diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:46:40 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 04:46:40 -0700 |
| commit | 3c8263d05b4f200fc922da7f36b143ed2482e15a (patch) | |
| tree | 79a70865c14f8f2989812a0f6d399b03bb4bd11e | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 15406-8.txt | 4058 | ||||
| -rw-r--r-- | 15406-8.zip | bin | 0 -> 73778 bytes | |||
| -rw-r--r-- | 15406-h.zip | bin | 0 -> 123906 bytes | |||
| -rw-r--r-- | 15406-h/15406-h.htm | 4899 | ||||
| -rw-r--r-- | 15406-h/images/ill-01.png | bin | 0 -> 5964 bytes | |||
| -rw-r--r-- | 15406-h/images/ill-02.png | bin | 0 -> 7123 bytes | |||
| -rw-r--r-- | 15406-h/images/ill-03.png | bin | 0 -> 4793 bytes | |||
| -rw-r--r-- | 15406-h/images/ill-04.png | bin | 0 -> 6046 bytes | |||
| -rw-r--r-- | 15406-h/images/ill-05.png | bin | 0 -> 6224 bytes | |||
| -rw-r--r-- | 15406-h/images/ill-06.png | bin | 0 -> 4957 bytes | |||
| -rw-r--r-- | 15406-h/images/ill-07.png | bin | 0 -> 4421 bytes | |||
| -rw-r--r-- | 15406-h/images/ill-08.png | bin | 0 -> 6565 bytes | |||
| -rw-r--r-- | 15406.txt | 4058 | ||||
| -rw-r--r-- | 15406.zip | bin | 0 -> 73750 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
17 files changed, 13031 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/15406-8.txt b/15406-8.txt new file mode 100644 index 0000000..8db5f0e --- /dev/null +++ b/15406-8.txt @@ -0,0 +1,4058 @@ +The Project Gutenberg EBook of The Little Red Chimney, by Mary Finley Leonard + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Little Red Chimney + Being the Love Story of a Candy Man + +Author: Mary Finley Leonard + +Release Date: March 18, 2005 [EBook #15406] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE LITTLE RED CHIMNEY *** + + + + +Produced by Kentuckiana Digital library, David Garcia and the Online +Distributed Proofreading Team. + + + + + + + + + + + +THE LITTLE RED CHIMNEY + + + + +[Illustration: THE CANDY MAN] + + + + +The Little Red Chimney + +_Being the Love Story of a Candy Man_ + + +BY MARY FINLEY LEONARD + + +Illustrations in Silhouette by KATHARINE GASSAWAY + + +New York--Duffield & Company--1914 + + +Copyright, 1914, by DUFFIELD & COMPANY + + * * * * * + + + + +CONTENTS + + +_CHAPTER I_ + +In which the curtain rises on the Candy Wagon, and the leading +characters are thrown together in a perfectly logical manner by Fate. + +_CHAPTER II_ + +In which the Candy Man walks abroad in citizen's clothes, and is +mistaken for a person of wealth and social importance. + +_CHAPTER III_ + +In which the Little Red Chimney appears on the horizon, but without +a clue to its importance. In which also the Candy Man has a glimpse +of high life and is foolishly depressed by it. + +_CHAPTER IV_ + +In which the Candy Man again sees the Grey Suit, and Virginia continues +the story of the Little Red Chimney. + +_CHAPTER V_ + +In which the double life of the heroine is explained, and Augustus +McAllister proves an alibi. + +_CHAPTER VI_ + +In which Margaret Elizabeth is discussed at the Breakfast Table; in +which also, later on, she and Virginia and Uncle Bob talk before the +fire, and in which finally Margaret Elizabeth seeks consolation by +relating to Uncle Bob her adventure in the park. + +_CHAPTER VII_ + +Shows how the Candy Wagon is visited in behalf of the Squirrel, and how +pride suffers a fall; how Miss Bentley turns to Vedantic Philosophy to +drown her annoyance, and discovers how hard it is to forget when you +wish to. + +_CHAPTER VIII_ + +In which the Miser's past history is touched upon; which shows how his +solitude is again invaded, and how he makes a new friend. + +_CHAPTER IX_ + +Shows how Miss Bentley and the Reporter take refuge in a cave, and how, +in the course of the conversation which follows, she hears something +which disposes her to feel more kindly toward the Candy Man; shows also +how Uncle Bob proves faithless to his trust and his niece finds herself +locked out in consequence. + +_CHAPTER X_ + +In which the Little Red Chimney keeps Festival, and the Candy Man +receives an unexpected invitation. + +_CHAPTER XI_ + +In which a radical change of atmosphere is at once noticed; which shows +how Miss Bentley repents of a too coming-on disposition, and lends an +ear to the advantages of wealth. + +_CHAPTER XII_ + +Which shows Miss Bentley recovering from a fit of what Uncle Bob calls +Cantankerousness; in which a shipwrecked letter is brought to light, and +Dr. Prue is called again to visit the child of the Park Superintendent. + +_CHAPTER XIII_ + +In which the Candy Man relates his story, and the Miser comes upon +Volume I of the shabby book with the funny name. + +_CHAPTER XIV_ + +Shows how Mrs. Gerrard Pennington, unhappy and distraught, beseeches +Uncle Bob to help her save Margaret Elizabeth; also how Mr. Gerrard +Pennington comes to the rescue, and how in the end his wife submits +gracefully to the inevitable, which is not so bad after all. + +_CHAPTER XV_ + +In which the Fairy Godmother Society is again mentioned, among other +things. + + + + +ILLUSTRATIONS + + +THE CANDY MAN + +MARGARET ELIZABETH + +VIRGINIA + +DR. PRUE + +UNCLE BOB + +THE MISER + +COUSIN AUGUSTUS + +MRS. GERRARD PENNINGTON + + + + + * * * * * + + To + George Madden Martin + + * * * * * + + + +THE LITTLE RED CHIMNEY + + + + +CHAPTER ONE + +_In which the curtain rises on the Candy Wagon, and the leading +characters are thrown together in a perfectly logical manner by +Fate_. + + +The Candy Wagon stood in its accustomed place on the Y.M.C.A. corner. +The season was late October, and the leaves from the old sycamores, in +league with the east wind, after waging a merry war with the janitor all +morning, had swept, a triumphant host, across the broad sidewalk, to lie +in heaps of golden brown along the curb and beneath the wheels of the +Candy Wagon. In the intervals of trade, never brisk before noon, the +Candy Man had watched the game, taking sides with the leaves. + +Down the steps of the Y.M.C.A. building sauntered the Reporter. +Perceiving the Candy Wagon at the curb he paused, scrutinising it +jauntily, through a monocle formed by a thumb and finger. + +The wagon, freshly emblazoned in legends of red, yellow and blue which +advertised the character and merits of its wares, stood with its +horseless shafts turned back and upward, in something of a prayerful +attitude. The Reporter, advancing, lifted his arms in imitation, and +recited: "Confident that upon investigation you will find everything as +represented, we remain Yours to command, in fresh warpaint." He seated +himself upon the adjacent carriage block and grinned widely at the +Candy Man. + +In spite of a former determination to confine his intercourse with the +Reporter to strictly business lines, the Candy Man could not help a +responsive grin. + +The representative of the press demanded chewing gum, and receiving it, +proceeded to remove its threefold wrappings and allow them to slip +through his fingers to the street. "Women," he said, with seeming +irrelevance and in a tone of defiance, "used to be at the bottom of +everything; now they're on top." + +The Candy Man was quick at putting two and two together. "I infer you +are not in sympathy with the efforts of the Woman's Club and the Outdoor +League to promote order and cleanliness in our home city," he observed, +his eye on the débris so carelessly deposited upon the public +thoroughfare. + +"Right you are. Your inference is absolutely correct. The foundations of +this American Commonwealth are threatened, and the _Evening Record_ +don't stand for it. Life's made a burden, liberty curtailed, happiness +pursued at the point of the dust-pan. Here is the Democratic party of +the State pledged to School Suffrage. The Equal Rights Association is to +meet here next month, and--the mischief is, the pretty ones are taking +it up! The first thing you know the Girl of All Others will be saying, +'Embrace me, embrace my cause.' Why, my Cousin Augustus met a regular +peach of a girl at the country club,--visiting at the Gerrard +Penningtons', don't you know, and almost the first question she asked +him was did he believe in equal rights?" The Reporter paused for breath, +pushing his hat back to the farthest limit and regarding the Candy Man +curiously. "It is funny," he added, "how much you look like my Cousin +Augustus. I wonder now if he could have been twins, and one stolen by +the gypsies? You don't chance to have been stolen in infancy?" + +This innocent question annoyed the Candy Man, although he ignored it, +murmuring something to the effect that the Reporter's talents pointed to +the stump. It might have been a guilty conscience or merely impatience +at such flagrant nonsense, for surely he could not reasonably object +to resembling Cousin Augustus. The Candy Man was a well-enough looking +young fellow in his white jacket and cap, but nothing to brag of, that +he need be haughty about a likeness to one so far above him in the +social scale, whom in fact he had never seen. + +The Reporter lingered in thoughtful silence while some westbound +transfers purchased refreshment, then as a trio of theological students +paused at the Candy Wagon, he restored his hat to its normal position +and strolled away. On the Y.M.C.A. corner business had waked up. + +For some time the Candy Wagon continued to reap a harvest from the rush +of High School boys and younger children. Morning became afternoon, +the clouds which the east wind had been industriously beating up +gathered in force, and a fine rain began to fall. The throng on the +street perceptibly lessened; the Candy Man had leisure once more to +look about him. + +A penetrating mist was veiling everything; the stone church, the +seminary buildings, the tall apartment houses, the few old residences +not yet crowded out, the drug store, the confectionery--all were softly +blurred. The asphalt became a grey lake in which all the colour and +movement of the busy street was reflected, and upon whose bosom the +Candy Wagon seemed afloat. As the Candy Man watched, gleams of light +presently began to pierce the mist, from a hundred windows, from passing +street cars and cabs, from darting machines now transformed into +strange, double-eyed demons. It was a scene of enchantment, and with +pleasure he felt himself part of it, as in his turn he lit up his wagon. + +The traffic officer, whose shrill whistle sounded continually above the +clang of the trolley cars and the hoarse screams of impatient machines, +probably viewed the situation differently. Given slippery streets, +intersecting car lines, an increasing throng of vehicles and +pedestrians, with a fog growing denser each moment, and the utmost +vigilance is often helpless to avert an accident. So it was now. + +The Candy Man did not actually see the occurrence, but later it +developed that an automobile, in attempting to turn the corner, +skidded, grazing the front of a car which had stopped to discharge some +passengers, then crashing into a telegraph pole on the opposite side of +the street. What he did see was the frightened rush of the crowd to the +sidewalk, and in the rush, a girl, just stepping from the car, caught +and carried forward and jostled in such a manner that she lost her +footing and fell almost beneath the wheels of the Candy Wagon, and +dangerously near the hoofs of a huge draught horse, brought by its +driver to a halt in the nick of time. + +The Candy Man was out and at her side in an instant, assisting her +to rise. The panic swept past them, leaving only a long-legged child +in a red tam, and a sad-faced elderly man in its wake. The Candy Man +had seen all three before. The wearer of the red tam was one of the +apartment-house children, the sad man was popularly known to the +neighbourhood as the Miser, and the girl, to whose assistance he had +sprung--well, he had seen her on two previous occasions. + +As she stood in some bewilderment looking ruefully at the mud on her +gloves and skirt, the merest glance showed her to be the sort of girl +any one might have been glad to help. + +"Thank you, I am not hurt--only rather shaken," she said in answer to +the Candy Man. + +"Here's your bag," announced the long-legged child, fishing it out of +the soggy mass of leaves beneath the wagon. "And you need not worry +about your skirt. Take it to Bauer's just round the corner; they'll +clean it," she added. + +The owner of the bag received it and the accompanying advice with an +adorable smile in which there was merriment as well as appreciation. +The Miser plucked the Candy Man by the sleeve and asked if the young +lady did not wish a cab. + +She answered for herself. "Thank you, no; I am quite all right--only +muddy. But was it a bad accident? What happened?" + +The Miser crossed the street where the crowd had gathered, to +investigate, and returning reported the chauffeur probably done for. +While he was gone the conductor of the street car appeared in quest of +the names and addresses of everybody within a radius of ten blocks. In +this way the Candy Man learned that her name was Bentley. She gave it +reluctantly, as persons do on such occasions, and he failed to catch +her street and number. + +"I'm very sorry! I suppose there is nothing one can do?" she exclaimed, +apropos of the chauffeur, and the next the Candy Man knew she was +walking away in the mist hand in hand with the long-legged child. + +"An unusually charming face," the Miser remarked, raising his umbrella. + +To the sober mind "unusually charming" would seem a not unworthy +compliment, but the Candy Man, as he resumed his place in the wagon, +smiled scornfully at what he was pleased to consider its grotesque +inadequacy. If he had anything better to offer, the Miser did not stay +to hear it, but with a courteous "good evening" disappeared in his +turn in the mist. An ambulance carried away the injured man, the crowd +dispersed; the remains of the machine were towed away to a near-by +garage. Night fell; the throng grew less, the rain gathered courage and +became a downpour. There would be little doing in the way of business +to-night. + +As he made ready for early closing the Candy Man fell to thinking of the +girl whose name was Bentley. Not that the name interested him save as a +means of further identification. It was a phrase used by the Reporter +this morning that occurred to him now as peculiarly applicable to her. +The Girl of All Others! He rolled it as a sweet morsel under his tongue, +undisturbed by the reflection that such descriptive titles are at +present overworked--in dreams one has no need to be original. + +Neither did it strike him as incongruous that he should have seen her +first in the grocery kept by Mr. Simms, who catered to the needs of such +as got their own breakfasts, and whose boiled ham was becoming famous, +because it was really done. He went back to the experience, dwelling +with pleasure upon each detail of it, even his annoyance at the grocer's +daughter, who exchanged crochet patterns with the tailor's wife, after +the manner of a French exercise, and ignored him. It was early and +business had not yet begun on the Y.M.C.A. corner; still he could not +wait forever. The grocer himself, who was attending to the wants of a +lean and hungry-looking student, had just handed his rolls and smoked +sausage across the counter, with a cheery "Breakfast is ready, ring the +bell," when the door opened and the Girl of All Others came in. + +She was tallish, but not very tall, and somewhat slight. She wore a grey +suit--the same which had suffered this afternoon from contact with the +street, and a soft felt hat of the same colour jammed down anyhow on her +bright hair and pinned with a pinkish quill--or so it looked. The face +beneath the bright hair was---- But at this point in his recollections +the Candy Man all but lost himself in a maze of adjectives and adverbs. +We know, at least, how the long-legged child ran to help, and finally +went off hand in hand with her, and what the Miser said of her, and +after all the best the Candy Man could do was to go back to the +Reporter's phrase. + +He had withdrawn a little behind a stack of breakfast foods where he +could watch her, wondering that the clerks did not drop their several +customers without ceremony and fly to do her bidding. She stood beside +the counter and made overtures to a large Maltese cat who reposed there +in solemn majesty. Beside the Maltese rose a pyramid of canned goods, +and a placard announced, "Of interest to light house keepers." Upon this +her eyes rested in evident surprise. "I didn't know there were any +lighthouses in this part of the country," she said half aloud. + +[Illustration: MARGARET ELIZABETH] + +The Maltese laid a protesting paw upon her arm. It was not, however, the +absurdity of her remark, but the cessation of her caresses he protested +against. At the same moment her eyes met those of the Candy Man, across +the stack of breakfast foods. His were laughing, and hers were instantly +withdrawn. He saw her colour mounting as she exclaimed, addressing the +cat, "How perfectly idiotic!" + +He longed to assure her it was a perfectly natural mistake, the placard +being but an amateurish affair; but he lacked the courage. + +And then the grocer, having disposed of another customer, advanced to +serve her, and the grocer's daughter, it seemed, was also at leisure; +and though he would have preferred to watch the Girl of All Others doing +the family marketing in a most competent manner, a thoughtful finger +upon her lip, the Candy Man was forced to attend to his own business. +In selecting a basket of grapes and ordering them sent to St. Mary's +Hospital, he presently lost sight of her. + +Once since then she had passed his corner on her way up the street. +That was all until to-night. It seemed probable that she lived in the +neighbourhood. Perhaps the Reporter would know. + +Just here the recollection that he was a Candy Man brought him up short. +His bright dreams began to fade. The Girl of All Others should of course +be able to recognise true worth, even in a Candy Wagon, but such is the +power of convention he was forced to own to himself it was more than +possible she might not. Or if she did, her friends---- + +But these disheartening reflections were curtailed by the sudden +appearance of a stout, grey horse under the conduct of a small boy. The +shafts were lowered, the grey horse placed between them, and, after a +few more preliminaries, the Candy Wagon, Candy Man and all, were removed +from the scene of action, leaving the Y.M.C.A. corner to the rain and +the fog, the gleaming lights, and the ceaseless clang of the trolley +cars. + + + + +CHAPTER TWO + +_In which the Candy Man walks abroad in citizen's clothes, and is +mistaken for a person of wealth and social importance._ + + +The Candy Man strolled along a park path. The October day was crisp, the +sky the bluest blue, the sunny landscape glowing with autumn's fairest +colours. It was a Sunday morning not many days after the events of the +first chapter, and back in the city the church bells were ringing for +eleven o'clock service. + +In citizen's clothes, and well-fitting ones at that, the Candy Man was +a presentable young fellow. If his face seemed at first glance a trifle +stern, this sternness was offset by the light in his eyes; a steady, +purposeful glow, through which played at the smallest excuse a humorous +twinkle. + +After the ceaseless stir of the Y.M.C.A. corner, the stillness of the +park was most grateful. At this hour on Sunday, if he avoided the golf +grounds, it was to all intents his own. His objective point was a rustic +arbour hung with rose vines and clematis, where was to be had a view of +the river as it made an abrupt turn around the opposite hills. Here he +might read, or gaze and dream, as it pleased him, reasonably secure from +interruption once he had possession. + +The Candy Man breathed deeply, and smiled to himself. It was a day to +inspire confident dreams, for the joy of fulfilment was over the land. +Was it the sudden fear that some other dreamer might be before him, or +a subconscious prevision of what actually awaited him, that caused him +to quicken his steps as he neared the arbour? However it may have been, +as he took at a bound the three steps which led up to it, he came with +startling suddenness upon Miss Bentley entering from the other side, +her arms full of flowers. Their eyes met in a flash of recognition +which there was no time to control. She bowed, not ungraciously, yet +distantly, and with a faint puzzled frown on her brow, and he, as he +lifted his hat, spoke her name, which, as he was not supposed to know +it, he had no business to do; then they both laughed at the way in which +they had bounced in at the same moment from opposite directions. + +With some remark about the delightful day, the Candy Man, as a gentleman +should, tried to pretend he was merely passing through, and though it +was but a feeble performance, Miss Bentley should have accepted it +without protest, then all would have been well. Instead, she said, still +with that puzzled half frown, "Don't go, I am only waiting here a moment +for my cousin, who has stopped at the superintendent's cottage." She +motioned over her shoulder to a vine-covered dwelling just visible +through the trees. + +"Please do not put it in that way," he protested. "As if your being here +did not add tremendously to my desire to remain. I am conscious of +rushing in most unceremoniously upon you, and----" + +Hesitating there, hat in hand, his manners were disarmingly frank. Miss +Bentley laughed again as she deposited her flowers, a mass of pink and +white cosmos, upon a bench, and sat down beside them. She seemed willing +to have him put it as he liked. She wore the same grey suit and soft +felt hat, jammed down any way on her bright hair and pinned with a +pinkish quill, and was somehow, more emphatically than before, the Girl +of All Others. + +How could a Candy Man be expected to know what he was about? What wonder +that his next remark should be a hope that she had suffered no ill +effects from the accident? + +"None at all, thank you," Miss Bentley replied, and the puzzled +expression faded. It was as if she inwardly exclaimed, "Now I know!" +"Aunt Eleanor," she added, "was needlessly alarmed. I seem rather given +to accidents of late." Thus saying she began to arrange her flowers. + +The Candy Man dropped down on the step where the view--of Miss +Bentley--was most charming, as she softly laid one bloom upon another in +caressing fashion, her curling lashes now almost touching her cheek, now +lifted as she looked away to the river, or bent her gaze upon the +occupant of the step. + +"Do you often come here?" she asked, adding when he replied that this +was the third time, that she thought he had rather an air of +proprietorship. + +He laughed at this, and explained how he had set out to pay a visit to +a sick boy at St. Mary's Hospital, but had allowed the glorious day to +tempt him to the park. + +Below them on the terraced hillside a guard sat reading his paper; +across the meadow a few golfers were to be seen against the horizon. +All about them the birds and squirrels were busily minding their own +affairs; above them smiled the blue, blue sky, and the cousin, whoever +he or she might be, considerately lingered. + +Like the shining river their talk flowed on. Beginning like it as a +shallow stream, it broadened and deepened on its way, till presently +fairy godmothers became its theme. + +Miss Bentley was never able to recall what led up to it. The Candy Man +only remembered her face, as, holding a crimson bloom against her cheek, +she smiled down upon him thoughtfully, and asked him to guess what she +meant to do when some one left her a fortune. "I have a strange +presentiment that some one is going to," she said. + +"How delightful!" he exclaimed, but did not hazard a guess, and she +continued without giving him a chance: "I shall establish a Fairy +Godmother Fund, the purpose of which shall be the distribution of good +times; of pleasures large and small, among people who have few or none." + +"It sounds," was the Candy Man's comment, "like the minutes of the first +meeting. Please explain further. How will you select your beneficiaries?" + +"I don't like your word," she objected. "Beneficiaries and fairy +godmothers somehow do not go together. Still, I see what you mean, and +while I have not as yet worked out the plan, I'm confident it could be +managed. Suppose we know a poor teacher, for instance, who has nothing +left over from her meagre salary after the necessary things are provided +for, and who is, we'll say, hungry for grand opera. We would enclose +opera tickets with a note asking her to go and have a good time, signed, +'Your Fairy Godmother,' and with a postscript something like this, 'If +you cannot use them, hand them on to another of my godchildren.' Don't +you think she would accept them?" + +Under the spell of those lovely, serious eyes, the Candy Man rather +thought she would. + +"Of course," Miss Bentley went on, "it must be a secret society, never +mentioned in the papers, unknown to those you call its beneficiaries. +In this way there will be no occasion or demand for gratitude. No +obligations will be imposed upon the recipients--that word is as bad as +yours--let's call them godchildren--and the fairy godmother will have +her fun in giving the good times, without bothering over whether they +are properly grateful." + +"You seem to have a grievance against gratitude," said the Candy Man +laughing. + +"I have," she owned. + +"There are people who contend that there is little or none of it in the +world," he added. + +"And I am not sure it was meant there should be--much of it, I mean. It +is an emotion--would you call it an emotion?" + +"You might," said the Candy Man. + +"Well, an emotion that turns to dust and ashes when you try to +experience it, or demand it of others," concluded Miss Bentley with +emphasis. "And you needn't laugh," she added. + +The Candy Man disclaimed any thought of such a thing. He was profoundly +serious. "It is really a great idea," he said. "A human agency whose +benefits could be received as we receive those of Nature or +Providence--as impersonally." + +She nodded appreciatively. "You understand." And they were both aware +of a sense of comradeship scarcely justified by the length of their +acquaintance. + +"May I ask your ideas as to the amount of this fund?" he said. + +She considered a moment. "Well, say a hundred thousand," she suggested. + +"You are expecting a large bequest, then." + +"An income of five thousand would not be too much," insisted Miss +Bentley. "We should wish to do bigger things than opera tickets, you +know." + +"There are persons who perhaps need a fairy godmother, whom money +cannot help," the Candy Man continued thoughtfully. "There's an old +man--not so old either--a sad grey man, whom the children on our block +call the Miser. I am not an adept in reading faces, but I am sure there +is nothing mean in his. It is only sad. I get interested in people," +he added. + +"So do I," cried his companion. "And of course, you are right. The Fairy +Godmother Society would have to have more than one department. Naturally +opera tickets would not do your man any good--unless we could get him to +send them." + +They laughed over this clever idea, and the Candy Man went on to say +that there were lonely people in the world, who, through no fault of +their own, were so circumstanced as to be cut off from those common +human relationships which have much to do with the flavour of life. + +"I don't quite understand," Miss Bentley began. But these young persons +were not to be left to settle the affairs of the universe in one +morning. A handkerchief waved in the distance by a stoutish lady, +interrupted. "There's Cousin Prue," Miss Bentley cried, springing to +her feet. + +Hastily dividing her flowers into two bunches, she thrust one upon the +Candy Man. "For your sick boy. You won't mind, as it isn't far. I have +so enjoyed talking to you, Mr. McAllister. I shall hope to see you soon +again. Aunt Eleanor often speaks of you." + +This sudden descent to the conventional greatly embarrassed the Candy +Man, but he had no time for a word. Miss Bentley was off like a flash, +across the grass, before he could collect his scattered wits. He looked +after her, till, in company with the stout lady, she disappeared from +view. Then with a whimsical expression on his countenance, he took a +leather case from his breast pocket, and opening it glanced at one of +the cards within. It was as if he doubted his own identity and wished +to be reassured. + +The name engraved on the card was not McAllister, but Robert Deane +Reynolds. + + + + +CHAPTER THREE + +_In which the Little Red Chimney appears on the horizon, but without +a clue to its importance. In which also the Candy Man has a glimpse of +high life and is foolishly depressed by it._ + + +Starting from the Y.M.C.A. corner, walking up the avenue a block, then +turning south, you came in a few steps to a modest grey house with a +grass plat in front of it, a freshly reddened brick walk, and flower +boxes in its windows. It was modest, not merely in the sense of being +unpretentious, but also in that of a restrained propriety. You felt it +to be a dwelling of character, wherein what should be done to-day, was +never put off till to-morrow; where there was a place for everything and +everything in it. Yet mingling with this propriety was an all-pervading +cheer that appealed strongly to the homeless passerby. + +The grey house presented a gable end to the street, and stretched a +wing comfortably on either side. In one of these was a glass door, with +"Office Hours 10-1," which caused you to glance again at the sign on the +iron gate: "Dr. Prudence Vandegrift." + +The other ell, which was of one story, had a double window, before +which a rose bush grew, and when the blinds were up you had sometimes a +glimpse of an opposite window, indicating that it was but one room deep. +From its roof rose a small chimney that stood out from all the other +chimneys, because, while they were grey like the house and its slate +roof, it was red. + +Strolling by in a leisure hour the Candy Man had remarked it and +wondered why, and found himself continuing to wonder. Somehow that +little red chimney took hold on his imagination. It was a magical +chimney, poetic, alluring, at once a cheering and a depressing little +chimney, for it stirred him to delicious dreams, which, when they faded, +left him forlorn. + +It was to Virginia he owed enlightenment. Virginia was the long-legged +child who had fished Miss Bentley's bag from beneath the Candy Wagon, +the indomitable leader of the Apartment House Pigeons, as the Candy Man +had named them. + +The Apartment House did not exclude children, neither did it encourage +them, and when their individual quarters became too contracted to +contain their exuberance, they perforce sought the street. Like pigeons +they would descend in a flock, here, there, everywhere; perching in a +blissful row before the soda fountain in the drug store; or if the state +of the public purse did not warrant this, the curbstone and the wares +of the Candy Wagon were cheerfully substituted. By virtue no doubt of +her long legs and masterful spirit, Virginia ruled the flock. Under her +guidance they made existence a weariness to the several janitors on +the block. + +As in defiance of law and order they circled one day on their roller +skates, down the avenue and up the broad alley behind the Y.M.C.A., +round and round, Virginia issued her orders: "You all go on, I want to +talk to the Candy Man." + +Being without as yet any theories, consistently democratic, she regarded +him as a friend and brother. A state of society in which the position of +Candy Man was next the throne, would have seemed perfectly logical to +Virginia. + +[Illustration: VIRGINIA] + +"You don't look much like Tim," she volunteered, dangling her legs from +the carriage block. Her hair was dark and severely bobbed; her miniature +nose was covered with freckles, and she squinted a little. + +"No?" responded the Candy Man. + +"Tim was Irish," she continued. + +During business hours conversation of necessity took on a disjointed +character. Unless you had great power of concentration you forgot in the +intervals what you had been talking about. When a group of High School +boys had been served and had gone their hilarious way Virginia began +again. "You know the house with the Little Red Chimney?" she asked. + +The Candy Man did. + +"Well, a nice old man named Uncle Bob lives there, and I asked him why +that chimney was red, and he said because it was new. A branch of a tree +fell on the old one. The tree where the squirrel house is, you know." + +The Candy Man remembered the tree. + +"He said the doctor was going to have it painted, but he kind of liked +it red, and so did her ladyship." + +"And who might her ladyship be?" the Candy Man inquired. + +"That's what I asked him, and he said, 'You come over and see,' and +then he said--now listen to this, for it's just like a story." Virginia +lifted an admonishing finger. "He said, whenever I saw smoke coming out +of that Little Red Chimney, I might know her ladyship had come to town. +You'd better believe I'm going to watch. And what do you think! I can +see it from our dining-room window!" she concluded. + +"Most interesting," said the Candy Man politely, without the least idea +how interesting it really was. + +Virginia's gaze suddenly fastened on a small book lying on the seat of +the Candy Wagon, and she had seized it before its owner could protest. +"What a funny name," she said. "'E p i c t e t u s.' What does that +spell? And what made you cut a hole in this page? It looks like a +window." + +The page was a fly leaf, from which a name, possibly that of a former +owner, had been removed. Below it the Candy Man's own name was now +written. + +"It was so when I got it," he answered, holding out his hand for it. He +had no mind to have his book in any other keeping, for somewhere within +its leaves lay a crimson flower. + +Before she returned it Virginia examined the back. "Vol. I, what does +that mean?" she asked, and without waiting for an answer she tossed it +back to him, and ran to join the other pigeons. + +From this time Virginia began to be almost as constant a visitor as +the Reporter. She had a way of bursting into conversation without any +preface whatever, speaking entirely from the fullness of her heart at +the moment. + +"I'd give anything in the world to be pretty," she remarked one day, +resting her school bag on the carriage block and sighing deeply. + +"But now honestly," said the Candy Man, regarding her gravely, "it seems +to me you are a very nice-looking little girl, and who knows but you may +turn out a great beauty some day? That is the way it happens in story +books." + +Virginia returned his gaze steadily. "Do you really think there is any +chance? You are not laughing?" + +He assured her he was intensely serious. + +"Well, you are the first person who ever told me that. Uncle Harry said, +'Is it possible, Cornelia, that this is your child?' Cornelia is my +mother, and she is a beauty. My brother is awfully good looking, too. +Everybody thinks he ought to have been the girl. I'll tell you who I +want to look like when I grow up. Don't you know that young lady who +fell in the mud?" + +Oh, yes, the Candy Man knew, and applauded Virginia's ambition. He would +have been pleased to enlarge on the subject, even to the extent of +neglecting business, but just as she began to be interesting Virginia +remembered an errand to the drug store, and ran away. + +That Sunday morning meeting with Miss Bentley had been reviewed by the +Candy Man from every possible standpoint, and always, in conclusion, +with the same questions. Could he have done otherwise? What would she +think when she discovered her mistake? Who was his unknown double? + +The opportunity offering, he made some guarded inquiries of the +Reporter. + +"Bentley?" repeated that gentleman, as he sharpened a bright yellow +pencil. "Seem to have heard the name somewhere recently." + +It was a matter of no particular importance to the Candy Man. He had +chanced to hear the name given to the conductor by the young lady who +was thrown down the night of the accident, and wondered---- + +The Reporter, who wasn't listening, here exclaimed: "I have it! It was +this A.M. Maimie McHugh was interviewing Mrs. Gerrard Pennington over +the office 'phone in regard to a luncheon she is giving this week in +honour of her niece. Said niece's name me-thinks was Bentley. You will +see it all in the social notes later. Covers for twelve, decorations in +pink, La France roses, place cards from somewhere." He paused to laugh. +"Maimie was doing it up brown, but she lacks tact. What does she do but +ask for Miss Bentley's picture for the Saturday edition! I tried to stop +her, but it was too late. You should have heard the 'phone buzz. 'My +niece's picture in the _Evening Record_!' 'I don't care, mean old +thing,' says Maimie, when she hung up. 'Nicer people than she is do it, +and are glad to. 'That's all right, my honey,' I told her, 'but there +are nice people and nice people, and it's up to you to know the variety +you are dealing with, unless you like to be snubbed.' Still," the +Reporter added reflectively, "Mrs. Gerrard Pennington and little McHugh +can't afford to quarrel. After the luncheon Mrs. G.P. will probably send +Maimie a pair of long white gloves, and when their pristine freshness +has departed, Maimie will wear them to the office a time or two." + +The Candy Man wished to know who Mrs. Gerrard Pennington was, anyway. + +"She, my ignorant friend, is a four-ply Colonial Dame, so to speak. +Distinguished grandfathers to burn, and the dough to support them, +unlike another friend of mine who possessed every qualification needed +to become a C.D. except on the clothes line." + +"The joke," observed the Candy Man, "is old, but worth repeating. But did +I understand you to say _another_ friend? And am I to infer----?" + +"You are far too keen for a Candy Man," said the Reporter, laughing. +"Mrs. G.P. is friendly with the wealthy branch of our family. She +regards my Cousin Augustus as a son. Now I think of it, your Miss +Bentley cannot be her niece. She could scarcely fall out of a street +car. A victoria or a limousine would be necessary in her case." + +The Candy Man did not see his way clear to disclaim proprietorship in +Miss Bentley, so let it pass. Certainly, on other grounds his Miss +Bentley, to call her so, could not be Mrs. Gerrard Pennington's niece. +Not that she lacked the charm to grace any position however high, but +her simplicity and friendliness, the fact that she walked in the country +with a stoutish relative who was intimate with the family of the park +superintendent, the marketing he had witnessed, all went to prove his +point. + +Yet on the occasion of a fashionable noon wedding at the stone church +near the Y.M.C.A. corner, all this impressive evidence was brought to +naught. In the crush of machines and carriages the Candy Wagon was all +but engulfed in high life. When the crowd surged out after the bridal +party, the congestion for a few minutes baffled the efforts of the corps +of police. + +The Candy Man, looking on with much amusement at the well-dressed +throng, presently received a thrill at the sound of a clear young voice +exclaiming, "Here is the car, Aunt Eleanor--over here." + +The haughtiest of limousines had taken up its station just beyond the +Candy Wagon, and toward this the owner of the voice was piloting a +majestic and breathless personage. If the Candy Man could have doubted +his ears, he could not doubt his eyes. Here was the grace, the sparkle, +the everything that made her his Miss Bentley, the Girl of All +Others--except the grey suit. Now she wore velvet, and wonderful white +plumes framed her face and touched her bright hair. No, there was no +mistaking her. Reviewing the evidence he found it baffling. That absurd +exclamation about lighthouses alone might be taken as indicating an +unfamiliarity with the humbler walks of life. + +The Reporter was at this time in daily attendance upon a convention in +progress in a neighbouring hall, and he rarely failed to stop at the +carriage block and pass the time of day on his way to and fro. + +"Ah ha!" he exclaimed, on one of these occasions, after perusing in +silence the first edition of the _Evening Record_; "I see my Cousin +Augustus, on his return from New York, is to give a dinner dance in +honour of Mrs. Gerrard Pennington's niece." + +"I appreciate your innocent pride in Cousin Augustus, but may I inquire +if by chance he possesses another name?" The Candy Man spoke with +uncalled-for asperity. + +"Sure," responded the Reporter, with a quizzical glance at his +questioner; "several of 'em. Augustus Vincent McAllister is what he +calls himself every day." + + + + +CHAPTER FOUR + +_In which the Candy Man again sees the Grey Suit, and Virginia +continues the story of the Little Red Chimney._ + + +It was Saturday afternoon, possibly the very next Saturday, or at most +the Saturday after that, and the Candy Wagon was making money. The day +of the week was unmistakable, for the working classes were getting home +early; fathers of families with something extra for Sunday in paper bags +under their arms. And the hat boxes! They passed the Candy Man's corner +by the hundreds. Every feminine person in the big apartment houses must +be intending to wear a new hat to-morrow. + +There was something special going on at the Country Club--the Candy Man +had taken to reading the social column--and the people of leisure and +semi-leisure were to be well represented there, to judge by the machines +speeding up the avenue; among them quite probably Miss Bentley and Mr. +Augustus McAllister. + +This not altogether pleasing reflection had scarcely taken shape in his +mind, when, in the act of handing change to a customer, he beheld Miss +Bentley coming toward him; without a doubt his Miss Bentley this time, +for she wore the grey suit and the felt hat, jammed down any way on her +bright hair and pinned with the pinkish quill. She was not alone. By +her side walked a rather shabby, elderly man, with a rosy face, whose +pockets bulged with newspapers, and who carried a large parcel. She was +looking at him and he was looking at her, and they were both laughing. +Comradeship of the most delightful kind was indicated. + +Without a glance in the direction of the Candy Wagon they passed. Well, +at any rate she wasn't at the Country Club. But how queer! + +Earlier in the afternoon Virginia had gone by in dancing-school array, +accompanied by an absurdly youthful mother. "I've got something to tell +you," she called, and the Candy Man could see her being reproved for +this unseemly familiarity. + +His curiosity was but mildly stirred; indeed, having other things to +think of, he had quite forgotten the incident, when on Monday she +presented herself swinging her school bag. + +"Say," she began, "I have found out about her Ladyship and the Little +Red Chimney." + +"Oh, have you?" he answered vaguely. + +Virginia, resting her bag on the carriage block, looked disappointed. +"I have been crazy to tell you, and now you don't care a bit." + +"Indeed I do," the Candy Man protested. "I'm a trifle absent-minded, +that's all." + +Thus reassured she began: "Don't you know I told you I could see +that chimney from our dining-room, and that I was going to watch it? +Well, the other day at lunch I happened to look toward the window, and +I jumped right out of my chair and clapped my hands and said, 'It's +smoking, it's smoking!' There was company, and mother said, 'Good +gracious, Virginia! what's smoking? You do make me so nervous!' Then +I was sorry I'd said anything, because she wouldn't understand, you +know. Well, after lunch I took one of Ted's balls, and went over to +Uncle Bob's, and I got a little darkey boy to throw it in the yard, and +then I went in to look for it. You see if Uncle Bob wasn't there and +anybody asked me what I was doing, I could say I was looking for my +brother's ball." + +"I fear you are a deep one," remarked the Candy Man. + +"No, I'm not, but I'm rather good at thinking of things," Virginia owned +complacently. "And then," she continued, "I poked around the rose bush, +and peeped in at the window, and sure enough she was there, brushing the +hearth. She saw me and came to the window, and when I ran away, 'cause +I thought maybe she was mad, she rapped, and then opened the window and +called: 'Come in, little girl, and talk to me.' And now who do you think +she turned out to be?" + +A suspicion had been deepening in the Candy Man's breast for the last +few moments. His heart actually thumped. "Not--you don't mean----?" + +Virginia nodded violently. "Yes, the lady who fell and got muddy. And +she's perfectly lovely, and I'm going there again. She asked me to." + +Why, oh, why should such luck fall to the lot of a long-legged, +freckle-nosed little girl, and not to him, the Candy Man wondered. +He burned to ask innumerable questions, but compromised on one. Did +Virginia know whether or not she had come to stay? + +"Why, I guess so. She didn't have her hat on, and she was cleaning +up--dusting, you know, and taking things out of a box." + +"What sort of things?" + +"Books and sofa pillows and pictures. I helped her, and by and by Uncle +Bob came in." + +"And what did he say?" asked the Candy Man, just to keep her going. + +"Why, he said, didn't he tell me so? And wasn't it great to have her +ladyship there?" + +"And what did her ladyship say?" + +"She said he was a dear, and I forget what else. Oh, but listen! I'll +bet you can't guess what her name is." + +He couldn't. He had racked his brain for a name at once sweet enough and +possessing sufficient dignity. He had not found it for the good reason +that no such name has been invented. + +"It's a long name," said Virginia, "as long as mine. I am named for +my grandmother, Mary Virginia, but they don't call me all of it." She +paused to watch two white-plumed masons on their way to the commandery +on the next block. + +"Well?" said the Candy Man. + +She laughed. "Oh, I forgot. Why, it is Margaret Elizabeth. The doctor +came in; she's a lady doctor, you know, and said, 'Margaret Elizabeth, +there'll be muffins for tea.' And she said, 'All right. Dr. Prue.' And +Dr. Prue said, 'And cherry preserves, if you and Uncle Bob want them,' +and Margaret Elizabeth said, 'Goody!' And I must go now," Virginia +finished. "There's Betty looking for me." + +Virginia might go and welcome. He had enough to occupy his thought for +the present. Margaret Elizabeth! Such a name would never have suggested +itself to him, yet it suited her. Beneath her young gaiety and charm +there was something the name fitted. Margaret Elizabeth! He loved it +already. + +Why had he not guessed that the Little Red Chimney belonged to her? +Had not the sight of it stirred his heart? And why should that have been +so, except for some subtle fairy godmother suggestion? The picture of +Margaret Elizabeth and Uncle Bob eating cherry preserves was a pleasant +one. It brought her nearer. The Candy Man was inclined to like Uncle +Bob, to think of him as a broad-minded person whose prejudices against +Candy Men, granting he had them, might in time be overcome. + +From being a bit low in his mind, the Candy Man's mood became positively +jovial. When the sad grey man known to the children as the Miser, and +invested with mysterious and awful powers, stopped to buy some hoarhound +drops, he wished him a cheery good afternoon. + +The Miser was evidently surprised, but responded courteously, and +recalling the accident of two weeks ago, asked if the Candy Man had +heard anything of the injured chauffeur. + +It chanced that he had heard the Reporter say, only yesterday, that the +man was doing well and likely to recover. + +"And the young lady? I think I saw her the other day going into a house +across the street from my own." + +"The house with the Little Red Chimney?" asked the Candy Man +indiscreetly, forgetting himself for the moment. + +A smile slowly dawned on the face of the sad man, but quickly faded, as +a flock of naughty pigeons tore by, screaming, "Lizer, Lizer, look out +for the Miser!" If he had been about to make a comment, he thought +better of it, and turned away. + +Having identified the Little Red Chimney as the property of the Girl +of All Others, the Candy Man now made a new discovery. He had a room +in one of the old residences of the neighbourhood, so many of which in +these days were being given over to boarding and lodging. Its windows +overlooked a back yard, in which grew a great ash, and he had been +interested to observe how long after other trees were bare this one kept +its foliage. He found it one morning, however, giving up its leaves by +the wholesale, under the touch of a sharp frost; and, wonder of wonders! +through its bared branches that magical chimney came into view, with a +corner of grey roof. + +Not far away rose the big smoke stack belonging to the apartment houses, +impressive in its loftiness, but to his fancy the Little Red Chimney +held its own with dignity, standing for something unattainable by great +smoke stacks, however important. + +The Candy Man, it will be seen, did not attempt to reconcile conflicting +evidence. He took what suited him and ignored the rest. Was Miss Bentley +the niece of Mrs. Gerrard Pennington? She was also the niece of Uncle +Bob. Did she ride in haughty limousines? She also rode in street cars. +Was she wined and dined by the rich? She also ate muffins and cherry +preserves, and brushed up the hearth of the Little Red Chimney. + + + + +CHAPTER FIVE + +_In which the double life led by the heroine is explained, and +Augustus McAllister proves an alibi._ + + +"Yes," said Miss Bentley, "I liked him. He turned out to be altogether +different from my first impressions. That afternoon at the Country +Club he seemed rather stiff--nice, assured manners, of course, but +unresponsive. But then the way in which we bounced in upon each other +was enough to break any amount of ice." She laughed at the recollection, +clasping her hands behind her head. + +Instead of the little grey hat jammed down anyhow, she wore this morning +the most bewitching and frivolous of boudoir caps upon her bright head, +and a shimmery, lacy empire something, that clung caressingly about her, +and fell back becomingly from her round white arms. Miles and miles away +from the Candy Wagon was Margaret Elizabeth, who had so recently +hobnobbed down the avenue with Uncle Bob. + +Mrs. Gerrard Pennington, in a similar garb, leaned an elbow on her desk, +a dainty French trifle, and gazed, perhaps a bit wistfully, at Margaret +Elizabeth's endearing young charms. "I am delighted that you like +Augustus. He is a young man of sterling qualities. His mother and I were +warm friends; I take a deep interest in him. Of course he is not showy; +perhaps he might be called a little slow; but he is substantial, and +while I should be the last to place an undue emphasis upon wealth, one +need not overlook its advantages. Augustus has had unusual +opportunities." + +"Is Mr. McAllister rich?" Margaret Elizabeth dropped her arms in a +surprise which in its turn stirred a like emotion in her aunt's breast, +for Miss Bentley put rather a peculiar emphasis, it would seem, upon the +word rich. "I should never have guessed it," she added. + +If Mrs. Pennington had been perfectly honest with herself, she would +have perceived that her own surprise indicated a suspicion that minus +his wealth the aforesaid sterling qualities were something of a dead +weight, but not for worlds would she have owned this. It would be a +great thing for Margaret Elizabeth, if she liked him. If she could be +the means of establishing dear old Richard's child in a position such +as the future Mrs. Augustus would occupy, she would feel she had done +her full duty. Mrs. Pennington was strong in the matter of duty. + +"I should never have guessed it," Margaret Elizabeth repeated, after a +minute spent in a quick review of that talk in the summer house. + +"It is not always possible, surely, to gauge a person's bank account in +the course of one conversation," her aunt suggested. + +"I don't mean that; but don't you think, Aunt Eleanor, you can usually +tell very rich people? They are apt to be limited, in a way. Not always, +of course, but often. I can't explain it exactly. Perhaps it is +over-refined." + +"If to be refined is to be limited, I prefer to be limited," Mrs. +Pennington remarked. + +It was plain that unless Margaret Elizabeth went to the length of +retailing the whole of that Sunday morning conversation, which was out +of the question, she could not hope to make her meaning clear. + +"What surprises me," her aunt went on, "is that you should have met +Augustus in a public park. It is very unlike him. I wonder what he +thought of you?" + +This brought out Miss Bentley's dimples, as she owned he had seemed not +displeased to meet her. "I explained that I was waiting for Dr. Prue, +who had gone in to see one of the superintendent's children." She +further assured her aunt that River Bend Park was a delightful place in +which to enjoy nature, on Sunday morning or any other time. + +"I confess I do not choose a public park when I wish to enjoy +nature--except for driving, of course. Perhaps," added Mrs. Pennington, +"that is what you call over-refined." + +Margaret Elizabeth considered this thoughtfully. "Perhaps it is," she +said. "Not being able to enjoy things that are free to everybody." + +But Margaret Elizabeth in that frivolously-becoming cap was an antidote +to her own remarks. Mrs. Pennington smiled indulgently. Richard's +daughter came honestly by some eccentricities, not to mention those +Vandegrifts, whose influence she greatly deplored. + +"You will outgrow these socialistic ideas, my dear," she said. "But +I am still puzzled, the more I think of it, at your meeting Augustus on +Sunday morning. Was it two weeks ago? I am under the impression he left +for New York that very day." + +"He didn't mention it, but there are afternoon trains," answered +Margaret Elizabeth. "He merely said something about a sick boy he was +going to see at St. Mary's." + +This again was very unlike Augustus, but Mrs. Pennington said no more. +Meanwhile the faintest shadow of a doubt was dawning in her niece's +mind; so shadowy she was scarcely aware of it, until, glowing from her +walk across the park, she entered the drawing-room that afternoon. + +There is, by the way, a difference between walking in Sunset Park, the +abode of the elect, with a huge St. Bernard in leash, and taking the +same exercise at River Bend, unchaperoned save by a chance guard. Any +right-minded person must see this. + +A young man, who sat talking to Mrs. Gerrard Pennington before the fire, +rose at her entrance. + +"I am glad you have come, Margaret Elizabeth," her aunt exclaimed. +"I think you know Mr. McAllister? But we have rather a good joke on +you, for August says he was never in his life in River Bend Park." + +"How do you do, Miss Bentley. Awfully glad to see you. That is, except +to motor through, don't you know, Mrs. Pennington." + +Miss Bentley's brown eyes met Mr. McAllister's blue ones, and in the +period of one brief glance she experienced almost as many sensations, +and reviewed as much past history, as the proverbial drowning man. +The casual resemblance was striking. But the eyes--these were not the +friendly, merry eyes to which she had confided the fairy godmother +nonsense. Fancy so much as mentioning fairy godmothers in the presence +of these steely orbs. + +Margaret Elizabeth was game, however. + +"I was mistaken, of course," she owned lightly, as she shook hands. +"I have met so many people, and am stupid at connecting names and faces. +I recall Mr. McAllister perfectly." And straightway she plunged into +New York and what was going on there. Had he seen "Grumpy" and wasn't it +dear? And so on, and so on. Margaret Elizabeth could talk, and more than +this she could look bewitching, and did, when she slipped out of her +long coat, and with many graceful upward motions, removed her hat and +fluffed her hair. + +She would make tea, she loved to, in fact she seemed bent upon luring +Augustus away from the fire and Mrs. Pennington. This young gentleman, +whose mental processes were not rapid, and who habitually overworked any +idea that found lodgment in his mind, was disposed to dwell upon River +Bend Park and Miss Bentley's strange mistake in thinking she had seen +him there, when actually, don't you know, he was on his way to New York. +It was just as well not to have the situation complicated by the +presence of her more alert relative, whose amused glances kept the glow +on Margaret Elizabeth's cheek at a most becoming pitch. Perhaps, too, +the subconscious thinking concerning that same queer mistake, which went +on while she chatted so gaily, so skilfully leading the way to safer +ground, had something to do with it. + +Augustus, unaware that he was led, was as clay in her hands. He warmed +to her expressions of pleasure in the proposed dinner dance, which were +indeed entirely genuine. A dance was a dance, and Miss Bentley was +young. As she poured tea her curling lashes rested now on her cheek, +were now lifted in smiling glances at the complacent Augustus, much as +when on a certain Sunday morning, while softly laying bloom against +bloom, her eyes had now and again met the eyes of the Candy Man. There +were other callers, other tea drinkers, but to none did Mr. McAllister +surrender his place of vantage. + +"If she keeps on like this, Augustus is hers--if she wants him," +Mr. Gerrard Pennington remarked to his wife later in the evening. + +"If I could have her all to myself," Mrs. Pennington sighed; "but any +impression I may make is neutralised by her association with those +Vandegrifts. It is an absurd arrangement, spending half her time down +there." + +"I think you are rather in the lead, aren't you, my dear?" + +Mrs. Pennington shrugged her shoulders, but there was some triumph in +her smile. "She is a dear child, in spite of some absurd notions, and +I long to see her well and safely settled. I don't quite know in what +her charm most lies, but she has it." + +"Oh, it's her youth, and the conviction that it is all so jolly well +worth while. She is so keen about everything." There was an odd twinkle +in Mr. Pennington's eyes, usually so piercing beneath their bushy grey +brows. Margaret Elizabeth called him Uncle Gerry. It was amusing. He +liked it, and enjoyed playing the part of Uncle Gerry. "Of course she's +bound to get over that. Still, I shouldn't be in any haste to settle +her." + +His wife thought of her brother, the Professor of Archćology, now in +the Far East. "It is queer, but Dick never has," she said, answering +the first part of his sentence. But when she spoke again, it was to +say energetically: "The Towers needs a mistress, and August is +irreproachable. Really, I am devoted to the boy." + +Mr. Pennington found this amusing. + +"If only it were a colonial house. It is handsome, but I prefer simpler +lines," Mrs. Pennington continued meditatively. + +The Towers was a combination of feudal castle and Swiss châlet erected +thirty years before by the parents of Augustus, and occupying a +commanding position on Sunset Ridge. The irreverent sometimes referred +to it as the Salt Shakers. + +Margaret Elizabeth meanwhile, in the solitude of her own room, was +asking herself questions, for which she found no answers. + +"Who--oh, who was this person with the nice friendly eyes that led one +on to talk about fairy godmothers?" + +She considered it in profound seriousness for a time, then suddenly +broke into unrestrained laughter. + + + + +CHAPTER SIX + +_In which Margaret Elizabeth is discussed at the Breakfast Table; in +which also, later on, she and Virginia and Uncle Bob talk before the +fire, and in which finally Margaret Elizabeth seeks consolation by +relating to Uncle Bob her adventure in the park._ + + +"No, she is not regularly beautiful," remarked Dr. Prue in her +diagnostician manner as she poured her father's second cup of coffee, +"but there is much that is captivating about her. Her hair grows +prettily on her forehead, the firmness of her chin, the line of her lips +in repose----" + +"Mercy on us! You talk like a novel," interrupted Uncle Bob, who was +longing to get in an oar. "Now I like her best when she laughs." + +"But I was speaking of her face in repose." + +"And any way," persisted Uncle Bob, "if she isn't a beauty, I don't know +what you call it. She has the witchingest ways!" + +"We were speaking of features, not ways. If you dissect her----" + +"Good Heavens, Prue! Find another word." + +"If you dissect her," the doctor repeated firmly, "you will find nothing +remarkable in her separate features." + +"But I insist," Uncle Bob spoke in a loud tone, and brought his fist +down so emphatically his coffee spilled over into the saucer, "that +beauty is a complex thing consisting of ways as well as features." +The sentence was concluded in a milder tone, owing to the coffee. + +"Nancy, give Mr. Vandegrift another saucer," said Dr. Prue. + +"My dear, there is no need. I can pour this back," he protested. Then, a +fresh saucer having been substituted, he went on: "Take a landscape----" + +"I haven't time for landscapes this morning, father. I am due at the +hospital at nine. You'll have to excuse me." + +"Well, what I was going to say is, that it is the combination of all +her separate qualities and characteristics, manifested in ways and +otherwise, that is beautiful--that constitutes beauty. The something +that makes her Margaret Elizabeth, that subtle--" Uncle Bob was talking +against time. + +"Now, father," Dr. Prue pushed back her chair and rose, "there is +nothing subtle about Margaret Elizabeth, and you know it. She is a +thoroughly nice, quite pretty girl, and that is all there is to it. If +those Penningtons don't spoil her." With this the doctor disappeared. + +"Miss Prue and her pa do argufy to beat the band," Nancy remarked to +Jenny the cook as she waited for hot cakes. + +"That's all, Nancy. I shan't want any more," her master told her when +she carried them into the dining-room. "You needn't wait." As the door +closed behind her he smiled to himself. He always enjoyed the leisurely +comfort of those last cakes. + +The morning sun shone in brightly, emphasising the pleasant, substantial +appointments of the room and the breakfast table. Its glint in the old +silver coffee pot was a joy to him; the unopened paper at his elbow +spoke to him of the interests of a day, like it, not yet unfolded. Uncle +Bob after his own fashion savoured life.... + +[Illustration: DR. PRUE] + +The sun had travelled around the house and was looking in at the west +window of the Little Red Chimney Room, when Virginia discovered her +ladyship sitting on a low stool by her hearthstone deep in meditation. +"I saw the smoke," she announced, "so I thought I'd come over." + +"I am glad to see you," Margaret Elizabeth said, waking up. "But what +smoke do you mean?" And now it developed that although Miss Bentley was +of course aware of the Little Red Chimney, and indeed preferred it red, +she had not understood its significance. + +In amused interest she listened while Virginia explained. "That dear, +ridiculous Uncle Bob!" she cried, hugging her knees. "And what fun, +Virginia!" + +Virginia nodded. "Like a fairy-tale," she said. + +"So it is," Miss Bentley agreed, and became again lost in thought. + +From the other side of the hearth Virginia watched her. Her ladyship +to-day wore a grey-blue gown with a broad white collar, and she +contrasted harmoniously with the soft browns and greens of her +surroundings. Uncle Bob should have been there to enjoy the glint of +the sunshine in her hair. + +It was an unobtrusive room, abounding in pleasant suggestions if you sat +still and let them sink in: books around the walls, a few water colours +and bits of porcelain, an open piano, a work table, a broad divan with +many cushions, ferns in the windows, and the fire. + +Virginia, however, saw nothing of this; she was looking at Margaret +Elizabeth. "The Candy Man wanted to know where you stayed when you +weren't here," she remarked at length. + +Miss Bentley came out of her brown study in great surprise. Who in the +world was the Candy Man? + +"Why, you know the Candy Wagon on the Y.M.C.A. corner! And don't you +remember how you fell in the mud, and the Candy Man helped you up, and +I gave you your bag, and the Miser was there too?" Virginia spoke in +patient toleration of Miss Bentley's strange lapse of memory. + +"Naturally I was rather shaken and didn't notice. Was it a Candy Man who +picked me up? And a miser, you say?" Chin in hand Margaret Elizabeth +regarded her visitor. "It is all very interesting, but why should the +Candy Man wish to know about me?" + +Virginia owned that she had mentioned the Little Red Chimney to him, +and that when the identity of her ladyship had come to light, he had +exclaimed, "I might have guessed!" + +"Well, really," said Miss Bentley, sitting up very straight, "what +business is it of his to be guessing about me?" + +"He isn't Irish like Tim," Virginia hastened to assure her. "He's very +nice. He's a friend of mine." + +Margaret Elizabeth laughed. "That makes it all right, I suppose; and if +he picked me up--But who is the Miser?" + +"He lives over there," Virginia pointed toward the front window, "in +that stone house with the vine on it. Aleck says he has rooms and rooms +full of money." + +The house she indicated was almost black with time and soot, but its +fine proportions suggested spacious, high-ceiled rooms, and whatever its +present condition, a past of dignity and importance. + +"How extremely interesting! What a remarkable neighbourhood this seems +to be!" + +"Is it like a fairy-tale where you stay when you aren't here?" Virginia +asked. + +Sudden illumination came to Margaret Elizabeth. "That is just what it +isn't," she cried. "It's splendid and beautiful, and all sorts of +things, except a fairy-tale. I wonder why? I love fairy-tales and Little +Red Chimneys." + +"So does the Candy Man," exclaimed Virginia, charmed at the coincidence. +"It must be fun to be a Candy Man," she continued. "It isn't much like +a fairy-tale where I live. I should like to live in a sure-enough house +with stairs." + +"You talk like a squirrel who lives in a tree. And speaking of squirrels, +you and I must buy some nuts for our bunny sometime, from this Candy +Man. If he picked me up I suppose I ought to patronise him. All the +same, Virginia," and now Miss Bentley spoke with great seriousness, +"I wish you not to say anything about me to him. It is rather silly, +you know." + +Virginia did not know, but she longed to do in every particular what +Miss Bentley desired, so she promised. + +The opal lights in the western sky were the only reminders left of the +sunny day, when Uncle Bob, seated comfortably in the big armchair, +listened to Margaret Elizabeth's confession, the flames dancing and +curling around a fresh log meanwhile. In size it was but a modest log, +for the fireplace was neither wide nor deep like those at Pennington +Park, but the Little Red Chimney did its part so merrily and well that +upon no other hearth could the flames dance and curl so gaily. At least +so it had seemed to Margaret Elizabeth, sitting there chin in hand, +after Virginia's departure. + +"And you are certain you never met him before?" Uncle Bob ran his +fingers through his hair and frowned thoughtfully. + +"Perfectly certain. You see the resemblance was remarkable, all but +the eyes, and I thought Mr. McAllister had simply waked up. People +are sometimes stiff when you first meet them. He knew who I was, for +he called me Miss Bentley. Naturally I thought it was some one I had +met--particularly when he mentioned the accident. You see, in getting +out of the machine at the Country Club a day or two before I caught +my skirt in the door and fell, striking my elbow. It didn't amount to +anything, though it hurt for a minute, but Aunt Eleanor made a great +fuss. He may have been somewhere about at the time, but I didn't meet +him. And it makes me furious," Margaret Elizabeth continued, "when +I think of his not telling me." + +"Telling you that you didn't know him?" asked Uncle Bob. + +"Certainly, he should have said at the very beginning, 'Miss Bentley, +you are mistaken in thinking you know me.'" + +"Ha! ha!" laughed Uncle Bob. + +"Now what are you laughing at?" his niece demanded. "Honestly, don't you +think he should have?" But she laughed herself. + +"Well, perhaps," he owned, reflecting, however, that if Margaret +Elizabeth looked half so alluring that morning as she did now in her +grey-blue frock, with her bright hair a bit tumbled, it was asking a +good deal of human nature. + +"Now, of course, Uncle Bob, this is strictly confidential. I wouldn't +have Dr. Prue know for the world. It is bad enough to have Aunt Eleanor +smiling sarcastically, though she doesn't know half. I think I have at +length quieted her, and the great Augustus is entirely mollified." She +paused to laugh again, then continued tragically, "Sympathy is what I +need now. To begin with, it was the most perfect day--the sort to make +you forget tiresome conventions." + +Uncle Bob nodded. "Perhaps he forgot, too," he suggested. + +Margaret Elizabeth bit her lip. "That's true. I must try to be fair. +He had nice eyes, Uncle Bob--with a twinkle in them." A smile played +over her lips, her dimple came and went. She gazed absently at the +curling flame. Suddenly she rose from her ottoman, and seated herself +bolt upright on the sofa with one of the plumpest cushions behind her. +"All the same it was inexcusable in me," she declared sternly. + +"What was?" asked her uncle. + +"The nonsense I talked. About a Fairy Godmother Society! No doubt he was +laughing in his sleeve all the time." + +"Oh, I guess not. It sounds quite original and interesting. Have you +copyrighted the idea?" + +"Uncle Bob, you are a dear. Some time I'll tell you all about it--when +I get over feeling so terribly, if I ever do." + +"Now, really," insisted Uncle Bob, "I don't see why you should worry. +You are almost certain to meet him again, and----" + +"I shall die if I do," Margaret Elizabeth declared; but somehow the +assertion failed to ring true. + +"From what you have said he is plainly a gentleman, and altogether +matters might be worse," Uncle Bob concluded. + +Miss Bentley shook her head. "I don't see how they could be," she +insisted. + + + + +CHAPTER SEVEN + +_Shows how the Candy Wagon is visited in behalf of the Squirrel, and +how pride suffers a fall; how Miss Bentley turns to Vedantic Philosophy +to drown her annoyance, and discovers how hard it is to forget when you +wish to._ + + +"When I reflect upon the small weight attaching to true worth +unsupported by personal charm, I am tempted to turn cynic." + +Dr. Prue closed her bag with a snap and lifted her arms to adjust a +hatpin. + +"Youth and beauty take the trick, that's a fact." Uncle Bob laughed as +if he found it a delicious comedy. + +They stood before the office window. At the gate the Apartment Pigeons +were fluttering around Margaret Elizabeth, while her ladyship gravely +admonished them for some piece of mischief. + +"I believe she is taming the terrors," remarked the doctor. + +"She had them all in the other afternoon," said Uncle Bob, "sitting +cross-legged on the floor like little Orientals, while she told them +stories. Margaret Elizabeth can manage them!" His tone thrilled with +pride. + +"Yes, and Miss Kitty Molloy will drop anything she has on hand to work +for Miss Bentley; the market-man picks out his choicest fruit for her; +and so it goes, if you call it managing. Well, I must be off. Good-by." + +As Dr. Prue went out, Margaret Elizabeth, having dismissed the pigeons +for the time being, came in, and sat down at her desk to finish a +letter. + +She wrote: "Yes, Uncle Bob and Cousin Prue argue as much as ever, and +I suspect that more often than not I am the subject upon which they +disagree. I am in a state of disagreement about myself, father dear. +Society is absorbing beyond anything I dreamed of, and if I had not +promised you to stop and think for at least ten minutes out of the +fourteen hundred and forty, I fear I should have already become a real +Society Person." + +At this point Uncle Bob looked in. "Well, how many parties on hand now?" +he asked. + +Margaret Elizabeth laid down her pen and counted them off on her +fingers, beginning with a tea at five, theatre and supper afterward, and +so on, till the supply of fingers threatened to become exhausted. + +"Go on, I'll lend you mine," said Uncle Bob. "Prue says," he added, +"that it is enough to kill you, but you look pretty strong." + +"She wouldn't mind if I worked my fingers to the bone for her hospital +or the Suffrage Association, but I want a little fun first, Uncle Bob." +Margaret Elizabeth supported an adorable chin in a pink palm and +regarded her relative appealingly. + +"That's what I tell Prue. It is natural you should like best to stay at +Pennington Park, and go about in a splendid machine. I don't blame you +in the least, and I don't wish you to feel bound to come down here when +you don't really care to. Much as I love to have you, I shall not be +hurt." Uncle Bob nodded at Margaret Elizabeth with a reassuring smile +that in spite of intentions was a bit wistful too. + +"I don't believe you understand, and for that matter, neither do I. I +love you best, and the Little Red Chimney, and this darling room. There +aren't any fairies at Pennington Park, but--I do like the whirl, the +fun, the pretty things, and----" + +"The admiration, Margaret Elizabeth; out with it. You'll feel better," +said Uncle Bob. + +"Well, yes, people _do_ like me, and oh, I must show you +something!" She sprang up, and from a box lying on the sofa she took a +filmy, rose-coloured fabric. "What do you think of this?" she demanded, +shaking out the shimmering folds before his surprised eyes. + +He rose nobly to the occasion. "Why, it looks like a sunset cloud. Is it +to wear?" + +"Certainly. It is a pattern robe. Miss Kitty across the street is going +to put it together for me. She is a genius. Sunset cloud is very poetic. +Thank you, Uncle Bob. And now I must finish my letter before I go over +to Miss Kitty's, and then I promised the children I'd go with them to +buy some nuts for the squirrel. A bunny who has the courage to live so +far downtown should be rewarded. I wish you had been here, Uncle Bob, to +join our society." Margaret Elizabeth sat down with the rosy cloud all +about her, and laughed at the recollection. "Never again will they throw +a stone at his bunnyship. We laid our hands together so, and swore by +the paw of the cinnamon bear and the ear of the tailless cat, to take +the part of our brother beasts and birds. It was all on the spur of the +moment, or I might have done better, but they were impressed." + +[Illustration: UNCLE BOB] + +"I should think so, indeed," remarked her uncle. "You are a sort of +philanthropist after all." + +"Yes, I have a very marked bump. That reminds me, if I don't see Dr. +Prue, you tell her, please, that I am going to take Augustus McAllister +to the Suffrage meeting." + +Having returned her robe to its box, Miss Bentley sat down at her desk +and wrote furiously for five minutes, then folded her letter, put it +in the envelope, and addressed, stamped, and sealed it, concluding the +business with a resolute fist. Shortly after, in the familiar grey suit, +with the little grey hat jammed down anyhow on her bright hair, she went +forth, the box containing the sunset cloud under her arm. + +Homage and admiration attended upon her within Miss Kitty's humble +establishment, and waited outside in the persons of the adoring pigeons. +Virginia, having been unable to keep the story of the Little Red Chimney +to herself, must now in consequence share her ladyship with the flock. +But certain privileges were hers--to walk next to Miss Bentley and clasp +her disengaged hand; to carry her bag or book; to act as her prime +minister in keeping order. + +Thus Miss Bentley went her triumphant way that afternoon, all +unconscious that there was any triumph about it. Not that she was wholly +unaware of her own charm. As she confessed to Uncle Bob, she knew people +liked her, and the knowledge was pleasing. She was now on her way to be +gracious to the Candy Man, and in this connection she had rehearsed a +neat little scene in which she stood by and allowed the children to make +their purchases, and then at the right moment asked easily if there had +been any more accidents on the corner of late, adding something about +his kindness in helping her up, and so on. The Candy Man would of course +touch his cap, for from Virginia's account he was rather a nice Candy +Man, and reply, "Not at all, Miss," or "That's all right"; then she +would smile upon him and the incident would be closed. + +The first half of the scene went off perfectly. The Candy Man was +selling taffy to a nurse-maid when they approached, and if he saw who +was coming, and if his heart was in his mouth, and if he felt a wild +longing to escape from the Candy Wagon, he gave no sign. To Margaret +Elizabeth, as they waited, he was a Candy Man in white jacket and cap, +and nothing more. + +The pigeons fluttered joyously. Miss Bentley uttered an impersonal good +afternoon, Virginia advanced, a silver quarter in her palm, and demanded +chestnuts for the squirrel. The bag was filled and held out to her, and +as she handed over the quarter in exchange she explained, gratuitously, +"We'll perhaps eat _some_ of them ourselves." + +At this the Candy Man looked up with a smile in his eyes, and met the +glance of Miss Bentley, who immediately forgot all she had intended to +say, for these were the eyes that were not the eyes of Augustus. There +was no excuse for arguing the question. She knew it. + +The point was, after all, Margaret Elizabeth concluded in the solitude +of her own hearth-stone, not whether she had been equal to the occasion +to-day--and she hadn't--but that he on a former occasion had been guilty +of base behaviour. If this were a real Candy Man, one might excuse him, +but he plainly was not. There was a mystery, and she loathed mysteries. +She was annoyed to the point of exasperation. She would dismiss him from +her mind now and forever. + +Uncle Bob, reading the evening paper in the dining-room while Nancy set +the table, admitting as she passed back and forth an occasional savoury +odor from the kitchen region, became aware of sounds in the hall which +betokened some one descending the stairs in haste. The next moment +Margaret Elizabeth stood in the doorway. + +"Uncle Bob," she said, as she drew a long white glove over her elbow, +her face shadowed by her plumy hat, "you remember you said it might be +worse, and I insisted it couldn't be? You were right, it is infinitely +worse." + +With this she was gone, and a premonitory buzz of great dignity and +reserve from the street presently indicated that she was being borne +away in the Pennington car. + +And now it was that Miss Bentley discovered how impossible it is to +forget when you wish to. You may assist a treacherous memory with a +memorandum, but no corresponding resource offers when you wish to +forget. You may succeed in diverting your thoughts for a time, but +sooner or later, ten to one, in the most illogical manner, the very +thing you seek to avoid forces itself upon your attention. What could +have seemed further away from the Candy Man than ancient Hindoo +Philosophy? And into this she plunged to drown her annoyance, and +incidentally help a fellow member of the Tuesday Club. Margaret +Elizabeth was ever ready to fill in a breach, and when Miss Allen came +to her in despair, having been positively forbidden to use her eyes, +she obligingly agreed to help her. + +The subject grew, as all subjects have a way of doing. It was a +providential ordering, Uncle Bob remarked, enabling the writers of +papers to take refuge from criticism in the impressive statement that +it is impossible to treat of the matter adequately in so short a space. +Margaret Elizabeth laughed, and crossed out a paragraph at the bottom of +her first page, and then set out for the Public Library. + +Seated in the Reference Room, with more books than she could read in a +year on the table before her, behold Miss Bentley presently inconsolable +for lack of a certain authority she chanced to remember in the college +library at home. The whole force of the Reference Room mourned with her, +for Margaret Elizabeth in the part of earnest student was no less +captivating than in her other roles. + +"I know where there is a copy," said the youngest and wisest of the +force, "but it won't do you any good. Mr. Knight, the man the children +call the Miser, has one." + +"I'll go and ask him to let me see it. I'd like to know a real live +miser." Margaret Elizabeth closed the book she had in hand and rose. + +The force gasped at her temerity. They had heard he was a horrid old +man; but the youngest observed wisely that probably he wouldn't bite. + +Miss Bentley, however, having recently developed a bump of discretion, +did first consult Dr. Prue in the matter, who responded, "Why certainly, +I see no objection to your asking to see the book. Mr. Knight is a +harmless, studious man. I have met him on two occasions when I was +called in to attend his housekeeper, Mrs. Sampson, and he was courtesy +itself. I will go with you and introduce you, if you like." + +Virginia, hanging around and overhearing, begged to be allowed to go +too. "I'd love to see the inside of his house," she urged. + +She was assured she would find it stupid, but this was as nothing +compared with the glory of entering the abode of the Miser in company +with her ladyship, and the other pigeons looking enviously on outside. + +Dr. Prue, of course, had no time to waste, so Margaret Elizabeth +hastened to find her pad and pencil, and across the street they went +forthwith. The Miser was discovered in his library, a spacious, shabby +room, yet not too shabby for dignity, full of valuable and even rare +things, such as old prints and engravings, and most of all of books, +which overflowed their shelves in a scholarly disorder not unfamiliar +to Margaret Elizabeth. + +With businesslike brevity Dr. Vandegrift presented her cousin and her +credentials to Mr. Knight, who, with a quaint and formal courtesy, was +happy to oblige the daughter of an author so distinguished in his chosen +field. + +Miss Bentley in her turn presented, with suitable gravity, Miss Virginia +Brooks, who promised to be quiet as a mouse, and whose eyes betrayed her +disappointment on discovering the inside of the Miser's house to be so +much like any other. + +After the necessary stir attending upon the finding of the desired +volume, and getting settled to work, profound quiet again rested upon +the library. Margaret Elizabeth wrote busily, her book propped upon a +small stand before her, while across the room Virginia softly turned the +leaves of a huge volume of engravings, pausing now and then to rest her +cheek in her palm and regard the Miser steadily for a moment. + +The master of the library had the air of having forgotten their presence +altogether. Aided by a microscope, with a grave absorbed face, he +studied and compared a series of prints spread before him. So quiet was +it all, that the crackle and purr of the coal fire in the old-fashioned +grate made itself quite audible, and the leisurely tick of the clock in +the hall marked time solemnly. + +Margaret Elizabeth's interest in Vedantic Philosophy began after a time +to wane, and she allowed her attention to wander about the room, from +object to object, until it concentrated upon the student himself. Was +he really a miser? she wondered. He did not look it. His was rather the +face of an ascetic. Suddenly it flashed into her mind that here was the +sad, grey man of that unforgettable conversation in the park. + +Virginia slipped down and came to her side. "Is there really a room full +of gold?" she whispered. + +Margaret Elizabeth shook her head sternly. It was time they were going. +Her hand was tired. She would ask permission to come again. As she +returned her book to the shelf, she displaced a smaller one, a shabby +leather-bound book, at which she scarcely glanced, but upon which +Virginia seized. + +"The Candy Man has one like this," she said. "Such a funny name! See? +Only his is Vol. one and this is Vol. two." + +Miss Bentley cared not at all what strange books the Candy Man owned, +and said so, frowning so severely you could scarcely have believed her +to be the same person who only a few minutes later was thanking the +Miser with such alluring grace of manner. + +She was welcome to come when she chose, she was assured, with grave +politeness. His library was at her disposal. + +"You have many beautiful things," said Margaret Elizabeth. "This +portrait above the mantel, for instance, seems to me very interesting." + +The portrait in question was rather a splendid one of a military-looking +man probably in his thirties. One of the best examples of Jouett's work +it was generally considered, Mr. Knight explained, and said to have been +an admirable likeness of his uncle, General Waite, at the time it was +painted. + +It was inexplicable that as Margaret Elizabeth gazed up at the general +the eyes beneath the stern brows should become the eyes of the Candy +Man. But her exasperation at this absurd illusion passed quickly into +horrified embarrassment, when Virginia, edging toward the master of the +house, asked explosively, "Say, have you really got a room full of +gold?" + +"There is one thing certain, you can never go there with me again," said +Miss Bentley, on their way across the street. + +"But Aleck said----" began the culprit. + +"Never mind what he said. Aleck is a very ignorant little boy. People +don't keep gold in rooms. If they have it they put it in the bank or +send it to the mint." + + + + +CHAPTER EIGHT + +_In which the Miser's past history is touched upon; which shows how +his solitude is again invaded, and how he makes a new friend._ + + +"There isn't any mystery about _him_, so far as I know," said the +Reporter, who was seated as usual upon the carriage block. The Candy +Wagon continued to act as a magnet for him, and in season and out his +genial presence confronted the Candy Man. + +If his emphasis upon the pronoun was noticed, it was ignored. The +mystery was, the Candy Man replied, how with such a face he could be a +miser. + +"Oh, he's a bit nutty, of course. My grandmother says his money came to +him unexpectedly and the shock was too much for him. They say he has a +notion he is holding it in trust. He is rational enough in every other +way, a shrewd investor, in fact. His uncle, General Waite, who left him +the money, was a connection of my grandmother's." + +"The Miser is a cousin then?" + +"Not on your tintype, my friend. Old Knight was a nephew of the +general's wife, you see." + +"And there were no other heirs?" asked the Candy Man. + +"There was an own nephew, I have heard, who mysteriously disappeared +shortly before the general's death. I have heard my grandmother mention +it, but it was long before my day. Why are you interested?" + +Even to himself the Candy Man could not quite explain his interest in +this sad and lonely man, except that, as he had told Miss Bentley in +their first and only conversation, he had a habit of getting interested +in people. For example, in the house where he roomed there was a young +couple who just now engaged his sympathies. The husband, a teacher in +the Boys' High School, had been ill with typhoid, and the little wife's +anxious face haunted the Candy Man. The husband was recovering, but of +course the long illness had overtaxed their small resources, and--But, +oh dear! weren't there hundreds of such cases? What was the good of +thinking about it! Yet suppose there were a Fairy Godmother Society? + +The Candy Man was a foolish dreamer, and his favourite dream in these +days was of some time sitting beside the Little Red Chimney hearth, and +discussing the Fairy Godmother Society with Miss Bentley. These bright +dreams, however, were interspersed by moments of extreme depression, in +which he cursed the day upon which he had become a Candy Man; moments +when the horrified surprise in the eyes of Miss Bentley as she +recognised him, rose up to torment him. + +It was in one of these that the Reporter had presented himself this +time, and when he was gone the Candy Man returned to his gloom. Having +nothing else to do just then he opened the shabby book with the funny +name, and looked at the crimson flower. Through the stain of the flower +he read: + + _"If a person is fearful and abject, what else is necessary but + to apply for permission to bury him as if he were dead."_ + + +The book had come into his possession by a curious chance not long +before, and he treasured it, not so much for its sturdy philosophy, as +because it was in some sort a link to the shadowy past of his early +childhood. + +The adjectives "fearful" and "abject" brought him up short. What manner +of man was he to be so quickly overwhelmed by difficulties? As for being +a Candy Man, did he not owe to this despised position his good fortune +in meeting Miss Bentley at all? + +Somewhere about eight o'clock the next evening, being Sunday, he might +have been seen strolling by the house of the Little Red Chimney. That +particular architectural feature had lost its identity in the shades of +evening, but he was indulging the characteristic desire of a lover to +gaze at his lady's window under the kindly cover of the night. + +The blind was drawn within a few inches of the sill, but these inches +allowed him a glimpse of a blazing fire, and while he lingered a shadow +flitted across the curtain in its direction, and then another, until in +his mind's eye he beheld Margaret Elizabeth and Uncle Bob seated beside +the hearth. For aught he knew, it might be Augustus McAllister making +an evening call, but the Candy Man was just then too determinedly +optimistic to harbour such an idea. + +[Illustration: THE MISER] + +As he passed on he was occupied in trying to picture to himself her +ladyship sitting before her fire, but that familiar little grey hat, +which was so entirely inappropriate, would persist, in spite of all he +could do, in getting into the picture. Only once, when curling plumes +took its place, had he seen her without it, and though for an instant he +would succeed in removing it, presto! before he knew it, there it was +again, jammed down anyhow on her bright hair. + +With odds in favour of the hat, the struggle came to a sudden pause at +sight of a tall figure leaning heavily and in evident pain against one +of the ornamental iron fences which prevailed along this street. At once +proffering his assistance, he recognised Mr. Knight, the Miser. + +It was plain the sufferer would have preferred to decline help. It would +soon pass. It was nothing. He had had such attacks before. He spoke +brokenly, adding, "I thank you," in a tone of dismissal. + +The Candy Man showed himself to be, when occasion demanded, a masterful +person. Without arguing the point, he supported the Miser with a firm +arm and began to urge him in the direction of his home. Mr. Knight, half +fainting as he was, submitted without a word until his door was reached; +then, there being no response to his companion's vigorous ring, he +murmured something about the servants having gone, and began to fumble +in his pocket. + +The Candy Man, taking the latch key from his trembling fingers, opened +the door, and ignoring the evident expectation conveyed in his renewed +thanks, continued to assert authority, supporting the invalid into his +library. "I shall not leave you alone until you are relieved," he said. + +Again Mr. Knight submitted to his captor's will, and lying back in his +arm-chair directed him to the restorative that was prescribed for these +seizures. When it had been administered he lay quiet with closed eyes. + +The Candy Man now turned his attention to the fire, which had burned +low, coaxing it skilfully out of its sullen apathy. He was brushing up +tidily, when Mr. Knight, to whose face the colour was returning, spoke. + +"You are very kind," he said, adding as the Candy Man felt his pulse and +nodded his satisfaction, "are you a physician?" + +"No," was the smiling answer. "Merely something of a nurse. My father +was an invalid for some years." + +The sick man said "Ah!" his eyes resting, perhaps a little wistfully, +upon the vigorous young fellow before him. "Don't let me keep you," he +added. "I am quite relieved, and my housekeeper will return very shortly +from church." + +Instead of leaving him the Candy Man sat down. "I have nothing to do +this evening, Mr. Knight, and unless you turn me out forcibly I mean to +stay with you till some member of your household comes in." + +"I fear my strength is hardly equal to turning you out," the Miser +replied with a smile. "You are most kind." Then after a pause he added +apologetically: "Will you kindly tell me your name? Your face is +familiar, but my memory is at fault." + +"My name is Reynolds, Robert Reynolds, and I am at present conducting a +candy wagon on the Y.M.C.A. corner. That is where you have seen me." He +had no mind to sail under false colours again. + +The sick man's "Indeed!" was spoken with careful courtesy, but his +surprise was plain enough. + +The Candy Man leaned forward, an arm on his crossed knee; his eyes met +those of the older man frankly. "It is not my chosen profession," he +said. "I happened to be free to follow any chance impulse, and the +opportunity offered to help in this way a friend in need. It may have +been foolish. I am alone in the world, and entirely unacquainted here. +I should not care for the permanent job, but there's more in it than +you would suppose. More enjoyment, I mean." + +"I recall now you mentioned the Little Red Chimney," said Mr. Knight. + +The Candy Man grew red. Why had he been so imprudent? The Miser's memory +certainly might be worse. + +"And now I know why your face is so familiar," the invalid went on. +"I sat opposite to you in the car going to the park one Sunday morning. +My physician prescribes fresh air. And later I saw you with that +bright-faced young girl, Miss Bentley. You were talking together in the +pavilion near the river. You both seemed exceedingly merry. I envied +you. I seemed to realise how old and lonely I am. I think I envied you +her friendship." + +"Your impression is natural," answered the Candy Man, "but the truth is +I do not know Miss Bentley. We met unexpectedly in the pavilion that +morning. I did not at the time realise it, I was unpardonably dense, +but she took me for some one else. On the occasion of the accident that +foggy evening--you perhaps remember it--I overheard the name she gave to +the conductor. Well, it seems she had no idea she was talking to a Candy +Man that morning in the park, and I should have known it." + +The Miser leaned his head on a thin hand, and certainly there was +nothing sordid, nothing mean, in the eyes which looked so kindly at his +companion. It was not perhaps a strong face, nor yet quite a weak one; +rather it indicated an over-sensitive, brooding nature. "You will not +always be a Candy Man," he said. "I have made Miss Bentley's +acquaintance recently. She is friendliness itself." + +At this moment a grey slip of a woman, with a prayer-book in her hand, +entered, and was presented as Mrs. Sampson, the housekeeper. The Candy +Man rose to go, but Mr. Knight seemed now in no haste to release him. + +"I should be glad to see you again, if some evening you have nothing +better to do," he said. "You may perhaps be interested in some of my +treasures." He glanced about the room. "You say you too are alone in +the world?" + +"Quite," the Candy Man answered. "Everyone I know has some relative, or +at least an hereditary friend, but owing to the peculiar circumstances +of my life, I have none. I do not mean I am friendless, you understand. +I have some school and college friends, good ones. It is in background +I am particularly lacking," he concluded. + +"I have allowed my friends to slip away from me," confessed the Miser. +"It was the force of circumstances in my case, too, though I brought it +upon myself. I have been justly misunderstood." + +"'Justly misunderstood.'" The Candy Man repeated the words to himself as +he walked home in the frosty night. They were strange words, but he did +not believe them irrational. + + + + +CHAPTER NINE + +_Shows how Miss Bentley and the Reporter take refuge in a cave, and +how in the course of the conversation which follows, she hears something +which disposes her to feel more kindly toward the Candy Man; shows also +how Uncle Bob proves faithless to his trust, and his niece finds herself +locked out in consequence._ + + +"Let's pretend we are pursued by wild Indians and take refuge in this +cave." + +The scene was one of those afternoon crushes which everybody attends and +few enjoy. Miss Bentley, struggling with an ice, which the state of the +atmosphere rendered eminently desirable, and the density of the crowd +made indulgence in precarious, addressed her next neighbour, whom she +had catalogued as a nice, friendly boy. "It's Mr. Brown, isn't it?" she +added in triumph at so easily associating the name with the face. + +The young man's beaming countenance showed his delight. "Good for you, +Miss Bentley! It would be great. Let me have your plate while you +squeeze in." + +This corner behind a mass of greens seemed to have been left with the +intention of protecting an elaborate cabinet that occupied a shallow +recess. However it might be, here was a refuge, difficult of access, +but possible. Margaret Elizabeth held on to her hat and dived in. + +"Grand!" she cried. "This is beyond my wildest hopes," and she perched +herself on a short step-ladder, left here no doubt by the decorators, +and held out her hands for the plates. Mr. Brown found a more lowly seat +beneath a bay tree. They looked at each other and laughed. + +"My position is a ticklish one, so to speak," he observed, vainly trying +to dodge the palm leaves to the right of him; "but I think we are +reasonably safe from pursuit." + +"I haven't the remotest idea where my aunt is," Margaret Elizabeth +remarked, eating her ice in serene unconcern. + +"Say, Miss Bentley, I have heard my cousin speak of you--Augustus +McAllister, you know." + +"Are you Mr. McAllister's cousin?" Miss Bentley's tone and smile left +it to be inferred that this fact above any other was a passport to her +favour. It must be regretfully recognised, however, that it would have +been the same if Mr. Brown had mentioned the market-man. + +Having thus successfully established his claim to notice, the Reporter, +as was his custom, went on to explain that he belonged to the moneyless +branch of the family. + +Margaret Elizabeth assured him, in a grandmotherly manner, that it was +much better for a young man to have his way to make in the world than to +have too much money. + +The Reporter owned this seemed to be the consensus of opinion. How the +strange notion had gained such vogue he could not understand, but there +was no use kicking when you were up against it. + +"Of course, it must be hard work, but it must be interesting. Don't you +have exciting experiences?" Miss Bentley asked. + +Oh, he had, certainly, and met such queer people, too. There was a +fellow who ran a Candy Wagon on the Y.M.C.A. corner, for instance. "You +ought to meet him, really, Miss Bentley, though, of course, you couldn't +very well. He's a character, and I have puzzled my brains to discover +what he's doing it for." + +Miss Bentley was interested and requested further enlightenment. + +"Well, I have two theories in regard to him. He is an educated man, and +a gentleman, so far as I can tell, and I think he is either studying +some social problem, or he is a detective on some trail." + +"I never thought----" began Margaret Elizabeth. "I mean," hastily +correcting herself, "I should never have thought of such an +explanation." + +"He's up to something, you may be sure," Mr. Brown continued. "I like to +talk to him, and do, every chance I get." + +Margaret Elizabeth certainly showed a flattering interest in all the +Reporter had to say. "Some day when you have become a great editor," she +assured him at parting, "I shall refer proudly to the afternoon when we +sat together in a cave and ate ice cream." + +"Oh, now, Miss Bentley," the Reporter protested in some embarrassment, +"I'm sure I shall always think of it with pride, whatever I get to be, +though that probably won't be much." + +This conversation was not without its influence upon Miss Bentley's +subsequent attitude toward the Candy Man. That some one else had found +him a unique and interesting personality was reassuring, and the +thought that he might be engaged on some secret mission was novel and +suggestive. She began to reconsider and readjust, and in future, +although she still avoided the Y.M.C.A. corner, she allowed her thoughts +to turn once in a while in that direction. + +Meanwhile she paid two more visits to the Miser's library, on these +occasions laying deliberate siege to his reserve with all the charm of +her bright friendliness. She asked questions about his beloved prints; +intelligent questions, for Margaret Elizabeth had grown up in an +atmosphere of appreciation for things rare and fine. She chatted about +her father and his work, and even ventured some wise advice about fresh +air and its tonic effect. Indeed, it is a cause for wonder that she was +able at the same time to collect the material which took shape later in +that most erudite paper. + +Under this invasion of youth and gaiety, the sombre, student atmosphere +became charged with a new, electric current. It was not owing solely to +Miss Bentley, however, for Sunday evening now frequently found the Candy +Man dropping in sociably to chat with Mr. Knight in his library. + +In these days the Miser often sat leaning his head on his hand, a +meditative, half whimsical expression on his face, as if he found both +wonder and amusement in the chance that had so strangely brought these +young people across his threshold. + +One Sunday afternoon the Pennington motor, having deposited Margaret +Elizabeth at the Vandegrift gate, with a scornful snort went on its +swift way to more select regions. It was the first really cold weather +of the season, and while she waited at the door Margaret Elizabeth +examined the thermometer, and then buried her nose in her muff. +"Dear me!" she exclaimed impatiently. "Why doesn't somebody come?" + +She rang again with no uncertain touch upon the button this time, and +then, crunching across the frozen grass, peeped in at her own window, +where a glimpse of smouldering fire rewarded her. She returned to the +door to ring and rap, still with no response. + +This was a most unusual state of affairs, for it was an inexorable +decree of Dr. Prue's that the telephone must never be left alone. +Somebody must have gone to sleep. The cold and the darkness deepened and +it became more and more evident that she was locked out. What should +she do? After canvassing the situation thoroughly, she could think of +nothing for it but to seek refuge with the Miser. Her acquaintance in +the neighbourhood was limited. Miss Kitty the dressmaker had gone to +vespers, and her cottage was dark. The apartment house was too far away. +From the Miser's library she could watch for the light which would +betoken the waking up of the delinquent one. So across the street, her +nose in her muff, ran Margaret Elizabeth. + +The little housekeeper, Mrs. Sampson, who opened the door, was all +solicitude. Such a cold evening to be locked out! She knew Mr. Knight +would be glad to have her wait in the library. He had stepped out for +a little walk, though she had warned him it was too cold. Thus saying, +Mrs. Sampson ushered her in, and followed to see if the fire was all it +should be. + +It was, for the Candy Man had just given it a vigorous poking and put on +fresh coal. The room was full of its pleasant light. + +Mrs. Sampson was surprised to find him there. "Miss Bentley, this is +Mr. Reynolds, a friend of Mr. Knight's," she explained, adding that Miss +Bentley was locked out, and wished to sit by the window and watch for +her uncle to come back. "And if you'll excuse me, Miss Bentley, the cook +has her Sunday evenings out, and I get supper myself," she added as she +withdrew. + +Margaret Elizabeth and the Candy Man faced each other in silence for a +second or two, then she said, very gravely indeed, "I am glad to meet +you, Mr. Reynolds." + +"Thank you, Miss Bentley. May I give you a chair?" he asked. + +"Thank you, I will sit here by the window." The window was some distance +from the fire, but as she sat down Margaret Elizabeth loosened her furs +as if she felt its heat. + +The Candy Man waited, uncertain what course he should pursue. + +"Please sit down, Mr. Reynolds. I should like to talk to you, now the +opportunity has so unexpectedly offered." She regarded him still +seriously, her hands clasped within her large muff. "I think you owe me +an explanation." + +"I am not sure I understand." The Candy Man's heart was beating in an +absurd and disconcerting way, but he would keep his head and follow her +lead. + +"Of course you are aware that you allowed me to talk to you that morning +in the park, in a--most unsuitable manner, without even----" + +"How could I?" cried the Candy Man entreatingly. "I did not know." + +"Did not know what?" demanded Miss Bentley sternly, as he hesitated. + +"I thought perhaps--I was dreadfully lonely, you see, and I thought--it +was preposterous--but I hoped you--don't you see?--didn't mind talking +to an unknown Candy Man." + +"Oh! was that it?" exclaimed Margaret Elizabeth in a tone difficult to +interpret. Did she think it preposterous, or not? It seemed to indicate +she found something preposterous. "Then you were disappointed in me," +she added. + +Never would the Candy Man admit such a thing. He had realised since then +what a cad he must have seemed, but---- + +"That, however, is neither here nor there," she continued, "since I did +not recognise you. It was----" + +"Preposterous?" he suggested. + +"Yes, preposterous, to suppose that I could. Why, it was nearly dark +that afternoon, and I----" + +"Please don't rub it in. I know. You see I knew you so well." + +"Me?" cried Margaret Elizabeth. + +"I had seen you pass, I mean." + +Again Miss Bentley said "Oh!" adding: "You are also the person who +laughed when I made an idiotic remark about lighthouses in the grocery." + +The Candy Man protested. He had not laughed. + +"Your eyes laughed. That is how I first discovered my mistake. Your +resemblance to Mr. McAllister is remarkable." + +"So I have been told." The Candy Man shrugged his shoulders, ever so +little. + +"However, to go back, I think you owe me an explanation, Mr. Reynolds, +considering how you allowed me to talk to you under a false impression. +I am not absolutely lacking in grey matter," she added, while a smile +curled her lips, "and I think you owe it to me to tell me why you became +a Candy Man." + +"In return for the Fairy Godmother idea?" he asked mischievously. + +Miss Bentley's brows drew together. "If you knew how bitterly I have +regretted all the foolish things I said that day, you would not laugh," +she cried. + +"Do not say that, please, Miss Bentley. I beg your pardon, and I am not +laughing. I could not. If you only knew what it all meant to me. How +I----" + +His distress was so genuine that Margaret Elizabeth was touched. "Well, +never mind now. It can't be helped, and I am willing to have it in +return for the Fairy Godmother nonsense, if you choose to put it so." + +And now perforce the Candy Man must explain himself. + +"You see," he began, "I had been knocked out of everything through +a bad accident that occurred at my home near Chicago--a runaway. +Speaking of grey matter, there was some doubt for a time whether mine +was not permanently injured. However, I gradually recovered, but I was +still forbidden for another six months at least to do any brain work, +and ordered by my doctor to loaf in the fresh air. Doing nothing when +you are longing to get to work is no easy job. I left home with the +intention of going South, and stopped off here for no particular reason. +Perhaps I should have said that I have no family. My father died +something over a year ago. Oddly enough, in front of the station here +I met an Irish woman, once a servant in my father's house. She was +overjoyed to see me, and poured out her troubles. Her son, who ran a +candy wagon, had been taken ill with fever, and his employers would not +promise to keep the place for him, and altogether she was in hard lines, +this boy being the main support of a large family. So now you see how +the idea occurred to me. To amuse myself and keep the boy's place. And +having no family or friends to be disgraced----" + +"No one has intimated there was any disgrace about it," Miss Bentley +interrupted. "At worst it can be called eccentric. It was also very, +very kind." + +"Oh, now, Miss Bentley, thank you, but I can't let you overrate that. +Any help I have given was merely by the way. You must remember I was +in need of some occupation, and I assure you it has been very much of +a lark." + +"Yes?" said Miss Bentley. "Then no doubt before long you will be writing +'The Impressions of a Candy Man,' or 'Life as Seen from a Candy Wagon.' +It will be new." + +"Thanks for the suggestion, I'll consider it. But for the chance that +made me a Candy Man I should have missed a great deal--for one thing, a +realisation of the opportunity that awaits the Fairy Godmother Society." + +"But Tim will soon be about again," said Margaret Elizabeth. + +"Then I must look out for another job; but your remark implies some +further knowledge of Tim. I was not aware I had mentioned his name +even." + +Miss Bentley bit her lip, then decided to smile frankly. "I met Tim +the other day," she said. "My cousin, Dr. Vandegrift, often visits St. +Mary's, and I sometimes go with her. Tim is a nice boy, and full of +praises for the kind gentleman who has done so much for him." + +"And also, let me add, for the lovely young lady who gave him a red +rose, and----" + +Margaret Elizabeth laughed. There was no getting ahead of this Candy +Man. Had he known all along, or had he just guessed? "I see a light at +last," she said, rising. "I must go, or they will be wondering what has +become of me." ... + +"Yes, I know it was my afternoon in," said Uncle Bob plaintively, while +Margaret Elizabeth made toast at the grate and Dr. Prue set the table. +"I merely ran over to the drug store for a second, but Barlow was there +and I got to talking." + +"It is quite unnecessary to explain, but I do wish, father, you would +refrain from speaking as if you were required to stay in. It was your +own proposition to let Nancy go. I could have made other arrangements." +Dr. Prue was aggrieved. There was no telling how many telephone calls +had been unanswered. + +Margaret Elizabeth laughed. "You are absolutely untrustworthy, Uncle +Bob. Hereafter I shall carry a latch key." + +"By the way, who was that young man who brought you home?" the doctor +asked. + +"His name is Reynolds. He is a stranger here. I have met him once or +twice." This casual explanation was accompanied by side glances which +indicated to Uncle Bob that there was more in it than appeared on the +surface. + +Margaret Elizabeth had been extremely reserved upon the subject of the +Candy Man. Uncle Bob had not heard a word of it till now, when, beside +the Little Red Chimney hearth, supper having been cleared away, and Dr. +Prue resting with a book on the office lounge, she told him the whole +story. + +"You don't say so! That beats anything I ever heard. Well, I said it +would come out all right, didn't I?" Margaret Elizabeth's narrative was +punctured, as Mrs. Partington would have said, with many exclamations +such as these. + +"I own you were right. It isn't as bad as it seemed. He is really very +gentlemanly and nice. Still, it is a bit awkward too," she added +thoughtfully. + +It is possible she was thinking of Mrs. Gerrard Pennington at the +moment. + + + + +CHAPTER TEN + +_In which the Little Red Chimney keeps Festival, and the Candy Man +receives an unexpected Invitation._ + + +The Candy Man, letting himself in at his lodging house, one gloomy +Sunday afternoon, stumbled upon a deputation of pigeons, in a state +of fluttering impatience. + +"She said to wait, and we thought you were never, never coming!" was +their chorus. + +"Never is a long day," said the Candy Man. "What will you have?" + +It appeared they were the bearers of a missive which read briefly and +to the point: "Her ladyship requests the pleasure of the Candy Man's +presence at the Pigeons' Christmas Tree, at four o'clock this +afternoon." + +It had seemed to the Candy Man that he was altogether outside the +holiday world, that for him Christmas had ended with his visit to the +hospital that afternoon. He had ventured to send a basket of fruit to +his fellow lodgers, the invalid professor and his wife, and had played +Santa Claus to two or three newsboys who frequented the Y.M.C.A. corner +and to the small Malones, and the state of his exchequer scarcely +warranted anything more. The social calendar in the morning paper +overflowed with festivities for the week, and he had pleased his fancy +by picturing Miss Bentley, radiant and lovely, in the midst of them. He, +the lonely Candy Man, without the pale, could yet enjoy her pleasure in +imagination. And lo! this lonely Candy Man was bidden to a tree on +Christmas Eve, by her ladyship. He could not believe his eyes. + +"It takes you a long time to read it," said Virginia. "You'd better +come. It's late." + +Dark was beginning to fall outside, but the Little Red Chimney room was +full of firelight when the Candy Man was ushered in, in the wake of the +children, by cordial Uncle Bob. It was a frolicsome, magical light that +played about a row of red stockings hanging from the shelf above it; +that advanced to the farthest corner and then retreated; that coaxed and +dared the unlighted Christmas tree by the piano to wake up and do its +part; that gleamed in Miss Bentley's hair as she seated the pigeons in +a semicircle on the rug. + +Was it the magic of the firelight, or the absence of the grey hat, or +the blue frock with its deep white collar, or, or--The Candy Man got no +further with his questions, for just then Margaret Elizabeth turned and +gave him her hand, explaining that they were so much stiller when they +sat on the floor. She added that it was very good of him to come--a +purely conventional and entirely inaccurate statement. He was also +instructed to sit on the sofa with Uncle Bob. + +"And now," began Miss Bentley, standing with her back to the row of red +stockings and looking into the upturned faces, "we are going to be +rather quiet, for this, you know, is both Christmas Eve and Sunday. +First, we'll sing 'While Shepherds Watched,' very softly." + +She sat down at the piano and struck a few chords, then her voice rose, +clear and sweet, the pigeons following her lead, a bit quaveringly at +first, but doing wonderfully well considering they were not song birds. +"She's been training them for weeks," Uncle Bob whispered. + +After this came "Stille Nacht," and Uncle Bob joined in, and then the +Candy Man, and presently the entrance of Dr. Prue was proclaimed by a +vigorous alto. The effect was most gratifying to the performers, and +from the piano Margaret Elizabeth murmured, "Very good." + +When the singing was over she took her seat on a low ottoman in the +midst of the children, who drew closer. "Next," she said, patting the +hand Virginia slipped within her arm, "comes the story, which on +Christmas Eve everybody should either hear or read for himself." + +Stillness fell on the Little Red Chimney room, the pigeons listened in +breathless absorption, while, forgetting herself and her audience, her +hands loosely clasped on her knees, Margaret Elizabeth began the story +which, as often as it may be told, yet throbs with tenderness and +wonder. As she went on her eyes grew dark and deep, and in her face +shone something more than the sweetness and charm hitherto so endearing. +Was it a prophecy? A glimpse into the unsounded heart of her? + +Dr. Prue shaded her eyes with her hand; Uncle Bob wiped his glasses; the +Candy Man's soul was stirred within him, but he gave no sign. + +"And they brought gifts, gold, frankincense and myrrh, to the little +Child in the manger; so now in keeping his birthday, we give each other +gifts and are happy because of the wonderful night so long ago," ended +Margaret Elizabeth. + +After that it was no longer still in the Little Red Chimney room. Uncle +Bob set the tree alight, and her ladyship distributed the red stockings. +Nobody was left out, not even the Candy Man, or Nancy and Jenny hovering +in the background. + +Upon occasions like the Pigeons' Christmas Tree we long to linger, but +they are evanescent. The Candy Man must see the children home after a +few brief words with Miss Bentley. + +"The Fairy Godmother Society must have been organised, and my name +entered among its beneficiaries," he told her. + +"I am glad if you liked it," she replied. "I thought you would. +To-morrow I am going to Pennington Park to stay till after New Year's, +but Christmas Eve belonged by rights to the Little Red Chimney." She +smiled, and the Candy Man nodded understandingly. + +This much in the midst of the chatter that accompanied the putting on of +small coats and leggings. + +"And I may hope that I am forgiven?" he had a chance to add as she gave +him her hand at parting. + +Miss Bentley's eyes twinkled. "It will do no harm to hope," she told +him. + +The Candy Man, his red stocking protruding from his overcoat pocket, +conducted the noisy flock to their homes, then turning southward he +walked on and on toward the edge of the town. As is fitting on Christmas +Eve, a fine snow had begun to fall, sifting silently over everything, +transforming even the ugly and pitiful with a mantle of beauty. + +The Candy Man, striding on through the night, felt an unreasoning joy as +he thought of Margaret Elizabeth telling the story with the firelight on +her face. The world seemed throbbing with expectancy. Who could tell +what splendid event awaited its near fulfilment? + + + + +CHAPTER ELEVEN + +_In which a radical change of atmosphere is at once noticed; which +shows how Miss Bentley repents of a too coming-on disposition, and lends +an ear to the advantages of wealth._ + + +The Christmas fire was not cold upon the hearth of the Little Red +Chimney before Miss Bentley was whisked away to other scenes, into an +atmosphere so different that of necessity things took on another aspect. + +Mrs. Gerrard Pennington found intense satisfaction in her niece's social +success. Given every advantage, she pointed out, one could never tell +how a girl would take, and Dick had brought up his daughter in such an +odd way. Yet in spite of everything, even this awkward arrangement of +living in two places, Margaret Elizabeth was popular beyond her fondest +hopes. + +There were not wanting those who remarked that it would be a marvel if +she were not spoiled. Probably they were right, and Margaret Elizabeth, +at the flood tide of her social career, courted, fęted, the kingdoms of +this world at her feet, was in danger. + +"And who sent this?" Mrs. Pennington demanded. + +It was Christmas Day, and "this" was an Indian basket of holly and +mistletoe, conspicuous, among many costly floral offerings, by its +simplicity. The card which accompanied it read, "To her Ladyship, from +the Candy Man," but this Mrs. Pennington had not seen. + +"Oh," answered her niece, "I don't know how to tell you who he is. He is +a stranger here--a Mr. Reynolds. I met him at Mr. Knight's, where you +remember I went to get some material for my paper for the Tuesday Club." + +This was all true, and, unaccompanied by a heightened colour, might +have allayed her aunt's lurking suspicions, born of that unexplained +interview in the park with some one who was not Augustus. + +Only once had Mrs. Pennington referred to this, asking half jokingly if +Margaret Elizabeth had ever discovered the identity of that person; +putting a somewhat disdainful emphasis upon "person." + +"Never," Margaret Elizabeth could at that time assure her, and she +added, "I do not expect to, and certainly do not wish to." + +Mrs. Pennington, however, had her intuitions in regard to this unknown +individual. She anticipated his reappearance, and, like a wise general, +in time of peace prepared for war. Keeping her vague fears to herself, +she increased her vigilance. + +Annoyed because of that uncalled-for blush, far away from the Little Red +Chimney, with fairy-tales forgot, Margaret Elizabeth repeated her aunt's +question. After all, who was Mr. Reynolds? That which had so lately +seemed an adventure compounded of kindliness and fun, she now beheld +only as an awkward situation. She began to feel that she had overstepped +the bounds in asking him to the Christmas tree; and the red stocking! +What nonsense! Why should she have felt concerned over his loneliness? +Were there not many lonely people in the world? Might he not infer from +it all a rather excessive interest in him and his affairs? Her interview +with Tim at the hospital, for instance, though it had come about by the +purest chance, looked on the surface as if she had been bent upon +investigating him. + +The Candy Man's offering, which she at first found so happily +significant and appropriate, now began to seem almost a piece of +presumption. It lay ignored if not forgotten, till its brown and +withered contents were tossed into the fire by one of the maids. Did +Miss Bentley wish her to save the basket? + +No, Miss Bentley cared nothing for it. Or, wait--she liked sweet grass, +and on second thought she would keep it. + +Never had the holiday season been so gay. There was not time for a +minute's connected thought. Margaret Elizabeth honestly tried to keep +her promise to stop and reflect for at least ten minutes a day, but +either she went to sleep, or fell into a waking dream that bore small +relation to the sober realities upon which she was supposed to dwell. + +There were guests at Pennington Park for the holidays--English friends +of her uncle and aunt, persons of a broader culture than Margaret +Elizabeth had ever before encountered. They afforded her an object +lesson of the best that accrues from wealth and tradition, and is only +to be attained by means of them. Within herself she was aware of an +aptitude of her own for these things. + +But half divining her niece's mood, Mrs. Gerrard Pennington skilfully +and subtly fostered it, and Augustus McAllister, with unexpected tact, +followed her lead. + +Augustus was genuinely in love, and it brought out the best that was +in him. For the first time in his life something resembling humility +manifested itself, a humility which sat gracefully upon the possessor +of variously estimated millions. It seemed to say: "Here is one who, +although not brilliant, may be led into any desirable path." And with +his other substantial attractions he combined his full share of good +looks. + +To be unresponsive was not in Miss Bentley's make-up, and the attentions +of Augustus assumed in these days a delicate and pleasing character. +What girl could be indifferent to the prestige born of the generally +accepted opinion that the position of mistress of the Towers was hers +for the word? + +In truth, all this homage--and Augustus was far from being alone in +it--was to Margaret Elizabeth an exciting game, that need not be taken +too seriously. It was only when she thought of the Candy Man that she +became serious and annoyed. How impossible, in the atmosphere of +Pennington Park, appeared any explanation or justification of so absurd +a position as his! + +[Illustration: COUSIN AUGUSTUS] + +When, after a morning recital by the Musical Club, Miss Bentley was seen +walking down the avenue with Augustus McAllister, society seized upon it +as confirming an interesting rumour. It was absurd, of course. Margaret +Elizabeth did it quite innocently. She really felt the need of exercise +in the open air, and could not very easily dismiss Mr. McAllister, who +had accompanied her aunt and herself to the concert, and who also felt +the need of air. + +Did she think of the Candy Man when they passed the Y.M.C.A. corner? +Yes, she did. Though she gave not so much as half a glance in the +direction of the Candy Wagon, she hoped he was not too busy to observe. +It might counteract possible false impressions in the past. + +A few days later there appeared in a column of the _Evening Record_, +given up to such matters, an item regarding the soon-to-be-announced +engagement of a certain charming and beautiful girl, only recently a +resident of the city, and a young man of wealth and social position. + +It brought Miss Bentley up short. She disliked newspaper gossip +extremely, and an allusion so faintly veiled that everyone must +understand, was under the circumstances most embarrassing, for the truth +was she had not been asked. Her cheeks burned. Yet it was thanks only to +some clever fencing on her part, and perhaps some words of caution to +Augustus from his mentor, that she had not been, and she knew in her +heart it must come soon. + +Just when you were having a good time and did not wish to be bothered, +it was tiresome to have to decide momentous questions, she told herself +almost fretfully, as she was borne swiftly and smoothly downtown one +afternoon. There was the usual detention at the Y.M.C.A. corner, and +Margaret Elizabeth looked out and almost into the Candy Wagon before she +knew it. But there was no cause for alarm. Beneath the white cap of the +Candy Man shone the round Irish countenance of Tim Malone. + +Was it Tim after all who had viewed her triumphal walk down the avenue? +The question brought not a hint of a smile to Miss Bentley's lips; and +this was a very grave symptom. + +If Uncle Bob had been within reach! But he wasn't. He had run down to +Florida to look after his orange grove, and Dr. Prue was up to her eyes +in grip cases. There was every reason why Margaret Elizabeth should stay +on at Pennington Park. + +So the Little Red Chimney had no chance to get in its work. In vain +Virginia looked from the dining-room window for its curling smoke. In +vain did the invalid sister of Miss Kitty, the dressmaker, dream of the +beautiful young lady who brought her roses. In vain did the postman and +the market-man inquire of Nancy when Miss Bentley was coming back. To +the Miser alone, who from his study window had also noted the deadness +of the Little Red Chimney, was the privilege of a word with the +enchantress accorded. It came about through Mrs. Gerrard Pennington's +interest in the furnishing of the new quarters of the Colonial Dames. + +Hearing of a desirable print owned by Mr. Knight, which it was +understood he might be induced to part with, she drove thither to +canvass the matter, accompanied by her niece. On the way they picked +up Augustus, who knew nothing of prints, but was pleased to join the +expedition. + +The Miser, beneath his grave courtesy, seemed taken aback by this +invasion of his solitude. Mrs. Pennington's conventional suavity plainly +embarrassed him. He smiled indeed at Margaret Elizabeth, remarking as he +spread out his engravings that it had been long since he last saw her. + +The impulse was strong upon her to follow him to his desk and ask if he +had any news of the Candy Man. There were moments when she thought it +strange she had had no word. These were but fleeting moments, however; +for the most part she succeeded, or thought she succeeded, in dismissing +him to the limbo of the past. So now she resisted the impulse to ask +news of him. + +When it came to negotiations Margaret Elizabeth and Augustus, leaving +Mrs. Pennington to conduct them, moved about the room, viewing the +Miser's curios. + +"Do you care for mezzotints?" she asked him. + +"I don't know the first thing about them," Augustus owned. "In fact +never saw one." + +She laughed. "Oh, yes, you have. Ever so many of the Reynolds and Romney +portraits were reproduced in mezzotint. If I am not mistaken there is +one hanging in your own hall." + +Augustus gazed at her in undisguised admiration. "I don't see how you +learn so much, Miss Bentley. I have no doubt I have a lot of things you +could help me to appreciate." + +From this dangerous ground she moved hastily, calling attention to the +portrait above the mantel. Mr. McAllister was more at home here. + +"A rattling good picture. General Waite, by the way," he informed her, +"was own cousin to my grandmother on my mother's side. My great +grandfather and his father were brothers, don't you know." + +"Indeed!" said Margaret Elizabeth, politely. The relationship did +not interest her, but she wondered, in annoyance, why the cousin of +Augustus, on his mother's side, should look down on her with the eyes of +the Candy Man. Stern eyes they were, with a sparkle of humour behind the +sternness. + +On the way home Mrs. Pennington was stirred to reminiscence. "One of +the first parties I ever attended was in that old house," she said. +"It must have been thirty-five years ago. I was a very young girl--barely +seventeen. General Waite was a most courtly man, and his wife was quite +famous for her beauty. It was there I met Mr. Pennington. He and the +general's nephew, Robert Waite, were great friends. They went to college +together. He disappeared strangely. I remember Gerrard was dread fully +upset about it at the time. It was just before our marriage." + +To all this Margaret Elizabeth only half listened. The eyes of the +general lingered reproachfully with her, and perhaps were at the bottom +of that policy of postponement with which Augustus was met when the +inevitable moment came. + +Just a little time was all she asked. Mr. McAllister was talking of a +trip to Panama; let him go, and on his return he should have his answer. + +Miss Bentley was very sweet as she spoke thus; eminently worth waiting +for. So Augustus went to Panama, and she was left to argue matters with +herself. + +During the process she grew pale. Mixed up with her arguments was that +foolish idea that she ought to have heard something from the Candy Man. +Had he seen that item in the _Evening Record_? + +Mrs. Pennington noticed the pallor, but treated it lightly. Margaret +Elizabeth was tired out, but now Lent was here she would rest. She was +worn to death herself, but she would recuperate, and surely her niece, +who was years younger, could do the same. She failed to take into +consideration the complications lacking in her own case. In fact, having +brought matters to the present status, Mrs. Pennington allowed herself +to relax. + +Mr. Gerrard Pennington looked at Margaret Elizabeth from beneath his +bushy brows. Confound them, what were they doing to her? She had a way +of joining him in the library, and sitting with a book in her lap, which +she seldom read. + +One day, laying down his paper, and after a cautious glance over his +shoulder, he remarked: "Did it ever occur to you, Margaret Elizabeth, +that you don't have to marry anybody?" + +She stared at him with surprised eyes, in which a smile slowly dawned. +"Why, Uncle Gerry, what do you mean? Of course I don't have to." + +"There is a great deal in suggestion," continued Mr. Pennington. "Keep +telling people a certain thing, confront them with it on all occasions, +and they will be influenced in spite of themselves; and it has occurred +to me----" + +"Yes?" said Margaret Elizabeth. + +"Well, that it applies in your case." Mr. Pennington cleared his throat. +"A certain person whom we know has behaved very well of late; better +than I thought was in him, but--unless you are pretty sure you can't +live without him--Now this is rank treason on my part, but don't be too +soft-hearted, Margaret Elizabeth." + +Mr. Pennington returned to his stock-market reports, and silence +reigned, but presently two hands rested on his shoulders, and a velvet +cheek touched his for a moment. "Thank you, Uncle Gerry," said Margaret +Elizabeth. + + + + +CHAPTER TWELVE + +_Which shows Miss Bentley recovering from a fit of what Uncle Bob +calls Cantankerousness; in which a shipwrecked letter is brought to +light, and Dr. Prue is called again to visit the child of the Park +Superintendent._ + + +"And he turned into a splendid prince (he had been one all the time +really, you know), and he laid all his riches at Violetta's feet, and +made her a princess, because she had been true to him through thick and +thin." + +Virginia's voice rose in triumphant climax. + +"That's all very fine in a fairy-tale, Virginia, and it is an extremely +good one for a little girl like you to make up out of her own head. But +you know in real life it is different." Margaret Elizabeth gazed +pensively into the fire. + +Virginia, prone upon the hearth-rug, was disposed to argue what she did +not understand. "How different?" + +"Well, in a fairy-tale you can have things as you want them, but in +real life you get tangled up in what other people want, and with duty +and common sense; and when you determine to follow your--" Margaret +Elizabeth was going to say "heart," but changed to "intuitions," "you +are left high and dry on a desert island." + +Virginia was to be excused if she failed to make head or tail of this. +"I wish the Candy Man would come back," she remarked irrelevantly. "He +was much nicer than Tim. He liked fairy-tales. He said he was coming +some time." + +"Oh, did he?" said Miss Bentley. + +The reference to a desert island, and a disposition to quarrel with +fairy-tales, go to show that while she was decidedly more like herself +than in the last chapter, her recovery was not yet complete. In fact +Margaret Elizabeth was suffering from the irritability that so often +accompanies convalescence. Cantankerousness was Uncle Bob's word for it, +and he defended it with all the eloquence of which he was master, his +finger on the page in the dictionary where it was to be found in good +and regular standing. + +It really did not matter what you called it; the point was, that in an +argument with her aunt, Margaret Elizabeth had gone further than she +intended; had said what had better have been left unsaid. This she +confessed to Dr. Prue. + +"Let me see your tongue," commanded that professional lady, regarding +her searchingly. + +Margaret Elizabeth displayed the unruly member, laughing as she did so. + +"What did you say to Mrs. Pennington?" + +"We were speaking," Margaret Elizabeth answered meekly, "of gratitude, +and Aunt Eleanor said, as you are always hearing people say, that there +is little or none of it in the world. You see, in some matter which came +up in the Colonial Dames, Nancy Lane sided against her. 'And after all +I've done for her!' cried Aunt Eleanor. I said I thought gratitude was +an overrated virtue anyway, and that to expect a person to vote your way +because you had been good to her, was a kind of graft." + +"Humph!" said Dr. Prue. + +"I know it was a dreadful, dreadful thing to say." Tears were in +Margaret Elizabeth's eyes. "When she has been loveliness itself to me. +There it is, you see. I have thought about it, and thought about it, +until I'm all mixed up." + +"What did your aunt say?" + +"She was very dignified. She had not expected to hear such a thing from +me. Then she walked away." + +"I hope you asked her pardon." + +"I had no chance. She has gone to Chicago--was on her way to the station +then. I will, of course." + +"For a young thing your ideas are not bad, though your problem is +entangled in foolish convention, personal pride and so on. But neither +you nor I was born to set the world right. Now cheer up and think no +more about it for the present. Be ready at two o'clock to go to the park +with me. The superintendent's child is ill again." + +Having delivered her prescription, Dr. Prue left, and her patient +returned to her hearth-stone and an endeavour to be honest with +herself. Virginia had interrupted this most difficult process with her +fairy-tale. While it could not be said to bear upon the situation, after +she had left Margaret Elizabeth was conscious of a faint lightening of +the fog. + +As they sped smoothly toward the park, in the new electric, Margaret +Elizabeth driving, Dr. Prue exclaimed, "There, I'm forgetting that +letter again." Unfastening her bag she held it open while she continued, +"I hope you'll forgive whoever is to blame, but when the hall was being +cleaned yesterday, James fished this out of the umbrella jar. Dear knows +how it got there or when; it looks as if it had been in a shipwreck." +She produced a stained and sorry-looking missive from her bag. "You can +just make out the address, the postmark is quite gone," she added, +laying it in her companion's lap. "You haven't missed an important +letter, have you?" + +"Not that I know of," Margaret Elizabeth replied with a laugh that was +a bit unsteady. "It is probably nothing of value." She kept her gaze on +the road ahead. "Just slip it in my pocket, please." + +All the rest of the way to the park her heart thumped uncomfortably. +Could it be? Of course not, it was an advertisement. Why get excited? +Meanwhile she chatted pleasantly with Dr. Prue. + +"All you need is fresh air and a simple life for a while. Your colour +has come back wonderfully," the doctor remarked as they drew up at the +cottage gate. "Will you wait for me here?" + +"If you don't mind, I think I'll go into the park, and if I'm not back +by the time you are ready, don't wait. I can take the street car." + +Turning in at the entrance to the park, Margaret Elizabeth was for a +fleeting moment aware of a Candy Wagon standing at the curb a few yards +away. There was nothing unusual in this except the odd way in which it +fitted into the situation, and the next moment she had forgotten +everything but the letter in her hand. + +She walked slowly down the path. The April sunshine sifted through a +faint and feathery greenness overhead, the air was clear and fresh. She +was thinking that she had seen just one little scrap of the Candy Man's +writing--on the card accompanying the Christmas basket; and this on the +letter was blurred and stained, yet she was sure of it. He had written. +She had been sure he would. She was glad. She would be honest with +herself. She wanted him for a friend. In many ways she liked him better +than any one she had met this winter. She wanted to know more about him. + +She tried to tear the letter open, but for all it was so damaged the +paper had remained tough. She would wait to read it till she reached the +summer house. That little vine-hung arbour had been in her thought ever +since Dr. Prue proposed to bring her down to the park. She had a foolish +desire to sit there and look at the river, and go on being honest with +herself. + +Margaret Elizabeth, mounting the steps and looking at her letter as she +did so, was confronted by somebody who started up in surprise from the +bench where she had sat with her flowers that autumn day. + +For one surprised moment she and the stranger faced each other, then +Miss Bentley exclaimed, "I saw the wagon at the gate, but I didn't know +it was yours." And then the mischief faded into simple honest gladness +as she held out her hand. "I certainly did not expect to see you," she +added, "but you are an unexpected sort of person." + +"Nothing so wonderful as the chance of meeting you occurred to me for a +moment," the Candy Man assured her. "In fact I was not certain you cared +to see me." Those same pleasant eyes, so emphatically not the eyes of +Augustus, looked into hers questioningly. + +Margaret Elizabeth held up the letter. "It was shipwrecked," she said. +"I got it only a few minutes ago. I haven't read it. I thought it was +you who didn't care to be friends." + +The Candy Man did not exactly understand how a letter could be +shipwrecked in an overland journey of ten hours, but he dismissed it as +of no importance. "It isn't worth reading now," he said. "It was just +to make my adieus and ask if some time when I had lived down my past," +here he smiled, "I might come back and tell you my strange story. I was +counting on your willingness to be friends. You remember you said it +would do no harm to hope." + +"Oh, did I? And when you did not hear from me, what did you think? +Honestly," asked Margaret Elizabeth. + +"I thought of course there must be a reason. A shipwreck did not occur +to me." + +"Do you mean a reason for not being friends? But you came." + +"The suspense was too much for me. I haven't many friends; and besides, +this is on the way to Texas." + +"So you are going to Texas this time?" + +It seemed the Candy Man had heard of an opening there. + +Margaret Elizabeth wanted to ask why he had come to the park, but +something told her not to; instead she said, looking away to the shining +river, "I know of no reason why we should not be friends. So I am ready +to hear the story you speak of. Is it more strange than the adventures +of a Candy Wagon?" Her eyes came back and met his as they had done the +day when the conversation turned upon fairy godmothers. Margaret +Elizabeth was not spoiled. + +"It is more serious," was his reply. "In fact, it is very serious. +The Candy Wagon was a mere episode. What I wish to tell you now goes +deeper." + + + + +CHAPTER THIRTEEN + +_In which the Candy Man relates his story, and the Miser comes upon +Volume I of the shabby book with the funny name._ + + +"I want you to know all about me," began the Candy Man, taking from his +pocket the shabby little book Virginia had once remarked on, "so there +may be no more wrong impressions." + +They sat in the sunshine on the top step of the little pavilion, facing +the river. Margaret Elizabeth, supporting her chin in her hand, regarded +him gravely. The west wind was cool on their faces. + +"I have often imagined myself telling you," he went on. "Not that there +is much to it, besides its strangeness. In fact, to be brief, I don't +know who I am." + +The surprise in Miss Bentley's eyes caused him to add quickly: "Not that +I am a foundling. But my father and mother were lost at sea when I was +three years old. We were coming from Victoria to San Francisco, when the +steamer went down. Only a few of the passengers were saved, I among +them." + +"How sad and terrible!" cried Margaret Elizabeth. "Can you remember it? +How lost and lonely you must have been! Poor little child!" + +"I recall it only in a vague way," he answered, "confused with what has +since been told me. When it was known that my parents were lost, a man +and his wife, fellow passengers, offered to adopt me. Beyond the name +'Robert Deane, Wife and Child,' on the list at the ship's office, they +were unable to learn anything about me, and I was too young and +bewildered to give any clue." + +"That is very strange," said Margaret Elizabeth. "Your new father and +mother were kind to you?" + +"So kind I soon forgot the terror and loneliness, and grew happy and +content. Everything was done to make me forget, and I think while they +made every effort to find out something about me, they were glad when +they failed. I wish now that my childish memories might have been +fostered, for I find myself reaching back into a mist full of vague +shapes. + +"My new father was a civil engineer, whose work took him here, there and +everywhere throughout the broad West. I never knew a permanent home. My +adopted mother died when I was twelve. After that came boarding school +and college. About the time I left college my father's health failed, +and for several years he was helpless and very dependent upon me, so +I gave up my plan of entering a mining school. + +"It was during his illness that he began to speak to me of my own +parents. He had talked to them on several occasions during the voyage, +and he described them as young people of refinement and education. My +mother, he thought from her speech, was English. They rather held aloof, +he said, and seemed disinclined to mention their own affairs. While he +was ill the news came to us of the finding in a storage warehouse in San +Francisco of an old trunk which it seemed probable had belonged to my +parents. Without going into detail, I may say it was through an old +acquaintance of my adopted father's, who knew the circumstances of my +adoption, that we heard of it. He had some interest in the warehouse, +which was about to be torn down and rebuilt. This trunk was found in +some forgotten corner where it had lain for twenty-five years." + +"And did it throw any light?" asked Margaret Elizabeth. + +"Not much, it rather deepened the mystery. There was little of +significance in it, but this book and a package of letters. From them I +learned nothing definite, but gathered the unwelcome probability that my +father was under some sort of cloud, and was not using his real name. +This was a matter of inference--of deduction, largely, but it was plain +he had left his home in some sort of trouble. + +"It is not easy to piece together scattered allusions, when you have no +clue. The letters were most of them written by my father to my mother, +just before and soon after their marriage, with one or two from her to +him. One of these, which I found between the leaves of this little book, +I want you to read. It concludes my story, and to my mind lightens it a +little." + +The letter the Candy Man held out to Margaret Elizabeth was written on +thin paper, in a delicate angular hand. + +"Ought I to read it?" she demurred. "Are you sure she would like it?" + +"Somehow I am very sure," he answered. "And I feel that it will be a +grip on our friendship. I have told you the worst, I wish you to know +the best of me." + +She acquiesced, and, an elbow on her knee, shading her eyes with her +hand, she read the letter, whose date was thirty years ago. Far back +in the past this seemed to Margaret Elizabeth, yet it was a girl like +herself who wrote. + +The first sentences were almost meaningless, so strong was the feeling +that she had no right to be reading it at all, but as she went on she +forgot her scruples. It was evidently a reply to a letter from her lover +in which he had spoken of the cloud that hung over his name, and it was +a confession of her faith in him, girlish, sweet and tender. "I trust +you, Robert," it said. "It is in you to do heedless things, to be +reckless, if only because you are young and eager and strong; but it +is not in you to be dishonourable; of this I am as certain as I am of +anything in life. Some day the truth will be known and you will be +cleared, but whether it is or no, I choose to walk beside you. I choose +it gladly, happily. I write the words again, gladly, happily, Robert. +Yours, Mary." + +"Oh!" cried Margaret Elizabeth, lifting a glowing face, "I love Mary." + +"She was brave and unselfish," said the Candy Man. + +Margaret Elizabeth nodded. "Yes, that is one side of it. Still, you see, +she was sure, and it was, as she says, a joy to cast in her lot with +him. 'Gladly, happily.'" Her eyes shone. She gazed far away down the +river. The wind blew little tendrils of bright hair across her cheek. +"It must be so when you care very much," she went on. + +"But," argued the Candy Man, "under the stress of very noble feeling +people sometimes do foolish things, do they not?" + +"But this was not. Do you think for a moment Mary ever regretted it? +I see what you mean by the best of you. It is something to have such +credentials." Margaret Elizabeth's gaze met the Candy Man's, and her +eyes were deep as they had been on Christmas Eve, in the firelight. + +Oh, Margaret Elizabeth, it is your own fault, for being so dear, so +unworldly! Could you, can you, cast in your lot with an unknown Candy +Man? He has no business to ask you. He did not mean to, but only to +prepare the way. He knows he is no great catch, even from the point of +view of a Little Red Chimney. These are not the precise words of the +Candy Man, but something like them.... + +So absorbed was Margaret Elizabeth in the thought of Mary, she was a bit +slow in taking in their meaning. She gave him one startled glance, and +then looked down, as it happened, upon the shabby little book which lay +on the step between them. Absently she drew it toward her, and with +fingers that trembled, opened it, as if to find her answer in its pages. +Then a smile began faintly to curl about her lips, and she read aloud +from the book: + + _"What we find then to accord with love and reason, that we may + safely pronounce right and good."_ + + +"Judged at the bar of reason I fear my case is hopeless," protested the +Candy Man, putting out his hand to close the book. + +But Margaret Elizabeth clasped it to her breast. "I see nothing +unreasonable in it," she declared stoutly. As she spoke a faded crimson +flower fell in her lap. + +Somewhat later in the afternoon, Miss Bentley and the Candy Man, +walking together along the river path, had they not been so engrossed +in their own affairs, might have recognised the tall, stooping figure +of the Miser strolling slowly ahead of them. It was for a minute only, +for near a turn in the path he bent forward and disappeared in a thicket +of althea bushes. At this season it was not a dense thicket, and Mr. +Knight, poking in the soft mould with his cane in search of a certain +tiny plant, had no thought of hiding, but, as it chanced, was unobserved +by his friends. + +"Oh, Margaret Elizabeth," her companion was saying as they passed, "you +are so dear! I have no business to be telling you so, but indeed I can't +help it." + +And she with a little laugh replied: "I am glad you can't, Candy Man." +And the next moment they were gone around the turn. + +That was all, but it was enough. What rarer flower was likely to come +the Miser's way, on this or any day? + +He stood and looked after them. These two had brought into his grey +life the touch of golden youth. He began to tremble under the force +of a wonderful thought. He sought a bench and sank upon it. It would +be a solution of his problem. He had come out to-day into the spring +sunshine, feeling his burden more than he could bear, for in his pocket +was a letter which put an end to the hope he had long cherished of at +length righting a great wrong. + +There must be a way of doing what he wished. The consent of the Candy +Man once gained, that hateful fortune, which through these years had +been slowly crushing him, might become a minister of joy and well being, +might make possible for others those best things of life that he had +missed. + +The thought thrilled him. He rose and walked on, back to the pavilion, +where he paused again to rest. There on the step lay the shabby book +with the funny name and the small oval bit cut from the fly leaf, +beneath which was the Candy Man's name, Robert Deane Reynolds. + + + + +CHAPTER FOURTEEN + +_Shows how Mrs. Gerrard Pennington, unhappy and distraught, beseeches +Uncle Bob to help her save Margaret Elisabeth; also how Mr. Gerrard +Pennington comes to the rescue, and how in the end his wife submits +gracefully to the inevitable, which is not so bad after all._ + + +When Mrs. Gerrard Pennington was shown into the room of the Little Red +Chimney, there was nobody there. A chilly wind outside, which dashed +the rain against the windows, only served to call attention to the +pleasantness within. It was indeed an aggressively cheerful room, +entirely out of keeping with Mrs. Pennington's mood. The open piano, +the row of thrifty ferns on the window-sill, the new novel on the table +with a foreign letter between its leaves, and the work basket beside +it--which, by the way, was of sweet grass--all sang the same song to +the accompaniment of the fire's quiet crackle. + +The burden of the song was Margaret Elizabeth. You saw her sitting bolt +upright on the sofa, being very intense about something, or lost in +thought, elbows on knees, on the ottoman beside the hearth, or occupied +with that bit of embroidery, her curling lashes almost on her cheek. Oh, +Margaret Elizabeth, how could you? How could you? + +Mrs. Pennington, pacing uneasily back and forth, glanced at the music on +the piano rack. + + "Oh, stay at home, my heart, and rest, + Home-keeping hearts are happiest," + +it admonished her. In this disarming atmosphere she began to feel +herself the victim of some wretched dream. Yet here in her bag was +Margaret Elizabeth's note, found awaiting her on her return from Chicago +an hour ago. + +In it her niece apologised contritely for the inexcusable manner in +which she had spoken, and continued: "It makes me unhappy, dearest +Aunt Eleanor, to think of disappointing you, for you have been the +kindest aunt in the world, but I have discovered in the last few +days what I ought to have known all along, that I cannot marry Mr. +McAllister. The reason is there is some one else. He is neither rich +nor of distinguished family, but there are things that count for more, +at least to me. I shall see you very soon, and explain more fully. +In the meantime think kindly, if you can, of your niece, + +MARGARET ELIZABETH." + +[Illustration: MRS. GERRARD PENNINGTON] + +This as it stood was bad enough, wrecking her dearest hopes at the +moment when they had seemed most secure; but taken in connection with +a story related in artless innocence by her travelling companion of +yesterday, Teddy Brown, to use one of that gentleman's cherished +phrases, it spelled tragedy. + +The Reporter had not been bent on mischief. Far from it. He was merely +grappling bravely with the task of being agreeable to the great lady. +Surely it was but natural that in the course of a long conversation the +Candy Man's curious resemblance to Augustus should suggest itself as a +topic; and given a gleam of something like interest in his companion's +eyes, it was easy to continue from bad to worse. + +He lived in the same apartment house as Virginia, and from her he +had heard of the Christmas tree, and the Candy Man's presence on the +occasion; also of that old accident on the corner in which the Candy +Man had figured as Miss Bentley's rescuer. No wonder those intuitions +regarding a person who was not Augustus should have risen to torture +Mrs. Pennington. All this circumstantial evidence was very black against +Margaret Elizabeth, seemingly so honest and frank. No wonder Mrs. +Pennington was distraught. + +Meanwhile, wherever her heart might be, Margaret Elizabeth herself +was out. Uncle Bob, coming in, paper in hand, to greet the visitor +cordially, could not imagine where she had gone, and peered around the +room as if after all she might have escaped their notice. If she wasn't +in, he was confident she would be, in the course of a few minutes, which +confidence was not a logical deduction from known facts, but merely an +untrustworthy inference, born of his surprise at finding her out at all. + +Placing a chair for Mrs. Pennington, he took one himself and regarded +her genially. Some minutes of polite conversation followed, in the +course of which Mrs. Pennington, concealing her agitation, spoke of her +journey to Chicago in quest of colonial furnishings. Mr. Vandegrift in +his turn brought forward Florida and orange groves. + +But Margaret Elizabeth delayed her coming, and Mrs. Pennington could +stand it no longer. "Mr. Vandegrift," she began, after the silence that +followed the last word on oranges, "I regret that my niece is not here, +yet it may be as well to speak to you first. I may say, to make an +appeal to you. You are, I am sure, fond of Margaret Elizabeth." She +played nervously with the fastening of her shopping bag. + +Uncle Bob looked at her in surprise, then at the toe of his shoe. "I +think I may safely admit it," he owned, crossing his knees and nodding +his head. + +"Then, Mr. Vandegrift, I beseech you, with all the feeling of which I am +capable, to unite with me in saving this misguided girl." At this point +all her intuitions and fears rallied around Mrs. Pennington, and gave a +quiver to her voice. + +Uncle Bob was astonished at her tone, and said so. + +"I assure you, Mr. Vandegrift, I have her own word for it." She produced +a note from her bag. + +"Her word for what?" he asked. + +"Why, for--oh, Mr. Vandegrift, let us not waste time in futile fencing. +You must know that Margaret Elizabeth has deceived me; has been guilty +of base ingratitude; has been meeting clandestinely a person--a mere +adventurer. I can scarcely bring myself to say it. My brother Richard's +daughter!" Mrs. Pennington had recourse to her handkerchief. + +Uncle Bob uncrossed his knees and sat bolt upright. "Madame," he +exclaimed, "I am sorry for your distress, whatever its cause, but let me +assure you, you are under some grave mistake. My niece has met no one +clandestinely, and is incapable of deceit and treachery." + +"Do I understand then that it was with your connivance?" + +"I have connived at nothing, Madame, and I know of no adventurer." Uncle +Bob took his penknife from his pocket and tapped on the table with it. +His manner was legal in the extreme. He was enjoying himself. + +Mrs. Pennington looked over her handkerchief. "But she says, +herself----" + +"Says she has been guilty of deceit and treachery? Has been meeting an +adventurer clandestinely? Pardon me, but this is incredible." + +"What is incredible, Uncle Bob?" came a voice from the half-open door, +unmistakably that of the accused. "I'll be there as soon as I get off my +raincoat," it added. + +"It is hopeless to try to make you understand," Mrs. Pennington almost +sobbed, the while sounds from the hall indicated that some one beside +Margaret Elizabeth was removing a raincoat. A horrible dread suddenly +smote her, lest it be that person. A sleepless night and her distress +had unnerved her. She felt herself unequal to the encounter. + +She glanced about helplessly for a way of escape, but there was none. +"Tell him not to come in. I cannot see him now," she begged tragically +of Uncle Bob, who, honestly mystified now, stood between her and the +door, looking from it to her. + +"She says not to come in," he repeated to Margaret Elizabeth's +companion, who was following her in. + +"Why, Aunt Eleanor, I didn't know it was you! They told me your train +was late. And oh, what is the matter? What are you crying about? Is it +I?" Margaret Elizabeth, with raindrops on her hair, knelt beside her +aunt and embraced her, pressing a cool cheek against that lady's +fevered one. + +Mrs. Pennington, her face hidden in her hands, continued to murmur, "I +cannot see him. I cannot see him." + +"In the name of heaven, Eleanor, why can't you see me? Why must I not +come in?" demanded a familiar voice which brought her to with a shock. + +"Gerrard!" she cried, in her surprise revealing a sadly tear-stained +countenance. + +Uncle Bob beat a retreat into the hall, where he paused, chuckling to +himself. + +"Certainly it is I. Who should it be?" said her husband, taking a seat +beside her. "Why are you making such a sight of yourself, my dear? When +I telephoned out to know if you had arrived, they said you had and had +gone out again immediately, no one knew where. I came out to talk over +some business with William Knight, and when I was leaving I saw your car +over here, and thought I'd join you; but if my presence is unbearable, +I will withdraw." Mr. Pennington smiled at Margaret Elizabeth. + +"Don't be silly, please, I have had a most trying day. I don't expect +you to understand." + +Mrs. Pennington was recovering her poise. There was something +irresistibly steadying in her husband's matter-of-fact statement, and in +the sight of her niece sitting back on her heels and looking up at her +with lovely, solicitous eyes. Treachery and deceit became meaningless +terms in such connection. + +"You haven't given us a chance to understand, Eleanor. What is the +trouble?" Mr. Pennington demanded. + +"Uncle Gerry, I am afraid it is I," said Margaret Elizabeth, picking up +the note from the floor where it had fallen. "I am sorry, you know I am, +that I can't do as she wishes, but you understand that I can't. Tell +her, please, that I did honestly try to think I could, but it wasn't of +any use." + +"Oh, come now, Eleanor, if that is it, of course we wanted Margaret +Elizabeth up at the Park; but the young people of this generation like +to manage their own affairs, as we did before them." Mr. Pennington +looked quizzically at his niece. "She's been getting up a bit of +melodrama for our benefit, that's all. If you will pardon the +suggestion, my dear, I think possibly it is you who do not understand." + +Margaret Elizabeth, rising from her lowly position, threw him a kiss +over her aunt's head. + +"How can I be expected to, with everything shrouded in mystery?" cried +Mrs. Pennington. "Why have I never heard of this person before? Why was +I left to be told dreadful things by a reporter?" + +"A reporter!" cried Margaret Elizabeth, in her turn aghast. + +"Nonsense! If you heard anything dreadful you know Margaret Elizabeth +well enough to know it was not true. But how in the world could a +reporter have got hold of it?" + +"You speak so confidently, Gerrard, tell me, what do you know about this +man?" Mrs. Pennington looked from her niece to her husband. "Margaret +Elizabeth seems to have completely won you to her side," she added. + +"It is really a very strange story, Eleanor, and to begin at the end of +it, we have quite sufficient evidence, in my opinion, to prove that he +is the son of my old comrade, Robert Waite." + +Mrs. Pennington fixed surprised eyes upon her husband. Margaret +Elizabeth sat down and folded her hands in her lap. + +"You recall how Rob disappeared, without a word to any of his friends? +It was not till some years after the general's death that I had the +least clue to it; then William Knight came to me to know if I could +give any help in tracing him. He owned that there had been some trouble +between General Waite and Robert, and that the latter had been unjustly +treated. I couldn't give him any assistance, and I never discussed it +with him again. Knight was always close-mouthed, and it was only the +other day that I learned what the trouble was. It seems the general +suspected his nephew of taking a large sum of money from the safe in his +library. It was one of those cases of complete circumstantial evidence. +Rob was known to have lost money on the races. He was the only one +beside the general himself who had access to the safe, and who knew that +this money, several thousand dollars, was there at this time. That is, +so it was supposed. + +"Knowing them both, one can easily understand the outcome. Robert +disappeared, and a few years later, when the general died, he left his +fortune to William Knight, his wife's nephew. Then after some little +time the real thief turned up. I won't go into that, further than to +say that it was through a deathbed confession to a priest. Since then +Knight has been searching far and wide for some trace of Robert, only +to receive last week the evidence of his death twenty-five years ago. +And now comes the strange part of the story. The very day on which +he received this news, Knight came by chance upon a book which he +recognised as once the property of Robert Waite. The owner's name was +cut from the fly leaf, but below it was written the name of a young +man whose acquaintance he had made last winter, Robert Deane Reynolds. +Deane was Rob's middle name, so naturally it led to an investigation." + +Mr. Pennington looked over at Margaret Elizabeth. "Have I told a +straight story?" he asked. + +"There were letters, you know," she prompted. + +"Oh, yes. This young man had letters which I could have identified +anywhere." + +Mrs. Pennington was interested. She asked questions. That absurd story +about a Candy Wagon was untrue then? But how had Margaret Elizabeth met +this person? She still referred to him as a person. And somehow the +united efforts of Margaret Elizabeth and Mr. Pennington failed to clear +up the mystery, though they did their best. + +Even if the Candy Wagon episode was to be regarded as humorous, though +it did not present itself in that light to Mrs. Pennington, how could +Margaret Elizabeth have asked a Candy Man to her Christmas tree? + +"But you see, by that time I knew he wasn't real, Aunt Eleanor, and +anyway--" + +"Now go slow, Margaret Elizabeth," cautioned her uncle. "At heart you +are a confounded little socialist, but take my advice and keep it to +yourself." He was thinking of what she had said to him only the day +before: "You see, Uncle Gerry, you can't have everything. You have +to choose. And while I like bigness and richness, I like Little Red +Chimneys and what they stand for, best. I want to be on speaking terms +with both ends, you see." + +"It is odd," Mr. Pennington went on, "the tricks heredity plays, and +that this young man and Augustus McAllister should both hark back to a +common ancestor for their general characteristics of build and feature. +I was struck with the resemblance, myself." + +"It was what first attracted me," owned Margaret Elizabeth demurely. + +The name of Augustus still had painful associations for Mrs. Pennington. +She rose. "Really we must be going," she said. At some future time she +felt she might be able to meet Mr. Reynolds or Waite, or whatever his +name was, with equanimity, but now she was thankful to hear he had gone +back to Chicago for some papers. + +She received Margaret Elizabeth's farewell embrace languidly. "Since +there is such weight of authority in your favour, and matters have +developed so strangely, there is nothing for me to say. I dislike +mystery, and prefer to have things go on regularly and according to +precedent. It is your welfare I have at heart." + +Mr. Pennington's good-by was different. + +"I don't wonder you like it down here, Margaret Elizabeth--this room, +you know," he said. + +As they drove homeward Mrs. Pennington was engaged in mentally +reconstructing affairs. "Of course," she heard herself saying, "it was +a disappointment to me, but romantic girls are not to be controlled by +common-sense aunts, and really it might be worse." And she remarked +aloud: "The fact that he is a nephew of General Waite means something." + +"That's so," assented her husband. "Something like half a million. +Old Knight is determined to hand it all over." He smiled to himself, +then added: "He came to see me--the young man, I mean. I liked him. +He suggested Rob a little without resembling him. Very gentlemanly; +nice eyes." + + + + +CHAPTER FIFTEEN + +_In which the Fairy Godmother Society is again mentioned, among other +things_. + + +"But it is really embarrassing when I had made up my mind to marry a +poor Candy Man to have it turn out so. I rather liked defying common +sense," said Margaret Elizabeth. + +The Candy Man had made a hurried journey to Chicago, and was back before +the rain was over, and while it was still cold enough for a fire, so +that his old dream of sometime sitting by the Little Red Chimney's +hearth was coming true. Margaret Elizabeth in the blue dress, by +request, though she declared it wasn't fit to be seen, occupied the +ottoman, her elbows on her knees, the firelight playing in her bright +hair. + +"It is the way it happens in fairy-tales," urged the Candy Man. "And I +really couldn't help it." + +"Of course you are right," she agreed. "As Virginia's story runs, 'He +turned into a prince, and because Violetta had been true to him through +thick and thin, he made her a princess.' Anyhow, Candy Man, I'm glad I +chose you before your good fortune came." + +"It was an extremely venturesome thing to do, Girl of All Others, as +I have told you before, though immensely flattering to me. I have to +take the money, there is no way out of it. I believe it would break our +Miser's heart if I refused. Do you know what he was proposing to do +before he found the book?" + +"What?" asked Margaret Elizabeth. + +"To adopt me. You see we had come to be pretty good friends last +winter, and I think he suspected from the start that I had rather lofty +aspirations for a Candy Man. In a Little Red Chimney direction--you +understand?" + +"Perfectly--go on." + +"Well, he saw us in the park----" + +"And his suspicions were confirmed, I suppose," put in Margaret +Elizabeth, coolly. + +"Exactly. And knowing from what I had told him previously that I had +my fortune to seek, it occurred to him that as the channel he had been +hoping for had been closed, the next best thing would be to make it +possible for two young persons to----" + +"The dear old Miser!" interrupted Margaret Elizabeth. "But why is he so +unwilling to use the money himself? It is honestly his." + +"I may not fully understand, but I think from things he has said, that +as a boy he was jealous of my father. This feeling would naturally make +him, when it came to the test, not unwilling to believe in his guilt. +Then, being reticent and introspective, he magnified all this a +thousandfold when the truth came out, and he realised he had profited by +the unjust suspicion. By dwelling upon it he came to feel as if he had +actually obtained the money himself by unfair means. But I am convinced +that if he did encourage his uncle to believe in my father's guilt, it +was because he firmly believed it himself. Never since the facts were +known has he regarded the money as his, and not until he had almost +exhausted his own means in the effort to trace the rightful owner, as +he regarded him, did he use a penny of it." + +"It is so touching to see his surprise and gratitude that I do not feel +resentful toward him," added the Candy Man. "His joy at handing over +this fortune is wonderful. He already looks a different man." + +"We must make it up to him in some way," said Margaret Elizabeth. "I +mean for all these lonely years. Speaking of money, I'll tell you what +I have been thinking. When we build our house, as I suppose we shall +some day, when we come back from our search for the Archćologist----" + +"By all means. That is one mitigating circumstance. We can build a +house," responded the Candy Man. + +"Well, as I was going to say, we must have a Little Red Chimney. The +house will be broad and low," she extended her arms, "and with wings; +I love wings. One of them shall have a Little Red Chimney all its own. +It shall stand for our ideals. If we should be tempted to a sort of life +that separates us from our fellows, it will remind us, you, that you +once sat in a Candy Wagon, me, that I fell in love with a Candy Man. And +I'll tell you what, speaking of the Miser. Don't you remember? It was he +you meant that day when we were talking about the Fairy Godmother +Society, and----" + +Of course the Candy Man remembered. + +"Then, let's organise and make him chief agent while we are gone. I know +of a number of things to be done." + +"So do I," said the Candy Man. "There is my fellow lodger, the one I +told you about, a teacher in the High School. He needs a real change +this summer, he and his wife." + +"Oh, I am sure we can work it out," cried Margaret Elizabeth. + +"I am sure we can," he assented. + +"You see it will begin where organised charity leaves off, of necessity. +Also where that can't possibly penetrate, and it will be singularly +free, because secret." + +"Again you sound like the minutes of the first meeting," said the Candy +Man. + +"Margaret Elizabeth!" + +It was Uncle Bob's voice at the door. "I hate to disturb you, but that +old bore at the club wants your father's address." + +"You aren't disturbing. Come in and hear about the Fairy Godmother +Society." + +"You don't mean really?" Uncle Bob stood before the hearth and looked +from his niece to the Candy Man. + +"Indeed we do," she answered. "You see we have ten times as much money +as we thought we had. So why not?" + +"Quite correct, as we thought we hadn't any," murmured the Candy Man. + +Uncle Bob rubbed his hands in delight. "I told Prue you'd do something +of the sort; that you wouldn't just settle down to be ordinary rich +people. But Prue says riches bring caution." + +Margaret Elizabeth, going to her desk for the address, laughed. "We +aren't going to forget our humble beginning," she said; "and we'll act +quickly before we are inured to our new estate." + +"But then, you know, there is another side to it," her uncle interposed, +in a sudden access of prudence. "You must consider the matter carefully +with an eye to the future. For instance now, there may be heirs." + +A silence fell. The fire crackled, and the clock ticked with unusual +distinctness. Then Margaret Elizabeth spoke. + +"Here's the address," she said. "I'll put it in your pocket, where you +can't forget it." And as she tucked it in, she added, stoutly, with a +lovely deepening of the colour in her cheek: "If there are, Uncle Bob, +they will be fairy god-brothers and sisters, so it will be all right." + +It was after the door had closed upon Uncle Bob, and Margaret Elizabeth +was back on her low seat again, that the Candy Man left his chair and +sat on the rug beside her. "Girl of All Others, is there any one else +in the world as happy as I?" he asked. + +Margaret Elizabeth smiled at him with eyes that answered the question +before she spoke. Then she said, slipping her hand into his, "One +other." + + +THE END + + + + + + + + + + +End of Project Gutenberg's The Little Red Chimney, by Mary Finley Leonard + +*** END OF THIS PROJECT GUTENBERG EBOOK THE LITTLE RED CHIMNEY *** + +***** This file should be named 15406-8.txt or 15406-8.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/4/0/15406/ + +Produced by Kentuckiana Digital library, David Garcia and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/15406-8.zip b/15406-8.zip Binary files differnew file mode 100644 index 0000000..2f89af4 --- /dev/null +++ b/15406-8.zip diff --git a/15406-h.zip b/15406-h.zip Binary files differnew file mode 100644 index 0000000..4d88bbe --- /dev/null +++ b/15406-h.zip diff --git a/15406-h/15406-h.htm b/15406-h/15406-h.htm new file mode 100644 index 0000000..744a1b5 --- /dev/null +++ b/15406-h/15406-h.htm @@ -0,0 +1,4899 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> +<html xmlns="http://www.w3.org/1999/xhtml"> +<head> +<meta http-equiv="Content-Type" + content="text/html; charset=iso-8859-1" /> +<meta content="pg2html (binary v0.18b)" name="generator" /> +<title>The Project Gutenberg eBook of + The Little Red Chimney, + by Mary Finley Leonard +</title> +<style type="text/css"> +/*<![CDATA[*/ + <!-- + body { margin-left: 8%; margin-right: 8%; } + p { text-indent: 1em; + margin-top: .75em; + font-size: 100%; + text-align: justify; + margin-bottom: .75em; } + h1,h2,h3,h4,h5,h6 { text-align: center; } + hr { width: 50%; } + hr.full { width: 100%; } + .foot { margin-left: 10%; margin-right: 10%; text-align: justify; text-indent: -3em; font-size: 85%; } + .poem { margin-left: 10%; margin-right: 10%; margin-bottom: 1em; text-align: left; } + .poem .stanza { margin: 1em 0em 1em 0em; } + .poem p { margin: 0; padding-left: 3em; text-indent: -3em; } + .quote { margin-left: 6%; margin-right: 6%; text-indent: 0em; font-size: 90%; } + .toc { margin-left: 15%; font-size: 80%; margin-bottom: 0em;} + center { padding: 0.8em;} + .ctitle { margin: 1em 12% 1.5em 12%; text-indent: -1.5em; } +/*]]>*/ + // --> +</style> +</head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Little Red Chimney, by Mary Finley Leonard + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Little Red Chimney + Being the Love Story of a Candy Man + +Author: Mary Finley Leonard + +Release Date: March 18, 2005 [EBook #15406] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE LITTLE RED CHIMNEY *** + + + + +Produced by Kentuckiana Digital library, David Garcia and the Online +Distributed Proofreading Team. + + + + + + +</pre> + + +<h1> + THE LITTLE RED CHIMNEY +</h1> +<a name="image-0001"><!--IMG--></a> +<center> +<img src="images/ill-01.png" width="430" height="725" alt="The Candy Man" /> +<br /><span style="font-variant: small-caps;">The Candy Man</span> +</center> + +<a name="h2H_4_0001" id="h2H_4_0001"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h1> + The Little Red Chimney +</h1> +<h2> + <i>Being the Love Story of a Candy Man</i> +</h2> +<h3> +BY MARY FINLEY LEONARD +</h3> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h3> + Illustrations in Silhouette +<br /> + by KATHARINE GASSAWAY +</h3> + +<hr class="full" /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CONTENTS +</h2> +<p> +<a href="#h2HCH0001"><i>CHAPTER I</i></a> +</p> +<p> +In which the curtain rises on the Candy Wagon, and the leading +characters are thrown together in a perfectly logical manner by Fate. +</p> +<p> +<a href="#h2HCH0002"><i>CHAPTER II</i></a> +</p> +<p> +In which the Candy Man walks abroad in citizen's clothes, and is +mistaken for a person of wealth and social importance. +</p> +<p> +<a href="#h2HCH0003"><i>CHAPTER III</i></a> +</p> +<p> +In which the Little Red Chimney appears on the horizon, but without +a clue to its importance. In which also the Candy Man has a glimpse +of high life and is foolishly depressed by it. +</p> +<p> +<a href="#h2HCH0004"><i>CHAPTER IV</i></a> +</p> +<p> +In which the Candy Man again sees the Grey Suit, and Virginia continues +the story of the Little Red Chimney. +</p> +<p> +<a href="#h2HCH0005"><i>CHAPTER V</i></a> +</p> +<p> +In which the double life of the heroine is explained, and Augustus +McAllister proves an alibi. +</p> +<p> +<a href="#h2HCH0006"><i>CHAPTER VI</i></a> +</p> +<p> +In which Margaret Elizabeth is discussed at the Breakfast Table; in +which also, later on, she and Virginia and Uncle Bob talk before the +fire, and in which finally Margaret Elizabeth seeks consolation by +relating to Uncle Bob her adventure in the park. +</p> +<p> +<a href="#h2HCH0007"><i>CHAPTER VII</i></a> +</p> +<p> +Shows how the Candy Wagon is visited in behalf of the Squirrel, and how +pride suffers a fall; how Miss Bentley turns to Vedantic Philosophy to +drown her annoyance, and discovers how hard it is to forget when you +wish to. +</p> +<p> +<a href="#h2HCH0008"><i>CHAPTER VIII</i></a> +</p> +<p> +In which the Miser's past history is touched upon; which shows how his +solitude is again invaded, and how he makes a new friend. +</p> +<p> +<a href="#h2HCH0009"><i>CHAPTER IX</i></a> +</p> +<p> +Shows how Miss Bentley and the Reporter take refuge in a cave, and how, +in the course of the conversation which follows, she hears something +which disposes her to feel more kindly toward the Candy Man; shows also +how Uncle Bob proves faithless to his trust and his niece finds herself +locked out in consequence. +</p> +<p> +<a href="#h2HCH0010"><i>CHAPTER X</i></a> +</p> +<p> +In which the Little Red Chimney keeps Festival, and the Candy Man +receives an unexpected invitation. +</p> +<p> +<a href="#h2HCH0011"><i>CHAPTER XI</i></a> +</p> +<p> +In which a radical change of atmosphere is at once noticed; which shows +how Miss Bentley repents of a too coming-on disposition, and lends an +ear to the advantages of wealth. +</p> +<p> +<a href="#h2HCH0012"><i>CHAPTER XII</i></a> +</p> +<p> +Which shows Miss Bentley recovering from a fit of what Uncle Bob calls +Cantankerousness; in which a shipwrecked letter is brought to light, and +Dr. Prue is called again to visit the child of the Park Superintendent. +</p> +<p> +<a href="#h2HCH0013"><i>CHAPTER XIII</i></a> +</p> +<p> +In which the Candy Man relates his story, and the Miser comes upon +Volume I of the shabby book with the funny name. +</p> +<p> +<a href="#h2HCH0014"><i>CHAPTER XIV</i></a> +</p> +<p> +Shows how Mrs. Gerrard Pennington, unhappy and distraught, beseeches +Uncle Bob to help her save Margaret Elizabeth; also how Mr. Gerrard +Pennington comes to the rescue, and how in the end his wife submits +gracefully to the inevitable, which is not so bad after all. +</p> +<p> +<a href="#h2HCH0015"><i>CHAPTER XV</i></a> +</p> +<p> +In which the Fairy Godmother Society is again mentioned, among other +things. +</p> + + +<a name="h2H_ILLU" id="h2H_ILLU"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + ILLUSTRATIONS +</h2> +<p> +<a href="#image-0001">THE CANDY MAN</a> +</p> +<p> +<a href="#image-0002">MARGARET ELIZABETH</a> +</p> +<p> +<a href="#image-0003">VIRGINIA</a> +</p> +<p> +<a href="#image-0004">DR. PRUE</a> +</p> +<p> +<a href="#image-0005">UNCLE BOB</a> +</p> +<p> +<a href="#image-0006">THE MISER</a> +</p> +<p> +<a href="#image-0007">COUSIN AUGUSTUS</a> +</p> +<p> +<a href="#image-0008">MRS. GERRARD PENNINGTON</a> +</p> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<hr /> + +<p style="text-align: center; text-indent: 0;"> +To <br /> +George Madden Martin +</p> + +<hr /> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h1> +THE LITTLE RED CHIMNEY +</h1> +<a name="h2HCH0001" id="h2HCH0001"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER ONE +</h2> +<p class="ctitle"> +<i>In which the curtain rises on the Candy Wagon, and the leading +characters are thrown together in a perfectly logical manner by +Fate</i>. +</p> +<p> +The Candy Wagon stood in its accustomed place on the Y.M.C.A. corner. +The season was late October, and the leaves from the old sycamores, in +league with the east wind, after waging a merry war with the janitor all +morning, had swept, a triumphant host, across the broad sidewalk, to lie +in heaps of golden brown along the curb and beneath the wheels of the +Candy Wagon. In the intervals of trade, never brisk before noon, the +Candy Man had watched the game, taking sides with the leaves. +</p> +<p> +Down the steps of the Y.M.C.A. building sauntered the Reporter. +Perceiving the Candy Wagon at the curb he paused, scrutinising it +jauntily, through a monocle formed by a thumb and finger. +</p> +<p> +The wagon, freshly emblazoned in legends of red, yellow and blue which +advertised the character and merits of its wares, stood with its +horseless shafts turned back and upward, in something of a prayerful +attitude. The Reporter, advancing, lifted his arms in imitation, and +recited: "Confident that upon investigation you will find everything as +represented, we remain Yours to command, in fresh warpaint." He seated +himself upon the adjacent carriage block and grinned widely at the +Candy Man. +</p> +<p> +In spite of a former determination to confine his intercourse with the +Reporter to strictly business lines, the Candy Man could not help a +responsive grin. +</p> +<p> +The representative of the press demanded chewing gum, and receiving it, +proceeded to remove its threefold wrappings and allow them to slip +through his fingers to the street. "Women," he said, with seeming +irrelevance and in a tone of defiance, "used to be at the bottom of +everything; now they're on top." +</p> +<p> +The Candy Man was quick at putting two and two together. "I infer you +are not in sympathy with the efforts of the Woman's Club and the Outdoor +League to promote order and cleanliness in our home city," he observed, +his eye on the débris so carelessly deposited upon the public +thoroughfare. +</p> +<p> +"Right you are. Your inference is absolutely correct. The foundations of +this American Commonwealth are threatened, and the <i>Evening Record</i> +don't stand for it. Life's made a burden, liberty curtailed, happiness +pursued at the point of the dust-pan. Here is the Democratic party of +the State pledged to School Suffrage. The Equal Rights Association is to +meet here next month, and—the mischief is, the pretty ones are taking +it up! The first thing you know the Girl of All Others will be saying, +'Embrace me, embrace my cause.' Why, my Cousin Augustus met a regular +peach of a girl at the country club,—visiting at the Gerrard +Penningtons', don't you know, and almost the first question she asked +him was did he believe in equal rights?" The Reporter paused for breath, +pushing his hat back to the farthest limit and regarding the Candy Man +curiously. "It is funny," he added, "how much you look like my Cousin +Augustus. I wonder now if he could have been twins, and one stolen by +the gypsies? You don't chance to have been stolen in infancy?" +</p> +<p> +This innocent question annoyed the Candy Man, although he ignored it, +murmuring something to the effect that the Reporter's talents pointed to +the stump. It might have been a guilty conscience or merely impatience +at such flagrant nonsense, for surely he could not reasonably object +to resembling Cousin Augustus. The Candy Man was a well-enough looking +young fellow in his white jacket and cap, but nothing to brag of, that +he need be haughty about a likeness to one so far above him in the +social scale, whom in fact he had never seen. +</p> +<p> +The Reporter lingered in thoughtful silence while some westbound +transfers purchased refreshment, then as a trio of theological students +paused at the Candy Wagon, he restored his hat to its normal position +and strolled away. On the Y.M.C.A. corner business had waked up. +</p> +<p> +For some time the Candy Wagon continued to reap a harvest from the rush +of High School boys and younger children. Morning became afternoon, +the clouds which the east wind had been industriously beating up +gathered in force, and a fine rain began to fall. The throng on the +street perceptibly lessened; the Candy Man had leisure once more to +look about him. +</p> +<p> +A penetrating mist was veiling everything; the stone church, the +seminary buildings, the tall apartment houses, the few old residences +not yet crowded out, the drug store, the confectionery—all were softly +blurred. The asphalt became a grey lake in which all the colour and +movement of the busy street was reflected, and upon whose bosom the +Candy Wagon seemed afloat. As the Candy Man watched, gleams of light +presently began to pierce the mist, from a hundred windows, from passing +street cars and cabs, from darting machines now transformed into +strange, double-eyed demons. It was a scene of enchantment, and with +pleasure he felt himself part of it, as in his turn he lit up his wagon. +</p> +<p> +The traffic officer, whose shrill whistle sounded continually above the +clang of the trolley cars and the hoarse screams of impatient machines, +probably viewed the situation differently. Given slippery streets, +intersecting car lines, an increasing throng of vehicles and +pedestrians, with a fog growing denser each moment, and the utmost +vigilance is often helpless to avert an accident. So it was now. +</p> +<p> +The Candy Man did not actually see the occurrence, but later it +developed that an automobile, in attempting to turn the corner, +skidded, grazing the front of a car which had stopped to discharge some +passengers, then crashing into a telegraph pole on the opposite side of +the street. What he did see was the frightened rush of the crowd to the +sidewalk, and in the rush, a girl, just stepping from the car, caught +and carried forward and jostled in such a manner that she lost her +footing and fell almost beneath the wheels of the Candy Wagon, and +dangerously near the hoofs of a huge draught horse, brought by its +driver to a halt in the nick of time. +</p> +<p> +The Candy Man was out and at her side in an instant, assisting her +to rise. The panic swept past them, leaving only a long-legged child +in a red tam, and a sad-faced elderly man in its wake. The Candy Man +had seen all three before. The wearer of the red tam was one of the +apartment-house children, the sad man was popularly known to the +neighbourhood as the Miser, and the girl, to whose assistance he had +sprung—well, he had seen her on two previous occasions. +</p> +<p> +As she stood in some bewilderment looking ruefully at the mud on her +gloves and skirt, the merest glance showed her to be the sort of girl +any one might have been glad to help. +</p> +<p> +"Thank you, I am not hurt—only rather shaken," she said in answer to +the Candy Man. +</p> +<p> +"Here's your bag," announced the long-legged child, fishing it out of +the soggy mass of leaves beneath the wagon. "And you need not worry +about your skirt. Take it to Bauer's just round the corner; they'll +clean it," she added. +</p> +<p> +The owner of the bag received it and the accompanying advice with an +adorable smile in which there was merriment as well as appreciation. +The Miser plucked the Candy Man by the sleeve and asked if the young +lady did not wish a cab. +</p> +<p> +She answered for herself. "Thank you, no; I am quite all right—only +muddy. But was it a bad accident? What happened?" +</p> +<p> +The Miser crossed the street where the crowd had gathered, to +investigate, and returning reported the chauffeur probably done for. +While he was gone the conductor of the street car appeared in quest of +the names and addresses of everybody within a radius of ten blocks. In +this way the Candy Man learned that her name was Bentley. She gave it +reluctantly, as persons do on such occasions, and he failed to catch +her street and number. +</p> +<p> +"I'm very sorry! I suppose there is nothing one can do?" she exclaimed, +apropos of the chauffeur, and the next the Candy Man knew she was +walking away in the mist hand in hand with the long-legged child. +</p> +<p> +"An unusually charming face," the Miser remarked, raising his umbrella. +</p> +<p> +To the sober mind "unusually charming" would seem a not unworthy +compliment, but the Candy Man, as he resumed his place in the wagon, +smiled scornfully at what he was pleased to consider its grotesque +inadequacy. If he had anything better to offer, the Miser did not stay +to hear it, but with a courteous "good evening" disappeared in his +turn in the mist. An ambulance carried away the injured man, the crowd +dispersed; the remains of the machine were towed away to a near-by +garage. Night fell; the throng grew less, the rain gathered courage and +became a downpour. There would be little doing in the way of business +to-night. +</p> +<p> +As he made ready for early closing the Candy Man fell to thinking of the +girl whose name was Bentley. Not that the name interested him save as a +means of further identification. It was a phrase used by the Reporter +this morning that occurred to him now as peculiarly applicable to her. +The Girl of All Others! He rolled it as a sweet morsel under his tongue, +undisturbed by the reflection that such descriptive titles are at +present overworked—in dreams one has no need to be original. +</p> +<p> +Neither did it strike him as incongruous that he should have seen her +first in the grocery kept by Mr. Simms, who catered to the needs of such +as got their own breakfasts, and whose boiled ham was becoming famous, +because it was really done. He went back to the experience, dwelling +with pleasure upon each detail of it, even his annoyance at the grocer's +daughter, who exchanged crochet patterns with the tailor's wife, after +the manner of a French exercise, and ignored him. It was early and +business had not yet begun on the Y.M.C.A. corner; still he could not +wait forever. The grocer himself, who was attending to the wants of a +lean and hungry-looking student, had just handed his rolls and smoked +sausage across the counter, with a cheery "Breakfast is ready, ring the +bell," when the door opened and the Girl of All Others came in. +</p> +<p> +She was tallish, but not very tall, and somewhat slight. She wore a grey +suit—the same which had suffered this afternoon from contact with the +street, and a soft felt hat of the same colour jammed down anyhow on her +bright hair and pinned with a pinkish quill—or so it looked. The face +beneath the bright hair was—— But at this point in his recollections +the Candy Man all but lost himself in a maze of adjectives and adverbs. +We know, at least, how the long-legged child ran to help, and finally +went off hand in hand with her, and what the Miser said of her, and +after all the best the Candy Man could do was to go back to the +Reporter's phrase. +</p> +<p> +He had withdrawn a little behind a stack of breakfast foods where he +could watch her, wondering that the clerks did not drop their several +customers without ceremony and fly to do her bidding. She stood beside +the counter and made overtures to a large Maltese cat who reposed there +in solemn majesty. Beside the Maltese rose a pyramid of canned goods, +and a placard announced, "Of interest to light house keepers." Upon this +her eyes rested in evident surprise. "I didn't know there were any +lighthouses in this part of the country," she said half aloud. +</p> +<a name="image-0002"><!--IMG--></a> +<center> +<img src="images/ill-02.png" width="511" height="772" alt="Margaret Elizabeth" /> +<br /><span style="font-variant: small-caps;">Margaret Elizabeth</span> +</center> + +<p> +The Maltese laid a protesting paw upon her arm. It was not, however, the +absurdity of her remark, but the cessation of her caresses he protested +against. At the same moment her eyes met those of the Candy Man, across +the stack of breakfast foods. His were laughing, and hers were instantly +withdrawn. He saw her colour mounting as she exclaimed, addressing the +cat, "How perfectly idiotic!" +</p> +<p> +He longed to assure her it was a perfectly natural mistake, the placard +being but an amateurish affair; but he lacked the courage. +</p> +<p> +And then the grocer, having disposed of another customer, advanced to +serve her, and the grocer's daughter, it seemed, was also at leisure; +and though he would have preferred to watch the Girl of All Others doing +the family marketing in a most competent manner, a thoughtful finger +upon her lip, the Candy Man was forced to attend to his own business. +In selecting a basket of grapes and ordering them sent to St. Mary's +Hospital, he presently lost sight of her. +</p> +<p> +Once since then she had passed his corner on her way up the street. +That was all until to-night. It seemed probable that she lived in the +neighbourhood. Perhaps the Reporter would know. +</p> +<p> +Just here the recollection that he was a Candy Man brought him up short. +His bright dreams began to fade. The Girl of All Others should of course +be able to recognise true worth, even in a Candy Wagon, but such is the +power of convention he was forced to own to himself it was more than +possible she might not. Or if she did, her friends—— +</p> +<p> +But these disheartening reflections were curtailed by the sudden +appearance of a stout, grey horse under the conduct of a small boy. The +shafts were lowered, the grey horse placed between them, and, after a +few more preliminaries, the Candy Wagon, Candy Man and all, were removed +from the scene of action, leaving the Y.M.C.A. corner to the rain and +the fog, the gleaming lights, and the ceaseless clang of the trolley +cars. +</p> +<a name="h2HCH0002" id="h2HCH0002"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER TWO +</h2> +<p class="ctitle"> +<i>In which the Candy Man walks abroad in citizen's clothes, and is +mistaken for a person of wealth and social importance.</i> +</p> +<p> +The Candy Man strolled along a park path. The October day was crisp, the +sky the bluest blue, the sunny landscape glowing with autumn's fairest +colours. It was a Sunday morning not many days after the events of the +first chapter, and back in the city the church bells were ringing for +eleven o'clock service. +</p> +<p> +In citizen's clothes, and well-fitting ones at that, the Candy Man was +a presentable young fellow. If his face seemed at first glance a trifle +stern, this sternness was offset by the light in his eyes; a steady, +purposeful glow, through which played at the smallest excuse a humorous +twinkle. +</p> +<p> +After the ceaseless stir of the Y.M.C.A. corner, the stillness of the +park was most grateful. At this hour on Sunday, if he avoided the golf +grounds, it was to all intents his own. His objective point was a rustic +arbour hung with rose vines and clematis, where was to be had a view of +the river as it made an abrupt turn around the opposite hills. Here he +might read, or gaze and dream, as it pleased him, reasonably secure from +interruption once he had possession. +</p> +<p> +The Candy Man breathed deeply, and smiled to himself. It was a day to +inspire confident dreams, for the joy of fulfilment was over the land. +Was it the sudden fear that some other dreamer might be before him, or +a subconscious prevision of what actually awaited him, that caused him +to quicken his steps as he neared the arbour? However it may have been, +as he took at a bound the three steps which led up to it, he came with +startling suddenness upon Miss Bentley entering from the other side, +her arms full of flowers. Their eyes met in a flash of recognition +which there was no time to control. She bowed, not ungraciously, yet +distantly, and with a faint puzzled frown on her brow, and he, as he +lifted his hat, spoke her name, which, as he was not supposed to know +it, he had no business to do; then they both laughed at the way in which +they had bounced in at the same moment from opposite directions. +</p> +<p> +With some remark about the delightful day, the Candy Man, as a gentleman +should, tried to pretend he was merely passing through, and though it +was but a feeble performance, Miss Bentley should have accepted it +without protest, then all would have been well. Instead, she said, still +with that puzzled half frown, "Don't go, I am only waiting here a moment +for my cousin, who has stopped at the superintendent's cottage." She +motioned over her shoulder to a vine-covered dwelling just visible +through the trees. +</p> +<p> +"Please do not put it in that way," he protested. "As if your being here +did not add tremendously to my desire to remain. I am conscious of +rushing in most unceremoniously upon you, and——" +</p> +<p> +Hesitating there, hat in hand, his manners were disarmingly frank. Miss +Bentley laughed again as she deposited her flowers, a mass of pink and +white cosmos, upon a bench, and sat down beside them. She seemed willing +to have him put it as he liked. She wore the same grey suit and soft +felt hat, jammed down any way on her bright hair and pinned with a +pinkish quill, and was somehow, more emphatically than before, the Girl +of All Others. +</p> +<p> +How could a Candy Man be expected to know what he was about? What wonder +that his next remark should be a hope that she had suffered no ill +effects from the accident? +</p> +<p> +"None at all, thank you," Miss Bentley replied, and the puzzled +expression faded. It was as if she inwardly exclaimed, "Now I know!" +"Aunt Eleanor," she added, "was needlessly alarmed. I seem rather given +to accidents of late." Thus saying she began to arrange her flowers. +</p> +<p> +The Candy Man dropped down on the step where the view—of Miss +Bentley—was most charming, as she softly laid one bloom upon another in +caressing fashion, her curling lashes now almost touching her cheek, now +lifted as she looked away to the river, or bent her gaze upon the +occupant of the step. +</p> +<p> +"Do you often come here?" she asked, adding when he replied that this +was the third time, that she thought he had rather an air of +proprietorship. +</p> +<p> +He laughed at this, and explained how he had set out to pay a visit to +a sick boy at St. Mary's Hospital, but had allowed the glorious day to +tempt him to the park. +</p> +<p> +Below them on the terraced hillside a guard sat reading his paper; +across the meadow a few golfers were to be seen against the horizon. +All about them the birds and squirrels were busily minding their own +affairs; above them smiled the blue, blue sky, and the cousin, whoever +he or she might be, considerately lingered. +</p> +<p> +Like the shining river their talk flowed on. Beginning like it as a +shallow stream, it broadened and deepened on its way, till presently +fairy godmothers became its theme. +</p> +<p> +Miss Bentley was never able to recall what led up to it. The Candy Man +only remembered her face, as, holding a crimson bloom against her cheek, +she smiled down upon him thoughtfully, and asked him to guess what she +meant to do when some one left her a fortune. "I have a strange +presentiment that some one is going to," she said. +</p> +<p> +"How delightful!" he exclaimed, but did not hazard a guess, and she +continued without giving him a chance: "I shall establish a Fairy +Godmother Fund, the purpose of which shall be the distribution of good +times; of pleasures large and small, among people who have few or none." +</p> +<p> +"It sounds," was the Candy Man's comment, "like the minutes of the first +meeting. Please explain further. How will you select your beneficiaries?" +</p> +<p> +"I don't like your word," she objected. "Beneficiaries and fairy +godmothers somehow do not go together. Still, I see what you mean, and +while I have not as yet worked out the plan, I'm confident it could be +managed. Suppose we know a poor teacher, for instance, who has nothing +left over from her meagre salary after the necessary things are provided +for, and who is, we'll say, hungry for grand opera. We would enclose +opera tickets with a note asking her to go and have a good time, signed, +'Your Fairy Godmother,' and with a postscript something like this, 'If +you cannot use them, hand them on to another of my godchildren.' Don't +you think she would accept them?" +</p> +<p> +Under the spell of those lovely, serious eyes, the Candy Man rather +thought she would. +</p> +<p> +"Of course," Miss Bentley went on, "it must be a secret society, never +mentioned in the papers, unknown to those you call its beneficiaries. +In this way there will be no occasion or demand for gratitude. No +obligations will be imposed upon the recipients—that word is as bad as +yours—let's call them godchildren—and the fairy godmother will have +her fun in giving the good times, without bothering over whether they +are properly grateful." +</p> +<p> +"You seem to have a grievance against gratitude," said the Candy Man +laughing. +</p> +<p> +"I have," she owned. +</p> +<p> +"There are people who contend that there is little or none of it in the +world," he added. +</p> +<p> +"And I am not sure it was meant there should be—much of it, I mean. It +is an emotion—would you call it an emotion?" +</p> +<p> +"You might," said the Candy Man. +</p> +<p> +"Well, an emotion that turns to dust and ashes when you try to +experience it, or demand it of others," concluded Miss Bentley with +emphasis. "And you needn't laugh," she added. +</p> +<p> +The Candy Man disclaimed any thought of such a thing. He was profoundly +serious. "It is really a great idea," he said. "A human agency whose +benefits could be received as we receive those of Nature or +Providence—as impersonally." +</p> +<p> +She nodded appreciatively. "You understand." And they were both aware +of a sense of comradeship scarcely justified by the length of their +acquaintance. +</p> +<p> +"May I ask your ideas as to the amount of this fund?" he said. +</p> +<p> +She considered a moment. "Well, say a hundred thousand," she suggested. +</p> +<p> +"You are expecting a large bequest, then." +</p> +<p> +"An income of five thousand would not be too much," insisted Miss +Bentley. "We should wish to do bigger things than opera tickets, you +know." +</p> +<p> +"There are persons who perhaps need a fairy godmother, whom money +cannot help," the Candy Man continued thoughtfully. "There's an old +man—not so old either—a sad grey man, whom the children on our block +call the Miser. I am not an adept in reading faces, but I am sure there +is nothing mean in his. It is only sad. I get interested in people," +he added. +</p> +<p> +"So do I," cried his companion. "And of course, you are right. The Fairy +Godmother Society would have to have more than one department. Naturally +opera tickets would not do your man any good—unless we could get him to +send them." +</p> +<p> +They laughed over this clever idea, and the Candy Man went on to say +that there were lonely people in the world, who, through no fault of +their own, were so circumstanced as to be cut off from those common +human relationships which have much to do with the flavour of life. +</p> +<p> +"I don't quite understand," Miss Bentley began. But these young persons +were not to be left to settle the affairs of the universe in one +morning. A handkerchief waved in the distance by a stoutish lady, +interrupted. "There's Cousin Prue," Miss Bentley cried, springing to +her feet. +</p> +<p> +Hastily dividing her flowers into two bunches, she thrust one upon the +Candy Man. "For your sick boy. You won't mind, as it isn't far. I have +so enjoyed talking to you, Mr. McAllister. I shall hope to see you soon +again. Aunt Eleanor often speaks of you." +</p> +<p> +This sudden descent to the conventional greatly embarrassed the Candy +Man, but he had no time for a word. Miss Bentley was off like a flash, +across the grass, before he could collect his scattered wits. He looked +after her, till, in company with the stout lady, she disappeared from +view. Then with a whimsical expression on his countenance, he took a +leather case from his breast pocket, and opening it glanced at one of +the cards within. It was as if he doubted his own identity and wished +to be reassured. +</p> +<p> +The name engraved on the card was not McAllister, but Robert Deane +Reynolds. +</p> +<a name="h2HCH0003" id="h2HCH0003"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER THREE +</h2> +<p class="ctitle"> +<i>In which the Little Red Chimney appears on the horizon, but without +a clue to its importance. In which also the Candy Man has a glimpse of +high life and is foolishly depressed by it.</i> +</p> +<p> +Starting from the Y.M.C.A. corner, walking up the avenue a block, then +turning south, you came in a few steps to a modest grey house with a +grass plat in front of it, a freshly reddened brick walk, and flower +boxes in its windows. It was modest, not merely in the sense of being +unpretentious, but also in that of a restrained propriety. You felt it +to be a dwelling of character, wherein what should be done to-day, was +never put off till to-morrow; where there was a place for everything and +everything in it. Yet mingling with this propriety was an all-pervading +cheer that appealed strongly to the homeless passerby. +</p> +<p> +The grey house presented a gable end to the street, and stretched a +wing comfortably on either side. In one of these was a glass door, with +"Office Hours 10-1," which caused you to glance again at the sign on the +iron gate: "Dr. Prudence Vandegrift." +</p> +<p> +The other ell, which was of one story, had a double window, before +which a rose bush grew, and when the blinds were up you had sometimes a +glimpse of an opposite window, indicating that it was but one room deep. +From its roof rose a small chimney that stood out from all the other +chimneys, because, while they were grey like the house and its slate +roof, it was red. +</p> +<p> +Strolling by in a leisure hour the Candy Man had remarked it and +wondered why, and found himself continuing to wonder. Somehow that +little red chimney took hold on his imagination. It was a magical +chimney, poetic, alluring, at once a cheering and a depressing little +chimney, for it stirred him to delicious dreams, which, when they faded, +left him forlorn. +</p> +<p> +It was to Virginia he owed enlightenment. Virginia was the long-legged +child who had fished Miss Bentley's bag from beneath the Candy Wagon, +the indomitable leader of the Apartment House Pigeons, as the Candy Man +had named them. +</p> +<p> +The Apartment House did not exclude children, neither did it encourage +them, and when their individual quarters became too contracted to +contain their exuberance, they perforce sought the street. Like pigeons +they would descend in a flock, here, there, everywhere; perching in a +blissful row before the soda fountain in the drug store; or if the state +of the public purse did not warrant this, the curbstone and the wares +of the Candy Wagon were cheerfully substituted. By virtue no doubt of +her long legs and masterful spirit, Virginia ruled the flock. Under her +guidance they made existence a weariness to the several janitors on +the block. +</p> +<p> +As in defiance of law and order they circled one day on their roller +skates, down the avenue and up the broad alley behind the Y.M.C.A., +round and round, Virginia issued her orders: "You all go on, I want to +talk to the Candy Man." +</p> +<p> +Being without as yet any theories, consistently democratic, she regarded +him as a friend and brother. A state of society in which the position of +Candy Man was next the throne, would have seemed perfectly logical to +Virginia. +</p> +<a name="image-0003"><!--IMG--></a> +<center> +<img src="images/ill-03.png" width="403" height="722" alt="Virginia" /> +<br /><span style="font-variant: small-caps;">Virginia</span> +</center> + +<p> +"You don't look much like Tim," she volunteered, dangling her legs from +the carriage block. Her hair was dark and severely bobbed; her miniature +nose was covered with freckles, and she squinted a little. +</p> +<p> +"No?" responded the Candy Man. +</p> +<p> +"Tim was Irish," she continued. +</p> +<p> +During business hours conversation of necessity took on a disjointed +character. Unless you had great power of concentration you forgot in the +intervals what you had been talking about. When a group of High School +boys had been served and had gone their hilarious way Virginia began +again. "You know the house with the Little Red Chimney?" she asked. +</p> +<p> +The Candy Man did. +</p> +<p> +"Well, a nice old man named Uncle Bob lives there, and I asked him why +that chimney was red, and he said because it was new. A branch of a tree +fell on the old one. The tree where the squirrel house is, you know." +</p> +<p> +The Candy Man remembered the tree. +</p> +<p> +"He said the doctor was going to have it painted, but he kind of liked +it red, and so did her ladyship." +</p> +<p> +"And who might her ladyship be?" the Candy Man inquired. +</p> +<p> +"That's what I asked him, and he said, 'You come over and see,' and +then he said—now listen to this, for it's just like a story." Virginia +lifted an admonishing finger. "He said, whenever I saw smoke coming out +of that Little Red Chimney, I might know her ladyship had come to town. +You'd better believe I'm going to watch. And what do you think! I can +see it from our dining-room window!" she concluded. +</p> +<p> +"Most interesting," said the Candy Man politely, without the least idea +how interesting it really was. +</p> +<p> +Virginia's gaze suddenly fastened on a small book lying on the seat of +the Candy Wagon, and she had seized it before its owner could protest. +"What a funny name," she said. "'E p i c t e t u s.' What does that +spell? And what made you cut a hole in this page? It looks like a +window." +</p> +<p> +The page was a fly leaf, from which a name, possibly that of a former +owner, had been removed. Below it the Candy Man's own name was now +written. +</p> +<p> +"It was so when I got it," he answered, holding out his hand for it. He +had no mind to have his book in any other keeping, for somewhere within +its leaves lay a crimson flower. +</p> +<p> +Before she returned it Virginia examined the back. "Vol. I, what does +that mean?" she asked, and without waiting for an answer she tossed it +back to him, and ran to join the other pigeons. +</p> +<p> +From this time Virginia began to be almost as constant a visitor as +the Reporter. She had a way of bursting into conversation without any +preface whatever, speaking entirely from the fullness of her heart at +the moment. +</p> +<p> +"I'd give anything in the world to be pretty," she remarked one day, +resting her school bag on the carriage block and sighing deeply. +</p> +<p> +"But now honestly," said the Candy Man, regarding her gravely, "it seems +to me you are a very nice-looking little girl, and who knows but you may +turn out a great beauty some day? That is the way it happens in story +books." +</p> +<p> +Virginia returned his gaze steadily. "Do you really think there is any +chance? You are not laughing?" +</p> +<p> +He assured her he was intensely serious. +</p> +<p> +"Well, you are the first person who ever told me that. Uncle Harry said, +'Is it possible, Cornelia, that this is your child?' Cornelia is my +mother, and she is a beauty. My brother is awfully good looking, too. +Everybody thinks he ought to have been the girl. I'll tell you who I +want to look like when I grow up. Don't you know that young lady who +fell in the mud?" +</p> +<p> +Oh, yes, the Candy Man knew, and applauded Virginia's ambition. He would +have been pleased to enlarge on the subject, even to the extent of +neglecting business, but just as she began to be interesting Virginia +remembered an errand to the drug store, and ran away. +</p> +<p> +That Sunday morning meeting with Miss Bentley had been reviewed by the +Candy Man from every possible standpoint, and always, in conclusion, +with the same questions. Could he have done otherwise? What would she +think when she discovered her mistake? Who was his unknown double? +</p> +<p> +The opportunity offering, he made some guarded inquiries of the +Reporter. +</p> +<p> +"Bentley?" repeated that gentleman, as he sharpened a bright yellow +pencil. "Seem to have heard the name somewhere recently." +</p> +<p> +It was a matter of no particular importance to the Candy Man. He had +chanced to hear the name given to the conductor by the young lady who +was thrown down the night of the accident, and wondered—— +</p> +<p> +The Reporter, who wasn't listening, here exclaimed: "I have it! It was +this A.M. Maimie McHugh was interviewing Mrs. Gerrard Pennington over +the office 'phone in regard to a luncheon she is giving this week in +honour of her niece. Said niece's name me-thinks was Bentley. You will +see it all in the social notes later. Covers for twelve, decorations in +pink, La France roses, place cards from somewhere." He paused to laugh. +"Maimie was doing it up brown, but she lacks tact. What does she do but +ask for Miss Bentley's picture for the Saturday edition! I tried to stop +her, but it was too late. You should have heard the 'phone buzz. 'My +niece's picture in the <i>Evening Record</i>!' 'I don't care, mean old +thing,' says Maimie, when she hung up. 'Nicer people than she is do it, +and are glad to. 'That's all right, my honey,' I told her, 'but there +are nice people and nice people, and it's up to you to know the variety +you are dealing with, unless you like to be snubbed.' Still," the +Reporter added reflectively, "Mrs. Gerrard Pennington and little McHugh +can't afford to quarrel. After the luncheon Mrs. G.P. will probably send +Maimie a pair of long white gloves, and when their pristine freshness +has departed, Maimie will wear them to the office a time or two." +</p> +<p> +The Candy Man wished to know who Mrs. Gerrard Pennington was, anyway. +</p> +<p> +"She, my ignorant friend, is a four-ply Colonial Dame, so to speak. +Distinguished grandfathers to burn, and the dough to support them, +unlike another friend of mine who possessed every qualification needed +to become a C.D. except on the clothes line." +</p> +<p> +"The joke," observed the Candy Man, "is old, but worth repeating. But did +I understand you to say <i>another</i> friend? And am I to infer——?" +</p> +<p> +"You are far too keen for a Candy Man," said the Reporter, laughing. +"Mrs. G.P. is friendly with the wealthy branch of our family. She +regards my Cousin Augustus as a son. Now I think of it, your Miss +Bentley cannot be her niece. She could scarcely fall out of a street +car. A victoria or a limousine would be necessary in her case." +</p> +<p> +The Candy Man did not see his way clear to disclaim proprietorship in +Miss Bentley, so let it pass. Certainly, on other grounds his Miss +Bentley, to call her so, could not be Mrs. Gerrard Pennington's niece. +Not that she lacked the charm to grace any position however high, but +her simplicity and friendliness, the fact that she walked in the country +with a stoutish relative who was intimate with the family of the park +superintendent, the marketing he had witnessed, all went to prove his +point. +</p> +<p> +Yet on the occasion of a fashionable noon wedding at the stone church +near the Y.M.C.A. corner, all this impressive evidence was brought to +naught. In the crush of machines and carriages the Candy Wagon was all +but engulfed in high life. When the crowd surged out after the bridal +party, the congestion for a few minutes baffled the efforts of the corps +of police. +</p> +<p> +The Candy Man, looking on with much amusement at the well-dressed +throng, presently received a thrill at the sound of a clear young voice +exclaiming, "Here is the car, Aunt Eleanor—over here." +</p> +<p> +The haughtiest of limousines had taken up its station just beyond the +Candy Wagon, and toward this the owner of the voice was piloting a +majestic and breathless personage. If the Candy Man could have doubted +his ears, he could not doubt his eyes. Here was the grace, the sparkle, +the everything that made her his Miss Bentley, the Girl of All +Others—except the grey suit. Now she wore velvet, and wonderful white +plumes framed her face and touched her bright hair. No, there was no +mistaking her. Reviewing the evidence he found it baffling. That absurd +exclamation about lighthouses alone might be taken as indicating an +unfamiliarity with the humbler walks of life. +</p> +<p> +The Reporter was at this time in daily attendance upon a convention in +progress in a neighbouring hall, and he rarely failed to stop at the +carriage block and pass the time of day on his way to and fro. +</p> +<p> +"Ah ha!" he exclaimed, on one of these occasions, after perusing in +silence the first edition of the <i>Evening Record</i>; "I see my Cousin +Augustus, on his return from New York, is to give a dinner dance in +honour of Mrs. Gerrard Pennington's niece." +</p> +<p> +"I appreciate your innocent pride in Cousin Augustus, but may I inquire +if by chance he possesses another name?" The Candy Man spoke with +uncalled-for asperity. +</p> +<p> +"Sure," responded the Reporter, with a quizzical glance at his +questioner; "several of 'em. Augustus Vincent McAllister is what he +calls himself every day." +</p> +<a name="h2HCH0004" id="h2HCH0004"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER FOUR +</h2> +<p class="ctitle"> +<i>In which the Candy Man again sees the Grey Suit, and Virginia +continues the story of the Little Red Chimney.</i> +</p> +<p> +It was Saturday afternoon, possibly the very next Saturday, or at most +the Saturday after that, and the Candy Wagon was making money. The day +of the week was unmistakable, for the working classes were getting home +early; fathers of families with something extra for Sunday in paper bags +under their arms. And the hat boxes! They passed the Candy Man's corner +by the hundreds. Every feminine person in the big apartment houses must +be intending to wear a new hat to-morrow. +</p> +<p> +There was something special going on at the Country Club—the Candy Man +had taken to reading the social column—and the people of leisure and +semi-leisure were to be well represented there, to judge by the machines +speeding up the avenue; among them quite probably Miss Bentley and Mr. +Augustus McAllister. +</p> +<p> +This not altogether pleasing reflection had scarcely taken shape in his +mind, when, in the act of handing change to a customer, he beheld Miss +Bentley coming toward him; without a doubt his Miss Bentley this time, +for she wore the grey suit and the felt hat, jammed down any way on her +bright hair and pinned with the pinkish quill. She was not alone. By +her side walked a rather shabby, elderly man, with a rosy face, whose +pockets bulged with newspapers, and who carried a large parcel. She was +looking at him and he was looking at her, and they were both laughing. +Comradeship of the most delightful kind was indicated. +</p> +<p> +Without a glance in the direction of the Candy Wagon they passed. Well, +at any rate she wasn't at the Country Club. But how queer! +</p> +<p> +Earlier in the afternoon Virginia had gone by in dancing-school array, +accompanied by an absurdly youthful mother. "I've got something to tell +you," she called, and the Candy Man could see her being reproved for +this unseemly familiarity. +</p> +<p> +His curiosity was but mildly stirred; indeed, having other things to +think of, he had quite forgotten the incident, when on Monday she +presented herself swinging her school bag. +</p> +<p> +"Say," she began, "I have found out about her Ladyship and the Little +Red Chimney." +</p> +<p> +"Oh, have you?" he answered vaguely. +</p> +<p> +Virginia, resting her bag on the carriage block, looked disappointed. +"I have been crazy to tell you, and now you don't care a bit." +</p> +<p> +"Indeed I do," the Candy Man protested. "I'm a trifle absent-minded, +that's all." +</p> +<p> +Thus reassured she began: "Don't you know I told you I could see +that chimney from our dining-room, and that I was going to watch it? +Well, the other day at lunch I happened to look toward the window, and +I jumped right out of my chair and clapped my hands and said, 'It's +smoking, it's smoking!' There was company, and mother said, 'Good +gracious, Virginia! what's smoking? You do make me so nervous!' Then +I was sorry I'd said anything, because she wouldn't understand, you +know. Well, after lunch I took one of Ted's balls, and went over to +Uncle Bob's, and I got a little darkey boy to throw it in the yard, and +then I went in to look for it. You see if Uncle Bob wasn't there and +anybody asked me what I was doing, I could say I was looking for my +brother's ball." +</p> +<p> +"I fear you are a deep one," remarked the Candy Man. +</p> +<p> +"No, I'm not, but I'm rather good at thinking of things," Virginia owned +complacently. "And then," she continued, "I poked around the rose bush, +and peeped in at the window, and sure enough she was there, brushing the +hearth. She saw me and came to the window, and when I ran away, 'cause +I thought maybe she was mad, she rapped, and then opened the window and +called: 'Come in, little girl, and talk to me.' And now who do you think +she turned out to be?" +</p> +<p> +A suspicion had been deepening in the Candy Man's breast for the last +few moments. His heart actually thumped. "Not—you don't mean——?" +</p> +<p> +Virginia nodded violently. "Yes, the lady who fell and got muddy. And +she's perfectly lovely, and I'm going there again. She asked me to." +</p> +<p> +Why, oh, why should such luck fall to the lot of a long-legged, +freckle-nosed little girl, and not to him, the Candy Man wondered. +He burned to ask innumerable questions, but compromised on one. Did +Virginia know whether or not she had come to stay? +</p> +<p> +"Why, I guess so. She didn't have her hat on, and she was cleaning +up—dusting, you know, and taking things out of a box." +</p> +<p> +"What sort of things?" +</p> +<p> +"Books and sofa pillows and pictures. I helped her, and by and by Uncle +Bob came in." +</p> +<p> +"And what did he say?" asked the Candy Man, just to keep her going. +</p> +<p> +"Why, he said, didn't he tell me so? And wasn't it great to have her +ladyship there?" +</p> +<p> +"And what did her ladyship say?" +</p> +<p> +"She said he was a dear, and I forget what else. Oh, but listen! I'll +bet you can't guess what her name is." +</p> +<p> +He couldn't. He had racked his brain for a name at once sweet enough and +possessing sufficient dignity. He had not found it for the good reason +that no such name has been invented. +</p> +<p> +"It's a long name," said Virginia, "as long as mine. I am named for +my grandmother, Mary Virginia, but they don't call me all of it." She +paused to watch two white-plumed masons on their way to the commandery +on the next block. +</p> +<p> +"Well?" said the Candy Man. +</p> +<p> +She laughed. "Oh, I forgot. Why, it is Margaret Elizabeth. The doctor +came in; she's a lady doctor, you know, and said, 'Margaret Elizabeth, +there'll be muffins for tea.' And she said, 'All right. Dr. Prue.' And +Dr. Prue said, 'And cherry preserves, if you and Uncle Bob want them,' +and Margaret Elizabeth said, 'Goody!' And I must go now," Virginia +finished. "There's Betty looking for me." +</p> +<p> +Virginia might go and welcome. He had enough to occupy his thought for +the present. Margaret Elizabeth! Such a name would never have suggested +itself to him, yet it suited her. Beneath her young gaiety and charm +there was something the name fitted. Margaret Elizabeth! He loved it +already. +</p> +<p> +Why had he not guessed that the Little Red Chimney belonged to her? +Had not the sight of it stirred his heart? And why should that have been +so, except for some subtle fairy godmother suggestion? The picture of +Margaret Elizabeth and Uncle Bob eating cherry preserves was a pleasant +one. It brought her nearer. The Candy Man was inclined to like Uncle +Bob, to think of him as a broad-minded person whose prejudices against +Candy Men, granting he had them, might in time be overcome. +</p> +<p> +From being a bit low in his mind, the Candy Man's mood became positively +jovial. When the sad grey man known to the children as the Miser, and +invested with mysterious and awful powers, stopped to buy some hoarhound +drops, he wished him a cheery good afternoon. +</p> +<p> +The Miser was evidently surprised, but responded courteously, and +recalling the accident of two weeks ago, asked if the Candy Man had +heard anything of the injured chauffeur. +</p> +<p> +It chanced that he had heard the Reporter say, only yesterday, that the +man was doing well and likely to recover. +</p> +<p> +"And the young lady? I think I saw her the other day going into a house +across the street from my own." +</p> +<p> +"The house with the Little Red Chimney?" asked the Candy Man +indiscreetly, forgetting himself for the moment. +</p> +<p> +A smile slowly dawned on the face of the sad man, but quickly faded, as +a flock of naughty pigeons tore by, screaming, "Lizer, Lizer, look out +for the Miser!" If he had been about to make a comment, he thought +better of it, and turned away. +</p> +<p> +Having identified the Little Red Chimney as the property of the Girl +of All Others, the Candy Man now made a new discovery. He had a room +in one of the old residences of the neighbourhood, so many of which in +these days were being given over to boarding and lodging. Its windows +overlooked a back yard, in which grew a great ash, and he had been +interested to observe how long after other trees were bare this one kept +its foliage. He found it one morning, however, giving up its leaves by +the wholesale, under the touch of a sharp frost; and, wonder of wonders! +through its bared branches that magical chimney came into view, with a +corner of grey roof. +</p> +<p> +Not far away rose the big smoke stack belonging to the apartment houses, +impressive in its loftiness, but to his fancy the Little Red Chimney +held its own with dignity, standing for something unattainable by great +smoke stacks, however important. +</p> +<p> +The Candy Man, it will be seen, did not attempt to reconcile conflicting +evidence. He took what suited him and ignored the rest. Was Miss Bentley +the niece of Mrs. Gerrard Pennington? She was also the niece of Uncle +Bob. Did she ride in haughty limousines? She also rode in street cars. +Was she wined and dined by the rich? She also ate muffins and cherry +preserves, and brushed up the hearth of the Little Red Chimney. +</p> +<a name="h2HCH0005" id="h2HCH0005"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER FIVE +</h2> +<p class="ctitle"> +<i>In which the double life led by the heroine is explained, and +Augustus McAllister proves an alibi.</i> +</p> +<p> +"Yes," said Miss Bentley, "I liked him. He turned out to be altogether +different from my first impressions. That afternoon at the Country +Club he seemed rather stiff—nice, assured manners, of course, but +unresponsive. But then the way in which we bounced in upon each other +was enough to break any amount of ice." She laughed at the recollection, +clasping her hands behind her head. +</p> +<p> +Instead of the little grey hat jammed down anyhow, she wore this morning +the most bewitching and frivolous of boudoir caps upon her bright head, +and a shimmery, lacy empire something, that clung caressingly about her, +and fell back becomingly from her round white arms. Miles and miles away +from the Candy Wagon was Margaret Elizabeth, who had so recently +hobnobbed down the avenue with Uncle Bob. +</p> +<p> +Mrs. Gerrard Pennington, in a similar garb, leaned an elbow on her desk, +a dainty French trifle, and gazed, perhaps a bit wistfully, at Margaret +Elizabeth's endearing young charms. "I am delighted that you like +Augustus. He is a young man of sterling qualities. His mother and I were +warm friends; I take a deep interest in him. Of course he is not showy; +perhaps he might be called a little slow; but he is substantial, and +while I should be the last to place an undue emphasis upon wealth, one +need not overlook its advantages. Augustus has had unusual +opportunities." +</p> +<p> +"Is Mr. McAllister rich?" Margaret Elizabeth dropped her arms in a +surprise which in its turn stirred a like emotion in her aunt's breast, +for Miss Bentley put rather a peculiar emphasis, it would seem, upon the +word rich. "I should never have guessed it," she added. +</p> +<p> +If Mrs. Pennington had been perfectly honest with herself, she would +have perceived that her own surprise indicated a suspicion that minus +his wealth the aforesaid sterling qualities were something of a dead +weight, but not for worlds would she have owned this. It would be a +great thing for Margaret Elizabeth, if she liked him. If she could be +the means of establishing dear old Richard's child in a position such +as the future Mrs. Augustus would occupy, she would feel she had done +her full duty. Mrs. Pennington was strong in the matter of duty. +</p> +<p> +"I should never have guessed it," Margaret Elizabeth repeated, after a +minute spent in a quick review of that talk in the summer house. +</p> +<p> +"It is not always possible, surely, to gauge a person's bank account in +the course of one conversation," her aunt suggested. +</p> +<p> +"I don't mean that; but don't you think, Aunt Eleanor, you can usually +tell very rich people? They are apt to be limited, in a way. Not always, +of course, but often. I can't explain it exactly. Perhaps it is +over-refined." +</p> +<p> +"If to be refined is to be limited, I prefer to be limited," Mrs. +Pennington remarked. +</p> +<p> +It was plain that unless Margaret Elizabeth went to the length of +retailing the whole of that Sunday morning conversation, which was out +of the question, she could not hope to make her meaning clear. +</p> +<p> +"What surprises me," her aunt went on, "is that you should have met +Augustus in a public park. It is very unlike him. I wonder what he +thought of you?" +</p> +<p> +This brought out Miss Bentley's dimples, as she owned he had seemed not +displeased to meet her. "I explained that I was waiting for Dr. Prue, +who had gone in to see one of the superintendent's children." She +further assured her aunt that River Bend Park was a delightful place in +which to enjoy nature, on Sunday morning or any other time. +</p> +<p> +"I confess I do not choose a public park when I wish to enjoy +nature—except for driving, of course. Perhaps," added Mrs. Pennington, +"that is what you call over-refined." +</p> +<p> +Margaret Elizabeth considered this thoughtfully. "Perhaps it is," she +said. "Not being able to enjoy things that are free to everybody." +</p> +<p> +But Margaret Elizabeth in that frivolously-becoming cap was an antidote +to her own remarks. Mrs. Pennington smiled indulgently. Richard's +daughter came honestly by some eccentricities, not to mention those +Vandegrifts, whose influence she greatly deplored. +</p> +<p> +"You will outgrow these socialistic ideas, my dear," she said. "But +I am still puzzled, the more I think of it, at your meeting Augustus on +Sunday morning. Was it two weeks ago? I am under the impression he left +for New York that very day." +</p> +<p> +"He didn't mention it, but there are afternoon trains," answered +Margaret Elizabeth. "He merely said something about a sick boy he was +going to see at St. Mary's." +</p> +<p> +This again was very unlike Augustus, but Mrs. Pennington said no more. +Meanwhile the faintest shadow of a doubt was dawning in her niece's +mind; so shadowy she was scarcely aware of it, until, glowing from her +walk across the park, she entered the drawing-room that afternoon. +</p> +<p> +There is, by the way, a difference between walking in Sunset Park, the +abode of the elect, with a huge St. Bernard in leash, and taking the +same exercise at River Bend, unchaperoned save by a chance guard. Any +right-minded person must see this. +</p> +<p> +A young man, who sat talking to Mrs. Gerrard Pennington before the fire, +rose at her entrance. +</p> +<p> +"I am glad you have come, Margaret Elizabeth," her aunt exclaimed. +"I think you know Mr. McAllister? But we have rather a good joke on +you, for August says he was never in his life in River Bend Park." +</p> +<p> +"How do you do, Miss Bentley. Awfully glad to see you. That is, except +to motor through, don't you know, Mrs. Pennington." +</p> +<p> +Miss Bentley's brown eyes met Mr. McAllister's blue ones, and in the +period of one brief glance she experienced almost as many sensations, +and reviewed as much past history, as the proverbial drowning man. +The casual resemblance was striking. But the eyes—these were not the +friendly, merry eyes to which she had confided the fairy godmother +nonsense. Fancy so much as mentioning fairy godmothers in the presence +of these steely orbs. +</p> +<p> +Margaret Elizabeth was game, however. +</p> +<p> +"I was mistaken, of course," she owned lightly, as she shook hands. +"I have met so many people, and am stupid at connecting names and faces. +I recall Mr. McAllister perfectly." And straightway she plunged into +New York and what was going on there. Had he seen "Grumpy" and wasn't it +dear? And so on, and so on. Margaret Elizabeth could talk, and more than +this she could look bewitching, and did, when she slipped out of her +long coat, and with many graceful upward motions, removed her hat and +fluffed her hair. +</p> +<p> +She would make tea, she loved to, in fact she seemed bent upon luring +Augustus away from the fire and Mrs. Pennington. This young gentleman, +whose mental processes were not rapid, and who habitually overworked any +idea that found lodgment in his mind, was disposed to dwell upon River +Bend Park and Miss Bentley's strange mistake in thinking she had seen +him there, when actually, don't you know, he was on his way to New York. +It was just as well not to have the situation complicated by the +presence of her more alert relative, whose amused glances kept the glow +on Margaret Elizabeth's cheek at a most becoming pitch. Perhaps, too, +the subconscious thinking concerning that same queer mistake, which went +on while she chatted so gaily, so skilfully leading the way to safer +ground, had something to do with it. +</p> +<p> +Augustus, unaware that he was led, was as clay in her hands. He warmed +to her expressions of pleasure in the proposed dinner dance, which were +indeed entirely genuine. A dance was a dance, and Miss Bentley was +young. As she poured tea her curling lashes rested now on her cheek, +were now lifted in smiling glances at the complacent Augustus, much as +when on a certain Sunday morning, while softly laying bloom against +bloom, her eyes had now and again met the eyes of the Candy Man. There +were other callers, other tea drinkers, but to none did Mr. McAllister +surrender his place of vantage. +</p> +<p> +"If she keeps on like this, Augustus is hers—if she wants him," +Mr. Gerrard Pennington remarked to his wife later in the evening. +</p> +<p> +"If I could have her all to myself," Mrs. Pennington sighed; "but any +impression I may make is neutralised by her association with those +Vandegrifts. It is an absurd arrangement, spending half her time down +there." +</p> +<p> +"I think you are rather in the lead, aren't you, my dear?" +</p> +<p> +Mrs. Pennington shrugged her shoulders, but there was some triumph in +her smile. "She is a dear child, in spite of some absurd notions, and +I long to see her well and safely settled. I don't quite know in what +her charm most lies, but she has it." +</p> +<p> +"Oh, it's her youth, and the conviction that it is all so jolly well +worth while. She is so keen about everything." There was an odd twinkle +in Mr. Pennington's eyes, usually so piercing beneath their bushy grey +brows. Margaret Elizabeth called him Uncle Gerry. It was amusing. He +liked it, and enjoyed playing the part of Uncle Gerry. "Of course she's +bound to get over that. Still, I shouldn't be in any haste to settle +her." +</p> +<p> +His wife thought of her brother, the Professor of Archćology, now in +the Far East. "It is queer, but Dick never has," she said, answering +the first part of his sentence. But when she spoke again, it was to +say energetically: "The Towers needs a mistress, and August is +irreproachable. Really, I am devoted to the boy." +</p> +<p> +Mr. Pennington found this amusing. +</p> +<p> +"If only it were a colonial house. It is handsome, but I prefer simpler +lines," Mrs. Pennington continued meditatively. +</p> +<p> +The Towers was a combination of feudal castle and Swiss châlet erected +thirty years before by the parents of Augustus, and occupying a +commanding position on Sunset Ridge. The irreverent sometimes referred +to it as the Salt Shakers. +</p> +<p> +Margaret Elizabeth meanwhile, in the solitude of her own room, was +asking herself questions, for which she found no answers. +</p> +<p> +"Who—oh, who was this person with the nice friendly eyes that led one +on to talk about fairy godmothers?" +</p> +<p> +She considered it in profound seriousness for a time, then suddenly +broke into unrestrained laughter. +</p> +<a name="h2HCH0006" id="h2HCH0006"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER SIX +</h2> +<p class="ctitle"> +<i>In which Margaret Elizabeth is discussed at the Breakfast Table; in +which also, later on, she and Virginia and Uncle Bob talk before the +fire, and in which finally Margaret Elizabeth seeks consolation by +relating to Uncle Bob her adventure in the park.</i> +</p> +<p> +"No, she is not regularly beautiful," remarked Dr. Prue in her +diagnostician manner as she poured her father's second cup of coffee, +"but there is much that is captivating about her. Her hair grows +prettily on her forehead, the firmness of her chin, the line of her lips +in repose——" +</p> +<p> +"Mercy on us! You talk like a novel," interrupted Uncle Bob, who was +longing to get in an oar. "Now I like her best when she laughs." +</p> +<p> +"But I was speaking of her face in repose." +</p> +<p> +"And any way," persisted Uncle Bob, "if she isn't a beauty, I don't know +what you call it. She has the witchingest ways!" +</p> +<p> +"We were speaking of features, not ways. If you dissect her——" +</p> +<p> +"Good Heavens, Prue! Find another word." +</p> +<p> +"If you dissect her," the doctor repeated firmly, "you will find nothing +remarkable in her separate features." +</p> +<p> +"But I insist," Uncle Bob spoke in a loud tone, and brought his fist +down so emphatically his coffee spilled over into the saucer, "that +beauty is a complex thing consisting of ways as well as features." +The sentence was concluded in a milder tone, owing to the coffee. +</p> +<p> +"Nancy, give Mr. Vandegrift another saucer," said Dr. Prue. +</p> +<p> +"My dear, there is no need. I can pour this back," he protested. Then, a +fresh saucer having been substituted, he went on: "Take a landscape——" +</p> +<p> +"I haven't time for landscapes this morning, father. I am due at the +hospital at nine. You'll have to excuse me." +</p> +<p> +"Well, what I was going to say is, that it is the combination of all +her separate qualities and characteristics, manifested in ways and +otherwise, that is beautiful—that constitutes beauty. The something +that makes her Margaret Elizabeth, that subtle—" Uncle Bob was talking +against time. +</p> +<p> +"Now, father," Dr. Prue pushed back her chair and rose, "there is +nothing subtle about Margaret Elizabeth, and you know it. She is a +thoroughly nice, quite pretty girl, and that is all there is to it. If +those Penningtons don't spoil her." With this the doctor disappeared. +</p> +<p> +"Miss Prue and her pa do argufy to beat the band," Nancy remarked to +Jenny the cook as she waited for hot cakes. +</p> +<p> +"That's all, Nancy. I shan't want any more," her master told her when +she carried them into the dining-room. "You needn't wait." As the door +closed behind her he smiled to himself. He always enjoyed the leisurely +comfort of those last cakes. +</p> +<p> +The morning sun shone in brightly, emphasising the pleasant, substantial +appointments of the room and the breakfast table. Its glint in the old +silver coffee pot was a joy to him; the unopened paper at his elbow +spoke to him of the interests of a day, like it, not yet unfolded. Uncle +Bob after his own fashion savoured life.... +</p> +<a name="image-0004"><!--IMG--></a> +<center> +<img src="images/ill-04.png" width="425" height="720" alt="Dr. Prue" /> +<br /><span style="font-variant: small-caps;">Dr. Prue</span> +</center> + +<p> +The sun had travelled around the house and was looking in at the west +window of the Little Red Chimney Room, when Virginia discovered her +ladyship sitting on a low stool by her hearthstone deep in meditation. +"I saw the smoke," she announced, "so I thought I'd come over." +</p> +<p> +"I am glad to see you," Margaret Elizabeth said, waking up. "But what +smoke do you mean?" And now it developed that although Miss Bentley was +of course aware of the Little Red Chimney, and indeed preferred it red, +she had not understood its significance. +</p> +<p> +In amused interest she listened while Virginia explained. "That dear, +ridiculous Uncle Bob!" she cried, hugging her knees. "And what fun, +Virginia!" +</p> +<p> +Virginia nodded. "Like a fairy-tale," she said. +</p> +<p> +"So it is," Miss Bentley agreed, and became again lost in thought. +</p> +<p> +From the other side of the hearth Virginia watched her. Her ladyship +to-day wore a grey-blue gown with a broad white collar, and she +contrasted harmoniously with the soft browns and greens of her +surroundings. Uncle Bob should have been there to enjoy the glint of +the sunshine in her hair. +</p> +<p> +It was an unobtrusive room, abounding in pleasant suggestions if you sat +still and let them sink in: books around the walls, a few water colours +and bits of porcelain, an open piano, a work table, a broad divan with +many cushions, ferns in the windows, and the fire. +</p> +<p> +Virginia, however, saw nothing of this; she was looking at Margaret +Elizabeth. "The Candy Man wanted to know where you stayed when you +weren't here," she remarked at length. +</p> +<p> +Miss Bentley came out of her brown study in great surprise. Who in the +world was the Candy Man? +</p> +<p> +"Why, you know the Candy Wagon on the Y.M.C.A. corner! And don't you +remember how you fell in the mud, and the Candy Man helped you up, and +I gave you your bag, and the Miser was there too?" Virginia spoke in +patient toleration of Miss Bentley's strange lapse of memory. +</p> +<p> +"Naturally I was rather shaken and didn't notice. Was it a Candy Man who +picked me up? And a miser, you say?" Chin in hand Margaret Elizabeth +regarded her visitor. "It is all very interesting, but why should the +Candy Man wish to know about me?" +</p> +<p> +Virginia owned that she had mentioned the Little Red Chimney to him, +and that when the identity of her ladyship had come to light, he had +exclaimed, "I might have guessed!" +</p> +<p> +"Well, really," said Miss Bentley, sitting up very straight, "what +business is it of his to be guessing about me?" +</p> +<p> +"He isn't Irish like Tim," Virginia hastened to assure her. "He's very +nice. He's a friend of mine." +</p> +<p> +Margaret Elizabeth laughed. "That makes it all right, I suppose; and if +he picked me up—But who is the Miser?" +</p> +<p> +"He lives over there," Virginia pointed toward the front window, "in +that stone house with the vine on it. Aleck says he has rooms and rooms +full of money." +</p> +<p> +The house she indicated was almost black with time and soot, but its +fine proportions suggested spacious, high-ceiled rooms, and whatever its +present condition, a past of dignity and importance. +</p> +<p> +"How extremely interesting! What a remarkable neighbourhood this seems +to be!" +</p> +<p> +"Is it like a fairy-tale where you stay when you aren't here?" Virginia +asked. +</p> +<p> +Sudden illumination came to Margaret Elizabeth. "That is just what it +isn't," she cried. "It's splendid and beautiful, and all sorts of +things, except a fairy-tale. I wonder why? I love fairy-tales and Little +Red Chimneys." +</p> +<p> +"So does the Candy Man," exclaimed Virginia, charmed at the coincidence. +"It must be fun to be a Candy Man," she continued. "It isn't much like +a fairy-tale where I live. I should like to live in a sure-enough house +with stairs." +</p> +<p> +"You talk like a squirrel who lives in a tree. And speaking of squirrels, +you and I must buy some nuts for our bunny sometime, from this Candy +Man. If he picked me up I suppose I ought to patronise him. All the +same, Virginia," and now Miss Bentley spoke with great seriousness, +"I wish you not to say anything about me to him. It is rather silly, +you know." +</p> +<p> +Virginia did not know, but she longed to do in every particular what +Miss Bentley desired, so she promised. +</p> +<p> +The opal lights in the western sky were the only reminders left of the +sunny day, when Uncle Bob, seated comfortably in the big armchair, +listened to Margaret Elizabeth's confession, the flames dancing and +curling around a fresh log meanwhile. In size it was but a modest log, +for the fireplace was neither wide nor deep like those at Pennington +Park, but the Little Red Chimney did its part so merrily and well that +upon no other hearth could the flames dance and curl so gaily. At least +so it had seemed to Margaret Elizabeth, sitting there chin in hand, +after Virginia's departure. +</p> +<p> +"And you are certain you never met him before?" Uncle Bob ran his +fingers through his hair and frowned thoughtfully. +</p> +<p> +"Perfectly certain. You see the resemblance was remarkable, all but +the eyes, and I thought Mr. McAllister had simply waked up. People +are sometimes stiff when you first meet them. He knew who I was, for +he called me Miss Bentley. Naturally I thought it was some one I had +met—particularly when he mentioned the accident. You see, in getting +out of the machine at the Country Club a day or two before I caught +my skirt in the door and fell, striking my elbow. It didn't amount to +anything, though it hurt for a minute, but Aunt Eleanor made a great +fuss. He may have been somewhere about at the time, but I didn't meet +him. And it makes me furious," Margaret Elizabeth continued, "when +I think of his not telling me." +</p> +<p> +"Telling you that you didn't know him?" asked Uncle Bob. +</p> +<p> +"Certainly, he should have said at the very beginning, 'Miss Bentley, +you are mistaken in thinking you know me.'" +</p> +<p> +"Ha! ha!" laughed Uncle Bob. +</p> +<p> +"Now what are you laughing at?" his niece demanded. "Honestly, don't you +think he should have?" But she laughed herself. +</p> +<p> +"Well, perhaps," he owned, reflecting, however, that if Margaret +Elizabeth looked half so alluring that morning as she did now in her +grey-blue frock, with her bright hair a bit tumbled, it was asking a +good deal of human nature. +</p> +<p> +"Now, of course, Uncle Bob, this is strictly confidential. I wouldn't +have Dr. Prue know for the world. It is bad enough to have Aunt Eleanor +smiling sarcastically, though she doesn't know half. I think I have at +length quieted her, and the great Augustus is entirely mollified." She +paused to laugh again, then continued tragically, "Sympathy is what I +need now. To begin with, it was the most perfect day—the sort to make +you forget tiresome conventions." +</p> +<p> +Uncle Bob nodded. "Perhaps he forgot, too," he suggested. +</p> +<p> +Margaret Elizabeth bit her lip. "That's true. I must try to be fair. +He had nice eyes, Uncle Bob—with a twinkle in them." A smile played +over her lips, her dimple came and went. She gazed absently at the +curling flame. Suddenly she rose from her ottoman, and seated herself +bolt upright on the sofa with one of the plumpest cushions behind her. +"All the same it was inexcusable in me," she declared sternly. +</p> +<p> +"What was?" asked her uncle. +</p> +<p> +"The nonsense I talked. About a Fairy Godmother Society! No doubt he was +laughing in his sleeve all the time." +</p> +<p> +"Oh, I guess not. It sounds quite original and interesting. Have you +copyrighted the idea?" +</p> +<p> +"Uncle Bob, you are a dear. Some time I'll tell you all about it—when +I get over feeling so terribly, if I ever do." +</p> +<p> +"Now, really," insisted Uncle Bob, "I don't see why you should worry. +You are almost certain to meet him again, and——" +</p> +<p> +"I shall die if I do," Margaret Elizabeth declared; but somehow the +assertion failed to ring true. +</p> +<p> +"From what you have said he is plainly a gentleman, and altogether +matters might be worse," Uncle Bob concluded. +</p> +<p> +Miss Bentley shook her head. "I don't see how they could be," she +insisted. +</p> +<a name="h2HCH0007" id="h2HCH0007"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER SEVEN +</h2> +<p class="ctitle"> +<i>Shows how the Candy Wagon is visited in behalf of the Squirrel, and +how pride suffers a fall; how Miss Bentley turns to Vedantic Philosophy +to drown her annoyance, and discovers how hard it is to forget when you +wish to.</i> +</p> +<p> +"When I reflect upon the small weight attaching to true worth +unsupported by personal charm, I am tempted to turn cynic." +</p> +<p> +Dr. Prue closed her bag with a snap and lifted her arms to adjust a +hatpin. +</p> +<p> +"Youth and beauty take the trick, that's a fact." Uncle Bob laughed as +if he found it a delicious comedy. +</p> +<p> +They stood before the office window. At the gate the Apartment Pigeons +were fluttering around Margaret Elizabeth, while her ladyship gravely +admonished them for some piece of mischief. +</p> +<p> +"I believe she is taming the terrors," remarked the doctor. +</p> +<p> +"She had them all in the other afternoon," said Uncle Bob, "sitting +cross-legged on the floor like little Orientals, while she told them +stories. Margaret Elizabeth can manage them!" His tone thrilled with +pride. +</p> +<p> +"Yes, and Miss Kitty Molloy will drop anything she has on hand to work +for Miss Bentley; the market-man picks out his choicest fruit for her; +and so it goes, if you call it managing. Well, I must be off. Good-by." +</p> +<p> +As Dr. Prue went out, Margaret Elizabeth, having dismissed the pigeons +for the time being, came in, and sat down at her desk to finish a +letter. +</p> +<p> +She wrote: "Yes, Uncle Bob and Cousin Prue argue as much as ever, and +I suspect that more often than not I am the subject upon which they +disagree. I am in a state of disagreement about myself, father dear. +Society is absorbing beyond anything I dreamed of, and if I had not +promised you to stop and think for at least ten minutes out of the +fourteen hundred and forty, I fear I should have already become a real +Society Person." +</p> +<p> +At this point Uncle Bob looked in. "Well, how many parties on hand now?" +he asked. +</p> +<p> +Margaret Elizabeth laid down her pen and counted them off on her +fingers, beginning with a tea at five, theatre and supper afterward, and +so on, till the supply of fingers threatened to become exhausted. +</p> +<p> +"Go on, I'll lend you mine," said Uncle Bob. "Prue says," he added, +"that it is enough to kill you, but you look pretty strong." +</p> +<p> +"She wouldn't mind if I worked my fingers to the bone for her hospital +or the Suffrage Association, but I want a little fun first, Uncle Bob." +Margaret Elizabeth supported an adorable chin in a pink palm and +regarded her relative appealingly. +</p> +<p> +"That's what I tell Prue. It is natural you should like best to stay at +Pennington Park, and go about in a splendid machine. I don't blame you +in the least, and I don't wish you to feel bound to come down here when +you don't really care to. Much as I love to have you, I shall not be +hurt." Uncle Bob nodded at Margaret Elizabeth with a reassuring smile +that in spite of intentions was a bit wistful too. +</p> +<p> +"I don't believe you understand, and for that matter, neither do I. I +love you best, and the Little Red Chimney, and this darling room. There +aren't any fairies at Pennington Park, but—I do like the whirl, the +fun, the pretty things, and——" +</p> +<p> +"The admiration, Margaret Elizabeth; out with it. You'll feel better," +said Uncle Bob. +</p> +<p> +"Well, yes, people <i>do</i> like me, and oh, I must show you +something!" She sprang up, and from a box lying on the sofa she took a +filmy, rose-coloured fabric. "What do you think of this?" she demanded, +shaking out the shimmering folds before his surprised eyes. +</p> +<p> +He rose nobly to the occasion. "Why, it looks like a sunset cloud. Is it +to wear?" +</p> +<p> +"Certainly. It is a pattern robe. Miss Kitty across the street is going +to put it together for me. She is a genius. Sunset cloud is very poetic. +Thank you, Uncle Bob. And now I must finish my letter before I go over +to Miss Kitty's, and then I promised the children I'd go with them to +buy some nuts for the squirrel. A bunny who has the courage to live so +far downtown should be rewarded. I wish you had been here, Uncle Bob, to +join our society." Margaret Elizabeth sat down with the rosy cloud all +about her, and laughed at the recollection. "Never again will they throw +a stone at his bunnyship. We laid our hands together so, and swore by +the paw of the cinnamon bear and the ear of the tailless cat, to take +the part of our brother beasts and birds. It was all on the spur of the +moment, or I might have done better, but they were impressed." +</p> +<a name="image-0005"><!--IMG--></a> +<center> +<img src="images/ill-05.png" width="451" height="723" alt="Uncle Bob" /> +<br /><span style="font-variant: small-caps;">Uncle Bob</span> +</center> + +<p> +"I should think so, indeed," remarked her uncle. "You are a sort of +philanthropist after all." +</p> +<p> +"Yes, I have a very marked bump. That reminds me, if I don't see Dr. +Prue, you tell her, please, that I am going to take Augustus McAllister +to the Suffrage meeting." +</p> +<p> +Having returned her robe to its box, Miss Bentley sat down at her desk +and wrote furiously for five minutes, then folded her letter, put it +in the envelope, and addressed, stamped, and sealed it, concluding the +business with a resolute fist. Shortly after, in the familiar grey suit, +with the little grey hat jammed down anyhow on her bright hair, she went +forth, the box containing the sunset cloud under her arm. +</p> +<p> +Homage and admiration attended upon her within Miss Kitty's humble +establishment, and waited outside in the persons of the adoring pigeons. +Virginia, having been unable to keep the story of the Little Red Chimney +to herself, must now in consequence share her ladyship with the flock. +But certain privileges were hers—to walk next to Miss Bentley and clasp +her disengaged hand; to carry her bag or book; to act as her prime +minister in keeping order. +</p> +<p> +Thus Miss Bentley went her triumphant way that afternoon, all +unconscious that there was any triumph about it. Not that she was wholly +unaware of her own charm. As she confessed to Uncle Bob, she knew people +liked her, and the knowledge was pleasing. She was now on her way to be +gracious to the Candy Man, and in this connection she had rehearsed a +neat little scene in which she stood by and allowed the children to make +their purchases, and then at the right moment asked easily if there had +been any more accidents on the corner of late, adding something about +his kindness in helping her up, and so on. The Candy Man would of course +touch his cap, for from Virginia's account he was rather a nice Candy +Man, and reply, "Not at all, Miss," or "That's all right"; then she +would smile upon him and the incident would be closed. +</p> +<p> +The first half of the scene went off perfectly. The Candy Man was +selling taffy to a nurse-maid when they approached, and if he saw who +was coming, and if his heart was in his mouth, and if he felt a wild +longing to escape from the Candy Wagon, he gave no sign. To Margaret +Elizabeth, as they waited, he was a Candy Man in white jacket and cap, +and nothing more. +</p> +<p> +The pigeons fluttered joyously. Miss Bentley uttered an impersonal good +afternoon, Virginia advanced, a silver quarter in her palm, and demanded +chestnuts for the squirrel. The bag was filled and held out to her, and +as she handed over the quarter in exchange she explained, gratuitously, +"We'll perhaps eat <i>some</i> of them ourselves." +</p> +<p> +At this the Candy Man looked up with a smile in his eyes, and met the +glance of Miss Bentley, who immediately forgot all she had intended to +say, for these were the eyes that were not the eyes of Augustus. There +was no excuse for arguing the question. She knew it. +</p> +<p> +The point was, after all, Margaret Elizabeth concluded in the solitude +of her own hearth-stone, not whether she had been equal to the occasion +to-day—and she hadn't—but that he on a former occasion had been guilty +of base behaviour. If this were a real Candy Man, one might excuse him, +but he plainly was not. There was a mystery, and she loathed mysteries. +She was annoyed to the point of exasperation. She would dismiss him from +her mind now and forever. +</p> +<p> +Uncle Bob, reading the evening paper in the dining-room while Nancy set +the table, admitting as she passed back and forth an occasional savoury +odor from the kitchen region, became aware of sounds in the hall which +betokened some one descending the stairs in haste. The next moment +Margaret Elizabeth stood in the doorway. +</p> +<p> +"Uncle Bob," she said, as she drew a long white glove over her elbow, +her face shadowed by her plumy hat, "you remember you said it might be +worse, and I insisted it couldn't be? You were right, it is infinitely +worse." +</p> +<p> +With this she was gone, and a premonitory buzz of great dignity and +reserve from the street presently indicated that she was being borne +away in the Pennington car. +</p> +<p> +And now it was that Miss Bentley discovered how impossible it is to +forget when you wish to. You may assist a treacherous memory with a +memorandum, but no corresponding resource offers when you wish to +forget. You may succeed in diverting your thoughts for a time, but +sooner or later, ten to one, in the most illogical manner, the very +thing you seek to avoid forces itself upon your attention. What could +have seemed further away from the Candy Man than ancient Hindoo +Philosophy? And into this she plunged to drown her annoyance, and +incidentally help a fellow member of the Tuesday Club. Margaret +Elizabeth was ever ready to fill in a breach, and when Miss Allen came +to her in despair, having been positively forbidden to use her eyes, +she obligingly agreed to help her. +</p> +<p> +The subject grew, as all subjects have a way of doing. It was a +providential ordering, Uncle Bob remarked, enabling the writers of +papers to take refuge from criticism in the impressive statement that +it is impossible to treat of the matter adequately in so short a space. +Margaret Elizabeth laughed, and crossed out a paragraph at the bottom of +her first page, and then set out for the Public Library. +</p> +<p> +Seated in the Reference Room, with more books than she could read in a +year on the table before her, behold Miss Bentley presently inconsolable +for lack of a certain authority she chanced to remember in the college +library at home. The whole force of the Reference Room mourned with her, +for Margaret Elizabeth in the part of earnest student was no less +captivating than in her other roles. +</p> +<p> +"I know where there is a copy," said the youngest and wisest of the +force, "but it won't do you any good. Mr. Knight, the man the children +call the Miser, has one." +</p> +<p> +"I'll go and ask him to let me see it. I'd like to know a real live +miser." Margaret Elizabeth closed the book she had in hand and rose. +</p> +<p> +The force gasped at her temerity. They had heard he was a horrid old +man; but the youngest observed wisely that probably he wouldn't bite. +</p> +<p> +Miss Bentley, however, having recently developed a bump of discretion, +did first consult Dr. Prue in the matter, who responded, "Why certainly, +I see no objection to your asking to see the book. Mr. Knight is a +harmless, studious man. I have met him on two occasions when I was +called in to attend his housekeeper, Mrs. Sampson, and he was courtesy +itself. I will go with you and introduce you, if you like." +</p> +<p> +Virginia, hanging around and overhearing, begged to be allowed to go +too. "I'd love to see the inside of his house," she urged. +</p> +<p> +She was assured she would find it stupid, but this was as nothing +compared with the glory of entering the abode of the Miser in company +with her ladyship, and the other pigeons looking enviously on outside. +</p> +<p> +Dr. Prue, of course, had no time to waste, so Margaret Elizabeth +hastened to find her pad and pencil, and across the street they went +forthwith. The Miser was discovered in his library, a spacious, shabby +room, yet not too shabby for dignity, full of valuable and even rare +things, such as old prints and engravings, and most of all of books, +which overflowed their shelves in a scholarly disorder not unfamiliar +to Margaret Elizabeth. +</p> +<p> +With businesslike brevity Dr. Vandegrift presented her cousin and her +credentials to Mr. Knight, who, with a quaint and formal courtesy, was +happy to oblige the daughter of an author so distinguished in his chosen +field. +</p> +<p> +Miss Bentley in her turn presented, with suitable gravity, Miss Virginia +Brooks, who promised to be quiet as a mouse, and whose eyes betrayed her +disappointment on discovering the inside of the Miser's house to be so +much like any other. +</p> +<p> +After the necessary stir attending upon the finding of the desired +volume, and getting settled to work, profound quiet again rested upon +the library. Margaret Elizabeth wrote busily, her book propped upon a +small stand before her, while across the room Virginia softly turned the +leaves of a huge volume of engravings, pausing now and then to rest her +cheek in her palm and regard the Miser steadily for a moment. +</p> +<p> +The master of the library had the air of having forgotten their presence +altogether. Aided by a microscope, with a grave absorbed face, he +studied and compared a series of prints spread before him. So quiet was +it all, that the crackle and purr of the coal fire in the old-fashioned +grate made itself quite audible, and the leisurely tick of the clock in +the hall marked time solemnly. +</p> +<p> +Margaret Elizabeth's interest in Vedantic Philosophy began after a time +to wane, and she allowed her attention to wander about the room, from +object to object, until it concentrated upon the student himself. Was +he really a miser? she wondered. He did not look it. His was rather the +face of an ascetic. Suddenly it flashed into her mind that here was the +sad, grey man of that unforgettable conversation in the park. +</p> +<p> +Virginia slipped down and came to her side. "Is there really a room full +of gold?" she whispered. +</p> +<p> +Margaret Elizabeth shook her head sternly. It was time they were going. +Her hand was tired. She would ask permission to come again. As she +returned her book to the shelf, she displaced a smaller one, a shabby +leather-bound book, at which she scarcely glanced, but upon which +Virginia seized. +</p> +<p> +"The Candy Man has one like this," she said. "Such a funny name! See? +Only his is Vol. one and this is Vol. two." +</p> +<p> +Miss Bentley cared not at all what strange books the Candy Man owned, +and said so, frowning so severely you could scarcely have believed her +to be the same person who only a few minutes later was thanking the +Miser with such alluring grace of manner. +</p> +<p> +She was welcome to come when she chose, she was assured, with grave +politeness. His library was at her disposal. +</p> +<p> +"You have many beautiful things," said Margaret Elizabeth. "This +portrait above the mantel, for instance, seems to me very interesting." +</p> +<p> +The portrait in question was rather a splendid one of a military-looking +man probably in his thirties. One of the best examples of Jouett's work +it was generally considered, Mr. Knight explained, and said to have been +an admirable likeness of his uncle, General Waite, at the time it was +painted. +</p> +<p> +It was inexplicable that as Margaret Elizabeth gazed up at the general +the eyes beneath the stern brows should become the eyes of the Candy +Man. But her exasperation at this absurd illusion passed quickly into +horrified embarrassment, when Virginia, edging toward the master of the +house, asked explosively, "Say, have you really got a room full of +gold?" +</p> +<p> +"There is one thing certain, you can never go there with me again," said +Miss Bentley, on their way across the street. +</p> +<p> +"But Aleck said——" began the culprit. +</p> +<p> +"Never mind what he said. Aleck is a very ignorant little boy. People +don't keep gold in rooms. If they have it they put it in the bank or +send it to the mint." +</p> +<a name="h2HCH0008" id="h2HCH0008"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER EIGHT +</h2> +<p class="ctitle"> +<i>In which the Miser's past history is touched upon; which shows how +his solitude is again invaded, and how he makes a new friend.</i> +</p> +<p> +"There isn't any mystery about <i>him</i>, so far as I know," said the +Reporter, who was seated as usual upon the carriage block. The Candy +Wagon continued to act as a magnet for him, and in season and out his +genial presence confronted the Candy Man. +</p> +<p> +If his emphasis upon the pronoun was noticed, it was ignored. The +mystery was, the Candy Man replied, how with such a face he could be a +miser. +</p> +<p> +"Oh, he's a bit nutty, of course. My grandmother says his money came to +him unexpectedly and the shock was too much for him. They say he has a +notion he is holding it in trust. He is rational enough in every other +way, a shrewd investor, in fact. His uncle, General Waite, who left him +the money, was a connection of my grandmother's." +</p> +<p> +"The Miser is a cousin then?" +</p> +<p> +"Not on your tintype, my friend. Old Knight was a nephew of the +general's wife, you see." +</p> +<p> +"And there were no other heirs?" asked the Candy Man. +</p> +<p> +"There was an own nephew, I have heard, who mysteriously disappeared +shortly before the general's death. I have heard my grandmother mention +it, but it was long before my day. Why are you interested?" +</p> +<p> +Even to himself the Candy Man could not quite explain his interest in +this sad and lonely man, except that, as he had told Miss Bentley in +their first and only conversation, he had a habit of getting interested +in people. For example, in the house where he roomed there was a young +couple who just now engaged his sympathies. The husband, a teacher in +the Boys' High School, had been ill with typhoid, and the little wife's +anxious face haunted the Candy Man. The husband was recovering, but of +course the long illness had overtaxed their small resources, and—But, +oh dear! weren't there hundreds of such cases? What was the good of +thinking about it! Yet suppose there were a Fairy Godmother Society? +</p> +<p> +The Candy Man was a foolish dreamer, and his favourite dream in these +days was of some time sitting beside the Little Red Chimney hearth, and +discussing the Fairy Godmother Society with Miss Bentley. These bright +dreams, however, were interspersed by moments of extreme depression, in +which he cursed the day upon which he had become a Candy Man; moments +when the horrified surprise in the eyes of Miss Bentley as she +recognised him, rose up to torment him. +</p> +<p> +It was in one of these that the Reporter had presented himself this +time, and when he was gone the Candy Man returned to his gloom. Having +nothing else to do just then he opened the shabby book with the funny +name, and looked at the crimson flower. Through the stain of the flower +he read: +</p> +<p class="quote"> + <i>"If a person is fearful and abject, what else is necessary but + to apply for permission to bury him as if he were dead."</i> +</p> +<p> +The book had come into his possession by a curious chance not long +before, and he treasured it, not so much for its sturdy philosophy, as +because it was in some sort a link to the shadowy past of his early +childhood. +</p> +<p> +The adjectives "fearful" and "abject" brought him up short. What manner +of man was he to be so quickly overwhelmed by difficulties? As for being +a Candy Man, did he not owe to this despised position his good fortune +in meeting Miss Bentley at all? +</p> +<p> +Somewhere about eight o'clock the next evening, being Sunday, he might +have been seen strolling by the house of the Little Red Chimney. That +particular architectural feature had lost its identity in the shades of +evening, but he was indulging the characteristic desire of a lover to +gaze at his lady's window under the kindly cover of the night. +</p> +<p> +The blind was drawn within a few inches of the sill, but these inches +allowed him a glimpse of a blazing fire, and while he lingered a shadow +flitted across the curtain in its direction, and then another, until in +his mind's eye he beheld Margaret Elizabeth and Uncle Bob seated beside +the hearth. For aught he knew, it might be Augustus McAllister making +an evening call, but the Candy Man was just then too determinedly +optimistic to harbour such an idea. +</p> +<a name="image-0006"><!--IMG--></a> +<center> +<img src="images/ill-06.png" width="485" height="714" alt="The Miser" /> +<br /><span style="font-variant: small-caps;">The Miser</span> +</center> + +<p> +As he passed on he was occupied in trying to picture to himself her +ladyship sitting before her fire, but that familiar little grey hat, +which was so entirely inappropriate, would persist, in spite of all he +could do, in getting into the picture. Only once, when curling plumes +took its place, had he seen her without it, and though for an instant he +would succeed in removing it, presto! before he knew it, there it was +again, jammed down anyhow on her bright hair. +</p> +<p> +With odds in favour of the hat, the struggle came to a sudden pause at +sight of a tall figure leaning heavily and in evident pain against one +of the ornamental iron fences which prevailed along this street. At once +proffering his assistance, he recognised Mr. Knight, the Miser. +</p> +<p> +It was plain the sufferer would have preferred to decline help. It would +soon pass. It was nothing. He had had such attacks before. He spoke +brokenly, adding, "I thank you," in a tone of dismissal. +</p> +<p> +The Candy Man showed himself to be, when occasion demanded, a masterful +person. Without arguing the point, he supported the Miser with a firm +arm and began to urge him in the direction of his home. Mr. Knight, half +fainting as he was, submitted without a word until his door was reached; +then, there being no response to his companion's vigorous ring, he +murmured something about the servants having gone, and began to fumble +in his pocket. +</p> +<p> +The Candy Man, taking the latch key from his trembling fingers, opened +the door, and ignoring the evident expectation conveyed in his renewed +thanks, continued to assert authority, supporting the invalid into his +library. "I shall not leave you alone until you are relieved," he said. +</p> +<p> +Again Mr. Knight submitted to his captor's will, and lying back in his +arm-chair directed him to the restorative that was prescribed for these +seizures. When it had been administered he lay quiet with closed eyes. +</p> +<p> +The Candy Man now turned his attention to the fire, which had burned +low, coaxing it skilfully out of its sullen apathy. He was brushing up +tidily, when Mr. Knight, to whose face the colour was returning, spoke. +</p> +<p> +"You are very kind," he said, adding as the Candy Man felt his pulse and +nodded his satisfaction, "are you a physician?" +</p> +<p> +"No," was the smiling answer. "Merely something of a nurse. My father +was an invalid for some years." +</p> +<p> +The sick man said "Ah!" his eyes resting, perhaps a little wistfully, +upon the vigorous young fellow before him. "Don't let me keep you," he +added. "I am quite relieved, and my housekeeper will return very shortly +from church." +</p> +<p> +Instead of leaving him the Candy Man sat down. "I have nothing to do +this evening, Mr. Knight, and unless you turn me out forcibly I mean to +stay with you till some member of your household comes in." +</p> +<p> +"I fear my strength is hardly equal to turning you out," the Miser +replied with a smile. "You are most kind." Then after a pause he added +apologetically: "Will you kindly tell me your name? Your face is +familiar, but my memory is at fault." +</p> +<p> +"My name is Reynolds, Robert Reynolds, and I am at present conducting a +candy wagon on the Y.M.C.A. corner. That is where you have seen me." He +had no mind to sail under false colours again. +</p> +<p> +The sick man's "Indeed!" was spoken with careful courtesy, but his +surprise was plain enough. +</p> +<p> +The Candy Man leaned forward, an arm on his crossed knee; his eyes met +those of the older man frankly. "It is not my chosen profession," he +said. "I happened to be free to follow any chance impulse, and the +opportunity offered to help in this way a friend in need. It may have +been foolish. I am alone in the world, and entirely unacquainted here. +I should not care for the permanent job, but there's more in it than +you would suppose. More enjoyment, I mean." +</p> +<p> +"I recall now you mentioned the Little Red Chimney," said Mr. Knight. +</p> +<p> +The Candy Man grew red. Why had he been so imprudent? The Miser's memory +certainly might be worse. +</p> +<p> +"And now I know why your face is so familiar," the invalid went on. +"I sat opposite to you in the car going to the park one Sunday morning. +My physician prescribes fresh air. And later I saw you with that +bright-faced young girl, Miss Bentley. You were talking together in the +pavilion near the river. You both seemed exceedingly merry. I envied +you. I seemed to realise how old and lonely I am. I think I envied you +her friendship." +</p> +<p> +"Your impression is natural," answered the Candy Man, "but the truth is +I do not know Miss Bentley. We met unexpectedly in the pavilion that +morning. I did not at the time realise it, I was unpardonably dense, +but she took me for some one else. On the occasion of the accident that +foggy evening—you perhaps remember it—I overheard the name she gave to +the conductor. Well, it seems she had no idea she was talking to a Candy +Man that morning in the park, and I should have known it." +</p> +<p> +The Miser leaned his head on a thin hand, and certainly there was +nothing sordid, nothing mean, in the eyes which looked so kindly at his +companion. It was not perhaps a strong face, nor yet quite a weak one; +rather it indicated an over-sensitive, brooding nature. "You will not +always be a Candy Man," he said. "I have made Miss Bentley's +acquaintance recently. She is friendliness itself." +</p> +<p> +At this moment a grey slip of a woman, with a prayer-book in her hand, +entered, and was presented as Mrs. Sampson, the housekeeper. The Candy +Man rose to go, but Mr. Knight seemed now in no haste to release him. +</p> +<p> +"I should be glad to see you again, if some evening you have nothing +better to do," he said. "You may perhaps be interested in some of my +treasures." He glanced about the room. "You say you too are alone in +the world?" +</p> +<p> +"Quite," the Candy Man answered. "Everyone I know has some relative, or +at least an hereditary friend, but owing to the peculiar circumstances +of my life, I have none. I do not mean I am friendless, you understand. +I have some school and college friends, good ones. It is in background +I am particularly lacking," he concluded. +</p> +<p> +"I have allowed my friends to slip away from me," confessed the Miser. +"It was the force of circumstances in my case, too, though I brought it +upon myself. I have been justly misunderstood." +</p> +<p> +"'Justly misunderstood.'" The Candy Man repeated the words to himself as +he walked home in the frosty night. They were strange words, but he did +not believe them irrational. +</p> +<a name="h2HCH0009" id="h2HCH0009"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER NINE +</h2> +<p class="ctitle"> +<i>Shows how Miss Bentley and the Reporter take refuge in a cave, and +how in the course of the conversation which follows, she hears something +which disposes her to feel more kindly toward the Candy Man; shows also +how Uncle Bob proves faithless to his trust, and his niece finds herself +locked out in consequence.</i> +</p> +<p> +"Let's pretend we are pursued by wild Indians and take refuge in this +cave." +</p> +<p> +The scene was one of those afternoon crushes which everybody attends and +few enjoy. Miss Bentley, struggling with an ice, which the state of the +atmosphere rendered eminently desirable, and the density of the crowd +made indulgence in precarious, addressed her next neighbour, whom she +had catalogued as a nice, friendly boy. "It's Mr. Brown, isn't it?" she +added in triumph at so easily associating the name with the face. +</p> +<p> +The young man's beaming countenance showed his delight. "Good for you, +Miss Bentley! It would be great. Let me have your plate while you +squeeze in." +</p> +<p> +This corner behind a mass of greens seemed to have been left with the +intention of protecting an elaborate cabinet that occupied a shallow +recess. However it might be, here was a refuge, difficult of access, +but possible. Margaret Elizabeth held on to her hat and dived in. +</p> +<p> +"Grand!" she cried. "This is beyond my wildest hopes," and she perched +herself on a short step-ladder, left here no doubt by the decorators, +and held out her hands for the plates. Mr. Brown found a more lowly seat +beneath a bay tree. They looked at each other and laughed. +</p> +<p> +"My position is a ticklish one, so to speak," he observed, vainly trying +to dodge the palm leaves to the right of him; "but I think we are +reasonably safe from pursuit." +</p> +<p> +"I haven't the remotest idea where my aunt is," Margaret Elizabeth +remarked, eating her ice in serene unconcern. +</p> +<p> +"Say, Miss Bentley, I have heard my cousin speak of you—Augustus +McAllister, you know." +</p> +<p> +"Are you Mr. McAllister's cousin?" Miss Bentley's tone and smile left +it to be inferred that this fact above any other was a passport to her +favour. It must be regretfully recognised, however, that it would have +been the same if Mr. Brown had mentioned the market-man. +</p> +<p> +Having thus successfully established his claim to notice, the Reporter, +as was his custom, went on to explain that he belonged to the moneyless +branch of the family. +</p> +<p> +Margaret Elizabeth assured him, in a grandmotherly manner, that it was +much better for a young man to have his way to make in the world than to +have too much money. +</p> +<p> +The Reporter owned this seemed to be the consensus of opinion. How the +strange notion had gained such vogue he could not understand, but there +was no use kicking when you were up against it. +</p> +<p> +"Of course, it must be hard work, but it must be interesting. Don't you +have exciting experiences?" Miss Bentley asked. +</p> +<p> +Oh, he had, certainly, and met such queer people, too. There was a +fellow who ran a Candy Wagon on the Y.M.C.A. corner, for instance. "You +ought to meet him, really, Miss Bentley, though, of course, you couldn't +very well. He's a character, and I have puzzled my brains to discover +what he's doing it for." +</p> +<p> +Miss Bentley was interested and requested further enlightenment. +</p> +<p> +"Well, I have two theories in regard to him. He is an educated man, and +a gentleman, so far as I can tell, and I think he is either studying +some social problem, or he is a detective on some trail." +</p> +<p> +"I never thought——" began Margaret Elizabeth. "I mean," hastily +correcting herself, "I should never have thought of such an +explanation." +</p> +<p> +"He's up to something, you may be sure," Mr. Brown continued. "I like to +talk to him, and do, every chance I get." +</p> +<p> +Margaret Elizabeth certainly showed a flattering interest in all the +Reporter had to say. "Some day when you have become a great editor," she +assured him at parting, "I shall refer proudly to the afternoon when we +sat together in a cave and ate ice cream." +</p> +<p> +"Oh, now, Miss Bentley," the Reporter protested in some embarrassment, +"I'm sure I shall always think of it with pride, whatever I get to be, +though that probably won't be much." +</p> +<p> +This conversation was not without its influence upon Miss Bentley's +subsequent attitude toward the Candy Man. That some one else had found +him a unique and interesting personality was reassuring, and the +thought that he might be engaged on some secret mission was novel and +suggestive. She began to reconsider and readjust, and in future, +although she still avoided the Y.M.C.A. corner, she allowed her thoughts +to turn once in a while in that direction. +</p> +<p> +Meanwhile she paid two more visits to the Miser's library, on these +occasions laying deliberate siege to his reserve with all the charm of +her bright friendliness. She asked questions about his beloved prints; +intelligent questions, for Margaret Elizabeth had grown up in an +atmosphere of appreciation for things rare and fine. She chatted about +her father and his work, and even ventured some wise advice about fresh +air and its tonic effect. Indeed, it is a cause for wonder that she was +able at the same time to collect the material which took shape later in +that most erudite paper. +</p> +<p> +Under this invasion of youth and gaiety, the sombre, student atmosphere +became charged with a new, electric current. It was not owing solely to +Miss Bentley, however, for Sunday evening now frequently found the Candy +Man dropping in sociably to chat with Mr. Knight in his library. +</p> +<p> +In these days the Miser often sat leaning his head on his hand, a +meditative, half whimsical expression on his face, as if he found both +wonder and amusement in the chance that had so strangely brought these +young people across his threshold. +</p> +<p> +One Sunday afternoon the Pennington motor, having deposited Margaret +Elizabeth at the Vandegrift gate, with a scornful snort went on its +swift way to more select regions. It was the first really cold weather +of the season, and while she waited at the door Margaret Elizabeth +examined the thermometer, and then buried her nose in her muff. +"Dear me!" she exclaimed impatiently. "Why doesn't somebody come?" +</p> +<p> +She rang again with no uncertain touch upon the button this time, and +then, crunching across the frozen grass, peeped in at her own window, +where a glimpse of smouldering fire rewarded her. She returned to the +door to ring and rap, still with no response. +</p> +<p> +This was a most unusual state of affairs, for it was an inexorable +decree of Dr. Prue's that the telephone must never be left alone. +Somebody must have gone to sleep. The cold and the darkness deepened and +it became more and more evident that she was locked out. What should +she do? After canvassing the situation thoroughly, she could think of +nothing for it but to seek refuge with the Miser. Her acquaintance in +the neighbourhood was limited. Miss Kitty the dressmaker had gone to +vespers, and her cottage was dark. The apartment house was too far away. +From the Miser's library she could watch for the light which would +betoken the waking up of the delinquent one. So across the street, her +nose in her muff, ran Margaret Elizabeth. +</p> +<p> +The little housekeeper, Mrs. Sampson, who opened the door, was all +solicitude. Such a cold evening to be locked out! She knew Mr. Knight +would be glad to have her wait in the library. He had stepped out for +a little walk, though she had warned him it was too cold. Thus saying, +Mrs. Sampson ushered her in, and followed to see if the fire was all it +should be. +</p> +<p> +It was, for the Candy Man had just given it a vigorous poking and put on +fresh coal. The room was full of its pleasant light. +</p> +<p> +Mrs. Sampson was surprised to find him there. "Miss Bentley, this is +Mr. Reynolds, a friend of Mr. Knight's," she explained, adding that Miss +Bentley was locked out, and wished to sit by the window and watch for +her uncle to come back. "And if you'll excuse me, Miss Bentley, the cook +has her Sunday evenings out, and I get supper myself," she added as she +withdrew. +</p> +<p> +Margaret Elizabeth and the Candy Man faced each other in silence for a +second or two, then she said, very gravely indeed, "I am glad to meet +you, Mr. Reynolds." +</p> +<p> +"Thank you, Miss Bentley. May I give you a chair?" he asked. +</p> +<p> +"Thank you, I will sit here by the window." The window was some distance +from the fire, but as she sat down Margaret Elizabeth loosened her furs +as if she felt its heat. +</p> +<p> +The Candy Man waited, uncertain what course he should pursue. +</p> +<p> +"Please sit down, Mr. Reynolds. I should like to talk to you, now the +opportunity has so unexpectedly offered." She regarded him still +seriously, her hands clasped within her large muff. "I think you owe me +an explanation." +</p> +<p> +"I am not sure I understand." The Candy Man's heart was beating in an +absurd and disconcerting way, but he would keep his head and follow her +lead. +</p> +<p> +"Of course you are aware that you allowed me to talk to you that morning +in the park, in a—most unsuitable manner, without even——" +</p> +<p> +"How could I?" cried the Candy Man entreatingly. "I did not know." +</p> +<p> +"Did not know what?" demanded Miss Bentley sternly, as he hesitated. +</p> +<p> +"I thought perhaps—I was dreadfully lonely, you see, and I thought—it +was preposterous—but I hoped you—don't you see?—didn't mind talking +to an unknown Candy Man." +</p> +<p> +"Oh! was that it?" exclaimed Margaret Elizabeth in a tone difficult to +interpret. Did she think it preposterous, or not? It seemed to indicate +she found something preposterous. "Then you were disappointed in me," +she added. +</p> +<p> +Never would the Candy Man admit such a thing. He had realised since then +what a cad he must have seemed, but—— +</p> +<p> +"That, however, is neither here nor there," she continued, "since I did +not recognise you. It was——" +</p> +<p> +"Preposterous?" he suggested. +</p> +<p> +"Yes, preposterous, to suppose that I could. Why, it was nearly dark +that afternoon, and I——" +</p> +<p> +"Please don't rub it in. I know. You see I knew you so well." +</p> +<p> +"Me?" cried Margaret Elizabeth. +</p> +<p> +"I had seen you pass, I mean." +</p> +<p> +Again Miss Bentley said "Oh!" adding: "You are also the person who +laughed when I made an idiotic remark about lighthouses in the grocery." +</p> +<p> +The Candy Man protested. He had not laughed. +</p> +<p> +"Your eyes laughed. That is how I first discovered my mistake. Your +resemblance to Mr. McAllister is remarkable." +</p> +<p> +"So I have been told." The Candy Man shrugged his shoulders, ever so +little. +</p> +<p> +"However, to go back, I think you owe me an explanation, Mr. Reynolds, +considering how you allowed me to talk to you under a false impression. +I am not absolutely lacking in grey matter," she added, while a smile +curled her lips, "and I think you owe it to me to tell me why you became +a Candy Man." +</p> +<p> +"In return for the Fairy Godmother idea?" he asked mischievously. +</p> +<p> +Miss Bentley's brows drew together. "If you knew how bitterly I have +regretted all the foolish things I said that day, you would not laugh," +she cried. +</p> +<p> +"Do not say that, please, Miss Bentley. I beg your pardon, and I am not +laughing. I could not. If you only knew what it all meant to me. How +I——" +</p> +<p> +His distress was so genuine that Margaret Elizabeth was touched. "Well, +never mind now. It can't be helped, and I am willing to have it in +return for the Fairy Godmother nonsense, if you choose to put it so." +</p> +<p> +And now perforce the Candy Man must explain himself. +</p> +<p> +"You see," he began, "I had been knocked out of everything through +a bad accident that occurred at my home near Chicago—a runaway. +Speaking of grey matter, there was some doubt for a time whether mine +was not permanently injured. However, I gradually recovered, but I was +still forbidden for another six months at least to do any brain work, +and ordered by my doctor to loaf in the fresh air. Doing nothing when +you are longing to get to work is no easy job. I left home with the +intention of going South, and stopped off here for no particular reason. +Perhaps I should have said that I have no family. My father died +something over a year ago. Oddly enough, in front of the station here +I met an Irish woman, once a servant in my father's house. She was +overjoyed to see me, and poured out her troubles. Her son, who ran a +candy wagon, had been taken ill with fever, and his employers would not +promise to keep the place for him, and altogether she was in hard lines, +this boy being the main support of a large family. So now you see how +the idea occurred to me. To amuse myself and keep the boy's place. And +having no family or friends to be disgraced——" +</p> +<p> +"No one has intimated there was any disgrace about it," Miss Bentley +interrupted. "At worst it can be called eccentric. It was also very, +very kind." +</p> +<p> +"Oh, now, Miss Bentley, thank you, but I can't let you overrate that. +Any help I have given was merely by the way. You must remember I was +in need of some occupation, and I assure you it has been very much of +a lark." +</p> +<p> +"Yes?" said Miss Bentley. "Then no doubt before long you will be writing +'The Impressions of a Candy Man,' or 'Life as Seen from a Candy Wagon.' +It will be new." +</p> +<p> +"Thanks for the suggestion, I'll consider it. But for the chance that +made me a Candy Man I should have missed a great deal—for one thing, a +realisation of the opportunity that awaits the Fairy Godmother Society." +</p> +<p> +"But Tim will soon be about again," said Margaret Elizabeth. +</p> +<p> +"Then I must look out for another job; but your remark implies some +further knowledge of Tim. I was not aware I had mentioned his name +even." +</p> +<p> +Miss Bentley bit her lip, then decided to smile frankly. "I met Tim +the other day," she said. "My cousin, Dr. Vandegrift, often visits St. +Mary's, and I sometimes go with her. Tim is a nice boy, and full of +praises for the kind gentleman who has done so much for him." +</p> +<p> +"And also, let me add, for the lovely young lady who gave him a red +rose, and——" +</p> +<p> +Margaret Elizabeth laughed. There was no getting ahead of this Candy +Man. Had he known all along, or had he just guessed? "I see a light at +last," she said, rising. "I must go, or they will be wondering what has +become of me." ... +</p> +<p> +"Yes, I know it was my afternoon in," said Uncle Bob plaintively, while +Margaret Elizabeth made toast at the grate and Dr. Prue set the table. +"I merely ran over to the drug store for a second, but Barlow was there +and I got to talking." +</p> +<p> +"It is quite unnecessary to explain, but I do wish, father, you would +refrain from speaking as if you were required to stay in. It was your +own proposition to let Nancy go. I could have made other arrangements." +Dr. Prue was aggrieved. There was no telling how many telephone calls +had been unanswered. +</p> +<p> +Margaret Elizabeth laughed. "You are absolutely untrustworthy, Uncle +Bob. Hereafter I shall carry a latch key." +</p> +<p> +"By the way, who was that young man who brought you home?" the doctor +asked. +</p> +<p> +"His name is Reynolds. He is a stranger here. I have met him once or +twice." This casual explanation was accompanied by side glances which +indicated to Uncle Bob that there was more in it than appeared on the +surface. +</p> +<p> +Margaret Elizabeth had been extremely reserved upon the subject of the +Candy Man. Uncle Bob had not heard a word of it till now, when, beside +the Little Red Chimney hearth, supper having been cleared away, and Dr. +Prue resting with a book on the office lounge, she told him the whole +story. +</p> +<p> +"You don't say so! That beats anything I ever heard. Well, I said it +would come out all right, didn't I?" Margaret Elizabeth's narrative was +punctured, as Mrs. Partington would have said, with many exclamations +such as these. +</p> +<p> +"I own you were right. It isn't as bad as it seemed. He is really very +gentlemanly and nice. Still, it is a bit awkward too," she added +thoughtfully. +</p> +<p> +It is possible she was thinking of Mrs. Gerrard Pennington at the +moment. +</p> +<a name="h2HCH0010" id="h2HCH0010"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER TEN +</h2> +<p class="ctitle"> +<i>In which the Little Red Chimney keeps Festival, and the Candy Man +receives an unexpected Invitation.</i> +</p> +<p> +The Candy Man, letting himself in at his lodging house, one gloomy +Sunday afternoon, stumbled upon a deputation of pigeons, in a state +of fluttering impatience. +</p> +<p> +"She said to wait, and we thought you were never, never coming!" was +their chorus. +</p> +<p> +"Never is a long day," said the Candy Man. "What will you have?" +</p> +<p> +It appeared they were the bearers of a missive which read briefly and +to the point: "Her ladyship requests the pleasure of the Candy Man's +presence at the Pigeons' Christmas Tree, at four o'clock this +afternoon." +</p> +<p> +It had seemed to the Candy Man that he was altogether outside the +holiday world, that for him Christmas had ended with his visit to the +hospital that afternoon. He had ventured to send a basket of fruit to +his fellow lodgers, the invalid professor and his wife, and had played +Santa Claus to two or three newsboys who frequented the Y.M.C.A. corner +and to the small Malones, and the state of his exchequer scarcely +warranted anything more. The social calendar in the morning paper +overflowed with festivities for the week, and he had pleased his fancy +by picturing Miss Bentley, radiant and lovely, in the midst of them. He, +the lonely Candy Man, without the pale, could yet enjoy her pleasure in +imagination. And lo! this lonely Candy Man was bidden to a tree on +Christmas Eve, by her ladyship. He could not believe his eyes. +</p> +<p> +"It takes you a long time to read it," said Virginia. "You'd better +come. It's late." +</p> +<p> +Dark was beginning to fall outside, but the Little Red Chimney room was +full of firelight when the Candy Man was ushered in, in the wake of the +children, by cordial Uncle Bob. It was a frolicsome, magical light that +played about a row of red stockings hanging from the shelf above it; +that advanced to the farthest corner and then retreated; that coaxed and +dared the unlighted Christmas tree by the piano to wake up and do its +part; that gleamed in Miss Bentley's hair as she seated the pigeons in +a semicircle on the rug. +</p> +<p> +Was it the magic of the firelight, or the absence of the grey hat, or +the blue frock with its deep white collar, or, or—The Candy Man got no +further with his questions, for just then Margaret Elizabeth turned and +gave him her hand, explaining that they were so much stiller when they +sat on the floor. She added that it was very good of him to come—a +purely conventional and entirely inaccurate statement. He was also +instructed to sit on the sofa with Uncle Bob. +</p> +<p> +"And now," began Miss Bentley, standing with her back to the row of red +stockings and looking into the upturned faces, "we are going to be +rather quiet, for this, you know, is both Christmas Eve and Sunday. +First, we'll sing 'While Shepherds Watched,' very softly." +</p> +<p> +She sat down at the piano and struck a few chords, then her voice rose, +clear and sweet, the pigeons following her lead, a bit quaveringly at +first, but doing wonderfully well considering they were not song birds. +"She's been training them for weeks," Uncle Bob whispered. +</p> +<p> +After this came "Stille Nacht," and Uncle Bob joined in, and then the +Candy Man, and presently the entrance of Dr. Prue was proclaimed by a +vigorous alto. The effect was most gratifying to the performers, and +from the piano Margaret Elizabeth murmured, "Very good." +</p> +<p> +When the singing was over she took her seat on a low ottoman in the +midst of the children, who drew closer. "Next," she said, patting the +hand Virginia slipped within her arm, "comes the story, which on +Christmas Eve everybody should either hear or read for himself." +</p> +<p> +Stillness fell on the Little Red Chimney room, the pigeons listened in +breathless absorption, while, forgetting herself and her audience, her +hands loosely clasped on her knees, Margaret Elizabeth began the story +which, as often as it may be told, yet throbs with tenderness and +wonder. As she went on her eyes grew dark and deep, and in her face +shone something more than the sweetness and charm hitherto so endearing. +Was it a prophecy? A glimpse into the unsounded heart of her? +</p> +<p> +Dr. Prue shaded her eyes with her hand; Uncle Bob wiped his glasses; the +Candy Man's soul was stirred within him, but he gave no sign. +</p> +<p> +"And they brought gifts, gold, frankincense and myrrh, to the little +Child in the manger; so now in keeping his birthday, we give each other +gifts and are happy because of the wonderful night so long ago," ended +Margaret Elizabeth. +</p> +<p> +After that it was no longer still in the Little Red Chimney room. Uncle +Bob set the tree alight, and her ladyship distributed the red stockings. +Nobody was left out, not even the Candy Man, or Nancy and Jenny hovering +in the background. +</p> +<p> +Upon occasions like the Pigeons' Christmas Tree we long to linger, but +they are evanescent. The Candy Man must see the children home after a +few brief words with Miss Bentley. +</p> +<p> +"The Fairy Godmother Society must have been organised, and my name +entered among its beneficiaries," he told her. +</p> +<p> +"I am glad if you liked it," she replied. "I thought you would. +To-morrow I am going to Pennington Park to stay till after New Year's, +but Christmas Eve belonged by rights to the Little Red Chimney." She +smiled, and the Candy Man nodded understandingly. +</p> +<p> +This much in the midst of the chatter that accompanied the putting on of +small coats and leggings. +</p> +<p> +"And I may hope that I am forgiven?" he had a chance to add as she gave +him her hand at parting. +</p> +<p> +Miss Bentley's eyes twinkled. "It will do no harm to hope," she told +him. +</p> +<p> +The Candy Man, his red stocking protruding from his overcoat pocket, +conducted the noisy flock to their homes, then turning southward he +walked on and on toward the edge of the town. As is fitting on Christmas +Eve, a fine snow had begun to fall, sifting silently over everything, +transforming even the ugly and pitiful with a mantle of beauty. +</p> +<p> +The Candy Man, striding on through the night, felt an unreasoning joy as +he thought of Margaret Elizabeth telling the story with the firelight on +her face. The world seemed throbbing with expectancy. Who could tell +what splendid event awaited its near fulfilment? +</p> +<a name="h2HCH0011" id="h2HCH0011"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER ELEVEN +</h2> +<p class="ctitle"> +<i>In which a radical change of atmosphere is at once noticed; which +shows how Miss Bentley repents of a too coming-on disposition, and lends +an ear to the advantages of wealth.</i> +</p> +<p> +The Christmas fire was not cold upon the hearth of the Little Red +Chimney before Miss Bentley was whisked away to other scenes, into an +atmosphere so different that of necessity things took on another aspect. +</p> +<p> +Mrs. Gerrard Pennington found intense satisfaction in her niece's social +success. Given every advantage, she pointed out, one could never tell +how a girl would take, and Dick had brought up his daughter in such an +odd way. Yet in spite of everything, even this awkward arrangement of +living in two places, Margaret Elizabeth was popular beyond her fondest +hopes. +</p> +<p> +There were not wanting those who remarked that it would be a marvel if +she were not spoiled. Probably they were right, and Margaret Elizabeth, +at the flood tide of her social career, courted, fęted, the kingdoms of +this world at her feet, was in danger. +</p> +<p> +"And who sent this?" Mrs. Pennington demanded. +</p> +<p> +It was Christmas Day, and "this" was an Indian basket of holly and +mistletoe, conspicuous, among many costly floral offerings, by its +simplicity. The card which accompanied it read, "To her Ladyship, from +the Candy Man," but this Mrs. Pennington had not seen. +</p> +<p> +"Oh," answered her niece, "I don't know how to tell you who he is. He is +a stranger here—a Mr. Reynolds. I met him at Mr. Knight's, where you +remember I went to get some material for my paper for the Tuesday Club." +</p> +<p> +This was all true, and, unaccompanied by a heightened colour, might +have allayed her aunt's lurking suspicions, born of that unexplained +interview in the park with some one who was not Augustus. +</p> +<p> +Only once had Mrs. Pennington referred to this, asking half jokingly if +Margaret Elizabeth had ever discovered the identity of that person; +putting a somewhat disdainful emphasis upon "person." +</p> +<p> +"Never," Margaret Elizabeth could at that time assure her, and she +added, "I do not expect to, and certainly do not wish to." +</p> +<p> +Mrs. Pennington, however, had her intuitions in regard to this unknown +individual. She anticipated his reappearance, and, like a wise general, +in time of peace prepared for war. Keeping her vague fears to herself, +she increased her vigilance. +</p> +<p> +Annoyed because of that uncalled-for blush, far away from the Little Red +Chimney, with fairy-tales forgot, Margaret Elizabeth repeated her aunt's +question. After all, who was Mr. Reynolds? That which had so lately +seemed an adventure compounded of kindliness and fun, she now beheld +only as an awkward situation. She began to feel that she had overstepped +the bounds in asking him to the Christmas tree; and the red stocking! +What nonsense! Why should she have felt concerned over his loneliness? +Were there not many lonely people in the world? Might he not infer from +it all a rather excessive interest in him and his affairs? Her interview +with Tim at the hospital, for instance, though it had come about by the +purest chance, looked on the surface as if she had been bent upon +investigating him. +</p> +<p> +The Candy Man's offering, which she at first found so happily +significant and appropriate, now began to seem almost a piece of +presumption. It lay ignored if not forgotten, till its brown and +withered contents were tossed into the fire by one of the maids. Did +Miss Bentley wish her to save the basket? +</p> +<p> +No, Miss Bentley cared nothing for it. Or, wait—she liked sweet grass, +and on second thought she would keep it. +</p> +<p> +Never had the holiday season been so gay. There was not time for a +minute's connected thought. Margaret Elizabeth honestly tried to keep +her promise to stop and reflect for at least ten minutes a day, but +either she went to sleep, or fell into a waking dream that bore small +relation to the sober realities upon which she was supposed to dwell. +</p> +<p> +There were guests at Pennington Park for the holidays—English friends +of her uncle and aunt, persons of a broader culture than Margaret +Elizabeth had ever before encountered. They afforded her an object +lesson of the best that accrues from wealth and tradition, and is only +to be attained by means of them. Within herself she was aware of an +aptitude of her own for these things. +</p> +<p> +But half divining her niece's mood, Mrs. Gerrard Pennington skilfully +and subtly fostered it, and Augustus McAllister, with unexpected tact, +followed her lead. +</p> +<p> +Augustus was genuinely in love, and it brought out the best that was +in him. For the first time in his life something resembling humility +manifested itself, a humility which sat gracefully upon the possessor +of variously estimated millions. It seemed to say: "Here is one who, +although not brilliant, may be led into any desirable path." And with +his other substantial attractions he combined his full share of good +looks. +</p> +<p> +To be unresponsive was not in Miss Bentley's make-up, and the attentions +of Augustus assumed in these days a delicate and pleasing character. +What girl could be indifferent to the prestige born of the generally +accepted opinion that the position of mistress of the Towers was hers +for the word? +</p> +<p> +In truth, all this homage—and Augustus was far from being alone in +it—was to Margaret Elizabeth an exciting game, that need not be taken +too seriously. It was only when she thought of the Candy Man that she +became serious and annoyed. How impossible, in the atmosphere of +Pennington Park, appeared any explanation or justification of so absurd +a position as his! +</p> +<a name="image-0007"><!--IMG--></a> +<center> +<img src="images/ill-07.png" width="391" height="741" alt="Cousin Augustus" /> +<br /><span style="font-variant: small-caps;">Cousin Augustus</span> +</center> + +<p> +When, after a morning recital by the Musical Club, Miss Bentley was seen +walking down the avenue with Augustus McAllister, society seized upon it +as confirming an interesting rumour. It was absurd, of course. Margaret +Elizabeth did it quite innocently. She really felt the need of exercise +in the open air, and could not very easily dismiss Mr. McAllister, who +had accompanied her aunt and herself to the concert, and who also felt +the need of air. +</p> +<p> +Did she think of the Candy Man when they passed the Y.M.C.A. corner? +Yes, she did. Though she gave not so much as half a glance in the +direction of the Candy Wagon, she hoped he was not too busy to observe. +It might counteract possible false impressions in the past. +</p> +<p> +A few days later there appeared in a column of the <i>Evening Record</i>, +given up to such matters, an item regarding the soon-to-be-announced +engagement of a certain charming and beautiful girl, only recently a +resident of the city, and a young man of wealth and social position. +</p> +<p> +It brought Miss Bentley up short. She disliked newspaper gossip +extremely, and an allusion so faintly veiled that everyone must +understand, was under the circumstances most embarrassing, for the truth +was she had not been asked. Her cheeks burned. Yet it was thanks only to +some clever fencing on her part, and perhaps some words of caution to +Augustus from his mentor, that she had not been, and she knew in her +heart it must come soon. +</p> +<p> +Just when you were having a good time and did not wish to be bothered, +it was tiresome to have to decide momentous questions, she told herself +almost fretfully, as she was borne swiftly and smoothly downtown one +afternoon. There was the usual detention at the Y.M.C.A. corner, and +Margaret Elizabeth looked out and almost into the Candy Wagon before she +knew it. But there was no cause for alarm. Beneath the white cap of the +Candy Man shone the round Irish countenance of Tim Malone. +</p> +<p> +Was it Tim after all who had viewed her triumphal walk down the avenue? +The question brought not a hint of a smile to Miss Bentley's lips; and +this was a very grave symptom. +</p> +<p> +If Uncle Bob had been within reach! But he wasn't. He had run down to +Florida to look after his orange grove, and Dr. Prue was up to her eyes +in grip cases. There was every reason why Margaret Elizabeth should stay +on at Pennington Park. +</p> +<p> +So the Little Red Chimney had no chance to get in its work. In vain +Virginia looked from the dining-room window for its curling smoke. In +vain did the invalid sister of Miss Kitty, the dressmaker, dream of the +beautiful young lady who brought her roses. In vain did the postman and +the market-man inquire of Nancy when Miss Bentley was coming back. To +the Miser alone, who from his study window had also noted the deadness +of the Little Red Chimney, was the privilege of a word with the +enchantress accorded. It came about through Mrs. Gerrard Pennington's +interest in the furnishing of the new quarters of the Colonial Dames. +</p> +<p> +Hearing of a desirable print owned by Mr. Knight, which it was +understood he might be induced to part with, she drove thither to +canvass the matter, accompanied by her niece. On the way they picked +up Augustus, who knew nothing of prints, but was pleased to join the +expedition. +</p> +<p> +The Miser, beneath his grave courtesy, seemed taken aback by this +invasion of his solitude. Mrs. Pennington's conventional suavity plainly +embarrassed him. He smiled indeed at Margaret Elizabeth, remarking as he +spread out his engravings that it had been long since he last saw her. +</p> +<p> +The impulse was strong upon her to follow him to his desk and ask if he +had any news of the Candy Man. There were moments when she thought it +strange she had had no word. These were but fleeting moments, however; +for the most part she succeeded, or thought she succeeded, in dismissing +him to the limbo of the past. So now she resisted the impulse to ask +news of him. +</p> +<p> +When it came to negotiations Margaret Elizabeth and Augustus, leaving +Mrs. Pennington to conduct them, moved about the room, viewing the +Miser's curios. +</p> +<p> +"Do you care for mezzotints?" she asked him. +</p> +<p> +"I don't know the first thing about them," Augustus owned. "In fact +never saw one." +</p> +<p> +She laughed. "Oh, yes, you have. Ever so many of the Reynolds and Romney +portraits were reproduced in mezzotint. If I am not mistaken there is +one hanging in your own hall." +</p> +<p> +Augustus gazed at her in undisguised admiration. "I don't see how you +learn so much, Miss Bentley. I have no doubt I have a lot of things you +could help me to appreciate." +</p> +<p> +From this dangerous ground she moved hastily, calling attention to the +portrait above the mantel. Mr. McAllister was more at home here. +</p> +<p> +"A rattling good picture. General Waite, by the way," he informed her, +"was own cousin to my grandmother on my mother's side. My great +grandfather and his father were brothers, don't you know." +</p> +<p> +"Indeed!" said Margaret Elizabeth, politely. The relationship did +not interest her, but she wondered, in annoyance, why the cousin of +Augustus, on his mother's side, should look down on her with the eyes of +the Candy Man. Stern eyes they were, with a sparkle of humour behind the +sternness. +</p> +<p> +On the way home Mrs. Pennington was stirred to reminiscence. "One of +the first parties I ever attended was in that old house," she said. +"It must have been thirty-five years ago. I was a very young girl—barely +seventeen. General Waite was a most courtly man, and his wife was quite +famous for her beauty. It was there I met Mr. Pennington. He and the +general's nephew, Robert Waite, were great friends. They went to college +together. He disappeared strangely. I remember Gerrard was dread fully +upset about it at the time. It was just before our marriage." +</p> +<p> +To all this Margaret Elizabeth only half listened. The eyes of the +general lingered reproachfully with her, and perhaps were at the bottom +of that policy of postponement with which Augustus was met when the +inevitable moment came. +</p> +<p> +Just a little time was all she asked. Mr. McAllister was talking of a +trip to Panama; let him go, and on his return he should have his answer. +</p> +<p> +Miss Bentley was very sweet as she spoke thus; eminently worth waiting +for. So Augustus went to Panama, and she was left to argue matters with +herself. +</p> +<p> +During the process she grew pale. Mixed up with her arguments was that +foolish idea that she ought to have heard something from the Candy Man. +Had he seen that item in the <i>Evening Record</i>? +</p> +<p> +Mrs. Pennington noticed the pallor, but treated it lightly. Margaret +Elizabeth was tired out, but now Lent was here she would rest. She was +worn to death herself, but she would recuperate, and surely her niece, +who was years younger, could do the same. She failed to take into +consideration the complications lacking in her own case. In fact, having +brought matters to the present status, Mrs. Pennington allowed herself +to relax. +</p> +<p> +Mr. Gerrard Pennington looked at Margaret Elizabeth from beneath his +bushy brows. Confound them, what were they doing to her? She had a way +of joining him in the library, and sitting with a book in her lap, which +she seldom read. +</p> +<p> +One day, laying down his paper, and after a cautious glance over his +shoulder, he remarked: "Did it ever occur to you, Margaret Elizabeth, +that you don't have to marry anybody?" +</p> +<p> +She stared at him with surprised eyes, in which a smile slowly dawned. +"Why, Uncle Gerry, what do you mean? Of course I don't have to." +</p> +<p> +"There is a great deal in suggestion," continued Mr. Pennington. "Keep +telling people a certain thing, confront them with it on all occasions, +and they will be influenced in spite of themselves; and it has occurred +to me——" +</p> +<p> +"Yes?" said Margaret Elizabeth. +</p> +<p> +"Well, that it applies in your case." Mr. Pennington cleared his throat. +"A certain person whom we know has behaved very well of late; better +than I thought was in him, but—unless you are pretty sure you can't +live without him—Now this is rank treason on my part, but don't be too +soft-hearted, Margaret Elizabeth." +</p> +<p> +Mr. Pennington returned to his stock-market reports, and silence +reigned, but presently two hands rested on his shoulders, and a velvet +cheek touched his for a moment. "Thank you, Uncle Gerry," said Margaret +Elizabeth. +</p> +<a name="h2HCH0012" id="h2HCH0012"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER TWELVE +</h2> +<p class="ctitle"> +<i>Which shows Miss Bentley recovering from a fit of what Uncle Bob +calls Cantankerousness; in which a shipwrecked letter is brought to +light, and Dr. Prue is called again to visit the child of the Park +Superintendent.</i> +</p> +<p> +"And he turned into a splendid prince (he had been one all the time +really, you know), and he laid all his riches at Violetta's feet, and +made her a princess, because she had been true to him through thick and +thin." +</p> +<p> +Virginia's voice rose in triumphant climax. +</p> +<p> +"That's all very fine in a fairy-tale, Virginia, and it is an extremely +good one for a little girl like you to make up out of her own head. But +you know in real life it is different." Margaret Elizabeth gazed +pensively into the fire. +</p> +<p> +Virginia, prone upon the hearth-rug, was disposed to argue what she did +not understand. "How different?" +</p> +<p> +"Well, in a fairy-tale you can have things as you want them, but in +real life you get tangled up in what other people want, and with duty +and common sense; and when you determine to follow your—" Margaret +Elizabeth was going to say "heart," but changed to "intuitions," "you +are left high and dry on a desert island." +</p> +<p> +Virginia was to be excused if she failed to make head or tail of this. +"I wish the Candy Man would come back," she remarked irrelevantly. "He +was much nicer than Tim. He liked fairy-tales. He said he was coming +some time." +</p> +<p> +"Oh, did he?" said Miss Bentley. +</p> +<p> +The reference to a desert island, and a disposition to quarrel with +fairy-tales, go to show that while she was decidedly more like herself +than in the last chapter, her recovery was not yet complete. In fact +Margaret Elizabeth was suffering from the irritability that so often +accompanies convalescence. Cantankerousness was Uncle Bob's word for it, +and he defended it with all the eloquence of which he was master, his +finger on the page in the dictionary where it was to be found in good +and regular standing. +</p> +<p> +It really did not matter what you called it; the point was, that in an +argument with her aunt, Margaret Elizabeth had gone further than she +intended; had said what had better have been left unsaid. This she +confessed to Dr. Prue. +</p> +<p> +"Let me see your tongue," commanded that professional lady, regarding +her searchingly. +</p> +<p> +Margaret Elizabeth displayed the unruly member, laughing as she did so. +</p> +<p> +"What did you say to Mrs. Pennington?" +</p> +<p> +"We were speaking," Margaret Elizabeth answered meekly, "of gratitude, +and Aunt Eleanor said, as you are always hearing people say, that there +is little or none of it in the world. You see, in some matter which came +up in the Colonial Dames, Nancy Lane sided against her. 'And after all +I've done for her!' cried Aunt Eleanor. I said I thought gratitude was +an overrated virtue anyway, and that to expect a person to vote your way +because you had been good to her, was a kind of graft." +</p> +<p> +"Humph!" said Dr. Prue. +</p> +<p> +"I know it was a dreadful, dreadful thing to say." Tears were in +Margaret Elizabeth's eyes. "When she has been loveliness itself to me. +There it is, you see. I have thought about it, and thought about it, +until I'm all mixed up." +</p> +<p> +"What did your aunt say?" +</p> +<p> +"She was very dignified. She had not expected to hear such a thing from +me. Then she walked away." +</p> +<p> +"I hope you asked her pardon." +</p> +<p> +"I had no chance. She has gone to Chicago—was on her way to the station +then. I will, of course." +</p> +<p> +"For a young thing your ideas are not bad, though your problem is +entangled in foolish convention, personal pride and so on. But neither +you nor I was born to set the world right. Now cheer up and think no +more about it for the present. Be ready at two o'clock to go to the park +with me. The superintendent's child is ill again." +</p> +<p> +Having delivered her prescription, Dr. Prue left, and her patient +returned to her hearth-stone and an endeavour to be honest with +herself. Virginia had interrupted this most difficult process with her +fairy-tale. While it could not be said to bear upon the situation, after +she had left Margaret Elizabeth was conscious of a faint lightening of +the fog. +</p> +<p> +As they sped smoothly toward the park, in the new electric, Margaret +Elizabeth driving, Dr. Prue exclaimed, "There, I'm forgetting that +letter again." Unfastening her bag she held it open while she continued, +"I hope you'll forgive whoever is to blame, but when the hall was being +cleaned yesterday, James fished this out of the umbrella jar. Dear knows +how it got there or when; it looks as if it had been in a shipwreck." +She produced a stained and sorry-looking missive from her bag. "You can +just make out the address, the postmark is quite gone," she added, +laying it in her companion's lap. "You haven't missed an important +letter, have you?" +</p> +<p> +"Not that I know of," Margaret Elizabeth replied with a laugh that was +a bit unsteady. "It is probably nothing of value." She kept her gaze on +the road ahead. "Just slip it in my pocket, please." +</p> +<p> +All the rest of the way to the park her heart thumped uncomfortably. +Could it be? Of course not, it was an advertisement. Why get excited? +Meanwhile she chatted pleasantly with Dr. Prue. +</p> +<p> +"All you need is fresh air and a simple life for a while. Your colour +has come back wonderfully," the doctor remarked as they drew up at the +cottage gate. "Will you wait for me here?" +</p> +<p> +"If you don't mind, I think I'll go into the park, and if I'm not back +by the time you are ready, don't wait. I can take the street car." +</p> +<p> +Turning in at the entrance to the park, Margaret Elizabeth was for a +fleeting moment aware of a Candy Wagon standing at the curb a few yards +away. There was nothing unusual in this except the odd way in which it +fitted into the situation, and the next moment she had forgotten +everything but the letter in her hand. +</p> +<p> +She walked slowly down the path. The April sunshine sifted through a +faint and feathery greenness overhead, the air was clear and fresh. She +was thinking that she had seen just one little scrap of the Candy Man's +writing—on the card accompanying the Christmas basket; and this on the +letter was blurred and stained, yet she was sure of it. He had written. +She had been sure he would. She was glad. She would be honest with +herself. She wanted him for a friend. In many ways she liked him better +than any one she had met this winter. She wanted to know more about him. +</p> +<p> +She tried to tear the letter open, but for all it was so damaged the +paper had remained tough. She would wait to read it till she reached the +summer house. That little vine-hung arbour had been in her thought ever +since Dr. Prue proposed to bring her down to the park. She had a foolish +desire to sit there and look at the river, and go on being honest with +herself. +</p> +<p> +Margaret Elizabeth, mounting the steps and looking at her letter as she +did so, was confronted by somebody who started up in surprise from the +bench where she had sat with her flowers that autumn day. +</p> +<p> +For one surprised moment she and the stranger faced each other, then +Miss Bentley exclaimed, "I saw the wagon at the gate, but I didn't know +it was yours." And then the mischief faded into simple honest gladness +as she held out her hand. "I certainly did not expect to see you," she +added, "but you are an unexpected sort of person." +</p> +<p> +"Nothing so wonderful as the chance of meeting you occurred to me for a +moment," the Candy Man assured her. "In fact I was not certain you cared +to see me." Those same pleasant eyes, so emphatically not the eyes of +Augustus, looked into hers questioningly. +</p> +<p> +Margaret Elizabeth held up the letter. "It was shipwrecked," she said. +"I got it only a few minutes ago. I haven't read it. I thought it was +you who didn't care to be friends." +</p> +<p> +The Candy Man did not exactly understand how a letter could be +shipwrecked in an overland journey of ten hours, but he dismissed it as +of no importance. "It isn't worth reading now," he said. "It was just +to make my adieus and ask if some time when I had lived down my past," +here he smiled, "I might come back and tell you my strange story. I was +counting on your willingness to be friends. You remember you said it +would do no harm to hope." +</p> +<p> +"Oh, did I? And when you did not hear from me, what did you think? +Honestly," asked Margaret Elizabeth. +</p> +<p> +"I thought of course there must be a reason. A shipwreck did not occur +to me." +</p> +<p> +"Do you mean a reason for not being friends? But you came." +</p> +<p> +"The suspense was too much for me. I haven't many friends; and besides, +this is on the way to Texas." +</p> +<p> +"So you are going to Texas this time?" +</p> +<p> +It seemed the Candy Man had heard of an opening there. +</p> +<p> +Margaret Elizabeth wanted to ask why he had come to the park, but +something told her not to; instead she said, looking away to the shining +river, "I know of no reason why we should not be friends. So I am ready +to hear the story you speak of. Is it more strange than the adventures +of a Candy Wagon?" Her eyes came back and met his as they had done the +day when the conversation turned upon fairy godmothers. Margaret +Elizabeth was not spoiled. +</p> +<p> +"It is more serious," was his reply. "In fact, it is very serious. +The Candy Wagon was a mere episode. What I wish to tell you now goes +deeper." +</p> +<a name="h2HCH0013" id="h2HCH0013"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER THIRTEEN +</h2> +<p class="ctitle"> +<i>In which the Candy Man relates his story, and the Miser comes upon +Volume I of the shabby book with the funny name.</i> +</p> +<p> +"I want you to know all about me," began the Candy Man, taking from his +pocket the shabby little book Virginia had once remarked on, "so there +may be no more wrong impressions." +</p> +<p> +They sat in the sunshine on the top step of the little pavilion, facing +the river. Margaret Elizabeth, supporting her chin in her hand, regarded +him gravely. The west wind was cool on their faces. +</p> +<p> +"I have often imagined myself telling you," he went on. "Not that there +is much to it, besides its strangeness. In fact, to be brief, I don't +know who I am." +</p> +<p> +The surprise in Miss Bentley's eyes caused him to add quickly: "Not that +I am a foundling. But my father and mother were lost at sea when I was +three years old. We were coming from Victoria to San Francisco, when the +steamer went down. Only a few of the passengers were saved, I among +them." +</p> +<p> +"How sad and terrible!" cried Margaret Elizabeth. "Can you remember it? +How lost and lonely you must have been! Poor little child!" +</p> +<p> +"I recall it only in a vague way," he answered, "confused with what has +since been told me. When it was known that my parents were lost, a man +and his wife, fellow passengers, offered to adopt me. Beyond the name +'Robert Deane, Wife and Child,' on the list at the ship's office, they +were unable to learn anything about me, and I was too young and +bewildered to give any clue." +</p> +<p> +"That is very strange," said Margaret Elizabeth. "Your new father and +mother were kind to you?" +</p> +<p> +"So kind I soon forgot the terror and loneliness, and grew happy and +content. Everything was done to make me forget, and I think while they +made every effort to find out something about me, they were glad when +they failed. I wish now that my childish memories might have been +fostered, for I find myself reaching back into a mist full of vague +shapes. +</p> +<p> +"My new father was a civil engineer, whose work took him here, there and +everywhere throughout the broad West. I never knew a permanent home. My +adopted mother died when I was twelve. After that came boarding school +and college. About the time I left college my father's health failed, +and for several years he was helpless and very dependent upon me, so +I gave up my plan of entering a mining school. +</p> +<p> +"It was during his illness that he began to speak to me of my own +parents. He had talked to them on several occasions during the voyage, +and he described them as young people of refinement and education. My +mother, he thought from her speech, was English. They rather held aloof, +he said, and seemed disinclined to mention their own affairs. While he +was ill the news came to us of the finding in a storage warehouse in San +Francisco of an old trunk which it seemed probable had belonged to my +parents. Without going into detail, I may say it was through an old +acquaintance of my adopted father's, who knew the circumstances of my +adoption, that we heard of it. He had some interest in the warehouse, +which was about to be torn down and rebuilt. This trunk was found in +some forgotten corner where it had lain for twenty-five years." +</p> +<p> +"And did it throw any light?" asked Margaret Elizabeth. +</p> +<p> +"Not much, it rather deepened the mystery. There was little of +significance in it, but this book and a package of letters. From them I +learned nothing definite, but gathered the unwelcome probability that my +father was under some sort of cloud, and was not using his real name. +This was a matter of inference—of deduction, largely, but it was plain +he had left his home in some sort of trouble. +</p> +<p> +"It is not easy to piece together scattered allusions, when you have no +clue. The letters were most of them written by my father to my mother, +just before and soon after their marriage, with one or two from her to +him. One of these, which I found between the leaves of this little book, +I want you to read. It concludes my story, and to my mind lightens it a +little." +</p> +<p> +The letter the Candy Man held out to Margaret Elizabeth was written on +thin paper, in a delicate angular hand. +</p> +<p> +"Ought I to read it?" she demurred. "Are you sure she would like it?" +</p> +<p> +"Somehow I am very sure," he answered. "And I feel that it will be a +grip on our friendship. I have told you the worst, I wish you to know +the best of me." +</p> +<p> +She acquiesced, and, an elbow on her knee, shading her eyes with her +hand, she read the letter, whose date was thirty years ago. Far back +in the past this seemed to Margaret Elizabeth, yet it was a girl like +herself who wrote. +</p> +<p> +The first sentences were almost meaningless, so strong was the feeling +that she had no right to be reading it at all, but as she went on she +forgot her scruples. It was evidently a reply to a letter from her lover +in which he had spoken of the cloud that hung over his name, and it was +a confession of her faith in him, girlish, sweet and tender. "I trust +you, Robert," it said. "It is in you to do heedless things, to be +reckless, if only because you are young and eager and strong; but it +is not in you to be dishonourable; of this I am as certain as I am of +anything in life. Some day the truth will be known and you will be +cleared, but whether it is or no, I choose to walk beside you. I choose +it gladly, happily. I write the words again, gladly, happily, Robert. +Yours, Mary." +</p> +<p> +"Oh!" cried Margaret Elizabeth, lifting a glowing face, "I love Mary." +</p> +<p> +"She was brave and unselfish," said the Candy Man. +</p> +<p> +Margaret Elizabeth nodded. "Yes, that is one side of it. Still, you see, +she was sure, and it was, as she says, a joy to cast in her lot with +him. 'Gladly, happily.'" Her eyes shone. She gazed far away down the +river. The wind blew little tendrils of bright hair across her cheek. +"It must be so when you care very much," she went on. +</p> +<p> +"But," argued the Candy Man, "under the stress of very noble feeling +people sometimes do foolish things, do they not?" +</p> +<p> +"But this was not. Do you think for a moment Mary ever regretted it? +I see what you mean by the best of you. It is something to have such +credentials." Margaret Elizabeth's gaze met the Candy Man's, and her +eyes were deep as they had been on Christmas Eve, in the firelight. +</p> +<p> +Oh, Margaret Elizabeth, it is your own fault, for being so dear, so +unworldly! Could you, can you, cast in your lot with an unknown Candy +Man? He has no business to ask you. He did not mean to, but only to +prepare the way. He knows he is no great catch, even from the point of +view of a Little Red Chimney. These are not the precise words of the +Candy Man, but something like them.... +</p> +<p> +So absorbed was Margaret Elizabeth in the thought of Mary, she was a bit +slow in taking in their meaning. She gave him one startled glance, and +then looked down, as it happened, upon the shabby little book which lay +on the step between them. Absently she drew it toward her, and with +fingers that trembled, opened it, as if to find her answer in its pages. +Then a smile began faintly to curl about her lips, and she read aloud +from the book: +</p> +<p class="quote"> + <i>"What we find then to accord with love and reason, that we may + safely pronounce right and good."</i> +</p> +<p> +"Judged at the bar of reason I fear my case is hopeless," protested the +Candy Man, putting out his hand to close the book. +</p> +<p> +But Margaret Elizabeth clasped it to her breast. "I see nothing +unreasonable in it," she declared stoutly. As she spoke a faded crimson +flower fell in her lap. +</p> +<p> +Somewhat later in the afternoon, Miss Bentley and the Candy Man, +walking together along the river path, had they not been so engrossed +in their own affairs, might have recognised the tall, stooping figure +of the Miser strolling slowly ahead of them. It was for a minute only, +for near a turn in the path he bent forward and disappeared in a thicket +of althea bushes. At this season it was not a dense thicket, and Mr. +Knight, poking in the soft mould with his cane in search of a certain +tiny plant, had no thought of hiding, but, as it chanced, was unobserved +by his friends. +</p> +<p> +"Oh, Margaret Elizabeth," her companion was saying as they passed, "you +are so dear! I have no business to be telling you so, but indeed I can't +help it." +</p> +<p> +And she with a little laugh replied: "I am glad you can't, Candy Man." +And the next moment they were gone around the turn. +</p> +<p> +That was all, but it was enough. What rarer flower was likely to come +the Miser's way, on this or any day? +</p> +<p> +He stood and looked after them. These two had brought into his grey +life the touch of golden youth. He began to tremble under the force +of a wonderful thought. He sought a bench and sank upon it. It would +be a solution of his problem. He had come out to-day into the spring +sunshine, feeling his burden more than he could bear, for in his pocket +was a letter which put an end to the hope he had long cherished of at +length righting a great wrong. +</p> +<p> +There must be a way of doing what he wished. The consent of the Candy +Man once gained, that hateful fortune, which through these years had +been slowly crushing him, might become a minister of joy and well being, +might make possible for others those best things of life that he had +missed. +</p> +<p> +The thought thrilled him. He rose and walked on, back to the pavilion, +where he paused again to rest. There on the step lay the shabby book +with the funny name and the small oval bit cut from the fly leaf, +beneath which was the Candy Man's name, Robert Deane Reynolds. +</p> +<a name="h2HCH0014" id="h2HCH0014"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER FOURTEEN +</h2> +<p class="ctitle"> +<i>Shows how Mrs. Gerrard Pennington, unhappy and distraught, beseeches +Uncle Bob to help her save Margaret Elisabeth; also how Mr. Gerrard +Pennington comes to the rescue, and how in the end his wife submits +gracefully to the inevitable, which is not so bad after all.</i> +</p> +<p> +When Mrs. Gerrard Pennington was shown into the room of the Little Red +Chimney, there was nobody there. A chilly wind outside, which dashed +the rain against the windows, only served to call attention to the +pleasantness within. It was indeed an aggressively cheerful room, +entirely out of keeping with Mrs. Pennington's mood. The open piano, +the row of thrifty ferns on the window-sill, the new novel on the table +with a foreign letter between its leaves, and the work basket beside +it—which, by the way, was of sweet grass—all sang the same song to +the accompaniment of the fire's quiet crackle. +</p> +<p> +The burden of the song was Margaret Elizabeth. You saw her sitting bolt +upright on the sofa, being very intense about something, or lost in +thought, elbows on knees, on the ottoman beside the hearth, or occupied +with that bit of embroidery, her curling lashes almost on her cheek. Oh, +Margaret Elizabeth, how could you? How could you? +</p> +<p> +Mrs. Pennington, pacing uneasily back and forth, glanced at the music on +the piano rack. +</p> +<div class="poem"> +<div class="stanza"> +<p> "Oh, stay at home, my heart, and rest,</p> +<p> Home-keeping hearts are happiest,"</p> +</div> +</div> +<p> +it admonished her. In this disarming atmosphere she began to feel +herself the victim of some wretched dream. Yet here in her bag was +Margaret Elizabeth's note, found awaiting her on her return from Chicago +an hour ago. +</p> +<p> +In it her niece apologised contritely for the inexcusable manner in +which she had spoken, and continued: "It makes me unhappy, dearest +Aunt Eleanor, to think of disappointing you, for you have been the +kindest aunt in the world, but I have discovered in the last few +days what I ought to have known all along, that I cannot marry Mr. +McAllister. The reason is there is some one else. He is neither rich +nor of distinguished family, but there are things that count for more, +at least to me. I shall see you very soon, and explain more fully. +In the meantime think kindly, if you can, of your niece, +</p> +<p> +MARGARET ELIZABETH." +</p> + +<a name="image-0008"><!--IMG--></a> +<center> +<img src="images/ill-08.png" width="494" height="684" alt="Mrs. Gerrard Pennington" /> +<br /><span style="font-variant: small-caps;">Mrs. Gerrard Pennington</span> +</center> + +<p> +This as it stood was bad enough, wrecking her dearest hopes at the +moment when they had seemed most secure; but taken in connection with +a story related in artless innocence by her travelling companion of +yesterday, Teddy Brown, to use one of that gentleman's cherished +phrases, it spelled tragedy. +</p> +<p> +The Reporter had not been bent on mischief. Far from it. He was merely +grappling bravely with the task of being agreeable to the great lady. +Surely it was but natural that in the course of a long conversation the +Candy Man's curious resemblance to Augustus should suggest itself as a +topic; and given a gleam of something like interest in his companion's +eyes, it was easy to continue from bad to worse. +</p> +<p> +He lived in the same apartment house as Virginia, and from her he +had heard of the Christmas tree, and the Candy Man's presence on the +occasion; also of that old accident on the corner in which the Candy +Man had figured as Miss Bentley's rescuer. No wonder those intuitions +regarding a person who was not Augustus should have risen to torture +Mrs. Pennington. All this circumstantial evidence was very black against +Margaret Elizabeth, seemingly so honest and frank. No wonder Mrs. +Pennington was distraught. +</p> +<p> +Meanwhile, wherever her heart might be, Margaret Elizabeth herself +was out. Uncle Bob, coming in, paper in hand, to greet the visitor +cordially, could not imagine where she had gone, and peered around the +room as if after all she might have escaped their notice. If she wasn't +in, he was confident she would be, in the course of a few minutes, which +confidence was not a logical deduction from known facts, but merely an +untrustworthy inference, born of his surprise at finding her out at all. +</p> +<p> +Placing a chair for Mrs. Pennington, he took one himself and regarded +her genially. Some minutes of polite conversation followed, in the +course of which Mrs. Pennington, concealing her agitation, spoke of her +journey to Chicago in quest of colonial furnishings. Mr. Vandegrift in +his turn brought forward Florida and orange groves. +</p> +<p> +But Margaret Elizabeth delayed her coming, and Mrs. Pennington could +stand it no longer. "Mr. Vandegrift," she began, after the silence that +followed the last word on oranges, "I regret that my niece is not here, +yet it may be as well to speak to you first. I may say, to make an +appeal to you. You are, I am sure, fond of Margaret Elizabeth." She +played nervously with the fastening of her shopping bag. +</p> +<p> +Uncle Bob looked at her in surprise, then at the toe of his shoe. "I +think I may safely admit it," he owned, crossing his knees and nodding +his head. +</p> +<p> +"Then, Mr. Vandegrift, I beseech you, with all the feeling of which I am +capable, to unite with me in saving this misguided girl." At this point +all her intuitions and fears rallied around Mrs. Pennington, and gave a +quiver to her voice. +</p> +<p> +Uncle Bob was astonished at her tone, and said so. +</p> +<p> +"I assure you, Mr. Vandegrift, I have her own word for it." She produced +a note from her bag. +</p> +<p> +"Her word for what?" he asked. +</p> +<p> +"Why, for—oh, Mr. Vandegrift, let us not waste time in futile fencing. +You must know that Margaret Elizabeth has deceived me; has been guilty +of base ingratitude; has been meeting clandestinely a person—a mere +adventurer. I can scarcely bring myself to say it. My brother Richard's +daughter!" Mrs. Pennington had recourse to her handkerchief. +</p> +<p> +Uncle Bob uncrossed his knees and sat bolt upright. "Madame," he +exclaimed, "I am sorry for your distress, whatever its cause, but let me +assure you, you are under some grave mistake. My niece has met no one +clandestinely, and is incapable of deceit and treachery." +</p> +<p> +"Do I understand then that it was with your connivance?" +</p> +<p> +"I have connived at nothing, Madame, and I know of no adventurer." Uncle +Bob took his penknife from his pocket and tapped on the table with it. +His manner was legal in the extreme. He was enjoying himself. +</p> +<p> +Mrs. Pennington looked over her handkerchief. "But she says, +herself——" +</p> +<p> +"Says she has been guilty of deceit and treachery? Has been meeting an +adventurer clandestinely? Pardon me, but this is incredible." +</p> +<p> +"What is incredible, Uncle Bob?" came a voice from the half-open door, +unmistakably that of the accused. "I'll be there as soon as I get off my +raincoat," it added. +</p> +<p> +"It is hopeless to try to make you understand," Mrs. Pennington almost +sobbed, the while sounds from the hall indicated that some one beside +Margaret Elizabeth was removing a raincoat. A horrible dread suddenly +smote her, lest it be that person. A sleepless night and her distress +had unnerved her. She felt herself unequal to the encounter. +</p> +<p> +She glanced about helplessly for a way of escape, but there was none. +"Tell him not to come in. I cannot see him now," she begged tragically +of Uncle Bob, who, honestly mystified now, stood between her and the +door, looking from it to her. +</p> +<p> +"She says not to come in," he repeated to Margaret Elizabeth's +companion, who was following her in. +</p> +<p> +"Why, Aunt Eleanor, I didn't know it was you! They told me your train +was late. And oh, what is the matter? What are you crying about? Is it +I?" Margaret Elizabeth, with raindrops on her hair, knelt beside her +aunt and embraced her, pressing a cool cheek against that lady's +fevered one. +</p> +<p> +Mrs. Pennington, her face hidden in her hands, continued to murmur, "I +cannot see him. I cannot see him." +</p> +<p> +"In the name of heaven, Eleanor, why can't you see me? Why must I not +come in?" demanded a familiar voice which brought her to with a shock. +</p> +<p> +"Gerrard!" she cried, in her surprise revealing a sadly tear-stained +countenance. +</p> +<p> +Uncle Bob beat a retreat into the hall, where he paused, chuckling to +himself. +</p> +<p> +"Certainly it is I. Who should it be?" said her husband, taking a seat +beside her. "Why are you making such a sight of yourself, my dear? When +I telephoned out to know if you had arrived, they said you had and had +gone out again immediately, no one knew where. I came out to talk over +some business with William Knight, and when I was leaving I saw your car +over here, and thought I'd join you; but if my presence is unbearable, +I will withdraw." Mr. Pennington smiled at Margaret Elizabeth. +</p> +<p> +"Don't be silly, please, I have had a most trying day. I don't expect +you to understand." +</p> +<p> +Mrs. Pennington was recovering her poise. There was something +irresistibly steadying in her husband's matter-of-fact statement, and in +the sight of her niece sitting back on her heels and looking up at her +with lovely, solicitous eyes. Treachery and deceit became meaningless +terms in such connection. +</p> +<p> +"You haven't given us a chance to understand, Eleanor. What is the +trouble?" Mr. Pennington demanded. +</p> +<p> +"Uncle Gerry, I am afraid it is I," said Margaret Elizabeth, picking up +the note from the floor where it had fallen. "I am sorry, you know I am, +that I can't do as she wishes, but you understand that I can't. Tell +her, please, that I did honestly try to think I could, but it wasn't of +any use." +</p> +<p> +"Oh, come now, Eleanor, if that is it, of course we wanted Margaret +Elizabeth up at the Park; but the young people of this generation like +to manage their own affairs, as we did before them." Mr. Pennington +looked quizzically at his niece. "She's been getting up a bit of +melodrama for our benefit, that's all. If you will pardon the +suggestion, my dear, I think possibly it is you who do not understand." +</p> +<p> +Margaret Elizabeth, rising from her lowly position, threw him a kiss +over her aunt's head. +</p> +<p> +"How can I be expected to, with everything shrouded in mystery?" cried +Mrs. Pennington. "Why have I never heard of this person before? Why was +I left to be told dreadful things by a reporter?" +</p> +<p> +"A reporter!" cried Margaret Elizabeth, in her turn aghast. +</p> +<p> +"Nonsense! If you heard anything dreadful you know Margaret Elizabeth +well enough to know it was not true. But how in the world could a +reporter have got hold of it?" +</p> +<p> +"You speak so confidently, Gerrard, tell me, what do you know about this +man?" Mrs. Pennington looked from her niece to her husband. "Margaret +Elizabeth seems to have completely won you to her side," she added. +</p> +<p> +"It is really a very strange story, Eleanor, and to begin at the end of +it, we have quite sufficient evidence, in my opinion, to prove that he +is the son of my old comrade, Robert Waite." +</p> +<p> +Mrs. Pennington fixed surprised eyes upon her husband. Margaret +Elizabeth sat down and folded her hands in her lap. +</p> +<p> +"You recall how Rob disappeared, without a word to any of his friends? +It was not till some years after the general's death that I had the +least clue to it; then William Knight came to me to know if I could +give any help in tracing him. He owned that there had been some trouble +between General Waite and Robert, and that the latter had been unjustly +treated. I couldn't give him any assistance, and I never discussed it +with him again. Knight was always close-mouthed, and it was only the +other day that I learned what the trouble was. It seems the general +suspected his nephew of taking a large sum of money from the safe in his +library. It was one of those cases of complete circumstantial evidence. +Rob was known to have lost money on the races. He was the only one +beside the general himself who had access to the safe, and who knew that +this money, several thousand dollars, was there at this time. That is, +so it was supposed. +</p> +<p> +"Knowing them both, one can easily understand the outcome. Robert +disappeared, and a few years later, when the general died, he left his +fortune to William Knight, his wife's nephew. Then after some little +time the real thief turned up. I won't go into that, further than to +say that it was through a deathbed confession to a priest. Since then +Knight has been searching far and wide for some trace of Robert, only +to receive last week the evidence of his death twenty-five years ago. +And now comes the strange part of the story. The very day on which +he received this news, Knight came by chance upon a book which he +recognised as once the property of Robert Waite. The owner's name was +cut from the fly leaf, but below it was written the name of a young +man whose acquaintance he had made last winter, Robert Deane Reynolds. +Deane was Rob's middle name, so naturally it led to an investigation." +</p> +<p> +Mr. Pennington looked over at Margaret Elizabeth. "Have I told a +straight story?" he asked. +</p> +<p> +"There were letters, you know," she prompted. +</p> +<p> +"Oh, yes. This young man had letters which I could have identified +anywhere." +</p> +<p> +Mrs. Pennington was interested. She asked questions. That absurd story +about a Candy Wagon was untrue then? But how had Margaret Elizabeth met +this person? She still referred to him as a person. And somehow the +united efforts of Margaret Elizabeth and Mr. Pennington failed to clear +up the mystery, though they did their best. +</p> +<p> +Even if the Candy Wagon episode was to be regarded as humorous, though +it did not present itself in that light to Mrs. Pennington, how could +Margaret Elizabeth have asked a Candy Man to her Christmas tree? +</p> +<p> +"But you see, by that time I knew he wasn't real, Aunt Eleanor, and +anyway—" +</p> +<p> +"Now go slow, Margaret Elizabeth," cautioned her uncle. "At heart you +are a confounded little socialist, but take my advice and keep it to +yourself." He was thinking of what she had said to him only the day +before: "You see, Uncle Gerry, you can't have everything. You have +to choose. And while I like bigness and richness, I like Little Red +Chimneys and what they stand for, best. I want to be on speaking terms +with both ends, you see." +</p> +<p> +"It is odd," Mr. Pennington went on, "the tricks heredity plays, and +that this young man and Augustus McAllister should both hark back to a +common ancestor for their general characteristics of build and feature. +I was struck with the resemblance, myself." +</p> +<p> +"It was what first attracted me," owned Margaret Elizabeth demurely. +</p> +<p> +The name of Augustus still had painful associations for Mrs. Pennington. +She rose. "Really we must be going," she said. At some future time she +felt she might be able to meet Mr. Reynolds or Waite, or whatever his +name was, with equanimity, but now she was thankful to hear he had gone +back to Chicago for some papers. +</p> +<p> +She received Margaret Elizabeth's farewell embrace languidly. "Since +there is such weight of authority in your favour, and matters have +developed so strangely, there is nothing for me to say. I dislike +mystery, and prefer to have things go on regularly and according to +precedent. It is your welfare I have at heart." +</p> +<p> +Mr. Pennington's good-by was different. +</p> +<p> +"I don't wonder you like it down here, Margaret Elizabeth—this room, +you know," he said. +</p> +<p> +As they drove homeward Mrs. Pennington was engaged in mentally +reconstructing affairs. "Of course," she heard herself saying, "it was +a disappointment to me, but romantic girls are not to be controlled by +common-sense aunts, and really it might be worse." And she remarked +aloud: "The fact that he is a nephew of General Waite means something." +</p> +<p> +"That's so," assented her husband. "Something like half a million. +Old Knight is determined to hand it all over." He smiled to himself, +then added: "He came to see me—the young man, I mean. I liked him. +He suggested Rob a little without resembling him. Very gentlemanly; +nice eyes." +</p> +<a name="h2HCH0015" id="h2HCH0015"><!-- H2 anchor --></a> + +<div style="height: 4em;"><br /><br /><br /><br /></div> + +<h2> + CHAPTER FIFTEEN +</h2> +<p class="ctitle"> +<i>In which the Fairy Godmother Society is again mentioned, among other +things</i>. +</p> +<p> +"But it is really embarrassing when I had made up my mind to marry a +poor Candy Man to have it turn out so. I rather liked defying common +sense," said Margaret Elizabeth. +</p> +<p> +The Candy Man had made a hurried journey to Chicago, and was back before +the rain was over, and while it was still cold enough for a fire, so +that his old dream of sometime sitting by the Little Red Chimney's +hearth was coming true. Margaret Elizabeth in the blue dress, by +request, though she declared it wasn't fit to be seen, occupied the +ottoman, her elbows on her knees, the firelight playing in her bright +hair. +</p> +<p> +"It is the way it happens in fairy-tales," urged the Candy Man. "And I +really couldn't help it." +</p> +<p> +"Of course you are right," she agreed. "As Virginia's story runs, 'He +turned into a prince, and because Violetta had been true to him through +thick and thin, he made her a princess.' Anyhow, Candy Man, I'm glad I +chose you before your good fortune came." +</p> +<p> +"It was an extremely venturesome thing to do, Girl of All Others, as +I have told you before, though immensely flattering to me. I have to +take the money, there is no way out of it. I believe it would break our +Miser's heart if I refused. Do you know what he was proposing to do +before he found the book?" +</p> +<p> +"What?" asked Margaret Elizabeth. +</p> +<p> +"To adopt me. You see we had come to be pretty good friends last +winter, and I think he suspected from the start that I had rather lofty +aspirations for a Candy Man. In a Little Red Chimney direction—you +understand?" +</p> +<p> +"Perfectly—go on." +</p> +<p> +"Well, he saw us in the park——" +</p> +<p> +"And his suspicions were confirmed, I suppose," put in Margaret +Elizabeth, coolly. +</p> +<p> +"Exactly. And knowing from what I had told him previously that I had +my fortune to seek, it occurred to him that as the channel he had been +hoping for had been closed, the next best thing would be to make it +possible for two young persons to——" +</p> +<p> +"The dear old Miser!" interrupted Margaret Elizabeth. "But why is he so +unwilling to use the money himself? It is honestly his." +</p> +<p> +"I may not fully understand, but I think from things he has said, that +as a boy he was jealous of my father. This feeling would naturally make +him, when it came to the test, not unwilling to believe in his guilt. +Then, being reticent and introspective, he magnified all this a +thousandfold when the truth came out, and he realised he had profited by +the unjust suspicion. By dwelling upon it he came to feel as if he had +actually obtained the money himself by unfair means. But I am convinced +that if he did encourage his uncle to believe in my father's guilt, it +was because he firmly believed it himself. Never since the facts were +known has he regarded the money as his, and not until he had almost +exhausted his own means in the effort to trace the rightful owner, as +he regarded him, did he use a penny of it." +</p> +<p> +"It is so touching to see his surprise and gratitude that I do not feel +resentful toward him," added the Candy Man. "His joy at handing over +this fortune is wonderful. He already looks a different man." +</p> +<p> +"We must make it up to him in some way," said Margaret Elizabeth. "I +mean for all these lonely years. Speaking of money, I'll tell you what +I have been thinking. When we build our house, as I suppose we shall +some day, when we come back from our search for the Archćologist——" +</p> +<p> +"By all means. That is one mitigating circumstance. We can build a +house," responded the Candy Man. +</p> +<p> +"Well, as I was going to say, we must have a Little Red Chimney. The +house will be broad and low," she extended her arms, "and with wings; +I love wings. One of them shall have a Little Red Chimney all its own. +It shall stand for our ideals. If we should be tempted to a sort of life +that separates us from our fellows, it will remind us, you, that you +once sat in a Candy Wagon, me, that I fell in love with a Candy Man. And +I'll tell you what, speaking of the Miser. Don't you remember? It was he +you meant that day when we were talking about the Fairy Godmother +Society, and——" +</p> +<p> +Of course the Candy Man remembered. +</p> +<p> +"Then, let's organise and make him chief agent while we are gone. I know +of a number of things to be done." +</p> +<p> +"So do I," said the Candy Man. "There is my fellow lodger, the one I +told you about, a teacher in the High School. He needs a real change +this summer, he and his wife." +</p> +<p> +"Oh, I am sure we can work it out," cried Margaret Elizabeth. +</p> +<p> +"I am sure we can," he assented. +</p> +<p> +"You see it will begin where organised charity leaves off, of necessity. +Also where that can't possibly penetrate, and it will be singularly +free, because secret." +</p> +<p> +"Again you sound like the minutes of the first meeting," said the Candy +Man. +</p> +<p> +"Margaret Elizabeth!" +</p> +<p> +It was Uncle Bob's voice at the door. "I hate to disturb you, but that +old bore at the club wants your father's address." +</p> +<p> +"You aren't disturbing. Come in and hear about the Fairy Godmother +Society." +</p> +<p> +"You don't mean really?" Uncle Bob stood before the hearth and looked +from his niece to the Candy Man. +</p> +<p> +"Indeed we do," she answered. "You see we have ten times as much money +as we thought we had. So why not?" +</p> +<p> +"Quite correct, as we thought we hadn't any," murmured the Candy Man. +</p> +<p> +Uncle Bob rubbed his hands in delight. "I told Prue you'd do something +of the sort; that you wouldn't just settle down to be ordinary rich +people. But Prue says riches bring caution." +</p> +<p> +Margaret Elizabeth, going to her desk for the address, laughed. "We +aren't going to forget our humble beginning," she said; "and we'll act +quickly before we are inured to our new estate." +</p> +<p> +"But then, you know, there is another side to it," her uncle interposed, +in a sudden access of prudence. "You must consider the matter carefully +with an eye to the future. For instance now, there may be heirs." +</p> +<p> +A silence fell. The fire crackled, and the clock ticked with unusual +distinctness. Then Margaret Elizabeth spoke. +</p> +<p> +"Here's the address," she said. "I'll put it in your pocket, where you +can't forget it." And as she tucked it in, she added, stoutly, with a +lovely deepening of the colour in her cheek: "If there are, Uncle Bob, +they will be fairy god-brothers and sisters, so it will be all right." +</p> +<p> +It was after the door had closed upon Uncle Bob, and Margaret Elizabeth +was back on her low seat again, that the Candy Man left his chair and +sat on the rug beside her. "Girl of All Others, is there any one else +in the world as happy as I?" he asked. +</p> +<p> +Margaret Elizabeth smiled at him with eyes that answered the question +before she spoke. Then she said, slipping her hand into his, "One +other." +</p> + +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> + +<h4> +THE END +</h4> + +<div style="height: 6em;"><br /><br /><br /><br /><br /><br /></div> + + + + + + + + +<pre> + + + + + +End of Project Gutenberg's The Little Red Chimney, by Mary Finley Leonard + +*** END OF THIS PROJECT GUTENBERG EBOOK THE LITTLE RED CHIMNEY *** + +***** This file should be named 15406-h.htm or 15406-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/4/0/15406/ + +Produced by Kentuckiana Digital library, David Garcia and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/15406-h/images/ill-01.png b/15406-h/images/ill-01.png Binary files differnew file mode 100644 index 0000000..0200082 --- /dev/null +++ b/15406-h/images/ill-01.png diff --git a/15406-h/images/ill-02.png b/15406-h/images/ill-02.png Binary files differnew file mode 100644 index 0000000..9851247 --- /dev/null +++ b/15406-h/images/ill-02.png diff --git a/15406-h/images/ill-03.png b/15406-h/images/ill-03.png Binary files differnew file mode 100644 index 0000000..0482795 --- /dev/null +++ b/15406-h/images/ill-03.png diff --git a/15406-h/images/ill-04.png b/15406-h/images/ill-04.png Binary files differnew file mode 100644 index 0000000..4689ab8 --- /dev/null +++ b/15406-h/images/ill-04.png diff --git a/15406-h/images/ill-05.png b/15406-h/images/ill-05.png Binary files differnew file mode 100644 index 0000000..d30366c --- /dev/null +++ b/15406-h/images/ill-05.png diff --git a/15406-h/images/ill-06.png b/15406-h/images/ill-06.png Binary files differnew file mode 100644 index 0000000..f222d25 --- /dev/null +++ b/15406-h/images/ill-06.png diff --git a/15406-h/images/ill-07.png b/15406-h/images/ill-07.png Binary files differnew file mode 100644 index 0000000..78f6961 --- /dev/null +++ b/15406-h/images/ill-07.png diff --git a/15406-h/images/ill-08.png b/15406-h/images/ill-08.png Binary files differnew file mode 100644 index 0000000..fae9260 --- /dev/null +++ b/15406-h/images/ill-08.png diff --git a/15406.txt b/15406.txt new file mode 100644 index 0000000..8af7db4 --- /dev/null +++ b/15406.txt @@ -0,0 +1,4058 @@ +The Project Gutenberg EBook of The Little Red Chimney, by Mary Finley Leonard + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Little Red Chimney + Being the Love Story of a Candy Man + +Author: Mary Finley Leonard + +Release Date: March 18, 2005 [EBook #15406] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE LITTLE RED CHIMNEY *** + + + + +Produced by Kentuckiana Digital library, David Garcia and the Online +Distributed Proofreading Team. + + + + + + + + + + + +THE LITTLE RED CHIMNEY + + + + +[Illustration: THE CANDY MAN] + + + + +The Little Red Chimney + +_Being the Love Story of a Candy Man_ + + +BY MARY FINLEY LEONARD + + +Illustrations in Silhouette by KATHARINE GASSAWAY + + +New York--Duffield & Company--1914 + + +Copyright, 1914, by DUFFIELD & COMPANY + + * * * * * + + + + +CONTENTS + + +_CHAPTER I_ + +In which the curtain rises on the Candy Wagon, and the leading +characters are thrown together in a perfectly logical manner by Fate. + +_CHAPTER II_ + +In which the Candy Man walks abroad in citizen's clothes, and is +mistaken for a person of wealth and social importance. + +_CHAPTER III_ + +In which the Little Red Chimney appears on the horizon, but without +a clue to its importance. In which also the Candy Man has a glimpse +of high life and is foolishly depressed by it. + +_CHAPTER IV_ + +In which the Candy Man again sees the Grey Suit, and Virginia continues +the story of the Little Red Chimney. + +_CHAPTER V_ + +In which the double life of the heroine is explained, and Augustus +McAllister proves an alibi. + +_CHAPTER VI_ + +In which Margaret Elizabeth is discussed at the Breakfast Table; in +which also, later on, she and Virginia and Uncle Bob talk before the +fire, and in which finally Margaret Elizabeth seeks consolation by +relating to Uncle Bob her adventure in the park. + +_CHAPTER VII_ + +Shows how the Candy Wagon is visited in behalf of the Squirrel, and how +pride suffers a fall; how Miss Bentley turns to Vedantic Philosophy to +drown her annoyance, and discovers how hard it is to forget when you +wish to. + +_CHAPTER VIII_ + +In which the Miser's past history is touched upon; which shows how his +solitude is again invaded, and how he makes a new friend. + +_CHAPTER IX_ + +Shows how Miss Bentley and the Reporter take refuge in a cave, and how, +in the course of the conversation which follows, she hears something +which disposes her to feel more kindly toward the Candy Man; shows also +how Uncle Bob proves faithless to his trust and his niece finds herself +locked out in consequence. + +_CHAPTER X_ + +In which the Little Red Chimney keeps Festival, and the Candy Man +receives an unexpected invitation. + +_CHAPTER XI_ + +In which a radical change of atmosphere is at once noticed; which shows +how Miss Bentley repents of a too coming-on disposition, and lends an +ear to the advantages of wealth. + +_CHAPTER XII_ + +Which shows Miss Bentley recovering from a fit of what Uncle Bob calls +Cantankerousness; in which a shipwrecked letter is brought to light, and +Dr. Prue is called again to visit the child of the Park Superintendent. + +_CHAPTER XIII_ + +In which the Candy Man relates his story, and the Miser comes upon +Volume I of the shabby book with the funny name. + +_CHAPTER XIV_ + +Shows how Mrs. Gerrard Pennington, unhappy and distraught, beseeches +Uncle Bob to help her save Margaret Elizabeth; also how Mr. Gerrard +Pennington comes to the rescue, and how in the end his wife submits +gracefully to the inevitable, which is not so bad after all. + +_CHAPTER XV_ + +In which the Fairy Godmother Society is again mentioned, among other +things. + + + + +ILLUSTRATIONS + + +THE CANDY MAN + +MARGARET ELIZABETH + +VIRGINIA + +DR. PRUE + +UNCLE BOB + +THE MISER + +COUSIN AUGUSTUS + +MRS. GERRARD PENNINGTON + + + + + * * * * * + + To + George Madden Martin + + * * * * * + + + +THE LITTLE RED CHIMNEY + + + + +CHAPTER ONE + +_In which the curtain rises on the Candy Wagon, and the leading +characters are thrown together in a perfectly logical manner by +Fate_. + + +The Candy Wagon stood in its accustomed place on the Y.M.C.A. corner. +The season was late October, and the leaves from the old sycamores, in +league with the east wind, after waging a merry war with the janitor all +morning, had swept, a triumphant host, across the broad sidewalk, to lie +in heaps of golden brown along the curb and beneath the wheels of the +Candy Wagon. In the intervals of trade, never brisk before noon, the +Candy Man had watched the game, taking sides with the leaves. + +Down the steps of the Y.M.C.A. building sauntered the Reporter. +Perceiving the Candy Wagon at the curb he paused, scrutinising it +jauntily, through a monocle formed by a thumb and finger. + +The wagon, freshly emblazoned in legends of red, yellow and blue which +advertised the character and merits of its wares, stood with its +horseless shafts turned back and upward, in something of a prayerful +attitude. The Reporter, advancing, lifted his arms in imitation, and +recited: "Confident that upon investigation you will find everything as +represented, we remain Yours to command, in fresh warpaint." He seated +himself upon the adjacent carriage block and grinned widely at the +Candy Man. + +In spite of a former determination to confine his intercourse with the +Reporter to strictly business lines, the Candy Man could not help a +responsive grin. + +The representative of the press demanded chewing gum, and receiving it, +proceeded to remove its threefold wrappings and allow them to slip +through his fingers to the street. "Women," he said, with seeming +irrelevance and in a tone of defiance, "used to be at the bottom of +everything; now they're on top." + +The Candy Man was quick at putting two and two together. "I infer you +are not in sympathy with the efforts of the Woman's Club and the Outdoor +League to promote order and cleanliness in our home city," he observed, +his eye on the debris so carelessly deposited upon the public +thoroughfare. + +"Right you are. Your inference is absolutely correct. The foundations of +this American Commonwealth are threatened, and the _Evening Record_ +don't stand for it. Life's made a burden, liberty curtailed, happiness +pursued at the point of the dust-pan. Here is the Democratic party of +the State pledged to School Suffrage. The Equal Rights Association is to +meet here next month, and--the mischief is, the pretty ones are taking +it up! The first thing you know the Girl of All Others will be saying, +'Embrace me, embrace my cause.' Why, my Cousin Augustus met a regular +peach of a girl at the country club,--visiting at the Gerrard +Penningtons', don't you know, and almost the first question she asked +him was did he believe in equal rights?" The Reporter paused for breath, +pushing his hat back to the farthest limit and regarding the Candy Man +curiously. "It is funny," he added, "how much you look like my Cousin +Augustus. I wonder now if he could have been twins, and one stolen by +the gypsies? You don't chance to have been stolen in infancy?" + +This innocent question annoyed the Candy Man, although he ignored it, +murmuring something to the effect that the Reporter's talents pointed to +the stump. It might have been a guilty conscience or merely impatience +at such flagrant nonsense, for surely he could not reasonably object +to resembling Cousin Augustus. The Candy Man was a well-enough looking +young fellow in his white jacket and cap, but nothing to brag of, that +he need be haughty about a likeness to one so far above him in the +social scale, whom in fact he had never seen. + +The Reporter lingered in thoughtful silence while some westbound +transfers purchased refreshment, then as a trio of theological students +paused at the Candy Wagon, he restored his hat to its normal position +and strolled away. On the Y.M.C.A. corner business had waked up. + +For some time the Candy Wagon continued to reap a harvest from the rush +of High School boys and younger children. Morning became afternoon, +the clouds which the east wind had been industriously beating up +gathered in force, and a fine rain began to fall. The throng on the +street perceptibly lessened; the Candy Man had leisure once more to +look about him. + +A penetrating mist was veiling everything; the stone church, the +seminary buildings, the tall apartment houses, the few old residences +not yet crowded out, the drug store, the confectionery--all were softly +blurred. The asphalt became a grey lake in which all the colour and +movement of the busy street was reflected, and upon whose bosom the +Candy Wagon seemed afloat. As the Candy Man watched, gleams of light +presently began to pierce the mist, from a hundred windows, from passing +street cars and cabs, from darting machines now transformed into +strange, double-eyed demons. It was a scene of enchantment, and with +pleasure he felt himself part of it, as in his turn he lit up his wagon. + +The traffic officer, whose shrill whistle sounded continually above the +clang of the trolley cars and the hoarse screams of impatient machines, +probably viewed the situation differently. Given slippery streets, +intersecting car lines, an increasing throng of vehicles and +pedestrians, with a fog growing denser each moment, and the utmost +vigilance is often helpless to avert an accident. So it was now. + +The Candy Man did not actually see the occurrence, but later it +developed that an automobile, in attempting to turn the corner, +skidded, grazing the front of a car which had stopped to discharge some +passengers, then crashing into a telegraph pole on the opposite side of +the street. What he did see was the frightened rush of the crowd to the +sidewalk, and in the rush, a girl, just stepping from the car, caught +and carried forward and jostled in such a manner that she lost her +footing and fell almost beneath the wheels of the Candy Wagon, and +dangerously near the hoofs of a huge draught horse, brought by its +driver to a halt in the nick of time. + +The Candy Man was out and at her side in an instant, assisting her +to rise. The panic swept past them, leaving only a long-legged child +in a red tam, and a sad-faced elderly man in its wake. The Candy Man +had seen all three before. The wearer of the red tam was one of the +apartment-house children, the sad man was popularly known to the +neighbourhood as the Miser, and the girl, to whose assistance he had +sprung--well, he had seen her on two previous occasions. + +As she stood in some bewilderment looking ruefully at the mud on her +gloves and skirt, the merest glance showed her to be the sort of girl +any one might have been glad to help. + +"Thank you, I am not hurt--only rather shaken," she said in answer to +the Candy Man. + +"Here's your bag," announced the long-legged child, fishing it out of +the soggy mass of leaves beneath the wagon. "And you need not worry +about your skirt. Take it to Bauer's just round the corner; they'll +clean it," she added. + +The owner of the bag received it and the accompanying advice with an +adorable smile in which there was merriment as well as appreciation. +The Miser plucked the Candy Man by the sleeve and asked if the young +lady did not wish a cab. + +She answered for herself. "Thank you, no; I am quite all right--only +muddy. But was it a bad accident? What happened?" + +The Miser crossed the street where the crowd had gathered, to +investigate, and returning reported the chauffeur probably done for. +While he was gone the conductor of the street car appeared in quest of +the names and addresses of everybody within a radius of ten blocks. In +this way the Candy Man learned that her name was Bentley. She gave it +reluctantly, as persons do on such occasions, and he failed to catch +her street and number. + +"I'm very sorry! I suppose there is nothing one can do?" she exclaimed, +apropos of the chauffeur, and the next the Candy Man knew she was +walking away in the mist hand in hand with the long-legged child. + +"An unusually charming face," the Miser remarked, raising his umbrella. + +To the sober mind "unusually charming" would seem a not unworthy +compliment, but the Candy Man, as he resumed his place in the wagon, +smiled scornfully at what he was pleased to consider its grotesque +inadequacy. If he had anything better to offer, the Miser did not stay +to hear it, but with a courteous "good evening" disappeared in his +turn in the mist. An ambulance carried away the injured man, the crowd +dispersed; the remains of the machine were towed away to a near-by +garage. Night fell; the throng grew less, the rain gathered courage and +became a downpour. There would be little doing in the way of business +to-night. + +As he made ready for early closing the Candy Man fell to thinking of the +girl whose name was Bentley. Not that the name interested him save as a +means of further identification. It was a phrase used by the Reporter +this morning that occurred to him now as peculiarly applicable to her. +The Girl of All Others! He rolled it as a sweet morsel under his tongue, +undisturbed by the reflection that such descriptive titles are at +present overworked--in dreams one has no need to be original. + +Neither did it strike him as incongruous that he should have seen her +first in the grocery kept by Mr. Simms, who catered to the needs of such +as got their own breakfasts, and whose boiled ham was becoming famous, +because it was really done. He went back to the experience, dwelling +with pleasure upon each detail of it, even his annoyance at the grocer's +daughter, who exchanged crochet patterns with the tailor's wife, after +the manner of a French exercise, and ignored him. It was early and +business had not yet begun on the Y.M.C.A. corner; still he could not +wait forever. The grocer himself, who was attending to the wants of a +lean and hungry-looking student, had just handed his rolls and smoked +sausage across the counter, with a cheery "Breakfast is ready, ring the +bell," when the door opened and the Girl of All Others came in. + +She was tallish, but not very tall, and somewhat slight. She wore a grey +suit--the same which had suffered this afternoon from contact with the +street, and a soft felt hat of the same colour jammed down anyhow on her +bright hair and pinned with a pinkish quill--or so it looked. The face +beneath the bright hair was---- But at this point in his recollections +the Candy Man all but lost himself in a maze of adjectives and adverbs. +We know, at least, how the long-legged child ran to help, and finally +went off hand in hand with her, and what the Miser said of her, and +after all the best the Candy Man could do was to go back to the +Reporter's phrase. + +He had withdrawn a little behind a stack of breakfast foods where he +could watch her, wondering that the clerks did not drop their several +customers without ceremony and fly to do her bidding. She stood beside +the counter and made overtures to a large Maltese cat who reposed there +in solemn majesty. Beside the Maltese rose a pyramid of canned goods, +and a placard announced, "Of interest to light house keepers." Upon this +her eyes rested in evident surprise. "I didn't know there were any +lighthouses in this part of the country," she said half aloud. + +[Illustration: MARGARET ELIZABETH] + +The Maltese laid a protesting paw upon her arm. It was not, however, the +absurdity of her remark, but the cessation of her caresses he protested +against. At the same moment her eyes met those of the Candy Man, across +the stack of breakfast foods. His were laughing, and hers were instantly +withdrawn. He saw her colour mounting as she exclaimed, addressing the +cat, "How perfectly idiotic!" + +He longed to assure her it was a perfectly natural mistake, the placard +being but an amateurish affair; but he lacked the courage. + +And then the grocer, having disposed of another customer, advanced to +serve her, and the grocer's daughter, it seemed, was also at leisure; +and though he would have preferred to watch the Girl of All Others doing +the family marketing in a most competent manner, a thoughtful finger +upon her lip, the Candy Man was forced to attend to his own business. +In selecting a basket of grapes and ordering them sent to St. Mary's +Hospital, he presently lost sight of her. + +Once since then she had passed his corner on her way up the street. +That was all until to-night. It seemed probable that she lived in the +neighbourhood. Perhaps the Reporter would know. + +Just here the recollection that he was a Candy Man brought him up short. +His bright dreams began to fade. The Girl of All Others should of course +be able to recognise true worth, even in a Candy Wagon, but such is the +power of convention he was forced to own to himself it was more than +possible she might not. Or if she did, her friends---- + +But these disheartening reflections were curtailed by the sudden +appearance of a stout, grey horse under the conduct of a small boy. The +shafts were lowered, the grey horse placed between them, and, after a +few more preliminaries, the Candy Wagon, Candy Man and all, were removed +from the scene of action, leaving the Y.M.C.A. corner to the rain and +the fog, the gleaming lights, and the ceaseless clang of the trolley +cars. + + + + +CHAPTER TWO + +_In which the Candy Man walks abroad in citizen's clothes, and is +mistaken for a person of wealth and social importance._ + + +The Candy Man strolled along a park path. The October day was crisp, the +sky the bluest blue, the sunny landscape glowing with autumn's fairest +colours. It was a Sunday morning not many days after the events of the +first chapter, and back in the city the church bells were ringing for +eleven o'clock service. + +In citizen's clothes, and well-fitting ones at that, the Candy Man was +a presentable young fellow. If his face seemed at first glance a trifle +stern, this sternness was offset by the light in his eyes; a steady, +purposeful glow, through which played at the smallest excuse a humorous +twinkle. + +After the ceaseless stir of the Y.M.C.A. corner, the stillness of the +park was most grateful. At this hour on Sunday, if he avoided the golf +grounds, it was to all intents his own. His objective point was a rustic +arbour hung with rose vines and clematis, where was to be had a view of +the river as it made an abrupt turn around the opposite hills. Here he +might read, or gaze and dream, as it pleased him, reasonably secure from +interruption once he had possession. + +The Candy Man breathed deeply, and smiled to himself. It was a day to +inspire confident dreams, for the joy of fulfilment was over the land. +Was it the sudden fear that some other dreamer might be before him, or +a subconscious prevision of what actually awaited him, that caused him +to quicken his steps as he neared the arbour? However it may have been, +as he took at a bound the three steps which led up to it, he came with +startling suddenness upon Miss Bentley entering from the other side, +her arms full of flowers. Their eyes met in a flash of recognition +which there was no time to control. She bowed, not ungraciously, yet +distantly, and with a faint puzzled frown on her brow, and he, as he +lifted his hat, spoke her name, which, as he was not supposed to know +it, he had no business to do; then they both laughed at the way in which +they had bounced in at the same moment from opposite directions. + +With some remark about the delightful day, the Candy Man, as a gentleman +should, tried to pretend he was merely passing through, and though it +was but a feeble performance, Miss Bentley should have accepted it +without protest, then all would have been well. Instead, she said, still +with that puzzled half frown, "Don't go, I am only waiting here a moment +for my cousin, who has stopped at the superintendent's cottage." She +motioned over her shoulder to a vine-covered dwelling just visible +through the trees. + +"Please do not put it in that way," he protested. "As if your being here +did not add tremendously to my desire to remain. I am conscious of +rushing in most unceremoniously upon you, and----" + +Hesitating there, hat in hand, his manners were disarmingly frank. Miss +Bentley laughed again as she deposited her flowers, a mass of pink and +white cosmos, upon a bench, and sat down beside them. She seemed willing +to have him put it as he liked. She wore the same grey suit and soft +felt hat, jammed down any way on her bright hair and pinned with a +pinkish quill, and was somehow, more emphatically than before, the Girl +of All Others. + +How could a Candy Man be expected to know what he was about? What wonder +that his next remark should be a hope that she had suffered no ill +effects from the accident? + +"None at all, thank you," Miss Bentley replied, and the puzzled +expression faded. It was as if she inwardly exclaimed, "Now I know!" +"Aunt Eleanor," she added, "was needlessly alarmed. I seem rather given +to accidents of late." Thus saying she began to arrange her flowers. + +The Candy Man dropped down on the step where the view--of Miss +Bentley--was most charming, as she softly laid one bloom upon another in +caressing fashion, her curling lashes now almost touching her cheek, now +lifted as she looked away to the river, or bent her gaze upon the +occupant of the step. + +"Do you often come here?" she asked, adding when he replied that this +was the third time, that she thought he had rather an air of +proprietorship. + +He laughed at this, and explained how he had set out to pay a visit to +a sick boy at St. Mary's Hospital, but had allowed the glorious day to +tempt him to the park. + +Below them on the terraced hillside a guard sat reading his paper; +across the meadow a few golfers were to be seen against the horizon. +All about them the birds and squirrels were busily minding their own +affairs; above them smiled the blue, blue sky, and the cousin, whoever +he or she might be, considerately lingered. + +Like the shining river their talk flowed on. Beginning like it as a +shallow stream, it broadened and deepened on its way, till presently +fairy godmothers became its theme. + +Miss Bentley was never able to recall what led up to it. The Candy Man +only remembered her face, as, holding a crimson bloom against her cheek, +she smiled down upon him thoughtfully, and asked him to guess what she +meant to do when some one left her a fortune. "I have a strange +presentiment that some one is going to," she said. + +"How delightful!" he exclaimed, but did not hazard a guess, and she +continued without giving him a chance: "I shall establish a Fairy +Godmother Fund, the purpose of which shall be the distribution of good +times; of pleasures large and small, among people who have few or none." + +"It sounds," was the Candy Man's comment, "like the minutes of the first +meeting. Please explain further. How will you select your beneficiaries?" + +"I don't like your word," she objected. "Beneficiaries and fairy +godmothers somehow do not go together. Still, I see what you mean, and +while I have not as yet worked out the plan, I'm confident it could be +managed. Suppose we know a poor teacher, for instance, who has nothing +left over from her meagre salary after the necessary things are provided +for, and who is, we'll say, hungry for grand opera. We would enclose +opera tickets with a note asking her to go and have a good time, signed, +'Your Fairy Godmother,' and with a postscript something like this, 'If +you cannot use them, hand them on to another of my godchildren.' Don't +you think she would accept them?" + +Under the spell of those lovely, serious eyes, the Candy Man rather +thought she would. + +"Of course," Miss Bentley went on, "it must be a secret society, never +mentioned in the papers, unknown to those you call its beneficiaries. +In this way there will be no occasion or demand for gratitude. No +obligations will be imposed upon the recipients--that word is as bad as +yours--let's call them godchildren--and the fairy godmother will have +her fun in giving the good times, without bothering over whether they +are properly grateful." + +"You seem to have a grievance against gratitude," said the Candy Man +laughing. + +"I have," she owned. + +"There are people who contend that there is little or none of it in the +world," he added. + +"And I am not sure it was meant there should be--much of it, I mean. It +is an emotion--would you call it an emotion?" + +"You might," said the Candy Man. + +"Well, an emotion that turns to dust and ashes when you try to +experience it, or demand it of others," concluded Miss Bentley with +emphasis. "And you needn't laugh," she added. + +The Candy Man disclaimed any thought of such a thing. He was profoundly +serious. "It is really a great idea," he said. "A human agency whose +benefits could be received as we receive those of Nature or +Providence--as impersonally." + +She nodded appreciatively. "You understand." And they were both aware +of a sense of comradeship scarcely justified by the length of their +acquaintance. + +"May I ask your ideas as to the amount of this fund?" he said. + +She considered a moment. "Well, say a hundred thousand," she suggested. + +"You are expecting a large bequest, then." + +"An income of five thousand would not be too much," insisted Miss +Bentley. "We should wish to do bigger things than opera tickets, you +know." + +"There are persons who perhaps need a fairy godmother, whom money +cannot help," the Candy Man continued thoughtfully. "There's an old +man--not so old either--a sad grey man, whom the children on our block +call the Miser. I am not an adept in reading faces, but I am sure there +is nothing mean in his. It is only sad. I get interested in people," +he added. + +"So do I," cried his companion. "And of course, you are right. The Fairy +Godmother Society would have to have more than one department. Naturally +opera tickets would not do your man any good--unless we could get him to +send them." + +They laughed over this clever idea, and the Candy Man went on to say +that there were lonely people in the world, who, through no fault of +their own, were so circumstanced as to be cut off from those common +human relationships which have much to do with the flavour of life. + +"I don't quite understand," Miss Bentley began. But these young persons +were not to be left to settle the affairs of the universe in one +morning. A handkerchief waved in the distance by a stoutish lady, +interrupted. "There's Cousin Prue," Miss Bentley cried, springing to +her feet. + +Hastily dividing her flowers into two bunches, she thrust one upon the +Candy Man. "For your sick boy. You won't mind, as it isn't far. I have +so enjoyed talking to you, Mr. McAllister. I shall hope to see you soon +again. Aunt Eleanor often speaks of you." + +This sudden descent to the conventional greatly embarrassed the Candy +Man, but he had no time for a word. Miss Bentley was off like a flash, +across the grass, before he could collect his scattered wits. He looked +after her, till, in company with the stout lady, she disappeared from +view. Then with a whimsical expression on his countenance, he took a +leather case from his breast pocket, and opening it glanced at one of +the cards within. It was as if he doubted his own identity and wished +to be reassured. + +The name engraved on the card was not McAllister, but Robert Deane +Reynolds. + + + + +CHAPTER THREE + +_In which the Little Red Chimney appears on the horizon, but without +a clue to its importance. In which also the Candy Man has a glimpse of +high life and is foolishly depressed by it._ + + +Starting from the Y.M.C.A. corner, walking up the avenue a block, then +turning south, you came in a few steps to a modest grey house with a +grass plat in front of it, a freshly reddened brick walk, and flower +boxes in its windows. It was modest, not merely in the sense of being +unpretentious, but also in that of a restrained propriety. You felt it +to be a dwelling of character, wherein what should be done to-day, was +never put off till to-morrow; where there was a place for everything and +everything in it. Yet mingling with this propriety was an all-pervading +cheer that appealed strongly to the homeless passerby. + +The grey house presented a gable end to the street, and stretched a +wing comfortably on either side. In one of these was a glass door, with +"Office Hours 10-1," which caused you to glance again at the sign on the +iron gate: "Dr. Prudence Vandegrift." + +The other ell, which was of one story, had a double window, before +which a rose bush grew, and when the blinds were up you had sometimes a +glimpse of an opposite window, indicating that it was but one room deep. +From its roof rose a small chimney that stood out from all the other +chimneys, because, while they were grey like the house and its slate +roof, it was red. + +Strolling by in a leisure hour the Candy Man had remarked it and +wondered why, and found himself continuing to wonder. Somehow that +little red chimney took hold on his imagination. It was a magical +chimney, poetic, alluring, at once a cheering and a depressing little +chimney, for it stirred him to delicious dreams, which, when they faded, +left him forlorn. + +It was to Virginia he owed enlightenment. Virginia was the long-legged +child who had fished Miss Bentley's bag from beneath the Candy Wagon, +the indomitable leader of the Apartment House Pigeons, as the Candy Man +had named them. + +The Apartment House did not exclude children, neither did it encourage +them, and when their individual quarters became too contracted to +contain their exuberance, they perforce sought the street. Like pigeons +they would descend in a flock, here, there, everywhere; perching in a +blissful row before the soda fountain in the drug store; or if the state +of the public purse did not warrant this, the curbstone and the wares +of the Candy Wagon were cheerfully substituted. By virtue no doubt of +her long legs and masterful spirit, Virginia ruled the flock. Under her +guidance they made existence a weariness to the several janitors on +the block. + +As in defiance of law and order they circled one day on their roller +skates, down the avenue and up the broad alley behind the Y.M.C.A., +round and round, Virginia issued her orders: "You all go on, I want to +talk to the Candy Man." + +Being without as yet any theories, consistently democratic, she regarded +him as a friend and brother. A state of society in which the position of +Candy Man was next the throne, would have seemed perfectly logical to +Virginia. + +[Illustration: VIRGINIA] + +"You don't look much like Tim," she volunteered, dangling her legs from +the carriage block. Her hair was dark and severely bobbed; her miniature +nose was covered with freckles, and she squinted a little. + +"No?" responded the Candy Man. + +"Tim was Irish," she continued. + +During business hours conversation of necessity took on a disjointed +character. Unless you had great power of concentration you forgot in the +intervals what you had been talking about. When a group of High School +boys had been served and had gone their hilarious way Virginia began +again. "You know the house with the Little Red Chimney?" she asked. + +The Candy Man did. + +"Well, a nice old man named Uncle Bob lives there, and I asked him why +that chimney was red, and he said because it was new. A branch of a tree +fell on the old one. The tree where the squirrel house is, you know." + +The Candy Man remembered the tree. + +"He said the doctor was going to have it painted, but he kind of liked +it red, and so did her ladyship." + +"And who might her ladyship be?" the Candy Man inquired. + +"That's what I asked him, and he said, 'You come over and see,' and +then he said--now listen to this, for it's just like a story." Virginia +lifted an admonishing finger. "He said, whenever I saw smoke coming out +of that Little Red Chimney, I might know her ladyship had come to town. +You'd better believe I'm going to watch. And what do you think! I can +see it from our dining-room window!" she concluded. + +"Most interesting," said the Candy Man politely, without the least idea +how interesting it really was. + +Virginia's gaze suddenly fastened on a small book lying on the seat of +the Candy Wagon, and she had seized it before its owner could protest. +"What a funny name," she said. "'E p i c t e t u s.' What does that +spell? And what made you cut a hole in this page? It looks like a +window." + +The page was a fly leaf, from which a name, possibly that of a former +owner, had been removed. Below it the Candy Man's own name was now +written. + +"It was so when I got it," he answered, holding out his hand for it. He +had no mind to have his book in any other keeping, for somewhere within +its leaves lay a crimson flower. + +Before she returned it Virginia examined the back. "Vol. I, what does +that mean?" she asked, and without waiting for an answer she tossed it +back to him, and ran to join the other pigeons. + +From this time Virginia began to be almost as constant a visitor as +the Reporter. She had a way of bursting into conversation without any +preface whatever, speaking entirely from the fullness of her heart at +the moment. + +"I'd give anything in the world to be pretty," she remarked one day, +resting her school bag on the carriage block and sighing deeply. + +"But now honestly," said the Candy Man, regarding her gravely, "it seems +to me you are a very nice-looking little girl, and who knows but you may +turn out a great beauty some day? That is the way it happens in story +books." + +Virginia returned his gaze steadily. "Do you really think there is any +chance? You are not laughing?" + +He assured her he was intensely serious. + +"Well, you are the first person who ever told me that. Uncle Harry said, +'Is it possible, Cornelia, that this is your child?' Cornelia is my +mother, and she is a beauty. My brother is awfully good looking, too. +Everybody thinks he ought to have been the girl. I'll tell you who I +want to look like when I grow up. Don't you know that young lady who +fell in the mud?" + +Oh, yes, the Candy Man knew, and applauded Virginia's ambition. He would +have been pleased to enlarge on the subject, even to the extent of +neglecting business, but just as she began to be interesting Virginia +remembered an errand to the drug store, and ran away. + +That Sunday morning meeting with Miss Bentley had been reviewed by the +Candy Man from every possible standpoint, and always, in conclusion, +with the same questions. Could he have done otherwise? What would she +think when she discovered her mistake? Who was his unknown double? + +The opportunity offering, he made some guarded inquiries of the +Reporter. + +"Bentley?" repeated that gentleman, as he sharpened a bright yellow +pencil. "Seem to have heard the name somewhere recently." + +It was a matter of no particular importance to the Candy Man. He had +chanced to hear the name given to the conductor by the young lady who +was thrown down the night of the accident, and wondered---- + +The Reporter, who wasn't listening, here exclaimed: "I have it! It was +this A.M. Maimie McHugh was interviewing Mrs. Gerrard Pennington over +the office 'phone in regard to a luncheon she is giving this week in +honour of her niece. Said niece's name me-thinks was Bentley. You will +see it all in the social notes later. Covers for twelve, decorations in +pink, La France roses, place cards from somewhere." He paused to laugh. +"Maimie was doing it up brown, but she lacks tact. What does she do but +ask for Miss Bentley's picture for the Saturday edition! I tried to stop +her, but it was too late. You should have heard the 'phone buzz. 'My +niece's picture in the _Evening Record_!' 'I don't care, mean old +thing,' says Maimie, when she hung up. 'Nicer people than she is do it, +and are glad to. 'That's all right, my honey,' I told her, 'but there +are nice people and nice people, and it's up to you to know the variety +you are dealing with, unless you like to be snubbed.' Still," the +Reporter added reflectively, "Mrs. Gerrard Pennington and little McHugh +can't afford to quarrel. After the luncheon Mrs. G.P. will probably send +Maimie a pair of long white gloves, and when their pristine freshness +has departed, Maimie will wear them to the office a time or two." + +The Candy Man wished to know who Mrs. Gerrard Pennington was, anyway. + +"She, my ignorant friend, is a four-ply Colonial Dame, so to speak. +Distinguished grandfathers to burn, and the dough to support them, +unlike another friend of mine who possessed every qualification needed +to become a C.D. except on the clothes line." + +"The joke," observed the Candy Man, "is old, but worth repeating. But did +I understand you to say _another_ friend? And am I to infer----?" + +"You are far too keen for a Candy Man," said the Reporter, laughing. +"Mrs. G.P. is friendly with the wealthy branch of our family. She +regards my Cousin Augustus as a son. Now I think of it, your Miss +Bentley cannot be her niece. She could scarcely fall out of a street +car. A victoria or a limousine would be necessary in her case." + +The Candy Man did not see his way clear to disclaim proprietorship in +Miss Bentley, so let it pass. Certainly, on other grounds his Miss +Bentley, to call her so, could not be Mrs. Gerrard Pennington's niece. +Not that she lacked the charm to grace any position however high, but +her simplicity and friendliness, the fact that she walked in the country +with a stoutish relative who was intimate with the family of the park +superintendent, the marketing he had witnessed, all went to prove his +point. + +Yet on the occasion of a fashionable noon wedding at the stone church +near the Y.M.C.A. corner, all this impressive evidence was brought to +naught. In the crush of machines and carriages the Candy Wagon was all +but engulfed in high life. When the crowd surged out after the bridal +party, the congestion for a few minutes baffled the efforts of the corps +of police. + +The Candy Man, looking on with much amusement at the well-dressed +throng, presently received a thrill at the sound of a clear young voice +exclaiming, "Here is the car, Aunt Eleanor--over here." + +The haughtiest of limousines had taken up its station just beyond the +Candy Wagon, and toward this the owner of the voice was piloting a +majestic and breathless personage. If the Candy Man could have doubted +his ears, he could not doubt his eyes. Here was the grace, the sparkle, +the everything that made her his Miss Bentley, the Girl of All +Others--except the grey suit. Now she wore velvet, and wonderful white +plumes framed her face and touched her bright hair. No, there was no +mistaking her. Reviewing the evidence he found it baffling. That absurd +exclamation about lighthouses alone might be taken as indicating an +unfamiliarity with the humbler walks of life. + +The Reporter was at this time in daily attendance upon a convention in +progress in a neighbouring hall, and he rarely failed to stop at the +carriage block and pass the time of day on his way to and fro. + +"Ah ha!" he exclaimed, on one of these occasions, after perusing in +silence the first edition of the _Evening Record_; "I see my Cousin +Augustus, on his return from New York, is to give a dinner dance in +honour of Mrs. Gerrard Pennington's niece." + +"I appreciate your innocent pride in Cousin Augustus, but may I inquire +if by chance he possesses another name?" The Candy Man spoke with +uncalled-for asperity. + +"Sure," responded the Reporter, with a quizzical glance at his +questioner; "several of 'em. Augustus Vincent McAllister is what he +calls himself every day." + + + + +CHAPTER FOUR + +_In which the Candy Man again sees the Grey Suit, and Virginia +continues the story of the Little Red Chimney._ + + +It was Saturday afternoon, possibly the very next Saturday, or at most +the Saturday after that, and the Candy Wagon was making money. The day +of the week was unmistakable, for the working classes were getting home +early; fathers of families with something extra for Sunday in paper bags +under their arms. And the hat boxes! They passed the Candy Man's corner +by the hundreds. Every feminine person in the big apartment houses must +be intending to wear a new hat to-morrow. + +There was something special going on at the Country Club--the Candy Man +had taken to reading the social column--and the people of leisure and +semi-leisure were to be well represented there, to judge by the machines +speeding up the avenue; among them quite probably Miss Bentley and Mr. +Augustus McAllister. + +This not altogether pleasing reflection had scarcely taken shape in his +mind, when, in the act of handing change to a customer, he beheld Miss +Bentley coming toward him; without a doubt his Miss Bentley this time, +for she wore the grey suit and the felt hat, jammed down any way on her +bright hair and pinned with the pinkish quill. She was not alone. By +her side walked a rather shabby, elderly man, with a rosy face, whose +pockets bulged with newspapers, and who carried a large parcel. She was +looking at him and he was looking at her, and they were both laughing. +Comradeship of the most delightful kind was indicated. + +Without a glance in the direction of the Candy Wagon they passed. Well, +at any rate she wasn't at the Country Club. But how queer! + +Earlier in the afternoon Virginia had gone by in dancing-school array, +accompanied by an absurdly youthful mother. "I've got something to tell +you," she called, and the Candy Man could see her being reproved for +this unseemly familiarity. + +His curiosity was but mildly stirred; indeed, having other things to +think of, he had quite forgotten the incident, when on Monday she +presented herself swinging her school bag. + +"Say," she began, "I have found out about her Ladyship and the Little +Red Chimney." + +"Oh, have you?" he answered vaguely. + +Virginia, resting her bag on the carriage block, looked disappointed. +"I have been crazy to tell you, and now you don't care a bit." + +"Indeed I do," the Candy Man protested. "I'm a trifle absent-minded, +that's all." + +Thus reassured she began: "Don't you know I told you I could see +that chimney from our dining-room, and that I was going to watch it? +Well, the other day at lunch I happened to look toward the window, and +I jumped right out of my chair and clapped my hands and said, 'It's +smoking, it's smoking!' There was company, and mother said, 'Good +gracious, Virginia! what's smoking? You do make me so nervous!' Then +I was sorry I'd said anything, because she wouldn't understand, you +know. Well, after lunch I took one of Ted's balls, and went over to +Uncle Bob's, and I got a little darkey boy to throw it in the yard, and +then I went in to look for it. You see if Uncle Bob wasn't there and +anybody asked me what I was doing, I could say I was looking for my +brother's ball." + +"I fear you are a deep one," remarked the Candy Man. + +"No, I'm not, but I'm rather good at thinking of things," Virginia owned +complacently. "And then," she continued, "I poked around the rose bush, +and peeped in at the window, and sure enough she was there, brushing the +hearth. She saw me and came to the window, and when I ran away, 'cause +I thought maybe she was mad, she rapped, and then opened the window and +called: 'Come in, little girl, and talk to me.' And now who do you think +she turned out to be?" + +A suspicion had been deepening in the Candy Man's breast for the last +few moments. His heart actually thumped. "Not--you don't mean----?" + +Virginia nodded violently. "Yes, the lady who fell and got muddy. And +she's perfectly lovely, and I'm going there again. She asked me to." + +Why, oh, why should such luck fall to the lot of a long-legged, +freckle-nosed little girl, and not to him, the Candy Man wondered. +He burned to ask innumerable questions, but compromised on one. Did +Virginia know whether or not she had come to stay? + +"Why, I guess so. She didn't have her hat on, and she was cleaning +up--dusting, you know, and taking things out of a box." + +"What sort of things?" + +"Books and sofa pillows and pictures. I helped her, and by and by Uncle +Bob came in." + +"And what did he say?" asked the Candy Man, just to keep her going. + +"Why, he said, didn't he tell me so? And wasn't it great to have her +ladyship there?" + +"And what did her ladyship say?" + +"She said he was a dear, and I forget what else. Oh, but listen! I'll +bet you can't guess what her name is." + +He couldn't. He had racked his brain for a name at once sweet enough and +possessing sufficient dignity. He had not found it for the good reason +that no such name has been invented. + +"It's a long name," said Virginia, "as long as mine. I am named for +my grandmother, Mary Virginia, but they don't call me all of it." She +paused to watch two white-plumed masons on their way to the commandery +on the next block. + +"Well?" said the Candy Man. + +She laughed. "Oh, I forgot. Why, it is Margaret Elizabeth. The doctor +came in; she's a lady doctor, you know, and said, 'Margaret Elizabeth, +there'll be muffins for tea.' And she said, 'All right. Dr. Prue.' And +Dr. Prue said, 'And cherry preserves, if you and Uncle Bob want them,' +and Margaret Elizabeth said, 'Goody!' And I must go now," Virginia +finished. "There's Betty looking for me." + +Virginia might go and welcome. He had enough to occupy his thought for +the present. Margaret Elizabeth! Such a name would never have suggested +itself to him, yet it suited her. Beneath her young gaiety and charm +there was something the name fitted. Margaret Elizabeth! He loved it +already. + +Why had he not guessed that the Little Red Chimney belonged to her? +Had not the sight of it stirred his heart? And why should that have been +so, except for some subtle fairy godmother suggestion? The picture of +Margaret Elizabeth and Uncle Bob eating cherry preserves was a pleasant +one. It brought her nearer. The Candy Man was inclined to like Uncle +Bob, to think of him as a broad-minded person whose prejudices against +Candy Men, granting he had them, might in time be overcome. + +From being a bit low in his mind, the Candy Man's mood became positively +jovial. When the sad grey man known to the children as the Miser, and +invested with mysterious and awful powers, stopped to buy some hoarhound +drops, he wished him a cheery good afternoon. + +The Miser was evidently surprised, but responded courteously, and +recalling the accident of two weeks ago, asked if the Candy Man had +heard anything of the injured chauffeur. + +It chanced that he had heard the Reporter say, only yesterday, that the +man was doing well and likely to recover. + +"And the young lady? I think I saw her the other day going into a house +across the street from my own." + +"The house with the Little Red Chimney?" asked the Candy Man +indiscreetly, forgetting himself for the moment. + +A smile slowly dawned on the face of the sad man, but quickly faded, as +a flock of naughty pigeons tore by, screaming, "Lizer, Lizer, look out +for the Miser!" If he had been about to make a comment, he thought +better of it, and turned away. + +Having identified the Little Red Chimney as the property of the Girl +of All Others, the Candy Man now made a new discovery. He had a room +in one of the old residences of the neighbourhood, so many of which in +these days were being given over to boarding and lodging. Its windows +overlooked a back yard, in which grew a great ash, and he had been +interested to observe how long after other trees were bare this one kept +its foliage. He found it one morning, however, giving up its leaves by +the wholesale, under the touch of a sharp frost; and, wonder of wonders! +through its bared branches that magical chimney came into view, with a +corner of grey roof. + +Not far away rose the big smoke stack belonging to the apartment houses, +impressive in its loftiness, but to his fancy the Little Red Chimney +held its own with dignity, standing for something unattainable by great +smoke stacks, however important. + +The Candy Man, it will be seen, did not attempt to reconcile conflicting +evidence. He took what suited him and ignored the rest. Was Miss Bentley +the niece of Mrs. Gerrard Pennington? She was also the niece of Uncle +Bob. Did she ride in haughty limousines? She also rode in street cars. +Was she wined and dined by the rich? She also ate muffins and cherry +preserves, and brushed up the hearth of the Little Red Chimney. + + + + +CHAPTER FIVE + +_In which the double life led by the heroine is explained, and +Augustus McAllister proves an alibi._ + + +"Yes," said Miss Bentley, "I liked him. He turned out to be altogether +different from my first impressions. That afternoon at the Country +Club he seemed rather stiff--nice, assured manners, of course, but +unresponsive. But then the way in which we bounced in upon each other +was enough to break any amount of ice." She laughed at the recollection, +clasping her hands behind her head. + +Instead of the little grey hat jammed down anyhow, she wore this morning +the most bewitching and frivolous of boudoir caps upon her bright head, +and a shimmery, lacy empire something, that clung caressingly about her, +and fell back becomingly from her round white arms. Miles and miles away +from the Candy Wagon was Margaret Elizabeth, who had so recently +hobnobbed down the avenue with Uncle Bob. + +Mrs. Gerrard Pennington, in a similar garb, leaned an elbow on her desk, +a dainty French trifle, and gazed, perhaps a bit wistfully, at Margaret +Elizabeth's endearing young charms. "I am delighted that you like +Augustus. He is a young man of sterling qualities. His mother and I were +warm friends; I take a deep interest in him. Of course he is not showy; +perhaps he might be called a little slow; but he is substantial, and +while I should be the last to place an undue emphasis upon wealth, one +need not overlook its advantages. Augustus has had unusual +opportunities." + +"Is Mr. McAllister rich?" Margaret Elizabeth dropped her arms in a +surprise which in its turn stirred a like emotion in her aunt's breast, +for Miss Bentley put rather a peculiar emphasis, it would seem, upon the +word rich. "I should never have guessed it," she added. + +If Mrs. Pennington had been perfectly honest with herself, she would +have perceived that her own surprise indicated a suspicion that minus +his wealth the aforesaid sterling qualities were something of a dead +weight, but not for worlds would she have owned this. It would be a +great thing for Margaret Elizabeth, if she liked him. If she could be +the means of establishing dear old Richard's child in a position such +as the future Mrs. Augustus would occupy, she would feel she had done +her full duty. Mrs. Pennington was strong in the matter of duty. + +"I should never have guessed it," Margaret Elizabeth repeated, after a +minute spent in a quick review of that talk in the summer house. + +"It is not always possible, surely, to gauge a person's bank account in +the course of one conversation," her aunt suggested. + +"I don't mean that; but don't you think, Aunt Eleanor, you can usually +tell very rich people? They are apt to be limited, in a way. Not always, +of course, but often. I can't explain it exactly. Perhaps it is +over-refined." + +"If to be refined is to be limited, I prefer to be limited," Mrs. +Pennington remarked. + +It was plain that unless Margaret Elizabeth went to the length of +retailing the whole of that Sunday morning conversation, which was out +of the question, she could not hope to make her meaning clear. + +"What surprises me," her aunt went on, "is that you should have met +Augustus in a public park. It is very unlike him. I wonder what he +thought of you?" + +This brought out Miss Bentley's dimples, as she owned he had seemed not +displeased to meet her. "I explained that I was waiting for Dr. Prue, +who had gone in to see one of the superintendent's children." She +further assured her aunt that River Bend Park was a delightful place in +which to enjoy nature, on Sunday morning or any other time. + +"I confess I do not choose a public park when I wish to enjoy +nature--except for driving, of course. Perhaps," added Mrs. Pennington, +"that is what you call over-refined." + +Margaret Elizabeth considered this thoughtfully. "Perhaps it is," she +said. "Not being able to enjoy things that are free to everybody." + +But Margaret Elizabeth in that frivolously-becoming cap was an antidote +to her own remarks. Mrs. Pennington smiled indulgently. Richard's +daughter came honestly by some eccentricities, not to mention those +Vandegrifts, whose influence she greatly deplored. + +"You will outgrow these socialistic ideas, my dear," she said. "But +I am still puzzled, the more I think of it, at your meeting Augustus on +Sunday morning. Was it two weeks ago? I am under the impression he left +for New York that very day." + +"He didn't mention it, but there are afternoon trains," answered +Margaret Elizabeth. "He merely said something about a sick boy he was +going to see at St. Mary's." + +This again was very unlike Augustus, but Mrs. Pennington said no more. +Meanwhile the faintest shadow of a doubt was dawning in her niece's +mind; so shadowy she was scarcely aware of it, until, glowing from her +walk across the park, she entered the drawing-room that afternoon. + +There is, by the way, a difference between walking in Sunset Park, the +abode of the elect, with a huge St. Bernard in leash, and taking the +same exercise at River Bend, unchaperoned save by a chance guard. Any +right-minded person must see this. + +A young man, who sat talking to Mrs. Gerrard Pennington before the fire, +rose at her entrance. + +"I am glad you have come, Margaret Elizabeth," her aunt exclaimed. +"I think you know Mr. McAllister? But we have rather a good joke on +you, for August says he was never in his life in River Bend Park." + +"How do you do, Miss Bentley. Awfully glad to see you. That is, except +to motor through, don't you know, Mrs. Pennington." + +Miss Bentley's brown eyes met Mr. McAllister's blue ones, and in the +period of one brief glance she experienced almost as many sensations, +and reviewed as much past history, as the proverbial drowning man. +The casual resemblance was striking. But the eyes--these were not the +friendly, merry eyes to which she had confided the fairy godmother +nonsense. Fancy so much as mentioning fairy godmothers in the presence +of these steely orbs. + +Margaret Elizabeth was game, however. + +"I was mistaken, of course," she owned lightly, as she shook hands. +"I have met so many people, and am stupid at connecting names and faces. +I recall Mr. McAllister perfectly." And straightway she plunged into +New York and what was going on there. Had he seen "Grumpy" and wasn't it +dear? And so on, and so on. Margaret Elizabeth could talk, and more than +this she could look bewitching, and did, when she slipped out of her +long coat, and with many graceful upward motions, removed her hat and +fluffed her hair. + +She would make tea, she loved to, in fact she seemed bent upon luring +Augustus away from the fire and Mrs. Pennington. This young gentleman, +whose mental processes were not rapid, and who habitually overworked any +idea that found lodgment in his mind, was disposed to dwell upon River +Bend Park and Miss Bentley's strange mistake in thinking she had seen +him there, when actually, don't you know, he was on his way to New York. +It was just as well not to have the situation complicated by the +presence of her more alert relative, whose amused glances kept the glow +on Margaret Elizabeth's cheek at a most becoming pitch. Perhaps, too, +the subconscious thinking concerning that same queer mistake, which went +on while she chatted so gaily, so skilfully leading the way to safer +ground, had something to do with it. + +Augustus, unaware that he was led, was as clay in her hands. He warmed +to her expressions of pleasure in the proposed dinner dance, which were +indeed entirely genuine. A dance was a dance, and Miss Bentley was +young. As she poured tea her curling lashes rested now on her cheek, +were now lifted in smiling glances at the complacent Augustus, much as +when on a certain Sunday morning, while softly laying bloom against +bloom, her eyes had now and again met the eyes of the Candy Man. There +were other callers, other tea drinkers, but to none did Mr. McAllister +surrender his place of vantage. + +"If she keeps on like this, Augustus is hers--if she wants him," +Mr. Gerrard Pennington remarked to his wife later in the evening. + +"If I could have her all to myself," Mrs. Pennington sighed; "but any +impression I may make is neutralised by her association with those +Vandegrifts. It is an absurd arrangement, spending half her time down +there." + +"I think you are rather in the lead, aren't you, my dear?" + +Mrs. Pennington shrugged her shoulders, but there was some triumph in +her smile. "She is a dear child, in spite of some absurd notions, and +I long to see her well and safely settled. I don't quite know in what +her charm most lies, but she has it." + +"Oh, it's her youth, and the conviction that it is all so jolly well +worth while. She is so keen about everything." There was an odd twinkle +in Mr. Pennington's eyes, usually so piercing beneath their bushy grey +brows. Margaret Elizabeth called him Uncle Gerry. It was amusing. He +liked it, and enjoyed playing the part of Uncle Gerry. "Of course she's +bound to get over that. Still, I shouldn't be in any haste to settle +her." + +His wife thought of her brother, the Professor of Archaeology, now in +the Far East. "It is queer, but Dick never has," she said, answering +the first part of his sentence. But when she spoke again, it was to +say energetically: "The Towers needs a mistress, and August is +irreproachable. Really, I am devoted to the boy." + +Mr. Pennington found this amusing. + +"If only it were a colonial house. It is handsome, but I prefer simpler +lines," Mrs. Pennington continued meditatively. + +The Towers was a combination of feudal castle and Swiss chalet erected +thirty years before by the parents of Augustus, and occupying a +commanding position on Sunset Ridge. The irreverent sometimes referred +to it as the Salt Shakers. + +Margaret Elizabeth meanwhile, in the solitude of her own room, was +asking herself questions, for which she found no answers. + +"Who--oh, who was this person with the nice friendly eyes that led one +on to talk about fairy godmothers?" + +She considered it in profound seriousness for a time, then suddenly +broke into unrestrained laughter. + + + + +CHAPTER SIX + +_In which Margaret Elizabeth is discussed at the Breakfast Table; in +which also, later on, she and Virginia and Uncle Bob talk before the +fire, and in which finally Margaret Elizabeth seeks consolation by +relating to Uncle Bob her adventure in the park._ + + +"No, she is not regularly beautiful," remarked Dr. Prue in her +diagnostician manner as she poured her father's second cup of coffee, +"but there is much that is captivating about her. Her hair grows +prettily on her forehead, the firmness of her chin, the line of her lips +in repose----" + +"Mercy on us! You talk like a novel," interrupted Uncle Bob, who was +longing to get in an oar. "Now I like her best when she laughs." + +"But I was speaking of her face in repose." + +"And any way," persisted Uncle Bob, "if she isn't a beauty, I don't know +what you call it. She has the witchingest ways!" + +"We were speaking of features, not ways. If you dissect her----" + +"Good Heavens, Prue! Find another word." + +"If you dissect her," the doctor repeated firmly, "you will find nothing +remarkable in her separate features." + +"But I insist," Uncle Bob spoke in a loud tone, and brought his fist +down so emphatically his coffee spilled over into the saucer, "that +beauty is a complex thing consisting of ways as well as features." +The sentence was concluded in a milder tone, owing to the coffee. + +"Nancy, give Mr. Vandegrift another saucer," said Dr. Prue. + +"My dear, there is no need. I can pour this back," he protested. Then, a +fresh saucer having been substituted, he went on: "Take a landscape----" + +"I haven't time for landscapes this morning, father. I am due at the +hospital at nine. You'll have to excuse me." + +"Well, what I was going to say is, that it is the combination of all +her separate qualities and characteristics, manifested in ways and +otherwise, that is beautiful--that constitutes beauty. The something +that makes her Margaret Elizabeth, that subtle--" Uncle Bob was talking +against time. + +"Now, father," Dr. Prue pushed back her chair and rose, "there is +nothing subtle about Margaret Elizabeth, and you know it. She is a +thoroughly nice, quite pretty girl, and that is all there is to it. If +those Penningtons don't spoil her." With this the doctor disappeared. + +"Miss Prue and her pa do argufy to beat the band," Nancy remarked to +Jenny the cook as she waited for hot cakes. + +"That's all, Nancy. I shan't want any more," her master told her when +she carried them into the dining-room. "You needn't wait." As the door +closed behind her he smiled to himself. He always enjoyed the leisurely +comfort of those last cakes. + +The morning sun shone in brightly, emphasising the pleasant, substantial +appointments of the room and the breakfast table. Its glint in the old +silver coffee pot was a joy to him; the unopened paper at his elbow +spoke to him of the interests of a day, like it, not yet unfolded. Uncle +Bob after his own fashion savoured life.... + +[Illustration: DR. PRUE] + +The sun had travelled around the house and was looking in at the west +window of the Little Red Chimney Room, when Virginia discovered her +ladyship sitting on a low stool by her hearthstone deep in meditation. +"I saw the smoke," she announced, "so I thought I'd come over." + +"I am glad to see you," Margaret Elizabeth said, waking up. "But what +smoke do you mean?" And now it developed that although Miss Bentley was +of course aware of the Little Red Chimney, and indeed preferred it red, +she had not understood its significance. + +In amused interest she listened while Virginia explained. "That dear, +ridiculous Uncle Bob!" she cried, hugging her knees. "And what fun, +Virginia!" + +Virginia nodded. "Like a fairy-tale," she said. + +"So it is," Miss Bentley agreed, and became again lost in thought. + +From the other side of the hearth Virginia watched her. Her ladyship +to-day wore a grey-blue gown with a broad white collar, and she +contrasted harmoniously with the soft browns and greens of her +surroundings. Uncle Bob should have been there to enjoy the glint of +the sunshine in her hair. + +It was an unobtrusive room, abounding in pleasant suggestions if you sat +still and let them sink in: books around the walls, a few water colours +and bits of porcelain, an open piano, a work table, a broad divan with +many cushions, ferns in the windows, and the fire. + +Virginia, however, saw nothing of this; she was looking at Margaret +Elizabeth. "The Candy Man wanted to know where you stayed when you +weren't here," she remarked at length. + +Miss Bentley came out of her brown study in great surprise. Who in the +world was the Candy Man? + +"Why, you know the Candy Wagon on the Y.M.C.A. corner! And don't you +remember how you fell in the mud, and the Candy Man helped you up, and +I gave you your bag, and the Miser was there too?" Virginia spoke in +patient toleration of Miss Bentley's strange lapse of memory. + +"Naturally I was rather shaken and didn't notice. Was it a Candy Man who +picked me up? And a miser, you say?" Chin in hand Margaret Elizabeth +regarded her visitor. "It is all very interesting, but why should the +Candy Man wish to know about me?" + +Virginia owned that she had mentioned the Little Red Chimney to him, +and that when the identity of her ladyship had come to light, he had +exclaimed, "I might have guessed!" + +"Well, really," said Miss Bentley, sitting up very straight, "what +business is it of his to be guessing about me?" + +"He isn't Irish like Tim," Virginia hastened to assure her. "He's very +nice. He's a friend of mine." + +Margaret Elizabeth laughed. "That makes it all right, I suppose; and if +he picked me up--But who is the Miser?" + +"He lives over there," Virginia pointed toward the front window, "in +that stone house with the vine on it. Aleck says he has rooms and rooms +full of money." + +The house she indicated was almost black with time and soot, but its +fine proportions suggested spacious, high-ceiled rooms, and whatever its +present condition, a past of dignity and importance. + +"How extremely interesting! What a remarkable neighbourhood this seems +to be!" + +"Is it like a fairy-tale where you stay when you aren't here?" Virginia +asked. + +Sudden illumination came to Margaret Elizabeth. "That is just what it +isn't," she cried. "It's splendid and beautiful, and all sorts of +things, except a fairy-tale. I wonder why? I love fairy-tales and Little +Red Chimneys." + +"So does the Candy Man," exclaimed Virginia, charmed at the coincidence. +"It must be fun to be a Candy Man," she continued. "It isn't much like +a fairy-tale where I live. I should like to live in a sure-enough house +with stairs." + +"You talk like a squirrel who lives in a tree. And speaking of squirrels, +you and I must buy some nuts for our bunny sometime, from this Candy +Man. If he picked me up I suppose I ought to patronise him. All the +same, Virginia," and now Miss Bentley spoke with great seriousness, +"I wish you not to say anything about me to him. It is rather silly, +you know." + +Virginia did not know, but she longed to do in every particular what +Miss Bentley desired, so she promised. + +The opal lights in the western sky were the only reminders left of the +sunny day, when Uncle Bob, seated comfortably in the big armchair, +listened to Margaret Elizabeth's confession, the flames dancing and +curling around a fresh log meanwhile. In size it was but a modest log, +for the fireplace was neither wide nor deep like those at Pennington +Park, but the Little Red Chimney did its part so merrily and well that +upon no other hearth could the flames dance and curl so gaily. At least +so it had seemed to Margaret Elizabeth, sitting there chin in hand, +after Virginia's departure. + +"And you are certain you never met him before?" Uncle Bob ran his +fingers through his hair and frowned thoughtfully. + +"Perfectly certain. You see the resemblance was remarkable, all but +the eyes, and I thought Mr. McAllister had simply waked up. People +are sometimes stiff when you first meet them. He knew who I was, for +he called me Miss Bentley. Naturally I thought it was some one I had +met--particularly when he mentioned the accident. You see, in getting +out of the machine at the Country Club a day or two before I caught +my skirt in the door and fell, striking my elbow. It didn't amount to +anything, though it hurt for a minute, but Aunt Eleanor made a great +fuss. He may have been somewhere about at the time, but I didn't meet +him. And it makes me furious," Margaret Elizabeth continued, "when +I think of his not telling me." + +"Telling you that you didn't know him?" asked Uncle Bob. + +"Certainly, he should have said at the very beginning, 'Miss Bentley, +you are mistaken in thinking you know me.'" + +"Ha! ha!" laughed Uncle Bob. + +"Now what are you laughing at?" his niece demanded. "Honestly, don't you +think he should have?" But she laughed herself. + +"Well, perhaps," he owned, reflecting, however, that if Margaret +Elizabeth looked half so alluring that morning as she did now in her +grey-blue frock, with her bright hair a bit tumbled, it was asking a +good deal of human nature. + +"Now, of course, Uncle Bob, this is strictly confidential. I wouldn't +have Dr. Prue know for the world. It is bad enough to have Aunt Eleanor +smiling sarcastically, though she doesn't know half. I think I have at +length quieted her, and the great Augustus is entirely mollified." She +paused to laugh again, then continued tragically, "Sympathy is what I +need now. To begin with, it was the most perfect day--the sort to make +you forget tiresome conventions." + +Uncle Bob nodded. "Perhaps he forgot, too," he suggested. + +Margaret Elizabeth bit her lip. "That's true. I must try to be fair. +He had nice eyes, Uncle Bob--with a twinkle in them." A smile played +over her lips, her dimple came and went. She gazed absently at the +curling flame. Suddenly she rose from her ottoman, and seated herself +bolt upright on the sofa with one of the plumpest cushions behind her. +"All the same it was inexcusable in me," she declared sternly. + +"What was?" asked her uncle. + +"The nonsense I talked. About a Fairy Godmother Society! No doubt he was +laughing in his sleeve all the time." + +"Oh, I guess not. It sounds quite original and interesting. Have you +copyrighted the idea?" + +"Uncle Bob, you are a dear. Some time I'll tell you all about it--when +I get over feeling so terribly, if I ever do." + +"Now, really," insisted Uncle Bob, "I don't see why you should worry. +You are almost certain to meet him again, and----" + +"I shall die if I do," Margaret Elizabeth declared; but somehow the +assertion failed to ring true. + +"From what you have said he is plainly a gentleman, and altogether +matters might be worse," Uncle Bob concluded. + +Miss Bentley shook her head. "I don't see how they could be," she +insisted. + + + + +CHAPTER SEVEN + +_Shows how the Candy Wagon is visited in behalf of the Squirrel, and +how pride suffers a fall; how Miss Bentley turns to Vedantic Philosophy +to drown her annoyance, and discovers how hard it is to forget when you +wish to._ + + +"When I reflect upon the small weight attaching to true worth +unsupported by personal charm, I am tempted to turn cynic." + +Dr. Prue closed her bag with a snap and lifted her arms to adjust a +hatpin. + +"Youth and beauty take the trick, that's a fact." Uncle Bob laughed as +if he found it a delicious comedy. + +They stood before the office window. At the gate the Apartment Pigeons +were fluttering around Margaret Elizabeth, while her ladyship gravely +admonished them for some piece of mischief. + +"I believe she is taming the terrors," remarked the doctor. + +"She had them all in the other afternoon," said Uncle Bob, "sitting +cross-legged on the floor like little Orientals, while she told them +stories. Margaret Elizabeth can manage them!" His tone thrilled with +pride. + +"Yes, and Miss Kitty Molloy will drop anything she has on hand to work +for Miss Bentley; the market-man picks out his choicest fruit for her; +and so it goes, if you call it managing. Well, I must be off. Good-by." + +As Dr. Prue went out, Margaret Elizabeth, having dismissed the pigeons +for the time being, came in, and sat down at her desk to finish a +letter. + +She wrote: "Yes, Uncle Bob and Cousin Prue argue as much as ever, and +I suspect that more often than not I am the subject upon which they +disagree. I am in a state of disagreement about myself, father dear. +Society is absorbing beyond anything I dreamed of, and if I had not +promised you to stop and think for at least ten minutes out of the +fourteen hundred and forty, I fear I should have already become a real +Society Person." + +At this point Uncle Bob looked in. "Well, how many parties on hand now?" +he asked. + +Margaret Elizabeth laid down her pen and counted them off on her +fingers, beginning with a tea at five, theatre and supper afterward, and +so on, till the supply of fingers threatened to become exhausted. + +"Go on, I'll lend you mine," said Uncle Bob. "Prue says," he added, +"that it is enough to kill you, but you look pretty strong." + +"She wouldn't mind if I worked my fingers to the bone for her hospital +or the Suffrage Association, but I want a little fun first, Uncle Bob." +Margaret Elizabeth supported an adorable chin in a pink palm and +regarded her relative appealingly. + +"That's what I tell Prue. It is natural you should like best to stay at +Pennington Park, and go about in a splendid machine. I don't blame you +in the least, and I don't wish you to feel bound to come down here when +you don't really care to. Much as I love to have you, I shall not be +hurt." Uncle Bob nodded at Margaret Elizabeth with a reassuring smile +that in spite of intentions was a bit wistful too. + +"I don't believe you understand, and for that matter, neither do I. I +love you best, and the Little Red Chimney, and this darling room. There +aren't any fairies at Pennington Park, but--I do like the whirl, the +fun, the pretty things, and----" + +"The admiration, Margaret Elizabeth; out with it. You'll feel better," +said Uncle Bob. + +"Well, yes, people _do_ like me, and oh, I must show you +something!" She sprang up, and from a box lying on the sofa she took a +filmy, rose-coloured fabric. "What do you think of this?" she demanded, +shaking out the shimmering folds before his surprised eyes. + +He rose nobly to the occasion. "Why, it looks like a sunset cloud. Is it +to wear?" + +"Certainly. It is a pattern robe. Miss Kitty across the street is going +to put it together for me. She is a genius. Sunset cloud is very poetic. +Thank you, Uncle Bob. And now I must finish my letter before I go over +to Miss Kitty's, and then I promised the children I'd go with them to +buy some nuts for the squirrel. A bunny who has the courage to live so +far downtown should be rewarded. I wish you had been here, Uncle Bob, to +join our society." Margaret Elizabeth sat down with the rosy cloud all +about her, and laughed at the recollection. "Never again will they throw +a stone at his bunnyship. We laid our hands together so, and swore by +the paw of the cinnamon bear and the ear of the tailless cat, to take +the part of our brother beasts and birds. It was all on the spur of the +moment, or I might have done better, but they were impressed." + +[Illustration: UNCLE BOB] + +"I should think so, indeed," remarked her uncle. "You are a sort of +philanthropist after all." + +"Yes, I have a very marked bump. That reminds me, if I don't see Dr. +Prue, you tell her, please, that I am going to take Augustus McAllister +to the Suffrage meeting." + +Having returned her robe to its box, Miss Bentley sat down at her desk +and wrote furiously for five minutes, then folded her letter, put it +in the envelope, and addressed, stamped, and sealed it, concluding the +business with a resolute fist. Shortly after, in the familiar grey suit, +with the little grey hat jammed down anyhow on her bright hair, she went +forth, the box containing the sunset cloud under her arm. + +Homage and admiration attended upon her within Miss Kitty's humble +establishment, and waited outside in the persons of the adoring pigeons. +Virginia, having been unable to keep the story of the Little Red Chimney +to herself, must now in consequence share her ladyship with the flock. +But certain privileges were hers--to walk next to Miss Bentley and clasp +her disengaged hand; to carry her bag or book; to act as her prime +minister in keeping order. + +Thus Miss Bentley went her triumphant way that afternoon, all +unconscious that there was any triumph about it. Not that she was wholly +unaware of her own charm. As she confessed to Uncle Bob, she knew people +liked her, and the knowledge was pleasing. She was now on her way to be +gracious to the Candy Man, and in this connection she had rehearsed a +neat little scene in which she stood by and allowed the children to make +their purchases, and then at the right moment asked easily if there had +been any more accidents on the corner of late, adding something about +his kindness in helping her up, and so on. The Candy Man would of course +touch his cap, for from Virginia's account he was rather a nice Candy +Man, and reply, "Not at all, Miss," or "That's all right"; then she +would smile upon him and the incident would be closed. + +The first half of the scene went off perfectly. The Candy Man was +selling taffy to a nurse-maid when they approached, and if he saw who +was coming, and if his heart was in his mouth, and if he felt a wild +longing to escape from the Candy Wagon, he gave no sign. To Margaret +Elizabeth, as they waited, he was a Candy Man in white jacket and cap, +and nothing more. + +The pigeons fluttered joyously. Miss Bentley uttered an impersonal good +afternoon, Virginia advanced, a silver quarter in her palm, and demanded +chestnuts for the squirrel. The bag was filled and held out to her, and +as she handed over the quarter in exchange she explained, gratuitously, +"We'll perhaps eat _some_ of them ourselves." + +At this the Candy Man looked up with a smile in his eyes, and met the +glance of Miss Bentley, who immediately forgot all she had intended to +say, for these were the eyes that were not the eyes of Augustus. There +was no excuse for arguing the question. She knew it. + +The point was, after all, Margaret Elizabeth concluded in the solitude +of her own hearth-stone, not whether she had been equal to the occasion +to-day--and she hadn't--but that he on a former occasion had been guilty +of base behaviour. If this were a real Candy Man, one might excuse him, +but he plainly was not. There was a mystery, and she loathed mysteries. +She was annoyed to the point of exasperation. She would dismiss him from +her mind now and forever. + +Uncle Bob, reading the evening paper in the dining-room while Nancy set +the table, admitting as she passed back and forth an occasional savoury +odor from the kitchen region, became aware of sounds in the hall which +betokened some one descending the stairs in haste. The next moment +Margaret Elizabeth stood in the doorway. + +"Uncle Bob," she said, as she drew a long white glove over her elbow, +her face shadowed by her plumy hat, "you remember you said it might be +worse, and I insisted it couldn't be? You were right, it is infinitely +worse." + +With this she was gone, and a premonitory buzz of great dignity and +reserve from the street presently indicated that she was being borne +away in the Pennington car. + +And now it was that Miss Bentley discovered how impossible it is to +forget when you wish to. You may assist a treacherous memory with a +memorandum, but no corresponding resource offers when you wish to +forget. You may succeed in diverting your thoughts for a time, but +sooner or later, ten to one, in the most illogical manner, the very +thing you seek to avoid forces itself upon your attention. What could +have seemed further away from the Candy Man than ancient Hindoo +Philosophy? And into this she plunged to drown her annoyance, and +incidentally help a fellow member of the Tuesday Club. Margaret +Elizabeth was ever ready to fill in a breach, and when Miss Allen came +to her in despair, having been positively forbidden to use her eyes, +she obligingly agreed to help her. + +The subject grew, as all subjects have a way of doing. It was a +providential ordering, Uncle Bob remarked, enabling the writers of +papers to take refuge from criticism in the impressive statement that +it is impossible to treat of the matter adequately in so short a space. +Margaret Elizabeth laughed, and crossed out a paragraph at the bottom of +her first page, and then set out for the Public Library. + +Seated in the Reference Room, with more books than she could read in a +year on the table before her, behold Miss Bentley presently inconsolable +for lack of a certain authority she chanced to remember in the college +library at home. The whole force of the Reference Room mourned with her, +for Margaret Elizabeth in the part of earnest student was no less +captivating than in her other roles. + +"I know where there is a copy," said the youngest and wisest of the +force, "but it won't do you any good. Mr. Knight, the man the children +call the Miser, has one." + +"I'll go and ask him to let me see it. I'd like to know a real live +miser." Margaret Elizabeth closed the book she had in hand and rose. + +The force gasped at her temerity. They had heard he was a horrid old +man; but the youngest observed wisely that probably he wouldn't bite. + +Miss Bentley, however, having recently developed a bump of discretion, +did first consult Dr. Prue in the matter, who responded, "Why certainly, +I see no objection to your asking to see the book. Mr. Knight is a +harmless, studious man. I have met him on two occasions when I was +called in to attend his housekeeper, Mrs. Sampson, and he was courtesy +itself. I will go with you and introduce you, if you like." + +Virginia, hanging around and overhearing, begged to be allowed to go +too. "I'd love to see the inside of his house," she urged. + +She was assured she would find it stupid, but this was as nothing +compared with the glory of entering the abode of the Miser in company +with her ladyship, and the other pigeons looking enviously on outside. + +Dr. Prue, of course, had no time to waste, so Margaret Elizabeth +hastened to find her pad and pencil, and across the street they went +forthwith. The Miser was discovered in his library, a spacious, shabby +room, yet not too shabby for dignity, full of valuable and even rare +things, such as old prints and engravings, and most of all of books, +which overflowed their shelves in a scholarly disorder not unfamiliar +to Margaret Elizabeth. + +With businesslike brevity Dr. Vandegrift presented her cousin and her +credentials to Mr. Knight, who, with a quaint and formal courtesy, was +happy to oblige the daughter of an author so distinguished in his chosen +field. + +Miss Bentley in her turn presented, with suitable gravity, Miss Virginia +Brooks, who promised to be quiet as a mouse, and whose eyes betrayed her +disappointment on discovering the inside of the Miser's house to be so +much like any other. + +After the necessary stir attending upon the finding of the desired +volume, and getting settled to work, profound quiet again rested upon +the library. Margaret Elizabeth wrote busily, her book propped upon a +small stand before her, while across the room Virginia softly turned the +leaves of a huge volume of engravings, pausing now and then to rest her +cheek in her palm and regard the Miser steadily for a moment. + +The master of the library had the air of having forgotten their presence +altogether. Aided by a microscope, with a grave absorbed face, he +studied and compared a series of prints spread before him. So quiet was +it all, that the crackle and purr of the coal fire in the old-fashioned +grate made itself quite audible, and the leisurely tick of the clock in +the hall marked time solemnly. + +Margaret Elizabeth's interest in Vedantic Philosophy began after a time +to wane, and she allowed her attention to wander about the room, from +object to object, until it concentrated upon the student himself. Was +he really a miser? she wondered. He did not look it. His was rather the +face of an ascetic. Suddenly it flashed into her mind that here was the +sad, grey man of that unforgettable conversation in the park. + +Virginia slipped down and came to her side. "Is there really a room full +of gold?" she whispered. + +Margaret Elizabeth shook her head sternly. It was time they were going. +Her hand was tired. She would ask permission to come again. As she +returned her book to the shelf, she displaced a smaller one, a shabby +leather-bound book, at which she scarcely glanced, but upon which +Virginia seized. + +"The Candy Man has one like this," she said. "Such a funny name! See? +Only his is Vol. one and this is Vol. two." + +Miss Bentley cared not at all what strange books the Candy Man owned, +and said so, frowning so severely you could scarcely have believed her +to be the same person who only a few minutes later was thanking the +Miser with such alluring grace of manner. + +She was welcome to come when she chose, she was assured, with grave +politeness. His library was at her disposal. + +"You have many beautiful things," said Margaret Elizabeth. "This +portrait above the mantel, for instance, seems to me very interesting." + +The portrait in question was rather a splendid one of a military-looking +man probably in his thirties. One of the best examples of Jouett's work +it was generally considered, Mr. Knight explained, and said to have been +an admirable likeness of his uncle, General Waite, at the time it was +painted. + +It was inexplicable that as Margaret Elizabeth gazed up at the general +the eyes beneath the stern brows should become the eyes of the Candy +Man. But her exasperation at this absurd illusion passed quickly into +horrified embarrassment, when Virginia, edging toward the master of the +house, asked explosively, "Say, have you really got a room full of +gold?" + +"There is one thing certain, you can never go there with me again," said +Miss Bentley, on their way across the street. + +"But Aleck said----" began the culprit. + +"Never mind what he said. Aleck is a very ignorant little boy. People +don't keep gold in rooms. If they have it they put it in the bank or +send it to the mint." + + + + +CHAPTER EIGHT + +_In which the Miser's past history is touched upon; which shows how +his solitude is again invaded, and how he makes a new friend._ + + +"There isn't any mystery about _him_, so far as I know," said the +Reporter, who was seated as usual upon the carriage block. The Candy +Wagon continued to act as a magnet for him, and in season and out his +genial presence confronted the Candy Man. + +If his emphasis upon the pronoun was noticed, it was ignored. The +mystery was, the Candy Man replied, how with such a face he could be a +miser. + +"Oh, he's a bit nutty, of course. My grandmother says his money came to +him unexpectedly and the shock was too much for him. They say he has a +notion he is holding it in trust. He is rational enough in every other +way, a shrewd investor, in fact. His uncle, General Waite, who left him +the money, was a connection of my grandmother's." + +"The Miser is a cousin then?" + +"Not on your tintype, my friend. Old Knight was a nephew of the +general's wife, you see." + +"And there were no other heirs?" asked the Candy Man. + +"There was an own nephew, I have heard, who mysteriously disappeared +shortly before the general's death. I have heard my grandmother mention +it, but it was long before my day. Why are you interested?" + +Even to himself the Candy Man could not quite explain his interest in +this sad and lonely man, except that, as he had told Miss Bentley in +their first and only conversation, he had a habit of getting interested +in people. For example, in the house where he roomed there was a young +couple who just now engaged his sympathies. The husband, a teacher in +the Boys' High School, had been ill with typhoid, and the little wife's +anxious face haunted the Candy Man. The husband was recovering, but of +course the long illness had overtaxed their small resources, and--But, +oh dear! weren't there hundreds of such cases? What was the good of +thinking about it! Yet suppose there were a Fairy Godmother Society? + +The Candy Man was a foolish dreamer, and his favourite dream in these +days was of some time sitting beside the Little Red Chimney hearth, and +discussing the Fairy Godmother Society with Miss Bentley. These bright +dreams, however, were interspersed by moments of extreme depression, in +which he cursed the day upon which he had become a Candy Man; moments +when the horrified surprise in the eyes of Miss Bentley as she +recognised him, rose up to torment him. + +It was in one of these that the Reporter had presented himself this +time, and when he was gone the Candy Man returned to his gloom. Having +nothing else to do just then he opened the shabby book with the funny +name, and looked at the crimson flower. Through the stain of the flower +he read: + + _"If a person is fearful and abject, what else is necessary but + to apply for permission to bury him as if he were dead."_ + + +The book had come into his possession by a curious chance not long +before, and he treasured it, not so much for its sturdy philosophy, as +because it was in some sort a link to the shadowy past of his early +childhood. + +The adjectives "fearful" and "abject" brought him up short. What manner +of man was he to be so quickly overwhelmed by difficulties? As for being +a Candy Man, did he not owe to this despised position his good fortune +in meeting Miss Bentley at all? + +Somewhere about eight o'clock the next evening, being Sunday, he might +have been seen strolling by the house of the Little Red Chimney. That +particular architectural feature had lost its identity in the shades of +evening, but he was indulging the characteristic desire of a lover to +gaze at his lady's window under the kindly cover of the night. + +The blind was drawn within a few inches of the sill, but these inches +allowed him a glimpse of a blazing fire, and while he lingered a shadow +flitted across the curtain in its direction, and then another, until in +his mind's eye he beheld Margaret Elizabeth and Uncle Bob seated beside +the hearth. For aught he knew, it might be Augustus McAllister making +an evening call, but the Candy Man was just then too determinedly +optimistic to harbour such an idea. + +[Illustration: THE MISER] + +As he passed on he was occupied in trying to picture to himself her +ladyship sitting before her fire, but that familiar little grey hat, +which was so entirely inappropriate, would persist, in spite of all he +could do, in getting into the picture. Only once, when curling plumes +took its place, had he seen her without it, and though for an instant he +would succeed in removing it, presto! before he knew it, there it was +again, jammed down anyhow on her bright hair. + +With odds in favour of the hat, the struggle came to a sudden pause at +sight of a tall figure leaning heavily and in evident pain against one +of the ornamental iron fences which prevailed along this street. At once +proffering his assistance, he recognised Mr. Knight, the Miser. + +It was plain the sufferer would have preferred to decline help. It would +soon pass. It was nothing. He had had such attacks before. He spoke +brokenly, adding, "I thank you," in a tone of dismissal. + +The Candy Man showed himself to be, when occasion demanded, a masterful +person. Without arguing the point, he supported the Miser with a firm +arm and began to urge him in the direction of his home. Mr. Knight, half +fainting as he was, submitted without a word until his door was reached; +then, there being no response to his companion's vigorous ring, he +murmured something about the servants having gone, and began to fumble +in his pocket. + +The Candy Man, taking the latch key from his trembling fingers, opened +the door, and ignoring the evident expectation conveyed in his renewed +thanks, continued to assert authority, supporting the invalid into his +library. "I shall not leave you alone until you are relieved," he said. + +Again Mr. Knight submitted to his captor's will, and lying back in his +arm-chair directed him to the restorative that was prescribed for these +seizures. When it had been administered he lay quiet with closed eyes. + +The Candy Man now turned his attention to the fire, which had burned +low, coaxing it skilfully out of its sullen apathy. He was brushing up +tidily, when Mr. Knight, to whose face the colour was returning, spoke. + +"You are very kind," he said, adding as the Candy Man felt his pulse and +nodded his satisfaction, "are you a physician?" + +"No," was the smiling answer. "Merely something of a nurse. My father +was an invalid for some years." + +The sick man said "Ah!" his eyes resting, perhaps a little wistfully, +upon the vigorous young fellow before him. "Don't let me keep you," he +added. "I am quite relieved, and my housekeeper will return very shortly +from church." + +Instead of leaving him the Candy Man sat down. "I have nothing to do +this evening, Mr. Knight, and unless you turn me out forcibly I mean to +stay with you till some member of your household comes in." + +"I fear my strength is hardly equal to turning you out," the Miser +replied with a smile. "You are most kind." Then after a pause he added +apologetically: "Will you kindly tell me your name? Your face is +familiar, but my memory is at fault." + +"My name is Reynolds, Robert Reynolds, and I am at present conducting a +candy wagon on the Y.M.C.A. corner. That is where you have seen me." He +had no mind to sail under false colours again. + +The sick man's "Indeed!" was spoken with careful courtesy, but his +surprise was plain enough. + +The Candy Man leaned forward, an arm on his crossed knee; his eyes met +those of the older man frankly. "It is not my chosen profession," he +said. "I happened to be free to follow any chance impulse, and the +opportunity offered to help in this way a friend in need. It may have +been foolish. I am alone in the world, and entirely unacquainted here. +I should not care for the permanent job, but there's more in it than +you would suppose. More enjoyment, I mean." + +"I recall now you mentioned the Little Red Chimney," said Mr. Knight. + +The Candy Man grew red. Why had he been so imprudent? The Miser's memory +certainly might be worse. + +"And now I know why your face is so familiar," the invalid went on. +"I sat opposite to you in the car going to the park one Sunday morning. +My physician prescribes fresh air. And later I saw you with that +bright-faced young girl, Miss Bentley. You were talking together in the +pavilion near the river. You both seemed exceedingly merry. I envied +you. I seemed to realise how old and lonely I am. I think I envied you +her friendship." + +"Your impression is natural," answered the Candy Man, "but the truth is +I do not know Miss Bentley. We met unexpectedly in the pavilion that +morning. I did not at the time realise it, I was unpardonably dense, +but she took me for some one else. On the occasion of the accident that +foggy evening--you perhaps remember it--I overheard the name she gave to +the conductor. Well, it seems she had no idea she was talking to a Candy +Man that morning in the park, and I should have known it." + +The Miser leaned his head on a thin hand, and certainly there was +nothing sordid, nothing mean, in the eyes which looked so kindly at his +companion. It was not perhaps a strong face, nor yet quite a weak one; +rather it indicated an over-sensitive, brooding nature. "You will not +always be a Candy Man," he said. "I have made Miss Bentley's +acquaintance recently. She is friendliness itself." + +At this moment a grey slip of a woman, with a prayer-book in her hand, +entered, and was presented as Mrs. Sampson, the housekeeper. The Candy +Man rose to go, but Mr. Knight seemed now in no haste to release him. + +"I should be glad to see you again, if some evening you have nothing +better to do," he said. "You may perhaps be interested in some of my +treasures." He glanced about the room. "You say you too are alone in +the world?" + +"Quite," the Candy Man answered. "Everyone I know has some relative, or +at least an hereditary friend, but owing to the peculiar circumstances +of my life, I have none. I do not mean I am friendless, you understand. +I have some school and college friends, good ones. It is in background +I am particularly lacking," he concluded. + +"I have allowed my friends to slip away from me," confessed the Miser. +"It was the force of circumstances in my case, too, though I brought it +upon myself. I have been justly misunderstood." + +"'Justly misunderstood.'" The Candy Man repeated the words to himself as +he walked home in the frosty night. They were strange words, but he did +not believe them irrational. + + + + +CHAPTER NINE + +_Shows how Miss Bentley and the Reporter take refuge in a cave, and +how in the course of the conversation which follows, she hears something +which disposes her to feel more kindly toward the Candy Man; shows also +how Uncle Bob proves faithless to his trust, and his niece finds herself +locked out in consequence._ + + +"Let's pretend we are pursued by wild Indians and take refuge in this +cave." + +The scene was one of those afternoon crushes which everybody attends and +few enjoy. Miss Bentley, struggling with an ice, which the state of the +atmosphere rendered eminently desirable, and the density of the crowd +made indulgence in precarious, addressed her next neighbour, whom she +had catalogued as a nice, friendly boy. "It's Mr. Brown, isn't it?" she +added in triumph at so easily associating the name with the face. + +The young man's beaming countenance showed his delight. "Good for you, +Miss Bentley! It would be great. Let me have your plate while you +squeeze in." + +This corner behind a mass of greens seemed to have been left with the +intention of protecting an elaborate cabinet that occupied a shallow +recess. However it might be, here was a refuge, difficult of access, +but possible. Margaret Elizabeth held on to her hat and dived in. + +"Grand!" she cried. "This is beyond my wildest hopes," and she perched +herself on a short step-ladder, left here no doubt by the decorators, +and held out her hands for the plates. Mr. Brown found a more lowly seat +beneath a bay tree. They looked at each other and laughed. + +"My position is a ticklish one, so to speak," he observed, vainly trying +to dodge the palm leaves to the right of him; "but I think we are +reasonably safe from pursuit." + +"I haven't the remotest idea where my aunt is," Margaret Elizabeth +remarked, eating her ice in serene unconcern. + +"Say, Miss Bentley, I have heard my cousin speak of you--Augustus +McAllister, you know." + +"Are you Mr. McAllister's cousin?" Miss Bentley's tone and smile left +it to be inferred that this fact above any other was a passport to her +favour. It must be regretfully recognised, however, that it would have +been the same if Mr. Brown had mentioned the market-man. + +Having thus successfully established his claim to notice, the Reporter, +as was his custom, went on to explain that he belonged to the moneyless +branch of the family. + +Margaret Elizabeth assured him, in a grandmotherly manner, that it was +much better for a young man to have his way to make in the world than to +have too much money. + +The Reporter owned this seemed to be the consensus of opinion. How the +strange notion had gained such vogue he could not understand, but there +was no use kicking when you were up against it. + +"Of course, it must be hard work, but it must be interesting. Don't you +have exciting experiences?" Miss Bentley asked. + +Oh, he had, certainly, and met such queer people, too. There was a +fellow who ran a Candy Wagon on the Y.M.C.A. corner, for instance. "You +ought to meet him, really, Miss Bentley, though, of course, you couldn't +very well. He's a character, and I have puzzled my brains to discover +what he's doing it for." + +Miss Bentley was interested and requested further enlightenment. + +"Well, I have two theories in regard to him. He is an educated man, and +a gentleman, so far as I can tell, and I think he is either studying +some social problem, or he is a detective on some trail." + +"I never thought----" began Margaret Elizabeth. "I mean," hastily +correcting herself, "I should never have thought of such an +explanation." + +"He's up to something, you may be sure," Mr. Brown continued. "I like to +talk to him, and do, every chance I get." + +Margaret Elizabeth certainly showed a flattering interest in all the +Reporter had to say. "Some day when you have become a great editor," she +assured him at parting, "I shall refer proudly to the afternoon when we +sat together in a cave and ate ice cream." + +"Oh, now, Miss Bentley," the Reporter protested in some embarrassment, +"I'm sure I shall always think of it with pride, whatever I get to be, +though that probably won't be much." + +This conversation was not without its influence upon Miss Bentley's +subsequent attitude toward the Candy Man. That some one else had found +him a unique and interesting personality was reassuring, and the +thought that he might be engaged on some secret mission was novel and +suggestive. She began to reconsider and readjust, and in future, +although she still avoided the Y.M.C.A. corner, she allowed her thoughts +to turn once in a while in that direction. + +Meanwhile she paid two more visits to the Miser's library, on these +occasions laying deliberate siege to his reserve with all the charm of +her bright friendliness. She asked questions about his beloved prints; +intelligent questions, for Margaret Elizabeth had grown up in an +atmosphere of appreciation for things rare and fine. She chatted about +her father and his work, and even ventured some wise advice about fresh +air and its tonic effect. Indeed, it is a cause for wonder that she was +able at the same time to collect the material which took shape later in +that most erudite paper. + +Under this invasion of youth and gaiety, the sombre, student atmosphere +became charged with a new, electric current. It was not owing solely to +Miss Bentley, however, for Sunday evening now frequently found the Candy +Man dropping in sociably to chat with Mr. Knight in his library. + +In these days the Miser often sat leaning his head on his hand, a +meditative, half whimsical expression on his face, as if he found both +wonder and amusement in the chance that had so strangely brought these +young people across his threshold. + +One Sunday afternoon the Pennington motor, having deposited Margaret +Elizabeth at the Vandegrift gate, with a scornful snort went on its +swift way to more select regions. It was the first really cold weather +of the season, and while she waited at the door Margaret Elizabeth +examined the thermometer, and then buried her nose in her muff. +"Dear me!" she exclaimed impatiently. "Why doesn't somebody come?" + +She rang again with no uncertain touch upon the button this time, and +then, crunching across the frozen grass, peeped in at her own window, +where a glimpse of smouldering fire rewarded her. She returned to the +door to ring and rap, still with no response. + +This was a most unusual state of affairs, for it was an inexorable +decree of Dr. Prue's that the telephone must never be left alone. +Somebody must have gone to sleep. The cold and the darkness deepened and +it became more and more evident that she was locked out. What should +she do? After canvassing the situation thoroughly, she could think of +nothing for it but to seek refuge with the Miser. Her acquaintance in +the neighbourhood was limited. Miss Kitty the dressmaker had gone to +vespers, and her cottage was dark. The apartment house was too far away. +From the Miser's library she could watch for the light which would +betoken the waking up of the delinquent one. So across the street, her +nose in her muff, ran Margaret Elizabeth. + +The little housekeeper, Mrs. Sampson, who opened the door, was all +solicitude. Such a cold evening to be locked out! She knew Mr. Knight +would be glad to have her wait in the library. He had stepped out for +a little walk, though she had warned him it was too cold. Thus saying, +Mrs. Sampson ushered her in, and followed to see if the fire was all it +should be. + +It was, for the Candy Man had just given it a vigorous poking and put on +fresh coal. The room was full of its pleasant light. + +Mrs. Sampson was surprised to find him there. "Miss Bentley, this is +Mr. Reynolds, a friend of Mr. Knight's," she explained, adding that Miss +Bentley was locked out, and wished to sit by the window and watch for +her uncle to come back. "And if you'll excuse me, Miss Bentley, the cook +has her Sunday evenings out, and I get supper myself," she added as she +withdrew. + +Margaret Elizabeth and the Candy Man faced each other in silence for a +second or two, then she said, very gravely indeed, "I am glad to meet +you, Mr. Reynolds." + +"Thank you, Miss Bentley. May I give you a chair?" he asked. + +"Thank you, I will sit here by the window." The window was some distance +from the fire, but as she sat down Margaret Elizabeth loosened her furs +as if she felt its heat. + +The Candy Man waited, uncertain what course he should pursue. + +"Please sit down, Mr. Reynolds. I should like to talk to you, now the +opportunity has so unexpectedly offered." She regarded him still +seriously, her hands clasped within her large muff. "I think you owe me +an explanation." + +"I am not sure I understand." The Candy Man's heart was beating in an +absurd and disconcerting way, but he would keep his head and follow her +lead. + +"Of course you are aware that you allowed me to talk to you that morning +in the park, in a--most unsuitable manner, without even----" + +"How could I?" cried the Candy Man entreatingly. "I did not know." + +"Did not know what?" demanded Miss Bentley sternly, as he hesitated. + +"I thought perhaps--I was dreadfully lonely, you see, and I thought--it +was preposterous--but I hoped you--don't you see?--didn't mind talking +to an unknown Candy Man." + +"Oh! was that it?" exclaimed Margaret Elizabeth in a tone difficult to +interpret. Did she think it preposterous, or not? It seemed to indicate +she found something preposterous. "Then you were disappointed in me," +she added. + +Never would the Candy Man admit such a thing. He had realised since then +what a cad he must have seemed, but---- + +"That, however, is neither here nor there," she continued, "since I did +not recognise you. It was----" + +"Preposterous?" he suggested. + +"Yes, preposterous, to suppose that I could. Why, it was nearly dark +that afternoon, and I----" + +"Please don't rub it in. I know. You see I knew you so well." + +"Me?" cried Margaret Elizabeth. + +"I had seen you pass, I mean." + +Again Miss Bentley said "Oh!" adding: "You are also the person who +laughed when I made an idiotic remark about lighthouses in the grocery." + +The Candy Man protested. He had not laughed. + +"Your eyes laughed. That is how I first discovered my mistake. Your +resemblance to Mr. McAllister is remarkable." + +"So I have been told." The Candy Man shrugged his shoulders, ever so +little. + +"However, to go back, I think you owe me an explanation, Mr. Reynolds, +considering how you allowed me to talk to you under a false impression. +I am not absolutely lacking in grey matter," she added, while a smile +curled her lips, "and I think you owe it to me to tell me why you became +a Candy Man." + +"In return for the Fairy Godmother idea?" he asked mischievously. + +Miss Bentley's brows drew together. "If you knew how bitterly I have +regretted all the foolish things I said that day, you would not laugh," +she cried. + +"Do not say that, please, Miss Bentley. I beg your pardon, and I am not +laughing. I could not. If you only knew what it all meant to me. How +I----" + +His distress was so genuine that Margaret Elizabeth was touched. "Well, +never mind now. It can't be helped, and I am willing to have it in +return for the Fairy Godmother nonsense, if you choose to put it so." + +And now perforce the Candy Man must explain himself. + +"You see," he began, "I had been knocked out of everything through +a bad accident that occurred at my home near Chicago--a runaway. +Speaking of grey matter, there was some doubt for a time whether mine +was not permanently injured. However, I gradually recovered, but I was +still forbidden for another six months at least to do any brain work, +and ordered by my doctor to loaf in the fresh air. Doing nothing when +you are longing to get to work is no easy job. I left home with the +intention of going South, and stopped off here for no particular reason. +Perhaps I should have said that I have no family. My father died +something over a year ago. Oddly enough, in front of the station here +I met an Irish woman, once a servant in my father's house. She was +overjoyed to see me, and poured out her troubles. Her son, who ran a +candy wagon, had been taken ill with fever, and his employers would not +promise to keep the place for him, and altogether she was in hard lines, +this boy being the main support of a large family. So now you see how +the idea occurred to me. To amuse myself and keep the boy's place. And +having no family or friends to be disgraced----" + +"No one has intimated there was any disgrace about it," Miss Bentley +interrupted. "At worst it can be called eccentric. It was also very, +very kind." + +"Oh, now, Miss Bentley, thank you, but I can't let you overrate that. +Any help I have given was merely by the way. You must remember I was +in need of some occupation, and I assure you it has been very much of +a lark." + +"Yes?" said Miss Bentley. "Then no doubt before long you will be writing +'The Impressions of a Candy Man,' or 'Life as Seen from a Candy Wagon.' +It will be new." + +"Thanks for the suggestion, I'll consider it. But for the chance that +made me a Candy Man I should have missed a great deal--for one thing, a +realisation of the opportunity that awaits the Fairy Godmother Society." + +"But Tim will soon be about again," said Margaret Elizabeth. + +"Then I must look out for another job; but your remark implies some +further knowledge of Tim. I was not aware I had mentioned his name +even." + +Miss Bentley bit her lip, then decided to smile frankly. "I met Tim +the other day," she said. "My cousin, Dr. Vandegrift, often visits St. +Mary's, and I sometimes go with her. Tim is a nice boy, and full of +praises for the kind gentleman who has done so much for him." + +"And also, let me add, for the lovely young lady who gave him a red +rose, and----" + +Margaret Elizabeth laughed. There was no getting ahead of this Candy +Man. Had he known all along, or had he just guessed? "I see a light at +last," she said, rising. "I must go, or they will be wondering what has +become of me." ... + +"Yes, I know it was my afternoon in," said Uncle Bob plaintively, while +Margaret Elizabeth made toast at the grate and Dr. Prue set the table. +"I merely ran over to the drug store for a second, but Barlow was there +and I got to talking." + +"It is quite unnecessary to explain, but I do wish, father, you would +refrain from speaking as if you were required to stay in. It was your +own proposition to let Nancy go. I could have made other arrangements." +Dr. Prue was aggrieved. There was no telling how many telephone calls +had been unanswered. + +Margaret Elizabeth laughed. "You are absolutely untrustworthy, Uncle +Bob. Hereafter I shall carry a latch key." + +"By the way, who was that young man who brought you home?" the doctor +asked. + +"His name is Reynolds. He is a stranger here. I have met him once or +twice." This casual explanation was accompanied by side glances which +indicated to Uncle Bob that there was more in it than appeared on the +surface. + +Margaret Elizabeth had been extremely reserved upon the subject of the +Candy Man. Uncle Bob had not heard a word of it till now, when, beside +the Little Red Chimney hearth, supper having been cleared away, and Dr. +Prue resting with a book on the office lounge, she told him the whole +story. + +"You don't say so! That beats anything I ever heard. Well, I said it +would come out all right, didn't I?" Margaret Elizabeth's narrative was +punctured, as Mrs. Partington would have said, with many exclamations +such as these. + +"I own you were right. It isn't as bad as it seemed. He is really very +gentlemanly and nice. Still, it is a bit awkward too," she added +thoughtfully. + +It is possible she was thinking of Mrs. Gerrard Pennington at the +moment. + + + + +CHAPTER TEN + +_In which the Little Red Chimney keeps Festival, and the Candy Man +receives an unexpected Invitation._ + + +The Candy Man, letting himself in at his lodging house, one gloomy +Sunday afternoon, stumbled upon a deputation of pigeons, in a state +of fluttering impatience. + +"She said to wait, and we thought you were never, never coming!" was +their chorus. + +"Never is a long day," said the Candy Man. "What will you have?" + +It appeared they were the bearers of a missive which read briefly and +to the point: "Her ladyship requests the pleasure of the Candy Man's +presence at the Pigeons' Christmas Tree, at four o'clock this +afternoon." + +It had seemed to the Candy Man that he was altogether outside the +holiday world, that for him Christmas had ended with his visit to the +hospital that afternoon. He had ventured to send a basket of fruit to +his fellow lodgers, the invalid professor and his wife, and had played +Santa Claus to two or three newsboys who frequented the Y.M.C.A. corner +and to the small Malones, and the state of his exchequer scarcely +warranted anything more. The social calendar in the morning paper +overflowed with festivities for the week, and he had pleased his fancy +by picturing Miss Bentley, radiant and lovely, in the midst of them. He, +the lonely Candy Man, without the pale, could yet enjoy her pleasure in +imagination. And lo! this lonely Candy Man was bidden to a tree on +Christmas Eve, by her ladyship. He could not believe his eyes. + +"It takes you a long time to read it," said Virginia. "You'd better +come. It's late." + +Dark was beginning to fall outside, but the Little Red Chimney room was +full of firelight when the Candy Man was ushered in, in the wake of the +children, by cordial Uncle Bob. It was a frolicsome, magical light that +played about a row of red stockings hanging from the shelf above it; +that advanced to the farthest corner and then retreated; that coaxed and +dared the unlighted Christmas tree by the piano to wake up and do its +part; that gleamed in Miss Bentley's hair as she seated the pigeons in +a semicircle on the rug. + +Was it the magic of the firelight, or the absence of the grey hat, or +the blue frock with its deep white collar, or, or--The Candy Man got no +further with his questions, for just then Margaret Elizabeth turned and +gave him her hand, explaining that they were so much stiller when they +sat on the floor. She added that it was very good of him to come--a +purely conventional and entirely inaccurate statement. He was also +instructed to sit on the sofa with Uncle Bob. + +"And now," began Miss Bentley, standing with her back to the row of red +stockings and looking into the upturned faces, "we are going to be +rather quiet, for this, you know, is both Christmas Eve and Sunday. +First, we'll sing 'While Shepherds Watched,' very softly." + +She sat down at the piano and struck a few chords, then her voice rose, +clear and sweet, the pigeons following her lead, a bit quaveringly at +first, but doing wonderfully well considering they were not song birds. +"She's been training them for weeks," Uncle Bob whispered. + +After this came "Stille Nacht," and Uncle Bob joined in, and then the +Candy Man, and presently the entrance of Dr. Prue was proclaimed by a +vigorous alto. The effect was most gratifying to the performers, and +from the piano Margaret Elizabeth murmured, "Very good." + +When the singing was over she took her seat on a low ottoman in the +midst of the children, who drew closer. "Next," she said, patting the +hand Virginia slipped within her arm, "comes the story, which on +Christmas Eve everybody should either hear or read for himself." + +Stillness fell on the Little Red Chimney room, the pigeons listened in +breathless absorption, while, forgetting herself and her audience, her +hands loosely clasped on her knees, Margaret Elizabeth began the story +which, as often as it may be told, yet throbs with tenderness and +wonder. As she went on her eyes grew dark and deep, and in her face +shone something more than the sweetness and charm hitherto so endearing. +Was it a prophecy? A glimpse into the unsounded heart of her? + +Dr. Prue shaded her eyes with her hand; Uncle Bob wiped his glasses; the +Candy Man's soul was stirred within him, but he gave no sign. + +"And they brought gifts, gold, frankincense and myrrh, to the little +Child in the manger; so now in keeping his birthday, we give each other +gifts and are happy because of the wonderful night so long ago," ended +Margaret Elizabeth. + +After that it was no longer still in the Little Red Chimney room. Uncle +Bob set the tree alight, and her ladyship distributed the red stockings. +Nobody was left out, not even the Candy Man, or Nancy and Jenny hovering +in the background. + +Upon occasions like the Pigeons' Christmas Tree we long to linger, but +they are evanescent. The Candy Man must see the children home after a +few brief words with Miss Bentley. + +"The Fairy Godmother Society must have been organised, and my name +entered among its beneficiaries," he told her. + +"I am glad if you liked it," she replied. "I thought you would. +To-morrow I am going to Pennington Park to stay till after New Year's, +but Christmas Eve belonged by rights to the Little Red Chimney." She +smiled, and the Candy Man nodded understandingly. + +This much in the midst of the chatter that accompanied the putting on of +small coats and leggings. + +"And I may hope that I am forgiven?" he had a chance to add as she gave +him her hand at parting. + +Miss Bentley's eyes twinkled. "It will do no harm to hope," she told +him. + +The Candy Man, his red stocking protruding from his overcoat pocket, +conducted the noisy flock to their homes, then turning southward he +walked on and on toward the edge of the town. As is fitting on Christmas +Eve, a fine snow had begun to fall, sifting silently over everything, +transforming even the ugly and pitiful with a mantle of beauty. + +The Candy Man, striding on through the night, felt an unreasoning joy as +he thought of Margaret Elizabeth telling the story with the firelight on +her face. The world seemed throbbing with expectancy. Who could tell +what splendid event awaited its near fulfilment? + + + + +CHAPTER ELEVEN + +_In which a radical change of atmosphere is at once noticed; which +shows how Miss Bentley repents of a too coming-on disposition, and lends +an ear to the advantages of wealth._ + + +The Christmas fire was not cold upon the hearth of the Little Red +Chimney before Miss Bentley was whisked away to other scenes, into an +atmosphere so different that of necessity things took on another aspect. + +Mrs. Gerrard Pennington found intense satisfaction in her niece's social +success. Given every advantage, she pointed out, one could never tell +how a girl would take, and Dick had brought up his daughter in such an +odd way. Yet in spite of everything, even this awkward arrangement of +living in two places, Margaret Elizabeth was popular beyond her fondest +hopes. + +There were not wanting those who remarked that it would be a marvel if +she were not spoiled. Probably they were right, and Margaret Elizabeth, +at the flood tide of her social career, courted, feted, the kingdoms of +this world at her feet, was in danger. + +"And who sent this?" Mrs. Pennington demanded. + +It was Christmas Day, and "this" was an Indian basket of holly and +mistletoe, conspicuous, among many costly floral offerings, by its +simplicity. The card which accompanied it read, "To her Ladyship, from +the Candy Man," but this Mrs. Pennington had not seen. + +"Oh," answered her niece, "I don't know how to tell you who he is. He is +a stranger here--a Mr. Reynolds. I met him at Mr. Knight's, where you +remember I went to get some material for my paper for the Tuesday Club." + +This was all true, and, unaccompanied by a heightened colour, might +have allayed her aunt's lurking suspicions, born of that unexplained +interview in the park with some one who was not Augustus. + +Only once had Mrs. Pennington referred to this, asking half jokingly if +Margaret Elizabeth had ever discovered the identity of that person; +putting a somewhat disdainful emphasis upon "person." + +"Never," Margaret Elizabeth could at that time assure her, and she +added, "I do not expect to, and certainly do not wish to." + +Mrs. Pennington, however, had her intuitions in regard to this unknown +individual. She anticipated his reappearance, and, like a wise general, +in time of peace prepared for war. Keeping her vague fears to herself, +she increased her vigilance. + +Annoyed because of that uncalled-for blush, far away from the Little Red +Chimney, with fairy-tales forgot, Margaret Elizabeth repeated her aunt's +question. After all, who was Mr. Reynolds? That which had so lately +seemed an adventure compounded of kindliness and fun, she now beheld +only as an awkward situation. She began to feel that she had overstepped +the bounds in asking him to the Christmas tree; and the red stocking! +What nonsense! Why should she have felt concerned over his loneliness? +Were there not many lonely people in the world? Might he not infer from +it all a rather excessive interest in him and his affairs? Her interview +with Tim at the hospital, for instance, though it had come about by the +purest chance, looked on the surface as if she had been bent upon +investigating him. + +The Candy Man's offering, which she at first found so happily +significant and appropriate, now began to seem almost a piece of +presumption. It lay ignored if not forgotten, till its brown and +withered contents were tossed into the fire by one of the maids. Did +Miss Bentley wish her to save the basket? + +No, Miss Bentley cared nothing for it. Or, wait--she liked sweet grass, +and on second thought she would keep it. + +Never had the holiday season been so gay. There was not time for a +minute's connected thought. Margaret Elizabeth honestly tried to keep +her promise to stop and reflect for at least ten minutes a day, but +either she went to sleep, or fell into a waking dream that bore small +relation to the sober realities upon which she was supposed to dwell. + +There were guests at Pennington Park for the holidays--English friends +of her uncle and aunt, persons of a broader culture than Margaret +Elizabeth had ever before encountered. They afforded her an object +lesson of the best that accrues from wealth and tradition, and is only +to be attained by means of them. Within herself she was aware of an +aptitude of her own for these things. + +But half divining her niece's mood, Mrs. Gerrard Pennington skilfully +and subtly fostered it, and Augustus McAllister, with unexpected tact, +followed her lead. + +Augustus was genuinely in love, and it brought out the best that was +in him. For the first time in his life something resembling humility +manifested itself, a humility which sat gracefully upon the possessor +of variously estimated millions. It seemed to say: "Here is one who, +although not brilliant, may be led into any desirable path." And with +his other substantial attractions he combined his full share of good +looks. + +To be unresponsive was not in Miss Bentley's make-up, and the attentions +of Augustus assumed in these days a delicate and pleasing character. +What girl could be indifferent to the prestige born of the generally +accepted opinion that the position of mistress of the Towers was hers +for the word? + +In truth, all this homage--and Augustus was far from being alone in +it--was to Margaret Elizabeth an exciting game, that need not be taken +too seriously. It was only when she thought of the Candy Man that she +became serious and annoyed. How impossible, in the atmosphere of +Pennington Park, appeared any explanation or justification of so absurd +a position as his! + +[Illustration: COUSIN AUGUSTUS] + +When, after a morning recital by the Musical Club, Miss Bentley was seen +walking down the avenue with Augustus McAllister, society seized upon it +as confirming an interesting rumour. It was absurd, of course. Margaret +Elizabeth did it quite innocently. She really felt the need of exercise +in the open air, and could not very easily dismiss Mr. McAllister, who +had accompanied her aunt and herself to the concert, and who also felt +the need of air. + +Did she think of the Candy Man when they passed the Y.M.C.A. corner? +Yes, she did. Though she gave not so much as half a glance in the +direction of the Candy Wagon, she hoped he was not too busy to observe. +It might counteract possible false impressions in the past. + +A few days later there appeared in a column of the _Evening Record_, +given up to such matters, an item regarding the soon-to-be-announced +engagement of a certain charming and beautiful girl, only recently a +resident of the city, and a young man of wealth and social position. + +It brought Miss Bentley up short. She disliked newspaper gossip +extremely, and an allusion so faintly veiled that everyone must +understand, was under the circumstances most embarrassing, for the truth +was she had not been asked. Her cheeks burned. Yet it was thanks only to +some clever fencing on her part, and perhaps some words of caution to +Augustus from his mentor, that she had not been, and she knew in her +heart it must come soon. + +Just when you were having a good time and did not wish to be bothered, +it was tiresome to have to decide momentous questions, she told herself +almost fretfully, as she was borne swiftly and smoothly downtown one +afternoon. There was the usual detention at the Y.M.C.A. corner, and +Margaret Elizabeth looked out and almost into the Candy Wagon before she +knew it. But there was no cause for alarm. Beneath the white cap of the +Candy Man shone the round Irish countenance of Tim Malone. + +Was it Tim after all who had viewed her triumphal walk down the avenue? +The question brought not a hint of a smile to Miss Bentley's lips; and +this was a very grave symptom. + +If Uncle Bob had been within reach! But he wasn't. He had run down to +Florida to look after his orange grove, and Dr. Prue was up to her eyes +in grip cases. There was every reason why Margaret Elizabeth should stay +on at Pennington Park. + +So the Little Red Chimney had no chance to get in its work. In vain +Virginia looked from the dining-room window for its curling smoke. In +vain did the invalid sister of Miss Kitty, the dressmaker, dream of the +beautiful young lady who brought her roses. In vain did the postman and +the market-man inquire of Nancy when Miss Bentley was coming back. To +the Miser alone, who from his study window had also noted the deadness +of the Little Red Chimney, was the privilege of a word with the +enchantress accorded. It came about through Mrs. Gerrard Pennington's +interest in the furnishing of the new quarters of the Colonial Dames. + +Hearing of a desirable print owned by Mr. Knight, which it was +understood he might be induced to part with, she drove thither to +canvass the matter, accompanied by her niece. On the way they picked +up Augustus, who knew nothing of prints, but was pleased to join the +expedition. + +The Miser, beneath his grave courtesy, seemed taken aback by this +invasion of his solitude. Mrs. Pennington's conventional suavity plainly +embarrassed him. He smiled indeed at Margaret Elizabeth, remarking as he +spread out his engravings that it had been long since he last saw her. + +The impulse was strong upon her to follow him to his desk and ask if he +had any news of the Candy Man. There were moments when she thought it +strange she had had no word. These were but fleeting moments, however; +for the most part she succeeded, or thought she succeeded, in dismissing +him to the limbo of the past. So now she resisted the impulse to ask +news of him. + +When it came to negotiations Margaret Elizabeth and Augustus, leaving +Mrs. Pennington to conduct them, moved about the room, viewing the +Miser's curios. + +"Do you care for mezzotints?" she asked him. + +"I don't know the first thing about them," Augustus owned. "In fact +never saw one." + +She laughed. "Oh, yes, you have. Ever so many of the Reynolds and Romney +portraits were reproduced in mezzotint. If I am not mistaken there is +one hanging in your own hall." + +Augustus gazed at her in undisguised admiration. "I don't see how you +learn so much, Miss Bentley. I have no doubt I have a lot of things you +could help me to appreciate." + +From this dangerous ground she moved hastily, calling attention to the +portrait above the mantel. Mr. McAllister was more at home here. + +"A rattling good picture. General Waite, by the way," he informed her, +"was own cousin to my grandmother on my mother's side. My great +grandfather and his father were brothers, don't you know." + +"Indeed!" said Margaret Elizabeth, politely. The relationship did +not interest her, but she wondered, in annoyance, why the cousin of +Augustus, on his mother's side, should look down on her with the eyes of +the Candy Man. Stern eyes they were, with a sparkle of humour behind the +sternness. + +On the way home Mrs. Pennington was stirred to reminiscence. "One of +the first parties I ever attended was in that old house," she said. +"It must have been thirty-five years ago. I was a very young girl--barely +seventeen. General Waite was a most courtly man, and his wife was quite +famous for her beauty. It was there I met Mr. Pennington. He and the +general's nephew, Robert Waite, were great friends. They went to college +together. He disappeared strangely. I remember Gerrard was dread fully +upset about it at the time. It was just before our marriage." + +To all this Margaret Elizabeth only half listened. The eyes of the +general lingered reproachfully with her, and perhaps were at the bottom +of that policy of postponement with which Augustus was met when the +inevitable moment came. + +Just a little time was all she asked. Mr. McAllister was talking of a +trip to Panama; let him go, and on his return he should have his answer. + +Miss Bentley was very sweet as she spoke thus; eminently worth waiting +for. So Augustus went to Panama, and she was left to argue matters with +herself. + +During the process she grew pale. Mixed up with her arguments was that +foolish idea that she ought to have heard something from the Candy Man. +Had he seen that item in the _Evening Record_? + +Mrs. Pennington noticed the pallor, but treated it lightly. Margaret +Elizabeth was tired out, but now Lent was here she would rest. She was +worn to death herself, but she would recuperate, and surely her niece, +who was years younger, could do the same. She failed to take into +consideration the complications lacking in her own case. In fact, having +brought matters to the present status, Mrs. Pennington allowed herself +to relax. + +Mr. Gerrard Pennington looked at Margaret Elizabeth from beneath his +bushy brows. Confound them, what were they doing to her? She had a way +of joining him in the library, and sitting with a book in her lap, which +she seldom read. + +One day, laying down his paper, and after a cautious glance over his +shoulder, he remarked: "Did it ever occur to you, Margaret Elizabeth, +that you don't have to marry anybody?" + +She stared at him with surprised eyes, in which a smile slowly dawned. +"Why, Uncle Gerry, what do you mean? Of course I don't have to." + +"There is a great deal in suggestion," continued Mr. Pennington. "Keep +telling people a certain thing, confront them with it on all occasions, +and they will be influenced in spite of themselves; and it has occurred +to me----" + +"Yes?" said Margaret Elizabeth. + +"Well, that it applies in your case." Mr. Pennington cleared his throat. +"A certain person whom we know has behaved very well of late; better +than I thought was in him, but--unless you are pretty sure you can't +live without him--Now this is rank treason on my part, but don't be too +soft-hearted, Margaret Elizabeth." + +Mr. Pennington returned to his stock-market reports, and silence +reigned, but presently two hands rested on his shoulders, and a velvet +cheek touched his for a moment. "Thank you, Uncle Gerry," said Margaret +Elizabeth. + + + + +CHAPTER TWELVE + +_Which shows Miss Bentley recovering from a fit of what Uncle Bob +calls Cantankerousness; in which a shipwrecked letter is brought to +light, and Dr. Prue is called again to visit the child of the Park +Superintendent._ + + +"And he turned into a splendid prince (he had been one all the time +really, you know), and he laid all his riches at Violetta's feet, and +made her a princess, because she had been true to him through thick and +thin." + +Virginia's voice rose in triumphant climax. + +"That's all very fine in a fairy-tale, Virginia, and it is an extremely +good one for a little girl like you to make up out of her own head. But +you know in real life it is different." Margaret Elizabeth gazed +pensively into the fire. + +Virginia, prone upon the hearth-rug, was disposed to argue what she did +not understand. "How different?" + +"Well, in a fairy-tale you can have things as you want them, but in +real life you get tangled up in what other people want, and with duty +and common sense; and when you determine to follow your--" Margaret +Elizabeth was going to say "heart," but changed to "intuitions," "you +are left high and dry on a desert island." + +Virginia was to be excused if she failed to make head or tail of this. +"I wish the Candy Man would come back," she remarked irrelevantly. "He +was much nicer than Tim. He liked fairy-tales. He said he was coming +some time." + +"Oh, did he?" said Miss Bentley. + +The reference to a desert island, and a disposition to quarrel with +fairy-tales, go to show that while she was decidedly more like herself +than in the last chapter, her recovery was not yet complete. In fact +Margaret Elizabeth was suffering from the irritability that so often +accompanies convalescence. Cantankerousness was Uncle Bob's word for it, +and he defended it with all the eloquence of which he was master, his +finger on the page in the dictionary where it was to be found in good +and regular standing. + +It really did not matter what you called it; the point was, that in an +argument with her aunt, Margaret Elizabeth had gone further than she +intended; had said what had better have been left unsaid. This she +confessed to Dr. Prue. + +"Let me see your tongue," commanded that professional lady, regarding +her searchingly. + +Margaret Elizabeth displayed the unruly member, laughing as she did so. + +"What did you say to Mrs. Pennington?" + +"We were speaking," Margaret Elizabeth answered meekly, "of gratitude, +and Aunt Eleanor said, as you are always hearing people say, that there +is little or none of it in the world. You see, in some matter which came +up in the Colonial Dames, Nancy Lane sided against her. 'And after all +I've done for her!' cried Aunt Eleanor. I said I thought gratitude was +an overrated virtue anyway, and that to expect a person to vote your way +because you had been good to her, was a kind of graft." + +"Humph!" said Dr. Prue. + +"I know it was a dreadful, dreadful thing to say." Tears were in +Margaret Elizabeth's eyes. "When she has been loveliness itself to me. +There it is, you see. I have thought about it, and thought about it, +until I'm all mixed up." + +"What did your aunt say?" + +"She was very dignified. She had not expected to hear such a thing from +me. Then she walked away." + +"I hope you asked her pardon." + +"I had no chance. She has gone to Chicago--was on her way to the station +then. I will, of course." + +"For a young thing your ideas are not bad, though your problem is +entangled in foolish convention, personal pride and so on. But neither +you nor I was born to set the world right. Now cheer up and think no +more about it for the present. Be ready at two o'clock to go to the park +with me. The superintendent's child is ill again." + +Having delivered her prescription, Dr. Prue left, and her patient +returned to her hearth-stone and an endeavour to be honest with +herself. Virginia had interrupted this most difficult process with her +fairy-tale. While it could not be said to bear upon the situation, after +she had left Margaret Elizabeth was conscious of a faint lightening of +the fog. + +As they sped smoothly toward the park, in the new electric, Margaret +Elizabeth driving, Dr. Prue exclaimed, "There, I'm forgetting that +letter again." Unfastening her bag she held it open while she continued, +"I hope you'll forgive whoever is to blame, but when the hall was being +cleaned yesterday, James fished this out of the umbrella jar. Dear knows +how it got there or when; it looks as if it had been in a shipwreck." +She produced a stained and sorry-looking missive from her bag. "You can +just make out the address, the postmark is quite gone," she added, +laying it in her companion's lap. "You haven't missed an important +letter, have you?" + +"Not that I know of," Margaret Elizabeth replied with a laugh that was +a bit unsteady. "It is probably nothing of value." She kept her gaze on +the road ahead. "Just slip it in my pocket, please." + +All the rest of the way to the park her heart thumped uncomfortably. +Could it be? Of course not, it was an advertisement. Why get excited? +Meanwhile she chatted pleasantly with Dr. Prue. + +"All you need is fresh air and a simple life for a while. Your colour +has come back wonderfully," the doctor remarked as they drew up at the +cottage gate. "Will you wait for me here?" + +"If you don't mind, I think I'll go into the park, and if I'm not back +by the time you are ready, don't wait. I can take the street car." + +Turning in at the entrance to the park, Margaret Elizabeth was for a +fleeting moment aware of a Candy Wagon standing at the curb a few yards +away. There was nothing unusual in this except the odd way in which it +fitted into the situation, and the next moment she had forgotten +everything but the letter in her hand. + +She walked slowly down the path. The April sunshine sifted through a +faint and feathery greenness overhead, the air was clear and fresh. She +was thinking that she had seen just one little scrap of the Candy Man's +writing--on the card accompanying the Christmas basket; and this on the +letter was blurred and stained, yet she was sure of it. He had written. +She had been sure he would. She was glad. She would be honest with +herself. She wanted him for a friend. In many ways she liked him better +than any one she had met this winter. She wanted to know more about him. + +She tried to tear the letter open, but for all it was so damaged the +paper had remained tough. She would wait to read it till she reached the +summer house. That little vine-hung arbour had been in her thought ever +since Dr. Prue proposed to bring her down to the park. She had a foolish +desire to sit there and look at the river, and go on being honest with +herself. + +Margaret Elizabeth, mounting the steps and looking at her letter as she +did so, was confronted by somebody who started up in surprise from the +bench where she had sat with her flowers that autumn day. + +For one surprised moment she and the stranger faced each other, then +Miss Bentley exclaimed, "I saw the wagon at the gate, but I didn't know +it was yours." And then the mischief faded into simple honest gladness +as she held out her hand. "I certainly did not expect to see you," she +added, "but you are an unexpected sort of person." + +"Nothing so wonderful as the chance of meeting you occurred to me for a +moment," the Candy Man assured her. "In fact I was not certain you cared +to see me." Those same pleasant eyes, so emphatically not the eyes of +Augustus, looked into hers questioningly. + +Margaret Elizabeth held up the letter. "It was shipwrecked," she said. +"I got it only a few minutes ago. I haven't read it. I thought it was +you who didn't care to be friends." + +The Candy Man did not exactly understand how a letter could be +shipwrecked in an overland journey of ten hours, but he dismissed it as +of no importance. "It isn't worth reading now," he said. "It was just +to make my adieus and ask if some time when I had lived down my past," +here he smiled, "I might come back and tell you my strange story. I was +counting on your willingness to be friends. You remember you said it +would do no harm to hope." + +"Oh, did I? And when you did not hear from me, what did you think? +Honestly," asked Margaret Elizabeth. + +"I thought of course there must be a reason. A shipwreck did not occur +to me." + +"Do you mean a reason for not being friends? But you came." + +"The suspense was too much for me. I haven't many friends; and besides, +this is on the way to Texas." + +"So you are going to Texas this time?" + +It seemed the Candy Man had heard of an opening there. + +Margaret Elizabeth wanted to ask why he had come to the park, but +something told her not to; instead she said, looking away to the shining +river, "I know of no reason why we should not be friends. So I am ready +to hear the story you speak of. Is it more strange than the adventures +of a Candy Wagon?" Her eyes came back and met his as they had done the +day when the conversation turned upon fairy godmothers. Margaret +Elizabeth was not spoiled. + +"It is more serious," was his reply. "In fact, it is very serious. +The Candy Wagon was a mere episode. What I wish to tell you now goes +deeper." + + + + +CHAPTER THIRTEEN + +_In which the Candy Man relates his story, and the Miser comes upon +Volume I of the shabby book with the funny name._ + + +"I want you to know all about me," began the Candy Man, taking from his +pocket the shabby little book Virginia had once remarked on, "so there +may be no more wrong impressions." + +They sat in the sunshine on the top step of the little pavilion, facing +the river. Margaret Elizabeth, supporting her chin in her hand, regarded +him gravely. The west wind was cool on their faces. + +"I have often imagined myself telling you," he went on. "Not that there +is much to it, besides its strangeness. In fact, to be brief, I don't +know who I am." + +The surprise in Miss Bentley's eyes caused him to add quickly: "Not that +I am a foundling. But my father and mother were lost at sea when I was +three years old. We were coming from Victoria to San Francisco, when the +steamer went down. Only a few of the passengers were saved, I among +them." + +"How sad and terrible!" cried Margaret Elizabeth. "Can you remember it? +How lost and lonely you must have been! Poor little child!" + +"I recall it only in a vague way," he answered, "confused with what has +since been told me. When it was known that my parents were lost, a man +and his wife, fellow passengers, offered to adopt me. Beyond the name +'Robert Deane, Wife and Child,' on the list at the ship's office, they +were unable to learn anything about me, and I was too young and +bewildered to give any clue." + +"That is very strange," said Margaret Elizabeth. "Your new father and +mother were kind to you?" + +"So kind I soon forgot the terror and loneliness, and grew happy and +content. Everything was done to make me forget, and I think while they +made every effort to find out something about me, they were glad when +they failed. I wish now that my childish memories might have been +fostered, for I find myself reaching back into a mist full of vague +shapes. + +"My new father was a civil engineer, whose work took him here, there and +everywhere throughout the broad West. I never knew a permanent home. My +adopted mother died when I was twelve. After that came boarding school +and college. About the time I left college my father's health failed, +and for several years he was helpless and very dependent upon me, so +I gave up my plan of entering a mining school. + +"It was during his illness that he began to speak to me of my own +parents. He had talked to them on several occasions during the voyage, +and he described them as young people of refinement and education. My +mother, he thought from her speech, was English. They rather held aloof, +he said, and seemed disinclined to mention their own affairs. While he +was ill the news came to us of the finding in a storage warehouse in San +Francisco of an old trunk which it seemed probable had belonged to my +parents. Without going into detail, I may say it was through an old +acquaintance of my adopted father's, who knew the circumstances of my +adoption, that we heard of it. He had some interest in the warehouse, +which was about to be torn down and rebuilt. This trunk was found in +some forgotten corner where it had lain for twenty-five years." + +"And did it throw any light?" asked Margaret Elizabeth. + +"Not much, it rather deepened the mystery. There was little of +significance in it, but this book and a package of letters. From them I +learned nothing definite, but gathered the unwelcome probability that my +father was under some sort of cloud, and was not using his real name. +This was a matter of inference--of deduction, largely, but it was plain +he had left his home in some sort of trouble. + +"It is not easy to piece together scattered allusions, when you have no +clue. The letters were most of them written by my father to my mother, +just before and soon after their marriage, with one or two from her to +him. One of these, which I found between the leaves of this little book, +I want you to read. It concludes my story, and to my mind lightens it a +little." + +The letter the Candy Man held out to Margaret Elizabeth was written on +thin paper, in a delicate angular hand. + +"Ought I to read it?" she demurred. "Are you sure she would like it?" + +"Somehow I am very sure," he answered. "And I feel that it will be a +grip on our friendship. I have told you the worst, I wish you to know +the best of me." + +She acquiesced, and, an elbow on her knee, shading her eyes with her +hand, she read the letter, whose date was thirty years ago. Far back +in the past this seemed to Margaret Elizabeth, yet it was a girl like +herself who wrote. + +The first sentences were almost meaningless, so strong was the feeling +that she had no right to be reading it at all, but as she went on she +forgot her scruples. It was evidently a reply to a letter from her lover +in which he had spoken of the cloud that hung over his name, and it was +a confession of her faith in him, girlish, sweet and tender. "I trust +you, Robert," it said. "It is in you to do heedless things, to be +reckless, if only because you are young and eager and strong; but it +is not in you to be dishonourable; of this I am as certain as I am of +anything in life. Some day the truth will be known and you will be +cleared, but whether it is or no, I choose to walk beside you. I choose +it gladly, happily. I write the words again, gladly, happily, Robert. +Yours, Mary." + +"Oh!" cried Margaret Elizabeth, lifting a glowing face, "I love Mary." + +"She was brave and unselfish," said the Candy Man. + +Margaret Elizabeth nodded. "Yes, that is one side of it. Still, you see, +she was sure, and it was, as she says, a joy to cast in her lot with +him. 'Gladly, happily.'" Her eyes shone. She gazed far away down the +river. The wind blew little tendrils of bright hair across her cheek. +"It must be so when you care very much," she went on. + +"But," argued the Candy Man, "under the stress of very noble feeling +people sometimes do foolish things, do they not?" + +"But this was not. Do you think for a moment Mary ever regretted it? +I see what you mean by the best of you. It is something to have such +credentials." Margaret Elizabeth's gaze met the Candy Man's, and her +eyes were deep as they had been on Christmas Eve, in the firelight. + +Oh, Margaret Elizabeth, it is your own fault, for being so dear, so +unworldly! Could you, can you, cast in your lot with an unknown Candy +Man? He has no business to ask you. He did not mean to, but only to +prepare the way. He knows he is no great catch, even from the point of +view of a Little Red Chimney. These are not the precise words of the +Candy Man, but something like them.... + +So absorbed was Margaret Elizabeth in the thought of Mary, she was a bit +slow in taking in their meaning. She gave him one startled glance, and +then looked down, as it happened, upon the shabby little book which lay +on the step between them. Absently she drew it toward her, and with +fingers that trembled, opened it, as if to find her answer in its pages. +Then a smile began faintly to curl about her lips, and she read aloud +from the book: + + _"What we find then to accord with love and reason, that we may + safely pronounce right and good."_ + + +"Judged at the bar of reason I fear my case is hopeless," protested the +Candy Man, putting out his hand to close the book. + +But Margaret Elizabeth clasped it to her breast. "I see nothing +unreasonable in it," she declared stoutly. As she spoke a faded crimson +flower fell in her lap. + +Somewhat later in the afternoon, Miss Bentley and the Candy Man, +walking together along the river path, had they not been so engrossed +in their own affairs, might have recognised the tall, stooping figure +of the Miser strolling slowly ahead of them. It was for a minute only, +for near a turn in the path he bent forward and disappeared in a thicket +of althea bushes. At this season it was not a dense thicket, and Mr. +Knight, poking in the soft mould with his cane in search of a certain +tiny plant, had no thought of hiding, but, as it chanced, was unobserved +by his friends. + +"Oh, Margaret Elizabeth," her companion was saying as they passed, "you +are so dear! I have no business to be telling you so, but indeed I can't +help it." + +And she with a little laugh replied: "I am glad you can't, Candy Man." +And the next moment they were gone around the turn. + +That was all, but it was enough. What rarer flower was likely to come +the Miser's way, on this or any day? + +He stood and looked after them. These two had brought into his grey +life the touch of golden youth. He began to tremble under the force +of a wonderful thought. He sought a bench and sank upon it. It would +be a solution of his problem. He had come out to-day into the spring +sunshine, feeling his burden more than he could bear, for in his pocket +was a letter which put an end to the hope he had long cherished of at +length righting a great wrong. + +There must be a way of doing what he wished. The consent of the Candy +Man once gained, that hateful fortune, which through these years had +been slowly crushing him, might become a minister of joy and well being, +might make possible for others those best things of life that he had +missed. + +The thought thrilled him. He rose and walked on, back to the pavilion, +where he paused again to rest. There on the step lay the shabby book +with the funny name and the small oval bit cut from the fly leaf, +beneath which was the Candy Man's name, Robert Deane Reynolds. + + + + +CHAPTER FOURTEEN + +_Shows how Mrs. Gerrard Pennington, unhappy and distraught, beseeches +Uncle Bob to help her save Margaret Elisabeth; also how Mr. Gerrard +Pennington comes to the rescue, and how in the end his wife submits +gracefully to the inevitable, which is not so bad after all._ + + +When Mrs. Gerrard Pennington was shown into the room of the Little Red +Chimney, there was nobody there. A chilly wind outside, which dashed +the rain against the windows, only served to call attention to the +pleasantness within. It was indeed an aggressively cheerful room, +entirely out of keeping with Mrs. Pennington's mood. The open piano, +the row of thrifty ferns on the window-sill, the new novel on the table +with a foreign letter between its leaves, and the work basket beside +it--which, by the way, was of sweet grass--all sang the same song to +the accompaniment of the fire's quiet crackle. + +The burden of the song was Margaret Elizabeth. You saw her sitting bolt +upright on the sofa, being very intense about something, or lost in +thought, elbows on knees, on the ottoman beside the hearth, or occupied +with that bit of embroidery, her curling lashes almost on her cheek. Oh, +Margaret Elizabeth, how could you? How could you? + +Mrs. Pennington, pacing uneasily back and forth, glanced at the music on +the piano rack. + + "Oh, stay at home, my heart, and rest, + Home-keeping hearts are happiest," + +it admonished her. In this disarming atmosphere she began to feel +herself the victim of some wretched dream. Yet here in her bag was +Margaret Elizabeth's note, found awaiting her on her return from Chicago +an hour ago. + +In it her niece apologised contritely for the inexcusable manner in +which she had spoken, and continued: "It makes me unhappy, dearest +Aunt Eleanor, to think of disappointing you, for you have been the +kindest aunt in the world, but I have discovered in the last few +days what I ought to have known all along, that I cannot marry Mr. +McAllister. The reason is there is some one else. He is neither rich +nor of distinguished family, but there are things that count for more, +at least to me. I shall see you very soon, and explain more fully. +In the meantime think kindly, if you can, of your niece, + +MARGARET ELIZABETH." + +[Illustration: MRS. GERRARD PENNINGTON] + +This as it stood was bad enough, wrecking her dearest hopes at the +moment when they had seemed most secure; but taken in connection with +a story related in artless innocence by her travelling companion of +yesterday, Teddy Brown, to use one of that gentleman's cherished +phrases, it spelled tragedy. + +The Reporter had not been bent on mischief. Far from it. He was merely +grappling bravely with the task of being agreeable to the great lady. +Surely it was but natural that in the course of a long conversation the +Candy Man's curious resemblance to Augustus should suggest itself as a +topic; and given a gleam of something like interest in his companion's +eyes, it was easy to continue from bad to worse. + +He lived in the same apartment house as Virginia, and from her he +had heard of the Christmas tree, and the Candy Man's presence on the +occasion; also of that old accident on the corner in which the Candy +Man had figured as Miss Bentley's rescuer. No wonder those intuitions +regarding a person who was not Augustus should have risen to torture +Mrs. Pennington. All this circumstantial evidence was very black against +Margaret Elizabeth, seemingly so honest and frank. No wonder Mrs. +Pennington was distraught. + +Meanwhile, wherever her heart might be, Margaret Elizabeth herself +was out. Uncle Bob, coming in, paper in hand, to greet the visitor +cordially, could not imagine where she had gone, and peered around the +room as if after all she might have escaped their notice. If she wasn't +in, he was confident she would be, in the course of a few minutes, which +confidence was not a logical deduction from known facts, but merely an +untrustworthy inference, born of his surprise at finding her out at all. + +Placing a chair for Mrs. Pennington, he took one himself and regarded +her genially. Some minutes of polite conversation followed, in the +course of which Mrs. Pennington, concealing her agitation, spoke of her +journey to Chicago in quest of colonial furnishings. Mr. Vandegrift in +his turn brought forward Florida and orange groves. + +But Margaret Elizabeth delayed her coming, and Mrs. Pennington could +stand it no longer. "Mr. Vandegrift," she began, after the silence that +followed the last word on oranges, "I regret that my niece is not here, +yet it may be as well to speak to you first. I may say, to make an +appeal to you. You are, I am sure, fond of Margaret Elizabeth." She +played nervously with the fastening of her shopping bag. + +Uncle Bob looked at her in surprise, then at the toe of his shoe. "I +think I may safely admit it," he owned, crossing his knees and nodding +his head. + +"Then, Mr. Vandegrift, I beseech you, with all the feeling of which I am +capable, to unite with me in saving this misguided girl." At this point +all her intuitions and fears rallied around Mrs. Pennington, and gave a +quiver to her voice. + +Uncle Bob was astonished at her tone, and said so. + +"I assure you, Mr. Vandegrift, I have her own word for it." She produced +a note from her bag. + +"Her word for what?" he asked. + +"Why, for--oh, Mr. Vandegrift, let us not waste time in futile fencing. +You must know that Margaret Elizabeth has deceived me; has been guilty +of base ingratitude; has been meeting clandestinely a person--a mere +adventurer. I can scarcely bring myself to say it. My brother Richard's +daughter!" Mrs. Pennington had recourse to her handkerchief. + +Uncle Bob uncrossed his knees and sat bolt upright. "Madame," he +exclaimed, "I am sorry for your distress, whatever its cause, but let me +assure you, you are under some grave mistake. My niece has met no one +clandestinely, and is incapable of deceit and treachery." + +"Do I understand then that it was with your connivance?" + +"I have connived at nothing, Madame, and I know of no adventurer." Uncle +Bob took his penknife from his pocket and tapped on the table with it. +His manner was legal in the extreme. He was enjoying himself. + +Mrs. Pennington looked over her handkerchief. "But she says, +herself----" + +"Says she has been guilty of deceit and treachery? Has been meeting an +adventurer clandestinely? Pardon me, but this is incredible." + +"What is incredible, Uncle Bob?" came a voice from the half-open door, +unmistakably that of the accused. "I'll be there as soon as I get off my +raincoat," it added. + +"It is hopeless to try to make you understand," Mrs. Pennington almost +sobbed, the while sounds from the hall indicated that some one beside +Margaret Elizabeth was removing a raincoat. A horrible dread suddenly +smote her, lest it be that person. A sleepless night and her distress +had unnerved her. She felt herself unequal to the encounter. + +She glanced about helplessly for a way of escape, but there was none. +"Tell him not to come in. I cannot see him now," she begged tragically +of Uncle Bob, who, honestly mystified now, stood between her and the +door, looking from it to her. + +"She says not to come in," he repeated to Margaret Elizabeth's +companion, who was following her in. + +"Why, Aunt Eleanor, I didn't know it was you! They told me your train +was late. And oh, what is the matter? What are you crying about? Is it +I?" Margaret Elizabeth, with raindrops on her hair, knelt beside her +aunt and embraced her, pressing a cool cheek against that lady's +fevered one. + +Mrs. Pennington, her face hidden in her hands, continued to murmur, "I +cannot see him. I cannot see him." + +"In the name of heaven, Eleanor, why can't you see me? Why must I not +come in?" demanded a familiar voice which brought her to with a shock. + +"Gerrard!" she cried, in her surprise revealing a sadly tear-stained +countenance. + +Uncle Bob beat a retreat into the hall, where he paused, chuckling to +himself. + +"Certainly it is I. Who should it be?" said her husband, taking a seat +beside her. "Why are you making such a sight of yourself, my dear? When +I telephoned out to know if you had arrived, they said you had and had +gone out again immediately, no one knew where. I came out to talk over +some business with William Knight, and when I was leaving I saw your car +over here, and thought I'd join you; but if my presence is unbearable, +I will withdraw." Mr. Pennington smiled at Margaret Elizabeth. + +"Don't be silly, please, I have had a most trying day. I don't expect +you to understand." + +Mrs. Pennington was recovering her poise. There was something +irresistibly steadying in her husband's matter-of-fact statement, and in +the sight of her niece sitting back on her heels and looking up at her +with lovely, solicitous eyes. Treachery and deceit became meaningless +terms in such connection. + +"You haven't given us a chance to understand, Eleanor. What is the +trouble?" Mr. Pennington demanded. + +"Uncle Gerry, I am afraid it is I," said Margaret Elizabeth, picking up +the note from the floor where it had fallen. "I am sorry, you know I am, +that I can't do as she wishes, but you understand that I can't. Tell +her, please, that I did honestly try to think I could, but it wasn't of +any use." + +"Oh, come now, Eleanor, if that is it, of course we wanted Margaret +Elizabeth up at the Park; but the young people of this generation like +to manage their own affairs, as we did before them." Mr. Pennington +looked quizzically at his niece. "She's been getting up a bit of +melodrama for our benefit, that's all. If you will pardon the +suggestion, my dear, I think possibly it is you who do not understand." + +Margaret Elizabeth, rising from her lowly position, threw him a kiss +over her aunt's head. + +"How can I be expected to, with everything shrouded in mystery?" cried +Mrs. Pennington. "Why have I never heard of this person before? Why was +I left to be told dreadful things by a reporter?" + +"A reporter!" cried Margaret Elizabeth, in her turn aghast. + +"Nonsense! If you heard anything dreadful you know Margaret Elizabeth +well enough to know it was not true. But how in the world could a +reporter have got hold of it?" + +"You speak so confidently, Gerrard, tell me, what do you know about this +man?" Mrs. Pennington looked from her niece to her husband. "Margaret +Elizabeth seems to have completely won you to her side," she added. + +"It is really a very strange story, Eleanor, and to begin at the end of +it, we have quite sufficient evidence, in my opinion, to prove that he +is the son of my old comrade, Robert Waite." + +Mrs. Pennington fixed surprised eyes upon her husband. Margaret +Elizabeth sat down and folded her hands in her lap. + +"You recall how Rob disappeared, without a word to any of his friends? +It was not till some years after the general's death that I had the +least clue to it; then William Knight came to me to know if I could +give any help in tracing him. He owned that there had been some trouble +between General Waite and Robert, and that the latter had been unjustly +treated. I couldn't give him any assistance, and I never discussed it +with him again. Knight was always close-mouthed, and it was only the +other day that I learned what the trouble was. It seems the general +suspected his nephew of taking a large sum of money from the safe in his +library. It was one of those cases of complete circumstantial evidence. +Rob was known to have lost money on the races. He was the only one +beside the general himself who had access to the safe, and who knew that +this money, several thousand dollars, was there at this time. That is, +so it was supposed. + +"Knowing them both, one can easily understand the outcome. Robert +disappeared, and a few years later, when the general died, he left his +fortune to William Knight, his wife's nephew. Then after some little +time the real thief turned up. I won't go into that, further than to +say that it was through a deathbed confession to a priest. Since then +Knight has been searching far and wide for some trace of Robert, only +to receive last week the evidence of his death twenty-five years ago. +And now comes the strange part of the story. The very day on which +he received this news, Knight came by chance upon a book which he +recognised as once the property of Robert Waite. The owner's name was +cut from the fly leaf, but below it was written the name of a young +man whose acquaintance he had made last winter, Robert Deane Reynolds. +Deane was Rob's middle name, so naturally it led to an investigation." + +Mr. Pennington looked over at Margaret Elizabeth. "Have I told a +straight story?" he asked. + +"There were letters, you know," she prompted. + +"Oh, yes. This young man had letters which I could have identified +anywhere." + +Mrs. Pennington was interested. She asked questions. That absurd story +about a Candy Wagon was untrue then? But how had Margaret Elizabeth met +this person? She still referred to him as a person. And somehow the +united efforts of Margaret Elizabeth and Mr. Pennington failed to clear +up the mystery, though they did their best. + +Even if the Candy Wagon episode was to be regarded as humorous, though +it did not present itself in that light to Mrs. Pennington, how could +Margaret Elizabeth have asked a Candy Man to her Christmas tree? + +"But you see, by that time I knew he wasn't real, Aunt Eleanor, and +anyway--" + +"Now go slow, Margaret Elizabeth," cautioned her uncle. "At heart you +are a confounded little socialist, but take my advice and keep it to +yourself." He was thinking of what she had said to him only the day +before: "You see, Uncle Gerry, you can't have everything. You have +to choose. And while I like bigness and richness, I like Little Red +Chimneys and what they stand for, best. I want to be on speaking terms +with both ends, you see." + +"It is odd," Mr. Pennington went on, "the tricks heredity plays, and +that this young man and Augustus McAllister should both hark back to a +common ancestor for their general characteristics of build and feature. +I was struck with the resemblance, myself." + +"It was what first attracted me," owned Margaret Elizabeth demurely. + +The name of Augustus still had painful associations for Mrs. Pennington. +She rose. "Really we must be going," she said. At some future time she +felt she might be able to meet Mr. Reynolds or Waite, or whatever his +name was, with equanimity, but now she was thankful to hear he had gone +back to Chicago for some papers. + +She received Margaret Elizabeth's farewell embrace languidly. "Since +there is such weight of authority in your favour, and matters have +developed so strangely, there is nothing for me to say. I dislike +mystery, and prefer to have things go on regularly and according to +precedent. It is your welfare I have at heart." + +Mr. Pennington's good-by was different. + +"I don't wonder you like it down here, Margaret Elizabeth--this room, +you know," he said. + +As they drove homeward Mrs. Pennington was engaged in mentally +reconstructing affairs. "Of course," she heard herself saying, "it was +a disappointment to me, but romantic girls are not to be controlled by +common-sense aunts, and really it might be worse." And she remarked +aloud: "The fact that he is a nephew of General Waite means something." + +"That's so," assented her husband. "Something like half a million. +Old Knight is determined to hand it all over." He smiled to himself, +then added: "He came to see me--the young man, I mean. I liked him. +He suggested Rob a little without resembling him. Very gentlemanly; +nice eyes." + + + + +CHAPTER FIFTEEN + +_In which the Fairy Godmother Society is again mentioned, among other +things_. + + +"But it is really embarrassing when I had made up my mind to marry a +poor Candy Man to have it turn out so. I rather liked defying common +sense," said Margaret Elizabeth. + +The Candy Man had made a hurried journey to Chicago, and was back before +the rain was over, and while it was still cold enough for a fire, so +that his old dream of sometime sitting by the Little Red Chimney's +hearth was coming true. Margaret Elizabeth in the blue dress, by +request, though she declared it wasn't fit to be seen, occupied the +ottoman, her elbows on her knees, the firelight playing in her bright +hair. + +"It is the way it happens in fairy-tales," urged the Candy Man. "And I +really couldn't help it." + +"Of course you are right," she agreed. "As Virginia's story runs, 'He +turned into a prince, and because Violetta had been true to him through +thick and thin, he made her a princess.' Anyhow, Candy Man, I'm glad I +chose you before your good fortune came." + +"It was an extremely venturesome thing to do, Girl of All Others, as +I have told you before, though immensely flattering to me. I have to +take the money, there is no way out of it. I believe it would break our +Miser's heart if I refused. Do you know what he was proposing to do +before he found the book?" + +"What?" asked Margaret Elizabeth. + +"To adopt me. You see we had come to be pretty good friends last +winter, and I think he suspected from the start that I had rather lofty +aspirations for a Candy Man. In a Little Red Chimney direction--you +understand?" + +"Perfectly--go on." + +"Well, he saw us in the park----" + +"And his suspicions were confirmed, I suppose," put in Margaret +Elizabeth, coolly. + +"Exactly. And knowing from what I had told him previously that I had +my fortune to seek, it occurred to him that as the channel he had been +hoping for had been closed, the next best thing would be to make it +possible for two young persons to----" + +"The dear old Miser!" interrupted Margaret Elizabeth. "But why is he so +unwilling to use the money himself? It is honestly his." + +"I may not fully understand, but I think from things he has said, that +as a boy he was jealous of my father. This feeling would naturally make +him, when it came to the test, not unwilling to believe in his guilt. +Then, being reticent and introspective, he magnified all this a +thousandfold when the truth came out, and he realised he had profited by +the unjust suspicion. By dwelling upon it he came to feel as if he had +actually obtained the money himself by unfair means. But I am convinced +that if he did encourage his uncle to believe in my father's guilt, it +was because he firmly believed it himself. Never since the facts were +known has he regarded the money as his, and not until he had almost +exhausted his own means in the effort to trace the rightful owner, as +he regarded him, did he use a penny of it." + +"It is so touching to see his surprise and gratitude that I do not feel +resentful toward him," added the Candy Man. "His joy at handing over +this fortune is wonderful. He already looks a different man." + +"We must make it up to him in some way," said Margaret Elizabeth. "I +mean for all these lonely years. Speaking of money, I'll tell you what +I have been thinking. When we build our house, as I suppose we shall +some day, when we come back from our search for the Archaeologist----" + +"By all means. That is one mitigating circumstance. We can build a +house," responded the Candy Man. + +"Well, as I was going to say, we must have a Little Red Chimney. The +house will be broad and low," she extended her arms, "and with wings; +I love wings. One of them shall have a Little Red Chimney all its own. +It shall stand for our ideals. If we should be tempted to a sort of life +that separates us from our fellows, it will remind us, you, that you +once sat in a Candy Wagon, me, that I fell in love with a Candy Man. And +I'll tell you what, speaking of the Miser. Don't you remember? It was he +you meant that day when we were talking about the Fairy Godmother +Society, and----" + +Of course the Candy Man remembered. + +"Then, let's organise and make him chief agent while we are gone. I know +of a number of things to be done." + +"So do I," said the Candy Man. "There is my fellow lodger, the one I +told you about, a teacher in the High School. He needs a real change +this summer, he and his wife." + +"Oh, I am sure we can work it out," cried Margaret Elizabeth. + +"I am sure we can," he assented. + +"You see it will begin where organised charity leaves off, of necessity. +Also where that can't possibly penetrate, and it will be singularly +free, because secret." + +"Again you sound like the minutes of the first meeting," said the Candy +Man. + +"Margaret Elizabeth!" + +It was Uncle Bob's voice at the door. "I hate to disturb you, but that +old bore at the club wants your father's address." + +"You aren't disturbing. Come in and hear about the Fairy Godmother +Society." + +"You don't mean really?" Uncle Bob stood before the hearth and looked +from his niece to the Candy Man. + +"Indeed we do," she answered. "You see we have ten times as much money +as we thought we had. So why not?" + +"Quite correct, as we thought we hadn't any," murmured the Candy Man. + +Uncle Bob rubbed his hands in delight. "I told Prue you'd do something +of the sort; that you wouldn't just settle down to be ordinary rich +people. But Prue says riches bring caution." + +Margaret Elizabeth, going to her desk for the address, laughed. "We +aren't going to forget our humble beginning," she said; "and we'll act +quickly before we are inured to our new estate." + +"But then, you know, there is another side to it," her uncle interposed, +in a sudden access of prudence. "You must consider the matter carefully +with an eye to the future. For instance now, there may be heirs." + +A silence fell. The fire crackled, and the clock ticked with unusual +distinctness. Then Margaret Elizabeth spoke. + +"Here's the address," she said. "I'll put it in your pocket, where you +can't forget it." And as she tucked it in, she added, stoutly, with a +lovely deepening of the colour in her cheek: "If there are, Uncle Bob, +they will be fairy god-brothers and sisters, so it will be all right." + +It was after the door had closed upon Uncle Bob, and Margaret Elizabeth +was back on her low seat again, that the Candy Man left his chair and +sat on the rug beside her. "Girl of All Others, is there any one else +in the world as happy as I?" he asked. + +Margaret Elizabeth smiled at him with eyes that answered the question +before she spoke. Then she said, slipping her hand into his, "One +other." + + +THE END + + + + + + + + + + +End of Project Gutenberg's The Little Red Chimney, by Mary Finley Leonard + +*** END OF THIS PROJECT GUTENBERG EBOOK THE LITTLE RED CHIMNEY *** + +***** This file should be named 15406.txt or 15406.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/5/4/0/15406/ + +Produced by Kentuckiana Digital library, David Garcia and the Online +Distributed Proofreading Team. + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/15406.zip b/15406.zip Binary files differnew file mode 100644 index 0000000..b24b6d8 --- /dev/null +++ b/15406.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..8a71866 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #15406 (https://www.gutenberg.org/ebooks/15406) |
