summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--2161.txt1380
-rw-r--r--2161.zipbin0 -> 20143 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/qungl10.txt1211
-rw-r--r--old/qungl10.zipbin0 -> 17967 bytes
7 files changed, 2607 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/2161.txt b/2161.txt
new file mode 100644
index 0000000..d17b8e9
--- /dev/null
+++ b/2161.txt
@@ -0,0 +1,1380 @@
+Project Gutenberg's Song Book of Quong Lee of Limehouse, by Thomas Burke
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Song Book of Quong Lee of Limehouse
+
+Author: Thomas Burke
+
+Posting Date: October 25, 2008 [EBook #2161]
+Release Date: April, 2000
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SONG BOOK OF QUONG LEE ***
+
+
+
+
+
+
+
+
+
+
+
+
+
+
+The Song Book of Quong Lee
+
+
+by
+
+Thomas Burke
+
+
+
+CONTENTS
+
+ Buying and Selling
+ The Power of Music
+ The Lamplighter
+ In Reply to an Invitation
+ A Night-Piece
+ A Smile Given In Passing
+ Of a National Cash Register
+ Under a Shining Window
+ Exchange of Compliments
+ A Song of Little Girls
+ Of Shop Windows
+ At the Feast of Lanterns
+ One Service Breeds Another
+ An Offer of a Lodging
+ Of Two Dwellings
+ Concerning English Gambling
+ Of Politicians
+ Of the Great White War
+ At the Time of Clear Weather
+ Parent and Child
+ Of Worship and Conduct
+ Going to Market
+ A Portrait
+ On a Saying of Mencius
+ Dockside Noises
+ Reproof and Approbation
+ The Feast of Go Nien
+ Directions for Making Tea
+ Of Inaccessible Beauty
+ Night and Day
+ Of a Night in War-Time
+ A Love Lesson
+ A Rebuke
+ Upstairs
+ Footsteps
+ Making a Feast
+ The Case of Ho Ling
+ An Upright Man
+ Breaking-Point
+ An English Gentleman
+
+
+
+
+ Buying and Selling
+
+ Throughout the day I sit behind the counter of my shop
+ And the odours of my country are all about me--
+ Areca nut, and betel leaf, and manioc,
+ Lychee and suey sen,
+ Li-un and dried seaweed,
+ Tchah and sam-shu;
+ And these carry my mind to half-forgotten days
+ When tales were plentiful and care was hard to hold.
+
+ All day I sell for trifling sums the wares of my own land,
+ And buy for many cash such things as people wish to sell,
+ That I may sell them again to others,
+ With some profit to myself.
+
+ One night a white-skinned damsel came to me
+ And offered, with fair words, something she wished to sell.
+
+ Now if I desire a jacket I can buy it with coin,
+ Or barter for it something of my stock.
+ If I desire rice-spirit, that, too, I can buy;
+ And elegant entertainments and delights are all to be had for cash.
+
+ But there is one good thing above all precious,
+ That no man may buy.
+ And though I buy readily most things that I desire,
+ This thing that the white maid offered at my own price
+ I would not buy.
+
+
+
+ The Power of Music
+
+ In the little room behind my shop
+ I refresh myself of an evening with my machine-that-sings.
+
+ Two songs has my machine-that-sings:
+ And these are 'Hitchy Koo' and 'We don't want to lose you.'
+
+ When, in the evening, a friend honours me with a visit,
+ I engage his ears with the air of 'Hitchy Koo';
+ But when I am afflicted with a visit
+ From those who fill me with a spirit of no-satisfaction,
+ I command my machine-that-sings
+ To render the music of 'We don't want to lose you.'
+
+ The noise that at this moment greets the ear
+ Of the elegant visitor to this despicable hovel
+ Is the incomparable music of 'Hitchy Koo';
+ And the price of this person's tea, mister,
+ Is but a paltry six shillings the pound.
+
+
+
+ The Lamplighter
+
+ The dark days now begin, when in afternoon
+ The Great Night Lantern makes a razor-edge
+ Of black and white in the streets.
+ And one comes, called the Lamplighter,
+ And the straight stiff lamps of these stiff London streets,
+ At his quick touch burst into light.
+
+ At this shy hour
+ I see from my unshaded window
+ Bright girls, hair flowing, go by with shuttered faces,
+ Holding close captive their warm insurgent bosoms.
+ And then, at the corner,
+ Some slender lad of bold and upright carriage
+ Greets them, and the shuttered lanterns of their faces
+ Burst with light at the touch of the lamplighter.
+
+ Oh, kind ingenious lamplighter,
+ Will you please step this way?
+
+
+
+ In Reply to an Invitation
+
+ Don't think of me as one of no courtesy
+ O elegant and refined foreign one,
+ If I do not accept your high-minded invitation
+ To drink rice-spirit with you
+ At the little place called The Blue Lantern, near Pennyfields.
+ Please don't regard me as lacking in gracious behaviour,
+ Or as insufferably ignorant of the teachings of the Book of Rites
+
+ But I am sojourning here in a strange land,
+ And am not fully informed of the usages of your dignified people.
+
+ As the wise Mencius observed in one of his inspired hours,
+ Doubtless thinking forward to situation of this person:
+ Child who has once suffered unpleasant sensation of burning,
+ Ever afterward reluctant to approach stove.
+ Wherefore, as this person once accepted an invitation,
+ In words as affable and polished as yours, Mister,
+ To drink rice-spirit at The Blue Lantern,
+ And was there subjected to a custom of this country
+ Of an entirely disturbing and unpleasing nature,
+ Known as Ceremony of Confidence,
+ He has, since that day, viewed The Blue Lantern
+ With a feeling of most decided repugnance.
+
+
+
+ A Night-Piece
+
+ I climbed the other day up to the roof
+ Of the commanding and palatial Home for Asiatics
+ And looked across the city at the hour of no-light.
+
+ Across great space of dark I looked,
+ But the skirt of darkness had a hundred rents,
+ Made by the lights of many people's homes.
+
+ My life is a great skirt of darkness,
+ But human kindliness has torn it through,
+ So that it shows ten thousand gaping rents
+ Where the light comes in.
+
+
+
+ A Smile Given In Passing
+
+ As I walked the street in the purring evening
+ A little maid with yellow curls
+ Tossed me a smile; and suddenly Pennyfields
+ Grew from darkness to light, and the light of the stars
+ Grew pale.
+
+ I may not see her again, but I hold her smile in my heart,
+ And she is with me in my shop and about the streets.
+ My shop may tumble down;
+ West India Dock may some time suffer a drought;
+ Grief and Joy come for a day;
+ And Hope and Fear, and Desire and Deed
+ Arise and pass, and are no more;
+ But the beauty born of her quickened smile
+ Can never die.
+
+
+
+ Of a National Cash Register
+
+ Last week this person, desiring to make it known
+ That he was in all ways moving up to the date,
+ Introduced into his insignificant shop
+ A machine-that-counts,
+ Called a National Cash Register,
+ Which announces to refined and intelligent customers
+ The amounts of their purchases.
+
+ This week this person purchased a whole days' amusement;
+ And the amount he paid for this was another's discomfiture and pain.
+ And, after a night of cogitation,
+ He is moved to reflect on the far-reaching and wholesome value
+ Of a National Register which would announce to the face
+ The cost of such pleasures as this.
+
+
+
+ Under a Shining Window
+
+ A lamplit window,
+ At the top of a tenement house near Poplar High Street,
+ Shines fluently out of the night;
+ And looking upward I see
+ That the bricks of the houses are bright and fair to the eye.
+
+ There are no flowers in West India Dock Road;
+ Nothing but brick and stone, and iron and spent air.
+ But when rough brick and stone are a shrine for beauty,
+ They become themselves beautiful.
+ Perhaps if this person encloses within himself
+ Beautiful thoughts and amiable intentions,
+ His insignificant frame may acquire
+ The noble outlines of that tenement house.
+
+
+
+ Exchange of Compliments
+
+ At ten o'clock last night an ugly fellow,
+ Of skinny exterior and most ungracious manner,
+ Was thrown with a total loss of gravity
+ From the flapping doors of the Blue Lantern.
+
+ He lurched in most ungainly fashion past this person's shop--
+ This person standing at his door--
+ And used base language of an unpolished nature,
+ Calling him Ugly Yellow Bastard,
+ Hop Fiend and Dirty Doper,
+ Eater of Dogs and Cheater at Puckapoo,
+ Son-of-a-Bitch and devotee of vice.
+
+ This person did not respond in like manner,
+ Knowing that he is not himself all-perfect,
+ Nor even in every hour
+ A devout follower of the teachings of the Four Books.
+ He contented himself with repeating in a far-reaching tone,
+ The words of the lofty Lao Tzu:
+ When pot upon stove reproveth kettle for blackness,
+ Pot speaking out of turn.
+
+
+
+ A Song of Little Girls
+
+ I want to make a song of the little girls
+ That live about this quarter.
+ I could make a song of boys quite easily with words,
+ But words are too blunt for such delicate things as girls.
+ I would like to make my song of them with bees and butterflies.
+ One looks at the boy, and says Boy;
+ And lo, one has described him.
+ But little girls are morning light and melody;
+ Their happy hair flutters and flies, or curtains their laughing faces--
+ Faces glad as the sun at dawn.
+ Their clear, cool skin is like wine to the eyes,
+ The lines of their fluent limbs run like a song,
+ And every step is a note of grace which the frock repeats.
+
+ Don't you think it a pity, and greatly to be deplored
+ That these should lose this beauty,
+ And pass from it to the guile and trickery of woman?
+
+
+
+ Of Shop Windows
+
+ Looking closely at the glass windows of my shop,
+ I see in them the whole of my shop reflected.
+ Looking at my windows closely from the street,
+ I see in them the life of the street reflected.
+ Yet if I stand away, the glass remains transparent,
+ And I see clearly through it to the things beyond.
+
+ If I look with close vision
+ Into the hearts of men,
+ I see my own small heart reflected.
+ I will try henceforth not to look at them too closely.
+
+
+
+ At the Feast of Lanterns
+
+ Lithely on their strings swing the many-coloured lanterns,
+ For this is the Feast of Lanterns;
+ And Pennyfields and West India Dock Road
+ Are to-night a part of my own country,
+ Aglow with the hues of the Peacock's Tail,
+ Very amiable to the eye.
+
+ In a recess of my heart
+ Is a poor street hung with lanterns.
+ These lanterns are my thoughts,
+ And they are lighted at the last hours of the evenings,
+ When through this street
+ Walks the willowy maiden from the tea-shop across the road.
+
+
+
+ One Service Breeds Another
+
+ One of this person's white-skinned friends, Bill Hawkins,
+ Who labours at the waterside,
+ Had occasion, at the time of unkind weather,
+ To rescue from the certain peril of drowning
+ One who had slipped from the edge of a wharf to the dock.
+
+ Without reward the flower serves the bee.
+ The mother serves the child with pain and toil.
+ The soldier serves his king without king's gratitutde.
+ And this person has noted with much private amusement,
+ How, since this one service rendered,
+ Bill Hawkins goes ever from his accustomed path
+ To add service to service to the one he rescued;
+ While the rescued one looks ever upon Bill Hawkins
+ With eyes of no-approval, indeed, with intense disgust.
+
+
+
+ An Offer of a Lodging
+
+ Little maid of the yellow curls
+ You look sad as you pass my window.
+ You look as though you would like to creep into some warm nest,
+ And hide your golden head.
+
+ Oh, look, little maid! I have made you a nest!
+ Creep into it, and I will hide you away,
+ Quietly, in the nest of my heart,
+ I will wrap you around with verses and cover you with fair thoughts.
+
+ There is yet one little corner left,
+ Free from the world's defilement;
+ One little corner where not a breath of wrong
+ Shall enter to disturb your slumbering.
+ And I will cherish you there
+ In the nest you will make so pure.
+ I will hold you and guard you safe from the snares of the stony streets.
+ Be at peace, little maid, and lie in trust;
+ For though my feet may stumble, and I may fall,
+ The corner that houses you I will ever keep whole.
+
+
+
+ Of Two Dwellings
+
+ At the lower end of Limehouse Causeway
+ Is a house where girls surrender their bodies
+ To the pleasures of base-minded and unpolished men,
+ In return for shillings.
+ And on the walls about this house
+ Blossoms at summer the wild white rose.
+
+ In a tiny room at the top of a tenement
+ Lives a white maid of surpassing virtue,
+ Gentle in manner and quiet and dutiful,
+ Combing her golden curls each morning
+ Before a window that looks out to hell;
+ That looks upon cesspools of mud, and mounds of refuse
+ and the offal of the shops.
+
+
+
+ Concerning English Gambling
+
+ One morning, at the season of Clear Weather,
+ As I sat alone in my Tea-House of the Refined White Lily,
+ A stranger of affable address approached me,
+ And showed me, with a multitude of argument,
+ To what advantage I should come
+ Were I to place the whole of my substance with him,
+ Even to my shirt,
+ As a token of my faith in Ice Cream Cornet for the Lincolnshire.
+
+ And because I would not do so,
+ He withdrew himself from me as from one of mean birth and behaviour,
+ Reviling me with the name of "No-Sport,"
+ And other characters of opprobrium.
+
+ But this person told him
+ That he carried always on written leaves
+ The words of his august father,
+ Concerning horses and women, and the wind in the hills
+ and the hooting of owls.
+
+ He did not tell him that he knew full well
+ That Ice Cream Cornet was a non-starter for the Lincolnshire.
+
+
+
+ Of Politicians
+
+ Upon a time the amiable Bill Hawkins
+ Married a fair wife, demure and of chaste repute,
+ Keeping closely from her, however,
+ Any knowledge of the manner of man he had been.
+
+ Upon the nuptial night,
+ Awaking and finding himself couched with a woman,
+ As had happened on divers occasions,
+ He arose, and dressed and departed,
+ Leaving at the couch's side four goodly coins.
+
+ But in the street,
+ Remembering the occasion and his present estate of marriage,
+ He returned with a haste of no-dignity,
+ Filled with emotions of an entirely disturbing nature,
+ Fear that his wife should discover his absence
+ And place evil construction upon it,
+ Being uppermost.
+
+ Entering stealthily, then, with the toes of the leopard,
+ With intention of quickly disrobing,
+ And rejoining the forsaken bride,
+ He perceived her sitting erect on the couch,
+ Biting shrewdly, with a distressing air of experience,
+ At one of the coins.
+
+ Even so it is when Big Politician meets Little Politician.
+
+
+
+ Of the Great White War
+
+ During the years when the white men fought each other,
+ I observed how the aged cried aloud in public places
+ Of honour and chivalry, and the duty of the young;
+ And how the young ceased doing the pleasant things of youth,
+ And became suddenly old,
+ And marched away to defend the aged.
+
+ And I observed how the aged
+ Became suddenly young;
+ And mouthed fair phrases one to the other upon the Supreme Sacrifice,
+ And turned to their account-books, murmuring gravely:
+ Business as Usual;
+ And brought out bottles of wine and drank the health
+ Of the young men they had sent out to die for them.
+
+
+
+ At the Time of Clear Weather
+
+ In the agreeable public gardens of Poplar
+ The bushes are bright with buds,
+ For this is the season of Clear Weather.
+ There blossom the quiet flowers of this country:
+ The timid lilac,
+ The unassuming hawthorn,
+ The dignified chestnut,
+ And the girlish laburnum;
+ And the mandarin of them all is the rhododendron.
+
+ In the untilled field of my heart
+ Many simple buds are bursting.
+ There is a little bush of kindliness towards all men.
+ There is a slender tree of forgiveness for all wrongs.
+ There is a humble growth of repentance for past sins.
+ And around the field is a thick hedge of thankfulness.
+
+ And Ho! in the midst of all
+ Stands the tree of a hundred boughs
+ Laden with the sweetest of all buds
+ Which are breaking to flower under the sun of a maiden's eyes.
+
+
+
+ Parent and Child
+
+ Often of an evening I take the air
+ And linger on the bridge by the Isle of Dogs,
+ And sometimes see
+ The swan-like shape of the ship that brought me hither.
+ Often since then that ship has gone
+ To the land from which it brought me;
+ And on each voyage my heart accompanies it.
+
+ Should I some day in person journey with it,
+ My honourable father would welcome his little son.
+ He would not see this worn and tattered one,
+ This lean and sorrowful son of the waterside.
+ He would not see this parchment face,
+ This figure without lustre.
+ He would see his little son who left him long ago;
+ For love would brush away the husk of years,
+ And leave a little child.
+
+
+
+ Of Worship and Conduct
+
+ At the corner of the Causeway on every seventh evening
+ Gathers the band of Salvation Army,
+ Making big noise of Washed-in-Blood-of-Lamb.
+
+ At temple in East India Dock Road
+ Men gather in white clothes, and sing,
+ And march with candles and pray to Lady.
+
+ At shop in Pennyfields, many times a day,
+ This person pays respect to Big Man Joss,
+ And burns to him prayer-papers and punk-sticks.
+
+ And all day long men toil for wife and child;
+ Wife suffer and stint to make bigger plate for child;
+ Child beg in street to get food for sick mother;
+ Sister wear ragged clothes for sake of little brother.
+ And none of these has bowed to Joss,
+ Or marched with candle,
+ Or washed in blood of Lamb.
+
+
+
+ Going to Market
+
+ Good morning, Mister, how do you do?
+ I am going to Salmon Lane, to the cheap market for dainty foods.
+ Won't you come with me, Mister?
+
+ I shall buy meat and fish and a loaf of bread,
+ And fresh fruit and potatoes;
+ I shall buy a cluster of flowers and a bottle of wine,
+ Some butter and some jam,
+ And biscuits, and nuts and candy.
+ For I give an English feast to-night to a friend with yellow curls,
+ And every dish will be cooked by me.
+
+ Into the pot will go sharp spices,
+ To flavour your English meats:
+ Cayenne and thyme, and sage and salt,
+ A sprig of parsley for garnish,
+ And some delicate bamboo shoots.
+ But the sweetest spice will not be seen,
+ It will leap from my heart to the pot as I stir it.
+ I am going to gather it on the way to the market
+ From my own sweet thoughts and from elegant conversation
+ With notable misters.
+ Won't you come with me?
+
+
+
+ A Portrait
+
+ How shall I write of you, little friend,
+ To my father on the River of Serenity?
+ I will tell him of your twenty yellow curls
+ Tumbling in a cascade about your shoulders;
+ Your bright mouth and fine brow,
+ Lit by yet brighter eyes,
+ Where fireflies dance;
+ How in your cheeks you hold
+ The colours of the flower before its leaves unclose;
+ How the tones of your voice, sounding in my ears,
+ Float before my eyes like strings of lanterns;
+ How, when I look closely upon you,
+ I see my thoughts like a white river in your eyes;
+ How, as I walk down the street where you have trod,
+ The very stones are to me the smiles that you scatter as you pass.
+ How your look thrills my heart as a guitar thrills to the touch.
+
+ And I will tell him that you are not for me,
+ For you are white and I am yellow;
+ Unless, perchance, shame and disgrace fall upon you,
+ As it falls upon some girls of this quarter,
+ And your neighbours and friends pass by the other way.
+ Then, perhaps, it would be permitted to me
+ To render service to you.
+
+
+
+ On a Saying of Mencius
+
+ That was well said of Mencius:
+ The misfortunes of one are the entertainment of many.
+
+ When Prosperity attended the occasions of this person,
+ And his heart smiled within him,
+ He was regarded and received on all sides by his fellows
+ With attitudes of dignity and expressions of mandarin-like solemnity,
+ And his laughing heart could fetch no smile
+ To the faces of those about him.
+
+ But when, on a recent manifestation of evil spirits,
+ He was hailed before those in authority
+ And commanded to pay very many taels,
+ For the fault of possessing some morsels of chandu, the Great Tobacco,
+ And his heart was heavy and dark as a raincloud within him,
+ He was received on all sides
+ With attitudes of mirth and expressions of no-gravity.
+
+
+
+ Dockside Noises
+
+ There are in Limehouse many sounds;
+ A hundred different sounds by day and night.
+
+ The crash and mutter of the dockside railway,
+ The noise of quarrel, the noise of fist on face,
+ My country's songs, guitars, and gramophones,
+ The noise of boot on stone,
+ The noise of women bargaining their flesh,
+ The noise of singers in the ships,
+ Sounds of threat and sounds of fear,
+ Blasts of hammer and steel and iron,
+ The scream of syren, the wail of hooter,
+ The clangour of angry bells,
+ The boom of guns, the clatter of factories,
+ The panic of feet, and malevolent words.
+
+ All these sounds I know, and they disturb me not.
+ The sound that is to me most terrible,
+ That snatches slumber from me,
+ Is the sound that is most common:
+ The scream of a child at night.
+
+
+
+ Reproof and Approbation
+
+ Because I gave a piece of silk
+ To my friend of the golden curls,
+ One (may the dogs devour him) threw a stone at my window,
+ And hooted and jeered and made base noise with his mouth.
+ Nay, worse, this son of a sea-slug (may his line perish)
+ Hurled hard names at my friend,
+ Calling her Tart, and Flusey, and Tom; and, as we walked together,
+ Cried: `Watcher, Nancy, who's yer friend with the melon face
+ And the bug-eaten cabbage-leaf on his head?'
+
+ The lean and scurvy dog that slinks about Pennyfields
+ Flew in great fear at sight of this reprover of our doings,
+ And came to me, and rubbed itself against my shoe.
+
+
+
+ The Feast of Go Nien
+
+ We are now in the Pepper Month;
+ And soon will come the Feast of Go Nien.
+ Then I will pay my debts, and gather in my dues.
+ I will walk in the great procession;
+ And afterwards I will hang up my devil-chasers
+ And will proceed to the restaurant of Ng Tack,
+ And drink spring wine with him and meet my friends.
+
+ That evening I shall eat of the best:
+ Of chicken cream and pigeon in soy-ed,
+ With a brown noodle of pork and prawn,
+ And a curry of fish and a large Chung Goun,
+ Sweet onions, and black eggs and chow chow.
+ And when we have done,
+ We will have cakes and tea, and music and songs,
+ And call in our white friends to sit with us.
+
+ For this one day we shall be each to the other,
+ What the other would desire.
+ Perhaps it is well that this day
+ Occurs but once in the year's calendar;
+ For if we always so behaved, one to the other,
+ There would be no business done.
+
+
+
+ Directions for Making Tea
+
+ In making tchah for table, each man has his own way.
+ Some serve it dashed with lemon, and some with bamboo shoot,
+ And some with sugar, in the English way,
+ And some with spot of sam-shu.;
+ But when one offers tchah to distinguished visitor,
+ One offers the noble suey sen, and flavors it
+ With the dried bud of the noble chrysanthemum.
+
+ Consider these verses, little friend,
+ As cups of suey sen
+ Flavoured with the buds of the flower of all flowers.
+
+
+
+ Of Inaccessible Beauty
+
+ Ladies in elegant silks and laces
+ Have come at times to my insignificant shop,
+ For pieces of jade, or banners, or curious cuttings of ivory.
+ And I look with insufferable emotion
+ Upon their roseleaf skin,
+ And breathe the soft scents that flow from their garments,
+ And long to soothe their lily-fingered hands.
+ In their presence
+ I am seized with longings unutterable,
+ And am filled with a sickness of my present unkind estate.
+
+ But then I remember
+ That Beauty's not always a star,
+ Not always remote, not always in lofty places,
+ Chrysanthemum-clad and lily-sheathed;
+ But often lies in the hedges
+ And peeps from street-corners
+ And lurks shyly behind broken doorways.
+
+ And I think upon the kind and considerate beauty
+ Of the maid with the golden curls,
+ And her patched, uncoloured robes of common cloth.
+ And with a change of mood I charge the elegant ladies
+ Three times the value of the articles chosen,
+ And thus tear from their flowery bodies
+ Pieces of their billowing silk
+ To deck the less fervid beauty of my friend.
+
+
+
+ Night and Day
+
+ The waters of the river flow swiftly at Limehouse Hole,
+ Past wharves, and ugly gardens,
+ Past beautiful steel ships and tawny sails,
+ Past clamorous factories and broken boats and bells.
+
+ Throughout the day these things are one--
+ One body of dire endeavour.
+ But when the evening introduces the night,
+ This thing is broken into a thousand delicacies,
+ And the warm notes of night
+ Make happy discord of the day's harsh harmonies.
+
+
+
+ Of a Night in War-Time
+
+ Upon a night I sat behind my shop,
+ In happy talk with casual company:
+ The upright Ho Ling, the grave Cheng Huan,
+ And the round-bodied and amiable Sway Too, of my own country;
+ Together with the maid of the golden curls,
+ A sad-eyed seaman from Malay,
+ And two pale Englishmen, Bill Hawkins and Jack Brown.
+
+ We sat beneath the lantern, and drank our tchah in fellowship,
+ And spoke of this and of that.
+ And the moon rose and mated with the soft smells of my store,
+ And brought forth a spirit that spoke to us
+ Of things forgotten or lost, or long despaired of.
+
+ Friendship bound us together, and we sat late,
+ Glad of the night, and each glad of his companions;
+ While men in another land
+ Wrought horrors upon their fellows beneath this moon,
+ Drunk with the wicked words of the wicked lords of men.
+
+
+
+ A Love Lesson
+
+ Last night I dreamed of the maid with yellow curls.
+ She came to me in the room above my shop,
+ And we two were alone, freed from the laws of day.
+ I held her then to myself.
+ I took from her her clothing, garment by garment,
+ And watched them fall about her feet,
+ White petals of a flower.
+ And I drew from her to myself her thoughts, one by one,
+ As often I had wished, till all of her was mine.
+
+ Then I was sad, for nothing was left to love.
+ And I quickly clothed her again, garment by garment,
+ And gave her back her thoughts, one by one,
+ And awoke in joy.
+ I was glad that the dream was a dream,
+ And that all of her was not mine;
+ For I had learned
+ That love released from bond, and unburdened of its fetters,
+ Is love no longer.
+
+
+
+ A Rebuke
+
+ Excuse me, Mister, if I enter a gentle protest
+ About the manner in which you comport yourself
+ When taking the air about the streets.
+ For, looking at you, one would form the opinion
+ That you were a man of much worth and nobility,
+ That you were high in officialdom,
+ A councillor of the king or a learned judge,
+ Or one whose piety and wisdom
+ Had marked him out to sit above his fellow.
+
+ One would think thus to see the swinging arms,
+ The slow protuberant belly sheathed in a vest of scarlet,
+ And the gold chain of Albert, the great Consort;
+ To see the haughty head, the portly mien,
+ The solemn gait, and the complacency with which you view the world.
+
+ Don't interrupt! I only wished to tell you
+ That your claim to the excessive esteem of your neighbours
+ Is wholly without foundation.
+ Do please remember, Mister, that that scarlet belly
+ Was acquired by the labours of little children
+ Whom you employ to stick labels on bottles.
+
+
+
+ Upstairs
+
+ I have lifted her over my threshold to-night.
+ Many moons have risen and set since she received my napi;
+ But now she is here and has entered my upper room,
+ Where is a shrine for the joss of happiness,
+ And a soft couch and delicate hanging,
+ And fine things for fine fingers to handle,
+ And shaded lanterns and a guitar and my machine-that-sings.
+
+ There are ornaments of jade and lacquer,
+ And the bamboo pipe and the hap-heem that I have laid aside,
+ And the written leaves containing my verses.
+ But there are no writing tables, no ink and no brushes.
+ For now my verses will be written upon her brow.
+
+
+
+ Footsteps
+
+ As I lie on my pallet at night
+ I hear from the street the sound of passing footsteps;
+ And I can sort and name these passing footsteps.
+ There are the truculent steps of the seeker after trouble,
+ There are the fearful feet of those who are not at ease
+ In the implacable streets.
+ There are the fugitive feet of crime,
+ And the solemn reassuring tread of big policemen;
+ And the interrupted steps of the revellers,
+ And the fleet feet of those who have purchased trouble.
+
+ But those that tread most heavily on my heart
+ Are the light and lingering footsteps of tired young women.
+
+
+
+ Making a Feast
+
+ Ho! Friends and enemies of Pennyfields,
+ A feast is spread, and you are all invited.
+ Many tides have risen and retired
+ Since I left the fervid skies of my own country
+ For the thin skies and leaden streets of the West.
+ Long have I sojourned, seeking my desire,
+ Keeping my shop, and looking always with long eyes
+ At others' guesting-tables, at whose top sat love.
+
+ From my cold corner
+ I have watched their feast of fondness, and my heart has flown away,
+ And has beaten like a lost bird at their windows,
+ And none would let him in.
+
+ But now, O honourables,
+ My window is alight, my room is warmed,
+ The table is set and the places are laid, and Love waits to greet you.
+
+
+
+ The Case of Ho Ling
+
+ Truly the ways of mandarins are inscrutable.
+ My estimable and upright friend, Ho Ling,
+ Long had desired to return to his own country.
+ He bore himself in Limehouse without reproach,
+ A reputable stranger, mild of manner and gentle of address.
+ Against him none could bring a charge or speak a word of upbraiding.
+ He conformed in all ways to the laws of correct conduct.
+
+ Yet when he sought assistance to return to his own country,
+ Being without means,
+ And hung at the ear of notable men who could help him,
+ They refused to hear him,
+ And would in no way help him to go where his heart was set.
+ Even the charitable ones regretted
+ That his case was not for them.
+
+ Wherefore my friend forsook his quiet and regular ways,
+ And went about as one possessed by thunder and fire,
+ Stormily; doing many things of a reprehensible character,
+ Committing grave misdemeanours in the public streets,
+ And following evil ways in a manner to attract attention.
+
+ Whereupon,
+ The lords of this country placed him upon a boat,
+ And commanded that he should be carried, at their own cost,
+ To his own country, whither he most desired to go.
+
+
+
+ An Upright Man
+
+ The grave and thin-faced one who keeps the Bespoke Tailor's Shop,
+ And subjects his child to treatment of a most disagreeable nature,
+ Never goes into the Blue Lantern,
+ Never takes pellet of li-un or nut of areca,
+ Or communes with Black Smoke,
+ Or loses money at puckapoo,
+ Or makes public outcry or gesture
+ Expressive of delight in his friends,
+ Or does foolish and unworthy things,
+ Or makes exchange of hats with friends.
+
+ He has no friends, for he has no weaknesses.
+ While others fall to the simple follies of humanity
+ He walks ever upright and self-contained, devout and dignified,
+ And ill-treats his child at night.
+
+
+
+ Breaking-Point
+
+ Many heavy blows has this patient person's back received,
+ These many years.
+ He has lost friends and money;
+ He has lost his own country;
+ His well-framed enterprises have gone awry.
+ And his heart has gone hungry these many years for love.
+
+ All these things he has suffered without murmur.
+ One thing alone has driven him to utter piercing cries,
+ And make gestures expressive of volcano in eruption:
+ And that is the bootmender across the road
+ Who sings hymns to himself in the evening.
+
+ For that is true that the sage has spoken:
+ That it is the smell of gin-and-onions about the secretary
+ Which drives his master, who long has suffered gin-and-cloves,
+ To the breaking-point of inexpressible exasperation.
+
+
+
+ An English Gentleman
+
+ I determined yesterday to become English gentleman;
+ And I have this morning bought a bowler hat.
+ I have bought brown boots and a suit of rare blue serge,
+ Which the affable one who supplied me with it
+ Spoke of as Natty, and added his assurance
+ That I would look Quite the Gentleman.
+ I have bought white collars and many-coloured ties,
+ And a walking-stick and a blue-spotted shirt.
+
+ Apparelled thus, I strolled this evening down Pennyfields,
+ And the old men came out with expressions of no-kindness.
+ They made ugly mouths,
+ And passed words one to the other of a derisive nature.
+
+ But I am young Quong Lee,
+ Who write verse in the English tongue,
+ And am quite English gentleman.
+ And English gentleman
+ Not suffer himself to be disturbed by hooting of owls.
+
+
+
+
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Song Book of Quong Lee of Limehouse, by
+Thomas Burke
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SONG BOOK OF QUONG LEE ***
+
+***** This file should be named 2161.txt or 2161.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/1/6/2161/
+
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/2161.zip b/2161.zip
new file mode 100644
index 0000000..b818cfa
--- /dev/null
+++ b/2161.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..213a125
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #2161 (https://www.gutenberg.org/ebooks/2161)
diff --git a/old/qungl10.txt b/old/qungl10.txt
new file mode 100644
index 0000000..6522cd0
--- /dev/null
+++ b/old/qungl10.txt
@@ -0,0 +1,1211 @@
+Project Gutenberg Etext The Song Book of Quong Lee of Limehouse
+by Thomas Burke
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+The Song Book of Quong Lee of Limehouse
+
+by Thomas Burke
+
+April, 2000 [Etext #2161]
+
+
+Project Gutenberg Etext The Song Book of Quong Lee of Limehouse
+*****This file should be named qungl10.txt or qungl10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, qungl11.txt
+VERSIONS based on separate sources get new LETTER, qungl10a.txt
+
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, leaving time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails. . .try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp sunsite.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+The Song Book of Quong Lee
+
+by Thomas Burke
+
+
+
+
+Buying and Selling
+
+Throughout the day I sit behind the counter of my shop
+And the odours of my country are all about me--
+Areca nut, and betel leaf, and manioc,
+Lychee and suey sen,
+Li-un and dried seaweed,
+Tchah and sam-shu;
+And these carry my mind to half-forgotten days
+When tales were plentiful and care was hard to hold.
+
+All day I sell for trifling sums the wares of my own land,
+And buy for many cash such things as people wish to sell,
+That I may sell them again to others,
+With some profit to myself.
+
+One night a white-skinned damsel came to me
+And offered, with fair words, something she wished to sell.
+
+Now if I desire a jacket I can buy it with coin,
+Or barter for it something of my stock.
+If I desire rice-spirit, that, too, I can buy;
+And elegant entertainments and delights are all to be had for cash.
+
+But there is one good thing above all precious,
+That no man may buy.
+And though I buy readily most things that I desire,
+This thing that the white maid offered at my own price
+I would not buy.
+
+
+
+The Power of Music
+
+In the little room behind my shop
+I refresh myself of an evening with my machine-that-sings.
+
+Two songs has my machine-that-sings:
+And these are 'Hitchy Koo' and 'We don't want to lose you.'
+
+When, in the evening, a friend honours me with a visit,
+I engage his ears with the air of 'Hitchy Koo';
+But when I am afflicted with a visit
+>From those who fill me with a spirit of no-satisfaction,
+I command my machine-that-sings
+To render the music of 'We don't want to lose you.'
+
+The noise that at this moment greets the ear
+Of the elegant visitor to this despicable hovel
+Is the incomparable music of 'Hitchy Koo';
+And the price of this person's tea, mister,
+Is but a paltry six shillings the pound.
+
+
+
+The Lamplighter
+
+The dark days now begin, when in afternoon
+The Great Night Lantern makes a razor-edge
+Of black and white in the streets.
+And one comes, called the Lamplighter,
+And the straight stiff lamps of these stiff London streets,
+At his quick touch burst into light.
+
+At this shy hour
+I see from my unshaded window
+Bright girls, hair flowing, go by with shuttered faces,
+Holding close captive their warm insurgent bosoms.
+And then, at the corner,
+Some slender lad of bold and upright carriage
+Greets them, and the shuttered lanterns of their faces
+Burst with light at the touch of the lamplighter.
+
+Oh, kind ingenious lamplighter,
+Will you please step this way?
+
+
+
+In Reply to an Invitation
+
+Don't think of me as one of no courtesy
+O elegant and refined foreign one,
+If I do not accept your high-minded invitation
+To drink rice-spirit with you
+At the little place called The Blue Lantern, near Pennyfields.
+Please don't regard me as lacking in gracious behaviour,
+Or as insufferably ignorant of the teachings of the Book of Rites
+
+But I am sojourning here in a strnage land,
+And am not fully informed of the usages of your dignified people.
+
+As the wise Mencius observed in one of his inspired hours,
+Doubtless thinking forward to situation of this person:
+Child who has once suffered unpleasant sensation of burning,
+Ever afterward reluctant to approach stove.
+Wherefore, as this person once accepted an invitation,
+In words as affable and polished as yours, Mister,
+To drink rice-spirit at The Blue Lantern,
+And was there subjected to a custom of this country
+Of an entirely disturbing and unpleasing nature,
+Known as Ceremony of Confidence,
+He has, since that day, viewed The Blue Lantern
+With a feeling of most decided repugnance.
+
+
+
+A Night-Piece
+
+I climbed the other day up to the roof
+Of the commanding and palatial Home for Asiatics
+And looked across the city at the hour of no-light.
+
+Across great space of dark I looked,
+But the skirt of darkness had a hundred rents,
+Made by the lights of many people's homes.
+
+My life is a great skirt of darkness,
+But human kindliness has torn it through,
+So that it shows ten thousand gaping rents
+Where the light comes in.
+
+
+
+A Smile Given In Passing
+
+ As I walked the street in the purring evening
+ A little maid with yellow curls
+ Tossed me a smile; and suddenly Pennyfields
+ Grew from darkness to light, and the light of the stars
+ Grew pale.
+
+ I may not see her again, but I hold her smile in my heart,
+ And she is with me in my shop and about the streets.
+ My shop may tumble down;
+ West India Dock may some time suffer a drought;
+ Grief and Joy come for a day;
+ And Hope and Fear, and Desire and Deed
+ Arise and pass, and are no more;
+ But the beauty born of her quickened smile
+ Can never die.
+
+
+
+Of a National Cash Register
+
+Last week this person, desiring to make it known
+That he was in all ways moving up to the date,
+Introduced into his insignificant shop
+A machine-that-counts,
+Called a National Cash Register,
+Which announces to refined and intelligent customers
+The amounts of their purchases.
+
+This week this person purchased a whole days' amusement;
+And the amount he paid for this was another's discomfiture and pain.
+And, after a night of cogitation,
+He is moved to reflect on the far-reaching and wholesome value
+Of a National Register which would announce to the face
+The cost of such pleasures as this.
+
+
+
+Under a Shining Window
+
+A lamplit window,
+At the top of a tenement house near Poplar High Street,
+Shines fluently out of the night;
+And looking upward I see
+That the bricks of the houses are bright and fair to the eye.
+
+There are no flowers in West India Dock Road;
+Nothing but brick and stone, and iron and spent air.
+But when rough brick and stone are a shrine for beauty,
+They become themselves beautiful.
+Perhaps if this person encloses within himself
+Beautiful thoughts and amiable intentions,
+His insignificant frame may acquire
+The noble outlines of that tenement house.
+
+
+
+Exchange of Compliments
+
+At ten o'clock last night an ugly fellow,
+Of skinny exterior and most ungracious manner,
+Was thrown with a total loss of gravity
+>From the flapping doors of the Blue Lantern.
+
+He lurched in most ungainly fashion past this person's shop--
+This person standing at his door--
+And used base language of an unpolished nature,
+Calling him Ugly Yellow Bastard,
+Hop Fiend and Dirty Doper,
+Eater of Dogs and Cheater at Puckapoo,
+Son-of-a-Bitch and devotee of vice.
+
+This person did not respond in like manner,
+Knowing that he is not himself all-perfect,
+Nor even in every hour
+A devout follower of the teachings of the Four Books.
+He contented himself with repeating in a far-reaching tone,
+The words of the lofty Lao Tzu:
+When pot upon stove reproveth kettle for blackness,
+Pot speaking out of turn.
+
+
+
+A Song of Little Girls
+
+I want to make a song of the little girls
+That live about this quarter.
+I could make a song of boys quite easily with words,
+But words are too blunt for such delicate things as girls.
+I would like to make my song of them with bees and butterflies.
+One looks at the boy, and says Boy;
+And lo, one has described him.
+But little girls are morning light and melody;
+Their happy hair flutters and flies, or curtains their laughing faces--
+Faces glad as the sun at dawn.
+Their clear, cool skin is like wine to the eyes,
+The lines of their fluent limbs run like a song,
+And every step is a note of grace which the frock repeats.
+
+Don't you think it a pity, and greatly to be deplored
+That these should lose this beauty,
+And pass from it to the guile and trickery of woman?
+
+
+
+Of Shop Windows
+
+Looking closely at the glass windows of my shop,
+I see in them the whole of my shop reflected.
+Looking at my windows closely from the street,
+I see in them the life of the street reflected.
+Yet if I stand away, the glass remains transparent,
+And I see clearly through it to the things beyond.
+
+If I look with close vision
+Into the hearts of men,
+I see my own small heart reflected.
+I will try henceforth not to look at them too closely.
+
+
+
+At the Feast of Lanterns
+
+Lithely on their strings swing the many-coloured lanterns,
+For this is the Feast of Lanterns;
+And Pennyfields and West India Dock Road
+Are to-night a part of my own country,
+Aglow with the hues of the Peacock's Tail,
+Very amiable to the eye.
+
+In a recess of my heart
+Is a poor street hung with lanterns.
+These lanterns are my thoughts,
+And they are lighted at the last hours of the evenings,
+When through this street
+Walks the willowy maiden from the tea-shop across the road.
+
+
+
+One Service Breeds Another
+
+One of this person's white-skinned friends, Bill Hawkins,
+Who labours at the waterside,
+Had occasion, at the time of unkind weather,
+To rescue from the certain peril of drowning
+One who had slipped from the edge of a wharf to the dock.
+
+Without reward the flower serves the bee.
+The mother serves the child with pain and toil.
+The soldier serves his king without king's gratitutde.
+And this person has noted with much private amusement,
+How, since this one service rendered,
+Bill Hawkins goes ever from his accustomed path
+To add service to service to the one he rescued;
+While the rescued one looks ever upon Bill Hawkins
+With eyes of no-approval, indeed, with intense disgust.
+
+
+
+An Offer of a Lodging
+
+Little maid of the yellow curls
+You look sad as you pass my window.
+You look as though you would like to creep into some warm nest,
+And hide your golden head.
+
+Oh, look, little maid! I have made you a nest!
+Creep into it, and I will hide you away,
+Quietly, in the nest of my heart,
+I will wrap you around with verses and cover you with fair thoughts.
+
+There is yet one little corner left,
+Free from the world's defilement;
+One little corner where not a breath of wrong
+Shall enter to disturb your slumbering.
+And I will cherish you there
+In the nest you will make so pure.
+I will hold you and guard you safe from the snares of the stony streets.
+Be at peace, little maid, and lie in trust;
+For though my feet may stumble, and I may fall,
+The corner that houses you I will ever keep whole.
+
+
+
+Of Two Dwellings
+
+At the lower end of Limehouse Causeway
+Is a house where girls surrender their bodies
+To the pleasures of base-minded and unpolished men,
+In return for shillings.
+And on the walls about this house
+Blossoms at summer the wild white rose.
+
+In a tiny room at the top of a tenement
+Lives a white maid of surpassing virtue,
+Gentle in manner and quiet and dutiful,
+Combing her golden curls each morning
+Before a window that looks out to hell;
+That looks upon cesspools of mud, and mounds of refuse and the offal of the shops.
+
+
+
+Concerning English Gambling
+
+One morning, at the season of Clear Weather,
+As I sat alone in my Tea-House of the Refined White Lily,
+A stranger of affable address approached me,
+And showed me, with a multitude of argument,
+To what advantage I should come
+Were I to place the whole of my substance with him,
+Even to my shirt,
+As a token of my faith in Ice Cream Cornet for the Lincolnshire.
+
+And because I would not do so,
+He withdrew himself from me as from one of mean birth and behaviour,
+Reviling me with the name of "No-Sport,"
+And other characters of opprobrium.
+
+But this person told him
+That he carried always on written leaves
+The words of his august father,
+Concerning horses and women, and the wind in the hills and the hooting of owls.
+
+He did not tell him that he knew full well
+That Ice Cream Cornet was a non-starter for the Lincolnshire.
+
+
+
+Of Politicians
+
+Upon a time the amiable Bill Hawkins
+Married a fair wife, demure and of chaste repute,
+Keeping closely from her, however,
+Any knowledge of the manner of man he had been.
+
+Upon the nuptial night,
+Awaking and finding himself couched with a woman,
+As had happened on divers occasions,
+He arose, and dressed and departed,
+Leaving at the couch's side four goodly coins.
+
+But in the street,
+Remembering the occasion and his present estate of marriage,
+He returned with a haste of no-dignity,
+Filled with emotions of an entirely disturbing nature,
+Fear that his wife should discover his absence
+And place evil construction upon it,
+Being uppermost.
+
+Entering stealthily, then, with the toes of the leopard,
+With intention of quickly disrobing,
+And rejoining the forsaken bride,
+He perceived her sitting erect on the couch,
+Biting shrewdly, with a distressing air of experience,
+At one of the coins.
+
+Even so it is when Big Politician meets Little Politician.
+
+
+
+Of the Great White War
+
+During the years when the white men fought each other,
+I observed how the aged cried aloud in public places
+Of honour and chivalry, and the duty of the young;
+And how the young ceased doing the pleasant things of youth,
+And became suddenly old,
+And marched away to defend the aged.
+
+And I observed how the aged
+Became suddenly young;
+And mouthed fair phrases one to the other upon the Supreme Sacrifice,
+And turned to their account-books, murmuring gravely:
+Business as Usual;
+And brought out bottles of wine and drank the health
+Of the young men they had sent out to die for them.
+
+
+
+At the Time of Clear Weather
+
+In the agreeable public gardens of Poplar
+The bushes are bright with buds,
+For this is the season of Clear Weather.
+There blossom the quiet flowers of this country:
+The timid lilac,
+The unassuming hawthorn,
+The dignified chestnut,
+And the girlish laburnum;
+And the mandarin of them all is the rhododendron.
+
+In the untilled field of my heart
+Many simple buds are bursting.
+There is a little bush of kindliness towards all men.
+There is a slender tree of forgiveness for all wrongs.
+There is a humble growth of repentance for past sins.
+And around the field is a thick hedge of thankfulness.
+
+And Ho! in the midst of all
+Stands the tree of a hundred boughs
+Laden with the sweetest of all buds
+Which are breaking to flower under the sun of a maiden's eyes.
+
+
+
+Parent and Child
+
+Often of an evening I take the air
+And linger on the bridge by the Isle of Dogs,
+And sometimes see
+The swan-like shape of the ship that brought me hither.
+Often since then that ship has gone
+To the land from which it brought me;
+And on each voyage my heart accompanies it.
+
+Should I some day in person journey with it,
+My honourable father would welcome his little son.
+He would not see this worn and tattered one,
+This lean and sorrowful son of the waterside.
+He would not see this parchment face,
+This figure without lustre.
+He would see his little son who left him long ago;
+For love would brush away the husk of years,
+And leave a little child.
+
+
+
+Of Worship and Conduct
+
+At the corner of the Causeway on every seventh evening
+Gathers the band of Salvation Army,
+Making big noise of Washed-in-Blood-of-Lamb.
+
+At temple in East India Dock Road
+Men gather in white clothes, and sing,
+And march with candles and pray to Lady.
+
+At shop in Pennyfields, many times a day,
+This person pays respect to Big Man Joss,
+And burns to him prayer-papers and punk-sticks.
+
+And all day long men toil for wife and child;
+Wife suffer and stint to make bigger plate for child;
+Child beg in street to get food for sick mother;
+Sister wear ragged clothes for sake of little brother.
+And none of these has bowed to Joss,
+Or marched with candle,
+Or washed in blood of Lamb.
+
+
+
+Going to Market
+
+Good morning, Mister, how do you do?
+I am going to Salmon Lane, to the cheap market for dainty foods.
+Won't you come with me, Mister?
+
+I shall buy meat and fish and a loaf of bread,
+And fresh fruit and potatoes;
+I shall buy a cluster of flowers and a bottle of wine,
+Some butter and some jam,
+And biscuits, and nuts and candy.
+For I give an English feast to-night to a friend with yellow curls,
+And every dish will be cooked by me.
+
+Into the pot will go sharp spices,
+To flavour your English meats:
+Cayenne and thyme, and sage and salt,
+A sprig of parsley for garnish,
+And some delicate bamboo shoots.
+But the sweetest spice will not be seen,
+It will leap from my heart to the pot as I stir it.
+I am going to gather it on the way to the market
+>From my own sweet thoughts and from elegant conversation
+With notable misters.
+Won't you come with me?
+
+
+
+A Portrait
+
+How shall I write of you, little friend,
+To my father on the River of Serenity?
+I will tell him of your twenty yellow curls
+Tumbling in a cascade about your shoulders;
+Your bright mouth and fine brow,
+Lit by yet brighter eyes,
+Where fireflies dance;
+How in your cheeks you hold
+The colours of the flower before its leaves unclose;
+How the tones of your voice, sounding in my ears,
+Float before my eyes like strings of lanterns;
+How, when I look closely upon you,
+I see my thoughts like a white river in your eyes;
+How, as I walk down the street where you have trod,
+The very stones are to me the smiles that you scatter as you pass.
+How your look thrills my heart as a guitar thrills to the touch.
+
+And I will tell him that you are not for me,
+For you are white and I am yellow;
+Unless, perchance, shame and disgrace fall upon you,
+As it falls upon some girls of this quarter,
+And your neighbours and friends pass by the other way.
+Then, perhaps, it would be permitted to me
+To render service to you.
+
+
+
+On a Saying of Mencius
+
+That was well said of Mencius:
+The misfortunes of one are the entertainment of many.
+
+When Prosperity attended the occasions of this person,
+And his heart smiled within him,
+He was regarded and received on all sides by his fellows
+With attitudes of dignity and expressions of mandarin-like solemnity,
+And his laughing heart could fetch no smile
+To the faces of those about him.
+
+But when, on a recent manifestation of evil spirits,
+He was hailed before those in authority
+And commanded to pay very many taels,
+For the fault of possessing some morsels of chandu, the Great Tobacco,
+And his heart was heavy and dark as a raincloud within him,
+He was received on all sides
+With attitudes of mirth and expressions of no-gravity.
+
+
+
+Dockside Noises
+
+There are in Limehouse many sounds;
+A hundred different sounds by day and night.
+
+The crash and mutter of the dockside railway,
+The noise of quarrel, the noise of fist on face,
+My country's songs, guitars, and gramophones,
+The noise of boot on stone,
+The noise of women bargaining their flesh,
+The noise of singers in the ships,
+Sounds of threat and sounds of fear,
+Blasts of hammer and steel and iron,
+The scream of syren, the wail of hooter,
+The clangour of angry bells,
+The boom of guns, the clatter of factories,
+The panic of feet, and malevolent words.
+
+All these sounds I know, and they disturb me not.
+The sound that is to me most terrible,
+That snatches slumber from me,
+Is the sound that is most common:
+The scream of a child at night.
+
+
+
+Reproof and Approbation
+
+Because I gave a piece of silk
+To my friend of the golden curls,
+One (may the dogs devour him) threw a stone at my window,
+And hooted and jeered and made base noise with his mouth.
+Nay, worse, this son of a sea-slug (may his line perish)
+Hurled hard names at my friend,
+Calling her Tart, and Flusey, and Tom; and, as we walked together,
+Cried: `Watcher, Nancy, who's yer friend with the melon face
+And the bug-eaten cabbage-leaf on his head?'
+
+The lean and scurvy dog that slinks about Pennyfields
+Flew in great fear at sight of this reprover of our doings,
+And came to me, and rubbed itself against my shoe.
+
+
+
+The Feast of Go Nien
+
+We are now in the Pepper Month;
+And soon will come the Feast of Go Nien.
+Then I will pay my debts, and gather in my dues.
+I will walk in the great procession;
+And afterwards I will hang up my devil-chasers
+And will proceed to the restaurant of Ng Tack,
+And drink spring wine with him and meet my friends.
+
+That evening I shall eat of the best:
+Of chicken cream and pigeon in soy-ed,
+With a brown noodle of pork and prawn,
+And a curry of fish and a large Chung Goun,
+Sweet onions, and black eggs and chow chow.
+And when we have done,
+We will have cakes and tea, and music and songs,
+And call in our white friends to sit with us.
+
+For this one day we shall be each to the other,
+What the other would desire.
+Perhaps it is well that this day
+Occurs but once in the year's calendar;
+For if we always so behaved, one to the other,
+There would be no business done.
+
+
+
+Directions for Making Tea
+
+In making tchah for table, each man has his own way.
+Some serve it dashed with lemon, and some with bamboo shoot,
+And some with sugar, in the English way,
+And some with spot of sam-shu.;
+But when one offers tchah to distinguished visitor,
+One offers the noble suey sen, and flavors it
+With the dried bud of the noble chrysanthemum.
+
+Consider these verses, little friend,
+As cups of suey sen
+Flavoured with the buds of the flower of all flowers.
+
+
+
+Of Inaccessible Beauty
+
+Ladies in elegant silks and laces
+Have come at times to my insignificant shop,
+For pieces of jade, or banners, or curious cuttings of ivory.
+And I look with insufferable emotion
+Upon their roseleaf skin,
+And breathe the soft scents that flow from their garments,
+And long to soothe their lily-fingered hands.
+In their presence
+I am seized with longings unutterable,
+And am filled with a sickness of my present unkind estate.
+
+But then I remember
+That Beauty's not always a star,
+Not always remote, not always in lofty places,
+Chrysanthemum-clad and lily-sheathed;
+But often lies in the hedges
+And peeps from street-corners
+And lurks shyly behind broken doorways.
+
+And I think upon the kind and considerate beauty
+Of the maid with the golden curls,
+And her patched, uncoloured robes of common cloth.
+And with a change of mood I charge the elegant ladies
+Three times the value of the articles chosen,
+And thus tear from their flowery bodies
+Pieces of their billowing silk
+To deck the less fervid beauty of my friend.
+
+
+
+Night and Day
+
+The waters of the river flow swiftly at Limehouse Hole,
+Past wharves, and ugly gardens,
+Past beautiful steel ships and tawny sails,
+Past clamorous factories and broken boats and bells.
+
+Throughout the day these things are one--
+One body of dire endeavour.
+But when the evening introduces the night,
+This thing is broken into a thousand delicacies,
+And the warm notes of night
+Make happy discord of the day's harsh harmonies.
+
+
+
+Of a Night in War-Time
+
+Upon a night I sat behind my shop,
+In happy talk with casual company:
+The upright Ho Ling, the grave Cheng Huan,
+And the round-bodied and amiable Sway Too, of my own country;
+Together with the maid of the golden curls,
+A sad-eyed seaman from Malay,
+And two pale Englishmen, Bill Hawkins and Jack Brown.
+
+We sat beneath the lantern, and drank our tchah in fellowship,
+And spoke of this and of that.
+And the moon rose and mated with the soft smells of my store,
+And brought forth a spirit that spoke to us
+Of things forgotten or lost, or long despaired of.
+
+Friendship bound us together, and we sat late,
+Glad of the night, and each glad of his companions;
+While men in another land
+Wrought horrors upon their fellows beneath this moon,
+Drunk with the wicked words of the wicked lords of men.
+
+
+
+A Love Lesson
+
+Last night I dreamed of the maid with yellow curls.
+She came to me in the room above my shop,
+And we two were alone, freed from the laws of day.
+I held her then to myserlf.
+I took from her her clothing, garment by garment,
+And watched them fall about her feet,
+White petals of a flower.
+And I drew from her to myself her thoughts, one by one,
+As often I had wished, till all of her was mine.
+
+Then I was sad, for nothing was left to love.
+And I quickly clothed her again, garment by garment,
+And gave her back her thoughts, one by one,
+And awoke in joy.
+I was glad that the dream was a dream,
+And that all of her was not mine;
+For I had learned
+That love released from bond, and unburdened of its fetters,
+Is love no longer.
+
+
+
+A Rebuke
+
+Excuse me, Mister, if I enter a gentle protest
+About the manner in which you comport yourself
+When taking the air about the streets.
+For, looking at you, one would form the opinion
+That you were a man of much worth and nobility,
+That you were high in officialdom,
+A councillor of the king or a learned judge,
+Or one whose piety and wisdom
+Had marked him out to sit above his fellow.
+
+One would think thus to see the swinging arms,
+The slow protuberant belly sheathed in a vest of scarlet,
+And the gold chain of Albert, the great Consort;
+To see the haughty head, the portly mien,
+The solemn gait, and the complacency with which you view the world.
+
+Don't interrupt! I only wished to tell you
+That your claim to the excessive esteem of your neighbours
+Is wholly without foundation.
+Do please remember, Mister, that that scarlet belly
+Was acquired by the labours of little children
+Whom you employ to stick labels on bottles.
+
+
+
+Upstairs
+
+I have lifted her over my threshold to-night.
+Many moons have risen and set since she received my napi;
+But now she is here and has entered my upper room,
+Where is a shrine for the joss of happiness,
+And a soft couch and delicate hanging,
+And fine things for fine fingers to handle,
+And shaded lanterns and a guitar and my machine-that-sings.
+
+There are ornaments of jade and lacquer,
+And the bamboo pipe and the hap-heem that I have laid aside,
+And the written leaves containing my verses.
+But there are no writing tables, no ink and no brushes.
+For now my verses will be written upon her brow.
+
+
+
+Footsteps
+
+As I lie on my pallet at night
+I hear from the street the sound of passing footsteps;
+And I can sort and name these passing footsteps.
+There are the truculent steps of the seeker after trouble,
+There are the fearful feet of those who are not at ease
+In the implacable streets.
+There are the fugitive feet of crime,
+And the solemn reassuring tread of big policemen;
+And the interrupted steps of the revellers,
+And the fleet feet of those who have purchased trouble.
+
+But those that tread most heavily on my heart
+Are the light and lingering footsteps of tired young women.
+
+
+
+Making a Feast
+
+Ho! Friends and enemies of Pennyfields,
+A feast is spread, and you are all invited.
+Many tides have risen and retired
+Since I left the fervid skies of my own country
+For the thin skies and leaden streets of the West.
+Long have I sojourned, seeking my desire,
+Keeping my shop, and looking always with long eyes
+At others' guesting-tables, at whose top sat love.
+
+>From my cold corner
+I have watched their feast of fondness, and my heart has flown away,
+And has beaten like a lost bird at their windows,
+And none would let him in.
+
+But now, O honourables,
+My window is alight, my room is warmed,
+The table is set and the places are laid, and Love waits to greet you.
+
+
+
+The Case of Ho Ling
+
+Truly the ways of mandarins are inscrutable.
+My estimable and upright friend, Ho Ling,
+Long had desired to return to his own country.
+He bore himself in Limehouse without reproach,
+A reputable stranger, mild of manner and gentle of address.
+Against him none could bring a charge or speak a word of upbraiding.
+He conformed in all ways to the laws of correct conduct.
+
+Yet when he sought assistance to return to his own country,
+Being without means,
+And hung at the ear of notable men who could help him,
+They refused to hear him,
+And would in no way help him to go where his heart was set.
+Even the charitable ones regretted
+That his case was not for them.
+
+Wherefore my friend forsook his quiet and regular ways,
+And went about as one possessed by thunder and fire,
+Stormily; doing many things of a reprehensible character,
+Committing grave misdemeanours in the public streets,
+And following evil ways in a manner to attract attention.
+
+Whereupon,
+The lords of this country placed him upon a boat,
+And commanded that he should be carried, at their own cost,
+To his own country, whither he most desired to go.
+
+
+
+An Upright Man
+
+The grave and thin-faced one who keeps the Bespoke Tailor's Shop,
+And subjects his child to treatment of a most disagreeable nature,
+Never goes into the Blue Lantern,
+Never takes pellet of li-un or nut of areca,
+Or communes with Black Smoke,
+Or loses money at puckapoo,
+Or makes public outcry or gesture
+Expressive of delight in his friends,
+Or does foolish and unworthy things,
+Or makes exchange of hats with friends.
+
+He has no friends, for he has no weaknesses.
+While others fall to the simple follies of humanity
+He walks ever upright and self-contained, devout and dignified,
+And ill-treats his child at night.
+
+
+
+Breaking-Point
+
+Many heavy blows has this patient person's back received,
+These many years.
+He has lost friends and money;
+He has lost his own country;
+His well-framed enterprises have gone awry.
+And his heart has gone hungry these many years for love.
+
+All these things he has suffered without murmur.
+One thing alone has driven him to utter piercing cries,
+And make gestures expressive of volcano in eruption:
+And that is the bootmender across the road
+Who sings hymns to himself in the evening.
+
+For that is true that the sage has spoken:
+That it is the smell of gin-and-onions about the secretary
+Which drives his master, who long has suffered gin-and-cloves,
+To the breaking-point of inexpressible exasperation.
+
+
+
+An English Gentleman
+
+I determined yesterday to become English gentleman;
+And I have this morning bought a bowler hat.
+I have bought brown boots and a suit of rare blue serge,
+Which the affable one who supplied me with it
+Spoke of as Natty, and added his assurance
+That I would look Quite the Gentleman.
+I have bought white collars and many-coloured ties,
+And a walking-stick and a blue-spotted shirt.
+
+Apparelled thus, I strolled this evening down Pennyfields,
+And the old men came out with expressions of no-kindness.
+They made ugly mouths,
+And passed words one to the other of a derisive nature.
+
+But I am young Quong Lee,
+Who write verse in the English tongue,
+And am quite English gentleman.
+And English gentleman
+Not suffer himself to be disturbed by hooting of owls.
+
+
+
+
+
+End of Project Gutenberg Etext The Song Book of Quong Lee of Limehouse
+
diff --git a/old/qungl10.zip b/old/qungl10.zip
new file mode 100644
index 0000000..ec96fb5
--- /dev/null
+++ b/old/qungl10.zip
Binary files differ