summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:18:30 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:18:30 -0700
commitd75a85644d3101de7fccf7923ab666c2eba13a02 (patch)
treee9f2cba4e6e4d26232464460da53da680c040c00
initial commit of ebook 2163HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--2163-0.txt1691
-rw-r--r--2163-0.zipbin0 -> 35535 bytes
-rw-r--r--2163-h.zipbin0 -> 37287 bytes
-rw-r--r--2163-h/2163-h.htm1952
-rw-r--r--2163.txt1690
-rw-r--r--2163.zipbin0 -> 35332 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/brdgb10.txt1695
-rw-r--r--old/brdgb10.zipbin0 -> 34109 bytes
11 files changed, 7044 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/2163-0.txt b/2163-0.txt
new file mode 100644
index 0000000..2f1e8b9
--- /dev/null
+++ b/2163-0.txt
@@ -0,0 +1,1691 @@
+The Project Gutenberg EBook of The Bridge-Builders, by Rudyard Kipling
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Bridge-Builders
+
+Author: Rudyard Kipling
+
+Release Date: February 25, 2006 [EBook #2163]
+Last Updated: October 7, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE BRIDGE-BUILDERS ***
+
+
+
+
+Produced by Bill Stoddard and David Widger
+
+
+
+
+
+THE BRIDGE-BUILDERS
+
+
+by Rudyard Kipling
+
+
+
+
+The least that Findlayson, of the Public Works Department, expected was
+a C.I.E.; he dreamed of a C.S.I. Indeed, his friends told him that
+he deserved more. For three years he had endured heat and cold,
+disappointment, discomfort, danger, and disease, with responsibility
+almost to top-heavy for one pair of shoulders; and day by day, through
+that time, the great Kashi Bridge over the Ganges had grown under his
+charge. Now, in less than three months, if all went well, his Excellency
+the Viceroy would open the bridge in state, an archbishop would bless
+it, and the first trainload of soldiers would come over it, and there
+would be speeches.
+
+Findlayson, C. E., sat in his trolley on a construction line that ran
+along one of the main revetments--the huge stone-faced banks that flared
+away north and south for three miles on either side of the river and
+permitted himself to think of the end. With its approaches, his work was
+one mile and three-quarters in length; a lattice-girder bridge, trussed
+with the Findlayson truss standing on seven-and-twenty brick piers. Each
+one of those piers was twenty-four feet in diameter, capped with red
+Agra stone and sunk eighty feet below the shifting sand of the Ganges’
+bed. Above them was a railway-line fifteen feet broad; above that,
+again, a cart-road of eighteen feet, flanked with footpaths. At either
+end rose towers, of red brick, loopholed for musketry and pierced for
+big guns, and the ramp of the road was being pushed forward to their
+haunches. The raw earth-ends were crawling and alive with hundreds upon
+hundreds of tiny asses climbing out of the yawning borrow-pit below with
+sackfuls of stuff; and the hot afternoon air was filled with the
+noise of hooves, the rattle of the drivers’ sticks, and the swish and
+roll-down of the dirt. The river was very low, and on the dazzling
+white sand between the three centre piers stood squat cribs of
+railway-sleepers, filled within and daubed without with mud, to support
+the last of the girders as those were riveted up. In the little deep
+water left by the drought, an overhead crane travelled to and fro
+along its spile-pier, jerking sections of iron into place, snorting and
+backing and grunting as an elephant grunts in the timberyard. Riveters
+by the hundred swarmed about the lattice side-work and the iron roof of
+the railway line hung from invisible staging under the bellies of the
+girders, clustered round the throats of the piers, and rode on the
+overhang of the footpath-stanchions; their fire-pots and the spurts of
+flame that answered each hammer-stroke showing no more than pale
+yellow in the sun’s glare. East and west and north and south the
+construction-trains rattled and shrieked up and down the embankments,
+the piled trucks of brown and white stone banging behind them till the
+side-boards were unpinned, and with a roar and a grumble a few thousand
+tons’ more material were flung out to hold the river in place.
+
+Findlayson, C. E., turned on his trolley and looked over the face of the
+country that he had changed for seven miles around. Looked back on the
+humming village of five thousand work-men; up stream and down, along the
+vista of spurs and sand; across the river to the far piers, lessening
+in the haze; overhead to the guard-towers--and only he knew how strong
+those were--and with a sigh of contentment saw that his work was good.
+There stood his bridge before him in the sunlight, lacking only a few
+weeks’ work on the girders of the three middle piers--his bridge, raw
+and ugly as original sin, but pukka--permanent--to endure when all
+memory of the builder, yea, even of the splendid Findlayson truss, has
+perished. Practically, the thing was done.
+
+Hitchcock, his assistant, cantered along the line on a little
+switch-tailed Kabuli pony who through long practice could have trotted
+securely over trestle, and nodded to his chief.
+
+“All but,” said he, with a smile.
+
+“I’ve been thinking about it,” the senior answered. “Not half a bad job
+for two men, is it?”
+
+“One--and a half. ‘Gad, what a Cooper’s Hill cub I was when I came on
+the works!” Hitchcock felt very old in the crowded experiences of the
+past three years, that had taught him power and responsibility.
+
+“You were rather a colt,” said Findlayson. “I wonder how you’ll like
+going back to office-work when this job’s over.”
+
+“I shall hate it!” said the young man, and as he went on his eye
+followed Findlayson’s, and he muttered, “Isn’t it damned good?”
+
+“I think we’ll go up the service together,” Findlayson said to himself.
+“You’re too good a youngster to waste on another man. Cub thou wast;
+assistant thou art. Personal assistant, and at Simla, thou shalt be, if
+any credit comes to me out of the business!”
+
+Indeed, the burden of the work had fallen altogether on Findlayson and
+his assistant, the young man whom he had chosen because of his rawness
+to break to his own needs. There were labour contractors by the
+half-hundred--fitters and riveters, European, borrowed from the railway
+workshops, with, perhaps, twenty white and half-caste subordinates to
+direct, under direction, the bevies of workmen--but none knew better
+than these two, who trusted each other, how the underlings were not to
+be trusted. They had been tried many times in sudden crises--by slipping
+of booms, by breaking of tackle, failure of cranes, and the wrath of
+the river--but no stress had brought to light any man among men whom
+Findlayson and Hitchcock would have honoured by working as remorselessly
+as they worked them-selves. Findlayson thought it over from the
+beginning: the months of office-work destroyed at a blow when the
+Government of India, at the last moment, added two feet to the width of
+the bridge, under the impression that bridges were cut out of paper, and
+so brought to ruin at least half an acre of calculations--and Hitchcock,
+new to disappointment, buried his head in his arms and wept; the
+heart-breaking delays over the filling of the contracts in England; the
+futile correspondences hinting at great wealth of commissions if one,
+only one, rather doubtful consignment were passed; the war that followed
+the refusal; the careful, polite obstruction at the other end that
+followed the war, till young Hitchcock, putting one month’s leave to
+another month, and borrowing ten days from Findlayson, spent his poor
+little savings of a year in a wild dash to London, and there, as his own
+tongue asserted and the later consignments proved, put the fear of God
+into a man so great that he feared only Parliament and said so till
+Hitchcock wrought with him across his own dinner table, and--he feared
+the Kashi Bridge and all who spoke in its name. Then there was the
+cholera that came in the night to the village by the bridge works; and
+after the cholera smote the small-pox. The fever they had always with
+them. Hitchcock had been appointed a magistrate of the third class
+with whipping powers, for the better government of the community, and
+Findlayson watched him wield his powers temperately, learning what to
+overlook and what to look after. It was a long, long reverie, and it
+covered storm, sudden freshets, death in every manner and shape, violent
+and awful rage against red tape half frenzying a mind that knows it
+should be busy on other things; drought, sanitation, finance; birth,
+wedding, burial, and riot in the village of twenty warring castes;
+argument, expostulation, persuasion, and the blank despair that a
+man goes to bed upon, thankful that his rifle is all in pieces in
+the gun-case. Behind everything rose the black frame of the Kashi
+Bridge--plate by plate, girder by girder, span by span--and each pier
+of it recalled Hitchcock, the all-round man, who had stood by his chief
+without failing from the very first to this last.
+
+So the bridge was two men’s work--unless one counted Peroo, as Peroo
+certainly counted himself. He was a Lascar, a Kharva from Bulsar,
+familiar with every port between Rockhampton and London, who had risen
+to the rank of serang on the British India boats, but wearying of
+routine musters and clean clothes, had thrown up the service and gone
+inland, where men of his calibre were sure of employment. For his
+knowledge of tackle and the handling of heavy weights, Peroo was worth
+almost any price he might have chosen to put upon his services; but
+custom decreed the wage of the overhead-men, and Peroo was not within
+many silver pieces of his proper value. Neither running water nor
+extreme heights made him afraid; and, as an ex-serang, he knew how to
+hold authority. No piece of iron was so big or so badly placed that
+Peroo could not devise a tackle to lift it--a loose-ended, sagging
+arrangement, rigged with a scandalous amount of talking, but perfectly
+equal to the work in hand. It was Peroo who had saved the girder of
+Number Seven pier from destruction when the new wire-rope jammed in the
+eye of the crane, and the huge plate tilted in its slings, threatening
+to slide out sideways. Then the native workmen lost their heads with
+great shoutings, and Hitchcock’s right arm was broken by a falling
+T-plate, and he buttoned it up in his coat and swooned, and came to and
+directed for four hours till Peroo, from the top of the crane, reported
+“All’s well,” and the plate swung home. There was no one like Peroo,
+serang, to lash, and guy, and hold, to control the donkey-engines, to
+hoist a fallen locomotive craftily out of the borrow-pit into which it
+had tumbled; to strip, and dive, if need be, to see how the concrete
+blocks round the piers stood the scouring of Mother Gunga, or to
+adventure upstream on a monsoon night and report on the state of the
+embankment-facings. He would interrupt the field-councils of Findlayson
+and Hitchcock without fear, till his wonderful English, or his still
+more wonderful linguafranca, half Portuguese and half Malay, ran out and
+he was forced to take string and show the knots that he would recommend.
+He controlled his own gang of tackle men--mysterious relatives from
+Kutch Mandvi gathered month by month and tried to the uttermost. No
+consideration of family or kin allowed Peroo to keep weak hands or a
+giddy head on the pay-roll. “My honour is the honour of this bridge,” he
+would say to the about-to-be-dismissed. “What do I care for your honour?
+Go and work on a steamer. That is all you are fit for.”
+
+The little cluster of huts where he and his gang lived centred round the
+tattered dwelling of a sea-priest--one who had never set foot on black
+water, but had been chosen as ghostly counsellor by two generations of
+sea-rovers all unaffected by port missions or those creeds which are
+thrust upon sailors by agencies along Thames bank. The priest of the
+Lascars had nothing to do with their caste, or indeed with anything at
+all. He ate the offerings of his church, and slept and smoked, and slept
+again, “for,” said Peroo, who had haled him a thousand miles inland, “he
+is a very holy man. He never cares what you eat so long as you do
+not eat beef, and that is good, because on land we worship Shiva, we
+Kharvas; but at sea on the Kumpani’s boats we attend strictly to the
+orders of the Burra Malum [the first mate], and on this bridge we
+observe what Finlinson Sahib says.”
+
+Finlinson Sahib had that day given orders to clear the scaffolding from
+the guard-tower on the right bank, and Peroo with his mates was casting
+loose and lowering down the bamboo poles and planks as swiftly as ever
+they had whipped the cargo out of a coaster.
+
+From his trolley he could hear the whistle of the serang’s silver pipe
+and the creek and clatter of the pulleys. Peroo was standing on the
+top-most coping of the tower, clad in the blue dungaree of his abandoned
+service, and as Findlayson motioned to him to be careful, for his was
+no life to throw away, he gripped the last pole, and, shading his eyes
+ship-fashion, answered with the long-drawn wail of the fo’c’sle lookout:
+“Ham dekhta hai” (“I am looking out”).
+
+Findlayson laughed and then sighed. It was years since he had seen
+a steamer, and he was sick for home. As his trolley passed under the
+tower, Peroo descended by a rope, ape-fashion, and cried: “It looks well
+now, Sahib. Our bridge is all but done. What think you Mother Gunga will
+say when the rail runs over?”
+
+“She has said little so far. It was never Mother Gunga that delayed us.”
+
+“There is always time for her; and none the less there has been delay.
+Has the Sahib forgotten last autumn’s flood, when the stone-boats were
+sunk without warning--or only a half-day’s warning?”
+
+“Yes, but nothing save a big flood could hurt us now. The spurs are
+holding well on the West Bank.”
+
+“Mother Gunga eats great allowances. There is always room for more
+stone on the revetments. I tell this to the Chota Sahib,”--he meant
+Hitchcock--“and he laughs.”
+
+“No matter, Peroo. Another year thou wilt be able to build a bridge in
+thine own fashion.”
+
+The Lascar grinned. “Then it will not be in this way--with stonework
+sunk under water, as the Qyetta was sunk. I like sus-sus-pen-sheen
+bridges that fly from bank to bank with one big step, like a
+gang-plank. Then no water can hurt. When does the Lord Sahib come to
+open the bridge?”
+
+“In three months, when the weather is cooler.”
+
+“Ho! ho! He is like the Burra Malum. He sleeps below while the work is
+being done. Then he comes upon the quarter-deck and touches with his
+finger, and says: ‘This is not clean! Dam jibboonwallah!’”
+
+“But the Lord Sahib does not call me a dam jibboonwallah, Peroo.”
+
+“No, Sahib; but he does not come on deck till the work is all finished.
+Even the Burra Malum of the Nerbudda said once at Tuticorin--”
+
+“Bah! Go! I am busy.”
+
+“I, also!” said Peroo, with an unshaken countenance. “May I take the
+light dinghy now and row along the spurs?”
+
+“To hold them with thy hands? They are, I think, sufficiently heavy.”
+
+“Nay, Sahib. It is thus. At sea, on the Black Water, we have room to be
+blown up and down without care. Here we have no room at all. Look you,
+we have put the river into a dock, and run her between stone sills.”
+
+Findlayson smiled at the “we.”
+
+“We have bitted and bridled her. She is not like the sea, that can beat
+against a soft beach. She is Mother Gunga--in irons.” His voice fell a
+little.
+
+“Peroo, thou hast been up and down the world more even than I. Speak
+true talk, now. How much dost thou in thy heart believe of Mother
+Gunga?”
+
+“All that our priest says. London is London, Sahib. Sydney is Sydney,
+and Port Darwin is Port Darwin. Also Mother Gunga is Mother Gunga, and
+when I come back to her banks I know this and worship. In London I did
+poojah to the big temple by the river for the sake of the God within.
+. . . Yes, I will not take the cushions in the dinghy.”
+
+Findlayson mounted his horse and trotted to the shed of a bungalow that
+he shared with his assistant. The place had become home to him in the
+last three years. He had grilled in the heat, sweated in the rains, and
+shivered with fever under the rude thatch roof; the lime-wash beside the
+door was covered with rough drawings and formulae, and the sentry-path
+trodden in the matting of the verandah showed where he had walked alone.
+There is no eight-hour limit to an engineer’s work, and the evening
+meal with Hitchcock was eaten booted and spurred: over their cigars
+they listened to the hum of the village as the gangs came up from the
+river-bed and the lights began to twinkle.
+
+“Peroo has gone up the spurs in your dinghy. He’s taken a couple of
+nephews with him, and he’s lolling in the stern like a commodore,” said
+Hitchcock.
+
+“That’s all right. He’s got something on his mind. You’d think that ten
+years in the British India boats would have knocked most of his religion
+out of him.”
+
+“So it has,” said Hitchcock, chuckling. “I overheard him the other
+day in the middle of a most atheistical talk with that fat old guru of
+theirs. Peroo denied the efficacy of prayer; and wanted the guru to
+go to sea and watch a gale out with him, and see if he could stop a
+monsoon.”
+
+“All the same, if you carried off his guru he’d leave us like a shot. He
+was yarning away to me about praying to the dome of St. Paul’s when he
+was in London.”
+
+“He told me that the first time he went into the engine-room of a
+steamer, when he was a boy, he prayed to the low-pressure cylinder.”
+
+“Not half a bad thing to pray to, either. He’s propitiating his own Gods
+now, and he wants to know what Mother Gunga will think of a bridge
+being run across her. Who’s there?” A shadow darkened the doorway, and a
+telegram was put into Hitchcock’s hand.
+
+“She ought to be pretty well used to it by this time. Only a tar. It
+ought to be Ralli’s answer about the new rivets. . . . Great Heavens!”
+ Hitchcock jumped to his feet.
+
+“What is it?” said the senior, and took the form. “That’s what Mother
+Gunga thinks, is it,” he said, reading. “Keep cool, young ‘un. We’ve
+got all our work cut out for us. Let’s see. Muir wired half an hour ago:
+‘Floods on the Ramgunga. Look out.’ Well, that gives us--one, two--nine
+and a half for the flood to reach Melipur Ghaut and seven’s sixteen and
+a half to Lataoli--say fifteen hours before it comes down to us.”
+
+“Curse that hill-fed sewer of a Ramgunga! Findlayson, this is two months
+before anything could have been expected, and the left bank is littered
+up with stuff still. Two full months before the time!”
+
+“That’s why it comes. I’ve only known Indian rivers for five-and-twenty
+years, and I don’t pretend to understand. Here comes another tar.”
+ Findlayson opened the telegram. “Cockran, this time, from the Ganges
+Canal: ‘Heavy rains here. Bad.’ He might have saved the last word. Well,
+we don’t want to know any more. We’ve got to work the gangs all night
+and clean up the riverbed. You’ll take the east bank and work out to
+meet me in the middle. Get everything that floats below the bridge: we
+shall have quite enough river-craft coming down adrift anyhow, without
+letting the stone-boats ram the piers. What have you got on the east
+bank that needs looking after?
+
+“Pontoon--one big pontoon with the overhead crane on it. T’other
+overhead crane on the mended pontoon, with the cart-road rivets
+from Twenty to Twenty-three piers--two construction lines, and a
+turning-spur. The pilework must take its chance,” said Hitchcock.
+
+“All right. Roll up everything you can lay hands on. We’ll give the gang
+fifteen minutes more to eat their grub.”
+
+Close to the verandah stood a big night-gong, never used except for
+flood, or fire in the village. Hitchcock had called for a fresh
+horse, and was off to his side of the bridge when Findlayson took the
+cloth-bound stick and smote with the rubbing stroke that brings out the
+full thunder of the metal.
+
+Long before the last rumble ceased every night-gong in the village
+had taken up the warning. To these were added the hoarse screaming of
+conches in the little temples; the throbbing of drums and tom-toms; and,
+from the European quarters, where the riveters lived, McCartney’s
+bugle, a weapon of offence on Sundays and festivals, brayed desperately,
+calling to “Stables.” Engine after engine toiling home along the spurs
+at the end of her day’s work whistled in answer till the whistles were
+answered from the far bank. Then the big gong thundered thrice for a
+sign that it was flood and not fire; conch, drum, and whistle echoed the
+call, and the village quivered to the sound of bare feet running upon
+soft earth. The order in all cases was to stand by the day’s work and
+wait instructions. The gangs poured by in the dusk; men stopping to
+knot a loin-cloth or fasten a sandal; gang-foremen shouting to their
+subordinates as they ran or paused by the tool-issue sheds for bars
+and mattocks; locomotives creeping down their tracks wheel-deep in
+the crowd; till the brown torrent disappeared into the dusk of the
+river-bed, raced over the pilework, swarmed along the lattices,
+clustered by the cranes, and stood still--each man in his place.
+
+Then the troubled beating of the gong carried the order to take up
+everything and bear it beyond high-water mark, and the flare-lamps broke
+out by the hundred between the webs of dull iron as the riveters began a
+night’s work, racing against the flood that was to come. The girders of
+the three centre piers--those that stood on the cribs--were all but in
+position. They needed just as many rivets as could be driven into them,
+for the flood would assuredly wash out their supports, and the ironwork
+would settle down on the caps of stone if they were not blocked at the
+ends. A hundred crowbars strained at the sleepers of the temporary line
+that fed the unfinished piers. It was heaved up in lengths, loaded
+into trucks, and backed up the bank beyond flood-level by the groaning
+locomotives. The tool-sheds on the sands melted away before the attack
+of shouting armies, and with them went the stacked ranks of Government
+stores, iron-bound boxes of rivets, pliers, cutters, duplicate parts of
+the riveting-machines, spare pumps and chains. The big crane would be
+the last to be shifted, for she was hoisting all the heavy stuff up to
+the main structure of the bridge. The concrete blocks on the fleet of
+stone-boats were dropped overside, where there was any depth of water,
+to guard the piers, and the empty boats themselves were poled under the
+bridge down-stream. It was here that Peroo’s pipe shrilled loudest, for
+the first stroke of the big gong had brought the dinghy back at racing
+speed, and Peroo and his people were stripped to the waist, working for
+the honour and credit which are better than life.
+
+“I knew she would speak,” he cried. “I knew, but the telegraph gives us
+good warning. O sons of unthinkable begetting--children of unspeakable
+shame--are we here for the look of the thing?” It was two feet of
+wire-rope frayed at the ends, and it did wonders as Peroo leaped from
+gunnel to gunnel, shouting the language of the sea.
+
+Findlayson was more troubled for the stoneboats than anything else.
+McCartney, with his gangs, was blocking up the ends of the three
+doubtful spans, but boats adrift, if the flood chanced to be a high one,
+might endanger the girders; and there was a very fleet in the shrunken
+channel.
+
+“Get them behind the swell of the guardtower,” he shouted down to Peroo.
+“It will be dead-water there. Get them below the bridge.”
+
+“Accha! [Very good.] I know; we are mooring them with wire-rope,” was
+the answer. “Heh! Listen to the Chota Sahib. He is working hard.”
+
+From across the river came an almost continuous whistling of
+locomotives, backed by the rumble of stone. Hitchcock at the last minute
+was spending a few hundred more trucks of Tarakee stone in reinforcing
+his spurs and embankments.
+
+“The bridge challenges Mother Gunga,” said Peroo, with a laugh. “But
+when she talks I know whose voice will be the loudest.”
+
+For hours the naked men worked, screaming and shouting under the lights.
+It was a hot, moonless night; the end of it was darkened by clouds and a
+sudden squall that made Findlayson very grave.
+
+“She moves!” said Peroo, just before the dawn. “Mother Gunga is awake!
+Hear!” He dipped his hand over the side of a boat and the current
+mumbled on it. A little wave hit the side of a pier with a crisp slap.
+
+“Six hours before her time,” said Findlayson, mopping his forehead
+savagely.
+
+“Now we can’t depend on anything. We’d better clear all hands out of the
+riverbed.”
+
+Again the big gong beat, and a second time there was the rushing of
+naked feet on earth and ringing iron; the clatter of tools ceased. In
+the silence, men heard the dry yawn of water crawling over thirsty sand.
+
+Foreman after foreman shouted to Findlayson, who had posted himself by
+the guard-tower, that his section of the river-bed had been cleaned out,
+and when the last voice dropped Findlayson hurried over the bridge
+till the iron plating of the permanent way gave place to the temporary
+plank-walk over the three centre piers, and there he met Hitchcock.
+
+“‘All clear your side?” said Findlayson. The whisper rang in the box of
+lattice work.
+
+“Yes, and the east channel’s filling now. We’re utterly out of our
+reckoning. When is this thing down on us?”
+
+“There’s no saying. She’s filling as fast as she can. Look!” Findlayson
+pointed to the planks below his feet, where the sand, burned and defiled
+by months of work, was beginning to whisper and fizz.
+
+“What orders?” said Hitchcock.
+
+“Call the roll--count stores sit on your hunkers--and pray for the
+bridge. That’s all I can think of Good night. Don’t risk your life
+trying to fish out anything that may go downstream.”
+
+“Oh, I’ll be as prudent as you are! ‘Night. Heavens, how she’s filling!
+Here’s the rain in earnest.”
+
+Findlayson picked his way back to his bank, sweeping the last of
+McCartney’s riveters before him. The gangs had spread themselves along
+the embankments, regardless of the cold rain of the dawn, and there they
+waited for the flood. Only Peroo kept his men together behind the swell
+of the guard-tower, where the stone-boats lay tied fore and aft with
+hawsers, wire-rope, and chains.
+
+A shrill wail ran along the line, growing to a yell, half fear and half
+wonder: the face of the river whitened from bank to hank between the
+stone facings, and the far-away spurs went out in spouts of foam. Mother
+Gunga had come bank-high in haste, and a wall of chocolate-coloured
+water was her messenger. There was a shriek above the roar of the water,
+the complaint of the spans coming down on their blocks as the cribs were
+whirled out from under their bellies. The stone-boats groaned and ground
+each other in the eddy that swung round the abutment, and their clumsy
+masts rose higher and higher against the dim sky-line.
+
+“Before she was shut between these walls we knew what she would do.
+Now she is thus cramped God only knows what she will do!” said Peroo,
+watching the furious turmoil round the guard-tower. “Ohe’! Fight, then!
+Fight hard, for it is thus that a woman wears herself out.”
+
+But Mother Gunga would not fight as Peroo desired. After the first
+down-stream plunge there came no more walls of water, but the river
+lifted herself bodily, as a snake when she drinks in midsummer, plucking
+and fingering along the revetments, and banking up behind the piers till
+even Findlayson began to recalculate the strength of his work.
+
+When day came the village gasped. “Only last night,” men said, turning
+to each other, “it was as a town in the river-bed! Look now!”
+
+And they looked and wondered afresh at the deep water, the racing water
+that licked the throat of the piers. The farther bank was veiled by
+rain, into which the bridge ran out and vanished; the spurs up-stream
+were marked by no more than eddies and spoutings, and down-stream the
+pent river, once freed of her guide-lines, had spread like a sea to
+the horizon. Then hurried by, rolling in the water, dead men and oxen
+together, with here and there a patch of thatched roof that melted when
+it touched a pier.
+
+“Big flood,” said Peroo, and Findlayson nodded. It was as big a flood as
+he had any wish to watch. His bridge would stand what was upon her
+now, but not very much more, and if by any of a thousand chances there
+happened to be a weakness in the embankments, Mother Gunga would carry
+his honour to the sea with the other raffle. Worst of all, there was
+nothing to do except to sit still; and Findlayson sat still under his
+macintosh till his helmet became pulp on his head, and his boots were
+over-ankle in mire. He took no count of time, for the river was marking
+the hours, inch by inch and foot by foot, along the embankment, and
+he listened, numb and hungry, to the straining of the stone-boats, the
+hollow thunder under the piers, and the hundred noises that make the
+full note of a flood. Once a dripping servant brought him food, but he
+could not eat; and once he thought that he heard a faint toot from a
+locomotive across the river, and then he smiled. The bridge’s failure
+would hurt his assistant not a little, but Hitchcock was a young
+man with his big work yet to do. For himself the crash meant
+everything--everything that made a hard life worth the living. They
+would say, the men of his own profession . . . he remembered the
+half-pitying things that he himself had said when Lockhart’s new
+waterworks burst and broke down in brick-heaps and sludge, and
+Lockhart’s spirit broke in him and he died. He remembered what he
+himself had said when the Sumao Bridge went out in the big cyclone by
+the sea; and most he remembered poor Hartopp’s face three weeks
+later, when the shame had marked it. His bridge was twice the size
+of Hartopp’s, and it carried the Findlayson truss as well as the new
+pier-shoe--the Findlayson bolted shoe. There were no excuses in his
+service. Government might listen, perhaps, but his own kind would judge
+him by his bridge, as that stood or fell. He went over it in his head,
+plate by plate, span by span, brick by brick, pier by pier, remembering,
+comparing, estimating, and recalculating, lest there should be any
+mistake; and through the long hours and through the flights of formulae
+that danced and wheeled before him a cold fear would come to pinch his
+heart. His side of the sum was beyond question; but what man knew Mother
+Gunga’s arithmetic? Even as he was making all sure by the multiplication
+table, the river might be scooping a pot-hole to the very bottom of
+any one of those eighty-foot piers that carried his reputation. Again a
+servant came to him with food, but his mouth was dry, and he could only
+drink and return to the decimals in his brain. And the river was still
+rising. Peroo, in a mat shelter coat, crouched at his feet, watching now
+his face and now the face of the river, but saying nothing.
+
+At last the Lascar rose and floundered through the mud towards the
+village, but he was careful to leave an ally to watch the boats.
+
+Presently he returned, most irreverently driving before him the priest
+of his creed--a fat old man, with a grey beard that whipped the wind
+with the wet cloth that blew over his shoulder. Never was seen so
+lamentable a guru.
+
+“What good are offerings and little kerosene lamps and dry grain,”
+ shouted Peroo, “if squatting in the mud is all that thou canst do? Thou
+hast dealt long with the Gods when they were contented and well-wishing.
+Now they are angry. Speak to them!”
+
+“What is a man against the wrath of Gods?” whined the priest, cowering
+as the wind took him. “Let me go to the temple, and I will pray there.”
+
+“Son of a pig, pray here! Is there no return for salt fish and curry
+powder and dried onions? Call aloud! Tell Mother Gunga we have had
+enough. Bid her be still for the night. I cannot pray, but I have been
+serving in the Kumpani’s boats, and when men did not obey my orders I--”
+ A flourish of the wire-rope colt rounded the sentence, and the priest,
+breaking free from his disciple, fled to the village.
+
+“Fat pig!” said Peroo. “After all that we have done for him! When the
+flood is down I will see to it that we get a new guru. Finlinson Sahib,
+it darkens for night now, and since yesterday nothing has been eaten. Be
+wise, Sahib. No man can endure watching and great thinking on an empty
+belly. Lie down, Sahib. The river will do what the river will do.”
+
+“The bridge is mine; I cannot leave it.”
+
+“Wilt thou hold it up with thy hands, then?” said Peroo, laughing.
+
+“I was troubled for my boats and sheers before the flood came. Now we
+are in the hands of the Gods. The Sahib will not eat and lie down? Take
+these, then. They are meat and good toddy together, and they kill all
+weariness, besides the fever that follows the rain. I have eaten nothing
+else to-day at all.”
+
+He took a small tin tobacco-box from his sodden waist-belt and thrust
+it into Findlayson’s hand, saying: “Nay, do not be afraid. It is no more
+than opium--clean Malwa opium.”
+
+Findlayson shook two or three of the dark-brown pellets into his hand,
+and hardly knowing what he did, swallowed them. The stuff was at least
+a good guard against fever--the fever that was creeping upon him out of
+the wet mud--and he had seen what Peroo could do in the stewing mists of
+autumn on the strength of a dose from the tin box.
+
+Peroo nodded with bright eyes. “In a little--in a little the Sahib
+will find that he thinks well again. I too will--” He dived into his
+treasure-box, resettled the rain-coat over his head, and squatted down
+to watch the boats. It was too dark now to see beyond the first pier,
+and the night seemed to have given the river new strength. Findlayson
+stood with his chin on his chest, thinking. There was one point about
+one of the piers--the seventh--that he had not fully settled in his
+mind. The figures would not shape themselves to the eye except one by
+one and at enormous intervals of time. There was a sound rich and mellow
+in his ears like the deepest note of a double-bass--an entrancing sound
+upon which he pondered for several hours, as it seemed. Then Peroo
+was at his elbow, shouting that a wire hawser had snapped and the
+stone-boats were loose. Findlayson saw the fleet open and swing out
+fanwise to a long-drawn shriek of wire straining across gunnels.
+
+“A tree hit them. They will all go,” cried Peroo. “The main hawser has
+parted. What does the Sahib do?”
+
+An immensely complex plan had suddenly flashed into Findlayson’s
+mind. He saw the ropes running from boat to boat in straight lines and
+angles--each rope a line of white fire. But there was one rope which was
+the master rope. He could see that rope. If he could pull it once, it
+was absolutely and mathematically certain that the disordered fleet
+would reassemble itself in the backwater behind the guard-tower. But
+why, he wondered, was Peroo clinging so desperately to his waist as he
+hastened down the bank? It was necessary to put the Lascar aside, gently
+and slowly, because it was necessary to save the boats, and, further,
+to demonstrate the extreme ease of the problem that looked so difficult.
+And then--but it was of no conceivable importance--a wire-rope raced
+through his hand, burning it, the high bank disappeared, and with it
+all the slowly dispersing factors of the problem. He was sitting in the
+rainy darkness--sitting in a boat that spun like a top, and Peroo was
+standing over him.
+
+“I had forgotten,” said the Lascar, slowly, “that to those fasting and
+unused, the opium is worse than any wine. Those who die in Gunga go to
+the Gods. Still, I have no desire to present myself before such great
+ones. Can the Sahib swim?”
+
+“What need? He can fly--fly as swiftly as the wind,” was the thick
+answer.
+
+“He is mad!” muttered Peroo, under his breath. “And he threw me aside
+like a bundle of dung-cakes. Well, he will not know his death. The boat
+cannot live an hour here even if she strike nothing. It is not good to
+look at death with a clear eye.”
+
+He refreshed himself again from the tin box, squatted down in the bows
+of the reeling, pegged, and stitched craft, staring through the mist at
+the nothing that was there. A warm drowsiness crept over Findlayson,
+the Chief Engineer, whose duty was with his bridge. The heavy raindrops
+struck him with a thousand tingling little thrills, and the weight of
+all time since time was made hung heavy on his eyelids. He thought and
+perceived that he was perfectly secure, for the water was so solid that
+a man could surely step out upon it, and, standing still with his legs
+apart to keep his balance--this was the most important point--would be
+borne with great and easy speed to the shore. But yet a better plan came
+to him. It needed only an exertion of will for the soul to hurl the
+body ashore as wind drives paper, to waft it kite-fashion to the bank.
+Thereafter--the boat spun dizzily--suppose the high wind got under the
+freed body? Would it tower up like a kite and pitch headlong on the
+far-away sands, or would it duck about, beyond control, through all
+eternity? Findlayson gripped the gunnel to anchor himself, for it seemed
+that he was on the edge of taking the flight before he had settled all
+his plans. Opium has more effect on the white man than the black. Peroo
+was only comfortably indifferent to accidents. “She cannot live,” he
+grunted. “Her seams open already. If she were even a dinghy with oars
+we could have ridden it out; but a box with holes is no good. Finlinson
+Sahib, she fills.”
+
+“Accha! I am going away. Come thou also.” In his mind, Findlayson had
+already escaped from the boat, and was circling high in air to find a
+rest for the sole of his foot. His body--he was really sorry for its
+gross helplessness--lay in the stern, the water rushing about its knees.
+
+“How very ridiculous!” he said to himself from his eyrie--“that--is
+Findlayson--chief of the Kashi Bridge. The poor beast is going to
+be drowned, too. Drowned when it’s close to shore. I’m--I’m on shore
+already. Why doesn’t it come along?”
+
+To his intense disgust, he found his soul back in his body again, and
+that body spluttering and choking in deep water. The pain of the reunion
+was atrocious, but it was necessary, also, to fight for the body. He was
+conscious of grasping wildly at wet sand, and striding prodigiously, as
+one strides in a dream, to keep foothold in the swirling water, till
+at last he hauled himself clear of the hold of the river, and dropped,
+panting, on wet earth.
+
+“Not this night,” said Peroo, in his ear. “The Gods have protected
+us.” The Lascar moved his feet cautiously, and they rustled among dried
+stumps. “This is some island of last year’s indigo-crop,” he went on.
+“We shall find no men here; but have great care, Sahib; all the snakes
+of a hundred miles have been flooded out. Here comes the lightning,
+on the heels of the wind. Now we shall be able to look; but walk
+carefully.”
+
+Findlayson was far and far beyond any fear of snakes, or indeed any
+merely human emotion. He saw, after he had rubbed the water from his
+eyes, with an immense clearness, and trod, so it seemed to himself with
+world-encompassing strides. Somewhere in the night of time he had built
+a bridge--a bridge that spanned illimitable levels of shining seas; but
+the Deluge had swept it away, leaving this one island under heaven for
+Findlayson and his companion, sole survivors of the breed of Man.
+
+An incessant lightning, forked and blue, showed all that there was to
+be seen on the little patch in the flood--a clump of thorn, a clump
+of swaying creaking bamboos, and a grey gnarled peepul overshadowing a
+Hindoo shrine, from whose dome floated a tattered red flag. The holy man
+whose summer resting-place it was had long since abandoned it, and
+the weather had broken the red-daubed image of his god. The two men
+stumbled, heavy-limbed and heavy-eyed, over the ashes of a brick-set
+cooking-place, and dropped down under the shelter of the branches, while
+the rain and river roared together.
+
+The stumps of the indigo crackled, and there was a smell of cattle, as a
+huge and dripping Brahminee bull shouldered his way under the tree. The
+flashes revealed the trident mark of Shiva on his flank, the insolence
+of head and hump, the luminous stag-like eyes, the brow crowned with a
+wreath of sodden marigold blooms, and the silky dewlap that almost swept
+the ground. There was a noise behind him of other beasts coming up
+from the flood-line through the thicket, a sound of heavy feet and deep
+breathing.
+
+“Here be more beside ourselves,” said Findlayson, his head against the
+treepole, looking through half-shut eyes, wholly at ease.
+
+“Truly,” said Peroo, thickly, “and no small ones.”
+
+“What are they, then? I do not see clearly.”
+
+“The Gods. Who else? Look!”
+
+“Ah, true! The Gods surely--the Gods.” Findlayson smiled as his head
+fell forward on his chest. Peroo was eminently right. After the Flood,
+who should be alive in the land except the Gods that made it--the Gods
+to whom his village prayed nightly--the Gods who were in all men’s
+mouths and about all men’s ways. He could not raise his head or stir a
+finger for the trance that held him, and Peroo was smiling vacantly at
+the lightning.
+
+The Bull paused by the shrine, his head lowered to the damp earth. A
+green Parrot in the branches preened his wet wings and screamed against
+the thunder as the circle under the tree filled with the shifting
+shadows of beasts. There was a black Buck at the Bull’s heels-such a
+Buck as Findlayson in his far-away life upon earth might have seen in
+dreams--a Buck with a royal head, ebon back, silver belly, and gleaming
+straight horns. Beside him, her head bowed to the ground, the green eyes
+burning under the heavy brows, with restless tail switching the dead
+grass, paced a Tigress, full-bellied and deep-jowled.
+
+The Bull crouched beside the shrine, and there leaped from the darkness
+a monstrous grey Ape, who seated himself man-wise in the place of the
+fallen image, and the rain spilled like jewels from the hair of his neck
+and shoulders. Other shadows came and went behind the circle, among
+them a drunken Man flourishing staff and drinking-bottle. Then a hoarse
+bellow broke out from near the ground. “The flood lessens even now,” it
+cried. “Hour by hour the water falls, and their bridge still stands!”
+
+“My bridge,” said Findlayson to himself “That must be very old work now.
+What have the Gods to do with my bridge?”
+
+His eyes rolled in the darkness following the roar. A Mugger--the
+blunt-nosed, ford-haunting Mugger of the Ganges--draggled herself before
+the beasts, lashing furiously to right and left with her tail.
+
+“They have made it too strong for me. In all this night I have only torn
+away a handful of planks. The walls stand. The towers stand. They have
+chained my flood, and the river is not free any more. Heavenly Ones,
+take this yoke away! Give me clear water between bank and bank! It is I,
+Mother Gunga, that speak. The Justice of the Gods! Deal me the Justice
+of the Gods!”
+
+“What said I?” whispered Peroo. “This is in truth a Punchayet of the
+Gods. Now we know that all the world is dead, save you and I, Sahib.”
+
+The Parrot screamed and fluttered again, and the Tigress, her ears flat
+to her head, snarled wickedly.
+
+Somewhere in the shadow, a great trunk and gleaming tusks swayed to and
+fro, and a low gurgle broke the silence that followed on the snarl.
+
+“We be here,” said a deep voice, “the Great Ones. One only and very
+many. Shiv, my father, is here, with Indra. Kali has spoken already.
+Hanuman listens also.”
+
+“Kashi is without her Kotwal to-night,” shouted the Man with the
+drinking-bottle, flinging his staff to the ground, while the island rang
+to the baying of hounds. “Give her the Justice of the Gods.”
+
+“Ye were still when they polluted my waters,” the great Crocodile
+bellowed. “Ye made no sign when my river was trapped between the walls.
+I had no help save my own strength, and that failed--the strength of
+Mother Gunga failed--before their guard-towers. What could I do? I have
+done everything. Finish now, Heavenly Ones!”
+
+“I brought the death; I rode the spotted sick-ness from hut to hut of
+their workmen, and yet they would not cease.” A nose-slitten, hide-worn
+Ass, lame, scissor-legged, and galled, limped forward. “I cast the death
+at them out of my nostrils, but they would not cease.”
+
+Peroo would have moved, but the opium lay heavy upon him.
+
+“Bah!” he said, spitting. “Here is Sitala herself; Mata--the small-pox.
+Has the Sahib a handkerchief to put over his face?”
+
+“Little help! They fed me the corpses for a month, and I flung them out
+on my sand-bars, but their work went forward. Demons they are, and sons
+of demons! And ye left Mother Gunga alone for their fire-carriage to
+make a mock of The Justice of the Gods on the bridge-builders!”
+
+The Bull turned the cud in his mouth and answered slowly: “If the
+Justice of the Gods caught all who made a mock of holy things there
+would be many dark altars in the land, mother.”
+
+“But this goes beyond a mock,” said the Tigress, darting forward a
+griping paw. “Thou knowest, Shiv, and ye, too, Heavenly Ones; ye know
+that they have defiled Gunga. Surely they must come to the Destroyer.
+Let Indra judge.”
+
+The Buck made no movement as he answered: “How long has this evil been?
+
+“Three years, as men count years,” said the Mugger, close pressed to the
+earth.
+
+“Does Mother Gunga die, then, in a year, that she is so anxious to
+see vengeance now? The deep sea was where she runs but yesterday, and
+to-morrow the sea shall cover her again as the Gods count that which men
+call time. Can any say that this their bridge endures till to-morrow?”
+ said the Buck.
+
+There was a long hush, and in the clearing of the storm the full moon
+stood up above the dripping trees.
+
+“Judge ye, then,” said the River, sullenly. “I have spoken my shame. The
+flood falls still. I can do no more.”
+
+“For my own part,”--it was the voice of the great Ape seated within the
+shrine--“it pleases me well to watch these men, remembering that I also
+builded no small bridge in the world’s youth.”
+
+“They say, too,” snarled the Tiger, “that these men came of the wreck of
+thy armies, Hanuman, and therefore thou hast aided--”
+
+“They toil as my armies toiled in Lanka, and they believe that their
+toil endures. Indra is too high, but Shiv, thou knowest how the land is
+threaded with their fire-carriages.”
+
+“Yea, I know,” said the Bull. “Their Gods instructed them in the
+matter.”
+
+A laugh ran round the circle.
+
+“Their Gods! What should their Gods know? They were born yesterday, and
+those that made them are scarcely yet cold,” said the Mugger. “To-morrow
+their Gods will die.”
+
+“Ho!” said Peroo. “Mother Gunga talks good talk. I told that to the
+padre-sahib who preached on the Mombassa, and he asked the Burra Malum
+to put me in irons for a great rudeness.”
+
+“Surely they make these things to please their Gods,” said the Bull
+again.
+
+“Not altogether,” the Elephant rolled forth. “It is for the profit of
+my mahajuns--my fat money-lenders that worship me at each new year, when
+they draw my image at the head of the account-books. I, looking over
+their shoulders by lamplight, see that the names in the books are
+those of men in far places--for all the towns are drawn together by
+the fire-carriage, and the money comes and goes swiftly, and the
+account-books grow as fat as--myself. And I, who am Ganesh of Good Luck,
+I bless my peoples.”
+
+“They have changed the face of the land-which is my land. They have
+killed and made new towns on my banks,” said the Mugger.
+
+“It is but the shifting of a little dirt. Let the dirt dig in the dirt
+if it pleases the dirt,” answered the Elephant.
+
+“But afterwards?” said the Tiger. “Afterwards they will see that Mother
+Gunga can avenge no insult, and they fall away from her first, and later
+from us all, one by one. In the end, Ganesh, we are left with naked
+altars.”
+
+The drunken Man staggered to his feet, and hiccupped vehemently.
+
+“Kali lies. My sister lies. Also this my stick is the Kotwal of Kashi,
+and he keeps tally of my pilgrims. When the time comes to worship
+Bhairon-and it is always time--the fire-carriages move one by one, and
+each bears a thousand pilgrims. They do not come afoot any more, but
+rolling upon wheels, and my honour is increased.”
+
+“Gunga, I have seen thy bed at Pryag black with the pilgrims,” said the
+Ape, leaning forward, “and but for the fire-carriage they would have
+come slowly and in fewer numbers. Remember.”
+
+“They come to me always,” Bhairon went on thickly. “By day and night
+they pray to me, all the Common People in the fields and the roads.
+Who is like Bhairon to-day? What talk is this of changing faiths? Is my
+staff Kotwal of Kashi for nothing? He keeps the tally, and he says that
+never were so many altars as today, and the fire-carriage serves them
+well. Bhairon am I--Bhairon of the Common People, and the chiefest of
+the Heavenly Ones to-day. Also my staff says--”
+
+“Peace, thou,” lowed the Bull. “The worship of the schools is mine,
+and they talk very wisely, asking whether I be one or many, as is the
+delight of my people, and ye know what I am. Kali, my wife, thou knowest
+also.”
+
+“Yea, I know,” said the Tigress, with lowered head.
+
+“Greater am I than Gunga also. For ye know who moved the minds of men
+that they should count Gunga holy among the rivers. Who die in that
+water--ye know how men say--come to us without punishment, and Gunga
+knows that the fire-carriage has borne to her scores upon scores of such
+anxious ones; and Kali knows that she has held her chiefest festivals
+among the pilgrimages that are fed by the fire-carriage. Who smote at
+Pooree, under the Image there, her thousands in a day and a night, and
+bound the sickness to the wheels of the fire-carriages, so that it
+ran from one end of the land to the other? Who but Kali? Before the
+fire-carriage came it was a heavy toil. The fire-carriages have served
+thee well, Mother of Death. But I speak for mine own altars, who am not
+Bhairon of the Common Folk, but Shiv. Men go to and fro, making words
+and telling talk of strange Gods, and I listen. Faith follows faith
+among my people in the schools, and I have no anger; for when all words
+are said, and the new talk is ended, to Shiv men return at the last.”
+
+“True. It is true,” murmured Hanuman. “To Shiv and to the others,
+mother, they return. I creep from temple to temple in the North, where
+they worship one God and His Prophet; and presently my image is alone
+within their shrines.”
+
+“Small thanks,” said the Buck, turning his head slowly. “I am that One
+and His Prophet also.”
+
+“Even so, father,” said Hanuman. “And to the South I go who am the
+oldest of the Gods as men know the Gods, and presently I touch
+the shrines of the New Faith and the Woman whom we know is hewn
+twelve-armed, and still they call her Mary.”
+
+“Small thanks, brother,” said the Tigress. “I am that Woman.”
+
+“Even so, sister; and I go West among the fire-carriages, and stand
+before the bridge-builders in many shapes, and because of me they change
+their faiths and are very wise. Ho! ho! I am the builder of bridges,
+indeed--bridges between this and that, and each bridge leads surely
+to Us in the end. Be content, Gunga. Neither these men nor those that
+follow them mock thee at all.”
+
+“Am I alone, then, Heavenly Ones? Shall I smooth out my flood lest
+unhappily I bear away their walls? Will Indra dry my springs in the
+hills and make me crawl humbly between their wharfs? Shall I bury me in
+the sand ere I offend?”
+
+“And all for the sake of a little iron bar with the fire-carriage atop.
+Truly, Mother Gunga is always young!” said Ganesh the Elephant. “A
+child had not spoken more foolishly. Let the dirt dig in the dirt ere it
+return to the dirt. I know only that my people grow rich and praise
+me. Shiv has said that the men of the schools do not forget; Bhairon is
+content for his crowd of the Common People; and Hanuman laughs.”
+
+“Surely I laugh,” said the Ape. “My altars are few beside those of
+Ganesh or Bhairon, but the fire-carriages bring me new worshippers from
+beyond the Black Water--the men who believe that their God is toil. I
+run before them beckoning, and they follow Hanuman.”
+
+“Give them the toil that they desire, then,” said the River. “Make a bar
+across my flood and throw the water back upon the bridge. Once thou wast
+strong in Lanka, Hanuman. Stoop and lift my bed.”
+
+“Who gives life can take life.” The Ape scratched in the mud with a long
+forefinger. “And yet, who would profit by the killing? Very many would
+die.”
+
+There came up from the water a snatch of a love-song such as the boys
+sing when they watch their cattle in the noon heats of late spring. The
+Parrot screamed joyously, sidling along his branch with lowered head as
+the song grew louder, and in a patch of clear moonlight stood revealed
+the young herd, the darling of the Gopis, the idol of dreaming maids
+and of mothers ere their children are born Krishna the Well-beloved. He
+stooped to knot up his long wet hair, and the Parrot fluttered to his
+shoulder.
+
+“Fleeting and singing, and singing and fleeting,” hiccupped Bhairon.
+“Those make thee late for the council, brother.”
+
+“And then?” said Krishna, with a laugh, throwing back his head. “Ye can
+do little without me or Karma here.” He fondled the Parrot’s plumage
+and laughed again. “What is this sitting and talking together? I heard
+Mother Gunga roaring in the dark, and so came quickly from a hut where I
+lay warm. And what have ye done to Karma, that he is so wet and silent?
+And what does Mother Gunga here? Are the heavens full that ye must come
+paddling in the mud beast-wise? Karma, what do they do?”
+
+“Gunga has prayed for a vengeance on the bridge-builders, and Kali is
+with her. Now she bids Hanuman whelm the bridge, that her honour may be
+made great,” cried the Parrot. “I waited here, knowing that thou wouldst
+come, O my master!
+
+“And the Heavenly Ones said nothing? Did Gunga and the Mother of Sorrows
+out-talk them? Did none speak for my people?”
+
+“Nay,” said Ganesh, moving uneasily from foot to foot; “I said it was
+but dirt at play, and why should we stamp it flat?”
+
+“I was content to let them toil--well content,” said Hanuman.
+
+“What had I to do with Gunga’s anger?” said the Bull.
+
+“I am Bhairon of the Common Folk, and this my staff is Kotwal of all
+Kashi. I spoke for the Common People.”
+
+“Thou?” The young God’s eyes sparkled.
+
+“Am I not the first of the Gods in their mouths to-day?” returned
+Bhairon, unabashed. “For the sake of the Common People I said--very many
+wise things which I have now forgotten, but this my staff-”
+
+Krishna turned impatiently, saw the Mugger at his feet, and kneeling,
+slipped an arm round the cold neck. “Mother,” he said gently, “get thee
+to thy flood again. The matter is not for thee. What harm shall thy
+honour take of this live dirt? Thou hast given them their fields new
+year after year, and by thy flood they are made strong. They come all to
+thee at the last. What need to slay them now? Have pity, mother, for a
+little--and it is only for a little.”
+
+“If it be only for a little,” the slow beast began.
+
+
+
+“Are they Gods, then?” Krishna returned with a laugh, his eyes looking
+into the dull eyes of the River. “Be certain that it is only for a
+little. The Heavenly Ones have heard thee, and presently justice will
+be done. Go now, mother, to the flood again. Men and cattle are thick on
+the waters--the banks fall--the villages melt because of thee.”
+
+“But the bridge--the bridge stands.” The Mugger turned grunting into the
+undergrowth as Krishna rose.
+
+“It is ended,” said the Tigress, viciously. “There is no more justice
+from the Heavenly Ones. Ye have made shame and sport of Gunga, who asked
+no more than a few score lives.”
+
+“Of my people--who lie under the leaf-roofs of the village yonder--of
+the young girls, and the young men who sing to them in the dark--of the
+child that will be born next morn--of that which was begotten to-night,”
+ said Krishna. “And when all is done, what profit? To-morrow sees them
+at work. Ay, if ye swept the bridge out from end to end they would begin
+anew. Hear me! Bhairon is drunk always. Hanuman mocks his people with
+new riddles.”
+
+“Nay, but they are very old ones,” the Ape said, laughing.
+
+“Shiv hears the talk of the schools and the dreams of the holy men;
+Ganesh thinks only of his fat traders; but I--I live with these my
+people, asking for no gifts, and so receiving them hourly.”
+
+“And very tender art thou of thy people,” said the Tigress.
+
+“They are my own. The old women dream of me turning in their sleep; the
+maids look and listen for me when they go to fill their lotahs by the
+river. I walk by the young men waiting without the gates at dusk, and I
+call over my shoulder to the white-beards. Ye know, Heavenly Ones, that
+I alone of us all walk upon the earth continually, and have no pleasure
+in our heavens so long as a green blade springs here, or there are two
+voices at twilight in the standing crops. Wise are ye, but ye live
+far off; forgetting whence ye came. So do I not forget. And the
+fire-carriage feeds your shrines, ye say? And the fire-carriages bring
+a thousand pilgrims where but ten came in the old years? True. That is
+true, to-day.”
+
+“But to-morrow they are dead, brother,” said Ganesh.
+
+“Peace!” said the Bull, as Hanuman leaned forward again. “And to-morrow,
+beloved--what of to-morrow?”
+
+“This only. A new word creeping from mouth to mouth among the Common
+Folk--a word that neither man nor God can lay hold of--an evil word--a
+little lazy word among the Common Folk, saying (and none know who set
+that word afoot) that they weary of ye, Heavenly Ones.”
+
+The Gods laughed together softly. “And then, beloved,” they said.
+
+“And to cover that weariness they, my people, will bring to thee, Shiv,
+and to thee, Ganesh, at first greater offerings and a louder noise of
+worship. But the word has gone abroad, and, after, they will pay fewer
+dues to your fat Brahmins. Next they will forget your altars, but so
+slowly that no man can say how his forgetfulness began.”
+
+“I knew--I knew! I spoke this also, but they would not hear,” said the
+Tigress. “We should have slain-we should have slain!”
+
+“It is too late now. Ye should have slain at the beginning when the men
+from across the water had taught our folk nothing. Now my people see
+their work, and go away thinking. They do not think of the Heavenly Ones
+altogether. They think of the fire-carriage and the other things that
+the bridge-builders have done, and when your priests thrust forward
+hands asking alms, they give a little unwillingly. That is the
+beginning, among one or two, or five or ten--for I, moving among my
+people, know what is in their hearts.”
+
+“And the end, Jester of the Gods? What shall the end be?” said Ganesh.
+
+“The end shall be as it was in the beginning, O slothful son of Shiv!
+The flame shall die upon the altars and the prayer upon the tongue till
+ye become little Gods again--Gods of the jungle--names that the hunters
+of rats and noosers of dogs whisper in the thicket and among the
+caves--rag-Gods, pot Godlings of the tree, and the village-mark, as
+ye were at the beginning. That is the end, Ganesh, for thee, and for
+Bhairon--Bhairon of the Common People.”
+
+“It is very far away,” grunted Bhairon. “Also, it is a lie.”
+
+“Many women have kissed Krishna. They told him this to cheer their own
+hearts when the grey hairs came, and he has told us the tale,” said the
+Bull, below his breath.
+
+“Their Gods came, and we changed them. I took the Woman and made her
+twelve-armed. So shall we twist all their Gods,” said Hanuman.
+
+“Their Gods! This is no question of their Gods--one or three--man or
+woman. The matter is with the people. I move, and not the Gods of the
+bridge-builders,” said Krishna.
+
+“So be it. I have made a man worship the fire-carriage as it stood still
+breathing smoke, and he knew not that he worshipped me,” said Hanuman
+the Ape. “They will only change a little the names of their Gods.
+I shall lead the builders of the bridges as of old; Shiv shall be
+worshipped in the schools by such as doubt and despise their fellows;
+Ganesh shall have his mahajuns, and Bhairon the donkey-drivers, the
+pilgrims, and the sellers of toys. Beloved, they will do no more than
+change the names, and that we have seen a thousand times.”
+
+“Surely they will do no more than change the names,” echoed Ganesh; but
+there was an uneasy movement among the Gods.
+
+“They will change more than the names. Me alone they cannot kill, so
+long as a maiden and a man meet together or the spring follows the
+winter rains. Heavenly Ones, not for nothing have I walked upon the
+earth. My people know not now what they know; but I, who live with
+them, I read their hearts. Great Kings, the beginning of the end is born
+already. The fire-carriages shout the names of new Gods that are not the
+old under new names. Drink now and eat greatly! Bathe your faces in the
+smoke of the altars before they grow cold! Take dues and listen to the
+cymbals and the drums, Heavenly Ones, while yet there are flowers and
+songs. As men count time the end is far off; but as we who know reckon
+it is to-day. I have spoken.”
+
+The young God ceased, and his brethren looked at each other long in
+silence.
+
+“This I have not heard before,” Peroo whispered in his companion’s ear.
+“And yet sometimes, when I oiled the brasses in the engine-room of the
+Goorkha, I have wondered if our priests were so wise--so wise. The day
+is coming, Sahib. They will be gone by the morning.”
+
+A yellow light broadened in the sky, and the tone of the river changed
+as the darkness withdrew.
+
+Suddenly the Elephant trumpeted aloud as though man had goaded him.
+
+“Let Indra judge. Father of all, speak thou! What of the things we have
+heard? Has Krishna lied indeed? Or---”
+
+“Ye know,” said the Buck, rising to his feet. “Ye know the Riddle of the
+Gods. When Brahm ceases to dream, the Heavens and the Hells and Earth
+disappear. Be content. Brahm dreams still. The dreams come and go, and
+the nature of the dreams changes, but still Brahm dreams. Krishna has
+walked too long upon earth, and yet I love him the more for the tale he
+has told. The Gods change, beloved--all save One!”
+
+“Ay, all save one that makes love in the hearts of men,” said Krishna,
+knotting his girdle. “It is but a little time to wait, and ye shall know
+if I lie. Truly it is but a little time, as thou sayest, and we shall
+know. Get thee to thy huts again, beloved, and make sport for the young
+things, for still Brahm dreams. Go, my children! Brahm dreams and till
+he wakes the Gods die not.”
+
+“Whither went they?” said the Lascar, awe-struck, shivering a little
+with the cold.
+
+“God knows!” said Findlayson. The river and the island lay in full
+daylight now, and there was never mark of hoof or pug on the wet earth
+under the peepul. Only a parrot screamed in the branches, bringing down
+showers of water-drops as he fluttered his wings.
+
+“Up! We are cramped with cold! Has the opium died out. Canst thou move,
+Sahib?”
+
+Findlayson staggered to his feet and shook himself. His bead swam
+and ached, but the work of the opium was over, and, as he sluiced his
+forehead in a pool, the Chief Engineer of the Kashi Bridge was wondering
+how he had managed to fall upon the island, what chances the day offered
+of return, and, above all, how his work stood.
+
+“Peroo, I have forgotten much I was under the guard-tower watching the
+river; and then--Did the flood sweep us away?”
+
+“No. The boats broke loose, Sahib, and,” (if the Sahib had forgotten
+about the opium, decidedly Peroo would not remind him) “in striving to
+retie them, so it seemed to me but it was dark--a rope caught the Sahib
+and threw him upon a boat. Considering that we two, with Hitchcock
+Sahib, built, as it were, that bridge, I came also upon the boat, which
+came riding on horseback, as it were, on the nose of this island, and
+so, splitting, cast us ashore. I made a great cry when the boat left
+the wharf and without doubt Hitchcock Sahib will come for us. As for the
+bridge, so many have died in the building that it cannot fall.” A fierce
+sun, that drew out all the smell of the sodden land, had followed the
+storm, and in that clear light there was no room for a man to think of
+the dreams of the dark. Findlayson stared upstream, across the blaze of
+moving water, till his eyes ached. There was no sign of any bank to the
+Ganges, much less of a bridge-line.
+
+“We came down far,” he said. “It was wonderful that we were not drowned
+a hundred times.”
+
+“That was the least of the wonder, for no man dies before his time.
+I have seen Sydney, I have seen London, and twenty great ports,
+but,”--Peroo looked at the damp, discoloured shrine under the
+peepul--“never man has seen that we saw here.”
+
+“What?”
+
+“Has the Sahib forgotten; or do we black men only see the Gods?”
+
+“There was a fever upon me.” Findlayson was still looking uneasily
+across the water. “It seemed that the island was full of beasts and men
+talking, but I do not remember. A boat could live in this water now, I
+think.”
+
+“Oho! Then it is true. ‘When Brahm ceases to dream, the Gods die.’ Now I
+know, indeed, what he meant. Once, too, the guru said as much to me; but
+then I did not understand. Now I am wise.”
+
+“What?” said Findlayson, over his shoulder.
+
+Peroo went on as if he were talking to himself “Six--seven--ten monsoons
+since, I was watch on the fo’c’sle of the Rewah--the Kumpani’s big
+boat--and there was a big tufan; green and black water beating, and I
+held fast to the life-lines, choking under the waters. Then I thought
+of the Gods--of Those whom we saw to-night,”--he stared curiously at
+Findlayson’s back, but the white man was looking across the flood. “Yes,
+I say of Those whom we saw this night past, and I called upon Them to
+protect me. And while I prayed, still keeping my lookout, a big wave
+came and threw me forward upon the ring of the great black bow-anchor,
+and the Rewah rose high and high, leaning towards the left-hand side,
+and the water drew away from beneath her nose, and I lay upon my belly,
+holding the ring, and looking down into those great deeps. Then I
+thought, even in the face of death: If I lose hold I die, and for me
+neither the Rewah nor my place by the galley where the rice is cooked,
+nor Bombay, nor Calcutta, nor even London, will be any more for me. ‘How
+shall I be sure,’ I said, ‘that the Gods to whom I pray will abide at
+all?’ This I thought, and the Rewah dropped her nose as a hammer falls,
+and all the sea came in and slid me backwards along the fo’c’sle and
+over the break of the fo’c’sle, and I very badly bruised my shin against
+the donkey-engine: but I did not die, and I have seen the Gods. They are
+good for live men, but for the dead. . . . They have spoken Themselves.
+Therefore, when I come to the village I will beat the guru for talking
+riddles which are no riddles. When Brahm ceases to dream the Gods go.”
+
+“Look up-stream. The light blinds. Is there smoke yonder?”
+
+Peroo shaded his eyes with his hands. “He is a wise man and quick.
+Hitchcock Sahib would not trust a rowboat. He has borrowed the Rao
+Sahib’s steam-launch, and comes to look for us. I have always said that
+there should have been a steam-launch on the bridge works for us.”
+
+The territory of the Rao of Baraon lay within ten miles of the bridge;
+and Findlayson and Hitchcock had spent a fair portion of their scanty
+leisure in playing billiards and shooting blackbuck with the young man.
+He had been bearded by an English tutor of sporting tastes for some
+five or six years, and was now royally wasting the revenues accumulated
+during his minority by the Indian Government. His steam-launch, with its
+silver-plated rails, striped silk awning, and mahogany decks, was a new
+toy which Findlayson had found horribly in the way when the Rao came to
+look at the bridge works.
+
+“It’s great luck,” murmured Findlayson, but he was none the less afraid,
+wondering what news might be of the bridge.
+
+The gaudy blue-and-white funnel came downstream swiftly. They could see
+Hitchcock in the bows, with a pair of opera-glasses, and his face was
+unusually white. Then Peroo hailed, and the launch made for the tail
+of the island. The Rao Sahib, in tweed shooting-suit and a seven-hued
+turban, waved his royal hand, and Hitchcock shouted. But he need have
+asked no questions, for Findlayson’s first demand was for his bridge.
+
+“All serene! ‘Gad, I never expected to see you again, Findlayson. You’re
+seven koss downstream. Yes; there’s not a stone shifted anywhere; but
+how are you? I borrowed the Rao Sahib’s launch, and he was good enough
+to come along. Jump in. Ah, Finlinson, you are very well, eh? That was
+most unprecedented calamity last night, eh? My royal palace, too, it
+leaks like the devil, and the crops will also be short all about my
+country. Now you shall back her out, Hitchcock. I--I do not understand
+steam-engines. You are wet? You are cold, Finlinson? I have some things
+to eat here, and you will take a good drink.”
+
+“I’m immensely grateful, Rao Sahib. I believe you’ve saved my life. How
+did Hitchcock--”
+
+“Oho! His hair was upon end. He rode to me in the middle of the night
+and woke me up in the arms of Morpheus. I was most truly concerned,
+Finlinson, so I came too. My head-priest he is very angry just now. We
+will go quick, Mister Hitchcock. I am due to attend at twelve forty-five
+in the state temple, where we sanctify some new idol. If not so I
+would have asked you to spend the day with me. They are dam-bore, these
+religious ceremonies, Finlinson, eh?”
+
+Peroo, well known to the crew, had possessed himself of the inlaid
+wheel, and was taking the launch craftily up-stream. But while he
+steered he was, in his mind, handling two feet of partially untwisted
+wire-rope; and the back upon which he beat was the back of his guru.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Bridge-Builders, by Rudyard Kipling
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE BRIDGE-BUILDERS ***
+
+***** This file should be named 2163-0.txt or 2163-0.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/1/6/2163/
+
+Produced by Bill Stoddard and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase “Project
+Gutenberg”), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. “Project Gutenberg” is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase “Project Gutenberg” appears, or with which the phrase “Project
+Gutenberg” is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase “Project Gutenberg” associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+“Plain Vanilla ASCII” or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original “Plain Vanilla ASCII” or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, “Information about donations to
+ the Project Gutenberg Literary Archive Foundation.”
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+“Defects,” such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
+of Replacement or Refund” described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you ‘AS-IS’ WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm’s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation’s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state’s laws.
+
+The Foundation’s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation’s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/2163-0.zip b/2163-0.zip
new file mode 100644
index 0000000..7bd93bb
--- /dev/null
+++ b/2163-0.zip
Binary files differ
diff --git a/2163-h.zip b/2163-h.zip
new file mode 100644
index 0000000..645bf2b
--- /dev/null
+++ b/2163-h.zip
Binary files differ
diff --git a/2163-h/2163-h.htm b/2163-h/2163-h.htm
new file mode 100644
index 0000000..ba5de64
--- /dev/null
+++ b/2163-h/2163-h.htm
@@ -0,0 +1,1952 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Bridge-builders, by Rudyard Kipling
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Bridge-Builders, by Rudyard Kipling
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Bridge-Builders
+
+Author: Rudyard Kipling
+
+Release Date: February 25, 2006 [EBook #2163]
+Last Updated: October 7, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE BRIDGE-BUILDERS ***
+
+
+
+
+Produced by Bill Stoddard and David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <h1>
+ THE BRIDGE-BUILDERS
+ </h1>
+ <p>
+ <br />
+ </p>
+ <h2>
+ by Rudyard Kipling
+ </h2>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <p>
+ The least that Findlayson, of the Public Works Department, expected was a
+ C.I.E.; he dreamed of a C.S.I. Indeed, his friends told him that he
+ deserved more. For three years he had endured heat and cold,
+ disappointment, discomfort, danger, and disease, with responsibility
+ almost to top-heavy for one pair of shoulders; and day by day, through
+ that time, the great Kashi Bridge over the Ganges had grown under his
+ charge. Now, in less than three months, if all went well, his Excellency
+ the Viceroy would open the bridge in state, an archbishop would bless it,
+ and the first trainload of soldiers would come over it, and there would be
+ speeches.
+ </p>
+ <p>
+ Findlayson, C. E., sat in his trolley on a construction line that ran
+ along one of the main revetments&mdash;the huge stone-faced banks that
+ flared away north and south for three miles on either side of the river
+ and permitted himself to think of the end. With its approaches, his work
+ was one mile and three-quarters in length; a lattice-girder bridge,
+ trussed with the Findlayson truss standing on seven-and-twenty brick
+ piers. Each one of those piers was twenty-four feet in diameter, capped
+ with red Agra stone and sunk eighty feet below the shifting sand of the
+ Ganges&rsquo; bed. Above them was a railway-line fifteen feet broad; above that,
+ again, a cart-road of eighteen feet, flanked with footpaths. At either end
+ rose towers, of red brick, loopholed for musketry and pierced for big
+ guns, and the ramp of the road was being pushed forward to their haunches.
+ The raw earth-ends were crawling and alive with hundreds upon hundreds of
+ tiny asses climbing out of the yawning borrow-pit below with sackfuls of
+ stuff; and the hot afternoon air was filled with the noise of hooves, the
+ rattle of the drivers&rsquo; sticks, and the swish and roll-down of the dirt.
+ The river was very low, and on the dazzling white sand between the three
+ centre piers stood squat cribs of railway-sleepers, filled within and
+ daubed without with mud, to support the last of the girders as those were
+ riveted up. In the little deep water left by the drought, an overhead
+ crane travelled to and fro along its spile-pier, jerking sections of iron
+ into place, snorting and backing and grunting as an elephant grunts in the
+ timberyard. Riveters by the hundred swarmed about the lattice side-work
+ and the iron roof of the railway line hung from invisible staging under
+ the bellies of the girders, clustered round the throats of the piers, and
+ rode on the overhang of the footpath-stanchions; their fire-pots and the
+ spurts of flame that answered each hammer-stroke showing no more than pale
+ yellow in the sun&rsquo;s glare. East and west and north and south the
+ construction-trains rattled and shrieked up and down the embankments, the
+ piled trucks of brown and white stone banging behind them till the
+ side-boards were unpinned, and with a roar and a grumble a few thousand
+ tons&rsquo; more material were flung out to hold the river in place.
+ </p>
+ <p>
+ Findlayson, C. E., turned on his trolley and looked over the face of the
+ country that he had changed for seven miles around. Looked back on the
+ humming village of five thousand work-men; up stream and down, along the
+ vista of spurs and sand; across the river to the far piers, lessening in
+ the haze; overhead to the guard-towers&mdash;and only he knew how strong
+ those were&mdash;and with a sigh of contentment saw that his work was
+ good. There stood his bridge before him in the sunlight, lacking only a
+ few weeks&rsquo; work on the girders of the three middle piers&mdash;his bridge,
+ raw and ugly as original sin, but pukka&mdash;permanent&mdash;to endure
+ when all memory of the builder, yea, even of the splendid Findlayson
+ truss, has perished. Practically, the thing was done.
+ </p>
+ <p>
+ Hitchcock, his assistant, cantered along the line on a little
+ switch-tailed Kabuli pony who through long practice could have trotted
+ securely over trestle, and nodded to his chief.
+ </p>
+ <p>
+ &ldquo;All but,&rdquo; said he, with a smile.
+ </p>
+ <p>
+ &ldquo;I&rsquo;ve been thinking about it,&rdquo; the senior answered. &ldquo;Not half a bad job
+ for two men, is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;One&mdash;and a half. &lsquo;Gad, what a Cooper&rsquo;s Hill cub I was when I came on
+ the works!&rdquo; Hitchcock felt very old in the crowded experiences of the past
+ three years, that had taught him power and responsibility.
+ </p>
+ <p>
+ &ldquo;You were rather a colt,&rdquo; said Findlayson. &ldquo;I wonder how you&rsquo;ll like going
+ back to office-work when this job&rsquo;s over.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall hate it!&rdquo; said the young man, and as he went on his eye followed
+ Findlayson&rsquo;s, and he muttered, &ldquo;Isn&rsquo;t it damned good?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think we&rsquo;ll go up the service together,&rdquo; Findlayson said to himself.
+ &ldquo;You&rsquo;re too good a youngster to waste on another man. Cub thou wast;
+ assistant thou art. Personal assistant, and at Simla, thou shalt be, if
+ any credit comes to me out of the business!&rdquo;
+ </p>
+ <p>
+ Indeed, the burden of the work had fallen altogether on Findlayson and his
+ assistant, the young man whom he had chosen because of his rawness to
+ break to his own needs. There were labour contractors by the half-hundred&mdash;fitters
+ and riveters, European, borrowed from the railway workshops, with,
+ perhaps, twenty white and half-caste subordinates to direct, under
+ direction, the bevies of workmen&mdash;but none knew better than these
+ two, who trusted each other, how the underlings were not to be trusted.
+ They had been tried many times in sudden crises&mdash;by slipping of
+ booms, by breaking of tackle, failure of cranes, and the wrath of the
+ river&mdash;but no stress had brought to light any man among men whom
+ Findlayson and Hitchcock would have honoured by working as remorselessly
+ as they worked them-selves. Findlayson thought it over from the beginning:
+ the months of office-work destroyed at a blow when the Government of
+ India, at the last moment, added two feet to the width of the bridge,
+ under the impression that bridges were cut out of paper, and so brought to
+ ruin at least half an acre of calculations&mdash;and Hitchcock, new to
+ disappointment, buried his head in his arms and wept; the heart-breaking
+ delays over the filling of the contracts in England; the futile
+ correspondences hinting at great wealth of commissions if one, only one,
+ rather doubtful consignment were passed; the war that followed the
+ refusal; the careful, polite obstruction at the other end that followed
+ the war, till young Hitchcock, putting one month&rsquo;s leave to another month,
+ and borrowing ten days from Findlayson, spent his poor little savings of a
+ year in a wild dash to London, and there, as his own tongue asserted and
+ the later consignments proved, put the fear of God into a man so great
+ that he feared only Parliament and said so till Hitchcock wrought with him
+ across his own dinner table, and&mdash;he feared the Kashi Bridge and all
+ who spoke in its name. Then there was the cholera that came in the night
+ to the village by the bridge works; and after the cholera smote the
+ small-pox. The fever they had always with them. Hitchcock had been
+ appointed a magistrate of the third class with whipping powers, for the
+ better government of the community, and Findlayson watched him wield his
+ powers temperately, learning what to overlook and what to look after. It
+ was a long, long reverie, and it covered storm, sudden freshets, death in
+ every manner and shape, violent and awful rage against red tape half
+ frenzying a mind that knows it should be busy on other things; drought,
+ sanitation, finance; birth, wedding, burial, and riot in the village of
+ twenty warring castes; argument, expostulation, persuasion, and the blank
+ despair that a man goes to bed upon, thankful that his rifle is all in
+ pieces in the gun-case. Behind everything rose the black frame of the
+ Kashi Bridge&mdash;plate by plate, girder by girder, span by span&mdash;and
+ each pier of it recalled Hitchcock, the all-round man, who had stood by
+ his chief without failing from the very first to this last.
+ </p>
+ <p>
+ So the bridge was two men&rsquo;s work&mdash;unless one counted Peroo, as Peroo
+ certainly counted himself. He was a Lascar, a Kharva from Bulsar, familiar
+ with every port between Rockhampton and London, who had risen to the rank
+ of serang on the British India boats, but wearying of routine musters and
+ clean clothes, had thrown up the service and gone inland, where men of his
+ calibre were sure of employment. For his knowledge of tackle and the
+ handling of heavy weights, Peroo was worth almost any price he might have
+ chosen to put upon his services; but custom decreed the wage of the
+ overhead-men, and Peroo was not within many silver pieces of his proper
+ value. Neither running water nor extreme heights made him afraid; and, as
+ an ex-serang, he knew how to hold authority. No piece of iron was so big
+ or so badly placed that Peroo could not devise a tackle to lift it&mdash;a
+ loose-ended, sagging arrangement, rigged with a scandalous amount of
+ talking, but perfectly equal to the work in hand. It was Peroo who had
+ saved the girder of Number Seven pier from destruction when the new
+ wire-rope jammed in the eye of the crane, and the huge plate tilted in its
+ slings, threatening to slide out sideways. Then the native workmen lost
+ their heads with great shoutings, and Hitchcock&rsquo;s right arm was broken by
+ a falling T-plate, and he buttoned it up in his coat and swooned, and came
+ to and directed for four hours till Peroo, from the top of the crane,
+ reported &ldquo;All&rsquo;s well,&rdquo; and the plate swung home. There was no one like
+ Peroo, serang, to lash, and guy, and hold, to control the donkey-engines,
+ to hoist a fallen locomotive craftily out of the borrow-pit into which it
+ had tumbled; to strip, and dive, if need be, to see how the concrete
+ blocks round the piers stood the scouring of Mother Gunga, or to adventure
+ upstream on a monsoon night and report on the state of the
+ embankment-facings. He would interrupt the field-councils of Findlayson
+ and Hitchcock without fear, till his wonderful English, or his still more
+ wonderful linguafranca, half Portuguese and half Malay, ran out and he was
+ forced to take string and show the knots that he would recommend. He
+ controlled his own gang of tackle men&mdash;mysterious relatives from
+ Kutch Mandvi gathered month by month and tried to the uttermost. No
+ consideration of family or kin allowed Peroo to keep weak hands or a giddy
+ head on the pay-roll. &ldquo;My honour is the honour of this bridge,&rdquo; he would
+ say to the about-to-be-dismissed. &ldquo;What do I care for your honour? Go and
+ work on a steamer. That is all you are fit for.&rdquo;
+ </p>
+ <p>
+ The little cluster of huts where he and his gang lived centred round the
+ tattered dwelling of a sea-priest&mdash;one who had never set foot on
+ black water, but had been chosen as ghostly counsellor by two generations
+ of sea-rovers all unaffected by port missions or those creeds which are
+ thrust upon sailors by agencies along Thames bank. The priest of the
+ Lascars had nothing to do with their caste, or indeed with anything at
+ all. He ate the offerings of his church, and slept and smoked, and slept
+ again, &ldquo;for,&rdquo; said Peroo, who had haled him a thousand miles inland, &ldquo;he
+ is a very holy man. He never cares what you eat so long as you do not eat
+ beef, and that is good, because on land we worship Shiva, we Kharvas; but
+ at sea on the Kumpani&rsquo;s boats we attend strictly to the orders of the
+ Burra Malum [the first mate], and on this bridge we observe what Finlinson
+ Sahib says.&rdquo;
+ </p>
+ <p>
+ Finlinson Sahib had that day given orders to clear the scaffolding from
+ the guard-tower on the right bank, and Peroo with his mates was casting
+ loose and lowering down the bamboo poles and planks as swiftly as ever
+ they had whipped the cargo out of a coaster.
+ </p>
+ <p>
+ From his trolley he could hear the whistle of the serang&rsquo;s silver pipe and
+ the creek and clatter of the pulleys. Peroo was standing on the top-most
+ coping of the tower, clad in the blue dungaree of his abandoned service,
+ and as Findlayson motioned to him to be careful, for his was no life to
+ throw away, he gripped the last pole, and, shading his eyes ship-fashion,
+ answered with the long-drawn wail of the fo&rsquo;c&rsquo;sle lookout: &ldquo;Ham dekhta
+ hai&rdquo; (&ldquo;I am looking out&rdquo;).
+ </p>
+ <p>
+ Findlayson laughed and then sighed. It was years since he had seen a
+ steamer, and he was sick for home. As his trolley passed under the tower,
+ Peroo descended by a rope, ape-fashion, and cried: &ldquo;It looks well now,
+ Sahib. Our bridge is all but done. What think you Mother Gunga will say
+ when the rail runs over?&rdquo;
+ </p>
+ <p>
+ &ldquo;She has said little so far. It was never Mother Gunga that delayed us.&rdquo;
+ </p>
+ <p>
+ &ldquo;There is always time for her; and none the less there has been delay. Has
+ the Sahib forgotten last autumn&rsquo;s flood, when the stone-boats were sunk
+ without warning&mdash;or only a half-day&rsquo;s warning?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, but nothing save a big flood could hurt us now. The spurs are
+ holding well on the West Bank.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mother Gunga eats great allowances. There is always room for more stone
+ on the revetments. I tell this to the Chota Sahib,&rdquo;&mdash;he meant
+ Hitchcock&mdash;&ldquo;and he laughs.&rdquo;
+ </p>
+ <p>
+ &ldquo;No matter, Peroo. Another year thou wilt be able to build a bridge in
+ thine own fashion.&rdquo;
+ </p>
+ <p>
+ The Lascar grinned. &ldquo;Then it will not be in this way&mdash;with stonework
+ sunk under water, as the Qyetta was sunk. I like sus-sus-pen-sheen bridges
+ that fly from bank to bank with one big step, like a gang-plank. Then no
+ water can hurt. When does the Lord Sahib come to open the bridge?&rdquo;
+ </p>
+ <p>
+ &ldquo;In three months, when the weather is cooler.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho! ho! He is like the Burra Malum. He sleeps below while the work is
+ being done. Then he comes upon the quarter-deck and touches with his
+ finger, and says: &lsquo;This is not clean! Dam jibboonwallah!&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;But the Lord Sahib does not call me a dam jibboonwallah, Peroo.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, Sahib; but he does not come on deck till the work is all finished.
+ Even the Burra Malum of the Nerbudda said once at Tuticorin&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Bah! Go! I am busy.&rdquo;
+ </p>
+ <p>
+ &ldquo;I, also!&rdquo; said Peroo, with an unshaken countenance. &ldquo;May I take the light
+ dinghy now and row along the spurs?&rdquo;
+ </p>
+ <p>
+ &ldquo;To hold them with thy hands? They are, I think, sufficiently heavy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nay, Sahib. It is thus. At sea, on the Black Water, we have room to be
+ blown up and down without care. Here we have no room at all. Look you, we
+ have put the river into a dock, and run her between stone sills.&rdquo;
+ </p>
+ <p>
+ Findlayson smiled at the &ldquo;we.&rdquo;
+ </p>
+ <p>
+ &ldquo;We have bitted and bridled her. She is not like the sea, that can beat
+ against a soft beach. She is Mother Gunga&mdash;in irons.&rdquo; His voice fell
+ a little.
+ </p>
+ <p>
+ &ldquo;Peroo, thou hast been up and down the world more even than I. Speak true
+ talk, now. How much dost thou in thy heart believe of Mother Gunga?&rdquo;
+ </p>
+ <p>
+ &ldquo;All that our priest says. London is London, Sahib. Sydney is Sydney, and
+ Port Darwin is Port Darwin. Also Mother Gunga is Mother Gunga, and when I
+ come back to her banks I know this and worship. In London I did poojah to
+ the big temple by the river for the sake of the God within. . . . Yes, I
+ will not take the cushions in the dinghy.&rdquo;
+ </p>
+ <p>
+ Findlayson mounted his horse and trotted to the shed of a bungalow that he
+ shared with his assistant. The place had become home to him in the last
+ three years. He had grilled in the heat, sweated in the rains, and
+ shivered with fever under the rude thatch roof; the lime-wash beside the
+ door was covered with rough drawings and formulae, and the sentry-path
+ trodden in the matting of the verandah showed where he had walked alone.
+ There is no eight-hour limit to an engineer&rsquo;s work, and the evening meal
+ with Hitchcock was eaten booted and spurred: over their cigars they
+ listened to the hum of the village as the gangs came up from the river-bed
+ and the lights began to twinkle.
+ </p>
+ <p>
+ &ldquo;Peroo has gone up the spurs in your dinghy. He&rsquo;s taken a couple of
+ nephews with him, and he&rsquo;s lolling in the stern like a commodore,&rdquo; said
+ Hitchcock.
+ </p>
+ <p>
+ &ldquo;That&rsquo;s all right. He&rsquo;s got something on his mind. You&rsquo;d think that ten
+ years in the British India boats would have knocked most of his religion
+ out of him.&rdquo;
+ </p>
+ <p>
+ &ldquo;So it has,&rdquo; said Hitchcock, chuckling. &ldquo;I overheard him the other day in
+ the middle of a most atheistical talk with that fat old guru of theirs.
+ Peroo denied the efficacy of prayer; and wanted the guru to go to sea and
+ watch a gale out with him, and see if he could stop a monsoon.&rdquo;
+ </p>
+ <p>
+ &ldquo;All the same, if you carried off his guru he&rsquo;d leave us like a shot. He
+ was yarning away to me about praying to the dome of St. Paul&rsquo;s when he was
+ in London.&rdquo;
+ </p>
+ <p>
+ &ldquo;He told me that the first time he went into the engine-room of a steamer,
+ when he was a boy, he prayed to the low-pressure cylinder.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not half a bad thing to pray to, either. He&rsquo;s propitiating his own Gods
+ now, and he wants to know what Mother Gunga will think of a bridge being
+ run across her. Who&rsquo;s there?&rdquo; A shadow darkened the doorway, and a
+ telegram was put into Hitchcock&rsquo;s hand.
+ </p>
+ <p>
+ &ldquo;She ought to be pretty well used to it by this time. Only a tar. It ought
+ to be Ralli&rsquo;s answer about the new rivets. . . . Great Heavens!&rdquo; Hitchcock
+ jumped to his feet.
+ </p>
+ <p>
+ &ldquo;What is it?&rdquo; said the senior, and took the form. &ldquo;That&rsquo;s what Mother
+ Gunga thinks, is it,&rdquo; he said, reading. &ldquo;Keep cool, young &lsquo;un. We&rsquo;ve got
+ all our work cut out for us. Let&rsquo;s see. Muir wired half an hour ago:
+ &lsquo;Floods on the Ramgunga. Look out.&rsquo; Well, that gives us&mdash;one, two&mdash;nine
+ and a half for the flood to reach Melipur Ghaut and seven&rsquo;s sixteen and a
+ half to Lataoli&mdash;say fifteen hours before it comes down to us.&rdquo;
+ </p>
+ <p>
+ &ldquo;Curse that hill-fed sewer of a Ramgunga! Findlayson, this is two months
+ before anything could have been expected, and the left bank is littered up
+ with stuff still. Two full months before the time!&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s why it comes. I&rsquo;ve only known Indian rivers for five-and-twenty
+ years, and I don&rsquo;t pretend to understand. Here comes another tar.&rdquo;
+ Findlayson opened the telegram. &ldquo;Cockran, this time, from the Ganges
+ Canal: &lsquo;Heavy rains here. Bad.&rsquo; He might have saved the last word. Well,
+ we don&rsquo;t want to know any more. We&rsquo;ve got to work the gangs all night and
+ clean up the riverbed. You&rsquo;ll take the east bank and work out to meet me
+ in the middle. Get everything that floats below the bridge: we shall have
+ quite enough river-craft coming down adrift anyhow, without letting the
+ stone-boats ram the piers. What have you got on the east bank that needs
+ looking after?
+ </p>
+ <p>
+ &ldquo;Pontoon&mdash;one big pontoon with the overhead crane on it. T&rsquo;other
+ overhead crane on the mended pontoon, with the cart-road rivets from
+ Twenty to Twenty-three piers&mdash;two construction lines, and a
+ turning-spur. The pilework must take its chance,&rdquo; said Hitchcock.
+ </p>
+ <p>
+ &ldquo;All right. Roll up everything you can lay hands on. We&rsquo;ll give the gang
+ fifteen minutes more to eat their grub.&rdquo;
+ </p>
+ <p>
+ Close to the verandah stood a big night-gong, never used except for flood,
+ or fire in the village. Hitchcock had called for a fresh horse, and was
+ off to his side of the bridge when Findlayson took the cloth-bound stick
+ and smote with the rubbing stroke that brings out the full thunder of the
+ metal.
+ </p>
+ <p>
+ Long before the last rumble ceased every night-gong in the village had
+ taken up the warning. To these were added the hoarse screaming of conches
+ in the little temples; the throbbing of drums and tom-toms; and, from the
+ European quarters, where the riveters lived, McCartney&rsquo;s bugle, a weapon
+ of offence on Sundays and festivals, brayed desperately, calling to
+ &ldquo;Stables.&rdquo; Engine after engine toiling home along the spurs at the end of
+ her day&rsquo;s work whistled in answer till the whistles were answered from the
+ far bank. Then the big gong thundered thrice for a sign that it was flood
+ and not fire; conch, drum, and whistle echoed the call, and the village
+ quivered to the sound of bare feet running upon soft earth. The order in
+ all cases was to stand by the day&rsquo;s work and wait instructions. The gangs
+ poured by in the dusk; men stopping to knot a loin-cloth or fasten a
+ sandal; gang-foremen shouting to their subordinates as they ran or paused
+ by the tool-issue sheds for bars and mattocks; locomotives creeping down
+ their tracks wheel-deep in the crowd; till the brown torrent disappeared
+ into the dusk of the river-bed, raced over the pilework, swarmed along the
+ lattices, clustered by the cranes, and stood still&mdash;each man in his
+ place.
+ </p>
+ <p>
+ Then the troubled beating of the gong carried the order to take up
+ everything and bear it beyond high-water mark, and the flare-lamps broke
+ out by the hundred between the webs of dull iron as the riveters began a
+ night&rsquo;s work, racing against the flood that was to come. The girders of
+ the three centre piers&mdash;those that stood on the cribs&mdash;were all
+ but in position. They needed just as many rivets as could be driven into
+ them, for the flood would assuredly wash out their supports, and the
+ ironwork would settle down on the caps of stone if they were not blocked
+ at the ends. A hundred crowbars strained at the sleepers of the temporary
+ line that fed the unfinished piers. It was heaved up in lengths, loaded
+ into trucks, and backed up the bank beyond flood-level by the groaning
+ locomotives. The tool-sheds on the sands melted away before the attack of
+ shouting armies, and with them went the stacked ranks of Government
+ stores, iron-bound boxes of rivets, pliers, cutters, duplicate parts of
+ the riveting-machines, spare pumps and chains. The big crane would be the
+ last to be shifted, for she was hoisting all the heavy stuff up to the
+ main structure of the bridge. The concrete blocks on the fleet of
+ stone-boats were dropped overside, where there was any depth of water, to
+ guard the piers, and the empty boats themselves were poled under the
+ bridge down-stream. It was here that Peroo&rsquo;s pipe shrilled loudest, for
+ the first stroke of the big gong had brought the dinghy back at racing
+ speed, and Peroo and his people were stripped to the waist, working for
+ the honour and credit which are better than life.
+ </p>
+ <p>
+ &ldquo;I knew she would speak,&rdquo; he cried. &ldquo;I knew, but the telegraph gives us
+ good warning. O sons of unthinkable begetting&mdash;children of
+ unspeakable shame&mdash;are we here for the look of the thing?&rdquo; It was two
+ feet of wire-rope frayed at the ends, and it did wonders as Peroo leaped
+ from gunnel to gunnel, shouting the language of the sea.
+ </p>
+ <p>
+ Findlayson was more troubled for the stoneboats than anything else.
+ McCartney, with his gangs, was blocking up the ends of the three doubtful
+ spans, but boats adrift, if the flood chanced to be a high one, might
+ endanger the girders; and there was a very fleet in the shrunken channel.
+ </p>
+ <p>
+ &ldquo;Get them behind the swell of the guardtower,&rdquo; he shouted down to Peroo.
+ &ldquo;It will be dead-water there. Get them below the bridge.&rdquo;
+ </p>
+ <p>
+ &ldquo;Accha! [Very good.] I know; we are mooring them with wire-rope,&rdquo; was the
+ answer. &ldquo;Heh! Listen to the Chota Sahib. He is working hard.&rdquo;
+ </p>
+ <p>
+ From across the river came an almost continuous whistling of locomotives,
+ backed by the rumble of stone. Hitchcock at the last minute was spending a
+ few hundred more trucks of Tarakee stone in reinforcing his spurs and
+ embankments.
+ </p>
+ <p>
+ &ldquo;The bridge challenges Mother Gunga,&rdquo; said Peroo, with a laugh. &ldquo;But when
+ she talks I know whose voice will be the loudest.&rdquo;
+ </p>
+ <p>
+ For hours the naked men worked, screaming and shouting under the lights.
+ It was a hot, moonless night; the end of it was darkened by clouds and a
+ sudden squall that made Findlayson very grave.
+ </p>
+ <p>
+ &ldquo;She moves!&rdquo; said Peroo, just before the dawn. &ldquo;Mother Gunga is awake!
+ Hear!&rdquo; He dipped his hand over the side of a boat and the current mumbled
+ on it. A little wave hit the side of a pier with a crisp slap.
+ </p>
+ <p>
+ &ldquo;Six hours before her time,&rdquo; said Findlayson, mopping his forehead
+ savagely.
+ </p>
+ <p>
+ &ldquo;Now we can&rsquo;t depend on anything. We&rsquo;d better clear all hands out of the
+ riverbed.&rdquo;
+ </p>
+ <p>
+ Again the big gong beat, and a second time there was the rushing of naked
+ feet on earth and ringing iron; the clatter of tools ceased. In the
+ silence, men heard the dry yawn of water crawling over thirsty sand.
+ </p>
+ <p>
+ Foreman after foreman shouted to Findlayson, who had posted himself by the
+ guard-tower, that his section of the river-bed had been cleaned out, and
+ when the last voice dropped Findlayson hurried over the bridge till the
+ iron plating of the permanent way gave place to the temporary plank-walk
+ over the three centre piers, and there he met Hitchcock.
+ </p>
+ <p>
+ &ldquo;&lsquo;All clear your side?&rdquo; said Findlayson. The whisper rang in the box of
+ lattice work.
+ </p>
+ <p>
+ &ldquo;Yes, and the east channel&rsquo;s filling now. We&rsquo;re utterly out of our
+ reckoning. When is this thing down on us?&rdquo;
+ </p>
+ <p>
+ &ldquo;There&rsquo;s no saying. She&rsquo;s filling as fast as she can. Look!&rdquo; Findlayson
+ pointed to the planks below his feet, where the sand, burned and defiled
+ by months of work, was beginning to whisper and fizz.
+ </p>
+ <p>
+ &ldquo;What orders?&rdquo; said Hitchcock.
+ </p>
+ <p>
+ &ldquo;Call the roll&mdash;count stores sit on your hunkers&mdash;and pray for
+ the bridge. That&rsquo;s all I can think of Good night. Don&rsquo;t risk your life
+ trying to fish out anything that may go downstream.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I&rsquo;ll be as prudent as you are! &lsquo;Night. Heavens, how she&rsquo;s filling!
+ Here&rsquo;s the rain in earnest.&rdquo;
+ </p>
+ <p>
+ Findlayson picked his way back to his bank, sweeping the last of
+ McCartney&rsquo;s riveters before him. The gangs had spread themselves along the
+ embankments, regardless of the cold rain of the dawn, and there they
+ waited for the flood. Only Peroo kept his men together behind the swell of
+ the guard-tower, where the stone-boats lay tied fore and aft with hawsers,
+ wire-rope, and chains.
+ </p>
+ <p>
+ A shrill wail ran along the line, growing to a yell, half fear and half
+ wonder: the face of the river whitened from bank to hank between the stone
+ facings, and the far-away spurs went out in spouts of foam. Mother Gunga
+ had come bank-high in haste, and a wall of chocolate-coloured water was
+ her messenger. There was a shriek above the roar of the water, the
+ complaint of the spans coming down on their blocks as the cribs were
+ whirled out from under their bellies. The stone-boats groaned and ground
+ each other in the eddy that swung round the abutment, and their clumsy
+ masts rose higher and higher against the dim sky-line.
+ </p>
+ <p>
+ &ldquo;Before she was shut between these walls we knew what she would do. Now
+ she is thus cramped God only knows what she will do!&rdquo; said Peroo, watching
+ the furious turmoil round the guard-tower. &ldquo;Ohe&rsquo;! Fight, then! Fight hard,
+ for it is thus that a woman wears herself out.&rdquo;
+ </p>
+ <p>
+ But Mother Gunga would not fight as Peroo desired. After the first
+ down-stream plunge there came no more walls of water, but the river lifted
+ herself bodily, as a snake when she drinks in midsummer, plucking and
+ fingering along the revetments, and banking up behind the piers till even
+ Findlayson began to recalculate the strength of his work.
+ </p>
+ <p>
+ When day came the village gasped. &ldquo;Only last night,&rdquo; men said, turning to
+ each other, &ldquo;it was as a town in the river-bed! Look now!&rdquo;
+ </p>
+ <p>
+ And they looked and wondered afresh at the deep water, the racing water
+ that licked the throat of the piers. The farther bank was veiled by rain,
+ into which the bridge ran out and vanished; the spurs up-stream were
+ marked by no more than eddies and spoutings, and down-stream the pent
+ river, once freed of her guide-lines, had spread like a sea to the
+ horizon. Then hurried by, rolling in the water, dead men and oxen
+ together, with here and there a patch of thatched roof that melted when it
+ touched a pier.
+ </p>
+ <p>
+ &ldquo;Big flood,&rdquo; said Peroo, and Findlayson nodded. It was as big a flood as
+ he had any wish to watch. His bridge would stand what was upon her now,
+ but not very much more, and if by any of a thousand chances there happened
+ to be a weakness in the embankments, Mother Gunga would carry his honour
+ to the sea with the other raffle. Worst of all, there was nothing to do
+ except to sit still; and Findlayson sat still under his macintosh till his
+ helmet became pulp on his head, and his boots were over-ankle in mire. He
+ took no count of time, for the river was marking the hours, inch by inch
+ and foot by foot, along the embankment, and he listened, numb and hungry,
+ to the straining of the stone-boats, the hollow thunder under the piers,
+ and the hundred noises that make the full note of a flood. Once a dripping
+ servant brought him food, but he could not eat; and once he thought that
+ he heard a faint toot from a locomotive across the river, and then he
+ smiled. The bridge&rsquo;s failure would hurt his assistant not a little, but
+ Hitchcock was a young man with his big work yet to do. For himself the
+ crash meant everything&mdash;everything that made a hard life worth the
+ living. They would say, the men of his own profession . . . he remembered
+ the half-pitying things that he himself had said when Lockhart&rsquo;s new
+ waterworks burst and broke down in brick-heaps and sludge, and Lockhart&rsquo;s
+ spirit broke in him and he died. He remembered what he himself had said
+ when the Sumao Bridge went out in the big cyclone by the sea; and most he
+ remembered poor Hartopp&rsquo;s face three weeks later, when the shame had
+ marked it. His bridge was twice the size of Hartopp&rsquo;s, and it carried the
+ Findlayson truss as well as the new pier-shoe&mdash;the Findlayson bolted
+ shoe. There were no excuses in his service. Government might listen,
+ perhaps, but his own kind would judge him by his bridge, as that stood or
+ fell. He went over it in his head, plate by plate, span by span, brick by
+ brick, pier by pier, remembering, comparing, estimating, and
+ recalculating, lest there should be any mistake; and through the long
+ hours and through the flights of formulae that danced and wheeled before
+ him a cold fear would come to pinch his heart. His side of the sum was
+ beyond question; but what man knew Mother Gunga&rsquo;s arithmetic? Even as he
+ was making all sure by the multiplication table, the river might be
+ scooping a pot-hole to the very bottom of any one of those eighty-foot
+ piers that carried his reputation. Again a servant came to him with food,
+ but his mouth was dry, and he could only drink and return to the decimals
+ in his brain. And the river was still rising. Peroo, in a mat shelter
+ coat, crouched at his feet, watching now his face and now the face of the
+ river, but saying nothing.
+ </p>
+ <p>
+ At last the Lascar rose and floundered through the mud towards the
+ village, but he was careful to leave an ally to watch the boats.
+ </p>
+ <p>
+ Presently he returned, most irreverently driving before him the priest of
+ his creed&mdash;a fat old man, with a grey beard that whipped the wind
+ with the wet cloth that blew over his shoulder. Never was seen so
+ lamentable a guru.
+ </p>
+ <p>
+ &ldquo;What good are offerings and little kerosene lamps and dry grain,&rdquo; shouted
+ Peroo, &ldquo;if squatting in the mud is all that thou canst do? Thou hast dealt
+ long with the Gods when they were contented and well-wishing. Now they are
+ angry. Speak to them!&rdquo;
+ </p>
+ <p>
+ &ldquo;What is a man against the wrath of Gods?&rdquo; whined the priest, cowering as
+ the wind took him. &ldquo;Let me go to the temple, and I will pray there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Son of a pig, pray here! Is there no return for salt fish and curry
+ powder and dried onions? Call aloud! Tell Mother Gunga we have had enough.
+ Bid her be still for the night. I cannot pray, but I have been serving in
+ the Kumpani&rsquo;s boats, and when men did not obey my orders I&mdash;&rdquo; A
+ flourish of the wire-rope colt rounded the sentence, and the priest,
+ breaking free from his disciple, fled to the village.
+ </p>
+ <p>
+ &ldquo;Fat pig!&rdquo; said Peroo. &ldquo;After all that we have done for him! When the
+ flood is down I will see to it that we get a new guru. Finlinson Sahib, it
+ darkens for night now, and since yesterday nothing has been eaten. Be
+ wise, Sahib. No man can endure watching and great thinking on an empty
+ belly. Lie down, Sahib. The river will do what the river will do.&rdquo;
+ </p>
+ <p>
+ &ldquo;The bridge is mine; I cannot leave it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Wilt thou hold it up with thy hands, then?&rdquo; said Peroo, laughing.
+ </p>
+ <p>
+ &ldquo;I was troubled for my boats and sheers before the flood came. Now we are
+ in the hands of the Gods. The Sahib will not eat and lie down? Take these,
+ then. They are meat and good toddy together, and they kill all weariness,
+ besides the fever that follows the rain. I have eaten nothing else to-day
+ at all.&rdquo;
+ </p>
+ <p>
+ He took a small tin tobacco-box from his sodden waist-belt and thrust it
+ into Findlayson&rsquo;s hand, saying: &ldquo;Nay, do not be afraid. It is no more than
+ opium&mdash;clean Malwa opium.&rdquo;
+ </p>
+ <p>
+ Findlayson shook two or three of the dark-brown pellets into his hand, and
+ hardly knowing what he did, swallowed them. The stuff was at least a good
+ guard against fever&mdash;the fever that was creeping upon him out of the
+ wet mud&mdash;and he had seen what Peroo could do in the stewing mists of
+ autumn on the strength of a dose from the tin box.
+ </p>
+ <p>
+ Peroo nodded with bright eyes. &ldquo;In a little&mdash;in a little the Sahib
+ will find that he thinks well again. I too will&mdash;&rdquo; He dived into his
+ treasure-box, resettled the rain-coat over his head, and squatted down to
+ watch the boats. It was too dark now to see beyond the first pier, and the
+ night seemed to have given the river new strength. Findlayson stood with
+ his chin on his chest, thinking. There was one point about one of the
+ piers&mdash;the seventh&mdash;that he had not fully settled in his mind.
+ The figures would not shape themselves to the eye except one by one and at
+ enormous intervals of time. There was a sound rich and mellow in his ears
+ like the deepest note of a double-bass&mdash;an entrancing sound upon
+ which he pondered for several hours, as it seemed. Then Peroo was at his
+ elbow, shouting that a wire hawser had snapped and the stone-boats were
+ loose. Findlayson saw the fleet open and swing out fanwise to a long-drawn
+ shriek of wire straining across gunnels.
+ </p>
+ <p>
+ &ldquo;A tree hit them. They will all go,&rdquo; cried Peroo. &ldquo;The main hawser has
+ parted. What does the Sahib do?&rdquo;
+ </p>
+ <p>
+ An immensely complex plan had suddenly flashed into Findlayson&rsquo;s mind. He
+ saw the ropes running from boat to boat in straight lines and angles&mdash;each
+ rope a line of white fire. But there was one rope which was the master
+ rope. He could see that rope. If he could pull it once, it was absolutely
+ and mathematically certain that the disordered fleet would reassemble
+ itself in the backwater behind the guard-tower. But why, he wondered, was
+ Peroo clinging so desperately to his waist as he hastened down the bank?
+ It was necessary to put the Lascar aside, gently and slowly, because it
+ was necessary to save the boats, and, further, to demonstrate the extreme
+ ease of the problem that looked so difficult. And then&mdash;but it was of
+ no conceivable importance&mdash;a wire-rope raced through his hand,
+ burning it, the high bank disappeared, and with it all the slowly
+ dispersing factors of the problem. He was sitting in the rainy darkness&mdash;sitting
+ in a boat that spun like a top, and Peroo was standing over him.
+ </p>
+ <p>
+ &ldquo;I had forgotten,&rdquo; said the Lascar, slowly, &ldquo;that to those fasting and
+ unused, the opium is worse than any wine. Those who die in Gunga go to the
+ Gods. Still, I have no desire to present myself before such great ones.
+ Can the Sahib swim?&rdquo;
+ </p>
+ <p>
+ &ldquo;What need? He can fly&mdash;fly as swiftly as the wind,&rdquo; was the thick
+ answer.
+ </p>
+ <p>
+ &ldquo;He is mad!&rdquo; muttered Peroo, under his breath. &ldquo;And he threw me aside like
+ a bundle of dung-cakes. Well, he will not know his death. The boat cannot
+ live an hour here even if she strike nothing. It is not good to look at
+ death with a clear eye.&rdquo;
+ </p>
+ <p>
+ He refreshed himself again from the tin box, squatted down in the bows of
+ the reeling, pegged, and stitched craft, staring through the mist at the
+ nothing that was there. A warm drowsiness crept over Findlayson, the Chief
+ Engineer, whose duty was with his bridge. The heavy raindrops struck him
+ with a thousand tingling little thrills, and the weight of all time since
+ time was made hung heavy on his eyelids. He thought and perceived that he
+ was perfectly secure, for the water was so solid that a man could surely
+ step out upon it, and, standing still with his legs apart to keep his
+ balance&mdash;this was the most important point&mdash;would be borne with
+ great and easy speed to the shore. But yet a better plan came to him. It
+ needed only an exertion of will for the soul to hurl the body ashore as
+ wind drives paper, to waft it kite-fashion to the bank. Thereafter&mdash;the
+ boat spun dizzily&mdash;suppose the high wind got under the freed body?
+ Would it tower up like a kite and pitch headlong on the far-away sands, or
+ would it duck about, beyond control, through all eternity? Findlayson
+ gripped the gunnel to anchor himself, for it seemed that he was on the
+ edge of taking the flight before he had settled all his plans. Opium has
+ more effect on the white man than the black. Peroo was only comfortably
+ indifferent to accidents. &ldquo;She cannot live,&rdquo; he grunted. &ldquo;Her seams open
+ already. If she were even a dinghy with oars we could have ridden it out;
+ but a box with holes is no good. Finlinson Sahib, she fills.&rdquo;
+ </p>
+ <p>
+ &ldquo;Accha! I am going away. Come thou also.&rdquo; In his mind, Findlayson had
+ already escaped from the boat, and was circling high in air to find a rest
+ for the sole of his foot. His body&mdash;he was really sorry for its gross
+ helplessness&mdash;lay in the stern, the water rushing about its knees.
+ </p>
+ <p>
+ &ldquo;How very ridiculous!&rdquo; he said to himself from his eyrie&mdash;&ldquo;that&mdash;is
+ Findlayson&mdash;chief of the Kashi Bridge. The poor beast is going to be
+ drowned, too. Drowned when it&rsquo;s close to shore. I&rsquo;m&mdash;I&rsquo;m on shore
+ already. Why doesn&rsquo;t it come along?&rdquo;
+ </p>
+ <p>
+ To his intense disgust, he found his soul back in his body again, and that
+ body spluttering and choking in deep water. The pain of the reunion was
+ atrocious, but it was necessary, also, to fight for the body. He was
+ conscious of grasping wildly at wet sand, and striding prodigiously, as
+ one strides in a dream, to keep foothold in the swirling water, till at
+ last he hauled himself clear of the hold of the river, and dropped,
+ panting, on wet earth.
+ </p>
+ <p>
+ &ldquo;Not this night,&rdquo; said Peroo, in his ear. &ldquo;The Gods have protected us.&rdquo;
+ The Lascar moved his feet cautiously, and they rustled among dried stumps.
+ &ldquo;This is some island of last year&rsquo;s indigo-crop,&rdquo; he went on. &ldquo;We shall
+ find no men here; but have great care, Sahib; all the snakes of a hundred
+ miles have been flooded out. Here comes the lightning, on the heels of the
+ wind. Now we shall be able to look; but walk carefully.&rdquo;
+ </p>
+ <p>
+ Findlayson was far and far beyond any fear of snakes, or indeed any merely
+ human emotion. He saw, after he had rubbed the water from his eyes, with
+ an immense clearness, and trod, so it seemed to himself with
+ world-encompassing strides. Somewhere in the night of time he had built a
+ bridge&mdash;a bridge that spanned illimitable levels of shining seas; but
+ the Deluge had swept it away, leaving this one island under heaven for
+ Findlayson and his companion, sole survivors of the breed of Man.
+ </p>
+ <p>
+ An incessant lightning, forked and blue, showed all that there was to be
+ seen on the little patch in the flood&mdash;a clump of thorn, a clump of
+ swaying creaking bamboos, and a grey gnarled peepul overshadowing a Hindoo
+ shrine, from whose dome floated a tattered red flag. The holy man whose
+ summer resting-place it was had long since abandoned it, and the weather
+ had broken the red-daubed image of his god. The two men stumbled,
+ heavy-limbed and heavy-eyed, over the ashes of a brick-set cooking-place,
+ and dropped down under the shelter of the branches, while the rain and
+ river roared together.
+ </p>
+ <p>
+ The stumps of the indigo crackled, and there was a smell of cattle, as a
+ huge and dripping Brahminee bull shouldered his way under the tree. The
+ flashes revealed the trident mark of Shiva on his flank, the insolence of
+ head and hump, the luminous stag-like eyes, the brow crowned with a wreath
+ of sodden marigold blooms, and the silky dewlap that almost swept the
+ ground. There was a noise behind him of other beasts coming up from the
+ flood-line through the thicket, a sound of heavy feet and deep breathing.
+ </p>
+ <p>
+ &ldquo;Here be more beside ourselves,&rdquo; said Findlayson, his head against the
+ treepole, looking through half-shut eyes, wholly at ease.
+ </p>
+ <p>
+ &ldquo;Truly,&rdquo; said Peroo, thickly, &ldquo;and no small ones.&rdquo;
+ </p>
+ <p>
+ &ldquo;What are they, then? I do not see clearly.&rdquo;
+ </p>
+ <p>
+ &ldquo;The Gods. Who else? Look!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, true! The Gods surely&mdash;the Gods.&rdquo; Findlayson smiled as his head
+ fell forward on his chest. Peroo was eminently right. After the Flood, who
+ should be alive in the land except the Gods that made it&mdash;the Gods to
+ whom his village prayed nightly&mdash;the Gods who were in all men&rsquo;s
+ mouths and about all men&rsquo;s ways. He could not raise his head or stir a
+ finger for the trance that held him, and Peroo was smiling vacantly at the
+ lightning.
+ </p>
+ <p>
+ The Bull paused by the shrine, his head lowered to the damp earth. A green
+ Parrot in the branches preened his wet wings and screamed against the
+ thunder as the circle under the tree filled with the shifting shadows of
+ beasts. There was a black Buck at the Bull&rsquo;s heels-such a Buck as
+ Findlayson in his far-away life upon earth might have seen in dreams&mdash;a
+ Buck with a royal head, ebon back, silver belly, and gleaming straight
+ horns. Beside him, her head bowed to the ground, the green eyes burning
+ under the heavy brows, with restless tail switching the dead grass, paced
+ a Tigress, full-bellied and deep-jowled.
+ </p>
+ <p>
+ The Bull crouched beside the shrine, and there leaped from the darkness a
+ monstrous grey Ape, who seated himself man-wise in the place of the fallen
+ image, and the rain spilled like jewels from the hair of his neck and
+ shoulders. Other shadows came and went behind the circle, among them a
+ drunken Man flourishing staff and drinking-bottle. Then a hoarse bellow
+ broke out from near the ground. &ldquo;The flood lessens even now,&rdquo; it cried.
+ &ldquo;Hour by hour the water falls, and their bridge still stands!&rdquo;
+ </p>
+ <p>
+ &ldquo;My bridge,&rdquo; said Findlayson to himself &ldquo;That must be very old work now.
+ What have the Gods to do with my bridge?&rdquo;
+ </p>
+ <p>
+ His eyes rolled in the darkness following the roar. A Mugger&mdash;the
+ blunt-nosed, ford-haunting Mugger of the Ganges&mdash;draggled herself
+ before the beasts, lashing furiously to right and left with her tail.
+ </p>
+ <p>
+ &ldquo;They have made it too strong for me. In all this night I have only torn
+ away a handful of planks. The walls stand. The towers stand. They have
+ chained my flood, and the river is not free any more. Heavenly Ones, take
+ this yoke away! Give me clear water between bank and bank! It is I, Mother
+ Gunga, that speak. The Justice of the Gods! Deal me the Justice of the
+ Gods!&rdquo;
+ </p>
+ <p>
+ &ldquo;What said I?&rdquo; whispered Peroo. &ldquo;This is in truth a Punchayet of the Gods.
+ Now we know that all the world is dead, save you and I, Sahib.&rdquo;
+ </p>
+ <p>
+ The Parrot screamed and fluttered again, and the Tigress, her ears flat to
+ her head, snarled wickedly.
+ </p>
+ <p>
+ Somewhere in the shadow, a great trunk and gleaming tusks swayed to and
+ fro, and a low gurgle broke the silence that followed on the snarl.
+ </p>
+ <p>
+ &ldquo;We be here,&rdquo; said a deep voice, &ldquo;the Great Ones. One only and very many.
+ Shiv, my father, is here, with Indra. Kali has spoken already. Hanuman
+ listens also.&rdquo;
+ </p>
+ <p>
+ &ldquo;Kashi is without her Kotwal to-night,&rdquo; shouted the Man with the
+ drinking-bottle, flinging his staff to the ground, while the island rang
+ to the baying of hounds. &ldquo;Give her the Justice of the Gods.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye were still when they polluted my waters,&rdquo; the great Crocodile
+ bellowed. &ldquo;Ye made no sign when my river was trapped between the walls. I
+ had no help save my own strength, and that failed&mdash;the strength of
+ Mother Gunga failed&mdash;before their guard-towers. What could I do? I
+ have done everything. Finish now, Heavenly Ones!&rdquo;
+ </p>
+ <p>
+ &ldquo;I brought the death; I rode the spotted sick-ness from hut to hut of
+ their workmen, and yet they would not cease.&rdquo; A nose-slitten, hide-worn
+ Ass, lame, scissor-legged, and galled, limped forward. &ldquo;I cast the death
+ at them out of my nostrils, but they would not cease.&rdquo;
+ </p>
+ <p>
+ Peroo would have moved, but the opium lay heavy upon him.
+ </p>
+ <p>
+ &ldquo;Bah!&rdquo; he said, spitting. &ldquo;Here is Sitala herself; Mata&mdash;the
+ small-pox. Has the Sahib a handkerchief to put over his face?&rdquo;
+ </p>
+ <p>
+ &ldquo;Little help! They fed me the corpses for a month, and I flung them out on
+ my sand-bars, but their work went forward. Demons they are, and sons of
+ demons! And ye left Mother Gunga alone for their fire-carriage to make a
+ mock of The Justice of the Gods on the bridge-builders!&rdquo;
+ </p>
+ <p>
+ The Bull turned the cud in his mouth and answered slowly: &ldquo;If the Justice
+ of the Gods caught all who made a mock of holy things there would be many
+ dark altars in the land, mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;But this goes beyond a mock,&rdquo; said the Tigress, darting forward a griping
+ paw. &ldquo;Thou knowest, Shiv, and ye, too, Heavenly Ones; ye know that they
+ have defiled Gunga. Surely they must come to the Destroyer. Let Indra
+ judge.&rdquo;
+ </p>
+ <p>
+ The Buck made no movement as he answered: &ldquo;How long has this evil been?
+ </p>
+ <p>
+ &ldquo;Three years, as men count years,&rdquo; said the Mugger, close pressed to the
+ earth.
+ </p>
+ <p>
+ &ldquo;Does Mother Gunga die, then, in a year, that she is so anxious to see
+ vengeance now? The deep sea was where she runs but yesterday, and
+ to-morrow the sea shall cover her again as the Gods count that which men
+ call time. Can any say that this their bridge endures till to-morrow?&rdquo;
+ said the Buck.
+ </p>
+ <p>
+ There was a long hush, and in the clearing of the storm the full moon
+ stood up above the dripping trees.
+ </p>
+ <p>
+ &ldquo;Judge ye, then,&rdquo; said the River, sullenly. &ldquo;I have spoken my shame. The
+ flood falls still. I can do no more.&rdquo;
+ </p>
+ <p>
+ &ldquo;For my own part,&rdquo;&mdash;it was the voice of the great Ape seated within
+ the shrine&mdash;&ldquo;it pleases me well to watch these men, remembering that
+ I also builded no small bridge in the world&rsquo;s youth.&rdquo;
+ </p>
+ <p>
+ &ldquo;They say, too,&rdquo; snarled the Tiger, &ldquo;that these men came of the wreck of
+ thy armies, Hanuman, and therefore thou hast aided&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;They toil as my armies toiled in Lanka, and they believe that their toil
+ endures. Indra is too high, but Shiv, thou knowest how the land is
+ threaded with their fire-carriages.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yea, I know,&rdquo; said the Bull. &ldquo;Their Gods instructed them in the matter.&rdquo;
+ </p>
+ <p>
+ A laugh ran round the circle.
+ </p>
+ <p>
+ &ldquo;Their Gods! What should their Gods know? They were born yesterday, and
+ those that made them are scarcely yet cold,&rdquo; said the Mugger. &ldquo;To-morrow
+ their Gods will die.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho!&rdquo; said Peroo. &ldquo;Mother Gunga talks good talk. I told that to the
+ padre-sahib who preached on the Mombassa, and he asked the Burra Malum to
+ put me in irons for a great rudeness.&rdquo;
+ </p>
+ <p>
+ &ldquo;Surely they make these things to please their Gods,&rdquo; said the Bull again.
+ </p>
+ <p>
+ &ldquo;Not altogether,&rdquo; the Elephant rolled forth. &ldquo;It is for the profit of my
+ mahajuns&mdash;my fat money-lenders that worship me at each new year, when
+ they draw my image at the head of the account-books. I, looking over their
+ shoulders by lamplight, see that the names in the books are those of men
+ in far places&mdash;for all the towns are drawn together by the
+ fire-carriage, and the money comes and goes swiftly, and the account-books
+ grow as fat as&mdash;myself. And I, who am Ganesh of Good Luck, I bless my
+ peoples.&rdquo;
+ </p>
+ <p>
+ &ldquo;They have changed the face of the land-which is my land. They have killed
+ and made new towns on my banks,&rdquo; said the Mugger.
+ </p>
+ <p>
+ &ldquo;It is but the shifting of a little dirt. Let the dirt dig in the dirt if
+ it pleases the dirt,&rdquo; answered the Elephant.
+ </p>
+ <p>
+ &ldquo;But afterwards?&rdquo; said the Tiger. &ldquo;Afterwards they will see that Mother
+ Gunga can avenge no insult, and they fall away from her first, and later
+ from us all, one by one. In the end, Ganesh, we are left with naked
+ altars.&rdquo;
+ </p>
+ <p>
+ The drunken Man staggered to his feet, and hiccupped vehemently.
+ </p>
+ <p>
+ &ldquo;Kali lies. My sister lies. Also this my stick is the Kotwal of Kashi, and
+ he keeps tally of my pilgrims. When the time comes to worship Bhairon-and
+ it is always time&mdash;the fire-carriages move one by one, and each bears
+ a thousand pilgrims. They do not come afoot any more, but rolling upon
+ wheels, and my honour is increased.&rdquo;
+ </p>
+ <p>
+ &ldquo;Gunga, I have seen thy bed at Pryag black with the pilgrims,&rdquo; said the
+ Ape, leaning forward, &ldquo;and but for the fire-carriage they would have come
+ slowly and in fewer numbers. Remember.&rdquo;
+ </p>
+ <p>
+ &ldquo;They come to me always,&rdquo; Bhairon went on thickly. &ldquo;By day and night they
+ pray to me, all the Common People in the fields and the roads. Who is like
+ Bhairon to-day? What talk is this of changing faiths? Is my staff Kotwal
+ of Kashi for nothing? He keeps the tally, and he says that never were so
+ many altars as today, and the fire-carriage serves them well. Bhairon am I&mdash;Bhairon
+ of the Common People, and the chiefest of the Heavenly Ones to-day. Also
+ my staff says&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Peace, thou,&rdquo; lowed the Bull. &ldquo;The worship of the schools is mine, and
+ they talk very wisely, asking whether I be one or many, as is the delight
+ of my people, and ye know what I am. Kali, my wife, thou knowest also.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yea, I know,&rdquo; said the Tigress, with lowered head.
+ </p>
+ <p>
+ &ldquo;Greater am I than Gunga also. For ye know who moved the minds of men that
+ they should count Gunga holy among the rivers. Who die in that water&mdash;ye
+ know how men say&mdash;come to us without punishment, and Gunga knows that
+ the fire-carriage has borne to her scores upon scores of such anxious
+ ones; and Kali knows that she has held her chiefest festivals among the
+ pilgrimages that are fed by the fire-carriage. Who smote at Pooree, under
+ the Image there, her thousands in a day and a night, and bound the
+ sickness to the wheels of the fire-carriages, so that it ran from one end
+ of the land to the other? Who but Kali? Before the fire-carriage came it
+ was a heavy toil. The fire-carriages have served thee well, Mother of
+ Death. But I speak for mine own altars, who am not Bhairon of the Common
+ Folk, but Shiv. Men go to and fro, making words and telling talk of
+ strange Gods, and I listen. Faith follows faith among my people in the
+ schools, and I have no anger; for when all words are said, and the new
+ talk is ended, to Shiv men return at the last.&rdquo;
+ </p>
+ <p>
+ &ldquo;True. It is true,&rdquo; murmured Hanuman. &ldquo;To Shiv and to the others, mother,
+ they return. I creep from temple to temple in the North, where they
+ worship one God and His Prophet; and presently my image is alone within
+ their shrines.&rdquo;
+ </p>
+ <p>
+ &ldquo;Small thanks,&rdquo; said the Buck, turning his head slowly. &ldquo;I am that One and
+ His Prophet also.&rdquo;
+ </p>
+ <p>
+ &ldquo;Even so, father,&rdquo; said Hanuman. &ldquo;And to the South I go who am the oldest
+ of the Gods as men know the Gods, and presently I touch the shrines of the
+ New Faith and the Woman whom we know is hewn twelve-armed, and still they
+ call her Mary.&rdquo;
+ </p>
+ <p>
+ &ldquo;Small thanks, brother,&rdquo; said the Tigress. &ldquo;I am that Woman.&rdquo;
+ </p>
+ <p>
+ &ldquo;Even so, sister; and I go West among the fire-carriages, and stand before
+ the bridge-builders in many shapes, and because of me they change their
+ faiths and are very wise. Ho! ho! I am the builder of bridges, indeed&mdash;bridges
+ between this and that, and each bridge leads surely to Us in the end. Be
+ content, Gunga. Neither these men nor those that follow them mock thee at
+ all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Am I alone, then, Heavenly Ones? Shall I smooth out my flood lest
+ unhappily I bear away their walls? Will Indra dry my springs in the hills
+ and make me crawl humbly between their wharfs? Shall I bury me in the sand
+ ere I offend?&rdquo;
+ </p>
+ <p>
+ &ldquo;And all for the sake of a little iron bar with the fire-carriage atop.
+ Truly, Mother Gunga is always young!&rdquo; said Ganesh the Elephant. &ldquo;A child
+ had not spoken more foolishly. Let the dirt dig in the dirt ere it return
+ to the dirt. I know only that my people grow rich and praise me. Shiv has
+ said that the men of the schools do not forget; Bhairon is content for his
+ crowd of the Common People; and Hanuman laughs.&rdquo;
+ </p>
+ <p>
+ &ldquo;Surely I laugh,&rdquo; said the Ape. &ldquo;My altars are few beside those of Ganesh
+ or Bhairon, but the fire-carriages bring me new worshippers from beyond
+ the Black Water&mdash;the men who believe that their God is toil. I run
+ before them beckoning, and they follow Hanuman.&rdquo;
+ </p>
+ <p>
+ &ldquo;Give them the toil that they desire, then,&rdquo; said the River. &ldquo;Make a bar
+ across my flood and throw the water back upon the bridge. Once thou wast
+ strong in Lanka, Hanuman. Stoop and lift my bed.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who gives life can take life.&rdquo; The Ape scratched in the mud with a long
+ forefinger. &ldquo;And yet, who would profit by the killing? Very many would
+ die.&rdquo;
+ </p>
+ <p>
+ There came up from the water a snatch of a love-song such as the boys sing
+ when they watch their cattle in the noon heats of late spring. The Parrot
+ screamed joyously, sidling along his branch with lowered head as the song
+ grew louder, and in a patch of clear moonlight stood revealed the young
+ herd, the darling of the Gopis, the idol of dreaming maids and of mothers
+ ere their children are born Krishna the Well-beloved. He stooped to knot
+ up his long wet hair, and the Parrot fluttered to his shoulder.
+ </p>
+ <p>
+ &ldquo;Fleeting and singing, and singing and fleeting,&rdquo; hiccupped Bhairon.
+ &ldquo;Those make thee late for the council, brother.&rdquo;
+ </p>
+ <p>
+ &ldquo;And then?&rdquo; said Krishna, with a laugh, throwing back his head. &ldquo;Ye can do
+ little without me or Karma here.&rdquo; He fondled the Parrot&rsquo;s plumage and
+ laughed again. &ldquo;What is this sitting and talking together? I heard Mother
+ Gunga roaring in the dark, and so came quickly from a hut where I lay
+ warm. And what have ye done to Karma, that he is so wet and silent? And
+ what does Mother Gunga here? Are the heavens full that ye must come
+ paddling in the mud beast-wise? Karma, what do they do?&rdquo;
+ </p>
+ <p>
+ &ldquo;Gunga has prayed for a vengeance on the bridge-builders, and Kali is with
+ her. Now she bids Hanuman whelm the bridge, that her honour may be made
+ great,&rdquo; cried the Parrot. &ldquo;I waited here, knowing that thou wouldst come,
+ O my master!
+ </p>
+ <p>
+ &ldquo;And the Heavenly Ones said nothing? Did Gunga and the Mother of Sorrows
+ out-talk them? Did none speak for my people?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nay,&rdquo; said Ganesh, moving uneasily from foot to foot; &ldquo;I said it was but
+ dirt at play, and why should we stamp it flat?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was content to let them toil&mdash;well content,&rdquo; said Hanuman.
+ </p>
+ <p>
+ &ldquo;What had I to do with Gunga&rsquo;s anger?&rdquo; said the Bull.
+ </p>
+ <p>
+ &ldquo;I am Bhairon of the Common Folk, and this my staff is Kotwal of all
+ Kashi. I spoke for the Common People.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thou?&rdquo; The young God&rsquo;s eyes sparkled.
+ </p>
+ <p>
+ &ldquo;Am I not the first of the Gods in their mouths to-day?&rdquo; returned Bhairon,
+ unabashed. &ldquo;For the sake of the Common People I said&mdash;very many wise
+ things which I have now forgotten, but this my staff-&rdquo;
+ </p>
+ <p>
+ Krishna turned impatiently, saw the Mugger at his feet, and kneeling,
+ slipped an arm round the cold neck. &ldquo;Mother,&rdquo; he said gently, &ldquo;get thee to
+ thy flood again. The matter is not for thee. What harm shall thy honour
+ take of this live dirt? Thou hast given them their fields new year after
+ year, and by thy flood they are made strong. They come all to thee at the
+ last. What need to slay them now? Have pity, mother, for a little&mdash;and
+ it is only for a little.&rdquo;
+ </p>
+ <p>
+ &ldquo;If it be only for a little,&rdquo; the slow beast began.
+ </p>
+ <p>
+ &ldquo;Are they Gods, then?&rdquo; Krishna returned with a laugh, his eyes looking
+ into the dull eyes of the River. &ldquo;Be certain that it is only for a little.
+ The Heavenly Ones have heard thee, and presently justice will be done. Go
+ now, mother, to the flood again. Men and cattle are thick on the waters&mdash;the
+ banks fall&mdash;the villages melt because of thee.&rdquo;
+ </p>
+ <p>
+ &ldquo;But the bridge&mdash;the bridge stands.&rdquo; The Mugger turned grunting into
+ the undergrowth as Krishna rose.
+ </p>
+ <p>
+ &ldquo;It is ended,&rdquo; said the Tigress, viciously. &ldquo;There is no more justice from
+ the Heavenly Ones. Ye have made shame and sport of Gunga, who asked no
+ more than a few score lives.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of my people&mdash;who lie under the leaf-roofs of the village yonder&mdash;of
+ the young girls, and the young men who sing to them in the dark&mdash;of
+ the child that will be born next morn&mdash;of that which was begotten
+ to-night,&rdquo; said Krishna. &ldquo;And when all is done, what profit? To-morrow
+ sees them at work. Ay, if ye swept the bridge out from end to end they
+ would begin anew. Hear me! Bhairon is drunk always. Hanuman mocks his
+ people with new riddles.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nay, but they are very old ones,&rdquo; the Ape said, laughing.
+ </p>
+ <p>
+ &ldquo;Shiv hears the talk of the schools and the dreams of the holy men; Ganesh
+ thinks only of his fat traders; but I&mdash;I live with these my people,
+ asking for no gifts, and so receiving them hourly.&rdquo;
+ </p>
+ <p>
+ &ldquo;And very tender art thou of thy people,&rdquo; said the Tigress.
+ </p>
+ <p>
+ &ldquo;They are my own. The old women dream of me turning in their sleep; the
+ maids look and listen for me when they go to fill their lotahs by the
+ river. I walk by the young men waiting without the gates at dusk, and I
+ call over my shoulder to the white-beards. Ye know, Heavenly Ones, that I
+ alone of us all walk upon the earth continually, and have no pleasure in
+ our heavens so long as a green blade springs here, or there are two voices
+ at twilight in the standing crops. Wise are ye, but ye live far off;
+ forgetting whence ye came. So do I not forget. And the fire-carriage feeds
+ your shrines, ye say? And the fire-carriages bring a thousand pilgrims
+ where but ten came in the old years? True. That is true, to-day.&rdquo;
+ </p>
+ <p>
+ &ldquo;But to-morrow they are dead, brother,&rdquo; said Ganesh.
+ </p>
+ <p>
+ &ldquo;Peace!&rdquo; said the Bull, as Hanuman leaned forward again. &ldquo;And to-morrow,
+ beloved&mdash;what of to-morrow?&rdquo;
+ </p>
+ <p>
+ &ldquo;This only. A new word creeping from mouth to mouth among the Common Folk&mdash;a
+ word that neither man nor God can lay hold of&mdash;an evil word&mdash;a
+ little lazy word among the Common Folk, saying (and none know who set that
+ word afoot) that they weary of ye, Heavenly Ones.&rdquo;
+ </p>
+ <p>
+ The Gods laughed together softly. &ldquo;And then, beloved,&rdquo; they said.
+ </p>
+ <p>
+ &ldquo;And to cover that weariness they, my people, will bring to thee, Shiv,
+ and to thee, Ganesh, at first greater offerings and a louder noise of
+ worship. But the word has gone abroad, and, after, they will pay fewer
+ dues to your fat Brahmins. Next they will forget your altars, but so
+ slowly that no man can say how his forgetfulness began.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew&mdash;I knew! I spoke this also, but they would not hear,&rdquo; said
+ the Tigress. &ldquo;We should have slain-we should have slain!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is too late now. Ye should have slain at the beginning when the men
+ from across the water had taught our folk nothing. Now my people see their
+ work, and go away thinking. They do not think of the Heavenly Ones
+ altogether. They think of the fire-carriage and the other things that the
+ bridge-builders have done, and when your priests thrust forward hands
+ asking alms, they give a little unwillingly. That is the beginning, among
+ one or two, or five or ten&mdash;for I, moving among my people, know what
+ is in their hearts.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the end, Jester of the Gods? What shall the end be?&rdquo; said Ganesh.
+ </p>
+ <p>
+ &ldquo;The end shall be as it was in the beginning, O slothful son of Shiv! The
+ flame shall die upon the altars and the prayer upon the tongue till ye
+ become little Gods again&mdash;Gods of the jungle&mdash;names that the
+ hunters of rats and noosers of dogs whisper in the thicket and among the
+ caves&mdash;rag-Gods, pot Godlings of the tree, and the village-mark, as
+ ye were at the beginning. That is the end, Ganesh, for thee, and for
+ Bhairon&mdash;Bhairon of the Common People.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is very far away,&rdquo; grunted Bhairon. &ldquo;Also, it is a lie.&rdquo;
+ </p>
+ <p>
+ &ldquo;Many women have kissed Krishna. They told him this to cheer their own
+ hearts when the grey hairs came, and he has told us the tale,&rdquo; said the
+ Bull, below his breath.
+ </p>
+ <p>
+ &ldquo;Their Gods came, and we changed them. I took the Woman and made her
+ twelve-armed. So shall we twist all their Gods,&rdquo; said Hanuman.
+ </p>
+ <p>
+ &ldquo;Their Gods! This is no question of their Gods&mdash;one or three&mdash;man
+ or woman. The matter is with the people. I move, and not the Gods of the
+ bridge-builders,&rdquo; said Krishna.
+ </p>
+ <p>
+ &ldquo;So be it. I have made a man worship the fire-carriage as it stood still
+ breathing smoke, and he knew not that he worshipped me,&rdquo; said Hanuman the
+ Ape. &ldquo;They will only change a little the names of their Gods. I shall lead
+ the builders of the bridges as of old; Shiv shall be worshipped in the
+ schools by such as doubt and despise their fellows; Ganesh shall have his
+ mahajuns, and Bhairon the donkey-drivers, the pilgrims, and the sellers of
+ toys. Beloved, they will do no more than change the names, and that we
+ have seen a thousand times.&rdquo;
+ </p>
+ <p>
+ &ldquo;Surely they will do no more than change the names,&rdquo; echoed Ganesh; but
+ there was an uneasy movement among the Gods.
+ </p>
+ <p>
+ &ldquo;They will change more than the names. Me alone they cannot kill, so long
+ as a maiden and a man meet together or the spring follows the winter
+ rains. Heavenly Ones, not for nothing have I walked upon the earth. My
+ people know not now what they know; but I, who live with them, I read
+ their hearts. Great Kings, the beginning of the end is born already. The
+ fire-carriages shout the names of new Gods that are not the old under new
+ names. Drink now and eat greatly! Bathe your faces in the smoke of the
+ altars before they grow cold! Take dues and listen to the cymbals and the
+ drums, Heavenly Ones, while yet there are flowers and songs. As men count
+ time the end is far off; but as we who know reckon it is to-day. I have
+ spoken.&rdquo;
+ </p>
+ <p>
+ The young God ceased, and his brethren looked at each other long in
+ silence.
+ </p>
+ <p>
+ &ldquo;This I have not heard before,&rdquo; Peroo whispered in his companion&rsquo;s ear.
+ &ldquo;And yet sometimes, when I oiled the brasses in the engine-room of the
+ Goorkha, I have wondered if our priests were so wise&mdash;so wise. The
+ day is coming, Sahib. They will be gone by the morning.&rdquo;
+ </p>
+ <p>
+ A yellow light broadened in the sky, and the tone of the river changed as
+ the darkness withdrew.
+ </p>
+ <p>
+ Suddenly the Elephant trumpeted aloud as though man had goaded him.
+ </p>
+ <p>
+ &ldquo;Let Indra judge. Father of all, speak thou! What of the things we have
+ heard? Has Krishna lied indeed? Or&mdash;-&rdquo;
+ </p>
+ <p>
+ &ldquo;Ye know,&rdquo; said the Buck, rising to his feet. &ldquo;Ye know the Riddle of the
+ Gods. When Brahm ceases to dream, the Heavens and the Hells and Earth
+ disappear. Be content. Brahm dreams still. The dreams come and go, and the
+ nature of the dreams changes, but still Brahm dreams. Krishna has walked
+ too long upon earth, and yet I love him the more for the tale he has told.
+ The Gods change, beloved&mdash;all save One!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ay, all save one that makes love in the hearts of men,&rdquo; said Krishna,
+ knotting his girdle. &ldquo;It is but a little time to wait, and ye shall know
+ if I lie. Truly it is but a little time, as thou sayest, and we shall
+ know. Get thee to thy huts again, beloved, and make sport for the young
+ things, for still Brahm dreams. Go, my children! Brahm dreams and till he
+ wakes the Gods die not.&rdquo;
+ </p>
+ <p>
+ &ldquo;Whither went they?&rdquo; said the Lascar, awe-struck, shivering a little with
+ the cold.
+ </p>
+ <p>
+ &ldquo;God knows!&rdquo; said Findlayson. The river and the island lay in full
+ daylight now, and there was never mark of hoof or pug on the wet earth
+ under the peepul. Only a parrot screamed in the branches, bringing down
+ showers of water-drops as he fluttered his wings.
+ </p>
+ <p>
+ &ldquo;Up! We are cramped with cold! Has the opium died out. Canst thou move,
+ Sahib?&rdquo;
+ </p>
+ <p>
+ Findlayson staggered to his feet and shook himself. His bead swam and
+ ached, but the work of the opium was over, and, as he sluiced his forehead
+ in a pool, the Chief Engineer of the Kashi Bridge was wondering how he had
+ managed to fall upon the island, what chances the day offered of return,
+ and, above all, how his work stood.
+ </p>
+ <p>
+ &ldquo;Peroo, I have forgotten much I was under the guard-tower watching the
+ river; and then&mdash;Did the flood sweep us away?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. The boats broke loose, Sahib, and,&rdquo; (if the Sahib had forgotten about
+ the opium, decidedly Peroo would not remind him) &ldquo;in striving to retie
+ them, so it seemed to me but it was dark&mdash;a rope caught the Sahib and
+ threw him upon a boat. Considering that we two, with Hitchcock Sahib,
+ built, as it were, that bridge, I came also upon the boat, which came
+ riding on horseback, as it were, on the nose of this island, and so,
+ splitting, cast us ashore. I made a great cry when the boat left the wharf
+ and without doubt Hitchcock Sahib will come for us. As for the bridge, so
+ many have died in the building that it cannot fall.&rdquo; A fierce sun, that
+ drew out all the smell of the sodden land, had followed the storm, and in
+ that clear light there was no room for a man to think of the dreams of the
+ dark. Findlayson stared upstream, across the blaze of moving water, till
+ his eyes ached. There was no sign of any bank to the Ganges, much less of
+ a bridge-line.
+ </p>
+ <p>
+ &ldquo;We came down far,&rdquo; he said. &ldquo;It was wonderful that we were not drowned a
+ hundred times.&rdquo;
+ </p>
+ <p>
+ &ldquo;That was the least of the wonder, for no man dies before his time. I have
+ seen Sydney, I have seen London, and twenty great ports, but,&rdquo;&mdash;Peroo
+ looked at the damp, discoloured shrine under the peepul&mdash;&ldquo;never man
+ has seen that we saw here.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo;
+ </p>
+ <p>
+ &ldquo;Has the Sahib forgotten; or do we black men only see the Gods?&rdquo;
+ </p>
+ <p>
+ &ldquo;There was a fever upon me.&rdquo; Findlayson was still looking uneasily across
+ the water. &ldquo;It seemed that the island was full of beasts and men talking,
+ but I do not remember. A boat could live in this water now, I think.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oho! Then it is true. &lsquo;When Brahm ceases to dream, the Gods die.&rsquo; Now I
+ know, indeed, what he meant. Once, too, the guru said as much to me; but
+ then I did not understand. Now I am wise.&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; said Findlayson, over his shoulder.
+ </p>
+ <p>
+ Peroo went on as if he were talking to himself &ldquo;Six&mdash;seven&mdash;ten
+ monsoons since, I was watch on the fo&rsquo;c&rsquo;sle of the Rewah&mdash;the
+ Kumpani&rsquo;s big boat&mdash;and there was a big tufan; green and black water
+ beating, and I held fast to the life-lines, choking under the waters. Then
+ I thought of the Gods&mdash;of Those whom we saw to-night,&rdquo;&mdash;he
+ stared curiously at Findlayson&rsquo;s back, but the white man was looking
+ across the flood. &ldquo;Yes, I say of Those whom we saw this night past, and I
+ called upon Them to protect me. And while I prayed, still keeping my
+ lookout, a big wave came and threw me forward upon the ring of the great
+ black bow-anchor, and the Rewah rose high and high, leaning towards the
+ left-hand side, and the water drew away from beneath her nose, and I lay
+ upon my belly, holding the ring, and looking down into those great deeps.
+ Then I thought, even in the face of death: If I lose hold I die, and for
+ me neither the Rewah nor my place by the galley where the rice is cooked,
+ nor Bombay, nor Calcutta, nor even London, will be any more for me. &lsquo;How
+ shall I be sure,&rsquo; I said, &lsquo;that the Gods to whom I pray will abide at
+ all?&rsquo; This I thought, and the Rewah dropped her nose as a hammer falls,
+ and all the sea came in and slid me backwards along the fo&rsquo;c&rsquo;sle and over
+ the break of the fo&rsquo;c&rsquo;sle, and I very badly bruised my shin against the
+ donkey-engine: but I did not die, and I have seen the Gods. They are good
+ for live men, but for the dead. . . . They have spoken Themselves.
+ Therefore, when I come to the village I will beat the guru for talking
+ riddles which are no riddles. When Brahm ceases to dream the Gods go.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look up-stream. The light blinds. Is there smoke yonder?&rdquo;
+ </p>
+ <p>
+ Peroo shaded his eyes with his hands. &ldquo;He is a wise man and quick.
+ Hitchcock Sahib would not trust a rowboat. He has borrowed the Rao Sahib&rsquo;s
+ steam-launch, and comes to look for us. I have always said that there
+ should have been a steam-launch on the bridge works for us.&rdquo;
+ </p>
+ <p>
+ The territory of the Rao of Baraon lay within ten miles of the bridge; and
+ Findlayson and Hitchcock had spent a fair portion of their scanty leisure
+ in playing billiards and shooting blackbuck with the young man. He had
+ been bearded by an English tutor of sporting tastes for some five or six
+ years, and was now royally wasting the revenues accumulated during his
+ minority by the Indian Government. His steam-launch, with its
+ silver-plated rails, striped silk awning, and mahogany decks, was a new
+ toy which Findlayson had found horribly in the way when the Rao came to
+ look at the bridge works.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s great luck,&rdquo; murmured Findlayson, but he was none the less afraid,
+ wondering what news might be of the bridge.
+ </p>
+ <p>
+ The gaudy blue-and-white funnel came downstream swiftly. They could see
+ Hitchcock in the bows, with a pair of opera-glasses, and his face was
+ unusually white. Then Peroo hailed, and the launch made for the tail of
+ the island. The Rao Sahib, in tweed shooting-suit and a seven-hued turban,
+ waved his royal hand, and Hitchcock shouted. But he need have asked no
+ questions, for Findlayson&rsquo;s first demand was for his bridge.
+ </p>
+ <p>
+ &ldquo;All serene! &lsquo;Gad, I never expected to see you again, Findlayson. You&rsquo;re
+ seven koss downstream. Yes; there&rsquo;s not a stone shifted anywhere; but how
+ are you? I borrowed the Rao Sahib&rsquo;s launch, and he was good enough to come
+ along. Jump in. Ah, Finlinson, you are very well, eh? That was most
+ unprecedented calamity last night, eh? My royal palace, too, it leaks like
+ the devil, and the crops will also be short all about my country. Now you
+ shall back her out, Hitchcock. I&mdash;I do not understand steam-engines.
+ You are wet? You are cold, Finlinson? I have some things to eat here, and
+ you will take a good drink.&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m immensely grateful, Rao Sahib. I believe you&rsquo;ve saved my life. How
+ did Hitchcock&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oho! His hair was upon end. He rode to me in the middle of the night and
+ woke me up in the arms of Morpheus. I was most truly concerned, Finlinson,
+ so I came too. My head-priest he is very angry just now. We will go quick,
+ Mister Hitchcock. I am due to attend at twelve forty-five in the state
+ temple, where we sanctify some new idol. If not so I would have asked you
+ to spend the day with me. They are dam-bore, these religious ceremonies,
+ Finlinson, eh?&rdquo;
+ </p>
+ <p>
+ Peroo, well known to the crew, had possessed himself of the inlaid wheel,
+ and was taking the launch craftily up-stream. But while he steered he was,
+ in his mind, handling two feet of partially untwisted wire-rope; and the
+ back upon which he beat was the back of his guru.
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Bridge-Builders, by Rudyard Kipling
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE BRIDGE-BUILDERS ***
+
+***** This file should be named 2163-h.htm or 2163-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/1/6/2163/
+
+Produced by Bill Stoddard and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you &lsquo;AS-IS&rsquo; WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm&rsquo;s
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation&rsquo;s EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state&rsquo;s laws.
+
+The Foundation&rsquo;s principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation&rsquo;s web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/2163.txt b/2163.txt
new file mode 100644
index 0000000..82e9742
--- /dev/null
+++ b/2163.txt
@@ -0,0 +1,1690 @@
+The Project Gutenberg EBook of The Bridge-Builders, by Rudyard Kipling
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Bridge-Builders
+
+Author: Rudyard Kipling
+
+Release Date: February 25, 2006 [EBook #2163]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE BRIDGE-BUILDERS ***
+
+
+
+
+Produced by Bill Stoddard and David Widger
+
+
+
+
+
+THE BRIDGE-BUILDERS
+
+
+by Rudyard Kipling
+
+
+
+
+The least that Findlayson, of the Public Works Department, expected was
+a C.I.E.; he dreamed of a C.S.I. Indeed, his friends told him that
+he deserved more. For three years he had endured heat and cold,
+disappointment, discomfort, danger, and disease, with responsibility
+almost to top-heavy for one pair of shoulders; and day by day, through
+that time, the great Kashi Bridge over the Ganges had grown under his
+charge. Now, in less than three months, if all went well, his Excellency
+the Viceroy would open the bridge in state, an archbishop would bless
+it, and the first trainload of soldiers would come over it, and there
+would be speeches.
+
+Findlayson, C. E., sat in his trolley on a construction line that ran
+along one of the main revetments--the huge stone-faced banks that flared
+away north and south for three miles on either side of the river and
+permitted himself to think of the end. With its approaches, his work was
+one mile and three-quarters in length; a lattice-girder bridge, trussed
+with the Findlayson truss standing on seven-and-twenty brick piers. Each
+one of those piers was twenty-four feet in diameter, capped with red
+Agra stone and sunk eighty feet below the shifting sand of the Ganges'
+bed. Above them was a railway-line fifteen feet broad; above that,
+again, a cart-road of eighteen feet, flanked with footpaths. At either
+end rose towers, of red brick, loopholed for musketry and pierced for
+big guns, and the ramp of the road was being pushed forward to their
+haunches. The raw earth-ends were crawling and alive with hundreds upon
+hundreds of tiny asses climbing out of the yawning borrow-pit below with
+sackfuls of stuff; and the hot afternoon air was filled with the
+noise of hooves, the rattle of the drivers' sticks, and the swish and
+roll-down of the dirt. The river was very low, and on the dazzling
+white sand between the three centre piers stood squat cribs of
+railway-sleepers, filled within and daubed without with mud, to support
+the last of the girders as those were riveted up. In the little deep
+water left by the drought, an overhead crane travelled to and fro
+along its spile-pier, jerking sections of iron into place, snorting and
+backing and grunting as an elephant grunts in the timberyard. Riveters
+by the hundred swarmed about the lattice side-work and the iron roof of
+the railway line hung from invisible staging under the bellies of the
+girders, clustered round the throats of the piers, and rode on the
+overhang of the footpath-stanchions; their fire-pots and the spurts of
+flame that answered each hammer-stroke showing no more than pale
+yellow in the sun's glare. East and west and north and south the
+construction-trains rattled and shrieked up and down the embankments,
+the piled trucks of brown and white stone banging behind them till the
+side-boards were unpinned, and with a roar and a grumble a few thousand
+tons' more material were flung out to hold the river in place.
+
+Findlayson, C. E., turned on his trolley and looked over the face of the
+country that he had changed for seven miles around. Looked back on the
+humming village of five thousand work-men; up stream and down, along the
+vista of spurs and sand; across the river to the far piers, lessening
+in the haze; overhead to the guard-towers--and only he knew how strong
+those were--and with a sigh of contentment saw that his work was good.
+There stood his bridge before him in the sunlight, lacking only a few
+weeks' work on the girders of the three middle piers--his bridge, raw
+and ugly as original sin, but pukka--permanent--to endure when all
+memory of the builder, yea, even of the splendid Findlayson truss, has
+perished. Practically, the thing was done.
+
+Hitchcock, his assistant, cantered along the line on a little
+switch-tailed Kabuli pony who through long practice could have trotted
+securely over trestle, and nodded to his chief.
+
+"All but," said he, with a smile.
+
+"I've been thinking about it," the senior answered. "Not half a bad job
+for two men, is it?"
+
+"One--and a half. 'Gad, what a Cooper's Hill cub I was when I came on
+the works!" Hitchcock felt very old in the crowded experiences of the
+past three years, that had taught him power and responsibility.
+
+"You were rather a colt," said Findlayson. "I wonder how you'll like
+going back to office-work when this job's over."
+
+"I shall hate it!" said the young man, and as he went on his eye
+followed Findlayson's, and he muttered, "Isn't it damned good?"
+
+"I think we'll go up the service together," Findlayson said to himself.
+"You're too good a youngster to waste on another man. Cub thou wast;
+assistant thou art. Personal assistant, and at Simla, thou shalt be, if
+any credit comes to me out of the business!"
+
+Indeed, the burden of the work had fallen altogether on Findlayson and
+his assistant, the young man whom he had chosen because of his rawness
+to break to his own needs. There were labour contractors by the
+half-hundred--fitters and riveters, European, borrowed from the railway
+workshops, with, perhaps, twenty white and half-caste subordinates to
+direct, under direction, the bevies of workmen--but none knew better
+than these two, who trusted each other, how the underlings were not to
+be trusted. They had been tried many times in sudden crises--by slipping
+of booms, by breaking of tackle, failure of cranes, and the wrath of
+the river--but no stress had brought to light any man among men whom
+Findlayson and Hitchcock would have honoured by working as remorselessly
+as they worked them-selves. Findlayson thought it over from the
+beginning: the months of office-work destroyed at a blow when the
+Government of India, at the last moment, added two feet to the width of
+the bridge, under the impression that bridges were cut out of paper, and
+so brought to ruin at least half an acre of calculations--and Hitchcock,
+new to disappointment, buried his head in his arms and wept; the
+heart-breaking delays over the filling of the contracts in England; the
+futile correspondences hinting at great wealth of commissions if one,
+only one, rather doubtful consignment were passed; the war that followed
+the refusal; the careful, polite obstruction at the other end that
+followed the war, till young Hitchcock, putting one month's leave to
+another month, and borrowing ten days from Findlayson, spent his poor
+little savings of a year in a wild dash to London, and there, as his own
+tongue asserted and the later consignments proved, put the fear of God
+into a man so great that he feared only Parliament and said so till
+Hitchcock wrought with him across his own dinner table, and--he feared
+the Kashi Bridge and all who spoke in its name. Then there was the
+cholera that came in the night to the village by the bridge works; and
+after the cholera smote the small-pox. The fever they had always with
+them. Hitchcock had been appointed a magistrate of the third class
+with whipping powers, for the better government of the community, and
+Findlayson watched him wield his powers temperately, learning what to
+overlook and what to look after. It was a long, long reverie, and it
+covered storm, sudden freshets, death in every manner and shape, violent
+and awful rage against red tape half frenzying a mind that knows it
+should be busy on other things; drought, sanitation, finance; birth,
+wedding, burial, and riot in the village of twenty warring castes;
+argument, expostulation, persuasion, and the blank despair that a
+man goes to bed upon, thankful that his rifle is all in pieces in
+the gun-case. Behind everything rose the black frame of the Kashi
+Bridge--plate by plate, girder by girder, span by span--and each pier
+of it recalled Hitchcock, the all-round man, who had stood by his chief
+without failing from the very first to this last.
+
+So the bridge was two men's work--unless one counted Peroo, as Peroo
+certainly counted himself. He was a Lascar, a Kharva from Bulsar,
+familiar with every port between Rockhampton and London, who had risen
+to the rank of serang on the British India boats, but wearying of
+routine musters and clean clothes, had thrown up the service and gone
+inland, where men of his calibre were sure of employment. For his
+knowledge of tackle and the handling of heavy weights, Peroo was worth
+almost any price he might have chosen to put upon his services; but
+custom decreed the wage of the overhead-men, and Peroo was not within
+many silver pieces of his proper value. Neither running water nor
+extreme heights made him afraid; and, as an ex-serang, he knew how to
+hold authority. No piece of iron was so big or so badly placed that
+Peroo could not devise a tackle to lift it--a loose-ended, sagging
+arrangement, rigged with a scandalous amount of talking, but perfectly
+equal to the work in hand. It was Peroo who had saved the girder of
+Number Seven pier from destruction when the new wire-rope jammed in the
+eye of the crane, and the huge plate tilted in its slings, threatening
+to slide out sideways. Then the native workmen lost their heads with
+great shoutings, and Hitchcock's right arm was broken by a falling
+T-plate, and he buttoned it up in his coat and swooned, and came to and
+directed for four hours till Peroo, from the top of the crane, reported
+"All's well," and the plate swung home. There was no one like Peroo,
+serang, to lash, and guy, and hold, to control the donkey-engines, to
+hoist a fallen locomotive craftily out of the borrow-pit into which it
+had tumbled; to strip, and dive, if need be, to see how the concrete
+blocks round the piers stood the scouring of Mother Gunga, or to
+adventure upstream on a monsoon night and report on the state of the
+embankment-facings. He would interrupt the field-councils of Findlayson
+and Hitchcock without fear, till his wonderful English, or his still
+more wonderful linguafranca, half Portuguese and half Malay, ran out and
+he was forced to take string and show the knots that he would recommend.
+He controlled his own gang of tackle men--mysterious relatives from
+Kutch Mandvi gathered month by month and tried to the uttermost. No
+consideration of family or kin allowed Peroo to keep weak hands or a
+giddy head on the pay-roll. "My honour is the honour of this bridge," he
+would say to the about-to-be-dismissed. "What do I care for your honour?
+Go and work on a steamer. That is all you are fit for."
+
+The little cluster of huts where he and his gang lived centred round the
+tattered dwelling of a sea-priest--one who had never set foot on black
+water, but had been chosen as ghostly counsellor by two generations of
+sea-rovers all unaffected by port missions or those creeds which are
+thrust upon sailors by agencies along Thames bank. The priest of the
+Lascars had nothing to do with their caste, or indeed with anything at
+all. He ate the offerings of his church, and slept and smoked, and slept
+again, "for," said Peroo, who had haled him a thousand miles inland, "he
+is a very holy man. He never cares what you eat so long as you do
+not eat beef, and that is good, because on land we worship Shiva, we
+Kharvas; but at sea on the Kumpani's boats we attend strictly to the
+orders of the Burra Malum [the first mate], and on this bridge we
+observe what Finlinson Sahib says."
+
+Finlinson Sahib had that day given orders to clear the scaffolding from
+the guard-tower on the right bank, and Peroo with his mates was casting
+loose and lowering down the bamboo poles and planks as swiftly as ever
+they had whipped the cargo out of a coaster.
+
+From his trolley he could hear the whistle of the serang's silver pipe
+and the creek and clatter of the pulleys. Peroo was standing on the
+top-most coping of the tower, clad in the blue dungaree of his abandoned
+service, and as Findlayson motioned to him to be careful, for his was
+no life to throw away, he gripped the last pole, and, shading his eyes
+ship-fashion, answered with the long-drawn wail of the fo'c'sle lookout:
+"Ham dekhta hai" ("I am looking out").
+
+Findlayson laughed and then sighed. It was years since he had seen
+a steamer, and he was sick for home. As his trolley passed under the
+tower, Peroo descended by a rope, ape-fashion, and cried: "It looks well
+now, Sahib. Our bridge is all but done. What think you Mother Gunga will
+say when the rail runs over?"
+
+"She has said little so far. It was never Mother Gunga that delayed us."
+
+"There is always time for her; and none the less there has been delay.
+Has the Sahib forgotten last autumn's flood, when the stone-boats were
+sunk without warning--or only a half-day's warning?"
+
+"Yes, but nothing save a big flood could hurt us now. The spurs are
+holding well on the West Bank."
+
+"Mother Gunga eats great allowances. There is always room for more
+stone on the revetments. I tell this to the Chota Sahib,"--he meant
+Hitchcock--"and he laughs."
+
+"No matter, Peroo. Another year thou wilt be able to build a bridge in
+thine own fashion."
+
+The Lascar grinned. "Then it will not be in this way--with stonework
+sunk under water, as the Qyetta was sunk. I like sus-sus-pen-sheen
+bridges that fly from bank to bank with one big step, like a
+gang-plank. Then no water can hurt. When does the Lord Sahib come to
+open the bridge?"
+
+"In three months, when the weather is cooler."
+
+"Ho! ho! He is like the Burra Malum. He sleeps below while the work is
+being done. Then he comes upon the quarter-deck and touches with his
+finger, and says: 'This is not clean! Dam jibboonwallah!'"
+
+"But the Lord Sahib does not call me a dam jibboonwallah, Peroo."
+
+"No, Sahib; but he does not come on deck till the work is all finished.
+Even the Burra Malum of the Nerbudda said once at Tuticorin--"
+
+"Bah! Go! I am busy."
+
+"I, also!" said Peroo, with an unshaken countenance. "May I take the
+light dinghy now and row along the spurs?"
+
+"To hold them with thy hands? They are, I think, sufficiently heavy."
+
+"Nay, Sahib. It is thus. At sea, on the Black Water, we have room to be
+blown up and down without care. Here we have no room at all. Look you,
+we have put the river into a dock, and run her between stone sills."
+
+Findlayson smiled at the "we."
+
+"We have bitted and bridled her. She is not like the sea, that can beat
+against a soft beach. She is Mother Gunga--in irons." His voice fell a
+little.
+
+"Peroo, thou hast been up and down the world more even than I. Speak
+true talk, now. How much dost thou in thy heart believe of Mother
+Gunga?"
+
+"All that our priest says. London is London, Sahib. Sydney is Sydney,
+and Port Darwin is Port Darwin. Also Mother Gunga is Mother Gunga, and
+when I come back to her banks I know this and worship. In London I did
+poojah to the big temple by the river for the sake of the God within.
+. . . Yes, I will not take the cushions in the dinghy."
+
+Findlayson mounted his horse and trotted to the shed of a bungalow that
+he shared with his assistant. The place had become home to him in the
+last three years. He had grilled in the heat, sweated in the rains, and
+shivered with fever under the rude thatch roof; the lime-wash beside the
+door was covered with rough drawings and formulae, and the sentry-path
+trodden in the matting of the verandah showed where he had walked alone.
+There is no eight-hour limit to an engineer's work, and the evening
+meal with Hitchcock was eaten booted and spurred: over their cigars
+they listened to the hum of the village as the gangs came up from the
+river-bed and the lights began to twinkle.
+
+"Peroo has gone up the spurs in your dinghy. He's taken a couple of
+nephews with him, and he's lolling in the stern like a commodore," said
+Hitchcock.
+
+"That's all right. He's got something on his mind. You'd think that ten
+years in the British India boats would have knocked most of his religion
+out of him."
+
+"So it has," said Hitchcock, chuckling. "I overheard him the other
+day in the middle of a most atheistical talk with that fat old guru of
+theirs. Peroo denied the efficacy of prayer; and wanted the guru to
+go to sea and watch a gale out with him, and see if he could stop a
+monsoon."
+
+"All the same, if you carried off his guru he'd leave us like a shot. He
+was yarning away to me about praying to the dome of St. Paul's when he
+was in London."
+
+"He told me that the first time he went into the engine-room of a
+steamer, when he was a boy, he prayed to the low-pressure cylinder."
+
+"Not half a bad thing to pray to, either. He's propitiating his own Gods
+now, and he wants to know what Mother Gunga will think of a bridge
+being run across her. Who's there?" A shadow darkened the doorway, and a
+telegram was put into Hitchcock's hand.
+
+"She ought to be pretty well used to it by this time. Only a tar. It
+ought to be Ralli's answer about the new rivets. . . . Great Heavens!"
+Hitchcock jumped to his feet.
+
+"What is it?" said the senior, and took the form. "That's what Mother
+Gunga thinks, is it," he said, reading. "Keep cool, young 'un. We've
+got all our work cut out for us. Let's see. Muir wired half an hour ago:
+'Floods on the Ramgunga. Look out.' Well, that gives us--one, two--nine
+and a half for the flood to reach Melipur Ghaut and seven's sixteen and
+a half to Lataoli--say fifteen hours before it comes down to us."
+
+"Curse that hill-fed sewer of a Ramgunga! Findlayson, this is two months
+before anything could have been expected, and the left bank is littered
+up with stuff still. Two full months before the time!"
+
+"That's why it comes. I've only known Indian rivers for five-and-twenty
+years, and I don't pretend to understand. Here comes another tar."
+Findlayson opened the telegram. "Cockran, this time, from the Ganges
+Canal: 'Heavy rains here. Bad.' He might have saved the last word. Well,
+we don't want to know any more. We've got to work the gangs all night
+and clean up the riverbed. You'll take the east bank and work out to
+meet me in the middle. Get everything that floats below the bridge: we
+shall have quite enough river-craft coming down adrift anyhow, without
+letting the stone-boats ram the piers. What have you got on the east
+bank that needs looking after?
+
+"Pontoon--one big pontoon with the overhead crane on it. T'other
+overhead crane on the mended pontoon, with the cart-road rivets
+from Twenty to Twenty-three piers--two construction lines, and a
+turning-spur. The pilework must take its chance," said Hitchcock.
+
+"All right. Roll up everything you can lay hands on. We'll give the gang
+fifteen minutes more to eat their grub."
+
+Close to the verandah stood a big night-gong, never used except for
+flood, or fire in the village. Hitchcock had called for a fresh
+horse, and was off to his side of the bridge when Findlayson took the
+cloth-bound stick and smote with the rubbing stroke that brings out the
+full thunder of the metal.
+
+Long before the last rumble ceased every night-gong in the village
+had taken up the warning. To these were added the hoarse screaming of
+conches in the little temples; the throbbing of drums and tom-toms; and,
+from the European quarters, where the riveters lived, McCartney's
+bugle, a weapon of offence on Sundays and festivals, brayed desperately,
+calling to "Stables." Engine after engine toiling home along the spurs
+at the end of her day's work whistled in answer till the whistles were
+answered from the far bank. Then the big gong thundered thrice for a
+sign that it was flood and not fire; conch, drum, and whistle echoed the
+call, and the village quivered to the sound of bare feet running upon
+soft earth. The order in all cases was to stand by the day's work and
+wait instructions. The gangs poured by in the dusk; men stopping to
+knot a loin-cloth or fasten a sandal; gang-foremen shouting to their
+subordinates as they ran or paused by the tool-issue sheds for bars
+and mattocks; locomotives creeping down their tracks wheel-deep in
+the crowd; till the brown torrent disappeared into the dusk of the
+river-bed, raced over the pilework, swarmed along the lattices,
+clustered by the cranes, and stood still--each man in his place.
+
+Then the troubled beating of the gong carried the order to take up
+everything and bear it beyond high-water mark, and the flare-lamps broke
+out by the hundred between the webs of dull iron as the riveters began a
+night's work, racing against the flood that was to come. The girders of
+the three centre piers--those that stood on the cribs--were all but in
+position. They needed just as many rivets as could be driven into them,
+for the flood would assuredly wash out their supports, and the ironwork
+would settle down on the caps of stone if they were not blocked at the
+ends. A hundred crowbars strained at the sleepers of the temporary line
+that fed the unfinished piers. It was heaved up in lengths, loaded
+into trucks, and backed up the bank beyond flood-level by the groaning
+locomotives. The tool-sheds on the sands melted away before the attack
+of shouting armies, and with them went the stacked ranks of Government
+stores, iron-hound boxes of rivets, pliers, cutters, duplicate parts of
+the riveting-machines, spare pumps and chains. The big crane would be
+the last to be shifted, for she was hoisting all the heavy stuff up to
+the main structure of the bridge. The concrete blocks on the fleet of
+stone-boats were dropped overside, where there was any depth of water,
+to guard the piers, and the empty boats themselves were poled under the
+bridge down-stream. It was here that Peroo's pipe shrilled loudest, for
+the first stroke of the big gong had brought the dinghy back at racing
+speed, and Peroo and his people were stripped to the waist, working for
+the honour and credit which are better than life.
+
+"I knew she would speak," he cried. "I knew, but the telegraph gives us
+good warning. O sons of unthinkable begetting--children of unspeakable
+shame--are we here for the look of the thing?" It was two feet of
+wire-rope frayed at the ends, and it did wonders as Peroo leaped from
+gunnel to gunnel, shouting the language of the sea.
+
+Findlayson was more troubled for the stoneboats than anything else.
+McCartney, with his gangs, was blocking up the ends of the three
+doubtful spans, but boats adrift, if the flood chanced to be a high one,
+might endanger the girders; and there was a very fleet in the shrunken
+channel.
+
+"Get them behind the swell of the guardtower," he shouted down to Peroo.
+"It will be dead-water there. Get them below the bridge."
+
+"Accha! [Very good.] I know; we are mooring them with wire-rope," was
+the answer. "Heh! Listen to the Chota Sahib. He is working hard."
+
+From across the river came an almost continuous whistling of
+locomotives, backed by the rumble of stone. Hitchcock at the last minute
+was spending a few hundred more trucks of Tarakee stone in reinforcing
+his spurs and embankments.
+
+"The bridge challenges Mother Gunga," said Peroo, with a laugh. "But
+when she talks I know whose voice will be the loudest."
+
+For hours the naked men worked, screaming and shouting under the lights.
+It was a hot, moonless night; the end of it was darkened by clouds and a
+sudden squall that made Findlayson very grave.
+
+"She moves!" said Peroo, just before the dawn. "Mother Gunga is awake!
+Hear!" He dipped his hand over the side of a boat and the current
+mumbled on it. A little wave hit the side of a pier with a crisp slap.
+
+"Six hours before her time," said Findlayson, mopping his forehead
+savagely.
+
+"Now we can't depend on anything. We'd better clear all hands out of the
+riverbed."
+
+Again the big gong beat, and a second time there was the rushing of
+naked feet on earth and ringing iron; the clatter of tools ceased. In
+the silence, men heard the dry yawn of water crawling over thirsty sand.
+
+Foreman after foreman shouted to Findlayson, who had posted himself by
+the guard-tower, that his section of the river-bed had been cleaned out,
+and when the last voice dropped Findlayson hurried over the bridge
+till the iron plating of the permanent way gave place to the temporary
+plank-walk over the three centre piers, and there he met Hitchcock.
+
+"'All clear your side?" said Findlayson. The whisper rang in the box of
+lattice work.
+
+"Yes, and the east channel's filling now. We're utterly out of our
+reckoning. When is this thing down on us?"
+
+"There's no saying. She's filling as fast as she can. Look!" Findlayson
+pointed to the planks below his feet, where the sand, burned and defiled
+by months of work, was beginning to whisper and fizz.
+
+"What orders?" said Hitchcock.
+
+"Call the roll--count stores sit on your hunkers--and pray for the
+bridge. That's all I can think of Good night. Don't risk your life
+trying to fish out anything that may go downstream."
+
+"Oh, I'll be as prudent as you are! 'Night. Heavens, how she's filling!
+Here's the rain in earnest."
+
+Findlayson picked his way back to his bank, sweeping the last of
+McCartney's riveters before him. The gangs had spread themselves along
+the embankments, regardless of the cold rain of the dawn, and there they
+waited for the flood. Only Peroo kept his men together behind the swell
+of the guard-tower, where the stone-boats lay tied fore and aft with
+hawsers, wire-rope, and chains.
+
+A shrill wail ran along the line, growing to a yell, half fear and half
+wonder: the face of the river whitened from bank to hank between the
+stone facings, and the far-away spurs went out in spouts of foam. Mother
+Gunga had come bank-high in haste, and a wall of chocolate-coloured
+water was her messenger. There was a shriek above the roar of the water,
+the complaint of the spans coming down on their blocks as the cribs were
+whirled out from under their bellies. The stone-boats groaned and ground
+each other in the eddy that swung round the abutment, and their clumsy
+masts rose higher and higher against the dim sky-line.
+
+"Before she was shut between these walls we knew what she would do.
+Now she is thus cramped God only knows what she will do!" said Peroo,
+watching the furious turmoil round the guard-tower. "Ohe'! Fight, then!
+Fight hard, for it is thus that a woman wears herself out."
+
+But Mother Gunga would not fight as Peroo desired. After the first
+down-stream plunge there came no more walls of water, but the river
+lifted herself bodily, as a snake when she drinks in midsummer, plucking
+and fingering along the revetments, and banking up behind the piers till
+even Findlayson began to recalculate the strength of his work.
+
+When day came the village gasped. "Only last night," men said, turning
+to each other, "it was as a town in the river-bed! Look now!"
+
+And they looked and wondered afresh at the deep water, the racing water
+that licked the throat of the piers. The farther bank was veiled by
+rain, into which the bridge ran out and vanished; the spurs up-stream
+were marked by no more than eddies and spoutings, and down-stream the
+pent river, once freed of her guide-lines, had spread like a sea to
+the horizon. Then hurried by, rolling in the water, dead men and oxen
+together, with here and there a patch of thatched roof that melted when
+it touched a pier.
+
+"Big flood," said Peroo, and Findlayson nodded. It was as big a flood as
+he had any wish to watch. His bridge would stand what was upon her
+now, but not very much more, and if by any of a thousand chances there
+happened to be a weakness in the embankments, Mother Gunga would carry
+his honour to the sea with the other raffle. Worst of all, there was
+nothing to do except to sit still; and Findlayson sat still under his
+macintosh till his helmet became pulp on his head, and his boots were
+over-ankle in mire. He took no count of time, for the river was marking
+the hours, inch by inch and foot by foot, along the embankment, and
+he listened, numb and hungry, to the straining of the stone-boats, the
+hollow thunder under the piers, and the hundred noises that make the
+full note of a flood. Once a dripping servant brought him food, but he
+could not eat; and once he thought that he heard a faint toot from a
+locomotive across the river, and then he smiled. The bridge's failure
+would hurt his assistant not a little, but Hitchcock was a young
+man with his big work yet to do. For himself the crash meant
+everything--everything that made a hard life worth the living. They
+would say, the men of his own profession . . . he remembered the
+half-pitying things that he himself had said when Lockhart's new
+waterworks burst and broke down in brick-heaps and sludge, and
+Lockhart's spirit broke in him and he died. He remembered what he
+himself had said when the Sumao Bridge went out in the big cyclone by
+the sea; and most he remembered poor Hartopp's face three weeks
+later, when the shame had marked it. His bridge was twice the size
+of Hartopp's, and it carried the Findlayson truss as well as the new
+pier-shoe--the Findlayson bolted shoe. There were no excuses in his
+service. Government might listen, perhaps, but his own kind would judge
+him by his bridge, as that stood or fell. He went over it in his head,
+plate by plate, span by span, brick by brick, pier by pier, remembering,
+comparing, estimating, and recalculating, lest there should be any
+mistake; and through the long hours and through the flights of formulae
+that danced and wheeled before him a cold fear would come to pinch his
+heart. His side of the sum was beyond question; but what man knew Mother
+Gunga's arithmetic? Even as he was making all sure by the multiplication
+table, the river might be scooping a pot-hole to the very bottom of
+any one of those eighty-foot piers that carried his reputation. Again a
+servant came to him with food, but his mouth was dry, and he could only
+drink and return to the decimals in his brain. And the river was still
+rising. Peroo, in a mat shelter coat, crouched at his feet, watching now
+his face and now the face of the river, but saying nothing.
+
+At last the Lascar rose and floundered through the mud towards the
+village, but he was careful to leave an ally to watch the boats.
+
+Presently he returned, most irreverently driving before him the priest
+of his creed--a fat old man, with a grey beard that whipped the wind
+with the wet cloth that blew over his shoulder. Never was seen so
+lamentable a guru.
+
+"What good are offerings and little kerosene lamps and dry grain,"
+shouted Peroo, "if squatting in the mud is all that thou canst do? Thou
+hast dealt long with the Gods when they were contented and well-wishing.
+Now they are angry. Speak to them!"
+
+"What is a man against the wrath of Gods?" whined the priest, cowering
+as the wind took him. "Let me go to the temple, and I will pray there."
+
+"Son of a pig, pray here! Is there no return for salt fish and curry
+powder and dried onions? Call aloud! Tell Mother Gunga we have had
+enough. Bid her be still for the night. I cannot pray, but I have been
+serving in the Kumpani's boats, and when men did not obey my orders I--"
+A flourish of the wire-rope colt rounded the sentence, and the priest,
+breaking free from his disciple, fled to the village.
+
+"Fat pig!" said Peroo. "After all that we have done for him! When the
+flood is down I will see to it that we get a new guru. Finlinson Sahib,
+it darkens for night now, and since yesterday nothing has been eaten. Be
+wise, Sahib. No man can endure watching and great thinking on an empty
+belly. Lie down, Sahib. The river will do what the river will do."
+
+"The bridge is mine; I cannot leave it."
+
+"Wilt thou hold it up with thy hands, then?" said Peroo, laughing.
+
+"I was troubled for my boats and sheers before the flood came. Now we
+are in the hands of the Gods. The Sahib will not eat and lie down? Take
+these, then. They are meat and good toddy together, and they kill all
+weariness, besides the fever that follows the rain. I have eaten nothing
+else to-day at all."
+
+He took a small tin tobacco-box from his sodden waist-belt and thrust
+it into Findlayson's hand, saying: "Nay, do not be afraid. It is no more
+than opium--clean Malwa opium."
+
+Findlayson shook two or three of the dark-brown pellets into his hand,
+and hardly knowing what he did, swallowed them. The stuff was at least
+a good guard against fever--the fever that was creeping upon him out of
+the wet mud--and he had seen what Peroo could do in the stewing mists of
+autumn on the strength of a dose from the tin box.
+
+Peroo nodded with bright eyes. "In a little--in a little the Sahib
+will find that he thinks well again. I too will--" He dived into his
+treasure-box, resettled the rain-coat over his head, and squatted down
+to watch the boats. It was too dark now to see beyond the first pier,
+and the night seemed to have given the river new strength. Findlayson
+stood with his chin on his chest, thinking. There was one point about
+one of the piers--the seventh--that he had not fully settled in his
+mind. The figures would not shape themselves to the eye except one by
+one and at enormous intervals of time. There was a sound rich and mellow
+in his ears like the deepest note of a double-bass--an entrancing sound
+upon which he pondered for several hours, as it seemed. Then Peroo
+was at his elbow, shouting that a wire hawser had snapped and the
+stone-boats were loose. Findlayson saw the fleet open and swing out
+fanwise to a long-drawn shriek of wire straining across gunnels.
+
+"A tree hit them. They will all go," cried Peroo. "The main hawser has
+parted. What does the Sahib do?"
+
+An immensely complex plan had suddenly flashed into Findlayson's
+mind. He saw the ropes running from boat to boat in straight lines and
+angles--each rope a line of white fire. But there was one rope which was
+the master rope. He could see that rope. If he could pull it once, it
+was absolutely and mathematically certain that the disordered fleet
+would reassemble itself in the backwater behind the guard-tower. But
+why, he wondered, was Peroo clinging so desperately to his waist as he
+hastened down the bank? It was necessary to put the Lascar aside, gently
+and slowly, because it was necessary to save the boats, and, further,
+to demonstrate the extreme ease of the problem that looked so difficult.
+And then--but it was of no conceivable importance--a wire-rope raced
+through his hand, burning it, the high bank disappeared, and with it
+all the slowly dispersing factors of the problem. He was sitting in the
+rainy darkness--sitting in a boat that spun like a top, and Peroo was
+standing over him.
+
+"I had forgotten," said the Lascar, slowly, "that to those fasting and
+unused, the opium is worse than any wine. Those who die in Gunga go to
+the Gods. Still, I have no desire to present myself before such great
+ones. Can the Sahib swim?"
+
+"What need? He can fly--fly as swiftly as the wind," was the thick
+answer.
+
+"He is mad!" muttered Peroo, under his breath. "And he threw me aside
+like a bundle of dung-cakes. Well, he will not know his death. The boat
+cannot live an hour here even if she strike nothing. It is not good to
+look at death with a clear eye."
+
+He refreshed himself again from the tin box, squatted down in the bows
+of the reeling, pegged, and stitched craft, staring through the mist at
+the nothing that was there. A warm drowsiness crept over Findlayson,
+the Chief Engineer, whose duty was with his bridge. The heavy raindrops
+struck him with a thousand tingling little thrills, and the weight of
+all time since time was made hung heavy on his eyelids. He thought and
+perceived that he was perfectly secure, for the water was so solid that
+a man could surely step out upon it, and, standing still with his legs
+apart to keep his balance--this was the most important point--would be
+borne with great and easy speed to the shore. But yet a better plan came
+to him. It needed only an exertion of will for the soul to hurl the
+body ashore as wind drives paper, to waft it kite-fashion to the bank.
+Thereafter--the boat spun dizzily--suppose the high wind got under the
+freed body? Would it tower up like a kite and pitch headlong on the
+far-away sands, or would it duck about, beyond control, through all
+eternity? Findlayson gripped the gunnel to anchor himself, for it seemed
+that he was on the edge of taking the flight before he had settled all
+his plans. Opium has more effect on the white man than the black. Peroo
+was only comfortably indifferent to accidents. "She cannot live," he
+grunted. "Her seams open already. If she were even a dinghy with oars
+we could have ridden it out; but a box with holes is no good. Finlinson
+Sahib, she fills."
+
+"Accha! I am going away. Come thou also." In his mind, Findlayson had
+already escaped from the boat, and was circling high in air to find a
+rest for the sole of his foot. His body--he was really sorry for its
+gross helplessness--lay in the stern, the water rushing about its knees.
+
+"How very ridiculous!" he said to himself from his eyrie--"that--is
+Findlayson--chief of the Kashi Bridge. The poor beast is going to
+be drowned, too. Drowned when it's close to shore. I'm--I'm on shore
+already. Why doesn't it come along?"
+
+To his intense disgust, he found his soul back in his body again, and
+that body spluttering and choking in deep water. The pain of the reunion
+was atrocious, but it was necessary, also, to fight for the body. He was
+conscious of grasping wildly at wet sand, and striding prodigiously, as
+one strides in a dream, to keep foothold in the swirling water, till
+at last he hauled himself clear of the hold of the river, and dropped,
+panting, on wet earth.
+
+"Not this night," said Peroo, in his ear. "The Gods have protected
+us." The Lascar moved his feet cautiously, and they rustled among dried
+stumps. "This is some island of last year's indigo-crop," he went on.
+"We shall find no men here; but have great care, Sahib; all the snakes
+of a hundred miles have been flooded out. Here comes the lightning,
+on the heels of the wind. Now we shall be able to look; but walk
+carefully."
+
+Findlayson was far and far beyond any fear of snakes, or indeed any
+merely human emotion. He saw, after he had rubbed the water from his
+eyes, with an immense clearness, and trod, so it seemed to himself with
+world-encompassing strides. Somewhere in the night of time he had built
+a bridge--a bridge that spanned illimitable levels of shining seas; but
+the Deluge had swept it away, leaving this one island under heaven for
+Findlayson and his companion, sole survivors of the breed of Man.
+
+An incessant lightning, forked and blue, showed all that there was to
+be seen on the little patch in the flood--a clump of thorn, a clump
+of swaying creaking bamboos, and a grey gnarled peepul overshadowing a
+Hindoo shrine, from whose dome floated a tattered red flag. The holy man
+whose summer resting-place it was had long since abandoned it, and
+the weather had broken the red-daubed image of his god. The two men
+stumbled, heavy-limbed and heavy-eyed, over the ashes of a brick-set
+cooking-place, and dropped down under the shelter of the branches, while
+the rain and river roared together.
+
+The stumps of the indigo crackled, and there was a smell of cattle, as a
+huge and dripping Brahminee bull shouldered his way under the tree. The
+flashes revealed the trident mark of Shiva on his flank, the insolence
+of head and hump, the luminous stag-like eyes, the brow crowned with a
+wreath of sodden marigold blooms, and the silky dewlap that almost swept
+the ground. There was a noise behind him of other beasts coming up
+from the flood-line through the thicket, a sound of heavy feet and deep
+breathing.
+
+"Here be more beside ourselves," said Findlayson, his head against the
+treepole, looking through half-shut eyes, wholly at ease.
+
+"Truly," said Peroo, thickly, "and no small ones."
+
+"What are they, then? I do not see clearly."
+
+"The Gods. Who else? Look!"
+
+"Ah, true! The Gods surely--the Gods." Findlayson smiled as his head
+fell forward on his chest. Peroo was eminently right. After the Flood,
+who should be alive in the land except the Gods that made it--the Gods
+to whom his village prayed nightly--the Gods who were in all men's
+mouths and about all men's ways. He could not raise his head or stir a
+finger for the trance that held him, and Peroo was smiling vacantly at
+the lightning.
+
+The Bull paused by the shrine, his head lowered to the damp earth. A
+green Parrot in the branches preened his wet wings and screamed against
+the thunder as the circle under the tree filled with the shifting
+shadows of beasts. There was a black Buck at the Bull's heels-such a
+Buck as Findlayson in his far-away life upon earth might have seen in
+dreams--a Buck with a royal head, ebon back, silver belly, and gleaming
+straight horns. Beside him, her head bowed to the ground, the green eyes
+burning under the heavy brows, with restless tail switching the dead
+grass, paced a Tigress, full-bellied and deep-jowled.
+
+The Bull crouched beside the shrine, and there leaped from the darkness
+a monstrous grey Ape, who seated himself man-wise in the place of the
+fallen image, and the rain spilled like jewels from the hair of his neck
+and shoulders. Other shadows came and went behind the circle, among
+them a drunken Man flourishing staff and drinking-bottle. Then a hoarse
+bellow broke out from near the ground. "The flood lessens even now," it
+cried. "Hour by hour the water falls, and their bridge still stands!"
+
+"My bridge," said Findlayson to himself "That must be very old work now.
+What have the Gods to do with my bridge?"
+
+His eyes rolled in the darkness following the roar. A Mugger--the
+blunt-nosed, ford-haunting Mugger of the Ganges--draggled herself before
+the beasts, lashing furiously to right and left with her tail.
+
+"They have made it too strong for me. In all this night I have only torn
+away a handful of planks. The walls stand. The towers stand. They have
+chained my flood, and the river is not free any more. Heavenly Ones,
+take this yoke away! Give me clear water between bank and bank! It is I,
+Mother Gunga, that speak. The Justice of the Gods! Deal me the Justice
+of the Gods!"
+
+"What said I?" whispered Peroo. "This is in truth a Punchayet of the
+Gods. Now we know that all the world is dead, save you and I, Sahib."
+
+The Parrot screamed and fluttered again, and the Tigress, her ears flat
+to her head, snarled wickedly.
+
+Somewhere in the shadow, a great trunk and gleaming tusks swayed to and
+fro, and a low gurgle broke the silence that followed on the snarl.
+
+"We be here," said a deep voice, "the Great Ones. One only and very
+many. Shiv, my father, is here, with Indra. Kali has spoken already.
+Hanuman listens also."
+
+"Kashi is without her Kotwal to-night," shouted the Man with the
+drinking-bottle, flinging his staff to the ground, while the island rang
+to the baying of hounds. "Give her the Justice of the Gods."
+
+"Ye were still when they polluted my waters," the great Crocodile
+bellowed. "Ye made no sign when my river was trapped between the walls.
+I had no help save my own strength, and that failed--the strength of
+Mother Gunga failed--before their guard-towers. What could I do? I have
+done everything. Finish now, Heavenly Ones!"
+
+"I brought the death; I rode the spotted sick-ness from hut to hut of
+their workmen, and yet they would not cease." A nose-slitten, hide-worn
+Ass, lame, scissor-legged, and galled, limped forward. "I cast the death
+at them out of my nostrils, but they would not cease."
+
+Peroo would have moved, but the opium lay heavy upon him.
+
+"Bah!" he said, spitting. "Here is Sitala herself; Mata--the small-pox.
+Has the Sahib a handkerchief to put over his face?"
+
+"Little help! They fed me the corpses for a month, and I flung them out
+on my sand-bars, but their work went forward. Demons they are, and sons
+of demons! And ye left Mother Gunga alone for their fire-carriage to
+make a mock of The Justice of the Gods on the bridge-builders!"
+
+The Bull turned the cud in his mouth and answered slowly: "If the
+Justice of the Gods caught all who made a mock of holy things there
+would be many dark altars in the land, mother."
+
+"But this goes beyond a mock," said the Tigress, darting forward a
+griping paw. "Thou knowest, Shiv, and ye, too, Heavenly Ones; ye know
+that they have defiled Gunga. Surely they must come to the Destroyer.
+Let Indra judge."
+
+The Buck made no movement as he answered: "How long has this evil been?
+
+"Three years, as men count years," said the Mugger, close pressed to the
+earth.
+
+"Does Mother Gunga die, then, in a year, that she is so anxious to
+see vengeance now? The deep sea was where she runs but yesterday, and
+to-morrow the sea shall cover her again as the Gods count that which men
+call time. Can any say that this their bridge endures till to-morrow?"
+said the Buck.
+
+There was a long hush, and in the clearing of the storm the full moon
+stood up above the dripping trees.
+
+"Judge ye, then," said the River, sullenly. "I have spoken my shame. The
+flood falls still. I can do no more."
+
+"For my own part,"--it was the voice of the great Ape seated within the
+shrine--"it pleases me well to watch these men, remembering that I also
+builded no small bridge in the world's youth."
+
+"They say, too," snarled the Tiger, "that these men came of the wreck of
+thy armies, Hanuman, and therefore thou hast aided--"
+
+"They toil as my armies toiled in Lanka, and they believe that their
+toil endures. Indra is too high, but Shiv, thou knowest how the land is
+threaded with their fire-carriages."
+
+"Yea, I know," said the Bull. "Their Gods instructed them in the
+matter."
+
+A laugh ran round the circle.
+
+"Their Gods! What should their Gods know? They were born yesterday, and
+those that made them are scarcely yet cold," said the Mugger. "To-morrow
+their Gods will die."
+
+"Ho!" said Peroo. "Mother Gunga talks good talk. I told that to the
+padre-sahib who preached on the Mombassa, and he asked the Burra Malum
+to put me in irons for a great rudeness."
+
+"Surely they make these things to please their Gods," said the Bull
+again.
+
+"Not altogether," the Elephant rolled forth. "It is for the profit of
+my mahajuns--my fat money-lenders that worship me at each new year, when
+they draw my image at the head of the account-books. I, looking over
+their shoulders by lamplight, see that the names in the books are
+those of men in far places--for all the towns are drawn together by
+the fire-carriage, and the money comes and goes swiftly, and the
+account-books grow as fat as--myself. And I, who am Ganesh of Good Luck,
+I bless my peoples."
+
+"They have changed the face of the land-which is my land. They have
+killed and made new towns on my banks," said the Mugger.
+
+"It is but the shifting of a little dirt. Let the dirt dig in the dirt
+if it pleases the dirt," answered the Elephant.
+
+"But afterwards?" said the Tiger. "Afterwards they will see that Mother
+Gunga can avenge no insult, and they fall away from her first, and later
+from us all, one by one. In the end, Ganesh, we are left with naked
+altars."
+
+The drunken Man staggered to his feet, and hiccupped vehemently.
+
+"Kali lies. My sister lies. Also this my stick is the Kotwal of Kashi,
+and he keeps tally of my pilgrims. When the time comes to worship
+Bhairon-and it is always time--the fire-carriages move one by one, and
+each bears a thousand pilgrims. They do not come afoot any more, but
+rolling upon wheels, and my honour is increased."
+
+"Gunga, I have seen thy bed at Pryag black with the pilgrims," said the
+Ape, leaning forward, "and but for the fire-carriage they would have
+come slowly and in fewer numbers. Remember."
+
+"They come to me always," Bhairon went on thickly. "By day and night
+they pray to me, all the Common People in the fields and the roads.
+Who is like Bhairon to-day? What talk is this of changing faiths? Is my
+staff Kotwal of Kashi for nothing? He keeps the tally, and he says that
+never were so many altars as today, and the fire-carriage serves them
+well. Bhairon am I--Bhairon of the Common People, and the chiefest of
+the Heavenly Ones to-day. Also my staff says--"
+
+"Peace, thou," lowed the Bull. "The worship of the schools is mine,
+and they talk very wisely, asking whether I be one or many, as is the
+delight of my people, and ye know what I am. Kali, my wife, thou knowest
+also."
+
+"Yea, I know," said the Tigress, with lowered head.
+
+"Greater am I than Gunga also. For ye know who moved the minds of men
+that they should count Gunga holy among the rivers. Who die in that
+water--ye know how men say--come to us without punishment, and Gunga
+knows that the fire-carriage has borne to her scores upon scores of such
+anxious ones; and Kali knows that she has held her chiefest festivals
+among the pilgrimages that are fed by the fire-carriage. Who smote at
+Pooree, under the Image there, her thousands in a day and a night, and
+bound the sickness to the wheels of the fire-carriages, so that it
+ran from one end of the land to the other? Who but Kali? Before the
+fire-carriage came it was a heavy toil. The fire-carriages have served
+thee well, Mother of Death. But I speak for mine own altars, who am not
+Bhairon of the Common Folk, but Shiv. Men go to and fro, making words
+and telling talk of strange Gods, and I listen. Faith follows faith
+among my people in the schools, and I have no anger; for when all words
+are said, and the new talk is ended, to Shiv men return at the last."
+
+"True. It is true," murmured Hanuman. "To Shiv and to the others,
+mother, they return. I creep from temple to temple in the North, where
+they worship one God and His Prophet; and presently my image is alone
+within their shrines."
+
+"Small thanks," said the Buck, turning his head slowly. "I am that One
+and His Prophet also."
+
+"Even so, father," said Hanuman. "And to the South I go who am the
+oldest of the Gods as men know the Gods, and presently I touch
+the shrines of the New Faith and the Woman whom we know is hewn
+twelve-armed, and still they call her Mary."
+
+"Small thanks, brother," said the Tigress. "I am that Woman."
+
+"Even so, sister; and I go West among the fire-carriages, and stand
+before the bridge-builders in many shapes, and because of me they change
+their faiths and are very wise. Ho! ho! I am the builder of bridges,
+indeed--bridges between this and that, and each bridge leads surely
+to Us in the end. Be content, Gunga. Neither these men nor those that
+follow them mock thee at all."
+
+"Am I alone, then, Heavenly Ones? Shall I smooth out my flood lest
+unhappily I bear away their walls? Will Indra dry my springs in the
+hills and make me crawl humbly between their wharfs? Shall I bury me in
+the sand ere I offend?"
+
+"And all for the sake of a little iron bar with the fire-carriage atop.
+Truly, Mother Gunga is always young!" said Ganesh the Elephant. "A
+child had not spoken more foolishly. Let the dirt dig in the dirt ere it
+return to the dirt. I know only that my people grow rich and praise
+me. Shiv has said that the men of the schools do not forget; Bhairon is
+content for his crowd of the Common People; and Hanuman laughs."
+
+"Surely I laugh," said the Ape. "My altars are few beside those of
+Ganesh or Bhairon, but the fire-carriages bring me new worshippers from
+beyond the Black Water--the men who believe that their God is toil. I
+run before them beckoning, and they follow Hanuman."
+
+"Give them the toil that they desire, then," said the River. "Make a bar
+across my flood and throw the water back upon the bridge. Once thou wast
+strong in Lanka, Hanuman. Stoop and lift my bed."
+
+"Who gives life can take life." The Ape scratched in the mud with a long
+forefinger. "And yet, who would profit by the killing? Very many would
+die."
+
+There came up from the water a snatch of a love-song such as the boys
+sing when they watch their cattle in the noon heats of late spring. The
+Parrot screamed joyously, sidling along his branch with lowered head as
+the song grew louder, and in a patch of clear moonlight stood revealed
+the young herd, the darling of the Gopis, the idol of dreaming maids
+and of mothers ere their children are born Krishna the Well-beloved. He
+stooped to knot up his long wet hair, and the Parrot fluttered to his
+shoulder.
+
+"Fleeting and singing, and singing and fleeting," hiccupped Bhairon.
+"Those make thee late for the council, brother."
+
+"And then?" said Krishna, with a laugh, throwing back his head. "Ye can
+do little without me or Karma here." He fondled the Parrot's plumage
+and laughed again. "What is this sitting and talking together? I heard
+Mother Gunga roaring in the dark, and so came quickly from a hut where I
+lay warm. And what have ye done to Karma, that he is so wet and silent?
+And what does Mother Gunga here? Are the heavens full that ye must come
+paddling in the mud beast-wise? Karma, what do they do?"
+
+"Gunga has prayed for a vengeance on the bridge-builders, and Kali is
+with her. Now she bids Hanuman whelm the bridge, that her honour may be
+made great," cried the Parrot. "I waited here, knowing that thou wouldst
+come, O my master!
+
+"And the Heavenly Ones said nothing? Did Gunga and the Mother of Sorrows
+out-talk them? Did none speak for my people?"
+
+"Nay," said Ganesh, moving uneasily from foot to foot; "I said it was
+but dirt at play, and why should we stamp it flat?"
+
+"I was content to let them toil--well content," said Hanuman.
+
+"What had I to do with Gunga's anger?" said the Bull.
+
+"I am Bhairon of the Common Folk, and this my staff is Kotwal of all
+Kashi. I spoke for the Common People."
+
+"Thou?" The young God's eyes sparkled.
+
+"Am I not the first of the Gods in their mouths to-day?" returned
+Bhairon, unabashed. "For the sake of the Common People I said--very many
+wise things which I have now forgotten, but this my staff-"
+
+Krishna turned impatiently, saw the Mugger at his feet, and kneeling,
+slipped an arm round the cold neck. "Mother," he said gently, "get thee
+to thy flood again. The matter is not for thee. What harm shall thy
+honour take of this live dirt? Thou hast given them their fields new
+year after year, and by thy flood they are made strong. They come all to
+thee at the last. What need to slay them now? Have pity, mother, for a
+little--and it is only for a little."
+
+"If it be only for a little," the slow beast began.
+
+
+
+"Are they Gods, then?" Krishna returned with a laugh, his eyes looking
+into the dull eyes of the River. "Be certain that it is only for a
+little. The Heavenly Ones have heard thee, and presently justice will
+be done. Go now, mother, to the flood again. Men and cattle are thick on
+the waters--the banks fall--the villages melt because of thee."
+
+"But the bridge--the bridge stands." The Mugger turned grunting into the
+undergrowth as Krishna rose.
+
+"It is ended," said the Tigress, viciously. "There is no more justice
+from the Heavenly Ones. Ye have made shame and sport of Gunga, who asked
+no more than a few score lives."
+
+"Of my people--who lie under the leaf-roofs of the village yonder--of
+the young girls, and the young men who sing to them in the dark--of the
+child that will be born next morn--of that which was begotten to-night,"
+said Krishna. "And when all is done, what profit? To-morrow sees them
+at work. Ay, if ye swept the bridge out from end to end they would begin
+anew. Hear me! Bhairon is drunk always. Hanuman mocks his people with
+new riddles."
+
+"Nay, but they are very old ones," the Ape said, laughing.
+
+"Shiv hears the talk of the schools and the dreams of the holy men;
+Ganesh thinks only of his fat traders; but I--I live with these my
+people, asking for no gifts, and so receiving them hourly."
+
+"And very tender art thou of thy people," said the Tigress.
+
+"They are my own. The old women dream of me turning in their sleep; the
+maids look and listen for me when they go to fill their lotahs by the
+river. I walk by the young men waiting without the gates at dusk, and I
+call over my shoulder to the white-beards. Ye know, Heavenly Ones, that
+I alone of us all walk upon the earth continually, and have no pleasure
+in our heavens so long as a green blade springs here, or there are two
+voices at twilight in the standing crops. Wise are ye, but ye live
+far off; forgetting whence ye came. So do I not forget. And the
+fire-carriage feeds your shrines, ye say? And the fire-carriages bring
+a thousand pilgrims where but ten came in the old years? True. That is
+true, to-day."
+
+"But to-morrow they are dead, brother," said Ganesh.
+
+"Peace!" said the Bull, as Hanuman leaned forward again. "And to-morrow,
+beloved--what of to-morrow?"
+
+"This only. A new word creeping from mouth to mouth among the Common
+Folk--a word that neither man nor God can lay hold of--an evil word--a
+little lazy word among the Common Folk, saying (and none know who set
+that word afoot) that they weary of ye, Heavenly Ones."
+
+The Gods laughed together softly. "And then, beloved," they said.
+
+"And to cover that weariness they, my people, will bring to thee, Shiv,
+and to thee, Ganesh, at first greater offerings and a louder noise of
+worship. But the word has gone abroad, and, after, they will pay fewer
+dues to your fat Brahmins. Next they will forget your altars, but so
+slowly that no man can say how his forgetfulness began."
+
+"I knew--I knew! I spoke this also, but they would not hear," said the
+Tigress. "We should have slain-we should have slain!"
+
+"It is too late now. Ye should have slain at the beginning when the men
+from across the water had taught our folk nothing. Now my people see
+their work, and go away thinking. They do not think of the Heavenly Ones
+altogether. They think of the fire-carriage and the other things that
+the bridge-builders have done, and when your priests thrust forward
+hands asking alms, they give a little unwillingly. That is the
+beginning, among one or two, or five or ten--for I, moving among my
+people, know what is in their hearts."
+
+"And the end, Jester of the Gods? What shall the end be?" said Ganesh.
+
+"The end shall be as it was in the beginning, O slothful son of Shiv!
+The flame shall die upon the altars and the prayer upon the tongue till
+ye become little Gods again--Gods of the jungle--names that the hunters
+of rats and noosers of dogs whisper in the thicket and among the
+caves--rag-Gods, pot Godlings of the tree, and the village-mark, as
+ye were at the beginning. That is the end, Ganesh, for thee, and for
+Bhairon--Bhairon of the Common People."
+
+"It is very far away," grunted Bhairon. "Also, it is a lie."
+
+"Many women have kissed Krishna. They told him this to cheer their own
+hearts when the grey hairs came, and he has told us the tale," said the
+Bull, below his breath.
+
+"Their Gods came, and we changed them. I took the Woman and made her
+twelve-armed. So shall we twist all their Gods," said Hanuman.
+
+"Their Gods! This is no question of their Gods--one or three--man or
+woman. The matter is with the people. I move, and not the Gods of the
+bridge-builders," said Krishna.
+
+"So be it. I have made a man worship the fire-carriage as it stood still
+breathing smoke, and he knew not that he worshipped me," said Hanuman
+the Ape. "They will only change a little the names of their Gods.
+I shall lead the builders of the bridges as of old; Shiv shall be
+worshipped in the schools by such as doubt and despise their fellows;
+Ganesh shall have his mahajuns, and Bhairon the donkey-drivers, the
+pilgrims, and the sellers of toys. Beloved, they will do no more than
+change the names, and that we have seen a thousand times."
+
+"Surely they will do no more than change the names," echoed Ganesh; but
+there was an uneasy movement among the Gods.
+
+"They will change more than the names. Me alone they cannot kill, so
+long as a maiden and a man meet together or the spring follows the
+winter rains. Heavenly Ones, not for nothing have I walked upon the
+earth. My people know not now what they know; but I, who live with
+them, I read their hearts. Great Kings, the beginning of the end is born
+already. The fire-carriages shout the names of new Gods that are not the
+old under new names. Drink now and eat greatly! Bathe your faces in the
+smoke of the altars before they grow cold! Take dues and listen to the
+cymbals and the drums, Heavenly Ones, while yet there are flowers and
+songs. As men count time the end is far off; but as we who know reckon
+it is to-day. I have spoken."
+
+The young God ceased, and his brethren looked at each other long in
+silence.
+
+"This I have not heard before," Peroo whispered in his companion's ear.
+"And yet sometimes, when I oiled the brasses in the engine-room of the
+Goorkha, I have wondered if our priests were so wise--so wise. The day
+is coming, Sahib. They will be gone by the morning."
+
+A yellow light broadened in the sky, and the tone of the river changed
+as the darkness withdrew.
+
+Suddenly the Elephant trumpeted aloud as though man had goaded him.
+
+"Let Indra judge. Father of all, speak thou! What of the things we have
+heard? Has Krishna lied indeed? Or---"
+
+"Ye know," said the Buck, rising to his feet. "Ye know the Riddle of the
+Gods. When Brahm ceases to dream, the Heavens and the Hells and Earth
+disappear. Be content. Brahm dreams still. The dreams come and go, and
+the nature of the dreams changes, but still Brahm dreams. Krishna has
+walked too long upon earth, and yet I love him the more for the tale he
+has told. The Gods change, beloved--all save One!"
+
+"Ay, all save one that makes love in the hearts of men," said Krishna,
+knotting his girdle. "It is but a little time to wait, and ye shall know
+if I lie. Truly it is but a little time, as thou sayest, and we shall
+know. Get thee to thy huts again, beloved, and make sport for the young
+things, for still Brahm dreams. Go, my children! Brahm dreams and till
+he wakes the Gods die not."
+
+"Whither went they?" said the Lascar, awe-struck, shivering a little
+with the cold.
+
+"God knows!" said Findlayson. The river and the island lay in full
+daylight now, and there was never mark of hoof or pug on the wet earth
+under the peepul. Only a parrot screamed in the branches, bringing down
+showers of water-drops as he fluttered his wings.
+
+"Up! We are cramped with cold! Has the opium died out. Canst thou move,
+Sahib?"
+
+Findlayson staggered to his feet and shook himself. His bead swam
+and ached, but the work of the opium was over, and, as he sluiced his
+forehead in a pool, the Chief Engineer of the Kashi Bridge was wondering
+how he had managed to fall upon the island, what chances the day offered
+of return, and, above all, how his work stood.
+
+"Peroo, I have forgotten much I was under the guard-tower watching the
+river; and then--Did the flood sweep us away?"
+
+"No. The boats broke loose, Sahib, and," (if the Sahib had forgotten
+about the opium, decidedly Peroo would not remind him) "in striving to
+retie them, so it seemed to me but it was dark--a rope caught the Sahib
+and threw him upon a boat. Considering that we two, with Hitchcock
+Sahib, built, as it were, that bridge, I came also upon the boat, which
+came riding on horseback, as it were, on the nose of this island, and
+so, splitting, cast us ashore. I made a great cry when the boat left
+the wharf and without doubt Hitchcock Sahib will come for us. As for the
+bridge, so many have died in the building that it cannot fall." A fierce
+sun, that drew out all the smell of the sodden land, had followed the
+storm, and in that clear light there was no room for a man to think of
+the dreams of the dark. Findlayson stared upstream, across the blaze of
+moving water, till his eyes ached. There was no sign of any bank to the
+Ganges, much less of a bridge-line.
+
+"We came down far," he said. "It was wonderful that we were not drowned
+a hundred times."
+
+"That was the least of the wonder, for no man dies before his time.
+I have seen Sydney, I have seen London, and twenty great ports,
+but,"--Peroo looked at the damp, discoloured shrine under the
+peepul--"never man has seen that we saw here."
+
+"What?"
+
+"Has the Sahib forgotten; or do we black men only see the Gods?"
+
+"There was a fever upon me." Findlayson was still looking uneasily
+across the water. "It seemed that the island was full of beasts and men
+talking, but I do not remember. A boat could live in this water now, I
+think."
+
+"Oho! Then it is true. 'When Brahm ceases to dream, the Gods die.' Now I
+know, indeed, what he meant. Once, too, the guru said as much to me; but
+then I did not understand. Now I am wise."
+
+"What?" said Findlayson, over his shoulder.
+
+Peroo went on as if he were talking to himself "Six--seven--ten monsoons
+since, I was watch on the fo'c'sle of the Rewah--the Kumpani's big
+boat--and there was a big tufan; green and black water beating, and I
+held fast to the life-lines, choking under the waters. Then I thought
+of the Gods--of Those whom we saw to-night,"--he stared curiously at
+Findlayson's back, but the white man was looking across the flood. "Yes,
+I say of Those whom we saw this night past, and I called upon Them to
+protect me. And while I prayed, still keeping my lookout, a big wave
+came and threw me forward upon the ring of the great black bow-anchor,
+and the Rewah rose high and high, leaning towards the left-hand side,
+and the water drew away from beneath her nose, and I lay upon my belly,
+holding the ring, and looking down into those great deeps. Then I
+thought, even in the face of death: If I lose hold I die, and for me
+neither the Rewah nor my place by the galley where the rice is cooked,
+nor Bombay, nor Calcutta, nor even London, will be any more for me. 'How
+shall I be sure,' I said, 'that the Gods to whom I pray will abide at
+all?' This I thought, and the Rewah dropped her nose as a hammer falls,
+and all the sea came in and slid me backwards along the fo'c'sle and
+over the break of the fo'c'sle, and I very badly bruised my shin against
+the donkey-engine: but I did not die, and I have seen the Gods. They are
+good for live men, but for the dead. . . . They have spoken Themselves.
+Therefore, when I come to the village I will beat the guru for talking
+riddles which are no riddles. When Brahm ceases to dream the Gods go."
+
+"Look up-stream. The light blinds. Is there smoke yonder?"
+
+Peroo shaded his eyes with his hands. "He is a wise man and quick.
+Hitchcock Sahib would not trust a rowboat. He has borrowed the Rao
+Sahib's steam-launch, and comes to look for us. I have always said that
+there should have been a steam-launch on the bridge works for us."
+
+The territory of the Rao of Baraon lay within ten miles of the bridge;
+and Findlayson and Hitchcock had spent a fair portion of their scanty
+leisure in playing billiards and shooting blackbuck with the young man.
+He had been bearded by an English tutor of sporting tastes for some
+five or six years, and was now royally wasting the revenues accumulated
+during his minority by the Indian Government. His steam-launch, with its
+silver-plated rails, striped silk awning, and mahogany decks, was a new
+toy which Findlayson had found horribly in the way when the Rao came to
+look at the bridge works.
+
+"It's great luck," murmured Findlayson, but he was none the less afraid,
+wondering what news might be of the bridge.
+
+The gaudy blue-and-white funnel came downstream swiftly. They could see
+Hitchcock in the bows, with a pair of opera-glasses, and his face was
+unusually white. Then Peroo hailed, and the launch made for the tail
+of the island. The Rao Sahib, in tweed shooting-suit and a seven-hued
+turban, waved his royal hand, and Hitchcock shouted. But he need have
+asked no questions, for Findlayson's first demand was for his bridge.
+
+"All serene! 'Gad, I never expected to see you again, Findlayson. You're
+seven koss downstream. Yes; there's not a stone shifted anywhere; but
+how are you? I borrowed the Rao Sahib's launch, and he was good enough
+to come along. Jump in. Ah, Finlinson, you are very well, eh? That was
+most unprecedented calamity last night, eh? My royal palace, too, it
+leaks like the devil, and the crops will also be short all about my
+country. Now you shall back her out, Hitchcock. I--I do not understand
+steam-engines. You are wet? You are cold, Finlinson? I have some things
+to eat here, and you will take a good drink."
+
+"I'm immensely grateful, Rao Sahib. I believe you've saved my life. How
+did Hitchcock--"
+
+"Oho! His hair was upon end. He rode to me in the middle of the night
+and woke me up in the arms of Morpheus. I was most truly concerned,
+Finlinson, so I came too. My head-priest he is very angry just now. We
+will go quick, Mister Hitchcock. I am due to attend at twelve forty-five
+in the state temple, where we sanctify some new idol. If not so I
+would have asked you to spend the day with me. They are dam-bore, these
+religious ceremonies, Finlinson, eh?"
+
+Peroo, well known to the crew, had possessed himself of the inlaid
+wheel, and was taking the launch craftily up-stream. But while he
+steered he was, in his mind, handling two feet of partially untwisted
+wire-rope; and the back upon which he beat was the back of his guru.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Bridge-Builders, by Rudyard Kipling
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE BRIDGE-BUILDERS ***
+
+***** This file should be named 2163.txt or 2163.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/1/6/2163/
+
+Produced by Bill Stoddard and David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/2163.zip b/2163.zip
new file mode 100644
index 0000000..d4dea39
--- /dev/null
+++ b/2163.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..cdf611a
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #2163 (https://www.gutenberg.org/ebooks/2163)
diff --git a/old/brdgb10.txt b/old/brdgb10.txt
new file mode 100644
index 0000000..f88dd95
--- /dev/null
+++ b/old/brdgb10.txt
@@ -0,0 +1,1695 @@
+Project Gutenberg Etext The Bridge-Builders, by Rudyard Kipling
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+The Bridge-Builders
+
+by Rudyard Kipling
+
+May, 2000 [Etext #2163]
+
+
+Project Gutenberg Etext The Bridge-Builders, by Rudyard Kipling
+******This file should be named brdgb10.txt or brdgb10.zip*****
+
+Corrected EDITIONS of our etexts get a new NUMBER, brdgb11.txt
+VERSIONS based on separate sources get new LETTER, brdgb10a.txt
+
+
+This Project Gutenberg Etext prepared by Bill Stoddard
+hscrr@vgernet.net
+
+Project Gutenberg Etexts are usually created from multiple editions,
+all of which are in the Public Domain in the United States, unless a
+copyright notice is included. Therefore, we usually do NOT keep any
+of these books in compliance with any particular paper edition.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, leaving time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+time it takes us, a rather conservative estimate, is fifty hours
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-six text
+files per month, or 432 more Etexts in 1999 for a total of 2000+
+If these reach just 10% of the computerized population, then the
+total should reach over 200 billion Etexts given away this year.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by December 31, 2001. [10,000 x 100,000,000 = 1 Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only ~5% of the present number of computer users.
+
+At our revised rates of production, we will reach only one-third
+of that goal by the end of 2001, or about 3,333 Etexts unless we
+manage to get some real funding; currently our funding is mostly
+from Michael Hart's salary at Carnegie-Mellon University, and an
+assortment of sporadic gifts; this salary is only good for a few
+more years, so we are looking for something to replace it, as we
+don't want Project Gutenberg to be so dependent on one person.
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/CMU": and are
+tax deductible to the extent allowable by law. (CMU = Carnegie-
+Mellon University).
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails. . .try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+hart@pobox.com forwards to hart@prairienet.org and archive.org
+if your mail bounces from archive.org, I will still see it, if
+it bounces from prairienet.org, better resend later on. . . .
+
+We would prefer to send you this information by email.
+
+******
+
+To access Project Gutenberg etexts, use any Web browser
+to view http://promo.net/pg. This site lists Etexts by
+author and by title, and includes information about how
+to get involved with Project Gutenberg. You could also
+download our past Newsletters, or subscribe here. This
+is one of our major sites, please email hart@pobox.com,
+for a more complete list of our various sites.
+
+To go directly to the etext collections, use FTP or any
+Web browser to visit a Project Gutenberg mirror (mirror
+sites are available on 7 continents; mirrors are listed
+at http://promo.net/pg).
+
+Mac users, do NOT point and click, typing works better.
+
+Example FTP session:
+
+ftp sunsite.unc.edu
+login: anonymous
+password: your@login
+cd pub/docs/books/gutenberg
+cd etext90 through etext99
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET GUTINDEX.?? [to get a year's listing of books, e.g., GUTINDEX.99]
+GET GUTINDEX.ALL [to get a listing of ALL books]
+
+***
+
+**Information prepared by the Project Gutenberg legal advisor**
+
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Carnegie-Mellon University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association/Carnegie-Mellon
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Carnegie-Mellon University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+This Project Gutenberg Etext prepared by Bill Stoddard
+hscrr@vgernet.net
+
+
+
+
+
+The Bridge-Builders
+
+by Ridyard Kipling
+
+
+
+
+The least that Findlayson, of the Public Works Department,
+expected was a C.I.E.; he dreamed of a C.S.I. Indeed, his
+friends told him that he deserved more. For three years he had
+endured heat and cold, disappointment, discomfort, danger, and
+disease, with responsibility almost to top-heavy for one pair of
+shoulders; and day by day, through that time, the great Kashi
+Bridge over the Ganges had grown under his charge. Now, in less
+than three months, if all went well, his Excellency the Viceroy
+would open the bridge in state, an archbishop would bless it, and
+the first trainload of soldiers would come over it, and there
+would be speeches.
+
+Findlayson, C. E., sat in his trolley on a construction line
+that ran along one of the main revetments - the huge stone-faced
+banks that flared away north and south for three miles on either
+side of the river and permitted himself to think of the end.
+With its approaches, his work was one mile and three-quarters in
+length; a lattice-girder bridge, trussed with the Findlayson
+truss standing on seven-and-twenty brick piers. Each one of
+those piers was twenty-four feet in diameter, capped with red
+Agra stone and sunk eighty feet below the shifting sand of the
+Ganges' bed. Above them was a railway-line fifteen feet broad;
+above that, again, a cart-road of eighteen feet, flanked with
+footpaths. At either end rose towers, of red brick, loopholed
+for musketry and pierced for big guns, and the ramp of the road
+was being pushed forward to their haunches. The raw earth-ends
+were crawling and alive with hundreds upon hundreds of tiny asses
+climbing out of the yawning borrow-pit below with sackfuls of
+stuff; and the hot afternoon air was filled with the noise of
+hooves, the rattle of the drivers' sticks, and the swish and
+roll-down of the dirt. The river was very low, and on the
+dazzling white sand between the three centre piers stood squat
+cribs of railway-sleepers, filled within and daubed without with
+mud, to support the last of the girders as those were riveted up.
+In the little deep water left by the drought, an overhead crane
+travelled to and fro along its spile-pier, jerking sections of
+iron into place, snorting and backing and grunting as an elephant
+grunts in the timberyard. Riveters by the hundred swarmed about
+the lattice side-work and the iron roof of the railway line hung
+from invisible staging under the bellies of the girders,
+clustered round the throats of the piers, and rode on the
+overhang of the footpath-stanchions; their fire-pots and the
+spurts of flame that answered each hammer-stroke showing no more
+than pale yellow in the sun's glare. East and west and north and
+south the construction-trains rattled and shrieked up and down
+the embankments, the piled trucks of brown and white stone
+banging behind them till the side-boards were unpinned, and with
+a roar and a grumble a few thousand tons' more material were
+flung out to hold the river in place.
+
+Findlayson, C. E., turned on his trolley and looked over the
+face of the country that he had changed for seven miles around.
+Looked back on the humming village of five thousand work-men; up
+stream and down, along the vista of spurs and sand; across the
+river to the far piers, lessening in the haze; overhead to the
+guard-towers -and only he knew how strong those were - and with a
+sigh of contentment saw that his work was good. There stood his
+bridge before him in the sunlight, lacking only a few weeks' work
+on the girders of the three middle piers - his bridge, raw and
+ugly as original sin, but pukka - permanent - to endure when all
+memory of the builder, yea, even of the splendid Findlayson
+truss, has perished. Practically, the thing was done.
+
+Hitchcock, his assistant, cantered along the line on a little
+switch-tailed Kabuli pony who through long practice could have
+trotted securely over trestle, and nodded to his chief.
+
+"All but," said he, with a smile.
+
+"I've been thinking about it," the senior answered. "Not half a
+bad job for two men, is it?"
+
+"One - and a half. 'Gad, what a Cooper's Hill cub I was when I
+came on the works!" Hitchcock felt very old in the crowded
+experiences of the past three years, that had taught him power
+and responsibility.
+
+"You were rather a colt," said Findlayson. "I wonder how you'll
+like going back to office-work when this job's over."
+
+"I shall hate it!" said the young man, and as he went on his eye
+followed Findlayson's, and he muttered, "Isn't it damned good?"
+
+"I think we'll go up the service together," Findlayson said to
+himself. "You're too good a youngster to waste on another man.
+Cub thou wast; assistant thou art. Personal assistant, and at Simla,
+thou shalt be, if any credit comes to me out of the business!"
+
+Indeed, the burden of the work had fallen altogether on
+Findlayson and his assistant, the young man whom he had chosen
+because of his rawness to break to his own needs. There were
+labour contractors by the half-hundred - fitters and riveters,
+European, borrowed from the railway workshops, with, perhaps,
+twenty white and half-caste subordinates to direct, under
+direction, the bevies of workmen - but none knew better than
+these two, who trusted each other, how the underlings were not to
+be trusted. They had been tried many times in sudden crises -
+by slipping of booms, by breaking of tackle, failure of cranes,
+and the wrath of the river - but no stress had brought to light
+any man among men whom Findlayson and Hitchcock would have
+honoured by working as remorselessly as they worked them-selves.
+Findlayson thought it over from the beginning: the months of
+offce-work destroyed at a blow when the Government of India, at
+the last moment, added two feet to the width of the bridge, under
+the impression that bridges were cut out of paper, and so brought
+to ruin at least half an acre of calculations- and Hitchcock, new
+to disappointment, buried his head in his arms and wept; the
+heart-breaking delays over the filling of the contracts in
+England; the futile correspondences hinting at great wealth of
+commissions if one, only one, rather doubtful consignment were
+passed; the war that followed the refusal; the careful, polite
+obstruction at the other end that followed the war, till young
+Hitchcock, putting one month's leave to another month, and
+borrowing ten days from Findlayson, spent his poor little savings
+of a year in a wild dash to London, and there, as his own tongue
+asserted and the later consignments proved, put the fear of God
+into a man so great that he feared only Parliament and said so
+till Hitchcock wrought with him across his own dinner table, and
+- he feared the Kashi Bridge and all who spoke in its name. Then
+there was the cholera that came in the night to the village by
+the bridge works; and after the cholera smote the small-pox. The
+fever they had always with them. Hitchcock had been appointed a
+magistrate of the third class with whipping powers, for the
+better government of the community, and Findlayson watched him
+wield his powers temperately, learning what to overlook and what
+to look after. It was a long, long reverie, and it covered
+storm, sudden freshets, death in every manner and shape, violent
+and awful rage against red tape half frenzying a mind that knows
+it should be busy on other things; drought, sanitation, finance;
+birth, wedding, burial, and riot in the village of twenty warring
+castes; argument, expostulation, persuasion, and the blank
+despair that a man goes to bed upon, thankful that his rifle is
+all in pieces in the gun-case. Behind everything rose the black
+frame of the Kashi Bridge - plate by plate, girder by girder,
+span by span - and each pier of it recalled Hitchcock, the
+all-round man, who had stood by his chief without failing from
+the very first to this last.
+
+So the bridge was two men's work - unless one counted Peroo, as
+Peroo certainly counted himself. He was a Lascar, a Kharva from
+Bulsar, familiar with every port between Rockhampton and London,
+who had risen to the rank of serang on the British India boats,
+but wearying of routine musters and clean clothes, had thrown up
+the service and gone inland, where men of his calibre were sure
+of employment. For his knowledge of tackle and the handling of
+heavy weights, Peroo was worth almost any price he might have
+chosen to put upon his services; but custom decreed the wage of
+the overhead-men, and Peroo was not within many silver pieces of
+his proper value. Neither running water nor extreme heights made
+him afraid; and, as an ex-serang, he knew how to hold authority.
+No piece of iron was so big or so badly placed that Peroo could
+not devise a tackle to lift it - a loose-ended, sagging
+arrangement, rigged with a scandalous amount of talking, but
+perfectly equal to the work in hand. It was Peroo who had saved
+the girder of Number Seven pier from destruction when the new
+wire-rope jammed in the eye of the crane, and the huge plate
+tilted in its slings, threatening to slide out sideways. Then
+the native workmen lost their heads with great shoutings, and
+Hitchcock's right arm was broken by a falling T-plate, and he
+buttoned it up in his coat and swooned, and came to and directed
+for four hours till Peroo, from the top of the crane, reported
+"All's well," and the plate swung home. There was no one like
+Peroo, serang, to lash, and guy, and hold, to control the
+donkey-engines, to hoist a fallen locomotive craftily out of the
+borrow-pit into which it had tumbled; to strip, and dive, if need
+be, to see how the concrete blocks round the piers stood the
+scouring of Mother Gunga, or to adventure upstream on a monsoon
+night and report on the state of the embankment-facings. He
+would interrupt the field-councils of Findlayson and Hitchcock
+without fear, till his wonderful English, or his still more
+wonderful linguafranca, half Portuguese and half Malay, ran out
+and he was forced to take string and show the knots that he would
+recommend. He controlled his own gang of tackle men - mysterious
+relatives from Kutch Mandvi gathered month by month and tried to
+the uttermost. No consideration of family or kin allowed
+Peroo to keep weak hands or a giddy head on the pay-roll.
+"My honour is the honour of this bridge," he would say to the
+about-to-be-dismissed. "What do I care for your honour?
+Go and work on a steamer. That is all you are fit for."
+
+The little cluster of huts where he and his gang lived centred
+round the tattered dwelling of a sea-priest - one who had never
+set foot on black water, but had been chosen as ghostly
+counsellor by two generations of sea-rovers all unaffected by
+port missions or those creeds which are thrust upon sailors by
+agencies along Thames bank. The priest of the Lascars had
+nothing to do with their caste, or indeed with anything at all.
+He ate the offerings of his church, and slept and smoked, and
+slept again, "for," said Peroo, who had haled him a thousand
+miles inland, "he is a very holy man. He never cares what you
+eat so long as you do not eat beef, and that is good, because on
+land we worship Shiva, we Kharvas; but at sea on the Kumpani's
+boats we attend strictly to the orders of the Burra Malum
+[the first mate], and on this bridge we observe what Finlinson
+Sahib says."
+
+Finlinson Sahib had that day given orders to clear the
+scaffolding from the guard-tower on the right bank, and Peroo
+with his mates was casting loose and lowering down the bamboo
+poles and planks as swiftly as ever they had whipped the cargo
+out of a coaster.
+
+From his trolley he could hear the whistle of the serang's silver
+pipe and the creek and clatter of the pulleys. Peroo was
+standing on the top-most coping of the tower, clad in the blue
+dungaree of his abandoned service, and as Findlayson motioned to
+him to be careful, for his was no life to throw away, he gripped
+the last pole, and, shading his eyes ship-fashion, answered with
+the long-drawn wail of the fo'c'sle lookout: "Ham dekhta hai"
+("I am looking out").
+
+Findlayson laughed and then sighed. It was years since he had
+seen a steamer, and he was sick for home. As his trolley passed
+under the tower, Peroo descended by a rope, ape-fashion, and
+cried: "It looks well now, Sahib. Our bridge is all but done.
+What think you Mother Gunga will say when the rail runs over?"
+
+"She has said little so far. It was never Mother Gunga that
+delayed us."
+
+"There is always time for her; and none the less there has been
+delay. Has the Sahib forgotten last autumn's flood, when the
+stone-boats were sunk without warning - or only a half-day's
+warning?"
+
+"Yes, but nothing save a big flood could hurt us now. The spurs
+are holding well on the West Bank."
+
+"Mother Gunga eats great allowances. There is always room for
+more stone on the revetments. I tell this to the Chota Sahib" -
+he meant Hitchcock - "and he laughs."
+
+"No matter, Peroo. Another year thou wilt be able to build a
+bridge in thine own fashion."
+
+The Lascar grinned. "Then it will not be in this way - with
+stonework sunk under water, as the Qyetta was sunk. I like
+sus-sus-pen-sheen bridges that fly from bank to bank. with one
+big step, like a gang-plank. Then no water can hurt. When does
+the Lord Sahib come to open the bridge?"
+
+"In three months, when the weather is cooler."
+
+"Ho! ho! He is like the Burra Malum. He sleeps below while the
+work is being done. Then he comes upon the quarter-deck and
+touches with his finger, and says: 'This is not clean! Dam
+jibboonwallah!'"
+
+"But the Lord Sahib does not call me a dam jibboonwallah, Peroo."
+
+"No, Sahib; but he does not come on deck till the work is all
+finished. Even the Burra Malum of the Nerbudda said once at
+Tuticorin -"
+
+"Bah! Go! I am busy."
+
+"I, also!" said Peroo, with an unshaken countenance. "May I take
+the light dinghy now and row along the spurs?"
+
+"To hold them with thy hands? They are, I think, sufficiently heavy."
+
+"Nay, Sahib. It is thus. At sea, on the Black Water, we have
+room to be blown up and down without care. Here we have no room
+at all. Look you, we have put the river into a dock, and run her
+between stone sills."
+
+Findlayson smiled at the "we."
+
+"We have bitted and bridled her. She is not like the sea, that
+can beat against a soft beach. She is Mother Gunga - in irons."
+His voice fell a little.
+
+"Peroo, thou hast been up and down the world more even than I.
+Speak true talk, now. How much dost thou in thy heart believe of
+Mother Gunga?"
+
+"All that our priest says. London is London, Sahib. Sydney is
+Sydney, and Port Darwin is Port Darwin. Also Mother Gunga is
+Mother Gunga, and when I come back to her banks I know this and
+worship. In London I did poojah to the big temple by the river
+for the sake of the God within. . . . Yes, I will not take the
+cushions in the dinghy."
+
+Findlayson mounted his horse and trotted to the shed of a
+bungalow that he shared with his assistant. The place had become
+home to him in the last three years. He had grilled in the heat,
+sweated in the rains, and shivered with fever under the rude
+thatch roof; the lime-wash beside the door was covered with rough
+drawings and formulae, and the sentry-path trodden in the matting
+of the verandah showed where he had walked alone. There is no
+eight-hour limit to an engineer's work, and the evening meal with
+Hitchcock was eaten booted and spurred: over their cigars they
+listened to the hum of the village as the gangs came up from the
+river-bed and the lights began to twinkle.
+
+"Peroo has gone up the spurs in your dinghy. He's taken a couple
+of nephews with him, and he's lolling in the stern like a
+commodore," said Hitchcock.
+
+"That's all right. He's got something on his mind. You'd think
+that ten years in the British India boats would have knocked most
+of his religion out of him."
+
+"So it has," said Hitchcock, chuckling. "I overheard him the
+other day in the middle of a most atheistical talk with that fat
+old guru of theirs. Peroo denied the efficacy of prayer; and
+wanted the guru to go to sea and watch a gale out with him, and
+see if he could stop a monsoon."
+
+"All the same, if you carried off his guru he'd leave us like a
+shot. He was yarning away to me about praying to the dome of St.
+Paul's when he was in London."
+
+"He told me that the first time he went into the engine-room of a
+steamer, when he was a boy, he prayed to the low-pressure
+cylinder."
+
+"Not half a bad thing to pray to, either. He's propitiating his
+own Gods now, and he wants to know what Mother Gunga will think
+of a bridge being run across her. Who's there?" A shadow darkened
+the doorway, and a telegram was put into Hitchcock's hand.
+
+"She ought to be pretty well used to it by this time. Only a
+tar. It ought to be Ralli's answer about the new rivets. . . .
+Great Heavens!" Hitchcock jumped to his feet.
+
+"What is it?" said the senior, and took the form. "that's what
+Mother Gunga thinks, is it," he said, reading. "Keep cool,
+young 'un. We've got all our work cut out for us. Let's see.
+Muir wired half an hour ago: 'Floods on the Ramgunga. Look out.'
+Well, that gives us - one, two - nine and a half for the flood to
+reach Melipur Ghaut and seven's sixteen and a half to Lataoli -
+say fifteen hours before it comes down to us."
+
+"Curse that hill-fed sewer of a Ramgunga! Findlayson, this is two
+months before anything could have been expected, and the left bank
+is littered up with stuff still. Two full months before the time!"
+
+"That's why it comes. I've only known Indian rivers for
+five-and-twenty years, and I don't pretend to understand. Here
+comes another tar." Findlayson opened the telegram. "Cockran,
+this time, from the Ganges Canal: 'Heavy rains here. Bad.' He
+might have saved the last word. Well, we don't want to know any
+more. We've got to work the gangs all night and clean up the
+riverbed. You'll take the east bank and work out to meet me in
+the middle. Get everything that floats below the bridge: we
+shall have quite enough river-craft coming down adrift anyhow,
+without letting the stone-boats ram the piers. What have you got
+on the east bank that needs looking after?
+
+"Pontoon - one big pontoon with the overhead crane on it. T'other
+overhead crane on the mended pontoon, with the cart-road rivets
+from Twenty to Twenty-three piers - two construction lines, and a
+turning-spur. The pilework must take its chance," said
+Hitchcock.
+
+"All right. Roll up everything you can lay hands on. We'll give
+the gang fifteen minutes more to eat their grub."
+
+Close to the verandah stood a big night-gong, never used except
+for flood, or fire in the village. Hitchcock had called for a
+fresh horse, and was off to his side of the bridge when
+Findlayson took the cloth-bound stick and smote with the rubbing
+stroke that brings out the full thunder of the metal.
+
+Long before the last rumble ceased every night-gong in the
+village had taken up the warning. To these were added the hoarse
+screaming of conches in the little temples; the throbbing of
+drums and tom-toms; and, from the European quarters, where the
+riveters lived, McCartney's bugle, a weapon of offence on Sundays
+and festivals, brayed desperately, calling to "Stables." Engine
+after engine toiling home along the spurs at the end of her day's
+work whistled in answer till the whistles were answered from the
+far bank. Then the big gong thundered thrice for a sign that it
+was flood and not fire; conch, drum, and whistle echoed the
+call, and the village quivered to the sound of bare feet running
+upon soft earth. The order in all cases was to stand by the
+day's work and wait instructions. The gangs poured by in the
+dusk; men stopping to knot a loin-cloth or fasten a sandal;
+gang-foremen shouting to their subordinates as they ran or paused
+by the tool-issue sheds for bars and mattocks; locomotives
+creeping down their tracks wheel-deep in the crowd; till the
+brown torrent disappeared into the dusk of the river-bed, raced
+over the pilework, swarmed along the lattices, clustered by the
+cranes, and stood still - each man in his place.
+
+Then the troubled beating of the gong carried the order to take
+up everything and bear it beyond high-water mark, and the
+flare-lamps broke out by the hundred between the webs of dull
+iron as the riveters began a night's work, racing against the
+flood that was to come. The girders of the three centre piers -
+those that stood on the cribs -were all but in position. They
+needed just as many rivets as could be driven into them, for the
+flood would assuredly wash out their supports, and the ironwork
+would settle down on the caps of stone if they were not blocked
+at the ends. A hundred crowbars strained at the sleepers of the
+temporary line that fed the unfinished piers. It was heaved up
+in lengths, loaded into trucks, and backed up the bank beyond
+flood-level by the groaning locomotives. The tool-sheds on the
+sands melted away before the attack of shouting armies, and with
+them went the stacked ranks of Government stores, iron-hound
+boxes of rivets, pliers, cutters, duplicate parts of the
+riveting-machines, spare pumps and chains. The big crane would
+be the last to be shifted, for she was hoisting all the heavy
+stuff up to the main structure of the bridge. The concrete
+blocks on the fleet of stone-boats were dropped overside, where
+there was any depth of water, to guard the piers, and the empty
+boats themselves were poled under the bridge down-stream. It
+was here that Peroo's pipe shrilled loudest, for the first stroke
+of the big gong had brought the dinghy back at racing speed, and
+Peroo and his people were stripped to the waist, working for the
+honour and credit which are better than life.
+
+"I knew she would speak," he cried. "I knew, but the telegraph
+gives us good warning. O sons of unthinkable begetting -
+children of unspeakable shame - are we here for the look of the
+thing?" It was two feet of wire-rope frayed at the ends, and it
+did wonders as Peroo leaped from gunnel to gunnel, shouting the
+language of the sea.
+
+Findlayson was more troubled for the stoneboats than anything
+else. McCartney, with his gangs, was blocking up the ends of the
+three doubtful spans. but boats adrift, if the flood chanced to
+be a high one, might endanger the girders; and there was a very
+fleet in the shrunken channel.
+
+"Get them behind the swell of the guardtower," he shouted down to
+Peroo. "It will be dead-water there. Get them below the bridge."
+
+"Accha! [Very good.] I know; we are mooring them with wire-rope,"
+was the answer. "Heh! Listen to the Chota Sahib. He is working hard."
+
+From across the river came an almost continuous whistling of
+locomotives, backed by the rumble of stone. Hitchcock at the
+last minute was spending a few hundred more trucks of Tarakee
+stone in reinforcing his spurs and embankments.
+
+"The bridge challenges Mother Gunga," said Peroo, with a laugh.
+"But when she talks I know whose voice will be the loudest."
+
+For hours the naked men worked, screaming and shouting under the
+lights. It was a hot, moonless night; the end of it was darkened
+by clouds and a sudden squall that made Findlayson very grave.
+
+"She moves!" said Peroo, just before the dawn. "Mother Gunga is
+awake! Hear!" He dipped his hand over the side of a boat and the
+current mumbled on it. A little wave hit the side of a pier
+with a crisp slap.
+
+"Six hours before her time," said Findlayson, mopping his
+forehead savagely.
+
+"Now we can't depend on anything. We'd better clear all hands
+out of the riverbed."
+
+Again the big gong beat, and a second time there was the rushing
+of naked feet on earth and ringing iron; the clatter of tools
+ceased. In the silence, men heard the dry yawn of water crawling
+over thirsty sand.
+
+Foreman after foreman shouted to Findlayson, who had posted
+himself by the guard-tower, that his section of the river-bed had
+been cleaned out, and when the last voice dropped Findlayson
+hurried over the bridge till the iron plating of the permanent
+way gave place to the temporary plank-walk over the three centre
+piers, and there he met Hitchcock.
+
+"'All clear your side?" said Findlayson. The whisper rang in the
+box of lattice work.
+
+"Yes, and the east channel's filling now. We're utterly out of
+our reckoning. When is this thing down on us?"
+
+"There's no saying. She's filling as fast as she can. Look!"
+Findlayson pointed to the planks below his feet, where the sand,
+burned and defiled by months of work, was beginning to whisper
+and fizz.
+
+"What orders?" said Hitchcock.
+
+"Call the roll - count stores sit on your hunkers - and pray for
+the bridge. That's all I can think of Good night. Don't risk
+your life trying to fish out anything that may go downstream."
+
+"Oh, I'll be as prudent as you are! 'Night. Heavens, how she's
+filling! Here's the rain in earnest."
+
+Findlayson picked his way back to his bank, sweeping the last of
+McCartney's riveters before him. The gangs had spread themselves
+along the embankments, regardless of the cold rain of the dawn,
+and there they waited for the flood. Only Peroo kept his men
+together behind the swell of the guard-tower, where the stone-boats
+lay tied fore and aft with hawsers, wire-rope, and chains.
+
+A shrill wail ran along the line, growing to a yell, half fear
+and half wonder: the face of the river whitened from bank to hank
+between the stone facings, and the far-away spurs went out in
+spouts of foam. Mother Gunga had come bank-high in haste, and a
+wall of chocolate-coloured water was her messenger. There was a
+shriek above the roar of the water, the complaint of the spans
+coming down on their blocks as the cribs were whirled out from
+under their bellies. The stone-boats groaned and ground each
+other in the eddy that swung round the abutment, and their clumsy
+masts rose higher and higher against the dim sky-line.
+
+"Before she was shut between these walls we knew what she would
+do. Now she is thus cramped God only knows what she will do!"
+said Peroo, watching the furious turmoil round the guard-tower.
+"Ohe'! Fight, then! Fight hard, for it is thus that a woman wears
+herself out."
+
+But Mother Gunga would not fight as Peroo desired. After the
+first down-stream plunge there came no more walls of water, but
+the river lifted herself bodily, as a snake when she drinks in
+midsummer, plucking and fingering along the revetments, and
+banking up behind the piers till even Findlayson began to
+recalculate the strength of his work.
+
+When day came the village gasped. "Only last night," men said,
+turning to each other, "it was as a town in the river-bed! Look now!"
+
+And they looked and wondered afresh at the deep water, the
+racing water that licked the throat of the piers. The farther
+bank was veiled by rain, into which the bridge ran out and
+vanished; the spurs up-stream were marked by no more than eddies
+and spoutings, and down-stream the pent river, once freed of her
+guide-lines, had spread like a sea to the horizon. Then hurried
+by, rolling in the water, dead men and oxen together, with here
+and there a patch of thatched roof that melted when it touched a
+pier.
+
+"Big flood," said Peroo, and Findlayson nodded. It was as big a
+flood as he had any wish to watch. His bridge would stand
+what was upon her now, but not very much more, and if by any of a
+thousand chances there happened to be a weakness in the
+embankments, Mother Gunga would carry his honour to the sea with
+the other raffle. Worst of all, there was nothing to do except
+to sit still; and Findlayson sat still under his macintosh till
+his helmet became pulp on his head, and his boots were over-ankle
+in mire. He took no count of time, for the river was marking the
+hours, inch by inch and foot by foot, along the embankment, and
+he listened, numb and hungry, to the straining of the
+stone-boats, the hollow thunder under the piers, and the hundred
+noises that make the full note of a flood. Once a dripping
+servant brought him food, but he could not eat; and once he
+thought that he heard a faint toot from a locomotive across the
+river, and then he smiled. The bridge's failure would hurt his
+assistant not a little, hut Hitchcock was a young man with his
+big work yet to do. For himself the crash meant everything -
+everything that made a hard life worth the living. They would
+say, the men of his own profession . . .he remembered the
+half-pitying things that he himself had said when Lockhart's new
+waterworks burst and broke down in brick-heaps and sludge, and
+Lockhart's spirit broke in him and he died. He remembered what
+he himself had said when the Sumao Bridge went out in the big
+cyclone by the sea; and most he remembered poor Hartopp's face
+three weeks later, when the shame had marked it. His bridge was
+twice the size of Hartopp's, and it carried the Findlayson truss
+as well as the new pier-shoe - the Findlayson bolted shoe. There
+were no excuses in his service. Government might listen,
+perhaps, but his own kind would judge him by his bridge, as that
+stood or fell. He went over it in his head, plate by plate, span
+by span, brick by brick, pier by pier, remembering, comparing,
+estimating, and recalculating, lest there should be any mistake;
+and through the long hours and through the flights of formulae
+that danced and wheeled before him a cold fear would come to
+pinch his heart. His side of the sum was beyond question; but
+what man knew Mother Gunga's arithmetic? Even as he was making
+all sure by the multiplication table, the river might be scooping
+a pot-hole to the very bottom of any one of those eighty-foot
+piers that carried his reputation. Again a servant came to him
+with food, but his mouth was dry, and he could only drink and
+return to the decimals in his brain. And the river was still
+rising. Peroo, in a mat shelter coat, crouched at his feet,
+watching now his face and now the face of the river, but saying
+nothing.
+
+At last the Lascar rose and floundered through the mud towards
+the village, but he was careful to leave an ally to watch the
+boats.
+
+Presently he returned, most irreverently driving before him the
+priest of his creed - a fat old man, with a grey beard that
+whipped the wind with the wet cloth that blew over his shoulder.
+Never was seen so lamentable a guru.
+
+"What good are offerings and little kerosene lamps and dry
+grain," shouted Peroo, "if squatting in the mud is all that thou
+canst do? Thou hast dealt long with the Gods when they were
+contented and well-wishing. Now they are angry. Speak to them!"
+
+"What is a man against the wrath of Gods?" whined the priest,
+cowering as the wind took him. "Let me go to the temple, and I
+will pray there."
+
+"Son of a pig, pray here! Is there no return for salt fish and
+curry powder and dried onions? Call aloud! Tell Mother Gunga we
+have had enough. Bid her be still for the night. I cannot pray,
+but I have been serving in the Kumpani's boats, and when men did
+not obey my orders I -" A flourish of the wire-rope colt rounded
+the sentence, and the priest, breaking free from his disciple,
+fled to the village.
+
+"Fat pig!" said Peroo. "After all that we have done for him!
+When the flood is down I will see to it that we get a new guru.
+Finlinson Sahib, it darkens for night now, and since yesterday
+nothing has been eaten. Be wise, Sahib. No man can endure
+watching and great thinking on an empty belly. Lie down, Sahib.
+The river will do what the river will do." "The bridge is mine; I
+cannot leave it."
+
+"Wilt thou hold it up with thy hands, then?" said Peroo,
+laughing. "I was troubled for my boats and sheers before the
+flood came. Now we are in the hands of the Gods. The Sahib will
+not eat and lie down? Take these, then. They are meat and good
+toddy together, and they kill all weariness, besides the fever
+that follows the rain. I have eaten nothing else to-day at all."
+
+He took a small tin tobacco-box from his sodden waist-belt and
+thrust it into Findlayson's hand, saying: "Nay, do not be afraid.
+It is no more than opium - clean Malwa opium."
+
+Findlayson shook two or three of the dark-brown pellets into his
+hand, and hardly knowing what he did, swallowed them. The stuff
+was at least a good guard against fever -the fever that was
+creeping upon him out of the wet mud -and he had seen what Peroo
+could do in the stewing mists of autumn on the strength of a dose
+from the tin box.
+
+Peroo nodded with bright eyes. "In a little - in a little the
+Sahib will find that he thinks well again. I too will -"
+He dived into his treasure-box, resettled the rain-coat over
+his head, and squatted down to watch the boats. It was too dark
+now to see beyond the first pier, and the night seemed to have
+given the river new strength. Findlayson stood with his chin on
+his chest, thinking. There was one point about one of the piers
+- the seventh - that he had not fully settled in his mind. The
+figures would not shape themselves to the eye except one by one
+and at enormous intervals of time. There was a sound rich and
+mellow in his ears like the deepest note of a double-bass - an
+entrancing sound upon which he pondered for several hours, as it
+seemed. Then Peroo was at his elbow, shouting that a wire hawser
+had snapped and the stone-boats were loose. Findlayson saw the
+fleet open and swing out fanwise to a long-drawn shriek of wire
+straining across gunnels.
+
+"A tree hit them. They will all go," cried Peroo. "The main
+hawser has parted. What does the Sahib do?"
+
+An immensely complex plan had suddenly flashed into Findlayson's
+mind. He saw the ropes running from boat to boat in straight
+lines and angles - each rope a line of white fire. But there was
+one rope which was the master rope. He could see that rope. If
+he could pull it once, it was absolutely and mathematically
+certain that the disordered fleet would reassemble itself in the
+backwater behind the guard-tower. But why, he wondered, was
+Peroo clinging so desperately to his waist as he hastened down
+the bank? It was necessary to put the Lascar aside, gently and
+slowly, because it was necessary to save the boats, and, further,
+to demonstrate the extreme ease of the problem that looked so
+difficult. And then - but it was of no conceivable importance -
+a wire-rope raced through his hand, burning it, the high bank
+disappeared, and with it all the slowly dispersing factors of
+the problem. He was sitting in the rainy darkness - sitting in a
+boat that spun like a top, and Peroo was standing over him.
+
+"I had forgotten," said the Lascar, slowly, "that to those
+fasting and unused, the opium is worse than any wine. Those who
+die in Gunga go to the Gods. Still, I have no desire to present
+myself before such great ones. Can the Sahib swim?"
+
+"What need? He can fly - fly as swiftly as the wind," was the
+thick answer.
+
+"He is mad!" muttered Peroo, under his breath. "And he threw me
+aside like a bundle of dung-cakes. Well, he will not know his
+death. The boat cannot live an hour here even if she strike
+nothing. It is not good to look at death with a clear eye."
+
+He refreshed himself again from the tin box, squatted down in the
+bows of the reeling, pegged, and stitched craft, staring through
+the mist at the nothing that was there. A warm drowsiness crept
+over Findlayson, the Chief Engineer, whose duty was with his
+bridge. The heavy raindrops struck him with a thousand tingling
+little thrills, and the weight of all time since time was made
+hung heavy on his eyelids. He thought and perceived that he was
+perfectly secure, for the water was so solid that a man could
+surely step out upon it, and, standing still with his legs apart
+to keep his balance - this was the most important point - would
+be borne with great and easy speed to the shore. But yet a
+better plan came to him. It needed only an exertion of will for
+the soul to hurl the body ashore as wind drives paper, to waft it
+kite-fashion to the bank. Thereafter - the boat spun dizzily -
+suppose the high wind got under the freed body? Would it tower
+up like a kite and pitch headlong on the far-away sands, or would
+it duck about, beyond control, through all eternity? Findlayson
+gripped the gunnel to anchor himself, for it seemed that he was
+on the edge of taking the flight before he had settled all his
+plans. Opium has more effect on the white man than the black.
+Peroo was only comfortably indifferent to accidents. "She cannot
+live," he grunted. "Her seams open already. If she were even a
+dinghy with oars we could have ridden it out; but a box with
+holes is no good. Finlinson Sahib, she fills."
+
+"Accha! I am going away. Come thou also." In his mind,
+Findlayson had already escaped from the boat, and was circling
+high in air to find a rest for the sole of his foot. His body -
+he was really sorry for its gross helplessness - lay in the
+stern, the water rushing about its knees.
+
+"How very ridiculous!" he said to himself from his eyrie -" that
+- is Findlayson - chief of the Kashi Bridge. The poor beast is
+going to be drowned, too. Drowned when it's close to shore. I'm
+- I'm on shore already. Why doesn't it come along?"
+
+To his intense disgust, he found his soul back in his body again,
+and that body spluttering and choking in deep water. The pain of
+the reunion was atrocious, but it was necessary, also, to fight
+for the body. He was conscious of grasping wildly at wet sand,
+and striding prodigiously, as one strides in a dream, to keep
+foothold in the swirling water, till at last he hauled himself
+clear of the hold of the river, and dropped, panting, on wet
+earth.
+
+"Not this night," said Peroo, in his ear. "The Gods have
+protected us." The Lascar moved his feet cautiously, and they
+rustled among dried stumps. "This is some island of last year's
+indigo-crop," he went on. "We shall find no men here; but have
+great care, Sahib; all the snakes of a hundred miles have been
+flooded out. Here comes the lightning, on the heels of the
+wind. Now we shall be able to look; but walk carefully."
+
+Findlayson was far and far beyond any fear of snakes, or indeed
+any merely human emotion. He saw, after he had rubbed the water
+from his eyes, with an immense clearness, and trod, so it seemed
+to himself with world-encompassing strides. Somewhere in the
+night of time he had built a bridge - a bridge that spanned
+illimitable levels of shining seas; but the Deluge had swept it
+away, leaving this one island under heaven for Findlayson and his
+companion, sole survivors of the breed of Man.
+
+An incessant lightning, forked and blue, showed all that there was
+to be seen on the little patch in the flood - a clump of thorn,
+a clump of swaying creaking bamboos, and a grey gnarled peepul
+overshadowing a Hindoo shrine, from whose dome floated a
+tattered red flag. The holy man whose summer resting-place it
+was had long since abandoned it, and the weather had broken the
+red-daubed image of his god. The two men stumbled, heavy-limbed
+and heavy-eyed, over the ashes of a brick-set cooking-place, and
+dropped down under the shelter of the branches, while the rain
+and river roared together.
+
+The stumps of the indigo crackled, and there was a smell of
+cattle, as a huge and dripping Brahminee bull shouldered his way
+under the tree. The flashes revealed the trident mark of
+Shiva on his flank, the insolence of head and hump, the luminous
+stag-like eyes, the brow crowned with a wreath of sodden marigold
+blooms, and the silky dewlap that almost swept the ground. There
+was a noise behind him of other beasts coming up from the
+flood-line through the thicket, a sound of heavy feet and deep
+breathing.
+
+"Here be more beside ourselves," said Findlayson, his head against
+the treepole, looking through half-shut eyes, wholly at ease.
+
+"Truly," said Peroo, thickly, "and no small ones."
+
+"What are they, then? I do not see clearly."
+
+"The Gods. Who else? Look!"
+
+"Ah, true! The Gods surely - the Gods." Findlayson smiled as his
+head fell forward on his chest. Peroo was eminently right. After
+the Flood, who should be alive in the land except the Gods that
+made it - the Gods to whom his village prayed nightly - the Gods
+who were in all men's mouths and about all men's ways. He could
+not raise his head or stir a finger for the trance that held him,
+and Peroo was smiling vacantly at the lightning.
+
+The Bull paused by the shrine, his head lowered to the damp
+earth. A green Parrot in the branches preened his wet wings and
+screamed against the thunder as the circle under the tree filled
+with the shifting shadows of beasts. There was a black Buck
+at the Bull's heels-such a Buck as Findlayson in his far-away
+life upon earth might have seen in dreams - a Buck with a royal
+head, ebon back, silver belly, and gleaming straight horns.
+Beside him, her head bowed to the ground, the green eyes burning
+under the heavy brows, with restless tail switching the dead
+grass, paced a Tigress, full-bellied and deep-jowled.
+
+The Bull crouched beside the shrine, and there leaped from the
+darkness a monstrous grey Ape, who seated himself man-wise in the
+place of the fallen image, and the rain spilled like jewels from
+the hair of his neck and shoulders. Other shadows came and went
+behind the circle, among them a drunken Man flourishing staff and
+drinking-bottle. Then a hoarse bellow broke out from near the
+ground. "The flood lessens even now," it cried. "Hour by hour
+the water falls, and their bridge still stands!"
+
+"My bridge," said Findlayson to himself "That must be very old
+work now. What have the Gods to do with my bridge?"
+
+His eyes rolled in the darkness following the roar. A Mugger -
+the blunt-nosed, ford-haunting Mugger of the Ganges -draggled
+herself before the beasts, lashing furiously to right and left
+with her tail.
+
+"They have made it too strong for me. In all this night I have
+only torn away a handful of planks. The walls stand. The towers
+stand. They have chained my flood, and the river is not free any
+more. Heavenly Ones, take this yoke away! Give me clear water
+between bank and bank! It is I, Mother Gunga, that speak. The
+Justice of the Gods! Deal me the Justice of the Gods!"
+
+"What said I?" whispered Peroo. "This is in truth a Punchayet of
+the Gods. Now we know that all the world is dead, save you and
+I, Sahib."
+
+The Parrot screamed and fluttered again, and the Tigress, her
+ears flat to her head, snarled wickedly.
+
+Somewhere in the shadow, a great trunk and gleaming tusks swayed
+to and fro, and a low gurgle broke the silence that followed on
+the snarl.
+
+"We be here," said a deep voice, "the Great Ones. One only and
+very many. Shiv, my father, is here, with Indra. Kali has
+spoken already. Hanuman listens also."
+
+"Kashi is without her Kotwal to-night," shouted the Man with the
+drinking-bottle, flinging his staff to the ground, while the
+island rang to the baying of hounds. "Give her the Justice of
+the Gods."
+
+"Ye were still when they polluted my waters," the great Crocodile
+bellowed. "Ye made no sign when my river was trapped between the
+walls. I had no help save my own strength, and that failed - the
+strength of Mother Gunga failed - before their guard-towers. What
+could I do? I have done everything. Finish now, Heavenly Ones!"
+
+"I brought the death; I rode the spotted sick-ness from hut to
+hut of their workmen, and yet they would not cease." A
+nose-slitten, hide-worn Ass, lame, scissor-legged, and galled,
+limped forward. "I cast the death at them out of my nostrils,
+but they would not cease."
+
+Peroo would have moved, but the opium lay heavy upon him.
+
+"Bah!" he said, spitting. "Here is Sitala herself; Mata - the
+small-pox. Has the Sahib a handkerchief to put over his face?"
+
+"Little help! They fed me the corpses for a month, and I flung
+them out on my sand-bars, but their work went forward. Demons
+they are, and sons of demons! And ye left Mother Gunga alone for
+their fire-carriage to make a mock of The Justice of the Gods on
+the bridge-builders!"
+
+The Bull turned the cud in his mouth and answered slowly: "If the
+Justice of the Gods caught all who made a mock of holy things
+there would be many dark altars in the land, mother."
+
+"But this goes beyond a mock," said the Tigress, darting forward
+a griping paw. "Thou knowest, Shiv, and ye, too, Heavenly Ones;
+ye know that they have defiled Gunga. Surely they must come to
+the Destroyer. Let Indra judge."
+
+The Buck made no movement as he answered: "How long has this
+evil been?
+
+"Three years, as men count years," said the Mugger, close
+pressed to the earth.
+
+"Does Mother Gunga die, then, in a year, that she is so anxious
+to see vengeance now? The deep sea was where she runs but
+yesterday, and to-morrow the sea shall cover her again as the
+Gods count that which men call time. Can any say that this their
+bridge endures till to-morrow?" said the Buck.
+
+There was a long hush, and in the clearing of the storm the full
+moon stood up above the dripping trees.
+
+"Judge ye, then," said the River, sullenly. "I have spoken my
+shame. The flood falls still. I can do no more."
+
+"For my own part " - it was the voice of the great Ape seated
+within the shrine -" it pleases me well to watch these men,
+remembering that I also builded no small bridge in the world's youth."
+
+"They say, too," snarled the Tiger, "that these men came of the
+wreck of thy armies, Hanuman, and therefore thou hast aided -"
+
+"They toil as my armies toiled in Lanka, and they believe that
+their toil endures. Indra is too high, but Shiv, thou knowest
+how the land is threaded with their fire-carriages."
+
+"Yea, I know," said the Bull. "Their Gods instructed them
+in the matter."
+
+A laugh ran round the circle.
+
+"Their Gods! What should their Gods know? They were born yesterday,
+and those that made them are scarcely yet cold," said the Mugger.
+"To-morrow their Gods will die."
+
+"Ho!" said Peroo. "Mother Gunga talks good talk. I told that to
+the padre-sahib who preached on the Mombassa, and he asked the
+Burra Malum to put me in irons for a great rudeness."
+
+"Surely they make these things to please their Gods," said the Bull again.
+
+"Not altogether," the Elephant rolled forth. "It is for the
+profit of my mahajuns - my fat money-lenders that worship me at
+each new year, when they draw my image at the head of the
+account-books. I, looking over their shoulders by lamplight,
+see that the names in the books are those of men in far places -
+for all the towns are drawn together by the fire-carriage, and
+the money comes and goes swiftly, and the account-books grow as
+fat as - myself. And I, who am Ganesh of Good Luck, I bless my
+peoples."
+
+"They have changed the face of the land-which is my land. They
+have killed and made new towns on my banks," said the Mugger.
+
+"It is but the shifting of a little dirt. Let the dirt dig in
+the dirt if it pleases the dirt," answered the Elephant.
+
+"But afterwards?" said the Tiger. "Afterwards they will see that
+Mother Gunga can avenge no insult, and they fall away from her
+first, and later from us all, one by one. In the end, Ganesh, we
+are left with naked altars."
+
+The drunken Man staggered to his feet, and hiccupped vehemently.
+
+"Kali lies. My sister lies. Also this my stick is the Kotwal of
+Kashi, and he keeps tally of my pilgrims. When the time comes to
+worship Bhairon-and it is always time - the fire-carriages move
+one by one, and each bears a thousand pilgrims. They do not come
+afoot any more, but rolling upon wheels, and my honour is
+increased."
+
+"Gunga, I have seen thy bed at Pryag black with the pilgrims,"
+said the Ape, leaning forward, "and but for the fire-carriage
+they would have come slowly and in fewer numbers. Remember."
+
+"They come to me always," Bhairon went on thickly. "By day and
+night they pray to me, all the Common People in the fields and
+the roads. Who is like Bhairon to-day? What talk is this of
+changing faiths? Is my staff Kotwal of Kashi for nothing?
+He keeps the tally, and he says that never were so many altars
+as today, and the firecarriage serves them well. Bhairon am I -
+Bhairon of the Common People, and the chiefest of the Heavenly
+Ones to-day. Also my staff says -"
+
+"Peace, thou" lowed the Bull. "The worship of the schools is
+mine, and they talk very wisely, asking whether I be one or many,
+as is the delight of my people, and ye know what I am. Kali, my
+wife, thou knowest also."
+
+"Yea, I know," said the Tigress, with lowered head.
+
+"Greater am I than Gunga also. For ye know who moved the minds
+of men that they should count Gunga holy among the rivers. Who
+die in that water - ye know how men say - come to us without
+punishment, and Gunga knows that the fire-carriage has borne to
+her scores upon scores of such anxious ones; and Kali knows that
+she has held her chiefest festivals among the pilgrimages that
+are fed by the fire-carriage. Who smote at Pooree, under the
+Image there, her thousands in a day and a night, and bound the
+sickness to the wheels of the fire-carriages, so that it ran from
+one end of the land to the other? Who but Kali? Before the
+fire-carriage came it was a heavy toil. The fire-carriages have
+served thee well, Mother of Death. But I speak for mine own
+altars, who am not Bhairon of the Common Folk, but Shiv. Men go
+to and fro, making words and telling talk of strange Gods, and I
+listen. Faith follows faith among my people in the schools,
+and I have no anger; for when all words are said, and the new
+talk is ended, to Shiv men return at the last."
+
+"True. It is true," murmured Hanuman. "To Shiv and to the
+others, mother, they return. I creep from temple to temple in
+the North, where they worship one God and His Prophet; and
+presently my image is alone within their shrines."
+
+"Small thanks," said the Buck, turning his head slowly. "I am
+that One and His Prophet also."
+
+"Even so, father," said Hanuman. "And to the South I go who am
+the oldest of the Gods as men know the Gods, and presently I
+touch the shrines of the New Faith and the Woman whom we know is
+hewn twelve-armed, and still they call her Mary."
+
+"Small thanks, brother," said the Tigress. "I am that Woman."
+
+"Even so, sister; and I go West among the fire-carriages, and
+stand before the bridge-builders in many shapes, and because of
+me they change their faiths and are very wise. Ho! ho! I am the
+builder of bridges, indeed - bridges between this and that, and
+each bridge leads surely to Us in the end. Be content, Gunga.
+Neither these men nor those that follow them mock thee at all."
+
+"Am I alone, then, Heavenly Ones? Shall I smooth out my flood
+lest unhappily I bear away their walls? Will Indra dry my
+springs in the hills and make me crawl humbly between their
+wharfs? Shall I bury me in the sand ere I offend?"
+
+"And all for the sake of a little iron bar with the fire-carriage
+atop. Truly, Mother Gunga is always young!" said Ganesh the
+Elephant. "A child had not spoken more foolishly. Let the dirt
+dig in the dirt ere it return to the dirt. I know only that my
+people grow rich and praise me. Shiv has said that the men of
+the schools do not forget; Bhairon is content for his crowd of
+the Common People; and Hanuman laughs."
+
+"Surely I laugh," said the Ape. "My altars are few beside those
+of Ganesh or Bhairon, but the fire-carriages bring me new
+worshippers from beyond the Black Water - the men who believe
+that their God is toil. I run before them beckoning, and they
+follow Hanuman."
+
+"Give them the toil that they desire, then," said the River.
+"Make a bar across my flood and throw the water back upon the bridge.
+Once thou wast strong in Lanka, Hanuman. Stoop and lift my bed."
+
+"Who gives life can take life." The Ape scratched in the mud with
+a long forefinger. "And yet, who would profit by the killing?
+Very many would die."
+
+There came up from the water a snatch of a love-song such as the
+boys sing when they watch their cattle in the noon heats of late
+spring. The Parrot screamed joyously, sidling along his
+branch with lowered head as the song grew louder, and in a patch
+of clear moonlight stood revealed the young herd, the darling of
+the Gopis, the idol of dreaming maids and of mothers ere their
+children are born Krishna the Well-beloved. He stooped to knot
+up his long wet hair, and the Parrot fluttered to his shoulder.
+
+"Fleeting and singing, and singing and fleeting," hiccupped
+Bhairon. "Those make thee late for the council, brother."
+
+"And then?" said Krishna, with a laugh, throwing back his head.
+"Ye can do little without me or Karma here." He fondled the
+Parrot's plumage and laughed again. "What is this sitting and
+talking together? I heard Mother Gunga roaring in the dark, and
+so came quickly from a hut where I lay warm. And what have ye
+done to Karma, that he is so wet and silent? And what does Mother
+Gunga here? Are the heavens full that ye must come paddling in
+the mud beast-wise? Karma, what do they do?"
+
+"Gunga has prayed for a vengeance on the bridge-builders, and
+Kali is with her. Now she bids Hanuman whelm the bridge, that
+her honour may be made great," cried the Parrot. "I waited here,
+knowing that thou wouldst come, O my master!
+
+"And the Heavenly Ones said nothing? Did Gunga and the Mother of
+Sorrows out-talk them? Did none speak for my people?"
+
+"Nay," said Ganesh, moving uneasily from foot to foot; "I said it
+was but dirt at play, and why should we stamp it flat?"
+
+"I was content to let them toil -well content," said Hanuman.
+
+"What had I to do with Gunga's anger?" said the Bull.
+
+"I am Bhairon of the Common Folk, and this my staff is Kotwal of
+all Kashi. I spoke for the Common People."
+
+"Thou?" The young God's eyes sparkled.
+
+"Am I not the first of the Gods in their mouths to-day?" returned
+Bhairon, unabashed. "For the sake of the Common People I said -
+very many wise things which I have now forgotten, but this my staff-"
+
+Krishna turned impatiently, saw the Mugger at his feet, and kneeling,
+slipped an arm round the cold neck. "Mother," he said gently,
+"get thee to thy flood again. The matter is not for thee.
+What harm shall thy honour take of this live dirt? Thou hast
+given them their fields new year after year, and by thy
+flood they are made strong. They come all to thee at the last.
+What need to slay them now? Have pity, mother, for a little - and
+it is only for a little."
+
+"If it be only for a little," the slow beast began.
+
+
+
+"Are they Gods, then?" Krishna returned with a laugh, his eyes
+looking into the dull eyes of the River. "Be certain that it is
+only for a little. The Heavenly Ones have heard thee, and
+presently justice will be done. Go now, mother, to the flood
+again. Men and cattle are thick on the waters - the banks fall -
+the villages melt because of thee."
+
+"But the bridge - the bridge stands." The Mugger turned grunting
+into the undergrowth as Krishna rose.
+
+"It is ended," said the Tigress, viciously. "There is no more
+justice from the Heavenly Ones. Ye have made shame and sport of
+Gunga, who asked no more than a few score lives."
+
+"Of my people - who lie under the leaf-roofs of the village
+yonder - of the young girls, and the young men who sing to them
+in the dark -of the child that will be born next morn - of that
+which was begotten to-night," said Krishna. "And when all is
+done, what profit? To-morrow sees them at work. Ay, if ye swept
+the bridge out from end to end they would begin anew. Hear me!
+Bhairon is drunk always. Hanuman mocks his people with new riddles."
+
+"Nay, but they are very old ones," the Ape said, laughing.
+
+"Shiv hears the talk of the schools and the dreams of the holy
+men; Ganesh thinks only of his fat traders; but I - I live with
+these my people, asking for no gifts, and so receiving them
+hourly."
+
+"And very tender art thou of thy people," said the Tigress.
+
+"They are my own. The old women dream of me turning in their
+sleep; the maids look and listen for me when they go to fill
+their lotahs by the river. I walk by the young men waiting
+without the gates at dusk, and I call over my shoulder to the
+white-beards. Ye know, Heavenly Ones, that I alone of us all
+walk upon the earth continually, and have no pleasure in our
+heavens so long as a green blade springs here, or there are two
+voices at twilight in the standing crops. Wise are ye, but ye
+live far off; forgetting whence ye came. So do I not forget.
+And the fire-carriage feeds your shrines, ye say? And the fire-
+carriages bring a thousand pilgrims where but ten came in the old
+years? True. That is true, to-day."
+
+"But to-morrow they are dead, brother," said Ganesh.
+
+"Peace!" said the Bull, as Hanuman leaned forward again. "And
+to-morrow, beloved - what of to-morrow?"
+
+"This only. A new word creeping from mouth to mouth among the
+Common Folk - a word that neither man nor God can lay hold of -
+an evil word - a little lazy word among the Common Folk,
+saying (and none know who set that word afoot) that they weary of
+ye, Heavenly Ones."
+
+The Gods laughed together softly. "And then, beloved," they said.
+
+"And to cover that weariness they, my people, will bring to thee,
+Shiv, and to thee, Ganesh, at first greater offerings and a
+louder noise of worship. But the word has gone abroad, and,
+after, they will pay fewer dues to your fat Brahmins. Next they
+will forget your altars, but so slowly that no man can say how
+his forgetfulness began."
+
+"I knew - I knew! I spoke this also, but they would not hear,"
+said the Tigress. "We should have slain-we should have slain!"
+
+"It is too late now. Ye should have slain at the beginning when
+the men from across the water had taught our folk nothing. Now
+my people see their work, and go away thinking. They do not
+think of the Heavenly Ones altogether. They think of the
+fire-carriage and the other things that the bridge-builders have
+done, and when your priests thrust forward hands asking alms,
+they give a little unwillingly. That is the beginning, among one
+or two, or five or ten - for I, moving among my people, know what
+is in their hearts."
+
+"And the end, Jester of the Gods? What shall the end be?" said Ganesh.
+
+"The end shall be as it was in the beginning, O slothful son of Shiv!
+The flame shall die upon the altars and the prayer upon the
+tongue till ye become little Gods again - Gods of the jungle
+- names that the hunters of rats and noosers of dogs whisper in
+the thicket and among the caves -rag-Gods, pot Godlings of the
+tree, and the village-mark, as ye were at the beginning. That is
+the end, Ganesh, for thee, and for Bhairon - Bhairon of the
+Common People."
+
+"It is very far away," grunted Bhairon. "Also, it is a lie."
+
+"Many women have kissed Krishna. They told him this to cheer
+their own hearts when the grey hairs came, and he has told us the
+tale," said the Bull, below his breath.
+
+"Their Gods came, and we changed them. I took the Woman and made
+her twelve-armed. So shall we twist all their Gods," said Hanuman.
+
+"Their Gods! This is no question of their Gods - one or three -
+man or woman. The matter is with the people. I move, and not
+the Gods of the bridge-builders," said Krishna.
+
+"So be it. I have made a man worship the fire-carriage as it stood
+still breathing smoke, and he knew not that he worshipped me,"
+said Hanuman the Ape. "They will only change a little the names
+of their Gods. I shall lead the builders of the bridges as
+of old; Shiv shall be worshipped in the schools by such as doubt
+and despise their fellows; Ganesh shall have his mahajuns,
+and Bhairon the donkey-drivers, the pilgrims, and the sellers
+of toys. Beloved, they will do no more than change the names,
+and that we have seen a thousand times."
+
+"Surely they will do no more than change the names," echoed
+Ganesh; but there was an uneasy movement among the Gods.
+
+"They will change more than the names. Me alone they cannot
+kill, so long as a maiden and a man meet together or the spring
+follows the winter rains. Heavenly Ones, not for nothing have I
+walked upon the earth. My people know not now what they know;
+but I, who live with them, I read their hearts. Great Kings, the
+beginning of the end is born already. The fire-carriages shout
+the names of new Gods that are not the old under new names.
+Drink now and eat greatly! Bathe your faces in the smoke of the
+altars before they grow cold! Take dues and listen to the cymbals
+and the drums, Heavenly Ones, while yet there are flowers and
+songs. As men count time the end is far off; but as we who know
+reckon it is to-day. I have spoken."
+
+The young God ceased, and his brethren looked at each other long
+in silence.
+
+"This I have not heard before," Peroo whispered in his
+companion's ear. "And yet sometimes, when I oiled the brasses
+in the engine-room of the Goorkha, I have wondered if our priests
+were so wise - so wise. The day is coming, Sahib. They will be
+gone by the morning."
+
+A yellow light broadened in the sky, and the tone of the river
+changed as the darkness withdrew.
+
+Suddenly the Elephant trumpeted aloud as though man had goaded him.
+
+"Let Indra judge. Father of all, speak thou! What of the things
+we have heard? Has Krishna lied indeed? Or --"
+
+"Ye know," said the Buck, rising to his feet. "Ye know the
+Riddle of the Gods. When Brahm ceases to dream, the Heavens and
+the Hells and Earth disappear. Be content. Brahm dreams still.
+The dreams come and go, and the nature of the dreams changes, but
+still Brahm dreams. Krishna has walked too long upon earth, and
+yet I love him the more for the tale he has told. The Gods
+change, beloved - all save One!"
+
+"Ay, all save one that makes love in the hearts of men," said
+Krishna, knotting his girdle. "It is but a little time to wait,
+and ye shall know if I lie. Truly it is but a little time, as
+thou sayest, and we shall know. Get thee to thy huts again,
+beloved, and make sport for the young things, for still Brahm
+dreams. Go, my children! Brahm dreams and till he wakes the
+Gods die not."
+
+"Whither went they?" said the Lascar, awe-struck, shivering a
+little with the cold.
+
+"God knows!" said Findlayson. The river and the island lay in
+full daylight now, and there was never mark of hoof or pug on the
+wet earth under the peepul. Only a parrot screamed in the
+branches, bringing down showers of water-drops as he fluttered
+his wings.
+
+"Up! We are cramped with cold! Has the opium died out.
+Canst thou move, Sahib?"
+
+Findlayson staggered to his feet and shook himself. His bead
+swam and ached, but the work of the opium was over, and, as he
+sluiced his forehead in a pool, the Chief Engineer of the Kashi
+Bridge was wondering how he had managed to fall upon the island,
+what chances the day offered of return, and, above all, how his
+work stood.
+
+"Peroo, I have forgotten much I was under the guard-tower
+watching the river; and then --- Did the flood sweep us away?"
+
+"No. The boats broke loose, Sahib, and" (if the Sahib had
+forgotten about the opium, decidedly Peroo would not remind him)
+"in striving to retie them, so it seemed to me but it was dark -
+a rope caught the Sahib and threw him upon a boat. Considering
+that we two, with Hitchcock Sahib, built, as it were, that
+bridge, I came also upon the boat, which came riding on
+horseback, as it were, on the nose of this island, and so,
+splitting, cast us ashore. I made a great cry when the boat left
+the wharf and without doubt Hitchcock Sahib will come for us. As
+for the bridge, so many have died in the building that it cannot
+fall." A fierce sun, that drew out all the smell of the sodden
+land, had followed the storm, and in that clear light there was
+no room for a man to think of the dreams of the dark. Findlayson
+stared upstream, across the blaze of moving water, till his eyes
+ached. There was no sign of any bank to the Ganges, much less of
+a bridge-line.
+
+"We came down far," he said. "It was wonderful that we were not
+drowned a hundred times."
+
+"That was the least of the wonder, for no man dies before his
+time. I have seen Sydney, I have seen London, and twenty great
+ports, but" - Peroo looked at the damp, discoloured shrine under
+the peepul - "never man has seen that we saw here."
+
+"What?"
+
+"Has the Sahib forgotten; or do we black men only see the Gods?"
+
+"There was a fever upon me." Findlayson was still looking
+uneasily across the water. "It seemed that the island was full
+of beasts and men talking, but I do not remember. A boat could
+live in this water now, I think."
+
+"Oho! Then it is true. 'When Brahm ceases to dream, the Gods
+die.' Now I know, indeed, what he meant. Once, too, the guru
+said as much to me; but then I did not understand. Now I am wise."
+
+"What?" said Findlayson, over his shoulder.
+
+Peroo went on as if he were talking to himself "Six - seven - ten
+monsoons since, I was watch on the fo'c'sle of the Rewah - the
+Kumpani's big boat - and there was a big tufan; green and black
+water beating, and I held fast to the life-lines, choking under
+the waters. Then I thought of the Gods - of Those whom we saw
+to-night "- he stared curiously at Findlayson's back, but the
+white man was looking across the flood. "Yes, I say of Those
+whom we saw this night past, and I called upon Them to protect
+me. And while I prayed, still keeping my lookout, a big wave
+came and threw me forward upon the ring of the great black
+bow-anchor, and the Rewah rose high and high, leaning towards the
+left-hand side, and the water drew away from beneath her nose,
+and I lay upon my belly, holding the ring, and looking down into
+those great deeps. Then I thought, even in the face of death: If
+I lose hold I die, and for me neither the Rewah nor my place by
+the galley where the rice is cooked, nor Bombay, nor Calcutta,
+nor even London, will be any more for me. 'How shall I be sure,'
+I said, 'that the Gods to whom I pray will abide at all?' This I
+thought, and the Rewah dropped her nose as a hammer falls, and
+all the sea came in and slid me backwards along the fo'c'sle and
+over the break of the fo'c'sle, and I very badly bruised my shin
+against the donkey-engine: but I did not die, and I have seen the
+Gods. They are good for live men, but for the dead. . . . They
+have spoken Themselves. Therefore, when I come to the village I
+will beat the guru for talking riddles which are no riddles.
+When Brahm ceases to dream the Gods go."
+
+"Look up-stream. The light blinds. Is there smoke yonder?"
+
+Peroo shaded his eyes with his hands. "He is a wise man and
+quick. Hitchcock Sahib would not trust a rowboat. He has
+borrowed the Rao Sahib's steam-launch, and comes to look for us.
+I have always said that there should have been a steam-launch on
+the bridge works for us.
+
+The territory of the Rao of Baraon lay within ten miles of the
+bridge; and Findlayson and Hitchcock had spent a fair portion of
+their scanty leisure in playing billiards and shooting blackbuck
+with the young man. He had been bearled by an English tutor of
+sporting tastes for some five or six years, and was now royally
+wasting the revenues accumulated during his minority by the
+Indian Government. His steam-launch, with its silver-plated
+rails, striped silk awning, and mahogany decks, was a new toy
+which Findlayson had found horribly in the way when the Rao came
+to look at the bridge works.
+
+"It's great luck," murmured Findlayson, but he was none the less
+afraid, wondering what news might be of the bridge.
+
+The gaudy blue-and-white funnel came downstream swiftly. They
+could see Hitchcock in the bows, with a pair of opera-glasses,
+and his face was unusually white. Then Peroo hailed, and the
+launch made for the tail of the island. The Rao Sahib, in tweed
+shooting-suit and a seven-hued turban, waved his royal hand, and
+Hitchcock shouted. But he need have asked no questions, for
+Findlayson's first demand was for his bridge.
+
+"All serene! 'Gad, I never expected to see you again, Findlayson.
+You're seven koss downstream. Yes; there's not a stone shifted
+anywhere; but how are you? I borrowed the Rao Sahib's launch, and
+he was good enough to come along. Jump in. "Ah, Finlinson, you
+are very well, eh? That was most unprecedented calamity last
+night, eh? My royal palace, too, it leaks like the devil, and the
+crops will also be short all about my country. Now you shall
+back her out, Hitchcock. I - I do not understand steam-engines.
+You are wet? You are cold, Finlinson? I have some things to eat
+here, and you will take a good drink."
+
+"I'm immensely grateful, Rao Sahib. I believe you've saved my
+life. How did Hitchcock -"
+
+"Oho! His hair was upon end. He rode to me in the middle of the
+night and woke me up in the arms of Morpheus. I was most truly
+concerned, Finlinson, so I came too. My head-priest he is very
+angry just now. We will go quick, Mister Hitchcock. I am due to
+attend at twelve forty-five in the state temple, where we
+sanctify some new idol. If not so I would have asked you to
+spend the day with me. They are dam-bore, these religious
+ceremonies, Finlinson, eh?"
+
+Peroo, well known to the crew, had possessed himself of the
+inlaid wheel, and was taking the launch craftily up-stream. But
+while he steered he was, in his mind, handling two feet of
+partially untwisted wire-rope; and the back upon which he beat
+was the back of his guru.
+
+
+
+
+
+End of Project Gutenberg Etext The Bridge-Builders, by Rudyard Kipling
+
diff --git a/old/brdgb10.zip b/old/brdgb10.zip
new file mode 100644
index 0000000..976261a
--- /dev/null
+++ b/old/brdgb10.zip
Binary files differ