diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 16522-h.zip | bin | 0 -> 3810590 bytes | |||
| -rw-r--r-- | 16522-h/16522-h.htm | 1794 | ||||
| -rw-r--r-- | 16522-h/images/035b.png | bin | 0 -> 5292 bytes | |||
| -rw-r--r-- | 16522-h/images/036a.png | bin | 0 -> 15754 bytes | |||
| -rw-r--r-- | 16522-h/images/036b.png | bin | 0 -> 20915 bytes | |||
| -rw-r--r-- | 16522-h/images/036c.png | bin | 0 -> 16925 bytes | |||
| -rw-r--r-- | 16522-h/images/038.png | bin | 0 -> 8371 bytes | |||
| -rw-r--r-- | 16522-h/images/colgate.jpg | bin | 0 -> 18939 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-03-tb.png | bin | 0 -> 41292 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-03.png | bin | 0 -> 138751 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-04.jpg | bin | 0 -> 16588 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-05-tb.jpg | bin | 0 -> 73513 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-05.jpg | bin | 0 -> 230986 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-07.jpg | bin | 0 -> 70972 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-09-tb.jpg | bin | 0 -> 83600 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-09.jpg | bin | 0 -> 269849 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-10.jpg | bin | 0 -> 62989 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-11.png | bin | 0 -> 171649 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-13.png | bin | 0 -> 113689 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-14.png | bin | 0 -> 22218 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-15-tb.jpg | bin | 0 -> 68828 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-15.jpg | bin | 0 -> 205309 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-16-tb.jpg | bin | 0 -> 95365 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-16.jpg | bin | 0 -> 203010 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-17-tb.png | bin | 0 -> 62193 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-17.png | bin | 0 -> 176615 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-19-tb.png | bin | 0 -> 52606 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-19.png | bin | 0 -> 149199 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-21-tb.jpg | bin | 0 -> 68035 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-21.jpg | bin | 0 -> 191764 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-23-tb.jpg | bin | 0 -> 93138 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-23.jpg | bin | 0 -> 144575 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-25.png | bin | 0 -> 45805 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-27-tb.png | bin | 0 -> 53534 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-27.png | bin | 0 -> 162444 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-28-tb.png | bin | 0 -> 57053 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-28.png | bin | 0 -> 105808 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-29.jpg | bin | 0 -> 45537 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-30-tb.jpg | bin | 0 -> 82302 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-30.jpg | bin | 0 -> 211851 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-32.png | bin | 0 -> 90672 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-34.png | bin | 0 -> 58068 bytes | |||
| -rw-r--r-- | 16522-h/images/illus-34music.png | bin | 0 -> 75704 bytes | |||
| -rw-r--r-- | 16522-h/images/motif.jpg | bin | 0 -> 9837 bytes | |||
| -rw-r--r-- | 16522-h/images/pointingfinger.jpg | bin | 0 -> 8722 bytes | |||
| -rw-r--r-- | 16522-h/images/printingpress.jpg | bin | 0 -> 21993 bytes | |||
| -rw-r--r-- | 16522-h/images/title.png | bin | 0 -> 107156 bytes | |||
| -rw-r--r-- | 16522.txt | 1678 | ||||
| -rw-r--r-- | 16522.zip | bin | 0 -> 27997 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
52 files changed, 3488 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/16522-h.zip b/16522-h.zip Binary files differnew file mode 100644 index 0000000..fa56de5 --- /dev/null +++ b/16522-h.zip diff --git a/16522-h/16522-h.htm b/16522-h/16522-h.htm new file mode 100644 index 0000000..47d41a6 --- /dev/null +++ b/16522-h/16522-h.htm @@ -0,0 +1,1794 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-stransitional.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of The Nursery, A Monthly Magazine for Youngest Readers. + No. 106. OCTOBER, 1875. Vol. XVIII. + + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + hr.small {width: 20%; margin-top: 0em; margin-bottom: 0em; } + table {margin-left: auto; margin-right: auto;} + body{margin-left: 10%; + margin-right: 10%; + } + .author {text-align: right; margin-right: 5%; font-variant: small-caps;} + .center {text-align: center;} + .smcap {font-variant: small-caps;} + img {border:0;} + .figcenter {margin: auto; text-align: center;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top: + 1em; margin-right: 1em; padding: 0; text-align: center;} + + .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em; + margin-top: 1em; margin-right: 0; padding: 0; text-align: center;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span {margin: 0; padding-left: 3em; text-indent: -3em;} + .poem span.i0 {display: block; margin-left: 0em;} + .poem span.i1 {display: block; margin-left: 1em;} + .poem span.i2 {display: block; margin-left: 2em;} + .poem span.i4 {display: block; margin-left: 4em;} + .poem span.i6 {display: block; margin-left: 6em;} + --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Nursery, No. 106, October, 1875. Vol. +XVIII., by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Nursery, No. 106, October, 1875. Vol. XVIII. + A Monthly Magazine for Youngest Readers + +Author: Various + +Release Date: August 13, 2005 [EBook #16522] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NO. 106 *** + + + + +Produced by Juliet Sutherland, Janet Blenkinship and the +Online Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + + +<div class="figcenter"><img src="images/title.png" width="600" alt="title page" title="title page" /></div> + +<p><a name="Page_1" id="Page_1"></a></p> + +<h1>THE NURSERY</h1> + +<h3><i>A Monthly Magazine</i></h3> + +<h3>FOR YOUNGEST READERS</h3> + +<h4>No. 106.</h4> + +<h3>OCTOBER, 1875</h3> + +<h4>Vol. XVIII.</h4> + +<p>$1.60 a Year, in advance, Postage included. A single copy, 15 cts.</p> + +<p>Entered according to Act of Congress, in the year 1875, by JOHN L.<a name="Page_2" id="Page_2"></a> +SHOREY, in the Office of the Librarian of Congress at Washington.</p> + + +<hr style="width: 65%;" /> +<h3>CONTENTS OF NUMBER ONE HUNDRED AND SIX.</h3> + + +<div class='center'> +<table border="0" cellpadding="4" cellspacing="0" summary="Table of Contents"> + +<tr><td align='left'><a href="#THE_DELIGHTS_OF_THE_SEASIDE">THE DELIGHTS OF THE SEASIDE. By<i> Emily Carter</i>.</a></td></tr> +<tr><td align='left'><a href="#MABEL_AND_HER_FRIEND_CARLO">MABEL AND HER FRIEND CARLO. By<i> Ned</i></a></td></tr> +<tr><td align='left'><a href="#PLAYING_KING">PLAYING KING. By <i>Alfred Selwyn</i></a></td></tr> +<tr><td align='left'><a href="#A_TRUE_ANTELOPE_STORY">A TRUE ANTELOPE STORY. By <i>Lloyd Wyman</i></a></td></tr> +<tr><td align='left'><a href="#THE_APPLE_TREE">THE APPLE TREE. By <i>Clara Doty Bates</i></a></td></tr> +<tr><td align='left'><a href="#A_COUNCIL_OF_HORSES">A COUNCIL OF HORSES. By <i>Uncle Charles</i></a></td></tr> +<tr><td align='left'><a href="#THE_PET_OF_THE_SHIP">THE PET OF THE SHIP. By <i>C.E.C.</i></a></td></tr> +<tr><td align='left'><a href="#THE_UNMOTHERLY_HEN">THE UNMOTHERLY HEN. By <i>C.R.W.</i></a></td></tr> +<tr><td align='left'><a href="#THE_CHILDRENS_VISIT_TO_THE_LIGHTHOUSE">THE CHILDREN'S VISIT TO THE LIGHTHOUSE. By <i>Charlie's Mamma</i></a></td></tr> +<tr><td align='left'><a href="#GOING_AFTER_COWS">GOING AFTER COWS. By <i>W.T.O.</i></a></td></tr> +<tr><td align='left'><a href="#ROLY-POLY">ROLY-POLY. By <i>Olive A. Wadsworth</i></a></td></tr> +<tr><td align='left'><a href="#ELSIES_DUCKS">ELSIE'S DUCKS. By <i>Ida Fay</i></a></td></tr> +<tr><td align='left'><a href="#FISHING_FOR_TROUT">FISHING FOR TROUT. By <i>Alfred Selwyn</i></a></td></tr> +<tr><td align='left'><a href="#WE_THREE">WE THREE. By <i>Bella</i></a></td></tr> +<tr><td align='left'><a href="#PET">PET, THE CANARY. By <i>Mamma</i></a></td></tr> +<tr><td align='left'><a href="#THE_CAT_SHOW">THE CAT SHOW. By <i>Sallie's Mamma</i></a></td></tr> +<tr><td align='left'><a href="#THE_CORN">GOING THROUGH THE CORN. <i>(Music by T. Crampton</i>)</a></td></tr> + +</table></div> + + + +<hr style="width: 65%;" /> +<h3><a name="EDITORS_PORTFOLIO" id="EDITORS_PORTFOLIO"></a>EDITOR'S PORTFOLIO.</h3> + + +<p>With this number we begin on the last quarter of the year 1875; and we +have the pleasure of informing our host of readers, young and old, that +the prospects of "The Nursery" were never so encouraging as now. It has +not only held its own during these hard times, but gone on increasing. +Canvassers may take hold of it with the assurance that future numbers +will be improvements even on the past.</p> + +<p>"Playing the King," in our present number, will be a good piece for +humorous declamation at school. Both the artist and the poet have done +their work well.</p> + +<p>For the coming holidays, there will be no juvenile work equal in +attraction to the "NURSERY PRIMER," which will now soon be ready. It +will be the best book for beginners ever got up. Already we have +received numerous orders for it, to which we shall soon respond.</p> + +<p>"The Easy Book" and "The Beautiful Book" ought to be remembered by +dealers ordering for the holidays. These books have only to be seen to +be appreciated. The Nursery series of books is allowed to be the best +for the purpose designed, namely, the teaching of children to read, +<i>chiefly by their own efforts</i>, that has ever appeared.</p> + +<p>Unaccepted articles will be returned to the writers <i>if stamps are sent +with them</i> to pay return postage. Manuscripts not so accompanied will +not be preserved, and subsequent requests for their return cannot be +complied with.</p> + + +<div class="figleft" style="margin-top:0em;"><img src="images/pointingfinger.jpg" alt="finger" title="finger" /></div><p><b>New Subscribers for 1876, whose names and money are sent us +before November next, will receive the last three numbers of 1875 FREE.</b></p> + + +<div class="figleft" style="margin-top:0em;"><img src="images/pointingfinger.jpg" alt="finger" title="finger" /></div><p>We want a special agent in every town in the United States. +Persons disposed to act in that capacity, are invited to communicate +with the publisher.</p> + +<p><a name="Page_3" id="Page_3"></a></p> + + + +<hr style="width: 65%;" /> +<div class="figcenter"><a href="images/illus-03.png"><img src="images/illus-03-tb.png" alt="THE DELIGHTS OF THE SEASIDE." title="THE DELIGHTS OF THE SEASIDE." /></a></div> + + +<p><a name="Page_4" id="Page_4"></a></p> +<h3><a name="THE_DELIGHTS_OF_THE_SEASIDE" id="THE_DELIGHTS_OF_THE_SEASIDE"></a>THE DELIGHTS OF THE SEASIDE.</h3> + +<div class="figleft" style="margin-top:-0.5em; margin-right:3em;"><img src="images/illus-04.jpg" alt="lettero" title="lettero" /></div> +<div class="poem"><div class="stanza"> +<span class="i0">H merry, merry sports had we, last summer on the beach,—<br /></span> +<span class="i0"> Lucy and Oliver and I, with Uncle Sam to teach!<br /></span> +<span class="i0"> At times, clad in our bathing-suits, we'd join our hands, all four,<br /></span> +<span class="i0"> And rush into the water, or run along the shore.<br /></span> +</div><div class="stanza"> +<span class="i0">The wet sand, how it glistened on the sunny summer day!<br /></span> +<span class="i0">And how the waves would chase us back, as if they were in play!<br /></span> +<span class="i0">And when, on the horizon blue, a sail we would espy,<br /></span> +<span class="i0">How "Ship ahoy!" or "Whither bound?" we all of us would cry!<br /></span> +</div><div class="stanza"> +<span class="i0">The white, white sand, so smooth and hard, oh what a place for fun!<br /></span> +<span class="i0">With no one by to check our screams, or say, "Now, pray, have done!"<br /></span> +<span class="i0">The sea-birds, not at all disturbed by all our mirthful noise,<br /></span> +<span class="i0">Would cry to us, as if they said, "Shout on, shout on, my boys!"<br /></span> +</div><div class="stanza"> +<span class="i0">Sometimes we'd seek for flattened stones, and skim them o'er the waves;<br /></span> +<span class="i0">Then go where, in the piled-up rocks, the sea had hollowed caves;<br /></span> +<span class="i0">Or sit and feel the cooling breeze in silent happiness;<br /></span> +<span class="i0">Or hunt for seaweed in the clefts, and take it home to press.<br /></span> +</div><div class="stanza"> +<span class="i0">And well do I remember there a little shallow creek,<br /></span> +<span class="i0">Where we would go and sail our ships, at least three times a week:<br /></span> +<span class="i0">We loaded them with cargoes rich, and sent them all to Spain;<br /></span> +<span class="i0">And back they came with heavy freights, by which we made much gain.<br /></span> +</div><div class="stanza"> +<span class="i0">Oh! pleasant pastimes on the beach, how often I recall<br /></span> +<span class="i0">The ocean grand, the distant sails, the rocks, the lighthouse tall!<br /></span> +<span class="i0">They do not fade, these pictures bright, from memory's inner view;<br /></span> +<span class="i0">And age itself shall never dim their colors ever new.<br /></span> +</div></div> +<p class='author'>Emily Carter.</p> + +<p><a name="Page_5" id="Page_5"></a></p> + +<hr style="width: 65%;" /> +<div class="figcenter"><a href="images/illus-05.jpg"><img src="images/illus-05-tb.jpg" alt="MABEL AND HER FRIEND CARLO" title="MABEL AND HER FRIEND CARLO" /></a></div> + +<h3><a name="MABEL_AND_HER_FRIEND_CARLO" id="MABEL_AND_HER_FRIEND_CARLO"></a>MABEL AND HER FRIEND CARLO.</h3> + +<p>Mabel lives on a hill, quite near a beautiful lake, and is very fond of +going with her papa to take a row on the water. Sometimes they visit the +woods on the other side of the lake, and pick wild flowers, or go where +the water-lilies grow, near the shore, and gather a bunch of the pretty +white blossoms.</p> + +<p>But I must tell about Mabel's friend Carlo. He is a large shaggy dog, +owned by a gentleman who lives near. Although quite a young dog, he +knows a great deal. He is very fond of water, and is wild with delight +at the prospect of a swim.</p> + +<p>His master owns a large sail-boat, and, as the water near the shore is +not deep, he has to use a small boat to reach it. When Carlo sees him +take down the oar from its place in <a name="Page_6" id="Page_6"></a>the yard, he runs up, and takes it +in his mouth, as much as to say, "Let me carry that for you, master." +Then he trots down the hill with the oar, feeling very proud that he is +allowed to carry it.</p> + +<p>One day, Carlo took hold of the rope with his teeth, and drew the small +boat to the shore; so that his master, who was in it, did not have to +use the oar.</p> + +<p>Mabel loves Carlo very much; and, although he is a large dog, he knows +that he must play very gently with little boys and girls, and not hurt +them with his great paws.</p> + +<p class="author">Ned</p> + + +<hr style="width: 65%;" /> +<h3><a name="PLAYING_KING" id="PLAYING_KING"></a>PLAYING KING.</h3> + + +<div class="poem"><div class="stanza"> +<span class="i4">Ho! I'm a king, a king! A crown is on my head;<br /></span> +<span class="i4">A sword is at my side; and regal is my tread:<br /></span> +<span class="i4">Ho, slave! proclaim my will to all the people round,—<br /></span> +<span class="i4">The schools are hereby closed; henceforth must fun abound.<br /></span> +</div><div class="stanza"> +<span class="i4">Vacation shall not end; all slates I order smashed;<br /></span> +<span class="i4">The man who says "arithmetic"—he must be soundly thrashed;<br /></span> +<span class="i4">All grammars shall be burnt; the spellers we will tear;<br /></span> +<span class="i4">The boy who spells correctly—a fool's cap he shall wear.<br /></span> +</div><div class="stanza"> +<span class="i4">No dolls shall be allowed, for dolls are what I hate;<br /></span> +<span class="i4">The girls must give them up, and learn to swim and skate;<br /></span> +<span class="i4">Confectioners must charge only a cent a pound<br /></span> +<span class="i4">For all the plums and candy that in the shops are found.<br /></span> +</div></div> + +<p><a name="Page_7" id="Page_7"></a></p> +<div class="figcenter"><img src="images/illus-07.jpg" alt="PLAYING KING" title="PLAYING KING" /></div> + +<div class="poem"><div class="stanza"> +<span class="i4">That man who asks a dime for any pear or peach—<br /></span> +<span class="i4">I'll have him hung so high, that none his feet can reach;<br /></span> +<span class="i4">No baker is allowed hereafter to bake bread;<br /></span> +<span class="i4">He must bake only pies and cake and ginger-snaps instead.<br /></span> +</div><div class="stanza"> +<span class="i4">All lecturers must quit our realm without delay;<br /></span> +<span class="i4">The circus-men and clowns, on pain of death, must stay;<br /></span> +<span class="i4">All folks who frown on fun, at once must banished be:<br /></span> +<span class="i4">Now, fellow, that you know my will, to its fulfilment see!<br /></span> +</div></div> + +<p class='author'>Alfred Selwyn.</p> + + + +<hr style="width: 65%;" /><p><a name="Page_8" id="Page_8"></a></p> +<h3><a name="A_TRUE_ANTELOPE_STORY" id="A_TRUE_ANTELOPE_STORY"></a>A TRUE ANTELOPE STORY.</h3> + + +<p>Some time ago, I told the readers of "The Nursery" about catching a +buffalo-calf. I will now tell them about a young antelope which we +caught, and another which we almost caught.</p> + +<p>Tip and I were in that part of Western Kansas which is left blank on the +maps. Two hunters, Thompson and Hughes, had joined us; and we were +coming back from a buffalo-chase. We had been crawling lazily along, +over prairie, through valley, up and down hill, since sunrise, and it +was now nearly noon.</p> + +<p>All of a sudden, from a clump of tall grass near us, up sprung an +antelope and a pair of beautiful fawns. Like a flash, the old one and +one of the fawns started over the brow of the ridge on which they were +lying; while the other little fellow began running around in a circle, +as you have seen ponies do at the circus, bleating as hard as he could.</p> + +<p>The boys leaped from the wagons in an instant, while I remained to hold +the horses. Ranging themselves around the circle, the three hunters +every now and then, dashed headlong after the fawn as he flew past; but +missed him by a rod or more every time.</p> + +<p>Our dog Landy, also, was on hand for the fun; and it was a laughable +sight to see the great awkward fellow straining every nerve to overtake +the little streak of animated lightning that flashed before him. Landy +was a Newfoundland shepherd, and I knew that nothing could induce him to +hurt the fawn if he should catch him.</p> + +<p>While I was watching the sport, and laughing at the drollery of it, all +at once I heard a stamping on the other side of the wagon, and, stepping +quickly around the horses' heads, I saw the old doe, and a buck and doe +with her.</p> + +<div class="figcenter"><a href="images/illus-09.jpg"><img src="images/illus-09-tb.jpg" alt="A TRUE ANTELOPE STORY." title="A TRUE ANTELOPE STORY." /></a></div> +<p><a name="Page_9" id="Page_9"></a></p> + +<p>As the fawn came bounding along the circle, the buck and does, bleating +anxiously, darted in ahead of him, rushing right by the men and dog. +Never stopping an instant, the big buck led the way, the does and fawn +followed; and, before you could say "Jack Robinson," they were "over the +hills, and far away."</p> + +<p>This was the antelope that we <i>almost</i> caught. The boys came back to the +wagons, thoroughly fagged out, and looking painfully silly.</p> + +<p>Again we drove along, but had not proceeded more than a mile or two, +when up sprung another old doe, and ran toward Landy, stamping her +fore-foot fiercely. Of course the foolish dog took after her as hard as +he could go,—just as she wanted him to do; and a fine chase she led +him, always taking care not to leave him so far behind as to discourage +him, and make him turn back.</p> + +<p><a name="Page_10" id="Page_10"></a>We knew at once by her actions that she had a fawn near there; and so, +while she was leading Landy away from it, we set about hunting it up. In +a few minutes, I came across the little slender-legged beauty, snugly +curled up under a tuft of grass. As I came upon him, he dashed out of +cover with a shrill, plaintive little "baa-baa, baa-baa," and, as fawns +always do in such cases, began running in a small circle.</p> + +<p>Landy, disgusted with his hopeless chase, came trotting back, and at +once struck in after the fawn. This one was not so fleet as the other; +and by and by Landy overtook him, and tried to stop him by pushing him +over with his nose. This frightened the fawn so badly, that he made +direct for Tip, who was squatting in the long grass in wait for him, and +rushed joyfully into his arms.</p> + +<p>We took the bright-eyed little thing into the wagon, and by night he was +so tame, that he would follow us around; and, when we lay down to sleep +on the ground, I gave him a corner of my blanket for a bed. At last we +got back to Thompson's log-house, which stood near the timber; and, when +we went away we gave the fawn to his two little girls. I would really +like to know what ever became of it.</p> + +<p class="smcap">Perry, O.</p> +<p class='author' style="margin-top: -2em;">Lloyd Wyman.</p> + +<div class="figcenter"><img src="images/illus-10.jpg" alt="WILD FLOWERS" title="WILD FLOWERS" /></div> + +<p><a name="Page_11" id="Page_11"></a></p> +<hr style="width: 65%;" /> + +<p class="center smcap"><a href="images/illus-11.png">[view image]</a></p> +<h3><a name="THE_APPLE_TREE" id="THE_APPLE_TREE"></a></h3> + +<table style="background-image: url(images/illus-11.png); height: 990px; width: 642px;" summary="Image The Apple Tree"> +<tr><td> +<div class="poem"><div class="stanza"> +<span class="i0">Up in the apple-tree<br /></span> +<span class="i2">See the rosy cheeks;<br /></span> +<span class="i0">See the balls that look like gold;<br /></span> +<span class="i2">See the crimson streaks.<br /></span> +<span class="i0">In the lovely autumn day,<br /></span> +<span class="i0">Bright as in the bloom of May,<br /></span> +<span class="i0">Filled with fruit, and fair to see,<br /></span> +<span class="i4">Is the apple-tree.<br /></span> +</div><div class="stanza"> +<span class="i0">Under the apple-tree<br /></span> +<span class="i2">See the rosy cheeks:<br /></span> +<span class="i0">Little Ginx, the baby,<br /></span> +<span class="i2">What is it he seeks?<br /></span> +<span class="i0">Ah! his tiny teeth are white,<br /></span> +<span class="i0">And are eager for a bite,—<br /></span> +<span class="i0">Such a tempting store to see<br /></span> +<span class="i4">Is the apple-tree.<br /></span> +</div><div class="stanza"> +<span class="i0">Under the apple-tree,<br /></span> +<span class="i2">Other rosy cheeks,—<br /></span> +<span class="i0">Edith, Mabel, Gold-Locks,<br /></span> +<span class="i2">Full of happy freaks.<br /></span> +<span class="i0">Here they run, and there they run,<br /></span> +<span class="i0">Shouting merrily, if one<br /></span> +<span class="i0">Fallen in the grass they see<br /></span> +<span class="i4">From the apple-tree.<br /></span> +</div><div class="stanza"> +<span class="i6 smcap">Clara Doty Bates.</span> +</div></div> +</td></tr></table> + + + + + +<hr style="width: 65%;" /><p><a name="Page_12" id="Page_12"></a></p> +<h3><a name="A_COUNCIL_OF_HORSES" id="A_COUNCIL_OF_HORSES"></a>A COUNCIL OF HORSES.</h3> + + +<p>On the large plains of South America, horses run wild in great numbers. +They are caught by means of a lasso, which is a rope with a noose at one +end. This is thrown with great dexterity over the neck of the wild +horse.</p> + +<p>The artist has called the picture which we here present "A Council of +Horses." Do they not look as if they were taking advice of one another? +The white horse, with his erect neck and head, seems to be the leader, +or chief. He is willing to hear what the others may have to say; but he +means that they shall follow him, after all.</p> + +<p>And can horses really make known their wishes to one another? It would +almost seem so, though we cannot prove it. Wild horses choose their own +chiefs, and these give the signal of departure. If any extraordinary +object appears, the chief commands a halt. He goes to discover what it +is, and, after his return, gives, by neighing, the signal of confidence, +of flight, or of combat.</p> + +<p>Five sorts of neighing may be noticed: that of joyfulness, of desire, of +anger, of fear, and of sorrow. A feeling peculiar to the horse is +emulation. Whoever has witnessed a horse-race can understand the ardor, +vehemence, and struggle for victory, which excite the energies of both +horses and men. The animals have often tried to hold their rivals back +by the teeth. This has been known to happen when the horses are left +entirely to themselves, as on some of the Italian race-courses, where +the horses run without riders.</p> + +<p>The horse has a strong memory. Franklin relates, that he had a horse +that conducted him through a hilly country where it was difficult to +find the road. Every time Franklin himself was unable to tell which road +to take, he would <a name="Page_13" id="Page_13"></a>leave the reins on the horse's neck, and the good +beast, left to itself, never failed to go right.</p> + +<div class="figcenter"><img src="images/illus-13.png" alt="HORSES" title="HORSES" /></div> +<p>The noblest conquest that man ever made over the animal creation is that +of the horse. Every thing in him breathes out vivacity and energy. That +need of continual movement, that impatience during repose, that nervous +motion of the lips, that stamping of the feet, all indicate a pressing +need of activity.</p> + +<p class='author'>Uncle Charles.</p> + + +<hr style="width: 65%;" /><p><a name="Page_14" id="Page_14"></a></p> +<h3><a name="THE_PET_OF_THE_SHIP" id="THE_PET_OF_THE_SHIP"></a>THE PET OF THE SHIP.</h3> + +<h3>PART III.</h3> + + +<p>One day when the ship was at anchor in one of the ports on the western +coast of South America, a number of sheep were brought on board. Whether +Dennis regarded them as intruders, or not, I cannot say; but his +treatment of them was anything but kind.</p> + +<div class="figleft"><img src="images/illus-14.png" alt="PIG" title="PIG" /></div> + +<p>The poor sheep stood in great fear of him, and fled in alarm whenever he +made a charge at them. One by one they began to disappear; and, at last, +only one—a little fellow whom the sailors afterward named Billy—was +left.</p> + +<p>He was greatly distressed when the last of his companions was taken +away, and ran bleating about the deck in search of him. To add to his +troubles, that dreadful bully Dennis, who had been watching him for some +time, was now coming towards him. He was frightened nearly to death.</p> + +<p>What must have been his delight when he saw in Dennis's eyes a look of +pity, and heard his friendly grunt! I don't know what Dennis said; but I +do know, that, half an hour afterwards, Billy had forgotten all about +his troubles, and was lying down with his head resting in Dennis's fat +neck.</p> + +<p>Even the rough sailors were pleased; and as they looked <a name="Page_15" id="Page_15"></a>at Dennis, who +was fast asleep, they said, "Now that was a fine thing, and Dennis was +the pig to do it. He was willing to fight with a flock of sheep; but, +when it came to quarrelling with one little fellow, he was too noble for +that."</p> + +<p>Thenceforth Dennis and Billy were inseparable, and no pair ever agreed +better. There were times, however, when Dennis seemed a little vexed +with Billy, though he was always as kind as possible. I will tell you of +an instance.</p> + +<div class="figcenter"><a href="images/illus-15.jpg"><img src="images/illus-15-tb.jpg" alt="SAILORS WITH THE PETS" title="SAILORS WITH THE PETS" /></a></div> + +<p>Billy would always watch the crowd about Dennis, when the latter was +taking his bath, with a great deal of anxiety; and, if Dennis did not +appear very shortly, he would begin bleating loudly.</p> + +<p>This would disgust Dennis immensely; but he couldn't bear to think that +Billy's feelings were hurt: so he would leave his nice bath, and push +his way through the men, until Billy could see him. Then he would return +to the pump, grunting in a manner that plainly showed his feelings.</p> + +<p><a name="Page_16" id="Page_16"></a>He was certainly saying, "I do wish that sheep had a little more of the +pig about him. If I am out of his sight for a moment, he begins to cry, +and take on in such a manner, that I must show myself to him; and then I +have all the trouble of making the sailors pump again."</p> + +<p>But the sailors only waited to make Dennis beg a little. They had no +idea of not pumping again. They were always pleased when he showed so +much good feeling for Billy; and generally he got a larger allowance of +water to pay for it.</p> + +<p>I believe that Dennis was not living when the ship reached California. +That ever he became food for his sailor friends no one can imagine. +Therefore his fate must remain a mystery, unless some of my readers +happen to know one of the crew of "The Vanderbilt," and can learn from +him something on the subject.</p> + +<p>If they can, there are many, no doubt, who would be glad to hear from +them in the pages of "The Nursery." My little girls would, at least. +But, probably, Dennis has more of a place in their thoughts than he can +have in those of others.</p> + +<p class='author'>C.E.C.</p> + + +<p><a name="Page_17" id="Page_17"></a></p> + +<div class="figcenter"><a href="images/illus-16.jpg"><img src="images/illus-16-tb.jpg" alt="SAILORS" title="SAILORS" /></a></div> + +<hr style="width: 65%;" /> + + +<div class="figcenter"><a href="images/illus-17.png"><img src="images/illus-17-tb.png" alt="THE UNMOTHERLY HEN" title="THE UNMOTHERLY HEN" /></a></div> + +<h3><a name="THE_UNMOTHERLY_HEN" id="THE_UNMOTHERLY_HEN"></a>THE UNMOTHERLY HEN.</h3> + + +<p>Now, my dear children, if you will be very quiet, I will tell you a true +story, which I sometimes tell my little daughter Fanny and her cousin +Grace, when they climb up on my knees just before going to bed.</p> + +<p>On a farm near Fishkill, where Fanny's Aunt Jane lives, they raise a +great many chickens, turkeys, ducks, and geese. When I was a boy, ever +so many years ago, I used to have great fun hunting for eggs through the +hay and straw in the barns.</p> + +<p>Well, last year one of the hens, instead of laying her eggs in the +hen-house or barn, like a well-mannered hen, stole off under a +wood-pile, and was not seen for three weeks, when she made her +appearance with a fine brood of chickens. To keep her from straying away +again, she was put into a coop. For several days, she was a good mother +to her children; <a name="Page_18" id="Page_18"></a>but, after a week or so, she began to act very +strangely, and, when her children came near her, she would peck and +abuse them.</p> + +<p>Would you believe it, children? in one day, this unmotherly hen had +pecked all but one of her chickens to death; and, when Aunt Jane found +this poor chap, he had but one eye, and all the toes were gone from one +foot; so that he had to stand on the other. At first, Aunt Jane thought +it would be a mercy to kill the little fellow, and put him out of pain; +but she finally determined that she would try to cure him.</p> + +<p>So she took him into the kitchen, and made him quite comfortable in a +box half filled with cotton-batting, and placed near the stove. She gave +him cracked-corn to eat, and plenty of water to drink, and, after a +while, he got so strong, that he hopped out of the box, and was just as +jolly a chicken as he could be, with only one eye to see with, and only +one foot and the stump of another to walk on.</p> + +<p>Still he would not go out and play with other chickens of his age, but +persisted in hanging around the kitchen. One morning, when Aunt Jane +went into the breakfast-room, she found him on the table, helping +himself from a dish of stewed potatoes. Such impudence could no longer +be tolerated: so the saucy little cripple was banished to the barnyard +to learn manners.</p> + +<p>And what do you think became of the unmotherly hen? She lost all her +friends. She was despised and hated by everybody on the farm. She was +pointed at as "that cruel, speckled hen," until life became a burden to +her. She was not permitted to have any more chickens. When the cold +weather came, she was sent to a poor woman for a thanksgiving dinner; +and it is to be hoped that all the hens in the barnyard took warning +from her fate.</p> + +<p><span style="margin-left:30em;">C.R.W.</span><br /> +<span style="margin-left:2em;" class="smcap">Lansingburgh. N.Y.</span></p> +<p> </p> +<p><a name="Page_19" id="Page_19"></a></p> + +<div class="figcenter"><a href="images/illus-19.png"><img src="images/illus-19-tb.png" alt="Outline Drawing by MR. HARRISON WEIR" title="Outline Drawing by MR. HARRISON WEIR" /></a></div> + +<p class='center'>Outline Drawing by <span class="smcap">Mr. Harrison Weir,</span> as a drawing lesson.</p> + +<hr style="width: 65%;" /><p><a name="Page_20" id="Page_20"></a></p> +<h3><a name="THE_CHILDRENS_VISIT_TO_THE_LIGHTHOUSE" id="THE_CHILDRENS_VISIT_TO_THE_LIGHTHOUSE"></a>THE CHILDREN'S VISIT TO THE LIGHTHOUSE.</h3> + + +<p>Charlie and Georgie were staying at Appledore, one of the Isles of +Shoals, and, with two other little children, had many nice times fishing +and sailing.</p> + +<p>The lighthouse is on White Island, which, as you see in the picture, is +a lonely and rocky place. It would be very dangerous for any ship to +come in from sea on that part of the coast, if it were not for the +friendly warning of the brilliant light.</p> + +<p>One warm, sunny morning, Charlie and Georgie, with their papa and mamma, +and their two little friends, rowed across from Appledore, and landed on +the pebbly beach of White Island. Here the children ran about, and +picked up stones until they were tired; and then the whole party seated +themselves on some shaded rocks, and ate their lunch of crackers and +bananas.</p> + +<p>While they were eating, an old white dog, belonging to the lighthouse +keeper, came up and made their acquaintance. Georgie shared his cake +with him; and it was amusing to see the old dog watching with eager eyes +every piece that went into any mouth but his own.</p> + +<p>When lunch was over, the two older children, Charlie and Anna, led the +way; and all were soon climbing the winding stairs in the lighthouse +tower. When they reached the top, they found themselves in a small room +with windows on every side, and the great lamp in the centre. The +lantern is made of red-and-white glass, and turns around, so that first +a red, and then a white, light may be seen far out at sea.</p> + +<p>The keeper explained how, after lighting the lamp, he <a name="Page_21" id="Page_21"></a>wound up the +machinery which caused the lamp to revolve; and told them of the lonely +hours he had spent in the little room below the lamp, while the waves +dashed, and the storm beat outside.</p> + + +<div class="figcenter"><a href="images/illus-21.jpg"><img src="images/illus-21-tb.jpg" alt="TRIP TO THE LIGHTHOUSE" title="TRIP TO THE LIGHTHOUSE" /></a></div> + +<p>For many weeks in the winter he lives there all by himself, and sees no +one; but, in the summer time, there is hardly a day when he does not +have a boat full of visitors. He always gives them a hearty welcome, and +makes himself very agreeable. I suppose he feels as though he must make +the most of society while he can get it.</p> + +<p>The children listened to his talk with great interest. With many thanks +for his kind attentions, they bade him "Good-by," and, intent on +collecting shells on another island near, stepped into their boat, and +were rowed away, leaving the man and his friendly dog to enjoy each +other's company.</p> + +<p class='author'>Charlie's Mamma.</p> + + + +<hr style="width: 65%;" /><p><a name="Page_22" id="Page_22"></a></p> + +<h1><a name="GOING_AFTER_COWS" id="GOING_AFTER_COWS"></a>GOING AFTER COWS.</h1> + +<div style="font-size:x-large"> +<p>When Edward was eight years old, his mother told him he might go with +John, the hired man, to drive the cows from the pasture. How happy the +little boy was!</p> + +<p>Every day he would be ready as soon as John gave the word; and off they +would go, through the woods, over hills and rocks, and gurgling brooks, +wherever the ding-dong of the distant cow-bells pointed the way.</p> + +<p>Sometimes they had a long search before they could find all the cows; +for the pasture <a name="Page_23" id="Page_23"></a>was very large, and the cows would wander about in +every part of it, to find the best feeding-places.</p> + +<div class="figcenter"><a href="images/illus-23.jpg"><img src="images/illus-23-tb.jpg" alt="COW" title="COW" /></a></div> + +<p>On the way home, Edward <a name="Page_24" id="Page_24"></a>would run ahead of the cows, and open the bars; +and sometimes he would sit on the wall, and pat each cow as she came +through.</p> + +<p>When the cows reached the barnyard, Edward would help milk. There was +one old cow which he called his own, and which he named Carrie. She +always stood very still while being milked, and that was one reason why +he liked her better than any of the rest.</p> + +<p>After milking, he helped John to carry in the milk, and his mother often +gave him a mug full. Oh, how nice it was!</p> + +<p class='author'>W.T.O.</p> +</div> +<p><a name="Page_25" id="Page_25"></a></p> + + +<hr style="width: 65%;" /> +<h3><a name="ROLY-POLY" id="ROLY-POLY"></a>ROLY-POLY.</h3> + + +<div class="poem"><div class="stanza"> +<span class="i0">Roly-Poly is three years old,<br /></span> +<span class="i1">Three years old, and a trifle over:<br /></span> +<span class="i0">Roly-Poly is round as a ball,<br /></span> +<span class="i1">Jolly as larks, and sweet as clover.<br /></span> +</div><div class="figcenter"><img src="images/illus-25.png" alt="ROLY POLY" title="ROLY POLY" /></div><div class="stanza"> +<span class="i0">Roly-Poly has stars for eyes,<br /></span> +<span class="i1">A heavenly chin with a dimple in it,<br /></span> +<span class="i0">Peaches for cheeks, the bud of a nose,<br /></span> +<span class="i1">And a tongue that is never still a minute.<br /></span> +</div><div class="stanza"> +<span class="i0">Roly-Poly gets up in the morning,—<br /></span> +<span class="i1">Morning, quoth I? it's the crack of the dawn!—<br /></span> +<span class="i0">Dresses himself in a boot and a stocking,<br /></span> +<span class="i1">Flies to his sister as swift as a fawn.<br /></span> +</div><div class="stanza"> +<span class="i0">Pulls at her eyes with his fat little fingers,—<br /></span> +<span class="i1">Crazy for stories, that's all the matter!—<br /></span> +<span class="i0">"Oh! I am sleepy and cross," she cries;<br /></span> +<span class="i1">"You, Roly-Poly, disperse and scatter!"<br /></span> +</div><div class="stanza"> +<span class="i0">But Roly-Poly's a resolute tyrant;<br /></span> +<span class="i1">Father and mother are captives wholly:<br /></span> +<span class="i0">So what can a poor big sister do<br /></span> +<span class="i1">But yield to a king like Roly-Poly.<br /></span> +</div></div><p><a name="Page_26" id="Page_26"></a></p> + +<div class="poem"><div class="stanza"> +<span class="i0">Roly-Poly's a man of business:<br /></span> +<span class="i1">He canters to market on grandpa's cane,<br /></span> +<span class="i0">Orders a breakfast of peppermint-candy,<br /></span> +<span class="i1">And gallops his pony home again.<br /></span> +</div><div class="stanza"> +<span class="i0">Roly-Poly's a man of pleasure:<br /></span> +<span class="i1">Sorrow and care are for grown-up stupids:<br /></span> +<span class="i0">Pictures and kisses, toys and caresses,<br /></span> +<span class="i1">Fondling and fun, for dimpled Cupids.<br /></span> +</div><div class="stanza"> +<span class="i0">After the sun has gone out of the south,<br /></span> +<span class="i1">The night comes down on his eyelids slowly;<br /></span> +<span class="i0">He topples asleep with his thumb in his mouth,—<br /></span> +<span class="i1">What an iniquity, Roly-Poly!<br /></span> +</div></div> + +<p class='center'>OLIVE A. WADSWORTH.</p> + +<div class="figcenter"><img src="images/motif.jpg" alt="motif" title="motif" /></div> + + + +<hr style="width: 65%;" /> +<h3><a name="ELSIES_DUCKS" id="ELSIES_DUCKS"></a>ELSIE'S DUCKS.</h3> + + +<p>Elsie was the daughter of poor parents, who lived on the borders of a +lake. Once, when she was very ill with a fever, a good neighbor made her +a present of three young ducks. Elsie was much pleased, and she soon +began to get well.</p> + +<p>Her mother would bring a large tub of water into the room where the +little invalid lay; and the three ducks would swim about, and swallow +the crumbs which Elsie threw to them.</p> + +<p>As soon as she got well, she would drive the ducks down to the lake, and +let them swim. They were so tame, that they would come out of the water +at her call.</p> + +<p>Sometimes her father and the rest of the family would get into a boat, +and he would row across the lake to the <a name="Page_27" id="Page_27"></a>opposite side, where some +families lived who employed Elsie's mother to wash clothes for them.</p> + +<div class="figcenter"><a href="images/illus-27.png"><img src="images/illus-27-tb.png" alt="TRIP TO THE LIGHTHOUSE" title="TRIP TO THE LIGHTHOUSE" /></a></div> + +<p>At these times, the three ducks would follow the boat. Perhaps they did +not like to trust their dear Elsie on the water, unless they were by to +help her in case of need.</p> + +<p>Sometimes old and young would join in a song; and then far over the lake +would be heard the words:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"Come to the sunset tree, the day is past and gone,<br /></span> +<span class="i0">The woodman's axe lies free, and the reaper's task is done."<br /></span> +</div></div> + +<p>It was a very pretty sight, on a summer evening, when the bright clouds +over the setting sun threw their tints on the water, to see the ducks +swimming by the side of the little boat which contained Elsie and the +rest of the family. It was so pretty a sight, that a good artist made a +picture of the scene. We give you a copy of it here.</p> + +<p class='author'>Ida Fay.</p><p><a name="Page_28" id="Page_28"></a></p> + +<hr style="width: 65%;" /> +<div class="figcenter"><a href="images/illus-28.png"><img src="images/illus-28-tb.png" alt="FISHING FOR TROUT" title="FISHING FOR TROUT" /></a></div> + +<h3><a name="FISHING_FOR_TROUT" id="FISHING_FOR_TROUT"></a>FISHING FOR TROUT.</h3> + + +<p>The trout belongs to the salmon family. Its flesh is generally of a pale +pink or yellow color. It is one of the handsomest fish to be found in +our waters. The variations of its tints are very beautiful; and the red +spots on its skin distinguish it from common fish.</p> + +<p>I never had much luck in catching trout. One summer I went from the city +to try the trout-streams in Northern New York. I had a handsome rod, and +a line nicely baited with an artificial fly; but, though I was very +persevering, my success was small.</p> + +<p>I remember sitting for hours on the slender bridge just below the Upper +Cascades of Buttermilk Fall, represented <a name="Page_29" id="Page_29"></a>in the picture; but my +patience was not rewarded by the capture of a single trout. I was sorry +for this; for I had depended on getting one for my dinner.</p> + +<p>As I was about retiring, a little barefoot fellow, about twelve years +old, came along with a common fishing-pole, and hook baited with a worm, +and said, "Mister, I'll catch a trout for you."—"Do it, then," said I.</p> + +<p>He threw his line over a smooth spot in the pool below; and, before he +had been at it five minutes, he pulled up a noble trout, large enough +for a good dinner. Another and another were pulled up in quick +succession. I did not know what to make of it; for I thought I had +fished in a very scientific way.</p> + +<p>"Teach me the knack," said I. "Oh, it can't be taught," replied the boy. +"Well, here is a dime for your trouble," said I, putting the fish into +my pail. "Do you suppose I take pay for what I do for sport, mister?" +said little barefoot, waving back my hand with the air of a prince.</p> + +<p>After that we became good friends, and met often at the bridge; but I +never could learn his knack of catching trout.</p> + +<p class='author'>Alfred Selwyn.</p> + +<div class="figcenter"><img src="images/illus-29.jpg" alt="THE TROUT" title="THE TROUT" /></div> + +<hr style="width: 65%;" /> + +<p><a name="Page_30" id="Page_30"></a></p> + +<div class="figcenter"><a href="images/illus-30.jpg"><img src="images/illus-30-tb.jpg" alt="WE THREE" title="WE THREE" /></a></div> +<h3><a name="WE_THREE" id="WE_THREE"></a>WE THREE.</h3> + + +<p>What fine times we have together!—Carlo, John, and Bella; by which last +I mean myself. Carlo has the advantage of the other two of us sometimes; +for he has four legs, and can run faster than either John or I. But then +we can do a great many things that Carlo cannot do.</p> + +<p>For example, John and I sometimes take our books, and sit down on the +rocks in the wood, under the thick trees, and read stories. And then +Carlo will lie down at our feet, and go to sleep; for he cannot +understand the nice stories which the other two friends enjoy so much.</p> + +<p>But wait till we go into the swamps after berries, or into the +wood-borders after hazel-nuts. Then Carlo is wide awake, you may be +sure. If he sees a snake, what a noise he makes! We can always tell by +the tone of his bark when he has found a snake.</p> + +<p>And, when John climbs a tree after nuts, how anxiously Carlo will stand +underneath and watch him, so afraid is <a name="Page_31" id="Page_31"></a>he that the little boy will get +a fall! And how the good dog will jump and show his pleasure when he +sees John once more safe on the firm ground!</p> + +<p>Oh! we have fine times together, we three, both in summer and winter; +for Carlo likes to see us skate on ice, and is fond of a snowballing +frolic. In all our sleigh-rides he goes with us, and takes great care of +us. We are dear friends, we three, and I should no more think of +striking Carlo than of striking John.</p> + +<p class='author'>Bella.</p> + +<div class="figcenter"><img src="images/motif.jpg" alt="motif" title="motif" /></div> + + +<h3><a name="PET" id="PET">PET, THE CANARY.</a></h3> + +<p>A little girl by the name of Agnes, who lives in Maine, and who much +enjoys "The Nursery," has a beautiful, bright canary, which her papa +brought her one day in a paper-box. Agnes named him Pet.</p> + +<p>The little fellow has become so tame, that he is allowed to stay out of +his cage as long as he wishes, always going to it of his own accord when +bedtime comes. One day I found no pins on my pin-cushion; and, seeing +them scattered around on the bureau, I wondered who could have done the +mischief. I soon found, by watching, that it was Pet's work.</p> + +<p>Every day he took his stand on the pin-cushion, in front of the glass, +to pull out all the pins. I saw him once work a long time trying to +stick one back by tipping his head, first one side and then the other, +holding the pin tightly in his bill; but he soon gave it up.</p> + +<p>Little Fannie, Agnes's two-year-old sister, often shares her lunch with +him; he sitting on the edge of the saucer, and helping himself while she +is eating. As I write, he is sitting on the tassel of the shade, looking +out of the window. Some day I'll tell you more of Pet's pranks.</p> + +<p class='author'>Mamma.</p> +<hr style="width: 65%;" /> +<p><a name="Page_32" id="Page_32"></a></p> + +<div class="figcenter"><img src="images/illus-32.png" alt="THE CAT" title="THE CAT" /></div> + +<h3><a name="THE_CAT_SHOW" id="THE_CAT_SHOW"></a>THE CAT SHOW.</h3> + + +<p>It was at the Crystal Palace, in Sydenham, England. I wish all the +readers of "The Nursery" could have seen it.</p> + +<p>There were over three hundred cats in cages. Each one had a nice red +cushion in the front-part of the cage, and in the back part a dish of +water or milk. Each one had a ribbon around the neck, to which was +attached a medal with the number of the cage. The ribbons were of all +colors.</p> + +<p>The cats that had taken the first prize were known by a little blue flag +suspended over the front of the cage, and <a name="Page_33" id="Page_33"></a>were the largest cats. Very +many of them were lazily sleeping on their cushions, as happy as if they +were in their own homes. They took little notice of the people who were +looking at them; and, as a placard on each cage ordered spectators to +"move on," no one could spend much time in trying to attract their +attention.</p> + +<p>I can hardly tell you about all the cats, there were so many,—some all +white, some all black, and some all yellow; black-and-yellow, +black-and-white, black-and-gray, gray-and-white, +black-and-yellow-and-white; cats with long hair, and cats with short; +cats with tails, and cats without. One large Russian cat, called the +"Czar," was brown, with smooth, short, shining fur, which looked like +seal-skin.</p> + +<p>Then there were kittens of all sizes and colors. In one cage was a black +mother-puss, with four perfectly white kittens, their eyes not yet open. +Another black mother had two kittens,—one black, and one gray. A +black-and-yellow puss had one black, and one yellow kitten.</p> + +<p>In some of the cages were two or three large kittens having a good time +together. Some of them had balls to play with; some were climbing on the +sides of the cage or frolicking with one another; and others were +running around after their tails, in real kitten fashion.</p> + +<p>Just before five o'clock, the baskets in which the cats were brought +were placed on the tops of the cages. Some of the cats reached up and +tried to get hold of them. They all seemed to know that the show was +over, and that they would soon be able to run and jump about, with +plenty of air and space.</p> + +<p>I must not forget to tell you how quiet all these cats were. Not one +"Me-ow" was to be heard. When, out of sight of the cages, one would +never have known there was a cat in the building.</p> + +<p class='author'>Sallie's Mamma.</p> + +<p><a name="Page_34" id="Page_34"></a></p> + + + +<hr style="width: 65%;" /> +<div class="figcenter"><a name="THE_CORN" id="THE_CORN"> +<img src="images/illus-34.png" width="600" alt="GOING THROUGH THE CORN" title="GOING THROUGH THE CORN" /></a></div> + +<p style="margin-left:2em;"><i>Moderato. mf.</i></p> +<p class="author" style="margin-top:-2em;">Music by T. Crampton.</p> + +<div class="figcenter"><img src="images/illus-34music.png" width="600" alt="MUSICAL NOTATION" title="MUSICAL NOTATION" /></div> + +<p style="margin-left: 10em;"> +1. Right and left upstanding,<br /> +See on either side,<br /> +Blooming corn expanding,<br /> +Rippling like the tide.<br /> +With breath of Eden scented,<br /> +On the breezes borne,...<br /> +All in love presented,<br /> +Going through the corn.<br /> +<br /> +2. Bath'd in light etherial,<br /> +Ripening in the sun,<br /> +Royal corn imperial,<br /> +Bread for every one.<br /> +'Tis God's own gift descending,<br /> +For the poor and lorn,...<br /> +See the full ears bending,<br /> +Going through the corn.<br /> +<br /> +3. Thrush and blackbird singing<br /> +In the coppice near,<br /> +All the blue sky ringing<br /> +With their notes so clear!<br /> +The twitt'ring swallows skimming,<br /> +Through the air of morn,...<br /> +Happy all, all hymning,<br /> +Going through the corn. +</p> + +<p> </p> +<p><a name="Page_35" id="Page_35"></a></p> +<table summary="Colgate ad" width="100%" frame="hsides"> +<tr><td width="30%" align="center"><img src="images/colgate.jpg" alt="logo" title="logo" /></td> +<td style="font-size:larger;" align="center" >VIOLET TOILET WATER.<br /> CASHMERE BOUQUET EXTRACT.<br /> CASHMERE BOUQUET Toilet +Soap.</td></tr> +</table> +<table summary="container left" width="50%" frame="below"> +<tr><td align="left"><table summary="Rowell ad" frame="rhs" cellpadding="2"> +<tr><td align="center">Price, Twenty-Five Cents.</td></tr> + +<tr><td><b>NEWSPAPER</b></td></tr> <tr><td align="center"><b>ADVERTISING</b></td></tr> + +<tr><td align="center">NINETY-EIGHTH EDITION.</td></tr> + +<tr><td style="font-size: smaller;"><p>Containing a complete list of +all the towns in the United States, the +Territories, and the Dominion of Canada, having a population greater +than 5,000 according to the last census, together with the names of the +newspapers having the largest local circulation in each of the places +named. Also, a catalogue of newspapers which are recommended to +advertisers as giving greatest value in proportion to prices charged. +Also, all newspapers in the United States and Canada printing over 5,000 +copies each issue. Also, all the Religious, Agricultural Scientific and +Mechanical, Medical, Masonic, Juvenile, Educational, Commercial, +Insurance, Real Estate, Law, Sporting, Musical, Fashion, and other +special class journals; very complete lists. Together with a complete +list of over 300 German papers printed in the United States. Also, an +essay upon advertising; many tables of rates, showing the cost of +advertising in various newspapers, and everything which a beginner in +advertising would like to know.</p></td></tr> + +<tr><td>Address <b>GEO. P. ROWELL & CO.,</b></td></tr> +<tr><td align="right"><b>41 Park Row, New York.</b></td></tr> +</table></td></tr> +</table> +<table summary="container right" align="right" width="50%" frame="below"> +<tr><td><table summary="Nursery Primer ad"> +<tr><td> </td></tr> +<tr><td align="center"><b>IN PRESS.</b></td></tr> + +<tr><td style="font-size:larger;" align="center"> <h3>The Nursery Primer</h3></td></tr> + +<tr><td colspan="2"><p>By which children can teach themselves to read, with but little help +from parent or teacher.</p></td></tr> + +<tr><td align="center">SUPERBLY AND APTLY ILLUSTRATED.</td></tr> + +<tr><td><p>The must beautiful Primer in the market. Containing upwards of a hundred +fine pictures. <b>96 Pages</b> of the size of The Nursery. The word-system of +teaching explained and applied.</p></td></tr> +<tr><td><b>JOHN L. SHOREY,</b></td></tr> +<tr><td align="right">36 Bromfield Street, Boston.</td></tr> +</table> +<table summary="agents wanted" frame="above"> +<tr><td rowspan="2" width="100"><img src="images/035b.png" alt="agent" /></td><td><b>AGENTS WANTED.</b></td></tr> +<tr><td><p style="font-size:x-small">Men or women. $34 a week. Proof furnished. Business pleasant and +honorable with no risks. A 16 page circular and Valuable Samples free. A +postal-card on which to send your address costs but one cent Write at +once to F.M. REED, 8TH ST., NEW YORK</p></td></tr> +</table></td></tr> +</table> + +<h2>Choicest Books for Children.</h2> + +<h3>THE BEAUTIFUL BOOK.</h3> + +<p>This is a collection of some of the best poems that have appeared in +"The Nursery." It is a volume of 128 pages, richly bound in cloth, with +one or more Pictures on every page. It is specially attractive as a +Gift-Book for the holidays.</p> + +<p class="center"><b>Price.......75 Cents.</b></p> +<hr class="small" /> +<h3>THE EASY BOOK.</h3> + +<p>This is a book of 128 pages, prepared expressly for children just +learning to read. It is in large Old English type, with a profusion of +pictures and delightful object-lessons, and is made so fascinating that +a child learns to read from it with little or no aid.</p> + +<p class="center"><b>Elegantly bound in full cloth ... 75 Cents.<br /> +Elegantly bound in half cloth ... 50 Cents</b></p> + + +<p>*<sub>*</sub>* The above books will be sent, postpaid, on receipt of price, by the +Publisher,</p> <h3 style="margin-bottom:-.7em;">JOHN L. SHOREY,</h3> +<p class="author"><b>36 Bromfield Street, Boston, Mass.</b></p> +<p> </p> +<p><a name="Page_36" id="Page_36"></a></p> + +<table summary="Seltzer ad" width="100%" frame="hsides"> +<tr><td><img src="images/036a.png" alt="Seltzer" /></td> +<td> +<h3>VOLCANIC MEDICINES</h3> +<p>Which convulse the system by their violent cathartic action, must not be +taken for constipation. The mild, soothing and painless operation of +<b>Tarrant's Seltzer Aperient</b> is exactly what is required, and will +speedily cure the most chronic cases.</p> +<p class="center"><b>Sold by all Druggists.</b></p></td></tr> +</table> +<table summary="container left" width="50%" align="left"> + +<tr><td><table summary="profits"> +<tr><td style="font-size:larger;">$57.60</td> <td><p style="font-size:x-small"> +AGENTS' PROFITS PER WEEK, +Will prove it or forfeit $500. New article just patented. Samples sent +free to all. Address W.H. CHIDESTER, 267 Broadway, N. York.</p></td></tr> +</table> +<table summary="WANTED" frame="hsides"> +<tr><td style="font-size:xx-large">WANTED</td> + +<td><p style="font-size:x-small"> +Agents for the best-selling Prize Package is the world. It contains 15 +sheets paper, 15 envelopes, golden Pen, Pen Holder, Pencil, patent Yard +Measure, and a piece of Jewelry Single package with elegant prize. +postpdd, 25c. Circular free. BRIDE & CO., 769 Broadway. N.Y.</p></td> +</tr></table> +<table summary="image"> +<tr><td align="center"><img src="images/036c.png" alt="Constantine" /></td></tr> +</table> +<table summary="Ladies make $5" frame="hsides"> +<tr><td style="font-size:xx-large" rowspan="2">LADIES</td><td> +<p style="font-size:x-small">can make $5 a day in their own city or town Address Ellis M'F'G Co. Waltham, Mass.</p></td></tr> +</table> + +<table summary="Agents Wanted"> +<tr><td><b>AGENTS WANTED</b></td> +<td align="center">FOR DR. MARCH'S<br /> GREAT WORK,</td></tr> + +<tr><td colspan="2" align="center"><b>NIGHT-SCENES IN THE BIBLE.</b></td></tr> + +<tr><td colspan="2"><p style="font-size: smaller;">And a magnificent New Book just from the press.<br /> + Address J.C. McCURDY & CO., Philadelphia, Pa.</p></td></tr> +</table> +<table summary="Dime" frame="hsides" width="100%"> + +<tr><td><b>DIME</b><br /> +Arabian Nights</td> + +<td style="font-size:x-small">EVERY BOY<br /> +should send<br /> for a copy.</td> + +<td style="font-size:x-small">Wonderful<br /> Stories—cheap,<br /> +postpaid for 10 c.<br /></td> +</tr> +<tr><td align="center" colspan="3">HOWARD CHALLEN, Publisher, Phila.</td></tr> +</table> + +<table summary="Seeds"> +<tr><td><h4>SEEDS AND BULBS.</h4></td></tr> + +<tr><td align="center">ILLUSTRATED SPRING CATALOGUE FOR 1875.</td></tr> + +<tr><td align="center">NOW READY.</td></tr> + +<tr><td><p style="font-size:x-small">Sent, with a specimen copy of THE AMERICAN GARDEN, a new Illustrated +Journal of Garden Art, edited by James Hogg, on receipt of ten cents.</p></td></tr> + +<tr><td align="center"><b>BEACH, SON & CO., Seedsmen,</b></td></tr> +<tr><td align="right" style="font-size:x-small">76 Fulton St., Brooklyn, N.Y.</td></tr> +</table> +<table summary="Agents wanted" frame="hsides"> +<tr><td style="font-size:small"><p><b>$5 to $20</b> per day Agents wanted. +All classes of working people of both +sexes, young and old, make more money at work for us in their own +localities, during their spare moments, or all the time, than at +anything else. We offer employment that will pay handsomely for every +hour's work. Full particulars, terms, &c., sent free. Send us your +address at once. Don't delay. Now is the time. Don't look for work or +business elsewhere, until you have learned what we offer.</p> +<p class="author">G. Stinson & Co., Portland, Maine.</p></td></tr> +</table></td></tr> +</table> +<table summary="container right" width="50%" align="right" frame="lhs"> +<tr><td><table summary="Bulbs image" frame="below"> +<tr><td align="center"><img src="images/036b.png" alt="Bulbs" /></td></tr> +<tr><td align="center">THE AUTUMN NUMBER OF VICK'S FLORAL GUIDE.</td></tr> +<tr><td style="font-size:small"><p>containing descriptions of Hyacinths, Tulips, Lilies, and all Bulbs and +Seeds for Fall Planting in the Garden, and for Winter Flowers in the +house—just published and sent free to all.</p></td></tr> +<tr><td align="right" style="font-size:small">Address JAMES VICK, Rochester, N.Y.</td></tr> +</table> + +<table summary="printing press" frame="below"> + +<tr><td colspan="2" align="center"><b>CENTENNIAL PRINTING PRESS</b></td></tr> +<tr><td><img src="images/printingpress.jpg" alt="PRINTING PRESS" /></td> +<td><p style="font-size:small">The neatest, simplest, cheapest bed and platen press ever made, screw +chase, adjustable guage, with ink table and roller, warranted to do good +work, and sold for TWO Dollars! By mail. $2.95. A miniature printing +office—press, cabinet, cases, two fonts of type, ink, leads, &c., for +$5.00! By mail, $7.25!Circular free. Agents wanted. JOSEPH WATSON, 73 Cornhill, Boston; 53 +Murray St., New York.</p></td></tr> +</table> +<table summary="Ladies" frame="below"> +<tr><td><p style="font-size:smaller"><b>LADIES</b>, you can have a clear complexion by using <b>HARRISON'S PARIAN +WHITE</b> face-powder. <i>It is very beautifying in effect, can be used +without detection, and does not rub off.</i> Ask your druggist for it, or +send 3-cent stamp for trial sample. Address HARRISON M'F'G Co. 13 No. +Ninth Street, Philadelphia, Pa.</p></td></tr> +</table> +<table summary="The Nursery" frame="below"> +<tr><td style="font-size:large" align="center">BOUND VOLUMES</td></tr> +<tr><td> </td></tr> +<tr><td align="center">OF</td></tr> +<tr><td><h3>The Nursery</h3></td></tr> +<tr><td>Will be sent, postpaid, by the publisher at the following prices:—</td></tr> +<tr><td> </td></tr> +<tr><td align="center"><b>Half-Yearly Volumes, . $1.00</b><br /> +<b>Yearly Volumes, . . . . . . 1.75</b></td></tr> +<tr><td style="font-size:small">The magazine was begun in 1867.</td></tr> +</table> +</td> +</tr> +</table> + +<p><a name="Page_37" id="Page_37"></a></p> +<p> </p> +<h2>The Nursery.</h2> +<hr class="small" /> +<h4>TERMS — 1875.</h4> +<hr class="small" /> +<p><b>SUBSCRIPTIONS</b>,—$1.60 a year, in advance. Three copies for 4.30 a year; +four for $5.40; five for $6.50; six for $7.60: seven for $8.70; eight +for $9.80, nine for $10.90; each additional copy for $1.20; twenty +copies for $22.00, always in advance.</p> + +<p>POSTAGE is included in the above rates. All magazines are sent postpaid.</p> + +<p>A SINGLE NUMBER will be mailed for 15 cents. <i>One sample number will +mailed for 10 cents.</i></p> + +<p>VOLUMES begin with January and July. Subscriptions may commence with any +month, but, unless the time is specified, will date from the beginning +of the current volume.</p> + +<p>BACK NUMBERS can always be supplied. <i>The Magazine commenced January, +1867.</i></p> + +<p>BOUND VOLUMES, each containing the numbers for six months, will be sent +by mail, postpaid, for $1.00 per volume; yearly volumes for $1.75.</p> + +<p>COVERS, for half-yearly volume, postpaid, 35 cents; covers for yearly +volume, 40 cents.</p> + +<p>PRICES OF BINDING.—In the regular half-yearly volume, 40 cents; in one +yearly volume (12 Nos. in one), 50 cents. If the volumes are to be +returned by mail, add 14 cents for the half-yearly, and 22 cents for the +yearly volume, to pay postage.</p> + +<p>REMITTANCES may be made at our risk, if made by check, or money-order.</p> + +<hr class="small" /> + +<h4>IN CLUB WITH OTHER PERIODICALS.</h4> + +<h5>(ALL POSTPAID.)</h5> + +<table border="0" cellpadding="4" cellspacing="0" summary="Cost of Periodicals"> +<tr><td>Scribner's Monthly</td><td align='right'>$4.00,</td><td>and The Nursery,</td><td align='right'>$4.75</td></tr> +<tr><td>Harper's Monthly</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Harper's Weekly</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Harper's Bazar</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Atlantic Monthly</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Galaxy</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Old and New</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Lippincott's Magazine</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4,75</td></tr> +<tr><td>Appleton's Journal</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Living Age</td><td align='right'>8.00,</td><td>and The Nursery,</td><td align='right'>9.00</td></tr> +<tr><td>Phrenological Journal</td><td align='right'>3.10,</td><td>and The Nursery,</td><td align='right'>4.00</td></tr> +<tr><td>The Science of Health</td><td align='right'>2.00,</td><td>and The Nursery,</td><td align='right'>3.10</td></tr> +<tr><td>The Sanitarian</td><td align='right'>3.00,</td><td>and The Nursery,</td><td align='right'>4.00</td></tr> +<tr><td>St. Nicholas</td><td align='right'>3.00,</td><td>and The Nursery,</td><td align='right'>4.00</td></tr> +<tr><td>The Household</td><td align='right'>1.00,</td><td>and The Nursery,</td><td align='right'>2.20</td></tr> +<tr><td>Mother's Journal</td><td align='right'>2.00,</td><td>and The Nursery,</td><td align='right'>3.25</td></tr> +<tr><td>Demorest's Monthly</td><td align='right'>3.10,</td><td>and The Nursery,</td><td align='right'>4.25</td></tr> +<tr><td>Amer. Agriculturist</td><td align='right'>1.50,</td><td>and The Nursery,</td><td align='right'>2.70</td></tr> +<tr><td>Leslie's Illustrated</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Optic's Magazine</td><td align='right'>3.00,</td><td>and The Nursery,</td><td align='right'>4.25</td></tr> +<tr><td>Lady's Journal</td><td align='right'>4.00,</td><td>and The Nursery,</td><td align='right'>4.75</td></tr> +<tr><td>Godey's Lady's Book</td><td align='right'>3.00,</td><td>and The Nursery,</td><td align='right'>4.00</td></tr> +<tr><td>Hearth and Home</td><td align='right'>3.00,</td><td>and The Nursery,</td><td align='right'>4.00</td></tr> +<tr><td>Young People's Mag.</td><td align='right'>1.50,</td><td>and The Nursery,</td><td align='right'>2.70</td></tr> +<tr><td>The Horticulturist</td><td align='right'>2.10,</td><td>and The Nursery,</td><td align='right'>3.20</td></tr> +<tr><td>Ladies Floral Cabinet</td><td align='right'>1.30,</td><td>and The Nursery,</td><td align='right'>2.60</td></tr> +</table> + + +<p>N.B.—When any of these Magazines is desired in club with "The Nursery" +at the above rates, both Magazines must be subscribed for at the <i>same +time</i>: but they need not be to the same address. We furnish our own +Magazine, and agree to pay the subscription for the other. Beyond this +we take no responsibility. The publisher of each Magazine is responsible +for its prompt delivery; and complaints must be addressed accordingly.</p> + +<hr class="small" /> + +<h4>NOTICE TO SUBSCRIBERS.</h4> + +<p>The number of the Magazine with which your subscription <i>expires</i> is +indicated by the number annexed to the address on the printed label. +When no such number appears, it will be understood that the subscription +ends with the current year. <b>No notice of discontinuance need be given, +as the Magazine is never sent after the term of subscription expires.</b> +Subscribers will oblige us by sending their renewals promptly. State +always that your payment is for a <i>renewal</i>, when such is the fact. In +changing the direction, the <i>old</i> as well as the <i>new</i> address should be +given. The sending of "The Nursery" will be regarded as a sufficient +receipt.</p> + +<div class="figleft" style="margin-top:0em;"><img src="images/pointingfinger.jpg" alt="finger" title="finger" /></div> +<p style="font-size: smaller;">Any one not receiving it will please notify us immediately, +giving date of remittance. ADDRESS</p> + +<p class="author"><b>JOHN L. SHOREY, 36 Bromfield St., Boston, Mass.</b></p> +<p> </p> +<p> </p> +<p><a name="Page_38" id="Page_38"></a></p> + +<div class="figcenter"><img src="images/038.png" alt="The Nursery." /></div> +<hr /> +<h3>PREMIUM-LIST for 1875.</h3> +<p>For three new subscribers, at $1.60 each, we will give any one of the +following articles: a heavily-plated gold pencil-case, a rubber +pencil-case with gold tips, silver fruit-knife, a pen-knife, a beautiful +wallet, any book worth $1.50. For five, at $1.60 each, any one of the +following: globe microscope, silver fruit-knife, silver napkin-ring, +book or books worth $2.50. For six, at $1.60 each, we will give any one +of the following: a silver fruit-knife (marked), silver napkin-ring, +pen-knives, scissors, backgammon-board, note-paper and envelopes stamped +with initials, books worth $3.00. For ten, at $1.60 each, select any one +of the following; morocco travelling-bag, stereoscope with six views, +silver napkin-ring, compound microscope, lady's work-box, sheet-music or +books worth $5.00. For twenty, at $1.60 each, select any one of the +following: a fine croquet-set, a powerful opera-glass, a toilet case, +Webster's Dictionary (unabridged), sheet-music or books worth $10,00.</p> + +<p> *<sub>*</sub>* Any other articles +equally easy to transport may be selected as +premiums, their value being in proportion to the number of subscribers +sent. Thus, we will give for three new subscribers, at $1.60 each, a +premium worth $1.50; for four, a premium worth $2.00; for five, a +premium worth $2.50; and so on.</p> + +<p style="font-size: smaller;">BOOKS for premiums may be selected from any publisher's catalogue; and +we can always supply them at catalogue prices. Under this offer, +subscriptions to any periodical or newspaper are included.</p> + +<hr class="small" /> + + +<h3>SPECIAL OFFERS.</h3> + +<p>BOOKS.—For two new subscribers, at $1.60 each, we will give any +<i>half-yearly</i> volume of THE NURSERY; for three any <i>yearly</i> volume; for +two, OXFORD'S JUNIOR SPEAKER; for two, THE EASY BOOK; for two, THE +BEAUTIFUL BOOK; for three, OXFORD'S SENIOR SPEAKER; for three, SARGENT'S +ORIGINAL DIALOGUES; for three, an elegant edition of SHAKSPEARE, +complete in one volume, full cloth, extra gilt, and gilt-edged; or any +one of the standard BRITISH POETS, in the same style. GLOBES.—For two +new subscribers, we will give a beautiful GLOBE three inches in +diameter; for three, a GLOBE four inches in diameter; for five, a GLOBE +six inches in diameter. PRANG'S CHROMOS will be given as premiums at the +publisher's prices. Send stamp for a catalogue. GAMES, &c.—For two new +subscribers, we will give any one of the following: The Checkered Game +of Life, Alphabet and Building Blocks, Dissected Maps, &c., &c. For +three new subscribers, any one of the following: Japanese Backgammon or +Kakeba, Alphabet and Building Blocks (extra). Croquet, Chivalrie, Ring +Quoits, and any other of the popular games of the day may be obtained on +the most favorable terms, by working for THE NURSERY. Send stamp to us +for descriptive circulars.</p> + + +<h4>MARSHALL'S ENGRAVED PORTRAITS OF LINCOLN AND GRANT.</h4> + +<p style="font-size: smaller;">Either of these large and superbly executed steel engravings will be +sent, postpaid, as a premium for three new subscribers at $1.60 each.</p> + +<div class="figleft" style="margin-top:0em;"><img src="images/pointingfinger.jpg" alt="finger" title="finger" /></div><p>Do not wait to make up the whole list before sending. Send +the subscriptions as you get them, stating that they are to go to your +credit for a premium; and, when your list is completed, select your +premium, and it will be forthcoming.</p> + +<div class="figleft" style="margin-top:0em;"><img src="images/pointingfinger.jpg" alt="finger" title="finger" /></div><p><i>Take notice that our offers of premiums apply only to +subscriptions paid at the full price: viz., $1.60 a year. We do not +offer premiums for subscriptions supplied at club-rates. We offer no +premiums for one subscription only. We offer no premiums in money.</i></p> + +<p class="author">Address <b>JOHN L SHOREY, 36 Bromfield St., Boston.</b></p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Nursery, No. 106, October, 1875. +Vol. XVIII., by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NO. 106 *** + +***** This file should be named 16522-h.htm or 16522-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/5/2/16522/ + +Produced by Juliet Sutherland, Janet Blenkinship and the +Online Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/16522-h/images/035b.png b/16522-h/images/035b.png Binary files differnew file mode 100644 index 0000000..3b880cb --- /dev/null +++ b/16522-h/images/035b.png diff --git a/16522-h/images/036a.png b/16522-h/images/036a.png Binary files differnew file mode 100644 index 0000000..bbc3f73 --- /dev/null +++ b/16522-h/images/036a.png diff --git a/16522-h/images/036b.png b/16522-h/images/036b.png Binary files differnew file mode 100644 index 0000000..d5a7e0d --- /dev/null +++ b/16522-h/images/036b.png diff --git a/16522-h/images/036c.png b/16522-h/images/036c.png Binary files differnew file mode 100644 index 0000000..74c399d --- /dev/null +++ b/16522-h/images/036c.png diff --git a/16522-h/images/038.png b/16522-h/images/038.png Binary files differnew file mode 100644 index 0000000..71f7832 --- /dev/null +++ b/16522-h/images/038.png diff --git a/16522-h/images/colgate.jpg b/16522-h/images/colgate.jpg Binary files differnew file mode 100644 index 0000000..4f219ee --- /dev/null +++ b/16522-h/images/colgate.jpg diff --git a/16522-h/images/illus-03-tb.png b/16522-h/images/illus-03-tb.png Binary files differnew file mode 100644 index 0000000..172bae6 --- /dev/null +++ b/16522-h/images/illus-03-tb.png diff --git a/16522-h/images/illus-03.png b/16522-h/images/illus-03.png Binary files differnew file mode 100644 index 0000000..ba19f74 --- /dev/null +++ b/16522-h/images/illus-03.png diff --git a/16522-h/images/illus-04.jpg b/16522-h/images/illus-04.jpg Binary files differnew file mode 100644 index 0000000..4606150 --- /dev/null +++ b/16522-h/images/illus-04.jpg diff --git a/16522-h/images/illus-05-tb.jpg b/16522-h/images/illus-05-tb.jpg Binary files differnew file mode 100644 index 0000000..0061cc5 --- /dev/null +++ b/16522-h/images/illus-05-tb.jpg diff --git a/16522-h/images/illus-05.jpg b/16522-h/images/illus-05.jpg Binary files differnew file mode 100644 index 0000000..9ca550e --- /dev/null +++ b/16522-h/images/illus-05.jpg diff --git a/16522-h/images/illus-07.jpg b/16522-h/images/illus-07.jpg Binary files differnew file mode 100644 index 0000000..4a1d785 --- /dev/null +++ b/16522-h/images/illus-07.jpg diff --git a/16522-h/images/illus-09-tb.jpg b/16522-h/images/illus-09-tb.jpg Binary files differnew file mode 100644 index 0000000..6cec787 --- /dev/null +++ b/16522-h/images/illus-09-tb.jpg diff --git a/16522-h/images/illus-09.jpg b/16522-h/images/illus-09.jpg Binary files differnew file mode 100644 index 0000000..7980715 --- /dev/null +++ b/16522-h/images/illus-09.jpg diff --git a/16522-h/images/illus-10.jpg b/16522-h/images/illus-10.jpg Binary files differnew file mode 100644 index 0000000..98c9590 --- /dev/null +++ b/16522-h/images/illus-10.jpg diff --git a/16522-h/images/illus-11.png b/16522-h/images/illus-11.png Binary files differnew file mode 100644 index 0000000..27bf4d1 --- /dev/null +++ b/16522-h/images/illus-11.png diff --git a/16522-h/images/illus-13.png b/16522-h/images/illus-13.png Binary files differnew file mode 100644 index 0000000..d5cf95d --- /dev/null +++ b/16522-h/images/illus-13.png diff --git a/16522-h/images/illus-14.png b/16522-h/images/illus-14.png Binary files differnew file mode 100644 index 0000000..c78b6a0 --- /dev/null +++ b/16522-h/images/illus-14.png diff --git a/16522-h/images/illus-15-tb.jpg b/16522-h/images/illus-15-tb.jpg Binary files differnew file mode 100644 index 0000000..6ab00ee --- /dev/null +++ b/16522-h/images/illus-15-tb.jpg diff --git a/16522-h/images/illus-15.jpg b/16522-h/images/illus-15.jpg Binary files differnew file mode 100644 index 0000000..144b2d4 --- /dev/null +++ b/16522-h/images/illus-15.jpg diff --git a/16522-h/images/illus-16-tb.jpg b/16522-h/images/illus-16-tb.jpg Binary files differnew file mode 100644 index 0000000..024dc0a --- /dev/null +++ b/16522-h/images/illus-16-tb.jpg diff --git a/16522-h/images/illus-16.jpg b/16522-h/images/illus-16.jpg Binary files differnew file mode 100644 index 0000000..8e6a119 --- /dev/null +++ b/16522-h/images/illus-16.jpg diff --git a/16522-h/images/illus-17-tb.png b/16522-h/images/illus-17-tb.png Binary files differnew file mode 100644 index 0000000..96b7337 --- /dev/null +++ b/16522-h/images/illus-17-tb.png diff --git a/16522-h/images/illus-17.png b/16522-h/images/illus-17.png Binary files differnew file mode 100644 index 0000000..6d66ca1 --- /dev/null +++ b/16522-h/images/illus-17.png diff --git a/16522-h/images/illus-19-tb.png b/16522-h/images/illus-19-tb.png Binary files differnew file mode 100644 index 0000000..47d12c6 --- /dev/null +++ b/16522-h/images/illus-19-tb.png diff --git a/16522-h/images/illus-19.png b/16522-h/images/illus-19.png Binary files differnew file mode 100644 index 0000000..9c39844 --- /dev/null +++ b/16522-h/images/illus-19.png diff --git a/16522-h/images/illus-21-tb.jpg b/16522-h/images/illus-21-tb.jpg Binary files differnew file mode 100644 index 0000000..e86a27d --- /dev/null +++ b/16522-h/images/illus-21-tb.jpg diff --git a/16522-h/images/illus-21.jpg b/16522-h/images/illus-21.jpg Binary files differnew file mode 100644 index 0000000..0672b66 --- /dev/null +++ b/16522-h/images/illus-21.jpg diff --git a/16522-h/images/illus-23-tb.jpg b/16522-h/images/illus-23-tb.jpg Binary files differnew file mode 100644 index 0000000..bfd7ed9 --- /dev/null +++ b/16522-h/images/illus-23-tb.jpg diff --git a/16522-h/images/illus-23.jpg b/16522-h/images/illus-23.jpg Binary files differnew file mode 100644 index 0000000..5ef3bf3 --- /dev/null +++ b/16522-h/images/illus-23.jpg diff --git a/16522-h/images/illus-25.png b/16522-h/images/illus-25.png Binary files differnew file mode 100644 index 0000000..35f1a8b --- /dev/null +++ b/16522-h/images/illus-25.png diff --git a/16522-h/images/illus-27-tb.png b/16522-h/images/illus-27-tb.png Binary files differnew file mode 100644 index 0000000..eda9e42 --- /dev/null +++ b/16522-h/images/illus-27-tb.png diff --git a/16522-h/images/illus-27.png b/16522-h/images/illus-27.png Binary files differnew file mode 100644 index 0000000..04323e5 --- /dev/null +++ b/16522-h/images/illus-27.png diff --git a/16522-h/images/illus-28-tb.png b/16522-h/images/illus-28-tb.png Binary files differnew file mode 100644 index 0000000..1f879f8 --- /dev/null +++ b/16522-h/images/illus-28-tb.png diff --git a/16522-h/images/illus-28.png b/16522-h/images/illus-28.png Binary files differnew file mode 100644 index 0000000..6486da6 --- /dev/null +++ b/16522-h/images/illus-28.png diff --git a/16522-h/images/illus-29.jpg b/16522-h/images/illus-29.jpg Binary files differnew file mode 100644 index 0000000..fee1b59 --- /dev/null +++ b/16522-h/images/illus-29.jpg diff --git a/16522-h/images/illus-30-tb.jpg b/16522-h/images/illus-30-tb.jpg Binary files differnew file mode 100644 index 0000000..bebaaf2 --- /dev/null +++ b/16522-h/images/illus-30-tb.jpg diff --git a/16522-h/images/illus-30.jpg b/16522-h/images/illus-30.jpg Binary files differnew file mode 100644 index 0000000..f2a9faf --- /dev/null +++ b/16522-h/images/illus-30.jpg diff --git a/16522-h/images/illus-32.png b/16522-h/images/illus-32.png Binary files differnew file mode 100644 index 0000000..746220e --- /dev/null +++ b/16522-h/images/illus-32.png diff --git a/16522-h/images/illus-34.png b/16522-h/images/illus-34.png Binary files differnew file mode 100644 index 0000000..23d51c5 --- /dev/null +++ b/16522-h/images/illus-34.png diff --git a/16522-h/images/illus-34music.png b/16522-h/images/illus-34music.png Binary files differnew file mode 100644 index 0000000..7ddc15e --- /dev/null +++ b/16522-h/images/illus-34music.png diff --git a/16522-h/images/motif.jpg b/16522-h/images/motif.jpg Binary files differnew file mode 100644 index 0000000..8ea0a19 --- /dev/null +++ b/16522-h/images/motif.jpg diff --git a/16522-h/images/pointingfinger.jpg b/16522-h/images/pointingfinger.jpg Binary files differnew file mode 100644 index 0000000..543feba --- /dev/null +++ b/16522-h/images/pointingfinger.jpg diff --git a/16522-h/images/printingpress.jpg b/16522-h/images/printingpress.jpg Binary files differnew file mode 100644 index 0000000..d3d564f --- /dev/null +++ b/16522-h/images/printingpress.jpg diff --git a/16522-h/images/title.png b/16522-h/images/title.png Binary files differnew file mode 100644 index 0000000..817f14b --- /dev/null +++ b/16522-h/images/title.png diff --git a/16522.txt b/16522.txt new file mode 100644 index 0000000..a00174a --- /dev/null +++ b/16522.txt @@ -0,0 +1,1678 @@ +The Project Gutenberg EBook of The Nursery, No. 106, October, 1875. Vol. +XVIII., by Various + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Nursery, No. 106, October, 1875. Vol. XVIII. + A Monthly Magazine for Youngest Readers + +Author: Various + +Release Date: August 13, 2005 [EBook #16522] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NO. 106 *** + + + + +Produced by Juliet Sutherland, Janet Blenkinship and the +Online Distributed Proofreading Team at https://www.pgdp.net + + + + + + + +No. 106. + +OCTOBER, 1875 + +Vol. XVIII. + +THE NURSERY + +_A Monthly Magazine_ + +FOR YOUNGEST READERS. + +BOSTON: JOHN L. SHOREY, 36 BROMFIELD STREET. AMERICAN NEWS Co., 119 +NASSAU ST., NEW YORK. NEW-ENGLAND NEWS Co., 41 COURT ST., BOSTON. +CENTRAL NEWS Co., PHILADELPHIA. WESTERN NEWS Co., Chicago. + +$1.60 a Year, in advance, Postage included. A single copy, 15 cts. + +Entered according to Act of Congress, in the year 1875, by JOHN L. +SHOREY, in the Office of the Librarian of Congress at Washington. + + + + +CONTENTS OF NUMBER ONE HUNDRED AND SIX. + + PAGE. + +THE DELIGHTS OF THE SEASIDE By _Emily Carter_ 97 +MABEL AND HER FRIEND CARLO By _Ned_ 99 +PLAYING KING By _Alfred Selwyn_ 100 +A TRUE ANTELOPE STORY By _Lloyd Wyman_ 102 +THE APPLE TREE By _Clara Doty Bates_ 105 +A COUNCIL OF HORSES By _Uncle Charles_ 106 +THE PET OF THE SHIP By _C.E.C._ 108 +THE UNMOTHERLY HEN By _C.R.W._ 111 +A DRAWING LESSON 113 +THE CHILDREN'S VISIT TO THE LIGHTHOUSE + By _Charlie's Mamma_ 114 +GOING AFTER COWS By _W.T.O._ 116 +ROLY-POLY By _Olive A. Wadsworth_ 119 +ELSIE'S DUCKS By _Ida Fay_ 120 +FISHING FOR TROUT By _Alfred Selwyn_ 122 +WE THREE By _Bella_ 124 +PET, THE CANARY By _Mamma_ 125 +THE CAT SHOW By _Sallie's Mamma_ 126 +GOING THROUGH THE CORN (_Music by T. Crompton_) 128 + + + + +EDITOR'S PORTFOLIO. + + +With this number we begin on the last quarter of the year 1875; and we +have the pleasure of informing our host of readers, young and old, that +the prospects of "The Nursery" were never so encouraging as now. It has +not only held its own during these hard times, but gone on increasing. +Canvassers may take hold of it with the assurance that future numbers +will be improvements even on the past. + +"Playing the King," in our present number, will be a good piece for +humorous declamation at school. Both the artist and the poet have done +their work well. + +For the coming holidays, there will be no juvenile work equal in +attraction to the "NURSERY PRIMER," which will now soon be ready. It +will be the best book for beginners ever got up. Already we have +received numerous orders for it, to which we shall soon respond. + +"The Easy Book" and "The Beautiful Book" ought to be remembered by +dealers ordering for the holidays. These books have only to be seen to +be appreciated. The Nursery series of books is allowed to be the best +for the purpose designed, namely, the teaching of children to read, +_chiefly by their own efforts_, that has ever appeared. + +Unaccepted articles will be returned to the writers _if stamps are sent +with them_ to pay return postage. Manuscripts not so accompanied will +not be preserved, and subsequent requests for their return cannot be +complied with. + + +[Hand-->] ==New Subscribers for 1876, whose names and money are sent us +before November next, will receive the last three numbers of 1875 FREE.== + + +[Hand-->] We want a special agent in every town in the United States. +Persons disposed to act in that capacity, are invited to communicate +with the publisher. + +[Illustration] + + + + + THE DELIGHTS OF THE SEASIDE. + + + Oh merry, merry sports had we, last summer on the beach,-- + Lucy and Oliver and I, with Uncle Sam to teach! + At times, clad in our bathing-suits, we'd join our hands, all four, + And rush into the water, or run along the shore. + + The wet sand, how it glistened on the sunny summer day! + And how the waves would chase us back, as if they were in play! + And when, on the horizon blue, a sail we would espy, + How "Ship ahoy!" or "Whither bound?" we all of us would cry! + + The white, white sand, so smooth and hard, oh what a place for fun! + With no one by to check our screams, or say, "Now, pray, have done!" + The sea-birds, not at all disturbed by all our mirthful noise, + Would cry to us, as if they said, "Shout on, shout on, my boys!" + + Sometimes we'd seek for flattened stones, and skim them o'er the waves; + Then go where, in the piled-up rocks, the sea had hollowed caves; + Or sit and feel the cooling breeze in silent happiness; + Or hunt for seaweed in the clefts, and take it home to press. + + And well do I remember there a little shallow creek, + Where we would go and sail our ships, at least three times a week: + We loaded them with cargoes rich, and sent them all to Spain; + And back they came with heavy freights, by which we made much gain. + + Oh! pleasant pastimes on the beach, how often I recall + The ocean grand, the distant sails, the rocks, the lighthouse tall! + They do not fade, these pictures bright, from memory's inner view; + And age itself shall never dim their colors ever new. + + EMILY CARTER. + +[Illustration] + + + + +MABEL AND HER FRIEND CARLO. + + +Mabel lives on a hill, quite near a beautiful lake, and is very fond of +going with her papa to take a row on the water. Sometimes they visit the +woods on the other side of the lake, and pick wild flowers, or go where +the water-lilies grow, near the shore, and gather a bunch of the pretty +white blossoms. + +But I must tell about Mabel's friend Carlo. He is a large shaggy dog, +owned by a gentleman who lives near. Although quite a young dog, he +knows a great deal. He is very fond of water, and is wild with delight +at the prospect of a swim. + +His master owns a large sail-boat, and, as the water near the shore is +not deep, he has to use a small boat to reach it. When Carlo sees him +take down the oar from its place in the yard, he runs up, and takes it +in his mouth, as much as to say, "Let me carry that for you, master." +Then he trots down the hill with the oar, feeling very proud that he is +allowed to carry it. + +One day, Carlo took hold of the rope with his teeth, and drew the small +boat to the shore; so that his master, who was in it, did not have to +use the oar. + +Mabel loves Carlo very much; and, although he is a large dog, he knows +that he must play very gently with little boys and girls, and not hurt +them with his great paws. + NED + + + + + PLAYING KING. + + + Ho! I'm a king, a king! A crown is on my head; + A sword is at my side; and regal is my tread: + Ho, slave! proclaim my will to all the people round,-- + The schools are hereby closed; henceforth must fun abound. + + Vacation shall not end; all slates I order smashed; + The man who says "arithmetic"--he must be soundly thrashed; + All grammars shall be burnt; the spellers we will tear; + The boy who spells correctly--a fool's cap he shall wear. + + No dolls shall be allowed, for dolls are what I hate; + The girls must give them up, and learn to swim and skate; + Confectioners must charge only a cent a pound + For all the plums and candy that in the shops are found. + + That man who asks a dime for any pear or peach-- + I'll have him hung so high, that none his feet can reach; + No baker is allowed hereafter to bake bread; + He must bake only pies and cake and ginger-snaps instead. + + All lecturers must quit our realm without delay; + The circus-men and clowns, on pain of death, must stay; + All folks who frown on fun, at once must banished be: + Now, fellow, that you know my will, to its fulfilment see! + + ALFRED SELWYN. + +[Illustration] + + +A TRUE ANTELOPE STORY. + + +Some time ago, I told the readers of "The Nursery" about catching a +buffalo-calf. I will now tell them about a young antelope which we +caught, and another which we almost caught. + +Tip and I were in that part of Western Kansas which is left blank on the +maps. Two hunters, Thompson and Hughes, had joined us; and we were +coming back from a buffalo-chase. We had been crawling lazily along, +over prairie, through valley, up and down hill, since sunrise, and it +was now nearly noon. + +All of a sudden, from a clump of tall grass near us, up sprung an +antelope and a pair of beautiful fawns. Like a flash, the old one and +one of the fawns started over the brow of the ridge on which they were +lying; while the other little fellow began running around in a circle, +as you have seen ponies do at the circus, bleating as hard as he could. + +The boys leaped from the wagons in an instant, while I remained to hold +the horses. Ranging themselves around the circle, the three hunters +every now and then, dashed headlong after the fawn as he flew past; but +missed him by a rod or more every time. + +Our dog Landy, also, was on hand for the fun; and it was a laughable +sight to see the great awkward fellow straining every nerve to overtake +the little streak of animated lightning that flashed before him. Landy +was a Newfoundland shepherd, and I knew that nothing could induce him to +hurt the fawn if he should catch him. + +While I was watching the sport, and laughing at the drollery of it, all +at once I heard a stamping on the other side of the wagon, and, stepping +quickly around the horses' heads, I saw the old doe, and a buck and doe +with her. + +[Illustration] + +As the fawn came bounding along the circle, the buck and does, bleating +anxiously, darted in ahead of him, rushing right by the men and dog. +Never stopping an instant, the big buck led the way, the does and fawn +followed; and, before you could say "Jack Robinson," they were "over the +hills, and far away." + +This was the antelope that we _almost_ caught. The boys came back to the +wagons, thoroughly fagged out, and looking painfully silly. + +Again we drove along, but had not proceeded more than a mile or two, +when up sprung another old doe, and ran toward Landy, stamping her +fore-foot fiercely. Of course the foolish dog took after her as hard as +he could go,--just as she wanted him to do; and a fine chase she led +him, always taking care not to leave him so far behind as to discourage +him, and make him turn back. + +We knew at once by her actions that she had a fawn near there; and so, +while she was leading Landy away from it, we set about hunting it up. In +a few minutes, I came across the little slender-legged beauty, snugly +curled up under a tuft of grass. As I came upon him, he dashed out of +cover with a shrill, plaintive little "baa-baa, baa-baa," and, as fawns +always do in such cases, began running in a small circle. + +Landy, disgusted with his hopeless chase, came trotting back, and at +once struck in after the fawn. This one was not so fleet as the other; +and by and by Landy overtook him, and tried to stop him by pushing him +over with his nose. This frightened the fawn so badly, that he made +direct for Tip, who was squatting in the long grass in wait for him, and +rushed joyfully into his arms. + +We took the bright-eyed little thing into the wagon, and by night he was +so tame, that he would follow us around; and, when we lay down to sleep +on the ground, I gave him a corner of my blanket for a bed. At last we +got back to Thompson's log-house, which stood near the timber; and, when +we went away we gave the fawn to his two little girls. I would really +like to know what ever became of it. + + PERRY, O. LLOYD WYMAN. + +[Illustration] + + + + +[Illustration] + + The Apple Tree. + + + Up in the apple-tree + See the rosy cheeks; + See the balls that look like gold; + See the crimson streaks. + In the lovely autumn day, + Bright as in the bloom of May, + Filled with fruit, and fair to see, + Is the apple-tree. + + Under the apple-tree + See the rosy cheeks: + Little Ginx, the baby, + What is it he seeks? + Ah! his tiny teeth are white, + And are eager for a bite,-- + Such a tempting store to see + Is the apple-tree. + + Under the apple-tree, + Other rosy cheeks,-- + Edith, Mabel, Gold-Locks, + Full of happy freaks. + Here they run, and there they run, + Shouting merrily, if one + Fallen in the grass they see + From the apple-tree. + + CLARA DOTY BATES. + + + + +A COUNCIL OF HORSES. + + +On the large plains of South America, horses run wild in great numbers. +They are caught by means of a lasso, which is a rope with a noose at one +end. This is thrown with great dexterity over the neck of the wild +horse. + +The artist has called the picture which we here present "A Council of +Horses." Do they not look as if they were taking advice of one another? +The white horse, with his erect neck and head, seems to be the leader, +or chief. He is willing to hear what the others may have to say; but he +means that they shall follow him, after all. + +And can horses really make known their wishes to one another? It would +almost seem so, though we cannot prove it. Wild horses choose their own +chiefs, and these give the signal of departure. If any extraordinary +object appears, the chief commands a halt. He goes to discover what it +is, and, after his return, gives, by neighing, the signal of confidence, +of flight, or of combat. + +Five sorts of neighing may be noticed: that of joyfulness, of desire, of +anger, of fear, and of sorrow. A feeling peculiar to the horse is +emulation. Whoever has witnessed a horse-race can understand the ardor, +vehemence, and struggle for victory, which excite the energies of both +horses and men. The animals have often tried to hold their rivals back +by the teeth. This has been known to happen when the horses are left +entirely to themselves, as on some of the Italian race-courses, where +the horses run without riders. + +The horse has a strong memory. Franklin relates, that he had a horse +that conducted him through a hilly country where it was difficult to +find the road. Every time Franklin himself was unable to tell which road +to take, he would leave the reins on the horse's neck, and the good +beast, left to itself, never failed to go right. + +[Illustration] + +The noblest conquest that man ever made over the animal creation is that +of the horse. Every thing in him breathes out vivacity and energy. That +need of continual movement, that impatience during repose, that nervous +motion of the lips, that stamping of the feet, all indicate a pressing +need of activity. + + UNCLE CHARLES. + + + + +THE PET OF THE SHIP. + +PART III. + + +One day when the ship was at anchor in one of the ports on the western +coast of South America, a number of sheep were brought on board. Whether +Dennis regarded them as intruders, or not, I cannot say; but his +treatment of them was anything but kind. + +[Illustration] + +The poor sheep stood in great fear of him, and fled in alarm whenever he +made a charge at them. One by one they began to disappear; and, at last, +only one--a little fellow whom the sailors afterward named Billy--was +left. + +He was greatly distressed when the last of his companions was taken +away, and ran bleating about the deck in search of him. To add to his +troubles, that dreadful bully Dennis, who had been watching him for some +time, was now coming towards him. He was frightened nearly to death. + +What must have been his delight when he saw in Dennis's eyes a look of +pity, and heard his friendly grunt! I don't know what Dennis said; but I +do know, that, half an hour afterwards, Billy had forgotten all about +his troubles, and was lying down with his head resting in Dennis's fat +neck. + +Even the rough sailors were pleased; and as they looked at Dennis, who +was fast asleep, they said, "Now that was a fine thing, and Dennis was +the pig to do it. He was willing to fight with a flock of sheep; but, +when it came to quarrelling with one little fellow, he was too noble for +that." + +[Illustration] + +Thenceforth Dennis and Billy were inseparable, and no pair ever agreed +better. There were times, however, when Dennis seemed a little vexed +with Billy, though he was always as kind as possible. I will tell you of +an instance. + +Billy would always watch the crowd about Dennis, when the latter was +taking his bath, with a great deal of anxiety; and, if Dennis did not +appear very shortly, he would begin bleating loudly. + +This would disgust Dennis immensely; but he couldn't bear to think that +Billy's feelings were hurt: so he would leave his nice bath, and push +his way through the men, until Billy could see him. Then he would return +to the pump, grunting in a manner that plainly showed his feelings. + +He was certainly saying, "I do wish that sheep had a little more of the +pig about him. If I am out of his sight for a moment, he begins to cry, +and take on in such a manner, that I must show myself to him; and then I +have all the trouble of making the sailors pump again." + +But the sailors only waited to make Dennis beg a little. They had no +idea of not pumping again. They were always pleased when he showed so +much good feeling for Billy; and generally he got a larger allowance of +water to pay for it. + +I believe that Dennis was not living when the ship reached California. +That ever he became food for his sailor friends no one can imagine. +Therefore his fate must remain a mystery, unless some of my readers +happen to know one of the crew of "The Vanderbilt," and can learn from +him something on the subject. + +If they can, there are many, no doubt, who would be glad to hear from +them in the pages of "The Nursery." My little girls would, at least. +But, probably, Dennis has more of a place in their thoughts than he can +have in those of others. + +C.E.C. + +[Illustration] + + + + +[Illustration] + +THE UNMOTHERLY HEN. + + +Now, my dear children, if you will be very quiet, I will tell you a true +story, which I sometimes tell my little daughter Fanny and her cousin +Grace, when they climb up on my knees just before going to bed. + +On a farm near Fishkill, where Fanny's Aunt Jane lives, they raise a +great many chickens, turkeys, ducks, and geese. When I was a boy, ever +so many years ago, I used to have great fun hunting for eggs through the +hay and straw in the barns. + +Well, last year one of the hens, instead of laying her eggs in the +hen-house or barn, like a well-mannered hen, stole off under a +wood-pile, and was not seen for three weeks, when she made her +appearance with a fine brood of chickens. To keep her from straying away +again, she was put into a coop. For several days, she was a good mother +to her children; but, after a week or so, she began to act very +strangely, and, when her children came near her, she would peck and +abuse them. + +Would you believe it, children? in one day, this unmotherly hen had +pecked all but one of her chickens to death; and, when Aunt Jane found +this poor chap, he had but one eye, and all the toes were gone from one +foot; so that he had to stand on the other. At first, Aunt Jane thought +it would be a mercy to kill the little fellow, and put him out of pain; +but she finally determined that she would try to cure him. + +So she took him into the kitchen, and made him quite comfortable in a +box half filled with cotton-batting, and placed near the stove. She gave +him cracked-corn to eat, and plenty of water to drink, and, after a +while, he got so strong, that he hopped out of the box, and was just as +jolly a chicken as he could be, with only one eye to see with, and only +one foot and the stump of another to walk on. + +Still he would not go out and play with other chickens of his age, but +persisted in hanging around the kitchen. One morning, when Aunt Jane +went into the breakfast-room, she found him on the table, helping +himself from a dish of stewed potatoes. Such impudence could no longer +be tolerated: so the saucy little cripple was banished to the barnyard +to learn manners. + +And what do you think became of the unmotherly hen? She lost all her +friends. She was despised and hated by everybody on the farm. She was +pointed at as "that cruel, speckled hen," until life became a burden to +her. She was not permitted to have any more chickens. When the cold +weather came, she was sent to a poor woman for a thanksgiving dinner; +and it is to be hoped that all the hens in the barnyard took warning +from her fate. + + C.R.W. + LANSINGBURGH. N.Y. + +[Illustration: Outline Drawing by MR. HARRISON WEIR, as a drawing +lesson.] + + + + +THE CHILDREN'S VISIT TO THE LIGHTHOUSE. + + +Charlie and Georgie were staying at Appledore, one of the Isles of +Shoals, and, with two other little children, had many nice times fishing +and sailing. + +The lighthouse is on White Island, which, as you see in the picture, is +a lonely and rocky place. It would be very dangerous for any ship to +come in from sea on that part of the coast, if it were not for the +friendly warning of the brilliant light. + +One warm, sunny morning, Charlie and Georgie, with their papa and mamma, +and their two little friends, rowed across from Appledore, and landed on +the pebbly beach of White Island. Here the children ran about, and +picked up stones until they were tired; and then the whole party seated +themselves on some shaded rocks, and ate their lunch of crackers and +bananas. + +While they were eating, an old white dog, belonging to the lighthouse +keeper, came up and made their acquaintance. Georgie shared his cake +with him; and it was amusing to see the old dog watching with eager eyes +every piece that went into any mouth but his own. + +When lunch was over, the two older children, Charlie and Anna, led the +way; and all were soon climbing the winding stairs in the lighthouse +tower. When they reached the top, they found themselves in a small room +with windows on every side, and the great lamp in the centre. The +lantern is made of red-and-white glass, and turns around, so that first +a red, and then a white, light may be seen far out at sea. + +The keeper explained how, after lighting the lamp, he wound up the +machinery which caused the lamp to revolve; and told them of the lonely +hours he had spent in the little room below the lamp, while the waves +dashed, and the storm beat outside. + +[Illustration] + +For many weeks in the winter he lives there all by himself, and sees no +one; but, in the summer time, there is hardly a day when he does not +have a boat full of visitors. He always gives them a hearty welcome, and +makes himself very agreeable. I suppose he feels as though he must make +the most of society while he can get it. + +The children listened to his talk with great interest. With many thanks +for his kind attentions, they bade him "Good-by," and, intent on +collecting shells on another island near, stepped into their boat, and +were rowed away, leaving the man and his friendly dog to enjoy each +other's company. + + CHARLIE'S MAMMA. + + + + +GOING AFTER COWS. + + +When Edward was eight years old, his mother told him he might go with +John, the hired man, to drive the cows from the pasture. How happy the +little boy was! + +Every day he would be ready as soon as John gave the word; and off they +would go, through the woods, over hills and rocks, and gurgling brooks, +wherever the ding-dong of the distant cow-bells pointed the way. + +Sometimes they had a long search before they could find all the cows; +for the pasture was very large, and the cows would wander about in +every part of it, to find the best feeding-places. + +[Illustration] + +On the way home, Edward would run ahead of the cows, and open the bars; +and sometimes he would sit on the wall, and pat each cow as she came +through. + +When the cows reached the barnyard, Edward would help milk. There was +one old cow which he called his own, and which he named Carrie. She +always stood very still while being milked, and that was one reason why +he liked her better than any of the rest. + +After milking, he helped John to carry in the milk, and his mother often +gave him a mug full. Oh, how nice it was! + + W.T.O. + + + + +[Illustration] + + ROLY-POLY. + + + Roly-Poly is three years old, + Three years old, and a trifle over: + Roly-Poly is round as a ball, + Jolly as larks, and sweet as clover. + + Roly-Poly has stars for eyes, + A heavenly chin with a dimple in it, + Peaches for cheeks, the bud of a nose, + And a tongue that is never still a minute. + + Roly-Poly gets up in the morning,-- + Morning, quoth I? it's the crack of the dawn!-- + Dresses himself in a boot and a stocking, + Flies to his sister as swift as a fawn. + + Pulls at her eyes with his fat little fingers,-- + Crazy for stories, that's all the matter!-- + "Oh! I am sleepy and cross," she cries; + "You, Roly-Poly, disperse and scatter!" + + But Roly-Poly's a resolute tyrant; + Father and mother are captives wholly: + So what can a poor big sister do + But yield to a king like Roly-Poly. + + Roly-Poly's a man of business: + He canters to market on grandpa's cane, + Orders a breakfast of peppermint-candy, + And gallops his pony home again. + + Roly-Poly's a man of pleasure: + Sorrow and care are for grown-up stupids: + Pictures and kisses, toys and caresses, + Fondling and fun, for dimpled Cupids. + + After the sun has gone out of the south, + The night comes down on his eyelids slowly; + He topples asleep with his thumb in his mouth,-- + What an iniquity, Roly-Poly! + + OLIVE A. WADSWORTH. + + + + +ELSIE'S DUCKS. + + +Elsie was the daughter of poor parents, who lived on the borders of a +lake. Once, when she was very ill with a fever, a good neighbor made her +a present of three young ducks. Elsie was much pleased, and she soon +began to get well. + +Her mother would bring a large tub of water into the room where the +little invalid lay; and the three ducks would swim about, and swallow +the crumbs which Elsie threw to them. + +As soon as she got well, she would drive the ducks down to the lake, and +let them swim. They were so tame, that they would come out of the water +at her call. + +Sometimes her father and the rest of the family would get into a boat, +and he would row across the lake to the opposite side, where some +families lived who employed Elsie's mother to wash clothes for them. + +[Illustration] + +At these times, the three ducks would follow the boat. Perhaps they did +not like to trust their dear Elsie on the water, unless they were by to +help her in case of need. + +Sometimes old and young would join in a song; and then far over the lake +would be heard the words: + + "Come to the sunset tree, the day is past and gone, + The woodman's axe lies free, and the reaper's task is done." + +It was a very pretty sight, on a summer evening, when the bright clouds +over the setting sun threw their tints on the water, to see the ducks +swimming by the side of the little boat which contained Elsie and the +rest of the family. It was so pretty a sight, that a good artist made a +picture of the scene. We give you a copy of it here. + + IDA FAY. + +[Illustration] + + + + +FISHING FOR TROUT. + + +The trout belongs to the salmon family. Its flesh is generally of a pale +pink or yellow color. It is one of the handsomest fish to be found in +our waters. The variations of its tints are very beautiful; and the red +spots on its skin distinguish it from common fish. + +I never had much luck in catching trout. One summer I went from the city +to try the trout-streams in Northern New York. I had a handsome rod, and +a line nicely baited with an artificial fly; but, though I was very +persevering, my success was small. + +I remember sitting for hours on the slender bridge just below the Upper +Cascades of Buttermilk Fall, represented in the picture; but my +patience was not rewarded by the capture of a single trout. I was sorry +for this; for I had depended on getting one for my dinner. + +As I was about retiring, a little barefoot fellow, about twelve years +old, came along with a common fishing-pole, and hook baited with a worm, +and said, "Mister, I'll catch a trout for you."--"Do it, then," said I. + +He threw his line over a smooth spot in the pool below; and, before he +had been at it five minutes, he pulled up a noble trout, large enough +for a good dinner. Another and another were pulled up in quick +succession. I did not know what to make of it; for I thought I had +fished in a very scientific way. + +"Teach me the knack," said I. "Oh, it can't be taught," replied the boy. +"Well, here is a dime for your trouble," said I, putting the fish into +my pail. "Do you suppose I take pay for what I do for sport, mister?" +said little barefoot, waving back my hand with the air of a prince. + +After that we became good friends, and met often at the bridge; but I +never could learn his knack of catching trout. + + ALFRED SELWYN. + +[Illustration] + + + + + +[Illustration] + +WE THREE. + + +What fine times we have together!--Carlo, John, and Bella; by which last +I mean myself. Carlo has the advantage of the other two of us sometimes; +for he has four legs, and can run faster than either John or I. But then +we can do a great many things that Carlo cannot do. + +For example, John and I sometimes take our books, and sit down on the +rocks in the wood, under the thick trees, and read stories. And then +Carlo will lie down at our feet, and go to sleep; for he cannot +understand the nice stories which the other two friends enjoy so much. + +But wait till we go into the swamps after berries, or into the +wood-borders after hazel-nuts. Then Carlo is wide awake, you may be +sure. If he sees a snake, what a noise he makes! We can always tell by +the tone of his bark when he has found a snake. + +And, when John climbs a tree after nuts, how anxiously Carlo will stand +underneath and watch him, so afraid is he that the little boy will get +a fall! And how the good dog will jump and show his pleasure when he +sees John once more safe on the firm ground! + +Oh! we have fine times together, we three, both in summer and winter; +for Carlo likes to see us skate on ice, and is fond of a snowballing +frolic. In all our sleigh-rides he goes with us, and takes great care of +us. We are dear friends, we three, and I should no more think of +striking Carlo than of striking John. + + BELLA. + + +PET, THE CANARY. + + +A little girl by the name of Agnes, who lives in Maine, and who much +enjoys "The Nursery," has a beautiful, bright canary, which her papa +brought her one day in a paper-box. Agnes named him Pet. + +The little fellow has become so tame, that he is allowed to stay out of +his cage as long as he wishes, always going to it of his own accord when +bedtime comes. One day I found no pins on my pin-cushion; and, seeing +them scattered around on the bureau, I wondered who could have done the +mischief. I soon found, by watching, that it was Pet's work. + +Every day he took his stand on the pin-cushion, in front of the glass, +to pull out all the pins. I saw him once work a long time trying to +stick one back by tipping his head, first one side and then the other, +holding the pin tightly in his bill; but he soon gave it up. + +Little Fannie, Agnes's two-year-old sister, often shares her lunch with +him; he sitting on the edge of the saucer, and helping himself while she +is eating. As I write, he is sitting on the tassel of the shade, looking +out of the window. Some day I'll tell you more of Pet's pranks. + + MAMMA. + + + + +[Illustration] + +THE CAT SHOW. + + +It was at the Crystal Palace, in Sydenham, England. I wish all the +readers of "The Nursery" could have seen it. + +There were over three hundred cats in cages. Each one had a nice red +cushion in the front-part of the cage, and in the back part a dish of +water or milk. Each one had a ribbon around the neck, to which was +attached a medal with the number of the cage. The ribbons were of all +colors. + +The cats that had taken the first prize were known by a little blue flag +suspended over the front of the cage, and were the largest cats. Very +many of them were lazily sleeping on their cushions, as happy as if they +were in their own homes. They took little notice of the people who were +looking at them; and, as a placard on each cage ordered spectators to +"move on," no one could spend much time in trying to attract their +attention. + +I can hardly tell you about all the cats, there were so many,--some all +white, some all black, and some all yellow; black-and-yellow, +black-and-white, black-and-gray, gray-and-white, black-and-yellow-and-white; +cats with long hair, and cats with short; cats with tails, and cats without. +One large Russian cat, called the "Czar," was brown, with smooth, short, +shining fur, which looked like seal-skin. + +Then there were kittens of all sizes and colors. In one cage was a black +mother-puss, with four perfectly white kittens, their eyes not yet open. +Another black mother had two kittens,--one black, and one gray. A +black-and-yellow puss had one black, and one yellow kitten. + +In some of the cages were two or three large kittens having a good time +together. Some of them had balls to play with; some were climbing on the +sides of the cage or frolicking with one another; and others were +running around after their tails, in real kitten fashion. + +Just before five o'clock, the baskets in which the cats were brought +were placed on the tops of the cages. Some of the cats reached up and +tried to get hold of them. They all seemed to know that the show was +over, and that they would soon be able to run and jump about, with +plenty of air and space. + +I must not forget to tell you how quiet all these cats were. Not one +"Me-ow" was to be heard. When, out of sight of the cages, one would +never have known there was a cat in the building. + + SALLIE'S MAMMA. + + + + +[Illustration: sheet music] + + GOING THROUGH THE CORN. + + + Music by T. Crampton. + + 1. Right and left upstanding, + See on either side, + Blooming corn expanding, + Rippling like the tide. + With breath of Eden scented, + On the breezes borne,... + All in love presented, + Going through the corn. + + 2. Bath'd in light etherial, + Ripening in the sun, + Royal corn imperial, + Bread for every one. + 'Tis God's own gift descending, + For the poor and lorn,... + See the full ears bending, + Going through the corn. + + 3. Thrush and blackbird singing + In the coppice near, + All the blue sky ringing + With their notes so clear! + The twitt'ring swallows skimming, + Through the air of morn,... + Happy all, all hymning, + Going through the corn. + + +[Illustration: Colgate & Co. New York] + +VIOLET TOILET WATER. CASHMERE BOUQUET EXTRACT. CASHMERE BOUQUET Toilet +Soap. + + * * * * * + +Price, Twenty-Five Cents. + +==NEWSPAPER ADVERTISING== + +NINETY-EIGHTH EDITION. + +Containing a complete list of all the towns in the United States, the +Territories, and the Dominion of Canada, having a population greater +than 5,000 according to the last census, together with the names of the +newspapers having the largest local circulation in each of the places +named. Also, a catalogue of newspapers which are recommended to +advertisers as giving greatest value in proportion to prices charged. +Also, all newspapers in the United States and Canada printing over 5,000 +copies each issue. Also, all the Religious, Agricultural Scientific and +Mechanical, Medical, Masonic, Juvenile, Educational, Commercial, +Insurance, Real Estate, Law, Sporting, Musical, Fashion, and other +special class journals; very complete lists. Together with a complete +list of over 300 German papers printed in the United States. Also, an +essay upon advertising; many tables of rates, showing the cost of +advertising in various newspapers, and everything which a beginner in +advertising would like to know. + +Address == GEO. P. ROWELL & CO., 41 Park Row, New York.== + + * * * * * + +==IN PRESS. THE Nursery Primer== + +By which children can teach themselves to read, with but little help +from parent or teacher. + +SUPERBLY AND APTLY ILLUSTRATED. + +The must beautiful Primer in the market. Containing upwards of a hundred +fine pictures. ==96 Pages== of the size of The Nursery. The word-system of +teaching explained and applied. + +==JOHN L. SHOREY, 36 Bromfield Street, Boston.== + + * * * * * + +==AGENTS WANTED.== + +Men or women. $34 a week. Proof furnished. Business pleasant and +honorable with no risks. A 16 page circular and Valuable Samples free. A +postal-card on which to send your address costs but one cent Write at +once to F.M. REED, 8TH ST., NEW YORK. + + * * * * * + +==Choicest Books for Children.== THE BEAUTIFUL BOOK. + +This is a collection of some of the best poems that have appeared in +"The Nursery." It is a volume of 128 pages, richly bound in cloth, with +one or more Pictures on every page. It is specially attractive as a +Gift-Book for the holidays. + +==Price.......75 Cents.== + +==THE EASY BOOK.== + +This is a book of 128 pages, prepared expressly for children just +learning to read. It is in large Old English type, with a profusion of +pictures and delightful object-lessons, and is made so fascinating that +a child learns to read from it with little or no aid. + +==Elegantly bound in full cloth ... 75 Cents. + " " " half cloth ... 50 " == + + +*** The above books will be sent, postpaid, on receipt of price, by the +Publisher, ==JOHN L. SHOREY, 36 Bromfield Street, Boston, Mass.== + + * * * * * + +==VOLCANIC MEDICINES== + +Which convulse the system by their violent cathartic action, must not be +taken for constipation. The mild, soothing and painless operation of +==Tarrant's Seltzer Aperient== is exactly what is required, and will +speedily cure the most chronic cases. + +==Sold by all Druggists.== + + * * * * * + +$57.60 AGENTS' PROFITS PER WEEK. + +Will prove it or forfeit $500. New article just patented. Samples sent +free to all. Address W.H. CHIDESTER, 267 Broadway, N. York. + + * * * * * + +==WANTED== + +Agents for the best-selling Prize Package is the world. It contains 15 +sheets paper, 15 envelopes, golden Pen, Pen Holder, Pencil, patent Yard +Measure, and a piece of Jewelry Single package with elegant prize, +post pdd, 25c. Circular free. + +BRIDE & CO., 769 Broadway. N.Y. + + * * * * * + +==CONSTANTINE'S PINE TAR SOAP== + +FOR TOILET, BATH & NURSERY, +CURES SKIN AND SCALP DISEASES +RESTORES HAIR AND PREVENTS BALDNESS +SOLD BY GROCERS AND DRUGGISTS. + + * * * * * + +==LADIES== can make $5 a day in their own city or town. Address Ellis +M'F'G Co. Waltham, Mass. + + * * * * * + +==AGENTS WANTED== + +FOR DR. MARCH'S GREAT WORK + +==NIGHT-SCENES IN THE BIBLE.== + +And a magnificent New Book just from the press. Address J.C. MCCURDY & +CO., Philadelphia, Pa. + + * * * * * + +==DIME== +Arabian Nights + +EVERY BOY +should send for a copy. + +Wonderful Stories--cheap, postpaid for 10 c. + +HOWARD CHALLEN, Publisher, Phila. + + * * * * * + +==SEEDS AND BULBS.== + +ILLUSTRATED SPRING CATALOGUE FOR 1875. + +NOW READY. + +Sent, with a specimen copy of THE AMERICAN GARDEN, a new Illustrated +Journal of Garden Art, edited by James Hogg, on receipt of ten cents. + +==BEACH, SON & CO., Seedsmen,== +76 Fulton St., Brooklyn, N.Y. + + * * * * * + +==$5 to $20== per day Agents wanted. All classes of working people of both +sexes, young and old, make more money at work for us in their own +localities, during their spare moments, or all the time, than at +anything else. We offer employment that will pay handsomely for every +hour's work. Full particulars, terms, &c., sent free. Send us your +address at once. Don't delay. Now is the time. Don't look for work or +business elsewhere, until you have learned what we offer. + +G. STINSON & Co., Portland, Maine. + + * * * * * + +BULBS FOR FALL PLANTING FLOWERS FOR THE HOUSE + +==THE AUTUMN NUMBER OF VICK'S FLORAL GUIDE.== + +containing descriptions of Hyacinths, Tulips, Lilies, and all Bulbs and +Seeds for Fall Planting in the Garden, and for Winter Flowers in the +house--just published and sent free to all. + +Address JAMES VICK, Rochester, N.Y. + + * * * * * + +CENTENNIAL PRINTING PRESS + +[Illustration] + +The neatest, simplest, cheapest bed and platen press ever made, screw +chase, adjustable guage, with ink table and roller, warranted to do good +work, and sold for TWO Dollars! By mail. $2.95. A miniature printing +office--press, cabinet, cases, two fonts of type, ink, leads, &c., for +$5.00! By mail, $7.25! + +Circular free. Agents wanted. JOSEPH WATSON, 73 Cornhill, Boston; 53 +Murray St., New York. + + * * * * * + +==LADIES==, you can have a clear complexion by using ==HARRISON'S PARIAN +WHITE== face-powder. _It is very beautifying in effect, can be used +without detection, and does not rub off._ Ask your druggist for it, or +send 3-cent stamp for trial sample. Address HARRISON M'F'G Co. 13 No. +Ninth Street, Philadelphia, Pa. + + * * * * * + +BOUND VOLUMES + +OF + +==The Nursery== + +Will be sent, postpaid, by the publisher at the following prices:-- + +==Half-Yearly Volumes, $1.00 +Yearly Volumes, 1.75== + +The magazine was begun in 1867. + +The Nursery. + +TERMS--1875. + +SUBSCRIPTIONS,--$1.60 a year, in advance. Three copies for 4.30 a year; +four for $5.40; five for $6.50; six for $7.60: seven for $8.70; eight +for $9.80, nine for $10.90; each additional copy for $1.20; twenty +copies for $22.00, always in advance. + +POSTAGE is included in the above rates. All magazines are sent postpaid. + +A SINGLE NUMBER will be mailed for 15 cents. _One sample number will +mailed for 10 cents._ + +VOLUMES begin with January and July. Subscriptions may commence with any +month, but, unless the time is specified, will date from the beginning +of the current volume. + +BACK NUMBERS can always be supplied. _The Magazine commenced January, +1867._ + +BOUND VOLUMES, each containing the numbers for six months, will be sent +by mail, postpaid, for $1.00 per volume; yearly volumes for $1.75. + +COVERS, for half-yearly volume, postpaid, 35 cents; covers for yearly +volume, 40 cents. + +PRICES OF BINDING.--In the regular half-yearly volume, 40 cents; in one +yearly volume (12 Nos. in one), 50 cents. If the volumes are to be +returned by mail, add 14 cents for the half-yearly, and 22 cents for the +yearly volume, to pay postage. + +REMITTANCES may be made at our risk, if made by check, or money-order. + + * * * * * + +IN CLUB WITH OTHER PERIODICALS. + +(ALL POSTPAID.) + + Scribner's Monthly $4.00, and The Nursery, $4.75 + Harper's Monthly 4.00, and The Nursery, 4.75 + Harper's Weekly 4.00, and The Nursery, 4.75 + Harper's Bazar 4.00, and The Nursery, 4.75 + Atlantic Monthly 4.00, and The Nursery, 4.75 + Galaxy 4.00, and The Nursery, 4.75 + Old and New 4.00, and The Nursery, 4.75 + Lippincott's Magazine 4.00, and The Nursery, 4,75 + Appleton's Journal 4.00, and The Nursery, 4.75 + Living Age 8.00, and The Nursery, 9.00 + Phrenological Journal 3.10, and The Nursery, 4.00 + The Science of Health 2.00, and The Nursery, 3.10 + The Sanitarian 3.00, and The Nursery, 4.00 + St. Nicholas 3.00, and The Nursery, 4.00 + The Household 1.00, and The Nursery, 2.20 + Mother's Journal 2.00, and The Nursery, 3.25 + Demorest's Monthly 3.10, and The Nursery, 4.25 + Amer. Agriculturist 1.50, and The Nursery, 2.70 + Leslie's Illustrated 4.00, and The Nursery, 4.75 + Optic's Magazine 3.00, and The Nursery, 4.25 + Lady's Journal 4.00, and The Nursery, 4.75 + Godey's Lady's Book 3.00, and The Nursery, 4.00 + Hearth and Home 3.00, and The Nursery, 4.00 + Young People's Mag. 1.50, and The Nursery, 2.70 + The Horticulturist 2.10, and The Nursery, 3.20 + Ladies Floral Cabinet 1.30, and The Nursery, 2.60 + +N.B.--When any of these Magazines is desired in club with "The Nursery" +at the above rates, both Magazines must be subscribed for at the _same +time_: but they need not be to the same address. We furnish our own +Magazine, and agree to pay the subscription for the other. Beyond this +we take no responsibility. The publisher of each Magazine is responsible +for its prompt delivery; and complaints must be addressed accordingly. + + * * * * * + +NOTICE TO SUBSCRIBERS. + +The number of the Magazine with which your subscription _expires_ is +indicated by the number annexed to the address on the printed label. +When no such number appears, it will be understood that the subscription +ends with the current year. ==No notice of discontinuance need be given, +as the Magazine is never sent after the term of subscription expires.== +Subscribers will oblige us by sending their renewals promptly. State +always that your payment is for a _renewal_, when such is the fact. In +changing the direction, the _old_ as well as the _new_ address should be +given. The sending of "The Nursery" will be regarded as a sufficient +receipt. + +[Hand-->] Any one not receiving it will please notify us immediately, +giving date of remittance. + +ADDRESS + +JOHN L. SHOREY, 36 Bromfield St., Boston, Mass. + + * * * * * + +THE NURSERY. + +PREMIUM-LIST for 1875. + +For three new subscribers, at $1.60 each, we will give any one of the +following articles: a heavily-plated gold pencil-case, a rubber +pencil-case with gold tips, silver fruit-knife, a pen-knife, a beautiful +wallet, any book worth $1.50. For five, at $1.60 each, any one of the +following: globe microscope, silver fruit-knife, silver napkin-ring, +book or books worth $2.50. For six, at $1.60 each, we will give any one +of the following: a silver fruit-knife (marked), silver napkin-ring, +pen-knives, scissors, backgammon-board, note-paper and envelopes stamped +with initials, books worth $3.00. For ten, at $1.60 each, select any one +of the following; morocco travelling-bag, stereoscope with six views, +silver napkin-ring, compound microscope, lady's work-box, sheet-music or +books worth $5.00. For twenty, at $1.60 each, select any one of the +following: a fine croquet-set, a powerful opera-glass, a toilet case, +Webster's Dictionary (unabridged), sheet-music or books worth $10,00. + +*** ==Any other articles equally easy to transport may be selected as +premiums, their value being in proportion to the number of subscribers +sent. Thus, we will give for three new subscribers, at $1.60 each, a +premium worth $1.50; for four, a premium worth $2.00; for five, a +premium worth $2.50; and so on.== + +BOOKS for premiums may be selected from any publisher's catalogue; and +we can always supply them at catalogue prices. Under this offer, +subscriptions to any periodical or newspaper are included. + + * * * * * + +SPECIAL OFFERS. + +BOOKS.--For two new subscribers, at $1.60 each, we will give any +_half-yearly_ volume of THE NURSERY; for three any _yearly_ volume; for +two, OXFORD'S JUNIOR SPEAKER; for two, THE EASY BOOK; for two, THE +BEAUTIFUL BOOK; for three, OXFORD'S SENIOR SPEAKER; for three, SARGENT'S +ORIGINAL DIALOGUES; for three, an elegant edition of SHAKSPEARE, +complete in one volume, full cloth, extra gilt, and gilt-edged; or any +one of the standard BRITISH POETS, in the same style. GLOBES.--For two +new subscribers, we will give a beautiful GLOBE three inches in +diameter; for three, a GLOBE four inches in diameter; for five, a GLOBE +six inches in diameter. PRANG'S CHROMOS will be given as premiums at the +publisher's prices. Send stamp for a catalogue. GAMES, &c.--For two new +subscribers, we will give any one of the following: The Checkered Game +of Life, Alphabet and Building Blocks, Dissected Maps, &c., &c. For +three new subscribers, any one of the following: Japanese Backgammon or +Kakeba, Alphabet and Building Blocks (extra). Croquet, Chivalrie, Ring +Quoits, and any other of the popular games of the day may be obtained on +the most favorable terms, by working for THE NURSERY. Send stamp to us +for descriptive circulars. + + +MARSHALL'S ENGRAVED PORTRAITS OF LINCOLN AND GRANT. + +Either of these large and superbly executed steel engravings will be +sent, postpaid, as a premium for three new subscribers at $1.60 each. + +[Hand-->] Do not wait to make up the whole list before sending. Send +the subscriptions as you get them, stating that they are to go to your +credit for a premium; and, when your list is completed, select your +premium, and it will be forthcoming. + +[Hand-->] _Take notice that our offers of premiums apply only to +subscriptions paid at the full price: viz., $1.60 a year. We do not +offer premiums for subscriptions supplied at club-rates. We offer no +premiums for one subscription only. We offer no premiums in money._ + + Address, JOHN L SHOREY, 36 Bromfield St., Boston. + + + + + +End of the Project Gutenberg EBook of The Nursery, No. 106, October, 1875. +Vol. XVIII., by Various + +*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, NO. 106 *** + +***** This file should be named 16522.txt or 16522.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/1/6/5/2/16522/ + +Produced by Juliet Sutherland, Janet Blenkinship and the +Online Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/16522.zip b/16522.zip Binary files differnew file mode 100644 index 0000000..c1f3787 --- /dev/null +++ b/16522.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..b74a1e1 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #16522 (https://www.gutenberg.org/ebooks/16522) |
