess,
+      like to make my arrangements for leaving home, but until I know
+      definitely what yours are&mdash;."
+    </p>
+    <p>
+      "Mine?"
+    </p>
+    <p>
+      "Yes; yours and Ethel's."
+    </p>
+    <p>
+      A light broke in upon Sir John's somewhat obtuse mind. He had no
+      desire to expedite matters, but then he was not the principal
+      person to be consulted, and it certainly was not for him to raise
+      any objection, so he acted immediately on the hint given him.
+    </p>
+    <p>
+      "My dear Duchess, what can I say? The matter rests entirely in
+      your hands. Let it be when you please. In another month I shall
+      be comparatively free, and we can visit Switzerland if Ethel
+      wishes."
+    </p>
+    <p>
+      The Duchess smiled. "That you must arrange with Ethel herself,
+      and perhaps you had better broach the subject yourself to her.
+      Girls are apt to be a little curious on these points."
+    </p>
+    <p>
+      "Then I will ask her to fix the day for our marriage." He bowed
+      with old-fashioned gallantry over the pearl-grey suede, held out
+      in farewell, and the Duchess rustled away with Soames, the
+      deferential, in close attendance.
+    </p>
+    <p>
+      Soames did not like the idea of a mistress, but these "accidents"
+      he was well aware, would happen in the best regulated families,
+      so he was now bent on making friends with the Mammon of
+      Unrighteousness in the shape of the Duchess of Huddersfield and
+      the bride elect.
+    </p>
+    <p>
+      Left alone, Sir John stood upright, his hand on the back of his
+      chair and his brows tightly drawn together.
+    </p>
+    <p>
+      Well, why not? What possible excuse could he make to his own
+      heart for the delay?
+    </p>
+    <p>
+      None, none. And yet he felt a good deal as if a thunderbolt had
+      fallen from the skies at his feet, and it was more or less of a
+      shock to him.
+    </p>
+    <p>
+      Presently he rang his bell.
+    </p>
+    <p>
+      "Who comes next, Soames?"
+    </p>
+    <p>
+      "Lady Rutherven, Sir John, but&mdash;but a lady who has no
+      appointment has been waiting for more than an hour, and I thought
+      perhaps you would see her first. She seems very ill."
+    </p>
+    <p>
+      "Show her in!"
+    </p>
+    <p>
+      A second later the door swung open again and Soames announced:
+    </p>
+    <p>
+      "Miss Blackall!"
+    </p>
+    <p>
+      Sir John started, but recovered himself in the next instant.
+    </p>
+    <p>
+      "Take a seat, madam."
+    </p>
+    <p>
+      He waved her to a chair and for several minutes they looked at
+      each other without speaking. The woman was the first to break the
+      silence.
+    </p>
+    <p>
+      "I have come back," she said with a nervous laugh. "I am ill; I
+      thought you might try to cure me."
+    </p>
+    <p>
+      She had seated herself, but he remained standing.
+    </p>
+    <p>
+      What a handsome woman she had become, he was thinking, and how
+      expensively dressed! There was something strange in the very
+      familiarity of the countenance presented to him. It had altered
+      much from what he remembered it, but curiously enough he
+      remembered it the more vividly because of that very alteration.
+    </p>
+    <p>
+      "What is your trouble?" he asked huskily&mdash;"Why have you
+      consulted&mdash;me?"
+    </p>
+    <p>
+      "It is my lungs. I don't know&mdash;let us call it a whim. I
+      thought you would do me good if anyone could." She paused a
+      second: "You used to be my husband once."
+    </p>
+    <p>
+      "Once! Well, I am willing to be your doctor."
+    </p>
+    <p>
+      "I suppose you would do your best for a dog if it were dying,
+      wouldn't you? though you might not care if it recovered."
+    </p>
+    <p>
+      "I have a very faithful dog," he said significantly.
+    </p>
+    <p>
+      Bella winced.
+    </p>
+    <p>
+      "Dogs ask so little for their love. Oh, I didn't come here
+      without a struggle. And I knew you would speak like this. But I
+      have been abroad so long, and on the voyage home I got worse, and
+      women&mdash;women of your sort who had taken no notice of me,
+      suddenly grew kind. I said to myself, 'Bella, it looks bad for
+      you when ladies forget how common you are,' and then the thought
+      struck me, London meant you! As a patient I might come to your
+      house and be let in. You are clever and you are great; if I had
+      any self-respect I could not ask you; but I have not, you know; I
+      never had any and'&mdash;and&mdash;I am&mdash;frightened! It
+      keeps me awake at nights, the fear. I&mdash;I am not going
+      to&mdash;die?"
+    </p>
+    <p>
+      "I have said I will do what I can for you."
+    </p>
+    <p>
+      "You will sound me?"
+    </p>
+    <p>
+      "Loosen your dress."
+    </p>
+    <p>
+      As he bent over her she raised her hand as if to smoothe his
+      hair, and the colour came into her face, but she did not touch
+      him.
+    </p>
+    <p>
+      Her fingers, from which she had drawn her gloves, were laden with
+      rings&mdash;rings which he had not given her. His breath came a
+      little faster as he stooped over her neck.
+    </p>
+    <p>
+      "Don't be scared to tell me the truth," she said; "I guess I'm
+      pretty bad. You need not take the trouble to lie about it."
+    </p>
+    <p>
+      He examined her thoroughly and replaced the stethoscope before he
+      spoke.
+    </p>
+    <p>
+      "Your lungs are not right. They used to be."
+    </p>
+    <p>
+      "Oh," she replied bitterly, "I used to be. I have come too
+      late&mdash;is that what you mean?"
+    </p>
+    <p>
+      "I mean that you must exercise great care and avoid excitement.
+      Don't brood&mdash;don't worry yourself by misgivings, which will
+      only do you harm. Go away from England when the summer is over;
+      go where the sun shines and the air is mild. Lead a life of ease
+      and indolence. I can say no more."
+    </p>
+    <p>
+      "And then?"
+    </p>
+    <p>
+      "And then I see no reason why you should not live for years to
+      come."
+    </p>
+    <p>
+      Bella flung her hands out with a sort of despair.
+    </p>
+    <p>
+      "Your prescription is impossible," she said dully.
+    </p>
+    <p>
+      "Impossible?"
+    </p>
+    <p>
+      "I have only just come over from the States. I have an engagement
+      at the Empire for six months. I have got to stay."
+    </p>
+    <p>
+      "You will be very unwise. The laws of health demand that you
+      should cancel any such contract."
+    </p>
+    <p>
+      "Beggars can't be choosers. I must sing to live. It is my trade
+      now."
+    </p>
+    <p>
+      He sighed. "You do not look as if you were in pecuniary
+      difficulties."
+    </p>
+    <p>
+      "Well, I make money easily enough, but it melts like ice cream;
+      everything is so beastly dear."
+    </p>
+    <p>
+      "Are you not with&mdash;him?"
+    </p>
+    <p>
+      "Him? Oh no; he left me years ago. I am alone&mdash;very much
+      alone. It seems sometimes as if I had spent the best part of my
+      life alone. I am so dull I&mdash;I wonder why I dread to die.
+      There! I can follow your advice so far as this; I'll take the
+      greatest care of myself&mdash;in London. I am glad I came to you,
+      though it does not seem to have delighted you much. I suppose
+      if&mdash;if I had run straight and stayed with you, I might have
+      been quite well, eh?"
+    </p>
+    <p>
+      "That is difficult to say. Bella, have you&mdash;it is a foolish
+      question, but&mdash;have you ever regretted?"
+    </p>
+    <p>
+      She laughed recklessly.
+    </p>
+    <p>
+      "Oh, as to that&mdash;what is the good of looking back, anyhow? I
+      have and I haven't&mdash;when I have been sick it has been awful
+      lonesome. You didn't grieve much, that's certain. And you got
+      your title soon after I went. It was lucky for you. Scot! I
+      should have been Lady Chetwynd if I had stopped with you,
+      wouldn't I?"
+    </p>
+    <p>
+      "You would have been an honest woman."
+    </p>
+    <p>
+      "Ah!" She rose from her chair and looked curiously round the
+      room. "I remember those bronzes," she said; "they used to hang in
+      your little library in the old house. You are a good deal changed
+      in the face; your manner is just the same. You were always a good
+      fellow, I will say that. I know it better than I used to now I
+      have had so&mdash;since I have been&mdash;"
+    </p>
+    <p>
+      "Hush&mdash;the past is dead. I was not so patient and tender
+      with you as I should have been."
+    </p>
+    <p>
+      "You saw that&mdash;you had made a mistake, but you tried to hide
+      how sorry you were&mdash;I know you did that and I&mdash;well, I
+      didn't marry you to make you sorry. Do you know how we
+      lived&mdash;he and I, when I left you? He took me to Paris; and
+      didn't we make the dollars spin, the pair of us&mdash;rather; and
+      then one fine morning we heard a beastly bank had gone smash and
+      he had lost pretty well all he had got."
+    </p>
+    <p>
+      "And you left him?"
+    </p>
+    <p>
+      A smile curled the corners of her mouth.
+    </p>
+    <p>
+      "No," she said, slowly; "I didn't. We took two little rooms over
+      a baker's shop in the High Street, Islington, and I stuck to him.
+      I used to go out in an evening and do the marketing with a hand
+      basket, to get it cheap. When we wanted a change we would take a
+      bus to the Park and look at the swells across the railings; and
+      sometimes Saidie gave us tickets for the theatres. Seems odd,
+      don't it? but it's a fact. I was livelier then than ever I've
+      been in my life. While he was fond of me&mdash;he showed me he
+      was fond of me, you see."
+    </p>
+    <p>
+      "You were capable of love, then, after all?" he said bitterly.
+    </p>
+    <p>
+      "I don't know. I loved the freedom I think, anyway, and perhaps I
+      took him with it. I don't know! what does it matter? It was a
+      release for you and you are glad that it happened, eh? now that
+      the shame of it is forgotten? We were never suited to each other,
+      were we?"
+    </p>
+    <p>
+      "Why speak of what is past?"
+    </p>
+    <p>
+      "You see, if I had remained with you I should have been no
+      happier," said Bella, reflectively; "you expected too much from
+      me."
+    </p>
+    <p>
+      "I did my best to make you happy."
+    </p>
+    <p>
+      "Yes, perhaps! then if I had been more grateful and different,
+      would you be glad if I was with you still?"
+    </p>
+    <p>
+      "I cannot answer that question. I loved you&mdash;I had no
+      thought for any human being outside yourself."
+    </p>
+    <p>
+      "But now," she persisted, "now that the wound is old, do you not
+      say to yourself, 'it was better so'? Suppose that you and I were
+      still what we were once to each other, would you be happy to know
+      that I was your wife to-day?"
+    </p>
+    <p>
+      "I beg you to be silent. It is impossible that we can discuss
+      such a question."
+    </p>
+    <p>
+      She came close to his chair.
+    </p>
+    <p>
+      "I am," she said with a sort of feverish eagerness, "no more of a
+      lady now than I was then. I am just what I used to be when I made
+      you ashamed of my ignorance and my mistakes. But if I were pure,
+      if I had never been divorced, if I were standing here your
+      faithful wife, would you be glad?"
+    </p>
+    <p>
+      "Hush! You are paining yourself and me."
+    </p>
+    <p>
+      "Jack!"
+    </p>
+    <p>
+      "For God's sake be still!"
+    </p>
+    <p>
+      She fell on her knees beside him.
+    </p>
+    <p>
+      "Jack, say you would be glad."
+    </p>
+    <p>
+      "If you had never left me, if you had remained my faithful wife,
+      heaven knows that I should be a happier man!"
+    </p>
+    <p>
+      Bella burst into tears and sobbed convulsively, then pressed her
+      handkerchief to her mouth. It was bright with blood when she
+      withdrew it.
+    </p>
+    <p>
+      "Oh, be careful of yourself," said John Chetwynd, terribly moved;
+      "you must do what I advise."
+    </p>
+    <p>
+      "I'll try. I wonder why you should care one way or the other. It
+      is more than I deserve&mdash;you make me so sorry and ashamed. I
+      shall never see you any more, shall I?"
+    </p>
+    <p>
+      "I cannot."
+    </p>
+    <p>
+      "No; I understand, I ought not to ask you. Well, good-bye. There
+      is my address if you should take a notion to come. It is only a
+      six months' engagement over here, and if I'm not long for this
+      wicked world, I may not live to finish it. Keep my card. If one
+      day you should feel that you could come&mdash;just once. You
+      don't hate me?"
+    </p>
+    <p>
+      "Hate you? No."
+    </p>
+    <p>
+      "I dare not ask you to forgive; but I begin to know and feel what
+      my action towards you really meant. Jack, see I am on my knees.
+      Forgive me!"
+    </p>
+    <p>
+      "I do. I forgive. If I was hard to you; if, as you say, I
+      expected and exacted too much from you, may God forgive me."
+    </p>
+    <p>
+      The tears were still raining down Bella's cheeks.
+    </p>
+    <p>
+      "Kiss me, Jack."
+    </p>
+    <p>
+      He shrank back. "You must not ask me that. I cannot."
+    </p>
+    <p>
+      "Is it that you despise me so utterly?"
+    </p>
+    <p>
+      "No, no; you don't understand. I&mdash;"
+    </p>
+    <p>
+      "Kiss me."
+    </p>
+    <p>
+      "Why do you make me speak? I am going to be married again. I
+      kissed her&mdash;a young girl&mdash;in this room half an hour
+      ago. I could not outrage her trust in me."
+    </p>
+    <p>
+      A sort of stung expression came into the face of the kneeling
+      woman and she staggered to her feet.
+    </p>
+    <p>
+      "You are going to take another wife! My God! I never
+      thought&mdash;I never dreamt. It seemed
+      so&mdash;so&mdash;impossible. I hope she will make you happier
+      than I did."
+    </p>
+    <p>
+      "Oh, hush, hush!"
+    </p>
+    <p>
+      "She is one of your own class&mdash;a lady? What is her name?"
+    </p>
+    <p>
+      "I would rather not mention it. Give me your hand and let us part
+      in peace."
+    </p>
+    <p>
+      "Tell it me," she pleaded. "What name do you call her by?"
+    </p>
+    <p>
+      "Ethel."
+    </p>
+    <p>
+      "Ethel and Bella. Ah, Ethel is far the nicer name. We didn't
+      think once that you would ever be telling me you were going to be
+      married to someone else, did we? It feels queer, and it hurts
+      me&mdash;a little, I think. Good-bye, Jack. I see now why you
+      could not kiss me&mdash;it would not be right of you. She is a
+      young girl and she might find it hard to forgive you if she knew.
+      I am going. You used to have a bell on your table, I recollect,
+      with a little white knob that you pressed when Mary was to go to
+      the hall door. Do you use it still? Oh, I see. Let me press it
+      instead of you, may I? I sha'n't feel so much as if you were
+      turning me out. Good-bye." She said the word lingeringly,
+      tenderly. "Say 'Bella' once again, for the sake of old times."
+    </p>
+    <p>
+      Jack Chetwynd took the slender trembling hand in his with God
+      knows what of anguish and pity stirring at his heart.
+    </p>
+    <p>
+      "Good-bye&mdash;Bella."
+    </p>
+    <p>
+      And the door fell to.
+    </p>
+    <p>
+      She was gone.
+    </p>
+    <p>
+      He could hear her hollow cough as she passed down the tesselated
+      corridor.
+    </p>
+    <h2 class="chp">
+      CHAPTER VI.
+    </h2>
+    <p>
+      It was two days later. Sir John Chetwynd sat in his big easy
+      chair with an open letter before him. "We are surprised to have
+      seen and heard nothing of you," wrote the Duchess; "more
+      especially as after the few words we had in private upon a
+      certain important matter, I fully anticipated an early visit from
+      you. But such a busy man as yourself and one so much in request,
+      both socially and professionally, must not be judged by the rules
+      which govern the common herd, I suppose; at the same time
+      (although I assure you she has not said a word upon the subject)
+      I can say that dear Ethel feels herself a wee bit neglected. You
+      must have been <i>professionally</i> engaged last night, I
+      presume, since we were obliged to dine without you and go to see
+      Sarah Bernhardt alone."
+    </p>
+    <p>
+      He had spent the whole evening in his consulting rooms, totally
+      forgetting his promise to escort his <i>fiancée</i> and her
+      mother to the theatre.
+    </p>
+    <p>
+      Well, he would see them both on the morrow and make his peace,
+      and then&mdash;he dropped his head on his hands and fairly
+      groaned. It was useless to argue with himself, to bring
+      commonsense to bear upon the point, to count up the advantages to
+      be derived from this union with Lady Ethel; look at it which way
+      he would, the fact remained the same, that he had no longer the
+      remotest desire to marry again.
+    </p>
+    <p>
+      The knowledge had certainly come tardily, but not the less
+      surely.
+    </p>
+    <p>
+      He did not, he told himself, love Lady Ethel as a man should love
+      the wife of his bosom. Middle-aged, worn, and unemotional though
+      he might be, he knew that he was yet capable of a much deeper
+      feeling than she had evoked and he had wakened to a realisation
+      of this since he had again seen Bella.
+    </p>
+    <p>
+      He was no fool; he was, on the contrary, a shrewd, clever,
+      quick-witted man of the world and it was impossible to shut his
+      eyes to the trouble. He thought of Bella as she was when he had
+      first married her; he recalled their courtship, her pretty half
+      shy, half tender ways&mdash;the girlish prettiness which time had
+      turned into shame.
+    </p>
+    <p>
+      She had left a scrap of lace on his table for her throat or her
+      veil&mdash;Heaven knew what&mdash;and his eyes grew blurred and
+      dim as he gazed at it. He repeated mentally phrases which had
+      fallen from her, piecing them together and trying to weave the
+      pattern of her life out of the fragments.
+    </p>
+    <p>
+      She had changed pathetically. She had acquired the manner that
+      her sister used to have, and which he had so strenuously objected
+      to&mdash;the slangy, devil-may-care tone, the total absence of
+      which in the old days had made his little sweetheart so
+      conspicuously different from her environment. She wore now the
+      impress of evil, from her Regent Street hat to her Paris gown.
+      Manifestly she had risen in her vocation, but he knew that her
+      salary alone had never supplied the costume or the rings, and his
+      heart ached.
+    </p>
+    <p>
+      That night he sat at the Duchess of Huddersfield's table facing
+      his <i>fiancée</i>, and for the first time he wondered if
+      sang-froid or perfect equanimity were all that a man such as
+      himself might desire. She was, as Bella had put it, "One of his
+      own class&mdash;a lady," which she had never been, poor Bella!
+      but he did wonder just a little how much of real heart beat under
+      the dainty laces that shrouded Lady Ethel's bosom. He had
+      reflected once and not so long ago that that portion of a woman's
+      anatomy was superfluous, but he wavered in his belief now. He
+      could stake his professional honour, his hopes of
+      eternity&mdash;of&mdash;everything&mdash;on the absolute purity
+      of this girl; nothing would ever tempt Lady Ethel to swerve ever
+      so little from the path of rectitude and decorum. The cold, proud
+      patrician face spoke for itself, and yet&mdash;he was in a brown
+      study when the voice of his prospective mother-in-law brought him
+      out of the clouds.
+    </p>
+    <p>
+      "And now," she said in a significant tone and with a glance full
+      of meaning, "now I suppose you young people have lots to talk
+      about, and will forgive me if I run away."
+    </p>
+    <p>
+      And the silken draperies swept themselves across the floor and
+      the door closed softly upon her Grace.
+    </p>
+    <p>
+      Ethel lay back in a low, lounging chair with a big ostrich
+      feather fan in her hand, and she looked up expectantly into her
+      lover's face. There was nothing else for it, and he took the
+      plunge valiantly&mdash;and with precisely the correct amount of
+      maidenly hesitancy, Lady Ethel named a day for their marriage.
+      And then&mdash;somehow there seemed nothing more to be said; each
+      sat silent.
+    </p>
+    <p>
+      Sir John felt rather than saw his companion yawn behind her fan,
+      and realised desperately that he must break the silence.
+    </p>
+    <p>
+      "Ethel," he said gently; "I am old compared with yourself, and
+      grave and sad even beyond my years; are you sure I can make your
+      future happy?"
+    </p>
+    <p>
+      She looked at him with a good deal of surprise, and a frown
+      puckered her smooth brow.
+    </p>
+    <p>
+      "Why not? Why should we wish for rhapsodies and commonplace
+      love-making? We can leave all that to the Chloes and Daphnes of a
+      by-gone age. It would be boring to the last degree. One must take
+      pleasure just as much as sorrow, with a certain amount of
+      equanimity. If there is one thing more than another that I hate,
+      it is to be ruffled. Emotion of any sort ages a girl so
+      terribly."
+    </p>
+    <p>
+      The sword would never wear out the scabbard so far as Lady Ethel
+      was concerned! He doubted if she were capable of any great depth
+      of feeling. But he did not say now as he would have done a week
+      ago&mdash;"So much the better;" he no longer felt that it was
+      altogether desirable.
+    </p>
+    <p>
+      He looked at her more scrutinisingly than he had ever done
+      before, and for the first time he told himself that the
+      beautifully moulded mouth was hard and unloving, and that the
+      chin spoke of self-will and an amount of resolution unusual in
+      such a young girl.
+    </p>
+    <p>
+      He hastened to change the subject.
+    </p>
+    <p>
+      "You would like to visit Switzerland or Italy?" he asked.
+    </p>
+    <p>
+      "No; I don't care for scenery much, or nature! I like human
+      nature best; it is much more interesting, I consider. I should
+      prefer Paris or Vienna."
+    </p>
+    <p>
+      "Then Paris or Vienna let it be, by all means," he hastened to
+      reply, and Lady Ethel smiled, well pleased.
+    </p>
+    <p>
+      "Mamma," said Sir John's <i>fiancée</i> an hour or two later,
+      when mother and daughter were alone. "Do you know who Mrs.
+      Chetwynd was?"
+    </p>
+    <p>
+      "My dear Ethel, it is much better that subject should not be
+      discussed."
+    </p>
+    <p>
+      "I don't agree with you. Since I am going to marry John it can
+      only be right and proper that I should be made aware of every
+      detail connected with his former marriage."
+    </p>
+    <p>
+      When Lady Ethel adopted that tone, her mother knew by past
+      experience that it was a saving of time and temper to yield.
+    </p>
+    <p>
+      "I only know that she was beneath him in position&mdash;a dancer,
+      I believe, and she ran away with someone else. Really
+      providential, I consider; it must have been a happy release for
+      poor Sir John."
+    </p>
+    <p>
+      "He was plain Mr. Chetwynd."
+    </p>
+    <p>
+      "Yes; but already very popular. It was exceedingly fortunate that
+      he did not get his baronetcy earlier, for had he done so, she
+      would probably have refused to be faithless."
+    </p>
+    <p>
+      "I wonder if he felt her desertion much?"
+    </p>
+    <p>
+      "The world says not; they had lived unhappily for some time
+      before, and the general impression was that he did not care in
+      the least."
+    </p>
+    <p>
+      "But you spoke of her to him when he asked your consent to our
+      marriage?"
+    </p>
+    <p>
+      "Yes, Ethel, I did; I referred to it as delicately as possible,
+      of course. I believe I said, 'your early misfortune,' or
+      something to that effect."
+    </p>
+    <p>
+      "And what did he say?"
+    </p>
+    <p>
+      "Well, he spoke very nicely; he said he was aware that it added
+      to the disparity between a man in his position and my daughter."
+    </p>
+    <p>
+      "And you?"
+    </p>
+    <p>
+      "I believe I replied that because a bad woman had caused him
+      misery and suffering in the past, it was no reason why he should
+      not win and hold the love of a good girl, and that because of the
+      sorrow he had endured, I felt the more assured in trusting my
+      child's happiness into his keeping."
+    </p>
+    <p>
+      "That was sweet of you, mother; but did it not occur to you that
+      there was just&mdash;a little risk?"
+    </p>
+    <p>
+      "How?"
+    </p>
+    <p>
+      "I don't think that John is a man who would forget easily."
+    </p>
+    <p>
+      "Good Heavens, child! what do you mean? you cannot doubt the
+      sincerity of his protestations of affection for you, surely?"
+    </p>
+    <p>
+      Her daughter laughed.
+    </p>
+    <p>
+      "I certainly do not wish him to be more demonstrative, mother
+      dear; love-making is the most boring process imaginable; but
+      still, I should prefer, I must confess, that there was no
+      under-current of feeling for wife number one."
+    </p>
+    <p>
+      "You amaze me, Ethel, by suggesting such a horrible idea. The
+      woman may be dead for anything I know; at all events, she left
+      England before he obtained his divorce, and no one has heard
+      anything of her since. It is extremely improbable that she will
+      ever return to this country."
+    </p>
+    <p>
+      But in this, as we know, the Duchess was in grave error.
+    </p>
+    <p>
+      At that very moment Bella was sitting by the open piano in her
+      cosy apartments in a street off the Strand, idly striking a note
+      here and there and humming the air of a new song; but her cough,
+      which was incessant, made singing almost out of the question.
+    </p>
+    <p>
+      "I believe I'm getting worse," she cried, rising and flinging
+      herself on the sofa, "I'm sure I was not so bad as this three
+      months ago&mdash;not so bad when&mdash;he never came. Ah! why
+      should he? How could I expect it? Perhaps to-day may have been
+      his wedding day! Come in."
+    </p>
+    <p>
+      The door opened noisily, and Saidie Blackall, very much
+      over-dressed and distinctly rouged and made up, entered, followed
+      by Mr. and Mrs. Doss, looking precisely the same as on that
+      memorable night when they had been the innocent cause of so much
+      trouble to Bella's husband. The old music-hall singer and his
+      wife had lost no time in looking her up when she returned from
+      the States, and were really well-meaning, kindly folk.
+    </p>
+    <p>
+      "Hallo, Bella, you look done up!"
+    </p>
+    <p>
+      "I am," admitted the girl wearily. "It was as much as I could do
+      to pull through to-night, and I have got a beastly new song to
+      tackle."
+    </p>
+    <p>
+      "I don't like your cough, my dear," said Mrs. Doss, looking
+      distressed; "it shakes you to bits."
+    </p>
+    <p>
+      "I've got a little more cold, I fancy; but I'll be all right in a
+      day or two."
+    </p>
+    <p>
+      "You're not looking the thing&mdash;I saw you from the front
+      to-night&mdash;and&mdash;well, I guess it was a bit of a heffort
+      to sing at all, eh?"
+    </p>
+    <p>
+      Bella turned quickly and looked sharply into Mr. Doss's face.
+    </p>
+    <p>
+      "If you have got anything disagreeable to say, don't be afraid,
+      out with it. I suppose you have jumped to the notion that I'm
+      dying?"
+    </p>
+    <p>
+      She tried to laugh, but it was a piteous attempt, and ended in a
+      fit of coughing which left her white and trembling in every limb.
+    </p>
+    <p>
+      "There, there!" cried Mrs. Doss, compassionately; "you must not
+      excite yourself; we will do the talking, and you keep quiet."
+    </p>
+    <p>
+      Bella lay back on her cushions, weak and exhausted, and when the
+      Dosses at length went away she gave a sigh of relief.
+    </p>
+    <p>
+      "What did they come for to-night?" she said thoughtfully.
+    </p>
+    <p>
+      "Well, Bella, Doss had heard a bit of bad news and thought it as
+      well to put you on your guard; but finding you like this put it
+      out of his head, I suppose."
+    </p>
+    <p>
+      "Bad news? What do you mean? He's not married, is he?"
+    </p>
+    <p>
+      Saidie stared at her.
+    </p>
+    <p>
+      "Not that I know of&mdash;why, he would have you to-morrow; you
+      know that as well as I do! you are treating him in a rough way;
+      there's no mistake about it."
+    </p>
+    <p>
+      Bella fell back again relievedly.
+    </p>
+    <p>
+      "Oh, you're talking about Charlie, are you?" she said.
+    </p>
+    <p>
+      "Who should I be talking about? There isn't no one else as wants
+      to make an honest woman of you, is there?"
+    </p>
+    <p>
+      The shaft fell short of its mark. Bella did not even wince.
+    </p>
+    <p>
+      "Well, it strikes me, my girl, you'll have to fall in with his
+      views," Saidie continued presently; "for if what has come to
+      Doss's ears is true, you'll be out of a berth before you can say
+      Christopher Columbus."
+    </p>
+    <p>
+      "What on earth do you mean?"
+    </p>
+    <p>
+      "The management are getting dissatisfied, and we know what that
+      means."
+    </p>
+    <p>
+      The pale face flushed poppy red.
+    </p>
+    <p>
+      "They can't help themselves," she said eagerly. "I have a
+      contract for six months. They cannot cancel it, you must know
+      they can't, and it's not very likely I shall allow myself to be
+      played fast and loose with as the fancy takes them."
+    </p>
+    <p>
+      "But if you're not able to fulfil your share of the
+      contract&mdash;"
+    </p>
+    <p>
+      "Who says I am not?" cried Bella fiercely. "Old Robertson is a
+      fool, and if he thinks I'm going to put up with any hanky-panky,
+      he's jolly well mistaken. Let him try it on, that's all! I should
+      immediately take steps to enforce my rights, the law is on my
+      side, that's clear enough."
+    </p>
+    <p>
+      "I don't know! You heard what Doss said&mdash;about how you
+      looked from the front; and others have got their eyesight as well
+      as him, and can see you are not well and not&mdash;"
+    </p>
+    <p>
+      "Not fit to sing&mdash;that's what you are driving at?"
+    </p>
+    <p>
+      Saidie was silent.
+    </p>
+    <p>
+      "I tell you I will sing. Nothing and no one shall stop me. I
+      shall just defy them all, and go on, and there's no law in
+      England to stop me."
+    </p>
+    <p>
+      "If you are not a goose, Bella, I never saw one! What in all the
+      world keeps you on the boards, I cannot see. Here's a man come
+      over from N'York with the intention of marrying you; a man who is
+      earning his hundred dollars a week, and you turn up your nose at
+      him. I can't understand you. You seemed proud enough of him a
+      week or two back; but now all on a sudden, for no earthly reason,
+      you show him the cold shoulder."
+    </p>
+    <p>
+      "I suppose I can please myself," answered Bella, and her lip
+      quivered, and the tears began to roll down her cheeks.
+    </p>
+    <p>
+      "I wish to God I had never left&mdash;Jack," she said weakly.
+    </p>
+    <p>
+      Whereupon Saidie gave her what she was pleased to call a "piece
+      of her mind" as to the insane folly of any such speech, the
+      result of which was that Bella wept and coughed herself into a
+      state of collapse, and had to be carried off to bed.
+    </p>
+    <p>
+      Things did not mend. Bella persisted, ill though she was, in
+      appearing night after night in public until at length what Saidie
+      had predicted came to pass, and she received a formal notice
+      cancelling her engagement at the Empire on the ground of the
+      extreme delicacy of her health.
+    </p>
+    <p>
+      Mr. and Mrs. Doss happened to be with her at the time she
+      received the notice, and Bella partially appealed to them.
+    </p>
+    <p>
+      "You will help me, won't you? You won't allow them to impose upon
+      me so shamefully. They have no right to do it. It's
+      infamous&mdash;'annul my engagement' indeed! They shall find out
+      who they are dealing with. It would be ruin for me, it would
+      simply spoil my career. I shall go down at once and see
+      Robertson. It's a likely thing that I'm going to sit down calmly
+      and quietly and accept my dismissal. Not if I know it. I'll give
+      Robertson beans."
+    </p>
+    <p>
+      "I wouldn't do it if I were you," said Mrs. Doss quietly.
+    </p>
+    <p>
+      "Not do it; what do you mean? You must be dreaming. It is the
+      only thing to be done."
+    </p>
+    <p>
+      And now Mr. Doss, obeying a pathetic glance of his better half,
+      put in his oar.
+    </p>
+    <p>
+      "Be a bit patient; wait and see how things turn out; don't do
+      anything in a 'urry&mdash;that's our advice&mdash;the old gal's
+      and mine."
+    </p>
+    <p>
+      "Yes, take things heasy, I say," chimed in the "Rabbit Queen."
+    </p>
+    <p>
+      "I don't see what there is to wait for. Show me what is to be
+      gained by waiting, and I will consider it."
+    </p>
+    <p>
+      "Well, Bella; Doss here will tell you what we was thinking of; he
+      puts things clear like."
+    </p>
+    <p>
+      "What was in our mind was to talk the thing over first. Allus
+      talk the matter well over, was my motto as a boy. It saves a peck
+      o' bother and a deal o' doing. Don't flare out about it, but take
+      it gently and conversational."
+    </p>
+    <p>
+      "Fussing over things won't make you no better," echoed Mrs. Doss.
+      "Lor', bless me, didn't I have a sister what killed herself
+      fussing! Fussed herself into the grave, she did! And might have
+      been here, leastways in Camberwell&mdash;alive and hearty at this
+      minute."
+    </p>
+    <p>
+      "The question is&mdash;am I too ill to fulfil my engagement? and
+      I say 'no,'" cried Bella, angrily.
+    </p>
+    <p>
+      "And me, the missis and me&mdash;we says, certainly you are, and
+      so heverybody says. You want a thorough rest, and then you will
+      pick up again."
+    </p>
+    <p>
+      "That may be your opinion; it is not mine! you may talk till
+      doomsday; you won't convince me. I may surely be allowed to be
+      the best judge of my own state of health. I shall not wait a
+      day&mdash;not an hour. I'm going at once down to Robertson to
+      have the matter out with him."
+    </p>
+    <p>
+      The distressed pair exchanged glances, and then Mrs. Doss said in
+      a coaxing way, "If you must go, you will let me come with you, my
+      dear."
+    </p>
+    <p>
+      Bella hesitated.
+    </p>
+    <p>
+      "If you're on my side and mean to stick up for me, all right; but
+      if you're going to hum and haw and look grave, and take the part
+      of the management, you had best stay away."
+    </p>
+    <p>
+      Mrs. Doss tucked Bella's arm within her own and trotted upstairs
+      to the bedroom, where Bella arrayed herself in total silence, and
+      her friend, beyond a vigorous sigh or two, was mute also.
+    </p>
+    <p>
+      Mr. Robertson was disengaged, and the ladies were at once ushered
+      into his presence.
+    </p>
+    <p>
+      "Now then," began Bella, dashing into her subject, "I have come
+      to know what all this means. You cannot dismiss me at a moment's
+      notice, and you know it just as well as I do. Ain't you satisfied
+      with me?"
+    </p>
+    <p>
+      "Perfectly. It is no question of that sort&mdash;but in your
+      present state of health you are not up to your work, and there
+      was no other alternative."
+    </p>
+    <p>
+      "Oh!" said Bella disagreeably, "does anybody else say I am not up
+      to work except you?"
+    </p>
+    <p>
+      "My dear Miss Blackall, I regret that this has been necessary. I
+      am exceedingly sorry that we brought you over from America and
+      then are compelled to terminate your engagement so soon, but in
+      your present condition&mdash;"
+    </p>
+    <p>
+      Mr. Robertson flung out his hands with an eloquent gesture.
+    </p>
+    <p>
+      "Well, look here; I'll give up my dance&mdash;that does shake me
+      a bit, I'll grant; but you must let me sing the new
+      song&mdash;you really must; I'm a nailer at it and I'll wrap up!
+      My cough will soon go: give me another chance!"
+    </p>
+    <p>
+      Her cheeks were flushed with excitement and her eyes were
+      sparkling&mdash;she really did not look so very ill this morning;
+      perhaps after all, things had been exaggerated. Mr. Robertson
+      wavered. Bella was quick to see her advantage and to press it.
+    </p>
+    <p>
+      "Withdraw your notice," she said, "and let me come on for one
+      song only for a week or two."
+    </p>
+    <p>
+      "It would really be better, I think, if you were to have an
+      entire rest for a month or so."
+    </p>
+    <p>
+      "Yes, for someone else to step into my shoes! Thank you for
+      nothing."
+    </p>
+    <p>
+      "I will pay you a fortnight's salary in lieu of longer notice;
+      and if you are desirous of returning to your friends in the
+      States, perhaps something might be arranged."
+    </p>
+    <p>
+      "I have no friends here or there," said Bella simply; "my
+      profession is all I have."
+    </p>
+    <p>
+      "Well, well, we'll give it a week's trial. If at the end of that
+      time you are sufficiently recovered to do your work properly,
+      well and good; but if not, you must really consider your
+      engagement at an end."
+    </p>
+    <p>
+      All this time Mrs. Doss had said nothing. Bella had talked so
+      volubly and so fast, there had really been no chance of getting
+      in a word; and when the manager rose to his feet to intimate that
+      the interview was at an end, there was nothing to be done but to
+      follow Bella out into the street.
+    </p>
+    <p>
+      "There!" she cried triumphantly, "I told you I would bring him to
+      his senses. You saw how soon he caved in. It is not a question of
+      my health at all; you may bet your bottom dollar I have an enemy,
+      but I flatter myself I've routed him."
+    </p>
+    <p>
+      Her breath was coming in gasps and she spoke with difficulty. Now
+      that the excitement was over and the necessity for bearing up at
+      an end, there came the reaction.
+    </p>
+    <p>
+      "I think I had better go home and lie down," she said, "or I
+      shall not be at my post to-night, and I must, you know, I must."
+    </p>
+    <p>
+      "Poor child, I could fairly have cried," said kindly Mrs. Doss to
+      her spouse after Bella had been safely escorted home.
+    </p>
+    <p>
+      "I'm not satisfied with you, old girl," said Mr. Doss, shaking
+      his head mournfully. "I can't 'elp thinking you might ha' managed
+      things better. If Bella Blackall goes on a singing at the
+      Hempire, you mark my words, she'll sing herself into 'eaven."
+    </p>
+    <h2 class="chp">
+      CHAPTER VII.
+    </h2>
+    <p>
+      A week went by slowly: the hours crept like snails, and yet the
+      days were surely slipping away, bringing nearer and nearer the
+      one which was to give Sir John Chetwynd his second wife.
+    </p>
+    <p>
+      He had hardly seen Lady Ethel since the evening when she had
+      yielded a coy assent to his not (it must be confessed) very
+      amorous request that she would fix an early day for their
+      nuptials, and his state of mind was anything but an enviable one.
+      If ever a man was torn two ways, halting between prudence and
+      worldly consideration on one side and the force and power of a
+      love which he had honestly believed was laid for ever in its
+      grave, that man was Sir John. The idea of seeing Bella again did
+      not occur to him for some days, but when it fastened on him he
+      could not shake it off. It was stronger than himself. He excused
+      his temptation by the condition of her health, though in his
+      heart of hearts he knew well enough that this was not
+      sufficiently critical to serve for a reason.
+    </p>
+    <p>
+      Twice he seized his hat with the intention of going to her, then
+      laid it aside, angry and disgusted with his own weakness.
+    </p>
+    <p>
+      His profession no longer occupied his thoughts to the exclusion
+      of every other topic. He sat for hours buried in the newly
+      awakened memories that that one brief glimpse of her had conjured
+      up, unable, unwilling to rouse himself.
+    </p>
+    <p>
+      And then he made a compromise with his own weakness and
+      irresolution. He would not go to Cecil Street, since by so doing
+      he would be offering a tacit insult to the woman he had pledged
+      himself to marry, but he would, he must see Bella, himself unseen
+      and his presence unsuspected, and this he could effect easily by
+      going to the Empire.
+    </p>
+    <p>
+      The notion pleased him, and that self-same evening he carried it
+      out.
+    </p>
+    <p>
+      Bella was worse. She could no longer deceive herself. It was only
+      by a superhuman effort that she could pull herself together
+      sufficiently to sing the one song which was all her part
+      consisted of now.
+    </p>
+    <p>
+      After she had got into her pretty sea-green skirts of lace and
+      tulle and shimmering silk, like so much sea foam, she had to lie
+      still and, let the poor over-strained lungs and heart recover
+      themselves, and then, when the summons came she called up a smile
+      to her wan face and pluckily did her best.
+    </p>
+    <p>
+      But that night she looked up at Saidie after the last ribbon was
+      in its place.
+    </p>
+    <p>
+      "I'll have to throw up the sponge, after all," she said wearily;
+      "it is beyond me. They are right and I was wrong,&mdash;I must
+      have a rest."
+    </p>
+    <p>
+      Saidie muttered something in reply, but when the door closed upon
+      her sister, she sighed.
+    </p>
+    <p>
+      "She <i>is</i> bad; there is no denying it," remarked the
+      dresser, who was busily stroking out the roses which were to
+      garland Saidie's dress. "It gives me a turn every time I see her
+      go on the stage."
+    </p>
+    <p>
+      "She looks worse than she really is," returned Saidie; "sometimes
+      she is as brisk and lively as you like&mdash;she so soon gets
+      tired."
+    </p>
+    <p>
+      "She is a tidy sight worse than 'tired,' and it strikes me her
+      voice was weak like to-night. Did you notice it, Miss?"
+    </p>
+    <p>
+      "Oh, she varies so. I guess she would be as right as any of us
+      the moment she was on the boards."
+    </p>
+    <p>
+      Nevertheless, although she was not going to confess it, Saidie
+      was troubled and uneasy. There was something in Bella's face she
+      had not seen before, and it frightened her&mdash;a little. She
+      stood at the wings with a quick-beating heart, but the next
+      moment laughed at her own fears.
+    </p>
+    <p>
+      Bella was singing her very best. Not a falter in the clear,
+      bell-like tones, and her face was smiling and radiant.
+    </p>
+    <p>
+      And then&mdash;her eyes fastened themselves on a box in the grand
+      tier; with a scared expression she shrank back a little, and her
+      lip quivered, but with a mighty effort she controlled herself and
+      caught up the refrain again&mdash;carolled a word or two,
+      faltered, swayed helplessly, uncertainly forward, and fell
+      headlong on the stage.
+    </p>
+    <p>
+      They were round her in a second, lifting her gently and tenderly.
+      Her head had fallen back and a thin stream of blood was welling
+      over the laces at her bosom.
+    </p>
+    <p>
+      "She is dead!" cried Saidie. "Oh, will someone fetch a doctor,
+      quick!"
+    </p>
+    <p>
+      But almost before the words were spoken he was there, and when
+      Bella opened her eyes they fell on the grave, anxious, kindly
+      face of the man whose wife she had been.
+    </p>
+    <p>
+      "Jack! Jack! is this&mdash;the end?"
+    </p>
+    <p>
+      "Hush&mdash;no&mdash;no! Keep still&mdash;perfectly
+      still&mdash;you must not move."
+    </p>
+    <p>
+      "I am not&mdash;in pain&mdash;a little dizzy&mdash;nothing more,
+      and my head feels light."
+    </p>
+    <p>
+      "Drink this and don't talk. As soon as you are a little recovered
+      we will go home."
+    </p>
+    <p>
+      "Home! Jack!"
+    </p>
+    <p>
+      Oh, the wistful look in the deep blue eyes&mdash;the prophetic
+      droop about the perfect mouth! It was almost more than he could
+      bear.
+    </p>
+    <p>
+      "I will go with you myself if you will do what I tell you, keep
+      absolutely quiet&mdash;your life depends upon it."
+    </p>
+    <p>
+      She looked up tremulously.
+    </p>
+    <p>
+      "I don't care&mdash;a&mdash;cent <i>now</i>," she whispered.
+    </p>
+    <p>
+      She bore the journey to Cecil Street better than they could hope,
+      and the bleeding from the lungs had ceased.
+    </p>
+    <p>
+      Downstairs Saidie expressed a wish to remain all night with her
+      sister.
+    </p>
+    <p>
+      "She ought not to be left," she said.
+    </p>
+    <p>
+      "Most decidedly she must not be left," replied Sir John&mdash;"I
+      intend remaining with your sister."
+    </p>
+    <p>
+      "You! Well, this beats all, upon my word!"
+    </p>
+    <p>
+      So great was Miss Blackall's surprise that when she found herself
+      ousted from the position of head nurse and the door
+      metaphorically closed upon her, she had not a word to say, but
+      called a hansom and had herself driven to Bayswater, where she
+      had been living since her mother's death, now nearly a year ago.
+    </p>
+    <p>
+      "And I used to think he didn't amount to a row of pins," she
+      murmured with an odd sort of penitence. "Well, I guess I was
+      wrong, that's all."
+    </p>
+    <p>
+      Through the long hours of that never-ending night John Chetwynd
+      watched by Bella's bedside. For the most part, she lay mute and
+      inert, but towards morning she grew restless.
+    </p>
+    <p>
+      "I must talk," she cried excitedly&mdash;"to see you sit there
+      and to think&mdash;to remember&mdash;oh! if only I had run
+      straight, Jack&mdash;I don't think I was meant for this, do you?"
+    </p>
+    <p>
+      He had no words with which to answer her. He folded his arms
+      across his chest and looked out vaguely into the slant of room
+      beyond. The folding doors were open and on the sideboard he could
+      see a basket full of peaches, at this season an extravagance
+      denied his own table. On the mantelshelf to his right hand were
+      some exquisite hot-house flowers, carelessly crushed into a
+      cracked, cheap little vase, and a penny packet of stationery and
+      a powder puff in a sprinkling of chalk.
+    </p>
+    <p>
+      She stretched out her arms so that her fingers touched him, and
+      he held them tightly in his own&mdash;rings and all.
+    </p>
+    <p>
+      She was never meant for the life she had chosen!
+    </p>
+    <p>
+      His heart felt breaking.
+    </p>
+    <p>
+      The delicate features, the sweet, wistful, childish face, the
+      pathos in her regretful cry&mdash;the past with its load of gall
+      and shame and misery&mdash;which could never be obliterated.
+      Never!
+    </p>
+    <p>
+      "Why do you look at me like that? I am better. I know I am
+      better. I thought&mdash;I feared&mdash;I was going to die; if I
+      had there was no one to care but&mdash;Saidie."
+    </p>
+    <p>
+      "Do you not think what it would mean to&mdash;me?"
+    </p>
+    <p>
+      The words broke from him against his will.
+    </p>
+    <p>
+      "To&mdash;you, Jack! then you care&mdash;still!"
+    </p>
+    <p>
+      "Care!"
+    </p>
+    <p>
+      He drew his hand away and walked over to the window. The morning
+      was breaking: morning in the Strand; and already there was a busy
+      hum without.
+    </p>
+    <p>
+      Her eyes followed him wistfully, with a little wonderment in
+      them&mdash;and then the lids fell over them.
+    </p>
+    <p>
+      "I feel strangely weak&mdash;but&mdash;so&mdash;happy, Jack," she
+      said. Her breath came more easily and she slept.
+    </p>
+    <p>
+      Sir John Chetwynd was in his accustomed place at the accustomed
+      hour, grave, attentive and professional as was his wont; but
+      after his consulting hours were over, he went back to Cecil
+      Street, leaving word with Soames where he was to be found, if
+      wanted, prepared for another night's vigil.
+    </p>
+    <p>
+      "She seems neither better nor worse," said Saidie, meeting him in
+      the little sitting-room and carefully pulling to the door behind
+      her. "She is very, very weak. Is there a chance for her?"
+    </p>
+    <p>
+      "I am afraid to say&mdash;it depends so much on what recuperative
+      power she has. If the bleeding can be stopped, I shall be more
+      hopeful."
+    </p>
+    <p>
+      "What is she to do, poor Bella? She will never be able to sing
+      again, I suppose?"
+    </p>
+    <p>
+      "Never." He spoke curtly, almost cruelly. Saidie burst into
+      tears.
+    </p>
+    <p>
+      At that moment came a smart tap at the door.
+    </p>
+    <p>
+      "Mr. Bolingbroke, Miss," said a voice from without.
+    </p>
+    <p>
+      "He can't come up." Saidie sprang from her chair. But she was too
+      late. The handle turned, and a tall, distinctly good-looking man
+      walked in.
+    </p>
+    <p>
+      "Miss Blackhall&mdash;how unkind to deny me admittance. You must
+      know how fearfully anxious I am. How is she?"
+    </p>
+    <p>
+      "There's the doctor&mdash;ask him."
+    </p>
+    <p>
+      The stranger turned eagerly.
+    </p>
+    <p>
+      "This is not serious, I trust. She was always delicate,
+      but&mdash;it is wonderful how she pulls together when the worst
+      is over."
+    </p>
+    <p>
+      For almost the first time in his life John Chetwynd was
+      tongue-tied.
+    </p>
+    <p>
+      Who and what was this man, and what was he to Bella? He forced
+      himself to give a professional opinion, and answered mechanically
+      a string of questions Mr. Bolingbroke poured forth, but he hardly
+      knew what he was saying.
+    </p>
+    <p>
+      "If only she gets over this she shall never be bothered any more,
+      poor darling," he said brokenly. "I suppose I can go in, eh?"
+    </p>
+    <p>
+      His hand was on the door&mdash;John Chetwynd sprang to his feet.
+    </p>
+    <p>
+      "No one must see her," he cried excitedly. "I absolutely forbid
+      it. It would be most dangerous&mdash;most improper."
+    </p>
+    <p>
+      The two men looked into each other's faces for the space of
+      several seconds; then Mr. Bolingbroke turned away with a sigh and
+      an impatient word. "Absurd! As if I could do her any harm," he
+      said. "Well, I will be round again later in the day," he added
+      with a nod to Saidie, and a minute later the hall door shut upon
+      him.
+    </p>
+    <p>
+      "Who is that man?" asked Sir John sternly.
+    </p>
+    <p>
+      Saidie shrugged her shoulders.
+    </p>
+    <p>
+      "You shall tell me&mdash;what is he to Bella?"
+    </p>
+    <p>
+      "He is a good and noble man, and let me tell you there ain't too
+      many knocking around. If she lives to get over this he will make
+      her his wife."
+    </p>
+    <p>
+      And there was silence&mdash;a silence in which John Chetwynd read
+      clearly his own heart at last, and stood face to face with
+      facts&mdash;facts stripped of false adornments&mdash;naked,
+      convincing.
+    </p>
+    <p>
+      Then he strode across the room and entered that in which Bella
+      lay.
+    </p>
+    <p>
+      She was asleep, and he drew his chair close to the bedside and
+      fixed his eyes on the wan, thin face, fever flushed, and fought
+      the fiercest battle of his life with his inner self; and when the
+      struggle was over, Pride lay in tatters and Love was conqueror.
+    </p>
+    <p>
+      She slept at intervals almost the whole of that day. Waking late
+      in the afternoon, her eyes fell on the silent watcher by her
+      side, and she smiled happily, contentedly.
+    </p>
+    <p>
+      Saidie bent over her and whispered a word or two.
+    </p>
+    <p>
+      "No&mdash;no," cried Bella vehemently; "send him away. I don't
+      want to see him."
+    </p>
+    <p>
+      "But he is so anxious, dear."
+    </p>
+    <p>
+      "Is he?&mdash;poor Charlie! Tell him I am in no pain, and I
+      should like to think he will never quite forget me."
+    </p>
+    <p>
+      "He will never do that," said Saidie, going away with her message
+      but half satisfied, and Bella turned a flushed cheek to her
+      pillow.
+    </p>
+    <p>
+      And then, for the second time, John Chetwynd asked, "Who is that
+      man?"
+    </p>
+    <p>
+      And Bella tried feebly to tell him. He had been attached to her
+      for a long time, and had come over with her from the States.
+    </p>
+    <p>
+      "And you&mdash;did you mean to marry him, Bella?"
+    </p>
+    <p>
+      "I had thought of it&mdash;it seemed suicidal to say no to such
+      an offer, and then I&mdash;oh, Jack, when I saw you I knew I
+      could never love any other man!"
+    </p>
+    <p>
+      He poured out a draught and held it to her trembling lips.
+    </p>
+    <p>
+      "I feel so strangely weak," she said; "you are going to marry
+      Ethel, and I am nothing to you now?"
+    </p>
+    <p>
+      John Chetwynd drew her close to him, so that the tired head
+      rested on his shoulder with the sweet familiarity of long ago.
+    </p>
+    <p>
+      "Listen," he said. "I have been a coward, frightened of the
+      truth. The world was dearer to me than happiness, or I thought
+      so, and I hesitated, afraid of its contempt. But amid my weakness
+      was one thought, one impulse, which no amount of worldly prudence
+      or consideration could stifle, and Bella&mdash;my wife&mdash;that
+      was my love for you."
+    </p>
+    <p>
+      "Jack, Jack, is it true?"
+    </p>
+    <p>
+      "I have loved you always, through all my life, you and no other.
+      I see now how hard I must have seemed to you and how wild and
+      unreasonable I was in my expectation from you and how at last it
+      drove you from my side. The shame of it is not more yours than
+      mine. We both erred, we both sinned; but I was older and should
+      have been wiser; the burden of it should fall on me. The world is
+      nothing to me now&mdash;less than nothing. Let us take up life
+      where we broke it off. Give me back the past, which held for me
+      all of happiness I have ever known."
+    </p>
+    <p>
+      She lay with a smile of peace upon her face, both hands clinging
+      to his.
+    </p>
+    <p>
+      "I have communed with myself and thought it well out, and I
+      believe that to bind my life, with its memories of you, to the
+      girl to whom I am engaged, would be a cruel wrong and an
+      injustice to her. She deserves a better fate, and I honestly feel
+      that the rupture will not grieve her much. We will remarry, you
+      and I. I will take you away from England, I will guard and
+      cherish you, and in my love for you, you will grow stronger. Oh!
+      my darling, my darling, if you knew what life has been to me
+      since you went; how I have blamed myself,&mdash;I who ought to
+      have shielded you against yourself, and have been a moral
+      backbone to your weakness. Then as time went on I persuaded
+      myself that I had succeeded in putting you out of my
+      heart,&mdash;that I had forgotten you,&mdash;and then&mdash;you
+      came back to me, and the past leapt living from the years that
+      had no power to bury it, and I knew that you were more to me than
+      honour or fame or anything the world held. Hence-forth I will be
+      so gentle with you, so tender&mdash;so loving."
+    </p>
+    <p>
+      "Will you&mdash;kiss me&mdash;Jack?"
+    </p>
+    <p>
+      She had gradually pulled herself upright on the pillows.
+    </p>
+    <p>
+      "Will you kiss me&mdash;and say&mdash;once more, as you used
+      to&mdash;'God bless you&mdash;wifie'?"
+    </p>
+    <p>
+      Their lips met and clung together.
+    </p>
+    <p>
+      "God bless you&mdash;wifie."
+    </p>
+    <p>
+      And there was silence, a long silence, broken by a gasp, a sigh,
+      and a gentle unloosening of the clasping arms.
+    </p>
+    <p>
+      "Bella&mdash;Bella&mdash;speak to me, my beloved."
+    </p>
+    <p>
+      But the passionate cry fell on ears that heard not.
+    </p>
+    <p>
+      The tempest-tossed soul was at rest; above were the pitying
+      Angels' wings, and over all the solemn hush of Death.
+    </p>
+    <hr />
+    <h2 class="chp">
+      <a id="one" name="one">ONE CAN'T ALWAYS TELL.</a>
+    </h2>
+    <p class="ctr">
+      <i>From Miss Rose Dacre, Southampton, to Miss Amy Conway, 30,
+      Alford Street, Park Lane</i>.
+    </p>
+    <p class="quotdate">
+      YACHT "MARIE,"
+      <br />
+      SOUTHAMPTON.
+      <br />
+      <i>July 15th, 1901.</i>
+    </p>
+    <p>
+      Dearest Amy,
+    </p>
+    <p>
+      Here am I on Jack's yacht, anchored in Southampton waters. The
+      weather is perfect, and I am having a very good time. Jack's
+      mother is on board, and is really devoted to me. I am a lucky
+      girl to have such a sweet mother-in-law in prospective. She is
+      the dearest old lady in the world. The wedding has been decided
+      upon for the last week in September, so I suppose that I shall
+      have to come back to town before very long to see about my
+      trousseau.
+    </p>
+    <p>
+      There is really nothing so bewildering to anyone who sees it for
+      the first time as the exquisite order and dainty perfection of a
+      yacht in which its owner takes a pride, and can afford to gratify
+      his whim. And this is the case with Jack. The deck shines like
+      polished parquet. The sails and ropes are faultlessly clean, and
+      Jack says that the masts have just been scraped and the funnel
+      repainted. The brass nails and the binnacle are as perfectly in
+      order as if they were costly instruments in an optician's window.
+      There is a small deck cargo of coal in white canvas sacks, with
+      leather straps and handles. And there is the deck-house with its
+      plate-glass windows and velvet fittings and spring-blinds.
+    </p>
+    <p>
+      Soon after I arrived I went down into the engine-room, where I
+      saw machinery as scrupulously clean as if it were part of some
+      gigantic watch which a grain of dust might throw out of gear. On
+      the deck are delightful P. and O. lounges with their arms doing
+      duty for small tables. All around the wheel and upon the roof of
+      the deck-house, and here and there on stands against the
+      bulwarks, there are ranged in pots, bright red geraniums
+      contrasted with the yellow calceolaria, and the deliriously
+      scented heliotrope. Altogether, everything is charming.
+    </p>
+    <p>
+      We go delightful trips every day, and it doesn't matter whether
+      there is a favourable wind or not, as Jack's is a steam yacht. We
+      have slept on board except one night when it was rather rough,
+      and then Mrs. Vivian and I stayed at the South Western Hotel.
+    </p>
+    <p>
+      Altogether I am enjoying myself more than I have ever done in my
+      life. Jack is an angel and adores me, the darling.
+    </p>
+    <p class="quotsig">
+      Fond love,
+      <br />
+      From your affectionate
+      <br />
+      ROSE.
+    </p>
+    <p>
+      P.S.&mdash;There is a Mrs. Tenterden, a widow, coming down to the
+      yacht on Thursday to stay for a few days. Mrs. Vivian tells me
+      that she is very good-looking.
+    </p>
+    <p class="break">
+      <i>From the Same to the Same.</i>
+    </p>
+    <p class="quotdate">
+      YACHT "MARIE,"
+      <br />
+      SOUTHAMPTON.
+      <br />
+      <i>July 22nd, 1901.</i>
+    </p>
+    <p>
+      Dearest Amy,
+    </p>
+    <p>
+      We are still here. Mrs. Tenterden, the lady I spoke about in my
+      last letter, arrived here on Thursday.
+    </p>
+    <p>
+      I hate her! I hate her!! I hate her!!!
+    </p>
+    <p>
+      You will doubtless wonder why I, who am, as a rule, a quiet,
+      harmless little dove, should indulge in such sinful feelings, but
+      you will cease doing so when I tell you the truth.
+    </p>
+    <p>
+      Mrs. Tenterden has set her cap at Jack! He has&mdash;I know
+      it&mdash;fallen under the spell of the enchantress. And she is an
+      enchantress. She is a woman of about thirty, tall, fair, with
+      striking features, lovely eyes, and the most superb complexion I
+      have ever seen. The best complexion I ever recollect was that of
+      a peasant girl's at Ivy Bridge in Devonshire, but hers was
+      nothing to compare with Mrs. Tenterden's. It is perfect. I can
+      say no more.
+    </p>
+    <p>
+      Then she is extremely amusing, being a brilliant talker (for I
+      heard Jack say so) and very witty (for he is constantly laughing
+      at the things she says, and which for the most part I don't
+      understand).
+    </p>
+    <p>
+      But this I know, that since her advent I have changed from the
+      happiest girl in the world into one of the most miserable.
+    </p>
+    <p>
+      Mrs. Tenterden is the widow of Colonel Tenterden, who was a
+      brother officer of Jack's father, Colonel Vivian. Her husband
+      died in India about six months ago, and she has lately returned
+      to England. Jack had never seen her before, but Mrs. Vivian, who
+      knew her as a young girl, asked her down here.
+    </p>
+    <p>
+      She has made a dead set at Jack, and I feel (I can't help it)
+      that he has fallen a captive to her bow and spear, for his manner
+      towards me has entirely changed. He is not my darling, loving
+      Jack, at all, but merely a polite friend.
+    </p>
+    <p>
+      Mrs. Vivian must be blind not to see what is going on. But I
+      cannot enlighten her, and what am I to do? Do give me your
+      advice, dear Amy?
+    </p>
+    <p class="quotsig">
+      Ever your affectionate
+      <br />
+      ROSE.
+    </p>
+    <p class="break">
+      <i>From Miss Amy Conway to Miss Rose Dacre</i>.
+    </p>
+    <p class="quotdate">
+      ALFORD STREET.
+      <br />
+      TUESDAY.
+    </p>
+    <p>
+      My dearest Child,
+    </p>
+    <p>
+      Just got yours. You ask my advice, and to use a phrase of my
+      brother Tom's, "I give it you in once." Don't be a little goose
+      and bother your pretty little head. I am older than you, and I
+      understand women of the Mrs. Tenterden type. They amuse men for a
+      time, and very often take them captive, but in nineteen cases out
+      of twenty the prisoner escapes. In other words, they are not the
+      women who men care to marry. Fancy your Jack, for instance,
+      preferring a <i>rusée</i> garrison hack, like Mrs. Tenterden, to
+      your own sweet self. It is absolutely ridiculous.
+    </p>
+    <p>
+      Do nothing and say nothing. Don't worry yourself and all will
+      come right. The temporary infatuation will pass away, and Mr.
+      Vivian will love you all the better afterwards. You will see if I
+      am not right.
+    </p>
+    <p class="quotsig">
+      So be comforted, darling Rose.
+      <br />
+      Ever your loving
+      <br />
+      AMY.
+    </p>
+    <p class="break">
+      <i>From Mrs. Tenterden to Mrs. Montague Mount</i>, 170A, <i>Ebury
+      Street, S.W.</i>
+    </p>
+    <p class="quotdate">
+      YACHT "MARIE,"
+      <br />
+      SOUTHAMPTON.
+      <br />
+      <i>July 23rd</i>, 1901.
+    </p>
+    <p>
+      DEAREST LILY,
+    </p>
+    <p>
+      I promised to let you know how I got on, and to write as soon as
+      there was anything to write about. So here goes. I am on board
+      Jack Vivian's yacht, and a ripper it is. That is to say, I am on
+      the yacht in the day, but sleep at the South Western Hotel. I
+      hate sleeping on board a yacht, and never do so if I can help it.
+      It may benefit one's health&mdash;daresay that it does&mdash;but
+      I do like to take my rest on shore. Well, now, as to my news. I
+      have made a great impression on Mr. Vivian. He is the easiest man
+      to deal with I ever met in my life, and he is as putty in my
+      hands. That stupid girl, Miss Dacre, to whom he is supposed to be
+      engaged&mdash;I say supposed because he does not seem to be quite
+      clear about it himself&mdash;hasn't got a chance with me. What
+      Jack Vivian could have ever seen in her I can't guess. She is the
+      usual type of English Miss who can say "Papa and Mamma," and that
+      is about all. I can see that she loathes me, and I don't wonder
+      at it. But I am perfectly charming to her, and affect not to
+      notice her palpable dislike.
+    </p>
+    <p>
+      Mrs. Vivian&mdash;Jack's mother&mdash;seems not to have the
+      remotest idea how matters are shaping, and fondly imagines that
+      her beloved son is going to marry Miss Dacre. My dear Lily, as
+      the Americans say, "it will be a cold day in August before that
+      event comes off." The fact is that Jack pays her only the
+      slightest attention and is absolutely engrossed with me. If I,
+      therefore, don't pull off this <i>coup</i> I deserve to be
+      hanged. When I have actually landed my fish I shall take my
+      departure for a day while he breaks matters off with
+      mademoiselle. You may not perhaps approve of this, but I know
+      what I am about.
+    </p>
+    <p>
+      More in a day or two.
+    </p>
+    <p class="quotsig">
+      Ever yours,
+      <br />
+      ALICE.
+    </p>
+    <p class="break">
+      <i>From Mrs. Montague Mount to Mrs. Tenterden</i>.
+    </p>
+    <p class="quotdate">
+      170A, EBURY STREET,
+      <br />
+      <i>24th July</i> 1901.
+    </p>
+    <p>
+      DEAREST ALICE,
+    </p>
+    <p>
+      I was much interested in your letter. Needless to say that I wish
+      you the success that you are sure to attain. One word of advice.
+      If I were you, while you are at Southampton, I should manage to
+      be a good deal more at the hotel than you appear to be. You
+      cannot have much opportunity for conversation on board the yacht,
+      but at the hotel you can have Mr. Vivian all to yourself. And you
+      can easily make excuses to get off the yacht, and as he is
+      evidently so <i>épris</i>, he will follow you to the hotel, when
+      you will have him more or less at your mercy. I shall be longing
+      to hear how the plot thickens.
+    </p>
+    <p class="quotsig">
+      With fond love,
+      <br />
+      Believe me,
+      <br />
+      Your devoted friend,
+      <br />
+      LILY.
+    </p>
+    <p class="break">
+      <i>From Mrs. Tenterden to Mrs. Montague Mount</i>.
+    </p>
+    <p class="quotdate">
+      <i>July 29th,</i> 1901.
+    </p>
+    <p>
+      DEAREST LILY,
+    </p>
+    <p>
+      Thanks for yours. My dear child, I have taken your excellent
+      advice and am very glad that I did so. Your plan of campaign has
+      proved most successful. I have had Jack with me for hours in the
+      smoking room at the hotel, where the ladies staying in the hotel
+      as well as the men always resort. It is a large room and affords
+      ample opportunity for a <i>tête-à-tête</i>. Of these
+      opportunities I have availed myself to the fullest possible
+      extent. And with what result, you will naturally ask? With the
+      result, my dear, of making this man absolutely mad about me. He
+      has become an utter imbecile. <i>C'est tout dit</i>. His
+      incoherent raving would only bore you, so, like the kindhearted
+      little person I am, I spare you this infliction. Suffice it to
+      say that he is mine body and soul. I say nothing about his
+      fortune, because that naturally goes with the other two.
+    </p>
+    <p>
+      Let me thank you sincerely for your wise counsels,
+    </p>
+    <p class="quotsig">
+      And, believe me,
+      <br />
+      Ever affectionately yours,
+      <br />
+      ALICE.
+    </p>
+    <p class="break">
+      <i>Miss Amy Conway to Miss Rose Dacre</i>.
+    </p>
+    <p class="quotdate">
+      ALFORD STREET.
+      <br />
+      THURSDAY.
+    </p>
+    <p>
+      DEAREST ROSE,
+    </p>
+    <p>
+      I have been anxiously expecting to hear from you, but you have
+      not sent me a single line. I say "anxiously," not that I really
+      feel the least anxiety about you, being perfectly positive, as I
+      am, that all will be right. But, my dearest girl, I am so deeply
+      interested in this affair that, of course, I am anxious to hear
+      how matters are going on. And you are a very naughty child not to
+      have written to me before. Repair your sin of omission as soon as
+      possible, and let me have a full account of all your proceedings.
+    </p>
+    <p class="quotsig">
+      With much love,
+      <br />
+      Yours ever,
+      <br />
+      AMY.
+    </p>
+    <p class="break">
+      <i>From Miss Rose Dacre to Miss Amy Conway,</i> 30, <i>Alford
+      Street, Park Lane</i>.
+    </p>
+    <p class="quotdate">
+      YACHT "MARIE,"
+      <br />
+      COWES.
+      <br />
+      <i>August 2nd</i>, 1901.
+    </p>
+    <p>
+      DEAREST AMY,
+    </p>
+    <p>
+      Pray forgive me for not having written sooner. But as the French
+      say, <i>tout savoir est tout pardonner.</i> And having been for
+      many days in the depth of despair, worried out of my life, and
+      half dead with anxiety, I have not really been able to put pen to
+      paper. But now all is changed, and I am able to address you with
+      a light heart.
+    </p>
+    <p>
+      I am sure, Amy, that you will be longing to know why, and for
+      this reason I will not for a moment leave you a victim to the
+      most terrible ailment that can attack our sex&mdash;unsatisfied
+      feminine curiosity.
+    </p>
+    <p>
+      Two days ago we were still at Southampton, and it was proposed
+      that after lunch we should take a little trip down the river
+      Hamble&mdash;a river which runs into Southampton Water. Well, we
+      started&mdash;Jack, and a friend of his, Captain Cleland, Mrs.
+      Vivian, Mrs. Tenterden, and myself. All went well for about an
+      hour, when a breeze sprang up which soon developed into half a
+      gale. At least I understood the captain of the yacht to say so. I
+      didn't mind it in the least, but Mrs. Vivian, poor old lady, was
+      dreadfully ill and nervous, and though I did all I could to
+      comfort and reassure her, it was not of much use. As for Mrs.
+      Tenterden, she absolutely collapsed. In abject terror she uttered
+      incoherent cries, and no one could make out what she wished to be
+      done. Jack seemed very upset and tried to soothe her as well as
+      he could, but it was all to no effect, and indeed she once turned
+      on him just like a virago, saying,
+    </p>
+    <p>
+      "I never wanted to come on your horrid yacht, but you would make
+      me, and see what has happened to me now."
+    </p>
+    <p>
+      Poor Jack&mdash;I call him "Poor Jack" although he has behaved
+      like a very naughty boy&mdash;seemed to wince, but made no reply.
+    </p>
+    <p>
+      Eventually we arrived opposite the village of Hamble, and there
+      the anchor was weighed&mdash;if that is the right expression.
+      Jack suggested that the three ladies, including myself, should go
+      ashore in the dingey and stay at the hotel. Mrs. Vivian said that
+      she did not want to do this, and Mrs. Tenterden positively
+      refused.
+    </p>
+    <p>
+      "Do you think that I am going to risk my life that jim-crack
+      boat?" she asked. "I am not quite an imbecile. Though I think I
+      must be after all, otherwise I should not have come on this
+      idiotic cruise."
+    </p>
+    <p>
+      Jack again made no reply, but there was something in his face
+      that told me that he was becoming disillusioned.
+    </p>
+    <p>
+      Shortly after that he sent the skipper and a boy ashore, who
+      returned with some marvellous looking lobsters and a huge crab.
+      It seems that this place is famous for its shell-fish, and I can
+      only say that I never tasted anything more delicious than the
+      crab in question.
+    </p>
+    <p>
+      Mrs. Vivian managed to eat a little dinner, but Mrs. Tenterden
+      retired to her cabin and contented herself with some soup.
+    </p>
+    <p>
+      I for my part, ate a most capital dinner, and I fancied that Jack
+      seemed sorry for the way he has been treating me lately;
+      treatment which I should never have put up with, except from a
+      man whom I love so devotedly&mdash;a man whom I meant to rescue
+      (selfishly, I admit) from that siren's clutches. In all I have
+      done I have been guided by your advice, and therefore to you
+      remains all the credit, coupled with the life-long devotion of
+      your little friend.
+    </p>
+    <p>
+      Well, we slept on board the yacht, and the morning brought its
+      revelations.
+    </p>
+    <p>
+      Mrs. Tenterden was not present at breakfast, and came on deck
+      very late. And only imagine, my dear, how she had changed. That
+      beautiful pink complexion that I had admired so much, and even
+      envied, had disappeared altogether. Her face was of a greyish
+      hue, and possessed no shade of pink. Those beautiful pencilled
+      eyebrows seemed to have strangely altered, and to have
+      unaccountably thinned down. The charming woman-of-the-world
+      manner had entirely disappeared, and, later on, when we descended
+      to the cabin, at luncheon time, Mrs. Tenterden cast furtive and
+      certainly not reassuring glances at the little mirror hanging
+      there.
+    </p>
+    <p>
+      I confess that at first I was a wee bit sorry for her, but after
+      all, this Nemesis was thoroughly deserved, and when I saw the
+      impression that the metamorphosis had made on Jack&mdash;the
+      darling goose can't conceal his feelings&mdash;I must own to
+      having been overjoyed.
+    </p>
+    <p>
+      "The Enchantress" left for London the same evening, looking in
+      her war paint quite a different being. But this made no
+      difference, for Jack, I need scarcely say, had evidently altered
+      his mind.
+    </p>
+    <p>
+      Since her departure, everything has gone back to its old state.
+      Jack, poor fickle boy, is devotion itself, and I have not thought
+      proper to resist his entreaties to consent to an immediate
+      marriage. You will not blame me, darling, will you?
+    </p>
+    <p class="quotsig">
+      Ever your affectionate and
+      <br />
+      Happy friend,
+      <br />
+      ROSE.
+    </p>
+    <h2 class="chp">
+      <a id="songs" name="songs">SONGS.</a>
+    </h2>
+    <p>
+      AFTER VICTOR HUGO, ARMAND SILVESTRE, CHARLES ROUSSEAU AND THE
+      VICOMTE DE BORELLI.
+    </p>
+    <div class="poem">
+      <h4>
+        DARLING ARISE.
+      </h4>
+      <p>
+        (AFTER VICTOR HUGO.)
+      </p>
+      <div class="stanza">
+        <p>
+          Pretty one, tho' the morning is breaking
+        </p>
+        <p>
+          Thy lattice is fasten'd close
+        </p>
+        <p>
+          How is it that thou art not waking
+        </p>
+        <p>
+          When awake is the rose?
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          Darling, arise! for I am he
+        </p>
+        <p>
+          Thy lover who sighs and sings to thee,
+        </p>
+        <p>
+          Thy lover who sighs and sings to thee.
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          Nature loud at thy lattice is beating:
+        </p>
+        <p>
+          I am Day says the morning above
+        </p>
+        <p>
+          I am music the bird sings repeating,
+        </p>
+        <p>
+          And my heart cries "I am Love."
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          Darling, arise! for I am he,
+        </p>
+        <p>
+          Thy lover who sighs and sings to thee,
+        </p>
+        <p>
+          Thy lover who sighs and sings to thee.
+        </p>
+      </div>
+    </div>
+    <div class="poem">
+      <h4>
+        ROSE.
+      </h4>
+      <p>
+        (VIELLE CHANSON DU JEUNE TEMPS.)
+      </p>
+      <p>
+        (AFTER VICTOR HUGO.)
+      </p>
+      <div class="stanza">
+        <p>
+          I never thought at all of Rose,
+        </p>
+        <p>
+          As Rose and I went through the dell,
+        </p>
+        <p>
+          We fell a talking I suppose,
+        </p>
+        <p>
+          But yet of what I cannot tell.
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          Pebbles below and mosses over,
+        </p>
+        <p>
+          Rippled a cool and limpid rill;
+        </p>
+        <p>
+          Nature lay sleeping like a lover
+        </p>
+        <p>
+          In the embrace of the woods so still.
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          Shoes and stockings off she slipped,
+        </p>
+        <p>
+          And with her sweetly innocent air
+        </p>
+        <p>
+          Into the stream her feet she dipped,
+        </p>
+        <p>
+          Yet I never saw her feet were bare.
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          I only talked, the time beguiling
+        </p>
+        <p>
+          As we wandered, she and I;
+        </p>
+        <p>
+          And sometimes I saw her smiling,
+        </p>
+        <p>
+          But now and then I heard her sigh.
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          Only her beauty dawned on me
+        </p>
+        <p>
+          When silent woods were left behind,
+        </p>
+        <p>
+          "Never mind that now!" said she
+        </p>
+        <p>
+          And now I shall always mind.
+        </p>
+      </div>
+    </div>
+    <div class="poem">
+      <h4>
+        REGRETS.
+      </h4>
+      <p>
+        (AFTER CHARLES ROUSSEAU.)
+      </p>
+      <div class="stanza">
+        <p>
+          Let me cherish in my sadness
+        </p>
+        <p>
+          Those fair days of youth and gladness!
+        </p>
+        <p>
+          Moments of delightful madness
+        </p>
+        <p>
+          Gone, alas, for evermore!
+        </p>
+        <p>
+          Vain regrets for misspent powers,
+        </p>
+        <p>
+          Wasted chances, faded flowers,
+        </p>
+        <p>
+          Vex my lonely spirit sore.
+        </p>
+        <p>
+          Had I only known before!
+        </p>
+        <p>
+          Let me cherish in my sadness
+        </p>
+        <p>
+          Those fair days of youth and gladness!
+        </p>
+        <p>
+          Moments of delightful madness
+        </p>
+        <p>
+          Gone, alas, for evermore!
+        </p>
+      </div>
+    </div>
+    <div class="poem">
+      <h4>
+        TOO LATE.
+      </h4>
+      <p>
+        (PEINE D'AMOUR.)
+      </p>
+      <p>
+        (AFTER ARMAND SILVESTRE.)
+      </p>
+      <div class="stanza">
+        <p>
+          When your hand was laid upon mine
+        </p>
+        <p>
+          'Twas in painful dread that I grasped it,
+        </p>
+        <p>
+          For some hesitation malign,
+        </p>
+        <p>
+          Made tremble the fingers that clasped it.
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          When you turned your forehead so near,
+        </p>
+        <p>
+          'Twas in painful dread that I kissed it,
+        </p>
+        <p>
+          For some cruel prompting of fear
+        </p>
+        <p>
+          Made me timidly seek to resist it.
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          Ah!&mdash;and my life thenceforward approved
+        </p>
+        <p>
+          Sorrow's bitterness had o'ercome me,
+        </p>
+        <p>
+          I only knew how I loved
+        </p>
+        <p>
+          The day that had taken you from me.
+        </p>
+      </div>
+    </div>
+    <div class="poem">
+      <h4>
+        IF THERE BE A GARDEN GAY.
+      </h4>
+      <p>
+        (S'IL EST UN CHARMANT GAZON.)
+      </p>
+      <p>
+        (AFTER VICTOR HUGO.)
+      </p>
+      <div class="stanza">
+        <p>
+          If there be a garden gay
+        </p>
+        <p>
+          Man has not molested,
+        </p>
+        <p>
+          Where blaze through the summer day
+        </p>
+        <p>
+          Flowers golden crested,
+        </p>
+        <p>
+          Where tallest lilies grow,
+        </p>
+        <p>
+          And honeysuckles blow
+        </p>
+        <p>
+          There, oh there I fain would go
+        </p>
+        <p>
+          Where thy foot, thy foot has rested!
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          If there be a rosy dream
+        </p>
+        <p>
+          By true love invested,
+        </p>
+        <p>
+          Where all things delightful seem
+        </p>
+        <p>
+          Close together nested
+        </p>
+        <p>
+          Where soul to soul may tell
+        </p>
+        <p>
+          The joy they know so well
+        </p>
+        <p>
+          'Tis there, oh there I fain would dwell
+        </p>
+        <p>
+          Where thy heart, thy heart has rested.
+        </p>
+      </div>
+    </div>
+    <div class="poem">
+      <h4>
+        THE MESSAGE OF THE ROSES.
+      </h4>
+      <p>
+        (ENVOI DE ROSES.)
+      </p>
+      <p>
+        (AFTER VICOMTE DE BORELLI.)
+      </p>
+      <div class="stanza">
+        <p>
+          Oh, if the fairest of these roses
+        </p>
+        <p>
+          With its red lips to thee shall tell
+        </p>
+        <p>
+          Such things as language knows not of,
+        </p>
+        <p>
+          As in thy bosom it reposes,
+        </p>
+        <p>
+          Then keep it well
+        </p>
+        <p>
+          It is my love!
+        </p>
+      </div>
+      <div class="stanza">
+        <p>
+          But if the sweetest of the roses
+        </p>
+        <p>
+          With its red lips shall silent be,
+        </p>
+        <p>
+          And only seek instead the bliss
+        </p>
+        <p>
+          Which thy delightful mouth discloses,
+        </p>
+        <p>
+          Return it me
+        </p>
+        <p>
+          It is my kiss!
+        </p>
+      </div>
+    </div>
+    <h2 class="chp">
+      <a id="love" name="love">LOVE WENT OUT WHEN MONEY WAS
+      INVENTED.</a>
+    </h2>
+    <p>
+      "You're a very foolish man, John," said my sister Ruth. "You're
+      worse than foolish. A man never gets any happiness by marrying
+      out of his station."
+    </p>
+    <p>
+      "You may be right," I answered, "but after all I have something
+      to offer. I am rich, and Marie is poor. I admit that she is a
+      patrician and that I am a plebeian. But money, after all, counts
+      for something, especially in these days. I don't see how Marie
+      can spend a very happy existence now, but I am determined to make
+      her life a dream of happiness. You will see, my dear Ruth, that
+      my marriage will be a success."
+    </p>
+    <p>
+      "I think not," replied my sister, "and I therefore give you my
+      warning before it is too late. If you don't heed it and decide on
+      marrying Miss Dalmayne, I shall naturally do any little thing in
+      my power to endeavour to prove that I have been a false
+      prophetess; but, mark my words, John, I shan't succeed. And, to
+      tell you the truth, my dear brother, I tremble for the future."
+    </p>
+    <p>
+      "You're a sweet little silly goose," I answered. "You let your
+      affection for me run away with your better judgment. Why in
+      heaven's name should I not be happy with Marie? She is beautiful,
+      and I admit that it was her rare beauty that first commended her
+      to me, and she has a sweet nature and character; and after all,
+      goodness of character outweighs even good looks. Then, too, she
+      is very clever and bright, and altogether she is exactly the sort
+      of girl calculated to make a man happy."
+    </p>
+    <p>
+      "I hope that I may be wrong, and that you may be right, John,"
+      said Ruth; "but I don't think that I am wrong, and, of course,
+      time will only show. At present we need say no more. Your mind is
+      evidently made up, and I shall urge nothing further to prevent
+      you from following your own inclinations. But in the time to
+      come, don't forget that your sister warned you." And with that
+      last shaft Ruth left the room.
+    </p>
+    <p>
+      My name is John Gardner, my age is thirty-six, and I am what is
+      generally known as "a self-made man." But had I really had the
+      making of myself I should have endeavoured to produce a different
+      being. I recollect at the grammar school in Cambridgeshire, where
+      I received a plain education, hearing one of the masters, Mr.
+      Ruddock, mention a Greek proverb, "Know thyself," and advise the
+      boys in his form to act upon the advice given by the Greek sage
+      who pronounced these words. I was not, as a rule, struck with
+      much that fell from Mr. Ruddock's lips, for he was a dull,
+      stupid, and pompous man, possessing much more force of manner
+      than of character. But I did take this advice to heart and
+      endeavoured to act up to it, with the result that I know as much
+      about my own uninteresting self as most other human beings know
+      about themselves.
+    </p>
+    <p>
+      Well, this is how I appear in my own eyes. A strong, healthy man
+      with an active disposition, and capable of, and a lover of hard
+      work. A blunt manner, and with an entire absence of tact in
+      anything in which strict business is not concerned. I know that I
+      am truthful, for, in addition to a natural hatred of lying which
+      I must have inherited from my dear parents, I have always
+      recognised the fact that in business and in everything else the
+      truth always pays the best. During the sixteen years that I have
+      devoted to business I have endeavoured to act squarely and fairly
+      with everyone with whom I have been brought in contact, and I may
+      say without conceit that I have earned a good name in addition to
+      the three hundred thousand pounds that I have been able to save.
+    </p>
+    <p>
+      I have never got on particularly well with the other sex, partly,
+      I suppose, from my manners, which, to say the least, are not
+      attractive, and partly to the fact that up to the time I met
+      Marie Dalmayne I have never cared for a woman. I came across the
+      girl that I have grown to love so well in this fashion. I am
+      interested in a West Australian mine to the extent of about a
+      hundred thousand pounds, and am one of the three partners who
+      control the concern. One of them is a member of the great City
+      house of Bleichopsheim, and the other is Mr. Ross, a wealthy
+      iron-master. It was at the latter's house in St. James's Square
+      that I met my fate.
+    </p>
+    <p>
+      I took Miss Dalmayne down to dinner, and I think that my heart
+      went out to her from the first. I found her clever and sensible,
+      and with apparently little of the frivolity which characterises
+      most of the young women with whom I have been brought in contact.
+      Her conversation, if not absolutely brilliant, was at any rate
+      bright and amusing, and possessed a considerable amount of
+      shrewdness.
+    </p>
+    <p>
+      Miss Dalmayne was about twenty-three, tall and fair,' possessing
+      a perfect figure and the most beautiful and expressive hazel
+      eyes. Her hair was nut brown with a warm reddish sun-kissed
+      glint, and her features were regular and aristocratic. Her smile
+      was delightful. In short, I fell in love.
+    </p>
+    <p>
+      Next morning I ascertained from Adam Ross full particulars in
+      reference to Miss Dalmayne. She is the only daughter of the
+      Honourable George Dalmayne, and is related to many of the highest
+      English families. Mr. Dalmayne and his wife are not well off, and
+      the former is very much in debt and has taxed the generosity of
+      my friend Ross to a very considerable extent. The Dalmaynes live
+      in a small house in Eaton Terrace. They have only one other
+      child, and that is a son who is in the Army and is at present
+      with his regiment in India.
+    </p>
+    <p>
+      There are some people that one feels one can confide in in
+      matters of a delicate nature, and there are others to whom one
+      could never open one's mouth. Now, Ross and I have been friends
+      for ten years, during which time we have never had the least
+      difference. He is a man absolutely to be trusted. I told him
+      during this interview what a deep impression Miss Dalmayne had
+      made upon me. He said that he did not in the least wonder at it,
+      for she was greatly admired, and added that if it were not for
+      her father she would no doubt have made a brilliant marriage
+      already. I told my friend that I cared nothing about her father,
+      that I was not marrying him but his daughter&mdash;that is to
+      say, if I were fortunate enough to induce her to become my wife.
+    </p>
+    <p>
+      "I don't think that there is much fear of a failure," answered
+      Ross, "old Dalmayne is looking out for a rich husband for Marie.
+      Indeed, in a confidential mood one day recently he told me almost
+      as much himself. And he is not likely in a hurry to find one so
+      rich as yourself."
+    </p>
+    <p>
+      "Well, I shall call upon him to-morrow," said I, "and ask his
+      permission to speak to his daughter."
+    </p>
+    <p>
+      "I wish you every success, my dear friend," said Ross, "and I
+      have no doubt as to the result of your interview. And I don't see
+      why you should not be very happy. After all, as you say, you are
+      not marrying the father. You are marrying Marie, who is a very
+      high-principled girl, who is beautiful, who is accomplished, and
+      who would, I am certain, do everything to make her husband
+      happy."
+    </p>
+    <p>
+      And so it was settled, and next morning I called on Mr. Dalmayne.
+    </p>
+    <p>
+      Mr. Dalmayne, a tall, aristocratic man of about sixty, received
+      me with great cordiality. Whether Ross, who had dined with him on
+      the previous night, had mentioned anything of my matter to him I
+      don't know, but the old gentleman did not seem to be the least
+      surprised when I told him what the object of my visit was.
+    </p>
+    <p>
+      "Mr. Dalmayne," said I, "you will doubtless be wondering why I
+      have called to see you"&mdash;Mr. Dalmayne's face assumed a
+      sphinx-like expression&mdash;I will not keep you waiting for an
+      explanation. The truth is that I have fallen in love with your
+      daughter. Our mutual friend Adam Ross can tell you all about me,
+      and I don't think that his report would be an unfavourable one.
+      My position is this. I have saved three hundred thousand pounds,
+      which produces an income of about twelve thousand a year. And I
+      am making at least another twenty thousand a year from my share
+      of our mine and other sound enterprises. Should you permit me to
+      address Miss Dalmayne, and should I be happy and fortunate enough
+      to induce her to become my wife, I should propose to settle two
+      hundred thousand pounds upon her for her exclusive use."
+    </p>
+    <p>
+      "Your proposals are most generous," said Mr. Dalmayne, "and do
+      you credit. But in matters of this kind I should never dream of
+      attempting to control my daughter. You have, however, my full
+      permission to speak to her, and if she is willing to marry you,
+      you both have my full consent. My wife shares my views entirely.
+      Marie is out with her mother at the present moment, but she will
+      be in all the afternoon, and if you will call about four I will
+      see that you have the opportunity for which you are seeking."
+    </p>
+    <p>
+      I thanked Mr. Dalmayne most cordially and promised to return in
+      the afternoon. When I again arrived at Eaton Terrace I was shown
+      into the drawing-room, where I found Mrs. and Miss Dalmayne and a
+      sister of Mrs. Dalmayne's. Tea was brought in, and shortly
+      afterwards the visitor took her departure. A few minutes later
+      Mrs. Dalmayne made some excuse for leaving the room, and I was
+      left alone with Marie. My heart had beaten hard from excitement
+      as I had knocked at the door, but strange to say I felt no
+      nervousness now. I plunged into the matter that brought me
+      without delay. I told Miss Dalmayne of the wonderful effect
+      produced upon me by her beauty and charm, and in the fewest words
+      possible I asked her to be my wife, promising that she would
+      never repent it.
+    </p>
+    <p>
+      "You have done me a great honour," said Miss Dalmayne, "but I
+      must have a little time to think over what you have said and to
+      consult my parents. You shall hear from me at latest the day
+      after tomorrow."
+    </p>
+    <p>
+      I shortly afterwards took my leave, and departed buoyed up by the
+      strong hope that the desire of my heart would be obtained.
+    </p>
+    <p>
+      Nor was I disappointed. On the day she had promised I received a
+      letter from Miss Dalmayne saying that she was willing to accept
+      me, but frankly confessing that she had no love for me as yet,
+      though admitting that she liked me. "If," she continued, "you are
+      willing to take me on this understanding, I am ready to be your
+      wife."
+    </p>
+    <p>
+      Needless to say I was willing to accept these terms, and three
+      months afterwards we were man and wife.
+    </p>
+    <p>
+      It was in the month of July that we were married, and we went to
+      Aix-les-Bains for the honeymoon. A few days previously Mr.
+      Dalmayne asked me to lend him a thousand pounds, which I did
+      cheerfully, for after what my friend Ross had told me I was fully
+      prepared for such a request.
+    </p>
+    <p>
+      My wife had never been to Aix before, and seemed to amuse herself
+      very much. She played a little at the tables, and with a
+      considerable amount of success. I must admit that she was very
+      kind to me, and though of course I easily saw that I did not at
+      present possess her real affection, I was not discontented, and
+      hoped for the time to come when we should be all in all to each
+      other. We had met very few acquaintances at Aix, for it was not a
+      good season as far as English visitors were concerned, owing to
+      attacks on our country and Government by the French papers. But
+      when we had been there about three weeks a Captain Morland came
+      upon the scene. Captain Morland, who was an officer in the
+      Grenadier Guards, had known my wife since she was a child. They
+      seemed very pleased to see each other again, but there was a
+      certain sadness that I noticed in the young officer's manner. He
+      had just been invalided home from South Africa, where he had been
+      on active service during the time with which my narrative deals.
+      He was a handsome young man, tall and well built, and with kind
+      and expressive blue eyes. He was singularly reticent as to his
+      exploits during the war, though I heard from a friend of his who
+      was with him at Aix that he had been mentioned in despatches and
+      had been recommended for the D.S.O. He was a man to whom the
+      merest chance acquaintance was certain to take a fancy. I am
+      bound to say that I did so myself, and I hope that in what I am
+      calmly relating I shall not be considered to have intentionally
+      failed to do him justice.
+    </p>
+    <p>
+      It was the second week in August, and as the weather was very
+      hot, my wife and I had determined to leave Aix and go to
+      Trouville for a little sea air and bathing. Three days before our
+      departure I returned to the hotel to dress for dinner. I was just
+      going through the corridor when I heard voices in our
+      sitting-room. They were the voices of my wife and Captain
+      Morland.
+    </p>
+    <p>
+      I don't think that I am naturally a mean man, but I was mean
+      enough to listen on this occasion.
+    </p>
+    <p>
+      "You mustn't blame me, Hubert," said my wife, "we were all on the
+      verge of ruin, and I was bound to marry him."
+    </p>
+    <p>
+      "How could you consent to do such a thing? You don't care for him
+      in the least."
+    </p>
+    <p>
+      "No," said my wife; "nor shall I ever do so if I live for fifty
+      years. I care for no one but you. But I shall always do my duty
+      to my husband, who is a kind and good man and lives entirely for
+      me."
+    </p>
+    <p>
+      "If he died, you would marry me?" asked Captain Morland.
+    </p>
+    <p>
+      "Of course I would, and, as the children's storybooks say, 'live
+      happily ever afterwards.' But don't let us discuss deplorable
+      futurities."
+    </p>
+    <p>
+      This was enough for me. I saw, now that it was too late, how wise
+      my sister Ruth had been, and how foolishly I had acted. There was
+      nothing to be done, however, to remedy matters, in view of the
+      words spoken by my wife, and words which breathed of truth. I
+      went out quietly into the garden of the hotel and came back a few
+      minutes later. I asked Captain Morland to dine with us, and he
+      accepted my invitation. I carefully watched him and my wife
+      during the evening, and clearly saw that the case was hopeless
+      from my point of view.
+    </p>
+    <p>
+      On the morrow I made my will, and left everything to my wife with
+      the exception of fifty thousand pounds for my sister Ruth. I then
+      wrote the little history of my mistake, and am posting it from
+      the top of Mont Revard to my friend Ross, and have asked him to
+      act as he thinks best. It is hard to die, but, in my position, it
+      is still harder to live.
+    </p>
+    <p>
+      Having set my entire affections in one direction, and having been
+      hopelessly unsuccessful, there is only one thing to be done, and
+      that is to end matters. And I shall end them to-night.
+    </p>
+    <hr />
+    <p>
+      Extract from an Aix-les-Bains newspaper:&mdash;
+    </p>
+    <p>
+      "The body of a rich Englishman, named Gardner, who was staying at
+      the Hotel de l'Europe, was found lying at the bottom of the
+      precipice between Aix and Mont Revard. It is, of course, pure
+      conjecture how the unfortunate gentleman met his fate, but no
+      foul play is suspected, as his money and valuables were found
+      upon his body. We anxiously await developments. The police are
+      maintaining a strict reserve."
+    </p>
+    <hr />
+    <h2 class="chp">
+      <a id="puzzle" name="puzzle">A PUZZLED PAINTER.</a>
+    </h2>
+    <h3>
+      WRITTEN IN COLLABORATION WITH THE LATE SIR AUGUSTUS HARRIS.
+    </h3>
+    <hr />
+    <div class="ctr">
+      <p class="break">
+        CAST.
+      </p>
+      <p>
+        REMBRANDT TEMPENNY, an Artist.
+      </p>
+      <p>
+        MRS. TEMPENNY, his Wife.
+      </p>
+      <p>
+        CHARLES SYLVESTER, an Artist.
+      </p>
+      <p>
+        MRS. SYLVESTER, his Wife.
+      </p>
+      <p>
+        ROSALINE, a Model.
+      </p>
+      <p>
+        HENRICH SCHERCL, an Art Dealer.
+      </p>
+      <p>
+        ROBERT ADDISON, a Sporting Man.
+      </p>
+      <p>
+        SARAH ANN, a Maid-of-all-Work.
+      </p>
+      <p>
+        SUSAN, Parlourmaid at the Tempenny's.
+      </p>
+      <p>
+        GROGGINS, a Sheriff's Officer.
+      </p>
+    </div>
+    <h3 class="act">
+      A PUZZLED PAINTER.
+    </h3>
+    <h3 class="act">
+      ACT I.
+    </h3>
+    <h4 class="scn">
+      (SCENE I. TEMPENNY'S <i>Studio Doors R.L. and in Flat. As Curtain
+      rises a knocking is heard at D.R</i>.)
+    </h4>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>off</i>).
+    </p>
+    <p class="dlg">
+      Rembrandt&mdash;Rembrandt!
+    </p>
+    <p class="sdm">
+      (<i>Door opens, enter</i> MRS. TEMPENNY; <i>followed by</i> MRS.
+      SYLVESTER.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      He isn't here. Come in, dear; I am sure he will be pleased to see
+      you&mdash;we will wait.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      <i>My</i> husband hates to be disturbed in his studio. He says he
+      can never work again all day.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Artists are so different; Mr. Sylvester is more highly strung
+      than Rembrandt, I sometimes think. Rembrandt likes to see his
+      friends in his studio. I wonder where he has gone.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Gone to have a drink, I daresay.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Adelaide!
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      He does drink, doesn't he&mdash;when he's thirsty anyhow? And
+      artists are so often thirsty. Charles is often thirsty. He says
+      it is a characteristic feature of the artistic temperament. Ah!
+      my dear.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Why that sigh?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>sighing again</i>).
+    </p>
+    <p class="dlg">
+      Heigh ho!
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>affectionately</i>).
+    </p>
+    <p class="dlg">
+      Adelaide?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Eugenia!
+    </p>
+    <p class="sdm">
+      (<i>They touch each other's hands sympathetically</i>.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Aren't you happy, Adelaide?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I am married to an artist, Euna! I wouldn't say as much to
+      anybody else, but we were girls at school together.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      But, dear Addie, everybody knows you are married to an artist.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I mean I would not say to anybody else that I am not entirely
+      happy.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>enthusiastically</i>).
+    </p>
+    <p class="dlg">
+      Do tell me all about it.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I am jealous.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Of whom?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Oh no one&mdash;of everybody; of my husband's past, which I
+      know&mdash;of his life to-day, which is too circumspect to be
+      sincere.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>with misgiving</i>).
+    </p>
+    <p class="dlg">
+      But&mdash;but Rembrandt's life is also circumspect.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Poor child.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      You pity me?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Horribly. To be married to a painter&mdash;what a fate! To have a
+      husband who is shut up alone all day with a creature
+      who&mdash;who wears&mdash;
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Rembrandt's models <i>do</i>&mdash;.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Wear&mdash;?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Plenty!
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>gloomily</i>).
+    </p>
+    <p class="dlg">
+      Clothes sometimes cover a multitude of sins. They are no
+      guarantee. Rosaline wore them!
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Rosaline?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      You have not heard of Rosaline?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      No. A model?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      A serpent!
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      The wretch. Pretty of course?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Serpents are always pretty. One day, not long after we were
+      married, I came across her photograph&mdash;I was tidying up an
+      old desk of Charles', a photo, my dear, with an inscription that
+      left no doubt what their relations had been. I tore it up before
+      his face; and for a time, excepting for the girlish illusions he
+      had shattered, that was an end of the matter.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      But only for a time?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>impressively</i>).
+    </p>
+    <p class="dlg">
+      Two years ago I went into his studio, and found her there.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Horrible.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      You may well say so. She was sitting on a table drinking brandy
+      and soda as bold as brass. Of course he swore that he needed her
+      for a picture he was going to work on&mdash;and, I don't know,
+      perhaps it was true. Still considering what had been, her
+      presence there was an outrage, and I shall never forget the
+      quarrel there was between Charles and me. That was the last I
+      have seen of Rosaline&mdash;she went flying.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      And was it the last that Mr. Sylvester has seen of her?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      So far as I know. But there is always the lurking, horrid doubt.
+      You know now why I am not the light-hearted girl you remember,
+      and why I distrust artists as a class.
+    </p>
+    <p class="sdn">
+      <i>Pause</i>.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>meditatively</i>).
+    </p>
+    <p class="dlg">
+      I don't see why you should distrust Mr. Tempenny because Mr.
+      Sylvester is not steady.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Are you quite contented?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      No&mdash;we are too hard up, but I believe Rembrandt loves me,
+      and I love him.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>heavily</i>).
+    </p>
+    <p class="dlg">
+      Poor child.
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> REMBRANDT TEMPENNY <i>door in flat. He wears long
+      hair, and a brown velveteen jacket, and is smoking a short
+      pipe</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Eugenia? And Mrs. Sylvester? Why, bless my soul, how nice, what a
+      surprise! Don't move&mdash;don't. (<i>Stands peering at them with
+      his hands over his eyes.</i>) What a charming effect of light on
+      your profile, Mrs. Sylvester&mdash;how rich&mdash;how
+      transcendental! Glorious! (<i>Comes down.</i>) Well, well, well,
+      and so you ladies have come to pay me a visit. Can I offer you
+      anything?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      I called on Mrs. Tempenny to inquire whether you would dine with
+      us to-night, and she said she could not answer without consulting
+      you.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      You have no engagement, Rembrandt?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I am quite at liberty, Eugenia, quite. I shall be most pleased
+      and delighted. (<i>Aside.</i>) Another confoundedly dull evening,
+      I know! (<i>Aloud.</i>) Sylvester is well?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Sylvester is always well.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Happy Sylvester! Myself, I am a wreck.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      I want some money, Rembrandt.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>disconcerted.</i>)
+    </p>
+    <p class="dlg">
+      Eh? Oh! (<i>To</i> MRS. SYLVESTER.) And working hard I have no
+      doubt.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I believe so&mdash;he is out all day.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Admirable&mdash;what industry!
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> REMBRANDT TEMPENNY.) Rembrandt, I want some
+      money&mdash;have you got a couple of pounds you can let me have?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>affecting not to hear</i>).
+    </p>
+    <p class="dlg">
+      The hardest working people under the sun are artists, I always
+      say so. Hard worked&mdash;hard worked! (<i>Fills his pipe</i>).
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      May I look round your studio, Mr. Tempenny?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>waving his hand</i>).
+    </p>
+    <p class="dlg">
+      Charmed, positively!
+    </p>
+    <p class="sdm">
+      (MRS. SYLVESTER <i>moves up</i>.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>insistently</i>).
+    </p>
+    <p class="dlg">
+      Rembrandt, all the neighbourhood knows the butcher summoned us,
+      and none of the tradespeople will serve us with anything unless
+      we pay cash.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well, we're going out to dinner.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Oh, you drive me wild with your improvident, Bohemian ways.
+      There's to-morrow.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Sufficient for the day is the dinner thereof. Don't be greedy.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>looking round</i>).
+    </p>
+    <p class="dlg">
+      You have sold most of your canvasses, I see, Mr. Tempenny.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      I thought she wouldn't find the gallery extensive, I must really
+      do something to-day, I must indeed! (<i>Aloud</i>.) Sold? Yes,
+      yes. I am starting on a fresh commission now. There's a little
+      sketch up there you may fancy;&mdash;a mere impression, but full
+      of tenderness, I think, and rapture.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Rapture?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It is the newest word by which we explain the inexplicable.
+      "Rapture!" It says everything, does it not?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>vaguely</i>).
+    </p>
+    <p class="dlg">
+      Yes&mdash;yes, indeed.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      I made it up myself on the spot.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Laying her hand on his arm earnestly</i>). Rembrandt&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Yes, dear, I know what you're going to say. The other
+      tradespeople know we haven't paid the butcher and you want two
+      pounds. I'll give it you this evening&mdash;(<i>Aside</i>.) If I
+      can borrow it.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>coming down</i>).
+    </p>
+    <p class="dlg">
+      Then we shall see you this evening at seven sharp, Mr. Tempenny?
+      I am going to take Eugenia round to the house with me now, to
+      spend the afternoon. You'll find her there when you come.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Good. (<i>Aside</i>.) I wish they'd go! (<i>Aloud</i>.) You don't
+      mean to run away yet?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>doubtfully</i>).
+    </p>
+    <p class="dlg">
+      I think so.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>with alacrity</i>).
+    </p>
+    <p class="dlg">
+      Well, if you really must&mdash;
+    </p>
+    <p class="sdm">
+      (<i>Opens door</i> D.F.)
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Till seven o'clock.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Till seven.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Au revoir, dear. (<i>Aside to him</i>.) You won't forget
+      the&mdash;?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> MRS. TEMPENNY.) The two pounds, and the butcher;
+      I won't forget 'em. I only hope the <i>butcher</i> may forget
+      <i>me</i>.
+    </p>
+    <p class="sdr">
+      (<i>Exit</i> MRS. SYLVESTER.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      By-bye, sweetheart.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Ta, ta, Duckie.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Don't do too much&mdash;remember your precious health.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      All right, my love.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>blowing a kiss</i>).
+    </p>
+    <p class="dlg">
+      There.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>blowing a kiss</i>).
+    </p>
+    <p class="dlg">
+      There.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      My own darling husband!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      My angel.
+    </p>
+    <p class="sdr">
+      (<i>Exit</i> MRS. TEMPENNY.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>with a deep sigh of relief</i>).
+    </p>
+    <p class="dlg">
+      Thank heaven! (<i>Sinks into armchair, and puts his feet on the
+      mantelpiece</i>) The corner is getting tight, Rembrandt. This
+      sort of thing won't boil the pot. It won't, sonny, I assure you!
+      Where's the sketch of my <i>magnum opus</i>. 'Pon my word, I
+      haven't seen the thing for a month or more. (<i>Gets up and
+      rummages in a portfolio</i>.) Ah, here we have it! (<i>Holds up
+      and contemplates a small charcoal sketch</i>.) "Susannah before
+      the Elders" beautiful! composition charming! Rembrandt, old
+      pal,&mdash;I congratulate you! But where's the picture of it? "Oh
+      where, and oh where!" Rembrandt, you're developing into a
+      thorough-paced loafer. You always had a talent that way, but of
+      late you've broken your own record. I'll turn over a new leaf; I
+      will, I'll be a new man. Why not? We've the new woman; why not
+      the new man? Excellent idea. Rembrandt Tempenny, the new
+      man&mdash;the coming man&mdash;by George the GREAT man! I'm in
+      earnest, I'm in a fever. I bubble over with noble resolutions. I
+      wish the tradespeople didn't want cash&mdash;tradespeople who
+      want cash are so damping to noble resolutions!
+    </p>
+    <p class="sdm">
+      (<i>Gets out Easel and canvas, and takes off coat</i>.)
+    </p>
+    <p class="sdm">
+      (<i>Door in Flat is kicked open. Enter</i> ROBERT ADDISON.)
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Hullo!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Hullo!
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      How are you, old chap?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I'm the new man.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      The devil you are! What does it feel like?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Unfamiliar&mdash;like somebody's else's boots. I say, dear boy,
+      can you lend me a couple of thick 'uns.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Eh?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It's for the tradespeople.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Oh really&mdash;on principle you know&mdash;I never pay
+      tradespeople.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well, not to put too fine a point upon it, it's for my wife.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      I warned you not to marry. Now you see how right I was&mdash;she
+      wants two thick 'uns.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I know it's rough on you.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      It is. I'm a sociable chap by nature, and I'm rapidly being left
+      without a friend to bless myself with.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I don't grasp!
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      They all borrow my money, and then they say they're out the next
+      time I call.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I have got a big thing on, only temporarily I'm in a hole.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      I never knew a fellow in a hole who hadn't a big thing on. What
+      is it?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      The hole?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      No, the big thing&mdash;the stable tip?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It's nothing to do with the turf. Look here, Schercl&mdash;you
+      know Schercl?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      I know him.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      He gave me a commission for a picture six weeks ago; he's going
+      to pay three hundred for it. He advanced a century when I
+      accepted the offer.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      They are wonderful terms, Tempenny, for <i>you</i>.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Seems rather funny, doesn't it,&mdash;but it's a fact. "Nobody
+      more astonished than the striker," I confess.
+    </p>
+    <p class="cnm">
+      ROBERT ADDIS ON.
+    </p>
+    <p class="dlg">
+      Well, where's the picture?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Turning round the big blank canvas</i>). There!
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON (<i>with a whistle</i>).
+    </p>
+    <p class="dlg">
+      Oh my sainted mother! How does Schercl like it?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It's good work, isn't it? Fine colour and tone! How do the
+      harmonies strike you&mdash;correct?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Unbosom, what does it mean?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Dear boy, it means it was a royal order, and that I've been on
+      the royal loaf on the strength of it; and, now that I repent me,
+      I haven't got a model.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      No model?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      The subject is to be Susannah&mdash;Susannah before the Elders.
+      You know the kind of thing&mdash;(<i>whispers</i>).
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Yes, of course, and I suppose&mdash;? (<i>whispers</i>).
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Yes, and&mdash;(<i>touches his arms and chest, signifying a fine
+      woman</i>&mdash;<i>whispers</i>).
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Exactly. I think I can recommend the very model you want.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      You? Where did you meet her&mdash;on a racecourse?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      I know her&mdash;and she's worth backing.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      My dear friend, you have saved me! Where is she?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      I'll look her up.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      To-day?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Now if you like. Her name is Rosaline, and she's a ripper.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      "Rosaline the Ripper," Robert, fetch her. No wait a moment, I
+      can't do the picture here; I daren't.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Why not?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well, you see, my wife wouldn't approve, and I blush to say that
+      in the exuberance of early matrimony I encouraged her in an
+      inconvenient habit of running into my studio at all hours. I'll
+      have to work in a pal's.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      All right, I'll send her there.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well, you might bring her now, if you can, and I'll arrange the
+      sittings with her. Does she hang out in the neighbourhood?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Over a coffee-shop in Golden Street.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Go! And I'll stand you a swagger supper when the picture's done,
+      and Schercl parts. By the way&mdash;
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Yes?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Touching the two quid?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON (<i>giving the money</i>).
+    </p>
+    <p class="dlg">
+      Here you are.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I do touch 'em. Ecstasy! Bob, you're a brick; now cut along and
+      get back with the damsel sharp. (<i>Knock heard at</i> D.F.)
+      Hullo, whom have we here? Come in. (<i>Knock repeated</i>.) Come
+      in. (<i>Knock again</i>.) Come in, you fat-headed, lop-sided,
+      splay-footed, bandy-legged jay; come in!
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> SCHERCL).
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      Schercl! Good Lord! He's come to see the work.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> REMBRANDT TEMPENNY). I'm off.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> ROBERT ADDISON). No, I say, Bob, wait and see me
+      through it.
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      Rosaline may go out&mdash;I must hurry. See you again in half an
+      hour.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> ROBERT ADDISON). What shall I do?
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> REMBRANDT TEMPENNY). Lie! Ta-ta. I say&mdash;!
+      You don't think it possible old Schercl has made a mistake and
+      taken you for Tempenny the R.A.?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>staggered</i>).
+    </p>
+    <p class="dlg">
+      What!!
+    </p>
+    <p class="cnm">
+      ROBERT ADDISON.
+    </p>
+    <p class="dlg">
+      It would explain the terms, that's all, dear boy. Au revoir.
+      <span class="sdr">(<i>Exit</i> ROBERT ADDISON D.F.)</span>
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      Good Lord! (<i>Aloud, blandly</i>). My dear Mr. Schercl, this is
+      a pleasure indeed.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I do not know dat it is a great bleasure, but pusiness must be
+      attended to, hein? Vell, my friendt, and how is the bicture, eh!
+      Let us see how it has brogressed.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      The picture is going well&mdash;well, very
+      well,&mdash;excellently. I am a modest man&mdash;
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Humph! (<i>Aside</i>.) This is a very boor blace for zo famous a
+      bainter. I do not understand it! But I have certainly done goot
+      business mid him!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>disconcerted</i>).
+    </p>
+    <p class="dlg">
+      I say I am a modest man, Mr. Schercl, but I feel safe in
+      declaring that you will be satisfied with your bargain.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      "Bargain?" I do not tink dat ven I pay tree hundred bounds for a
+      bicture it should be called a "pargain." Tree hundred bounds is
+      very large brice; I shall have not made a pargain.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Er&mdash;quite so. You misunderstand me. I should have said your
+      "contract"&mdash;you will be satisfied with your contract.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      If you should have said "gontract," vy did you say "Pargain."
+      Vell, vell, let us see the bicture.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>With a desperate attempt to throw enthusiasm in his
+      voice</i>.) It is the best work I have done. I look to "Susannah"
+      to advance my position enormously. People will talk about
+      "Susannah." It is&mdash;er&mdash;full of rapture.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      "Rapture?" Vat is "Rapture?"
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      <i>You</i> know what "rapture" is. It is the term best understood
+      by the movement of to-day. It is our watchword, our ideal.
+      "Rapture!"
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Puzzled, but not wishing to appear ignorant</i>.) Oh
+      "Rapture," I did not understand you. Of course I know what
+      rapture is.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Of course you do. Well, "Susannah" brims over with it.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Goot, goot.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It is the very apotheosis of rapture.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I gongratulate you.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It exudes with rapture.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Is dat so?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It is bathed in rapture. (<i>Aside</i>.) I can't go on much
+      longer.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Now show it to me.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>with feigned surprise</i>).
+    </p>
+    <p class="dlg">
+      Show it to you? I can't show it to you&mdash;it isn't here.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Vat is dat you say? Not here?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Certainly not. I am working on it in a friend's studio, not my
+      own. The light here is not nearly good enough for a work like
+      that.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You have always found it goot enough, I pelieve?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>with enthusiasm</i>).
+    </p>
+    <p class="dlg">
+      But not for "Susannah"&mdash;not nearly good enough for
+      "Susannah," "Susannah" demands so much; she is exacting&mdash;she
+      must be humoured.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Vell, I am very disappointed; I came expressly to see how you had
+      brogressed. Will you make me an abbointment?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Certainly I will. I will write you to-morrow. I am anxious to
+      have your opinion.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Who is the friend in whose studio you vork?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Eh? In Mr. Sylvester's&mdash;Charles Sylvester. You should hear
+      him talk about it. By Jove, he does think a lot of it. I blush to
+      repeat what he says. He considers it magnificent.
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> SYLVESTER.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Afternoon, Rembrandt. Ah, Mr. Schercl, how-d'ye do.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Sylvester himself&mdash;the devil. (<i>Aloud</i>.) Dear old man,
+      we were talking of you! I was just telling Mr. Schercl what you
+      are kind enough to say of "Susannah."
+    </p>
+    <p class="sdm">
+      (<i>Kicks him aside</i>.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You think it goot, Mr. Sylvester, yes?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      He thinks it superb, so far as it has gone.
+    </p>
+    <p class="sdm">
+      (<i>Kicks him again</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      What's that? Who is "Susannah?"
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      "Who is Susannah!" (<i>With a sickly laugh</i>.) What a chap to
+      chaff you are. "Who is Susannah?" Ha, ha, ha.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      But in pusiness I do not like the chokes. Let us be serious if
+      you please. What is your opinion, Mr. Sylvester, of the vork?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>desperately</i>).
+    </p>
+    <p class="dlg">
+      Yes, I quite agree with you, Mr. Schercl, I quite
+      agree&mdash;there is a time for all things. Tell Mr. Schercl what
+      you think of it, Charlie, do.
+    </p>
+    <p class="sdm">
+      (<i>Kicks him savagely</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>aside to</i> TEMPENNY).
+    </p>
+    <p class="dlg">
+      You'll break my ankle directly, hang you. What do you want?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside to</i> SYLVESTER).
+    </p>
+    <p class="dlg">
+      Intelligence. I'll break your neck in another minute, you born
+      fool! (<i>Aloud suavely</i>.) Mr. Schercl is naturally anxious to
+      hear how the picture he had given me a commission for is getting
+      along. I was telling him how much you think of it but he would
+      like to hear your views from your own mouth.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Oh&mdash;oh!&mdash;now I know what you're talking about! Well, I
+      have a very high opinion of the work indeed, Mr. Schercl&mdash;a
+      very high opinion. (<i>Aside to</i> TEMPENNY.) What's the
+      subject?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside to</i> SYLVESTER).
+    </p>
+    <p class="dlg">
+      "Susannah before the Elders"&mdash;pitch it strong.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      The conception of Susannah, and in fact the entire treatment if I
+      may say so, is bold in the extreme. He makes a school, our friend
+      here. You will be surprised when you see the work, and impressed.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Vell, we will make the abbointment soon, Mr. Tempenny. I am sorry
+      I could not see it to-day. So I shall be imbressed? That is goot.
+      Gootday, gentlemen. We will make the abbointment very soon.
+    </p>
+    <p class="sdm">
+      (<i>Exit</i> SCHERCL.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Calling after him from open door</i>.) Mind the bottom step,
+      it's awkward. Got it?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>off</i>).
+    </p>
+    <p class="dlg">
+      It is so dark your staircase.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Yes, it is dark, isn't it? Good afternoon. (<i>Closes
+      door.)(To</i> SYLVESTER.) Phew! You couldn't have arrived at a
+      worse time.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Thanks.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I don't mean to be inhospitable, but the ice was thin.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Have you done anything to "Susannah?"
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Not a stroke, but I commence to-morrow in earnest. I've a model
+      coming this afternoon, and if you'll let me use your studio, I
+      shall knock in enough in a week for old Schercl to see when he
+      calls again.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Why do you want my studio&mdash;what's the matter with this?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well, the fact is my wife is always popping in here, and if she
+      found me with a model posed as Susannah she'd go into hysterics.
+      You understand me?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Understand you. I'm a married man.
+    </p>
+    <p class="sdm">
+      (TEMPENNY <i>looks at him silently, and then puts out his
+      hand</i>. SYLVESTER <i>grasps it</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I don't want to gush, but&mdash;I feel for you, old chap.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>gratefully</i>).
+    </p>
+    <p class="dlg">
+      I know&mdash;I know.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>offering pouch</i>).
+    </p>
+    <p class="dlg">
+      Smoke?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>producing pipe</i>).
+    </p>
+    <p class="dlg">
+      Thanks.
+    </p>
+    <p class="sdm">
+      (<i>They fill their pipes without speaking and puff
+      sympathetically</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Not but what she is a good sort&mdash;I don't want to say
+      anything against her.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Of course not.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      But&mdash;I suppose she's too fond of me.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It's a way wives have&mdash;they repay the superabundance of your
+      devotion during the courtship.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Exactly. She's jealous.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Of whom?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Of nobody&mdash;of everyone. Of my past, which was rather more
+      decent than most fellows&mdash;of my life to-day, which is a
+      pattern for a County Councillor.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Poor beggar.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      You're sorry for me?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Devilishly. To be married to a jealous woman!&mdash;what a fate.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>with a groan</i>).
+    </p>
+    <p class="dlg">
+      Ah! Tempenny, there was a girl I used to know when I was a
+      bachelor&mdash;she was a model. My wife found her likeness one
+      day after we were married. A likeness, nothing more&mdash;I
+      thought I had destroyed it. Well, if you'd have heard the
+      ructions she made; you'd have thought she'd found a harem.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Ah!
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      A year or two ago the girl turned up again&mdash;walked into my
+      studio, and wanted to sit to me. As it happened I could have used
+      her very well. Just as I had given her a drink who should march
+      in too, but my wife.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      The devil.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      I <i>said</i> my wife&mdash;but&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Yes, go on.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      She recognised my visitor in a moment from the
+      photograph&mdash;abused her, insulted me, and raised a royal row.
+      The girl cleared out like a shot, and I pledge you my word I have
+      never seen her since, but from that hour to this not a day passes
+      without Mrs. Sylvester making some allusion to the incident. I am
+      the most moral man alive, and I'm watched and suspected as if I
+      were a criminal.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      We must see more of each other than we have of late. When I work
+      in your studio we shall be company for each other.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      I shall be very glad. Well, I'll be off, now. See you to-morrow
+      then?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      To-morrow! Au revoir, dear boy.
+    </p>
+    <p class="sdr">
+      (<i>Exit</i> SYLVESTER.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Poor old Sylvester! Had no idea Mrs. Sylvester was such a
+      termagant. I must cheer him up a bit. So there was a girl, was
+      there, and Mrs. Sylvester is jealous of her? Wonder who she was!
+      Nice girl I daresay&mdash;Sylvester's taste was always good
+      excepting when he married. Where is Bob with my model?&mdash;time
+      he was back! (<i>Goes to window</i>.) There goes
+      Sylvester&mdash;funny thing you can always tell a married man by
+      his walk. There is a solidity about it&mdash;a sort of
+      resignation. (<i>Turns looking off the other way</i>.) And here
+      comes a pretty girl.&mdash;What a pretty girl&mdash;Funny thing
+      you can always tell a pretty girl by her walk. There is a
+      consciousness about it&mdash;a thanksgiving. She is stopping
+      here. Lovely woman stopping here!
+    </p>
+    <p class="sdm">
+      (<i>Throws up window, and leans out more and more till gradually
+      only a small section of his legs remain on the stage</i>)
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>off</i>).
+    </p>
+    <p class="dlg">
+      Is this Mr. Tempenny's studio?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It is. I am Mr. Tempenny. Come up do.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      No kid?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Not yet&mdash;I am recently married.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I mean you are really Mr. Tempenny.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Really and truly. (<i>Withdraws from window, wreathed in
+      smiles</i>.) How do I look? (<i>Smoothes his hair before
+      mirror</i>.) Perhaps she is a buyer&mdash;I had better appear
+      busy&mdash;or inspired. (<i>Seats himself and adopts a far-away
+      engrossed expression</i>.) "Rembrandt Tempenny at Home."
+    </p>
+    <p class="sdm">
+      <i>Knock at door. Enter</i> ROSALINE.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      May I come in?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Enter pray. An idea has struck me. May I beg you to sit down a
+      moment,&mdash;In a moment I shall be at your service.
+    </p>
+    <p class="cnm">
+      ROSALINE <i>sits</i>. REMBRANDT TEMPENNY <i>stares raptly before
+      him as if lost in composition. (Business.) He starts up and
+      rushes to small canvas, making violent sketch upon it. Then
+      brushes his hand across his brow, and turns to her</i>.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I dared not lose it&mdash;my idea! Forgive me&mdash;I have it
+      down now, it is saved. What can I do for you?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="cnm">
+      MR. Addison sent me. He said you wanted a model.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Oh&mdash;you are Rosaline?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      You have guessed it in once. He could not come back with me, so
+      he sent me here alone.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Oh!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      What do you think of me?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I think you a charming young lady.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Then what is the matter?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well, I thought you were somebody else, that is all. So you are
+      Rosaline.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      You keep telling me I am Rosaline&mdash;I know I am. The question
+      is how do I do?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      How do you do?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      You misunderstand me. The question is how do I suit you?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Quite so&mdash;you bring me to the point. You suit me entirely.
+      Mr. Addison perhaps explained to you the subject of my picture?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      "Susannah." Susannah is a very ugly name&mdash;.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      But she will be a very pretty girl, won't she?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Oh, go away with you.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Humour, only my humour! You musn't think any familiarity was
+      intended. I am not that sort of man at all.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      No?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Not a bit. As I told you out of the window, I'm married.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Well, I am sorry to hear it.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Now you are flattering me&mdash;now <i>I</i> must say, "go away
+      with you."
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I am sorry to hear it because I prefer sitting to single artists.
+      Wives sometimes make rumpuses.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Oh, you have found that?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I have indeed. I shall never forget one of my experiences as long
+      as I live.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Really? You interest me.
+    </p>
+    <p class="cnm">
+      ROSALINE <i>(sentimentally)</i>.
+    </p>
+    <p class="dlg">
+      I loved a man with all my soul, and <i>he</i> loved <i>me</i>. He
+      married! No, you must not blame him for it&mdash;he was weak, and
+      the temptation came. "To err is human,"&mdash;he married. Oh, my
+      heart! (<i>She presses her hand to her side</i>.) Forgive me
+      while I shed a tear.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Shed two.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I forgave him; I struggled to subdue the rage within me. I
+      forgave him, and went to see him again. I had conquered my
+      scorn&mdash;my better nature had triumphed&mdash;I went to him
+      with all the old tenderness that I had lavished on him in the
+      days gone by. He was startled, even cold, but still I feel I
+      should have won him back to me had not something happened.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Something so often happens. It is an aggravating way of
+      something.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      His wife came between us. All was over.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Designing wretch!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I have never seen him since; I have banished his image from my
+      mind. But that time has left its mark on me for ever. It
+      transformed a simple credulous girl into a hardened worldly
+      woman. I shall never feel a liking for wives again.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      One cannot blame you.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I felt you would say that. (<i>Presses her handkerchief to her
+      eyes</i>.) It was cruel.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      But in my case you will not be troubled by my wife. The sittings
+      won't take place here, and so she will not see you.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      How is that?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well, it is very odd, but Mrs. Tempenny has the same objection to
+      models that you have to wives. It is ridiculous, in fact it is
+      wicked of her, but I find it best to humour her prejudices. Will
+      you go to-morrow to Sycamore Place, Number five?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I'll be there&mdash;on one condition. No wives, or I throw up the
+      job.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>alarmed</i>).
+    </p>
+    <p class="dlg">
+      For Heaven's sake don't talk of doing that&mdash;my whole life
+      hangs on the picture. If you don't sit to me I'm a ruined man.
+      Rosaline, I swear to you no wives shall cross your path.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>off</i>).
+    </p>
+    <p class="dlg">
+      Rembrandt, Rembrandt.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Who's that?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Mrs. Tempenny, but I won't let her in.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>angrily</i>).
+    </p>
+    <p class="dlg">
+      Wives already!&mdash;Everywhere&mdash;wives.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>off</i>).
+    </p>
+    <p class="dlg">
+      Rembrandt, I must see you. Where are you&mdash;quick!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Here, I know the pattern of this! Let me go!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>alarmed</i>).
+    </p>
+    <p class="dlg">
+      No. No. I'll get rid of her. (<i>Runs to window, and leans
+      out&mdash;calling</i>.) Don't wait, my dear. I'm busy. I'll be
+      with you soon.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>contemptuously</i>).
+    </p>
+    <p class="dlg">
+      Why, you're scared out of your life of her I can see! I have had
+      enough of this,&mdash;I don't want the job. (<i>As if to go</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Leaving window and running back to her</i>). I tell you if
+      you don't sit to me I'm a ruined man. Rosaline, I implore you!
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>off</i>).
+    </p>
+    <p class="dlg">
+      I am coming up at once.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>rushing to window again</i>).
+    </p>
+    <p class="dlg">
+      On no account, my darling, I can't be disturbed.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I'm off. Ta-ta.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>back to her again</i>).
+    </p>
+    <p class="dlg">
+      You shan't go&mdash;I'll lock you in first. There! (<i>Locks
+      door, and takes out key</i>.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>off</i>).
+    </p>
+    <p class="dlg">
+      Rembrandt, I must come up. Something is the matter.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      No, no, no. Go home, and see the tradespeople, catch! (<i>Takes
+      out the two sovereigns, and runs to window again: in his
+      excitement he throws with the wrong hand&mdash;throwing out
+      key</i>.) Good Lord! I've thrown her the key. (<i>Leans out of
+      the window</i>.) She is coming upstairs. Skip inside there till
+      she goes. Hurry! (<i>Motions</i> ROSALINE <i>off R</i>.)
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>scornfully</i>).
+    </p>
+    <p class="dlg">
+      Wives, wives, wives!
+    </p>
+    <p class="sdm">
+      (<i>Exit Rosaline</i>.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Rembrandt! Why did you keep me waiting&mdash;there's a sheriff's
+      officer on his way here with a warrant. He has been at the house,
+      and the servant ran round to Sylvester's to tell me. You must
+      escape.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Escape?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Fly!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I can't fly&mdash;I am not built for flying.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Then you must hide.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Where?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Pointing to room where Rosaline is concealed</i>.) There!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      No, no, Hark!
+    </p>
+    <p class="sdm">
+      (<i>Very heavy steps are heard ascending stairs</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I hear a footfall.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>in terror</i>).
+    </p>
+    <p class="dlg">
+      Hide yourself&mdash;quick.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>in terror</i>).
+    </p>
+    <p class="dlg">
+      I can't.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Why not?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>loftily</i>).
+    </p>
+    <p class="dlg">
+      A hero never hides. Ah, I have it. I'll jump from the window.
+    </p>
+    <p class="sdm">
+      (<i>Struggles into his coat and hat</i>.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      There is the conservatory underneath.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I'll jump clear of it. Don't let him in for a minute.
+    </p>
+    <p class="sdm">
+      (<i>He plants a lay-figure in front of canvas, with its back to
+      door in flat, then proceeds to dress it up to resemble himself at
+      work. Brush in hand, etc</i>.)
+    </p>
+    <p class="cnm">
+      GROGGINS (<i>off</i>).
+    </p>
+    <p class="cnm">
+      MR. Tempenny!
+    </p>
+    <p class="sdn">
+      (<i>Knocks at door</i>.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Who's there?
+    </p>
+    <p class="sdm">
+      (<i>She goes to door, half opening it, so that</i> GROGGINS
+      <i>has a partial view of lay-figure</i>.)
+    </p>
+    <p class="cnm">
+      GROGGINS.
+    </p>
+    <p class="dlg">
+      I have a warrant here for Mr. Rembrandt Tempenny&mdash;matter of
+      forty pun'.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Sh! He is painting.
+    </p>
+    <p class="cnm">
+      GROGGINS.
+    </p>
+    <p class="dlg">
+      I can't help whether he's painting or not, marm. The question is
+      whether he is paying or not.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Man, my husband cannot be disturbed. Don't you see?&mdash;he is
+      inspired.
+    </p>
+    <p class="cnm">
+      GROGGINS.
+    </p>
+    <p class="dlg">
+      Well, he'll be in&mdash;Wandsworth if he don't part.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Sh! talk softly. Your voice will jar upon him.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      Now for it. (<i>At window</i>.) One&mdash;two&mdash;three&mdash;I
+      don't like the look of that glass-house much.
+    </p>
+    <p class="sdm">
+      <i>(Hesitates).</i>
+    </p>
+    <p class="cnm">
+      GROGGINS (<i>decisively</i>).
+    </p>
+    <p class="dlg">
+      I must come in, marm&mdash;out of the way if <i>you</i> please.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      Oh! It's now or never.
+    </p>
+    <p class="sdm">
+      (<i>Jumps out. A tremendous crash of broken glass is heard</i>.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>with a shriek</i>).
+    </p>
+    <p class="dlg">
+      Ah!
+    </p>
+    <p class="cnm">
+      GROGGINS (<i>pushing her aside</i>).
+    </p>
+    <p class="dlg">
+      What's that? (<i>Aside</i>.) Oh, there he is. (<i>Aloud</i>.)
+      Here you Mr. Tempenny, sir, I've a warrant 'ere on a judgment
+      summons.&mdash;Suit of Cole the butcher. (<i>Addressing
+      lay-figure</i>.) Do you pay up, or come along o' me?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>at window&mdash;aside</i>).
+    </p>
+    <p class="dlg">
+      He's picked himself up&mdash;he waves his hand&mdash;all is well.
+    </p>
+    <p class="cnm">
+      GROGGINS.
+    </p>
+    <p class="dlg">
+      Which is it, sir? I allus likes to do business pleasant, only you
+      must make up your mind, you know. Pay up, or lock up&mdash;take
+      your choice.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>At window. Excitedly aside</i>.) He disappears&mdash;he's
+      lost to view&mdash;the danger's past.
+    </p>
+    <p class="cnm">
+      GROGGINS.
+    </p>
+    <p class="dlg">
+      Well, if you <i>won't</i> speak, you <i>won't</i>, of course!
+      I've done my 'umble best to do my dooty affable, and since you're
+      sulky, why&mdash;(<i>Going up to lay-figure</i>) Mr. Rembrandt
+      Tempenny, I've a warrant for your arrest.
+    </p>
+    <p class="sdm">
+      (<i>He slaps the lay-figure on the shoulder, it collapses with a
+      crash</i>).
+    </p>
+    <p class="cnm">
+      GROGGINS (<i>falling back in terror</i>).
+    </p>
+    <p class="dlg">
+      Got 'em again, as I'm a sinner!
+    </p>
+    <p class="sdm">
+      (MRS. TEMPENNY <i>runs to</i> D.F. <i>as if to go</i>. ROSALINE
+      <i>half opens</i> R.D. <i>and pops her head out with an
+      ejaculation</i>.)
+    </p>
+    <p class="sdm">
+      <i>Act drop, quick</i>.
+    </p>
+    <h3 class="act">
+      ACT II.
+    </h3>
+    <h4 class="scn">
+      SCENE:&mdash;SYLVESTER'S <i>Studio</i>. (<i>The next day</i>.)
+      <i>Doors R. and L. At back cupboard</i>. TEMPENNY <i>discovered
+      painting</i>, ROSALINE <i>posed</i>.
+    </h4>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I'm getting tired.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Sh! (<i>goes on working frenziedly</i>).
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I say I'm getting tired.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Wait a minute, and you shall rest. There! now you can move if you
+      like.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>stretching herself</i>).
+    </p>
+    <p class="dlg">
+      Thank goodness. Let us look! (<i>Looks at canvas</i>.) Oh!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      What do you think of it?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Not much.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Ah, that shows your profound ignorance of the School. It promises
+      to be a superb example. (<i>Contemplates it sideways</i>.)
+      Exquisite!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I say, where is your friend?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Who?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Didn't you say this studio belonged to a friend of yours?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Oh yes; he hasn't come yet. I expect he will be here this
+      afternoon.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      What's this? (<i>picking up Mandarin's Wig</i>.) One of his
+      props?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      That? That is a Mandarin's wig. Yes, of course it is one of his
+      props. He has just been engaged on a great work: "The
+      Decapitation of a Mandarin after a Chinese Reverse." The
+      gentleman who sat for the Mandarin wore that wig.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      What a funny subject to choose.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Rather playful, isn't it? He likes 'em like that. That's his
+      forte.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      What is his name&mdash;do I know him?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Charlie Sylvester; and a rattling good chap he is, let me tell
+      you.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>with a shriek</i>).
+    </p>
+    <p class="dlg">
+      Oh, my heart! This is fate!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>alarmed</i>.)
+    </p>
+    <p class="dlg">
+      I beg your pardon? Don't go off like that. What's the matter?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      It is <i>He</i>&mdash;<i>He</i> who&mdash;! Oh, I am going to
+      faint.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      No,&mdash;no, for goodness' sake, don't do that. What do you mean
+      by "he?" Here, I say, compose yourself.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      It is the man I love. The finger of Fate is in it. Where is he?
+      Bring him to me! Charlie, my own!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>very flustered</i>).
+    </p>
+    <p class="dlg">
+      Oh I say&mdash;look here, you know&mdash;? (<i>Aside</i>.) This
+      is the devil and all&mdash;Charlie will never forgive me!
+      (<i>Aloud</i>.) My dear good girl, he <i>isn't</i> your "own," I
+      assure you he isn't. There is a Mrs. Sylvester, as you know very
+      well. (<i>Aside</i>.) If he comes in and finds her here, there's
+      an end of all my sittings. What a piece of infernal luck to be
+      sure!
+    </p>
+    <p class="cnm">
+      ROSALINE <i>(resolutely).</i>
+    </p>
+    <p class="dlg">
+      Where is he?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>sullenly</i>).
+    </p>
+    <p class="dlg">
+      I don't know&mdash;I suppose he is at home.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Fetch him then&mdash;let me see his dear face again.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      What???
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Bring him to me&mdash;now, this instant! We have been divided too
+      long already.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      You have, have you?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Far, far too long.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      I must humour her. (<i>Aloud</i>.) Well, perhaps you <i>have</i>,
+      on second thoughts. Yes, it is a long time.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I have never forgotten him. I have always treasured his memory in
+      my soul.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>soothingly</i>).
+    </p>
+    <p class="dlg">
+      That was very nice of you. You are a very nice girl&mdash;I saw
+      it at once.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      <i>He</i> used to say that&mdash;he used to call me his
+      "Toppett."
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      His little "Toppett?" It is a pretty name, and I am sure he will
+      be delighted to find you here, when he comes. It will be a
+      surprise for him, won't it; quite a surprise! (<i>Aside</i>.) A
+      perfect devil of a surprise!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      For all he knows I might be dead&mdash;dead with the violets
+      blooming over my tomb.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Yes, yes,&mdash;buttercups and daisies. (<i>Aside</i>.) I shall
+      get the giddy push from here when he does come; I see it sticking
+      out a foot. (<i>Aloud</i>.) I say, Poppett&mdash;I mean
+      "Rosaline," do you feel equal to going on with the sitting till
+      he arrives?
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>passively</i>).
+    </p>
+    <p class="dlg">
+      As you please&mdash;I must live.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside.</i>)
+    </p>
+    <p class="dlg">
+      It is doubtful whether Sylvester will see it in the same light.
+      (<i>Aloud</i>.) Well, then, suppose you take up your position
+      again.
+    </p>
+    <p class="sdm">
+      (<i>He poses her with much difficulty, as each time he places her
+      arms in the required attitude, she moves to wipe away a
+      tear</i>).
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      There, now we've got it at last. (<i>He goes back to the easel,
+      and commences to work</i>).
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      (<i>Bursting into sobs, and collapsing altogether</i>.)
+      Boo&mdash;hoo&mdash;hoo!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>despairingly</i>).
+    </p>
+    <p class="dlg">
+      Oh, great Jupiter! This is too much! Can't you contain your
+      emotion? I know it is very praiseworthy, but can't you bottle it
+      up? How on earth am I to paint you while you keep going on like
+      this.
+    </p>
+    <p class="sdm">
+      (<i>The street-door bell rings</i>).
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>joyously</i>).
+    </p>
+    <p class="dlg">
+      He! (<i>She clasps her hands and listens</i>.) My heart tells me
+      so!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>disagreeably</i>).
+    </p>
+    <p class="dlg">
+      It <i>ain't</i> he&mdash;because he never rings. So your heart's
+      told you a lie.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>off</i>).
+    </p>
+    <p class="dlg">
+      Mr. Sylvester&mdash;is he in? Not in? What do you mean?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Snakes!&mdash;it's his Missus.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>passionately</i>).
+    </p>
+    <p class="dlg">
+      <i>Another</i> wife?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      No, it is the same one&mdash;do you think he is the Grand
+      Mogul?&mdash;but she will be enough for <i>you</i> if she finds
+      you here, and for <i>me</i> too!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I do not fear her. I am doing no harm&mdash;I am your Model,
+      brought here by you.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>in terror</i>).
+    </p>
+    <p class="dlg">
+      Now look here, you know, don't say that; I won't be mixed up in
+      it! I tell you I'll have nothing to do with the matter! I didn't
+      know who you were, or I wouldn't have brought you within a
+      hundred miles of the place. Hark.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>off</i>).
+    </p>
+    <p class="dlg">
+      I will wait in his studio till he comes. He ought to have been
+      here long ago.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>in terror</i>).
+    </p>
+    <p class="dlg">
+      <i>Ought</i> he! I won't be seen here&mdash;I can't. She is a
+      friend of my wife's. I won't be found in your company. I'm a
+      moral man, and she knows you.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>indignantly</i>).
+    </p>
+    <p class="dlg">
+      What?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Here, hi, I will be a lay-figure. By George, I've got it&mdash;I
+      will be the Mandarin, see!
+    </p>
+    <p class="sdm">
+      (<i>He disguises himself with Rosaline's assistance as a
+      Mandarin, and sits cross-legged at back, wagging his head</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      How is that?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Beautiful. Hush!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Am I sufficiently impregnated with the Chinese sentiment?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I don't know what you mean. Sh! Here she is.
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> MRS. SYLVESTER <i>L</i>.)
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      A young woman&mdash;who is this?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Good morning, madam. Who do you wish to see?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>with a start</i>).
+    </p>
+    <p class="dlg">
+      Can I be deceived? Is it possible you are
+      the&mdash;ahem&mdash;the person I take you for?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I really don't know who you take me for. My name is Rosaline, and
+      I'm a model.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I knew it! How dare you come here&mdash;how dare you? Two years
+      ago I forbade you ever to enter my husband's studio again.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I did not know it was your husband's studio when I came. I am
+      here to sit to a friend of his.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I'm the friend.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>to</i> ROSALINE).
+    </p>
+    <p class="dlg">
+      What did you say?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I did not speak.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Now let me quite understand you. Do you mean to say that it was
+      not Mr. Sylvester who brought you here?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Certainly I do. I came to Mr.&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>in terror aside to</i> ROSALINE).
+    </p>
+    <p class="cnm">
+      MR. Brown.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Who did you say? Who is Mr. Brown?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I did not say "Mr. Brown." A gentleman engaged me to sit to him,
+      and told me to come here this morning at ten o'clock. He said he
+      was a friend of Mr. Sylvester's.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Then you did know that this was Mr. Sylvester's studio!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I did not. He said it belonged to a friend of his, but did not
+      mention his name.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>impatiently</i>).
+    </p>
+    <p class="dlg">
+      Whose name?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      His friend's name.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>passionately</i>).
+    </p>
+    <p class="dlg">
+      Who was this friend, girl? Who told you to come? Answer me.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Oh, that is very easy. I was engaged by Mr.&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside to</i> ROSALINE).
+    </p>
+    <p class="cnm">
+      MR. Smith.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I do not know any Mr. Smith. Where has he gone?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I never said "Mr. Smith."
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      What?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Certainly not. I have no reason to mind telling the truth. I am
+      naturally a truthful girl. His name was&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside to</i> ROSALINE).
+    </p>
+    <p class="dlg">
+      Robinson.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Once and for all&mdash;will you tell me the man's name?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside to</i> ROSALINE).
+    </p>
+    <p class="dlg">
+      No, never!
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      You refuse?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      No.
+    </p>
+    <p class="cnm">
+      MRS. SYLYESTER.
+    </p>
+    <p class="dlg">
+      Then why did you say "never?"
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I never said "Never."
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I warn you, girl, my patience is nearly exhausted.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      So am I. My legs ache at the joints.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      You will either make a clean breast of it, or I shall take
+      steps&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside to</i> ROSALINE).
+    </p>
+    <p class="dlg">
+      Let her take steps&mdash;that's what I want her to do.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Ah, wait&mdash;doubtless my husband is in hiding. I will see.
+    </p>
+    <p class="sdm">
+      (<i>She opens</i> R.D. <i>and exit</i>.)
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>going up to</i> REMBRANDT TEMPENNY <i>angrily</i>).
+    </p>
+    <p class="dlg">
+      What do you mean by getting me into all this trouble? What do you
+      mean by it?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Oh, you be hanged&mdash;you're a perfect nuisance.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      What!
+    </p>
+    <p class="sdm">
+      (<i>She slaps his face</i>. MRS. SYLVESTER <i>re-enters</i>.)
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I heard a noise.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I was playing with the idol, that is all.
+    </p>
+    <p class="sdm">
+      (REMBRANDT TEMPENNY <i>wags his head mechanically</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      This is a dignified position for a husband and a
+      ratepayer!&mdash;the butt of a bad girl!
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Your frivolity will avail you nothing. If you were indeed brought
+      here by a friend of Mr. Sylvester's, I can guess who he is. His
+      name is Tempenny, and I shall enquire into the matter at once.
+      (<i>Going</i>.)
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Of course his name is Tempenny&mdash;I never denied it.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY and MRS. SYLVESTER (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      What?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I am nobody's accomplice&mdash;I am an honest woman earning a
+      living. I will tell lies for no one.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      The cat!
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      Oh, this is infamous! So Mr. Tempenny assists my husband to
+      deceive me, does he? We will see what his wife has to say to it.
+      Birds of a feather&mdash;as I always thought. Abandoned wretches
+      both!
+    </p>
+    <p class="sdr">
+      (<i>Exit L</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>springing up</i>).
+    </p>
+    <p class="dlg">
+      You mischief-making little beast&mdash;what have you done?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Don't you talk to me like that&mdash;I won't have it!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>furiously</i>).
+    </p>
+    <p class="dlg">
+      You won't have it!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      No, I won't.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      You&mdash;you&mdash;! You smacked my face!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      And I'll smack it again if you aggravate me. If it weren't that
+      <i>he</i> will be here later on, I'd walk straight out of the
+      studio, and never come into it again.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I've a good mind to bundle you out neck and crop, I can tell you.
+      That woman has gone off to complain to my wife. Here, get me out
+      of these things. (<i>He divests himself of the Chinese wig and
+      costume</i>.) I think I had better go. I don't know how I'll do
+      the picture&mdash;I'll <i>never</i> do the picture. I think
+      <i>you</i> had better go&mdash;if Charlie Sylvester finds you
+      here after this, he will murder you.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>off</i>).
+    </p>
+    <p class="dlg">
+      Tempenny!&mdash;Tempenny&mdash;are you upstairs?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>agitated</i>).
+    </p>
+    <p class="dlg">
+      He! Oh, I say, you know&mdash;don't yer know&mdash;this is awful!
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>rapturously</i>).
+    </p>
+    <p class="dlg">
+      I know his voice.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>dancing with terror</i>).
+    </p>
+    <p class="dlg">
+      Yes, so do I! He'll kill you&mdash;I warn you he will make a
+      corse of you&mdash;or <i>me</i>. I won't meet him. I can't. Get
+      rid of him for the Lord's sake&mdash;I'll hide in there till he
+      has gone.
+    </p>
+    <p class="sdr">
+      (<i>Exit R</i>.)
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>taking out powder puff</i>).
+    </p>
+    <p class="dlg">
+      After years we meet again!
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> SYLVESTER <i>L</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Why the devil couldn't you answer, Tempenny, I say&mdash;
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>turning</i>).
+    </p>
+    <p class="dlg">
+      Charles! Ah! once more!
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Great Scott! My dear girl, what on earth are you here for?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      It is like that you greet me?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      "Greet" you? Well, upon my word I don't quite know what you
+      expect. I thought it was understood between us last time we met
+      that&mdash;that&mdash;we weren't to meet? You see I've got a
+      wife, and&mdash;
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I know. I have just seen her.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      What's that you say? You have just seen my wife?
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>nodding</i>).
+    </p>
+    <p class="dlg">
+      She has been here. She has only just gone.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      The devil! What did she say to you&mdash;what did she think?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      She thought you knew about it&mdash;she was angry!
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>furiously</i>).
+    </p>
+    <p class="dlg">
+      And very rightly too. You have no business here&mdash;why did you
+      come?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      MR. Tempenny brought me.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      What? Are <i>you</i> his model? This is really too bad. Where is
+      he?
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>pointing R</i>.).
+    </p>
+    <p class="dlg">
+      He has gone in there.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      What for? (<i>Calling</i>.) Tempenny! I say, Tempenny, I want
+      you!
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> REMBRANDT TEMPENNY <i>very nervously</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Ah&mdash;er&mdash;good morning, dear boy. What weather, eh? What
+      weather we're having to be sure. (<i>Aside to</i> ROSALINE.) You
+      malicious, base-hearted&mdash;(<i>Shakes his fist at her</i>.)
+      Oh!
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Look here, you know, Tempenny, this won't do. You have no right
+      to bring the girl here. I don't think it was at all friendly of
+      you. I&mdash;I consider it a damned liberty of you in fact.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>shrinking</i>).
+    </p>
+    <p class="dlg">
+      I was afraid you would be vexed, but don't be cross, dear old
+      man; don't be "put out" about it. (<i>Trying to laugh</i>.) There
+      are worse troubles at sea, as they say&mdash;worse troubles at
+      sea!
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>With rising indignation</i>.) But I <i>am</i> put out. Damn
+      the sea&mdash;what's that got to do with it. Mrs. Sylvester has
+      been in and seen her, I understand? You have served me a very
+      shabby trick, Tempenny&mdash;I am very sorry about it!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Still trying to laugh it off</i>.) All comes out in the wash,
+      old chap&mdash;all comes out in the wash, I assure you! (<i>Slaps
+      him on the shoulder</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Don't do that&mdash;I don't like it!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>nervously</i>).
+    </p>
+    <p class="dlg">
+      Ha, ha, ha! (<i>Does it again</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>shouting</i>).
+    </p>
+    <p class="dlg">
+      Don't!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>collapsing</i>).
+    </p>
+    <p class="dlg">
+      All right, I won't.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>advancing</i>).
+    </p>
+    <p class="dlg">
+      Charlie!
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Don't call me "Charlie"&mdash;I don't like it.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Once&mdash;
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Well, then, I don't like it twice&mdash;do you hear! This is all
+      your fault, Tempenny. You have got me into a pretty mess upon my
+      word. My wife won't believe me, and I shall never hear the end of
+      it.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      And what about mine?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Yours?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Yes, she has gone to tell her.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>roaring with laughter</i>).
+    </p>
+    <p class="dlg">
+      Ha, ha, ha!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>miserably</i>).
+    </p>
+    <p class="dlg">
+      Remarkably funny, isn't it?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Ha, ha, ha!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Ha, ha, ha!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>To</i> CHARLES SYLVESTER; <i>pointing to</i> ROSALINE.) That
+      girl is a perfect devil. She smacked my face just now when I was
+      posing as a mandarin.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER (<i>staring</i>).
+    </p>
+    <p class="dlg">
+      As a what!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I was a mandarin when your wife came in&mdash;I thought it
+      best&mdash;and this ex-mash of yours took advantage of me, and
+      smacked my face.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>To</i> ROSALINE.) I tell you what it is,&mdash;I think you
+      had better go. You had better be off&mdash;I can't have you here.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I quite agree. <i>I</i> don't want her&mdash;she is more trouble
+      than she is worth.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      You are very rude to me, both of you. (<i>To</i> CHARLES
+      SYLVESTER.) Your manners have not improved with matrimony, my
+      friend.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      I am not going to discuss my manners&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      No, he is not going to discuss his manners.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      The point is&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      The point is&mdash;git!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      The point is that if you don't ask me properly, I shall do
+      nothing of the kind. Now you've got it.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>To</i> REMBRANDT TEMPENNY <i>angrily</i>.) What the devil do
+      you mean by bringing such a firebrand here?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Now don't lose your temper again. (<i>To</i> ROSALINE.) Will you
+      go?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      No, I won't.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      That settles it. (<i>The two men look at each other
+      helplessly</i>.)
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> SARAH ANN.)
+    </p>
+    <p class="cnm">
+      SARAH ANN.
+    </p>
+    <p class="dlg">
+      If you please, sir, there is a gentleman downstairs who wants to
+      see Mr. Tempenny.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Me? What's his name? What does he want?
+    </p>
+    <p class="cnm">
+      SARAH ANN.
+    </p>
+    <p class="dlg">
+      He says his name is Mr. Schercl.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I'm out. Go and tell him so. It only wanted this to complete my
+      happiness. I won't see him, do you hear?
+    </p>
+    <p class="cnm">
+      SARAH ANN.
+    </p>
+    <p class="dlg">
+      If you please the gentleman said he must see you, but if you was
+      engaged, he'd wait.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      You won't get rid of old Schercl in a hurry, if he has advanced
+      you any of the "ready."
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Tell him I'm out. Then let him come up if he likes.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      What are you going to do?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I am going to dissemble. I am going to be an Eastern potentate,
+      and I am going to spoof the old boy. (<i>To</i> SARAH ANN.)
+      Menial, slope! (<i>To</i> CHARLES SYLVESTER.) Help me.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      This is the rummiest studio that ever I was in!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Yes, originality is what we pride ourselves on. (<i>He disguises
+      himself as the Maharajah of Slamthedoor</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      And what am <i>I</i> to do?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      You must be very deferential. I think you had better salaam when
+      you speak to me. Try it.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Like this? (<i>Salaams</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      That's it, only more so. And mind, if he wants to see Susannah,
+      you don't let him look at it. It's only just begun. How do I
+      look?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      You look like a Guy Fawkes.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Dear child! how pretty she talks! Where did you originally find
+      such a treasure?
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> HENRICH SCHERCL <i>L</i>.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Ah, Mr. Sylvester, how do you do? Where is Mr. Tempenny? I hoped
+      to see him.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      He has been compelled to go out on most important business.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      The business of you gentlemen is always "most important"
+      excepting when it concerns them that find you the wherewithal.
+      (<i>Aside</i>.) What a nice girl!
+    </p>
+    <p class="sdm">
+      (ROSALINE <i>smiles at him</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SILVESTER.
+    </p>
+    <p class="dlg">
+      I don't think, my dear Schercl, that you have much cause to
+      complain. You don't lose by us; now confess!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      My dear sir, if I lost by you how do you think I should garry on
+      my business? One must live. But you artists don't give us much
+      chance. You are always bleeding us for what you call "a bit on
+      aggount."
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>coming down</i>).
+    </p>
+    <p class="dlg">
+      Your conversation is very interesting, but I wish to see Mr.
+      Tempenny. He is not here, and if he is not coming I shall go.
+      Allah Bismillah Remdazzlegefoo!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> CHARLES SYLVESTER.) What does he say?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> HENRICH SCHERCL.) He's swearing because Tempenny
+      is out.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I wanted to buy some of his great works. The Maharajah of
+      Battledore told me that he was one of your most favourite
+      painters.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      Good old Rembrandt Tempenny. What larks!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> CHARLES SYLVESTER.) Let <i>me</i> deal with this
+      sportsman.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> HENRICH SCHERCL.) Bosh, why should you?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Do you want to sell your "Battle of Agincourt?"
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Of course I do.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      How much?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Two hundred&mdash;you know that!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      A hundred ready?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Yes.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You will have a jeque to-night.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      On your word?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      On my word.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      An open one?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Yes, my dear young friend. Now oblige me by skipping.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Right you are. Allow me to introduce to your Highness, Mr.
+      Schercl&mdash;Mr. Schercl, the Maharajah of Slamthedoor.
+    </p>
+    <p class="sdr">
+      (<i>Exit R</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Allah Bismillah Pottamarmala Goo!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      He's swearing again. (<i>Aloud</i>.) I am sorry your Royal
+      Highness has been kept waiting. These artists are such gurious
+      people. Your Highness broboses to buy bictures, yes?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I have built a new palace at Slamthedoor, and I must have, of
+      course, some pictures for my galleries.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Does your Highness want any slaves too?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> ROSALINE.) Go away, girl&mdash;go away! One deal
+      at a time! (<i>Aloud</i>) May I make so bold as to enquire the
+      size of the new palace, Oh glorious One? (<i>Salaams</i>.)
+      (<i>Aside</i>.) I think that is right!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      The size? It is no bigger than my other one&mdash;it is about
+      four times as large as your Buckingham Palace.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Great heavens! And you will have a vast picture gallery, Oh Light
+      of my Eyes!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Five&mdash;five picture galleries, and I desire to fill them.
+      That is why I am looking up these artists. My cousin the
+      Maharajah of Battledore has given me several introductions.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      <i>Doesn't</i> your Royal Highness want any slaves? Ye before
+      whose radiance the sun pales and the stars grow dim&mdash;no
+      slaves?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Can you dance, damsel, as I would see you?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> ROSALINE.) Go away&mdash;go away&mdash;go away.
+      Oh, demmit, will you go away! (<i>Salaaming</i>.) Most Serene
+      One&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Proceed. But be quick&mdash;I am impatient to be gone. Allah
+      Bismillah, be quick!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      What a temper he's got! (<i>Aloud</i>.) Be guided by your
+      servant. I have your Royal Highness's interest at heart.
+      (<i>Aside</i>.) Also my own. (<i>Aloud</i>.) These bainters are
+      so queer&mdash;they do not understand business at all, at all.
+      Nach, they know nothing about it&mdash;at least very few of them.
+      The less you have to do with them directly the better for your
+      Royal Highness. If your Royal Highness wishes to fill the picture
+      galleries of your new palace I'll take on the job at contract.
+      I'll save you sixty per cent, s'welp me!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      That is very kind of you. Why should you do it?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Well, your Royal Highness, I was struck by your demeanour and to
+      tell your Royal Highness the truth, except with the Brince of
+      Westphalia I have never done any business with royal families
+      before.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>aside</i>.)
+    </p>
+    <p class="dlg">
+      Modest violet! There's nothing like being frank!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      You do not advise me then to see this Mr. Tempenny, or the other
+      painters whose names I have?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Certainly not, your Royal Highness. Let <i>me</i> arrange
+      everything. Here's my card&mdash;Heinrich Schercl, 41 Golden
+      Square.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> HENRICH SCHERCL). Look here, what am I to have
+      for this.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> ROSALINE). For what?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> HENRICH SCHERCL). I can queer your pitch.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> ROSALINE). We will talk later&mdash;we will talk
+      later. Don't bother me!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      My dear Mr. Schercl, I am delighted to have met you. You are
+      quite confident you can <i>fill</i> my galleries?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      With genuine works of art. (<i>Aside</i>.) Poor Gamboge died last
+      week; I am sure he hasn't sold more than three pictures during
+      the last ten years&mdash;I can get the lot cheap. Only there must
+      be 200 at least. What with all the other stony devils I can lay
+      hands on, I'll soon decorate the old josser's walls.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well then, I shall wait no longer&mdash;there is no need now. I
+      shall call upon you, and settle our business together. Good-bye,
+      miss, for the present. This is your daughter, I suppose?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Eh&mdash;oh, yes, my youngest&mdash;my ewe lamb.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I congratulate you. She is worthy to be a Princess.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      This man's a flyer! I thought he was a mild young mug, but he
+      fairly takes the merry little bun!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Good day, sir. My time in London is short. If I cannot call upon
+      you, I will ask you to come to me at Claridge's.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Charmed, your Royal Highness. I shall be entirely at your
+      disposition.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      That is well.
+    </p>
+    <p class="sdr">
+      (<i>Exit R</i>. SCHERCL <i>and</i> ROSALINE <i>salaam</i>).
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Skipping with ecstasy</i>). Jampagne! Little girl, I will
+      stand you jampagne to zelebrate the deal.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Good biz! (<i>Opens L.D. and calls</i>). Here Mary, Matilda,
+      Susan, or whatever your name is, you're wanted.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      And you are a very charming girl, that is a fact. (<i>Lighting a
+      cigarette</i>). I think I must give you a sovereign, yes?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I don't mind if I do. (<i>Taking cigarette from his case</i>). A
+      "sovereign?" What are you talking about? My commission on this is
+      a tenner&mdash;and I'm cheap at that!
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> SARAH ANN <i>L</i>.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Giving her money</i>). Fetch me a bottle of jampagne, and
+      bring two glasses, eh?
+    </p>
+    <p class="cnm">
+      SARAH ANN.
+    </p>
+    <p class="dlg">
+      Yessir.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      And look slippy. Go on, I'm parched. Mind, the <i>best</i>
+      champagne. (<i>To</i> HENRICH SCHERCL.) Got a light?
+    </p>
+    <p class="sdm">
+      (<i>Exit</i> SARAH ANN <i>L</i>.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      What is your name, my dear? (<i>Gives her light</i>).
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Rosaline&mdash;you may call me "Rosie" if you like.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      May I&mdash;why? (<i>Chuckles</i>).
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Well, I was struck by your demeanour, and to tell your Royal
+      Highness the truth I have never done business with such a nice
+      gentleman as you before.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Ha, ha, ha! You are a sharp girl too! You are too good to go to
+      India to be a slave. You could do better in London.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      (<i>Coquettishly</i>). Think so?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You shall have a slave of your own&mdash;a slave who would love
+      you.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      It sounds very well. In the meantime what about the tenner?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Taking out his notebook</i>). You shall have it. There! Will
+      you give me a kiss for that, my Rosie, with your rosy-posy lips?
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> SARAH ANN <i>L. with champagne and glasses</i>).
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Not before the child! Put it down, my girl, that'll do&mdash;Come
+      on, Heinrich of the Golden Square, come and pour out the fluid.
+    </p>
+    <p class="sdm">
+      (<i>Exit</i> SARAH ANN <i>L</i>.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Lifting his glass</i>). Gezunteit!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Very likely. (<i>Aside</i>.) This is the best day's sitting I've
+      ever done. (<i>Aloud</i>.) Now this is what I call comfortable: a
+      bottle of the boy, a cigarette, and a cosy chat. I am very glad
+      to have met you.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Putting his arm round her waist</i>). Really&mdash;is that
+      so?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      That is really so. But mind you, an hour ago, I should not have
+      let you do this.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I am so blessed we did not meet an hour ago.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      It is true. An hour ago I was in love, but I have been treated
+      very badly. Just now my heart is at the rebound.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Leedle heart&mdash;let me gatch it!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Now you are making fun of me. I am not so simple as you think.
+      Why, we have only just met.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      But we can meet again. Besides, I am not going yet&mdash;I will
+      stop and talk to you. You shall tell me all about your
+      love-trouble, and I will gonsole you. Hark, what is that?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Somebody is coming upstairs.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Then I will step into the next room. It would not look vell that
+      I should be found trinking jampagne mid a pretty girl like you.
+      When they are gone I will come back.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="cnm">
+      MR. Sylvester is in there. Here, if you don't want to be seen,
+      get into this cupboard.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Is it glean? Are you sure?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Clean as a new pin. Come on if you mean it, there's no time to
+      waste. Now or never?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Going into cupboard, gingerly</i>). I am certain it is not
+      glean.
+    </p>
+    <p class="sdm">
+      (ROSALINE <i>shuts the door and turns as</i> MRS. SYLVESTER
+      <i>re-enters with</i> MRS. TEMPENNY).
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I told you so! Here she is as bold as brass. Now what do you say
+      to that?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      If indeed my husband brought her here&mdash;if he has really
+      assisted Mr. Sylvester to deceive you&mdash;
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>Scornfully</i>). "IF!" The creature does not deny it. Speak,
+      girl.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Good afternoon.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      "Good afternoon?" It isn't a "good afternoon" I want you to say.
+      Speak, I tell you.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      What shall we talk about?
+    </p>
+    <p class="sdm">
+      (<i>R.D. slowly opens a little</i>&mdash;<i>showing</i> REMBRANDT
+      TEMPENNY <i>and</i> CHARLES SYLVESTER <i>listening</i>).
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> CHARLES SYLVESTER). Can you do it, do you think?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      I can do it.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Threaten to punch my head.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Yes, yes&mdash;and you had better be very violent too.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I twig. Wait a moment.
+    </p>
+    <p class="sdm">
+      (<i>They withdraw</i>).
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Bursting into tears</i>). I will never forgive him as long as
+      I live.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I should think not. When I see Charles&mdash;!
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Oh, and when I see Rembrandt&mdash;!
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      I <i>will</i> see him, if I stop till midnight!
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      And <i>I'll</i> see him, if I don't go home for a week!
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> REMBRANDT TEMPENNY <i>backwards, very disordered
+      attire</i>&mdash;<i>his entrance to suggest that he has been
+      flung in</i>. CHARLES SYLVESTER <i>follows</i>).
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>With affected fury</i>). If you did not bring this person
+      here, sir, how did she come?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      How?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Yes, sir&mdash;how?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      How do I know?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER and MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      What is all this? Oh, good gracious, the men have been fighting!
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      <i>I</i> know what it is&mdash;it's spoof.
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>Rushing to</i> CHARLES SYLVESTER). Charles&mdash;Charles,
+      compose yourself!
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Rushing to</i> REMBRANDT TEMPENNY). Rembrandt, be calm.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Don't interfere, Adelaide.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Eugenia, this concerns us alone. Mr. Sylvester accuses me&mdash;
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Yes, sir, I accuse you&mdash;
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Throwing himself upon him</i>). Ah!
+    </p>
+    <p class="sdm">
+      (CHARLES SYLVESTER <i>throws him off</i>).
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      The best of wives&mdash;
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Don't you dare to mention Mrs. Sylvester's name, sir!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I am talking about Mrs. Tempenny. I say you would lead the best
+      of wives to suppose that I&mdash;I&mdash;introduced this creature
+      into your room. (<i>Weeps</i>.)
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      And through you I may be falsely suspected by Adelaide.
+      (<i>Weeps</i>.)
+    </p>
+    <p class="sdm">
+      (ROSALINE <i>whispers to</i> REMBRANDT TEMPENNY <i>aside</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> ROSALINE.) Great Jupiter!
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      All this is very fine&mdash;but who <i>is</i> the man who brought
+      her here if you didn't? Answer that.
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Yes, if neither of <i>you</i> did it, who did? Where <i>is</i>
+      the man?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Throwing open cupboard triumphantly and disclosing</i>
+      SCHERCL <i>covered with paint</i>.) There!
+    </p>
+    <p class="sdm">
+      <i>Curtain</i>.
+    </p>
+    <h3 class="act">
+      ACT III.
+    </h3>
+    <h4 class="scn">
+      SCENE:&mdash;<i>Drawing-room at Tempenny's house.</i>
+    </h4>
+    <p class="sdm">
+      TIME:&mdash;<i>Next day</i>.
+    </p>
+    <p class="sdm">
+      (SUSAN <i>discovered dusting. As Curtain goes up bell is heard
+      off</i>.)
+    </p>
+    <p class="cnm">
+      SUSAN.
+    </p>
+    <p class="dlg">
+      Was that the bell again? It is not the sort of place I am used
+      to, this&mdash;where the master's afraid to see half the people
+      who calls for him. I only hopes my wages is right. They was
+      precious particular about <i>my</i> references when they took me.
+      Was I sober, honest and industrious, and the Lord knows what?
+      Wish I'd been equal particular about theirs. The master ain't
+      remarkably industrious, that I do know, for he often don't paint
+      nothing for a week at a time; and he frequently ain't sober.
+      Whether or not he is honest I shall find out at the end of my
+      month. (<i>Bell rings again</i>.) It <i>was</i> the
+      bell&mdash;I'd better go and see who it is.
+    </p>
+    <p class="sdr">
+      (<i>Exit L</i>.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>heard off</i>).
+    </p>
+    <p class="dlg">
+      Mr. Tempenny in? Nonsense. Then I'll wait till he is.
+    </p>
+    <p class="cnm">
+      SUSAN (<i>expostulating</i>).
+    </p>
+    <p class="dlg">
+      But, sir, if you please, sir, really&mdash;
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> HENRICH SCHERCL <i>followed by</i> SUSAN.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I tell you I mean to see him. Now let us have the truth, girl,
+      where is he?
+    </p>
+    <p class="cnm">
+      SUSAN.
+    </p>
+    <p class="dlg">
+      Mr. Tempenny, sir?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      "Mr. Tempenny, sir?" Yes, ma'am, who else? Now, is he at home?
+    </p>
+    <p class="cnm">
+      SUSAN.
+    </p>
+    <p class="dlg">
+      No, sir, he isn't; he has gone out.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Not to his studio, for I've just been there.
+    </p>
+    <p class="cnm">
+      SUSAN.
+    </p>
+    <p class="dlg">
+      No, sir, he has gone to his dentist.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Then I'll just sit down here till he comes back. You may go in
+      and tell him so.
+    </p>
+    <p class="cnm">
+      SUSAN (<i>confused</i>).
+    </p>
+    <p class="dlg">
+      I hope you don't think I tell stories, sir? If Mr. Tempenny's out
+      how can I take him your message?
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> REMBRANDT TEMPENNY <i>R</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>briskly</i>).
+    </p>
+    <p class="dlg">
+      Now, you understand, Susan, I am out to everyone, and if a Mr.
+      Schercl calls&mdash;(<i>seeing</i> HENRICH
+      SCHERCL&mdash;<i>aside</i>). Good gracious! (<i>Aloud</i>.) Beg
+      him to wait till I return&mdash;I want to see him.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>sardonically</i>).
+    </p>
+    <p class="dlg">
+      He <i>is</i> waiting, sir.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>affecting surprise</i>).
+    </p>
+    <p class="dlg">
+      My dear friend, how glad I am&mdash;how very glad!
+      (<i>Aside</i>.) This is the very devil! (<i>Aloud</i>.) All
+      right, Susan, you can go.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I want a leedle talk with you, my friend, without delay.
+    </p>
+    <p class="cnm">
+      SUSAN (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      I hope the master'll enjoy himself, I'm sure! I did <i>my</i>
+      best for him anyhow!
+    </p>
+    <p class="sdr">
+      (<i>Exit L</i>.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Mr. Tempenny, I am here to demand an exblanation, sir&mdash;an
+      exblanation of your strange behaviour of yesterday. And there is
+      something else, sir. I find you are not Mr. Tempenny at all, sir,
+      you are an imposter.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      He did take me for Tempenny R.A., Addison was right!
+      (<i>Aloud</i>.) An imposter, Mr. Schercl?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Zertainly, sir. I took you for <i>the</i> Mr. Tempenny&mdash;it
+      was to <i>the</i> Mr. Tempenny, I brobosed to give my commission.
+      You 'ave cheated me, you fellow.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Now, now, take care! How was <i>I</i> to know you took me for
+      somebody else? You came to me, and you made me an offer, and I
+      accepted it. How could I tell you thought I was another&mdash;I
+      may say an <i>inferior</i>&mdash;Tempenny? I say how could I know
+      you were making a mistake?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You knew it very well. I would not pay tree 'undred pounds to
+      <i>you</i>! What do you think I am&mdash;a fool? You 'ave
+      obtained an order from me under false pretences, do you hear. I
+      say you 'ave robbed me.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Gently! gently! this is slander, old gentleman. It will cost you
+      a good deal <i>more</i> than three hundred pounds if you aren't
+      more guarded in your remarks.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>spluttering</i>).
+    </p>
+    <p class="dlg">
+      What?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      It will really. I shall owe it to myself to have you up for
+      slander, and it would be a very good advertisement for me too.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      What! what! what!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      A really excellent advertisement. And what a fool you'd look!
+      Come, come, you don't suppose your other Tempenny would have done
+      you a work of this size for three hundred, do you? Nor as good
+      either? No, no! As to the affair of yesterday, my wife was very
+      much to blame&mdash;I am very angry with her. You see she has
+      such curious ideas, and when she found you hidden in a cupboard
+      with a paint-pot upset over you she thought it strange. It
+      <i>wasn't</i> strange, of course&mdash;(<i>airily</i>) most
+      natural thing in the world, but she couldn't see it.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I felt very hurt to be so misunderstood. The only person who
+      abbeared to have any zympathy for me was your model&mdash;the
+      Miss Rosaline.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Nice girl! charming girl, isn't she? Full of feeling, and&mdash;I
+      say, Schercl, you've made a conquest there, and no error.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Nonsense&mdash;go away mid your rubbidge!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Well, you have, you know! She made an awful scene after you
+      left&mdash;said you were the only man she ever saw look dignified
+      with a pot of paint upset over him. It is a pity in one way she
+      <i>is</i> so taken with you&mdash;I feel for her.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>flattered</i>).
+    </p>
+    <p class="dlg">
+      Vat rot you talk. Why should you feel for her?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Because you meant nothing by your attentions, Schercl, and the
+      poor girl doesn't know that. She is thinking about you&mdash;not
+      to put too fine a point upon it, she has fallen in love with you;
+      and what do <i>you</i> care?&mdash;you laugh!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      No, I do not laff&mdash;I have a 'eart, have I not? I have the
+      emotions and sensibilities.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      You have, you have. But you do not realise how serious an
+      impression you have made.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Well, now about Susannah. You can do it as well as your namesake.
+      Yes?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Ah! (<i>Enthusiastically</i>.) Wait till you see it!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      It still progresses?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Superbly.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      "Zuperbly!" But I do not see it, and to me you never abbear to
+      paint.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      My dear friend, how can you doubt the success of the picture
+      after you have seen the model who is sitting for it?
+      Fair&mdash;beautiful form&mdash;exquisite arms&mdash;er&mdash;
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Yes, yes, yes. So Miss Rosaline sits for your Susannah, eh?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Won't it be worth the three hundred&mdash;won't it be a dream.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>eagerly</i>).
+    </p>
+    <p class="dlg">
+      I will come in one morning when you are at work! Yes, I am
+      satisfied with the gontract&mdash;I say no more. I will come in
+      when she is sitting.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNV.
+    </p>
+    <p class="dlg">
+      No, you don't, my boy&mdash;oh no, you don't! The picture is what
+      you get for your money&mdash;the real, living, breathing woman
+      ain't included. Not much! Oh, no, Schercl, you old
+      rogue&mdash;only the picture, sonny, no more. Ha, ha, ha!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>confused</i>).
+    </p>
+    <p class="dlg">
+      You misunderstood me quite&mdash;I had no idea but of my
+      business. I do not think of other things. Er&mdash;when will the
+      picture be done, Tempenny, I would like it soon?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Ha, ha, ha! Control yourself, Romeo, it's coming on.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      But according to our contract, it should be done in a week's
+      time. If you disappoint me, my friend, we shall fall out again.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      It strikes me you'll be precious lucky if you get it at all. The
+      infernal "contract" is the bane of my life. (<i>Aloud</i>.) All
+      right, Schercl, I will push on with it&mdash;I want the other two
+      hundred, you know. I shan't delay for my own sake. (<i>Enter</i>
+      CHARLES SYLVESTER <i>L</i>.) Hallo, Charlie, how d'ye do. How are
+      things at home?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I see another of yesterday's gulprits. However I have forgiven
+      you.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      That's all right. (<i>Aside to</i> REMBRANDT TEMPENNY:)
+      Rosaline's downstairs&mdash;wanting to see you. Where is your
+      wife?
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Out. (<i>To</i> HENRICH SCHERCL.) That poor girl has followed you
+      here. Perhaps out of pity you ought to go down to her and say a
+      kind word.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Miss Rosaline&mdash;she is here? Well, I never! Yes, I will go
+      down and speak to her. Where is she?
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> ROSALINE <i>L</i>.)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      Damn it, in the drawing-room! Look here, Schercl, you can't go
+      till <i>she</i> does. If my wife comes in and finds her, she is
+      your affair. Don't leave her for Heaven's sake.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Good morning, gentlemen. Oh, Mr. Schercl! What a
+      pleasure&mdash;how <i>do</i> you do?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I am very well, I thank you. And you?&mdash;I need not ask, you
+      look most beautiful.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      Dear man!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> CHARLES SYLVESTER.) Why is Tempenny so afraid
+      his wife should see her? You too&mdash;why are <i>you</i> so
+      afraid? Is she not of a good character, this Miss Rosaline?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> HENRICH SCHERCL.) The girl is a paragon. They
+      are jealous of her, that's all. She is too good-looking for 'em.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Ha, ha, I see!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      I think we'll leave you, old man. Rosaline, Mr. Schercl, has
+      something to say to you&mdash;we shall be in the way. (<i>Aside
+      to</i> CHARLES SYLVESTER.) Come on, old chap&mdash;I wouldn't
+      risk being found in the room again with the girl for a monkey.
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Yes, I have some business to discuss with Mr. Tempenny. If you
+      will excuse us&mdash;
+    </p>
+    <p class="sdr">
+      (<i>Exit R.</i>)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      (<i>Aside to</i> HENRICH SCHERCL.) Take her away soon, there's a
+      trump, or there will be another row. I give you five minutes to
+      get her out of the house, Take her to
+      breakfast&mdash;or&mdash;or&mdash;wherever you like, only hurry!
+      <span class="sdr">(<i>Exit L.</i>)</span>
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      How funny to be left alone like this, isn't it, I really called
+      to know when Mr. Tempenny proposed to continue the sittings. Do
+      you know?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      No, I have no idea. But I am very glad you called&mdash;our
+      conversation yesterday was so inderrupted.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Yes, and we were getting on so nicely too, weren't we? Do you
+      like my new hat? I bought it out of the tenner you gave me. What
+      do you think of the bow&mdash;isn't it a duck?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You do not sit to Mr. Tempenny in a hat, I think.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      In a&mdash;? Oh no, not in&mdash;. The subject is classical.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Zo I understand (<i>he sighs</i>).
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>sighing</i>).
+    </p>
+    <p class="dlg">
+      Ah!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Why do you sigh? You are not happy?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Did I sigh? I was thinking.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>sighing</i>).
+    </p>
+    <p class="dlg">
+      Heigho!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      But now it is <i>you</i> who sighs. Aren't <i>you</i> happy?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I alzo, I was thinking.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Of what?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      If I was to tell you, you would call me "sentimental old fool."
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Not <i>old</i>. Never a <i>fool</i>. (<i>With sudden
+      persuasiveness</i>.) <i>Tell</i> me!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I was thinking then, of you.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Of little me? What of me.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I was wishing I was this Mr. Tempenny.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Why? (<i>Realising reason, and covering her face bashfully</i>.)
+      Oh!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I mean you go to him every day, and your zociety is very
+      fascinating. That is all.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Of course, if you were Mr. Tempenny, you would see more of me. I
+      should have said you would see me "<i>oftener</i>."
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Heigho!
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Heigho!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      The little that I <i>have</i> seen has made a great impression on
+      me, Rosie&mdash;I shall never forget your face.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Really?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>eagerly</i>).
+    </p>
+    <p class="dlg">
+      Yes, yes, really&mdash;it is true.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I am only a model, you know&mdash;a poor girl.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You are a model of perfection. I zympathise with you.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      You do not think the less of me because?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I assure you I think of you the more. Nevertheless I do not like
+      the idea.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      And why?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You must find it zo chilly in the winter.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      I have got used to it. And besides I am fortunately of a warm
+      temperament. The wind is tempered to the shorn lamb.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I have not ever in my life seen a young lady who did make me feel
+      for her the strange attraction that I feel for you, Rosie. I am
+      jealous of this Mr. Tempenny.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Jealous! Do you mean you are in love with me? (<i>Aside</i>.) Oh,
+      my goodness, what a joke!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      And if I did, would you laugh at me? Supposing I was to say to
+      you&mdash;"Rosie, I would like to marry you," what would you
+      answer?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Say it, and see. (<i>Aside</i>.) He's in earnest. I do believe.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I am a very rich man. I could give you lots of such hats, and
+      jewellery, and a big house.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>sentimentally</i>).
+    </p>
+    <p class="dlg">
+      I wish that you were poor.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>in a fright</i>).
+    </p>
+    <p class="dlg">
+      No, no, for goodness sake, don't say that! Why?
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      You would not doubt my sincerity then. Now, you may think&mdash;
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      No, no, I do believe you. Do you care for me a little, Rosie?
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>archly</i>).
+    </p>
+    <p class="dlg">
+      Perhaps I do&mdash;a little. No, you are making game of me!
+      (<i>Turns up</i>.)
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I am not&mdash;I am not! I love you desperately. Rosie, will you
+      be my wife. Say "yes" my darling.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Yes. Now you may kiss me.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL (<i>kissing her</i>).
+    </p>
+    <p class="dlg">
+      This is paradise. And Rosie&mdash;
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Yes, Mr. Schercl.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Ah, no, you must say Heinrich.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Yes&mdash;Heinrich?
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      You will not sit to Mr. Tempenny any more? It is not fit, now
+      that you are to be Mrs. Schercl, that you should earn your living
+      in such a way.
+    </p>
+    <p class="cnm">
+      ROSALINE (<i>doubtfully</i>).
+    </p>
+    <p class="dlg">
+      He will be very disappointed. He can't finish "Susannah" without
+      me, and if he don't finish it, he won't get the two hundred
+      pounds.
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> MRS. SYLVESTER <i>and</i> MRS. TEMPENNY. <i>L.
+      dressed for walking</i>.)
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      Sir!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Ah, my friend Tempenny's wife. And Mrs. Sylvester&mdash;how do
+      you do?
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER.
+    </p>
+    <p class="dlg">
+      This creature again?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY.
+    </p>
+    <p class="dlg">
+      By what right, sir, do you bring this person again&mdash;and into
+      my private house.
+    </p>
+    <p class="cnm">
+      ROSALINE.
+    </p>
+    <p class="dlg">
+      Creature! Stand up for me, Heinrich.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I will, my treasure. (<i>To</i> MRS. TEMPENNY.) I must trouble
+      you, my good madam, to speak in terms of more respect of a lady
+      who will shortly be my wife.
+      <br />
+      <br />
+    </p>
+    <div class="ctr">
+      <table>
+        <tr>
+          <td>
+            MRS. TEMPENNY
+          </td>
+          <td>
+            }
+          </td>
+        </tr>
+        <tr>
+          <td></td>
+          <td>
+            } (<i>aside</i>).
+          </td>
+        </tr>
+        <tr>
+          <td>
+            MRS. SYLVESTER
+          </td>
+          <td>
+            }
+          </td>
+        </tr>
+      </table>
+    </div>
+    <p class="dlg">
+      Schercl's wife! We must be very civil to her!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Let me introduce you: Mrs. Tempenny, Mrs. Sylvester&mdash;the
+      future Mrs. Heinrich Schercl.
+    </p>
+    <p class="sdm">
+      (<i>The two women gush up to her and shake her hands</i>.)
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> TEMPENNY <i>and</i> SYLVESTER. <i>L.</i>)
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      What's this I see, do I dream?
+    </p>
+    <p class="cnm">
+      CHARLES SYLVESTER.
+    </p>
+    <p class="dlg">
+      Are visions about?
+    </p>
+    <p class="cnm">
+      MRS. TEMPENNY (<i>aside to</i> TEMPENNY).
+    </p>
+    <p class="dlg">
+      Why on earth didn't you tell me? They are engaged&mdash;I might
+      have offended him for life!
+    </p>
+    <p class="cnm">
+      MRS. SYLVESTER (<i>aside to</i> SYLVESTER).
+    </p>
+    <p class="dlg">
+      How stupid you were! They are going to be married. Why, you might
+      never have got an order from him again!
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY.
+    </p>
+    <p class="dlg">
+      Dear, dear, dear, but my very good friend, if this lady is going
+      to be your wife, how about "Susannah?"
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      Forgive me, "Susannah" cannot be. I release you from the
+      contract.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>aside</i>).
+    </p>
+    <p class="dlg">
+      Tidings of joy! (<i>Aloud</i>.) But&mdash;but&mdash;this is very
+      hard on me.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I release you, and I pay you just the same.
+    </p>
+    <p class="cnm">
+      REMBRANDT TFMPENNY.
+    </p>
+    <p class="dlg">
+      But she has had the money for a dozen sittings.
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I pay.
+    </p>
+    <p class="sdm">
+      (<i>Enter</i> SUSAN.)
+    </p>
+    <p class="cnm">
+      SUSAN.
+    </p>
+    <p class="dlg">
+      If you please, sir, there's a hofficer of the law downstairs and
+      he wants Mr. Tempenny or forty pun', sixteen shillings and
+      ninepence.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>waving his hand</i>).
+    </p>
+    <p class="dlg">
+      Schercl!
+    </p>
+    <p class="cnm">
+      HENRICH SCHERCL.
+    </p>
+    <p class="dlg">
+      I pay&mdash;and I gif you the balance by a jeque.
+    </p>
+    <p class="cnm">
+      REMBRANDT TEMPENNY (<i>with mock despair</i>).
+    </p>
+    <p class="dlg">
+      Pay&mdash;you pay? But the work of my life unfinished.&mdash;What
+      money can compensate for that?
+    </p>
+    <p class="sdm">
+      (<i>Sinks forlornly into chair</i>.)
+    </p>
+    <p class="sdm">
+      <i>Curtain</i>.
+    </p>
+    <p>
+      THE END.
+    </p>
+    <p>
+      PRINTING OFFICE OF THE PUBLISHER.
+    </p>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of If Only etc.
+by Francis Clement Philips and Augustus Harris
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IF ONLY ETC. ***
+
+***** This file should be named 15219-h.htm or 15219-h.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/1/5/2/1/15219/
+
+Produced by Martin Agren, Leonard Johnson and the PG Online
+Distributed Proofreading Team at https://www.pgdp.net.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+  </body>
+</html>
diff --git a/15219.txt b/15219.txt
new file mode 100644
index 0000000..c7ba85c
--- /dev/null
+++ b/15219.txt
@@ -0,0 +1,7650 @@
+The Project Gutenberg EBook of If Only etc.
+by Francis Clement Philips and Augustus Harris
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: If Only etc.
+
+Author: Francis Clement Philips and Augustus Harris
+
+Release Date: March 1, 2005 [EBook #15219]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK IF ONLY ETC. ***
+
+
+
+
+Produced by Martin Agren, Leonard Johnson and the PG Online
+Distributed Proofreading Team at https://www.pgdp.net.
+
+
+
+
+
+
+IF ONLY
+
+ETC.
+
+BY
+
+F.C. PHILIPS
+
+AUTHOR OF "AS IN A LOOKING GLASS," ETC. ETC.
+
+
+
+LEIPZIG
+
+BERNHARD TAUCHNITZ
+
+1904.
+
+
+
+
+TO
+
+MY OLD FRIEND AND COLLABORATOR,
+
+SYDNEY GRUNDY,
+
+I DEDICATE THESE PAGES.
+
+F.C. PHILIPS.
+
+
+
+
+CONTENTS.
+
+
+
+IF ONLY
+
+ONE CAN'T ALWAYS TELL
+
+SONGS. AFTER VICTOR HUGO, ARMAND SILVESTRE,
+CHARLES ROUSSEAU AND THE VICOMTE DE BORELLI
+
+LOVE WENT OUT WHEN MONEY WAS INVENTED
+
+A PUZZLED PAINTER. (WRITTEN IN COLLABORATION
+WITH THE LATE SIR AUGUSTUS HARRIS)
+
+       *       *       *       *       *
+
+
+
+
+IF ONLY.
+
+
+
+
+CHAPTER I.
+
+
+There is a vast deal talked in the present day about Freewill. We
+like to feel that we are independent agents and are ready to overlook
+the fact that our surroundings and circumstances and the hundred and
+one subtle and mysterious workings of the fate we can none of us
+escape, control our actions and are responsible for our movements,
+and make us to a great extent what we are.
+
+A man is not even a free agent when he takes the most important step
+of his whole life, and marries a wife. He is impelled to it by
+considerations outside of himself; it affects not only his own
+present and future, but that of others, very often, and he must be
+guided accordingly.
+
+Emerson says; "The soul has inalienable rights, and the first of
+these is love," but he does not say marriage. Love is the business of
+the idle and the idleness of the busy, but marriage is quite another
+affair--a grave matter, and not to be undertaken lightly, since it is
+the one step that can never be retraced, save through the unsavoury
+channels of shame and notoriety, or death itself.
+
+But perhaps Jack Chetwynd was hampered with fewer restraining
+influences than most men, for he was alone in the world, without kith
+or kin, and might be fairly allowed to please himself, and pleasing
+himself in this case meant leading to the altar, or rather to the
+Registry Office, Miss Bella Blackall, music-hall singer and step
+dancer.
+
+It was unquestionably a case of love at first sight. The girl was
+barely seventeen, and her girlishness attracted him quite as much as
+her beauty, which was exceptional. There was nothing meretricious
+about it, for as yet she owed nothing to art--brown hair, warm lips,
+soft blue eyes, and a complexion like the leaf of a white rose--a
+woman blossom. Then, too, she was a happy creature, full of life and
+happiness and bubbling over with childish merriment--no one could
+help liking her, he told himself, but it was something warmer than
+that. What makes the difference between liking and love? It is so
+little and yet so much. There was an air of refinement about her,
+too, which to his fancy seemed to protest against the vulgarities of
+her surroundings. He thought he could discern the stuff that meant an
+actress in her, and prophesied that she would before long be playing
+Juliet at the Haymarket. He was still at the age when the habit is to
+discover geniuses in unlikely places, especially when the women are
+pretty. He raved about her when he adjourned with his companions to
+the bar, and they chaffed him a good deal to his face and sneered at
+him behind his back. He was there the next night, and the night,
+after and by-and-by he managed to get introduced to her.
+
+She was prettier off the stage than on, and her manner was charming,
+and her voice delicious with its racy accent.
+
+She was an American, and had been in London only a few months; and he
+was duly taken to a second-rate lodging in a side street near the
+Waterloo Road, and presented to "Ma,"--a black satined and beaded
+type of the race. There was also a sister, whom, truth to tell, he
+objected to more than her maternal relative, for she was distinctly
+professional, not to say loud, and the little mannerisms which were
+so taking in his inamorata were very much the reverse in Miss Saidie
+Blackall.
+
+Still, he told himself, he was not going to marry the whole family;
+which might be true in a sense and yet might not mean the entire
+independence it implied. Bella's relations must, if he made her his
+wife, mean more or less to him.
+
+However, youth is sanguine, and Jack Chetwynd did not look too
+closely at the thorns which hedged his dainty rose-bud round. She at
+least was all he could wish her to be--unsophisticated as a child,
+and pure and good at heart.
+
+After a month's acquaintance it began to be understood that he was
+engaged to her. "Ma" wept copious tears, and reckoned her Bella was a
+lucky girl to get such an "elegant" husband; and Saidie wished him
+happiness in a voice like a corn-crake, and declared that her sister
+was "just the sweetest and best girl out of N'York," which she was;
+"and born to lead a private life," which she wasn't.
+
+Bella herself had very little to say. She blushed rosily when Jack
+made fervent love to her; acquiesced confusedly when he told her she
+must give up the music-hall stage, and seemed to take happily to the
+idea of a quiet, uneventful life as Mrs. Jack Chetwynd.
+
+They took a small house in Camberwell New Road. Jack put up a brass
+plate with his name on it, and M.D. in imposing letters, and invested
+in a telephone for the accommodation of night callers; and Bella
+began to busy herself about the furnishing.
+
+That was a delightful time. The little bride elect was so excited and
+eager, and showed herself wonderfully capable, and with quite a
+pretty taste in draping and ornamenting; but there was a terrible
+hole in Jack's purse: chairs and tables seemed to cost a mint of
+money; and the young man sighed and hoped fervently that it would not
+be long before patients appeared, or he would be obliged to say No to
+his darling when she turned her appealing eyes upon him and begged
+him to give her money for that "duck of a screen," or something else
+that was from her point of view the most extraordinary bargain, but
+which, Jack reflected, privately, they could very well have done
+without.
+
+He was giving up a certainty in settling in Camberwell, for as House
+Surgeon at St. Mark's his income was assured; but then as a married
+man he could no longer have lived at the hospital, and "one must risk
+something" said Jack, hopefully.
+
+They were married in May, just three months from that eventful night
+when our hero first saw pretty Bella Blackall, on the boards at the
+"Band Box," and Mrs. John Chetwynd was altogether so sweet and
+winsome in her simple white gown, that Saidie was right when she
+hilariously remarked that Jack might well be forgiven for falling in
+love with her "all over again."
+
+The wedding was just as quiet as it could be, for Jack did not care
+to invite any of his friends. "Ma" and Saidie were altogether too
+impossible; and unfortunately no one seemed to mind whether he did or
+not. There was one unpleasantness connected with the day which
+Chetwynd felt Bella might have had tact enough to avoid. Two or three
+of Saidie's friends, in light and eminently professional attire, were
+of the party, the women a good deal worse than the men; and they all
+returned together to Holly Street, where a meal had been prepared in
+the front parlours, the landlady having generously placed them at the
+disposal of her lodgers for the occasion. There was a good deal of
+banter and side jokes were bandied about from one to another; which
+was galling to young Chetwynd, and made him devoutly thankful that
+none of his own companions and friends were present. When at last
+Bella rose from the table to change her gown for the pale grey he
+himself had chosen, with the big hat and nodding plumes in which she
+had looked such a dainty little mortal, he pushed his chair back with
+a look of disgust on his face and left them to talk amongst
+themselves.
+
+Saidie was distributing small pieces of wedding cake, laughing and
+screaming at the top of her voice.
+
+"Saikes, man! you are not to eat it. Put it under your pillow and as
+sure as I'm a Yank you'll see your intended," she cried. And then
+followed an amount of vulgar chaff and coarse pleasantry which caused
+the "happy man" to set his teeth hard and register a vow at the
+bottom of his heart that this should be the last occasion on which
+his wife should associate with her sister's friends.
+
+And then Bella came tripping down the narrow staircase, her cheeks
+warm with a pale pink colour that made her inexpressibly lovely; and
+the carriage which Mrs. Blackall had insisted upon ordering to take
+the young couple to the station was at the door, and in the bustle
+that ensued Jack lost sight of all annoyances and remembered only
+that he had married the girl he loved and that he was the happiest
+fellow in the universe; and amid a shower of rice and a white satin
+slipper (one of Saidie's), which fell right into Bella's lap; the
+last farewell was spoken, and they drove away.
+
+"Only to Brighton!" cried Nina Nankin, the celebrity famed for the
+height to which she could raise one leg while standing upon the
+other. "What a mean chap! He might have forked out enough for a trip
+to Paris, I should have thought."
+
+"It wouldn't satisfy me," returned Saidie, turning up her nose
+disdainfully; "but he isn't my style, anyway."
+
+"Bit of a prig, eh?"
+
+Saidie nodded.
+
+"I do detest a man who fancies himself a head and shoulders above the
+rest of his kind," said that young lady vehemently; "you'll generally
+find out he don't amount to a row of pins. My! ain't I glad I'm not
+going to live with him. I would as lief go to Bible-class every day
+of the week. I'll bet my bottom dollar Bella'll see the mistake she's
+made before she's many weeks older. There's a chip of the old block
+about that young woman, for all her baby ways and her innocent
+know-nothing. He'll be a spry man, will Dr. Chetwynd, to come up to
+her. It'll take him all he knows to get ahead, you bet".
+
+Saidie lay back in the chair and laughed till the tears ran down her
+cheeks.
+
+
+
+
+CHAPTER II
+
+
+It was not long before Dr. Chetwynd's eyes were fully open to the
+mistake he had made and that he realised the fact that you cannot
+fashion a Dresden vase out of earthenware, and though pinchbeck may
+pass muster for gold, it does not make it the real article.
+
+At first Bella did try her "level best" as Saidie put it, to be all
+that Jack required of her. She took his lecturings humbly, held her
+peace when he scolded her (and I am afraid he constantly did), and
+acknowledged in the depths of her shallow little mind that she fell
+far short of what his wife should be. But as time went on she grew
+less solicitous about pleasing him. His standard was an almost
+impossible one to the very second-rate little American girl, to whom
+the atmosphere of the "Halls" was far more congenial than the
+humdrum, quiet life she led in the Camberwell New Road, and she
+slipped back little by little into the mire out of which he had
+raised her.
+
+"I can never learn to be what he wants me to," she said a little
+pathetically to Saidie--"It is like standing on tiptoe all the time
+trying to reach up to his standard. I'm sick of it. If he loved me
+well enough to marry me, the same love ought to be strong enough to
+make him contented with me. After all, I'm the same Bella now that I
+was then."
+
+A word of advice at this juncture might have quieted the poor little
+wife, and brought her back into safe paths, for she really loved Jack
+in her heart; but Saidie was not the person to give it. Privately she
+considered her sister a fool to have put up with this ridiculous
+nonsense of her husband's as long as she had done; and the line of
+argument she took was about the worst she could have adopted for the
+happiness and peace of the Camberwell household.
+
+She was a good deal older than Bella, and the girl had been wont to
+rely upon her in a great measure, and to look up to her as a
+practical, sensible person, which Bella was quite ready to admit she
+herself was very far from being; so now, when Saidie spoke in a
+resolute, determined way, she listened meekly, if she did not in so
+many words acquiesce in the wisdom and justice of what she said.
+
+"As far as I can see, you don't get a bit of fun and happiness out of
+your life," remarked Saidie, critically examining her features in the
+glass. "What did you marry him for, I should like to know? You might
+as well be Bella Blackall, on the boards again, and free, as the wife
+of a stingy fellow like that."
+
+"Oh! Saidie, he doesn't grudge me anything." The young wife felt a
+little compunction in her heart.
+
+"Yes he does." Saidie turned round and faced her sister. "He don't
+like you to enjoy yourself, not a little bit. He would keep you
+wrapped up in cotton wool if he could, and if you don't make a stand
+now, once and for all, and let him see you have a mind of your own
+and intend to do as you like, you'll regret it to the last day of
+your life. Who is he, anyway? I guess our family's as good, if we
+knew anything about them, which we don't, worse luck. Just you give
+him back his own sauce, Bella, and next time he finds fault with you,
+laugh in his face and tell him he has got to put up with what he
+finds, for it ain't likely you can alter your nature to suit his high
+mightiness. Pitch on a thing or two he does which you don't like, and
+give him a sermon as long as your arm. You see; he will come off his
+pedestal. Sakes alive! he ought to have me to deal with; I bet I'd
+teach him a thing or two."
+
+And then Saidie whipped herself off to the "Rivolette," where she
+sang a doubtful song and displayed her finely turned limbs in a style
+that would have disgusted her brother-in-law, if he had been there to
+see.
+
+But music halls were not to his liking under any circumstances. He
+had never really cared for them, even in his bachelor days, and now
+he would have cut his right hand off rather than be seen with his
+young wife beside him, at such resorts.
+
+Then, too, Dr. Chetwynd felt that it behoved him to be circumspect in
+all his actions, for his practice was steadily increasing and he was
+becoming popular, and had serious thoughts of migrating westward. It
+was a constant source of vexation to him that Bella was not liked as
+much as her handsome, clever husband, and he began to be painfully
+alive to the fact that she could not have been received in certain
+houses whose doors would have been gradually opened to him. In a
+social sense his wife was a failure, and with a sigh he realised that
+it was almost an impossibility to show her where the fault lay; he
+could not always be at her elbow to guard against little solecisms of
+manner and speech which he knew must jar and grate on others even
+more than on himself.
+
+It went terribly against the grain, for he loved her none the less
+that his eyes were not blinded to her shortcomings. She was still the
+same winsome girl he had made his own; large-hearted, gentle and
+affectionate, but--and he sighed impatiently, for that something
+lacking was for ever pulling him back and standing in the way of his
+own social advancement.
+
+He became less demonstrative, less congenial, and his practice made
+huge demands upon his time, and left but scant opportunity for
+pleasure-seeking. Lines traced themselves upon his brow and lurked at
+the corners of his mouth; he aged rapidly, and began to look like an
+elderly man while Bella was still little more than a girl.
+
+On the night of Mrs. Chetwynd's return from the maternal roof (for
+Mrs. Blackall still lived near the Waterloo Road, and her elder
+daughter continued to make her home with her), she found her husband,
+a good deal to her surprise, seated in the drawing-room, gay with
+flowers and crowded with knick-nacks of every description. He had in
+his hand a book which he flung down with an annoyed gesture as his
+wife opened the door.
+
+It was perhaps no worse than others of its type, but it had not an
+honest moral tone and was not therefore, John Chetwynd considered, a
+desirable work for his young wife's perusal.
+
+"Have you read this?" he asked.
+
+"No; it is one of Saidie's. Is it interesting?"
+
+John Chetwynd's answer was to hurl the volume under the grate with an
+angry word.
+
+Bella flushed.
+
+"Why did you do that? I want to read it."
+
+"I will not allow you to sully your mind with such filth. It only
+goes to prove what I have so often told you, that your sister is not
+a proper associate for any young woman. A book of that
+description--faugh!"
+
+Bella picked up the offending volume and looked ruefully at its
+battered condition. "I should have supposed that as a married woman I
+might read anything," she said with an assumption of dignity.
+
+"Why should you be less pure because you have a husband, my child?
+Don't run away with any such notion."
+
+"Well, I will read it and give you my opinion of it."
+
+"You will do no such thing. I forbid it, Bella."
+
+"In a matter like this I shall judge for myself." Her cheeks were
+scarlet, and she kept her eyes downbent.
+
+"I will not--"
+
+"Bella!"
+
+It was the first time in their married life that she had defied him,
+and he looked at her in utter astonishment.
+
+"Yes," she cried, turning on him like a small fury, with the book
+tightly held in both hands; "I'm not a child to be dictated to and
+ordered to do this and that. I'm perfectly well able to act for
+myself and I intend to do so now and always. I'm sick of your eternal
+fault-finding, and the sooner you know it the better. If it's not one
+thing it's another. Nothing I do is right and I'm about tired of it."
+
+John Chetwynd sat perfectly silent under this tirade. He was a shrewd
+man, and he knew that Bella had been spending the evening with her
+own people, and jumped at once to the conclusion that in defying him
+she was acting by their advice, and his brow grew black and lowering.
+
+Then he looked up at Bella, who, a little ashamed of her vehemence,
+was slowly unbuttoning her gloves, having laid aside the unlucky
+cause of the battle royal.
+
+"My wife," he said kindly, "if you will not act on my advice, let me
+beg of you to think twice before accepting that of others, since I at
+least may be credited with having your real good at heart."
+
+"And you think that--you mean to imply that--"
+
+"That your sister has her own ends to serve? Undoubtedly I do."
+
+"You are all wrong--all wrong." But the tell-tale blushes on Bella's
+face showed him plainly enough that he had been right in his
+conjecture, and had to thank his wife's relatives for her rebellion
+and newly developed obstinacy and resentment.
+
+"Now, Bella, from to-night I cannot allow you to go to Holly Street:
+stay," as Bella would have spoken, "you may see your mother here when
+you please, but you must let your sister fully understand that she
+will not be welcome. Something surely is due to me as your husband,
+and that there is no great amount of sympathy between you and Saidie
+you have said repeatedly; therefore I am asking no great sacrifice of
+you. Do you hear me, Bella?"
+
+"Yes, I hear."
+
+"And you will respect my wishes in the matter?"
+
+"I don't know," she spoke uncertainly.
+
+She was not fond of her sister, as he had said; certainly not
+sufficiently fond of her to allow her to come between herself and
+Jack; and yet she felt that it would be unwise and undignified if she
+were to give in and refuse Saidie admission to their house. She had
+just declared that she would stand no coercion; and after all, what
+had poor Saidie done?
+
+"I don't think you have any right to keep my people away," she said
+at last, sullenly. "This is my house as well as yours, remember."
+
+"I am not going to argue over it, my dear girl." Dr. Chetwynd rose
+determinedly from his chair with an expression on his face which his
+wife had learned to know and dread. "I forbid you to ask your sister
+here again. I am sorry to have to speak so decidedly; but your
+conduct leaves me no alternative."
+
+And he walked quickly across the floor and the next moment the door
+closed upon him.
+
+"I don't care what he says. I won't be ordered about," flashed out
+Bella, all that was worst in her nature roused by Jack's resolution.
+"Saidie is quite right; if I don't put my foot down I shall soon be
+nothing better than a white slave."
+
+"Putting her foot down," certainly had one effect, namely, that of
+making life anything but a bed of roses for the unfortunate doctor.
+
+Never had Bella shown herself so unamiable and unloveable as during
+the next two days. She hardly addressed her husband and she flounced
+about the room and tossed her head and hummed music-hall ditties
+(which she had caught from Saidie) under her breath, and altogether
+comported herself in the most exasperating fashion.
+
+John Chetwynd hardly knew how to act towards her. If he pretended to
+be unconscious of anything unusual, it would probably provoke her to
+stronger measures, and yet he was very loth to stir up strife between
+them, and leant towards the hope that this spirit of fractiousness
+would die out in time and that Bella would become her loving,
+tractable self again. But he reckoned without his host.
+
+Saidie, who was duly apprised of the condition of things, urged upon
+her sister to stick to her guns and on no account to yield an inch,
+and although desperately miserable, Bella took her advice.
+
+Returning from seeing a patient a day or two later, Dr. Chetwynd ran
+into the arms of an old friend, a man he had not seen since his
+marriage.
+
+"Why, Meynell, old chap, where have you dropped from?" he exclaimed,
+grasping the outstretched hand.
+
+"Where have _you_ hidden yourself? is more to the purpose. No one
+ever sees you nowadays."
+
+Dr. Chetwynd smiled.
+
+"Perhaps you do not know I am a married man," he said. "Which
+accounts for a good deal of my time, and as a matter of fact I have
+but little leisure, for my practice keeps me always at the
+grindstone."
+
+"Doing pretty well?"
+
+"Yes, I think I may say I am. Uphill work, of course, but still--"
+
+"And where are you living?"
+
+Chetwynd hesitated.
+
+"Close by here," he replied the next moment. "Come home with me now,
+if you have nothing better to do, and allow me to present my wife to
+you."
+
+And they walked on side by side.
+
+"You have dined? I am afraid--"
+
+"My dear fellow, I have this moment left the club."
+
+Dr. Chetwynd put his latch-key into the lock and ushered his friend
+upstairs to his wife's pretty drawing-room.
+
+But Bella was not there; and finding that she was not in her bedroom,
+or in fact in the house at all, he rang the bell and questioned the
+maid as to when her mistress had gone out and if she knew when she
+would be likely to return.
+
+"No, sir, that I'm sure I don't. My mistress never said anything to
+me."
+
+"Well, she is not likely to be away long," remarked the doctor
+philosophically. "Have a cigar, Meynell."
+
+"Thanks, no. Your wife spoils you, Jack, if she allows you to smoke
+in her pretty little room."
+
+"Oh, she will not mind; but we will go down to my den shortly. You
+see, Meynell, I'm a bit of a Bohemian, although I like to preserve
+the customs of the civilised world all the same, to a certain extent.
+But my little wife--well--she--she--I daresay you may have heard she
+was on the stage before I married her."
+
+"No, indeed I hadn't." Gus Meynell looked a good deal surprised.
+
+"Well, I mention it because perhaps she is not quite like the
+ordinary run of women."
+
+Meynell could no longer be blind to the want of ease in his host's
+manner, and in his turn became proportionately uncomfortable.
+
+"Hang it all! A man marries to please himself," he said awkwardly.
+
+"She is just the dearest girl in the world," continued Jack Chetwynd,
+with warmth. "I'm not only fond of her, but proud of her too, but you
+know--"
+
+"I perfectly understand what you mean. To my idea unconventionality
+is the most charming thing a woman can have. I hate the bride
+manufactured out of the schoolgirl. The oppressive resemblance
+between most of our friends' wives is one of the safe-guards of
+society."
+
+"What is that?" Chetwynd broke in upon his friend's speech with a
+nervous start and exclamation. The hall door opened with a loud bang
+and a woman's noisy laugh could be heard as a pelter of high-heeled
+shoes came along the tesselated hall and then the vision of a pretty
+girl at the doorway, accompanied by a man and two women.
+
+"Hallo, Jack! You are home before me, then."
+
+"Bella, my dear, I must introduce you to an old friend of mine:
+Meynell, my wife."
+
+Bella bowed a little coldly.
+
+"My sister, Mr. Meynell," she said, seeing that the doctor was
+looking straight over Saidie's head. "My sister, Miss Saidie
+Blackall; daresay you have seen her from the front before." Then,
+looking towards the open door, "Come in, come in. Jack, I think you
+have already met Mr. and Mrs. Doss."
+
+Chetwynd looked terribly annoyed; but there was no choice left for
+him but to extend his hand and mutter something to the effect that he
+had not had the pleasure of making the acquaintance of his wife's
+friends before.
+
+"Glad to know you, sir--not one of us--not in the profession, I
+think?"
+
+"No--er--no," responded Chetwynd feebly.
+
+"And the 'appier you, take my tip for it. The wear and tear of the
+'alls, sir, no one but a pro can estimate."
+
+Here his wife, an over-dressed, showy individual a shade more of a
+cockney than himself, interposed with a coarse laugh.
+
+"Get along, you jolly old humbug, you! You couldn't live away from
+them--could he, dear?" addressing Saidie, who was maliciously
+enjoying the effect that their sudden entrance had produced upon her
+brother-in-law and his friend.
+
+"Ah; you think so, d'ye? that's all you know about it. Give me a nice
+quiet 'public' with a hold-established trade and me and the missis
+cosy-like in the private bar; that's the life for yours truly when he
+can take the farewell ben."
+
+"How soon are your friends going to take their leave, Bella?" asked
+Chetwynd in an undertone to his wife.
+
+But Bella turned her back upon him without deigning to give him so
+much as a word.
+
+"I think I had the pleasure of seeing you perform the other night,
+Mrs. Doss," remarked Mr. Meynell.
+
+"Don't she look a figger in tights? now tell the truth and shame the
+old gentleman: a female as fat as my wife ought not never to leave
+off her petticoats, that's what I says."
+
+"Samuel, fie! You make me blush." His wife coughed discreetly behind
+her hand. "It's a new departure, I grant; but I've had a good many
+compliments paid me since I took to the nautical style, I can tell
+you."
+
+"Gammon!" grunted Mr. Doss, with a dissatisfied air. "Did you see her
+as the 'Rabbit Queen,' sir? My! the patience that woman displayed in
+the training of them little furry animals would have astonished you.
+Struck the line, sir, out of her own 'ed! 'I'm going, Samuel,' she
+said, 'to supply a want.' 'You!' I says. 'Me!' says she; 'they have
+got their serpents,' she says, 'and their ducks, and their pigeons
+and their kangaroos,' 'What's their void?' said I. 'Rabbits,' she
+says, and there you are!"
+
+"Saidie, why don't you sit down? We will have some supper directly,"
+said Bella.
+
+"Oh, my dear, I'm dying for a drink!" cried Miss Blackall, flinging
+herself in an attitude more easy than graceful into an armchair.
+
+Bella opened the chiffonier and produced glasses and a spirit stand.
+
+"Saves the trouble of ringing for the servant," she said archly to
+Meynell.
+
+Chetwynd could fairly have groaned; and when his wife put the climax
+upon everything by drinking out of her sister's glass he could
+contain himself no longer. "I never saw you touch spirits before," he
+said, determined that his friend should know that his wife was an
+abstemious woman.
+
+"Ah," she said lightly, "there are lots of things you never saw me
+do, Jack, which I am capable of, all the same." Whereupon Saidie
+burst out laughing as at some prodigious joke.
+
+"Good for you, Bella! All right, dear! I'm not one to tell tales out
+of school."
+
+"Are you a married man, sir, may I ask?"
+
+Doss put his thumbs under his arm-pits and looked scrutinisingly into
+Meynell's face. "I should say not."
+
+"No, I'm a bachelor, and likely to continue one."
+
+"Well," remarked Mrs. Doss sentimentally, "I don't know nothing
+jollier than courting time. Such little ordinary things seem sweet
+like, then."
+
+"Hark at the old girl," chuckled Doss.
+
+"You can't kidd me, Doss. You know it, too. I think of our own
+billing and cooing, sir--his and mine. I was not a draw in those
+days; the last turn in the bill at the "Middlesex" was about my mark,
+and Doss, he hadn't risen, neither. We used to walk 'ome that lovin'
+up Drury Lane, and Doss, he would say, 'fish, Tilda,' and I would
+say, 'if you could fancy a bit, Sam.' And in he would pop for two
+penny slices and chips. And eat--lor', how we did eat. When I look
+back on that fish, sometimes I could cry. Money and fame ain't
+everythink in the world, believe me, they ain't. You may be 'appy in
+your 'umbleness."
+
+All this was gall and wormwood to John Chetwynd, and he approached
+his wife again and whispered.
+
+"It is getting late--are these people never going?"
+
+"Not until they have had supper, most certainly."
+
+"And do you expect my friend to join you?"
+
+"You can please yourselves. I don't think either of you would be much
+acquisition in your present frame of mind. Mrs. Doss, somebody
+interrupted you; you were talking about a kindred soul and an attic.
+Money and position are not everything you were saying. I agree with
+you. Give me an easy life and no stilts."
+
+John Chetwynd could stand it no longer.
+
+"Madam," he said, addressing Mrs. Doss; "I must really apologise, but
+Mr. Meynell and I have important business to discuss, and--"
+
+Mrs. Doss might be vulgar, but she was not obtuse. Seeing she and her
+husband were not wanted, she sprang to her feet.
+
+"Sam--right about face; we must be off 'ome."
+
+"Nonsense, you must have some supper before you go," said Bella.
+
+"Oh, I think we will be toddling, thanks. Are you coming with us,
+Saidie?"
+
+"No, I'm not," returned that young woman, sturdily. "Since this house
+is the joint property of Dr. John Chetwynd and his wife, I reckon I
+shall stop awhile. Bella, you are not going to turn me out, are you?"
+
+"Not I. I can't imagine what Jack means by behaving so inhospitably.
+I hope you will all stop."
+
+But Mr. Doss, exceedingly affronted at the slight offered him, had
+tucked his wife's arm under his own and was already at the door.
+
+"Good night, gents. My best respects to you, Mrs. Chetwynd, but we
+knows who wants us and who doesn't."
+
+Bella turned indignantly to her husband. "And you call yourself a
+gentleman!" she cried.
+
+"For heaven's sake remember we are not alone!" whispered Chetwynd in
+distress, "you have distinguished yourself quite enough."
+
+"I don't care--you have insulted my friends."
+
+"Friends!"
+
+"Yes, and as good as you or I. What did you marry me for if you are
+ashamed of my connections?"
+
+"I did not marry the whole variety stage."
+
+At this juncture Meynell rose.
+
+"Awfully sorry, but I must be going old chap, promised to look in
+again at the club." And Chetwynd did not press him to stay.
+Humiliated to the last degree, he followed him downstairs.
+
+"I have given you a very enjoyable evening, Meynell," he said
+bitterly.
+
+"My dear fellow, what ought I to say?"
+
+"I'm damned if I know; I've never visited a friend who made such a
+marriage as mine. I should have pitied the poor devil profoundly if I
+had. Good night, old chap."
+
+The hall door shut, and Chetwynd went slowly, sorrowfully back to the
+drawing-room.
+
+"I hope you have disgraced me enough to-night," he said stormily.
+
+"Where's the disgrace, I should like to know, in inviting a couple of
+old friends into one's own house?" demanded Saidie aggressively.
+
+Chetwynd promptly turned his back upon her. "I am addressing my
+wife," he said frigidly.
+
+"Yes; I would like to see you talking to _me_ in that tone of voice,"
+returned his sister-in-law.
+
+"Bella, what have you to say for yourself? Have you no self-respect
+whatever, and no consideration for your husband's position?"
+
+"Oh, I'm sick of hearing about your position," said his wife
+pettishly. "In the days when you had not any, we were a lot happier.
+You didn't turn up your nose at my associates when I was on the
+boards at the Band Box! Everything was charming. You laughed then at
+what you now call "vulgar," and you thought it good fun, and you
+would have taken the property man to your heart if I had told you he
+was my brother. But now I am your wife it is quite a different tale.
+My friends are too common for you to mix with. By the Lord! I'm not
+at all certain whether you think _me_ good enough for you, myself."
+
+"Bella, Bella!"
+
+"Oh! Yes, it is easy enough to look broken-hearted. How dare you turn
+my friends out of the place? It is you, not I, who have brought
+disgrace upon us by introducing a stranger here and mortifying and
+humbling me in front of him. If the Dosses are good enough for me,
+they are good enough for my husband."
+
+"My dear wife, they are not good enough for you. There is the whole
+truth. Why are you so altered? Why will you not listen to me and take
+my advice as you used to do? Have you forgotten how happy we once
+were with each other?"
+
+There was a little break in his voice, but Bella was too incensed to
+heed it.
+
+"You mean that you did not abuse me when you had it entirely your own
+way! Wonderful! Perhaps you did not know that you bored me to death
+the whole time. And now you have got it at last. I'm tired of your
+cheap gentility and Brummagem pretensions; sick to death of hearing
+that nothing I have been used to is "proper." If my world is a second
+rate one, show me a better. Why don't you introduce me to your own,
+if it is so vastly superior? Have you done it? Not you! You bury me
+in this poky little hole and deliberately insult the only friends I
+have who take the trouble to come and look me up."
+
+Chetwynd passed his hand over his brow dreamily. The whole thing was
+such a shock to him, he could hardly realise it.
+
+"I hope you are saying much more than you mean," he said at last.
+"God knows if you have been dull I never suspected it."
+
+"Because I have not grumbled--because I smiled instead of yawning,
+and laughed when I felt like crying, you never suspected it! Did you
+ever ask yourself what amusements you were providing for me while you
+were out all day? Not for a moment. Men like you never do, when they
+marry girls like us. You fancy you have been very noble and
+chivalrous and plucky; but what you have really done is to get what
+you want and leave me to pay the cost. Once your wife, there was an
+end of the matter so far as you were concerned, and to marry you was
+to complete my destiny! I was to sit all day long staring at the four
+walls, and if I happened to feel lonely, take a look at my marriage
+certificate to cheer myself up! well--" she drew a long breath and
+suddenly left her seat and came quite close to him. "Well," she said
+again, "I am not satisfied--do you hear? It may be the height of
+ingratitude, but it is a fact all the same. I am not content and I
+have made up my mind (you may as well know it now as at any other
+time) to go back to the stage. The life suits me and I am going to do
+it." And then she paused.
+
+If she expected her husband to storm and rave, insist and
+expostulate, she was disappointed. He sat dumb and voiceless, his
+face buried in his hands, and he did not even look up when, with the
+air of a victor, Bella marched across the floor, beckoned to her
+sister, and went up to her own room.
+
+"I never gave you credit for such real grit," began Saidie,
+admiringly; but to her surprise Bella flung herself on the bed and
+burst into uncontrollable sobs.
+
+"I wish I was dead," she cried. "I am a beast--an ungrateful beast;
+and I have said what is not true. I have loved him always--always."
+
+"Well, you can't go back from your word now," said Saidie; "You said
+you would do it."
+
+"Yes, and I will." Bella sat up and dried her eyes. "I will go back
+to the stage; but I did not say I would stop there, and I shan't if
+I'm not happy, and if it makes a break between me and Jack."
+
+"Don't talk like that," cried Saidie disdainfully, "You make me
+tired!"
+
+
+
+
+CHAPTER III.
+
+
+After this there was a lull; John Chetwynd observed that he had need
+of more forbearance towards his wilful wife, and tried to exercise
+it. He told himself that there was love enough and to spare; that
+with the deep affection he was convinced Bella bore him there was
+nothing really to fear. She was young and ill-advised, and it behoved
+him to keep a careful watch over her, and above all things not to
+draw too tight a rein. As for her threat of returning to her old life
+and its meretricious attractions, after the first shock he dismissed
+it from his mind. She had not really intended doing anything of the
+sort; such a step was impossible. It was a wild idea, born of the
+excitement of the moment, and unworthy of a further thought, and so
+he put it aside. Had not the question been argued and threshed out
+once and for all soon after marriage? He recalled with a curious lump
+in his throat how she had put her hands into his and said; "Your
+wishes are my wishes, now and always, Jack." And there had been an
+end of the matter.
+
+"I will wait until the atmosphere has cleared a little," said John
+Chetwynd, reflectively, "and then I'll tell her that at the end of
+the year we will leave Camberwell and take a larger house in a better
+neighbourhood."
+
+Thus, out of his love for his young wife, he made excuses for her and
+took her back to his heart again.
+
+And Bella? Jack's conduct puzzled her. She had fully expected that he
+would be exceedingly angry and displeased, and in her own mind had
+prepared certain little set phrases which were to impress him with
+the fact that she intended to do as she pleased and would not allow
+herself to be dictated to or coerced. And thus it was that on the
+following morning she came down to breakfast with it must be
+confessed a forbidding look upon her pretty face and a defiant air
+about her bearing. But all her newly formed resolves were put to
+flight when Jack came towards her and deliberately kissed the lips
+which she vainly tried to withhold.
+
+"Bella, you and I love each other too well to quarrel," he said
+kindly; "let us forget all that happened last night."
+
+What could she say? In spite of herself she felt that she was
+yielding; and though she did not meet him half way as he had fondly
+anticipated she would do, still she allowed him to draw her into his
+arms and did not repulse his caresses.
+
+She might have shown a more generous spirit, it is true. Since he had
+tacitly acknowledged that they had been mutually to blame, she might
+have offered something in the shape of an expression of regret; but
+peace in any shape and at any cost Chetwynd felt he must have.
+
+But Bella had by no means surrendered her determination of going on
+the stage again, and was already with Saidie's assistance on the
+look-out for an engagement. It would be difficult to define her
+feelings towards her husband at this juncture. That there was still a
+veiled hostility John Chetwynd could not fail to see; but in his
+newly formed resolution to be patient and forbearing, he simply
+ignored it and diligently cultivated a kindly, gentle bearing,
+interesting himself in her little domesticities and the general
+routine of her everyday life. This amused Bella intensely, and
+although she would not have acknowledged it, perhaps touched her a
+little.
+
+Why had he not done this before? And having been careless and
+indifferent once, why was he not so still? For this is how it was
+with Bella; she was learning to compare her husband with her lover,
+and be very sure the former suffered by comparison.
+
+"Les absents ont toujours tort" and Saidie found so much to say and
+said it in such a contemptuous, scornful way to Howard Astley, about
+her sister's husband, that perhaps there was some little excuse for
+the young man's impression that Bella Chetwynd would be vastly better
+off under his protection than amid her present surroundings.
+
+"The man was a brute," Miss Blackall declared.
+
+Poor John Chetwynd! Not only was he far removed from being a brute,
+but he was also miles above the man whom Saidie delighted to honour,
+and whose addresses and attentions she thrust upon Bella at every
+turn.
+
+At first, to do her justice, the young wife shrank back dismayed.
+Beyond his handsome face, Howard Astley had but little to recommend
+him, and after listening to his commonplaces and enduring the fulsome
+compliments it pleased him to pay, she would hurry home with tingling
+pulses and a shamed heart to Jack--Jack, who had once been all the
+world to her.
+
+Once! Oh, and such a little time ago! After all, how little she had
+to complain of in the man who had made her his wife!
+
+He was "uninteresting," wrapped up in his profession, "dull." That
+was all, but it meant a very great deal to Bella. It meant
+everything; and the sluggish conscience which just at first had a
+word or two to say in his defence, gradually went to sleep again and
+troubled its owner no longer.
+
+Why should she not enjoy herself as other women of her age did?
+
+Why, indeed? She did not intend to do anything that was really wrong,
+or even unbecoming in her position as Jack's wife; but still she was
+resolved on extracting the utmost amount of amusement possible out of
+life, and thus with slow, subtle drifting and unconscious eyes--eyes
+that would not see their peril--she reached the point where
+temptation steps in.
+
+It was his wealth that dazzled her.
+
+She did so long to be rich. John was apt to be mean about trifles,
+but this man--the man she allowed to make love to her--was a very
+prodigal in his liberality. He spent money like water. He rarely came
+empty-handed. Probably he knew the manner of woman he had to deal
+with, and Bella hid the trinkets away with a guilty blush; they were
+not much good to her after all, for she did not dare to wear them,
+lest Jack should ask awkward questions concerning the source from
+whence they came.
+
+"I never can do anything I like," said Bella with a pout.
+
+And then there came a night when John Chetwynd found the pretty
+drawing-room deserted and his wife flown.
+
+The hours went by and as she did not return he grew seriously uneasy.
+
+Where could she be? When eleven o'clock struck he put on his hat and,
+terribly though it went against the grain, started for Holly
+Street--she might be at her mother's.
+
+No, Mrs. Blackall had not seen her, she said; and she looked
+searchingly into her son-in-law's face as she spoke. "Did Dr.
+Chetwynd really not know where she was?"
+
+"No, madam, or assuredly I should not be here."
+
+The doctor spoke with some heat; that there was something behind all
+this was very evident, and he naturally objected to being made a fool
+of.
+
+"You don't know, then, that Bella is on at the Tivoli?"
+
+John Chetwynd sat down suddenly. This news literally took his breath
+away.
+
+It was not possible that Bella had taken such a step without his
+knowledge or sanction. He looked up with such hopeless misery written
+in his white face that Mrs. Blackall could not help a certain pity
+for her son-in-law, although in her opinion he had brought the thing
+upon himself, and the very compassion she felt for his suffering had
+the effect of making her more harsh and unsympathetic.
+
+"What did you expect?" she asked. "As a man of the world could you
+really imagine that a young, high-spirited girl like my daughter
+would content herself with the life you tried to chain her down to?
+She had had just taste enough of the admiration and applause of a
+public life to get a liking for it, and in an instant it is all taken
+away and nothing given her in its place. It ain't commonsense, it--"
+
+"It may not be," said Chetwynd wearily; "but there are women
+nevertheless to whom home and husband are all-sufficient and who ask
+for nothing beyond."
+
+"You made a great mistake, Mr. Chetwynd, when you--"
+
+"I did," he interrupted quickly; "you are perfectly right; I did when
+I believed my wife and your daughter to be one of these. Well," and
+he rose wearily, "she has put a barrier between us to-night that can
+never be broken down."
+
+"Tut, tut, man; you have got your duty to do by her, and I'll take
+good care you do it. She is doing no wrong to join her profession
+again."
+
+"Our ideas as to right and wrong probably differ. I am certainly not
+going to argue the point, nor do I wish to shirk what responsibility
+I took on my shoulders when I married. But if it is upon your advice
+she has acted in this matter, ask God to forgive you for the cruel
+wrong you have done us both!"
+
+Then he picked up his hat and went out of the house. It was long past
+midnight when Bella returned; but late though it was, she knew by the
+lights in the drawing room that her husband was waiting up for her,
+and with an impatient sigh, determined to get her lecture over, she
+ran lightly up-stairs.
+
+He was there, sitting in her own cosy armchair, and he looked round
+expectantly as the door opened.
+
+"Well," she said nervously, stripping off her gloves, and avoiding
+meeting his stern, sad gaze. "I daresay you wonder where I have been
+and what has kept me so late; but, my dear old Jack, you will have to
+give up the bad habit of sitting up to all hours for me, for I'm
+likely to be late most nights now."
+
+She paused for a reply, but none came. Her easy assurance staggered
+him; he could hardly believe that this self-composed, glib-spoken
+young woman had been at one time his diffident, shy little love. The
+unhappy man found it very hard to reconcile the two. "Why don't you
+speak?" she asked impatiently, facing him in a defiant manner; and as
+he looked up at her he noticed for the first time that she had grown
+older and had lost all at once--at least, so it seemed to him--the
+rounded, childish look from her sweet face and involuntarily a sigh
+broke from him.
+
+"One would think I had committed a crime," cried she in disdain, and
+then, catching her skirts up, she broke into a step dance, humming a
+popular music-hall air.
+
+"Stop--do you hear me?--this instant stop!" the devil in him burst
+out; he could restrain himself no longer.
+
+"Woman! What are you made of?" he cried in a voice of thunder, and
+she, shrinking back a little, fell half frightened into a chair. He
+never could quite remember afterwards what he did say. He tried with
+rough eloquence, that might have moved a heart of stone, to show her
+what it was she was doing, to appeal to her better, nobler self, to
+her love for him; he implored and entreated her to give up this new
+life--for his sake.
+
+He had nothing better to urge than that, poor fool! It weighed with
+her as just so much chaff. The time had gone by when his words would
+have touched her; they glided lightly over what she called her
+"heart" now and left no impression there.
+
+And then he went on his knees beside her and prayed her to grant him
+this one boon; he poured out a flood of feverish words, hardly
+pausing to think; he tried to paint an alluring picture of their life
+in the future: they would leave Camberwell, he said; she should go
+where she liked if she would but listen to reason; it would ruin him
+in his profession, he pleaded, if she persisted in returning to the
+stage. As he talked the pretty face grew harder and older. Bella had
+made up her mind, and the man beside her had not the faintest power
+to sway her by his reproaches or entreaties.
+
+And then he stumbled to his feet and stood waiting for his answer.
+
+It came at last, clear and cold, falling like pellets of ice upon his
+impatient fervour.
+
+"The thing is done now, and all the talking in the world will not
+alter it."
+
+"And that is your last word to me--your husband?"
+
+Finding she did not speak, he walked across the floor, turning at the
+door, hoping against hope, but she lay back as still as if she were
+dead.
+
+When he had gone, Bella opened her eyes and held up her hand
+curiously. It was wet with--what?--tears.
+
+Her eyes were bright and dry.
+
+For a moment something of the old feeling swept over her.
+
+Poor Jack! She half rose, then sank back again.
+
+It was too late, she was thinking; as if it were ever too late to
+make amends, to atone, while we have still breath and life!
+
+"It is all for the best, anyhow," she murmured after awhile, and when
+philosophy is well to the fore, love hides its diminished head.
+
+
+
+
+CHAPTER IV.
+
+
+Six months wore themselves away; six months in every day of which
+John Chetwynd lived a year, measured by the anxiety and misery it
+held for him. He could no longer delude himself into the belief that
+Bella loved him, for all her actions went to prove the contrary. But
+her end just once gained, there were no more bickerings and
+disputes--she even condescended to consider her husband's wishes,
+when they did not clash or interfere with her own. But night after
+night he sat alone with the hateful consciousness that the woman who
+bore his name was parading her charms to Dick, Tom and Harry; in
+fact, to anybody who chose to pay his shilling for the privilege of
+contemplating them. It was in moments such as these that the iron
+entered his soul and there was no escape from it; he must bear his
+burden as many a better man had borne it before him. And thus it was
+he buried himself in his profession, working with a will and vigour
+that astonished no one so much as himself. He was rapidly becoming a
+popular man. Through sheer good luck (as he really believed it to be)
+he had diagnosed one or two cases with an ease and accuracy which not
+only filled his purse beyond his utmost expectations, but helped him
+up the ladder of fame at an amazing rate. But when emboldened by
+success, and always remembering the fact that however wilful and
+oblivious she might be, she was still to all intents and purposes the
+wife of his bosom and equally interested with himself in all his
+undertakings, he recounted his triumphs and declared his intention of
+leaving Camberwell forthwith and settling in Camelot Square, Bella
+smiled, yet proved in no way elated at the intelligence.
+
+"So, my dear, you can go as soon as you like and fix upon a house,"
+he said.
+
+Bella yawned and stretched her arms above her head.
+
+"Oh, you will know much better than I what is required," she replied.
+
+"Have you, then, no interest in our new home?" he asked, more hurt
+than he could well have expressed.
+
+"Do you ever show the slightest interest in what concerns me?" she
+retorted.
+
+He winced. "This is a mutual interest, surely, since we must occupy
+it together."
+
+"Must?" she echoed dreamily.
+
+"What do you mean?" he asked sharply.
+
+"Nothing, except that 'must' is the word I have banished from my
+vocabulary," and she smiled at him--actually smiled, though she must
+have known she was stabbing him to the very heart.
+
+He said no more; and indeed, words seemed to be useless.
+
+So he chose the house himself,--one that could not fail to please
+Bella, he felt exultantly. She would be less than woman if she were
+not glad to exchange the second-rate little dwelling in the
+Camberwell New Road for the substantial residence, with its modern
+improvements and embellishments in such a neighbourhood as Camelot
+Square.
+
+It was not perhaps a palace, but it was a very great deal more
+imposing than anything they had dreamt of in the early days of their
+married life, and yet John Chetwynd told himself with a sigh that he
+would gladly give up fame and prosperity to win back the old
+love-light in his wife's eyes.
+
+And there are some among us who cannot love for so little--"Of man's
+love a thing apart." Perhaps John Chetwynd would have been a happier
+man had he been one of these.
+
+Even the task of furnishing fell to the doctor's lot. Bella did not
+refuse, nor did she object to accompany him on what he might have
+naturally supposed would be a congenial task for her, but she showed
+herself so indifferent throughout that, after an effort or two to
+make her contented, he gave it up, and it ended in his carrying the
+whole thing through himself.
+
+And he was not sorry when at length it was completed. On the morrow
+he would bring Bella to her new home.
+
+He stood under the bright lighted chandelier and looked round him.
+The carpet was thick and soft. Bella liked carpets her feet could
+sink into, she had once said. There by the fireplace was the most
+luxurious easy chair he could purchase, upholstered in her favourite
+colour, pale blue. He pictured the dainty figure nestling in it, and
+a little glow stirred at his heart. After all, she was his wife, his
+fondly loved wife, and who could tell? Perhaps with the old life, old
+feuds would die out and with the new, joy and happiness dawn for them
+both once more.
+
+John Chetwynd was not a religious man; he rarely went to church and
+he never prayed; but now he covered his face with his hands, and his
+lips moved inaudibly.
+
+He was asking for a blessing on the new life, and there was something
+like a tear in his eye and a suspicious huskiness in his voice as he
+called out "Come in" in answer to a hurried knock at the door and
+flung open the lid of a grand piano which was littered with music and
+songs, running his hands over the keys and smiling a little.
+
+The piano was to be a surprise: Bella knew nothing about it.
+
+Perhaps it would keep her more at home, for she was very fond of
+music.
+
+It had cost more than he ought to have paid, but still it was for
+her.
+
+"Come in, Mrs. Brewer--what is it? I'm just off. You will have us
+both here to-morrow at this time for good and all, I hope."
+
+"Indeed, sir, and I'm glad to hear it. Things do look most beautiful,
+and no mistake."
+
+The good soul shambled across the floor and held out a letter wrapped
+in the corner of her apron.
+
+"A boy brought it, sir, half an hour ago, but I clean forgot it, and
+that's a fact."
+
+"Never mind. It is probably of no importance."
+
+But it was. By-and-by his eyes fell on it as it lay where Mrs.
+Brewer's hard-working fingers had placed it, on the edge of a little
+gaily-lined work table destined to hold Bella Chetwynd's cotton and
+needles, and to his astonishment he observed it was in his wife's
+handwriting.
+
+Ah! written just before she started for the----.He caught it up and
+tore it open. The next instant it fluttered from his hold.
+
+For fully ten seconds John Chetwynd sat spell-bound, and then he
+broke into a laugh--mirthless, hollow.
+
+"And I prayed to my God to send his blessing on--our--future," he
+said in a dull, mechanical manner. "Well, the last act is played out
+and they may ring the curtain down. From to-night I believe neither
+in woman, Heaven, nor hell, save that which each man makes for
+himself."
+
+Bella had turned her shapely back on the apotheosis of respectability
+for a life of excitement and the protection of another man. Nobody
+was surprised but John himself.
+
+Everybody had predicted it months ago. The only astonishing feature
+of the scandal was, that it had not occurred before.
+
+The one other thing people found surprising was the callousness with
+which the injured husband took it.
+
+It had always been believed that what love there was, was on his
+side, but now--
+
+Well, it is indeed an ill wind that blows us no good. If notoriety
+was what John Chetwynd desired, he got it in full measure, well
+pressed down and brimming over; his waiting room was besieged, for
+many patients flocked there, wide eyed in scrutiny, martyrs to
+symptoms discovered or invented for the occasion.
+
+Of course he would divorce her. And he did.
+
+In due course he obtained his decree _nisi_, which later on was made
+absolute.
+
+Bella's picture no longer stared him in the face from every hoarding,
+and the newspaper advertisements knew her no more. She had gone back
+to the States, and by-and-by was forgotten on this side the Atlantic.
+
+Now and then he was disagreeably reminded of her existence.
+
+Once in the Club a young fellow to whom Chetwynd was personally
+unknown stretched himself behind a newspaper and muttered, "Bella
+Blackall Wasn't that the name of Dr. Somebody's wife who ran away
+with another fellow?"
+
+"Yes, Bella Blackall was my wife," John Chetwynd answered with
+unruffled equanimity, picking up the paper which the other had thrown
+down. "She used to be rather a clever dancer, too."
+
+And he calmly perused the line which included her name among some
+well known American stars touring in the provinces.
+
+"And he never turned a grizzled hair! I give you my word I felt more
+over the thing than he did," remarked Captain Hetherington
+afterwards; "without exception the most cold-blooded individual ever
+met."
+
+But John Chetwynd was far from being this. He had felt his wife's
+desertion far too deeply to show his scars, nor was he a man to wear
+his heart upon his sleeve; but as time went by and the utter
+callousness of Bella's conduct came home to him, he realised to the
+full that she was unworthy of a single pang, and he became reconciled
+to the inevitable. His profession claimed every spare moment, and for
+a man ill at ease there is no specific like hard work. By-and-by as
+the years rolled on, another distraction presented itself. He became
+interested in one of his patients, the only daughter of the Duke of
+Huddersfield, Lady Ethel Claremont, and this interest blossomed into
+something stronger and warmer--something that at last he dignified by
+the name of love, though he was by no means without misgivings as to
+whether it could ever really lay claim to the title.
+
+Certain it was that there was no more of the old exultation about his
+heart that had formed so large a part of his former courtship; there
+were no extravagances, no quickened pulses--rapture's warmth had
+yielded to the mildest of after-glows; but there was no reason that
+it should not prove as satisfactory in the long run. It is an open
+question whether the doctor, popular though he undoubtedly was, would
+have been considered an eligible suitor from the maternal point of
+view, had it not been that just about this time fortune elected to
+bestow another favour upon him; his career had reached its apex, and
+(again through sheer good luck, as John Chetwynd modestly declared)
+he was offered a baronetcy.
+
+Now, every man is flattered and gratified that his merits should be
+recognised, and Chetwynd was no exception to the general rule, but
+there were a good many bitters mingled with the sweets, and the
+hidden thorn among the rose-leaves had a nasty trick of obtruding
+itself. This step in social advancement materially helped his cause
+with Lady Ethel, and the Duchess of Huddersfield deigned to smile
+graciously upon her future son-in-law.
+
+Ethel Claremont was an excellent girl, precisely the type he ought to
+marry. Decorous, with an ease and repose about her manner that were
+eminently patrician, she would be even more admirable as a wife than
+as a _fiancee_, but he could have found it in him to wish that she
+were just a little less faultless, a little more "human," he would
+have said, only that the word has not a pleasant ring; yet it was not
+easy to substitute another unless it were "womanly."
+
+"Pshaw!" he cried angrily, "who am I that I should be exacting, with
+such a past, such a history? and yet I am ready to quarrel with
+perfection, I who can never be grateful enough! A little wealth and
+the love of a charming woman--what more can I possibly desire? It is
+strange how soon one becomes accustomed to changes in life, and how
+quickly an emotion fades into a memory. If I could but feel as I felt
+when I was struggling along battling with the hundred and one
+difficulties which beset the path of a poor man, instead of having to
+remind myself perpetually what my emotions were then, there would be
+some excitement in the contrast. I--I wonder--what she is doing? Is
+she alive or is she dead? What does it matter? But at times the doubt
+will come whether--no, no; it is wicked--I was always good to her. I
+loved her, and she dishonoured me. The book is closed for ever, and I
+am weak when I reopen it."
+
+
+
+
+CHAPTER V.
+
+
+Since the thing was to be, there was nothing to be gained by
+postponement. So decided the Duchess, and however fond of airing her
+own sentiments and securing her own way Lady Ethel might be, on
+ordinary occasions, for once she raised no objection. She was
+perfectly willing that her marriage with Sir John Chetwynd should
+take place at once. Perhaps in her home Lady Ethel was not quite the
+plastic lay figure she was wont to appear in public, and the Duchess
+had spoken to her most intimate and confidential friends of the
+approaching nuptials with almost a sigh of relief, and a whispered
+word.
+
+"She has indeed been very difficult to manage, and really, though I
+am speaking of my own daughter, I never can quite understand Ethel;
+she is not like other girls. It will be a huge responsibility shifted
+from my shoulders when she is married."
+
+And everybody had wondered what the girl had seen in Sir John, that
+he should have taken her fancy. To the outside world and to those who
+had not come within the immediate charm of his manner and bearing, it
+did offer food for speculation, and since his engagement he had grown
+greyer and stiffer and more professionally precise than ever.
+
+But he suited Lady Ethel, or she fancied he did; which answered the
+purpose quite as well. She had always detested very young men; she
+liked a man whom she could look up to and lean upon, and certainly
+this she could do with perfect faith as regarded her _fiance_. Now
+Duchesses are no more exempt from the weary ills which weak flesh is
+heir to than their less favoured brothers and sisters, and in the
+early summer the Duchess began to complain of certain aches and pains
+and to bethink her that Sir John's advice might be worth following;
+so she drove over to Camelot Square and was shown into the waiting
+room with the rest of his patients. She had some little time to wait,
+and while the Duchess sat tapping her foot impatiently at the delay,
+Ethel looked round the spacious apartment and decided on certain
+improvements she would effect when she should preside over John's
+establishment.
+
+And then the door was flung open, and Soames, the eminently correct
+footman, ushered them into his master's presence.
+
+The Duchess advanced gushing a little.
+
+"So good of you to see us so soon! I was positively timid at coming
+without an appointment, even with Ethel."
+
+"It is you who are good, Duchess, to give me such an unexpected
+pleasure."
+
+Sir John touched Ethel's cheek lightly with his lips and motioned his
+visitors to be seated.
+
+"Now is not that a pretty speech from a professional man! Ah, you
+lovers, you are all alike, and when you are married--Ah! then you are
+all the same."
+
+"What an accusation! I hope Ethel does not credit it, or I shall
+never be permitted an opportunity of refuting such a calumny."
+
+"I know too well how highly Mamma thinks of you, John," said Ethel,
+prettily.
+
+"Well, I admit it--I do admire you immensely--I admire your power,
+your position, your ability to make an income--a large income,
+sitting comfortably in an arm chair. And then there is such solidity
+in a doctor's profession--people are always ill."
+
+"Mamma is ill herself," broke in Lady Ethel, "and that is why we have
+intruded to-day."
+
+"I hope it is nothing serious, my dear Duchess."
+
+"How sweet of you! Ah, I am a martyr! I have hay fever to such a
+distressing extent that I am positively ashamed to go into society."
+
+Her daughter laughed.
+
+"We were at the Opera last night, and Mamma's sneezes were most
+_mal-a-propos._ It was very embarrassing."
+
+"Yes, I am convinced that Romeo glowered at me, and at church on
+Sunday it was such a charming sermon, so encouraging and tactful, I
+sneezed violently in the man's best moments. At my age I cannot
+consent to become a public infliction, yet I feel I am a nuisance."
+
+"Mamma said, as soon as we got home--'I shall go and consult Sir
+John,'" cooed Ethel.
+
+"And now you can cure me?" The Duchess looked anxiously into the
+grave face opposite.
+
+"I have not the slightest doubt you will be entirely recovered in a
+few days at most," said Sir John reassuringly; "you have caught a
+severe cold."
+
+"Nothing of the sort, I assure you. I have had colds before, and I
+know better."
+
+"What, better than your doctor?" The stern face relaxed, and Sir John
+laughed.
+
+"Well, better than my future son-in-law. Now I beg you not to be
+obstinate. Give me something potent--one of those drugs that work
+such instantaneous wonders."
+
+"I fear they are not in the Pharmacopoeia."
+
+"I don't think it is kind of you to discourage me."
+
+"But if I make you well in a week, will not that satisfy your Grace?"
+
+"I shall be radiant."
+
+"I will write you a prescription."
+
+"Thanks! What an invaluable husband you will make with all that
+knowledge at your finger ends! I need have no misgivings as to
+Ethel's health, and she has always been so subject to chills. The
+risk of entrusting one's daughter to an unobservant man is shocking,
+but to a physician! To have for one's daily companion a great and
+renowned doctor, what an advantage--what a security!"
+
+"Really, mamma, to hear you talk one would suppose that I was an
+invalid, and I never remember to have suffered from anything worse
+than the measles."
+
+"When Ethel comes to me she will be guarded as sacredly as a girl can
+be."
+
+Sir John smiled kindly at his betrothed.
+
+"I have made but a few protestations of what I feel for her; perhaps
+I am more reserved than I should be, but I am no longer a boy. I
+doubt whether I ever was very romantic, even in my younger days, but
+I think that she and I understand each other, and if we don't tiff
+and 'make it up,' if we have been engaged three months and have never
+had a quarrel, that does not mean that my affection is not most
+sincere and deep."
+
+"I should hope we like each other too well to quarrel," said Lady
+Ethel haughtily.
+
+Like! After all, was it love on either side? Sir John asked himself.
+
+"My dear Sir John," broke in the Duchess pompously. "A few words from
+such a man as yourself impress me more profoundly than rhapsodies
+from another. Ethel, just look out of the window and see if the
+carriage is waiting. We are going to take the Lancaster girls to the
+Academy, and Payne has driven round to fetch them while we had our
+consultation with you."
+
+"Yes, mamma, it is there."
+
+"I will follow you in a minute, Ethel; say good-bye to John--," and
+when the door had closed upon her daughter, she began hurriedly:
+
+"It is hardly the time and place perhaps, but you will pardon that.
+I--really, it is very awkward. Can you not help me, Sir John? The
+weeks are slipping by, and I should, I confess, like to make my
+arrangements for leaving home, but until I know definitely what yours
+are--."
+
+"Mine?"
+
+"Yes; yours and Ethel's."
+
+A light broke in upon Sir John's somewhat obtuse mind. He had no
+desire to expedite matters, but then he was not the principal person
+to be consulted, and it certainly was not for him to raise any
+objection, so he acted immediately on the hint given him.
+
+"My dear Duchess, what can I say? The matter rests entirely in your
+hands. Let it be when you please. In another month I shall be
+comparatively free, and we can visit Switzerland if Ethel wishes."
+
+The Duchess smiled. "That you must arrange with Ethel herself, and
+perhaps you had better broach the subject yourself to her. Girls are
+apt to be a little curious on these points."
+
+"Then I will ask her to fix the day for our marriage." He bowed with
+old-fashioned gallantry over the pearl-grey suede, held out in
+farewell, and the Duchess rustled away with Soames, the deferential,
+in close attendance.
+
+Soames did not like the idea of a mistress, but these "accidents" he
+was well aware, would happen in the best regulated families, so he
+was now bent on making friends with the Mammon of Unrighteousness in
+the shape of the Duchess of Huddersfield and the bride elect.
+
+Left alone, Sir John stood upright, his hand on the back of his chair
+and his brows tightly drawn together.
+
+Well, why not? What possible excuse could he make to his own heart
+for the delay?
+
+None, none. And yet he felt a good deal as if a thunderbolt had
+fallen from the skies at his feet, and it was more or less of a shock
+to him.
+
+Presently he rang his bell.
+
+"Who comes next, Soames?"
+
+"Lady Rutherven, Sir John, but--but a lady who has no appointment has
+been waiting for more than an hour, and I thought perhaps you would
+see her first. She seems very ill."
+
+"Show her in!"
+
+A second later the door swung open again and Soames announced:
+
+"Miss Blackall!"
+
+Sir John started, but recovered himself in the next instant.
+
+"Take a seat, madam."
+
+He waved her to a chair and for several minutes they looked at each
+other without speaking. The woman was the first to break the silence.
+
+"I have come back," she said with a nervous laugh. "I am ill; I
+thought you might try to cure me."
+
+She had seated herself, but he remained standing.
+
+What a handsome woman she had become, he was thinking, and how
+expensively dressed! There was something strange in the very
+familiarity of the countenance presented to him. It had altered much
+from what he remembered it, but curiously enough he remembered it the
+more vividly because of that very alteration.
+
+"What is your trouble?" he asked huskily--"Why have you
+consulted--me?"
+
+"It is my lungs. I don't know--let us call it a whim. I thought you
+would do me good if anyone could." She paused a second: "You used to
+be my husband once."
+
+"Once! Well, I am willing to be your doctor."
+
+"I suppose you would do your best for a dog if it were dying,
+wouldn't you? though you might not care if it recovered."
+
+"I have a very faithful dog," he said significantly.
+
+Bella winced.
+
+"Dogs ask so little for their love. Oh, I didn't come here without a
+struggle. And I knew you would speak like this. But I have been
+abroad so long, and on the voyage home I got worse, and women--women
+of your sort who had taken no notice of me, suddenly grew kind. I
+said to myself, 'Bella, it looks bad for you when ladies forget how
+common you are,' and then the thought struck me, London meant you! As
+a patient I might come to your house and be let in. You are clever
+and you are great; if I had any self-respect I could not ask you; but
+I have not, you know; I never had any and'--and--I am--frightened! It
+keeps me awake at nights, the fear. I--I am not going to--die?"
+
+"I have said I will do what I can for you."
+
+"You will sound me?"
+
+"Loosen your dress."
+
+As he bent over her she raised her hand as if to smoothe his hair,
+and the colour came into her face, but she did not touch him.
+
+Her fingers, from which she had drawn her gloves, were laden with
+rings--rings which he had not given her. His breath came a little
+faster as he stooped over her neck.
+
+"Don't be scared to tell me the truth," she said; "I guess I'm pretty
+bad. You need not take the trouble to lie about it."
+
+He examined her thoroughly and replaced the stethoscope before he
+spoke.
+
+"Your lungs are not right. They used to be."
+
+"Oh," she replied bitterly, "I used to be. I have come too late--is
+that what you mean?"
+
+"I mean that you must exercise great care and avoid excitement. Don't
+brood--don't worry yourself by misgivings, which will only do you
+harm. Go away from England when the summer is over; go where the sun
+shines and the air is mild. Lead a life of ease and indolence. I can
+say no more."
+
+"And then?"
+
+"And then I see no reason why you should not live for years to come."
+
+Bella flung her hands out with a sort of despair.
+
+"Your prescription is impossible," she said dully.
+
+"Impossible?"
+
+"I have only just come over from the States. I have an engagement at
+the Empire for six months. I have got to stay."
+
+"You will be very unwise. The laws of health demand that you should
+cancel any such contract."
+
+"Beggars can't be choosers. I must sing to live. It is my trade now."
+
+He sighed. "You do not look as if you were in pecuniary
+difficulties."
+
+"Well, I make money easily enough, but it melts like ice cream;
+everything is so beastly dear."
+
+"Are you not with--him?"
+
+"Him? Oh no; he left me years ago. I am alone--very much alone. It
+seems sometimes as if I had spent the best part of my life alone. I
+am so dull I--I wonder why I dread to die. There! I can follow your
+advice so far as this; I'll take the greatest care of myself--in
+London. I am glad I came to you, though it does not seem to have
+delighted you much. I suppose if--if I had run straight and stayed
+with you, I might have been quite well, eh?"
+
+"That is difficult to say. Bella, have you--it is a foolish question,
+but--have you ever regretted?"
+
+She laughed recklessly.
+
+"Oh, as to that--what is the good of looking back, anyhow? I have and
+I haven't--when I have been sick it has been awful lonesome. You
+didn't grieve much, that's certain. And you got your title soon after
+I went. It was lucky for you. Scot! I should have been Lady Chetwynd
+if I had stopped with you, wouldn't I?"
+
+"You would have been an honest woman."
+
+"Ah!" She rose from her chair and looked curiously round the room. "I
+remember those bronzes," she said; "they used to hang in your little
+library in the old house. You are a good deal changed in the face;
+your manner is just the same. You were always a good fellow, I will
+say that. I know it better than I used to now I have had so--since I
+have been--"
+
+"Hush--the past is dead. I was not so patient and tender with you as
+I should have been."
+
+"You saw that--you had made a mistake, but you tried to hide how
+sorry you were--I know you did that and I--well, I didn't marry you
+to make you sorry. Do you know how we lived--he and I, when I left
+you? He took me to Paris; and didn't we make the dollars spin, the
+pair of us--rather; and then one fine morning we heard a beastly bank
+had gone smash and he had lost pretty well all he had got."
+
+"And you left him?"
+
+A smile curled the corners of her mouth.
+
+"No," she said, slowly; "I didn't. We took two little rooms over a
+baker's shop in the High Street, Islington, and I stuck to him. I
+used to go out in an evening and do the marketing with a hand basket,
+to get it cheap. When we wanted a change we would take a bus to the
+Park and look at the swells across the railings; and sometimes Saidie
+gave us tickets for the theatres. Seems odd, don't it? but it's a
+fact. I was livelier then than ever I've been in my life. While he
+was fond of me--he showed me he was fond of me, you see."
+
+"You were capable of love, then, after all?" he said bitterly.
+
+"I don't know. I loved the freedom I think, anyway, and perhaps I
+took him with it. I don't know! what does it matter? It was a release
+for you and you are glad that it happened, eh? now that the shame of
+it is forgotten? We were never suited to each other, were we?"
+
+"Why speak of what is past?"
+
+"You see, if I had remained with you I should have been no happier,"
+said Bella, reflectively; "you expected too much from me."
+
+"I did my best to make you happy."
+
+"Yes, perhaps! then if I had been more grateful and different, would
+you be glad if I was with you still?"
+
+"I cannot answer that question. I loved you--I had no thought for any
+human being outside yourself."
+
+"But now," she persisted, "now that the wound is old, do you not say
+to yourself, 'it was better so'? Suppose that you and I were still
+what we were once to each other, would you be happy to know that I
+was your wife to-day?"
+
+"I beg you to be silent. It is impossible that we can discuss such a
+question."
+
+She came close to his chair.
+
+"I am," she said with a sort of feverish eagerness, "no more of a
+lady now than I was then. I am just what I used to be when I made you
+ashamed of my ignorance and my mistakes. But if I were pure, if I had
+never been divorced, if I were standing here your faithful wife,
+would you be glad?"
+
+"Hush! You are paining yourself and me."
+
+"Jack!"
+
+"For God's sake be still!"
+
+She fell on her knees beside him.
+
+"Jack, say you would be glad."
+
+"If you had never left me, if you had remained my faithful wife,
+heaven knows that I should be a happier man!"
+
+Bella burst into tears and sobbed convulsively, then pressed her
+handkerchief to her mouth. It was bright with blood when she withdrew
+it.
+
+"Oh, be careful of yourself," said John Chetwynd, terribly moved;
+"you must do what I advise."
+
+"I'll try. I wonder why you should care one way or the other. It is
+more than I deserve--you make me so sorry and ashamed. I shall never
+see you any more, shall I?"
+
+"I cannot."
+
+"No; I understand, I ought not to ask you. Well, good-bye. There is
+my address if you should take a notion to come. It is only a six
+months' engagement over here, and if I'm not long for this wicked
+world, I may not live to finish it. Keep my card. If one day you
+should feel that you could come--just once. You don't hate me?"
+
+"Hate you? No."
+
+"I dare not ask you to forgive; but I begin to know and feel what my
+action towards you really meant. Jack, see I am on my knees. Forgive
+me!"
+
+"I do. I forgive. If I was hard to you; if, as you say, I expected
+and exacted too much from you, may God forgive me."
+
+The tears were still raining down Bella's cheeks.
+
+"Kiss me, Jack."
+
+He shrank back. "You must not ask me that. I cannot."
+
+"Is it that you despise me so utterly?"
+
+"No, no; you don't understand. I--"
+
+"Kiss me."
+
+"Why do you make me speak? I am going to be married again. I kissed
+her--a young girl--in this room half an hour ago. I could not outrage
+her trust in me."
+
+A sort of stung expression came into the face of the kneeling woman
+and she staggered to her feet.
+
+"You are going to take another wife! My God! I never thought--I never
+dreamt. It seemed so--so--impossible. I hope she will make you
+happier than I did."
+
+"Oh, hush, hush!"
+
+"She is one of your own class--a lady? What is her name?"
+
+"I would rather not mention it. Give me your hand and let us part in
+peace."
+
+"Tell it me," she pleaded. "What name do you call her by?"
+
+"Ethel."
+
+"Ethel and Bella. Ah, Ethel is far the nicer name. We didn't think
+once that you would ever be telling me you were going to be married
+to someone else, did we? It feels queer, and it hurts me--a little, I
+think. Good-bye, Jack. I see now why you could not kiss me--it would
+not be right of you. She is a young girl and she might find it hard
+to forgive you if she knew. I am going. You used to have a bell on
+your table, I recollect, with a little white knob that you pressed
+when Mary was to go to the hall door. Do you use it still? Oh, I see.
+Let me press it instead of you, may I? I sha'n't feel so much as if
+you were turning me out. Good-bye." She said the word lingeringly,
+tenderly. "Say 'Bella' once again, for the sake of old times."
+
+Jack Chetwynd took the slender trembling hand in his with God knows
+what of anguish and pity stirring at his heart.
+
+"Good-bye--Bella."
+
+And the door fell to.
+
+She was gone.
+
+He could hear her hollow cough as she passed down the tesselated
+corridor.
+
+
+
+
+CHAPTER VI.
+
+
+It was two days later. Sir John Chetwynd sat in his big easy chair
+with an open letter before him. "We are surprised to have seen and
+heard nothing of you," wrote the Duchess; "more especially as after
+the few words we had in private upon a certain important matter, I
+fully anticipated an early visit from you. But such a busy man as
+yourself and one so much in request, both socially and
+professionally, must not be judged by the rules which govern the
+common herd, I suppose; at the same time (although I assure you she
+has not said a word upon the subject) I can say that dear Ethel feels
+herself a wee bit neglected. You must have been _professionally_
+engaged last night, I presume, since we were obliged to dine without
+you and go to see Sarah Bernhardt alone."
+
+He had spent the whole evening in his consulting rooms, totally
+forgetting his promise to escort his _fiancee_ and her mother to the
+theatre.
+
+Well, he would see them both on the morrow and make his peace, and
+then--he dropped his head on his hands and fairly groaned. It was
+useless to argue with himself, to bring commonsense to bear upon the
+point, to count up the advantages to be derived from this union with
+Lady Ethel; look at it which way he would, the fact remained the
+same, that he had no longer the remotest desire to marry again.
+
+The knowledge had certainly come tardily, but not the less surely.
+
+He did not, he told himself, love Lady Ethel as a man should love the
+wife of his bosom. Middle-aged, worn, and unemotional though he might
+be, he knew that he was yet capable of a much deeper feeling than she
+had evoked and he had wakened to a realisation of this since he had
+again seen Bella.
+
+He was no fool; he was, on the contrary, a shrewd, clever,
+quick-witted man of the world and it was impossible to shut his eyes
+to the trouble. He thought of Bella as she was when he had first
+married her; he recalled their courtship, her pretty half shy, half
+tender ways--the girlish prettiness which time had turned into shame.
+
+She had left a scrap of lace on his table for her throat or her
+veil--Heaven knew what--and his eyes grew blurred and dim as he gazed
+at it. He repeated mentally phrases which had fallen from her,
+piecing them together and trying to weave the pattern of her life out
+of the fragments.
+
+She had changed pathetically. She had acquired the manner that her
+sister used to have, and which he had so strenuously objected to--the
+slangy, devil-may-care tone, the total absence of which in the old
+days had made his little sweetheart so conspicuously different from
+her environment. She wore now the impress of evil, from her Regent
+Street hat to her Paris gown. Manifestly she had risen in her
+vocation, but he knew that her salary alone had never supplied the
+costume or the rings, and his heart ached.
+
+That night he sat at the Duchess of Huddersfield's table facing his
+_fiancee_, and for the first time he wondered if sang-froid or
+perfect equanimity were all that a man such as himself might desire.
+She was, as Bella had put it, "One of his own class--a lady," which
+she had never been, poor Bella! but he did wonder just a little how
+much of real heart beat under the dainty laces that shrouded Lady
+Ethel's bosom. He had reflected once and not so long ago that that
+portion of a woman's anatomy was superfluous, but he wavered in his
+belief now. He could stake his professional honour, his hopes of
+eternity--of--everything--on the absolute purity of this girl;
+nothing would ever tempt Lady Ethel to swerve ever so little from the
+path of rectitude and decorum. The cold, proud patrician face spoke
+for itself, and yet--he was in a brown study when the voice of his
+prospective mother-in-law brought him out of the clouds.
+
+"And now," she said in a significant tone and with a glance full of
+meaning, "now I suppose you young people have lots to talk about, and
+will forgive me if I run away."
+
+And the silken draperies swept themselves across the floor and the
+door closed softly upon her Grace.
+
+Ethel lay back in a low, lounging chair with a big ostrich feather
+fan in her hand, and she looked up expectantly into her lover's face.
+There was nothing else for it, and he took the plunge valiantly--and
+with precisely the correct amount of maidenly hesitancy, Lady Ethel
+named a day for their marriage. And then--somehow there seemed
+nothing more to be said; each sat silent.
+
+Sir John felt rather than saw his companion yawn behind her fan, and
+realised desperately that he must break the silence.
+
+"Ethel," he said gently; "I am old compared with yourself, and grave
+and sad even beyond my years; are you sure I can make your future
+happy?"
+
+She looked at him with a good deal of surprise, and a frown puckered
+her smooth brow.
+
+"Why not? Why should we wish for rhapsodies and commonplace
+love-making? We can leave all that to the Chloes and Daphnes of a
+by-gone age. It would be boring to the last degree. One must take
+pleasure just as much as sorrow, with a certain amount of equanimity.
+If there is one thing more than another that I hate, it is to be
+ruffled. Emotion of any sort ages a girl so terribly."
+
+The sword would never wear out the scabbard so far as Lady Ethel was
+concerned! He doubted if she were capable of any great depth of
+feeling. But he did not say now as he would have done a week ago--"So
+much the better;" he no longer felt that it was altogether desirable.
+
+He looked at her more scrutinisingly than he had ever done before,
+and for the first time he told himself that the beautifully moulded
+mouth was hard and unloving, and that the chin spoke of self-will and
+an amount of resolution unusual in such a young girl.
+
+He hastened to change the subject.
+
+"You would like to visit Switzerland or Italy?" he asked.
+
+"No; I don't care for scenery much, or nature! I like human nature
+best; it is much more interesting, I consider. I should prefer Paris
+or Vienna."
+
+"Then Paris or Vienna let it be, by all means," he hastened to reply,
+and Lady Ethel smiled, well pleased.
+
+"Mamma," said Sir John's _fiancee_ an hour or two later, when mother
+and daughter were alone. "Do you know who Mrs. Chetwynd was?"
+
+"My dear Ethel, it is much better that subject should not be
+discussed."
+
+"I don't agree with you. Since I am going to marry John it can only
+be right and proper that I should be made aware of every detail
+connected with his former marriage."
+
+When Lady Ethel adopted that tone, her mother knew by past experience
+that it was a saving of time and temper to yield.
+
+"I only know that she was beneath him in position--a dancer, I
+believe, and she ran away with someone else. Really providential, I
+consider; it must have been a happy release for poor Sir John."
+
+"He was plain Mr. Chetwynd."
+
+"Yes; but already very popular. It was exceedingly fortunate that he
+did not get his baronetcy earlier, for had he done so, she would
+probably have refused to be faithless."
+
+"I wonder if he felt her desertion much?"
+
+"The world says not; they had lived unhappily for some time before,
+and the general impression was that he did not care in the least."
+
+"But you spoke of her to him when he asked your consent to our
+marriage?"
+
+"Yes, Ethel, I did; I referred to it as delicately as possible, of
+course. I believe I said, 'your early misfortune,' or something to
+that effect."
+
+"And what did he say?"
+
+"Well, he spoke very nicely; he said he was aware that it added to
+the disparity between a man in his position and my daughter."
+
+"And you?"
+
+"I believe I replied that because a bad woman had caused him misery
+and suffering in the past, it was no reason why he should not win and
+hold the love of a good girl, and that because of the sorrow he had
+endured, I felt the more assured in trusting my child's happiness
+into his keeping."
+
+"That was sweet of you, mother; but did it not occur to you that
+there was just--a little risk?"
+
+"How?"
+
+"I don't think that John is a man who would forget easily."
+
+"Good Heavens, child! what do you mean? you cannot doubt the
+sincerity of his protestations of affection for you, surely?"
+
+Her daughter laughed.
+
+"I certainly do not wish him to be more demonstrative, mother dear;
+love-making is the most boring process imaginable; but still, I
+should prefer, I must confess, that there was no under-current of
+feeling for wife number one."
+
+"You amaze me, Ethel, by suggesting such a horrible idea. The woman
+may be dead for anything I know; at all events, she left England
+before he obtained his divorce, and no one has heard anything of her
+since. It is extremely improbable that she will ever return to this
+country."
+
+But in this, as we know, the Duchess was in grave error.
+
+At that very moment Bella was sitting by the open piano in her cosy
+apartments in a street off the Strand, idly striking a note here and
+there and humming the air of a new song; but her cough, which was
+incessant, made singing almost out of the question.
+
+"I believe I'm getting worse," she cried, rising and flinging herself
+on the sofa, "I'm sure I was not so bad as this three months ago--not
+so bad when--he never came. Ah! why should he? How could I expect it?
+Perhaps to-day may have been his wedding day! Come in."
+
+The door opened noisily, and Saidie Blackall, very much over-dressed
+and distinctly rouged and made up, entered, followed by Mr. and Mrs.
+Doss, looking precisely the same as on that memorable night when they
+had been the innocent cause of so much trouble to Bella's husband.
+The old music-hall singer and his wife had lost no time in looking
+her up when she returned from the States, and were really
+well-meaning, kindly folk.
+
+"Hallo, Bella, you look done up!"
+
+"I am," admitted the girl wearily. "It was as much as I could do to
+pull through to-night, and I have got a beastly new song to tackle."
+
+"I don't like your cough, my dear," said Mrs. Doss, looking
+distressed; "it shakes you to bits."
+
+"I've got a little more cold, I fancy; but I'll be all right in a day
+or two."
+
+"You're not looking the thing--I saw you from the front
+to-night--and--well, I guess it was a bit of a heffort to sing at
+all, eh?"
+
+Bella turned quickly and looked sharply into Mr. Doss's face.
+
+"If you have got anything disagreeable to say, don't be afraid, out
+with it. I suppose you have jumped to the notion that I'm dying?"
+
+She tried to laugh, but it was a piteous attempt, and ended in a fit
+of coughing which left her white and trembling in every limb.
+
+"There, there!" cried Mrs. Doss, compassionately; "you must not
+excite yourself; we will do the talking, and you keep quiet."
+
+Bella lay back on her cushions, weak and exhausted, and when the
+Dosses at length went away she gave a sigh of relief.
+
+"What did they come for to-night?" she said thoughtfully.
+
+"Well, Bella, Doss had heard a bit of bad news and thought it as well
+to put you on your guard; but finding you like this put it out of his
+head, I suppose."
+
+"Bad news? What do you mean? He's not married, is he?"
+
+Saidie stared at her.
+
+"Not that I know of--why, he would have you to-morrow; you know that
+as well as I do! you are treating him in a rough way; there's no
+mistake about it."
+
+Bella fell back again relievedly.
+
+"Oh, you're talking about Charlie, are you?" she said.
+
+"Who should I be talking about? There isn't no one else as wants to
+make an honest woman of you, is there?"
+
+The shaft fell short of its mark. Bella did not even wince.
+
+"Well, it strikes me, my girl, you'll have to fall in with his
+views," Saidie continued presently; "for if what has come to Doss's
+ears is true, you'll be out of a berth before you can say Christopher
+Columbus."
+
+"What on earth do you mean?"
+
+"The management are getting dissatisfied, and we know what that
+means."
+
+The pale face flushed poppy red.
+
+"They can't help themselves," she said eagerly. "I have a contract
+for six months. They cannot cancel it, you must know they can't, and
+it's not very likely I shall allow myself to be played fast and loose
+with as the fancy takes them."
+
+"But if you're not able to fulfil your share of the contract--"
+
+"Who says I am not?" cried Bella fiercely. "Old Robertson is a fool,
+and if he thinks I'm going to put up with any hanky-panky, he's jolly
+well mistaken. Let him try it on, that's all! I should immediately
+take steps to enforce my rights, the law is on my side, that's clear
+enough."
+
+"I don't know! You heard what Doss said--about how you looked from
+the front; and others have got their eyesight as well as him, and can
+see you are not well and not--"
+
+"Not fit to sing--that's what you are driving at?"
+
+Saidie was silent.
+
+"I tell you I will sing. Nothing and no one shall stop me. I shall
+just defy them all, and go on, and there's no law in England to stop
+me."
+
+"If you are not a goose, Bella, I never saw one! What in all the
+world keeps you on the boards, I cannot see. Here's a man come over
+from N'York with the intention of marrying you; a man who is earning
+his hundred dollars a week, and you turn up your nose at him. I can't
+understand you. You seemed proud enough of him a week or two back;
+but now all on a sudden, for no earthly reason, you show him the cold
+shoulder."
+
+"I suppose I can please myself," answered Bella, and her lip
+quivered, and the tears began to roll down her cheeks.
+
+"I wish to God I had never left--Jack," she said weakly.
+
+Whereupon Saidie gave her what she was pleased to call a "piece of
+her mind" as to the insane folly of any such speech, the result of
+which was that Bella wept and coughed herself into a state of
+collapse, and had to be carried off to bed.
+
+Things did not mend. Bella persisted, ill though she was, in
+appearing night after night in public until at length what Saidie had
+predicted came to pass, and she received a formal notice cancelling
+her engagement at the Empire on the ground of the extreme delicacy of
+her health.
+
+Mr. and Mrs. Doss happened to be with her at the time she received
+the notice, and Bella partially appealed to them.
+
+"You will help me, won't you? You won't allow them to impose upon me
+so shamefully. They have no right to do it. It's infamous--'annul my
+engagement' indeed! They shall find out who they are dealing with. It
+would be ruin for me, it would simply spoil my career. I shall go
+down at once and see Robertson. It's a likely thing that I'm going to
+sit down calmly and quietly and accept my dismissal. Not if I know
+it. I'll give Robertson beans."
+
+"I wouldn't do it if I were you," said Mrs. Doss quietly.
+
+"Not do it; what do you mean? You must be dreaming. It is the only
+thing to be done."
+
+And now Mr. Doss, obeying a pathetic glance of his better half, put
+in his oar.
+
+"Be a bit patient; wait and see how things turn out; don't do
+anything in a 'urry--that's our advice--the old gal's and mine."
+
+"Yes, take things heasy, I say," chimed in the "Rabbit Queen."
+
+"I don't see what there is to wait for. Show me what is to be gained
+by waiting, and I will consider it."
+
+"Well, Bella; Doss here will tell you what we was thinking of; he
+puts things clear like."
+
+"What was in our mind was to talk the thing over first. Allus talk
+the matter well over, was my motto as a boy. It saves a peck o'
+bother and a deal o' doing. Don't flare out about it, but take it
+gently and conversational."
+
+"Fussing over things won't make you no better," echoed Mrs. Doss.
+"Lor', bless me, didn't I have a sister what killed herself fussing!
+Fussed herself into the grave, she did! And might have been here,
+leastways in Camberwell--alive and hearty at this minute."
+
+"The question is--am I too ill to fulfil my engagement? and I say
+'no,'" cried Bella, angrily.
+
+"And me, the missis and me--we says, certainly you are, and so
+heverybody says. You want a thorough rest, and then you will pick up
+again."
+
+"That may be your opinion; it is not mine! you may talk till
+doomsday; you won't convince me. I may surely be allowed to be the
+best judge of my own state of health. I shall not wait a day--not an
+hour. I'm going at once down to Robertson to have the matter out with
+him."
+
+The distressed pair exchanged glances, and then Mrs. Doss said in a
+coaxing way, "If you must go, you will let me come with you, my
+dear."
+
+Bella hesitated.
+
+"If you're on my side and mean to stick up for me, all right; but if
+you're going to hum and haw and look grave, and take the part of the
+management, you had best stay away."
+
+Mrs. Doss tucked Bella's arm within her own and trotted upstairs to
+the bedroom, where Bella arrayed herself in total silence, and her
+friend, beyond a vigorous sigh or two, was mute also.
+
+Mr. Robertson was disengaged, and the ladies were at once ushered
+into his presence.
+
+"Now then," began Bella, dashing into her subject, "I have come to
+know what all this means. You cannot dismiss me at a moment's notice,
+and you know it just as well as I do. Ain't you satisfied with me?"
+
+"Perfectly. It is no question of that sort--but in your present state
+of health you are not up to your work, and there was no other
+alternative."
+
+"Oh!" said Bella disagreeably, "does anybody else say I am not up to
+work except you?"
+
+"My dear Miss Blackall, I regret that this has been necessary. I am
+exceedingly sorry that we brought you over from America and then are
+compelled to terminate your engagement so soon, but in your present
+condition--"
+
+Mr. Robertson flung out his hands with an eloquent gesture.
+
+"Well, look here; I'll give up my dance--that does shake me a bit,
+I'll grant; but you must let me sing the new song--you really must;
+I'm a nailer at it and I'll wrap up! My cough will soon go: give me
+another chance!"
+
+Her cheeks were flushed with excitement and her eyes were
+sparkling--she really did not look so very ill this morning; perhaps
+after all, things had been exaggerated. Mr. Robertson wavered. Bella
+was quick to see her advantage and to press it.
+
+"Withdraw your notice," she said, "and let me come on for one song
+only for a week or two."
+
+"It would really be better, I think, if you were to have an entire
+rest for a month or so."
+
+"Yes, for someone else to step into my shoes! Thank you for nothing."
+
+"I will pay you a fortnight's salary in lieu of longer notice; and if
+you are desirous of returning to your friends in the States, perhaps
+something might be arranged."
+
+"I have no friends here or there," said Bella simply; "my profession
+is all I have."
+
+"Well, well, we'll give it a week's trial. If at the end of that time
+you are sufficiently recovered to do your work properly, well and
+good; but if not, you must really consider your engagement at an
+end."
+
+All this time Mrs. Doss had said nothing. Bella had talked so volubly
+and so fast, there had really been no chance of getting in a word;
+and when the manager rose to his feet to intimate that the interview
+was at an end, there was nothing to be done but to follow Bella out
+into the street.
+
+"There!" she cried triumphantly, "I told you I would bring him to his
+senses. You saw how soon he caved in. It is not a question of my
+health at all; you may bet your bottom dollar I have an enemy, but I
+flatter myself I've routed him."
+
+Her breath was coming in gasps and she spoke with difficulty. Now
+that the excitement was over and the necessity for bearing up at an
+end, there came the reaction.
+
+"I think I had better go home and lie down," she said, "or I shall
+not be at my post to-night, and I must, you know, I must."
+
+"Poor child, I could fairly have cried," said kindly Mrs. Doss to her
+spouse after Bella had been safely escorted home.
+
+"I'm not satisfied with you, old girl," said Mr. Doss, shaking his
+head mournfully. "I can't 'elp thinking you might ha' managed things
+better. If Bella Blackall goes on a singing at the Hempire, you mark
+my words, she'll sing herself into 'eaven."
+
+
+
+
+CHAPTER VII.
+
+
+A week went by slowly: the hours crept like snails, and yet the days
+were surely slipping away, bringing nearer and nearer the one which
+was to give Sir John Chetwynd his second wife.
+
+He had hardly seen Lady Ethel since the evening when she had yielded
+a coy assent to his not (it must be confessed) very amorous request
+that she would fix an early day for their nuptials, and his state of
+mind was anything but an enviable one. If ever a man was torn two
+ways, halting between prudence and worldly consideration on one side
+and the force and power of a love which he had honestly believed was
+laid for ever in its grave, that man was Sir John. The idea of seeing
+Bella again did not occur to him for some days, but when it fastened
+on him he could not shake it off. It was stronger than himself. He
+excused his temptation by the condition of her health, though in his
+heart of hearts he knew well enough that this was not sufficiently
+critical to serve for a reason.
+
+Twice he seized his hat with the intention of going to her, then laid
+it aside, angry and disgusted with his own weakness.
+
+His profession no longer occupied his thoughts to the exclusion of
+every other topic. He sat for hours buried in the newly awakened
+memories that that one brief glimpse of her had conjured up, unable,
+unwilling to rouse himself.
+
+And then he made a compromise with his own weakness and irresolution.
+He would not go to Cecil Street, since by so doing he would be
+offering a tacit insult to the woman he had pledged himself to marry,
+but he would, he must see Bella, himself unseen and his presence
+unsuspected, and this he could effect easily by going to the Empire.
+
+The notion pleased him, and that self-same evening he carried it out.
+
+Bella was worse. She could no longer deceive herself. It was only by
+a superhuman effort that she could pull herself together sufficiently
+to sing the one song which was all her part consisted of now.
+
+After she had got into her pretty sea-green skirts of lace and tulle
+and shimmering silk, like so much sea foam, she had to lie still and,
+let the poor over-strained lungs and heart recover themselves, and
+then, when the summons came she called up a smile to her wan face and
+pluckily did her best.
+
+But that night she looked up at Saidie after the last ribbon was in
+its place.
+
+"I'll have to throw up the sponge, after all," she said wearily; "it
+is beyond me. They are right and I was wrong,--I must have a rest."
+
+Saidie muttered something in reply, but when the door closed upon her
+sister, she sighed.
+
+"She _is_ bad; there is no denying it," remarked the dresser, who was
+busily stroking out the roses which were to garland Saidie's dress.
+"It gives me a turn every time I see her go on the stage."
+
+"She looks worse than she really is," returned Saidie; "sometimes she
+is as brisk and lively as you like--she so soon gets tired."
+
+"She is a tidy sight worse than 'tired,' and it strikes me her voice
+was weak like to-night. Did you notice it, Miss?"
+
+"Oh, she varies so. I guess she would be as right as any of us the
+moment she was on the boards."
+
+Nevertheless, although she was not going to confess it, Saidie was
+troubled and uneasy. There was something in Bella's face she had not
+seen before, and it frightened her--a little. She stood at the wings
+with a quick-beating heart, but the next moment laughed at her own
+fears.
+
+Bella was singing her very best. Not a falter in the clear, bell-like
+tones, and her face was smiling and radiant.
+
+And then--her eyes fastened themselves on a box in the grand tier;
+with a scared expression she shrank back a little, and her lip
+quivered, but with a mighty effort she controlled herself and caught
+up the refrain again--carolled a word or two, faltered, swayed
+helplessly, uncertainly forward, and fell headlong on the stage.
+
+They were round her in a second, lifting her gently and tenderly. Her
+head had fallen back and a thin stream of blood was welling over the
+laces at her bosom.
+
+"She is dead!" cried Saidie. "Oh, will someone fetch a doctor,
+quick!"
+
+But almost before the words were spoken he was there, and when Bella
+opened her eyes they fell on the grave, anxious, kindly face of the
+man whose wife she had been.
+
+"Jack! Jack! is this--the end?"
+
+"Hush--no--no! Keep still--perfectly still--you must not move."
+
+"I am not--in pain--a little dizzy--nothing more, and my head feels
+light."
+
+"Drink this and don't talk. As soon as you are a little recovered we
+will go home."
+
+"Home! Jack!"
+
+Oh, the wistful look in the deep blue eyes--the prophetic droop about
+the perfect mouth! It was almost more than he could bear.
+
+"I will go with you myself if you will do what I tell you, keep
+absolutely quiet--your life depends upon it."
+
+She looked up tremulously.
+
+"I don't care--a--cent _now_," she whispered.
+
+She bore the journey to Cecil Street better than they could hope, and
+the bleeding from the lungs had ceased.
+
+Downstairs Saidie expressed a wish to remain all night with her
+sister.
+
+"She ought not to be left," she said.
+
+"Most decidedly she must not be left," replied Sir John--"I intend
+remaining with your sister."
+
+"You! Well, this beats all, upon my word!"
+
+So great was Miss Blackall's surprise that when she found herself
+ousted from the position of head nurse and the door metaphorically
+closed upon her, she had not a word to say, but called a hansom and
+had herself driven to Bayswater, where she had been living since her
+mother's death, now nearly a year ago.
+
+"And I used to think he didn't amount to a row of pins," she murmured
+with an odd sort of penitence. "Well, I guess I was wrong, that's
+all."
+
+Through the long hours of that never-ending night John Chetwynd
+watched by Bella's bedside. For the most part, she lay mute and
+inert, but towards morning she grew restless.
+
+"I must talk," she cried excitedly--"to see you sit there and to
+think--to remember--oh! if only I had run straight, Jack--I don't
+think I was meant for this, do you?"
+
+He had no words with which to answer her. He folded his arms across
+his chest and looked out vaguely into the slant of room beyond. The
+folding doors were open and on the sideboard he could see a basket
+full of peaches, at this season an extravagance denied his own table.
+On the mantelshelf to his right hand were some exquisite hot-house
+flowers, carelessly crushed into a cracked, cheap little vase, and a
+penny packet of stationery and a powder puff in a sprinkling of
+chalk.
+
+She stretched out her arms so that her fingers touched him, and he
+held them tightly in his own--rings and all.
+
+She was never meant for the life she had chosen!
+
+His heart felt breaking.
+
+The delicate features, the sweet, wistful, childish face, the pathos
+in her regretful cry--the past with its load of gall and shame and
+misery--which could never be obliterated. Never!
+
+"Why do you look at me like that? I am better. I know I am better. I
+thought--I feared--I was going to die; if I had there was no one to
+care but--Saidie."
+
+"Do you not think what it would mean to--me?"
+
+The words broke from him against his will.
+
+"To--you, Jack! then you care--still!"
+
+"Care!"
+
+He drew his hand away and walked over to the window. The morning was
+breaking: morning in the Strand; and already there was a busy hum
+without.
+
+Her eyes followed him wistfully, with a little wonderment in
+them--and then the lids fell over them.
+
+"I feel strangely weak--but--so--happy, Jack," she said. Her breath
+came more easily and she slept.
+
+Sir John Chetwynd was in his accustomed place at the accustomed hour,
+grave, attentive and professional as was his wont; but after his
+consulting hours were over, he went back to Cecil Street, leaving
+word with Soames where he was to be found, if wanted, prepared for
+another night's vigil.
+
+"She seems neither better nor worse," said Saidie, meeting him in the
+little sitting-room and carefully pulling to the door behind her.
+"She is very, very weak. Is there a chance for her?"
+
+"I am afraid to say--it depends so much on what recuperative power
+she has. If the bleeding can be stopped, I shall be more hopeful."
+
+"What is she to do, poor Bella? She will never be able to sing again,
+I suppose?"
+
+"Never." He spoke curtly, almost cruelly. Saidie burst into tears.
+
+At that moment came a smart tap at the door.
+
+"Mr. Bolingbroke, Miss," said a voice from without.
+
+"He can't come up." Saidie sprang from her chair. But she was too
+late. The handle turned, and a tall, distinctly good-looking man
+walked in.
+
+"Miss Blackhall--how unkind to deny me admittance. You must know how
+fearfully anxious I am. How is she?"
+
+"There's the doctor--ask him."
+
+The stranger turned eagerly.
+
+"This is not serious, I trust. She was always delicate, but--it is
+wonderful how she pulls together when the worst is over."
+
+For almost the first time in his life John Chetwynd was tongue-tied.
+
+Who and what was this man, and what was he to Bella? He forced
+himself to give a professional opinion, and answered mechanically a
+string of questions Mr. Bolingbroke poured forth, but he hardly knew
+what he was saying.
+
+"If only she gets over this she shall never be bothered any more,
+poor darling," he said brokenly. "I suppose I can go in, eh?"
+
+His hand was on the door--John Chetwynd sprang to his feet.
+
+"No one must see her," he cried excitedly. "I absolutely forbid it.
+It would be most dangerous--most improper."
+
+The two men looked into each other's faces for the space of several
+seconds; then Mr. Bolingbroke turned away with a sigh and an
+impatient word. "Absurd! As if I could do her any harm," he said.
+"Well, I will be round again later in the day," he added with a nod
+to Saidie, and a minute later the hall door shut upon him.
+
+"Who is that man?" asked Sir John sternly.
+
+Saidie shrugged her shoulders.
+
+"You shall tell me--what is he to Bella?"
+
+"He is a good and noble man, and let me tell you there ain't too many
+knocking around. If she lives to get over this he will make her his
+wife."
+
+And there was silence--a silence in which John Chetwynd read clearly
+his own heart at last, and stood face to face with facts--facts
+stripped of false adornments--naked, convincing.
+
+Then he strode across the room and entered that in which Bella lay.
+
+She was asleep, and he drew his chair close to the bedside and fixed
+his eyes on the wan, thin face, fever flushed, and fought the
+fiercest battle of his life with his inner self; and when the
+struggle was over, Pride lay in tatters and Love was conqueror.
+
+She slept at intervals almost the whole of that day. Waking late in
+the afternoon, her eyes fell on the silent watcher by her side, and
+she smiled happily, contentedly.
+
+Saidie bent over her and whispered a word or two.
+
+"No--no," cried Bella vehemently; "send him away. I don't want to see
+him."
+
+"But he is so anxious, dear."
+
+"Is he?--poor Charlie! Tell him I am in no pain, and I should like to
+think he will never quite forget me."
+
+"He will never do that," said Saidie, going away with her message but
+half satisfied, and Bella turned a flushed cheek to her pillow.
+
+And then, for the second time, John Chetwynd asked, "Who is that
+man?"
+
+And Bella tried feebly to tell him. He had been attached to her for a
+long time, and had come over with her from the States.
+
+"And you--did you mean to marry him, Bella?"
+
+"I had thought of it--it seemed suicidal to say no to such an offer,
+and then I--oh, Jack, when I saw you I knew I could never love any
+other man!"
+
+He poured out a draught and held it to her trembling lips.
+
+"I feel so strangely weak," she said; "you are going to marry Ethel,
+and I am nothing to you now?"
+
+John Chetwynd drew her close to him, so that the tired head rested on
+his shoulder with the sweet familiarity of long ago.
+
+"Listen," he said. "I have been a coward, frightened of the truth.
+The world was dearer to me than happiness, or I thought so, and I
+hesitated, afraid of its contempt. But amid my weakness was one
+thought, one impulse, which no amount of worldly prudence or
+consideration could stifle, and Bella--my wife--that was my love for
+you."
+
+"Jack, Jack, is it true?"
+
+"I have loved you always, through all my life, you and no other. I
+see now how hard I must have seemed to you and how wild and
+unreasonable I was in my expectation from you and how at last it
+drove you from my side. The shame of it is not more yours than mine.
+We both erred, we both sinned; but I was older and should have been
+wiser; the burden of it should fall on me. The world is nothing to me
+now--less than nothing. Let us take up life where we broke it off.
+Give me back the past, which held for me all of happiness I have ever
+known."
+
+She lay with a smile of peace upon her face, both hands clinging to
+his.
+
+"I have communed with myself and thought it well out, and I believe
+that to bind my life, with its memories of you, to the girl to whom I
+am engaged, would be a cruel wrong and an injustice to her. She
+deserves a better fate, and I honestly feel that the rupture will not
+grieve her much. We will remarry, you and I. I will take you away
+from England, I will guard and cherish you, and in my love for you,
+you will grow stronger. Oh! my darling, my darling, if you knew what
+life has been to me since you went; how I have blamed myself,--I who
+ought to have shielded you against yourself, and have been a moral
+backbone to your weakness. Then as time went on I persuaded myself
+that I had succeeded in putting you out of my heart,--that I had
+forgotten you,--and then--you came back to me, and the past leapt
+living from the years that had no power to bury it, and I knew that
+you were more to me than honour or fame or anything the world held.
+Hence-forth I will be so gentle with you, so tender--so loving."
+
+"Will you--kiss me--Jack?"
+
+She had gradually pulled herself upright on the pillows.
+
+"Will you kiss me--and say--once more, as you used to--'God bless
+you--wifie'?"
+
+Their lips met and clung together.
+
+"God bless you--wifie."
+
+And there was silence, a long silence, broken by a gasp, a sigh, and
+a gentle unloosening of the clasping arms.
+
+"Bella--Bella--speak to me, my beloved."
+
+But the passionate cry fell on ears that heard not.
+
+The tempest-tossed soul was at rest; above were the pitying Angels'
+wings, and over all the solemn hush of Death.
+
+       *       *       *       *       *
+
+
+
+
+ONE CAN'T ALWAYS TELL.
+
+
+_From Miss Rose Dacre, Southampton, to Miss Amy Conway, 30, Alford
+Street, Park Lane_.
+
+YACHT "MARIE,"
+SOUTHAMPTON.
+_July 15th, 1901._
+
+Dearest Amy,
+
+Here am I on Jack's yacht, anchored in Southampton waters. The weather
+is perfect, and I am having a very good time. Jack's mother is on
+board, and is really devoted to me. I am a lucky girl to have such a
+sweet mother-in-law in prospective. She is the dearest old lady in the
+world. The wedding has been decided upon for the last week in
+September, so I suppose that I shall have to come back to town before
+very long to see about my trousseau.
+
+There is really nothing so bewildering to anyone who sees it for the
+first time as the exquisite order and dainty perfection of a yacht in
+which its owner takes a pride, and can afford to gratify his whim. And
+this is the case with Jack. The deck shines like polished parquet. The
+sails and ropes are faultlessly clean, and Jack says that the masts
+have just been scraped and the funnel repainted. The brass nails and
+the binnacle are as perfectly in order as if they were costly
+instruments in an optician's window. There is a small deck cargo of
+coal in white canvas sacks, with leather straps and handles. And there
+is the deck-house with its plate-glass windows and velvet fittings and
+spring-blinds.
+
+Soon after I arrived I went down into the engine-room, where I saw
+machinery as scrupulously clean as if it were part of some gigantic
+watch which a grain of dust might throw out of gear. On the deck are
+delightful P. and O. lounges with their arms doing duty for small
+tables. All around the wheel and upon the roof of the deck-house, and
+here and there on stands against the bulwarks, there are ranged in
+pots, bright red geraniums contrasted with the yellow calceolaria, and
+the deliriously scented heliotrope. Altogether, everything is charming.
+
+We go delightful trips every day, and it doesn't matter whether there
+is a favourable wind or not, as Jack's is a steam yacht. We have slept
+on board except one night when it was rather rough, and then Mrs.
+Vivian and I stayed at the South Western Hotel.
+
+Altogether I am enjoying myself more than I have ever done in my life.
+Jack is an angel and adores me, the darling.
+
+Fond love,
+From your affectionate
+ROSE.
+
+P.S.--There is a Mrs. Tenterden, a widow, coming down to the yacht on
+Thursday to stay for a few days. Mrs. Vivian tells me that she is very
+good-looking.
+
+
+_From the Same to the Same._
+
+YACHT "MARIE,"
+SOUTHAMPTON.
+_July 22nd, 1901._
+
+Dearest Amy,
+
+We are still here. Mrs. Tenterden, the lady I spoke about in my last
+letter, arrived here on Thursday.
+
+I hate her! I hate her!! I hate her!!!
+
+You will doubtless wonder why I, who am, as a rule, a quiet, harmless
+little dove, should indulge in such sinful feelings, but you will cease
+doing so when I tell you the truth.
+
+Mrs. Tenterden has set her cap at Jack! He has--I  know it--fallen
+under the spell of the enchantress. And she is an enchantress. She is a
+woman of about thirty, tall, fair, with striking features, lovely eyes,
+and the most superb complexion I have ever seen. The best complexion I
+ever recollect was that of a peasant girl's at Ivy Bridge in
+Devonshire, but hers was nothing to compare with Mrs. Tenterden's. It
+is perfect. I can say no more.
+
+Then she is extremely amusing, being a brilliant talker (for I heard
+Jack say so) and very witty (for he is constantly laughing at the
+things she says, and which for the most part I don't understand).
+
+But this I know, that since her advent I have changed from the happiest
+girl in the world into one of the most miserable.
+
+Mrs. Tenterden is the widow of Colonel Tenterden, who was a brother
+officer of Jack's father, Colonel Vivian. Her husband died in India
+about six months ago, and she has lately returned to England. Jack had
+never seen her before, but Mrs. Vivian, who knew her as a young girl,
+asked her down here.
+
+She has made a dead set at Jack, and I feel (I can't help it) that he
+has fallen a captive to her bow and spear, for his manner towards me
+has entirely changed. He is not my darling, loving Jack, at all, but
+merely a polite friend.
+
+Mrs. Vivian must be blind not to see what is going on. But I cannot
+enlighten her, and what am I to do? Do give me your advice, dear Amy?
+
+Ever your affectionate
+ROSE.
+
+
+_From Miss Amy Conway to Miss Rose Dacre_.
+
+ALFORD STREET.
+TUESDAY.
+
+My dearest Child,
+
+Just got yours. You ask my advice, and to use a phrase of my brother
+Tom's, "I give it you in once." Don't be a little goose and bother your
+pretty little head. I am older than you, and I understand women of the
+Mrs. Tenterden type. They amuse men for a time, and very often take
+them captive, but in nineteen cases out of twenty the prisoner escapes.
+In other words, they are not the women who men care to marry. Fancy
+your Jack, for instance, preferring a _rusee_ garrison hack, like Mrs.
+Tenterden, to your own sweet self. It is absolutely ridiculous.
+
+Do nothing and say nothing. Don't worry yourself and all will come
+right. The temporary infatuation will pass away, and Mr. Vivian will
+love you all the better afterwards. You will see if I am not right.
+
+So be comforted, darling Rose.
+Ever your loving
+AMY.
+
+
+_From Mrs. Tenterden to Mrs. Montague Mount_, 170A, _Ebury Street,
+S.W._
+
+YACHT "MARIE,"
+SOUTHAMPTON.
+_July 23rd_, 1901.
+
+DEAREST LILY,
+
+I promised to let you know how I got on, and to write as soon as there
+was anything to write about. So here goes. I am on board Jack Vivian's
+yacht, and a ripper it is. That is to say, I am on the yacht in the
+day, but sleep at the South Western Hotel. I hate sleeping on board a
+yacht, and never do so if I can help it. It may benefit one's
+health--daresay that it does--but I do like to take my rest on shore.
+Well, now, as to my news. I have made a great impression on Mr. Vivian.
+He is the easiest man to deal with I ever met in my life, and he is as
+putty in my hands. That stupid girl, Miss Dacre, to whom he is supposed
+to be engaged--I say supposed because he does not seem to be quite
+clear about it himself--hasn't got a chance with me. What Jack Vivian
+could have ever seen in her I can't guess. She is the usual type of
+English Miss who can say "Papa and Mamma," and that is about all. I can
+see that she loathes me, and I don't wonder at it. But I am perfectly
+charming to her, and affect not to notice her palpable dislike.
+
+Mrs. Vivian--Jack's mother--seems not to have the remotest idea how
+matters are shaping, and fondly imagines that her beloved son is going
+to marry Miss Dacre. My dear Lily, as the Americans say, "it will be a
+cold day in August before that event comes off." The fact is that Jack
+pays her only the slightest attention and is absolutely engrossed with
+me. If I, therefore, don't pull off this _coup_ I deserve to be hanged.
+When I have actually landed my fish I shall take my departure for a day
+while he breaks matters off with mademoiselle. You may not perhaps
+approve of this, but I know what I am about.
+
+More in a day or two.
+
+Ever yours,
+ALICE.
+
+
+_From Mrs. Montague Mount to Mrs. Tenterden_.
+
+170A, EBURY STREET,
+_24th July_ 1901.
+
+DEAREST ALICE,
+
+I was much interested in your letter. Needless to say that I wish you
+the success that you are sure to attain. One word of advice. If I were
+you, while you are at Southampton, I should manage to be a good deal
+more at the hotel than you appear to be. You cannot have much
+opportunity for conversation on board the yacht, but at the hotel you
+can have Mr. Vivian all to yourself. And you can easily make excuses to
+get off the yacht, and as he is evidently so _epris_, he will follow
+you to the hotel, when you will have him more or less at your mercy. I
+shall be longing to hear how the plot thickens.
+
+With fond love,
+Believe me,
+Your devoted friend,
+LILY.
+
+
+_From Mrs. Tenterden to Mrs. Montague Mount_.
+
+_July 29th,_ 1901.
+
+DEAREST LILY,
+
+Thanks for yours. My dear child, I have taken your excellent advice and
+am very glad that I did so. Your plan of campaign has proved most
+successful. I have had Jack with me for hours in the smoking room at
+the hotel, where the ladies staying in the hotel as well as the men
+always resort. It is a large room and affords ample opportunity for a
+_tete-a-tete_. Of these opportunities I have availed myself to the
+fullest possible extent. And with what result, you will naturally ask?
+With the result, my dear, of making this man absolutely mad about me.
+He has become an utter imbecile. _C'est tout dit_. His incoherent
+raving would only bore you, so, like the kindhearted little person I
+am, I spare you this infliction. Suffice it to say that he is mine body
+and soul. I say nothing about his fortune, because that naturally goes
+with the other two.
+
+Let me thank you sincerely for your wise counsels,
+
+And, believe me,
+Ever affectionately yours,
+ALICE.
+
+
+_Miss Amy Conway to Miss Rose Dacre_.
+
+ALFORD STREET.
+THURSDAY.
+
+DEAREST ROSE,
+
+I have been anxiously expecting to hear from you, but you have not sent
+me a single line. I say "anxiously," not that I really feel the least
+anxiety about you, being perfectly positive, as I am, that all will be
+right. But, my dearest girl, I am so deeply interested in this affair
+that, of course, I am anxious to hear how matters are going on. And you
+are a very naughty child not to have written to me before. Repair your
+sin of omission as soon as possible, and let me have a full account of
+all your proceedings.
+
+With much love,
+Yours ever,
+AMY.
+
+
+_From Miss Rose Dacre to Miss Amy Conway,_ 30, _Alford Street, Park
+Lane_.
+
+YACHT "MARIE,"
+COWES.
+_August 2nd_, 1901.
+
+DEAREST AMY,
+
+Pray forgive me for not having written sooner. But as the French say,
+_tout savoir est tout pardonner._ And having been for many days in the
+depth of despair, worried out of my life, and half dead with anxiety, I
+have not really been able to put pen to paper. But now all is changed,
+and I am able to address you with a light heart.
+
+I am sure, Amy, that you will be longing to know why, and for this
+reason I will not for a moment leave you a victim to the most terrible
+ailment that can attack our sex--unsatisfied feminine curiosity.
+
+Two days ago we were still at Southampton, and it was proposed that
+after lunch we should take a little trip down the river Hamble--a river
+which runs into Southampton Water. Well, we started--Jack, and a friend
+of his, Captain Cleland, Mrs. Vivian, Mrs. Tenterden, and myself. All
+went well for about an hour, when a breeze sprang up which soon
+developed into half a gale. At least I understood the captain of the
+yacht to say so. I didn't mind it in the least, but Mrs. Vivian, poor
+old lady, was dreadfully ill and nervous, and though I did all I could
+to comfort and reassure her, it was not of much use. As for Mrs.
+Tenterden, she absolutely collapsed. In abject terror she uttered
+incoherent cries, and no one could make out what she wished to be done.
+Jack seemed very upset and tried to soothe her as well as he could, but
+it was all to no effect, and indeed she once turned on him just like a
+virago, saying,
+
+"I never wanted to come on your horrid yacht, but you would make me,
+and see what has happened to me now."
+
+Poor Jack--I call him "Poor Jack" although he has behaved like a very
+naughty boy--seemed to wince, but made no reply.
+
+Eventually we arrived opposite the village of Hamble, and there the
+anchor was weighed--if that is the right expression. Jack suggested
+that the three ladies, including myself, should go ashore in the dingey
+and stay at the hotel. Mrs. Vivian said that she did not want to do
+this, and Mrs. Tenterden positively refused.
+
+"Do you think that I am going to risk my life that jim-crack boat?" she
+asked. "I am not quite an imbecile. Though I think I must be after all,
+otherwise I should not have come on this idiotic cruise."
+
+Jack again made no reply, but there was something in his face that told
+me that he was becoming disillusioned.
+
+Shortly after that he sent the skipper and a boy ashore, who returned
+with some marvellous looking lobsters and a huge crab. It seems that
+this place is famous for its shell-fish, and I can only say that I
+never tasted anything more delicious than the crab in question.
+
+Mrs. Vivian managed to eat a little dinner, but Mrs. Tenterden retired
+to her cabin and contented herself with some soup.
+
+I for my part, ate a most capital dinner, and I fancied that Jack
+seemed sorry for the way he has been treating me lately; treatment
+which I should never have put up with, except from a man whom I love so
+devotedly--a man whom I meant to rescue (selfishly, I admit) from that
+siren's clutches. In all I have done I have been guided by your advice,
+and therefore to you remains all the credit, coupled with the life-long
+devotion of your little friend.
+
+Well, we slept on board the yacht, and the morning brought its
+revelations.
+
+Mrs. Tenterden was not present at breakfast, and came on deck very
+late. And only imagine, my dear, how she had changed. That beautiful
+pink complexion that I had admired so much, and even envied, had
+disappeared altogether. Her face was of a greyish hue, and possessed no
+shade of pink. Those beautiful pencilled eyebrows seemed to have
+strangely altered, and to have unaccountably thinned down. The charming
+woman-of-the-world manner had entirely disappeared, and, later on, when
+we descended to the cabin, at luncheon time, Mrs. Tenterden cast
+furtive and certainly not reassuring glances at the little mirror
+hanging there.
+
+I confess that at first I was a wee bit sorry for her, but after all,
+this Nemesis was thoroughly deserved, and when I saw the impression
+that the metamorphosis had made on Jack--the darling goose can't
+conceal his feelings--I must own to having been overjoyed.
+
+"The Enchantress" left for London the same evening, looking in her war
+paint quite a different being. But this made no difference, for Jack, I
+need scarcely say, had evidently altered his mind.
+
+Since her departure, everything has gone back to its old state. Jack,
+poor fickle boy, is devotion itself, and I have not thought proper to
+resist his entreaties to consent to an immediate marriage. You will not
+blame me, darling, will you?
+
+Ever your affectionate and
+Happy friend,
+ROSE.
+
+
+
+
+SONGS.
+
+AFTER VICTOR HUGO, ARMAND SILVESTRE, CHARLES ROUSSEAU AND THE VICOMTE
+DE BORELLI.
+
+
+DARLING ARISE.
+
+(AFTER VICTOR HUGO.)
+
+  Pretty one, tho' the morning is breaking
+  Thy lattice is fasten'd close
+  How is it that thou art not waking
+  When awake is the rose?
+
+  Darling, arise! for I am he
+  Thy lover who sighs and sings to thee,
+  Thy lover who sighs and sings to thee.
+
+  Nature loud at thy lattice is beating:
+  I am Day says the morning above
+  I am music the bird sings repeating,
+  And my heart cries "I am Love."
+
+  Darling, arise! for I am he,
+  Thy lover who sighs and sings to thee,
+  Thy lover who sighs and sings to thee.
+
+
+ROSE.
+
+(VIELLE CHANSON DU JEUNE TEMPS.)
+
+(AFTER VICTOR HUGO.)
+
+  I never thought at all of Rose,
+  As Rose and I went through the dell,
+  We fell a talking I suppose,
+  But yet of what I cannot tell.
+
+  Pebbles below and mosses over,
+  Rippled a cool and limpid rill;
+  Nature lay sleeping like a lover
+  In the embrace of the woods so still.
+
+  Shoes and stockings off she slipped,
+  And with her sweetly innocent air
+  Into the stream her feet she dipped,
+  Yet I never saw her feet were bare.
+
+  I only talked, the time beguiling
+  As we wandered, she and I;
+  And sometimes I saw her smiling,
+  But now and then I heard her sigh.
+
+  Only her beauty dawned on me
+  When silent woods were left behind,
+  "Never mind that now!" said she
+  And now I shall always mind.
+
+
+REGRETS.
+
+(AFTER CHARLES ROUSSEAU.)
+
+  Let me cherish in my sadness
+  Those fair days of youth and gladness!
+  Moments of delightful madness
+  Gone, alas, for evermore!
+  Vain regrets for misspent powers,
+  Wasted chances, faded flowers,
+  Vex my lonely spirit sore.
+  Had I only known before!
+  Let me cherish in my sadness
+  Those fair days of youth and gladness!
+  Moments of delightful madness
+  Gone, alas, for evermore!
+
+
+TOO LATE.
+
+(PEINE D'AMOUR.)
+
+(AFTER ARMAND SILVESTRE.)
+
+  When your hand was laid upon mine
+  'Twas in painful dread that I grasped it,
+  For some hesitation malign,
+  Made tremble the fingers that clasped it.
+
+  When you turned your forehead so near,
+  'Twas in painful dread that I kissed it,
+  For some cruel prompting of fear
+  Made me timidly seek to resist it.
+
+  Ah!--and my life thenceforward approved
+  Sorrow's bitterness had o'ercome me,
+  I only knew how I loved
+  The day that had taken you from me.
+
+
+IF THERE BE A GARDEN GAY.
+
+(S'IL EST UN CHARMANT GAZON.)
+
+(AFTER VICTOR HUGO.)
+
+  If there be a garden gay
+  Man has not molested,
+  Where blaze through the summer day
+  Flowers golden crested,
+  Where tallest lilies grow,
+  And honeysuckles blow
+  There, oh there I fain would go
+  Where thy foot, thy foot has rested!
+
+  If there be a rosy dream
+  By true love invested,
+  Where all things delightful seem
+  Close together nested
+  Where soul to soul may tell
+  The joy they know so well
+  'Tis there, oh there I fain would dwell
+  Where thy heart, thy heart has rested.
+
+
+THE MESSAGE OF THE ROSES.
+
+(ENVOI DE ROSES.)
+
+(AFTER VICOMTE DE BORELLI.)
+
+  Oh, if the fairest of these roses
+  With its red lips to thee shall tell
+  Such things as language knows not of,
+  As in thy bosom it reposes,
+  Then keep it well
+  It is my love!
+
+  But if the sweetest of the roses
+  With its red lips shall silent be,
+  And only seek instead the bliss
+  Which thy delightful mouth discloses,
+  Return it me
+  It is my kiss!
+
+
+
+
+LOVE WENT OUT WHEN MONEY WAS INVENTED.
+
+
+"You're a very foolish man, John," said my sister Ruth. "You're worse
+than foolish. A man never gets any happiness by marrying out of his
+station."
+
+"You may be right," I answered, "but after all I have something to
+offer. I am rich, and Marie is poor. I admit that she is a patrician
+and that I am a plebeian. But money, after all, counts for something,
+especially in these days. I don't see how Marie can spend a very happy
+existence now, but I am determined to make her life a dream of
+happiness. You will see, my dear Ruth, that my marriage will be a
+success."
+
+"I think not," replied my sister, "and I therefore give you my warning
+before it is too late. If you don't heed it and decide on marrying Miss
+Dalmayne, I shall naturally do any little thing in my power to
+endeavour to prove that I have been a false prophetess; but, mark my
+words, John, I shan't succeed. And, to tell you the truth, my dear
+brother, I tremble for the future."
+
+"You're a sweet little silly goose," I answered. "You let your
+affection for me run away with your better judgment. Why in heaven's
+name should I not be happy with Marie? She is beautiful, and I admit
+that it was her rare beauty that first commended her to me, and she has
+a sweet nature and character; and after all, goodness of character
+outweighs even good looks. Then, too, she is very clever and bright,
+and altogether she is exactly the sort of girl calculated to make a man
+happy."
+
+"I hope that I may be wrong, and that you may be right, John," said
+Ruth; "but I don't think that I am wrong, and, of course, time will
+only show. At present we need say no more. Your mind is evidently made
+up, and I shall urge nothing further to prevent you from following your
+own inclinations. But in the time to come, don't forget that your
+sister warned you." And with that last shaft Ruth left the room.
+
+My name is John Gardner, my age is thirty-six, and I am what is
+generally known as "a self-made man." But had I really had the making
+of myself I should have endeavoured to produce a different being. I
+recollect at the grammar school in Cambridgeshire, where I received a
+plain education, hearing one of the masters, Mr. Ruddock, mention a
+Greek proverb, "Know thyself," and advise the boys in his form to act
+upon the advice given by the Greek sage who pronounced these words. I
+was not, as a rule, struck with much that fell from Mr. Ruddock's lips,
+for he was a dull, stupid, and pompous man, possessing much more force
+of manner than of character. But I did take this advice to heart and
+endeavoured to act up to it, with the result that I know as much about
+my own uninteresting self as most other human beings know about
+themselves.
+
+Well, this is how I appear in my own eyes. A strong, healthy man with
+an active disposition, and capable of, and a lover of hard work. A
+blunt manner, and with an entire absence of tact in anything in which
+strict business is not concerned. I know that I am truthful, for, in
+addition to a natural hatred of lying which I must have inherited from
+my dear parents, I have always recognised the fact that in business and
+in everything else the truth always pays the best. During the sixteen
+years that I have devoted to business I have endeavoured to act
+squarely and fairly with everyone with whom I have been brought in
+contact, and I may say without conceit that I have earned a good name
+in addition to the three hundred thousand pounds that I have been able
+to save.
+
+I have never got on particularly well with the other sex, partly, I
+suppose, from my manners, which, to say the least, are not attractive,
+and partly to the fact that up to the time I met Marie Dalmayne I have
+never cared for a woman. I came across the girl that I have grown to
+love so well in this fashion. I am interested in a West Australian mine
+to the extent of about a hundred thousand pounds, and am one of the
+three partners who control the concern. One of them is a member of the
+great City house of Bleichopsheim, and the other is Mr. Ross, a wealthy
+iron-master. It was at the latter's house in St. James's Square that I
+met my fate.
+
+I took Miss Dalmayne down to dinner, and I think that my heart went out
+to her from the first. I found her clever and sensible, and with
+apparently little of the frivolity which characterises most of the
+young women with whom I have been brought in contact. Her conversation,
+if not absolutely brilliant, was at any rate bright and amusing, and
+possessed a considerable amount of shrewdness.
+
+Miss Dalmayne was about twenty-three, tall and fair,' possessing a
+perfect figure and the most beautiful and expressive hazel eyes. Her
+hair was nut brown with a warm reddish sun-kissed glint, and her
+features were regular and aristocratic. Her smile was delightful. In
+short, I fell in love.
+
+Next morning I ascertained from Adam Ross full particulars in reference
+to Miss Dalmayne. She is the only daughter of the Honourable George
+Dalmayne, and is related to many of the highest English families. Mr.
+Dalmayne and his wife are not well off, and the former is very much in
+debt and has taxed the generosity of my friend Ross to a very
+considerable extent. The Dalmaynes live in a small house in Eaton
+Terrace. They have only one other child, and that is a son who is in
+the Army and is at present with his regiment in India.
+
+There are some people that one feels one can confide in in matters of a
+delicate nature, and there are others to whom one could never open
+one's mouth. Now, Ross and I have been friends for ten years, during
+which time we have never had the least difference. He is a man
+absolutely to be trusted. I told him during this interview what a deep
+impression Miss Dalmayne had made upon me. He said that he did not in
+the least wonder at it, for she was greatly admired, and added that if
+it were not for her father she would no doubt have made a brilliant
+marriage already. I told my friend that I cared nothing about her
+father, that I was not marrying him but his daughter--that is to say,
+if I were fortunate enough to induce her to become my wife.
+
+"I don't think that there is much fear of a failure," answered Ross,
+"old Dalmayne is looking out for a rich husband for Marie. Indeed, in a
+confidential mood one day recently he told me almost as much himself.
+And he is not likely in a hurry to find one so rich as yourself."
+
+"Well, I shall call upon him to-morrow," said I, "and ask his
+permission to speak to his daughter."
+
+"I wish you every success, my dear friend," said Ross, "and I have no
+doubt as to the result of your interview. And I don't see why you
+should not be very happy. After all, as you say, you are not marrying
+the father. You are marrying Marie, who is a very high-principled girl,
+who is beautiful, who is accomplished, and who would, I am certain, do
+everything to make her husband happy."
+
+And so it was settled, and next morning I called on Mr. Dalmayne.
+
+Mr. Dalmayne, a tall, aristocratic man of about sixty, received me with
+great cordiality.  Whether Ross, who had dined with him on the previous
+night, had mentioned anything of my matter to him I don't know, but the
+old gentleman did not seem to be the least surprised when I told him
+what the object of my visit was.
+
+"Mr. Dalmayne," said I, "you will doubtless be wondering why I have
+called to see you"--Mr. Dalmayne's face assumed a sphinx-like
+expression--I will not keep you waiting for an explanation. The truth
+is that I have fallen in love with your daughter. Our mutual friend
+Adam Ross can tell you all about me, and I don't think that his report
+would be an unfavourable one. My position is this. I have saved three
+hundred thousand pounds, which produces an income of about twelve
+thousand a year. And I am making at least another twenty thousand a
+year from my share of our mine and other sound enterprises. Should you
+permit me to address Miss Dalmayne, and should I be happy and fortunate
+enough to induce her to become my wife, I should propose to settle two
+hundred thousand pounds upon her for her exclusive use."
+
+"Your proposals are most generous," said Mr. Dalmayne, "and do you
+credit. But in matters of this kind I should never dream of attempting
+to control my daughter. You have, however, my full permission to speak
+to her, and if she is willing to marry you, you both have my full
+consent. My wife shares my views entirely. Marie is out with her mother
+at the present moment, but she will be in all the afternoon, and if you
+will call about four I will see that you have the opportunity for which
+you are seeking."
+
+I thanked Mr. Dalmayne most cordially and promised to return in the
+afternoon. When I again arrived at Eaton Terrace I was shown into the
+drawing-room, where I found Mrs. and Miss Dalmayne and a sister of Mrs.
+Dalmayne's. Tea was brought in, and shortly afterwards the visitor took
+her departure. A few minutes later Mrs. Dalmayne made some excuse for
+leaving the room, and I was left alone with Marie. My heart had beaten
+hard from excitement as I had knocked at the door, but strange to say I
+felt no nervousness now. I plunged into the matter that brought me
+without delay. I told Miss Dalmayne of the wonderful effect produced
+upon me by her beauty and charm, and in the fewest words possible I
+asked her to be my wife, promising that she would never repent it.
+
+"You have done me a great honour," said Miss Dalmayne, "but I must have
+a little time to think over what you have said and to consult my
+parents. You shall hear from me at latest the day after tomorrow."
+
+I shortly afterwards took my leave, and departed buoyed up by the
+strong hope that the desire of my heart would be obtained.
+
+Nor was I disappointed. On the day she had promised I received a letter
+from Miss Dalmayne saying that she was willing to accept me, but
+frankly confessing that she had no love for me as yet, though admitting
+that she liked me. "If," she continued, "you are willing to take me on
+this understanding, I am ready to be your wife."
+
+Needless to say I was willing to accept these terms, and three months
+afterwards we were man and wife.
+
+It was in the month of July that we were married, and we went to
+Aix-les-Bains for the honeymoon. A few days previously Mr. Dalmayne
+asked me to lend him a thousand pounds, which I did cheerfully, for
+after what my friend Ross had told me I was fully prepared for such a
+request.
+
+My wife had never been to Aix before, and seemed to amuse herself very
+much. She played a little at the tables, and with a considerable amount
+of success. I must admit that she was very kind to me, and though of
+course I easily saw that I did not at present possess her real
+affection, I was not discontented, and hoped for the time to come when
+we should be all in all to each other. We had met very few
+acquaintances at Aix, for it was not a good season as far as English
+visitors were concerned, owing to attacks on our country and Government
+by the French papers. But when we had been there about three weeks a
+Captain Morland came upon the scene. Captain Morland, who was an
+officer in the Grenadier Guards, had known my wife since she was a
+child. They seemed very pleased to see each other again, but there was
+a certain sadness that I noticed in the young officer's manner. He had
+just been invalided home from South Africa, where he had been on active
+service during the time with which my narrative deals. He was a
+handsome young man, tall and well built, and with kind and expressive
+blue eyes. He was singularly reticent as to his exploits during the
+war, though I heard from a friend of his who was with him at Aix that
+he had been mentioned in despatches and had been recommended for the
+D.S.O. He was a man to whom the merest chance acquaintance was certain
+to take a fancy. I am bound to say that I did so myself, and I hope
+that in what I am calmly relating I shall not be considered to have
+intentionally failed to do him justice.
+
+It was the second week in August, and as the weather was very hot, my
+wife and I had determined to leave Aix and go to Trouville for a little
+sea air and bathing. Three days before our departure I returned to the
+hotel to dress for dinner. I was just going through the corridor when I
+heard voices in our sitting-room. They were the voices of my wife and
+Captain Morland.
+
+I don't think that I am naturally a mean man, but I was mean enough to
+listen on this occasion.
+
+"You mustn't blame me, Hubert," said my wife, "we were all on the verge
+of ruin, and I was bound to marry him."
+
+"How could you consent to do such a thing? You don't care for him in
+the least."
+
+"No," said my wife; "nor shall I ever do so if I live for fifty years.
+I care for no one but you. But I shall always do my duty to my husband,
+who is a kind and good man and lives entirely for me."
+
+"If he died, you would marry me?" asked Captain Morland.
+
+"Of course I would, and, as the children's storybooks say, 'live
+happily ever afterwards.' But don't let us discuss deplorable
+futurities."
+
+This was enough for me. I saw, now that it was too late, how wise my
+sister Ruth had been, and how foolishly I had acted. There was nothing
+to be done, however, to remedy matters, in view of the words spoken by
+my wife, and words which breathed of truth. I went out quietly into the
+garden of the hotel and came back a few minutes later. I asked Captain
+Morland to dine with us, and he accepted my invitation. I carefully
+watched him and my wife during the evening, and clearly saw that the
+case was hopeless from my point of view.
+
+On the morrow I made my will, and left everything to my wife with the
+exception of fifty thousand pounds for my sister Ruth. I then wrote the
+little history of my mistake, and am posting it from the top of Mont
+Revard to my friend Ross, and have asked him to act as he thinks best.
+It is hard to die, but, in my position, it is still harder to live.
+
+Having set my entire affections in one direction, and having been
+hopelessly unsuccessful, there is only one thing to be done, and that
+is to end matters. And I shall end them to-night.
+
+       *       *       *       *       *
+
+Extract from an Aix-les-Bains newspaper:--
+
+"The body of a rich Englishman, named Gardner, who was staying at the
+Hotel de l'Europe, was found lying at the bottom of the precipice
+between Aix and Mont Revard. It is, of course, pure conjecture how the
+unfortunate gentleman met his fate, but no foul play is suspected, as
+his money and valuables were found upon his body. We anxiously await
+developments. The police are maintaining a strict reserve."
+
+       *       *       *       *       *
+
+
+
+
+A PUZZLED PAINTER.
+
+WRITTEN IN COLLABORATION WITH THE LATE SIR AUGUSTUS HARRIS.
+
+
+CAST.
+
+
+REMBRANDT TEMPENNY, an Artist.
+
+MRS. TEMPENNY, his Wife.
+
+CHARLES SYLVESTER, an Artist.
+
+MRS. SYLVESTER, his Wife.
+
+ROSALINE, a Model.
+
+HENRICH SCHERCL, an Art Dealer.
+
+ROBERT ADDISON, a Sporting Man.
+
+SARAH ANN, a Maid-of-all-Work.
+
+SUSAN, Parlourmaid at the Tempenny's.
+
+GROGGINS, a Sheriff's Officer.
+
+
+
+
+A PUZZLED PAINTER.
+
+
+
+
+ACT I.
+
+
+(SCENE I. TEMPENNY'S _Studio Doors R.L. and in Flat. As Curtain rises a
+knocking is heard at D.R_.)
+
+MRS. TEMPENNY (_off_).
+
+Rembrandt--Rembrandt!
+
+(_Door opens, enter_ MRS. TEMPENNY; _followed by_ MRS. SYLVESTER.)
+
+MRS. TEMPENNY.
+
+He isn't here. Come in, dear; I am sure he will be pleased to see
+you--we will wait.
+
+MRS. SYLVESTER.
+
+_My_ husband hates to be disturbed in his studio. He says he can never
+work again all day.
+
+MRS. TEMPENNY.
+
+Artists are so different; Mr. Sylvester is more highly strung than
+Rembrandt, I sometimes think. Rembrandt likes to see his friends in his
+studio. I wonder where he has gone.
+
+MRS. SYLVESTER.
+
+Gone to have a drink, I daresay.
+
+MRS. TEMPENNY.
+
+Adelaide!
+
+MRS. SYLVESTER.
+
+He does drink, doesn't he--when he's thirsty anyhow? And artists are so
+often thirsty. Charles is often thirsty. He says it is a characteristic
+feature of the artistic temperament. Ah! my dear.
+
+MRS. TEMPENNY.
+
+Why that sigh?
+
+MRS. SYLVESTER (_sighing again_).
+
+Heigh ho!
+
+MRS. TEMPENNY (_affectionately_).
+
+Adelaide?
+
+MRS. SYLVESTER.
+
+Eugenia!
+
+(_They touch each other's hands sympathetically_.)
+
+MRS. TEMPENNY.
+
+Aren't you happy, Adelaide?
+
+MRS. SYLVESTER.
+
+I am married to an artist, Euna! I wouldn't say as much to anybody
+else, but we were girls at school together.
+
+MRS. TEMPENNY.
+
+But, dear Addie, everybody knows you are married to an artist.
+
+MRS. SYLVESTER.
+
+I mean I would not say to anybody else that I am not entirely happy.
+
+MRS. TEMPENNY (_enthusiastically_).
+
+Do tell me all about it.
+
+MRS. SYLVESTER.
+
+I am jealous.
+
+MRS. TEMPENNY.
+
+Of whom?
+
+MRS. SYLVESTER.
+
+Oh no one--of everybody; of my husband's past, which I know--of his
+life to-day, which is too circumspect to be sincere.
+
+MRS. TEMPENNY (_with misgiving_).
+
+But--but Rembrandt's life is also circumspect.
+
+MRS. SYLVESTER.
+
+Poor child.
+
+MRS. TEMPENNY.
+
+You pity me?
+
+MRS. SYLVESTER.
+
+Horribly. To be married to a painter--what a fate! To have a husband
+who is shut up alone all day with a creature who--who wears--
+
+MRS. TEMPENNY.
+
+Rembrandt's models _do_--.
+
+MRS. SYLVESTER.
+
+Wear--?
+
+MRS. TEMPENNY.
+
+Plenty!
+
+MRS. SYLVESTER (_gloomily_).
+
+Clothes sometimes cover a multitude of sins. They are no guarantee.
+Rosaline wore them!
+
+MRS. TEMPENNY.
+
+Rosaline?
+
+MRS. SYLVESTER.
+
+You have not heard of Rosaline?
+
+MRS. TEMPENNY.
+
+No. A model?
+
+MRS. SYLVESTER.
+
+A serpent!
+
+MRS. TEMPENNY.
+
+The wretch. Pretty of course?
+
+MRS. SYLVESTER.
+
+Serpents are always pretty. One day, not long after we were married, I
+came across her photograph--I was tidying up an old desk of Charles', a
+photo, my dear, with an inscription that left no doubt what their
+relations had been. I tore it up before his face; and for a time,
+excepting for the girlish illusions he had shattered, that was an end
+of the matter.
+
+MRS. TEMPENNY.
+
+But only for a time?
+
+MRS. SYLVESTER (_impressively_).
+
+Two years ago I went into his studio, and found her there.
+
+MRS. TEMPENNY.
+
+Horrible.
+
+MRS. SYLVESTER.
+
+You may well say so. She was sitting on a table drinking brandy and
+soda as bold as brass. Of course he swore that he needed her for a
+picture he was going to work on--and, I don't know, perhaps it was
+true. Still considering what had been, her presence there was an
+outrage, and I shall never forget the quarrel there was between Charles
+and me. That was the last I have seen of Rosaline--she went flying.
+
+MRS. TEMPENNY.
+
+And was it the last that Mr. Sylvester has seen of her?
+
+MRS. SYLVESTER.
+
+So far as I know. But there is always the lurking, horrid doubt. You
+know now why I am not the light-hearted girl you remember, and why I
+distrust artists as a class.
+
+_Pause_.
+
+MRS. TEMPENNY (_meditatively_).
+
+I don't see why you should distrust Mr. Tempenny because Mr. Sylvester
+is not steady.
+
+MRS. SYLVESTER.
+
+Are you quite contented?
+
+MRS. TEMPENNY.
+
+No--we are too hard up, but I believe Rembrandt loves me, and I love
+him.
+
+MRS. SYLVESTER (_heavily_).
+
+Poor child.
+
+(_Enter_ REMBRANDT TEMPENNY _door in flat. He wears long
+hair, and a brown velveteen jacket, and is smoking a short pipe_.)
+
+REMBRANDT TEMPENNY.
+
+Eugenia? And Mrs. Sylvester? Why, bless my soul, how nice, what a
+surprise! Don't move--don't. (_Stands peering at them with his hands
+over his eyes._) What a charming effect of light on your profile, Mrs.
+Sylvester--how rich--how transcendental! Glorious! (_Comes down._)
+Well, well, well, and so you ladies have come to pay me a visit. Can I
+offer you anything?
+
+MRS. TEMPENNY.
+
+I called on Mrs. Tempenny to inquire whether you would dine with us
+to-night, and she said she could not answer without consulting you.
+
+MRS. TEMPENNY.
+
+You have no engagement, Rembrandt?
+
+REMBRANDT TEMPENNY.
+
+I am quite at liberty, Eugenia, quite. I shall be most pleased and
+delighted. (_Aside._) Another confoundedly dull evening, I know!
+(_Aloud._) Sylvester is well?
+
+MRS. SYLVESTER.
+
+Sylvester is always well.
+
+REMBRANDT TEMPENNY.
+
+Happy Sylvester! Myself, I am a wreck.
+
+MRS. TEMPENNY.
+
+I want some money, Rembrandt.
+
+REMBRANDT TEMPENNY (_disconcerted._)
+
+Eh? Oh! (_To_ MRS. SYLVESTER.) And working hard I have no doubt.
+
+MRS. SYLVESTER.
+
+I believe so--he is out all day.
+
+REMBRANDT TEMPENNY.
+
+Admirable--what industry!
+
+MRS. TEMPENNY.
+
+(_Aside to_ REMBRANDT TEMPENNY.) Rembrandt, I want some money--have you
+got a couple of pounds you can let me have?
+
+REMBRANDT TEMPENNY (_affecting not to hear_).
+
+The hardest working people under the sun are artists, I always say so.
+Hard worked--hard worked! (_Fills his pipe_).
+
+MRS. SYLVESTER.
+
+May I look round your studio, Mr. Tempenny?
+
+REMBRANDT TEMPENNY (_waving his hand_).
+
+Charmed, positively!
+
+(MRS. SYLVESTER _moves up_.)
+
+MRS. TEMPENNY (_insistently_).
+
+Rembrandt, all the neighbourhood knows the butcher summoned us, and
+none of the tradespeople will serve us with anything unless we pay
+cash.
+
+REMBRANDT TEMPENNY.
+
+Well, we're going out to dinner.
+
+MRS. TEMPENNY.
+
+Oh, you drive me wild with your improvident, Bohemian ways. There's
+to-morrow.
+
+REMBRANDT TEMPENNY.
+
+Sufficient for the day is the dinner thereof. Don't be greedy.
+
+MRS. SYLVESTER (_looking round_).
+
+You have sold most of your canvasses, I see, Mr. Tempenny.
+
+REMBRANDT TEMPENNY (_aside_).
+
+I thought she wouldn't find the gallery extensive, I must really do
+something to-day, I must indeed! (_Aloud_.) Sold? Yes, yes. I am
+starting on a fresh commission now. There's a little sketch up there
+you may fancy;--a mere impression, but full of tenderness, I think, and
+rapture.
+
+MRS. SYLVESTER.
+
+Rapture?
+
+REMBRANDT TEMPENNY.
+
+It is the newest word by which we explain the inexplicable. "Rapture!"
+It says everything, does it not?
+
+MRS. SYLVESTER (_vaguely_).
+
+Yes--yes, indeed.
+
+REMBRANDT TEMPENNY (_aside_).
+
+I made it up myself on the spot.
+
+MRS. TEMPENNY.
+
+(_Laying her hand on his arm earnestly_). Rembrandt--
+
+REMBRANDT TEMPENNY.
+
+Yes, dear, I know what you're going to say. The other tradespeople know
+we haven't paid the butcher and you want two pounds. I'll give it you
+this evening--(_Aside_.) If I can borrow it.
+
+MRS. SYLVESTER (_coming down_).
+
+Then we shall see you this evening at seven sharp, Mr. Tempenny? I am
+going to take Eugenia round to the house with me now, to spend the
+afternoon. You'll find her there when you come.
+
+REMBRANDT TEMPENNY.
+
+Good. (_Aside_.) I wish they'd go! (_Aloud_.) You don't mean to run
+away yet?
+
+MRS. SYLVESTER (_doubtfully_).
+
+I think so.
+
+REMBRANDT TEMPENNY (_with alacrity_).
+
+Well, if you really must--
+
+(_Opens door_ D.F.)
+
+MRS. SYLVESTER.
+
+Till seven o'clock.
+
+REMBRANDT TEMPENNY.
+
+Till seven.
+
+MRS. TEMPENNY.
+
+Au revoir, dear. (_Aside to him_.) You won't forget the--?
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ MRS. TEMPENNY.) The two pounds, and the butcher; I won't
+forget 'em. I only hope the _butcher_ may forget _me_.
+
+(_Exit_ MRS. SYLVESTER.)
+
+MRS. TEMPENNY.
+
+By-bye, sweetheart.
+
+REMBRANDT TEMPENNY.
+
+Ta, ta, Duckie.
+
+MRS. TEMPENNY.
+
+Don't do too much--remember your precious health.
+
+REMBRANDT TEMPENNY.
+
+All right, my love.
+
+MRS. TEMPENNY (_blowing a kiss_).
+
+There.
+
+REMBRANDT TEMPENNY (_blowing a kiss_).
+
+There.
+
+MRS. TEMPENNY.
+
+My own darling husband!
+
+REMBRANDT TEMPENNY.
+
+My angel.
+
+(_Exit_ MRS. TEMPENNY.)
+
+REMBRANDT TEMPENNY (_with a deep sigh of relief_).
+
+Thank heaven! (_Sinks into armchair, and puts his feet on the
+mantelpiece_) The corner is getting tight, Rembrandt. This sort of
+thing won't boil the pot. It won't, sonny, I assure you! Where's the
+sketch of my _magnum opus_. 'Pon my word, I haven't seen the thing for
+a month or more. (_Gets up and rummages in a portfolio_.) Ah, here we
+have it! (_Holds up and contemplates a small charcoal sketch_.)
+"Susannah before the Elders" beautiful! composition charming!
+Rembrandt, old pal,--I congratulate you! But where's the picture of it?
+"Oh where, and oh where!" Rembrandt, you're developing into a
+thorough-paced loafer. You always had a talent that way, but of late
+you've broken your own record. I'll turn over a new leaf; I will, I'll
+be a new man. Why not? We've the new woman; why not the new man?
+Excellent idea. Rembrandt Tempenny, the new man--the coming man--by
+George the GREAT man! I'm in earnest, I'm in a fever. I bubble over
+with noble resolutions. I wish the tradespeople didn't want
+cash--tradespeople who want cash are so damping to noble resolutions!
+
+(_Gets out Easel and canvas, and takes off coat_.)
+
+(_Door in Flat is kicked open. Enter_ ROBERT ADDISON.)
+
+ROBERT ADDISON.
+
+Hullo!
+
+REMBRANDT TEMPENNY.
+
+Hullo!
+
+ROBERT ADDISON.
+
+How are you, old chap?
+
+REMBRANDT TEMPENNY.
+
+I'm the new man.
+
+ROBERT ADDISON.
+
+The devil you are! What does it feel like?
+
+REMBRANDT TEMPENNY.
+
+Unfamiliar--like somebody's else's boots. I say, dear boy, can you lend
+me a couple of thick 'uns.
+
+ROBERT ADDISON.
+
+Eh?
+
+REMBRANDT TEMPENNY.
+
+It's for the tradespeople.
+
+ROBERT ADDISON.
+
+Oh really--on principle you know--I never pay tradespeople.
+
+REMBRANDT TEMPENNY.
+
+Well, not to put too fine a point upon it, it's for my wife.
+
+ROBERT ADDISON.
+
+I warned you not to marry. Now you see how right I was--she wants two
+thick 'uns.
+
+REMBRANDT TEMPENNY.
+
+I know it's rough on you.
+
+ROBERT ADDISON.
+
+It is. I'm a sociable chap by nature, and I'm rapidly being left
+without a friend to bless myself with.
+
+REMBRANDT TEMPENNY.
+
+I don't grasp!
+
+ROBERT ADDISON.
+
+They all borrow my money, and then they say they're out the next time I
+call.
+
+REMBRANDT TEMPENNY.
+
+I have got a big thing on, only temporarily I'm in a hole.
+
+ROBERT ADDISON.
+
+I never knew a fellow in a hole who hadn't a big thing on. What is it?
+
+REMBRANDT TEMPENNY.
+
+The hole?
+
+ROBERT ADDISON.
+
+No, the big thing--the stable tip?
+
+REMBRANDT TEMPENNY.
+
+It's nothing to do with the turf. Look here, Schercl--you know Schercl?
+
+ROBERT ADDISON.
+
+I know him.
+
+REMBRANDT TEMPENNY.
+
+He gave me a commission for a picture six weeks ago; he's going to pay
+three hundred for it. He advanced a century when I accepted the offer.
+
+ROBERT ADDISON.
+
+They are wonderful terms, Tempenny, for _you_.
+
+REMBRANDT TEMPENNY.
+
+Seems rather funny, doesn't it,--but it's a fact. "Nobody more
+astonished than the striker," I confess.
+
+ROBERT ADDIS ON.
+
+Well, where's the picture?
+
+REMBRANDT TEMPENNY.
+
+(_Turning round the big blank canvas_). There!
+
+ROBERT ADDISON (_with a whistle_).
+
+Oh my sainted mother! How does Schercl like it?
+
+REMBRANDT TEMPENNY.
+
+It's good work, isn't it? Fine colour and tone! How do the harmonies
+strike you--correct?
+
+ROBERT ADDISON.
+
+Unbosom, what does it mean?
+
+REMBRANDT TEMPENNY.
+
+Dear boy, it means it was a royal order, and that I've been on the
+royal loaf on the strength of it; and, now that I repent me, I haven't
+got a model.
+
+ROBERT ADDISON.
+
+No model?
+
+REMBRANDT TEMPENNY.
+
+The subject is to be Susannah--Susannah before the Elders. You know the
+kind of thing--(_whispers_).
+
+ROBERT ADDISON.
+
+Yes, of course, and I suppose--? (_whispers_).
+
+REMBRANDT TEMPENNY.
+
+Yes, and--(_touches his arms and chest, signifying a fine
+woman_--_whispers_).
+
+ROBERT ADDISON.
+
+Exactly. I think I can recommend the very model you want.
+
+REMBRANDT TEMPENNY.
+
+You? Where did you meet her--on a racecourse?
+
+ROBERT ADDISON.
+
+I know her--and she's worth backing.
+
+REMBRANDT TEMPENNY.
+
+My dear friend, you have saved me! Where is she?
+
+ROBERT ADDISON.
+
+I'll look her up.
+
+REMBRANDT TEMPENNY.
+
+To-day?
+
+ROBERT ADDISON.
+
+Now if you like. Her name is Rosaline, and she's a ripper.
+
+REMBRANDT TEMPENNY.
+
+"Rosaline the Ripper," Robert, fetch her. No wait a moment, I can't do
+the picture here; I daren't.
+
+ROBERT ADDISON.
+
+Why not?
+
+REMBRANDT TEMPENNY.
+
+Well, you see, my wife wouldn't approve, and I blush to say that in the
+exuberance of early matrimony I encouraged her in an inconvenient habit
+of running into my studio at all hours. I'll have to work in a pal's.
+
+ROBERT ADDISON.
+
+All right, I'll send her there.
+
+REMBRANDT TEMPENNY.
+
+Well, you might bring her now, if you can, and I'll arrange the
+sittings with her. Does she hang out in the neighbourhood?
+
+ROBERT ADDISON.
+
+Over a coffee-shop in Golden Street.
+
+REMBRANDT TEMPENNY.
+
+Go! And I'll stand you a swagger supper when the picture's done, and
+Schercl parts. By the way--
+
+ROBERT ADDISON.
+
+Yes?
+
+REMBRANDT TEMPENNY.
+
+Touching the two quid?
+
+ROBERT ADDISON (_giving the money_).
+
+Here you are.
+
+REMBRANDT TEMPENNY.
+
+I do touch 'em. Ecstasy! Bob, you're a brick; now cut along and get
+back with the damsel sharp. (_Knock heard at_ D.F.) Hullo, whom have we
+here? Come in. (_Knock repeated_.) Come in. (_Knock again_.) Come in,
+you fat-headed, lop-sided, splay-footed, bandy-legged jay; come in!
+
+(_Enter_ SCHERCL).
+
+REMBRANDT TEMPENNY (_aside_).
+
+Schercl! Good Lord! He's come to see the work.
+
+ROBERT ADDISON.
+
+(_Aside to_ REMBRANDT TEMPENNY). I'm off.
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ ROBERT ADDISON). No, I say, Bob, wait and see me through
+it.
+
+ROBERT ADDISON.
+
+Rosaline may go out--I must hurry. See you again in half an hour.
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ ROBERT ADDISON). What shall I do?
+
+ROBERT ADDISON.
+
+(_Aside to_ REMBRANDT TEMPENNY). Lie! Ta-ta. I say--! You don't think
+it possible old Schercl has made a mistake and taken you for Tempenny
+the R.A.?
+
+REMBRANDT TEMPENNY (_staggered_).
+
+What!!
+
+ROBERT ADDISON.
+
+It would explain the terms, that's all, dear boy. Au revoir. (_Exit_
+ROBERT ADDISON D.F.)
+
+REMBRANDT TEMPENNY (_aside_).
+
+Good Lord! (_Aloud, blandly_). My dear Mr. Schercl, this is a pleasure
+indeed.
+
+HENRICH SCHERCL.
+
+I do not know dat it is a great bleasure, but pusiness must be attended
+to, hein? Vell, my friendt, and how is the bicture, eh! Let us see how
+it has brogressed.
+
+REMBRANDT TEMPENNY.
+
+The picture is going well--well, very well,--excellently. I am a modest
+man--
+
+HENRICH SCHERCL.
+
+Humph! (_Aside_.) This is a very boor blace for zo famous a bainter. I
+do not understand it! But I have certainly done goot business mid him!
+
+REMBRANDT TEMPENNY (_disconcerted_).
+
+I say I am a modest man, Mr. Schercl, but I feel safe in declaring that
+you will be satisfied with your bargain.
+
+HENRICH SCHERCL.
+
+"Bargain?" I do not tink dat ven I pay tree hundred bounds for a
+bicture it should be called a "pargain." Tree hundred bounds is very
+large brice; I shall have not made a pargain.
+
+REMBRANDT TEMPENNY.
+
+Er--quite so. You misunderstand me. I should have said your
+"contract"--you will be satisfied with your contract.
+
+HENRICH SCHERCL.
+
+If you should have said "gontract," vy did you say "Pargain." Vell,
+vell, let us see the bicture.
+
+REMBRANDT TEMPENNY.
+
+(_With a desperate attempt to throw enthusiasm in his voice_.) It is
+the best work I have done. I look to "Susannah" to advance my position
+enormously. People will talk about "Susannah." It is--er--full of
+rapture.
+
+HENRICH SCHERCL.
+
+"Rapture?" Vat is "Rapture?"
+
+REMBRANDT TEMPENNY.
+
+_You_ know what "rapture" is. It is the term best understood by the
+movement of to-day. It is our watchword, our ideal. "Rapture!"
+
+HENRICH SCHERCL.
+
+(_Puzzled, but not wishing to appear ignorant_.) Oh "Rapture," I did
+not understand you. Of course I know what rapture is.
+
+REMBRANDT TEMPENNY.
+
+Of course you do. Well, "Susannah" brims over with it.
+
+HENRICH SCHERCL.
+
+Goot, goot.
+
+REMBRANDT TEMPENNY.
+
+It is the very apotheosis of rapture.
+
+HENRICH SCHERCL.
+
+I gongratulate you.
+
+REMBRANDT TEMPENNY.
+
+It exudes with rapture.
+
+HENRICH SCHERCL.
+
+Is dat so?
+
+REMBRANDT TEMPENNY.
+
+It is bathed in rapture. (_Aside_.) I can't go on much longer.
+
+HENRICH SCHERCL.
+
+Now show it to me.
+
+REMBRANDT TEMPENNY (_with feigned surprise_).
+
+Show it to you? I can't show it to you--it isn't here.
+
+HENRICH SCHERCL.
+
+Vat is dat you say? Not here?
+
+REMBRANDT TEMPENNY.
+
+Certainly not. I am working on it in a friend's studio, not my own. The
+light here is not nearly good enough for a work like that.
+
+HENRICH SCHERCL.
+
+You have always found it goot enough, I pelieve?
+
+REMBRANDT TEMPENNY (_with enthusiasm_).
+
+But not for "Susannah"--not nearly good enough for "Susannah,"
+"Susannah" demands so much; she is exacting--she must be humoured.
+
+HENRICH SCHERCL.
+
+Vell, I am very disappointed; I came expressly to see how you had
+brogressed. Will you make me an abbointment?
+
+REMBRANDT TEMPENNY.
+
+Certainly I will. I will write you to-morrow. I am anxious to have your
+opinion.
+
+HENRICH SCHERCL.
+
+Who is the friend in whose studio you vork?
+
+REMBRANDT TEMPENNY.
+
+Eh? In Mr. Sylvester's--Charles Sylvester. You should hear him talk
+about it. By Jove, he does think a lot of it. I blush to repeat what he
+says. He considers it magnificent.
+
+(_Enter_ SYLVESTER.)
+
+CHARLES SYLVESTER.
+
+Afternoon, Rembrandt. Ah, Mr. Schercl, how-d'ye do.
+
+REMBRANDT TEMPENNY.
+
+Sylvester himself--the devil. (_Aloud_.) Dear old man, we were talking
+of you! I was just telling Mr. Schercl what you are kind enough to say
+of "Susannah."
+
+(_Kicks him aside_.)
+
+HENRICH SCHERCL.
+
+You think it goot, Mr. Sylvester, yes?
+
+REMBRANDT TEMPENNY.
+
+He thinks it superb, so far as it has gone.
+
+(_Kicks him again_.)
+
+CHARLES SYLVESTER.
+
+What's that? Who is "Susannah?"
+
+REMBRANDT TEMPENNY.
+
+"Who is Susannah!" (_With a sickly laugh_.) What a chap to chaff you
+are. "Who is Susannah?" Ha, ha, ha.
+
+HENRICH SCHERCL.
+
+But in pusiness I do not like the chokes. Let us be serious if you
+please. What is your opinion, Mr. Sylvester, of the vork?
+
+REMBRANDT TEMPENNY (_desperately_).
+
+Yes, I quite agree with you, Mr. Schercl, I quite agree--there is a
+time for all things. Tell Mr. Schercl what you think of it, Charlie,
+do.
+
+(_Kicks him savagely_.)
+
+CHARLES SYLVESTER (_aside to_ TEMPENNY).
+
+You'll break my ankle directly, hang you. What do you want?
+
+REMBRANDT TEMPENNY (_aside to_ SYLVESTER).
+
+Intelligence. I'll break your neck in another minute, you born fool!
+(_Aloud suavely_.) Mr. Schercl is naturally anxious to hear how the
+picture he had given me a commission for is getting along. I was
+telling him how much you think of it but he would like to hear your
+views from your own mouth.
+
+CHARLES SYLVESTER.
+
+Oh--oh!--now I know what you're talking about! Well, I have a very high
+opinion of the work indeed, Mr. Schercl--a very high opinion. (_Aside
+to_ TEMPENNY.) What's the subject?
+
+REMBRANDT TEMPENNY (_aside to_ SYLVESTER).
+
+"Susannah before the Elders"--pitch it strong.
+
+CHARLES SYLVESTER.
+
+The conception of Susannah, and in fact the entire treatment if I may
+say so, is bold in the extreme. He makes a school, our friend here. You
+will be surprised when you see the work, and impressed.
+
+HENRICH SCHERCL.
+
+Vell, we will make the abbointment soon, Mr. Tempenny. I am sorry I
+could not see it to-day. So I shall be imbressed? That is goot.
+Gootday, gentlemen. We will make the abbointment very soon.
+
+(_Exit_ SCHERCL.)
+
+REMBRANDT TEMPENNY.
+
+(_Calling after him from open door_.) Mind the bottom step, it's
+awkward. Got it?
+
+HENRICH SCHERCL (_off_).
+
+It is so dark your staircase.
+
+REMBRANDT TEMPENNY.
+
+Yes, it is dark, isn't it? Good afternoon. (_Closes door.)(To_
+SYLVESTER.) Phew! You couldn't have arrived at a worse time.
+
+CHARLES SYLVESTER.
+
+Thanks.
+
+REMBRANDT TEMPENNY.
+
+I don't mean to be inhospitable, but the ice was thin.
+
+CHARLES SYLVESTER.
+
+Have you done anything to "Susannah?"
+
+REMBRANDT TEMPENNY.
+
+Not a stroke, but I commence to-morrow in earnest. I've a model coming
+this afternoon, and if you'll let me use your studio, I shall knock in
+enough in a week for old Schercl to see when he calls again.
+
+CHARLES SYLVESTER.
+
+Why do you want my studio--what's the matter with this?
+
+REMBRANDT TEMPENNY.
+
+Well, the fact is my wife is always popping in here, and if she found
+me with a model posed as Susannah she'd go into hysterics. You
+understand me?
+
+CHARLES SYLVESTER.
+
+Understand you. I'm a married man.
+
+(TEMPENNY _looks at him silently, and then puts out his hand_.
+SYLVESTER _grasps it_.)
+
+REMBRANDT TEMPENNY.
+
+I don't want to gush, but--I feel for you, old chap.
+
+CHARLES SYLVESTER (_gratefully_).
+
+I know--I know.
+
+REMBRANDT TEMPENNY (_offering pouch_).
+
+Smoke?
+
+CHARLES SYLVESTER (_producing pipe_).
+
+Thanks.
+
+(_They fill their pipes without speaking and puff sympathetically_.)
+
+CHARLES SYLVESTER.
+
+Not but what she is a good sort--I don't want to say anything against
+her.
+
+REMBRANDT TEMPENNY.
+
+Of course not.
+
+CHARLES SYLVESTER.
+
+But--I suppose she's too fond of me.
+
+REMBRANDT TEMPENNY.
+
+It's a way wives have--they repay the superabundance of your devotion
+during the courtship.
+
+CHARLES SYLVESTER.
+
+Exactly. She's jealous.
+
+REMBRANDT TEMPENNY.
+
+Of whom?
+
+CHARLES SYLVESTER.
+
+Of nobody--of everyone. Of my past, which was rather more decent than
+most fellows--of my life to-day, which is a pattern for a County
+Councillor.
+
+REMBRANDT TEMPENNY.
+
+Poor beggar.
+
+CHARLES SYLVESTER.
+
+You're sorry for me?
+
+REMBRANDT TEMPENNY.
+
+Devilishly. To be married to a jealous woman!--what a fate.
+
+CHARLES SYLVESTER (_with a groan_).
+
+Ah! Tempenny, there was a girl I used to know when I was a
+bachelor--she was a model. My wife found her likeness one day after we
+were married. A likeness, nothing more--I thought I had destroyed it.
+Well, if you'd have heard the ructions she made; you'd have thought
+she'd found a harem.
+
+REMBRANDT TEMPENNY.
+
+Ah!
+
+CHARLES SYLVESTER.
+
+A year or two ago the girl turned up again--walked into my studio, and
+wanted to sit to me. As it happened I could have used her very well.
+Just as I had given her a drink who should march in too, but my wife.
+
+REMBRANDT TEMPENNY.
+
+The devil.
+
+CHARLES SYLVESTER.
+
+I _said_ my wife--but--
+
+REMBRANDT TEMPENNY.
+
+Yes, go on.
+
+CHARLES SYLVESTER.
+
+She recognised my visitor in a moment from the photograph--abused her,
+insulted me, and raised a royal row. The girl cleared out like a shot,
+and I pledge you my word I have never seen her since, but from that
+hour to this not a day passes without Mrs. Sylvester making some
+allusion to the incident. I am the most moral man alive, and I'm
+watched and suspected as if I were a criminal.
+
+REMBRANDT TEMPENNY.
+
+We must see more of each other than we have of late. When I work in
+your studio we shall be company for each other.
+
+CHARLES SYLVESTER.
+
+I shall be very glad. Well, I'll be off, now. See you to-morrow then?
+
+REMBRANDT TEMPENNY.
+
+To-morrow! Au revoir, dear boy.
+
+(_Exit_ SYLVESTER.)
+
+REMBRANDT TEMPENNY.
+
+Poor old Sylvester! Had no idea Mrs. Sylvester was such a termagant. I
+must cheer him up a bit. So there was a girl, was there, and Mrs.
+Sylvester is jealous of her? Wonder who she was! Nice girl I
+daresay--Sylvester's taste was always good excepting when he married.
+Where is Bob with my model?--time he was back! (_Goes to window_.)
+There goes Sylvester--funny thing you can always tell a married man by
+his walk. There is a solidity about it--a sort of resignation. (_Turns
+looking off the other way_.) And here comes a pretty girl.--What a
+pretty girl--Funny thing you can always tell a pretty girl by her walk.
+There is a consciousness about it--a thanksgiving. She is stopping
+here. Lovely woman stopping here!
+
+(_Throws up window, and leans out more and more till gradually only a
+small section of his legs remain on the stage_)
+
+ROSALINE (_off_).
+
+Is this Mr. Tempenny's studio?
+
+REMBRANDT TEMPENNY.
+
+It is. I am Mr. Tempenny. Come up do.
+
+ROSALINE.
+
+No kid?
+
+REMBRANDT TEMPENNY.
+
+Not yet--I am recently married.
+
+ROSALINE.
+
+I mean you are really Mr. Tempenny.
+
+REMBRANDT TEMPENNY.
+
+Really and truly. (_Withdraws from window, wreathed in smiles_.) How do
+I look? (_Smoothes his hair before mirror_.) Perhaps she is a buyer--I
+had better appear busy--or inspired. (_Seats himself and adopts a
+far-away engrossed expression_.) "Rembrandt Tempenny at Home."
+
+_Knock at door. Enter_ ROSALINE.
+
+ROSALINE.
+
+May I come in?
+
+REMBRANDT TEMPENNY.
+
+Enter pray. An idea has struck me. May I beg you to sit down a
+moment,--In a moment I shall be at your service.
+
+ROSALINE _sits_. REMBRANDT TEMPENNY _stares raptly before him as if
+lost in composition. (Business.) He starts up and rushes to small
+canvas, making violent sketch upon it. Then brushes his hand across his
+brow, and turns to her_.
+
+REMBRANDT TEMPENNY.
+
+I dared not lose it--my idea! Forgive me--I have it down now, it is
+saved. What can I do for you?
+
+ROSALINE.
+
+Mr. Addison sent me. He said you wanted a model.
+
+REMBRANDT TEMPENNY.
+
+Oh--you are Rosaline?
+
+ROSALINE.
+
+You have guessed it in once. He could not come back with me, so he sent
+me here alone.
+
+REMBRANDT TEMPENNY.
+
+Oh!
+
+ROSALINE.
+
+What do you think of me?
+
+REMBRANDT TEMPENNY.
+
+I think you a charming young lady.
+
+ROSALINE.
+
+Then what is the matter?
+
+REMBRANDT TEMPENNY.
+
+Well, I thought you were somebody else, that is all. So you are
+Rosaline.
+
+ROSALINE.
+
+You keep telling me I am Rosaline--I know I am. The question is how do
+I do?
+
+REMBRANDT TEMPENNY.
+
+How do you do?
+
+ROSALINE.
+
+You misunderstand me. The question is how do I suit you?
+
+REMBRANDT TEMPENNY.
+
+Quite so--you bring me to the point. You suit me entirely. Mr. Addison
+perhaps explained to you the subject of my picture?
+
+ROSALINE.
+
+"Susannah." Susannah is a very ugly name--.
+
+REMBRANDT TEMPENNY.
+
+But she will be a very pretty girl, won't she?
+
+ROSALINE.
+
+Oh, go away with you.
+
+REMBRANDT TEMPENNY.
+
+Humour, only my humour! You musn't think any familiarity was intended.
+I am not that sort of man at all.
+
+ROSALINE.
+
+No?
+
+REMBRANDT TEMPENNY.
+
+Not a bit. As I told you out of the window, I'm married.
+
+ROSALINE.
+
+Well, I am sorry to hear it.
+
+REMBRANDT TEMPENNY.
+
+Now you are flattering me--now _I_ must say, "go away with you."
+
+ROSALINE.
+
+I am sorry to hear it because I prefer sitting to single artists. Wives
+sometimes make rumpuses.
+
+REMBRANDT TEMPENNY.
+
+Oh, you have found that?
+
+ROSALINE.
+
+I have indeed. I shall never forget one of my experiences as long as I
+live.
+
+REMBRANDT TEMPENNY.
+
+Really? You interest me.
+
+ROSALINE _(sentimentally)_.
+
+I loved a man with all my soul, and _he_ loved _me_. He married! No,
+you must not blame him for it--he was weak, and the temptation came.
+"To err is human,"--he married. Oh, my heart! (_She presses her hand to
+her side_.) Forgive me while I shed a tear.
+
+REMBRANDT TEMPENNY.
+
+Shed two.
+
+ROSALINE.
+
+I forgave him; I struggled to subdue the rage within me. I forgave him,
+and went to see him again. I had conquered my scorn--my better nature
+had triumphed--I went to him with all the old tenderness that I had
+lavished on him in the days gone by. He was startled, even cold, but
+still I feel I should have won him back to me had not something
+happened.
+
+REMBRANDT TEMPENNY.
+
+Something so often happens. It is an aggravating way of something.
+
+ROSALINE.
+
+His wife came between us. All was over.
+
+REMBRANDT TEMPENNY.
+
+Designing wretch!
+
+ROSALINE.
+
+I have never seen him since; I have banished his image from my mind.
+But that time has left its mark on me for ever. It transformed a simple
+credulous girl into a hardened worldly woman. I shall never feel a
+liking for wives again.
+
+REMBRANDT TEMPENNY.
+
+One cannot blame you.
+
+ROSALINE.
+
+I felt you would say that. (_Presses her handkerchief to her eyes_.) It
+was cruel.
+
+REMBRANDT TEMPENNY.
+
+But in my case you will not be troubled by my wife. The sittings won't
+take place here, and so she will not see you.
+
+ROSALINE.
+
+How is that?
+
+REMBRANDT TEMPENNY.
+
+Well, it is very odd, but Mrs. Tempenny has the same objection to
+models that you have to wives. It is ridiculous, in fact it is wicked
+of her, but I find it best to humour her prejudices. Will you go
+to-morrow to Sycamore Place, Number five?
+
+ROSALINE.
+
+I'll be there--on one condition. No wives, or I throw up the job.
+
+REMBRANDT TEMPENNY (_alarmed_).
+
+For Heaven's sake don't talk of doing that--my whole life hangs on the
+picture. If you don't sit to me I'm a ruined man. Rosaline, I swear to
+you no wives shall cross your path.
+
+MRS. TEMPENNY (_off_).
+
+Rembrandt, Rembrandt.
+
+ROSALINE.
+
+Who's that?
+
+REMBRANDT TEMPENNY.
+
+Mrs. Tempenny, but I won't let her in.
+
+ROSALINE (_angrily_).
+
+Wives already!--Everywhere--wives.
+
+MRS. TEMPENNY (_off_).
+
+Rembrandt, I must see you. Where are you--quick!
+
+ROSALINE.
+
+Here, I know the pattern of this! Let me go!
+
+REMBRANDT TEMPENNY (_alarmed_).
+
+No. No. I'll get rid of her. (_Runs to window, and leans
+out--calling_.) Don't wait, my dear. I'm busy. I'll be with you soon.
+
+ROSALINE (_contemptuously_).
+
+Why, you're scared out of your life of her I can see! I have had enough
+of this,--I don't want the job. (_As if to go_.)
+
+REMBRANDT TEMPENNY.
+
+(_Leaving window and running back to her_). I tell you if you don't sit
+to me I'm a ruined man. Rosaline, I implore you!
+
+MRS. TEMPENNY (_off_).
+
+I am coming up at once.
+
+REMBRANDT TEMPENNY (_rushing to window again_).
+
+On no account, my darling, I can't be disturbed.
+
+ROSALINE.
+
+I'm off. Ta-ta.
+
+REMBRANDT TEMPENNY (_back to her again_).
+
+You shan't go--I'll lock you in first. There! (_Locks door, and takes
+out key_.)
+
+MRS. TEMPENNY (_off_).
+
+Rembrandt, I must come up. Something is the matter.
+
+REMBRANDT TEMPENNY.
+
+No, no, no. Go home, and see the tradespeople, catch! (_Takes out the
+two sovereigns, and runs to window again: in his excitement he throws
+with the wrong hand--throwing out key_.) Good Lord! I've thrown her the
+key. (_Leans out of the window_.) She is coming upstairs. Skip inside
+there till she goes. Hurry! (_Motions_ ROSALINE _off R_.)
+
+ROSALINE (_scornfully_).
+
+Wives, wives, wives!
+
+(_Exit Rosaline_.)
+
+MRS. TEMPENNY.
+
+Rembrandt! Why did you keep me waiting--there's a sheriff's officer on
+his way here with a warrant. He has been at the house, and the servant
+ran round to Sylvester's to tell me. You must escape.
+
+REMBRANDT TEMPENNY.
+
+Escape?
+
+MRS. TEMPENNY.
+
+Fly!
+
+REMBRANDT TEMPENNY.
+
+I can't fly--I am not built for flying.
+
+MRS. TEMPENNY.
+
+Then you must hide.
+
+REMBRANDT TEMPENNY.
+
+Where?
+
+MRS. TEMPENNY.
+
+(_Pointing to room where Rosaline is concealed_.) There!
+
+REMBRANDT TEMPENNY.
+
+No, no, Hark!
+
+(_Very heavy steps are heard ascending stairs_.)
+
+REMBRANDT TEMPENNY.
+
+I hear a footfall.
+
+MRS. TEMPENNY (_in terror_).
+
+Hide yourself--quick.
+
+REMBRANDT TEMPENNY (_in terror_).
+
+I can't.
+
+MRS. TEMPENNY.
+
+Why not?
+
+REMBRANDT TEMPENNY (_loftily_).
+
+A hero never hides. Ah, I have it. I'll jump from the window.
+
+(_Struggles into his coat and hat_.)
+
+MRS. TEMPENNY.
+
+There is the conservatory underneath.
+
+REMBRANDT TEMPENNY.
+
+I'll jump clear of it. Don't let him in for a minute.
+
+(_He plants a lay-figure in front of canvas, with its back to door in
+flat, then proceeds to dress it up to resemble himself at work. Brush
+in hand, etc_.)
+
+GROGGINS (_off_).
+
+Mr. Tempenny!
+
+(_Knocks at door_.)
+
+MRS. TEMPENNY.
+
+Who's there?
+
+(_She goes to door, half opening it, so that_ GROGGINS _has a partial
+view of lay-figure_.)
+
+GROGGINS.
+
+I have a warrant here for Mr. Rembrandt Tempenny--matter of forty pun'.
+
+MRS. TEMPENNY.
+
+Sh! He is painting.
+
+GROGGINS.
+
+I can't help whether he's painting or not, marm. The question is
+whether he is paying or not.
+
+MRS. TEMPENNY.
+
+Man, my husband cannot be disturbed. Don't you see?--he is inspired.
+
+GROGGINS.
+
+Well, he'll be in--Wandsworth if he don't part.
+
+MRS. TEMPENNY.
+
+Sh! talk softly. Your voice will jar upon him.
+
+REMBRANDT TEMPENNY (_aside_).
+
+Now for it. (_At window_.) One--two--three--I don't like the look of
+that glass-house much.
+
+_(Hesitates)._
+
+GROGGINS (_decisively_).
+
+I must come in, marm--out of the way if _you_ please.
+
+REMBRANDT TEMPENNY (_aside_).
+
+Oh! It's now or never.
+
+(_Jumps out. A tremendous crash of broken glass is heard_.)
+
+MRS. TEMPENNY (_with a shriek_).
+
+Ah!
+
+GROGGINS (_pushing her aside_).
+
+What's that? (_Aside_.) Oh, there he is. (_Aloud_.) Here you Mr.
+Tempenny, sir, I've a warrant 'ere on a judgment summons.--Suit of Cole
+the butcher. (_Addressing lay-figure_.) Do you pay up, or come along o'
+me?
+
+MRS. TEMPENNY (_at window--aside_).
+
+He's picked himself up--he waves his hand--all is well.
+
+GROGGINS.
+
+Which is it, sir? I allus likes to do business pleasant, only you must
+make up your mind, you know. Pay up, or lock up--take your choice.
+
+MRS. TEMPENNY.
+
+(_At window. Excitedly aside_.) He disappears--he's lost to view--the
+danger's past.
+
+GROGGINS.
+
+Well, if you _won't_ speak, you _won't_, of course! I've done my 'umble
+best to do my dooty affable, and since you're sulky, why--(_Going up to
+lay-figure_) Mr. Rembrandt Tempenny, I've a warrant for your arrest.
+
+(_He slaps the lay-figure on the shoulder, it collapses with a crash_).
+
+GROGGINS (_falling back in terror_).
+
+Got 'em again, as I'm a sinner!
+
+(MRS. TEMPENNY _runs to_ D.F. _as if to go_. ROSALINE _half opens_ R.D.
+_and pops her head out with an ejaculation_.)
+
+_Act drop, quick_.
+
+
+
+
+ACT II.
+
+
+SCENE:--SYLVESTER'S _Studio_. (_The next day_.) _Doors R. and L. At
+back cupboard_. TEMPENNY _discovered painting_, ROSALINE _posed_.
+
+ROSALINE.
+
+I'm getting tired.
+
+REMBRANDT TEMPENNY.
+
+Sh! (_goes on working frenziedly_).
+
+ROSALINE.
+
+I say I'm getting tired.
+
+REMBRANDT TEMPENNY.
+
+Wait a minute, and you shall rest. There! now you can move if you like.
+
+ROSALINE (_stretching herself_).
+
+Thank goodness. Let us look! (_Looks at canvas_.) Oh!
+
+REMBRANDT TEMPENNY.
+
+What do you think of it?
+
+ROSALINE.
+
+Not much.
+
+REMBRANDT TEMPENNY.
+
+Ah, that shows your profound ignorance of the School. It promises to be
+a superb example. (_Contemplates it sideways_.) Exquisite!
+
+ROSALINE.
+
+I say, where is your friend?
+
+REMBRANDT TEMPENNY.
+
+Who?
+
+ROSALINE.
+
+Didn't you say this studio belonged to a friend of yours?
+
+REMBRANDT TEMPENNY.
+
+Oh yes; he hasn't come yet. I expect he will be here this afternoon.
+
+ROSALINE.
+
+What's this? (_picking up Mandarin's Wig_.) One of his props?
+
+REMBRANDT TEMPENNY.
+
+That? That is a Mandarin's wig. Yes, of course it is one of his props.
+He has just been engaged on a great work: "The Decapitation of a
+Mandarin after a Chinese Reverse." The gentleman who sat for the
+Mandarin wore that wig.
+
+ROSALINE.
+
+What a funny subject to choose.
+
+REMBRANDT TEMPENNY.
+
+Rather playful, isn't it? He likes 'em like that. That's his forte.
+
+ROSALINE.
+
+What is his name--do I know him?
+
+REMBRANDT TEMPENNY.
+
+Charlie Sylvester; and a rattling good chap he is, let me tell you.
+
+ROSALINE (_with a shriek_).
+
+Oh, my heart! This is fate!
+
+REMBRANDT TEMPENNY (_alarmed_.)
+
+I beg your pardon? Don't go off like that. What's the matter?
+
+ROSALINE.
+
+It is _He_--_He_ who--! Oh, I am going to faint.
+
+REMBRANDT TEMPENNY.
+
+No,--no, for goodness' sake, don't do that. What do you mean by "he?"
+Here, I say, compose yourself.
+
+ROSALINE.
+
+It is the man I love. The finger of Fate is in it. Where is he? Bring
+him to me! Charlie, my own!
+
+REMBRANDT TEMPENNY (_very flustered_).
+
+Oh I say--look here, you know--? (_Aside_.) This is the devil and
+all--Charlie will never forgive me! (_Aloud_.) My dear good girl, he
+_isn't_ your "own," I assure you he isn't. There is a Mrs. Sylvester,
+as you know very well. (_Aside_.) If he comes in and finds her here,
+there's an end of all my sittings. What a piece of infernal luck to be
+sure!
+
+ROSALINE _(resolutely)._
+
+Where is he?
+
+REMBRANDT TEMPENNY (_sullenly_).
+
+I don't know--I suppose he is at home.
+
+ROSALINE.
+
+Fetch him then--let me see his dear face again.
+
+REMBRANDT TEMPENNY.
+
+What???
+
+ROSALINE.
+
+Bring him to me--now, this instant! We have been divided too long
+already.
+
+REMBRANDT TEMPENNY.
+
+You have, have you?
+
+ROSALINE.
+
+Far, far too long.
+
+REMBRANDT TEMPENNY (_aside_).
+
+I must humour her. (_Aloud_.) Well, perhaps you _have_, on second
+thoughts. Yes, it is a long time.
+
+ROSALINE.
+
+I have never forgotten him. I have always treasured his memory in my
+soul.
+
+REMBRANDT TEMPENNY (_soothingly_).
+
+That was very nice of you. You are a very nice girl--I saw it at once.
+
+ROSALINE.
+
+_He_ used to say that--he used to call me his "Toppett."
+
+REMBRANDT TEMPENNY.
+
+His little "Toppett?" It is a pretty name, and I am sure he will be
+delighted to find you here, when he comes. It will be a surprise for
+him, won't it; quite a surprise! (_Aside_.) A perfect devil of a
+surprise!
+
+ROSALINE.
+
+For all he knows I might be dead--dead with the violets blooming over
+my tomb.
+
+REMBRANDT TEMPENNY.
+
+Yes, yes,--buttercups and daisies. (_Aside_.) I shall get the giddy
+push from here when he does come; I see it sticking out a foot.
+(_Aloud_.) I say, Poppett--I mean "Rosaline," do you feel equal to
+going on with the sitting till he arrives?
+
+ROSALINE (_passively_).
+
+As you please--I must live.
+
+REMBRANDT TEMPENNY (_aside._)
+
+It is doubtful whether Sylvester will see it in the same light.
+(_Aloud_.) Well, then, suppose you take up your position again.
+
+(_He poses her with much difficulty, as each time he places her arms in
+the required attitude, she moves to wipe away a tear_).
+
+REMBRANDT TEMPENNY.
+
+There, now we've got it at last. (_He goes back to the easel, and
+commences to work_).
+
+ROSALINE.
+
+(_Bursting into sobs, and collapsing altogether_.) Boo--hoo--hoo!
+
+REMBRANDT TEMPENNY (_despairingly_).
+
+Oh, great Jupiter! This is too much! Can't you contain your emotion? I
+know it is very praiseworthy, but can't you bottle it up? How on earth
+am I to paint you while you keep going on like this.
+
+(_The street-door bell rings_).
+
+ROSALINE (_joyously_).
+
+He! (_She clasps her hands and listens_.) My heart tells me so!
+
+REMBRANDT TEMPENNY (_disagreeably_).
+
+It _ain't_ he--because he never rings. So your heart's told you a lie.
+
+MRS. SYLVESTER (_off_).
+
+Mr. Sylvester--is he in? Not in? What do you mean?
+
+REMBRANDT TEMPENNY.
+
+Snakes!--it's his Missus.
+
+ROSALINE (_passionately_).
+
+_Another_ wife?
+
+REMBRANDT TEMPENNY.
+
+No, it is the same one--do you think he is the Grand Mogul?--but she
+will be enough for _you_ if she finds you here, and for _me_ too!
+
+ROSALINE.
+
+I do not fear her. I am doing no harm--I am your Model, brought here by
+you.
+
+REMBRANDT TEMPENNY (_in terror_).
+
+Now look here, you know, don't say that; I won't be mixed up in it! I
+tell you I'll have nothing to do with the matter! I didn't know who you
+were, or I wouldn't have brought you within a hundred miles of the
+place. Hark.
+
+MRS. SYLVESTER (_off_).
+
+I will wait in his studio till he comes. He ought to have been here
+long ago.
+
+REMBRANDT TEMPENNY (_in terror_).
+
+_Ought_ he! I won't be seen here--I can't. She is a friend of my
+wife's. I won't be found in your company. I'm a moral man, and she
+knows you.
+
+ROSALINE (_indignantly_).
+
+What?
+
+REMBRANDT TEMPENNY.
+
+Here, hi, I will be a lay-figure. By George, I've got it--I will be the
+Mandarin, see!
+
+(_He disguises himself with Rosaline's assistance as a Mandarin, and
+sits cross-legged at back, wagging his head_.)
+
+REMBRANDT TEMPENNY.
+
+How is that?
+
+ROSALINE.
+
+Beautiful. Hush!
+
+REMBRANDT TEMPENNY.
+
+Am I sufficiently impregnated with the Chinese sentiment?
+
+ROSALINE.
+
+I don't know what you mean. Sh! Here she is.
+
+(_Enter_ MRS. SYLVESTER _L_.)
+
+MRS. SYLVESTER (_aside_).
+
+A young woman--who is this?
+
+ROSALINE.
+
+Good morning, madam. Who do you wish to see?
+
+MRS. SYLVESTER (_with a start_).
+
+Can I be deceived? Is it possible you are the--ahem--the person I take
+you for?
+
+ROSALINE.
+
+I really don't know who you take me for. My name is Rosaline, and I'm a
+model.
+
+MRS. SYLVESTER.
+
+I knew it! How dare you come here--how dare you? Two years ago I
+forbade you ever to enter my husband's studio again.
+
+ROSALINE.
+
+I did not know it was your husband's studio when I came. I am here to
+sit to a friend of his.
+
+REMBRANDT TEMPENNY.
+
+I'm the friend.
+
+MRS. SYLVESTER (_to_ ROSALINE).
+
+What did you say?
+
+ROSALINE.
+
+I did not speak.
+
+MRS. SYLVESTER.
+
+Now let me quite understand you. Do you mean to say that it was not Mr.
+Sylvester who brought you here?
+
+ROSALINE.
+
+Certainly I do. I came to Mr.--
+
+REMBRANDT TEMPENNY (_in terror aside to_ ROSALINE).
+
+Mr. Brown.
+
+MRS. SYLVESTER.
+
+Who did you say? Who is Mr. Brown?
+
+ROSALINE.
+
+I did not say "Mr. Brown." A gentleman engaged me to sit to him, and
+told me to come here this morning at ten o'clock. He said he was a
+friend of Mr. Sylvester's.
+
+MRS. SYLVESTER.
+
+Then you did know that this was Mr. Sylvester's studio!
+
+ROSALINE.
+
+I did not. He said it belonged to a friend of his, but did not mention
+his name.
+
+MRS. SYLVESTER (_impatiently_).
+
+Whose name?
+
+ROSALINE.
+
+His friend's name.
+
+MRS. SYLVESTER (_passionately_).
+
+Who was this friend, girl? Who told you to come? Answer me.
+
+ROSALINE.
+
+Oh, that is very easy. I was engaged by Mr.--
+
+REMBRANDT TEMPENNY (_aside to_ ROSALINE).
+
+Mr. Smith.
+
+MRS. SYLVESTER.
+
+I do not know any Mr. Smith. Where has he gone?
+
+ROSALINE.
+
+I never said "Mr. Smith."
+
+MRS. SYLVESTER.
+
+What?
+
+ROSALINE.
+
+Certainly not. I have no reason to mind telling the truth. I am
+naturally a truthful girl. His name was--
+
+REMBRANDT TEMPENNY (_aside to_ ROSALINE).
+
+Robinson.
+
+MRS. SYLVESTER.
+
+Once and for all--will you tell me the man's name?
+
+REMBRANDT TEMPENNY (_aside to_ ROSALINE).
+
+No, never!
+
+MRS. SYLVESTER.
+
+You refuse?
+
+ROSALINE.
+
+No.
+
+MRS. SYLYESTER.
+
+Then why did you say "never?"
+
+ROSALINE.
+
+I never said "Never."
+
+MRS. SYLVESTER.
+
+I warn you, girl, my patience is nearly exhausted.
+
+REMBRANDT TEMPENNY (_aside_).
+
+So am I. My legs ache at the joints.
+
+MRS. SYLVESTER.
+
+You will either make a clean breast of it, or I shall take steps--
+
+REMBRANDT TEMPENNY (_aside to_ ROSALINE).
+
+Let her take steps--that's what I want her to do.
+
+MRS. SYLVESTER.
+
+Ah, wait--doubtless my husband is in hiding. I will see.
+
+(_She opens_ R.D. _and exit_.)
+
+ROSALINE (_going up to_ REMBRANDT TEMPENNY _angrily_).
+
+What do you mean by getting me into all this trouble? What do you mean
+by it?
+
+REMBRANDT TEMPENNY.
+
+Oh, you be hanged--you're a perfect nuisance.
+
+ROSALINE.
+
+What!
+
+(_She slaps his face_. MRS. SYLVESTER _re-enters_.)
+
+MRS. SYLVESTER.
+
+I heard a noise.
+
+ROSALINE.
+
+I was playing with the idol, that is all.
+
+(REMBRANDT TEMPENNY _wags his head mechanically_.
+
+REMBRANDT TEMPENNY (_aside_).
+
+This is a dignified position for a husband and a ratepayer!--the butt
+of a bad girl!
+
+MRS. SYLVESTER.
+
+Your frivolity will avail you nothing. If you were indeed brought here
+by a friend of Mr. Sylvester's, I can guess who he is. His name is
+Tempenny, and I shall enquire into the matter at once. (_Going_.)
+
+ROSALINE.
+
+Of course his name is Tempenny--I never denied it.
+
+REMBRANDT TEMPENNY and MRS. SYLVESTER (_aside_).
+
+What?
+
+ROSALINE.
+
+I am nobody's accomplice--I am an honest woman earning a living. I will
+tell lies for no one.
+
+REMBRANDT TEMPENNY (_aside_).
+
+The cat!
+
+MRS. SYLVESTER.
+
+Oh, this is infamous! So Mr. Tempenny assists my husband to deceive me,
+does he? We will see what his wife has to say to it. Birds of a
+feather--as I always thought. Abandoned wretches both!
+
+(_Exit L_.)
+
+REMBRANDT TEMPENNY (_springing up_).
+
+You mischief-making little beast--what have you done?
+
+ROSALINE.
+
+Don't you talk to me like that--I won't have it!
+
+REMBRANDT TEMPENNY (_furiously_).
+
+You won't have it!
+
+ROSALINE.
+
+No, I won't.
+
+REMBRANDT TEMPENNY.
+
+You--you--! You smacked my face!
+
+ROSALINE.
+
+And I'll smack it again if you aggravate me. If it weren't that _he_
+will be here later on, I'd walk straight out of the studio, and never
+come into it again.
+
+REMBRANDT TEMPENNY.
+
+I've a good mind to bundle you out neck and crop, I can tell you. That
+woman has gone off to complain to my wife. Here, get me out of these
+things. (_He divests himself of the Chinese wig and costume_.) I think
+I had better go. I don't know how I'll do the picture--I'll _never_ do
+the picture. I think _you_ had better go--if Charlie Sylvester finds
+you here after this, he will murder you.
+
+CHARLES SYLVESTER (_off_).
+
+Tempenny!--Tempenny--are you upstairs?
+
+REMBRANDT TEMPENNY (_agitated_).
+
+He! Oh, I say, you know--don't yer know--this is awful!
+
+ROSALINE (_rapturously_).
+
+I know his voice.
+
+REMBRANDT TEMPENNY (_dancing with terror_).
+
+Yes, so do I! He'll kill you--I warn you he will make a corse of
+you--or _me_. I won't meet him. I can't. Get rid of him for the Lord's
+sake--I'll hide in there till he has gone.
+
+(_Exit R_.)
+
+ROSALINE (_taking out powder puff_).
+
+After years we meet again!
+
+(_Enter_ SYLVESTER _L_.)
+
+CHARLES SYLVESTER.
+
+Why the devil couldn't you answer, Tempenny, I say--
+
+ROSALINE (_turning_).
+
+Charles! Ah! once more!
+
+CHARLES SYLVESTER.
+
+Great Scott! My dear girl, what on earth are you here for?
+
+ROSALINE.
+
+It is like that you greet me?
+
+CHARLES SYLVESTER.
+
+"Greet" you? Well, upon my word I don't quite know what you expect. I
+thought it was understood between us last time we met that--that--we
+weren't to meet? You see I've got a wife, and--
+
+ROSALINE.
+
+I know. I have just seen her.
+
+CHARLES SYLVESTER.
+
+What's that you say? You have just seen my wife?
+
+ROSALINE (_nodding_).
+
+She has been here. She has only just gone.
+
+CHARLES SYLVESTER.
+
+The devil! What did she say to you--what did she think?
+
+ROSALINE.
+
+She thought you knew about it--she was angry!
+
+CHARLES SYLVESTER (_furiously_).
+
+And very rightly too. You have no business here--why did you come?
+
+ROSALINE.
+
+Mr. Tempenny brought me.
+
+CHARLES SYLVESTER.
+
+What? Are _you_ his model? This is really too bad. Where is he?
+
+ROSALINE (_pointing R_.).
+
+He has gone in there.
+
+CHARLES SYLVESTER.
+
+What for? (_Calling_.) Tempenny! I say, Tempenny, I want you!
+
+(_Enter_ REMBRANDT TEMPENNY _very nervously_.)
+
+REMBRANDT TEMPENNY.
+
+Ah--er--good morning, dear boy. What weather, eh? What weather we're
+having to be sure. (_Aside to_ ROSALINE.) You malicious,
+base-hearted--(_Shakes his fist at her_.) Oh!
+
+CHARLES SYLVESTER.
+
+Look here, you know, Tempenny, this won't do. You have no right to
+bring the girl here. I don't think it was at all friendly of you. I--I
+consider it a damned liberty of you in fact.
+
+REMBRANDT TEMPENNY (_shrinking_).
+
+I was afraid you would be vexed, but don't be cross, dear old man;
+don't be "put out" about it. (_Trying to laugh_.) There are worse
+troubles at sea, as they say--worse troubles at sea!
+
+CHARLES SYLVESTER.
+
+(_With rising indignation_.) But I _am_ put out. Damn the sea--what's
+that got to do with it. Mrs. Sylvester has been in and seen her, I
+understand? You have served me a very shabby trick, Tempenny--I am very
+sorry about it!
+
+REMBRANDT TEMPENNY.
+
+(_Still trying to laugh it off_.) All comes out in the wash, old
+chap--all comes out in the wash, I assure you! (_Slaps him on the
+shoulder_.)
+
+CHARLES SYLVESTER.
+
+Don't do that--I don't like it!
+
+REMBRANDT TEMPENNY (_nervously_).
+
+Ha, ha, ha! (_Does it again_.)
+
+CHARLES SYLVESTER (_shouting_).
+
+Don't!
+
+REMBRANDT TEMPENNY (_collapsing_).
+
+All right, I won't.
+
+ROSALINE (_advancing_).
+
+Charlie!
+
+CHARLES SYLVESTER.
+
+Don't call me "Charlie"--I don't like it.
+
+ROSALINE.
+
+Once--
+
+CHARLES SYLVESTER.
+
+Well, then, I don't like it twice--do you hear! This is all your fault,
+Tempenny. You have got me into a pretty mess upon my word. My wife
+won't believe me, and I shall never hear the end of it.
+
+REMBRANDT TEMPENNY.
+
+And what about mine?
+
+CHARLES SYLVESTER.
+
+Yours?
+
+ROSALINE.
+
+Yes, she has gone to tell her.
+
+CHARLES SYLVESTER (_roaring with laughter_).
+
+Ha, ha, ha!
+
+REMBRANDT TEMPENNY (_miserably_).
+
+Remarkably funny, isn't it?
+
+CHARLES SYLVESTER.
+
+Ha, ha, ha!
+
+ROSALINE.
+
+Ha, ha, ha!
+
+REMBRANDT TEMPENNY.
+
+(_To_ CHARLES SYLVESTER; _pointing to_ ROSALINE.) That girl is a
+perfect devil. She smacked my face just now when I was posing as a
+mandarin.
+
+CHARLES SYLVESTER (_staring_).
+
+As a what!
+
+REMBRANDT TEMPENNY.
+
+I was a mandarin when your wife came in--I thought it best--and this
+ex-mash of yours took advantage of me, and smacked my face.
+
+CHARLES SYLVESTER.
+
+(_To_ ROSALINE.) I tell you what it is,--I think you had better go. You
+had better be off--I can't have you here.
+
+REMBRANDT TEMPENNY.
+
+I quite agree. _I_ don't want her--she is more trouble than she is
+worth.
+
+ROSALINE.
+
+You are very rude to me, both of you. (_To_ CHARLES SYLVESTER.) Your
+manners have not improved with matrimony, my friend.
+
+CHARLES SYLVESTER.
+
+I am not going to discuss my manners--
+
+REMBRANDT TEMPENNY.
+
+No, he is not going to discuss his manners.
+
+CHARLES SYLVESTER.
+
+The point is--
+
+REMBRANDT TEMPENNY.
+
+The point is--git!
+
+ROSALINE.
+
+The point is that if you don't ask me properly, I shall do nothing of
+the kind. Now you've got it.
+
+CHARLES SYLVESTER.
+
+(_To_ REMBRANDT TEMPENNY _angrily_.) What the devil do you mean by
+bringing such a firebrand here?
+
+REMBRANDT TEMPENNY.
+
+Now don't lose your temper again. (_To_ ROSALINE.) Will you go?
+
+ROSALINE.
+
+No, I won't.
+
+REMBRANDT TEMPENNY.
+
+That settles it. (_The two men look at each other helplessly_.)
+
+(_Enter_ SARAH ANN.)
+
+SARAH ANN.
+
+If you please, sir, there is a gentleman downstairs who wants to see
+Mr. Tempenny.
+
+REMBRANDT TEMPENNY.
+
+Me? What's his name? What does he want?
+
+SARAH ANN.
+
+He says his name is Mr. Schercl.
+
+REMBRANDT TEMPENNY.
+
+I'm out. Go and tell him so. It only wanted this to complete my
+happiness. I won't see him, do you hear?
+
+SARAH ANN.
+
+If you please the gentleman said he must see you, but if you was
+engaged, he'd wait.
+
+CHARLES SYLVESTER.
+
+You won't get rid of old Schercl in a hurry, if he has advanced you any
+of the "ready."
+
+REMBRANDT TEMPENNY.
+
+Tell him I'm out. Then let him come up if he likes.
+
+CHARLES SYLVESTER.
+
+What are you going to do?
+
+REMBRANDT TEMPENNY.
+
+I am going to dissemble. I am going to be an Eastern potentate, and I
+am going to spoof the old boy. (_To_ SARAH ANN.) Menial, slope! (_To_
+CHARLES SYLVESTER.) Help me.
+
+ROSALINE.
+
+This is the rummiest studio that ever I was in!
+
+REMBRANDT TEMPENNY.
+
+Yes, originality is what we pride ourselves on. (_He disguises himself
+as the Maharajah of Slamthedoor_.)
+
+CHARLES SYLVESTER.
+
+And what am _I_ to do?
+
+REMBRANDT TEMPENNY.
+
+You must be very deferential. I think you had better salaam when you
+speak to me. Try it.
+
+CHARLES SYLVESTER.
+
+Like this? (_Salaams_.)
+
+REMBRANDT TEMPENNY.
+
+That's it, only more so. And mind, if he wants to see Susannah, you
+don't let him look at it. It's only just begun. How do I look?
+
+ROSALINE.
+
+You look like a Guy Fawkes.
+
+REMBRANDT TEMPENNY.
+
+Dear child! how pretty she talks! Where did you originally find such a
+treasure?
+
+(_Enter_ HENRICH SCHERCL _L_.)
+
+HENRICH SCHERCL.
+
+Ah, Mr. Sylvester, how do you do? Where is Mr. Tempenny? I hoped to see
+him.
+
+CHARLES SYLVESTER.
+
+He has been compelled to go out on most important business.
+
+HENRICH SCHERCL.
+
+The business of you gentlemen is always "most important" excepting when
+it concerns them that find you the wherewithal. (_Aside_.) What a nice
+girl!
+
+(ROSALINE _smiles at him_.)
+
+CHARLES SILVESTER.
+
+I don't think, my dear Schercl, that you have much cause to complain.
+You don't lose by us; now confess!
+
+HENRICH SCHERCL.
+
+My dear sir, if I lost by you how do you think I should garry on my
+business? One must live. But you artists don't give us much chance. You
+are always bleeding us for what you call "a bit on aggount."
+
+REMBRANDT TEMPENNY (_coming down_).
+
+Your conversation is very interesting, but I wish to see Mr. Tempenny.
+He is not here, and if he is not coming I shall go. Allah Bismillah
+Remdazzlegefoo!
+
+HENRICH SCHERCL.
+
+(_Aside to_ CHARLES SYLVESTER.) What does he say?
+
+CHARLES SYLVESTER.
+
+(_Aside to_ HENRICH SCHERCL.) He's swearing because Tempenny is out.
+
+REMBRANDT TEMPENNY.
+
+I wanted to buy some of his great works. The Maharajah of Battledore
+told me that he was one of your most favourite painters.
+
+ROSALINE (_aside_).
+
+Good old Rembrandt Tempenny. What larks!
+
+HENRICH SCHERCL.
+
+(_Aside to_ CHARLES SYLVESTER.) Let _me_ deal with this sportsman.
+
+CHARLES SYLVESTER.
+
+(_Aside to_ HENRICH SCHERCL.) Bosh, why should you?
+
+HENRICH SCHERCL.
+
+Do you want to sell your "Battle of Agincourt?"
+
+CHARLES SYLVESTER.
+
+Of course I do.
+
+HENRICH SCHERCL.
+
+How much?
+
+CHARLES SYLVESTER.
+
+Two hundred--you know that!
+
+HENRICH SCHERCL.
+
+A hundred ready?
+
+CHARLES SYLVESTER.
+
+Yes.
+
+HENRICH SCHERCL.
+
+You will have a jeque to-night.
+
+CHARLES SYLVESTER.
+
+On your word?
+
+HENRICH SCHERCL.
+
+On my word.
+
+CHARLES SYLVESTER.
+
+An open one?
+
+HENRICH SCHERCL.
+
+Yes, my dear young friend. Now oblige me by skipping.
+
+CHARLES SYLVESTER.
+
+Right you are. Allow me to introduce to your Highness, Mr. Schercl--Mr.
+Schercl, the Maharajah of Slamthedoor.
+
+(_Exit R_.)
+
+REMBRANDT TEMPENNY.
+
+Allah Bismillah Pottamarmala Goo!
+
+HENRICH SCHERCL (_aside_).
+
+He's swearing again. (_Aloud_.) I am sorry your Royal Highness has been
+kept waiting. These artists are such gurious people. Your Highness
+broboses to buy bictures, yes?
+
+REMBRANDT TEMPENNY.
+
+I have built a new palace at Slamthedoor, and I must have, of course,
+some pictures for my galleries.
+
+ROSALINE.
+
+Does your Highness want any slaves too?
+
+HENRICH SCHERCL.
+
+(_Aside to_ ROSALINE.) Go away, girl--go away! One deal at a time!
+(_Aloud_) May I make so bold as to enquire the size of the new palace,
+Oh glorious One? (_Salaams_.) (_Aside_.) I think that is right!
+
+REMBRANDT TEMPENNY.
+
+The size? It is no bigger than my other one--it is about four times as
+large as your Buckingham Palace.
+
+HENRICH SCHERCL.
+
+Great heavens! And you will have a vast picture gallery, Oh Light of my
+Eyes!
+
+REMBRANDT TEMPENNY.
+
+Five--five picture galleries, and I desire to fill them. That is why I
+am looking up these artists. My cousin the Maharajah of Battledore has
+given me several introductions.
+
+ROSALINE.
+
+_Doesn't_ your Royal Highness want any slaves? Ye before whose radiance
+the sun pales and the stars grow dim--no slaves?
+
+REMBRANDT TEMPENNY.
+
+Can you dance, damsel, as I would see you?
+
+HENRICH SCHERCL.
+
+(_Aside to_ ROSALINE.) Go away--go away--go away. Oh, demmit, will you
+go away! (_Salaaming_.) Most Serene One--
+
+REMBRANDT TEMPENNY.
+
+Proceed. But be quick--I am impatient to be gone. Allah Bismillah, be
+quick!
+
+HENRICH SCHERCL (_aside_).
+
+What a temper he's got! (_Aloud_.) Be guided by your servant. I have
+your Royal Highness's interest at heart. (_Aside_.) Also my own.
+(_Aloud_.) These bainters are so queer--they do not understand business
+at all, at all. Nach, they know nothing about it--at least very few of
+them. The less you have to do with them directly the better for your
+Royal Highness. If your Royal Highness wishes to fill the picture
+galleries of your new palace I'll take on the job at contract. I'll
+save you sixty per cent, s'welp me!
+
+REMBRANDT TEMPENNY.
+
+That is very kind of you. Why should you do it?
+
+HENRICH SCHERCL.
+
+Well, your Royal Highness, I was struck by your demeanour and to tell
+your Royal Highness the truth, except with the Brince of Westphalia I
+have never done any business with royal families before.
+
+ROSALINE (_aside_.)
+
+Modest violet! There's nothing like being frank!
+
+REMBRANDT TEMPENNY.
+
+You do not advise me then to see this Mr. Tempenny, or the other
+painters whose names I have?
+
+HENRICH SCHERCL.
+
+Certainly not, your Royal Highness. Let _me_ arrange everything. Here's
+my card--Heinrich Schercl, 41 Golden Square.
+
+ROSALINE.
+
+(_Aside to_ HENRICH SCHERCL). Look here, what am I to have for this.
+
+HENRICH SCHERCL.
+
+(_Aside to_ ROSALINE). For what?
+
+ROSALINE.
+
+(_Aside to_ HENRICH SCHERCL). I can queer your pitch.
+
+HENRICH SCHERCL.
+
+(_Aside to_ ROSALINE). We will talk later--we will talk later. Don't
+bother me!
+
+REMBRANDT TEMPENNY.
+
+My dear Mr. Schercl, I am delighted to have met you. You are quite
+confident you can _fill_ my galleries?
+
+HENRICH SCHERCL.
+
+With genuine works of art. (_Aside_.) Poor Gamboge died last week; I am
+sure he hasn't sold more than three pictures during the last ten
+years--I can get the lot cheap. Only there must be 200 at least. What
+with all the other stony devils I can lay hands on, I'll soon decorate
+the old josser's walls.
+
+REMBRANDT TEMPENNY.
+
+Well then, I shall wait no longer--there is no need now. I shall call
+upon you, and settle our business together. Good-bye, miss, for the
+present. This is your daughter, I suppose?
+
+HENRICH SCHERCL.
+
+Eh--oh, yes, my youngest--my ewe lamb.
+
+REMBRANDT TEMPENNY.
+
+I congratulate you. She is worthy to be a Princess.
+
+ROSALINE (_aside_).
+
+This man's a flyer! I thought he was a mild young mug, but he fairly
+takes the merry little bun!
+
+REMBRANDT TEMPENNY.
+
+Good day, sir. My time in London is short. If I cannot call upon you, I
+will ask you to come to me at Claridge's.
+
+HENRICH SCHERCL.
+
+Charmed, your Royal Highness. I shall be entirely at your disposition.
+
+REMBRANDT TEMPENNY.
+
+That is well.
+
+(_Exit R_. SCHERCL _and_ ROSALINE _salaam_).
+
+HENRICH SCHERCL.
+
+(_Skipping with ecstasy_). Jampagne! Little girl, I will stand you
+jampagne to zelebrate the deal.
+
+ROSALINE.
+
+Good biz! (_Opens L.D. and calls_). Here Mary, Matilda, Susan, or
+whatever your name is, you're wanted.
+
+HENRICH SCHERCL.
+
+And you are a very charming girl, that is a fact. (_Lighting a
+cigarette_). I think I must give you a sovereign, yes?
+
+ROSALINE.
+
+I don't mind if I do. (_Taking cigarette from his case_). A
+"sovereign?" What are you talking about? My commission on this is a
+tenner--and I'm cheap at that!
+
+(_Enter_ SARAH ANN _L_.)
+
+HENRICH SCHERCL.
+
+(_Giving her money_). Fetch me a bottle of jampagne, and bring two
+glasses, eh?
+
+SARAH ANN.
+
+Yessir.
+
+ROSALINE.
+
+And look slippy. Go on, I'm parched. Mind, the _best_ champagne. (_To_
+HENRICH SCHERCL.) Got a light?
+
+(_Exit_ SARAH ANN _L_.)
+
+HENRICH SCHERCL.
+
+What is your name, my dear? (_Gives her light_).
+
+ROSALINE.
+
+Rosaline--you may call me "Rosie" if you like.
+
+HENRICH SCHERCL.
+
+May I--why? (_Chuckles_).
+
+ROSALINE.
+
+Well, I was struck by your demeanour, and to tell your Royal Highness
+the truth I have never done business with such a nice gentleman as you
+before.
+
+HENRICH SCHERCL.
+
+Ha, ha, ha! You are a sharp girl too! You are too good to go to India
+to be a slave. You could do better in London.
+
+ROSALINE.
+
+(_Coquettishly_). Think so?
+
+HENRICH SCHERCL.
+
+You shall have a slave of your own--a slave who would love you.
+
+ROSALINE.
+
+It sounds very well. In the meantime what about the tenner?
+
+HENRICH SCHERCL.
+
+(_Taking out his notebook_). You shall have it. There! Will you give me
+a kiss for that, my Rosie, with your rosy-posy lips?
+
+(_Enter_ SARAH ANN _L. with champagne and glasses_).
+
+ROSALINE.
+
+Not before the child! Put it down, my girl, that'll do--Come on,
+Heinrich of the Golden Square, come and pour out the fluid.
+
+(_Exit_ SARAH ANN _L_.)
+
+HENRICH SCHERCL.
+
+(_Lifting his glass_). Gezunteit!
+
+ROSALINE.
+
+Very likely. (_Aside_.) This is the best day's sitting I've ever done.
+(_Aloud_.) Now this is what I call comfortable: a bottle of the boy, a
+cigarette, and a cosy chat. I am very glad to have met you.
+
+HENRICH SCHERCL.
+
+(_Putting his arm round her waist_). Really--is that so?
+
+ROSALINE.
+
+That is really so. But mind you, an hour ago, I should not have let you
+do this.
+
+HENRICH SCHERCL.
+
+I am so blessed we did not meet an hour ago.
+
+ROSALINE.
+
+It is true. An hour ago I was in love, but I have been treated very
+badly. Just now my heart is at the rebound.
+
+HENRICH SCHERCL.
+
+Leedle heart--let me gatch it!
+
+ROSALINE.
+
+Now you are making fun of me. I am not so simple as you think. Why, we
+have only just met.
+
+HENRICH SCHERCL.
+
+But we can meet again. Besides, I am not going yet--I will stop and
+talk to you. You shall tell me all about your love-trouble, and I will
+gonsole you. Hark, what is that?
+
+ROSALINE.
+
+Somebody is coming upstairs.
+
+HENRICH SCHERCL.
+
+Then I will step into the next room. It would not look vell that I
+should be found trinking jampagne mid a pretty girl like you. When they
+are gone I will come back.
+
+ROSALINE.
+
+Mr. Sylvester is in there. Here, if you don't want to be seen, get into
+this cupboard.
+
+HENRICH SCHERCL.
+
+Is it glean? Are you sure?
+
+ROSALINE.
+
+Clean as a new pin. Come on if you mean it, there's no time to waste.
+Now or never?
+
+HENRICH SCHERCL.
+
+(_Going into cupboard, gingerly_). I am certain it is not glean.
+
+(ROSALINE _shuts the door and turns as_ MRS. SYLVESTER _re-enters with_
+MRS. TEMPENNY).
+
+MRS. SYLVESTER.
+
+I told you so! Here she is as bold as brass. Now what do you say to
+that?
+
+MRS. TEMPENNY.
+
+If indeed my husband brought her here--if he has really assisted Mr.
+Sylvester to deceive you--
+
+MRS. SYLVESTER.
+
+(_Scornfully_). "IF!" The creature does not deny it. Speak, girl.
+
+ROSALINE.
+
+Good afternoon.
+
+MRS. SYLVESTER.
+
+"Good afternoon?" It isn't a "good afternoon" I want you to say. Speak,
+I tell you.
+
+ROSALINE.
+
+What shall we talk about?
+
+(_R.D. slowly opens a little_--_showing_ REMBRANDT TEMPENNY _and_
+CHARLES SYLVESTER _listening_).
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ CHARLES SYLVESTER). Can you do it, do you think?
+
+CHARLES SYLVESTER.
+
+I can do it.
+
+REMBRANDT TEMPENNY.
+
+Threaten to punch my head.
+
+CHARLES SYLVESTER.
+
+Yes, yes--and you had better be very violent too.
+
+REMBRANDT TEMPENNY.
+
+I twig. Wait a moment.
+
+(_They withdraw_).
+
+MRS. TEMPENNY.
+
+(_Bursting into tears_). I will never forgive him as long as I live.
+
+MRS. SYLVESTER.
+
+I should think not. When I see Charles--!
+
+MRS. TEMPENNY.
+
+Oh, and when I see Rembrandt--!
+
+MRS. SYLVESTER.
+
+I _will_ see him, if I stop till midnight!
+
+MRS. TEMPENNY.
+
+And _I'll_ see him, if I don't go home for a week!
+
+(_Enter_ REMBRANDT TEMPENNY _backwards, very disordered attire_--_his
+entrance to suggest that he has been flung in_. CHARLES SYLVESTER
+_follows_).
+
+CHARLES SYLVESTER.
+
+(_With affected fury_). If you did not bring this person here, sir, how
+did she come?
+
+REMBRANDT TEMPENNY.
+
+How?
+
+CHARLES SYLVESTER.
+
+Yes, sir--how?
+
+REMBRANDT TEMPENNY.
+
+How do I know?
+
+MRS. SYLVESTER and MRS. TEMPENNY.
+
+What is all this? Oh, good gracious, the men have been fighting!
+
+ROSALINE (_aside_).
+
+_I_ know what it is--it's spoof.
+
+MRS. SYLVESTER.
+
+(_Rushing to_ CHARLES SYLVESTER). Charles--Charles, compose yourself!
+
+MRS. TEMPENNY.
+
+(_Rushing to_ REMBRANDT TEMPENNY). Rembrandt, be calm.
+
+CHARLES SYLVESTER.
+
+Don't interfere, Adelaide.
+
+REMBRANDT TEMPENNY.
+
+Eugenia, this concerns us alone. Mr. Sylvester accuses me--
+
+CHARLES SYLVESTER.
+
+Yes, sir, I accuse you--
+
+REMBRANDT TEMPENNY.
+
+(_Throwing himself upon him_). Ah!
+
+(CHARLES SYLVESTER _throws him off_).
+
+REMBRANDT TEMPENNY.
+
+The best of wives--
+
+CHARLES SYLVESTER.
+
+Don't you dare to mention Mrs. Sylvester's name, sir!
+
+REMBRANDT TEMPENNY.
+
+I am talking about Mrs. Tempenny. I say you would lead the best of
+wives to suppose that I--I--introduced this creature into your room.
+(_Weeps_.)
+
+CHARLES SYLVESTER.
+
+And through you I may be falsely suspected by Adelaide. (_Weeps_.)
+
+(ROSALINE _whispers to_ REMBRANDT TEMPENNY _aside_.)
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ ROSALINE.) Great Jupiter!
+
+MRS. SYLVESTER.
+
+All this is very fine--but who _is_ the man who brought her here if you
+didn't? Answer that.
+
+MRS. TEMPENNY.
+
+Yes, if neither of _you_ did it, who did? Where _is_ the man?
+
+REMBRANDT TEMPENNY.
+
+(_Throwing open cupboard triumphantly and disclosing_ SCHERCL _covered
+with paint_.) There!
+
+_Curtain_.
+
+
+
+
+ACT III.
+
+
+SCENE:--_Drawing-room at Tempenny's house._
+
+TIME:--_Next day_.
+
+(SUSAN _discovered dusting. As Curtain goes up bell is heard off_.)
+
+SUSAN.
+
+Was that the bell again? It is not the sort of place I am used to,
+this--where the master's afraid to see half the people who calls for
+him. I only hopes my wages is right. They was precious particular about
+_my_ references when they took me. Was I sober, honest and industrious,
+and the Lord knows what? Wish I'd been equal particular about theirs.
+The master ain't remarkably industrious, that I do know, for he often
+don't paint nothing for a week at a time; and he frequently ain't
+sober. Whether or not he is honest I shall find out at the end of my
+month. (_Bell rings again_.) It _was_ the bell--I'd better go and see
+who it is.
+
+(_Exit L_.)
+
+HENRICH SCHERCL (_heard off_).
+
+Mr. Tempenny in? Nonsense. Then I'll wait till he is.
+
+SUSAN (_expostulating_).
+
+But, sir, if you please, sir, really--
+
+(_Enter_ HENRICH SCHERCL _followed by_ SUSAN.)
+
+HENRICH SCHERCL.
+
+I tell you I mean to see him. Now let us have the truth, girl, where is
+he?
+
+SUSAN.
+
+Mr. Tempenny, sir?
+
+HENRICH SCHERCL.
+
+"Mr. Tempenny, sir?" Yes, ma'am, who else? Now, is he at home?
+
+SUSAN.
+
+No, sir, he isn't; he has gone out.
+
+HENRICH SCHERCL.
+
+Not to his studio, for I've just been there.
+
+SUSAN.
+
+No, sir, he has gone to his dentist.
+
+HENRICH SCHERCL.
+
+Then I'll just sit down here till he comes back. You may go in and tell
+him so.
+
+SUSAN (_confused_).
+
+I hope you don't think I tell stories, sir? If Mr. Tempenny's out how
+can I take him your message?
+
+(_Enter_ REMBRANDT TEMPENNY _R_.)
+
+REMBRANDT TEMPENNY (_briskly_).
+
+Now, you understand, Susan, I am out to everyone, and if a Mr. Schercl
+calls--(_seeing_ HENRICH SCHERCL--_aside_). Good gracious! (_Aloud_.)
+Beg him to wait till I return--I want to see him.
+
+HENRICH SCHERCL (_sardonically_).
+
+He _is_ waiting, sir.
+
+REMBRANDT TEMPENNY (_affecting surprise_).
+
+My dear friend, how glad I am--how very glad! (_Aside_.) This is the
+very devil! (_Aloud_.) All right, Susan, you can go.
+
+HENRICH SCHERCL.
+
+I want a leedle talk with you, my friend, without delay.
+
+SUSAN (_aside_).
+
+I hope the master'll enjoy himself, I'm sure! I did _my_ best for him
+anyhow!
+
+(_Exit L_.)
+
+HENRICH SCHERCL.
+
+Mr. Tempenny, I am here to demand an exblanation, sir--an exblanation
+of your strange behaviour of yesterday. And there is something else,
+sir. I find you are not Mr. Tempenny at all, sir, you are an imposter.
+
+REMBRANDT TEMPENNY (_aside_).
+
+He did take me for Tempenny R.A., Addison was right! (_Aloud_.) An
+imposter, Mr. Schercl?
+
+HENRICH SCHERCL.
+
+Zertainly, sir. I took you for _the_ Mr. Tempenny--it was to _the_ Mr.
+Tempenny, I brobosed to give my commission. You 'ave cheated me, you
+fellow.
+
+REMBRANDT TEMPENNY.
+
+Now, now, take care! How was _I_ to know you took me for somebody else?
+You came to me, and you made me an offer, and I accepted it. How could
+I tell you thought I was another--I may say an _inferior_--Tempenny? I
+say how could I know you were making a mistake?
+
+HENRICH SCHERCL.
+
+You knew it very well. I would not pay tree 'undred pounds to _you_!
+What do you think I am--a fool? You 'ave obtained an order from me
+under false pretences, do you hear. I say you 'ave robbed me.
+
+REMBRANDT TEMPENNY.
+
+Gently! gently! this is slander, old gentleman. It will cost you a good
+deal _more_ than three hundred pounds if you aren't more guarded in
+your remarks.
+
+HENRICH SCHERCL (_spluttering_).
+
+What?
+
+REMBRANDT TEMPENNY.
+
+It will really. I shall owe it to myself to have you up for slander,
+and it would be a very good advertisement for me too.
+
+HENRICH SCHERCL.
+
+What! what! what!
+
+REMBRANDT TEMPENNY.
+
+A really excellent advertisement. And what a fool you'd look! Come,
+come, you don't suppose your other Tempenny would have done you a work
+of this size for three hundred, do you? Nor as good either? No, no! As
+to the affair of yesterday, my wife was very much to blame--I am very
+angry with her. You see she has such curious ideas, and when she found
+you hidden in a cupboard with a paint-pot upset over you she thought it
+strange. It _wasn't_ strange, of course--(_airily_) most natural thing
+in the world, but she couldn't see it.
+
+HENRICH SCHERCL.
+
+I felt very hurt to be so misunderstood. The only person who abbeared
+to have any zympathy for me was your model--the Miss Rosaline.
+
+REMBRANDT TEMPENNY.
+
+Nice girl! charming girl, isn't she? Full of feeling, and--I say,
+Schercl, you've made a conquest there, and no error.
+
+HENRICH SCHERCL.
+
+Nonsense--go away mid your rubbidge!
+
+REMBRANDT TEMPENNY.
+
+Well, you have, you know! She made an awful scene after you left--said
+you were the only man she ever saw look dignified with a pot of paint
+upset over him. It is a pity in one way she _is_ so taken with you--I
+feel for her.
+
+HENRICH SCHERCL (_flattered_).
+
+Vat rot you talk. Why should you feel for her?
+
+REMBRANDT TEMPENNY.
+
+Because you meant nothing by your attentions, Schercl, and the poor
+girl doesn't know that. She is thinking about you--not to put too fine
+a point upon it, she has fallen in love with you; and what do _you_
+care?--you laugh!
+
+HENRICH SCHERCL.
+
+No, I do not laff--I have a 'eart, have I not? I have the emotions and
+sensibilities.
+
+REMBRANDT TEMPENNY.
+
+You have, you have. But you do not realise how serious an impression
+you have made.
+
+HENRICH SCHERCL.
+
+Well, now about Susannah. You can do it as well as your namesake. Yes?
+
+REMBRANDT TEMPENNY.
+
+Ah! (_Enthusiastically_.) Wait till you see it!
+
+HENRICH SCHERCL.
+
+It still progresses?
+
+REMBRANDT TEMPENNY.
+
+Superbly.
+
+HENRICH SCHERCL.
+
+"Zuperbly!" But I do not see it, and to me you never abbear to paint.
+
+REMBRANDT TEMPENNY.
+
+My dear friend, how can you doubt the success of the picture after you
+have seen the model who is sitting for it? Fair--beautiful
+form--exquisite arms--er--
+
+HENRICH SCHERCL.
+
+Yes, yes, yes. So Miss Rosaline sits for your Susannah, eh?
+
+REMBRANDT TEMPENNY.
+
+Won't it be worth the three hundred--won't it be a dream.
+
+HENRICH SCHERCL (_eagerly_).
+
+I will come in one morning when you are at work! Yes, I am satisfied
+with the gontract--I say no more. I will come in when she is sitting.
+
+REMBRANDT TEMPENNV.
+
+No, you don't, my boy--oh no, you don't! The picture is what you get
+for your money--the real, living, breathing woman ain't included. Not
+much! Oh, no, Schercl, you old rogue--only the picture, sonny, no more.
+Ha, ha, ha!
+
+HENRICH SCHERCL (_confused_).
+
+You misunderstood me quite--I had no idea but of my business. I do not
+think of other things. Er--when will the picture be done, Tempenny, I
+would like it soon?
+
+REMBRANDT TEMPENNY.
+
+Ha, ha, ha! Control yourself, Romeo, it's coming on.
+
+HENRICH SCHERCL.
+
+But according to our contract, it should be done in a week's time. If
+you disappoint me, my friend, we shall fall out again.
+
+REMBRANDT TEMPENNY (_aside_).
+
+It strikes me you'll be precious lucky if you get it at all. The
+infernal "contract" is the bane of my life. (_Aloud_.) All right,
+Schercl, I will push on with it--I want the other two hundred, you
+know. I shan't delay for my own sake. (_Enter_ CHARLES SYLVESTER _L_.)
+Hallo, Charlie, how d'ye do. How are things at home?
+
+HENRICH SCHERCL.
+
+I see another of yesterday's gulprits. However I have forgiven you.
+
+CHARLES SYLVESTER.
+
+That's all right. (_Aside to_ REMBRANDT TEMPENNY:) Rosaline's
+downstairs--wanting to see you. Where is your wife?
+
+REMBRANDT TEMPENNY.
+
+Out. (_To_ HENRICH SCHERCL.) That poor girl has followed you here.
+Perhaps out of pity you ought to go down to her and say a kind word.
+
+HENRICH SCHERCL.
+
+Miss Rosaline--she is here? Well, I never! Yes, I will go down and
+speak to her. Where is she?
+
+(_Enter_ ROSALINE _L_.)
+
+REMBRANDT TEMPENNY (_aside_).
+
+Damn it, in the drawing-room! Look here, Schercl, you can't go till
+_she_ does. If my wife comes in and finds her, she is your affair.
+Don't leave her for Heaven's sake.
+
+ROSALINE.
+
+Good morning, gentlemen. Oh, Mr. Schercl! What a pleasure--how _do_ you
+do?
+
+HENRICH SCHERCL.
+
+I am very well, I thank you. And you?--I need not ask, you look most
+beautiful.
+
+ROSALINE (_aside_).
+
+Dear man!
+
+HENRICH SCHERCL.
+
+(_Aside to_ CHARLES SYLVESTER.) Why is Tempenny so afraid his wife
+should see her? You too--why are _you_ so afraid? Is she not of a good
+character, this Miss Rosaline?
+
+CHARLES SYLVESTER.
+
+(_Aside to_ HENRICH SCHERCL.) The girl is a paragon. They are jealous
+of her, that's all. She is too good-looking for 'em.
+
+HENRICH SCHERCL.
+
+Ha, ha, I see!
+
+REMBRANDT TEMPENNY.
+
+I think we'll leave you, old man. Rosaline, Mr. Schercl, has something
+to say to you--we shall be in the way. (_Aside to_ CHARLES SYLVESTER.)
+Come on, old chap--I wouldn't risk being found in the room again with
+the girl for a monkey.
+
+CHARLES SYLVESTER.
+
+Yes, I have some business to discuss with Mr. Tempenny. If you will
+excuse us--
+
+(_Exit R._)
+
+REMBRANDT TEMPENNY.
+
+(_Aside to_ HENRICH SCHERCL.) Take her away soon, there's a trump, or
+there will be another row. I give you five minutes to get her out of
+the house, Take her to breakfast--or--or--wherever you like, only
+hurry! (_Exit L._)
+
+ROSALINE.
+
+How funny to be left alone like this, isn't it, I really called to know
+when Mr. Tempenny proposed to continue the sittings. Do you know?
+
+HENRICH SCHERCL.
+
+No, I have no idea. But I am very glad you called--our conversation
+yesterday was so inderrupted.
+
+ROSALINE.
+
+Yes, and we were getting on so nicely too, weren't we? Do you like my
+new hat? I bought it out of the tenner you gave me. What do you think
+of the bow--isn't it a duck?
+
+HENRICH SCHERCL.
+
+You do not sit to Mr. Tempenny in a hat, I think.
+
+ROSALINE.
+
+In a--? Oh no, not in--. The subject is classical.
+
+HENRICH SCHERCL.
+
+Zo I understand (_he sighs_).
+
+ROSALINE (_sighing_).
+
+Ah!
+
+HENRICH SCHERCL.
+
+Why do you sigh? You are not happy?
+
+ROSALINE.
+
+Did I sigh? I was thinking.
+
+HENRICH SCHERCL (_sighing_).
+
+Heigho!
+
+ROSALINE.
+
+But now it is _you_ who sighs. Aren't _you_ happy?
+
+HENRICH SCHERCL.
+
+I alzo, I was thinking.
+
+ROSALINE.
+
+Of what?
+
+HENRICH SCHERCL.
+
+If I was to tell you, you would call me "sentimental old fool."
+
+ROSALINE.
+
+Not _old_. Never a _fool_. (_With sudden persuasiveness_.) _Tell_ me!
+
+HENRICH SCHERCL.
+
+I was thinking then, of you.
+
+ROSALINE.
+
+Of little me? What of me.
+
+HENRICH SCHERCL.
+
+I was wishing I was this Mr. Tempenny.
+
+ROSALINE.
+
+Why? (_Realising reason, and covering her face bashfully_.) Oh!
+
+HENRICH SCHERCL.
+
+I mean you go to him every day, and your zociety is very fascinating.
+That is all.
+
+ROSALINE.
+
+Of course, if you were Mr. Tempenny, you would see more of me. I should
+have said you would see me "_oftener_."
+
+HENRICH SCHERCL.
+
+Heigho!
+
+ROSALINE.
+
+Heigho!
+
+HENRICH SCHERCL.
+
+The little that I _have_ seen has made a great impression on me,
+Rosie--I shall never forget your face.
+
+ROSALINE.
+
+Really?
+
+HENRICH SCHERCL (_eagerly_).
+
+Yes, yes, really--it is true.
+
+ROSALINE.
+
+I am only a model, you know--a poor girl.
+
+HENRICH SCHERCL.
+
+You are a model of perfection. I zympathise with you.
+
+ROSALINE.
+
+You do not think the less of me because?
+
+HENRICH SCHERCL.
+
+I assure you I think of you the more. Nevertheless I do not like the
+idea.
+
+ROSALINE.
+
+And why?
+
+HENRICH SCHERCL.
+
+You must find it zo chilly in the winter.
+
+ROSALINE.
+
+I have got used to it. And besides I am fortunately of a warm
+temperament. The wind is tempered to the shorn lamb.
+
+HENRICH SCHERCL.
+
+I have not ever in my life seen a young lady who did make me feel for
+her the strange attraction that I feel for you, Rosie. I am jealous of
+this Mr. Tempenny.
+
+ROSALINE.
+
+Jealous! Do you mean you are in love with me? (_Aside_.) Oh, my
+goodness, what a joke!
+
+HENRICH SCHERCL.
+
+And if I did, would you laugh at me? Supposing I was to say to
+you--"Rosie, I would like to marry you," what would you answer?
+
+ROSALINE.
+
+Say it, and see. (_Aside_.) He's in earnest. I do believe.
+
+HENRICH SCHERCL.
+
+I am a very rich man. I could give you lots of such hats, and
+jewellery, and a big house.
+
+ROSALINE (_sentimentally_).
+
+I wish that you were poor.
+
+HENRICH SCHERCL (_in a fright_).
+
+No, no, for goodness sake, don't say that! Why?
+
+ROSALINE.
+
+You would not doubt my sincerity then. Now, you may think--
+
+HENRICH SCHERCL.
+
+No, no, I do believe you. Do you care for me a little, Rosie?
+
+ROSALINE (_archly_).
+
+Perhaps I do--a little. No, you are making game of me! (_Turns up_.)
+
+HENRICH SCHERCL.
+
+I am not--I am not! I love you desperately. Rosie, will you be my wife.
+Say "yes" my darling.
+
+ROSALINE.
+
+Yes. Now you may kiss me.
+
+HENRICH SCHERCL (_kissing her_).
+
+This is paradise. And Rosie--
+
+ROSALINE.
+
+Yes, Mr. Schercl.
+
+HENRICH SCHERCL.
+
+Ah, no, you must say Heinrich.
+
+ROSALINE.
+
+Yes--Heinrich?
+
+HENRICH SCHERCL.
+
+You will not sit to Mr. Tempenny any more? It is not fit, now that you
+are to be Mrs. Schercl, that you should earn your living in such a way.
+
+ROSALINE (_doubtfully_).
+
+He will be very disappointed. He can't finish "Susannah" without me,
+and if he don't finish it, he won't get the two hundred pounds.
+
+(_Enter_ MRS. SYLVESTER _and_ MRS. TEMPENNY. _L. dressed for walking_.)
+
+MRS. TEMPENNY.
+
+Sir!
+
+HENRICH SCHERCL.
+
+Ah, my friend Tempenny's wife. And Mrs. Sylvester--how do you do?
+
+MRS. SYLVESTER.
+
+This creature again?
+
+MRS. TEMPENNY.
+
+By what right, sir, do you bring this person again--and into my private
+house.
+
+ROSALINE.
+
+Creature! Stand up for me, Heinrich.
+
+HENRICH SCHERCL.
+
+I will, my treasure. (_To_ MRS. TEMPENNY.) I must trouble you, my good
+madam, to speak in terms of more respect of a lady who will shortly be
+my wife.
+
+MRS. TEMPENNY  }
+               } (_aside_).
+MRS. SYLVESTER }
+
+Schercl's wife! We must be very civil to her!
+
+HENRICH SCHERCL.
+
+Let me introduce you: Mrs. Tempenny, Mrs. Sylvester--the future Mrs.
+Heinrich Schercl.
+
+(_The two women gush up to her and shake her hands_.)
+
+(_Enter_ TEMPENNY _and_ SYLVESTER. _L._)
+
+REMBRANDT TEMPENNY.
+
+What's this I see, do I dream?
+
+CHARLES SYLVESTER.
+
+Are visions about?
+
+MRS. TEMPENNY (_aside to_ TEMPENNY).
+
+Why on earth didn't you tell me? They are engaged--I might have
+offended him for life!
+
+MRS. SYLVESTER (_aside to_ SYLVESTER).
+
+How stupid you were! They are going to be married. Why, you might never
+have got an order from him again!
+
+REMBRANDT TEMPENNY.
+
+Dear, dear, dear, but my very good friend, if this lady is going to be
+your wife, how about "Susannah?"
+
+HENRICH SCHERCL.
+
+Forgive me, "Susannah" cannot be. I release you from the contract.
+
+REMBRANDT TEMPENNY (_aside_).
+
+Tidings of joy! (_Aloud_.) But--but--this is very hard on me.
+
+HENRICH SCHERCL.
+
+I release you, and I pay you just the same.
+
+REMBRANDT TFMPENNY.
+
+But she has had the money for a dozen sittings.
+
+HENRICH SCHERCL.
+
+I pay.
+
+(_Enter_ SUSAN.)
+
+SUSAN.
+
+If you please, sir, there's a hofficer of the law downstairs and he
+wants Mr. Tempenny or forty pun', sixteen shillings and ninepence.
+
+REMBRANDT TEMPENNY (_waving his hand_).
+
+Schercl!
+
+HENRICH SCHERCL.
+
+I pay--and I gif you the balance by a jeque.
+
+REMBRANDT TEMPENNY (_with mock despair_).
+
+Pay--you pay? But the work of my life unfinished.--What money can
+compensate for that?
+
+(_Sinks forlornly into chair_.)
+
+_Curtain_.
+
+
+
+
+THE END.
+
+PRINTING OFFICE OF THE PUBLISHER.
+
+
+
+
+
+End of the Project Gutenberg EBook of If Only etc.
+by Francis Clement Philips and Augustus Harris
+
+*** END OF THIS PROJECT GUTENBERG EBOOK IF ONLY ETC. ***
+
+***** This file should be named 15219.txt or 15219.zip *****
+This and all associated files of various formats will be found in:
+        https://www.gutenberg.org/1/5/2/1/15219/
+
+Produced by Martin Agren, Leonard Johnson and the PG Online
+Distributed Proofreading Team at https://www.pgdp.net.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations.  To donate, please visit: https://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/15219.zip b/15219.zip
new file mode 100644
index 0000000..effc08f
--- /dev/null
+++ b/15219.zip
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..7ab379f
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #15219 (https://www.gutenberg.org/ebooks/15219)