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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/26482-8.txt b/26482-8.txt new file mode 100644 index 0000000..fe63357 --- /dev/null +++ b/26482-8.txt @@ -0,0 +1,16107 @@ +The Project Gutenberg eBook, Madeline Payne, the Detective's Daughter, by +Lawrence L. Lynch + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Madeline Payne, the Detective's Daughter + + +Author: Lawrence L. Lynch + + + +Release Date: August 29, 2008 [eBook #26482] + +Language: English + +Character set encoding: ISO-8859-1 + + +***START OF THE PROJECT GUTENBERG EBOOK MADELINE PAYNE, THE DETECTIVE'S +DAUGHTER*** + + +E-text prepared by Sankar Viswanathan, Suzanne Shell, and the Project +Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 26482-h.htm or 26482-h.zip: + (https://www.gutenberg.org/dirs/2/6/4/8/26482/26482-h/26482-h.htm) + or + (https://www.gutenberg.org/dirs/2/6/4/8/26482/26482-h.zip) + + + + + +The Great Detective Story. + +MADELINE PAYNE, THE DETECTIVE'S DAUGHTER. + +by + +LAWRENCE L. LYNCH, + +(Of the Secret Service.) + +Author of "Shadowed by Three," "The Diamond Coterie," +"Out of a Labyrinth," etc., etc. + + + + + + + +[Illustration: "Yes," she cried, wildly, "I know; you need not say +it"--page 219.] + + + +Chicago: +Alex. T. Loyd & Co. +1888. + +Copyright, 1883, +Donnelley, Loyd & Co., +Chicago. + +Copyright, 1883, +Alex. T. Loyd & Co., +Chicago. + +Copyright, 1884, +Alex. T. Loyd & Co., +Chicago. + + + + +CONTENTS + + +CHAPTER PAGE + +I. MAN PROPOSES 9 +II. THE OLD TREE'S REVELATIONS 16 +III. THE STORY OF A CRIME 25 +IV. THE DIE IS CAST 44 +V. A SHREWD SCHEME 54 +VI. A WARNING 64 +VII. A STRUGGLE FOR MORE THAN LIFE 75 +VIII. THREADS OF THE FABRIC 98 +IX. GONE! 104 +X. BONNIE, BEWITCHING CLAIRE 113 +XI. A GLEAM OF LIGHT 121 +XII. A MESSAGE FROM THE DEAD 130 +XIII. MISS ARTHUR'S FRENCH MAID 137 +XIV. WHEELS WITHIN WHEEL 143 +XV. CORA AND THE FRENCH MAID MEASURE SWORDS 155 +XVI. FACE TO FACE 167 +XVII. GATHERING CLUES 184 +XVIII. THE HAND OF FRIENDSHIP WIELDS THE SURGEON'S + KNIFE 191 +XIX. A DUAL RENUNCIATION 203 +XX. STRUGGLING AGAINST FATE 215 +XXI. HAGAR AND CORA 229 +XXII. TO BE, TO DO, TO SUFFER 239 +XXIII. SETTING SOME SNARES 244 +XXIV. A VERITABLE GHOST 251 +XXV. SOME DAYS OF WAITING 257 +XXVI. NOT A BAD DAY'S WORK 265 +XXVII. CLAIRE TURNS CIRCE 272 +XXVIII. THE CURTAIN RISES ON THE MIMIC STAGE 279 +XXIX. A STARTLING EPISODE 291 +XXX. WAITING 299 +XXXI. MR. PERCY SHAKES HIMSELF 303 +XXXII. A SILKEN BELT 310 +XXXIII. CROSS PURPOSES 316 +XXXIV. A SLIGHT COMPLICATION 322 +XXXV. "THOU SHALT NOT SERVE TWO MASTERS" SET AT + NAUGHT 332 +XXXVI. MR. LORD'S LETTER 337 +XXXVII. "I HAVE COME BACK TO MY OWN!" 341 +XXXVIII. CORA UNDER ORDERS 356 +XXXIX. MYSTIFIED PEOPLE 367 +XL. DAVLIN'S "POINTS." 378 +XLI. THE DAYS PASS BY 385 +XLII. A STRUGGLE FOR FREEDOM 389 +XLIII. THE DOCTOR'S WOOING 397 +XLIV. A FRESH COMPLICATION 403 +XLV. MRS. RALSTON'S STORY 409 +XLVI. CORA "STIRS UP THE ANIMALS." 416 +XLVII. THE BEGINNING OF THE END 423 +XLVIII. THE SWORD OF FATE 427 +XLIX. AS THE FOOL DIETH 442 +L. "AND THEN COMES REST." 447 + + + + + +[Illustration: "Lucian Davlin was among the arrivals, and at the end +of the depot platform stood the dainty phæton of Mrs. John +Arthur."--page 229.] + + + + +MADELINE PAYNE, + +THE DETECTIVE'S DAUGHTER. + + +CHAPTER I. + +MAN PROPOSES. + + +"H'm! And you scarcely remember your mother, I suppose?" + +"No, Lucian; I was such a mere babe when she died, I have often +wondered what it would be like to have a mother. Auntie Hagar was +always very kind to me, however; so kind, in fact, that my +step-father, fearing, he said, that I would grow up self-willed and +disobedient, sent her away, and procured the services of the ugly old +woman you saw in the garden. Poor Auntie Hagar," sighed the girl, "she +was sorely grieved at our parting and, that she might be near me, +bought the little cottage in the field yonder." + +"Oh!" ejaculated the man, more as if he felt that he was expected to +say something, than as if really interested in the subject under +discussion. "Ah--er--was--a--was the old lady a property holder, then? +Most discharged servants go up and down on the earth, seeking what +they may devour--in another situation." + +"That is the strangest part of the affair, Lucian; she had money. +Where it came from, I never could guess, nor would she ever give me +any information on the subject. It was a legacy--that was all I was to +know, it seemed. + +"I remember," she continued, musingly, "how very much astonished I was +to receive, from my step-father, a lecture on this head. He took the +ground that my childish curiosity was unpardonably rude, and angrily +forbade me to ask further questions. And I am sure that since that one +instance of wonderful regard for the feelings of Aunt Hagar, he has +not deigned to consider the comfort and happiness of any, save and +always himself." + +As the girl's voice took on a tone of scornful sarcasm; as her cheeks +flushed and her eyes flashed while memory recalled the many instances +of unfeeling cruelty and neglect, that had brought tears to her +childish eyes and pain to her lonely heart--the eyes of Lucian Davlin +became bright with admiration, and something more; something that +might have caused her honest eyes to wonder and question, if she had +but intercepted the glance. But her thoughts had taken a backward +turn. Without looking up, perceiving by his silence that he had no +desire to interrupt her, she proceeded, half addressing herself: + +"I used to ask him about my mother, and was always informed that he +'didn't care to converse of dead folks.' Finally, he assured me that +he was 'tired of seeing my sickly, ugly face,' and that, as I would +have to look after myself when he was dead and gone, I must be +educated. Therefore, I was sent to the dreary Convent school at M----. +And there I studied hard, looking forward to the time when, having +learned all they could teach me, I might breathe again outside the +four stone walls; for, by my step-papa's commands, I was not permitted +to roam outside the sisters' domains until my studies should reach an +end. Then they brought me back, and my polite step-papa called me an +'educated idiot;' and my good old Hagar cried over me; and I made +friends with the birds, and the trees. Ever since, always avoiding my +worthy ancestor-in-law, I have been wondering what it would be like to +be happy among true friends, in a bright spot somewhere, far away from +this place, where I never have been happy for a day at a time, even as +a child." + +"Never, little girl?" The eyes were very reproachful, and the man's +hand was held out entreatingly. "Never, darling?" + +She looked up in his face shyly, yet trustfully, and then putting her +hand in his, said: "Never, until I knew you, Lucian; and always since, +I think, except--" + +She hesitated, and the color fled out of her face. + +"Except when I think that the day draws near when you will leave me. +And when the great world has swallowed you up, you will forget the +'little girl' you found in the woods, perhaps." + +A smile flitted across the face of the listener, and he turned away +for a moment to conceal the lurking devil gleaming out of his eyes. +Then, flinging away his half finished cigar, he took both her hands in +his, and looking down into her clear eyes, said: + +"Then don't let me go away from you, beauty. Don't stay here to make +dismal meditations among the gloomy trees. Don't pass all the weary +Winter with Curmudgeon, who will marry you to an old bag of gold. Come +with me; come to the city and be happy. You shall see all the glories +and beauties of the gay, bright world. You shall put dull care far +behind you. You shall be my little Queen of Hearts, to love and care +for always. Sweetheart, will you come?" + +He was folding her close now, and she nestled in his arms with perfect +trustfulness, with untold happiness shining in her bright eyes. She +was in no haste to answer his eager question, and he smiled again; and +once more the lurking devil laughed out of his eyes. But he held her +tenderly to him, in silence for a time, and then lifted the blushing +face to meet his own. + +"Look up, Aileen, my own! Is it to be as I wish? Will you leave this +place with me to-morrow night?" + +The girl drew back with a start of surprise. "You--you surely are not +going to-morrow, Lucian," and the gentle voice trembled. + +"I must, little one--have just received a letter calling me back to +the city. Your sweet face has already kept me here too long. But I +shall take it back with me, shall I not, love; and never lose it +more?" + +The girl was silent. She loved him only too well, and yet this +peremptory wooing and sudden departure struck upon her naturally +sensitive nerves as something harsh and unpleasant. She would not +leave behind much love, would be missed by few friends, and yet--to +leave her home once was to leave it forever, and it was home, after +all. She looked at the man before her, and a something, her good angel +perhaps, seemed, almost against herself, to move her to rebel. + +"Why must I go like a runaway, Lucian? I can't bear to bid you go, and +yet, if you must, why not leave me for a little time? My father will +never consent, I well know, but let me tell him, and then go openly, +after he has had time to become familiar with the idea." + +"After he has had time to lock you up! Recollect, you are not of age, +Aileen. After he has had time to force you into a marriage with your +broken-backed old lover. After he has had time to poison your mind +against me----" + +"Lucian! as if he could do _that_; _he_, indeed!" The girl laughed +scornfully. + +[Illustration: "She nestled in his arms with perfect +trustfulness."--page 11.] + +It is not difficult to guess how this affair would have terminated. +The man was handsome and persuasive; the girl trustful, loving, and, +save for him, so she thought, almost friendless. + +But an unexpected event interrupted the eloquence flowing from the +lips of Lucian Davlin, and set the mind of the girl free to think one +moment, unbiased by the mesmeric power of his mind, eye, and touch. + +They were standing in a little grove, near which ran the footpath +leading into the village of Bellair. Suddenly, as if he had dropped +from one of the wide spreading trees, a very fat boy, with a shining +face and a general air of "knowingness," appeared before them. + +"I beg pardin, sir," proclaimed he, "but as you told me if a +tellergram come for you, to fetch it here, so I did." + +And staring at Madeline the while, he produced a yellow envelope from +some interior region, and presented it to Lucian Davlin, who tore open +the cover, and took in the purport of the message at one glance. His +face wore a variety of expressions: Annoyance, satisfaction, surprise, +all found place as he read. He stood in a thoughtful attitude for a +brief time, and then, as if he had settled the matter in his own mind, +said: + +"All right, Mike. Go back now, and tell Bowers to prepare to leave +to-night. I'll come down and send the required answer immediately. +Here, take this." + +Tossing him a piece of money, Lucian turned to Madeline, over whose +face a look of sorrowful wonder was creeping. + +"'Man proposes,' my dear! Well, I am 'disposed of' for a time. It is +only one night sooner, and, after all, what matter? Will you decide +for me at once, Maidie? Nay, I see you hesitate still, and time just +now is precious. Think till to-night, then; think of the lonely days +here without me; think of me, alone in the big world, wishing and +longing for _you_. I could not even write you in safety. Think fast, +little woman; and when evening comes, meet me here with your answer. +If it must be separation for a time, dear, tell me when I shall come +back for you." + +The girl drew a breath of relief. He would come back--that would be +better. But seeing his anxiety to be gone, she only said: "Very well, +Lucian, I will be here." + +"Then, good-by till evening." + +A swift kiss, and a strong hand clasp, and he strode away. + +Trampling down the wayside daisies and tender Spring grasses; +insensible to the beauties of earth and sky; smiling still that same +queer, meaning smile, he took the path leading back to the village. +Reaching the site, where the woody path terminated in the highway, he +turned. Yes, she was looking after him; she would be, he knew. He +kissed his hand, lifted his hat with a courtly gesture, and passed out +of her sight. + +"Gad!" he ejaculated, half aloud, "she is a little beauty; and half +inclined to rebel, too. She won't go with me to-night, I think; but a +few weeks of this solitude without me, and my Lady Bird will +capitulate. The old Turk, her step-father, won't raise much of a hue +and cry at her flight, I fancy. Wonder what is the secret of his +antipathy to Miss Payne." + +He paced on, wrinkling his brow in thought a moment, and then +whistling softly as his fancies shaped themselves to his liking. +Suddenly he stopped, turned, and looked sharply about him. + +"I'll do it!" he exclaimed. "Strange if I can't extract from a broken +down old woman any items of family history that might serve my +purpose. I'll call on the nurse--what's her name--to-night." + +He glanced across the meadow to where stood the cottage of Nurse +Hagar, and, as if satisfied with himself and his brilliant last idea, +resumed his walk. Presently his pace slackened again, and he looked at +the crumpled paper which he still retained in his hand, saying: + +"It's queer what sent Cora to the city for this flying visit. I must +keep my Madeline out of her way. If they should meet--whew!" + +Evidently, direful things might ensue from a meeting between Madeline +Payne and this unknown Cora, for after a prolonged whistle, a brief +moment of silence, and then a short laugh, Davlin said: + +"I should wear a wig, at least," and he laughed again. "I wonder, by +Jove! I wonder if old Arthur's money bags are heavy enough to make a +card for Cora. Well, I'll find that out, too." + + + + +CHAPTER II. + +THE OLD TREE'S REVELATIONS. + + +Meanwhile, strange feelings filled the heart, and troublesome thoughts +the head, of Madeline Payne. + +She looked about her sorrowfully. The leafy wood seemed one of her +oldest, truest friends. Since her mother's death, she had lived, save +for the faithful regard of old Hagar, an unloved life. In the only +home she knew, she felt herself an object of dislike, and met only +cold neglect, or rude repulsion. So she had made a friend of the shady +wood, and welcomed back the birds, in early Springtime, with joyful +anticipation of Summer rest under green branches, lulled and soothed +by their songs. + +Wandering here, the acquaintance between herself and Lucian Davlin +had begun. Here six long, bright weeks of the Springtime had passed, +each day finding them lingering longer among the leafy shadows, and +drawing closer about them both the cords of a destiny sad for one, +fatal for each. + +Standing with hands clasped loosely before her, eyes down dropped, and +foot tapping the mossy turf, Madeline presented a picture of youth and +loveliness such as is rarely seen even in a beauty-abounding land. A +form of medium height which would, in later years, develop much of +stately grace; a complexion of lily-like fairness; and eyes as deep +and brown, as tender and childlike, as if their owner were gazing, +ever and always, as infants gaze who see only great, grand wonders, +and never a woe or fear. + +With a wee, small mouth, matching the eyes in expression, the face was +one to strike a casual observer as lovely--as childishly sweet, +perhaps. Yet there was something more than childishness in the broad +brow, and firm chin. The little white hands were shapely and strong, +and the dainty feet pressed down the daisies softly yet firmly, with +quiet but steady movement. + +Many a man has been mistaken in baby mouth, and sweetly-smiling eyes. +And whoso should mistake Madeline Payne, in the time to come, for +"just a child and nothing more," would reckon unwisely, and mayhap +learn this truth too late. + +Madeline sat down upon a fallen tree, where she had so often talked +with her lover. She looked up into the wide spreading branches +overhead. There was the crooked bough where she had, often and often, +in past days, sought refuge when troubled by her father's harshness, +or haunted by dreams of the mother she had hardly known. It looked +cool and inviting, as if she could think to better purpose shrouded by +the whispering leaves. She stepped upon the fallen trunk, and +springing upward, caught a bending limb, and was soon seated cosily +aloft, smiling at the thought of what Lucian would say could he see +her there. Long she pondered, silent, motionless. Finally, stirring +herself and shaking lightly an overhanging friendly branch she +exclaimed: + +"That will be best! I'll stay here for the present. I'll tell +step-papa that I love Lucian, and will never marry his friend, Amos +Adams, the old fright! I'll try and be very calm, and as dutiful as +maybe. Then, if he turns me out, very well. If he shuts me up--" Her +eyes flashed and she laughed; but there was little of mirth in the +laughter--"Why, then, I _would_ lead him a life, I think! Yes, I'll +bid Lucian good-by, for a little while, and I'll try and not miss him +too much, for--Oh!" + +She had been very busy with her own half-spoken thoughts, else she +must have sooner discovered their approach, for now they were almost +underneath her, and they were no less personages than her step-father, +John Arthur, and her would-be suitor, Amos Adams. + +Madeline was about to make known her presence, but her ear caught the +fragment of a sentence in which her name held prominent place. Acting +upon impulse, she remained a silent, unsuspected listener. + +And so began in her heart and life that drama of pain and passion, sin +and mystery, that should close round, and harden and blight, the +darkening future of Madeline Payne. + +A more marked contrast than the two men presented could scarcely be +imagined. + +[Illustration: "Madeline presented a picture of youth and +loveliness."--page 17.] + +John Arthur might have been, evidently had been, a handsome man, years +ago. But it did not seem possible that, even in his palmiest days, +Amos Adams could have been called anything save a fright. He was much +below the medium height. His head was sunken between his shoulders, +and thrust forward, and each feature of his ugly face seemed at war +with every other; while the glance of his greenish gray eye was such +as would cause a right-minded person involuntarily to cross himself +and utter, with perfect propriety, the Pharisee's prayer. + +"The mischief fly away with you, man," said Mr. Arthur, seating +himself upon the fallen tree, and striking at the ground fiercely with +his cane; "what is my dead wife to you? Madeline makes my life a +burden by these same queries. It's none of your business why the +departed Mrs. Arthur left her property to me during my life, and tied +it up so as to make me only nominal master--mine to use but not sell, +not one acre, not a tree or stone; all must go intact to Miss +Madeline, curse her, at my death." + +"Um-m, yes. Does the girl know anything of this?" + +"If she did, your chances would be slim," said the other, scornfully. +"No; I have taken good care that she should not. She has a vixenish +temper, if she should get waked up to imagine herself 'wronged,' or +any such school-girl nonsense. I shall not live many years--this heart +disease is gaining on me fast; and if the girl is your wife, in case +of my death the fortune is as good as yours, you know. I want to have +peace while I do live; and for this reason, I say, I will give you my +step-daughter in marriage, and you shall give me the note you hold +against me for that old debt, the payment of which would compel me to +live like a beggar for the remainder of my days, and the sum of ten +thousand dollars." + +"It's making a wife a rather expensive luxury," quoth old Amos, +seating himself; "but the girl's a beauty--no disputing that point; +and--" + +"Of course she is," broke in Arthur, impatiently; "worth that, and +more, to whoever wants her, which, fortunately for you, I don't; she +is only a kill-joy to me. If you want the girl, take her, and be +blessed--I'll give away the bride with all the pleasure in the +world--and 'live happy ever after.'" + +[Illustration: "What is my dead wife to you?"--page 20.] + +There was not much room for argument between these two. It was simply +a question of exchange, and when old Amos had decided that he was not +paying too dearly for so fair a piece of flesh and blood, they came to +terms without more ado, and being agreed that "it's always best to +strike while the iron is hot," Mr. Arthur suggested that his friend +return with him, accept a seat at his hospitable board, and hear +himself announced formally to Miss Madeline, as her future lord and +master. John Arthur had ever exacted and received passive obedience +from his step-daughter. He had little fear of rebellion now. How could +she rebel? Was she not dependent upon his bounty for her daily bread, +even? + +Old Amos troubled his ugly head little if any on this point. He +recognized no higher potentate than gold. He had bought him a wife; he +had but to pay the price and take possession of the property. + + * * * * * + +Madeline Payne sat long on her leafy perch, thinking fast and hard, +the expressions of her face changing rapidly as she revolved, in her +mind, different phases of the situation. Surprise gave place to +contempt, as she eyed the departing plotters from her green +hiding-place. Contempt merged into amusement, as she thought of the +wonderful contrast between the two wooers who had proffered their +respective suits, in a manner so very different, beneath that +self-same tree. A look of fixed resolve settled down upon her +countenance at last, and uncurling herself, she dropped lightly upon +the ground. + +[Illustration: "Slowly she turned away and very thoughtful was her +face."--page 24] + +Madeline had made up her mind. That it would be useless to say aught +of Lucian, she now knew too well. That she could never defy her +father's commands, and still dwell beneath her father's roof, she also +knew. She hesitated no longer. Fate, stronger than she, had decided +for her, she reasoned. Her mind once made up, she gave in it no place +to fears or misgivings. The strength of will and the spirit of +rebellion, that were dormant in her nature, began to stir into life, +roused by the injustice that would rob her of her own. She not only +had a way of escape, but that way her own inclinations lured her. With +never a fear, never a thought of the days to come, she turned from her +mockery of a home, from her parent, unnatural, unloving, and unloved, +to an unknown, untried world, which was all embodied in one +word--Lucian. + +The past held for her many dark shadows; the future held all that she +craved of joy and love--Lucian. + +In her outraged heart there was no room for grief. She had heard her +dead mother scorned, and by him who, more than all others, should have +cherished her memory and honored her name. She had heard herself +bartered away, as a parcel of goods, and her very life weighed in the +balance as a most objectionable thing. Her happiness was scoffed at; +her wishes ignored as if without existence, and contrary to all +nature; even her liberty was menaced. + +Slowly she turned away, and very thoughtful was her face as she went, +but fixed in its purpose as fate itself: and fearless still as if life +had no dark places, no storm clouds, no despair. + +Oh! they were lovely, innocent eyes; and oh! it was a sweet, sweet +mouth! But the eyes never wavered, and the mouth had no trace of +weakness in its dainty curves. You have reckoned without your host, +John Arthur. It is no commonplace school-girl with whom you have to +deal. Madeline Payne possesses a nature all untried, yet strong for +good or evil. Intense in love or hate, fearless to do and dare, she +will meet the fate you bring upon her--but woe to those who have +compassed her downfall! If your hand has shaped the destiny of her +life, she will no less overrule your future and, from afar--perhaps +unrecognized, unseen--mete out to you measure for measure! + +The grand old tree is sighing out a farewell. The sunlight is casting +fantastic shadows where her foot, but a moment since, rested. The +leaves glisten and whisper strange things. The golden buttercups laugh +up in the sun's face, as if there were no drama of loving and hating, +sin and atonement, daily enacted on their green, motherly bosom. And +Madeline Payne has put her childhood behind her, and turned her face +to the darkness beyond. + + + + +CHAPTER III. + +THE STORY OF A CRIME. + + +Nurse Hagar was displeased. She plied her knitting-needles fiercely, +and seemed to rejoice in their sharp clicking. She rocked furiously +backwards and forwards, and sharply admonished the cat to "take +himself away," or she "would certainly rock on his tail." She "wanted +to do something to somebody, she did!" She looked across the fields in +the direction of Oakley, and dropping her knitting and bringing her +chair to a tranquil state, soliloquized: + +"It's always the way with young folks; they don't never remember that +old uns have feelings. They run away after a new face, and if it's a +young one and a handsome one, they turn everybody out of their +thoughts; everybody else. Not that I think that city fellow's a +handsome chap; by no means," she grumbled; "but Maidie does; that's +certain sure. And she won't let me say a word about him--oh, no; I'm a +poor old woman, and my advice is not wanted!" + +Hagar resumed her knitting and her rocking with fresh vigor. But her +face relaxed a measure of its grimness as, looking up, her eye rested +on a dainty nosegay, tossed in at the window only that morning, by +this same neglectful young girl. + +"She don't mean to forget me, to be sure," she resumed. "She is always +kind and gentle to her old nurse. She is lonesome, of course, and +should have young company, like other girls, but--" here the needles +slacked again--"drat that city chap! I wish he had stayed away from +Bellair." + +"Goodness, auntie, what a face! I am almost afraid to come in." + +Madeline laughed, despite her anxiety, as Aunt Hagar permitted her +opinion of the "city feller" to manifest itself in every feature. + +"Get that awfully defiant look out of your countenance, auntie," +continued Madeline; "for I'm coming in to have a long talk with you, +and I must not be frightened in the beginning." + +The lovely face disappeared from the open window, and in a moment +reappeared in the doorway. + +To permit herself to be propitiated in a moment, however, was not in +the nature of Dame Hagar. + +"I s'pose you think it's very respectful to pop your saucy head in at +an old woman's window, and set her all of a tremble and then tell her, +because she is not grinning for her own amusement, that she looks +awfully cross, and that you are afraid she will bite you. You are a +nice one to talk of being afraid; you, who never showed an atom of +fear of anything from your cradle up. If you were a bit afraid, when +you were out in the woods, for instance, and meet a long-legged animal +with a smooth tongue, and eyes that ought to make you nervous, +'twouldn't be to your discredit, I think. Of course, I don't mean to +say that you don't meet him quite by accident; oh, no! And I don't +_say_ that he ain't a very nice, respectable sort of chap, whatever I +may _think_. You are just like your poor mother, and if this fellow +with a name that might as well be Devil, and done with it--" + +"There, now, auntie--" Madeline's face flushed, and she put the cat +down with sudden emphasis; "I won't let you say bad things of Mr. +Davlin, for I think you would be sorry for it afterward." + +She drew a low seat to the side of the old lady, and looking her full +in the face, spoke in a voice low, intense, full of purpose. + +"Auntie, it is time you told me more about my mother. You have evaded, +my step-father has forbidden, my questioning, but if I am ever to know +aught of my dead mother's history, I intend to hear it from your lips +to-day." + +Surprise for a time held the old woman speechless; a look of sorrow +and affection drove the querulousness out of her face and voice. + +"What ails you, child?" she said, wonderingly. "Do you want to make +Mr. Arthur hate me more, and keep you from me entirely? Don't you +know, dearie, how he swore that the day I told you these things, he +would forbid you to visit me; and if you disobeyed, take you away +where I could not even hear of you?" + +Tears were in Hagar's eyes, and she held out her wrinkled hands +imploringly. "Don't tease your old nurse, dearie; don't. I can't tell +you these things now, and they could not make you any happier, child. +Wait a little; the time will come--" + +"So will old age, auntie; and death, and all the knowledge we want, I +suppose, when it is too late to make it profitable. Well, auntie, I +will tell you something in exchange for my mother's story, and to make +it easier for you to relate it. But first, will you answer a few +questions?--wait, I know what you would say," as the old woman made a +deprecating movement, and essayed to speak. "Hear me, now." + +Hagar looked at the girl earnestly for a moment, and then said, +quietly: + +"Go on then, dearie." + +"First," pursued Madeline; "my father dislikes me very much; is this +the truth?" Hagar nodded assent. + +"He dislikes you because you were always good to me." Here she paused, +and Hagar again nodded. + +"Because you were attached to my mother." Again she paused, and again +the old woman bowed assent. + +"And because"--the girl fixed the eyes of the old nurse with her +own,--"because you were too familiar with my mother's past, and his, +and knew too well the secret of his hatred of me!" + +Hagar sat silent and motionless, but Madeline, who had read her answer +in the troubled face, continued: "Very good; I knew all this before, +and I'll tell you what else I know. I know why Mr. John Arthur hates +me!" + +Hagar opened her mouth, and shut it again quickly. + +"He hates me," pursued Madeline, "because my mother left him her +fortune so tied up that he can only use it; never dispose of it. And +at his death it reverts to me." + +Hagar still looked her amazement, and Madeline condensed the remainder +of her force into one telling shot. + +"If I would be kind enough to die, he would consider it a great favor. +But as I evidently intend to live long, he desires, of course, to see +me happy. Therefore he has bargained me in marriage to Amos Adams, for +the splendid consideration of a few thousand dollars, and the promise +of a few thousand more _if I die young_!" + +Still the bewildered look rested upon the old woman's face, and still +she gazed at the young girl before her. Suddenly, she leaned forward, +and taking the fair head between two trembling hands, gazed long at +her. As if satisfied at last with her scrutiny, she drew a deep, +sighing breath and leaned back in her chair. + +"It's true," groaned Hagar; "it's too true! She has found it out, and +my little girl has gone away;--my Baby Madeline is become a woman! +There was never a coward in all the race, and a Payne never forgave! +It has come at last," she wailed, "and now, what will she do?" + +Madeline lost not a look nor tone; and when the old woman ceased her +rocking and moaning, she suggested, with a half smile: + +"Hadn't I better marry old Adams, auntie, worry them both into +untimely graves, and be a rich young widow?" + +Hagar gazed at her in silence. And Madeline, taking her hand in her +own, said: "Shall I tell you how I discovered all this, auntie, dear?" + +"Yes, child; go on." And she bent upon the girl a look of attention. + +Madeline drew close to her side, and briefly related what had +transpired while she sat in her favorite tree; not stating, by the +bye, how it occurred that she was in the grove at that very opportune +time. Hagar's indignation was unbounded, but she continued to gaze at +Madeline in a strange, half fearful, half wondering, wholly expectant +way, that the girl could not interpret. + +"And now, Aunt Hagar," pursued Madeline, seriously, "I want to +understand this matter more fully, and I will not say a word of my +plans until you have told me what I came to hear. I shall not come to +you again for this information; it is surely my right, and time now is +precious." + +Madeline half rose, seeing that her nurse still rocked dismally and +looked irresolute. "I can bide my time, and fight my battles alone, if +need be," she continued, coldly. "I won't trouble you again, nurse," +turning as if to go. + +"Stop, child!" cried Hagar; "let an old woman think. I'll tell you all +I can; all I know. Don't turn away from your old nurse, dearie; her +only thought is for your good. Yes; you must not be left in the dark +now,--sit down child; sit down." + +Madeline resumed her seat, and old Hagar, after another season of +moaning and rocking, proceeded to relate, with many wanderings from +the point, and many interpolations and opinions of her own, the brief, +sad story of Mrs. Arthur's married life and early death. Bereft of +Hagar's ornamental extras, it was as follows: + +Madeline Harcourt, an orphan, and the adopted daughter of a wealthy +bachelor uncle, had incurred his displeasure by loving and marrying +Lionel Payne, handsome, brave to a fault, with no other wealth than +his keen intellect, his unsullied honor, and his loving, manly heart. + +[Illustration: "I can bide my time, and fight my battles alone if need +be."--page 30] + +Lionel Payne had entered upon the study of law, but circumstances +threw in his way certain mysteries that had long been puzzling the +heads of the foremost detectives, and the young law student +discovered in himself not only a marked taste for the study of +mysteries, but a talent that was remarkable. So he gave up his law +studies to become a detective. He rose rapidly in his new profession, +giving all the strength of his splendid ability to the study of +intricate and difficult cases, and became known among detectives, and +dreaded among criminals, as "Payne, the Expert." + +He had lived two happy years with his young wife, and been six months +the proud father of baby Madeline, when he fell a victim to his +dangerous pursuit, shot dead by a bullet from the hand of a fleeing +assassin. + +John Arthur had been a fellow law student with Lionel Payne, and he +had followed the career of the young expert with curious interest, +being, as much as was possible to his selfish nature, a friend and +admirer of the rising young detective. And Lionel Payne, open and +manly himself, and seeing no trace of the serpent in the seeming +disinterestedness of Arthur, introduced him proudly into his happy +home. Arthur was struck by the beauty of the young wife, and became a +frequent and welcome visitor. + +One day, there came to the office where John Arthur earned his bread +reluctantly, as a salaried clerk, the uncle of Madeline Payne. He had +come to make a will, in which he left all his possessions to his +beloved niece, Madeline, and her heirs forever after. This was several +months before the sudden death of Lionel Payne. + +Ten months after she became a widow, Madeline's uncle died. Left alone +with her little child, and with no resources but her own efforts, +Madeline's mother struggled on, ever the object of the kind +watchfulness and unobtrusive care of John Arthur, who professed to +adore the child for the sake of the father, and through the baby +Madeline, gradually won his way in the mother's esteem. Mrs. Payne was +deeply grateful, and her mother's heart was touched by the devotion of +Arthur to her little child. So it came about that, after a time, she +gave him her hand, and all of her heart that was not buried with +Lionel. A little later she learned that her uncle was dead, and she +became mistress of a handsome fortune. + +Soon came the knowledge that her husband's heart was not all gold, and +the suspicion, as well, that her uncle's will and its purport had long +been no secret to him. But, partly from force of habit, and partly +because he was not yet quiet hardened, John Arthur kept up his farce +of affection for the child. And while his wife awoke to a knowledge of +many of his short-comings, she always believed in his love for her +little one. + +The two elements that were strongest in the nature of John Arthur were +selfishness and pride. From his youth up his idols had been gold and +self. Born into the world minus that "golden spoon" for which he +sighed in youth, and schemed in later years, he had ever felt towards +said world a half-fledged enmity. As he reached the age of manhood, +his young sister was formally adopted by the only surviving relatives +of the two; and becoming in due course of time and nature sole +possessor of a very nice little fortune, afterwards held her head very +high. Later, in consequence of some little indiscretions of her +brother at the time when he was set free in the world--the result of +the popular superstition held by him that "the world owed him a +living,"--she held herself aloof from and ignored him completely. + +By degrees Mrs. Arthur's eyes became opened to the true character of +the man she had married. Moments she had of doubting, and then of +fearing that she wronged him too deeply, for her nature was a just +one. It was in one of these latter moods that she made her will, +before she had become aware that even his love for her little girl was +only a well acted lie; believing her secure of love and care during +his life, she made sure that, at his death, her darling should be +supplied with all that money could give. She had long been in the +fatal toils of that dread destroyer, heart disease, and suddenly, +before she had found opportunity for securing her little daughter +further, as she had since begun to realize it was needful to do, she +was seized with a paroxysm that snapped the frail cord of life. + +A short time before her death, she had given into the keeping of old +Hagar, a package, to be delivered to little Madeline when she should +become a woman, and with the express wish that, should John Arthur +prove a kind guardian meanwhile, she would burn the journal it +contained, unread. + +Old Hagar now placed in Madeline's hands the package, which was found +to contain her mother's most valuable jewels, and the tear-stained +journal, which the girl seated herself to peruse, with sorrowful awe. + +The last page being turned, and the sad life of her mother fully +revealed, Madeline bowed her head and wept bitterly, heedless of the +attempt of old Hagar to comfort her, until the name of her step-father +upon the old woman's lips brought her suddenly to her feet, the tears +still on her cheeks, but her eyes flashing, and on her countenance a +look that might have been a revelation to John Arthur, had that +gentleman been there to see. Taking the old woman's hand, and holding +it tightly in her own, the girl said: + +"Thanks, auntie, for recalling me. I have no time for tears now. +Listen, and don't interrupt me. My poor mother died with a heart +filled with fears for my future, left to that man's keeping. At the +time of her death, he believed himself her unconditional heir. She +feared for her life with him, and her sickness was aggravated in every +possible manner by him, and I fully believe that, in intent if not in +deed, John Arthur is my _mother's murderer_!" + +The old woman's face expressed as plainly as words could do, that she +shared in this belief. The girl went on, in the same rapid, firm tone: + +"He killed the mother for gold, and now he would sell her child. He +will fail; and this is but the beginning. As he drove my mother into +her grave, I will hunt him into his! He shall suffer all that she +suffered, and more! I know where you obtained your independence now, +Aunt Hagar; and he hates you doubly because my mother's love provided +for you a home, and for her child a haven in time of need. It was +well. Keep the old cottage open for me, Aunt Hagar. Keep an eye on +John Arthur, for my sake. Never fear for me, whatever happens. Expect +to hear from me at any time, to see me at any moment. Don't answer any +questions about me. A thousand thanks for all your love and kindness, +auntie; good-by." + +Before the old woman could recover from her astonishment, or utter a +word, Madeline had kissed her, swiftly taken up the precious package, +and was gone! Hagar hastened to the door, but the girl was speeding +swiftly down the path, and was quickly lost to view. + +"Oh! Oh! Oh!" moaned Hagar, seating herself in the doorway; "her +father's passion and her mother's pride! Sorrow and trouble before +her, and she all alone; dark, dark, dark; the world against her! +Sorrow and trouble--it's in the blood! And she'll never give it up! +She'll fight her wrongs to the bitter end. Oh, my precious girl!" and +she buried her head in her apron and wept. + +The sun's last ray had faded from the highest hill-top. The little +birds had folded their wings and hushed their warblings. Dark clouds +came sweeping up from the west, and one, heavy and black, passed above +the roof of Oakley, bent down, and rested there. Hagar, still +sorrowing in the doorway, saw and interpreted. Dark days to come to +the master of that overshadowed house. Dreary days and bitter +nights--ah, how many, before that cloud should be lifted from over it, +or light hearts beat beneath its roof. + +"I beg pardon, madame, you appear in trouble; perhaps I intrude?" + +It was Lucian Davlin's soft, lazy voice, and that disagreeable half +smile lurked about the corners of his eyes and mouth. + +"I've had more welcome visitors," said the old woman, with more truth +than politeness, and rubbing her eyes with the corner of her apron, +"what do you want?" + +"Only a small matter of information, which I believe you can give me." + +"Well," said Hagar, testily. + +"I want to make a few inquiries about Mr. Arthur of Oakley." + +"About Miss Madeline, I suppose you mean. I won't tell you a word--" + +"My dear, good woman, I don't ask nor wish any information regarding +that young lady--my inquiries solely concern the father. He is said to +be wealthy!" + +"What is John Arthur or his money to you?" she questioned, eying him +with much disfavor. + +"Nothing whatever," he indifferently replied. "I merely inquire on +behalf of a friend." + +"I'll throw him off the scent if he does mean Madeline," thought the +old woman. + +"Well, Mr. whatever your name is, if it will satisfy your friend to +know that Mr. John Arthur is master of Oakley, and everybody knows +there's no finer property in the State, and that he has a yearly +income of ten thousand or more, why, tell him or her so. And you may +as well say, at the same time, that he is too stingy and mean to keep +the one in repair, or spend decently the other. And when he +dies"--here she suddenly checked herself--"well, when he dies, his +heirs, whoever they may be, will inherit all the more because of his +meanness." + +"And who, pray, may be his heirs?" + +"How should I know who a stingy old reprobate will choose to inherit +after him? I think he has a sister somewhere, but I don't know." + +"H'm, thank you--for my friend. Good-night." + +Smiling that same Mephistophelian smile, Lucian Davlin sauntered away, +apparently satisfied with himself and what was passing in his mind. + +"He'll do," he muttered; "and she'll do him. It will be a good thing +for her, just now, and very convenient for me into the bargain. Cora's +a marvellously fine woman, but little Madeline is fresh as a rose, and +a few months of the city will make her sharp enough. Only let me keep +them apart; that's all." Satisfaction beamed in his eye and smiled on +his lip. "Pretty Madeline will be the envy of half the boulevard." + +Now he has neared the trysting tree. "I think I'll just smoke here, +and wait for my pretty bird; this is the place and almost the time." + +He smoked and he waited; the time came, and passed; his cigar expired; +the shadows deepened--but still he waited. + +And he waited in vain. No light form advanced through, the gathering +night; no sweet voice greeted him. + +The time was far past now, and, muttering an oath, the disappointed +lover strode away, and was lost in the night. + +Madeline was standing in her own room, the threshold of which John +Arthur had never crossed since the day when a silent form was borne +from it, and laid in that peaceful home, the churchyard. She had just +received the summons, for which, only, she lingered--the command of +Mr. Arthur to attend at the altar of hospitality, and pour, for Mr. +Amos Adams, the tea. + +She was attired in a neat dark garment which was vastly becoming. She +had made her toilet with more than usual care, as if, perhaps, to do +honor to her ancient suitor--at least so thought Mr. Arthur, when she +presented herself before him. + +She had put her chiefest treasures in a little, a very little, +travelling bag. And now she threw across her arm a large cloak, took +her hat, veil, and bag, and descended softly to the hall below. It was +faintly lighted from the lower end, and Madeline deposited her +belongings in a darkened niche near a door, peeped put into the night +that had come on cloudy and starless, and entered the room where +waited the two conspirators, and supper. + +John Arthur was more bland and smiling than Madeline had ever before +known him, while as for old Amos, he nearly lost himself in a maze of +grins and chuckles, but displayed a very unloverlike appetite, +nevertheless, and divided his attention pretty evenly between the +beautiful face of Madeline, and the viands on the table. + +Madeline betrayed no sign of surprise at her step-papa's unwonted +cordiality, and no annoyance at the ogling and chuckling of her +antiquated suitor. In truth, she favored him with more than one +expressive smile, the meaning of which he little guessed, as she +contrasted him once more with handsome Lucian Davlin, and smiled again +at the picture of his coming defeat. + +The meal was partaken of in comparative silence, all apparently quite +satisfied with their own thoughts--ah, how different! It was not until +old Jane, the servant, had been dismissed that Mr. Arthur drew his +chair a trifle nearer that of his friend, and leaning his arms upon +the table, looked across at Madeline, and said: + +"My dear, I believe you are aware of the honor this gentleman desires +to confer upon you? I think I have hinted at the truth upon one or two +occasions?" + +Madeline veiled her too expressive eyes behind their long lashes, but +made no reply. + +"It is my desire," he continued, surveying with satisfaction the +appearance of humility with which his words were received, "and the +desire of Mr. Adams as well, that we should come to a satisfactory +understanding to-night. We will, therefore, settle the preliminaries +at once:--this is your desire, I think, Mr. Adams?" + +"Oh, certainly! Oh, yes, yes," ejaculated old Amos, in a transport of +grins. + +"And this will, I trust,"--he was growing more stately and polite +every moment--"this, of course, is satisfactory to you, Miss +Madeline?" + +"Perfectly." She looked him full in the face now, and somehow her +glance slightly impaired his feeling of dignity and security. + +"Very good; and now having formally accepted the proffered hand of Mr. +Adams--" + +"Pardon me, sir, you are too fast. Mr. Adams has not offered +himself." + +"Nonsense,"--Mr. Arthur suddenly forgot his politeness--"haven't I +just stated his offer?" + +Madeline leaned back in her chair, and looked from one to the other +with a tranquil smile. + +"Perhaps; but unfortunately there is a law in existence which +prohibits a man from marrying his grandmother, and likewise objects, I +believe, to a young woman's espousing her step-papa, however much +adored. And as you can't marry me, my dear parent and guardian, why I +object to listening to a proposal from your lips." + +John Arthur gazed in angry consternation upon the girl's still smiling +face, but before the impatient words that he would have uttered could +find voice, old Amos, who had interpreted her smiles as being +favorable to himself, came gallantly to the rescue. + +"Right! quite right," he chuckled. "Of course, you know, Arthur--Miss +Madeline, ahem--that's what I meant, you know. It's the proper way," +he gasped; and the general expression of his countenance did not tend +to make his observations the more lucid--"I meant, you know--ah, +well--will you honor me Miss Madeline--by--by your hand, you know?" + +This effort of oratory was received with smiling attention by the +girl, who now addressed herself entirely to him, without heeding the +effect of her words upon her step-father, or his interpolations, as +she proceeded. + +"Mr. Adams;"--she spoke in a low, even tone, and gradually permitted +the real feelings that were seeking for expression to show themselves +in her every feature--"Mr. Adams, I think I appreciate _as it +deserves_ the honor you desire to bestow upon me; believe me, too, +when I say that I am as grateful as it is proper I should be. But, Mr. +Adams, I am only a mere girl, and you might pay too dearly for me." + +"What the deuce does the fool mean?" growled Mr. Arthur. + +"I don't dispute the fact that I am a perfectly marketable commodity, +and it is very right and proper that my dear step-papa--who dotes on +me, whose idol I have been for long years--should set a high valuation +upon my unworthy head. Yet this little Arcadian transaction is really +not just the thing for the present century and country. And so, Mr. +Adams, I must beg leave to thank you for the honor you proffer, and, +thanking you, to decline it!" + +For a moment no one spoke; there was neither sound nor movement in the +room. John Arthur was literally speechless with rage, and old Amos was +just as speechless from astonishment; while Madeline gazed from one to +the other unmoved. As soon as he could articulate, John Arthur +confronted her, and taking her roughly by the shoulder, demanded: + +"What do you mean, you ungrateful jade? What are you talking about?" + +"About your contract in flesh and blood, Mr. Arthur. About your very +worthy scheme for putting money in your pockets by making me this +man's wife. If I am to be sold, sir, I will make my own bargain; be +very sure of that; and _this_ is not my bargain!" + +"Don't talk to me of bargains, you little idiot! Do you think to defy +me? Do you dare to defy me?" + +His rage passed all bounds. She put the width of the table between +them and surveyed him across it, mockingly. + +"Listen, girl, I am your lawful guardian; you shall obey me!" + +"Really, now, don't, step-papa; you are actually purple in the face! +You might die, you know; think of your heart, do, and take a glass of +water." + +Old Adams collapsed in the remote corner whither he had fled. The +miser was not at home in a tempest, and this was already beyond his +depth. He gasped in speechless amaze and affright. Was this the girl +he had thought to mold as his wife, this fearless, defiant creature? +Already he began to congratulate himself upon his lucky escape. "She +would murder me some day," he thought, shuddering. + +For the time being, John Arthur was a madman. Defied, mocked, by this +girl who had been a burden to his very life! He raged, he raved, he +cursed; and so raging and raving, he cursed her, and then in vile, +bitter words hurled his anathema at her dead mother's memory. + +Then the mocking smile was gone, the taunting voice changed its tone; +and as it changed, old Amos, cowering in his corner, shuddered afresh. +Her whole face underwent a transformation. Her form dilated, she +sprang before her step-father and the ring of her voice checked the +imprecations on his lips. + +"Stop," she cried; "don't add the last drop to your already overfull +measure! Don't double the force of the thunderbolt that will strike +you some day! Is it not enough that you have hated me all my life +through; that you have loaded down my childhood with unkind words, +curses, and wishes for my death? Not enough that you follow me with +your hatred because my mother's own will be mine at your death? Not +enough that you would barter my life--yes, my _life_--for gold, sell +my heart's blood for your own ease and comfort? And now must you +pollute the name of my mother, as you polluted her life? Never breathe +her name again; never _dare_ to name her! I, her daughter, tell you +that for her every tear, every heart pang, every sigh, _you_ shall pay +dearly; _dearly!_ I will avenge my mother's wrongs, some day; for _you +are her murderer_!" + +[Illustration: "I will avenge my mother's wrongs some day; for _you +are her murderer_."--page 42.] + +John Arthur gazed in speechless amaze into the space before him--but +she was gone! The stern, vengeful, set face was no longer there. The +proud, ringing voice was no longer sounding in his ear. The uplifted, +warning, threatening hand menaced him only in memory. And before the +might of her purpose, and the force of her maledictions, he stood as +in a trance. + +When he had so far recovered himself as to think of her sudden +disappearance, he went out quickly. The entrance door stood wide open; +the dim light flickered on an empty hall and stairway; the sky was +black with clouds, and never a star; the wind moaned about the house; +and across the meadow came the doleful howl of old Hagar's watch-dog. + +But Madeline was not to be found. + +Always, in the days to come, he remembered her face as it had looked +on him that night. Often in dreams he would start and cry out, haunted +by the sound of her scornful voice, the spectre of her threatening +hand. + + + + +CHAPTER IV. + +THE DIE IS CAST. + + +Lucian Davlin paced the platform of the Bellair depot, in a very +unpleasant frame of mind. + +His companion,--half servant, half confederate, wholly and entirely a +rascal,--discerning his mood and, as ever, adapting himself to it, had +withdrawn to a respectful distance. Only the shine of his cigar, +glowing through the darkness, betokened his proximity, or the fact +that the dark platform was not in the sole possession of the sullen +man who paced its brief length, and questioned the Fate in which he +trusted, and which, for once, had played him a sorry trick. + +[Illustration: "Gad! to be baffled like this!"--page 46.] + +He had been deceived by a mere school-girl. She had not even deigned +him a farewell word. He had lost a fair prize. + +"Gad!" he muttered, biting viciously at his cigar, "to be baffled like +this; to lose that little beauty; to be foiled like a moon-struck +idiot and never know how or why! I can't write her, with that cursed +old step-father to interfere. I can't return again very soon. And she +_is_ such a little beauty!" + +He paused at the end of the darkened platform, and looked down the +track; in the direction of the grove where they had met, and of +Madeline's home. It was almost time for the train. At the upper end of +the platform, the station master flashed his lantern, tumbled the +luggage closer to the track and examined the checks critically; while +the Man of Tact came out from his retirement and overlooked the +proceeding. + +Something was coming down the track, swiftly, silently. He could just +discern a shape moving toward him. It came nearer, and he moved up a +few paces, and turned again where the lantern's rays fell upon him. It +came nearer yet and paused in the shadow. It was a woman's form, and +it beckoned. He approached carelessly. + +"Lucian!" She came close to him, and placed her hand upon his arm, +drawing her breath hard and quick. + +He drew her farther into the shadow and clasped his arms about her. +"Little one! You have walked fast,--how your heart beats! I had given +you up. Is it 'good by,' dear?" + +She silently held up the little chatelaine, which he felt rather than +saw, and took from her hand. In the darkness, he smiled again the old +exultant smile not good to see, and pressing her closer in his arms, +said: + +"Don't try to talk, sweet one; see, yonder comes our fiery horse and +soon we will be far on our way. Take my arm, little one, and trust him +who loves you. Look your last at the scene of your past +loneliness,--to-morrow comes the gay world." + +Rattling and shrieking, the train approached. Lucian hurried his +companion upon the rear platform; and neither his comrade, who entered +the smoking car without looking about him, nor the station master, +busy with his trunks and valises, observed that a third passenger +quitted Bellair station on the night express. + +About them, the passengers nodded, yawned or slept. Outside, swiftly +passing darkness. And every moment was hurrying her farther and +farther away from all familiar scenes and objects, out to a life all +untried, a world all new and strange. But she never thought of this. +She was not elated, neither was she cast down. She felt no fear;--and, +afterwards, she remembered that she indulged in no bright visions of +the future during her swift flight. + +She had prepared herself to relate her story, to describe the scene +she had just passed through, to tell him all. But he had other things +to occupy his mind, and bidding her to rest and save all she might +have to relate until the morrow, he relapsed into silence and thought, +only now and then gently speaking a word, and looking after her +comfort with a happy grace possessed by few, and so powerful in the +winning of a woman. + +On, on, through the black night--youth and age, joy and sorrow, hope +and despair, good and evil; on together through the night; on, on. +Near to the great city; near to the welcome, dark or bright, awaiting +the journey's end. Blacker grew the night, wilder shrieked the wind in +angry protest against the defiant, fiery, resistless monster upon +whom its rage fell impotent. Now pausing; now rushing on with a shriek +and a roar; nearer, nearer to the scene of the new life, dawning +grimly upon the fair girl, all unconscious, unheeding. + +They halted at a wayside station--just one of those little hamlets +only a few miles removed from, and really a part of the great city. +One passenger came on board, sauntering down the coach's length +listlessly, wearily. He threw himself into a reversed seat in a half +reclining attitude, and so his careless, wandering gaze fell first +upon Madeline, seated opposite and very near. + +She sees him just as she sees the rest, vaguely. She remembers, later, +that he had a good face and that she had thought it then. But confused +and wearied in mind and body, she feels no inclination to observe or +think. So they were hurried on, and no whisper of her heart, no +quickening of the pulses, or sensation of joy or fear, warned her that +she was sitting under the gaze and in the presence of the good and the +evil forces that were to compass and shape her life. + +Open your eyes, oh, Madeline, before it is too late. See the snare +that is spreading beneath your feet; read aright the bright glance +that shines on you from those handsome, fateful eyes. Interpret truly +the smile turned on you now. Alas! what woman ever saw guile in the +eyes of the man she loved? Never one, until those eyes have ceased to +smile upon her, and her fate is sealed. What one ever yet recognized +the false ring of the voice that had never, as yet, addressed her save +in honeyed tones, that seemed earth's sweetest music to her ears? +None, until the voice had changed and forgotten its love words; none, +until it was too late. + +What Madeline saw, was a man who was to her the embodiment of all +manly grace, her all of joy and love, of truth and trust. And, sitting +opposite, just a young man with fair curling hair, and frank blue +eyes; with a fine manly face, and an air of refinement. A very nice +young man; but not like her hero. + +Not like her hero? No, thank heaven for that, Madeline, else your way +would have been far more drear, else your life might have known never +a ray of sunlight, in the long days to come. + +On, on; nearer and yet nearer the long journey's end. Both thinking of +her, but how differently! + +One pityingly, sadly, fearing for her fate, longing to save her from +the precipice which she could not see and still wear that look of +sweet trustfulness. + +One triumphantly, as of a fair prize gained; a new tribute to his +power and strength; another smile from Chance; one more proof that he +was a favored one of Fortune, and that life ever gave him good things +from out the very best. + +They are very near their journey's end now, and Lucian Davlin whispers +briefly to Madeline, and lounges out to give some necessary directions +to the neglected companion of his wanderings. + +Hastily the young man opposite rises, and crossing to Madeline bends +over her, speaking hurriedly. + +"Pardon me, madame, but are you a stranger to the city?" + +"Yes." After giving her answer she wonders why she did it, remembering +that it is from a stranger the question comes, and that it is +therefore an impertinence. + +"I thought as much!"--the blue eyes look troubled, and the manly voice +hurries on. "The time may come, I hope it will not, when you will need +a friend. If so, this card bears my address,--take it, keep it, and +believe me, I speak from honest motives and a desire to serve you." + +He drops a card in her lap, and as she makes a gesture of repulsion, +he says, entreatingly: "Take it; _in the name of your mother_ I ask +it." + +She snatches up the card impulsively, and looks for one moment +straight in his eyes. Then drawing a long sighing breath says, simply, +"I will," and turns away as she puts it in her pocket, never so much +as glancing at it. + +"Thank you." He lifts his hat, and resumes his seat and his former +attitude just as Lucian reappears. + +Now all was bustle and confusion, the journey's end was reached; and +through the hurrying, jostling crowd, past flickering lamps, and +sleepy guards, they went under the dusky arches of the mammoth city +station, out among the bawling 'bus drivers and brawling hackmen, past +them, until a carriage, that seemed to be in waiting for them just +beyond the noisy crowd, was reached. Stepping into this, they were +about to drive away when, in the shadow, and very near them, Madeline +discerned the form of the Unknown of the railway train. Then Lucian +gave the order from the carriage window, and they rolled away. + +The man in the shadow heard, and stepping into the nearest carriage, +repeated the order given by Lucian the moment before, adding: "Quick; +don't lose a moment!" + +And thus it was that a carriage passed swiftly by that which contained +Davlin and his companion, and the flash of their vehicle's lamp showed +Madeline the face looking from its window. + +Again that face seen in the shadow--how strange, thought she; but her +lover was speaking and she forgot all else. + +[Illustration: "Take it; _in the name of your mother_ I ask it.--page +50.] + +"Darling, I must leave you soon. I came up to-night on a matter of +business, and to meet a friend who will leave to-morrow early. I must +therefore keep my appointment to-night, late as it is; or rather this +morning, for it is midnight and past. You will not be afraid, dear, +left alone for a little while in a great hotel?" + +"I am not afraid, Lucian, but--" + +"But lonely; is that it? Well, sweetheart, it's only for a little +while, and to-morrow I will come for you, and all shall be arranged. +We'll have no more separations then. Rest well and at noon to-morrow +be ready; I will be with you then. Meantime, your every want will be +supplied, and let the morrow find my little treasure bright-eyed and +blooming." + +"Oh, Lucian, Lucian! how strange this seems. I can't realize it at +all." + +He laughed lightly. "Not afraid, little one?" + +"Not afraid, Lucian, no; but I can't explain or describe my feelings. +I suppose I need rest; that is all." + +"That is all, depend upon it; and here we are. One kiss, Madeline, the +last till to-morrow." + +He folded her tenderly in his arms, and then sprang lightly from the +carriage. + +Up and down, far as the eye could see, the street lamps glittered, and +as Madeline stepped from the carriage she observed another roll away. +High above her loomed the great hotel, and after midnight though it +was, all here was life and bustle. The scene was novel to the half +bewildered girl. Clinging to her lover's arm, she entered the +reception-room and, sitting opposite the door, saw a form pass in the +direction Lucian had taken, as he went to register her name and order +for her "all that the house could afford." + +"I did not give your real name, because of your step-father, you +know," said Lucian, upon his return. "I registered you as Miss Weir, +that name being the first to occur to me." + +She looked a trifle disturbed, but said nothing. A few words more and +a servant appeared. + +"To conduct you to your room," said Lucian. + +Together they moved towards the door; there he lifted his hat, with +profound courtesy, and said in a very audible tone: "Good-night, Miss +Weir; I will call to-morrow noon; pleasant dreams." + +"To-morrow noon," she echoed. + +As she watched his retreating figure, another passed her; a man who, +meeting her eye, lifted _his_ hat and passed out. + +"He again!" whispered the girl to herself; "how very strange." + +Alone in her room, the face of this man looked at her again, and +sitting down, she said, wearily: "Who is he? what does he mean? His +name--I'll look at the card." + +Taking it from her pocket, she read aloud: Clarence Vaughan, M. D., +No. 430 B---- street. + +"Clarence Vaughan, M. D.," she repeated. "What did he mean? I must +tell Lucian to-morrow; to-night I am too weary to think. Search for +me, John Arthur; find me if you can! To-morrow--what will it bring, I +wonder?" + +Weary one, rest, for never again will you sleep so innocently, so free +from care as now. Sleep well, nor dream! + +She slept. Of the three who had been brought into contact thus +strangely, Madeline slept most soundly and dreamed the brighter +dreams. + +It was the last ray of her sunlight; when the day dawned, her night +began. + + + + +CHAPTER V. + +A SHREWD SCHEME. + + +An elegant apartment, one of a suite in a magnificent block such as +are the pride of our great cities. + +Softest carpets, of most exquisite pattern; curtains of richest lace; +lambrequins of costly texture; richly-embroidered and velvet-covered +sleepy-hollows and lounging chairs; nothing stiff, nothing that did +not betoken abandonment to ease and pleasure; downy cushions; rarest +pictures; loveliest statuettes; finest bronzes; delicate vases; +magnificent, full length mirrors, a bookcase, itself a rare work of +art, containing the best works of the best authors, all in the richest +of bindings--nothing here that the most refined and cultivated taste +could disapprove, and yet everything bespoke the sybarite, the +voluptuary. A place wherein to forget that the world held aught save +beauty; a place for luxurious revelry, and repose filled with lotus +dreams. + +Such was the bachelor abode of Lucian Davlin, as the glowing gas +lights revealed it on the dark night of the arrival of this gentleman +in the city. + +Moving restlessly about, as one who was perfectly familiar with all +this glowing richness, only because movement was a necessity to her; +trailing her rich dress to and fro in an impatient promenade, and +twisting recklessly meantime a delicate bit of lace and embroidery +with plump, white fingers--a woman waited and watched for the coming +of Lucian Davlin. + +A woman, fair of face, hazel-eyed, sunny-haired, with a form too plump +to be quite classical, yet graceful and prepossessing in the extreme. +A very fair face, and a very wise one; the face of a woman of the +world, who knows it in all its phases; who is able, in her own +peculiar manner, to guide her life bark successfully if not correctly, +and who has little to acquire, in the way of experience, save the art +of growing old gracefully and of dying with an acquitted conscience. + +No unsophisticated girl was Cora Weston, but a woman of +eight-and-twenty; an adventuress by nature and by calling, and with +beauty enough, and brains enough, to make her chosen profession +prosperous, if not proper. + +She paused before a mirror, carefully adjusting her fleecy hair, for +even in pressing emergencies such women never forget their personal +appearance. This done, she pondered a moment and then pulled the bell. +A most immaculate colored gentleman answered her summons and, bowing +low, stood waiting her will. + +"Henry, is it not time that your master were here? The train is +certainly due; are you sure he will come? What did he telegraph you?" + +"That he would arrive on the one o'clock express, madame; and he never +fails." + +"Very well. If he does not appear soon, Henry, you must go and inquire +if the train has been delayed, and if so, telegraph. My business is +imperative." + +The well trained servant bowed again, and, at a signal from her, +withdrew. Left alone, she continued her silent march, listening ever, +until at length a quick footstep came down the passage. Flinging +herself into the depths of a great easy chair, she assumed an air of +listless indifference, and so greeted the new comer. + +"Gracious heavens, Cora! what brings you here like this? I thought you +had sailed, and was regretting it by this time." + +He hurried to her side and she half rose to return his caress. Then +sinking back, she surveyed him with a lazy half smile. "I wonder if +you are glad to see me, Lucian, my angel; you are such a hypocrite." + +He laughed lightly, and threw himself into a seat near her. "Candid +Cora, you are not a hypocrite,--with me," and he looked admiringly yet +impatiently at her. "Come," he said, at length, as she continued to +tap her slender foot lazily, and to regard him silently through half +closed lashes: "what does it all mean? Fairest of women, tell me." + +"It means, _Mon Brave_, that I did not sail in the _Golden Rose_; I +only sent my hat and veil." + +"Wonderful woman! Well, thereby hangs a tale, and I listen." + +"I came back to see--" + +"Not old Verage?" he interrupted, maliciously. + +"No, hush: he saw me safely on board the _Golden Rose_--very gallant +of him, wasn't it?" + +"Rather--yes, considering. And if I did not know Miss Cora Weston so +very well, I should be surprised at all this mystery; as it is, I +simply wait to be enlightened." + +"And enlightened you shall be, monsieur." + +She threw off her air of listlessness and arose, crossing over and +standing before him, leaning upon a high-backed chair, and speaking +rapidly. + +Lucian, meantime, produced a cigar case, lit a weed, and assuming the +attitude and manner she had just abandoned, bade her proceed. + +"You see," she said, "I did not like the idea of quitting the country +because of a little difference of opinion between myself and an old +idiot like Verage." + +"A difference of some thousands out of pocket for him; well, go on." + +"Just so, comrade mine. Well, fortune favored me; she generally does. +I learned, at almost the last moment, that a lady of my acquaintance +had taken passage in the same vessel. I interviewed her, and found her +in the condition of the good people in novels who have seen better +days; her exchequer was at low ebb, and, like myself, she had reasons +which induced her to emigrate. I did not inquire into these, having no +reason to doubt the statement, but I accompanied her on board the +_Golden Rose_, bade her a fond farewell, and bequeathed to her my +street apparel and a trifling sum of old Verage's money. In exchange, +I donned her bonnet and veil, and adopted her rather awkward gait, and +so had the satisfaction of seeing, on my return to terra firma, old +Verage gazing enraptured after my Paris bonnet and floating veil as it +disappeared with my friend, outward bound." + +"Well, what next? All the world, your world, supposes you now upon the +briny deep. Old Verage will be rejoiced to find you here in the city; +what then?" + +"I think he will," said Cora, dryly, "when he does find me. I did not +come here in the dark to advertise my arrival." + +"Bravo, Cora," he patted her hands softly; "wise Cora. You are a +credit to your friends, indeed you are, my blonde beauty." + +She laughed softly;--a kittenish, purring laugh. + +"Well, Lucian, time flies and I throw myself on your mercy. Recommend +me to some nice quiet retreat, not too far from the city, but at a +safe distance; put me in a carriage, at daylight, which will carry me +out to some by-station, where I can take passage behind the iron +horse, unmolested, for fresh fields and pastures new." + +Davlin pondered a moment as if he had not already decided upon his +course of action. He knew the woman he had to deal with, and shaped +his words accordingly. "A retired spot,--let me see. I wonder, by +Jove,"--brightening suddenly, "I think I have the right thing for +you." + +"Well, when Lucian Davlin 'thinks' he has a point, that point is +gained; proceed, man of might." + +"You see," began Lucian, in a business-like tone, "I took one of my +'skips' for change of scene and recreation." + +"And safe quarters until the wind shifted," interrupted she. "Well, go +on." + +He laughed softly, "Even so. We children of chance do need to take +flying trips sometimes, but I did not set out for Europe, Cora mine, +and I wore my own clothes home." + +"Bravo! But old Verage don't want you, and the wind _has_ changed; +proceed." + +"Well, as usual, I found myself in luck, and if I had been a nice +young widow, might have taken Summer quarters in the snug little +village of Bellair." + +"Not being a widow, relate your experience as a rusticating gentleman +at large. You excite my curiosity." + +Lucian removed his cigar from between his lips, and lazily +contemplated his fair _vis a vis_. + +"How long a time must elapse before the most magnificent of blondes +will think it fitting, safe, and," with a slight smile, "expedient to +return and resume her sovereignty here, on this hearth, and," striking +his breast theatrically, "in this heart?" + +The "most magnificent of blondes" looked first, approvingly, at her +image displayed in the full length mirror opposite, then coolly at her +interrogator. + +"Hum! that depends. The lady you so flatter can't abide dullness and +inaction, and too much stupidity might overcome her natural timidity, +in which case even my ardent old pursuer could not scare me into +submission and banishment. If I could only find an occupation, now, +for my--" + +"Peculiar talents," he suggested; "that's just the point. And now, I +wonder if you wouldn't make a remarkably charming young widow?" + +"So you have an idea, then, Lucian? Just toss me a bunch of those +cigarettes, please,--thank you. Now a light; and now, if it's not +asking too much, will you proceed to explain yourself, and tell me +what fortunate being you desire me, in the character of a fair widow, +to besiege? What he is like; and why?" + +"Admirable Cora! what other woman could smoke a cigarette with such a +perfect air of doing the proper thing; so much of Spanish grace." + +"And so much genuine enjoyment," she added, comfortably. "Smoke is my +poetry, Lucian. When far from my gaze, and I desire to call up your +most superb image, I can do so much more comfortably and +satisfactorily inspired by my odorous little Perique." + +"Blessed Perique! Cora shall have them always. But back to my widow; +an absence of six months, perhaps, would be a judicious thing just +now, you think?" + +"More would be safer," she smiled, "if the Peri can keep aloof from +Paradise so long." + +"How would the Peri fancy taking up her permanent abode outside the +walls of Paradise?" + +She removed the fragrant gilded cigar in miniature from between two +rosy, pursed-up lips, and surveyed him in mute astonishment. + +"Provided," he proceeded, coolly, "provided she found a country home, +bank account, and equipage to her liking, with everything her own way, +and ample opportunities for trips to Paradise, making visits to her +brother and her city friends--and a fine prospect of soon becoming +sole possessor of said country mansion, bank stock, etc.?" + +She placed the tiny weed once more between her lips, and sending up +perfumed, curling little volumes of smoke, settled herself more +comfortably and said, nonchalantly, "That depends; further +particulars, please." + +It was wonderful how these two understood each other. She knew that he +had for her a plan fully matured, and wasting no time in needless +questionings, waited to hear the gist of the whole matter, assured +from past experience that he would suggest nothing that would be an +undertaking unworthy of her talent, and he knew that she would weigh +his suggestions while they were being made, and be ready with her +decision at the close. + +Long had they plotted and prospered together, these two Bohemians of +most malevolent type; and successfully and oft played into each +other's hands. Never yet had the good fortune of the one been devoid +of profit to the other; knowing this, each felt safe in accepting, +unquestioned, the suggestions of the other; and because of this, she +felt assured now that, in this present scheme, there was something to +be gained for him as well as herself. + +When the looker-on wonders idly at the strength of ties such as those +which bound together these two, and the length of their duration, he +has never considered their nature--the similarity of tastes, +similarity of pursuits, and the crowning fact of the mutual benefit +derived from such association. + +Find a man who lives by successful manipulations of the hand-book of +chance, and who bows to the deity of three aces; who finds victims in +fortified places, and whose most hazardous scheme is surest of +success; who walks abroad the admired of his contemporaries, who envy +him his position as fortune's favorite in proportion as they ply their +own similar trade near the foot of the ladder of chance; who shows to +men the dress and manner of a gentleman, and to the angels the heart +of a fiend--and you will find that man aided and abetted, upheld and +applauded, by a woman, his fitting companion by nature or education. +She is unscrupulous as he, daring as he, finding him victims that his +arm could not reach; plying the finer branch of a dangerous but +profitable trade; sharing his prosperity, rescuing from adversity; +valued because necessary, and knowing her value therefore fearing no +rival. + +Cora was beautiful in Davlin's eyes, and secure in his affections, +because she was valuable, even necessary, to him. He cared for her +because in so doing he was caring for himself, and placing any "card" +in her hands was only the surest means of enlarging his own pack. +While she, for whether a woman is good or bad she is ever the slave of +her own heart, recognizing the fact of the mutual benefit resulting +from their comradeship, and improving, in her character of a woman of +the world, every opportunity to profit by him, yet she saw in him the +one man who possessed her love. Though the life she had led had worn +out all the romantic tendencies of her nature, and had turned the +"languishing of her eye" into sharp glances in the direction of the +main chance, still she lavished upon him the best of her heart, and +held his interest ever the equal of her own. After the manner of such, +they were loyal to each other. + +"Then," pursued Lucian, "listen, and a tale I will unfold." + +In his own way, he proceeded to describe the intended victim; his +home, his wealth, his state of solitude, together with the facts he +had gathered up here and there relative to his leading characteristics +and weaknesses, whereby he might be successfully manipulated by +skilled hands. The boldness of his plan made even Cora start, and +instead of her usually ready decision and answer, she favored him with +a wondering, thoughtful stare. + +"You see," concluded Lucian, "he can't live forever at the worst, and +the estate is a handsome one. You could easily make yourself queen +absolute of the situation, and go and come at your own sweet will. I +think as a good brother I should be a magnificent success, and an +ornament to your country mansion in the lazy Summer." + +"And if I don't approve of the speculation after a trial, I can commit +suicide or vanish," Cora said, meditatingly. + +"Just so," laughed he; "and take the spoons." + +"You are sure there are no incumbrances; perfectly sure of that?" she +questioned. + +"Perfectly sure. There was a step-daughter, but she ran away with some +foreigner;" here he smiled, and veiled his eyes, lest she should read +aright their expression. "He would not give her a penny, or a crust of +bread, were she to return. He hated her from her earliest day; but she +is not likely to reappear in any case." + +"If she should, you might marry her, you know," she suggested, +maliciously. + +"So I might," he said, shutting his eyes again; "and we would all +settle down into respectable members of society--charming picture. +But, jesting aside, how do you like the prospect?" + +She tossed away her cigarette and, rising, paced the room in silence +for a few moments. + +Lucian whistled, softly, a few bars from a favorite opera; then +lighted a fresh cigar, and puffed away, leaning lazily back and +watching her face furtively out of half closed eyes. + +"I think," she said, resuming her seat, "that I will take a nearer +view of this 'prospect' of yours." + +He nodded his head and waited for her to proceed. + +"I think the _rôle_ of widow might interest me for a little time, so +I'll take myself and my 'delicate constitution' down to your promising +haven of rest. I'll 'view the landscape o'er,' and the prospect of an +opportunity for a little sharp practice will make my banishment more +endurable; of course, my resignation will increase as the situation +becomes more interesting." + +"Which it is sure to do," he said, rising quickly and crossing to the +window. "The thing is as good as done; you always accomplish what you +undertake; and you'll find the game worth the powder. The fact is, +Cora," he continued, seriously, "you and I have engineered so many +delicate little affairs successfully, here in the city, that, as a +combination, we are pretty well known just now; too well, in fact, for +our own ease and comfort. Your supposed trip to Europe was a lucky +thing, and will throw all officiously-interested ones off your track +completely. I shall limit my operations here for a time; shall make +this merely headquarters, in fact, and 'prospect,' like yourself, in +fresh fields. And now, it being nearly morning, and quite necessary +that you should be on your victorious march, let us consider final +ways and means." + +In a concise, business-like way, they arranged and discussed, the +result of the whole being briefly this: + +Cora would drive at early dawn to a suburban station, and from thence +go by rail to a village midway between the city and her final +destination; and there await her luggage, and the arrival of Lucian. +He would join her shortly, and proceed with her to Bellair, in his +character of brother; see her comfortably settled, and leave her to +her new undertaking. + +And thus it was that in the gray of morning a veiled lady, +sweet-voiced and elegant in manner, stepped from a close carriage at a +little wayside station, and sped away at the heels of the iron horse. + +And thus it was that Lucian Davlin, reappearing in Bellair and +listening in well simulated surprise to the story of the sudden +disappearance of John Arthur's step-daughter, effectually put to +flight any idea--forming in the brains of the few who knew, or +conjectured, that these two had met--that he had aught to do with her +mysterious flitting. In truth, none save old Hagar knew of the +frequency of their clandestine meetings, and she never breathed to +others the thoughts and suspicions that haunted her brain. + +And thus it was, too, that Cora Weston, in her new _rôle_ of +languishing widow, secluded carefully from the vulgar gaze, heard +never a word of Madeline's flight. And when, later, the fact was +revealed to her, none save old Hagar could have named the precise date +of the event. So even wise Cora never connected the fate of the +unfortunate girl with the doings of Lucian Davlin. + + + + +CHAPTER VI. + +A WARNING. + + +Early morning in the great city, but the buzz and clamor were fairly +under way, and the streets as full of busy, pushing, elbowing life as +if night and silence had never rested above the tall roofs and chimney +pots. + +With the rattle of the first cart wheel on the pavement, Madeline had +started broad awake. As the din increased, and sleep refused to return +to the startled senses, all unused to these city sounds, she arose, +and completing her toilet with some haste, seated herself at her +window to look out upon the scene so new to her. + +What a world of strange emotions passing and repassing beneath her +eye! What hopes and fears; what carelessness and heartache! How they +hurried to and fro, each apparently intent upon his own thoughts and +purposes. + +She gazed down until her vision wearied of the motley, ever-changing, +yet ever the same crowd; and then she reclined in the downy depths of +a great easy chair, closed her eyes, and thought of Lucian. After all, +what meaning had this restless moving throng for her? Only one; +Lucian. What was this surging sea of humanity to her save that, +because of its roar and clamor, they two were made more isolated, +therefore nearer to each other? + +The morning wore away, and she began to realize how very soon she +should be with her hero, and then no more of separation. Her heart +bounded at this thought. + +Some one tapped softly at her door. She opened it quickly, thinking +only of Lucian. It was not Lucian, however, but a veiled woman who +stepped within the room, closing the door as she came. + +Madeline fell back a pace, and gazed at the intruder with a look of +startled inquiry which was, however, free from fear. She had not +thought of it before, it flashed across her mind now that this fact +was odd; but in all her morning's ruminations, she had not once +thought of the mysterious stranger of the railway episode. Yet now the +first words that took shape in her mind, at the entrance of this +unexpected visitor, were "Clarence Vaughan, M. D." She almost spoke +them. + +With a quick, graceful movement, the stranger removed the shrouding +veil; and Madeline gazed wonderingly on the loveliest face she had +ever seen or dreamed of. It was a pure, pale face, lighted by lustrous +dark eyes, crowned by waving masses of dark silky hair; exquisitely +molded features, upon which there rested an expression of mingled +weariness and resignation, the look of + + "A soul whose experience + Has paralyzed bliss." + +One could imagine such a woman lifting to her lips the full goblet of +life's sparkling elixir, and putting it away with her own hand, lest +its intoxicating richness should shut from her senses the fragrance of +Spring violets, and dim her vision of the world beyond. + +They formed a decided contrast, these two, standing face to face. + +One, with the calm that comes only when storm clouds have swept +athwart life's sky, leaving behind marks of their desolating progress, +but leaving, too, calm after tempest; after restlessness, repose. + +The other, stretching out her hand like a pleased child to woo the +purple lightning from the distance, buoyant with bright hopes, with +nothing on brow or lip to indicate how that proud head would bear +itself after it had been bowed before the passing storm. + +"Pardon me," said the lady, in a sweet contralto. "I think I am not +mistaken; this is the young lady who arrived last evening, and is +registered,"--she looked full in the girl's eyes--"as Miss Weir?" + +Madeline's eyes drooped before that searching gaze, but she answered, +simply: "Yes." + +[Illustration: "I have not yet introduced myself. Here is my +card."--page 68.] + +"You are naturally much astonished to see me here, and my errand is a +delicate one. Since I have seen you, however, I have lost every doubt +I may have entertained as to the propriety of my visit. Will you trust +me so far as to answer a few simple questions?" + +The words of the stranger had put to flight the first idea formed in +her mind, namely, that this visit was a mistake. It was intended for +her, and now, who had instigated it? She looked up into the face of +her visitor and said, with her characteristic frankness of speech: + +"Who sent you to me?" + +The abruptness of the question caused the stranger to smile. + +"One who is the soul of honor and the friend of all womankind," she +said, with a soft light in her eyes. + +Madeline's eyes still searched her face. "And his name is that," she +said, putting the card of Clarence Vaughan upon the table between +them. + +"Yes; and this reminds me, I have not yet introduced myself. Here is +my card." + +She placed in the hand of Madeline a delicate bit of cardboard bearing +the name, "Olive Girard." + +Silence fell between them for a moment, and then Olive Girard spoke. + +"Won't you ask me to be seated, and hear what I wish to say, Miss +Weir?" + +She hesitated over the name, and Madeline, perceiving it, said: + +"You think Weir is not my name?" + +"Frankly, I do," smiled Mrs. Girard; "but just now the name matters +little. Pardon me, but I am more interested in your face than your +name. I came here because it seemed my duty, and to oblige a friend; +now I wish to serve you for your own sake, to be your friend, if you +will let me." + +Still Madeline's brain kept thinking, thinking; and she put her +questions rather as commentaries on her own thoughts than as her share +in a conversation. + +"Why did Mr. Vaughan send you to me?" + +They had seated themselves, at a sign from Madeline, and Mrs. Girard +drew her chair nearer to the girl as she answered: + +"Because he feared for you." + +"Because he _feared for me_!" Madeline's face flushed hotly; "feared +what?" + +"He feared," said Olive Girard, turning her face full upon her +questioner, "what I feel assured is the truth, having seen you--simply +that you do not know aright the man in whose company you came to this +place." + +Madeline turned her eyes upon her guest and the blood went slowly out +of her face, but she made no reply, and Mrs. Girard continued: + +"I will ask you once more, before I proceed further, do you object to +answering a few questions? Of course I am willing to be likewise +interrogated," she added, smiling. + +Over the girl's face a look was creeping that Aunt Hagar, seeing, +could readily have interpreted. She nodded her head, and said briefly: +"Go on." + +"First, then," said her interrogator, "are you entirely without +friends in this city? Except, of course," she added, quickly, "your +escort of last night." + +"Yes." Madeline's countenance never altered, and she kept her eyes +fully fixed on her companion's face. + +"Are--are you without parents or guardian?" + +"Yes." + +"As I thought; and now, pardon the seeming impertinence of this +question, did you come here as the companion of the man who was your +escort, or did mere accident put you under his charge?" + +"The 'accident' that put me in the charge of Mr. Davlin was--myself," +said the girl, in a full, clear voice. "And he is my only guardian, +and will be." + +Olive Girard pushed back her chair, and rising, came and stood before +her, with outstretched hand and pleading, compassionate eyes. + +"Just as I feared," she sighed; "the very worst. My poor child, do you +know the character and occupation of this man?" + +Madeline sprang to her feet, and putting one nervous little hand upon +the back of the chair she had occupied, moved back a pace, and said, +in a low, set tone: + +"If you have come to say aught against Lucian Davlin, you will find no +listener here. I am satisfied with him, and trust him fully. When I +desire to know more of his 'character and occupation,' I can learn it +from his own lips. What warrant had that man," pointing to Clarence +Vaughan's card, "for dogging me here, and then sending you to attempt +to poison my mind against my best friend? I tell you, I will not +listen!" + +A bright spot burned on either cheek, and the little hand resting on +the chair back clinched itself tighter. + +Olive Girard drew a step nearer the now angry girl, and searched her +face with grave eyes. + +"If I said you were standing on the verge of a horrible precipice, +that your life and soul were in danger, would you listen then?" she +asked, sternly. + +"No," said Madeline, doggedly, drawing farther away as she spoke; "not +unless I saw the danger with my own eyes. And in that case I should +not need your warning," she added, dryly. + +"And when your own eyes see the danger, it will be too late to avert +it," said Olive, bitterly. "I know your feeling at this moment, and I +know the heartache sure to follow your rashness. _What are you, and +what do you hope or expect to be, to the man you call Lucian Davlin?_" +She spoke his name as if it left the taste of poison in her mouth. + +The girl's head dropped until it rested on the hands clasped upon the +chair before her; cold fingers seemed clutched upon her heart. Across +her memory came trooping all his love words of the past, and among +them,--she remembered it now for the first time,--among them all, the +word _wife_ had never once been uttered. In that moment, a thought new +and terrible possessed her soul; a new and baleful light seemed +shining upon the pictures of the past, imparting to each a shameful, +terrible meaning. She uttered a low moan like that of some wounded +animal, and suddenly uplifting her head, turned upon Olive Girard a +face in which passion and a vague terror were strangely mingled. + +"What are you saying? What are you _daring_ to say to me!" she +ejaculated, in tones half angry, half terror-stricken, wholly pitiful. +"What horrible thing are you trying to torture me with?" + +She would have spoken in indignation, but the new thought in her heart +frightened the wrath from her voice. She dared not say "I am to be his +wife," with these forebodings whispering darkly within her. + +She turned away from the one who had conjured up these spectres, and +throwing herself upon a couch, buried her face in the cushions, and +remained in this attitude while Olive answered her and for long +moments after; moments that seemed hours to both. + +Olive's eyes were full of pity, and her tone was very gentle. Her +woman's quick instinct assured her that words of comfort were of no +avail in this first moment of bitter awakening. She knew that it were +better to say all that she deemed it her duty to say, now, while her +hearer was passive; and stepping nearer the couch, she said: + +"Dr. Vaughan, who saw you in the company of a man so well known to him +that to see a young girl in his society he knew could mean no good, +came to me this morning with a brief account of your meeting of last +night. He is too good a physiognomist not to have discovered, readily, +that you were not such a woman as could receive no contamination from +such as Lucian Davlin. He feared for you, believing you to be another +victim of his treachery. Your coming to this hotel assured him that +you were safe for the time, at least; and this being a subject so +delicate that he, a stranger, feared to approach you with it, he +desired me to come to you, and, in case his fears were well founded, +to save you if I could. My poor, poor child! you have cast yourself +upon the protection of a professional gambler; a man whose name has +been associated for years with that of a notorious and handsome +adventuress. If he has any fear or regard for anything, it is for her; +and your very life would be worth little could she know you as her +rival. Judge if such a man can have intentions that are honorable, +where a young, lovely and unsophisticated girl like yourself is +concerned." + +She paused here, but Madeline never stirred. + +"Come with me," continued Olive, drawing a step nearer the motionless +girl; "accept me as your protector, for the present, at least. Believe +me, I know what you are suffering now, and near at hand you will find +that which will aid you to forget this man." + +Madeline slowly raised herself to a sitting posture and turned towards +the speaker a face colorless as if dead, but with never a trace of a +tear. Her eyes were unnaturally bright, and her lips were compressed, +as if she had made, and was strong to keep, some dark resolve. + +"What is it that I am to find?" she said, in a low, intense tone. + +"A girl, young as you, and once as beautiful," replied Olive, sadly, +"who is dying of a broken heart, and her destroyer is Lucian Davlin." + +Madeline gazed at her absently for a moment. "I suppose I had ought to +hate you," she said, wearily; "you have made my life very black. +Lucian Davlin will soon be here,--will you please go?" + +"Surely you are going with me?" said Olive, in amaze. + +"No." + +"You doubt me? Oh, I have not made you feel your danger! You think I +am an impostor!" + +"No," said the girl, in the same quiet tone; "something here," putting +her hand upon her bosom, "tells me that you are sincere. My own heart +has abandoned me; it will not let me doubt you, much as I wish to. I +cannot thank you for making my heart ache,--please go." + +Still with that air of unnatural calm, she arose and walked to the +window. + +Of the two, Olive Girard was by far the more agitated. "Tell me," she +said, in eager entreaty; "oh, tell me, you are not going with _him_?" + +Madeline turned sharply around. "I shall not add myself to the list of +his victims," she said, briefly. + +And then the two gazed at each other in silence for a moment. + +"This is madness," said Olive, at length. "What rash thing do you +meditate? I will not leave you to face this man alone; I dare not do +it." + +Madeline came from the window and stood directly before her. "I am not +the weak child you think me. You can do nothing but harm by remaining +here. I will meet Lucian Davlin, and part with him in my own way," she +said, between her teeth. + +Olive saw, in the set face, and stern eye, that she was indeed dealing +with a character stubborn as death, and devoid of all fear. She +dreaded to leave her thus, but felt assured that she could do nothing +else. + +"Will you come to me afterward?" she asked. "You have no friends here, +you tell me, and you need a friend now. Promise me this and I will +go." + +"Thank you," said the girl, wearily; "at least I promise to go to no +one else; good-by." + +Turning away, she resumed her position at the window, and never looked +once at Olive after that. + +"I will write my address on this card," said Olive. She did so; then +turning on the girl a look full of pitying tenderness, said: "I need +not tell you to be brave; I should rather bid you be cautious. +Remember, your life is worth more than the love and loss of such a +man. Put this behind you, and come to me soon, believing that you are +not friendless." + +She lowered her veil and, casting one more wistful glance at the +silent figure by the window, went out and closed the door softly. + + + + +CHAPTER VII. + +A STRUGGLE FOR MORE THAN LIFE. + + +It is a fortunate provision of Providence that calamity comes upon us, +in most cases, with a force so sudden and overwhelming that it is +rather seen than felt. As we realize the full torture of an ugly +wound, not when the blow is struck, but after the whole system has +been made to languish under its effects, so a blow struck at the heart +can not make itself fully felt while the mind is still unable to +picture what the future will be like now that the grief has come. We +only taste our bitterest grief when the mind has shaken itself aloof +from the present woe, to travel forward and question what the future +can hold for us, now that our life is bereft of this treasure. + +Madeline's condition, after the departure of Olive Girard, was an +exponent of this truth. Fast and hard worked her thoughts, but they +only encountered the ills of the present, and never glanced beyond. + +She had set her lover aloft as her ideal, the embodiment of truth, +honor, and manhood. He had fallen. Truth, honor, manhood, had passed +out of existence for her. And she had loved him so well! She loved him +even yet. + +The thought brought with it a pang of terror, and as if conjured up by +it, the scenes of the day previous marshalled themselves again for +review. Could it be possible? Was it only yesterday that she listened +to his tender love words, beneath the old tree in Oakley woods? Only +yesterday that her step-father was revealed in all his vileness,--his +plots, his hopes, his fears. Her mother's sad life laid bare before +her; Aunt Hagar's story; her defiance of the two men at Oakley; her +flight; Clarence Vaughan; the strange, great city; Olive Girard; and +now--now, just a dead blank, with no outlook, no hope. + +And was this all since yesterday? + +What was it, she wondered, that made people mad? Not things like +these; she was calm, very calm. She _was_ calm; too calm. If something +would occur to break up this icy stillness of heart, to convulse the +numbed powers of feeling, and shock them back into life before it was +too late. + +She waited patiently for the coming of her base lover, lying upon the +soft divan, with her hands folded, and wondering if she would feel +_much_ different if she were dead. + +When the summons came, at last, she went quietly down to greet the man +who little dreamed that his reign in her heart was at an end, and that +his hold upon her life was loosening fast. + +When Madeline entered the presence of Lucian Davlin, she took the +initiatory step in the part she was henceforth to play. And she took +it unhesitatingly, as if dissimulation was to her no new thing. Truly, +necessity, emergency, is the mother of much besides "invention." +Entering, she gave him her hand with free grace, and smiled up at him +as he bade her good-morning. + +He remarked on her pale cheeks, but praised the brightness of her +eyes, and accepted her explanation that the bustle and the strangeness +was unusual to her, as a natural and sufficient reason for the pallor. + +"You will soon grow accustomed to that," he said, as they descended to +the carriage, "and be the rosiest, fairest little woman on the +boulevard, for I mean to drive half the men jealous by taking you +there often." + +[Illustration: "She wondered if she would feel _much_ different if she +were dead."--page 76.] + +Madeline made no reply, and they entered the carriage. + +Davlin was not surprised at her silence; he was prepared for a little +coyness; in fact, for some resistance, and expected to have occasion +for the specious eloquence always at his command. Of course, the +result would be the same,--he had no doubt of that, and so in silence +they reached their destination. + +Up a broad flight of stairs, and then a door. Lucian rings, and an +immaculate colored servant appears, who seems as well bred as an +English baronet, and who expresses no surprise at the presence of a +lady there. + +Up another flight of softly carpeted stairs, across a wide hall, and +lo! the abode of the sybarite, the apartments of the disciple of +Chance. + +"Welcome to your kingdom, fair queen," says Lucian, as they enter. +"This is your abiding place, for a time, at least, and I am your slave +for always," and he kneels playfully before her. + +Madeline turns away, and, finding it easiest to do, in her then state +of mind, begins a careless tour of the rooms, making a pretense of +criticism, and finding in even this slow promenade some relief from +absolute quiet and silence. + +She guarded her face lest it should display too much of that locked, +sullen calm underneath, and replied by an occasional word and nod to +his running comments upon the different articles undergoing +examination. Fingering carelessly the rare ornaments upon a fine set +of brackets, her eye rested upon an elegant little gold mounted +pistol. She turned away quickly, and they passed to other things. + +Her replies became more ready, and she began questioning gravely about +this or that, listening with childlike wonder to his answers, and +winning him into a pleasant bantering humor. + +Finally he threw himself upon a chair, and selecting a cigar proceeded +to light it. + +Madeline continued to flit from picture to statuette, questioning with +much apparent interest. At last, she paused again before the bracket +which held the tiny toy that had for her a fascination. + +"What a pretty little pistol," she said. "Is it loaded?" + +"I don't know," replied he, lazily. "Bring it to me; I will see." + +He was inwardly wondering at her cool acceptance of the situation; and +felt inclined to congratulate himself. Seeing her look at the little +weapon doubtfully, he laughed and strode to her side, taking it in his +hand. + +"It is not loaded," he said. "Did you ever fire a pistol?" + +"No; show me how to hold it." + +He placed it in her hand, and showed her how to manipulate the +trigger, and to take aim. + +"I should like to see it loaded," she said, at last. + +"And so you shall." + +He smiled, and crossing the room took from a little inlaid box a +handful of cartridges. Madeline watched him attentively, as he +explained to her the operation of loading. At length expressing +herself satisfied, and declining his invitation to try and load it +herself, she turned away. + +Davlin extracted the cartridge from the pistol, and returned it to its +place, saying: "You might wish to practice at aiming, and won't want +it loaded." + +"I shall not want such practice," she replied. + +A rap at the door, and the servant announced that dinner was come. + +"I ordered our dinner here, to-day," explained Lucian, "thinking it +would be more cosy. You may serve it, Henry," to the servant. + +Dinner was accordingly served, and Lucian found occasion to criticise, +very severely, the manner of his serving man. More than once, his +voice took on an intolerant tone. + +Sitting opposite, Madeline saw the man, as he stood behind his +master's chair, dart upon him a look of hatred. Her lips framed a +smile quite new to them; and, after dessert was placed upon the table +and the man dismissed, she said: + +"You don't like your servant, I judge?" + +"Oh, he's as good as any," replied Lucian, carelessly. "They are +pretty much alike, and all need a setting back occasionally;--on +general principles, you know." + +"I suppose so," assented Madeline, indifferently, as if the subject +had lost all interest for her. + +Slowly the afternoon wore on, moments seeming hours to the despairing +girl. At length Lucian, finding her little inclined to assist him in +keeping up a conversation, said: + +"I am selfish not to remember that you are very tired. I will leave +you to solitude and repose for a little time, shall I?" + +"If you wish," she replied, wearily. "I suppose I need the rest." + +"Then I will look in upon some of my friends. I have almost lost the +run of city doings during my absence. Meantime, ring for anything you +may need, won't you?" + +"I will ring;" and she looked, not at him, but at the bracket beyond. + +"Then good-by, little sweetheart. It is now four; I will be with you +at six." + +He embraced her tenderly, and went out with that _debonnair_ grace +which she had so loved. She looked after him with a hungry, hopeless +longing in her eyes. + +"Oh, why does God make His foulest things the fairest?" she moaned. +"Why did He put love in our hearts if it must turn our lives to ashes? +Why must one be so young and yet so miserable? Oh, mother, mother, are +all women wronged like us?" + +Madeline arose and commenced pacing the floor restlessly, nervously. +She had come here with no fixed purpose, nothing beyond the indefinite +determination to defy and thwart the man who had entrapped her. She +had never for a moment feared for her safety, or doubted her ability +to accomplish her object. + +A plan was now taking shape in her mind, and as she pondered, she +extended her march, quite unthinkingly, on into the adjoining room, +the door of which stood invitingly open. The first object to attract +her attention was the light traveling coat which Lucian had worn on +the previous day; worn when he was pleading his suit under the trees +of Oakley; and in a burst of anger, as if it were a part of him she +was thinking of so bitterly, she seized and hurled it from her. As it +flew across the room, something fell from a pocket, almost at her +feet. + +She looked down at it; it was a telegram, the one, doubtless, that had +called him back to the city the day before. A business matter, he had +said. Into her mind flashed the words of Olive Girard, "a professional +gambler." She would see what this "business" was. Stooping, she picked +up the crumpled envelope, and quickly devoured its contents. + + Must see you immediately. Come by first train; am waiting at + your quarters. + + CORA. + +Madeline went back to the lighter, larger room, and seating herself, +looked about her. Again the words of Olive rung in her ears. + +"Cora!" she ejaculated. "He obeyed her summons, and brought _me_ with +him. And she was here only last night--and where has she gone? This +must be the 'notorious,' the 'handsome.' Ah, Lucian Davlin, this is +well; this nerves me for the worst! I shall not falter now. This is +the first link in the chain that shall yet make your life a burden." + +She crossed the room and touched the bell. + +"Now for the first real step," said Madeline, grimly. + +The door opened and the dark face of Henry appeared, bowing on the +threshold. + +"Come in, Henry, and close the door," said Madeline, pleasantly. "I +want you to do me a favor, if you will." + +Henry came in, and stood waiting her order. + +"Will you carry a note for me, Henry, and bring me back an answer? I +want _you_ to take it, because I feel as if I could trust you. You +look like one who would be faithful to those who were kind to you." + +"Thank you, lady; indeed I would," said the man, in grateful tones. + +Madeline was quick to see the advantage to be gained by possessing the +regard and confidence of this man, who must, necessarily, know so much +that it was desirable to learn of the life and habits of him, between +whom and herself must be waged a war to the very death. + +She reasoned rapidly, and as rapidly arrived at her conclusions. The +first of those was, that Lucian Davlin, by his intolerance and +unkindness, had fitted a tool to her hand, and she, therefore, as a +preliminary step, must propitiate and win the confidence of this same +tool left by his master within her reach. + +"And will you carry my letter, Henry, and return with an answer as +soon as you can? You will find the person at this hour without any +trouble." + +"Master ordered me to attend to your wants," replied the man, in a +somewhat surly tone. + +She understood this somber inflection, and said: "He 'ordered' you? +Yes, I see; is your master always as hard to please as to-day, Henry? +He certainly was a little unkind." + +"He's always the same, madame," said the man, gloomily. Her words +brought vividly before his mind's eye the many instances of his +master's unkindness. + +"I'm sorry he is not kind to you," said the girl, hypocritically. "And +I don't want you to carry this letter because _he_ ordered you. I want +you to do it to oblige _me_, Henry, and it will make me always your +friend." + +Ah, Henry, one resentful gleam from your eyes, as you stood behind the +chair of your tyrant, has given to this slight girl the clue by which +to sway you to her will. She was smiling upon him, and the man +replied, in gratitude: + +"I'll do anything for you, madame." + +"Thank you, Henry. I was sure I could trust you. Will you get me some +writing material, please?" + +Henry crossed to the handsome davenport, and found it locked. But when +taking this precaution, Davlin overlooked the fact that Cora's last +gift--a little affair intended for the convenience of travelers, being +a combined dressing case and writing desk, the dividing compartment of +which contained an excellent cabinet photograph of the lady herself, +so enshrined as to be the first thing to greet the eyes of whosoever +should open the little receptacle--was still accessible. + +Failing to open the davenport, Henry turned to this; and pressing upon +the spring lock, exposed to the view of Madeline, standing near, the +pictured face of Cora. Spite of his grievances, the sense of his duty +was strong upon him, and he put himself between the girl and the +object of her interest. Not so quickly but that she saw, and +understood the movement. Stepping to his side, she put out her hand, +saying: + +"What an exquisite picture--Madame Cora, is it not, Henry?" + +She was looking him full in the eyes, and he answered, staring in +astonishment the while: "Yes, miss." + +"She is very handsome," mused the girl, as if to herself: "left just +before my arrival, I think?" she added, at a venture. + +Again her eyes searched his face, and again he gave a surprised +assent. + +"Do you like her, Henry?" questioned she, intent on her purpose. + +"She is just like _him_," he said, jerking his head grimly, while his +voice took again a resentful tone. "She thinks a man who is _black_ +has no feelings." + +He placed pen, ink and paper on the table as he answered, and then +looked to her inquiringly. + +"You may wait here while I write, if you will," she said, and took up +the pen. + +She had brought away from the G---- House, the two cards of her +would-be friends, and she now consulted them before she asked. + +"No. 52 ---- street; is that far, Henry?" + +"It's a five minutes' walk," he answered. "I can go and come in twenty +minutes, allowing time for an answer." + +"Very good," she said, abruptly, and wrote rapidly: + + _Clarence Vaughan._ + + No. 52 ---- street. + + SIR--Having no other friend at hand, I take you at your + word. I need your aid, to rescue me from the power of a bad + man. Will you meet me, with a carriage, at the south corner + of this block, in one hour, and take me to Mrs. Girard, who + has offered me a shelter? You _know_ the danger I wish to + escape. Aid me "_in the name of your mother_." + + MADELINE "WEIR." + +This is what she penned, and looking up she asked: "What is the number +of this place, Henry?" + +"91 Empire block," he replied; "C---- street." + +She added this, and then folding and enclosing, addressed it to +Clarence Vaughan, M. D., etc. + +"There, Henry, take it as quickly as you can; and some day I will try +and reward you." + +She smiled upon him as she gave him the letter. He took it, bowed low, +and hurried away. + +She listened until the sound of his footstep could be heard no longer. +Then rising quickly, she opened the receptacle that held the portrait +of the woman who, though unseen, was still an enemy. Long she gazed +upon the pictured face, and when at last she closed the case, +springing the lock with a sharp click, she muttered between set teeth: + +"I shall _know_ you when I see you, madame." + +Crossing to the pistol bracket, she took the little weapon in her +hand, and picking up one of the cartridges left by its careless owner, +loaded it carefully. Having done this she placed the weapon in her +pocket. + +She paced to and fro, to and fro; nothing would have been harder for +her than to remain quiet then. Her eyes wandered often to the tiny +bronze clock on the marble above the grate. + +Ten minutes; her letter was delivered, was being answered +perhaps;--fifteen; how slowly the moments were going!--twenty; what if _he_ +should return, too soon? Instinctively she placed her hand upon the pocket +holding the little pistol. Twenty-five minutes; what if her messenger +should fail her? And that card had clearly stated "office hours three to +five." Twenty-six; oh, how slow, how slow!--twenty-seven; had the clock +stopped? no;--twenty-eight--nine--half an hour. + +Where was Henry? + +She felt a giddiness creeping over her; how close the air was. Her +nerves were at their utmost tension; another strain upon the sharply +strung chords would overcome her. She felt this vaguely. If she should +be baffled now! She could take fresh heart, could nerve herself anew, +if aid came to her, but if _he_ should come she feared, in her now +half frenzied condition, to be alone, she was so strangely nervous, so +weak! + +How plainly she saw it, the face of Clarence Vaughan. Oh, it was a +good face! When she saw it again she could rest. She had not felt it +before, but she did need rest sorely. + +Thirty-five minutes,--oh, they had been hours to her; weary, weary +time! + +How many a sad watcher has reckoned the flying moments as creeping +hours, while sitting lonely, with heavy eyes, trembling frame, and +heart almost bursting with its weight of suspense--waiting. + +Forty minutes--and a footstep in the passage! Her heart almost stopped +beating. It was Henry. + +"I had to wait, as he was busy with a patient," said he, +apologetically, handing her the letter she desired. + +Madeline tore open the missive with eager fingers, and read: + +_Miss Madeline W._: + + Thank you for your faith in me. I will meet you at the place + and time appointed. Do not fail me. Respectfully, + + C. VAUGHAN. + +She drew a long breath of relief. + +"Thank you, Henry. Now I shall leave this place; promise me that you +will not tell your master where I went or how. Will you promise?" + +"I will, miss," said the man, earnestly. "Is this all I can do?" + +"If you would be my true friend--if I might trust you, Henry--I would +ask more of you. But I should ask you to work against your master. He +has wronged me cruelly, and I need a friend who can serve me as you +can quite easily. I should not command you as a servant, but ask you +to aid me as a true friend, for I think your heart is whiter than +his." + +And Henry was won. Starting forward, he exclaimed: + +"He treats me as if I were a dog; and you, as if I were white and a +gentleman! Let me be your servant, and I will be very faithful; tell +me what I can do." + +"Thank you, Henry; I will trust you. To-morrow, at noon, call at Dr. +Vaughan's office and he will tell you where you can find me. Then come +to me. You can serve me best by remaining with your master, at +present; and I will try, after I have left this place, to reward you +as you deserve." + +"I will obey you, mistress," said the delighted servant. "I shall be +glad to serve where I can hear a kind word. And I shall be glad to +help you settle accounts with _him_. I will be there to-morrow, no +fear for me." + +She turned, and put on her wrappings with a feeling of exultation. He +would come soon, smiling and triumphant, and she would not be there! +He should fret and wonder, question and search, but when they met +again the power should be on her side. + +She turned to the waiting servant, saying: "I am ready, Henry." + +He opened the door as if for a princess. Before Madeline had lifted +her foot from the carpet, her eyes became riveted upon the open +doorway. + +There, smiling and _insouciant_, stood _Lucian Davlin_! + +Madeline stood like one in a nightmare, motionless and speechless. +Again, and more powerfully, came over her senses that insidious, +creeping faintness; that sickening of body and soul together. + +It was not the situation alone, hazardous as it certainly was, which +filled her with this shuddering terror; it was the feeling that +vitality had almost exhausted itself. She suddenly realized the +meaning of the awful lethargy that seemed benumbing her faculties. The +"last straw" was now weighing her down, and, standing mute and +motionless she was putting forth all her will power to comprehend the +situation, grasp and master it. + +Like a dark stone image Henry stood, his hand upon the open door, his +eyes fastened upon the man blocking the way. + +Davlin, whose first thought had been that the open door was to welcome +his approach, realized in an instant as he gazed upon Madeline, that +he was about to be defied. There was no mistaking the expression of +the face, so white and set. He elevated his eyebrows in an elaborate +display of astonishment. + +"Just in time, I should say," removing his hat with mock courtesy, and +stepping across the threshold. "Not going out without an escort, my +dear? Surely not. Really, I owe a debt of gratitude to my friends down +town, for boring me so insufferably, else I should have missed you, I +fear." + +No answer; no change in the face or attitude of the girl before him. + +"Close that door, sir, and take yourself off," he said, turning to +Henry. + +Remembering her words, "You can serve me best here," Henry bowed with +unusual humility, and went out. + +[Illustration: "There, smiling and _insouciant_, stood _Lucian +Davlin_!"--page 88.] + +"I don't think she is afraid of him," he muttered, as he went down the +hall; "anyhow, I won't be far away, in case she needs me." + +Lucian Davlin folded his arms with insolent grace, and leaning lazily +against the closed door, gazed, with his wicked half smile, upon the +pale girl before him. + +Thus for a few moments they faced each other, without a word. At +length, she broke the silence. Advancing a step, she looked him full +in the face and said, in a calm, even tone: + +"Open that door, sir, and let me pass." + +"Phew--w--w!" he half whistled, half ejaculated, opening wide his +insolent eyes. "How she commands us; like a little empress, by Jove! +Might the humblest of your adorers be permitted to ask where you were +going, most regal lady?" + +"Not back to the home I left for the sake of a gambler and _roue_," +she said, bitterly. + +"Oh," thought he, "she has just got her ideas awakened on this +subject: believed me the soul of honor, and all that. Only a small +matter this, after all." + +"Don't call hard names, little woman," he said aloud. "I'm not such a +very bad man, after all. By the way, I shouldn't have thought it +exactly in your line, to order up my servant for examination in my +absence." + +"I am not indebted to your servant for my knowledge concerning you, +sir. I wish to leave this place; stand aside and let me pass." + +The red flush had returned to her cheeks, the dangerous sparkle to her +eyes; her courage and spirits rose in response to his sneering +pleasantries. Her nerves were tempered like steel. He little dreamed +of the courage, strength and power she could pit against him. + +He dropped one hand carelessly, and inserted it jauntily in his +pocket. + +"Zounds; but you look like a little tigress," he exclaimed, +admiringly. "Really, rage becomes you vastly, but it's wearisome, +after all, my dear. So drop high tragedy, like a sensible girl, and +tell me what is the meaning of this new freak." + +"I will tell you this, sir: I shall leave this place now, and I wish +never to see your face again. Where I go is no concern of yours. Why I +go, I leave to your own imagination." + +"Bravo; what a little actress you would make! But now for a display of +my histrionic talents. Leave this place, against my will, you can not; +and I wish to see your face often, for many days to come. Where you go +I must go, too; and why you go, is because of a prudish scruple that +has no place in the world you and I will live in." + +"The world _you_ live in is not large enough for me too, Lucian +Davlin. And you and I part, now and forever." + +"Not so fast, little one," he answered, in his softest, most +persuasive tone. "See, I am the same lover you pledged yourself to +only yesterday. I adore you the same as then; I desire to make you +happy just the same. You have put a deep gulf between yourself and +your home; you can not go back; you would go out from here to meet a +worse fate, to fall into worse hands. Come, dear, put off that frown." + +He made a gesture as if to draw her to him. She sprang away, and +placing herself at a distance, looked at him over a broad, low-backed +chair, saying: + +"Not a step nearer me, sir, and not another word of your sophistry. I +will not remain here. Do you understand me? _I will not!_" + +Lucian dragged a chair near the door, and throwing himself lazily +into it, surveyed the enraged girl with a look of mingled +astonishment, amusement, and annoyance. + +"Really, this is rather hard on a fellow's patience, my lady. Not a +step nearer the door, my dear; and no more defiance, if you please. +You perceive I temper my tragedy with a little politeness," he added, +parenthetically. "I will not permit you to leave me; do you hear me? +_I will not!_" + +His tone of aggressive mockery was maddening to the desperate girl. It +lent her a fresh, last impulse of wild, defiant energy. There was not +the shadow of a fear in her mind or heart now. The rush of outraged +feeling took full possession of her, and, for a second, deprived her +of all power of speech or action. In another instant she stood before +him, her eyes blazing with wrath, and in her hand, steadfast and +surely aimed, a tiny pistol--his pistol, that he had taught her to +load and aim not two short hours before! + +He was not a coward, this man; and rage at being thus baffled and +placed at a disadvantage by his own weapon, drove all the mockery from +his face. + +He gave a sudden bound. + +There was a flash, a sharp report, and Lucian Davlin reeled for a +moment, his right arm hanging helpless and bleeding. Only for a +moment, for as the girl sprang past him, he wheeled about, seized her +with his strong left arm, and holding her close to him in a vice-like +clutch, hissed, while the ghastly paleness caused by the flowing blood +overspread his face: + +"Little demon! I will kill you before I will lose you now! +You--shall--not--esca--" + +A deathly faintness overcame him, and he fell heavily; still clasping +the girl, now senseless like himself. + +[Illustration: "In her hand, steadfast and surely aimed, a tiny +pistol--"--page 92.] + +Hearing the pistol shot, and almost simultaneously a heavy fall, +Henry hurried through the long passage and threw open the door. One +glance sufficed, and then he rushed down the stairs in frantic haste. + +Meantime, Clarence Vaughan, punctual to the time appointed, had driven +rapidly to the spot designated by Madeline. He was about to alight +from the carriage, when he drew back suddenly, and sat in the shadow +as a man passed up the street. + +It was Lucian Davlin, and he entered the building bearing the number +Madeline had given in her note. + +Instantly Vaughan comprehended the situation. She had sent for aid in +this man's absence, and his return might frustrate her plans. +Pondering upon the best course to pursue, he descended from the +carriage, and paced the length of the block. Turning in his promenade, +his ear was greeted by a pistol shot. Could it come from that +building? It sounded from there certainly. It was now five minutes +past the time appointed; could it be there was foul play? He paused at +the foot of the stairs, irresolute. + +Suddenly there was a rush of feet, and Henry came flying down, the +whites of his eyes looking as if they would never resume their natural +proportions. Clarence intercepted the man as he essayed to pass, +evidently without having seen him. + +"Oh, sir!--Oh, doctor, come right up stairs, quick, sir," he +exclaimed. + +"Was that shot from here, my man?" inquired Doctor Vaughan, as he +followed up the stairs. + +"Yes, sir," hurrying on. + +"Any people in the building besides your master and the lady?" + +"No, sir; not at this time. This way, sir." + +He threw open the door and stepped back. Entering the room, this is +what Clarence Vaughan saw: + +Lying upon the floor in a pool of blood, the splendid form of Lucian +Davlin, one arm dripping the red life fluid, the other clasping close +the form of a beautiful girl. His eyes were closed and his face pallid +as the dead. The eyes of the girl were staring wide and set, her face +expressing unutterable fear and horror, every muscle rigid as if in a +struggle still. One hand was clenched, and thrown out as if to ward +off that death-like grasp, while the other clutched a pistol, still +warm and smelling of powder. + +It was the work of a moment to stop the flow of blood, and restore the +wounded man to consciousness. But first he had removed the insensible +girl from Davlin's grasp, laid her upon a bed in the inner room and, +removing the fatal weapon from her hand, instructed Henry how to apply +the remedies a skilful surgeon has always about him, especially in the +city. + +At the first sure symptoms of slowly returning life, Doctor Vaughan +summoned Henry to look after his master, whom he left, with rather +unprofessional alacrity, to attend to the fair patient in whose +welfare he felt so much interest. As he bent over the still +unconscious girl, his face was shadowed with troubled thought. She was +in no common faint, and feeling fully assured what the result would +be, he almost feared to see the first fluttering return of life. + +At last a shudder agitated her form, and looking up with just a gleam +of recognition, she passed into another swoon, thence to another. +Through long weary hours she only opened her eyes to close them, +blinded with the vision of unutterable woe; and so the long night wore +away. + +Dr. Vaughan had given brief, stern orders, in accordance with which +Lucian Davlin had entrusted his wound to another surgeon for dressing, +and then, still in obedience to orders, had swallowed a soothing +potion and betaken himself to other apartments. + +Henry had summoned a trusty nurse well known to Clarence Vaughan, to +assist him at the bedside of Madeline. + +In the gray of morning, pallid and interesting, with his arm in a +sling, Lucian reappeared in the sick room. Evidently he had not +employed all of the intervening time in slumber, for his course of +action seemed to have been fully matured. + +"She won't be able to leave here for many days, I should fancy?" he +half inquired in a low tone, sinking languidly into a sleepy-hollow, +commanding a view of the face of the patient, and the back of the +physician. + +"Not alive," was the brief but significant answer. + +"Not alive! Great heavens, doctor, don't tell me that my miserable +accident will cost the little girl her life!" + +"Ah! your accident: how was that?" bending over Madeline. + +"Why, you see," explained Davlin, "She picked up the pistol, and not +being acquainted with the use of fire-arms, desired to investigate +under my instructions. Having loaded it, explaining the process by +illustration, she, being timid, begged me to put it up. Laughing at +her fear, I was about to obey, when moving around carelessly, my hand +came in contact with that chair, setting the thing off. The sight of +my bleeding arm frightened her so that I saw she was about to faint. +As I caught her I myself lost consciousness, and we fell together. But +how will she come out, doctor? tell me that; poor little girl!" + +"She will come out from this trance soon, to die almost immediately, +or to pass through a fever stage that may result fatally later. Her +bodily condition is one of unusual prostration from fatigue; and +evidently, she has been sustaining some undue excitement for a +considerable time." + +"Been traveling, and pretty well tired with the journey. That, I +suppose, taken with this pistol affair--but tell me, doctor, what she +will need, so that I may attend to it immediately." + +"If she is living at noon," said Dr. Vaughan, reflectively, "it will +be out of the question to remove her from here, without risking her +life for weeks to come. If she comes out of this, and you will leave +her in my hands, I will, with the aid of this good woman," nodding +toward the nurse, "undertake to pull her through. It will be necessary +that she have perfect quiet, and sees no face that might in any manner +excite her, during her illness and convalescence." + +Davlin mused for a few moments before making answer. He did not care +to excite remark by calling in unnecessary attendants. Dr. Vaughan he +knew by reputation as a skilful physician. As well trust him as +another, he thought, and it was no part of his plan to let this girl +die if skill could save her. + +In answer to his natural inquiry as to how the doctor was so speedily +on the spot when needed, Henry had truthfully replied that he knew the +medical man by sight, and that, fortunately, he was passing when he +ran down to the street for assistance. Davlin was further convinced +that he, Henry, knew nothing save that the young lady rang for him to +show her out, and he, according to orders, had obeyed. + +"Well, sir," Davlin said, at last, "I shall leave the lady and the +premises entirely in your hands, as soon as the crisis has passed. +Then, as my presence might not prove beneficial, while I carry this +arm in a sling, at least, I will run down into the country for a few +days. My man, here, is entirely at your disposal. Don't spare any +pains to pull her through safely, doctor. I will look in again at +noon." + +He rose and went softly out of the room, the doctor having answered +him only by a nod of assent. + +"Zounds, how weak I feel," he ejaculated. "I hope the girl won't die. +Anyhow, I have no notion of figuring at a death-bed scene. So I'll +just keep myself out of the way until the thing is decided. Then, I'll +run down and let Cora coddle me up a bit. I can explain my wounded arm +as the result of a little affair at the card-table." + +Noon came, and slowly, slowly, stern Death relaxed his grasp upon the +miserable girl, for Death, like man, finds no satisfaction in claiming +willing victims. Slowly the life fluttered back to her heart; and +because Death had yielded her up, and to retain it would be to lose +her life, reason forsook her. + +Under the watchful care of the skilled nurse, and the ministrations of +the young physician, she now lay tossing in the delirium of fever. + +Nothing worse to fear, for days at least, reported the doctor. So the +afternoon train bore Lucian Davlin away from the city and his victim, +to seek repose and diversion in the society of his comrade, Cora. + +"She will come out of this now, I think," he muttered. "Then--Oh! I'll +tame your proud spirit yet, my lady! I would not give you up now for +half a million." + +And he meant it. + + + + +CHAPTER VIII. + +THREADS OF THE FABRIC. + + +What had become of Madeline Payne? + +The question went the round of the village, as such questions do. The +servants of Oakley fed upon it. They held secret conferences in the +kitchen, and grew loud and argumentative when they knew John Arthur +was safely out of hearing. They bore themselves with an air of +subdued, unobservant melancholy in his presence, and waxed important, +mysterious and unsatisfactory, when in converse with the towns +folk--as was quite right and proper, for were they not, in the eyes of +mystery hunters, objects of curiosity secondary only to their master +himself? + +The somber-faced old housekeeper gave utterance to a doleful croak or +two, and a more doleful prophecy. But after a summons from John +Arthur, and a brief interview with him in the closely shut sacredness +of his especial den, not even the social intercourse of the kitchen +and the inspiration that the prolonged absence of the master always +lent to things below stairs, could beguile from her anything beyond +the terse statement that "she didn't meddle with her master's +affairs," and she "s'posed Miss Madeline knew where she was." + +The housemaid, who read novels and was rather fond of Miss Payne, +grieved for a very little while, but found in this "visitation of +providence," as John Arthur piously termed it, food for romance +weaving on her own responsibility. She entertained Peter, the groom, +coachman and general factotum, with divers suggestions and +suppositions, each more soul harrowing than the last, making of poor +Madeline a lay figure upon which she fitted all the catastrophes that +had ever befallen her yellow-covered "heroinesses." + +The villagers talked. It was all they could do, and their tongues were +very busy for a time until, in fact, a fresher sensation arrived. +Nurse Hagar was viewed and interviewed; but beyond sincere expression +of grief at her disappearance, and the unvarying statement that she +had not even the slightest conjecture as to the fate of the lost girl, +nothing could be gained from her. + +Hagar was somewhat given to rather bluntly spoken opinions of folk who +happened to run counter to her notions in regard to prying, or, in +fact, her notions on any subject. In the present emergency she became +a veritable social hedgehog, and was soon left to solitude and her own +devices. + +Whatever were Hagar's opinions on the subject, she kept them +discreetly locked within her own breast. She had received, at their +last interview, a revelation of the depth and force of character which +lay dormant in the nature of Madeline; and she believed, even when she +grieved most, that the girl would return, and that when she came she +would make her advent felt. + +John Arthur went to the city "to put the matter in the hands of the +detectives," he said. But as he most fervently hoped and wished that +he had seen the last of his "stumbling--block," and believed that of +her own will she would not return, it is hardly to be supposed that +the Secret Service was severely taxed. + +Be this as it may, the Summer days passed and he heard nothing of +Madeline. + + * * * * * + +Meantime, the neat little hotel that rejoiced in the name of the +Bellair House, displayed on a fresh page of its register the signature +of Lucian Davlin once more, and underneath it that of Mrs. C. +Torrance. + +Mrs. C. Torrance was a blonde young widow, dressed in weeds of most +elegant quality and latest style, with just the faintest hint of an +approaching season of half mourning. + +Mrs. Torrance had now been an inmate of Bellair House some days, and +she certainly had no reason to complain that her present outlook was +not all that could be desired. Already she had met the object of her +little masquerade, and it was charming to see the alacrity with which +John Arthur placed himself in the snare set for him by these +plotters, and how gracefully he submitted as the cords tightened +around him. + +Over and over again Davlin thanked his lucky star for having so +ordered his goings that, on his previous visit, he had never been +brought into immediate contact with John Arthur. Over and again he +congratulated himself that his meetings with Madeline had been kept +their own secret, for he knew nothing of the watchful, jealous eyes of +old Hagar. + +On a fine summer morning, or rather "forenoon," for Mrs. Torrance was +a luxurious widow, and her "brother," Mr. Davlin, not at all enamored +of early rising,--on a fine forenoon, then, the pair sat in the little +hotel parlor, partaking of breakfast. They relished it, too, if one +might judge from the occasional pretty little ejaculations, expressive +of enjoyment and appreciation, that fell from the lips of the widow. + +"More cream, monsieur? Oh, but this fruit is delicious! And I believe +there is a grand difference in the qualities of city and country +cream." + +"The difference in the favor of the country living, eh? I say, Co., +don't you think your appetite is rather better than is exactly +expected, or in order, for a widow in the second stage of her grief?" + +Things were moving just now as Mr. Davlin approved, and he felt +inclined to be jocular. + +Cora laughed merrily. Then holding up a pretty, berry-stained hand, +she said, with mock solemnity, "That is the last, my greatly shocked +brother. But didn't you inform Mr. Arthur that we should accept of his +kind offer to survey the woods and grounds of Oakley in his company, +and isn't this the day, and almost the hour?" + +"So it is; I had forgotten." + +It was not long before the pair were equipped, and sauntering slowly +in the direction of the Oakley estate. + +Their morning's enterprise was more than rewarded, and the cause of +the widow was in a fair way to victory, when, after having politely +refused to lunch with Mr. Arthur on that day, and gracefully promised +to dine at Oakley on the next day but one, they bade adieu to that +flattered and fascinated gentleman, and left him at the entrance of +his grounds. + +Then they sauntered slowly back, keeping to the wooded path. Arriving +at the fallen tree, the scene of so many interviews between Madeline +and Lucian, Cora seated herself on the mossy trunk and announced her +determination to rest. + +Accordingly her escort threw himself upon the soft grass, and betook +himself to his inevitable cigar, while he closed his eyes and allowed +the vision of Madeline to occupy the place now usurped by Cora. Very +absorbing the vision must have been, for he gave an almost nervous +start as Cora's voice broke the stillness: + +"Lucian, did you ever see this runaway daughter of Mr. Arthur's?" + +Lucian started unmistakably now. Then he employed himself in pulling +up tufts of the soft grass, pretending not to have heard. + +"Lucian!" impatiently. + +"Eh, Co., what is it?" affecting a yawn. + +"I ask, did you ever see this Madeline Payne, who ran away recently?" + +"I? Oh, no. Old fellow always kept her shut up too close, I fancy. +They say she was pretty, and you are the first pretty woman I have +seen in these parts, Co." + +[Illustration: "More cream, Monsieur?"--page 101.] + +"Well, then, I'm sorry you didn't," quoth Cora, "for from motives of +delicacy I really don't care to inquire of others, and I have just +curiosity enough to wish to know how she looked." + +"Sorry I can't enlighten you, Co. Get it all out of the old fellow +after the joyful event." + +"Umph! Well, _that_ business prospers, _mon brave_. We shall win, I +think, as usual." + +"Yes; and never easier, Co." + +"Well, I don't anticipate much trouble in landing our fish. But come +along, Lucian, this romantic dell might make you forget luncheon; it +can't have that effect on me." + +Cora gathered her draperies about her, and prepared to quit the little +grove, her companion following half reluctantly. + + + + +CHAPTER IX. + +GONE! + + +Hours that seemed days; days that seemed years; weeks that seemed +centuries; yet they all passed, and Madeline Payne scarce knew, when +they were actually gone, that they were not all a dream. + +Life, after that first yielding of heart and brain, had been a +delirium; then a conscious torture of mind and body; next a burden +almost too great to bear; and then a dreamy lethargy. Heaven be +praised for such moods; they are saviors of life and reason in crises +such as this through which the stricken girl was passing. + +Madness had wrought upon her, and her ravings had revealed some +otherwise dark places and blanks in her story to her guardian and +nurses. Pain had tortured her. Death wrestled with her, and then, +because he could inspire her with no fear of him, because she mocked +at his terrors and wooed him, fled away. + +In his place came Life, to whom she gave no welcoming smile. But Life +stayed, for Life is as regardless of our wishes as is Death. + +Forms had hovered about her; kindly voices, sweet voices, had murmured +at her bedside. At times, an angel had held the cooling draught to her +thirsty lips. At last these dream-creatures resolved themselves into +realities: + +Doctor Vaughan, who had ministered to her with the solicitude of a +brother, the gentleness of a woman, and the goodness of an angel. + +Olive Girard who, leaving all other cares, was ever at her bedside, +and who came to that place at a sacrifice of feeling, after a +wrestling with pride, bringing a bitterness of memory, and a patient +courage of heart, that the girl could not then realize. + +Henry, too, black of skin, warm of heart; who waited in the outer +court, and seemed to allow himself full and free respiration only when +the girl was pronounced out of danger. + +Out of danger! What a misapplication of words! + +From the scene of conflict, at the last flutter of Death's gloomy +mantle, comes the man of medicine; watch in hand, boots a tiptoe, face +grave but triumphant. His voice bids a subdued farewell to the +somberness proper to a probable death-bed, coming up just a note +higher in the scale of solemnities, as it announces to the eager, +trembling, waiting ones, + +"_The danger is past!_" + +Death, the calm, the restful, the never weary; Death, the friend of +long suffering, and world weariness and despair; Death, the rescuer, +the sometime comforter--has gone away with empty arms and reluctant +tread, and--Life, flushed, triumphant, seizes his rescued subject and +flings her out into the sea of human lives, perchance to alight upon +some tiny green islet or, likelier yet, to buffet about among black +waters, or encounter winds and storms, upheld only by a half-wrecked +raft or floated by a scarce-supporting spar. + +And she is out of danger! + +Hedged around about by sorrow, assailed by temptation, overshadowed by +sin. And, "the danger is over!" + +Buffeted by the waves of adversity; longing for things out of reach; +running after _ignis fatui_ with eager outstretched hands, and +careless, hurrying feet, among pitfalls and snares. And, out of +danger! + +Open your eyes, Madeline Payne; lift up your voice in thanksgiving; +you have come back to the world. Back where the sun shines and the dew +falls; where the flowers are shedding their perfume and song birds are +making glad music; where men make merry and women smile; where gold +shapes itself into palaces and fame wreathes crowns for fair and noble +brows; where beauty crowns valor and valor kisses the lips of beauty. +And where the rivers sparkle in the sunlight, and, sometimes, yield up +from their embrace cold, dripping, dead things, that yet bear the +semblance of your kind--all that is left of beings that were once like +you! + +Out of danger! + +Where want, and poverty, and--God help us!--vice, hide their heads in +dim alleys and under smoky garret roofs. Where beaten mothers and +starving children dare hardly aspire to the pure air and sunlight, the +whole world for them being enshrined in a crust of bread. Where +thieves mount upwards on ladders beaten from pilfered gold, and +command cities and sway nations. Where wantonness laughs and thrives +in gilded cages, and starves and dies in mouldy cellars. + +Out of danger! + +Madeline, the place that was almost yours, in the land of the +unknowable, is given to another. The waters of death have cast you +back upon the shores of the living. You are "out of danger!" + +What was to become of Madeline, now that they had brought her back to +life? This was a question which occurred to the two who so kindly +interested themselves in the fate of the unknown and headstrong girl. + +While they planned a little, as was only natural, yet they knew from +what they had seen of their charge that, decide for her how they +would, only so far as that decision corresponded with her own +inclinations would she abide by it. So they left Madeline's future for +Madeline to decide, and found occupation for their kindliness in +ministering to her needs of the present. + +Once during her illness, and just as the light of reason had returned +to the lovely hazel eyes, Lucian Davlin came. But he found the door of +the sick chamber closely shut and closely guarded. The slightest shock +to her nerves would be fatal now,--they told him. And he, having done +the proper thing, as he termed it, and not being in any way fond of +the sight of pain and pallor, yielded with a graceful simulation of +reluctance. Having been assured that with careful nursing, there was +nothing to fear, he deposited a check on his bankers in the hands of +her attendants, and went away contentedly, smiling under his mustache +at the novelty of being turned away from his own door. + +He went back to Bellair, to Cora, and to the web they were weaving, +little dreaming whose hands would take up the thread and continue and +complete what they had thus begun. + +And now the day has come for Madeline to leave the shelter that she +hates. Pale and weak, she sits in the great easy chair that had served +as a barrier between herself and her enemy, and converses with Olive +Girard while they await the arrival of Clarence Vaughan, who is to +take them from the place so distasteful to all three. + +It has been settled that, for the present, Madeline will be the guest +of Olive. What will come after health and strength are fully restored, +they have not discussed much. Olive Girard and Doctor Vaughan had +agreed that all thoughts of the future must bring a grief and care +with them, and the mind of the invalid was in no condition for painful +thought and study. So Olive has been careful to avoid all topics that +might bring her troubles too vividly to mind. + +But partly to divert Madeline's mind from her own woes, partly to +enable the unfortunate girl to feel less a stranger among them, she +has talked to her of Doctor Vaughan, of her sister, and at last of +herself. + +And Madeline has listened to her description of merry, lovely Claire +Keith, and wondered what she could have in common with this buoyant, +care-free girl, who was evidently her sister's idol. Yet she found +herself thinking often of Olive's beautiful sister. Once, in the brief +absence of Olive, she had said to Doctor Vaughan: + +"Mrs. Girard has told me of her sister; is she very lovely? And do you +know her well?" + +"She is very fair, and sweet, and good. You will love her when you +know her, and I think you will be friends." + +[Illustration: "Pale and weak, she sits in the great easy +chair."--page 108.] + +She had not needed this; the tell-tale eye was sufficient to reveal +the fact that it was not, as she had at first supposed, Olive Girard, +but the younger sister, whom Clarence Vaughan loved. + +"I might have known," she murmured to herself. "Olive Girard has the +face of one whose love dream has passed away and lost itself in +sorrow; and he looks, full of strength and hope, straight into the +future." + +As they sat together waiting, there was still that same contrast, +which you felt rather than saw, between these two. They might have +posed as the models of Resignation and Unrest. + +The look of patient waiting was five years old upon the face of Olive +Girard. Five years ago she had been so happy--a bride, beautiful and +beloved. Beautiful she was still--with the beauty of shadow; beloved +too, but how sadly! Philip Girard had been convicted of a great crime, +and for five long years had worn a felon's garb, and borne the anguish +of one set apart from all the world. + +The hand that had darkened the life of Olive Girard, and the hand that +had turned the young days of the girl Madeline into a burden, was one +and the same. + +Afterwards Madeline listened to the pathetic history of Olive's +sorrow. + +Sitting in that great lounging chair, Madeline looked very fair, very +childlike. Sadly sweet were her large, deep eyes, and her hair, shorn +while the fever raged, clustered in soft tiny rings about her slender, +snowy neck and blue-veined temples. She had not been permitted to talk +much during her convalescence, and Olive had as yet gleaned only a +general outline of her story. + +"Mrs. Girard," said the girl, resting her pale cheek in the palm of a +thin, tiny hand, "you once said something to me about--about some one +who had been wronged by--" Something sadder than tears choked her +utterance. + +As Olive turned her grave clear eyes away from the window, and fixed +them in expectation upon her; Madeline's own eyes fell. She sat before +her benefactress with downcast lids, and the hateful name unuttered. + +"I know," said Olive, after a brief silence; "I referred to a girl now +lying in the hospital. She is very young, and has been cruelly wronged +by him. She is poor, as you may judge, and earned her living in the +ballet at the theater. She was thrown from a carriage which had been +furnished her by _him_, to carry her home from some rendezvous--of +course the driver took care of himself and his horses. The poor girl +was picked up and carried to the hospital. She was without friends and +almost penniless. She sent to him--for him; he returned no answer. She +begged for help, for enough to enable her to obtain what was needed in +her illness. Message after message was sent, and finally a reply came, +brought by a messenger who had been bidden to insist upon receiving an +answer. The servant said that his master had directed him to say to +any messenger who called, that he was out of town." + +"The wretch! He deserves death!" + +Madeline's eyes blazed, and she lifted her head with some of her olden +energy. + +"Softly, my dear: 'Thou shalt do no murder.'" + +"It is not murder to kill a human tiger!" + +Olive made no answer. + +"Is she still very ill, this girl?" questioned Madeline. + +"She can not recover." + +"Shall I see her?" + +"If you wish to; do you?" + +"Yes." + +Another long pause; then Madeline glanced up at her friend, and said +listlessly: "What do you intend to do with me?" + +"Do with you?" smiling at her. "Make you well again, and then try and +coax you to be my other sister. Don't you think I need one?" + +No answer. + +"Life has much in store for you yet, Madeline." + +"Yes;" bitterly again. + +"You are so young." + +"And so old." + +"Madeline, you are too young for somber thoughts and repining." + +"I shall not repine." + +"Good! You will try to forget?" + +"Impossible!" + +"No; not impossible." + +"I do not wish to, then." + +"And why?" + +"Wait and see." + +"Madeline, you will do nothing rash? You will trust me, and confide in +me?" + +The girl raised her eyes slowly, in surprise. "I have not so many +friends that I can afford to lose one." + +"Thank you, dear; then we will let the subject drop until we are +stronger. And here is the carriage, and Doctor Vaughan." + +Out into the sunny Summer morning went Madeline, and soon she was +established in a lovely little room which, Olive said, was hers so +long as she could be persuaded to occupy it. Here the girl rested and, +ministered unto by gentle hands, she felt life coming back. + + * * * * * + +And Lucian? + +Late in the afternoon of the day that saw Madeline depart from his +elegant rooms, Mr. Davlin arrived, and found no one to deny him +admittance. All the doors stood ajar, and Henry was flitting about +with an air of putting things to rights. The bird had flown. + +He gained from Henry the following: "I don't know, sir, where she +went. A gentleman came with a carriage, and the young lady and the +nurse went away with him." + +Lucian was not aware what manner of nurse Madeline had had in her +illness. And Henry, having purposely misled him, enjoyed his +discomfiture. + +"She told me to give you this, sir," said he, handing his master a +little package. + +Tearing off the wrapper, Lucian held in his hand the little pistol +that had inflicted upon him the wounded arm. From its mouth he drew a +scrap of paper, and this is what it said: + + When next we meet, I shall have other weapons! + + + + +CHAPTER X. + +BONNIE, BEWITCHING CLAIRE. + + +Four months. We find Madeline standing in the late Autumn sunset, +"clothed and in her right mind," strong with the strength of youth, +and beautiful with even more than her olden beauty. + +Fair is the prospect as seen from the grounds of Mrs. Girard's +suburban villa, and so, perhaps, Claire Keith is thinking. + +She is looking down the level road, and at the trees on either hand, +decked in all their October magnificence of scarlet and brown and +gold, half concealing coquettish villas and more stately residences. + +The eyes of Madeline were turned away from the vista of villas and +trees, and were gazing toward the business thoroughfare leading into +the bustle of the town; gazing after the receding figure of Doctor +Clarence Vaughan as he cantered away from the villa; gazing until a +turn of the road hid him from her view. Then--and what did she mean by +it?--she turned her face toward Claire with a questioning look in her +eyes--the question came almost to her lips. But the words were +repressed. + +Bonnie Clair was thinking of anything but Clarence Vaughan just then. +Presently she turned a bright glance upon her companion, who was +gathering clusters of the fallen maple leaves, with face half averted. + +"A kiss for your thoughts, beautiful blonde Madeline. I certainly +think it is ten minutes since Doctor Vaughan departed and silence fell +upon us." + +She bent down, and taking her companion's head between two dimpled +hands, pulled it back, until she could look into the solemn brown +eyes. + +"Come, now," coaxingly, "what were you thinking?" + +Madeline extricated herself from Claire's playful grasp, and replied +with a half laugh: "It must be mutual confession then, you small +highwayman; how do you like my terms?" + +"Only so so," flushing and laughing. "I was meditating the propriety +of telling you something some day, and was thinking of that something +just now, but--" + +"But," mimicked Madeline, with half-hearted playfulness; "what will +you give me to relieve your embarrassment, and guess?" + +"You can't," emphatically. + +[Illustration: "When next we meet, I shall have other weapons!"--page +113.] + +"Can't I? We will see. My dear, I fear you have left a little corner +of your heart behind you in far-away Baltimore. You didn't come to pay +your annual visit to your sister, quite heart free." + +Anyone wishing to gain an insight into the character of Claire Keith +might have taken a long step in that direction could he have witnessed +her reception of this unexpected shot. She opened her dark eyes in +comic amazement, and dropping into a garden chair, exclaimed, with a +look of frank inquiry: + +"Now, how ever could you guess that?" + +"Because," said Madeline, in a constrained voice, and with all the +laughter fading from her eyes; "Because, I know the symptoms." + +"I see," dropping her voice suddenly. "Oh, Madeline, how I wish you +could forget _that_." + +"Why should I forget my love dream," scornfully, "any more than you +yours?" + +"Oh, Madeline; but you said you had ceased to care for him; that you +should never mourn his loss." + +"_Mourn his loss!_" turning upon Claire, fiercely. "Do you think it is +for him I mourn my _dead_; my lost happiness, my shattered dreams, my +life made a bitter, burdensome thing. Mourn him? I have for Lucian +Davlin but one feeling--hate!" + +Madeline, as she uttered these last words, had turned upon Claire a +face whose fierce intensity of expression was startling. For a moment +the two gazed into each other's eyes--the one with curling lip and +somber, menacing glance, the other with a startled face as if she read +something new and to be feared, in the eye of her friend. + +Claire had been an inmate of her sister's house for four weeks. When +first she arrived, she had heard Madeline's story, at Madeline's +request, from the lips of her sister Olive, and now the girls were +fast friends. Generous Claire had found much to wonder at, to pity and +to love, in the story and the character of the unfortunate girl. +Possessing a frank, sunshiny nature, and never having known an actual +grief, she could lavish sweet sympathy to one afflicted. But she could +not conceive what it would be like to live on when faith had perished +and hope was a mockery. She had never known, therefore never missed, a +father's love and care. Indeed, he who filled the place of father and +guardian, her mother's second husband, was all that a real parent +could be. Claire seldom remembered that Mr. James Keith was not her +father, and very few, except the family of Keith, knew that "Miss +Claire Keith, daughter of the rich James Keith, of Baltimore," was in +truth only a step-daughter. + +Mrs. Keith, whose first husband was Richard Keith, cashier in his +wealthy cousin's banking house, had buried that husband when Olive was +five years old, and baby Claire scarce able to lisp his name. In a +little less than two years she had married James Keith, the +banker-cousin, and shortly after the marriage, James Keith had +transferred his business interests to Baltimore, and there remained. + +So Claire's baby brothers had never been told that she was not their +"very own" sister, for of Olive they knew little, her marriage having +separated them at first, and subsequently her obdurate acceptance of +the consequences of that marriage. + +When the law pronounced her husband a criminal, Mr. Keith had +commanded Olive to abandon both husband and home, and return to his +protection. This, true-hearted Olive refused to do. Her step-father, +enraged at her obstinacy in clinging to a man who had been forsaken by +all the world beside, bade her choose between them. Either she must +let the law finish its work of breaking Philip Girard's heart by +setting her free, or she must accept the consequences of remaining the +wife of a criminal. + +Olive chose the latter, and thenceforth remained in her own lonely +home, never even once visiting the place of her childhood. + +"He called my husband a criminal," she said, "and I will never cross +his threshold until he has had cause to withdraw those words." + +Claire, however, announced her intention of visiting her sister +whenever she chose, and she succeeded, in part, in carrying out her +will, for every year she passed two months or more with Olive. + +What a picture the two girls now made, standing face to face. + +Madeline, with her lithe grace of form, her pure pale complexion lit +up by those fathomless brown eyes, and rendering more noticeable and +beautiful the tiny rosy mouth, with its satellite dimples; with such +wee white, blue-veined hands, and such a clear ringing, yet +marvelously sweet voice. Madeline was very beautiful, and Claire, as +she looked at her, wondered how any man could bear to lose such +loveliness, or have the heart to betray it; as if ever pure woman +could fathom the depth of a bad man's wickedness. + +Bonnie, bewitching Claire! Never was contrast more perfect. A scarf, +like scarlet flame, flung about her shoulders, set off the richness of +her clear brunette skin, through which the crimson blood flamed in +cheek and lip. Eyes, now black, now gray, changing, flashing, witching +eyes: gray in quiet moments, darkening with mirth or sadness, anger or +pain; hair black and silky, rippling to the rounded, supple waist in +glossy waves. Not so tall as Madeline, and rounded and dimpled as a +Hebe. + +Bringing her will into service, Madeline banished the gloom from her +face and said, with an attempt at gayety: + +"I must be a terrible wet blanket when my ghost rises, Claire. But +come, you have excited my curiosity; let us sit down while you tell me +more of this mighty man who has pitched his tent in the wilderness of +your heart, to the exclusion of others who might aspire." + +They seated themselves upon a rustic bench and Claire replied: + +"Don't anticipate too much, inquisitor; I have no acknowledged lover, +but--" blushing charmingly, "I have every reason to think that I am +loved fondly and sincerely. He is very handsome, Madeline, and--but +wait, I will show you his picture." + +Madeline nodded, and Claire bounded away, to return quickly bearing in +her hand a finely wrought cabinet photograph, encased in velvet and +gilt, _a la souvenaire_. Placing it in her companion's hand, she sat +down with a little triumphant sigh, and gazed over Madeline's shoulder +with a proud, glad look in her eyes. + +"Blonde?" suggested Madeline. + +"Yes," eagerly; "such lovely hair and whiskers,--perfect gold color; +and fair as a woman." + +"So I should judge," and she continued to gaze. + +Blonde he was, certainly; hair thrown carelessly back from a brow +broad and white; eyes, light, but with an expression that puzzled the +gazer. + +"Eyes,--what color?" she said, without taking her own off the picture. + +"Blue; pale blue, but capable of _such_ varying expression." + +"Just so," dryly; "they look mild and saintly here, but I think those +eyes are capable of another expression. I could fancy the brain behind +such eyes to be--" + +"What?" eagerly. + +"Cruel, crafty, treacherous." + +"Oh, Madeline!" + +"There, there; I didn't say that he,"--tapping the picture--"possessed +these qualities. His eyes are unusual ones; did you ever see his +mouth?" + +"What a question--through all those whiskers? no; but he has beautiful +teeth." + +"So have tigers. There, dear, take the picture; I am no fit judge, +perhaps. Remember, I once knew a man with the face of an angel, and +the heart of a fiend. Your friend is certainly handsome; let us hope +he is equally good." + +"He is; I know it," asserted Claire. + +Then she told her companion how she had met him at the house of a +friend; how he was very learned and scientific; very grave and +dignified; and very devoted to herself. And how, beyond these few +facts, she knew little if anything of her blonde hero, Edward Percy. + +Madeline received this information in a grave silence, whose chill +affected Claire as well, and after a few moments, as if by mutual +consent, they arose and entered the house. + +Olive Girard had been absent a week; gone on a journey, sacred to her +as any Meccan pilgrimage, a visit to the place of her husband's +imprisonment. Every year she made this journey, returning home in some +measure comforted; for she had seen her beloved. + +She came back on this evening, as the two girls were mingling their +voices in gay bravura duets--by mutual consent they avoided all songs +of a pathetic order, for reasons which neither would have cared to +acknowledge. + +The evening having passed away, Claire found herself in her chamber +gazing at her lover's pictured face and thinking how good, how noble, +it was, and what a little goose she had been to allow anything +Madeline had said to apply to him. A sudden thought occurred to her, +and going to Madeline's door, she tapped gently. The door opened, and +Claire, raising a warning finger, said: + +"Madeline, I forgot to tell you that Olive knows nothing of Edward +Percy, and--I don't want to tell her just yet. You will not mention +it?" + +"No." + +"Then good-night, and pleasant dreams." + +"Thank you," in a grave voice; "good-night." + +Claire returned to her room and penned a long letter to Edward Percy, +full of sweet confidence, gayety and trustfulness. She reperused his +last letter, said her prayers, or rather read them, for Claire was a +staunch little church-woman, and then slept and dreamed bright dreams. + + + + +CHAPTER XI. + +A GLEAM OF LIGHT. + + +A few moments after Claire's door had closed for the last time, +Madeline came cautiously from her room, her slippered feet making no +sound on the softly carpeted floor. Passing Claire's door, she paused +before another, opened it gently, and stood in Olive Girard's +bed-chamber. + +Evidently she was expected, for a light was burning softly and Olive +sat near it with a book in her hand, in an attitude of waiting. + +Madeline seated herself at the little table as if quite accustomed to +such interviews, and said in a low tone: + +"I am so glad you came to-night; are you too tired for a long talk?" + +"No; tell me all that has happened since I have been absent." + +"Olive, I must go away; back to Bellair," said Madeline, abruptly. + +"Madeline, you are mad! To Bellair? Why, _he_ is there often now." + +"He will not find me out, never fear. I _must_ go to Bellair within +the week." + +Olive leaned forward and scanned the girl's face closely and long. At +last, she said: "Madeline, what is it you meditate? tell me." + +"Going back to Bellair; keeping an eye upon the proceedings of Mr. +Arthur; finding out what game that man and woman are playing there; +and baffling and punishing them all." + +She had been kept informed, through Henry, into whose hands had fallen +a letter in Cora's handwriting, bearing the Bellair postmark, and +addressed to Lucian Davlin, who, so Henry said, "went down, on and +off," and always appeared satisfied with the result of his journey. + +Olive argued long against this resolution, but found it impossible to +dissuade Madeline. + +"It is useless," the girl said, firmly. "I should have died but for +the expectation of a time when I could be avenged, and this time I +must bring about. All through my convalescence I have pondered how I +could best avenge my mother's wrongs, and my own. Now Providence has +thrown together the two men who are my enemies; why, I do not yet +know, but perhaps it is that I may make the one a weapon against the +other. And now I want to ask you some questions." + +[Illustration: "Olive knows nothing of Edward Percy, and--I don't want +to tell her just yet."--page 121.] + +"Ask, then." + +"I shall touch upon a painful subject, and I will tell you why. After +you went away, the story of your sorrow remained with me. So I thought +the ground all over, and formed some conclusions. Do you wish to hear +them?" + +Olive nodded, wearily. + +"You have told me," said Madeline, assuming a calm, business-like +tone, "that Lucian Davlin testified against your husband at his trial. +Now the wounded man, Percy, stated that he recognized the man who +struck him?" + +"Yes." + +"Well, what was Davlin's testimony?" + +"That he saw my husband stealing in the direction of the place where +the wounded man was found, but a few moments before he was struck, +wearing the same hat and hunting-jacket that the injured man testified +was worn by his would-be assassin." + +"Oh!" Madeline knitted her brows in thought a moment; then--"Was the +coat and hat Mr. Girard's?" + +"Yes; he had thrown them off in the afternoon, while the heat was +intense, and had fallen asleep. When he awoke, he heard them calling +him to supper. It was late in the evening when he remembered his coat +and hat, and went back to look for them. He went just at the time when +the man must have been struck, and his absence told against him in the +evidence." + +"Did he find his garments?" + +"No; they were found by others, not where he had left them, but nearer +the scene of the crime." + +"Ah! And who was the first to discover the injured man?" + +"Why, I believe it was Mr. Davlin." Olive looked more and more +surprised at each question. "Why do you ask these things, Madeline?" + +The girl made a gesture of impatience. "Wait," she said, "I will +explain in good time." Again she considered. "Was there any +ill-feeling between your husband and Davlin?" + +"There was no open misunderstanding, but I know there was mutual +dislike. Philip saw that Davlin was making systematic efforts to win +money from the party, and had therefore persuaded one or two of his +friends to give gaming little countenance. No doubt he kept money out +of the man's pocket." + +"And what was the standing of that man and the victim, this Percy?" + +"They were much together, and Philip tells me he had sometimes fancied +that Davlin held some power over Percy. Davlin had won largely from +him, and the man seemed much annoyed, but paid over the money without +demur." + +"And now, how did your husband stand toward the injured man?" + +"That is the worst part of the story. They had had high words only +that very day. Philip had been acquainted with Percy at school, and he +knew so much that was not in his favor, that he was unable to conceal +his real opinion of the man at all times. One day high words arose, +and Philip uttered a threat, which was misconstrued, after the attack +upon Percy. They said he threatened his life. But Percy knew that only +his honor was meant. Davlin knew this, too; must have known it, for he +was aware that the two had met before they came together with the +party." + +"I can not see why Lucian Davlin should be your husband's enemy." + +"I can understand that he hated Philip for the same reason that a +thief hates the light, and Philip had balked his plans." + +"True; and yet--" + +"And yet?" inquiringly. + +"Bad as the man is, I can see but one motive that could induce even +him to swear away the liberty, almost the life, of a man who never +wronged him." + +"Still, he did it," said Olive, with a weary sigh. + +"True; and he did it for a motive." + +"And that motive--" + +"Was the strongest instinct of the human race." + +"What?" eagerly. + +"Self-preservation." + +Olive started up with a half cry. "Madeline, in heaven's name, _what_ +do you mean!" + +"That Lucian Davlin threw suspicion upon the innocent to screen the +guilty," said the girl, in a low, firm tone. + +"And the guilty one, then?" + +"Himself. Do you think him too good for it?" sneeringly. + +"No, no! oh, no! But this I had never thought of--yet it may be true." + +She fell into deep thought; after a time she started up. "I must +consult a detective immediately," she said. + +"You must do no such thing," cried Madeline, springing to her feet; +"why did not the detectives find this out before? Because they have +not my reasons for hunting that man down. _I_ found this clue, if it +be one. I claim it; it is my right, and I will have it. If he is to be +undone, it shall be by my hands. I swear it!" + +They faced each other in silence. + +Slowly Olive recalled to her countenance and voice its usual sweet +calm, and then seated herself and talked long and earnestly with +Madeline. + +The little bronze clock on the mantel was on the stroke of two when +the conference ended, and Madeline retired to her own room, but not to +sleep. She sat and thought until the dawn shone in at her window. + +One link was missing from the chain; no motive had been discovered for +an attack on Percy by Davlin. + +"But I will find it," she muttered. Then, as a new thought occurred to +her, she caught her breath. "Claire's lover is named Percy; can it be +the same? Why did not this occur to me sooner? Why did I not ask for +his first name, and a description of him? If this man and Edward Percy +should be one and the same! Pshaw! the name is not an uncommon one, +and it may be only a coincidence. But your face is a bad one, Edward +Percy, and I shall know it when I see it again." + +The sun was not high in the heavens ere Madeline was astir, for her +nature was such that strong excitement rendered rest impossible. +Moving impatiently about the grounds, she saw a familiar form +approaching through the shrubbery, and hastened to meet it. + +The black visage of Henry beamed with satisfaction as he made a +hurried obeisance and placed in her hand a letter, saying: + +"Master was preparing for a two days' journey when this letter came. +He threw it into his desk, and bade me lock it, and bring him the key. +His back was turned, and I took the letter before I locked the desk. +It was a long one, and from _her_; I thought you might want to see +it." + +"Right, Henry," said the girl, quietly, as she opened the letter. "You +will wait for it?" + +"Yes, miss; it must not be missing when he comes." + +"Certainly not." + +She returned to the letter, and this is what she read: + + OAKLEY, October 11. + + LUCIAN, _Mon Brave_: + + I am in a fine predicament--have made a startling discovery. + Mr. A----has been sick, and the mischief is to pay; and his + sickness has brought some ugly facts to light. + + The old man is _not_ the sole proprietor of the Oakley + wealth. That girl who ran away so mysteriously, and has + never been heard of, will inherit at his death. He can + bequeath his widow nothing. Oh, to know where that girl is! + If she is alive, my work is useless, my time is wasted. I + think the old chap must have driven her to desperation, for + he raved in his delirium of her and her words at parting. + They must have been "searchers." + + Well, to add to the general interest, Miss Arthur, aged + fifty or so, is here. She is a juvenile old maid, who has a + fortune in her own right, and so must be cultivated. She + dresses like a sixteen-year-old, and talks like a fool, + principally about a certain admirer, a "blonde + demi-god"--her words--named Percy. + + Something must be done: things must be talked over. Come + down and make love to Miss Arthur. _Her_ money is not + entailed. + + Bring me some Periques and a box of Alexis gloves--you know + the number. Yours in disgust, + + CORA MME. ARTHUR. + +Madeline dropped the letter, and stood amazed. What did it mean? "Cora +_Mme._ Arthur!" + +Henry stooped for the letter, and the act recalled her to herself. She +thanked him for the service he had done her; told him of her intended +departure; gave him some last instructions, and dismissed him with a +kind good-by. + +[Illustration: "I took the letter before I locked the desk."--page +127.] + +"It is time to act," she muttered. "Good heavens! the audacity of that +man and woman! She is married to my step-father, if that letter does +not lie; has married him for money, and is baffled there. She hoped to +become _his widow_, aha! The plot thickens, indeed! Goodness! what a +household! That bad old man, the still viler woman, dangerous Lucian +Davlin, and that funny, youthful, cross, 'conceited spinster,' Ellen +Arthur, who has a lover, and his name is--heaven save us--Percy! That +name _will_ mix itself up with my fate web, and why? Percy beloved of +Claire; Percy who brought Philip Girard to his doom; Percy the lover +of a rich old maid, are ye one and the same? Percy! Percy! Percy! I +must cultivate the Percys at any cost." + +She turned and entered the house, her head bent, thinking, thinking, +thinking. + + + + +CHAPTER XII. + +A MESSAGE FROM THE DEAD. + + +Less than a week after the events last related, and a family group +surrounds the lunch table in the newly furnished morning room of +Oakley. + +The fair and fascinating Mrs. Torrance had accomplished the purpose +for which she came to Bellair. + +Truly had she said, "There is no fool like an old fool;" for John +Arthur had been an easy victim. He had lost no time with his wooing, +and so, a little less than two months from the day the fair widow came +to Bellair, saw her mistress of John Arthur's household. + +A bridal tour was not to her taste, much to the delight of the +bridegroom. So they set about refitting some of the fine old rooms of +the mansion, Cora having declared that they were too gloomy to be +inhabitable. + +As it was to her interest to keep up the deception of frank affection, +she had been, during the two months of their honey-moon, a model wife. +But the discovery that John Arthur could leave her nothing save his +blessing, had now been made, and Cora, who was already weary of her +gray-headed dupe, had been for a few days past less careful in her +dissembling. + +For this reason John Arthur now sat with a moody brow, and watched her +smile upon her brother with a feeling of jealous wrath. + +The bride had thrown off her badge of mourning, and was very glad to +bloom out once more in azure and white and rose--hues which her soul +loved. + +Opposite sat Miss Arthur, her sallowness carefully enameled over, her +head adorned with an astonishing array of false braids and curls and +frizzes, jetty in hue to match her eyes, which, so Cora informed +Lucian in private, were "awfully beady." + +The lady was perusing a paper, which she suddenly threw down, and said +languidly, while she stirred her chocolate carefully. "Should not this +be the day on which my new maid arrives?" + +Miss Arthur, from perusing many novels of the Sir Walter Scott school, +had acquired a very stately manner of speech, and, so she flattered +herself, a very effective one. + +"I don't know why Miss Arthur can want a maid; her toilets are always +perfection," remarked Mr. Davlin to the general assembly. + +Whereupon, Miss Arthur blushed, giggled, and disclaimed; Mrs. Arthur +disappeared behind a newspaper; and Mr. Arthur emerged from the fog of +thought that had enveloped him, to say brusquely: + +"Miss Arthur want a maid? what's all this? A French maid in a country +house--faugh!" + +Miss Arthur gazed across at her brother, and said, loftily, and +somewhat unmeaningly: + +"It is what I have chosen to do, John." Then to Mr. Davlin, sweetly: +"It is so hard to dispense with a maid when you have been accustomed +to one." + +"I suppose so." + +"And this one comes so well recommended, you know, by Mrs. Overman and +Mrs. Grosvenor. You have heard of these ladies in society, no doubt, +Mr. Davlin?" + +"Oh, certainly," aloud, "not," aside. + +"And the name of the maid?" pursued Lucian. + +"Her name," referring to the letter, "Céline Leroque--French, I +presume." + +"No doubt," dryly. + +"Stop him, Miss Arthur," interrupted Cora, prettily; "he will +certainly ask if she is handsome, if you let him open his mouth +again." + +Miss Arthur glanced at him suspiciously. "Not having seen her, I could +not inform him," she said, coldly. + +"Don't believe my sister," said Davlin, quietly, as he passed his cup. +"Cora, a little more chocolate, please. Miss Arthur, I met Mrs. +Grosvenor at the seaside, two years ago. Her toilets were the marvel +of the day; she protested that all credit was due her maid, who was a +whole 'magazine of French art.' I thought this might be the same." + +"I most earnestly hope that it is," pronounced Miss Arthur. + +"And I most earnestly hope it isn't," grumbled her brother, who to-day +felt vicious for many reasons, and didn't much care what the occasion +was, so long as it gave him an excuse for growling. + +At this happy stage of affairs, the door was opened and the housemaid +announced: "An old lady, who says I am to tell you that her name is +Hagar, wants to see you, sir," addressing Mr. Arthur. + +The master of the house started, and an angry flush settled upon his +face. "Send her away. I won't see the old beldam. Send her away." + +The girl bowed and was about to retire, when she was pushed from the +doorway with little ceremony, and Nurse Hagar entered. Before the +occupants of the room had recovered from their surprise, or found +voice to address her, she had crossed the room, and paused before John +Arthur. Placing a small bundle upon the table near him, she said: + +"Don't think you can order me from your door, John Arthur, when I +choose to enter it. I shall never come to you without good reason, and +I presume you will think me a welcome messenger when you know my +errand." + +"Confound you," said the man, angrily, yet with an uneasy look in his +eyes; "if you must chatter to me, come into the library." He arose and +made a step toward the door. + +"There is no need," said Hagar, with dignity; "my errand may interest +others here besides yourself. I bring a message from the dead." + +John Arthur turned ashen pale and trembled violently. All eyes were +turned upon the speaker, however, and his agitation was unnoticed save +by Hagar. + +"Last night," she continued, "a carriage stopped at my door and a +woman came in, bringing that bundle in her hands." + +She paused and seemed struggling with her feelings. + +"She said," continued Hagar, "that she was requested to come by a +dying girl, else she would have written the message given to her. She +belonged to a charitable society, and visited the hospital every week. +She brought flowers and fruit to one of the patients--a girl who died +asking her to write down what is on this card," holding out a bit of +white cardboard, "and not to tell the officers of the hospital her +true name. She had entered under the name of Martha Gray, and wished +to be buried as such. The lady promised; the girl gave her these +articles, and the lady kept her word, and brought the message. There +is the bundle," in a choking voice, "and here is the card. That is +all. Good-by, John Arthur; be happy, if you can. And may God's curse +fall upon all who drove her to her doom!" + +She gathered her shawl about her shoulders and, casting a meaning +glance at Lucian Davlin, passed from the room and the house. + +John Arthur sat with eyes riveted upon the card before him. After a +time he turned, and placing it in Davlin's hand, signed to him to read +it, and hurriedly left the room. + +The hand that had first stricken the young life, placed the evidence +that the end had come in the hand that had completed what the first +began! + +Something of this Lucian Davlin felt, hardened as he was, for he knew, +without waiting for the proof, that the true name of the girl who died +in the hospital was familiar to them all. + +"Read!" ejaculated Cora, impatiently, "or give it to me." + +Lucian's eyes had scanned the card, and tossing it across to her, he +pushed back his chair and walked to the window. Cora read for the +benefit of her bewildered sister-in-law: + + Madeline Payne, at St. Mary's Hospital, under name of Martha + Gray, died--brain fever--no friends but nurse. + +[Illustration: "May God's curse fall upon all who drove her to her +doom."--page 134.] + +On the opposite side of the card was pencilled the full address of old +Hagar, and this was all. Scant information, but it was enough. + +Cora pounced upon the bundle and opened it. It contained a little +purse; a few trinkets, which any of the servants could identify as +belonging to Madeline; the cloak she had worn the evening of her +flight; and a pocket-handkerchief with her name embroidered in the +corner. + +Satisfaction beamed in the face Cora turned toward Lucian, and away +from Miss Arthur. She was mindful of the proprieties, however, and +turning her eyes back upon the lady opposite, she pressed a dainty +handkerchief to her countenance, and murmured plaintively: + +"How very, very shocking, and sad! Poor Mr. Arthur is quite overcome, +and no wonder--that poor, sweet, young girl." + +Across Lucian's averted face flitted a smile of sarcasm. How little +she knew of the truth, this fair hypocrite, and how unlikely she was +ever to know now. If Madeline were dead, of what avail was any effort +to break from the olden thraldom--for this is what had been in the +mind of the scheming man. + +Cora brushed her handkerchief across her eyes and arose languidly. "I +must go to Mr. Arthur, poor man," she murmured, shaking out her +flounces. "He is terribly shocked, I fear." + +Studiously avoiding the necessity of glancing in the direction of Mr. +Davlin, she glided from the room. + +And so the news fell in Madeline's home, and its inmates were affected +no more than this: + +With Cora a renewal of tenderness toward "Dear John," and an increased +stateliness toward Miss Arthur and the servants. More deference on +Miss Arthur's part towards her brother, and less on his part toward +her, as the possibility of being obliged to ask a small loan faded +away into the past of empty purses and closed up coffers. + +Lucian took upon himself the responsibility of visiting the city and +calling at St. Mary's, there to be reassured of the fact that one +Martha Grey had died within its walls and been buried. + + + + +CHAPTER XIII. + +MISS ARTHUR'S FRENCH MAID. + + +After this the days flew by very much alike. + +Miss Arthur's maid arrived, and proved indeed a treasure, nor was she +as obnoxious to Mr. John Arthur as he had evidently intended to find +her. Perhaps Céline Leroque knew by instinct that the master of Oakley +cherished an aversion to French maids in particular; or perhaps she +was an exceptional French maid, and craved neither the smiles nor +slyly administered caresses, that fell to the lot of pretty _femmes de +chambre_, at least in novels. At any rate, certain it is that Miss +Arthur's maid manifested no desire to be seen by the inmates of the +household, and she had been domiciled for some weeks without having +vouchsafed to either John Arthur or Lucian Davlin more than a fleeting +glimpse of her maidship. + +Things were becoming very monotonous to some of the occupants of the +Oakley manor; very, very dull and flavorless. + +Cora was growing restless. Not that the astute lady permitted signs of +discontent to become manifest to the uninitiated, but Lucian Davlin +saw, with a mingled feeling of satisfaction and dismay, that the +_rôle_ of devoted wife had ceased to interest his blonde comrade in +iniquity. + +The fact gave him a malicious pleasure because, as fate had dared to +play against him, he would have felt especially aggrieved if a few +thorns had not been introduced into the eider down that seemingly +enveloped his fair accomplice. + +But he felt some dismay, for he knew by the swift flash of azure eyes +under golden lashes, by the sway of her shoulders as she paced the +terrace, by the nervous tapping of her slippered foot at certain times +in the intervals of table chat--that Cora was _thinking_. And when +Cora thought, something was about to happen. + +It was in obedience to one of those swift side glances, that he +followed her from the morning room, one forenoon about three weeks +after the news of Madeline's death had come to them. The day was +bright but chill, and the woman had wrapped herself in a shawl of +vivid crimson, but stood with bared head in the sunlight waiting the +approach of her counterfeit brother. + +"Cover your head, you very thoughtless woman," was his brotherly +salutation as he approached, plunging about in his pockets in search +of a cigar the while. + +"Bother!" she ejaculated, tossing her golden locks; "my hair needs a +sunbath. I only wish I dare indulge myself further! If you had any +heart you wouldn't torture me so constantly with the odor of those +magnificent Havanas, when you know how my very soul longs for a weed!" + +"Poor little woman," laughing maliciously; "fancy Mrs. John Arthur of +Oakley smoking a _Perique_! Isn't it prime, Co.?" puffing out a cloud +of perfumed smoke. + +"Prime! bah! I'd like to strangle you, or--" + +"Or?--" inquiringly. + +"Somebody," laughing nervously. + +"Just so; Miss Arthur would be a good subject and that would confer a +favor on me, too, by Jove!" + +"I don't want to confer a favor on you. You had much better try and do +me one, I think." + +"With all my heart, taking my ability for granted, of course; only +tell me how." + +Cora shrugged her crimson-clad shoulders, and they paced forward in +silence for a time. Then as if his stillness had been speech of a +distasteful kind, she ejaculated, crossly, and without turning her +head: "Stuff! you talk too much!" + +Lucian smiled maliciously, removed his cigar from between his lips, +described a smoke wreath in mid-air, replaced his weed, and said: "Do +I? then mum's the word;" and he relapsed into silence. + +He seemed bent on annoying her, for there was a laughing glimmer in +his eye, and he obstinately refused to attempt to draw her out, and so +make easier whatever she might have to say, for he knew that she had +signaled him out to-day for a purpose. + +Mutely he walked by her side, and contentedly puffed at his cigar +until, at length, she turned upon him, and struck petulantly at the +hand that had just removed it from his lips. The weed fell from his +fingers to the ground, and Cora set her slippered heel upon it, as if +it were an enemy, and laughed triumphantly. + +"Now we are on a level," she cried. "Do you suppose I intend to give +you that advantage over me?" + +"It seems not," with a shrug expressive of resignation and a smile +hidden by his mustache. + +He was not the man to be angered, or even ruffled, by these little +feminine onslaughts. In fact, they rather pleased and amused him, and +he had become well accustomed to Cora's "little ways," as he called +them. Deprived of his cigar, he thrust his hands into his pockets and +whistled softly. + +"Lucian, if you don't stop looking so comfortable, and content, and +altogether don't-care-ish, I shall do something very desperate," she +exclaimed, pettishly. + +"No?" raising his eyebrows in mock incredulity; "you don't tell me. I +thought you were in a little heaven of your own, Mrs. Arthur." + +"Oh! you did? Very clever of you. Well, Mr. Davlin, has it occurred to +you that heaven might not be a congenial climate for me?" + +"Not while your wings are so fresh, surely? You have scarcely entered +your paradise, fair peri." + +"Haven't I?" ironically. "Well, I am tired of manna, anyhow." Cora was +not always strictly elegant in her choice of expressions. "Now, +Lucian, stop parleying, and tell me, when is this going to end?" + +"When?" + +He stopped and looked down at her intently. Twice they had traversed +the terrace, and now they paused at the termination furthest from the +house. Just before them a diminutive flight of stone steps led down to +a narrow graveled walk, that skirted a velvety bit of lawn, and was in +its turn hedged by some close and high-growing shrubs from the +"Bellair woods," as they were called. Beyond the steps was a gap in +the hedge, and this, cut and trimmed until it formed a compact and +beautiful arch, was spanned by a stile, built for the convenience of +those who desired to reach the village by the shortest route, the +Bellair woods. + +"Don't repeat like a parrot, Lucian." Cora raised her voice angrily. +"I say, when is this to end? and how?" + +They were just opposite the gap in the hedge and Lucian, looking down +upon Cora, stood facing the opening. As the words crossed her lips, +his eyes fell upon a figure just behind her, and he checked the +conversation by an involuntary motion of the hand. + +The figure came toward them. It was Miss Arthur's French maid, and she +carried in her hand a small parcel. Evidently she was returning from +some errand to the village. Miss Arthur's maid had black hair, dressed +very low on the forehead; eyes of some sort, it is to be presumed, but +they were effectually concealed by blue glasses; a rather pasty +complexion; a form that might have been good, but if so, its beauties +were hidden by the loose and, as Cora expressed it, "floppy," style of +jacket which she habitually wore. She passed them with a low "_Bon +jour, madame_," and hurried up the terrace. At least she was walking +swiftly, but not very smoothly, up the terrace when Lucian cast after +her a last disapproving glance. + +"Your lady's maid is not a swan nor a beauty," he said, as they by +mutual consent went down the steps. + +Cora made no reply to this, seeming lost in thought. They walked on +for a moment in silence. + +But Céline Leroque did not walk on. She dropped her package and, +stooping to recover it, cast a swift glance after the pair. They were +sauntering slowly down the hedgerow walk, their backs toward her. + +Probably the falling parcel had reminded the French maid of something +forgotten, for she turned swiftly, silently, and without any of her +previous awkwardness retraced her steps and disappeared beyond the +stile. + +"What's the row, Co.?" asked Lucian, kicking a pebble with his boot +toe. "You are getting restive early in the game. Can't you keep to +the track for another two months?" + +"No." + +"What then?" + +"This. We must get that fool out of the way." + +"Meaning who?" + +"She, of course--Ellen Arthur. The woman will make a raving maniac of +me in two months more." + +"By Jove! and of me, too, if I don't get out of this." + +"We must get rid of her." + +"How?" + +"I don't know--somehow, anyhow." + +"And then?" + +"And then--" she gave him a side glance, and laughed unpleasantly. + +"And then? You have a plan, my blonde. Out with it; I am a listener." + +And he did listen. + +Slowly down the hedgerow path they paced, and at the end, halted and +stood for a time in earnest consultation. There was some difference of +opinion, but the difference became adjusted. And they turned toward +the house, evidently satisfied with the result of the morning's +consultation. + +Not long after, Miss Arthur's maid returned also. + +"I see by the papers that Dr. LeGuise has come back from Europe, +Cora," announced Mr. Davlin from his seat at the lunch table that day. + +"Dr. LeGuise! how delightful! Now one will not be afraid to be +sick--our old family physician, you know," to Miss Arthur; "and _so_ +skillful. He has been in Europe a year. The dear man, how I long to +see him!" + +"Well!" laughed Lucian, "I will carry him any amount of affection, +providing it is not too bulky. I find that I must run up to the city +to-morrow, and of course will look him up." + +"Oh!" eagerly, "and find out if he saw the D'Arcys in Paris; and those +delightful Trevanions!" Then, regretfully, "can't you stay another +week, dear?" + +"Out of the question, Co., much as I regret it," glancing expressively +at Miss Arthur. "But I shan't forget you all." + +"Pray do not," simpered the spinster. "And when do you return?" + +"Not for two or three weeks, I fear. But rest assured I shall lose no +time, when once I am at liberty." + +During his lazy, good-humored moments, Mr. Davlin had made most +ridiculous love to Miss Arthur, and that lady had not been behind in +doing her part. Now, strange to say, the face which she bent over her +napkin wore upon it a look, not of sorrow, but of relief. And why? + + + + +CHAPTER XIV. + +WHEELS WITHIN WHEELS. + + +"Take especial care with my toilet this morning, Céline," drawled Miss +Arthur, as she sat before a mirror in her luxuriously appointed +dressing-room. + +Wise Cora had seen the propriety of giving to this unwelcome +sister-in-law with the heavy purse, apartments of the best in the +newly fitted-up portion of the mansion. + +"I want you to be _especially_ careful with my hair and complexion," +Miss Arthur continued. + +"Yes, mademoiselle," demurely. Then, as if the information might bear +upon the question of the toilet, "Does mademoiselle know that Monsieur +Davlin left an hour ago?" + +"Certainly, Céline, but I expect a visitor. He may arrive at any time +to-day, and you must do your very best with my toilet." + +"Mademoiselle _est charmante_; slight need of Céline's poor aid," +cooed the little hypocrite, and the toilet proceeded. + +At length, the resources of art having been exhausted, Miss Arthur +stood up, and approved of Céline's handiwork. + +"I really do look nicely, Céline; you have done well, very. Now go +send me a pot of chocolate and a bit of toast." + +"Yes, mademoiselle." + +"And a bit of chicken, or a bird's wing." + +"Oui." + +"And a French roll, Céline, with perhaps an omelette." + +"Pardonne, mademoiselle, but might I suggest we must not forget this," +touching Miss Arthur's tightly laced waist. + +"True, Céline, quite right; the toast, then. And, Céline, remain +down-stairs and when Mr. Percy comes," (her maid visibly started at +the name) "show him into the little parlor, and tell him I am +somewhere in the grounds--you understand? Then come and let me know. I +prefer to have him fancy me surprised, you see," smiling playfully. + +"I see; mademoiselle has _such_ tact," and the French maid +disappeared. + +"Mr. Percy?" muttered the French maid, in very English accents; "I +will certainly look for your coming, Mr. Percy. Can it be that I am to +meet you at last?" + +Mrs. John Arthur was restless that morning. She fidgeted about after +the departure of her brother; tried to play the agreeable to her +husband, but finding this a difficult task, left him to his cigar and +his morning paper, in the solitude of his sanctum, and seizing her +crimson shawl, started out for a turn upon the terrace. + +The "little parlor," as it was called, commanded a view of one end of +the terrace walk, but no portion of it was visible from the immediate +front of Oakley mansion, the terrace running across the grounds in the +rear of the dwelling, and being shut off from the front by a thicket +of flowering shrubs and trees. + +The hall facing the front entrance to Oakley was deserted now, save +for the figure of Céline Leroque, who was ensconsed in one of the +windows thereof. She had been watching there for more than an hour, +and Cora had promenaded the terrace half that time, when a gentleman +approached the mansion from the front gate-way. + +Céline's eyes were riveted upon the coming figure, as it appeared and +disappeared among the trees and shrubbery along the winding walk. At +length he emerged into open space and approached nearer. + +Céline Leroque suppressed a cry of astonishment as she anticipated his +ring and ushered him in. A very blonde man, with the lower half of his +face covered with a mass of yellow waving beard; pale blue, searching, +unfathomable eyes; pale yellow hair; a handsome face, the face she had +seen pictured in Claire's souvenir! + +Céline Leroque led the way toward the little parlor with a heart +beating rapidly. + +"Miss Arthur is in the grounds," she said, in answer to his inquiry. +"I will go look for her;" and she turned away. + +Mr. Percy placed his hat upon a little table and tossing back his fair +hair, said: "I think I can see her now." + +Approaching the window he looked down upon the terrace. + +Céline looked, too, and catching a gleam of crimson, said: "That is +not Miss Arthur." + +"Stop a moment, my girl," the man exclaimed. + +He was gazing down at Cora, who was walking away from them, with a +puzzled look. "Good God!" he ejaculated, as she turned and he saw her +face. + +He checked himself, and withdrawing hastily from the window, took up +his hat as if about to depart. Approaching the window once again, he +looked cautiously forth, and seeing Cora still pacing the terrace in +evident unconcern, he muttered to himself, but quite audibly, "Thank +goodness, she did not see me." + +Then turning to Céline: "Girl, who is that woman?" + +The girl approached the window: "That, monsieur, is Madame Cora +Arthur." + +"A widow, eh?" + +"Oh, no, monsieur. Mr. Arthur is the master of Oakley." + +"Oh! and madame--how long has she been his wife?" + +"She is still a bride, monsieur." + +"Still a bride, is she? How exceedingly pleasant." Mr. Percy had +evidently recovered from his panic. "Was she a miss when she married +the master of Oakley?" + +"Oh, no, monsieur; a widow." + +"Widow?" stroking his whiskers caressingly. "What name?" + +"Madame Torrance, monsieur." + +"Madame Torrance, eh? Well, my good girl, take this," offering a bank +note. "I really thought that Madame Torrance, I mean Arthur, was an +old friend; however, it seems I was mistaken. Now, my girl, go and +tell that lady that a gentleman desires to see her, and do not +announce me to Miss Arthur yet. May I depend upon you?" glancing at +her keenly. + +"You may, monsieur." + +Taking the offered money, she made an obeisance, and withdrew. + +The little parlor had but one means of egress--through the door by +which Mr. Percy had entered. This door was near the angle of the room; +so near that, as it swung inward, it almost grazed against a huge +high-backed chair, stiff and grim, but reckoned among the elegant +pieces of furniture that are always, or nearly always, uncomfortable. +This chair occupied the angle, and behind its capacious back was +comfortable room for one or two persons, should they fancy occupying a +position so secluded. The act of opening the door completely screened +this chair from the view of any person not directly opposite it, until +such time as the door should be again closed. + +As Céline Leroque opened the door and disappeared one might have +fancied, had they been gazing at that not-very-interesting object, +that the high-backed chair moved ever so little. + +Céline flew along the hall and down the stairway, tearing viciously at +something as she went. Once in the open air, the brisk autumn breezes +caught something from her hand, and sent little fragments whirling +through space--paper scraps, that might have been dissected particles +of a bank note. + +Cora listened in some surprise to the messenger, who broke in upon her +meditations with a trifle less of suavity than was usual in Miss +Arthur's maid. + +"A gentleman, to see me! Are you quite sure, Céline?" + +Mrs. Arthur, for various reasons, received but few friends, and Céline +thought now that she looked a trifle annoyed. + +"Well, Céline, where is the gentleman? Stop," as if struck by a sudden +thought, and changing color slightly, "tell him I am out, but not +until I have got up-stairs," she said; "not until I have had an +opportunity to see him, myself unseen," she thought. + +"But, madame," hesitated Céline, "he is in the little parlor. He saw +madame at the upper end of the terrace." + +"Confusion! What did he say, girl?" excitedly. + +"He said, madame, that he wished to speak with you; that he was an old +friend." + +"Well, go along," sharply. "I will see the man." + +Céline turned about and Cora followed her almost sullenly. She had +some apprehension as to this unknown caller, but he had seen her, and +whoever he was she must face him, for Cora was no coward. + +Céline tripped along thinking intently. + +"This man is Edward Percy--Edward Percy, the lover of two women. He +was frightened when he saw this Mrs. Arthur, and my words reassured +him; why? At the mention of a strange caller, she must needs see him +before she permits him an interview--for that is what she meant. Do +they know each other? If so, the plot thickens." + +Edward Percy had certainly been agitated at sight of Mrs. Arthur, and +had as certainly recovered when assured that the lady _was_ Mrs. +Arthur. He looked the image of content now, as he lounged at the +window. Under the blonde mustaches, a smile of cunning and triumph +rested; but his eyes looked very blue, very, very calm, very +unfathomable. + +"Madame Arthur, sir." + +Céline opens the door gently, and admits the form of Cora. Then, as +the two face each other in silence, the door quietly closes, neither +one having glanced toward the girl, who has disappeared. + +Cora stands before him, the folds of the crimson shawl falling away +from the plump, graceful shoulders, and mingling with the sweep of her +black cashmere wrapper in rich, graceful contrast. One fair hand +gathers up the crimson fabric and, instinctively, the other thrusts +itself out in a repellant gesture, as the soft voice utters, in tones +of mingled hate and fear: "_You!_" + +He laughs softly. "Yes, I. I knew you would be delighted." All the +time he is gazing at her critically, apparently viewing her loveliness +with an approving eye. + +And now the woman feels through her whole being but the one +instinct--hate. She has forgotten all fear, and stands before him +erect, pallid, but with eye and lip expressing the bitterness that +rages within her. + +"You won't say you are glad to see me? Cruel Alice," he murmurs, +plaintively. "And after all these years, too; how many are they, my +dear?" + +"No matter!" fiercely. "They have given the devil ample time to claim +his own, and yet you are upon earth!" + +"Yes," serenely; "both of us." + +"Both of us, then. How dare you seek me out?" + +"My dear wife, I never did you so much honor. I came to this house for +another purpose, and Providence, kind Providence, has guided me to +you." + +The woman seemed recalled to herself. Again the look of fear +overspread her face, and looking nervously about her, she said. "For +God's sake, hush! What you wish to say say out, but don't let your +voice go beyond these walls." + +"Dear Alice, my voice never was vulgarly loud, was it? recollect, if +you please," in an injured tone. + +"Well! well! what do you want with me? Percy Jordan, I warn you--I am +not the woman you wronged ten years ago." + +"No; by my faith, you are a handsomer woman, and you carry yourself +like a duchess. Why didn't you do that when you were Mrs.--" + +"Hush!" she cried; "you base liar, it did not take me long to find you +out, even then. Don't forget that you have lived in fear of me for ten +long years." + +"Just so," serenely; "haven't they been long? But they are ended now, +my dear; my incubus is dead and--" + +"But documents don't die," she interrupted; "don't forget that!" + +"Not for worlds. For instance, I remember that in a certain church register +may be seen the marriage lines of Alice Ford and--ahem--myself. And +somewhere, not far away, there must be on record the statement that Mr. +Arthur, of Oakley, has wedded the incomparable Mrs. Torrance, a blonde +widow--ahem. Where did you go, my dear, when you left my bed and board so +very unceremoniously? + + "'What had I done, or what hadst thou, + That through this weary world till now + I've walked with empty arms.'" + +He stretched out those members tragically. + +"And I don't forget that I was never legally your wife, as you had +another living," cried Cora, ignoring the latter part of his speech. + +"No; of course not. Does Mr. John Arthur know that you were once my--" + +"Dupe? no," she interrupted. "Come, time passes; tell me what you +know, and what you want." + +"Softly, softly, Mrs. Arthur. I know enough to insure me against being +turned out of Oakley by you; and I want a wife and a fortune." + +"I don't understand you." + +[Illustration: "The soft voice utters, in tones of mingled hate and +fear, '_You?_'"--page 149.] + +"Possibly not, Madame Arthur." Then, with mock emotion: "Might I, +dare I, ask you to give to my keeping, that incomparable maiden, that +houri of houris, your young and lovely sister-in-law, Miss Ellen +Arthur?" + +The woman looked at him in silence for a time, and then, flinging +herself upon a couch, burst into a peal of soft laughter. She +understood it all now. + +"So you are the expected lover!" she ejaculated, laughing afresh; "and +she is up-stairs, in bright array, waiting for you." + +"And I am down here, pleading for permission to address this pearl of +price." + +Cora arose and gathered her crimson wrap about her shoulders. "And how +is it to be between us?" she asked coolly. + +"My sweet Alice, if you were John Arthur's widow instead of John +Arthur's wife, it should be as if the past ten years were but a +dream." + +"Indeed--provided, of course, I were John Arthur's heiress as well." + +"Certainly!" + +"And how is it that you are once more fortune hunting? Five years ago +you inherited wealth sufficient for your every need." + +The elegant Mr. Percy went through the pantomime of shuffling and +dealing cards, then looked at her with a grimace. + +"All?" she inquired, as if the action had been words. + +"Every ducat," solemnly. "So what is to be my fate, fair destiny?" + +Cora mused, then laughed again. "After all, you may prove a friend in +need," she said. "I shan't interfere between you and Miss Arthur; be +sure of that." + +Then they fell to settling the preliminaries of a siege upon the heart +of Miss Arthur, together with other little trifles that occurred as +they talked. They had both thrown off their air of hostility, and +were seated opposite each other, conversing quite comfortably, when +the door swung open, and Miss Arthur stood before them; Miss Arthur, +in the full glory of snowy cashmere, with cherry satin facings; Miss +Arthur, with curls waving, and in all her war-paint. + +The two plotters arose, and saluted her with much empressement. + +Miss Arthur advanced a step and stood beside the high-backed chair, +one hand still resting upon the door. Percy came toward her with +outstretched hands. + +"Ah-h-h!" screeched the spinster, "what was that?" + +Turning quickly she encountered nothing more formidable than her +French maid, who had evidently hurried to the spot, for she breathed +rapidly, and said, in an anxious manner: + +"Pardon, mademoiselle, it is I,--did mademoiselle ring? I thought so." + +"You stepped on my dress, girl," said Miss Arthur, sharply. "No, I did +not ring; perhaps Mrs. Arthur did." + +"I did ring, Ellen," lied Cora, sweetly, wondering what lucky +providence sent the girl to the door just then. "I rang for you, as +Mr. Percy here, in whom I have discovered a Long Branch acquaintance, +would hardly treat me civilly, so impatient has he been to see Miss +Arthur." + +Miss Arthur looked somewhat appeased. "You may go, Céline," she said, +with her most stately air. + +Thus she sailed forward to meet Mr. Percy. + +Céline departed, smiling an odd little smile. She went to her own room +and sitting down upon the bedside, meditated. Presently she arose, and +walking over to her mirror, gazed at her reflected image, and shaking +her head at it, murmured: + +"What a nice little maid you are, Céline Leroque--and how these +people will love you by and by! You now hold in your hands the thread +that will unravel this mixture of mystery, and when the reckoning +comes, it will not be you that falls." + +Thoughtfully she paced the little apartment. By and by she threw +herself upon the bed and closed her eyes, still thinking. If she could +only know just how these two had separated--Edward Percy and Cora +Arthur; and what part Lucian Davlin had played in that separation +drama. Did Cora know Lucian ten years ago--did Percy know him for his +rival? Suddenly the girl sprang up, and smiting her two palms +together, exclaimed: + +"If these two men were rivals, then we may yet find a reason why +Lucian Davlin should attempt the life of Edward Percy!" + +And now what should she do? + +Claire Keith's bright face rose before her as she asked herself the +question. Claire must be warned and saved; but how? The girl's brow +darkened. + +"She will scorn the man," she muttered, between pale lips, "and then +she will learn to value that other. She will grieve for a time, +perhaps, but not for long; then--then she will become _his_ wife, +while I--What right has she to all the blessings?" + +The girl stood motionless, with hands tightly clasped. The conflict +lasted but a moment when, in a firm, clear voice she continued: + +"It would be base not to save her from this wretch--and save her I +will; and I will restore to Olive Girard her husband; is that not +payment enough for all they have done for me? But he, Clarence, my +hero--why must I yield him up without a struggle? She does not love +him; she never will love him if I say the word; she is as generous +as--as I am base, I think. No, it is not base to love him, to try to +win him. And why not? I must think, think, think." + +All that day and night the girl pondered deeply. In the morning she +arose weary, unrefreshed. + +"I will save Claire Keith from the suffering that befell me," she +said. "But she shall not have all the good things of this life, and I +none." + + + + +CHAPTER XV. + +CORA AND THE FRENCH MAID MEASURE SWORDS. + + +During the day, Miss Arthur communicated to her maid the fact that Mr. +Percy would remain in Bellair for the present. He was going away for a +day on business; then he would return and take up his abode at the +Bellair inn. + +"Would monsieur be absent to-morrow?" + +"Yes." + +Then, as mademoiselle would not especially need her, would she +graciously give her the day? Her sister had just returned from Paris, +and would very soon leave the city _en route_ for Washington. Her +sister was in the service of Mrs. General Delonne--of course +mademoiselle had heard of Madame Delonne; knew her, perhaps. Céline +much desired to see this sister, and expected to get some valuable +hints from her regarding the very latest French _coiffeurs_, etc., +etc. In short, could mademoiselle spare her to-morrow, just for one +little day? + +Mademoiselle, after due deliberation, perhaps in consideration of the +new _coiffeurs_, graciously consented. This matter was settled while +the dinner toilet of the lady was in progress; and Céline spared no +pains to make her mistress satisfied with herself and all about her. + +"How long had Mr. Percy been in the little parlor, Céline, before I +came down?" questioned the lady. + +She was still a trifle dissatisfied at having found her lover so +cosily _tête-á-tête_ with her fascinating sister-in-law. + +"Oh, a very short time, my lady--I mean mademoiselle." + +"And how did he meet Mrs. Arthur?" anxiously. + +"Madame was just entering from the terrace; they met in the hall," +glibly. + +"And did they meet like old friends, Céline?" + +"Oh, no! mademoiselle; quite formally. At first I fancied he was +really displeased at meeting her--but of course mademoiselle knew the +reason for that," slyly. + +"Hush, you foolish girl," said the flattered spinster; "it's all +right, of course." And she relapsed into reverie. + +Miss Arthur had exhausted her patience waiting for her tardy admirer, +and, finding her own apartments dull, had come down to the parlor, +thus interrupting the interview, to the disgust of more than one of +those interested. + +Mr. Percy had many questions yet to propound to his newly-found wife, +as he called her, and she, knowing him so well, felt a trifle more +uneasy than was comfortable, wondering what use, if any, he intended +to make of the small amount of power he still possessed over her. She +must hold another interview with him, and that soon. Meantime, she +left him to the tender mercies of the happy spinster. + +It was late in the evening when she at last found a convenient +opportunity, and crossed the hall in the direction of Miss Arthur's +dressing-room. She was about to open the door and enter, when her +movement was anticipated by Céline, who appeared upon the threshold in +hat and shawl. + +Mrs. Arthur seemed not at all abashed, but pushing the girl back into +the room, stepped in herself and closed the door. "You were going out, +Céline?" smiling sweetly. + +"Yes, madame," respectfully. + +"May I ask where?" + +"Certainly, madame. I have leave to go and see my sister to-morrow. I +am going to telegraph her that she may expect me. Can I serve madame?" + +Madame pondered a moment. + +"Céline," she said, abruptly. "Why did you pretend to answer a ring +this morning, when your mistress came down to the little parlor?" + +"I trust madame was not offended," deprecatingly. + +"No, no," impatiently; "but I want to understand you." + +"Madame shall. Madame must know that my mistress is not always smooth +in temper?" + +"Yes," laughing wickedly. + +"This morning she bade me admit the gentleman, tell him she was in the +grounds, and then come to her. He came, and almost immediately saw +you, madame, walking on the terrace." + +"Stop. How did he act when he saw me, Céline?" + +The girl looked at her in apparent hesitation. "Madame will not be +angry with me?" + +"No, no." + +"He looked almost frightened, and took his hat, as if about to go." + +Cora uttered a low, triumphant, "Ah, did he?" + +"Then he called me back as I was leaving the room to summon my +mistress, and asked me who you were. I told him. He looked relieved, +said he had mistaken you for an old acquaintance, and bade me ask you +to come to him, and say nothing to Miss Arthur until he desired it." + +"I see; but why did you follow her, when she came down? Did she know +we were there?" + +"No, madame." + +"Then why--" + +"Pardon," with a sidelong glance at her face, "but madame is +beautiful, and my mistress is jealous. I thought you might wish me to +do as I did, and I desired to serve you, madame." + +Cora eyed her keenly. "But why serve me, Céline?" + +"Madame has ever been gracious to Céline," said the girl, lowering her +eyes. "Even a servant appreciates kindness--my mistress never +considers that." + +Cora's thoughts flew fast. If she could trust this girl, she might +make her very useful. She had sought this interview to question her +concerning the adventure of the morning, and now might she not be of +still more service? + +A few more sharply-put questions were asked, and answered with +corresponding shrewdness. Then Céline detailed, in her own way, her +interview with her mistress on the subject of Mr. Percy's visit. + +Cora was at last fully satisfied that, for some reason, Miss Arthur +had aroused a feeling of antagonism in the breast of her maid. She +resolved to profit by this state of affairs. Accordingly, a few +moments later, Céline Leroque flitted out from the house the bearer of +two important messages. + +One, in writing, was a telegram to be sent to Lucian Davlin. + +The other was a verbal message to be delivered, in some way, to Mr. +Percy before he quitted the grounds of Oakley. + +Pausing at a safe distance from the house, Céline produced from her +pocket some waxen matches. She lighted one, having looked cautiously +about her, and spreading open the telegram to Mr. Davlin, read these +words: + + Come down to-morrow without fail. It is most important. + + C. + +"So," muttered Miss Arthur's maid as, flinging away the match, she +hurried on her way; "so he must be consulted; he must come down. In +the absence of Percy, too. I wonder if he knows, this Percy, that +Lucian Davlin at present personates the dutiful brother of his fair +lost love." Such a sneer rested on the face of the French maid. "Well! +Mr. Davlin must come and, unfortunately, I can't be present at this +interview. However, I shall be able to judge pretty accurately by +their future movements what was its portent." + +Edward Percy, as he chose to call himself, was not aware of the +position held by Lucian Davlin in that household. Cora had seized an +opportunity to murmur to Miss Arthur a soft warning. + +"Ellen, dear!" she had said, "pray don't mention Lucian to Mr. Percy, +unless you wish to shorten his stay with us. The fact is, the two had +a slight misunderstanding while we were all at Long Branch, about a +horse or something. Lucian was very much to blame, I think, but they +parted bad friends. It is best never to interfere in men's quarrels, +so I have not mentioned Lucian's name to him at all." + +Cunning Céline! Her tact had made this explanation seem a quite +probable one; and as Miss Arthur certainly had no desire to drive Mr. +Percy from Oakley, she assured her "kind, thoughtful Cora," that she +would be very guarded and never once mention Mr. Davlin's name in his +enemy's presence. + +Of this fact, of course, Céline was in total ignorance, as she +proceeded on her way, which was not to the telegraph office; at least +not yet. + +Hurrying through the Oakley wood in the opposite direction from the +village, she crossed the meadow and approached the cottage of Nurse +Hagar. A light was dimly visible through the paper curtains, but no +sound was heard from within. The girl listened at the door a moment, +and then tapped softly. + +Presently slip-shod feet could be heard crossing the uncarpeted floor, +and a key creaked in its lock, after which the door opened, a very +little way, and the old woman's face peered cautiously out into the +night. Then she hastily opened the door wide and admitted the visitor. + +"Is it you, dearie?" she asked, rather unnecessarily, surveying her +critically by the light of a flaring tallow candle. + +"No, Aunt Hagar, it's not I," laughed the girl; "it's Miss Arthur's +French maid that you see before you. And don't drop that tallow on her +devoted head," lifting a deprecating hand. + +"Umph! we seem in great spirits to-night," leading the way back to the +fire-place, beside which stood her easy splint-bottomed chair. + +"So we are," assented the girl; "and why shouldn't we be, pray? Aren't +we a very happy French maid, and a very skillful one, and a very lucky +one?" + +"How should I know?" grumbled the old woman; "what do I know? I'm only +old Hagar; don't mind explaining anything to me!" + +"By which you mean, beware of your wrath if I don't explain things to +you; eh, auntie?" + +[Illustration: "Céline looked cautiously around her."--page 159.] + +Hagar mumbled something, not exactly intended to be a speech but +simply a small growl, illustrative of her mood. Then, as if her +dignity had been sufficiently asserted, she relaxed her grimness, +and looking kindly down upon the girl, and pushing her toward the big +chair, said: + +"But law! child, you look fagged out. Sit down, sit down, and don't +mind an old woman's grumbling." + +"Did I ever?" laughed the girl, sinking into the big chair as if +indeed willing to rest. "But I can't sit here long, nursie; my day's +work, or rather my night's work, is not yet finished." + +"Not yet? Oh, Madeline, my little nursling, give up these wild plans +and plots; they will bring you no good." + +"Won't they?" nodding significantly. "I think they will do me good, +and you, too, Nurse Hagar; and before very long, too. Why, bless you, +these precious plotters won't wait for me to bring them into my net; +they are tumbling in headlong--all of them. They are helping me, with +all their might, to bring about their own downfall. Hagar," and the +girl leaned suddenly forward and looked closely into the old woman's +face, "I want you to come back to Oakley." + +Hagar started back as if struck by a knife. She was about to open her +lips and set free a torrent of indignant protest, when the girl lifted +her hand, interrupting her in the old characteristic way. + +"Wait until I explain, auntie. I want you to go to Oakley to-morrow, +at the hour when Mr. John Arthur is always supposed to be taking his +after-dinner nap. Just after dinner, I want you to see Madame Cora; +manage it in your own way, but see her you must." + +"I won't!" broke in the old woman. + +"You will," said the girl, quietly, "when I have told you why." + +Drawing her chair close to that occupied by her companion, she resumed +in a low voice: + +"Yesterday Miss Arthur sent me to the village to purchase some +trifling articles for the adornment of her precious person. Returning +through the woods, I came upon Mr. Davlin and his 'sister,' conversing +very earnestly, just at the lower end of the terrace. I arrived at the +hedgerow stile just in time to hear madame say, very emphatically, +that something must be done immediately. They were going down the +terrace steps when I passed them, pretending to be in a great hurry. +As soon as their backs were toward me, I turned quickly, and without +noise crossed the stile, followed them on the opposite side of the +hedge, and listened." + +Here the speaker paused and looked up, but her auditor was gazing +moodily into the fire, and never stirred nor spoke. + +"Madame was saying," resumed the narrator, "that she was heartily +weary of the part she was playing; that its monotony sickened her; +that they had secured the victims, and fate had been kind enough to +remove the only stumbling block in their path, save the old man +himself; that she considered my very sensible demise a direct answer +to her pious prayers." + +The old woman shuddered and cast a look of horror upon the speaker. + +"They had evidently discussed this matter before, and partially +settled their plans, only the man seemed to think it was too soon to +begin to act. But madame declared that she should do worse if they did +not commence operations at once, and finally she overruled him." + +"Of course," savagely. + +"Of course. Well, I now lost a little of their conversation, but I +kept the thread of it. You see, I had to move very cautiously, and +sometimes fall behind them a bit, when the leafage became less thick." + +Hagar nodded. + +"Their plan was a beautiful one, and they have already set it in +motion." + +"Already?" + +"Already; don't interrupt, please; I will tell you how in good time. +First, then, madame is to fall ill--not desperately ill, but just ill +enough to be interesting, and to alarm the old man. By the way, Mr. +Davlin left this morning for the city; that is one move. He is to +remain in the city until after the illness of madame, who is to refuse +to receive any of the village doctors. Finally, he is to be sent for, +and admonished to bring with him their old family physician, who has +but just returned from Europe. Well, they come, the brother and the +family physician--do you follow me?" + +"Yes, yes!" nodding eagerly. + +"They come. And the doctor says madame is threatened with a malignant +fever, and orders everybody out of the house. It is needless to say +that Miss Arthur flies instantly; but _le docteur_, interviewing the +half-sick, fidgety old man, discovers that he, too, is threatened with +the fever. Of course, he can not leave then." + +Old Hagar's eyes were twinkling, and she was bending forward now in an +eagerly attentive attitude. "No," she breathed, unconsciously. + +"Well, the heroic brother will refuse to fly from the fever, and will +implore the skillful man of medicine to remain and minister unto the +sick. The good doctor stays. Of course, such of the servants as are at +all likely to prove troublesome, through possessing a trifle more +brains than is usually alloted to an idiot, will be kindly told that, +rather than endanger their lives, the household will dispense with +their valuable services. Then a nurse, perhaps two, will come down +from the city, and the plotters have the game in their own hands." + +Here the girl paused, and leaned back in her chair as if her story +were done. + +"And then?" exclaimed Hagar. + +"And then!" echoed her companion, bending forward and resting her hand +upon the old woman's wrist; "and then madame will recover--but John +Arthur will remain an invalid and a prisoner! It will be said in the +village that the fever has affected his brain, and his unpopularity, +arising from the fact that he has always shunned and scorned the +village folk, will insure them against intrusive investigators. +Auntie, they have hatched a pretty plot." + +"But," objected Hagar, "they will have to stay at Oakley, if he is to +be a prisoner. They won't dare leave him with keepers and--" + +"True," the girl interrupted. "I don't know how they will manage the +rest; but having settled this much, madame and her 'brother' paused at +the end of the path. I saw her as she looked up into his face, and +this is what she said: 'When he is once a prisoner, what could be more +natural than that a crazy, sick old man should _die_ some day?' Then +the man replied, 'Nothing;' and they both returned to the house, +without another word." + +For some moments silence reigned in Hagar's dwelling. The old woman +seemed either unable, or unwilling, to utter a word of comment upon +the story to which she had been so attentive a listener. + +Céline at length arose and said, as she began pacing to and fro before +the old woman. "Well, have you anything to say to this?" + +"Yes," quietly. + +"Then why don't you speak out? Are you horribly shocked?" + +"No." + +"No? Well, so much the better!" + +Hagar arose, pushed back her chair, crossed the room, and, pulling +back the curtain, looked out into the night. Then turning her +inscrutable old face upon the girl she said, quite calmly: + +"Why should not others measure out to John Arthur the same bitter +draught that he filled for your mother, years ago? Bah! it is only +retribution!" + +"True," said the girl, sternly. Then, in a guarded tone: "And you +would make no attempt to overturn their finely laid plans?" + +"I? _No!_" fiercely. "You? I thought you wanted revenge." + +"And so I do,--and will have it." + +"How, then?" + +"Will you go to Madame Arthur?" + +"What for?" + +"Ah, now you reason. I will tell you." + +Hurriedly she unfolded her plan; and after some differences of +opinion, dame Hagar agreed to play her part in the coming drama. +Having finally arranged Hagar's _rôle_ to their mutual satisfaction, +Céline hurriedly recounted her day's adventures, saying, by way of +_finale_: + +"So now you see, nursie, I must hasten and send madame's message on +its way. I shall depend upon you to tell me if Mr. Davlin comes to +Bellair to-morrow, for I have a fancy that madame will manage, in some +way, to prevent his coming to the house, as it was fully settled that +he was not to appear at Oakley until summoned to his sister's +sick-bed." + +"I can easily learn if he appears at the Bellair station." + +"Exactly; that is all I wish to know. Now I must go and waylay Mr. +Percy. So good night, auntie, and cheer up; our time is coming fast." + +"And trouble coming, too; God help us." + +The girl turned upon her swiftly, with flashing eyes. "Are you afraid? +Do you want to give it up?" + +"I am afraid for you. But give up now; never!" + +"Brave old nursie!" + +The girl flung both arms about the old woman, and kissed her withered +cheeks. + +"Never fear for me; my star is rising. Don't forget your mission, +auntie; good-night." + +The "good-night" came back over her shoulder, as the girl was hurrying +down the cottage steps, and Hagar closed the door behind her +retreating figure. + + + + +CHAPTER XVI. + +FACE TO FACE. + + +It is surprising to note how many pretexts a resolute, husband-hunting +spinster can find for keeping a victim at her side, long after his +soul has left her, and gone forth with yearning for a downy couch, a +fragrant cheroot, or a fairer face. + +Edward Percy could be agreeable, for a reasonable length of time, to a +very ugly woman. But even he felt himself an injured man when, at a +late hour, he said good-night for the eleventh time to his fair +enslaver--literally an enslaver, he thought. As the door of Oakley +manor actually and audibly closed behind him, he heaved a sigh of +gratification, and strode rapidly down the winding avenue. + +When the first group of trees had sheltered him from the view of the +infatuated spinster, should she still be gazing after him, Mr. Percy +paused, and standing in the shadow, produced a cigar and was +proceeding to light it, when a hand fell lightly upon his arm, and he +turned with a confused idea that she had followed him, and was about +to lead him back a prisoner. But the figure that he dimly saw was, +certainly, not that of Miss Arthur. + +"Pardon, monsieur! but I have a message for you." + +"Ye gods!" ejaculated the aggrieved man. + +Evidently the girl interpreted his thoughts, for she stifled a laugh +as she said, quickly: "Not from Miss Arthur, monsieur; but from +madame." + +"Oh, from madame," drawing a long breath. "Well, even madame will be a +blessed relief; out with it, girl." + +"Madame will be grateful, I am sure," said the girl, mockingly. +"Madame desires a word with you--now, to-night. Will you follow me?" + +"Where?" + +"To madame; she will be in the terrace arbor directly." + +"Oh, very well," replacing his cigar in his pocket; "lead on, then." + +Céline flitted on before, until the arbor became dimly visible down +the pathway. Then she paused, pointed it out to her companion, and +said: "Madame will soon join you there, sir. Now I must hasten to my +mistress; I have kept her waiting too long." + +With a low, mischievous laugh she darted away in the direction of the +house. + +Percy turned and gazed after her; then followed a few paces and +watched again, until she disappeared under a wide portico. Heaving a +sigh of relief he turned back toward the arbor. + +"I want no eavesdropping," he muttered; "and that minx might listen if +she had time. She is no more a French maid than I am; she forgot her +_monsieur_ just now. But a sham maid is very appropriate for a sham +maiden; now for Alice;" and he entered the arbor. + +[Illustration: "I am afraid for you. But give up now; never!"--page +167.] + +Had Mr. Percy been able to follow the retreating footsteps of the +objectionable French maid, however, he might have found occasion +to change his opinion of her lack of time for eavesdropping, +and there was excellent opportunity for its practice about the +shrubbery-surrounded arbor. + + * * * * * + +Meantime Ellen Arthur, having reluctantly bidden her "blonde demi-god" +a last good-night, sought her chamber, swelling with satisfaction, and +feeling somewhat hungry. Passing the door of her sister-in-law's +rooms, she encountered Sarah, the romantic housemaid, who was just +entering, bearing wine and a tiny glass. Glancing within, she +encountered the gaze of Cora, who stood holding in her hand some black +lace drapery. + +"Horribly late, isn't it?" yawned that lady, nodding good-naturedly. +"Set down the wine, Sarah, and then you may go. I'm so dismally +slumbersome that if I keep you to help me, I shall fall asleep on your +hands. Have some wine, Ellen?" + +"No, thanks," said the spinster. "If you don't want Sarah, she may +bring me up a nice lunch as soon as possible. I won't detain you any +longer; good-night." + +And Miss Arthur, who had meditated entering and giving Cora the +benefit of some of her maiden dreams and fancies, marched away, a +trifle offended at the manner in which her sleepy sister-in-law had +anticipated and warded off the interview. Cora's good-night floated +after her as she sailed down the corridor. Then she heard the door +closed and the bolt shot into the socket. A little later, the door +opened noiselessly, and a female figure glided down the dark stairways +out into the night, and toward the arbor. + +"Céline shall undo my hair," Miss Arthur thought, "and I'll have her +try that new set of braids and puffs, if it is late. I don't feel as +if I could sleep." + +But Céline was not dutifully waiting in her mistress's dressing-room. + +Sarah appeared with the lunch, and offered her services, but was +summarily dismissed, for Miss Arthur did not deem it wise to initiate +the house servants into the fearful and wonderful mysteries of her +toilet. Therefore, she lunched in solitude and disgust, but heartily, +notwithstanding, having just put off her very elaborate, but rather +uncomfortable evening dress and donned a silken gown, acting as her +own maid. + +Then she fidgeted herself into a most horrible temper, and sat +deliberately down before the grate in a capacious dressing-chair, +determined to wait until the girl came, and deliver a most severe and +stately reprimand, the exact words of which she had already determined +upon. + +The lady, sitting thus with her feet on the fender, her hands +comfortably clasping the big arms of the dressing chair, and her head +lolling rather ungracefully over its back, fell into slumber. + + * * * * * + +If Mrs. John Arthur had made a midnight appointment with Lucifer, she +would have fortified herself for the encounter by making a "stunning" +toilet. It was one of her fixed principles--she had fixed +principles--never to permit friend or foe of the male persuasion to +gaze upon her charms when they would show at a disadvantage. So when +she entered the arbor, which was suffused with a soft moonlight glow +from a heavily-shaded lamp, for the arbor stood among dense shrubbery, +and but for this lamp would have been in Egyptian darkness, she was +indeed a personification of loveliness. + +Ungracious as was his mood, Percy would not have been a beauty-adoring +mortal if he had not paid involuntary tribute to the charms of the +woman who was his bitterest foe. Gazing down upon her a moment, he +said in his soft legato: + +"I am almost angry at you for being so beautiful, after having taken +yourself to other lovers, _Ma belle_." + +The woman smiled triumphantly, as she threw herself into an easy +chair, and said in her softest, sweetest tone: "And did you expect me +to go mourning for you all these years, sir?" + +"I don't think you were ever the woman to do that;" dropping lazily +into a rustic seat near her. "May I smoke?" + +Cora nodded. + +"Are you sure we are quite safe here?" looking about him. "Somehow, I +am suspicious of that sharp French maid." + +"Quite sure," nodding again. "Mr. Arthur was in bed before I came out; +Miss Arthur was ordering up a lunch to her room, and the French maid +must needs be in attendance for an hour or more; and besides, I know +she is not at all dangerous. None of the other servants ever have +occasion to come here, and most of them are in bed by now." + +"So your charming sister-in-law eats, does she? After parting from me, +too; ugh!" + +"Eats? I should think so," laughing softly; "in her own room, when her +stays are not too tight." + +"Spare me!" + +He held up both hands in mock deprecation; then, dropping his +bantering tone, said, as he puffed at his cigar: + +"But now to business. You did not come out here in such bewitching +toilet to tell me that my charmer eats?" + +"Hardly," with a pretty shrug. + +"For what, then?" + +"To come to an understanding with you," coolly. + +"As how?" in the same tone. + +"As to our future standing with each other." + +"I thought that was settled to-day?" + +"Did you? I don't think it was settled." + +"Well, what remains, fair Alice?" + +"Will you drop that name?" + +"For the present, yes; but with reluctance." + +"Oh, certainly!" bitterly. "Now, what are we to be henceforth?" + +"Friends, of course," knocking the ashes off his cigar. + +"You and I may be allies; we can never be friends," she said, +scornfully. + +"Don't trouble yourself to be insulting, Mrs.--a--Arthur." + +"Then don't make me remember how I have hated you!" + +"Have you really hated me? How singular." + +"Very!" sarcastically; then: "If you don't drop that disagreeable tone +we shall quarrel. I wish to know what you want with Ellen Arthur." + +"Shade of my grandmother! If you don't drop that disagreeable name, I +shall expire. Haven't I had enough of her for one day? Alice, I know +revenge is sweet, but spare me." + +"Bother! I must talk about her, else how can we settle anything? Do +you suppose I am going to allow that sweet girl to be deceived?" This +with mock indignation. + +"Oh, no; certainly not! Well, if I must, I must. First, then--" + +"First, what position do you intend to take towards me?" + +"That depends upon yourself." + +"On conditions?" + +"On conditions." + +"Name them." + +"I am to be received as an honored guest whenever I shall choose to +visit Oakley." + +"Well." + +"Next, you are to do all in your power to further my suit with +Miss--you know." + +"That's an easy task." + +"Lastly, you are to promise me not, now or at any future time, to +declare to any one aught you may know that might be to my +disadvantage." + +"That is to say, I am not to tell Ellen Arthur, or others, that you +have two wives--" + +"Softly; one, my dear, _one_. Mrs. Percy Jordan, number one, is dead; +you alone are left. You see, Alice, my dear, the thing is reversed. +You have two husbands now, while I--" + +"Will have two wives as soon as you can get them!" + +"Just so." + +"And what guarantee have I that you will not betray me to Mr. Arthur?" + +"The very best in the world; mutual interest." + +Cora pondered. "I don't see but that you are right," she said, at +last. "It certainly will not be to your interest to attempt to annoy +me now, but how long is this truce to last?" looking at him keenly. + +Percy smoked away in tranquil silence. + +"Of course, I understand what you mean by a marriage with Miss +Arthur," scornfully. "How long will it take you to squander her +dollars? And after that, what will you do?" + +"Question for question, fair cross examiner; how long do you intend +remaining so quietly here, the bond slave of this idiotic old man? And +what will you do when this play is played out?" + +"Because I ran away from a profligate young husband, who had decoyed +me into an illegal marriage--illegal for me, but sufficiently binding +to have put you in the penitentiary for a bi--" + +"Don't say it, my dear; don't. It's an ugly word, and, after all, are +we not both in the same boat?" + +"No," angrily. "Do you think I have been so poorly schooled during +these years that you can make me think now that you have any hold upon +me? Bah! your case is but a flimsy one. When you deceived me into a +marriage with you, you had already another wife. You hid me away in a +suburban box of a cottage, fancying I would be content, like a bird in +a gilded cage. You never dreamed that meek little _I_ would follow +you, and find out from the woman's own lips that she had a prior claim +upon you!" + +"Candidly, I didn't credit you with so much pluck," said Percy, +coolly. + +"No! and when I charged you with your perfidy, and wept and upbraided +you, and then became pacified when you told me that every proof of +your marriage with that other was in your control, you did not dream +that I would feign submission until I had gained possession of the +proofs of both your marriages, and then run away?" + +"And succeed in baffling my search for ten long years," supplemented +he, grandiloquently. "No, fair dame, I did not." + +"Your search, indeed! It was not a very eager one." + +"Well, in truth it was not. The fact is, your beauty entrapped me into +that very foolish marriage; but I was a trifle weary of blonde +loveliness in tears, etc., so I didn't get out the entire police +force, you see." + +"And you wouldn't have found me if you had." + +"Indeed! why not?" + +"Because, if it will afford you any satisfaction to know at this late +stage of the game, I sailed for Europe the very day I quitted your +house." + +"No!" opening his eyes in genuine astonishment. "Had it all cut and +dried? Well, I like that! Why, little woman, if you had only developed +one half the pluck latent in you, before you flitted, I would never +have given you 'just cause,' etc., for leaving me." + +The woman smiled triumphantly, but made no other answer. + +"Well, what next? I am really becoming interested in your career." + +"Sorry I can't gratify your curiosity. My career has been a very +pleasant one--seeing the world; generally prosperous. And this brings +me back to the starting point: why should you think, because I left +you with good cause, ten years ago, that I must necessarily forsake, +sooner or later, a husband who is kindness itself, and who leaves no +wish of mine ungratified?" + +"First reason," checking them off on his fingers: "Because you don't +love this old man, and love is the only bond that such women as you +will not break." + +"Thanks!" ironically, bending her head. + +"Second, because a dull country house, be it ever so elegant, will not +long satisfy you as an abiding place. I have not forgotten your +girlish taste for pomp, pageant and all manner of excitement; a taste +that has doubtless become fully developed by now. Third, because you +have, at this present moment, a lover whom you prefer above all +others, and to whom you will flee sooner or later." + +"Perhaps you can substantiate that statement," sneered Cora. + +"Well, not exactly; but I know women. My dear, say what you please to +me, but don't expect to be believed if you will insist upon doing the +devoted wife." + +"I insist upon nothing," said Cora, rising, "and I have not time for +many more words. Let us come to the point at once: With my life, after +I left you, you have nothing to do; you know nothing of it now, and +you will learn no more from me. Of you, I know this much. I know that +you clung, after your fashion, to the skirts of your unfortunate wife, +spending her income and making her life miserable. I know that six +years ago you inherited a fortune from a distant relative. I know that +from that time you utterly neglected your wife, who had been an +invalid for years; and that soon after she died, heart-broken and +alone." + +Percy turned upon her, and scrutinized her face keenly; then, coming +close to her, said, meaningly: "And then I wonder that you did not +come back to me." + +For a moment the woman seemed confused, and off her guard. But she had +not sought an interview with this man without fully reviewing her +ground. + +"I had ceased to care for you," she said, lifting her unflinching eyes +to his face; "and I did not need your money. Come, enough of the past; +you have squandered your fortune, and now you want another. You want +to put yourself still more into my power by marrying a third wife--so +be it; I consent." + +"Not so fast. You are first to promise me to place in my hands, on my +'marriage morn,' those unpleasant little documents which you hold +against me. In return for which you will receive a sum of money, the +amount of said sum to be hereafter arranged. Then we go our separate +ways." + +"And if I refuse?" + +"Then, painful as it is, I must do my duty. You are to give me your +answer when I return to Bellair; no time for tricks, mind. If the +answer is no, then I interview Mr. John Arthur." + +"And you return?--" + +"The day after to-morrow." + +"Then you shall have my answer. Until then--" + +She swept him a stately courtesy, which he returned with a most +elaborate bow. + +Without another word from either, they separated; she gliding swiftly +and silently toward the house, he going once more in the direction of +Bellair village. + + * * * * * + +How long she had slept it never afterward occurred to Miss Arthur to +inquire. Something recalled her from the land of visions, and starting +up in her chair she saw Céline, standing demurely before her, her face +wreathed in smiles, and no signs of any uncanny adventure lingering +about her. + +Beholding her safe and sound Miss Arthur began to pour out upon the +luckless head of Céline, the vials of wrath prepared for her benefit. + +The girl listened with a face indicative of some secret source of +amusement. Noting her look of evident unconcern, and the laughter she +seemed vainly striving to keep under, Miss Arthur brought her tirade +to an abrupt termination, and demanded to know what Miss Céline +Leroque saw, in her appearance, that was so very ludicrous. + +Whereupon Miss Céline Leroque dropped upon a hassock, at the feet of +her irate mistress, and laughed outright--actually laughed +unreservedly, in the presence and despite the rage of the ancient +maiden! + +[Illustration: "Then you shall have my answer. Until then--"--page +178.] + +Then observing that she was preparing another burst of wrath, the +girl appeared to be struggling for composure, and vainly endeavoring +to articulate something, of which Miss Arthur could only catch the +name, "Mr. Percy." Thereupon she fairly bounced out of her chair, +demanding to know "what on earth" Mr. Percy had to do with her maid's +reprehensible conduct. + +"Oh, mademoiselle, everything!" gasped Céline. "Only let me explain, +and mademoiselle will laugh, too. Oh, _Mon dieu, Mon dieu_!" + +Calming herself by a violent effort, Céline told her story, and its +magic dispelled the wrath of her much neglected, sorely aggrieved +mistress. Such a pretty little story it was, interspersed with sly +looks, knowing nods, and rippling bursts of laughter. Listened to +with, first, disdainful silence; then, growing interest; last, +spasmodic giggles, _apropos_ ejaculations, and much blushing and +maidenly confusion. + +"You see, mademoiselle, after you had gone down, I went to my room, to +take just a few little stitches upon some of my poor garments, that I +must wear to-morrow. I don't know how it was, but I sat on my bedside +thinking, after it was done, and fell off asleep." + +"Off the bed?" + +"Oh! no, no, mademoiselle; off into sleep, I mean. When I awoke I was +anxious to know how much time I had slept away, and came down to your +apartments. You were still in the drawing-room, and I passed on to the +kitchen, surprised to find that it was very late. 'I will hasten,' I +thought, 'and can so go to the village, and telegraph my sister before +my mistress rings for me;' for I didn't think," with a sly look, "that +you would be at liberty _very_ early in the evening. The--what you +name him?--a--operateur, was out, and I had to wait a little time. +Coming back so late, I became afraid of the woods, and took the path +along the highway. Entering at the front and coming up the avenue, I +was about to pass around by the east walk to the side entrance +when,--" stifling a laugh. + +[Illustration: "O, Mademoiselle, every thing!" gasped Céline.--page +180.] + +"Well?" impatiently. + +"When the front door opened and I, standing in the shadow, saw the +light fall upon the face and figure of Monsieur Percy." + +"Yes; go on." + +"I mention this, mademoiselle, only to show you how I know so +positively that it _was_ monsieur who--oh! oh!" laughing again softly. + +"Who?" with increased impatience; "who did what, girl?" eyeing her +suspiciously. + +Céline composed herself and continued: "Seeing monsieur, I stopped, +for I did not wish him to discover me abroad so late. So I stood in +the thick shade until he should have passed. He came slowly toward me +and, just about four paces from my hiding-place, paused, turned and +looked, back at the house. I could see him gazing toward the upper +windows, and presently I saw your shadow upon the blind as you entered +your dressing-room. The light shone out from your window, too; and +after looking for a while, I heard him murmur to himself: 'That must +be her window; I believe I am bewitched, for I can't bear to lose its +light,' and then--" + +"Stop laughing, you ridiculous girl! And what then?" + +"And then, mademoiselle, he began walking up and down within sight of +your window--" + +"Ah!" rapturously. + +"Oui; and I--oh, mademoiselle, he was in the very path that I must +take to approach the side entrance. And he walked and walked, and I +waited and waited. Then I thought I would try getting around by the +other way, and creep up carefully from the terrace. So I crept along +to the other side, back of the arbor, and up the terrace, and managed +to reach the entrance unseen. _Mon Dieu_, mademoiselle, the door was +locked! I was shut out! What was I to do then? I sat me down in the +shadow of the portico and waited once more. After a terribly long time +I could see that he was not moving up and down. I peeped cautiously, +and he seemed to be departing. Then I came out stealthy as a cat, and +found that he was going away, and the reason--" + +"The reason?" + +"Oui, mademoiselle; the light in your room had disappeared." + +"Disappeared!" + +"Oui, mademoiselle. Then I bethought me there might yet be a chance. I +came up to the front entrance and tried the door. It was not locked. +My heart leaped for joy. I blessed the carelessness of the servants, +and stole cautiously in. I came to this room. All was dark; but the +coals there showed me your figure in the chair. I could not mistake +the graceful outlines of mademoiselle. I entered very quietly, +relighted your lamp--some little breeze must have flared it out while +you slept. I was looking at you, and wondering what you would say if +you knew how nearly crazy with love you had driven that stately, +handsome Monsieur Percy, when you awoke." + +It is needless to say that, long before Céline had finished her +recital, her mistress was in the best of humors. Indeed, Céline's +volubly uttered, intensely flattering, highly probable recital, had an +exhilarating effect upon her; so much so, that the lady found sleep +now quite impossible. So poor Céline was doomed, after all, to build +the new braids and puffs into a wonderful edifice upon the head of +Miss Arthur, and to repeat over and again the sweet story of "how he +loved her." + +The "wee sma'" hours were beginning to lengthen once more when Céline +was released from duty, and went wearily up to her room; wearily, yet +with undimmed eyes, and the mischievous dimples still lurking about +the corners of her mouth. + +She muttered: "Bah! it is better than sleep, after all; if only the +others were as easily duped as she!" + +By which words, a listener might have been led to suppose that Céline +Leroque had been practising deception upon some confiding individual. + + + + +CHAPTER XVII. + +GATHERING CLUES. + + +Claire had been absent all the morning, had gone to make some call; at +least she had said to Olive, at breakfast, "I think I will take the +ponies, Olive, and drive into the city this morning. It is nice out of +doors, and I have made no calls since I came here." + +Olive Girard sat alone in her cosy drawing-room. She had been reading, +but the book was somehow not in tune with her mind or mood. She had +allowed it to fall at her feet, where it lay, half opened, while she +drifted away from the present in sorrowful reverie. Lifting her eyes, +she saw a cab drive away from the villa gate, and a form hurrying +along the marble pathway. Springing up, Olive herself threw open the +door, and clasped her arms about--Miss Arthur's French maid! who +returned the caress with much enthusiasm. + +"Madeline, my dear child, how glad I am to see you!" + +"Even in this disguise?" laughed the girl. + +"Even in blue glasses, and that horrid jacket," smiled Olive. "What an +ugly thing it is. Come and take it off, _ma belle_; do," leading the +way up the stairs. + +"I come, autocrat, and I shall much enjoy getting out of this +head-gear," shaking her bewigged head. Then abruptly, "Where's +Claire?" + +"Out for a drive and some calls," without looking back. "How surprised +and glad she will be to see you. Now, come in and make a lady of +yourself once more." She led the way into Madeline's room. "Are you +tired, dear?" + +"Not at all." + +"Then come into my boudoir when you are dressed, and we will have a +cosy chat while waiting for Claire." + +"I won't be long," responded the girl. "I have a good many things to +say to you, which had better be said before Claire comes." + +"Very well; I await your ladyship," and Olive closed the door, leaving +Miss Arthur's maid alone. + +"I thought so," muttered she, tearing off the blue glasses; "she has +gone to meet Edward Percy. Poor dupe! it is indeed time to act." + +She discarded the ill-fitting jacket, flung away the ugly black wig, +and, in a very few moments, stood arrayed in a pretty, neatly fitting +gown, glowing and lovely,--Madeline Payne once more. + +"I wonder if I shall see or hear of _him_," she whispered to herself +as she crossed to Olive's boudoir. "Oh, if I could! It would be one +ray of sunlight only to clasp his hand!" + +Olive had been informed of all that Madeline herself knew, of the +doings at Bellair, at the time when the girl went down, disguised as +Céline Leroque. Now, therefore, Madeline lost no time in making Olive +acquainted with, at least a part of, the events that had transpired +during her sojourn in the Oakley mansion, in the capacity of maid. Of +Edward Percy she said not a word, for reasons of her own, wishing to +keep all knowledge of him from Olive for the present. + +"You see, I was just in time, Olive," she supplemented, when Mrs. +Girard had expressed her astonishment at the startling revelations of +the past four weeks. "I had not an hour to lose in setting my snare +for these plotters. They little dream what is in store for them. Poor +Kitty! I feel like a wretch when I think of the advantage I took of +her, by making her poor dead body a weapon, as one might say, against +a villain whom she would never have lifted a finger to injure in her +life. But I could see no other way. Do you know, Olive, they are going +to erect a stone over her, bearing my name?" + +Olive looked up in surprise. "No! is it possible?" + +"Yes, quite. I fancy John Arthur thinks he will feel more thoroughly +assured of my demise, when he can see my name on a marble slab." + +"Now, tell me what especial purpose brought you up to town to-day." + +Madeline moved restlessly in her chair. "A medley," she said, laughing +uneasily. "A woman's reason; things being quiet, I wanted recreation, +and to tell you of my success thus far. Then, a detective's reason; to +get from you some information bearing upon your own affairs, as +connected with Lucian Davlin. Then I want to see Dr. Vaughan, in his +professional capacity. But mind, Olive, not a word to him of my +discoveries just yet." + +"Certainly not, if you do not wish it." + +And this was all the mention made by either of Clarence Vaughan. + +"You see," began Madeline, after a brief silence, "Mrs. John Arthur +and her quondam brother, hold occasional private interviews. As they +generally prove interesting, I make it a point to be present whenever +possible. Now, from some chance words dropped at different times, I +have been led to think that if I were more fully informed in regard to +this Percy, I might find the missing link. Indeed, I may tell you I +have found a clue, just the shadow of something that, if I could +develop it, might prove of wonderful value to both of us." + +"Oh! if you could find out anything that would throw light upon this +dark wrong they have done Philip, these men--" + +"Well, Olive, I think we may hope. Now, may I begin to cross-question +you?" + +Olive smiled sadly. "Go on, my little lawyer." + +"First, then, were you personally acquainted with this Percy?" + +"No." + +"You have seen him?" + +"At the trial; yes." + +"Describe him." + +"A blonde man, handsome, some would call him, with a soft, languid +voice. I did not observe further." + +"Would you know him if you saw him again?" + +"Certainly. His was a rather uncommon face, and then the +association--" + +"Just so," interrupting her; "and would he know you?" + +"I think not. I was heavily veiled, by Philip's order." + +"Now, try to recall all that Philip has told you of this man." + +"They were college students together. Philip said that Percy was +indolent and vain, and too fond of female society of any sort or +grade. He made wonderful progress in such studies as he chose to apply +himself to, and, had he been less of a sybarite, might have obtained +high rank as a scholar. But he was erratic, full of queer conceits, +and never made himself popular with either professors or students." + +"Social standing not good, eh? Now, as to his finances." + +Olive looked somewhat surprised at this question, but replied: "His +parents were not well to do, but he was a favorite with a rich old +uncle, who paid his college expenses and made him a liberal allowance. +However, he fell into disgrace just before his class graduated, and +his uncle cast him off. He never took his degree." + +"What was the occasion of his disgrace?" + +"Some scandalous affair with a mechanic's daughter; the particulars I +did not learn." + +"Of course not. They are of no consequence. This happened how long +ago?" + +Olive mused. "Philip is now thirty-three; this was twelve years ago." + +"Good! Did he hear of Mr. Percy after that?" + +"Yes; in less than a year, he married a wealthy woman, ten years his +senior, and a widow, so it was reported. Percy, it is said, denied +this marriage, and continued to live and go and come, like a bachelor. +If the marriage ever occurred, it was kept, for some reason, very much +under the rose. Be this as it may, Percy was always provided with +money from some source. He used to gamble sometimes, but was not an +habitual gamester. Philip said he was too much of a sybarite and +ladies' man to be wedded to such sports." + +"Yet he played with Lucian Davlin, and lost heavily?" + +"True." + +"Well, is this all you have to tell of Mr. Percy?" + +"Not quite. About a year before the catastrophe of the hunting party, +the uncle who had cared for him during his college career, died. Percy +inherited his wealth, the old man, after all, making his will in favor +of his graceless nephew." Olive paused for a moment, then added, "I +believe that is all I can tell you of this man. I have not seen or +heard of him since poor Philip was sent to prison." + +Madeline sat gazing abstractedly into the grate fire, her hands +clasped in her lap, working restlessly, as was their habit, when she +was thinking deeply. Suddenly a sharp exclamation broke from her lips, +and Olive turned towards her a look of surprised inquiry. But Madeline +was clasping and unclasping her hands nervously, with eyelashes +lowered, and brow knitted in a frown. + +"Olive," she said, after a long cogitation, "you have put into my +hands another thread, a very valuable one. Don't ask me any questions +now; I want to get my ideas in shape." + +Olive's face wore an anxious look, but she had learned the lesson of +patient waiting, so she quietly acquiesced, and then a long silence +fell between them. + +Madeline resumed the conversation, or rather recommenced it. She made +no further mention of that part of the subject nearest the heart of +Olive Girard. She made inquiries as to affairs and recent events at +the village, talked of Claire, and finally said: + +"Olive, I want you to go out with me during the day, and perhaps we +had better go early. I must return to Bellair by to-morrow morning's +train, you know." + +"Yes; and I am sorry that you stay with us such a very short time. +Where do you intend going, Madeline?" + +"To a detective,--that is, if you will repeat your generous offer, +which I so cavalierly declined not long ago, to be my banker for an +indefinite time." + +"Gladly, dear child; now you are beginning to be sensible. But the +detective,--may I venture to inquire?" with assumed hesitation. + +"You may," laughed Madeline. "And don't give me credit for all the +ingenuity. True, I have racked my poor feminine brain and feminine +instinct, coupled with the knowledge obtained by some keen experience +with Treachery, Despair, and Hate. These grim but very efficient +instructors have aided me materially, simple, inexperienced girl as I +was so recently--or so long ago, as it seems to me. And good old Aunt +Hagar, who has been in this woful world many years--years full of +vicissitudes and sharp life-lessons--is my counsellor and adviser. She +aids me greatly with her shrewdness, and knowledge of the world and +the folk in it. So we have discussed this point together and concluded +that, in order to leave no loopholes open in our nice little net, we +had better have the movements of Mr. Lucian Davlin closely watched +while he is in the city." + +"To discover--" + +"Who he calls upon, and what manner of man he will choose to assume +the _rôle_ of 'physician from Europe,' etc. Without putting the full +facts of the case into the hands of the officer, we will arrange to +know all about the man who will help Davlin carry out their last +scheme. No train shall leave the city on which he would, by any +possibility, set out for Bellair accompanied by this sham physician, +without the knowledge of our man, or men, of skill. All discoveries +made are to be reported, through you, to Mademoiselle Céline Leroque, +who will receive said reports in _propria persone_, at the Bellair +post-office. Then I must proffer a request, that Doctor Vaughan will +hold himself in readiness to come to Oakley, should I find it +necessary to summon him, accompanied by another physician, or not, as +shall be hereafter decided." + +"I don't just see how all this is to end, but these two steps appear +to me to be in the right direction. I am ready to undertake your +commissions, and to act as your banker to the fullest extent of your +needs." + +After a few more words they decided that, as Claire did not return, +and time was precious, they would order a carriage immediately after +luncheon, and pay a visit to the detective forthwith. Accordingly, +half an hour earlier than usual, a light repast was served, and +sparingly partaken of. Then having left a message for Miss Keith, who +was momentarily expected, the two friends drove into the city. + + + + +CHAPTER XVIII. + +THE HAND OF FRIENDSHIP WIELDS THE SURGEON'S KNIFE. + + +Returning two hours later, they found Claire impatiently waiting their +arrival, radiantly beautiful, and overflowing with joy at sight of her +beloved Madeline. + +"You delightfully horrible girl!" she exclaimed, after greetings had +been exchanged, and they had all seated themselves in the +drawing-room. "To think that you are growing more lovely every day, +and that you go and hide all your beauty under an old fright of a wig, +nasty blue spectacles, and deformities of jackets! I declare, it's too +bad! And then to wait on an old spinster who wears no end of false +hair, and false teeth, and false--" + +"Puzzled already. So much for not being a lady's maid; Now, I can +enumerate every 'falsehood' assumed by that lady." + +Then Madeline gave a ludicrous description of Miss Arthur and her +peculiarities, causing even grave Olive to laugh heartily, and Claire +to exclaim that she should watch the advertisements, and try playing +ladies' maid herself. + +Madeline once more recounted, in brief, the state of affairs now +existing at Oakley, or as much as she had told Olive, during which +recital impulsive Claire kept up a running fire of comments, +indicative of surprise, indignation, disgust, and very one-sided +interest. + +"I never heard of such a nest of vultures," she exclaimed, excitedly, +when Madeline had completed her story. "Why, it's worse than a chapter +out of a French drama. Goodness gracious, Madeline Payne, I only wish +I could help you deal out justice to these wretches! Where is my fairy +godmother now, that she don't come and convert me into a six-foot +brother, to take some of this burden out of your little weak hands?" + +"Not so weak as you may think, you little warrior. These hands," +holding them up to view, "have a very strong cause, let me tell +you--and you think you would like to help me?" laughing oddly. + +"Wouldn't I!" with a fierce nod that made her two companions laugh +again. + +The afternoon was wearing away, and Madeline began to grow restless, +at finding no opportunity for saying a word in private to Claire. At +last fortune favored her. Olive, seeing her gardener digging about a +little summer-house, which was a favorite retreat on a warm afternoon, +bethought herself of a plan for adding to its comfort, by laying down +certain vines, etcetera, for next season's growing. So she bade the +girls note how she should have improved her arbor by another season, +and hurried out to begin an argument, that from previous experience +she knew would be hotly contested. + +[Illustration: "You delightfully horrible girl!"--page 191.] + +This was Madeline's opportunity. And as soon as Olive was out of +hearing, she turned to Claire saying: + +"Claire, I have not told you, nor Olive, all that I have discovered. +For reasons, which you will understand later, I have thought it best +to make them known to you first. We must invent some excuse for +absenting ourselves from the parlor for a while." + +Claire looked grave and somewhat startled for an instant, but +recovering her composure she said, simply: "I am at your disposal, +dear." + +"I think I had better go to my room and lie down," meaningly. "Tell +Olive, when she comes in, that I feel fatigued, and have gone to my +room to rest. Then you had better plead letters to write, and follow +me. Can you manage it?" + +"Easily," smiled Claire. "Why, Bonnie, Aileen, this becomes more and +more mysterious and interesting." + +"Wait before you pass judgment; now I am gone." + +Madeline quitted the drawing-room and sauntered leisurely up-stairs. + +When Olive reappeared, Claire carried out the little programme, as +arranged, and hastened to join Madeline, musing as she went: + +"What could have induced that odd darling to confide in stupid little +me, while she leaves wise, thoughtful Olive in the dark?" + +Madeline was pacing the floor when Claire entered the room. She +motioned her to a chair, and pushed the bolt in the door, thus +rendering intrusion impossible. + +"What _can_ you be thinking of, Madeline, with that gloomy face?" +exclaimed Claire, nestling into an easy chair as she spoke. + +"I am thinking, Claire," replied Madeline, gazing down at her sadly, +"of the first time I ever saw your sister, and of the errand on which +she came to me. How full of hope I was that morning! How radiant the +day seemed, and how confident I was of happiness to come; as confident +as you are to-day, Claire, darling." + +There was something in Madeline's tone that sounded almost like pity, +as she uttered these last words. Claire started and colored, but still +was silent. + +"Olive did a brave, generous deed, but at that time I almost hated her +for it," musingly. + +"Oh, no, Madeline," interposed Claire, "you don't mean just that, I am +sure. You never really hated our noble, unhappy Olive." + +"I felt very wicked, I assure you," smiling faintly. Then, abruptly: +"How should you have felt, similarly placed?" + +"I?" wonderingly; "mercy! I can't tell." + +"Claire, think," in a tone almost of entreaty. "I want to know--I must +know." + +"You must know? Why, Madeline?" + +"Because--because I want to find out what is in you; how strong you +are." + +Claire looked more and more mystified. "State your case, then," she +said, quietly. "I will try and analyze myself." + +"Good; now, Claire Keith, suppose that you love some man very much, +and you trust him without knowing why, for no other reason than that +you love him. When you are happiest, because you have but just parted +from your lover--" + +Claire started and colored a little. + +"When you are thinking of the time, not far away, when you shall not +part from him any more--suppose that just then I, a friend whom you +have loved, come to you and say: 'This hero of yours is false; he is a +two-faced villain; he has deceived you; he is not honorable; he will +betray you if he can.' What would you answer me?" + +Claire lifted her head proudly. "I would make you take back every word +you had uttered, or prove it beyond the shadow of a doubt!" + +"And if I proved it?" + +"Then I would thank you; and hate myself for having been deceived, and +him for having deceived me." + +"Would you grieve for him, Claire?" + +Quick as thought came the answer: + +"Grieve for him! No; I could no more love a liar and a villain than I +could caress a viper! I tell you, Madeline, I understand your feelings +when you say that you hate Lucian Davlin," shuddering. + +"And you would not hate me also for rudely undeceiving you?" + +"Hate my best friend; my benefactor? No!" + +"I am thankful!" + +"But, Madeline, what does all this mean? Is this what you wanted to +say to me? What can my feelings have to do with your case?" + +"Claire,"--Madeline's face was very sad again--"this case is _our_ +case." + +"_Our_ case?" + +"Yes, ours; Olive's, yours, mine. And now I am going to test your +strength." + +Claire did not look very strong just then. + +"You saw Edward Percy to-day." + +Claire Keith sprang to her feet. "How do you know that? And what has +he to do with the case?" + +"I know it because we, Mr. Percy and myself, came to this city by the +same train, and I could easily surmise that his business here was with +you." + +"Well?" haughtily. + +"Ah!" sadly; "you are almost angry with me now. But listen, Claire. +Are you perfectly familiar with all the facts connected with poor +Philip Girard's sad disgrace?" + +"I think so," coldly. + +"You know that he was convicted upon the testimony of Lucian Davlin +and another?" + +"Yes." + +"Do you recall the name of the man who was wounded, so said the jury, +by Mr. Girard?" + +Up sprang Claire, her eyes blazing. "Madeline," she cried, "I see what +you are coming at. You have got into your head the ridiculous idea +that this man Percy and Edward Percy are the same. It is absurd!" + +"Why?" + +"Because--because it _is_!" Then, as if the matter were +quite settled, "why, he must have been in Europe at the time." + +"Claire, you are getting angry with me, and I have a long story to +tell you. But there is an easy way to settle this matter. Are you +willing to let me take the picture you have of Edward Percy, and +accompany me into Olive's presence while I ask her if she ever saw the +original?" + +Nothing else could have so effectually quenched Claire's wrath. She +saw that Madeline had some strong reason for her strange words. +Sitting down with paling cheeks and trembling limbs, she thought. Then +looking across at Madeline, she said, wearily: + +"I can't understand you at all, Madeline. It never once occurred to +me to connect the man who brought all that trouble upon poor Philip +with my Edward Percy. It does not seem possible that they could be the +same. I had supposed the other Percy to be a man like--like Davlin." + +"My dear, did you ever see Davlin?" + +"No." + +"And you have fancied him a sort of handsome horse jockey, and this +Percy one of the same brotherhood?" + +"Perhaps;" smiling a little. + +"Claire, Lucian Davlin is an Apollo in person, a courtier in manner, +and a Mephistopheles at heart. And Percy is an abridgement of Davlin." + +"I can't see," said Claire, rather frostily, "even if Edward Percy is +the man who was wounded by some unknown person five years ago, why he +must of necessity be a villain and a deceiver. It would be very, very +unpleasant, of course, to find that such were the case. But I could +not hate Edward Percy for that, even if the fact must separate us." + +"Claire, Edward Percy is not only the man who helped send your +sister's husband to prison, but he is a villain doubly perjured; a +deceiver, a betrayer. If justice ever gets her due he will end his +days in the penitentiary." + +Then, seeing that Claire was about to speak: "Let me finish; now you +shall have your proof." + +She recounted all there was to tell, from the day when Claire showed +her the picture and she distrusted the face, to the present moment. + +Claire Keith listened in immovable silence; not a muscle quivered. For +many minutes after Madeline had finished her recital, she sat staring +straight before her, like a statue. At length she arose and crossed to +the door, drew back the bolt with a steady hand, put up a warning +finger, and said, in a voice like frozen silver: "Wait;" then +disappeared. + +Madeline scarcely had time to wonder what she meant, before Claire was +back, standing before her, calm and cold as an iceberg. She held in +her hand the picture of Edward Percy, with the face turned away, and +this she extended to Madeline. + +"It is best that we make no mistakes," she said, quietly; "go show +that to Olive. Don't tell her how it came into your possession; ask +her if it is he. Then come back to me." + +"Shall I tell her--" began Madeline. + +"Tell her nothing until you have brought me back the picture." + +She pushed her toward the door. + +Madeline walked down-stairs, sorely puzzled, but thinking fast. "She +fights these facts bravely," she muttered. "Does she doubt, I wonder?" + +Olive was sitting before the window, watching the movements of John, +the gardener, when Madeline entered the parlor. Going straight to her, +she placed the picture in her hand, and said: + +"Do you know that face?" + +Olive Girard gave a startled cry. + +"Madeline, how did you come by this?" + +"No matter," calmly; "do you know the picture?" + +"Yes." + +"Who is he?" + +"The man who sent my husband to prison--Percy." + +Madeline took the picture from her hand. "Are you sure?" + +"I could swear to the face after these five years." + +"Thank you, Olive. Now be patient; I must go back to my room for a +little while. Don't ask me any questions yet. When I come down I will +tell you how I obtained this, and why I have talked to you so much of +this man." + +Madeline walked out of the room, leaving Olive staring after her in +bewilderment. + +Claire was sitting in the same attitude as when she left her. "Well?" +she said, raising her eyes. + +"She recognized it immediately. She would swear that it is the man who +sent her husband to prison." + +"Thank you, dear." + +Claire took the picture from her hands, and without once glancing at +it, she bent forward and dropped it into the grate. + +Madeline threw herself on her knees at the girl's side. "Oh, Claire, +Claire! I have made you miserable; forgive me." + +"What for? You have done me a great service. Do you think I want that +man's love?" + +"But Claire--" + +"I loved an ideal; that ideal, see;" pointing to the grate. "Do you +think I shall cry after a pinch of ashes?" looking her full in the +face. Then, with a shrug of annoyance. "You have roused poor Olive's +curiosity; she must hear of this miserable discovery of ours, or +yours--bah," stamping her foot angrily, "my pride is hurt more than my +heart!" + +"Your pride need not suffer more than it does already, Claire. You +have seen me humbled to the dust; see me so still; and surely it won't +be so very bitter to think that poor Madeline knows that your sunny +life has suffered one little shadow. I will tell Olive all I know of +Edward Percy, save that you have ever seen him. The knowledge that he +has crossed your path can in no way benefit her, or aid us in +unmasking him. Evidently, he does not know that you are in any way +connected with the fortunes of Philip Girard. Let this rest between +us. If this plan suits you, perhaps I had better go and tell my +story to Olive. I have twice postponed a revelation to-day." + +[Illustration: "She bent forward, and dropped it into the +grate."--page 200.] + +"The plan does suit me. Many, many thanks, dear Madeline," said +Claire, calmly and gently. "And now, as I must, of course, be supposed +to first hear this story after it has been told to Olive, or at that +time, I would prefer being present when you enlighten her. Let us +dress for dinner, go down together, and--I leave the rest to your +tact." + +Madeline could readily comprehend that it would be easier for Claire +to sit, with Olive, a listener, than to wait and hear the story from +the lips of her sister. If it were left to Olive to tell, Claire's +face might betray her heart, perhaps. But now, hearing it from +Madeline, and with Olive, whose surprise and dismay at the revelation +would quite effectually cover up any signs of emotion Claire might +manifest, the thing did not appear so difficult. + +Madeline signified her approval, and they separated to dress for +dinner. + +Claire Keith made her toilet with swift, firm fingers, and all the +while she was thinking fiercely, scornfully. She was not stunned by +the blow that had stricken her love and her pride. Rather, it seemed, +she was quickened into unusual activity and clearness of thought. + +After a time, perhaps, she would feel more the sadness, the cruelty, +of the hurt; now she felt the outrage to her pride, and a fierce +self-scorn that she could have ever loved a man so base. She hated +Edward Percy for having deceived her, and equally she despised herself +for having been thus deceived by this specious flatterer. + +"You little fool!" she scoffed at her image reflected back from her +mirror. "You are a very idiot among idiots! I wonder where are all +your high notions now. So," giving her hair an angry jerk, "you +perched yourself aloft on a pinnacle, didn't you? You looked down upon +all your sisterhood who were deceived, or betrayed, or sorrowing; and +you wondered how women could be so weak; how they _could_ be deluded +by base men. You looked upon poor dead Kitty, and wondered what was +the flaw in her intellect that made her the slave of a gambler and a +villain. You argued that only an unsophisticated school girl could be +deceived as was poor Madeline. Oh, you have been very proud, and very +high has been your standard of manly worth, Miss Claire Keith! So high +that the man who has occupied it might easily slip from that pedestal +to--Haman's gallows!" + +At this point in her tirade, something suspiciously like a sob arose +in her throat, and checked her utterance. But it did not retard her +activity, and in a much shorter time than she usually spent upon an +evening toilet, Miss Keith stood, accoutered and defiantly calm, at +Madeline's door. + + + + +CHAPTER XIX. + +A DUAL RENUNCIATION. + + +Madeline Payne had lingered over her toilet, pondering the +incomprehensible manner of Claire Keith. She now stood before her +mirror, brush in hand, thinking. + +"Not ready yet?" + +If Madeline could believe her eyes, Claire was actually smiling! + +"I thought you would be waiting for me," continued Claire, composedly, +pulling a big chair forward, and sitting down where she could look +full in Madeline's face. "But it is just as well; there is something +that I want to say, before we go down. Why don't you go on with your +hair?" + +Madeline's hand, brush and all, had dropped to her side, and she was +silently staring at her friend. Without a word she resumed her +employment, looking more at Claire than at her own reflected image. + +"You guessed rightly, when you accused me of having seen Mr. Percy +to-day," pursued Claire. + +"Accused, Claire?" + +"Well, informed, then. I did see him. He wrote me a letter; it was +posted at Bellair; you see," smiling bitterly; "that I have no reason +for doubting anything you have told me." + +A new light broke over Madeline's face. "Do you doubt?" she asked, +quickly. + +"Not one word!" + +"Oh!" drawing a breath of relief. "You were so composed I thought--" + +"That I was hoping to disprove your statements? Not at all. And why +should I not be composed? Do you think my heart could break for such a +man?" + +"Hearts don't break so easily," said Madeline, gloomily, "but they +ache sometimes." + +"Do they?" placing her hand over her heart and smiling faintly. "Well, +mine don't ache either, yet; but it burns." + +Madeline stayed her brush again. "No," she murmured, "it don't ache +_yet_." + +Claire made a gesture of impatience. "Oh, I know what you mean, +Madeline! By and by my heart will ache, of course--I know that, having +discovered, quite recently, that I am human. One can't feel outraged +and angry always, and sometimes, I suppose, my day-dreams will come +back and haunt me. Well, that is a part of the price we have to pay +for intruding into dreamland when we are not asleep. But this is not +what I began to say. Edward Percy met me to-day, and this is what he +told me: He said he was going away, upon some geological expedition, +and would most likely be gone a year. He wanted me to promise to hold +myself free until he could return and claim me. He would exact no +other promise now, only pledging himself. At the end of a year, all +obstacles to our open engagement would be removed. I, of course, +supposed, then, that the 'obstacles' referred to, were business and +financial ones. Don't think, Madeline, that we have been in the habit +of meeting clandestinely. He visited me openly in Baltimore, but not +often enough to excite remark; and we frequently met at other places, +as he went in the best society there." + +Claire paused, but Madeline went on with her toilet in grave silence. + +"Madeline, darling, I can't thank you enough for opening my eyes +before it was too late, while it was no worse--and I can't explain my +feelings. I despise him, and I despise myself for being thus duped. It +is my pride that is suffering now but, of course, I know that, despise +the man as I may, my heart will be heavier and my life darker, because +of what I believed him to be. Now let us go to Olive." + +Madeline Payne threw her arms impulsively about her friend and +murmured, brokenly:--"Claire, Claire! you are braver than I, and far, +far more worthy. You have a right to be happy, and you shall be." + +And in that moment the girl renounced a resolve she had taken, and a +hope she had cherished. + +As they descended the stairs together Claire fancied that she looked +paler, and a thought sadder than before. + +They found Olive and dinner waiting. As they took their places about +the luxury-laden board, three lovelier women or three sadder hearts +could not have been found in a day's journey. + +Of the three, Claire Keith was the calmest, the most self-possessed. +All that was to be related by Madeline, all that Olive was waiting in +anxious expectation to hear, she knew already. The best and the worst +had been revealed to her; her own course was clear before her. So she +ate her dinner with composure, and bore a large share in the table +talk that, but for her, would have been rather vague and spasmodic. + +Dinner was an ordeal for Olive, at least, on that day, for her mind +was filled with thoughts of Philip, and wonderment as to how the +picture of the man who had been his ruin came into the possession of +Madeline, who was making herself more and more of a mystery. + +Madeline, too, was restless. She wished the revelation were made and +done with. She wondered if she could control the future so far as +Olive was concerned, for she had made her plans, and did not propose +to let the work be taken out of her hands. + +When Madeline had related to Olive the events that had been +transpiring at Oakley, she had narrated faithfully the scenes between +Cora and Percy, but she had withheld the name of the latter, a fact +which was not even noticed by Olive, who had not been especially +interested in this last actor upon the scene. + +Now, when dinner was over, and they had grouped themselves about the +grate, its ruddy glow illuminating the twilight that was fast giving +place to evening shadows, Madeline retold the story of Percy's first +interview with Cora on his arrival, and his second, in the +summer-house, the overhearing of which had caused that long absence +from Miss Arthur's dressing-room, which necessitated her ingenious and +highly improbable explanation to the aggrieved spinster, with which +the reader is already acquainted. + +During this recital the face of Olive Girard was a study. It changed +from curiosity to wonder; from wonder to a dawning hopefulness of +finding in all this a possible clue, that might help her husband to +his freedom. Then despair took the place of hope, as the clue seemed +to elude her grasp. At the end, astonishment and incredulity fairly +took away her breath. She sank back in her chair without uttering a +word. + +Madeline waited for comments, but Claire was the first to speak. +During the recital she had been able to think, and to some purpose. As +the disjointed fragments were joined together by Madeline, Claire was +drawing shrewd and close inferences. Now she lifted her head and +asked: + +"Madeline, have you formed any sort of a theory, as to how all this +might affect Olive and Philip?" + +Madeline looked up in surprise at the question, and answered it by +asking another: "Have you?" + +"Yes, but I think Olive would rather hear yours; and mine is, as yet, +but half formed." + +Olive had regained a measure of her composure, and now she sat erect, +and said, eagerly: + +"Madeline, I have been too much surprised and shocked to think +clearly. Think for me, child, and for mercy's sake, tell me at once +all that you suspect." + +"I suspect much," replied the girl, gravely; "but what we want is +_proof_. First we want to find out who is the party who accompanied +Madame Cora, or Alice, as Percy called her, to Europe, for to Europe +she went. Did she know Lucian Davlin ten years ago? Did they go +together to Europe?" + +"You want to know, first of all," said Claire, interrupting her, "when +the intimacy of those two did begin. The woman may not have known him +ten years ago. It would be easier to find out if they have been allies +during the past five years." + +Madeline turned a look of surprised admiration upon the speaker as she +replied: + +"You are right, Claire, and keener than I. Yet, my theory is, that +they were friends before the woman fled from her cottage in the +suburbs. I think the stealing of the marriage certificate has a strong +savor of a man's thoughtful cunning. The woman could not have been so +deep a schemer in those days. Now, Olive, let us suppose that these +two were plotting in unison. Edward Percy's first wife dies, and no +one the wiser about the marriage. Then he inherits his uncle's wealth. +If Edward Percy were to die then, the woman, Cora, could come forward +as his widow, display the proofs of their marriage, and inherit his +fortune. He seems to have no living relatives, but, even should other +heirs appear, she would claim her widow's portion." + +"Good heavens!" gasped Olive. + +"Wait," pursued Madeline; "now, don't you see, supposing all the rest +true, that if Lucian Davlin attempted the life of this man, with the +view of getting his money, and if he failed in some manner +unknown,--don't you see that, holding over Percy's head the fear of +the law, and the proofs of his having committed bigamy, he might thus +silence him? Then, that the two disliking Philip Girard, and finding +the opportunity to throw suspicion upon him by circumstantial +evidence, would naturally do so." + +Olive Girard was fearfully agitated, but, after a few moments, had in +a measure recovered her self-possession. Then the three seemed seized +with a desire to talk all at once. And talk they did,--fast, +earnestly, excitedly at times. + +At last, out of many words, they evolved a plan of action, and having +arrived at a definite conclusion, they settled down into partial calm +once more; a calm that was broken by a most agreeable ripple. + +Doctor Clarence Vaughan was announced, and ushered into their +presence, all in the same moment. + +Doctor Vaughan was glad to see Madeline; that was evident. But while +he expressed his pleasure in frank, brotherly fashion, his eyes +wandered from her face to that of Claire Keith. + +It was only a look, but Madeline Payne would have exchanged all the +smiles, hand clasps, and brotherly words she could ever hope to +receive from him, for one such glance from his eyes. But the tender +wistfulness was all for Claire--blind Claire, who saw nothing of it. + +Madeline withdrew her hand from his clasp, uttering, as she did so, a +flippant commonplace in response to his hearty greeting, but Claire +had caught the look in his eyes, and the false gayety in Madeline's +voice, and it caused her to wonder. + +Heretofore she had lived in a dream of her own, and had been careless +of the varying expressions of those about her. Her dream had been +dispelled, and she seemed now to have a keener eye for the emotion of +others. Troubles of our own, sometimes, open our eyes to the fact that +our friends are not all supremely happy. Then we naturally fall to +speculating as to the cause. This was the case with Claire. She +speculated a little as to why the eyes of Dr. Vaughan rested upon her, +with that half-sad expression in them. Then she wondered why the +spirit of perversity had possessed Madeline, and induced her to extend +to Doctor Vaughan so shabby a welcome. Then, without realizing it, she +fell to observing the manner of these two more closely. + +"Well, Miss Payne, what report do you bring from the enemy's country?" +he asked, after a few commonplaces between himself and the mistress of +the house. + +"I have not been in the enemy's country, Doctor Vaughan; the enemies +are infesting mine." + +"As you please, little warrior," smiled he. "Then may I ask, how goes +the battle?" + +"Oh, yes! you may ask," crossing over and seating herself beside +Olive, "but your curiosity must wait. It's a ridiculous, tiresome +story, and wouldn't amuse you much, or interest you, either. I am +going to let Mrs. Girard inflict it upon you, when she thinks you need +a penance." + +"I think _you_ need a penance now, Miss Payne, for accusing me of too +much curiosity, and too little interest." + +"Oh, I didn't mean that, exactly," shrugging her shoulders carelessly. +"I suppose, of course, a physician is interested to a certain extent +in all his subjects, living or dead; but I can't let you dissect my +mind to-night. Besides," laughing maliciously, "I know you would +recommend leeches and blisters, and maybe a straight jacket, and I +can't be stopped in my charming career just yet." + +Clarence Vaughan seemed not in the least offended by the girl's cool +insolence. He smiled indulgently, and when Olive ventured a gentle +remonstrance, he murmured to Claire, with a half laugh: "Miss Madeline +is incomprehensible to me; do you understand her, Miss Keith?" + +[Illustration: "Dr. Vaughan was ushered into their presence."--page +209.] + +And Claire, looking across at her friend, replied, oddly: "I love +her, Doctor Vaughan, and I begin to understand her, I think." + +"Do you?" smiling down upon her. "Then some day will you not interpret +her to me?" + +Claire's answer was again given oddly, as, lifting her eyes to his +face, she said, quite gravely: "If it is necessary to do so, perhaps I +will." + +Then conversation became general; rather Dr. Vaughan talked, and they +all listened. + +Claire found herself thinking that Doctor Vaughan was a noble-looking +man; not alluringly handsome, as was Edward Percy; not possessing the +magnetic fascination that Madeline had described as belonging to +Lucian Davlin. But he had a fine face, nay, a grand face, full of +strength and sweetness; not devoid of beauty, but having in it +something infinitely better, truer, and more godlike than mere +physical beauty can impart to any face. + +Then she thought of Madeline, of her loneliness, her sorrow, and her +need of just such a strong, gentle nature to lean upon, to look up to, +and to obey. "She would obey _him_," quoth Claire to herself. + +Next she fell to watching Madeline, through half-closed eyelashes. She +saw how the girl listened to his every word; how, when his eyes were +not upon her, she seemed to devour him with a hungry, longing, +sorrowful gaze. + +"As if she were taking leave of him forever," thought Claire. + +And that is what Madeline was doing. When she came to the city, it was +with the determination to win the love of this man, if it could be +won; to let nothing stand between herself and the fulfillment of that +purpose. But all this had been changed, and seeing how bravely Claire +bore the shock of her lover's baseness, how proudly, how nobly, she +commanded herself, Madeline had abandoned her purpose. + +"I am not worthy of him, and she is," she told herself. + +When she declared that Claire should be happy, she bade farewell to +her own hope of future happiness. She would help him to win the girl +he loved, and then she would be content to die; aye, more than +content. + +To-night, therefore, she was saying in her heart a farewell to this +man, who was so dear to her. She had almost hoped that she should not +meet him again for the present, and yet she was so glad to have seen +him once more. She was glad of his presence, yet fearful lest her good +resolution might be shaken. She would not let him be too kind to her, +rather let him think her ungrateful, anything--what could it matter +now? + +"Shall you not come back to the city soon, Miss Payne? Surely your old +home can not be the most charming place, in your eyes," questioned +Clarence, after a time. + +"I don't intend returning to the city--at least, not for some time, +Doctor Vaughan." + +Clarence looked perplexed. + +To break the silence that ensued, Claire crossed to the piano and +began playing soft, dreamy fragments of melody. + +Presently Olive took up the conversation, and when Madeline again +turned her face toward him, he was listening to Olive and looking at +Claire. It was the same look, yearning, tender. + +Claire, all unconscious of his gaze, was looking at Madeline, as she +played softly on. + +As Olive and Clarence talked, Claire saw the face of the girl grow +dark; she saw her eyes full of a hungry, despairing light, and +gradually there crept upon her the remembrance that she had seen that +same look, only not so woful, in the eyes of Clarence Vaughan; that +same look fixed upon herself. Involuntarily her fingers slipped from +the keys, and she turned from the instrument to encounter the same +gaze fastened upon her now; ardent, tender, longing eyes they were, +and her own fell before them. + +Claire Keith was troubled. She wanted to be alone, to think. She +murmured an excuse; her head ached; she would retire. + +Clarence had noted an unusual brightness in her eye, and a feverish +flush upon her cheek. Now, however, she was quite pale, and as she +extended her hand to him with a strange, new sensation of diffidence +and consciousness, he clasped it for a moment in his own, and said, +earnestly: "You do not look at all well, Miss Keith; you are sure it +is only a headache?" + +"Quite sure," smiling faintly. + +"Then good-night. I shall enquire after your head to-morrow." + +"Thank you," she murmured. + +Then nodding to her sister and Madeline, she glided from the room. + +It had _all_ come upon her at once. Edward Percy was an impostor; +Edward Percy, as she had believed in him, had never existed. The love +that she had believed hers was hers no longer, or, if it were, she no +longer desired it. Almost simultaneously with this knowledge, came the +unspoken assurance that she was the possessor of a worthier love, a +manlier heart. + +She could not feel glad to know this, yet she was not sorry. Somehow +it soothed her to know that she was not a forsaken, loveless maiden. +It was something to possess the love of so good a man, even if she +could make it no return. + +But Madeline. Poor Madeline; she loved this man; she needed his love, +she must have it. + +Claire pulled back the curtains from her window, and gazed out into +the starlit night. "She needs this love," the girl murmured. "Clarence +Vaughan shall learn to love her, if I can bring it about. Yes, _even +if I loved him_, I would give him up to her." + + + + +CHAPTER XX. + +STRUGGLING AGAINST FATE. + + +When Claire left the drawing-room, Madeline had started up as if about +to follow her. Recalling herself, she sat down again, keeping, as +before, near to Olive, and taking as little share in the conversation +as was possible. She dared not trust herself too much; her good +resolves were strong, but not stronger than was the charm of his voice +and presence. + +"Let them think me uncivil," she murmured to herself; "what does it +matter now?" + +But her trial was not over. Olive and Clarence had held frequent +council together concerning the wayward girl, and how they could best +influence her aright without breaking the letter or spirit of their +promise to her. And the absence of Claire added to their freedom of +speech. + +Olive had intimated to Doctor Vaughan that Madeline had taken some, +perhaps unsafe, steps in the pursuit of her enemies. He, understanding +the impetuosity of the girl, as well as her reckless fearlessness, +could not conceal the anxiety he felt. + +Acting under an impulse of disinterested kindness, Clarence Vaughan +crossed the room and sat down by Madeline's side. + +"Miss Madeline," he said, as respectfully as if to an empress, "we, +Mrs. Girard and myself, cannot get rid of the idea that somehow you +partly belong to us; that we ought to be given a little, just a very +little, authority over you." + +There was a shade of bitterness in the girl's answer. "You have the +_right_ to exercise authority over me, if you choose to do so. You are +my benefactors." + +They felt the reproof of her words. This keen-witted, uncontrollable +girl, was putting up barrier upon barrier between herself and their +desire to serve her. Very quietly he answered her: + +"You do us an injustice, when you suggest that we claim your +confidence on the score of any indebtedness on your part. It has been +our happiness to serve you. If we have not your esteem, if we may not +stand toward you in the light of a brother and sister, anxious only +for your welfare and happiness, then we have no claim upon you." + +"My happiness!" + +The face was averted, but the lips were pale and drawn, and the words +came through them like a moan. + +Olive stirred uneasily. She could see that the girl was suffering, +although she did not guess at the cause. + +"Yes," continued Clarence, laying his hand gently upon hers; +"Madeline,--will you let me call you Madeline?--will you let me be +your brother? I have no sister, almost no kin; I won't be an exacting +brother," smilingly. "I won't overstep the limits you set me, but we +must have done with this nonsense about benefactors, and gratitude, +and all that." + +No answer, eyes down dropped, face still half-averted, and looking as +if hardening into marble. + +"What is my fate?" still holding her hand. "Can you accept so unworthy +a brother?" + +"Yes," in such a cold, far-away tone. + +He lifted the hand to his lips. "Thank you, Madeline," he said, as if +she had done him high honor. + +Madeline felt her courage failing her. How could she listen to him, +talk to him, with anything like sisterly freedom, and not prove false +to her resolve to further his cause with Claire? And yet how could she +refuse him the trust he asked of her? + +It was very pleasant to know that he was thus interested in her; she +felt herself slipping quickly into a day-dream in which nothing was +distinct save that there existed a bond between them, that he had +claimed the right to exercise authority over her, and that she was +very, very glad even to be his slave. Listening to his voice, a smile +crept to her lips, and-- + + "The eyes smiled too, + But 'twas as if remembering they had wept, + And knowing they would some day weep again." + +"I don't intend to give up my claims upon Madeline; I elected her my +sister, when I brought her home with me. And I had been flattering +myself that I was to have a companion, but I am afraid she will run +away from me. She ought to take Claire's place in my home, ought she +not? Claire is with me so little," said Olive. + +Madeline smiled sadly. "I could never do that," she said; "I could no +more fill Claire's place than I could substitute myself for the rays +of the sun." + +"Claire would laugh at you for that speech," said Olive. + +"But it is true; is it not?" appealing to Doctor Vaughan. + +He colored slightly under her gaze. "We don't want two Claires," he +said; "but you can be yourself, and that will make us happy." + +The girl let her eyes fall, and rest upon her clasped hands. + +"I would like to make you happy," she said, softly. + +"Really?" + +"Really," lifting her eyes to his face. + +"Then, promise us that you will let us help to right your wrongs, and +that you will come back, like a good sister, and stay with Mrs. +Girard." + +Her face hardened. "I can not," she said, briefly. + +"You will not," seriously. + +No answer. + +"Madeline, what is it you wish to do?" + +"What I wish to do, I can not. I can tell you what I intend to do," +sitting very erect. + +"Then what do you intend?" + +"I intend," turning her eyes away from them both, and fixing them +moodily upon the fire, "to follow up the path in which I have set my +feet. I intend to oust a base adventuress from the home that was my +mother's; to wrest the fortune that is mine from the grasp of a bad +old man, and make him suffer for the wrong he did my mother. I intend +to laugh at Lucian Davlin, when he is safe behind prison bars; to hunt +down and frustrate an impostor, and by so doing, clear the name of +Philip Girard before all the world." Her voice was low, but very firm, +dogged almost, in its tone. + +He turned a perplexed face toward Olive. + +"What does it all mean?" he asked. + +"What she says," replied Mrs. Girard, flushing with suppressed +excitement. "She has found a clue that may lead to Philip's release." + +He moved nearer to the girl, and taking her hand, drew her toward him, +until she faced him. "Madeline, is this true?" + +"Yes." + +"And you will hold me to a promise not to lift a hand to help clear +the name of my friend?" reproachfully. + +"Yes," unflinchingly. + +"Are you doing right, my sister?" + +She attempted to draw away her hand. + +"Child, what can you do?" + +She turned her eyes toward Olive. "She will tell you what I have done. +I can do much more." + +Olive came suddenly to her side. "Oh, Madeline!" she said, "let him +take all this into his hands. It is not fit work for you. It will +harden you, make you bitter, and--" + +Madeline wrested her hand away and sprang up, standing before them +flushed and goaded into bitterness. + +"Yes," she cried, wildly, "I know; you need not say it. It will harden +me; it has already. It will make me bitter and bad, unfit for your +society, unworthy of your friendship. I shall be a liar, a spy, a +hypocrite--but I shall succeed. You see, you were wrong in offering me +your friendship, Doctor Vaughan. I shall not be worthy to be called +your sister, but," brokenly, "you need not have feared. I never +intended to presume upon your friendship; I never intended to trouble +you after--after my work is done. Ah! how dared I think to become one +of you--I, whom you rescued from a gambler's den; I who go about +disguised, and play the servant to people whom you would not touch. +You are right; after this I will go my way alone." + +Her voice became inarticulate, the last word was a sob, and she turned +swiftly to leave the room. + +Olive sprang forward with a remorseful cry, but Clarence Vaughan +motioned her back, and with a quick stride was at the door, one hand +upon it, the other firmly clasping the wrist of the now sobbing girl. +Closing the door, which she had partially opened, he led her back, +very gently, but firmly, and placing her in a chair, stood beside her +until the sobs ceased. Then he drew a chair close to her own, and +said, softly: + +"My little sister, we never meant this. These are your own morbid +fancies. Because you are playing the part of amateur detective, you +are not necessarily cut off from all your friends. We would not give +you up so easily, and there is too much that is good and noble in you +to render your position so very dangerous to your womanhood. You have +grieved Mrs. Girard deeply by imputing any such meaning to her words. +Can't you understand, child, that it is because we care for you, +because we want to shield you from the hardships you must of necessity +undergo, that we wish you to let us work with and for you?" + +Madeline shivered and gave a long, sobbing sigh. He took both listless +hands in his own. + +"Now, sister mine, won't you make me a promise, just one?" + +Her hands trembled under his. How could she resist him when his +strong, firm clasp was upon her; when he was looking into her eyes +pleadingly, even tenderly; when his breath was on her cheek, and his +voice murmured in her ear? She sat before him, contrite, conquered, +strangely happy; conscious of nothing save a wish that she might die +then and there, with her hands in his. She was afraid to speak and +break the spell. He had said that he cared for her, was not that +enough? + +"Tell me, Madeline." + +"Yes," she breathed, rather than uttered. + +[Illustration: "Yes," she cried, wildly, "I know; you need not say +it"--page 219.] + +"Thank you. Now, sister, we are going to trust to your sagacity in +this matter. But you must promise me, as your brother, who is bound to +look after your welfare, that you will take no decisive steps without +first informing us, and that as soon as the work becomes too heavy for +your hands, you will call upon me to help you. My sister will surely +do nothing that her brother cannot sanction?" + +She dropped her eyes and said, simply: "I will do what you wish me +to." + +"You will give me your confidence, then?" + +"Yes." + +"Am I to hear a complete history of all that has happened thus far +from Mrs. Girard?" + +"Yes." + +"And, after hearing it, may I communicate with you?" + +She glanced up in surprise. + +"Or," continued he; "better still, may I come down to Bellair and talk +things over with you, should I deem it advisable?" + +"If you wish;" looking glad. + +"Mind, I don't want to intrude; I will not come if you don't desire +it; but I shall wish to come. And you may manage our interviews as you +see fit. I will do nothing to compromise you in the eyes of the people +you are among. May I come?" + +"Yes;" very softly, and trembling under his hand. + +"Then we will say no more about all this to-night. You have already +abused your strength, and if you don't get rest and sleep we shall +have you ill again, and then what would become of our little +detective?" + +Olive came forward with outstretched hands and pleading eyes. "I can't +wait any longer to be forgiven for my thoughtless words," she said. +"Madeline, you will forgive me?" + +"Of course Madeline will," replied Clarence. "Now you had better +forgive Madeline for putting such a perverse construction upon your +words, and then we will send her away to get the rest she must have." + +"I was abominable, Olive," said the girl, so ruefully that Clarence +laughed outright. "Of course, I know you are too kind to say a cruel +thing. I--I believe I was trying to quarrel with you all; do forgive +me." + +"Of course you were trying to quarrel with us; and I haven't a bit of +faith in your penitence now, young lady," said Clarence, rising and +smiling. "I can't believe in you until I am assured that you will go +to bed straightway, and swallow every bit of the wine I shall send up +to you." + +"With something nice in it," suggested Olive. + +"With something very nice in it, of course. Now, will you obey so +tyrannical a brother, and swallow his first brotherly prescription +without making a face?" + +All his kindness and care for her comfort brought a thrill of gladness +to the girl's heart, and some of the old _debonnaire_, half-defiant +light back to her eyes, as she replied, while rising from her chair, +in obedience to a gesture of playful authority from Clarence, "Will I +accept a scolding and go to bed, that means." + +Then making a wry face and evidently referring to the wine: "Is it +very bitter?" + +"Not very; but you must swallow every drop." + +"And I will order the wine," said Olive, touching the bell. "You know, +Dr. Vaughan, that Madeline leaves us in the morning?" + +"No?" in surprise. "Must you go so soon?" + +"Yes," demurely, "unless I am forbidden." + +"We are too wise to forbid you to do anything you have set your heart +on. Then I must tell you good-by here and now, for a little time." + +"Or a long one," gravely. + +"Not for a long one. 'If the mountain won't come,' you know;--well, if +I don't get _very_ satisfactory reports from you, look out for me." + +"You can't get at me," wickedly. + +"Can't I? Wait and see. I'll come as your grandfather, or your maiden +aunt." + +"Please don't," laughing, "one spinster is enough." + +"Well, I won't, then; I think I'll come as your father confessor." + +At this Olive joined in the laugh. + +"Good-night, Dr. Vaughan." + +"Good-night, Miss Payne," with exaggerated emphasis and dignity, but +holding fast to her hand. + +She looked at the hand doubtfully, then up into his face. +"Good-night--brother," with pretty shyness. + +"That is better," releasing the little hand. "Good-night, sister mine. +Mind you drink every drop of the wine." + +"I will!" quite seriously. "Good-night, Olive." + +Olive stooped and kissed her cheek. "Good-night, dear," she said, "and +happy dreams." + +Dr. Vaughan opened the door for her, and smiled after her as she +looked back from the foot of the stairs. Then closing the door he came +back, and stood on the hearth-rug, looking thoughtful. + +"It is a difficult nature to deal with, and in her present mood, a +dangerous one. She is painfully sensitive, and possesses an +exceedingly nervous temperament. Then, that episode with Davlin was +very humiliating to her, and it is constantly in her mind. Evidently +she has lately been under much excitement, and she is hardly herself +to-night. I think, however, if I were you, I would make no further +effort to dissuade her from her purpose. It will do no good, and harm +might come of it." + +"Indeed, I will not," said Olive. "How thankful I am that you were +here; your calmness and tact has saved us something not pleasant. I +don't think I could have managed her myself." + +"Probably not; and now I will prepare a soothing and sleeping draught, +and then, as it is late, will detain you no longer. Perhaps you had +better see that the draught is administered." + +Olive gladly accepted the charge, and shortly after Doctor Vaughan +took his departure, wise and yet blind; blind as to the true cause of +Madeline's outbreak and subsequent submissiveness. + +Madeline obeyed to the letter the instructions of Doctor Vaughan. As a +result, she fell asleep almost immediately, before calm thought had +come to dispel her mood of dreamy happiness. + +In the morning she awoke quieted, refreshed, and quite mistress of +herself. She did not once refer to the events of the previous evening. +Only, before taking leave of Claire, she whispered in her ear: + +"Dear Claire, you can make a noble man happy. Let his love atone to +you for this present bitterness. God bless you both." + +It was an odd speech, truly. But as Madeline turned her back upon the +pretty villa, and was driven swiftly to the railroad depot, she +wondered why Claire had responded to it only with a passionate kiss +and with tears in her beautiful eyes. + +And Claire, having seen her driven from the door, fled precipitately +to her room. Locking herself in, she fell upon her knees beside a low +chair. Burying her face in her hands she wept bitterly,--not for +herself, but for the girl who was so heroically resigning to another +the man she loved; who was going forth, alone, to encounter hardship, +perhaps danger, to fight single-handed, not only her own battles, but +those of her friends as well. + +"And I dared to judge her," said the girl, indignantly. "I presumed to +criticise the delicacy of this grand, brave nature! Why, I ought to be +proud to claim her friendship, and I am!" + +From that hour, let Madeline's course seem ever so doubtful, let Olive +fear and doubt as she would, Claire Keith stoutly defended every act, +and averred that Madeline could do nothing wrong. And from that hour, +Claire began to plot upon her own responsibility. + + * * * * * + +In due course Doctor Vaughan called, and was closeted with Olive a +very long time--rather, with Olive and Claire, for this young lady had +surprised her sister, by expressing a desire to hear what Doctor +Vaughan would say of Madeline's adventures. To tell the truth, Claire +had fancied that Clarence would criticise more or less, and it was in +the capacity of champion for the absent that she appeared at the +interview. + +After the matter had been fully discussed, Doctor Vaughan addressed +himself to Claire: "Miss Keith, you have been a good listener. Won't +you give us your opinion as to the achievements of our little friend?" + +Claire came forward, with a charming mixture of frankness and +embarrassment: "First, let me make the _amende honorable_, Doctor +Vaughan. I presented myself at this interview with the full intention, +and for the express purpose, of waging war upon you both, if +necessary, and I had no doubt that it would be." + +Doctor Vaughan looked much astonished. + +"But," pursued Claire, "I have misjudged you. I did not think you +would so heartily approve of Madeline's course, and I was bristling +with bayonets to defend her." + +"I must own to being of Claire's opinion," interposed Olive, looking +somewhat amused. + +Clarence smiled and then looked thoughtful. + +"I can easily understand," he said, seriously, "how you ladies might +have looked upon the course Miss Payne has taken, as an objectionable, +even an improper, one. The position in which she has placed herself +is, certainly, an unusual, a startling one for a woman of refinement +and delicacy. But we must consider that the occasion is also an +unusual one, and ordinary measures will not apply successfully to +extraordinary cases. As to the impropriety, no one need fear to trust +his or her honor in the keeping of a woman as brave and noble as +Madeline Payne is proving herself." + +"Then you do not censure Madeline for refusing to trust the matter in +the hands of a detective?" questioned Olive. + +"The matter _is_ in the hands of a detective, Mrs. Girard; in the +hands of the shrewdest and ablest little detective that could, by any +possibility, have been found. Why, Madeline has accomplished, in a +short time, what the best detectives on our regular force might have +labored at for a year, and then failed of achieving!" + +Claire threw a look of triumph at her sister. "Oh, how glad I am to +hear you say all this, and how glad Madeline would be." Then she +checked herself suddenly. + +"I can suggest but one improvement upon the present state of things," +said Clarence, after a moment's reflection. "That is, if we can +persuade Madeline to permit it, and I think we can, we should set two +men at work, neither one to be aware of the employment of the other. +One to trace out as much of the past of this man Percy, as may be. The +other to perform the same office for Davlin. Of course, they would not +be advised of the actual reason for these researches, and so their +investigations would in no way interfere with Madeline's pursuit of +the game at Oakley. I don't think we could improve upon the present +arrangement there." + +"And how do you propose to bring this about?" questioned Olive. + +"By going down to Bellair, as soon as I can get the necessary +permission from our little _generalissimo_, and talking the matter +over with her. I think she will see the propriety of the move, don't +you?" appealing to Claire. + +"I think she will follow your advice," gravely. + +"I hope she will," said Olive. + +"I _know_ she will do exactly right," asserted Claire, so positively +that they both smiled. + +"I think I may venture to agree with you, Miss Keith," said Dr. +Vaughan. + +"You had better, both of you, where Madeline is concerned," looking +ferocious. + +"I begin to think that valor is infectious," laughed Olive, and +Clarence joined in the laugh. + +Altogether the result of their council was pleasing to each of the +three. Olive was hopeful; Clarence was full of enthusiasm, and more +deeply in love than ever with generous Claire; and she was pleased +with his frank admiration of Madeline's courage, and full of hope for +Madeline's future. + +"He admires her now. He will love her by and by," she assured herself. + + + + +CHAPTER XXI. + +HAGAR AND CORA. + + +Meanwhile, Lucian Davlin had hastened to Bellair in response to Cora's +summons, full of conjectures as to what had "turned up." + +When the noon train from the city puffed up to the little platform, +Lucian Davlin was among the arrivals, and at the end of the depot +platform stood the dainty phæton of Mrs. John Arthur. That lady +herself reined in her prancing ponies, and the whole formed an object +of admiration for the few depot loungers. + +As Lucian Davlin crossed the platform and took his seat beside the +lady, an old woman hobbled across the track. Casting a furtive glance +in the direction the ponies were taking, she hobbled away toward the +wood. + +Miss Arthur's maid had surmised aright. It was no part of Cora's plan +to permit the inmates of Oakley a view of Mr. Davlin on this occasion. +So the ponies were driven briskly away from the town, and when that +was left behind, permitted to walk through the almost leafless woods, +while Cora revealed to Lucian the extent of the fresh calamity that +had befallen them in the advent of Mr. Percy. + +"Well, what have you to say to all this?" demanded the lady, +pettishly, after she had disburdened herself of the story, with its +most minute particulars. "This is a pretty state of affairs, is it +not? I am worn out. I wish Oakley and the whole tribe were at the +bottom of the sea!" + +"Stuff!" with much coolness; then taking a flask containing some amber +liquid from a breast pocket he held it between his eyes and the light +for critical examination. + +"Stuff? where? In that flask?" + +"No, in your words. This," shaking the amber liquid, "is simon pure; +best French. Have some? I felt as if I needed a 'bracer' this +morning." + +"Up all night, I presume," eyeing him askant. + +"Pretty much;" indifferently. "Won't take any? Then, here's confusion +to Percy," and he took a long draught. "Now, then," pocketing the +brandy and turning toward her, briskly, "I'm ready for business. How +the deuce did we let this fellow pounce down upon us like this? I +thought he was safe in Cuba?" + +"He will never be safe anywhere, until he gets to--" + +"Heaven," suggested he. + +"I suppose it was stupid," she went on, gloomily. "But when Ellen +Arthur raved of her dear friend Mr. Percy, how was I to imagine that +among all the Percys on earth, this especial and particular one should +be _the_ Percy. I wrote you that she had a lover of that name; did it +occur to you that it might be he?" maliciously. + +"Well, candidly, it did not." + +"We were a pair of stupid fools, and we are finely caught for our +pains." + +"First statement correct," composedly; "don't agree with the last, +however." + +"Why not?" + +"Does he know I am on deck?" + +"No." + +"Didn't inquire after me, or say anything about the documents?" + +"No special inquiries." + +"Well, then, where is the great danger?" + +"Where?" much astonished. + +"Yes, where? If you told me all the truth concerning yourself ten +years ago, we can make him play into our hands." + +"How?" + +"Don't go too fast. When you told me that he believed you to have left +home because of an unkind step-mother, was that true?" + +"It was true. I did leave home and come to the city when I was but +sixteen, because my father was a drunkard, and my step-mother abusive, +and we were poor and I was proud." + +"Don't doubt that fact;" with an outward gesture of the supple hand. +"But you told him that you had two big step-brothers!" + +Cora laughed. "A big brother is an excellent weapon to hold over the +heads of some men," she suggested. + +"True," with an amused look. "Why didn't you brandish one over me?" + +"Over you?" laughing again. "You and Percy were two different men." + +"Much obliged," lifting his hat with mock gravity. "Well, we are 'two +different men,' still; just let your pretty little head rest, and +leave Percy to me." + +"I wish to Heaven you had made an end--" + +"'Ah-h-h. I have sighed to rest me,'" warbled Davlin. "Cora, my love, +never put your foot on too dangerous ground." + +"Well, I do wish so, all the same," said she, with feminine +pertinacity. + +"Now, tell me what your plan is. We want to understand each other, and +have no more bungling." + +"All you will have to do will be to keep quiet and follow my cue. When +I come down, we must manage it that I meet Percy in Miss Arthur's +absence. The rest is easy; this Mr. Percy will not find his path free +from obstacles, I think." + +"What game will you play?" + +"Precisely what I am playing now. I am your brother. That will explain +some things that puzzled him some time ago," dryly. "I am your sole +protector, saving the old chap, don't you see." + +The woman pondered a moment. "I think it will answer," she said, at +last. "At any rate, it is the best we can do now." + +A little more conversation, and Cora was quite satisfied with that and +other arrangements. Then the ponies were headed toward the village, +and driven at a brisk pace, thus enabling Mr. Davlin to catch the +afternoon train back to the city. No one at Oakley was any the wiser +for his visit. It was no uncommon thing for Cora to drive out +unattended, and she returned to the manor in a very good humor, +considering the situation. + +Cora's drive had given her an appetite, and she had partaken of no +luncheon. She therefore ordered a very bounteous one to be served in +the red parlor. Mr. Arthur was enjoying his usual afternoon siesta; +Miss Arthur was invisible, for which Cora felt duly thankful; and so +she settled herself down to solitude, cold chicken and other edibles, +and her own thoughts. + +Ever and anon she gazed listlessly from the window, letting her eyes +rove from the terrace to the hedgerow walk, the woods beyond, and back +again to the terrace. Suddenly she bent forward, and looked earnestly +at some object, moving toward the stile from the grove beyond. A +moment later, it appeared in the gap of the hedge. + +Cora leaned back in her chair, still observant, muttering: + +"I thought so! It is that ugly old woman. Now, what in the world does +she want here, for--yes, she is entering the grounds, coming up the +terrace." + +True enough, old Hagar was coming slowly along the terrace, taking a +leisurely survey of the window facing that walk, as she did so. +Casting her eyes upward, they met the gaze of Mrs. Arthur. Then, much +to the surprise of that lady, she paused and executed a brief +pantomime, as grotesque as it was mysterious. + +Cora drew back in some astonishment, pondering as to whether or no the +old woman might not be partially insane, when Susan, the maid of the +romantic mind, appeared before her, and announced that the object of +her thoughts was in the kitchen, and begged that Mrs. Arthur would +permit her an interview. + +Cora was still more surprised. "What can she possibly want with me?" +she asked herself, quite audibly. + +"If you please, ma'am," volunteered Susan, "she said that it was +something important; and that she never would have put her foot inside +this house, begging your pardon, only for you." + +Flattering though this statement might be, it did not enlighten her +much. So, after a moment's reflection, Mrs. Arthur bade the girl, +"show the old person up." + +Accordingly, in another moment almost, old Hagar was bowing very +humbly before the lady with the silken flounces. Susan retired +reluctantly, deeply regretting that she could find no time to stop up +the key-hole with her ear, thus rendering it impossible for prying +eyes to peep through that orifice. + +"Well, old woman," began Cora, rather inelegantly, it must be +confessed, "what on earth were you making such a fuss about, down on +the terrace? And what do you want with me?" + +A close observer of the human countenance divine would never have +judged, from the small amount of expression that was manifest in the +face of Hagar, that her reply would have been such a very humble one. +"I want to serve you, dear lady." + +The "dear lady" pursed up her lips in surprise. "You--want--" + +"To warn you, madame." + +Cora was dumb with astonishment, not unmingled with apprehension. What +had broken loose now? + +"I am only a poor old woman, lady, and nobody thinks that old Hagar +has a heart for the wrongs of others. I said that I would never cross +John Arthur's threshold again; but I have seen your pretty face, going +to and fro through the village streets, and I knew there was no one to +warn you but me." + +"Oh, you did," remarked Cora, not knowing whether to be alarmed or +amused, at the old woman's earnestness. "Well, old--what's your name?" + +"Hagar, lady." + +"Well, old Hagar, do you mean to tell me that I am in any particular +danger just at present?" + +"Is the dove in danger when it is in the nest of the hawk?" said +Hagar, closing her eyes tight as she uttered the words, but looking +otherwise very tragical. + +Cora laughed musically. "Good gracious, old lady!" She was modifying +her titles somewhat, probably under the influence of Hagar's +flatteries. "You mean to compare me to a dove," laughing afresh, +"in--a hawk's nest? Oh, dear! oh, dear!" wiping her eyes. "Now, then, +please introduce me to the wicked hawk." + +Hagar was getting tired of her part, and she made a direct rush at the +point of the business, and with very good dramatic effect. "I mean +your husband," she said, vehemently. "I mean John Arthur. He is a bad +man. If he has not done it already, he will make you miserable +by-and-by." + +Cora drew herself up and tried to look severe. "Old lady," she said, +with supernatural gravity, "don't you know that it is very improper +for you to come and talk to me, like this, about my husband?" + +"Just hear her!" sniffed Hagar, rather unnecessarily; "all because I +think she is too young, and too pretty, to be sacrificed like the +others--" + +"Like the others? What others?" + +"Like his first wife. She was young, like you, and a lovely lady. His +cruelty was her death. And then he must worry and abuse her poor +daughter, until she runs away and comes to an untimely end. And now--" + +"Now, you fear he will make an end of me?" briskly. "Sit down, old +lady," becoming still more affable. "So Mr. Arthur ill-used his first +wife, my predecessor?" + +"Thank you, dear lady; you are very kind to a poor old woman," seating +herself gingerly on the edge of a chair opposite Cora. "Yes, indeed, +he did ill-use her. She was my mistress, and I shall always hate him +for it." + +Cora mused. Here was an old servant who hated the master of Oakley; +might she not prove useful, after a time? At any rate, it would be +well to sound her. + +"You were very much attached to the lady, no doubt?" insinuatingly. + +"Yes; and who would not be? She was very sweet and good, was my poor +mistress. Oh, he is a bad, bad man, madame, and you surely cannot be +very happy with him." + +"And he was unkind to his step-daughter, too?" ignoring the last +supposition. + +"Unkind? He was a wretch. Oh, I could almost murder him for his +cruelty to that poor dead lassie!" fiercely. + +"Perhaps he was none too kind to you," suggested Cora. + +"Oh, he never treated me like a human being. He hated me because I +tried to stand between her and harm. But he could not get rid of the +sight of me. I have a little home where he can't avoid seeing me +sometimes. I believe, if I kept always appearing before him, he would +go raving mad, he hates me to that extent." + +"Um-m! Is that so?" + +"Yes, indeed. Why, lady, if I were without house or home, and you, out +of the kindness of your heart, were to take me into your employment as +the very humblest of your servants, I believe he would kill us both." + +"You think he would?" + +Cora actually seemed to encourage the old woman in her garrulity. + +"Oh, I know it. It's not much in the way of charity, or kindness, you +will be able to do in _this_ house. If he don't imprison you in one of +these old closed-up musty rooms, you will be lucky. He is very +dangerous. Sometimes I used to think he must be insane." + +Cora started. "Well, Hagar," she said, sweetly, "it's very good of you +to take so much interest in me. He is very cross sometimes, but, +perhaps, it won't be so bad as you fear." + +"I hope it won't," rising to go and shaking her head dubiously; "but I +am afraid for you." + +"Well," laughing, "I'll try and not let him lock me up, at any rate. +Now, is there anything I can do for you?" + +[Illustration: If ever you want to make him feel what it is to make +others suffer, Hagar will help you.--page 238.] + +"Oh, no, lady. You looked so pretty, and so good, that I wanted to +warn you; that is all. I should be glad if I could serve you, too, but +I could never serve him. I don't want for anything, dear lady. Now the +old woman will go." + +"I won't forget you, Hagar, if I ever need a friend." + +Hagar turned toward her. "If you ever want to make him feel what it is +to make others suffer, Hagar will help you." + +There was a vindictive light in the old woman's eyes, and she hobbled +out of the room, looking as if she meant all she had said. + +Cora sat, for a time, pondering over the interview, and trying to +trace out some motive for insincerity on the old woman's part. But she +could see none. She resolved to investigate a little, and all that +evening was the most attentive and agreeable of wives. Abundant and +versatile was her conversation. Deftly she led the talk up to the +proper point, and then said, carelessly: + +"Driving through the village, to-day, I passed that queer old +woman--Hagar, do they call her? She glared at me, oh! so savagely." + +"She is an old hag!" Mr Arthur answered, with unnecessary fierceness. +"I don't see what Satan has been about, all these years, that he's not +taken her away to her proper atmosphere." + +"Why," in pretty surprise, "I thought she used to be one of your +servants?" + +"She was a servant to my first wife," moodily. "I got rid of the +baggage quick enough, when Mrs. Arthur died. She is an old viper, and +put more disobedience into that girl Madeline's head, than I ever +could get out." + +"What a horrid old wretch she must be!" shuddering. + +Then the conversation dropped, and Cora was satisfied. + +"The old woman shall be my tool," she thought, triumphantly. + + + + +CHAPTER XXII. + +TO BE, TO DO, TO SUFFER. + + +On the day that followed the events last related, Madeline Payne +returned to Oakley to resume her self-imposed task. + +Leaving the train, the girl took the path through the woods. When she +had traversed it half way, she came upon old Hagar, who was seated +upon a fallen log awaiting her. Looking cautiously about, to assure +herself that the interview would have no spectators, Madeline, or +Céline, as we must now call her, seated herself to listen to the +report of Davlin's visit, and the success of Hagar's interview with +Cora. + +Expressing herself fully satisfied with what she heard, Céline made +the old woman acquainted with the result of her visit to the city, or +as much of it as was necessary and expedient. Then, after some words +of mutual council, and a promise to visit her that evening, if +possible, the girl lost no time in making her way to the manor, and +straight into the presence of her mistress. + +Considering that her maid was--her maid, Miss Arthur welcomed her with +an almost rapturous outburst. Céline had held high place in the +affections of Miss Arthur, truth to tell, since her astonishing +discovery of Mr. Edward Percy, in the character of young Romeo, +promenading within sight of his lady's window. + +"Céline," simpered Miss Arthur, while the damsel addressed was +brushing out her mistress's hair, preparatory to building it into a +French wonder; "Céline, I may be wrong in talking so freely to you +about myself and my--my friends, but I observe that you never presume +in the least--" + +"Oh, mademoiselle, I could never do that!" cooed the girl, with wicked +double meaning. + +"And," pursued Miss Arthur, graciously, "you are really quite a +sagacious and discreet young person." + +"Thanks, miladi." Then, as if recollecting herself, "Pardon, +_mademoiselle_, but you are so like her ladyship, _Madame Le Baronne +De Orun_, my very first mistress--" + +"Oh, I don't mind it at all, Céline. As I was saying, you seem quite a +superior young person, and no doubt I am not the first who has made +you a sort of _confidante_. + +"Merci! no; my lady. _Madame Le Baronne_ used to trust me with +_everything_, and often deigned to ask my advice. But French ladies, +oui, mademoiselle, always put confidence in their maids. And a maid +will die rather than betray a good mistress--" + +"Exactly, Céline--are you going to put my hair so high?" + +"Very high, _miladi_." + +"Oh, well; will it be becoming?" + +"Oui; La mode la Francaise," relapsing into ecstacy and French. _"Le +coiffeur comme il faut! Chere amie, le-chef-a-oeuvre!_" + +Miss Arthur collapsed, and Céline continued to build up an atrociously +unbecoming pile of puffs and curls in triumphant silence. + +Céline never indulged in her native tongue, so she assured her +mistress, except when carried away by momentary enthusiasm, or +unwonted emotion. It was bad taste, she averred, and she desired to +cultivate the beautiful American language. + +Presently Miss Arthur made another venture, feeling quite justified +in following in the footsteps of so august a personage as _Madame Le +Baronne_. + +"Did you see Mr. Percy after you left Bellair?" + +"No, mademoiselle." + +"Did you observe if he returned in the same train with yourself?" + +"No, mademoiselle." Then, with a meaning little laugh: "Monsieur will +not remain long from Oakley." + +Miss Arthur tried to look unconscious, and succeeded in looking +idiotic. + +"Pardon, mademoiselle, but I can't forget that night. Mademoiselle is +surely relieved of one fear." + +"What is that?" + +"The fear of being wooed because of her wealth." + +Miss Arthur started, then said: "There may be something in that, +Céline; and it is not impossible that I may inherit more." + +"Ah?" inquiringly. + +"Yes. Possibly you have learned from the servants that Mr. Arthur lost +a young step-daughter not long ago; just before you came, in fact." + +"I don't remember. Did she die, mademoiselle?" + +"Yes. She was a very wild, unruly child, a regular little +heathen--oh!" + +"Pardon, oh, pardon, did it hurt?" removing a long, spiky hair pin, +with much apparent solicitude. + +"A--a little; yes. As I was saying, this ridiculous girl was sent to +school and no expense spared to make a lady of her." + +"Indeed!" + +"Yes; and then she rewards my brother for all his kindness by running +away." + +"_Merci_, mademoiselle!" suddenly recalling her French. + +"And then she died among strangers, just as provokingly as she had +lived. She must even run away to die, to make it seem as if her home +was not a happy one." + +"What a very wicked young person; how you must have been annoyed." + +"We were all deeply grieved." + +"And I don't suppose that dead young woman was even grateful for +that." + +"Oh, there was no gratitude in her." + +"Of course not! Now, mademoiselle, let me do your eyebrows," turning +her about. + +"But," pursued Miss Arthur, "when she died, my brother acquired +unconditional control of a large fortune, and you must see that my +brother is getting rather old. Well, in case of his death, a part, at +least, of this fortune will become mine." + +"Yes, madame." + +"My brother is too much afraid to face the thought of death and make a +new will, and papers are in existence that will give me the larger +portion of his fortune. Of course, Mrs. Arthur will get her third." + +Céline was now surprised in earnest. + +Miss Arthur had spoken the truth. With shrewd foresight, she had made +John Arthur sign certain papers two years before, in consideration of +sundry loans from her. And of this state of affairs every one, except +their two selves and the necessary lawyer, had remained in ignorance. + +The girl's eyes gleamed. This was still better. It would make her +vengeance more complete. + +And now Miss Arthur was thrown into a state of girlish agitation by +the appearance of Susan, who announced that Mr. Percy was in the +drawing-room, awaiting the pleasure of his inamorata. + +She bade Céline make haste with her complexion and, after the lapse of +something like half an hour, swept down to welcome her lover, with a +great many amber silk flounces following in her wake. + +Céline Leroque gazed after her for a moment and then closed the door. +Flinging herself down "at ease" in the spinster's luxurious dressing +chair, she pulled off the blue glasses and let the malicious triumph +dance in her eyes as much as it would. + +"Oh, you are a precious pair, you two, brother and sister! The one a +knave, the other a fool! It is really pathetic to see how you mourn my +loss. I have a great mind to--" + +Here something seemed to occur to her that checked her mutterings, and +sent her off into a deep meditation. After a long stillness she +uttered a low, mocking laugh that had, too, a tinge of mischief in it. +Rising slowly from the dressing chair she said, as she nodded +significantly to her image reflected back from Miss Arthur's dressing +glass: + +"I'll put that idea into execution some nice night, and then won't +there be a row in the castle? Ah! my charming mistress, if you had +spoken one kind or regretful word for poor Madeline, it would have +been better for you!" + +What was the girl meditating now? What did she mean? + +"Yes, good people at Oakley, I believe I'll take a little private +amusement out of you _all_, while I feel quite in the mood. I won't be +too partial." + +Then she betook herself to her own room and let her thoughts fly back +to Olive and Claire and--Clarence. + +Presently, for she was very weary, spite of the previous night's +repose, she fell asleep. + +Late that evening she flitted through the woods and across the meadow +to the cottage of old Hagar. Sleep had refreshed her and she had +dreamed pleasant dreams. She felt stout of heart, and firm of nerve. + +Old Hagar was overjoyed to see a smile in her nursling's face, and to +hear, at times, a laugh, low and sweet, reminding her of olden days. +The girl remained with her old nurse for nearly an hour. When they +parted there was a perfect understanding between them, in regard to +future movements and plans. + +No one at Oakley was aware of Lucian Davlin's flying visit; thus much +Céline knew. But of the purport and result of that visit, she knew +nothing. Nor could she guess. She must bide her time, for there seemed +just now little to disturb the monotony of waiting. + +One thing was, however, necessary. When the time came for Miss Arthur +to leave Oakley, Céline must remain. To that end she must contrive to +fall out with the spinster, and "fall in" with Madame Cora. If that +lady could not be beguiled into retaining her at Oakley, she must +resort to a more hazardous scheme. She had already taken a step toward +ingratiating herself with Mrs. Arthur, and with tolerable success. She +was maturing her plans and waiting for an opportunity to put them into +action. + +No doubt but that by the time she had accomplished her object, if it +could be accomplished, the opposite forces would come into conflict. + + + + +CHAPTER XXIII. + +SETTING SOME SNARES. + + +Three days had now passed since Madeline's return from the city. On +the morning of the fourth day, she seized the first leisure moment for +a visit to the post-office. Instead of the single letter from Olive +that she had expected, she found three. + +They were enclosed in one wrapper. This she removed on her way back to +Oakley, and found the first, as was the wrapper, addressed in Olive's +hand. The penmanship of the second was fairy-like and beautiful, and +she recognized it as Claire's. At sight of the third, her heart gave a +great bound, and then almost stood still. It was superscribed in a +firm, manly hand, and was, it must be, from Dr. Vaughan. + +Once securely locked in her room, Madeline opened the first of her +letters with eager fingers. Yes, Olive's first. The desire to see what +_he_ had said was strong in her heart, but she had decided not to +humor her heart. She held his letter caressingly for a moment and then +putting it beside Claire's opened and read Olive Girard's letter. + +It was like Olive's self; sweet, womanly, hopeful, yet sad: + + DEAR MADELINE: + + I am only now beginning to realize the new life and hope you + have put into my heart. As I think again of what you have + done and are doing, I cannot but feel faith in your success. + Oh, if I could but work with you; for you and for Philip! + + Again and again I implore you to pardon me for ever doubting + your wisdom or strength. If at any time I can aid you--such + poor aid--my purse is yours, as your cause is mine. + + Claire and Doctor Vaughan will speak for themselves. And as + I dare make no more suggestions to so wise a woman, I only + put in a faint little plea. Do, pray, grant Doctor Vaughan's + request, and may God aid you in all that you do. + + OLIVE. + +"Doctor Vaughan's request!" repeated the girl. "Would that I could +grant him not only all his requests, but all his wishes!" + +Then she opened Claire's letter. + + MY GRAND MADELINE: + + How proud I am to claim you for my friend! I shall never + again conduct myself with any degree of meekness toward + people who have not the happiness of knowing you. And you + should hear Doctor Vaughan extol you! He says you are wiser + and braver than any detective. That he would trust you in + any emergency. That if any one can lift the cloud that hangs + over poor Philip, it is you. + + My heart tells me that you will yet prove the good angel of + Philip and Olive, as already you have been mine; and soon, I + pray, you will become that and more to Doctor Vaughan; you + must and shall. I shall have no wish ungratified when I can + see your trials at an end; and yourself, surrounded by us + who love you, happy at last. Don't let all these other + claimants push me out of your heart; always keep one little + place for your loving, grateful + + CLAIRE. + +Madeline's eyes were moist when she lifted them from the perusal of +this letter. + +"Bright, beautiful, brave Claire," she murmured; "who could help +loving her?" + +Then her eyes fell again upon the letter, and she started: + +"'You will become that and more to Doctor Vaughan,'" she read. "What +can she mean? Can it be possible that, after all, I have betrayed +myself to her?" + +She re-read the letter from beginning to end, her face flushing and +paling. + +"Oh!" she whispered softly, "she has read my heart, and we are playing +at cross purposes! What a queer rivalry," the girl actually laughed; +"a rivalry of renunciation. Does she yet know how he loves her, I +wonder?" Then, her face growing graver, "she won't be long in making +that discovery now." + +She took up Clarence Vaughan's letter, almost dreading to break the +seal. + + MY BRAVE LITTLE SISTER: + + You perceive, I have commenced my tyranny. And instead of + being able to grant favors to my new sister, I am reduced to + the necessity of begging them at her hands. In a word, I + want to come to Bellair. Not to be a meddlesome adviser; I + am too firmly a convert to your method of procedure for + that. Besides, I should have to declare war upon Miss Keith + if I presumed thus far. But I do desire to further your + plans, and to this end would make a suggestion that has + occurred to me since hearing of your marvelous detective + work. + + Believe me, I cannot express the admiration I feel for your + daring and tact. I have no longer the faintest scruple as to + trusting this issue, so important to all of us, in your + hands. And I am more than proud of such a sister. + + May I come to Bellair, say on Monday next? I will stop at + the little station a few miles this side of the village, and + walk or drive over, and find my way to the cottage of your + old nurse, where you can meet me, unless you have a better + place to suggest. I shall anxiously await your answer, and + am your brother to command. + + C. E. VAUGHAN. + +Madeline's cheeks were flushed, her eyes shining. + +"How they all trust me!" she ejaculated; "and they always shall. I +will never be false to their friendship; no, not if to serve them my +heart's blood must become wormwood and gall." + +She re-read all her letters, but would not allow herself to linger too +long over that of Clarence Vaughan. She had resolved to have no more +weakness, no more outbreaks of passion. She was very stern with +herself. Even as a friend and brother, she would not allow her +thoughts to dwell too much upon him, until she grew stronger, and more +perfect in her renunciation. + +Then she sat down at her humble little table, and answered her +letters. + +To Olive she wrote a sweet, cheery note, telling of her gratitude, her +affection, her hope for the future; and then she added a womanlike P. +S. as follows: + + Please say to Doctor Vaughan that I will be at Hagar's + cottage on Monday evening, but can't tell the precise time I + may be able to appear. If he follows the main road through + the village, until he has passed the grounds of Oakley, he + will have no difficulty in finding the cottage. It stands + alone, almost in the middle of a field, facing the west, and + is the first habitation after Oakley. + +"I cannot write to him," she said; "at least not now." + +Then she wrote Claire a long, cheery letter, saying little of herself, +and much of her friends,--of all save Doctor Vaughan. She _would_ not +mention him tenderly, she _could_ not mention him lightly; so she +would say of him nothing at all. + +But if Madeline was astute, Claire, too, was beginning to develop that +quality. So when the latter young lady read this letter, she smiled +and said: "The dear little hypocrite! As if she could deceive me by +this evidently studied neglect. Oh! you proud, stiff-necked, little +detective!" + +And their game of cross purposes went on. + +Madeline had sealed her letters, and was about to reach for her hat +preparatory to hastening with them to the post office, when her +attention was arrested by a sound, slight but unusual, and not far +away. She stood erect, silent, motionless, listening intently. +Presently the sound was repeated, and then a look of intelligence +passed over the girl's face. + +"Some one is in the deserted rooms," she thought. And she abandoned +for the present her purpose of going out. + +There was but one way to approach the closed-up rooms, and that way +led past the door of Madeline's room. + +A few paces beyond her door, the hall connecting the west wing with +the more modern portion, made a sharp curve and opened into the main +hall of that floor. Céline Leroque opened her door cautiously, having +first donned her not very becoming walking attire. Then she took up +her position just outside the angle of the western hall, and so close +to it that if an approach was made from below, she could easily retire +behind the angle. + +[Illustration: "She stood erect, silent, motionless."--page 248.] + +She had grown heartily tired of her sentinel task when, at last, a +soft rustle was heard near at hand. Céline turned so quickly into the +narrower hall that she fairly ran upon and stopped--Mrs. John Arthur! +who uttered a sharp exclamation expressive of surprise and annoyance. + +Céline poured forth a mixture of French and English, expressive of her +contrition and horror at having "almost overturned madame," and wound +up by saying, "Madame has been to my room? Madame has desired some +service, perhaps? If so, she has only to command." + +Cora drew a breath of relief, having sufficiently recovered from the +collision and accompanying confusion, to draw a breath of any kind, +and at once rallied her forces. + +"Yes, Céline, I wanted you to do something for me, if you will." + +"Anything, madame." + +Madame was collecting her thoughts. "I--I wanted to ask if you could +find time to come to my room and try and do something with my hair. +Your hair-dressing is perfect, and I am so tired of my own." + +Céline would be only too happy. Should she come now? She had just +returned from the village; she would put off her hat and be at +madame's disposal. But madame was not inclined to be manipulated just +then. Céline might come to her dressing room and do her hair for +dinner--after she was done with Miss Arthur, of course. + +So they separated, mutually satisfied. + + + + +CHAPTER XXIV. + +A VERITABLE GHOST. + + +What a day of glory it had been to the spinster, this day on which +Madeline had read her three letters, and Cora had explored the shut-up +wing. + +And what a day of torture to fastidious Edward Percy, who would have +welcomed any third presence, even Cora or John Arthur--any one, +anything, was better than that long slavery at the feet of a painted +and too-visibly ancient mistress. But even the longest days have an +end. At last he was set at liberty, and he hurried back to the little +inn, literally kicking his way through the Autumn darkness. + +The old house of Oakley stood, with its last light extinguished, tall +and somber, against a back-ground of black sky and blacker trees. At +last every soul under its roof was asleep--all but one. That one was +very wide awake and intent on mischief. + +Love-making, dear reader, although you may not know it, is a wearisome +business, even if ever so agreeable. Especially is it wearisome to +those like Miss Arthur--maidens whose waists are too tight, whose +complexions will ill-endure lip service, and whose tresses are liable +to become not only dishevelled but dislocated. Therefore, when Miss +Arthur had dismissed her lover, with a sigh of regret, she lost no +time in doffing her glories with a sigh of relief. + +Even a very rich and hearty luncheon, which her maid had provided, was +gormandized rather than enjoyed, so tempting did her couch look to the +worn-out damsel. + +Miss Arthur had refreshed herself with an hour's uninterrupted repose, +and was revelling in a dreamy Arcadia, hand in hand with her beloved, +when something cold falling on her cheek dispelled her visions. She +started broad awake, and face to face with a horrible reality. + +The moon was pouring a flood of silvery light in through the two +windows, facing the south, whose curtains were drawn back, making the +room almost as light as at mid-day. + +And there, near her bed, almost within reach of her hand, stood +_Madeline Payne_, all swathed in white clinging cerements, ghastly as +a corpse, hollow-eyed and awful, but, nevertheless, Madeline Payne! +Over her white temples dropped rings of curly, yellow hair, and across +the pale lips a mocking smile was flitting. + +Miss Arthur gasped and closed her eyes very tight, but they would not +stay closed. They flew open again to behold the vision still there. +The spinster was transfixed with horror. Cold drops of perspiration +oozed out upon her forehead and trickled down her nose. She clutched +at the bedclothes convulsively, and gazed and gazed. + +Wider and wider stared her eyes, but no sound escaped her lips. She +gazed and gazed, but the specter would not vanish. Poor Miss Arthur +was terror-stricken almost to the verge of catalepsy. + +In consideration of the persistence with which they return again and +again, according to good authority, ghosts in general must be endowed +with much patience. Be this as it may of the average ghost, certain it +is that this particular apparition, after glaring immovably at the +spinster for the space of five minutes, began to find it monotonous. + +Slowly, slowly from among the snowy drapery came forth a white hand, +that pointed at the occupant of the bed with silent menace. + +[Illustration: "Near the bed, almost within reach of her hand, stood +_Madeline Payne_, all swathed in white!"--page 252.] + +The spell was broken. The lips of Miss Arthur were unclosed, and +shrieks, one following the other in rapid succession, resounded in the +ears of even the most remote sleepers. + +With the utterance of her first yell, Miss Arthur had made a desperate +plunge to the further side of her bed, away from the specter; and, +turning her face to the wall, shut out thus the appalling white +vision. + +Having once found her voice, Miss Arthur continued to clutch at the +bed clothes, glare at the wall, and shriek spasmodically, even after +her "inner consciousness" must have assured her that the room now held +others beside herself and the ghost, supposing it to be still on the +opposite side of the bed. + +Cora, in a state of wild _deshabille_; John Arthur, ditto, and armed +with a cane; Susan and Mary, half in the room and half out; then +Céline Leroque, apparently much frightened, without knowing at what. + +A volley of questions from the master of the house, and a return of +courage to the mistress. But Miss Arthur only gathered herself +together, took in a fresh supply of breath, and embarked in another +series of howls. + +Nothing was amiss in the room; it could not have been a burglar. The +night lamp was burning dimly behind its heavy shade; on the table were +the fragments of Miss Arthur's lunch; and Mr. and Mrs. Arthur had +found easy access through the closed, but unbolted door. + +After a time, a long time, during which Cora and Céline administered +sal volatile and other restoratives, Mr. Arthur douched her with oaths +and ice water, and the servants whispered in a group, the maiden found +voice. + +It was a very feeble voice, and it conveyed to her audience the +astounding intelligence that she had seen a ghost--Madeline Payne's +ghost. + +Upon hearing her story, John Arthur seemed at first a little startled. +But Cora only laughed, and Céline, glancing significantly at the lunch +table, said, with a slight smile: + +"Mademoiselle has nerves, and she may have lunched heartily before +retiring." + +John Arthur strode across the room and viewed the _débris_ of +luncheon. "Humph!" he grunted. "Oysters and salads, potted meat and +pastry; strong coffee and lemon syllabub with brandy. Good Lord, I +don't know what should have kept the contents of an entire cemetery +from sweeping down upon your slumbers, you female gourmand. Ghosts +indeed!" + +And he stamped out of the room in high dudgeon. His tirade was wholly +lost upon his sister, however, for that lady was whimpering +comfortably and putting all her feeble energy into the effort. + +Cora glanced up as the door banged after her lord and master, and +ordered the servants back to bed. Then she turned toward Céline, +saying: + +"That door was certainly not locked when we came to it, for I was here +even sooner than Mr. Arthur." + +Céline smiled again: "Mademoiselle dismissed me before she had +finished her luncheon. I had disrobed her previously, and she said she +should retire as soon as she drank her coffee. She may have forgotten +the door." + +Cora turned toward the bed. "Did you lock your door, Ellen?" + +But Ellen did not know; she could not remember if she had or had not. + +Then Cora said to Céline: "I am glad to find you so sensible. We shall +have hard work now to convince those ridiculous servants that there is +not a ghost in every corner." + +"I do not think that graves open," replied the girl, seriously. + +Then she gave her undivided attention to her mistress, who bade fair +to be hysterical for the rest of the night. + +Miss Arthur would not be left alone again. No argument could convince +her that the specter was born of her imagination, and therefore not +likely to return. So Cora bade Céline prepare to spend the remainder +of the night in Miss Arthur's dressing room. + +Accordingly, Céline withdrew to her own apartment, where her +preparations were made as follows: + +First, she shook out the folds of a sheet that hung over a chair, and +restored it to its proper place on the bed. Then she removed from her +dressing stand a box of white powder, and brushed away all traces of +said powder from her garments and the floor. Next, she carefully hid +away a key that had fallen to the floor and lay near the classically +folded sheet. These things accomplished, she made a few additions to +her toilet, extinguished the light, locked her door carefully, trying +it afterward to make assurance doubly sure, and retraced her steps to +relieve Cora, who was dutifully sitting by the spinster's bed, and +beginning to shiver in her somewhat scanty drapery. + +As the night wore on, and Miss Arthur became calmed and quiet, the +girl lay back in the big dressing chair, gazing into the grate, and +thinking. Her thoughts were sometimes of Claire, sometimes of +Clarence; of the Girards, and of Edward Percy; then of her success as +a ghostess, and at this she would almost laugh. + +But from every subject her mind would turn again and again to one +question, that repeated itself until it took the form of a goblin and +danced through her dreams, when at last she slept, whispering over and +over: + +"What is it that Cora Arthur carries in a belt about her waist? what +is it? what is it?" + +For the girl had made a strange discovery while Cora was sitting +beside Miss Arthur's bed, clad only in night's scanty drapery. + + + + +CHAPTER XXV. + +SOME DAYS OF WAITING. + + +Doctor Vaughan had written that he could find his way with ease to +Nurse Hagar's cottage, and he did. + +Swinging himself down upon the dark end of the platform, when the +evening train puffed into Bellair village, he crossed the track, and +walked rapidly along the path that led in the direction of the +cottage. He strode on until the light from the cottage window gleamed +out upon the night, and his way led over the field. Half way between +the stile and the cottage, a form, evidently that of a woman, appeared +before him, and coming in his direction. + +The figure came nearer, and a voice, that was certainly not +Madeline's, said: "Is the gentleman going to old Hagar's cottage?" + +"Are you Hagar?" replied Clarence, Yankee fashion. + +"I am Hagar; and you are?" + +"Doctor Vaughan." + +"Then pass on, sir; the one you seek is there." + +And the old woman waved her hand toward the light and hobbled on. + +Clarence stared after her for a moment; but the darkness had devoured +her, and he resumed his way toward the cottage. + +In hastening to meet a friend we naturally have, in our mind, a +picture. Our friend will look so, or so. Thus with Clarence Vaughan. +Expecting to meet a pair of deep, sad, beautiful eyes, lifted to his +own; to behold a fair forehead shadowed by soft, shining curls; judge +of Clarence's surprise when the opened door revealed to him a small +being of no shape in particular; a very black head of hair, surmounted +by an ugly maid's cap; and a pair of unearthly, staring blue glasses. + +Madeline had chosen to appear "in character" at this interview. She +intended to keep her own personality out of sight, and she felt that +she needed the aid and concealment that her disguise would afford. She +would give Claire's schemes no vantage ground. + +So Madeline Payne was carefully hidden away under the wig and pigment +and padding; and Céline Leroque courteseyed demurely as she held the +door open to admit him, and said: + +"Good evening, _Monsieur le Docteur_; you perceive I am here before +you." + +"Rather, I don't perceive it. _You_ are here before me in a double +sense of the word; yes. And I suppose you call yourself--" + +"Céline Leroque, at your service; maid-in-waiting to Miss Arthur, of +Oakley." + +Doctor Vaughan laughed. + +"Well, won't you shake hands with an American of no special +importance, Céline Leroque?" + +She placed her hand in his and then drew forward a chair. + +"I hope you found no difficulty in getting out to-night?" he said, +sitting down and looking at her with a half-amused, half-grave +countenance. + +"None whatever; I have been suffering with a sick-headache all day." + +"And you can get in again unseen?" + +"Easily; in the evening the servants are all below stairs." + +"But what an odd disguise! Do they never question your blue glasses?" + +"Not half so much as they would question the eyes without them. They +believe my eyes were ruined by close application to fine needle-work. +And then--" she pushed up the glasses a trifle, and he saw that the +eyelid, and a line underneath the eye, were artistically +_rouged_--"they all acknowledge that my eyes look very weak." + +"I fancy they'll find those eyes have looked too sharply for them, by +and by." + +She laughed lightly. "I hope so." + +Sitting there in her prim disguise, the girl felt glad to gaze upon +him; felt as if, look as much as she would, she was gazing from a safe +distance. + +Dr. Vaughan came straight to the point of his visit, beginning by +requesting a repetition of such portion of the facts she had +discovered as related most particularly to the two men, Davlin and +Percy. Then he made his suggestion. To his surprise it was a welcome +one to the girl. + +"That is just what I have had in mind," she said, thoughtfully. "After +reflecting, I have changed my plans somewhat, and I don't see my way +quite so clearly as before." + +He was looking at her attentively, but asked no questions. + +"Since I came from the city," she resumed, with some hesitation, "I +have thought that I would be glad to talk again with all of you. But +it won't do to incur the risk of more absences, for if I do not +mistake the signs, things will be pretty lively up there," nodding in +the direction of Oakley, "before many days. So perhaps we had better +see what our two heads can develop in the way of counterplot, and you +can make known the result to Olive." + +"If your own invention will not serve, I fear mine will be at an utter +loss. But you know how glad I shall be to share your confidence." + +"My invention must serve," she said, firmly, and quite ignoring the +latter clause of his speech; "and so must yours. You see, my plan +before going to the city was a comparatively simple one. I intended to +work my way into the confidence of Mrs. John Arthur. Failing in that, +Hagar must have been reinstated, and then the _denouement_ would have +been easy: to get possession of specimens of the medicine prescribed +for Mr. Arthur; to hunt down this sham doctor they are to introduce +into the house; to show John Arthur the manner of wife he has; to make +my own terms with him, and then expose and turn out the whole pack. +But all this must be changed." + +"Changed? And how?" + +"I can't turn them out of Oakley. I must keep them there, every one of +them, at any cost." + +Dr. Vaughan looked puzzled. "We can't allow them to kill that old man, +not even to vindicate poetical justice," he said, gravely. + +"No; we can't allow just that. But don't you see, if we turn these +people away now, we defeat a chief end and aim--the liberation of +Philip Girard?" + +"True." + +"Well, this is why I have changed my plan." + +He looked at her with an admiration that was almost homage. + +"And you will give up your own vengeance, for the sake of Olive and +her happiness?" + +She laughed oddly. "Not at all. I only defer it, to make it the more +complete. Now, listen to what I propose to do, and see if you can +suggest anything safer or better." + +And then she unfolded a plan that made Clarence Vaughan start in +amazement, but which, after it was fully revealed, he could not amend +nor condemn. He could see no other way by which all that they aimed at +could be accomplished. + +"Of course, the plan has its risks," concluded the girl. "But we could +try no other scheme without incurring the same, or greater. And I +_believe_ that I shall not fail." + +"I wish it were not necessary that you should undergo so much; think +what it will be for you," gently. + +"Oh, for me, ..." indifferently; "I shall be less of a spy, and more +of an actress,--that is all." + +"Then I shall set the detectives at work?" + +"Immediately." + +"Have you any further instructions, any clue, to give them?" + +"Nothing; it is to be simply a research. Neither must know to what end +the information is desired. It will be better to employ your men from +different Agencies, so that one may not know of the other, or his +business." + +"And is there nothing more I can do?" + +"Nothing, for the present. When once we get these men together, we +shall all have our hands full. Then you can help me, perhaps, as I +suggested." + +"Well," sighing, and looking at his watch, "it's a strange business, +and a difficult, for a young girl like you. But we are in your hands; +you are worth a thousand such as I." + +"Nonsense," she said, almost angrily. Then, abruptly, "When does +Claire return to Baltimore?" + +He started and flushed under her gaze. "I--I really don't know." + +"Then, as my brother, I command you to know all about Claire. She is +my special charge to you. And you are to tell her, from me, that I +won't have her go away." + +"Then I must do all in my power to detain her? Your command will have +more effect than all of my prayers," he said, softly. + +"Well, keep on reiterating my commands and your prayers, then; by and +by she won't be able to distinguish the one from the other. What time +is it?" + +He smiled at the sudden change of tone and subject. "Half-past nine," +he said. + +While the words were on his lips, Old Hagar entered. + +Clearly it was time to end the interview. Doctor Vaughan must be ready +for the return train, which flew cityward soon, and Céline Leroque +must not be too long absent. So there were a few words more about +their plans, a few courteous sentences addressed to Hagar by Doctor +Vaughan, and then they separated. + +The next day two men were at work,--following like sleuth hounds the +trail on which they were put, unravelling slowly, slowly, the webs of +the past that had been spun by the two men who were to be hunted down. + +And now came a time of comparative dullness at Oakley. Even eventful +lives do not always pace onward to the inspiring clang of trumpet and +drum. There is the bivouac and the time of rest, even though sleeping +upon their arms, for all the hosts that were ever marshalled to +battle. + +[Illustration: "Well, it's a strange business and a difficult."--page +261.] + +Céline Leroque found life rather more dreary than she had expected +during these days of inaction. After all, it is easier to be brave +than to be patient. So, in spite of her courage and her +self-sacrifice, she was restless and unhappy. + +And she was not alone in her restlessness. It is curious to note what +diverse causes produce the same effects. Cora Arthur was restless, +very restless. The fruit of her labor was in her hands, but it was +vapid, tasteless, unsatisfying. What _her_ soul clamored for, was the +opera, the contact of kindred spirits, the rush and whirl, the smoke +and champagne, and giddiness of the city; the card-won gold, and +painted folly that made the be-all and end-all of life to such as she. + +She did not lose sight of the usefulness she trusted to find in Céline +Leroque, however. During these days of _ennui_ and quietude, the two +came to a very good understanding; not all at once, and not at all +definite. Only, by degrees, Cora became convinced that Céline Leroque +cherished a very laudable contempt for her would-be-girlish mistress, +and that she was becoming rather weary in her service. Once, indeed, +the girl had said, as if unable to restrain herself, and while +dressing Mrs. Cora's yellow hair--a task which she professed to +delight in: + +"Ah! madame, if only it was _you_ who were my mistress! It is a +pleasure to dress a beautiful mistress, but to be constantly at war +against nature, to make an old one young--faugh! it is labor." + +And Cora had been much amused and had held out a suggestion that, in +case of any rupture between mistress and maid, the latter should apply +to her. + +But if existence was a pain to Céline, and a weariness to Cora, it was +anguish unutterable to Edward Percy. He would have been glad to put a +long span of miles between his inamorata and himself had he not felt +that, with Cora in the same house as his fair one, it were more +discreet to be on the ground, and watch over his prey pretty closely. +But to this man, who made love to every pretty woman as a child eats +_bon bons_, the task of wooing where his eye was not pleased, his ear +was not soothed, and his vanity not in the least flattered, was +intensely wearisome. + + + + +CHAPTER XXVI. + +NOT A BAD DAY'S WORK. + + +The first thing that Doctor Vaughan did on returning from Bellair, was +to seek an interview with Henry, the dark servant of Lucian Davlin. + +It was a mixed motive that had first prompted Henry to espouse the +cause of a helpless, friendless girl; a motive composed of one part +inward wrath, long nourished, against the haughty and over-exacting +Lucian, and one part pity for the young girl who, as his experienced +eyes told him, was not such as were the women who had usually been +entertained by his master. + +He had expected to assist her to escape from the place, to enjoy his +master's chagrin, and to see the matter end there. But Madeline's +illness had changed the current of events, and strengthened his +determination to stand her friend, if need be, more especially when +Olive, pressing upon him a generous gift, had signified her wish that +he should continue in Madeline's service. She had added that when he +chose to leave his present master, she would see that he fell into no +worse hands, for so long as the sick girl remained under that shelter, +Olive felt that the man must be their servant, not Davlin's. And, to +do him justice, Henry had long since become truly attached to the two +ladies. + +He lost no time in responding to the summons of Doctor Vaughan, and +was eager to know of the welfare of the "young lady" and Mrs. Girard. +Doctor Vaughan satisfied him on this point, and then said: + +"I am authorized by Miss Payne to see you, and ask some questions that +she thinks you may be able to answer. First, then," said the doctor, +in his kindly manner, "how long have you been with your present +master?" + +"Nearly three years, sir." + +"And how long has the woman whom he calls Cora been known to you?" + +"She has been known to me all that time, sir," replied Henry. + +"You first saw her in company with Davlin?" + +"No, sir; she came to his rooms when I had been there but a few days, +and ordered me about like a countess. I didn't know the ropes then, +but she made me know my duty soon enough," dryly. + +"Evidently, then, she and your master were friends of long standing, +even at that time?" + +"Yes, sir." + +"You used to hear them talk often, I suppose?" + +"I used to hear parts of their talks. They seemed not to care to have +even so much of a machine as I, hear them at all times." + +"Now, will you try and recall some of these fragments of talk? Think +if you heard them speak of their travels, together or separately; and +if you can recall the names of any persons or places they have +mentioned." + +Henry pondered. "I think," he said, after a time, "that they have been +in Europe together. In fact, I am sure of it." + +Doctor Vaughan started. "Oh! that is to the point. You don't recall +any time mentioned?" + +"No, sir. They used to talk of luck with the cards, and sometimes +spoke of operas or plays, and almost always disagreed. Sometimes I +would hear him describing men to her, and she seemed to be getting +ready for a part in some 'game' that he was trying to play." + +"Very likely." + +"Once I heard them having high words about some old man that she had +been fleecing, and he said that she had carried the thing too far; and +that if she did not keep out of the old man's way, she might get into +trouble. I heard the name," putting a forefinger to his forehead and +wrinkling his brows; "it was--was--Verage; 'Old Verage,' she called +him." + +"Verage!" + +"That was the name; I am sure, sir." + +Clarence took out a note-book, and made an entry. + +"When did this conversation take place?" he asked. + +"Not more than two months before the young lady was brought there, +sir." + +"Ah!" Evidently a fresh glimmer of light had been thrown on the +subject. "And you heard nothing more about this old man?" + +"No, sir. I think she must have gone away from town at that time, for +I did not see her again, until--" here Henry seemed to catch at some +new thought. + +"Until when?" asked Doctor Vaughan, with some eagerness. + +"The day before the young lady came," said Henry, in a low tone, and +moving a step nearer the doctor. "Madame Cora came dashing up in a +close carriage, and she wore a heavy veil. I noticed that because she +was rather fond of displaying her face and hair, and I hardly ever saw +her wear anything that would hide them. She came up-stairs and ordered +me to send a telegram, which she had already written, to my master. I +sent it, and she stayed there all day. She sent me out for her meals, +and I served them in the large room. She spent the most of the time in +walking up and down--that was her way when she was worried or +angry--and looking out between the curtains. My master answered the +telegram, but when the midnight train came in, a man who went down in +the country with him, a sort of tool and hanger-on of his, came to me +while I was waiting below, and told me to tell Mistress Cora that the +train was a few minutes late." + +"Stop a moment. This man, who was Davlin's companion,--what was his +name?" + +"I never heard him called anything but 'The Professor.'" + +"The Professor! And how did he look?" making another entry in the +note-book. + +"He was a middle-aged man, sir, not so tall as master, rather square +in the shoulders, and stout built. He wore no beard, and was always +smoking a pipe." + +"Very good," writing rapidly. "Now, then, let us return to the lady." + +"Well, sir, she was very impatient until my master came, and then they +had a long talk. I heard him speak of the old man Verage again, and +she seemed a little afraid, or annoyed, I don't know which. Then he +seemed to be telling her of some new scheme, and there was a great +deal of planning and some chaffing about her going into the country. +Just at daybreak they sent me for a carriage, and she went away in it, +closely veiled as before. He told her he would join her without fail. +I have not seen her since. That same morning he brought the beautiful +young lady to his rooms, and," smiling so as to show all his white +teeth, "I think you know all the rest, sir." + +Clarence nodded and then appeared lost in thought. Finally, he lifted +his head from the hand that had supported it, and said: + +"Since your master has returned to town, how does he employ his time?" + +"Very much as usual." + +"And that is in--" + +"Gaming." + +"Is it true, Henry, that the room below your master's apartments is +fitted up for private gambling?" + +Henry stirred uneasily, and looked his answer. + +Doctor Vaughan smiled. "I see how it is," he said. "Well, then, this +man, the Professor, do you see much of him of late?" + +"A great deal, sir; he is very often with my master at his rooms, but +they never go out together. They have had a great deal of privacy +lately; something new is afoot." + +"The man is a sort of decoy-duck, I fancy?" + +"Yes; what the gamblers call a capper, or roper-in." + +"Well, Henry, I think I won't detain you longer now. Take this," +putting into his hand a twenty-dollar bill, "and keep your eyes and +ears open. If your master leaves town, observe if the Professor +disappears at the same time." + +Henry expressed his gratitude and his entire willingness to keep an +eye upon the doings of Mr. Davlin and the Professor, and bowed himself +out, muttering as he went: "They will make it lively for my fine +master before very long, and I think I am on the side that will win." + +Meantime, Clarence Vaughan, quick in thought and action, was hurrying +on his gloves preparatory to a sally forth on a new mission. Henry had +given him a hint that might turn out of much value, for among the +patients then on the young doctor's visiting list, was one Verage, +old, ugly, and fabulously rich. + +First of all, Clarence Vaughan called at the Agency which had been +decided upon as the best one to entrust with the investigation +relative to Mr. Edward Percy. He gave his man no clue to the present +whereabouts of his subject, but set him back ten years or more, +sending him to visit the scenes of school episode, and bidding him +trace the life of the man, with the aid of such clues as he thought +best to give, up to that time. Next, he visited another Agency, and +placed a man upon the track of Lucian Davlin. + +Then he called a carriage and drove straight to the residence of old +Samuel Verage. It was early in the day for a professional visit or for +a visit of any kind. Nevertheless, Doctor Vaughan was admitted without +delay, to the presence of the master of the house. + +Old Samuel Verage sat in his large, softly-cushioned armchair, in a +gorgeously beflowered dressing gown. + +He was glowering over the dainty dishes which had lately contained a +bountiful breakfast. Evidently he fancied that the doctor had called +in anticipation of a serious morning attack, or to choke off his too +greedy appetite, for he chuckled maliciously as Clarence entered the +room, and greeted him with, + +"Oh! You thought you were ahead of me this time, didn't you? I say, +now, _did_ you think I would be worse this morning?" + +Clarence surveyed his patient with considerable amusement. + +"You won't suffer from a hearty breakfast. It is the supper that you +must look out for. But my call this morning was, in part, to inquire +about a lady." + +"About a lady! Of course, of course; go ahead; who is she?" + +"That's precisely what I want to know. The fact is, my business is +rather peculiar, and delicate." + +The old man rubbed his hands gleefully. "Good! very good! A mystery +about a woman! Come out with it; don't be backward." + +"Very well; the woman that I want to inquire about has been known as +Cora Weston." + +Old Verage fairly bounced out of his seat as he yelled: "Cora Weston! +Where is she? What do you know about her?" + +"Not quite enough, or I should not have ventured to inquire of you," +said Clarence, calmly. + +Old Verage tumbled into his chair again. "Then you don't know where +she is?" sharply. + +"What could you do if I put her in your power?" + +"Lock her up in jail, if I wanted to," fiercely. + +Little by little Clarence Vaughan extracted from the old man the +details of the plausible scheme by which Davlin and Cora had succeeded +in transferring a very considerable amount of cash from his pockets to +their own. He felt elated at the result of this interview. It placed a +weapon in his hands that might be wielded with telling effect when +time served. + +"Well, you may be able to get even with her yet," he said, rising to +go, after Verage had concluded his tirade; "many thanks for giving me +some information. I may be able to return the compliment soon." + +"But hold on!" cried Verage, as if seized by a new thought; "I say, +now, what is all this questioning about?" + +"Some of her sharp practice has come to my knowledge, and she has +made a little trouble for one of my friends. I want to know all that I +can about her, for it may be necessary to put a stop to her career." + +With a renewed expression of his thanks for the information given, +Clarence bowed himself out of the old man's presence, with a sense of +relief at inhaling the fresh, pure air of the outer world. Then he +turned his steps homeward, assured that it had been a good day's work +well done. + + + + +CHAPTER XXVII. + +CLAIRE TURNS CIRCE. + + +There was more to tell than to learn, when Clarence called, a day or +two later, at the villa. + +The expert who had been dogging the steps of Lucian Davlin, had made +his report, it is true. But that report was a very unsatisfactory +affair: + +A man, whom Clarence readily identified with the Professor, was an +almost constant visitor at the rooms of the Man of Luck, but they, +that is, the Professor and Davlin, were never seen on the street +together, nor, indeed, anywhere else. In short, Lucian Davlin had been +closely shadowed, but with no success to speak of. He came and went +just as such a man usually does. And no person that might be made to +answer for a doctor, had been visited by him or had visited him +unless, and this began to appear possible, the Professor himself was +the man. + +After a long and serious discussion of the pros and cons of the case, +Olive and Clarence decided they would instruct the detective to +transfer his attentions to the Professor, only keeping a general +_surveillance_ over Davlin. They began to fear that they were watching +the wrong man. + +Those were pleasant days to Doctor Vaughan; the days when he rode down +to the pretty villa to consult with Olive and to look at Claire. + +And those were pleasant days to Claire as well. Once, and that not +long before, she had taken but little interest in Clarence Vaughan. +She had thought of him very much as had Madeline that first night of +their meeting, when she looked at him sitting near her in a railway +carriage, and regarded him as just a "somewhat odd young man with a +good face." Now, Madeline thought him not only the noblest but the +handsomest of men. And Claire was beginning to agree with her. + +But on one thing she was determined. Doctor Vaughan must learn to look +upon her only as a friend, and he must learn to love Madeline. So +Claire and Clarence vied with each other in chanting the praises of +Madeline Payne, and learned to know each other better because of her. + +One day when he called, Claire chanced to be alone. Somehow she found +it hard to be quite at her ease when there was no Olive at hand, +behind whom to screen her personality from the eyes that might +overlook that sisterly barrier, but could not overleap it. If his eyes +had said less, or if she could have compelled her lips to say more! +But her usually active tongue seemed to lack for words and she found +herself talking in a reckless and somewhat incoherent manner upon all +sorts of topics, which she dragged forward in order to keep in check +the words which the look in his eyes heralded so plainly. + +When she was almost at her wit's end, and tempted to flee ingloriously +in search of Olive, that lady entered and Claire felt as if saved +from lunacy. But she could not quite shake off the consciousness that +had awakened in her, and soon framed an excuse for leaving the room. +Once having escaped, she did not return, nor did Olive see her again +until she came down to dinner, and Doctor Vaughan had gone. + +While lingering over that meal, Olive said, after they had talked of +Madeline through three courses, "I think, by-the-by, that Doctor +Vaughan expected to see you again before he went." + +If I were writing of impossible heroines, I might say that Claire +looked conscious; but real women who are not all chalk and water, do +not display their feelings so readily to their mothers and sisters. So +Claire Keith looked up with the countenance of an astonished kitten. + +"To see me? What for?" + +"How should I know, if you don't?" smiling slightly. + +"And _how_ should I know?" carelessly. + +"Well, perhaps I was mistaken. But why have you kept your room all +this afternoon?" + +"I have been packing. Please pass the marmalade." + +"Packing!" mechanically reaching out the required dainty. + +"Yes, packing. You don't think I came to spend the winter, do you?" + +"But this is so sudden." + +"Now, just listen, you unreasonable being!" assuming an air of grave +admonition. "Don't you know that I have overstayed my time by almost a +month?" + +"Yes, but--" + +"Well, don't you know that if I tell you beforehand that I am going, +you always contrive excuses and hatch plots, to keep me at least three +weeks longer?" + +"I plead guilty," laughed Olive. + +"Well, you see I have staid out my days of grace already. And knowing +your failing, and feeling sure that I could not humor it, I have just +taken advantage of you, and packed my trunks." + +"And you won't stay just one more little week?" + +Claire laughed gleefully. "What did I say? It is your old cry. Now, +dear, be reasonable. Mamma wants me, and the boys want me. You have +plenty of occupation just now. It will take you one-third of the time +to keep me informed of all that happens." + +"Well," sighed Olive, "of course you must go sometime; but you don't +mean to go to-morrow?" + +"I do, though." + +"What will Doctor Vaughan say?" + +"Whatever Doctor Vaughan pleases. I can't lose a day to say good-by to +him, can I?" + +"But why didn't you tell him good-by to-day?" + +Claire looked up in some surprise. "Upon my word, I never thought of +it." + +And she told the truth. She had thought only of how she could avoid +another meeting. + +Olive looked puzzled. "And I supposed that you liked Doctor Vaughan," +she said, after a moment's pause. + +"Why, and so I do; I was very careless. Olive, dear, pray make my +adieus to him, and all the necessary excuses. I do like the doctor, +and don't want him to think me rude." + +And Olive accepted the commission, and was deceived by it. For she, +absorbed in her own fears and hopes, was not aware of the drama of +love and cross purposes that was being enacted under her very eyes. + +When Clarence called, on the next day but one, he found, to his +surprise and sorrow, that the bright face of the girl he loved so well +was to smile upon him no more, at least for a time. Making his call an +unusually brief one, he rode back to the city in a very grave and +thoughtful mood. Or, rather, the gravity and thoughtfulness usual in +him was tinged with sadness. + + * * * * * + +On the same day, almost at the same hour, Claire Keith stood in her +mother's drawing-room, answering the thousand and one questions that +are invariably poured into the ears of a returned traveler. + +By and by, drawing back the satin curtain, that shaded the windows of +the drawing-room, Claire gazed out upon the familiar street which +seemed smiling her a welcome in the Autumn sunshine. Finally she +uttered an exclamation of surprise, and turned to Mrs. Keith. + +"_Merci!_ Mamma! what has happened to the people across the way? Why, +I can't catch even one glimpse of red and yellow damask, not one +flutter of gold fringe; have the _parvenus_ been taking lessons in +good taste? Positively, every blind is closed, and there isn't a +liveried being to be seen." + +Mrs. Keith laughed softly. "I don't know what has happened to the +_parvenus_, my dear, but whether good or bad it has taken them away, +liveries and all. The house has a new tenant, who is not so amusing, +perhaps, but is certainly more mysterious. So, after all, the exchange +may not have been a gain to the neighborhood." + +Claire peeped out again. "A mysterious tenant, you say, mamma? That +must be an improvement. What is the Mystery like?" + +Mrs. Keith smiled indulgently on her daughter. + +"There is not much to tell, my love. I don't know whether the lady +who has taken the house is young or old, handsome or ugly, married or +single. She lives the life of a recluse; has never been seen, at least +by any of us, to walk out. But she drives sometimes in a close +carriage, and always with a thick veil hiding her face. She is tall, +dresses richly, but always in black, although the fabric is not that +usually worn as mourning. She moves from the door to her carriage with +a languid gait, as if she might be an invalid. No one goes there, and +I understand she is not at home to callers, although, of course, I +have not made the experiment myself. There, my dear, I think that is +about all." + +"She seems to be a woman of wealth?" + +"Evidently; her horses are very fine animals, and her carriage a +costly one. Her servants wear a neat, plain livery, and apparently her +house is elegantly furnished." + +"And mamma," said Robbie, who had been standing quietly at her side, +"you forget the flowers." + +"True, Robbie. Every day, Claire, the florist leaves a basket of white +flowers at her door." + +"I like that," asserted Claire. "She must have refinement." + +"She certainly has that air." + +"Well," said Claire, laughing lightly, "I shall make a study of the +woman across the way." + +With that the subject dropped for the time. But as the days went on, +and she settled herself once more into the home routine, Claire found +that not the least among the things she chose to consider interesting +was the mysterious neighbor across the way. + +And now, having put considerable distance between herself and Edward +Percy, she wrote him a few cool lines of dismissal. + +And here again the individuality of the girl was very manifest. Many a +woman would have written a scathing letter, telling the man how +thoroughly unmasked he stood in her sight, letting him know that she +was acquainted with all his past and his present, and bidding him make +the most of the infatuation of the last victim to his empty pockets, +the ancient Miss Arthur. + +What Claire did was like Claire; and perhaps, after all, she best +comprehended the nature she dealt with. Certainly no tirade of +accusing scorn could have so wounded the self-love of the selfish, +conscienceless man as did her cool farewell missive. + +Edward Percy was in a very complaisant mood when Claire's letter +reached him. True, he had received no reply to his two last effusions; +but knowing that Claire must be soon returning to her home, if she had +not already gone, he assured himself that it was owing to this that he +had received no letter as yet. He never doubted her attachment to +himself. That was not in his nature. + +Opening a rather heavy packet, as he sat in his cosy sitting-room, out +dropped two letters; two letters full of poetry and fine sentiment, +that his own flexible hand had penned and addressed to Miss Claire +Keith. His letters, and returned with the seals unbroken. He could +scarcely believe the evidence of his senses. His handsome, +treacherous, light-blue eyes darkened and widened with astonishment +and anger. + +He never moved in a hurry, never spoke in a hurry, never thought in a +hurry. And slowly it dawned upon his mind to investigate further and +find some clue that would make this unheard-of thing appear less +incomprehensible. Accordingly he took up the envelope that had +contained his rejected letters, and drew from them a brief note: + + BALTIMORE, Saturday, 6th. + + It will scarcely surprise Mr. Percy to learn that Miss Keith + desires now to end an acquaintance that has been, doubtless, + amusing "intellectually" and "socially" to both. + + Of course, a gentleman so worldly-wise as himself can never + have been misled by the semblance of attachment, that has + seemed necessary in order to make such an acquaintance as + ours at all interesting. A flirtation based upon a "sympathy + of intellect," must of necessity end sooner or later, and + has, no doubt, been as harmless to him as to CLAIRE KEITH. + +Yes, without doubt Claire knew how to hurt this man most. He was not +permitted to know that she felt the keen humiliation, which a proud +nature must suffer when it discovers that it has trusted an unworthy +object. Instead, he was to feel himself the injured one; the one +humiliated. He, the deceiver, must own himself deceived. When he +believed himself loved, he was laughed at. His own words were flung in +his teeth in an insolent mockery. "A sympathy of intellect;" yes, he +had used these words so often. He had obeyed the beckoning of a Circe, +and now she held out to him his swine's reward of husks. + +Edward Percy had been dissatisfied with others, with circumstances, +and surroundings, many a time and oft; but to-day, for the very first +time, he felt dissatisfied with himself. + +And Claire had revenged her wrongs twofold. + + + + +CHAPTER XXVIII. + +THE CURTAIN RISES ON THE MIMIC STAGE. + + +Always, in life, little events pave the way for great catastrophes. +The mine burns slowly until the explosive point is reached, and then-- + +Fate was taking a leisurely gait, seemingly, and moving affairs at +Oakley with a deliberation that was almost hesitating. Nevertheless, +things were moving, and in the wake of little events, great ones +could already be discerned by the plotters and counter-plotters, who +waited and watched. + +Céline Leroque was in better spirits than usual, in these days. +Indeed, considering how exceedingly probable it seemed that she would +be turned adrift at any hour by her present mistress, Céline was very +cheerful. + +And Miss Arthur had cause to complain. Beyond a doubt her French maid +was becoming careless, very careless. Sometimes Miss Arthur was +inclined to think that her scant locks of well-dyed hair were pulled +quite unnecessarily, while her head was under Céline's hands. But this +she endured like a Spartan, only exclaiming when the torture became +unbearable. And when she finally ventured a protest, disastrous was +the outcome. + +With many an apology, Céline fingered the curls and braids, inquiring +with every touch of the hand or adjustment of a hair-pin: "Does that +hurt, mademoiselle?" + +Being assured, when the hair-dressing was done, that she had +accomplished the task without inflicting so much as a single twinge of +pain, she held open the door for her mistress, cooing her satisfaction +and beaming with delight. + +But alas for the poor spinster! Before she had been half an hour in +the society of her beloved _fiancé_, her unfortunate habit of tossing +and wriggling her head brought Céline's gingerly architecture to +grief. A sudden twist tumbled down full half of the glossy "crown of +glory" from Miss Arthur's head to Mr. Percy's feet, and--we draw a +veil over the confusion of the unhappy spinster. + +The lady having retired to her dressing-room to relieve her feelings +and repair damages, a scene was enacted in which the lady did the +histrionics and the maid apologized and giggled alternately, until the +one had exhausted her anthem of wrath and the other her accompaniment +of penitence and giggles. + +Then a truce was patched up, which lasted for several days. + +Céline had advanced to the verge of disrespect, when speaking of Mr. +Percy, on more than one occasion. Several times she had said that he +"had a familiar look," and she fancied she had seen him somewhere. But +she had always checked herself on the very border-land of +impertinence, and never had been able to tell if she really had before +seen the gentleman or no. + +But she had put the spinster on the defensive, and had also excited +her curiosity. + +During this time Mrs. John Arthur was slowly dropping into her _rôle_ +of invalid. First, she gave up her habitual walks about the grounds +and on the terrace. Then, her drives became too fatiguing. Next, she +found herself too languid to appear at breakfast, and that meal was +served in her room. She was not ill, she protested; only a trifle +indisposed. Let no one be at all concerned for her; she should be as +well as usual in a few days. And Céline, who was very sympathetic, and +was the first to suggest that a physician be consulted, was laughingly +assured that if madame were sick, she, Céline, should be her head +nurse. + +Mrs. Arthur had been absent from the family breakfast table for two +days, when Miss Arthur met with a fresh grievance at the hands of +Céline. + +Céline had been unusually garrulous, and had been regaling her +mistress with descriptions of the great people, and the magnificent +toilets she had seen, while with some of her former _miladis_. +Suddenly she dropped the subject of a grand ball which had transpired +in Baltimore, where her mistress was the guest of the honorable +somebody, to exclaim: + +"It has just come to me, mademoiselle, where I must have seen Monsieur +Percy. It was in Baltimore, and they said--" Here she became much +confused, and pretended to be fully occupied with the folds of her +mistress's dress. + +Miss Arthur looked down upon her sharply, and asked, "What did they +say?" + +Céline stammered: "Oh, it was only gossip, mademoiselle; nothing worth +repeating, I assure you." + +The curiosity and jealousy of the spinster were fully aroused. "Don't +attempt any subterfuges, Céline," she said, in her loftiest tone. "I +desire to know what was said of my--Mr. Percy." + +The girl arose to her feet, and with much apparent reluctance, +replied: + +"They said, mademoiselle--of course, it was only gossip--that he was +very much of a fortune-hunter, and that he was engaged to some woman +much older than himself, who was immensely rich." + +Miss Arthur sat down and looked hard at her maid. "How do you know +that Mr. Percy is that man?" + +"Oh! I don't know, my lady--mademoiselle. I only said that I thought I +have seen him in Baltimore; the Mr. Percy they used to talk of there, +must have been another." + +Miss Arthur looked like an ancient Sphinx. "Do you think that Mr. +Percy is that man?" she asked. + +"_Merci!_ my lady, how can I tell that? It might have been he; and the +old woman there might have disappointed him, you know," artlessly. + +Miss Arthur was literally speechless with rage. Without replying, she +rose and swept into the adjoining room, closing the door behind her +with a bang. + +Céline smiled comfortably, and went to minister unto Cora, to whom she +confided her belief that Miss Arthur was dissatisfied with her, and +meant to discharge her. "And only think, madame," she said +plaintively, "it is all because, in an unguarded moment, I compared +her to an old woman. It is so hard to remember, always, that you must +not tell an old woman she is not young." + +And Cora laughed immoderately, for she much enjoyed her +sister-in-law's discomfiture. + +But Miss Arthur did not dismiss the matter from her mind, when she +banged the door upon Céline. Angry as she had been with that damsel, +it was not anger alone that moved her. Jealousy was at work, and +suspicion. + +That evening, sitting beside her lover, she said to him, carelessly: +"By the way, Edward, were you ever in Baltimore?" + +The gentleman stroked his blonde whiskers, and smiled languidly as he +answered: "In Baltimore? Oh, yes; I think there are few cities I have +not visited." And then something in the face of Miss Arthur made him +inquire, with a slight acceleration of speech: "But why do you ask?" + +Miss Arthur considered for a moment, and replied: "My maid, Céline, +thinks that she has seen you there." + +She was watching him keenly, and fancied that he looked just a trifle +annoyed, even when he smiled lazily at her, saying: "Indeed! And when +is your maid supposed to have seen me there?" + +"I don't know when,"--Miss Arthur was beginning to feel injured; "I +suppose you are well known in society there?" + +He smiled and still caressed his chin. "So so," he said, +indifferently. + +"Edward!"--the spinster could not suppress the question that was heavy +on her mind--"were you ever engaged to a lady in Baltimore?" + +He turned his blue eyes upon her in mild surprise. "Never," he said, +nonchalantly. + +She looked somewhat relieved, but still anxious, and the man, after +eyeing her for a moment, placing one hand firmly upon her own, said, +in a tone that was half caress, half command, + +"Ellen, you have been listening to gossip about me. Now, let me hear +the whole story, for I see it has troubled you, and I will not have +that." + +She, glad to unburden her mind, told him what Céline had said. Perhaps +Céline had counted upon this, and was making, of the unconscious Mr. +Percy, a tool that should serve her in just the way that he did. At +all events, while he listened to the spinster, he assured himself that +if the French maid were not, for some reason, an enemy, she was +certainly a meddler, and that she must quit Miss Arthur's service. + +He said nothing to this end that evening. But he fully satisfied Miss +Arthur that he was not the person referred to by the girl. And to +guard against further inquiries or accidents, he told her of several +men of the name of Percy, who were much in society, and might be, any +one of them, the man in question. + +And his _fiancé_ was calmed and happy once more. + +She was as clay in the potter's hands, and Mr. Percy found it an easy +matter to convince her, a few days later, that her invaluable maid was +not the proper person to have about her. Accordingly, one fine +morning, Céline was informed, in the spinster's loftiest manner, that +her services were no longer desired, and a month's wages were tendered +her, with the assurance that Miss Arthur "had not been blind to her +sly ways, and trickery, and that she had only retained her until she +could suit herself better." + +Céline took her _congé_ in demure silence, and sought Mrs. Arthur +forthwith. Cora was really glad that she could at last command the +girl, for many reasons, and they quickly came to an understanding. + +Great was the surprise and inward wrath of the spinster when, within +ten minutes from the time Céline had left her presence, a maid without +a mistress, she appeared again before her, and laying upon the +dressing case the month's wages she had received in lieu of a warning, +said: + +"Mademoiselle will receive back the month's wages, as I have not been +in the least a loser by her dismissal. I enter the service of madame +immediately." + +And then Céline had smiled blandly, bowed, and taken her departure, +leaving the spinster to wonder how on earth she should manage her +hair-dressing, and to wish that Edward had not insisted upon setting +the girl adrift until a substitute had been found. + +The fact that the girl was retained in the house annoyed Mr. Percy not +a little. But it did not surprise him that Cora should wish to keep +her. He had long before made the discovery that the sisters-in-law +were not more fond of each other than was essential to the comfort of +both. + +Céline had been but two days in the service of her new mistress when +that lady found herself too ill to be dressed for breakfast, even in +her own room, and she kept her bed all day. + +John Arthur, in some alarm, had declared his intention of calling a +physician. But Cora objected so strongly that he had refrained. Before +evening came, however, Céline sought him, as he was sitting in what he +chose to call his "study," and said: + +"Pardon my intrusion, monsieur, but I am distressed about madame. This +afternoon she is not so well, and surely she should have some +medicine." + +The old man wrinkled his brows in perplexity, as he replied: "Yes, +yes, girl; but she won't let me call a doctor." + +Céline sighed, and moving a step nearer, murmured: "Monsieur, I will +venture to repeat what madame but now said to me, if I may." + +He signed her to proceed. + +"Madame said that a stranger would only make her worse; that she would +distrust anyone she did not know; but that if her dear old physician, +who had attended her always in sickness, could see her, she would be +glad. Alas! he was in New York, and she did not like to ask that he +might be sent for. It would seem to you childish." + +Of course this speech had been made at Cora's instigation, but it had +the desired effect. John Arthur bounded up, and bade Céline precede +him to his wife's chamber; and the result of his visit was what the +invalid had intended it to be. She was so pretty, and so pathetic, and +so very ill! Céline declared that she was growing more fevered every +moment, and as for her pulse, it was like a trip-hammer. + +John Arthur had an unutterable fear of illness, and after trying in +vain to persuade Cora to see one of the village doctors, whom, he +declared, were very good ones, he announced his intention to telegraph +to the city for the doctor who had been her adviser in earlier days. + +And to this Cora reluctantly consented. "It seems foolish," she said, +plaintively, "and yet I don't think I _ought_ to refuse to send for +Doctor Le Guise. I feel as if I were really about to be very ill, hard +as I have tried to fight off the weakness that is coming over me." + +"And madame is so flushed, and wanders so in her sleep,"--this, of +course, from Céline. + +John Arthur arose from the side of the couch with considerable +alacrity, saying: "I will telegraph at once. What is the address?" + +Cora lay back among her pillows, with closed eyes, and made no sign +that she heard. He spoke again, and the eyes unclosed slowly, and she +said, with slow languor: + +"Send to my brother; he will find him." Then closing her eyes, she +murmured, "I want to sleep now." + +Céline turned toward him an awe-struck countenance and motioned him to +be silent. He tip-toed from the room, thoroughly frightened and +nervous, and sent a message to Lucian Davlin forthwith. + +When he was safely away, Cora awoke from her nap, and desired Céline +to let in more light. This done, she propped herself up among her +pillows, and taking from underneath one of them a novel, bade her maid +tell everybody that she was not to be disturbed, while she read and +looked more comfortable than ill. + +Towards evening, John Arthur looked in, or rather tried to look in, +upon his wife. But Céline assured him that her mistress was sleeping +fitfully and seemed much disturbed and agitated at the slightest +sound, so his alarm grew and increased. + +When the evening train came he hoped almost against reason that it +would bring the now eagerly looked for Dr. Le Guise. + +But no one came. Later, however, a telegram from Lucian arrived, which +read as follows: + + Doctor can't get off to-night. Will be down by morning + train. + + D----. + +In the morning, Cora was much worse. She did not recognize her +husband, and called Miss Arthur, Lady Mallory, which made a great +impression upon that spinster. + +Céline, who seemed to know just what to do, turned them both out, +which did not displease either greatly, as the brother and sister were +equally afraid of contagion, and were nervous in a sick-room. + +At length the doctor arrived, and with him Lucian Davlin, the latter +looking very grave and anxious, the former looking very grave and +wise. + +Céline was summoned to prepare the patient for the coming of the +physician. When this had been done, and the wise man arose to go to +his patient, John Arthur and Lucian would have followed him. But he +waved them back, saying: "Not now, gentlemen, if you please; let me +examine my patient first. That is always safest and wisest." + +So the three, Lucian, Arthur, and his sister, sat in solemn silence +awaiting the verdict of the doctor from Europe. At last he came, and +the gravity of his face was something to marvel at. Advancing toward +Mr. Arthur, the doctor seemed to be looking him through and through as +he asked: + +"Will you tell me how lately you have been in your wife's room." + +John Arthur answered him with pallid lips. "We were there this +morning, my sister and I." + +The doctor turned toward Miss Arthur, looking, if possible, more +serious than ever. + +"I am sorry, very sorry," he said. "And I hope you have incurred no +risks. But it is my duty to tell you that Mrs. Arthur is attacked with +a fever of a most malignant and contagious type, and you have +certainly been exposed." + +Mr. Arthur turned the color of chalk and dropped into the nearest +chair. Miss Arthur, who could not change her color, shrieked and fell +upon the sofa. Lucian groaned after the most approved fashion. And +the man of medicine continued, + +"Above all things, don't agitate yourselves; be calm. I would advise +you to retire to your own rooms, and remain there for the present. I +will immediately prepare some powders, which you will take hourly. We +will begin in time, and hope that you may both escape the contagion." + +[Illustration: "I am sorry, very sorry."--page 288.] + +Then he turned to Mr. Davlin. "My dear boy, you had better go back to +the city; at least go away from the house. This is no place for you." + +But Lucian shook his head, and said that he would not leave while his +sister was in danger. + +The following morning Dr. Le Guise presented himself at the door of +Miss Arthur's dressing-room. After making many inquiries, such as +doctors are wont to terrify patients with, he pronounced upon the +case: She had thus far escaped contagion. But her system was not over +strong; in fact, was extremely delicate. If there was any place near +at hand, suited to a lady like herself, his advice was to go there +without delay. She was not rugged enough to risk remaining where she +was. + +Before sunset, Miss Arthur was quartered at the Bellair inn. She had +dispatched Mr. Percy a note the day before, bidding him delay his +visit. Now she was under the same roof with him, greatly to her +delight, and his disgust. + +John Arthur had not fared so well at the hands of the learned +physician. He had swallowed his powders faithfully and hopefully, but +the morning found him languid and dismal, with aching brain and +nauseated stomach. + +The doctor shook his head, and bade him prepare for a slight attack of +the fever. It promised to be very slight, but he must keep his room, +for a few days at least, and attend to his medicine and his diet. + +And so the drama had commenced in earnest. + + + + +CHAPTER XXIX. + +A STARTLING EPISODE. + + +Claire Keith had said truly that the woman across the way would prove +interesting to her. + +She grew more and more fond of watching for the tall form, with its +trailing robes of black, its proudly-poised, heavily-veiled head, and +slow, graceful movement. Sometimes she saw a white hand pull away the +heavy curtains, and knew that the owner of the hand was looking out +upon the street. But the face was always in shadow. She could not +catch the slightest glimpse of it. + +"She has strong reasons for not wishing to be seen and recognized; I +wonder what they are?" Claire would soliloquize at such times. + +Then she would chide herself for being so curious. But the fits of +wondering grew stronger, until she came to feel an attraction that was +more than mere curiosity; a sort of proprietorship, as it were, in the +strange lady. She began to wish that she might know her, and at last, +in a very unexpected manner, the wish was gratified. + +Claire had returned from a grand ball, weary and somewhat bored. +Disrobing with unusual haste, she sought her couch. She had supposed +herself very sleepy, but no sooner was her head upon the pillow, than +sleep abandoned her, and she tossed restlessly, and very wide awake. + +Finding sleep impossible, and herself growing nervous, Claire at +length arose. Throwing on a dressing-gown, she pushed a large chair +to the window, and flinging herself in it, drew back the curtain. +Glancing across the way, she was startled by a light shining out from +the upper windows of the mysterious house. She had looked at that +house when quitting her carriage, because to look had become a habit. +But there had been no light then; not one glimmer. And now the entire +upper floor was brilliantly illuminated. + +Claire rubbed her eyes and looked again. Then, with a cry of alarm, +she sprang to her feet and rang her bell violently. + +From the roof of the house a single flame had shot up, and Claire +realized the cause of that strange illumination. The upper floor was +in flames! + +She turned up the gas and commenced making a hurried toilet. By the +time the sleepy servant appeared in answer to her ring, she was +wrapping a worsted shawl about her head and shoulders, preparatory to +going out. + +"Rouse papa and the servants, James!" she commanded, sharply. "Number +two hundred is on fire! Go instantly!" + +Giving the startled and bewildered James a push in the direction of +her father's sleeping-room, she darted down the stairs. She unbolted +and unchained the street door, and hurried straight across to number +two hundred, where she rang peal after peal. + +The tiny flame had grown a great one by this time, and almost +simultaneously with her ring at the door, the hoarse fire-alarm bell +roared out its warning. + +It seemed an age to the girl before she heard bolts drawn back. Then +the face of an elderly male servant peered cautiously out through a +six-inch opening. In sharp, quick tones Claire told him that the roof +was in flames. The statement seemed only to paralyze the man. + +Claire gave the door an excited push and spoke to him again. But he +never moved until a voice, that evidently belonged to the lady of the +house, said: "What is it, Peter?" + +Claire answered for him: "Madame, the roof of your house is in flames! +Alarm your servants and make your escape!" + +Through the doorway Claire saw a white hand laid on the man's +shoulder, and suddenly he became galvanized into life. + +Then the chain fell, and the door opened wide. + +Claire and the mysterious lady were face to face. + +By this time the people were moving in the street, and from the +windows of Claire's home, lights were flashing. + +The woman drew back at the sound of the first footstep, and seemed to +hesitate, with a look of uneasiness upon her face. Instantly Claire +spoke the thought that had been in her mind when she rang the bell: +"Madame, your house will soon be surrounded by strangers. Secure such +valuables as are at hand and come with me across to my home. There you +will be safe from intruders." + +The lady raised her hand, and saying, simply, "Wait," hurried up the +broad stairs. + +Now all was confusion. Down the street came the rushing fire engines; +servants ran about frantically, and people went tearing past Claire in +the crazy desire to seize something and smash it on the paving stones, +thereby convincing themselves that they were "helping at a fire." +Regardless of these, Claire stood at her post like a little sentinel. +Just as the first engine halted before the house, the mistress of all +that doomed grandeur crossed its threshold for the last time. Then she +turned to Claire, and the two hurried silently through the throng, and +across the street. The door was fortunately ajar. The servants and +Mr. Keith were all outside, so the girl and her companion had been +unobserved. + +Claire led the way straight to her own room. Ushering in her +companion, she closed the door upon chance intruders, and turned to +look at her. The stranger had appeared at the door in a dressing-gown +of dark silk, and this she still wore, having thrown over it a long +cloak, and wrapped about her head, so as to almost entirely conceal +her features, a costly cashmere shawl. This she now removed, and +revealed to the anxious gaze of Claire the face of a woman past the +prime of life;--a face that had never been handsome, but which bore +unmistakable signs of refinement and culture in every feature. The +eyes were large, dark-gray, and undeniably beautiful. The hair was +wavy and abundant; once it had been black as midnight, but now it was +plentifully streaked with gray. The face was thin and almost +colorless. The hands were still beautiful, with long slender fingers +and delicate veining; the very _beau ideal_ of aristocratic hands. + +This much Claire saw almost at a glance. Then the lady said, in a low, +sweet voice that was in perfect unison with the hands, and eyes, and +general bearing: + +"I cannot tell you, dear young lady, how much I thank you for your +courage and hospitality. I could not have endured the going out upon +the street in that throng." + +Claire laughed softly, and said, with characteristic frankness: "I +guessed that, madame, for I must confess to having, on more than one +occasion, seen that you do not desire observation." + +[Illustration: "The mistress of all the doomed grandeur crossed the +threshold for the last time."--page 293.] + +The stranger looked at her with evident admiration. "You were kinder +and more thoughtful for a stranger than I have found most of our sex, +Miss ----; I beg your pardon; I am so much of a hermit that I don't +even know your name." + +"My name is Keith,--Claire Keith." + +Then the girl crossed to the window and looked over at the burning +building, while the stranger sank wearily into a chair. + +"Your house is going fast, madame. I fear nothing can be saved," said +Claire. "The upper floor is already gone." + +The stranger smiled slightly, but never so much as glanced out at her +disappearing home. + +"I hope my landlord is well insured," she said. "As for me, I have my +chiefest valuables here," drawing from underneath the cloak, which she +had only partially thrown off, a small casket, and a morocco case that +evidently contained papers. "I keep these always near me; as for the +rest, there is nothing lost that money cannot replace." + +Claire looked a trifle surprised at her indifference to the +destruction of her elegant furniture, but made no answer. And the +stranger fell into thoughtful silence. + +A rap sounded on the door, and a gentle voice outside said: "Claire, +dear, are you there?" + +The girl turned upon the stranger a look of embarrassed inquiry. "That +is mamma," she said. + +The lady smiled half sadly at her evident perturbation, and replied, +with a touch of dignity in her tone, "Admit your mother, my dear. I +was about to ask for her." + +Claire drew a sigh of relief and opened the door. + +"My child," began Mrs. Keith, as she hurriedly entered the room, +"James tells me that you--" + +Here she broke off as her eyes fell upon the stranger, and Claire +hastened to say: "Mamma, this is the lady whose house is burning. I +ran over there as soon as I saw the first flame and asked her to come +here." + +Mrs. Keith was not only a lady, but a woman of good sense, and she +turned courteously toward the intruder, saying, "You did quite right, +my dear. I trust you have not been too seriously a loser by this +misfortune, madame." + +The lady had risen. Now she stepped forward and said, in her +unmistakably high-bred tones, "I have suffered no material injury, I +assure you. And your daughter has done me a great kindness. I was +about to ask if I might see you, as I felt that it was to you, as the +mistress of this house, that I owed some explanation regarding myself, +before accepting further hospitality from your daughter." + +Mrs. Keith bowed gravely, and the stranger continued, + +"My name is Mrs. Ralston. I have lived for nearly ten years a secluded +life, having been an invalid. Messrs. Allyne & Clive are my bankers, +and have been for years. Mr. Allyne is an old family friend. If you +will ask your husband to call upon him, you will be assured that I am +not a mysterious adventuress." + +Mrs. Ralston smiled slightly, and Mrs. Keith smiled in return as she +said, cordially: "Your face and manner assure me of that, Mrs. +Ralston. And now will you not permit me to show you a room where you +can rest a little, for it is almost morning, and your night's repose +has been sadly disturbed." + +"I must accept your hospitality, Mrs. Keith, and ask to be allowed to +intrude upon you until I can communicate with Mr. Allyne, and he can +find me a suitable place of residence." + +"Don't let that trouble you, pray. We shall be happy to have you +remain our guest," and Mrs. Keith turned to leave the room. + +Mrs. Ralston held out her hand to Claire, and that impulsive young +lady clasped it in both her own, as they bade each other good-night. +And so the mysterious lady was actually under the same roof with the +girl who had been so much interested in her and her possible history. + +Mr. Allyne was well known to Mr. Keith, and a man whom he highly +esteemed. On the following day, at the request of Mrs. Ralston, he +called at the banking-house of Allyne & Clive. + +On learning that Mrs. Ralston was the guest of his brother banker, and +of the demolition of her house, Mr. Allyne was doubly surprised. And +his statement concerning the lady was not only satisfactory but highly +gratifying. She had been left an orphan in her girlhood, and was from +one of the oldest and proudest of Virginia's old and proud families. +She had now no very near relatives, and having separated from a +worthless husband, had lived mostly in Europe. She had resumed her +family name, and although the husband from whom she had withdrawn +herself, had squandered nearly half her fortune, she was still a +wealthy woman. He spoke in highest terms of praise of her mind and +accomplishments, and assured Mr. Keith that she was not only a woman +of unusual refinement and culture, but one also of loftiest principles +and purest Christianity. If it were not that it would be the very +place where this worthless husband would be likeliest to find her, he +would not allow her to occupy any home save his own. And, lastly, Mr. +Allyne stated that if he, Mr. Keith, could prevail upon Mrs. Ralston +to remain under his roof, he would do Mr. Allyne a great favor. + +"For," concluded that gentleman, "she lives too secluded, and she is +so well fitted for such society as that of your wife and daughter; she +is a woman to grace any household." + +Mr. Keith returned home and faithfully reported all that he had heard +concerning their guest. + +Claire had been very much in love with the grave, stately lady from +the first, and after a morning's chat with her, Mrs. Keith was not far +behind in admiration. + +And the woman who had lived alone so much, found this cheery little +family circle very pleasant, so when Claire and her mother begged her +with much earnestness to remain with them, she did not refuse. + +"I cannot resist the invitation which I feel to be so sincere," she +said. "I will remain with you for a time, at least, but I am too much +of a hermit to tarry long where there is such a magnet as this," +turning to Claire. + +And Claire laughingly declared that she would forswear society, and +don a veil of any thickness, if only Mrs. Ralston would share her +isolation. + +So she stayed with them, and soon became as a dearly loved sister to +Mrs. Keith; while between herself and Claire, an attachment, as +unusual as it was strong, sprang into being. They drove together, read +together, talked together by the hour, and never seemed to weary of +each other's society. + +Enthusiastic Claire wrote to Olive and Madeline, giving glowing +descriptions of her new found friend. But because of the events that +were making Olive and Madeline doubly dear to her, and because she +could not speak of them to a stranger, however loved and trusted, +Claire said little to Mrs. Ralston of her sister or of the little +heroine of Oakley. + + + + +CHAPTER XXX. + +WAITING. + + +The expert who had been tracing out the goings and doings of Percy, +made his report. + +After it had been thoroughly reviewed by Clarence and Olive, they were +forced to confess that they were not one whit the wiser. The detective +had found how and where Percy had squandered much of his fortune, but +had brought to light absolutely nothing that could be of use to his +employers. And so they abandoned the investigation in that direction. + +But when the report of the Professor's case was sent in, they found +more cause for congratulation. First, it had been discovered that the +Professor had visited three different physicians, all of them men +bearing reputations not over spotless. Next he had made sundry +purchases from two different chemists; and third, last and all +important, he had been dogged to the bazaar of a dealer in theatrical +wares, where he had purchased a wig, beard, and other articles of +disguise. + +Two days had passed since the above discoveries were reported. Then +the detective called upon Dr. Vaughan and informed him that Mr. Davlin +and the Professor, the latter disguised with wig, beard and +spectacles, had taken the early morning train that very day, and that +he, the detective, had been lounging so near that he heard Davlin call +for two tickets to Bellair. + +And then they knew that the siege had begun. + +Three days later, Olive received the following letter, which speaks +for itself: + + OAKLEY, WEDNESDAY EVENING. + + DEAR OLIVE: + + The engagement has opened in earnest. + + Last evening, Mr. D. and _le Docteur_, between them, + frightened the two maids out of the house. This morning I + succeeded in scaring away the old housekeeper, which made a + shortage in servants. Old Hagar happened along just then _by + some chance_, and declared herself not at all afraid of + contagion; so madame bade her brother employ her. The cook + remains, as _Monsieur_ and _le Docteur_ must eat. My meals + are served in madame's dressing-room, and shared by that + lady. + + Courage, my friend, our time is almost here. And I am yours + till death, + + M----. + +This letter was perused by Olive and Clarence with almost breathless +eagerness and interest. And then they found themselves once more +waiting eagerly for fresh tidings from the "seat of war," as Clarence +termed it. + +At last came a letter from Madeline that aroused them as the clarion +stirs those arrayed for battle. It ran as follows, bearing neither +date nor signature: + + TO ARMS, MY FRIENDS! + + If you were among the village gossips to-day, this is what + you would hear, for it is what is fast spreading itself + through the town: + + The lady up at the mansion has been very ill, but is now + better. Her husband took the fever from her, and, being old + and his constitution enfeebled by the dissipation of his + earlier days, he came near dying. Now they hope that he will + live, although the danger is not yet passed. But _if he does + live_ he will never be himself again. The fever has affected + his brain, and he will be _hopelessly mad_. + + That is what the villagers know. + + What they do not know is, that Mr. D---- and the _doctor_ + have already fitted up two rooms in the most secluded part + of the closed-up wing, and that the "insane" man will be + removed to those rooms to-night. + + One fact concerning _le Docteur_, your expert has failed to + discover, is that at some time the man has made a study of + medicine. This is only a theory of mine, not a discovery; + but when I tell you what he did, I think that you both will + agree with me. A few days ago the _doctor_ walked down to + the village one morning, and coolly presented himself at the + door of Doctor G----'s office. + + Doctor G---- is the least popular and least skillful of the + three physicians here, but of course the city man was not + supposed to know that. He, the city doctor, informed Doctor + G---- that although his employer had not desired it, as he + had perfect confidence in the present treatment of Mr. + A----, still it was always his practice to consult with + another physician. + + So he desired Doctor G---- to accompany him to O---- and see + his patient; not that he had any doubts about the disease, + but because, in case of a serious termination, it was always + a consolation to the friends to know that every precaution + had been taken. Doctor G---- came, to find the patient in a + bedrugged stupor. He endorsed everything _le Docteur_ chose + to say, and went away feeling much puffed-up because of + having been called in to consult with a New York physician. + + You see they are moving very carefully, and do not intend to + have any doubts raised. + + Miss A---- of course remains in the village, and receives + reports daily concerning her brother, and her Knight is + still at her elbow. + + Henry has been here for a week, and does not dream of my + identity. + + Hagar and myself, between us, have managed to get possession + of a specimen of every drug that has been administered to + Mr. A----, also of the harmless nostrums that are dealt out + to madame for appearance's sake. + + There is but one thing more that I must accomplish, and that + must be done to-night, if possible. If I succeed in this, + two days more will see me _en route_ for the city. If I + fail--then I must remain here, if I can, and try again. In + any case, I must make my new move within the week. So look + out for the chrysalis; it remains for you to develop it into + the butterfly. + +This letter chanced to arrive during one of Doctor Vaughan's afternoon +visits, and Olive read it aloud to him, saying at the end, and almost +without taking breath, + +"Something she must accomplish first. If she has secured the +medicines, and they are safe not to run away in her absence, then what +is it she means?" + +Clarence shook his head, saying: "I have no idea. She speaks as if the +thing, whatever it is, was attended with some risk." + +"And this explains Henry's absence," Olive said, tapping the letter in +her lap. "No doubt he was summoned without any previous warning. Of +course, he is a mere tool for his master. They will hardly dare let +him see their game." + +"Hardly; but if they were not using him to Madeline's satisfaction, +she would have revealed herself to him." + +"True." + +"We are approaching a crisis now. If this new movement fails,--but I +hardly think it will." + +Olive looked up in alarm. "Oh, don't suggest failure," she exclaimed. +"She _must_ succeed. What will become of poor Philip if she does not?" + +Clarence lifted his face reverently. "I believe that the Power above +us, who permits evil to be because only from pain and sorrow comes +purification, has not permitted the life of this beautiful young girl +to be darkened in vain. Out of her wrongs, and her sorrows, and her +humiliation, He will allow her own hands to shape not only a strong, +true, earnest womanhood for herself, but the weapons which shall +deliver the innocent, and bring the guilty to justice." + +And Olive felt comforted, and her hope took new wings. + + + + +CHAPTER XXXI. + +MR. PERCY SHAKES HIMSELF. + + +It was noontide at Oakley, and a December sun was shining coldly in at +the window of Mrs. Cora Arthur's dressing-room. Within that cozy room, +however, all was warmth and brightness. A cheerful fire was blazing +and crackling in the grate. Sitting before the fire, wrapped in a +becoming dressing-gown of white cashmere, was Cora herself, looking a +trifle annoyed, but remarkably well withal. Wonderfully well, +considering how very ill she had been. + +Lounging near her, his feet lazily outstretched toward the fire, was +Lucian Davlin. + +"What did you write to Percy?" he inquired, consulting his watch. + +"Just what you told me; that I had something of importance to +communicate, and desired him to call to-day at two," replied Cora. + +"But--aren't you looking a little too well for a lady who has been so +desperately ill? It won't do to arouse his suspicions, you know." + +Cora crossed to her dressing-case, went carefully over her face with a +puff-ball, and did some very artistic tracing in India ink under and +over each eye. Then she turned toward him triumphantly. "There!" she +exclaimed, "now I shall draw the curtains," suiting the action to the +word, "and then, when I lie on this couch, my face will be entirely in +the shadow, while from the further window there will come enough light +to enable him to recognize you." + +At this moment a rap was heard at the door. Cora threw herself upon +the invalid's couch, and lay back among the pillows. When she had +settled herself to her satisfaction, Mr. Davlin opened the door, +admitting Céline Leroque. + +"Monsieur Percy is below, madame," said the girl, glancing sharply at +the form in the darkened corner. + +"Come and draw these coverings over me, Céline, and then go and bring +him up," replied Cora. + +Then she glanced at Lucian, who said, carelessly: "Well, my dear, I +will go down to the library." + +Céline adjusted the wraps and pillows and then went out, closely +followed by Lucian. She was not aware that Mr. Percy was expected, the +message having been sent by Henry. And she was not a little anxious to +know the nature of the interview that was about to be held. + +Mr. Percy, conducted to Cora's door by Céline, entered the room with +his usual lazy grace, and approached the recumbent figure in the +darkened corner, saying, in a tone of hypocritical solicitude: + +"Madame, I trust you are not overtaxing your strength in thus kindly +granting me an interview." + +He knew so well how to assume the manner best calculated to throw her +off her guard and into a rage. + +But Cora, understanding his tactics, and her own failing, was prepared +for him. In tones as smooth as his own she answered: + +"You are very good, and I find my strength returning quite rapidly. In +fact," and here a double meaning was apparent, as she intended it +should be, "I think I shall soon be _stronger_ than before my +illness." + +There was silence for a moment. Evidently Mr. Percy was not inclined +to help her to put into words whatever she had in her mind. + +"I sent for you," she continued, "because I have something to say +before you meet with a person who, as you are likely to remain one of +this pleasant family, you must of necessity, and for policy's sake, +meet with the outward forms of politeness." Here she paused as if from +exhaustion, and he, lifting his fine eyebrows slightly, kept silence +still. + +Cora, beginning to find her part irksome, hurried to its conclusion. +"You have heard, no doubt, of the presence of my brother in this +house. I sent for you that you might meet him, and I desired my maid +to show you to this room first, that I might venture a word of warning +and advice. My brother is not the stranger that you evidently imagine +him. Beyond the fact that you and I were once married, that I of my +own will forsook you, and the reason, or part of the reason for so +doing, he knows little of our affairs. For my sake he will make no use +of that knowledge. But I think it best that you understand each other. +Will you please ring that bell?" + +He obeyed her, looking much mystified and somewhat apprehensive. +Céline appeared promptly, and disappeared again in answer to Cora's +command: + +"Show my brother here, Céline." + +When the door opened, he turned slowly and met the cool gaze +of--Lucian Davlin! + +That personage approached the invalid, saying: "You sent for me to +introduce me to this gentleman, I suppose, Cora?" + +Mr. Percy arose slowly, and the two confronted each other, while Cora +nodded her head, as if unable to answer his words. + +As Percy advanced the light from the one window that had been left +unshrouded fell full upon the two men, who gazed upon each other with +the utmost _sang froid_. Two handsomer scoundrels never stood at bay. +And while the dark face expressed haughty insolence, the blonde +features looked as if, after all, the occasion called for nothing more +fatiguing than a stare of indolent surprise. + +Cora's voice broke the silence: "Mr. Davlin is my brother, Mr. Percy. +Please stop staring at each other, gentlemen, and come to some sort of +an understanding." + +"Really, this is a most agreeable surprise," drawled Percy, looking +from one to the other with perfect coolness. + +[Illustration: "Mr. Percy arose slowly, and the two confronted each +other."--page 306.] + +"And quite dramatic in effect," sneered Davlin, flinging himself +into a chair. "Sit down, Percy; one may as well be comfortable. How's +the fair spinster to-day?" + +Percy waved away the question, and resumed his seat and his languid +attitude, saying: "Upon my word this _is_ quite dramatic." + +Davlin laughed, airily. "Even so. I hope the fact that this lady is my +sister will explain some things to you more satisfactorily than they +have hitherto been explained. And if so, we had better let bygones +drop." + +Percy turned his eyes away from the speaker, and let them rest upon +the face of Cora. Again ignoring the remark addressed to him, he said, +slowly: "I don't see any very strong family resemblance." + +"I don't suppose you ever will," retorted Davlin, coolly. + +"And I don't precisely see the object of this interview," Percy +continued. + +Davlin made a gesture of impatience, and said, sharply: "Hang it all, +man, the object is soon got at! It's a simple question and answer." + +Percy brushed an imaginary particle of dust off his sleeve with the +greatest care, and then lifted his eyes and said, interrogatively: +"Well?" + +"Will you have war or peace?" + +"That depends." + +"Upon what?" + +"The terms." + +"Well!" + +"Well?" + +"What do you want?" + +Percy examined his finger nails, attentively, as if looking for his +next idea there. "To be let alone," he said, at last. + +Davlin laughed. "And to let alone?" + +"Of course." + +"Then we won't waste words. Rely upon us to help, rather than hinder +you. There's no use bringing up old scores. If you vote for an +alliance of forces, very good." + +Percy nodded, and then rising, said: "Well, if that is all, I will +take my leave. No doubt quiet is best for Mrs. Arthur," bowing +ironically. "By-the-by," meaningly, "when you find yourself in the +village, Davlin, it might not be amiss to show yourself at the inn." + +"Quite right," said Davlin, gravely. "Possibly I may look in upon you +to-morrow." + +Mr. Percy nodded; made a graceful gesture of adieu to Cora, who +murmured inaudibly in reply; and the two men quitted her presence. + +In a few moments Davlin returned to Cora, smiling and serene. "I told +you we could easily manage him," he said. "He won't trouble himself to +go to war, save in his own defence. You did the invalid beautifully, +Co., and I feel quite satisfied with the present state of things." + +But Mr. Percy had not looked and listened for nothing. He went +straight to his room, and shutting himself in, began to think +diligently. Finally he summed up his case on his fingers as follows: + +"First, are they brother and sister? I don't believe it. Second, +taking it for granted they are not, what is their game? If the old man +dies, and if I can ferret out the mystery, for I believe there is one, +_who knows but that two fortunes may come into my hands_? I must watch +them, and to do that, Ellen must go back to Oakley, and they must +invite me to be their guest!" + +Mr. Percy arose and shook himself, mentally and physically + +But alas for Céline! She had heard almost every word of the interview, +through the key-hole of a door leading into an adjoining room, and it +had told her nothing, save that there was to be peace between the two +men, and that there had been, perhaps, war. + + + + +CHAPTER XXXII. + +A SILKEN BELT. + + +Mr. Percy and Miss Arthur were openly engaged now, and were anxiously +waiting for the recovery of the sick at Oakley, in order to celebrate +their marriage. + +The spinster was in a frame of mind to grant almost any favor to her +lover to-night. And when at last she, herself, led up to the subject +she wished to broach, he foresaw an easy victory. + +"Oh, Edward," she sighed, with a very dramatic shudder, "you cannot +think how I dread to-morrow's ordeal, the visit to my brother! Suppose +poor John were to rave at me,--me, his own sister!" + +He took the hand that was quite as large as his own, and caressed it +reassuringly. "I don't think there is the slightest danger, Ellen, +dear, but I am convinced I must attend you to-morrow. I shall feel +better to be with you." + +"Oh, Edward!" sighed the maiden, enraptured at this declaration of +tenderness, "you are so careful of me." + +He smiled and still caressed her hand, saying: "Listen, darling," +drawing her nearer to him, "I don't like to have you here; it is not a +fit place for you. And I find that remarks are being made. This I +cannot endure. Besides, I do not think it right for you or me to leave +your brother so entirely at the mercy of--Mrs. Arthur. Promise me that +you will consult a physician to-morrow, and as soon as the danger of +contagion is past, you will go back." + +"But I can't bear to leave _you_, Edward." + +"And you shall not. I will come to Oakley too." + +"You? Oh, how nice! Have they asked you to come?" + +"I saw Mrs. Arthur's brother to-day, and we settled that." + +"Oh, _did_ you? Then you are good friends again?" + +He turned upon her a look of inquiry. "Again?" + +"Yes; Cora told me not to speak of Mr. Davlin to you, as you were not +good friends, and it might make you less free to come to the house." + +Mr. Percy's eyebrows went up perceptibly. "Mrs. Arthur is very +thoughtful; but she was mistaken; our little misunderstanding has not +made us serious enemies." + +"Oh, how nice!" rapturously. + +"_Very_ nice," dryly. "Now you will be a good girl and go back soon?" + +"I don't think Cora will be over anxious to have me come back," she +said, looking like a meditative cat-bird. "I know she kept that Céline +in the house to spite me." + +"I can readily understand how she might be jealous of you, dear. +Perhaps she fears your influence over your brother. At any rate, your +duty lies there. When it is time to do so, don't consult her or +anyone; take possession of your former apartments, and stand by your +brother in his hour of need." + +Miss Arthur promised to comply with her lover's request, and he +managed at last to escape from her, and seek the repose which he +preferred to such society. + +All this time John Arthur was a prisoner in the west wing. He was +attended by the doctor sometimes, by Céline occasionally, and by Henry +almost constantly since the arrival of that sable individual. + +Lucian Davlin, having no taste for the work, kept aloof as much as +possible. Himself and Dr. Le Guise, as he called his confederate, had +labored hard and, with the assistance of old Hagar, had put the rooms +in proper condition for the occupancy of a lunatic. And a lunatic John +Arthur certainly was. Once before his removal, and once since, he had +been seized with a paroxysm of undeniable insanity. + +John Arthur had been, and still was, the dupe of his supposed +brother-in-law and Dr. Le Guise. We have all heard of natures that can +be frightened into sickness, almost into dying; of an imaginary +disease. John Arthur's was one of these. And, with a little aid from +Dr. Le Guise, he had been really quite ill. + +Henry had been constituted his keeper, a position which he filled with +reluctance, and there was a fair prospect that sooner or later he +would break into open mutiny. Although he could not guess at the +nature of the game his master was playing, yet he felt assured that it +was something desperate, if not dangerous. + +He had promised "his young lady," as he called Madeline, to remain in +Mr. Davlin's service until she bade him withdraw, and but for this +would hardly have submitted to remain John Arthur's keeper on any +terms. Henry had a certain pride of his own, and that pride was in +revolt against this new servitude. + +He had not met Cora here, and had no idea that she was an inmate of +the house. + +Dr. Le Guise had relieved Henry on the morning of the day that Miss +Arthur ventured, for the first time since her flight, within the walls +of Oakley manor, escorted by Mr. Percy. He had detected some signs of +fever, although Mr. Arthur declared himself feeling better, and +administered a powder to check it. + +Soon the patient began to show signs of increasing restlessness, and +by the time Henry appeared to announce that Miss Arthur desired an +interview with Dr. Le Guise, he began to wrangle with his physician +and gave expression to various vagaries. + +Consigning his charge to Henry, with the remark that he "must watch +him close, and not let him get hold of anything," Dr. Le Guise hurried +down to the drawing-room. + +The doctor listened to Miss Arthur attentively, while she made known +her desire to return to the manor if the danger of contagion was at an +end. Then he replied, hurriedly: + +"Quite right; quite admirable. But if you will take my advice, I +should say, don't come just yet. There will be no danger to you, in +going to your unfortunate brother for just a few moments--a very +few--and then going straight out of the house into a purer atmosphere. +But to remain here now, to breathe this air just yet--my dear lady, I +could not encourage that; the danger would be too great." + +And then he led the way straight in to John Arthur's presence, +explaining as they went that the cause of his removal from his own +rooms was to escape the fever impregnations still clinging there. + +John Arthur was sitting in the middle of his bed, beating his pillows +wildly, and imploring Henry, between shrieks of laughter, to come and +kiss him, evidently mistaking him for some blooming damsel. As the +damsel declined to come, the lunatic became furious, and hurled the +pillows, and afterwards his night-cap, at him, with blazing eyes and +cat-like agility. This done, he began to rock himself to and fro, and +shout out the words of some old song to an improvised tune that was +all on one note. + +Dr. Le Guise turned to Mr. Percy, whispering: "You see; that's the way +he goes on, only worse at times." + +Mr. Percy turned away. The fair spinster who had been clinging to him +in a paroxysm of terror, attempted to faint, but remembering her +complexion thought better of it and contented herself with being half +led, half carried out, in a "walking swoon." And both she and Mr. +Percy felt there was no longer room to doubt the insanity of her +brother. + +Having seen them depart, Dr. Le Guise sought out Mr. Davlin. Finding +him in Cora's room, he entered and informed the pair of the desire +Miss Arthur had manifested to come back to her brother's roof, and of +his mode of putting off the evil day of her return. + +"Humph!" ejaculated Davlin, "what does it mean? I saw Percy in the +village this morning, and he told me quite plainly that he desired an +invitation to quarter himself upon us." + +"And what did you say?" gasped Cora. + +"Told him to come, of course, as soon as it was safe to do so." + +"Well!" said Cora, dryly, "I don't think it will be very safe for +either of them to come just at present." + +"Oh, well," said the doctor, cheerfully, "we have got seven long days +to settle about that. And if they insist upon coming, and _then catch +the fever_, they mustn't blame me." + +And Dr. Le Guise looked as if he had perpetrated a good joke. + +John Arthur's insanity was as short-lived as it was violent. He lay +for the rest of the day quiet and half stupefied. When night came on, +he sank into a heavy slumber. + +At twelve o'clock that night, all was quiet in and about the manor. + +Cora Arthur was sleeping soundly, dreamlessly, as such women do sleep. +In the room adjoining hers, Céline Leroque sat, broad awake and +listening intently. At last, satisfied that her mistress was sleeping, +Céline arose and stole softly into the room where she lay. + +Softly, softly, she approached the couch, passing through a river of +moonlight that poured in at the broad windows. Then she drew from a +pocket, something wrapped in a handkerchief. + +Noiselessly, swiftly, she moved, and then the handkerchief, shaken +free from the something within, was laid upon the face of the sleeper, +while the odor of chloroform filled the room. + +Nimbly her fingers moved, pulling away the coverings, and then the +clothing, from the unconscious body. It is done in a moment. With a +smothered exclamation of triumph, she draws away a _silken belt_, and +removing the handkerchief, glides noiselessly from the room. + +She steals on to her own room in the west wing. Here she locks the +door and, striking a light, hurriedly rips the silken band with a tiny +penknife, and draws from thence two papers. + +One glance suffices. Replacing the papers, she binds the belt about +her own body, and then envelopes herself in a huge water-proof, with +swift, nervous fingers. + +And now, for the second time, this girl is fleeing away from Oakley. +Out into the night that is illuminated now by a faint, faint moon; +through the bare, leafless, chilly woods, and down the path that +crosses the railway track not far from the little station. Once more +she follows the iron rails; once more she lingers in the shadows, +until the train thunders up; the night train for New York. Then she +springs on board. + +For the second time, Madeline Payne is fleeing away from Oakley and +all that it contains; fleeing cityward to begin, with the morrow, a +new task, and a new chapter in her existence. + +But no lover is beside her now; for that love is dead in her heart. +And no Clarence breathes in her ear a warning, for now it is not +needed. Since that first June flitting, she has learned the world and +its wisdom, good and evil. + +And the cloud that Hagar saw on that June night, hangs dark above the +house of Oakley. + + + + +CHAPTER XXXIII. + +CROSS PURPOSES. + + +An irate pair were seated at breakfast the morning after Céline's +flitting. And while they ate little, they talked much and earnestly, +sometimes angrily. They had arrived at the conclusion, which, although +erroneous, had been foreseen by the astute Céline, namely: That the +robbery had been committed at the instigation of Mr. Percy, and that +Céline had been brought over and used by him as a tool. + +It was evident that something must be done, and that quickly. + +While these papers were in the hands of Percy, as undoubtedly they +were at that moment, it were best to keep that gentleman as much as +possible under their own eye. + +[Illustration: "With a smothered exclamation of triumph she draws away +a _silken belt_!"--page 315.] + +Yesterday, it had seemed desirable that Miss Arthur and her _fiancé_ +should be kept out of the house of Oakley. To-day, they agreed that +the quicker the pair took up their abode beneath its hospitable roof, +the sooner they, Mr. Davlin and his accomplice, would breathe +freely. If they could get the two in the same house with themselves, +they might yet outwit Mr. Percy--with the aid of their friend and +ally, the sham doctor, if in no other way. Meantime, they would not +make the robbery known; or rather, they would inform the servants and +all others whom it seemed desirable to enlighten, that the girl, +Céline, had possessed herself of certain jewels and of Mrs. Arthur's +purse, and fled with her spoils. + +Accordingly, Hagar was summoned and told of the base ingratitude of +the French maid. Whereupon she was much astonished, and ventilated her +opinions of French folk in general, and that one in particular. +Through Hagar, the other servants, now few in number, were informed of +the defalcation, and the extent of damage done by Miss Céline Leroque. +Then the kitchen cabinet held a session forthwith, and settled the +fate of their departed contemporary, being ably assisted by Hagar. + +The Professor was made no wiser than were the rest of the tools who +served the plotters. But he was somewhat surprised upon being desired, +by Mr. Davlin, to equip himself for a walk, the object of which was to +allay the alarm of Miss Arthur and her friend, and invite them to the +manor forthwith. Said invitations were to be followed up with the +doctor's assurance that, having made a more minute examination, he was +fully satisfied that there was no fear of contagion from Mrs. Arthur, +and but little from her husband; none, in fact, unless they desired to +be much in his room. + +The worthy pair set out for the village, and were so fortunate as to +meet Mr. Percy on the very threshold of the inn. Having exchanged +greetings and cigars, and having discussed the weather and various +other interesting topics, the gentlemen sent up their compliments to +Miss Arthur. + +They were soon admitted into the presence of that lady, where more +skirmishing was done, during which Dr. Le Guise unburdened himself, as +per programme, and then Mr. Davlin fired his first shot. + +"By-the-by, Miss Arthur, you may congratulate yourself that you did +not retain that impostor of a French maid longer in your service." + +Lucian had purposely placed himself near the spinster, and where he +could observe the face of Percy without seeming to do so. But that +gentleman was glancing lazily out at the window, and his face was as +expressionless as putty. Lucian uttered a mental, "Confound his _sang +froid_," as he continued: + +"She has robbed my sister of jewels and money to the tune of a couple +of thousand, and has cut and run." + +"Goodness gracious, Mr. Davlin!" shrieked the spinster. + +But Percy only turned his head lazily, and elevated his eyebrows in +mute comment. + +"Yes," laughing lightly, "I suppose the hussy fancied that she had +made a heavier haul still. My sister had about her person some papers, +or rather _duplicates of papers that are deposited in a safer place_. +The jade took these also, thinking, no doubt, that they were of value +or, perhaps, without examining them to see that they were worse than +worthless to her." + +"Oh, Mr. Davlin, what an artful creature! I was sure she was not quite +to be trusted. But who would have supposed that she would dare--" +gushed Miss Arthur. + +"Oh, she is no doubt a professional; belongs to some city 'swell mob,' +begging your pardon. But I shall run up to the city to-night, I think, +and try and see if the detectives can't unearth her." + +Still no sign from Percy; not so much as the quiver of an eyelid. + +So Mr. Davlin came straight to the issue, thinking that surely Mr. +Percy would betray something here; perhaps would refuse to come to +Oakley. In such case, Lucian felt that he should be tempted to spring +upon and throttle him from sheer desperation. + +But again he was mistaken, for no sooner was his invitation extended, +than Mr. Percy accepted it with evident gratification, saying, in his +easy drawl: "Shall be delighted to change my quarters. Anything must +be an improvement upon this. And as your--ah, Dr. Le Guise--says there +is positively no danger, Miss Arthur will of course be rejoiced to +return to her proper place." + +And of course Miss Arthur assented. + +Before leaving, Mr. Davlin arranged that the carriage should come for +Miss Arthur the next day, and that a porter should immediately +transfer their luggage to Oakley. + +"My faith," mused he, as he strode back to tell Cora of his mission; +"but he carries it with a high hand. I didn't think there was so much +real devil in him. He is playing a fine game, but I don't think he can +dream that we suspect him. If we can deceive him in this, and get him +into the house, we will be able to accomplish his downfall, I think." + +Meantime, Edward Percy was viewing the matter from his own +stand-point. + +"Luck is running into my hand," he assured himself. "They are +evidently a little bit afraid of me; there's nothing more +awe-inspiring than a cool front, and I certainly carry that. Once at +Oakley, it will be strange if I don't fathom their little mystery. If +they are doing mischief there, I won't be behind in claiming the +lion's share of the spoils." + +According to arrangement, Miss Arthur and her lover were transferred +to Oakley on the following day, and there the game of cross purposes +went on. + +Cora received Miss Arthur with much cordiality, averring that she had +missed the society of "dear Ellen," more than she could tell, and +declaring that now she should begin to get well in earnest. + +Messrs. Davlin and Percy affected much friendliness, and watched each +other furtively, day and night. + +Dr. Le Guise reported an unfavorable change in his insane patient and +forbade them, one and all, to enter his room. + +Cora and Davlin protested against the doctor's cruel order, but in +vain. Mr. Percy made no objections, but kept his eyes open. One +evening, the second of his stay at the manor, he saw, while coming up +the stairs with slippered feet, the form of Mr. Davlin as it +disappeared around the angle leading to the west wing. Then Mr. Percy +stole on until he stood at the door of the wing. Satisfying himself +that Davlin was actually within the forbidden room, he waited for +nothing further, but glided quietly back to his own door, looking as +imperturbable as ever and saying to himself: + +"There is a mystery; and we, _rather I_, am not to see Mr. Arthur at +present. Well, I don't want to see him; but _I hold the clue_ to your +little game, my fair second wife." + +Lucian Davlin went to the city, but he did not set a detective on the +track of Céline Leroque. He chose his man, one who had served him +before, and set him about something quite different. Then he returned, +feeling quite satisfied and confident of success. + + + + +CHAPTER XXXIV. + +A SLIGHT COMPLICATION. + + +And what of Céline, or Madeline, as we may call her once more? + +She had said, when writing to Olive, that her stay in the city must be +very brief. But even her strong will could not keep off the light +attack of fever that was the result of fatigue and exposure to night +breezes. And the morning following her arrival at the villa, found her +unable to rise from her bed. + +Dr. Vaughan was summoned in haste, and his verdict anxiously waited +for. "It was a slight fever attack," he said, "but the wearied-out +body must not be hurried. It must rest." + +And he forbade Madeline to leave her room for a week at least, unless +she wished to bring upon herself a return of her summer's illness. + +Much to his surprise and gratification, Madeline did not rebel, but +replied, philosophically: "I can't afford to take any risks now; I +will be good. But you must watch my interests." + +During the first day of her "imprisonment," as she laughingly called +it, Clarence and Olive were put in possession of all the facts that +had not already been communicated by letter. + +Upon one thing they were all agreed, namely, that it would be wise for +Clarence to make another journey to Bellair. + +"They won't be able to accomplish much during the week that I must +remain inactive," said Madeline. "But it will be safest to know just +what they are about. Besides, I have reasons for thinking that Henry +is growing dissatisfied, and it is to our interest to keep him where +he is for the present. Had a suitable opportunity offered, I should +have made him aware of my identity. But as it did not present itself, +I left it with Hagar to inform him that he was serving me by +remaining." + +Dr. Vaughan prepared to visit Bellair on the second day after the +arrival of Madeline. But almost at the moment of starting there came a +summons from one of his patients, who was taken suddenly worse. +Thinking to take a later train he hastened to the sick man; but the +hour for the last train arrived and passed, and still he stood at the +bedside, battling with death. So it transpired that nearly three days +had elapsed since the flitting of Céline Leroque, when Dr. Vaughan +entered the train that should deposit him at dusk in the village of +Bellair. + +It had been prearranged by Madeline and Hagar that, in case of any +event which should delay the return of the former on the day +appointed, the latter was to visit the post-office and look for +tidings through that medium. Madeline had been due at Oakley the day +before, and so, of course, to-day Hagar would be in attendance at the +office. + +Dr. Vaughan had written, at the moment of quitting his office to visit +his patient, a hasty supplement to Madeline's letter, stating that he +was delayed one train, but not to give him up if he did not appear +that evening. He would certainly come on the next day's train. + +Clarence was somewhat fatigued as he entered the railway carriage, +having spent the entire previous night at the bedside of his patient. +He went forward to the smoking car, thinking to refresh himself with a +weed. + +Four men were engrossed in a game of cards not far from him. As they +became more deeply interested, and their voices more distinct above +the roar of the cars, something in the tones of one of the men caught +his ear, reminding him of some voice he had sometime heard or known. +The speaker sat with his back to the young man, and nothing of his +countenance visible save the tips of two huge ears. These, too, had a +familiar look. + +Clarence arose and sauntered to the end of the car, in order to get a +view of the face that, he felt assured, was not unknown to him. + +The man was absorbed in his game and never once glanced up. Our hero +having taken a good look at the not very prepossessing face, returned +to his seat. He had recognized the man. It was Jarvis, the detective +who had been recently employed by him to shadow Lucian Davlin. + +It was not a remarkable thing that Jarvis should leave the city on the +same train with himself, but the circumstance, nevertheless, set +Clarence thinking. Could it be possible that the man had found +something to arouse his suspicions, and was he following up the clue +on his own account? + +Clarence felt an unaccountable desire to know where the detective was +going. If he were going to Bellair, then he must be bought over. If he +were going to Bellair, he, Clarence, must know it before the village +was reached. It was hardly probable that the man's destination was +identical with his own, but he had now determined to run no risks. + +Throwing back his overcoat, and setting his hat a trifle on one side, +Clarence sauntered up to the group of card players, assuming an +appearance of interest in the game. As he paused beside them, Jarvis +swept away the last trick of a closely-contested game, and then said, +consulting his watch the while: + +"There's for you! I've got just three-quarters of an hour to clean you +out in, so come on." + +[Illustration: "Jarvis swept away the last trick of a +closely-contested game."--page 324.] + +Three-quarters of an hour! The exact time it would take to run to +Bellair. + +Clarence shifted his position so as to put himself behind the two men +seated opposite Jarvis. As he did so, the expert glanced up, +encountering the eye of Dr. Vaughan. + +"How are you?" said that young man, nonchalantly. + +Jarvis shot him a keen glance of intelligence, and replied, in the +same off-hand tone: "High, you bet!" + +Jarvis was attired like a well-to-do farmer; and Clarence guessed, at +a glance, that his three companions were strangers, two of them being +commercial tourists, without a doubt, and the third, a ruddy-looking +old gent, who might have been anything harmless. Taking his cue from +the "make up" of the detective, Clarence, after giving him an +expressive glance, said, easily, "Sold your stock?" + +Jarvis cocked up one eye as he replied, while shuffling the cards: +"Every horn!" + +"Want to buy?" + +Jarvis looked him straight in the eye. "Want to sell?" + +"Yes, rather." + +Jarvis dealt round with great precision, and then said: "All right, +Cap. I'll talk with you when I get through this game." + +Clarence nodded, and presently sauntered away. As soon as his back was +turned, Jarvis jerked his thumb toward him, saying, confidentially: + +"Young fellow; swell farmer; big stock-raiser." And then he plunged +into the game with much enthusiasm. + +Clarence resumed his seat and, for a few moments, thought very +earnestly. The words of the detective had confirmed his suspicion. He +now felt assured that Jarvis was bound for Bellair, and if so he was, +no doubt, in the employ of Lucian Davlin, for some unknown purpose. +What that purpose was, he must know at any cost. + +By the time his plans were fairly matured, he observed that the group +of card-players was breaking up. In another moment, Jarvis lounged +lazily along and threw himself down upon the seat beside him. + +In little more than half an hour they would be due in Bellair, and +what Clarence desired to say must be said quickly. Taking out his +cigar-case, he offered the man a weed, which was accepted with +alacrity, and while it was being lighted, Clarence said: "Are you +especially busy now?" + +"N-o; only so-so." + +"Learned anything more in regard to my man?" + +"Davlin?" interrogatively. + +"Yes." + +"No," puffing contentedly; "we don't move in a case after it's paid +off." + +"I see," smiling; and then, making his first real venture: "Could you +do some work for me to-morrow?" + +Jarvis looked keenly at him, and Clarence hastened to say, with +perfect, apparent, candor: + +"The fact is I have been put back by a patient, and my own personal +affairs have been neglected. So I have been unable to look you up at +the office, in order to put a little matter into your hands. To-day I +am called away unexpectedly." Then, as if struck by a sudden thought, +"How long will you be out of town?" + +Jarvis shook his head. "Don't know." + +"By Jove, what a pity. I'd rather have you than any other man, and I +won't stand about money; but my work won't keep long." + +The doctor's flattery and the detective's avarice combined, had the +desired effect. Jarvis unbent, and became more communicative. "Fact +is," he said, squaring about, "I don't know my lay just yet." + +"No?" inquiringly: "Going far out?" + +"No." + +"Well," as if about to drop the conversation, "I'm sorry you can't do +the job. It's big pay and success sure. The truth is," lowering his +voice confidentially, "there are two parties beside myself interested, +and both have plenty of money. It's a snug sum to the man who does our +work." + +The detective looked grave, and then became confidential in his turn. + +"The fact is,"--he was fond of using "facts" when it was possible to +lug one in--"I am sent out to a small town as a sub." + +"A sub.?" + +"Yes; substitute. You see, one of our men was detailed to do some work +for a chap who came to the Agency from this little town. It was a case +of record hunting. Well, the man went out last night all O. K.; he was +a little on the sport when off duty, but a tip-top chap when at work. +Well, he got into a gambling brawl, and this morning they brought him +in, done up." + +"Done up?" + +"Yes; killed, you know." + +"Oh!" + +"And so, you see, I am ordered down here to take the instructions of +my gentleman, in the place of my pard, who won't receive any more +orders here below." + +"Then you don't yet know precisely what is required of you?" + +"No; I was packed off at half an hour's notice, and don't even know +the name of my employer. I have my instructions and his address here," +tapping his breast pocket. "I believe the party lives out of town, at +some manor or other." + +Clarence was thinking very fast. There was but one "Manor" in or near +Bellair. He looked at his time-card; there was but one town between +them and that village. Holding the card in his hand he said: + +"Well, I will try and tell you what I want done; that is, if there is +time--how soon do you leave the train?" + +Jarvis now scented a fat job, and thinking only of getting the +particulars of that replied, rather incautiously, as he consulted the +time-card in the hand of Clarence. + +"By goshen! it's only two stations off--Bellair." + +"Oh! Bellair, eh?" + +Jarvis nodded ruefully, and then asked: "Where do you land?" + +Clarence smiled a little as he replied: "Wait until you hear my +business, then you will know where I am going." + +"All right; fire away." + +And the expert settled himself into a listening attitude. "The truth +is, Jarvis, I want you back on the old case." + +"What, the gambler's?" + +"Yes, Davlin; he is about at the end of his rope, and will, in a short +time, be trying to quit the country. Did you ever see the woman who is +his partner in iniquity? You heard considerable of her while looking +up this business." + +"Heard of her? I should think so. Never saw her, though." + +"No matter; you may see her soon. You see, they are now at work upon a +fine piece of rascality. She has actually married an old man, +supposing him to be wealthy, and Davlin is figuring as her brother. +In reality, the old man, their victim, holds only a life interest in +the property. So you see, even if they succeed with the thing in hand, +they won't make much. And the person who will inherit, after the old +gentleman passes away, is aware of their real character and is ready +to spring upon them at the proper moment." + +Jarvis gave a long, low whistle. + +"Now, then, there is another crime--one that occurred some years ago, +with which this man and woman are connected, and they are allowed to +go free for a little time in order to complete the evidence in this +second case." + +Jarvis nodded sagely. + +"So you see there will be double fees, and large ones. First, from the +heir, and next, from the parties interested in the last case. The two +are friends, in fact, and work together. Of course, I should expect to +act according to the rules of your office, and I know that you are +paid by your manager, but--if you can put me in possession of all the +movements of Lucian Davlin for the next week, in addition to the +salary paid you by your head officials, I will promise you one +thousand dollars. If, later, you can supply the missing evidence, it +shall be five thousand." + +Jarvis looked hastily behind him. "Is he in this train?" + +"No." + +"Then were the dev--" + +"Wait," interrupted Clarence. "I'll tell you where he is. But first +you may attend to the business on which you came to Bellair. You may +obey the instructions you shall receive to the letter. But I must know +what it is you are bidden to do." + +Jarvis knitted his brows and finally said, as if giving up a knotty +problem, "Make things plainer; I am befogged." + +"Plainly, then," said Clarence, "you are going to Bellair; and," +drawing out his pocket-book, "you are not retained as yet for this +work?" + +"No." + +"Well," placing a one hundred dollar bill in his hand, "I retain you +for my case, here and now, and you may accept the other fee if you +like." + +"How?" + +"Look at the address of your new client." + +Jarvis took from his pocket a number of cards, shuffled them off +deftly and, selecting the right one at last, read slowly the name of +his unseen employer. Then he glanced quickly up at Clarence, re-read +his card, and leaning back upon the cushion, shook with silent +laughter. + +"Well, if you ain't the rummest one yet! And I'm your man! Why, bless +my soul, you are a lawyer and detective all in one!" + +Clarence smiled, but he knew this was the highest compliment that +Jarvis was capable of. "Then I may depend upon you?" he asked. + +"You bet!" + +They were nearing the village of Bellair now, and Clarence, who did +not intend to let Jarvis know too much concerning his movements, gave +him some hasty instructions, and ended by asking: "When do you go back +to the city to report?" + +"By the next train. Davlin is expecting me, and I shall take his +orders and then go back." + +"Very well; I'll see you in town to-morrow. Now, as it won't do to +risk the chance of being seen together, I will go into the other car." +And Clarence sauntered away. + + + + +CHAPTER XXXV. + +"THOU SHALT NOT SERVE TWO MASTERS" SET AT NAUGHT. + + +Meanwhile, as they steamed into the village, which was the destination +of both, Mr. Jarvis soliloquized, as he caressed his wallet pocket: + +"I know who will butter my bread. Davlin is as slippery as an eel, and +will end in trouble. Dr. Vaughan is a man of his word, and I don't +need his bond. I'm sure of one thousand, if not of five. And I never +was over fond of this gentleman gambler." + +It may be remarked that Davlin was a man pretty well known by the +police and detectives. A gambler riding the top wave of success might +have found more favor in the eyes of Jarvis. But he knew, because of +his previous investigations, that Davlin was not "flush" at that time. + +Clarence kept carefully out of sight when the train reached the +village. Springing lightly to the ground, on the opposite side from +the platform, he walked swiftly away, unnoticed in the darkness. Once +more he crossed the field and knocked at the door of Hagar's cottage, +and this time it was Hagar who admitted him. + +Eagerly he listened, while the old woman told him how very fast Cora +was recovering now; how they had got Miss Arthur and Percy back into +the house; and how very careful both Cora and Lucian were to treat +them politely. Madeline had not confided to Hagar the story of Olive, +and the old woman knew no more of Edward Percy than that he was, as +she termed it, "a handsome hypocrite." + +Clarence questioned Hagar closely. Had they made any attempt to find +the one who took the papers? + +"No," Hagar replied; "they had said that Céline Leroque had stolen +money and jewels, but they had not said one word about any papers." + +Last of all, she told him how, fearing that Henry was becoming too +restive, and fearing, also, the effect of too much of the Professor's +medicine upon the somewhat enfeebled system of the prisoner, she had +made known to Henry the fact that he was working in the cause of his +young lady. On learning this, and having it proved to his +satisfaction, for he was at first inclined to be skeptical, he had +been much delighted, and had since carried out the orders of Madeline +as transmitted through Hagar. + +Their conversation lasted a full hour, and then, having learned all +that could be learned from that source, and having delivered all of +the messages sent by Madeline, he bade the old woman a kind +good-night, and retraced his steps across the field and back to the +village. + + * * * * * + +When the night train halted at Bellair, Jarvis seated himself in the +smoking-car, feeling quite self-satisfied. When the train moved on, he +lighted a very black cigar, and began to contemplate the situation. + +"Well, how do we stand now?" + +As the voice of Clarence Vaughan fell upon his ear, Jarvis bounded +from his seat like an india rubber ball and stared wildly at the young +man who had dropped down into the seat beside him as if from the +ceiling. + +"Well, you are a rum one," said he, at last. "Might I ask where you +came from?" + +"From the ladies' carriage." + +"Oh!" with the air of having made a discovery. "So you ride out of the +city in a smoking-car for the purpose of riding back in the ladies' +carriage?" + +Clarence laughed again, settled himself comfortably in his seat and +took out his cigar case. "Not exactly," proceeding to light a weed. "I +am on pretty much the same business that you are, to-night." Then, +taking a big puff, "I have been to Bellair, like yourself." + +"The deuce you have!" + +"Yes; how did your business prosper?" + +Jarvis eyed him sharply. "Perhaps you know already." + +"Perhaps I do. You have not got to look for stolen diamonds, have +you?" + +Jarvis laughed derisively. + +"Or stolen money?" pursued Clarence. + +Jarvis shrugged his shoulders. + +"Or stolen--_papers_?" + +Jarvis began to look foxy. + +"Or a runaway young woman?" + +Jarvis thought furiously for a moment; then turning square upon his +interlocutor, said, significantly: "So there are stolen papers?" + +Clarence smiled, but said nothing. + +"And," pursued Jarvis, "when one loses one's papers, say deeds, or +a--marriage certificate, one naturally thinks of hunting the records +for proofs that such papers existed." + +"And that is your work?" + +Jarvis nodded. + +"Take you out of the city?" + +"Only a few miles." + +Clarence reflected for a time, and then said: "You can do your work, +but report all discoveries _to me_." + +Jarvis assented, and they continued to talk of the matter in hand +until the city was reached. Then, having made an appointment for the +coming day, and agreed to let the work of shadowing the gambler or, +rather, his business, remain a "private spec." to Jarvis, they +separated. + +Thoroughly wearied, Clarence sought his bachelor apartments and the +repose he so much needed. + +Early the next day he was up, and after paying a visit to his patient, +he turned his steps, or the steps of his horse, in the direction of +the villa. + +He found Madeline sitting up, feeling much better, and looking +altogether lovely. Drawing their chairs near together in front of the +crackling grate fire, the three discussed the result of the journey to +Bellair. Having first related the news imparted by Hagar, Dr. Vaughan +turned to Madeline and asked: + +"What is your theory, sister mine, in regard to this change at Oakley? +Why have they turned about and taken up Miss Arthur and her _fiancé_ +with such sudden affection. Have you guessed?" + +The girl smiled up at him as she replied: "Certainly; have not you?" + +"You incorrigible little lawyer! Yes, but give us yours first." + +"Why," said Madeline with a light laugh, "I suppose they have been +suspecting the wrong party. They think that I was an emissary of Mr. +Percy's." + +"Undoubtedly that is the truth," assented Clarence. + +"And," added Madeline, "believing the documents in his possession, it +is easy to understand that they prefer having the gentleman under the +same roof with themselves." + +"True; now, the question that interests us is, how long will it be +before they find out their mistake?" + +"I think," said the girl, reflectively, "that their game will be +covert, not open, attack, from the fact that they have kept the loss +of the papers so carefully from the servants. If this is true, they +will move cautiously, and aim to convince the man that they do not +suspect him." + +Clarence nodded. + +"You see the necessity for action, do you not?" Madeline said, after a +silence. "I must make my next move within a few days." + +"I don't fancy that we need fear any new developments that will be +dangerous to our cause just yet." + +Then he told them of his meeting with the detective, and its results, +adding: "You see, Jarvis can withhold his reports to suit our +convenience, and you can grow strong, feeling secure." + +Meantime, Jarvis set about his task of record hunting. He was +energetic and resolute as a sleuth hound on the scent; so he soon made +one or two discoveries. + +One day, very cleverly gotten upon as a dapper lawyer, he dropped in +at the office of Messrs. Lord & Myers, bankers. Mr. Lord was an old +man with a shrewd, twinkling eye; and as the sham lawyer had selected +his time wisely, he found the old banker alone. + +They were closeted in close converse for nearly half an hour, at the +end of which time, the dapper lawyer took his departure, looking +rather downcast; and Mr. Lord, with his little eyes brighter than +ever, sat down and penned a letter to his friend and brother banker, +Mr. Allyne, of Baltimore. + + + + +CHAPTER XXXVI. + +MR. LORD'S LETTER. + + +The friendship that had sprung up between Claire Keith and Mrs. +Ralston, grew and strengthened as the days went by. + +Claire's enthusiasm had overflowed in more than one letter to Olive. +The oft-repeated wish that her new friend and her much loved sister +might meet, had at last drawn from that somewhat preoccupied sister a +very cordial invitation to bring Mrs. Ralston to New York. + +When this invitation came, Claire, feeling that it was now time to +unfold to her friend the sad pages of Olive's history, sought her for +that purpose. But as she deemed that the time had not yet come for +telling anyone of the hoped-for lifting of the cloud, especially as to +do so she must tell too of Madeline, she refrained from mentioning the +names of the actors in that miserable drama. + +Mrs. Ralston was deeply interested in the story of Olive's sorrow; and +having heard it, she felt a stronger desire than before to see this +beautiful, sad-hearted sister, who was so beloved by Claire. Bending +down she kissed the fair face, flushed with the excitement Claire +always felt when recounting her sister's wrongs, and those of Philip +Girard, and said, tenderly: + +"Thank your sister in my name, my darling. And tell her that I will +certainly avail myself of her kind invitation, at some future time." + +Claire's eyes danced eagerly. "Oh, I wish we could go now--at least, +soon." + +Fate chose to grant Claire's desire in a most unexpected manner, for +while they were still sitting, talking, in the semi-twilight, the +library door opened and a servant announced Mr. Allyne, to see Mrs. +Ralston. At once Mrs. Keith and her daughter arose to leave the room. +But Mrs. Ralston said, earnestly: + +"Pray, do not go; there can be no need for a private interview." + +And as at that moment Mr. Allyne himself appeared on the threshold, +the ladies all advanced to welcome him, and, this ceremony being over, +resumed their seats. + +"I have just received this letter from Mr. Lord," said Mr. Allyne, +after some moments of general conversation. "Read it, and then tell me +your opinion of its contents." + +The lady took the letter, looking the while somewhat anxious. As she +read, the look of apprehension deepened. When at last she dropped the +letter, her hands were trembling visibly, and her face was pale and +agitated. For a moment she sat in silence, her eyes full of fear and +her hands working nervously. Then she seemed to recover herself by a +powerful effort of will. Taking up the letter, she placed it in the +hand of Mrs. Keith, saying: "Read it, dear friend." + +Mrs. Keith took the letter and read: + + NEW YORK, Dec. 7th. + + WM. ALLYNE, ESQ., + + _Dear Sir:_--A man assuming to be a lawyer called on me this + afternoon, and requested information regarding our friend, + Mrs. Ralston. If I am not much mistaken he is in reality a + detective--I think I remember him in the Mallory case--and + is, doubtless, looking up evidence in regard to the lady's + second and most unfortunate marriage, either at the + instigation of her vagabond husband or some of his supposed + heirs. + + If you know the present address of Mrs. R., it would be well + to communicate with her, as some of her old servants are now + in this city, at service, and this fellow might ferret out + something through them. + + Having no authority to act in the matter, I could do no more + than baffle this man's inquiries so far as I was concerned, + much as I desire to serve the lady when I know the way. + + One thing: the fellow evidently believes in the story of her + death. + + Yours, etc., J. M. LORD. + +The three, Mrs. Ralston, Claire and Mr. Allyne, listened in silence +while Mrs. Keith read this letter. When at last she raised her eyes, +Mrs. Ralston said: + +"I must go to New York immediately, Mrs. Keith, and do, pray, allow +Claire to accompany me. I must accept of the hospitality of Mrs. +Girard, and I can not go alone." + +Mrs. Keith looked grave for a moment. Then, she said: "Mr. Allyne, is +it necessary that Mrs. Ralston should go at once?" + +"I think it advisable," replied Mr. Allyne. "Once in New York, Lord +can receive Mrs. Ralston's instructions, and act for her. In cases +like these I don't think it is best to trust to correspondence." + +"And, oh! don't let us delay a moment! Once there, I can keep my old +servants, who are all true friends, from inadvertently betraying me. +And I can trust Mr. Lord to find out who is the instigator of this +search," said Mrs. Ralston, eagerly. "Mr. Allyne, when can we start; +how soon?" + +"Not earlier than to-morrow morning." + +"Claire, can you be ready on such short notice?" asked the now anxious +lady. + +"I? Oh, yes, indeed!" laughed the girl. "I could be ready in an hour! +I do detest waiting--don't you, Mrs. Ralston?" + +"Very much, just now," said that lady, making an effort to smile; +"forgive me, dear friends, but I am really unstrung. The thought of +being hunted by that man is too horrible, after these years of +peace." + +"Then don't think of it, dear Mrs. Ralston," cooed Claire. "You will +be as safe as safe in the seclusion of my sister's villa. And you can +set things straight soon, when we have arrived. There can't be much to +fear, can there, Mr. Allyne?" + +"Nothing very formidable," said the banker, rising to take his leave. +"Pray, don't exaggerate the trouble, Mrs. Ralston. Prompt attention, +such as Lord will give the matter, will make all safe. Besides, he is +not hunting _you_; the man thinks you dead." + +"True; I had forgotten," said the lady, looking somewhat reassured. +"Claire, we will pack to-night, and then try and be content until it +is time to go." + +"Meantime, I will telegraph to Lord and let him know that you will +come, and when," said Mr. Allyne, taking up his hat to depart. + +The morning of their departure dawned clear and bright. Claire was in +extravagant spirits, while even Mrs. Ralston seemed to catch the +infectious cheeriness of the day, and her companion's mood. + +When they were about to enter the carriage that was to take them to +the depot, a letter was put into the hand of Miss Keith. She flung +back her veil and leaning back among the cushions perused it in +attentive silence. Having finished, she looked up with a little frown +upon her brow, and exclaimed: + +"How very provoking!" + +Mrs. Ralston looked alarmed. "Is your sister ill?" + +"Oh, no; it's Madeline." + +"The young girl I have heard you speak of?" + +"Yes." + +"Is _she_ ill?" + +"No; she got well, just to avoid me; she is gone." + +"Gone?" + +"Yes; or will be, when we arrive. Why, how stupid I am not to explain! +Madeline Payne has been with Olive nearly a week. She has been sick, +but is better, and will leave there to-day." + +Claire had said but little concerning Madeline, fearing lest in her +enthusiasm she should say too much. But she had revolved many plans +for bringing about a meeting between Mrs. Ralston and her "brave +girl." + + + + +CHAPTER XXXVII. + +"I HAVE COME BACK TO MY OWN!" + + +Quite the pleasantest of all the rooms that had been so sumptuously +fitted up, when "Mrs. Torrance" came to Oakley, a bride, was the back +drawing-room. At least it was pleasantest in Winter. Its large windows +faced south and west, and all of the Winter sunshine fell upon them, +glowing through crimson curtains, and helping the piled-up anthracite +in the grate to bathe the room in a ruddiness of crimson and golden +bronze. + +On this particular December day, the air was crisp and cold, and full +of floating particles of hoar frost, while the winter sun shone bright +and clear. Outside, one felt that it was an exceedingly cold sun. But +viewed from within, it looked inviting enough, and one felt inspired +to dash out into the frosty air and try if they could not walk _a la_ +hippogriffe, without touching their feet to the ground. + +Some such thought was floating through the mind of Mrs. John Arthur, +who was progressing in her convalescence very rapidly now, and who +had, on this day, made her second descent to the drawing-rooms. + +She had donned, for the first time since her illness, a dinner-dress +of rosy silk, its sweeping train and elbow sleeves enriched with +flounces of black lace. As there was, at present, no need to play the +invalid--herself and Davlin being the sole occupants of the room--she +was sweeping up and down its length like a caged lioness. + +By and by she swerved from her course, and coming to the grate, put a +daintily shod foot upon the bronze fender. Resting one hand on a +chair, and looking down upon Davlin, who was lounging before the fire +in full dinner costume, she said, abruptly: + +"How very interesting all this is!" + +Davlin made no sign that he heard. + +"Do you know how long we have been playing this little game, sir?" + +The man smiled, in that cool way, so exasperating always to her, and +lifting one hand, began to tell off the months on his fingers. + +"Let me see, ball opened in June, did it not?" + +She nodded impatiently. + +"June!" He was thinking of his June flirting with Madeline Payne, and +involuntarily glanced at the windows from whence could be seen the very +trees under which they had wandered, himself and that fair dead girl, in +early June. "Yes, the last of June--I remember,"--reflectively. + +"And pray, from what event does your memory date?" exclaimed Cora, +with strong sarcasm. + +He glanced up quickly. "Why, _Ma Belle_, from your introduction to the +hills and vales of Bellair, and the master of Oakley." + +"Oh, I thought it was from the time you received your pistol wound." + +Davlin smiled. "Yes, that scratch _was_ given in June; but I don't +date from trifles, Co." + +"Oh! Well, I fancy it was not the fault of the hand that aimed the +bullet, or rather of the _heart_, that you got a 'mere scratch.' I +never believed in your card-table explanation of that affair, sir." + +"Well, don't call _me_ to account for _your_ want of faith." + +"I believe you promised yourself revenge on the fellow who shot at +you. Why didn't you take it?" + +Lucian stooped down and brushed an imaginary speck from his boot toe, +saying, as he did so: "I was forestalled." + +"How?" + +"The--fellow--is dead." + +"Oh, well, I don't care about dead men--what I am anxious about is +this--" + +"Oh, yes," maliciously. "Return to subject under discussion. You +embarked in this enterprise in June--" + +"Bother," impatiently. + +"Late in Summer, bagged your game; in early Autumn, fitted up this +jolly old rookery--" + +Cora gave a sniff of disdain. + +"Next--well, you know what next. We haven't been two months at this +last job." + +"Nevertheless I am tired of it." + +"No?" + +"I won't stay here a prisoner much longer!" + +Davlin came close to her, and letting one hand rest upon her shoulder, +placed the other over hers, which still lay upon the chair back. + +"Cora, we won't quarrel about this. The situation is as trying to me +as to you; more so. But our safety lies in moving with caution, and--I +will not permit you to compromise us by any hasty act. You +understand!" + +His eyes held her as in a spell, and when, after a moment, the hand +fell from her shoulder and his eyes withdrew their mesmeric gaze, the +woman shrunk from under the one detaining hand and turned sullenly +away, looking like a baffled leopardess. + +Davlin resumed his seat and his former careless attitude. Cora walked +to the window and looked down upon the scene below. + +At length the man asked, carelessly: "Where's Percy?" + +"Down there," nodding toward the terrace, a portion of which was +visible from her point of view. "And, of course, my lady is in her +room watching from her window. When he throws away his cigar, and +turns toward the house, she will come down; not before." + +Davlin laughed at her emphasis, and while the sound still vibrated on +the air, the woman turned, and flinging herself upon a divan, said: + +"There, she is coming!" + +Complain as she might in private, Cora had acted her part to +perfection. Between herself and Miss Arthur, there now existed an +appearance of great cordiality and friendliness. While she treated +Percy with utmost politeness and hospitality, the remembrance of ten +years ago acted as an effectual bar to anything like coquetry, where +he was concerned. + +Scarcely had Cora settled herself comfortably upon her divan, when the +door opened noiselessly, and Miss Arthur sailed in, diffusing through +the room the odor of Patchouli as she came. She was, as usual, a +marvel of beflounced silk, false curls, rouge, and pearl powder. Her +face beamed upon Cora in friendliness as she approached her, saying, +with much effusion: + +"Oh, you poor child, how delightful to see you once more among us, and +looking like yourself." + +Lucian arose and gallantly wheeled forward a large easy chair, saying: +"And how charming you look, Miss Ellen; you make poor Cora appear +quite shabby by contrast." + +Cora cast a rather ungrateful glance at the gentleman, and the +spinster simpered, "Oh, you horrid man! Brothers are so ungrateful!" + +At this juncture, as Cora had predicted, Mr. Percy presented himself, +and the four fell into attitudes, in front of the grate--Percy leaning +on the back of Miss Arthur's chair, and Cora and Davlin in their +former places. + +"_Merci_," said Miss Arthur, pretending to stifle a yawn, "why can't +we all be out in this keen air and sunshine? If there were but snow on +the ground!" + +"Snow!" cried Cora, annoyed out of her usual assumption of feebleness; +"don't mention it, if you don't want me to die. We won't have snow, if +you please, until I can drive in a cutter." + +Percy laughed softly; his laugh was always disagreeable to Cora, as +having an undercurrent of meaning intended for her alone. And Davlin +said: + +"Hear and heed, all ye gods of the wind and weather." + +"Well, laugh," said Cora, half laughing herself, "but I am beginning +to feel ambitious. Do let's try to set something afoot to make us feel +as if we were alive, and glad that we were." + +"Agreed, Cora," cried Miss Arthur, gushingly, "only tell us what it +shall be." + +"Suggest, suggest;" this from Davlin. + +The spinster glanced up coquettishly, "Edward, you suggest." + +Percy caressed his blonde whiskers thoughtfully, and letting his eyes +rest carelessly on Cora, said, meaningly: "Let's poison each other!" + +"Or commit suicide!" retorted Cora, coolly. + +"Let's be more sensible," said Davlin. "Let's organize a matrimonial +society, get up a wedding, and go on a journey." + +"Anything that will break the monotony," said Cora, while the fair +spinster giggled and put her hands before her face. + +At that moment the monotony _was_ broken. + +While the words were still lingering on the lips of the fair +convalescent, the door was opened wide by old Hagar, who said, as if +she had been all her life announcing the arrival of great ones at the +court of St. James: + +"_Miss Madeline Payne!_" + +Then she stepped back, and a vision appeared before them which struck +them dumb and motionless with surprise. + +Across the threshold swept a young lady, richly robed in trailing silk +and velvet and fur; with a face fair as a star-flower, haughty as the +face of any duchess; with amber eyes that gazed upon them +contemptuously, masterfully, fearlessly; with wave upon wave of golden +brown hair, clustering about the temples and snowy neck; and with +scarlet lips half parted in a scornful smile. + +She swept the length of the room with matchless grace and +self-possession, and pausing before the astonished group, said, in a +voice clear as the chime of silver bells: + +"Good-evening, ladies and gentlemen! I believe I have not the honor of +knowing--ah, yes, this is Miss Arthur; _Aunt Ellen_, how do you do?" + +There are some scenes that beggar description, and this was such an +one. + +[Illustration: "_Miss Madeline Payne!_"--page 346.] + +Miss Arthur, who clearly recognized in this lovely young lady the +little Madeline of years ago, was so stricken with astonishment that +she utterly forgot how appropriate it would be to faint. + +Cora sat like one in a nightmare. + +Percy was conscious of but one feeling. True to his nature even here, +he was staring at this vision of beauty, thinking only, "how lovely! +how lovely!" + +And Lucian Davlin? At the first sight of that face, the first sound of +that voice, he had felt as if turning to stone, incapable of movement +or speech. At that moment, had Cora once glanced toward him, his face +must have betrayed his secret. But her eyes were fixed on Madeline. + +Davlin felt a tempest raging within his bosom. Madeline alive! This +glowing, brilliant, richly robed, queenly creature--Madeline! Again in +his ears rang her farewell words. Quick as lightning came the thought: +she was his enemy, she would denounce him! And yet, throughout every +fiber of his being, he felt a thrill of gladness. Again there surged +in his heart the mad love that had sprung into being when she had so +gloriously defied him. She was not dead, and he was glad! + +Old Hagar had closed the door after her young mistress; and now she +stood near it, calm and immovable as a block of ice. + +Madeline Payne stood, for a moment, gazing laughingly into the amazed +face of the spinster. Then she said: "Come, come, Aunt Ellen, don't +stare at me as if I were a ghost! Introduce me to your friends. Is +this lady my new step-mamma?" + +Cora roused herself from her stupor, and said, haughtily: "I am _Mrs. +Arthur_, and the mistress of the house!" + +"Ah! then you _are_ my new step-mamma? And you have been very ill, I +understand. Pray, don't rise, madame; you look feeble." Then, turning +again to Miss Arthur: "Don't you intend to speak to me, Aunt Ellen?" + +"But," gasped the spinster, "I thought, that--you--" + +"Oh, I see! You thought that I was dead, and you have been grieving +for me. Well, I will explain: I ran away from my respected papa +because he had selected for me a husband not at all to my taste. Not +desiring to return immediately, I seized an opportunity that came in +my way, and bestowed my name upon a poor girl who died in the +hospital, thus making sure that my anxious friends would abandon all +search for me. However, I have thought better of my decision, and so I +return to my own home to take my position under the _chaperonage_ of +my pretty step-mamma, as the _Heiress of Oakley_!" + +These last words opened the eyes of Cora to the new "situation." +Springing to her feet, she forgot for the moment all her weakness, and +cried, wrathfully: "You cannot come here with such a trumped-up story! +Madeline Payne is dead and buried. You are a base impostor!" + +Madeline turned tranquilly towards the spinster. "Aunt Ellen, _am_ I +an impostor?" + +"No," said Ellen Arthur, sullenly; "you are Madeline Payne. Any one in +the village could testify to that." + +Madeline turned to Cora. "Step-mamma, I forgive you. It _is_ hard to +find the entailed estate of Oakley slipping out of your hands, no +doubt, but this world is full of disappointments." + +Cora's eyes sought Lucian. That gentleman, who had, outwardly at +least, regained his composure, telegraphed her to be silent. + +Miss Payne asked: "Which of these gentlemen is your brother, Mrs. +Arthur?" + +Lucian stepped forward with his usual grace, saying; "I am Mrs. +Arthur's brother, Miss Payne. Pray, let me apologize for her +discourteous reception of you; she has been very ill, and is nervous." + +Madeline sank into a chair and surveyed him coolly, while she said: +"It is not necessary to apologize for your sister, Mr.--" + +"Davlin," supplied Miss Arthur. + +"Davlin," repeated Madeline, as if the name had fallen upon her ears +for the first time. "No doubt we shall be the best of friends by and +by. I certainly have to thank her for making so marked an improvement +in these old rooms," glancing about her. + +Here the still confused Miss Arthur, in obedience to a sign from her +lover, said: "Miss Madeline, this is my friend, Mr. Percy." + +Mr. Percy advanced, bowing like a courtier. The young lady scrutinized +him coolly, saying, with a gleam of mischief in her eyes: "I am +delighted to meet any friend of my aunt's." + +Then she turned to Davlin again: "But where is my step-papa? I have +kept myself partially informed of events here. Is he still unable to +be about?" + +Davlin looked very serious: "Miss Payne, I fear that my unhappy +brother-in-law will never recover his reason." + +Madeline uttered an exclamation expressive of concern, and said: "Oh, +Mr. Davlin, then don't let him know that I am here; at least not yet. +I am so afraid of the insane. I couldn't bear to see him now." + +Cora drew a breath of relief, on hearing this. But Lucian, who knew +the girl better, began to fear her, and mentally resolved to define +his own position as speedily as possible. One thing was evident; it +was no part of her plan to betray him, at least not yet. + +"Nurse," said Madeline, turning to Hagar, "see that a room is prepared +for me immediately, and send a servant to the station for my luggage. +Also, prepare a room for my maid, who is below, and tell her to get me +out a dinner dress immediately." + +Then turning to Cora, "Step-mamma, you look fatigued. Do go to your +room and rest before dinner. Mr. Davlin, at what hour do you dine?" + +He explained their reason for dining so early, and she said, as she +turned again to Cora, + +"Do lie down, step-mamma; there is still a half-hour before dinner. +And now I will go look after my maid." + +She swept them all a stately courtesy, and Percy springing forward to +open the door, she thanked him with a charming side glance, and passed +from the room like a young princess. + +There was dead silence among them for a full minute after the door had +closed behind her. Then Percy turned with a disagreeable smile upon +his face, and said: + +"You don't stand in need of something exciting _now_, do you,--Mrs. +Arthur?" + +This was too much. Cora sprang to her feet and casting one meaning +glance toward Davlin, swept from the room, erect and firm, utterly +regardless of the fact that her exit was quite incompatible with the +invalid _rôle_ she had been sustaining. + +An angry flush overspread the face of Lucian Davlin, as he realized, +after one quick look at the face of Percy, how thoroughly she had +betrayed herself. He was too good a diplomat, however, to quit the +field without a stroke in his own behalf. So giving a low whistle he +turned toward the spinster, saying: + +"See what excitement will do. One would think she had the strength of +two of us." + +To which Percy responded, dryly: "She certainly did not step like an +invalid." + +Then the three stood looking aimlessly at each other or anything, +seemingly not at all inclined to converse. + +After a few moments of listless gazing out at the window, Lucian +turned upon his heel and quitted the room. He was too wise to approach +Cora in her present mood. Even had he thought it advisable, he felt +little inclination to see and converse with her or anyone then. Like a +man in a dream, he wandered out and down the wide hall. Almost +unconsciously he opened the library door, and crossing to the great +double window, leaned against the casement and looked out. + +Again his eyes rested upon the grove where he had so often wandered +with the lovely girl who, to-day, had so coolly ignored him. Then she +had clung to him with trusting affection; now,--how did she look upon +him now? Could the love that she surely had felt for him in those +Summer days, have entirely died out in her heart? Did not a woman's +love outlast her anger? And was he not the same man, with the same +will-power, and the same strength of magnetism? + +Where had she been all these months? And how came she here now, robed +liked a princess; she, who had certainly left her home penniless? +Clearly, she had found friends. Who were they? And what did they know +of matters here at Oakley? + +For once Mr. Davlin was at a loss how to act. Would it be safe to +stay? Would it be wise to go? Would he be able to control Cora in this +new emergency? One thing was certain: The heiress of Oakley meant to +be mistress in her mother's house, and she was in a fair way to +possess the throne. + +Lucian turned away from the window, and from the scene that mocked +him, muttering: "I will see her alone, let come what will. I will make +one struggle to regain my power over her, and if I succeed--" + +Evidently the wily gambler could not testify as to what would be +likely to follow. For the second time since his partnership with Cora, +he found that lady a stumbling-block by no means despicable. + +On leaving the drawing-room, Cora rushed up the stairs, and throwing +open the door of her dressing-room, fairly precipitated herself across +the threshold, forgetting in her blind rage to close the door behind +her. She stood still for an instant, and then, springing to the +window, threw it wide open, letting in a flood of wintry air. For a +moment she leaned across the sill, drinking in deep draughts of the +frosty ether. Then dashing down the sash, she turned swiftly, and +encountered a pair of bright black eyes that looked in at her from the +secure darkness of the hall. Sweeping across the room, she confronted +the owner of the eyes, demanding haughtily: + +"Who are you? And how dare you spy at my door?" + +The woman--for it was a woman--came forward and said, respectfully: +"If you please, I am Miss Payne's maid, and I was just bringing up +some things from the hall, ma'am," lifting to view a chatelaine and +shawl strap. "I didn't mean to annoy you. I was only surprised to see +such a pretty young lady here." + +Miss Payne's maid was a large woman of a very uncertain age, arrayed +in sober black, not at all like the usual ladies' maid. But she seemed +so very respectful, and full of contrition at having annoyed such a +"pretty lady," that Cora made no further assault upon her, but closed +the door with unusual emphasis instead, and gave way once more to the +wrath that was filling her soul. + +To be baffled like this now; now, when her schemes were approaching +fruition; now, when this fair domain, this splendid fortune, was just +within her grasp, to have it plucked from her hand by a mere girl, who +mocked her while she said, "this wealth is mine, this house is mine; +woman, you have schemed in vain!" + +And this was not all. She had bound herself hand and foot. She had +jeopardized her liberty, for what might not occur, now that this girl +could demand access to the imprisoned old man, her step-father? If she +dared, she would go away that very night. But no; this would only +confirm suspicion, if suspicion were entertained. + +Not the least drop in her cup of bitterness, was the knowledge that +Edward Percy was secretly enjoying her discomfiture. As she thought of +him, and his look when she swept past him, Cora stopped short in her +angry promenade, and frowned fiercely. Then she crossed to her mirror +and surveyed her agitated face, saying, half aloud: + +"At least I will rob him of that pleasure; baffled as I may be, he +shall never enjoy my discomfiture! I can act a part yet. And Edward +Percy shall find that if my schemes are to be overthrown, his, too, +may suffer. He rejoices to see me thwarted; I will thwart him, let it +cost what it may!" + +And Cora began to smooth her rumpled locks, and put her somewhat +disarranged toilet in order, with swift, firm fingers. While she was +thus occupied, there came a tap upon her door. Recognizing it at once, +as Davlin's knock, she said, "come," and never once lifted her eyes +from her task. + +Lucian, finding that the dinner hour was at hand, and beginning to +fear that Cora might still further commit herself, had thought it +wisest to come and see what was the state of her feelings, and +endeavor to persuade her to play out her part. He entered the room +with some apprehension; but seeing her so composed, came close as she +stood before her dressing-glass and said, as he gazed down at the +flounce she was busy adjusting: + +"Now is the time for pluck, Co. You will come down?" + +Cora gave a last touch to the silk and lace and then, letting the +sweeping train fall from her hand, and standing very erect before him, +said: + +"Yes, I shall go down. Do you suppose I will let that man think that I +am completely annihilated? There; don't talk to me now! I shall not +forget myself again, never fear. But after dinner, come to me here. +You were wise enough to bring me into this charming 'corner,' now let +your wisdom take me out of it, or I will extricate myself in my own +way." + +Again the iron hand fell upon her shoulder, as her partner in iniquity +hissed in her ear: + +"And I intend that you shall not be a fool! Our game is not lost. Let +me once get the lay of the land, and we may win yet." + +She turned her eyes upon him with angry incredulity. "How, pray?" + +"Wait and see!" + +She made no reply, but, taking up her dainty handkerchief, turned to +leave the room, motioning him to precede her. In the hall, she paused +at the head of the stairs, saying: + +"Go down; I will come directly." + +"What are you going to do?" + +"Go down," she repeated; "I know what I am doing." + +She went slowly down the hall in the direction of the room before +which stood Madeline's luggage that had just arrived from the little +station. + +Lucian gazed after her in some amazement, watched her tap softly, +heard the door open, saw her enter the room, and then went slowly +down-stairs. + + + + +CHAPTER XXXVIII. + +CORA UNDER ORDERS. + + +When Cora entered the room, Madeline Payne stood before her mirror, +while her maid, kneeling beside her, arranged the folds of lustrous +azure silk that fell about the slender form. + +The door had been opened by Hagar, who could scarcely keep her eyes +off the beautiful face and form of her young mistress, and who was, in +consequence, making very slow progress with the work of putting away +the garments that had been discarded in favor of the lovely dinner +dress. + +Madeline realized fully that the part she was now playing was even +more difficult and distasteful than that which she had abandoned. But +she was resolute. To go back now would be worse than death. While she +felt a thrill of repugnance as she saw the fair, sensual face of John +Arthur's wife reflected in her mirror, she turned with smiling +countenance, saying: + +"Is it you, step-mamma? How kind of you! Am I delaying the dinner?" + +"No more than I am," smiled Cora, in return. "I thought you might like +me to wait for you, as you are so much of a stranger to your old +home." + +"Oh, I am not at all timid, I assure you; but it is nicer to go +together. Am I almost ready, Strong?" + +"Almost, Miss Payne." + +"How quickly your maid dresses you," said Cora, resolved to keep the +conversational ball rolling. + +"Oh, yes; Strong knows how to pack things so that what you want first +is uppermost, and I had my dinner dress in a hand traveling-case." +Then, turning about she asked, abruptly: "Have you a good maid, +step-mamma?" + +Cora laughed nervously as she replied: "I have no maid, good or bad. +My maid ran away a week ago, after robbing me and nearly killing me +with chloroform." + +"Mercy, what a wretch! What have you done with her?" + +"We have not found her." + +"Did you look?" + +"Yes; detectives are looking for her now." + +"Well, I hope they will find her. Now I am ready; come, step-mamma." + +And together the two descended the stairs. + +Three faces reflected three degrees of surprise, as the ladies entered +the drawing-room with every appearance of good feeling and mutual +satisfaction. Davlin and Percy took their cue immediately. The only +one whom an observer would have pronounced not quite at ease, was Miss +Ellen Arthur, who stared from one to the other rather more than was +polite, and who sustained her part in the conversation in a very +nervous, fragmentary manner. + +Dinner being announced, Mr. Davlin promptly offered his arm to +Madeline, who accepted it with perfect nonchalance. They followed Cora +to the dining-room, themselves followed by Miss Arthur and Percy. + +Where four people separately, and each for his own end, determine to +appear cordial and perfectly at ease, each one bent upon completely +blinding the other three, there must of a necessity be much +conversation, and more or less hilarity, whether real or assumed. + +These four, who were waging upon each other secret and deadly war, ate +and drank together; and while Madeline regaled them with a fictitious +account of herself during the time she had been supposed dead, the +others listened and commented, and vied with each other in paying +hypocritical court to the heiress of Oakley. + +"You see, step-mamma," said Madeline, as they lingered over their +dessert, "I was never ignorant of what was going on here. My old nurse +kept me informed. When I sent you the fiction of my death, I had no +intention of returning, for I had determined never to live at Oakley +during my step-father's reign. But upon hearing of his insanity, I +resolved to come back, being now, of course, the real head of the +house. Mr. Arthur being _non compos mentis_, I, as heiress, assume +control of my own." + +If a wish could have killed, Cora would have closed forever that +insolent smiling mouth. But she felt herself powerless. + +Davlin, with inimitable tact, came to her rescue: "Cora will be only +too glad to welcome the queen back to her own. Indeed, she has been +for some time declaring her intention of abdicating, for a time at +least, and taking Mr. Arthur south to some medicinal springs. But the +doctor fears the change will not benefit him." + +Madeline turned her eyes upon Cora. "She can't go just yet," she said, +with odd decision; "I want her society. Where is your doctor, Mr. +Davlin?" + +"He is up-stairs with his patient, Miss Payne. He usually joins us at +breakfast, but not often at dinner." + +The truth was that Lucian, not feeling upon safe ground, had advised +the "doctor" to keep discreetly out of the way of this shrewd young +lady for the present, lest her keen questions should draw out +something not to their advantage. + +Miss Payne turned to Cora again. "You have perfect confidence in the +skill of this doctor, step-mamma?" + +"Oh, yes!" said Cora, positively; "he has been known to me a very long +time. Besides, we had in one of the Bellair doctors, who agreed with +Dr. Le Guise in every particular." + +"Well, I must see this learned gentleman to-morrow, and my step-papa +also, I think. Step-mamma, you look fatigued; dining is too much for +your strength. Let us leave the gentlemen to their wine and cigars." + +As if she had been presiding at that table all her life, Miss Payne +arose, bowed to the two men, and preceding the two astonished ladies, +swept from the dining-room. + +Cora, as she followed the graceful figure, could hardly restrain her +mortification and rage. She felt a longing amounting almost to frenzy, +to spring upon the girl and stab her in the back. + +The two men did not linger long in the dining-room. Each felt anxious, +for reasons of his own, to be again in the presence of Miss Payne, and +so soon joined the ladies in the drawing-room. + +After a little more hypocrisy on all their parts, Cora arose to retire +to her apartments, declaring that the excitement of Miss Payne's +arrival had made her forgetful of herself and her health, and that she +began to feel her fictitious strength departing. + +Madeline, too, arose, and offering her arm to Cora, said that she +would also retire. Nodding a careless good-night to the three deserted +ones, she left the room, with the fair invalid leaning languidly upon +her arm. + +To the surprise and dissatisfaction of Cora, Madeline not only +accompanied her to her own apartment, but entered with her. Having +closed the door carefully behind them, she turned about, and dropping +all her assumed gayety and friendliness, said with the air of a queen +commanding a subject: + +"Now, Mrs. Arthur, let us understand each other!" + +The sudden and marked change of her voice and manner startled the +woman out of all her self-possession. She stood staring in the stern +face of the girl with all of the audacity frightened out of her own. + +Cora was an adventuress to the tips of her fingers. She was fond of +intrigue; she possessed a certain kind of courage; but she was, after +all, at heart, a coward. She was quite willing to compromise her soul +for gain, but not her body. In short, she loved herself too well to +find any piquancy in personal danger. + +Since the loss of the papers and the flight of Céline Leroque had +shaken her feeling of security, Cora had been restive and anxious to +bring this plot to a climax. She had found it not at all to her taste +to have Percy holding over her head a sword, be it ever so slender. +And now, as she confronted Madeline, all her selfishness was alarmed. +She waited in absolute fear the next words from the lips of her enemy. + +"You need not weary yourself by playing the invalid in my presence, +madame," pursued the girl. "I am quite well aware that your illness +has been all a sham. I know, too, that you have found the _rôle_ of +invalid very irksome." + +The eyes of Cora widened still more, and all the color fled from her +lips. But she made a fierce struggle and, although she could not +summon up her usual insolence, she managed to gasp out, half +defiantly: "What do you mean?" + +"You understand my meaning," replied the girl, with contempt. "I mean +that you are in my power, and that you must obey my will." + +For a moment Cora's anger outweighed her fear. She came a step nearer +and said, sneeringly: "Indeed, Miss Payne! That remains to be seen!" + +"True," assented Madeline, coldly. "First, then, you had better +instruct your friend, Dr. Le Guise, not to administer _hasheesh_ to +Mr. Arthur to-morrow, in order to have him properly insane when I +visit him." + +Cora's knees bent under her, and all the color fled out of her face. +But she rallied her flying courage enough to say: "Explain yourself, +Miss Payne." + +Madeline drew toward her Cora's easiest lounging chair, and seated +herself therein with much deliberation, saying, as she did so: + +"You had better sit down, Mrs. Arthur; there is no necessity for a +display of anger, or for any more attempts at deception. The one is as +useless as the other is transparent. And I have considerable to say to +you." + +Cora moved sullenly toward a chair and sank into it, feeling like a +woman in a nightmare. + +"First, then, for your position," pursued Madeline. "It is sufficient +to say that I know of your scheme to dispose of Mr. Arthur and inherit +the wealth you supposed to be his." + +Cora was beginning to feel a return of combativeness, and she +exclaimed quickly: "That is false!" + +"I know," pursued her inquisitor, ignoring her retort, "that this man +you call 'Dr. Le Guise,' is your tool and--_I have had every drug that +has been prescribed by him analyzed by city physicians!_" + +Cora saw that she was indeed undone, and began to fight with the +recklessness of despair. "I don't believe you!" she cried, reckless +that she was committing herself. "That old spy, Hagar, has fancied +these things. How could you get the medicines?" + +"Not through Hagar." + +"How then?" + +"_Just as I got the certificate of your marriage with Mr. Percy._" + +The woman sprang to her feet. "You--you are--" + +"Céline Leroque, madame!" with an imitation of the ladies' maid +accent. + +Cora fell back in her chair panting. + +"Now," resumed Madeline, "why don't you reflect that, if it were my +intention to denounce you, I could have done that long ago. Are you +not aware that my step-father is my enemy?" + +"Not--in that way." + +"In that way precisely. John Arthur tortured my mother until she died +heart-broken. He made my childhood miserable, and shut me up in a +convent to pass my girlhood in loneliness. He bartered me in marriage +to a man older and uglier than himself, for ten thousand dollars. Then +I defied him to his face; swore to revenge upon him my mother's wrongs +and mine; and ran away. Do you understand now why I have allowed you +to persecute John Arthur?" + +Cora's courage began to revive. "I think I do," she said, slowly. + +"You see, Mrs. Arthur, it is in my power to arrest you; first, for +Bigamy, and second, for Attempted Poisoning." + +Cora looked at her coolly. "But you won't do either," she said. + +"Won't I? And why not?" + +"Because, to do either, you must bring your own name into too +prominent notice." + +Madeline laughed scornfully. + +[Illustration: "You--you are--!" "_Céline Leroque_, madame."--page +362.] + +"You forget," she said, "I left my home for revenge. I feigned to be +dead--I returned to Oakley in disguise--for revenge. Do you think that +I will let my pride stay me when, by exposing you, I can complete my +vengeance upon John Arthur?" + +Cora's countenance fell. She had not viewed the matter in just that +light. She made no answer, and Madeline continued: + +"Don't flatter yourself that I shall hesitate, if I cannot effect my +purpose otherwise. I am not disposed just now to war with you, but if +you do not see fit to accept my terms, then I must turn against you." + +"What do you want of me?" sullenly. + +"I want you to continue as we have begun. I want Miss Arthur, Mr. +Percy, and your brother, to believe us the best of friends. Above all, +I want John Arthur to think us allies." + +"And what then?" + +"Then, you will be safe so far as I am concerned. Then, when I have +accomplished my purpose and hold in my hands the keys to the Oakley +coffers, you shall have money, and shall go hence to resume your +career in whatever field you choose." + +"What security have I for all this?" + +"My word!" + +"And if I reject your terms?" + +Madeline smiled oddly. + +"What is to prevent my leaving this place now, to-night?" said Cora. + +Madeline laughed, saying: "Do you want to try that?" + +"If I did, what then?" + +"Then--you would not be permitted to leave these premises!" + +"Ah! you have spies in this house!" + +"Yes; and out of it. There is no chance for you to escape. There is +no chance for any one to escape. Mrs. Arthur, is this man that you +call your brother really such, or is he, too, in your plot?" + +Cora looked at her keenly, but it was no part of Madeline's plan to +let her know that she had ever seen Lucian Davlin before that evening. +Her face was as calm and inscrutable as the face of the sphinx. + +"No," said Cora, at length "my brother does not know of it." + +"I am glad of that," replied Madeline. "But, for fear of any +deception, he will be kept under _surveillance_; and if anything is +communicated to him I shall surely know it." + +"Why did you rob me of those papers?" asked Cora, abruptly. + +"Because," said Madeline, leaning forward, "you and I have a common +enemy." + +"What! not Percy?" + +"Yes, Percy!" + +Cora looked amazed. "But--have you known him before?" + +"I never saw him until he came to Oakley." + +"I can't see how he has incurred your enmity here." + +"He has not incurred my enmity here. I hated him before I ever saw +him." + +"Why?" + +"Because he has wronged a friend who is as dear to me as life." + +"Oh!" + +"Don't puzzle your brain over this; you won't be enlightened. It is +sufficient for you to know that you can serve me if you choose, +because we are both enemies of the same men." Then, rising, "Now +choose; will you remain here as my ally, or leave in disgrace, and a +prisoner, as my enemy?" + +Cora reflected, and finally said: "I accept your terms." + +"Very good; and now for precautions. You must allow me to supply you +with a maid." + +"What?" + +"You are an invalid; I am well and strong. What could be more natural +than that I should desire you to have every care and comfort that I +can desire? I shall give you my maid; she will supply the place of +Céline Leroque." + +"I won't have her," cried Cora, angrily. "I won't have a jailer." + +"Certainly not; you will have my maid, however. I will get another +to-morrow." + +"I won't have her!" + +"Nonsense." Madeline stepped quickly to the door and opened it. +"Strong," she said, softly. + +Instantly in stepped Strong, who had been just outside awaiting the +orders of her mistress. + +"Strong," said Madeline, "I am going to let you wait upon Mrs. Arthur. +She is in delicate health, and needs a maid. You must be _very +attentive_, and don't let her get into any draughts. You can sleep in +the dressing-room; and if she is not _well cared for_, I shall hold +you accountable." + +Cora looked at the big, robust woman, so appropriately called Strong, +and felt that she was indeed a prisoner. + +Strong bowed in silent submission to the will of her late mistress, +and turned her broad visage upon her new one. + +Madeline moved to leave the room, saying, with a return to her former +manner: "Good-night, step-mamma; try and go down to breakfast with me +in the morning, won't you?" + +Without waiting for a reply, she opened the door and swept across the +hall, and Cora heard her door close behind her. Not deigning a single +glance at Strong, Cora sat tapping her foot upon the carpet and +reviewing the situation. After some angry musing, the practical side +of her nature began to assert itself. She reflected that she was not, +after all, in immediate danger; and that she would be still, to all +outward appearance, the mistress of Oakley. There was not much to fear +just now, and she would keep her eyes open. + +Meantime, she would not be unnecessarily uncomfortable. And so, being +by nature indolent, she decided to make the most of the unwelcome +Strong. Turning toward the statue-like figure near the door, she +galvanized it into life by saying: + +"Strong, get my dressing-gown from that closet, and then take off my +dress." + +And Strong commenced her duties with cheerful alacrity. + + + + +CHAPTER XXXIX. + +MYSTIFIED PEOPLE. + + +John Arthur sat before a smoldering fire, gazing moodily down at the +charred embers that had lost their glow and only showed a dark red +light here and there, as if to assure one that there was fire in the +grate. + +He was thinner than of old. His face wore a sickly pallor. His hands +that clutched the arms of his invalid's chair worked incessantly, +indicating surely that his nerves were in anything but a state of +calm. He was feeble, too, in body; but his mind, spite of the verdict +of the Bellair physician and the drugs of the Professor, was still +unimpaired. + +In the solitude of the two rooms, out of which he had not once +stepped since first he was removed to the west wing, he had had ample +time for reflection; but he had by no means arrived at a state of +mental beatitude. + +He had found it useless to struggle, useless to bluster, to argue or +to plead. Henry was a merciless jailer, and Dr. Le Guise a sarcastic +one. + +His breakfast had been served, and stood upon the table beside him; +but he scarcely glanced at it. When Henry came in from the ante-room +to remove the things, he said, without looking up: "Go ask Le Guise to +come to me." + +Henry carried away the tray, deposited it in the ante-room, locked the +door of the chamber carefully, and made his way to the breakfast-room. + +At that moment, the incongruous mixture called the family, were there +assembled, including the Professor. The latter was just then +discussing the condition of his patient with Miss Payne, in blissful +ignorance of the fact that the young lady was fully conversant with +his mode of treatment, and the true condition of her step-father's +health. + +"You see, my dear young lady," the Professor said, pompously, "his is +the worst form of insanity; the very worst. When a patient raves +constantly we know precisely what to do with him. But when he is, at +times, to all appearance, as sane as yourself, and yet liable at any +moment to blaze out a perfect madman, one dislikes to treat him as a +madman, and yet it is not safe to consider him a sane being." + +Madeline nodded, with a splendid assumption of profound interest. + +"It's a sad case," she said, pensively. "I almost dread the +interview." + +"I think he is quite collected this morning, and he may be calm +throughout. I hope so, for I should not like to have you witness one +of his tantrums." + +"I have seen him in tantrums when he was considered sane," said the +girl, with an odd intonation. + +Then looking up, she saw Henry, who had entered the room and stood +staring at her in speechless amazement. Hagar had informed him that +his young mistress was in the house. But he was not prepared for the +vision of loveliness that the girl presented, as she turned toward him +clad in her morning robe of snowy cashmere bordered with swansdown, +and trailing after her like a train of snow. Luckily no one noted his +start of surprise and quick glance of recognition, and Madeline said: + +"Is not that my step-father's attendant, doctor? I think he wants +you." + +The "doctor" beckoned Henry to approach, and said, affably: "Well, and +how is our patient, Henry?" + +"About as usual, sir. But he wants to see you." + +"Oh, he does? Poor soul, I'll come directly, Henry." Then, turning to +Madeline: "Shall I break to him the news of your arrival?" + +"No; not unless you think it unsafe to surprise him." + +"On the contrary, an agreeable surprise might prove beneficial." + +The Professor, who had received sundry instructions from Davlin, +assumed to be ignorant of the fact that the patient supposed his +step-daughter dead. + +Smiling a little at the hypocrisy of the man, who pretended to have at +heart the interest of a patient supposed to be in an excessively +nervous state, yet was quite ready to expose that patient to the shock +of meeting, without previous preparation, one supposed to be dead and +in her grave, Madeline turned, and with a gesture brought Cora to her +side. + +"Is Dr. Le Guise aware that my step-papa believes me to be dead?" she +asked. + +Cora and the Professor looked dubiously at one another for an instant. +Then the former, seeing her cue in the face of the latter, said: "He +is not." + +"Well, step-mamma, I am going up to see him soon, and, on second +thought, it will be best to have the doctor inform him of my +resurrection." + +Cora nodded. + +"And," pursued the girl, "I will only say that I desire you, doctor, +to inform him that I feigned death for reasons of my own. That I am +here in the flesh, and will appear in his presence soon. When you have +prepared him for my coming, have the goodness to come down and tell +me." + +Saying this she turned away, after which the Professor quitted the +room to obey the summons of his patient. + +Lucian Davlin had witnessed the interview, the summons and the +departure, from a distance. He had found no opportunity for conversing +with Cora, as yet, and was sorely puzzled by the present aspect of +affairs. + +He had watched the two narrowly, but he found himself unable to read +the true meaning lurking beneath the soft words that fell from the +lips of Madeline. He could hear no jar in the music of her voice, +could catch no glance that would give the lie to her honeyed words. +She was playing her part like a born actress. + +He had not expected to see Cora accept the situation without a +struggle. He was glad to find that there was to be no scene, and +yet--somehow he felt himself at a disadvantage. + +He had viewed the situation from his stand-point, however, and had +decided upon his course of action. + +First, he was resolved not to quit the field until he had made a +desperate attempt to regain his power over the heiress of Oakley. +Second, he would use stratagem in order to obtain an interview with +her. + +In due time, Dr. Le Guise came among them once more, and announced to +Madeline his readiness to conduct her into the presence of his +patient. + +"He is quite prepared to see me, then?" questioned Madeline. + +"Quite, although I left him a trifle agitated and upset." + +As they paused at the door leading from the hall of the west wing, she +said: + +"I will go in alone, Dr. Le Guise." + +"As you please." Then, as it were an afterthought. "I really believe, +for your own safety, you had better keep Henry near you." + +"I shall be in no danger," she replied, and entered the outer chamber, +closing and locking the door after herself. + +In answer to her knock, the door of the ante-chamber was unlocked and +opened by Henry. Madeline swept across the threshold and extended her +hand to the faithful fellow, saying: + +"Henry, I am glad to see you. I hope you do not find your present +duties too heavy?" + +"Not since I knew I was serving you, miss," said the man, +respectfully. + +"You are serving me, Henry. I need you here very much; and rest +assured you shall have your reward for all you have done or may do for +me." + +Evidently the prospect of reward was not unpleasing to him. His +countenance beamed satisfaction. + +"And, Henry," continued his mistress, "attend to this. You are not, on +any account, to give your charge any more of the medicine prepared for +him by the doctor." + +A look of surprise shone from the eyes of the negro, but he answered +simply, like the well-trained servant he was: "Yes, miss." + +"Above all, Henry, you are to let the doctor think that you administer +all that he gives you." + +Henry signified that he fully understood and would obey his +instructions. Then he opened the inner door, and John Arthur and +Madeline Payne stood once more face to face! + +For a moment, the two eyed each other in silence. Then John Arthur +said, with a sneer on his lip, and in a tone which proved clearly that +time and imprisonment had not taught him meekness: + +"So, you young jade, what escapade have you been up to now? And how +dare you come back here like a young princess? Why don't you keep out +of my house?" + +Madeline laughed scornfully. "_Your_ house!--But I forgive you, +step-papa; of course you are not accountable for your words." + +Her tone was mockery itself. The man found it difficult to restrain +his wrath as he looked in her scornful face and said: "Don't dare to +pretend to believe that I am crazy! Are you in league against me, +too?" + +Wishing to draw from him just how much of the baseness of Cora he +believed in, or suspected, she dropped her voice and asked, in assumed +surprise: "Is it possible that you believe some one to be plotting +against you?" + +"Is it _possible_! How else could I be kept shut up a prisoner in my +own house?" + +The girl seemed to ponder. "Who is your enemy?" she asked. + +"Every one in this house." + +"What! Surely not your wife?" + +"I'm not so certain of that." + +"But she, too, has been sick." + +"Have they locked _her_ up?" snapped he. + +Madeline smiled. "Well, not exactly; she is not allowed much liberty, +though." + +"Why won't she come and see me?" + +"Mercy! She is too delicate." + +"Seems to me you are well informed for one so lately arrived." + +"I _am_ well informed, Mr. Arthur. But I am not a late arrival." + +"What do you mean?" sullenly. + +"Just what I say," with an odd laugh. "I have been in this house since +you were first put in these rooms." + +He sat like one stupefied. At last he sprang up and fairly yelled, "In +the fiend's name, explain this chicanery. Why are you here? Who is +keeping me a prisoner, and wherefore? Is it _you_, you little virago?" + +"Softly, step-papa; one thing at a time. I am here because _you_ are +here," she said in a voice of unruffled calm. "Who is keeping you a +prisoner, you ask? I am." + +Once more he seemed on the point of giving way to a paroxysm of rage, +but controlled himself and said, sullenly: + +"I suppose I may thank you for my imprisonment from first to last." + +"You may thank me if you choose, but it will be bestowing your +gratitude upon the wrong party. I did not lock you up. I simply +permitted it." + +"And why have you leagued with my wife--curse her--to shut me up like +a thief?" + +"Why?" her voice rising in angry scorn, "Do you ask me _why_? Why did +you make my mother almost a prisoner in her own home? Why did you +crush her in life, and blaspheme her in death? Why did you drive her +daughter from the home that was hers, to escape from your cruelty, +your insults, your avarice? John Arthur, how dare you ask me _why_ you +are here!" + +Again the flashing eye, the ringing, wrathful voice, the white, +uplifted hand. They menaced him again, as on that June evening when +she had defied him and then fled out into the darkness, not to return, +save in dreams, until now. + +Again he felt a thrill of terror, and he sat before her mute and +cowering. At last he found voice to say: "Do you mean that you intend +to keep me a prisoner?" + +Her eyes met his full. They were cold as snow and resolute as fate. +"You will never leave these rooms until you accede to the terms I have +to propose." + +Her audacity fairly stunned him. He fell back a pace as he said: +"What--terms?" + +"First, you are to agree to resign the guardianship of my property. +Second, you are to leave Oakley forthwith and forever, and to keep +ever and always away from me and all that is mine." + +"Bah!" he cried, angrily, "do you think I am a fool? I won't resign my +guardianship; the property is _mine_, not yours!" + +"Then I will choose a new guardian immediately. How ignorant of law +you are, step-papa! Don't you know that you are legally _dead_? Don't +you know that a lunatic can't hold property? Legally, I can choose a +guardian to-morrow." + +"You she-devil! But I am not a lunatic!" sneered he. + +"How obtuse you are, step-papa! You _are_ a lunatic; we have the +certificates of two physicians to that effect; and that is all the law +requires. Now, be reasonable; what can you do?" + +"I'll get out, by heavens," he yelled; "and I'll put you in State's +prison for false imprisonment!" + +She turned upon him with the utmost composure. "My dear sir, you have +not one witness to prove that you are a sane man. There are many to +prove that you have been subject to violent fits of madness." + +She turned again, and he, no longer seeking to control his rage, +sprang toward her, uttering a volley of curses. + +During their entire interview, Henry had stood like a sentinel at the +outer door of the ante-room, while that leading into the chamber of +the prisoner stood wide open. At the first accent of rage, he darted +forward; and as the girl sprang away from her step-father, that +gentleman felt himself seized and hurled with scant ceremony to the +middle of the room. + +"Don't you try that, sir!" cried Henry, in high wrath. "You won't find +me a friend, if you do." + +"So," panted the old man, "this is one of your hirelings, is it? And +pray, sir, what is this young fiend to pay you for your services?" + +"That's my affair," responded the man, coolly. "You can't buy me off; +and if you try that game again, you will get yourself into a straight +jacket." + +Madeline laughed, and said: "There, Henry, you need not be alarmed for +me. But when you report this attack to the doctor, tell him that I +think he had better take measures to secure his safety and yours, in +case your patient should be again seized with a fit of violence." + +John Arthur immediately saw that he had damaged his own cause. + +"You had better sleep upon my proposition, Mr. Arthur," said Madeline, +from the threshold. "If you pine for liberty, send for me. And don't +think, for a moment, that I shall allow you to go free without taking +the necessary precautions to insure myself against any trouble you +might desire to make me. Adieu, Mr. Arthur." And she swept from the +room. + +John Arthur stood for many minutes in the same place and attitude. +When his anger would permit him, he began to wonder. She had come and +gone, and how much the wiser was he? Where had she been all these +months? Why had she allowed them to think her dead? Who were her +friends, for friends she must have found? Why had her presence in the +house, if she had been here, been kept from him? How had she gained +the ascendancy over every one in that house? He thought so long and +intensely that he started up, at last, almost beginning to fear that +he was becoming mad. + +When Dr. Le Guise again came into his presence, he began to question +him. But it was labor lost. Dr. Le Guise would not admit that he was a +sane man. Dr. Le Guise knew nothing, absolutely nothing, outside the +range of his professional duties. He was sorry for his patient; very +sorry. He assumed to take all assertions on the part of Mr. Arthur as +so many fresh evidences of insanity. + +[Illustration: "Don't try that, sir!" cried Henry, in high +wrath.--page 375.] + +He was very grave, was Dr. Le Guise, but not to be moved. In fact, the +prisoner fancied that he could observe in the doctor's tone, manner, +and countenance, an unusual degree of complacency, and relish for his +position and authority. And the prisoner was right. The reason for +the doctor's placidity of manner was simply this: + +Madeline on leaving the rooms of the west wing, had encountered the +worthy "doctor" just at the turn of the passage, and she had paused, +saying: + +"Dr. Le Guise, you were right about my unfortunate step-father. He is +quite mad, and really a dangerous charge. An ordinary fee is too +little to offer you, considering what you have undertaken. I don't +know what terms my step-mamma has made with you, but I will volunteer +to double her price. You will be amply remunerated, and must consider +the house and everything in it at your disposal, so long as you keep +your patient safe, and do not permit him to do any mischief." + +The astute Professor had taken in the full meaning of her words, which +served to quiet the fears that had haunted him since the advent of +Miss Payne; fears that the young lady would prove to be an enemy, and +one keen enough to fathom the secret they were keeping hidden in the +west wing. + +He had seen that, for some reason, neither Cora nor Davlin dared, or +did, oppose her. Now he fancied he understood the reason; it was +because they did not fear her, for her interests were in common with +theirs. + +"He is certainly a dangerous man," said the Professor, gravely; "I +will obey your instructions to the letter." + + + + +CHAPTER XL. + +DAVLIN'S "POINTS." + + +Madeline having left the morning-room, accompanied by the too +observant Professor, Lucian saw at once his opportunity for a few +words with Cora. Without too great an appearance of haste, he moved +across the room, pausing before the fire, in front of which Miss +Arthur was seated, and addressing to her a few careless words. Then he +glanced at Percy, who sat at the most remote corner of the room, +assuming to be much interested in some geological specimens in a +little cabinet. + +Cora divined his intention. She knew, too, that this was the very best +place for an interview, which she desired to make a brief one, being +somewhat afraid of committing herself if she allowed him to ask too +many questions. So she moved over to the window, and seated herself in +a low chair. + +She had decided upon her own present course of action. She would play +her part well while she remained at Oakley, and she would escape from +it as soon as she had succeeded in blinding the eyes of her jailers, +for she mentally acknowledged them as such. + +When Davlin at length crossed the room, and dropped carelessly down in +the chair at her side, she lifted her eyes to his, and said, +inquiringly: "Well?" + +He looked at her keenly for a moment. Then, not to lose any time by +useless words, came straight at the point. + +"Time's precious, Co. We can't attract attention by a long dialogue, +and yet we must talk things over. When can I find you alone?" + +"Not at all for a day or two." + +"Why not?" elevating his eyebrows. + +Cora rested her head upon her hand in such a way as to conceal from +those at the opposite end of the room, the expression of her face, and +said: + +"Because I want to be sure that we can talk without being observed. +Miss Payne seems very friendly, and has given me her maid because, +she says, an invalid needs waiting on, and she sleeps in my +dressing-room. I don't want to excite suspicion by sending her away, +in order to admit you, and--I don't see that there is much to be +said." + +Lucian seemed weighing her words for a moment. Then he asked: "What do +you make of Miss Payne?" + +"What do you make of her?" she retorted, quickly. + +"Nothing, as yet." + +"No more do I." + +Another brief silence, and then he asked: "Do you think there is any +immediate danger--for us?" + +"As how?" + +"From him: Arthur." + +Now came Cora's grand coup. She felt pretty sure that Lucian knew of +her interview with Madeline, and believed that she would be telling +him no news when she said: + +"Listen! She went with me to my room last night, and she asked a good +many questions about him. And I am sure of this: she is no friend to +him, and if she sees no reason for suspecting any of us, she won't +trouble herself about him. She told me that she ran away from home +because she had been so oppressed by him, and that his attempt to +marry her off, in order to put money in his own pocket, was only one +among many of the things she had endured at his hands. Of one thing I +am sure: the old man may be a stumbling-block to us, but he is an +object of positive hatred to her." + +Cora uttered this combination of truth and falsehood without the least +compunction. If she could have warned him of the danger hanging over +them without jeopardizing herself, she would have done so. But that, +she knew, was impossible. + +He had planned this "game" which now bade fair to be such an utter +failure, and if anyone must suffer, why, let it be him. And then, too, +she reasoned, she had not gathered from the words of Madeline that she +suspected Mr. Davlin of duplicity of any kind. As for the Professor, +Cora cared little what became of him. She could gain nothing and +might, doubtless would, lose much by warning him. + +Lastly, Cora assured herself that were their positions reversed, and +Lucian the one who saw that his own safety lay in leaving her to her +fate, he would not scruple to make her his scapegoat. And in this she +was quite right. + +Again the man seemed to puzzle over some knotty, mental question. Then +he arose, and leaning against the window frame in a favorite attitude, +glanced across at Percy and the spinster as he asked, slowly: "Did she +say anything about me?" + +Cora looked up in genuine surprise. "About you? No; why should she?" + +"I mean," he said, "did she say anything to cause you to think that +she suspected us?" + +"No," shortly; "why should she? She never saw either of us until +yesterday." + +"What do you think brought her back here just now?" + +"It's easy enough to see why she came back. She has heard of the +insanity of Mr. Arthur, and has come, as she said, to take possession +of her own." + +Another pause; then Cora said: "Is the Professor 'up' to anything +new?" + +"No." + +"Then don't let him take the alarm. It would hurt us. We can't run +now, and I don't think we have much to fear. We will lose the +money--that's all." + +Lucian looked out upon the evergreens and graveled walks of Oakley, +and said, under his breath: "Will we?" + +Then he turned upon his heel and sauntered out of the room. + +The question that was then uppermost in his mind, the question that +had been since the first shock of her reappearance had given him time +to think, was, why had Madeline returned to Oakley? + +Was it, as she alleged, because she had changed her mind, and wanted +to be mistress of her own? Or was it because he was there? If he could +convince himself that the latter reason was the true one, then he +would know how to act. + +She had kept herself informed of affairs at Oakley. Then she must have +known of the fact that the so-called brother of John Arthur's wife was +Lucian Davlin. She must have known that. Of course she knew it. Did +not her manner on the evening of her arrival prove that? Not for one +instant did she lose her self-possession. Had his presence been +unexpected, she could hardly have restrained every sign of emotion, of +recognition. Clearly, she was prepared for their meeting. + +Ah! now he was getting at things. If she came to Oakley, knowing him +to be established there as a member of the family, she came +_expecting_ to meet him. She was not afraid of him, then. She was not +averse to meeting him. Perhaps--he began to think it highly +probable--she came solely to meet him. If so, did she come for love, +or--for revenge? + +If she came for revenge why did she not denounce him? But no, she +would hardly do that. What woman would? But she might have assumed +toward him a more hostile attitude. + +Finally, his masculine vanity helped him to a conclusion. A woman +seldom forgets her first love so easily, and he could meet her so +differently now. She had _not_ forgotten her love for him. He could +win it back, and her forgiveness with it. And then--then, if he could +but manage Cora, what would hinder him from marrying her, and being +in clover ever after! He was tired of roving; they could go to the +city; he need not give up gaming, and--he really loved the girl; had +loved her since the day she had escaped from his snare. + +Having arrived at this stage in his day-dream, he began to feel +buoyant. And when he heard from the Professor the result of Madeline's +visit to her step-father, his complacency was at high tide. + +"It's all in a nutshell to me," said the Professor, as they smoked +their confidential cigars in the privacy of Lucian's own room. "Mind, +I don't suppose she _is_ up to our game; she can't be, you know; but +she is pretty thoroughly convinced that what she thinks is his +insanity, is but temporary." + +"How do you know that?" interrupted Lucian, sharply. + +"Not from anything _she_ said; I had very few words with her. But look +here, Davlin, isn't this a clear case enough? When I went up to see +the old fool, after their interview, I find him in a paroxysm of rage. +Of course he makes his complaint; his _ravings_ informed me of this: +She told him that she did not really think him very crazy herself, but +two doctors _did_, and she didn't feel called to dispute them. She +told him that he could not prove himself sane in any court in America; +and that he, being insane, was dead in law; and she was going to +choose another guardian." + +Lucian Davlin fairly bounded from the chair. "That's it!" he +ejaculated under his breath. + +"Then," pursues the Professor, puffing away tranquilly, "she comes +straight from this interview and meets me, to whom she says that, 'It +is a most deplorable and dangerous case; that he is really liable to +attack me or Henry at any moment; that I must take every precaution +and guard against his sudden attack, even if I were forced to confine +him still more closely; and that she had suspected him of partial +insanity long ago.' Now, what do you think of that?" + +Precisely what he thought it was not Mr. Davlin's intention to tell. +One idea, however, he expressed promptly enough: "I think," he said, +leaning a little forward and looking full at his companion, "that you +had better take the advice of Miss Payne. Confine him close, the +closer the better; but don't drug him any more at present!" + +The Professor nodded serenely as he said: "Right, quite right. Just +what I was about to suggest." + +He might have added that he had resolved upon taking the course +indicated, even if the suggestion had not been made. "The young lady +holds the winning cards," he had assured himself. "I will take her +orders before I get myself in too deep!" His "too deep" meant deep as +the grave. + +And now Lucian had a new subject for conjecture. If Miss Payne +proposed to appoint for herself a guardian, who would she select? Who +had been caring for her during all these months? Was it man or woman? + +The only information she had volunteered had been implied rather than +spoken. In answer to Miss Arthur's rather abrupt query at the +breakfast table, as to how she had managed to prosper so well in a +strange city where she had no friends, the girl had replied, with a +little laugh: + +"I suppose it has never occurred to either yourself or Mr. Arthur that +I might have found out some of my mother's friends. I was put in +possession of my mother's journal on the very day that I ran away from +Oakley. I am not so friendless as you may think." + +Lucian was again puzzled, but knowing the girl as he did, he was not +prepared to believe that a guardian, in the form of a lover, would +appear. He was now convinced that Cora, whom at first he had somewhat +doubted, was not for some unknown reason attempting to deceive him. + +The Professor's story had corroborated hers, and given him, as he +expressed it, "a fresh point" in his game. But alas for Lucian! Every +fancied discovery only beguiled him farther and farther from the +truth, and rendered him more and more blind to the chains that were +being forged about him. + + + + +CHAPTER XLI. + +THE DAYS PASS BY. + + +Several days passed and still Lucian Davlin had not found the much +wished for opportunity to converse with Madeline. Neither had he been +able to find Cora alone. Visit her room when he would, there was the +burly waiting-maid. Finally Cora had warned him, with some asperity, +that his "actions looked rather suspicious," and then he obeyed her +gentle hint and remained aloof. + +Two days after the bestowal of Strong, the maid, upon the +not-too-grateful Cora, an angular, grenadier-looking female presented +herself at the servants' entrance, announcing that she was "the new +maid;" and she was installed as high priestess of Madeline's +apartments without loss of time. + +The servants below stairs made comments, as servants will. Even Miss +Arthur, Percy, and Davlin agreed in calling the two maids, +respectively, "Grenadier" and "Griffin." + +But only Cora knew that the two were better learned in the art of +spying than in matters of the toilet. She knew herself to be under +continual surveillance. Above stairs or below, Madeline or Hagar, +Strong or Joliffe were not far away. And yet she had not abandoned her +plan of escaping. + +One morning, Cora, looking from the window of her dressing room, saw +two men moving about in the grounds below. Upon commenting upon their +presence there, Strong had answered, readily; + +"Yes, madame, Joliffe tells me that they are here to sink a well. Miss +Payne has decided to have a fountain among those cedar trees, and they +are to go to work immediately." + +"But a well in winter! They can't dig." + +"They don't dig; they bore. It's to be a fountain, madame." + +But in spite of the "fountain" explanation, Cora knew that the house +was guarded from without as well as from within. + +"It's no use to warn Lucian, or anybody, now," she thought. "It would +only get us all into worse trouble." + +But still she did not abandon the thoughts of her own escape. + +And now began a time of trial for poor Ellen Arthur. Madeline Payne, +after studiously ignoring the two men for some days, began to unbend. +She commenced by conversing with Percy, listening to his slow and +stately sentences, smiling her approval, and completely captivating +that susceptible gentleman. Then, by degrees, she drew Lucian into the +conversation, and smiled upon and listened to him. + +All this Cora observed, wondering what the girl was trying to do; +while the spinster looked on in untold agony, fearful lest this fair +sorceress should avenge herself for some of her childish grievances by +robbing her of her lover. + +Meanwhile Lucian Davlin interpreted all this in his own favor. "She +is proud and still resentful," he thought. "And she is using Percy as +a medium of approach to me." + +At last Lucian, growing impatient, resorted to an old, old trick. He +watched his opportunity, and one evening, as Madeline was following +Cora from the drawing-room, the door of which he was holding open for +their exit, he pushed into her hand a small scrap of paper. + +She would have dropped it; her first impulse was to do so, but Cora +turned as her hand was about to loosen its clasp upon the fragment. So +she passed on, carrying it with her to her own room. There she opened +it and read these pencilled words: + + For God's sake do not torture me longer. You have condemned + me without a hearing. Be as merciful as you are strong and + lovely. At least let me see you alone, when I can plead for + myself. + +Half an hour later, Hagar tapped at his door. When he opened it, she +put in his hand a bit of paper, on which were these faintly-pencilled +lines: + + If you desire my friendship, you must date our acquaintance + from this week. You never knew me in the past. + +"And she is right," muttered he; "the Madeline Payne of last summer, +and the Madeline Payne of now, are to each other as the chrysalis to +the butterfly, in beauty; as the kitten to the panther, in spirit; as +the babe to the woman, in mind. That Madeline pleased me; this one, I +love." + +So he accepted the position, and did not give up striving to draw from +her some special word, or look, or tone, that he need not feel +belonged as much to Percy as to himself. + +Meantime Percy was revolving various things in his learned head. + +He had been, as a matter of course, deeply impressed with her beauty, +and he had been much puzzled as well. + +Having witnessed her arrival, he had fully expected rebellion from +Cora, for Cora was not the woman to be barred out from a prospective +fortune and make no sign. But there was no war, and no indications of +battle. Cora and the heiress were wonderfully friendly. Mr. Percy +could not understand it. + +The manner of Davlin toward him had not changed in the least, +remaining as studiously polite as when he was so cordially invited to +take up his abode under the hospitable roof of Oakley. + +That of Cora was decidedly different. While before she addressed him +with a sort of conciliating courtesy, and had seemed desirous of +furthering his plans and hastening on his marriage with Miss Arthur, +she now manifested an almost contemptuous indifference, not only to +himself, but to his _fiancé_. + +True to her nature, Cora was gathering up what gleams of satisfaction +she could. When she had become assured that it was not Percy who held +possession of her stolen papers, and that the girl in whose hands they +were was more his enemy than hers, she rejoiced in his discomfiture to +come. Seeing that it was no longer necessary to propitiate her enemy, +she indulged in the luxury of acting out her hatred, when she could +without betraying to Davlin this change, which might require an +explanation. + +That some sort of understanding existed between Miss Payne and Cora, +Percy instantly surmised, and every day confirmed the belief. That +Miss Payne held the power, he also believed. So believing, he began to +wonder if it were not better to "be off with the old love," and seek +to win the heiress, for the vanity of Mr. Percy inspired him to +believe that it would not be a hopeless task. He had heard, however, +of that person who, "between two stools," fell to the ground, and he +was careful not to reveal to Miss Arthur the laxity of his affections. + +And so the days moved on. + +Percy dividing his attention between his _fiancé_ and Miss Payne; +studying the latter, and closely watching Davlin and Cora. + +That last named lady smiling and lounging below stairs, sulking and +smoking above, and always under surveillance. + +Davlin, having assured Cora that he was acting from motives politic, +paying open court to Madeline. + +That young lady calmly acting her part, thoroughly understanding and +heartily despising them all. + +John Arthur alternately raging and sulking, obdurately refusing to +accede to his step-daughter's terms, and vowing to escape and wreak +vengeance upon every one of them. + +"Dr. Le Guise," calm as a Summer morning, and taking more real ease +and comfort than all the others combined. + +Hagar watchful and anxious. + +The two new maids making themselves popular in the kitchen, and +"sleeping with their eyes open." + + * * * * * + +And still no clue by which Madeline and her efficient _aides de camp_ +could unravel the web of doubt that still clung about, and kept a +prisoner, the long-suffering Philip Girard. + + + + +CHAPTER XLII. + +A STRUGGLE FOR FREEDOM. + + +After some days of outward calm, came a ripple upon the surface of +events. + +It had been a dull, cloudy day, with occasional gusts of wind and +rain; wind that chilled to the very marrow, and rain that froze as it +fell. + +The three men, Davlin, Percy and the Professor, had been constrained +to abandon their customary morning walk, with cigar accompaniment, up +and down the terrace. And the well-borers had been obliged to stop +their work. + +Mrs. Arthur had kept her room and her bed all day long, afflicted by a +raging toothache. Strong was kept at her side, almost constantly +applying hot water, laudanum and various other local applications. As +the day advanced, the sufferer seemed growing worse; and when Madeline +came in to administer consolation, and see if the woman were really +ill, Cora sent for Dr. Le Guise, vowing she would have the tooth out, +and every other one in her head, if the pain did not stop. But when +the Professor arrived, her courage failed her. She drew back at the +sight of the formidable forceps, saying that she would "try and endure +it a little longer; it seemed a bit easier just then." + +All this Madeline noted. Retiring from the room she signaled to Strong +to follow her out. "What do you think of her?" questioned Madeline of +the latter, as the door closed between them and Cora. + +Strong looked dubious. "I really don't know what to think, Miss +Payne," she said. "If it is shamming, it is the best I ever saw." + +"True," answered Madeline; "I am at a loss. You had better apply some +test, Strong, and--keep all your medicines out of her reach. Don't let +her get any laudanum, or anything; and presently report to me. She +must not be left alone, however; when I send Joliffe in, do you come +to me." + +Madeline passed on to her own room, and Strong returned to her +patient. + +When Joliffe went to her relief, Strong presented herself before +Madeline, saying: "I can't think she is shamming, Miss Payne. I +suggested a mustard blister, and she never made a murmur. I put it on +awful strong, and she declared that it was nothing to the pain. When I +took it off her cheek was red as flannel, and she wanted it put on +again. She says it relieves her, and thinks if the pain don't come +back she will sleep. I made sure of the bottles all the same," added +Strong. "I have used a lot of chloroform on her, but of course some +would evaporate." And she held up to view a half-filled chloroform +vial. + +She was right; full half an ounce had "evaporated," during the brief +minute when she had stood in the hall to confer with Madeline. + +Altogether, Strong had a hard day. + +Cora kept her continually on her feet. The blinds must be opened, and +shut again, every fifteen minutes. The room was too hot, and the fire +must be smothered. Then it was too cold, and the fire must be +stimulated to a blaze. And no one could wait upon her but Strong. + +As night came on, the paroxysms of pain returned in full force, and +Strong was implored once more to apply the soothing mustard. + +When Madeline looked in at ten o'clock, Cora was groaning in misery, +and Strong was applying a blister. When she again looked in, an hour +later, the invalid, with blistered face and fevered eyes, feebly +declared herself a "trifle easier," and Strong was bathing her head +with _eau de Cologne_. + +Madeline soon retired to her room, and her couch. But for half an +hour longer, Cora kept the now yawning Strong at her side. Then she +said: + +"Go now and get some rest, Strong. Leave the mustard on my face, and +then I think I can sleep. I am getting drowsy now." + +Strong replaced the mustard, and raked up the fire. Then she looked +carefully to the fastenings of the doors, and returned to the bedside. +Already her mistress was in a heavy slumber. + +Putting in her pocket the keys of both doors, Strong retired to the +dressing-room and, loosening her garments, threw herself down wearily +upon a couch, and was soon sleeping the sleep of the just, and +breathing heavily. + +For some moments after the loud breathing told that her maid was +asleep, Cora lay quietly, but with eyes wide open. Then she stirred, +making a slight noise, but the heavy breathing continued as before. + +Cora now raised herself up on her elbow and again listened. Still the +heavy breathing. Again she moved audibly, at the same time calling +softly: "Strong!" + +But Strong slumbered on. + +Quickly snatching the bandages from her much enduring face, Cora +sprang lightly from the bed. Taking something from under her pillows, +she stole noiselessly into the dressing-room and up to the couch of +the sleeping Strong. In another instant there was a pungent odor in +the room, and something white and moist lay over the musical proboscis +of the slumbering giantess. + +In five minutes more, Cora Arthur stood arrayed in a dark traveling +suit, with a pair of walking boots in one hand, and the key of her +chamber door in the other. Swiftly and silently as a professional +house-breaker, she opened the door and passed out, closing it quietly +behind her. + +Like a shadow she glided down the now unlighted stairway, and through +the dark and silent hall, in the direction of the dining-room. Turning +to the left, she paused before a side door, the very door through +which Madeline had escaped on a certain eventful June night, and +noiselessly undid the fastenings. In another moment she was outside, +and the door had closed behind her. + +She drew a long breath of relief, and sat down to put on her shoes. +Her escape was well timed; the train for the city, the midnight +express, was due in twenty minutes. Strong would hardly waken before +that time, and then--she would be flying across the country at the +heels of the iron horse. + +Rising to her feet, she took one step in the darkness--only one. Then +a light suddenly flashed before her eyes, a heavy hand grasped her +arm, and a gruff voice said: "This is a bad night for ladies to be +abroad. You had better go back, ma'am!" + +Cora made a desperate effort to free herself, but the hand held her as +in a vise, and the bull's eye of the dark lantern flashed in her face +as the speaker continued: + +"Yes, you are the identical one I am looking for. Got a red +face--toothache didn't make you a trifle lightheaded, did it? Come, +turn about, quick!" + +And Cora knew that Madeline Payne had not been as blind as she had +seemed. It was useless to struggle, useless to protest. The strong +hand pushed her toward the entrance. The man gripped the lantern in +his teeth, while he opened the door, and pushing her through, followed +after. Closing the door again, and never once releasing his hold upon +her, he forced her unwilling feet to retrace their steps, saying, as +they ascended the stairs: + +"Show the way to your own room, if you don't want me to rouse the +house." + +Quivering with rage, Cora pointed to the door, and was immediately +ushered, with more force than politeness, back into her own +dressing-room and the presence of her still insensible maid. + +"Now, then," said her tormentor, "where is Miss Payne's room? No +nonsense, mind; I'm not a flat." + +Cora, thoroughly convinced of the truth of this statement, sullenly +directed him to Madeline's door. + +"Stand where you are," was the next command of the man; "it might jar +your tooth to move." + +And Cora stood where he had left her, while he aroused Miss Payne and +communicated to her the news of the night's exploit. + +In a very few moments Joliffe appeared, and without so much as casting +a glance at Cora, set herself to arouse the stupefied Strong--a feat +which was soon accomplished, for the woman had nearly exhausted the +effects of her sleeping potion. A moment later, and Madeline appeared +upon the threshold. After surveying the scene in silence for an +instant, she entered the room, closed the door, and said with a laugh +that set Cora's blood boiling: "So you were tired of our society, and +fancied that you could outwit me? Undeceive yourself, madame; it is +not in your power to escape from my hands, and whatever fate I choose +to adjudge you." + +Then turning to the man, she said: "You have done well, Morris; this +kind of work you will find more profitable than well-boring. You may +go now." + +The man bowed respectfully, and silently quitted the room. + +Then Madeline addressed Joliffe: "You will stay here the remainder of +the night. Let Strong sleep; she is not to blame for permitting her +charge to escape, and she will be more wary in future." + +[Illustration: "This is a bad night for ladies to be abroad!"--page +393.] + +Then turning again to Cora, who had flung herself in a chair and sat +gazing from one to the other in sullen silence, she said, with a smile +on her lips: "You should not work against your own interests, Mrs. +Arthur. Had you succeeded in escaping on the midnight express, who, +think you, would have been summoned to meet you on your arrival in the +city?" + +"Doubtless an officer," replied the woman, doggedly. "I might have +known you for a sleuth hound who would guard every avenue." + +"Thanks; you do me honor. I should not have summoned an officer, +however; there is some one else waiting anxiously to welcome you +there." + +"Indeed," sarcastically; "who?" + +"_Old Verage._" + +Cora started up in her chair. "For God's sake, _what_ are you?" + +"A witch," said the girl, demurely. "I am as old as the world, and can +fly through the air on a broomstick, so don't think to escape me +again, step-mamma. I trust you will enjoy your brief repose, for it +will soon be morning, and if I don't see your fair face at the +breakfast table, I shall not be content." + +Cora put two fingers to her blistered cheek, saying: "You can't ask me +to come down with this face." + +"True, I can't. Good-night, step-mamma; it would have been better if +you had let the doctor pull that tooth." + +And Miss Payne swept away, leaving the would-be fugitive to her own +reflections. + + + + +CHAPTER XLIII. + +THE DOCTOR'S WOOING. + + +Mrs. Ralston had become to Olive Girard as one of the family. There +was a strange affinity between the two women, who had known so much of +sorrow, so many dark, dark days. As yet, however, there was not entire +confidence. Mrs. Ralston knew nothing of the movements then on foot to +liberate the husband of her hostess; and Olive knew no more of Mrs. +Ralston's past than had been communicated by Claire, which was in +reality but very little. + +Dr. Vaughan had become an ardent admirer of the grave, sweet, pale +lady, who had, in her turn, conceived a very earnest admiration for +him. + +Always a close student of the human countenance, Mrs. Ralston had not +been long in reading in the face of the young man his regard for +Claire Keith. Having discovered this, she studied him still more +attentively, coming, at last, to the conclusion that he was worthy of +her beloved Claire. + +But Claire appeared ever under a strange restraint in the presence of +Dr. Vaughan. She seemed always to endeavor to keep either her sister +or her friend at her side, as if she found herself more at ease while +in their proximity. Evidently she was keeping close guard over +herself. And just as evidently she was glad to be in the presence of +Clarence Vaughan when supported by her sister and friend, and safe +from a _tête-á-tête_. + +Mrs. Ralston was really troubled by this apparent misunderstanding, or +whatever it might be, that rendered Claire less cordial towards Dr. +Vaughan than she would have been to one who was only a friend, and far +less worthy of friendship. She mentally resolved, when a fitting +opportunity should occur, to endeavor to win the confidence of the +girl, for she saw that two natures, formed to love each other, were +drifting apart, with no prospect of a better understanding. And that +opportunity came sooner than she had expected. + +One day, a day destined to be always remembered by the chief actors in +our strange drama, Mrs. Ralston seated herself at a davenport in Mrs. +Girard's pretty library to write a letter to Mr. Lord. The promptness +and energy of that good man had completely baffled the acute +detective, and the danger which Mrs. Ralston had so much feared, the +danger of being discovered by her worthless husband, was now past. + +She had entered the library through the drawing-room and, both rooms +being untenanted, had left the door of communication between them half +open. + +Sitting thus, she heard the door of the drawing-room open, and the +rustle of feminine garments betokened the entrance of one of her +friends. Presently soft ripples of music fell upon her ear, and she +knew that it was Claire who was now at the piano, playing dreamily, +softly, as if half fearful of awakening some beloved sleeper. + +After a few moments, the ripple changed to a plaintive minor +accompaniment, that had in it an undertone as of far-off winds and +waves. Then the full, clear voice of the girl rang out in that most +beautiful of songs, which alone should make famous the genius of Jean +Ingelow and Virginie Gabriel: + + "When sparrows build and the leaves break forth, + My old sorrow wakes and cries." + +The singer sang on, all unconscious that two listeners were noting the +passion and pain in her voice: + + "How could I tell I could love thee to-day, + When that day I held not dear? + How could I know I should love thee, away, + When I did not love thee near?" + +As the last note died away in sorrowful vibrations, Mrs. Ralston, in +the library, was conscious of tears trickling down her cheek. + +At the same moment there was a discordant crash among the piano keys, +and Claire's voice was saying, almost angrily: "Dr. Vaughan! how came +you here? How dared you--" + +There was a suspicious tremor in her voice, and she stopped speaking, +as if too proud to show how very much she had been thrown off her +guard. + +"Forgive me, Miss Keith," the deep voice of Clarence Vaughan +responded. "Believe me, I did not intend my presence as an +impertinence. Your servant admitted me, and I thought it not wrong to +enter unannounced, although I hardly hoped to find you alone. Surely +you do not blame me for my silence while you sang?" + +Claire made no reply. She was strongly tempted to fly and let Clarence +Vaughan think what he would. But before she could stir, he had moved a +step nearer and was looking straight down in her eyes. + +"Claire," he said, in tones of reverential tenderness, "I have waited +for the time to come when I might say to you what you must let me say +now. You have seemed to avoid me of late; I can not guess why. And +to-day, as I listened to your song, a new thought, a new fear, has +entered my mind. Claire, tell me, have you read the love that has +been in my heart since I first saw your face, and have you sought to +shun me because you love another?" + +While he was uttering this speech, Claire Keith had regained her +self-command, and her answer now came low and clear: "Dr. Vaughan, you +have not guessed aright. I have not avoided you because I love +another." + +"Claire, nature did not make you an actress. There was love in your +voice when you sang that song!" + +"Thank you," coolly; "I have been taught to sing with expression." + +"Claire, Claire Keith, I beg you answer me truly; do you really +dislike me? You say you do not love another; could you learn to love +me?" + +No answer. + +"Tell me, Claire, do you not know how deeply I love you?" + +Silence. + +"Claire, Claire, speak to me. End this suspense. Will you not try to +love me?" + +She moved away from him, and avoiding his eyes, answered in an odd, +hard voice: "No, Dr. Vaughan, I will not try to love you." + +His next words were uttered almost tremulously. "Ah! I understand. I +have displeased you; tell me how." + +"You have never displeased me. You are goodness itself. Let me pass, +Doctor Vaughan; I must not listen to you." + +"Must not? Then you do avoid me?" + +"Yes," almost inaudibly. + +"Why?" stepping before her and cutting off her retreat. + +"I won't tell you. Yes, I will, too. Oh, how blind you are! How can +you love me when--when there is some one better, better a thousand +times, and braver, too. Some one whose life needs your love, because +it has been so loveless always. I won't love you. I won't listen to +you. If you want me to be your friend, make the life that is giving +its best to others, as happy as it deserves to be. And--don't ever +talk--like this--to me again." + +Before he could open his lips, or put out a hand to detain her, she +had rushed from the room. + +Clarence Vaughan gazed after the flying form in speechless grief and +amazement. Then flinging himself into a chair, he bowed his head upon +his hands in sorrowful meditation. Sitting thus he did not perceive +the approach of some one, who laid a hand lightly upon his bowed head, +murmuring: "Blind! blind! blind!" + +Starting up, he saw the face of Mrs. Ralston bending toward him and +wearing an expression of mingled compassion and amusement. + +"Forgive me," she said, her countenance resuming its usual gravity. "I +was in the library, and heard all. I listened willfully, too, for I +have been observing you and Claire, and I want to help you." + +Clarence dropped disconsolately back in his chair. "If you have heard +all," he said, "you know that it is useless to try to help me." + +Mrs. Ralston laughed outright. "If you were not blind you would not +need my help," she said. "As it is, you do." + +"Mrs. Ralston, what do you mean?" + +"I mean that your battle is half won. If you will explain to me one +half her words, I will explain to you the other half." + +"You are laughing at me," he said, wearily. "What can you explain?" + +"That ridiculous girl commanded you to bestow your love upon some more +worthy object; some one who was living for others; or some such words. +Whom did she mean, may I ask?" + +He started up as if inspired by a new thought. "I see!" he exclaimed; +"She must have meant--a very dear friend of hers." + +He could not say the name that was in his thought. It would sound like +egotism. + +"That is sufficient," said the lady. "Now, I am going to betray +Claire, as she has betrayed this other one. You foolish fellow, can't +you see that the child loves you and is striving to do a Quixotic +thing by giving you up to her friend? Think over her words and manner, +and don't take her at her bidding. If this other, to whom Claire +commands you to turn, is a true woman, she would not thank you for the +offer of a preoccupied heart." + +"She is a true woman," said Clarence, emphatically. "And as dear to me +as a sister could be, but--" + +"Then let her be a sister still," said Mrs. Ralston, quietly. "And +don't lose any time in persuading Claire that she is wronging herself +as well as you; and that you would be wronging still more this friend +whom you both love, were you to offer her so pitiful a thing as a hand +without a heart. She is a true woman, you say. If so, she would never +forgive that. Believe me, Dr. Vaughan, there are even worse depths of +sorrow than to have loved worthily--and lost." + +Mrs. Ralston turned and went softly from the room. + +For a few moments, Clarence Vaughan stood wrapped in thought. Then his +face became illuminated as he said, half aloud: "What a fool I have +been, that I should have so misunderstood that dear girl! Oh, I can be +patient now, and bide my time." + +And now his reverie was broken in upon by Olive, who entered +hurriedly, saying: "Doctor Vaughan, are you here alone? I thought +Claire was with you." + +He made no answer to this remark, but said, as he took her proffered +hand: "I ran down to tell you that I have taken the detectives off. +Jarvis is still in our pay, in case of emergency. He has sent his +report to Davlin, and a scant one it was. Of course, Davlin is glad to +have him withdraw; that is, if he knows, as he must, that the papers +are not in Percy's hands." + +"Then all depends upon Madeline now?" + +"All depends upon Madeline." + +"Poor Philip," sighed Olive, "what would he say if he knew that his +fate rests in the hands of a mere girl?" + +"If he knew of that 'mere girl' what we know, he would say that his +fate could not rest in better hands. No man ever had a more efficient +champion, nor one half so brave and beautiful." + +They had not dared to tell Philip of the hope that was daily growing +stronger in their hearts; if they failed, he should be thrust back +into no gulf of black darkness because they had cheated him with a +false hope. + + + + +CHAPTER XLIV. + +A FRESH COMPLICATION. + + +On leaving so abruptly the companionship of Dr. Vaughan, Claire rushed +straight to her room. Closing and locking the door, she flung herself +down upon a couch and indulged in a hearty cry. She was at once happy +and sorry, angry and pleased. Presently, Claire sat up and began to +review things more calmly. + +"What a wretched little dunce I am!" she soliloquized. "And what must +he think of me! Well!" with a little sigh, "the worse his opinion of +me, the better for Madeline. And here I am this minute, in spite of +myself, actually rejoicing in my heart because he has not done the +very thing I have resolved that he should do. But he never will know +it. Neither shall any one else. I won't give him another chance to +talk to me; no, not if I have to take to my heels ten times a day. +It's only right that I should give him up; I, indeed, who fancied +myself in love with a white-handed, yellow-haired villain." + +At this point in her meditations, some one rapped softly at her door. + +"Claire, dear," said a soft voice, "open your door; I want to come +in." + +It was Mrs. Ralston, and Claire advanced slowly and turned the key in +the lock. + +"I--I thought it was somebody else," she said, hypocritically. "Come +in, Mrs. Ralston." + +Thus invited, the lady entered. Without making a comment on the +disturbed appearance of her young friend, she crossed to the window, +and sitting down in a cosy dressing-chair, said: "Come directly here, +young lady, and sit down on that ottoman." + +Looking somewhat surprised, the girl obeyed. + +"Claire, my child, I have a confession to make. I was in the library +while you sang: 'When sparrows build.'" + +The girl's cheek flushed and then paled; but she made no answer. + +"And," pursued Mrs. Ralston, "I heard more than your song." + +No reply. + +"And more than your words!" + +"More than--my--my words?" + +"Yes; I heard your heart's secret." + +Claire's face drooped. "What do you mean?" she asked, deprecatingly. + +"My darling, I mean that your heart spoke through your voice, and it +belied your words. Why did you deny your love for so noble a man?" + +Claire raised her head. "I didn't!" she said, suddenly, as if driven +to bay. + +"No," smiled Mrs. Ralston. "You were a wily little serpent. But you +deceived him." + +"I don't care," doggedly. + +"Now you are telling a fib!" + +"Well, I am not sorry, then," getting hold of her monitor's hand. "Why +do you turn against poor me, when I am trying to do my duty?" + +"Because you are not doing your duty." + +"Yes, I am; indeed, I am. You don't know." + +"Then tell me, and let me be your friend and adviser." + +"But you can't advise," objected Claire, "because you don't know +the--the other one." + +"Well, I do know you." + +"There it is!" burst forth the champion of the absent. "You know me, +but you don't know what a worthless, unattractive little imp I am +compared to her. You don't know her, but you shall! And when you do, +poor me will have to take a seat lower down in the tabernacle of your +affections." + +"I wonder if this 'other' would so readily resign her lover to you?" +she said. + +"Would she!" flashed Claire. "Would she _not_? Has she not? Ah, if you +knew her, you would never say that!" Then suddenly capturing the other +hand of the lady, she said, in quieter but very grave tones: "Can you +listen to a long story, Mrs. Ralston; rather to several stories +combined in one? I am going to tell you what I have so much wanted you +to know--the story of Madeline Payne." + +Mrs. Ralston expressed her more than willingness to hear all that +Claire had to tell, and the girl settled down comfortably on the +ottoman at the feet of her friend, and began at the beginning. It was +indeed a long story, for Claire omitted nothing. As she told how +Madeline had exposed to her the baseness of Percy, Mrs. Ralston +started up, her face pale as death, and then sank back in her chair. + +"Percy!" she cried. "What--what is his other name?" + +Claire stared at her in amazement. "What is it, Mrs. Ralston--you are +ill?" + +"No," almost gasped the lady; "tell me--his name." + +"I did not intend to speak his name," Claire said, slowly. "It is +Edward Percy." + +Mrs. Ralston was on her feet in an instant, her face flushing with +excitement. "Come with me!" she almost shrieked. "Quick! to my room." + +Wondering vaguely, Claire followed. + +Mrs. Ralston almost flew to her apartment. She flung open the door, +and in an instant was on her knees beside a trunk, opening trays and +searching for something eagerly. + +"Look!" she cried, suddenly thrusting out something toward Claire; +something from which she averted her own face. "Look, did you ever see +that face?" + +The girl gave one glance and uttered a sharp cry. It was a miniature +painted on ivory; painted years ago, but she knew it only too well. + +Mrs. Ralston regained her feet, trembling so that she could scarcely +stand. + +"Where did you get it?" cried Claire. "It is he; Edward Percy!" + +Mrs. Ralston started forward and took the picture from her hand. "_It +is my husband!_" she whispered. + +With the words on her lips, she fell heavily to the floor, in a dead +faint. + +When Mrs. Ralston awoke to consciousness, she was lying upon her bed, +with Dr. Vaughan bending over her, Olive standing near, and Claire a +little aloof, looking pale and anxious. Her first thought was of the +picture. + +"Where is it?" she murmured, addressing Claire, who stepped forward +eagerly. + +"It is here, dear Mrs. Ralston," said Claire. "I caught it from your +hand after you fell. I thought--" And then she hesitated. + +"I understand," she said, looking at the girl fixedly. "Drop it from +your hand, Claire; drop it _there_," pointing to the grate. "It has +done its work; we need never look upon it again." + +Claire obeyed her silently. For the second time she had consigned to +the flames the pictured face of Edward Percy. + +To the surprise of the three who had so lately seen her coming slowly +back from the swoon, so like death, Mrs. Ralston raised herself to a +sitting posture, and then slowly arose from the bed and stood upright +before them, and there was a flush on her cheek, and a light in her +eyes that was new to that usually pale, sad face. + +"Dear friends," she said, turning toward Clarence and Olive, who had +been watching the burning of the picture with surprised and somewhat +curious eyes, "I am quite recovered; and I want to think. Will you +please leave me alone, quite alone, for a little while?" + +Olive, Claire and Clarence went slowly and silently down to the +drawing-room, Claire keeping very close to her sister and carefully +avoiding the eyes of the young man. Seating herself beside Olive, +Claire told, in her own way, all that she knew of the affair. + +"I wanted to tell Mrs. Ralston of Madeline," she commenced, "and, not +to omit anything, I told her poor Philip's story,--all about the two +men, and how the man, Percy, had appeared at Oakley as the lover of +Miss Arthur. When I spoke his name, she ran to her room, almost +dragging me with her, and--" + +Suddenly she paused, horrified at a sudden thought. How could she +explain to these two, who knew nothing of her "affair" with Edward +Percy--who did not dream that she had ever seen his face--her ability +to recognize the picture Mrs. Ralston had shown her? + +"And?" interrogated Olive. + +Clarence Vaughan saw that there was a reason for her hesitation, and +while wondering what it could be, came to her rescue. "And fainted, of +course," said he. "Well, she is better now, and perhaps we shall hear +the conclusion of the mystery all in good time." + +If she had dared, Claire would have given him a glance of gratitude. +As it was, she only averted her face and felt herself a great +hypocrite. + +Doctor Vaughan was to remain for lunch; and while he talked quietly +with Olive, Claire sat considering what they would say if they knew +all. Presently her reverie was interrupted by the entrance of a +servant, who said: + +"Mrs. Ralston wishes Miss Keith to come to her." + +Claire started up, and without a word to either her lover or her +sister, hurried into the presence of her friend. + +Mrs. Ralston advanced to meet the girl as she entered the room, and +laying a hand upon her shoulder, said: "I understood you to say that +your sister knows nothing of your acquaintance with that man. Am I +right? + +"Yes." + +"And you do not wish her to know?" + +Claire hesitated. "I did not then think it was wrong to conceal it +from her," she said, finally; "but now, if you think it best, I will +try and tell her." + +"But I do not think it best, my darling. I should have been convinced +of his identity even had I not used the picture as a test. We will say +nothing on that subject. And now, let us go down-stairs, for we have +work to do!" + +So saying, she led the way from the room and Claire followed, +wondering how all this was to end. + + + + +CHAPTER XLV. + +MRS. RALSTON'S STORY. + + +Mrs. Ralston entered the drawing-room with the light of a new and +strong purpose shining in her eyes. + +"Dear friends," she said, "sit near me and give me your attention. I +have a story to tell, and I must not fatigue myself too much in the +telling." + +Without a word, Clarence moved forward an easy chair. As she seated +herself, they all grouped about her with grave, expectant faces. + +"I will make brief mention of myself," said the lady, sinking back in +the luxurious chair with a slightly weary smile. "My life has never +been a bright one. Married for the first time at the age of sixteen, +my childhood was prematurely blighted, and my first real trouble fell +upon me. It was not a happy marriage, and during the years of my first +husband's life, I became more and more alienated from my relatives. + +"When at last my husband died, I was thirty-six years old, and owing +to ill-health, looked much older. But--I was wealthy. Then I met a +man, younger than myself, and very handsome. I was weak and foolish. I +believed in him and--married him. For four years he squandered my +money and made my life a burden. At last, when I could endure no +longer, and when, because he had inherited a fortune from some +relative, I knew he would trouble himself little as to particulars, I +caused him to believe me dead and buried. + +"In reality I was in better health than usual, and while he was +spending his new fortune and fancying me in the grave, I sailed for +Europe. Before I departed, however, I saw him once more, myself +unseen. It is this part of my story that will make your hearts glad." + +She paused for a moment, and her three listeners gazed into each +other's faces in silent wonder. + +"I was going to Europe in company with some friends of Mrs. Lord who, +of course, knew my secret. They twice postponed their time for +sailing, and while waiting for them I went with my maid to a little +mountain inn where travelers only came for a day, and then went on up +the mountain. + +"When I first arrived, the garrulous hostess made frequent mention of +a hunting party that had gone up the mountain a few days before, +stopping for dinner at the inn. I had been nearly two weeks in my +mountain retreat when my maid came rushing in, one day, crying out +that the hunting party had come back, and that one of their number had +been badly hurt. + +"Well, they brought the wounded man up-stairs, and put him in the room +that adjoined my sleeping apartment. The partitions between were of +the sham kind--merely boards papered over. After he was settled, and +the hum of many voices died away, I went into my little bed-room. + +"I had scarcely entered when a voice from the next room, a man's +voice, deep and full, although then subdued, startled me. I listened +unthinkingly. 'There's no use in being weak about this business,' he +said. 'Of course, you can make me trouble if you like, but hang me, +Percy, I can't see how it will benefit you.' + +"I see you are amazed, Doctor Vaughan, and Mrs. Girard is turning +pale. You are beginning to guess the truth. Yes, it _was_ Edward Percy +who answered the first speaker, and--Edward Percy is my husband." + +Again she paused for a moment. One could have heard a pin drop, so +breathlessly eager, so silent, were her listeners. No one stirred or +spoke, and she soon resumed: + +"At the first sound of the other voice, I sank down sick with fear +lest the man should, in some way, find me out. Sitting there, I heard +him say, in the half fretful, wholly languid tones that I knew so +well, 'It's easy to talk as you do; show me wherein it will be to my +advantage, if you don't want me to knock down your pretty story. Curse +you, what did you try to murder me for?" + +"Then the other answered impatiently: 'I tell you, man, I was +mistaken. I took you for him. Now listen: Neither you nor I love the +fellow, and we each hold a trifle of power over the other. You can +refute my statement, if you like, and accuse me of attacking you. In +that case I may be imprisoned; but that won't keep you above water +long. If I am arrested for assault with intent to kill, you will soon +find yourself in the next cell, accused of the still more serious +crime of bigamy. On the other hand, if you let the matter rest as it +is, and let _him_ take his chances, I won't use those little documents +I hold, which prove conclusively that you married a second wife while +the first was living. Come, what do you say?' + +"I remember their very words; not one syllable escaped me then, or has +drifted from my mind since. And I could have predicted what the next +words of my husband would be. I know his weakness so well, and I knew, +too, then, for the first time, that my vague suspicions had been too +true--that he had indeed been false to me, more than false. + +"'I will do this,' said he, halting at every few words. 'If you will +give me back the money you won from me up there, and will give me up +those papers, we will not quarrel over this affair. We will let His +Majesty take the consequences of your act, if you choose. I like him +even less than I do you. But the money I must have.' + +"The other replied: 'I'll do it.' Then the money was counted out and +the 'papers' changed hands. + +"While they talked, I was seized with an unaccountable desire to see +the man I had once loved. I heard my maid moving in the next room, and +I arose and went to her. She was a quick-witted creature, and knew +just what to do. She made me put on a hat and veil, and throw a shawl +about me, and then bade me go down-stairs, while she knocked at the +door of the sick-room. When I heard it open I was to come up, and +while she made a pretense of offering her services, in case of need, I +could obtain, over her shoulder, a view of the occupants of the room. +Her ruse was successful. When I ascended the stairs, I obtained a full +view of the two men. I should know the dark face of the tall stranger +if I came upon it in Africa. + +"To do myself justice, I never once thought of the wrong they were +doing their victim; never realized that it was my duty to denounce +them. Having seen the face of my husband I had but one idea, one +desire; to get away, anywhere, the farther the better. + +"Early the next morning, I was _en route_ to the city, and there, to +my infinite relief I found my friends ready to sail. When at last I +was actually on the ocean, and realized that I was safe from +discovery, I began to think of the victim whose name I had not heard. +But it was too late then, and I tried to ease my conscience by +thinking that, after all, as Edward was not dangerously hurt, it might +not turn out a serious matter. I watched the papers, but somehow the +accounts of the trial all missed me." + +As she ceased speaking, her eyes rested sadly upon the face of Olive, +and she started forward suddenly, saying: "Doctor, she is going to +faint!" + +"No," gasped Olive, half-rising, "I, I--" + +And she fell forward to be caught in the ready arms of Clarence +Vaughan. When at last they succeeded in arousing her from that +death-like stupor, and she could sit up and look about her, slowly +recalling events, Mrs. Ralston stepped readily into the position of +leader, and turning to Claire, said: + +"Go and see that lunch is served immediately, dear. We have much to do +before night, and must not work fasting." + +"Oh," cried Olive, as Claire disappeared, "is this true? Will Philip +be released at last, released with every doubt cleared away, every +suspicion removed? Tell me, I cannot realize it." + +"It is true, dear Mrs. Girard; and now you must not give way to +weakness. We dare not lose time. Dr. Vaughan, yourself, and I, in +putting these facts in the hands of the right parties, must hasten the +legal process by which Philip will be released." + +When Claire Keith returned, she found them deep in a discussion as to +the quickest way of effecting the release of Philip Girard. + +"Let me settle it," she said, imperiously. "To-day you will go to see +Philip's lawyers, and when this stupid law process is put in motion, +Olive--I know her--will go straight and set herself down outside the +very prison gates. But your beautiful laws can lock an honest man up +much quicker than they can let him out, and can serve a warrant sooner +than do a tardy act of justice. So, if you please, I am going down to +Oakley to arrest that vile Lucian Davlin, and get him off poor +Madeline's hands." + +"You!" cried the two ladies in the same breath. + +"Yes, I! Philip won't want anyone but Olive, and Olive will snub me +unmercifully if I venture to offer myself as an escort. I'm going to +do myself the honor of seeing Mr. Davlin arrested." + +"Claire is right," said Mrs. Ralston; "the man must be arrested +immediately." + +"And," interrupted Olive, "you must all three go to Bellair; that is," +looking at Mrs. Ralston, "if--" + +"If I will go?" interrupted that lady. "Yes, I, too, intend to be +present when Miss Payne gives her enemy up to justice." + +[Illustration: "No!" gasped Olive, half rising; "I--I--"--page 413.] + +"Are you in earnest about going to Bellair, Miss Keith?" Clarence +Vaughan asked. "Shall you go, really?" + +Claire bestowed upon him a willful little nod over her shoulder, +saying, as she did so: "I shall, 'really.' I am confident that +something will happen there, and I want a chance to faint!" + + + + +CHAPTER XLVI. + +CORA "STIRS UP THE ANIMALS." + + +It was evening--the evening of the day on which Mrs. Ralston had made +her startling revelation. Madeline Payne stood alone in her own room, +looking moodily out upon the leafless grove that was fast taking on a +covering of snow. + +The storm that had been impending for days, had broken at last. For +two hours the snow had been falling thickly, steadily, in great +feather-like flakes, which quickly covered the brown earth, and +clothed the naked treetops with a fair, white garment. + +Madeline had been standing, motionless and moody, for many minutes. +Her eyes were full of dissatisfaction, and her lips were compressed. +She had been taking a mental review of the situation, and its present +aspect was far from pleasing. + +"What a knot," she soliloquized; "what a difficult, baffling, +miserable knot! To be kept thus inactive just because the last knot in +the tangle will not come straight--good gracious, how like a pun that +sounds! How much longer must I smile upon these wretches? How much +longer must I conceal my real feelings? I will put my forces into +action, and make my last, desperate venture, for this is becoming +intolerable. I must force, or buy, this secret from Edward Percy, at +the cost of his safety, or my fortune, if need be." + +She pressed her face against the frosted pane, peering down through +the gathering night and the snow. + +"Mercy!" she ejaculated, "who on earth can be plowing through this +storm? And on what errand? It looks like--and, as I live, it is, yes, +it is, Mr. Edward Percy! He is too dainty to expose himself for +nothing. I must look into this." + +While she was musing at the window, Cora, curled up behind one of the +crimson curtains of the red parlor, had become the possessor of a +valuable secret. + +She had entered the room but a few moments before. Finding it dimly +lighted, and heated to a Summer temperature, she ensconced herself _a +la Sultana_ in one of the deep window embrasures, and lay sulkily +watching the flying snowflakes and the fast coming night. Presently +the sound of approaching footsteps, and almost simultaneously the +opening of the door, disturbed her quiet. With a quick movement, she +drew the curtains together and sat, a silent listener, to a brief +dialogue. + +The new comers were Miss Arthur and Edward Percy. After a few +sentences had been interchanged, Percy left the room, and then it was +that Madeline saw him take his way toward the village. + +Presently Miss Arthur also quitted the room; and going straight +up-stairs, Cora knocked at Madeline's door. "Now, then," muttered she, +"I'll stir up the animals." + +Madeline did not look especially gratified at sight of her visitor, +but Cora entered with scant ceremony. Pushing the door shut with +unnecessary emphasis, she turned upon her, saying, rather +ungraciously: + +"I have made a discovery of which, I think, you will thank me for +telling you. And I am going to tell you because I can't spoil their +plans, but you can, and I want to see them spoiled." + +"Your frankness is commendable," said Madeline, ironically. "Go on!" + +"Percy and the old maid are going to be privately married to-morrow +morning." + +"How do you know?" + +Cora related the particulars of her ambush, and gave a concise report +of the conversation of the lovers. + +"He has gone to the village on that very business now," Cora said. +"She is to walk down to the clergyman's house, and he is to meet her +there. Then they will come back, and no one to be the wiser." + +Madeline laughed. "Be at ease," she said. "I will try and prevent the +necessity for such a disagreeable walk as that would be for so fragile +a lady. We won't have a wedding just yet." + +"What a cool one you are!" cried Cora. "If you were not my enemy, I +could admire you vastly." + +"Don't, I beg of you," said the girl, gravely. "I am sufficiently +humiliated by being obliged to deal with you as an enemy." + +Cora flushed angrily. "Then I should think the humiliation of being +made love to by my brother, would overcome you," she sneered. + +"It does, almost," replied the girl, wearily. + +"Then let me do you another favor. Mr. Davlin is no more my brother +than he is yours." + +Madeline's answer fairly took her breath away. "Madame, you are very +good, but I have known that from the first." + +"What!" gasped the woman; adding, after a moment of silence, "Is he +your lover as well as--" + +"Yours?" finished Madeline. "And what then, Mrs. Arthur?" + +"Then," hissed Cora; "then, I hate you both." + +Madeline laughed bitterly. "As you have told me a secret, and as I +don't want to remain in your debt, I will tell you one in return. +Lucian Davlin _is_ my lover, but I am his bitterest foe!" + +Cora came closer and looked her eagerly in the face. "What has he done +to you?" she asked, breathlessly. + +"You may find out later; just now we are even. Understand, no word of +warning to him, if you value your safety. Obey my wishes, and when I +am done with you, you may go free. Attempt any treachery, and I will +give you up to justice." + +"I shan't put myself in jeopardy for him now, whatever I might have +done. You may believe that." + +"I think I may," replied Madeline, dryly. + +When Cora retired to her own room, to chuckle over the discomfiture in +store for the spinster and Mr. Percy, and to wonder wrathfully what +the mystery concerning Miss Payne and Lucian could mean, Madeline +stood for many minutes lost in thought. + +Finally she threw herself down upon a couch, uttering a half sigh, and +looking utterly weary and perplexed. A moment later, Joliffe entered +noiselessly, as usual, and the girl said to her: + +"When Miss Arthur retires for the night, which won't be for some time, +do you see Mr. Percy when he is _alone_, mind, and tell him Miss Payne +desires him to wait her pleasure in the library." + +Joliffe bowed and went out again like a cat. + +When, at last, the other members of that incongruous family circle +were safely out of the way, Madeline, warned by the everpresent, +soundless Joliffe, awaited in the library the coming of Mr. Percy. + +Wondering much what the haughty heiress could have to communicate to +him, and dimly hoping that the tide was turning in his favor, Mr. +Percy entered the presence of the arbiter of his fate. Bowing like a +courtier, he approached her. + +"Miss Payne has deigned to honor me with an interview," he said, in +his slowest, softest, most irresistible manner. "I can never be +sufficiently grateful." + +Madeline motioned him to a seat opposite her own, saying, with an odd +smile: "You shall, at least, have an opportunity for repaying your +debt of gratitude, sir, and that immediately." + +Percy took the seat indicated and bowed gravely. "Command me, Miss +Payne." + +"It rests with you," Madeline began, "whether we shall be from +to-night neutral toward each other, or enemies." + +"Enemies!" he exclaimed. "Oh, that would be impossible." + +Madeline was full of inward rage. She longed to lean across the table +and dash her hand full in that smiling blonde face. But she looked at +him instead quite tranquilly, and said, with a queer smile: "Then you +would do me a favor, even at your own personal--inconvenience, Mr. +Percy?" + +"Would I not?" fervently. "Only command me, Miss Payne." + +"I will take you at your word, then. Mr. Percy, you will oblige me +very much by putting off your marriage with Miss Arthur one week +longer." + +Here was a bomb-shell. It electrified the languid gentleman. He became +suddenly animated by fear. "What--what do you mean, Miss Payne?" +starting half out of his seat and nervously sitting down again. + +"Precisely what I say, sir. It does not please me to have my relative +leave my house to be married in this clandestine manner. There, don't +ask me how I discovered what you thought was a profound secret. You +see I did discover it. Will you put off this romantic marriage--to +oblige me?" + +Percy was trying very hard to think. If he could believe it was +because he had found favor in her eyes, that she asked this. But no; +even his vanity could not credit that suggestion. Of late she had +openly shown a preference for Davlin. What, then, could be her motive? +Could it be that at the instigation of Cora she had sought this +interview? + +He rallied his forces and replied: "Miss Payne, you have taken me by +storm. If I may not ask how you made this discovery, may I not, at +least, beg to know why you make this demand?" + +"I have told you; it shocks my sense of propriety." + +"Pardon me if I say there must be another motive." + +"You are pardoned," coolly; "now, do you grant my request?" + +Percy arose from the table flushed and angry. "Pardon me, Miss Payne, +you demand too much." + +"Nevertheless, I _do_ demand it." + +"And I beg to decline." + +"Then I must deal with Miss Arthur. The knowledge that you have one +wife in the grave, and another under this very roof, may have the +desired effect upon _her_." + +Percy dropped back in his chair, pale as ashes. All was lost, then. +Cora had betrayed him! But he resolved not to commit himself. Perhaps +Madeline had only verbal information. While he was trying to frame a +speech, however, she knocked this last prop from under him. + +"I may as well assure you that parleying is useless. I have known, +from the first moment you entered this house, just upon what terms you +stood with Mrs. Arthur. Don't trouble yourself to ask how I know. +Perhaps you have been puzzled to know why Mrs. Arthur and her brother +so suddenly became cordial and invited you to Oakley, where you so +much desired to be. Let me enlighten you. They fancied that you had +regained possession of important documents--two marriage certificates, +in fact--for they had lost them." + +"What?" ejaculated Percy. + +"And--I found them," added Madeline. + +His countenance fell again. + +"They are in my possession," pursued she. "Shall I show them to Miss +Arthur, or not?" + +"It can't make much difference now," said the man, sullenly. + +"Let us understand each other fully," said Madeline. "I am not acting +in concert with Cora Arthur. She is even more in my power than you +are. I have no desire to undeceive Miss Arthur. Neither do I wish you +to leave Oakley. On the contrary, I want you here; you can be of +service to me, by and by. And I pledge you my word that so long as you +remain under this roof, those papers shall not be used against you." + +"And if I don't choose to remain?" + +Madeline laughed. "Then you must take the consequences," she said, +carelessly. + +"And what will they be?" + +"Exposure and arrest." + +Percy drew pen, ink, and paper toward him. "What shall I write to the +clergyman?" he asked, sullenly. + +"Whatever you choose. And I will send it. Make your peace with Miss +Arthur, too, in your own way." + +"And when I leave Oakley, what then?" he grunted. + +"Then, if you have fulfilled the conditions, I will burn the papers in +your presence, and you are free henceforth." + +"There is the note," he said, flinging it toward her as soon as +written. "After all, I may as well be in your power as in hers," and +again he arose to go from the room. + +"I am glad you take so sensible a view of it," retorted she, looking +up from her perusal of his note. "Good-night, Mr. Percy." + +And thus cavalierly dismissed, Mr. Percy bowed, somewhat less +gallantly than when entering, and left the room. + +"So, that is nipped in the bud," soliloquized Madeline, as she went +wearily to her own room once more. "When will this miserable +complication unravel itself, or be unraveled?" + +Little did she dream how soon she would receive an answer to this +question. + + + + +CHAPTER XLVII. + +THE BEGINNING OF THE END. + + +The next morning dawned clear and beautiful. Over head, one unbroken +expanse of blue; under foot, a mantle of soft, white ermine. All the +trees were transformed into fairy-like, silver-robed, pearl-studded, +plume-adorned wonders. Diamonds floated in the air, and sunbeams +lighted up the whole with dazzling brilliancy. Everything was white, +pure, wonderful, and the whole enclosed in a monster chrysolite; +earth, air, and sky, were shut within a radiant sphere that had never +an outlet. + +Madeline had passed an almost sleepless night. But when she arose, +with the first gleam of sunlight, and looked upon this new, white, +imprisoned world, she felt strong for a fresh day's battle. + +"I must go out," she said to herself; "out into this sparkling air. I +can breathe in the brightness; I know I can. I almost feel as if I +could catch it, and weave it into my life." + +She hastily donned her wraps and set off for a brisk walk, no matter +where, through that glorious Winter glow. + +Under the snow-laden arms of the grand old trees, out of the grounds +of Oakley. Before she realized it she was half way down the path +leading to the village. + +Something that jarred upon her sense of the beautiful, awakened her to +herself, and she turned suddenly about. + +"How dare ugly little brown bears come out in the white glitter," she +muttered, whimsically. "I will turn about; he spoils the fairy +picture. I had forgotten there were boys, or men, in the world." + +Something came panting behind her. The "brown bear" had accelerated +his pace, and now came up at a round trot. + +"Hold on a minit; darned if I can see who ye air in this snow," he +cried, pausing before her and rubbing his eyes vigorously. "All right; +I thought it was you," he added, after considerable blinking. "I've +got a tellygram for ye, Miss Payne; orders were not to give it to +anyone but you, so I chased ye sharp." + +Madeline laughed outright as she took the telegram from his hand. The +boy, without waiting for her words of thanks, took to his heels, +shouting back over his shoulder: "No answer!" + +Madeline gazed for a moment after the flying figure, and wonderingly +opened the message. This is what she read: + + Be at H----'s to-night when evening train comes down. We are + ready for action; have found a witness. + + C. V. + +Madeline lifted her eyes from the scrap of paper and looked about her +incredulously, as if she expected to find some explanation shining in +the air. + +"Ready for action," she murmured. "That means--can it mean that Lucian +Davlin is at last in our power? Can those detectives have solved the +mystery? Oh! how can I wait until night!" + +She fairly flew along now, eager to keep in motion. On, on she went, +over the stile, through the glittering white-robed grove; on, until +she reached Hagar's cottage. It was locked and deserted, as she knew, +but she cared not for that. She must walk somewhere, then why not +here? + +For a moment she stood on the snow-laden door stone, and gazed about +her. Then swiftly, as swiftly as before, she flew down the path--the +same path she had taken on the Summer day when she had heard from +Hagar's lips her mother's story. When she reached the tree in whose +arms she had nestled so often, where she had listened to the bargain +between her step-father and decrepit old Amos Adams, and where she had +been wooed by Lucian Davlin--she paused. There, coming toward her, was +Lucian Davlin himself. + +"What a fatality!" muttered the girl. "He is coming to meet me; has +been watching me, perhaps." + +She stood calmly gazing up at the snow-laden branches, and again she +saw herself standing underneath them, a hesitating girl, wondering if +she could let her lover go away alone. Then she turned her head and +her eyes met those of Lucian Davlin. + +"Good morning, Miss Payne," he said, lifting his hat with his usual +grace. "I am happy to know that we have one taste in common--a love of +nature in this disguise. Is not the wintry world beautiful?" + +"Beautiful, indeed," replied Madeline, resuming her walk homeward. +"The trees are fairy palaces. It is lovelier than Summer, is it not?" + +"It is very lovely," gazing not at the trees but down into her face, +"but--so cold." + +She understood his meaning and replied, calmly: "Cold? Yes; it is not +Summer." + +"No," he assented, with a sad intonation, "it is not Summer. Miss +Payne, Madeline, will it ever be Summer again?" + +Madeline looked up and about her, and smiled as she did so. "Yes," she +replied, "it will be Summer--soon." + +He had turned and retraced his steps at her side. She was walking +swiftly again, and for some time neither spoke. When they entered the +grounds of the manor, he said, half deprecatingly: + +"Madeline, may I ask this one question?" + +"Yes," quietly. + +"I saw you pause under that tree and look about you," he said, slowly; +"was it because you thought of other days, and of me?" + +Slowly she turned her face toward him, saying, simply: "Yes." + +They were nearing the entrance, and he half stopped to ask his next +question. "Will you tell me what were your thoughts, Madeline?" + +Slowly she ascended the steps, and at the door turned and faced him: +"I will tell you to-night." + +And with a ripple of laughter on her lips, she entered the hall of +Oakley. + + + + +CHAPTER XLVIII. + +THE SWORD OF FATE. + + +Evening at Oakley. + +At last the long day was done: the day that to Madeline Payne had +seemed almost endless. At last, too, the early evening hours had +dragged themselves away, and the time of her triumph was at hand. + +From out Hagar's cottage a silent party issued, and took their way +across the snow to the little stile just above the terrace walk. Here +they paused for a moment. Some one was loitering on the terrace, where +the shadows fell thickest. Madeline stepped through the gap, saying +softly: "Joliffe!" + +Immediately the form emerged from the shadow. It was the cat-like +waiting-maid. + +"It's all right, Miss," she said, in a whisper. "They are all in the +drawing-room, but I think they are getting uneasy." + +"Well, I will not keep them in suspense long," said Madeline, and in +the darkness she smiled triumphantly. "Lead on, Joliffe." + +Silently they moved on, and paused again at the side entrance; the one +from which Cora had endeavored to escape but a short time before. +Madeline opened the door, and in another moment she, with Mrs. +Ralston, Claire Keith, Clarence Vaughan and two strangers, stood +within the walls of Oakley. + +They moved on like shadows to the rear end of the hall, up the +servant's stairway, and straight to the west wing. Evidently they +were expected here too, for in obedience to a light tap, the door +opened, and they passed quietly within the outer room of John Arthur's +prison suite. + +"Close the door, Henry," said Madeline. + +This being done, she turned and surveyed her comrades. + +"So far, good," she pronounced. "Now, can you make yourselves +comfortable here for a little while? Hagar and Joliffe will know just +what to do as soon as I have, myself, viewed the field of battle; or +perhaps I had better pilot you in person." + +"As you please," said the foremost of the strangers. "I think we +understand each other." + +"Then we won't lose time," said Madeline. "Henry, call Dr. Le Guise." + +Henry tapped at the door of the inner room, and in a trice the worthy +Professor stood in their midst. He glanced from one to another in +amazement, and the look of confidence forsook his face. He had not +been prepared to see these strangers, and his first thought was, of +course, for his own safety. + +"Have no uneasiness, sir," said Madeline, seeing the fear in his face; +"these ladies and gentlemen will not interfere with you. They are here +because it is desirable that the people below should not know of their +proximity just yet. You are about to aid us, and need have no fear for +yourself." + +The Professor drew a breath of relief. + +While this conversation was going on, Mrs. Ralston and Claire had +removed their wraps, as if they knew quite well what they were about, +which, indeed, they did. Now, as Madeline did likewise, preparatory to +entering the room of the prisoner, they seated themselves, looking +grave, but perfectly composed. Dr. Vaughan said a few quiet words to +Henry, and the two strangers stood "at ease," looking as indifferent +as statues. + +Entering the inner room; in company with the Professor, Madeline found +John Arthur pacing restlessly up and down. + +"I wish you to go down-stairs with us for a few moments," said +Madeline. "It is to your own interest to do so. It is the easiest and +surest way of imparting to you what you must know, and, when you know +all, I shall be your jailer no longer. It shall then remain for you to +decide whether you will accept my terms, and end your days with at +least a semblance of honor, or whether you will remain here to be +pointed at as a man disgraced and dishonored, and deservedly so. When +you have seen justice done to those who have wronged you more than +they have me, for little as I desire to serve you circumstances have +constituted me your avenger--you will be free to act as you may see +fit." + +With this she turned and abruptly quitted the room, leaving John +Arthur fairly stunned by her words, yet utterly unable to comprehend +their full meaning. Returning to the ante-room, Madeline found Hagar +awaiting her. + +"Well, Hagar," said the girl, "we are ready to go down; is the library +lighted?" + +"Yes, Miss Madeline." + +"And the door leading to the drawing-room?" + +"Is closed, Miss." + +"Then go down, Hagar; open the library door, and leave it open. Move +the fire screen opposite the door leading to the drawing-room. When we +are all within the library turn out the light. That is all." + +Hagar moved away to do her bidding, smiling grimly. + + * * * * * + +Time was dragging, in the drawing-room. + +Cora was there, not from choice, but because Madeline had so ordered +it, and the aggrieved lady was not at all inclined to conversation. + +Miss Arthur, who was hoping for a _tête-á-tête_ with her lover, was +alarmingly glum. She had accepted, in good faith, his statement that +he had received a note from the clergyman, saying that he had been +suddenly called away and would be absent some days, but she did not +quite understand why another would not do as well. Somehow, all that +day, she had found no opportunity for hinting to her lover that a +Unitarian minister lived quite near. + +Finding the ladies so little disposed to be entertained, the two men +retired within themselves, each after his own peculiar fashion. + +Lucian Davlin lounged, in his favorite manner, in a big arm chair, and +absorbed himself in the mazes of "_Lalla Rookh_." + +Percy, seated sidewise on a sofa directly opposite a large mirror, +gazed languidly at his own reflected image, and furtively at the two +women opposite, stroking his handsome blonde whiskers the while. + +At last Miss Arthur broke the silence by saying, with a side glance +toward Cora: "There is one thing that I have not yet asked to be +enlightened about. Perhaps you could explain the mystery, Mrs. Arthur? +I mean the appearance of Madeline at my bedside not long ago--or her +ghost." + +Cora uttered a disagreeable laugh, and then replied: "How should I be +able to explain? I am not the keeper of Miss Payne, or 'her ghost.'" + +"Probably not; however, you are so friendly, so sisterly, I might say, +that I thought perhaps--" + +"You thought perhaps my step-mamma was in the secret?" said the voice +of a new comer. + +All eyes were turned toward the library, where Madeline Payne stood, +clad in a walking dress, and looking fairly radiant with suppressed +excitement. + +"You misjudge my step-mamma, Aunt Ellen." As she speaks, Madeline +advances toward the silent group, leaving the library door ajar. "I +will explain that singular phenomenon. I intend to clear up all the +mysteries to-night--here--now. First, then, about the ghost: It was I, +Miss Arthur, Madeline Payne, in the flesh." + +Lucian Davlin's book lies on his knee neglected now. + +Edward Percy's face has lost its look of languor. + +Cora is flushing red and then paling, while she wonders inwardly if +her time has come; if she is to be exposed to a last humiliation. + +"We will settle another point," continues Madeline, imperturbably, while +she rests one arm upon a cushioned chair back, and looks coolly from one to +another. "Some of you have felt sufficient interest in me to wonder why I +sent home, to my sorrowing friends, the false statement of my death. I will +explain that. When I left home it was with wrath in my heart, and on my +lips the vow that I would come back and with power in my hands. I had +wrongs to avenge, and I swore to be mistress of my own, and to bring home +to a bad man the heartache and bitterness he had measured out to another. +Well, I did not know just how this was to be accomplished, but Providence, +or fate, showed me the way. Then I saw the necessity for coming back to +Oakley, and to pave the way for my new advent, I sent Nurse Hagar with the +false account of my death. A girl had died in the hospital--a poor, +heart-broken, homeless, friendless, wronged, little unfortunate,--'Kitty +the Dancer' she was called in the days when she was fair to see, and men, +bad men, set snares for her feet." + +What ails Lucian Davlin? He is compressing his lips, and struggling +hard for an appearance of composure. + +Madeline goes calmly on. "The poor girl died forlorn. She had been +wooed by a vile man, a gambler. She had been to meet him and was +returning from a rendezvous when the carriage that was conveying her +to her poor lodging was overturned, and she was taken up a helpless, +bleeding mass, and carried to the hospital. Then she sent for this +heartless villain, again and again. She implored him to come to her, +at least to send assistance, for she was destitute--a pauper. He +refused, this thing, unworthy the name of man. He was setting other +snares. He had no time, no pity, for his dying victim. Well, she died, +and was buried as Madeline Payne, while I, standing beside her coffin, +prayed to God to make my head wise, and my heart strong, that I might +hunt down, and drive out from the haunts of men, her soulless +destroyer." + +Madeline pauses, and three pair of eyes gaze at her with genuine +wonder. But the eyes of Lucian Davlin are fixed upon vacancy, and with +all the might of his powerful will he is struggling to appear calm. + +Madeline turns her eyes calmly from his face to Cora's, and seems to +see nothing of this, as she resumes: + +"Some strange fatality had made this man the bane of other lives, that +were to be brought into contact with mine. I found that the happiness +of two noble beings was being wrecked by this same man. One of these +two had been my benefactor, had saved me from a fate worse than death, +so I set myself to hunt this man down. And here I found that I could +accomplish two objects at one stroke. I found that the man was playing +into my hands. I followed him in disguise. Little by little I gained +the knowledge of his secrets, enough to send him to State's prison, +and more than enough. But one thing was wanting. For that I waited; +for that I breathed the same air with creatures whom my soul loathed, +and now that one missing link is supplied. At last, I am free! At +last, I can throw off the mask! At last, I can say to the destroyer of +poor Kitty, to the man who swore away the liberty of another to screen +himself--Lucian Davlin, I have hunted you down! I have held you here +to be taken like a rat in a trap! Officers, seize him! He has been my +prisoner long enough!" + +Was it a transformation scene? + +While she is uttering those last words, suddenly the room becomes full +of people, and Lucian Davlin is writhing in the grasp of the two +officers; struggling hopelessly, baffled completely, maddened with +rage and shame. When at last he has ceased to struggle, because +resistance is so utterly useless, he turns his now glaring eyes upon +the brave girl whose life he had sought to wreck, and hisses: + +"Don't forget to mention how you first came to the conclusion that I +had wronged you! Don't forget to state that you ran away from Bellair +with me; that you lodged in my bachelor quarters; that--" + +A heavy hand comes in forcible contact with the sneering mouth, as one +of the officers says, gruffly: "None o' that, my lad. I'd sooner gag +you than not, if you give me another chance." + +But Madeline answers him with a scornful laugh: "That I shot you in +your own den? Coward! do you think my friends do not know all? Here +stands the man who saw me in your company that night," pointing to +Clarence Vaughan; "and here," turning to Claire, "is the sister of the +woman who came to me, at Dr. Vaughan's request, and told me who and +what you were! It was these two who nursed me during my illness, and +who have been, from first to last, my friends. Bah! man, you have been +only a dupe. Your servant, your doctor, your detectives, are all in my +service! I have fooled you to the top of your bent, and kept you under +this roof until we had found the proof that it was you, and not Philip +Girard, who struck this man," pointing to Percy, "and robbed him, five +years ago." + +With a muttered curse, Lucian Davlin flings himself down in the seat +he had lately occupied, the watchful officers, pistol in hand, +standing on either side of him. + +Edward Percy, for the first time since her entrance, withdraws his +eyes from Madeline's face and casts a frightened glance about him. +Having done this, he feels anything but reassured. + +Near the outer door stand the two "well-diggers," who have entered +like spirits, and now look as if, for the first time since their +advent in Oakley, they feel quite at home. Nearest to Madeline stands +Clarence Vaughan. Back of these, a little in the shadow, two +others--two women. One stands with her face turned away, and he can +only tell that the form draped in the rich India shawl is tall and +graceful. But the other--she moves out from the shadow and her eyes +meet his full. + +Great heavens! it is Claire Keith! + +He moves restlessly, his fair face flushing and paling. The first +impulse of his coward heart is flight. But the two "well-diggers" are +not surmountable obstacles. He turns his face again toward the Nemesis +who is now gazing scornfully at him. + +"I have no intention of neglecting any one of you four," she says, +icily. "Edward Percy, I told you last night that I would burn certain +papers in your presence. I am quite ready to keep my word. There will +be no use for them after to-night. But I shall not stifle the +testimony of living witnesses against you." Then she raised her voice +slightly. "Dr. Le Guise, bring in your patient." + +John Arthur, pallid with fear and rage, stands upon the threshold of +the drawing-room, closely attended by the Professor and Henry. + +Then Madeline turned to the now terror-stricken Cora. "Come forward, +Mrs. John Arthur," she says, scornfully. "It is time to let you +speak!" + +When Edward Percy turns his eyes toward Claire, she has instinctively +moved nearer to Madeline's side, at the same time favoring him with a +look so fraught with contempt that the villain lowers his eyes, and +turns away his face. As Madeline now addresses the fair adventuress, +Claire again moves. She has been standing directly between Cora and +her Nemesis. Now she takes up a position quite apart from her friends, +and near the officer who guards Lucian Davlin on the right. + +Cora sees that all is lost. But she recalls the promises of safety +given her by Madeline, and nerves herself for a last attempt at cool +insolence. Her quick wits have taken in the situation. Now she +understands why Madeline has led Davlin on, and why her hatred of him +is so intense. Now she knows the meaning of the words that last night +seemed so mysterious: "Lucian Davlin is my lover, but I am his +bitterest foe." Now, as she steps forward, the hate she feels shining +in her eyes, and with a growing air of reckless bravado as she glances +at him, Cora, too, is Lucian Davlin's bitter foe. + +"Cora!" The name comes from the lips of John Arthur, almost in a cry. + +But she never once glances toward him. She fixes her eyes upon +Madeline's face and doggedly awaits her command. + +"Tell us what you know of this man," Madeline says, pointing to Edward +Percy: "and be brief." + +Cora turns her eyes slowly upon the man. She surveys him with infinite +insolence, and then she turns with wonderful coolness toward Ellen +Arthur. + +"Miss Arthur," she says, with a malicious gleam in her eyes, "this +will interest you. I knew that man ten years ago. I was making my +first venture out in the world, and it was a very bad one. I fell in +love with his pretty face, and married him. Before long I discovered +that matrimony was a mania of Mr. Percy's--by-the-by, he sailed under +another name then. I found that he had another wife living; a woman he +had married for her money. Well, being sensitive, I took offense, and +after a little, I ran away from him, carrying with me the certificates +of his two marriages, which I had taken some pains to get possession +of. After that--" + +Cora pauses suddenly and glances toward Madeline. + +"After that you went to Europe. You may pass over the foreign tour, +and take up the story five years later," subjoins Madeline, coldly. + +"After that, I went to Europe," echoes Cora. "And five years later +found me in Gotham." + +"Be explicit now, please: no omissions," commands Madeline. + +"Five years ago, then," resumes Cora, "that gentleman there," +motioning to Davlin, but never turning her face toward him, "came to +me one day with the information that my dear husband was a rich man, +thanks to some deceased old relative, and that his other wife was +dead. For some reason this other marriage had been kept very secret, +and my friend there argued that in case anything happened to Percy, I +might come in as his widow, and claim his fortune. Well, Mr. Percy did +not die, more's the pity. Instead of that he lived and squandered his +money in less than three years. He was hurt, somehow, and a certain +Mr. Philip Girard was falsely accused and convicted for attempted +murder." + +"Who was the real would-be assassin?" asked Madeline, sternly. + +"Lucian Davlin," emphatically. + +Madeline turns swiftly to Percy. "Mr. Percy, explain, if you wish to +lighten your own burden, by what means did that man persuade you to +let him go free?" + +"By--threatening me with an action for--" + +"Bigamy!" finished Cora. + +The villain, bereft of all hope and courage, stood white and +trembling, under the eyes of his accusers and judges. + +"I am letting these people hear you tell these things because I want +that man,"--pointing to John Arthur, who had long since collapsed into +a big chair--"to hear all this from your own lips," says Madeline. + +Turning again to Cora, she says: + +"Lucian Davlin made use of the papers--the certificates you had stolen +from Edward Percy--to intimidate that gentleman, and secure himself +from danger. Am I correct?" + +"Yes," replies Cora, casting a malignant glance from one to the other +of the accused men. + +"Very good. Now we will pass on four or more years. You were in some +little trouble last June, Mrs. Arthur. Explain how you came to +Bellair." + +"How?" + +"Yes, for what purpose. And at whose instigation." + +Cora hesitated, and Davlin moved uneasily. + +"Don't think that you will damage your cause by making a full +statement," suggested Miss Payne, meaningly. "Answer my questions, +please." + +Again Cora glances at Davlin. Then turning toward Madeline she assumes +an air of defiant recklessness, and answers the questions promptly. "I +came at Lucian Davlin's suggestion, and because he had induced me to +think that I could easily become--what I am." + +"And that is--" + +"Mrs. Arthur, of Oakley!" with a mocking laugh. + +The old man in the chair utters a loud groan, but no one heeds him. +All eyes are fixed upon Madeline and Cora. + +"You plotted to become John Arthur's wife?" pursues Madeline, +relentlessly. + +"Yes." + +"And--his widow?" + +No reply. + +"You planned to keep him a prisoner?" + +"Yes." + +"And Lucian Davlin, your pretended brother, was your accomplice?" + +"Yes." + +Madeline turns swiftly toward her step-father, as she does so moving +nearer toward Edward Percy. + +"John Arthur, are you satisfied?" she asks, sternly. "Shall the +knowledge of your disgrace go beyond this room? Do you choose to +remain here and be pointed at by every boor in Oakley, as the man who +married an adventuress, a gambler's accomplice? or will you accept my +terms?" + +John Arthur lifts his head, then staggers to his feet. "Curse you!" he +cries. "Curse you all! What proof have I that these people will +respect my feelings?" + +"You have my word," replies the girl, coolly. "These gentlemen of the +Secret Service are not given to gossip. Mr. Davlin will have but +little opportunity for circulating scandal where he is going. Mr. +Percy, and your wife, will hardly remain in the neighborhood long +enough to injure you here, unless by your own choice. Your sister will +scarcely betray you, and the rest are my friends. Choose!" + +Pallid with rage and shame, the old man turned toward Cora. + +"You she-devil!" he screams, "this is your work--" + +"No," interposes Madeline, calmly, "it is _your_ work, John Arthur! +What you have sown, you are reaping. Will you have all your guilty +past, your shameful present, made known? Or will you leave my mother's +home and mine, and cease to usurp my rights? Choose!" + +Every eye is turned upon the old man and his questioner. Every ear is +intently listening for his answer. + +Every ear, do we say? No; one man is only feigning rapt attention; one +mind is turning over wicked possibilities, while the others await, +with different degrees of eagerness or curiosity, John Arthur's +answer. + +"Needs must when the devil drives," says the baffled old man, turning +toward the door. "I will go, and I leave my curse behind me!" + +This is the moment which Lucian Davlin has watched. While all eyes are +turned toward John Arthur, he bends suddenly forward. He has wrenched +the pistol from one of his guardians, and the weapon is aimed at +Madeline's heart! + +Instantaneously there is a quick, panther-like spring, and Claire +Keith's little hand strikes the arm that directs the deadly weapon. +There is a sharp report, but the direction of the bullet is changed. + +Madeline Payne stands erect and startled, while Edward Percy falls to +the floor, the blood gushing from a wound in his breast. In another +instant, Lucian Davlin lies prostrate, felled by a blow from one +detective, while the other bends over him and savagely adjusts a pair +of manacles. + +The others, even to Cora, group themselves about the wounded man. Dr. +Vaughan kneels beside him a moment, then he lifts his eyes to meet +those of Madeline. + +"It is a death wound," he says. + +"Prepare a couch in the next room directly. He must not be carried +up-stairs." + +When this order has been obeyed, and the injured man has been removed, +Madeline returns to the drawing-room, untenanted now save by the +officers and their prisoner. They are waiting there until the midnight +train shall be due, and the time approaches. Moving quite near to the +now silent, sullen villain, the girl surveys him with absolute +loathing. + +"The goddess you worship has deserted you, Lucian Davlin," she says, +slowly. "It was not in the book of chance that you should triumph over +or outwit me. The bullet you designed for me has completed the work +you began five years ago. Go, to live a convict, or die on the +scaffold, and when you think upon the failure of your villainous +schemes, remember that this retribution has been wrought by a woman's +hand! Officers, take him away!" + +Through the darkness they hurry him, from the sights and scenes of +Oakley and Bellair--forever. His goddess has indeed forsaken him. When +the two officers take leave of him at the prison, he has had his last +glimpse of the outside world. + +[Illustration: "Edward Percy falls to the floor, the blood gushing +from a wound in the breast!"--page 439.] + +From the moment when he failed in his attempt upon the life that had +defied him, no word had escaped his lips. Silent, moody, and utterly +hopeless, this proud-spirited, evil-hearted Son of Chance, enters +the prison gates, and, as they close upon him, we have done with +Lucian Davlin, a _convict for life_! + + + + +CHAPTER XLIX. + +AS THE FOOL DIETH. + + +Edward Percy is dying--was dying when they lifted him from the +drawing-room carpet, and gently laid him on the couch hastily prepared +by Hagar and the frightened servants. They have watched beside him +through the night, and now, in the gray of the morning, Clarence +Vaughan still keeps his vigil. + +The wounded man moves feebly, and turns his fast dimming eyes toward +the watcher. "I thought--I saw--some one," he says, brokenly, "when--I +fell. Who--was--the lady?" + +His voice dies away, as Clarence, bending over him, answers gently: +"You mean the lady that stood near the door, whose face was turned +away?" + +"Yes," in a whisper; "was it--my--wife?" + +Clarence turns toward the window where Mrs. Ralston sits, out of view +of the sick man. + +She moves forward a little. "Tell him," she says, in a low voice. + +Edward Percy is a dying man, but his mind was never clearer. He +perfectly comprehends the explanations made by Clarence. He had +recognized the face of his wife when he lay bleeding at her feet. He +closes his eyes and is silent for some moments. Then he asks, in that +dying half-whisper, the only tone he ever will use: "You +think--I--will--die?" + +"You cannot live," replies Clarence, gravely. + +Again the wounded man shuts his eyes and thinks; then: "How long--will +I--last?" he questions. + +"I can keep you alive twenty-four hours--not longer," says Clarence, +after a pause. + +"Then--I must talk now." + +Clarence goes to a table, and pours something into a tiny glass. This +he brings, and putting it to the lips of the patient, says: "Try and +swallow this. It is a stimulant. Then lie quiet for a few moments; +after that you may talk." + +This is done, and for a time there is silence in the room. Then the +wounded man whispers, with an appearance of more strength: "Tell +_her_--to come here." + +Mrs. Ralston moves forward, and he looks at her long and attentively. +Then, with a turn of his olden coolness: "You grew tired of me," he +said. + +"Yes," she replies, in a low, sad voice, "I grew tired of you; very +tired. But don't talk of those days now. You are too near the end; +think of that!" + +"I do," he said, slowly. "But I can't alter the past--and--I don't +know--about the future. I want--to see a--notary." + +"Don't you want to see a clergyman?" + +"What for? If I am dying--it's of no use to play--hypocrite. I don't +believe in--your clergyman. I admit that--I wronged--you," he +continues, gazing at Mrs. Ralston, "and I deceived Miss Keith. If you +two--can forgive me--I will take my chances--for the rest." + +Mrs. Ralston bends above him with a face full of pity, but in which +there is no love. "I forgive you, Edward; and so will Claire, fully. +But you did her very little harm. She was not long deceived. Do you +want to see her?" + +"Yes; and--don't let Alice--Cora, you call her--come near me." + +Truly, this dying sinner is not a meek one, not a very repentant one. + +When they ask him if he will see Miss Arthur, his reply is +characteristic. "Does she want--to see--me?" + +No; she has not asked to see him, they say. But of course she would be +glad to come to him. + +"Let her alone," he says, "she don't want to see me. If she did, it +would be to scratch out--my eyes--because she is--cheated out +of--being married. She isn't hurt. She is too big a fool." + +When Claire comes to his bedside, accompanied by Madeline, he says: +"Miss Claire--I loved you better than any woman I ever knew--truly. +If--you had been Mr. Keith's heiress--I would never have come to +Oakley. I thought you were--his heiress when--I wooed you--in +Baltimore. But you are the only woman--who ever beat me--and puzzled +me. You did not care much, after all." + +To Madeline he says, after he has swallowed a second stimulant: "But +for you, I would not be here. You women have hunted me down. But you +are as brave--as a lioness--a little Nemesis. I--won't--bear malice." + +At noon, the notary comes, and Edward Percy makes an affidavit as to +the truth of the testimony that will convict Lucian Davlin. It is the +affidavit of a fast dying man. + +All day Mrs. Ralston sits beside him. And Clarence Vaughan watches the +slowly ebbing life tide. Once he seems struggling to say something, +and his wife bends down to catch what may be some word of penitence. + +"Bury--me like a gentleman." + +This is what he says, and Clarence Vaughan smiles bitterly as he +thinks, "selfish and egotistical to the last." + +Night comes on and the end is very near. Over the dying face flits a +malignant shadow, and he makes a last effort to speak. Again the +watchers bend nearer. + +"I hope--they will--hang Davlin," he breathes, feebly. + +The two listeners recoil with horror, at the sound of the vindictive +wish from dying lips. + +These are the last words of Edward Percy. Slowly go the minutes, and +deeper grow the shadows. Again Clarence Vaughan bends above the couch, +and then he says: "Your vigil is ended, Mrs. Ralston. He is dead." + + * * * * * + +That night, while the house is hushed to a quiet, one portion of the +household asleep, the other keeping the death-watch, Cora again tries +to escape from Oakley. But this time Strong is not to be caught +napping, and the vanquished adventuress resigns herself to her fate. + +Two days more, and then Edward Percy is buried, according to his +request, "like a gentleman." + +All that is known outside of Oakley concerning his death is that he +was shot by Lucian Davlin, between whom, and himself, some feud had +existed. + +And John Arthur and Cora remain, and "keep up appearances" to the +last. + +Dr. Le Guise, or the Professor, has stayed too, for appearance sake. +But the day after they have buried Edward Percy, he goes, and very +gladly, back to the city. Madeline keeps her promise; he goes free, +and none save the few ever know that Dr. Le Guise is an impostor. + +At the same time John Arthur turns his back upon Oakley forever. +"Appearances" are observed to the last. He goes, tenderly attended by +the Professor, by Cora, and by his sister. Goes much muffled, and +enacting the _rôle_ of invalid. + +They are taking the sick man South; this is what the villagers think. + +But when the train reaches the city, this select party disbands. John +Arthur becomes active once more and, with his sister, hurries away in +the nearest cab, while the Professor and Cora separate by mutual +consent. + +And here we will leave them--all but Cora. + +She has escaped Scylla only to fall upon Charybdis. As she hurries +along through the familiar streets, her plans are laid. She will go to +Lucian Davlin's rooms; nobody will be there to dispute her possession +for a day or two to come, and she has possessed herself of the keys, +left behind as useless by their outlawed owner. + +When she ascends the steps, some one, who is lounging past the +premises, looks at her narrowly. As she disappears behind the swinging +outer door, this lounger becomes wonderfully alert, and hastens away +as if he had just discovered his mission. + +Two hours later, as Cora descends the stairs and emerges into the +street, the vision of a monkey-faced old man appears before her. And +while another lays a firm detaining hand upon her arm, the old man, +fairly dancing with glee, cries out: + +"Ah, ha! here you are, my pretty sharper! I didn't have these premises +watched for nothing, did I? Now I have got you! Bring her along, +officer, bring her along. She won't dodge us this time." + +And Cora is hurried into a cab, closely followed by old Verage, who +chatters his doubtful consolation, and laughs his eldritch laughter, +and finally consigns her to prison to answer to a charge of +swindling. + + + + +CHAPTER L. + +"AND THEN COMES REST." + + +At last Oakley is rid of its _intriguants_, its plotters and +impostors. + +And Madeline and Claire sit alone in the chamber of the former, +talking of the strange events that have so lately transpired--of +Philip Girard's vindication, of Lucian Davlin's punishment, of Edward +Percy's death. + +It is the day following that of the burial, and Mrs. Ralston is lying +asleep in her own room, with old Hagar in near attendance. + +"Poor Mrs. Ralston," says Claire, after a long pause in their +converse. "She is thoroughly worn out, and yet, weary as she was, she +must have talked with you for hours, Madeline, after we came back from +the grave." + +Over Madeline's face flits an odd, half-sad smile, as she replies, +dreamily: + +"Yes, we talked a long time, dear; Mrs. Ralston was then in the mood +for talking. Can't you understand how one may be nervously active, may +be at just that stage of bodily weariness when the mind is intensely +alive? The excitement of all she had lately undergone was still upon +her, and the mind could not resign itself to rest while anything +remained unsettled or under a cloud." + +"Oh, I can understand how that may be." Then, after a pause, "so +something remained to be settled?" + +"Yes." + +"And, between you, you disposed of the difficulty?" + +"Yes." + +Another silence. Then Madeline turns to look at her companion. + +"Why don't you ask me what the 'difficulty' was?" + +No answer. + +"But you want to know?" + +Claire laughs nervously. + +"And I want to tell you," pursues Madeline. "First, we talked of +ourselves." + +"Oh!" ejaculates Claire, looking immensely relieved. + +"Yes, we talked of ourselves first; and we have become great friends." + +"Of course!" cries Miss Enthusiasm; "I knew you would." + +"We have decided to give our new friendship a severe test." + +"How?" asks Claire, forgetting her caution. + +"By visiting Europe in each other's society." + +Claire springs up excitedly. "Madeline Payne, you don't mean it! You +_can't_! You _shall_ not; there! Europe, indeed. You are crazy! I +won't hear of it!" stamping her foot emphatically. + +Madeline leans back in her chair and laughs; then suddenly becomes +grave. + +"But I do mean it, Claire, my darling," she says, softly. "And I'll +tell you what else I mean. Sit down here, close beside me and listen." + +Instinctively Claire obeys. + +"Now, then," continues Madeline, "you know what an odd, uncultivated +sort of a life mine has been, and you know that this little world of +mine has not been a very bright one. Well, ever since I could read and +think, I have longed to see Italy, and France, and England, and +Germany, and the Holy Land. My work is done here. There is nothing now +to prevent my going--no duty to perform, no one to keep me here. I +could not find a better friend and companion than Mrs. Ralston, and +she is very anxious to go, and to take me with her. You are all very +dear to me, but no one needs me now more than she, nor so much. And, +Claire, don't make any mistakes about me. I am not going away +sorrowfully, or with any heavy weight upon my spirits. I am going to +enjoy and make the most and best of the life and youth God has given +me. I am going for change, and recreation, and rest. I have been +acting the part of an avenger here, a stern, unforgiving Nemesis, but +I would do over again all that I have done, if need be. I am not half +so good as you. I can not submit with meekness to injustice and wrong. +I shall fight my enemies, if I have more to fight, until the end of +the chapter. And now I have a confession to make." + +Claire stirs uneasily. "Don't," she says, deprecatingly: "I don't want +to hear a confession." + +"But I want to make one, and you must listen. First, however, let me +tell you that during my talk with Mrs. Ralston, I heard about a +certain interview, wherein a ridiculous young lady discarded the man +she loved, because she fancied she would wrong some one else if she +admitted her love for him, and accepted his. Well--don't turn your +face away--that was foolish. But my blunder was a downright wicked +one. Yes, Claire, I will tell all the truth. When you and I stood +together out under the trees, and talked of Clarence Vaughan; when you +showed me the picture and told me the little pastoral about Edward +Percy; I knew that Clarence Vaughan loved you--and I thought I loved, +nay, I did love, _him_. + +"When I came down here and found so soon that Edward Percy was--so +utterly unworthy, we will say, because he is dead, I felt at once that +you must be undeceived. + +"Then a great temptation came to me, and I said to myself, 'When she +becomes disenchanted, and ceases to love this man, she will learn to +value the other and more noble lover; she will learn to love him!' + +"All night long, before I came to undeceive you, and to warn Olive, I +battled with a great temptation. And I yielded to it. Listen, Claire, +while I tell you how base I was. + +"When I set out for the city in the morning, I said to myself: 'Claire +Keith is the soul of truth and honor. She is generous to a fault. If I +let her see how much I care for Clarence Vaughan, I shall appeal to +her pity and her honor, without the aid of words. She will never +listen to his suit; she will try to advance my interest; she will +become my ally.' See, dear, how truly I judged you. + +"Well, I came. I told you of Percy's baseness, and when I saw how +brave you were; how full of scorn for the dishonest man; how +impossible it was for one so unworthy to drag you down, or darken your +life because of his baseness; I was filled with shame and remorse. I +knew then that I was unworthy your friendship, or of a good man's +love. + +"Standing in your presence, humiliated by your pure nobility, I +repented, and I resolved to give up all thought of Clarence Vaughan. I +did give him up. + +"But, Claire, although I did not know it, my very penitence must have +committed me, and while I was renouncing my designs, you were +resolving to further them. In some manner I must have betrayed +myself." + +There is a moment's pause. Claire Keith's face is buried in her hands, +and Madeline, bending toward her, cries out, remorsefully: + +"Claire! Claire! Look up and believe me. As God hears me, that is past +and dead. See how I am humbling myself, and do not doubt me." + +Claire's head rears itself suddenly. She flings herself forward +impetuously, and clasps her arms about her friend. + +"Madeline, stop!" she cries, brokenly; "I won't hear you slander +yourself. Don't I know you too well to doubt you! But I won't have a +lover; I won't love any one but you." + +Again the laugh comes to Madeline's lips. + +"Little Miss Impulse!" she says, tenderly. "But, sister Claire, I am +not done yet. I am going to put you on the penitent's stool now. Just +imagine yourself in my place for a little. Do you think I could have +made this confession to you if my weakness were not a thing of the +past? You know I never could. I am not ashamed to confess that I did +love Clarence. But I should be more than ashamed, under all the +circumstances, if I could not say with truth that that love is a thing +of the past. As my dearest friend, my brother, if you will, I shall +always love him; but no more than that. I am not sorry that I have +loved him, for I am a better woman because of it. But, I repeat it, +that love is a thing of the past. Claire, do you not believe?" + +They gaze into each other's eyes for a moment. Then Claire says: "I +believe, Madeline." + +A smile brightens the brown eyes now, and their owner says: "Then +don't you see that you have made a mistake--one that, for my sake, you +must rectify?" + +Claire begins to look rebellious. "No, I don't," she cries, blushing +scarlet. "You wicked girl, you have been getting me into a trap!" + +Madeline says, very gravely: + +"Claire, I want you to trust me in this, as you all have in other +things. I want you to let me feel that I have not made the friends I +love best, unhappy. I shall leave you soon: if I have been your +friend, let me have my way in this one thing. If you don't, all the +rest will have been in vain. See, my drama is ended; my enemies are +punished. Now let me make my dear ones happy. Do you know, John Arthur +has put a new thought in my head. 'Confound you,' he growled; it was +his parting benediction, 'I might have known your father's blood ruled +you. I might have looked for cunning and intrigue from that confounded +Expert's Daughter.' It is true, Claire; I am the daughter of an +Expert, a detective, brave and shrewd. Hagar says that I am like my +father, and that I have inherited his talents. When I recall the knot +we have just unravelled, the war we have just waged, I can but think +that my father's chosen calling may have become mine. If the world +ever grows stale, if I pine for change or excitement or absorbing +occupation, I can go to my father's chief and say, 'I am the daughter +of Lionel Payne, the Expert, and I have inherited a measure of my +father's talents.' Do you think he will trust his knotty cases to the +Expert's Daughter?" + +"I think he will, if he is wise. But, Madeline, all this is folly. You +will never leave us. Olive wants you; we all want you." + +"And you will all have enough of me. But, Claire, do not ask me to +stay now. It is better for me, better for all, that I go away. I must +let old memories die out. I want to forget old scenes. I want rest. I +need to school my wayward nature, to teach my heart to beat calmly, +my soul to possess itself in peace. Claire, I must go." + +Just here, some one taps softly. It is a servant who holds in her +hands a telegram from Olive to Madeline, which runs thus: + + All is well. Philip and I start for home to-night. Meet us + there without fail, all of you. + + OLIVE. + +They read it together, and then Claire burst into tears--tears of joy +and thankfulness. + +"Philip is free once more! Oh, Madeline, Madeline; and it was you who +saved him; it was _you_!" + +Madeline pushes the message into her hand, saying: "If I have done +such wonderful things, why do you refuse to obey me? Go, now, and take +this good news to Clarence Vaughan. And mind you, don't come back, for +I am going to tell Mrs. Ralston." + +Half laughing, half crying, Claire is compelled to go down to the +library alone. Clarence Vaughan is there, pacing thoughtfully up and +down. + +Claire enters softly, the paper ostentatiously displayed in her hand. +But he looks straight at the blushing, bashful, tear-stained face. Her +eyes, half glad, half shy, wholly tell-tale, fall before his own. And +the lover who has waited in patience for his opportunity, seizes it +now and makes it a moment of victory. + +"I have brought you good news, Dr. Vaughan." + +He comes straight toward her, and imprisons both little hands, +together with the "news" they contain. + +"You have brought me yourself, then, and I have been lying in wait for +this opportunity. Claire, shall you ever run away from me again?" + +It is useless to rebel. His voice tells her that he knows too much, +and that he will not be evaded any more. + +She gives him one glimpse of her face, and then she is clasped in his +strong, loving arms, and from this safe haven, after a time, she tells +her good news, struggling prettily to free herself from the loving +imprisonment. + +"Philip is free, and is coming home." + +"Of course; why not, darling? There is no accusation against him now." + +"Madeline is going away with Mrs. Ralston. Don't you think she is too +bad? Can't we make her stay?" + +A look of regretful sadness rests for a moment upon his countenance. +Then he says, very tenderly: + +"My little darling, Madeline has earned the right to her own perfect +liberty. After the fierce schooling through which she has passed, +believe me, there is nothing left for us to teach her. She has grown +beyond us. Let her have her will, for she knows best what will give +her the rest, the forgetfulness, the absorbing interest in other +things, that her strong nature needs. Madeline has much to unlearn, +much to forget; and she knows this. She is growing to understand her +strong, brave self, to value her strength. She will never be an idler, +never sink into the ranks of the commonplace. If, after a time, she +finds for herself a worthy love, she will be the tenderest, the truest +of wives. But she is sufficient unto herself. She has beauty, genius, +force, a strong will, a splendid intellect. We shall watch her course +from afar, and I am much mistaken if we do not, some day, hear great +things of our Madeline." + +Claire draws herself gently from the restraining arm, and turns her +blue eyes upon him. + +[Illustration: "She sinks to her knees, and leaning out, absorbs the +restfulness, the peace, the white, pure glory of the dawn."--page +456.] + +"Madeline will never marry," she says softly, sadly. "You are right; +she is above us, beyond us. God has made her sufficient unto herself." + + * * * * * + +It is dawn, gray dawn. + +Madeline Payne rises from a long untroubled sleep, and flings wide her +shutters. + +What is this that she sees? + +All below her an unbroken mantle of white; all about and above, the +waving of snowy plumes, and floating, misty-white loveliness. + +The world is clothed in a new garment; the foot-prints of her enemies +are hidden, are blotted from the face of the earth. The pathway to the +cemetery where they lately bore Edward Percy, is obliterated, too. The +grave of the erring man is covered with heaven's whitest, purest +mantle of charity and forgetfulness. + +Above, below, all about her, is silence and whiteness and peace. + +She sinks to her knees, and leaning out, absorbs into herself the +restfulness, the peace, the white, pure glory, of the dawn. + +"It is a token," she murmurs, softly. "It is God's benediction on my +new day, on my new life. It is the beginning of rest. There is nothing +old in this fresh, white world. Let the snow mantle rest thus upon my +past life. Ah, how rich I am! How rich in friends; how strong in that +I have been able to do some good, to make my beloved happy. Never let +me repine at my fate. I am rich, and strong, and free. This new, +white, beautiful world is mine, when I wish to wander. My friends are +mine, when I wish to rest, and find a home." + +Ah, 'tis good to know-- + + "God's greatness shines around our incompleteness; + Round our restlessness, _His rest_." + +Up from the east shoots an arrow of gold, and a bar of roseate light. +Higher yet, and the world is aglow with mystic, glittering loveliness. +Diamonds sparkling everywhere; snow plumes waving; the earth's white +unbroken mantle gleaming and sparkling, and stretching away to meet +the golden glow at the horizon's edge. + +Kneeling there, with her white hands clasped upon the window ledge, +the glory of the morning falls over her like a benediction; lighting +up the golden hair; pouring its radiance into the solemn brown eyes; +kissing the pure pale cheeks; breathing peace, and rest, and hope into +the long-tried, but conquering heart of THE EXPERT'S DAUGHTER. + +THE END. + + + + * * * * * + + + + +POPULAR BOOKS. + + +_A Mountain Mystery; or, The Outlaws of the Rockies._ + + By LAWRENCE L. LYNCH. Illustrated by 37 original Engravings. + Price, $1.50. + + A stirring story of detectives' adventures among the mountain + outlaws and stage robbers of the Far West. Our old friends + Stanhope and Vernet, reappear in new roles. + + +_Dangerous Ground; or, The Rival Detectives._ + + By LAWRENCE L. LYNCH. Illustrated by 45 original Engravings. + Price, $1.50. + + Its incidents are splendidly handled. There is not a dull + page or line in it. Dick Stanhope is a character to be + admired for his courage; while one's deepest sympathies twine + about the noble, tender-hearted Leslie Warburton. + + +_Madeline Payne, the Detective's Daughter._ + + By LAWRENCE L. LYNCH. Illustrated by 44 original Engravings. + Price, $1.50. + + "One of the most fascinating of modern novels. It combines + the excitement that ever attends the intricate and hazardous + schemes of a detective, together with as cunningly elaborated + a plot as the best of Wilkie Collins' or Charles Reade's." + + +_Out of a Labyrinth._ + + By LAWRENCE L. LYNCH. Illustrated by 36 original Engravings. + Price $1.50. + + "We have so often spoken of Mr. Lynch's superb abilities that + further praise is scarcely essential. Suffice it to say that + this work is in no way inferior to those which have preceded + it."--_Aurora News._ + + +_The Gold Hunters' Adventures in Australia._ + + By WM. H. THOMES. Illustrated by 41 fine Engravings. Price, + $1.50. + + An exciting story of adventures in Australia, in the early + days, when the discovery of gold drew thither a motley crowd + of reckless daring men. + + +_The Bushrangers; or, Wild Life in Australia._ + + By WM. H. THOMES. Illustrated. Price, $1.50. + + The record of a second voyage to that land of mystery and + adventure--Australia--by the "Gold Hunters," and replete with + exciting exploits among lawless men. + + +_The Gold Hunters in Europe; or, The Dead Alive._ + + By WM. H THOMES. Illustrated by 34 fine Engravings. Price, + $1.50. + + The heroes of "The Gold Hunters' Adventures" seek excitement + in a trip through Europe, and meet with a constant succession + of perilous adventures. + + +_A Slaver's Adventures on Sea and Land._ + + By WM. H. THOMES. Illustrated by 40 fine Engravings. Price, + $1.50. + + A thrilling story of an exciting life on board a slaver, + chased by British gunboats, and equally interesting + adventures in the wilds of Africa and on the Island of Cuba. + + +_A Whaleman's Adventures on Sea and Land._ + + By WM. H. THOMES. Illustrated by 36 fine Engravings. Price, + $1.50. + + A vivid story of life on a whaler, in the Pacific Ocean, and + of adventures in the Sandwich Islands, and in California in + the earlier days. + + +_Running the Blockade._ + +By WM. H THOMES. Profusely illustrated. Price, $1.50. + + A tale of adventures on a Blockade Runner during the + rebellion, by a Union officer acting in the Secret Service of + the United States. + +Sold on all Railroad Trains, by all Booksellers, or will be sent +post-paid on receipt of price by + +ALEX. T. LOYD & CO., + +133 LASALLE STREET, CHICAGO. + + * * * * * + + +A NEW DETECTIVE STORY. + +By LAWRENCE L. LYNCH. + +Author of "Shadowed by Three," "Madeline Payne," etc. + +[Illustration: "Don't pull, boys; I've got the drop on ye!" Page 50.] + +DANGEROUS GROUND; + +OR THE + +RIVAL DETECTIVES. + +The author's latest and greatest work; intensely interesting. 45 +Elegant Illustrations. + +PRICE $1.50. + +Sold on all Railroad Trains and by all Booksellers. + + * * * * * + + +THE GOLD HUNTERS' ADVENTURES; + +OR, WILD LIFE IN AUSTRALIA. + +By WM. H. THOMES, author of "The Bushrangers," "The Gold Hunters in +Europe," "A Whaleman's Adventures," "Life in the East Indies," +"Adventures on a Slaver," "Running the Blockade," etc., etc. + +[Illustration: "Now for a rush.--Cut them to pieces!"] + +A FASCINATING STORY OF ADVENTURE. + + * * * * * + + +A SLAVER'S ADVENTURES + +ON SEA AND LAND. + +[Illustration: "We saw many species of wild animals." Page 89.] + +By WM. H. THOMES, + +Author of "The Gold Hunters' Adventures in Australia," "The +Bushrangers," "Running the Blockade," etc., etc. + +ILLUSTRATED WITH FORTY ELEGANT ENGRAVINGS + +SOLD ON ALL RAILWAY TRAINS AND BY ALL BOOKSELLERS. + + * * * * * + + +A Whaleman's Adventures + +AT SEA, IN THE SANDWICH ISLANDS AND CALIFORNIA. + +[Illustration] + +By WM. H. THOMES, + +Author of "The Gold Hunters' Adventures in Australia," "The +Bushrangers," "Running the Blockade," etc., etc. + +Illustrated with Thirty-Six Fine Engravings. + +SOLD ON ALL RAILWAY TRAINS AND BY ALL BOOKSELLERS. + + + +***END OF THE PROJECT GUTENBERG EBOOK MADELINE PAYNE, THE DETECTIVE'S +DAUGHTER*** + + +******* This file should be named 26482-8.txt or 26482-8.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/2/6/4/8/26482 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Lynch</title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- +body { + margin-left: 10%; + margin-right: 10%; + } + + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .75em; + text-align: justify; + margin-bottom: .75em; +} + +hr { + width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; +} + a[name] { position: absolute; } + a:link {color:#0000ff; text-decoration:none; } + a:visited {color:#0000ff; text-decoration:none; } + a:hover { color:#ff0000; } + +table { + width: 60%; + margin-left: auto; + margin-right: auto; +} + +.tocch { text-align: right; vertical-align: top;} + +.tocpg {text-align: right; vertical-align: bottom;} + +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; +} /* page numbers */ + +.blockquot { + margin-left: 5%; + margin-right: 10%; +} + +.center {text-align: center;} + +.smcap {font-variant: small-caps;} + +.caption {font-weight: bold;} + +.f1 { font-size:smaller; } +.f2 { margin-left:70%; } +.f3 { margin-left:5%; } +.f4 { margin-left:20%; } +.f5 { margin-left:65%; } +.f6 { margin-left:50%; } + +.img1 { border-color:#000000; border-style:solid; border-width:1px; } +/* Images */ +.figcenter { + margin: auto; + text-align: center; +} + +/* Poetry */ +.poem { + margin-left:10%; + margin-right:10%; + text-align: left; +} + +.poem br {display: none;} + +.poem .stanza {margin: 1em 0em 1em 0em;} + +.poem span.i0 { + display: block; + margin-left: 0em; + padding-left: 3em; + text-indent: -3em; +} + +.poem span.i2 { + display: block; + margin-left: 2em; + padding-left: 3em; + text-indent: -3em; +} + +.poem span.i4 { + display: block; + margin-left: 4em; + padding-left: 3em; + text-indent: -3em; +} + + hr.full { width: 100%; + margin-top: 3em; + margin-bottom: 0em; + margin-left: auto; + margin-right: auto; + height: 4px; + border-width: 4px 0 0 0; /* remove all borders except the top one */ + border-style: solid; + border-color: #000000; + clear: both; } + pre {font-size: 85%;} +// --> +/* XML end ]]>*/ + </style> +</head> +<body> +<h1>The Project Gutenberg eBook, Madeline Payne, the Detective's Daughter, by +Lawrence L. Lynch</h1> +<pre> +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at <a href = "http://www.gutenberg.org">www.gutenberg.org</a></pre> +<p>Title: Madeline Payne, the Detective's Daughter</p> +<p>Author: Lawrence L. Lynch</p> +<p>Release Date: August 29, 2008 [eBook #26482]</p> +<p>Language: English</p> +<p>Character set encoding: ISO-8859-1</p> +<p>***START OF THE PROJECT GUTENBERG EBOOK MADELINE PAYNE, THE DETECTIVE'S DAUGHTER***</p> +<p> </p> +<h3>E-text prepared by Sankar Viswanathan, Suzanne Shell,<br /> + and the Project Gutenberg Online Distributed Proofreading Team<br /> + (http://www.pgdp.net)</h3> +<p> </p> +<hr class="full" /> +<p> </p> + +<div class="figcenter" style="width: 450px;"> +<img src="images/cover.jpg" width="450" height="655" alt="Cover" /> +</div> +<p> </p> +<div class="figcenter" style="width: 450px;"> +<img class="img1" src="images/title_page.jpg" width="450" height="659" alt="Title Page" /> +</div> +<p> </p> +<div class="figcenter" style="width: 400px;"> +<img src="images/image_001.jpg" width="400" height="554" alt=""Yes," she cried, wildly, "I know; you need not say it"—page 219." /> +<span class="caption">"Yes," she cried, wildly, "I know; you need not say it"—<a href="#Page_219">page 219.</a></span></div> +<p> </p> + +<h4>THE GREAT DETECTIVE STORY.</h4> + +<h1>MADELINE PAYNE,</h1> + +<h4>THE</h4> + +<h3><span class="smcap">Detective's Daughter.</span></h3> + +<h3>BY</h3> + +<h2>LAWRENCE L. LYNCH,</h2> + +<h4>(OF THE SECRET SERVICE.)</h4> + +<h4>Author of "Shadowed by Three," "The Diamond Coterie,"<br /> +"Out of a Labyrinth," etc., etc. +</h4> +<p> </p> +<p> </p> +<p> </p> + +<h3>CHICAGO:</h3> + +<h3>ALEX. T. LOYD & CO.</h3> + +<h3>1888.</h3> + + +<h5><span class="smcap">Copyright</span>, 1883,<br /> +DONNELLEY, LOYD & CO.,<br /> +CHICAGO.</h5> + +<h5><span class="smcap">Copyright</span>, 1883,<br /> +ALEX. T. LOYD & CO.,<br /> +CHICAGO. +</h5> + +<h5><span class="smcap">Copyright</span>, 1884,<br /> +ALEX. T. LOYD & CO.,<br /> +CHICAGO. +</h5> +<hr style="width: 65%;" /> +<h2>CONTENTS</h2> + +<table summary="Contents"> +<tr> + <td class="tocch f1">CHAPTER</td> + <td> </td> + <td> </td> + <td class="tocpg f1">PAGE</td> +</tr> +<tr><td class="tocch"> I.</td> + <td> </td> + <td><a href="#CHAPTER_I">MAN PROPOSES</a></td> + <td class="tocpg"><a href="#Page_9">9</a></td> +</tr> +<tr><td class="tocch"> II.</td> + <td> </td> + <td><a href="#CHAPTER_II">THE OLD TREE'S REVELATIONS</a></td> + <td class="tocpg"><a href="#Page_16">16</a></td> +</tr> +<tr><td class="tocch"> III.</td> + <td> </td> + <td><a href="#CHAPTER_III">THE STORY OF A CRIME</a></td> + <td class="tocpg"><a href="#Page_25">25</a></td> +</tr> +<tr><td class="tocch"> IV.</td> + <td> </td> + <td><a href="#CHAPTER_IV">THE DIE IS CAST</a></td> + <td class="tocpg"><a href="#Page_44">44</a></td> +</tr> +<tr><td class="tocch"> V.</td> + <td> </td> + <td><a href="#CHAPTER_V">A SHREWD SCHEME</a></td> + <td class="tocpg"><a href="#Page_54">54</a></td> +</tr> +<tr><td class="tocch"> VI.</td> + <td> </td> + <td><a href="#CHAPTER_VI">A WARNING</a></td> + <td class="tocpg"><a href="#Page_64">64</a></td> +</tr> +<tr><td class="tocch"> VII.</td> + <td> </td> + <td><a href="#CHAPTER_VII">A STRUGGLE FOR MORE THAN LIFE</a></td> + <td class="tocpg"><a href="#Page_75">75</a></td> +</tr> +<tr><td class="tocch"> VIII.</td> + <td> </td> + <td><a href="#CHAPTER_VIII">THREADS OF THE FABRIC</a></td> + <td class="tocpg"><a href="#Page_98">98</a></td> +</tr> +<tr><td class="tocch"> IX.</td> + <td> </td> + <td><a href="#CHAPTER_IX">GONE!</a></td> + <td class="tocpg"><a href="#Page_104">104</a></td> +</tr> +<tr><td class="tocch"> X.</td> + <td> </td> + <td><a href="#CHAPTER_X">BONNIE, BEWITCHING CLAIRE</a></td> + <td class="tocpg"><a href="#Page_113">113</a></td> +</tr> +<tr><td class="tocch"> XI.</td> + <td> </td> + <td><a href="#CHAPTER_XI">A GLEAM OF LIGHT</a></td> + <td class="tocpg"><a href="#Page_121">121</a></td> +</tr> +<tr><td class="tocch"> XII.</td> + <td> </td> + <td><a href="#CHAPTER_XII">A MESSAGE FROM THE DEAD</a></td> + <td class="tocpg"><a href="#Page_130">130</a></td> +</tr> +<tr><td class="tocch"> XIII.</td> + <td> </td> + <td><a href="#CHAPTER_XIII">MISS ARTHUR'S FRENCH MAID</a></td> + <td class="tocpg"><a href="#Page_137">137</a></td> +</tr> +<tr><td class="tocch"> XIV.</td> + <td> </td> + <td><a href="#CHAPTER_XIV">WHEELS WITHIN WHEELS</a></td> + <td class="tocpg"><a href="#Page_143">143</a></td> +</tr> +<tr><td class="tocch"> XV.</td> + <td> </td> + <td><a href="#CHAPTER_XV">CORA AND THE FRENCH MAID MEASURE SWORDS</a></td> + <td class="tocpg"><a href="#Page_155">155</a></td> +</tr> +<tr><td class="tocch"> XVI.</td> + <td> </td> + <td><a href="#CHAPTER_XVI">FACE TO FACE</a></td> + <td class="tocpg"><a href="#Page_167">167</a></td> +</tr> +<tr><td class="tocch"> XVII.</td> + <td> </td> + <td><a href="#CHAPTER_XVII">GATHERING CLUES</a></td> + <td class="tocpg"><a href="#Page_184">184</a></td> +</tr> +<tr><td class="tocch"> XVIII.</td> + <td> </td> + <td><a href="#CHAPTER_XVIII">THE HAND OF FRIENDSHIP WIELDS THE SURGEON'S KNIFE</a></td> + <td class="tocpg"><a href="#Page_191">191</a></td> +</tr> +<tr><td class="tocch"> XIX.</td> + <td> </td> + <td><a href="#CHAPTER_XIX">A DUAL RENUNCIATION</a></td> + <td class="tocpg"><a href="#Page_203">203</a></td> +</tr> +<tr><td class="tocch"> XX.</td> + <td> </td> + <td><a href="#CHAPTER_XX">STRUGGLING AGAINST FATE</a></td> + <td class="tocpg"><a href="#Page_215">215</a></td> +</tr> +<tr><td class="tocch"> XXI.</td> + <td> </td> + <td><a href="#CHAPTER_XXI">HAGAR AND CORA</a></td> + <td class="tocpg"><a href="#Page_229">229</a></td> +</tr> +<tr><td class="tocch"> XXII.</td> + <td> </td> + <td><a href="#CHAPTER_XXII">TO BE, TO DO, TO SUFFER</a></td> + <td class="tocpg"><a href="#Page_239">239</a></td> +</tr> +<tr><td class="tocch"> XXIII.</td> + <td> </td> + <td><a href="#CHAPTER_XXIII">SETTING SOME SNARES</a></td> + <td class="tocpg"><a href="#Page_244">244</a></td> +</tr> +<tr><td class="tocch"> XXIV.</td> + <td> </td> + <td><a href="#CHAPTER_XXIV">A VERITABLE GHOST</a></td> + <td class="tocpg"><a href="#Page_251">251</a></td> +</tr> +<tr><td class="tocch"> XXV.</td> + <td> </td> + <td><a href="#CHAPTER_XXV">SOME DAYS OF WAITING</a></td> + <td class="tocpg"><a href="#Page_257">257</a></td> +</tr> +<tr><td class="tocch"> XXVI.</td> + <td> </td> + <td><a href="#CHAPTER_XXVI">NOT A BAD DAY'S WORK</a></td> + <td class="tocpg"><a href="#Page_265">265</a></td> +</tr> +<tr><td class="tocch"> XXVII.</td> + <td> </td> + <td><a href="#CHAPTER_XXVII">CLAIRE TURNS CIRCE</a></td> + <td class="tocpg"><a href="#Page_272">272</a></td> +</tr> +<tr><td class="tocch"> XXVIII.</td> + <td> </td> + <td><a href="#CHAPTER_XXVIII">THE CURTAIN RISES ON THE MIMIC STAGE</a></td> + <td class="tocpg"><a href="#Page_279">279</a></td> +</tr> +<tr><td class="tocch"> XXIX.</td> + <td> </td> + <td><a href="#CHAPTER_XXIX">A STARTLING EPISODE</a></td> + <td class="tocpg"><a href="#Page_291">291</a></td> +</tr> +<tr><td class="tocch"> XXX.</td> + <td> </td> + <td><a href="#CHAPTER_XXX">WAITING</a></td> + <td class="tocpg"><a href="#Page_299">299</a></td> +</tr> +<tr><td class="tocch"> XXXI.</td> + <td> </td> + <td><a href="#CHAPTER_XXXI">MR. PERCY SHAKES HIMSELF</a></td> + <td class="tocpg"><a href="#Page_303">303</a></td> +</tr> +<tr><td class="tocch"> XXXII.</td> + <td> </td> + <td><a href="#CHAPTER_XXXII">A SILKEN BELT</a></td> + <td class="tocpg"><a href="#Page_310">310</a></td> +</tr> +<tr><td class="tocch"> XXXIII.</td> + <td> </td> + <td><a href="#CHAPTER_XXXIII">CROSS PURPOSES</a></td> + <td class="tocpg"><a href="#Page_316">316</a></td> +</tr> +<tr><td class="tocch"> XXXIV.</td> + <td> </td> + <td><a href="#CHAPTER_XXXIV">A SLIGHT COMPLICATION</a></td> + <td class="tocpg"><a href="#Page_322">322</a></td> +</tr> +<tr><td class="tocch"> XXXV.</td> + <td> </td> + <td><a href="#CHAPTER_XXXV">"THOU SHALT NOT SERVE TWO MASTERS" SET AT NAUGHT</a></td> + <td class="tocpg"><a href="#Page_332">332</a></td> +</tr> +<tr><td class="tocch"> XXXVI.</td> + <td> </td> + <td><a href="#CHAPTER_XXXVI">MR. LORD'S LETTER</a></td> + <td class="tocpg"><a href="#Page_337">337</a></td> +</tr> +<tr><td class="tocch"> XXXVII.</td> + <td> </td> + <td><a href="#CHAPTER_XXXVII">"I HAVE COME BACK TO MY OWN!"</a></td> + <td class="tocpg"><a href="#Page_341">341</a></td> +</tr> +<tr><td class="tocch"> XXXVIII.</td> + <td> </td> + <td><a href="#CHAPTER_XXXVIII">CORA UNDER ORDERS</a></td> + <td class="tocpg"><a href="#Page_356">356</a></td> +</tr> +<tr><td class="tocch"> XXXIX.</td> + <td> </td> + <td><a href="#CHAPTER_XXXIX">MYSTIFIED PEOPLE</a></td> + <td class="tocpg"><a href="#Page_367">367</a></td> +</tr> +<tr><td class="tocch"> XL.</td> + <td> </td> + <td><a href="#CHAPTER_XL">DAVLIN'S "POINTS."</a></td> + <td class="tocpg"><a href="#Page_378">378</a></td> +</tr> +<tr><td class="tocch"> XLI.</td> + <td> </td> + <td><a href="#CHAPTER_XLI">THE DAYS PASS BY</a></td> + <td class="tocpg"><a href="#Page_385">385</a></td> +</tr> +<tr><td class="tocch"> XLII.</td> + <td> </td> + <td><a href="#CHAPTER_XLII">A STRUGGLE FOR FREEDOM</a></td> + <td class="tocpg"><a href="#Page_389">389</a></td> +</tr> +<tr><td class="tocch"> XLIII.</td> + <td> </td> + <td><a href="#CHAPTER_XLIII">THE DOCTOR'S WOOING</a></td> + <td class="tocpg"><a href="#Page_397">397</a></td> +</tr> +<tr><td class="tocch"> XLIV.</td> + <td> </td> + <td><a href="#CHAPTER_XLIV">A FRESH COMPLICATION</a></td> + <td class="tocpg"><a href="#Page_403">403</a></td> +</tr> +<tr><td class="tocch"> XLV.</td> + <td> </td> + <td><a href="#CHAPTER_XLV">MRS. RALSTON'S STORY</a></td> + <td class="tocpg"><a href="#Page_409">409</a></td> +</tr> +<tr><td class="tocch"> XLVI.</td> + <td> </td> + <td><a href="#CHAPTER_XLVI">CORA "STIRS UP THE ANIMALS."</a></td> + <td class="tocpg"><a href="#Page_416">416</a></td> +</tr> +<tr><td class="tocch"> XLVII.</td> + <td> </td> + <td><a href="#CHAPTER_XLVII">THE BEGINNING OF THE END</a></td> + <td class="tocpg"><a href="#Page_423">423</a></td> +</tr> +<tr><td class="tocch"> XLVIII.</td> + <td> </td> + <td><a href="#CHAPTER_XLVIII">THE SWORD OF FATE</a></td> + <td class="tocpg"><a href="#Page_427">427</a></td> +</tr> +<tr><td class="tocch"> XLIX.</td> + <td> </td> + <td><a href="#CHAPTER_XLIX">AS THE FOOL DIETH</a></td> + <td class="tocpg"><a href="#Page_442">442</a></td> +</tr> +<tr><td class="tocch"> L.</td> + <td> </td> + <td><a href="#CHAPTER_L">"AND THEN COMES REST."</a></td> + <td class="tocpg"><a href="#Page_447">447</a></td> +</tr> +</table> +<hr style="width: 65%;" /> +<div class="figcenter" style="width: 400px;"> +<img src="images/image_002.jpg" width="400" height="558" alt=""Lucian Davlin was among the arrivals, and at the end of the +depot platform stood the dainty phæton of Mrs. John Arthur."—page +229." /> +<span class="caption">"Lucian Davlin was among the arrivals, and at the end of the +depot platform stood the dainty phæton of Mrs. John Arthur."—<a href="#Page_229">page 229.</a></span></div> + + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_9" id="Page_9">[9]</a></span></p> +<h2>MADELINE PAYNE,</h2> +<h3>THE DETECTIVE'S DAUGHTER.</h3> + + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_I" id="CHAPTER_I"></a>CHAPTER I.</h2> + +<h2>MAN PROPOSES.</h2> + + +<p>"H'm! And you scarcely remember your mother, I suppose?"</p> + +<p>"No, Lucian; I was such a mere babe when she died, I +have often wondered what it would be like to have a mother. +Auntie Hagar was always very kind to me, however; so kind, +in fact, that my step-father, fearing, he said, that I would grow +up self-willed and disobedient, sent her away, and procured the +services of the ugly old woman you saw in the garden. Poor +Auntie Hagar," sighed the girl, "she was sorely grieved at our +parting and, that she might be near me, bought the little cottage +in the field yonder."</p> + +<p>"Oh!" ejaculated the man, more as if he felt that he was expected +to say something, than as if really interested in the subject +under discussion. "Ah—er—was—a—was the old lady a property +holder, then? Most discharged servants go up and down +on the earth, seeking what they may devour—in another situation."</p> + +<p>"That is the strangest part of the affair, Lucian; she had<span class='pagenum'><a name="Page_10" id="Page_10">[10]</a></span> +money. Where it came from, I never could guess, nor would +she ever give me any information on the subject. It was a +legacy—that was all I was to know, it seemed.</p> + +<p>"I remember," she continued, musingly, "how very much +astonished I was to receive, from my step-father, a lecture on +this head. He took the ground that my childish curiosity was +unpardonably rude, and angrily forbade me to ask further +questions. And I am sure that since that one instance of wonderful +regard for the feelings of Aunt Hagar, he has not deigned +to consider the comfort and happiness of any, save and always +himself."</p> + +<p>As the girl's voice took on a tone of scornful sarcasm; as her +cheeks flushed and her eyes flashed while memory recalled the +many instances of unfeeling cruelty and neglect, that had +brought tears to her childish eyes and pain to her lonely heart—the +eyes of Lucian Davlin became bright with admiration, and +something more; something that might have caused her honest +eyes to wonder and question, if she had but intercepted the +glance. But her thoughts had taken a backward turn. Without +looking up, perceiving by his silence that he had no desire +to interrupt her, she proceeded, half addressing herself:</p> + +<p>"I used to ask him about my mother, and was always informed +that he 'didn't care to converse of dead folks.' Finally, +he assured me that he was 'tired of seeing my sickly, ugly face,' +and that, as I would have to look after myself when he was +dead and gone, I must be educated. Therefore, I was sent to +the dreary Convent school at M——. And there I studied hard, +looking forward to the time when, having learned all they could +teach me, I might breathe again outside the four stone walls; +for, by my step-papa's commands, I was not permitted to roam +outside the sisters' domains until my studies should reach an end.<span class='pagenum'><a name="Page_11" id="Page_11">[11]</a></span> +Then they brought me back, and my polite step-papa called me +an 'educated idiot;' and my good old Hagar cried over me; and +I made friends with the birds, and the trees. Ever since, +always avoiding my worthy ancestor-in-law, I have been wondering +what it would be like to be happy among true friends, +in a bright spot somewhere, far away from this place, where I +never have been happy for a day at a time, even as a child."</p> + +<p>"Never, little girl?" The eyes were very reproachful, and +the man's hand was held out entreatingly. "Never, darling?"</p> + +<p>She looked up in his face shyly, yet trustfully, and then putting +her hand in his, said: "Never, until I knew you, Lucian; +and always since, I think, except—"</p> + +<p>She hesitated, and the color fled out of her face.</p> + +<p>"Except when I think that the day draws near when you will +leave me. And when the great world has swallowed you up, +you will forget the 'little girl' you found in the woods, perhaps."</p> + +<p>A smile flitted across the face of the listener, and he turned +away for a moment to conceal the lurking devil gleaming out of +his eyes. Then, flinging away his half finished cigar, he took +both her hands in his, and looking down into her clear eyes, +said:</p> + +<p>"Then don't let me go away from you, beauty. Don't stay +here to make dismal meditations among the gloomy trees. +Don't pass all the weary Winter with Curmudgeon, who will +marry you to an old bag of gold. Come with me; come to the +city and be happy. You shall see all the glories and beauties +of the gay, bright world. You shall put dull care far behind +you. You shall be my little Queen of Hearts, to love and care +for always. Sweetheart, will you come?"</p> + +<p>He was folding her close now, and she nestled in his arms +with perfect trustfulness, with untold happiness shining in her<span class='pagenum'><a name="Page_12" id="Page_12">[12]</a></span> +bright eyes. She was in no haste to answer his eager question, +and he smiled again; and once more the lurking devil laughed +out of his eyes. But he held her tenderly to him, in silence for +a time, and then lifted the blushing face to meet his own.</p> + +<p>"Look up, Aileen, my own! Is it to be as I wish? Will +you leave this place with me to-morrow night?"</p> + +<p>The girl drew back with a start of surprise. "You—you +surely are not going to-morrow, Lucian," and the gentle voice +trembled.</p> + +<p>"I must, little one—have just received a letter calling me +back to the city. Your sweet face has already kept me here too +long. But I shall take it back with me, shall I not, love; and +never lose it more?"</p> + +<p>The girl was silent. She loved him only too well, and yet +this peremptory wooing and sudden departure struck upon her +naturally sensitive nerves as something harsh and unpleasant. +She would not leave behind much love, would be missed by few +friends, and yet—to leave her home once was to leave it forever, +and it was home, after all. She looked at the man before her, +and a something, her good angel perhaps, seemed, almost against +herself, to move her to rebel.</p> + +<p>"Why must I go like a runaway, Lucian? I can't bear to +bid you go, and yet, if you must, why not leave me for a little +time? My father will never consent, I well know, but let me +tell him, and then go openly, after he has had time to become +familiar with the idea."</p> + +<p>"After he has had time to lock you up! Recollect, you are +not of age, Aileen. After he has had time to force you into a +marriage with your broken-backed old lover. After he has had +time to poison your mind against me——"</p> + +<p>"Lucian! as if he could do <i>that</i>; <i>he</i>, indeed!" The girl +laughed scornfully.<span class='pagenum'><a name="Page_13" id="Page_13">[13]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_003.jpg" width="400" height="565" alt=""She nestled in his arms with perfect trustfulness."—page 11." /> +<span class="caption">"She nestled in his arms with perfect trustfulness."—<a href="#Page_11">page 11.</a></span></div> +<p><span class='pagenum'><a name="Page_14" id="Page_14">[14]</a></span></p> + +<p>It is not difficult to guess how this affair would have terminated. +The man was handsome and persuasive; the girl trustful, +loving, and, save for him, so she thought, almost friendless.</p> + +<p>But an unexpected event interrupted the eloquence flowing +from the lips of Lucian Davlin, and set the mind of the girl +free to think one moment, unbiased by the mesmeric power of +his mind, eye, and touch.</p> + +<p>They were standing in a little grove, near which ran the footpath +leading into the village of Bellair. Suddenly, as if he had +dropped from one of the wide spreading trees, a very fat boy, +with a shining face and a general air of "knowingness," appeared +before them.</p> + +<p>"I beg pardin, sir," proclaimed he, "but as you told me if a +tellergram come for you, to fetch it here, so I did."</p> + +<p>And staring at Madeline the while, he produced a yellow +envelope from some interior region, and presented it to Lucian +Davlin, who tore open the cover, and took in the purport of the +message at one glance. His face wore a variety of expressions: +Annoyance, satisfaction, surprise, all found place as he read. +He stood in a thoughtful attitude for a brief time, and then, as +if he had settled the matter in his own mind, said:</p> + +<p>"All right, Mike. Go back now, and tell Bowers to prepare +to leave to-night. I'll come down and send the required answer +immediately. Here, take this."</p> + +<p>Tossing him a piece of money, Lucian turned to Madeline, +over whose face a look of sorrowful wonder was creeping.</p> + +<p>"'Man proposes,' my dear! Well, I am 'disposed of' for a +time. It is only one night sooner, and, after all, what matter? +Will you decide for me at once, Maidie? Nay, I see you hesitate +still, and time just now is precious. Think till to-night, +then; think of the lonely days here without me; think of me,<span class='pagenum'><a name="Page_15" id="Page_15">[15]</a></span> +alone in the big world, wishing and longing for <i>you</i>. I could +not even write you in safety. Think fast, little woman; and +when evening comes, meet me here with your answer. If it +must be separation for a time, dear, tell me when I shall come +back for you."</p> + +<p>The girl drew a breath of relief. He would come back—that +would be better. But seeing his anxiety to be gone, she +only said: "Very well, Lucian, I will be here."</p> + +<p>"Then, good-by till evening."</p> + +<p>A swift kiss, and a strong hand clasp, and he strode away.</p> + +<p>Trampling down the wayside daisies and tender Spring +grasses; insensible to the beauties of earth and sky; smiling +still that same queer, meaning smile, he took the path leading +back to the village. Reaching the site, where the woody path +terminated in the highway, he turned. Yes, she was looking +after him; she would be, he knew. He kissed his hand, lifted +his hat with a courtly gesture, and passed out of her sight.</p> + +<p>"Gad!" he ejaculated, half aloud, "she is a little beauty; +and half inclined to rebel, too. She won't go with me to-night, +I think; but a few weeks of this solitude without me, and my +Lady Bird will capitulate. The old Turk, her step-father, won't +raise much of a hue and cry at her flight, I fancy. Wonder what +is the secret of his antipathy to Miss Payne."</p> + +<p>He paced on, wrinkling his brow in thought a moment, and +then whistling softly as his fancies shaped themselves to his liking. +Suddenly he stopped, turned, and looked sharply about +him.</p> + +<p>"I'll do it!" he exclaimed. "Strange if I can't extract from +a broken down old woman any items of family history that +might serve my purpose. I'll call on the nurse—what's her +name—to-night."<span class='pagenum'><a name="Page_16" id="Page_16">[16]</a></span></p> + +<p>He glanced across the meadow to where stood the cottage of +Nurse Hagar, and, as if satisfied with himself and his brilliant +last idea, resumed his walk. Presently his pace slackened again, +and he looked at the crumpled paper which he still retained in +his hand, saying:</p> + +<p>"It's queer what sent Cora to the city for this flying visit. +I must keep my Madeline out of her way. If they should +meet—whew!"</p> + +<p>Evidently, direful things might ensue from a meeting between +Madeline Payne and this unknown Cora, for after a prolonged +whistle, a brief moment of silence, and then a short +laugh, Davlin said:</p> + +<p>"I should wear a wig, at least," and he laughed again. "I +wonder, by Jove! I wonder if old Arthur's money bags are +heavy enough to make a card for Cora. Well, I'll find that +out, too."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_II" id="CHAPTER_II"></a>CHAPTER II.</h2> + +<h2>THE OLD TREE'S REVELATIONS.</h2> + + +<p>Meanwhile, strange feelings filled the heart, and troublesome +thoughts the head, of Madeline Payne.</p> + +<p>She looked about her sorrowfully. The leafy wood seemed +one of her oldest, truest friends. Since her mother's death, she +had lived, save for the faithful regard of old Hagar, an unloved +life. In the only home she knew, she felt herself an object of +dislike, and met only cold neglect, or rude repulsion. So she +had made a friend of the shady wood, and welcomed back the +birds, in early Springtime, with joyful anticipation of Summer +rest under green branches, lulled and soothed by their songs.</p> + +<p>Wandering here, the acquaintance between herself and Lucian<span class='pagenum'><a name="Page_17" id="Page_17">[17]</a></span> +Davlin had begun. Here six long, bright weeks of the Springtime +had passed, each day finding them lingering longer among +the leafy shadows, and drawing closer about them both the cords +of a destiny sad for one, fatal for each.</p> + +<p>Standing with hands clasped loosely before her, eyes down +dropped, and foot tapping the mossy turf, Madeline presented +a picture of youth and loveliness such as is rarely seen even in +a beauty-abounding land. A form of medium height which +would, in later years, develop much of stately grace; a complexion +of lily-like fairness; and eyes as deep and brown, as tender +and childlike, as if their owner were gazing, ever and +always, as infants gaze who see only great, grand wonders, and +never a woe or fear.</p> + +<p>With a wee, small mouth, matching the eyes in expression, +the face was one to strike a casual observer as lovely—as childishly +sweet, perhaps. Yet there was something more than +childishness in the broad brow, and firm chin. The little white +hands were shapely and strong, and the dainty feet pressed down +the daisies softly yet firmly, with quiet but steady movement.</p> + +<p>Many a man has been mistaken in baby mouth, and sweetly-smiling +eyes. And whoso should mistake Madeline Payne, in +the time to come, for "just a child and nothing more," would +reckon unwisely, and mayhap learn this truth too late.</p> + +<p>Madeline sat down upon a fallen tree, where she had so often +talked with her lover. She looked up into the wide spreading +branches overhead. There was the crooked bough where she +had, often and often, in past days, sought refuge when troubled +by her father's harshness, or haunted by dreams of the mother +she had hardly known. It looked cool and inviting, as if she +could think to better purpose shrouded by the whispering leaves. +She stepped upon the fallen trunk, and springing upward, caught<span class='pagenum'><a name="Page_18" id="Page_18">[18]</a></span> +a bending limb, and was soon seated cosily aloft, smiling at +the thought of what Lucian would say could he see her there. Long +she pondered, silent, motionless. Finally, stirring herself and +shaking lightly an overhanging friendly branch she exclaimed:</p> + +<p>"That will be best! I'll stay here for the present. I'll tell +step-papa that I love Lucian, and will never marry his friend, +Amos Adams, the old fright! I'll try and be very calm, and +as dutiful as maybe. Then, if he turns me out, very well. If +he shuts me up—" Her eyes flashed and she laughed; but there +was little of mirth in the laughter—"Why, then, I <i>would</i> lead +him a life, I think! Yes, I'll bid Lucian good-by, for a little +while, and I'll try and not miss him too much, for—Oh!"</p> + +<p>She had been very busy with her own half-spoken thoughts, +else she must have sooner discovered their approach, for now +they were almost underneath her, and they were no less personages +than her step-father, John Arthur, and her would-be +suitor, Amos Adams.</p> + +<p>Madeline was about to make known her presence, but her +ear caught the fragment of a sentence in which her name held +prominent place. Acting upon impulse, she remained a silent, +unsuspected listener.</p> + +<p>And so began in her heart and life that drama of pain and +passion, sin and mystery, that should close round, and harden +and blight, the darkening future of Madeline Payne.</p> + +<p>A more marked contrast than the two men presented could +scarcely be imagined.</p> + +<p><span class='pagenum'><a name="Page_19" id="Page_19">[19]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_004.jpg" width="400" height="566" alt=""Madeline presented a picture +of youth and loveliness."—page 17." /> +<span class="caption">"Madeline presented a picture +of youth and loveliness."—<a href="#Page_17">page 17.</a></span></div> + +<p>John Arthur might have been, evidently had been, a handsome +man, years ago. But it did not seem possible that, even +in his palmiest days, Amos Adams could have been called anything +save a fright. He was much below the medium height. +His head was sunken between his shoulders, and thrust forward, +and each feature of his ugly face seemed at war with every other; +while the glance of his greenish gray eye was such as would +cause a right-minded person involuntarily to cross himself and +utter, with perfect propriety, the Pharisee's prayer.</p> + +<p><span class='pagenum'><a name="Page_20" id="Page_20">[20]</a></span></p> + +<p>"The mischief fly away with you, man," said Mr. Arthur, +seating himself upon the fallen tree, and striking at the ground +fiercely with his cane; "what is my dead wife to you? Madeline +makes my life a burden by these same queries. It's none +of your business why the departed Mrs. Arthur left her property +to me during my life, and tied it up so as to make me only +nominal master—mine to use but not sell, not one acre, not a tree +or stone; all must go intact to Miss Madeline, curse her, at my +death."</p> + +<p>"Um-m, yes. Does the girl know anything of this?"</p> + +<p>"If she did, your chances would be slim," said the other, +scornfully. "No; I have taken good care that she should not. +She has a vixenish temper, if she should get waked up to imagine +herself 'wronged,' or any such school-girl nonsense. I +shall not live many years—this heart disease is gaining on me +fast; and if the girl is your wife, in case of my death the fortune +is as good as yours, you know. I want to have peace while +I do live; and for this reason, I say, I will give you my step-daughter +in marriage, and you shall give me the note you hold +against me for that old debt, the payment of which would +compel me to live like a beggar for the remainder of my days, +and the sum of ten thousand dollars."</p> + +<p>"It's making a wife a rather expensive luxury," quoth old +Amos, seating himself; "but the girl's a beauty—no disputing +that point; and—"</p> + +<p><span class='pagenum'><a name="Page_21" id="Page_21">[21]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_005.jpg" width="400" height="571" alt=""What is my dead wife to you?"—page 20." /> +<span class="caption">"What is my dead wife to you?"—<a href="#Page_20">page 20.</a></span></div> + +<p>"Of course she is," broke in Arthur, impatiently; "worth +that, and more, to whoever wants her, which, fortunately for +<span class='pagenum'><a name="Page_22" id="Page_22">[22]</a></span>you, I don't; she is only a kill-joy to me. If you want the +girl, take her, and be blessed—I'll give away the bride with all +the pleasure in the world—and 'live happy ever after.'"</p> + +<p>There was not much room for argument between these two. +It was simply a question of exchange, and when old Amos had +decided that he was not paying too dearly for so fair a piece of +flesh and blood, they came to terms without more ado, and being +agreed that "it's always best to strike while the iron is hot," +Mr. Arthur suggested that his friend return with him, accept a +seat at his hospitable board, and hear himself announced formally +to Miss Madeline, as her future lord and master. John +Arthur had ever exacted and received passive obedience from +his step-daughter. He had little fear of rebellion now. How +could she rebel? Was she not dependent upon his bounty for +her daily bread, even?</p> + +<p>Old Amos troubled his ugly head little if any on this point. +He recognized no higher potentate than gold. He had bought +him a wife; he had but to pay the price and take possession of +the property.</p> + +<hr style='width: 45%;' /> + +<p>Madeline Payne sat long on her leafy perch, thinking fast +and hard, the expressions of her face changing rapidly as she +revolved, in her mind, different phases of the situation. Surprise +gave place to contempt, as she eyed the departing plotters +from her green hiding-place. Contempt merged into amusement, +as she thought of the wonderful contrast between the two +wooers who had proffered their respective suits, in a manner so +very different, beneath that self-same tree. A look of fixed resolve +settled down upon her countenance at last, and uncurling +herself, she dropped lightly upon the ground.</p> + +<p><span class='pagenum'><a name="Page_23" id="Page_23">[23]</a></span></p> +<div class="figcenter" style="width: 400px;"> +<img src="images/image_006.jpg" width="400" height="555" alt=""Slowly she turned away and very +thoughtful was her face."—page 24" /> +<span class="caption">"Slowly she turned away and very +thoughtful was her face."—<a href="#Page_24">page 24</a></span></div> + +<p>Madeline had made up her mind. That it would be useless +<span class='pagenum'><a name="Page_24" id="Page_24">[24]</a></span>to say aught of Lucian, she now knew too well. That she could +never defy her father's commands, and still dwell beneath her +father's roof, she also knew. She hesitated no longer. Fate, +stronger than she, had decided for her, she reasoned. Her mind +once made up, she gave in it no place to fears or misgivings. +The strength of will and the spirit of rebellion, that were dormant +in her nature, began to stir into life, roused by the injustice +that would rob her of her own. She not only had a way of +escape, but that way her own inclinations lured her. With +never a fear, never a thought of the days to come, she turned +from her mockery of a home, from her parent, unnatural, unloving, +and unloved, to an unknown, untried world, which was +all embodied in one word—Lucian.</p> + +<p>The past held for her many dark shadows; the future held +all that she craved of joy and love—Lucian.</p> + +<p>In her outraged heart there was no room for grief. She had +heard her dead mother scorned, and by him who, more than all +others, should have cherished her memory and honored her +name. She had heard herself bartered away, as a parcel of +goods, and her very life weighed in the balance as a most objectionable +thing. Her happiness was scoffed at; her wishes +ignored as if without existence, and contrary to all nature; even +her liberty was menaced.</p> + +<p>Slowly she turned away, and very thoughtful was her face as +she went, but fixed in its purpose as fate itself: and fearless still +as if life had no dark places, no storm clouds, no despair.</p> + +<p>Oh! they were lovely, innocent eyes; and oh! it was a sweet, +sweet mouth! But the eyes never wavered, and the mouth had no +trace of weakness in its dainty curves. You have reckoned +without your host, John Arthur. It is no commonplace school-girl +with whom you have to deal. Madeline Payne possesses a<span class='pagenum'><a name="Page_25" id="Page_25">[25]</a></span> +nature all untried, yet strong for good or evil. Intense in love +or hate, fearless to do and dare, she will meet the fate you bring +upon her—but woe to those who have compassed her downfall! +If your hand has shaped the destiny of her life, she will no +less overrule your future and, from afar—perhaps unrecognized, +unseen—mete out to you measure for measure!</p> + +<p>The grand old tree is sighing out a farewell. The sunlight is +casting fantastic shadows where her foot, but a moment since, +rested. The leaves glisten and whisper strange things. The +golden buttercups laugh up in the sun's face, as if there were +no drama of loving and hating, sin and atonement, daily enacted +on their green, motherly bosom. And Madeline Payne +has put her childhood behind her, and turned her face to the +darkness beyond.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_III" id="CHAPTER_III"></a>CHAPTER III.</h2> + +<h2>THE STORY OF A CRIME.</h2> + + +<p>Nurse Hagar was displeased. She plied her knitting-needles +fiercely, and seemed to rejoice in their sharp clicking. She +rocked furiously backwards and forwards, and sharply admonished +the cat to "take himself away," or she "would certainly +rock on his tail." She "wanted to do something to somebody, +she did!" She looked across the fields in the direction of Oakley, +and dropping her knitting and bringing her chair to a tranquil +state, soliloquized:</p> + +<p>"It's always the way with young folks; they don't never remember +that old uns have feelings. They run away after a +new face, and if it's a young one and a handsome one, they turn +everybody out of their thoughts; everybody else. Not that I +think that city fellow's a handsome chap; by no means," she<span class='pagenum'><a name="Page_26" id="Page_26">[26]</a></span> +grumbled; "but Maidie does; that's certain sure. And she +won't let me say a word about him—oh, no; I'm a poor old +woman, and my advice is not wanted!"</p> + +<p>Hagar resumed her knitting and her rocking with fresh vigor. +But her face relaxed a measure of its grimness as, looking up, +her eye rested on a dainty nosegay, tossed in at the window +only that morning, by this same neglectful young girl.</p> + +<p>"She don't mean to forget me, to be sure," she resumed. +"She is always kind and gentle to her old nurse. She is lonesome, +of course, and should have young company, like other +girls, but—" here the needles slacked again—"drat that city +chap! I wish he had stayed away from Bellair."</p> + +<p>"Goodness, auntie, what a face! I am almost afraid to +come in."</p> + +<p>Madeline laughed, despite her anxiety, as Aunt Hagar permitted +her opinion of the "city feller" to manifest itself in +every feature.</p> + +<p>"Get that awfully defiant look out of your countenance, +auntie," continued Madeline; "for I'm coming in to have a +long talk with you, and I must not be frightened in the beginning."</p> + +<p>The lovely face disappeared from the open window, and in a +moment reappeared in the doorway.</p> + +<p>To permit herself to be propitiated in a moment, however, +was not in the nature of Dame Hagar.</p> + +<p>"I s'pose you think it's very respectful to pop your saucy +head in at an old woman's window, and set her all of a tremble +and then tell her, because she is not grinning for her own +amusement, that she looks awfully cross, and that you are +afraid she will bite you. You are a nice one to talk of being +afraid; you, who never showed an atom of fear of anything<span class='pagenum'><a name="Page_27" id="Page_27">[27]</a></span> +from your cradle up. If you were a bit afraid, when you +were out in the woods, for instance, and meet a long-legged +animal with a smooth tongue, and eyes that ought to make +you nervous, 'twouldn't be to your discredit, I think. Of course, +I don't mean to say that you don't meet him quite by accident; +oh, no! And I don't <i>say</i> that he ain't a very nice, respectable +sort of chap, whatever I may <i>think</i>. You are just like your +poor mother, and if this fellow with a name that might as well +be Devil, and done with it—"</p> + +<p>"There, now, auntie—" Madeline's face flushed, and she put +the cat down with sudden emphasis; "I won't let you say bad +things of Mr. Davlin, for I think you would be sorry for it afterward."</p> + +<p>She drew a low seat to the side of the old lady, and looking +her full in the face, spoke in a voice low, intense, full of purpose.</p> + +<p>"Auntie, it is time you told me more about my mother. You +have evaded, my step-father has forbidden, my questioning, but +if I am ever to know aught of my dead mother's history, I intend +to hear it from your lips to-day."</p> + +<p>Surprise for a time held the old woman speechless; a look of +sorrow and affection drove the querulousness out of her face +and voice.</p> + +<p>"What ails you, child?" she said, wonderingly. "Do you +want to make Mr. Arthur hate me more, and keep you from me +entirely? Don't you know, dearie, how he swore that the day +I told you these things, he would forbid you to visit me; and +if you disobeyed, take you away where I could not even hear of +you?"</p> + +<p>Tears were in Hagar's eyes, and she held out her wrinkled +hands imploringly. "Don't tease your old nurse, dearie; don't.<span class='pagenum'><a name="Page_28" id="Page_28">[28]</a></span> +I can't tell you these things now, and they could not make you +any happier, child. Wait a little; the time will come—"</p> + +<p>"So will old age, auntie; and death, and all the knowledge we +want, I suppose, when it is too late to make it profitable. Well, +auntie, I will tell you something in exchange for my mother's +story, and to make it easier for you to relate it. But first, will +you answer a few questions?—wait, I know what you would +say," as the old woman made a deprecating movement, and essayed +to speak. "Hear me, now."</p> + +<p>Hagar looked at the girl earnestly for a moment, and then +said, quietly:</p> + +<p>"Go on then, dearie."</p> + +<p>"First," pursued Madeline; "my father dislikes me very +much; is this the truth?" Hagar nodded assent.</p> + +<p>"He dislikes you because you were always good to me." +Here she paused, and Hagar again nodded.</p> + +<p>"Because you were attached to my mother." Again she +paused, and again the old woman bowed assent.</p> + +<p>"And because"—the girl fixed the eyes of the old nurse with +her own,—"because you were too familiar with my mother's past, +and his, and knew too well the secret of his hatred of me!"</p> + +<p>Hagar sat silent and motionless, but Madeline, who had +read her answer in the troubled face, continued: "Very good; +I knew all this before, and I'll tell you what else I know. I +know why Mr. John Arthur hates me!"</p> + +<p>Hagar opened her mouth, and shut it again quickly.</p> + +<p>"He hates me," pursued Madeline, "because my mother left +him her fortune so tied up that he can only use it; never dispose +of it. And at his death it reverts to me."</p> + +<p>Hagar still looked her amazement, and Madeline condensed +the remainder of her force into one telling shot.<span class='pagenum'><a name="Page_29" id="Page_29">[29]</a></span></p> + +<p>"If I would be kind enough to die, he would consider it a +great favor. But as I evidently intend to live long, he desires, +of course, to see me happy. Therefore he has bargained me in +marriage to Amos Adams, for the splendid consideration of a +few thousand dollars, and the promise of a few thousand more +<i>if I die young</i>!"</p> + +<p>Still the bewildered look rested upon the old woman's face, +and still she gazed at the young girl before her. Suddenly, she +leaned forward, and taking the fair head between two trembling +hands, gazed long at her. As if satisfied at last with her scrutiny, +she drew a deep, sighing breath and leaned back in her +chair.</p> + +<p>"It's true," groaned Hagar; "it's too true! She has found it +out, and my little girl has gone away;—my Baby Madeline is +become a woman! There was never a coward in all the race, +and a Payne never forgave! It has come at last," she wailed, +"and now, what will she do?"</p> + +<p>Madeline lost not a look nor tone; and when the old woman +ceased her rocking and moaning, she suggested, with a half +smile:</p> + +<p>"Hadn't I better marry old Adams, auntie, worry them both +into untimely graves, and be a rich young widow?"</p> + +<p>Hagar gazed at her in silence. And Madeline, taking her +hand in her own, said: "Shall I tell you how I discovered all +this, auntie, dear?"</p> + +<p>"Yes, child; go on." And she bent upon the girl a look of +attention.</p> + +<p>Madeline drew close to her side, and briefly related what had +transpired while she sat in her favorite tree; not stating, by the +bye, how it occurred that she was in the grove at that very +opportune time. Hagar's indignation was unbounded, but she<span class='pagenum'><a name="Page_30" id="Page_30">[30]</a></span> +continued to gaze at Madeline in a strange, half fearful, half +wondering, wholly expectant way, that the girl could not +interpret.</p> + +<p>"And now, Aunt Hagar," pursued Madeline, seriously, "I +want to understand this matter more fully, and I will not say a +word of my plans until you have told me what I came to hear. +I shall not come to you again for this information; it is surely +my right, and time now is precious."</p> + +<p>Madeline half rose, seeing that her nurse still rocked dismally +and looked irresolute. "I can bide my time, and fight my +battles alone, if need be," she continued, coldly. "I won't +trouble you again, nurse," turning as if to go.</p> + +<p>"Stop, child!" cried Hagar; "let an old woman think. I'll +tell you all I can; all I know. Don't turn away from your +old nurse, dearie; her only thought is for your good. Yes; +you must not be left in the dark now,—sit down child; sit +down."</p> + +<p>Madeline resumed her seat, and old Hagar, after another +season of moaning and rocking, proceeded to relate, with many +wanderings from the point, and many interpolations and +opinions of her own, the brief, sad story of Mrs. Arthur's married +life and early death. Bereft of Hagar's ornamental extras, +it was as follows:</p> + +<p>Madeline Harcourt, an orphan, and the adopted daughter of +a wealthy bachelor uncle, had incurred his displeasure by loving +and marrying Lionel Payne, handsome, brave to a fault, +with no other wealth than his keen intellect, his unsullied honor, +and his loving, manly heart.</p> + +<p><span class='pagenum'><a name="Page_31" id="Page_31">[31]</a></span></p> +<div class="figcenter" style="width: 400px;"> +<img src="images/image_007.jpg" width="400" height="557" alt=""I can bide my time, and +fight my battles alone if need be."—page 30" /> +<span class="caption">"I can bide my time, and +fight my battles alone if need be."—<a href="#Page_30">page 30.</a></span></div> + +<p>Lionel Payne had entered upon the study of law, but circumstances +threw in his way certain mysteries that had long +been puzzling the heads of the foremost detectives, and the +<span class='pagenum'><a name="Page_32" id="Page_32">[32]</a></span>young law student discovered in himself not only a marked +taste for the study of mysteries, but a talent that was remarkable. +So he gave up his law studies to become a detective. He +rose rapidly in his new profession, giving all the strength of +his splendid ability to the study of intricate and difficult cases, +and became known among detectives, and dreaded among +criminals, as "Payne, the Expert."</p> + +<p>He had lived two happy years with his young wife, and been +six months the proud father of baby Madeline, when he fell a +victim to his dangerous pursuit, shot dead by a bullet from the +hand of a fleeing assassin.</p> + +<p>John Arthur had been a fellow law student with Lionel +Payne, and he had followed the career of the young expert +with curious interest, being, as much as was possible to his selfish +nature, a friend and admirer of the rising young detective. +And Lionel Payne, open and manly himself, and seeing no trace +of the serpent in the seeming disinterestedness of Arthur, introduced +him proudly into his happy home. Arthur was struck +by the beauty of the young wife, and became a frequent and +welcome visitor.</p> + +<p>One day, there came to the office where John Arthur earned +his bread reluctantly, as a salaried clerk, the uncle of Madeline +Payne. He had come to make a will, in which he left all his +possessions to his beloved niece, Madeline, and her heirs forever +after. This was several months before the sudden death of +Lionel Payne.</p> + +<p>Ten months after she became a widow, Madeline's uncle died. +Left alone with her little child, and with no resources but her +own efforts, Madeline's mother struggled on, ever the object of +the kind watchfulness and unobtrusive care of John Arthur, +who professed to adore the child for the sake of the father, and<span class='pagenum'><a name="Page_33" id="Page_33">[33]</a></span> +through the baby Madeline, gradually won his way in the +mother's esteem. Mrs. Payne was deeply grateful, and her +mother's heart was touched by the devotion of Arthur to her +little child. So it came about that, after a time, she gave him +her hand, and all of her heart that was not buried with Lionel. +A little later she learned that her uncle was dead, and she became +mistress of a handsome fortune.</p> + +<p>Soon came the knowledge that her husband's heart was not +all gold, and the suspicion, as well, that her uncle's will and its +purport had long been no secret to him. But, partly from force +of habit, and partly because he was not yet quiet hardened, John +Arthur kept up his farce of affection for the child. And while +his wife awoke to a knowledge of many of his short-comings, +she always believed in his love for her little one.</p> + +<p>The two elements that were strongest in the nature of John +Arthur were selfishness and pride. From his youth up his +idols had been gold and self. Born into the world minus that +"golden spoon" for which he sighed in youth, and schemed in +later years, he had ever felt towards said world a half-fledged +enmity. As he reached the age of manhood, his young sister +was formally adopted by the only surviving relatives of the +two; and becoming in due course of time and nature sole possessor +of a very nice little fortune, afterwards held her head +very high. Later, in consequence of some little indiscretions +of her brother at the time when he was set free in the world—the +result of the popular superstition held by him that "the +world owed him a living,"—she held herself aloof from and +ignored him completely.</p> + +<p>By degrees Mrs. Arthur's eyes became opened to the true +character of the man she had married. Moments she had of +doubting, and then of fearing that she wronged him too deeply,<span class='pagenum'><a name="Page_34" id="Page_34">[34]</a></span> +for her nature was a just one. It was in one of these latter +moods that she made her will, before she had become aware that +even his love for her little girl was only a well acted lie; believing +her secure of love and care during his life, she made +sure that, at his death, her darling should be supplied with all +that money could give. She had long been in the fatal toils of +that dread destroyer, heart disease, and suddenly, before she had +found opportunity for securing her little daughter further, as +she had since begun to realize it was needful to do, she was +seized with a paroxysm that snapped the frail cord of life.</p> + +<p>A short time before her death, she had given into the keeping +of old Hagar, a package, to be delivered to little Madeline when +she should become a woman, and with the express wish that, +should John Arthur prove a kind guardian meanwhile, she +would burn the journal it contained, unread.</p> + +<p>Old Hagar now placed in Madeline's hands the package, which +was found to contain her mother's most valuable jewels, and the +tear-stained journal, which the girl seated herself to peruse, with +sorrowful awe.</p> + +<p>The last page being turned, and the sad life of her mother +fully revealed, Madeline bowed her head and wept bitterly, heedless +of the attempt of old Hagar to comfort her, until the name +of her step-father upon the old woman's lips brought her suddenly +to her feet, the tears still on her cheeks, but her eyes flashing, +and on her countenance a look that might have been a +revelation to John Arthur, had that gentleman been there to see. +Taking the old woman's hand, and holding it tightly in her own, +the girl said:</p> + +<p>"Thanks, auntie, for recalling me. I have no time for tears +now. Listen, and don't interrupt me. My poor mother died +with a heart filled with fears for my future, left to that man's<span class='pagenum'><a name="Page_35" id="Page_35">[35]</a></span> +keeping. At the time of her death, he believed himself her +unconditional heir. She feared for her life with him, and her +sickness was aggravated in every possible manner by him, and I +fully believe that, in intent if not in deed, John Arthur is my +<i>mother's murderer</i>!"</p> + +<p>The old woman's face expressed as plainly as words could do, +that she shared in this belief. The girl went on, in the same +rapid, firm tone:</p> + +<p>"He killed the mother for gold, and now he would sell her +child. He will fail; and this is but the beginning. As he +drove my mother into her grave, I will hunt him into his! He +shall suffer all that she suffered, and more! I know where you +obtained your independence now, Aunt Hagar; and he hates +you doubly because my mother's love provided for you a home, +and for her child a haven in time of need. It was well. Keep +the old cottage open for me, Aunt Hagar. Keep an eye on John +Arthur, for my sake. Never fear for me, whatever happens. +Expect to hear from me at any time, to see me at any moment. +Don't answer any questions about me. A thousand thanks for +all your love and kindness, auntie; good-by."</p> + +<p>Before the old woman could recover from her astonishment, +or utter a word, Madeline had kissed her, swiftly taken up the +precious package, and was gone! Hagar hastened to the door, +but the girl was speeding swiftly down the path, and was quickly +lost to view.</p> + +<p>"Oh! Oh! Oh!" moaned Hagar, seating herself in the doorway; +"her father's passion and her mother's pride! Sorrow +and trouble before her, and she all alone; dark, dark, dark; +the world against her! Sorrow and trouble—it's in the blood! +And she'll never give it up! She'll fight her wrongs to the +bitter end. Oh, my precious girl!" and she buried her head in +her apron and wept.<span class='pagenum'><a name="Page_36" id="Page_36">[36]</a></span></p> + +<p>The sun's last ray had faded from the highest hill-top. The +little birds had folded their wings and hushed their warblings. +Dark clouds came sweeping up from the west, and one, heavy +and black, passed above the roof of Oakley, bent down, and +rested there. Hagar, still sorrowing in the doorway, saw and +interpreted. Dark days to come to the master of that overshadowed +house. Dreary days and bitter nights—ah, how +many, before that cloud should be lifted from over it, or light +hearts beat beneath its roof.</p> + +<p>"I beg pardon, madame, you appear in trouble; perhaps I +intrude?"</p> + +<p>It was Lucian Davlin's soft, lazy voice, and that disagreeable +half smile lurked about the corners of his eyes and mouth.</p> + +<p>"I've had more welcome visitors," said the old woman, with +more truth than politeness, and rubbing her eyes with the corner +of her apron, "what do you want?"</p> + +<p>"Only a small matter of information, which I believe you +can give me."</p> + +<p>"Well," said Hagar, testily.</p> + +<p>"I want to make a few inquiries about Mr. Arthur of +Oakley."</p> + +<p>"About Miss Madeline, I suppose you mean. I won't tell +you a word—"</p> + +<p>"My dear, good woman, I don't ask nor wish any information +regarding that young lady—my inquiries solely concern the +father. He is said to be wealthy!"</p> + +<p>"What is John Arthur or his money to you?" she questioned, +eying him with much disfavor.</p> + +<p>"Nothing whatever," he indifferently replied. "I merely inquire +on behalf of a friend."</p> + +<p>"I'll throw him off the scent if he does mean Madeline," +thought the old woman.<span class='pagenum'><a name="Page_37" id="Page_37">[37]</a></span></p> + +<p>"Well, Mr. whatever your name is, if it will satisfy your +friend to know that Mr. John Arthur is master of Oakley, and +everybody knows there's no finer property in the State, and that +he has a yearly income of ten thousand or more, why, tell him +or her so. And you may as well say, at the same time, that he +is too stingy and mean to keep the one in repair, or spend decently +the other. And when he dies"—here she suddenly +checked herself—"well, when he dies, his heirs, whoever they +may be, will inherit all the more because of his meanness."</p> + +<p>"And who, pray, may be his heirs?"</p> + +<p>"How should I know who a stingy old reprobate will choose +to inherit after him? I think he has a sister somewhere, but I +don't know."</p> + +<p>"H'm, thank you—for my friend. Good-night."</p> + +<p>Smiling that same Mephistophelian smile, Lucian Davlin +sauntered away, apparently satisfied with himself and what was +passing in his mind.</p> + +<p>"He'll do," he muttered; "and she'll do him. It will be a +good thing for her, just now, and very convenient for me into +the bargain. Cora's a marvellously fine woman, but little Madeline +is fresh as a rose, and a few months of the city will make +her sharp enough. Only let me keep them apart; that's all." +Satisfaction beamed in his eye and smiled on his lip. "Pretty +Madeline will be the envy of half the boulevard."</p> + +<p>Now he has neared the trysting tree. "I think I'll just +smoke here, and wait for my pretty bird; this is the place and +almost the time."</p> + +<p>He smoked and he waited; the time came, and passed; his +cigar expired; the shadows deepened—but still he waited.</p> + +<p>And he waited in vain. No light form advanced through, +the gathering night; no sweet voice greeted him.<span class='pagenum'><a name="Page_38" id="Page_38">[38]</a></span></p> + +<p>The time was far past now, and, muttering an oath, the disappointed +lover strode away, and was lost in the night.</p> + +<p>Madeline was standing in her own room, the threshold of +which John Arthur had never crossed since the day when a +silent form was borne from it, and laid in that peaceful home, +the churchyard. She had just received the summons, for which, +only, she lingered—the command of Mr. Arthur to attend at +the altar of hospitality, and pour, for Mr. Amos Adams, the +tea.</p> + +<p>She was attired in a neat dark garment which was vastly becoming. +She had made her toilet with more than usual care, +as if, perhaps, to do honor to her ancient suitor—at least so +thought Mr. Arthur, when she presented herself before him.</p> + +<p>She had put her chiefest treasures in a little, a very little, +travelling bag. And now she threw across her arm a large +cloak, took her hat, veil, and bag, and descended softly to the +hall below. It was faintly lighted from the lower end, and +Madeline deposited her belongings in a darkened niche near a +door, peeped put into the night that had come on cloudy and +starless, and entered the room where waited the two conspirators, +and supper.</p> + +<p>John Arthur was more bland and smiling than Madeline had +ever before known him, while as for old Amos, he nearly lost +himself in a maze of grins and chuckles, but displayed a very +unloverlike appetite, nevertheless, and divided his attention +pretty evenly between the beautiful face of Madeline, and the +viands on the table.</p> + +<p>Madeline betrayed no sign of surprise at her step-papa's unwonted +cordiality, and no annoyance at the ogling and chuckling +of her antiquated suitor. In truth, she favored him with +more than one expressive smile, the meaning of which he little<span class='pagenum'><a name="Page_39" id="Page_39">[39]</a></span> +guessed, as she contrasted him once more with handsome Lucian +Davlin, and smiled again at the picture of his coming defeat.</p> + +<p>The meal was partaken of in comparative silence, all apparently +quite satisfied with their own thoughts—ah, how different! +It was not until old Jane, the servant, had been dismissed +that Mr. Arthur drew his chair a trifle nearer that of +his friend, and leaning his arms upon the table, looked across +at Madeline, and said:</p> + +<p>"My dear, I believe you are aware of the honor this gentleman +desires to confer upon you? I think I have hinted at the +truth upon one or two occasions?"</p> + +<p>Madeline veiled her too expressive eyes behind their long +lashes, but made no reply.</p> + +<p>"It is my desire," he continued, surveying with satisfaction +the appearance of humility with which his words were received, +"and the desire of Mr. Adams as well, that we should come to +a satisfactory understanding to-night. We will, therefore, settle +the preliminaries at once:—this is your desire, I think, Mr. +Adams?"</p> + +<p>"Oh, certainly! Oh, yes, yes," ejaculated old Amos, in a +transport of grins.</p> + +<p>"And this will, I trust,"—he was growing more stately and +polite every moment—"this, of course, is satisfactory to you, +Miss Madeline?"</p> + +<p>"Perfectly." She looked him full in the face now, and somehow +her glance slightly impaired his feeling of dignity and +security.</p> + +<p>"Very good; and now having formally accepted the proffered +hand of Mr. Adams—"</p> + +<p>"Pardon me, sir, you are too fast. Mr. Adams has not offered +himself."<span class='pagenum'><a name="Page_40" id="Page_40">[40]</a></span></p> + +<p>"Nonsense,"—Mr. Arthur suddenly forgot his politeness—"haven't +I just stated his offer?"</p> + +<p>Madeline leaned back in her chair, and looked from one to +the other with a tranquil smile.</p> + +<p>"Perhaps; but unfortunately there is a law in existence which +prohibits a man from marrying his grandmother, and likewise +objects, I believe, to a young woman's espousing her step-papa, +however much adored. And as you can't marry me, my dear +parent and guardian, why I object to listening to a proposal +from your lips."</p> + +<p>John Arthur gazed in angry consternation upon the girl's +still smiling face, but before the impatient words that he would +have uttered could find voice, old Amos, who had interpreted +her smiles as being favorable to himself, came gallantly to the +rescue.</p> + +<p>"Right! quite right," he chuckled. "Of course, you know, +Arthur—Miss Madeline, ahem—that's what I meant, you know. +It's the proper way," he gasped; and the general expression of +his countenance did not tend to make his observations the more +lucid—"I meant, you know—ah, well—will you honor me +Miss Madeline—by—by your hand, you know?"</p> + +<p>This effort of oratory was received with smiling attention by +the girl, who now addressed herself entirely to him, without +heeding the effect of her words upon her step-father, or his interpolations, +as she proceeded.</p> + +<p>"Mr. Adams;"—she spoke in a low, even tone, and gradually +permitted the real feelings that were seeking for expression to +show themselves in her every feature—"Mr. Adams, I think I +appreciate <i>as it deserves</i> the honor you desire to bestow upon +me; believe me, too, when I say that I am as grateful as it is +proper I should be. But, Mr. Adams, I am only a mere girl, +and you might pay too dearly for me."<span class='pagenum'><a name="Page_41" id="Page_41">[41]</a></span></p> + +<p>"What the deuce does the fool mean?" growled Mr. Arthur.</p> + +<p>"I don't dispute the fact that I am a perfectly marketable +commodity, and it is very right and proper that my dear step-papa—who +dotes on me, whose idol I have been for long years—should +set a high valuation upon my unworthy head. Yet +this little Arcadian transaction is really not just the thing for +the present century and country. And so, Mr. Adams, I must +beg leave to thank you for the honor you proffer, and, thanking +you, to decline it!"</p> + +<p>For a moment no one spoke; there was neither sound nor +movement in the room. John Arthur was literally speechless +with rage, and old Amos was just as speechless from astonishment; +while Madeline gazed from one to the other +unmoved. As soon as he could articulate, John Arthur confronted +her, and taking her roughly by the shoulder, demanded:</p> + +<p>"What do you mean, you ungrateful jade? What are you +talking about?"</p> + +<p>"About your contract in flesh and blood, Mr. Arthur. About +your very worthy scheme for putting money in your pockets by +making me this man's wife. If I am to be sold, sir, I will +make my own bargain; be very sure of that; and <i>this</i> is not my +bargain!"</p> + +<p>"Don't talk to me of bargains, you little idiot! Do you +think to defy me? Do you dare to defy me?"</p> + +<p>His rage passed all bounds. She put the width of the table +between them and surveyed him across it, mockingly.</p> + +<p>"Listen, girl, I am your lawful guardian; you shall obey +me!"</p> + +<p>"Really, now, don't, step-papa; you are actually purple in +the face! You might die, you know; think of your heart, do, +and take a glass of water."<span class='pagenum'><a name="Page_42" id="Page_42">[42]</a></span></p> + +<p>Old Adams collapsed in the remote corner whither he had +fled. The miser was not at home in a tempest, and this was +already beyond his depth. He gasped in speechless amaze and +affright. Was this the girl he had thought to mold as his wife, +this fearless, defiant creature? Already he began to congratulate +himself upon his lucky escape. "She would murder me +some day," he thought, shuddering.</p> + +<p>For the time being, John Arthur was a madman. Defied, +mocked, by this girl who had been a burden to his very life! +He raged, he raved, he cursed; and so raging and raving, he +cursed her, and then in vile, bitter words hurled his anathema +at her dead mother's memory.</p> + +<p>Then the mocking smile was gone, the taunting voice changed +its tone; and as it changed, old Amos, cowering in his corner, +shuddered afresh. Her whole face underwent a transformation. +Her form dilated, she sprang before her step-father and +the ring of her voice checked the imprecations on his lips.</p> + +<p>"Stop," she cried; "don't add the last drop to your already +overfull measure! Don't double the force of the thunderbolt +that will strike you some day! Is it not enough that you have +hated me all my life through; that you have loaded down my +childhood with unkind words, curses, and wishes for my death? +Not enough that you follow me with your hatred because my +mother's own will be mine at your death? Not enough that +you would barter my life—yes, my <i>life</i>—for gold, sell my +heart's blood for your own ease and comfort? And now must +you pollute the name of my mother, as you polluted her life? +Never breathe her name again; never <i>dare</i> to name her! I, her +daughter, tell you that for her every tear, every heart pang, +every sigh, <i>you</i> shall pay dearly; <i>dearly!</i> I will avenge my +mother's wrongs, some day; for <i>you are her murderer</i>!"</p> + +<p><span class='pagenum'><a name="Page_43" id="Page_43">[43]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_008.jpg" width="400" height="556" alt=""I will avenge my mother's wrongs some day; for you are her murderer."—page 42." /> +<span class="caption">"I will avenge my mother's wrongs some day; for you are her murderer."—<a href="#Page_42">page 42.</a></span></div> +<p><span class='pagenum'><a name="Page_44" id="Page_44">[44]</a></span></p> + +<p>John Arthur gazed in speechless amaze into the space before +him—but she was gone! The stern, vengeful, set face was no +longer there. The proud, ringing voice was no longer sounding +in his ear. The uplifted, warning, threatening hand menaced +him only in memory. And before the might of her purpose, +and the force of her maledictions, he stood as in a trance.</p> + +<p>When he had so far recovered himself as to think of her +sudden disappearance, he went out quickly. The entrance door +stood wide open; the dim light flickered on an empty hall and +stairway; the sky was black with clouds, and never a star; the +wind moaned about the house; and across the meadow came +the doleful howl of old Hagar's watch-dog.</p> + +<p>But Madeline was not to be found.</p> + +<p>Always, in the days to come, he remembered her face as it had +looked on him that night. Often in dreams he would start and +cry out, haunted by the sound of her scornful voice, the spectre +of her threatening hand.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_IV" id="CHAPTER_IV"></a>CHAPTER IV.</h2> + +<h2>THE DIE IS CAST.</h2> + + +<p>Lucian Davlin paced the platform of the Bellair depot, in a +very unpleasant frame of mind.</p> + +<p>His companion,—half servant, half confederate, wholly and +entirely a rascal,—discerning his mood and, as ever, adapting +himself to it, had withdrawn to a respectful distance. Only +the shine of his cigar, glowing through the darkness, betokened +his proximity, or the fact that the dark platform was not in the +sole possession of the sullen man who paced its brief length, +and questioned the Fate in which he trusted, and which, for once, +had played him a sorry trick.</p> + +<p><span class='pagenum'><a name="Page_45" id="Page_45">[45]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_009.jpg" width="400" height="563" alt=""Gad! to be baffled like this!"—page 46." /> +<span class="caption">"Gad! to be baffled like this!"—<a href="#Page_46">page 46.</a></span></div> + +<p><span class='pagenum'><a name="Page_46" id="Page_46">[46]</a></span></p> + +<p>He had been deceived by a mere school-girl. She had not +even deigned him a farewell word. He had lost a fair prize.</p> + +<p>"Gad!" he muttered, biting viciously at his cigar, "to be +baffled like this; to lose that little beauty; to be foiled like a +moon-struck idiot and never know how or why! I can't write +her, with that cursed old step-father to interfere. I can't return +again very soon. And she <i>is</i> such a little beauty!"</p> + +<p>He paused at the end of the darkened platform, and looked +down the track; in the direction of the grove where they had +met, and of Madeline's home. It was almost time for the train. +At the upper end of the platform, the station master flashed +his lantern, tumbled the luggage closer to the track and examined +the checks critically; while the Man of Tact came out +from his retirement and overlooked the proceeding.</p> + +<p>Something was coming down the track, swiftly, silently. +He could just discern a shape moving toward him. It came +nearer, and he moved up a few paces, and turned again where +the lantern's rays fell upon him. It came nearer yet and paused +in the shadow. It was a woman's form, and it beckoned. He +approached carelessly.</p> + +<p>"Lucian!" She came close to him, and placed her hand upon +his arm, drawing her breath hard and quick.</p> + +<p>He drew her farther into the shadow and clasped his arms +about her. "Little one! You have walked fast,—how your +heart beats! I had given you up. Is it 'good by,' dear?"</p> + +<p>She silently held up the little chatelaine, which he felt rather +than saw, and took from her hand. In the darkness, he smiled +again the old exultant smile not good to see, and pressing her +closer in his arms, said:<span class='pagenum'><a name="Page_47" id="Page_47">[47]</a></span></p> + +<p>"Don't try to talk, sweet one; see, yonder comes our fiery +horse and soon we will be far on our way. Take my arm, little +one, and trust him who loves you. Look your last at the +scene of your past loneliness,—to-morrow comes the gay +world."</p> + +<p>Rattling and shrieking, the train approached. Lucian hurried +his companion upon the rear platform; and neither his +comrade, who entered the smoking car without looking about +him, nor the station master, busy with his trunks and valises, +observed that a third passenger quitted Bellair station on the +night express.</p> + +<p>About them, the passengers nodded, yawned or slept. Outside, +swiftly passing darkness. And every moment was hurrying +her farther and farther away from all familiar scenes and +objects, out to a life all untried, a world all new and strange. +But she never thought of this. She was not elated, neither was +she cast down. She felt no fear;—and, afterwards, she remembered +that she indulged in no bright visions of the future during +her swift flight.</p> + +<p>She had prepared herself to relate her story, to describe the +scene she had just passed through, to tell him all. But he had +other things to occupy his mind, and bidding her to rest and +save all she might have to relate until the morrow, he relapsed +into silence and thought, only now and then gently speaking a +word, and looking after her comfort with a happy grace possessed +by few, and so powerful in the winning of a woman.</p> + +<p>On, on, through the black night—youth and age, joy and +sorrow, hope and despair, good and evil; on together through +the night; on, on. Near to the great city; near to the welcome, +dark or bright, awaiting the journey's end. Blacker grew +the night, wilder shrieked the wind in angry protest against the<span class='pagenum'><a name="Page_48" id="Page_48">[48]</a></span> +defiant, fiery, resistless monster upon whom its rage fell impotent. +Now pausing; now rushing on with a shriek and a roar; +nearer, nearer to the scene of the new life, dawning grimly upon +the fair girl, all unconscious, unheeding.</p> + +<p>They halted at a wayside station—just one of those little +hamlets only a few miles removed from, and really a part of +the great city. One passenger came on board, sauntering down +the coach's length listlessly, wearily. He threw himself into a +reversed seat in a half reclining attitude, and so his careless, +wandering gaze fell first upon Madeline, seated opposite and +very near.</p> + +<p>She sees him just as she sees the rest, vaguely. She remembers, +later, that he had a good face and that she had thought it +then. But confused and wearied in mind and body, she feels +no inclination to observe or think. So they were hurried on, +and no whisper of her heart, no quickening of the pulses, or +sensation of joy or fear, warned her that she was sitting under +the gaze and in the presence of the good and the evil forces that +were to compass and shape her life.</p> + +<p>Open your eyes, oh, Madeline, before it is too late. See the +snare that is spreading beneath your feet; read aright the bright +glance that shines on you from those handsome, fateful eyes. +Interpret truly the smile turned on you now. Alas! what +woman ever saw guile in the eyes of the man she loved? Never +one, until those eyes have ceased to smile upon her, and her +fate is sealed. What one ever yet recognized the false ring of +the voice that had never, as yet, addressed her save in honeyed +tones, that seemed earth's sweetest music to her ears? None, +until the voice had changed and forgotten its love words; none, +until it was too late.</p> + +<p>What Madeline saw, was a man who was to her the embodiment<span class='pagenum'><a name="Page_49" id="Page_49">[49]</a></span> +of all manly grace, her all of joy and love, of truth and +trust. And, sitting opposite, just a young man with fair curling +hair, and frank blue eyes; with a fine manly face, and an +air of refinement. A very nice young man; but not like her +hero.</p> + +<p>Not like her hero? No, thank heaven for that, Madeline, +else your way would have been far more drear, else your life +might have known never a ray of sunlight, in the long days to +come.</p> + +<p>On, on; nearer and yet nearer the long journey's end. Both +thinking of her, but how differently!</p> + +<p>One pityingly, sadly, fearing for her fate, longing to save +her from the precipice which she could not see and still wear +that look of sweet trustfulness.</p> + +<p>One triumphantly, as of a fair prize gained; a new tribute to +his power and strength; another smile from Chance; one more +proof that he was a favored one of Fortune, and that life ever +gave him good things from out the very best.</p> + +<p>They are very near their journey's end now, and Lucian +Davlin whispers briefly to Madeline, and lounges out to give +some necessary directions to the neglected companion of his +wanderings.</p> + +<p>Hastily the young man opposite rises, and crossing to Madeline +bends over her, speaking hurriedly.</p> + +<p>"Pardon me, madame, but are you a stranger to the city?"</p> + +<p>"Yes." After giving her answer she wonders why she did +it, remembering that it is from a stranger the question comes, +and that it is therefore an impertinence.</p> + +<p>"I thought as much!"—the blue eyes look troubled, and the +manly voice hurries on. "The time may come, I hope it will +not, when you will need a friend. If so, this card bears my<span class='pagenum'><a name="Page_50" id="Page_50">[50]</a></span> +address,—take it, keep it, and believe me, I speak from honest +motives and a desire to serve you."</p> + +<p>He drops a card in her lap, and as she makes a gesture of +repulsion, he says, entreatingly: "Take it; <i>in the name of your +mother</i> I ask it."</p> + +<p>She snatches up the card impulsively, and looks for one moment +straight in his eyes. Then drawing a long sighing breath +says, simply, "I will," and turns away as she puts it in her +pocket, never so much as glancing at it.</p> + +<p>"Thank you." He lifts his hat, and resumes his seat and his +former attitude just as Lucian reappears.</p> + +<p>Now all was bustle and confusion, the journey's end was +reached; and through the hurrying, jostling crowd, past flickering +lamps, and sleepy guards, they went under the dusky +arches of the mammoth city station, out among the bawling +'bus drivers and brawling hackmen, past them, until a carriage, +that seemed to be in waiting for them just beyond the noisy +crowd, was reached. Stepping into this, they were about to +drive away when, in the shadow, and very near them, Madeline +discerned the form of the Unknown of the railway train. +Then Lucian gave the order from the carriage window, and +they rolled away.</p> + +<p>The man in the shadow heard, and stepping into the nearest +carriage, repeated the order given by Lucian the moment before, +adding: "Quick; don't lose a moment!"</p> + +<p>And thus it was that a carriage passed swiftly by that which +contained Davlin and his companion, and the flash of their +vehicle's lamp showed Madeline the face looking from its window.</p> + +<p>Again that face seen in the shadow—how strange, thought she; +but her lover was speaking and she forgot all else.</p> + +<p><span class='pagenum'><a name="Page_51" id="Page_51">[51]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_010.jpg" width="400" height="560" alt=""Take it; in the name of +your mother I ask it.—page 50." /> +<span class="caption">"Take it; in the name of +your mother I ask it.—<a href="#Page_50">page 50.</a></span></div> + +<p>"Darling, I must leave you soon. I came up to-night on a +<span class='pagenum'><a name="Page_52" id="Page_52">[52]</a></span>matter of business, and to meet a friend who will leave to-morrow +early. I must therefore keep my appointment to-night, +late as it is; or rather this morning, for it is midnight and past. +You will not be afraid, dear, left alone for a little while in a +great hotel?"</p> + +<p>"I am not afraid, Lucian, but—"</p> + +<p>"But lonely; is that it? Well, sweetheart, it's only for a +little while, and to-morrow I will come for you, and all shall be +arranged. We'll have no more separations then. Rest well +and at noon to-morrow be ready; I will be with you then. +Meantime, your every want will be supplied, and let the morrow +find my little treasure bright-eyed and blooming."</p> + +<p>"Oh, Lucian, Lucian! how strange this seems. I can't realize +it at all."</p> + +<p>He laughed lightly. "Not afraid, little one?"</p> + +<p>"Not afraid, Lucian, no; but I can't explain or describe my +feelings. I suppose I need rest; that is all."</p> + +<p>"That is all, depend upon it; and here we are. One kiss, +Madeline, the last till to-morrow."</p> + +<p>He folded her tenderly in his arms, and then sprang lightly +from the carriage.</p> + +<p>Up and down, far as the eye could see, the street lamps glittered, +and as Madeline stepped from the carriage she observed +another roll away. High above her loomed the great hotel, and +after midnight though it was, all here was life and bustle. The +scene was novel to the half bewildered girl. Clinging to her +lover's arm, she entered the reception-room and, sitting opposite +the door, saw a form pass in the direction Lucian had taken, +as he went to register her name and order for her "all that the +house could afford."</p> + +<p>"I did not give your real name, because of your step-father,<span class='pagenum'><a name="Page_53" id="Page_53">[53]</a></span> +you know," said Lucian, upon his return. "I registered you as +Miss Weir, that name being the first to occur to me."</p> + +<p>She looked a trifle disturbed, but said nothing. A few words +more and a servant appeared.</p> + +<p>"To conduct you to your room," said Lucian.</p> + +<p>Together they moved towards the door; there he lifted his +hat, with profound courtesy, and said in a very audible tone: +"Good-night, Miss Weir; I will call to-morrow noon; pleasant +dreams."</p> + +<p>"To-morrow noon," she echoed.</p> + +<p>As she watched his retreating figure, another passed her; a +man who, meeting her eye, lifted <i>his</i> hat and passed out.</p> + +<p>"He again!" whispered the girl to herself; "how very strange."</p> + +<p>Alone in her room, the face of this man looked at her again, +and sitting down, she said, wearily: "Who is he? what does he +mean? His name—I'll look at the card."</p> + +<p>Taking it from her pocket, she read aloud: Clarence Vaughan, +M. D., No. 430 B—— street.</p> + +<p>"Clarence Vaughan, M. D.," she repeated. "What did he +mean? I must tell Lucian to-morrow; to-night I am too weary +to think. Search for me, John Arthur; find me if you can! +To-morrow—what will it bring, I wonder?"</p> + +<p>Weary one, rest, for never again will you sleep so innocently, +so free from care as now. Sleep well, nor dream!</p> + +<p>She slept. Of the three who had been brought into contact +thus strangely, Madeline slept most soundly and dreamed the +brighter dreams.</p> + +<p>It was the last ray of her sunlight; when the day dawned, +her night began.</p> + + + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="Page_54" id="Page_54">[54]</a></span></p> +<h2><a name="CHAPTER_V" id="CHAPTER_V"></a>CHAPTER V.</h2> + +<h2>A SHREWD SCHEME.</h2> + + +<p>An elegant apartment, one of a suite in a magnificent block +such as are the pride of our great cities.</p> + +<p>Softest carpets, of most exquisite pattern; curtains of richest +lace; lambrequins of costly texture; richly-embroidered and +velvet-covered sleepy-hollows and lounging chairs; nothing stiff, +nothing that did not betoken abandonment to ease and pleasure; +downy cushions; rarest pictures; loveliest statuettes; finest +bronzes; delicate vases; magnificent, full length mirrors, a bookcase, +itself a rare work of art, containing the best works of the +best authors, all in the richest of bindings—nothing here that +the most refined and cultivated taste could disapprove, and yet +everything bespoke the sybarite, the voluptuary. A place wherein +to forget that the world held aught save beauty; a place for +luxurious revelry, and repose filled with lotus dreams.</p> + +<p>Such was the bachelor abode of Lucian Davlin, as the glowing +gas lights revealed it on the dark night of the arrival of this +gentleman in the city.</p> + +<p>Moving restlessly about, as one who was perfectly familiar +with all this glowing richness, only because movement was a +necessity to her; trailing her rich dress to and fro in an impatient +promenade, and twisting recklessly meantime a delicate +bit of lace and embroidery with plump, white fingers—a woman +waited and watched for the coming of Lucian Davlin.</p> + +<p>A woman, fair of face, hazel-eyed, sunny-haired, with a form +too plump to be quite classical, yet graceful and prepossessing in +the extreme. A very fair face, and a very wise one; the face of<span class='pagenum'><a name="Page_55" id="Page_55">[55]</a></span> +a woman of the world, who knows it in all its phases; who is +able, in her own peculiar manner, to guide her life bark successfully +if not correctly, and who has little to acquire, in the way +of experience, save the art of growing old gracefully and of +dying with an acquitted conscience.</p> + +<p>No unsophisticated girl was Cora Weston, but a woman of +eight-and-twenty; an adventuress by nature and by calling, and +with beauty enough, and brains enough, to make her chosen +profession prosperous, if not proper.</p> + +<p>She paused before a mirror, carefully adjusting her fleecy +hair, for even in pressing emergencies such women never forget +their personal appearance. This done, she pondered a moment +and then pulled the bell. A most immaculate colored gentleman +answered her summons and, bowing low, stood waiting her +will.</p> + +<p>"Henry, is it not time that your master were here? The +train is certainly due; are you sure he will come? What did he +telegraph you?"</p> + +<p>"That he would arrive on the one o'clock express, madame; +and he never fails."</p> + +<p>"Very well. If he does not appear soon, Henry, you must +go and inquire if the train has been delayed, and if so, telegraph. +My business is imperative."</p> + +<p>The well trained servant bowed again, and, at a signal from +her, withdrew. Left alone, she continued her silent march, +listening ever, until at length a quick footstep came down the +passage. Flinging herself into the depths of a great easy chair, +she assumed an air of listless indifference, and so greeted the +new comer.</p> + +<p>"Gracious heavens, Cora! what brings you here like this? +I thought you had sailed, and was regretting it by this time."<span class='pagenum'><a name="Page_56" id="Page_56">[56]</a></span></p> + +<p>He hurried to her side and she half rose to return his caress. +Then sinking back, she surveyed him with a lazy half smile. +"I wonder if you are glad to see me, Lucian, my angel; you are +such a hypocrite."</p> + +<p>He laughed lightly, and threw himself into a seat near her. +"Candid Cora, you are not a hypocrite,—with me," and he +looked admiringly yet impatiently at her. "Come," he said, at +length, as she continued to tap her slender foot lazily, and to regard +him silently through half closed lashes: "what does it all +mean? Fairest of women, tell me."</p> + +<p>"It means, <i>Mon Brave</i>, that I did not sail in the <i>Golden Rose</i>; +I only sent my hat and veil."</p> + +<p>"Wonderful woman! Well, thereby hangs a tale, and I +listen."</p> + +<p>"I came back to see—"</p> + +<p>"Not old Verage?" he interrupted, maliciously.</p> + +<p>"No, hush: he saw me safely on board the <i>Golden Rose</i>—very +gallant of him, wasn't it?"</p> + +<p>"Rather—yes, considering. And if I did not know Miss +Cora Weston so very well, I should be surprised at all this mystery; +as it is, I simply wait to be enlightened."</p> + +<p>"And enlightened you shall be, monsieur."</p> + +<p>She threw off her air of listlessness and arose, crossing over +and standing before him, leaning upon a high-backed chair, and +speaking rapidly.</p> + +<p>Lucian, meantime, produced a cigar case, lit a weed, and assuming +the attitude and manner she had just abandoned, bade +her proceed.</p> + +<p>"You see," she said, "I did not like the idea of quitting the +country because of a little difference of opinion between myself +and an old idiot like Verage."<span class='pagenum'><a name="Page_57" id="Page_57">[57]</a></span></p> + +<p>"A difference of some thousands out of pocket for him; well, +go on."</p> + +<p>"Just so, comrade mine. Well, fortune favored me; she +generally does. I learned, at almost the last moment, that a +lady of my acquaintance had taken passage in the same vessel. +I interviewed her, and found her in the condition of the good +people in novels who have seen better days; her exchequer was +at low ebb, and, like myself, she had reasons which induced her +to emigrate. I did not inquire into these, having no reason to +doubt the statement, but I accompanied her on board the <i>Golden +Rose</i>, bade her a fond farewell, and bequeathed to her my street +apparel and a trifling sum of old Verage's money. In exchange, +I donned her bonnet and veil, and adopted her rather awkward +gait, and so had the satisfaction of seeing, on my return to terra +firma, old Verage gazing enraptured after my Paris bonnet and +floating veil as it disappeared with my friend, outward bound."</p> + +<p>"Well, what next? All the world, your world, supposes +you now upon the briny deep. Old Verage will be rejoiced to +find you here in the city; what then?"</p> + +<p>"I think he will," said Cora, dryly, "when he does find me. +I did not come here in the dark to advertise my arrival."</p> + +<p>"Bravo, Cora," he patted her hands softly; "wise Cora. +You are a credit to your friends, indeed you are, my blonde +beauty."</p> + +<p>She laughed softly;—a kittenish, purring laugh.</p> + +<p>"Well, Lucian, time flies and I throw myself on your mercy. +Recommend me to some nice quiet retreat, not too far from the +city, but at a safe distance; put me in a carriage, at daylight, +which will carry me out to some by-station, where I can take +passage behind the iron horse, unmolested, for fresh fields and +pastures new."<span class='pagenum'><a name="Page_58" id="Page_58">[58]</a></span></p> + +<p>Davlin pondered a moment as if he had not already decided +upon his course of action. He knew the woman he had to deal +with, and shaped his words accordingly. "A retired spot,—let +me see. I wonder, by Jove,"—brightening suddenly, "I +think I have the right thing for you."</p> + +<p>"Well, when Lucian Davlin 'thinks' he has a point, that +point is gained; proceed, man of might."</p> + +<p>"You see," began Lucian, in a business-like tone, "I took +one of my 'skips' for change of scene and recreation."</p> + +<p>"And safe quarters until the wind shifted," interrupted she. +"Well, go on."</p> + +<p>He laughed softly, "Even so. We children of chance do +need to take flying trips sometimes, but I did not set out for +Europe, Cora mine, and I wore my own clothes home."</p> + +<p>"Bravo! But old Verage don't want you, and the wind <i>has</i> +changed; proceed."</p> + +<p>"Well, as usual, I found myself in luck, and if I had been +a nice young widow, might have taken Summer quarters in the +snug little village of Bellair."</p> + +<p>"Not being a widow, relate your experience as a rusticating +gentleman at large. You excite my curiosity."</p> + +<p>Lucian removed his cigar from between his lips, and lazily +contemplated his fair <i>vis a vis</i>.</p> + +<p>"How long a time must elapse before the most magnificent +of blondes will think it fitting, safe, and," with a slight smile, +"expedient to return and resume her sovereignty here, on this +hearth, and," striking his breast theatrically, "in this heart?"</p> + +<p>The "most magnificent of blondes" looked first, approvingly, +at her image displayed in the full length mirror opposite, then +coolly at her interrogator.</p> + +<p>"Hum! that depends. The lady you so flatter can't abide<span class='pagenum'><a name="Page_59" id="Page_59">[59]</a></span> +dullness and inaction, and too much stupidity might overcome +her natural timidity, in which case even my ardent old pursuer +could not scare me into submission and banishment. If I could +only find an occupation, now, for my—"</p> + +<p>"Peculiar talents," he suggested; "that's just the point. +And now, I wonder if you wouldn't make a remarkably charming +young widow?"</p> + +<p>"So you have an idea, then, Lucian? Just toss me a bunch of +those cigarettes, please,—thank you. Now a light; and now, +if it's not asking too much, will you proceed to explain yourself, +and tell me what fortunate being you desire me, in the character +of a fair widow, to besiege? What he is like; and why?"</p> + +<p>"Admirable Cora! what other woman could smoke a cigarette +with such a perfect air of doing the proper thing; so much of +Spanish grace."</p> + +<p>"And so much genuine enjoyment," she added, comfortably. +"Smoke is my poetry, Lucian. When far from my gaze, and I +desire to call up your most superb image, I can do so much more +comfortably and satisfactorily inspired by my odorous little +Perique."</p> + +<p>"Blessed Perique! Cora shall have them always. But back +to my widow; an absence of six months, perhaps, would be a +judicious thing just now, you think?"</p> + +<p>"More would be safer," she smiled, "if the Peri can keep +aloof from Paradise so long."</p> + +<p>"How would the Peri fancy taking up her permanent abode +outside the walls of Paradise?"</p> + +<p>She removed the fragrant gilded cigar in miniature from +between two rosy, pursed-up lips, and surveyed him in mute +astonishment.</p> + +<p>"Provided," he proceeded, coolly, "provided she found a<span class='pagenum'><a name="Page_60" id="Page_60">[60]</a></span> +country home, bank account, and equipage to her liking, with +everything her own way, and ample opportunities for trips to +Paradise, making visits to her brother and her city friends—and +a fine prospect of soon becoming sole possessor of said country +mansion, bank stock, etc.?"</p> + +<p>She placed the tiny weed once more between her lips, and +sending up perfumed, curling little volumes of smoke, settled +herself more comfortably and said, nonchalantly, "That depends; +further particulars, please."</p> + +<p>It was wonderful how these two understood each other. She +knew that he had for her a plan fully matured, and wasting no +time in needless questionings, waited to hear the gist of the whole +matter, assured from past experience that he would suggest nothing +that would be an undertaking unworthy of her talent, and +he knew that she would weigh his suggestions while they were +being made, and be ready with her decision at the close.</p> + +<p>Long had they plotted and prospered together, these two +Bohemians of most malevolent type; and successfully and oft +played into each other's hands. Never yet had the good fortune +of the one been devoid of profit to the other; knowing this, each +felt safe in accepting, unquestioned, the suggestions of the other; +and because of this, she felt assured now that, in this present +scheme, there was something to be gained for him as well as herself.</p> + +<p>When the looker-on wonders idly at the strength of ties such +as those which bound together these two, and the length of their +duration, he has never considered their nature—the similarity of +tastes, similarity of pursuits, and the crowning fact of the mutual +benefit derived from such association.</p> + +<p>Find a man who lives by successful manipulations of the +hand-book of chance, and who bows to the deity of three aces;<span class='pagenum'><a name="Page_61" id="Page_61">[61]</a></span> +who finds victims in fortified places, and whose most hazardous +scheme is surest of success; who walks abroad the admired +of his contemporaries, who envy him his position as fortune's +favorite in proportion as they ply their own similar trade near +the foot of the ladder of chance; who shows to men the dress +and manner of a gentleman, and to the angels the heart of a +fiend—and you will find that man aided and abetted, upheld +and applauded, by a woman, his fitting companion by nature or +education. She is unscrupulous as he, daring as he, finding +him victims that his arm could not reach; plying the finer +branch of a dangerous but profitable trade; sharing his prosperity, +rescuing from adversity; valued because necessary, and +knowing her value therefore fearing no rival.</p> + +<p>Cora was beautiful in Davlin's eyes, and secure in his affections, +because she was valuable, even necessary, to him. He cared for +her because in so doing he was caring for himself, and placing +any "card" in her hands was only the surest means of enlarging +his own pack. While she, for whether a woman is good or bad she +is ever the slave of her own heart, recognizing the fact of the +mutual benefit resulting from their comradeship, and improving, +in her character of a woman of the world, every opportunity to +profit by him, yet she saw in him the one man who possessed her +love. Though the life she had led had worn out all the romantic +tendencies of her nature, and had turned the "languishing of +her eye" into sharp glances in the direction of the main chance, +still she lavished upon him the best of her heart, and held his +interest ever the equal of her own. After the manner of such, +they were loyal to each other.</p> + +<p>"Then," pursued Lucian, "listen, and a tale I will unfold."</p> + +<p>In his own way, he proceeded to describe the intended victim; +his home, his wealth, his state of solitude, together with the facts<span class='pagenum'><a name="Page_62" id="Page_62">[62]</a></span> +he had gathered up here and there relative to his leading characteristics +and weaknesses, whereby he might be successfully +manipulated by skilled hands. The boldness of his plan made +even Cora start, and instead of her usually ready decision and +answer, she favored him with a wondering, thoughtful stare.</p> + +<p>"You see," concluded Lucian, "he can't live forever at the +worst, and the estate is a handsome one. You could easily make +yourself queen absolute of the situation, and go and come at +your own sweet will. I think as a good brother I should be a +magnificent success, and an ornament to your country mansion +in the lazy Summer."</p> + +<p>"And if I don't approve of the speculation after a trial, I can +commit suicide or vanish," Cora said, meditatingly.</p> + +<p>"Just so," laughed he; "and take the spoons."</p> + +<p>"You are sure there are no incumbrances; perfectly sure of +that?" she questioned.</p> + +<p>"Perfectly sure. There was a step-daughter, but she ran +away with some foreigner;" here he smiled, and veiled his eyes, +lest she should read aright their expression. "He would not give +her a penny, or a crust of bread, were she to return. He hated +her from her earliest day; but she is not likely to reappear in +any case."</p> + +<p>"If she should, you might marry her, you know," she suggested, +maliciously.</p> + +<p>"So I might," he said, shutting his eyes again; "and we +would all settle down into respectable members of society—charming +picture. But, jesting aside, how do you like the prospect?"</p> + +<p>She tossed away her cigarette and, rising, paced the room in +silence for a few moments.</p> + +<p>Lucian whistled, softly, a few bars from a favorite opera; +then lighted a fresh cigar, and puffed away, leaning lazily back +and watching her face furtively out of half closed eyes.<span class='pagenum'><a name="Page_63" id="Page_63">[63]</a></span></p> + +<p>"I think," she said, resuming her seat, "that I will take a +nearer view of this 'prospect' of yours."</p> + +<p>He nodded his head and waited for her to proceed.</p> + +<p>"I think the <i>rôle</i> of widow might interest me for a little +time, so I'll take myself and my 'delicate constitution' down to +your promising haven of rest. I'll 'view the landscape o'er,' +and the prospect of an opportunity for a little sharp practice will +make my banishment more endurable; of course, my resignation +will increase as the situation becomes more interesting."</p> + +<p>"Which it is sure to do," he said, rising quickly and crossing +to the window. "The thing is as good as done; you always accomplish +what you undertake; and you'll find the game worth +the powder. The fact is, Cora," he continued, seriously, "you +and I have engineered so many delicate little affairs successfully, +here in the city, that, as a combination, we are pretty well known +just now; too well, in fact, for our own ease and comfort. +Your supposed trip to Europe was a lucky thing, and will throw +all officiously-interested ones off your track completely. I shall +limit my operations here for a time; shall make this merely headquarters, +in fact, and 'prospect,' like yourself, in fresh fields. +And now, it being nearly morning, and quite necessary that you +should be on your victorious march, let us consider final ways +and means."</p> + +<p>In a concise, business-like way, they arranged and discussed, +the result of the whole being briefly this:</p> + +<p>Cora would drive at early dawn to a suburban station, and +from thence go by rail to a village midway between the city and +her final destination; and there await her luggage, and the arrival +of Lucian. He would join her shortly, and proceed with +her to Bellair, in his character of brother; see her comfortably +settled, and leave her to her new undertaking.<span class='pagenum'><a name="Page_64" id="Page_64">[64]</a></span></p> + +<p>And thus it was that in the gray of morning a veiled lady, +sweet-voiced and elegant in manner, stepped from a close carriage +at a little wayside station, and sped away at the heels of +the iron horse.</p> + +<p>And thus it was that Lucian Davlin, reappearing in Bellair +and listening in well simulated surprise to the story of the sudden +disappearance of John Arthur's step-daughter, effectually +put to flight any idea—forming in the brains of the few who +knew, or conjectured, that these two had met—that he had aught +to do with her mysterious flitting. In truth, none save old +Hagar knew of the frequency of their clandestine meetings, and +she never breathed to others the thoughts and suspicions that +haunted her brain.</p> + +<p>And thus it was, too, that Cora Weston, in her new <i>rôle</i> of +languishing widow, secluded carefully from the vulgar gaze, +heard never a word of Madeline's flight. And when, later, the +fact was revealed to her, none save old Hagar could have named +the precise date of the event. So even wise Cora never connected +the fate of the unfortunate girl with the doings of Lucian +Davlin.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_VI" id="CHAPTER_VI"></a>CHAPTER VI.</h2> + +<h2>A WARNING.</h2> + + +<p>Early morning in the great city, but the buzz and clamor were +fairly under way, and the streets as full of busy, pushing, elbowing +life as if night and silence had never rested above the tall +roofs and chimney pots.</p> + +<p>With the rattle of the first cart wheel on the pavement,<span class='pagenum'><a name="Page_65" id="Page_65">[65]</a></span> +Madeline had started broad awake. As the din increased, and +sleep refused to return to the startled senses, all unused to these +city sounds, she arose, and completing her toilet with some haste, +seated herself at her window to look out upon the scene so new +to her.</p> + +<p>What a world of strange emotions passing and repassing beneath +her eye! What hopes and fears; what carelessness and +heartache! How they hurried to and fro, each apparently intent +upon his own thoughts and purposes.</p> + +<p>She gazed down until her vision wearied of the motley, ever-changing, +yet ever the same crowd; and then she reclined in the +downy depths of a great easy chair, closed her eyes, and thought +of Lucian. After all, what meaning had this restless moving +throng for her? Only one; Lucian. What was this surging +sea of humanity to her save that, because of its roar and clamor, +they two were made more isolated, therefore nearer to each other?</p> + +<p>The morning wore away, and she began to realize how very +soon she should be with her hero, and then no more of separation. +Her heart bounded at this thought.</p> + +<p>Some one tapped softly at her door. She opened it quickly, +thinking only of Lucian. It was not Lucian, however, but a +veiled woman who stepped within the room, closing the door as +she came.</p> + +<p>Madeline fell back a pace, and gazed at the intruder with a +look of startled inquiry which was, however, free from fear. +She had not thought of it before, it flashed across her mind now +that this fact was odd; but in all her morning's ruminations, +she had not once thought of the mysterious stranger of the railway +episode. Yet now the first words that took shape in her +mind, at the entrance of this unexpected visitor, were "Clarence +Vaughan, M. D." She almost spoke them.<span class='pagenum'><a name="Page_66" id="Page_66">[66]</a></span></p> + +<p>With a quick, graceful movement, the stranger removed the +shrouding veil; and Madeline gazed wonderingly on the loveliest +face she had ever seen or dreamed of. It was a pure, pale +face, lighted by lustrous dark eyes, crowned by waving masses +of dark silky hair; exquisitely molded features, upon which +there rested an expression of mingled weariness and resignation, +the look of</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"A soul whose experience<br /></span> +<span class="i0">Has paralyzed bliss."<br /></span> +</div></div> + +<p>One could imagine such a woman lifting to her lips the full +goblet of life's sparkling elixir, and putting it away with her +own hand, lest its intoxicating richness should shut from her +senses the fragrance of Spring violets, and dim her vision of +the world beyond.</p> + +<p>They formed a decided contrast, these two, standing face to +face.</p> + +<p>One, with the calm that comes only when storm clouds have +swept athwart life's sky, leaving behind marks of their desolating +progress, but leaving, too, calm after tempest; after restlessness, +repose.</p> + +<p>The other, stretching out her hand like a pleased child to woo +the purple lightning from the distance, buoyant with bright +hopes, with nothing on brow or lip to indicate how that proud +head would bear itself after it had been bowed before the passing +storm.</p> + +<p>"Pardon me," said the lady, in a sweet contralto. "I think +I am not mistaken; this is the young lady who arrived last +evening, and is registered,"—she looked full in the girl's eyes—"as +Miss Weir?"</p> + +<p>Madeline's eyes drooped before that searching gaze, but she +answered, simply: "Yes."</p> + +<p><span class='pagenum'><a name="Page_67" id="Page_67">[67]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_011.jpg" width="400" height="550" alt=""I have not yet introduced myself. Here is my card."—page 68." /> +<span class="caption">"I have not yet introduced myself. Here is my card."—<a href="#Page_68">page 68.</a></span></div> + +<p><span class='pagenum'><a name="Page_68" id="Page_68">[68]</a></span></p> + +<p>"You are naturally much astonished to see me here, and my +errand is a delicate one. Since I have seen you, however, I +have lost every doubt I may have entertained as to the propriety +of my visit. Will you trust me so far as to answer a few simple +questions?"</p> + +<p>The words of the stranger had put to flight the first idea +formed in her mind, namely, that this visit was a mistake. It +was intended for her, and now, who had instigated it? She +looked up into the face of her visitor and said, with her characteristic +frankness of speech:</p> + +<p>"Who sent you to me?"</p> + +<p>The abruptness of the question caused the stranger to smile.</p> + +<p>"One who is the soul of honor and the friend of all womankind," +she said, with a soft light in her eyes.</p> + +<p>Madeline's eyes still searched her face. "And his name is +that," she said, putting the card of Clarence Vaughan upon the +table between them.</p> + +<p>"Yes; and this reminds me, I have not yet introduced myself. +Here is my card."</p> + +<p>She placed in the hand of Madeline a delicate bit of cardboard +bearing the name, "Olive Girard."</p> + +<p>Silence fell between them for a moment, and then Olive Girard +spoke.</p> + +<p>"Won't you ask me to be seated, and hear what I wish to say, +Miss Weir?"</p> + +<p>She hesitated over the name, and Madeline, perceiving it, +said:</p> + +<p>"You think Weir is not my name?"</p> + +<p>"Frankly, I do," smiled Mrs. Girard; "but just now the +name matters little. Pardon me, but I am more interested in +your face than your name. I came here because it seemed my<span class='pagenum'><a name="Page_69" id="Page_69">[69]</a></span> +duty, and to oblige a friend; now I wish to serve you for your +own sake, to be your friend, if you will let me."</p> + +<p>Still Madeline's brain kept thinking, thinking; and she put +her questions rather as commentaries on her own thoughts than +as her share in a conversation.</p> + +<p>"Why did Mr. Vaughan send you to me?"</p> + +<p>They had seated themselves, at a sign from Madeline, and +Mrs. Girard drew her chair nearer to the girl as she answered:</p> + +<p>"Because he feared for you."</p> + +<p>"Because he <i>feared for me</i>!" Madeline's face flushed hotly; +"feared what?"</p> + +<p>"He feared," said Olive Girard, turning her face full upon +her questioner, "what I feel assured is the truth, having seen +you—simply that you do not know aright the man in whose company +you came to this place."</p> + +<p>Madeline turned her eyes upon her guest and the blood went +slowly out of her face, but she made no reply, and Mrs. Girard +continued:</p> + +<p>"I will ask you once more, before I proceed further, do you +object to answering a few questions? Of course I am willing +to be likewise interrogated," she added, smiling.</p> + +<p>Over the girl's face a look was creeping that Aunt Hagar, +seeing, could readily have interpreted. She nodded her head, +and said briefly: "Go on."</p> + +<p>"First, then," said her interrogator, "are you entirely without +friends in this city? Except, of course," she added, quickly, +"your escort of last night."</p> + +<p>"Yes." Madeline's countenance never altered, and she kept +her eyes fully fixed on her companion's face.</p> + +<p>"Are—are you without parents or guardian?"</p> + +<p>"Yes."<span class='pagenum'><a name="Page_70" id="Page_70">[70]</a></span></p> + +<p>"As I thought; and now, pardon the seeming impertinence +of this question, did you come here as the companion of the man +who was your escort, or did mere accident put you under his +charge?"</p> + +<p>"The 'accident' that put me in the charge of Mr. Davlin was—myself," +said the girl, in a full, clear voice. "And he is my +only guardian, and will be."</p> + +<p>Olive Girard pushed back her chair, and rising, came and +stood before her, with outstretched hand and pleading, compassionate +eyes.</p> + +<p>"Just as I feared," she sighed; "the very worst. My poor +child, do you know the character and occupation of this man?"</p> + +<p>Madeline sprang to her feet, and putting one nervous little +hand upon the back of the chair she had occupied, moved back +a pace, and said, in a low, set tone:</p> + +<p>"If you have come to say aught against Lucian Davlin, you +will find no listener here. I am satisfied with him, and trust +him fully. When I desire to know more of his 'character and +occupation,' I can learn it from his own lips. What warrant +had that man," pointing to Clarence Vaughan's card, "for dogging +me here, and then sending you to attempt to poison my +mind against my best friend? I tell you, I will not listen!"</p> + +<p>A bright spot burned on either cheek, and the little hand +resting on the chair back clinched itself tighter.</p> + +<p>Olive Girard drew a step nearer the now angry girl, and +searched her face with grave eyes.</p> + +<p>"If I said you were standing on the verge of a horrible precipice, +that your life and soul were in danger, would you listen +then?" she asked, sternly.</p> + +<p>"No," said Madeline, doggedly, drawing farther away as she +spoke; "not unless I saw the danger with my own eyes. And<span class='pagenum'><a name="Page_71" id="Page_71">[71]</a></span> +in that case I should not need your warning," she added, dryly.</p> + +<p>"And when your own eyes see the danger, it will be too late +to avert it," said Olive, bitterly. "I know your feeling at this +moment, and I know the heartache sure to follow your rashness. +<i>What are you, and what do you hope or expect to be, to the man +you call Lucian Davlin?</i>" She spoke his name as if it left the +taste of poison in her mouth.</p> + +<p>The girl's head dropped until it rested on the hands clasped +upon the chair before her; cold fingers seemed clutched upon her +heart. Across her memory came trooping all his love words of +the past, and among them,—she remembered it now for the first +time,—among them all, the word <i>wife</i> had never once been uttered. +In that moment, a thought new and terrible possessed her +soul; a new and baleful light seemed shining upon the pictures +of the past, imparting to each a shameful, terrible meaning. +She uttered a low moan like that of some wounded animal, +and suddenly uplifting her head, turned upon Olive Girard a +face in which passion and a vague terror were strangely mingled.</p> + +<p>"What are you saying? What are you <i>daring</i> to say to me!" +she ejaculated, in tones half angry, half terror-stricken, wholly +pitiful. "What horrible thing are you trying to torture me +with?"</p> + +<p>She would have spoken in indignation, but the new thought +in her heart frightened the wrath from her voice. She dared +not say "I am to be his wife," with these forebodings whispering +darkly within her.</p> + +<p>She turned away from the one who had conjured up these +spectres, and throwing herself upon a couch, buried her face in the +cushions, and remained in this attitude while Olive answered her +and for long moments after; moments that seemed hours to both.</p> + +<p>Olive's eyes were full of pity, and her tone was very gentle.<span class='pagenum'><a name="Page_72" id="Page_72">[72]</a></span> +Her woman's quick instinct assured her that words of comfort +were of no avail in this first moment of bitter awakening. She +knew that it were better to say all that she deemed it her duty +to say, now, while her hearer was passive; and stepping nearer +the couch, she said:</p> + +<p>"Dr. Vaughan, who saw you in the company of a man so +well known to him that to see a young girl in his society he +knew could mean no good, came to me this morning with a +brief account of your meeting of last night. He is too good a +physiognomist not to have discovered, readily, that you were +not such a woman as could receive no contamination from such +as Lucian Davlin. He feared for you, believing you to be +another victim of his treachery. Your coming to this hotel +assured him that you were safe for the time, at least; and this +being a subject so delicate that he, a stranger, feared to approach +you with it, he desired me to come to you, and, in case his fears +were well founded, to save you if I could. My poor, poor +child! you have cast yourself upon the protection of a professional +gambler; a man whose name has been associated for +years with that of a notorious and handsome adventuress. If +he has any fear or regard for anything, it is for her; and your +very life would be worth little could she know you as her rival. +Judge if such a man can have intentions that are honorable, +where a young, lovely and unsophisticated girl like yourself is +concerned."</p> + +<p>She paused here, but Madeline never stirred.</p> + +<p>"Come with me," continued Olive, drawing a step nearer the +motionless girl; "accept me as your protector, for the present, +at least. Believe me, I know what you are suffering now, and +near at hand you will find that which will aid you to forget +this man."<span class='pagenum'><a name="Page_73" id="Page_73">[73]</a></span></p> + +<p>Madeline slowly raised herself to a sitting posture and turned +towards the speaker a face colorless as if dead, but with never +a trace of a tear. Her eyes were unnaturally bright, and her +lips were compressed, as if she had made, and was strong to +keep, some dark resolve.</p> + +<p>"What is it that I am to find?" she said, in a low, intense +tone.</p> + +<p>"A girl, young as you, and once as beautiful," replied Olive, +sadly, "who is dying of a broken heart, and her destroyer is +Lucian Davlin."</p> + +<p>Madeline gazed at her absently for a moment. "I suppose I +had ought to hate you," she said, wearily; "you have made my +life very black. Lucian Davlin will soon be here,—will you +please go?"</p> + +<p>"Surely you are going with me?" said Olive, in amaze.</p> + +<p>"No."</p> + +<p>"You doubt me? Oh, I have not made you feel your danger! +You think I am an impostor!"</p> + +<p>"No," said the girl, in the same quiet tone; "something here," +putting her hand upon her bosom, "tells me that you are sincere. +My own heart has abandoned me; it will not let me doubt you, +much as I wish to. I cannot thank you for making my heart +ache,—please go."</p> + +<p>Still with that air of unnatural calm, she arose and walked to +the window.</p> + +<p>Of the two, Olive Girard was by far the more agitated. "Tell +me," she said, in eager entreaty; "oh, tell me, you are not going +with <i>him</i>?"</p> + +<p>Madeline turned sharply around. "I shall not add myself +to the list of his victims," she said, briefly.</p> + +<p>And then the two gazed at each other in silence for a moment.<span class='pagenum'><a name="Page_74" id="Page_74">[74]</a></span></p> + +<p>"This is madness," said Olive, at length. "What rash thing +do you meditate? I will not leave you to face this man alone; +I dare not do it."</p> + +<p>Madeline came from the window and stood directly before +her. "I am not the weak child you think me. You can do +nothing but harm by remaining here. I will meet Lucian +Davlin, and part with him in my own way," she said, between +her teeth.</p> + +<p>Olive saw, in the set face, and stern eye, that she was indeed +dealing with a character stubborn as death, and devoid of all +fear. She dreaded to leave her thus, but felt assured that she +could do nothing else.</p> + +<p>"Will you come to me afterward?" she asked. "You have +no friends here, you tell me, and you need a friend now. +Promise me this and I will go."</p> + +<p>"Thank you," said the girl, wearily; "at least I promise to +go to no one else; good-by."</p> + +<p>Turning away, she resumed her position at the window, and +never looked once at Olive after that.</p> + +<p>"I will write my address on this card," said Olive. She did +so; then turning on the girl a look full of pitying tenderness, +said: "I need not tell you to be brave; I should rather bid you +be cautious. Remember, your life is worth more than the love +and loss of such a man. Put this behind you, and come to me +soon, believing that you are not friendless."</p> + +<p>She lowered her veil and, casting one more wistful glance at +the silent figure by the window, went out and closed the door +softly.</p> + + + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="Page_75" id="Page_75">[75]</a></span></p> +<h2><a name="CHAPTER_VII" id="CHAPTER_VII"></a>CHAPTER VII.</h2> + +<h2>A STRUGGLE FOR MORE THAN LIFE.</h2> + + +<p>It is a fortunate provision of Providence that calamity comes +upon us, in most cases, with a force so sudden and overwhelming +that it is rather seen than felt. As we realize the full torture of +an ugly wound, not when the blow is struck, but after the +whole system has been made to languish under its effects, so a +blow struck at the heart can not make itself fully felt while the +mind is still unable to picture what the future will be like now +that the grief has come. We only taste our bitterest grief when +the mind has shaken itself aloof from the present woe, to travel +forward and question what the future can hold for us, now that +our life is bereft of this treasure.</p> + +<p>Madeline's condition, after the departure of Olive Girard, was +an exponent of this truth. Fast and hard worked her thoughts, +but they only encountered the ills of the present, and never +glanced beyond.</p> + +<p>She had set her lover aloft as her ideal, the embodiment of +truth, honor, and manhood. He had fallen. Truth, honor, +manhood, had passed out of existence for her. And she had +loved him so well! She loved him even yet.</p> + +<p>The thought brought with it a pang of terror, and as if conjured +up by it, the scenes of the day previous marshalled themselves +again for review. Could it be possible? Was it only +yesterday that she listened to his tender love words, beneath the +old tree in Oakley woods? Only yesterday that her step-father +was revealed in all his vileness,—his plots, his hopes, his fears.<span class='pagenum'><a name="Page_76" id="Page_76">[76]</a></span> +Her mother's sad life laid bare before her; Aunt Hagar's story; +her defiance of the two men at Oakley; her flight; Clarence +Vaughan; the strange, great city; Olive Girard; and now—now, +just a dead blank, with no outlook, no hope.</p> + +<p>And was this all since yesterday?</p> + +<p>What was it, she wondered, that made people mad? Not +things like these; she was calm, very calm. She <i>was</i> calm; +too calm. If something would occur to break up this icy stillness +of heart, to convulse the numbed powers of feeling, and +shock them back into life before it was too late.</p> + +<p>She waited patiently for the coming of her base lover, lying +upon the soft divan, with her hands folded, and wondering if +she would feel <i>much</i> different if she were dead.</p> + +<p>When the summons came, at last, she went quietly down to +greet the man who little dreamed that his reign in her heart +was at an end, and that his hold upon her life was loosening +fast.</p> + +<p>When Madeline entered the presence of Lucian Davlin, she +took the initiatory step in the part she was henceforth to play. +And she took it unhesitatingly, as if dissimulation was to her no +new thing. Truly, necessity, emergency, is the mother of much +besides "invention." Entering, she gave him her hand with +free grace, and smiled up at him as he bade her good-morning.</p> + +<p>He remarked on her pale cheeks, but praised the brightness +of her eyes, and accepted her explanation that the bustle and +the strangeness was unusual to her, as a natural and sufficient +reason for the pallor.</p> + +<p>"You will soon grow accustomed to that," he said, as they descended +to the carriage, "and be the rosiest, fairest little woman +on the boulevard, for I mean to drive half the men jealous by +taking you there often."</p> + +<p><span class='pagenum'><a name="Page_77" id="Page_77">[77]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_012.jpg" width="400" height="571" alt=""She wondered if she would feel much different if she were dead."—page 76." /> +<span class="caption">"She wondered if she would feel much different if she were dead."—<a href="#Page_76">page 76.</a></span></div> + +<p><span class='pagenum'><a name="Page_78" id="Page_78">[78]</a></span></p> + +<p>Madeline made no reply, and they entered the carriage.</p> + +<p>Davlin was not surprised at her silence; he was prepared for +a little coyness; in fact, for some resistance, and expected to +have occasion for the specious eloquence always at his command. +Of course, the result would be the same,—he had no doubt of +that, and so in silence they reached their destination.</p> + +<p>Up a broad flight of stairs, and then a door. Lucian rings, +and an immaculate colored servant appears, who seems as well +bred as an English baronet, and who expresses no surprise at +the presence of a lady there.</p> + +<p>Up another flight of softly carpeted stairs, across a wide hall, +and lo! the abode of the sybarite, the apartments of the disciple +of Chance.</p> + +<p>"Welcome to your kingdom, fair queen," says Lucian, as +they enter. "This is your abiding place, for a time, at least, and +I am your slave for always," and he kneels playfully before +her.</p> + +<p>Madeline turns away, and, finding it easiest to do, in her then +state of mind, begins a careless tour of the rooms, making a +pretense of criticism, and finding in even this slow promenade +some relief from absolute quiet and silence.</p> + +<p>She guarded her face lest it should display too much of that +locked, sullen calm underneath, and replied by an occasional +word and nod to his running comments upon the different +articles undergoing examination. Fingering carelessly the rare +ornaments upon a fine set of brackets, her eye rested upon an +elegant little gold mounted pistol. She turned away quickly, +and they passed to other things.</p> + +<p>Her replies became more ready, and she began questioning +gravely about this or that, listening with childlike wonder to +his answers, and winning him into a pleasant bantering humor.<span class='pagenum'><a name="Page_79" id="Page_79">[79]</a></span></p> + +<p>Finally he threw himself upon a chair, and selecting a cigar +proceeded to light it.</p> + +<p>Madeline continued to flit from picture to statuette, questioning +with much apparent interest. At last, she paused again before +the bracket which held the tiny toy that had for her a fascination.</p> + +<p>"What a pretty little pistol," she said. "Is it loaded?"</p> + +<p>"I don't know," replied he, lazily. "Bring it to me; I will +see."</p> + +<p>He was inwardly wondering at her cool acceptance of the +situation; and felt inclined to congratulate himself. Seeing her +look at the little weapon doubtfully, he laughed and strode to +her side, taking it in his hand.</p> + +<p>"It is not loaded," he said. "Did you ever fire a pistol?"</p> + +<p>"No; show me how to hold it."</p> + +<p>He placed it in her hand, and showed her how to manipulate +the trigger, and to take aim.</p> + +<p>"I should like to see it loaded," she said, at last.</p> + +<p>"And so you shall."</p> + +<p>He smiled, and crossing the room took from a little inlaid box +a handful of cartridges. Madeline watched him attentively, as +he explained to her the operation of loading. At length expressing +herself satisfied, and declining his invitation to try and +load it herself, she turned away.</p> + +<p>Davlin extracted the cartridge from the pistol, and returned it +to its place, saying: "You might wish to practice at aiming, and +won't want it loaded."</p> + +<p>"I shall not want such practice," she replied.</p> + +<p>A rap at the door, and the servant announced that dinner was +come.</p> + +<p>"I ordered our dinner here, to-day," explained Lucian,<span class='pagenum'><a name="Page_80" id="Page_80">[80]</a></span> +"thinking it would be more cosy. You may serve it, Henry," +to the servant.</p> + +<p>Dinner was accordingly served, and Lucian found occasion +to criticise, very severely, the manner of his serving man. More +than once, his voice took on an intolerant tone.</p> + +<p>Sitting opposite, Madeline saw the man, as he stood behind +his master's chair, dart upon him a look of hatred. Her lips +framed a smile quite new to them; and, after dessert was placed +upon the table and the man dismissed, she said:</p> + +<p>"You don't like your servant, I judge?"</p> + +<p>"Oh, he's as good as any," replied Lucian, carelessly. "They +are pretty much alike, and all need a setting back occasionally;—on +general principles, you know."</p> + +<p>"I suppose so," assented Madeline, indifferently, as if the subject +had lost all interest for her.</p> + +<p>Slowly the afternoon wore on, moments seeming hours to the +despairing girl. At length Lucian, finding her little inclined to +assist him in keeping up a conversation, said:</p> + +<p>"I am selfish not to remember that you are very tired. I +will leave you to solitude and repose for a little time, shall I?"</p> + +<p>"If you wish," she replied, wearily. "I suppose I need the +rest."</p> + +<p>"Then I will look in upon some of my friends. I have almost +lost the run of city doings during my absence. Meantime, +ring for anything you may need, won't you?"</p> + +<p>"I will ring;" and she looked, not at him, but at the bracket +beyond.</p> + +<p>"Then good-by, little sweetheart. It is now four; I will be +with you at six."</p> + +<p>He embraced her tenderly, and went out with that <i>debonnair</i> +grace which she had so loved. She looked after him with a +hungry, hopeless longing in her eyes.<span class='pagenum'><a name="Page_81" id="Page_81">[81]</a></span></p> + +<p>"Oh, why does God make His foulest things the fairest?" she +moaned. "Why did He put love in our hearts if it must turn +our lives to ashes? Why must one be so young and yet so +miserable? Oh, mother, mother, are all women wronged like +us?"</p> + +<p>Madeline arose and commenced pacing the floor restlessly, +nervously. She had come here with no fixed purpose, nothing +beyond the indefinite determination to defy and thwart the man +who had entrapped her. She had never for a moment feared +for her safety, or doubted her ability to accomplish her object.</p> + +<p>A plan was now taking shape in her mind, and as she pondered, +she extended her march, quite unthinkingly, on into the adjoining +room, the door of which stood invitingly open. The first object +to attract her attention was the light traveling coat which Lucian +had worn on the previous day; worn when he was pleading his +suit under the trees of Oakley; and in a burst of anger, as if it +were a part of him she was thinking of so bitterly, she seized +and hurled it from her. As it flew across the room, something +fell from a pocket, almost at her feet.</p> + +<p>She looked down at it; it was a telegram, the one, doubtless, +that had called him back to the city the day before. A business +matter, he had said. Into her mind flashed the words of Olive +Girard, "a professional gambler." She would see what this +"business" was. Stooping, she picked up the crumpled envelope, +and quickly devoured its contents.</p> + +<div class="blockquot"><p>Must see you immediately. Come by first train; am waiting at your +quarters.</p></div> + +<p class="f2"><span class="smcap">Cora.</span></p> + +<p>Madeline went back to the lighter, larger room, and seating +herself, looked about her. Again the words of Olive rung in +her ears.</p> + +<p>"Cora!" she ejaculated. "He obeyed her summons, and<span class='pagenum'><a name="Page_82" id="Page_82">[82]</a></span> +brought <i>me</i> with him. And she was here only last night—and +where has she gone? This must be the 'notorious,' the 'handsome.' +Ah, Lucian Davlin, this is well; this nerves me for the +worst! I shall not falter now. This is the first link in the chain +that shall yet make your life a burden."</p> + +<p>She crossed the room and touched the bell.</p> + +<p>"Now for the first real step," said Madeline, grimly.</p> + +<p>The door opened and the dark face of Henry appeared, bowing +on the threshold.</p> + +<p>"Come in, Henry, and close the door," said Madeline, pleasantly. +"I want you to do me a favor, if you will."</p> + +<p>Henry came in, and stood waiting her order.</p> + +<p>"Will you carry a note for me, Henry, and bring me back an +answer? I want <i>you</i> to take it, because I feel as if I could trust +you. You look like one who would be faithful to those who +were kind to you."</p> + +<p>"Thank you, lady; indeed I would," said the man, in grateful +tones.</p> + +<p>Madeline was quick to see the advantage to be gained by +possessing the regard and confidence of this man, who must, +necessarily, know so much that it was desirable to learn of the +life and habits of him, between whom and herself must be waged +a war to the very death.</p> + +<p>She reasoned rapidly, and as rapidly arrived at her conclusions. +The first of those was, that Lucian Davlin, by his intolerance +and unkindness, had fitted a tool to her hand, and she, +therefore, as a preliminary step, must propitiate and win the +confidence of this same tool left by his master within her reach.</p> + +<p>"And will you carry my letter, Henry, and return with an +answer as soon as you can? You will find the person at this +hour without any trouble."<span class='pagenum'><a name="Page_83" id="Page_83">[83]</a></span></p> + +<p>"Master ordered me to attend to your wants," replied the +man, in a somewhat surly tone.</p> + +<p>She understood this somber inflection, and said: "He 'ordered' +you? Yes, I see; is your master always as hard to please as to-day, +Henry? He certainly was a little unkind."</p> + +<p>"He's always the same, madame," said the man, gloomily. +Her words brought vividly before his mind's eye the many instances +of his master's unkindness.</p> + +<p>"I'm sorry he is not kind to you," said the girl, hypocritically. +"And I don't want you to carry this letter because <i>he</i> ordered +you. I want you to do it to oblige <i>me</i>, Henry, and it will make +me always your friend."</p> + +<p>Ah, Henry, one resentful gleam from your eyes, as you stood +behind the chair of your tyrant, has given to this slight girl the +clue by which to sway you to her will. She was smiling upon +him, and the man replied, in gratitude:</p> + +<p>"I'll do anything for you, madame."</p> + +<p>"Thank you, Henry. I was sure I could trust you. Will +you get me some writing material, please?"</p> + +<p>Henry crossed to the handsome davenport, and found it locked. +But when taking this precaution, Davlin overlooked the fact that +Cora's last gift—a little affair intended for the convenience of +travelers, being a combined dressing case and writing desk, the +dividing compartment of which contained an excellent cabinet +photograph of the lady herself, so enshrined as to be the first +thing to greet the eyes of whosoever should open the little receptacle—was +still accessible.</p> + +<p>Failing to open the davenport, Henry turned to this; and +pressing upon the spring lock, exposed to the view of Madeline, +standing near, the pictured face of Cora. Spite of his grievances, +the sense of his duty was strong upon him, and he put himself<span class='pagenum'><a name="Page_84" id="Page_84">[84]</a></span> +between the girl and the object of her interest. Not so quickly +but that she saw, and understood the movement. Stepping to +his side, she put out her hand, saying:</p> + +<p>"What an exquisite picture—Madame Cora, is it not, Henry?"</p> + +<p>She was looking him full in the eyes, and he answered, staring +in astonishment the while: "Yes, miss."</p> + +<p>"She is very handsome," mused the girl, as if to herself: "left +just before my arrival, I think?" she added, at a venture.</p> + +<p>Again her eyes searched his face, and again he gave a surprised +assent.</p> + +<p>"Do you like her, Henry?" questioned she, intent on her purpose.</p> + +<p>"She is just like <i>him</i>," he said, jerking his head grimly, while +his voice took again a resentful tone. "She thinks a man who +is <i>black</i> has no feelings."</p> + +<p>He placed pen, ink and paper on the table as he answered, +and then looked to her inquiringly.</p> + +<p>"You may wait here while I write, if you will," she said, and +took up the pen.</p> + +<p>She had brought away from the G—— House, the two cards +of her would-be friends, and she now consulted them before she +asked.</p> + +<p>"No. 52 —— street; is that far, Henry?"</p> + +<p>"It's a five minutes' walk," he answered. "I can go and +come in twenty minutes, allowing time for an answer."</p> + +<p>"Very good," she said, abruptly, and wrote rapidly:</p> + +<p class="f3"><i>Clarence Vaughan.</i></p> + +<p class="f4">No. 52 —— street.</p> + +<div class="blockquot"><p><span class="smcap">Sir</span>—Having no other friend at hand, I take you at your word. I need +your aid, to rescue me from the power of a bad man. Will you meet +me, with a carriage, at the south corner of this block, in one hour, and<span class='pagenum'><a name="Page_85" id="Page_85">[85]</a></span> +take me to Mrs. Girard, who has offered me a shelter? You <i>know</i> the +danger I wish to escape. Aid me "<i>in the name of your mother</i>."</p></div> + +<p class="f2"><span class="smcap">Madeline "Weir</span>."</p> + +<p>This is what she penned, and looking up she asked: "What +is the number of this place, Henry?"</p> + +<p>"91 Empire block," he replied; "C—— street."</p> + +<p>She added this, and then folding and enclosing, addressed it +to Clarence Vaughan, M. D., etc.</p> + +<p>"There, Henry, take it as quickly as you can; and some day +I will try and reward you."</p> + +<p>She smiled upon him as she gave him the letter. He took it, +bowed low, and hurried away.</p> + +<p>She listened until the sound of his footstep could be heard no +longer. Then rising quickly, she opened the receptacle that held +the portrait of the woman who, though unseen, was still an +enemy. Long she gazed upon the pictured face, and when at +last she closed the case, springing the lock with a sharp click, +she muttered between set teeth:</p> + +<p>"I shall <i>know</i> you when I see you, madame."</p> + +<p>Crossing to the pistol bracket, she took the little weapon in +her hand, and picking up one of the cartridges left by its careless +owner, loaded it carefully. Having done this she placed +the weapon in her pocket.</p> + +<p>She paced to and fro, to and fro; nothing would have been +harder for her than to remain quiet then. Her eyes wandered +often to the tiny bronze clock on the marble above the grate.</p> + +<p>Ten minutes; her letter was delivered, was being answered +perhaps;—fifteen; how slowly the moments were going!—twenty; +what if <i>he</i> should return, too soon? Instinctively she +placed her hand upon the pocket holding the little pistol. +Twenty-five minutes; what if her messenger should fail her?<span class='pagenum'><a name="Page_86" id="Page_86">[86]</a></span> +And that card had clearly stated "office hours three to five." +Twenty-six; oh, how slow, how slow!—twenty-seven; had the +clock stopped? no;—twenty-eight—nine—half an hour.</p> + +<p>Where was Henry?</p> + +<p>She felt a giddiness creeping over her; how close the air was. +Her nerves were at their utmost tension; another strain upon +the sharply strung chords would overcome her. She felt this +vaguely. If she should be baffled now! She could take fresh +heart, could nerve herself anew, if aid came to her, but if <i>he</i> +should come she feared, in her now half frenzied condition, to +be alone, she was so strangely nervous, so weak!</p> + +<p>How plainly she saw it, the face of Clarence Vaughan. Oh, +it was a good face! When she saw it again she could rest. She +had not felt it before, but she did need rest sorely.</p> + +<p>Thirty-five minutes,—oh, they had been hours to her; weary, +weary time!</p> + +<p>How many a sad watcher has reckoned the flying moments as +creeping hours, while sitting lonely, with heavy eyes, trembling +frame, and heart almost bursting with its weight of suspense—waiting.</p> + +<p>Forty minutes—and a footstep in the passage! Her heart +almost stopped beating. It was Henry.</p> + +<p>"I had to wait, as he was busy with a patient," said he, +apologetically, handing her the letter she desired.</p> + +<p>Madeline tore open the missive with eager fingers, and read:</p> + +<p class="f3"><i>Miss Madeline W.</i>:</p> + +<div class="blockquot"><p>Thank you for your faith in me. I will meet you at the place and time +appointed. Do not fail me. Respectfully,</p></div> + +<p class="f2"><span class="smcap">C. Vaughan.</span></p> + +<p>She drew a long breath of relief.</p> + +<p>"Thank you, Henry. Now I shall leave this place; promise<span class='pagenum'><a name="Page_87" id="Page_87">[87]</a></span> +me that you will not tell your master where I went or how. +Will you promise?"</p> + +<p>"I will, miss," said the man, earnestly. "Is this all I can +do?"</p> + +<p>"If you would be my true friend—if I might trust you, +Henry—I would ask more of you. But I should ask you to +work against your master. He has wronged me cruelly, and I +need a friend who can serve me as you can quite easily. I should +not command you as a servant, but ask you to aid me as a true +friend, for I think your heart is whiter than his."</p> + +<p>And Henry was won. Starting forward, he exclaimed:</p> + +<p>"He treats me as if I were a dog; and you, as if I were +white and a gentleman! Let me be your servant, and I will +be very faithful; tell me what I can do."</p> + +<p>"Thank you, Henry; I will trust you. To-morrow, at noon, +call at Dr. Vaughan's office and he will tell you where you can +find me. Then come to me. You can serve me best by remaining +with your master, at present; and I will try, after I +have left this place, to reward you as you deserve."</p> + +<p>"I will obey you, mistress," said the delighted servant. "I +shall be glad to serve where I can hear a kind word. And I +shall be glad to help you settle accounts with <i>him</i>. I will be +there to-morrow, no fear for me."</p> + +<p>She turned, and put on her wrappings with a feeling of exultation. +He would come soon, smiling and triumphant, and +she would not be there! He should fret and wonder, question +and search, but when they met again the power should be on +her side.</p> + +<p>She turned to the waiting servant, saying: "I am ready, +Henry."</p> + +<p>He opened the door as if for a princess. Before Madeline<span class='pagenum'><a name="Page_88" id="Page_88">[88]</a></span> +had lifted her foot from the carpet, her eyes became riveted +upon the open doorway.</p> + +<p>There, smiling and <i>insouciant</i>, stood <i>Lucian Davlin</i>!</p> + +<p>Madeline stood like one in a nightmare, motionless and +speechless. Again, and more powerfully, came over her senses +that insidious, creeping faintness; that sickening of body and +soul together.</p> + +<p>It was not the situation alone, hazardous as it certainly was, +which filled her with this shuddering terror; it was the feeling +that vitality had almost exhausted itself. She suddenly realized +the meaning of the awful lethargy that seemed benumbing her +faculties. The "last straw" was now weighing her down, and, +standing mute and motionless she was putting forth all her will +power to comprehend the situation, grasp and master it.</p> + +<p>Like a dark stone image Henry stood, his hand upon the open +door, his eyes fastened upon the man blocking the way.</p> + +<p>Davlin, whose first thought had been that the open door was +to welcome his approach, realized in an instant as he gazed upon +Madeline, that he was about to be defied. There was no mistaking +the expression of the face, so white and set. He elevated +his eyebrows in an elaborate display of astonishment.</p> + +<p>"Just in time, I should say," removing his hat with mock +courtesy, and stepping across the threshold. "Not going out +without an escort, my dear? Surely not. Really, I owe a debt +of gratitude to my friends down town, for boring me so insufferably, +else I should have missed you, I fear."</p> + +<p>No answer; no change in the face or attitude of the girl before +him.</p> + +<p>"Close that door, sir, and take yourself off," he said, turning +to Henry.</p> + +<p>Remembering her words, "You can serve me best here," +Henry bowed with unusual humility, and went out.</p> + +<p><span class='pagenum'><a name="Page_89" id="Page_89">[89]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_013.jpg" width="400" height="570" alt=""There, smiling and insouciant, stood Lucian Davlin!"—page 88." /> +<span class="caption">"There, smiling and insouciant, stood Lucian Davlin!"—<a href="#Page_88">page 88.</a></span></div> + +<p><span class='pagenum'><a name="Page_90" id="Page_90">[90]</a></span></p> + +<p>"I don't think she is afraid of him," he muttered, as he went +down the hall; "anyhow, I won't be far away, in case she +needs me."</p> + +<p>Lucian Davlin folded his arms with insolent grace, and leaning +lazily against the closed door, gazed, with his wicked half +smile, upon the pale girl before him.</p> + +<p>Thus for a few moments they faced each other, without a +word. At length, she broke the silence. Advancing a step, +she looked him full in the face and said, in a calm, even tone:</p> + +<p>"Open that door, sir, and let me pass."</p> + +<p>"Phew—w—w!" he half whistled, half ejaculated, opening +wide his insolent eyes. "How she commands us; like a little +empress, by Jove! Might the humblest of your adorers be permitted +to ask where you were going, most regal lady?"</p> + +<p>"Not back to the home I left for the sake of a gambler and +<i>roue</i>," she said, bitterly.</p> + +<p>"Oh," thought he, "she has just got her ideas awakened on +this subject: believed me the soul of honor, and all that. Only +a small matter this, after all."</p> + +<p>"Don't call hard names, little woman," he said aloud. "I'm +not such a very bad man, after all. By the way, I shouldn't +have thought it exactly in your line, to order up my servant for examination +in my absence."</p> + +<p>"I am not indebted to your servant for my knowledge concerning +you, sir. I wish to leave this place; stand aside and let +me pass."</p> + +<p>The red flush had returned to her cheeks, the dangerous +sparkle to her eyes; her courage and spirits rose in response to +his sneering pleasantries. Her nerves were tempered like steel. +He little dreamed of the courage, strength and power she could +pit against him.<span class='pagenum'><a name="Page_91" id="Page_91">[91]</a></span></p> + +<p>He dropped one hand carelessly, and inserted it jauntily in his +pocket.</p> + +<p>"Zounds; but you look like a little tigress," he exclaimed, +admiringly. "Really, rage becomes you vastly, but it's wearisome, +after all, my dear. So drop high tragedy, like a sensible +girl, and tell me what is the meaning of this new freak."</p> + +<p>"I will tell you this, sir: I shall leave this place now, and I +wish never to see your face again. Where I go is no concern +of yours. Why I go, I leave to your own imagination."</p> + +<p>"Bravo; what a little actress you would make! But now +for a display of my histrionic talents. Leave this place, against +my will, you can not; and I wish to see your face often, for +many days to come. Where you go I must go, too; and why +you go, is because of a prudish scruple that has no place in the +world you and I will live in."</p> + +<p>"The world <i>you</i> live in is not large enough for me too, Lucian +Davlin. And you and I part, now and forever."</p> + +<p>"Not so fast, little one," he answered, in his softest, most persuasive +tone. "See, I am the same lover you pledged yourself +to only yesterday. I adore you the same as then; I desire to +make you happy just the same. You have put a deep gulf between +yourself and your home; you can not go back; you +would go out from here to meet a worse fate, to fall into worse +hands. Come, dear, put off that frown."</p> + +<p>He made a gesture as if to draw her to him. She sprang +away, and placing herself at a distance, looked at him over a +broad, low-backed chair, saying:</p> + +<p>"Not a step nearer me, sir, and not another word of your +sophistry. I will not remain here. Do you understand me? +<i>I will not!</i>"</p> + +<p>Lucian dragged a chair near the door, and throwing himself<span class='pagenum'><a name="Page_92" id="Page_92">[92]</a></span> +lazily into it, surveyed the enraged girl with a look of mingled +astonishment, amusement, and annoyance.</p> + +<p>"Really, this is rather hard on a fellow's patience, my lady. +Not a step nearer the door, my dear; and no more defiance, if +you please. You perceive I temper my tragedy with a little +politeness," he added, parenthetically. "I will not permit you +to leave me; do you hear me? <i>I will not!</i>"</p> + +<p>His tone of aggressive mockery was maddening to the desperate +girl. It lent her a fresh, last impulse of wild, defiant +energy. There was not the shadow of a fear in her mind or +heart now. The rush of outraged feeling took full possession of +her, and, for a second, deprived her of all power of speech or +action. In another instant she stood before him, her eyes blazing +with wrath, and in her hand, steadfast and surely aimed, a +tiny pistol—his pistol, that he had taught her to load and aim +not two short hours before!</p> + +<p>He was not a coward, this man; and rage at being thus +baffled and placed at a disadvantage by his own weapon, drove +all the mockery from his face.</p> + +<p>He gave a sudden bound.</p> + +<p>There was a flash, a sharp report, and Lucian Davlin reeled +for a moment, his right arm hanging helpless and bleeding. +Only for a moment, for as the girl sprang past him, he wheeled +about, seized her with his strong left arm, and holding her close +to him in a vice-like clutch, hissed, while the ghastly paleness +caused by the flowing blood overspread his face:</p> + +<p>"Little demon! I will kill you before I will lose you now! +You—shall—not—esca—"</p> + +<p>A deathly faintness overcame him, and he fell heavily; still +clasping the girl, now senseless like himself.</p> + +<p><span class='pagenum'><a name="Page_93" id="Page_93">[93]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_014.jpg" width="400" height="562" alt=""In her hand, steadfast and +surely aimed, a tiny pistol—"—page 92." /> +<span class="caption">"In her hand, steadfast and +surely aimed, a tiny pistol—"—<a href="#Page_92">page 92.</a></span></div> + +<p>Hearing the pistol shot, and almost simultaneously a heavy +<span class='pagenum'><a name="Page_94" id="Page_94">[94]</a></span>fall, Henry hurried through the long passage and threw open +the door. One glance sufficed, and then he rushed down the +stairs in frantic haste.</p> + +<p>Meantime, Clarence Vaughan, punctual to the time appointed, +had driven rapidly to the spot designated by Madeline. He +was about to alight from the carriage, when he drew back suddenly, +and sat in the shadow as a man passed up the street.</p> + +<p>It was Lucian Davlin, and he entered the building bearing +the number Madeline had given in her note.</p> + +<p>Instantly Vaughan comprehended the situation. She had +sent for aid in this man's absence, and his return might frustrate +her plans. Pondering upon the best course to pursue, he descended +from the carriage, and paced the length of the block. +Turning in his promenade, his ear was greeted by a pistol shot. +Could it come from that building? It sounded from there certainly. +It was now five minutes past the time appointed; could +it be there was foul play? He paused at the foot of the stairs, +irresolute.</p> + +<p>Suddenly there was a rush of feet, and Henry came flying +down, the whites of his eyes looking as if they would never resume +their natural proportions. Clarence intercepted the man +as he essayed to pass, evidently without having seen him.</p> + +<p>"Oh, sir!—Oh, doctor, come right up stairs, quick, sir," he +exclaimed.</p> + +<p>"Was that shot from here, my man?" inquired Doctor +Vaughan, as he followed up the stairs.</p> + +<p>"Yes, sir," hurrying on.</p> + +<p>"Any people in the building besides your master and the lady?"</p> + +<p>"No, sir; not at this time. This way, sir."</p> + +<p>He threw open the door and stepped back. Entering the +room, this is what Clarence Vaughan saw:<span class='pagenum'><a name="Page_95" id="Page_95">[95]</a></span></p> + +<p>Lying upon the floor in a pool of blood, the splendid form of +Lucian Davlin, one arm dripping the red life fluid, the other +clasping close the form of a beautiful girl. His eyes were closed +and his face pallid as the dead. The eyes of the girl were staring +wide and set, her face expressing unutterable fear and horror, +every muscle rigid as if in a struggle still. One hand was +clenched, and thrown out as if to ward off that death-like grasp, +while the other clutched a pistol, still warm and smelling of +powder.</p> + +<p>It was the work of a moment to stop the flow of blood, and +restore the wounded man to consciousness. But first he had removed +the insensible girl from Davlin's grasp, laid her upon a +bed in the inner room and, removing the fatal weapon from her +hand, instructed Henry how to apply the remedies a skilful surgeon +has always about him, especially in the city.</p> + +<p>At the first sure symptoms of slowly returning life, Doctor +Vaughan summoned Henry to look after his master, whom he +left, with rather unprofessional alacrity, to attend to the fair patient +in whose welfare he felt so much interest. As he bent over +the still unconscious girl, his face was shadowed with troubled +thought. She was in no common faint, and feeling fully +assured what the result would be, he almost feared to see the first +fluttering return of life.</p> + +<p>At last a shudder agitated her form, and looking up with just +a gleam of recognition, she passed into another swoon, thence +to another. Through long weary hours she only opened her +eyes to close them, blinded with the vision of unutterable woe; +and so the long night wore away.</p> + +<p>Dr. Vaughan had given brief, stern orders, in accordance with +which Lucian Davlin had entrusted his wound to another surgeon +for dressing, and then, still in obedience to orders, had swallowed<span class='pagenum'><a name="Page_96" id="Page_96">[96]</a></span> +a soothing potion and betaken himself to other apartments.</p> + +<p>Henry had summoned a trusty nurse well known to Clarence +Vaughan, to assist him at the bedside of Madeline.</p> + +<p>In the gray of morning, pallid and interesting, with his arm +in a sling, Lucian reappeared in the sick room. Evidently he +had not employed all of the intervening time in slumber, for his +course of action seemed to have been fully matured.</p> + +<p>"She won't be able to leave here for many days, I should fancy?" +he half inquired in a low tone, sinking languidly into a sleepy-hollow, +commanding a view of the face of the patient, and the +back of the physician.</p> + +<p>"Not alive," was the brief but significant answer.</p> + +<p>"Not alive! Great heavens, doctor, don't tell me that my +miserable accident will cost the little girl her life!"</p> + +<p>"Ah! your accident: how was that?" bending over Madeline.</p> + +<p>"Why, you see," explained Davlin, "She picked up the +pistol, and not being acquainted with the use of fire-arms, desired +to investigate under my instructions. Having loaded it, +explaining the process by illustration, she, being timid, begged +me to put it up. Laughing at her fear, I was about to obey, +when moving around carelessly, my hand came in contact with +that chair, setting the thing off. The sight of my bleeding arm +frightened her so that I saw she was about to faint. As I caught +her I myself lost consciousness, and we fell together. But how +will she come out, doctor? tell me that; poor little girl!"</p> + +<p>"She will come out from this trance soon, to die almost immediately, +or to pass through a fever stage that may result fatally +later. Her bodily condition is one of unusual prostration from +fatigue; and evidently, she has been sustaining some undue excitement +for a considerable time."</p> + +<p>"Been traveling, and pretty well tired with the journey.<span class='pagenum'><a name="Page_97" id="Page_97">[97]</a></span> +That, I suppose, taken with this pistol affair—but tell me, doctor, +what she will need, so that I may attend to it immediately."</p> + +<p>"If she is living at noon," said Dr. Vaughan, reflectively, "it +will be out of the question to remove her from here, without +risking her life for weeks to come. If she comes out of this, and +you will leave her in my hands, I will, with the aid of this good +woman," nodding toward the nurse, "undertake to pull her +through. It will be necessary that she have perfect quiet, and +sees no face that might in any manner excite her, during her illness +and convalescence."</p> + +<p>Davlin mused for a few moments before making answer. He +did not care to excite remark by calling in unnecessary attendants. +Dr. Vaughan he knew by reputation as a skilful physician. +As well trust him as another, he thought, and it was no +part of his plan to let this girl die if skill could save her.</p> + +<p>In answer to his natural inquiry as to how the doctor was so +speedily on the spot when needed, Henry had truthfully replied +that he knew the medical man by sight, and that, fortunately, he +was passing when he ran down to the street for assistance. Davlin +was further convinced that he, Henry, knew nothing save that +the young lady rang for him to show her out, and he, according +to orders, had obeyed.</p> + +<p>"Well, sir," Davlin said, at last, "I shall leave the lady and +the premises entirely in your hands, as soon as the crisis has +passed. Then, as my presence might not prove beneficial, +while I carry this arm in a sling, at least, I will run down into +the country for a few days. My man, here, is entirely at your +disposal. Don't spare any pains to pull her through safely, +doctor. I will look in again at noon."</p> + +<p>He rose and went softly out of the room, the doctor having +answered him only by a nod of assent.<span class='pagenum'><a name="Page_98" id="Page_98">[98]</a></span></p> + +<p>"Zounds, how weak I feel," he ejaculated. "I hope the girl +won't die. Anyhow, I have no notion of figuring at a death-bed +scene. So I'll just keep myself out of the way until the +thing is decided. Then, I'll run down and let Cora coddle +me up a bit. I can explain my wounded arm as the result of +a little affair at the card-table."</p> + +<p>Noon came, and slowly, slowly, stern Death relaxed his grasp +upon the miserable girl, for Death, like man, finds no satisfaction +in claiming willing victims. Slowly the life fluttered back +to her heart; and because Death had yielded her up, and to retain +it would be to lose her life, reason forsook her.</p> + +<p>Under the watchful care of the skilled nurse, and the ministrations +of the young physician, she now lay tossing in the delirium +of fever.</p> + +<p>Nothing worse to fear, for days at least, reported the doctor. +So the afternoon train bore Lucian Davlin away from the +city and his victim, to seek repose and diversion in the society of +his comrade, Cora.</p> + +<p>"She will come out of this now, I think," he muttered. +"Then—Oh! I'll tame your proud spirit yet, my lady! I +would not give you up now for half a million."</p> + +<p>And he meant it.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_VIII" id="CHAPTER_VIII"></a>CHAPTER VIII.</h2> + +<h2>THREADS OF THE FABRIC.</h2> + + +<p>What had become of Madeline Payne?</p> + +<p>The question went the round of the village, as such questions do. +The servants of Oakley fed upon it. They held secret conferences<span class='pagenum'><a name="Page_99" id="Page_99">[99]</a></span> +in the kitchen, and grew loud and argumentative when +they knew John Arthur was safely out of hearing. They bore +themselves with an air of subdued, unobservant melancholy in +his presence, and waxed important, mysterious and unsatisfactory, +when in converse with the towns folk—as was quite right +and proper, for were they not, in the eyes of mystery hunters, +objects of curiosity secondary only to their master himself?</p> + +<p>The somber-faced old housekeeper gave utterance to a doleful +croak or two, and a more doleful prophecy. But after a summons +from John Arthur, and a brief interview with him in the +closely shut sacredness of his especial den, not even the social intercourse +of the kitchen and the inspiration that the prolonged +absence of the master always lent to things below stairs, could +beguile from her anything beyond the terse statement that "she +didn't meddle with her master's affairs," and she "s'posed Miss +Madeline knew where she was."</p> + +<p>The housemaid, who read novels and was rather fond of Miss +Payne, grieved for a very little while, but found in this "visitation +of providence," as John Arthur piously termed it, food for +romance weaving on her own responsibility. She entertained +Peter, the groom, coachman and general factotum, with divers +suggestions and suppositions, each more soul harrowing than the +last, making of poor Madeline a lay figure upon which she fitted +all the catastrophes that had ever befallen her yellow-covered +"heroinesses."</p> + +<p>The villagers talked. It was all they could do, and their +tongues were very busy for a time until, in fact, a fresher sensation +arrived. Nurse Hagar was viewed and interviewed; but +beyond sincere expression of grief at her disappearance, and the +unvarying statement that she had not even the slightest conjecture +as to the fate of the lost girl, nothing could be gained from her.<span class='pagenum'><a name="Page_100" id="Page_100">[100]</a></span></p> + +<p>Hagar was somewhat given to rather bluntly spoken opinions +of folk who happened to run counter to her notions in regard to +prying, or, in fact, her notions on any subject. In the present +emergency she became a veritable social hedgehog, and was soon +left to solitude and her own devices.</p> + +<p>Whatever were Hagar's opinions on the subject, she kept them +discreetly locked within her own breast. She had received, at +their last interview, a revelation of the depth and force of character +which lay dormant in the nature of Madeline; and she +believed, even when she grieved most, that the girl would return, +and that when she came she would make her advent felt.</p> + +<p>John Arthur went to the city "to put the matter in the hands +of the detectives," he said. But as he most fervently hoped and +wished that he had seen the last of his "stumbling—block," and +believed that of her own will she would not return, it is hardly +to be supposed that the Secret Service was severely taxed.</p> + +<p>Be this as it may, the Summer days passed and he heard +nothing of Madeline.</p> + +<hr style='width: 45%;' /> + +<p>Meantime, the neat little hotel that rejoiced in the name of +the Bellair House, displayed on a fresh page of its register the +signature of Lucian Davlin once more, and underneath it that +of Mrs. C. Torrance.</p> + +<p>Mrs. C. Torrance was a blonde young widow, dressed in weeds +of most elegant quality and latest style, with just the faintest +hint of an approaching season of half mourning.</p> + +<p>Mrs. Torrance had now been an inmate of Bellair House +some days, and she certainly had no reason to complain that her +present outlook was not all that could be desired. Already she +had met the object of her little masquerade, and it was charming +to see the alacrity with which John Arthur placed himself in<span class='pagenum'><a name="Page_101" id="Page_101">[101]</a></span> +the snare set for him by these plotters, and how gracefully he +submitted as the cords tightened around him.</p> + +<p>Over and over again Davlin thanked his lucky star for having +so ordered his goings that, on his previous visit, he had never +been brought into immediate contact with John Arthur. Over +and again he congratulated himself that his meetings with Madeline +had been kept their own secret, for he knew nothing of the +watchful, jealous eyes of old Hagar.</p> + +<p>On a fine summer morning, or rather "forenoon," for Mrs. +Torrance was a luxurious widow, and her "brother," Mr. +Davlin, not at all enamored of early rising,—on a fine forenoon, +then, the pair sat in the little hotel parlor, partaking of breakfast. +They relished it, too, if one might judge from the occasional +pretty little ejaculations, expressive of enjoyment and appreciation, +that fell from the lips of the widow.</p> + +<p>"More cream, monsieur? Oh, but this fruit is delicious! +And I believe there is a grand difference in the qualities of city +and country cream."</p> + +<p>"The difference in the favor of the country living, eh? I say, +Co., don't you think your appetite is rather better than is exactly +expected, or in order, for a widow in the second stage of +her grief?"</p> + +<p>Things were moving just now as Mr. Davlin approved, and +he felt inclined to be jocular.</p> + +<p>Cora laughed merrily. Then holding up a pretty, berry-stained +hand, she said, with mock solemnity, "That is the last, +my greatly shocked brother. But didn't you inform Mr. Arthur +that we should accept of his kind offer to survey the woods +and grounds of Oakley in his company, and isn't this the day, +and almost the hour?"</p> + +<p>"So it is; I had forgotten."<span class='pagenum'><a name="Page_102" id="Page_102">[102]</a></span></p> + +<p>It was not long before the pair were equipped, and sauntering +slowly in the direction of the Oakley estate.</p> + +<p>Their morning's enterprise was more than rewarded, and the +cause of the widow was in a fair way to victory, when, after having +politely refused to lunch with Mr. Arthur on that day, and +gracefully promised to dine at Oakley on the next day but one, +they bade adieu to that flattered and fascinated gentleman, and +left him at the entrance of his grounds.</p> + +<p>Then they sauntered slowly back, keeping to the wooded path. +Arriving at the fallen tree, the scene of so many interviews between +Madeline and Lucian, Cora seated herself on the mossy +trunk and announced her determination to rest.</p> + +<p>Accordingly her escort threw himself upon the soft grass, and +betook himself to his inevitable cigar, while he closed his eyes +and allowed the vision of Madeline to occupy the place now +usurped by Cora. Very absorbing the vision must have been, for +he gave an almost nervous start as Cora's voice broke the stillness:</p> + +<p>"Lucian, did you ever see this runaway daughter of Mr. +Arthur's?"</p> + +<p>Lucian started unmistakably now. Then he employed himself +in pulling up tufts of the soft grass, pretending not to have +heard.</p> + +<p>"Lucian!" impatiently.</p> + +<p>"Eh, Co., what is it?" affecting a yawn.</p> + +<p>"I ask, did you ever see this Madeline Payne, who ran away +recently?"</p> + +<p>"I? Oh, no. Old fellow always kept her shut up too close, +I fancy. They say she was pretty, and you are the first pretty +woman I have seen in these parts, Co."</p> + +<p><span class='pagenum'><a name="Page_103" id="Page_103">[103]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_015.jpg" width="400" height="565" alt=""More cream, Monsieur?"—page 101." /> +<span class="caption">"More cream, Monsieur?"—<a href="#Page_101">page 101.</a></span></div> + +<p>"Well, then, I'm sorry you didn't," quoth Cora, "for from +<span class='pagenum'><a name="Page_104" id="Page_104">[104]</a></span>motives of delicacy I really don't care to inquire of others, and I +have just curiosity enough to wish to know how she looked."</p> + +<p>"Sorry I can't enlighten you, Co. Get it all out of the old +fellow after the joyful event."</p> + +<p>"Umph! Well, <i>that</i> business prospers, <i>mon brave</i>. We shall +win, I think, as usual."</p> + +<p>"Yes; and never easier, Co."</p> + +<p>"Well, I don't anticipate much trouble in landing our fish. +But come along, Lucian, this romantic dell might make you forget +luncheon; it can't have that effect on me."</p> + +<p>Cora gathered her draperies about her, and prepared to quit +the little grove, her companion following half reluctantly.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_IX" id="CHAPTER_IX"></a>CHAPTER IX.</h2> + +<h2>GONE!</h2> + + +<p>Hours that seemed days; days that seemed years; weeks that +seemed centuries; yet they all passed, and Madeline Payne scarce +knew, when they were actually gone, that they were not all a +dream.</p> + +<p>Life, after that first yielding of heart and brain, had been a +delirium; then a conscious torture of mind and body; next a +burden almost too great to bear; and then a dreamy lethargy. +Heaven be praised for such moods; they are saviors of life and +reason in crises such as this through which the stricken girl was +passing.</p> + +<p>Madness had wrought upon her, and her ravings had revealed +some otherwise dark places and blanks in her story to her guardian<span class='pagenum'><a name="Page_105" id="Page_105">[105]</a></span> +and nurses. Pain had tortured her. Death wrestled with +her, and then, because he could inspire her with no fear of him, +because she mocked at his terrors and wooed him, fled away.</p> + +<p>In his place came Life, to whom she gave no welcoming smile. +But Life stayed, for Life is as regardless of our wishes as is +Death.</p> + +<p>Forms had hovered about her; kindly voices, sweet voices, +had murmured at her bedside. At times, an angel had held the +cooling draught to her thirsty lips. At last these dream-creatures +resolved themselves into realities:</p> + +<p>Doctor Vaughan, who had ministered to her with the solicitude +of a brother, the gentleness of a woman, and the goodness +of an angel.</p> + +<p>Olive Girard who, leaving all other cares, was ever at her +bedside, and who came to that place at a sacrifice of feeling, after +a wrestling with pride, bringing a bitterness of memory, and a +patient courage of heart, that the girl could not then realize.</p> + +<p>Henry, too, black of skin, warm of heart; who waited in the +outer court, and seemed to allow himself full and free respiration +only when the girl was pronounced out of danger.</p> + +<p>Out of danger! What a misapplication of words!</p> + +<p>From the scene of conflict, at the last flutter of Death's gloomy +mantle, comes the man of medicine; watch in hand, boots a +tiptoe, face grave but triumphant. His voice bids a subdued +farewell to the somberness proper to a probable death-bed, coming +up just a note higher in the scale of solemnities, as it announces +to the eager, trembling, waiting ones,</p> + +<p>"<i>The danger is past!</i>"</p> + +<p>Death, the calm, the restful, the never weary; Death, the +friend of long suffering, and world weariness and despair; Death, +the rescuer, the sometime comforter—has gone away with empty<span class='pagenum'><a name="Page_106" id="Page_106">[106]</a></span> +arms and reluctant tread, and—Life, flushed, triumphant, seizes +his rescued subject and flings her out into the sea of human +lives, perchance to alight upon some tiny green islet or, likelier +yet, to buffet about among black waters, or encounter winds and +storms, upheld only by a half-wrecked raft or floated by a +scarce-supporting spar.</p> + +<p>And she is out of danger!</p> + +<p>Hedged around about by sorrow, assailed by temptation, overshadowed +by sin. And, "the danger is over!"</p> + +<p>Buffeted by the waves of adversity; longing for things out of +reach; running after <i>ignis fatui</i> with eager outstretched hands, +and careless, hurrying feet, among pitfalls and snares. And, out +of danger!</p> + +<p>Open your eyes, Madeline Payne; lift up your voice in +thanksgiving; you have come back to the world. Back where +the sun shines and the dew falls; where the flowers are shedding +their perfume and song birds are making glad music; +where men make merry and women smile; where gold shapes +itself into palaces and fame wreathes crowns for fair and noble +brows; where beauty crowns valor and valor kisses the lips of +beauty. And where the rivers sparkle in the sunlight, and, +sometimes, yield up from their embrace cold, dripping, dead +things, that yet bear the semblance of your kind—all that is left +of beings that were once like you!</p> + +<p>Out of danger!</p> + +<p>Where want, and poverty, and—God help us!—vice, hide +their heads in dim alleys and under smoky garret roofs. Where +beaten mothers and starving children dare hardly aspire to the +pure air and sunlight, the whole world for them being enshrined +in a crust of bread. Where thieves mount upwards on ladders +beaten from pilfered gold, and command cities and sway nations.<span class='pagenum'><a name="Page_107" id="Page_107">[107]</a></span> +Where wantonness laughs and thrives in gilded cages, and +starves and dies in mouldy cellars.</p> + +<p>Out of danger!</p> + +<p>Madeline, the place that was almost yours, in the land of the +unknowable, is given to another. The waters of death have +cast you back upon the shores of the living. You are "out of +danger!"</p> + +<p>What was to become of Madeline, now that they had brought +her back to life? This was a question which occurred to the two +who so kindly interested themselves in the fate of the unknown +and headstrong girl.</p> + +<p>While they planned a little, as was only natural, yet they +knew from what they had seen of their charge that, decide for +her how they would, only so far as that decision corresponded +with her own inclinations would she abide by it. So they left +Madeline's future for Madeline to decide, and found occupation +for their kindliness in ministering to her needs of the +present.</p> + +<p>Once during her illness, and just as the light of reason had +returned to the lovely hazel eyes, Lucian Davlin came. But +he found the door of the sick chamber closely shut and closely +guarded. The slightest shock to her nerves would be fatal +now,—they told him. And he, having done the proper thing, +as he termed it, and not being in any way fond of the sight of +pain and pallor, yielded with a graceful simulation of reluctance. +Having been assured that with careful nursing, there +was nothing to fear, he deposited a check on his bankers in the +hands of her attendants, and went away contentedly, smiling +under his mustache at the novelty of being turned away from +his own door.</p> + +<p>He went back to Bellair, to Cora, and to the web they were<span class='pagenum'><a name="Page_108" id="Page_108">[108]</a></span> +weaving, little dreaming whose hands would take up the thread +and continue and complete what they had thus begun.</p> + +<p>And now the day has come for Madeline to leave the shelter +that she hates. Pale and weak, she sits in the great easy chair +that had served as a barrier between herself and her enemy, and +converses with Olive Girard while they await the arrival of +Clarence Vaughan, who is to take them from the place so distasteful +to all three.</p> + +<p>It has been settled that, for the present, Madeline will be the +guest of Olive. What will come after health and strength are +fully restored, they have not discussed much. Olive Girard and +Doctor Vaughan had agreed that all thoughts of the future +must bring a grief and care with them, and the mind of the invalid +was in no condition for painful thought and study. So +Olive has been careful to avoid all topics that might bring her +troubles too vividly to mind.</p> + +<p>But partly to divert Madeline's mind from her own woes, +partly to enable the unfortunate girl to feel less a stranger among +them, she has talked to her of Doctor Vaughan, of her sister, and +at last of herself.</p> + +<p>And Madeline has listened to her description of merry, lovely +Claire Keith, and wondered what she could have in common +with this buoyant, care-free girl, who was evidently her sister's +idol. Yet she found herself thinking often of Olive's beautiful +sister. Once, in the brief absence of Olive, she had said to +Doctor Vaughan:</p> + +<p>"Mrs. Girard has told me of her sister; is she very lovely? +And do you know her well?"</p> + +<p>"She is very fair, and sweet, and good. You will love her +when you know her, and I think you will be friends."</p> + +<p><span class='pagenum'><a name="Page_109" id="Page_109">[109]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_016.jpg" width="400" height="564" alt=""Pale and weak, she sits in the +great easy chair."—page 108." /> +<span class="caption">"Pale and weak, she sits in the +great easy chair."—<a href="#Page_108">page 108.</a></span></div> + +<p>She had not needed this; the tell-tale eye was sufficient to +<span class='pagenum'><a name="Page_110" id="Page_110">[110]</a></span>reveal the fact that it was not, as she had at first supposed, Olive +Girard, but the younger sister, whom Clarence Vaughan loved.</p> + +<p>"I might have known," she murmured to herself. "Olive +Girard has the face of one whose love dream has passed away +and lost itself in sorrow; and he looks, full of strength and hope, +straight into the future."</p> + +<p>As they sat together waiting, there was still that same contrast, +which you felt rather than saw, between these two. They +might have posed as the models of Resignation and Unrest.</p> + +<p>The look of patient waiting was five years old upon the face +of Olive Girard. Five years ago she had been so happy—a +bride, beautiful and beloved. Beautiful she was still—with +the beauty of shadow; beloved too, but how sadly! Philip +Girard had been convicted of a great crime, and for five long +years had worn a felon's garb, and borne the anguish of one set +apart from all the world.</p> + +<p>The hand that had darkened the life of Olive Girard, and the +hand that had turned the young days of the girl Madeline into +a burden, was one and the same.</p> + +<p>Afterwards Madeline listened to the pathetic history of Olive's +sorrow.</p> + +<p>Sitting in that great lounging chair, Madeline looked very fair, +very childlike. Sadly sweet were her large, deep eyes, and her +hair, shorn while the fever raged, clustered in soft tiny rings +about her slender, snowy neck and blue-veined temples. She +had not been permitted to talk much during her convalescence, +and Olive had as yet gleaned only a general outline of her story.</p> + +<p>"Mrs. Girard," said the girl, resting her pale cheek in the +palm of a thin, tiny hand, "you once said something to me about—about +some one who had been wronged by—" Something +sadder than tears choked her utterance.<span class='pagenum'><a name="Page_111" id="Page_111">[111]</a></span></p> + +<p>As Olive turned her grave clear eyes away from the window, +and fixed them in expectation upon her; Madeline's own eyes +fell. She sat before her benefactress with downcast lids, and +the hateful name unuttered.</p> + +<p>"I know," said Olive, after a brief silence; "I referred to a +girl now lying in the hospital. She is very young, and has been +cruelly wronged by him. She is poor, as you may judge, and +earned her living in the ballet at the theater. She was thrown +from a carriage which had been furnished her by <i>him</i>, to carry +her home from some rendezvous—of course the driver took care +of himself and his horses. The poor girl was picked up and +carried to the hospital. She was without friends and almost +penniless. She sent to him—for him; he returned no answer. +She begged for help, for enough to enable her to obtain what +was needed in her illness. Message after message was sent, and +finally a reply came, brought by a messenger who had been +bidden to insist upon receiving an answer. The servant said +that his master had directed him to say to any messenger who +called, that he was out of town."</p> + +<p>"The wretch! He deserves death!"</p> + +<p>Madeline's eyes blazed, and she lifted her head with some of +her olden energy.</p> + +<p>"Softly, my dear: 'Thou shalt do no murder.'"</p> + +<p>"It is not murder to kill a human tiger!"</p> + +<p>Olive made no answer.</p> + +<p>"Is she still very ill, this girl?" questioned Madeline.</p> + +<p>"She can not recover."</p> + +<p>"Shall I see her?"</p> + +<p>"If you wish to; do you?"</p> + +<p>"Yes."</p> + +<p>Another long pause; then Madeline glanced up at her friend,<span class='pagenum'><a name="Page_112" id="Page_112">[112]</a></span> +and said listlessly: "What do you intend to do with me?"</p> + +<p>"Do with you?" smiling at her. "Make you well again, +and then try and coax you to be my other sister. Don't you +think I need one?"</p> + +<p>No answer.</p> + +<p>"Life has much in store for you yet, Madeline."</p> + +<p>"Yes;" bitterly again.</p> + +<p>"You are so young."</p> + +<p>"And so old."</p> + +<p>"Madeline, you are too young for somber thoughts and repining."</p> + +<p>"I shall not repine."</p> + +<p>"Good! You will try to forget?"</p> + +<p>"Impossible!"</p> + +<p>"No; not impossible."</p> + +<p>"I do not wish to, then."</p> + +<p>"And why?"</p> + +<p>"Wait and see."</p> + +<p>"Madeline, you will do nothing rash? You will trust me, +and confide in me?"</p> + +<p>The girl raised her eyes slowly, in surprise. "I have not so +many friends that I can afford to lose one."</p> + +<p>"Thank you, dear; then we will let the subject drop until we +are stronger. And here is the carriage, and Doctor Vaughan."</p> + +<p>Out into the sunny Summer morning went Madeline, and +soon she was established in a lovely little room which, Olive +said, was hers so long as she could be persuaded to occupy it. +Here the girl rested and, ministered unto by gentle hands, she +felt life coming back.</p> + +<hr style='width: 45%;' /> + +<p>And Lucian?<span class='pagenum'><a name="Page_113" id="Page_113">[113]</a></span></p> + +<p>Late in the afternoon of the day that saw Madeline depart +from his elegant rooms, Mr. Davlin arrived, and found no one +to deny him admittance. All the doors stood ajar, and Henry +was flitting about with an air of putting things to rights. The +bird had flown.</p> + +<p>He gained from Henry the following: "I don't know, sir, +where she went. A gentleman came with a carriage, and the +young lady and the nurse went away with him."</p> + +<p>Lucian was not aware what manner of nurse Madeline had +had in her illness. And Henry, having purposely misled him, +enjoyed his discomfiture.</p> + +<p>"She told me to give you this, sir," said he, handing his master +a little package.</p> + +<p>Tearing off the wrapper, Lucian held in his hand the little +pistol that had inflicted upon him the wounded arm. From its +mouth he drew a scrap of paper, and this is what it said:</p> + +<div class="blockquot"><p>When next we meet, I shall have other weapons!</p></div> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_X" id="CHAPTER_X"></a>CHAPTER X.</h2> + +<h2>BONNIE, BEWITCHING CLAIRE.</h2> + + +<p>Four months. We find Madeline standing in the late Autumn +sunset, "clothed and in her right mind," strong with the strength +of youth, and beautiful with even more than her olden beauty.</p> + +<p>Fair is the prospect as seen from the grounds of Mrs. Girard's +suburban villa, and so, perhaps, Claire Keith is thinking.</p> + +<p>She is looking down the level road, and at the trees on either +hand, decked in all their October magnificence of scarlet and<span class='pagenum'><a name="Page_114" id="Page_114">[114]</a></span> +brown and gold, half concealing coquettish villas and more +stately residences.</p> + +<p>The eyes of Madeline were turned away from the vista of +villas and trees, and were gazing toward the business thoroughfare +leading into the bustle of the town; gazing after the receding +figure of Doctor Clarence Vaughan as he cantered away from +the villa; gazing until a turn of the road hid him from her +view. Then—and what did she mean by it?—she turned her +face toward Claire with a questioning look in her eyes—the +question came almost to her lips. But the words were repressed.</p> + +<p>Bonnie Clair was thinking of anything but Clarence Vaughan +just then. Presently she turned a bright glance upon her companion, +who was gathering clusters of the fallen maple leaves, +with face half averted.</p> + +<p>"A kiss for your thoughts, beautiful blonde Madeline. I certainly +think it is ten minutes since Doctor Vaughan departed +and silence fell upon us."</p> + +<p>She bent down, and taking her companion's head between two +dimpled hands, pulled it back, until she could look into the +solemn brown eyes.</p> + +<p>"Come, now," coaxingly, "what were you thinking?"</p> + +<p>Madeline extricated herself from Claire's playful grasp, and +replied with a half laugh: "It must be mutual confession then, +you small highwayman; how do you like my terms?"</p> + +<p>"Only so so," flushing and laughing. "I was meditating the +propriety of telling you something some day, and was thinking +of that something just now, but—"</p> + +<p>"But," mimicked Madeline, with half-hearted playfulness; +"what will you give me to relieve your embarrassment, and guess?"</p> + +<p>"You can't," emphatically.</p> + +<p><span class='pagenum'><a name="Page_115" id="Page_115">[115]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_017.jpg" width="400" height="564" alt=""When next we meet, I shall have other weapons!"—page 113." /> +<span class="caption">"When next we meet, I shall have other weapons!"—<a href="#Page_113">page 113.</a></span></div> +<p><span class='pagenum'><a name="Page_116" id="Page_116">[116]</a></span></p> + +<p>"Can't I? We will see. My dear, I fear you have left a +little corner of your heart behind you in far-away Baltimore. +You didn't come to pay your annual visit to your sister, quite +heart free."</p> + +<p>Anyone wishing to gain an insight into the character of Claire +Keith might have taken a long step in that direction could he +have witnessed her reception of this unexpected shot. She +opened her dark eyes in comic amazement, and dropping into a +garden chair, exclaimed, with a look of frank inquiry:</p> + +<p>"Now, how ever could you guess that?"</p> + +<p>"Because," said Madeline, in a constrained voice, and with all +the laughter fading from her eyes; "Because, I know the symptoms."</p> + +<p>"I see," dropping her voice suddenly. "Oh, Madeline, how +I wish you could forget <i>that</i>."</p> + +<p>"Why should I forget my love dream," scornfully, "any +more than you yours?"</p> + +<p>"Oh, Madeline; but you said you had ceased to care for him; +that you should never mourn his loss."</p> + +<p>"<i>Mourn his loss!</i>" turning upon Claire, fiercely. "Do you +think it is for him I mourn my <i>dead</i>; my lost happiness, my +shattered dreams, my life made a bitter, burdensome thing. +Mourn him? I have for Lucian Davlin but one feeling—hate!"</p> + +<p>Madeline, as she uttered these last words, had turned upon +Claire a face whose fierce intensity of expression was startling. +For a moment the two gazed into each other's eyes—the one +with curling lip and somber, menacing glance, the other with a +startled face as if she read something new and to be feared, in +the eye of her friend.</p> + +<p>Claire had been an inmate of her sister's house for four weeks. +When first she arrived, she had heard Madeline's story, at<span class='pagenum'><a name="Page_117" id="Page_117">[117]</a></span> +Madeline's request, from the lips of her sister Olive, and now +the girls were fast friends. Generous Claire had found much to +wonder at, to pity and to love, in the story and the character of +the unfortunate girl. Possessing a frank, sunshiny nature, and +never having known an actual grief, she could lavish sweet sympathy +to one afflicted. But she could not conceive what it +would be like to live on when faith had perished and hope was +a mockery. She had never known, therefore never missed, +a father's love and care. Indeed, he who filled the place of +father and guardian, her mother's second husband, was all that +a real parent could be. Claire seldom remembered that Mr. +James Keith was not her father, and very few, except the +family of Keith, knew that "Miss Claire Keith, daughter of +the rich James Keith, of Baltimore," was in truth only a step-daughter.</p> + +<p>Mrs. Keith, whose first husband was Richard Keith, cashier +in his wealthy cousin's banking house, had buried that husband +when Olive was five years old, and baby Claire scarce able to +lisp his name. In a little less than two years she had married +James Keith, the banker-cousin, and shortly after the marriage, +James Keith had transferred his business interests to Baltimore, +and there remained.</p> + +<p>So Claire's baby brothers had never been told that she was +not their "very own" sister, for of Olive they knew little, her +marriage having separated them at first, and subsequently her +obdurate acceptance of the consequences of that marriage.</p> + +<p>When the law pronounced her husband a criminal, Mr. Keith +had commanded Olive to abandon both husband and home, and +return to his protection. This, true-hearted Olive refused to do. +Her step-father, enraged at her obstinacy in clinging to a man +who had been forsaken by all the world beside, bade her choose<span class='pagenum'><a name="Page_118" id="Page_118">[118]</a></span> +between them. Either she must let the law finish its work of +breaking Philip Girard's heart by setting her free, or she must +accept the consequences of remaining the wife of a criminal.</p> + +<p>Olive chose the latter, and thenceforth remained in her own +lonely home, never even once visiting the place of her childhood.</p> + +<p>"He called my husband a criminal," she said, "and I will +never cross his threshold until he has had cause to withdraw +those words."</p> + +<p>Claire, however, announced her intention of visiting her sister +whenever she chose, and she succeeded, in part, in carrying out +her will, for every year she passed two months or more with +Olive.</p> + +<p>What a picture the two girls now made, standing face to face.</p> + +<p>Madeline, with her lithe grace of form, her pure pale complexion +lit up by those fathomless brown eyes, and rendering +more noticeable and beautiful the tiny rosy mouth, with its satellite +dimples; with such wee white, blue-veined hands, and such +a clear ringing, yet marvelously sweet voice. Madeline was very +beautiful, and Claire, as she looked at her, wondered how any +man could bear to lose such loveliness, or have the heart to betray +it; as if ever pure woman could fathom the depth of a bad +man's wickedness.</p> + +<p>Bonnie, bewitching Claire! Never was contrast more perfect. +A scarf, like scarlet flame, flung about her shoulders, set off the +richness of her clear brunette skin, through which the crimson +blood flamed in cheek and lip. Eyes, now black, now gray, +changing, flashing, witching eyes: gray in quiet moments, darkening +with mirth or sadness, anger or pain; hair black and +silky, rippling to the rounded, supple waist in glossy waves. +Not so tall as Madeline, and rounded and dimpled as a +Hebe.<span class='pagenum'><a name="Page_119" id="Page_119">[119]</a></span></p> + +<p>Bringing her will into service, Madeline banished the gloom +from her face and said, with an attempt at gayety:</p> + +<p>"I must be a terrible wet blanket when my ghost rises, Claire. +But come, you have excited my curiosity; let us sit down while +you tell me more of this mighty man who has pitched his tent +in the wilderness of your heart, to the exclusion of others who +might aspire."</p> + +<p>They seated themselves upon a rustic bench and Claire replied:</p> + +<p>"Don't anticipate too much, inquisitor; I have no acknowledged +lover, but—" blushing charmingly, "I have every reason +to think that I am loved fondly and sincerely. He is very +handsome, Madeline, and—but wait, I will show you his +picture."</p> + +<p>Madeline nodded, and Claire bounded away, to return +quickly bearing in her hand a finely wrought cabinet photograph, +encased in velvet and gilt, <i>a la souvenaire</i>. Placing it in her +companion's hand, she sat down with a little triumphant sigh, +and gazed over Madeline's shoulder with a proud, glad look in +her eyes.</p> + +<p>"Blonde?" suggested Madeline.</p> + +<p>"Yes," eagerly; "such lovely hair and whiskers,—perfect +gold color; and fair as a woman."</p> + +<p>"So I should judge," and she continued to gaze.</p> + +<p>Blonde he was, certainly; hair thrown carelessly back from +a brow broad and white; eyes, light, but with an expression +that puzzled the gazer.</p> + +<p>"Eyes,—what color?" she said, without taking her own off +the picture.</p> + +<p>"Blue; pale blue, but capable of <i>such</i> varying expression."</p> + +<p>"Just so," dryly; "they look mild and saintly here, but I<span class='pagenum'><a name="Page_120" id="Page_120">[120]</a></span> +think those eyes are capable of another expression. I could +fancy the brain behind such eyes to be—"</p> + +<p>"What?" eagerly.</p> + +<p>"Cruel, crafty, treacherous."</p> + +<p>"Oh, Madeline!"</p> + +<p>"There, there; I didn't say that he,"—tapping the picture—"possessed +these qualities. His eyes are unusual ones; did you +ever see his mouth?"</p> + +<p>"What a question—through all those whiskers? no; but he +has beautiful teeth."</p> + +<p>"So have tigers. There, dear, take the picture; I am no fit +judge, perhaps. Remember, I once knew a man with the face +of an angel, and the heart of a fiend. Your friend is certainly +handsome; let us hope he is equally good."</p> + +<p>"He is; I know it," asserted Claire.</p> + +<p>Then she told her companion how she had met him at the +house of a friend; how he was very learned and scientific; +very grave and dignified; and very devoted to herself. And +how, beyond these few facts, she knew little if anything of her +blonde hero, Edward Percy.</p> + +<p>Madeline received this information in a grave silence, whose +chill affected Claire as well, and after a few moments, as if by +mutual consent, they arose and entered the house.</p> + +<p>Olive Girard had been absent a week; gone on a journey, sacred +to her as any Meccan pilgrimage, a visit to the place of her husband's +imprisonment. Every year she made this journey, returning +home in some measure comforted; for she had seen her +beloved.</p> + +<p>She came back on this evening, as the two girls were mingling +their voices in gay bravura duets—by mutual consent they +avoided all songs of a pathetic order, for reasons which neither +would have cared to acknowledge.<span class='pagenum'><a name="Page_121" id="Page_121">[121]</a></span></p> + +<p>The evening having passed away, Claire found herself in her +chamber gazing at her lover's pictured face and thinking how +good, how noble, it was, and what a little goose she had been to +allow anything Madeline had said to apply to him. A sudden +thought occurred to her, and going to Madeline's door, she tapped +gently. The door opened, and Claire, raising a warning finger, +said:</p> + +<p>"Madeline, I forgot to tell you that Olive knows nothing of +Edward Percy, and—I don't want to tell her just yet. You +will not mention it?"</p> + +<p>"No."</p> + +<p>"Then good-night, and pleasant dreams."</p> + +<p>"Thank you," in a grave voice; "good-night."</p> + +<p>Claire returned to her room and penned a long letter to +Edward Percy, full of sweet confidence, gayety and trustfulness. +She reperused his last letter, said her prayers, or rather read +them, for Claire was a staunch little church-woman, and then +slept and dreamed bright dreams.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XI" id="CHAPTER_XI"></a>CHAPTER XI.</h2> + +<h2>A GLEAM OF LIGHT.</h2> + + +<p>A few moments after Claire's door had closed for the last +time, Madeline came cautiously from her room, her slippered +feet making no sound on the softly carpeted floor. Passing Claire's +door, she paused before another, opened it gently, and stood in +Olive Girard's bed-chamber.</p> + +<p>Evidently she was expected, for a light was burning softly and<span class='pagenum'><a name="Page_122" id="Page_122">[122]</a></span> +Olive sat near it with a book in her hand, in an attitude of +waiting.</p> + +<p>Madeline seated herself at the little table as if quite accustomed +to such interviews, and said in a low tone:</p> + +<p>"I am so glad you came to-night; are you too tired for a long +talk?"</p> + +<p>"No; tell me all that has happened since I have been absent."</p> + +<p>"Olive, I must go away; back to Bellair," said Madeline, +abruptly.</p> + +<p>"Madeline, you are mad! To Bellair? Why, <i>he</i> is there +often now."</p> + +<p>"He will not find me out, never fear. I <i>must</i> go to Bellair +within the week."</p> + +<p>Olive leaned forward and scanned the girl's face closely and +long. At last, she said: "Madeline, what is it you meditate? +tell me."</p> + +<p>"Going back to Bellair; keeping an eye upon the proceedings +of Mr. Arthur; finding out what game that man and woman +are playing there; and baffling and punishing them all."</p> + +<p>She had been kept informed, through Henry, into whose hands +had fallen a letter in Cora's handwriting, bearing the Bellair +postmark, and addressed to Lucian Davlin, who, so Henry said, +"went down, on and off," and always appeared satisfied with +the result of his journey.</p> + +<p>Olive argued long against this resolution, but found it impossible +to dissuade Madeline.</p> + +<p>"It is useless," the girl said, firmly. "I should have died +but for the expectation of a time when I could be avenged, and +this time I must bring about. All through my convalescence I +have pondered how I could best avenge my mother's wrongs, +and my own. Now Providence has thrown together the two +men who are my enemies; why, I do not yet know, but perhaps +it is that I may make the one a weapon against the other. And +now I want to ask you some questions."</p> + +<p><span class='pagenum'><a name="Page_123" id="Page_123">[123]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_018.jpg" width="400" height="570" alt=""Olive knows nothing of Edward Percy, and—I don't want to tell her +just yet."—page 121." /> +<span class="caption">"Olive knows nothing of Edward Percy, and—I don't want to tell her +just yet."—<a href="#Page_121">page 121.</a></span></div> + +<p><span class='pagenum'><a name="Page_124" id="Page_124">[124]</a></span></p> + +<p>"Ask, then."</p> + +<p>"I shall touch upon a painful subject, and I will tell you why. +After you went away, the story of your sorrow remained with +me. So I thought the ground all over, and formed some conclusions. +Do you wish to hear them?"</p> + +<p>Olive nodded, wearily.</p> + +<p>"You have told me," said Madeline, assuming a calm, business-like +tone, "that Lucian Davlin testified against your husband +at his trial. Now the wounded man, Percy, stated that he +recognized the man who struck him?"</p> + +<p>"Yes."</p> + +<p>"Well, what was Davlin's testimony?"</p> + +<p>"That he saw my husband stealing in the direction of the +place where the wounded man was found, but a few moments +before he was struck, wearing the same hat and hunting-jacket +that the injured man testified was worn by his would-be +assassin."</p> + +<p>"Oh!" Madeline knitted her brows in thought a moment; +then—"Was the coat and hat Mr. Girard's?"</p> + +<p>"Yes; he had thrown them off in the afternoon, while the +heat was intense, and had fallen asleep. When he awoke, he +heard them calling him to supper. It was late in the evening +when he remembered his coat and hat, and went back to look +for them. He went just at the time when the man must have +been struck, and his absence told against him in the evidence."</p> + +<p>"Did he find his garments?"</p> + +<p>"No; they were found by others, not where he had left them, +but nearer the scene of the crime."<span class='pagenum'><a name="Page_125" id="Page_125">[125]</a></span></p> + +<p>"Ah! And who was the first to discover the injured man?"</p> + +<p>"Why, I believe it was Mr. Davlin." Olive looked more +and more surprised at each question. "Why do you ask these +things, Madeline?"</p> + +<p>The girl made a gesture of impatience. "Wait," she said, +"I will explain in good time." Again she considered. "Was +there any ill-feeling between your husband and Davlin?"</p> + +<p>"There was no open misunderstanding, but I know there was +mutual dislike. Philip saw that Davlin was making systematic +efforts to win money from the party, and had therefore persuaded +one or two of his friends to give gaming little countenance. No +doubt he kept money out of the man's pocket."</p> + +<p>"And what was the standing of that man and the victim, this +Percy?"</p> + +<p>"They were much together, and Philip tells me he had sometimes +fancied that Davlin held some power over Percy. Davlin +had won largely from him, and the man seemed much annoyed, +but paid over the money without demur."</p> + +<p>"And now, how did your husband stand toward the injured +man?"</p> + +<p>"That is the worst part of the story. They had had high +words only that very day. Philip had been acquainted with +Percy at school, and he knew so much that was not in his favor, +that he was unable to conceal his real opinion of the man at all +times. One day high words arose, and Philip uttered a threat, +which was misconstrued, after the attack upon Percy. They +said he threatened his life. But Percy knew that only his honor +was meant. Davlin knew this, too; must have known it, for +he was aware that the two had met before they came together +with the party."</p> + +<p>"I can not see why Lucian Davlin should be your husband's +enemy."<span class='pagenum'><a name="Page_126" id="Page_126">[126]</a></span></p> + +<p>"I can understand that he hated Philip for the same +reason that a thief hates the light, and Philip had balked his +plans."</p> + +<p>"True; and yet—"</p> + +<p>"And yet?" inquiringly.</p> + +<p>"Bad as the man is, I can see but one motive that could induce +even him to swear away the liberty, almost the life, of a +man who never wronged him."</p> + +<p>"Still, he did it," said Olive, with a weary sigh.</p> + +<p>"True; and he did it for a motive."</p> + +<p>"And that motive—"</p> + +<p>"Was the strongest instinct of the human race."</p> + +<p>"What?" eagerly.</p> + +<p>"Self-preservation."</p> + +<p>Olive started up with a half cry. "Madeline, in heaven's +name, <i>what</i> do you mean!"</p> + +<p>"That Lucian Davlin threw suspicion upon the innocent to +screen the guilty," said the girl, in a low, firm tone.</p> + +<p>"And the guilty one, then?"</p> + +<p>"Himself. Do you think him too good for it?" sneeringly.</p> + +<p>"No, no! oh, no! But this I had never thought of—yet it +may be true."</p> + +<p>She fell into deep thought; after a time she started up. "I +must consult a detective immediately," she said.</p> + +<p>"You must do no such thing," cried Madeline, springing to +her feet; "why did not the detectives find this out before? Because +they have not my reasons for hunting that man down. +<i>I</i> found this clue, if it be one. I claim it; it is my right, and I +will have it. If he is to be undone, it shall be by my hands. +I swear it!"</p> + +<p>They faced each other in silence.<span class='pagenum'><a name="Page_127" id="Page_127">[127]</a></span></p> + +<p>Slowly Olive recalled to her countenance and voice its usual +sweet calm, and then seated herself and talked long and earnestly +with Madeline.</p> + +<p>The little bronze clock on the mantel was on the stroke of +two when the conference ended, and Madeline retired to her +own room, but not to sleep. She sat and thought until the dawn +shone in at her window.</p> + +<p>One link was missing from the chain; no motive had been +discovered for an attack on Percy by Davlin.</p> + +<p>"But I will find it," she muttered. Then, as a new thought +occurred to her, she caught her breath. "Claire's lover is named +Percy; can it be the same? Why did not this occur to me +sooner? Why did I not ask for his first name, and a description +of him? If this man and Edward Percy should be +one and the same! Pshaw! the name is not an uncommon +one, and it may be only a coincidence. But your face is a +bad one, Edward Percy, and I shall know it when I see it +again."</p> + +<p>The sun was not high in the heavens ere Madeline was astir, +for her nature was such that strong excitement rendered rest impossible. +Moving impatiently about the grounds, she saw a +familiar form approaching through the shrubbery, and hastened +to meet it.</p> + +<p>The black visage of Henry beamed with satisfaction as he +made a hurried obeisance and placed in her hand a letter, +saying:</p> + +<p>"Master was preparing for a two days' journey when this +letter came. He threw it into his desk, and bade me lock it, +and bring him the key. His back was turned, and I took the +letter before I locked the desk. It was a long one, and from +<i>her</i>; I thought you might want to see it."<span class='pagenum'><a name="Page_128" id="Page_128">[128]</a></span></p> + +<p>"Right, Henry," said the girl, quietly, as she opened the +letter. "You will wait for it?"</p> + +<p>"Yes, miss; it must not be missing when he comes."</p> + +<p>"Certainly not."</p> + +<p>She returned to the letter, and this is what she read:</p> + +<p class="f5"><span class="smcap">Oakley</span>, October 11.</p> + +<p class="f3"><span class="smcap">Lucian</span>, <i>Mon Brave</i>:</p> + +<div class="blockquot"><p>I am in a fine predicament—have made a startling discovery. Mr. A—— +has been sick, and the mischief is to pay; and his sickness has brought some +ugly facts to light.</p> + +<p>The old man is <i>not</i> the sole proprietor of the Oakley wealth. That girl +who ran away so mysteriously, and has never been heard of, will inherit at +his death. He can bequeath his widow nothing. Oh, to know where that +girl is! If she is alive, my work is useless, my time is wasted. I think the +old chap must have driven her to desperation, for he raved in his delirium +of her and her words at parting. They must have been "searchers."</p> + +<p>Well, to add to the general interest, Miss Arthur, aged fifty or so, is here. +She is a juvenile old maid, who has a fortune in her own right, and so must +be cultivated. She dresses like a sixteen-year-old, and talks like a fool, +principally about a certain admirer, a "blonde demi-god"—her words—named +Percy.</p> + +<p>Something must be done: things must be talked over. Come down and +make love to Miss Arthur. <i>Her</i> money is not entailed.</p> + +<p>Bring me some Periques and a box of Alexis gloves—you know the +number. Yours in disgust,</p></div> + +<p class="f2"><span class="smcap">Cora Mme. Arthur</span>.</p> + +<p>Madeline dropped the letter, and stood amazed. What did +it mean? "Cora <i>Mme.</i> Arthur!"</p> + +<p>Henry stooped for the letter, and the act recalled her to +herself. She thanked him for the service he had done her; +told him of her intended departure; gave him some last +instructions, and dismissed him with a kind good-by.</p> + +<p><span class='pagenum'><a name="Page_129" id="Page_129">[129]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_019.jpg" width="400" height="563" alt=""I took the letter before I +locked the desk."—page 127." /> +<span class="caption">"I took the letter before I +locked the desk."—<a href="#Page_127">page 127.</a></span></div> + +<p>"It is time to act," she muttered. "Good heavens! the audacity +of that man and woman! She is married to my step-father, +<span class='pagenum'><a name="Page_130" id="Page_130">[130]</a></span>if that letter does not lie; has married him for money, +and is baffled there. She hoped to become <i>his widow</i>, aha! The +plot thickens, indeed! Goodness! what a household! That bad +old man, the still viler woman, dangerous Lucian Davlin, and +that funny, youthful, cross, 'conceited spinster,' Ellen Arthur, +who has a lover, and his name is—heaven save us—Percy! +That name <i>will</i> mix itself up with my fate web, and why? +Percy beloved of Claire; Percy who brought Philip Girard to +his doom; Percy the lover of a rich old maid, are ye one and +the same? Percy! Percy! Percy! I must cultivate the Percys +at any cost."</p> + +<p>She turned and entered the house, her head bent, thinking, +thinking, thinking.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XII" id="CHAPTER_XII"></a>CHAPTER XII.</h2> + +<h2>A MESSAGE FROM THE DEAD.</h2> + + +<p>Less than a week after the events last related, and a family +group surrounds the lunch table in the newly furnished morning +room of Oakley.</p> + +<p>The fair and fascinating Mrs. Torrance had accomplished the +purpose for which she came to Bellair.</p> + +<p>Truly had she said, "There is no fool like an old fool;" for +John Arthur had been an easy victim. He had lost no time +with his wooing, and so, a little less than two months from the +day the fair widow came to Bellair, saw her mistress of John +Arthur's household.</p> + +<p>A bridal tour was not to her taste, much to the delight of the +bridegroom. So they set about refitting some of the fine old<span class='pagenum'><a name="Page_131" id="Page_131">[131]</a></span> +rooms of the mansion, Cora having declared that they were too +gloomy to be inhabitable.</p> + +<p>As it was to her interest to keep up the deception of frank +affection, she had been, during the two months of their honey-moon, +a model wife. But the discovery that John Arthur could +leave her nothing save his blessing, had now been made, and +Cora, who was already weary of her gray-headed dupe, had been +for a few days past less careful in her dissembling.</p> + +<p>For this reason John Arthur now sat with a moody brow, +and watched her smile upon her brother with a feeling of jealous +wrath.</p> + +<p>The bride had thrown off her badge of mourning, and was +very glad to bloom out once more in azure and white and rose—hues +which her soul loved.</p> + +<p>Opposite sat Miss Arthur, her sallowness carefully enameled +over, her head adorned with an astonishing array of false braids +and curls and frizzes, jetty in hue to match her eyes, which, so +Cora informed Lucian in private, were "awfully beady."</p> + +<p>The lady was perusing a paper, which she suddenly threw +down, and said languidly, while she stirred her chocolate carefully. +"Should not this be the day on which my new maid arrives?"</p> + +<p>Miss Arthur, from perusing many novels of the Sir Walter +Scott school, had acquired a very stately manner of speech, and, +so she flattered herself, a very effective one.</p> + +<p>"I don't know why Miss Arthur can want a maid; her +toilets are always perfection," remarked Mr. Davlin to the general +assembly.</p> + +<p>Whereupon, Miss Arthur blushed, giggled, and disclaimed; +Mrs. Arthur disappeared behind a newspaper; and Mr. Arthur +emerged from the fog of thought that had enveloped him, to say +brusquely:<span class='pagenum'><a name="Page_132" id="Page_132">[132]</a></span></p> + +<p>"Miss Arthur want a maid? what's all this? A French maid +in a country house—faugh!"</p> + +<p>Miss Arthur gazed across at her brother, and said, loftily, +and somewhat unmeaningly:</p> + +<p>"It is what I have chosen to do, John." Then to Mr. Davlin, +sweetly: "It is so hard to dispense with a maid when you have +been accustomed to one."</p> + +<p>"I suppose so."</p> + +<p>"And this one comes so well recommended, you know, by +Mrs. Overman and Mrs. Grosvenor. You have heard of these +ladies in society, no doubt, Mr. Davlin?"</p> + +<p>"Oh, certainly," aloud, "not," aside.</p> + +<p>"And the name of the maid?" pursued Lucian.</p> + +<p>"Her name," referring to the letter, "Céline Leroque—French, +I presume."</p> + +<p>"No doubt," dryly.</p> + +<p>"Stop him, Miss Arthur," interrupted Cora, prettily; "he +will certainly ask if she is handsome, if you let him open his +mouth again."</p> + +<p>Miss Arthur glanced at him suspiciously. "Not having seen +her, I could not inform him," she said, coldly.</p> + +<p>"Don't believe my sister," said Davlin, quietly, as he passed his +cup. "Cora, a little more chocolate, please. Miss Arthur, I met +Mrs. Grosvenor at the seaside, two years ago. Her toilets were +the marvel of the day; she protested that all credit was due her +maid, who was a whole 'magazine of French art.' I thought +this might be the same."</p> + +<p>"I most earnestly hope that it is," pronounced Miss Arthur.</p> + +<p>"And I most earnestly hope it isn't," grumbled her brother, +who to-day felt vicious for many reasons, and didn't much care +what the occasion was, so long as it gave him an excuse for +growling.<span class='pagenum'><a name="Page_133" id="Page_133">[133]</a></span></p> + +<p>At this happy stage of affairs, the door was opened and the +housemaid announced: "An old lady, who says I am to tell +you that her name is Hagar, wants to see you, sir," addressing +Mr. Arthur.</p> + +<p>The master of the house started, and an angry flush settled +upon his face. "Send her away. I won't see the old beldam. +Send her away."</p> + +<p>The girl bowed and was about to retire, when she was pushed +from the doorway with little ceremony, and Nurse Hagar entered. +Before the occupants of the room had recovered from +their surprise, or found voice to address her, she had crossed the +room, and paused before John Arthur. Placing a small bundle +upon the table near him, she said:</p> + +<p>"Don't think you can order me from your door, John Arthur, +when I choose to enter it. I shall never come to you without +good reason, and I presume you will think me a welcome messenger +when you know my errand."</p> + +<p>"Confound you," said the man, angrily, yet with an uneasy +look in his eyes; "if you must chatter to me, come into the +library." He arose and made a step toward the door.</p> + +<p>"There is no need," said Hagar, with dignity; "my errand +may interest others here besides yourself. I bring a message +from the dead."</p> + +<p>John Arthur turned ashen pale and trembled violently. All +eyes were turned upon the speaker, however, and his agitation +was unnoticed save by Hagar.</p> + +<p>"Last night," she continued, "a carriage stopped at my door +and a woman came in, bringing that bundle in her hands."</p> + +<p>She paused and seemed struggling with her feelings.</p> + +<p>"She said," continued Hagar, "that she was requested to +come by a dying girl, else she would have written the message<span class='pagenum'><a name="Page_134" id="Page_134">[134]</a></span> +given to her. She belonged to a charitable society, and visited +the hospital every week. She brought flowers and fruit to one +of the patients—a girl who died asking her to write down what +is on this card," holding out a bit of white cardboard, "and +not to tell the officers of the hospital her true name. She had +entered under the name of Martha Gray, and wished to be +buried as such. The lady promised; the girl gave her these +articles, and the lady kept her word, and brought the message. +There is the bundle," in a choking voice, "and here is the +card. That is all. Good-by, John Arthur; be happy, if you +can. And may God's curse fall upon all who drove her to her +doom!"</p> + +<p>She gathered her shawl about her shoulders and, casting a +meaning glance at Lucian Davlin, passed from the room and +the house.</p> + +<p>John Arthur sat with eyes riveted upon the card before him. +After a time he turned, and placing it in Davlin's hand, signed +to him to read it, and hurriedly left the room.</p> + +<p>The hand that had first stricken the young life, placed the evidence +that the end had come in the hand that had completed what +the first began!</p> + +<p>Something of this Lucian Davlin felt, hardened as he was, for +he knew, without waiting for the proof, that the true name of +the girl who died in the hospital was familiar to them all.</p> + +<p>"Read!" ejaculated Cora, impatiently, "or give it to me."</p> + +<p>Lucian's eyes had scanned the card, and tossing it across to +her, he pushed back his chair and walked to the window. Cora +read for the benefit of her bewildered sister-in-law:</p> + +<div class="blockquot"><p>Madeline Payne, at St. Mary's Hospital, under name of Martha Gray, +died—brain fever—no friends but nurse.</p></div> + +<p><span class='pagenum'><a name="Page_135" id="Page_135">[135]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_020.jpg" width="400" height="562" alt=""May God's curse fall upon all who drove her to her doom."—page 134." /> +<span class="caption">"May God's curse fall upon all who drove her to her doom."—<a href="#Page_134">page 134.</a></span></div> +<p><span class='pagenum'><a name="Page_136" id="Page_136">[136]</a></span></p> + +<p>On the opposite side of the card was pencilled the full address +of old Hagar, and this was all. Scant information, but it was +enough.</p> + +<p>Cora pounced upon the bundle and opened it. It contained a +little purse; a few trinkets, which any of the servants could +identify as belonging to Madeline; the cloak she had worn the +evening of her flight; and a pocket-handkerchief with her name +embroidered in the corner.</p> + +<p>Satisfaction beamed in the face Cora turned toward Lucian, +and away from Miss Arthur. She was mindful of the proprieties, +however, and turning her eyes back upon the lady opposite, +she pressed a dainty handkerchief to her countenance, and murmured +plaintively:</p> + +<p>"How very, very shocking, and sad! Poor Mr. Arthur is +quite overcome, and no wonder—that poor, sweet, young girl."</p> + +<p>Across Lucian's averted face flitted a smile of sarcasm. How +little she knew of the truth, this fair hypocrite, and how unlikely +she was ever to know now. If Madeline were dead, of +what avail was any effort to break from the olden thraldom—for +this is what had been in the mind of the scheming man.</p> + +<p>Cora brushed her handkerchief across her eyes and arose +languidly. "I must go to Mr. Arthur, poor man," she murmured, +shaking out her flounces. "He is terribly shocked, I +fear."</p> + +<p>Studiously avoiding the necessity of glancing in the direction +of Mr. Davlin, she glided from the room.</p> + +<p>And so the news fell in Madeline's home, and its inmates were +affected no more than this:</p> + +<p>With Cora a renewal of tenderness toward "Dear John," and +an increased stateliness toward Miss Arthur and the servants. +More deference on Miss Arthur's part towards her brother, and<span class='pagenum'><a name="Page_137" id="Page_137">[137]</a></span> +less on his part toward her, as the possibility of being obliged to +ask a small loan faded away into the past of empty purses and +closed up coffers.</p> + +<p>Lucian took upon himself the responsibility of visiting the +city and calling at St. Mary's, there to be reassured of the fact +that one Martha Grey had died within its walls and been buried.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XIII" id="CHAPTER_XIII"></a>CHAPTER XIII.</h2> + +<h2>MISS ARTHUR'S FRENCH MAID.</h2> + + +<p>After this the days flew by very much alike.</p> + +<p>Miss Arthur's maid arrived, and proved indeed a treasure, +nor was she as obnoxious to Mr. John Arthur as he had evidently +intended to find her. Perhaps Céline Leroque knew by +instinct that the master of Oakley cherished an aversion to +French maids in particular; or perhaps she was an exceptional +French maid, and craved neither the smiles nor slyly administered +caresses, that fell to the lot of pretty <i>femmes de chambre</i>, +at least in novels. At any rate, certain it is that Miss Arthur's +maid manifested no desire to be seen by the inmates of the household, +and she had been domiciled for some weeks without having +vouchsafed to either John Arthur or Lucian Davlin more than +a fleeting glimpse of her maidship.</p> + +<p>Things were becoming very monotonous to some of the occupants +of the Oakley manor; very, very dull and flavorless.</p> + +<p>Cora was growing restless. Not that the astute lady permitted +signs of discontent to become manifest to the uninitiated, but Lucian +Davlin saw, with a mingled feeling of satisfaction and dismay,<span class='pagenum'><a name="Page_138" id="Page_138">[138]</a></span> +that the <i>rôle</i> of devoted wife had ceased to interest his +blonde comrade in iniquity.</p> + +<p>The fact gave him a malicious pleasure because, as fate had +dared to play against him, he would have felt especially aggrieved +if a few thorns had not been introduced into the eider +down that seemingly enveloped his fair accomplice.</p> + +<p>But he felt some dismay, for he knew by the swift flash of +azure eyes under golden lashes, by the sway of her shoulders as +she paced the terrace, by the nervous tapping of her slippered +foot at certain times in the intervals of table chat—that Cora was +<i>thinking</i>. And when Cora thought, something was about to +happen.</p> + +<p>It was in obedience to one of those swift side glances, that he +followed her from the morning room, one forenoon about three +weeks after the news of Madeline's death had come to them. +The day was bright but chill, and the woman had wrapped herself +in a shawl of vivid crimson, but stood with bared head in +the sunlight waiting the approach of her counterfeit brother.</p> + +<p>"Cover your head, you very thoughtless woman," was his +brotherly salutation as he approached, plunging about in his +pockets in search of a cigar the while.</p> + +<p>"Bother!" she ejaculated, tossing her golden locks; "my hair +needs a sunbath. I only wish I dare indulge myself further! +If you had any heart you wouldn't torture me so constantly with +the odor of those magnificent Havanas, when you know how my +very soul longs for a weed!"</p> + +<p>"Poor little woman," laughing maliciously; "fancy Mrs. John +Arthur of Oakley smoking a <i>Perique</i>! Isn't it prime, Co.?" +puffing out a cloud of perfumed smoke.</p> + +<p>"Prime! bah! I'd like to strangle you, or—"</p> + +<p>"Or?—" inquiringly.</p> + +<p>"Somebody," laughing nervously.<span class='pagenum'><a name="Page_139" id="Page_139">[139]</a></span></p> + +<p>"Just so; Miss Arthur would be a good subject and that +would confer a favor on me, too, by Jove!"</p> + +<p>"I don't want to confer a favor on you. You had much +better try and do me one, I think."</p> + +<p>"With all my heart, taking my ability for granted, of course; +only tell me how."</p> + +<p>Cora shrugged her crimson-clad shoulders, and they paced +forward in silence for a time. Then as if his stillness had been +speech of a distasteful kind, she ejaculated, crossly, and without +turning her head: "Stuff! you talk too much!"</p> + +<p>Lucian smiled maliciously, removed his cigar from between +his lips, described a smoke wreath in mid-air, replaced his weed, +and said: "Do I? then mum's the word;" and he relapsed +into silence.</p> + +<p>He seemed bent on annoying her, for there was a laughing +glimmer in his eye, and he obstinately refused to attempt to +draw her out, and so make easier whatever she might have to say, +for he knew that she had signaled him out to-day for a purpose.</p> + +<p>Mutely he walked by her side, and contentedly puffed at his +cigar until, at length, she turned upon him, and struck petulantly +at the hand that had just removed it from his lips. The +weed fell from his fingers to the ground, and Cora set her slippered +heel upon it, as if it were an enemy, and laughed +triumphantly.</p> + +<p>"Now we are on a level," she cried. "Do you suppose I +intend to give you that advantage over me?"</p> + +<p>"It seems not," with a shrug expressive of resignation and a +smile hidden by his mustache.</p> + +<p>He was not the man to be angered, or even ruffled, by these +little feminine onslaughts. In fact, they rather pleased and +amused him, and he had become well accustomed to Cora's<span class='pagenum'><a name="Page_140" id="Page_140">[140]</a></span> +"little ways," as he called them. Deprived of his cigar, he +thrust his hands into his pockets and whistled softly.</p> + +<p>"Lucian, if you don't stop looking so comfortable, and content, +and altogether don't-care-ish, I shall do something very +desperate," she exclaimed, pettishly.</p> + +<p>"No?" raising his eyebrows in mock incredulity; "you don't +tell me. I thought you were in a little heaven of your own, +Mrs. Arthur."</p> + +<p>"Oh! you did? Very clever of you. Well, Mr. Davlin, +has it occurred to you that heaven might not be a congenial +climate for me?"</p> + +<p>"Not while your wings are so fresh, surely? You have +scarcely entered your paradise, fair peri."</p> + +<p>"Haven't I?" ironically. "Well, I am tired of manna, anyhow." +Cora was not always strictly elegant in her choice of +expressions. "Now, Lucian, stop parleying, and tell me, when +is this going to end?"</p> + +<p>"When?"</p> + +<p>He stopped and looked down at her intently. Twice they +had traversed the terrace, and now they paused at the termination +furthest from the house. Just before them a diminutive +flight of stone steps led down to a narrow graveled walk, that +skirted a velvety bit of lawn, and was in its turn hedged by +some close and high-growing shrubs from the "Bellair woods," +as they were called. Beyond the steps was a gap in the hedge, +and this, cut and trimmed until it formed a compact and beautiful +arch, was spanned by a stile, built for the convenience of +those who desired to reach the village by the shortest route, the +Bellair woods.</p> + +<p>"Don't repeat like a parrot, Lucian." Cora raised her voice +angrily. "I say, when is this to end? and how?"<span class='pagenum'><a name="Page_141" id="Page_141">[141]</a></span></p> + +<p>They were just opposite the gap in the hedge and Lucian, +looking down upon Cora, stood facing the opening. As the +words crossed her lips, his eyes fell upon a figure just behind +her, and he checked the conversation by an involuntary motion +of the hand.</p> + +<p>The figure came toward them. It was Miss Arthur's French +maid, and she carried in her hand a small parcel. Evidently +she was returning from some errand to the village. Miss Arthur's +maid had black hair, dressed very low on the forehead; eyes of +some sort, it is to be presumed, but they were effectually concealed +by blue glasses; a rather pasty complexion; a form that +might have been good, but if so, its beauties were hidden by the +loose and, as Cora expressed it, "floppy," style of jacket which +she habitually wore. She passed them with a low "<i>Bon jour, +madame</i>," and hurried up the terrace. At least she was walking +swiftly, but not very smoothly, up the terrace when Lucian +cast after her a last disapproving glance.</p> + +<p>"Your lady's maid is not a swan nor a beauty," he said, as +they by mutual consent went down the steps.</p> + +<p>Cora made no reply to this, seeming lost in thought. They +walked on for a moment in silence.</p> + +<p>But Céline Leroque did not walk on. She dropped her package +and, stooping to recover it, cast a swift glance after the pair. +They were sauntering slowly down the hedgerow walk, their +backs toward her.</p> + +<p>Probably the falling parcel had reminded the French maid of +something forgotten, for she turned swiftly, silently, and without +any of her previous awkwardness retraced her steps and disappeared +beyond the stile.</p> + +<p>"What's the row, Co.?" asked Lucian, kicking a pebble +with his boot toe. "You are getting restive early in the<span class='pagenum'><a name="Page_142" id="Page_142">[142]</a></span> +game. Can't you keep to the track for another two months?"</p> + +<p>"No."</p> + +<p>"What then?"</p> + +<p>"This. We must get that fool out of the way."</p> + +<p>"Meaning who?"</p> + +<p>"She, of course—Ellen Arthur. The woman will make a +raving maniac of me in two months more."</p> + +<p>"By Jove! and of me, too, if I don't get out of this."</p> + +<p>"We must get rid of her."</p> + +<p>"How?"</p> + +<p>"I don't know—somehow, anyhow."</p> + +<p>"And then?"</p> + +<p>"And then—" she gave him a side glance, and laughed unpleasantly.</p> + +<p>"And then? You have a plan, my blonde. Out with it; I +am a listener."</p> + +<p>And he did listen.</p> + +<p>Slowly down the hedgerow path they paced, and at the end, +halted and stood for a time in earnest consultation. There was +some difference of opinion, but the difference became adjusted. +And they turned toward the house, evidently satisfied with the +result of the morning's consultation.</p> + +<p>Not long after, Miss Arthur's maid returned also.</p> + +<p>"I see by the papers that Dr. LeGuise has come back from +Europe, Cora," announced Mr. Davlin from his seat at the lunch +table that day.</p> + +<p>"Dr. LeGuise! how delightful! Now one will not be afraid +to be sick—our old family physician, you know," to Miss Arthur; +"and <i>so</i> skillful. He has been in Europe a year. The dear +man, how I long to see him!"</p> + +<p>"Well!" laughed Lucian, "I will carry him any amount of<span class='pagenum'><a name="Page_143" id="Page_143">[143]</a></span> +affection, providing it is not too bulky. I find that I must run +up to the city to-morrow, and of course will look him up."</p> + +<p>"Oh!" eagerly, "and find out if he saw the D'Arcys in Paris; +and those delightful Trevanions!" Then, regretfully, "can't +you stay another week, dear?"</p> + +<p>"Out of the question, Co., much as I regret it," glancing expressively +at Miss Arthur. "But I shan't forget you all."</p> + +<p>"Pray do not," simpered the spinster. "And when do you +return?"</p> + +<p>"Not for two or three weeks, I fear. But rest assured I +shall lose no time, when once I am at liberty."</p> + +<p>During his lazy, good-humored moments, Mr. Davlin had +made most ridiculous love to Miss Arthur, and that lady had not +been behind in doing her part. Now, strange to say, the face +which she bent over her napkin wore upon it a look, not of +sorrow, but of relief. And why?</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XIV" id="CHAPTER_XIV"></a>CHAPTER XIV.</h2> + +<h2>WHEELS WITHIN WHEELS.</h2> + + +<p>"Take especial care with my toilet this morning, Céline," +drawled Miss Arthur, as she sat before a mirror in her luxuriously +appointed dressing-room.</p> + +<p>Wise Cora had seen the propriety of giving to this unwelcome +sister-in-law with the heavy purse, apartments of the best in the +newly fitted-up portion of the mansion.</p> + +<p>"I want you to be <i>especially</i> careful with my hair and complexion," +Miss Arthur continued.</p> + +<p>"Yes, mademoiselle," demurely. Then, as if the information<span class='pagenum'><a name="Page_144" id="Page_144">[144]</a></span> +might bear upon the question of the toilet, "Does mademoiselle +know that Monsieur Davlin left an hour ago?"</p> + +<p>"Certainly, Céline, but I expect a visitor. He may arrive +at any time to-day, and you must do your very best with my +toilet."</p> + +<p>"Mademoiselle <i>est charmante</i>; slight need of Céline's poor +aid," cooed the little hypocrite, and the toilet proceeded.</p> + +<p>At length, the resources of art having been exhausted, Miss +Arthur stood up, and approved of Céline's handiwork.</p> + +<p>"I really do look nicely, Céline; you have done well, very. +Now go send me a pot of chocolate and a bit of toast."</p> + +<p>"Yes, mademoiselle."</p> + +<p>"And a bit of chicken, or a bird's wing."</p> + +<p>"Oui."</p> + +<p>"And a French roll, Céline, with perhaps an omelette."</p> + +<p>"Pardonne, mademoiselle, but might I suggest we must not +forget this," touching Miss Arthur's tightly laced waist.</p> + +<p>"True, Céline, quite right; the toast, then. And, Céline, +remain down-stairs and when Mr. Percy comes," (her maid +visibly started at the name) "show him into the little parlor, and +tell him I am somewhere in the grounds—you understand? +Then come and let me know. I prefer to have him fancy me +surprised, you see," smiling playfully.</p> + +<p>"I see; mademoiselle has <i>such</i> tact," and the French maid +disappeared.</p> + +<p>"Mr. Percy?" muttered the French maid, in very English +accents; "I will certainly look for your coming, Mr. Percy. +Can it be that I am to meet you at last?"</p> + +<p>Mrs. John Arthur was restless that morning. She fidgeted +about after the departure of her brother; tried to play the +agreeable to her husband, but finding this a difficult task, left<span class='pagenum'><a name="Page_145" id="Page_145">[145]</a></span> +him to his cigar and his morning paper, in the solitude of his +sanctum, and seizing her crimson shawl, started out for a turn +upon the terrace.</p> + +<p>The "little parlor," as it was called, commanded a view of one +end of the terrace walk, but no portion of it was visible from +the immediate front of Oakley mansion, the terrace running +across the grounds in the rear of the dwelling, and being shut off +from the front by a thicket of flowering shrubs and trees.</p> + +<p>The hall facing the front entrance to Oakley was deserted now, +save for the figure of Céline Leroque, who was ensconsed in one +of the windows thereof. She had been watching there for more +than an hour, and Cora had promenaded the terrace half that time, +when a gentleman approached the mansion from the front gate-way.</p> + +<p>Céline's eyes were riveted upon the coming figure, as it appeared +and disappeared among the trees and shrubbery along +the winding walk. At length he emerged into open space and +approached nearer.</p> + +<p>Céline Leroque suppressed a cry of astonishment as she anticipated +his ring and ushered him in. A very blonde man, +with the lower half of his face covered with a mass of yellow waving +beard; pale blue, searching, unfathomable eyes; pale yellow +hair; a handsome face, the face she had seen pictured in Claire's +souvenir!</p> + +<p>Céline Leroque led the way toward the little parlor with a +heart beating rapidly.</p> + +<p>"Miss Arthur is in the grounds," she said, in answer to his +inquiry. "I will go look for her;" and she turned away.</p> + +<p>Mr. Percy placed his hat upon a little table and tossing back +his fair hair, said: "I think I can see her now."</p> + +<p>Approaching the window he looked down upon the terrace.<span class='pagenum'><a name="Page_146" id="Page_146">[146]</a></span></p> + +<p>Céline looked, too, and catching a gleam of crimson, said: +"That is not Miss Arthur."</p> + +<p>"Stop a moment, my girl," the man exclaimed.</p> + +<p>He was gazing down at Cora, who was walking away from +them, with a puzzled look. "Good God!" he ejaculated, as she +turned and he saw her face.</p> + +<p>He checked himself, and withdrawing hastily from the window, +took up his hat as if about to depart. Approaching the +window once again, he looked cautiously forth, and seeing Cora +still pacing the terrace in evident unconcern, he muttered to himself, +but quite audibly, "Thank goodness, she did not see me."</p> + +<p>Then turning to Céline: "Girl, who is that woman?"</p> + +<p>The girl approached the window: "That, monsieur, is Madame +Cora Arthur."</p> + +<p>"A widow, eh?"</p> + +<p>"Oh, no, monsieur. Mr. Arthur is the master of Oakley."</p> + +<p>"Oh! and madame—how long has she been his wife?"</p> + +<p>"She is still a bride, monsieur."</p> + +<p>"Still a bride, is she? How exceedingly pleasant." Mr. +Percy had evidently recovered from his panic. "Was she a +miss when she married the master of Oakley?"</p> + +<p>"Oh, no, monsieur; a widow."</p> + +<p>"Widow?" stroking his whiskers caressingly. "What name?"</p> + +<p>"Madame Torrance, monsieur."</p> + +<p>"Madame Torrance, eh? Well, my good girl, take this," +offering a bank note. "I really thought that Madame Torrance, +I mean Arthur, was an old friend; however, it seems I was mistaken. +Now, my girl, go and tell that lady that a gentleman +desires to see her, and do not announce me to Miss Arthur yet. +May I depend upon you?" glancing at her keenly.</p> + +<p>"You may, monsieur."<span class='pagenum'><a name="Page_147" id="Page_147">[147]</a></span></p> + +<p>Taking the offered money, she made an obeisance, and withdrew.</p> + +<p>The little parlor had but one means of egress—through the +door by which Mr. Percy had entered. This door was near the +angle of the room; so near that, as it swung inward, it almost +grazed against a huge high-backed chair, stiff and grim, but +reckoned among the elegant pieces of furniture that are always, +or nearly always, uncomfortable. This chair occupied the angle, +and behind its capacious back was comfortable room for one or +two persons, should they fancy occupying a position so secluded. +The act of opening the door completely screened this chair +from the view of any person not directly opposite it, until such +time as the door should be again closed.</p> + +<p>As Céline Leroque opened the door and disappeared one might +have fancied, had they been gazing at that not-very-interesting +object, that the high-backed chair moved ever so little.</p> + +<p>Céline flew along the hall and down the stairway, tearing +viciously at something as she went. Once in the open air, the +brisk autumn breezes caught something from her hand, and sent +little fragments whirling through space—paper scraps, that might +have been dissected particles of a bank note.</p> + +<p>Cora listened in some surprise to the messenger, who broke +in upon her meditations with a trifle less of suavity than was +usual in Miss Arthur's maid.</p> + +<p>"A gentleman, to see me! Are you quite sure, Céline?"</p> + +<p>Mrs. Arthur, for various reasons, received but few friends, +and Céline thought now that she looked a trifle annoyed.</p> + +<p>"Well, Céline, where is the gentleman? Stop," as if struck by +a sudden thought, and changing color slightly, "tell him I am +out, but not until I have got up-stairs," she said; "not until I +have had an opportunity to see him, myself unseen," she thought.<span class='pagenum'><a name="Page_148" id="Page_148">[148]</a></span></p> + +<p>"But, madame," hesitated Céline, "he is in the little parlor. +He saw madame at the upper end of the terrace."</p> + +<p>"Confusion! What did he say, girl?" excitedly.</p> + +<p>"He said, madame, that he wished to speak with you; that +he was an old friend."</p> + +<p>"Well, go along," sharply. "I will see the man."</p> + +<p>Céline turned about and Cora followed her almost sullenly. +She had some apprehension as to this unknown caller, but he had +seen her, and whoever he was she must face him, for Cora was +no coward.</p> + +<p>Céline tripped along thinking intently.</p> + +<p>"This man is Edward Percy—Edward Percy, the lover of +two women. He was frightened when he saw this Mrs. Arthur, +and my words reassured him; why? At the mention of a +strange caller, she must needs see him before she permits him +an interview—for that is what she meant. Do they know each +other? If so, the plot thickens."</p> + +<p>Edward Percy had certainly been agitated at sight of Mrs. +Arthur, and had as certainly recovered when assured that the +lady <i>was</i> Mrs. Arthur. He looked the image of content now, +as he lounged at the window. Under the blonde mustaches, a +smile of cunning and triumph rested; but his eyes looked very +blue, very, very calm, very unfathomable.</p> + +<p>"Madame Arthur, sir."</p> + +<p>Céline opens the door gently, and admits the form of Cora. +Then, as the two face each other in silence, the door quietly +closes, neither one having glanced toward the girl, who has disappeared.</p> + +<p>Cora stands before him, the folds of the crimson shawl falling +away from the plump, graceful shoulders, and mingling with the +sweep of her black cashmere wrapper in rich, graceful contrast.<span class='pagenum'><a name="Page_149" id="Page_149">[149]</a></span> +One fair hand gathers up the crimson fabric and, instinctively, +the other thrusts itself out in a repellant gesture, as the soft voice +utters, in tones of mingled hate and fear: "<i>You!</i>"</p> + +<p>He laughs softly. "Yes, I. I knew you would be delighted." +All the time he is gazing at her critically, apparently viewing +her loveliness with an approving eye.</p> + +<p>And now the woman feels through her whole being but the +one instinct—hate. She has forgotten all fear, and stands before +him erect, pallid, but with eye and lip expressing the bitterness +that rages within her.</p> + +<p>"You won't say you are glad to see me? Cruel Alice," he +murmurs, plaintively. "And after all these years, too; how +many are they, my dear?"</p> + +<p>"No matter!" fiercely. "They have given the devil ample +time to claim his own, and yet you are upon earth!"</p> + +<p>"Yes," serenely; "both of us."</p> + +<p>"Both of us, then. How dare you seek me out?"</p> + +<p>"My dear wife, I never did you so much honor. I came to +this house for another purpose, and Providence, kind Providence, +has guided me to you."</p> + +<p>The woman seemed recalled to herself. Again the look of +fear overspread her face, and looking nervously about her, she +said. "For God's sake, hush! What you wish to say say out, +but don't let your voice go beyond these walls."</p> + +<p>"Dear Alice, my voice never was vulgarly loud, was it? recollect, +if you please," in an injured tone.</p> + +<p>"Well! well! what do you want with me? Percy Jordan, I +warn you—I am not the woman you wronged ten years ago."</p> + +<p>"No; by my faith, you are a handsomer woman, and you +carry yourself like a duchess. Why didn't you do that when +you were Mrs.—"<span class='pagenum'><a name="Page_150" id="Page_150">[150]</a></span></p> + +<p>"Hush!" she cried; "you base liar, it did not take me long to +find you out, even then. Don't forget that you have lived in +fear of me for ten long years."</p> + +<p>"Just so," serenely; "haven't they been long? But they are +ended now, my dear; my incubus is dead and—"</p> + +<p>"But documents don't die," she interrupted; "don't forget +that!"</p> + +<p>"Not for worlds. For instance, I remember that in a certain +church register may be seen the marriage lines of Alice Ford +and—ahem—myself. And somewhere, not far away, there must +be on record the statement that Mr. Arthur, of Oakley, has +wedded the incomparable Mrs. Torrance, a blonde widow—ahem. +Where did you go, my dear, when you left my bed and +board so very unceremoniously?</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"'What had I done, or what hadst thou,<br /></span> +<span class="i0">That through this weary world till now<br /></span> +<span class="i2">I've walked with empty arms.'"<br /></span> +</div></div> + +<p>He stretched out those members tragically.</p> + +<p>"And I don't forget that I was never legally your wife, as +you had another living," cried Cora, ignoring the latter part of +his speech.</p> + +<p>"No; of course not. Does Mr. John Arthur know that you +were once my—"</p> + +<p>"Dupe? no," she interrupted. "Come, time passes; tell me +what you know, and what you want."</p> + +<p>"Softly, softly, Mrs. Arthur. I know enough to insure me +against being turned out of Oakley by you; and I want a wife +and a fortune."</p> + +<p>"I don't understand you."</p> + +<p><span class='pagenum'><a name="Page_151" id="Page_151">[151]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_021.jpg" width="400" height="557" alt=""The soft voice utters, in tones of mingled hate and fear, 'You?'"—page +149." /> +<span class="caption">"The soft voice utters, in tones of mingled hate and fear, 'You?'"—<a href="#Page_149">page 149.</a></span></div> + +<p>"Possibly not, Madame Arthur." Then, with mock emotion: +<span class='pagenum'><a name="Page_152" id="Page_152">[152]</a></span>"Might I, dare I, ask you to give to my keeping, that incomparable +maiden, that houri of houris, your young and lovely +sister-in-law, Miss Ellen Arthur?"</p> + +<p>The woman looked at him in silence for a time, and then, +flinging herself upon a couch, burst into a peal of soft laughter. +She understood it all now.</p> + +<p>"So you are the expected lover!" she ejaculated, laughing +afresh; "and she is up-stairs, in bright array, waiting for you."</p> + +<p>"And I am down here, pleading for permission to address +this pearl of price."</p> + +<p>Cora arose and gathered her crimson wrap about her shoulders. +"And how is it to be between us?" she asked coolly.</p> + +<p>"My sweet Alice, if you were John Arthur's widow instead +of John Arthur's wife, it should be as if the past ten years were +but a dream."</p> + +<p>"Indeed—provided, of course, I were John Arthur's heiress +as well."</p> + +<p>"Certainly!"</p> + +<p>"And how is it that you are once more fortune hunting? Five +years ago you inherited wealth sufficient for your every need."</p> + +<p>The elegant Mr. Percy went through the pantomime of +shuffling and dealing cards, then looked at her with a grimace.</p> + +<p>"All?" she inquired, as if the action had been words.</p> + +<p>"Every ducat," solemnly. "So what is to be my fate, fair +destiny?"</p> + +<p>Cora mused, then laughed again. "After all, you may prove +a friend in need," she said. "I shan't interfere between you +and Miss Arthur; be sure of that."</p> + +<p>Then they fell to settling the preliminaries of a siege upon the +heart of Miss Arthur, together with other little trifles that occurred +as they talked. They had both thrown off their air of<span class='pagenum'><a name="Page_153" id="Page_153">[153]</a></span> +hostility, and were seated opposite each other, conversing quite +comfortably, when the door swung open, and Miss Arthur stood +before them; Miss Arthur, in the full glory of snowy cashmere, +with cherry satin facings; Miss Arthur, with curls waving, and +in all her war-paint.</p> + +<p>The two plotters arose, and saluted her with much empressement.</p> + +<p>Miss Arthur advanced a step and stood beside the high-backed +chair, one hand still resting upon the door. Percy came toward +her with outstretched hands.</p> + +<p>"Ah-h-h!" screeched the spinster, "what was that?"</p> + +<p>Turning quickly she encountered nothing more formidable +than her French maid, who had evidently hurried to the spot, for +she breathed rapidly, and said, in an anxious manner:</p> + +<p>"Pardon, mademoiselle, it is I,—did mademoiselle ring? I +thought so."</p> + +<p>"You stepped on my dress, girl," said Miss Arthur, sharply. +"No, I did not ring; perhaps Mrs. Arthur did."</p> + +<p>"I did ring, Ellen," lied Cora, sweetly, wondering what lucky +providence sent the girl to the door just then. "I rang for you, +as Mr. Percy here, in whom I have discovered a Long Branch +acquaintance, would hardly treat me civilly, so impatient has he +been to see Miss Arthur."</p> + +<p>Miss Arthur looked somewhat appeased. "You may go, +Céline," she said, with her most stately air.</p> + +<p>Thus she sailed forward to meet Mr. Percy.</p> + +<p>Céline departed, smiling an odd little smile. She went to her +own room and sitting down upon the bedside, meditated. Presently +she arose, and walking over to her mirror, gazed at her reflected +image, and shaking her head at it, murmured:</p> + +<p>"What a nice little maid you are, Céline Leroque—and how<span class='pagenum'><a name="Page_154" id="Page_154">[154]</a></span> +these people will love you by and by! You now hold in your +hands the thread that will unravel this mixture of mystery, and +when the reckoning comes, it will not be you that falls."</p> + +<p>Thoughtfully she paced the little apartment. By and by she +threw herself upon the bed and closed her eyes, still thinking. +If she could only know just how these two had separated—Edward +Percy and Cora Arthur; and what part Lucian Davlin +had played in that separation drama. Did Cora know Lucian +ten years ago—did Percy know him for his rival? Suddenly +the girl sprang up, and smiting her two palms together, exclaimed:</p> + +<p>"If these two men were rivals, then we may yet find a reason +why Lucian Davlin should attempt the life of Edward Percy!"</p> + +<p>And now what should she do?</p> + +<p>Claire Keith's bright face rose before her as she asked herself +the question. Claire must be warned and saved; but how? The +girl's brow darkened.</p> + +<p>"She will scorn the man," she muttered, between pale lips, +"and then she will learn to value that other. She will grieve +for a time, perhaps, but not for long; then—then she will +become <i>his</i> wife, while I—What right has she to all the +blessings?"</p> + +<p>The girl stood motionless, with hands tightly clasped. The +conflict lasted but a moment when, in a firm, clear voice she continued:</p> + +<p>"It would be base not to save her from this wretch—and save +her I will; and I will restore to Olive Girard her husband; is +that not payment enough for all they have done for me? But +he, Clarence, my hero—why must I yield him up without a +struggle? She does not love him; she never will love him if +I say the word; she is as generous as—as I am base, I think.<span class='pagenum'><a name="Page_155" id="Page_155">[155]</a></span> +No, it is not base to love him, to try to win him. And why +not? I must think, think, think."</p> + +<p>All that day and night the girl pondered deeply. In the +morning she arose weary, unrefreshed.</p> + +<p>"I will save Claire Keith from the suffering that befell me," +she said. "But she shall not have all the good things of this +life, and I none."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XV" id="CHAPTER_XV"></a>CHAPTER XV.</h2> + +<h2>CORA AND THE FRENCH MAID MEASURE SWORDS.</h2> + + +<p>During the day, Miss Arthur communicated to her maid +the fact that Mr. Percy would remain in Bellair for the present. +He was going away for a day on business; then he would return +and take up his abode at the Bellair inn.</p> + +<p>"Would monsieur be absent to-morrow?"</p> + +<p>"Yes."</p> + +<p>Then, as mademoiselle would not especially need her, would +she graciously give her the day? Her sister had just returned +from Paris, and would very soon leave the city <i>en route</i> for +Washington. Her sister was in the service of Mrs. General +Delonne—of course mademoiselle had heard of Madame Delonne; +knew her, perhaps. Céline much desired to see this sister, +and expected to get some valuable hints from her regarding +the very latest French <i>coiffeurs</i>, etc., etc. In short, could +mademoiselle spare her to-morrow, just for one little day?</p> + +<p>Mademoiselle, after due deliberation, perhaps in consideration +of the new <i>coiffeurs</i>, graciously consented. This matter was<span class='pagenum'><a name="Page_156" id="Page_156">[156]</a></span> +settled while the dinner toilet of the lady was in progress; and +Céline spared no pains to make her mistress satisfied with herself +and all about her.</p> + +<p>"How long had Mr. Percy been in the little parlor, Céline, +before I came down?" questioned the lady.</p> + +<p>She was still a trifle dissatisfied at having found her lover so +cosily <i>tête-á-tête</i> with her fascinating sister-in-law.</p> + +<p>"Oh, a very short time, my lady—I mean mademoiselle."</p> + +<p>"And how did he meet Mrs. Arthur?" anxiously.</p> + +<p>"Madame was just entering from the terrace; they met in the +hall," glibly.</p> + +<p>"And did they meet like old friends, Céline?"</p> + +<p>"Oh, no! mademoiselle; quite formally. At first I fancied he +was really displeased at meeting her—but of course mademoiselle +knew the reason for that," slyly.</p> + +<p>"Hush, you foolish girl," said the flattered spinster; "it's all +right, of course." And she relapsed into reverie.</p> + +<p>Miss Arthur had exhausted her patience waiting for her tardy +admirer, and, finding her own apartments dull, had come down +to the parlor, thus interrupting the interview, to the disgust of +more than one of those interested.</p> + +<p>Mr. Percy had many questions yet to propound to his newly-found +wife, as he called her, and she, knowing him so well, felt +a trifle more uneasy than was comfortable, wondering what use, +if any, he intended to make of the small amount of power he +still possessed over her. She must hold another interview with +him, and that soon. Meantime, she left him to the tender mercies +of the happy spinster.</p> + +<p>It was late in the evening when she at last found a convenient +opportunity, and crossed the hall in the direction of Miss Arthur's +dressing-room. She was about to open the door and enter, when<span class='pagenum'><a name="Page_157" id="Page_157">[157]</a></span> +her movement was anticipated by Céline, who appeared upon +the threshold in hat and shawl.</p> + +<p>Mrs. Arthur seemed not at all abashed, but pushing the girl +back into the room, stepped in herself and closed the door. +"You were going out, Céline?" smiling sweetly.</p> + +<p>"Yes, madame," respectfully.</p> + +<p>"May I ask where?"</p> + +<p>"Certainly, madame. I have leave to go and see my sister +to-morrow. I am going to telegraph her that she may expect +me. Can I serve madame?"</p> + +<p>Madame pondered a moment.</p> + +<p>"Céline," she said, abruptly. "Why did you pretend to answer +a ring this morning, when your mistress came down to the +little parlor?"</p> + +<p>"I trust madame was not offended," deprecatingly.</p> + +<p>"No, no," impatiently; "but I want to understand you."</p> + +<p>"Madame shall. Madame must know that my mistress is +not always smooth in temper?"</p> + +<p>"Yes," laughing wickedly.</p> + +<p>"This morning she bade me admit the gentleman, tell him +she was in the grounds, and then come to her. He came, and +almost immediately saw you, madame, walking on the terrace."</p> + +<p>"Stop. How did he act when he saw me, Céline?"</p> + +<p>The girl looked at her in apparent hesitation. "Madame +will not be angry with me?"</p> + +<p>"No, no."</p> + +<p>"He looked almost frightened, and took his hat, as if about +to go."</p> + +<p>Cora uttered a low, triumphant, "Ah, did he?"</p> + +<p>"Then he called me back as I was leaving the room to summon +my mistress, and asked me who you were. I told him. He<span class='pagenum'><a name="Page_158" id="Page_158">[158]</a></span> +looked relieved, said he had mistaken you for an old acquaintance, +and bade me ask you to come to him, and say nothing to +Miss Arthur until he desired it."</p> + +<p>"I see; but why did you follow her, when she came down? +Did she know we were there?"</p> + +<p>"No, madame."</p> + +<p>"Then why—"</p> + +<p>"Pardon," with a sidelong glance at her face, "but madame +is beautiful, and my mistress is jealous. I thought you might +wish me to do as I did, and I desired to serve you, madame."</p> + +<p>Cora eyed her keenly. "But why serve me, Céline?"</p> + +<p>"Madame has ever been gracious to Céline," said the girl, +lowering her eyes. "Even a servant appreciates kindness—my +mistress never considers that."</p> + +<p>Cora's thoughts flew fast. If she could trust this girl, she +might make her very useful. She had sought this interview to +question her concerning the adventure of the morning, and now +might she not be of still more service?</p> + +<p>A few more sharply-put questions were asked, and answered +with corresponding shrewdness. Then Céline detailed, in her +own way, her interview with her mistress on the subject of Mr. +Percy's visit.</p> + +<p>Cora was at last fully satisfied that, for some reason, Miss +Arthur had aroused a feeling of antagonism in the breast of +her maid. She resolved to profit by this state of affairs. Accordingly, +a few moments later, Céline Leroque flitted out from +the house the bearer of two important messages.</p> + +<p>One, in writing, was a telegram to be sent to Lucian Davlin.</p> + +<p>The other was a verbal message to be delivered, in some way, +to Mr. Percy before he quitted the grounds of Oakley.</p> + +<p>Pausing at a safe distance from the house, Céline produced<span class='pagenum'><a name="Page_159" id="Page_159">[159]</a></span> +from her pocket some waxen matches. She lighted one, having +looked cautiously about her, and spreading open the telegram to +Mr. Davlin, read these words:</p> + +<div class="blockquot"><p>Come down to-morrow without fail. It is most important.</p></div> + +<p class="f6">C.</p> + +<p>"So," muttered Miss Arthur's maid as, flinging away the +match, she hurried on her way; "so he must be consulted; he +must come down. In the absence of Percy, too. I wonder +if he knows, this Percy, that Lucian Davlin at present +personates the dutiful brother of his fair lost love." Such a +sneer rested on the face of the French maid. "Well! Mr. +Davlin must come and, unfortunately, I can't be present at this +interview. However, I shall be able to judge pretty accurately +by their future movements what was its portent."</p> + +<p>Edward Percy, as he chose to call himself, was not aware of +the position held by Lucian Davlin in that household. Cora +had seized an opportunity to murmur to Miss Arthur a soft +warning.</p> + +<p>"Ellen, dear!" she had said, "pray don't mention Lucian to +Mr. Percy, unless you wish to shorten his stay with us. The +fact is, the two had a slight misunderstanding while we were all +at Long Branch, about a horse or something. Lucian was very +much to blame, I think, but they parted bad friends. It is best +never to interfere in men's quarrels, so I have not mentioned Lucian's +name to him at all."</p> + +<p>Cunning Céline! Her tact had made this explanation seem a +quite probable one; and as Miss Arthur certainly had no desire +to drive Mr. Percy from Oakley, she assured her "kind, +thoughtful Cora," that she would be very guarded and never once +mention Mr. Davlin's name in his enemy's presence.</p> + +<p>Of this fact, of course, Céline was in total ignorance, as she<span class='pagenum'><a name="Page_160" id="Page_160">[160]</a></span> +proceeded on her way, which was not to the telegraph office; at +least not yet.</p> + +<p>Hurrying through the Oakley wood in the opposite direction +from the village, she crossed the meadow and approached the +cottage of Nurse Hagar. A light was dimly visible through the +paper curtains, but no sound was heard from within. The girl +listened at the door a moment, and then tapped softly.</p> + +<p>Presently slip-shod feet could be heard crossing the uncarpeted +floor, and a key creaked in its lock, after which the door opened, +a very little way, and the old woman's face peered cautiously out +into the night. Then she hastily opened the door wide and admitted +the visitor.</p> + +<p>"Is it you, dearie?" she asked, rather unnecessarily, surveying +her critically by the light of a flaring tallow candle.</p> + +<p>"No, Aunt Hagar, it's not I," laughed the girl; "it's Miss +Arthur's French maid that you see before you. And don't drop +that tallow on her devoted head," lifting a deprecating hand.</p> + +<p>"Umph! we seem in great spirits to-night," leading the way +back to the fire-place, beside which stood her easy splint-bottomed +chair.</p> + +<p>"So we are," assented the girl; "and why shouldn't we be, +pray? Aren't we a very happy French maid, and a very skillful +one, and a very lucky one?"</p> + +<p>"How should I know?" grumbled the old woman; "what do +I know? I'm only old Hagar; don't mind explaining anything +to me!"</p> + +<p>"By which you mean, beware of your wrath if I don't explain +things to you; eh, auntie?"</p> + +<p><span class='pagenum'><a name="Page_161" id="Page_161">[161]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_022.jpg" width="400" height="568" alt=""Céline looked cautiously +around her."—page 159." /> +<span class="caption">"Céline looked cautiously +around her."—<a href="#Page_159">page 159.</a></span></div> + +<p>Hagar mumbled something, not exactly intended to be a +speech but simply a small growl, illustrative of her mood. Then, +as if her dignity had been sufficiently asserted, she relaxed her +<span class='pagenum'><a name="Page_162" id="Page_162">[162]</a></span>grimness, and looking kindly down upon the girl, and pushing +her toward the big chair, said:</p> + +<p>"But law! child, you look fagged out. Sit down, sit down, +and don't mind an old woman's grumbling."</p> + +<p>"Did I ever?" laughed the girl, sinking into the big chair as +if indeed willing to rest. "But I can't sit here long, nursie; +my day's work, or rather my night's work, is not yet finished."</p> + +<p>"Not yet? Oh, Madeline, my little nursling, give up these +wild plans and plots; they will bring you no good."</p> + +<p>"Won't they?" nodding significantly. "I think they will do +me good, and you, too, Nurse Hagar; and before very long, too. +Why, bless you, these precious plotters won't wait for me to +bring them into my net; they are tumbling in headlong—all +of them. They are helping me, with all their might, to bring +about their own downfall. Hagar," and the girl leaned suddenly +forward and looked closely into the old woman's face, "I want +you to come back to Oakley."</p> + +<p>Hagar started back as if struck by a knife. She was about to +open her lips and set free a torrent of indignant protest, when the +girl lifted her hand, interrupting her in the old characteristic way.</p> + +<p>"Wait until I explain, auntie. I want you to go to Oakley +to-morrow, at the hour when Mr. John Arthur is always supposed +to be taking his after-dinner nap. Just after dinner, I +want you to see Madame Cora; manage it in your own way, but +see her you must."</p> + +<p>"I won't!" broke in the old woman.</p> + +<p>"You will," said the girl, quietly, "when I have told you +why."</p> + +<p>Drawing her chair close to that occupied by her companion, +she resumed in a low voice:</p> + +<p>"Yesterday Miss Arthur sent me to the village to purchase<span class='pagenum'><a name="Page_163" id="Page_163">[163]</a></span> +some trifling articles for the adornment of her precious person. +Returning through the woods, I came upon Mr. Davlin and +his 'sister,' conversing very earnestly, just at the lower end of +the terrace. I arrived at the hedgerow stile just in time to hear +madame say, very emphatically, that something must be done +immediately. They were going down the terrace steps when I +passed them, pretending to be in a great hurry. As soon as +their backs were toward me, I turned quickly, and without noise +crossed the stile, followed them on the opposite side of the hedge, +and listened."</p> + +<p>Here the speaker paused and looked up, but her auditor was +gazing moodily into the fire, and never stirred nor spoke.</p> + +<p>"Madame was saying," resumed the narrator, "that she was +heartily weary of the part she was playing; that its monotony +sickened her; that they had secured the victims, and fate had +been kind enough to remove the only stumbling block in their +path, save the old man himself; that she considered my very +sensible demise a direct answer to her pious prayers."</p> + +<p>The old woman shuddered and cast a look of horror upon the +speaker.</p> + +<p>"They had evidently discussed this matter before, and partially +settled their plans, only the man seemed to think it was +too soon to begin to act. But madame declared that she should +do worse if they did not commence operations at once, and +finally she overruled him."</p> + +<p>"Of course," savagely.</p> + +<p>"Of course. Well, I now lost a little of their conversation, +but I kept the thread of it. You see, I had to move very cautiously, +and sometimes fall behind them a bit, when the leafage +became less thick."</p> + +<p>Hagar nodded.<span class='pagenum'><a name="Page_164" id="Page_164">[164]</a></span></p> + +<p>"Their plan was a beautiful one, and they have already set it +in motion."</p> + +<p>"Already?"</p> + +<p>"Already; don't interrupt, please; I will tell you how in +good time. First, then, madame is to fall ill—not desperately +ill, but just ill enough to be interesting, and to alarm the old +man. By the way, Mr. Davlin left this morning for the city; +that is one move. He is to remain in the city until after the +illness of madame, who is to refuse to receive any of the village +doctors. Finally, he is to be sent for, and admonished to bring +with him their old family physician, who has but just returned +from Europe. Well, they come, the brother and the family +physician—do you follow me?"</p> + +<p>"Yes, yes!" nodding eagerly.</p> + +<p>"They come. And the doctor says madame is threatened +with a malignant fever, and orders everybody out of the house. +It is needless to say that Miss Arthur flies instantly; but <i>le +docteur</i>, interviewing the half-sick, fidgety old man, discovers +that he, too, is threatened with the fever. Of course, he can +not leave then."</p> + +<p>Old Hagar's eyes were twinkling, and she was bending forward +now in an eagerly attentive attitude. "No," she breathed, +unconsciously.</p> + +<p>"Well, the heroic brother will refuse to fly from the fever, +and will implore the skillful man of medicine to remain and +minister unto the sick. The good doctor stays. Of course, +such of the servants as are at all likely to prove troublesome, +through possessing a trifle more brains than is usually alloted +to an idiot, will be kindly told that, rather than endanger +their lives, the household will dispense with their valuable +services. Then a nurse, perhaps two, will come down from the +city, and the plotters have the game in their own hands."<span class='pagenum'><a name="Page_165" id="Page_165">[165]</a></span></p> + +<p>Here the girl paused, and leaned back in her chair as if her +story were done.</p> + +<p>"And then?" exclaimed Hagar.</p> + +<p>"And then!" echoed her companion, bending forward and +resting her hand upon the old woman's wrist; "and then madame +will recover—but John Arthur will remain an invalid and a +prisoner! It will be said in the village that the fever has +affected his brain, and his unpopularity, arising from the fact +that he has always shunned and scorned the village folk, will +insure them against intrusive investigators. Auntie, they have +hatched a pretty plot."</p> + +<p>"But," objected Hagar, "they will have to stay at Oakley, if +he is to be a prisoner. They won't dare leave him with keepers +and—"</p> + +<p>"True," the girl interrupted. "I don't know how they will +manage the rest; but having settled this much, madame and her +'brother' paused at the end of the path. I saw her as she looked +up into his face, and this is what she said: 'When he is once a +prisoner, what could be more natural than that a crazy, sick old +man should <i>die</i> some day?' Then the man replied, 'Nothing;' +and they both returned to the house, without another word."</p> + +<p>For some moments silence reigned in Hagar's dwelling. The +old woman seemed either unable, or unwilling, to utter a word +of comment upon the story to which she had been so attentive a +listener.</p> + +<p>Céline at length arose and said, as she began pacing to and fro +before the old woman. "Well, have you anything to say to this?"</p> + +<p>"Yes," quietly.</p> + +<p>"Then why don't you speak out? Are you horribly shocked?"</p> + +<p>"No."</p> + +<p>"No? Well, so much the better!"<span class='pagenum'><a name="Page_166" id="Page_166">[166]</a></span></p> + +<p>Hagar arose, pushed back her chair, crossed the room, and, +pulling back the curtain, looked out into the night. Then turning +her inscrutable old face upon the girl she said, quite calmly:</p> + +<p>"Why should not others measure out to John Arthur the +same bitter draught that he filled for your mother, years ago? +Bah! it is only retribution!"</p> + +<p>"True," said the girl, sternly. Then, in a guarded tone: +"And you would make no attempt to overturn their finely +laid plans?"</p> + +<p>"I? <i>No!</i>" fiercely. "You? I thought you wanted revenge."</p> + +<p>"And so I do,—and will have it."</p> + +<p>"How, then?"</p> + +<p>"Will you go to Madame Arthur?"</p> + +<p>"What for?"</p> + +<p>"Ah, now you reason. I will tell you."</p> + +<p>Hurriedly she unfolded her plan; and after some differences +of opinion, dame Hagar agreed to play her part in the coming +drama. Having finally arranged Hagar's <i>rôle</i> to their mutual +satisfaction, Céline hurriedly recounted her day's adventures, +saying, by way of <i>finale</i>:</p> + +<p>"So now you see, nursie, I must hasten and send madame's +message on its way. I shall depend upon you to tell me if Mr. +Davlin comes to Bellair to-morrow, for I have a fancy that +madame will manage, in some way, to prevent his coming to +the house, as it was fully settled that he was not to appear at +Oakley until summoned to his sister's sick-bed."</p> + +<p>"I can easily learn if he appears at the Bellair station."</p> + +<p>"Exactly; that is all I wish to know. Now I must go and +waylay Mr. Percy. So good night, auntie, and cheer up; our +time is coming fast."</p> + +<p>"And trouble coming, too; God help us."<span class='pagenum'><a name="Page_167" id="Page_167">[167]</a></span></p> + +<p>The girl turned upon her swiftly, with flashing eyes. "Are +you afraid? Do you want to give it up?"</p> + +<p>"I am afraid for you. But give up now; never!"</p> + +<p>"Brave old nursie!"</p> + +<p>The girl flung both arms about the old woman, and kissed +her withered cheeks.</p> + +<p>"Never fear for me; my star is rising. Don't forget your +mission, auntie; good-night."</p> + +<p>The "good-night" came back over her shoulder, as the girl +was hurrying down the cottage steps, and Hagar closed the door +behind her retreating figure.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XVI" id="CHAPTER_XVI"></a>CHAPTER XVI.</h2> + +<h2>FACE TO FACE.</h2> + + +<p>It is surprising to note how many pretexts a resolute, husband-hunting +spinster can find for keeping a victim at her side, +long after his soul has left her, and gone forth with yearning +for a downy couch, a fragrant cheroot, or a fairer face.</p> + +<p>Edward Percy could be agreeable, for a reasonable length of +time, to a very ugly woman. But even he felt himself an injured +man when, at a late hour, he said good-night for the +eleventh time to his fair enslaver—literally an enslaver, he +thought. As the door of Oakley manor actually and audibly +closed behind him, he heaved a sigh of gratification, and strode +rapidly down the winding avenue.</p> + +<p>When the first group of trees had sheltered him from the view +of the infatuated spinster, should she still be gazing after him,<span class='pagenum'><a name="Page_168" id="Page_168">[168]</a></span> +Mr. Percy paused, and standing in the shadow, produced a cigar +and was proceeding to light it, when a hand fell lightly upon +his arm, and he turned with a confused idea that she had followed +him, and was about to lead him back a prisoner. But the figure +that he dimly saw was, certainly, not that of Miss Arthur.</p> + +<p>"Pardon, monsieur! but I have a message for you."</p> + +<p>"Ye gods!" ejaculated the aggrieved man.</p> + +<p>Evidently the girl interpreted his thoughts, for she stifled a +laugh as she said, quickly: "Not from Miss Arthur, monsieur; +but from madame."</p> + +<p>"Oh, from madame," drawing a long breath. "Well, even +madame will be a blessed relief; out with it, girl."</p> + +<p>"Madame will be grateful, I am sure," said the girl, mockingly. +"Madame desires a word with you—now, to-night. +Will you follow me?"</p> + +<p>"Where?"</p> + +<p>"To madame; she will be in the terrace arbor directly."</p> + +<p>"Oh, very well," replacing his cigar in his pocket; "lead on, +then."</p> + +<p>Céline flitted on before, until the arbor became dimly visible +down the pathway. Then she paused, pointed it out to her companion, +and said: "Madame will soon join you there, sir. Now +I must hasten to my mistress; I have kept her waiting too long."</p> + +<p>With a low, mischievous laugh she darted away in the direction +of the house.</p> + +<p>Percy turned and gazed after her; then followed a few paces +and watched again, until she disappeared under a wide portico. +Heaving a sigh of relief he turned back toward the arbor.</p> + +<p>"I want no eavesdropping," he muttered; "and that minx +might listen if she had time. She is no more a French maid +than I am; she forgot her <i>monsieur</i> just now. But a sham maid +is very appropriate for a sham maiden; now for Alice;" and he +entered the arbor.</p> + +<p><span class='pagenum'><a name="Page_169" id="Page_169">[169]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_023.jpg" width="400" height="573" alt=""I am afraid for you. +But give up now; never!"—page 167." /> +<span class="caption">"I am afraid for you. +But give up now; never!"—<a href="#Page_167">page 167.</a></span></div> + +<p><span class='pagenum'><a name="Page_170" id="Page_170">[170]</a></span></p> + +<p>Had Mr. Percy been able to follow the retreating footsteps of +the objectionable French maid, however, he might have found +occasion to change his opinion of her lack of time for eavesdropping, +and there was excellent opportunity for its practice about +the shrubbery-surrounded arbor.</p> + +<hr style='width: 45%;' /> + +<p>Meantime Ellen Arthur, having reluctantly bidden her +"blonde demi-god" a last good-night, sought her chamber, +swelling with satisfaction, and feeling somewhat hungry. Passing +the door of her sister-in-law's rooms, she encountered Sarah, +the romantic housemaid, who was just entering, bearing wine +and a tiny glass. Glancing within, she encountered the gaze of +Cora, who stood holding in her hand some black lace drapery.</p> + +<p>"Horribly late, isn't it?" yawned that lady, nodding good-naturedly. +"Set down the wine, Sarah, and then you may go. +I'm so dismally slumbersome that if I keep you to help me, I +shall fall asleep on your hands. Have some wine, Ellen?"</p> + +<p>"No, thanks," said the spinster. "If you don't want Sarah, +she may bring me up a nice lunch as soon as possible. I won't +detain you any longer; good-night."</p> + +<p>And Miss Arthur, who had meditated entering and giving Cora +the benefit of some of her maiden dreams and fancies, marched +away, a trifle offended at the manner in which her sleepy sister-in-law +had anticipated and warded off the interview. Cora's +good-night floated after her as she sailed down the corridor. +Then she heard the door closed and the bolt shot into the socket. +A little later, the door opened noiselessly, and a female figure +glided down the dark stairways out into the night, and toward +the arbor.<span class='pagenum'><a name="Page_171" id="Page_171">[171]</a></span></p> + +<p>"Céline shall undo my hair," Miss Arthur thought, "and I'll +have her try that new set of braids and puffs, if it is late. I +don't feel as if I could sleep."</p> + +<p>But Céline was not dutifully waiting in her mistress's dressing-room.</p> + +<p>Sarah appeared with the lunch, and offered her services, but +was summarily dismissed, for Miss Arthur did not deem it wise +to initiate the house servants into the fearful and wonderful +mysteries of her toilet. Therefore, she lunched in solitude and +disgust, but heartily, notwithstanding, having just put off her +very elaborate, but rather uncomfortable evening dress and donned +a silken gown, acting as her own maid.</p> + +<p>Then she fidgeted herself into a most horrible temper, and sat +deliberately down before the grate in a capacious dressing-chair, +determined to wait until the girl came, and deliver a most severe +and stately reprimand, the exact words of which she had already +determined upon.</p> + +<p>The lady, sitting thus with her feet on the fender, her hands +comfortably clasping the big arms of the dressing chair, and her +head lolling rather ungracefully over its back, fell into slumber.</p> + +<hr style='width: 45%;' /> + +<p>If Mrs. John Arthur had made a midnight appointment with +Lucifer, she would have fortified herself for the encounter by +making a "stunning" toilet. It was one of her fixed principles—she +had fixed principles—never to permit friend or foe of the +male persuasion to gaze upon her charms when they would show +at a disadvantage. So when she entered the arbor, which was +suffused with a soft moonlight glow from a heavily-shaded +lamp, for the arbor stood among dense shrubbery, and but for +this lamp would have been in Egyptian darkness, she was indeed +a personification of loveliness.<span class='pagenum'><a name="Page_172" id="Page_172">[172]</a></span></p> + +<p>Ungracious as was his mood, Percy would not have been a +beauty-adoring mortal if he had not paid involuntary tribute to +the charms of the woman who was his bitterest foe. Gazing +down upon her a moment, he said in his soft legato:</p> + +<p>"I am almost angry at you for being so beautiful, after having +taken yourself to other lovers, <i>Ma belle</i>."</p> + +<p>The woman smiled triumphantly, as she threw herself into an +easy chair, and said in her softest, sweetest tone: "And did you +expect me to go mourning for you all these years, sir?"</p> + +<p>"I don't think you were ever the woman to do that;" dropping +lazily into a rustic seat near her. "May I smoke?"</p> + +<p>Cora nodded.</p> + +<p>"Are you sure we are quite safe here?" looking about him. +"Somehow, I am suspicious of that sharp French maid."</p> + +<p>"Quite sure," nodding again. "Mr. Arthur was in bed before +I came out; Miss Arthur was ordering up a lunch to her +room, and the French maid must needs be in attendance for an +hour or more; and besides, I know she is not at all dangerous. +None of the other servants ever have occasion to come here, and +most of them are in bed by now."</p> + +<p>"So your charming sister-in-law eats, does she? After parting +from me, too; ugh!"</p> + +<p>"Eats? I should think so," laughing softly; "in her own +room, when her stays are not too tight."</p> + +<p>"Spare me!"</p> + +<p>He held up both hands in mock deprecation; then, dropping +his bantering tone, said, as he puffed at his cigar:</p> + +<p>"But now to business. You did not come out here in such +bewitching toilet to tell me that my charmer eats?"</p> + +<p>"Hardly," with a pretty shrug.</p> + +<p>"For what, then?"<span class='pagenum'><a name="Page_173" id="Page_173">[173]</a></span></p> + +<p>"To come to an understanding with you," coolly.</p> + +<p>"As how?" in the same tone.</p> + +<p>"As to our future standing with each other."</p> + +<p>"I thought that was settled to-day?"</p> + +<p>"Did you? I don't think it was settled."</p> + +<p>"Well, what remains, fair Alice?"</p> + +<p>"Will you drop that name?"</p> + +<p>"For the present, yes; but with reluctance."</p> + +<p>"Oh, certainly!" bitterly. "Now, what are we to be henceforth?"</p> + +<p>"Friends, of course," knocking the ashes off his cigar.</p> + +<p>"You and I may be allies; we can never be friends," she said, +scornfully.</p> + +<p>"Don't trouble yourself to be insulting, Mrs.—a—Arthur."</p> + +<p>"Then don't make me remember how I have hated you!"</p> + +<p>"Have you really hated me? How singular."</p> + +<p>"Very!" sarcastically; then: "If you don't drop that disagreeable +tone we shall quarrel. I wish to know what you want +with Ellen Arthur."</p> + +<p>"Shade of my grandmother! If you don't drop that disagreeable +name, I shall expire. Haven't I had enough of her for +one day? Alice, I know revenge is sweet, but spare me."</p> + +<p>"Bother! I must talk about her, else how can we settle anything? +Do you suppose I am going to allow that sweet girl to +be deceived?" This with mock indignation.</p> + +<p>"Oh, no; certainly not! Well, if I must, I must. First, +then—"</p> + +<p>"First, what position do you intend to take towards me?"</p> + +<p>"That depends upon yourself."</p> + +<p>"On conditions?"</p> + +<p>"On conditions."</p> + +<p>"Name them."<span class='pagenum'><a name="Page_174" id="Page_174">[174]</a></span></p> + +<p>"I am to be received as an honored guest whenever I shall +choose to visit Oakley."</p> + +<p>"Well."</p> + +<p>"Next, you are to do all in your power to further my suit +with Miss—you know."</p> + +<p>"That's an easy task."</p> + +<p>"Lastly, you are to promise me not, now or at any future time, +to declare to any one aught you may know that might be to my +disadvantage."</p> + +<p>"That is to say, I am not to tell Ellen Arthur, or others, that +you have two wives—"</p> + +<p>"Softly; one, my dear, <i>one</i>. Mrs. Percy Jordan, number one, +is dead; you alone are left. You see, Alice, my dear, the thing +is reversed. You have two husbands now, while I—"</p> + +<p>"Will have two wives as soon as you can get them!"</p> + +<p>"Just so."</p> + +<p>"And what guarantee have I that you will not betray me to +Mr. Arthur?"</p> + +<p>"The very best in the world; mutual interest."</p> + +<p>Cora pondered. "I don't see but that you are right," she +said, at last. "It certainly will not be to your interest to attempt +to annoy me now, but how long is this truce to last?" looking at +him keenly.</p> + +<p>Percy smoked away in tranquil silence.</p> + +<p>"Of course, I understand what you mean by a marriage with +Miss Arthur," scornfully. "How long will it take you to +squander her dollars? And after that, what will you do?"</p> + +<p>"Question for question, fair cross examiner; how long do you +intend remaining so quietly here, the bond slave of this idiotic +old man? And what will you do when this play is played out?"</p> + +<p>"Because I ran away from a profligate young husband, who<span class='pagenum'><a name="Page_175" id="Page_175">[175]</a></span> +had decoyed me into an illegal marriage—illegal for me, but +sufficiently binding to have put you in the penitentiary for a +bi—"</p> + +<p>"Don't say it, my dear; don't. It's an ugly word, and, after +all, are we not both in the same boat?"</p> + +<p>"No," angrily. "Do you think I have been so poorly +schooled during these years that you can make me think now that +you have any hold upon me? Bah! your case is but a flimsy +one. When you deceived me into a marriage with you, you +had already another wife. You hid me away in a suburban +box of a cottage, fancying I would be content, like a bird in a +gilded cage. You never dreamed that meek little <i>I</i> would follow +you, and find out from the woman's own lips that she had +a prior claim upon you!"</p> + +<p>"Candidly, I didn't credit you with so much pluck," said +Percy, coolly.</p> + +<p>"No! and when I charged you with your perfidy, and wept +and upbraided you, and then became pacified when you told me +that every proof of your marriage with that other was in your +control, you did not dream that I would feign submission until +I had gained possession of the proofs of both your marriages, +and then run away?"</p> + +<p>"And succeed in baffling my search for ten long years," +supplemented he, grandiloquently. "No, fair dame, I did not."</p> + +<p>"Your search, indeed! It was not a very eager one."</p> + +<p>"Well, in truth it was not. The fact is, your beauty entrapped +me into that very foolish marriage; but I was a trifle +weary of blonde loveliness in tears, etc., so I didn't get out the +entire police force, you see."</p> + +<p>"And you wouldn't have found me if you had."</p> + +<p>"Indeed! why not?"<span class='pagenum'><a name="Page_176" id="Page_176">[176]</a></span></p> + +<p>"Because, if it will afford you any satisfaction to know at +this late stage of the game, I sailed for Europe the very day I +quitted your house."</p> + +<p>"No!" opening his eyes in genuine astonishment. "Had it +all cut and dried? Well, I like that! Why, little woman, if +you had only developed one half the pluck latent in you, before +you flitted, I would never have given you 'just cause,' etc., +for leaving me."</p> + +<p>The woman smiled triumphantly, but made no other answer.</p> + +<p>"Well, what next? I am really becoming interested in your +career."</p> + +<p>"Sorry I can't gratify your curiosity. My career has been a +very pleasant one—seeing the world; generally prosperous. +And this brings me back to the starting point: why should you +think, because I left you with good cause, ten years ago, that I +must necessarily forsake, sooner or later, a husband who is +kindness itself, and who leaves no wish of mine ungratified?"</p> + +<p>"First reason," checking them off on his fingers: "Because +you don't love this old man, and love is the only bond that +such women as you will not break."</p> + +<p>"Thanks!" ironically, bending her head.</p> + +<p>"Second, because a dull country house, be it ever so elegant, +will not long satisfy you as an abiding place. I have not forgotten +your girlish taste for pomp, pageant and all manner of +excitement; a taste that has doubtless become fully developed +by now. Third, because you have, at this present moment, a +lover whom you prefer above all others, and to whom you will +flee sooner or later."</p> + +<p>"Perhaps you can substantiate that statement," sneered +Cora.</p> + +<p>"Well, not exactly; but I know women. My dear, say<span class='pagenum'><a name="Page_177" id="Page_177">[177]</a></span> +what you please to me, but don't expect to be believed if you +will insist upon doing the devoted wife."</p> + +<p>"I insist upon nothing," said Cora, rising, "and I have not +time for many more words. Let us come to the point at once: +With my life, after I left you, you have nothing to do; you +know nothing of it now, and you will learn no more from me. +Of you, I know this much. I know that you clung, after your +fashion, to the skirts of your unfortunate wife, spending her income +and making her life miserable. I know that six years +ago you inherited a fortune from a distant relative. I know +that from that time you utterly neglected your wife, who had +been an invalid for years; and that soon after she died, heart-broken +and alone."</p> + +<p>Percy turned upon her, and scrutinized her face keenly; then, +coming close to her, said, meaningly: "And then I wonder that +you did not come back to me."</p> + +<p>For a moment the woman seemed confused, and off her guard. +But she had not sought an interview with this man without fully +reviewing her ground.</p> + +<p>"I had ceased to care for you," she said, lifting her unflinching +eyes to his face; "and I did not need your money. Come, +enough of the past; you have squandered your fortune, and now +you want another. You want to put yourself still more into my +power by marrying a third wife—so be it; I consent."</p> + +<p>"Not so fast. You are first to promise me to place in my +hands, on my 'marriage morn,' those unpleasant little documents +which you hold against me. In return for which you will receive +a sum of money, the amount of said sum to be hereafter +arranged. Then we go our separate ways."</p> + +<p>"And if I refuse?"</p> + +<p>"Then, painful as it is, I must do my duty. You are to<span class='pagenum'><a name="Page_178" id="Page_178">[178]</a></span> +give me your answer when I return to Bellair; no time for +tricks, mind. If the answer is no, then I interview Mr. John +Arthur."</p> + +<p>"And you return?—"</p> + +<p>"The day after to-morrow."</p> + +<p>"Then you shall have my answer. Until then—"</p> + +<p>She swept him a stately courtesy, which he returned with a +most elaborate bow.</p> + +<p>Without another word from either, they separated; she gliding +swiftly and silently toward the house, he going once more in +the direction of Bellair village.</p> + +<hr style='width: 45%;' /> + +<p>How long she had slept it never afterward occurred to Miss +Arthur to inquire. Something recalled her from the land of +visions, and starting up in her chair she saw Céline, standing +demurely before her, her face wreathed in smiles, and no signs +of any uncanny adventure lingering about her.</p> + +<p>Beholding her safe and sound Miss Arthur began to pour out +upon the luckless head of Céline, the vials of wrath prepared +for her benefit.</p> + +<p>The girl listened with a face indicative of some secret source +of amusement. Noting her look of evident unconcern, and the +laughter she seemed vainly striving to keep under, Miss Arthur +brought her tirade to an abrupt termination, and demanded to +know what Miss Céline Leroque saw, in her appearance, that +was so very ludicrous.</p> + +<p>Whereupon Miss Céline Leroque dropped upon a hassock, at +the feet of her irate mistress, and laughed outright—actually +laughed unreservedly, in the presence and despite the rage of the +ancient maiden!</p> + +<p><span class='pagenum'><a name="Page_179" id="Page_179">[179]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_024.jpg" width="400" height="566" alt=""Then you shall have my answer. +Until then—"—page 178." /> +<span class="caption">"Then you shall have my answer. +Until then—"—<a href="#Page_178">page 178.</a></span></div> + +<p>Then observing that she was preparing another burst of wrath, +<span class='pagenum'><a name="Page_180" id="Page_180">[180]</a></span>the girl appeared to be struggling for composure, and vainly endeavoring +to articulate something, of which Miss Arthur could +only catch the name, "Mr. Percy." Thereupon she fairly bounced +out of her chair, demanding to know "what on earth" Mr. +Percy had to do with her maid's reprehensible conduct.</p> + +<p>"Oh, mademoiselle, everything!" gasped Céline. "Only let +me explain, and mademoiselle will laugh, too. Oh, <i>Mon dieu, +Mon dieu</i>!"</p> + +<p>Calming herself by a violent effort, Céline told her story, and +its magic dispelled the wrath of her much neglected, sorely aggrieved +mistress. Such a pretty little story it was, interspersed +with sly looks, knowing nods, and rippling bursts of laughter. +Listened to with, first, disdainful silence; then, growing interest; +last, spasmodic giggles, <i>apropos</i> ejaculations, and much +blushing and maidenly confusion.</p> + +<p>"You see, mademoiselle, after you had gone down, I went to +my room, to take just a few little stitches upon some of my poor +garments, that I must wear to-morrow. I don't know how it +was, but I sat on my bedside thinking, after it was done, and +fell off asleep."</p> + +<p>"Off the bed?"</p> + +<p>"Oh! no, no, mademoiselle; off into sleep, I mean. When I +awoke I was anxious to know how much time I had slept away, +and came down to your apartments. You were still in the +drawing-room, and I passed on to the kitchen, surprised to find +that it was very late. 'I will hasten,' I thought, 'and can so +go to the village, and telegraph my sister before my mistress +rings for me;' for I didn't think," with a sly look, "that you +would be at liberty <i>very</i> early in the evening. The—what you +name him?—a—operateur, was out, and I had to wait a little +time. Coming back so late, I became afraid of the woods, and +took the path along the highway. Entering at the front and +coming up the avenue, I was about to pass around by the east +walk to the side entrance when,—" stifling a laugh.</p> + +<p><span class='pagenum'><a name="Page_181" id="Page_181">[181]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_025.jpg" width="400" height="569" alt=""O, Mademoiselle, every thing!" +gasped Céline.—page 180." /> +<span class="caption">"O, Mademoiselle, every thing!" +gasped Céline.—<a href="#Page_180">page 180.</a></span></div> + +<p><span class='pagenum'><a name="Page_182" id="Page_182">[182]</a></span></p> + +<p>"Well?" impatiently.</p> + +<p>"When the front door opened and I, standing in the shadow, +saw the light fall upon the face and figure of Monsieur Percy."</p> + +<p>"Yes; go on."</p> + +<p>"I mention this, mademoiselle, only to show you how I know +so positively that it <i>was</i> monsieur who—oh! oh!" laughing +again softly.</p> + +<p>"Who?" with increased impatience; "who did what, girl?" +eyeing her suspiciously.</p> + +<p>Céline composed herself and continued: "Seeing monsieur, +I stopped, for I did not wish him to discover me abroad so late. +So I stood in the thick shade until he should have passed. He +came slowly toward me and, just about four paces from my +hiding-place, paused, turned and looked, back at the house. I +could see him gazing toward the upper windows, and presently +I saw your shadow upon the blind as you entered your dressing-room. +The light shone out from your window, too; and after +looking for a while, I heard him murmur to himself: 'That +must be her window; I believe I am bewitched, for I can't bear +to lose its light,' and then—"</p> + +<p>"Stop laughing, you ridiculous girl! And what then?"</p> + +<p>"And then, mademoiselle, he began walking up and down +within sight of your window—"</p> + +<p>"Ah!" rapturously.</p> + +<p>"Oui; and I—oh, mademoiselle, he was in the very path +that I must take to approach the side entrance. And he +walked and walked, and I waited and waited. Then I thought +I would try getting around by the other way, and creep up<span class='pagenum'><a name="Page_183" id="Page_183">[183]</a></span> +carefully from the terrace. So I crept along to the other side, +back of the arbor, and up the terrace, and managed to reach +the entrance unseen. <i>Mon Dieu</i>, mademoiselle, the door was +locked! I was shut out! What was I to do then? I sat me +down in the shadow of the portico and waited once more. +After a terribly long time I could see that he was not moving +up and down. I peeped cautiously, and he seemed to be departing. +Then I came out stealthy as a cat, and found that he +was going away, and the reason—"</p> + +<p>"The reason?"</p> + +<p>"Oui, mademoiselle; the light in your room had disappeared."</p> + +<p>"Disappeared!"</p> + +<p>"Oui, mademoiselle. Then I bethought me there might yet +be a chance. I came up to the front entrance and tried the door. +It was not locked. My heart leaped for joy. I blessed the +carelessness of the servants, and stole cautiously in. I came +to this room. All was dark; but the coals there showed me +your figure in the chair. I could not mistake the graceful outlines +of mademoiselle. I entered very quietly, relighted your +lamp—some little breeze must have flared it out while you +slept. I was looking at you, and wondering what you would +say if you knew how nearly crazy with love you had driven +that stately, handsome Monsieur Percy, when you awoke."</p> + +<p>It is needless to say that, long before Céline had finished +her recital, her mistress was in the best of humors. Indeed, +Céline's volubly uttered, intensely flattering, highly probable +recital, had an exhilarating effect upon her; so much so, that +the lady found sleep now quite impossible. So poor Céline was +doomed, after all, to build the new braids and puffs into a wonderful +edifice upon the head of Miss Arthur, and to repeat over +and again the sweet story of "how he loved her."<span class='pagenum'><a name="Page_184" id="Page_184">[184]</a></span></p> + +<p>The "wee sma'" hours were beginning to lengthen once more +when Céline was released from duty, and went wearily up to +her room; wearily, yet with undimmed eyes, and the mischievous +dimples still lurking about the corners of her mouth.</p> + +<p>She muttered: "Bah! it is better than sleep, after all; if only +the others were as easily duped as she!"</p> + +<p>By which words, a listener might have been led to suppose +that Céline Leroque had been practising deception upon some +confiding individual.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XVII" id="CHAPTER_XVII"></a>CHAPTER XVII.</h2> + +<h2>GATHERING CLUES.</h2> + + +<p>Claire had been absent all the morning, had gone to make +some call; at least she had said to Olive, at breakfast, "I +think I will take the ponies, Olive, and drive into the city this +morning. It is nice out of doors, and I have made no calls since +I came here."</p> + +<p>Olive Girard sat alone in her cosy drawing-room. She had +been reading, but the book was somehow not in tune with her +mind or mood. She had allowed it to fall at her feet, where it +lay, half opened, while she drifted away from the present in sorrowful +reverie. Lifting her eyes, she saw a cab drive away from +the villa gate, and a form hurrying along the marble pathway. +Springing up, Olive herself threw open the door, and clasped +her arms about—Miss Arthur's French maid! who returned the +caress with much enthusiasm.</p> + +<p>"Madeline, my dear child, how glad I am to see you!"</p> + +<p>"Even in this disguise?" laughed the girl.<span class='pagenum'><a name="Page_185" id="Page_185">[185]</a></span></p> + +<p>"Even in blue glasses, and that horrid jacket," smiled Olive. +"What an ugly thing it is. Come and take it off, <i>ma belle</i>; do," +leading the way up the stairs.</p> + +<p>"I come, autocrat, and I shall much enjoy getting out of this +head-gear," shaking her bewigged head. Then abruptly, +"Where's Claire?"</p> + +<p>"Out for a drive and some calls," without looking back. +"How surprised and glad she will be to see you. Now, come +in and make a lady of yourself once more." She led the way +into Madeline's room. "Are you tired, dear?"</p> + +<p>"Not at all."</p> + +<p>"Then come into my boudoir when you are dressed, and we +will have a cosy chat while waiting for Claire."</p> + +<p>"I won't be long," responded the girl. "I have a good many +things to say to you, which had better be said before Claire +comes."</p> + +<p>"Very well; I await your ladyship," and Olive closed the +door, leaving Miss Arthur's maid alone.</p> + +<p>"I thought so," muttered she, tearing off the blue glasses; +"she has gone to meet Edward Percy. Poor dupe! it is indeed +time to act."</p> + +<p>She discarded the ill-fitting jacket, flung away the ugly black +wig, and, in a very few moments, stood arrayed in a pretty, +neatly fitting gown, glowing and lovely,—Madeline Payne once +more.</p> + +<p>"I wonder if I shall see or hear of <i>him</i>," she whispered to +herself as she crossed to Olive's boudoir. "Oh, if I could! It +would be one ray of sunlight only to clasp his hand!"</p> + +<p>Olive had been informed of all that Madeline herself knew, +of the doings at Bellair, at the time when the girl went down, +disguised as Céline Leroque. Now, therefore, Madeline lost no<span class='pagenum'><a name="Page_186" id="Page_186">[186]</a></span> +time in making Olive acquainted with, at least a part of, the +events that had transpired during her sojourn in the Oakley +mansion, in the capacity of maid. Of Edward Percy she said +not a word, for reasons of her own, wishing to keep all knowledge +of him from Olive for the present.</p> + +<p>"You see, I was just in time, Olive," she supplemented, when +Mrs. Girard had expressed her astonishment at the startling +revelations of the past four weeks. "I had not an hour to lose in +setting my snare for these plotters. They little dream what is +in store for them. Poor Kitty! I feel like a wretch when I +think of the advantage I took of her, by making her poor dead +body a weapon, as one might say, against a villain whom she +would never have lifted a finger to injure in her life. But I +could see no other way. Do you know, Olive, they are going +to erect a stone over her, bearing my name?"</p> + +<p>Olive looked up in surprise. "No! is it possible?"</p> + +<p>"Yes, quite. I fancy John Arthur thinks he will feel more +thoroughly assured of my demise, when he can see my name on +a marble slab."</p> + +<p>"Now, tell me what especial purpose brought you up to town +to-day."</p> + +<p>Madeline moved restlessly in her chair. "A medley," she +said, laughing uneasily. "A woman's reason; things being quiet, +I wanted recreation, and to tell you of my success thus far. +Then, a detective's reason; to get from you some information +bearing upon your own affairs, as connected with Lucian Davlin. +Then I want to see Dr. Vaughan, in his professional capacity. +But mind, Olive, not a word to him of my discoveries just yet."</p> + +<p>"Certainly not, if you do not wish it."</p> + +<p>And this was all the mention made by either of Clarence +Vaughan.<span class='pagenum'><a name="Page_187" id="Page_187">[187]</a></span></p> + +<p>"You see," began Madeline, after a brief silence, "Mrs. John +Arthur and her quondam brother, hold occasional private interviews. +As they generally prove interesting, I make it a point +to be present whenever possible. Now, from some chance words +dropped at different times, I have been led to think that if I +were more fully informed in regard to this Percy, I might find +the missing link. Indeed, I may tell you I have found a clue, +just the shadow of something that, if I could develop it, might +prove of wonderful value to both of us."</p> + +<p>"Oh! if you could find out anything that would throw light +upon this dark wrong they have done Philip, these men—"</p> + +<p>"Well, Olive, I think we may hope. Now, may I begin to +cross-question you?"</p> + +<p>Olive smiled sadly. "Go on, my little lawyer."</p> + +<p>"First, then, were you personally acquainted with this Percy?"</p> + +<p>"No."</p> + +<p>"You have seen him?"</p> + +<p>"At the trial; yes."</p> + +<p>"Describe him."</p> + +<p>"A blonde man, handsome, some would call him, with a soft, +languid voice. I did not observe further."</p> + +<p>"Would you know him if you saw him again?"</p> + +<p>"Certainly. His was a rather uncommon face, and then the +association—"</p> + +<p>"Just so," interrupting her; "and would he know you?"</p> + +<p>"I think not. I was heavily veiled, by Philip's order."</p> + +<p>"Now, try to recall all that Philip has told you of this man."</p> + +<p>"They were college students together. Philip said that Percy +was indolent and vain, and too fond of female society of any sort +or grade. He made wonderful progress in such studies as he +chose to apply himself to, and, had he been less of a sybarite,<span class='pagenum'><a name="Page_188" id="Page_188">[188]</a></span> +might have obtained high rank as a scholar. But he was erratic, +full of queer conceits, and never made himself popular +with either professors or students."</p> + +<p>"Social standing not good, eh? Now, as to his finances."</p> + +<p>Olive looked somewhat surprised at this question, but replied: +"His parents were not well to do, but he was a favorite with +a rich old uncle, who paid his college expenses and made him a +liberal allowance. However, he fell into disgrace just before his +class graduated, and his uncle cast him off. He never took his +degree."</p> + +<p>"What was the occasion of his disgrace?"</p> + +<p>"Some scandalous affair with a mechanic's daughter; the +particulars I did not learn."</p> + +<p>"Of course not. They are of no consequence. This happened +how long ago?"</p> + +<p>Olive mused. "Philip is now thirty-three; this was twelve +years ago."</p> + +<p>"Good! Did he hear of Mr. Percy after that?"</p> + +<p>"Yes; in less than a year, he married a wealthy woman, ten +years his senior, and a widow, so it was reported. Percy, it is +said, denied this marriage, and continued to live and go and +come, like a bachelor. If the marriage ever occurred, it was +kept, for some reason, very much under the rose. Be this as it +may, Percy was always provided with money from some source. +He used to gamble sometimes, but was not an habitual gamester. +Philip said he was too much of a sybarite and ladies' man to be +wedded to such sports."</p> + +<p>"Yet he played with Lucian Davlin, and lost heavily?"</p> + +<p>"True."</p> + +<p>"Well, is this all you have to tell of Mr. Percy?"</p> + +<p>"Not quite. About a year before the catastrophe of the hunting<span class='pagenum'><a name="Page_189" id="Page_189">[189]</a></span> +party, the uncle who had cared for him during his college +career, died. Percy inherited his wealth, the old man, +after all, making his will in favor of his graceless nephew." +Olive paused for a moment, then added, "I believe that is all I +can tell you of this man. I have not seen or heard of him since +poor Philip was sent to prison."</p> + +<p>Madeline sat gazing abstractedly into the grate fire, her hands +clasped in her lap, working restlessly, as was their habit, when +she was thinking deeply. Suddenly a sharp exclamation broke +from her lips, and Olive turned towards her a look of surprised +inquiry. But Madeline was clasping and unclasping her hands +nervously, with eyelashes lowered, and brow knitted in a frown.</p> + +<p>"Olive," she said, after a long cogitation, "you have put into +my hands another thread, a very valuable one. Don't ask me +any questions now; I want to get my ideas in shape."</p> + +<p>Olive's face wore an anxious look, but she had learned the +lesson of patient waiting, so she quietly acquiesced, and then a +long silence fell between them.</p> + +<p>Madeline resumed the conversation, or rather recommenced it. +She made no further mention of that part of the subject nearest +the heart of Olive Girard. She made inquiries as to affairs and +recent events at the village, talked of Claire, and finally said:</p> + +<p>"Olive, I want you to go out with me during the day, and +perhaps we had better go early. I must return to Bellair by to-morrow +morning's train, you know."</p> + +<p>"Yes; and I am sorry that you stay with us such a very short +time. Where do you intend going, Madeline?"</p> + +<p>"To a detective,—that is, if you will repeat your generous +offer, which I so cavalierly declined not long ago, to be my +banker for an indefinite time."</p> + +<p>"Gladly, dear child; now you are beginning to be sensible.<span class='pagenum'><a name="Page_190" id="Page_190">[190]</a></span> +But the detective,—may I venture to inquire?" with assumed +hesitation.</p> + +<p>"You may," laughed Madeline. "And don't give me credit +for all the ingenuity. True, I have racked my poor feminine +brain and feminine instinct, coupled with the knowledge obtained +by some keen experience with Treachery, Despair, and +Hate. These grim but very efficient instructors have aided me +materially, simple, inexperienced girl as I was so recently—or so +long ago, as it seems to me. And good old Aunt Hagar, who +has been in this woful world many years—years full of vicissitudes +and sharp life-lessons—is my counsellor and adviser. She +aids me greatly with her shrewdness, and knowledge of the world +and the folk in it. So we have discussed this point together and +concluded that, in order to leave no loopholes open in our nice +little net, we had better have the movements of Mr. Lucian +Davlin closely watched while he is in the city."</p> + +<p>"To discover—"</p> + +<p>"Who he calls upon, and what manner of man he will choose +to assume the <i>rôle</i> of 'physician from Europe,' etc. Without +putting the full facts of the case into the hands of the officer, we +will arrange to know all about the man who will help Davlin +carry out their last scheme. No train shall leave the city on +which he would, by any possibility, set out for Bellair accompanied +by this sham physician, without the knowledge of our +man, or men, of skill. All discoveries made are to be reported, +through you, to Mademoiselle Céline Leroque, who will receive +said reports in <i>propria persone</i>, at the Bellair post-office. Then +I must proffer a request, that Doctor Vaughan will hold himself +in readiness to come to Oakley, should I find it necessary to +summon him, accompanied by another physician, or not, as shall +be hereafter decided."<span class='pagenum'><a name="Page_191" id="Page_191">[191]</a></span></p> + +<p>"I don't just see how all this is to end, but these two steps +appear to me to be in the right direction. I am ready to undertake +your commissions, and to act as your banker to the fullest +extent of your needs."</p> + +<p>After a few more words they decided that, as Claire did not +return, and time was precious, they would order a carriage immediately +after luncheon, and pay a visit to the detective forthwith. +Accordingly, half an hour earlier than usual, a light repast +was served, and sparingly partaken of. Then having left +a message for Miss Keith, who was momentarily expected, the +two friends drove into the city.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XVIII" id="CHAPTER_XVIII"></a>CHAPTER XVIII.</h2> + +<h2>THE HAND OF FRIENDSHIP WIELDS THE SURGEON'S KNIFE.</h2> + + +<p>Returning two hours later, they found Claire impatiently +waiting their arrival, radiantly beautiful, and overflowing with +joy at sight of her beloved Madeline.</p> + +<p>"You delightfully horrible girl!" she exclaimed, after greetings +had been exchanged, and they had all seated themselves in +the drawing-room. "To think that you are growing more +lovely every day, and that you go and hide all your beauty under +an old fright of a wig, nasty blue spectacles, and deformities of +jackets! I declare, it's too bad! And then to wait on an old +spinster who wears no end of false hair, and false teeth, and +false—"</p> + +<p>"Puzzled already. So much for not being a lady's maid; +Now, I can enumerate every 'falsehood' assumed by that lady."<span class='pagenum'><a name="Page_192" id="Page_192">[192]</a></span></p> + +<p>Then Madeline gave a ludicrous description of Miss Arthur +and her peculiarities, causing even grave Olive to laugh heartily, +and Claire to exclaim that she should watch the advertisements, +and try playing ladies' maid herself.</p> + +<p>Madeline once more recounted, in brief, the state of affairs +now existing at Oakley, or as much as she had told Olive, +during which recital impulsive Claire kept up a running fire of +comments, indicative of surprise, indignation, disgust, and very +one-sided interest.</p> + +<p>"I never heard of such a nest of vultures," she exclaimed, +excitedly, when Madeline had completed her story. "Why, +it's worse than a chapter out of a French drama. Goodness +gracious, Madeline Payne, I only wish I could help you deal +out justice to these wretches! Where is my fairy godmother +now, that she don't come and convert me into a six-foot +brother, to take some of this burden out of your little weak +hands?"</p> + +<p>"Not so weak as you may think, you little warrior. These +hands," holding them up to view, "have a very strong cause, +let me tell you—and you think you would like to help me?" +laughing oddly.</p> + +<p>"Wouldn't I!" with a fierce nod that made her two companions +laugh again.</p> + +<p>The afternoon was wearing away, and Madeline began to +grow restless, at finding no opportunity for saying a word in +private to Claire. At last fortune favored her. Olive, seeing +her gardener digging about a little summer-house, which was a +favorite retreat on a warm afternoon, bethought herself of a +plan for adding to its comfort, by laying down certain vines, +etcetera, for next season's growing. So she bade the girls note +how she should have improved her arbor by another season, +and hurried out to begin an argument, that from previous experience +she knew would be hotly contested.</p> + +<p><span class='pagenum'><a name="Page_193" id="Page_193">[193]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_026.jpg" width="400" height="568" alt=""You delightfully horrible +girl!"—page 191." /> +<span class="caption">"You delightfully horrible +girl!"—<a href="#Page_191">page 191.</a></span></div> + +<p><span class='pagenum'><a name="Page_194" id="Page_194">[194]</a></span></p> + +<p>This was Madeline's opportunity. And as soon as Olive was +out of hearing, she turned to Claire saying:</p> + +<p>"Claire, I have not told you, nor Olive, all that I have discovered. +For reasons, which you will understand later, I have +thought it best to make them known to you first. We must invent +some excuse for absenting ourselves from the parlor for a +while."</p> + +<p>Claire looked grave and somewhat startled for an instant, but +recovering her composure she said, simply: "I am at your disposal, +dear."</p> + +<p>"I think I had better go to my room and lie down," meaningly. +"Tell Olive, when she comes in, that I feel fatigued, +and have gone to my room to rest. Then you had better plead +letters to write, and follow me. Can you manage it?"</p> + +<p>"Easily," smiled Claire. "Why, Bonnie, Aileen, this becomes +more and more mysterious and interesting."</p> + +<p>"Wait before you pass judgment; now I am gone."</p> + +<p>Madeline quitted the drawing-room and sauntered leisurely +up-stairs.</p> + +<p>When Olive reappeared, Claire carried out the little programme, +as arranged, and hastened to join Madeline, musing as she went:</p> + +<p>"What could have induced that odd darling to confide in +stupid little me, while she leaves wise, thoughtful Olive in the +dark?"</p> + +<p>Madeline was pacing the floor when Claire entered the room. +She motioned her to a chair, and pushed the bolt in the door, +thus rendering intrusion impossible.</p> + +<p>"What <i>can</i> you be thinking of, Madeline, with that gloomy +face?" exclaimed Claire, nestling into an easy chair as she spoke.<span class='pagenum'><a name="Page_195" id="Page_195">[195]</a></span></p> + +<p>"I am thinking, Claire," replied Madeline, gazing down at +her sadly, "of the first time I ever saw your sister, and of the +errand on which she came to me. How full of hope I was that +morning! How radiant the day seemed, and how confident I +was of happiness to come; as confident as you are to-day, Claire, +darling."</p> + +<p>There was something in Madeline's tone that sounded almost +like pity, as she uttered these last words. Claire started and +colored, but still was silent.</p> + +<p>"Olive did a brave, generous deed, but at that time I almost +hated her for it," musingly.</p> + +<p>"Oh, no, Madeline," interposed Claire, "you don't mean +just that, I am sure. You never really hated our noble, unhappy +Olive."</p> + +<p>"I felt very wicked, I assure you," smiling faintly. Then, +abruptly: "How should you have felt, similarly placed?"</p> + +<p>"I?" wonderingly; "mercy! I can't tell."</p> + +<p>"Claire, think," in a tone almost of entreaty. "I want to +know—I must know."</p> + +<p>"You must know? Why, Madeline?"</p> + +<p>"Because—because I want to find out what is in you; how +strong you are."</p> + +<p>Claire looked more and more mystified. "State your case, +then," she said, quietly. "I will try and analyze myself."</p> + +<p>"Good; now, Claire Keith, suppose that you love some man +very much, and you trust him without knowing why, for no +other reason than that you love him. When you are happiest, +because you have but just parted from your lover—"</p> + +<p>Claire started and colored a little.</p> + +<p>"When you are thinking of the time, not far away, when +you shall not part from him any more—suppose that just then<span class='pagenum'><a name="Page_196" id="Page_196">[196]</a></span> +I, a friend whom you have loved, come to you and say: 'This +hero of yours is false; he is a two-faced villain; he has deceived +you; he is not honorable; he will betray you if he can.' What +would you answer me?"</p> + +<p>Claire lifted her head proudly. "I would make you take back +every word you had uttered, or prove it beyond the shadow of +a doubt!"</p> + +<p>"And if I proved it?"</p> + +<p>"Then I would thank you; and hate myself for having been +deceived, and him for having deceived me."</p> + +<p>"Would you grieve for him, Claire?"</p> + +<p>Quick as thought came the answer:</p> + +<p>"Grieve for him! No; I could no more love a liar and a +villain than I could caress a viper! I tell you, Madeline, I understand +your feelings when you say that you hate Lucian +Davlin," shuddering.</p> + +<p>"And you would not hate me also for rudely undeceiving you?"</p> + +<p>"Hate my best friend; my benefactor? No!"</p> + +<p>"I am thankful!"</p> + +<p>"But, Madeline, what does all this mean? Is this what you +wanted to say to me? What can my feelings have to do with +your case?"</p> + +<p>"Claire,"—Madeline's face was very sad again—"this case is +<i>our</i> case."</p> + +<p>"<i>Our</i> case?"</p> + +<p>"Yes, ours; Olive's, yours, mine. And now I am going to +test your strength."</p> + +<p>Claire did not look very strong just then.</p> + +<p>"You saw Edward Percy to-day."</p> + +<p>Claire Keith sprang to her feet. "How do you know that? +And what has he to do with the case?"<span class='pagenum'><a name="Page_197" id="Page_197">[197]</a></span></p> + +<p>"I know it because we, Mr. Percy and myself, came to this +city by the same train, and I could easily surmise that his business +here was with you."</p> + +<p>"Well?" haughtily.</p> + +<p>"Ah!" sadly; "you are almost angry with me now. But +listen, Claire. Are you perfectly familiar with all the facts connected +with poor Philip Girard's sad disgrace?"</p> + +<p>"I think so," coldly.</p> + +<p>"You know that he was convicted upon the testimony of +Lucian Davlin and another?"</p> + +<p>"Yes."</p> + +<p>"Do you recall the name of the man who was wounded, so +said the jury, by Mr. Girard?"</p> + +<p>Up sprang Claire, her eyes blazing. "Madeline," she cried, +"I see what you are coming at. You have got into your head +the ridiculous idea that this man Percy and Edward Percy are +the same. It is absurd!"</p> + +<p>"Why?"</p> + +<p>"Because—because it <i>is</i>!" Then, as if the matter were quite +settled, "why, he must have been in Europe at the time."</p> + +<p>"Claire, you are getting angry with me, and I have a long +story to tell you. But there is an easy way to settle this matter. +Are you willing to let me take the picture you have of Edward +Percy, and accompany me into Olive's presence while I ask her +if she ever saw the original?"</p> + +<p>Nothing else could have so effectually quenched Claire's wrath. +She saw that Madeline had some strong reason for her strange +words. Sitting down with paling cheeks and trembling limbs, +she thought. Then looking across at Madeline, she said, +wearily:</p> + +<p>"I can't understand you at all, Madeline. It never once occurred<span class='pagenum'><a name="Page_198" id="Page_198">[198]</a></span> +to me to connect the man who brought all that trouble +upon poor Philip with my Edward Percy. It does not seem +possible that they could be the same. I had supposed the other +Percy to be a man like—like Davlin."</p> + +<p>"My dear, did you ever see Davlin?"</p> + +<p>"No."</p> + +<p>"And you have fancied him a sort of handsome horse jockey, +and this Percy one of the same brotherhood?"</p> + +<p>"Perhaps;" smiling a little.</p> + +<p>"Claire, Lucian Davlin is an Apollo in person, a courtier in +manner, and a Mephistopheles at heart. And Percy is an +abridgement of Davlin."</p> + +<p>"I can't see," said Claire, rather frostily, "even if Edward +Percy is the man who was wounded by some unknown person +five years ago, why he must of necessity be a villain and a deceiver. +It would be very, very unpleasant, of course, to find +that such were the case. But I could not hate Edward Percy +for that, even if the fact must separate us."</p> + +<p>"Claire, Edward Percy is not only the man who helped send +your sister's husband to prison, but he is a villain doubly perjured; +a deceiver, a betrayer. If justice ever gets her due he +will end his days in the penitentiary."</p> + +<p>Then, seeing that Claire was about to speak: "Let me finish; +now you shall have your proof."</p> + +<p>She recounted all there was to tell, from the day when Claire +showed her the picture and she distrusted the face, to the present +moment.</p> + +<p>Claire Keith listened in immovable silence; not a muscle +quivered. For many minutes after Madeline had finished her +recital, she sat staring straight before her, like a statue. At +length she arose and crossed to the door, drew back the bolt<span class='pagenum'><a name="Page_199" id="Page_199">[199]</a></span> +with a steady hand, put up a warning finger, and said, in a voice +like frozen silver: "Wait;" then disappeared.</p> + +<p>Madeline scarcely had time to wonder what she meant, before +Claire was back, standing before her, calm and cold as an iceberg. +She held in her hand the picture of Edward Percy, +with the face turned away, and this she extended to Madeline.</p> + +<p>"It is best that we make no mistakes," she said, quietly; +"go show that to Olive. Don't tell her how it came into your +possession; ask her if it is he. Then come back to me."</p> + +<p>"Shall I tell her—" began Madeline.</p> + +<p>"Tell her nothing until you have brought me back the +picture."</p> + +<p>She pushed her toward the door.</p> + +<p>Madeline walked down-stairs, sorely puzzled, but thinking +fast. "She fights these facts bravely," she muttered. "Does +she doubt, I wonder?"</p> + +<p>Olive was sitting before the window, watching the movements +of John, the gardener, when Madeline entered the parlor. +Going straight to her, she placed the picture in her hand, and +said:</p> + +<p>"Do you know that face?"</p> + +<p>Olive Girard gave a startled cry.</p> + +<p>"Madeline, how did you come by this?"</p> + +<p>"No matter," calmly; "do you know the picture?"</p> + +<p>"Yes."</p> + +<p>"Who is he?"</p> + +<p>"The man who sent my husband to prison—Percy."</p> + +<p>Madeline took the picture from her hand. "Are you sure?"</p> + +<p>"I could swear to the face after these five years."</p> + +<p>"Thank you, Olive. Now be patient; I must go back to my +room for a little while. Don't ask me any questions yet. When<span class='pagenum'><a name="Page_200" id="Page_200">[200]</a></span> +I come down I will tell you how I obtained this, and why I +have talked to you so much of this man."</p> + +<p>Madeline walked out of the room, leaving Olive staring after +her in bewilderment.</p> + +<p>Claire was sitting in the same attitude as when she left her. +"Well?" she said, raising her eyes.</p> + +<p>"She recognized it immediately. She would swear that it is +the man who sent her husband to prison."</p> + +<p>"Thank you, dear."</p> + +<p>Claire took the picture from her hands, and without once +glancing at it, she bent forward and dropped it into the grate.</p> + +<p>Madeline threw herself on her knees at the girl's side. "Oh, +Claire, Claire! I have made you miserable; forgive me."</p> + +<p>"What for? You have done me a great service. Do you +think I want that man's love?"</p> + +<p>"But Claire—"</p> + +<p>"I loved an ideal; that ideal, see;" pointing to the grate. +"Do you think I shall cry after a pinch of ashes?" looking her +full in the face. Then, with a shrug of annoyance. "You have +roused poor Olive's curiosity; she must hear of this miserable +discovery of ours, or yours—bah," stamping her foot angrily, +"my pride is hurt more than my heart!"</p> + +<p>"Your pride need not suffer more than it does already, Claire. +You have seen me humbled to the dust; see me so still; and +surely it won't be so very bitter to think that poor Madeline +knows that your sunny life has suffered one little shadow. I +will tell Olive all I know of Edward Percy, save that you have +ever seen him. The knowledge that he has crossed your path +can in no way benefit her, or aid us in unmasking him. Evidently, +he does not know that you are in any way connected +with the fortunes of Philip Girard. Let this rest between us. +If this plan suits you, perhaps I had better go and tell my story +to Olive. I have twice postponed a revelation to-day."</p> + +<p><span class='pagenum'><a name="Page_201" id="Page_201">[201]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_027.jpg" width="400" height="565" alt=""She bent forward, and dropped +it into the grate."—page 200." /> +<span class="caption">"She bent forward, and dropped +it into the grate."—<a href="#Page_200">page 200.</a></span></div> + +<p><span class='pagenum'><a name="Page_202" id="Page_202">[202]</a></span></p> + +<p>"The plan does suit me. Many, many thanks, dear Madeline," +said Claire, calmly and gently. "And now, as I must, +of course, be supposed to first hear this story after it has been +told to Olive, or at that time, I would prefer being present when +you enlighten her. Let us dress for dinner, go down together, +and—I leave the rest to your tact."</p> + +<p>Madeline could readily comprehend that it would be easier for +Claire to sit, with Olive, a listener, than to wait and hear the +story from the lips of her sister. If it were left to Olive to tell, +Claire's face might betray her heart, perhaps. But now, hearing +it from Madeline, and with Olive, whose surprise and dismay +at the revelation would quite effectually cover up any signs of +emotion Claire might manifest, the thing did not appear so +difficult.</p> + +<p>Madeline signified her approval, and they separated to dress +for dinner.</p> + +<p>Claire Keith made her toilet with swift, firm fingers, and all +the while she was thinking fiercely, scornfully. She was not +stunned by the blow that had stricken her love and her pride. +Rather, it seemed, she was quickened into unusual activity and +clearness of thought.</p> + +<p>After a time, perhaps, she would feel more the sadness, the +cruelty, of the hurt; now she felt the outrage to her pride, and +a fierce self-scorn that she could have ever loved a man so base. +She hated Edward Percy for having deceived her, and equally +she despised herself for having been thus deceived by this +specious flatterer.</p> + +<p>"You little fool!" she scoffed at her image reflected back from +her mirror. "You are a very idiot among idiots! I wonder<span class='pagenum'><a name="Page_203" id="Page_203">[203]</a></span> +where are all your high notions now. So," giving her hair an +angry jerk, "you perched yourself aloft on a pinnacle, didn't +you? You looked down upon all your sisterhood who were +deceived, or betrayed, or sorrowing; and you wondered how +women could be so weak; how they <i>could</i> be deluded by base +men. You looked upon poor dead Kitty, and wondered what +was the flaw in her intellect that made her the slave of a +gambler and a villain. You argued that only an unsophisticated +school girl could be deceived as was poor Madeline. Oh, +you have been very proud, and very high has been your +standard of manly worth, Miss Claire Keith! So high that +the man who has occupied it might easily slip from that pedestal +to—Haman's gallows!"</p> + +<p>At this point in her tirade, something suspiciously like a sob +arose in her throat, and checked her utterance. But it did not +retard her activity, and in a much shorter time than she usually +spent upon an evening toilet, Miss Keith stood, accoutered and +defiantly calm, at Madeline's door.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XIX" id="CHAPTER_XIX"></a>CHAPTER XIX.</h2> + +<h2>A DUAL RENUNCIATION.</h2> + + +<p>Madeline Payne had lingered over her toilet, pondering the +incomprehensible manner of Claire Keith. She now stood before +her mirror, brush in hand, thinking.</p> + +<p>"Not ready yet?"</p> + +<p>If Madeline could believe her eyes, Claire was actually smiling!<span class='pagenum'><a name="Page_204" id="Page_204">[204]</a></span></p> + +<p>"I thought you would be waiting for me," continued Claire, +composedly, pulling a big chair forward, and sitting down where +she could look full in Madeline's face. "But it is just as well; +there is something that I want to say, before we go down. Why +don't you go on with your hair?"</p> + +<p>Madeline's hand, brush and all, had dropped to her side, and +she was silently staring at her friend. Without a word she resumed +her employment, looking more at Claire than at her own +reflected image.</p> + +<p>"You guessed rightly, when you accused me of having seen +Mr. Percy to-day," pursued Claire.</p> + +<p>"Accused, Claire?"</p> + +<p>"Well, informed, then. I did see him. He wrote me a +letter; it was posted at Bellair; you see," smiling bitterly; +"that I have no reason for doubting anything you have +told me."</p> + +<p>A new light broke over Madeline's face. "Do you doubt?" +she asked, quickly.</p> + +<p>"Not one word!"</p> + +<p>"Oh!" drawing a breath of relief. "You were so composed +I thought—"</p> + +<p>"That I was hoping to disprove your statements? Not at +all. And why should I not be composed? Do you think my +heart could break for such a man?"</p> + +<p>"Hearts don't break so easily," said Madeline, gloomily, "but +they ache sometimes."</p> + +<p>"Do they?" placing her hand over her heart and smiling +faintly. "Well, mine don't ache either, yet; but it burns."</p> + +<p>Madeline stayed her brush again. "No," she murmured, +"it don't ache <i>yet</i>."</p> + +<p>Claire made a gesture of impatience. "Oh, I know what<span class='pagenum'><a name="Page_205" id="Page_205">[205]</a></span> +you mean, Madeline! By and by my heart will ache, of course—I +know that, having discovered, quite recently, that I am +human. One can't feel outraged and angry always, and sometimes, +I suppose, my day-dreams will come back and haunt me. +Well, that is a part of the price we have to pay for intruding +into dreamland when we are not asleep. But this is not what +I began to say. Edward Percy met me to-day, and this is +what he told me: He said he was going away, upon some +geological expedition, and would most likely be gone a year. +He wanted me to promise to hold myself free until he could return +and claim me. He would exact no other promise now, +only pledging himself. At the end of a year, all obstacles to +our open engagement would be removed. I, of course, supposed, +then, that the 'obstacles' referred to, were business and financial +ones. Don't think, Madeline, that we have been in the habit +of meeting clandestinely. He visited me openly in Baltimore, +but not often enough to excite remark; and we frequently met +at other places, as he went in the best society there."</p> + +<p>Claire paused, but Madeline went on with her toilet in grave +silence.</p> + +<p>"Madeline, darling, I can't thank you enough for opening +my eyes before it was too late, while it was no worse—and I can't +explain my feelings. I despise him, and I despise myself for +being thus duped. It is my pride that is suffering now but, of +course, I know that, despise the man as I may, my heart will be +heavier and my life darker, because of what I believed him to +be. Now let us go to Olive."</p> + +<p>Madeline Payne threw her arms impulsively about her friend +and murmured, brokenly:—"Claire, Claire! you are braver than +I, and far, far more worthy. You have a right to be happy, +and you shall be."<span class='pagenum'><a name="Page_206" id="Page_206">[206]</a></span></p> + +<p>And in that moment the girl renounced a resolve she had +taken, and a hope she had cherished.</p> + +<p>As they descended the stairs together Claire fancied that she +looked paler, and a thought sadder than before.</p> + +<p>They found Olive and dinner waiting. As they took their +places about the luxury-laden board, three lovelier women or +three sadder hearts could not have been found in a day's journey.</p> + +<p>Of the three, Claire Keith was the calmest, the most self-possessed. +All that was to be related by Madeline, all that Olive +was waiting in anxious expectation to hear, she knew already. +The best and the worst had been revealed to her; her own course +was clear before her. So she ate her dinner with composure, +and bore a large share in the table talk that, but for her, would +have been rather vague and spasmodic.</p> + +<p>Dinner was an ordeal for Olive, at least, on that day, for her +mind was filled with thoughts of Philip, and wonderment as to +how the picture of the man who had been his ruin came into the +possession of Madeline, who was making herself more and more +of a mystery.</p> + +<p>Madeline, too, was restless. She wished the revelation were +made and done with. She wondered if she could control the +future so far as Olive was concerned, for she had made her plans, +and did not propose to let the work be taken out of her hands.</p> + +<p>When Madeline had related to Olive the events that had been +transpiring at Oakley, she had narrated faithfully the scenes between +Cora and Percy, but she had withheld the name of the +latter, a fact which was not even noticed by Olive, who had not +been especially interested in this last actor upon the scene.</p> + +<p>Now, when dinner was over, and they had grouped themselves +about the grate, its ruddy glow illuminating the twilight that +was fast giving place to evening shadows, Madeline retold the<span class='pagenum'><a name="Page_207" id="Page_207">[207]</a></span> +story of Percy's first interview with Cora on his arrival, and +his second, in the summer-house, the overhearing of which had +caused that long absence from Miss Arthur's dressing-room, +which necessitated her ingenious and highly improbable explanation +to the aggrieved spinster, with which the reader is already +acquainted.</p> + +<p>During this recital the face of Olive Girard was a study. It +changed from curiosity to wonder; from wonder to a dawning +hopefulness of finding in all this a possible clue, that might +help her husband to his freedom. Then despair took the place +of hope, as the clue seemed to elude her grasp. At the end, +astonishment and incredulity fairly took away her breath. She +sank back in her chair without uttering a word.</p> + +<p>Madeline waited for comments, but Claire was the first to +speak. During the recital she had been able to think, and to +some purpose. As the disjointed fragments were joined together +by Madeline, Claire was drawing shrewd and close inferences. +Now she lifted her head and asked:</p> + +<p>"Madeline, have you formed any sort of a theory, as to how +all this might affect Olive and Philip?"</p> + +<p>Madeline looked up in surprise at the question, and answered +it by asking another: "Have you?"</p> + +<p>"Yes, but I think Olive would rather hear yours; and mine +is, as yet, but half formed."</p> + +<p>Olive had regained a measure of her composure, and now she +sat erect, and said, eagerly:</p> + +<p>"Madeline, I have been too much surprised and shocked to +think clearly. Think for me, child, and for mercy's sake, tell me +at once all that you suspect."</p> + +<p>"I suspect much," replied the girl, gravely; "but what we +want is <i>proof</i>. First we want to find out who is the party who<span class='pagenum'><a name="Page_208" id="Page_208">[208]</a></span> +accompanied Madame Cora, or Alice, as Percy called her, to +Europe, for to Europe she went. Did she know Lucian Davlin +ten years ago? Did they go together to Europe?"</p> + +<p>"You want to know, first of all," said Claire, interrupting +her, "when the intimacy of those two did begin. The woman +may not have known him ten years ago. It would be easier to +find out if they have been allies during the past five years."</p> + +<p>Madeline turned a look of surprised admiration upon the +speaker as she replied:</p> + +<p>"You are right, Claire, and keener than I. Yet, my theory +is, that they were friends before the woman fled from her cottage +in the suburbs. I think the stealing of the marriage certificate +has a strong savor of a man's thoughtful cunning. The woman +could not have been so deep a schemer in those days. Now, +Olive, let us suppose that these two were plotting in unison. +Edward Percy's first wife dies, and no one the wiser about the +marriage. Then he inherits his uncle's wealth. If Edward +Percy were to die then, the woman, Cora, could come forward +as his widow, display the proofs of their marriage, and inherit +his fortune. He seems to have no living relatives, but, even +should other heirs appear, she would claim her widow's portion."</p> + +<p>"Good heavens!" gasped Olive.</p> + +<p>"Wait," pursued Madeline; "now, don't you see, supposing +all the rest true, that if Lucian Davlin attempted the life of +this man, with the view of getting his money, and if he failed +in some manner unknown,—don't you see that, holding over +Percy's head the fear of the law, and the proofs of his having +committed bigamy, he might thus silence him? Then, that the +two disliking Philip Girard, and finding the opportunity to +throw suspicion upon him by circumstantial evidence, would +naturally do so."<span class='pagenum'><a name="Page_209" id="Page_209">[209]</a></span></p> + +<p>Olive Girard was fearfully agitated, but, after a few moments, +had in a measure recovered her self-possession. Then the three +seemed seized with a desire to talk all at once. And talk they +did,—fast, earnestly, excitedly at times.</p> + +<p>At last, out of many words, they evolved a plan of action, +and having arrived at a definite conclusion, they settled down +into partial calm once more; a calm that was broken by a most +agreeable ripple.</p> + +<p>Doctor Clarence Vaughan was announced, and ushered into +their presence, all in the same moment.</p> + +<p>Doctor Vaughan was glad to see Madeline; that was evident. +But while he expressed his pleasure in frank, brotherly fashion, +his eyes wandered from her face to that of Claire Keith.</p> + +<p>It was only a look, but Madeline Payne would have exchanged +all the smiles, hand clasps, and brotherly words she +could ever hope to receive from him, for one such glance from +his eyes. But the tender wistfulness was all for Claire—blind +Claire, who saw nothing of it.</p> + +<p>Madeline withdrew her hand from his clasp, uttering, as she +did so, a flippant commonplace in response to his hearty greeting, +but Claire had caught the look in his eyes, and the false +gayety in Madeline's voice, and it caused her to wonder.</p> + +<p>Heretofore she had lived in a dream of her own, and had +been careless of the varying expressions of those about her. +Her dream had been dispelled, and she seemed now to have a +keener eye for the emotion of others. Troubles of our own, +sometimes, open our eyes to the fact that our friends are not all +supremely happy. Then we naturally fall to speculating as to +the cause. This was the case with Claire. She speculated a +little as to why the eyes of Dr. Vaughan rested upon her, with +that half-sad expression in them. Then she wondered why the<span class='pagenum'><a name="Page_210" id="Page_210">[210]</a></span> +spirit of perversity had possessed Madeline, and induced her to +extend to Doctor Vaughan so shabby a welcome. Then, without +realizing it, she fell to observing the manner of these two +more closely.</p> + +<p>"Well, Miss Payne, what report do you bring from the +enemy's country?" he asked, after a few commonplaces between +himself and the mistress of the house.</p> + +<p>"I have not been in the enemy's country, Doctor Vaughan; +the enemies are infesting mine."</p> + +<p>"As you please, little warrior," smiled he. "Then may I +ask, how goes the battle?"</p> + +<p>"Oh, yes! you may ask," crossing over and seating herself +beside Olive, "but your curiosity must wait. It's a ridiculous, +tiresome story, and wouldn't amuse you much, or interest you, +either. I am going to let Mrs. Girard inflict it upon you, when +she thinks you need a penance."</p> + +<p>"I think <i>you</i> need a penance now, Miss Payne, for accusing +me of too much curiosity, and too little interest."</p> + +<p>"Oh, I didn't mean that, exactly," shrugging her shoulders +carelessly. "I suppose, of course, a physician is interested to a +certain extent in all his subjects, living or dead; but I can't let +you dissect my mind to-night. Besides," laughing maliciously, +"I know you would recommend leeches and blisters, and maybe +a straight jacket, and I can't be stopped in my charming career +just yet."</p> + +<p>Clarence Vaughan seemed not in the least offended by the +girl's cool insolence. He smiled indulgently, and when Olive +ventured a gentle remonstrance, he murmured to Claire, with a +half laugh: "Miss Madeline is incomprehensible to me; do you +understand her, Miss Keith?"</p> + +<p><span class='pagenum'><a name="Page_211" id="Page_211">[211]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_028.jpg" width="400" height="563" alt=""Dr. Vaughan was ushered +into their presence."—page 209." /> +<span class="caption">"Dr. Vaughan was ushered +into their presence."—<a href="#Page_209">page 209.</a></span></div> + +<p>And Claire, looking across at her friend, replied, oddly: "I +<span class='pagenum'><a name="Page_212" id="Page_212">[212]</a></span>love her, Doctor Vaughan, and I begin to understand her, I +think."</p> + +<p>"Do you?" smiling down upon her. "Then some day will +you not interpret her to me?"</p> + +<p>Claire's answer was again given oddly, as, lifting her eyes to +his face, she said, quite gravely: "If it is necessary to do so, +perhaps I will."</p> + +<p>Then conversation became general; rather Dr. Vaughan +talked, and they all listened.</p> + +<p>Claire found herself thinking that Doctor Vaughan was a +noble-looking man; not alluringly handsome, as was Edward +Percy; not possessing the magnetic fascination that Madeline +had described as belonging to Lucian Davlin. But he had a +fine face, nay, a grand face, full of strength and sweetness; not +devoid of beauty, but having in it something infinitely better, +truer, and more godlike than mere physical beauty can impart +to any face.</p> + +<p>Then she thought of Madeline, of her loneliness, her sorrow, +and her need of just such a strong, gentle nature to lean upon, +to look up to, and to obey. "She would obey <i>him</i>," quoth +Claire to herself.</p> + +<p>Next she fell to watching Madeline, through half-closed eyelashes. +She saw how the girl listened to his every word; how, +when his eyes were not upon her, she seemed to devour him +with a hungry, longing, sorrowful gaze.</p> + +<p>"As if she were taking leave of him forever," thought +Claire.</p> + +<p>And that is what Madeline was doing. When she came to +the city, it was with the determination to win the love of this +man, if it could be won; to let nothing stand between herself and +the fulfillment of that purpose. But all this had been changed,<span class='pagenum'><a name="Page_213" id="Page_213">[213]</a></span> +and seeing how bravely Claire bore the shock of her lover's +baseness, how proudly, how nobly, she commanded herself, +Madeline had abandoned her purpose.</p> + +<p>"I am not worthy of him, and she is," she told herself.</p> + +<p>When she declared that Claire should be happy, she bade +farewell to her own hope of future happiness. She would help +him to win the girl he loved, and then she would be content to +die; aye, more than content.</p> + +<p>To-night, therefore, she was saying in her heart a farewell to +this man, who was so dear to her. She had almost hoped that +she should not meet him again for the present, and yet she was +so glad to have seen him once more. She was glad of his +presence, yet fearful lest her good resolution might be shaken. +She would not let him be too kind to her, rather let him think +her ungrateful, anything—what could it matter now?</p> + +<p>"Shall you not come back to the city soon, Miss Payne? +Surely your old home can not be the most charming place, in +your eyes," questioned Clarence, after a time.</p> + +<p>"I don't intend returning to the city—at least, not for some +time, Doctor Vaughan."</p> + +<p>Clarence looked perplexed.</p> + +<p>To break the silence that ensued, Claire crossed to the piano +and began playing soft, dreamy fragments of melody.</p> + +<p>Presently Olive took up the conversation, and when Madeline +again turned her face toward him, he was listening to Olive +and looking at Claire. It was the same look, yearning, tender.</p> + +<p>Claire, all unconscious of his gaze, was looking at Madeline, +as she played softly on.</p> + +<p>As Olive and Clarence talked, Claire saw the face of the girl +grow dark; she saw her eyes full of a hungry, despairing light, +and gradually there crept upon her the remembrance that she<span class='pagenum'><a name="Page_214" id="Page_214">[214]</a></span> +had seen that same look, only not so woful, in the eyes of +Clarence Vaughan; that same look fixed upon herself. Involuntarily +her fingers slipped from the keys, and she turned +from the instrument to encounter the same gaze fastened upon +her now; ardent, tender, longing eyes they were, and her own +fell before them.</p> + +<p>Claire Keith was troubled. She wanted to be alone, to +think. She murmured an excuse; her head ached; she would +retire.</p> + +<p>Clarence had noted an unusual brightness in her eye, and a +feverish flush upon her cheek. Now, however, she was quite +pale, and as she extended her hand to him with a strange, new +sensation of diffidence and consciousness, he clasped it for a +moment in his own, and said, earnestly: "You do not look at +all well, Miss Keith; you are sure it is only a headache?"</p> + +<p>"Quite sure," smiling faintly.</p> + +<p>"Then good-night. I shall enquire after your head to-morrow."</p> + +<p>"Thank you," she murmured.</p> + +<p>Then nodding to her sister and Madeline, she glided from the +room.</p> + +<p>It had <i>all</i> come upon her at once. Edward Percy was an +impostor; Edward Percy, as she had believed in him, had +never existed. The love that she had believed hers was hers no +longer, or, if it were, she no longer desired it. Almost simultaneously +with this knowledge, came the unspoken assurance +that she was the possessor of a worthier love, a manlier heart.</p> + +<p>She could not feel glad to know this, yet she was not sorry. +Somehow it soothed her to know that she was not a forsaken, +loveless maiden. It was something to possess the love of so +good a man, even if she could make it no return.<span class='pagenum'><a name="Page_215" id="Page_215">[215]</a></span></p> + +<p>But Madeline. Poor Madeline; she loved this man; she +needed his love, she must have it.</p> + +<p>Claire pulled back the curtains from her window, and gazed +out into the starlit night. "She needs this love," the girl murmured. +"Clarence Vaughan shall learn to love her, if I can +bring it about. Yes, <i>even if I loved him</i>, I would give him up +to her."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XX" id="CHAPTER_XX"></a>CHAPTER XX.</h2> + +<h2>STRUGGLING AGAINST FATE.</h2> + + +<p>When Claire left the drawing-room, Madeline had started up +as if about to follow her. Recalling herself, she sat down again, +keeping, as before, near to Olive, and taking as little share in +the conversation as was possible. She dared not trust herself +too much; her good resolves were strong, but not stronger than +was the charm of his voice and presence.</p> + +<p>"Let them think me uncivil," she murmured to herself; +"what does it matter now?"</p> + +<p>But her trial was not over. Olive and Clarence had held +frequent council together concerning the wayward girl, and how +they could best influence her aright without breaking the letter +or spirit of their promise to her. And the absence of Claire +added to their freedom of speech.</p> + +<p>Olive had intimated to Doctor Vaughan that Madeline had +taken some, perhaps unsafe, steps in the pursuit of her enemies. +He, understanding the impetuosity of the girl, as well as her +reckless fearlessness, could not conceal the anxiety he felt.</p> + +<p>Acting under an impulse of disinterested kindness, Clarence<span class='pagenum'><a name="Page_216" id="Page_216">[216]</a></span> +Vaughan crossed the room and sat down by Madeline's side.</p> + +<p>"Miss Madeline," he said, as respectfully as if to an empress, +"we, Mrs. Girard and myself, cannot get rid of the idea that +somehow you partly belong to us; that we ought to be given a +little, just a very little, authority over you."</p> + +<p>There was a shade of bitterness in the girl's answer. "You +have the <i>right</i> to exercise authority over me, if you choose to do +so. You are my benefactors."</p> + +<p>They felt the reproof of her words. This keen-witted, uncontrollable +girl, was putting up barrier upon barrier between herself +and their desire to serve her. Very quietly he answered +her:</p> + +<p>"You do us an injustice, when you suggest that we claim your +confidence on the score of any indebtedness on your part. It +has been our happiness to serve you. If we have not your +esteem, if we may not stand toward you in the light of a brother +and sister, anxious only for your welfare and happiness, then we +have no claim upon you."</p> + +<p>"My happiness!"</p> + +<p>The face was averted, but the lips were pale and drawn, and +the words came through them like a moan.</p> + +<p>Olive stirred uneasily. She could see that the girl was suffering, +although she did not guess at the cause.</p> + +<p>"Yes," continued Clarence, laying his hand gently upon hers; +"Madeline,—will you let me call you Madeline?—will you let +me be your brother? I have no sister, almost no kin; I won't +be an exacting brother," smilingly. "I won't overstep the limits +you set me, but we must have done with this nonsense about +benefactors, and gratitude, and all that."</p> + +<p>No answer, eyes down dropped, face still half-averted, and +looking as if hardening into marble.<span class='pagenum'><a name="Page_217" id="Page_217">[217]</a></span></p> + +<p>"What is my fate?" still holding her hand. "Can you accept +so unworthy a brother?"</p> + +<p>"Yes," in such a cold, far-away tone.</p> + +<p>He lifted the hand to his lips. "Thank you, Madeline," he +said, as if she had done him high honor.</p> + +<p>Madeline felt her courage failing her. How could she listen +to him, talk to him, with anything like sisterly freedom, and not +prove false to her resolve to further his cause with Claire? And +yet how could she refuse him the trust he asked of her?</p> + +<p>It was very pleasant to know that he was thus interested +in her; she felt herself slipping quickly into a day-dream in +which nothing was distinct save that there existed a bond between +them, that he had claimed the right to exercise authority +over her, and that she was very, very glad even to be his slave. +Listening to his voice, a smile crept to her lips, and—</p> + +<div class="poem"><div class="stanza"> +<span class="i4">"The eyes smiled too,<br /></span> +<span class="i0">But 'twas as if remembering they had wept,<br /></span> +<span class="i0">And knowing they would some day weep again."<br /></span> +</div></div> + +<p>"I don't intend to give up my claims upon Madeline; I +elected her my sister, when I brought her home with me. And +I had been flattering myself that I was to have a companion, +but I am afraid she will run away from me. She ought to take +Claire's place in my home, ought she not? Claire is with me +so little," said Olive.</p> + +<p>Madeline smiled sadly. "I could never do that," she said; +"I could no more fill Claire's place than I could substitute myself +for the rays of the sun."</p> + +<p>"Claire would laugh at you for that speech," said Olive.</p> + +<p>"But it is true; is it not?" appealing to Doctor Vaughan.</p> + +<p>He colored slightly under her gaze. "We don't want two<span class='pagenum'><a name="Page_218" id="Page_218">[218]</a></span> +Claires," he said; "but you can be yourself, and that will make +us happy."</p> + +<p>The girl let her eyes fall, and rest upon her clasped hands.</p> + +<p>"I would like to make you happy," she said, softly.</p> + +<p>"Really?"</p> + +<p>"Really," lifting her eyes to his face.</p> + +<p>"Then, promise us that you will let us help to right your +wrongs, and that you will come back, like a good sister, and stay +with Mrs. Girard."</p> + +<p>Her face hardened. "I can not," she said, briefly.</p> + +<p>"You will not," seriously.</p> + +<p>No answer.</p> + +<p>"Madeline, what is it you wish to do?"</p> + +<p>"What I wish to do, I can not. I can tell you what I intend +to do," sitting very erect.</p> + +<p>"Then what do you intend?"</p> + +<p>"I intend," turning her eyes away from them both, and fixing +them moodily upon the fire, "to follow up the path in which I +have set my feet. I intend to oust a base adventuress from the +home that was my mother's; to wrest the fortune that is mine +from the grasp of a bad old man, and make him suffer for the +wrong he did my mother. I intend to laugh at Lucian Davlin, +when he is safe behind prison bars; to hunt down and frustrate +an impostor, and by so doing, clear the name of Philip Girard +before all the world." Her voice was low, but very firm, dogged +almost, in its tone.</p> + +<p>He turned a perplexed face toward Olive.</p> + +<p>"What does it all mean?" he asked.</p> + +<p>"What she says," replied Mrs. Girard, flushing with suppressed +excitement. "She has found a clue that may lead to +Philip's release."<span class='pagenum'><a name="Page_219" id="Page_219">[219]</a></span></p> + +<p>He moved nearer to the girl, and taking her hand, drew her +toward him, until she faced him. "Madeline, is this true?"</p> + +<p>"Yes."</p> + +<p>"And you will hold me to a promise not to lift a hand to +help clear the name of my friend?" reproachfully.</p> + +<p>"Yes," unflinchingly.</p> + +<p>"Are you doing right, my sister?"</p> + +<p>She attempted to draw away her hand.</p> + +<p>"Child, what can you do?"</p> + +<p>She turned her eyes toward Olive. "She will tell you what +I have done. I can do much more."</p> + +<p>Olive came suddenly to her side. "Oh, Madeline!" she +said, "let him take all this into his hands. It is not fit work +for you. It will harden you, make you bitter, and—"</p> + +<p>Madeline wrested her hand away and sprang up, standing +before them flushed and goaded into bitterness.</p> + +<p>"Yes," she cried, wildly, "I know; you need not say it. +It will harden me; it has already. It will make me bitter and +bad, unfit for your society, unworthy of your friendship. I +shall be a liar, a spy, a hypocrite—but I shall succeed. You +see, you were wrong in offering me your friendship, Doctor +Vaughan. I shall not be worthy to be called your sister, but," +brokenly, "you need not have feared. I never intended to +presume upon your friendship; I never intended to trouble you +after—after my work is done. Ah! how dared I think to become +one of you—I, whom you rescued from a gambler's den; +I who go about disguised, and play the servant to people whom +you would not touch. You are right; after this I will go my +way alone."</p> + +<p>Her voice became inarticulate, the last word was a sob, and +she turned swiftly to leave the room.<span class='pagenum'><a name="Page_220" id="Page_220">[220]</a></span></p> + +<p>Olive sprang forward with a remorseful cry, but Clarence +Vaughan motioned her back, and with a quick stride was at the +door, one hand upon it, the other firmly clasping the wrist of +the now sobbing girl. Closing the door, which she had partially +opened, he led her back, very gently, but firmly, and +placing her in a chair, stood beside her until the sobs ceased. +Then he drew a chair close to her own, and said, softly:</p> + +<p>"My little sister, we never meant this. These are your own +morbid fancies. Because you are playing the part of amateur +detective, you are not necessarily cut off from all your friends. +We would not give you up so easily, and there is too much that +is good and noble in you to render your position so very dangerous +to your womanhood. You have grieved Mrs. Girard +deeply by imputing any such meaning to her words. Can't you +understand, child, that it is because we care for you, because we +want to shield you from the hardships you must of necessity +undergo, that we wish you to let us work with and for you?"</p> + +<p>Madeline shivered and gave a long, sobbing sigh. He took +both listless hands in his own.</p> + +<p>"Now, sister mine, won't you make me a promise, just one?"</p> + +<p>Her hands trembled under his. How could she resist him +when his strong, firm clasp was upon her; when he was looking +into her eyes pleadingly, even tenderly; when his breath was on +her cheek, and his voice murmured in her ear? She sat before +him, contrite, conquered, strangely happy; conscious of nothing +save a wish that she might die then and there, with her hands in +his. She was afraid to speak and break the spell. He had +said that he cared for her, was not that enough?</p> + +<p>"Tell me, Madeline."</p> + +<p>"Yes," she breathed, rather than uttered.</p> + +<p><span class='pagenum'><a name="Page_221" id="Page_221">[221]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_029.jpg" width="400" height="558" alt=""Yes," she cried, wildly, +"I know; you need not say it"—page 219." /> +<span class="caption">"Yes," she cried, wildly, +"I know; you need not say it"—<a href="#Page_219">page 219.</a></span></div> + +<p>"Thank you. Now, sister, we are going to trust to your +<span class='pagenum'><a name="Page_222" id="Page_222">[222]</a></span>sagacity in this matter. But you must promise me, as your +brother, who is bound to look after your welfare, that you will +take no decisive steps without first informing us, and that as +soon as the work becomes too heavy for your hands, you will +call upon me to help you. My sister will surely do nothing +that her brother cannot sanction?"</p> + +<p>She dropped her eyes and said, simply: "I will do what you +wish me to."</p> + +<p>"You will give me your confidence, then?"</p> + +<p>"Yes."</p> + +<p>"Am I to hear a complete history of all that has happened +thus far from Mrs. Girard?"</p> + +<p>"Yes."</p> + +<p>"And, after hearing it, may I communicate with you?"</p> + +<p>She glanced up in surprise.</p> + +<p>"Or," continued he; "better still, may I come down to Bellair +and talk things over with you, should I deem it advisable?"</p> + +<p>"If you wish;" looking glad.</p> + +<p>"Mind, I don't want to intrude; I will not come if you don't +desire it; but I shall wish to come. And you may manage our +interviews as you see fit. I will do nothing to compromise you +in the eyes of the people you are among. May I come?"</p> + +<p>"Yes;" very softly, and trembling under his hand.</p> + +<p>"Then we will say no more about all this to-night. You have +already abused your strength, and if you don't get rest and sleep +we shall have you ill again, and then what would become of our +little detective?"</p> + +<p>Olive came forward with outstretched hands and pleading +eyes. "I can't wait any longer to be forgiven for my thoughtless +words," she said. "Madeline, you will forgive me?"</p> + +<p>"Of course Madeline will," replied Clarence. "Now you<span class='pagenum'><a name="Page_223" id="Page_223">[223]</a></span> +had better forgive Madeline for putting such a perverse construction +upon your words, and then we will send her away to get +the rest she must have."</p> + +<p>"I was abominable, Olive," said the girl, so ruefully that +Clarence laughed outright. "Of course, I know you are too +kind to say a cruel thing. I—I believe I was trying to quarrel +with you all; do forgive me."</p> + +<p>"Of course you were trying to quarrel with us; and I haven't +a bit of faith in your penitence now, young lady," said Clarence, +rising and smiling. "I can't believe in you until I am assured +that you will go to bed straightway, and swallow every bit of +the wine I shall send up to you."</p> + +<p>"With something nice in it," suggested Olive.</p> + +<p>"With something very nice in it, of course. Now, will you +obey so tyrannical a brother, and swallow his first brotherly prescription +without making a face?"</p> + +<p>All his kindness and care for her comfort brought a thrill of +gladness to the girl's heart, and some of the old <i>debonnaire</i>, +half-defiant light back to her eyes, as she replied, while rising +from her chair, in obedience to a gesture of playful authority +from Clarence, "Will I accept a scolding and go to bed, that +means."</p> + +<p>Then making a wry face and evidently referring to the wine: +"Is it very bitter?"</p> + +<p>"Not very; but you must swallow every drop."</p> + +<p>"And I will order the wine," said Olive, touching the bell. +"You know, Dr. Vaughan, that Madeline leaves us in the +morning?"</p> + +<p>"No?" in surprise. "Must you go so soon?"</p> + +<p>"Yes," demurely, "unless I am forbidden."</p> + +<p>"We are too wise to forbid you to do anything you have set<span class='pagenum'><a name="Page_224" id="Page_224">[224]</a></span> +your heart on. Then I must tell you good-by here and now, +for a little time."</p> + +<p>"Or a long one," gravely.</p> + +<p>"Not for a long one. 'If the mountain won't come,' you +know;—well, if I don't get <i>very</i> satisfactory reports from you, +look out for me."</p> + +<p>"You can't get at me," wickedly.</p> + +<p>"Can't I? Wait and see. I'll come as your grandfather, or +your maiden aunt."</p> + +<p>"Please don't," laughing, "one spinster is enough."</p> + +<p>"Well, I won't, then; I think I'll come as your father confessor."</p> + +<p>At this Olive joined in the laugh.</p> + +<p>"Good-night, Dr. Vaughan."</p> + +<p>"Good-night, Miss Payne," with exaggerated emphasis and +dignity, but holding fast to her hand.</p> + +<p>She looked at the hand doubtfully, then up into his face. +"Good-night—brother," with pretty shyness.</p> + +<p>"That is better," releasing the little hand. "Good-night, +sister mine. Mind you drink every drop of the wine."</p> + +<p>"I will!" quite seriously. "Good-night, Olive."</p> + +<p>Olive stooped and kissed her cheek. "Good-night, dear," +she said, "and happy dreams."</p> + +<p>Dr. Vaughan opened the door for her, and smiled after her as +she looked back from the foot of the stairs. Then closing the +door he came back, and stood on the hearth-rug, looking thoughtful.</p> + +<p>"It is a difficult nature to deal with, and in her present mood, +a dangerous one. She is painfully sensitive, and possesses an +exceedingly nervous temperament. Then, that episode with +Davlin was very humiliating to her, and it is constantly in her<span class='pagenum'><a name="Page_225" id="Page_225">[225]</a></span> +mind. Evidently she has lately been under much excitement, +and she is hardly herself to-night. I think, however, if I were +you, I would make no further effort to dissuade her from her +purpose. It will do no good, and harm might come of it."</p> + +<p>"Indeed, I will not," said Olive. "How thankful I am that +you were here; your calmness and tact has saved us something +not pleasant. I don't think I could have managed her myself."</p> + +<p>"Probably not; and now I will prepare a soothing and sleeping +draught, and then, as it is late, will detain you no longer. +Perhaps you had better see that the draught is administered."</p> + +<p>Olive gladly accepted the charge, and shortly after Doctor +Vaughan took his departure, wise and yet blind; blind as to +the true cause of Madeline's outbreak and subsequent submissiveness.</p> + +<p>Madeline obeyed to the letter the instructions of Doctor +Vaughan. As a result, she fell asleep almost immediately, before +calm thought had come to dispel her mood of dreamy happiness.</p> + +<p>In the morning she awoke quieted, refreshed, and quite mistress +of herself. She did not once refer to the events of the +previous evening. Only, before taking leave of Claire, she +whispered in her ear:</p> + +<p>"Dear Claire, you can make a noble man happy. Let his +love atone to you for this present bitterness. God bless you +both."</p> + +<p>It was an odd speech, truly. But as Madeline turned her +back upon the pretty villa, and was driven swiftly to the railroad +depot, she wondered why Claire had responded to it only +with a passionate kiss and with tears in her beautiful eyes.</p> + +<p>And Claire, having seen her driven from the door, fled precipitately +to her room. Locking herself in, she fell upon her<span class='pagenum'><a name="Page_226" id="Page_226">[226]</a></span> +knees beside a low chair. Burying her face in her hands she +wept bitterly,—not for herself, but for the girl who was so +heroically resigning to another the man she loved; who was going +forth, alone, to encounter hardship, perhaps danger, to fight +single-handed, not only her own battles, but those of her friends +as well.</p> + +<p>"And I dared to judge her," said the girl, indignantly. "I +presumed to criticise the delicacy of this grand, brave nature! +Why, I ought to be proud to claim her friendship, and I am!"</p> + +<p>From that hour, let Madeline's course seem ever so doubtful, +let Olive fear and doubt as she would, Claire Keith stoutly defended +every act, and averred that Madeline could do nothing +wrong. And from that hour, Claire began to plot upon her +own responsibility.</p> + +<hr style='width: 45%;' /> + +<p>In due course Doctor Vaughan called, and was closeted with +Olive a very long time—rather, with Olive and Claire, for this +young lady had surprised her sister, by expressing a desire to +hear what Doctor Vaughan would say of Madeline's adventures. +To tell the truth, Claire had fancied that Clarence +would criticise more or less, and it was in the capacity +of champion for the absent that she appeared at the interview.</p> + +<p>After the matter had been fully discussed, Doctor Vaughan +addressed himself to Claire: "Miss Keith, you have been a +good listener. Won't you give us your opinion as to the +achievements of our little friend?"</p> + +<p>Claire came forward, with a charming mixture of frankness +and embarrassment: "First, let me make the <i>amende honorable</i>, +Doctor Vaughan. I presented myself at this interview with +the full intention, and for the express purpose, of waging war<span class='pagenum'><a name="Page_227" id="Page_227">[227]</a></span> +upon you both, if necessary, and I had no doubt that it would +be."</p> + +<p>Doctor Vaughan looked much astonished.</p> + +<p>"But," pursued Claire, "I have misjudged you. I did not +think you would so heartily approve of Madeline's course, and +I was bristling with bayonets to defend her."</p> + +<p>"I must own to being of Claire's opinion," interposed Olive, +looking somewhat amused.</p> + +<p>Clarence smiled and then looked thoughtful.</p> + +<p>"I can easily understand," he said, seriously, "how you +ladies might have looked upon the course Miss Payne has +taken, as an objectionable, even an improper, one. The position +in which she has placed herself is, certainly, an unusual, a +startling one for a woman of refinement and delicacy. But we +must consider that the occasion is also an unusual one, and ordinary +measures will not apply successfully to extraordinary cases. +As to the impropriety, no one need fear to trust his or her +honor in the keeping of a woman as brave and noble as +Madeline Payne is proving herself."</p> + +<p>"Then you do not censure Madeline for refusing to trust the +matter in the hands of a detective?" questioned Olive.</p> + +<p>"The matter <i>is</i> in the hands of a detective, Mrs. Girard; in +the hands of the shrewdest and ablest little detective that could, +by any possibility, have been found. Why, Madeline has accomplished, +in a short time, what the best detectives on our +regular force might have labored at for a year, and then failed +of achieving!"</p> + +<p>Claire threw a look of triumph at her sister. "Oh, how glad +I am to hear you say all this, and how glad Madeline would be." +Then she checked herself suddenly.</p> + +<p>"I can suggest but one improvement upon the present state of<span class='pagenum'><a name="Page_228" id="Page_228">[228]</a></span> +things," said Clarence, after a moment's reflection. "That is, if +we can persuade Madeline to permit it, and I think we can, we +should set two men at work, neither one to be aware of the employment +of the other. One to trace out as much of the past of +this man Percy, as may be. The other to perform the same +office for Davlin. Of course, they would not be advised of the +actual reason for these researches, and so their investigations +would in no way interfere with Madeline's pursuit of the game +at Oakley. I don't think we could improve upon the present +arrangement there."</p> + +<p>"And how do you propose to bring this about?" questioned +Olive.</p> + +<p>"By going down to Bellair, as soon as I can get the necessary +permission from our little <i>generalissimo</i>, and talking the matter +over with her. I think she will see the propriety of the move, +don't you?" appealing to Claire.</p> + +<p>"I think she will follow your advice," gravely.</p> + +<p>"I hope she will," said Olive.</p> + +<p>"I <i>know</i> she will do exactly right," asserted Claire, so positively +that they both smiled.</p> + +<p>"I think I may venture to agree with you, Miss Keith," said +Dr. Vaughan.</p> + +<p>"You had better, both of you, where Madeline is concerned," +looking ferocious.</p> + +<p>"I begin to think that valor is infectious," laughed Olive, and +Clarence joined in the laugh.</p> + +<p>Altogether the result of their council was pleasing to each of +the three. Olive was hopeful; Clarence was full of enthusiasm, +and more deeply in love than ever with generous Claire; and +she was pleased with his frank admiration of Madeline's +courage, and full of hope for Madeline's future.<span class='pagenum'><a name="Page_229" id="Page_229">[229]</a></span></p> + +<p>"He admires her now. He will love her by and by," she assured +herself.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXI" id="CHAPTER_XXI"></a>CHAPTER XXI.</h2> + +<h2>HAGAR AND CORA.</h2> + + +<p>Meanwhile, Lucian Davlin had hastened to Bellair in response +to Cora's summons, full of conjectures as to what had +"turned up."</p> + +<p>When the noon train from the city puffed up to the little platform, +Lucian Davlin was among the arrivals, and at the end of +the depot platform stood the dainty phæton of Mrs. John Arthur. +That lady herself reined in her prancing ponies, and the whole +formed an object of admiration for the few depot loungers.</p> + +<p>As Lucian Davlin crossed the platform and took his seat beside +the lady, an old woman hobbled across the track. Casting +a furtive glance in the direction the ponies were taking, she +hobbled away toward the wood.</p> + +<p>Miss Arthur's maid had surmised aright. It was no part of +Cora's plan to permit the inmates of Oakley a view of Mr. Davlin +on this occasion. So the ponies were driven briskly away from +the town, and when that was left behind, permitted to walk +through the almost leafless woods, while Cora revealed to Lucian +the extent of the fresh calamity that had befallen them in the advent +of Mr. Percy.</p> + +<p>"Well, what have you to say to all this?" demanded the +lady, pettishly, after she had disburdened herself of the story, +with its most minute particulars. "This is a pretty state of<span class='pagenum'><a name="Page_230" id="Page_230">[230]</a></span> +affairs, is it not? I am worn out. I wish Oakley and the whole +tribe were at the bottom of the sea!"</p> + +<p>"Stuff!" with much coolness; then taking a flask containing +some amber liquid from a breast pocket he held it between his +eyes and the light for critical examination.</p> + +<p>"Stuff? where? In that flask?"</p> + +<p>"No, in your words. This," shaking the amber liquid, "is +simon pure; best French. Have some? I felt as if I needed a +'bracer' this morning."</p> + +<p>"Up all night, I presume," eyeing him askant.</p> + +<p>"Pretty much;" indifferently. "Won't take any? Then, +here's confusion to Percy," and he took a long draught. "Now, +then," pocketing the brandy and turning toward her, briskly, +"I'm ready for business. How the deuce did we let this fellow +pounce down upon us like this? I thought he was safe in +Cuba?"</p> + +<p>"He will never be safe anywhere, until he gets to—"</p> + +<p>"Heaven," suggested he.</p> + +<p>"I suppose it was stupid," she went on, gloomily. "But when +Ellen Arthur raved of her dear friend Mr. Percy, how was I to +imagine that among all the Percys on earth, this especial and +particular one should be <i>the</i> Percy. I wrote you that she had a +lover of that name; did it occur to you that it might be he?" +maliciously.</p> + +<p>"Well, candidly, it did not."</p> + +<p>"We were a pair of stupid fools, and we are finely caught for +our pains."</p> + +<p>"First statement correct," composedly; "don't agree with the +last, however."</p> + +<p>"Why not?"</p> + +<p>"Does he know I am on deck?"</p> + +<p>"No."<span class='pagenum'><a name="Page_231" id="Page_231">[231]</a></span></p> + +<p>"Didn't inquire after me, or say anything about the documents?"</p> + +<p>"No special inquiries."</p> + +<p>"Well, then, where is the great danger?"</p> + +<p>"Where?" much astonished.</p> + +<p>"Yes, where? If you told me all the truth concerning yourself +ten years ago, we can make him play into our hands."</p> + +<p>"How?"</p> + +<p>"Don't go too fast. When you told me that he believed you +to have left home because of an unkind step-mother, was that +true?"</p> + +<p>"It was true. I did leave home and come to the city when I +was but sixteen, because my father was a drunkard, and my +step-mother abusive, and we were poor and I was proud."</p> + +<p>"Don't doubt that fact;" with an outward gesture of the supple +hand. "But you told him that you had two big step-brothers!"</p> + +<p>Cora laughed. "A big brother is an excellent weapon to hold +over the heads of some men," she suggested.</p> + +<p>"True," with an amused look. "Why didn't you brandish +one over me?"</p> + +<p>"Over you?" laughing again. "You and Percy were two +different men."</p> + +<p>"Much obliged," lifting his hat with mock gravity. "Well, +we are 'two different men,' still; just let your pretty little head +rest, and leave Percy to me."</p> + +<p>"I wish to Heaven you had made an end—"</p> + +<p>"'Ah-h-h. I have sighed to rest me,'" warbled Davlin. +"Cora, my love, never put your foot on too dangerous ground."</p> + +<p>"Well, I do wish so, all the same," said she, with feminine +pertinacity.<span class='pagenum'><a name="Page_232" id="Page_232">[232]</a></span></p> + +<p>"Now, tell me what your plan is. We want to understand +each other, and have no more bungling."</p> + +<p>"All you will have to do will be to keep quiet and follow +my cue. When I come down, we must manage it that I meet +Percy in Miss Arthur's absence. The rest is easy; this Mr. +Percy will not find his path free from obstacles, I think."</p> + +<p>"What game will you play?"</p> + +<p>"Precisely what I am playing now. I am your brother. +That will explain some things that puzzled him some time ago," +dryly. "I am your sole protector, saving the old chap, don't +you see."</p> + +<p>The woman pondered a moment. "I think it will answer," +she said, at last. "At any rate, it is the best we can do now."</p> + +<p>A little more conversation, and Cora was quite satisfied with +that and other arrangements. Then the ponies were headed toward +the village, and driven at a brisk pace, thus enabling Mr. +Davlin to catch the afternoon train back to the city. No one +at Oakley was any the wiser for his visit. It was no uncommon +thing for Cora to drive out unattended, and she returned to the +manor in a very good humor, considering the situation.</p> + +<p>Cora's drive had given her an appetite, and she had partaken +of no luncheon. She therefore ordered a very bounteous one +to be served in the red parlor. Mr. Arthur was enjoying his +usual afternoon siesta; Miss Arthur was invisible, for which +Cora felt duly thankful; and so she settled herself down +to solitude, cold chicken and other edibles, and her own +thoughts.</p> + +<p>Ever and anon she gazed listlessly from the window, letting +her eyes rove from the terrace to the hedgerow walk, the woods +beyond, and back again to the terrace. Suddenly she bent +forward, and looked earnestly at some object, moving toward<span class='pagenum'><a name="Page_233" id="Page_233">[233]</a></span> +the stile from the grove beyond. A moment later, it appeared +in the gap of the hedge.</p> + +<p>Cora leaned back in her chair, still observant, muttering:</p> + +<p>"I thought so! It is that ugly old woman. Now, what in +the world does she want here, for—yes, she is entering the +grounds, coming up the terrace."</p> + +<p>True enough, old Hagar was coming slowly along the terrace, +taking a leisurely survey of the window facing that walk, as +she did so. Casting her eyes upward, they met the gaze of +Mrs. Arthur. Then, much to the surprise of that lady, she +paused and executed a brief pantomime, as grotesque as it was +mysterious.</p> + +<p>Cora drew back in some astonishment, pondering as to whether +or no the old woman might not be partially insane, when Susan, +the maid of the romantic mind, appeared before her, and +announced that the object of her thoughts was in the kitchen, and +begged that Mrs. Arthur would permit her an interview.</p> + +<p>Cora was still more surprised. "What can she possibly +want with me?" she asked herself, quite audibly.</p> + +<p>"If you please, ma'am," volunteered Susan, "she said that it +was something important; and that she never would have put +her foot inside this house, begging your pardon, only for you."</p> + +<p>Flattering though this statement might be, it did not enlighten +her much. So, after a moment's reflection, Mrs. Arthur bade +the girl, "show the old person up."</p> + +<p>Accordingly, in another moment almost, old Hagar was bowing +very humbly before the lady with the silken flounces. Susan +retired reluctantly, deeply regretting that she could find no time +to stop up the key-hole with her ear, thus rendering it impossible +for prying eyes to peep through that orifice.</p> + +<p>"Well, old woman," began Cora, rather inelegantly, it must be<span class='pagenum'><a name="Page_234" id="Page_234">[234]</a></span> +confessed, "what on earth were you making such a fuss about, +down on the terrace? And what do you want with me?"</p> + +<p>A close observer of the human countenance divine would +never have judged, from the small amount of expression that +was manifest in the face of Hagar, that her reply would have +been such a very humble one. "I want to serve you, dear lady."</p> + +<p>The "dear lady" pursed up her lips in surprise. "You—want—"</p> + +<p>"To warn you, madame."</p> + +<p>Cora was dumb with astonishment, not unmingled with apprehension. +What had broken loose now?</p> + +<p>"I am only a poor old woman, lady, and nobody thinks that +old Hagar has a heart for the wrongs of others. I said that I +would never cross John Arthur's threshold again; but I have +seen your pretty face, going to and fro through the village +streets, and I knew there was no one to warn you but me."</p> + +<p>"Oh, you did," remarked Cora, not knowing whether to be +alarmed or amused, at the old woman's earnestness. "Well, +old—what's your name?"</p> + +<p>"Hagar, lady."</p> + +<p>"Well, old Hagar, do you mean to tell me that I am in any +particular danger just at present?"</p> + +<p>"Is the dove in danger when it is in the nest of the hawk?" +said Hagar, closing her eyes tight as she uttered the words, but +looking otherwise very tragical.</p> + +<p>Cora laughed musically. "Good gracious, old lady!" She +was modifying her titles somewhat, probably under the influence +of Hagar's flatteries. "You mean to compare me to a dove," +laughing afresh, "in—a hawk's nest? Oh, dear! oh, dear!" +wiping her eyes. "Now, then, please introduce me to the wicked +hawk."<span class='pagenum'><a name="Page_235" id="Page_235">[235]</a></span></p> + +<p>Hagar was getting tired of her part, and she made a direct +rush at the point of the business, and with very good dramatic +effect. "I mean your husband," she said, vehemently. "I +mean John Arthur. He is a bad man. If he has not done it +already, he will make you miserable by-and-by."</p> + +<p>Cora drew herself up and tried to look severe. "Old lady," +she said, with supernatural gravity, "don't you know that it is +very improper for you to come and talk to me, like this, about +my husband?"</p> + +<p>"Just hear her!" sniffed Hagar, rather unnecessarily; "all because +I think she is too young, and too pretty, to be sacrificed +like the others—"</p> + +<p>"Like the others? What others?"</p> + +<p>"Like his first wife. She was young, like you, and a lovely +lady. His cruelty was her death. And then he must worry +and abuse her poor daughter, until she runs away and comes to +an untimely end. And now—"</p> + +<p>"Now, you fear he will make an end of me?" briskly. "Sit +down, old lady," becoming still more affable. "So Mr. Arthur +ill-used his first wife, my predecessor?"</p> + +<p>"Thank you, dear lady; you are very kind to a poor old +woman," seating herself gingerly on the edge of a chair opposite +Cora. "Yes, indeed, he did ill-use her. She was my mistress, +and I shall always hate him for it."</p> + +<p>Cora mused. Here was an old servant who hated the master +of Oakley; might she not prove useful, after a time? At any +rate, it would be well to sound her.</p> + +<p>"You were very much attached to the lady, no doubt?" insinuatingly.</p> + +<p>"Yes; and who would not be? She was very sweet and good, +was my poor mistress. Oh, he is a bad, bad man, madame, and +you surely cannot be very happy with him."<span class='pagenum'><a name="Page_236" id="Page_236">[236]</a></span></p> + +<p>"And he was unkind to his step-daughter, too?" ignoring +the last supposition.</p> + +<p>"Unkind? He was a wretch. Oh, I could almost murder +him for his cruelty to that poor dead lassie!" fiercely.</p> + +<p>"Perhaps he was none too kind to you," suggested Cora.</p> + +<p>"Oh, he never treated me like a human being. He hated me +because I tried to stand between her and harm. But he could +not get rid of the sight of me. I have a little home where he +can't avoid seeing me sometimes. I believe, if I kept always +appearing before him, he would go raving mad, he hates me to +that extent."</p> + +<p>"Um-m! Is that so?"</p> + +<p>"Yes, indeed. Why, lady, if I were without house or home, +and you, out of the kindness of your heart, were to take me into +your employment as the very humblest of your servants, I believe +he would kill us both."</p> + +<p>"You think he would?"</p> + +<p>Cora actually seemed to encourage the old woman in her garrulity.</p> + +<p>"Oh, I know it. It's not much in the way of charity, or +kindness, you will be able to do in <i>this</i> house. If he don't imprison +you in one of these old closed-up musty rooms, you will +be lucky. He is very dangerous. Sometimes I used to think +he must be insane."</p> + +<p>Cora started. "Well, Hagar," she said, sweetly, "it's very +good of you to take so much interest in me. He is very cross +sometimes, but, perhaps, it won't be so bad as you fear."</p> + +<p>"I hope it won't," rising to go and shaking her head dubiously; +"but I am afraid for you."</p> + +<p>"Well," laughing, "I'll try and not let him lock me up, at +any rate. Now, is there anything I can do for you?"</p> + +<p><span class='pagenum'><a name="Page_237" id="Page_237">[237]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_030.jpg" width="400" height="563" alt="If ever you want to make him feel what it is to make others suffer, +Hagar will help you.—page 238." /> +<span class="caption">If ever you want to make him feel what it is to make others suffer, +Hagar will help you.—<a href="#Page_238">page 238.</a></span></div> + +<p><span class='pagenum'><a name="Page_238" id="Page_238">[238]</a></span></p> + +<p>"Oh, no, lady. You looked so pretty, and so good, that I +wanted to warn you; that is all. I should be glad if I could +serve you, too, but I could never serve him. I don't want for +anything, dear lady. Now the old woman will go."</p> + +<p>"I won't forget you, Hagar, if I ever need a friend."</p> + +<p>Hagar turned toward her. "If you ever want to make him +feel what it is to make others suffer, Hagar will help you."</p> + +<p>There was a vindictive light in the old woman's eyes, and she +hobbled out of the room, looking as if she meant all she had +said.</p> + +<p>Cora sat, for a time, pondering over the interview, and trying +to trace out some motive for insincerity on the old woman's +part. But she could see none. She resolved to investigate a +little, and all that evening was the most attentive and agreeable +of wives. Abundant and versatile was her conversation. +Deftly she led the talk up to the proper point, and then said, +carelessly:</p> + +<p>"Driving through the village, to-day, I passed that queer +old woman—Hagar, do they call her? She glared at me, oh! +so savagely."</p> + +<p>"She is an old hag!" Mr Arthur answered, with unnecessary +fierceness. "I don't see what Satan has been about, all these +years, that he's not taken her away to her proper atmosphere."</p> + +<p>"Why," in pretty surprise, "I thought she used to be one of +your servants?"</p> + +<p>"She was a servant to my first wife," moodily. "I got rid +of the baggage quick enough, when Mrs. Arthur died. She is +an old viper, and put more disobedience into that girl Madeline's +head, than I ever could get out."</p> + +<p>"What a horrid old wretch she must be!" shuddering.</p> + +<p>Then the conversation dropped, and Cora was satisfied.<span class='pagenum'><a name="Page_239" id="Page_239">[239]</a></span></p> + +<p>"The old woman shall be my tool," she thought, triumphantly.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXII" id="CHAPTER_XXII"></a>CHAPTER XXII.</h2> + +<h2>TO BE, TO DO, TO SUFFER.</h2> + + +<p>On the day that followed the events last related, Madeline +Payne returned to Oakley to resume her self-imposed task.</p> + +<p>Leaving the train, the girl took the path through the woods. +When she had traversed it half way, she came upon old Hagar, +who was seated upon a fallen log awaiting her. Looking cautiously +about, to assure herself that the interview would have no +spectators, Madeline, or Céline, as we must now call her, seated +herself to listen to the report of Davlin's visit, and the success +of Hagar's interview with Cora.</p> + +<p>Expressing herself fully satisfied with what she heard, Céline +made the old woman acquainted with the result of her visit to +the city, or as much of it as was necessary and expedient. Then, +after some words of mutual council, and a promise to visit her +that evening, if possible, the girl lost no time in making her way +to the manor, and straight into the presence of her mistress.</p> + +<p>Considering that her maid was—her maid, Miss Arthur welcomed +her with an almost rapturous outburst. Céline had held +high place in the affections of Miss Arthur, truth to tell, since +her astonishing discovery of Mr. Edward Percy, in the character +of young Romeo, promenading within sight of his lady's window.</p> + +<p>"Céline," simpered Miss Arthur, while the damsel addressed +was brushing out her mistress's hair, preparatory to building it +into a French wonder; "Céline, I may be wrong in talking so<span class='pagenum'><a name="Page_240" id="Page_240">[240]</a></span> +freely to you about myself and my—my friends, but I observe +that you never presume in the least—"</p> + +<p>"Oh, mademoiselle, I could never do that!" cooed the girl, +with wicked double meaning.</p> + +<p>"And," pursued Miss Arthur, graciously, "you are really +quite a sagacious and discreet young person."</p> + +<p>"Thanks, miladi." Then, as if recollecting herself, "Pardon, +<i>mademoiselle</i>, but you are so like her ladyship, <i>Madame Le +Baronne De Orun</i>, my very first mistress—"</p> + +<p>"Oh, I don't mind it at all, Céline. As I was saying, you +seem quite a superior young person, and no doubt I am not the +first who has made you a sort of <i>confidante</i>.</p> + +<p>"Merci! no; my lady. <i>Madame Le Baronne</i> used to trust +me with <i>everything</i>, and often deigned to ask my advice. But +French ladies, oui, mademoiselle, always put confidence in their +maids. And a maid will die rather than betray a good mistress—"</p> + +<p>"Exactly, Céline—are you going to put my hair so high?"</p> + +<p>"Very high, <i>miladi</i>."</p> + +<p>"Oh, well; will it be becoming?"</p> + +<p>"Oui; La mode la Francaise," relapsing into ecstacy and +French. <i>"Le coiffeur comme il faut! Chere amie, le-chef-a-œuvre!</i>"</p> + +<p>Miss Arthur collapsed, and Céline continued to build up an +atrociously unbecoming pile of puffs and curls in triumphant +silence.</p> + +<p>Céline never indulged in her native tongue, so she assured +her mistress, except when carried away by momentary enthusiasm, +or unwonted emotion. It was bad taste, she averred, +and she desired to cultivate the beautiful American language.</p> + +<p>Presently Miss Arthur made another venture, feeling quite<span class='pagenum'><a name="Page_241" id="Page_241">[241]</a></span> +justified in following in the footsteps of so august a personage as +<i>Madame Le Baronne</i>.</p> + +<p>"Did you see Mr. Percy after you left Bellair?"</p> + +<p>"No, mademoiselle."</p> + +<p>"Did you observe if he returned in the same train with yourself?"</p> + +<p>"No, mademoiselle." Then, with a meaning little laugh: +"Monsieur will not remain long from Oakley."</p> + +<p>Miss Arthur tried to look unconscious, and succeeded in looking +idiotic.</p> + +<p>"Pardon, mademoiselle, but I can't forget that night. Mademoiselle +is surely relieved of one fear."</p> + +<p>"What is that?"</p> + +<p>"The fear of being wooed because of her wealth."</p> + +<p>Miss Arthur started, then said: "There may be something in +that, Céline; and it is not impossible that I may inherit more."</p> + +<p>"Ah?" inquiringly.</p> + +<p>"Yes. Possibly you have learned from the servants that Mr. +Arthur lost a young step-daughter not long ago; just before you +came, in fact."</p> + +<p>"I don't remember. Did she die, mademoiselle?"</p> + +<p>"Yes. She was a very wild, unruly child, a regular little +heathen—oh!"</p> + +<p>"Pardon, oh, pardon, did it hurt?" removing a long, spiky +hair pin, with much apparent solicitude.</p> + +<p>"A—a little; yes. As I was saying, this ridiculous girl was +sent to school and no expense spared to make a lady of her."</p> + +<p>"Indeed!"</p> + +<p>"Yes; and then she rewards my brother for all his kindness +by running away."</p> + +<p>"<i>Merci</i>, mademoiselle!" suddenly recalling her French.<span class='pagenum'><a name="Page_242" id="Page_242">[242]</a></span></p> + +<p>"And then she died among strangers, just as provokingly as +she had lived. She must even run away to die, to make it seem +as if her home was not a happy one."</p> + +<p>"What a very wicked young person; how you must have +been annoyed."</p> + +<p>"We were all deeply grieved."</p> + +<p>"And I don't suppose that dead young woman was even +grateful for that."</p> + +<p>"Oh, there was no gratitude in her."</p> + +<p>"Of course not! Now, mademoiselle, let me do your eyebrows," +turning her about.</p> + +<p>"But," pursued Miss Arthur, "when she died, my brother +acquired unconditional control of a large fortune, and you must +see that my brother is getting rather old. Well, in case of his +death, a part, at least, of this fortune will become mine."</p> + +<p>"Yes, madame."</p> + +<p>"My brother is too much afraid to face the thought of death +and make a new will, and papers are in existence that will give +me the larger portion of his fortune. Of course, Mrs. Arthur +will get her third."</p> + +<p>Céline was now surprised in earnest.</p> + +<p>Miss Arthur had spoken the truth. With shrewd foresight, +she had made John Arthur sign certain papers two years before, +in consideration of sundry loans from her. And of this +state of affairs every one, except their two selves and the necessary +lawyer, had remained in ignorance.</p> + +<p>The girl's eyes gleamed. This was still better. It would +make her vengeance more complete.</p> + +<p>And now Miss Arthur was thrown into a state of girlish agitation +by the appearance of Susan, who announced that Mr. +Percy was in the drawing-room, awaiting the pleasure of his +inamorata.<span class='pagenum'><a name="Page_243" id="Page_243">[243]</a></span></p> + +<p>She bade Céline make haste with her complexion and, after +the lapse of something like half an hour, swept down to welcome +her lover, with a great many amber silk flounces following +in her wake.</p> + +<p>Céline Leroque gazed after her for a moment and then closed +the door. Flinging herself down "at ease" in the spinster's +luxurious dressing chair, she pulled off the blue glasses and let +the malicious triumph dance in her eyes as much as it would.</p> + +<p>"Oh, you are a precious pair, you two, brother and sister! +The one a knave, the other a fool! It is really pathetic to see +how you mourn my loss. I have a great mind to—"</p> + +<p>Here something seemed to occur to her that checked her mutterings, +and sent her off into a deep meditation. After a long +stillness she uttered a low, mocking laugh that had, too, a tinge of +mischief in it. Rising slowly from the dressing chair she said, +as she nodded significantly to her image reflected back from +Miss Arthur's dressing glass:</p> + +<p>"I'll put that idea into execution some nice night, and then +won't there be a row in the castle? Ah! my charming mistress, +if you had spoken one kind or regretful word for poor Madeline, +it would have been better for you!"</p> + +<p>What was the girl meditating now? What did she mean?</p> + +<p>"Yes, good people at Oakley, I believe I'll take a little private +amusement out of you <i>all</i>, while I feel quite in the mood. I +won't be too partial."</p> + +<p>Then she betook herself to her own room and let her thoughts +fly back to Olive and Claire and—Clarence.</p> + +<p>Presently, for she was very weary, spite of the previous night's +repose, she fell asleep.</p> + +<p>Late that evening she flitted through the woods and across the +meadow to the cottage of old Hagar. Sleep had refreshed her<span class='pagenum'><a name="Page_244" id="Page_244">[244]</a></span> +and she had dreamed pleasant dreams. She felt stout of heart, +and firm of nerve.</p> + +<p>Old Hagar was overjoyed to see a smile in her nursling's face, +and to hear, at times, a laugh, low and sweet, reminding her of +olden days. The girl remained with her old nurse for nearly +an hour. When they parted there was a perfect understanding +between them, in regard to future movements and plans.</p> + +<p>No one at Oakley was aware of Lucian Davlin's flying visit; +thus much Céline knew. But of the purport and result of that +visit, she knew nothing. Nor could she guess. She must bide +her time, for there seemed just now little to disturb the monotony +of waiting.</p> + +<p>One thing was, however, necessary. When the time came for +Miss Arthur to leave Oakley, Céline must remain. To that end +she must contrive to fall out with the spinster, and "fall in" +with Madame Cora. If that lady could not be beguiled into retaining +her at Oakley, she must resort to a more hazardous +scheme. She had already taken a step toward ingratiating herself +with Mrs. Arthur, and with tolerable success. She was +maturing her plans and waiting for an opportunity to put them +into action.</p> + +<p>No doubt but that by the time she had accomplished her object, +if it could be accomplished, the opposite forces would come +into conflict.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXIII" id="CHAPTER_XXIII"></a>CHAPTER XXIII.</h2> + +<h2>SETTING SOME SNARES.</h2> + + +<p>Three days had now passed since Madeline's return from the +city. On the morning of the fourth day, she seized the first +leisure moment for a visit to the post-office. Instead of the<span class='pagenum'><a name="Page_245" id="Page_245">[245]</a></span> +single letter from Olive that she had expected, she found three.</p> + +<p>They were enclosed in one wrapper. This she removed on +her way back to Oakley, and found the first, as was the wrapper, +addressed in Olive's hand. The penmanship of the second +was fairy-like and beautiful, and she recognized it as Claire's. +At sight of the third, her heart gave a great bound, and then almost +stood still. It was superscribed in a firm, manly hand, and +was, it must be, from Dr. Vaughan.</p> + +<p>Once securely locked in her room, Madeline opened the +first of her letters with eager fingers. Yes, Olive's first. The +desire to see what <i>he</i> had said was strong in her heart, but she +had decided not to humor her heart. She held his letter caressingly +for a moment and then putting it beside Claire's opened +and read Olive Girard's letter.</p> + +<p>It was like Olive's self; sweet, womanly, hopeful, yet sad:</p> + +<div class="blockquot"><p><span class="smcap">Dear Madeline:</span></p> + +<p>I am only now beginning to realize the new life and hope you have +put into my heart. As I think again of what you have done and are doing, +I cannot but feel faith in your success. Oh, if I could but work +with you; for you and for Philip!</p> + +<p>Again and again I implore you to pardon me for ever doubting your +wisdom or strength. If at any time I can aid you—such poor aid—my +purse is yours, as your cause is mine.</p> + +<p>Claire and Doctor Vaughan will speak for themselves. And as I dare +make no more suggestions to so wise a woman, I only put in a faint little +plea. Do, pray, grant Doctor Vaughan's request, and may God aid you +in all that you do.</p></div> + +<p class="f2"><span class="smcap">Olive.</span></p> + +<p>"Doctor Vaughan's request!" repeated the girl. "Would +that I could grant him not only all his requests, but all his +wishes!"</p> + +<p>Then she opened Claire's letter.</p> + +<div class="blockquot"><p><span class="smcap">My Grand Madeline:</span></p> + +<p>How proud I am to claim you for my friend! I shall never again conduct<span class='pagenum'><a name="Page_246" id="Page_246">[246]</a></span> +myself with any degree of meekness toward people who have not +the happiness of knowing you. And you should hear Doctor Vaughan +extol you! He says you are wiser and braver than any detective. That +he would trust you in any emergency. That if any one can lift the cloud +that hangs over poor Philip, it is you.</p> + +<p>My heart tells me that you will yet prove the good angel of Philip and +Olive, as already you have been mine; and soon, I pray, you will become +that and more to Doctor Vaughan; you must and shall. I shall have no +wish ungratified when I can see your trials at an end; and yourself, surrounded +by us who love you, happy at last. Don't let all these other +claimants push me out of your heart; always keep one little place for your +loving, grateful</p></div> + +<p class="f2"><span class="smcap">Claire</span>.</p> + +<p>Madeline's eyes were moist when she lifted them from the +perusal of this letter.</p> + +<p>"Bright, beautiful, brave Claire," she murmured; "who could +help loving her?"</p> + +<p>Then her eyes fell again upon the letter, and she started:</p> + +<p>"'You will become that and more to Doctor Vaughan,'" she +read. "What can she mean? Can it be possible that, after all, +I have betrayed myself to her?"</p> + +<p>She re-read the letter from beginning to end, her face flushing +and paling.</p> + +<p>"Oh!" she whispered softly, "she has read my heart, and we +are playing at cross purposes! What a queer rivalry," the girl +actually laughed; "a rivalry of renunciation. Does she yet +know how he loves her, I wonder?" Then, her face growing +graver, "she won't be long in making that discovery now."</p> + +<p>She took up Clarence Vaughan's letter, almost dreading to +break the seal.</p> + +<div class="blockquot"><p><span class="smcap">My Brave Little Sister:</span></p> + +<p>You perceive, I have commenced my tyranny. And instead of being +able to grant favors to my new sister, I am reduced to the necessity of +begging them at her hands. In a word, I want to come to Bellair. Not<span class='pagenum'><a name="Page_247" id="Page_247">[247]</a></span> +to be a meddlesome adviser; I am too firmly a convert to your method of +procedure for that. Besides, I should have to declare war upon +Miss Keith if I presumed thus far. But I do desire to further your plans, +and to this end would make a suggestion that has occurred to me since +hearing of your marvelous detective work.</p> + +<p>Believe me, I cannot express the admiration I feel for your daring and +tact. I have no longer the faintest scruple as to trusting this issue, so important +to all of us, in your hands. And I am more than proud of such a +sister.</p> + +<p>May I come to Bellair, say on Monday next? I will stop at the little +station a few miles this side of the village, and walk or drive over, and +find my way to the cottage of your old nurse, where you can meet me, +unless you have a better place to suggest. I shall anxiously await your +answer, and am your brother to command.</p></div> + +<p class="f2"><span class="smcap">C. E. Vaughan.</span></p> + +<p>Madeline's cheeks were flushed, her eyes shining.</p> + +<p>"How they all trust me!" she ejaculated; "and they always +shall. I will never be false to their friendship; no, not if to +serve them my heart's blood must become wormwood and gall."</p> + +<p>She re-read all her letters, but would not allow herself to linger +too long over that of Clarence Vaughan. She had resolved +to have no more weakness, no more outbreaks of passion. She +was very stern with herself. Even as a friend and brother, she +would not allow her thoughts to dwell too much upon him, until +she grew stronger, and more perfect in her renunciation.</p> + +<p>Then she sat down at her humble little table, and answered +her letters.</p> + +<p>To Olive she wrote a sweet, cheery note, telling of her gratitude, +her affection, her hope for the future; and then she added +a womanlike P. S. as follows:</p> + +<div class="blockquot"><p>Please say to Doctor Vaughan that I will be at Hagar's cottage on +Monday evening, but can't tell the precise time I may be able to appear. +If he follows the main road through the village, until he has passed the +grounds of Oakley, he will have no difficulty in finding the cottage. It<span class='pagenum'><a name="Page_248" id="Page_248">[248]</a></span> +stands alone, almost in the middle of a field, facing the west, and is the +first habitation after Oakley.</p></div> + +<p>"I cannot write to him," she said; "at least not now."</p> + +<p>Then she wrote Claire a long, cheery letter, saying little of +herself, and much of her friends,—of all save Doctor Vaughan. +She <i>would</i> not mention him tenderly, she <i>could</i> not mention him +lightly; so she would say of him nothing at all.</p> + +<p>But if Madeline was astute, Claire, too, was beginning to develop +that quality. So when the latter young lady read this +letter, she smiled and said: "The dear little hypocrite! As if +she could deceive me by this evidently studied neglect. Oh! you +proud, stiff-necked, little detective!"</p> + +<p>And their game of cross purposes went on.</p> + +<p>Madeline had sealed her letters, and was about to reach for her +hat preparatory to hastening with them to the post office, when +her attention was arrested by a sound, slight but unusual, and +not far away. She stood erect, silent, motionless, listening intently. +Presently the sound was repeated, and then a look of +intelligence passed over the girl's face.</p> + +<p>"Some one is in the deserted rooms," she thought. And she +abandoned for the present her purpose of going out.</p> + +<p>There was but one way to approach the closed-up rooms, and +that way led past the door of Madeline's room.</p> + +<p>A few paces beyond her door, the hall connecting the west +wing with the more modern portion, made a sharp curve and +opened into the main hall of that floor. Céline Leroque opened +her door cautiously, having first donned her not very becoming +walking attire. Then she took up her position just outside the +angle of the western hall, and so close to it that if an approach +was made from below, she could easily retire behind the angle.</p> + +<p><span class='pagenum'><a name="Page_249" id="Page_249">[249]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_031.jpg" width="400" height="553" alt=""She stood erect, silent, +motionless."—page 248." /> +<span class="caption">"She stood erect, silent, +motionless."—<a href="#Page_248">page 248.</a></span></div> + +<p>She had grown heartily tired of her sentinel task when, at last, +<span class='pagenum'><a name="Page_250" id="Page_250">[250]</a></span>a soft rustle was heard near at hand. Céline turned so quickly +into the narrower hall that she fairly ran upon and stopped—Mrs. +John Arthur! who uttered a sharp exclamation expressive +of surprise and annoyance.</p> + +<p>Céline poured forth a mixture of French and English, expressive +of her contrition and horror at having "almost overturned +madame," and wound up by saying, "Madame has been +to my room? Madame has desired some service, perhaps? If +so, she has only to command."</p> + +<p>Cora drew a breath of relief, having sufficiently recovered from +the collision and accompanying confusion, to draw a breath of +any kind, and at once rallied her forces.</p> + +<p>"Yes, Céline, I wanted you to do something for me, if you +will."</p> + +<p>"Anything, madame."</p> + +<p>Madame was collecting her thoughts. "I—I wanted to ask +if you could find time to come to my room and try and do something +with my hair. Your hair-dressing is perfect, and I am +so tired of my own."</p> + +<p>Céline would be only too happy. Should she come now? She +had just returned from the village; she would put off her hat and +be at madame's disposal. But madame was not inclined to be +manipulated just then. Céline might come to her dressing +room and do her hair for dinner—after she was done with Miss +Arthur, of course.</p> + +<p>So they separated, mutually satisfied.</p> + + + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="Page_251" id="Page_251">[251]</a></span></p> +<h2><a name="CHAPTER_XXIV" id="CHAPTER_XXIV"></a>CHAPTER XXIV.</h2> + +<h2>A VERITABLE GHOST.</h2> + + +<p>What a day of glory it had been to the spinster, this day on +which Madeline had read her three letters, and Cora had explored +the shut-up wing.</p> + +<p>And what a day of torture to fastidious Edward Percy, who +would have welcomed any third presence, even Cora or John +Arthur—any one, anything, was better than that long slavery at +the feet of a painted and too-visibly ancient mistress. But even +the longest days have an end. At last he was set at liberty, and +he hurried back to the little inn, literally kicking his way +through the Autumn darkness.</p> + +<p>The old house of Oakley stood, with its last light extinguished, +tall and somber, against a back-ground of black sky and blacker +trees. At last every soul under its roof was asleep—all but +one. That one was very wide awake and intent on mischief.</p> + +<p>Love-making, dear reader, although you may not know it, is +a wearisome business, even if ever so agreeable. Especially is +it wearisome to those like Miss Arthur—maidens whose waists +are too tight, whose complexions will ill-endure lip service, and +whose tresses are liable to become not only dishevelled but dislocated. +Therefore, when Miss Arthur had dismissed her lover, +with a sigh of regret, she lost no time in doffing her glories with +a sigh of relief.</p> + +<p>Even a very rich and hearty luncheon, which her maid had +provided, was gormandized rather than enjoyed, so tempting +did her couch look to the worn-out damsel.</p> + +<p>Miss Arthur had refreshed herself with an hour's uninterrupted +repose, and was revelling in a dreamy Arcadia, hand in hand with<span class='pagenum'><a name="Page_252" id="Page_252">[252]</a></span> +her beloved, when something cold falling on her cheek dispelled +her visions. She started broad awake, and face to face with a +horrible reality.</p> + +<p>The moon was pouring a flood of silvery light in through the +two windows, facing the south, whose curtains were drawn back, +making the room almost as light as at mid-day.</p> + +<p>And there, near her bed, almost within reach of her hand, +stood <i>Madeline Payne</i>, all swathed in white clinging cerements, +ghastly as a corpse, hollow-eyed and awful, but, nevertheless, +Madeline Payne! Over her white temples dropped rings of +curly, yellow hair, and across the pale lips a mocking smile was +flitting.</p> + +<p>Miss Arthur gasped and closed her eyes very tight, but they +would not stay closed. They flew open again to behold the +vision still there. The spinster was transfixed with horror. +Cold drops of perspiration oozed out upon her forehead and +trickled down her nose. She clutched at the bedclothes convulsively, +and gazed and gazed.</p> + +<p>Wider and wider stared her eyes, but no sound escaped her lips. +She gazed and gazed, but the specter would not vanish. Poor +Miss Arthur was terror-stricken almost to the verge of catalepsy.</p> + +<p>In consideration of the persistence with which they return +again and again, according to good authority, ghosts in general +must be endowed with much patience. Be this as it may of the +average ghost, certain it is that this particular apparition, after +glaring immovably at the spinster for the space of five minutes, +began to find it monotonous.</p> + +<p>Slowly, slowly from among the snowy drapery came forth a +white hand, that pointed at the occupant of the bed with silent +menace.</p> + +<p><span class='pagenum'><a name="Page_253" id="Page_253">[253]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_032.jpg" width="400" height="559" alt=""Near the bed, almost within reach of her hand, stood Madeline Payne, +all swathed in white!"—page 252." /> +<span class="caption">"Near the bed, almost within reach of her hand, stood Madeline Payne, +all swathed in white!"—<a href="#Page_252">page 252.</a></span></div> + +<p>The spell was broken. The lips of Miss Arthur were unclosed, +<span class='pagenum'><a name="Page_254" id="Page_254">[254]</a></span>and shrieks, one following the other in rapid succession, resounded +in the ears of even the most remote sleepers.</p> + +<p>With the utterance of her first yell, Miss Arthur had made a +desperate plunge to the further side of her bed, away from the +specter; and, turning her face to the wall, shut out thus the appalling +white vision.</p> + +<p>Having once found her voice, Miss Arthur continued to +clutch at the bed clothes, glare at the wall, and shriek spasmodically, +even after her "inner consciousness" must have assured +her that the room now held others beside herself and the ghost, +supposing it to be still on the opposite side of the bed.</p> + +<p>Cora, in a state of wild <i>deshabille</i>; John Arthur, ditto, and +armed with a cane; Susan and Mary, half in the room and half +out; then Céline Leroque, apparently much frightened, without +knowing at what.</p> + +<p>A volley of questions from the master of the house, and a return +of courage to the mistress. But Miss Arthur only gathered +herself together, took in a fresh supply of breath, and embarked +in another series of howls.</p> + +<p>Nothing was amiss in the room; it could not have been a +burglar. The night lamp was burning dimly behind its heavy +shade; on the table were the fragments of Miss Arthur's lunch; +and Mr. and Mrs. Arthur had found easy access through the +closed, but unbolted door.</p> + +<p>After a time, a long time, during which Cora and Céline administered +sal volatile and other restoratives, Mr. Arthur +douched her with oaths and ice water, and the servants whispered +in a group, the maiden found voice.</p> + +<p>It was a very feeble voice, and it conveyed to her audience +the astounding intelligence that she had seen a ghost—Madeline +Payne's ghost.<span class='pagenum'><a name="Page_255" id="Page_255">[255]</a></span></p> + +<p>Upon hearing her story, John Arthur seemed at first a little +startled. But Cora only laughed, and Céline, glancing significantly +at the lunch table, said, with a slight smile:</p> + +<p>"Mademoiselle has nerves, and she may have lunched heartily +before retiring."</p> + +<p>John Arthur strode across the room and viewed the <i>débris</i> of +luncheon. "Humph!" he grunted. "Oysters and salads, potted +meat and pastry; strong coffee and lemon syllabub with brandy. +Good Lord, I don't know what should have kept the contents +of an entire cemetery from sweeping down upon your slumbers, +you female gourmand. Ghosts indeed!"</p> + +<p>And he stamped out of the room in high dudgeon. His tirade +was wholly lost upon his sister, however, for that lady was +whimpering comfortably and putting all her feeble energy into +the effort.</p> + +<p>Cora glanced up as the door banged after her lord and master, +and ordered the servants back to bed. Then she turned toward +Céline, saying:</p> + +<p>"That door was certainly not locked when we came to it, for +I was here even sooner than Mr. Arthur."</p> + +<p>Céline smiled again: "Mademoiselle dismissed me before she +had finished her luncheon. I had disrobed her previously, and +she said she should retire as soon as she drank her coffee. She +may have forgotten the door."</p> + +<p>Cora turned toward the bed. "Did you lock your door, +Ellen?"</p> + +<p>But Ellen did not know; she could not remember if she had +or had not.</p> + +<p>Then Cora said to Céline: "I am glad to find you so sensible. +We shall have hard work now to convince those ridiculous +servants that there is not a ghost in every corner."<span class='pagenum'><a name="Page_256" id="Page_256">[256]</a></span></p> + +<p>"I do not think that graves open," replied the girl, seriously.</p> + +<p>Then she gave her undivided attention to her mistress, who +bade fair to be hysterical for the rest of the night.</p> + +<p>Miss Arthur would not be left alone again. No argument +could convince her that the specter was born of her imagination, +and therefore not likely to return. So Cora bade Céline prepare +to spend the remainder of the night in Miss Arthur's dressing +room.</p> + +<p>Accordingly, Céline withdrew to her own apartment, where +her preparations were made as follows:</p> + +<p>First, she shook out the folds of a sheet that hung over a chair, +and restored it to its proper place on the bed. Then she removed +from her dressing stand a box of white powder, and +brushed away all traces of said powder from her garments +and the floor. Next, she carefully hid away a key that had +fallen to the floor and lay near the classically folded sheet. +These things accomplished, she made a few additions to her +toilet, extinguished the light, locked her door carefully, trying +it afterward to make assurance doubly sure, and retraced her +steps to relieve Cora, who was dutifully sitting by the spinster's +bed, and beginning to shiver in her somewhat scanty drapery.</p> + +<p>As the night wore on, and Miss Arthur became calmed and +quiet, the girl lay back in the big dressing chair, gazing into the +grate, and thinking. Her thoughts were sometimes of Claire, +sometimes of Clarence; of the Girards, and of Edward Percy; +then of her success as a ghostess, and at this she would almost +laugh.</p> + +<p>But from every subject her mind would turn again and again +to one question, that repeated itself until it took the form of a +goblin and danced through her dreams, when at last she slept, +whispering over and over:<span class='pagenum'><a name="Page_257" id="Page_257">[257]</a></span></p> + +<p>"What is it that Cora Arthur carries in a belt about her +waist? what is it? what is it?"</p> + +<p>For the girl had made a strange discovery while Cora was +sitting beside Miss Arthur's bed, clad only in night's scanty +drapery.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXV" id="CHAPTER_XXV"></a>CHAPTER XXV.</h2> + +<h2>SOME DAYS OF WAITING.</h2> + + +<p>Doctor Vaughan had written that he could find his way with +ease to Nurse Hagar's cottage, and he did.</p> + +<p>Swinging himself down upon the dark end of the platform, +when the evening train puffed into Bellair village, he crossed +the track, and walked rapidly along the path that led in the +direction of the cottage. He strode on until the light from the +cottage window gleamed out upon the night, and his way led +over the field. Half way between the stile and the cottage, a +form, evidently that of a woman, appeared before him, and coming +in his direction.</p> + +<p>The figure came nearer, and a voice, that was certainly not +Madeline's, said: "Is the gentleman going to old Hagar's +cottage?"</p> + +<p>"Are you Hagar?" replied Clarence, Yankee fashion.</p> + +<p>"I am Hagar; and you are?"</p> + +<p>"Doctor Vaughan."</p> + +<p>"Then pass on, sir; the one you seek is there."</p> + +<p>And the old woman waved her hand toward the light and +hobbled on.</p> + +<p>Clarence stared after her for a moment; but the darkness<span class='pagenum'><a name="Page_258" id="Page_258">[258]</a></span> +had devoured her, and he resumed his way toward the cottage.</p> + +<p>In hastening to meet a friend we naturally have, in our mind, +a picture. Our friend will look so, or so. Thus with Clarence +Vaughan. Expecting to meet a pair of deep, sad, beautiful eyes, +lifted to his own; to behold a fair forehead shadowed by soft, +shining curls; judge of Clarence's surprise when the opened door +revealed to him a small being of no shape in particular; a very +black head of hair, surmounted by an ugly maid's cap; and a +pair of unearthly, staring blue glasses.</p> + +<p>Madeline had chosen to appear "in character" at this interview. +She intended to keep her own personality out of sight, +and she felt that she needed the aid and concealment that her +disguise would afford. She would give Claire's schemes no +vantage ground.</p> + +<p>So Madeline Payne was carefully hidden away under the wig +and pigment and padding; and Céline Leroque courteseyed +demurely as she held the door open to admit him, and said:</p> + +<p>"Good evening, <i>Monsieur le Docteur</i>; you perceive I am here +before you."</p> + +<p>"Rather, I don't perceive it. <i>You</i> are here before me in a +double sense of the word; yes. And I suppose you call yourself—"</p> + +<p>"Céline Leroque, at your service; maid-in-waiting to Miss +Arthur, of Oakley."</p> + +<p>Doctor Vaughan laughed.</p> + +<p>"Well, won't you shake hands with an American of no special +importance, Céline Leroque?"</p> + +<p>She placed her hand in his and then drew forward a chair.</p> + +<p>"I hope you found no difficulty in getting out to-night?" he +said, sitting down and looking at her with a half-amused, half-grave +countenance.<span class='pagenum'><a name="Page_259" id="Page_259">[259]</a></span></p> + +<p>"None whatever; I have been suffering with a sick-headache +all day."</p> + +<p>"And you can get in again unseen?"</p> + +<p>"Easily; in the evening the servants are all below stairs."</p> + +<p>"But what an odd disguise! Do they never question your +blue glasses?"</p> + +<p>"Not half so much as they would question the eyes without +them. They believe my eyes were ruined by close application +to fine needle-work. And then—" she pushed up the glasses a +trifle, and he saw that the eyelid, and a line underneath the eye, +were artistically <i>rouged</i>—"they all acknowledge that my eyes +look very weak."</p> + +<p>"I fancy they'll find those eyes have looked too sharply for +them, by and by."</p> + +<p>She laughed lightly. "I hope so."</p> + +<p>Sitting there in her prim disguise, the girl felt glad to gaze +upon him; felt as if, look as much as she would, she was gazing +from a safe distance.</p> + +<p>Dr. Vaughan came straight to the point of his visit, beginning +by requesting a repetition of such portion of the facts she +had discovered as related most particularly to the two men, +Davlin and Percy. Then he made his suggestion. To his surprise +it was a welcome one to the girl.</p> + +<p>"That is just what I have had in mind," she said, thoughtfully. +"After reflecting, I have changed my plans somewhat, +and I don't see my way quite so clearly as before."</p> + +<p>He was looking at her attentively, but asked no questions.</p> + +<p>"Since I came from the city," she resumed, with some hesitation, +"I have thought that I would be glad to talk again with +all of you. But it won't do to incur the risk of more absences, +for if I do not mistake the signs, things will be pretty lively up<span class='pagenum'><a name="Page_260" id="Page_260">[260]</a></span> +there," nodding in the direction of Oakley, "before many days. +So perhaps we had better see what our two heads can develop +in the way of counterplot, and you can make known the result +to Olive."</p> + +<p>"If your own invention will not serve, I fear mine will be +at an utter loss. But you know how glad I shall be to share +your confidence."</p> + +<p>"My invention must serve," she said, firmly, and quite ignoring +the latter clause of his speech; "and so must yours. You +see, my plan before going to the city was a comparatively simple +one. I intended to work my way into the confidence of Mrs. +John Arthur. Failing in that, Hagar must have been reinstated, +and then the <i>denouement</i> would have been easy: to get +possession of specimens of the medicine prescribed for Mr. +Arthur; to hunt down this sham doctor they are to introduce +into the house; to show John Arthur the manner of wife he has; +to make my own terms with him, and then expose and turn +out the whole pack. But all this must be changed."</p> + +<p>"Changed? And how?"</p> + +<p>"I can't turn them out of Oakley. I must keep them there, +every one of them, at any cost."</p> + +<p>Dr. Vaughan looked puzzled. "We can't allow them to kill +that old man, not even to vindicate poetical justice," he said, +gravely.</p> + +<p>"No; we can't allow just that. But don't you see, if we turn +these people away now, we defeat a chief end and aim—the +liberation of Philip Girard?"</p> + +<p>"True."</p> + +<p>"Well, this is why I have changed my plan."</p> + +<p>He looked at her with an admiration that was almost +homage.<span class='pagenum'><a name="Page_261" id="Page_261">[261]</a></span></p> + +<p>"And you will give up your own vengeance, for the sake of +Olive and her happiness?"</p> + +<p>She laughed oddly. "Not at all. I only defer it, to make +it the more complete. Now, listen to what I propose to do, and +see if you can suggest anything safer or better."</p> + +<p>And then she unfolded a plan that made Clarence Vaughan +start in amazement, but which, after it was fully revealed, he +could not amend nor condemn. He could see no other way by +which all that they aimed at could be accomplished.</p> + +<p>"Of course, the plan has its risks," concluded the girl. "But +we could try no other scheme without incurring the same, or +greater. And I <i>believe</i> that I shall not fail."</p> + +<p>"I wish it were not necessary that you should undergo so +much; think what it will be for you," gently.</p> + +<p>"Oh, for me, ..." indifferently; "I shall be less of a +spy, and more of an actress,—that is all."</p> + +<p>"Then I shall set the detectives at work?"</p> + +<p>"Immediately."</p> + +<p>"Have you any further instructions, any clue, to give +them?"</p> + +<p>"Nothing; it is to be simply a research. Neither must know +to what end the information is desired. It will be better to employ +your men from different Agencies, so that one may not +know of the other, or his business."</p> + +<p>"And is there nothing more I can do?"</p> + +<p>"Nothing, for the present. When once we get these men together, +we shall all have our hands full. Then you can help +me, perhaps, as I suggested."</p> + +<p>"Well," sighing, and looking at his watch, "it's a strange +business, and a difficult, for a young girl like you. But we are +in your hands; you are worth a thousand such as I."<span class='pagenum'><a name="Page_262" id="Page_262">[262]</a></span></p> + +<p>"Nonsense," she said, almost angrily. Then, abruptly, +"When does Claire return to Baltimore?"</p> + +<p>He started and flushed under her gaze. "I—I really don't +know."</p> + +<p>"Then, as my brother, I command you to know all about +Claire. She is my special charge to you. And you are to tell +her, from me, that I won't have her go away."</p> + +<p>"Then I must do all in my power to detain her? Your command +will have more effect than all of my prayers," he said, +softly.</p> + +<p>"Well, keep on reiterating my commands and your prayers, +then; by and by she won't be able to distinguish the one from +the other. What time is it?"</p> + +<p>He smiled at the sudden change of tone and subject. "Half-past +nine," he said.</p> + +<p>While the words were on his lips, Old Hagar entered.</p> + +<p>Clearly it was time to end the interview. Doctor Vaughan +must be ready for the return train, which flew cityward soon, +and Céline Leroque must not be too long absent. So there were +a few words more about their plans, a few courteous sentences +addressed to Hagar by Doctor Vaughan, and then they separated.</p> + +<p>The next day two men were at work,—following like sleuth +hounds the trail on which they were put, unravelling slowly, +slowly, the webs of the past that had been spun by the two men +who were to be hunted down.</p> + +<p>And now came a time of comparative dullness at Oakley. +Even eventful lives do not always pace onward to the inspiring +clang of trumpet and drum. There is the bivouac and the time +of rest, even though sleeping upon their arms, for all the hosts +that were ever marshalled to battle.</p> + +<p><span class='pagenum'><a name="Page_263" id="Page_263">[263]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_033.jpg" width="400" height="562" alt=""Well, it's a strange business and a difficult."—page 261." /> +<span class="caption">"Well, it's a strange business and a difficult."—<a href="#Page_261">page 261.</a></span></div> + +<p><span class='pagenum'><a name="Page_264" id="Page_264">[264]</a></span></p> + +<p>Céline Leroque found life rather more dreary than she had +expected during these days of inaction. After all, it is easier to +be brave than to be patient. So, in spite of her courage and +her self-sacrifice, she was restless and unhappy.</p> + +<p>And she was not alone in her restlessness. It is curious to +note what diverse causes produce the same effects. Cora Arthur +was restless, very restless. The fruit of her labor was in her +hands, but it was vapid, tasteless, unsatisfying. What <i>her</i> soul +clamored for, was the opera, the contact of kindred spirits, the +rush and whirl, the smoke and champagne, and giddiness of the +city; the card-won gold, and painted folly that made the be-all +and end-all of life to such as she.</p> + +<p>She did not lose sight of the usefulness she trusted to find in +Céline Leroque, however. During these days of <i>ennui</i> and +quietude, the two came to a very good understanding; not all at +once, and not at all definite. Only, by degrees, Cora became +convinced that Céline Leroque cherished a very laudable contempt +for her would-be-girlish mistress, and that she was becoming +rather weary in her service. Once, indeed, the girl had +said, as if unable to restrain herself, and while dressing Mrs. +Cora's yellow hair—a task which she professed to delight in:</p> + +<p>"Ah! madame, if only it was <i>you</i> who were my mistress! It +is a pleasure to dress a beautiful mistress, but to be constantly +at war against nature, to make an old one young—faugh! it +is labor."</p> + +<p>And Cora had been much amused and had held out a suggestion +that, in case of any rupture between mistress and maid, the +latter should apply to her.</p> + +<p>But if existence was a pain to Céline, and a weariness to Cora, +it was anguish unutterable to Edward Percy. He would have +been glad to put a long span of miles between his inamorata and<span class='pagenum'><a name="Page_265" id="Page_265">[265]</a></span> +himself had he not felt that, with Cora in the same house as his +fair one, it were more discreet to be on the ground, and watch +over his prey pretty closely. But to this man, who made love +to every pretty woman as a child eats <i>bon bons</i>, the task of +wooing where his eye was not pleased, his ear was not soothed, +and his vanity not in the least flattered, was intensely wearisome.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXVI" id="CHAPTER_XXVI"></a>CHAPTER XXVI.</h2> + +<h2>NOT A BAD DAY'S WORK.</h2> + + +<p>The first thing that Doctor Vaughan did on returning from +Bellair, was to seek an interview with Henry, the dark servant +of Lucian Davlin.</p> + +<p>It was a mixed motive that had first prompted Henry to +espouse the cause of a helpless, friendless girl; a motive composed +of one part inward wrath, long nourished, against the haughty +and over-exacting Lucian, and one part pity for the young girl +who, as his experienced eyes told him, was not such as were the +women who had usually been entertained by his master.</p> + +<p>He had expected to assist her to escape from the place, to enjoy +his master's chagrin, and to see the matter end there. But +Madeline's illness had changed the current of events, and +strengthened his determination to stand her friend, if need be, +more especially when Olive, pressing upon him a generous gift, +had signified her wish that he should continue in Madeline's service. +She had added that when he chose to leave his present +master, she would see that he fell into no worse hands, for so +long as the sick girl remained under that shelter, Olive felt that<span class='pagenum'><a name="Page_266" id="Page_266">[266]</a></span> +the man must be their servant, not Davlin's. And, to do him +justice, Henry had long since become truly attached to the two +ladies.</p> + +<p>He lost no time in responding to the summons of Doctor +Vaughan, and was eager to know of the welfare of the "young +lady" and Mrs. Girard. Doctor Vaughan satisfied him on this +point, and then said:</p> + +<p>"I am authorized by Miss Payne to see you, and ask some +questions that she thinks you may be able to answer. First, +then," said the doctor, in his kindly manner, "how long have +you been with your present master?"</p> + +<p>"Nearly three years, sir."</p> + +<p>"And how long has the woman whom he calls Cora been +known to you?"</p> + +<p>"She has been known to me all that time, sir," replied +Henry.</p> + +<p>"You first saw her in company with Davlin?"</p> + +<p>"No, sir; she came to his rooms when I had been there but a +few days, and ordered me about like a countess. I didn't know +the ropes then, but she made me know my duty soon enough," +dryly.</p> + +<p>"Evidently, then, she and your master were friends of long +standing, even at that time?"</p> + +<p>"Yes, sir."</p> + +<p>"You used to hear them talk often, I suppose?"</p> + +<p>"I used to hear parts of their talks. They seemed not to care +to have even so much of a machine as I, hear them at all times."</p> + +<p>"Now, will you try and recall some of these fragments of +talk? Think if you heard them speak of their travels, together +or separately; and if you can recall the names of any persons or +places they have mentioned."<span class='pagenum'><a name="Page_267" id="Page_267">[267]</a></span></p> + +<p>Henry pondered. "I think," he said, after a time, "that +they have been in Europe together. In fact, I am sure of it."</p> + +<p>Doctor Vaughan started. "Oh! that is to the point. You +don't recall any time mentioned?"</p> + +<p>"No, sir. They used to talk of luck with the cards, and +sometimes spoke of operas or plays, and almost always disagreed. +Sometimes I would hear him describing men to her, and she +seemed to be getting ready for a part in some 'game' that he +was trying to play."</p> + +<p>"Very likely."</p> + +<p>"Once I heard them having high words about some old man +that she had been fleecing, and he said that she had carried the +thing too far; and that if she did not keep out of the old man's +way, she might get into trouble. I heard the name," putting +a forefinger to his forehead and wrinkling his brows; "it was—was—Verage; +'Old Verage,' she called him."</p> + +<p>"Verage!"</p> + +<p>"That was the name; I am sure, sir."</p> + +<p>Clarence took out a note-book, and made an entry.</p> + +<p>"When did this conversation take place?" he asked.</p> + +<p>"Not more than two months before the young lady was brought +there, sir."</p> + +<p>"Ah!" Evidently a fresh glimmer of light had been thrown +on the subject. "And you heard nothing more about this old +man?"</p> + +<p>"No, sir. I think she must have gone away from town at +that time, for I did not see her again, until—" here Henry +seemed to catch at some new thought.</p> + +<p>"Until when?" asked Doctor Vaughan, with some eagerness.</p> + +<p>"The day before the young lady came," said Henry, in a low +tone, and moving a step nearer the doctor. "Madame Cora came<span class='pagenum'><a name="Page_268" id="Page_268">[268]</a></span> +dashing up in a close carriage, and she wore a heavy veil. I noticed +that because she was rather fond of displaying her face and hair, +and I hardly ever saw her wear anything that would hide them. +She came up-stairs and ordered me to send a telegram, which +she had already written, to my master. I sent it, and she stayed +there all day. She sent me out for her meals, and I served them +in the large room. She spent the most of the time in walking +up and down—that was her way when she was worried or angry—and +looking out between the curtains. My master answered the +telegram, but when the midnight train came in, a man who went +down in the country with him, a sort of tool and hanger-on of +his, came to me while I was waiting below, and told me to tell +Mistress Cora that the train was a few minutes late."</p> + +<p>"Stop a moment. This man, who was Davlin's companion,—what +was his name?"</p> + +<p>"I never heard him called anything but 'The Professor.'"</p> + +<p>"The Professor! And how did he look?" making another +entry in the note-book.</p> + +<p>"He was a middle-aged man, sir, not so tall as master, rather +square in the shoulders, and stout built. He wore no beard, +and was always smoking a pipe."</p> + +<p>"Very good," writing rapidly. "Now, then, let us return to +the lady."</p> + +<p>"Well, sir, she was very impatient until my master came, and +then they had a long talk. I heard him speak of the old man +Verage again, and she seemed a little afraid, or annoyed, I don't +know which. Then he seemed to be telling her of some new +scheme, and there was a great deal of planning and some chaffing +about her going into the country. Just at daybreak they sent +me for a carriage, and she went away in it, closely veiled as before. +He told her he would join her without fail. I have not<span class='pagenum'><a name="Page_269" id="Page_269">[269]</a></span> +seen her since. That same morning he brought the beautiful +young lady to his rooms, and," smiling so as to show all his +white teeth, "I think you know all the rest, sir."</p> + +<p>Clarence nodded and then appeared lost in thought. Finally, +he lifted his head from the hand that had supported it, and +said:</p> + +<p>"Since your master has returned to town, how does he employ +his time?"</p> + +<p>"Very much as usual."</p> + +<p>"And that is in—"</p> + +<p>"Gaming."</p> + +<p>"Is it true, Henry, that the room below your master's apartments +is fitted up for private gambling?"</p> + +<p>Henry stirred uneasily, and looked his answer.</p> + +<p>Doctor Vaughan smiled. "I see how it is," he said. "Well, +then, this man, the Professor, do you see much of him of late?"</p> + +<p>"A great deal, sir; he is very often with my master at his +rooms, but they never go out together. They have had a great +deal of privacy lately; something new is afoot."</p> + +<p>"The man is a sort of decoy-duck, I fancy?"</p> + +<p>"Yes; what the gamblers call a capper, or roper-in."</p> + +<p>"Well, Henry, I think I won't detain you longer now. +Take this," putting into his hand a twenty-dollar bill, "and +keep your eyes and ears open. If your master leaves town, observe +if the Professor disappears at the same time."</p> + +<p>Henry expressed his gratitude and his entire willingness to +keep an eye upon the doings of Mr. Davlin and the Professor, +and bowed himself out, muttering as he went: "They will +make it lively for my fine master before very long, and I think +I am on the side that will win."</p> + +<p>Meantime, Clarence Vaughan, quick in thought and action,<span class='pagenum'><a name="Page_270" id="Page_270">[270]</a></span> +was hurrying on his gloves preparatory to a sally forth on a new +mission. Henry had given him a hint that might turn out of +much value, for among the patients then on the young doctor's +visiting list, was one Verage, old, ugly, and fabulously rich.</p> + +<p>First of all, Clarence Vaughan called at the Agency which +had been decided upon as the best one to entrust with the investigation +relative to Mr. Edward Percy. He gave his man +no clue to the present whereabouts of his subject, but set him +back ten years or more, sending him to visit the scenes of school +episode, and bidding him trace the life of the man, with the aid +of such clues as he thought best to give, up to that time. Next, +he visited another Agency, and placed a man upon the track +of Lucian Davlin.</p> + +<p>Then he called a carriage and drove straight to the residence +of old Samuel Verage. It was early in the day for a professional +visit or for a visit of any kind. Nevertheless, Doctor +Vaughan was admitted without delay, to the presence of the +master of the house.</p> + +<p>Old Samuel Verage sat in his large, softly-cushioned armchair, +in a gorgeously beflowered dressing gown.</p> + +<p>He was glowering over the dainty dishes which had lately +contained a bountiful breakfast. Evidently he fancied that the +doctor had called in anticipation of a serious morning attack, or +to choke off his too greedy appetite, for he chuckled maliciously +as Clarence entered the room, and greeted him with,</p> + +<p>"Oh! You thought you were ahead of me this time, didn't +you? I say, now, <i>did</i> you think I would be worse this morning?"</p> + +<p>Clarence surveyed his patient with considerable amusement.</p> + +<p>"You won't suffer from a hearty breakfast. It is the supper +that you must look out for. But my call this morning was, in +part, to inquire about a lady."<span class='pagenum'><a name="Page_271" id="Page_271">[271]</a></span></p> + +<p>"About a lady! Of course, of course; go ahead; who is +she?"</p> + +<p>"That's precisely what I want to know. The fact is, my +business is rather peculiar, and delicate."</p> + +<p>The old man rubbed his hands gleefully. "Good! very good! +A mystery about a woman! Come out with it; don't be backward."</p> + +<p>"Very well; the woman that I want to inquire about has +been known as Cora Weston."</p> + +<p>Old Verage fairly bounced out of his seat as he yelled: +"Cora Weston! Where is she? What do you know about +her?"</p> + +<p>"Not quite enough, or I should not have ventured to inquire +of you," said Clarence, calmly.</p> + +<p>Old Verage tumbled into his chair again. "Then you don't +know where she is?" sharply.</p> + +<p>"What could you do if I put her in your power?"</p> + +<p>"Lock her up in jail, if I wanted to," fiercely.</p> + +<p>Little by little Clarence Vaughan extracted from the old man +the details of the plausible scheme by which Davlin and Cora +had succeeded in transferring a very considerable amount of cash +from his pockets to their own. He felt elated at the result of +this interview. It placed a weapon in his hands that might be +wielded with telling effect when time served.</p> + +<p>"Well, you may be able to get even with her yet," he said, +rising to go, after Verage had concluded his tirade; "many +thanks for giving me some information. I may be able to return +the compliment soon."</p> + +<p>"But hold on!" cried Verage, as if seized by a new thought; +"I say, now, what is all this questioning about?"</p> + +<p>"Some of her sharp practice has come to my knowledge, and<span class='pagenum'><a name="Page_272" id="Page_272">[272]</a></span> +she has made a little trouble for one of my friends. I want to +know all that I can about her, for it may be necessary to put a +stop to her career."</p> + +<p>With a renewed expression of his thanks for the information +given, Clarence bowed himself out of the old man's presence, +with a sense of relief at inhaling the fresh, pure air of the outer +world. Then he turned his steps homeward, assured that it had +been a good day's work well done.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXVII" id="CHAPTER_XXVII"></a>CHAPTER XXVII.</h2> + +<h2>CLAIRE TURNS CIRCE.</h2> + + +<p>There was more to tell than to learn, when Clarence called, a +day or two later, at the villa.</p> + +<p>The expert who had been dogging the steps of Lucian Davlin, +had made his report, it is true. But that report was a very unsatisfactory +affair:</p> + +<p>A man, whom Clarence readily identified with the Professor, +was an almost constant visitor at the rooms of the Man of Luck, +but they, that is, the Professor and Davlin, were never seen on +the street together, nor, indeed, anywhere else. In short, Lucian +Davlin had been closely shadowed, but with no success to speak +of. He came and went just as such a man usually does. And +no person that might be made to answer for a doctor, had been +visited by him or had visited him unless, and this began to appear +possible, the Professor himself was the man.</p> + +<p>After a long and serious discussion of the pros and cons of +the case, Olive and Clarence decided they would instruct the<span class='pagenum'><a name="Page_273" id="Page_273">[273]</a></span> +detective to transfer his attentions to the Professor, only keeping +a general <i>surveillance</i> over Davlin. They began to fear that +they were watching the wrong man.</p> + +<p>Those were pleasant days to Doctor Vaughan; the days +when he rode down to the pretty villa to consult with Olive +and to look at Claire.</p> + +<p>And those were pleasant days to Claire as well. Once, and +that not long before, she had taken but little interest in Clarence +Vaughan. She had thought of him very much as had Madeline +that first night of their meeting, when she looked at him sitting +near her in a railway carriage, and regarded him as just a +"somewhat odd young man with a good face." Now, Madeline +thought him not only the noblest but the handsomest of men. +And Claire was beginning to agree with her.</p> + +<p>But on one thing she was determined. Doctor Vaughan must +learn to look upon her only as a friend, and he must learn to +love Madeline. So Claire and Clarence vied with each other in +chanting the praises of Madeline Payne, and learned to know +each other better because of her.</p> + +<p>One day when he called, Claire chanced to be alone. Somehow +she found it hard to be quite at her ease when there was +no Olive at hand, behind whom to screen her personality from +the eyes that might overlook that sisterly barrier, but could not +overleap it. If his eyes had said less, or if she could have compelled +her lips to say more! But her usually active tongue +seemed to lack for words and she found herself talking in a +reckless and somewhat incoherent manner upon all sorts of +topics, which she dragged forward in order to keep in check the +words which the look in his eyes heralded so plainly.</p> + +<p>When she was almost at her wit's end, and tempted to flee +ingloriously in search of Olive, that lady entered and Claire felt<span class='pagenum'><a name="Page_274" id="Page_274">[274]</a></span> +as if saved from lunacy. But she could not quite shake off the +consciousness that had awakened in her, and soon framed an excuse +for leaving the room. Once having escaped, she did not +return, nor did Olive see her again until she came down to +dinner, and Doctor Vaughan had gone.</p> + +<p>While lingering over that meal, Olive said, after they had +talked of Madeline through three courses, "I think, by-the-by, +that Doctor Vaughan expected to see you again before he went."</p> + +<p>If I were writing of impossible heroines, I might say that +Claire looked conscious; but real women who are not all chalk +and water, do not display their feelings so readily to their mothers +and sisters. So Claire Keith looked up with the countenance +of an astonished kitten.</p> + +<p>"To see me? What for?"</p> + +<p>"How should I know, if you don't?" smiling slightly.</p> + +<p>"And <i>how</i> should I know?" carelessly.</p> + +<p>"Well, perhaps I was mistaken. But why have you kept +your room all this afternoon?"</p> + +<p>"I have been packing. Please pass the marmalade."</p> + +<p>"Packing!" mechanically reaching out the required dainty.</p> + +<p>"Yes, packing. You don't think I came to spend the winter, +do you?"</p> + +<p>"But this is so sudden."</p> + +<p>"Now, just listen, you unreasonable being!" assuming an air +of grave admonition. "Don't you know that I have overstayed +my time by almost a month?"</p> + +<p>"Yes, but—"</p> + +<p>"Well, don't you know that if I tell you beforehand that I +am going, you always contrive excuses and hatch plots, to keep +me at least three weeks longer?"</p> + +<p>"I plead guilty," laughed Olive.<span class='pagenum'><a name="Page_275" id="Page_275">[275]</a></span></p> + +<p>"Well, you see I have staid out my days of grace already. +And knowing your failing, and feeling sure that I could not +humor it, I have just taken advantage of you, and packed my +trunks."</p> + +<p>"And you won't stay just one more little week?"</p> + +<p>Claire laughed gleefully. "What did I say? It is your old +cry. Now, dear, be reasonable. Mamma wants me, and the +boys want me. You have plenty of occupation just now. It +will take you one-third of the time to keep me informed of all +that happens."</p> + +<p>"Well," sighed Olive, "of course you must go sometime; but +you don't mean to go to-morrow?"</p> + +<p>"I do, though."</p> + +<p>"What will Doctor Vaughan say?"</p> + +<p>"Whatever Doctor Vaughan pleases. I can't lose a day to +say good-by to him, can I?"</p> + +<p>"But why didn't you tell him good-by to-day?"</p> + +<p>Claire looked up in some surprise. "Upon my word, I never +thought of it."</p> + +<p>And she told the truth. She had thought only of how she +could avoid another meeting.</p> + +<p>Olive looked puzzled. "And I supposed that you liked +Doctor Vaughan," she said, after a moment's pause.</p> + +<p>"Why, and so I do; I was very careless. Olive, dear, pray +make my adieus to him, and all the necessary excuses. I do +like the doctor, and don't want him to think me rude."</p> + +<p>And Olive accepted the commission, and was deceived by it. +For she, absorbed in her own fears and hopes, was not aware of +the drama of love and cross purposes that was being enacted +under her very eyes.</p> + +<p>When Clarence called, on the next day but one, he found, to<span class='pagenum'><a name="Page_276" id="Page_276">[276]</a></span> +his surprise and sorrow, that the bright face of the girl he loved +so well was to smile upon him no more, at least for a time. +Making his call an unusually brief one, he rode back to the city +in a very grave and thoughtful mood. Or, rather, the gravity +and thoughtfulness usual in him was tinged with sadness.</p> + +<hr style='width: 45%;' /> + +<p>On the same day, almost at the same hour, Claire Keith stood +in her mother's drawing-room, answering the thousand and one +questions that are invariably poured into the ears of a returned +traveler.</p> + +<p>By and by, drawing back the satin curtain, that shaded the +windows of the drawing-room, Claire gazed out upon the familiar +street which seemed smiling her a welcome in the Autumn sunshine. +Finally she uttered an exclamation of surprise, and +turned to Mrs. Keith.</p> + +<p>"<i>Merci!</i> Mamma! what has happened to the people across the +way? Why, I can't catch even one glimpse of red and yellow +damask, not one flutter of gold fringe; have the <i>parvenus</i> been +taking lessons in good taste? Positively, every blind is closed, +and there isn't a liveried being to be seen."</p> + +<p>Mrs. Keith laughed softly. "I don't know what has happened +to the <i>parvenus</i>, my dear, but whether good or bad it has taken +them away, liveries and all. The house has a new tenant, who +is not so amusing, perhaps, but is certainly more mysterious. +So, after all, the exchange may not have been a gain to the +neighborhood."</p> + +<p>Claire peeped out again. "A mysterious tenant, you say, +mamma? That must be an improvement. What is the Mystery +like?"</p> + +<p>Mrs. Keith smiled indulgently on her daughter.</p> + +<p>"There is not much to tell, my love. I don't know whether<span class='pagenum'><a name="Page_277" id="Page_277">[277]</a></span> +the lady who has taken the house is young or old, handsome or +ugly, married or single. She lives the life of a recluse; has +never been seen, at least by any of us, to walk out. But she drives +sometimes in a close carriage, and always with a thick veil hiding +her face. She is tall, dresses richly, but always in black, although +the fabric is not that usually worn as mourning. She +moves from the door to her carriage with a languid gait, as if +she might be an invalid. No one goes there, and I understand +she is not at home to callers, although, of course, I have not +made the experiment myself. There, my dear, I think that is +about all."</p> + +<p>"She seems to be a woman of wealth?"</p> + +<p>"Evidently; her horses are very fine animals, and her carriage +a costly one. Her servants wear a neat, plain livery, and apparently +her house is elegantly furnished."</p> + +<p>"And mamma," said Robbie, who had been standing quietly +at her side, "you forget the flowers."</p> + +<p>"True, Robbie. Every day, Claire, the florist leaves a basket +of white flowers at her door."</p> + +<p>"I like that," asserted Claire. "She must have refinement."</p> + +<p>"She certainly has that air."</p> + +<p>"Well," said Claire, laughing lightly, "I shall make a study +of the woman across the way."</p> + +<p>With that the subject dropped for the time. But as the days +went on, and she settled herself once more into the home routine, +Claire found that not the least among the things she chose to +consider interesting was the mysterious neighbor across the way.</p> + +<p>And now, having put considerable distance between herself +and Edward Percy, she wrote him a few cool lines of dismissal.</p> + +<p>And here again the individuality of the girl was very manifest. +Many a woman would have written a scathing letter,<span class='pagenum'><a name="Page_278" id="Page_278">[278]</a></span> +telling the man how thoroughly unmasked he stood in her sight, +letting him know that she was acquainted with all his past and +his present, and bidding him make the most of the infatuation +of the last victim to his empty pockets, the ancient Miss Arthur.</p> + +<p>What Claire did was like Claire; and perhaps, after all, she +best comprehended the nature she dealt with. Certainly no +tirade of accusing scorn could have so wounded the self-love of +the selfish, conscienceless man as did her cool farewell missive.</p> + +<p>Edward Percy was in a very complaisant mood when Claire's +letter reached him. True, he had received no reply to his two +last effusions; but knowing that Claire must be soon returning +to her home, if she had not already gone, he assured himself +that it was owing to this that he had received no letter as yet. +He never doubted her attachment to himself. That was not in +his nature.</p> + +<p>Opening a rather heavy packet, as he sat in his cosy sitting-room, +out dropped two letters; two letters full of poetry and +fine sentiment, that his own flexible hand had penned and addressed +to Miss Claire Keith. His letters, and returned with the +seals unbroken. He could scarcely believe the evidence of his +senses. His handsome, treacherous, light-blue eyes darkened +and widened with astonishment and anger.</p> + +<p>He never moved in a hurry, never spoke in a hurry, never +thought in a hurry. And slowly it dawned upon his mind to +investigate further and find some clue that would make this unheard-of +thing appear less incomprehensible. Accordingly he +took up the envelope that had contained his rejected letters, and +drew from them a brief note:</p> + +<p class="f5"><span class="smcap">Baltimore</span>, Saturday, 6th.</p> + +<div class="blockquot"><p>It will scarcely surprise Mr. Percy to learn that Miss Keith desires now +to end an acquaintance that has been, doubtless, amusing "intellectually" +and "socially" to both.</p> +<p><span class='pagenum'><a name="Page_279" id="Page_279">[279]</a></span></p> +<p>Of course, a gentleman so worldly-wise as himself can never have been +misled by the semblance of attachment, that has seemed necessary in +order to make such an acquaintance as ours at all interesting. A flirtation +based upon a "sympathy of intellect," must of necessity end sooner or +later, and has, no doubt, been as harmless to him as to <span class="smcap">Claire Keith</span>.</p></div> + +<p>Yes, without doubt Claire knew how to hurt this man most. +He was not permitted to know that she felt the keen humiliation, +which a proud nature must suffer when it discovers that it +has trusted an unworthy object. Instead, he was to feel himself +the injured one; the one humiliated. He, the deceiver, must +own himself deceived. When he believed himself loved, he was +laughed at. His own words were flung in his teeth in an insolent +mockery. "A sympathy of intellect;" yes, he had used +these words so often. He had obeyed the beckoning of a Circe, +and now she held out to him his swine's reward of husks.</p> + +<p>Edward Percy had been dissatisfied with others, with circumstances, +and surroundings, many a time and oft; but to-day, for +the very first time, he felt dissatisfied with himself.</p> + +<p>And Claire had revenged her wrongs twofold.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXVIII" id="CHAPTER_XXVIII"></a>CHAPTER XXVIII.</h2> + +<h2>THE CURTAIN RISES ON THE MIMIC STAGE.</h2> + + +<p>Always, in life, little events pave the way for great catastrophes. +The mine burns slowly until the explosive point is reached, and +then—</p> + +<p>Fate was taking a leisurely gait, seemingly, and moving affairs +at Oakley with a deliberation that was almost hesitating. +Nevertheless, things were moving, and in the wake of little<span class='pagenum'><a name="Page_280" id="Page_280">[280]</a></span> +events, great ones could already be discerned by the plotters and +counter-plotters, who waited and watched.</p> + +<p>Céline Leroque was in better spirits than usual, in these days. +Indeed, considering how exceedingly probable it seemed that +she would be turned adrift at any hour by her present mistress, +Céline was very cheerful.</p> + +<p>And Miss Arthur had cause to complain. Beyond a doubt +her French maid was becoming careless, very careless. Sometimes +Miss Arthur was inclined to think that her scant locks of +well-dyed hair were pulled quite unnecessarily, while her head +was under Céline's hands. But this she endured like a Spartan, +only exclaiming when the torture became unbearable. And +when she finally ventured a protest, disastrous was the outcome.</p> + +<p>With many an apology, Céline fingered the curls and braids, +inquiring with every touch of the hand or adjustment of a hair-pin: +"Does that hurt, mademoiselle?"</p> + +<p>Being assured, when the hair-dressing was done, that she had +accomplished the task without inflicting so much as a single +twinge of pain, she held open the door for her mistress, cooing +her satisfaction and beaming with delight.</p> + +<p>But alas for the poor spinster! Before she had been half an +hour in the society of her beloved <i>fiancé</i>, her unfortunate habit +of tossing and wriggling her head brought Céline's gingerly +architecture to grief. A sudden twist tumbled down full half +of the glossy "crown of glory" from Miss Arthur's head to +Mr. Percy's feet, and—we draw a veil over the confusion of the +unhappy spinster.</p> + +<p>The lady having retired to her dressing-room to relieve her +feelings and repair damages, a scene was enacted in which the +lady did the histrionics and the maid apologized and giggled alternately, +until the one had exhausted her anthem of wrath<span class='pagenum'><a name="Page_281" id="Page_281">[281]</a></span> +and the other her accompaniment of penitence and giggles.</p> + +<p>Then a truce was patched up, which lasted for several days.</p> + +<p>Céline had advanced to the verge of disrespect, when speaking +of Mr. Percy, on more than one occasion. Several times she +had said that he "had a familiar look," and she fancied she had +seen him somewhere. But she had always checked herself on +the very border-land of impertinence, and never had been able to +tell if she really had before seen the gentleman or no.</p> + +<p>But she had put the spinster on the defensive, and had also +excited her curiosity.</p> + +<p>During this time Mrs. John Arthur was slowly dropping into +her <i>rôle</i> of invalid. First, she gave up her habitual walks about +the grounds and on the terrace. Then, her drives became too +fatiguing. Next, she found herself too languid to appear at +breakfast, and that meal was served in her room. She was not +ill, she protested; only a trifle indisposed. Let no one be at all +concerned for her; she should be as well as usual in a few days. +And Céline, who was very sympathetic, and was the first to suggest +that a physician be consulted, was laughingly assured that +if madame were sick, she, Céline, should be her head nurse.</p> + +<p>Mrs. Arthur had been absent from the family breakfast table +for two days, when Miss Arthur met with a fresh grievance at +the hands of Céline.</p> + +<p>Céline had been unusually garrulous, and had been regaling +her mistress with descriptions of the great people, and the +magnificent toilets she had seen, while with some of her former +<i>miladis</i>. Suddenly she dropped the subject of a grand ball +which had transpired in Baltimore, where her mistress was the +guest of the honorable somebody, to exclaim:</p> + +<p>"It has just come to me, mademoiselle, where I must have +seen Monsieur Percy. It was in Baltimore, and they said—"<span class='pagenum'><a name="Page_282" id="Page_282">[282]</a></span> +Here she became much confused, and pretended to be fully occupied +with the folds of her mistress's dress.</p> + +<p>Miss Arthur looked down upon her sharply, and asked, +"What did they say?"</p> + +<p>Céline stammered: "Oh, it was only gossip, mademoiselle; +nothing worth repeating, I assure you."</p> + +<p>The curiosity and jealousy of the spinster were fully aroused. +"Don't attempt any subterfuges, Céline," she said, in her loftiest +tone. "I desire to know what was said of my—Mr. Percy."</p> + +<p>The girl arose to her feet, and with much apparent reluctance, +replied:</p> + +<p>"They said, mademoiselle—of course, it was only gossip—that +he was very much of a fortune-hunter, and that he was engaged +to some woman much older than himself, who was immensely +rich."</p> + +<p>Miss Arthur sat down and looked hard at her maid. "How +do you know that Mr. Percy is that man?"</p> + +<p>"Oh! I don't know, my lady—mademoiselle. I only said +that I thought I have seen him in Baltimore; the Mr. Percy +they used to talk of there, must have been another."</p> + +<p>Miss Arthur looked like an ancient Sphinx. "Do you think +that Mr. Percy is that man?" she asked.</p> + +<p>"<i>Merci!</i> my lady, how can I tell that? It might have been +he; and the old woman there might have disappointed him, you +know," artlessly.</p> + +<p>Miss Arthur was literally speechless with rage. Without replying, +she rose and swept into the adjoining room, closing the +door behind her with a bang.</p> + +<p>Céline smiled comfortably, and went to minister unto Cora, +to whom she confided her belief that Miss Arthur was dissatisfied +with her, and meant to discharge her. "And only think,<span class='pagenum'><a name="Page_283" id="Page_283">[283]</a></span> +madame," she said plaintively, "it is all because, in an unguarded +moment, I compared her to an old woman. It is so hard +to remember, always, that you must not tell an old woman she +is not young."</p> + +<p>And Cora laughed immoderately, for she much enjoyed her +sister-in-law's discomfiture.</p> + +<p>But Miss Arthur did not dismiss the matter from her mind, +when she banged the door upon Céline. Angry as she had been +with that damsel, it was not anger alone that moved her. Jealousy +was at work, and suspicion.</p> + +<p>That evening, sitting beside her lover, she said to him, +carelessly: "By the way, Edward, were you ever in Baltimore?"</p> + +<p>The gentleman stroked his blonde whiskers, and smiled languidly +as he answered: "In Baltimore? Oh, yes; I think +there are few cities I have not visited." And then something +in the face of Miss Arthur made him inquire, with a slight acceleration +of speech: "But why do you ask?"</p> + +<p>Miss Arthur considered for a moment, and replied: "My +maid, Céline, thinks that she has seen you there."</p> + +<p>She was watching him keenly, and fancied that he looked just +a trifle annoyed, even when he smiled lazily at her, saying: +"Indeed! And when is your maid supposed to have seen me +there?"</p> + +<p>"I don't know when,"—Miss Arthur was beginning to feel injured; +"I suppose you are well known in society there?"</p> + +<p>He smiled and still caressed his chin. "So so," he said, indifferently.</p> + +<p>"Edward!"—the spinster could not suppress the question +that was heavy on her mind—"were you ever engaged to a lady +in Baltimore?"<span class='pagenum'><a name="Page_284" id="Page_284">[284]</a></span></p> + +<p>He turned his blue eyes upon her in mild surprise. "Never," +he said, nonchalantly.</p> + +<p>She looked somewhat relieved, but still anxious, and the man, +after eyeing her for a moment, placing one hand firmly upon +her own, said, in a tone that was half caress, half command,</p> + +<p>"Ellen, you have been listening to gossip about me. Now, +let me hear the whole story, for I see it has troubled you, and I +will not have that."</p> + +<p>She, glad to unburden her mind, told him what Céline had +said. Perhaps Céline had counted upon this, and was making, +of the unconscious Mr. Percy, a tool that should serve her in +just the way that he did. At all events, while he listened to the +spinster, he assured himself that if the French maid were not, +for some reason, an enemy, she was certainly a meddler, and +that she must quit Miss Arthur's service.</p> + +<p>He said nothing to this end that evening. But he fully +satisfied Miss Arthur that he was not the person referred to by +the girl. And to guard against further inquiries or accidents, +he told her of several men of the name of Percy, who were much +in society, and might be, any one of them, the man in question.</p> + +<p>And his <i>fiancé</i> was calmed and happy once more.</p> + +<p>She was as clay in the potter's hands, and Mr. Percy found +it an easy matter to convince her, a few days later, that her invaluable +maid was not the proper person to have about her. +Accordingly, one fine morning, Céline was informed, in the +spinster's loftiest manner, that her services were no longer desired, +and a month's wages were tendered her, with the assurance +that Miss Arthur "had not been blind to her sly ways, and +trickery, and that she had only retained her until she could suit +herself better."</p> + +<p>Céline took her <i>congé</i> in demure silence, and sought Mrs.<span class='pagenum'><a name="Page_285" id="Page_285">[285]</a></span> +Arthur forthwith. Cora was really glad that she could at last +command the girl, for many reasons, and they quickly came to +an understanding.</p> + +<p>Great was the surprise and inward wrath of the spinster when, +within ten minutes from the time Céline had left her presence, +a maid without a mistress, she appeared again before her, and +laying upon the dressing case the month's wages she had received +in lieu of a warning, said:</p> + +<p>"Mademoiselle will receive back the month's wages, as I have +not been in the least a loser by her dismissal. I enter the service +of madame immediately."</p> + +<p>And then Céline had smiled blandly, bowed, and taken her +departure, leaving the spinster to wonder how on earth she should +manage her hair-dressing, and to wish that Edward had not insisted +upon setting the girl adrift until a substitute had been +found.</p> + +<p>The fact that the girl was retained in the house annoyed Mr. +Percy not a little. But it did not surprise him that Cora should +wish to keep her. He had long before made the discovery that +the sisters-in-law were not more fond of each other than was essential +to the comfort of both.</p> + +<p>Céline had been but two days in the service of her new mistress +when that lady found herself too ill to be dressed for +breakfast, even in her own room, and she kept her bed all day.</p> + +<p>John Arthur, in some alarm, had declared his intention of +calling a physician. But Cora objected so strongly that he had +refrained. Before evening came, however, Céline sought him, +as he was sitting in what he chose to call his "study," and said:</p> + +<p>"Pardon my intrusion, monsieur, but I am distressed about +madame. This afternoon she is not so well, and surely she +should have some medicine."<span class='pagenum'><a name="Page_286" id="Page_286">[286]</a></span></p> + +<p>The old man wrinkled his brows in perplexity, as he replied: +"Yes, yes, girl; but she won't let me call a doctor."</p> + +<p>Céline sighed, and moving a step nearer, murmured: "Monsieur, +I will venture to repeat what madame but now said to me, +if I may."</p> + +<p>He signed her to proceed.</p> + +<p>"Madame said that a stranger would only make her worse; +that she would distrust anyone she did not know; but that if +her dear old physician, who had attended her always in sickness, +could see her, she would be glad. Alas! he was in New York, +and she did not like to ask that he might be sent for. It would +seem to you childish."</p> + +<p>Of course this speech had been made at Cora's instigation, but +it had the desired effect. John Arthur bounded up, and bade +Céline precede him to his wife's chamber; and the result of his +visit was what the invalid had intended it to be. She was so +pretty, and so pathetic, and so very ill! Céline declared that she +was growing more fevered every moment, and as for her pulse, +it was like a trip-hammer.</p> + +<p>John Arthur had an unutterable fear of illness, and after trying +in vain to persuade Cora to see one of the village doctors, whom, +he declared, were very good ones, he announced his intention to +telegraph to the city for the doctor who had been her adviser in +earlier days.</p> + +<p>And to this Cora reluctantly consented. "It seems foolish," +she said, plaintively, "and yet I don't think I <i>ought</i> to refuse to +send for Doctor Le Guise. I feel as if I were really about to +be very ill, hard as I have tried to fight off the weakness that is +coming over me."</p> + +<p>"And madame is so flushed, and wanders so in her sleep,"—this, +of course, from Céline.<span class='pagenum'><a name="Page_287" id="Page_287">[287]</a></span></p> + +<p>John Arthur arose from the side of the couch with considerable +alacrity, saying: "I will telegraph at once. What is the +address?"</p> + +<p>Cora lay back among her pillows, with closed eyes, and made +no sign that she heard. He spoke again, and the eyes unclosed +slowly, and she said, with slow languor:</p> + +<p>"Send to my brother; he will find him." Then closing her +eyes, she murmured, "I want to sleep now."</p> + +<p>Céline turned toward him an awe-struck countenance and +motioned him to be silent. He tip-toed from the room, thoroughly +frightened and nervous, and sent a message to Lucian Davlin +forthwith.</p> + +<p>When he was safely away, Cora awoke from her nap, and +desired Céline to let in more light. This done, she propped +herself up among her pillows, and taking from underneath +one of them a novel, bade her maid tell everybody that she was +not to be disturbed, while she read and looked more comfortable +than ill.</p> + +<p>Towards evening, John Arthur looked in, or rather tried to +look in, upon his wife. But Céline assured him that her mistress +was sleeping fitfully and seemed much disturbed and agitated +at the slightest sound, so his alarm grew and increased.</p> + +<p>When the evening train came he hoped almost against reason +that it would bring the now eagerly looked for Dr. Le Guise.</p> + +<p>But no one came. Later, however, a telegram from Lucian +arrived, which read as follows:</p> + +<div class="blockquot"><p>Doctor can't get off to-night. Will be down by morning train.</p></div> + +<p class="f6">D——.</p> + +<p>In the morning, Cora was much worse. She did not recognize +her husband, and called Miss Arthur, Lady Mallory, which +made a great impression upon that spinster.<span class='pagenum'><a name="Page_288" id="Page_288">[288]</a></span></p> + +<p>Céline, who seemed to know just what to do, turned them both +out, which did not displease either greatly, as the brother and +sister were equally afraid of contagion, and were nervous in a +sick-room.</p> + +<p>At length the doctor arrived, and with him Lucian Davlin, +the latter looking very grave and anxious, the former looking +very grave and wise.</p> + +<p>Céline was summoned to prepare the patient for the coming +of the physician. When this had been done, and the wise man +arose to go to his patient, John Arthur and Lucian would have +followed him. But he waved them back, saying: "Not now, +gentlemen, if you please; let me examine my patient first. That +is always safest and wisest."</p> + +<p>So the three, Lucian, Arthur, and his sister, sat in solemn +silence awaiting the verdict of the doctor from Europe. At +last he came, and the gravity of his face was something to marvel +at. Advancing toward Mr. Arthur, the doctor seemed to be +looking him through and through as he asked:</p> + +<p>"Will you tell me how lately you have been in your wife's +room."</p> + +<p>John Arthur answered him with pallid lips. "We were there +this morning, my sister and I."</p> + +<p>The doctor turned toward Miss Arthur, looking, if possible, +more serious than ever.</p> + +<p>"I am sorry, very sorry," he said. "And I hope you have +incurred no risks. But it is my duty to tell you that Mrs. +Arthur is attacked with a fever of a most malignant and contagious +type, and you have certainly been exposed."</p> + +<p>Mr. Arthur turned the color of chalk and dropped into the +nearest chair. Miss Arthur, who could not change her color, +shrieked and fell upon the sofa. Lucian groaned after the +most approved fashion. And the man of medicine continued,</p> + +<p><span class='pagenum'><a name="Page_289" id="Page_289">[289]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_034.jpg" width="400" height="560" alt=""I am sorry, very sorry."—page 288." /> +<span class="caption">"I am sorry, very sorry."—<a href="#Page_288">page 288.</a></span></div> + +<p><span class='pagenum'><a name="Page_290" id="Page_290">[290]</a></span></p> + +<p>"Above all things, don't agitate yourselves; be calm. I +would advise you to retire to your own rooms, and remain there +for the present. I will immediately prepare some powders, +which you will take hourly. We will begin in time, and hope +that you may both escape the contagion."</p> + +<p>Then he turned to Mr. Davlin. "My dear boy, you had +better go back to the city; at least go away from the house. +This is no place for you."</p> + +<p>But Lucian shook his head, and said that he would not leave +while his sister was in danger.</p> + +<p>The following morning Dr. Le Guise presented himself at the +door of Miss Arthur's dressing-room. After making many inquiries, +such as doctors are wont to terrify patients with, he pronounced +upon the case: She had thus far escaped contagion. +But her system was not over strong; in fact, was extremely +delicate. If there was any place near at hand, suited to a lady +like herself, his advice was to go there without delay. She was +not rugged enough to risk remaining where she was.</p> + +<p>Before sunset, Miss Arthur was quartered at the Bellair inn. +She had dispatched Mr. Percy a note the day before, bidding +him delay his visit. Now she was under the same roof with +him, greatly to her delight, and his disgust.</p> + +<p>John Arthur had not fared so well at the hands of the learned +physician. He had swallowed his powders faithfully and hopefully, +but the morning found him languid and dismal, with +aching brain and nauseated stomach.</p> + +<p>The doctor shook his head, and bade him prepare for a slight +attack of the fever. It promised to be very slight, but he must +keep his room, for a few days at least, and attend to his medicine +and his diet.</p> + +<p>And so the drama had commenced in earnest.</p> + + + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="Page_291" id="Page_291">[291]</a></span></p> +<h2><a name="CHAPTER_XXIX" id="CHAPTER_XXIX"></a>CHAPTER XXIX.</h2> + +<h2>A STARTLING EPISODE.</h2> + + +<p>Claire Keith had said truly that the woman across the way +would prove interesting to her.</p> + +<p>She grew more and more fond of watching for the tall form, +with its trailing robes of black, its proudly-poised, heavily-veiled +head, and slow, graceful movement. Sometimes she saw +a white hand pull away the heavy curtains, and knew that the +owner of the hand was looking out upon the street. But the +face was always in shadow. She could not catch the slightest +glimpse of it.</p> + +<p>"She has strong reasons for not wishing to be seen and recognized; +I wonder what they are?" Claire would soliloquize at +such times.</p> + +<p>Then she would chide herself for being so curious. But the +fits of wondering grew stronger, until she came to feel an attraction +that was more than mere curiosity; a sort of proprietorship, +as it were, in the strange lady. She began to wish that she +might know her, and at last, in a very unexpected manner, the +wish was gratified.</p> + +<p>Claire had returned from a grand ball, weary and somewhat +bored. Disrobing with unusual haste, she sought her couch. +She had supposed herself very sleepy, but no sooner was her +head upon the pillow, than sleep abandoned her, and she tossed +restlessly, and very wide awake.</p> + +<p>Finding sleep impossible, and herself growing nervous, Claire +at length arose. Throwing on a dressing-gown, she pushed a<span class='pagenum'><a name="Page_292" id="Page_292">[292]</a></span> +large chair to the window, and flinging herself in it, drew back +the curtain. Glancing across the way, she was startled by a +light shining out from the upper windows of the mysterious +house. She had looked at that house when quitting her carriage, +because to look had become a habit. But there had been no +light then; not one glimmer. And now the entire upper floor +was brilliantly illuminated.</p> + +<p>Claire rubbed her eyes and looked again. Then, with a cry +of alarm, she sprang to her feet and rang her bell violently.</p> + +<p>From the roof of the house a single flame had shot up, and +Claire realized the cause of that strange illumination. The upper +floor was in flames!</p> + +<p>She turned up the gas and commenced making a hurried toilet. +By the time the sleepy servant appeared in answer to her ring, +she was wrapping a worsted shawl about her head and shoulders, +preparatory to going out.</p> + +<p>"Rouse papa and the servants, James!" she commanded, +sharply. "Number two hundred is on fire! Go instantly!"</p> + +<p>Giving the startled and bewildered James a push in the direction +of her father's sleeping-room, she darted down the stairs. +She unbolted and unchained the street door, and hurried straight +across to number two hundred, where she rang peal after +peal.</p> + +<p>The tiny flame had grown a great one by this time, and almost +simultaneously with her ring at the door, the hoarse fire-alarm +bell roared out its warning.</p> + +<p>It seemed an age to the girl before she heard bolts drawn back. +Then the face of an elderly male servant peered cautiously +out through a six-inch opening. In sharp, quick tones Claire +told him that the roof was in flames. The statement seemed +only to paralyze the man.<span class='pagenum'><a name="Page_293" id="Page_293">[293]</a></span></p> + +<p>Claire gave the door an excited push and spoke to him again. +But he never moved until a voice, that evidently belonged to +the lady of the house, said: "What is it, Peter?"</p> + +<p>Claire answered for him: "Madame, the roof of your house +is in flames! Alarm your servants and make your escape!"</p> + +<p>Through the doorway Claire saw a white hand laid on the +man's shoulder, and suddenly he became galvanized into +life.</p> + +<p>Then the chain fell, and the door opened wide.</p> + +<p>Claire and the mysterious lady were face to face.</p> + +<p>By this time the people were moving in the street, and from +the windows of Claire's home, lights were flashing.</p> + +<p>The woman drew back at the sound of the first footstep, and +seemed to hesitate, with a look of uneasiness upon her face. Instantly +Claire spoke the thought that had been in her mind when +she rang the bell: "Madame, your house will soon be surrounded +by strangers. Secure such valuables as are at hand and come +with me across to my home. There you will be safe from intruders."</p> + +<p>The lady raised her hand, and saying, simply, "Wait," hurried +up the broad stairs.</p> + +<p>Now all was confusion. Down the street came the rushing +fire engines; servants ran about frantically, and people went +tearing past Claire in the crazy desire to seize something and +smash it on the paving stones, thereby convincing themselves +that they were "helping at a fire." Regardless of these, Claire +stood at her post like a little sentinel. Just as the first engine +halted before the house, the mistress of all that doomed grandeur +crossed its threshold for the last time. Then she turned to +Claire, and the two hurried silently through the throng, and +across the street. The door was fortunately ajar. The servants<span class='pagenum'><a name="Page_294" id="Page_294">[294]</a></span> +and Mr. Keith were all outside, so the girl and her companion +had been unobserved.</p> + +<p>Claire led the way straight to her own room. Ushering in +her companion, she closed the door upon chance intruders, and +turned to look at her. The stranger had appeared at the door +in a dressing-gown of dark silk, and this she still wore, having +thrown over it a long cloak, and wrapped about her head, so as +to almost entirely conceal her features, a costly cashmere shawl. +This she now removed, and revealed to the anxious gaze of +Claire the face of a woman past the prime of life;—a face that +had never been handsome, but which bore unmistakable signs +of refinement and culture in every feature. The eyes were +large, dark-gray, and undeniably beautiful. The hair was wavy +and abundant; once it had been black as midnight, but now it +was plentifully streaked with gray. The face was thin and almost +colorless. The hands were still beautiful, with long slender +fingers and delicate veining; the very <i>beau ideal</i> of aristocratic +hands.</p> + +<p>This much Claire saw almost at a glance. Then the lady said, +in a low, sweet voice that was in perfect unison with the hands, +and eyes, and general bearing:</p> + +<p>"I cannot tell you, dear young lady, how much I thank you +for your courage and hospitality. I could not have endured the +going out upon the street in that throng."</p> + +<p>Claire laughed softly, and said, with characteristic frankness: +"I guessed that, madame, for I must confess to having, +on more than one occasion, seen that you do not desire observation."</p> + +<p><span class='pagenum'><a name="Page_295" id="Page_295">[295]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_035.jpg" width="400" height="564" alt=""The mistress of all the doomed grandeur crossed the threshold for the +last time."—page 293." /> +<span class="caption">"The mistress of all the doomed grandeur crossed the threshold for the +last time."—<a href="#Page_293">page 293.</a></span></div> + +<p>The stranger looked at her with evident admiration. "You +were kinder and more thoughtful for a stranger than I have +found most of our sex, Miss ——; I beg your pardon; I am +<span class='pagenum'><a name="Page_296" id="Page_296">[296]</a></span>so much of a hermit that I don't even know your name."</p> + +<p>"My name is Keith,—Claire Keith."</p> + +<p>Then the girl crossed to the window and looked over at the +burning building, while the stranger sank wearily into a chair.</p> + +<p>"Your house is going fast, madame. I fear nothing can be +saved," said Claire. "The upper floor is already gone."</p> + +<p>The stranger smiled slightly, but never so much as glanced +out at her disappearing home.</p> + +<p>"I hope my landlord is well insured," she said. "As for +me, I have my chiefest valuables here," drawing from underneath +the cloak, which she had only partially thrown off, a +small casket, and a morocco case that evidently contained papers. +"I keep these always near me; as for the rest, there is nothing +lost that money cannot replace."</p> + +<p>Claire looked a trifle surprised at her indifference to the destruction +of her elegant furniture, but made no answer. And +the stranger fell into thoughtful silence.</p> + +<p>A rap sounded on the door, and a gentle voice outside said: +"Claire, dear, are you there?"</p> + +<p>The girl turned upon the stranger a look of embarrassed inquiry. +"That is mamma," she said.</p> + +<p>The lady smiled half sadly at her evident perturbation, and +replied, with a touch of dignity in her tone, "Admit your +mother, my dear. I was about to ask for her."</p> + +<p>Claire drew a sigh of relief and opened the door.</p> + +<p>"My child," began Mrs. Keith, as she hurriedly entered the +room, "James tells me that you—"</p> + +<p>Here she broke off as her eyes fell upon the stranger, and +Claire hastened to say: "Mamma, this is the lady whose house +is burning. I ran over there as soon as I saw the first flame +and asked her to come here."<span class='pagenum'><a name="Page_297" id="Page_297">[297]</a></span></p> + +<p>Mrs. Keith was not only a lady, but a woman of good sense, +and she turned courteously toward the intruder, saying, "You +did quite right, my dear. I trust you have not been too seriously +a loser by this misfortune, madame."</p> + +<p>The lady had risen. Now she stepped forward and said, in +her unmistakably high-bred tones, "I have suffered no material +injury, I assure you. And your daughter has done me a great +kindness. I was about to ask if I might see you, as I felt that +it was to you, as the mistress of this house, that I owed some explanation +regarding myself, before accepting further hospitality +from your daughter."</p> + +<p>Mrs. Keith bowed gravely, and the stranger continued,</p> + +<p>"My name is Mrs. Ralston. I have lived for nearly ten +years a secluded life, having been an invalid. Messrs. Allyne & +Clive are my bankers, and have been for years. Mr. Allyne is +an old family friend. If you will ask your husband to call +upon him, you will be assured that I am not a mysterious adventuress."</p> + +<p>Mrs. Ralston smiled slightly, and Mrs. Keith smiled in return +as she said, cordially: "Your face and manner assure me of +that, Mrs. Ralston. And now will you not permit me to show +you a room where you can rest a little, for it is almost morning, +and your night's repose has been sadly disturbed."</p> + +<p>"I must accept your hospitality, Mrs. Keith, and ask to be +allowed to intrude upon you until I can communicate with Mr. +Allyne, and he can find me a suitable place of residence."</p> + +<p>"Don't let that trouble you, pray. We shall be happy to +have you remain our guest," and Mrs. Keith turned to leave the +room.</p> + +<p>Mrs. Ralston held out her hand to Claire, and that impulsive +young lady clasped it in both her own, as they bade each other<span class='pagenum'><a name="Page_298" id="Page_298">[298]</a></span> +good-night. And so the mysterious lady was actually under the +same roof with the girl who had been so much interested in her +and her possible history.</p> + +<p>Mr. Allyne was well known to Mr. Keith, and a man whom +he highly esteemed. On the following day, at the request of +Mrs. Ralston, he called at the banking-house of Allyne & Clive.</p> + +<p>On learning that Mrs. Ralston was the guest of his brother +banker, and of the demolition of her house, Mr. Allyne was +doubly surprised. And his statement concerning the lady was +not only satisfactory but highly gratifying. She had been left +an orphan in her girlhood, and was from one of the oldest and +proudest of Virginia's old and proud families. She had now +no very near relatives, and having separated from a worthless +husband, had lived mostly in Europe. She had resumed her +family name, and although the husband from whom she had +withdrawn herself, had squandered nearly half her fortune, she +was still a wealthy woman. He spoke in highest terms of praise +of her mind and accomplishments, and assured Mr. Keith that +she was not only a woman of unusual refinement and culture, +but one also of loftiest principles and purest Christianity. If +it were not that it would be the very place where this worthless +husband would be likeliest to find her, he would not allow +her to occupy any home save his own. And, lastly, Mr. Allyne +stated that if he, Mr. Keith, could prevail upon Mrs. Ralston +to remain under his roof, he would do Mr. Allyne a great favor.</p> + +<p>"For," concluded that gentleman, "she lives too secluded, and +she is so well fitted for such society as that of your wife and +daughter; she is a woman to grace any household."</p> + +<p>Mr. Keith returned home and faithfully reported all that he +had heard concerning their guest.</p> + +<p>Claire had been very much in love with the grave, stately lady<span class='pagenum'><a name="Page_299" id="Page_299">[299]</a></span> +from the first, and after a morning's chat with her, Mrs. Keith +was not far behind in admiration.</p> + +<p>And the woman who had lived alone so much, found this +cheery little family circle very pleasant, so when Claire and her +mother begged her with much earnestness to remain with them, +she did not refuse.</p> + +<p>"I cannot resist the invitation which I feel to be so sincere," +she said. "I will remain with you for a time, at least, but I +am too much of a hermit to tarry long where there is such a +magnet as this," turning to Claire.</p> + +<p>And Claire laughingly declared that she would forswear +society, and don a veil of any thickness, if only Mrs. Ralston +would share her isolation.</p> + +<p>So she stayed with them, and soon became as a dearly loved +sister to Mrs. Keith; while between herself and Claire, an attachment, +as unusual as it was strong, sprang into being. They +drove together, read together, talked together by the hour, and +never seemed to weary of each other's society.</p> + +<p>Enthusiastic Claire wrote to Olive and Madeline, giving glowing +descriptions of her new found friend. But because of the +events that were making Olive and Madeline doubly dear to +her, and because she could not speak of them to a stranger, +however loved and trusted, Claire said little to Mrs. Ralston of +her sister or of the little heroine of Oakley.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXX" id="CHAPTER_XXX"></a>CHAPTER XXX.</h2> + +<h2>WAITING.</h2> + + +<p>The expert who had been tracing out the goings and doings of +Percy, made his report.<span class='pagenum'><a name="Page_300" id="Page_300">[300]</a></span></p> + +<p>After it had been thoroughly reviewed by Clarence and Olive, +they were forced to confess that they were not one whit the +wiser. The detective had found how and where Percy had +squandered much of his fortune, but had brought to light absolutely +nothing that could be of use to his employers. And so +they abandoned the investigation in that direction.</p> + +<p>But when the report of the Professor's case was sent in, they +found more cause for congratulation. First, it had been discovered +that the Professor had visited three different physicians, +all of them men bearing reputations not over spotless. Next he +had made sundry purchases from two different chemists; and +third, last and all important, he had been dogged to the bazaar +of a dealer in theatrical wares, where he had purchased a wig, +beard, and other articles of disguise.</p> + +<p>Two days had passed since the above discoveries were reported. +Then the detective called upon Dr. Vaughan and informed him +that Mr. Davlin and the Professor, the latter disguised with +wig, beard and spectacles, had taken the early morning train +that very day, and that he, the detective, had been lounging so +near that he heard Davlin call for two tickets to Bellair.</p> + +<p>And then they knew that the siege had begun.</p> + +<p>Three days later, Olive received the following letter, which +speaks for itself:</p> + +<p class="f5"><span class="smcap">Oakley, Wednesday Evening.</span></p> + +<div class="blockquot"> +<p><span class="smcap">Dear Olive:</span></p> + +<p>The engagement has opened in earnest.</p> + +<p>Last evening, Mr. D. and <i>le Docteur</i>, between them, frightened the two +maids out of the house. This morning I succeeded in scaring away the +old housekeeper, which made a shortage in servants. Old Hagar happened +along just then <i>by some chance</i>, and declared herself not at all +afraid of contagion; so madame bade her brother employ her. The cook +remains, as <i>Monsieur</i> and <i>le Docteur</i> must eat. My meals are served in +madame's dressing-room, and shared by that lady.</p> +<p><span class='pagenum'><a name="Page_301" id="Page_301">[301]</a></span></p> +<p>Courage, my friend, our time is almost here. And I am yours till +death,</p></div> + +<p class="f2">M——.</p> + +<p>This letter was perused by Olive and Clarence with almost +breathless eagerness and interest. And then they found themselves +once more waiting eagerly for fresh tidings from the +"seat of war," as Clarence termed it.</p> + +<p>At last came a letter from Madeline that aroused them as the +clarion stirs those arrayed for battle. It ran as follows, bearing +neither date nor signature:</p> + +<div class="blockquot"><p><span class="smcap">To Arms, My Friends!</span></p> + +<p>If you were among the village gossips to-day, this is what you would +hear, for it is what is fast spreading itself through the town:</p> + +<p>The lady up at the mansion has been very ill, but is now better. Her +husband took the fever from her, and, being old and his constitution +enfeebled by the dissipation of his earlier days, he came near dying. +Now they hope that he will live, although the danger is not yet passed. +But <i>if he does live</i> he will never be himself again. The fever has affected +his brain, and he will be <i>hopelessly mad</i>.</p> + +<p>That is what the villagers know.</p> + +<p>What they do not know is, that Mr. D—— and the <i>doctor</i> have already +fitted up two rooms in the most secluded part of the closed-up wing, +and that the "insane" man will be removed to those rooms to-night.</p> + +<p>One fact concerning <i>le Docteur</i>, your expert has failed to discover, is +that at some time the man has made a study of medicine. This is only +a theory of mine, not a discovery; but when I tell you what he did, I +think that you both will agree with me. A few days ago the <i>doctor</i> +walked down to the village one morning, and coolly presented himself +at the door of Doctor G——'s office.</p> + +<p>Doctor G—— is the least popular and least skillful of the three +physicians here, but of course the city man was not supposed to know +that. He, the city doctor, informed Doctor G—— that although his +employer had not desired it, as he had perfect confidence in the present +treatment of Mr. A——, still it was always his practice to consult with +another physician.</p> + +<p>So he desired Doctor G—— to accompany him to O—— and see his<span class='pagenum'><a name="Page_302" id="Page_302">[302]</a></span> +patient; not that he had any doubts about the disease, but because, in +case of a serious termination, it was always a consolation to the friends +to know that every precaution had been taken. Doctor G—— came, to +find the patient in a bedrugged stupor. He endorsed everything <i>le +Docteur</i> chose to say, and went away feeling much puffed-up because of +having been called in to consult with a New York physician.</p> + +<p>You see they are moving very carefully, and do not intend to have any +doubts raised.</p> + +<p>Miss A—— of course remains in the village, and receives reports +daily concerning her brother, and her Knight is still at her elbow.</p> + +<p>Henry has been here for a week, and does not dream of my identity.</p> + +<p>Hagar and myself, between us, have managed to get possession of a +specimen of every drug that has been administered to Mr. A——, also +of the harmless nostrums that are dealt out to madame for appearance's +sake.</p> + +<p>There is but one thing more that I must accomplish, and that must be +done to-night, if possible. If I succeed in this, two days more will see +me <i>en route</i> for the city. If I fail—then I must remain here, if I can, and +try again. In any case, I must make my new move within the week. So +look out for the chrysalis; it remains for you to develop it into the butterfly.</p></div> + +<p>This letter chanced to arrive during one of Doctor Vaughan's +afternoon visits, and Olive read it aloud to him, saying at the +end, and almost without taking breath,</p> + +<p>"Something she must accomplish first. If she has secured the +medicines, and they are safe not to run away in her absence, +then what is it she means?"</p> + +<p>Clarence shook his head, saying: "I have no idea. She +speaks as if the thing, whatever it is, was attended with some +risk."</p> + +<p>"And this explains Henry's absence," Olive said, tapping the +letter in her lap. "No doubt he was summoned without any +previous warning. Of course, he is a mere tool for his master. +They will hardly dare let him see their game."<span class='pagenum'><a name="Page_303" id="Page_303">[303]</a></span></p> + +<p>"Hardly; but if they were not using him to Madeline's satisfaction, +she would have revealed herself to him."</p> + +<p>"True."</p> + +<p>"We are approaching a crisis now. If this new movement +fails,—but I hardly think it will."</p> + +<p>Olive looked up in alarm. "Oh, don't suggest failure," she +exclaimed. "She <i>must</i> succeed. What will become of poor +Philip if she does not?"</p> + +<p>Clarence lifted his face reverently. "I believe that the Power +above us, who permits evil to be because only from pain and +sorrow comes purification, has not permitted the life of this +beautiful young girl to be darkened in vain. Out of her wrongs, +and her sorrows, and her humiliation, He will allow her own +hands to shape not only a strong, true, earnest womanhood for +herself, but the weapons which shall deliver the innocent, and +bring the guilty to justice."</p> + +<p>And Olive felt comforted, and her hope took new wings.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXXI" id="CHAPTER_XXXI"></a>CHAPTER XXXI.</h2> + +<h2>MR. PERCY SHAKES HIMSELF.</h2> + + +<p>It was noontide at Oakley, and a December sun was shining +coldly in at the window of Mrs. Cora Arthur's dressing-room. +Within that cozy room, however, all was warmth and brightness. +A cheerful fire was blazing and crackling in the grate. +Sitting before the fire, wrapped in a becoming dressing-gown of +white cashmere, was Cora herself, looking a trifle annoyed, but<span class='pagenum'><a name="Page_304" id="Page_304">[304]</a></span> +remarkably well withal. Wonderfully well, considering how +very ill she had been.</p> + +<p>Lounging near her, his feet lazily outstretched toward the fire, +was Lucian Davlin.</p> + +<p>"What did you write to Percy?" he inquired, consulting his +watch.</p> + +<p>"Just what you told me; that I had something of importance +to communicate, and desired him to call to-day at two," replied +Cora.</p> + +<p>"But—aren't you looking a little too well for a lady who has +been so desperately ill? It won't do to arouse his suspicions, you +know."</p> + +<p>Cora crossed to her dressing-case, went carefully over her face +with a puff-ball, and did some very artistic tracing in India ink +under and over each eye. Then she turned toward him triumphantly. +"There!" she exclaimed, "now I shall draw the curtains," +suiting the action to the word, "and then, when I lie on this +couch, my face will be entirely in the shadow, while from the +further window there will come enough light to enable him to +recognize you."</p> + +<p>At this moment a rap was heard at the door. Cora threw +herself upon the invalid's couch, and lay back among the pillows. +When she had settled herself to her satisfaction, Mr. Davlin +opened the door, admitting Céline Leroque.</p> + +<p>"Monsieur Percy is below, madame," said the girl, glancing +sharply at the form in the darkened corner.</p> + +<p>"Come and draw these coverings over me, Céline, and then +go and bring him up," replied Cora.</p> + +<p>Then she glanced at Lucian, who said, carelessly: "Well, +my dear, I will go down to the library."</p> + +<p>Céline adjusted the wraps and pillows and then went out,<span class='pagenum'><a name="Page_305" id="Page_305">[305]</a></span> +closely followed by Lucian. She was not aware that Mr. Percy +was expected, the message having been sent by Henry. And +she was not a little anxious to know the nature of the interview +that was about to be held.</p> + +<p>Mr. Percy, conducted to Cora's door by Céline, entered the +room with his usual lazy grace, and approached the recumbent +figure in the darkened corner, saying, in a tone of hypocritical +solicitude:</p> + +<p>"Madame, I trust you are not overtaxing your strength in thus +kindly granting me an interview."</p> + +<p>He knew so well how to assume the manner best calculated +to throw her off her guard and into a rage.</p> + +<p>But Cora, understanding his tactics, and her own failing, +was prepared for him. In tones as smooth as his own she +answered:</p> + +<p>"You are very good, and I find my strength returning quite +rapidly. In fact," and here a double meaning was apparent, as +she intended it should be, "I think I shall soon be <i>stronger</i> +than before my illness."</p> + +<p>There was silence for a moment. Evidently Mr. Percy was +not inclined to help her to put into words whatever she had in +her mind.</p> + +<p>"I sent for you," she continued, "because I have something +to say before you meet with a person who, as you are likely to +remain one of this pleasant family, you must of necessity, and +for policy's sake, meet with the outward forms of politeness." +Here she paused as if from exhaustion, and he, lifting his fine +eyebrows slightly, kept silence still.</p> + +<p>Cora, beginning to find her part irksome, hurried to its conclusion. +"You have heard, no doubt, of the presence of my +brother in this house. I sent for you that you might meet him,<span class='pagenum'><a name="Page_306" id="Page_306">[306]</a></span> +and I desired my maid to show you to this room first, that I +might venture a word of warning and advice. My brother +is not the stranger that you evidently imagine him. Beyond the +fact that you and I were once married, that I of my own will +forsook you, and the reason, or part of the reason for so doing, +he knows little of our affairs. For my sake he will make no +use of that knowledge. But I think it best that you understand +each other. Will you please ring that bell?"</p> + +<p>He obeyed her, looking much mystified and somewhat apprehensive. +Céline appeared promptly, and disappeared again +in answer to Cora's command:</p> + +<p>"Show my brother here, Céline."</p> + +<p>When the door opened, he turned slowly and met the cool +gaze of—Lucian Davlin!</p> + +<p>That personage approached the invalid, saying: "You sent +for me to introduce me to this gentleman, I suppose, Cora?"</p> + +<p>Mr. Percy arose slowly, and the two confronted each other, +while Cora nodded her head, as if unable to answer his words.</p> + +<p>As Percy advanced the light from the one window that had +been left unshrouded fell full upon the two men, who gazed upon +each other with the utmost <i>sang froid</i>. Two handsomer scoundrels +never stood at bay. And while the dark face expressed +haughty insolence, the blonde features looked as if, after all, the +occasion called for nothing more fatiguing than a stare of indolent +surprise.</p> + +<p>Cora's voice broke the silence: "Mr. Davlin is my brother, +Mr. Percy. Please stop staring at each other, gentlemen, and +come to some sort of an understanding."</p> + +<p>"Really, this is a most agreeable surprise," drawled Percy, +looking from one to the other with perfect coolness.</p> + +<p><span class='pagenum'><a name="Page_307" id="Page_307">[307]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_036.jpg" width="400" height="497" alt=""Mr. Percy arose slowly, and +the two confronted each other."—page 306." /> +<span class="caption">"Mr. Percy arose slowly, and +the two confronted each other."—<a href="#Page_306">page 306.</a></span></div> + +<p>"And quite dramatic in effect," sneered Davlin, flinging +<span class='pagenum'><a name="Page_308" id="Page_308">[308]</a></span>himself into a chair. "Sit down, Percy; one may as well be comfortable. +How's the fair spinster to-day?"</p> + +<p>Percy waved away the question, and resumed his seat and his +languid attitude, saying: "Upon my word this <i>is</i> quite dramatic."</p> + +<p>Davlin laughed, airily. "Even so. I hope the fact that this +lady is my sister will explain some things to you more satisfactorily +than they have hitherto been explained. And if so, we +had better let bygones drop."</p> + +<p>Percy turned his eyes away from the speaker, and let them +rest upon the face of Cora. Again ignoring the remark addressed +to him, he said, slowly: "I don't see any very strong family +resemblance."</p> + +<p>"I don't suppose you ever will," retorted Davlin, coolly.</p> + +<p>"And I don't precisely see the object of this interview," Percy +continued.</p> + +<p>Davlin made a gesture of impatience, and said, sharply: +"Hang it all, man, the object is soon got at! It's a simple +question and answer."</p> + +<p>Percy brushed an imaginary particle of dust off his sleeve +with the greatest care, and then lifted his eyes and said, interrogatively: +"Well?"</p> + +<p>"Will you have war or peace?"</p> + +<p>"That depends."</p> + +<p>"Upon what?"</p> + +<p>"The terms."</p> + +<p>"Well!"</p> + +<p>"Well?"</p> + +<p>"What do you want?"</p> + +<p>Percy examined his finger nails, attentively, as if looking +for his next idea there. "To be let alone," he said, at last.</p> + +<p>Davlin laughed. "And to let alone?"</p> + +<p>"Of course."<span class='pagenum'><a name="Page_309" id="Page_309">[309]</a></span></p> + +<p>"Then we won't waste words. Rely upon us to help, rather +than hinder you. There's no use bringing up old scores. If +you vote for an alliance of forces, very good."</p> + +<p>Percy nodded, and then rising, said: "Well, if that is all, I +will take my leave. No doubt quiet is best for Mrs. Arthur," +bowing ironically. "By-the-by," meaningly, "when you find +yourself in the village, Davlin, it might not be amiss to show +yourself at the inn."</p> + +<p>"Quite right," said Davlin, gravely. "Possibly I may look +in upon you to-morrow."</p> + +<p>Mr. Percy nodded; made a graceful gesture of adieu to Cora, +who murmured inaudibly in reply; and the two men quitted +her presence.</p> + +<p>In a few moments Davlin returned to Cora, smiling and +serene. "I told you we could easily manage him," he said. +"He won't trouble himself to go to war, save in his own defence. +You did the invalid beautifully, Co., and I feel quite +satisfied with the present state of things."</p> + +<p>But Mr. Percy had not looked and listened for nothing. He +went straight to his room, and shutting himself in, began to +think diligently. Finally he summed up his case on his +fingers as follows:</p> + +<p>"First, are they brother and sister? I don't believe it. +Second, taking it for granted they are not, what is their game? +If the old man dies, and if I can ferret out the mystery, +for I believe there is one, <i>who knows but that two fortunes may +come into my hands</i>? I must watch them, and to do that, Ellen +must go back to Oakley, and they must invite me to be their +guest!"</p> + +<p>Mr. Percy arose and shook himself, mentally and physically<span class='pagenum'><a name="Page_310" id="Page_310">[310]</a></span></p> + +<p>But alas for Céline! She had heard almost every word of the +interview, through the key-hole of a door leading into an adjoining +room, and it had told her nothing, save that there was to be +peace between the two men, and that there had been, perhaps, +war.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXXII" id="CHAPTER_XXXII"></a>CHAPTER XXXII.</h2> + +<h2>A SILKEN BELT.</h2> + + +<p>Mr. Percy and Miss Arthur were openly engaged now, and +were anxiously waiting for the recovery of the sick at Oakley, +in order to celebrate their marriage.</p> + +<p>The spinster was in a frame of mind to grant almost any +favor to her lover to-night. And when at last she, herself, led +up to the subject she wished to broach, he foresaw an easy +victory.</p> + +<p>"Oh, Edward," she sighed, with a very dramatic shudder, +"you cannot think how I dread to-morrow's ordeal, the visit to +my brother! Suppose poor John were to rave at me,—me, his +own sister!"</p> + +<p>He took the hand that was quite as large as his own, and +caressed it reassuringly. "I don't think there is the slightest +danger, Ellen, dear, but I am convinced I must attend you to-morrow. +I shall feel better to be with you."</p> + +<p>"Oh, Edward!" sighed the maiden, enraptured at this declaration +of tenderness, "you are so careful of me."</p> + +<p>He smiled and still caressed her hand, saying: "Listen, darling," +drawing her nearer to him, "I don't like to have you +here; it is not a fit place for you. And I find that remarks are<span class='pagenum'><a name="Page_311" id="Page_311">[311]</a></span> +being made. This I cannot endure. Besides, I do not think it +right for you or me to leave your brother so entirely at the +mercy of—Mrs. Arthur. Promise me that you will consult a +physician to-morrow, and as soon as the danger of contagion is +past, you will go back."</p> + +<p>"But I can't bear to leave <i>you</i>, Edward."</p> + +<p>"And you shall not. I will come to Oakley too."</p> + +<p>"You? Oh, how nice! Have they asked you to come?"</p> + +<p>"I saw Mrs. Arthur's brother to-day, and we settled that."</p> + +<p>"Oh, <i>did</i> you? Then you are good friends again?"</p> + +<p>He turned upon her a look of inquiry. "Again?"</p> + +<p>"Yes; Cora told me not to speak of Mr. Davlin to you, as +you were not good friends, and it might make you less free to +come to the house."</p> + +<p>Mr. Percy's eyebrows went up perceptibly. "Mrs. Arthur +is very thoughtful; but she was mistaken; our little misunderstanding +has not made us serious enemies."</p> + +<p>"Oh, how nice!" rapturously.</p> + +<p>"<i>Very</i> nice," dryly. "Now you will be a good girl and go +back soon?"</p> + +<p>"I don't think Cora will be over anxious to have me come +back," she said, looking like a meditative cat-bird. "I know +she kept that Céline in the house to spite me."</p> + +<p>"I can readily understand how she might be jealous of you, +dear. Perhaps she fears your influence over your brother. At +any rate, your duty lies there. When it is time to do so, +don't consult her or anyone; take possession of your former +apartments, and stand by your brother in his hour of need."</p> + +<p>Miss Arthur promised to comply with her lover's request, and +he managed at last to escape from her, and seek the repose which +he preferred to such society.<span class='pagenum'><a name="Page_312" id="Page_312">[312]</a></span></p> + +<p>All this time John Arthur was a prisoner in the west wing. +He was attended by the doctor sometimes, by Céline occasionally, +and by Henry almost constantly since the arrival of that +sable individual.</p> + +<p>Lucian Davlin, having no taste for the work, kept aloof as +much as possible. Himself and Dr. Le Guise, as he called +his confederate, had labored hard and, with the assistance of +old Hagar, had put the rooms in proper condition for the occupancy +of a lunatic. And a lunatic John Arthur certainly was. +Once before his removal, and once since, he had been seized +with a paroxysm of undeniable insanity.</p> + +<p>John Arthur had been, and still was, the dupe of his supposed +brother-in-law and Dr. Le Guise. We have all heard of +natures that can be frightened into sickness, almost into dying; +of an imaginary disease. John Arthur's was one of these. +And, with a little aid from Dr. Le Guise, he had been really +quite ill.</p> + +<p>Henry had been constituted his keeper, a position which he +filled with reluctance, and there was a fair prospect that sooner +or later he would break into open mutiny. Although he could +not guess at the nature of the game his master was playing, yet +he felt assured that it was something desperate, if not dangerous.</p> + +<p>He had promised "his young lady," as he called Madeline, to +remain in Mr. Davlin's service until she bade him withdraw, +and but for this would hardly have submitted to remain John +Arthur's keeper on any terms. Henry had a certain pride of +his own, and that pride was in revolt against this new servitude.</p> + +<p>He had not met Cora here, and had no idea that she was an +inmate of the house.</p> + +<p>Dr. Le Guise had relieved Henry on the morning of the day<span class='pagenum'><a name="Page_313" id="Page_313">[313]</a></span> +that Miss Arthur ventured, for the first time since her flight, +within the walls of Oakley manor, escorted by Mr. Percy. He +had detected some signs of fever, although Mr. Arthur declared +himself feeling better, and administered a powder to check it.</p> + +<p>Soon the patient began to show signs of increasing restlessness, +and by the time Henry appeared to announce that Miss Arthur +desired an interview with Dr. Le Guise, he began to wrangle +with his physician and gave expression to various vagaries.</p> + +<p>Consigning his charge to Henry, with the remark that he +"must watch him close, and not let him get hold of anything," +Dr. Le Guise hurried down to the drawing-room.</p> + +<p>The doctor listened to Miss Arthur attentively, while she +made known her desire to return to the manor if the danger of +contagion was at an end. Then he replied, hurriedly:</p> + +<p>"Quite right; quite admirable. But if you will take my +advice, I should say, don't come just yet. There will be no +danger to you, in going to your unfortunate brother for just a +few moments—a very few—and then going straight out of the +house into a purer atmosphere. But to remain here now, to +breathe this air just yet—my dear lady, I could not encourage +that; the danger would be too great."</p> + +<p>And then he led the way straight in to John Arthur's presence, +explaining as they went that the cause of his removal +from his own rooms was to escape the fever impregnations still +clinging there.</p> + +<p>John Arthur was sitting in the middle of his bed, beating +his pillows wildly, and imploring Henry, between shrieks of +laughter, to come and kiss him, evidently mistaking him for +some blooming damsel. As the damsel declined to come, the +lunatic became furious, and hurled the pillows, and afterwards +his night-cap, at him, with blazing eyes and cat-like agility.<span class='pagenum'><a name="Page_314" id="Page_314">[314]</a></span> +This done, he began to rock himself to and fro, and shout out +the words of some old song to an improvised tune that was all +on one note.</p> + +<p>Dr. Le Guise turned to Mr. Percy, whispering: "You see; +that's the way he goes on, only worse at times."</p> + +<p>Mr. Percy turned away. The fair spinster who had been +clinging to him in a paroxysm of terror, attempted to faint, but +remembering her complexion thought better of it and contented +herself with being half led, half carried out, in a "walking +swoon." And both she and Mr. Percy felt there was no longer +room to doubt the insanity of her brother.</p> + +<p>Having seen them depart, Dr. Le Guise sought out Mr. +Davlin. Finding him in Cora's room, he entered and informed +the pair of the desire Miss Arthur had manifested to come back +to her brother's roof, and of his mode of putting off the evil +day of her return.</p> + +<p>"Humph!" ejaculated Davlin, "what does it mean? I saw +Percy in the village this morning, and he told me quite plainly +that he desired an invitation to quarter himself upon us."</p> + +<p>"And what did you say?" gasped Cora.</p> + +<p>"Told him to come, of course, as soon as it was safe to do so."</p> + +<p>"Well!" said Cora, dryly, "I don't think it will be very safe +for either of them to come just at present."</p> + +<p>"Oh, well," said the doctor, cheerfully, "we have got seven +long days to settle about that. And if they insist upon coming, +and <i>then catch the fever</i>, they mustn't blame me."</p> + +<p>And Dr. Le Guise looked as if he had perpetrated a good +joke.</p> + +<p>John Arthur's insanity was as short-lived as it was violent. +He lay for the rest of the day quiet and half stupefied. When +night came on, he sank into a heavy slumber.<span class='pagenum'><a name="Page_315" id="Page_315">[315]</a></span></p> + +<p>At twelve o'clock that night, all was quiet in and about the +manor.</p> + +<p>Cora Arthur was sleeping soundly, dreamlessly, as such women +do sleep. In the room adjoining hers, Céline Leroque sat, +broad awake and listening intently. At last, satisfied that her +mistress was sleeping, Céline arose and stole softly into the room +where she lay.</p> + +<p>Softly, softly, she approached the couch, passing through a +river of moonlight that poured in at the broad windows. Then +she drew from a pocket, something wrapped in a handkerchief.</p> + +<p>Noiselessly, swiftly, she moved, and then the handkerchief, +shaken free from the something within, was laid upon the face +of the sleeper, while the odor of chloroform filled the room.</p> + +<p>Nimbly her fingers moved, pulling away the coverings, and +then the clothing, from the unconscious body. It is done in a +moment. With a smothered exclamation of triumph, she draws +away a <i>silken belt</i>, and removing the handkerchief, glides noiselessly +from the room.</p> + +<p>She steals on to her own room in the west wing. Here she +locks the door and, striking a light, hurriedly rips the silken +band with a tiny penknife, and draws from thence two papers.</p> + +<p>One glance suffices. Replacing the papers, she binds the belt +about her own body, and then envelopes herself in a huge water-proof, +with swift, nervous fingers.</p> + +<p>And now, for the second time, this girl is fleeing away from +Oakley. Out into the night that is illuminated now by a faint, +faint moon; through the bare, leafless, chilly woods, and down +the path that crosses the railway track not far from the little +station. Once more she follows the iron rails; once more she +lingers in the shadows, until the train thunders up; the night +train for New York. Then she springs on board.<span class='pagenum'><a name="Page_316" id="Page_316">[316]</a></span></p> + +<p>For the second time, Madeline Payne is fleeing away from +Oakley and all that it contains; fleeing cityward to begin, with +the morrow, a new task, and a new chapter in her existence.</p> + +<p>But no lover is beside her now; for that love is dead in her +heart. And no Clarence breathes in her ear a warning, for now +it is not needed. Since that first June flitting, she has learned +the world and its wisdom, good and evil.</p> + +<p>And the cloud that Hagar saw on that June night, hangs dark +above the house of Oakley.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXXIII" id="CHAPTER_XXXIII"></a>CHAPTER XXXIII.</h2> + +<h2>CROSS PURPOSES.</h2> + + +<p>An irate pair were seated at breakfast the morning after +Céline's flitting. And while they ate little, they talked much +and earnestly, sometimes angrily. They had arrived at the conclusion, +which, although erroneous, had been foreseen by the +astute Céline, namely: That the robbery had been committed at +the instigation of Mr. Percy, and that Céline had been brought +over and used by him as a tool.</p> + +<p>It was evident that something must be done, and that quickly.</p> + +<p>While these papers were in the hands of Percy, as undoubtedly +they were at that moment, it were best to keep that gentleman +as much as possible under their own eye.</p> + +<p><span class='pagenum'><a name="Page_317" id="Page_317">[317]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_037.jpg" width="400" height="564" alt=""With a smothered exclamation of +triumph she draws away a silken belt!"—page 315." /> +<span class="caption">"With a smothered exclamation of +triumph she draws away a silken belt!"—<a href="#Page_315">page 315.</a></span></div> + +<p>Yesterday, it had seemed desirable that Miss Arthur and her +<i>fiancé</i> should be kept out of the house of Oakley. To-day, they +agreed that the quicker the pair took up their abode beneath its +hospitable roof, the sooner they, Mr. Davlin and his accomplice, +<span class='pagenum'><a name="Page_318" id="Page_318">[318]</a></span>would breathe freely. If they could get the two in the same +house with themselves, they might yet outwit Mr. Percy—with +the aid of their friend and ally, the sham doctor, if in no other +way. Meantime, they would not make the robbery known; or +rather, they would inform the servants and all others whom it +seemed desirable to enlighten, that the girl, Céline, had possessed +herself of certain jewels and of Mrs. Arthur's purse, and fled +with her spoils.</p> + +<p>Accordingly, Hagar was summoned and told of the base ingratitude +of the French maid. Whereupon she was much astonished, +and ventilated her opinions of French folk in general, +and that one in particular. Through Hagar, the other servants, +now few in number, were informed of the defalcation, and the +extent of damage done by Miss Céline Leroque. Then the +kitchen cabinet held a session forthwith, and settled the fate of +their departed contemporary, being ably assisted by Hagar.</p> + +<p>The Professor was made no wiser than were the rest of the +tools who served the plotters. But he was somewhat surprised +upon being desired, by Mr. Davlin, to equip himself for a walk, +the object of which was to allay the alarm of Miss Arthur and +her friend, and invite them to the manor forthwith. Said invitations +were to be followed up with the doctor's assurance that, +having made a more minute examination, he was fully satisfied +that there was no fear of contagion from Mrs. Arthur, and but +little from her husband; none, in fact, unless they desired to be +much in his room.</p> + +<p>The worthy pair set out for the village, and were so fortunate +as to meet Mr. Percy on the very threshold of the inn. Having +exchanged greetings and cigars, and having discussed the weather +and various other interesting topics, the gentlemen sent up their +compliments to Miss Arthur.<span class='pagenum'><a name="Page_319" id="Page_319">[319]</a></span></p> + +<p>They were soon admitted into the presence of that lady, where +more skirmishing was done, during which Dr. Le Guise unburdened +himself, as per programme, and then Mr. Davlin +fired his first shot.</p> + +<p>"By-the-by, Miss Arthur, you may congratulate yourself that +you did not retain that impostor of a French maid longer in your +service."</p> + +<p>Lucian had purposely placed himself near the spinster, and +where he could observe the face of Percy without seeming to do +so. But that gentleman was glancing lazily out at the window, +and his face was as expressionless as putty. Lucian uttered a +mental, "Confound his <i>sang froid</i>," as he continued:</p> + +<p>"She has robbed my sister of jewels and money to the tune +of a couple of thousand, and has cut and run."</p> + +<p>"Goodness gracious, Mr. Davlin!" shrieked the spinster.</p> + +<p>But Percy only turned his head lazily, and elevated his eyebrows +in mute comment.</p> + +<p>"Yes," laughing lightly, "I suppose the hussy fancied that +she had made a heavier haul still. My sister had about her +person some papers, or rather <i>duplicates of papers that are +deposited in a safer place</i>. The jade took these also, thinking, +no doubt, that they were of value or, perhaps, without +examining them to see that they were worse than worthless to +her."</p> + +<p>"Oh, Mr. Davlin, what an artful creature! I was sure she +was not quite to be trusted. But who would have supposed +that she would dare—" gushed Miss Arthur.</p> + +<p>"Oh, she is no doubt a professional; belongs to some city +'swell mob,' begging your pardon. But I shall run up to the +city to-night, I think, and try and see if the detectives can't +unearth her."<span class='pagenum'><a name="Page_320" id="Page_320">[320]</a></span></p> + +<p>Still no sign from Percy; not so much as the quiver of an eyelid.</p> + +<p>So Mr. Davlin came straight to the issue, thinking that +surely Mr. Percy would betray something here; perhaps would +refuse to come to Oakley. In such case, Lucian felt that he +should be tempted to spring upon and throttle him from sheer +desperation.</p> + +<p>But again he was mistaken, for no sooner was his invitation +extended, than Mr. Percy accepted it with evident gratification, +saying, in his easy drawl: "Shall be delighted to change my +quarters. Anything must be an improvement upon this. And +as your—ah, Dr. Le Guise—says there is positively no danger, +Miss Arthur will of course be rejoiced to return to her proper +place."</p> + +<p>And of course Miss Arthur assented.</p> + +<p>Before leaving, Mr. Davlin arranged that the carriage should +come for Miss Arthur the next day, and that a porter should +immediately transfer their luggage to Oakley.</p> + +<p>"My faith," mused he, as he strode back to tell Cora of his +mission; "but he carries it with a high hand. I didn't think +there was so much real devil in him. He is playing a fine +game, but I don't think he can dream that we suspect him. If +we can deceive him in this, and get him into the house, we will +be able to accomplish his downfall, I think."</p> + +<p>Meantime, Edward Percy was viewing the matter from his +own stand-point.</p> + +<p>"Luck is running into my hand," he assured himself. +"They are evidently a little bit afraid of me; there's nothing +more awe-inspiring than a cool front, and I certainly carry that. +Once at Oakley, it will be strange if I don't fathom their little +mystery. If they are doing mischief there, I won't be behind +in claiming the lion's share of the spoils."<span class='pagenum'><a name="Page_321" id="Page_321">[321]</a></span></p> + +<p>According to arrangement, Miss Arthur and her lover were +transferred to Oakley on the following day, and there the game +of cross purposes went on.</p> + +<p>Cora received Miss Arthur with much cordiality, averring +that she had missed the society of "dear Ellen," more than she +could tell, and declaring that now she should begin to get well +in earnest.</p> + +<p>Messrs. Davlin and Percy affected much friendliness, and +watched each other furtively, day and night.</p> + +<p>Dr. Le Guise reported an unfavorable change in his insane +patient and forbade them, one and all, to enter his room.</p> + +<p>Cora and Davlin protested against the doctor's cruel order, +but in vain. Mr. Percy made no objections, but kept his eyes +open. One evening, the second of his stay at the manor, he saw, +while coming up the stairs with slippered feet, the form of Mr. +Davlin as it disappeared around the angle leading to the west +wing. Then Mr. Percy stole on until he stood at the door of the +wing. Satisfying himself that Davlin was actually within the +forbidden room, he waited for nothing further, but glided quietly +back to his own door, looking as imperturbable as ever and saying +to himself:</p> + +<p>"There is a mystery; and we, <i>rather I</i>, am not to see Mr. +Arthur at present. Well, I don't want to see him; but <i>I hold +the clue</i> to your little game, my fair second wife."</p> + +<p>Lucian Davlin went to the city, but he did not set a detective +on the track of Céline Leroque. He chose his man, one +who had served him before, and set him about something quite +different. Then he returned, feeling quite satisfied and confident +of success.</p> + + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_322" id="Page_322">[322]</a></span></p> +<h2><a name="CHAPTER_XXXIV" id="CHAPTER_XXXIV"></a>CHAPTER XXXIV.</h2> + +<h2>A SLIGHT COMPLICATION.</h2> + + +<p>And what of Céline, or Madeline, as we may call her once +more?</p> + +<p>She had said, when writing to Olive, that her stay in the city +must be very brief. But even her strong will could not keep +off the light attack of fever that was the result of fatigue and exposure +to night breezes. And the morning following her arrival +at the villa, found her unable to rise from her bed.</p> + +<p>Dr. Vaughan was summoned in haste, and his verdict anxiously +waited for. "It was a slight fever attack," he said, "but the +wearied-out body must not be hurried. It must rest."</p> + +<p>And he forbade Madeline to leave her room for a week at least, +unless she wished to bring upon herself a return of her summer's +illness.</p> + +<p>Much to his surprise and gratification, Madeline did not rebel, +but replied, philosophically: "I can't afford to take any risks +now; I will be good. But you must watch my interests."</p> + +<p>During the first day of her "imprisonment," as she laughingly +called it, Clarence and Olive were put in possession of all the +facts that had not already been communicated by letter.</p> + +<p>Upon one thing they were all agreed, namely, that it would +be wise for Clarence to make another journey to Bellair.</p> + +<p>"They won't be able to accomplish much during the week +that I must remain inactive," said Madeline. "But it will be +safest to know just what they are about. Besides, I have reasons<span class='pagenum'><a name="Page_323" id="Page_323">[323]</a></span> +for thinking that Henry is growing dissatisfied, and it is to our +interest to keep him where he is for the present. Had a suitable +opportunity offered, I should have made him aware of my +identity. But as it did not present itself, I left it with Hagar +to inform him that he was serving me by remaining."</p> + +<p>Dr. Vaughan prepared to visit Bellair on the second day after +the arrival of Madeline. But almost at the moment of starting +there came a summons from one of his patients, who was taken +suddenly worse. Thinking to take a later train he hastened to +the sick man; but the hour for the last train arrived and passed, +and still he stood at the bedside, battling with death. So it +transpired that nearly three days had elapsed since the flitting +of Céline Leroque, when Dr. Vaughan entered the train that +should deposit him at dusk in the village of Bellair.</p> + +<p>It had been prearranged by Madeline and Hagar that, in case +of any event which should delay the return of the former on the +day appointed, the latter was to visit the post-office and look for +tidings through that medium. Madeline had been due at Oakley +the day before, and so, of course, to-day Hagar would be in attendance +at the office.</p> + +<p>Dr. Vaughan had written, at the moment of quitting his office +to visit his patient, a hasty supplement to Madeline's letter, stating +that he was delayed one train, but not to give him up if he +did not appear that evening. He would certainly come on the +next day's train.</p> + +<p>Clarence was somewhat fatigued as he entered the railway +carriage, having spent the entire previous night at the bedside +of his patient. He went forward to the smoking car, thinking +to refresh himself with a weed.</p> + +<p>Four men were engrossed in a game of cards not far from +him. As they became more deeply interested, and their voices<span class='pagenum'><a name="Page_324" id="Page_324">[324]</a></span> +more distinct above the roar of the cars, something in the tones +of one of the men caught his ear, reminding him of some voice +he had sometime heard or known. The speaker sat with his +back to the young man, and nothing of his countenance visible +save the tips of two huge ears. These, too, had a familiar look.</p> + +<p>Clarence arose and sauntered to the end of the car, in order to +get a view of the face that, he felt assured, was not unknown to +him.</p> + +<p>The man was absorbed in his game and never once glanced +up. Our hero having taken a good look at the not very prepossessing +face, returned to his seat. He had recognized the +man. It was Jarvis, the detective who had been recently employed +by him to shadow Lucian Davlin.</p> + +<p>It was not a remarkable thing that Jarvis should leave the +city on the same train with himself, but the circumstance, nevertheless, +set Clarence thinking. Could it be possible that the +man had found something to arouse his suspicions, and was he +following up the clue on his own account?</p> + +<p>Clarence felt an unaccountable desire to know where the detective +was going. If he were going to Bellair, then he must be +bought over. If he were going to Bellair, he, Clarence, must +know it before the village was reached. It was hardly probable +that the man's destination was identical with his own, but he +had now determined to run no risks.</p> + +<p>Throwing back his overcoat, and setting his hat a trifle on +one side, Clarence sauntered up to the group of card players, assuming +an appearance of interest in the game. As he paused +beside them, Jarvis swept away the last trick of a closely-contested +game, and then said, consulting his watch the while:</p> + +<p>"There's for you! I've got just three-quarters of an hour to +clean you out in, so come on."</p> + +<p><span class='pagenum'><a name="Page_325" id="Page_325">[325]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_038.jpg" width="400" height="568" alt=""Jarvis swept away the last trick of a closely-contested game."—page 324." /> +<span class="caption">"Jarvis swept away the last trick of a closely-contested game."—<a href="#Page_324">page 324.</a></span></div> +<p><span class='pagenum'><a name="Page_326" id="Page_326">[326]</a></span></p> + +<p>Three-quarters of an hour! The exact time it would take to +run to Bellair.</p> + +<p>Clarence shifted his position so as to put himself behind the +two men seated opposite Jarvis. As he did so, the expert glanced +up, encountering the eye of Dr. Vaughan.</p> + +<p>"How are you?" said that young man, nonchalantly.</p> + +<p>Jarvis shot him a keen glance of intelligence, and replied, in +the same off-hand tone: "High, you bet!"</p> + +<p>Jarvis was attired like a well-to-do farmer; and Clarence +guessed, at a glance, that his three companions were strangers, +two of them being commercial tourists, without a doubt, and the +third, a ruddy-looking old gent, who might have been anything +harmless. Taking his cue from the "make up" of the detective, +Clarence, after giving him an expressive glance, said, easily, +"Sold your stock?"</p> + +<p>Jarvis cocked up one eye as he replied, while shuffling the +cards: "Every horn!"</p> + +<p>"Want to buy?"</p> + +<p>Jarvis looked him straight in the eye. "Want to sell?"</p> + +<p>"Yes, rather."</p> + +<p>Jarvis dealt round with great precision, and then said: "All +right, Cap. I'll talk with you when I get through this game."</p> + +<p>Clarence nodded, and presently sauntered away. As soon as +his back was turned, Jarvis jerked his thumb toward him, saying, +confidentially:</p> + +<p>"Young fellow; swell farmer; big stock-raiser." And then +he plunged into the game with much enthusiasm.</p> + +<p>Clarence resumed his seat and, for a few moments, thought +very earnestly. The words of the detective had confirmed his +suspicion. He now felt assured that Jarvis was bound for +Bellair, and if so he was, no doubt, in the employ of Lucian<span class='pagenum'><a name="Page_327" id="Page_327">[327]</a></span> +Davlin, for some unknown purpose. What that purpose was, +he must know at any cost.</p> + +<p>By the time his plans were fairly matured, he observed that +the group of card-players was breaking up. In another moment, +Jarvis lounged lazily along and threw himself down upon the +seat beside him.</p> + +<p>In little more than half an hour they would be due in Bellair, +and what Clarence desired to say must be said quickly. Taking +out his cigar-case, he offered the man a weed, which was accepted +with alacrity, and while it was being lighted, Clarence said: +"Are you especially busy now?"</p> + +<p>"N-o; only so-so."</p> + +<p>"Learned anything more in regard to my man?"</p> + +<p>"Davlin?" interrogatively.</p> + +<p>"Yes."</p> + +<p>"No," puffing contentedly; "we don't move in a case after +it's paid off."</p> + +<p>"I see," smiling; and then, making his first real venture: +"Could you do some work for me to-morrow?"</p> + +<p>Jarvis looked keenly at him, and Clarence hastened to say, +with perfect, apparent, candor:</p> + +<p>"The fact is I have been put back by a patient, and my own +personal affairs have been neglected. So I have been unable to +look you up at the office, in order to put a little matter into +your hands. To-day I am called away unexpectedly." Then, +as if struck by a sudden thought, "How long will you be out of +town?"</p> + +<p>Jarvis shook his head. "Don't know."</p> + +<p>"By Jove, what a pity. I'd rather have you than any other +man, and I won't stand about money; but my work won't keep +long."<span class='pagenum'><a name="Page_328" id="Page_328">[328]</a></span></p> + +<p>The doctor's flattery and the detective's avarice combined, had +the desired effect. Jarvis unbent, and became more communicative. +"Fact is," he said, squaring about, "I don't know my lay +just yet."</p> + +<p>"No?" inquiringly: "Going far out?"</p> + +<p>"No."</p> + +<p>"Well," as if about to drop the conversation, "I'm sorry you +can't do the job. It's big pay and success sure. The truth is," +lowering his voice confidentially, "there are two parties beside +myself interested, and both have plenty of money. It's a snug +sum to the man who does our work."</p> + +<p>The detective looked grave, and then became confidential in +his turn.</p> + +<p>"The fact is,"—he was fond of using "facts" when it was +possible to lug one in—"I am sent out to a small town as a +sub."</p> + +<p>"A sub.?"</p> + +<p>"Yes; substitute. You see, one of our men was detailed to +do some work for a chap who came to the Agency from this +little town. It was a case of record hunting. Well, the man +went out last night all O. K.; he was a little on the sport when +off duty, but a tip-top chap when at work. Well, he got into a +gambling brawl, and this morning they brought him in, done +up."</p> + +<p>"Done up?"</p> + +<p>"Yes; killed, you know."</p> + +<p>"Oh!"</p> + +<p>"And so, you see, I am ordered down here to take the instructions +of my gentleman, in the place of my pard, who won't +receive any more orders here below."</p> + +<p>"Then you don't yet know precisely what is required of you?"<span class='pagenum'><a name="Page_329" id="Page_329">[329]</a></span></p> + +<p>"No; I was packed off at half an hour's notice, and don't +even know the name of my employer. I have my instructions +and his address here," tapping his breast pocket. "I believe +the party lives out of town, at some manor or other."</p> + +<p>Clarence was thinking very fast. There was but one +"Manor" in or near Bellair. He looked at his time-card; +there was but one town between them and that village. Holding +the card in his hand he said:</p> + +<p>"Well, I will try and tell you what I want done; that is, if +there is time—how soon do you leave the train?"</p> + +<p>Jarvis now scented a fat job, and thinking only of getting +the particulars of that replied, rather incautiously, as he consulted +the time-card in the hand of Clarence.</p> + +<p>"By goshen! it's only two stations off—Bellair."</p> + +<p>"Oh! Bellair, eh?"</p> + +<p>Jarvis nodded ruefully, and then asked: "Where do you +land?"</p> + +<p>Clarence smiled a little as he replied: "Wait until you hear +my business, then you will know where I am going."</p> + +<p>"All right; fire away."</p> + +<p>And the expert settled himself into a listening attitude. +"The truth is, Jarvis, I want you back on the old case."</p> + +<p>"What, the gambler's?"</p> + +<p>"Yes, Davlin; he is about at the end of his rope, and will, +in a short time, be trying to quit the country. Did you ever +see the woman who is his partner in iniquity? You heard considerable +of her while looking up this business."</p> + +<p>"Heard of her? I should think so. Never saw her, though."</p> + +<p>"No matter; you may see her soon. You see, they are now +at work upon a fine piece of rascality. She has actually married +an old man, supposing him to be wealthy, and Davlin is<span class='pagenum'><a name="Page_330" id="Page_330">[330]</a></span> +figuring as her brother. In reality, the old man, their victim, +holds only a life interest in the property. So you see, even if +they succeed with the thing in hand, they won't make much. +And the person who will inherit, after the old gentleman +passes away, is aware of their real character and is ready to +spring upon them at the proper moment."</p> + +<p>Jarvis gave a long, low whistle.</p> + +<p>"Now, then, there is another crime—one that occurred some +years ago, with which this man and woman are connected, and +they are allowed to go free for a little time in order to complete +the evidence in this second case."</p> + +<p>Jarvis nodded sagely.</p> + +<p>"So you see there will be double fees, and large ones. First, +from the heir, and next, from the parties interested in the last +case. The two are friends, in fact, and work together. Of +course, I should expect to act according to the rules of your +office, and I know that you are paid by your manager, but—if +you can put me in possession of all the movements of Lucian +Davlin for the next week, in addition to the salary paid you by +your head officials, I will promise you one thousand dollars. +If, later, you can supply the missing evidence, it shall be five +thousand."</p> + +<p>Jarvis looked hastily behind him. "Is he in this train?"</p> + +<p>"No."</p> + +<p>"Then were the dev—"</p> + +<p>"Wait," interrupted Clarence. "I'll tell you where he is. +But first you may attend to the business on which you came to +Bellair. You may obey the instructions you shall receive to the +letter. But I must know what it is you are bidden to do."</p> + +<p>Jarvis knitted his brows and finally said, as if giving up a +knotty problem, "Make things plainer; I am befogged."<span class='pagenum'><a name="Page_331" id="Page_331">[331]</a></span></p> + +<p>"Plainly, then," said Clarence, "you are going to Bellair; +and," drawing out his pocket-book, "you are not retained as yet +for this work?"</p> + +<p>"No."</p> + +<p>"Well," placing a one hundred dollar bill in his hand, "I +retain you for my case, here and now, and you may accept the +other fee if you like."</p> + +<p>"How?"</p> + +<p>"Look at the address of your new client."</p> + +<p>Jarvis took from his pocket a number of cards, shuffled them +off deftly and, selecting the right one at last, read slowly the +name of his unseen employer. Then he glanced quickly up at +Clarence, re-read his card, and leaning back upon the cushion, +shook with silent laughter.</p> + +<p>"Well, if you ain't the rummest one yet! And I'm your +man! Why, bless my soul, you are a lawyer and detective all +in one!"</p> + +<p>Clarence smiled, but he knew this was the highest compliment +that Jarvis was capable of. "Then I may depend upon +you?" he asked.</p> + +<p>"You bet!"</p> + +<p>They were nearing the village of Bellair now, and Clarence, +who did not intend to let Jarvis know too much concerning his +movements, gave him some hasty instructions, and ended by +asking: "When do you go back to the city to report?"</p> + +<p>"By the next train. Davlin is expecting me, and I shall +take his orders and then go back."</p> + +<p>"Very well; I'll see you in town to-morrow. Now, as it +won't do to risk the chance of being seen together, I will go into +the other car." And Clarence sauntered away.</p> + + + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="Page_332" id="Page_332">[332]</a></span></p> +<h2><a name="CHAPTER_XXXV" id="CHAPTER_XXXV"></a>CHAPTER XXXV.</h2> + +<h2>"THOU SHALT NOT SERVE TWO MASTERS" SET AT NAUGHT.</h2> + + +<p>Meanwhile, as they steamed into the village, which was the +destination of both, Mr. Jarvis soliloquized, as he caressed his +wallet pocket:</p> + +<p>"I know who will butter my bread. Davlin is as slippery as +an eel, and will end in trouble. Dr. Vaughan is a man of his +word, and I don't need his bond. I'm sure of one thousand, +if not of five. And I never was over fond of this gentleman +gambler."</p> + +<p>It may be remarked that Davlin was a man pretty well known +by the police and detectives. A gambler riding the top wave of +success might have found more favor in the eyes of Jarvis. But +he knew, because of his previous investigations, that Davlin was +not "flush" at that time.</p> + +<p>Clarence kept carefully out of sight when the train reached +the village. Springing lightly to the ground, on the opposite +side from the platform, he walked swiftly away, unnoticed in +the darkness. Once more he crossed the field and knocked at +the door of Hagar's cottage, and this time it was Hagar who admitted +him.</p> + +<p>Eagerly he listened, while the old woman told him how very +fast Cora was recovering now; how they had got Miss Arthur +and Percy back into the house; and how very careful both Cora +and Lucian were to treat them politely. Madeline had not confided +to Hagar the story of Olive, and the old woman knew no +more of Edward Percy than that he was, as she termed it, "a +handsome hypocrite."<span class='pagenum'><a name="Page_333" id="Page_333">[333]</a></span></p> + +<p>Clarence questioned Hagar closely. Had they made any attempt +to find the one who took the papers?</p> + +<p>"No," Hagar replied; "they had said that Céline Leroque +had stolen money and jewels, but they had not said one word +about any papers."</p> + +<p>Last of all, she told him how, fearing that Henry was becoming +too restive, and fearing, also, the effect of too much of the +Professor's medicine upon the somewhat enfeebled system of the +prisoner, she had made known to Henry the fact that he was +working in the cause of his young lady. On learning this, and +having it proved to his satisfaction, for he was at first inclined +to be skeptical, he had been much delighted, and had since +carried out the orders of Madeline as transmitted through +Hagar.</p> + +<p>Their conversation lasted a full hour, and then, having learned +all that could be learned from that source, and having delivered +all of the messages sent by Madeline, he bade the old woman a +kind good-night, and retraced his steps across the field and back +to the village.</p> + +<hr style='width: 45%;' /> + +<p>When the night train halted at Bellair, Jarvis seated himself +in the smoking-car, feeling quite self-satisfied. When the train +moved on, he lighted a very black cigar, and began to contemplate +the situation.</p> + +<p>"Well, how do we stand now?"</p> + +<p>As the voice of Clarence Vaughan fell upon his ear, Jarvis +bounded from his seat like an india rubber ball and stared wildly +at the young man who had dropped down into the seat beside +him as if from the ceiling.</p> + +<p>"Well, you are a rum one," said he, at last. "Might I ask +where you came from?"</p> + +<p>"From the ladies' carriage.<span class='pagenum'><a name="Page_334" id="Page_334">[334]</a></span>"</p> + +<p>"Oh!" with the air of having made a discovery. "So you +ride out of the city in a smoking-car for the purpose of riding +back in the ladies' carriage?"</p> + +<p>Clarence laughed again, settled himself comfortably in his seat +and took out his cigar case. "Not exactly," proceeding to light +a weed. "I am on pretty much the same business that you are, +to-night." Then, taking a big puff, "I have been to Bellair, +like yourself."</p> + +<p>"The deuce you have!"</p> + +<p>"Yes; how did your business prosper?"</p> + +<p>Jarvis eyed him sharply. "Perhaps you know already."</p> + +<p>"Perhaps I do. You have not got to look for stolen diamonds, +have you?"</p> + +<p>Jarvis laughed derisively.</p> + +<p>"Or stolen money?" pursued Clarence.</p> + +<p>Jarvis shrugged his shoulders.</p> + +<p>"Or stolen—<i>papers</i>?"</p> + +<p>Jarvis began to look foxy.</p> + +<p>"Or a runaway young woman?"</p> + +<p>Jarvis thought furiously for a moment; then turning square upon +his interlocutor, said, significantly: "So there are stolen papers?"</p> + +<p>Clarence smiled, but said nothing.</p> + +<p>"And," pursued Jarvis, "when one loses one's papers, say +deeds, or a—marriage certificate, one naturally thinks of hunting +the records for proofs that such papers existed."</p> + +<p>"And that is your work?"</p> + +<p>Jarvis nodded.</p> + +<p>"Take you out of the city?"</p> + +<p>"Only a few miles."</p> + +<p>Clarence reflected for a time, and then said: "You can do +your work, but report all discoveries <i>to me</i>."<span class='pagenum'><a name="Page_335" id="Page_335">[335]</a></span></p> + +<p>Jarvis assented, and they continued to talk of the matter in +hand until the city was reached. Then, having made an appointment +for the coming day, and agreed to let the work of shadowing +the gambler or, rather, his business, remain a "private spec." +to Jarvis, they separated.</p> + +<p>Thoroughly wearied, Clarence sought his bachelor apartments +and the repose he so much needed.</p> + +<p>Early the next day he was up, and after paying a visit to his +patient, he turned his steps, or the steps of his horse, in the direction +of the villa.</p> + +<p>He found Madeline sitting up, feeling much better, and looking +altogether lovely. Drawing their chairs near together in +front of the crackling grate fire, the three discussed the result +of the journey to Bellair. Having first related the news imparted +by Hagar, Dr. Vaughan turned to Madeline and asked:</p> + +<p>"What is your theory, sister mine, in regard to this change +at Oakley? Why have they turned about and taken up Miss +Arthur and her <i>fiancé</i> with such sudden affection. Have you +guessed?"</p> + +<p>The girl smiled up at him as she replied: "Certainly; have +not you?"</p> + +<p>"You incorrigible little lawyer! Yes, but give us yours first."</p> + +<p>"Why," said Madeline with a light laugh, "I suppose they +have been suspecting the wrong party. They think that I was +an emissary of Mr. Percy's."</p> + +<p>"Undoubtedly that is the truth," assented Clarence.</p> + +<p>"And," added Madeline, "believing the documents in his possession, +it is easy to understand that they prefer having the gentleman +under the same roof with themselves."</p> + +<p>"True; now, the question that interests us is, how long will +it be before they find out their mistake?"<span class='pagenum'><a name="Page_336" id="Page_336">[336]</a></span></p> + +<p>"I think," said the girl, reflectively, "that their game will be +covert, not open, attack, from the fact that they have kept the +loss of the papers so carefully from the servants. If this is +true, they will move cautiously, and aim to convince the man +that they do not suspect him."</p> + +<p>Clarence nodded.</p> + +<p>"You see the necessity for action, do you not?" Madeline +said, after a silence. "I must make my next move within a +few days."</p> + +<p>"I don't fancy that we need fear any new developments that +will be dangerous to our cause just yet."</p> + +<p>Then he told them of his meeting with the detective, and its +results, adding: "You see, Jarvis can withhold his reports to +suit our convenience, and you can grow strong, feeling secure."</p> + +<p>Meantime, Jarvis set about his task of record hunting. He +was energetic and resolute as a sleuth hound on the scent; so he +soon made one or two discoveries.</p> + +<p>One day, very cleverly gotten upon as a dapper lawyer, he +dropped in at the office of Messrs. Lord & Myers, bankers. +Mr. Lord was an old man with a shrewd, twinkling eye; and +as the sham lawyer had selected his time wisely, he found the +old banker alone.</p> + +<p>They were closeted in close converse for nearly half an hour, +at the end of which time, the dapper lawyer took his departure, +looking rather downcast; and Mr. Lord, with his little eyes +brighter than ever, sat down and penned a letter to his friend +and brother banker, Mr. Allyne, of Baltimore.</p> + + + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="Page_337" id="Page_337">[337]</a></span></p> +<h2><a name="CHAPTER_XXXVI" id="CHAPTER_XXXVI"></a>CHAPTER XXXVI.</h2> + +<h2>MR. LORD'S LETTER.</h2> + + +<p>The friendship that had sprung up between Claire Keith and +Mrs. Ralston, grew and strengthened as the days went by.</p> + +<p>Claire's enthusiasm had overflowed in more than one letter to +Olive. The oft-repeated wish that her new friend and her much +loved sister might meet, had at last drawn from that somewhat +preoccupied sister a very cordial invitation to bring Mrs. Ralston +to New York.</p> + +<p>When this invitation came, Claire, feeling that it was now time +to unfold to her friend the sad pages of Olive's history, sought +her for that purpose. But as she deemed that the time had not +yet come for telling anyone of the hoped-for lifting of the cloud, +especially as to do so she must tell too of Madeline, she refrained +from mentioning the names of the actors in that miserable drama.</p> + +<p>Mrs. Ralston was deeply interested in the story of Olive's +sorrow; and having heard it, she felt a stronger desire than before +to see this beautiful, sad-hearted sister, who was so beloved +by Claire. Bending down she kissed the fair face, flushed with +the excitement Claire always felt when recounting her sister's +wrongs, and those of Philip Girard, and said, tenderly:</p> + +<p>"Thank your sister in my name, my darling. And tell her +that I will certainly avail myself of her kind invitation, at some +future time."</p> + +<p>Claire's eyes danced eagerly. "Oh, I wish we could go now—at +least, soon."<span class='pagenum'><a name="Page_338" id="Page_338">[338]</a></span></p> + +<p>Fate chose to grant Claire's desire in a most unexpected manner, +for while they were still sitting, talking, in the semi-twilight, +the library door opened and a servant announced Mr. Allyne, +to see Mrs. Ralston. At once Mrs. Keith and her daughter +arose to leave the room. But Mrs. Ralston said, earnestly:</p> + +<p>"Pray, do not go; there can be no need for a private interview."</p> + +<p>And as at that moment Mr. Allyne himself appeared on the +threshold, the ladies all advanced to welcome him, and, this +ceremony being over, resumed their seats.</p> + +<p>"I have just received this letter from Mr. Lord," said Mr. +Allyne, after some moments of general conversation. "Read it, +and then tell me your opinion of its contents."</p> + +<p>The lady took the letter, looking the while somewhat anxious. +As she read, the look of apprehension deepened. When at +last she dropped the letter, her hands were trembling visibly, +and her face was pale and agitated. For a moment she sat in +silence, her eyes full of fear and her hands working nervously. +Then she seemed to recover herself by a powerful effort of will. +Taking up the letter, she placed it in the hand of Mrs. Keith, +saying: "Read it, dear friend."</p> + +<p>Mrs. Keith took the letter and read:</p> + +<p class="f5"><span class="smcap">New York</span>, Dec. 7th.</p> +<div class="blockquot"> +<p><span class="smcap">Wm. Allyne, Esq.</span>,</p> + +<p><i>Dear Sir:</i>—A man assuming to be a lawyer called on me this afternoon, +and requested information regarding our friend, Mrs. Ralston. If I am +not much mistaken he is in reality a detective—I think I remember him +in the Mallory case—and is, doubtless, looking up evidence in regard to +the lady's second and most unfortunate marriage, either at the instigation +of her vagabond husband or some of his supposed heirs.</p> + +<p>If you know the present address of Mrs. R., it would be well to communicate +with her, as some of her old servants are now in this city, at +service, and this fellow might ferret out something through them.</p> + +<p>Having no authority to act in the matter, I could do no more than<span class='pagenum'><a name="Page_339" id="Page_339">[339]</a></span> +baffle this man's inquiries so far as I was concerned, much as I desire to +serve the lady when I know the way.</p> + +<p>One thing: the fellow evidently believes in the story of her death.</p></div> + +<p class="f6">Yours, etc., <span class="smcap">J. M. Lord</span>.</p> + +<p>The three, Mrs. Ralston, Claire and Mr. Allyne, listened in +silence while Mrs. Keith read this letter. When at last she +raised her eyes, Mrs. Ralston said:</p> + +<p>"I must go to New York immediately, Mrs. Keith, and do, +pray, allow Claire to accompany me. I must accept of the +hospitality of Mrs. Girard, and I can not go alone."</p> + +<p>Mrs. Keith looked grave for a moment. Then, she said: +"Mr. Allyne, is it necessary that Mrs. Ralston should go at +once?"</p> + +<p>"I think it advisable," replied Mr. Allyne. "Once in New +York, Lord can receive Mrs. Ralston's instructions, and act for +her. In cases like these I don't think it is best to trust to correspondence."</p> + +<p>"And, oh! don't let us delay a moment! Once there, I can +keep my old servants, who are all true friends, from inadvertently +betraying me. And I can trust Mr. Lord to find out who +is the instigator of this search," said Mrs. Ralston, eagerly. +"Mr. Allyne, when can we start; how soon?"</p> + +<p>"Not earlier than to-morrow morning."</p> + +<p>"Claire, can you be ready on such short notice?" asked the +now anxious lady.</p> + +<p>"I? Oh, yes, indeed!" laughed the girl. "I could be ready +in an hour! I do detest waiting—don't you, Mrs. Ralston?"</p> + +<p>"Very much, just now," said that lady, making an effort to +smile; "forgive me, dear friends, but I am really unstrung. +The thought of being hunted by that man is too horrible, after +these years of peace."<span class='pagenum'><a name="Page_340" id="Page_340">[340]</a></span></p> + +<p>"Then don't think of it, dear Mrs. Ralston," cooed Claire. +"You will be as safe as safe in the seclusion of my sister's villa. +And you can set things straight soon, when we have arrived. +There can't be much to fear, can there, Mr. Allyne?"</p> + +<p>"Nothing very formidable," said the banker, rising to take +his leave. "Pray, don't exaggerate the trouble, Mrs. Ralston. +Prompt attention, such as Lord will give the matter, will make all +safe. Besides, he is not hunting <i>you</i>; the man thinks you dead."</p> + +<p>"True; I had forgotten," said the lady, looking somewhat reassured. +"Claire, we will pack to-night, and then try and be +content until it is time to go."</p> + +<p>"Meantime, I will telegraph to Lord and let him know that +you will come, and when," said Mr. Allyne, taking up his hat +to depart.</p> + +<p>The morning of their departure dawned clear and bright. +Claire was in extravagant spirits, while even Mrs. Ralston +seemed to catch the infectious cheeriness of the day, and her +companion's mood.</p> + +<p>When they were about to enter the carriage that was to take +them to the depot, a letter was put into the hand of Miss Keith. +She flung back her veil and leaning back among the cushions +perused it in attentive silence. Having finished, she looked up +with a little frown upon her brow, and exclaimed:</p> + +<p>"How very provoking!"</p> + +<p>Mrs. Ralston looked alarmed. "Is your sister ill?"</p> + +<p>"Oh, no; it's Madeline."</p> + +<p>"The young girl I have heard you speak of?"</p> + +<p>"Yes."</p> + +<p>"Is <i>she</i> ill?"</p> + +<p>"No; she got well, just to avoid me; she is gone."</p> + +<p>"Gone?"<span class='pagenum'><a name="Page_341" id="Page_341">[341]</a></span></p> + +<p>"Yes; or will be, when we arrive. Why, how stupid I am +not to explain! Madeline Payne has been with Olive nearly a +week. She has been sick, but is better, and will leave there to-day."</p> + +<p>Claire had said but little concerning Madeline, fearing lest in +her enthusiasm she should say too much. But she had revolved +many plans for bringing about a meeting between Mrs. Ralston +and her "brave girl."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXXVII" id="CHAPTER_XXXVII"></a>CHAPTER XXXVII.</h2> + +<h2>"I HAVE COME BACK TO MY OWN!"</h2> + + +<p>Quite the pleasantest of all the rooms that had been so +sumptuously fitted up, when "Mrs. Torrance" came to Oakley, +a bride, was the back drawing-room. At least it was pleasantest +in Winter. Its large windows faced south and west, and all +of the Winter sunshine fell upon them, glowing through crimson +curtains, and helping the piled-up anthracite in the grate to +bathe the room in a ruddiness of crimson and golden bronze.</p> + +<p>On this particular December day, the air was crisp and cold, +and full of floating particles of hoar frost, while the winter sun +shone bright and clear. Outside, one felt that it was an exceedingly +cold sun. But viewed from within, it looked inviting +enough, and one felt inspired to dash out into the frosty air and +try if they could not walk <i>a la</i> hippogriffe, without touching +their feet to the ground.</p> + +<p>Some such thought was floating through the mind of Mrs. +John Arthur, who was progressing in her convalescence very<span class='pagenum'><a name="Page_342" id="Page_342">[342]</a></span> +rapidly now, and who had, on this day, made her second descent +to the drawing-rooms.</p> + +<p>She had donned, for the first time since her illness, a dinner-dress +of rosy silk, its sweeping train and elbow sleeves enriched +with flounces of black lace. As there was, at present, no need +to play the invalid—herself and Davlin being the sole occupants +of the room—she was sweeping up and down its length like a +caged lioness.</p> + +<p>By and by she swerved from her course, and coming to the +grate, put a daintily shod foot upon the bronze fender. Resting +one hand on a chair, and looking down upon Davlin, who +was lounging before the fire in full dinner costume, she said, +abruptly:</p> + +<p>"How very interesting all this is!"</p> + +<p>Davlin made no sign that he heard.</p> + +<p>"Do you know how long we have been playing this little +game, sir?"</p> + +<p>The man smiled, in that cool way, so exasperating always to +her, and lifting one hand, began to tell off the months on his +fingers.</p> + +<p>"Let me see, ball opened in June, did it not?"</p> + +<p>She nodded impatiently.</p> + +<p>"June!" He was thinking of his June flirting with Madeline +Payne, and involuntarily glanced at the windows from whence +could be seen the very trees under which they had wandered, +himself and that fair dead girl, in early June. "Yes, the last of +June—I remember,"—reflectively.</p> + +<p>"And pray, from what event does your memory date?" exclaimed +Cora, with strong sarcasm.</p> + +<p>He glanced up quickly. "Why, <i>Ma Belle</i>, from your introduction +to the hills and vales of Bellair, and the master of Oakley."<span class='pagenum'><a name="Page_343" id="Page_343">[343]</a></span></p> + +<p>"Oh, I thought it was from the time you received your +pistol wound."</p> + +<p>Davlin smiled. "Yes, that scratch <i>was</i> given in June; but I +don't date from trifles, Co."</p> + +<p>"Oh! Well, I fancy it was not the fault of the hand that +aimed the bullet, or rather of the <i>heart</i>, that you got a 'mere +scratch.' I never believed in your card-table explanation of +that affair, sir."</p> + +<p>"Well, don't call <i>me</i> to account for <i>your</i> want of faith."</p> + +<p>"I believe you promised yourself revenge on the fellow who +shot at you. Why didn't you take it?"</p> + +<p>Lucian stooped down and brushed an imaginary speck from +his boot toe, saying, as he did so: "I was forestalled."</p> + +<p>"How?"</p> + +<p>"The—fellow—is dead."</p> + +<p>"Oh, well, I don't care about dead men—what I am anxious +about is this—"</p> + +<p>"Oh, yes," maliciously. "Return to subject under discussion. +You embarked in this enterprise in June—"</p> + +<p>"Bother," impatiently.</p> + +<p>"Late in Summer, bagged your game; in early Autumn, fitted +up this jolly old rookery—"</p> + +<p>Cora gave a sniff of disdain.</p> + +<p>"Next—well, you know what next. We haven't been two +months at this last job."</p> + +<p>"Nevertheless I am tired of it."</p> + +<p>"No?"</p> + +<p>"I won't stay here a prisoner much longer!"</p> + +<p>Davlin came close to her, and letting one hand rest upon her +shoulder, placed the other over hers, which still lay upon the +chair back.<span class='pagenum'><a name="Page_344" id="Page_344">[344]</a></span></p> + +<p>"Cora, we won't quarrel about this. The situation is as trying +to me as to you; more so. But our safety lies in moving +with caution, and—I will not permit you to compromise us by +any hasty act. You understand!"</p> + +<p>His eyes held her as in a spell, and when, after a moment, the +hand fell from her shoulder and his eyes withdrew their mesmeric +gaze, the woman shrunk from under the one detaining +hand and turned sullenly away, looking like a baffled leopardess.</p> + +<p>Davlin resumed his seat and his former careless attitude. +Cora walked to the window and looked down upon the scene +below.</p> + +<p>At length the man asked, carelessly: "Where's Percy?"</p> + +<p>"Down there," nodding toward the terrace, a portion of which +was visible from her point of view. "And, of course, my lady +is in her room watching from her window. When he throws +away his cigar, and turns toward the house, she will come down; +not before."</p> + +<p>Davlin laughed at her emphasis, and while the sound still +vibrated on the air, the woman turned, and flinging herself upon +a divan, said:</p> + +<p>"There, she is coming!"</p> + +<p>Complain as she might in private, Cora had acted her part to +perfection. Between herself and Miss Arthur, there now existed +an appearance of great cordiality and friendliness. While +she treated Percy with utmost politeness and hospitality, the remembrance +of ten years ago acted as an effectual bar to anything +like coquetry, where he was concerned.</p> + +<p>Scarcely had Cora settled herself comfortably upon her divan, +when the door opened noiselessly, and Miss Arthur sailed in, +diffusing through the room the odor of Patchouli as she came. +She was, as usual, a marvel of beflounced silk, false curls, rouge,<span class='pagenum'><a name="Page_345" id="Page_345">[345]</a></span> +and pearl powder. Her face beamed upon Cora in friendliness +as she approached her, saying, with much effusion:</p> + +<p>"Oh, you poor child, how delightful to see you once more +among us, and looking like yourself."</p> + +<p>Lucian arose and gallantly wheeled forward a large easy chair, +saying: "And how charming you look, Miss Ellen; you make +poor Cora appear quite shabby by contrast."</p> + +<p>Cora cast a rather ungrateful glance at the gentleman, and the +spinster simpered, "Oh, you horrid man! Brothers are so ungrateful!"</p> + +<p>At this juncture, as Cora had predicted, Mr. Percy presented +himself, and the four fell into attitudes, in front of the grate—Percy +leaning on the back of Miss Arthur's chair, and Cora and +Davlin in their former places.</p> + +<p>"<i>Merci</i>," said Miss Arthur, pretending to stifle a yawn, "why +can't we all be out in this keen air and sunshine? If there were +but snow on the ground!"</p> + +<p>"Snow!" cried Cora, annoyed out of her usual assumption of +feebleness; "don't mention it, if you don't want me to die. +We won't have snow, if you please, until I can drive in a cutter."</p> + +<p>Percy laughed softly; his laugh was always disagreeable to +Cora, as having an undercurrent of meaning intended for her +alone. And Davlin said:</p> + +<p>"Hear and heed, all ye gods of the wind and weather."</p> + +<p>"Well, laugh," said Cora, half laughing herself, "but I am +beginning to feel ambitious. Do let's try to set something afoot +to make us feel as if we were alive, and glad that we were."</p> + +<p>"Agreed, Cora," cried Miss Arthur, gushingly, "only tell us +what it shall be."</p> + +<p>"Suggest, suggest;" this from Davlin.</p> + +<p>The spinster glanced up coquettishly, "Edward, you suggest."<span class='pagenum'><a name="Page_346" id="Page_346">[346]</a></span></p> + +<p>Percy caressed his blonde whiskers thoughtfully, and letting +his eyes rest carelessly on Cora, said, meaningly: "Let's poison +each other!"</p> + +<p>"Or commit suicide!" retorted Cora, coolly.</p> + +<p>"Let's be more sensible," said Davlin. "Let's organize a +matrimonial society, get up a wedding, and go on a journey."</p> + +<p>"Anything that will break the monotony," said Cora, while +the fair spinster giggled and put her hands before her face.</p> + +<p>At that moment the monotony <i>was</i> broken.</p> + +<p>While the words were still lingering on the lips of the fair +convalescent, the door was opened wide by old Hagar, who said, +as if she had been all her life announcing the arrival of great +ones at the court of St. James:</p> + +<p>"<i>Miss Madeline Payne!</i>"</p> + +<p>Then she stepped back, and a vision appeared before them +which struck them dumb and motionless with surprise.</p> + +<p>Across the threshold swept a young lady, richly robed in +trailing silk and velvet and fur; with a face fair as a star-flower, +haughty as the face of any duchess; with amber eyes that gazed +upon them contemptuously, masterfully, fearlessly; with wave +upon wave of golden brown hair, clustering about the temples +and snowy neck; and with scarlet lips half parted in a scornful +smile.</p> + +<p>She swept the length of the room with matchless grace and +self-possession, and pausing before the astonished group, said, in +a voice clear as the chime of silver bells:</p> + +<p>"Good-evening, ladies and gentlemen! I believe I have not +the honor of knowing—ah, yes, this is Miss Arthur; <i>Aunt Ellen</i>, +how do you do?"</p> + +<p>There are some scenes that beggar description, and this was +such an one.</p> + +<p><span class='pagenum'><a name="Page_347" id="Page_347">[347]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_039.jpg" width="400" height="558" alt=""Miss Madeline Payne!"—page 346." /> +<span class="caption">"Miss Madeline Payne!"—<a href="#Page_346">page 346.</a></span></div> +<p><span class='pagenum'><a name="Page_348" id="Page_348">[348]</a></span></p> + +<p>Miss Arthur, who clearly recognized in this lovely young lady +the little Madeline of years ago, was so stricken with astonishment +that she utterly forgot how appropriate it would be to +faint.</p> + +<p>Cora sat like one in a nightmare.</p> + +<p>Percy was conscious of but one feeling. True to his nature +even here, he was staring at this vision of beauty, thinking only, +"how lovely! how lovely!"</p> + +<p>And Lucian Davlin? At the first sight of that face, the first +sound of that voice, he had felt as if turning to stone, incapable +of movement or speech. At that moment, had Cora once +glanced toward him, his face must have betrayed his secret. +But her eyes were fixed on Madeline.</p> + +<p>Davlin felt a tempest raging within his bosom. Madeline +alive! This glowing, brilliant, richly robed, queenly creature—Madeline! +Again in his ears rang her farewell words. Quick +as lightning came the thought: she was his enemy, she would +denounce him! And yet, throughout every fiber of his being, +he felt a thrill of gladness. Again there surged in his heart the +mad love that had sprung into being when she had so gloriously +defied him. She was not dead, and he was glad!</p> + +<p>Old Hagar had closed the door after her young mistress; and +now she stood near it, calm and immovable as a block of ice.</p> + +<p>Madeline Payne stood, for a moment, gazing laughingly into +the amazed face of the spinster. Then she said: "Come, come, +Aunt Ellen, don't stare at me as if I were a ghost! Introduce +me to your friends. Is this lady my new step-mamma?"</p> + +<p>Cora roused herself from her stupor, and said, haughtily: "I +am <i>Mrs. Arthur</i>, and the mistress of the house!"</p> + +<p>"Ah! then you <i>are</i> my new step-mamma? And you have +been very ill, I understand. Pray, don't rise, madame; you<span class='pagenum'><a name="Page_349" id="Page_349">[349]</a></span> +look feeble." Then, turning again to Miss Arthur: "Don't you +intend to speak to me, Aunt Ellen?"</p> + +<p>"But," gasped the spinster, "I thought, that—you—"</p> + +<p>"Oh, I see! You thought that I was dead, and you have +been grieving for me. Well, I will explain: I ran away from +my respected papa because he had selected for me a husband not +at all to my taste. Not desiring to return immediately, I seized +an opportunity that came in my way, and bestowed my name +upon a poor girl who died in the hospital, thus making sure +that my anxious friends would abandon all search for me. +However, I have thought better of my decision, and so I return +to my own home to take my position under the <i>chaperonage</i> +of my pretty step-mamma, as the <i>Heiress of Oakley</i>!"</p> + +<p>These last words opened the eyes of Cora to the new "situation." +Springing to her feet, she forgot for the moment all her +weakness, and cried, wrathfully: "You cannot come here with +such a trumped-up story! Madeline Payne is dead and buried. +You are a base impostor!"</p> + +<p>Madeline turned tranquilly towards the spinster. "Aunt +Ellen, <i>am</i> I an impostor?"</p> + +<p>"No," said Ellen Arthur, sullenly; "you are Madeline Payne. +Any one in the village could testify to that."</p> + +<p>Madeline turned to Cora. "Step-mamma, I forgive you. It +<i>is</i> hard to find the entailed estate of Oakley slipping out of your +hands, no doubt, but this world is full of disappointments."</p> + +<p>Cora's eyes sought Lucian. That gentleman, who had, outwardly +at least, regained his composure, telegraphed her to be +silent.</p> + +<p>Miss Payne asked: "Which of these gentlemen is your brother, +Mrs. Arthur?"</p> + +<p>Lucian stepped forward with his usual grace, saying; "I am<span class='pagenum'><a name="Page_350" id="Page_350">[350]</a></span> +Mrs. Arthur's brother, Miss Payne. Pray, let me apologize for +her discourteous reception of you; she has been very ill, and is +nervous."</p> + +<p>Madeline sank into a chair and surveyed him coolly, while +she said: "It is not necessary to apologize for your sister, Mr.—"</p> + +<p>"Davlin," supplied Miss Arthur.</p> + +<p>"Davlin," repeated Madeline, as if the name had fallen upon +her ears for the first time. "No doubt we shall be the best of +friends by and by. I certainly have to thank her for making +so marked an improvement in these old rooms," glancing about +her.</p> + +<p>Here the still confused Miss Arthur, in obedience to a sign +from her lover, said: "Miss Madeline, this is my friend, Mr. +Percy."</p> + +<p>Mr. Percy advanced, bowing like a courtier. The young lady +scrutinized him coolly, saying, with a gleam of mischief in her +eyes: "I am delighted to meet any friend of my aunt's."</p> + +<p>Then she turned to Davlin again: "But where is my step-papa? +I have kept myself partially informed of events here. +Is he still unable to be about?"</p> + +<p>Davlin looked very serious: "Miss Payne, I fear that my +unhappy brother-in-law will never recover his reason."</p> + +<p>Madeline uttered an exclamation expressive of concern, and +said: "Oh, Mr. Davlin, then don't let him know that I am +here; at least not yet. I am so afraid of the insane. I couldn't +bear to see him now."</p> + +<p>Cora drew a breath of relief, on hearing this. But Lucian, +who knew the girl better, began to fear her, and mentally resolved +to define his own position as speedily as possible. One +thing was evident; it was no part of her plan to betray him, at +least not yet.<span class='pagenum'><a name="Page_351" id="Page_351">[351]</a></span></p> + +<p>"Nurse," said Madeline, turning to Hagar, "see that a room +is prepared for me immediately, and send a servant to the station +for my luggage. Also, prepare a room for my maid, who +is below, and tell her to get me out a dinner dress immediately."</p> + +<p>Then turning to Cora, "Step-mamma, you look fatigued. Do +go to your room and rest before dinner. Mr. Davlin, at what +hour do you dine?"</p> + +<p>He explained their reason for dining so early, and she said, as +she turned again to Cora,</p> + +<p>"Do lie down, step-mamma; there is still a half-hour before +dinner. And now I will go look after my maid."</p> + +<p>She swept them all a stately courtesy, and Percy springing +forward to open the door, she thanked him with a charming side +glance, and passed from the room like a young princess.</p> + +<p>There was dead silence among them for a full minute after +the door had closed behind her. Then Percy turned with a +disagreeable smile upon his face, and said:</p> + +<p>"You don't stand in need of something exciting <i>now</i>, do you,—Mrs. +Arthur?"</p> + +<p>This was too much. Cora sprang to her feet and casting one +meaning glance toward Davlin, swept from the room, erect and +firm, utterly regardless of the fact that her exit was quite incompatible +with the invalid <i>rôle</i> she had been sustaining.</p> + +<p>An angry flush overspread the face of Lucian Davlin, as he +realized, after one quick look at the face of Percy, how thoroughly +she had betrayed herself. He was too good a diplomat, however, +to quit the field without a stroke in his own behalf. So giving +a low whistle he turned toward the spinster, saying:</p> + +<p>"See what excitement will do. One would think she had the +strength of two of us."<span class='pagenum'><a name="Page_352" id="Page_352">[352]</a></span></p> + +<p>To which Percy responded, dryly: "She certainly did not +step like an invalid."</p> + +<p>Then the three stood looking aimlessly at each other or anything, +seemingly not at all inclined to converse.</p> + +<p>After a few moments of listless gazing out at the window, +Lucian turned upon his heel and quitted the room. He was too wise +to approach Cora in her present mood. Even had he thought +it advisable, he felt little inclination to see and converse with +her or anyone then. Like a man in a dream, he wandered out +and down the wide hall. Almost unconsciously he opened the +library door, and crossing to the great double window, leaned +against the casement and looked out.</p> + +<p>Again his eyes rested upon the grove where he had so often +wandered with the lovely girl who, to-day, had so coolly ignored +him. Then she had clung to him with trusting affection; +now,—how did she look upon him now? Could the love that +she surely had felt for him in those Summer days, have entirely +died out in her heart? Did not a woman's love outlast her anger? +And was he not the same man, with the same will-power, and +the same strength of magnetism?</p> + +<p>Where had she been all these months? And how came she +here now, robed liked a princess; she, who had certainly left +her home penniless? Clearly, she had found friends. Who +were they? And what did they know of matters here at +Oakley?</p> + +<p>For once Mr. Davlin was at a loss how to act. Would it be +safe to stay? Would it be wise to go? Would he be able to +control Cora in this new emergency? One thing was certain: +The heiress of Oakley meant to be mistress in her mother's +house, and she was in a fair way to possess the throne.</p> + +<p>Lucian turned away from the window, and from the scene<span class='pagenum'><a name="Page_353" id="Page_353">[353]</a></span> +that mocked him, muttering: "I will see her alone, let come +what will. I will make one struggle to regain my power over +her, and if I succeed—"</p> + +<p>Evidently the wily gambler could not testify as to what +would be likely to follow. For the second time since his partnership +with Cora, he found that lady a stumbling-block by no +means despicable.</p> + +<p>On leaving the drawing-room, Cora rushed up the stairs, and +throwing open the door of her dressing-room, fairly precipitated +herself across the threshold, forgetting in her blind rage to +close the door behind her. She stood still for an instant, and +then, springing to the window, threw it wide open, letting in a +flood of wintry air. For a moment she leaned across the sill, +drinking in deep draughts of the frosty ether. Then dashing +down the sash, she turned swiftly, and encountered a pair of +bright black eyes that looked in at her from the secure darkness +of the hall. Sweeping across the room, she confronted +the owner of the eyes, demanding haughtily:</p> + +<p>"Who are you? And how dare you spy at my door?"</p> + +<p>The woman—for it was a woman—came forward and said, +respectfully: "If you please, I am Miss Payne's maid, and I +was just bringing up some things from the hall, ma'am," lifting +to view a chatelaine and shawl strap. "I didn't mean to annoy +you. I was only surprised to see such a pretty young lady here."</p> + +<p>Miss Payne's maid was a large woman of a very uncertain +age, arrayed in sober black, not at all like the usual ladies' maid. +But she seemed so very respectful, and full of contrition at +having annoyed such a "pretty lady," that Cora made no further +assault upon her, but closed the door with unusual emphasis +instead, and gave way once more to the wrath that was +filling her soul.<span class='pagenum'><a name="Page_354" id="Page_354">[354]</a></span></p> + +<p>To be baffled like this now; now, when her schemes were +approaching fruition; now, when this fair domain, this splendid +fortune, was just within her grasp, to have it plucked from her +hand by a mere girl, who mocked her while she said, "this +wealth is mine, this house is mine; woman, you have schemed +in vain!"</p> + +<p>And this was not all. She had bound herself hand and foot. +She had jeopardized her liberty, for what might not occur, now +that this girl could demand access to the imprisoned old man, +her step-father? If she dared, she would go away that very +night. But no; this would only confirm suspicion, if suspicion +were entertained.</p> + +<p>Not the least drop in her cup of bitterness, was the knowledge +that Edward Percy was secretly enjoying her discomfiture. As +she thought of him, and his look when she swept past him, Cora +stopped short in her angry promenade, and frowned fiercely. +Then she crossed to her mirror and surveyed her agitated face, +saying, half aloud:</p> + +<p>"At least I will rob him of that pleasure; baffled as I may +be, he shall never enjoy my discomfiture! I can act a part yet. +And Edward Percy shall find that if my schemes are to be +overthrown, his, too, may suffer. He rejoices to see me thwarted; +I will thwart him, let it cost what it may!"</p> + +<p>And Cora began to smooth her rumpled locks, and put her +somewhat disarranged toilet in order, with swift, firm fingers. +While she was thus occupied, there came a tap upon her door. +Recognizing it at once, as Davlin's knock, she said, "come," and +never once lifted her eyes from her task.</p> + +<p>Lucian, finding that the dinner hour was at hand, and beginning +to fear that Cora might still further commit herself, had +thought it wisest to come and see what was the state of her feelings,<span class='pagenum'><a name="Page_355" id="Page_355">[355]</a></span> +and endeavor to persuade her to play out her part. He +entered the room with some apprehension; but seeing her so +composed, came close as she stood before her dressing-glass and +said, as he gazed down at the flounce she was busy adjusting:</p> + +<p>"Now is the time for pluck, Co. You will come down?"</p> + +<p>Cora gave a last touch to the silk and lace and then, letting +the sweeping train fall from her hand, and standing very erect +before him, said:</p> + +<p>"Yes, I shall go down. Do you suppose I will let that man +think that I am completely annihilated? There; don't talk to +me now! I shall not forget myself again, never fear. But +after dinner, come to me here. You were wise enough to bring +me into this charming 'corner,' now let your wisdom take me +out of it, or I will extricate myself in my own way."</p> + +<p>Again the iron hand fell upon her shoulder, as her partner in +iniquity hissed in her ear:</p> + +<p>"And I intend that you shall not be a fool! Our game is +not lost. Let me once get the lay of the land, and we may +win yet."</p> + +<p>She turned her eyes upon him with angry incredulity. "How, +pray?"</p> + +<p>"Wait and see!"</p> + +<p>She made no reply, but, taking up her dainty handkerchief, +turned to leave the room, motioning him to precede her. In +the hall, she paused at the head of the stairs, saying:</p> + +<p>"Go down; I will come directly."</p> + +<p>"What are you going to do?"</p> + +<p>"Go down," she repeated; "I know what I am doing."</p> + +<p>She went slowly down the hall in the direction of the room +before which stood Madeline's luggage that had just arrived +from the little station.<span class='pagenum'><a name="Page_356" id="Page_356">[356]</a></span></p> + +<p>Lucian gazed after her in some amazement, watched her tap +softly, heard the door open, saw her enter the room, and then +went slowly down-stairs.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXXVIII" id="CHAPTER_XXXVIII"></a>CHAPTER XXXVIII.</h2> + +<h2>CORA UNDER ORDERS.</h2> + + +<p>When Cora entered the room, Madeline Payne stood before +her mirror, while her maid, kneeling beside her, arranged the +folds of lustrous azure silk that fell about the slender form.</p> + +<p>The door had been opened by Hagar, who could scarcely keep +her eyes off the beautiful face and form of her young mistress, +and who was, in consequence, making very slow progress with +the work of putting away the garments that had been discarded +in favor of the lovely dinner dress.</p> + +<p>Madeline realized fully that the part she was now playing +was even more difficult and distasteful than that which she had +abandoned. But she was resolute. To go back now would be +worse than death. While she felt a thrill of repugnance as she +saw the fair, sensual face of John Arthur's wife reflected in her +mirror, she turned with smiling countenance, saying:</p> + +<p>"Is it you, step-mamma? How kind of you! Am I delaying +the dinner?"</p> + +<p>"No more than I am," smiled Cora, in return. "I thought +you might like me to wait for you, as you are so much of a +stranger to your old home."</p> + +<p>"Oh, I am not at all timid, I assure you; but it is nicer to +go together. Am I almost ready, Strong?"</p> + +<p>"Almost, Miss Payne."<span class='pagenum'><a name="Page_357" id="Page_357">[357]</a></span></p> + +<p>"How quickly your maid dresses you," said Cora, resolved to +keep the conversational ball rolling.</p> + +<p>"Oh, yes; Strong knows how to pack things so that what you +want first is uppermost, and I had my dinner dress in a hand +traveling-case." Then, turning about she asked, abruptly: +"Have you a good maid, step-mamma?"</p> + +<p>Cora laughed nervously as she replied: "I have no maid, +good or bad. My maid ran away a week ago, after robbing me +and nearly killing me with chloroform."</p> + +<p>"Mercy, what a wretch! What have you done with her?"</p> + +<p>"We have not found her."</p> + +<p>"Did you look?"</p> + +<p>"Yes; detectives are looking for her now."</p> + +<p>"Well, I hope they will find her. Now I am ready; come, +step-mamma."</p> + +<p>And together the two descended the stairs.</p> + +<p>Three faces reflected three degrees of surprise, as the ladies +entered the drawing-room with every appearance of good feeling +and mutual satisfaction. Davlin and Percy took their cue immediately. +The only one whom an observer would have pronounced +not quite at ease, was Miss Ellen Arthur, who stared +from one to the other rather more than was polite, and who sustained +her part in the conversation in a very nervous, fragmentary +manner.</p> + +<p>Dinner being announced, Mr. Davlin promptly offered his +arm to Madeline, who accepted it with perfect nonchalance. +They followed Cora to the dining-room, themselves followed by +Miss Arthur and Percy.</p> + +<p>Where four people separately, and each for his own end, determine +to appear cordial and perfectly at ease, each one bent +upon completely blinding the other three, there must of a necessity<span class='pagenum'><a name="Page_358" id="Page_358">[358]</a></span> +be much conversation, and more or less hilarity, whether +real or assumed.</p> + +<p>These four, who were waging upon each other secret and +deadly war, ate and drank together; and while Madeline regaled +them with a fictitious account of herself during the time +she had been supposed dead, the others listened and commented, +and vied with each other in paying hypocritical court to the +heiress of Oakley.</p> + +<p>"You see, step-mamma," said Madeline, as they lingered +over their dessert, "I was never ignorant of what was going on +here. My old nurse kept me informed. When I sent you the +fiction of my death, I had no intention of returning, for I had +determined never to live at Oakley during my step-father's +reign. But upon hearing of his insanity, I resolved to come +back, being now, of course, the real head of the house. Mr. +Arthur being <i>non compos mentis</i>, I, as heiress, assume control +of my own."</p> + +<p>If a wish could have killed, Cora would have closed forever +that insolent smiling mouth. But she felt herself powerless.</p> + +<p>Davlin, with inimitable tact, came to her rescue: "Cora will +be only too glad to welcome the queen back to her own. Indeed, +she has been for some time declaring her intention of abdicating, +for a time at least, and taking Mr. Arthur south to +some medicinal springs. But the doctor fears the change will +not benefit him."</p> + +<p>Madeline turned her eyes upon Cora. "She can't go just yet," +she said, with odd decision; "I want her society. Where is +your doctor, Mr. Davlin?"</p> + +<p>"He is up-stairs with his patient, Miss Payne. He usually +joins us at breakfast, but not often at dinner."</p> + +<p>The truth was that Lucian, not feeling upon safe ground, had<span class='pagenum'><a name="Page_359" id="Page_359">[359]</a></span> +advised the "doctor" to keep discreetly out of the way of this +shrewd young lady for the present, lest her keen questions +should draw out something not to their advantage.</p> + +<p>Miss Payne turned to Cora again. "You have perfect confidence +in the skill of this doctor, step-mamma?"</p> + +<p>"Oh, yes!" said Cora, positively; "he has been known to me +a very long time. Besides, we had in one of the Bellair doctors, +who agreed with Dr. Le Guise in every particular."</p> + +<p>"Well, I must see this learned gentleman to-morrow, and my +step-papa also, I think. Step-mamma, you look fatigued; dining +is too much for your strength. Let us leave the gentlemen to +their wine and cigars."</p> + +<p>As if she had been presiding at that table all her life, Miss +Payne arose, bowed to the two men, and preceding the two astonished +ladies, swept from the dining-room.</p> + +<p>Cora, as she followed the graceful figure, could hardly restrain +her mortification and rage. She felt a longing amounting +almost to frenzy, to spring upon the girl and stab her in the +back.</p> + +<p>The two men did not linger long in the dining-room. Each +felt anxious, for reasons of his own, to be again in the presence +of Miss Payne, and so soon joined the ladies in the drawing-room.</p> + +<p>After a little more hypocrisy on all their parts, Cora arose to +retire to her apartments, declaring that the excitement of Miss +Payne's arrival had made her forgetful of herself and her +health, and that she began to feel her fictitious strength departing.</p> + +<p>Madeline, too, arose, and offering her arm to Cora, said that +she would also retire. Nodding a careless good-night to the +three deserted ones, she left the room, with the fair invalid leaning +languidly upon her arm.<span class='pagenum'><a name="Page_360" id="Page_360">[360]</a></span></p> + +<p>To the surprise and dissatisfaction of Cora, Madeline not only +accompanied her to her own apartment, but entered with her. +Having closed the door carefully behind them, she turned about, +and dropping all her assumed gayety and friendliness, said with +the air of a queen commanding a subject:</p> + +<p>"Now, Mrs. Arthur, let us understand each other!"</p> + +<p>The sudden and marked change of her voice and manner +startled the woman out of all her self-possession. She stood +staring in the stern face of the girl with all of the audacity +frightened out of her own.</p> + +<p>Cora was an adventuress to the tips of her fingers. She was +fond of intrigue; she possessed a certain kind of courage; but +she was, after all, at heart, a coward. She was quite willing to +compromise her soul for gain, but not her body. In short, she +loved herself too well to find any piquancy in personal danger.</p> + +<p>Since the loss of the papers and the flight of Céline Leroque +had shaken her feeling of security, Cora had been restive and +anxious to bring this plot to a climax. She had found it not at +all to her taste to have Percy holding over her head a sword, be +it ever so slender. And now, as she confronted Madeline, all +her selfishness was alarmed. She waited in absolute fear the +next words from the lips of her enemy.</p> + +<p>"You need not weary yourself by playing the invalid in my +presence, madame," pursued the girl. "I am quite well aware +that your illness has been all a sham. I know, too, that you +have found the <i>rôle</i> of invalid very irksome."</p> + +<p>The eyes of Cora widened still more, and all the color fled +from her lips. But she made a fierce struggle and, although +she could not summon up her usual insolence, she managed to +gasp out, half defiantly: "What do you mean?"</p> + +<p>"You understand my meaning," replied the girl, with contempt.<span class='pagenum'><a name="Page_361" id="Page_361">[361]</a></span> +"I mean that you are in my power, and that you must +obey my will."</p> + +<p>For a moment Cora's anger outweighed her fear. She came +a step nearer and said, sneeringly: "Indeed, Miss Payne! That +remains to be seen!"</p> + +<p>"True," assented Madeline, coldly. "First, then, you had +better instruct your friend, Dr. Le Guise, not to administer +<i>hasheesh</i> to Mr. Arthur to-morrow, in order to have him properly +insane when I visit him."</p> + +<p>Cora's knees bent under her, and all the color fled out of her +face. But she rallied her flying courage enough to say: "Explain +yourself, Miss Payne."</p> + +<p>Madeline drew toward her Cora's easiest lounging chair, and +seated herself therein with much deliberation, saying, as she +did so:</p> + +<p>"You had better sit down, Mrs. Arthur; there is no necessity +for a display of anger, or for any more attempts at deception. +The one is as useless as the other is transparent. And I have +considerable to say to you."</p> + +<p>Cora moved sullenly toward a chair and sank into it, feeling +like a woman in a nightmare.</p> + +<p>"First, then, for your position," pursued Madeline. "It is +sufficient to say that I know of your scheme to dispose of Mr. +Arthur and inherit the wealth you supposed to be his."</p> + +<p>Cora was beginning to feel a return of combativeness, and she +exclaimed quickly: "That is false!"</p> + +<p>"I know," pursued her inquisitor, ignoring her retort, "that +this man you call 'Dr. Le Guise,' is your tool and—<i>I have had +every drug that has been prescribed by him analyzed by city physicians!</i>"</p> + +<p>Cora saw that she was indeed undone, and began to fight with<span class='pagenum'><a name="Page_362" id="Page_362">[362]</a></span> +the recklessness of despair. "I don't believe you!" she cried, +reckless that she was committing herself. "That old spy, Hagar, +has fancied these things. How could you get the medicines?"</p> + +<p>"Not through Hagar."</p> + +<p>"How then?"</p> + +<p>"<i>Just as I got the certificate of your marriage with Mr. Percy.</i>"</p> + +<p>The woman sprang to her feet. "You—you are—"</p> + +<p>"Céline Leroque, madame!" with an imitation of the ladies' +maid accent.</p> + +<p>Cora fell back in her chair panting.</p> + +<p>"Now," resumed Madeline, "why don't you reflect that, if it +were my intention to denounce you, I could have done that long +ago. Are you not aware that my step-father is my enemy?"</p> + +<p>"Not—in that way."</p> + +<p>"In that way precisely. John Arthur tortured my mother +until she died heart-broken. He made my childhood miserable, +and shut me up in a convent to pass my girlhood in loneliness. +He bartered me in marriage to a man older and uglier than himself, +for ten thousand dollars. Then I defied him to his face; +swore to revenge upon him my mother's wrongs and mine; and +ran away. Do you understand now why I have allowed you to +persecute John Arthur?"</p> + +<p>Cora's courage began to revive. "I think I do," she said, +slowly.</p> + +<p>"You see, Mrs. Arthur, it is in my power to arrest you; first, +for Bigamy, and second, for Attempted Poisoning."</p> + +<p>Cora looked at her coolly. "But you won't do either," she said.</p> + +<p>"Won't I? And why not?"</p> + +<p>"Because, to do either, you must bring your own name into +too prominent notice."</p> + +<p>Madeline laughed scornfully.</p> + +<p><span class='pagenum'><a name="Page_363" id="Page_363">[363]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_040.jpg" width="400" height="580" alt=""You—you are—!" "Céline Leroque, madame."—page 362." /> +<span class="caption">"You—you are—!" "Céline Leroque, madame."—<a href="#Page_362">page 362.</a></span></div> +<p><span class='pagenum'><a name="Page_364" id="Page_364">[364]</a></span></p> + +<p>"You forget," she said, "I left my home for revenge. I +feigned to be dead—I returned to Oakley in disguise—for revenge. +Do you think that I will let my pride stay me when, +by exposing you, I can complete my vengeance upon John +Arthur?"</p> + +<p>Cora's countenance fell. She had not viewed the matter in +just that light. She made no answer, and Madeline continued:</p> + +<p>"Don't flatter yourself that I shall hesitate, if I cannot effect +my purpose otherwise. I am not disposed just now to war with +you, but if you do not see fit to accept my terms, then I must +turn against you."</p> + +<p>"What do you want of me?" sullenly.</p> + +<p>"I want you to continue as we have begun. I want Miss +Arthur, Mr. Percy, and your brother, to believe us the best of +friends. Above all, I want John Arthur to think us allies."</p> + +<p>"And what then?"</p> + +<p>"Then, you will be safe so far as I am concerned. Then, +when I have accomplished my purpose and hold in my hands +the keys to the Oakley coffers, you shall have money, and shall +go hence to resume your career in whatever field you choose."</p> + +<p>"What security have I for all this?"</p> + +<p>"My word!"</p> + +<p>"And if I reject your terms?"</p> + +<p>Madeline smiled oddly.</p> + +<p>"What is to prevent my leaving this place now, to-night?" +said Cora.</p> + +<p>Madeline laughed, saying: "Do you want to try that?"</p> + +<p>"If I did, what then?"</p> + +<p>"Then—you would not be permitted to leave these premises!"</p> + +<p>"Ah! you have spies in this house!"</p> + +<p>"Yes; and out of it. There is no chance for you to escape.<span class='pagenum'><a name="Page_365" id="Page_365">[365]</a></span> +There is no chance for any one to escape. Mrs. Arthur, is this +man that you call your brother really such, or is he, too, in your +plot?"</p> + +<p>Cora looked at her keenly, but it was no part of Madeline's +plan to let her know that she had ever seen Lucian Davlin before +that evening. Her face was as calm and inscrutable as the +face of the sphinx.</p> + +<p>"No," said Cora, at length "my brother does not know of it."</p> + +<p>"I am glad of that," replied Madeline. "But, for fear of any +deception, he will be kept under <i>surveillance</i>; and if anything +is communicated to him I shall surely know it."</p> + +<p>"Why did you rob me of those papers?" asked Cora, abruptly.</p> + +<p>"Because," said Madeline, leaning forward, "you and I have +a common enemy."</p> + +<p>"What! not Percy?"</p> + +<p>"Yes, Percy!"</p> + +<p>Cora looked amazed. "But—have you known him before?"</p> + +<p>"I never saw him until he came to Oakley."</p> + +<p>"I can't see how he has incurred your enmity here."</p> + +<p>"He has not incurred my enmity here. I hated him before +I ever saw him."</p> + +<p>"Why?"</p> + +<p>"Because he has wronged a friend who is as dear to me as +life."</p> + +<p>"Oh!"</p> + +<p>"Don't puzzle your brain over this; you won't be enlightened. +It is sufficient for you to know that you can serve me if you +choose, because we are both enemies of the same men." Then, +rising, "Now choose; will you remain here as my ally, or leave +in disgrace, and a prisoner, as my enemy?"</p> + +<p>Cora reflected, and finally said: "I accept your terms."<span class='pagenum'><a name="Page_366" id="Page_366">[366]</a></span></p> + +<p>"Very good; and now for precautions. You must allow me +to supply you with a maid."</p> + +<p>"What?"</p> + +<p>"You are an invalid; I am well and strong. What could +be more natural than that I should desire you to have every care +and comfort that I can desire? I shall give you my maid; she +will supply the place of Céline Leroque."</p> + +<p>"I won't have her," cried Cora, angrily. "I won't have a +jailer."</p> + +<p>"Certainly not; you will have my maid, however. I will +get another to-morrow."</p> + +<p>"I won't have her!"</p> + +<p>"Nonsense." Madeline stepped quickly to the door and +opened it. "Strong," she said, softly.</p> + +<p>Instantly in stepped Strong, who had been just outside +awaiting the orders of her mistress.</p> + +<p>"Strong," said Madeline, "I am going to let you wait upon +Mrs. Arthur. She is in delicate health, and needs a maid. You +must be <i>very attentive</i>, and don't let her get into any draughts. +You can sleep in the dressing-room; and if she is not <i>well cared +for</i>, I shall hold you accountable."</p> + +<p>Cora looked at the big, robust woman, so appropriately called +Strong, and felt that she was indeed a prisoner.</p> + +<p>Strong bowed in silent submission to the will of her late +mistress, and turned her broad visage upon her new one.</p> + +<p>Madeline moved to leave the room, saying, with a return to +her former manner: "Good-night, step-mamma; try and go +down to breakfast with me in the morning, won't you?"</p> + +<p>Without waiting for a reply, she opened the door and swept +across the hall, and Cora heard her door close behind her. Not +deigning a single glance at Strong, Cora sat tapping her foot<span class='pagenum'><a name="Page_367" id="Page_367">[367]</a></span> +upon the carpet and reviewing the situation. After some angry +musing, the practical side of her nature began to assert itself. +She reflected that she was not, after all, in immediate danger; +and that she would be still, to all outward appearance, the mistress +of Oakley. There was not much to fear just now, and she +would keep her eyes open.</p> + +<p>Meantime, she would not be unnecessarily uncomfortable. +And so, being by nature indolent, she decided to make the most +of the unwelcome Strong. Turning toward the statue-like figure +near the door, she galvanized it into life by saying:</p> + +<p>"Strong, get my dressing-gown from that closet, and then +take off my dress."</p> + +<p>And Strong commenced her duties with cheerful alacrity.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XXXIX" id="CHAPTER_XXXIX"></a>CHAPTER XXXIX.</h2> + +<h2>MYSTIFIED PEOPLE.</h2> + + +<p>John Arthur sat before a smoldering fire, gazing moodily +down at the charred embers that had lost their glow and only +showed a dark red light here and there, as if to assure one that +there was fire in the grate.</p> + +<p>He was thinner than of old. His face wore a sickly pallor. +His hands that clutched the arms of his invalid's chair worked +incessantly, indicating surely that his nerves were in anything +but a state of calm. He was feeble, too, in body; but his mind, +spite of the verdict of the Bellair physician and the drugs of the +Professor, was still unimpaired.</p> + +<p>In the solitude of the two rooms, out of which he had not once<span class='pagenum'><a name="Page_368" id="Page_368">[368]</a></span> +stepped since first he was removed to the west wing, he had had +ample time for reflection; but he had by no means arrived at a +state of mental beatitude.</p> + +<p>He had found it useless to struggle, useless to bluster, to argue +or to plead. Henry was a merciless jailer, and Dr. Le Guise a +sarcastic one.</p> + +<p>His breakfast had been served, and stood upon the table beside +him; but he scarcely glanced at it. When Henry came in from +the ante-room to remove the things, he said, without looking up: +"Go ask Le Guise to come to me."</p> + +<p>Henry carried away the tray, deposited it in the ante-room, +locked the door of the chamber carefully, and made his way to +the breakfast-room.</p> + +<p>At that moment, the incongruous mixture called the family, +were there assembled, including the Professor. The latter was +just then discussing the condition of his patient with Miss Payne, +in blissful ignorance of the fact that the young lady was fully +conversant with his mode of treatment, and the true condition +of her step-father's health.</p> + +<p>"You see, my dear young lady," the Professor said, pompously, +"his is the worst form of insanity; the very worst. +When a patient raves constantly we know precisely what to do +with him. But when he is, at times, to all appearance, as sane as +yourself, and yet liable at any moment to blaze out a perfect madman, +one dislikes to treat him as a madman, and yet it is not +safe to consider him a sane being."</p> + +<p>Madeline nodded, with a splendid assumption of profound +interest.</p> + +<p>"It's a sad case," she said, pensively. "I almost dread the +interview."</p> + +<p>"I think he is quite collected this morning, and he may be<span class='pagenum'><a name="Page_369" id="Page_369">[369]</a></span> +calm throughout. I hope so, for I should not like to have you +witness one of his tantrums."</p> + +<p>"I have seen him in tantrums when he was considered sane," +said the girl, with an odd intonation.</p> + +<p>Then looking up, she saw Henry, who had entered the room +and stood staring at her in speechless amazement. Hagar had +informed him that his young mistress was in the house. But +he was not prepared for the vision of loveliness that the girl +presented, as she turned toward him clad in her morning robe +of snowy cashmere bordered with swansdown, and trailing after +her like a train of snow. Luckily no one noted his start +of surprise and quick glance of recognition, and Madeline +said:</p> + +<p>"Is not that my step-father's attendant, doctor? I think he +wants you."</p> + +<p>The "doctor" beckoned Henry to approach, and said, affably: +"Well, and how is our patient, Henry?"</p> + +<p>"About as usual, sir. But he wants to see you."</p> + +<p>"Oh, he does? Poor soul, I'll come directly, Henry." Then, +turning to Madeline: "Shall I break to him the news of your +arrival?"</p> + +<p>"No; not unless you think it unsafe to surprise him."</p> + +<p>"On the contrary, an agreeable surprise might prove beneficial."</p> + +<p>The Professor, who had received sundry instructions from +Davlin, assumed to be ignorant of the fact that the patient supposed +his step-daughter dead.</p> + +<p>Smiling a little at the hypocrisy of the man, who pretended +to have at heart the interest of a patient supposed to be in an +excessively nervous state, yet was quite ready to expose that +patient to the shock of meeting, without previous preparation,<span class='pagenum'><a name="Page_370" id="Page_370">[370]</a></span> +one supposed to be dead and in her grave, Madeline turned, +and with a gesture brought Cora to her side.</p> + +<p>"Is Dr. Le Guise aware that my step-papa believes me to be +dead?" she asked.</p> + +<p>Cora and the Professor looked dubiously at one another for an +instant. Then the former, seeing her cue in the face of the latter, +said: "He is not."</p> + +<p>"Well, step-mamma, I am going up to see him soon, and, on +second thought, it will be best to have the doctor inform him of +my resurrection."</p> + +<p>Cora nodded.</p> + +<p>"And," pursued the girl, "I will only say that I desire you, +doctor, to inform him that I feigned death for reasons of my +own. That I am here in the flesh, and will appear in his presence +soon. When you have prepared him for my coming, have +the goodness to come down and tell me."</p> + +<p>Saying this she turned away, after which the Professor quitted +the room to obey the summons of his patient.</p> + +<p>Lucian Davlin had witnessed the interview, the summons and +the departure, from a distance. He had found no opportunity +for conversing with Cora, as yet, and was sorely puzzled by the +present aspect of affairs.</p> + +<p>He had watched the two narrowly, but he found himself unable +to read the true meaning lurking beneath the soft words +that fell from the lips of Madeline. He could hear no jar in +the music of her voice, could catch no glance that would give +the lie to her honeyed words. She was playing her part like a +born actress.</p> + +<p>He had not expected to see Cora accept the situation without +a struggle. He was glad to find that there was to be no scene, +and yet—somehow he felt himself at a disadvantage.<span class='pagenum'><a name="Page_371" id="Page_371">[371]</a></span></p> + +<p>He had viewed the situation from his stand-point, however, +and had decided upon his course of action.</p> + +<p>First, he was resolved not to quit the field until he had made +a desperate attempt to regain his power over the heiress of +Oakley. Second, he would use stratagem in order to obtain an +interview with her.</p> + +<p>In due time, Dr. Le Guise came among them once more, and +announced to Madeline his readiness to conduct her into the +presence of his patient.</p> + +<p>"He is quite prepared to see me, then?" questioned Madeline.</p> + +<p>"Quite, although I left him a trifle agitated and upset."</p> + +<p>As they paused at the door leading from the hall of the west +wing, she said:</p> + +<p>"I will go in alone, Dr. Le Guise."</p> + +<p>"As you please." Then, as it were an afterthought. "I +really believe, for your own safety, you had better keep Henry +near you."</p> + +<p>"I shall be in no danger," she replied, and entered the outer +chamber, closing and locking the door after herself.</p> + +<p>In answer to her knock, the door of the ante-chamber was +unlocked and opened by Henry. Madeline swept across the +threshold and extended her hand to the faithful fellow, +saying:</p> + +<p>"Henry, I am glad to see you. I hope you do not find your +present duties too heavy?"</p> + +<p>"Not since I knew I was serving you, miss," said the man, +respectfully.</p> + +<p>"You are serving me, Henry. I need you here very much; +and rest assured you shall have your reward for all you have +done or may do for me."<span class='pagenum'><a name="Page_372" id="Page_372">[372]</a></span></p> + +<p>Evidently the prospect of reward was not unpleasing to him. +His countenance beamed satisfaction.</p> + +<p>"And, Henry," continued his mistress, "attend to this. You +are not, on any account, to give your charge any more of the +medicine prepared for him by the doctor."</p> + +<p>A look of surprise shone from the eyes of the negro, but he +answered simply, like the well-trained servant he was: "Yes, +miss."</p> + +<p>"Above all, Henry, you are to let the doctor think that you +administer all that he gives you."</p> + +<p>Henry signified that he fully understood and would obey +his instructions. Then he opened the inner door, and John +Arthur and Madeline Payne stood once more face to face!</p> + +<p>For a moment, the two eyed each other in silence. Then +John Arthur said, with a sneer on his lip, and in a tone which +proved clearly that time and imprisonment had not taught him +meekness:</p> + +<p>"So, you young jade, what escapade have you been up to +now? And how dare you come back here like a young princess? +Why don't you keep out of my house?"</p> + +<p>Madeline laughed scornfully. "<i>Your</i> house!—But I forgive +you, step-papa; of course you are not accountable for your +words."</p> + +<p>Her tone was mockery itself. The man found it difficult to +restrain his wrath as he looked in her scornful face and said: +"Don't dare to pretend to believe that I am crazy! Are you +in league against me, too?"</p> + +<p>Wishing to draw from him just how much of the baseness of +Cora he believed in, or suspected, she dropped her voice and +asked, in assumed surprise: "Is it possible that you believe +some one to be plotting against you?"<span class='pagenum'><a name="Page_373" id="Page_373">[373]</a></span></p> + +<p>"Is it <i>possible</i>! How else could I be kept shut up a prisoner +in my own house?"</p> + +<p>The girl seemed to ponder. "Who is your enemy?" she +asked.</p> + +<p>"Every one in this house."</p> + +<p>"What! Surely not your wife?"</p> + +<p>"I'm not so certain of that."</p> + +<p>"But she, too, has been sick."</p> + +<p>"Have they locked <i>her</i> up?" snapped he.</p> + +<p>Madeline smiled. "Well, not exactly; she is not allowed +much liberty, though."</p> + +<p>"Why won't she come and see me?"</p> + +<p>"Mercy! She is too delicate."</p> + +<p>"Seems to me you are well informed for one so lately arrived."</p> + +<p>"I <i>am</i> well informed, Mr. Arthur. But I am not a late arrival."</p> + +<p>"What do you mean?" sullenly.</p> + +<p>"Just what I say," with an odd laugh. "I have been in +this house since you were first put in these rooms."</p> + +<p>He sat like one stupefied. At last he sprang up and fairly +yelled, "In the fiend's name, explain this chicanery. Why are +you here? Who is keeping me a prisoner, and wherefore? Is +it <i>you</i>, you little virago?"</p> + +<p>"Softly, step-papa; one thing at a time. I am here because +<i>you</i> are here," she said in a voice of unruffled calm. "Who is +keeping you a prisoner, you ask? I am."</p> + +<p>Once more he seemed on the point of giving way to a paroxysm +of rage, but controlled himself and said, sullenly:</p> + +<p>"I suppose I may thank you for my imprisonment from first +to last."<span class='pagenum'><a name="Page_374" id="Page_374">[374]</a></span></p> + +<p>"You may thank me if you choose, but it will be bestowing +your gratitude upon the wrong party. I did not lock you up. +I simply permitted it."</p> + +<p>"And why have you leagued with my wife—curse her—to +shut me up like a thief?"</p> + +<p>"Why?" her voice rising in angry scorn, "Do you ask me +<i>why</i>? Why did you make my mother almost a prisoner in her +own home? Why did you crush her in life, and blaspheme her +in death? Why did you drive her daughter from the home that +was hers, to escape from your cruelty, your insults, your avarice? +John Arthur, how dare you ask me <i>why</i> you are here!"</p> + +<p>Again the flashing eye, the ringing, wrathful voice, the white, +uplifted hand. They menaced him again, as on that June evening +when she had defied him and then fled out into the darkness, +not to return, save in dreams, until now.</p> + +<p>Again he felt a thrill of terror, and he sat before her mute +and cowering. At last he found voice to say: "Do you mean +that you intend to keep me a prisoner?"</p> + +<p>Her eyes met his full. They were cold as snow and resolute +as fate. "You will never leave these rooms until you accede to +the terms I have to propose."</p> + +<p>Her audacity fairly stunned him. He fell back a pace as he +said: "What—terms?"</p> + +<p>"First, you are to agree to resign the guardianship of my +property. Second, you are to leave Oakley forthwith and forever, +and to keep ever and always away from me and all that is +mine."</p> + +<p>"Bah!" he cried, angrily, "do you think I am a fool? I +won't resign my guardianship; the property is <i>mine</i>, not yours!"</p> + +<p>"Then I will choose a new guardian immediately. How +ignorant of law you are, step-papa! Don't you know that you<span class='pagenum'><a name="Page_375" id="Page_375">[375]</a></span> +are legally <i>dead</i>? Don't you know that a lunatic can't hold +property? Legally, I can choose a guardian to-morrow."</p> + +<p>"You she-devil! But I am not a lunatic!" sneered he.</p> + +<p>"How obtuse you are, step-papa! You <i>are</i> a lunatic; we +have the certificates of two physicians to that effect; and that is +all the law requires. Now, be reasonable; what can you do?"</p> + +<p>"I'll get out, by heavens," he yelled; "and I'll put you in +State's prison for false imprisonment!"</p> + +<p>She turned upon him with the utmost composure. "My dear +sir, you have not one witness to prove that you are a sane man. +There are many to prove that you have been subject to violent +fits of madness."</p> + +<p>She turned again, and he, no longer seeking to control his +rage, sprang toward her, uttering a volley of curses.</p> + +<p>During their entire interview, Henry had stood like a sentinel +at the outer door of the ante-room, while that leading into the +chamber of the prisoner stood wide open. At the first accent of +rage, he darted forward; and as the girl sprang away from her +step-father, that gentleman felt himself seized and hurled with +scant ceremony to the middle of the room.</p> + +<p>"Don't you try that, sir!" cried Henry, in high wrath. "You +won't find me a friend, if you do."</p> + +<p>"So," panted the old man, "this is one of your hirelings, is +it? And pray, sir, what is this young fiend to pay you for your +services?"</p> + +<p>"That's my affair," responded the man, coolly. "You can't +buy me off; and if you try that game again, you will get yourself +into a straight jacket."</p> + +<p>Madeline laughed, and said: "There, Henry, you need not +be alarmed for me. But when you report this attack to the +doctor, tell him that I think he had better take measures to<span class='pagenum'><a name="Page_376" id="Page_376">[376]</a></span> +secure his safety and yours, in case your patient should be again +seized with a fit of violence."</p> + +<p>John Arthur immediately saw that he had damaged his own +cause.</p> + +<p>"You had better sleep upon my proposition, Mr. Arthur," +said Madeline, from the threshold. "If you pine for liberty, +send for me. And don't think, for a moment, that I shall allow +you to go free without taking the necessary precautions to insure +myself against any trouble you might desire to make me. +Adieu, Mr. Arthur." And she swept from the room.</p> + +<p>John Arthur stood for many minutes in the same place and +attitude. When his anger would permit him, he began to +wonder. She had come and gone, and how much the wiser was +he? Where had she been all these months? Why had she allowed +them to think her dead? Who were her friends, for +friends she must have found? Why had her presence in the +house, if she had been here, been kept from him? How had +she gained the ascendancy over every one in that house? He +thought so long and intensely that he started up, at last, almost +beginning to fear that he was becoming mad.</p> + +<p>When Dr. Le Guise again came into his presence, he began +to question him. But it was labor lost. Dr. Le Guise would +not admit that he was a sane man. Dr. Le Guise knew nothing, +absolutely nothing, outside the range of his professional +duties. He was sorry for his patient; very sorry. He assumed +to take all assertions on the part of Mr. Arthur as so many fresh +evidences of insanity.</p> + +<p><span class='pagenum'><a name="Page_377" id="Page_377">[377]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_041.jpg" width="400" height="552" alt=""Don't try that, sir!" +cried Henry, in high wrath.—page 375." /> +<span class="caption">"Don't try that, sir!" +cried Henry, in high wrath.—<a href="#Page_375">page 375.</a></span></div> + +<p>He was very grave, was Dr. Le Guise, but not to be moved. +In fact, the prisoner fancied that he could observe in the doctor's +tone, manner, and countenance, an unusual degree of complacency, +and relish for his position and authority. And the +<span class='pagenum'><a name="Page_378" id="Page_378">[378]</a></span>prisoner was right. The reason for the doctor's placidity of +manner was simply this:</p> + +<p>Madeline on leaving the rooms of the west wing, had encountered +the worthy "doctor" just at the turn of the passage, +and she had paused, saying:</p> + +<p>"Dr. Le Guise, you were right about my unfortunate step-father. +He is quite mad, and really a dangerous charge. An +ordinary fee is too little to offer you, considering what you have +undertaken. I don't know what terms my step-mamma has +made with you, but I will volunteer to double her price. You +will be amply remunerated, and must consider the house and +everything in it at your disposal, so long as you keep your patient +safe, and do not permit him to do any mischief."</p> + +<p>The astute Professor had taken in the full meaning of her +words, which served to quiet the fears that had haunted him since +the advent of Miss Payne; fears that the young lady would +prove to be an enemy, and one keen enough to fathom the secret +they were keeping hidden in the west wing.</p> + +<p>He had seen that, for some reason, neither Cora nor Davlin +dared, or did, oppose her. Now he fancied he understood the +reason; it was because they did not fear her, for her interests +were in common with theirs.</p> + +<p>"He is certainly a dangerous man," said the Professor, gravely; +"I will obey your instructions to the letter."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XL" id="CHAPTER_XL"></a>CHAPTER XL.</h2> + +<h2>DAVLIN'S "POINTS."</h2> + + +<p>Madeline having left the morning-room, accompanied by the +too observant Professor, Lucian saw at once his opportunity for<span class='pagenum'><a name="Page_379" id="Page_379">[379]</a></span> +a few words with Cora. Without too great an appearance of +haste, he moved across the room, pausing before the fire, in front +of which Miss Arthur was seated, and addressing to her a few +careless words. Then he glanced at Percy, who sat at the most +remote corner of the room, assuming to be much interested in +some geological specimens in a little cabinet.</p> + +<p>Cora divined his intention. She knew, too, that this was the +very best place for an interview, which she desired to make a +brief one, being somewhat afraid of committing herself if she +allowed him to ask too many questions. So she moved over to +the window, and seated herself in a low chair.</p> + +<p>She had decided upon her own present course of action. She +would play her part well while she remained at Oakley, and she +would escape from it as soon as she had succeeded in blinding +the eyes of her jailers, for she mentally acknowledged them as +such.</p> + +<p>When Davlin at length crossed the room, and dropped carelessly +down in the chair at her side, she lifted her eyes to his, +and said, inquiringly: "Well?"</p> + +<p>He looked at her keenly for a moment. Then, not to lose +any time by useless words, came straight at the point.</p> + +<p>"Time's precious, Co. We can't attract attention by a long +dialogue, and yet we must talk things over. When can I find +you alone?"</p> + +<p>"Not at all for a day or two."</p> + +<p>"Why not?" elevating his eyebrows.</p> + +<p>Cora rested her head upon her hand in such a way as to conceal +from those at the opposite end of the room, the expression +of her face, and said:</p> + +<p>"Because I want to be sure that we can talk without being +observed. Miss Payne seems very friendly, and has given me<span class='pagenum'><a name="Page_380" id="Page_380">[380]</a></span> +her maid because, she says, an invalid needs waiting on, and she +sleeps in my dressing-room. I don't want to excite suspicion by +sending her away, in order to admit you, and—I don't see that +there is much to be said."</p> + +<p>Lucian seemed weighing her words for a moment. Then he +asked: "What do you make of Miss Payne?"</p> + +<p>"What do you make of her?" she retorted, quickly.</p> + +<p>"Nothing, as yet."</p> + +<p>"No more do I."</p> + +<p>Another brief silence, and then he asked: "Do you think there +is any immediate danger—for us?"</p> + +<p>"As how?"</p> + +<p>"From him: Arthur."</p> + +<p>Now came Cora's grand coup. She felt pretty sure that Lucian +knew of her interview with Madeline, and believed that she +would be telling him no news when she said:</p> + +<p>"Listen! She went with me to my room last night, and she +asked a good many questions about him. And I am sure of +this: she is no friend to him, and if she sees no reason for suspecting +any of us, she won't trouble herself about him. She told +me that she ran away from home because she had been so oppressed +by him, and that his attempt to marry her off, in order +to put money in his own pocket, was only one among many of +the things she had endured at his hands. Of one thing I am +sure: the old man may be a stumbling-block to us, but he is an +object of positive hatred to her."</p> + +<p>Cora uttered this combination of truth and falsehood without +the least compunction. If she could have warned him of the +danger hanging over them without jeopardizing herself, she +would have done so. But that, she knew, was impossible.</p> + +<p>He had planned this "game" which now bade fair to be such<span class='pagenum'><a name="Page_381" id="Page_381">[381]</a></span> +an utter failure, and if anyone must suffer, why, let it be him. +And then, too, she reasoned, she had not gathered from the words +of Madeline that she suspected Mr. Davlin of duplicity of any +kind. As for the Professor, Cora cared little what became of +him. She could gain nothing and might, doubtless would, lose +much by warning him.</p> + +<p>Lastly, Cora assured herself that were their positions reversed, +and Lucian the one who saw that his own safety lay in leaving +her to her fate, he would not scruple to make her his scapegoat. +And in this she was quite right.</p> + +<p>Again the man seemed to puzzle over some knotty, mental +question. Then he arose, and leaning against the window frame +in a favorite attitude, glanced across at Percy and the spinster +as he asked, slowly: "Did she say anything about me?"</p> + +<p>Cora looked up in genuine surprise. "About you? No; +why should she?"</p> + +<p>"I mean," he said, "did she say anything to cause you to +think that she suspected us?"</p> + +<p>"No," shortly; "why should she? She never saw either of +us until yesterday."</p> + +<p>"What do you think brought her back here just now?"</p> + +<p>"It's easy enough to see why she came back. She has heard +of the insanity of Mr. Arthur, and has come, as she said, to +take possession of her own."</p> + +<p>Another pause; then Cora said: "Is the Professor 'up' to +anything new?"</p> + +<p>"No."</p> + +<p>"Then don't let him take the alarm. It would hurt us. +We can't run now, and I don't think we have much to fear. +We will lose the money—that's all."</p> + +<p>Lucian looked out upon the evergreens and graveled walks +of Oakley, and said, under his breath: "Will we?"<span class='pagenum'><a name="Page_382" id="Page_382">[382]</a></span></p> + +<p>Then he turned upon his heel and sauntered out of the room.</p> + +<p>The question that was then uppermost in his mind, the +question that had been since the first shock of her reappearance +had given him time to think, was, why had Madeline returned +to Oakley?</p> + +<p>Was it, as she alleged, because she had changed her mind, +and wanted to be mistress of her own? Or was it because he +was there? If he could convince himself that the latter reason +was the true one, then he would know how to act.</p> + +<p>She had kept herself informed of affairs at Oakley. Then +she must have known of the fact that the so-called brother of +John Arthur's wife was Lucian Davlin. She must have known +that. Of course she knew it. Did not her manner on the +evening of her arrival prove that? Not for one instant did +she lose her self-possession. Had his presence been unexpected, +she could hardly have restrained every sign of emotion, of +recognition. Clearly, she was prepared for their meeting.</p> + +<p>Ah! now he was getting at things. If she came to Oakley, +knowing him to be established there as a member of the family, +she came <i>expecting</i> to meet him. She was not afraid of him, +then. She was not averse to meeting him. Perhaps—he began +to think it highly probable—she came solely to meet him. +If so, did she come for love, or—for revenge?</p> + +<p>If she came for revenge why did she not denounce him? But +no, she would hardly do that. What woman would? But she +might have assumed toward him a more hostile attitude.</p> + +<p>Finally, his masculine vanity helped him to a conclusion. A +woman seldom forgets her first love so easily, and he could meet +her so differently now. She had <i>not</i> forgotten her love for him. +He could win it back, and her forgiveness with it. And then—then, +if he could but manage Cora, what would hinder him from<span class='pagenum'><a name="Page_383" id="Page_383">[383]</a></span> +marrying her, and being in clover ever after! He was tired of +roving; they could go to the city; he need not give up gaming, +and—he really loved the girl; had loved her since the day she +had escaped from his snare.</p> + +<p>Having arrived at this stage in his day-dream, he began to +feel buoyant. And when he heard from the Professor the result +of Madeline's visit to her step-father, his complacency was +at high tide.</p> + +<p>"It's all in a nutshell to me," said the Professor, as they +smoked their confidential cigars in the privacy of Lucian's own +room. "Mind, I don't suppose she <i>is</i> up to our game; she +can't be, you know; but she is pretty thoroughly convinced that +what she thinks is his insanity, is but temporary."</p> + +<p>"How do you know that?" interrupted Lucian, sharply.</p> + +<p>"Not from anything <i>she</i> said; I had very few words with her. +But look here, Davlin, isn't this a clear case enough? When +I went up to see the old fool, after their interview, I find him +in a paroxysm of rage. Of course he makes his complaint; his +<i>ravings</i> informed me of this: She told him that she did not +really think him very crazy herself, but two doctors <i>did</i>, and +she didn't feel called to dispute them. She told him that he +could not prove himself sane in any court in America; and that +he, being insane, was dead in law; and she was going to choose +another guardian."</p> + +<p>Lucian Davlin fairly bounded from the chair. "That's it!" +he ejaculated under his breath.</p> + +<p>"Then," pursues the Professor, puffing away tranquilly, "she +comes straight from this interview and meets me, to whom she +says that, 'It is a most deplorable and dangerous case; that he +is really liable to attack me or Henry at any moment; that I +must take every precaution and guard against his sudden attack,<span class='pagenum'><a name="Page_384" id="Page_384">[384]</a></span> +even if I were forced to confine him still more closely; +and that she had suspected him of partial insanity long ago.' +Now, what do you think of that?"</p> + +<p>Precisely what he thought it was not Mr. Davlin's intention +to tell. One idea, however, he expressed promptly enough: "I +think," he said, leaning a little forward and looking full at his +companion, "that you had better take the advice of Miss Payne. +Confine him close, the closer the better; but don't drug him any +more at present!"</p> + +<p>The Professor nodded serenely as he said: "Right, quite +right. Just what I was about to suggest."</p> + +<p>He might have added that he had resolved upon taking the +course indicated, even if the suggestion had not been made. +"The young lady holds the winning cards," he had assured +himself. "I will take her orders before I get myself in too +deep!" His "too deep" meant deep as the grave.</p> + +<p>And now Lucian had a new subject for conjecture. If Miss +Payne proposed to appoint for herself a guardian, who would +she select? Who had been caring for her during all these +months? Was it man or woman?</p> + +<p>The only information she had volunteered had been implied +rather than spoken. In answer to Miss Arthur's rather abrupt +query at the breakfast table, as to how she had managed to prosper +so well in a strange city where she had no friends, the girl +had replied, with a little laugh:</p> + +<p>"I suppose it has never occurred to either yourself or Mr. +Arthur that I might have found out some of my mother's +friends. I was put in possession of my mother's journal on the +very day that I ran away from Oakley. I am not so friendless +as you may think."</p> + +<p>Lucian was again puzzled, but knowing the girl as he did, he<span class='pagenum'><a name="Page_385" id="Page_385">[385]</a></span> +was not prepared to believe that a guardian, in the form of a +lover, would appear. He was now convinced that Cora, whom +at first he had somewhat doubted, was not for some unknown +reason attempting to deceive him.</p> + +<p>The Professor's story had corroborated hers, and given him, +as he expressed it, "a fresh point" in his game. But alas for +Lucian! Every fancied discovery only beguiled him farther +and farther from the truth, and rendered him more and more +blind to the chains that were being forged about him.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XLI" id="CHAPTER_XLI"></a>CHAPTER XLI.</h2> + +<h2>THE DAYS PASS BY.</h2> + + +<p>Several days passed and still Lucian Davlin had not found +the much wished for opportunity to converse with Madeline. +Neither had he been able to find Cora alone. Visit her room +when he would, there was the burly waiting-maid. Finally +Cora had warned him, with some asperity, that his "actions +looked rather suspicious," and then he obeyed her gentle hint +and remained aloof.</p> + +<p>Two days after the bestowal of Strong, the maid, upon the +not-too-grateful Cora, an angular, grenadier-looking female +presented herself at the servants' entrance, announcing that she +was "the new maid;" and she was installed as high priestess +of Madeline's apartments without loss of time.</p> + +<p>The servants below stairs made comments, as servants will. +Even Miss Arthur, Percy, and Davlin agreed in calling the two +maids, respectively, "Grenadier" and "Griffin."<span class='pagenum'><a name="Page_386" id="Page_386">[386]</a></span></p> + +<p>But only Cora knew that the two were better learned in the +art of spying than in matters of the toilet. She knew herself +to be under continual surveillance. Above stairs or below, +Madeline or Hagar, Strong or Joliffe were not far away. And +yet she had not abandoned her plan of escaping.</p> + +<p>One morning, Cora, looking from the window of her dressing +room, saw two men moving about in the grounds below. +Upon commenting upon their presence there, Strong had answered, +readily;</p> + +<p>"Yes, madame, Joliffe tells me that they are here to sink a +well. Miss Payne has decided to have a fountain among those +cedar trees, and they are to go to work immediately."</p> + +<p>"But a well in winter! They can't dig."</p> + +<p>"They don't dig; they bore. It's to be a fountain, madame."</p> + +<p>But in spite of the "fountain" explanation, Cora knew that +the house was guarded from without as well as from within.</p> + +<p>"It's no use to warn Lucian, or anybody, now," she thought. +"It would only get us all into worse trouble."</p> + +<p>But still she did not abandon the thoughts of her own escape.</p> + +<p>And now began a time of trial for poor Ellen Arthur. Madeline +Payne, after studiously ignoring the two men for some days, +began to unbend. She commenced by conversing with Percy, +listening to his slow and stately sentences, smiling her approval, +and completely captivating that susceptible gentleman. Then, +by degrees, she drew Lucian into the conversation, and smiled +upon and listened to him.</p> + +<p>All this Cora observed, wondering what the girl was trying +to do; while the spinster looked on in untold agony, fearful lest +this fair sorceress should avenge herself for some of her childish +grievances by robbing her of her lover.</p> + +<p>Meanwhile Lucian Davlin interpreted all this in his own<span class='pagenum'><a name="Page_387" id="Page_387">[387]</a></span> +favor. "She is proud and still resentful," he thought. "And +she is using Percy as a medium of approach to me."</p> + +<p>At last Lucian, growing impatient, resorted to an old, old +trick. He watched his opportunity, and one evening, as Madeline +was following Cora from the drawing-room, the door of +which he was holding open for their exit, he pushed into her +hand a small scrap of paper.</p> + +<p>She would have dropped it; her first impulse was to do so, +but Cora turned as her hand was about to loosen its clasp upon +the fragment. So she passed on, carrying it with her to her +own room. There she opened it and read these pencilled words:</p> + +<div class="blockquot"><p>For God's sake do not torture me longer. You have condemned me +without a hearing. Be as merciful as you are strong and lovely. At +least let me see you alone, when I can plead for myself.</p></div> + +<p>Half an hour later, Hagar tapped at his door. When he +opened it, she put in his hand a bit of paper, on which were +these faintly-pencilled lines:</p> + +<div class="blockquot"><p>If you desire my friendship, you must date our acquaintance from this +week. You never knew me in the past.</p></div> + +<p>"And she is right," muttered he; "the Madeline Payne of +last summer, and the Madeline Payne of now, are to each other +as the chrysalis to the butterfly, in beauty; as the kitten to the +panther, in spirit; as the babe to the woman, in mind. That +Madeline pleased me; this one, I love."</p> + +<p>So he accepted the position, and did not give up striving to +draw from her some special word, or look, or tone, that he need +not feel belonged as much to Percy as to himself.</p> + +<p>Meantime Percy was revolving various things in his learned +head.<span class='pagenum'><a name="Page_388" id="Page_388">[388]</a></span></p> + +<p>He had been, as a matter of course, deeply impressed with +her beauty, and he had been much puzzled as well.</p> + +<p>Having witnessed her arrival, he had fully expected rebellion +from Cora, for Cora was not the woman to be barred out +from a prospective fortune and make no sign. But there was +no war, and no indications of battle. Cora and the heiress were +wonderfully friendly. Mr. Percy could not understand it.</p> + +<p>The manner of Davlin toward him had not changed in the +least, remaining as studiously polite as when he was so cordially +invited to take up his abode under the hospitable roof of +Oakley.</p> + +<p>That of Cora was decidedly different. While before she addressed +him with a sort of conciliating courtesy, and had seemed +desirous of furthering his plans and hastening on his marriage +with Miss Arthur, she now manifested an almost contemptuous +indifference, not only to himself, but to his <i>fiancé</i>.</p> + +<p>True to her nature, Cora was gathering up what gleams of +satisfaction she could. When she had become assured that it +was not Percy who held possession of her stolen papers, and that +the girl in whose hands they were was more his enemy than +hers, she rejoiced in his discomfiture to come. Seeing that it +was no longer necessary to propitiate her enemy, she indulged +in the luxury of acting out her hatred, when she could without +betraying to Davlin this change, which might require an explanation.</p> + +<p>That some sort of understanding existed between Miss Payne +and Cora, Percy instantly surmised, and every day confirmed +the belief. That Miss Payne held the power, he also believed. +So believing, he began to wonder if it were not better to "be off +with the old love," and seek to win the heiress, for the vanity +of Mr. Percy inspired him to believe that it would not be a +hopeless task. He had heard, however, of that person who, +"between two stools," fell to the ground, and he was careful not +to reveal to Miss Arthur the laxity of his affections.</p> + +<p>And so the days moved on.</p> + +<p>Percy dividing his attention between his <i>fiancé</i> and Miss +Payne; studying the latter, and closely watching Davlin and +Cora.</p> + +<p><span class='pagenum'><a name="Page_389" id="Page_389">[389]</a></span></p> + +<p>That last named lady smiling and lounging below stairs, +sulking and smoking above, and always under surveillance.</p> + +<p>Davlin, having assured Cora that he was acting from motives +politic, paying open court to Madeline.</p> + +<p>That young lady calmly acting her part, thoroughly understanding +and heartily despising them all.</p> + +<p>John Arthur alternately raging and sulking, obdurately refusing +to accede to his step-daughter's terms, and vowing to escape +and wreak vengeance upon every one of them.</p> + +<p>"Dr. Le Guise," calm as a Summer morning, and taking more +real ease and comfort than all the others combined.</p> + +<p>Hagar watchful and anxious.</p> + +<p>The two new maids making themselves popular in the kitchen, +and "sleeping with their eyes open."</p> + +<hr style='width: 45%;' /> + +<p>And still no clue by which Madeline and her efficient <i>aides +de camp</i> could unravel the web of doubt that still clung about, +and kept a prisoner, the long-suffering Philip Girard.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XLII" id="CHAPTER_XLII"></a>CHAPTER XLII.</h2> + +<h2>A STRUGGLE FOR FREEDOM.</h2> + + +<p>After some days of outward calm, came a ripple upon the +surface of events.<span class='pagenum'><a name="Page_390" id="Page_390">[390]</a></span></p> + +<p>It had been a dull, cloudy day, with occasional gusts of wind +and rain; wind that chilled to the very marrow, and rain that +froze as it fell.</p> + +<p>The three men, Davlin, Percy and the Professor, had been +constrained to abandon their customary morning walk, with +cigar accompaniment, up and down the terrace. And the well-borers +had been obliged to stop their work.</p> + +<p>Mrs. Arthur had kept her room and her bed all day long, +afflicted by a raging toothache. Strong was kept at her side, +almost constantly applying hot water, laudanum and various +other local applications. As the day advanced, the sufferer +seemed growing worse; and when Madeline came in to administer +consolation, and see if the woman were really ill, Cora sent +for Dr. Le Guise, vowing she would have the tooth out, and +every other one in her head, if the pain did not stop. But when +the Professor arrived, her courage failed her. She drew back +at the sight of the formidable forceps, saying that she would +"try and endure it a little longer; it seemed a bit easier just +then."</p> + +<p>All this Madeline noted. Retiring from the room she signaled +to Strong to follow her out. "What do you think of +her?" questioned Madeline of the latter, as the door closed between +them and Cora.</p> + +<p>Strong looked dubious. "I really don't know what to think, +Miss Payne," she said. "If it is shamming, it is the best I ever +saw."</p> + +<p>"True," answered Madeline; "I am at a loss. You had +better apply some test, Strong, and—keep all your medicines out +of her reach. Don't let her get any laudanum, or anything; +and presently report to me. She must not be left alone, however; +when I send Joliffe in, do you come to me."<span class='pagenum'><a name="Page_391" id="Page_391">[391]</a></span></p> + +<p>Madeline passed on to her own room, and Strong returned to +her patient.</p> + +<p>When Joliffe went to her relief, Strong presented herself before +Madeline, saying: "I can't think she is shamming, Miss +Payne. I suggested a mustard blister, and she never made a +murmur. I put it on awful strong, and she declared that it was +nothing to the pain. When I took it off her cheek was red as +flannel, and she wanted it put on again. She says it relieves +her, and thinks if the pain don't come back she will sleep. I +made sure of the bottles all the same," added Strong. "I have +used a lot of chloroform on her, but of course some would evaporate." +And she held up to view a half-filled chloroform vial.</p> + +<p>She was right; full half an ounce had "evaporated," during +the brief minute when she had stood in the hall to confer with +Madeline.</p> + +<p>Altogether, Strong had a hard day.</p> + +<p>Cora kept her continually on her feet. The blinds must be +opened, and shut again, every fifteen minutes. The room was +too hot, and the fire must be smothered. Then it was too cold, +and the fire must be stimulated to a blaze. And no one could +wait upon her but Strong.</p> + +<p>As night came on, the paroxysms of pain returned in full +force, and Strong was implored once more to apply the soothing +mustard.</p> + +<p>When Madeline looked in at ten o'clock, Cora was groaning +in misery, and Strong was applying a blister. When she again +looked in, an hour later, the invalid, with blistered face and +fevered eyes, feebly declared herself a "trifle easier," and Strong +was bathing her head with <i>eau de Cologne</i>.</p> + +<p>Madeline soon retired to her room, and her couch. But for<span class='pagenum'><a name="Page_392" id="Page_392">[392]</a></span> +half an hour longer, Cora kept the now yawning Strong at +her side. Then she said:</p> + +<p>"Go now and get some rest, Strong. Leave the mustard on +my face, and then I think I can sleep. I am getting drowsy +now."</p> + +<p>Strong replaced the mustard, and raked up the fire. Then +she looked carefully to the fastenings of the doors, and returned +to the bedside. Already her mistress was in a heavy slumber.</p> + +<p>Putting in her pocket the keys of both doors, Strong retired +to the dressing-room and, loosening her garments, threw herself +down wearily upon a couch, and was soon sleeping the sleep of +the just, and breathing heavily.</p> + +<p>For some moments after the loud breathing told that her maid +was asleep, Cora lay quietly, but with eyes wide open. Then +she stirred, making a slight noise, but the heavy breathing continued +as before.</p> + +<p>Cora now raised herself up on her elbow and again listened. +Still the heavy breathing. Again she moved audibly, at the +same time calling softly: "Strong!"</p> + +<p>But Strong slumbered on.</p> + +<p>Quickly snatching the bandages from her much enduring face, +Cora sprang lightly from the bed. Taking something from +under her pillows, she stole noiselessly into the dressing-room +and up to the couch of the sleeping Strong. In another instant +there was a pungent odor in the room, and something white and +moist lay over the musical proboscis of the slumbering giantess.</p> + +<p>In five minutes more, Cora Arthur stood arrayed in a dark +traveling suit, with a pair of walking boots in one hand, and +the key of her chamber door in the other. Swiftly and silently +as a professional house-breaker, she opened the door and passed +out, closing it quietly behind her.<span class='pagenum'><a name="Page_393" id="Page_393">[393]</a></span></p> + +<p>Like a shadow she glided down the now unlighted stairway, +and through the dark and silent hall, in the direction of the +dining-room. Turning to the left, she paused before a side door, +the very door through which Madeline had escaped on a certain +eventful June night, and noiselessly undid the fastenings. In +another moment she was outside, and the door had closed behind +her.</p> + +<p>She drew a long breath of relief, and sat down to put on her +shoes. Her escape was well timed; the train for the city, the +midnight express, was due in twenty minutes. Strong would +hardly waken before that time, and then—she would be flying +across the country at the heels of the iron horse.</p> + +<p>Rising to her feet, she took one step in the darkness—only +one. Then a light suddenly flashed before her eyes, a heavy +hand grasped her arm, and a gruff voice said: "This is a bad +night for ladies to be abroad. You had better go back, ma'am!"</p> + +<p>Cora made a desperate effort to free herself, but the hand held +her as in a vise, and the bull's eye of the dark lantern flashed +in her face as the speaker continued:</p> + +<p>"Yes, you are the identical one I am looking for. Got a +red face—toothache didn't make you a trifle lightheaded, did +it? Come, turn about, quick!"</p> + +<p>And Cora knew that Madeline Payne had not been as blind +as she had seemed. It was useless to struggle, useless to protest. +The strong hand pushed her toward the entrance. The man +gripped the lantern in his teeth, while he opened the door, and +pushing her through, followed after. Closing the door again, and +never once releasing his hold upon her, he forced her unwilling +feet to retrace their steps, saying, as they ascended the stairs:</p> + +<p>"Show the way to your own room, if you don't want me to +rouse the house."<span class='pagenum'><a name="Page_394" id="Page_394">[394]</a></span></p> + +<p>Quivering with rage, Cora pointed to the door, and was immediately +ushered, with more force than politeness, back into +her own dressing-room and the presence of her still insensible +maid.</p> + +<p>"Now, then," said her tormentor, "where is Miss Payne's +room? No nonsense, mind; I'm not a flat."</p> + +<p>Cora, thoroughly convinced of the truth of this statement, +sullenly directed him to Madeline's door.</p> + +<p>"Stand where you are," was the next command of the man; +"it might jar your tooth to move."</p> + +<p>And Cora stood where he had left her, while he aroused Miss +Payne and communicated to her the news of the night's exploit.</p> + +<p>In a very few moments Joliffe appeared, and without so much +as casting a glance at Cora, set herself to arouse the stupefied +Strong—a feat which was soon accomplished, for the woman had +nearly exhausted the effects of her sleeping potion. A moment +later, and Madeline appeared upon the threshold. After surveying +the scene in silence for an instant, she entered the room, +closed the door, and said with a laugh that set Cora's blood +boiling: "So you were tired of our society, and fancied that you +could outwit me? Undeceive yourself, madame; it is not in +your power to escape from my hands, and whatever fate I choose +to adjudge you."</p> + +<p>Then turning to the man, she said: "You have done well, +Morris; this kind of work you will find more profitable than +well-boring. You may go now."</p> + +<p>The man bowed respectfully, and silently quitted the room.</p> + +<p>Then Madeline addressed Joliffe: "You will stay here the remainder +of the night. Let Strong sleep; she is not to blame +for permitting her charge to escape, and she will be more wary +in future."</p> + +<p><span class='pagenum'><a name="Page_395" id="Page_395">[395]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_042.jpg" width="400" height="559" alt=""This is a bad night for ladies to be abroad!"—page 393." /> +<span class="caption">"This is a bad night for ladies to be abroad!"—<a href="#Page_393">page 393.</a></span></div> +<p><span class='pagenum'><a name="Page_396" id="Page_396">[396]</a></span></p> + +<p>Then turning again to Cora, who had flung herself in a chair +and sat gazing from one to the other in sullen silence, she said, +with a smile on her lips: "You should not work against your +own interests, Mrs. Arthur. Had you succeeded in escaping on +the midnight express, who, think you, would have been summoned +to meet you on your arrival in the city?"</p> + +<p>"Doubtless an officer," replied the woman, doggedly. "I +might have known you for a sleuth hound who would guard +every avenue."</p> + +<p>"Thanks; you do me honor. I should not have summoned +an officer, however; there is some one else waiting anxiously to +welcome you there."</p> + +<p>"Indeed," sarcastically; "who?"</p> + +<p>"<i>Old Verage.</i>"</p> + +<p>Cora started up in her chair. "For God's sake, <i>what</i> are +you?"</p> + +<p>"A witch," said the girl, demurely. "I am as old as the +world, and can fly through the air on a broomstick, so don't think +to escape me again, step-mamma. I trust you will enjoy your +brief repose, for it will soon be morning, and if I don't see +your fair face at the breakfast table, I shall not be content."</p> + +<p>Cora put two fingers to her blistered cheek, saying: "You +can't ask me to come down with this face."</p> + +<p>"True, I can't. Good-night, step-mamma; it would have +been better if you had let the doctor pull that tooth."</p> + +<p>And Miss Payne swept away, leaving the would-be fugitive +to her own reflections.</p> + + + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="Page_397" id="Page_397">[397]</a></span></p> +<h2><a name="CHAPTER_XLIII" id="CHAPTER_XLIII"></a>CHAPTER XLIII.</h2> + +<h2>THE DOCTOR'S WOOING.</h2> + + +<p>Mrs. Ralston had become to Olive Girard as one of the family. +There was a strange affinity between the two women, who had +known so much of sorrow, so many dark, dark days. As yet, +however, there was not entire confidence. Mrs. Ralston knew +nothing of the movements then on foot to liberate the husband +of her hostess; and Olive knew no more of Mrs. Ralston's past +than had been communicated by Claire, which was in reality but +very little.</p> + +<p>Dr. Vaughan had become an ardent admirer of the grave, +sweet, pale lady, who had, in her turn, conceived a very earnest +admiration for him.</p> + +<p>Always a close student of the human countenance, Mrs. +Ralston had not been long in reading in the face of the young +man his regard for Claire Keith. Having discovered this, she +studied him still more attentively, coming, at last, to the conclusion +that he was worthy of her beloved Claire.</p> + +<p>But Claire appeared ever under a strange restraint in the +presence of Dr. Vaughan. She seemed always to endeavor to +keep either her sister or her friend at her side, as if she found +herself more at ease while in their proximity. Evidently she +was keeping close guard over herself. And just as evidently she +was glad to be in the presence of Clarence Vaughan when supported +by her sister and friend, and safe from a <i>tête-á-tête</i>.</p> + +<p>Mrs. Ralston was really troubled by this apparent misunderstanding, +or whatever it might be, that rendered Claire less<span class='pagenum'><a name="Page_398" id="Page_398">[398]</a></span> +cordial towards Dr. Vaughan than she would have been to one +who was only a friend, and far less worthy of friendship. She +mentally resolved, when a fitting opportunity should occur, to +endeavor to win the confidence of the girl, for she saw that two +natures, formed to love each other, were drifting apart, with no +prospect of a better understanding. And that opportunity came +sooner than she had expected.</p> + +<p>One day, a day destined to be always remembered by the +chief actors in our strange drama, Mrs. Ralston seated herself +at a davenport in Mrs. Girard's pretty library to write a letter +to Mr. Lord. The promptness and energy of that good man +had completely baffled the acute detective, and the danger which +Mrs. Ralston had so much feared, the danger of being discovered +by her worthless husband, was now past.</p> + +<p>She had entered the library through the drawing-room and, +both rooms being untenanted, had left the door of communication +between them half open.</p> + +<p>Sitting thus, she heard the door of the drawing-room open, +and the rustle of feminine garments betokened the entrance of +one of her friends. Presently soft ripples of music fell upon +her ear, and she knew that it was Claire who was now at the +piano, playing dreamily, softly, as if half fearful of awakening +some beloved sleeper.</p> + +<p>After a few moments, the ripple changed to a plaintive minor +accompaniment, that had in it an undertone as of far-off winds +and waves. Then the full, clear voice of the girl rang out in +that most beautiful of songs, which alone should make famous +the genius of Jean Ingelow and Virginie Gabriel:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"When sparrows build and the leaves break forth,<br /></span> +<span class="i2">My old sorrow wakes and cries."<br /></span> +<span class='pagenum'><a name="Page_399" id="Page_399">[399]</a></span></div></div> + +<p>The singer sang on, all unconscious that two listeners were +noting the passion and pain in her voice:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"How could I tell I could love thee to-day,<br /></span> +<span class="i2">When that day I held not dear?<br /></span> +<span class="i0">How could I know I should love thee, away,<br /></span> +<span class="i2">When I did not love thee near?"<br /></span> +</div></div> + +<p>As the last note died away in sorrowful vibrations, Mrs. +Ralston, in the library, was conscious of tears trickling down +her cheek.</p> + +<p>At the same moment there was a discordant crash among the +piano keys, and Claire's voice was saying, almost angrily: "Dr. +Vaughan! how came you here? How dared you—"</p> + +<p>There was a suspicious tremor in her voice, and she stopped +speaking, as if too proud to show how very much she had been +thrown off her guard.</p> + +<p>"Forgive me, Miss Keith," the deep voice of Clarence Vaughan +responded. "Believe me, I did not intend my presence as an +impertinence. Your servant admitted me, and I thought it not +wrong to enter unannounced, although I hardly hoped to find +you alone. Surely you do not blame me for my silence while +you sang?"</p> + +<p>Claire made no reply. She was strongly tempted to fly and +let Clarence Vaughan think what he would. But before she +could stir, he had moved a step nearer and was looking straight +down in her eyes.</p> + +<p>"Claire," he said, in tones of reverential tenderness, "I have +waited for the time to come when I might say to you what you +must let me say now. You have seemed to avoid me of late; I +can not guess why. And to-day, as I listened to your song, a +new thought, a new fear, has entered my mind. Claire, tell me,<span class='pagenum'><a name="Page_400" id="Page_400">[400]</a></span> +have you read the love that has been in my heart since I first +saw your face, and have you sought to shun me because you love +another?"</p> + +<p>While he was uttering this speech, Claire Keith had regained +her self-command, and her answer now came low and clear: +"Dr. Vaughan, you have not guessed aright. I have not +avoided you because I love another."</p> + +<p>"Claire, nature did not make you an actress. There was love +in your voice when you sang that song!"</p> + +<p>"Thank you," coolly; "I have been taught to sing with expression."</p> + +<p>"Claire, Claire Keith, I beg you answer me truly; do you +really dislike me? You say you do not love another; could +you learn to love me?"</p> + +<p>No answer.</p> + +<p>"Tell me, Claire, do you not know how deeply I love you?"</p> + +<p>Silence.</p> + +<p>"Claire, Claire, speak to me. End this suspense. Will you +not try to love me?"</p> + +<p>She moved away from him, and avoiding his eyes, answered +in an odd, hard voice: "No, Dr. Vaughan, I will not try to +love you."</p> + +<p>His next words were uttered almost tremulously. "Ah! I +understand. I have displeased you; tell me how."</p> + +<p>"You have never displeased me. You are goodness itself. +Let me pass, Doctor Vaughan; I must not listen to you."</p> + +<p>"Must not? Then you do avoid me?"</p> + +<p>"Yes," almost inaudibly.</p> + +<p>"Why?" stepping before her and cutting off her retreat.</p> + +<p>"I won't tell you. Yes, I will, too. Oh, how blind you are! +How can you love me when—when there is some one better,<span class='pagenum'><a name="Page_401" id="Page_401">[401]</a></span> +better a thousand times, and braver, too. Some one whose life +needs your love, because it has been so loveless always. I won't +love you. I won't listen to you. If you want me to be your +friend, make the life that is giving its best to others, as happy +as it deserves to be. And—don't ever talk—like this—to me +again."</p> + +<p>Before he could open his lips, or put out a hand to detain her, +she had rushed from the room.</p> + +<p>Clarence Vaughan gazed after the flying form in speechless +grief and amazement. Then flinging himself into a chair, he +bowed his head upon his hands in sorrowful meditation. Sitting +thus he did not perceive the approach of some one, who +laid a hand lightly upon his bowed head, murmuring: "Blind! +blind! blind!"</p> + +<p>Starting up, he saw the face of Mrs. Ralston bending toward +him and wearing an expression of mingled compassion and +amusement.</p> + +<p>"Forgive me," she said, her countenance resuming its usual +gravity. "I was in the library, and heard all. I listened willfully, +too, for I have been observing you and Claire, and I want +to help you."</p> + +<p>Clarence dropped disconsolately back in his chair. "If you +have heard all," he said, "you know that it is useless to try to +help me."</p> + +<p>Mrs. Ralston laughed outright. "If you were not blind +you would not need my help," she said. "As it is, you do."</p> + +<p>"Mrs. Ralston, what do you mean?"</p> + +<p>"I mean that your battle is half won. If you will explain +to me one half her words, I will explain to you the other half."</p> + +<p>"You are laughing at me," he said, wearily. "What can +you explain?"<span class='pagenum'><a name="Page_402" id="Page_402">[402]</a></span></p> + +<p>"That ridiculous girl commanded you to bestow your love +upon some more worthy object; some one who was living for +others; or some such words. Whom did she mean, may I ask?"</p> + +<p>He started up as if inspired by a new thought. "I see!" he +exclaimed; "She must have meant—a very dear friend of hers."</p> + +<p>He could not say the name that was in his thought. It would +sound like egotism.</p> + +<p>"That is sufficient," said the lady. "Now, I am going to betray +Claire, as she has betrayed this other one. You foolish +fellow, can't you see that the child loves you and is striving to +do a Quixotic thing by giving you up to her friend? Think +over her words and manner, and don't take her at her bidding. +If this other, to whom Claire commands you to turn, is a +true woman, she would not thank you for the offer of a preoccupied +heart."</p> + +<p>"She is a true woman," said Clarence, emphatically. "And +as dear to me as a sister could be, but—"</p> + +<p>"Then let her be a sister still," said Mrs. Ralston, quietly. +"And don't lose any time in persuading Claire that she is +wronging herself as well as you; and that you would be +wronging still more this friend whom you both love, were you +to offer her so pitiful a thing as a hand without a heart. She +is a true woman, you say. If so, she would never forgive that. +Believe me, Dr. Vaughan, there are even worse depths of sorrow +than to have loved worthily—and lost."</p> + +<p>Mrs. Ralston turned and went softly from the room.</p> + +<p>For a few moments, Clarence Vaughan stood wrapped in +thought. Then his face became illuminated as he said, half +aloud: "What a fool I have been, that I should have so misunderstood +that dear girl! Oh, I can be patient now, and bide +my time."<span class='pagenum'><a name="Page_403" id="Page_403">[403]</a></span></p> + +<p>And now his reverie was broken in upon by Olive, who entered +hurriedly, saying: "Doctor Vaughan, are you here alone? +I thought Claire was with you."</p> + +<p>He made no answer to this remark, but said, as he took her +proffered hand: "I ran down to tell you that I have taken the +detectives off. Jarvis is still in our pay, in case of emergency. +He has sent his report to Davlin, and a scant one it was. Of +course, Davlin is glad to have him withdraw; that is, if +he knows, as he must, that the papers are not in Percy's +hands."</p> + +<p>"Then all depends upon Madeline now?"</p> + +<p>"All depends upon Madeline."</p> + +<p>"Poor Philip," sighed Olive, "what would he say if he +knew that his fate rests in the hands of a mere girl?"</p> + +<p>"If he knew of that 'mere girl' what we know, he would say +that his fate could not rest in better hands. No man ever +had a more efficient champion, nor one half so brave and +beautiful."</p> + +<p>They had not dared to tell Philip of the hope that was daily +growing stronger in their hearts; if they failed, he should be +thrust back into no gulf of black darkness because they had +cheated him with a false hope.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XLIV" id="CHAPTER_XLIV"></a>CHAPTER XLIV.</h2> + +<h2>A FRESH COMPLICATION.</h2> + + +<p>On leaving so abruptly the companionship of Dr. Vaughan, +Claire rushed straight to her room. Closing and locking the<span class='pagenum'><a name="Page_404" id="Page_404">[404]</a></span> +door, she flung herself down upon a couch and indulged in a +hearty cry. She was at once happy and sorry, angry and pleased. +Presently, Claire sat up and began to review things more +calmly.</p> + +<p>"What a wretched little dunce I am!" she soliloquized. +"And what must he think of me! Well!" with a little sigh, +"the worse his opinion of me, the better for Madeline. And +here I am this minute, in spite of myself, actually rejoicing in +my heart because he has not done the very thing I have resolved +that he should do. But he never will know it. Neither shall +any one else. I won't give him another chance to talk to me; +no, not if I have to take to my heels ten times a day. It's only +right that I should give him up; I, indeed, who fancied myself +in love with a white-handed, yellow-haired villain."</p> + +<p>At this point in her meditations, some one rapped softly at her +door.</p> + +<p>"Claire, dear," said a soft voice, "open your door; I want to +come in."</p> + +<p>It was Mrs. Ralston, and Claire advanced slowly and turned +the key in the lock.</p> + +<p>"I—I thought it was somebody else," she said, hypocritically. +"Come in, Mrs. Ralston."</p> + +<p>Thus invited, the lady entered. Without making a comment +on the disturbed appearance of her young friend, she crossed to +the window, and sitting down in a cosy dressing-chair, said: +"Come directly here, young lady, and sit down on that ottoman."</p> + +<p>Looking somewhat surprised, the girl obeyed.</p> + +<p>"Claire, my child, I have a confession to make. I was in +the library while you sang: 'When sparrows build.'"</p> + +<p>The girl's cheek flushed and then paled; but she made no +answer.<span class='pagenum'><a name="Page_405" id="Page_405">[405]</a></span></p> + +<p>"And," pursued Mrs. Ralston, "I heard more than your song."</p> + +<p>No reply.</p> + +<p>"And more than your words!"</p> + +<p>"More than—my—my words?"</p> + +<p>"Yes; I heard your heart's secret."</p> + +<p>Claire's face drooped. "What do you mean?" she asked, +deprecatingly.</p> + +<p>"My darling, I mean that your heart spoke through your +voice, and it belied your words. Why did you deny your love +for so noble a man?"</p> + +<p>Claire raised her head. "I didn't!" she said, suddenly, as if +driven to bay.</p> + +<p>"No," smiled Mrs. Ralston. "You were a wily little serpent. +But you deceived him."</p> + +<p>"I don't care," doggedly.</p> + +<p>"Now you are telling a fib!"</p> + +<p>"Well, I am not sorry, then," getting hold of her monitor's +hand. "Why do you turn against poor me, when I am trying +to do my duty?"</p> + +<p>"Because you are not doing your duty."</p> + +<p>"Yes, I am; indeed, I am. You don't know."</p> + +<p>"Then tell me, and let me be your friend and adviser."</p> + +<p>"But you can't advise," objected Claire, "because you don't +know the—the other one."</p> + +<p>"Well, I do know you."</p> + +<p>"There it is!" burst forth the champion of the absent. "You +know me, but you don't know what a worthless, unattractive +little imp I am compared to her. You don't know her, but you +shall! And when you do, poor me will have to take a seat +lower down in the tabernacle of your affections."</p> + +<p>"I wonder if this 'other' would so readily resign her lover to +you?" she said.<span class='pagenum'><a name="Page_406" id="Page_406">[406]</a></span></p> + +<p>"Would she!" flashed Claire. "Would she <i>not</i>? Has she +not? Ah, if you knew her, you would never say that!" Then +suddenly capturing the other hand of the lady, she said, in +quieter but very grave tones: "Can you listen to a long story, +Mrs. Ralston; rather to several stories combined in one? I am +going to tell you what I have so much wanted you to know—the +story of Madeline Payne."</p> + +<p>Mrs. Ralston expressed her more than willingness to hear all +that Claire had to tell, and the girl settled down comfortably on +the ottoman at the feet of her friend, and began at the beginning. +It was indeed a long story, for Claire omitted nothing. +As she told how Madeline had exposed to her the baseness +of Percy, Mrs. Ralston started up, her face pale as death, +and then sank back in her chair.</p> + +<p>"Percy!" she cried. "What—what is his other name?"</p> + +<p>Claire stared at her in amazement. "What is it, Mrs. Ralston—you +are ill?"</p> + +<p>"No," almost gasped the lady; "tell me—his name."</p> + +<p>"I did not intend to speak his name," Claire said, slowly. +"It is Edward Percy."</p> + +<p>Mrs. Ralston was on her feet in an instant, her face flushing +with excitement. "Come with me!" she almost shrieked. +"Quick! to my room."</p> + +<p>Wondering vaguely, Claire followed.</p> + +<p>Mrs. Ralston almost flew to her apartment. She flung open +the door, and in an instant was on her knees beside a trunk, +opening trays and searching for something eagerly.</p> + +<p>"Look!" she cried, suddenly thrusting out something toward +Claire; something from which she averted her own face. "Look, +did you ever see that face?"</p> + +<p>The girl gave one glance and uttered a sharp cry. It was a<span class='pagenum'><a name="Page_407" id="Page_407">[407]</a></span> +miniature painted on ivory; painted years ago, but she knew it +only too well.</p> + +<p>Mrs. Ralston regained her feet, trembling so that she could +scarcely stand.</p> + +<p>"Where did you get it?" cried Claire. "It is he; Edward +Percy!"</p> + +<p>Mrs. Ralston started forward and took the picture from her +hand. "<i>It is my husband!</i>" she whispered.</p> + +<p>With the words on her lips, she fell heavily to the floor, in a +dead faint.</p> + +<p>When Mrs. Ralston awoke to consciousness, she was lying +upon her bed, with Dr. Vaughan bending over her, Olive standing +near, and Claire a little aloof, looking pale and anxious. +Her first thought was of the picture.</p> + +<p>"Where is it?" she murmured, addressing Claire, who stepped +forward eagerly.</p> + +<p>"It is here, dear Mrs. Ralston," said Claire. "I caught it +from your hand after you fell. I thought—" And then she +hesitated.</p> + +<p>"I understand," she said, looking at the girl fixedly. "Drop +it from your hand, Claire; drop it <i>there</i>," pointing to the +grate. "It has done its work; we need never look upon it +again."</p> + +<p>Claire obeyed her silently. For the second time she had consigned +to the flames the pictured face of Edward Percy.</p> + +<p>To the surprise of the three who had so lately seen her coming +slowly back from the swoon, so like death, Mrs. Ralston +raised herself to a sitting posture, and then slowly arose from +the bed and stood upright before them, and there was a flush on +her cheek, and a light in her eyes that was new to that usually +pale, sad face.<span class='pagenum'><a name="Page_408" id="Page_408">[408]</a></span></p> + +<p>"Dear friends," she said, turning toward Clarence and Olive, +who had been watching the burning of the picture with surprised +and somewhat curious eyes, "I am quite recovered; and I want +to think. Will you please leave me alone, quite alone, for a +little while?"</p> + +<p>Olive, Claire and Clarence went slowly and silently down to +the drawing-room, Claire keeping very close to her sister and +carefully avoiding the eyes of the young man. Seating herself +beside Olive, Claire told, in her own way, all that she knew of +the affair.</p> + +<p>"I wanted to tell Mrs. Ralston of Madeline," she commenced, +"and, not to omit anything, I told her poor Philip's story,—all +about the two men, and how the man, Percy, had appeared +at Oakley as the lover of Miss Arthur. When I spoke his name, +she ran to her room, almost dragging me with her, and—"</p> + +<p>Suddenly she paused, horrified at a sudden thought. How +could she explain to these two, who knew nothing of her "affair" +with Edward Percy—who did not dream that she had ever seen +his face—her ability to recognize the picture Mrs. Ralston had +shown her?</p> + +<p>"And?" interrogated Olive.</p> + +<p>Clarence Vaughan saw that there was a reason for her hesitation, +and while wondering what it could be, came to her rescue. +"And fainted, of course," said he. "Well, she is better +now, and perhaps we shall hear the conclusion of the mystery +all in good time."</p> + +<p>If she had dared, Claire would have given him a glance of +gratitude. As it was, she only averted her face and felt herself +a great hypocrite.</p> + +<p>Doctor Vaughan was to remain for lunch; and while he talked +quietly with Olive, Claire sat considering what they would say<span class='pagenum'><a name="Page_409" id="Page_409">[409]</a></span> +if they knew all. Presently her reverie was interrupted by the +entrance of a servant, who said:</p> + +<p>"Mrs. Ralston wishes Miss Keith to come to her."</p> + +<p>Claire started up, and without a word to either her lover or +her sister, hurried into the presence of her friend.</p> + +<p>Mrs. Ralston advanced to meet the girl as she entered the +room, and laying a hand upon her shoulder, said: "I understood +you to say that your sister knows nothing of your acquaintance +with that man. Am I right?</p> + +<p>"Yes."</p> + +<p>"And you do not wish her to know?"</p> + +<p>Claire hesitated. "I did not then think it was wrong to conceal +it from her," she said, finally; "but now, if you think it +best, I will try and tell her."</p> + +<p>"But I do not think it best, my darling. I should have been +convinced of his identity even had I not used the picture as a +test. We will say nothing on that subject. And now, let us go +down-stairs, for we have work to do!"</p> + +<p>So saying, she led the way from the room and Claire followed, +wondering how all this was to end.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XLV" id="CHAPTER_XLV"></a>CHAPTER XLV.</h2> + +<h2>MRS. RALSTON'S STORY.</h2> + + +<p>Mrs. Ralston entered the drawing-room with the light of a +new and strong purpose shining in her eyes.</p> + +<p>"Dear friends," she said, "sit near me and give me your attention. +I have a story to tell, and I must not fatigue myself +too much in the telling."<span class='pagenum'><a name="Page_410" id="Page_410">[410]</a></span></p> + +<p>Without a word, Clarence moved forward an easy chair. As +she seated herself, they all grouped about her with grave, expectant +faces.</p> + +<p>"I will make brief mention of myself," said the lady, sinking +back in the luxurious chair with a slightly weary smile. "My +life has never been a bright one. Married for the first time at +the age of sixteen, my childhood was prematurely blighted, and +my first real trouble fell upon me. It was not a happy marriage, +and during the years of my first husband's life, I became more +and more alienated from my relatives.</p> + +<p>"When at last my husband died, I was thirty-six years old, +and owing to ill-health, looked much older. But—I was +wealthy. Then I met a man, younger than myself, and very +handsome. I was weak and foolish. I believed in him and—married +him. For four years he squandered my money and +made my life a burden. At last, when I could endure no longer, +and when, because he had inherited a fortune from some relative, +I knew he would trouble himself little as to particulars, I caused +him to believe me dead and buried.</p> + +<p>"In reality I was in better health than usual, and while he +was spending his new fortune and fancying me in the grave, +I sailed for Europe. Before I departed, however, I saw him +once more, myself unseen. It is this part of my story that will +make your hearts glad."</p> + +<p>She paused for a moment, and her three listeners gazed into +each other's faces in silent wonder.</p> + +<p>"I was going to Europe in company with some friends of +Mrs. Lord who, of course, knew my secret. They twice postponed +their time for sailing, and while waiting for them I went +with my maid to a little mountain inn where travelers only came +for a day, and then went on up the mountain.<span class='pagenum'><a name="Page_411" id="Page_411">[411]</a></span></p> + +<p>"When I first arrived, the garrulous hostess made frequent +mention of a hunting party that had gone up the mountain a +few days before, stopping for dinner at the inn. I had been +nearly two weeks in my mountain retreat when my maid came +rushing in, one day, crying out that the hunting party had come +back, and that one of their number had been badly hurt.</p> + +<p>"Well, they brought the wounded man up-stairs, and put him +in the room that adjoined my sleeping apartment. The partitions +between were of the sham kind—merely boards papered +over. After he was settled, and the hum of many voices died +away, I went into my little bed-room.</p> + +<p>"I had scarcely entered when a voice from the next room, a +man's voice, deep and full, although then subdued, startled me. +I listened unthinkingly. 'There's no use in being weak about +this business,' he said. 'Of course, you can make me trouble if +you like, but hang me, Percy, I can't see how it will benefit +you.'</p> + +<p>"I see you are amazed, Doctor Vaughan, and Mrs. Girard is +turning pale. You are beginning to guess the truth. Yes, it +<i>was</i> Edward Percy who answered the first speaker, and—Edward +Percy is my husband."</p> + +<p>Again she paused for a moment. One could have heard a +pin drop, so breathlessly eager, so silent, were her listeners. No +one stirred or spoke, and she soon resumed:</p> + +<p>"At the first sound of the other voice, I sank down sick with +fear lest the man should, in some way, find me out. Sitting +there, I heard him say, in the half fretful, wholly languid tones +that I knew so well, 'It's easy to talk as you do; show me +wherein it will be to my advantage, if you don't want me to +knock down your pretty story. Curse you, what did you try +to murder me for?"<span class='pagenum'><a name="Page_412" id="Page_412">[412]</a></span></p> + +<p>"Then the other answered impatiently: 'I tell you, man, I was +mistaken. I took you for him. Now listen: Neither you nor +I love the fellow, and we each hold a trifle of power over the +other. You can refute my statement, if you like, and accuse +me of attacking you. In that case I may be imprisoned; but +that won't keep you above water long. If I am arrested for +assault with intent to kill, you will soon find yourself in the +next cell, accused of the still more serious crime of bigamy. +On the other hand, if you let the matter rest as it is, and let +<i>him</i> take his chances, I won't use those little documents I hold, +which prove conclusively that you married a second wife while +the first was living. Come, what do you say?'</p> + +<p>"I remember their very words; not one syllable escaped me +then, or has drifted from my mind since. And I could have +predicted what the next words of my husband would be. I +know his weakness so well, and I knew, too, then, for the first +time, that my vague suspicions had been too true—that he had +indeed been false to me, more than false.</p> + +<p>"'I will do this,' said he, halting at every few words. 'If +you will give me back the money you won from me up there, +and will give me up those papers, we will not quarrel over this +affair. We will let His Majesty take the consequences of your +act, if you choose. I like him even less than I do you. But +the money I must have.'</p> + +<p>"The other replied: 'I'll do it.' Then the money was counted +out and the 'papers' changed hands.</p> + +<p>"While they talked, I was seized with an unaccountable desire +to see the man I had once loved. I heard my maid moving +in the next room, and I arose and went to her. She was a +quick-witted creature, and knew just what to do. She made me +put on a hat and veil, and throw a shawl about me, and then<span class='pagenum'><a name="Page_413" id="Page_413">[413]</a></span> +bade me go down-stairs, while she knocked at the door of the +sick-room. When I heard it open I was to come up, and while +she made a pretense of offering her services, in case of need, I +could obtain, over her shoulder, a view of the occupants of the +room. Her ruse was successful. When I ascended the stairs, +I obtained a full view of the two men. I should know the +dark face of the tall stranger if I came upon it in Africa.</p> + +<p>"To do myself justice, I never once thought of the wrong +they were doing their victim; never realized that it was my +duty to denounce them. Having seen the face of my husband +I had but one idea, one desire; to get away, anywhere, the +farther the better.</p> + +<p>"Early the next morning, I was <i>en route</i> to the city, and +there, to my infinite relief I found my friends ready to sail. +When at last I was actually on the ocean, and realized that I was +safe from discovery, I began to think of the victim whose name +I had not heard. But it was too late then, and I tried to ease +my conscience by thinking that, after all, as Edward was not dangerously +hurt, it might not turn out a serious matter. I watched +the papers, but somehow the accounts of the trial all missed me."</p> + +<p>As she ceased speaking, her eyes rested sadly upon the face +of Olive, and she started forward suddenly, saying: "Doctor, +she is going to faint!"</p> + +<p>"No," gasped Olive, half-rising, "I, I—"</p> + +<p>And she fell forward to be caught in the ready arms of Clarence +Vaughan. When at last they succeeded in arousing her from +that death-like stupor, and she could sit up and look about her, +slowly recalling events, Mrs. Ralston stepped readily into the +position of leader, and turning to Claire, said:</p> + +<p>"Go and see that lunch is served immediately, dear. We +have much to do before night, and must not work fasting."<span class='pagenum'><a name="Page_414" id="Page_414">[414]</a></span></p> + +<p>"Oh," cried Olive, as Claire disappeared, "is this true? +Will Philip be released at last, released with every doubt cleared +away, every suspicion removed? Tell me, I cannot realize it."</p> + +<p>"It is true, dear Mrs. Girard; and now you must not give +way to weakness. We dare not lose time. Dr. Vaughan, yourself, +and I, in putting these facts in the hands of the right +parties, must hasten the legal process by which Philip will be +released."</p> + +<p>When Claire Keith returned, she found them deep in a discussion +as to the quickest way of effecting the release of Philip +Girard.</p> + +<p>"Let me settle it," she said, imperiously. "To-day you will +go to see Philip's lawyers, and when this stupid law process is +put in motion, Olive—I know her—will go straight and set herself +down outside the very prison gates. But your beautiful +laws can lock an honest man up much quicker than they can let +him out, and can serve a warrant sooner than do a tardy act of +justice. So, if you please, I am going down to Oakley to arrest +that vile Lucian Davlin, and get him off poor Madeline's +hands."</p> + +<p>"You!" cried the two ladies in the same breath.</p> + +<p>"Yes, I! Philip won't want anyone but Olive, and Olive will +snub me unmercifully if I venture to offer myself as an escort. +I'm going to do myself the honor of seeing Mr. Davlin arrested."</p> + +<p>"Claire is right," said Mrs. Ralston; "the man must be arrested +immediately."</p> + +<p>"And," interrupted Olive, "you must all three go to Bellair; +that is," looking at Mrs. Ralston, "if—"</p> + +<p>"If I will go?" interrupted that lady. "Yes, I, too, intend +to be present when Miss Payne gives her enemy up to justice."</p> + +<p><span class='pagenum'><a name="Page_415" id="Page_415">[415]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_043.jpg" width="400" height="565" alt=""No!" gasped Olive, half rising; "I—I—"—page 413." /> +<span class="caption">"No!" gasped Olive, half rising; "I—I—"—<a href="#Page_413">page 413.</a></span></div> +<p><span class='pagenum'><a name="Page_416" id="Page_416">[416]</a></span></p> + +<p>"Are you in earnest about going to Bellair, Miss Keith?" +Clarence Vaughan asked. "Shall you go, really?"</p> + +<p>Claire bestowed upon him a willful little nod over her shoulder, +saying, as she did so: "I shall, 'really.' I am confident that +something will happen there, and I want a chance to faint!"</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XLVI" id="CHAPTER_XLVI"></a>CHAPTER XLVI.</h2> + +<h2>CORA "STIRS UP THE ANIMALS."</h2> + + +<p>It was evening—the evening of the day on which Mrs. +Ralston had made her startling revelation. Madeline Payne +stood alone in her own room, looking moodily out upon the +leafless grove that was fast taking on a covering of snow.</p> + +<p>The storm that had been impending for days, had broken at +last. For two hours the snow had been falling thickly, steadily, +in great feather-like flakes, which quickly covered the brown +earth, and clothed the naked treetops with a fair, white garment.</p> + +<p>Madeline had been standing, motionless and moody, for many +minutes. Her eyes were full of dissatisfaction, and her lips +were compressed. She had been taking a mental review of the +situation, and its present aspect was far from pleasing.</p> + +<p>"What a knot," she soliloquized; "what a difficult, baffling, +miserable knot! To be kept thus inactive just because the last +knot in the tangle will not come straight—good gracious, how +like a pun that sounds! How much longer must I smile upon +these wretches? How much longer must I conceal my real +feelings? I will put my forces into action, and make my last, +desperate venture, for this is becoming intolerable. I must force,<span class='pagenum'><a name="Page_417" id="Page_417">[417]</a></span> +or buy, this secret from Edward Percy, at the cost of his safety, +or my fortune, if need be."</p> + +<p>She pressed her face against the frosted pane, peering down +through the gathering night and the snow.</p> + +<p>"Mercy!" she ejaculated, "who on earth can be plowing +through this storm? And on what errand? It looks like—and, +as I live, it is, yes, it is, Mr. Edward Percy! He is too +dainty to expose himself for nothing. I must look into this."</p> + +<p>While she was musing at the window, Cora, curled up behind +one of the crimson curtains of the red parlor, had become the +possessor of a valuable secret.</p> + +<p>She had entered the room but a few moments before. Finding +it dimly lighted, and heated to a Summer temperature, she +ensconced herself <i>a la Sultana</i> in one of the deep window embrasures, +and lay sulkily watching the flying snowflakes and the +fast coming night. Presently the sound of approaching footsteps, +and almost simultaneously the opening of the door, disturbed +her quiet. With a quick movement, she drew the curtains +together and sat, a silent listener, to a brief dialogue.</p> + +<p>The new comers were Miss Arthur and Edward Percy. After +a few sentences had been interchanged, Percy left the room, and +then it was that Madeline saw him take his way toward the +village.</p> + +<p>Presently Miss Arthur also quitted the room; and going +straight up-stairs, Cora knocked at Madeline's door. "Now, +then," muttered she, "I'll stir up the animals."</p> + +<p>Madeline did not look especially gratified at sight of her +visitor, but Cora entered with scant ceremony. Pushing the +door shut with unnecessary emphasis, she turned upon her, saying, +rather ungraciously:</p> + +<p>"I have made a discovery of which, I think, you will thank<span class='pagenum'><a name="Page_418" id="Page_418">[418]</a></span> +me for telling you. And I am going to tell you because I can't +spoil their plans, but you can, and I want to see them spoiled."</p> + +<p>"Your frankness is commendable," said Madeline, ironically. +"Go on!"</p> + +<p>"Percy and the old maid are going to be privately married to-morrow +morning."</p> + +<p>"How do you know?"</p> + +<p>Cora related the particulars of her ambush, and gave a concise +report of the conversation of the lovers.</p> + +<p>"He has gone to the village on that very business now," Cora +said. "She is to walk down to the clergyman's house, and he +is to meet her there. Then they will come back, and no one to +be the wiser."</p> + +<p>Madeline laughed. "Be at ease," she said. "I will try and +prevent the necessity for such a disagreeable walk as that would +be for so fragile a lady. We won't have a wedding just yet."</p> + +<p>"What a cool one you are!" cried Cora. "If you were not +my enemy, I could admire you vastly."</p> + +<p>"Don't, I beg of you," said the girl, gravely. "I am +sufficiently humiliated by being obliged to deal with you as an +enemy."</p> + +<p>Cora flushed angrily. "Then I should think the humiliation +of being made love to by my brother, would overcome you," +she sneered.</p> + +<p>"It does, almost," replied the girl, wearily.</p> + +<p>"Then let me do you another favor. Mr. Davlin is no more +my brother than he is yours."</p> + +<p>Madeline's answer fairly took her breath away. "Madame, +you are very good, but I have known that from the first."</p> + +<p>"What!" gasped the woman; adding, after a moment of +silence, "Is he your lover as well as—"<span class='pagenum'><a name="Page_419" id="Page_419">[419]</a></span></p> + +<p>"Yours?" finished Madeline. "And what then, Mrs. +Arthur?"</p> + +<p>"Then," hissed Cora; "then, I hate you both."</p> + +<p>Madeline laughed bitterly. "As you have told me a secret, +and as I don't want to remain in your debt, I will tell you one +in return. Lucian Davlin <i>is</i> my lover, but I am his bitterest +foe!"</p> + +<p>Cora came closer and looked her eagerly in the face. "What +has he done to you?" she asked, breathlessly.</p> + +<p>"You may find out later; just now we are even. Understand, +no word of warning to him, if you value your safety. Obey my +wishes, and when I am done with you, you may go free. Attempt +any treachery, and I will give you up to justice."</p> + +<p>"I shan't put myself in jeopardy for him now, whatever I +might have done. You may believe that."</p> + +<p>"I think I may," replied Madeline, dryly.</p> + +<p>When Cora retired to her own room, to chuckle over the discomfiture +in store for the spinster and Mr. Percy, and to wonder +wrathfully what the mystery concerning Miss Payne and Lucian +could mean, Madeline stood for many minutes lost in thought.</p> + +<p>Finally she threw herself down upon a couch, uttering a half +sigh, and looking utterly weary and perplexed. A moment +later, Joliffe entered noiselessly, as usual, and the girl said to +her:</p> + +<p>"When Miss Arthur retires for the night, which won't be for +some time, do you see Mr. Percy when he is <i>alone</i>, mind, and +tell him Miss Payne desires him to wait her pleasure in the +library."</p> + +<p>Joliffe bowed and went out again like a cat.</p> + +<p>When, at last, the other members of that incongruous family +circle were safely out of the way, Madeline, warned by the everpresent,<span class='pagenum'><a name="Page_420" id="Page_420">[420]</a></span> +soundless Joliffe, awaited in the library the coming of +Mr. Percy.</p> + +<p>Wondering much what the haughty heiress could have to +communicate to him, and dimly hoping that the tide was turning +in his favor, Mr. Percy entered the presence of the arbiter of +his fate. Bowing like a courtier, he approached her.</p> + +<p>"Miss Payne has deigned to honor me with an interview," +he said, in his slowest, softest, most irresistible manner. "I can +never be sufficiently grateful."</p> + +<p>Madeline motioned him to a seat opposite her own, saying, +with an odd smile: "You shall, at least, have an opportunity +for repaying your debt of gratitude, sir, and that immediately."</p> + +<p>Percy took the seat indicated and bowed gravely. "Command +me, Miss Payne."</p> + +<p>"It rests with you," Madeline began, "whether we shall be +from to-night neutral toward each other, or enemies."</p> + +<p>"Enemies!" he exclaimed. "Oh, that would be impossible."</p> + +<p>Madeline was full of inward rage. She longed to lean across +the table and dash her hand full in that smiling blonde face. +But she looked at him instead quite tranquilly, and said, with +a queer smile: "Then you would do me a favor, even at your own +personal—inconvenience, Mr. Percy?"</p> + +<p>"Would I not?" fervently. "Only command me, Miss +Payne."</p> + +<p>"I will take you at your word, then. Mr. Percy, you will +oblige me very much by putting off your marriage with Miss +Arthur one week longer."</p> + +<p>Here was a bomb-shell. It electrified the languid gentleman. +He became suddenly animated by fear. "What—what do you +mean, Miss Payne?" starting half out of his seat and nervously +sitting down again.<span class='pagenum'><a name="Page_421" id="Page_421">[421]</a></span></p> + +<p>"Precisely what I say, sir. It does not please me to have +my relative leave my house to be married in this clandestine +manner. There, don't ask me how I discovered what you +thought was a profound secret. You see I did discover it. +Will you put off this romantic marriage—to oblige me?"</p> + +<p>Percy was trying very hard to think. If he could believe it +was because he had found favor in her eyes, that she asked this. +But no; even his vanity could not credit that suggestion. Of +late she had openly shown a preference for Davlin. What, then, +could be her motive? Could it be that at the instigation of Cora +she had sought this interview?</p> + +<p>He rallied his forces and replied: "Miss Payne, you have taken +me by storm. If I may not ask how you made this discovery, +may I not, at least, beg to know why you make this demand?"</p> + +<p>"I have told you; it shocks my sense of propriety."</p> + +<p>"Pardon me if I say there must be another motive."</p> + +<p>"You are pardoned," coolly; "now, do you grant my request?"</p> + +<p>Percy arose from the table flushed and angry. "Pardon me, +Miss Payne, you demand too much."</p> + +<p>"Nevertheless, I <i>do</i> demand it."</p> + +<p>"And I beg to decline."</p> + +<p>"Then I must deal with Miss Arthur. The knowledge that +you have one wife in the grave, and another under this very +roof, may have the desired effect upon <i>her</i>."</p> + +<p>Percy dropped back in his chair, pale as ashes. All was lost, +then. Cora had betrayed him! But he resolved not to commit +himself. Perhaps Madeline had only verbal information. +While he was trying to frame a speech, however, she knocked +this last prop from under him.</p> + +<p>"I may as well assure you that parleying is useless. I have<span class='pagenum'><a name="Page_422" id="Page_422">[422]</a></span> +known, from the first moment you entered this house, just upon +what terms you stood with Mrs. Arthur. Don't trouble yourself +to ask how I know. Perhaps you have been puzzled to +know why Mrs. Arthur and her brother so suddenly became +cordial and invited you to Oakley, where you so much desired +to be. Let me enlighten you. They fancied that you had regained +possession of important documents—two marriage certificates, +in fact—for they had lost them."</p> + +<p>"What?" ejaculated Percy.</p> + +<p>"And—I found them," added Madeline.</p> + +<p>His countenance fell again.</p> + +<p>"They are in my possession," pursued she. "Shall I show +them to Miss Arthur, or not?"</p> + +<p>"It can't make much difference now," said the man, sullenly.</p> + +<p>"Let us understand each other fully," said Madeline. "I am +not acting in concert with Cora Arthur. She is even more in +my power than you are. I have no desire to undeceive Miss +Arthur. Neither do I wish you to leave Oakley. On the contrary, +I want you here; you can be of service to me, by and by. +And I pledge you my word that so long as you remain under +this roof, those papers shall not be used against you."</p> + +<p>"And if I don't choose to remain?"</p> + +<p>Madeline laughed. "Then you must take the consequences," +she said, carelessly.</p> + +<p>"And what will they be?"</p> + +<p>"Exposure and arrest."</p> + +<p>Percy drew pen, ink, and paper toward him. "What shall I +write to the clergyman?" he asked, sullenly.</p> + +<p>"Whatever you choose. And I will send it. Make your +peace with Miss Arthur, too, in your own way."</p> + +<p>"And when I leave Oakley, what then?" he grunted.<span class='pagenum'><a name="Page_423" id="Page_423">[423]</a></span></p> + +<p>"Then, if you have fulfilled the conditions, I will burn the +papers in your presence, and you are free henceforth."</p> + +<p>"There is the note," he said, flinging it toward her as soon +as written. "After all, I may as well be in your power as in +hers," and again he arose to go from the room.</p> + +<p>"I am glad you take so sensible a view of it," retorted she, +looking up from her perusal of his note. "Good-night, Mr. +Percy."</p> + +<p>And thus cavalierly dismissed, Mr. Percy bowed, somewhat +less gallantly than when entering, and left the room.</p> + +<p>"So, that is nipped in the bud," soliloquized Madeline, as she +went wearily to her own room once more. "When will this +miserable complication unravel itself, or be unraveled?"</p> + +<p>Little did she dream how soon she would receive an answer +to this question.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XLVII" id="CHAPTER_XLVII"></a>CHAPTER XLVII.</h2> + +<h2>THE BEGINNING OF THE END.</h2> + + +<p>The next morning dawned clear and beautiful. Over head, +one unbroken expanse of blue; under foot, a mantle of soft, +white ermine. All the trees were transformed into fairy-like, +silver-robed, pearl-studded, plume-adorned wonders. Diamonds +floated in the air, and sunbeams lighted up the whole with dazzling +brilliancy. Everything was white, pure, wonderful, and +the whole enclosed in a monster chrysolite; earth, air, and sky, +were shut within a radiant sphere that had never an outlet.</p> + +<p>Madeline had passed an almost sleepless night. But when +she arose, with the first gleam of sunlight, and looked upon this<span class='pagenum'><a name="Page_424" id="Page_424">[424]</a></span> +new, white, imprisoned world, she felt strong for a fresh day's +battle.</p> + +<p>"I must go out," she said to herself; "out into this sparkling +air. I can breathe in the brightness; I know I can. I almost +feel as if I could catch it, and weave it into my life."</p> + +<p>She hastily donned her wraps and set off for a brisk walk, no +matter where, through that glorious Winter glow.</p> + +<p>Under the snow-laden arms of the grand old trees, out of the +grounds of Oakley. Before she realized it she was half way +down the path leading to the village.</p> + +<p>Something that jarred upon her sense of the beautiful, awakened +her to herself, and she turned suddenly about.</p> + +<p>"How dare ugly little brown bears come out in the white +glitter," she muttered, whimsically. "I will turn about; he +spoils the fairy picture. I had forgotten there were boys, or +men, in the world."</p> + +<p>Something came panting behind her. The "brown bear" had +accelerated his pace, and now came up at a round trot.</p> + +<p>"Hold on a minit; darned if I can see who ye air in this +snow," he cried, pausing before her and rubbing his eyes vigorously. +"All right; I thought it was you," he added, after considerable +blinking. "I've got a tellygram for ye, Miss Payne; +orders were not to give it to anyone but you, so I chased ye +sharp."</p> + +<p>Madeline laughed outright as she took the telegram from his +hand. The boy, without waiting for her words of thanks, took +to his heels, shouting back over his shoulder: "No answer!"</p> + +<p>Madeline gazed for a moment after the flying figure, and +wonderingly opened the message. This is what she read:</p> + +<div class="blockquot"><p>Be at H——'s to-night when evening train comes down. We are ready +for action; have found a witness.</p></div><p><span class='pagenum'><a name="Page_425" id="Page_425">[425]</a></span></p> + +<p class="f2">C. V.</p> + +<p>Madeline lifted her eyes from the scrap of paper and looked +about her incredulously, as if she expected to find some explanation +shining in the air.</p> + +<p>"Ready for action," she murmured. "That means—can it +mean that Lucian Davlin is at last in our power? Can those +detectives have solved the mystery? Oh! how can I wait until +night!"</p> + +<p>She fairly flew along now, eager to keep in motion. On, on +she went, over the stile, through the glittering white-robed grove; +on, until she reached Hagar's cottage. It was locked and deserted, +as she knew, but she cared not for that. She must walk +somewhere, then why not here?</p> + +<p>For a moment she stood on the snow-laden door stone, and +gazed about her. Then swiftly, as swiftly as before, she flew +down the path—the same path she had taken on the Summer +day when she had heard from Hagar's lips her mother's story. +When she reached the tree in whose arms she had nestled so +often, where she had listened to the bargain between her step-father +and decrepit old Amos Adams, and where she had been +wooed by Lucian Davlin—she paused. There, coming toward +her, was Lucian Davlin himself.</p> + +<p>"What a fatality!" muttered the girl. "He is coming to +meet me; has been watching me, perhaps."</p> + +<p>She stood calmly gazing up at the snow-laden branches, and +again she saw herself standing underneath them, a hesitating +girl, wondering if she could let her lover go away alone. Then +she turned her head and her eyes met those of Lucian Davlin.</p> + +<p>"Good morning, Miss Payne," he said, lifting his hat with +his usual grace. "I am happy to know that we have one taste +in common—a love of nature in this disguise. Is not the wintry +world beautiful?"<span class='pagenum'><a name="Page_426" id="Page_426">[426]</a></span></p> + +<p>"Beautiful, indeed," replied Madeline, resuming her walk +homeward. "The trees are fairy palaces. It is lovelier than +Summer, is it not?"</p> + +<p>"It is very lovely," gazing not at the trees but down into her +face, "but—so cold."</p> + +<p>She understood his meaning and replied, calmly: "Cold? +Yes; it is not Summer."</p> + +<p>"No," he assented, with a sad intonation, "it is not Summer. +Miss Payne, Madeline, will it ever be Summer again?"</p> + +<p>Madeline looked up and about her, and smiled as she did so. +"Yes," she replied, "it will be Summer—soon."</p> + +<p>He had turned and retraced his steps at her side. She was +walking swiftly again, and for some time neither spoke. When +they entered the grounds of the manor, he said, half deprecatingly:</p> + +<p>"Madeline, may I ask this one question?"</p> + +<p>"Yes," quietly.</p> + +<p>"I saw you pause under that tree and look about you," he +said, slowly; "was it because you thought of other days, and +of me?"</p> + +<p>Slowly she turned her face toward him, saying, simply: "Yes."</p> + +<p>They were nearing the entrance, and he half stopped to ask +his next question. "Will you tell me what were your thoughts, +Madeline?"</p> + +<p>Slowly she ascended the steps, and at the door turned and +faced him: "I will tell you to-night."</p> + +<p>And with a ripple of laughter on her lips, she entered the hall +of Oakley.</p> + + + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="Page_427" id="Page_427">[427]</a></span></p> +<h2><a name="CHAPTER_XLVIII" id="CHAPTER_XLVIII"></a>CHAPTER XLVIII.</h2> + +<h2>THE SWORD OF FATE.</h2> + + +<p>Evening at Oakley.</p> + +<p>At last the long day was done: the day that to Madeline +Payne had seemed almost endless. At last, too, the early evening +hours had dragged themselves away, and the time of her +triumph was at hand.</p> + +<p>From out Hagar's cottage a silent party issued, and took their +way across the snow to the little stile just above the terrace walk. +Here they paused for a moment. Some one was loitering on +the terrace, where the shadows fell thickest. Madeline stepped +through the gap, saying softly: "Joliffe!"</p> + +<p>Immediately the form emerged from the shadow. It was the +cat-like waiting-maid.</p> + +<p>"It's all right, Miss," she said, in a whisper. "They are all +in the drawing-room, but I think they are getting uneasy."</p> + +<p>"Well, I will not keep them in suspense long," said Madeline, +and in the darkness she smiled triumphantly. "Lead on, +Joliffe."</p> + +<p>Silently they moved on, and paused again at the side entrance; +the one from which Cora had endeavored to escape but a short +time before. Madeline opened the door, and in another moment +she, with Mrs. Ralston, Claire Keith, Clarence Vaughan and +two strangers, stood within the walls of Oakley.</p> + +<p>They moved on like shadows to the rear end of the hall, up +the servant's stairway, and straight to the west wing. Evidently<span class='pagenum'><a name="Page_428" id="Page_428">[428]</a></span> +they were expected here too, for in obedience to a light +tap, the door opened, and they passed quietly within the outer +room of John Arthur's prison suite.</p> + +<p>"Close the door, Henry," said Madeline.</p> + +<p>This being done, she turned and surveyed her comrades.</p> + +<p>"So far, good," she pronounced. "Now, can you make yourselves +comfortable here for a little while? Hagar and Joliffe +will know just what to do as soon as I have, myself, viewed the +field of battle; or perhaps I had better pilot you in person."</p> + +<p>"As you please," said the foremost of the strangers. "I +think we understand each other."</p> + +<p>"Then we won't lose time," said Madeline. "Henry, call +Dr. Le Guise."</p> + +<p>Henry tapped at the door of the inner room, and in a trice +the worthy Professor stood in their midst. He glanced from +one to another in amazement, and the look of confidence forsook +his face. He had not been prepared to see these strangers, and +his first thought was, of course, for his own safety.</p> + +<p>"Have no uneasiness, sir," said Madeline, seeing the fear in +his face; "these ladies and gentlemen will not interfere with +you. They are here because it is desirable that the people below +should not know of their proximity just yet. You are about +to aid us, and need have no fear for yourself."</p> + +<p>The Professor drew a breath of relief.</p> + +<p>While this conversation was going on, Mrs. Ralston and +Claire had removed their wraps, as if they knew quite well what +they were about, which, indeed, they did. Now, as Madeline +did likewise, preparatory to entering the room of the prisoner, +they seated themselves, looking grave, but perfectly composed. +Dr. Vaughan said a few quiet words to Henry, and the two +strangers stood "at ease," looking as indifferent as statues.<span class='pagenum'><a name="Page_429" id="Page_429">[429]</a></span></p> + +<p>Entering the inner room; in company with the Professor, +Madeline found John Arthur pacing restlessly up and down.</p> + +<p>"I wish you to go down-stairs with us for a few moments," +said Madeline. "It is to your own interest to do so. It is the +easiest and surest way of imparting to you what you must know, +and, when you know all, I shall be your jailer no longer. It +shall then remain for you to decide whether you will accept my +terms, and end your days with at least a semblance of honor, or +whether you will remain here to be pointed at as a man disgraced +and dishonored, and deservedly so. When you have seen +justice done to those who have wronged you more than they +have me, for little as I desire to serve you circumstances have +constituted me your avenger—you will be free to act as you may +see fit."</p> + +<p>With this she turned and abruptly quitted the room, leaving +John Arthur fairly stunned by her words, yet utterly unable to +comprehend their full meaning. Returning to the ante-room, +Madeline found Hagar awaiting her.</p> + +<p>"Well, Hagar," said the girl, "we are ready to go down; is +the library lighted?"</p> + +<p>"Yes, Miss Madeline."</p> + +<p>"And the door leading to the drawing-room?"</p> + +<p>"Is closed, Miss."</p> + +<p>"Then go down, Hagar; open the library door, and leave it +open. Move the fire screen opposite the door leading to the +drawing-room. When we are all within the library turn out +the light. That is all."</p> + +<p>Hagar moved away to do her bidding, smiling grimly.</p> + +<hr style='width: 45%;' /> + +<p>Time was dragging, in the drawing-room.</p> + +<p>Cora was there, not from choice, but because Madeline had so<span class='pagenum'><a name="Page_430" id="Page_430">[430]</a></span> +ordered it, and the aggrieved lady was not at all inclined to conversation.</p> + +<p>Miss Arthur, who was hoping for a <i>tête-á-tête</i> with her lover, +was alarmingly glum. She had accepted, in good faith, his +statement that he had received a note from the clergyman, saying +that he had been suddenly called away and would be absent +some days, but she did not quite understand why another would +not do as well. Somehow, all that day, she had found no opportunity +for hinting to her lover that a Unitarian minister +lived quite near.</p> + +<p>Finding the ladies so little disposed to be entertained, the +two men retired within themselves, each after his own peculiar +fashion.</p> + +<p>Lucian Davlin lounged, in his favorite manner, in a big arm +chair, and absorbed himself in the mazes of "<i>Lalla Rookh</i>."</p> + +<p>Percy, seated sidewise on a sofa directly opposite a large +mirror, gazed languidly at his own reflected image, and furtively +at the two women opposite, stroking his handsome blonde +whiskers the while.</p> + +<p>At last Miss Arthur broke the silence by saying, with a side +glance toward Cora: "There is one thing that I have not yet +asked to be enlightened about. Perhaps you could explain the +mystery, Mrs. Arthur? I mean the appearance of Madeline at +my bedside not long ago—or her ghost."</p> + +<p>Cora uttered a disagreeable laugh, and then replied: "How +should I be able to explain? I am not the keeper of Miss Payne, +or 'her ghost.'"</p> + +<p>"Probably not; however, you are so friendly, so sisterly, I +might say, that I thought perhaps—"</p> + +<p>"You thought perhaps my step-mamma was in the secret?" +said the voice of a new comer.<span class='pagenum'><a name="Page_431" id="Page_431">[431]</a></span></p> + +<p>All eyes were turned toward the library, where Madeline +Payne stood, clad in a walking dress, and looking fairly radiant +with suppressed excitement.</p> + +<p>"You misjudge my step-mamma, Aunt Ellen." As she speaks, +Madeline advances toward the silent group, leaving the library +door ajar. "I will explain that singular phenomenon. I intend +to clear up all the mysteries to-night—here—now. First, +then, about the ghost: It was I, Miss Arthur, Madeline Payne, +in the flesh."</p> + +<p>Lucian Davlin's book lies on his knee neglected now.</p> + +<p>Edward Percy's face has lost its look of languor.</p> + +<p>Cora is flushing red and then paling, while she wonders inwardly +if her time has come; if she is to be exposed to a last +humiliation.</p> + +<p>"We will settle another point," continues Madeline, imperturbably, +while she rests one arm upon a cushioned chair back, +and looks coolly from one to another. "Some of you have felt +sufficient interest in me to wonder why I sent home, to my sorrowing +friends, the false statement of my death. I will explain +that. When I left home it was with wrath in my heart, and +on my lips the vow that I would come back and with power in +my hands. I had wrongs to avenge, and I swore to be mistress +of my own, and to bring home to a bad man the heartache and +bitterness he had measured out to another. Well, I did not +know just how this was to be accomplished, but Providence, or +fate, showed me the way. Then I saw the necessity for coming +back to Oakley, and to pave the way for my new advent, +I sent Nurse Hagar with the false account of my death. A girl +had died in the hospital—a poor, heart-broken, homeless, friendless, +wronged, little unfortunate,—'Kitty the Dancer' she was +called in the days when she was fair to see, and men, bad men, +set snares for her feet."<span class='pagenum'><a name="Page_432" id="Page_432">[432]</a></span></p> + +<p>What ails Lucian Davlin? He is compressing his lips, and +struggling hard for an appearance of composure.</p> + +<p>Madeline goes calmly on. "The poor girl died forlorn. She +had been wooed by a vile man, a gambler. She had been to +meet him and was returning from a rendezvous when the carriage +that was conveying her to her poor lodging was overturned, +and she was taken up a helpless, bleeding mass, and carried +to the hospital. Then she sent for this heartless villain, +again and again. She implored him to come to her, at least to +send assistance, for she was destitute—a pauper. He refused, +this thing, unworthy the name of man. He was setting other +snares. He had no time, no pity, for his dying victim. Well, +she died, and was buried as Madeline Payne, while I, standing +beside her coffin, prayed to God to make my head wise, and my +heart strong, that I might hunt down, and drive out from the +haunts of men, her soulless destroyer."</p> + +<p>Madeline pauses, and three pair of eyes gaze at her with +genuine wonder. But the eyes of Lucian Davlin are fixed upon +vacancy, and with all the might of his powerful will he is struggling +to appear calm.</p> + +<p>Madeline turns her eyes calmly from his face to Cora's, and +seems to see nothing of this, as she resumes:</p> + +<p>"Some strange fatality had made this man the bane of other +lives, that were to be brought into contact with mine. I found +that the happiness of two noble beings was being wrecked by +this same man. One of these two had been my benefactor, had +saved me from a fate worse than death, so I set myself to hunt +this man down. And here I found that I could accomplish +two objects at one stroke. I found that the man was playing +into my hands. I followed him in disguise. Little by little +I gained the knowledge of his secrets, enough to send him to<span class='pagenum'><a name="Page_433" id="Page_433">[433]</a></span> +State's prison, and more than enough. But one thing was wanting. +For that I waited; for that I breathed the same air with +creatures whom my soul loathed, and now that one missing link +is supplied. At last, I am free! At last, I can throw off the +mask! At last, I can say to the destroyer of poor Kitty, to the +man who swore away the liberty of another to screen himself—Lucian +Davlin, I have hunted you down! I have held you +here to be taken like a rat in a trap! Officers, seize him! +He has been my prisoner long enough!"</p> + +<p>Was it a transformation scene?</p> + +<p>While she is uttering those last words, suddenly the room becomes +full of people, and Lucian Davlin is writhing in the grasp +of the two officers; struggling hopelessly, baffled completely, +maddened with rage and shame. When at last he has ceased to +struggle, because resistance is so utterly useless, he turns his +now glaring eyes upon the brave girl whose life he had sought +to wreck, and hisses:</p> + +<p>"Don't forget to mention how you first came to the conclusion +that I had wronged you! Don't forget to state that you ran +away from Bellair with me; that you lodged in my bachelor +quarters; that—"</p> + +<p>A heavy hand comes in forcible contact with the sneering +mouth, as one of the officers says, gruffly: "None o' that, my +lad. I'd sooner gag you than not, if you give me another +chance."</p> + +<p>But Madeline answers him with a scornful laugh: "That I +shot you in your own den? Coward! do you think my friends +do not know all? Here stands the man who saw me in your +company that night," pointing to Clarence Vaughan; "and +here," turning to Claire, "is the sister of the woman who came +to me, at Dr. Vaughan's request, and told me who and what you<span class='pagenum'><a name="Page_434" id="Page_434">[434]</a></span> +were! It was these two who nursed me during my illness, and +who have been, from first to last, my friends. Bah! man, you +have been only a dupe. Your servant, your doctor, your detectives, +are all in my service! I have fooled you to the top of +your bent, and kept you under this roof until we had found the +proof that it was you, and not Philip Girard, who struck this +man," pointing to Percy, "and robbed him, five years ago."</p> + +<p>With a muttered curse, Lucian Davlin flings himself down in +the seat he had lately occupied, the watchful officers, pistol in +hand, standing on either side of him.</p> + +<p>Edward Percy, for the first time since her entrance, withdraws +his eyes from Madeline's face and casts a frightened glance about +him. Having done this, he feels anything but reassured.</p> + +<p>Near the outer door stand the two "well-diggers," who have +entered like spirits, and now look as if, for the first time since +their advent in Oakley, they feel quite at home. Nearest to +Madeline stands Clarence Vaughan. Back of these, a little in +the shadow, two others—two women. One stands with her face +turned away, and he can only tell that the form draped in the +rich India shawl is tall and graceful. But the other—she +moves out from the shadow and her eyes meet his full.</p> + +<p>Great heavens! it is Claire Keith!</p> + +<p>He moves restlessly, his fair face flushing and paling. The +first impulse of his coward heart is flight. But the two "well-diggers" +are not surmountable obstacles. He turns his face again +toward the Nemesis who is now gazing scornfully at him.</p> + +<p>"I have no intention of neglecting any one of you four," she +says, icily. "Edward Percy, I told you last night that I would +burn certain papers in your presence. I am quite ready to keep +my word. There will be no use for them after to-night. But +I shall not stifle the testimony of living witnesses against you."<span class='pagenum'><a name="Page_435" id="Page_435">[435]</a></span> +Then she raised her voice slightly. "Dr. Le Guise, bring in +your patient."</p> + +<p>John Arthur, pallid with fear and rage, stands upon the +threshold of the drawing-room, closely attended by the Professor +and Henry.</p> + +<p>Then Madeline turned to the now terror-stricken Cora. +"Come forward, Mrs. John Arthur," she says, scornfully. +"It is time to let you speak!"</p> + +<p>When Edward Percy turns his eyes toward Claire, she has instinctively +moved nearer to Madeline's side, at the same time +favoring him with a look so fraught with contempt that the villain +lowers his eyes, and turns away his face. As Madeline now addresses +the fair adventuress, Claire again moves. She has been +standing directly between Cora and her Nemesis. Now she +takes up a position quite apart from her friends, and near the +officer who guards Lucian Davlin on the right.</p> + +<p>Cora sees that all is lost. But she recalls the promises of +safety given her by Madeline, and nerves herself for a last attempt +at cool insolence. Her quick wits have taken in the +situation. Now she understands why Madeline has led Davlin +on, and why her hatred of him is so intense. Now she knows +the meaning of the words that last night seemed so mysterious: +"Lucian Davlin is my lover, but I am his bitterest foe." Now, +as she steps forward, the hate she feels shining in her eyes, and +with a growing air of reckless bravado as she glances at him, +Cora, too, is Lucian Davlin's bitter foe.</p> + +<p>"Cora!" The name comes from the lips of John Arthur, almost +in a cry.</p> + +<p>But she never once glances toward him. She fixes her eyes +upon Madeline's face and doggedly awaits her command.</p> + +<p>"Tell us what you know of this man," Madeline says, pointing +to Edward Percy: "and be brief."<span class='pagenum'><a name="Page_436" id="Page_436">[436]</a></span></p> + +<p>Cora turns her eyes slowly upon the man. She surveys him +with infinite insolence, and then she turns with wonderful coolness +toward Ellen Arthur.</p> + +<p>"Miss Arthur," she says, with a malicious gleam in her eyes, +"this will interest you. I knew that man ten years ago. I +was making my first venture out in the world, and it was a very +bad one. I fell in love with his pretty face, and married him. +Before long I discovered that matrimony was a mania of Mr. +Percy's—by-the-by, he sailed under another name then. I found +that he had another wife living; a woman he had married for +her money. Well, being sensitive, I took offense, and after a +little, I ran away from him, carrying with me the certificates of +his two marriages, which I had taken some pains to get possession +of. After that—"</p> + +<p>Cora pauses suddenly and glances toward Madeline.</p> + +<p>"After that you went to Europe. You may pass over the +foreign tour, and take up the story five years later," subjoins +Madeline, coldly.</p> + +<p>"After that, I went to Europe," echoes Cora. "And five years +later found me in Gotham."</p> + +<p>"Be explicit now, please: no omissions," commands Madeline.</p> + +<p>"Five years ago, then," resumes Cora, "that gentleman there," +motioning to Davlin, but never turning her face toward him, +"came to me one day with the information that my dear husband +was a rich man, thanks to some deceased old relative, and that +his other wife was dead. For some reason this other marriage +had been kept very secret, and my friend there argued that in +case anything happened to Percy, I might come in as his widow, +and claim his fortune. Well, Mr. Percy did not die, more's the +pity. Instead of that he lived and squandered his money in less<span class='pagenum'><a name="Page_437" id="Page_437">[437]</a></span> +than three years. He was hurt, somehow, and a certain Mr. Philip +Girard was falsely accused and convicted for attempted murder."</p> + +<p>"Who was the real would-be assassin?" asked Madeline, +sternly.</p> + +<p>"Lucian Davlin," emphatically.</p> + +<p>Madeline turns swiftly to Percy. "Mr. Percy, explain, if +you wish to lighten your own burden, by what means did that +man persuade you to let him go free?"</p> + +<p>"By—threatening me with an action for—"</p> + +<p>"Bigamy!" finished Cora.</p> + +<p>The villain, bereft of all hope and courage, stood white and +trembling, under the eyes of his accusers and judges.</p> + +<p>"I am letting these people hear you tell these things because +I want that man,"—pointing to John Arthur, who had long +since collapsed into a big chair—"to hear all this from your own +lips," says Madeline.</p> + +<p>Turning again to Cora, she says:</p> + +<p>"Lucian Davlin made use of the papers—the certificates you +had stolen from Edward Percy—to intimidate that gentleman, +and secure himself from danger. Am I correct?"</p> + +<p>"Yes," replies Cora, casting a malignant glance from one to +the other of the accused men.</p> + +<p>"Very good. Now we will pass on four or more years. You +were in some little trouble last June, Mrs. Arthur. Explain +how you came to Bellair."</p> + +<p>"How?"</p> + +<p>"Yes, for what purpose. And at whose instigation."</p> + +<p>Cora hesitated, and Davlin moved uneasily.</p> + +<p>"Don't think that you will damage your cause by making a +full statement," suggested Miss Payne, meaningly. "Answer +my questions, please."<span class='pagenum'><a name="Page_438" id="Page_438">[438]</a></span></p> + +<p>Again Cora glances at Davlin. Then turning toward Madeline +she assumes an air of defiant recklessness, and answers the +questions promptly. "I came at Lucian Davlin's suggestion, +and because he had induced me to think that I could easily become—what +I am."</p> + +<p>"And that is—"</p> + +<p>"Mrs. Arthur, of Oakley!" with a mocking laugh.</p> + +<p>The old man in the chair utters a loud groan, but no one +heeds him. All eyes are fixed upon Madeline and Cora.</p> + +<p>"You plotted to become John Arthur's wife?" pursues Madeline, +relentlessly.</p> + +<p>"Yes."</p> + +<p>"And—his widow?"</p> + +<p>No reply.</p> + +<p>"You planned to keep him a prisoner?"</p> + +<p>"Yes."</p> + +<p>"And Lucian Davlin, your pretended brother, was your accomplice?"</p> + +<p>"Yes."</p> + +<p>Madeline turns swiftly toward her step-father, as she does +so moving nearer toward Edward Percy.</p> + +<p>"John Arthur, are you satisfied?" she asks, sternly. "Shall +the knowledge of your disgrace go beyond this room? Do you +choose to remain here and be pointed at by every boor in Oakley, +as the man who married an adventuress, a gambler's accomplice? +or will you accept my terms?"</p> + +<p>John Arthur lifts his head, then staggers to his feet. "Curse +you!" he cries. "Curse you all! What proof have I that these +people will respect my feelings?"</p> + +<p>"You have my word," replies the girl, coolly. "These gentlemen +of the Secret Service are not given to gossip. Mr. Davlin<span class='pagenum'><a name="Page_439" id="Page_439">[439]</a></span> +will have but little opportunity for circulating scandal where +he is going. Mr. Percy, and your wife, will hardly remain in +the neighborhood long enough to injure you here, unless by your +own choice. Your sister will scarcely betray you, and the +rest are my friends. Choose!"</p> + +<p>Pallid with rage and shame, the old man turned toward Cora.</p> + +<p>"You she-devil!" he screams, "this is your work—"</p> + +<p>"No," interposes Madeline, calmly, "it is <i>your</i> work, John +Arthur! What you have sown, you are reaping. Will you +have all your guilty past, your shameful present, made known? +Or will you leave my mother's home and mine, and cease to +usurp my rights? Choose!"</p> + +<p>Every eye is turned upon the old man and his questioner. +Every ear is intently listening for his answer.</p> + +<p>Every ear, do we say? No; one man is only feigning rapt +attention; one mind is turning over wicked possibilities, while +the others await, with different degrees of eagerness or curiosity, +John Arthur's answer.</p> + +<p>"Needs must when the devil drives," says the baffled old +man, turning toward the door. "I will go, and I leave my +curse behind me!"</p> + +<p>This is the moment which Lucian Davlin has watched. +While all eyes are turned toward John Arthur, he bends suddenly +forward. He has wrenched the pistol from one of his +guardians, and the weapon is aimed at Madeline's heart!</p> + +<p>Instantaneously there is a quick, panther-like spring, and +Claire Keith's little hand strikes the arm that directs the deadly +weapon. There is a sharp report, but the direction of the bullet +is changed.</p> + +<p>Madeline Payne stands erect and startled, while Edward +Percy falls to the floor, the blood gushing from a wound in his<span class='pagenum'><a name="Page_440" id="Page_440">[440]</a></span> +breast. In another instant, Lucian Davlin lies prostrate, felled +by a blow from one detective, while the other bends over him +and savagely adjusts a pair of manacles.</p> + +<p>The others, even to Cora, group themselves about the wounded +man. Dr. Vaughan kneels beside him a moment, then he +lifts his eyes to meet those of Madeline.</p> + +<p>"It is a death wound," he says.</p> + +<p>"Prepare a couch in the next room directly. He must not +be carried up-stairs."</p> + +<p>When this order has been obeyed, and the injured man has +been removed, Madeline returns to the drawing-room, untenanted +now save by the officers and their prisoner. They are +waiting there until the midnight train shall be due, and the +time approaches. Moving quite near to the now silent, sullen +villain, the girl surveys him with absolute loathing.</p> + +<p>"The goddess you worship has deserted you, Lucian Davlin," +she says, slowly. "It was not in the book of chance that you +should triumph over or outwit me. The bullet you designed for +me has completed the work you began five years ago. Go, to +live a convict, or die on the scaffold, and when you think upon +the failure of your villainous schemes, remember that this retribution +has been wrought by a woman's hand! Officers, take him +away!"</p> + +<p>Through the darkness they hurry him, from the sights +and scenes of Oakley and Bellair—forever. His goddess has +indeed forsaken him. When the two officers take leave of +him at the prison, he has had his last glimpse of the outside +world.</p> + +<p><span class='pagenum'><a name="Page_441" id="Page_441">[441]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_044.jpg" width="400" height="559" alt=""Edward Percy falls to the floor, the blood gushing from a wound in the +breast!"—page 439." /> +<span class="caption">"Edward Percy falls to the floor, the blood gushing from a wound in the +breast!"—<a href="#Page_439">page 439.</a></span></div> + +<p>From the moment when he failed in his attempt upon the life +that had defied him, no word had escaped his lips. Silent, moody, +and utterly hopeless, this proud-spirited, evil-hearted Son of +<span class='pagenum'><a name="Page_442" id="Page_442">[442]</a></span>Chance, enters the prison gates, and, as they close upon him, we +have done with Lucian Davlin, a <i>convict for life</i>!</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XLIX" id="CHAPTER_XLIX"></a>CHAPTER XLIX.</h2> + +<h2>AS THE FOOL DIETH.</h2> + + +<p>Edward Percy is dying—was dying when they lifted him +from the drawing-room carpet, and gently laid him on the couch +hastily prepared by Hagar and the frightened servants. They +have watched beside him through the night, and now, in the +gray of the morning, Clarence Vaughan still keeps his vigil.</p> + +<p>The wounded man moves feebly, and turns his fast dimming +eyes toward the watcher. "I thought—I saw—some one," he +says, brokenly, "when—I fell. Who—was—the lady?"</p> + +<p>His voice dies away, as Clarence, bending over him, answers +gently: "You mean the lady that stood near the door, whose +face was turned away?"</p> + +<p>"Yes," in a whisper; "was it—my—wife?"</p> + +<p>Clarence turns toward the window where Mrs. Ralston sits, +out of view of the sick man.</p> + +<p>She moves forward a little. "Tell him," she says, in a low +voice.</p> + +<p>Edward Percy is a dying man, but his mind was never clearer. +He perfectly comprehends the explanations made by Clarence. +He had recognized the face of his wife when he lay bleeding at +her feet. He closes his eyes and is silent for some moments. +Then he asks, in that dying half-whisper, the only tone he ever +will use: "You think—I—will—die?"</p> + +<p>"You cannot live," replies Clarence, gravely.<span class='pagenum'><a name="Page_443" id="Page_443">[443]</a></span></p> + +<p>Again the wounded man shuts his eyes and thinks; then: +"How long—will I—last?" he questions.</p> + +<p>"I can keep you alive twenty-four hours—not longer," says +Clarence, after a pause.</p> + +<p>"Then—I must talk now."</p> + +<p>Clarence goes to a table, and pours something into a tiny glass. +This he brings, and putting it to the lips of the patient, says: +"Try and swallow this. It is a stimulant. Then lie quiet for a +few moments; after that you may talk."</p> + +<p>This is done, and for a time there is silence in the room. +Then the wounded man whispers, with an appearance of more +strength: "Tell <i>her</i>—to come here."</p> + +<p>Mrs. Ralston moves forward, and he looks at her long and +attentively. Then, with a turn of his olden coolness: "You +grew tired of me," he said.</p> + +<p>"Yes," she replies, in a low, sad voice, "I grew tired of you; +very tired. But don't talk of those days now. You are too +near the end; think of that!"</p> + +<p>"I do," he said, slowly. "But I can't alter the past—and—I +don't know—about the future. I want—to see a—notary."</p> + +<p>"Don't you want to see a clergyman?"</p> + +<p>"What for? If I am dying—it's of no use to play—hypocrite. +I don't believe in—your clergyman. I admit that—I wronged—you," +he continues, gazing at Mrs. Ralston, "and I deceived +Miss Keith. If you two—can forgive me—I will take my +chances—for the rest."</p> + +<p>Mrs. Ralston bends above him with a face full of pity, but in +which there is no love. "I forgive you, Edward; and so will +Claire, fully. But you did her very little harm. She was not +long deceived. Do you want to see her?"</p> + +<p>"Yes; and—don't let Alice—Cora, you call her—come +near me."<span class='pagenum'><a name="Page_444" id="Page_444">[444]</a></span></p> + +<p>Truly, this dying sinner is not a meek one, not a very repentant +one.</p> + +<p>When they ask him if he will see Miss Arthur, his reply is +characteristic. "Does she want—to see—me?"</p> + +<p>No; she has not asked to see him, they say. But of course +she would be glad to come to him.</p> + +<p>"Let her alone," he says, "she don't want to see me. If she +did, it would be to scratch out—my eyes—because she is—cheated +out of—being married. She isn't hurt. She is too +big a fool."</p> + +<p>When Claire comes to his bedside, accompanied by Madeline, +he says: "Miss Claire—I loved you better than any woman I +ever knew—truly. If—you had been Mr. Keith's heiress—I +would never have come to Oakley. I thought you were—his +heiress when—I wooed you—in Baltimore. But you are the +only woman—who ever beat me—and puzzled me. You did +not care much, after all."</p> + +<p>To Madeline he says, after he has swallowed a second stimulant: +"But for you, I would not be here. You women have +hunted me down. But you are as brave—as a lioness—a little +Nemesis. I—won't—bear malice."</p> + +<p>At noon, the notary comes, and Edward Percy makes an +affidavit as to the truth of the testimony that will convict Lucian +Davlin. It is the affidavit of a fast dying man.</p> + +<p>All day Mrs. Ralston sits beside him. And Clarence Vaughan +watches the slowly ebbing life tide. Once he seems struggling +to say something, and his wife bends down to catch what may +be some word of penitence.</p> + +<p>"Bury—me like a gentleman."</p> + +<p>This is what he says, and Clarence Vaughan smiles bitterly +as he thinks, "selfish and egotistical to the last."<span class='pagenum'><a name="Page_445" id="Page_445">[445]</a></span></p> + +<p>Night comes on and the end is very near. Over the dying +face flits a malignant shadow, and he makes a last effort to speak. +Again the watchers bend nearer.</p> + +<p>"I hope—they will—hang Davlin," he breathes, feebly.</p> + +<p>The two listeners recoil with horror, at the sound of the vindictive +wish from dying lips.</p> + +<p>These are the last words of Edward Percy. Slowly go the +minutes, and deeper grow the shadows. Again Clarence Vaughan +bends above the couch, and then he says: "Your vigil is ended, +Mrs. Ralston. He is dead."</p> + +<hr style='width: 45%;' /> + +<p>That night, while the house is hushed to a quiet, one portion +of the household asleep, the other keeping the death-watch, Cora +again tries to escape from Oakley. But this time Strong is not +to be caught napping, and the vanquished adventuress resigns +herself to her fate.</p> + +<p>Two days more, and then Edward Percy is buried, according +to his request, "like a gentleman."</p> + +<p>All that is known outside of Oakley concerning his death is +that he was shot by Lucian Davlin, between whom, and himself, +some feud had existed.</p> + +<p>And John Arthur and Cora remain, and "keep up appearances" +to the last.</p> + +<p>Dr. Le Guise, or the Professor, has stayed too, for appearance +sake. But the day after they have buried Edward Percy, he goes, +and very gladly, back to the city. Madeline keeps her promise; +he goes free, and none save the few ever know that Dr. Le +Guise is an impostor.</p> + +<p>At the same time John Arthur turns his back upon Oakley +forever. "Appearances" are observed to the last. He goes, +tenderly attended by the Professor, by Cora, and by his sister. +Goes much muffled, and enacting the <i>rôle</i> of invalid.<span class='pagenum'><a name="Page_446" id="Page_446">[446]</a></span></p> + +<p>They are taking the sick man South; this is what the villagers +think.</p> + +<p>But when the train reaches the city, this select party disbands. +John Arthur becomes active once more and, with his sister, +hurries away in the nearest cab, while the Professor and Cora +separate by mutual consent.</p> + +<p>And here we will leave them—all but Cora.</p> + +<p>She has escaped Scylla only to fall upon Charybdis. As +she hurries along through the familiar streets, her plans are +laid. She will go to Lucian Davlin's rooms; nobody will be +there to dispute her possession for a day or two to come, and she +has possessed herself of the keys, left behind as useless by their +outlawed owner.</p> + +<p>When she ascends the steps, some one, who is lounging past +the premises, looks at her narrowly. As she disappears behind +the swinging outer door, this lounger becomes wonderfully +alert, and hastens away as if he had just discovered his mission.</p> + +<p>Two hours later, as Cora descends the stairs and emerges into +the street, the vision of a monkey-faced old man appears before +her. And while another lays a firm detaining hand upon her +arm, the old man, fairly dancing with glee, cries out:</p> + +<p>"Ah, ha! here you are, my pretty sharper! I didn't have +these premises watched for nothing, did I? Now I have got +you! Bring her along, officer, bring her along. She won't +dodge us this time."</p> + +<p>And Cora is hurried into a cab, closely followed by old Verage, +who chatters his doubtful consolation, and laughs his +eldritch laughter, and finally consigns her to prison to answer +to a charge of swindling.</p> + + + +<hr style="width: 65%;" /> +<p><span class='pagenum'><a name="Page_447" id="Page_447">[447]</a></span></p> +<h2><a name="CHAPTER_L" id="CHAPTER_L"></a>CHAPTER L.</h2> + +<h2>"AND THEN COMES REST."</h2> + + +<p>At last Oakley is rid of its <i>intriguants</i>, its plotters and impostors.</p> + +<p>And Madeline and Claire sit alone in the chamber of the +former, talking of the strange events that have so lately transpired—of +Philip Girard's vindication, of Lucian Davlin's punishment, +of Edward Percy's death.</p> + +<p>It is the day following that of the burial, and Mrs. Ralston is +lying asleep in her own room, with old Hagar in near attendance.</p> + +<p>"Poor Mrs. Ralston," says Claire, after a long pause in their +converse. "She is thoroughly worn out, and yet, weary as she +was, she must have talked with you for hours, Madeline, after +we came back from the grave."</p> + +<p>Over Madeline's face flits an odd, half-sad smile, as she replies, +dreamily:</p> + +<p>"Yes, we talked a long time, dear; Mrs. Ralston was then in +the mood for talking. Can't you understand how one may be +nervously active, may be at just that stage of bodily weariness +when the mind is intensely alive? The excitement of all she +had lately undergone was still upon her, and the mind could not +resign itself to rest while anything remained unsettled or under +a cloud."</p> + +<p>"Oh, I can understand how that may be." Then, after a +pause, "so something remained to be settled?"</p> + +<p>"Yes."<span class='pagenum'><a name="Page_448" id="Page_448">[448]</a></span></p> + +<p>"And, between you, you disposed of the difficulty?"</p> + +<p>"Yes."</p> + +<p>Another silence. Then Madeline turns to look at her companion.</p> + +<p>"Why don't you ask me what the 'difficulty' was?"</p> + +<p>No answer.</p> + +<p>"But you want to know?"</p> + +<p>Claire laughs nervously.</p> + +<p>"And I want to tell you," pursues Madeline. "First, we +talked of ourselves."</p> + +<p>"Oh!" ejaculates Claire, looking immensely relieved.</p> + +<p>"Yes, we talked of ourselves first; and we have become great +friends."</p> + +<p>"Of course!" cries Miss Enthusiasm; "I knew you would."</p> + +<p>"We have decided to give our new friendship a severe test."</p> + +<p>"How?" asks Claire, forgetting her caution.</p> + +<p>"By visiting Europe in each other's society."</p> + +<p>Claire springs up excitedly. "Madeline Payne, you don't +mean it! You <i>can't</i>! You <i>shall</i> not; there! Europe, indeed. +You are crazy! I won't hear of it!" stamping her foot emphatically.</p> + +<p>Madeline leans back in her chair and laughs; then suddenly +becomes grave.</p> + +<p>"But I do mean it, Claire, my darling," she says, softly. +"And I'll tell you what else I mean. Sit down here, close beside me and listen."</p> + +<p>Instinctively Claire obeys.</p> + +<p>"Now, then," continues Madeline, "you know what an odd, +uncultivated sort of a life mine has been, and you know that +this little world of mine has not been a very bright one. Well, +ever since I could read and think, I have longed to see Italy,<span class='pagenum'><a name="Page_449" id="Page_449">[449]</a></span> +and France, and England, and Germany, and the Holy Land. +My work is done here. There is nothing now to prevent my +going—no duty to perform, no one to keep me here. I could +not find a better friend and companion than Mrs. Ralston, and +she is very anxious to go, and to take me with her. You are all +very dear to me, but no one needs me now more than she, nor +so much. And, Claire, don't make any mistakes about me. I +am not going away sorrowfully, or with any heavy weight upon +my spirits. I am going to enjoy and make the most and best +of the life and youth God has given me. I am going for +change, and recreation, and rest. I have been acting the part +of an avenger here, a stern, unforgiving Nemesis, but I would +do over again all that I have done, if need be. I am not half +so good as you. I can not submit with meekness to injustice +and wrong. I shall fight my enemies, if I have more to fight, +until the end of the chapter. And now I have a confession to +make."</p> + +<p>Claire stirs uneasily. "Don't," she says, deprecatingly: +"I don't want to hear a confession."</p> + +<p>"But I want to make one, and you must listen. First, however, +let me tell you that during my talk with Mrs. Ralston, I +heard about a certain interview, wherein a ridiculous young lady +discarded the man she loved, because she fancied she would +wrong some one else if she admitted her love for him, and accepted his. +Well—don't turn your face away—that was foolish. +But my blunder was a downright wicked one. Yes, Claire, +I will tell all the truth. When you and I stood together out +under the trees, and talked of Clarence Vaughan; when you +showed me the picture and told me the little pastoral about Edward +Percy; I knew that Clarence Vaughan loved you—and I +thought I loved, nay, I did love, <i>him</i>.<span class='pagenum'><a name="Page_450" id="Page_450">[450]</a></span></p> + +<p>"When I came down here and found so soon that Edward +Percy was—so utterly unworthy, we will say, because he is dead, +I felt at once that you must be undeceived.</p> + +<p>"Then a great temptation came to me, and I said to myself, +'When she becomes disenchanted, and ceases to love this man, +she will learn to value the other and more noble lover; she will +learn to love him!'</p> + +<p>"All night long, before I came to undeceive you, and to warn +Olive, I battled with a great temptation. And I yielded to it. +Listen, Claire, while I tell you how base I was.</p> + +<p>"When I set out for the city in the morning, I said to myself: +'Claire Keith is the soul of truth and honor. She is generous +to a fault. If I let her see how much I care for Clarence +Vaughan, I shall appeal to her pity and her honor, without the +aid of words. She will never listen to his suit; she will try to +advance my interest; she will become my ally.' See, dear, how +truly I judged you.</p> + +<p>"Well, I came. I told you of Percy's baseness, and +when I saw how brave you were; how full of scorn +for the dishonest man; how impossible it was for one so +unworthy to drag you down, or darken your life because of +his baseness; I was filled with shame and remorse. I knew +then that I was unworthy your friendship, or of a good +man's love.</p> + +<p>"Standing in your presence, humiliated by your pure nobility, +I repented, and I resolved to give up all thought of Clarence +Vaughan. I did give him up.</p> + +<p>"But, Claire, although I did not know it, my very penitence +must have committed me, and while I was renouncing my designs, +you were resolving to further them. In some manner I +must have betrayed myself."<span class='pagenum'><a name="Page_451" id="Page_451">[451]</a></span></p> + +<p>There is a moment's pause. Claire Keith's face is buried in +her hands, and Madeline, bending toward her, cries out, remorsefully:</p> + +<p>"Claire! Claire! Look up and believe me. As God hears +me, that is past and dead. See how I am humbling myself, and +do not doubt me."</p> + +<p>Claire's head rears itself suddenly. She flings herself forward +impetuously, and clasps her arms about her friend.</p> + +<p>"Madeline, stop!" she cries, brokenly; "I won't hear you +slander yourself. Don't I know you too well to doubt you! +But I won't have a lover; I won't love any one but you."</p> + +<p>Again the laugh comes to Madeline's lips.</p> + +<p>"Little Miss Impulse!" she says, tenderly. "But, sister +Claire, I am not done yet. I am going to put you on the penitent's +stool now. Just imagine yourself in my place for a little. +Do you think I could have made this confession to you if my +weakness were not a thing of the past? You know I never +could. I am not ashamed to confess that I did love Clarence. +But I should be more than ashamed, under all the circumstances, +if I could not say with truth that that love is a thing of the past. +As my dearest friend, my brother, if you will, I shall always +love him; but no more than that. I am not sorry that I have +loved him, for I am a better woman because of it. But, I repeat +it, that love is a thing of the past. Claire, do you not +believe?"</p> + +<p>They gaze into each other's eyes for a moment. Then Claire +says: "I believe, Madeline."</p> + +<p>A smile brightens the brown eyes now, and their owner says: +"Then don't you see that you have made a mistake—one that, +for my sake, you must rectify?"</p> + +<p>Claire begins to look rebellious. "No, I don't," she cries,<span class='pagenum'><a name="Page_452" id="Page_452">[452]</a></span> +blushing scarlet. "You wicked girl, you have been getting me +into a trap!"</p> + +<p>Madeline says, very gravely:</p> + +<p>"Claire, I want you to trust me in this, as you all have in +other things. I want you to let me feel that I have not made +the friends I love best, unhappy. I shall leave you soon: if I +have been your friend, let me have my way in this one thing. +If you don't, all the rest will have been in vain. See, my drama +is ended; my enemies are punished. Now let me make my dear +ones happy. Do you know, John Arthur has put a new thought +in my head. 'Confound you,' he growled; it was his parting +benediction, 'I might have known your father's blood ruled you. +I might have looked for cunning and intrigue from that confounded +Expert's Daughter.' It is true, Claire; I am the +daughter of an Expert, a detective, brave and shrewd. Hagar +says that I am like my father, and that I have inherited his +talents. When I recall the knot we have just unravelled, the +war we have just waged, I can but think that my father's chosen +calling may have become mine. If the world ever grows stale, +if I pine for change or excitement or absorbing occupation, I +can go to my father's chief and say, 'I am the daughter of Lionel +Payne, the Expert, and I have inherited a measure of my father's +talents.' Do you think he will trust his knotty cases to the +Expert's Daughter?"</p> + +<p>"I think he will, if he is wise. But, Madeline, all this is folly. +You will never leave us. Olive wants you; we all want +you."</p> + +<p>"And you will all have enough of me. But, Claire, do not +ask me to stay now. It is better for me, better for all, that I +go away. I must let old memories die out. I want to forget +old scenes. I want rest. I need to school my wayward nature,<span class='pagenum'><a name="Page_453" id="Page_453">[453]</a></span> +to teach my heart to beat calmly, my soul to possess itself in +peace. Claire, I must go."</p> + +<p>Just here, some one taps softly. It is a servant who holds in +her hands a telegram from Olive to Madeline, which runs thus:</p> + +<div class="blockquot"><p>All is well. Philip and I start for home to-night. Meet us there without +fail, all of you.</p></div> + +<p class="f2"><span class="smcap">Olive.</span></p> + +<p>They read it together, and then Claire burst into tears—tears +of joy and thankfulness.</p> + +<p>"Philip is free once more! Oh, Madeline, Madeline; and it +was you who saved him; it was <i>you</i>!"</p> + +<p>Madeline pushes the message into her hand, saying: "If I +have done such wonderful things, why do you refuse to obey +me? Go, now, and take this good news to Clarence Vaughan. +And mind you, don't come back, for I am going to tell Mrs. +Ralston."</p> + +<p>Half laughing, half crying, Claire is compelled to go down +to the library alone. Clarence Vaughan is there, pacing thoughtfully +up and down.</p> + +<p>Claire enters softly, the paper ostentatiously displayed in her +hand. But he looks straight at the blushing, bashful, tear-stained +face. Her eyes, half glad, half shy, wholly tell-tale, fall +before his own. And the lover who has waited in patience +for his opportunity, seizes it now and makes it a moment of +victory.</p> + +<p>"I have brought you good news, Dr. Vaughan."</p> + +<p>He comes straight toward her, and imprisons both little hands, +together with the "news" they contain.</p> + +<p>"You have brought me yourself, then, and I have been lying +in wait for this opportunity. Claire, shall you ever run away +from me again?"<span class='pagenum'><a name="Page_454" id="Page_454">[454]</a></span></p> + +<p>It is useless to rebel. His voice tells her that he knows too +much, and that he will not be evaded any more.</p> + +<p>She gives him one glimpse of her face, and then she is clasped +in his strong, loving arms, and from this safe haven, after a +time, she tells her good news, struggling prettily to free herself +from the loving imprisonment.</p> + +<p>"Philip is free, and is coming home."</p> + +<p>"Of course; why not, darling? There is no accusation against +him now."</p> + +<p>"Madeline is going away with Mrs. Ralston. Don't you +think she is too bad? Can't we make her stay?"</p> + +<p>A look of regretful sadness rests for a moment upon his +countenance. Then he says, very tenderly:</p> + +<p>"My little darling, Madeline has earned the right to her own +perfect liberty. After the fierce schooling through which she +has passed, believe me, there is nothing left for us to teach her. +She has grown beyond us. Let her have her will, for she knows +best what will give her the rest, the forgetfulness, the absorbing +interest in other things, that her strong nature needs. Madeline +has much to unlearn, much to forget; and she knows this. She +is growing to understand her strong, brave self, to value her +strength. She will never be an idler, never sink into the ranks +of the commonplace. If, after a time, she finds for herself a +worthy love, she will be the tenderest, the truest of wives. +But she is sufficient unto herself. She has beauty, genius, force, +a strong will, a splendid intellect. We shall watch her course +from afar, and I am much mistaken if we do not, some day, hear +great things of our Madeline."</p> + +<p>Claire draws herself gently from the restraining arm, and +turns her blue eyes upon him.</p> + +<p><span class='pagenum'><a name="Page_455" id="Page_455">[455]</a></span></p> + +<div class="figcenter" style="width: 400px;"> +<img src="images/image_045.jpg" width="400" height="576" alt=""She sinks to her knees, and leaning out, absorbs the restfulness, the +peace, the white, pure glory of the dawn."—page 456." /> +<span class="caption">"She sinks to her knees, and leaning out, absorbs the restfulness, the +peace, the white, pure glory of the dawn."—<a href="#Page_456">page 456.</a></span></div> + +<p>"Madeline will never marry," she says softly, sadly. "You +<span class='pagenum'><a name="Page_456" id="Page_456">[456]</a></span>are right; she is above us, beyond us. God has made her +sufficient unto herself."</p> + +<hr style='width: 45%;' /> + +<p>It is dawn, gray dawn.</p> + +<p>Madeline Payne rises from a long untroubled sleep, and flings +wide her shutters.</p> + +<p>What is this that she sees?</p> + +<p>All below her an unbroken mantle of white; all about and +above, the waving of snowy plumes, and floating, misty-white +loveliness.</p> + +<p>The world is clothed in a new garment; the foot-prints of +her enemies are hidden, are blotted from the face of the earth. +The pathway to the cemetery where they lately bore Edward +Percy, is obliterated, too. The grave of the erring man is +covered with heaven's whitest, purest mantle of charity and forgetfulness.</p> + +<p>Above, below, all about her, is silence and whiteness and peace.</p> + +<p>She sinks to her knees, and leaning out, absorbs into herself +the restfulness, the peace, the white, pure glory, of the dawn.</p> + +<p>"It is a token," she murmurs, softly. "It is God's benediction +on my new day, on my new life. It is the beginning of +rest. There is nothing old in this fresh, white world. Let the +snow mantle rest thus upon my past life. Ah, how rich I am! +How rich in friends; how strong in that I have been able to do +some good, to make my beloved happy. Never let me repine +at my fate. I am rich, and strong, and free. This new, white, +beautiful world is mine, when I wish to wander. My friends +are mine, when I wish to rest, and find a home."</p> + +<p>Ah, 'tis good to know—</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"God's greatness shines around our incompleteness;<br /></span> +<span class="i2">Round our restlessness, <i>His rest</i>."<br /></span> +<span class='pagenum'><a name="Page_457" id="Page_457">[457]</a></span></div></div> + +<p>Up from the east shoots an arrow of gold, and a bar of +roseate light. Higher yet, and the world is aglow with mystic, +glittering loveliness. Diamonds sparkling everywhere; snow +plumes waving; the earth's white unbroken mantle gleaming +and sparkling, and stretching away to meet the golden glow at +the horizon's edge.</p> + +<p>Kneeling there, with her white hands clasped upon the window +ledge, the glory of the morning falls over her like a benediction; +lighting up the golden hair; pouring its radiance into +the solemn brown eyes; kissing the pure pale cheeks; breathing +peace, and rest, and hope into the long-tried, but conquering +heart of <span class="smcap">The Expert's Daughter</span>.</p> + +<h3>THE END.</h3> + + + +<hr style="width: 65%;" /> +<h2>POPULAR BOOKS.</h2> + + +<p><i><b>A Mountain Mystery; or, The Outlaws of the Rockies.</b></i></p> + +<div class="blockquot">By <span class="smcap">Lawrence L. Lynch</span>. Illustrated by 37 original Engravings. Price, $1.50.</div> + +<div class="blockquot">A stirring story of detectives' adventures among the mountain outlaws and stage +robbers of the Far West. Our old friends Stanhope and Vernet, reappear in new roles.</div> + + +<p><i><b>Dangerous Ground; or, The Rival Detectives.</b></i></p> + +<div class="blockquot">By <span class="smcap">Lawrence L. Lynch</span>. Illustrated by 45 original Engravings. Price, $1.50.</div> + +<div class="blockquot">Its incidents are splendidly handled. There is not a dull page or line in it. Dick +Stanhope is a character to be admired for his courage; while one's deepest sympathies +twine about the noble, tender-hearted Leslie Warburton.</div> + + +<p><b><i>Madeline Payne, the Detective's Daughter.</i></b></p> + +<div class="blockquot">By <span class="smcap">Lawrence L. Lynch</span>. Illustrated by 44 original Engravings. Price, $1.50.</div> + +<div class="blockquot">"One of the most fascinating of modern novels. It combines the excitement that +ever attends the intricate and hazardous schemes of a detective, together with as cunningly +elaborated a plot as the best of Wilkie Collins' or Charles Reade's."</div> + + +<p><b><i>Out of a Labyrinth.</i></b></p> + +<div class="blockquot">By <span class="smcap">Lawrence L. Lynch</span>. Illustrated by 36 original Engravings. Price $1.50.</div> + +<div class="blockquot">"We have so often spoken of Mr. Lynch's superb abilities that further praise is +scarcely essential. Suffice it to say that this work is in no way inferior to those which +have preceded it."—<i>Aurora News.</i></div> + + +<p><b><i>The Gold Hunters' Adventures in Australia.</i></b></p> + +<div class="blockquot">By <span class="smcap">Wm. H. Thomes</span>. Illustrated by 41 fine Engravings. Price, $1.50.</div> + +<div class="blockquot">An exciting story of adventures in Australia, in the early days, when the discovery of +gold drew thither a motley crowd of reckless daring men.</div> + + +<p><b><i>The Bushrangers; or, Wild Life in Australia.</i></b></p> + +<div class="blockquot">By <span class="smcap">Wm. H. Thomes</span>. Illustrated. Price, $1.50.</div> + +<div class="blockquot">The record of a second voyage to that land of mystery and adventure—Australia—by +the "Gold Hunters," and replete with exciting exploits among lawless men.</div> + + +<p><b><i>The Gold Hunters in Europe; or, The Dead Alive.</i></b></p> + +<div class="blockquot">By <span class="smcap">Wm. H Thomes</span>. Illustrated by 34 fine Engravings. Price, $1.50.</div> + +<div class="blockquot">The heroes of "The Gold Hunters' Adventures" seek excitement in a trip through +Europe, and meet with a constant succession of perilous adventures.</div> + + +<p><b><i>A Slaver's Adventures on Sea and Land.</i></b></p> + +<div class="blockquot">By <span class="smcap">Wm. H. Thomes</span>. Illustrated by 40 fine Engravings. Price, $1.50.</div> + +<div class="blockquot">A thrilling story of an exciting life on board a slaver, chased by British gunboats, and +equally interesting adventures in the wilds of Africa and on the Island of Cuba.</div> + + +<p><b><i>A Whaleman's Adventures on Sea and Land.</i></b></p> + +<div class="blockquot">By <span class="smcap">Wm. H. Thomes</span>. Illustrated by 36 fine Engravings. Price, $1.50.</div> + +<div class="blockquot">A vivid story of life on a whaler, in the Pacific Ocean, and of adventures in the Sandwich +Islands, and in California in the earlier days.</div> + + +<p><b><i>Running the Blockade.</i></b></p> + +<div class="blockquot">By <span class="smcap">Wm. H Thomes</span>. Profusely illustrated. Price, $1.50.</div> + +<div class="blockquot">A tale of adventures on a Blockade Runner during the rebellion, by a Union officer +acting in the Secret Service of the United States.</div> + +<div class="blockquot">Sold on all Railroad Trains, by all Booksellers, or will be sent post-paid +on receipt of price by</div> + +<h3>ALEX. T. LOYD & CO.,</h3> + +<h4>133 <span class="smcap">LaSalle Street</span>, CHICAGO.</h4> + + + +<hr style="width: 65%;" /> +<h2>A NEW DETECTIVE STORY.</h2> + +<h3>By LAWRENCE L. LYNCH.</h3> + +<h4>Author of "Shadowed by Three," "Madeline Payne," etc.</h4> + +<div class="figcenter" style="width: 450px;"> +<img src="images/ad01.jpg" width="450" height="527" alt=""Don't pull, boys; I've got the drop on ye!" Page 50." /> +<span class="caption">"Don't pull, boys; I've got the drop on ye!" Page 50.</span> +</div> + +<h2>DANGEROUS GROUND;</h2> + +<h4>OR THE</h4> + +<h3>RIVAL DETECTIVES.</h3> + +<h5>The author's latest and greatest work; intensely interesting. 45 Elegant Illustrations.<br /> + +<span class="smcap">Price</span> $1.50.</h5> + +<h4>Sold on all Railroad Trains and by all Booksellers.</h4> + +<hr style="width: 65%;" /> + +<h2>THE GOLD HUNTERS' ADVENTURES;</h2> + +<h4>OR, WILD LIFE IN AUSTRALIA.</h4> + +<h4>By WM. H. THOMES, author of "The Bushrangers," "The Gold Hunters in Europe,"<br /> +"A Whaleman's Adventures," "Life in the East Indies," "Adventures on a<br /> +Slaver," "Running the Blockade," etc., etc.</h4> + +<div class="figcenter" style="width: 400px;"> +<img src="images/ad02.jpg" width="400" height="604" alt=""Now for a rush.—Cut them to pieces!"" /> +<span class="caption">"Now for a rush.—Cut them to pieces!"</span> +</div> + +<h3>A FASCINATING STORY OF ADVENTURE.</h3> + +<hr style="width: 65%;" /> + +<h2>A SLAVER'S ADVENTURES</h2> + +<h3>ON SEA AND LAND.</h3> + +<div class="figcenter" style="width: 500px;"> +<img src="images/ad03.jpg" width="500" height="459" alt=""We saw many species of wild animals." Page 89." /> +<span class="caption">"We saw many species of wild animals." Page 89.</span> +</div> + +<h3>By WM. H. THOMES,</h3> + +<h4>Author of "The Gold Hunters' Adventures in Australia," "The Bushrangers,"<br /> +"Running the Blockade," etc., etc.</h4> + +<h3>ILLUSTRATED WITH FORTY ELEGANT ENGRAVINGS</h3> + +<h4>SOLD ON ALL RAILWAY TRAINS AND BY ALL BOOKSELLERS.</h4> + +<hr style="width: 65%;" /> + +<h2>A Whaleman's Adventures</h2> + +<h3>AT SEA, IN THE SANDWICH ISLANDS AND CALIFORNIA.</h3> + +<div class="figcenter" style="width: 450px;"> +<img src="images/ad04.jpg" width="450" height="604" alt="" /> +</div> + +<h3>By WM. H. THOMES,</h3> + +<h4>Author of "The Gold Hunters' Adventures in Australia," "The Bushrangers,"<br /> +"Running the Blockade," etc., etc.</h4> + +<h3>Illustrated with Thirty-Six Fine Engravings.</h3> + +<h3>SOLD ON ALL RAILWAY TRAINS AND BY ALL BOOKSELLERS.</h3> + +<p> </p> +<p> </p> +<hr class="full" /> +<p>***END OF THE PROJECT GUTENBERG EBOOK MADELINE PAYNE, THE DETECTIVE'S DAUGHTER***</p> +<p>******* This file should be named 26482-h.txt or 26482-h.zip *******</p> +<p>This and all associated files of various formats will be found in:<br /> +<a href="http://www.gutenberg.org/dirs/2/6/4/8/26482">http://www.gutenberg.org/2/6/4/8/26482</a></p> +<p>Updated editions will replace the previous one--the old editions +will be renamed.</p> + +<p>Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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Lynch + + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + + + + +Title: Madeline Payne, the Detective's Daughter + + +Author: Lawrence L. Lynch + + + +Release Date: August 29, 2008 [eBook #26482] + +Language: English + +Character set encoding: ISO-646-US (US-ASCII) + + +***START OF THE PROJECT GUTENBERG EBOOK MADELINE PAYNE, THE DETECTIVE'S +DAUGHTER*** + + +E-text prepared by Sankar Viswanathan, Suzanne Shell, and the Project +Gutenberg Online Distributed Proofreading Team (https://www.pgdp.net) + + + +Note: Project Gutenberg also has an HTML version of this + file which includes the original illustrations. + See 26482-h.htm or 26482-h.zip: + (https://www.gutenberg.org/dirs/2/6/4/8/26482/26482-h/26482-h.htm) + or + (https://www.gutenberg.org/dirs/2/6/4/8/26482/26482-h.zip) + + + + + +The Great Detective Story. + +MADELINE PAYNE, THE DETECTIVE'S DAUGHTER. + +by + +LAWRENCE L. LYNCH, + +(Of the Secret Service.) + +Author of "Shadowed by Three," "The Diamond Coterie," +"Out of a Labyrinth," etc., etc. + + + + + + + +[Illustration: "Yes," she cried, wildly, "I know; you need not say +it"--page 219.] + + + +Chicago: +Alex. T. Loyd & Co. +1888. + +Copyright, 1883, +Donnelley, Loyd & Co., +Chicago. + +Copyright, 1883, +Alex. T. Loyd & Co., +Chicago. + +Copyright, 1884, +Alex. T. Loyd & Co., +Chicago. + + + + +CONTENTS + + +CHAPTER PAGE + +I. MAN PROPOSES 9 +II. THE OLD TREE'S REVELATIONS 16 +III. THE STORY OF A CRIME 25 +IV. THE DIE IS CAST 44 +V. A SHREWD SCHEME 54 +VI. A WARNING 64 +VII. A STRUGGLE FOR MORE THAN LIFE 75 +VIII. THREADS OF THE FABRIC 98 +IX. GONE! 104 +X. BONNIE, BEWITCHING CLAIRE 113 +XI. A GLEAM OF LIGHT 121 +XII. A MESSAGE FROM THE DEAD 130 +XIII. MISS ARTHUR'S FRENCH MAID 137 +XIV. WHEELS WITHIN WHEEL 143 +XV. CORA AND THE FRENCH MAID MEASURE SWORDS 155 +XVI. FACE TO FACE 167 +XVII. GATHERING CLUES 184 +XVIII. THE HAND OF FRIENDSHIP WIELDS THE SURGEON'S + KNIFE 191 +XIX. A DUAL RENUNCIATION 203 +XX. STRUGGLING AGAINST FATE 215 +XXI. HAGAR AND CORA 229 +XXII. TO BE, TO DO, TO SUFFER 239 +XXIII. SETTING SOME SNARES 244 +XXIV. A VERITABLE GHOST 251 +XXV. SOME DAYS OF WAITING 257 +XXVI. NOT A BAD DAY'S WORK 265 +XXVII. CLAIRE TURNS CIRCE 272 +XXVIII. THE CURTAIN RISES ON THE MIMIC STAGE 279 +XXIX. A STARTLING EPISODE 291 +XXX. WAITING 299 +XXXI. MR. PERCY SHAKES HIMSELF 303 +XXXII. A SILKEN BELT 310 +XXXIII. CROSS PURPOSES 316 +XXXIV. A SLIGHT COMPLICATION 322 +XXXV. "THOU SHALT NOT SERVE TWO MASTERS" SET AT + NAUGHT 332 +XXXVI. MR. LORD'S LETTER 337 +XXXVII. "I HAVE COME BACK TO MY OWN!" 341 +XXXVIII. CORA UNDER ORDERS 356 +XXXIX. MYSTIFIED PEOPLE 367 +XL. DAVLIN'S "POINTS." 378 +XLI. THE DAYS PASS BY 385 +XLII. A STRUGGLE FOR FREEDOM 389 +XLIII. THE DOCTOR'S WOOING 397 +XLIV. A FRESH COMPLICATION 403 +XLV. MRS. RALSTON'S STORY 409 +XLVI. CORA "STIRS UP THE ANIMALS." 416 +XLVII. THE BEGINNING OF THE END 423 +XLVIII. THE SWORD OF FATE 427 +XLIX. AS THE FOOL DIETH 442 +L. "AND THEN COMES REST." 447 + + + + + +[Illustration: "Lucian Davlin was among the arrivals, and at the end +of the depot platform stood the dainty phaeton of Mrs. John +Arthur."--page 229.] + + + + +MADELINE PAYNE, + +THE DETECTIVE'S DAUGHTER. + + +CHAPTER I. + +MAN PROPOSES. + + +"H'm! And you scarcely remember your mother, I suppose?" + +"No, Lucian; I was such a mere babe when she died, I have often +wondered what it would be like to have a mother. Auntie Hagar was +always very kind to me, however; so kind, in fact, that my +step-father, fearing, he said, that I would grow up self-willed and +disobedient, sent her away, and procured the services of the ugly old +woman you saw in the garden. Poor Auntie Hagar," sighed the girl, "she +was sorely grieved at our parting and, that she might be near me, +bought the little cottage in the field yonder." + +"Oh!" ejaculated the man, more as if he felt that he was expected to +say something, than as if really interested in the subject under +discussion. "Ah--er--was--a--was the old lady a property holder, then? +Most discharged servants go up and down on the earth, seeking what +they may devour--in another situation." + +"That is the strangest part of the affair, Lucian; she had money. +Where it came from, I never could guess, nor would she ever give me +any information on the subject. It was a legacy--that was all I was to +know, it seemed. + +"I remember," she continued, musingly, "how very much astonished I was +to receive, from my step-father, a lecture on this head. He took the +ground that my childish curiosity was unpardonably rude, and angrily +forbade me to ask further questions. And I am sure that since that one +instance of wonderful regard for the feelings of Aunt Hagar, he has +not deigned to consider the comfort and happiness of any, save and +always himself." + +As the girl's voice took on a tone of scornful sarcasm; as her cheeks +flushed and her eyes flashed while memory recalled the many instances +of unfeeling cruelty and neglect, that had brought tears to her +childish eyes and pain to her lonely heart--the eyes of Lucian Davlin +became bright with admiration, and something more; something that +might have caused her honest eyes to wonder and question, if she had +but intercepted the glance. But her thoughts had taken a backward +turn. Without looking up, perceiving by his silence that he had no +desire to interrupt her, she proceeded, half addressing herself: + +"I used to ask him about my mother, and was always informed that he +'didn't care to converse of dead folks.' Finally, he assured me that +he was 'tired of seeing my sickly, ugly face,' and that, as I would +have to look after myself when he was dead and gone, I must be +educated. Therefore, I was sent to the dreary Convent school at M----. +And there I studied hard, looking forward to the time when, having +learned all they could teach me, I might breathe again outside the +four stone walls; for, by my step-papa's commands, I was not permitted +to roam outside the sisters' domains until my studies should reach an +end. Then they brought me back, and my polite step-papa called me an +'educated idiot;' and my good old Hagar cried over me; and I made +friends with the birds, and the trees. Ever since, always avoiding my +worthy ancestor-in-law, I have been wondering what it would be like to +be happy among true friends, in a bright spot somewhere, far away from +this place, where I never have been happy for a day at a time, even as +a child." + +"Never, little girl?" The eyes were very reproachful, and the man's +hand was held out entreatingly. "Never, darling?" + +She looked up in his face shyly, yet trustfully, and then putting her +hand in his, said: "Never, until I knew you, Lucian; and always since, +I think, except--" + +She hesitated, and the color fled out of her face. + +"Except when I think that the day draws near when you will leave me. +And when the great world has swallowed you up, you will forget the +'little girl' you found in the woods, perhaps." + +A smile flitted across the face of the listener, and he turned away +for a moment to conceal the lurking devil gleaming out of his eyes. +Then, flinging away his half finished cigar, he took both her hands in +his, and looking down into her clear eyes, said: + +"Then don't let me go away from you, beauty. Don't stay here to make +dismal meditations among the gloomy trees. Don't pass all the weary +Winter with Curmudgeon, who will marry you to an old bag of gold. Come +with me; come to the city and be happy. You shall see all the glories +and beauties of the gay, bright world. You shall put dull care far +behind you. You shall be my little Queen of Hearts, to love and care +for always. Sweetheart, will you come?" + +He was folding her close now, and she nestled in his arms with perfect +trustfulness, with untold happiness shining in her bright eyes. She +was in no haste to answer his eager question, and he smiled again; and +once more the lurking devil laughed out of his eyes. But he held her +tenderly to him, in silence for a time, and then lifted the blushing +face to meet his own. + +"Look up, Aileen, my own! Is it to be as I wish? Will you leave this +place with me to-morrow night?" + +The girl drew back with a start of surprise. "You--you surely are not +going to-morrow, Lucian," and the gentle voice trembled. + +"I must, little one--have just received a letter calling me back to +the city. Your sweet face has already kept me here too long. But I +shall take it back with me, shall I not, love; and never lose it +more?" + +The girl was silent. She loved him only too well, and yet this +peremptory wooing and sudden departure struck upon her naturally +sensitive nerves as something harsh and unpleasant. She would not +leave behind much love, would be missed by few friends, and yet--to +leave her home once was to leave it forever, and it was home, after +all. She looked at the man before her, and a something, her good angel +perhaps, seemed, almost against herself, to move her to rebel. + +"Why must I go like a runaway, Lucian? I can't bear to bid you go, and +yet, if you must, why not leave me for a little time? My father will +never consent, I well know, but let me tell him, and then go openly, +after he has had time to become familiar with the idea." + +"After he has had time to lock you up! Recollect, you are not of age, +Aileen. After he has had time to force you into a marriage with your +broken-backed old lover. After he has had time to poison your mind +against me----" + +"Lucian! as if he could do _that_; _he_, indeed!" The girl laughed +scornfully. + +[Illustration: "She nestled in his arms with perfect +trustfulness."--page 11.] + +It is not difficult to guess how this affair would have terminated. +The man was handsome and persuasive; the girl trustful, loving, and, +save for him, so she thought, almost friendless. + +But an unexpected event interrupted the eloquence flowing from the +lips of Lucian Davlin, and set the mind of the girl free to think one +moment, unbiased by the mesmeric power of his mind, eye, and touch. + +They were standing in a little grove, near which ran the footpath +leading into the village of Bellair. Suddenly, as if he had dropped +from one of the wide spreading trees, a very fat boy, with a shining +face and a general air of "knowingness," appeared before them. + +"I beg pardin, sir," proclaimed he, "but as you told me if a +tellergram come for you, to fetch it here, so I did." + +And staring at Madeline the while, he produced a yellow envelope from +some interior region, and presented it to Lucian Davlin, who tore open +the cover, and took in the purport of the message at one glance. His +face wore a variety of expressions: Annoyance, satisfaction, surprise, +all found place as he read. He stood in a thoughtful attitude for a +brief time, and then, as if he had settled the matter in his own mind, +said: + +"All right, Mike. Go back now, and tell Bowers to prepare to leave +to-night. I'll come down and send the required answer immediately. +Here, take this." + +Tossing him a piece of money, Lucian turned to Madeline, over whose +face a look of sorrowful wonder was creeping. + +"'Man proposes,' my dear! Well, I am 'disposed of' for a time. It is +only one night sooner, and, after all, what matter? Will you decide +for me at once, Maidie? Nay, I see you hesitate still, and time just +now is precious. Think till to-night, then; think of the lonely days +here without me; think of me, alone in the big world, wishing and +longing for _you_. I could not even write you in safety. Think fast, +little woman; and when evening comes, meet me here with your answer. +If it must be separation for a time, dear, tell me when I shall come +back for you." + +The girl drew a breath of relief. He would come back--that would be +better. But seeing his anxiety to be gone, she only said: "Very well, +Lucian, I will be here." + +"Then, good-by till evening." + +A swift kiss, and a strong hand clasp, and he strode away. + +Trampling down the wayside daisies and tender Spring grasses; +insensible to the beauties of earth and sky; smiling still that same +queer, meaning smile, he took the path leading back to the village. +Reaching the site, where the woody path terminated in the highway, he +turned. Yes, she was looking after him; she would be, he knew. He +kissed his hand, lifted his hat with a courtly gesture, and passed out +of her sight. + +"Gad!" he ejaculated, half aloud, "she is a little beauty; and half +inclined to rebel, too. She won't go with me to-night, I think; but a +few weeks of this solitude without me, and my Lady Bird will +capitulate. The old Turk, her step-father, won't raise much of a hue +and cry at her flight, I fancy. Wonder what is the secret of his +antipathy to Miss Payne." + +He paced on, wrinkling his brow in thought a moment, and then +whistling softly as his fancies shaped themselves to his liking. +Suddenly he stopped, turned, and looked sharply about him. + +"I'll do it!" he exclaimed. "Strange if I can't extract from a broken +down old woman any items of family history that might serve my +purpose. I'll call on the nurse--what's her name--to-night." + +He glanced across the meadow to where stood the cottage of Nurse +Hagar, and, as if satisfied with himself and his brilliant last idea, +resumed his walk. Presently his pace slackened again, and he looked at +the crumpled paper which he still retained in his hand, saying: + +"It's queer what sent Cora to the city for this flying visit. I must +keep my Madeline out of her way. If they should meet--whew!" + +Evidently, direful things might ensue from a meeting between Madeline +Payne and this unknown Cora, for after a prolonged whistle, a brief +moment of silence, and then a short laugh, Davlin said: + +"I should wear a wig, at least," and he laughed again. "I wonder, by +Jove! I wonder if old Arthur's money bags are heavy enough to make a +card for Cora. Well, I'll find that out, too." + + + + +CHAPTER II. + +THE OLD TREE'S REVELATIONS. + + +Meanwhile, strange feelings filled the heart, and troublesome thoughts +the head, of Madeline Payne. + +She looked about her sorrowfully. The leafy wood seemed one of her +oldest, truest friends. Since her mother's death, she had lived, save +for the faithful regard of old Hagar, an unloved life. In the only +home she knew, she felt herself an object of dislike, and met only +cold neglect, or rude repulsion. So she had made a friend of the shady +wood, and welcomed back the birds, in early Springtime, with joyful +anticipation of Summer rest under green branches, lulled and soothed +by their songs. + +Wandering here, the acquaintance between herself and Lucian Davlin +had begun. Here six long, bright weeks of the Springtime had passed, +each day finding them lingering longer among the leafy shadows, and +drawing closer about them both the cords of a destiny sad for one, +fatal for each. + +Standing with hands clasped loosely before her, eyes down dropped, and +foot tapping the mossy turf, Madeline presented a picture of youth and +loveliness such as is rarely seen even in a beauty-abounding land. A +form of medium height which would, in later years, develop much of +stately grace; a complexion of lily-like fairness; and eyes as deep +and brown, as tender and childlike, as if their owner were gazing, +ever and always, as infants gaze who see only great, grand wonders, +and never a woe or fear. + +With a wee, small mouth, matching the eyes in expression, the face was +one to strike a casual observer as lovely--as childishly sweet, +perhaps. Yet there was something more than childishness in the broad +brow, and firm chin. The little white hands were shapely and strong, +and the dainty feet pressed down the daisies softly yet firmly, with +quiet but steady movement. + +Many a man has been mistaken in baby mouth, and sweetly-smiling eyes. +And whoso should mistake Madeline Payne, in the time to come, for +"just a child and nothing more," would reckon unwisely, and mayhap +learn this truth too late. + +Madeline sat down upon a fallen tree, where she had so often talked +with her lover. She looked up into the wide spreading branches +overhead. There was the crooked bough where she had, often and often, +in past days, sought refuge when troubled by her father's harshness, +or haunted by dreams of the mother she had hardly known. It looked +cool and inviting, as if she could think to better purpose shrouded by +the whispering leaves. She stepped upon the fallen trunk, and +springing upward, caught a bending limb, and was soon seated cosily +aloft, smiling at the thought of what Lucian would say could he see +her there. Long she pondered, silent, motionless. Finally, stirring +herself and shaking lightly an overhanging friendly branch she +exclaimed: + +"That will be best! I'll stay here for the present. I'll tell +step-papa that I love Lucian, and will never marry his friend, Amos +Adams, the old fright! I'll try and be very calm, and as dutiful as +maybe. Then, if he turns me out, very well. If he shuts me up--" Her +eyes flashed and she laughed; but there was little of mirth in the +laughter--"Why, then, I _would_ lead him a life, I think! Yes, I'll +bid Lucian good-by, for a little while, and I'll try and not miss him +too much, for--Oh!" + +She had been very busy with her own half-spoken thoughts, else she +must have sooner discovered their approach, for now they were almost +underneath her, and they were no less personages than her step-father, +John Arthur, and her would-be suitor, Amos Adams. + +Madeline was about to make known her presence, but her ear caught the +fragment of a sentence in which her name held prominent place. Acting +upon impulse, she remained a silent, unsuspected listener. + +And so began in her heart and life that drama of pain and passion, sin +and mystery, that should close round, and harden and blight, the +darkening future of Madeline Payne. + +A more marked contrast than the two men presented could scarcely be +imagined. + +[Illustration: "Madeline presented a picture of youth and +loveliness."--page 17.] + +John Arthur might have been, evidently had been, a handsome man, years +ago. But it did not seem possible that, even in his palmiest days, +Amos Adams could have been called anything save a fright. He was much +below the medium height. His head was sunken between his shoulders, +and thrust forward, and each feature of his ugly face seemed at war +with every other; while the glance of his greenish gray eye was such +as would cause a right-minded person involuntarily to cross himself +and utter, with perfect propriety, the Pharisee's prayer. + +"The mischief fly away with you, man," said Mr. Arthur, seating +himself upon the fallen tree, and striking at the ground fiercely with +his cane; "what is my dead wife to you? Madeline makes my life a +burden by these same queries. It's none of your business why the +departed Mrs. Arthur left her property to me during my life, and tied +it up so as to make me only nominal master--mine to use but not sell, +not one acre, not a tree or stone; all must go intact to Miss +Madeline, curse her, at my death." + +"Um-m, yes. Does the girl know anything of this?" + +"If she did, your chances would be slim," said the other, scornfully. +"No; I have taken good care that she should not. She has a vixenish +temper, if she should get waked up to imagine herself 'wronged,' or +any such school-girl nonsense. I shall not live many years--this heart +disease is gaining on me fast; and if the girl is your wife, in case +of my death the fortune is as good as yours, you know. I want to have +peace while I do live; and for this reason, I say, I will give you my +step-daughter in marriage, and you shall give me the note you hold +against me for that old debt, the payment of which would compel me to +live like a beggar for the remainder of my days, and the sum of ten +thousand dollars." + +"It's making a wife a rather expensive luxury," quoth old Amos, +seating himself; "but the girl's a beauty--no disputing that point; +and--" + +"Of course she is," broke in Arthur, impatiently; "worth that, and +more, to whoever wants her, which, fortunately for you, I don't; she +is only a kill-joy to me. If you want the girl, take her, and be +blessed--I'll give away the bride with all the pleasure in the +world--and 'live happy ever after.'" + +[Illustration: "What is my dead wife to you?"--page 20.] + +There was not much room for argument between these two. It was simply +a question of exchange, and when old Amos had decided that he was not +paying too dearly for so fair a piece of flesh and blood, they came to +terms without more ado, and being agreed that "it's always best to +strike while the iron is hot," Mr. Arthur suggested that his friend +return with him, accept a seat at his hospitable board, and hear +himself announced formally to Miss Madeline, as her future lord and +master. John Arthur had ever exacted and received passive obedience +from his step-daughter. He had little fear of rebellion now. How could +she rebel? Was she not dependent upon his bounty for her daily bread, +even? + +Old Amos troubled his ugly head little if any on this point. He +recognized no higher potentate than gold. He had bought him a wife; he +had but to pay the price and take possession of the property. + + * * * * * + +Madeline Payne sat long on her leafy perch, thinking fast and hard, +the expressions of her face changing rapidly as she revolved, in her +mind, different phases of the situation. Surprise gave place to +contempt, as she eyed the departing plotters from her green +hiding-place. Contempt merged into amusement, as she thought of the +wonderful contrast between the two wooers who had proffered their +respective suits, in a manner so very different, beneath that +self-same tree. A look of fixed resolve settled down upon her +countenance at last, and uncurling herself, she dropped lightly upon +the ground. + +[Illustration: "Slowly she turned away and very thoughtful was her +face."--page 24] + +Madeline had made up her mind. That it would be useless to say aught +of Lucian, she now knew too well. That she could never defy her +father's commands, and still dwell beneath her father's roof, she also +knew. She hesitated no longer. Fate, stronger than she, had decided +for her, she reasoned. Her mind once made up, she gave in it no place +to fears or misgivings. The strength of will and the spirit of +rebellion, that were dormant in her nature, began to stir into life, +roused by the injustice that would rob her of her own. She not only +had a way of escape, but that way her own inclinations lured her. With +never a fear, never a thought of the days to come, she turned from her +mockery of a home, from her parent, unnatural, unloving, and unloved, +to an unknown, untried world, which was all embodied in one +word--Lucian. + +The past held for her many dark shadows; the future held all that she +craved of joy and love--Lucian. + +In her outraged heart there was no room for grief. She had heard her +dead mother scorned, and by him who, more than all others, should have +cherished her memory and honored her name. She had heard herself +bartered away, as a parcel of goods, and her very life weighed in the +balance as a most objectionable thing. Her happiness was scoffed at; +her wishes ignored as if without existence, and contrary to all +nature; even her liberty was menaced. + +Slowly she turned away, and very thoughtful was her face as she went, +but fixed in its purpose as fate itself: and fearless still as if life +had no dark places, no storm clouds, no despair. + +Oh! they were lovely, innocent eyes; and oh! it was a sweet, sweet +mouth! But the eyes never wavered, and the mouth had no trace of +weakness in its dainty curves. You have reckoned without your host, +John Arthur. It is no commonplace school-girl with whom you have to +deal. Madeline Payne possesses a nature all untried, yet strong for +good or evil. Intense in love or hate, fearless to do and dare, she +will meet the fate you bring upon her--but woe to those who have +compassed her downfall! If your hand has shaped the destiny of her +life, she will no less overrule your future and, from afar--perhaps +unrecognized, unseen--mete out to you measure for measure! + +The grand old tree is sighing out a farewell. The sunlight is casting +fantastic shadows where her foot, but a moment since, rested. The +leaves glisten and whisper strange things. The golden buttercups laugh +up in the sun's face, as if there were no drama of loving and hating, +sin and atonement, daily enacted on their green, motherly bosom. And +Madeline Payne has put her childhood behind her, and turned her face +to the darkness beyond. + + + + +CHAPTER III. + +THE STORY OF A CRIME. + + +Nurse Hagar was displeased. She plied her knitting-needles fiercely, +and seemed to rejoice in their sharp clicking. She rocked furiously +backwards and forwards, and sharply admonished the cat to "take +himself away," or she "would certainly rock on his tail." She "wanted +to do something to somebody, she did!" She looked across the fields in +the direction of Oakley, and dropping her knitting and bringing her +chair to a tranquil state, soliloquized: + +"It's always the way with young folks; they don't never remember that +old uns have feelings. They run away after a new face, and if it's a +young one and a handsome one, they turn everybody out of their +thoughts; everybody else. Not that I think that city fellow's a +handsome chap; by no means," she grumbled; "but Maidie does; that's +certain sure. And she won't let me say a word about him--oh, no; I'm a +poor old woman, and my advice is not wanted!" + +Hagar resumed her knitting and her rocking with fresh vigor. But her +face relaxed a measure of its grimness as, looking up, her eye rested +on a dainty nosegay, tossed in at the window only that morning, by +this same neglectful young girl. + +"She don't mean to forget me, to be sure," she resumed. "She is always +kind and gentle to her old nurse. She is lonesome, of course, and +should have young company, like other girls, but--" here the needles +slacked again--"drat that city chap! I wish he had stayed away from +Bellair." + +"Goodness, auntie, what a face! I am almost afraid to come in." + +Madeline laughed, despite her anxiety, as Aunt Hagar permitted her +opinion of the "city feller" to manifest itself in every feature. + +"Get that awfully defiant look out of your countenance, auntie," +continued Madeline; "for I'm coming in to have a long talk with you, +and I must not be frightened in the beginning." + +The lovely face disappeared from the open window, and in a moment +reappeared in the doorway. + +To permit herself to be propitiated in a moment, however, was not in +the nature of Dame Hagar. + +"I s'pose you think it's very respectful to pop your saucy head in at +an old woman's window, and set her all of a tremble and then tell her, +because she is not grinning for her own amusement, that she looks +awfully cross, and that you are afraid she will bite you. You are a +nice one to talk of being afraid; you, who never showed an atom of +fear of anything from your cradle up. If you were a bit afraid, when +you were out in the woods, for instance, and meet a long-legged animal +with a smooth tongue, and eyes that ought to make you nervous, +'twouldn't be to your discredit, I think. Of course, I don't mean to +say that you don't meet him quite by accident; oh, no! And I don't +_say_ that he ain't a very nice, respectable sort of chap, whatever I +may _think_. You are just like your poor mother, and if this fellow +with a name that might as well be Devil, and done with it--" + +"There, now, auntie--" Madeline's face flushed, and she put the cat +down with sudden emphasis; "I won't let you say bad things of Mr. +Davlin, for I think you would be sorry for it afterward." + +She drew a low seat to the side of the old lady, and looking her full +in the face, spoke in a voice low, intense, full of purpose. + +"Auntie, it is time you told me more about my mother. You have evaded, +my step-father has forbidden, my questioning, but if I am ever to know +aught of my dead mother's history, I intend to hear it from your lips +to-day." + +Surprise for a time held the old woman speechless; a look of sorrow +and affection drove the querulousness out of her face and voice. + +"What ails you, child?" she said, wonderingly. "Do you want to make +Mr. Arthur hate me more, and keep you from me entirely? Don't you +know, dearie, how he swore that the day I told you these things, he +would forbid you to visit me; and if you disobeyed, take you away +where I could not even hear of you?" + +Tears were in Hagar's eyes, and she held out her wrinkled hands +imploringly. "Don't tease your old nurse, dearie; don't. I can't tell +you these things now, and they could not make you any happier, child. +Wait a little; the time will come--" + +"So will old age, auntie; and death, and all the knowledge we want, I +suppose, when it is too late to make it profitable. Well, auntie, I +will tell you something in exchange for my mother's story, and to make +it easier for you to relate it. But first, will you answer a few +questions?--wait, I know what you would say," as the old woman made a +deprecating movement, and essayed to speak. "Hear me, now." + +Hagar looked at the girl earnestly for a moment, and then said, +quietly: + +"Go on then, dearie." + +"First," pursued Madeline; "my father dislikes me very much; is this +the truth?" Hagar nodded assent. + +"He dislikes you because you were always good to me." Here she paused, +and Hagar again nodded. + +"Because you were attached to my mother." Again she paused, and again +the old woman bowed assent. + +"And because"--the girl fixed the eyes of the old nurse with her +own,--"because you were too familiar with my mother's past, and his, +and knew too well the secret of his hatred of me!" + +Hagar sat silent and motionless, but Madeline, who had read her answer +in the troubled face, continued: "Very good; I knew all this before, +and I'll tell you what else I know. I know why Mr. John Arthur hates +me!" + +Hagar opened her mouth, and shut it again quickly. + +"He hates me," pursued Madeline, "because my mother left him her +fortune so tied up that he can only use it; never dispose of it. And +at his death it reverts to me." + +Hagar still looked her amazement, and Madeline condensed the remainder +of her force into one telling shot. + +"If I would be kind enough to die, he would consider it a great favor. +But as I evidently intend to live long, he desires, of course, to see +me happy. Therefore he has bargained me in marriage to Amos Adams, for +the splendid consideration of a few thousand dollars, and the promise +of a few thousand more _if I die young_!" + +Still the bewildered look rested upon the old woman's face, and still +she gazed at the young girl before her. Suddenly, she leaned forward, +and taking the fair head between two trembling hands, gazed long at +her. As if satisfied at last with her scrutiny, she drew a deep, +sighing breath and leaned back in her chair. + +"It's true," groaned Hagar; "it's too true! She has found it out, and +my little girl has gone away;--my Baby Madeline is become a woman! +There was never a coward in all the race, and a Payne never forgave! +It has come at last," she wailed, "and now, what will she do?" + +Madeline lost not a look nor tone; and when the old woman ceased her +rocking and moaning, she suggested, with a half smile: + +"Hadn't I better marry old Adams, auntie, worry them both into +untimely graves, and be a rich young widow?" + +Hagar gazed at her in silence. And Madeline, taking her hand in her +own, said: "Shall I tell you how I discovered all this, auntie, dear?" + +"Yes, child; go on." And she bent upon the girl a look of attention. + +Madeline drew close to her side, and briefly related what had +transpired while she sat in her favorite tree; not stating, by the +bye, how it occurred that she was in the grove at that very opportune +time. Hagar's indignation was unbounded, but she continued to gaze at +Madeline in a strange, half fearful, half wondering, wholly expectant +way, that the girl could not interpret. + +"And now, Aunt Hagar," pursued Madeline, seriously, "I want to +understand this matter more fully, and I will not say a word of my +plans until you have told me what I came to hear. I shall not come to +you again for this information; it is surely my right, and time now is +precious." + +Madeline half rose, seeing that her nurse still rocked dismally and +looked irresolute. "I can bide my time, and fight my battles alone, if +need be," she continued, coldly. "I won't trouble you again, nurse," +turning as if to go. + +"Stop, child!" cried Hagar; "let an old woman think. I'll tell you all +I can; all I know. Don't turn away from your old nurse, dearie; her +only thought is for your good. Yes; you must not be left in the dark +now,--sit down child; sit down." + +Madeline resumed her seat, and old Hagar, after another season of +moaning and rocking, proceeded to relate, with many wanderings from +the point, and many interpolations and opinions of her own, the brief, +sad story of Mrs. Arthur's married life and early death. Bereft of +Hagar's ornamental extras, it was as follows: + +Madeline Harcourt, an orphan, and the adopted daughter of a wealthy +bachelor uncle, had incurred his displeasure by loving and marrying +Lionel Payne, handsome, brave to a fault, with no other wealth than +his keen intellect, his unsullied honor, and his loving, manly heart. + +[Illustration: "I can bide my time, and fight my battles alone if need +be."--page 30] + +Lionel Payne had entered upon the study of law, but circumstances +threw in his way certain mysteries that had long been puzzling the +heads of the foremost detectives, and the young law student +discovered in himself not only a marked taste for the study of +mysteries, but a talent that was remarkable. So he gave up his law +studies to become a detective. He rose rapidly in his new profession, +giving all the strength of his splendid ability to the study of +intricate and difficult cases, and became known among detectives, and +dreaded among criminals, as "Payne, the Expert." + +He had lived two happy years with his young wife, and been six months +the proud father of baby Madeline, when he fell a victim to his +dangerous pursuit, shot dead by a bullet from the hand of a fleeing +assassin. + +John Arthur had been a fellow law student with Lionel Payne, and he +had followed the career of the young expert with curious interest, +being, as much as was possible to his selfish nature, a friend and +admirer of the rising young detective. And Lionel Payne, open and +manly himself, and seeing no trace of the serpent in the seeming +disinterestedness of Arthur, introduced him proudly into his happy +home. Arthur was struck by the beauty of the young wife, and became a +frequent and welcome visitor. + +One day, there came to the office where John Arthur earned his bread +reluctantly, as a salaried clerk, the uncle of Madeline Payne. He had +come to make a will, in which he left all his possessions to his +beloved niece, Madeline, and her heirs forever after. This was several +months before the sudden death of Lionel Payne. + +Ten months after she became a widow, Madeline's uncle died. Left alone +with her little child, and with no resources but her own efforts, +Madeline's mother struggled on, ever the object of the kind +watchfulness and unobtrusive care of John Arthur, who professed to +adore the child for the sake of the father, and through the baby +Madeline, gradually won his way in the mother's esteem. Mrs. Payne was +deeply grateful, and her mother's heart was touched by the devotion of +Arthur to her little child. So it came about that, after a time, she +gave him her hand, and all of her heart that was not buried with +Lionel. A little later she learned that her uncle was dead, and she +became mistress of a handsome fortune. + +Soon came the knowledge that her husband's heart was not all gold, and +the suspicion, as well, that her uncle's will and its purport had long +been no secret to him. But, partly from force of habit, and partly +because he was not yet quiet hardened, John Arthur kept up his farce +of affection for the child. And while his wife awoke to a knowledge of +many of his short-comings, she always believed in his love for her +little one. + +The two elements that were strongest in the nature of John Arthur were +selfishness and pride. From his youth up his idols had been gold and +self. Born into the world minus that "golden spoon" for which he +sighed in youth, and schemed in later years, he had ever felt towards +said world a half-fledged enmity. As he reached the age of manhood, +his young sister was formally adopted by the only surviving relatives +of the two; and becoming in due course of time and nature sole +possessor of a very nice little fortune, afterwards held her head very +high. Later, in consequence of some little indiscretions of her +brother at the time when he was set free in the world--the result of +the popular superstition held by him that "the world owed him a +living,"--she held herself aloof from and ignored him completely. + +By degrees Mrs. Arthur's eyes became opened to the true character of +the man she had married. Moments she had of doubting, and then of +fearing that she wronged him too deeply, for her nature was a just +one. It was in one of these latter moods that she made her will, +before she had become aware that even his love for her little girl was +only a well acted lie; believing her secure of love and care during +his life, she made sure that, at his death, her darling should be +supplied with all that money could give. She had long been in the +fatal toils of that dread destroyer, heart disease, and suddenly, +before she had found opportunity for securing her little daughter +further, as she had since begun to realize it was needful to do, she +was seized with a paroxysm that snapped the frail cord of life. + +A short time before her death, she had given into the keeping of old +Hagar, a package, to be delivered to little Madeline when she should +become a woman, and with the express wish that, should John Arthur +prove a kind guardian meanwhile, she would burn the journal it +contained, unread. + +Old Hagar now placed in Madeline's hands the package, which was found +to contain her mother's most valuable jewels, and the tear-stained +journal, which the girl seated herself to peruse, with sorrowful awe. + +The last page being turned, and the sad life of her mother fully +revealed, Madeline bowed her head and wept bitterly, heedless of the +attempt of old Hagar to comfort her, until the name of her step-father +upon the old woman's lips brought her suddenly to her feet, the tears +still on her cheeks, but her eyes flashing, and on her countenance a +look that might have been a revelation to John Arthur, had that +gentleman been there to see. Taking the old woman's hand, and holding +it tightly in her own, the girl said: + +"Thanks, auntie, for recalling me. I have no time for tears now. +Listen, and don't interrupt me. My poor mother died with a heart +filled with fears for my future, left to that man's keeping. At the +time of her death, he believed himself her unconditional heir. She +feared for her life with him, and her sickness was aggravated in every +possible manner by him, and I fully believe that, in intent if not in +deed, John Arthur is my _mother's murderer_!" + +The old woman's face expressed as plainly as words could do, that she +shared in this belief. The girl went on, in the same rapid, firm tone: + +"He killed the mother for gold, and now he would sell her child. He +will fail; and this is but the beginning. As he drove my mother into +her grave, I will hunt him into his! He shall suffer all that she +suffered, and more! I know where you obtained your independence now, +Aunt Hagar; and he hates you doubly because my mother's love provided +for you a home, and for her child a haven in time of need. It was +well. Keep the old cottage open for me, Aunt Hagar. Keep an eye on +John Arthur, for my sake. Never fear for me, whatever happens. Expect +to hear from me at any time, to see me at any moment. Don't answer any +questions about me. A thousand thanks for all your love and kindness, +auntie; good-by." + +Before the old woman could recover from her astonishment, or utter a +word, Madeline had kissed her, swiftly taken up the precious package, +and was gone! Hagar hastened to the door, but the girl was speeding +swiftly down the path, and was quickly lost to view. + +"Oh! Oh! Oh!" moaned Hagar, seating herself in the doorway; "her +father's passion and her mother's pride! Sorrow and trouble before +her, and she all alone; dark, dark, dark; the world against her! +Sorrow and trouble--it's in the blood! And she'll never give it up! +She'll fight her wrongs to the bitter end. Oh, my precious girl!" and +she buried her head in her apron and wept. + +The sun's last ray had faded from the highest hill-top. The little +birds had folded their wings and hushed their warblings. Dark clouds +came sweeping up from the west, and one, heavy and black, passed above +the roof of Oakley, bent down, and rested there. Hagar, still +sorrowing in the doorway, saw and interpreted. Dark days to come to +the master of that overshadowed house. Dreary days and bitter +nights--ah, how many, before that cloud should be lifted from over it, +or light hearts beat beneath its roof. + +"I beg pardon, madame, you appear in trouble; perhaps I intrude?" + +It was Lucian Davlin's soft, lazy voice, and that disagreeable half +smile lurked about the corners of his eyes and mouth. + +"I've had more welcome visitors," said the old woman, with more truth +than politeness, and rubbing her eyes with the corner of her apron, +"what do you want?" + +"Only a small matter of information, which I believe you can give me." + +"Well," said Hagar, testily. + +"I want to make a few inquiries about Mr. Arthur of Oakley." + +"About Miss Madeline, I suppose you mean. I won't tell you a word--" + +"My dear, good woman, I don't ask nor wish any information regarding +that young lady--my inquiries solely concern the father. He is said to +be wealthy!" + +"What is John Arthur or his money to you?" she questioned, eying him +with much disfavor. + +"Nothing whatever," he indifferently replied. "I merely inquire on +behalf of a friend." + +"I'll throw him off the scent if he does mean Madeline," thought the +old woman. + +"Well, Mr. whatever your name is, if it will satisfy your friend to +know that Mr. John Arthur is master of Oakley, and everybody knows +there's no finer property in the State, and that he has a yearly +income of ten thousand or more, why, tell him or her so. And you may +as well say, at the same time, that he is too stingy and mean to keep +the one in repair, or spend decently the other. And when he +dies"--here she suddenly checked herself--"well, when he dies, his +heirs, whoever they may be, will inherit all the more because of his +meanness." + +"And who, pray, may be his heirs?" + +"How should I know who a stingy old reprobate will choose to inherit +after him? I think he has a sister somewhere, but I don't know." + +"H'm, thank you--for my friend. Good-night." + +Smiling that same Mephistophelian smile, Lucian Davlin sauntered away, +apparently satisfied with himself and what was passing in his mind. + +"He'll do," he muttered; "and she'll do him. It will be a good thing +for her, just now, and very convenient for me into the bargain. Cora's +a marvellously fine woman, but little Madeline is fresh as a rose, and +a few months of the city will make her sharp enough. Only let me keep +them apart; that's all." Satisfaction beamed in his eye and smiled on +his lip. "Pretty Madeline will be the envy of half the boulevard." + +Now he has neared the trysting tree. "I think I'll just smoke here, +and wait for my pretty bird; this is the place and almost the time." + +He smoked and he waited; the time came, and passed; his cigar expired; +the shadows deepened--but still he waited. + +And he waited in vain. No light form advanced through, the gathering +night; no sweet voice greeted him. + +The time was far past now, and, muttering an oath, the disappointed +lover strode away, and was lost in the night. + +Madeline was standing in her own room, the threshold of which John +Arthur had never crossed since the day when a silent form was borne +from it, and laid in that peaceful home, the churchyard. She had just +received the summons, for which, only, she lingered--the command of +Mr. Arthur to attend at the altar of hospitality, and pour, for Mr. +Amos Adams, the tea. + +She was attired in a neat dark garment which was vastly becoming. She +had made her toilet with more than usual care, as if, perhaps, to do +honor to her ancient suitor--at least so thought Mr. Arthur, when she +presented herself before him. + +She had put her chiefest treasures in a little, a very little, +travelling bag. And now she threw across her arm a large cloak, took +her hat, veil, and bag, and descended softly to the hall below. It was +faintly lighted from the lower end, and Madeline deposited her +belongings in a darkened niche near a door, peeped put into the night +that had come on cloudy and starless, and entered the room where +waited the two conspirators, and supper. + +John Arthur was more bland and smiling than Madeline had ever before +known him, while as for old Amos, he nearly lost himself in a maze of +grins and chuckles, but displayed a very unloverlike appetite, +nevertheless, and divided his attention pretty evenly between the +beautiful face of Madeline, and the viands on the table. + +Madeline betrayed no sign of surprise at her step-papa's unwonted +cordiality, and no annoyance at the ogling and chuckling of her +antiquated suitor. In truth, she favored him with more than one +expressive smile, the meaning of which he little guessed, as she +contrasted him once more with handsome Lucian Davlin, and smiled again +at the picture of his coming defeat. + +The meal was partaken of in comparative silence, all apparently quite +satisfied with their own thoughts--ah, how different! It was not until +old Jane, the servant, had been dismissed that Mr. Arthur drew his +chair a trifle nearer that of his friend, and leaning his arms upon +the table, looked across at Madeline, and said: + +"My dear, I believe you are aware of the honor this gentleman desires +to confer upon you? I think I have hinted at the truth upon one or two +occasions?" + +Madeline veiled her too expressive eyes behind their long lashes, but +made no reply. + +"It is my desire," he continued, surveying with satisfaction the +appearance of humility with which his words were received, "and the +desire of Mr. Adams as well, that we should come to a satisfactory +understanding to-night. We will, therefore, settle the preliminaries +at once:--this is your desire, I think, Mr. Adams?" + +"Oh, certainly! Oh, yes, yes," ejaculated old Amos, in a transport of +grins. + +"And this will, I trust,"--he was growing more stately and polite +every moment--"this, of course, is satisfactory to you, Miss +Madeline?" + +"Perfectly." She looked him full in the face now, and somehow her +glance slightly impaired his feeling of dignity and security. + +"Very good; and now having formally accepted the proffered hand of Mr. +Adams--" + +"Pardon me, sir, you are too fast. Mr. Adams has not offered +himself." + +"Nonsense,"--Mr. Arthur suddenly forgot his politeness--"haven't I +just stated his offer?" + +Madeline leaned back in her chair, and looked from one to the other +with a tranquil smile. + +"Perhaps; but unfortunately there is a law in existence which +prohibits a man from marrying his grandmother, and likewise objects, I +believe, to a young woman's espousing her step-papa, however much +adored. And as you can't marry me, my dear parent and guardian, why I +object to listening to a proposal from your lips." + +John Arthur gazed in angry consternation upon the girl's still smiling +face, but before the impatient words that he would have uttered could +find voice, old Amos, who had interpreted her smiles as being +favorable to himself, came gallantly to the rescue. + +"Right! quite right," he chuckled. "Of course, you know, Arthur--Miss +Madeline, ahem--that's what I meant, you know. It's the proper way," +he gasped; and the general expression of his countenance did not tend +to make his observations the more lucid--"I meant, you know--ah, +well--will you honor me Miss Madeline--by--by your hand, you know?" + +This effort of oratory was received with smiling attention by the +girl, who now addressed herself entirely to him, without heeding the +effect of her words upon her step-father, or his interpolations, as +she proceeded. + +"Mr. Adams;"--she spoke in a low, even tone, and gradually permitted +the real feelings that were seeking for expression to show themselves +in her every feature--"Mr. Adams, I think I appreciate _as it +deserves_ the honor you desire to bestow upon me; believe me, too, +when I say that I am as grateful as it is proper I should be. But, Mr. +Adams, I am only a mere girl, and you might pay too dearly for me." + +"What the deuce does the fool mean?" growled Mr. Arthur. + +"I don't dispute the fact that I am a perfectly marketable commodity, +and it is very right and proper that my dear step-papa--who dotes on +me, whose idol I have been for long years--should set a high valuation +upon my unworthy head. Yet this little Arcadian transaction is really +not just the thing for the present century and country. And so, Mr. +Adams, I must beg leave to thank you for the honor you proffer, and, +thanking you, to decline it!" + +For a moment no one spoke; there was neither sound nor movement in the +room. John Arthur was literally speechless with rage, and old Amos was +just as speechless from astonishment; while Madeline gazed from one to +the other unmoved. As soon as he could articulate, John Arthur +confronted her, and taking her roughly by the shoulder, demanded: + +"What do you mean, you ungrateful jade? What are you talking about?" + +"About your contract in flesh and blood, Mr. Arthur. About your very +worthy scheme for putting money in your pockets by making me this +man's wife. If I am to be sold, sir, I will make my own bargain; be +very sure of that; and _this_ is not my bargain!" + +"Don't talk to me of bargains, you little idiot! Do you think to defy +me? Do you dare to defy me?" + +His rage passed all bounds. She put the width of the table between +them and surveyed him across it, mockingly. + +"Listen, girl, I am your lawful guardian; you shall obey me!" + +"Really, now, don't, step-papa; you are actually purple in the face! +You might die, you know; think of your heart, do, and take a glass of +water." + +Old Adams collapsed in the remote corner whither he had fled. The +miser was not at home in a tempest, and this was already beyond his +depth. He gasped in speechless amaze and affright. Was this the girl +he had thought to mold as his wife, this fearless, defiant creature? +Already he began to congratulate himself upon his lucky escape. "She +would murder me some day," he thought, shuddering. + +For the time being, John Arthur was a madman. Defied, mocked, by this +girl who had been a burden to his very life! He raged, he raved, he +cursed; and so raging and raving, he cursed her, and then in vile, +bitter words hurled his anathema at her dead mother's memory. + +Then the mocking smile was gone, the taunting voice changed its tone; +and as it changed, old Amos, cowering in his corner, shuddered afresh. +Her whole face underwent a transformation. Her form dilated, she +sprang before her step-father and the ring of her voice checked the +imprecations on his lips. + +"Stop," she cried; "don't add the last drop to your already overfull +measure! Don't double the force of the thunderbolt that will strike +you some day! Is it not enough that you have hated me all my life +through; that you have loaded down my childhood with unkind words, +curses, and wishes for my death? Not enough that you follow me with +your hatred because my mother's own will be mine at your death? Not +enough that you would barter my life--yes, my _life_--for gold, sell +my heart's blood for your own ease and comfort? And now must you +pollute the name of my mother, as you polluted her life? Never breathe +her name again; never _dare_ to name her! I, her daughter, tell you +that for her every tear, every heart pang, every sigh, _you_ shall pay +dearly; _dearly!_ I will avenge my mother's wrongs, some day; for _you +are her murderer_!" + +[Illustration: "I will avenge my mother's wrongs some day; for _you +are her murderer_."--page 42.] + +John Arthur gazed in speechless amaze into the space before him--but +she was gone! The stern, vengeful, set face was no longer there. The +proud, ringing voice was no longer sounding in his ear. The uplifted, +warning, threatening hand menaced him only in memory. And before the +might of her purpose, and the force of her maledictions, he stood as +in a trance. + +When he had so far recovered himself as to think of her sudden +disappearance, he went out quickly. The entrance door stood wide open; +the dim light flickered on an empty hall and stairway; the sky was +black with clouds, and never a star; the wind moaned about the house; +and across the meadow came the doleful howl of old Hagar's watch-dog. + +But Madeline was not to be found. + +Always, in the days to come, he remembered her face as it had looked +on him that night. Often in dreams he would start and cry out, haunted +by the sound of her scornful voice, the spectre of her threatening +hand. + + + + +CHAPTER IV. + +THE DIE IS CAST. + + +Lucian Davlin paced the platform of the Bellair depot, in a very +unpleasant frame of mind. + +His companion,--half servant, half confederate, wholly and entirely a +rascal,--discerning his mood and, as ever, adapting himself to it, had +withdrawn to a respectful distance. Only the shine of his cigar, +glowing through the darkness, betokened his proximity, or the fact +that the dark platform was not in the sole possession of the sullen +man who paced its brief length, and questioned the Fate in which he +trusted, and which, for once, had played him a sorry trick. + +[Illustration: "Gad! to be baffled like this!"--page 46.] + +He had been deceived by a mere school-girl. She had not even deigned +him a farewell word. He had lost a fair prize. + +"Gad!" he muttered, biting viciously at his cigar, "to be baffled like +this; to lose that little beauty; to be foiled like a moon-struck +idiot and never know how or why! I can't write her, with that cursed +old step-father to interfere. I can't return again very soon. And she +_is_ such a little beauty!" + +He paused at the end of the darkened platform, and looked down the +track; in the direction of the grove where they had met, and of +Madeline's home. It was almost time for the train. At the upper end of +the platform, the station master flashed his lantern, tumbled the +luggage closer to the track and examined the checks critically; while +the Man of Tact came out from his retirement and overlooked the +proceeding. + +Something was coming down the track, swiftly, silently. He could just +discern a shape moving toward him. It came nearer, and he moved up a +few paces, and turned again where the lantern's rays fell upon him. It +came nearer yet and paused in the shadow. It was a woman's form, and +it beckoned. He approached carelessly. + +"Lucian!" She came close to him, and placed her hand upon his arm, +drawing her breath hard and quick. + +He drew her farther into the shadow and clasped his arms about her. +"Little one! You have walked fast,--how your heart beats! I had given +you up. Is it 'good by,' dear?" + +She silently held up the little chatelaine, which he felt rather than +saw, and took from her hand. In the darkness, he smiled again the old +exultant smile not good to see, and pressing her closer in his arms, +said: + +"Don't try to talk, sweet one; see, yonder comes our fiery horse and +soon we will be far on our way. Take my arm, little one, and trust him +who loves you. Look your last at the scene of your past +loneliness,--to-morrow comes the gay world." + +Rattling and shrieking, the train approached. Lucian hurried his +companion upon the rear platform; and neither his comrade, who entered +the smoking car without looking about him, nor the station master, +busy with his trunks and valises, observed that a third passenger +quitted Bellair station on the night express. + +About them, the passengers nodded, yawned or slept. Outside, swiftly +passing darkness. And every moment was hurrying her farther and +farther away from all familiar scenes and objects, out to a life all +untried, a world all new and strange. But she never thought of this. +She was not elated, neither was she cast down. She felt no fear;--and, +afterwards, she remembered that she indulged in no bright visions of +the future during her swift flight. + +She had prepared herself to relate her story, to describe the scene +she had just passed through, to tell him all. But he had other things +to occupy his mind, and bidding her to rest and save all she might +have to relate until the morrow, he relapsed into silence and thought, +only now and then gently speaking a word, and looking after her +comfort with a happy grace possessed by few, and so powerful in the +winning of a woman. + +On, on, through the black night--youth and age, joy and sorrow, hope +and despair, good and evil; on together through the night; on, on. +Near to the great city; near to the welcome, dark or bright, awaiting +the journey's end. Blacker grew the night, wilder shrieked the wind in +angry protest against the defiant, fiery, resistless monster upon +whom its rage fell impotent. Now pausing; now rushing on with a shriek +and a roar; nearer, nearer to the scene of the new life, dawning +grimly upon the fair girl, all unconscious, unheeding. + +They halted at a wayside station--just one of those little hamlets +only a few miles removed from, and really a part of the great city. +One passenger came on board, sauntering down the coach's length +listlessly, wearily. He threw himself into a reversed seat in a half +reclining attitude, and so his careless, wandering gaze fell first +upon Madeline, seated opposite and very near. + +She sees him just as she sees the rest, vaguely. She remembers, later, +that he had a good face and that she had thought it then. But confused +and wearied in mind and body, she feels no inclination to observe or +think. So they were hurried on, and no whisper of her heart, no +quickening of the pulses, or sensation of joy or fear, warned her that +she was sitting under the gaze and in the presence of the good and the +evil forces that were to compass and shape her life. + +Open your eyes, oh, Madeline, before it is too late. See the snare +that is spreading beneath your feet; read aright the bright glance +that shines on you from those handsome, fateful eyes. Interpret truly +the smile turned on you now. Alas! what woman ever saw guile in the +eyes of the man she loved? Never one, until those eyes have ceased to +smile upon her, and her fate is sealed. What one ever yet recognized +the false ring of the voice that had never, as yet, addressed her save +in honeyed tones, that seemed earth's sweetest music to her ears? +None, until the voice had changed and forgotten its love words; none, +until it was too late. + +What Madeline saw, was a man who was to her the embodiment of all +manly grace, her all of joy and love, of truth and trust. And, sitting +opposite, just a young man with fair curling hair, and frank blue +eyes; with a fine manly face, and an air of refinement. A very nice +young man; but not like her hero. + +Not like her hero? No, thank heaven for that, Madeline, else your way +would have been far more drear, else your life might have known never +a ray of sunlight, in the long days to come. + +On, on; nearer and yet nearer the long journey's end. Both thinking of +her, but how differently! + +One pityingly, sadly, fearing for her fate, longing to save her from +the precipice which she could not see and still wear that look of +sweet trustfulness. + +One triumphantly, as of a fair prize gained; a new tribute to his +power and strength; another smile from Chance; one more proof that he +was a favored one of Fortune, and that life ever gave him good things +from out the very best. + +They are very near their journey's end now, and Lucian Davlin whispers +briefly to Madeline, and lounges out to give some necessary directions +to the neglected companion of his wanderings. + +Hastily the young man opposite rises, and crossing to Madeline bends +over her, speaking hurriedly. + +"Pardon me, madame, but are you a stranger to the city?" + +"Yes." After giving her answer she wonders why she did it, remembering +that it is from a stranger the question comes, and that it is +therefore an impertinence. + +"I thought as much!"--the blue eyes look troubled, and the manly voice +hurries on. "The time may come, I hope it will not, when you will need +a friend. If so, this card bears my address,--take it, keep it, and +believe me, I speak from honest motives and a desire to serve you." + +He drops a card in her lap, and as she makes a gesture of repulsion, +he says, entreatingly: "Take it; _in the name of your mother_ I ask +it." + +She snatches up the card impulsively, and looks for one moment +straight in his eyes. Then drawing a long sighing breath says, simply, +"I will," and turns away as she puts it in her pocket, never so much +as glancing at it. + +"Thank you." He lifts his hat, and resumes his seat and his former +attitude just as Lucian reappears. + +Now all was bustle and confusion, the journey's end was reached; and +through the hurrying, jostling crowd, past flickering lamps, and +sleepy guards, they went under the dusky arches of the mammoth city +station, out among the bawling 'bus drivers and brawling hackmen, past +them, until a carriage, that seemed to be in waiting for them just +beyond the noisy crowd, was reached. Stepping into this, they were +about to drive away when, in the shadow, and very near them, Madeline +discerned the form of the Unknown of the railway train. Then Lucian +gave the order from the carriage window, and they rolled away. + +The man in the shadow heard, and stepping into the nearest carriage, +repeated the order given by Lucian the moment before, adding: "Quick; +don't lose a moment!" + +And thus it was that a carriage passed swiftly by that which contained +Davlin and his companion, and the flash of their vehicle's lamp showed +Madeline the face looking from its window. + +Again that face seen in the shadow--how strange, thought she; but her +lover was speaking and she forgot all else. + +[Illustration: "Take it; _in the name of your mother_ I ask it.--page +50.] + +"Darling, I must leave you soon. I came up to-night on a matter of +business, and to meet a friend who will leave to-morrow early. I must +therefore keep my appointment to-night, late as it is; or rather this +morning, for it is midnight and past. You will not be afraid, dear, +left alone for a little while in a great hotel?" + +"I am not afraid, Lucian, but--" + +"But lonely; is that it? Well, sweetheart, it's only for a little +while, and to-morrow I will come for you, and all shall be arranged. +We'll have no more separations then. Rest well and at noon to-morrow +be ready; I will be with you then. Meantime, your every want will be +supplied, and let the morrow find my little treasure bright-eyed and +blooming." + +"Oh, Lucian, Lucian! how strange this seems. I can't realize it at +all." + +He laughed lightly. "Not afraid, little one?" + +"Not afraid, Lucian, no; but I can't explain or describe my feelings. +I suppose I need rest; that is all." + +"That is all, depend upon it; and here we are. One kiss, Madeline, the +last till to-morrow." + +He folded her tenderly in his arms, and then sprang lightly from the +carriage. + +Up and down, far as the eye could see, the street lamps glittered, and +as Madeline stepped from the carriage she observed another roll away. +High above her loomed the great hotel, and after midnight though it +was, all here was life and bustle. The scene was novel to the half +bewildered girl. Clinging to her lover's arm, she entered the +reception-room and, sitting opposite the door, saw a form pass in the +direction Lucian had taken, as he went to register her name and order +for her "all that the house could afford." + +"I did not give your real name, because of your step-father, you +know," said Lucian, upon his return. "I registered you as Miss Weir, +that name being the first to occur to me." + +She looked a trifle disturbed, but said nothing. A few words more and +a servant appeared. + +"To conduct you to your room," said Lucian. + +Together they moved towards the door; there he lifted his hat, with +profound courtesy, and said in a very audible tone: "Good-night, Miss +Weir; I will call to-morrow noon; pleasant dreams." + +"To-morrow noon," she echoed. + +As she watched his retreating figure, another passed her; a man who, +meeting her eye, lifted _his_ hat and passed out. + +"He again!" whispered the girl to herself; "how very strange." + +Alone in her room, the face of this man looked at her again, and +sitting down, she said, wearily: "Who is he? what does he mean? His +name--I'll look at the card." + +Taking it from her pocket, she read aloud: Clarence Vaughan, M. D., +No. 430 B---- street. + +"Clarence Vaughan, M. D.," she repeated. "What did he mean? I must +tell Lucian to-morrow; to-night I am too weary to think. Search for +me, John Arthur; find me if you can! To-morrow--what will it bring, I +wonder?" + +Weary one, rest, for never again will you sleep so innocently, so free +from care as now. Sleep well, nor dream! + +She slept. Of the three who had been brought into contact thus +strangely, Madeline slept most soundly and dreamed the brighter +dreams. + +It was the last ray of her sunlight; when the day dawned, her night +began. + + + + +CHAPTER V. + +A SHREWD SCHEME. + + +An elegant apartment, one of a suite in a magnificent block such as +are the pride of our great cities. + +Softest carpets, of most exquisite pattern; curtains of richest lace; +lambrequins of costly texture; richly-embroidered and velvet-covered +sleepy-hollows and lounging chairs; nothing stiff, nothing that did +not betoken abandonment to ease and pleasure; downy cushions; rarest +pictures; loveliest statuettes; finest bronzes; delicate vases; +magnificent, full length mirrors, a bookcase, itself a rare work of +art, containing the best works of the best authors, all in the richest +of bindings--nothing here that the most refined and cultivated taste +could disapprove, and yet everything bespoke the sybarite, the +voluptuary. A place wherein to forget that the world held aught save +beauty; a place for luxurious revelry, and repose filled with lotus +dreams. + +Such was the bachelor abode of Lucian Davlin, as the glowing gas +lights revealed it on the dark night of the arrival of this gentleman +in the city. + +Moving restlessly about, as one who was perfectly familiar with all +this glowing richness, only because movement was a necessity to her; +trailing her rich dress to and fro in an impatient promenade, and +twisting recklessly meantime a delicate bit of lace and embroidery +with plump, white fingers--a woman waited and watched for the coming +of Lucian Davlin. + +A woman, fair of face, hazel-eyed, sunny-haired, with a form too plump +to be quite classical, yet graceful and prepossessing in the extreme. +A very fair face, and a very wise one; the face of a woman of the +world, who knows it in all its phases; who is able, in her own +peculiar manner, to guide her life bark successfully if not correctly, +and who has little to acquire, in the way of experience, save the art +of growing old gracefully and of dying with an acquitted conscience. + +No unsophisticated girl was Cora Weston, but a woman of +eight-and-twenty; an adventuress by nature and by calling, and with +beauty enough, and brains enough, to make her chosen profession +prosperous, if not proper. + +She paused before a mirror, carefully adjusting her fleecy hair, for +even in pressing emergencies such women never forget their personal +appearance. This done, she pondered a moment and then pulled the bell. +A most immaculate colored gentleman answered her summons and, bowing +low, stood waiting her will. + +"Henry, is it not time that your master were here? The train is +certainly due; are you sure he will come? What did he telegraph you?" + +"That he would arrive on the one o'clock express, madame; and he never +fails." + +"Very well. If he does not appear soon, Henry, you must go and inquire +if the train has been delayed, and if so, telegraph. My business is +imperative." + +The well trained servant bowed again, and, at a signal from her, +withdrew. Left alone, she continued her silent march, listening ever, +until at length a quick footstep came down the passage. Flinging +herself into the depths of a great easy chair, she assumed an air of +listless indifference, and so greeted the new comer. + +"Gracious heavens, Cora! what brings you here like this? I thought you +had sailed, and was regretting it by this time." + +He hurried to her side and she half rose to return his caress. Then +sinking back, she surveyed him with a lazy half smile. "I wonder if +you are glad to see me, Lucian, my angel; you are such a hypocrite." + +He laughed lightly, and threw himself into a seat near her. "Candid +Cora, you are not a hypocrite,--with me," and he looked admiringly yet +impatiently at her. "Come," he said, at length, as she continued to +tap her slender foot lazily, and to regard him silently through half +closed lashes: "what does it all mean? Fairest of women, tell me." + +"It means, _Mon Brave_, that I did not sail in the _Golden Rose_; I +only sent my hat and veil." + +"Wonderful woman! Well, thereby hangs a tale, and I listen." + +"I came back to see--" + +"Not old Verage?" he interrupted, maliciously. + +"No, hush: he saw me safely on board the _Golden Rose_--very gallant +of him, wasn't it?" + +"Rather--yes, considering. And if I did not know Miss Cora Weston so +very well, I should be surprised at all this mystery; as it is, I +simply wait to be enlightened." + +"And enlightened you shall be, monsieur." + +She threw off her air of listlessness and arose, crossing over and +standing before him, leaning upon a high-backed chair, and speaking +rapidly. + +Lucian, meantime, produced a cigar case, lit a weed, and assuming the +attitude and manner she had just abandoned, bade her proceed. + +"You see," she said, "I did not like the idea of quitting the country +because of a little difference of opinion between myself and an old +idiot like Verage." + +"A difference of some thousands out of pocket for him; well, go on." + +"Just so, comrade mine. Well, fortune favored me; she generally does. +I learned, at almost the last moment, that a lady of my acquaintance +had taken passage in the same vessel. I interviewed her, and found her +in the condition of the good people in novels who have seen better +days; her exchequer was at low ebb, and, like myself, she had reasons +which induced her to emigrate. I did not inquire into these, having no +reason to doubt the statement, but I accompanied her on board the +_Golden Rose_, bade her a fond farewell, and bequeathed to her my +street apparel and a trifling sum of old Verage's money. In exchange, +I donned her bonnet and veil, and adopted her rather awkward gait, and +so had the satisfaction of seeing, on my return to terra firma, old +Verage gazing enraptured after my Paris bonnet and floating veil as it +disappeared with my friend, outward bound." + +"Well, what next? All the world, your world, supposes you now upon the +briny deep. Old Verage will be rejoiced to find you here in the city; +what then?" + +"I think he will," said Cora, dryly, "when he does find me. I did not +come here in the dark to advertise my arrival." + +"Bravo, Cora," he patted her hands softly; "wise Cora. You are a +credit to your friends, indeed you are, my blonde beauty." + +She laughed softly;--a kittenish, purring laugh. + +"Well, Lucian, time flies and I throw myself on your mercy. Recommend +me to some nice quiet retreat, not too far from the city, but at a +safe distance; put me in a carriage, at daylight, which will carry me +out to some by-station, where I can take passage behind the iron +horse, unmolested, for fresh fields and pastures new." + +Davlin pondered a moment as if he had not already decided upon his +course of action. He knew the woman he had to deal with, and shaped +his words accordingly. "A retired spot,--let me see. I wonder, by +Jove,"--brightening suddenly, "I think I have the right thing for +you." + +"Well, when Lucian Davlin 'thinks' he has a point, that point is +gained; proceed, man of might." + +"You see," began Lucian, in a business-like tone, "I took one of my +'skips' for change of scene and recreation." + +"And safe quarters until the wind shifted," interrupted she. "Well, go +on." + +He laughed softly, "Even so. We children of chance do need to take +flying trips sometimes, but I did not set out for Europe, Cora mine, +and I wore my own clothes home." + +"Bravo! But old Verage don't want you, and the wind _has_ changed; +proceed." + +"Well, as usual, I found myself in luck, and if I had been a nice +young widow, might have taken Summer quarters in the snug little +village of Bellair." + +"Not being a widow, relate your experience as a rusticating gentleman +at large. You excite my curiosity." + +Lucian removed his cigar from between his lips, and lazily +contemplated his fair _vis a vis_. + +"How long a time must elapse before the most magnificent of blondes +will think it fitting, safe, and," with a slight smile, "expedient to +return and resume her sovereignty here, on this hearth, and," striking +his breast theatrically, "in this heart?" + +The "most magnificent of blondes" looked first, approvingly, at her +image displayed in the full length mirror opposite, then coolly at her +interrogator. + +"Hum! that depends. The lady you so flatter can't abide dullness and +inaction, and too much stupidity might overcome her natural timidity, +in which case even my ardent old pursuer could not scare me into +submission and banishment. If I could only find an occupation, now, +for my--" + +"Peculiar talents," he suggested; "that's just the point. And now, I +wonder if you wouldn't make a remarkably charming young widow?" + +"So you have an idea, then, Lucian? Just toss me a bunch of those +cigarettes, please,--thank you. Now a light; and now, if it's not +asking too much, will you proceed to explain yourself, and tell me +what fortunate being you desire me, in the character of a fair widow, +to besiege? What he is like; and why?" + +"Admirable Cora! what other woman could smoke a cigarette with such a +perfect air of doing the proper thing; so much of Spanish grace." + +"And so much genuine enjoyment," she added, comfortably. "Smoke is my +poetry, Lucian. When far from my gaze, and I desire to call up your +most superb image, I can do so much more comfortably and +satisfactorily inspired by my odorous little Perique." + +"Blessed Perique! Cora shall have them always. But back to my widow; +an absence of six months, perhaps, would be a judicious thing just +now, you think?" + +"More would be safer," she smiled, "if the Peri can keep aloof from +Paradise so long." + +"How would the Peri fancy taking up her permanent abode outside the +walls of Paradise?" + +She removed the fragrant gilded cigar in miniature from between two +rosy, pursed-up lips, and surveyed him in mute astonishment. + +"Provided," he proceeded, coolly, "provided she found a country home, +bank account, and equipage to her liking, with everything her own way, +and ample opportunities for trips to Paradise, making visits to her +brother and her city friends--and a fine prospect of soon becoming +sole possessor of said country mansion, bank stock, etc.?" + +She placed the tiny weed once more between her lips, and sending up +perfumed, curling little volumes of smoke, settled herself more +comfortably and said, nonchalantly, "That depends; further +particulars, please." + +It was wonderful how these two understood each other. She knew that he +had for her a plan fully matured, and wasting no time in needless +questionings, waited to hear the gist of the whole matter, assured +from past experience that he would suggest nothing that would be an +undertaking unworthy of her talent, and he knew that she would weigh +his suggestions while they were being made, and be ready with her +decision at the close. + +Long had they plotted and prospered together, these two Bohemians of +most malevolent type; and successfully and oft played into each +other's hands. Never yet had the good fortune of the one been devoid +of profit to the other; knowing this, each felt safe in accepting, +unquestioned, the suggestions of the other; and because of this, she +felt assured now that, in this present scheme, there was something to +be gained for him as well as herself. + +When the looker-on wonders idly at the strength of ties such as those +which bound together these two, and the length of their duration, he +has never considered their nature--the similarity of tastes, +similarity of pursuits, and the crowning fact of the mutual benefit +derived from such association. + +Find a man who lives by successful manipulations of the hand-book of +chance, and who bows to the deity of three aces; who finds victims in +fortified places, and whose most hazardous scheme is surest of +success; who walks abroad the admired of his contemporaries, who envy +him his position as fortune's favorite in proportion as they ply their +own similar trade near the foot of the ladder of chance; who shows to +men the dress and manner of a gentleman, and to the angels the heart +of a fiend--and you will find that man aided and abetted, upheld and +applauded, by a woman, his fitting companion by nature or education. +She is unscrupulous as he, daring as he, finding him victims that his +arm could not reach; plying the finer branch of a dangerous but +profitable trade; sharing his prosperity, rescuing from adversity; +valued because necessary, and knowing her value therefore fearing no +rival. + +Cora was beautiful in Davlin's eyes, and secure in his affections, +because she was valuable, even necessary, to him. He cared for her +because in so doing he was caring for himself, and placing any "card" +in her hands was only the surest means of enlarging his own pack. +While she, for whether a woman is good or bad she is ever the slave of +her own heart, recognizing the fact of the mutual benefit resulting +from their comradeship, and improving, in her character of a woman of +the world, every opportunity to profit by him, yet she saw in him the +one man who possessed her love. Though the life she had led had worn +out all the romantic tendencies of her nature, and had turned the +"languishing of her eye" into sharp glances in the direction of the +main chance, still she lavished upon him the best of her heart, and +held his interest ever the equal of her own. After the manner of such, +they were loyal to each other. + +"Then," pursued Lucian, "listen, and a tale I will unfold." + +In his own way, he proceeded to describe the intended victim; his +home, his wealth, his state of solitude, together with the facts he +had gathered up here and there relative to his leading characteristics +and weaknesses, whereby he might be successfully manipulated by +skilled hands. The boldness of his plan made even Cora start, and +instead of her usually ready decision and answer, she favored him with +a wondering, thoughtful stare. + +"You see," concluded Lucian, "he can't live forever at the worst, and +the estate is a handsome one. You could easily make yourself queen +absolute of the situation, and go and come at your own sweet will. I +think as a good brother I should be a magnificent success, and an +ornament to your country mansion in the lazy Summer." + +"And if I don't approve of the speculation after a trial, I can commit +suicide or vanish," Cora said, meditatingly. + +"Just so," laughed he; "and take the spoons." + +"You are sure there are no incumbrances; perfectly sure of that?" she +questioned. + +"Perfectly sure. There was a step-daughter, but she ran away with some +foreigner;" here he smiled, and veiled his eyes, lest she should read +aright their expression. "He would not give her a penny, or a crust of +bread, were she to return. He hated her from her earliest day; but she +is not likely to reappear in any case." + +"If she should, you might marry her, you know," she suggested, +maliciously. + +"So I might," he said, shutting his eyes again; "and we would all +settle down into respectable members of society--charming picture. +But, jesting aside, how do you like the prospect?" + +She tossed away her cigarette and, rising, paced the room in silence +for a few moments. + +Lucian whistled, softly, a few bars from a favorite opera; then +lighted a fresh cigar, and puffed away, leaning lazily back and +watching her face furtively out of half closed eyes. + +"I think," she said, resuming her seat, "that I will take a nearer +view of this 'prospect' of yours." + +He nodded his head and waited for her to proceed. + +"I think the _role_ of widow might interest me for a little time, so +I'll take myself and my 'delicate constitution' down to your promising +haven of rest. I'll 'view the landscape o'er,' and the prospect of an +opportunity for a little sharp practice will make my banishment more +endurable; of course, my resignation will increase as the situation +becomes more interesting." + +"Which it is sure to do," he said, rising quickly and crossing to the +window. "The thing is as good as done; you always accomplish what you +undertake; and you'll find the game worth the powder. The fact is, +Cora," he continued, seriously, "you and I have engineered so many +delicate little affairs successfully, here in the city, that, as a +combination, we are pretty well known just now; too well, in fact, for +our own ease and comfort. Your supposed trip to Europe was a lucky +thing, and will throw all officiously-interested ones off your track +completely. I shall limit my operations here for a time; shall make +this merely headquarters, in fact, and 'prospect,' like yourself, in +fresh fields. And now, it being nearly morning, and quite necessary +that you should be on your victorious march, let us consider final +ways and means." + +In a concise, business-like way, they arranged and discussed, the +result of the whole being briefly this: + +Cora would drive at early dawn to a suburban station, and from thence +go by rail to a village midway between the city and her final +destination; and there await her luggage, and the arrival of Lucian. +He would join her shortly, and proceed with her to Bellair, in his +character of brother; see her comfortably settled, and leave her to +her new undertaking. + +And thus it was that in the gray of morning a veiled lady, +sweet-voiced and elegant in manner, stepped from a close carriage at a +little wayside station, and sped away at the heels of the iron horse. + +And thus it was that Lucian Davlin, reappearing in Bellair and +listening in well simulated surprise to the story of the sudden +disappearance of John Arthur's step-daughter, effectually put to +flight any idea--forming in the brains of the few who knew, or +conjectured, that these two had met--that he had aught to do with her +mysterious flitting. In truth, none save old Hagar knew of the +frequency of their clandestine meetings, and she never breathed to +others the thoughts and suspicions that haunted her brain. + +And thus it was, too, that Cora Weston, in her new _role_ of +languishing widow, secluded carefully from the vulgar gaze, heard +never a word of Madeline's flight. And when, later, the fact was +revealed to her, none save old Hagar could have named the precise date +of the event. So even wise Cora never connected the fate of the +unfortunate girl with the doings of Lucian Davlin. + + + + +CHAPTER VI. + +A WARNING. + + +Early morning in the great city, but the buzz and clamor were fairly +under way, and the streets as full of busy, pushing, elbowing life as +if night and silence had never rested above the tall roofs and chimney +pots. + +With the rattle of the first cart wheel on the pavement, Madeline had +started broad awake. As the din increased, and sleep refused to return +to the startled senses, all unused to these city sounds, she arose, +and completing her toilet with some haste, seated herself at her +window to look out upon the scene so new to her. + +What a world of strange emotions passing and repassing beneath her +eye! What hopes and fears; what carelessness and heartache! How they +hurried to and fro, each apparently intent upon his own thoughts and +purposes. + +She gazed down until her vision wearied of the motley, ever-changing, +yet ever the same crowd; and then she reclined in the downy depths of +a great easy chair, closed her eyes, and thought of Lucian. After all, +what meaning had this restless moving throng for her? Only one; +Lucian. What was this surging sea of humanity to her save that, +because of its roar and clamor, they two were made more isolated, +therefore nearer to each other? + +The morning wore away, and she began to realize how very soon she +should be with her hero, and then no more of separation. Her heart +bounded at this thought. + +Some one tapped softly at her door. She opened it quickly, thinking +only of Lucian. It was not Lucian, however, but a veiled woman who +stepped within the room, closing the door as she came. + +Madeline fell back a pace, and gazed at the intruder with a look of +startled inquiry which was, however, free from fear. She had not +thought of it before, it flashed across her mind now that this fact +was odd; but in all her morning's ruminations, she had not once +thought of the mysterious stranger of the railway episode. Yet now the +first words that took shape in her mind, at the entrance of this +unexpected visitor, were "Clarence Vaughan, M. D." She almost spoke +them. + +With a quick, graceful movement, the stranger removed the shrouding +veil; and Madeline gazed wonderingly on the loveliest face she had +ever seen or dreamed of. It was a pure, pale face, lighted by lustrous +dark eyes, crowned by waving masses of dark silky hair; exquisitely +molded features, upon which there rested an expression of mingled +weariness and resignation, the look of + + "A soul whose experience + Has paralyzed bliss." + +One could imagine such a woman lifting to her lips the full goblet of +life's sparkling elixir, and putting it away with her own hand, lest +its intoxicating richness should shut from her senses the fragrance of +Spring violets, and dim her vision of the world beyond. + +They formed a decided contrast, these two, standing face to face. + +One, with the calm that comes only when storm clouds have swept +athwart life's sky, leaving behind marks of their desolating progress, +but leaving, too, calm after tempest; after restlessness, repose. + +The other, stretching out her hand like a pleased child to woo the +purple lightning from the distance, buoyant with bright hopes, with +nothing on brow or lip to indicate how that proud head would bear +itself after it had been bowed before the passing storm. + +"Pardon me," said the lady, in a sweet contralto. "I think I am not +mistaken; this is the young lady who arrived last evening, and is +registered,"--she looked full in the girl's eyes--"as Miss Weir?" + +Madeline's eyes drooped before that searching gaze, but she answered, +simply: "Yes." + +[Illustration: "I have not yet introduced myself. Here is my +card."--page 68.] + +"You are naturally much astonished to see me here, and my errand is a +delicate one. Since I have seen you, however, I have lost every doubt +I may have entertained as to the propriety of my visit. Will you trust +me so far as to answer a few simple questions?" + +The words of the stranger had put to flight the first idea formed in +her mind, namely, that this visit was a mistake. It was intended for +her, and now, who had instigated it? She looked up into the face of +her visitor and said, with her characteristic frankness of speech: + +"Who sent you to me?" + +The abruptness of the question caused the stranger to smile. + +"One who is the soul of honor and the friend of all womankind," she +said, with a soft light in her eyes. + +Madeline's eyes still searched her face. "And his name is that," she +said, putting the card of Clarence Vaughan upon the table between +them. + +"Yes; and this reminds me, I have not yet introduced myself. Here is +my card." + +She placed in the hand of Madeline a delicate bit of cardboard bearing +the name, "Olive Girard." + +Silence fell between them for a moment, and then Olive Girard spoke. + +"Won't you ask me to be seated, and hear what I wish to say, Miss +Weir?" + +She hesitated over the name, and Madeline, perceiving it, said: + +"You think Weir is not my name?" + +"Frankly, I do," smiled Mrs. Girard; "but just now the name matters +little. Pardon me, but I am more interested in your face than your +name. I came here because it seemed my duty, and to oblige a friend; +now I wish to serve you for your own sake, to be your friend, if you +will let me." + +Still Madeline's brain kept thinking, thinking; and she put her +questions rather as commentaries on her own thoughts than as her share +in a conversation. + +"Why did Mr. Vaughan send you to me?" + +They had seated themselves, at a sign from Madeline, and Mrs. Girard +drew her chair nearer to the girl as she answered: + +"Because he feared for you." + +"Because he _feared for me_!" Madeline's face flushed hotly; "feared +what?" + +"He feared," said Olive Girard, turning her face full upon her +questioner, "what I feel assured is the truth, having seen you--simply +that you do not know aright the man in whose company you came to this +place." + +Madeline turned her eyes upon her guest and the blood went slowly out +of her face, but she made no reply, and Mrs. Girard continued: + +"I will ask you once more, before I proceed further, do you object to +answering a few questions? Of course I am willing to be likewise +interrogated," she added, smiling. + +Over the girl's face a look was creeping that Aunt Hagar, seeing, +could readily have interpreted. She nodded her head, and said briefly: +"Go on." + +"First, then," said her interrogator, "are you entirely without +friends in this city? Except, of course," she added, quickly, "your +escort of last night." + +"Yes." Madeline's countenance never altered, and she kept her eyes +fully fixed on her companion's face. + +"Are--are you without parents or guardian?" + +"Yes." + +"As I thought; and now, pardon the seeming impertinence of this +question, did you come here as the companion of the man who was your +escort, or did mere accident put you under his charge?" + +"The 'accident' that put me in the charge of Mr. Davlin was--myself," +said the girl, in a full, clear voice. "And he is my only guardian, +and will be." + +Olive Girard pushed back her chair, and rising, came and stood before +her, with outstretched hand and pleading, compassionate eyes. + +"Just as I feared," she sighed; "the very worst. My poor child, do you +know the character and occupation of this man?" + +Madeline sprang to her feet, and putting one nervous little hand upon +the back of the chair she had occupied, moved back a pace, and said, +in a low, set tone: + +"If you have come to say aught against Lucian Davlin, you will find no +listener here. I am satisfied with him, and trust him fully. When I +desire to know more of his 'character and occupation,' I can learn it +from his own lips. What warrant had that man," pointing to Clarence +Vaughan's card, "for dogging me here, and then sending you to attempt +to poison my mind against my best friend? I tell you, I will not +listen!" + +A bright spot burned on either cheek, and the little hand resting on +the chair back clinched itself tighter. + +Olive Girard drew a step nearer the now angry girl, and searched her +face with grave eyes. + +"If I said you were standing on the verge of a horrible precipice, +that your life and soul were in danger, would you listen then?" she +asked, sternly. + +"No," said Madeline, doggedly, drawing farther away as she spoke; "not +unless I saw the danger with my own eyes. And in that case I should +not need your warning," she added, dryly. + +"And when your own eyes see the danger, it will be too late to avert +it," said Olive, bitterly. "I know your feeling at this moment, and I +know the heartache sure to follow your rashness. _What are you, and +what do you hope or expect to be, to the man you call Lucian Davlin?_" +She spoke his name as if it left the taste of poison in her mouth. + +The girl's head dropped until it rested on the hands clasped upon the +chair before her; cold fingers seemed clutched upon her heart. Across +her memory came trooping all his love words of the past, and among +them,--she remembered it now for the first time,--among them all, the +word _wife_ had never once been uttered. In that moment, a thought new +and terrible possessed her soul; a new and baleful light seemed +shining upon the pictures of the past, imparting to each a shameful, +terrible meaning. She uttered a low moan like that of some wounded +animal, and suddenly uplifting her head, turned upon Olive Girard a +face in which passion and a vague terror were strangely mingled. + +"What are you saying? What are you _daring_ to say to me!" she +ejaculated, in tones half angry, half terror-stricken, wholly pitiful. +"What horrible thing are you trying to torture me with?" + +She would have spoken in indignation, but the new thought in her heart +frightened the wrath from her voice. She dared not say "I am to be his +wife," with these forebodings whispering darkly within her. + +She turned away from the one who had conjured up these spectres, and +throwing herself upon a couch, buried her face in the cushions, and +remained in this attitude while Olive answered her and for long +moments after; moments that seemed hours to both. + +Olive's eyes were full of pity, and her tone was very gentle. Her +woman's quick instinct assured her that words of comfort were of no +avail in this first moment of bitter awakening. She knew that it were +better to say all that she deemed it her duty to say, now, while her +hearer was passive; and stepping nearer the couch, she said: + +"Dr. Vaughan, who saw you in the company of a man so well known to him +that to see a young girl in his society he knew could mean no good, +came to me this morning with a brief account of your meeting of last +night. He is too good a physiognomist not to have discovered, readily, +that you were not such a woman as could receive no contamination from +such as Lucian Davlin. He feared for you, believing you to be another +victim of his treachery. Your coming to this hotel assured him that +you were safe for the time, at least; and this being a subject so +delicate that he, a stranger, feared to approach you with it, he +desired me to come to you, and, in case his fears were well founded, +to save you if I could. My poor, poor child! you have cast yourself +upon the protection of a professional gambler; a man whose name has +been associated for years with that of a notorious and handsome +adventuress. If he has any fear or regard for anything, it is for her; +and your very life would be worth little could she know you as her +rival. Judge if such a man can have intentions that are honorable, +where a young, lovely and unsophisticated girl like yourself is +concerned." + +She paused here, but Madeline never stirred. + +"Come with me," continued Olive, drawing a step nearer the motionless +girl; "accept me as your protector, for the present, at least. Believe +me, I know what you are suffering now, and near at hand you will find +that which will aid you to forget this man." + +Madeline slowly raised herself to a sitting posture and turned towards +the speaker a face colorless as if dead, but with never a trace of a +tear. Her eyes were unnaturally bright, and her lips were compressed, +as if she had made, and was strong to keep, some dark resolve. + +"What is it that I am to find?" she said, in a low, intense tone. + +"A girl, young as you, and once as beautiful," replied Olive, sadly, +"who is dying of a broken heart, and her destroyer is Lucian Davlin." + +Madeline gazed at her absently for a moment. "I suppose I had ought to +hate you," she said, wearily; "you have made my life very black. +Lucian Davlin will soon be here,--will you please go?" + +"Surely you are going with me?" said Olive, in amaze. + +"No." + +"You doubt me? Oh, I have not made you feel your danger! You think I +am an impostor!" + +"No," said the girl, in the same quiet tone; "something here," putting +her hand upon her bosom, "tells me that you are sincere. My own heart +has abandoned me; it will not let me doubt you, much as I wish to. I +cannot thank you for making my heart ache,--please go." + +Still with that air of unnatural calm, she arose and walked to the +window. + +Of the two, Olive Girard was by far the more agitated. "Tell me," she +said, in eager entreaty; "oh, tell me, you are not going with _him_?" + +Madeline turned sharply around. "I shall not add myself to the list of +his victims," she said, briefly. + +And then the two gazed at each other in silence for a moment. + +"This is madness," said Olive, at length. "What rash thing do you +meditate? I will not leave you to face this man alone; I dare not do +it." + +Madeline came from the window and stood directly before her. "I am not +the weak child you think me. You can do nothing but harm by remaining +here. I will meet Lucian Davlin, and part with him in my own way," she +said, between her teeth. + +Olive saw, in the set face, and stern eye, that she was indeed dealing +with a character stubborn as death, and devoid of all fear. She +dreaded to leave her thus, but felt assured that she could do nothing +else. + +"Will you come to me afterward?" she asked. "You have no friends here, +you tell me, and you need a friend now. Promise me this and I will +go." + +"Thank you," said the girl, wearily; "at least I promise to go to no +one else; good-by." + +Turning away, she resumed her position at the window, and never looked +once at Olive after that. + +"I will write my address on this card," said Olive. She did so; then +turning on the girl a look full of pitying tenderness, said: "I need +not tell you to be brave; I should rather bid you be cautious. +Remember, your life is worth more than the love and loss of such a +man. Put this behind you, and come to me soon, believing that you are +not friendless." + +She lowered her veil and, casting one more wistful glance at the +silent figure by the window, went out and closed the door softly. + + + + +CHAPTER VII. + +A STRUGGLE FOR MORE THAN LIFE. + + +It is a fortunate provision of Providence that calamity comes upon us, +in most cases, with a force so sudden and overwhelming that it is +rather seen than felt. As we realize the full torture of an ugly +wound, not when the blow is struck, but after the whole system has +been made to languish under its effects, so a blow struck at the heart +can not make itself fully felt while the mind is still unable to +picture what the future will be like now that the grief has come. We +only taste our bitterest grief when the mind has shaken itself aloof +from the present woe, to travel forward and question what the future +can hold for us, now that our life is bereft of this treasure. + +Madeline's condition, after the departure of Olive Girard, was an +exponent of this truth. Fast and hard worked her thoughts, but they +only encountered the ills of the present, and never glanced beyond. + +She had set her lover aloft as her ideal, the embodiment of truth, +honor, and manhood. He had fallen. Truth, honor, manhood, had passed +out of existence for her. And she had loved him so well! She loved him +even yet. + +The thought brought with it a pang of terror, and as if conjured up by +it, the scenes of the day previous marshalled themselves again for +review. Could it be possible? Was it only yesterday that she listened +to his tender love words, beneath the old tree in Oakley woods? Only +yesterday that her step-father was revealed in all his vileness,--his +plots, his hopes, his fears. Her mother's sad life laid bare before +her; Aunt Hagar's story; her defiance of the two men at Oakley; her +flight; Clarence Vaughan; the strange, great city; Olive Girard; and +now--now, just a dead blank, with no outlook, no hope. + +And was this all since yesterday? + +What was it, she wondered, that made people mad? Not things like +these; she was calm, very calm. She _was_ calm; too calm. If something +would occur to break up this icy stillness of heart, to convulse the +numbed powers of feeling, and shock them back into life before it was +too late. + +She waited patiently for the coming of her base lover, lying upon the +soft divan, with her hands folded, and wondering if she would feel +_much_ different if she were dead. + +When the summons came, at last, she went quietly down to greet the man +who little dreamed that his reign in her heart was at an end, and that +his hold upon her life was loosening fast. + +When Madeline entered the presence of Lucian Davlin, she took the +initiatory step in the part she was henceforth to play. And she took +it unhesitatingly, as if dissimulation was to her no new thing. Truly, +necessity, emergency, is the mother of much besides "invention." +Entering, she gave him her hand with free grace, and smiled up at him +as he bade her good-morning. + +He remarked on her pale cheeks, but praised the brightness of her +eyes, and accepted her explanation that the bustle and the strangeness +was unusual to her, as a natural and sufficient reason for the pallor. + +"You will soon grow accustomed to that," he said, as they descended to +the carriage, "and be the rosiest, fairest little woman on the +boulevard, for I mean to drive half the men jealous by taking you +there often." + +[Illustration: "She wondered if she would feel _much_ different if she +were dead."--page 76.] + +Madeline made no reply, and they entered the carriage. + +Davlin was not surprised at her silence; he was prepared for a little +coyness; in fact, for some resistance, and expected to have occasion +for the specious eloquence always at his command. Of course, the +result would be the same,--he had no doubt of that, and so in silence +they reached their destination. + +Up a broad flight of stairs, and then a door. Lucian rings, and an +immaculate colored servant appears, who seems as well bred as an +English baronet, and who expresses no surprise at the presence of a +lady there. + +Up another flight of softly carpeted stairs, across a wide hall, and +lo! the abode of the sybarite, the apartments of the disciple of +Chance. + +"Welcome to your kingdom, fair queen," says Lucian, as they enter. +"This is your abiding place, for a time, at least, and I am your slave +for always," and he kneels playfully before her. + +Madeline turns away, and, finding it easiest to do, in her then state +of mind, begins a careless tour of the rooms, making a pretense of +criticism, and finding in even this slow promenade some relief from +absolute quiet and silence. + +She guarded her face lest it should display too much of that locked, +sullen calm underneath, and replied by an occasional word and nod to +his running comments upon the different articles undergoing +examination. Fingering carelessly the rare ornaments upon a fine set +of brackets, her eye rested upon an elegant little gold mounted +pistol. She turned away quickly, and they passed to other things. + +Her replies became more ready, and she began questioning gravely about +this or that, listening with childlike wonder to his answers, and +winning him into a pleasant bantering humor. + +Finally he threw himself upon a chair, and selecting a cigar proceeded +to light it. + +Madeline continued to flit from picture to statuette, questioning with +much apparent interest. At last, she paused again before the bracket +which held the tiny toy that had for her a fascination. + +"What a pretty little pistol," she said. "Is it loaded?" + +"I don't know," replied he, lazily. "Bring it to me; I will see." + +He was inwardly wondering at her cool acceptance of the situation; and +felt inclined to congratulate himself. Seeing her look at the little +weapon doubtfully, he laughed and strode to her side, taking it in his +hand. + +"It is not loaded," he said. "Did you ever fire a pistol?" + +"No; show me how to hold it." + +He placed it in her hand, and showed her how to manipulate the +trigger, and to take aim. + +"I should like to see it loaded," she said, at last. + +"And so you shall." + +He smiled, and crossing the room took from a little inlaid box a +handful of cartridges. Madeline watched him attentively, as he +explained to her the operation of loading. At length expressing +herself satisfied, and declining his invitation to try and load it +herself, she turned away. + +Davlin extracted the cartridge from the pistol, and returned it to its +place, saying: "You might wish to practice at aiming, and won't want +it loaded." + +"I shall not want such practice," she replied. + +A rap at the door, and the servant announced that dinner was come. + +"I ordered our dinner here, to-day," explained Lucian, "thinking it +would be more cosy. You may serve it, Henry," to the servant. + +Dinner was accordingly served, and Lucian found occasion to criticise, +very severely, the manner of his serving man. More than once, his +voice took on an intolerant tone. + +Sitting opposite, Madeline saw the man, as he stood behind his +master's chair, dart upon him a look of hatred. Her lips framed a +smile quite new to them; and, after dessert was placed upon the table +and the man dismissed, she said: + +"You don't like your servant, I judge?" + +"Oh, he's as good as any," replied Lucian, carelessly. "They are +pretty much alike, and all need a setting back occasionally;--on +general principles, you know." + +"I suppose so," assented Madeline, indifferently, as if the subject +had lost all interest for her. + +Slowly the afternoon wore on, moments seeming hours to the despairing +girl. At length Lucian, finding her little inclined to assist him in +keeping up a conversation, said: + +"I am selfish not to remember that you are very tired. I will leave +you to solitude and repose for a little time, shall I?" + +"If you wish," she replied, wearily. "I suppose I need the rest." + +"Then I will look in upon some of my friends. I have almost lost the +run of city doings during my absence. Meantime, ring for anything you +may need, won't you?" + +"I will ring;" and she looked, not at him, but at the bracket beyond. + +"Then good-by, little sweetheart. It is now four; I will be with you +at six." + +He embraced her tenderly, and went out with that _debonnair_ grace +which she had so loved. She looked after him with a hungry, hopeless +longing in her eyes. + +"Oh, why does God make His foulest things the fairest?" she moaned. +"Why did He put love in our hearts if it must turn our lives to ashes? +Why must one be so young and yet so miserable? Oh, mother, mother, are +all women wronged like us?" + +Madeline arose and commenced pacing the floor restlessly, nervously. +She had come here with no fixed purpose, nothing beyond the indefinite +determination to defy and thwart the man who had entrapped her. She +had never for a moment feared for her safety, or doubted her ability +to accomplish her object. + +A plan was now taking shape in her mind, and as she pondered, she +extended her march, quite unthinkingly, on into the adjoining room, +the door of which stood invitingly open. The first object to attract +her attention was the light traveling coat which Lucian had worn on +the previous day; worn when he was pleading his suit under the trees +of Oakley; and in a burst of anger, as if it were a part of him she +was thinking of so bitterly, she seized and hurled it from her. As it +flew across the room, something fell from a pocket, almost at her +feet. + +She looked down at it; it was a telegram, the one, doubtless, that had +called him back to the city the day before. A business matter, he had +said. Into her mind flashed the words of Olive Girard, "a professional +gambler." She would see what this "business" was. Stooping, she picked +up the crumpled envelope, and quickly devoured its contents. + + Must see you immediately. Come by first train; am waiting at + your quarters. + + CORA. + +Madeline went back to the lighter, larger room, and seating herself, +looked about her. Again the words of Olive rung in her ears. + +"Cora!" she ejaculated. "He obeyed her summons, and brought _me_ with +him. And she was here only last night--and where has she gone? This +must be the 'notorious,' the 'handsome.' Ah, Lucian Davlin, this is +well; this nerves me for the worst! I shall not falter now. This is +the first link in the chain that shall yet make your life a burden." + +She crossed the room and touched the bell. + +"Now for the first real step," said Madeline, grimly. + +The door opened and the dark face of Henry appeared, bowing on the +threshold. + +"Come in, Henry, and close the door," said Madeline, pleasantly. "I +want you to do me a favor, if you will." + +Henry came in, and stood waiting her order. + +"Will you carry a note for me, Henry, and bring me back an answer? I +want _you_ to take it, because I feel as if I could trust you. You +look like one who would be faithful to those who were kind to you." + +"Thank you, lady; indeed I would," said the man, in grateful tones. + +Madeline was quick to see the advantage to be gained by possessing the +regard and confidence of this man, who must, necessarily, know so much +that it was desirable to learn of the life and habits of him, between +whom and herself must be waged a war to the very death. + +She reasoned rapidly, and as rapidly arrived at her conclusions. The +first of those was, that Lucian Davlin, by his intolerance and +unkindness, had fitted a tool to her hand, and she, therefore, as a +preliminary step, must propitiate and win the confidence of this same +tool left by his master within her reach. + +"And will you carry my letter, Henry, and return with an answer as +soon as you can? You will find the person at this hour without any +trouble." + +"Master ordered me to attend to your wants," replied the man, in a +somewhat surly tone. + +She understood this somber inflection, and said: "He 'ordered' you? +Yes, I see; is your master always as hard to please as to-day, Henry? +He certainly was a little unkind." + +"He's always the same, madame," said the man, gloomily. Her words +brought vividly before his mind's eye the many instances of his +master's unkindness. + +"I'm sorry he is not kind to you," said the girl, hypocritically. "And +I don't want you to carry this letter because _he_ ordered you. I want +you to do it to oblige _me_, Henry, and it will make me always your +friend." + +Ah, Henry, one resentful gleam from your eyes, as you stood behind the +chair of your tyrant, has given to this slight girl the clue by which +to sway you to her will. She was smiling upon him, and the man +replied, in gratitude: + +"I'll do anything for you, madame." + +"Thank you, Henry. I was sure I could trust you. Will you get me some +writing material, please?" + +Henry crossed to the handsome davenport, and found it locked. But when +taking this precaution, Davlin overlooked the fact that Cora's last +gift--a little affair intended for the convenience of travelers, being +a combined dressing case and writing desk, the dividing compartment of +which contained an excellent cabinet photograph of the lady herself, +so enshrined as to be the first thing to greet the eyes of whosoever +should open the little receptacle--was still accessible. + +Failing to open the davenport, Henry turned to this; and pressing upon +the spring lock, exposed to the view of Madeline, standing near, the +pictured face of Cora. Spite of his grievances, the sense of his duty +was strong upon him, and he put himself between the girl and the +object of her interest. Not so quickly but that she saw, and +understood the movement. Stepping to his side, she put out her hand, +saying: + +"What an exquisite picture--Madame Cora, is it not, Henry?" + +She was looking him full in the eyes, and he answered, staring in +astonishment the while: "Yes, miss." + +"She is very handsome," mused the girl, as if to herself: "left just +before my arrival, I think?" she added, at a venture. + +Again her eyes searched his face, and again he gave a surprised +assent. + +"Do you like her, Henry?" questioned she, intent on her purpose. + +"She is just like _him_," he said, jerking his head grimly, while his +voice took again a resentful tone. "She thinks a man who is _black_ +has no feelings." + +He placed pen, ink and paper on the table as he answered, and then +looked to her inquiringly. + +"You may wait here while I write, if you will," she said, and took up +the pen. + +She had brought away from the G---- House, the two cards of her +would-be friends, and she now consulted them before she asked. + +"No. 52 ---- street; is that far, Henry?" + +"It's a five minutes' walk," he answered. "I can go and come in twenty +minutes, allowing time for an answer." + +"Very good," she said, abruptly, and wrote rapidly: + + _Clarence Vaughan._ + + No. 52 ---- street. + + SIR--Having no other friend at hand, I take you at your + word. I need your aid, to rescue me from the power of a bad + man. Will you meet me, with a carriage, at the south corner + of this block, in one hour, and take me to Mrs. Girard, who + has offered me a shelter? You _know_ the danger I wish to + escape. Aid me "_in the name of your mother_." + + MADELINE "WEIR." + +This is what she penned, and looking up she asked: "What is the number +of this place, Henry?" + +"91 Empire block," he replied; "C---- street." + +She added this, and then folding and enclosing, addressed it to +Clarence Vaughan, M. D., etc. + +"There, Henry, take it as quickly as you can; and some day I will try +and reward you." + +She smiled upon him as she gave him the letter. He took it, bowed low, +and hurried away. + +She listened until the sound of his footstep could be heard no longer. +Then rising quickly, she opened the receptacle that held the portrait +of the woman who, though unseen, was still an enemy. Long she gazed +upon the pictured face, and when at last she closed the case, +springing the lock with a sharp click, she muttered between set teeth: + +"I shall _know_ you when I see you, madame." + +Crossing to the pistol bracket, she took the little weapon in her +hand, and picking up one of the cartridges left by its careless owner, +loaded it carefully. Having done this she placed the weapon in her +pocket. + +She paced to and fro, to and fro; nothing would have been harder for +her than to remain quiet then. Her eyes wandered often to the tiny +bronze clock on the marble above the grate. + +Ten minutes; her letter was delivered, was being answered +perhaps;--fifteen; how slowly the moments were going!--twenty; what if _he_ +should return, too soon? Instinctively she placed her hand upon the pocket +holding the little pistol. Twenty-five minutes; what if her messenger +should fail her? And that card had clearly stated "office hours three to +five." Twenty-six; oh, how slow, how slow!--twenty-seven; had the clock +stopped? no;--twenty-eight--nine--half an hour. + +Where was Henry? + +She felt a giddiness creeping over her; how close the air was. Her +nerves were at their utmost tension; another strain upon the sharply +strung chords would overcome her. She felt this vaguely. If she should +be baffled now! She could take fresh heart, could nerve herself anew, +if aid came to her, but if _he_ should come she feared, in her now +half frenzied condition, to be alone, she was so strangely nervous, so +weak! + +How plainly she saw it, the face of Clarence Vaughan. Oh, it was a +good face! When she saw it again she could rest. She had not felt it +before, but she did need rest sorely. + +Thirty-five minutes,--oh, they had been hours to her; weary, weary +time! + +How many a sad watcher has reckoned the flying moments as creeping +hours, while sitting lonely, with heavy eyes, trembling frame, and +heart almost bursting with its weight of suspense--waiting. + +Forty minutes--and a footstep in the passage! Her heart almost stopped +beating. It was Henry. + +"I had to wait, as he was busy with a patient," said he, +apologetically, handing her the letter she desired. + +Madeline tore open the missive with eager fingers, and read: + +_Miss Madeline W._: + + Thank you for your faith in me. I will meet you at the place + and time appointed. Do not fail me. Respectfully, + + C. VAUGHAN. + +She drew a long breath of relief. + +"Thank you, Henry. Now I shall leave this place; promise me that you +will not tell your master where I went or how. Will you promise?" + +"I will, miss," said the man, earnestly. "Is this all I can do?" + +"If you would be my true friend--if I might trust you, Henry--I would +ask more of you. But I should ask you to work against your master. He +has wronged me cruelly, and I need a friend who can serve me as you +can quite easily. I should not command you as a servant, but ask you +to aid me as a true friend, for I think your heart is whiter than +his." + +And Henry was won. Starting forward, he exclaimed: + +"He treats me as if I were a dog; and you, as if I were white and a +gentleman! Let me be your servant, and I will be very faithful; tell +me what I can do." + +"Thank you, Henry; I will trust you. To-morrow, at noon, call at Dr. +Vaughan's office and he will tell you where you can find me. Then come +to me. You can serve me best by remaining with your master, at +present; and I will try, after I have left this place, to reward you +as you deserve." + +"I will obey you, mistress," said the delighted servant. "I shall be +glad to serve where I can hear a kind word. And I shall be glad to +help you settle accounts with _him_. I will be there to-morrow, no +fear for me." + +She turned, and put on her wrappings with a feeling of exultation. He +would come soon, smiling and triumphant, and she would not be there! +He should fret and wonder, question and search, but when they met +again the power should be on her side. + +She turned to the waiting servant, saying: "I am ready, Henry." + +He opened the door as if for a princess. Before Madeline had lifted +her foot from the carpet, her eyes became riveted upon the open +doorway. + +There, smiling and _insouciant_, stood _Lucian Davlin_! + +Madeline stood like one in a nightmare, motionless and speechless. +Again, and more powerfully, came over her senses that insidious, +creeping faintness; that sickening of body and soul together. + +It was not the situation alone, hazardous as it certainly was, which +filled her with this shuddering terror; it was the feeling that +vitality had almost exhausted itself. She suddenly realized the +meaning of the awful lethargy that seemed benumbing her faculties. The +"last straw" was now weighing her down, and, standing mute and +motionless she was putting forth all her will power to comprehend the +situation, grasp and master it. + +Like a dark stone image Henry stood, his hand upon the open door, his +eyes fastened upon the man blocking the way. + +Davlin, whose first thought had been that the open door was to welcome +his approach, realized in an instant as he gazed upon Madeline, that +he was about to be defied. There was no mistaking the expression of +the face, so white and set. He elevated his eyebrows in an elaborate +display of astonishment. + +"Just in time, I should say," removing his hat with mock courtesy, and +stepping across the threshold. "Not going out without an escort, my +dear? Surely not. Really, I owe a debt of gratitude to my friends down +town, for boring me so insufferably, else I should have missed you, I +fear." + +No answer; no change in the face or attitude of the girl before him. + +"Close that door, sir, and take yourself off," he said, turning to +Henry. + +Remembering her words, "You can serve me best here," Henry bowed with +unusual humility, and went out. + +[Illustration: "There, smiling and _insouciant_, stood _Lucian +Davlin_!"--page 88.] + +"I don't think she is afraid of him," he muttered, as he went down the +hall; "anyhow, I won't be far away, in case she needs me." + +Lucian Davlin folded his arms with insolent grace, and leaning lazily +against the closed door, gazed, with his wicked half smile, upon the +pale girl before him. + +Thus for a few moments they faced each other, without a word. At +length, she broke the silence. Advancing a step, she looked him full +in the face and said, in a calm, even tone: + +"Open that door, sir, and let me pass." + +"Phew--w--w!" he half whistled, half ejaculated, opening wide his +insolent eyes. "How she commands us; like a little empress, by Jove! +Might the humblest of your adorers be permitted to ask where you were +going, most regal lady?" + +"Not back to the home I left for the sake of a gambler and _roue_," +she said, bitterly. + +"Oh," thought he, "she has just got her ideas awakened on this +subject: believed me the soul of honor, and all that. Only a small +matter this, after all." + +"Don't call hard names, little woman," he said aloud. "I'm not such a +very bad man, after all. By the way, I shouldn't have thought it +exactly in your line, to order up my servant for examination in my +absence." + +"I am not indebted to your servant for my knowledge concerning you, +sir. I wish to leave this place; stand aside and let me pass." + +The red flush had returned to her cheeks, the dangerous sparkle to her +eyes; her courage and spirits rose in response to his sneering +pleasantries. Her nerves were tempered like steel. He little dreamed +of the courage, strength and power she could pit against him. + +He dropped one hand carelessly, and inserted it jauntily in his +pocket. + +"Zounds; but you look like a little tigress," he exclaimed, +admiringly. "Really, rage becomes you vastly, but it's wearisome, +after all, my dear. So drop high tragedy, like a sensible girl, and +tell me what is the meaning of this new freak." + +"I will tell you this, sir: I shall leave this place now, and I wish +never to see your face again. Where I go is no concern of yours. Why I +go, I leave to your own imagination." + +"Bravo; what a little actress you would make! But now for a display of +my histrionic talents. Leave this place, against my will, you can not; +and I wish to see your face often, for many days to come. Where you go +I must go, too; and why you go, is because of a prudish scruple that +has no place in the world you and I will live in." + +"The world _you_ live in is not large enough for me too, Lucian +Davlin. And you and I part, now and forever." + +"Not so fast, little one," he answered, in his softest, most +persuasive tone. "See, I am the same lover you pledged yourself to +only yesterday. I adore you the same as then; I desire to make you +happy just the same. You have put a deep gulf between yourself and +your home; you can not go back; you would go out from here to meet a +worse fate, to fall into worse hands. Come, dear, put off that frown." + +He made a gesture as if to draw her to him. She sprang away, and +placing herself at a distance, looked at him over a broad, low-backed +chair, saying: + +"Not a step nearer me, sir, and not another word of your sophistry. I +will not remain here. Do you understand me? _I will not!_" + +Lucian dragged a chair near the door, and throwing himself lazily +into it, surveyed the enraged girl with a look of mingled +astonishment, amusement, and annoyance. + +"Really, this is rather hard on a fellow's patience, my lady. Not a +step nearer the door, my dear; and no more defiance, if you please. +You perceive I temper my tragedy with a little politeness," he added, +parenthetically. "I will not permit you to leave me; do you hear me? +_I will not!_" + +His tone of aggressive mockery was maddening to the desperate girl. It +lent her a fresh, last impulse of wild, defiant energy. There was not +the shadow of a fear in her mind or heart now. The rush of outraged +feeling took full possession of her, and, for a second, deprived her +of all power of speech or action. In another instant she stood before +him, her eyes blazing with wrath, and in her hand, steadfast and +surely aimed, a tiny pistol--his pistol, that he had taught her to +load and aim not two short hours before! + +He was not a coward, this man; and rage at being thus baffled and +placed at a disadvantage by his own weapon, drove all the mockery from +his face. + +He gave a sudden bound. + +There was a flash, a sharp report, and Lucian Davlin reeled for a +moment, his right arm hanging helpless and bleeding. Only for a +moment, for as the girl sprang past him, he wheeled about, seized her +with his strong left arm, and holding her close to him in a vice-like +clutch, hissed, while the ghastly paleness caused by the flowing blood +overspread his face: + +"Little demon! I will kill you before I will lose you now! +You--shall--not--esca--" + +A deathly faintness overcame him, and he fell heavily; still clasping +the girl, now senseless like himself. + +[Illustration: "In her hand, steadfast and surely aimed, a tiny +pistol--"--page 92.] + +Hearing the pistol shot, and almost simultaneously a heavy fall, +Henry hurried through the long passage and threw open the door. One +glance sufficed, and then he rushed down the stairs in frantic haste. + +Meantime, Clarence Vaughan, punctual to the time appointed, had driven +rapidly to the spot designated by Madeline. He was about to alight +from the carriage, when he drew back suddenly, and sat in the shadow +as a man passed up the street. + +It was Lucian Davlin, and he entered the building bearing the number +Madeline had given in her note. + +Instantly Vaughan comprehended the situation. She had sent for aid in +this man's absence, and his return might frustrate her plans. +Pondering upon the best course to pursue, he descended from the +carriage, and paced the length of the block. Turning in his promenade, +his ear was greeted by a pistol shot. Could it come from that +building? It sounded from there certainly. It was now five minutes +past the time appointed; could it be there was foul play? He paused at +the foot of the stairs, irresolute. + +Suddenly there was a rush of feet, and Henry came flying down, the +whites of his eyes looking as if they would never resume their natural +proportions. Clarence intercepted the man as he essayed to pass, +evidently without having seen him. + +"Oh, sir!--Oh, doctor, come right up stairs, quick, sir," he +exclaimed. + +"Was that shot from here, my man?" inquired Doctor Vaughan, as he +followed up the stairs. + +"Yes, sir," hurrying on. + +"Any people in the building besides your master and the lady?" + +"No, sir; not at this time. This way, sir." + +He threw open the door and stepped back. Entering the room, this is +what Clarence Vaughan saw: + +Lying upon the floor in a pool of blood, the splendid form of Lucian +Davlin, one arm dripping the red life fluid, the other clasping close +the form of a beautiful girl. His eyes were closed and his face pallid +as the dead. The eyes of the girl were staring wide and set, her face +expressing unutterable fear and horror, every muscle rigid as if in a +struggle still. One hand was clenched, and thrown out as if to ward +off that death-like grasp, while the other clutched a pistol, still +warm and smelling of powder. + +It was the work of a moment to stop the flow of blood, and restore the +wounded man to consciousness. But first he had removed the insensible +girl from Davlin's grasp, laid her upon a bed in the inner room and, +removing the fatal weapon from her hand, instructed Henry how to apply +the remedies a skilful surgeon has always about him, especially in the +city. + +At the first sure symptoms of slowly returning life, Doctor Vaughan +summoned Henry to look after his master, whom he left, with rather +unprofessional alacrity, to attend to the fair patient in whose +welfare he felt so much interest. As he bent over the still +unconscious girl, his face was shadowed with troubled thought. She was +in no common faint, and feeling fully assured what the result would +be, he almost feared to see the first fluttering return of life. + +At last a shudder agitated her form, and looking up with just a gleam +of recognition, she passed into another swoon, thence to another. +Through long weary hours she only opened her eyes to close them, +blinded with the vision of unutterable woe; and so the long night wore +away. + +Dr. Vaughan had given brief, stern orders, in accordance with which +Lucian Davlin had entrusted his wound to another surgeon for dressing, +and then, still in obedience to orders, had swallowed a soothing +potion and betaken himself to other apartments. + +Henry had summoned a trusty nurse well known to Clarence Vaughan, to +assist him at the bedside of Madeline. + +In the gray of morning, pallid and interesting, with his arm in a +sling, Lucian reappeared in the sick room. Evidently he had not +employed all of the intervening time in slumber, for his course of +action seemed to have been fully matured. + +"She won't be able to leave here for many days, I should fancy?" he +half inquired in a low tone, sinking languidly into a sleepy-hollow, +commanding a view of the face of the patient, and the back of the +physician. + +"Not alive," was the brief but significant answer. + +"Not alive! Great heavens, doctor, don't tell me that my miserable +accident will cost the little girl her life!" + +"Ah! your accident: how was that?" bending over Madeline. + +"Why, you see," explained Davlin, "She picked up the pistol, and not +being acquainted with the use of fire-arms, desired to investigate +under my instructions. Having loaded it, explaining the process by +illustration, she, being timid, begged me to put it up. Laughing at +her fear, I was about to obey, when moving around carelessly, my hand +came in contact with that chair, setting the thing off. The sight of +my bleeding arm frightened her so that I saw she was about to faint. +As I caught her I myself lost consciousness, and we fell together. But +how will she come out, doctor? tell me that; poor little girl!" + +"She will come out from this trance soon, to die almost immediately, +or to pass through a fever stage that may result fatally later. Her +bodily condition is one of unusual prostration from fatigue; and +evidently, she has been sustaining some undue excitement for a +considerable time." + +"Been traveling, and pretty well tired with the journey. That, I +suppose, taken with this pistol affair--but tell me, doctor, what she +will need, so that I may attend to it immediately." + +"If she is living at noon," said Dr. Vaughan, reflectively, "it will +be out of the question to remove her from here, without risking her +life for weeks to come. If she comes out of this, and you will leave +her in my hands, I will, with the aid of this good woman," nodding +toward the nurse, "undertake to pull her through. It will be necessary +that she have perfect quiet, and sees no face that might in any manner +excite her, during her illness and convalescence." + +Davlin mused for a few moments before making answer. He did not care +to excite remark by calling in unnecessary attendants. Dr. Vaughan he +knew by reputation as a skilful physician. As well trust him as +another, he thought, and it was no part of his plan to let this girl +die if skill could save her. + +In answer to his natural inquiry as to how the doctor was so speedily +on the spot when needed, Henry had truthfully replied that he knew the +medical man by sight, and that, fortunately, he was passing when he +ran down to the street for assistance. Davlin was further convinced +that he, Henry, knew nothing save that the young lady rang for him to +show her out, and he, according to orders, had obeyed. + +"Well, sir," Davlin said, at last, "I shall leave the lady and the +premises entirely in your hands, as soon as the crisis has passed. +Then, as my presence might not prove beneficial, while I carry this +arm in a sling, at least, I will run down into the country for a few +days. My man, here, is entirely at your disposal. Don't spare any +pains to pull her through safely, doctor. I will look in again at +noon." + +He rose and went softly out of the room, the doctor having answered +him only by a nod of assent. + +"Zounds, how weak I feel," he ejaculated. "I hope the girl won't die. +Anyhow, I have no notion of figuring at a death-bed scene. So I'll +just keep myself out of the way until the thing is decided. Then, I'll +run down and let Cora coddle me up a bit. I can explain my wounded arm +as the result of a little affair at the card-table." + +Noon came, and slowly, slowly, stern Death relaxed his grasp upon the +miserable girl, for Death, like man, finds no satisfaction in claiming +willing victims. Slowly the life fluttered back to her heart; and +because Death had yielded her up, and to retain it would be to lose +her life, reason forsook her. + +Under the watchful care of the skilled nurse, and the ministrations of +the young physician, she now lay tossing in the delirium of fever. + +Nothing worse to fear, for days at least, reported the doctor. So the +afternoon train bore Lucian Davlin away from the city and his victim, +to seek repose and diversion in the society of his comrade, Cora. + +"She will come out of this now, I think," he muttered. "Then--Oh! I'll +tame your proud spirit yet, my lady! I would not give you up now for +half a million." + +And he meant it. + + + + +CHAPTER VIII. + +THREADS OF THE FABRIC. + + +What had become of Madeline Payne? + +The question went the round of the village, as such questions do. The +servants of Oakley fed upon it. They held secret conferences in the +kitchen, and grew loud and argumentative when they knew John Arthur +was safely out of hearing. They bore themselves with an air of +subdued, unobservant melancholy in his presence, and waxed important, +mysterious and unsatisfactory, when in converse with the towns +folk--as was quite right and proper, for were they not, in the eyes of +mystery hunters, objects of curiosity secondary only to their master +himself? + +The somber-faced old housekeeper gave utterance to a doleful croak or +two, and a more doleful prophecy. But after a summons from John +Arthur, and a brief interview with him in the closely shut sacredness +of his especial den, not even the social intercourse of the kitchen +and the inspiration that the prolonged absence of the master always +lent to things below stairs, could beguile from her anything beyond +the terse statement that "she didn't meddle with her master's +affairs," and she "s'posed Miss Madeline knew where she was." + +The housemaid, who read novels and was rather fond of Miss Payne, +grieved for a very little while, but found in this "visitation of +providence," as John Arthur piously termed it, food for romance +weaving on her own responsibility. She entertained Peter, the groom, +coachman and general factotum, with divers suggestions and +suppositions, each more soul harrowing than the last, making of poor +Madeline a lay figure upon which she fitted all the catastrophes that +had ever befallen her yellow-covered "heroinesses." + +The villagers talked. It was all they could do, and their tongues were +very busy for a time until, in fact, a fresher sensation arrived. +Nurse Hagar was viewed and interviewed; but beyond sincere expression +of grief at her disappearance, and the unvarying statement that she +had not even the slightest conjecture as to the fate of the lost girl, +nothing could be gained from her. + +Hagar was somewhat given to rather bluntly spoken opinions of folk who +happened to run counter to her notions in regard to prying, or, in +fact, her notions on any subject. In the present emergency she became +a veritable social hedgehog, and was soon left to solitude and her own +devices. + +Whatever were Hagar's opinions on the subject, she kept them +discreetly locked within her own breast. She had received, at their +last interview, a revelation of the depth and force of character which +lay dormant in the nature of Madeline; and she believed, even when she +grieved most, that the girl would return, and that when she came she +would make her advent felt. + +John Arthur went to the city "to put the matter in the hands of the +detectives," he said. But as he most fervently hoped and wished that +he had seen the last of his "stumbling--block," and believed that of +her own will she would not return, it is hardly to be supposed that +the Secret Service was severely taxed. + +Be this as it may, the Summer days passed and he heard nothing of +Madeline. + + * * * * * + +Meantime, the neat little hotel that rejoiced in the name of the +Bellair House, displayed on a fresh page of its register the signature +of Lucian Davlin once more, and underneath it that of Mrs. C. +Torrance. + +Mrs. C. Torrance was a blonde young widow, dressed in weeds of most +elegant quality and latest style, with just the faintest hint of an +approaching season of half mourning. + +Mrs. Torrance had now been an inmate of Bellair House some days, and +she certainly had no reason to complain that her present outlook was +not all that could be desired. Already she had met the object of her +little masquerade, and it was charming to see the alacrity with which +John Arthur placed himself in the snare set for him by these +plotters, and how gracefully he submitted as the cords tightened +around him. + +Over and over again Davlin thanked his lucky star for having so +ordered his goings that, on his previous visit, he had never been +brought into immediate contact with John Arthur. Over and again he +congratulated himself that his meetings with Madeline had been kept +their own secret, for he knew nothing of the watchful, jealous eyes of +old Hagar. + +On a fine summer morning, or rather "forenoon," for Mrs. Torrance was +a luxurious widow, and her "brother," Mr. Davlin, not at all enamored +of early rising,--on a fine forenoon, then, the pair sat in the little +hotel parlor, partaking of breakfast. They relished it, too, if one +might judge from the occasional pretty little ejaculations, expressive +of enjoyment and appreciation, that fell from the lips of the widow. + +"More cream, monsieur? Oh, but this fruit is delicious! And I believe +there is a grand difference in the qualities of city and country +cream." + +"The difference in the favor of the country living, eh? I say, Co., +don't you think your appetite is rather better than is exactly +expected, or in order, for a widow in the second stage of her grief?" + +Things were moving just now as Mr. Davlin approved, and he felt +inclined to be jocular. + +Cora laughed merrily. Then holding up a pretty, berry-stained hand, +she said, with mock solemnity, "That is the last, my greatly shocked +brother. But didn't you inform Mr. Arthur that we should accept of his +kind offer to survey the woods and grounds of Oakley in his company, +and isn't this the day, and almost the hour?" + +"So it is; I had forgotten." + +It was not long before the pair were equipped, and sauntering slowly +in the direction of the Oakley estate. + +Their morning's enterprise was more than rewarded, and the cause of +the widow was in a fair way to victory, when, after having politely +refused to lunch with Mr. Arthur on that day, and gracefully promised +to dine at Oakley on the next day but one, they bade adieu to that +flattered and fascinated gentleman, and left him at the entrance of +his grounds. + +Then they sauntered slowly back, keeping to the wooded path. Arriving +at the fallen tree, the scene of so many interviews between Madeline +and Lucian, Cora seated herself on the mossy trunk and announced her +determination to rest. + +Accordingly her escort threw himself upon the soft grass, and betook +himself to his inevitable cigar, while he closed his eyes and allowed +the vision of Madeline to occupy the place now usurped by Cora. Very +absorbing the vision must have been, for he gave an almost nervous +start as Cora's voice broke the stillness: + +"Lucian, did you ever see this runaway daughter of Mr. Arthur's?" + +Lucian started unmistakably now. Then he employed himself in pulling +up tufts of the soft grass, pretending not to have heard. + +"Lucian!" impatiently. + +"Eh, Co., what is it?" affecting a yawn. + +"I ask, did you ever see this Madeline Payne, who ran away recently?" + +"I? Oh, no. Old fellow always kept her shut up too close, I fancy. +They say she was pretty, and you are the first pretty woman I have +seen in these parts, Co." + +[Illustration: "More cream, Monsieur?"--page 101.] + +"Well, then, I'm sorry you didn't," quoth Cora, "for from motives of +delicacy I really don't care to inquire of others, and I have just +curiosity enough to wish to know how she looked." + +"Sorry I can't enlighten you, Co. Get it all out of the old fellow +after the joyful event." + +"Umph! Well, _that_ business prospers, _mon brave_. We shall win, I +think, as usual." + +"Yes; and never easier, Co." + +"Well, I don't anticipate much trouble in landing our fish. But come +along, Lucian, this romantic dell might make you forget luncheon; it +can't have that effect on me." + +Cora gathered her draperies about her, and prepared to quit the little +grove, her companion following half reluctantly. + + + + +CHAPTER IX. + +GONE! + + +Hours that seemed days; days that seemed years; weeks that seemed +centuries; yet they all passed, and Madeline Payne scarce knew, when +they were actually gone, that they were not all a dream. + +Life, after that first yielding of heart and brain, had been a +delirium; then a conscious torture of mind and body; next a burden +almost too great to bear; and then a dreamy lethargy. Heaven be +praised for such moods; they are saviors of life and reason in crises +such as this through which the stricken girl was passing. + +Madness had wrought upon her, and her ravings had revealed some +otherwise dark places and blanks in her story to her guardian and +nurses. Pain had tortured her. Death wrestled with her, and then, +because he could inspire her with no fear of him, because she mocked +at his terrors and wooed him, fled away. + +In his place came Life, to whom she gave no welcoming smile. But Life +stayed, for Life is as regardless of our wishes as is Death. + +Forms had hovered about her; kindly voices, sweet voices, had murmured +at her bedside. At times, an angel had held the cooling draught to her +thirsty lips. At last these dream-creatures resolved themselves into +realities: + +Doctor Vaughan, who had ministered to her with the solicitude of a +brother, the gentleness of a woman, and the goodness of an angel. + +Olive Girard who, leaving all other cares, was ever at her bedside, +and who came to that place at a sacrifice of feeling, after a +wrestling with pride, bringing a bitterness of memory, and a patient +courage of heart, that the girl could not then realize. + +Henry, too, black of skin, warm of heart; who waited in the outer +court, and seemed to allow himself full and free respiration only when +the girl was pronounced out of danger. + +Out of danger! What a misapplication of words! + +From the scene of conflict, at the last flutter of Death's gloomy +mantle, comes the man of medicine; watch in hand, boots a tiptoe, face +grave but triumphant. His voice bids a subdued farewell to the +somberness proper to a probable death-bed, coming up just a note +higher in the scale of solemnities, as it announces to the eager, +trembling, waiting ones, + +"_The danger is past!_" + +Death, the calm, the restful, the never weary; Death, the friend of +long suffering, and world weariness and despair; Death, the rescuer, +the sometime comforter--has gone away with empty arms and reluctant +tread, and--Life, flushed, triumphant, seizes his rescued subject and +flings her out into the sea of human lives, perchance to alight upon +some tiny green islet or, likelier yet, to buffet about among black +waters, or encounter winds and storms, upheld only by a half-wrecked +raft or floated by a scarce-supporting spar. + +And she is out of danger! + +Hedged around about by sorrow, assailed by temptation, overshadowed by +sin. And, "the danger is over!" + +Buffeted by the waves of adversity; longing for things out of reach; +running after _ignis fatui_ with eager outstretched hands, and +careless, hurrying feet, among pitfalls and snares. And, out of +danger! + +Open your eyes, Madeline Payne; lift up your voice in thanksgiving; +you have come back to the world. Back where the sun shines and the dew +falls; where the flowers are shedding their perfume and song birds are +making glad music; where men make merry and women smile; where gold +shapes itself into palaces and fame wreathes crowns for fair and noble +brows; where beauty crowns valor and valor kisses the lips of beauty. +And where the rivers sparkle in the sunlight, and, sometimes, yield up +from their embrace cold, dripping, dead things, that yet bear the +semblance of your kind--all that is left of beings that were once like +you! + +Out of danger! + +Where want, and poverty, and--God help us!--vice, hide their heads in +dim alleys and under smoky garret roofs. Where beaten mothers and +starving children dare hardly aspire to the pure air and sunlight, the +whole world for them being enshrined in a crust of bread. Where +thieves mount upwards on ladders beaten from pilfered gold, and +command cities and sway nations. Where wantonness laughs and thrives +in gilded cages, and starves and dies in mouldy cellars. + +Out of danger! + +Madeline, the place that was almost yours, in the land of the +unknowable, is given to another. The waters of death have cast you +back upon the shores of the living. You are "out of danger!" + +What was to become of Madeline, now that they had brought her back to +life? This was a question which occurred to the two who so kindly +interested themselves in the fate of the unknown and headstrong girl. + +While they planned a little, as was only natural, yet they knew from +what they had seen of their charge that, decide for her how they +would, only so far as that decision corresponded with her own +inclinations would she abide by it. So they left Madeline's future for +Madeline to decide, and found occupation for their kindliness in +ministering to her needs of the present. + +Once during her illness, and just as the light of reason had returned +to the lovely hazel eyes, Lucian Davlin came. But he found the door of +the sick chamber closely shut and closely guarded. The slightest shock +to her nerves would be fatal now,--they told him. And he, having done +the proper thing, as he termed it, and not being in any way fond of +the sight of pain and pallor, yielded with a graceful simulation of +reluctance. Having been assured that with careful nursing, there was +nothing to fear, he deposited a check on his bankers in the hands of +her attendants, and went away contentedly, smiling under his mustache +at the novelty of being turned away from his own door. + +He went back to Bellair, to Cora, and to the web they were weaving, +little dreaming whose hands would take up the thread and continue and +complete what they had thus begun. + +And now the day has come for Madeline to leave the shelter that she +hates. Pale and weak, she sits in the great easy chair that had served +as a barrier between herself and her enemy, and converses with Olive +Girard while they await the arrival of Clarence Vaughan, who is to +take them from the place so distasteful to all three. + +It has been settled that, for the present, Madeline will be the guest +of Olive. What will come after health and strength are fully restored, +they have not discussed much. Olive Girard and Doctor Vaughan had +agreed that all thoughts of the future must bring a grief and care +with them, and the mind of the invalid was in no condition for painful +thought and study. So Olive has been careful to avoid all topics that +might bring her troubles too vividly to mind. + +But partly to divert Madeline's mind from her own woes, partly to +enable the unfortunate girl to feel less a stranger among them, she +has talked to her of Doctor Vaughan, of her sister, and at last of +herself. + +And Madeline has listened to her description of merry, lovely Claire +Keith, and wondered what she could have in common with this buoyant, +care-free girl, who was evidently her sister's idol. Yet she found +herself thinking often of Olive's beautiful sister. Once, in the brief +absence of Olive, she had said to Doctor Vaughan: + +"Mrs. Girard has told me of her sister; is she very lovely? And do you +know her well?" + +"She is very fair, and sweet, and good. You will love her when you +know her, and I think you will be friends." + +[Illustration: "Pale and weak, she sits in the great easy +chair."--page 108.] + +She had not needed this; the tell-tale eye was sufficient to reveal +the fact that it was not, as she had at first supposed, Olive Girard, +but the younger sister, whom Clarence Vaughan loved. + +"I might have known," she murmured to herself. "Olive Girard has the +face of one whose love dream has passed away and lost itself in +sorrow; and he looks, full of strength and hope, straight into the +future." + +As they sat together waiting, there was still that same contrast, +which you felt rather than saw, between these two. They might have +posed as the models of Resignation and Unrest. + +The look of patient waiting was five years old upon the face of Olive +Girard. Five years ago she had been so happy--a bride, beautiful and +beloved. Beautiful she was still--with the beauty of shadow; beloved +too, but how sadly! Philip Girard had been convicted of a great crime, +and for five long years had worn a felon's garb, and borne the anguish +of one set apart from all the world. + +The hand that had darkened the life of Olive Girard, and the hand that +had turned the young days of the girl Madeline into a burden, was one +and the same. + +Afterwards Madeline listened to the pathetic history of Olive's +sorrow. + +Sitting in that great lounging chair, Madeline looked very fair, very +childlike. Sadly sweet were her large, deep eyes, and her hair, shorn +while the fever raged, clustered in soft tiny rings about her slender, +snowy neck and blue-veined temples. She had not been permitted to talk +much during her convalescence, and Olive had as yet gleaned only a +general outline of her story. + +"Mrs. Girard," said the girl, resting her pale cheek in the palm of a +thin, tiny hand, "you once said something to me about--about some one +who had been wronged by--" Something sadder than tears choked her +utterance. + +As Olive turned her grave clear eyes away from the window, and fixed +them in expectation upon her; Madeline's own eyes fell. She sat before +her benefactress with downcast lids, and the hateful name unuttered. + +"I know," said Olive, after a brief silence; "I referred to a girl now +lying in the hospital. She is very young, and has been cruelly wronged +by him. She is poor, as you may judge, and earned her living in the +ballet at the theater. She was thrown from a carriage which had been +furnished her by _him_, to carry her home from some rendezvous--of +course the driver took care of himself and his horses. The poor girl +was picked up and carried to the hospital. She was without friends and +almost penniless. She sent to him--for him; he returned no answer. She +begged for help, for enough to enable her to obtain what was needed in +her illness. Message after message was sent, and finally a reply came, +brought by a messenger who had been bidden to insist upon receiving an +answer. The servant said that his master had directed him to say to +any messenger who called, that he was out of town." + +"The wretch! He deserves death!" + +Madeline's eyes blazed, and she lifted her head with some of her olden +energy. + +"Softly, my dear: 'Thou shalt do no murder.'" + +"It is not murder to kill a human tiger!" + +Olive made no answer. + +"Is she still very ill, this girl?" questioned Madeline. + +"She can not recover." + +"Shall I see her?" + +"If you wish to; do you?" + +"Yes." + +Another long pause; then Madeline glanced up at her friend, and said +listlessly: "What do you intend to do with me?" + +"Do with you?" smiling at her. "Make you well again, and then try and +coax you to be my other sister. Don't you think I need one?" + +No answer. + +"Life has much in store for you yet, Madeline." + +"Yes;" bitterly again. + +"You are so young." + +"And so old." + +"Madeline, you are too young for somber thoughts and repining." + +"I shall not repine." + +"Good! You will try to forget?" + +"Impossible!" + +"No; not impossible." + +"I do not wish to, then." + +"And why?" + +"Wait and see." + +"Madeline, you will do nothing rash? You will trust me, and confide in +me?" + +The girl raised her eyes slowly, in surprise. "I have not so many +friends that I can afford to lose one." + +"Thank you, dear; then we will let the subject drop until we are +stronger. And here is the carriage, and Doctor Vaughan." + +Out into the sunny Summer morning went Madeline, and soon she was +established in a lovely little room which, Olive said, was hers so +long as she could be persuaded to occupy it. Here the girl rested and, +ministered unto by gentle hands, she felt life coming back. + + * * * * * + +And Lucian? + +Late in the afternoon of the day that saw Madeline depart from his +elegant rooms, Mr. Davlin arrived, and found no one to deny him +admittance. All the doors stood ajar, and Henry was flitting about +with an air of putting things to rights. The bird had flown. + +He gained from Henry the following: "I don't know, sir, where she +went. A gentleman came with a carriage, and the young lady and the +nurse went away with him." + +Lucian was not aware what manner of nurse Madeline had had in her +illness. And Henry, having purposely misled him, enjoyed his +discomfiture. + +"She told me to give you this, sir," said he, handing his master a +little package. + +Tearing off the wrapper, Lucian held in his hand the little pistol +that had inflicted upon him the wounded arm. From its mouth he drew a +scrap of paper, and this is what it said: + + When next we meet, I shall have other weapons! + + + + +CHAPTER X. + +BONNIE, BEWITCHING CLAIRE. + + +Four months. We find Madeline standing in the late Autumn sunset, +"clothed and in her right mind," strong with the strength of youth, +and beautiful with even more than her olden beauty. + +Fair is the prospect as seen from the grounds of Mrs. Girard's +suburban villa, and so, perhaps, Claire Keith is thinking. + +She is looking down the level road, and at the trees on either hand, +decked in all their October magnificence of scarlet and brown and +gold, half concealing coquettish villas and more stately residences. + +The eyes of Madeline were turned away from the vista of villas and +trees, and were gazing toward the business thoroughfare leading into +the bustle of the town; gazing after the receding figure of Doctor +Clarence Vaughan as he cantered away from the villa; gazing until a +turn of the road hid him from her view. Then--and what did she mean by +it?--she turned her face toward Claire with a questioning look in her +eyes--the question came almost to her lips. But the words were +repressed. + +Bonnie Clair was thinking of anything but Clarence Vaughan just then. +Presently she turned a bright glance upon her companion, who was +gathering clusters of the fallen maple leaves, with face half averted. + +"A kiss for your thoughts, beautiful blonde Madeline. I certainly +think it is ten minutes since Doctor Vaughan departed and silence fell +upon us." + +She bent down, and taking her companion's head between two dimpled +hands, pulled it back, until she could look into the solemn brown +eyes. + +"Come, now," coaxingly, "what were you thinking?" + +Madeline extricated herself from Claire's playful grasp, and replied +with a half laugh: "It must be mutual confession then, you small +highwayman; how do you like my terms?" + +"Only so so," flushing and laughing. "I was meditating the propriety +of telling you something some day, and was thinking of that something +just now, but--" + +"But," mimicked Madeline, with half-hearted playfulness; "what will +you give me to relieve your embarrassment, and guess?" + +"You can't," emphatically. + +[Illustration: "When next we meet, I shall have other weapons!"--page +113.] + +"Can't I? We will see. My dear, I fear you have left a little corner +of your heart behind you in far-away Baltimore. You didn't come to pay +your annual visit to your sister, quite heart free." + +Anyone wishing to gain an insight into the character of Claire Keith +might have taken a long step in that direction could he have witnessed +her reception of this unexpected shot. She opened her dark eyes in +comic amazement, and dropping into a garden chair, exclaimed, with a +look of frank inquiry: + +"Now, how ever could you guess that?" + +"Because," said Madeline, in a constrained voice, and with all the +laughter fading from her eyes; "Because, I know the symptoms." + +"I see," dropping her voice suddenly. "Oh, Madeline, how I wish you +could forget _that_." + +"Why should I forget my love dream," scornfully, "any more than you +yours?" + +"Oh, Madeline; but you said you had ceased to care for him; that you +should never mourn his loss." + +"_Mourn his loss!_" turning upon Claire, fiercely. "Do you think it is +for him I mourn my _dead_; my lost happiness, my shattered dreams, my +life made a bitter, burdensome thing. Mourn him? I have for Lucian +Davlin but one feeling--hate!" + +Madeline, as she uttered these last words, had turned upon Claire a +face whose fierce intensity of expression was startling. For a moment +the two gazed into each other's eyes--the one with curling lip and +somber, menacing glance, the other with a startled face as if she read +something new and to be feared, in the eye of her friend. + +Claire had been an inmate of her sister's house for four weeks. When +first she arrived, she had heard Madeline's story, at Madeline's +request, from the lips of her sister Olive, and now the girls were +fast friends. Generous Claire had found much to wonder at, to pity and +to love, in the story and the character of the unfortunate girl. +Possessing a frank, sunshiny nature, and never having known an actual +grief, she could lavish sweet sympathy to one afflicted. But she could +not conceive what it would be like to live on when faith had perished +and hope was a mockery. She had never known, therefore never missed, a +father's love and care. Indeed, he who filled the place of father and +guardian, her mother's second husband, was all that a real parent +could be. Claire seldom remembered that Mr. James Keith was not her +father, and very few, except the family of Keith, knew that "Miss +Claire Keith, daughter of the rich James Keith, of Baltimore," was in +truth only a step-daughter. + +Mrs. Keith, whose first husband was Richard Keith, cashier in his +wealthy cousin's banking house, had buried that husband when Olive was +five years old, and baby Claire scarce able to lisp his name. In a +little less than two years she had married James Keith, the +banker-cousin, and shortly after the marriage, James Keith had +transferred his business interests to Baltimore, and there remained. + +So Claire's baby brothers had never been told that she was not their +"very own" sister, for of Olive they knew little, her marriage having +separated them at first, and subsequently her obdurate acceptance of +the consequences of that marriage. + +When the law pronounced her husband a criminal, Mr. Keith had +commanded Olive to abandon both husband and home, and return to his +protection. This, true-hearted Olive refused to do. Her step-father, +enraged at her obstinacy in clinging to a man who had been forsaken by +all the world beside, bade her choose between them. Either she must +let the law finish its work of breaking Philip Girard's heart by +setting her free, or she must accept the consequences of remaining the +wife of a criminal. + +Olive chose the latter, and thenceforth remained in her own lonely +home, never even once visiting the place of her childhood. + +"He called my husband a criminal," she said, "and I will never cross +his threshold until he has had cause to withdraw those words." + +Claire, however, announced her intention of visiting her sister +whenever she chose, and she succeeded, in part, in carrying out her +will, for every year she passed two months or more with Olive. + +What a picture the two girls now made, standing face to face. + +Madeline, with her lithe grace of form, her pure pale complexion lit +up by those fathomless brown eyes, and rendering more noticeable and +beautiful the tiny rosy mouth, with its satellite dimples; with such +wee white, blue-veined hands, and such a clear ringing, yet +marvelously sweet voice. Madeline was very beautiful, and Claire, as +she looked at her, wondered how any man could bear to lose such +loveliness, or have the heart to betray it; as if ever pure woman +could fathom the depth of a bad man's wickedness. + +Bonnie, bewitching Claire! Never was contrast more perfect. A scarf, +like scarlet flame, flung about her shoulders, set off the richness of +her clear brunette skin, through which the crimson blood flamed in +cheek and lip. Eyes, now black, now gray, changing, flashing, witching +eyes: gray in quiet moments, darkening with mirth or sadness, anger or +pain; hair black and silky, rippling to the rounded, supple waist in +glossy waves. Not so tall as Madeline, and rounded and dimpled as a +Hebe. + +Bringing her will into service, Madeline banished the gloom from her +face and said, with an attempt at gayety: + +"I must be a terrible wet blanket when my ghost rises, Claire. But +come, you have excited my curiosity; let us sit down while you tell me +more of this mighty man who has pitched his tent in the wilderness of +your heart, to the exclusion of others who might aspire." + +They seated themselves upon a rustic bench and Claire replied: + +"Don't anticipate too much, inquisitor; I have no acknowledged lover, +but--" blushing charmingly, "I have every reason to think that I am +loved fondly and sincerely. He is very handsome, Madeline, and--but +wait, I will show you his picture." + +Madeline nodded, and Claire bounded away, to return quickly bearing in +her hand a finely wrought cabinet photograph, encased in velvet and +gilt, _a la souvenaire_. Placing it in her companion's hand, she sat +down with a little triumphant sigh, and gazed over Madeline's shoulder +with a proud, glad look in her eyes. + +"Blonde?" suggested Madeline. + +"Yes," eagerly; "such lovely hair and whiskers,--perfect gold color; +and fair as a woman." + +"So I should judge," and she continued to gaze. + +Blonde he was, certainly; hair thrown carelessly back from a brow +broad and white; eyes, light, but with an expression that puzzled the +gazer. + +"Eyes,--what color?" she said, without taking her own off the picture. + +"Blue; pale blue, but capable of _such_ varying expression." + +"Just so," dryly; "they look mild and saintly here, but I think those +eyes are capable of another expression. I could fancy the brain behind +such eyes to be--" + +"What?" eagerly. + +"Cruel, crafty, treacherous." + +"Oh, Madeline!" + +"There, there; I didn't say that he,"--tapping the picture--"possessed +these qualities. His eyes are unusual ones; did you ever see his +mouth?" + +"What a question--through all those whiskers? no; but he has beautiful +teeth." + +"So have tigers. There, dear, take the picture; I am no fit judge, +perhaps. Remember, I once knew a man with the face of an angel, and +the heart of a fiend. Your friend is certainly handsome; let us hope +he is equally good." + +"He is; I know it," asserted Claire. + +Then she told her companion how she had met him at the house of a +friend; how he was very learned and scientific; very grave and +dignified; and very devoted to herself. And how, beyond these few +facts, she knew little if anything of her blonde hero, Edward Percy. + +Madeline received this information in a grave silence, whose chill +affected Claire as well, and after a few moments, as if by mutual +consent, they arose and entered the house. + +Olive Girard had been absent a week; gone on a journey, sacred to her +as any Meccan pilgrimage, a visit to the place of her husband's +imprisonment. Every year she made this journey, returning home in some +measure comforted; for she had seen her beloved. + +She came back on this evening, as the two girls were mingling their +voices in gay bravura duets--by mutual consent they avoided all songs +of a pathetic order, for reasons which neither would have cared to +acknowledge. + +The evening having passed away, Claire found herself in her chamber +gazing at her lover's pictured face and thinking how good, how noble, +it was, and what a little goose she had been to allow anything +Madeline had said to apply to him. A sudden thought occurred to her, +and going to Madeline's door, she tapped gently. The door opened, and +Claire, raising a warning finger, said: + +"Madeline, I forgot to tell you that Olive knows nothing of Edward +Percy, and--I don't want to tell her just yet. You will not mention +it?" + +"No." + +"Then good-night, and pleasant dreams." + +"Thank you," in a grave voice; "good-night." + +Claire returned to her room and penned a long letter to Edward Percy, +full of sweet confidence, gayety and trustfulness. She reperused his +last letter, said her prayers, or rather read them, for Claire was a +staunch little church-woman, and then slept and dreamed bright dreams. + + + + +CHAPTER XI. + +A GLEAM OF LIGHT. + + +A few moments after Claire's door had closed for the last time, +Madeline came cautiously from her room, her slippered feet making no +sound on the softly carpeted floor. Passing Claire's door, she paused +before another, opened it gently, and stood in Olive Girard's +bed-chamber. + +Evidently she was expected, for a light was burning softly and Olive +sat near it with a book in her hand, in an attitude of waiting. + +Madeline seated herself at the little table as if quite accustomed to +such interviews, and said in a low tone: + +"I am so glad you came to-night; are you too tired for a long talk?" + +"No; tell me all that has happened since I have been absent." + +"Olive, I must go away; back to Bellair," said Madeline, abruptly. + +"Madeline, you are mad! To Bellair? Why, _he_ is there often now." + +"He will not find me out, never fear. I _must_ go to Bellair within +the week." + +Olive leaned forward and scanned the girl's face closely and long. At +last, she said: "Madeline, what is it you meditate? tell me." + +"Going back to Bellair; keeping an eye upon the proceedings of Mr. +Arthur; finding out what game that man and woman are playing there; +and baffling and punishing them all." + +She had been kept informed, through Henry, into whose hands had fallen +a letter in Cora's handwriting, bearing the Bellair postmark, and +addressed to Lucian Davlin, who, so Henry said, "went down, on and +off," and always appeared satisfied with the result of his journey. + +Olive argued long against this resolution, but found it impossible to +dissuade Madeline. + +"It is useless," the girl said, firmly. "I should have died but for +the expectation of a time when I could be avenged, and this time I +must bring about. All through my convalescence I have pondered how I +could best avenge my mother's wrongs, and my own. Now Providence has +thrown together the two men who are my enemies; why, I do not yet +know, but perhaps it is that I may make the one a weapon against the +other. And now I want to ask you some questions." + +[Illustration: "Olive knows nothing of Edward Percy, and--I don't want +to tell her just yet."--page 121.] + +"Ask, then." + +"I shall touch upon a painful subject, and I will tell you why. After +you went away, the story of your sorrow remained with me. So I thought +the ground all over, and formed some conclusions. Do you wish to hear +them?" + +Olive nodded, wearily. + +"You have told me," said Madeline, assuming a calm, business-like +tone, "that Lucian Davlin testified against your husband at his trial. +Now the wounded man, Percy, stated that he recognized the man who +struck him?" + +"Yes." + +"Well, what was Davlin's testimony?" + +"That he saw my husband stealing in the direction of the place where +the wounded man was found, but a few moments before he was struck, +wearing the same hat and hunting-jacket that the injured man testified +was worn by his would-be assassin." + +"Oh!" Madeline knitted her brows in thought a moment; then--"Was the +coat and hat Mr. Girard's?" + +"Yes; he had thrown them off in the afternoon, while the heat was +intense, and had fallen asleep. When he awoke, he heard them calling +him to supper. It was late in the evening when he remembered his coat +and hat, and went back to look for them. He went just at the time when +the man must have been struck, and his absence told against him in the +evidence." + +"Did he find his garments?" + +"No; they were found by others, not where he had left them, but nearer +the scene of the crime." + +"Ah! And who was the first to discover the injured man?" + +"Why, I believe it was Mr. Davlin." Olive looked more and more +surprised at each question. "Why do you ask these things, Madeline?" + +The girl made a gesture of impatience. "Wait," she said, "I will +explain in good time." Again she considered. "Was there any +ill-feeling between your husband and Davlin?" + +"There was no open misunderstanding, but I know there was mutual +dislike. Philip saw that Davlin was making systematic efforts to win +money from the party, and had therefore persuaded one or two of his +friends to give gaming little countenance. No doubt he kept money out +of the man's pocket." + +"And what was the standing of that man and the victim, this Percy?" + +"They were much together, and Philip tells me he had sometimes fancied +that Davlin held some power over Percy. Davlin had won largely from +him, and the man seemed much annoyed, but paid over the money without +demur." + +"And now, how did your husband stand toward the injured man?" + +"That is the worst part of the story. They had had high words only +that very day. Philip had been acquainted with Percy at school, and he +knew so much that was not in his favor, that he was unable to conceal +his real opinion of the man at all times. One day high words arose, +and Philip uttered a threat, which was misconstrued, after the attack +upon Percy. They said he threatened his life. But Percy knew that only +his honor was meant. Davlin knew this, too; must have known it, for he +was aware that the two had met before they came together with the +party." + +"I can not see why Lucian Davlin should be your husband's enemy." + +"I can understand that he hated Philip for the same reason that a +thief hates the light, and Philip had balked his plans." + +"True; and yet--" + +"And yet?" inquiringly. + +"Bad as the man is, I can see but one motive that could induce even +him to swear away the liberty, almost the life, of a man who never +wronged him." + +"Still, he did it," said Olive, with a weary sigh. + +"True; and he did it for a motive." + +"And that motive--" + +"Was the strongest instinct of the human race." + +"What?" eagerly. + +"Self-preservation." + +Olive started up with a half cry. "Madeline, in heaven's name, _what_ +do you mean!" + +"That Lucian Davlin threw suspicion upon the innocent to screen the +guilty," said the girl, in a low, firm tone. + +"And the guilty one, then?" + +"Himself. Do you think him too good for it?" sneeringly. + +"No, no! oh, no! But this I had never thought of--yet it may be true." + +She fell into deep thought; after a time she started up. "I must +consult a detective immediately," she said. + +"You must do no such thing," cried Madeline, springing to her feet; +"why did not the detectives find this out before? Because they have +not my reasons for hunting that man down. _I_ found this clue, if it +be one. I claim it; it is my right, and I will have it. If he is to be +undone, it shall be by my hands. I swear it!" + +They faced each other in silence. + +Slowly Olive recalled to her countenance and voice its usual sweet +calm, and then seated herself and talked long and earnestly with +Madeline. + +The little bronze clock on the mantel was on the stroke of two when +the conference ended, and Madeline retired to her own room, but not to +sleep. She sat and thought until the dawn shone in at her window. + +One link was missing from the chain; no motive had been discovered for +an attack on Percy by Davlin. + +"But I will find it," she muttered. Then, as a new thought occurred to +her, she caught her breath. "Claire's lover is named Percy; can it be +the same? Why did not this occur to me sooner? Why did I not ask for +his first name, and a description of him? If this man and Edward Percy +should be one and the same! Pshaw! the name is not an uncommon one, +and it may be only a coincidence. But your face is a bad one, Edward +Percy, and I shall know it when I see it again." + +The sun was not high in the heavens ere Madeline was astir, for her +nature was such that strong excitement rendered rest impossible. +Moving impatiently about the grounds, she saw a familiar form +approaching through the shrubbery, and hastened to meet it. + +The black visage of Henry beamed with satisfaction as he made a +hurried obeisance and placed in her hand a letter, saying: + +"Master was preparing for a two days' journey when this letter came. +He threw it into his desk, and bade me lock it, and bring him the key. +His back was turned, and I took the letter before I locked the desk. +It was a long one, and from _her_; I thought you might want to see +it." + +"Right, Henry," said the girl, quietly, as she opened the letter. "You +will wait for it?" + +"Yes, miss; it must not be missing when he comes." + +"Certainly not." + +She returned to the letter, and this is what she read: + + OAKLEY, October 11. + + LUCIAN, _Mon Brave_: + + I am in a fine predicament--have made a startling discovery. + Mr. A----has been sick, and the mischief is to pay; and his + sickness has brought some ugly facts to light. + + The old man is _not_ the sole proprietor of the Oakley + wealth. That girl who ran away so mysteriously, and has + never been heard of, will inherit at his death. He can + bequeath his widow nothing. Oh, to know where that girl is! + If she is alive, my work is useless, my time is wasted. I + think the old chap must have driven her to desperation, for + he raved in his delirium of her and her words at parting. + They must have been "searchers." + + Well, to add to the general interest, Miss Arthur, aged + fifty or so, is here. She is a juvenile old maid, who has a + fortune in her own right, and so must be cultivated. She + dresses like a sixteen-year-old, and talks like a fool, + principally about a certain admirer, a "blonde + demi-god"--her words--named Percy. + + Something must be done: things must be talked over. Come + down and make love to Miss Arthur. _Her_ money is not + entailed. + + Bring me some Periques and a box of Alexis gloves--you know + the number. Yours in disgust, + + CORA MME. ARTHUR. + +Madeline dropped the letter, and stood amazed. What did it mean? "Cora +_Mme._ Arthur!" + +Henry stooped for the letter, and the act recalled her to herself. She +thanked him for the service he had done her; told him of her intended +departure; gave him some last instructions, and dismissed him with a +kind good-by. + +[Illustration: "I took the letter before I locked the desk."--page +127.] + +"It is time to act," she muttered. "Good heavens! the audacity of that +man and woman! She is married to my step-father, if that letter does +not lie; has married him for money, and is baffled there. She hoped to +become _his widow_, aha! The plot thickens, indeed! Goodness! what a +household! That bad old man, the still viler woman, dangerous Lucian +Davlin, and that funny, youthful, cross, 'conceited spinster,' Ellen +Arthur, who has a lover, and his name is--heaven save us--Percy! That +name _will_ mix itself up with my fate web, and why? Percy beloved of +Claire; Percy who brought Philip Girard to his doom; Percy the lover +of a rich old maid, are ye one and the same? Percy! Percy! Percy! I +must cultivate the Percys at any cost." + +She turned and entered the house, her head bent, thinking, thinking, +thinking. + + + + +CHAPTER XII. + +A MESSAGE FROM THE DEAD. + + +Less than a week after the events last related, and a family group +surrounds the lunch table in the newly furnished morning room of +Oakley. + +The fair and fascinating Mrs. Torrance had accomplished the purpose +for which she came to Bellair. + +Truly had she said, "There is no fool like an old fool;" for John +Arthur had been an easy victim. He had lost no time with his wooing, +and so, a little less than two months from the day the fair widow came +to Bellair, saw her mistress of John Arthur's household. + +A bridal tour was not to her taste, much to the delight of the +bridegroom. So they set about refitting some of the fine old rooms of +the mansion, Cora having declared that they were too gloomy to be +inhabitable. + +As it was to her interest to keep up the deception of frank affection, +she had been, during the two months of their honey-moon, a model wife. +But the discovery that John Arthur could leave her nothing save his +blessing, had now been made, and Cora, who was already weary of her +gray-headed dupe, had been for a few days past less careful in her +dissembling. + +For this reason John Arthur now sat with a moody brow, and watched her +smile upon her brother with a feeling of jealous wrath. + +The bride had thrown off her badge of mourning, and was very glad to +bloom out once more in azure and white and rose--hues which her soul +loved. + +Opposite sat Miss Arthur, her sallowness carefully enameled over, her +head adorned with an astonishing array of false braids and curls and +frizzes, jetty in hue to match her eyes, which, so Cora informed +Lucian in private, were "awfully beady." + +The lady was perusing a paper, which she suddenly threw down, and said +languidly, while she stirred her chocolate carefully. "Should not this +be the day on which my new maid arrives?" + +Miss Arthur, from perusing many novels of the Sir Walter Scott school, +had acquired a very stately manner of speech, and, so she flattered +herself, a very effective one. + +"I don't know why Miss Arthur can want a maid; her toilets are always +perfection," remarked Mr. Davlin to the general assembly. + +Whereupon, Miss Arthur blushed, giggled, and disclaimed; Mrs. Arthur +disappeared behind a newspaper; and Mr. Arthur emerged from the fog of +thought that had enveloped him, to say brusquely: + +"Miss Arthur want a maid? what's all this? A French maid in a country +house--faugh!" + +Miss Arthur gazed across at her brother, and said, loftily, and +somewhat unmeaningly: + +"It is what I have chosen to do, John." Then to Mr. Davlin, sweetly: +"It is so hard to dispense with a maid when you have been accustomed +to one." + +"I suppose so." + +"And this one comes so well recommended, you know, by Mrs. Overman and +Mrs. Grosvenor. You have heard of these ladies in society, no doubt, +Mr. Davlin?" + +"Oh, certainly," aloud, "not," aside. + +"And the name of the maid?" pursued Lucian. + +"Her name," referring to the letter, "Celine Leroque--French, I +presume." + +"No doubt," dryly. + +"Stop him, Miss Arthur," interrupted Cora, prettily; "he will +certainly ask if she is handsome, if you let him open his mouth +again." + +Miss Arthur glanced at him suspiciously. "Not having seen her, I could +not inform him," she said, coldly. + +"Don't believe my sister," said Davlin, quietly, as he passed his cup. +"Cora, a little more chocolate, please. Miss Arthur, I met Mrs. +Grosvenor at the seaside, two years ago. Her toilets were the marvel +of the day; she protested that all credit was due her maid, who was a +whole 'magazine of French art.' I thought this might be the same." + +"I most earnestly hope that it is," pronounced Miss Arthur. + +"And I most earnestly hope it isn't," grumbled her brother, who to-day +felt vicious for many reasons, and didn't much care what the occasion +was, so long as it gave him an excuse for growling. + +At this happy stage of affairs, the door was opened and the housemaid +announced: "An old lady, who says I am to tell you that her name is +Hagar, wants to see you, sir," addressing Mr. Arthur. + +The master of the house started, and an angry flush settled upon his +face. "Send her away. I won't see the old beldam. Send her away." + +The girl bowed and was about to retire, when she was pushed from the +doorway with little ceremony, and Nurse Hagar entered. Before the +occupants of the room had recovered from their surprise, or found +voice to address her, she had crossed the room, and paused before John +Arthur. Placing a small bundle upon the table near him, she said: + +"Don't think you can order me from your door, John Arthur, when I +choose to enter it. I shall never come to you without good reason, and +I presume you will think me a welcome messenger when you know my +errand." + +"Confound you," said the man, angrily, yet with an uneasy look in his +eyes; "if you must chatter to me, come into the library." He arose and +made a step toward the door. + +"There is no need," said Hagar, with dignity; "my errand may interest +others here besides yourself. I bring a message from the dead." + +John Arthur turned ashen pale and trembled violently. All eyes were +turned upon the speaker, however, and his agitation was unnoticed save +by Hagar. + +"Last night," she continued, "a carriage stopped at my door and a +woman came in, bringing that bundle in her hands." + +She paused and seemed struggling with her feelings. + +"She said," continued Hagar, "that she was requested to come by a +dying girl, else she would have written the message given to her. She +belonged to a charitable society, and visited the hospital every week. +She brought flowers and fruit to one of the patients--a girl who died +asking her to write down what is on this card," holding out a bit of +white cardboard, "and not to tell the officers of the hospital her +true name. She had entered under the name of Martha Gray, and wished +to be buried as such. The lady promised; the girl gave her these +articles, and the lady kept her word, and brought the message. There +is the bundle," in a choking voice, "and here is the card. That is +all. Good-by, John Arthur; be happy, if you can. And may God's curse +fall upon all who drove her to her doom!" + +She gathered her shawl about her shoulders and, casting a meaning +glance at Lucian Davlin, passed from the room and the house. + +John Arthur sat with eyes riveted upon the card before him. After a +time he turned, and placing it in Davlin's hand, signed to him to read +it, and hurriedly left the room. + +The hand that had first stricken the young life, placed the evidence +that the end had come in the hand that had completed what the first +began! + +Something of this Lucian Davlin felt, hardened as he was, for he knew, +without waiting for the proof, that the true name of the girl who died +in the hospital was familiar to them all. + +"Read!" ejaculated Cora, impatiently, "or give it to me." + +Lucian's eyes had scanned the card, and tossing it across to her, he +pushed back his chair and walked to the window. Cora read for the +benefit of her bewildered sister-in-law: + + Madeline Payne, at St. Mary's Hospital, under name of Martha + Gray, died--brain fever--no friends but nurse. + +[Illustration: "May God's curse fall upon all who drove her to her +doom."--page 134.] + +On the opposite side of the card was pencilled the full address of old +Hagar, and this was all. Scant information, but it was enough. + +Cora pounced upon the bundle and opened it. It contained a little +purse; a few trinkets, which any of the servants could identify as +belonging to Madeline; the cloak she had worn the evening of her +flight; and a pocket-handkerchief with her name embroidered in the +corner. + +Satisfaction beamed in the face Cora turned toward Lucian, and away +from Miss Arthur. She was mindful of the proprieties, however, and +turning her eyes back upon the lady opposite, she pressed a dainty +handkerchief to her countenance, and murmured plaintively: + +"How very, very shocking, and sad! Poor Mr. Arthur is quite overcome, +and no wonder--that poor, sweet, young girl." + +Across Lucian's averted face flitted a smile of sarcasm. How little +she knew of the truth, this fair hypocrite, and how unlikely she was +ever to know now. If Madeline were dead, of what avail was any effort +to break from the olden thraldom--for this is what had been in the +mind of the scheming man. + +Cora brushed her handkerchief across her eyes and arose languidly. "I +must go to Mr. Arthur, poor man," she murmured, shaking out her +flounces. "He is terribly shocked, I fear." + +Studiously avoiding the necessity of glancing in the direction of Mr. +Davlin, she glided from the room. + +And so the news fell in Madeline's home, and its inmates were affected +no more than this: + +With Cora a renewal of tenderness toward "Dear John," and an increased +stateliness toward Miss Arthur and the servants. More deference on +Miss Arthur's part towards her brother, and less on his part toward +her, as the possibility of being obliged to ask a small loan faded +away into the past of empty purses and closed up coffers. + +Lucian took upon himself the responsibility of visiting the city and +calling at St. Mary's, there to be reassured of the fact that one +Martha Grey had died within its walls and been buried. + + + + +CHAPTER XIII. + +MISS ARTHUR'S FRENCH MAID. + + +After this the days flew by very much alike. + +Miss Arthur's maid arrived, and proved indeed a treasure, nor was she +as obnoxious to Mr. John Arthur as he had evidently intended to find +her. Perhaps Celine Leroque knew by instinct that the master of Oakley +cherished an aversion to French maids in particular; or perhaps she +was an exceptional French maid, and craved neither the smiles nor +slyly administered caresses, that fell to the lot of pretty _femmes de +chambre_, at least in novels. At any rate, certain it is that Miss +Arthur's maid manifested no desire to be seen by the inmates of the +household, and she had been domiciled for some weeks without having +vouchsafed to either John Arthur or Lucian Davlin more than a fleeting +glimpse of her maidship. + +Things were becoming very monotonous to some of the occupants of the +Oakley manor; very, very dull and flavorless. + +Cora was growing restless. Not that the astute lady permitted signs of +discontent to become manifest to the uninitiated, but Lucian Davlin +saw, with a mingled feeling of satisfaction and dismay, that the +_role_ of devoted wife had ceased to interest his blonde comrade in +iniquity. + +The fact gave him a malicious pleasure because, as fate had dared to +play against him, he would have felt especially aggrieved if a few +thorns had not been introduced into the eider down that seemingly +enveloped his fair accomplice. + +But he felt some dismay, for he knew by the swift flash of azure eyes +under golden lashes, by the sway of her shoulders as she paced the +terrace, by the nervous tapping of her slippered foot at certain times +in the intervals of table chat--that Cora was _thinking_. And when +Cora thought, something was about to happen. + +It was in obedience to one of those swift side glances, that he +followed her from the morning room, one forenoon about three weeks +after the news of Madeline's death had come to them. The day was +bright but chill, and the woman had wrapped herself in a shawl of +vivid crimson, but stood with bared head in the sunlight waiting the +approach of her counterfeit brother. + +"Cover your head, you very thoughtless woman," was his brotherly +salutation as he approached, plunging about in his pockets in search +of a cigar the while. + +"Bother!" she ejaculated, tossing her golden locks; "my hair needs a +sunbath. I only wish I dare indulge myself further! If you had any +heart you wouldn't torture me so constantly with the odor of those +magnificent Havanas, when you know how my very soul longs for a weed!" + +"Poor little woman," laughing maliciously; "fancy Mrs. John Arthur of +Oakley smoking a _Perique_! Isn't it prime, Co.?" puffing out a cloud +of perfumed smoke. + +"Prime! bah! I'd like to strangle you, or--" + +"Or?--" inquiringly. + +"Somebody," laughing nervously. + +"Just so; Miss Arthur would be a good subject and that would confer a +favor on me, too, by Jove!" + +"I don't want to confer a favor on you. You had much better try and do +me one, I think." + +"With all my heart, taking my ability for granted, of course; only +tell me how." + +Cora shrugged her crimson-clad shoulders, and they paced forward in +silence for a time. Then as if his stillness had been speech of a +distasteful kind, she ejaculated, crossly, and without turning her +head: "Stuff! you talk too much!" + +Lucian smiled maliciously, removed his cigar from between his lips, +described a smoke wreath in mid-air, replaced his weed, and said: "Do +I? then mum's the word;" and he relapsed into silence. + +He seemed bent on annoying her, for there was a laughing glimmer in +his eye, and he obstinately refused to attempt to draw her out, and so +make easier whatever she might have to say, for he knew that she had +signaled him out to-day for a purpose. + +Mutely he walked by her side, and contentedly puffed at his cigar +until, at length, she turned upon him, and struck petulantly at the +hand that had just removed it from his lips. The weed fell from his +fingers to the ground, and Cora set her slippered heel upon it, as if +it were an enemy, and laughed triumphantly. + +"Now we are on a level," she cried. "Do you suppose I intend to give +you that advantage over me?" + +"It seems not," with a shrug expressive of resignation and a smile +hidden by his mustache. + +He was not the man to be angered, or even ruffled, by these little +feminine onslaughts. In fact, they rather pleased and amused him, and +he had become well accustomed to Cora's "little ways," as he called +them. Deprived of his cigar, he thrust his hands into his pockets and +whistled softly. + +"Lucian, if you don't stop looking so comfortable, and content, and +altogether don't-care-ish, I shall do something very desperate," she +exclaimed, pettishly. + +"No?" raising his eyebrows in mock incredulity; "you don't tell me. I +thought you were in a little heaven of your own, Mrs. Arthur." + +"Oh! you did? Very clever of you. Well, Mr. Davlin, has it occurred to +you that heaven might not be a congenial climate for me?" + +"Not while your wings are so fresh, surely? You have scarcely entered +your paradise, fair peri." + +"Haven't I?" ironically. "Well, I am tired of manna, anyhow." Cora was +not always strictly elegant in her choice of expressions. "Now, +Lucian, stop parleying, and tell me, when is this going to end?" + +"When?" + +He stopped and looked down at her intently. Twice they had traversed +the terrace, and now they paused at the termination furthest from the +house. Just before them a diminutive flight of stone steps led down to +a narrow graveled walk, that skirted a velvety bit of lawn, and was in +its turn hedged by some close and high-growing shrubs from the +"Bellair woods," as they were called. Beyond the steps was a gap in +the hedge, and this, cut and trimmed until it formed a compact and +beautiful arch, was spanned by a stile, built for the convenience of +those who desired to reach the village by the shortest route, the +Bellair woods. + +"Don't repeat like a parrot, Lucian." Cora raised her voice angrily. +"I say, when is this to end? and how?" + +They were just opposite the gap in the hedge and Lucian, looking down +upon Cora, stood facing the opening. As the words crossed her lips, +his eyes fell upon a figure just behind her, and he checked the +conversation by an involuntary motion of the hand. + +The figure came toward them. It was Miss Arthur's French maid, and she +carried in her hand a small parcel. Evidently she was returning from +some errand to the village. Miss Arthur's maid had black hair, dressed +very low on the forehead; eyes of some sort, it is to be presumed, but +they were effectually concealed by blue glasses; a rather pasty +complexion; a form that might have been good, but if so, its beauties +were hidden by the loose and, as Cora expressed it, "floppy," style of +jacket which she habitually wore. She passed them with a low "_Bon +jour, madame_," and hurried up the terrace. At least she was walking +swiftly, but not very smoothly, up the terrace when Lucian cast after +her a last disapproving glance. + +"Your lady's maid is not a swan nor a beauty," he said, as they by +mutual consent went down the steps. + +Cora made no reply to this, seeming lost in thought. They walked on +for a moment in silence. + +But Celine Leroque did not walk on. She dropped her package and, +stooping to recover it, cast a swift glance after the pair. They were +sauntering slowly down the hedgerow walk, their backs toward her. + +Probably the falling parcel had reminded the French maid of something +forgotten, for she turned swiftly, silently, and without any of her +previous awkwardness retraced her steps and disappeared beyond the +stile. + +"What's the row, Co.?" asked Lucian, kicking a pebble with his boot +toe. "You are getting restive early in the game. Can't you keep to +the track for another two months?" + +"No." + +"What then?" + +"This. We must get that fool out of the way." + +"Meaning who?" + +"She, of course--Ellen Arthur. The woman will make a raving maniac of +me in two months more." + +"By Jove! and of me, too, if I don't get out of this." + +"We must get rid of her." + +"How?" + +"I don't know--somehow, anyhow." + +"And then?" + +"And then--" she gave him a side glance, and laughed unpleasantly. + +"And then? You have a plan, my blonde. Out with it; I am a listener." + +And he did listen. + +Slowly down the hedgerow path they paced, and at the end, halted and +stood for a time in earnest consultation. There was some difference of +opinion, but the difference became adjusted. And they turned toward +the house, evidently satisfied with the result of the morning's +consultation. + +Not long after, Miss Arthur's maid returned also. + +"I see by the papers that Dr. LeGuise has come back from Europe, +Cora," announced Mr. Davlin from his seat at the lunch table that day. + +"Dr. LeGuise! how delightful! Now one will not be afraid to be +sick--our old family physician, you know," to Miss Arthur; "and _so_ +skillful. He has been in Europe a year. The dear man, how I long to +see him!" + +"Well!" laughed Lucian, "I will carry him any amount of affection, +providing it is not too bulky. I find that I must run up to the city +to-morrow, and of course will look him up." + +"Oh!" eagerly, "and find out if he saw the D'Arcys in Paris; and those +delightful Trevanions!" Then, regretfully, "can't you stay another +week, dear?" + +"Out of the question, Co., much as I regret it," glancing expressively +at Miss Arthur. "But I shan't forget you all." + +"Pray do not," simpered the spinster. "And when do you return?" + +"Not for two or three weeks, I fear. But rest assured I shall lose no +time, when once I am at liberty." + +During his lazy, good-humored moments, Mr. Davlin had made most +ridiculous love to Miss Arthur, and that lady had not been behind in +doing her part. Now, strange to say, the face which she bent over her +napkin wore upon it a look, not of sorrow, but of relief. And why? + + + + +CHAPTER XIV. + +WHEELS WITHIN WHEELS. + + +"Take especial care with my toilet this morning, Celine," drawled Miss +Arthur, as she sat before a mirror in her luxuriously appointed +dressing-room. + +Wise Cora had seen the propriety of giving to this unwelcome +sister-in-law with the heavy purse, apartments of the best in the +newly fitted-up portion of the mansion. + +"I want you to be _especially_ careful with my hair and complexion," +Miss Arthur continued. + +"Yes, mademoiselle," demurely. Then, as if the information might bear +upon the question of the toilet, "Does mademoiselle know that Monsieur +Davlin left an hour ago?" + +"Certainly, Celine, but I expect a visitor. He may arrive at any time +to-day, and you must do your very best with my toilet." + +"Mademoiselle _est charmante_; slight need of Celine's poor aid," +cooed the little hypocrite, and the toilet proceeded. + +At length, the resources of art having been exhausted, Miss Arthur +stood up, and approved of Celine's handiwork. + +"I really do look nicely, Celine; you have done well, very. Now go +send me a pot of chocolate and a bit of toast." + +"Yes, mademoiselle." + +"And a bit of chicken, or a bird's wing." + +"Oui." + +"And a French roll, Celine, with perhaps an omelette." + +"Pardonne, mademoiselle, but might I suggest we must not forget this," +touching Miss Arthur's tightly laced waist. + +"True, Celine, quite right; the toast, then. And, Celine, remain +down-stairs and when Mr. Percy comes," (her maid visibly started at +the name) "show him into the little parlor, and tell him I am +somewhere in the grounds--you understand? Then come and let me know. I +prefer to have him fancy me surprised, you see," smiling playfully. + +"I see; mademoiselle has _such_ tact," and the French maid +disappeared. + +"Mr. Percy?" muttered the French maid, in very English accents; "I +will certainly look for your coming, Mr. Percy. Can it be that I am to +meet you at last?" + +Mrs. John Arthur was restless that morning. She fidgeted about after +the departure of her brother; tried to play the agreeable to her +husband, but finding this a difficult task, left him to his cigar and +his morning paper, in the solitude of his sanctum, and seizing her +crimson shawl, started out for a turn upon the terrace. + +The "little parlor," as it was called, commanded a view of one end of +the terrace walk, but no portion of it was visible from the immediate +front of Oakley mansion, the terrace running across the grounds in the +rear of the dwelling, and being shut off from the front by a thicket +of flowering shrubs and trees. + +The hall facing the front entrance to Oakley was deserted now, save +for the figure of Celine Leroque, who was ensconsed in one of the +windows thereof. She had been watching there for more than an hour, +and Cora had promenaded the terrace half that time, when a gentleman +approached the mansion from the front gate-way. + +Celine's eyes were riveted upon the coming figure, as it appeared and +disappeared among the trees and shrubbery along the winding walk. At +length he emerged into open space and approached nearer. + +Celine Leroque suppressed a cry of astonishment as she anticipated his +ring and ushered him in. A very blonde man, with the lower half of his +face covered with a mass of yellow waving beard; pale blue, searching, +unfathomable eyes; pale yellow hair; a handsome face, the face she had +seen pictured in Claire's souvenir! + +Celine Leroque led the way toward the little parlor with a heart +beating rapidly. + +"Miss Arthur is in the grounds," she said, in answer to his inquiry. +"I will go look for her;" and she turned away. + +Mr. Percy placed his hat upon a little table and tossing back his fair +hair, said: "I think I can see her now." + +Approaching the window he looked down upon the terrace. + +Celine looked, too, and catching a gleam of crimson, said: "That is +not Miss Arthur." + +"Stop a moment, my girl," the man exclaimed. + +He was gazing down at Cora, who was walking away from them, with a +puzzled look. "Good God!" he ejaculated, as she turned and he saw her +face. + +He checked himself, and withdrawing hastily from the window, took up +his hat as if about to depart. Approaching the window once again, he +looked cautiously forth, and seeing Cora still pacing the terrace in +evident unconcern, he muttered to himself, but quite audibly, "Thank +goodness, she did not see me." + +Then turning to Celine: "Girl, who is that woman?" + +The girl approached the window: "That, monsieur, is Madame Cora +Arthur." + +"A widow, eh?" + +"Oh, no, monsieur. Mr. Arthur is the master of Oakley." + +"Oh! and madame--how long has she been his wife?" + +"She is still a bride, monsieur." + +"Still a bride, is she? How exceedingly pleasant." Mr. Percy had +evidently recovered from his panic. "Was she a miss when she married +the master of Oakley?" + +"Oh, no, monsieur; a widow." + +"Widow?" stroking his whiskers caressingly. "What name?" + +"Madame Torrance, monsieur." + +"Madame Torrance, eh? Well, my good girl, take this," offering a bank +note. "I really thought that Madame Torrance, I mean Arthur, was an +old friend; however, it seems I was mistaken. Now, my girl, go and +tell that lady that a gentleman desires to see her, and do not +announce me to Miss Arthur yet. May I depend upon you?" glancing at +her keenly. + +"You may, monsieur." + +Taking the offered money, she made an obeisance, and withdrew. + +The little parlor had but one means of egress--through the door by +which Mr. Percy had entered. This door was near the angle of the room; +so near that, as it swung inward, it almost grazed against a huge +high-backed chair, stiff and grim, but reckoned among the elegant +pieces of furniture that are always, or nearly always, uncomfortable. +This chair occupied the angle, and behind its capacious back was +comfortable room for one or two persons, should they fancy occupying a +position so secluded. The act of opening the door completely screened +this chair from the view of any person not directly opposite it, until +such time as the door should be again closed. + +As Celine Leroque opened the door and disappeared one might have +fancied, had they been gazing at that not-very-interesting object, +that the high-backed chair moved ever so little. + +Celine flew along the hall and down the stairway, tearing viciously at +something as she went. Once in the open air, the brisk autumn breezes +caught something from her hand, and sent little fragments whirling +through space--paper scraps, that might have been dissected particles +of a bank note. + +Cora listened in some surprise to the messenger, who broke in upon her +meditations with a trifle less of suavity than was usual in Miss +Arthur's maid. + +"A gentleman, to see me! Are you quite sure, Celine?" + +Mrs. Arthur, for various reasons, received but few friends, and Celine +thought now that she looked a trifle annoyed. + +"Well, Celine, where is the gentleman? Stop," as if struck by a sudden +thought, and changing color slightly, "tell him I am out, but not +until I have got up-stairs," she said; "not until I have had an +opportunity to see him, myself unseen," she thought. + +"But, madame," hesitated Celine, "he is in the little parlor. He saw +madame at the upper end of the terrace." + +"Confusion! What did he say, girl?" excitedly. + +"He said, madame, that he wished to speak with you; that he was an old +friend." + +"Well, go along," sharply. "I will see the man." + +Celine turned about and Cora followed her almost sullenly. She had +some apprehension as to this unknown caller, but he had seen her, and +whoever he was she must face him, for Cora was no coward. + +Celine tripped along thinking intently. + +"This man is Edward Percy--Edward Percy, the lover of two women. He +was frightened when he saw this Mrs. Arthur, and my words reassured +him; why? At the mention of a strange caller, she must needs see him +before she permits him an interview--for that is what she meant. Do +they know each other? If so, the plot thickens." + +Edward Percy had certainly been agitated at sight of Mrs. Arthur, and +had as certainly recovered when assured that the lady _was_ Mrs. +Arthur. He looked the image of content now, as he lounged at the +window. Under the blonde mustaches, a smile of cunning and triumph +rested; but his eyes looked very blue, very, very calm, very +unfathomable. + +"Madame Arthur, sir." + +Celine opens the door gently, and admits the form of Cora. Then, as +the two face each other in silence, the door quietly closes, neither +one having glanced toward the girl, who has disappeared. + +Cora stands before him, the folds of the crimson shawl falling away +from the plump, graceful shoulders, and mingling with the sweep of her +black cashmere wrapper in rich, graceful contrast. One fair hand +gathers up the crimson fabric and, instinctively, the other thrusts +itself out in a repellant gesture, as the soft voice utters, in tones +of mingled hate and fear: "_You!_" + +He laughs softly. "Yes, I. I knew you would be delighted." All the +time he is gazing at her critically, apparently viewing her loveliness +with an approving eye. + +And now the woman feels through her whole being but the one +instinct--hate. She has forgotten all fear, and stands before him +erect, pallid, but with eye and lip expressing the bitterness that +rages within her. + +"You won't say you are glad to see me? Cruel Alice," he murmurs, +plaintively. "And after all these years, too; how many are they, my +dear?" + +"No matter!" fiercely. "They have given the devil ample time to claim +his own, and yet you are upon earth!" + +"Yes," serenely; "both of us." + +"Both of us, then. How dare you seek me out?" + +"My dear wife, I never did you so much honor. I came to this house for +another purpose, and Providence, kind Providence, has guided me to +you." + +The woman seemed recalled to herself. Again the look of fear +overspread her face, and looking nervously about her, she said. "For +God's sake, hush! What you wish to say say out, but don't let your +voice go beyond these walls." + +"Dear Alice, my voice never was vulgarly loud, was it? recollect, if +you please," in an injured tone. + +"Well! well! what do you want with me? Percy Jordan, I warn you--I am +not the woman you wronged ten years ago." + +"No; by my faith, you are a handsomer woman, and you carry yourself +like a duchess. Why didn't you do that when you were Mrs.--" + +"Hush!" she cried; "you base liar, it did not take me long to find you +out, even then. Don't forget that you have lived in fear of me for ten +long years." + +"Just so," serenely; "haven't they been long? But they are ended now, +my dear; my incubus is dead and--" + +"But documents don't die," she interrupted; "don't forget that!" + +"Not for worlds. For instance, I remember that in a certain church register +may be seen the marriage lines of Alice Ford and--ahem--myself. And +somewhere, not far away, there must be on record the statement that Mr. +Arthur, of Oakley, has wedded the incomparable Mrs. Torrance, a blonde +widow--ahem. Where did you go, my dear, when you left my bed and board so +very unceremoniously? + + "'What had I done, or what hadst thou, + That through this weary world till now + I've walked with empty arms.'" + +He stretched out those members tragically. + +"And I don't forget that I was never legally your wife, as you had +another living," cried Cora, ignoring the latter part of his speech. + +"No; of course not. Does Mr. John Arthur know that you were once my--" + +"Dupe? no," she interrupted. "Come, time passes; tell me what you +know, and what you want." + +"Softly, softly, Mrs. Arthur. I know enough to insure me against being +turned out of Oakley by you; and I want a wife and a fortune." + +"I don't understand you." + +[Illustration: "The soft voice utters, in tones of mingled hate and +fear, '_You?_'"--page 149.] + +"Possibly not, Madame Arthur." Then, with mock emotion: "Might I, +dare I, ask you to give to my keeping, that incomparable maiden, that +houri of houris, your young and lovely sister-in-law, Miss Ellen +Arthur?" + +The woman looked at him in silence for a time, and then, flinging +herself upon a couch, burst into a peal of soft laughter. She +understood it all now. + +"So you are the expected lover!" she ejaculated, laughing afresh; "and +she is up-stairs, in bright array, waiting for you." + +"And I am down here, pleading for permission to address this pearl of +price." + +Cora arose and gathered her crimson wrap about her shoulders. "And how +is it to be between us?" she asked coolly. + +"My sweet Alice, if you were John Arthur's widow instead of John +Arthur's wife, it should be as if the past ten years were but a +dream." + +"Indeed--provided, of course, I were John Arthur's heiress as well." + +"Certainly!" + +"And how is it that you are once more fortune hunting? Five years ago +you inherited wealth sufficient for your every need." + +The elegant Mr. Percy went through the pantomime of shuffling and +dealing cards, then looked at her with a grimace. + +"All?" she inquired, as if the action had been words. + +"Every ducat," solemnly. "So what is to be my fate, fair destiny?" + +Cora mused, then laughed again. "After all, you may prove a friend in +need," she said. "I shan't interfere between you and Miss Arthur; be +sure of that." + +Then they fell to settling the preliminaries of a siege upon the heart +of Miss Arthur, together with other little trifles that occurred as +they talked. They had both thrown off their air of hostility, and +were seated opposite each other, conversing quite comfortably, when +the door swung open, and Miss Arthur stood before them; Miss Arthur, +in the full glory of snowy cashmere, with cherry satin facings; Miss +Arthur, with curls waving, and in all her war-paint. + +The two plotters arose, and saluted her with much empressement. + +Miss Arthur advanced a step and stood beside the high-backed chair, +one hand still resting upon the door. Percy came toward her with +outstretched hands. + +"Ah-h-h!" screeched the spinster, "what was that?" + +Turning quickly she encountered nothing more formidable than her +French maid, who had evidently hurried to the spot, for she breathed +rapidly, and said, in an anxious manner: + +"Pardon, mademoiselle, it is I,--did mademoiselle ring? I thought so." + +"You stepped on my dress, girl," said Miss Arthur, sharply. "No, I did +not ring; perhaps Mrs. Arthur did." + +"I did ring, Ellen," lied Cora, sweetly, wondering what lucky +providence sent the girl to the door just then. "I rang for you, as +Mr. Percy here, in whom I have discovered a Long Branch acquaintance, +would hardly treat me civilly, so impatient has he been to see Miss +Arthur." + +Miss Arthur looked somewhat appeased. "You may go, Celine," she said, +with her most stately air. + +Thus she sailed forward to meet Mr. Percy. + +Celine departed, smiling an odd little smile. She went to her own room +and sitting down upon the bedside, meditated. Presently she arose, and +walking over to her mirror, gazed at her reflected image, and shaking +her head at it, murmured: + +"What a nice little maid you are, Celine Leroque--and how these +people will love you by and by! You now hold in your hands the thread +that will unravel this mixture of mystery, and when the reckoning +comes, it will not be you that falls." + +Thoughtfully she paced the little apartment. By and by she threw +herself upon the bed and closed her eyes, still thinking. If she could +only know just how these two had separated--Edward Percy and Cora +Arthur; and what part Lucian Davlin had played in that separation +drama. Did Cora know Lucian ten years ago--did Percy know him for his +rival? Suddenly the girl sprang up, and smiting her two palms +together, exclaimed: + +"If these two men were rivals, then we may yet find a reason why +Lucian Davlin should attempt the life of Edward Percy!" + +And now what should she do? + +Claire Keith's bright face rose before her as she asked herself the +question. Claire must be warned and saved; but how? The girl's brow +darkened. + +"She will scorn the man," she muttered, between pale lips, "and then +she will learn to value that other. She will grieve for a time, +perhaps, but not for long; then--then she will become _his_ wife, +while I--What right has she to all the blessings?" + +The girl stood motionless, with hands tightly clasped. The conflict +lasted but a moment when, in a firm, clear voice she continued: + +"It would be base not to save her from this wretch--and save her I +will; and I will restore to Olive Girard her husband; is that not +payment enough for all they have done for me? But he, Clarence, my +hero--why must I yield him up without a struggle? She does not love +him; she never will love him if I say the word; she is as generous +as--as I am base, I think. No, it is not base to love him, to try to +win him. And why not? I must think, think, think." + +All that day and night the girl pondered deeply. In the morning she +arose weary, unrefreshed. + +"I will save Claire Keith from the suffering that befell me," she +said. "But she shall not have all the good things of this life, and I +none." + + + + +CHAPTER XV. + +CORA AND THE FRENCH MAID MEASURE SWORDS. + + +During the day, Miss Arthur communicated to her maid the fact that Mr. +Percy would remain in Bellair for the present. He was going away for a +day on business; then he would return and take up his abode at the +Bellair inn. + +"Would monsieur be absent to-morrow?" + +"Yes." + +Then, as mademoiselle would not especially need her, would she +graciously give her the day? Her sister had just returned from Paris, +and would very soon leave the city _en route_ for Washington. Her +sister was in the service of Mrs. General Delonne--of course +mademoiselle had heard of Madame Delonne; knew her, perhaps. Celine +much desired to see this sister, and expected to get some valuable +hints from her regarding the very latest French _coiffeurs_, etc., +etc. In short, could mademoiselle spare her to-morrow, just for one +little day? + +Mademoiselle, after due deliberation, perhaps in consideration of the +new _coiffeurs_, graciously consented. This matter was settled while +the dinner toilet of the lady was in progress; and Celine spared no +pains to make her mistress satisfied with herself and all about her. + +"How long had Mr. Percy been in the little parlor, Celine, before I +came down?" questioned the lady. + +She was still a trifle dissatisfied at having found her lover so +cosily _tete-a-tete_ with her fascinating sister-in-law. + +"Oh, a very short time, my lady--I mean mademoiselle." + +"And how did he meet Mrs. Arthur?" anxiously. + +"Madame was just entering from the terrace; they met in the hall," +glibly. + +"And did they meet like old friends, Celine?" + +"Oh, no! mademoiselle; quite formally. At first I fancied he was +really displeased at meeting her--but of course mademoiselle knew the +reason for that," slyly. + +"Hush, you foolish girl," said the flattered spinster; "it's all +right, of course." And she relapsed into reverie. + +Miss Arthur had exhausted her patience waiting for her tardy admirer, +and, finding her own apartments dull, had come down to the parlor, +thus interrupting the interview, to the disgust of more than one of +those interested. + +Mr. Percy had many questions yet to propound to his newly-found wife, +as he called her, and she, knowing him so well, felt a trifle more +uneasy than was comfortable, wondering what use, if any, he intended +to make of the small amount of power he still possessed over her. She +must hold another interview with him, and that soon. Meantime, she +left him to the tender mercies of the happy spinster. + +It was late in the evening when she at last found a convenient +opportunity, and crossed the hall in the direction of Miss Arthur's +dressing-room. She was about to open the door and enter, when her +movement was anticipated by Celine, who appeared upon the threshold in +hat and shawl. + +Mrs. Arthur seemed not at all abashed, but pushing the girl back into +the room, stepped in herself and closed the door. "You were going out, +Celine?" smiling sweetly. + +"Yes, madame," respectfully. + +"May I ask where?" + +"Certainly, madame. I have leave to go and see my sister to-morrow. I +am going to telegraph her that she may expect me. Can I serve madame?" + +Madame pondered a moment. + +"Celine," she said, abruptly. "Why did you pretend to answer a ring +this morning, when your mistress came down to the little parlor?" + +"I trust madame was not offended," deprecatingly. + +"No, no," impatiently; "but I want to understand you." + +"Madame shall. Madame must know that my mistress is not always smooth +in temper?" + +"Yes," laughing wickedly. + +"This morning she bade me admit the gentleman, tell him she was in the +grounds, and then come to her. He came, and almost immediately saw +you, madame, walking on the terrace." + +"Stop. How did he act when he saw me, Celine?" + +The girl looked at her in apparent hesitation. "Madame will not be +angry with me?" + +"No, no." + +"He looked almost frightened, and took his hat, as if about to go." + +Cora uttered a low, triumphant, "Ah, did he?" + +"Then he called me back as I was leaving the room to summon my +mistress, and asked me who you were. I told him. He looked relieved, +said he had mistaken you for an old acquaintance, and bade me ask you +to come to him, and say nothing to Miss Arthur until he desired it." + +"I see; but why did you follow her, when she came down? Did she know +we were there?" + +"No, madame." + +"Then why--" + +"Pardon," with a sidelong glance at her face, "but madame is +beautiful, and my mistress is jealous. I thought you might wish me to +do as I did, and I desired to serve you, madame." + +Cora eyed her keenly. "But why serve me, Celine?" + +"Madame has ever been gracious to Celine," said the girl, lowering her +eyes. "Even a servant appreciates kindness--my mistress never +considers that." + +Cora's thoughts flew fast. If she could trust this girl, she might +make her very useful. She had sought this interview to question her +concerning the adventure of the morning, and now might she not be of +still more service? + +A few more sharply-put questions were asked, and answered with +corresponding shrewdness. Then Celine detailed, in her own way, her +interview with her mistress on the subject of Mr. Percy's visit. + +Cora was at last fully satisfied that, for some reason, Miss Arthur +had aroused a feeling of antagonism in the breast of her maid. She +resolved to profit by this state of affairs. Accordingly, a few +moments later, Celine Leroque flitted out from the house the bearer of +two important messages. + +One, in writing, was a telegram to be sent to Lucian Davlin. + +The other was a verbal message to be delivered, in some way, to Mr. +Percy before he quitted the grounds of Oakley. + +Pausing at a safe distance from the house, Celine produced from her +pocket some waxen matches. She lighted one, having looked cautiously +about her, and spreading open the telegram to Mr. Davlin, read these +words: + + Come down to-morrow without fail. It is most important. + + C. + +"So," muttered Miss Arthur's maid as, flinging away the match, she +hurried on her way; "so he must be consulted; he must come down. In +the absence of Percy, too. I wonder if he knows, this Percy, that +Lucian Davlin at present personates the dutiful brother of his fair +lost love." Such a sneer rested on the face of the French maid. "Well! +Mr. Davlin must come and, unfortunately, I can't be present at this +interview. However, I shall be able to judge pretty accurately by +their future movements what was its portent." + +Edward Percy, as he chose to call himself, was not aware of the +position held by Lucian Davlin in that household. Cora had seized an +opportunity to murmur to Miss Arthur a soft warning. + +"Ellen, dear!" she had said, "pray don't mention Lucian to Mr. Percy, +unless you wish to shorten his stay with us. The fact is, the two had +a slight misunderstanding while we were all at Long Branch, about a +horse or something. Lucian was very much to blame, I think, but they +parted bad friends. It is best never to interfere in men's quarrels, +so I have not mentioned Lucian's name to him at all." + +Cunning Celine! Her tact had made this explanation seem a quite +probable one; and as Miss Arthur certainly had no desire to drive Mr. +Percy from Oakley, she assured her "kind, thoughtful Cora," that she +would be very guarded and never once mention Mr. Davlin's name in his +enemy's presence. + +Of this fact, of course, Celine was in total ignorance, as she +proceeded on her way, which was not to the telegraph office; at least +not yet. + +Hurrying through the Oakley wood in the opposite direction from the +village, she crossed the meadow and approached the cottage of Nurse +Hagar. A light was dimly visible through the paper curtains, but no +sound was heard from within. The girl listened at the door a moment, +and then tapped softly. + +Presently slip-shod feet could be heard crossing the uncarpeted floor, +and a key creaked in its lock, after which the door opened, a very +little way, and the old woman's face peered cautiously out into the +night. Then she hastily opened the door wide and admitted the visitor. + +"Is it you, dearie?" she asked, rather unnecessarily, surveying her +critically by the light of a flaring tallow candle. + +"No, Aunt Hagar, it's not I," laughed the girl; "it's Miss Arthur's +French maid that you see before you. And don't drop that tallow on her +devoted head," lifting a deprecating hand. + +"Umph! we seem in great spirits to-night," leading the way back to the +fire-place, beside which stood her easy splint-bottomed chair. + +"So we are," assented the girl; "and why shouldn't we be, pray? Aren't +we a very happy French maid, and a very skillful one, and a very lucky +one?" + +"How should I know?" grumbled the old woman; "what do I know? I'm only +old Hagar; don't mind explaining anything to me!" + +"By which you mean, beware of your wrath if I don't explain things to +you; eh, auntie?" + +[Illustration: "Celine looked cautiously around her."--page 159.] + +Hagar mumbled something, not exactly intended to be a speech but +simply a small growl, illustrative of her mood. Then, as if her +dignity had been sufficiently asserted, she relaxed her grimness, +and looking kindly down upon the girl, and pushing her toward the big +chair, said: + +"But law! child, you look fagged out. Sit down, sit down, and don't +mind an old woman's grumbling." + +"Did I ever?" laughed the girl, sinking into the big chair as if +indeed willing to rest. "But I can't sit here long, nursie; my day's +work, or rather my night's work, is not yet finished." + +"Not yet? Oh, Madeline, my little nursling, give up these wild plans +and plots; they will bring you no good." + +"Won't they?" nodding significantly. "I think they will do me good, +and you, too, Nurse Hagar; and before very long, too. Why, bless you, +these precious plotters won't wait for me to bring them into my net; +they are tumbling in headlong--all of them. They are helping me, with +all their might, to bring about their own downfall. Hagar," and the +girl leaned suddenly forward and looked closely into the old woman's +face, "I want you to come back to Oakley." + +Hagar started back as if struck by a knife. She was about to open her +lips and set free a torrent of indignant protest, when the girl lifted +her hand, interrupting her in the old characteristic way. + +"Wait until I explain, auntie. I want you to go to Oakley to-morrow, +at the hour when Mr. John Arthur is always supposed to be taking his +after-dinner nap. Just after dinner, I want you to see Madame Cora; +manage it in your own way, but see her you must." + +"I won't!" broke in the old woman. + +"You will," said the girl, quietly, "when I have told you why." + +Drawing her chair close to that occupied by her companion, she resumed +in a low voice: + +"Yesterday Miss Arthur sent me to the village to purchase some +trifling articles for the adornment of her precious person. Returning +through the woods, I came upon Mr. Davlin and his 'sister,' conversing +very earnestly, just at the lower end of the terrace. I arrived at the +hedgerow stile just in time to hear madame say, very emphatically, +that something must be done immediately. They were going down the +terrace steps when I passed them, pretending to be in a great hurry. +As soon as their backs were toward me, I turned quickly, and without +noise crossed the stile, followed them on the opposite side of the +hedge, and listened." + +Here the speaker paused and looked up, but her auditor was gazing +moodily into the fire, and never stirred nor spoke. + +"Madame was saying," resumed the narrator, "that she was heartily +weary of the part she was playing; that its monotony sickened her; +that they had secured the victims, and fate had been kind enough to +remove the only stumbling block in their path, save the old man +himself; that she considered my very sensible demise a direct answer +to her pious prayers." + +The old woman shuddered and cast a look of horror upon the speaker. + +"They had evidently discussed this matter before, and partially +settled their plans, only the man seemed to think it was too soon to +begin to act. But madame declared that she should do worse if they did +not commence operations at once, and finally she overruled him." + +"Of course," savagely. + +"Of course. Well, I now lost a little of their conversation, but I +kept the thread of it. You see, I had to move very cautiously, and +sometimes fall behind them a bit, when the leafage became less thick." + +Hagar nodded. + +"Their plan was a beautiful one, and they have already set it in +motion." + +"Already?" + +"Already; don't interrupt, please; I will tell you how in good time. +First, then, madame is to fall ill--not desperately ill, but just ill +enough to be interesting, and to alarm the old man. By the way, Mr. +Davlin left this morning for the city; that is one move. He is to +remain in the city until after the illness of madame, who is to refuse +to receive any of the village doctors. Finally, he is to be sent for, +and admonished to bring with him their old family physician, who has +but just returned from Europe. Well, they come, the brother and the +family physician--do you follow me?" + +"Yes, yes!" nodding eagerly. + +"They come. And the doctor says madame is threatened with a malignant +fever, and orders everybody out of the house. It is needless to say +that Miss Arthur flies instantly; but _le docteur_, interviewing the +half-sick, fidgety old man, discovers that he, too, is threatened with +the fever. Of course, he can not leave then." + +Old Hagar's eyes were twinkling, and she was bending forward now in an +eagerly attentive attitude. "No," she breathed, unconsciously. + +"Well, the heroic brother will refuse to fly from the fever, and will +implore the skillful man of medicine to remain and minister unto the +sick. The good doctor stays. Of course, such of the servants as are at +all likely to prove troublesome, through possessing a trifle more +brains than is usually alloted to an idiot, will be kindly told that, +rather than endanger their lives, the household will dispense with +their valuable services. Then a nurse, perhaps two, will come down +from the city, and the plotters have the game in their own hands." + +Here the girl paused, and leaned back in her chair as if her story +were done. + +"And then?" exclaimed Hagar. + +"And then!" echoed her companion, bending forward and resting her hand +upon the old woman's wrist; "and then madame will recover--but John +Arthur will remain an invalid and a prisoner! It will be said in the +village that the fever has affected his brain, and his unpopularity, +arising from the fact that he has always shunned and scorned the +village folk, will insure them against intrusive investigators. +Auntie, they have hatched a pretty plot." + +"But," objected Hagar, "they will have to stay at Oakley, if he is to +be a prisoner. They won't dare leave him with keepers and--" + +"True," the girl interrupted. "I don't know how they will manage the +rest; but having settled this much, madame and her 'brother' paused at +the end of the path. I saw her as she looked up into his face, and +this is what she said: 'When he is once a prisoner, what could be more +natural than that a crazy, sick old man should _die_ some day?' Then +the man replied, 'Nothing;' and they both returned to the house, +without another word." + +For some moments silence reigned in Hagar's dwelling. The old woman +seemed either unable, or unwilling, to utter a word of comment upon +the story to which she had been so attentive a listener. + +Celine at length arose and said, as she began pacing to and fro before +the old woman. "Well, have you anything to say to this?" + +"Yes," quietly. + +"Then why don't you speak out? Are you horribly shocked?" + +"No." + +"No? Well, so much the better!" + +Hagar arose, pushed back her chair, crossed the room, and, pulling +back the curtain, looked out into the night. Then turning her +inscrutable old face upon the girl she said, quite calmly: + +"Why should not others measure out to John Arthur the same bitter +draught that he filled for your mother, years ago? Bah! it is only +retribution!" + +"True," said the girl, sternly. Then, in a guarded tone: "And you +would make no attempt to overturn their finely laid plans?" + +"I? _No!_" fiercely. "You? I thought you wanted revenge." + +"And so I do,--and will have it." + +"How, then?" + +"Will you go to Madame Arthur?" + +"What for?" + +"Ah, now you reason. I will tell you." + +Hurriedly she unfolded her plan; and after some differences of +opinion, dame Hagar agreed to play her part in the coming drama. +Having finally arranged Hagar's _role_ to their mutual satisfaction, +Celine hurriedly recounted her day's adventures, saying, by way of +_finale_: + +"So now you see, nursie, I must hasten and send madame's message on +its way. I shall depend upon you to tell me if Mr. Davlin comes to +Bellair to-morrow, for I have a fancy that madame will manage, in some +way, to prevent his coming to the house, as it was fully settled that +he was not to appear at Oakley until summoned to his sister's +sick-bed." + +"I can easily learn if he appears at the Bellair station." + +"Exactly; that is all I wish to know. Now I must go and waylay Mr. +Percy. So good night, auntie, and cheer up; our time is coming fast." + +"And trouble coming, too; God help us." + +The girl turned upon her swiftly, with flashing eyes. "Are you afraid? +Do you want to give it up?" + +"I am afraid for you. But give up now; never!" + +"Brave old nursie!" + +The girl flung both arms about the old woman, and kissed her withered +cheeks. + +"Never fear for me; my star is rising. Don't forget your mission, +auntie; good-night." + +The "good-night" came back over her shoulder, as the girl was hurrying +down the cottage steps, and Hagar closed the door behind her +retreating figure. + + + + +CHAPTER XVI. + +FACE TO FACE. + + +It is surprising to note how many pretexts a resolute, husband-hunting +spinster can find for keeping a victim at her side, long after his +soul has left her, and gone forth with yearning for a downy couch, a +fragrant cheroot, or a fairer face. + +Edward Percy could be agreeable, for a reasonable length of time, to a +very ugly woman. But even he felt himself an injured man when, at a +late hour, he said good-night for the eleventh time to his fair +enslaver--literally an enslaver, he thought. As the door of Oakley +manor actually and audibly closed behind him, he heaved a sigh of +gratification, and strode rapidly down the winding avenue. + +When the first group of trees had sheltered him from the view of the +infatuated spinster, should she still be gazing after him, Mr. Percy +paused, and standing in the shadow, produced a cigar and was +proceeding to light it, when a hand fell lightly upon his arm, and he +turned with a confused idea that she had followed him, and was about +to lead him back a prisoner. But the figure that he dimly saw was, +certainly, not that of Miss Arthur. + +"Pardon, monsieur! but I have a message for you." + +"Ye gods!" ejaculated the aggrieved man. + +Evidently the girl interpreted his thoughts, for she stifled a laugh +as she said, quickly: "Not from Miss Arthur, monsieur; but from +madame." + +"Oh, from madame," drawing a long breath. "Well, even madame will be a +blessed relief; out with it, girl." + +"Madame will be grateful, I am sure," said the girl, mockingly. +"Madame desires a word with you--now, to-night. Will you follow me?" + +"Where?" + +"To madame; she will be in the terrace arbor directly." + +"Oh, very well," replacing his cigar in his pocket; "lead on, then." + +Celine flitted on before, until the arbor became dimly visible down +the pathway. Then she paused, pointed it out to her companion, and +said: "Madame will soon join you there, sir. Now I must hasten to my +mistress; I have kept her waiting too long." + +With a low, mischievous laugh she darted away in the direction of the +house. + +Percy turned and gazed after her; then followed a few paces and +watched again, until she disappeared under a wide portico. Heaving a +sigh of relief he turned back toward the arbor. + +"I want no eavesdropping," he muttered; "and that minx might listen if +she had time. She is no more a French maid than I am; she forgot her +_monsieur_ just now. But a sham maid is very appropriate for a sham +maiden; now for Alice;" and he entered the arbor. + +[Illustration: "I am afraid for you. But give up now; never!"--page +167.] + +Had Mr. Percy been able to follow the retreating footsteps of the +objectionable French maid, however, he might have found occasion +to change his opinion of her lack of time for eavesdropping, +and there was excellent opportunity for its practice about the +shrubbery-surrounded arbor. + + * * * * * + +Meantime Ellen Arthur, having reluctantly bidden her "blonde demi-god" +a last good-night, sought her chamber, swelling with satisfaction, and +feeling somewhat hungry. Passing the door of her sister-in-law's +rooms, she encountered Sarah, the romantic housemaid, who was just +entering, bearing wine and a tiny glass. Glancing within, she +encountered the gaze of Cora, who stood holding in her hand some black +lace drapery. + +"Horribly late, isn't it?" yawned that lady, nodding good-naturedly. +"Set down the wine, Sarah, and then you may go. I'm so dismally +slumbersome that if I keep you to help me, I shall fall asleep on your +hands. Have some wine, Ellen?" + +"No, thanks," said the spinster. "If you don't want Sarah, she may +bring me up a nice lunch as soon as possible. I won't detain you any +longer; good-night." + +And Miss Arthur, who had meditated entering and giving Cora the +benefit of some of her maiden dreams and fancies, marched away, a +trifle offended at the manner in which her sleepy sister-in-law had +anticipated and warded off the interview. Cora's good-night floated +after her as she sailed down the corridor. Then she heard the door +closed and the bolt shot into the socket. A little later, the door +opened noiselessly, and a female figure glided down the dark stairways +out into the night, and toward the arbor. + +"Celine shall undo my hair," Miss Arthur thought, "and I'll have her +try that new set of braids and puffs, if it is late. I don't feel as +if I could sleep." + +But Celine was not dutifully waiting in her mistress's dressing-room. + +Sarah appeared with the lunch, and offered her services, but was +summarily dismissed, for Miss Arthur did not deem it wise to initiate +the house servants into the fearful and wonderful mysteries of her +toilet. Therefore, she lunched in solitude and disgust, but heartily, +notwithstanding, having just put off her very elaborate, but rather +uncomfortable evening dress and donned a silken gown, acting as her +own maid. + +Then she fidgeted herself into a most horrible temper, and sat +deliberately down before the grate in a capacious dressing-chair, +determined to wait until the girl came, and deliver a most severe and +stately reprimand, the exact words of which she had already determined +upon. + +The lady, sitting thus with her feet on the fender, her hands +comfortably clasping the big arms of the dressing chair, and her head +lolling rather ungracefully over its back, fell into slumber. + + * * * * * + +If Mrs. John Arthur had made a midnight appointment with Lucifer, she +would have fortified herself for the encounter by making a "stunning" +toilet. It was one of her fixed principles--she had fixed +principles--never to permit friend or foe of the male persuasion to +gaze upon her charms when they would show at a disadvantage. So when +she entered the arbor, which was suffused with a soft moonlight glow +from a heavily-shaded lamp, for the arbor stood among dense shrubbery, +and but for this lamp would have been in Egyptian darkness, she was +indeed a personification of loveliness. + +Ungracious as was his mood, Percy would not have been a beauty-adoring +mortal if he had not paid involuntary tribute to the charms of the +woman who was his bitterest foe. Gazing down upon her a moment, he +said in his soft legato: + +"I am almost angry at you for being so beautiful, after having taken +yourself to other lovers, _Ma belle_." + +The woman smiled triumphantly, as she threw herself into an easy +chair, and said in her softest, sweetest tone: "And did you expect me +to go mourning for you all these years, sir?" + +"I don't think you were ever the woman to do that;" dropping lazily +into a rustic seat near her. "May I smoke?" + +Cora nodded. + +"Are you sure we are quite safe here?" looking about him. "Somehow, I +am suspicious of that sharp French maid." + +"Quite sure," nodding again. "Mr. Arthur was in bed before I came out; +Miss Arthur was ordering up a lunch to her room, and the French maid +must needs be in attendance for an hour or more; and besides, I know +she is not at all dangerous. None of the other servants ever have +occasion to come here, and most of them are in bed by now." + +"So your charming sister-in-law eats, does she? After parting from me, +too; ugh!" + +"Eats? I should think so," laughing softly; "in her own room, when her +stays are not too tight." + +"Spare me!" + +He held up both hands in mock deprecation; then, dropping his +bantering tone, said, as he puffed at his cigar: + +"But now to business. You did not come out here in such bewitching +toilet to tell me that my charmer eats?" + +"Hardly," with a pretty shrug. + +"For what, then?" + +"To come to an understanding with you," coolly. + +"As how?" in the same tone. + +"As to our future standing with each other." + +"I thought that was settled to-day?" + +"Did you? I don't think it was settled." + +"Well, what remains, fair Alice?" + +"Will you drop that name?" + +"For the present, yes; but with reluctance." + +"Oh, certainly!" bitterly. "Now, what are we to be henceforth?" + +"Friends, of course," knocking the ashes off his cigar. + +"You and I may be allies; we can never be friends," she said, +scornfully. + +"Don't trouble yourself to be insulting, Mrs.--a--Arthur." + +"Then don't make me remember how I have hated you!" + +"Have you really hated me? How singular." + +"Very!" sarcastically; then: "If you don't drop that disagreeable tone +we shall quarrel. I wish to know what you want with Ellen Arthur." + +"Shade of my grandmother! If you don't drop that disagreeable name, I +shall expire. Haven't I had enough of her for one day? Alice, I know +revenge is sweet, but spare me." + +"Bother! I must talk about her, else how can we settle anything? Do +you suppose I am going to allow that sweet girl to be deceived?" This +with mock indignation. + +"Oh, no; certainly not! Well, if I must, I must. First, then--" + +"First, what position do you intend to take towards me?" + +"That depends upon yourself." + +"On conditions?" + +"On conditions." + +"Name them." + +"I am to be received as an honored guest whenever I shall choose to +visit Oakley." + +"Well." + +"Next, you are to do all in your power to further my suit with +Miss--you know." + +"That's an easy task." + +"Lastly, you are to promise me not, now or at any future time, to +declare to any one aught you may know that might be to my +disadvantage." + +"That is to say, I am not to tell Ellen Arthur, or others, that you +have two wives--" + +"Softly; one, my dear, _one_. Mrs. Percy Jordan, number one, is dead; +you alone are left. You see, Alice, my dear, the thing is reversed. +You have two husbands now, while I--" + +"Will have two wives as soon as you can get them!" + +"Just so." + +"And what guarantee have I that you will not betray me to Mr. Arthur?" + +"The very best in the world; mutual interest." + +Cora pondered. "I don't see but that you are right," she said, at +last. "It certainly will not be to your interest to attempt to annoy +me now, but how long is this truce to last?" looking at him keenly. + +Percy smoked away in tranquil silence. + +"Of course, I understand what you mean by a marriage with Miss +Arthur," scornfully. "How long will it take you to squander her +dollars? And after that, what will you do?" + +"Question for question, fair cross examiner; how long do you intend +remaining so quietly here, the bond slave of this idiotic old man? And +what will you do when this play is played out?" + +"Because I ran away from a profligate young husband, who had decoyed +me into an illegal marriage--illegal for me, but sufficiently binding +to have put you in the penitentiary for a bi--" + +"Don't say it, my dear; don't. It's an ugly word, and, after all, are +we not both in the same boat?" + +"No," angrily. "Do you think I have been so poorly schooled during +these years that you can make me think now that you have any hold upon +me? Bah! your case is but a flimsy one. When you deceived me into a +marriage with you, you had already another wife. You hid me away in a +suburban box of a cottage, fancying I would be content, like a bird in +a gilded cage. You never dreamed that meek little _I_ would follow +you, and find out from the woman's own lips that she had a prior claim +upon you!" + +"Candidly, I didn't credit you with so much pluck," said Percy, +coolly. + +"No! and when I charged you with your perfidy, and wept and upbraided +you, and then became pacified when you told me that every proof of +your marriage with that other was in your control, you did not dream +that I would feign submission until I had gained possession of the +proofs of both your marriages, and then run away?" + +"And succeed in baffling my search for ten long years," supplemented +he, grandiloquently. "No, fair dame, I did not." + +"Your search, indeed! It was not a very eager one." + +"Well, in truth it was not. The fact is, your beauty entrapped me into +that very foolish marriage; but I was a trifle weary of blonde +loveliness in tears, etc., so I didn't get out the entire police +force, you see." + +"And you wouldn't have found me if you had." + +"Indeed! why not?" + +"Because, if it will afford you any satisfaction to know at this late +stage of the game, I sailed for Europe the very day I quitted your +house." + +"No!" opening his eyes in genuine astonishment. "Had it all cut and +dried? Well, I like that! Why, little woman, if you had only developed +one half the pluck latent in you, before you flitted, I would never +have given you 'just cause,' etc., for leaving me." + +The woman smiled triumphantly, but made no other answer. + +"Well, what next? I am really becoming interested in your career." + +"Sorry I can't gratify your curiosity. My career has been a very +pleasant one--seeing the world; generally prosperous. And this brings +me back to the starting point: why should you think, because I left +you with good cause, ten years ago, that I must necessarily forsake, +sooner or later, a husband who is kindness itself, and who leaves no +wish of mine ungratified?" + +"First reason," checking them off on his fingers: "Because you don't +love this old man, and love is the only bond that such women as you +will not break." + +"Thanks!" ironically, bending her head. + +"Second, because a dull country house, be it ever so elegant, will not +long satisfy you as an abiding place. I have not forgotten your +girlish taste for pomp, pageant and all manner of excitement; a taste +that has doubtless become fully developed by now. Third, because you +have, at this present moment, a lover whom you prefer above all +others, and to whom you will flee sooner or later." + +"Perhaps you can substantiate that statement," sneered Cora. + +"Well, not exactly; but I know women. My dear, say what you please to +me, but don't expect to be believed if you will insist upon doing the +devoted wife." + +"I insist upon nothing," said Cora, rising, "and I have not time for +many more words. Let us come to the point at once: With my life, after +I left you, you have nothing to do; you know nothing of it now, and +you will learn no more from me. Of you, I know this much. I know that +you clung, after your fashion, to the skirts of your unfortunate wife, +spending her income and making her life miserable. I know that six +years ago you inherited a fortune from a distant relative. I know that +from that time you utterly neglected your wife, who had been an +invalid for years; and that soon after she died, heart-broken and +alone." + +Percy turned upon her, and scrutinized her face keenly; then, coming +close to her, said, meaningly: "And then I wonder that you did not +come back to me." + +For a moment the woman seemed confused, and off her guard. But she had +not sought an interview with this man without fully reviewing her +ground. + +"I had ceased to care for you," she said, lifting her unflinching eyes +to his face; "and I did not need your money. Come, enough of the past; +you have squandered your fortune, and now you want another. You want +to put yourself still more into my power by marrying a third wife--so +be it; I consent." + +"Not so fast. You are first to promise me to place in my hands, on my +'marriage morn,' those unpleasant little documents which you hold +against me. In return for which you will receive a sum of money, the +amount of said sum to be hereafter arranged. Then we go our separate +ways." + +"And if I refuse?" + +"Then, painful as it is, I must do my duty. You are to give me your +answer when I return to Bellair; no time for tricks, mind. If the +answer is no, then I interview Mr. John Arthur." + +"And you return?--" + +"The day after to-morrow." + +"Then you shall have my answer. Until then--" + +She swept him a stately courtesy, which he returned with a most +elaborate bow. + +Without another word from either, they separated; she gliding swiftly +and silently toward the house, he going once more in the direction of +Bellair village. + + * * * * * + +How long she had slept it never afterward occurred to Miss Arthur to +inquire. Something recalled her from the land of visions, and starting +up in her chair she saw Celine, standing demurely before her, her face +wreathed in smiles, and no signs of any uncanny adventure lingering +about her. + +Beholding her safe and sound Miss Arthur began to pour out upon the +luckless head of Celine, the vials of wrath prepared for her benefit. + +The girl listened with a face indicative of some secret source of +amusement. Noting her look of evident unconcern, and the laughter she +seemed vainly striving to keep under, Miss Arthur brought her tirade +to an abrupt termination, and demanded to know what Miss Celine +Leroque saw, in her appearance, that was so very ludicrous. + +Whereupon Miss Celine Leroque dropped upon a hassock, at the feet of +her irate mistress, and laughed outright--actually laughed +unreservedly, in the presence and despite the rage of the ancient +maiden! + +[Illustration: "Then you shall have my answer. Until then--"--page +178.] + +Then observing that she was preparing another burst of wrath, the +girl appeared to be struggling for composure, and vainly endeavoring +to articulate something, of which Miss Arthur could only catch the +name, "Mr. Percy." Thereupon she fairly bounced out of her chair, +demanding to know "what on earth" Mr. Percy had to do with her maid's +reprehensible conduct. + +"Oh, mademoiselle, everything!" gasped Celine. "Only let me explain, +and mademoiselle will laugh, too. Oh, _Mon dieu, Mon dieu_!" + +Calming herself by a violent effort, Celine told her story, and its +magic dispelled the wrath of her much neglected, sorely aggrieved +mistress. Such a pretty little story it was, interspersed with sly +looks, knowing nods, and rippling bursts of laughter. Listened to +with, first, disdainful silence; then, growing interest; last, +spasmodic giggles, _apropos_ ejaculations, and much blushing and +maidenly confusion. + +"You see, mademoiselle, after you had gone down, I went to my room, to +take just a few little stitches upon some of my poor garments, that I +must wear to-morrow. I don't know how it was, but I sat on my bedside +thinking, after it was done, and fell off asleep." + +"Off the bed?" + +"Oh! no, no, mademoiselle; off into sleep, I mean. When I awoke I was +anxious to know how much time I had slept away, and came down to your +apartments. You were still in the drawing-room, and I passed on to the +kitchen, surprised to find that it was very late. 'I will hasten,' I +thought, 'and can so go to the village, and telegraph my sister before +my mistress rings for me;' for I didn't think," with a sly look, "that +you would be at liberty _very_ early in the evening. The--what you +name him?--a--operateur, was out, and I had to wait a little time. +Coming back so late, I became afraid of the woods, and took the path +along the highway. Entering at the front and coming up the avenue, I +was about to pass around by the east walk to the side entrance +when,--" stifling a laugh. + +[Illustration: "O, Mademoiselle, every thing!" gasped Celine.--page +180.] + +"Well?" impatiently. + +"When the front door opened and I, standing in the shadow, saw the +light fall upon the face and figure of Monsieur Percy." + +"Yes; go on." + +"I mention this, mademoiselle, only to show you how I know so +positively that it _was_ monsieur who--oh! oh!" laughing again softly. + +"Who?" with increased impatience; "who did what, girl?" eyeing her +suspiciously. + +Celine composed herself and continued: "Seeing monsieur, I stopped, +for I did not wish him to discover me abroad so late. So I stood in +the thick shade until he should have passed. He came slowly toward me +and, just about four paces from my hiding-place, paused, turned and +looked, back at the house. I could see him gazing toward the upper +windows, and presently I saw your shadow upon the blind as you entered +your dressing-room. The light shone out from your window, too; and +after looking for a while, I heard him murmur to himself: 'That must +be her window; I believe I am bewitched, for I can't bear to lose its +light,' and then--" + +"Stop laughing, you ridiculous girl! And what then?" + +"And then, mademoiselle, he began walking up and down within sight of +your window--" + +"Ah!" rapturously. + +"Oui; and I--oh, mademoiselle, he was in the very path that I must +take to approach the side entrance. And he walked and walked, and I +waited and waited. Then I thought I would try getting around by the +other way, and creep up carefully from the terrace. So I crept along +to the other side, back of the arbor, and up the terrace, and managed +to reach the entrance unseen. _Mon Dieu_, mademoiselle, the door was +locked! I was shut out! What was I to do then? I sat me down in the +shadow of the portico and waited once more. After a terribly long time +I could see that he was not moving up and down. I peeped cautiously, +and he seemed to be departing. Then I came out stealthy as a cat, and +found that he was going away, and the reason--" + +"The reason?" + +"Oui, mademoiselle; the light in your room had disappeared." + +"Disappeared!" + +"Oui, mademoiselle. Then I bethought me there might yet be a chance. I +came up to the front entrance and tried the door. It was not locked. +My heart leaped for joy. I blessed the carelessness of the servants, +and stole cautiously in. I came to this room. All was dark; but the +coals there showed me your figure in the chair. I could not mistake +the graceful outlines of mademoiselle. I entered very quietly, +relighted your lamp--some little breeze must have flared it out while +you slept. I was looking at you, and wondering what you would say if +you knew how nearly crazy with love you had driven that stately, +handsome Monsieur Percy, when you awoke." + +It is needless to say that, long before Celine had finished her +recital, her mistress was in the best of humors. Indeed, Celine's +volubly uttered, intensely flattering, highly probable recital, had an +exhilarating effect upon her; so much so, that the lady found sleep +now quite impossible. So poor Celine was doomed, after all, to build +the new braids and puffs into a wonderful edifice upon the head of +Miss Arthur, and to repeat over and again the sweet story of "how he +loved her." + +The "wee sma'" hours were beginning to lengthen once more when Celine +was released from duty, and went wearily up to her room; wearily, yet +with undimmed eyes, and the mischievous dimples still lurking about +the corners of her mouth. + +She muttered: "Bah! it is better than sleep, after all; if only the +others were as easily duped as she!" + +By which words, a listener might have been led to suppose that Celine +Leroque had been practising deception upon some confiding individual. + + + + +CHAPTER XVII. + +GATHERING CLUES. + + +Claire had been absent all the morning, had gone to make some call; at +least she had said to Olive, at breakfast, "I think I will take the +ponies, Olive, and drive into the city this morning. It is nice out of +doors, and I have made no calls since I came here." + +Olive Girard sat alone in her cosy drawing-room. She had been reading, +but the book was somehow not in tune with her mind or mood. She had +allowed it to fall at her feet, where it lay, half opened, while she +drifted away from the present in sorrowful reverie. Lifting her eyes, +she saw a cab drive away from the villa gate, and a form hurrying +along the marble pathway. Springing up, Olive herself threw open the +door, and clasped her arms about--Miss Arthur's French maid! who +returned the caress with much enthusiasm. + +"Madeline, my dear child, how glad I am to see you!" + +"Even in this disguise?" laughed the girl. + +"Even in blue glasses, and that horrid jacket," smiled Olive. "What an +ugly thing it is. Come and take it off, _ma belle_; do," leading the +way up the stairs. + +"I come, autocrat, and I shall much enjoy getting out of this +head-gear," shaking her bewigged head. Then abruptly, "Where's +Claire?" + +"Out for a drive and some calls," without looking back. "How surprised +and glad she will be to see you. Now, come in and make a lady of +yourself once more." She led the way into Madeline's room. "Are you +tired, dear?" + +"Not at all." + +"Then come into my boudoir when you are dressed, and we will have a +cosy chat while waiting for Claire." + +"I won't be long," responded the girl. "I have a good many things to +say to you, which had better be said before Claire comes." + +"Very well; I await your ladyship," and Olive closed the door, leaving +Miss Arthur's maid alone. + +"I thought so," muttered she, tearing off the blue glasses; "she has +gone to meet Edward Percy. Poor dupe! it is indeed time to act." + +She discarded the ill-fitting jacket, flung away the ugly black wig, +and, in a very few moments, stood arrayed in a pretty, neatly fitting +gown, glowing and lovely,--Madeline Payne once more. + +"I wonder if I shall see or hear of _him_," she whispered to herself +as she crossed to Olive's boudoir. "Oh, if I could! It would be one +ray of sunlight only to clasp his hand!" + +Olive had been informed of all that Madeline herself knew, of the +doings at Bellair, at the time when the girl went down, disguised as +Celine Leroque. Now, therefore, Madeline lost no time in making Olive +acquainted with, at least a part of, the events that had transpired +during her sojourn in the Oakley mansion, in the capacity of maid. Of +Edward Percy she said not a word, for reasons of her own, wishing to +keep all knowledge of him from Olive for the present. + +"You see, I was just in time, Olive," she supplemented, when Mrs. +Girard had expressed her astonishment at the startling revelations of +the past four weeks. "I had not an hour to lose in setting my snare +for these plotters. They little dream what is in store for them. Poor +Kitty! I feel like a wretch when I think of the advantage I took of +her, by making her poor dead body a weapon, as one might say, against +a villain whom she would never have lifted a finger to injure in her +life. But I could see no other way. Do you know, Olive, they are going +to erect a stone over her, bearing my name?" + +Olive looked up in surprise. "No! is it possible?" + +"Yes, quite. I fancy John Arthur thinks he will feel more thoroughly +assured of my demise, when he can see my name on a marble slab." + +"Now, tell me what especial purpose brought you up to town to-day." + +Madeline moved restlessly in her chair. "A medley," she said, laughing +uneasily. "A woman's reason; things being quiet, I wanted recreation, +and to tell you of my success thus far. Then, a detective's reason; to +get from you some information bearing upon your own affairs, as +connected with Lucian Davlin. Then I want to see Dr. Vaughan, in his +professional capacity. But mind, Olive, not a word to him of my +discoveries just yet." + +"Certainly not, if you do not wish it." + +And this was all the mention made by either of Clarence Vaughan. + +"You see," began Madeline, after a brief silence, "Mrs. John Arthur +and her quondam brother, hold occasional private interviews. As they +generally prove interesting, I make it a point to be present whenever +possible. Now, from some chance words dropped at different times, I +have been led to think that if I were more fully informed in regard to +this Percy, I might find the missing link. Indeed, I may tell you I +have found a clue, just the shadow of something that, if I could +develop it, might prove of wonderful value to both of us." + +"Oh! if you could find out anything that would throw light upon this +dark wrong they have done Philip, these men--" + +"Well, Olive, I think we may hope. Now, may I begin to cross-question +you?" + +Olive smiled sadly. "Go on, my little lawyer." + +"First, then, were you personally acquainted with this Percy?" + +"No." + +"You have seen him?" + +"At the trial; yes." + +"Describe him." + +"A blonde man, handsome, some would call him, with a soft, languid +voice. I did not observe further." + +"Would you know him if you saw him again?" + +"Certainly. His was a rather uncommon face, and then the +association--" + +"Just so," interrupting her; "and would he know you?" + +"I think not. I was heavily veiled, by Philip's order." + +"Now, try to recall all that Philip has told you of this man." + +"They were college students together. Philip said that Percy was +indolent and vain, and too fond of female society of any sort or +grade. He made wonderful progress in such studies as he chose to apply +himself to, and, had he been less of a sybarite, might have obtained +high rank as a scholar. But he was erratic, full of queer conceits, +and never made himself popular with either professors or students." + +"Social standing not good, eh? Now, as to his finances." + +Olive looked somewhat surprised at this question, but replied: "His +parents were not well to do, but he was a favorite with a rich old +uncle, who paid his college expenses and made him a liberal allowance. +However, he fell into disgrace just before his class graduated, and +his uncle cast him off. He never took his degree." + +"What was the occasion of his disgrace?" + +"Some scandalous affair with a mechanic's daughter; the particulars I +did not learn." + +"Of course not. They are of no consequence. This happened how long +ago?" + +Olive mused. "Philip is now thirty-three; this was twelve years ago." + +"Good! Did he hear of Mr. Percy after that?" + +"Yes; in less than a year, he married a wealthy woman, ten years his +senior, and a widow, so it was reported. Percy, it is said, denied +this marriage, and continued to live and go and come, like a bachelor. +If the marriage ever occurred, it was kept, for some reason, very much +under the rose. Be this as it may, Percy was always provided with +money from some source. He used to gamble sometimes, but was not an +habitual gamester. Philip said he was too much of a sybarite and +ladies' man to be wedded to such sports." + +"Yet he played with Lucian Davlin, and lost heavily?" + +"True." + +"Well, is this all you have to tell of Mr. Percy?" + +"Not quite. About a year before the catastrophe of the hunting party, +the uncle who had cared for him during his college career, died. Percy +inherited his wealth, the old man, after all, making his will in favor +of his graceless nephew." Olive paused for a moment, then added, "I +believe that is all I can tell you of this man. I have not seen or +heard of him since poor Philip was sent to prison." + +Madeline sat gazing abstractedly into the grate fire, her hands +clasped in her lap, working restlessly, as was their habit, when she +was thinking deeply. Suddenly a sharp exclamation broke from her lips, +and Olive turned towards her a look of surprised inquiry. But Madeline +was clasping and unclasping her hands nervously, with eyelashes +lowered, and brow knitted in a frown. + +"Olive," she said, after a long cogitation, "you have put into my +hands another thread, a very valuable one. Don't ask me any questions +now; I want to get my ideas in shape." + +Olive's face wore an anxious look, but she had learned the lesson of +patient waiting, so she quietly acquiesced, and then a long silence +fell between them. + +Madeline resumed the conversation, or rather recommenced it. She made +no further mention of that part of the subject nearest the heart of +Olive Girard. She made inquiries as to affairs and recent events at +the village, talked of Claire, and finally said: + +"Olive, I want you to go out with me during the day, and perhaps we +had better go early. I must return to Bellair by to-morrow morning's +train, you know." + +"Yes; and I am sorry that you stay with us such a very short time. +Where do you intend going, Madeline?" + +"To a detective,--that is, if you will repeat your generous offer, +which I so cavalierly declined not long ago, to be my banker for an +indefinite time." + +"Gladly, dear child; now you are beginning to be sensible. But the +detective,--may I venture to inquire?" with assumed hesitation. + +"You may," laughed Madeline. "And don't give me credit for all the +ingenuity. True, I have racked my poor feminine brain and feminine +instinct, coupled with the knowledge obtained by some keen experience +with Treachery, Despair, and Hate. These grim but very efficient +instructors have aided me materially, simple, inexperienced girl as I +was so recently--or so long ago, as it seems to me. And good old Aunt +Hagar, who has been in this woful world many years--years full of +vicissitudes and sharp life-lessons--is my counsellor and adviser. She +aids me greatly with her shrewdness, and knowledge of the world and +the folk in it. So we have discussed this point together and concluded +that, in order to leave no loopholes open in our nice little net, we +had better have the movements of Mr. Lucian Davlin closely watched +while he is in the city." + +"To discover--" + +"Who he calls upon, and what manner of man he will choose to assume +the _role_ of 'physician from Europe,' etc. Without putting the full +facts of the case into the hands of the officer, we will arrange to +know all about the man who will help Davlin carry out their last +scheme. No train shall leave the city on which he would, by any +possibility, set out for Bellair accompanied by this sham physician, +without the knowledge of our man, or men, of skill. All discoveries +made are to be reported, through you, to Mademoiselle Celine Leroque, +who will receive said reports in _propria persone_, at the Bellair +post-office. Then I must proffer a request, that Doctor Vaughan will +hold himself in readiness to come to Oakley, should I find it +necessary to summon him, accompanied by another physician, or not, as +shall be hereafter decided." + +"I don't just see how all this is to end, but these two steps appear +to me to be in the right direction. I am ready to undertake your +commissions, and to act as your banker to the fullest extent of your +needs." + +After a few more words they decided that, as Claire did not return, +and time was precious, they would order a carriage immediately after +luncheon, and pay a visit to the detective forthwith. Accordingly, +half an hour earlier than usual, a light repast was served, and +sparingly partaken of. Then having left a message for Miss Keith, who +was momentarily expected, the two friends drove into the city. + + + + +CHAPTER XVIII. + +THE HAND OF FRIENDSHIP WIELDS THE SURGEON'S KNIFE. + + +Returning two hours later, they found Claire impatiently waiting their +arrival, radiantly beautiful, and overflowing with joy at sight of her +beloved Madeline. + +"You delightfully horrible girl!" she exclaimed, after greetings had +been exchanged, and they had all seated themselves in the +drawing-room. "To think that you are growing more lovely every day, +and that you go and hide all your beauty under an old fright of a wig, +nasty blue spectacles, and deformities of jackets! I declare, it's too +bad! And then to wait on an old spinster who wears no end of false +hair, and false teeth, and false--" + +"Puzzled already. So much for not being a lady's maid; Now, I can +enumerate every 'falsehood' assumed by that lady." + +Then Madeline gave a ludicrous description of Miss Arthur and her +peculiarities, causing even grave Olive to laugh heartily, and Claire +to exclaim that she should watch the advertisements, and try playing +ladies' maid herself. + +Madeline once more recounted, in brief, the state of affairs now +existing at Oakley, or as much as she had told Olive, during which +recital impulsive Claire kept up a running fire of comments, +indicative of surprise, indignation, disgust, and very one-sided +interest. + +"I never heard of such a nest of vultures," she exclaimed, excitedly, +when Madeline had completed her story. "Why, it's worse than a chapter +out of a French drama. Goodness gracious, Madeline Payne, I only wish +I could help you deal out justice to these wretches! Where is my fairy +godmother now, that she don't come and convert me into a six-foot +brother, to take some of this burden out of your little weak hands?" + +"Not so weak as you may think, you little warrior. These hands," +holding them up to view, "have a very strong cause, let me tell +you--and you think you would like to help me?" laughing oddly. + +"Wouldn't I!" with a fierce nod that made her two companions laugh +again. + +The afternoon was wearing away, and Madeline began to grow restless, +at finding no opportunity for saying a word in private to Claire. At +last fortune favored her. Olive, seeing her gardener digging about a +little summer-house, which was a favorite retreat on a warm afternoon, +bethought herself of a plan for adding to its comfort, by laying down +certain vines, etcetera, for next season's growing. So she bade the +girls note how she should have improved her arbor by another season, +and hurried out to begin an argument, that from previous experience +she knew would be hotly contested. + +[Illustration: "You delightfully horrible girl!"--page 191.] + +This was Madeline's opportunity. And as soon as Olive was out of +hearing, she turned to Claire saying: + +"Claire, I have not told you, nor Olive, all that I have discovered. +For reasons, which you will understand later, I have thought it best +to make them known to you first. We must invent some excuse for +absenting ourselves from the parlor for a while." + +Claire looked grave and somewhat startled for an instant, but +recovering her composure she said, simply: "I am at your disposal, +dear." + +"I think I had better go to my room and lie down," meaningly. "Tell +Olive, when she comes in, that I feel fatigued, and have gone to my +room to rest. Then you had better plead letters to write, and follow +me. Can you manage it?" + +"Easily," smiled Claire. "Why, Bonnie, Aileen, this becomes more and +more mysterious and interesting." + +"Wait before you pass judgment; now I am gone." + +Madeline quitted the drawing-room and sauntered leisurely up-stairs. + +When Olive reappeared, Claire carried out the little programme, as +arranged, and hastened to join Madeline, musing as she went: + +"What could have induced that odd darling to confide in stupid little +me, while she leaves wise, thoughtful Olive in the dark?" + +Madeline was pacing the floor when Claire entered the room. She +motioned her to a chair, and pushed the bolt in the door, thus +rendering intrusion impossible. + +"What _can_ you be thinking of, Madeline, with that gloomy face?" +exclaimed Claire, nestling into an easy chair as she spoke. + +"I am thinking, Claire," replied Madeline, gazing down at her sadly, +"of the first time I ever saw your sister, and of the errand on which +she came to me. How full of hope I was that morning! How radiant the +day seemed, and how confident I was of happiness to come; as confident +as you are to-day, Claire, darling." + +There was something in Madeline's tone that sounded almost like pity, +as she uttered these last words. Claire started and colored, but still +was silent. + +"Olive did a brave, generous deed, but at that time I almost hated her +for it," musingly. + +"Oh, no, Madeline," interposed Claire, "you don't mean just that, I am +sure. You never really hated our noble, unhappy Olive." + +"I felt very wicked, I assure you," smiling faintly. Then, abruptly: +"How should you have felt, similarly placed?" + +"I?" wonderingly; "mercy! I can't tell." + +"Claire, think," in a tone almost of entreaty. "I want to know--I must +know." + +"You must know? Why, Madeline?" + +"Because--because I want to find out what is in you; how strong you +are." + +Claire looked more and more mystified. "State your case, then," she +said, quietly. "I will try and analyze myself." + +"Good; now, Claire Keith, suppose that you love some man very much, +and you trust him without knowing why, for no other reason than that +you love him. When you are happiest, because you have but just parted +from your lover--" + +Claire started and colored a little. + +"When you are thinking of the time, not far away, when you shall not +part from him any more--suppose that just then I, a friend whom you +have loved, come to you and say: 'This hero of yours is false; he is a +two-faced villain; he has deceived you; he is not honorable; he will +betray you if he can.' What would you answer me?" + +Claire lifted her head proudly. "I would make you take back every word +you had uttered, or prove it beyond the shadow of a doubt!" + +"And if I proved it?" + +"Then I would thank you; and hate myself for having been deceived, and +him for having deceived me." + +"Would you grieve for him, Claire?" + +Quick as thought came the answer: + +"Grieve for him! No; I could no more love a liar and a villain than I +could caress a viper! I tell you, Madeline, I understand your feelings +when you say that you hate Lucian Davlin," shuddering. + +"And you would not hate me also for rudely undeceiving you?" + +"Hate my best friend; my benefactor? No!" + +"I am thankful!" + +"But, Madeline, what does all this mean? Is this what you wanted to +say to me? What can my feelings have to do with your case?" + +"Claire,"--Madeline's face was very sad again--"this case is _our_ +case." + +"_Our_ case?" + +"Yes, ours; Olive's, yours, mine. And now I am going to test your +strength." + +Claire did not look very strong just then. + +"You saw Edward Percy to-day." + +Claire Keith sprang to her feet. "How do you know that? And what has +he to do with the case?" + +"I know it because we, Mr. Percy and myself, came to this city by the +same train, and I could easily surmise that his business here was with +you." + +"Well?" haughtily. + +"Ah!" sadly; "you are almost angry with me now. But listen, Claire. +Are you perfectly familiar with all the facts connected with poor +Philip Girard's sad disgrace?" + +"I think so," coldly. + +"You know that he was convicted upon the testimony of Lucian Davlin +and another?" + +"Yes." + +"Do you recall the name of the man who was wounded, so said the jury, +by Mr. Girard?" + +Up sprang Claire, her eyes blazing. "Madeline," she cried, "I see what +you are coming at. You have got into your head the ridiculous idea +that this man Percy and Edward Percy are the same. It is absurd!" + +"Why?" + +"Because--because it _is_!" Then, as if the matter were +quite settled, "why, he must have been in Europe at the time." + +"Claire, you are getting angry with me, and I have a long story to +tell you. But there is an easy way to settle this matter. Are you +willing to let me take the picture you have of Edward Percy, and +accompany me into Olive's presence while I ask her if she ever saw the +original?" + +Nothing else could have so effectually quenched Claire's wrath. She +saw that Madeline had some strong reason for her strange words. +Sitting down with paling cheeks and trembling limbs, she thought. Then +looking across at Madeline, she said, wearily: + +"I can't understand you at all, Madeline. It never once occurred to +me to connect the man who brought all that trouble upon poor Philip +with my Edward Percy. It does not seem possible that they could be the +same. I had supposed the other Percy to be a man like--like Davlin." + +"My dear, did you ever see Davlin?" + +"No." + +"And you have fancied him a sort of handsome horse jockey, and this +Percy one of the same brotherhood?" + +"Perhaps;" smiling a little. + +"Claire, Lucian Davlin is an Apollo in person, a courtier in manner, +and a Mephistopheles at heart. And Percy is an abridgement of Davlin." + +"I can't see," said Claire, rather frostily, "even if Edward Percy is +the man who was wounded by some unknown person five years ago, why he +must of necessity be a villain and a deceiver. It would be very, very +unpleasant, of course, to find that such were the case. But I could +not hate Edward Percy for that, even if the fact must separate us." + +"Claire, Edward Percy is not only the man who helped send your +sister's husband to prison, but he is a villain doubly perjured; a +deceiver, a betrayer. If justice ever gets her due he will end his +days in the penitentiary." + +Then, seeing that Claire was about to speak: "Let me finish; now you +shall have your proof." + +She recounted all there was to tell, from the day when Claire showed +her the picture and she distrusted the face, to the present moment. + +Claire Keith listened in immovable silence; not a muscle quivered. For +many minutes after Madeline had finished her recital, she sat staring +straight before her, like a statue. At length she arose and crossed to +the door, drew back the bolt with a steady hand, put up a warning +finger, and said, in a voice like frozen silver: "Wait;" then +disappeared. + +Madeline scarcely had time to wonder what she meant, before Claire was +back, standing before her, calm and cold as an iceberg. She held in +her hand the picture of Edward Percy, with the face turned away, and +this she extended to Madeline. + +"It is best that we make no mistakes," she said, quietly; "go show +that to Olive. Don't tell her how it came into your possession; ask +her if it is he. Then come back to me." + +"Shall I tell her--" began Madeline. + +"Tell her nothing until you have brought me back the picture." + +She pushed her toward the door. + +Madeline walked down-stairs, sorely puzzled, but thinking fast. "She +fights these facts bravely," she muttered. "Does she doubt, I wonder?" + +Olive was sitting before the window, watching the movements of John, +the gardener, when Madeline entered the parlor. Going straight to her, +she placed the picture in her hand, and said: + +"Do you know that face?" + +Olive Girard gave a startled cry. + +"Madeline, how did you come by this?" + +"No matter," calmly; "do you know the picture?" + +"Yes." + +"Who is he?" + +"The man who sent my husband to prison--Percy." + +Madeline took the picture from her hand. "Are you sure?" + +"I could swear to the face after these five years." + +"Thank you, Olive. Now be patient; I must go back to my room for a +little while. Don't ask me any questions yet. When I come down I will +tell you how I obtained this, and why I have talked to you so much of +this man." + +Madeline walked out of the room, leaving Olive staring after her in +bewilderment. + +Claire was sitting in the same attitude as when she left her. "Well?" +she said, raising her eyes. + +"She recognized it immediately. She would swear that it is the man who +sent her husband to prison." + +"Thank you, dear." + +Claire took the picture from her hands, and without once glancing at +it, she bent forward and dropped it into the grate. + +Madeline threw herself on her knees at the girl's side. "Oh, Claire, +Claire! I have made you miserable; forgive me." + +"What for? You have done me a great service. Do you think I want that +man's love?" + +"But Claire--" + +"I loved an ideal; that ideal, see;" pointing to the grate. "Do you +think I shall cry after a pinch of ashes?" looking her full in the +face. Then, with a shrug of annoyance. "You have roused poor Olive's +curiosity; she must hear of this miserable discovery of ours, or +yours--bah," stamping her foot angrily, "my pride is hurt more than my +heart!" + +"Your pride need not suffer more than it does already, Claire. You +have seen me humbled to the dust; see me so still; and surely it won't +be so very bitter to think that poor Madeline knows that your sunny +life has suffered one little shadow. I will tell Olive all I know of +Edward Percy, save that you have ever seen him. The knowledge that he +has crossed your path can in no way benefit her, or aid us in +unmasking him. Evidently, he does not know that you are in any way +connected with the fortunes of Philip Girard. Let this rest between +us. If this plan suits you, perhaps I had better go and tell my +story to Olive. I have twice postponed a revelation to-day." + +[Illustration: "She bent forward, and dropped it into the +grate."--page 200.] + +"The plan does suit me. Many, many thanks, dear Madeline," said +Claire, calmly and gently. "And now, as I must, of course, be supposed +to first hear this story after it has been told to Olive, or at that +time, I would prefer being present when you enlighten her. Let us +dress for dinner, go down together, and--I leave the rest to your +tact." + +Madeline could readily comprehend that it would be easier for Claire +to sit, with Olive, a listener, than to wait and hear the story from +the lips of her sister. If it were left to Olive to tell, Claire's +face might betray her heart, perhaps. But now, hearing it from +Madeline, and with Olive, whose surprise and dismay at the revelation +would quite effectually cover up any signs of emotion Claire might +manifest, the thing did not appear so difficult. + +Madeline signified her approval, and they separated to dress for +dinner. + +Claire Keith made her toilet with swift, firm fingers, and all the +while she was thinking fiercely, scornfully. She was not stunned by +the blow that had stricken her love and her pride. Rather, it seemed, +she was quickened into unusual activity and clearness of thought. + +After a time, perhaps, she would feel more the sadness, the cruelty, +of the hurt; now she felt the outrage to her pride, and a fierce +self-scorn that she could have ever loved a man so base. She hated +Edward Percy for having deceived her, and equally she despised herself +for having been thus deceived by this specious flatterer. + +"You little fool!" she scoffed at her image reflected back from her +mirror. "You are a very idiot among idiots! I wonder where are all +your high notions now. So," giving her hair an angry jerk, "you +perched yourself aloft on a pinnacle, didn't you? You looked down upon +all your sisterhood who were deceived, or betrayed, or sorrowing; and +you wondered how women could be so weak; how they _could_ be deluded +by base men. You looked upon poor dead Kitty, and wondered what was +the flaw in her intellect that made her the slave of a gambler and a +villain. You argued that only an unsophisticated school girl could be +deceived as was poor Madeline. Oh, you have been very proud, and very +high has been your standard of manly worth, Miss Claire Keith! So high +that the man who has occupied it might easily slip from that pedestal +to--Haman's gallows!" + +At this point in her tirade, something suspiciously like a sob arose +in her throat, and checked her utterance. But it did not retard her +activity, and in a much shorter time than she usually spent upon an +evening toilet, Miss Keith stood, accoutered and defiantly calm, at +Madeline's door. + + + + +CHAPTER XIX. + +A DUAL RENUNCIATION. + + +Madeline Payne had lingered over her toilet, pondering the +incomprehensible manner of Claire Keith. She now stood before her +mirror, brush in hand, thinking. + +"Not ready yet?" + +If Madeline could believe her eyes, Claire was actually smiling! + +"I thought you would be waiting for me," continued Claire, composedly, +pulling a big chair forward, and sitting down where she could look +full in Madeline's face. "But it is just as well; there is something +that I want to say, before we go down. Why don't you go on with your +hair?" + +Madeline's hand, brush and all, had dropped to her side, and she was +silently staring at her friend. Without a word she resumed her +employment, looking more at Claire than at her own reflected image. + +"You guessed rightly, when you accused me of having seen Mr. Percy +to-day," pursued Claire. + +"Accused, Claire?" + +"Well, informed, then. I did see him. He wrote me a letter; it was +posted at Bellair; you see," smiling bitterly; "that I have no reason +for doubting anything you have told me." + +A new light broke over Madeline's face. "Do you doubt?" she asked, +quickly. + +"Not one word!" + +"Oh!" drawing a breath of relief. "You were so composed I thought--" + +"That I was hoping to disprove your statements? Not at all. And why +should I not be composed? Do you think my heart could break for such a +man?" + +"Hearts don't break so easily," said Madeline, gloomily, "but they +ache sometimes." + +"Do they?" placing her hand over her heart and smiling faintly. "Well, +mine don't ache either, yet; but it burns." + +Madeline stayed her brush again. "No," she murmured, "it don't ache +_yet_." + +Claire made a gesture of impatience. "Oh, I know what you mean, +Madeline! By and by my heart will ache, of course--I know that, having +discovered, quite recently, that I am human. One can't feel outraged +and angry always, and sometimes, I suppose, my day-dreams will come +back and haunt me. Well, that is a part of the price we have to pay +for intruding into dreamland when we are not asleep. But this is not +what I began to say. Edward Percy met me to-day, and this is what he +told me: He said he was going away, upon some geological expedition, +and would most likely be gone a year. He wanted me to promise to hold +myself free until he could return and claim me. He would exact no +other promise now, only pledging himself. At the end of a year, all +obstacles to our open engagement would be removed. I, of course, +supposed, then, that the 'obstacles' referred to, were business and +financial ones. Don't think, Madeline, that we have been in the habit +of meeting clandestinely. He visited me openly in Baltimore, but not +often enough to excite remark; and we frequently met at other places, +as he went in the best society there." + +Claire paused, but Madeline went on with her toilet in grave silence. + +"Madeline, darling, I can't thank you enough for opening my eyes +before it was too late, while it was no worse--and I can't explain my +feelings. I despise him, and I despise myself for being thus duped. It +is my pride that is suffering now but, of course, I know that, despise +the man as I may, my heart will be heavier and my life darker, because +of what I believed him to be. Now let us go to Olive." + +Madeline Payne threw her arms impulsively about her friend and +murmured, brokenly:--"Claire, Claire! you are braver than I, and far, +far more worthy. You have a right to be happy, and you shall be." + +And in that moment the girl renounced a resolve she had taken, and a +hope she had cherished. + +As they descended the stairs together Claire fancied that she looked +paler, and a thought sadder than before. + +They found Olive and dinner waiting. As they took their places about +the luxury-laden board, three lovelier women or three sadder hearts +could not have been found in a day's journey. + +Of the three, Claire Keith was the calmest, the most self-possessed. +All that was to be related by Madeline, all that Olive was waiting in +anxious expectation to hear, she knew already. The best and the worst +had been revealed to her; her own course was clear before her. So she +ate her dinner with composure, and bore a large share in the table +talk that, but for her, would have been rather vague and spasmodic. + +Dinner was an ordeal for Olive, at least, on that day, for her mind +was filled with thoughts of Philip, and wonderment as to how the +picture of the man who had been his ruin came into the possession of +Madeline, who was making herself more and more of a mystery. + +Madeline, too, was restless. She wished the revelation were made and +done with. She wondered if she could control the future so far as +Olive was concerned, for she had made her plans, and did not propose +to let the work be taken out of her hands. + +When Madeline had related to Olive the events that had been +transpiring at Oakley, she had narrated faithfully the scenes between +Cora and Percy, but she had withheld the name of the latter, a fact +which was not even noticed by Olive, who had not been especially +interested in this last actor upon the scene. + +Now, when dinner was over, and they had grouped themselves about the +grate, its ruddy glow illuminating the twilight that was fast giving +place to evening shadows, Madeline retold the story of Percy's first +interview with Cora on his arrival, and his second, in the +summer-house, the overhearing of which had caused that long absence +from Miss Arthur's dressing-room, which necessitated her ingenious and +highly improbable explanation to the aggrieved spinster, with which +the reader is already acquainted. + +During this recital the face of Olive Girard was a study. It changed +from curiosity to wonder; from wonder to a dawning hopefulness of +finding in all this a possible clue, that might help her husband to +his freedom. Then despair took the place of hope, as the clue seemed +to elude her grasp. At the end, astonishment and incredulity fairly +took away her breath. She sank back in her chair without uttering a +word. + +Madeline waited for comments, but Claire was the first to speak. +During the recital she had been able to think, and to some purpose. As +the disjointed fragments were joined together by Madeline, Claire was +drawing shrewd and close inferences. Now she lifted her head and +asked: + +"Madeline, have you formed any sort of a theory, as to how all this +might affect Olive and Philip?" + +Madeline looked up in surprise at the question, and answered it by +asking another: "Have you?" + +"Yes, but I think Olive would rather hear yours; and mine is, as yet, +but half formed." + +Olive had regained a measure of her composure, and now she sat erect, +and said, eagerly: + +"Madeline, I have been too much surprised and shocked to think +clearly. Think for me, child, and for mercy's sake, tell me at once +all that you suspect." + +"I suspect much," replied the girl, gravely; "but what we want is +_proof_. First we want to find out who is the party who accompanied +Madame Cora, or Alice, as Percy called her, to Europe, for to Europe +she went. Did she know Lucian Davlin ten years ago? Did they go +together to Europe?" + +"You want to know, first of all," said Claire, interrupting her, "when +the intimacy of those two did begin. The woman may not have known him +ten years ago. It would be easier to find out if they have been allies +during the past five years." + +Madeline turned a look of surprised admiration upon the speaker as she +replied: + +"You are right, Claire, and keener than I. Yet, my theory is, that +they were friends before the woman fled from her cottage in the +suburbs. I think the stealing of the marriage certificate has a strong +savor of a man's thoughtful cunning. The woman could not have been so +deep a schemer in those days. Now, Olive, let us suppose that these +two were plotting in unison. Edward Percy's first wife dies, and no +one the wiser about the marriage. Then he inherits his uncle's wealth. +If Edward Percy were to die then, the woman, Cora, could come forward +as his widow, display the proofs of their marriage, and inherit his +fortune. He seems to have no living relatives, but, even should other +heirs appear, she would claim her widow's portion." + +"Good heavens!" gasped Olive. + +"Wait," pursued Madeline; "now, don't you see, supposing all the rest +true, that if Lucian Davlin attempted the life of this man, with the +view of getting his money, and if he failed in some manner +unknown,--don't you see that, holding over Percy's head the fear of +the law, and the proofs of his having committed bigamy, he might thus +silence him? Then, that the two disliking Philip Girard, and finding +the opportunity to throw suspicion upon him by circumstantial +evidence, would naturally do so." + +Olive Girard was fearfully agitated, but, after a few moments, had in +a measure recovered her self-possession. Then the three seemed seized +with a desire to talk all at once. And talk they did,--fast, +earnestly, excitedly at times. + +At last, out of many words, they evolved a plan of action, and having +arrived at a definite conclusion, they settled down into partial calm +once more; a calm that was broken by a most agreeable ripple. + +Doctor Clarence Vaughan was announced, and ushered into their +presence, all in the same moment. + +Doctor Vaughan was glad to see Madeline; that was evident. But while +he expressed his pleasure in frank, brotherly fashion, his eyes +wandered from her face to that of Claire Keith. + +It was only a look, but Madeline Payne would have exchanged all the +smiles, hand clasps, and brotherly words she could ever hope to +receive from him, for one such glance from his eyes. But the tender +wistfulness was all for Claire--blind Claire, who saw nothing of it. + +Madeline withdrew her hand from his clasp, uttering, as she did so, a +flippant commonplace in response to his hearty greeting, but Claire +had caught the look in his eyes, and the false gayety in Madeline's +voice, and it caused her to wonder. + +Heretofore she had lived in a dream of her own, and had been careless +of the varying expressions of those about her. Her dream had been +dispelled, and she seemed now to have a keener eye for the emotion of +others. Troubles of our own, sometimes, open our eyes to the fact that +our friends are not all supremely happy. Then we naturally fall to +speculating as to the cause. This was the case with Claire. She +speculated a little as to why the eyes of Dr. Vaughan rested upon her, +with that half-sad expression in them. Then she wondered why the +spirit of perversity had possessed Madeline, and induced her to extend +to Doctor Vaughan so shabby a welcome. Then, without realizing it, she +fell to observing the manner of these two more closely. + +"Well, Miss Payne, what report do you bring from the enemy's country?" +he asked, after a few commonplaces between himself and the mistress of +the house. + +"I have not been in the enemy's country, Doctor Vaughan; the enemies +are infesting mine." + +"As you please, little warrior," smiled he. "Then may I ask, how goes +the battle?" + +"Oh, yes! you may ask," crossing over and seating herself beside +Olive, "but your curiosity must wait. It's a ridiculous, tiresome +story, and wouldn't amuse you much, or interest you, either. I am +going to let Mrs. Girard inflict it upon you, when she thinks you need +a penance." + +"I think _you_ need a penance now, Miss Payne, for accusing me of too +much curiosity, and too little interest." + +"Oh, I didn't mean that, exactly," shrugging her shoulders carelessly. +"I suppose, of course, a physician is interested to a certain extent +in all his subjects, living or dead; but I can't let you dissect my +mind to-night. Besides," laughing maliciously, "I know you would +recommend leeches and blisters, and maybe a straight jacket, and I +can't be stopped in my charming career just yet." + +Clarence Vaughan seemed not in the least offended by the girl's cool +insolence. He smiled indulgently, and when Olive ventured a gentle +remonstrance, he murmured to Claire, with a half laugh: "Miss Madeline +is incomprehensible to me; do you understand her, Miss Keith?" + +[Illustration: "Dr. Vaughan was ushered into their presence."--page +209.] + +And Claire, looking across at her friend, replied, oddly: "I love +her, Doctor Vaughan, and I begin to understand her, I think." + +"Do you?" smiling down upon her. "Then some day will you not interpret +her to me?" + +Claire's answer was again given oddly, as, lifting her eyes to his +face, she said, quite gravely: "If it is necessary to do so, perhaps I +will." + +Then conversation became general; rather Dr. Vaughan talked, and they +all listened. + +Claire found herself thinking that Doctor Vaughan was a noble-looking +man; not alluringly handsome, as was Edward Percy; not possessing the +magnetic fascination that Madeline had described as belonging to +Lucian Davlin. But he had a fine face, nay, a grand face, full of +strength and sweetness; not devoid of beauty, but having in it +something infinitely better, truer, and more godlike than mere +physical beauty can impart to any face. + +Then she thought of Madeline, of her loneliness, her sorrow, and her +need of just such a strong, gentle nature to lean upon, to look up to, +and to obey. "She would obey _him_," quoth Claire to herself. + +Next she fell to watching Madeline, through half-closed eyelashes. She +saw how the girl listened to his every word; how, when his eyes were +not upon her, she seemed to devour him with a hungry, longing, +sorrowful gaze. + +"As if she were taking leave of him forever," thought Claire. + +And that is what Madeline was doing. When she came to the city, it was +with the determination to win the love of this man, if it could be +won; to let nothing stand between herself and the fulfillment of that +purpose. But all this had been changed, and seeing how bravely Claire +bore the shock of her lover's baseness, how proudly, how nobly, she +commanded herself, Madeline had abandoned her purpose. + +"I am not worthy of him, and she is," she told herself. + +When she declared that Claire should be happy, she bade farewell to +her own hope of future happiness. She would help him to win the girl +he loved, and then she would be content to die; aye, more than +content. + +To-night, therefore, she was saying in her heart a farewell to this +man, who was so dear to her. She had almost hoped that she should not +meet him again for the present, and yet she was so glad to have seen +him once more. She was glad of his presence, yet fearful lest her good +resolution might be shaken. She would not let him be too kind to her, +rather let him think her ungrateful, anything--what could it matter +now? + +"Shall you not come back to the city soon, Miss Payne? Surely your old +home can not be the most charming place, in your eyes," questioned +Clarence, after a time. + +"I don't intend returning to the city--at least, not for some time, +Doctor Vaughan." + +Clarence looked perplexed. + +To break the silence that ensued, Claire crossed to the piano and +began playing soft, dreamy fragments of melody. + +Presently Olive took up the conversation, and when Madeline again +turned her face toward him, he was listening to Olive and looking at +Claire. It was the same look, yearning, tender. + +Claire, all unconscious of his gaze, was looking at Madeline, as she +played softly on. + +As Olive and Clarence talked, Claire saw the face of the girl grow +dark; she saw her eyes full of a hungry, despairing light, and +gradually there crept upon her the remembrance that she had seen that +same look, only not so woful, in the eyes of Clarence Vaughan; that +same look fixed upon herself. Involuntarily her fingers slipped from +the keys, and she turned from the instrument to encounter the same +gaze fastened upon her now; ardent, tender, longing eyes they were, +and her own fell before them. + +Claire Keith was troubled. She wanted to be alone, to think. She +murmured an excuse; her head ached; she would retire. + +Clarence had noted an unusual brightness in her eye, and a feverish +flush upon her cheek. Now, however, she was quite pale, and as she +extended her hand to him with a strange, new sensation of diffidence +and consciousness, he clasped it for a moment in his own, and said, +earnestly: "You do not look at all well, Miss Keith; you are sure it +is only a headache?" + +"Quite sure," smiling faintly. + +"Then good-night. I shall enquire after your head to-morrow." + +"Thank you," she murmured. + +Then nodding to her sister and Madeline, she glided from the room. + +It had _all_ come upon her at once. Edward Percy was an impostor; +Edward Percy, as she had believed in him, had never existed. The love +that she had believed hers was hers no longer, or, if it were, she no +longer desired it. Almost simultaneously with this knowledge, came the +unspoken assurance that she was the possessor of a worthier love, a +manlier heart. + +She could not feel glad to know this, yet she was not sorry. Somehow +it soothed her to know that she was not a forsaken, loveless maiden. +It was something to possess the love of so good a man, even if she +could make it no return. + +But Madeline. Poor Madeline; she loved this man; she needed his love, +she must have it. + +Claire pulled back the curtains from her window, and gazed out into +the starlit night. "She needs this love," the girl murmured. "Clarence +Vaughan shall learn to love her, if I can bring it about. Yes, _even +if I loved him_, I would give him up to her." + + + + +CHAPTER XX. + +STRUGGLING AGAINST FATE. + + +When Claire left the drawing-room, Madeline had started up as if about +to follow her. Recalling herself, she sat down again, keeping, as +before, near to Olive, and taking as little share in the conversation +as was possible. She dared not trust herself too much; her good +resolves were strong, but not stronger than was the charm of his voice +and presence. + +"Let them think me uncivil," she murmured to herself; "what does it +matter now?" + +But her trial was not over. Olive and Clarence had held frequent +council together concerning the wayward girl, and how they could best +influence her aright without breaking the letter or spirit of their +promise to her. And the absence of Claire added to their freedom of +speech. + +Olive had intimated to Doctor Vaughan that Madeline had taken some, +perhaps unsafe, steps in the pursuit of her enemies. He, understanding +the impetuosity of the girl, as well as her reckless fearlessness, +could not conceal the anxiety he felt. + +Acting under an impulse of disinterested kindness, Clarence Vaughan +crossed the room and sat down by Madeline's side. + +"Miss Madeline," he said, as respectfully as if to an empress, "we, +Mrs. Girard and myself, cannot get rid of the idea that somehow you +partly belong to us; that we ought to be given a little, just a very +little, authority over you." + +There was a shade of bitterness in the girl's answer. "You have the +_right_ to exercise authority over me, if you choose to do so. You are +my benefactors." + +They felt the reproof of her words. This keen-witted, uncontrollable +girl, was putting up barrier upon barrier between herself and their +desire to serve her. Very quietly he answered her: + +"You do us an injustice, when you suggest that we claim your +confidence on the score of any indebtedness on your part. It has been +our happiness to serve you. If we have not your esteem, if we may not +stand toward you in the light of a brother and sister, anxious only +for your welfare and happiness, then we have no claim upon you." + +"My happiness!" + +The face was averted, but the lips were pale and drawn, and the words +came through them like a moan. + +Olive stirred uneasily. She could see that the girl was suffering, +although she did not guess at the cause. + +"Yes," continued Clarence, laying his hand gently upon hers; +"Madeline,--will you let me call you Madeline?--will you let me be +your brother? I have no sister, almost no kin; I won't be an exacting +brother," smilingly. "I won't overstep the limits you set me, but we +must have done with this nonsense about benefactors, and gratitude, +and all that." + +No answer, eyes down dropped, face still half-averted, and looking as +if hardening into marble. + +"What is my fate?" still holding her hand. "Can you accept so unworthy +a brother?" + +"Yes," in such a cold, far-away tone. + +He lifted the hand to his lips. "Thank you, Madeline," he said, as if +she had done him high honor. + +Madeline felt her courage failing her. How could she listen to him, +talk to him, with anything like sisterly freedom, and not prove false +to her resolve to further his cause with Claire? And yet how could she +refuse him the trust he asked of her? + +It was very pleasant to know that he was thus interested in her; she +felt herself slipping quickly into a day-dream in which nothing was +distinct save that there existed a bond between them, that he had +claimed the right to exercise authority over her, and that she was +very, very glad even to be his slave. Listening to his voice, a smile +crept to her lips, and-- + + "The eyes smiled too, + But 'twas as if remembering they had wept, + And knowing they would some day weep again." + +"I don't intend to give up my claims upon Madeline; I elected her my +sister, when I brought her home with me. And I had been flattering +myself that I was to have a companion, but I am afraid she will run +away from me. She ought to take Claire's place in my home, ought she +not? Claire is with me so little," said Olive. + +Madeline smiled sadly. "I could never do that," she said; "I could no +more fill Claire's place than I could substitute myself for the rays +of the sun." + +"Claire would laugh at you for that speech," said Olive. + +"But it is true; is it not?" appealing to Doctor Vaughan. + +He colored slightly under her gaze. "We don't want two Claires," he +said; "but you can be yourself, and that will make us happy." + +The girl let her eyes fall, and rest upon her clasped hands. + +"I would like to make you happy," she said, softly. + +"Really?" + +"Really," lifting her eyes to his face. + +"Then, promise us that you will let us help to right your wrongs, and +that you will come back, like a good sister, and stay with Mrs. +Girard." + +Her face hardened. "I can not," she said, briefly. + +"You will not," seriously. + +No answer. + +"Madeline, what is it you wish to do?" + +"What I wish to do, I can not. I can tell you what I intend to do," +sitting very erect. + +"Then what do you intend?" + +"I intend," turning her eyes away from them both, and fixing them +moodily upon the fire, "to follow up the path in which I have set my +feet. I intend to oust a base adventuress from the home that was my +mother's; to wrest the fortune that is mine from the grasp of a bad +old man, and make him suffer for the wrong he did my mother. I intend +to laugh at Lucian Davlin, when he is safe behind prison bars; to hunt +down and frustrate an impostor, and by so doing, clear the name of +Philip Girard before all the world." Her voice was low, but very firm, +dogged almost, in its tone. + +He turned a perplexed face toward Olive. + +"What does it all mean?" he asked. + +"What she says," replied Mrs. Girard, flushing with suppressed +excitement. "She has found a clue that may lead to Philip's release." + +He moved nearer to the girl, and taking her hand, drew her toward him, +until she faced him. "Madeline, is this true?" + +"Yes." + +"And you will hold me to a promise not to lift a hand to help clear +the name of my friend?" reproachfully. + +"Yes," unflinchingly. + +"Are you doing right, my sister?" + +She attempted to draw away her hand. + +"Child, what can you do?" + +She turned her eyes toward Olive. "She will tell you what I have done. +I can do much more." + +Olive came suddenly to her side. "Oh, Madeline!" she said, "let him +take all this into his hands. It is not fit work for you. It will +harden you, make you bitter, and--" + +Madeline wrested her hand away and sprang up, standing before them +flushed and goaded into bitterness. + +"Yes," she cried, wildly, "I know; you need not say it. It will harden +me; it has already. It will make me bitter and bad, unfit for your +society, unworthy of your friendship. I shall be a liar, a spy, a +hypocrite--but I shall succeed. You see, you were wrong in offering me +your friendship, Doctor Vaughan. I shall not be worthy to be called +your sister, but," brokenly, "you need not have feared. I never +intended to presume upon your friendship; I never intended to trouble +you after--after my work is done. Ah! how dared I think to become one +of you--I, whom you rescued from a gambler's den; I who go about +disguised, and play the servant to people whom you would not touch. +You are right; after this I will go my way alone." + +Her voice became inarticulate, the last word was a sob, and she turned +swiftly to leave the room. + +Olive sprang forward with a remorseful cry, but Clarence Vaughan +motioned her back, and with a quick stride was at the door, one hand +upon it, the other firmly clasping the wrist of the now sobbing girl. +Closing the door, which she had partially opened, he led her back, +very gently, but firmly, and placing her in a chair, stood beside her +until the sobs ceased. Then he drew a chair close to her own, and +said, softly: + +"My little sister, we never meant this. These are your own morbid +fancies. Because you are playing the part of amateur detective, you +are not necessarily cut off from all your friends. We would not give +you up so easily, and there is too much that is good and noble in you +to render your position so very dangerous to your womanhood. You have +grieved Mrs. Girard deeply by imputing any such meaning to her words. +Can't you understand, child, that it is because we care for you, +because we want to shield you from the hardships you must of necessity +undergo, that we wish you to let us work with and for you?" + +Madeline shivered and gave a long, sobbing sigh. He took both listless +hands in his own. + +"Now, sister mine, won't you make me a promise, just one?" + +Her hands trembled under his. How could she resist him when his +strong, firm clasp was upon her; when he was looking into her eyes +pleadingly, even tenderly; when his breath was on her cheek, and his +voice murmured in her ear? She sat before him, contrite, conquered, +strangely happy; conscious of nothing save a wish that she might die +then and there, with her hands in his. She was afraid to speak and +break the spell. He had said that he cared for her, was not that +enough? + +"Tell me, Madeline." + +"Yes," she breathed, rather than uttered. + +[Illustration: "Yes," she cried, wildly, "I know; you need not say +it"--page 219.] + +"Thank you. Now, sister, we are going to trust to your sagacity in +this matter. But you must promise me, as your brother, who is bound to +look after your welfare, that you will take no decisive steps without +first informing us, and that as soon as the work becomes too heavy for +your hands, you will call upon me to help you. My sister will surely +do nothing that her brother cannot sanction?" + +She dropped her eyes and said, simply: "I will do what you wish me +to." + +"You will give me your confidence, then?" + +"Yes." + +"Am I to hear a complete history of all that has happened thus far +from Mrs. Girard?" + +"Yes." + +"And, after hearing it, may I communicate with you?" + +She glanced up in surprise. + +"Or," continued he; "better still, may I come down to Bellair and talk +things over with you, should I deem it advisable?" + +"If you wish;" looking glad. + +"Mind, I don't want to intrude; I will not come if you don't desire +it; but I shall wish to come. And you may manage our interviews as you +see fit. I will do nothing to compromise you in the eyes of the people +you are among. May I come?" + +"Yes;" very softly, and trembling under his hand. + +"Then we will say no more about all this to-night. You have already +abused your strength, and if you don't get rest and sleep we shall +have you ill again, and then what would become of our little +detective?" + +Olive came forward with outstretched hands and pleading eyes. "I can't +wait any longer to be forgiven for my thoughtless words," she said. +"Madeline, you will forgive me?" + +"Of course Madeline will," replied Clarence. "Now you had better +forgive Madeline for putting such a perverse construction upon your +words, and then we will send her away to get the rest she must have." + +"I was abominable, Olive," said the girl, so ruefully that Clarence +laughed outright. "Of course, I know you are too kind to say a cruel +thing. I--I believe I was trying to quarrel with you all; do forgive +me." + +"Of course you were trying to quarrel with us; and I haven't a bit of +faith in your penitence now, young lady," said Clarence, rising and +smiling. "I can't believe in you until I am assured that you will go +to bed straightway, and swallow every bit of the wine I shall send up +to you." + +"With something nice in it," suggested Olive. + +"With something very nice in it, of course. Now, will you obey so +tyrannical a brother, and swallow his first brotherly prescription +without making a face?" + +All his kindness and care for her comfort brought a thrill of gladness +to the girl's heart, and some of the old _debonnaire_, half-defiant +light back to her eyes, as she replied, while rising from her chair, +in obedience to a gesture of playful authority from Clarence, "Will I +accept a scolding and go to bed, that means." + +Then making a wry face and evidently referring to the wine: "Is it +very bitter?" + +"Not very; but you must swallow every drop." + +"And I will order the wine," said Olive, touching the bell. "You know, +Dr. Vaughan, that Madeline leaves us in the morning?" + +"No?" in surprise. "Must you go so soon?" + +"Yes," demurely, "unless I am forbidden." + +"We are too wise to forbid you to do anything you have set your heart +on. Then I must tell you good-by here and now, for a little time." + +"Or a long one," gravely. + +"Not for a long one. 'If the mountain won't come,' you know;--well, if +I don't get _very_ satisfactory reports from you, look out for me." + +"You can't get at me," wickedly. + +"Can't I? Wait and see. I'll come as your grandfather, or your maiden +aunt." + +"Please don't," laughing, "one spinster is enough." + +"Well, I won't, then; I think I'll come as your father confessor." + +At this Olive joined in the laugh. + +"Good-night, Dr. Vaughan." + +"Good-night, Miss Payne," with exaggerated emphasis and dignity, but +holding fast to her hand. + +She looked at the hand doubtfully, then up into his face. +"Good-night--brother," with pretty shyness. + +"That is better," releasing the little hand. "Good-night, sister mine. +Mind you drink every drop of the wine." + +"I will!" quite seriously. "Good-night, Olive." + +Olive stooped and kissed her cheek. "Good-night, dear," she said, "and +happy dreams." + +Dr. Vaughan opened the door for her, and smiled after her as she +looked back from the foot of the stairs. Then closing the door he came +back, and stood on the hearth-rug, looking thoughtful. + +"It is a difficult nature to deal with, and in her present mood, a +dangerous one. She is painfully sensitive, and possesses an +exceedingly nervous temperament. Then, that episode with Davlin was +very humiliating to her, and it is constantly in her mind. Evidently +she has lately been under much excitement, and she is hardly herself +to-night. I think, however, if I were you, I would make no further +effort to dissuade her from her purpose. It will do no good, and harm +might come of it." + +"Indeed, I will not," said Olive. "How thankful I am that you were +here; your calmness and tact has saved us something not pleasant. I +don't think I could have managed her myself." + +"Probably not; and now I will prepare a soothing and sleeping draught, +and then, as it is late, will detain you no longer. Perhaps you had +better see that the draught is administered." + +Olive gladly accepted the charge, and shortly after Doctor Vaughan +took his departure, wise and yet blind; blind as to the true cause of +Madeline's outbreak and subsequent submissiveness. + +Madeline obeyed to the letter the instructions of Doctor Vaughan. As a +result, she fell asleep almost immediately, before calm thought had +come to dispel her mood of dreamy happiness. + +In the morning she awoke quieted, refreshed, and quite mistress of +herself. She did not once refer to the events of the previous evening. +Only, before taking leave of Claire, she whispered in her ear: + +"Dear Claire, you can make a noble man happy. Let his love atone to +you for this present bitterness. God bless you both." + +It was an odd speech, truly. But as Madeline turned her back upon the +pretty villa, and was driven swiftly to the railroad depot, she +wondered why Claire had responded to it only with a passionate kiss +and with tears in her beautiful eyes. + +And Claire, having seen her driven from the door, fled precipitately +to her room. Locking herself in, she fell upon her knees beside a low +chair. Burying her face in her hands she wept bitterly,--not for +herself, but for the girl who was so heroically resigning to another +the man she loved; who was going forth, alone, to encounter hardship, +perhaps danger, to fight single-handed, not only her own battles, but +those of her friends as well. + +"And I dared to judge her," said the girl, indignantly. "I presumed to +criticise the delicacy of this grand, brave nature! Why, I ought to be +proud to claim her friendship, and I am!" + +From that hour, let Madeline's course seem ever so doubtful, let Olive +fear and doubt as she would, Claire Keith stoutly defended every act, +and averred that Madeline could do nothing wrong. And from that hour, +Claire began to plot upon her own responsibility. + + * * * * * + +In due course Doctor Vaughan called, and was closeted with Olive a +very long time--rather, with Olive and Claire, for this young lady had +surprised her sister, by expressing a desire to hear what Doctor +Vaughan would say of Madeline's adventures. To tell the truth, Claire +had fancied that Clarence would criticise more or less, and it was in +the capacity of champion for the absent that she appeared at the +interview. + +After the matter had been fully discussed, Doctor Vaughan addressed +himself to Claire: "Miss Keith, you have been a good listener. Won't +you give us your opinion as to the achievements of our little friend?" + +Claire came forward, with a charming mixture of frankness and +embarrassment: "First, let me make the _amende honorable_, Doctor +Vaughan. I presented myself at this interview with the full intention, +and for the express purpose, of waging war upon you both, if +necessary, and I had no doubt that it would be." + +Doctor Vaughan looked much astonished. + +"But," pursued Claire, "I have misjudged you. I did not think you +would so heartily approve of Madeline's course, and I was bristling +with bayonets to defend her." + +"I must own to being of Claire's opinion," interposed Olive, looking +somewhat amused. + +Clarence smiled and then looked thoughtful. + +"I can easily understand," he said, seriously, "how you ladies might +have looked upon the course Miss Payne has taken, as an objectionable, +even an improper, one. The position in which she has placed herself +is, certainly, an unusual, a startling one for a woman of refinement +and delicacy. But we must consider that the occasion is also an +unusual one, and ordinary measures will not apply successfully to +extraordinary cases. As to the impropriety, no one need fear to trust +his or her honor in the keeping of a woman as brave and noble as +Madeline Payne is proving herself." + +"Then you do not censure Madeline for refusing to trust the matter in +the hands of a detective?" questioned Olive. + +"The matter _is_ in the hands of a detective, Mrs. Girard; in the +hands of the shrewdest and ablest little detective that could, by any +possibility, have been found. Why, Madeline has accomplished, in a +short time, what the best detectives on our regular force might have +labored at for a year, and then failed of achieving!" + +Claire threw a look of triumph at her sister. "Oh, how glad I am to +hear you say all this, and how glad Madeline would be." Then she +checked herself suddenly. + +"I can suggest but one improvement upon the present state of things," +said Clarence, after a moment's reflection. "That is, if we can +persuade Madeline to permit it, and I think we can, we should set two +men at work, neither one to be aware of the employment of the other. +One to trace out as much of the past of this man Percy, as may be. The +other to perform the same office for Davlin. Of course, they would not +be advised of the actual reason for these researches, and so their +investigations would in no way interfere with Madeline's pursuit of +the game at Oakley. I don't think we could improve upon the present +arrangement there." + +"And how do you propose to bring this about?" questioned Olive. + +"By going down to Bellair, as soon as I can get the necessary +permission from our little _generalissimo_, and talking the matter +over with her. I think she will see the propriety of the move, don't +you?" appealing to Claire. + +"I think she will follow your advice," gravely. + +"I hope she will," said Olive. + +"I _know_ she will do exactly right," asserted Claire, so positively +that they both smiled. + +"I think I may venture to agree with you, Miss Keith," said Dr. +Vaughan. + +"You had better, both of you, where Madeline is concerned," looking +ferocious. + +"I begin to think that valor is infectious," laughed Olive, and +Clarence joined in the laugh. + +Altogether the result of their council was pleasing to each of the +three. Olive was hopeful; Clarence was full of enthusiasm, and more +deeply in love than ever with generous Claire; and she was pleased +with his frank admiration of Madeline's courage, and full of hope for +Madeline's future. + +"He admires her now. He will love her by and by," she assured herself. + + + + +CHAPTER XXI. + +HAGAR AND CORA. + + +Meanwhile, Lucian Davlin had hastened to Bellair in response to Cora's +summons, full of conjectures as to what had "turned up." + +When the noon train from the city puffed up to the little platform, +Lucian Davlin was among the arrivals, and at the end of the depot +platform stood the dainty phaeton of Mrs. John Arthur. That lady +herself reined in her prancing ponies, and the whole formed an object +of admiration for the few depot loungers. + +As Lucian Davlin crossed the platform and took his seat beside the +lady, an old woman hobbled across the track. Casting a furtive glance +in the direction the ponies were taking, she hobbled away toward the +wood. + +Miss Arthur's maid had surmised aright. It was no part of Cora's plan +to permit the inmates of Oakley a view of Mr. Davlin on this occasion. +So the ponies were driven briskly away from the town, and when that +was left behind, permitted to walk through the almost leafless woods, +while Cora revealed to Lucian the extent of the fresh calamity that +had befallen them in the advent of Mr. Percy. + +"Well, what have you to say to all this?" demanded the lady, +pettishly, after she had disburdened herself of the story, with its +most minute particulars. "This is a pretty state of affairs, is it +not? I am worn out. I wish Oakley and the whole tribe were at the +bottom of the sea!" + +"Stuff!" with much coolness; then taking a flask containing some amber +liquid from a breast pocket he held it between his eyes and the light +for critical examination. + +"Stuff? where? In that flask?" + +"No, in your words. This," shaking the amber liquid, "is simon pure; +best French. Have some? I felt as if I needed a 'bracer' this +morning." + +"Up all night, I presume," eyeing him askant. + +"Pretty much;" indifferently. "Won't take any? Then, here's confusion +to Percy," and he took a long draught. "Now, then," pocketing the +brandy and turning toward her, briskly, "I'm ready for business. How +the deuce did we let this fellow pounce down upon us like this? I +thought he was safe in Cuba?" + +"He will never be safe anywhere, until he gets to--" + +"Heaven," suggested he. + +"I suppose it was stupid," she went on, gloomily. "But when Ellen +Arthur raved of her dear friend Mr. Percy, how was I to imagine that +among all the Percys on earth, this especial and particular one should +be _the_ Percy. I wrote you that she had a lover of that name; did it +occur to you that it might be he?" maliciously. + +"Well, candidly, it did not." + +"We were a pair of stupid fools, and we are finely caught for our +pains." + +"First statement correct," composedly; "don't agree with the last, +however." + +"Why not?" + +"Does he know I am on deck?" + +"No." + +"Didn't inquire after me, or say anything about the documents?" + +"No special inquiries." + +"Well, then, where is the great danger?" + +"Where?" much astonished. + +"Yes, where? If you told me all the truth concerning yourself ten +years ago, we can make him play into our hands." + +"How?" + +"Don't go too fast. When you told me that he believed you to have left +home because of an unkind step-mother, was that true?" + +"It was true. I did leave home and come to the city when I was but +sixteen, because my father was a drunkard, and my step-mother abusive, +and we were poor and I was proud." + +"Don't doubt that fact;" with an outward gesture of the supple hand. +"But you told him that you had two big step-brothers!" + +Cora laughed. "A big brother is an excellent weapon to hold over the +heads of some men," she suggested. + +"True," with an amused look. "Why didn't you brandish one over me?" + +"Over you?" laughing again. "You and Percy were two different men." + +"Much obliged," lifting his hat with mock gravity. "Well, we are 'two +different men,' still; just let your pretty little head rest, and +leave Percy to me." + +"I wish to Heaven you had made an end--" + +"'Ah-h-h. I have sighed to rest me,'" warbled Davlin. "Cora, my love, +never put your foot on too dangerous ground." + +"Well, I do wish so, all the same," said she, with feminine +pertinacity. + +"Now, tell me what your plan is. We want to understand each other, and +have no more bungling." + +"All you will have to do will be to keep quiet and follow my cue. When +I come down, we must manage it that I meet Percy in Miss Arthur's +absence. The rest is easy; this Mr. Percy will not find his path free +from obstacles, I think." + +"What game will you play?" + +"Precisely what I am playing now. I am your brother. That will explain +some things that puzzled him some time ago," dryly. "I am your sole +protector, saving the old chap, don't you see." + +The woman pondered a moment. "I think it will answer," she said, at +last. "At any rate, it is the best we can do now." + +A little more conversation, and Cora was quite satisfied with that and +other arrangements. Then the ponies were headed toward the village, +and driven at a brisk pace, thus enabling Mr. Davlin to catch the +afternoon train back to the city. No one at Oakley was any the wiser +for his visit. It was no uncommon thing for Cora to drive out +unattended, and she returned to the manor in a very good humor, +considering the situation. + +Cora's drive had given her an appetite, and she had partaken of no +luncheon. She therefore ordered a very bounteous one to be served in +the red parlor. Mr. Arthur was enjoying his usual afternoon siesta; +Miss Arthur was invisible, for which Cora felt duly thankful; and so +she settled herself down to solitude, cold chicken and other edibles, +and her own thoughts. + +Ever and anon she gazed listlessly from the window, letting her eyes +rove from the terrace to the hedgerow walk, the woods beyond, and back +again to the terrace. Suddenly she bent forward, and looked earnestly +at some object, moving toward the stile from the grove beyond. A +moment later, it appeared in the gap of the hedge. + +Cora leaned back in her chair, still observant, muttering: + +"I thought so! It is that ugly old woman. Now, what in the world does +she want here, for--yes, she is entering the grounds, coming up the +terrace." + +True enough, old Hagar was coming slowly along the terrace, taking a +leisurely survey of the window facing that walk, as she did so. +Casting her eyes upward, they met the gaze of Mrs. Arthur. Then, much +to the surprise of that lady, she paused and executed a brief +pantomime, as grotesque as it was mysterious. + +Cora drew back in some astonishment, pondering as to whether or no the +old woman might not be partially insane, when Susan, the maid of the +romantic mind, appeared before her, and announced that the object of +her thoughts was in the kitchen, and begged that Mrs. Arthur would +permit her an interview. + +Cora was still more surprised. "What can she possibly want with me?" +she asked herself, quite audibly. + +"If you please, ma'am," volunteered Susan, "she said that it was +something important; and that she never would have put her foot inside +this house, begging your pardon, only for you." + +Flattering though this statement might be, it did not enlighten her +much. So, after a moment's reflection, Mrs. Arthur bade the girl, +"show the old person up." + +Accordingly, in another moment almost, old Hagar was bowing very +humbly before the lady with the silken flounces. Susan retired +reluctantly, deeply regretting that she could find no time to stop up +the key-hole with her ear, thus rendering it impossible for prying +eyes to peep through that orifice. + +"Well, old woman," began Cora, rather inelegantly, it must be +confessed, "what on earth were you making such a fuss about, down on +the terrace? And what do you want with me?" + +A close observer of the human countenance divine would never have +judged, from the small amount of expression that was manifest in the +face of Hagar, that her reply would have been such a very humble one. +"I want to serve you, dear lady." + +The "dear lady" pursed up her lips in surprise. "You--want--" + +"To warn you, madame." + +Cora was dumb with astonishment, not unmingled with apprehension. What +had broken loose now? + +"I am only a poor old woman, lady, and nobody thinks that old Hagar +has a heart for the wrongs of others. I said that I would never cross +John Arthur's threshold again; but I have seen your pretty face, going +to and fro through the village streets, and I knew there was no one to +warn you but me." + +"Oh, you did," remarked Cora, not knowing whether to be alarmed or +amused, at the old woman's earnestness. "Well, old--what's your name?" + +"Hagar, lady." + +"Well, old Hagar, do you mean to tell me that I am in any particular +danger just at present?" + +"Is the dove in danger when it is in the nest of the hawk?" said +Hagar, closing her eyes tight as she uttered the words, but looking +otherwise very tragical. + +Cora laughed musically. "Good gracious, old lady!" She was modifying +her titles somewhat, probably under the influence of Hagar's +flatteries. "You mean to compare me to a dove," laughing afresh, +"in--a hawk's nest? Oh, dear! oh, dear!" wiping her eyes. "Now, then, +please introduce me to the wicked hawk." + +Hagar was getting tired of her part, and she made a direct rush at the +point of the business, and with very good dramatic effect. "I mean +your husband," she said, vehemently. "I mean John Arthur. He is a bad +man. If he has not done it already, he will make you miserable +by-and-by." + +Cora drew herself up and tried to look severe. "Old lady," she said, +with supernatural gravity, "don't you know that it is very improper +for you to come and talk to me, like this, about my husband?" + +"Just hear her!" sniffed Hagar, rather unnecessarily; "all because I +think she is too young, and too pretty, to be sacrificed like the +others--" + +"Like the others? What others?" + +"Like his first wife. She was young, like you, and a lovely lady. His +cruelty was her death. And then he must worry and abuse her poor +daughter, until she runs away and comes to an untimely end. And now--" + +"Now, you fear he will make an end of me?" briskly. "Sit down, old +lady," becoming still more affable. "So Mr. Arthur ill-used his first +wife, my predecessor?" + +"Thank you, dear lady; you are very kind to a poor old woman," seating +herself gingerly on the edge of a chair opposite Cora. "Yes, indeed, +he did ill-use her. She was my mistress, and I shall always hate him +for it." + +Cora mused. Here was an old servant who hated the master of Oakley; +might she not prove useful, after a time? At any rate, it would be +well to sound her. + +"You were very much attached to the lady, no doubt?" insinuatingly. + +"Yes; and who would not be? She was very sweet and good, was my poor +mistress. Oh, he is a bad, bad man, madame, and you surely cannot be +very happy with him." + +"And he was unkind to his step-daughter, too?" ignoring the last +supposition. + +"Unkind? He was a wretch. Oh, I could almost murder him for his +cruelty to that poor dead lassie!" fiercely. + +"Perhaps he was none too kind to you," suggested Cora. + +"Oh, he never treated me like a human being. He hated me because I +tried to stand between her and harm. But he could not get rid of the +sight of me. I have a little home where he can't avoid seeing me +sometimes. I believe, if I kept always appearing before him, he would +go raving mad, he hates me to that extent." + +"Um-m! Is that so?" + +"Yes, indeed. Why, lady, if I were without house or home, and you, out +of the kindness of your heart, were to take me into your employment as +the very humblest of your servants, I believe he would kill us both." + +"You think he would?" + +Cora actually seemed to encourage the old woman in her garrulity. + +"Oh, I know it. It's not much in the way of charity, or kindness, you +will be able to do in _this_ house. If he don't imprison you in one of +these old closed-up musty rooms, you will be lucky. He is very +dangerous. Sometimes I used to think he must be insane." + +Cora started. "Well, Hagar," she said, sweetly, "it's very good of you +to take so much interest in me. He is very cross sometimes, but, +perhaps, it won't be so bad as you fear." + +"I hope it won't," rising to go and shaking her head dubiously; "but I +am afraid for you." + +"Well," laughing, "I'll try and not let him lock me up, at any rate. +Now, is there anything I can do for you?" + +[Illustration: If ever you want to make him feel what it is to make +others suffer, Hagar will help you.--page 238.] + +"Oh, no, lady. You looked so pretty, and so good, that I wanted to +warn you; that is all. I should be glad if I could serve you, too, but +I could never serve him. I don't want for anything, dear lady. Now the +old woman will go." + +"I won't forget you, Hagar, if I ever need a friend." + +Hagar turned toward her. "If you ever want to make him feel what it is +to make others suffer, Hagar will help you." + +There was a vindictive light in the old woman's eyes, and she hobbled +out of the room, looking as if she meant all she had said. + +Cora sat, for a time, pondering over the interview, and trying to +trace out some motive for insincerity on the old woman's part. But she +could see none. She resolved to investigate a little, and all that +evening was the most attentive and agreeable of wives. Abundant and +versatile was her conversation. Deftly she led the talk up to the +proper point, and then said, carelessly: + +"Driving through the village, to-day, I passed that queer old +woman--Hagar, do they call her? She glared at me, oh! so savagely." + +"She is an old hag!" Mr Arthur answered, with unnecessary fierceness. +"I don't see what Satan has been about, all these years, that he's not +taken her away to her proper atmosphere." + +"Why," in pretty surprise, "I thought she used to be one of your +servants?" + +"She was a servant to my first wife," moodily. "I got rid of the +baggage quick enough, when Mrs. Arthur died. She is an old viper, and +put more disobedience into that girl Madeline's head, than I ever +could get out." + +"What a horrid old wretch she must be!" shuddering. + +Then the conversation dropped, and Cora was satisfied. + +"The old woman shall be my tool," she thought, triumphantly. + + + + +CHAPTER XXII. + +TO BE, TO DO, TO SUFFER. + + +On the day that followed the events last related, Madeline Payne +returned to Oakley to resume her self-imposed task. + +Leaving the train, the girl took the path through the woods. When she +had traversed it half way, she came upon old Hagar, who was seated +upon a fallen log awaiting her. Looking cautiously about, to assure +herself that the interview would have no spectators, Madeline, or +Celine, as we must now call her, seated herself to listen to the +report of Davlin's visit, and the success of Hagar's interview with +Cora. + +Expressing herself fully satisfied with what she heard, Celine made +the old woman acquainted with the result of her visit to the city, or +as much of it as was necessary and expedient. Then, after some words +of mutual council, and a promise to visit her that evening, if +possible, the girl lost no time in making her way to the manor, and +straight into the presence of her mistress. + +Considering that her maid was--her maid, Miss Arthur welcomed her with +an almost rapturous outburst. Celine had held high place in the +affections of Miss Arthur, truth to tell, since her astonishing +discovery of Mr. Edward Percy, in the character of young Romeo, +promenading within sight of his lady's window. + +"Celine," simpered Miss Arthur, while the damsel addressed was +brushing out her mistress's hair, preparatory to building it into a +French wonder; "Celine, I may be wrong in talking so freely to you +about myself and my--my friends, but I observe that you never presume +in the least--" + +"Oh, mademoiselle, I could never do that!" cooed the girl, with wicked +double meaning. + +"And," pursued Miss Arthur, graciously, "you are really quite a +sagacious and discreet young person." + +"Thanks, miladi." Then, as if recollecting herself, "Pardon, +_mademoiselle_, but you are so like her ladyship, _Madame Le Baronne +De Orun_, my very first mistress--" + +"Oh, I don't mind it at all, Celine. As I was saying, you seem quite a +superior young person, and no doubt I am not the first who has made +you a sort of _confidante_. + +"Merci! no; my lady. _Madame Le Baronne_ used to trust me with +_everything_, and often deigned to ask my advice. But French ladies, +oui, mademoiselle, always put confidence in their maids. And a maid +will die rather than betray a good mistress--" + +"Exactly, Celine--are you going to put my hair so high?" + +"Very high, _miladi_." + +"Oh, well; will it be becoming?" + +"Oui; La mode la Francaise," relapsing into ecstacy and French. _"Le +coiffeur comme il faut! Chere amie, le-chef-a-oeuvre!_" + +Miss Arthur collapsed, and Celine continued to build up an atrociously +unbecoming pile of puffs and curls in triumphant silence. + +Celine never indulged in her native tongue, so she assured her +mistress, except when carried away by momentary enthusiasm, or +unwonted emotion. It was bad taste, she averred, and she desired to +cultivate the beautiful American language. + +Presently Miss Arthur made another venture, feeling quite justified +in following in the footsteps of so august a personage as _Madame Le +Baronne_. + +"Did you see Mr. Percy after you left Bellair?" + +"No, mademoiselle." + +"Did you observe if he returned in the same train with yourself?" + +"No, mademoiselle." Then, with a meaning little laugh: "Monsieur will +not remain long from Oakley." + +Miss Arthur tried to look unconscious, and succeeded in looking +idiotic. + +"Pardon, mademoiselle, but I can't forget that night. Mademoiselle is +surely relieved of one fear." + +"What is that?" + +"The fear of being wooed because of her wealth." + +Miss Arthur started, then said: "There may be something in that, +Celine; and it is not impossible that I may inherit more." + +"Ah?" inquiringly. + +"Yes. Possibly you have learned from the servants that Mr. Arthur lost +a young step-daughter not long ago; just before you came, in fact." + +"I don't remember. Did she die, mademoiselle?" + +"Yes. She was a very wild, unruly child, a regular little +heathen--oh!" + +"Pardon, oh, pardon, did it hurt?" removing a long, spiky hair pin, +with much apparent solicitude. + +"A--a little; yes. As I was saying, this ridiculous girl was sent to +school and no expense spared to make a lady of her." + +"Indeed!" + +"Yes; and then she rewards my brother for all his kindness by running +away." + +"_Merci_, mademoiselle!" suddenly recalling her French. + +"And then she died among strangers, just as provokingly as she had +lived. She must even run away to die, to make it seem as if her home +was not a happy one." + +"What a very wicked young person; how you must have been annoyed." + +"We were all deeply grieved." + +"And I don't suppose that dead young woman was even grateful for +that." + +"Oh, there was no gratitude in her." + +"Of course not! Now, mademoiselle, let me do your eyebrows," turning +her about. + +"But," pursued Miss Arthur, "when she died, my brother acquired +unconditional control of a large fortune, and you must see that my +brother is getting rather old. Well, in case of his death, a part, at +least, of this fortune will become mine." + +"Yes, madame." + +"My brother is too much afraid to face the thought of death and make a +new will, and papers are in existence that will give me the larger +portion of his fortune. Of course, Mrs. Arthur will get her third." + +Celine was now surprised in earnest. + +Miss Arthur had spoken the truth. With shrewd foresight, she had made +John Arthur sign certain papers two years before, in consideration of +sundry loans from her. And of this state of affairs every one, except +their two selves and the necessary lawyer, had remained in ignorance. + +The girl's eyes gleamed. This was still better. It would make her +vengeance more complete. + +And now Miss Arthur was thrown into a state of girlish agitation by +the appearance of Susan, who announced that Mr. Percy was in the +drawing-room, awaiting the pleasure of his inamorata. + +She bade Celine make haste with her complexion and, after the lapse of +something like half an hour, swept down to welcome her lover, with a +great many amber silk flounces following in her wake. + +Celine Leroque gazed after her for a moment and then closed the door. +Flinging herself down "at ease" in the spinster's luxurious dressing +chair, she pulled off the blue glasses and let the malicious triumph +dance in her eyes as much as it would. + +"Oh, you are a precious pair, you two, brother and sister! The one a +knave, the other a fool! It is really pathetic to see how you mourn my +loss. I have a great mind to--" + +Here something seemed to occur to her that checked her mutterings, and +sent her off into a deep meditation. After a long stillness she +uttered a low, mocking laugh that had, too, a tinge of mischief in it. +Rising slowly from the dressing chair she said, as she nodded +significantly to her image reflected back from Miss Arthur's dressing +glass: + +"I'll put that idea into execution some nice night, and then won't +there be a row in the castle? Ah! my charming mistress, if you had +spoken one kind or regretful word for poor Madeline, it would have +been better for you!" + +What was the girl meditating now? What did she mean? + +"Yes, good people at Oakley, I believe I'll take a little private +amusement out of you _all_, while I feel quite in the mood. I won't be +too partial." + +Then she betook herself to her own room and let her thoughts fly back +to Olive and Claire and--Clarence. + +Presently, for she was very weary, spite of the previous night's +repose, she fell asleep. + +Late that evening she flitted through the woods and across the meadow +to the cottage of old Hagar. Sleep had refreshed her and she had +dreamed pleasant dreams. She felt stout of heart, and firm of nerve. + +Old Hagar was overjoyed to see a smile in her nursling's face, and to +hear, at times, a laugh, low and sweet, reminding her of olden days. +The girl remained with her old nurse for nearly an hour. When they +parted there was a perfect understanding between them, in regard to +future movements and plans. + +No one at Oakley was aware of Lucian Davlin's flying visit; thus much +Celine knew. But of the purport and result of that visit, she knew +nothing. Nor could she guess. She must bide her time, for there seemed +just now little to disturb the monotony of waiting. + +One thing was, however, necessary. When the time came for Miss Arthur +to leave Oakley, Celine must remain. To that end she must contrive to +fall out with the spinster, and "fall in" with Madame Cora. If that +lady could not be beguiled into retaining her at Oakley, she must +resort to a more hazardous scheme. She had already taken a step toward +ingratiating herself with Mrs. Arthur, and with tolerable success. She +was maturing her plans and waiting for an opportunity to put them into +action. + +No doubt but that by the time she had accomplished her object, if it +could be accomplished, the opposite forces would come into conflict. + + + + +CHAPTER XXIII. + +SETTING SOME SNARES. + + +Three days had now passed since Madeline's return from the city. On +the morning of the fourth day, she seized the first leisure moment for +a visit to the post-office. Instead of the single letter from Olive +that she had expected, she found three. + +They were enclosed in one wrapper. This she removed on her way back to +Oakley, and found the first, as was the wrapper, addressed in Olive's +hand. The penmanship of the second was fairy-like and beautiful, and +she recognized it as Claire's. At sight of the third, her heart gave a +great bound, and then almost stood still. It was superscribed in a +firm, manly hand, and was, it must be, from Dr. Vaughan. + +Once securely locked in her room, Madeline opened the first of her +letters with eager fingers. Yes, Olive's first. The desire to see what +_he_ had said was strong in her heart, but she had decided not to +humor her heart. She held his letter caressingly for a moment and then +putting it beside Claire's opened and read Olive Girard's letter. + +It was like Olive's self; sweet, womanly, hopeful, yet sad: + + DEAR MADELINE: + + I am only now beginning to realize the new life and hope you + have put into my heart. As I think again of what you have + done and are doing, I cannot but feel faith in your success. + Oh, if I could but work with you; for you and for Philip! + + Again and again I implore you to pardon me for ever doubting + your wisdom or strength. If at any time I can aid you--such + poor aid--my purse is yours, as your cause is mine. + + Claire and Doctor Vaughan will speak for themselves. And as + I dare make no more suggestions to so wise a woman, I only + put in a faint little plea. Do, pray, grant Doctor Vaughan's + request, and may God aid you in all that you do. + + OLIVE. + +"Doctor Vaughan's request!" repeated the girl. "Would that I could +grant him not only all his requests, but all his wishes!" + +Then she opened Claire's letter. + + MY GRAND MADELINE: + + How proud I am to claim you for my friend! I shall never + again conduct myself with any degree of meekness toward + people who have not the happiness of knowing you. And you + should hear Doctor Vaughan extol you! He says you are wiser + and braver than any detective. That he would trust you in + any emergency. That if any one can lift the cloud that hangs + over poor Philip, it is you. + + My heart tells me that you will yet prove the good angel of + Philip and Olive, as already you have been mine; and soon, I + pray, you will become that and more to Doctor Vaughan; you + must and shall. I shall have no wish ungratified when I can + see your trials at an end; and yourself, surrounded by us + who love you, happy at last. Don't let all these other + claimants push me out of your heart; always keep one little + place for your loving, grateful + + CLAIRE. + +Madeline's eyes were moist when she lifted them from the perusal of +this letter. + +"Bright, beautiful, brave Claire," she murmured; "who could help +loving her?" + +Then her eyes fell again upon the letter, and she started: + +"'You will become that and more to Doctor Vaughan,'" she read. "What +can she mean? Can it be possible that, after all, I have betrayed +myself to her?" + +She re-read the letter from beginning to end, her face flushing and +paling. + +"Oh!" she whispered softly, "she has read my heart, and we are playing +at cross purposes! What a queer rivalry," the girl actually laughed; +"a rivalry of renunciation. Does she yet know how he loves her, I +wonder?" Then, her face growing graver, "she won't be long in making +that discovery now." + +She took up Clarence Vaughan's letter, almost dreading to break the +seal. + + MY BRAVE LITTLE SISTER: + + You perceive, I have commenced my tyranny. And instead of + being able to grant favors to my new sister, I am reduced to + the necessity of begging them at her hands. In a word, I + want to come to Bellair. Not to be a meddlesome adviser; I + am too firmly a convert to your method of procedure for + that. Besides, I should have to declare war upon Miss Keith + if I presumed thus far. But I do desire to further your + plans, and to this end would make a suggestion that has + occurred to me since hearing of your marvelous detective + work. + + Believe me, I cannot express the admiration I feel for your + daring and tact. I have no longer the faintest scruple as to + trusting this issue, so important to all of us, in your + hands. And I am more than proud of such a sister. + + May I come to Bellair, say on Monday next? I will stop at + the little station a few miles this side of the village, and + walk or drive over, and find my way to the cottage of your + old nurse, where you can meet me, unless you have a better + place to suggest. I shall anxiously await your answer, and + am your brother to command. + + C. E. VAUGHAN. + +Madeline's cheeks were flushed, her eyes shining. + +"How they all trust me!" she ejaculated; "and they always shall. I +will never be false to their friendship; no, not if to serve them my +heart's blood must become wormwood and gall." + +She re-read all her letters, but would not allow herself to linger too +long over that of Clarence Vaughan. She had resolved to have no more +weakness, no more outbreaks of passion. She was very stern with +herself. Even as a friend and brother, she would not allow her +thoughts to dwell too much upon him, until she grew stronger, and more +perfect in her renunciation. + +Then she sat down at her humble little table, and answered her +letters. + +To Olive she wrote a sweet, cheery note, telling of her gratitude, her +affection, her hope for the future; and then she added a womanlike P. +S. as follows: + + Please say to Doctor Vaughan that I will be at Hagar's + cottage on Monday evening, but can't tell the precise time I + may be able to appear. If he follows the main road through + the village, until he has passed the grounds of Oakley, he + will have no difficulty in finding the cottage. It stands + alone, almost in the middle of a field, facing the west, and + is the first habitation after Oakley. + +"I cannot write to him," she said; "at least not now." + +Then she wrote Claire a long, cheery letter, saying little of herself, +and much of her friends,--of all save Doctor Vaughan. She _would_ not +mention him tenderly, she _could_ not mention him lightly; so she +would say of him nothing at all. + +But if Madeline was astute, Claire, too, was beginning to develop that +quality. So when the latter young lady read this letter, she smiled +and said: "The dear little hypocrite! As if she could deceive me by +this evidently studied neglect. Oh! you proud, stiff-necked, little +detective!" + +And their game of cross purposes went on. + +Madeline had sealed her letters, and was about to reach for her hat +preparatory to hastening with them to the post office, when her +attention was arrested by a sound, slight but unusual, and not far +away. She stood erect, silent, motionless, listening intently. +Presently the sound was repeated, and then a look of intelligence +passed over the girl's face. + +"Some one is in the deserted rooms," she thought. And she abandoned +for the present her purpose of going out. + +There was but one way to approach the closed-up rooms, and that way +led past the door of Madeline's room. + +A few paces beyond her door, the hall connecting the west wing with +the more modern portion, made a sharp curve and opened into the main +hall of that floor. Celine Leroque opened her door cautiously, having +first donned her not very becoming walking attire. Then she took up +her position just outside the angle of the western hall, and so close +to it that if an approach was made from below, she could easily retire +behind the angle. + +[Illustration: "She stood erect, silent, motionless."--page 248.] + +She had grown heartily tired of her sentinel task when, at last, a +soft rustle was heard near at hand. Celine turned so quickly into the +narrower hall that she fairly ran upon and stopped--Mrs. John Arthur! +who uttered a sharp exclamation expressive of surprise and annoyance. + +Celine poured forth a mixture of French and English, expressive of her +contrition and horror at having "almost overturned madame," and wound +up by saying, "Madame has been to my room? Madame has desired some +service, perhaps? If so, she has only to command." + +Cora drew a breath of relief, having sufficiently recovered from the +collision and accompanying confusion, to draw a breath of any kind, +and at once rallied her forces. + +"Yes, Celine, I wanted you to do something for me, if you will." + +"Anything, madame." + +Madame was collecting her thoughts. "I--I wanted to ask if you could +find time to come to my room and try and do something with my hair. +Your hair-dressing is perfect, and I am so tired of my own." + +Celine would be only too happy. Should she come now? She had just +returned from the village; she would put off her hat and be at +madame's disposal. But madame was not inclined to be manipulated just +then. Celine might come to her dressing room and do her hair for +dinner--after she was done with Miss Arthur, of course. + +So they separated, mutually satisfied. + + + + +CHAPTER XXIV. + +A VERITABLE GHOST. + + +What a day of glory it had been to the spinster, this day on which +Madeline had read her three letters, and Cora had explored the shut-up +wing. + +And what a day of torture to fastidious Edward Percy, who would have +welcomed any third presence, even Cora or John Arthur--any one, +anything, was better than that long slavery at the feet of a painted +and too-visibly ancient mistress. But even the longest days have an +end. At last he was set at liberty, and he hurried back to the little +inn, literally kicking his way through the Autumn darkness. + +The old house of Oakley stood, with its last light extinguished, tall +and somber, against a back-ground of black sky and blacker trees. At +last every soul under its roof was asleep--all but one. That one was +very wide awake and intent on mischief. + +Love-making, dear reader, although you may not know it, is a wearisome +business, even if ever so agreeable. Especially is it wearisome to +those like Miss Arthur--maidens whose waists are too tight, whose +complexions will ill-endure lip service, and whose tresses are liable +to become not only dishevelled but dislocated. Therefore, when Miss +Arthur had dismissed her lover, with a sigh of regret, she lost no +time in doffing her glories with a sigh of relief. + +Even a very rich and hearty luncheon, which her maid had provided, was +gormandized rather than enjoyed, so tempting did her couch look to the +worn-out damsel. + +Miss Arthur had refreshed herself with an hour's uninterrupted repose, +and was revelling in a dreamy Arcadia, hand in hand with her beloved, +when something cold falling on her cheek dispelled her visions. She +started broad awake, and face to face with a horrible reality. + +The moon was pouring a flood of silvery light in through the two +windows, facing the south, whose curtains were drawn back, making the +room almost as light as at mid-day. + +And there, near her bed, almost within reach of her hand, stood +_Madeline Payne_, all swathed in white clinging cerements, ghastly as +a corpse, hollow-eyed and awful, but, nevertheless, Madeline Payne! +Over her white temples dropped rings of curly, yellow hair, and across +the pale lips a mocking smile was flitting. + +Miss Arthur gasped and closed her eyes very tight, but they would not +stay closed. They flew open again to behold the vision still there. +The spinster was transfixed with horror. Cold drops of perspiration +oozed out upon her forehead and trickled down her nose. She clutched +at the bedclothes convulsively, and gazed and gazed. + +Wider and wider stared her eyes, but no sound escaped her lips. She +gazed and gazed, but the specter would not vanish. Poor Miss Arthur +was terror-stricken almost to the verge of catalepsy. + +In consideration of the persistence with which they return again and +again, according to good authority, ghosts in general must be endowed +with much patience. Be this as it may of the average ghost, certain it +is that this particular apparition, after glaring immovably at the +spinster for the space of five minutes, began to find it monotonous. + +Slowly, slowly from among the snowy drapery came forth a white hand, +that pointed at the occupant of the bed with silent menace. + +[Illustration: "Near the bed, almost within reach of her hand, stood +_Madeline Payne_, all swathed in white!"--page 252.] + +The spell was broken. The lips of Miss Arthur were unclosed, and +shrieks, one following the other in rapid succession, resounded in the +ears of even the most remote sleepers. + +With the utterance of her first yell, Miss Arthur had made a desperate +plunge to the further side of her bed, away from the specter; and, +turning her face to the wall, shut out thus the appalling white +vision. + +Having once found her voice, Miss Arthur continued to clutch at the +bed clothes, glare at the wall, and shriek spasmodically, even after +her "inner consciousness" must have assured her that the room now held +others beside herself and the ghost, supposing it to be still on the +opposite side of the bed. + +Cora, in a state of wild _deshabille_; John Arthur, ditto, and armed +with a cane; Susan and Mary, half in the room and half out; then +Celine Leroque, apparently much frightened, without knowing at what. + +A volley of questions from the master of the house, and a return of +courage to the mistress. But Miss Arthur only gathered herself +together, took in a fresh supply of breath, and embarked in another +series of howls. + +Nothing was amiss in the room; it could not have been a burglar. The +night lamp was burning dimly behind its heavy shade; on the table were +the fragments of Miss Arthur's lunch; and Mr. and Mrs. Arthur had +found easy access through the closed, but unbolted door. + +After a time, a long time, during which Cora and Celine administered +sal volatile and other restoratives, Mr. Arthur douched her with oaths +and ice water, and the servants whispered in a group, the maiden found +voice. + +It was a very feeble voice, and it conveyed to her audience the +astounding intelligence that she had seen a ghost--Madeline Payne's +ghost. + +Upon hearing her story, John Arthur seemed at first a little startled. +But Cora only laughed, and Celine, glancing significantly at the lunch +table, said, with a slight smile: + +"Mademoiselle has nerves, and she may have lunched heartily before +retiring." + +John Arthur strode across the room and viewed the _debris_ of +luncheon. "Humph!" he grunted. "Oysters and salads, potted meat and +pastry; strong coffee and lemon syllabub with brandy. Good Lord, I +don't know what should have kept the contents of an entire cemetery +from sweeping down upon your slumbers, you female gourmand. Ghosts +indeed!" + +And he stamped out of the room in high dudgeon. His tirade was wholly +lost upon his sister, however, for that lady was whimpering +comfortably and putting all her feeble energy into the effort. + +Cora glanced up as the door banged after her lord and master, and +ordered the servants back to bed. Then she turned toward Celine, +saying: + +"That door was certainly not locked when we came to it, for I was here +even sooner than Mr. Arthur." + +Celine smiled again: "Mademoiselle dismissed me before she had +finished her luncheon. I had disrobed her previously, and she said she +should retire as soon as she drank her coffee. She may have forgotten +the door." + +Cora turned toward the bed. "Did you lock your door, Ellen?" + +But Ellen did not know; she could not remember if she had or had not. + +Then Cora said to Celine: "I am glad to find you so sensible. We shall +have hard work now to convince those ridiculous servants that there is +not a ghost in every corner." + +"I do not think that graves open," replied the girl, seriously. + +Then she gave her undivided attention to her mistress, who bade fair +to be hysterical for the rest of the night. + +Miss Arthur would not be left alone again. No argument could convince +her that the specter was born of her imagination, and therefore not +likely to return. So Cora bade Celine prepare to spend the remainder +of the night in Miss Arthur's dressing room. + +Accordingly, Celine withdrew to her own apartment, where her +preparations were made as follows: + +First, she shook out the folds of a sheet that hung over a chair, and +restored it to its proper place on the bed. Then she removed from her +dressing stand a box of white powder, and brushed away all traces of +said powder from her garments and the floor. Next, she carefully hid +away a key that had fallen to the floor and lay near the classically +folded sheet. These things accomplished, she made a few additions to +her toilet, extinguished the light, locked her door carefully, trying +it afterward to make assurance doubly sure, and retraced her steps to +relieve Cora, who was dutifully sitting by the spinster's bed, and +beginning to shiver in her somewhat scanty drapery. + +As the night wore on, and Miss Arthur became calmed and quiet, the +girl lay back in the big dressing chair, gazing into the grate, and +thinking. Her thoughts were sometimes of Claire, sometimes of +Clarence; of the Girards, and of Edward Percy; then of her success as +a ghostess, and at this she would almost laugh. + +But from every subject her mind would turn again and again to one +question, that repeated itself until it took the form of a goblin and +danced through her dreams, when at last she slept, whispering over and +over: + +"What is it that Cora Arthur carries in a belt about her waist? what +is it? what is it?" + +For the girl had made a strange discovery while Cora was sitting +beside Miss Arthur's bed, clad only in night's scanty drapery. + + + + +CHAPTER XXV. + +SOME DAYS OF WAITING. + + +Doctor Vaughan had written that he could find his way with ease to +Nurse Hagar's cottage, and he did. + +Swinging himself down upon the dark end of the platform, when the +evening train puffed into Bellair village, he crossed the track, and +walked rapidly along the path that led in the direction of the +cottage. He strode on until the light from the cottage window gleamed +out upon the night, and his way led over the field. Half way between +the stile and the cottage, a form, evidently that of a woman, appeared +before him, and coming in his direction. + +The figure came nearer, and a voice, that was certainly not +Madeline's, said: "Is the gentleman going to old Hagar's cottage?" + +"Are you Hagar?" replied Clarence, Yankee fashion. + +"I am Hagar; and you are?" + +"Doctor Vaughan." + +"Then pass on, sir; the one you seek is there." + +And the old woman waved her hand toward the light and hobbled on. + +Clarence stared after her for a moment; but the darkness had devoured +her, and he resumed his way toward the cottage. + +In hastening to meet a friend we naturally have, in our mind, a +picture. Our friend will look so, or so. Thus with Clarence Vaughan. +Expecting to meet a pair of deep, sad, beautiful eyes, lifted to his +own; to behold a fair forehead shadowed by soft, shining curls; judge +of Clarence's surprise when the opened door revealed to him a small +being of no shape in particular; a very black head of hair, surmounted +by an ugly maid's cap; and a pair of unearthly, staring blue glasses. + +Madeline had chosen to appear "in character" at this interview. She +intended to keep her own personality out of sight, and she felt that +she needed the aid and concealment that her disguise would afford. She +would give Claire's schemes no vantage ground. + +So Madeline Payne was carefully hidden away under the wig and pigment +and padding; and Celine Leroque courteseyed demurely as she held the +door open to admit him, and said: + +"Good evening, _Monsieur le Docteur_; you perceive I am here before +you." + +"Rather, I don't perceive it. _You_ are here before me in a double +sense of the word; yes. And I suppose you call yourself--" + +"Celine Leroque, at your service; maid-in-waiting to Miss Arthur, of +Oakley." + +Doctor Vaughan laughed. + +"Well, won't you shake hands with an American of no special +importance, Celine Leroque?" + +She placed her hand in his and then drew forward a chair. + +"I hope you found no difficulty in getting out to-night?" he said, +sitting down and looking at her with a half-amused, half-grave +countenance. + +"None whatever; I have been suffering with a sick-headache all day." + +"And you can get in again unseen?" + +"Easily; in the evening the servants are all below stairs." + +"But what an odd disguise! Do they never question your blue glasses?" + +"Not half so much as they would question the eyes without them. They +believe my eyes were ruined by close application to fine needle-work. +And then--" she pushed up the glasses a trifle, and he saw that the +eyelid, and a line underneath the eye, were artistically +_rouged_--"they all acknowledge that my eyes look very weak." + +"I fancy they'll find those eyes have looked too sharply for them, by +and by." + +She laughed lightly. "I hope so." + +Sitting there in her prim disguise, the girl felt glad to gaze upon +him; felt as if, look as much as she would, she was gazing from a safe +distance. + +Dr. Vaughan came straight to the point of his visit, beginning by +requesting a repetition of such portion of the facts she had +discovered as related most particularly to the two men, Davlin and +Percy. Then he made his suggestion. To his surprise it was a welcome +one to the girl. + +"That is just what I have had in mind," she said, thoughtfully. "After +reflecting, I have changed my plans somewhat, and I don't see my way +quite so clearly as before." + +He was looking at her attentively, but asked no questions. + +"Since I came from the city," she resumed, with some hesitation, "I +have thought that I would be glad to talk again with all of you. But +it won't do to incur the risk of more absences, for if I do not +mistake the signs, things will be pretty lively up there," nodding in +the direction of Oakley, "before many days. So perhaps we had better +see what our two heads can develop in the way of counterplot, and you +can make known the result to Olive." + +"If your own invention will not serve, I fear mine will be at an utter +loss. But you know how glad I shall be to share your confidence." + +"My invention must serve," she said, firmly, and quite ignoring the +latter clause of his speech; "and so must yours. You see, my plan +before going to the city was a comparatively simple one. I intended to +work my way into the confidence of Mrs. John Arthur. Failing in that, +Hagar must have been reinstated, and then the _denouement_ would have +been easy: to get possession of specimens of the medicine prescribed +for Mr. Arthur; to hunt down this sham doctor they are to introduce +into the house; to show John Arthur the manner of wife he has; to make +my own terms with him, and then expose and turn out the whole pack. +But all this must be changed." + +"Changed? And how?" + +"I can't turn them out of Oakley. I must keep them there, every one of +them, at any cost." + +Dr. Vaughan looked puzzled. "We can't allow them to kill that old man, +not even to vindicate poetical justice," he said, gravely. + +"No; we can't allow just that. But don't you see, if we turn these +people away now, we defeat a chief end and aim--the liberation of +Philip Girard?" + +"True." + +"Well, this is why I have changed my plan." + +He looked at her with an admiration that was almost homage. + +"And you will give up your own vengeance, for the sake of Olive and +her happiness?" + +She laughed oddly. "Not at all. I only defer it, to make it the more +complete. Now, listen to what I propose to do, and see if you can +suggest anything safer or better." + +And then she unfolded a plan that made Clarence Vaughan start in +amazement, but which, after it was fully revealed, he could not amend +nor condemn. He could see no other way by which all that they aimed at +could be accomplished. + +"Of course, the plan has its risks," concluded the girl. "But we could +try no other scheme without incurring the same, or greater. And I +_believe_ that I shall not fail." + +"I wish it were not necessary that you should undergo so much; think +what it will be for you," gently. + +"Oh, for me, ..." indifferently; "I shall be less of a spy, and more +of an actress,--that is all." + +"Then I shall set the detectives at work?" + +"Immediately." + +"Have you any further instructions, any clue, to give them?" + +"Nothing; it is to be simply a research. Neither must know to what end +the information is desired. It will be better to employ your men from +different Agencies, so that one may not know of the other, or his +business." + +"And is there nothing more I can do?" + +"Nothing, for the present. When once we get these men together, we +shall all have our hands full. Then you can help me, perhaps, as I +suggested." + +"Well," sighing, and looking at his watch, "it's a strange business, +and a difficult, for a young girl like you. But we are in your hands; +you are worth a thousand such as I." + +"Nonsense," she said, almost angrily. Then, abruptly, "When does +Claire return to Baltimore?" + +He started and flushed under her gaze. "I--I really don't know." + +"Then, as my brother, I command you to know all about Claire. She is +my special charge to you. And you are to tell her, from me, that I +won't have her go away." + +"Then I must do all in my power to detain her? Your command will have +more effect than all of my prayers," he said, softly. + +"Well, keep on reiterating my commands and your prayers, then; by and +by she won't be able to distinguish the one from the other. What time +is it?" + +He smiled at the sudden change of tone and subject. "Half-past nine," +he said. + +While the words were on his lips, Old Hagar entered. + +Clearly it was time to end the interview. Doctor Vaughan must be ready +for the return train, which flew cityward soon, and Celine Leroque +must not be too long absent. So there were a few words more about +their plans, a few courteous sentences addressed to Hagar by Doctor +Vaughan, and then they separated. + +The next day two men were at work,--following like sleuth hounds the +trail on which they were put, unravelling slowly, slowly, the webs of +the past that had been spun by the two men who were to be hunted down. + +And now came a time of comparative dullness at Oakley. Even eventful +lives do not always pace onward to the inspiring clang of trumpet and +drum. There is the bivouac and the time of rest, even though sleeping +upon their arms, for all the hosts that were ever marshalled to +battle. + +[Illustration: "Well, it's a strange business and a difficult."--page +261.] + +Celine Leroque found life rather more dreary than she had expected +during these days of inaction. After all, it is easier to be brave +than to be patient. So, in spite of her courage and her +self-sacrifice, she was restless and unhappy. + +And she was not alone in her restlessness. It is curious to note what +diverse causes produce the same effects. Cora Arthur was restless, +very restless. The fruit of her labor was in her hands, but it was +vapid, tasteless, unsatisfying. What _her_ soul clamored for, was the +opera, the contact of kindred spirits, the rush and whirl, the smoke +and champagne, and giddiness of the city; the card-won gold, and +painted folly that made the be-all and end-all of life to such as she. + +She did not lose sight of the usefulness she trusted to find in Celine +Leroque, however. During these days of _ennui_ and quietude, the two +came to a very good understanding; not all at once, and not at all +definite. Only, by degrees, Cora became convinced that Celine Leroque +cherished a very laudable contempt for her would-be-girlish mistress, +and that she was becoming rather weary in her service. Once, indeed, +the girl had said, as if unable to restrain herself, and while +dressing Mrs. Cora's yellow hair--a task which she professed to +delight in: + +"Ah! madame, if only it was _you_ who were my mistress! It is a +pleasure to dress a beautiful mistress, but to be constantly at war +against nature, to make an old one young--faugh! it is labor." + +And Cora had been much amused and had held out a suggestion that, in +case of any rupture between mistress and maid, the latter should apply +to her. + +But if existence was a pain to Celine, and a weariness to Cora, it was +anguish unutterable to Edward Percy. He would have been glad to put a +long span of miles between his inamorata and himself had he not felt +that, with Cora in the same house as his fair one, it were more +discreet to be on the ground, and watch over his prey pretty closely. +But to this man, who made love to every pretty woman as a child eats +_bon bons_, the task of wooing where his eye was not pleased, his ear +was not soothed, and his vanity not in the least flattered, was +intensely wearisome. + + + + +CHAPTER XXVI. + +NOT A BAD DAY'S WORK. + + +The first thing that Doctor Vaughan did on returning from Bellair, was +to seek an interview with Henry, the dark servant of Lucian Davlin. + +It was a mixed motive that had first prompted Henry to espouse the +cause of a helpless, friendless girl; a motive composed of one part +inward wrath, long nourished, against the haughty and over-exacting +Lucian, and one part pity for the young girl who, as his experienced +eyes told him, was not such as were the women who had usually been +entertained by his master. + +He had expected to assist her to escape from the place, to enjoy his +master's chagrin, and to see the matter end there. But Madeline's +illness had changed the current of events, and strengthened his +determination to stand her friend, if need be, more especially when +Olive, pressing upon him a generous gift, had signified her wish that +he should continue in Madeline's service. She had added that when he +chose to leave his present master, she would see that he fell into no +worse hands, for so long as the sick girl remained under that shelter, +Olive felt that the man must be their servant, not Davlin's. And, to +do him justice, Henry had long since become truly attached to the two +ladies. + +He lost no time in responding to the summons of Doctor Vaughan, and +was eager to know of the welfare of the "young lady" and Mrs. Girard. +Doctor Vaughan satisfied him on this point, and then said: + +"I am authorized by Miss Payne to see you, and ask some questions that +she thinks you may be able to answer. First, then," said the doctor, +in his kindly manner, "how long have you been with your present +master?" + +"Nearly three years, sir." + +"And how long has the woman whom he calls Cora been known to you?" + +"She has been known to me all that time, sir," replied Henry. + +"You first saw her in company with Davlin?" + +"No, sir; she came to his rooms when I had been there but a few days, +and ordered me about like a countess. I didn't know the ropes then, +but she made me know my duty soon enough," dryly. + +"Evidently, then, she and your master were friends of long standing, +even at that time?" + +"Yes, sir." + +"You used to hear them talk often, I suppose?" + +"I used to hear parts of their talks. They seemed not to care to have +even so much of a machine as I, hear them at all times." + +"Now, will you try and recall some of these fragments of talk? Think +if you heard them speak of their travels, together or separately; and +if you can recall the names of any persons or places they have +mentioned." + +Henry pondered. "I think," he said, after a time, "that they have been +in Europe together. In fact, I am sure of it." + +Doctor Vaughan started. "Oh! that is to the point. You don't recall +any time mentioned?" + +"No, sir. They used to talk of luck with the cards, and sometimes +spoke of operas or plays, and almost always disagreed. Sometimes I +would hear him describing men to her, and she seemed to be getting +ready for a part in some 'game' that he was trying to play." + +"Very likely." + +"Once I heard them having high words about some old man that she had +been fleecing, and he said that she had carried the thing too far; and +that if she did not keep out of the old man's way, she might get into +trouble. I heard the name," putting a forefinger to his forehead and +wrinkling his brows; "it was--was--Verage; 'Old Verage,' she called +him." + +"Verage!" + +"That was the name; I am sure, sir." + +Clarence took out a note-book, and made an entry. + +"When did this conversation take place?" he asked. + +"Not more than two months before the young lady was brought there, +sir." + +"Ah!" Evidently a fresh glimmer of light had been thrown on the +subject. "And you heard nothing more about this old man?" + +"No, sir. I think she must have gone away from town at that time, for +I did not see her again, until--" here Henry seemed to catch at some +new thought. + +"Until when?" asked Doctor Vaughan, with some eagerness. + +"The day before the young lady came," said Henry, in a low tone, and +moving a step nearer the doctor. "Madame Cora came dashing up in a +close carriage, and she wore a heavy veil. I noticed that because she +was rather fond of displaying her face and hair, and I hardly ever saw +her wear anything that would hide them. She came up-stairs and ordered +me to send a telegram, which she had already written, to my master. I +sent it, and she stayed there all day. She sent me out for her meals, +and I served them in the large room. She spent the most of the time in +walking up and down--that was her way when she was worried or +angry--and looking out between the curtains. My master answered the +telegram, but when the midnight train came in, a man who went down in +the country with him, a sort of tool and hanger-on of his, came to me +while I was waiting below, and told me to tell Mistress Cora that the +train was a few minutes late." + +"Stop a moment. This man, who was Davlin's companion,--what was his +name?" + +"I never heard him called anything but 'The Professor.'" + +"The Professor! And how did he look?" making another entry in the +note-book. + +"He was a middle-aged man, sir, not so tall as master, rather square +in the shoulders, and stout built. He wore no beard, and was always +smoking a pipe." + +"Very good," writing rapidly. "Now, then, let us return to the lady." + +"Well, sir, she was very impatient until my master came, and then they +had a long talk. I heard him speak of the old man Verage again, and +she seemed a little afraid, or annoyed, I don't know which. Then he +seemed to be telling her of some new scheme, and there was a great +deal of planning and some chaffing about her going into the country. +Just at daybreak they sent me for a carriage, and she went away in it, +closely veiled as before. He told her he would join her without fail. +I have not seen her since. That same morning he brought the beautiful +young lady to his rooms, and," smiling so as to show all his white +teeth, "I think you know all the rest, sir." + +Clarence nodded and then appeared lost in thought. Finally, he lifted +his head from the hand that had supported it, and said: + +"Since your master has returned to town, how does he employ his time?" + +"Very much as usual." + +"And that is in--" + +"Gaming." + +"Is it true, Henry, that the room below your master's apartments is +fitted up for private gambling?" + +Henry stirred uneasily, and looked his answer. + +Doctor Vaughan smiled. "I see how it is," he said. "Well, then, this +man, the Professor, do you see much of him of late?" + +"A great deal, sir; he is very often with my master at his rooms, but +they never go out together. They have had a great deal of privacy +lately; something new is afoot." + +"The man is a sort of decoy-duck, I fancy?" + +"Yes; what the gamblers call a capper, or roper-in." + +"Well, Henry, I think I won't detain you longer now. Take this," +putting into his hand a twenty-dollar bill, "and keep your eyes and +ears open. If your master leaves town, observe if the Professor +disappears at the same time." + +Henry expressed his gratitude and his entire willingness to keep an +eye upon the doings of Mr. Davlin and the Professor, and bowed himself +out, muttering as he went: "They will make it lively for my fine +master before very long, and I think I am on the side that will win." + +Meantime, Clarence Vaughan, quick in thought and action, was hurrying +on his gloves preparatory to a sally forth on a new mission. Henry had +given him a hint that might turn out of much value, for among the +patients then on the young doctor's visiting list, was one Verage, +old, ugly, and fabulously rich. + +First of all, Clarence Vaughan called at the Agency which had been +decided upon as the best one to entrust with the investigation +relative to Mr. Edward Percy. He gave his man no clue to the present +whereabouts of his subject, but set him back ten years or more, +sending him to visit the scenes of school episode, and bidding him +trace the life of the man, with the aid of such clues as he thought +best to give, up to that time. Next, he visited another Agency, and +placed a man upon the track of Lucian Davlin. + +Then he called a carriage and drove straight to the residence of old +Samuel Verage. It was early in the day for a professional visit or for +a visit of any kind. Nevertheless, Doctor Vaughan was admitted without +delay, to the presence of the master of the house. + +Old Samuel Verage sat in his large, softly-cushioned armchair, in a +gorgeously beflowered dressing gown. + +He was glowering over the dainty dishes which had lately contained a +bountiful breakfast. Evidently he fancied that the doctor had called +in anticipation of a serious morning attack, or to choke off his too +greedy appetite, for he chuckled maliciously as Clarence entered the +room, and greeted him with, + +"Oh! You thought you were ahead of me this time, didn't you? I say, +now, _did_ you think I would be worse this morning?" + +Clarence surveyed his patient with considerable amusement. + +"You won't suffer from a hearty breakfast. It is the supper that you +must look out for. But my call this morning was, in part, to inquire +about a lady." + +"About a lady! Of course, of course; go ahead; who is she?" + +"That's precisely what I want to know. The fact is, my business is +rather peculiar, and delicate." + +The old man rubbed his hands gleefully. "Good! very good! A mystery +about a woman! Come out with it; don't be backward." + +"Very well; the woman that I want to inquire about has been known as +Cora Weston." + +Old Verage fairly bounced out of his seat as he yelled: "Cora Weston! +Where is she? What do you know about her?" + +"Not quite enough, or I should not have ventured to inquire of you," +said Clarence, calmly. + +Old Verage tumbled into his chair again. "Then you don't know where +she is?" sharply. + +"What could you do if I put her in your power?" + +"Lock her up in jail, if I wanted to," fiercely. + +Little by little Clarence Vaughan extracted from the old man the +details of the plausible scheme by which Davlin and Cora had succeeded +in transferring a very considerable amount of cash from his pockets to +their own. He felt elated at the result of this interview. It placed a +weapon in his hands that might be wielded with telling effect when +time served. + +"Well, you may be able to get even with her yet," he said, rising to +go, after Verage had concluded his tirade; "many thanks for giving me +some information. I may be able to return the compliment soon." + +"But hold on!" cried Verage, as if seized by a new thought; "I say, +now, what is all this questioning about?" + +"Some of her sharp practice has come to my knowledge, and she has +made a little trouble for one of my friends. I want to know all that I +can about her, for it may be necessary to put a stop to her career." + +With a renewed expression of his thanks for the information given, +Clarence bowed himself out of the old man's presence, with a sense of +relief at inhaling the fresh, pure air of the outer world. Then he +turned his steps homeward, assured that it had been a good day's work +well done. + + + + +CHAPTER XXVII. + +CLAIRE TURNS CIRCE. + + +There was more to tell than to learn, when Clarence called, a day or +two later, at the villa. + +The expert who had been dogging the steps of Lucian Davlin, had made +his report, it is true. But that report was a very unsatisfactory +affair: + +A man, whom Clarence readily identified with the Professor, was an +almost constant visitor at the rooms of the Man of Luck, but they, +that is, the Professor and Davlin, were never seen on the street +together, nor, indeed, anywhere else. In short, Lucian Davlin had been +closely shadowed, but with no success to speak of. He came and went +just as such a man usually does. And no person that might be made to +answer for a doctor, had been visited by him or had visited him +unless, and this began to appear possible, the Professor himself was +the man. + +After a long and serious discussion of the pros and cons of the case, +Olive and Clarence decided they would instruct the detective to +transfer his attentions to the Professor, only keeping a general +_surveillance_ over Davlin. They began to fear that they were watching +the wrong man. + +Those were pleasant days to Doctor Vaughan; the days when he rode down +to the pretty villa to consult with Olive and to look at Claire. + +And those were pleasant days to Claire as well. Once, and that not +long before, she had taken but little interest in Clarence Vaughan. +She had thought of him very much as had Madeline that first night of +their meeting, when she looked at him sitting near her in a railway +carriage, and regarded him as just a "somewhat odd young man with a +good face." Now, Madeline thought him not only the noblest but the +handsomest of men. And Claire was beginning to agree with her. + +But on one thing she was determined. Doctor Vaughan must learn to look +upon her only as a friend, and he must learn to love Madeline. So +Claire and Clarence vied with each other in chanting the praises of +Madeline Payne, and learned to know each other better because of her. + +One day when he called, Claire chanced to be alone. Somehow she found +it hard to be quite at her ease when there was no Olive at hand, +behind whom to screen her personality from the eyes that might +overlook that sisterly barrier, but could not overleap it. If his eyes +had said less, or if she could have compelled her lips to say more! +But her usually active tongue seemed to lack for words and she found +herself talking in a reckless and somewhat incoherent manner upon all +sorts of topics, which she dragged forward in order to keep in check +the words which the look in his eyes heralded so plainly. + +When she was almost at her wit's end, and tempted to flee ingloriously +in search of Olive, that lady entered and Claire felt as if saved +from lunacy. But she could not quite shake off the consciousness that +had awakened in her, and soon framed an excuse for leaving the room. +Once having escaped, she did not return, nor did Olive see her again +until she came down to dinner, and Doctor Vaughan had gone. + +While lingering over that meal, Olive said, after they had talked of +Madeline through three courses, "I think, by-the-by, that Doctor +Vaughan expected to see you again before he went." + +If I were writing of impossible heroines, I might say that Claire +looked conscious; but real women who are not all chalk and water, do +not display their feelings so readily to their mothers and sisters. So +Claire Keith looked up with the countenance of an astonished kitten. + +"To see me? What for?" + +"How should I know, if you don't?" smiling slightly. + +"And _how_ should I know?" carelessly. + +"Well, perhaps I was mistaken. But why have you kept your room all +this afternoon?" + +"I have been packing. Please pass the marmalade." + +"Packing!" mechanically reaching out the required dainty. + +"Yes, packing. You don't think I came to spend the winter, do you?" + +"But this is so sudden." + +"Now, just listen, you unreasonable being!" assuming an air of grave +admonition. "Don't you know that I have overstayed my time by almost a +month?" + +"Yes, but--" + +"Well, don't you know that if I tell you beforehand that I am going, +you always contrive excuses and hatch plots, to keep me at least three +weeks longer?" + +"I plead guilty," laughed Olive. + +"Well, you see I have staid out my days of grace already. And knowing +your failing, and feeling sure that I could not humor it, I have just +taken advantage of you, and packed my trunks." + +"And you won't stay just one more little week?" + +Claire laughed gleefully. "What did I say? It is your old cry. Now, +dear, be reasonable. Mamma wants me, and the boys want me. You have +plenty of occupation just now. It will take you one-third of the time +to keep me informed of all that happens." + +"Well," sighed Olive, "of course you must go sometime; but you don't +mean to go to-morrow?" + +"I do, though." + +"What will Doctor Vaughan say?" + +"Whatever Doctor Vaughan pleases. I can't lose a day to say good-by to +him, can I?" + +"But why didn't you tell him good-by to-day?" + +Claire looked up in some surprise. "Upon my word, I never thought of +it." + +And she told the truth. She had thought only of how she could avoid +another meeting. + +Olive looked puzzled. "And I supposed that you liked Doctor Vaughan," +she said, after a moment's pause. + +"Why, and so I do; I was very careless. Olive, dear, pray make my +adieus to him, and all the necessary excuses. I do like the doctor, +and don't want him to think me rude." + +And Olive accepted the commission, and was deceived by it. For she, +absorbed in her own fears and hopes, was not aware of the drama of +love and cross purposes that was being enacted under her very eyes. + +When Clarence called, on the next day but one, he found, to his +surprise and sorrow, that the bright face of the girl he loved so well +was to smile upon him no more, at least for a time. Making his call an +unusually brief one, he rode back to the city in a very grave and +thoughtful mood. Or, rather, the gravity and thoughtfulness usual in +him was tinged with sadness. + + * * * * * + +On the same day, almost at the same hour, Claire Keith stood in her +mother's drawing-room, answering the thousand and one questions that +are invariably poured into the ears of a returned traveler. + +By and by, drawing back the satin curtain, that shaded the windows of +the drawing-room, Claire gazed out upon the familiar street which +seemed smiling her a welcome in the Autumn sunshine. Finally she +uttered an exclamation of surprise, and turned to Mrs. Keith. + +"_Merci!_ Mamma! what has happened to the people across the way? Why, +I can't catch even one glimpse of red and yellow damask, not one +flutter of gold fringe; have the _parvenus_ been taking lessons in +good taste? Positively, every blind is closed, and there isn't a +liveried being to be seen." + +Mrs. Keith laughed softly. "I don't know what has happened to the +_parvenus_, my dear, but whether good or bad it has taken them away, +liveries and all. The house has a new tenant, who is not so amusing, +perhaps, but is certainly more mysterious. So, after all, the exchange +may not have been a gain to the neighborhood." + +Claire peeped out again. "A mysterious tenant, you say, mamma? That +must be an improvement. What is the Mystery like?" + +Mrs. Keith smiled indulgently on her daughter. + +"There is not much to tell, my love. I don't know whether the lady +who has taken the house is young or old, handsome or ugly, married or +single. She lives the life of a recluse; has never been seen, at least +by any of us, to walk out. But she drives sometimes in a close +carriage, and always with a thick veil hiding her face. She is tall, +dresses richly, but always in black, although the fabric is not that +usually worn as mourning. She moves from the door to her carriage with +a languid gait, as if she might be an invalid. No one goes there, and +I understand she is not at home to callers, although, of course, I +have not made the experiment myself. There, my dear, I think that is +about all." + +"She seems to be a woman of wealth?" + +"Evidently; her horses are very fine animals, and her carriage a +costly one. Her servants wear a neat, plain livery, and apparently her +house is elegantly furnished." + +"And mamma," said Robbie, who had been standing quietly at her side, +"you forget the flowers." + +"True, Robbie. Every day, Claire, the florist leaves a basket of white +flowers at her door." + +"I like that," asserted Claire. "She must have refinement." + +"She certainly has that air." + +"Well," said Claire, laughing lightly, "I shall make a study of the +woman across the way." + +With that the subject dropped for the time. But as the days went on, +and she settled herself once more into the home routine, Claire found +that not the least among the things she chose to consider interesting +was the mysterious neighbor across the way. + +And now, having put considerable distance between herself and Edward +Percy, she wrote him a few cool lines of dismissal. + +And here again the individuality of the girl was very manifest. Many a +woman would have written a scathing letter, telling the man how +thoroughly unmasked he stood in her sight, letting him know that she +was acquainted with all his past and his present, and bidding him make +the most of the infatuation of the last victim to his empty pockets, +the ancient Miss Arthur. + +What Claire did was like Claire; and perhaps, after all, she best +comprehended the nature she dealt with. Certainly no tirade of +accusing scorn could have so wounded the self-love of the selfish, +conscienceless man as did her cool farewell missive. + +Edward Percy was in a very complaisant mood when Claire's letter +reached him. True, he had received no reply to his two last effusions; +but knowing that Claire must be soon returning to her home, if she had +not already gone, he assured himself that it was owing to this that he +had received no letter as yet. He never doubted her attachment to +himself. That was not in his nature. + +Opening a rather heavy packet, as he sat in his cosy sitting-room, out +dropped two letters; two letters full of poetry and fine sentiment, +that his own flexible hand had penned and addressed to Miss Claire +Keith. His letters, and returned with the seals unbroken. He could +scarcely believe the evidence of his senses. His handsome, +treacherous, light-blue eyes darkened and widened with astonishment +and anger. + +He never moved in a hurry, never spoke in a hurry, never thought in a +hurry. And slowly it dawned upon his mind to investigate further and +find some clue that would make this unheard-of thing appear less +incomprehensible. Accordingly he took up the envelope that had +contained his rejected letters, and drew from them a brief note: + + BALTIMORE, Saturday, 6th. + + It will scarcely surprise Mr. Percy to learn that Miss Keith + desires now to end an acquaintance that has been, doubtless, + amusing "intellectually" and "socially" to both. + + Of course, a gentleman so worldly-wise as himself can never + have been misled by the semblance of attachment, that has + seemed necessary in order to make such an acquaintance as + ours at all interesting. A flirtation based upon a "sympathy + of intellect," must of necessity end sooner or later, and + has, no doubt, been as harmless to him as to CLAIRE KEITH. + +Yes, without doubt Claire knew how to hurt this man most. He was not +permitted to know that she felt the keen humiliation, which a proud +nature must suffer when it discovers that it has trusted an unworthy +object. Instead, he was to feel himself the injured one; the one +humiliated. He, the deceiver, must own himself deceived. When he +believed himself loved, he was laughed at. His own words were flung in +his teeth in an insolent mockery. "A sympathy of intellect;" yes, he +had used these words so often. He had obeyed the beckoning of a Circe, +and now she held out to him his swine's reward of husks. + +Edward Percy had been dissatisfied with others, with circumstances, +and surroundings, many a time and oft; but to-day, for the very first +time, he felt dissatisfied with himself. + +And Claire had revenged her wrongs twofold. + + + + +CHAPTER XXVIII. + +THE CURTAIN RISES ON THE MIMIC STAGE. + + +Always, in life, little events pave the way for great catastrophes. +The mine burns slowly until the explosive point is reached, and then-- + +Fate was taking a leisurely gait, seemingly, and moving affairs at +Oakley with a deliberation that was almost hesitating. Nevertheless, +things were moving, and in the wake of little events, great ones +could already be discerned by the plotters and counter-plotters, who +waited and watched. + +Celine Leroque was in better spirits than usual, in these days. +Indeed, considering how exceedingly probable it seemed that she would +be turned adrift at any hour by her present mistress, Celine was very +cheerful. + +And Miss Arthur had cause to complain. Beyond a doubt her French maid +was becoming careless, very careless. Sometimes Miss Arthur was +inclined to think that her scant locks of well-dyed hair were pulled +quite unnecessarily, while her head was under Celine's hands. But this +she endured like a Spartan, only exclaiming when the torture became +unbearable. And when she finally ventured a protest, disastrous was +the outcome. + +With many an apology, Celine fingered the curls and braids, inquiring +with every touch of the hand or adjustment of a hair-pin: "Does that +hurt, mademoiselle?" + +Being assured, when the hair-dressing was done, that she had +accomplished the task without inflicting so much as a single twinge of +pain, she held open the door for her mistress, cooing her satisfaction +and beaming with delight. + +But alas for the poor spinster! Before she had been half an hour in +the society of her beloved _fiance_, her unfortunate habit of tossing +and wriggling her head brought Celine's gingerly architecture to +grief. A sudden twist tumbled down full half of the glossy "crown of +glory" from Miss Arthur's head to Mr. Percy's feet, and--we draw a +veil over the confusion of the unhappy spinster. + +The lady having retired to her dressing-room to relieve her feelings +and repair damages, a scene was enacted in which the lady did the +histrionics and the maid apologized and giggled alternately, until the +one had exhausted her anthem of wrath and the other her accompaniment +of penitence and giggles. + +Then a truce was patched up, which lasted for several days. + +Celine had advanced to the verge of disrespect, when speaking of Mr. +Percy, on more than one occasion. Several times she had said that he +"had a familiar look," and she fancied she had seen him somewhere. But +she had always checked herself on the very border-land of +impertinence, and never had been able to tell if she really had before +seen the gentleman or no. + +But she had put the spinster on the defensive, and had also excited +her curiosity. + +During this time Mrs. John Arthur was slowly dropping into her _role_ +of invalid. First, she gave up her habitual walks about the grounds +and on the terrace. Then, her drives became too fatiguing. Next, she +found herself too languid to appear at breakfast, and that meal was +served in her room. She was not ill, she protested; only a trifle +indisposed. Let no one be at all concerned for her; she should be as +well as usual in a few days. And Celine, who was very sympathetic, and +was the first to suggest that a physician be consulted, was laughingly +assured that if madame were sick, she, Celine, should be her head +nurse. + +Mrs. Arthur had been absent from the family breakfast table for two +days, when Miss Arthur met with a fresh grievance at the hands of +Celine. + +Celine had been unusually garrulous, and had been regaling her +mistress with descriptions of the great people, and the magnificent +toilets she had seen, while with some of her former _miladis_. +Suddenly she dropped the subject of a grand ball which had transpired +in Baltimore, where her mistress was the guest of the honorable +somebody, to exclaim: + +"It has just come to me, mademoiselle, where I must have seen Monsieur +Percy. It was in Baltimore, and they said--" Here she became much +confused, and pretended to be fully occupied with the folds of her +mistress's dress. + +Miss Arthur looked down upon her sharply, and asked, "What did they +say?" + +Celine stammered: "Oh, it was only gossip, mademoiselle; nothing worth +repeating, I assure you." + +The curiosity and jealousy of the spinster were fully aroused. "Don't +attempt any subterfuges, Celine," she said, in her loftiest tone. "I +desire to know what was said of my--Mr. Percy." + +The girl arose to her feet, and with much apparent reluctance, +replied: + +"They said, mademoiselle--of course, it was only gossip--that he was +very much of a fortune-hunter, and that he was engaged to some woman +much older than himself, who was immensely rich." + +Miss Arthur sat down and looked hard at her maid. "How do you know +that Mr. Percy is that man?" + +"Oh! I don't know, my lady--mademoiselle. I only said that I thought I +have seen him in Baltimore; the Mr. Percy they used to talk of there, +must have been another." + +Miss Arthur looked like an ancient Sphinx. "Do you think that Mr. +Percy is that man?" she asked. + +"_Merci!_ my lady, how can I tell that? It might have been he; and the +old woman there might have disappointed him, you know," artlessly. + +Miss Arthur was literally speechless with rage. Without replying, she +rose and swept into the adjoining room, closing the door behind her +with a bang. + +Celine smiled comfortably, and went to minister unto Cora, to whom she +confided her belief that Miss Arthur was dissatisfied with her, and +meant to discharge her. "And only think, madame," she said +plaintively, "it is all because, in an unguarded moment, I compared +her to an old woman. It is so hard to remember, always, that you must +not tell an old woman she is not young." + +And Cora laughed immoderately, for she much enjoyed her +sister-in-law's discomfiture. + +But Miss Arthur did not dismiss the matter from her mind, when she +banged the door upon Celine. Angry as she had been with that damsel, +it was not anger alone that moved her. Jealousy was at work, and +suspicion. + +That evening, sitting beside her lover, she said to him, carelessly: +"By the way, Edward, were you ever in Baltimore?" + +The gentleman stroked his blonde whiskers, and smiled languidly as he +answered: "In Baltimore? Oh, yes; I think there are few cities I have +not visited." And then something in the face of Miss Arthur made him +inquire, with a slight acceleration of speech: "But why do you ask?" + +Miss Arthur considered for a moment, and replied: "My maid, Celine, +thinks that she has seen you there." + +She was watching him keenly, and fancied that he looked just a trifle +annoyed, even when he smiled lazily at her, saying: "Indeed! And when +is your maid supposed to have seen me there?" + +"I don't know when,"--Miss Arthur was beginning to feel injured; "I +suppose you are well known in society there?" + +He smiled and still caressed his chin. "So so," he said, +indifferently. + +"Edward!"--the spinster could not suppress the question that was heavy +on her mind--"were you ever engaged to a lady in Baltimore?" + +He turned his blue eyes upon her in mild surprise. "Never," he said, +nonchalantly. + +She looked somewhat relieved, but still anxious, and the man, after +eyeing her for a moment, placing one hand firmly upon her own, said, +in a tone that was half caress, half command, + +"Ellen, you have been listening to gossip about me. Now, let me hear +the whole story, for I see it has troubled you, and I will not have +that." + +She, glad to unburden her mind, told him what Celine had said. Perhaps +Celine had counted upon this, and was making, of the unconscious Mr. +Percy, a tool that should serve her in just the way that he did. At +all events, while he listened to the spinster, he assured himself that +if the French maid were not, for some reason, an enemy, she was +certainly a meddler, and that she must quit Miss Arthur's service. + +He said nothing to this end that evening. But he fully satisfied Miss +Arthur that he was not the person referred to by the girl. And to +guard against further inquiries or accidents, he told her of several +men of the name of Percy, who were much in society, and might be, any +one of them, the man in question. + +And his _fiance_ was calmed and happy once more. + +She was as clay in the potter's hands, and Mr. Percy found it an easy +matter to convince her, a few days later, that her invaluable maid was +not the proper person to have about her. Accordingly, one fine +morning, Celine was informed, in the spinster's loftiest manner, that +her services were no longer desired, and a month's wages were tendered +her, with the assurance that Miss Arthur "had not been blind to her +sly ways, and trickery, and that she had only retained her until she +could suit herself better." + +Celine took her _conge_ in demure silence, and sought Mrs. Arthur +forthwith. Cora was really glad that she could at last command the +girl, for many reasons, and they quickly came to an understanding. + +Great was the surprise and inward wrath of the spinster when, within +ten minutes from the time Celine had left her presence, a maid without +a mistress, she appeared again before her, and laying upon the +dressing case the month's wages she had received in lieu of a warning, +said: + +"Mademoiselle will receive back the month's wages, as I have not been +in the least a loser by her dismissal. I enter the service of madame +immediately." + +And then Celine had smiled blandly, bowed, and taken her departure, +leaving the spinster to wonder how on earth she should manage her +hair-dressing, and to wish that Edward had not insisted upon setting +the girl adrift until a substitute had been found. + +The fact that the girl was retained in the house annoyed Mr. Percy not +a little. But it did not surprise him that Cora should wish to keep +her. He had long before made the discovery that the sisters-in-law +were not more fond of each other than was essential to the comfort of +both. + +Celine had been but two days in the service of her new mistress when +that lady found herself too ill to be dressed for breakfast, even in +her own room, and she kept her bed all day. + +John Arthur, in some alarm, had declared his intention of calling a +physician. But Cora objected so strongly that he had refrained. Before +evening came, however, Celine sought him, as he was sitting in what he +chose to call his "study," and said: + +"Pardon my intrusion, monsieur, but I am distressed about madame. This +afternoon she is not so well, and surely she should have some +medicine." + +The old man wrinkled his brows in perplexity, as he replied: "Yes, +yes, girl; but she won't let me call a doctor." + +Celine sighed, and moving a step nearer, murmured: "Monsieur, I will +venture to repeat what madame but now said to me, if I may." + +He signed her to proceed. + +"Madame said that a stranger would only make her worse; that she would +distrust anyone she did not know; but that if her dear old physician, +who had attended her always in sickness, could see her, she would be +glad. Alas! he was in New York, and she did not like to ask that he +might be sent for. It would seem to you childish." + +Of course this speech had been made at Cora's instigation, but it had +the desired effect. John Arthur bounded up, and bade Celine precede +him to his wife's chamber; and the result of his visit was what the +invalid had intended it to be. She was so pretty, and so pathetic, and +so very ill! Celine declared that she was growing more fevered every +moment, and as for her pulse, it was like a trip-hammer. + +John Arthur had an unutterable fear of illness, and after trying in +vain to persuade Cora to see one of the village doctors, whom, he +declared, were very good ones, he announced his intention to telegraph +to the city for the doctor who had been her adviser in earlier days. + +And to this Cora reluctantly consented. "It seems foolish," she said, +plaintively, "and yet I don't think I _ought_ to refuse to send for +Doctor Le Guise. I feel as if I were really about to be very ill, hard +as I have tried to fight off the weakness that is coming over me." + +"And madame is so flushed, and wanders so in her sleep,"--this, of +course, from Celine. + +John Arthur arose from the side of the couch with considerable +alacrity, saying: "I will telegraph at once. What is the address?" + +Cora lay back among her pillows, with closed eyes, and made no sign +that she heard. He spoke again, and the eyes unclosed slowly, and she +said, with slow languor: + +"Send to my brother; he will find him." Then closing her eyes, she +murmured, "I want to sleep now." + +Celine turned toward him an awe-struck countenance and motioned him to +be silent. He tip-toed from the room, thoroughly frightened and +nervous, and sent a message to Lucian Davlin forthwith. + +When he was safely away, Cora awoke from her nap, and desired Celine +to let in more light. This done, she propped herself up among her +pillows, and taking from underneath one of them a novel, bade her maid +tell everybody that she was not to be disturbed, while she read and +looked more comfortable than ill. + +Towards evening, John Arthur looked in, or rather tried to look in, +upon his wife. But Celine assured him that her mistress was sleeping +fitfully and seemed much disturbed and agitated at the slightest +sound, so his alarm grew and increased. + +When the evening train came he hoped almost against reason that it +would bring the now eagerly looked for Dr. Le Guise. + +But no one came. Later, however, a telegram from Lucian arrived, which +read as follows: + + Doctor can't get off to-night. Will be down by morning + train. + + D----. + +In the morning, Cora was much worse. She did not recognize her +husband, and called Miss Arthur, Lady Mallory, which made a great +impression upon that spinster. + +Celine, who seemed to know just what to do, turned them both out, +which did not displease either greatly, as the brother and sister were +equally afraid of contagion, and were nervous in a sick-room. + +At length the doctor arrived, and with him Lucian Davlin, the latter +looking very grave and anxious, the former looking very grave and +wise. + +Celine was summoned to prepare the patient for the coming of the +physician. When this had been done, and the wise man arose to go to +his patient, John Arthur and Lucian would have followed him. But he +waved them back, saying: "Not now, gentlemen, if you please; let me +examine my patient first. That is always safest and wisest." + +So the three, Lucian, Arthur, and his sister, sat in solemn silence +awaiting the verdict of the doctor from Europe. At last he came, and +the gravity of his face was something to marvel at. Advancing toward +Mr. Arthur, the doctor seemed to be looking him through and through as +he asked: + +"Will you tell me how lately you have been in your wife's room." + +John Arthur answered him with pallid lips. "We were there this +morning, my sister and I." + +The doctor turned toward Miss Arthur, looking, if possible, more +serious than ever. + +"I am sorry, very sorry," he said. "And I hope you have incurred no +risks. But it is my duty to tell you that Mrs. Arthur is attacked with +a fever of a most malignant and contagious type, and you have +certainly been exposed." + +Mr. Arthur turned the color of chalk and dropped into the nearest +chair. Miss Arthur, who could not change her color, shrieked and fell +upon the sofa. Lucian groaned after the most approved fashion. And +the man of medicine continued, + +"Above all things, don't agitate yourselves; be calm. I would advise +you to retire to your own rooms, and remain there for the present. I +will immediately prepare some powders, which you will take hourly. We +will begin in time, and hope that you may both escape the contagion." + +[Illustration: "I am sorry, very sorry."--page 288.] + +Then he turned to Mr. Davlin. "My dear boy, you had better go back to +the city; at least go away from the house. This is no place for you." + +But Lucian shook his head, and said that he would not leave while his +sister was in danger. + +The following morning Dr. Le Guise presented himself at the door of +Miss Arthur's dressing-room. After making many inquiries, such as +doctors are wont to terrify patients with, he pronounced upon the +case: She had thus far escaped contagion. But her system was not over +strong; in fact, was extremely delicate. If there was any place near +at hand, suited to a lady like herself, his advice was to go there +without delay. She was not rugged enough to risk remaining where she +was. + +Before sunset, Miss Arthur was quartered at the Bellair inn. She had +dispatched Mr. Percy a note the day before, bidding him delay his +visit. Now she was under the same roof with him, greatly to her +delight, and his disgust. + +John Arthur had not fared so well at the hands of the learned +physician. He had swallowed his powders faithfully and hopefully, but +the morning found him languid and dismal, with aching brain and +nauseated stomach. + +The doctor shook his head, and bade him prepare for a slight attack of +the fever. It promised to be very slight, but he must keep his room, +for a few days at least, and attend to his medicine and his diet. + +And so the drama had commenced in earnest. + + + + +CHAPTER XXIX. + +A STARTLING EPISODE. + + +Claire Keith had said truly that the woman across the way would prove +interesting to her. + +She grew more and more fond of watching for the tall form, with its +trailing robes of black, its proudly-poised, heavily-veiled head, and +slow, graceful movement. Sometimes she saw a white hand pull away the +heavy curtains, and knew that the owner of the hand was looking out +upon the street. But the face was always in shadow. She could not +catch the slightest glimpse of it. + +"She has strong reasons for not wishing to be seen and recognized; I +wonder what they are?" Claire would soliloquize at such times. + +Then she would chide herself for being so curious. But the fits of +wondering grew stronger, until she came to feel an attraction that was +more than mere curiosity; a sort of proprietorship, as it were, in the +strange lady. She began to wish that she might know her, and at last, +in a very unexpected manner, the wish was gratified. + +Claire had returned from a grand ball, weary and somewhat bored. +Disrobing with unusual haste, she sought her couch. She had supposed +herself very sleepy, but no sooner was her head upon the pillow, than +sleep abandoned her, and she tossed restlessly, and very wide awake. + +Finding sleep impossible, and herself growing nervous, Claire at +length arose. Throwing on a dressing-gown, she pushed a large chair +to the window, and flinging herself in it, drew back the curtain. +Glancing across the way, she was startled by a light shining out from +the upper windows of the mysterious house. She had looked at that +house when quitting her carriage, because to look had become a habit. +But there had been no light then; not one glimmer. And now the entire +upper floor was brilliantly illuminated. + +Claire rubbed her eyes and looked again. Then, with a cry of alarm, +she sprang to her feet and rang her bell violently. + +From the roof of the house a single flame had shot up, and Claire +realized the cause of that strange illumination. The upper floor was +in flames! + +She turned up the gas and commenced making a hurried toilet. By the +time the sleepy servant appeared in answer to her ring, she was +wrapping a worsted shawl about her head and shoulders, preparatory to +going out. + +"Rouse papa and the servants, James!" she commanded, sharply. "Number +two hundred is on fire! Go instantly!" + +Giving the startled and bewildered James a push in the direction of +her father's sleeping-room, she darted down the stairs. She unbolted +and unchained the street door, and hurried straight across to number +two hundred, where she rang peal after peal. + +The tiny flame had grown a great one by this time, and almost +simultaneously with her ring at the door, the hoarse fire-alarm bell +roared out its warning. + +It seemed an age to the girl before she heard bolts drawn back. Then +the face of an elderly male servant peered cautiously out through a +six-inch opening. In sharp, quick tones Claire told him that the roof +was in flames. The statement seemed only to paralyze the man. + +Claire gave the door an excited push and spoke to him again. But he +never moved until a voice, that evidently belonged to the lady of the +house, said: "What is it, Peter?" + +Claire answered for him: "Madame, the roof of your house is in flames! +Alarm your servants and make your escape!" + +Through the doorway Claire saw a white hand laid on the man's +shoulder, and suddenly he became galvanized into life. + +Then the chain fell, and the door opened wide. + +Claire and the mysterious lady were face to face. + +By this time the people were moving in the street, and from the +windows of Claire's home, lights were flashing. + +The woman drew back at the sound of the first footstep, and seemed to +hesitate, with a look of uneasiness upon her face. Instantly Claire +spoke the thought that had been in her mind when she rang the bell: +"Madame, your house will soon be surrounded by strangers. Secure such +valuables as are at hand and come with me across to my home. There you +will be safe from intruders." + +The lady raised her hand, and saying, simply, "Wait," hurried up the +broad stairs. + +Now all was confusion. Down the street came the rushing fire engines; +servants ran about frantically, and people went tearing past Claire in +the crazy desire to seize something and smash it on the paving stones, +thereby convincing themselves that they were "helping at a fire." +Regardless of these, Claire stood at her post like a little sentinel. +Just as the first engine halted before the house, the mistress of all +that doomed grandeur crossed its threshold for the last time. Then she +turned to Claire, and the two hurried silently through the throng, and +across the street. The door was fortunately ajar. The servants and +Mr. Keith were all outside, so the girl and her companion had been +unobserved. + +Claire led the way straight to her own room. Ushering in her +companion, she closed the door upon chance intruders, and turned to +look at her. The stranger had appeared at the door in a dressing-gown +of dark silk, and this she still wore, having thrown over it a long +cloak, and wrapped about her head, so as to almost entirely conceal +her features, a costly cashmere shawl. This she now removed, and +revealed to the anxious gaze of Claire the face of a woman past the +prime of life;--a face that had never been handsome, but which bore +unmistakable signs of refinement and culture in every feature. The +eyes were large, dark-gray, and undeniably beautiful. The hair was +wavy and abundant; once it had been black as midnight, but now it was +plentifully streaked with gray. The face was thin and almost +colorless. The hands were still beautiful, with long slender fingers +and delicate veining; the very _beau ideal_ of aristocratic hands. + +This much Claire saw almost at a glance. Then the lady said, in a low, +sweet voice that was in perfect unison with the hands, and eyes, and +general bearing: + +"I cannot tell you, dear young lady, how much I thank you for your +courage and hospitality. I could not have endured the going out upon +the street in that throng." + +Claire laughed softly, and said, with characteristic frankness: "I +guessed that, madame, for I must confess to having, on more than one +occasion, seen that you do not desire observation." + +[Illustration: "The mistress of all the doomed grandeur crossed the +threshold for the last time."--page 293.] + +The stranger looked at her with evident admiration. "You were kinder +and more thoughtful for a stranger than I have found most of our sex, +Miss ----; I beg your pardon; I am so much of a hermit that I don't +even know your name." + +"My name is Keith,--Claire Keith." + +Then the girl crossed to the window and looked over at the burning +building, while the stranger sank wearily into a chair. + +"Your house is going fast, madame. I fear nothing can be saved," said +Claire. "The upper floor is already gone." + +The stranger smiled slightly, but never so much as glanced out at her +disappearing home. + +"I hope my landlord is well insured," she said. "As for me, I have my +chiefest valuables here," drawing from underneath the cloak, which she +had only partially thrown off, a small casket, and a morocco case that +evidently contained papers. "I keep these always near me; as for the +rest, there is nothing lost that money cannot replace." + +Claire looked a trifle surprised at her indifference to the +destruction of her elegant furniture, but made no answer. And the +stranger fell into thoughtful silence. + +A rap sounded on the door, and a gentle voice outside said: "Claire, +dear, are you there?" + +The girl turned upon the stranger a look of embarrassed inquiry. "That +is mamma," she said. + +The lady smiled half sadly at her evident perturbation, and replied, +with a touch of dignity in her tone, "Admit your mother, my dear. I +was about to ask for her." + +Claire drew a sigh of relief and opened the door. + +"My child," began Mrs. Keith, as she hurriedly entered the room, +"James tells me that you--" + +Here she broke off as her eyes fell upon the stranger, and Claire +hastened to say: "Mamma, this is the lady whose house is burning. I +ran over there as soon as I saw the first flame and asked her to come +here." + +Mrs. Keith was not only a lady, but a woman of good sense, and she +turned courteously toward the intruder, saying, "You did quite right, +my dear. I trust you have not been too seriously a loser by this +misfortune, madame." + +The lady had risen. Now she stepped forward and said, in her +unmistakably high-bred tones, "I have suffered no material injury, I +assure you. And your daughter has done me a great kindness. I was +about to ask if I might see you, as I felt that it was to you, as the +mistress of this house, that I owed some explanation regarding myself, +before accepting further hospitality from your daughter." + +Mrs. Keith bowed gravely, and the stranger continued, + +"My name is Mrs. Ralston. I have lived for nearly ten years a secluded +life, having been an invalid. Messrs. Allyne & Clive are my bankers, +and have been for years. Mr. Allyne is an old family friend. If you +will ask your husband to call upon him, you will be assured that I am +not a mysterious adventuress." + +Mrs. Ralston smiled slightly, and Mrs. Keith smiled in return as she +said, cordially: "Your face and manner assure me of that, Mrs. +Ralston. And now will you not permit me to show you a room where you +can rest a little, for it is almost morning, and your night's repose +has been sadly disturbed." + +"I must accept your hospitality, Mrs. Keith, and ask to be allowed to +intrude upon you until I can communicate with Mr. Allyne, and he can +find me a suitable place of residence." + +"Don't let that trouble you, pray. We shall be happy to have you +remain our guest," and Mrs. Keith turned to leave the room. + +Mrs. Ralston held out her hand to Claire, and that impulsive young +lady clasped it in both her own, as they bade each other good-night. +And so the mysterious lady was actually under the same roof with the +girl who had been so much interested in her and her possible history. + +Mr. Allyne was well known to Mr. Keith, and a man whom he highly +esteemed. On the following day, at the request of Mrs. Ralston, he +called at the banking-house of Allyne & Clive. + +On learning that Mrs. Ralston was the guest of his brother banker, and +of the demolition of her house, Mr. Allyne was doubly surprised. And +his statement concerning the lady was not only satisfactory but highly +gratifying. She had been left an orphan in her girlhood, and was from +one of the oldest and proudest of Virginia's old and proud families. +She had now no very near relatives, and having separated from a +worthless husband, had lived mostly in Europe. She had resumed her +family name, and although the husband from whom she had withdrawn +herself, had squandered nearly half her fortune, she was still a +wealthy woman. He spoke in highest terms of praise of her mind and +accomplishments, and assured Mr. Keith that she was not only a woman +of unusual refinement and culture, but one also of loftiest principles +and purest Christianity. If it were not that it would be the very +place where this worthless husband would be likeliest to find her, he +would not allow her to occupy any home save his own. And, lastly, Mr. +Allyne stated that if he, Mr. Keith, could prevail upon Mrs. Ralston +to remain under his roof, he would do Mr. Allyne a great favor. + +"For," concluded that gentleman, "she lives too secluded, and she is +so well fitted for such society as that of your wife and daughter; she +is a woman to grace any household." + +Mr. Keith returned home and faithfully reported all that he had heard +concerning their guest. + +Claire had been very much in love with the grave, stately lady from +the first, and after a morning's chat with her, Mrs. Keith was not far +behind in admiration. + +And the woman who had lived alone so much, found this cheery little +family circle very pleasant, so when Claire and her mother begged her +with much earnestness to remain with them, she did not refuse. + +"I cannot resist the invitation which I feel to be so sincere," she +said. "I will remain with you for a time, at least, but I am too much +of a hermit to tarry long where there is such a magnet as this," +turning to Claire. + +And Claire laughingly declared that she would forswear society, and +don a veil of any thickness, if only Mrs. Ralston would share her +isolation. + +So she stayed with them, and soon became as a dearly loved sister to +Mrs. Keith; while between herself and Claire, an attachment, as +unusual as it was strong, sprang into being. They drove together, read +together, talked together by the hour, and never seemed to weary of +each other's society. + +Enthusiastic Claire wrote to Olive and Madeline, giving glowing +descriptions of her new found friend. But because of the events that +were making Olive and Madeline doubly dear to her, and because she +could not speak of them to a stranger, however loved and trusted, +Claire said little to Mrs. Ralston of her sister or of the little +heroine of Oakley. + + + + +CHAPTER XXX. + +WAITING. + + +The expert who had been tracing out the goings and doings of Percy, +made his report. + +After it had been thoroughly reviewed by Clarence and Olive, they were +forced to confess that they were not one whit the wiser. The detective +had found how and where Percy had squandered much of his fortune, but +had brought to light absolutely nothing that could be of use to his +employers. And so they abandoned the investigation in that direction. + +But when the report of the Professor's case was sent in, they found +more cause for congratulation. First, it had been discovered that the +Professor had visited three different physicians, all of them men +bearing reputations not over spotless. Next he had made sundry +purchases from two different chemists; and third, last and all +important, he had been dogged to the bazaar of a dealer in theatrical +wares, where he had purchased a wig, beard, and other articles of +disguise. + +Two days had passed since the above discoveries were reported. Then +the detective called upon Dr. Vaughan and informed him that Mr. Davlin +and the Professor, the latter disguised with wig, beard and +spectacles, had taken the early morning train that very day, and that +he, the detective, had been lounging so near that he heard Davlin call +for two tickets to Bellair. + +And then they knew that the siege had begun. + +Three days later, Olive received the following letter, which speaks +for itself: + + OAKLEY, WEDNESDAY EVENING. + + DEAR OLIVE: + + The engagement has opened in earnest. + + Last evening, Mr. D. and _le Docteur_, between them, + frightened the two maids out of the house. This morning I + succeeded in scaring away the old housekeeper, which made a + shortage in servants. Old Hagar happened along just then _by + some chance_, and declared herself not at all afraid of + contagion; so madame bade her brother employ her. The cook + remains, as _Monsieur_ and _le Docteur_ must eat. My meals + are served in madame's dressing-room, and shared by that + lady. + + Courage, my friend, our time is almost here. And I am yours + till death, + + M----. + +This letter was perused by Olive and Clarence with almost breathless +eagerness and interest. And then they found themselves once more +waiting eagerly for fresh tidings from the "seat of war," as Clarence +termed it. + +At last came a letter from Madeline that aroused them as the clarion +stirs those arrayed for battle. It ran as follows, bearing neither +date nor signature: + + TO ARMS, MY FRIENDS! + + If you were among the village gossips to-day, this is what + you would hear, for it is what is fast spreading itself + through the town: + + The lady up at the mansion has been very ill, but is now + better. Her husband took the fever from her, and, being old + and his constitution enfeebled by the dissipation of his + earlier days, he came near dying. Now they hope that he will + live, although the danger is not yet passed. But _if he does + live_ he will never be himself again. The fever has affected + his brain, and he will be _hopelessly mad_. + + That is what the villagers know. + + What they do not know is, that Mr. D---- and the _doctor_ + have already fitted up two rooms in the most secluded part + of the closed-up wing, and that the "insane" man will be + removed to those rooms to-night. + + One fact concerning _le Docteur_, your expert has failed to + discover, is that at some time the man has made a study of + medicine. This is only a theory of mine, not a discovery; + but when I tell you what he did, I think that you both will + agree with me. A few days ago the _doctor_ walked down to + the village one morning, and coolly presented himself at the + door of Doctor G----'s office. + + Doctor G---- is the least popular and least skillful of the + three physicians here, but of course the city man was not + supposed to know that. He, the city doctor, informed Doctor + G---- that although his employer had not desired it, as he + had perfect confidence in the present treatment of Mr. + A----, still it was always his practice to consult with + another physician. + + So he desired Doctor G---- to accompany him to O---- and see + his patient; not that he had any doubts about the disease, + but because, in case of a serious termination, it was always + a consolation to the friends to know that every precaution + had been taken. Doctor G---- came, to find the patient in a + bedrugged stupor. He endorsed everything _le Docteur_ chose + to say, and went away feeling much puffed-up because of + having been called in to consult with a New York physician. + + You see they are moving very carefully, and do not intend to + have any doubts raised. + + Miss A---- of course remains in the village, and receives + reports daily concerning her brother, and her Knight is + still at her elbow. + + Henry has been here for a week, and does not dream of my + identity. + + Hagar and myself, between us, have managed to get possession + of a specimen of every drug that has been administered to + Mr. A----, also of the harmless nostrums that are dealt out + to madame for appearance's sake. + + There is but one thing more that I must accomplish, and that + must be done to-night, if possible. If I succeed in this, + two days more will see me _en route_ for the city. If I + fail--then I must remain here, if I can, and try again. In + any case, I must make my new move within the week. So look + out for the chrysalis; it remains for you to develop it into + the butterfly. + +This letter chanced to arrive during one of Doctor Vaughan's afternoon +visits, and Olive read it aloud to him, saying at the end, and almost +without taking breath, + +"Something she must accomplish first. If she has secured the +medicines, and they are safe not to run away in her absence, then what +is it she means?" + +Clarence shook his head, saying: "I have no idea. She speaks as if the +thing, whatever it is, was attended with some risk." + +"And this explains Henry's absence," Olive said, tapping the letter in +her lap. "No doubt he was summoned without any previous warning. Of +course, he is a mere tool for his master. They will hardly dare let +him see their game." + +"Hardly; but if they were not using him to Madeline's satisfaction, +she would have revealed herself to him." + +"True." + +"We are approaching a crisis now. If this new movement fails,--but I +hardly think it will." + +Olive looked up in alarm. "Oh, don't suggest failure," she exclaimed. +"She _must_ succeed. What will become of poor Philip if she does not?" + +Clarence lifted his face reverently. "I believe that the Power above +us, who permits evil to be because only from pain and sorrow comes +purification, has not permitted the life of this beautiful young girl +to be darkened in vain. Out of her wrongs, and her sorrows, and her +humiliation, He will allow her own hands to shape not only a strong, +true, earnest womanhood for herself, but the weapons which shall +deliver the innocent, and bring the guilty to justice." + +And Olive felt comforted, and her hope took new wings. + + + + +CHAPTER XXXI. + +MR. PERCY SHAKES HIMSELF. + + +It was noontide at Oakley, and a December sun was shining coldly in at +the window of Mrs. Cora Arthur's dressing-room. Within that cozy room, +however, all was warmth and brightness. A cheerful fire was blazing +and crackling in the grate. Sitting before the fire, wrapped in a +becoming dressing-gown of white cashmere, was Cora herself, looking a +trifle annoyed, but remarkably well withal. Wonderfully well, +considering how very ill she had been. + +Lounging near her, his feet lazily outstretched toward the fire, was +Lucian Davlin. + +"What did you write to Percy?" he inquired, consulting his watch. + +"Just what you told me; that I had something of importance to +communicate, and desired him to call to-day at two," replied Cora. + +"But--aren't you looking a little too well for a lady who has been so +desperately ill? It won't do to arouse his suspicions, you know." + +Cora crossed to her dressing-case, went carefully over her face with a +puff-ball, and did some very artistic tracing in India ink under and +over each eye. Then she turned toward him triumphantly. "There!" she +exclaimed, "now I shall draw the curtains," suiting the action to the +word, "and then, when I lie on this couch, my face will be entirely in +the shadow, while from the further window there will come enough light +to enable him to recognize you." + +At this moment a rap was heard at the door. Cora threw herself upon +the invalid's couch, and lay back among the pillows. When she had +settled herself to her satisfaction, Mr. Davlin opened the door, +admitting Celine Leroque. + +"Monsieur Percy is below, madame," said the girl, glancing sharply at +the form in the darkened corner. + +"Come and draw these coverings over me, Celine, and then go and bring +him up," replied Cora. + +Then she glanced at Lucian, who said, carelessly: "Well, my dear, I +will go down to the library." + +Celine adjusted the wraps and pillows and then went out, closely +followed by Lucian. She was not aware that Mr. Percy was expected, the +message having been sent by Henry. And she was not a little anxious to +know the nature of the interview that was about to be held. + +Mr. Percy, conducted to Cora's door by Celine, entered the room with +his usual lazy grace, and approached the recumbent figure in the +darkened corner, saying, in a tone of hypocritical solicitude: + +"Madame, I trust you are not overtaxing your strength in thus kindly +granting me an interview." + +He knew so well how to assume the manner best calculated to throw her +off her guard and into a rage. + +But Cora, understanding his tactics, and her own failing, was prepared +for him. In tones as smooth as his own she answered: + +"You are very good, and I find my strength returning quite rapidly. In +fact," and here a double meaning was apparent, as she intended it +should be, "I think I shall soon be _stronger_ than before my +illness." + +There was silence for a moment. Evidently Mr. Percy was not inclined +to help her to put into words whatever she had in her mind. + +"I sent for you," she continued, "because I have something to say +before you meet with a person who, as you are likely to remain one of +this pleasant family, you must of necessity, and for policy's sake, +meet with the outward forms of politeness." Here she paused as if from +exhaustion, and he, lifting his fine eyebrows slightly, kept silence +still. + +Cora, beginning to find her part irksome, hurried to its conclusion. +"You have heard, no doubt, of the presence of my brother in this +house. I sent for you that you might meet him, and I desired my maid +to show you to this room first, that I might venture a word of warning +and advice. My brother is not the stranger that you evidently imagine +him. Beyond the fact that you and I were once married, that I of my +own will forsook you, and the reason, or part of the reason for so +doing, he knows little of our affairs. For my sake he will make no use +of that knowledge. But I think it best that you understand each other. +Will you please ring that bell?" + +He obeyed her, looking much mystified and somewhat apprehensive. +Celine appeared promptly, and disappeared again in answer to Cora's +command: + +"Show my brother here, Celine." + +When the door opened, he turned slowly and met the cool gaze +of--Lucian Davlin! + +That personage approached the invalid, saying: "You sent for me to +introduce me to this gentleman, I suppose, Cora?" + +Mr. Percy arose slowly, and the two confronted each other, while Cora +nodded her head, as if unable to answer his words. + +As Percy advanced the light from the one window that had been left +unshrouded fell full upon the two men, who gazed upon each other with +the utmost _sang froid_. Two handsomer scoundrels never stood at bay. +And while the dark face expressed haughty insolence, the blonde +features looked as if, after all, the occasion called for nothing more +fatiguing than a stare of indolent surprise. + +Cora's voice broke the silence: "Mr. Davlin is my brother, Mr. Percy. +Please stop staring at each other, gentlemen, and come to some sort of +an understanding." + +"Really, this is a most agreeable surprise," drawled Percy, looking +from one to the other with perfect coolness. + +[Illustration: "Mr. Percy arose slowly, and the two confronted each +other."--page 306.] + +"And quite dramatic in effect," sneered Davlin, flinging himself +into a chair. "Sit down, Percy; one may as well be comfortable. How's +the fair spinster to-day?" + +Percy waved away the question, and resumed his seat and his languid +attitude, saying: "Upon my word this _is_ quite dramatic." + +Davlin laughed, airily. "Even so. I hope the fact that this lady is my +sister will explain some things to you more satisfactorily than they +have hitherto been explained. And if so, we had better let bygones +drop." + +Percy turned his eyes away from the speaker, and let them rest upon +the face of Cora. Again ignoring the remark addressed to him, he said, +slowly: "I don't see any very strong family resemblance." + +"I don't suppose you ever will," retorted Davlin, coolly. + +"And I don't precisely see the object of this interview," Percy +continued. + +Davlin made a gesture of impatience, and said, sharply: "Hang it all, +man, the object is soon got at! It's a simple question and answer." + +Percy brushed an imaginary particle of dust off his sleeve with the +greatest care, and then lifted his eyes and said, interrogatively: +"Well?" + +"Will you have war or peace?" + +"That depends." + +"Upon what?" + +"The terms." + +"Well!" + +"Well?" + +"What do you want?" + +Percy examined his finger nails, attentively, as if looking for his +next idea there. "To be let alone," he said, at last. + +Davlin laughed. "And to let alone?" + +"Of course." + +"Then we won't waste words. Rely upon us to help, rather than hinder +you. There's no use bringing up old scores. If you vote for an +alliance of forces, very good." + +Percy nodded, and then rising, said: "Well, if that is all, I will +take my leave. No doubt quiet is best for Mrs. Arthur," bowing +ironically. "By-the-by," meaningly, "when you find yourself in the +village, Davlin, it might not be amiss to show yourself at the inn." + +"Quite right," said Davlin, gravely. "Possibly I may look in upon you +to-morrow." + +Mr. Percy nodded; made a graceful gesture of adieu to Cora, who +murmured inaudibly in reply; and the two men quitted her presence. + +In a few moments Davlin returned to Cora, smiling and serene. "I told +you we could easily manage him," he said. "He won't trouble himself to +go to war, save in his own defence. You did the invalid beautifully, +Co., and I feel quite satisfied with the present state of things." + +But Mr. Percy had not looked and listened for nothing. He went +straight to his room, and shutting himself in, began to think +diligently. Finally he summed up his case on his fingers as follows: + +"First, are they brother and sister? I don't believe it. Second, +taking it for granted they are not, what is their game? If the old man +dies, and if I can ferret out the mystery, for I believe there is one, +_who knows but that two fortunes may come into my hands_? I must watch +them, and to do that, Ellen must go back to Oakley, and they must +invite me to be their guest!" + +Mr. Percy arose and shook himself, mentally and physically + +But alas for Celine! She had heard almost every word of the interview, +through the key-hole of a door leading into an adjoining room, and it +had told her nothing, save that there was to be peace between the two +men, and that there had been, perhaps, war. + + + + +CHAPTER XXXII. + +A SILKEN BELT. + + +Mr. Percy and Miss Arthur were openly engaged now, and were anxiously +waiting for the recovery of the sick at Oakley, in order to celebrate +their marriage. + +The spinster was in a frame of mind to grant almost any favor to her +lover to-night. And when at last she, herself, led up to the subject +she wished to broach, he foresaw an easy victory. + +"Oh, Edward," she sighed, with a very dramatic shudder, "you cannot +think how I dread to-morrow's ordeal, the visit to my brother! Suppose +poor John were to rave at me,--me, his own sister!" + +He took the hand that was quite as large as his own, and caressed it +reassuringly. "I don't think there is the slightest danger, Ellen, +dear, but I am convinced I must attend you to-morrow. I shall feel +better to be with you." + +"Oh, Edward!" sighed the maiden, enraptured at this declaration of +tenderness, "you are so careful of me." + +He smiled and still caressed her hand, saying: "Listen, darling," +drawing her nearer to him, "I don't like to have you here; it is not a +fit place for you. And I find that remarks are being made. This I +cannot endure. Besides, I do not think it right for you or me to leave +your brother so entirely at the mercy of--Mrs. Arthur. Promise me that +you will consult a physician to-morrow, and as soon as the danger of +contagion is past, you will go back." + +"But I can't bear to leave _you_, Edward." + +"And you shall not. I will come to Oakley too." + +"You? Oh, how nice! Have they asked you to come?" + +"I saw Mrs. Arthur's brother to-day, and we settled that." + +"Oh, _did_ you? Then you are good friends again?" + +He turned upon her a look of inquiry. "Again?" + +"Yes; Cora told me not to speak of Mr. Davlin to you, as you were not +good friends, and it might make you less free to come to the house." + +Mr. Percy's eyebrows went up perceptibly. "Mrs. Arthur is very +thoughtful; but she was mistaken; our little misunderstanding has not +made us serious enemies." + +"Oh, how nice!" rapturously. + +"_Very_ nice," dryly. "Now you will be a good girl and go back soon?" + +"I don't think Cora will be over anxious to have me come back," she +said, looking like a meditative cat-bird. "I know she kept that Celine +in the house to spite me." + +"I can readily understand how she might be jealous of you, dear. +Perhaps she fears your influence over your brother. At any rate, your +duty lies there. When it is time to do so, don't consult her or +anyone; take possession of your former apartments, and stand by your +brother in his hour of need." + +Miss Arthur promised to comply with her lover's request, and he +managed at last to escape from her, and seek the repose which he +preferred to such society. + +All this time John Arthur was a prisoner in the west wing. He was +attended by the doctor sometimes, by Celine occasionally, and by Henry +almost constantly since the arrival of that sable individual. + +Lucian Davlin, having no taste for the work, kept aloof as much as +possible. Himself and Dr. Le Guise, as he called his confederate, had +labored hard and, with the assistance of old Hagar, had put the rooms +in proper condition for the occupancy of a lunatic. And a lunatic John +Arthur certainly was. Once before his removal, and once since, he had +been seized with a paroxysm of undeniable insanity. + +John Arthur had been, and still was, the dupe of his supposed +brother-in-law and Dr. Le Guise. We have all heard of natures that can +be frightened into sickness, almost into dying; of an imaginary +disease. John Arthur's was one of these. And, with a little aid from +Dr. Le Guise, he had been really quite ill. + +Henry had been constituted his keeper, a position which he filled with +reluctance, and there was a fair prospect that sooner or later he +would break into open mutiny. Although he could not guess at the +nature of the game his master was playing, yet he felt assured that it +was something desperate, if not dangerous. + +He had promised "his young lady," as he called Madeline, to remain in +Mr. Davlin's service until she bade him withdraw, and but for this +would hardly have submitted to remain John Arthur's keeper on any +terms. Henry had a certain pride of his own, and that pride was in +revolt against this new servitude. + +He had not met Cora here, and had no idea that she was an inmate of +the house. + +Dr. Le Guise had relieved Henry on the morning of the day that Miss +Arthur ventured, for the first time since her flight, within the walls +of Oakley manor, escorted by Mr. Percy. He had detected some signs of +fever, although Mr. Arthur declared himself feeling better, and +administered a powder to check it. + +Soon the patient began to show signs of increasing restlessness, and +by the time Henry appeared to announce that Miss Arthur desired an +interview with Dr. Le Guise, he began to wrangle with his physician +and gave expression to various vagaries. + +Consigning his charge to Henry, with the remark that he "must watch +him close, and not let him get hold of anything," Dr. Le Guise hurried +down to the drawing-room. + +The doctor listened to Miss Arthur attentively, while she made known +her desire to return to the manor if the danger of contagion was at an +end. Then he replied, hurriedly: + +"Quite right; quite admirable. But if you will take my advice, I +should say, don't come just yet. There will be no danger to you, in +going to your unfortunate brother for just a few moments--a very +few--and then going straight out of the house into a purer atmosphere. +But to remain here now, to breathe this air just yet--my dear lady, I +could not encourage that; the danger would be too great." + +And then he led the way straight in to John Arthur's presence, +explaining as they went that the cause of his removal from his own +rooms was to escape the fever impregnations still clinging there. + +John Arthur was sitting in the middle of his bed, beating his pillows +wildly, and imploring Henry, between shrieks of laughter, to come and +kiss him, evidently mistaking him for some blooming damsel. As the +damsel declined to come, the lunatic became furious, and hurled the +pillows, and afterwards his night-cap, at him, with blazing eyes and +cat-like agility. This done, he began to rock himself to and fro, and +shout out the words of some old song to an improvised tune that was +all on one note. + +Dr. Le Guise turned to Mr. Percy, whispering: "You see; that's the way +he goes on, only worse at times." + +Mr. Percy turned away. The fair spinster who had been clinging to him +in a paroxysm of terror, attempted to faint, but remembering her +complexion thought better of it and contented herself with being half +led, half carried out, in a "walking swoon." And both she and Mr. +Percy felt there was no longer room to doubt the insanity of her +brother. + +Having seen them depart, Dr. Le Guise sought out Mr. Davlin. Finding +him in Cora's room, he entered and informed the pair of the desire +Miss Arthur had manifested to come back to her brother's roof, and of +his mode of putting off the evil day of her return. + +"Humph!" ejaculated Davlin, "what does it mean? I saw Percy in the +village this morning, and he told me quite plainly that he desired an +invitation to quarter himself upon us." + +"And what did you say?" gasped Cora. + +"Told him to come, of course, as soon as it was safe to do so." + +"Well!" said Cora, dryly, "I don't think it will be very safe for +either of them to come just at present." + +"Oh, well," said the doctor, cheerfully, "we have got seven long days +to settle about that. And if they insist upon coming, and _then catch +the fever_, they mustn't blame me." + +And Dr. Le Guise looked as if he had perpetrated a good joke. + +John Arthur's insanity was as short-lived as it was violent. He lay +for the rest of the day quiet and half stupefied. When night came on, +he sank into a heavy slumber. + +At twelve o'clock that night, all was quiet in and about the manor. + +Cora Arthur was sleeping soundly, dreamlessly, as such women do sleep. +In the room adjoining hers, Celine Leroque sat, broad awake and +listening intently. At last, satisfied that her mistress was sleeping, +Celine arose and stole softly into the room where she lay. + +Softly, softly, she approached the couch, passing through a river of +moonlight that poured in at the broad windows. Then she drew from a +pocket, something wrapped in a handkerchief. + +Noiselessly, swiftly, she moved, and then the handkerchief, shaken +free from the something within, was laid upon the face of the sleeper, +while the odor of chloroform filled the room. + +Nimbly her fingers moved, pulling away the coverings, and then the +clothing, from the unconscious body. It is done in a moment. With a +smothered exclamation of triumph, she draws away a _silken belt_, and +removing the handkerchief, glides noiselessly from the room. + +She steals on to her own room in the west wing. Here she locks the +door and, striking a light, hurriedly rips the silken band with a tiny +penknife, and draws from thence two papers. + +One glance suffices. Replacing the papers, she binds the belt about +her own body, and then envelopes herself in a huge water-proof, with +swift, nervous fingers. + +And now, for the second time, this girl is fleeing away from Oakley. +Out into the night that is illuminated now by a faint, faint moon; +through the bare, leafless, chilly woods, and down the path that +crosses the railway track not far from the little station. Once more +she follows the iron rails; once more she lingers in the shadows, +until the train thunders up; the night train for New York. Then she +springs on board. + +For the second time, Madeline Payne is fleeing away from Oakley and +all that it contains; fleeing cityward to begin, with the morrow, a +new task, and a new chapter in her existence. + +But no lover is beside her now; for that love is dead in her heart. +And no Clarence breathes in her ear a warning, for now it is not +needed. Since that first June flitting, she has learned the world and +its wisdom, good and evil. + +And the cloud that Hagar saw on that June night, hangs dark above the +house of Oakley. + + + + +CHAPTER XXXIII. + +CROSS PURPOSES. + + +An irate pair were seated at breakfast the morning after Celine's +flitting. And while they ate little, they talked much and earnestly, +sometimes angrily. They had arrived at the conclusion, which, although +erroneous, had been foreseen by the astute Celine, namely: That the +robbery had been committed at the instigation of Mr. Percy, and that +Celine had been brought over and used by him as a tool. + +It was evident that something must be done, and that quickly. + +While these papers were in the hands of Percy, as undoubtedly they +were at that moment, it were best to keep that gentleman as much as +possible under their own eye. + +[Illustration: "With a smothered exclamation of triumph she draws away +a _silken belt_!"--page 315.] + +Yesterday, it had seemed desirable that Miss Arthur and her _fiance_ +should be kept out of the house of Oakley. To-day, they agreed that +the quicker the pair took up their abode beneath its hospitable roof, +the sooner they, Mr. Davlin and his accomplice, would breathe +freely. If they could get the two in the same house with themselves, +they might yet outwit Mr. Percy--with the aid of their friend and +ally, the sham doctor, if in no other way. Meantime, they would not +make the robbery known; or rather, they would inform the servants and +all others whom it seemed desirable to enlighten, that the girl, +Celine, had possessed herself of certain jewels and of Mrs. Arthur's +purse, and fled with her spoils. + +Accordingly, Hagar was summoned and told of the base ingratitude of +the French maid. Whereupon she was much astonished, and ventilated her +opinions of French folk in general, and that one in particular. +Through Hagar, the other servants, now few in number, were informed of +the defalcation, and the extent of damage done by Miss Celine Leroque. +Then the kitchen cabinet held a session forthwith, and settled the +fate of their departed contemporary, being ably assisted by Hagar. + +The Professor was made no wiser than were the rest of the tools who +served the plotters. But he was somewhat surprised upon being desired, +by Mr. Davlin, to equip himself for a walk, the object of which was to +allay the alarm of Miss Arthur and her friend, and invite them to the +manor forthwith. Said invitations were to be followed up with the +doctor's assurance that, having made a more minute examination, he was +fully satisfied that there was no fear of contagion from Mrs. Arthur, +and but little from her husband; none, in fact, unless they desired to +be much in his room. + +The worthy pair set out for the village, and were so fortunate as to +meet Mr. Percy on the very threshold of the inn. Having exchanged +greetings and cigars, and having discussed the weather and various +other interesting topics, the gentlemen sent up their compliments to +Miss Arthur. + +They were soon admitted into the presence of that lady, where more +skirmishing was done, during which Dr. Le Guise unburdened himself, as +per programme, and then Mr. Davlin fired his first shot. + +"By-the-by, Miss Arthur, you may congratulate yourself that you did +not retain that impostor of a French maid longer in your service." + +Lucian had purposely placed himself near the spinster, and where he +could observe the face of Percy without seeming to do so. But that +gentleman was glancing lazily out at the window, and his face was as +expressionless as putty. Lucian uttered a mental, "Confound his _sang +froid_," as he continued: + +"She has robbed my sister of jewels and money to the tune of a couple +of thousand, and has cut and run." + +"Goodness gracious, Mr. Davlin!" shrieked the spinster. + +But Percy only turned his head lazily, and elevated his eyebrows in +mute comment. + +"Yes," laughing lightly, "I suppose the hussy fancied that she had +made a heavier haul still. My sister had about her person some papers, +or rather _duplicates of papers that are deposited in a safer place_. +The jade took these also, thinking, no doubt, that they were of value +or, perhaps, without examining them to see that they were worse than +worthless to her." + +"Oh, Mr. Davlin, what an artful creature! I was sure she was not quite +to be trusted. But who would have supposed that she would dare--" +gushed Miss Arthur. + +"Oh, she is no doubt a professional; belongs to some city 'swell mob,' +begging your pardon. But I shall run up to the city to-night, I think, +and try and see if the detectives can't unearth her." + +Still no sign from Percy; not so much as the quiver of an eyelid. + +So Mr. Davlin came straight to the issue, thinking that surely Mr. +Percy would betray something here; perhaps would refuse to come to +Oakley. In such case, Lucian felt that he should be tempted to spring +upon and throttle him from sheer desperation. + +But again he was mistaken, for no sooner was his invitation extended, +than Mr. Percy accepted it with evident gratification, saying, in his +easy drawl: "Shall be delighted to change my quarters. Anything must +be an improvement upon this. And as your--ah, Dr. Le Guise--says there +is positively no danger, Miss Arthur will of course be rejoiced to +return to her proper place." + +And of course Miss Arthur assented. + +Before leaving, Mr. Davlin arranged that the carriage should come for +Miss Arthur the next day, and that a porter should immediately +transfer their luggage to Oakley. + +"My faith," mused he, as he strode back to tell Cora of his mission; +"but he carries it with a high hand. I didn't think there was so much +real devil in him. He is playing a fine game, but I don't think he can +dream that we suspect him. If we can deceive him in this, and get him +into the house, we will be able to accomplish his downfall, I think." + +Meantime, Edward Percy was viewing the matter from his own +stand-point. + +"Luck is running into my hand," he assured himself. "They are +evidently a little bit afraid of me; there's nothing more +awe-inspiring than a cool front, and I certainly carry that. Once at +Oakley, it will be strange if I don't fathom their little mystery. If +they are doing mischief there, I won't be behind in claiming the +lion's share of the spoils." + +According to arrangement, Miss Arthur and her lover were transferred +to Oakley on the following day, and there the game of cross purposes +went on. + +Cora received Miss Arthur with much cordiality, averring that she had +missed the society of "dear Ellen," more than she could tell, and +declaring that now she should begin to get well in earnest. + +Messrs. Davlin and Percy affected much friendliness, and watched each +other furtively, day and night. + +Dr. Le Guise reported an unfavorable change in his insane patient and +forbade them, one and all, to enter his room. + +Cora and Davlin protested against the doctor's cruel order, but in +vain. Mr. Percy made no objections, but kept his eyes open. One +evening, the second of his stay at the manor, he saw, while coming up +the stairs with slippered feet, the form of Mr. Davlin as it +disappeared around the angle leading to the west wing. Then Mr. Percy +stole on until he stood at the door of the wing. Satisfying himself +that Davlin was actually within the forbidden room, he waited for +nothing further, but glided quietly back to his own door, looking as +imperturbable as ever and saying to himself: + +"There is a mystery; and we, _rather I_, am not to see Mr. Arthur at +present. Well, I don't want to see him; but _I hold the clue_ to your +little game, my fair second wife." + +Lucian Davlin went to the city, but he did not set a detective on the +track of Celine Leroque. He chose his man, one who had served him +before, and set him about something quite different. Then he returned, +feeling quite satisfied and confident of success. + + + + +CHAPTER XXXIV. + +A SLIGHT COMPLICATION. + + +And what of Celine, or Madeline, as we may call her once more? + +She had said, when writing to Olive, that her stay in the city must be +very brief. But even her strong will could not keep off the light +attack of fever that was the result of fatigue and exposure to night +breezes. And the morning following her arrival at the villa, found her +unable to rise from her bed. + +Dr. Vaughan was summoned in haste, and his verdict anxiously waited +for. "It was a slight fever attack," he said, "but the wearied-out +body must not be hurried. It must rest." + +And he forbade Madeline to leave her room for a week at least, unless +she wished to bring upon herself a return of her summer's illness. + +Much to his surprise and gratification, Madeline did not rebel, but +replied, philosophically: "I can't afford to take any risks now; I +will be good. But you must watch my interests." + +During the first day of her "imprisonment," as she laughingly called +it, Clarence and Olive were put in possession of all the facts that +had not already been communicated by letter. + +Upon one thing they were all agreed, namely, that it would be wise for +Clarence to make another journey to Bellair. + +"They won't be able to accomplish much during the week that I must +remain inactive," said Madeline. "But it will be safest to know just +what they are about. Besides, I have reasons for thinking that Henry +is growing dissatisfied, and it is to our interest to keep him where +he is for the present. Had a suitable opportunity offered, I should +have made him aware of my identity. But as it did not present itself, +I left it with Hagar to inform him that he was serving me by +remaining." + +Dr. Vaughan prepared to visit Bellair on the second day after the +arrival of Madeline. But almost at the moment of starting there came a +summons from one of his patients, who was taken suddenly worse. +Thinking to take a later train he hastened to the sick man; but the +hour for the last train arrived and passed, and still he stood at the +bedside, battling with death. So it transpired that nearly three days +had elapsed since the flitting of Celine Leroque, when Dr. Vaughan +entered the train that should deposit him at dusk in the village of +Bellair. + +It had been prearranged by Madeline and Hagar that, in case of any +event which should delay the return of the former on the day +appointed, the latter was to visit the post-office and look for +tidings through that medium. Madeline had been due at Oakley the day +before, and so, of course, to-day Hagar would be in attendance at the +office. + +Dr. Vaughan had written, at the moment of quitting his office to visit +his patient, a hasty supplement to Madeline's letter, stating that he +was delayed one train, but not to give him up if he did not appear +that evening. He would certainly come on the next day's train. + +Clarence was somewhat fatigued as he entered the railway carriage, +having spent the entire previous night at the bedside of his patient. +He went forward to the smoking car, thinking to refresh himself with a +weed. + +Four men were engrossed in a game of cards not far from him. As they +became more deeply interested, and their voices more distinct above +the roar of the cars, something in the tones of one of the men caught +his ear, reminding him of some voice he had sometime heard or known. +The speaker sat with his back to the young man, and nothing of his +countenance visible save the tips of two huge ears. These, too, had a +familiar look. + +Clarence arose and sauntered to the end of the car, in order to get a +view of the face that, he felt assured, was not unknown to him. + +The man was absorbed in his game and never once glanced up. Our hero +having taken a good look at the not very prepossessing face, returned +to his seat. He had recognized the man. It was Jarvis, the detective +who had been recently employed by him to shadow Lucian Davlin. + +It was not a remarkable thing that Jarvis should leave the city on the +same train with himself, but the circumstance, nevertheless, set +Clarence thinking. Could it be possible that the man had found +something to arouse his suspicions, and was he following up the clue +on his own account? + +Clarence felt an unaccountable desire to know where the detective was +going. If he were going to Bellair, then he must be bought over. If he +were going to Bellair, he, Clarence, must know it before the village +was reached. It was hardly probable that the man's destination was +identical with his own, but he had now determined to run no risks. + +Throwing back his overcoat, and setting his hat a trifle on one side, +Clarence sauntered up to the group of card players, assuming an +appearance of interest in the game. As he paused beside them, Jarvis +swept away the last trick of a closely-contested game, and then said, +consulting his watch the while: + +"There's for you! I've got just three-quarters of an hour to clean you +out in, so come on." + +[Illustration: "Jarvis swept away the last trick of a +closely-contested game."--page 324.] + +Three-quarters of an hour! The exact time it would take to run to +Bellair. + +Clarence shifted his position so as to put himself behind the two men +seated opposite Jarvis. As he did so, the expert glanced up, +encountering the eye of Dr. Vaughan. + +"How are you?" said that young man, nonchalantly. + +Jarvis shot him a keen glance of intelligence, and replied, in the +same off-hand tone: "High, you bet!" + +Jarvis was attired like a well-to-do farmer; and Clarence guessed, at +a glance, that his three companions were strangers, two of them being +commercial tourists, without a doubt, and the third, a ruddy-looking +old gent, who might have been anything harmless. Taking his cue from +the "make up" of the detective, Clarence, after giving him an +expressive glance, said, easily, "Sold your stock?" + +Jarvis cocked up one eye as he replied, while shuffling the cards: +"Every horn!" + +"Want to buy?" + +Jarvis looked him straight in the eye. "Want to sell?" + +"Yes, rather." + +Jarvis dealt round with great precision, and then said: "All right, +Cap. I'll talk with you when I get through this game." + +Clarence nodded, and presently sauntered away. As soon as his back was +turned, Jarvis jerked his thumb toward him, saying, confidentially: + +"Young fellow; swell farmer; big stock-raiser." And then he plunged +into the game with much enthusiasm. + +Clarence resumed his seat and, for a few moments, thought very +earnestly. The words of the detective had confirmed his suspicion. He +now felt assured that Jarvis was bound for Bellair, and if so he was, +no doubt, in the employ of Lucian Davlin, for some unknown purpose. +What that purpose was, he must know at any cost. + +By the time his plans were fairly matured, he observed that the group +of card-players was breaking up. In another moment, Jarvis lounged +lazily along and threw himself down upon the seat beside him. + +In little more than half an hour they would be due in Bellair, and +what Clarence desired to say must be said quickly. Taking out his +cigar-case, he offered the man a weed, which was accepted with +alacrity, and while it was being lighted, Clarence said: "Are you +especially busy now?" + +"N-o; only so-so." + +"Learned anything more in regard to my man?" + +"Davlin?" interrogatively. + +"Yes." + +"No," puffing contentedly; "we don't move in a case after it's paid +off." + +"I see," smiling; and then, making his first real venture: "Could you +do some work for me to-morrow?" + +Jarvis looked keenly at him, and Clarence hastened to say, with +perfect, apparent, candor: + +"The fact is I have been put back by a patient, and my own personal +affairs have been neglected. So I have been unable to look you up at +the office, in order to put a little matter into your hands. To-day I +am called away unexpectedly." Then, as if struck by a sudden thought, +"How long will you be out of town?" + +Jarvis shook his head. "Don't know." + +"By Jove, what a pity. I'd rather have you than any other man, and I +won't stand about money; but my work won't keep long." + +The doctor's flattery and the detective's avarice combined, had the +desired effect. Jarvis unbent, and became more communicative. "Fact +is," he said, squaring about, "I don't know my lay just yet." + +"No?" inquiringly: "Going far out?" + +"No." + +"Well," as if about to drop the conversation, "I'm sorry you can't do +the job. It's big pay and success sure. The truth is," lowering his +voice confidentially, "there are two parties beside myself interested, +and both have plenty of money. It's a snug sum to the man who does our +work." + +The detective looked grave, and then became confidential in his turn. + +"The fact is,"--he was fond of using "facts" when it was possible to +lug one in--"I am sent out to a small town as a sub." + +"A sub.?" + +"Yes; substitute. You see, one of our men was detailed to do some work +for a chap who came to the Agency from this little town. It was a case +of record hunting. Well, the man went out last night all O. K.; he was +a little on the sport when off duty, but a tip-top chap when at work. +Well, he got into a gambling brawl, and this morning they brought him +in, done up." + +"Done up?" + +"Yes; killed, you know." + +"Oh!" + +"And so, you see, I am ordered down here to take the instructions of +my gentleman, in the place of my pard, who won't receive any more +orders here below." + +"Then you don't yet know precisely what is required of you?" + +"No; I was packed off at half an hour's notice, and don't even know +the name of my employer. I have my instructions and his address here," +tapping his breast pocket. "I believe the party lives out of town, at +some manor or other." + +Clarence was thinking very fast. There was but one "Manor" in or near +Bellair. He looked at his time-card; there was but one town between +them and that village. Holding the card in his hand he said: + +"Well, I will try and tell you what I want done; that is, if there is +time--how soon do you leave the train?" + +Jarvis now scented a fat job, and thinking only of getting the +particulars of that replied, rather incautiously, as he consulted the +time-card in the hand of Clarence. + +"By goshen! it's only two stations off--Bellair." + +"Oh! Bellair, eh?" + +Jarvis nodded ruefully, and then asked: "Where do you land?" + +Clarence smiled a little as he replied: "Wait until you hear my +business, then you will know where I am going." + +"All right; fire away." + +And the expert settled himself into a listening attitude. "The truth +is, Jarvis, I want you back on the old case." + +"What, the gambler's?" + +"Yes, Davlin; he is about at the end of his rope, and will, in a short +time, be trying to quit the country. Did you ever see the woman who is +his partner in iniquity? You heard considerable of her while looking +up this business." + +"Heard of her? I should think so. Never saw her, though." + +"No matter; you may see her soon. You see, they are now at work upon a +fine piece of rascality. She has actually married an old man, +supposing him to be wealthy, and Davlin is figuring as her brother. +In reality, the old man, their victim, holds only a life interest in +the property. So you see, even if they succeed with the thing in hand, +they won't make much. And the person who will inherit, after the old +gentleman passes away, is aware of their real character and is ready +to spring upon them at the proper moment." + +Jarvis gave a long, low whistle. + +"Now, then, there is another crime--one that occurred some years ago, +with which this man and woman are connected, and they are allowed to +go free for a little time in order to complete the evidence in this +second case." + +Jarvis nodded sagely. + +"So you see there will be double fees, and large ones. First, from the +heir, and next, from the parties interested in the last case. The two +are friends, in fact, and work together. Of course, I should expect to +act according to the rules of your office, and I know that you are +paid by your manager, but--if you can put me in possession of all the +movements of Lucian Davlin for the next week, in addition to the +salary paid you by your head officials, I will promise you one +thousand dollars. If, later, you can supply the missing evidence, it +shall be five thousand." + +Jarvis looked hastily behind him. "Is he in this train?" + +"No." + +"Then were the dev--" + +"Wait," interrupted Clarence. "I'll tell you where he is. But first +you may attend to the business on which you came to Bellair. You may +obey the instructions you shall receive to the letter. But I must know +what it is you are bidden to do." + +Jarvis knitted his brows and finally said, as if giving up a knotty +problem, "Make things plainer; I am befogged." + +"Plainly, then," said Clarence, "you are going to Bellair; and," +drawing out his pocket-book, "you are not retained as yet for this +work?" + +"No." + +"Well," placing a one hundred dollar bill in his hand, "I retain you +for my case, here and now, and you may accept the other fee if you +like." + +"How?" + +"Look at the address of your new client." + +Jarvis took from his pocket a number of cards, shuffled them off +deftly and, selecting the right one at last, read slowly the name of +his unseen employer. Then he glanced quickly up at Clarence, re-read +his card, and leaning back upon the cushion, shook with silent +laughter. + +"Well, if you ain't the rummest one yet! And I'm your man! Why, bless +my soul, you are a lawyer and detective all in one!" + +Clarence smiled, but he knew this was the highest compliment that +Jarvis was capable of. "Then I may depend upon you?" he asked. + +"You bet!" + +They were nearing the village of Bellair now, and Clarence, who did +not intend to let Jarvis know too much concerning his movements, gave +him some hasty instructions, and ended by asking: "When do you go back +to the city to report?" + +"By the next train. Davlin is expecting me, and I shall take his +orders and then go back." + +"Very well; I'll see you in town to-morrow. Now, as it won't do to +risk the chance of being seen together, I will go into the other car." +And Clarence sauntered away. + + + + +CHAPTER XXXV. + +"THOU SHALT NOT SERVE TWO MASTERS" SET AT NAUGHT. + + +Meanwhile, as they steamed into the village, which was the destination +of both, Mr. Jarvis soliloquized, as he caressed his wallet pocket: + +"I know who will butter my bread. Davlin is as slippery as an eel, and +will end in trouble. Dr. Vaughan is a man of his word, and I don't +need his bond. I'm sure of one thousand, if not of five. And I never +was over fond of this gentleman gambler." + +It may be remarked that Davlin was a man pretty well known by the +police and detectives. A gambler riding the top wave of success might +have found more favor in the eyes of Jarvis. But he knew, because of +his previous investigations, that Davlin was not "flush" at that time. + +Clarence kept carefully out of sight when the train reached the +village. Springing lightly to the ground, on the opposite side from +the platform, he walked swiftly away, unnoticed in the darkness. Once +more he crossed the field and knocked at the door of Hagar's cottage, +and this time it was Hagar who admitted him. + +Eagerly he listened, while the old woman told him how very fast Cora +was recovering now; how they had got Miss Arthur and Percy back into +the house; and how very careful both Cora and Lucian were to treat +them politely. Madeline had not confided to Hagar the story of Olive, +and the old woman knew no more of Edward Percy than that he was, as +she termed it, "a handsome hypocrite." + +Clarence questioned Hagar closely. Had they made any attempt to find +the one who took the papers? + +"No," Hagar replied; "they had said that Celine Leroque had stolen +money and jewels, but they had not said one word about any papers." + +Last of all, she told him how, fearing that Henry was becoming too +restive, and fearing, also, the effect of too much of the Professor's +medicine upon the somewhat enfeebled system of the prisoner, she had +made known to Henry the fact that he was working in the cause of his +young lady. On learning this, and having it proved to his +satisfaction, for he was at first inclined to be skeptical, he had +been much delighted, and had since carried out the orders of Madeline +as transmitted through Hagar. + +Their conversation lasted a full hour, and then, having learned all +that could be learned from that source, and having delivered all of +the messages sent by Madeline, he bade the old woman a kind +good-night, and retraced his steps across the field and back to the +village. + + * * * * * + +When the night train halted at Bellair, Jarvis seated himself in the +smoking-car, feeling quite self-satisfied. When the train moved on, he +lighted a very black cigar, and began to contemplate the situation. + +"Well, how do we stand now?" + +As the voice of Clarence Vaughan fell upon his ear, Jarvis bounded +from his seat like an india rubber ball and stared wildly at the young +man who had dropped down into the seat beside him as if from the +ceiling. + +"Well, you are a rum one," said he, at last. "Might I ask where you +came from?" + +"From the ladies' carriage." + +"Oh!" with the air of having made a discovery. "So you ride out of the +city in a smoking-car for the purpose of riding back in the ladies' +carriage?" + +Clarence laughed again, settled himself comfortably in his seat and +took out his cigar case. "Not exactly," proceeding to light a weed. "I +am on pretty much the same business that you are, to-night." Then, +taking a big puff, "I have been to Bellair, like yourself." + +"The deuce you have!" + +"Yes; how did your business prosper?" + +Jarvis eyed him sharply. "Perhaps you know already." + +"Perhaps I do. You have not got to look for stolen diamonds, have +you?" + +Jarvis laughed derisively. + +"Or stolen money?" pursued Clarence. + +Jarvis shrugged his shoulders. + +"Or stolen--_papers_?" + +Jarvis began to look foxy. + +"Or a runaway young woman?" + +Jarvis thought furiously for a moment; then turning square upon his +interlocutor, said, significantly: "So there are stolen papers?" + +Clarence smiled, but said nothing. + +"And," pursued Jarvis, "when one loses one's papers, say deeds, or +a--marriage certificate, one naturally thinks of hunting the records +for proofs that such papers existed." + +"And that is your work?" + +Jarvis nodded. + +"Take you out of the city?" + +"Only a few miles." + +Clarence reflected for a time, and then said: "You can do your work, +but report all discoveries _to me_." + +Jarvis assented, and they continued to talk of the matter in hand +until the city was reached. Then, having made an appointment for the +coming day, and agreed to let the work of shadowing the gambler or, +rather, his business, remain a "private spec." to Jarvis, they +separated. + +Thoroughly wearied, Clarence sought his bachelor apartments and the +repose he so much needed. + +Early the next day he was up, and after paying a visit to his patient, +he turned his steps, or the steps of his horse, in the direction of +the villa. + +He found Madeline sitting up, feeling much better, and looking +altogether lovely. Drawing their chairs near together in front of the +crackling grate fire, the three discussed the result of the journey to +Bellair. Having first related the news imparted by Hagar, Dr. Vaughan +turned to Madeline and asked: + +"What is your theory, sister mine, in regard to this change at Oakley? +Why have they turned about and taken up Miss Arthur and her _fiance_ +with such sudden affection. Have you guessed?" + +The girl smiled up at him as she replied: "Certainly; have not you?" + +"You incorrigible little lawyer! Yes, but give us yours first." + +"Why," said Madeline with a light laugh, "I suppose they have been +suspecting the wrong party. They think that I was an emissary of Mr. +Percy's." + +"Undoubtedly that is the truth," assented Clarence. + +"And," added Madeline, "believing the documents in his possession, it +is easy to understand that they prefer having the gentleman under the +same roof with themselves." + +"True; now, the question that interests us is, how long will it be +before they find out their mistake?" + +"I think," said the girl, reflectively, "that their game will be +covert, not open, attack, from the fact that they have kept the loss +of the papers so carefully from the servants. If this is true, they +will move cautiously, and aim to convince the man that they do not +suspect him." + +Clarence nodded. + +"You see the necessity for action, do you not?" Madeline said, after a +silence. "I must make my next move within a few days." + +"I don't fancy that we need fear any new developments that will be +dangerous to our cause just yet." + +Then he told them of his meeting with the detective, and its results, +adding: "You see, Jarvis can withhold his reports to suit our +convenience, and you can grow strong, feeling secure." + +Meantime, Jarvis set about his task of record hunting. He was +energetic and resolute as a sleuth hound on the scent; so he soon made +one or two discoveries. + +One day, very cleverly gotten upon as a dapper lawyer, he dropped in +at the office of Messrs. Lord & Myers, bankers. Mr. Lord was an old +man with a shrewd, twinkling eye; and as the sham lawyer had selected +his time wisely, he found the old banker alone. + +They were closeted in close converse for nearly half an hour, at the +end of which time, the dapper lawyer took his departure, looking +rather downcast; and Mr. Lord, with his little eyes brighter than +ever, sat down and penned a letter to his friend and brother banker, +Mr. Allyne, of Baltimore. + + + + +CHAPTER XXXVI. + +MR. LORD'S LETTER. + + +The friendship that had sprung up between Claire Keith and Mrs. +Ralston, grew and strengthened as the days went by. + +Claire's enthusiasm had overflowed in more than one letter to Olive. +The oft-repeated wish that her new friend and her much loved sister +might meet, had at last drawn from that somewhat preoccupied sister a +very cordial invitation to bring Mrs. Ralston to New York. + +When this invitation came, Claire, feeling that it was now time to +unfold to her friend the sad pages of Olive's history, sought her for +that purpose. But as she deemed that the time had not yet come for +telling anyone of the hoped-for lifting of the cloud, especially as to +do so she must tell too of Madeline, she refrained from mentioning the +names of the actors in that miserable drama. + +Mrs. Ralston was deeply interested in the story of Olive's sorrow; and +having heard it, she felt a stronger desire than before to see this +beautiful, sad-hearted sister, who was so beloved by Claire. Bending +down she kissed the fair face, flushed with the excitement Claire +always felt when recounting her sister's wrongs, and those of Philip +Girard, and said, tenderly: + +"Thank your sister in my name, my darling. And tell her that I will +certainly avail myself of her kind invitation, at some future time." + +Claire's eyes danced eagerly. "Oh, I wish we could go now--at least, +soon." + +Fate chose to grant Claire's desire in a most unexpected manner, for +while they were still sitting, talking, in the semi-twilight, the +library door opened and a servant announced Mr. Allyne, to see Mrs. +Ralston. At once Mrs. Keith and her daughter arose to leave the room. +But Mrs. Ralston said, earnestly: + +"Pray, do not go; there can be no need for a private interview." + +And as at that moment Mr. Allyne himself appeared on the threshold, +the ladies all advanced to welcome him, and, this ceremony being over, +resumed their seats. + +"I have just received this letter from Mr. Lord," said Mr. Allyne, +after some moments of general conversation. "Read it, and then tell me +your opinion of its contents." + +The lady took the letter, looking the while somewhat anxious. As she +read, the look of apprehension deepened. When at last she dropped the +letter, her hands were trembling visibly, and her face was pale and +agitated. For a moment she sat in silence, her eyes full of fear and +her hands working nervously. Then she seemed to recover herself by a +powerful effort of will. Taking up the letter, she placed it in the +hand of Mrs. Keith, saying: "Read it, dear friend." + +Mrs. Keith took the letter and read: + + NEW YORK, Dec. 7th. + + WM. ALLYNE, ESQ., + + _Dear Sir:_--A man assuming to be a lawyer called on me this + afternoon, and requested information regarding our friend, + Mrs. Ralston. If I am not much mistaken he is in reality a + detective--I think I remember him in the Mallory case--and + is, doubtless, looking up evidence in regard to the lady's + second and most unfortunate marriage, either at the + instigation of her vagabond husband or some of his supposed + heirs. + + If you know the present address of Mrs. R., it would be well + to communicate with her, as some of her old servants are now + in this city, at service, and this fellow might ferret out + something through them. + + Having no authority to act in the matter, I could do no more + than baffle this man's inquiries so far as I was concerned, + much as I desire to serve the lady when I know the way. + + One thing: the fellow evidently believes in the story of her + death. + + Yours, etc., J. M. LORD. + +The three, Mrs. Ralston, Claire and Mr. Allyne, listened in silence +while Mrs. Keith read this letter. When at last she raised her eyes, +Mrs. Ralston said: + +"I must go to New York immediately, Mrs. Keith, and do, pray, allow +Claire to accompany me. I must accept of the hospitality of Mrs. +Girard, and I can not go alone." + +Mrs. Keith looked grave for a moment. Then, she said: "Mr. Allyne, is +it necessary that Mrs. Ralston should go at once?" + +"I think it advisable," replied Mr. Allyne. "Once in New York, Lord +can receive Mrs. Ralston's instructions, and act for her. In cases +like these I don't think it is best to trust to correspondence." + +"And, oh! don't let us delay a moment! Once there, I can keep my old +servants, who are all true friends, from inadvertently betraying me. +And I can trust Mr. Lord to find out who is the instigator of this +search," said Mrs. Ralston, eagerly. "Mr. Allyne, when can we start; +how soon?" + +"Not earlier than to-morrow morning." + +"Claire, can you be ready on such short notice?" asked the now anxious +lady. + +"I? Oh, yes, indeed!" laughed the girl. "I could be ready in an hour! +I do detest waiting--don't you, Mrs. Ralston?" + +"Very much, just now," said that lady, making an effort to smile; +"forgive me, dear friends, but I am really unstrung. The thought of +being hunted by that man is too horrible, after these years of +peace." + +"Then don't think of it, dear Mrs. Ralston," cooed Claire. "You will +be as safe as safe in the seclusion of my sister's villa. And you can +set things straight soon, when we have arrived. There can't be much to +fear, can there, Mr. Allyne?" + +"Nothing very formidable," said the banker, rising to take his leave. +"Pray, don't exaggerate the trouble, Mrs. Ralston. Prompt attention, +such as Lord will give the matter, will make all safe. Besides, he is +not hunting _you_; the man thinks you dead." + +"True; I had forgotten," said the lady, looking somewhat reassured. +"Claire, we will pack to-night, and then try and be content until it +is time to go." + +"Meantime, I will telegraph to Lord and let him know that you will +come, and when," said Mr. Allyne, taking up his hat to depart. + +The morning of their departure dawned clear and bright. Claire was in +extravagant spirits, while even Mrs. Ralston seemed to catch the +infectious cheeriness of the day, and her companion's mood. + +When they were about to enter the carriage that was to take them to +the depot, a letter was put into the hand of Miss Keith. She flung +back her veil and leaning back among the cushions perused it in +attentive silence. Having finished, she looked up with a little frown +upon her brow, and exclaimed: + +"How very provoking!" + +Mrs. Ralston looked alarmed. "Is your sister ill?" + +"Oh, no; it's Madeline." + +"The young girl I have heard you speak of?" + +"Yes." + +"Is _she_ ill?" + +"No; she got well, just to avoid me; she is gone." + +"Gone?" + +"Yes; or will be, when we arrive. Why, how stupid I am not to explain! +Madeline Payne has been with Olive nearly a week. She has been sick, +but is better, and will leave there to-day." + +Claire had said but little concerning Madeline, fearing lest in her +enthusiasm she should say too much. But she had revolved many plans +for bringing about a meeting between Mrs. Ralston and her "brave +girl." + + + + +CHAPTER XXXVII. + +"I HAVE COME BACK TO MY OWN!" + + +Quite the pleasantest of all the rooms that had been so sumptuously +fitted up, when "Mrs. Torrance" came to Oakley, a bride, was the back +drawing-room. At least it was pleasantest in Winter. Its large windows +faced south and west, and all of the Winter sunshine fell upon them, +glowing through crimson curtains, and helping the piled-up anthracite +in the grate to bathe the room in a ruddiness of crimson and golden +bronze. + +On this particular December day, the air was crisp and cold, and full +of floating particles of hoar frost, while the winter sun shone bright +and clear. Outside, one felt that it was an exceedingly cold sun. But +viewed from within, it looked inviting enough, and one felt inspired +to dash out into the frosty air and try if they could not walk _a la_ +hippogriffe, without touching their feet to the ground. + +Some such thought was floating through the mind of Mrs. John Arthur, +who was progressing in her convalescence very rapidly now, and who +had, on this day, made her second descent to the drawing-rooms. + +She had donned, for the first time since her illness, a dinner-dress +of rosy silk, its sweeping train and elbow sleeves enriched with +flounces of black lace. As there was, at present, no need to play the +invalid--herself and Davlin being the sole occupants of the room--she +was sweeping up and down its length like a caged lioness. + +By and by she swerved from her course, and coming to the grate, put a +daintily shod foot upon the bronze fender. Resting one hand on a +chair, and looking down upon Davlin, who was lounging before the fire +in full dinner costume, she said, abruptly: + +"How very interesting all this is!" + +Davlin made no sign that he heard. + +"Do you know how long we have been playing this little game, sir?" + +The man smiled, in that cool way, so exasperating always to her, and +lifting one hand, began to tell off the months on his fingers. + +"Let me see, ball opened in June, did it not?" + +She nodded impatiently. + +"June!" He was thinking of his June flirting with Madeline Payne, and +involuntarily glanced at the windows from whence could be seen the very +trees under which they had wandered, himself and that fair dead girl, in +early June. "Yes, the last of June--I remember,"--reflectively. + +"And pray, from what event does your memory date?" exclaimed Cora, +with strong sarcasm. + +He glanced up quickly. "Why, _Ma Belle_, from your introduction to the +hills and vales of Bellair, and the master of Oakley." + +"Oh, I thought it was from the time you received your pistol wound." + +Davlin smiled. "Yes, that scratch _was_ given in June; but I don't +date from trifles, Co." + +"Oh! Well, I fancy it was not the fault of the hand that aimed the +bullet, or rather of the _heart_, that you got a 'mere scratch.' I +never believed in your card-table explanation of that affair, sir." + +"Well, don't call _me_ to account for _your_ want of faith." + +"I believe you promised yourself revenge on the fellow who shot at +you. Why didn't you take it?" + +Lucian stooped down and brushed an imaginary speck from his boot toe, +saying, as he did so: "I was forestalled." + +"How?" + +"The--fellow--is dead." + +"Oh, well, I don't care about dead men--what I am anxious about is +this--" + +"Oh, yes," maliciously. "Return to subject under discussion. You +embarked in this enterprise in June--" + +"Bother," impatiently. + +"Late in Summer, bagged your game; in early Autumn, fitted up this +jolly old rookery--" + +Cora gave a sniff of disdain. + +"Next--well, you know what next. We haven't been two months at this +last job." + +"Nevertheless I am tired of it." + +"No?" + +"I won't stay here a prisoner much longer!" + +Davlin came close to her, and letting one hand rest upon her shoulder, +placed the other over hers, which still lay upon the chair back. + +"Cora, we won't quarrel about this. The situation is as trying to me +as to you; more so. But our safety lies in moving with caution, and--I +will not permit you to compromise us by any hasty act. You +understand!" + +His eyes held her as in a spell, and when, after a moment, the hand +fell from her shoulder and his eyes withdrew their mesmeric gaze, the +woman shrunk from under the one detaining hand and turned sullenly +away, looking like a baffled leopardess. + +Davlin resumed his seat and his former careless attitude. Cora walked +to the window and looked down upon the scene below. + +At length the man asked, carelessly: "Where's Percy?" + +"Down there," nodding toward the terrace, a portion of which was +visible from her point of view. "And, of course, my lady is in her +room watching from her window. When he throws away his cigar, and +turns toward the house, she will come down; not before." + +Davlin laughed at her emphasis, and while the sound still vibrated on +the air, the woman turned, and flinging herself upon a divan, said: + +"There, she is coming!" + +Complain as she might in private, Cora had acted her part to +perfection. Between herself and Miss Arthur, there now existed an +appearance of great cordiality and friendliness. While she treated +Percy with utmost politeness and hospitality, the remembrance of ten +years ago acted as an effectual bar to anything like coquetry, where +he was concerned. + +Scarcely had Cora settled herself comfortably upon her divan, when the +door opened noiselessly, and Miss Arthur sailed in, diffusing through +the room the odor of Patchouli as she came. She was, as usual, a +marvel of beflounced silk, false curls, rouge, and pearl powder. Her +face beamed upon Cora in friendliness as she approached her, saying, +with much effusion: + +"Oh, you poor child, how delightful to see you once more among us, and +looking like yourself." + +Lucian arose and gallantly wheeled forward a large easy chair, saying: +"And how charming you look, Miss Ellen; you make poor Cora appear +quite shabby by contrast." + +Cora cast a rather ungrateful glance at the gentleman, and the +spinster simpered, "Oh, you horrid man! Brothers are so ungrateful!" + +At this juncture, as Cora had predicted, Mr. Percy presented himself, +and the four fell into attitudes, in front of the grate--Percy leaning +on the back of Miss Arthur's chair, and Cora and Davlin in their +former places. + +"_Merci_," said Miss Arthur, pretending to stifle a yawn, "why can't +we all be out in this keen air and sunshine? If there were but snow on +the ground!" + +"Snow!" cried Cora, annoyed out of her usual assumption of feebleness; +"don't mention it, if you don't want me to die. We won't have snow, if +you please, until I can drive in a cutter." + +Percy laughed softly; his laugh was always disagreeable to Cora, as +having an undercurrent of meaning intended for her alone. And Davlin +said: + +"Hear and heed, all ye gods of the wind and weather." + +"Well, laugh," said Cora, half laughing herself, "but I am beginning +to feel ambitious. Do let's try to set something afoot to make us feel +as if we were alive, and glad that we were." + +"Agreed, Cora," cried Miss Arthur, gushingly, "only tell us what it +shall be." + +"Suggest, suggest;" this from Davlin. + +The spinster glanced up coquettishly, "Edward, you suggest." + +Percy caressed his blonde whiskers thoughtfully, and letting his eyes +rest carelessly on Cora, said, meaningly: "Let's poison each other!" + +"Or commit suicide!" retorted Cora, coolly. + +"Let's be more sensible," said Davlin. "Let's organize a matrimonial +society, get up a wedding, and go on a journey." + +"Anything that will break the monotony," said Cora, while the fair +spinster giggled and put her hands before her face. + +At that moment the monotony _was_ broken. + +While the words were still lingering on the lips of the fair +convalescent, the door was opened wide by old Hagar, who said, as if +she had been all her life announcing the arrival of great ones at the +court of St. James: + +"_Miss Madeline Payne!_" + +Then she stepped back, and a vision appeared before them which struck +them dumb and motionless with surprise. + +Across the threshold swept a young lady, richly robed in trailing silk +and velvet and fur; with a face fair as a star-flower, haughty as the +face of any duchess; with amber eyes that gazed upon them +contemptuously, masterfully, fearlessly; with wave upon wave of golden +brown hair, clustering about the temples and snowy neck; and with +scarlet lips half parted in a scornful smile. + +She swept the length of the room with matchless grace and +self-possession, and pausing before the astonished group, said, in a +voice clear as the chime of silver bells: + +"Good-evening, ladies and gentlemen! I believe I have not the honor of +knowing--ah, yes, this is Miss Arthur; _Aunt Ellen_, how do you do?" + +There are some scenes that beggar description, and this was such an +one. + +[Illustration: "_Miss Madeline Payne!_"--page 346.] + +Miss Arthur, who clearly recognized in this lovely young lady the +little Madeline of years ago, was so stricken with astonishment that +she utterly forgot how appropriate it would be to faint. + +Cora sat like one in a nightmare. + +Percy was conscious of but one feeling. True to his nature even here, +he was staring at this vision of beauty, thinking only, "how lovely! +how lovely!" + +And Lucian Davlin? At the first sight of that face, the first sound of +that voice, he had felt as if turning to stone, incapable of movement +or speech. At that moment, had Cora once glanced toward him, his face +must have betrayed his secret. But her eyes were fixed on Madeline. + +Davlin felt a tempest raging within his bosom. Madeline alive! This +glowing, brilliant, richly robed, queenly creature--Madeline! Again in +his ears rang her farewell words. Quick as lightning came the thought: +she was his enemy, she would denounce him! And yet, throughout every +fiber of his being, he felt a thrill of gladness. Again there surged +in his heart the mad love that had sprung into being when she had so +gloriously defied him. She was not dead, and he was glad! + +Old Hagar had closed the door after her young mistress; and now she +stood near it, calm and immovable as a block of ice. + +Madeline Payne stood, for a moment, gazing laughingly into the amazed +face of the spinster. Then she said: "Come, come, Aunt Ellen, don't +stare at me as if I were a ghost! Introduce me to your friends. Is +this lady my new step-mamma?" + +Cora roused herself from her stupor, and said, haughtily: "I am _Mrs. +Arthur_, and the mistress of the house!" + +"Ah! then you _are_ my new step-mamma? And you have been very ill, I +understand. Pray, don't rise, madame; you look feeble." Then, turning +again to Miss Arthur: "Don't you intend to speak to me, Aunt Ellen?" + +"But," gasped the spinster, "I thought, that--you--" + +"Oh, I see! You thought that I was dead, and you have been grieving +for me. Well, I will explain: I ran away from my respected papa +because he had selected for me a husband not at all to my taste. Not +desiring to return immediately, I seized an opportunity that came in +my way, and bestowed my name upon a poor girl who died in the +hospital, thus making sure that my anxious friends would abandon all +search for me. However, I have thought better of my decision, and so I +return to my own home to take my position under the _chaperonage_ of +my pretty step-mamma, as the _Heiress of Oakley_!" + +These last words opened the eyes of Cora to the new "situation." +Springing to her feet, she forgot for the moment all her weakness, and +cried, wrathfully: "You cannot come here with such a trumped-up story! +Madeline Payne is dead and buried. You are a base impostor!" + +Madeline turned tranquilly towards the spinster. "Aunt Ellen, _am_ I +an impostor?" + +"No," said Ellen Arthur, sullenly; "you are Madeline Payne. Any one in +the village could testify to that." + +Madeline turned to Cora. "Step-mamma, I forgive you. It _is_ hard to +find the entailed estate of Oakley slipping out of your hands, no +doubt, but this world is full of disappointments." + +Cora's eyes sought Lucian. That gentleman, who had, outwardly at +least, regained his composure, telegraphed her to be silent. + +Miss Payne asked: "Which of these gentlemen is your brother, Mrs. +Arthur?" + +Lucian stepped forward with his usual grace, saying; "I am Mrs. +Arthur's brother, Miss Payne. Pray, let me apologize for her +discourteous reception of you; she has been very ill, and is nervous." + +Madeline sank into a chair and surveyed him coolly, while she said: +"It is not necessary to apologize for your sister, Mr.--" + +"Davlin," supplied Miss Arthur. + +"Davlin," repeated Madeline, as if the name had fallen upon her ears +for the first time. "No doubt we shall be the best of friends by and +by. I certainly have to thank her for making so marked an improvement +in these old rooms," glancing about her. + +Here the still confused Miss Arthur, in obedience to a sign from her +lover, said: "Miss Madeline, this is my friend, Mr. Percy." + +Mr. Percy advanced, bowing like a courtier. The young lady scrutinized +him coolly, saying, with a gleam of mischief in her eyes: "I am +delighted to meet any friend of my aunt's." + +Then she turned to Davlin again: "But where is my step-papa? I have +kept myself partially informed of events here. Is he still unable to +be about?" + +Davlin looked very serious: "Miss Payne, I fear that my unhappy +brother-in-law will never recover his reason." + +Madeline uttered an exclamation expressive of concern, and said: "Oh, +Mr. Davlin, then don't let him know that I am here; at least not yet. +I am so afraid of the insane. I couldn't bear to see him now." + +Cora drew a breath of relief, on hearing this. But Lucian, who knew +the girl better, began to fear her, and mentally resolved to define +his own position as speedily as possible. One thing was evident; it +was no part of her plan to betray him, at least not yet. + +"Nurse," said Madeline, turning to Hagar, "see that a room is prepared +for me immediately, and send a servant to the station for my luggage. +Also, prepare a room for my maid, who is below, and tell her to get me +out a dinner dress immediately." + +Then turning to Cora, "Step-mamma, you look fatigued. Do go to your +room and rest before dinner. Mr. Davlin, at what hour do you dine?" + +He explained their reason for dining so early, and she said, as she +turned again to Cora, + +"Do lie down, step-mamma; there is still a half-hour before dinner. +And now I will go look after my maid." + +She swept them all a stately courtesy, and Percy springing forward to +open the door, she thanked him with a charming side glance, and passed +from the room like a young princess. + +There was dead silence among them for a full minute after the door had +closed behind her. Then Percy turned with a disagreeable smile upon +his face, and said: + +"You don't stand in need of something exciting _now_, do you,--Mrs. +Arthur?" + +This was too much. Cora sprang to her feet and casting one meaning +glance toward Davlin, swept from the room, erect and firm, utterly +regardless of the fact that her exit was quite incompatible with the +invalid _role_ she had been sustaining. + +An angry flush overspread the face of Lucian Davlin, as he realized, +after one quick look at the face of Percy, how thoroughly she had +betrayed herself. He was too good a diplomat, however, to quit the +field without a stroke in his own behalf. So giving a low whistle he +turned toward the spinster, saying: + +"See what excitement will do. One would think she had the strength of +two of us." + +To which Percy responded, dryly: "She certainly did not step like an +invalid." + +Then the three stood looking aimlessly at each other or anything, +seemingly not at all inclined to converse. + +After a few moments of listless gazing out at the window, Lucian +turned upon his heel and quitted the room. He was too wise to approach +Cora in her present mood. Even had he thought it advisable, he felt +little inclination to see and converse with her or anyone then. Like a +man in a dream, he wandered out and down the wide hall. Almost +unconsciously he opened the library door, and crossing to the great +double window, leaned against the casement and looked out. + +Again his eyes rested upon the grove where he had so often wandered +with the lovely girl who, to-day, had so coolly ignored him. Then she +had clung to him with trusting affection; now,--how did she look upon +him now? Could the love that she surely had felt for him in those +Summer days, have entirely died out in her heart? Did not a woman's +love outlast her anger? And was he not the same man, with the same +will-power, and the same strength of magnetism? + +Where had she been all these months? And how came she here now, robed +liked a princess; she, who had certainly left her home penniless? +Clearly, she had found friends. Who were they? And what did they know +of matters here at Oakley? + +For once Mr. Davlin was at a loss how to act. Would it be safe to +stay? Would it be wise to go? Would he be able to control Cora in this +new emergency? One thing was certain: The heiress of Oakley meant to +be mistress in her mother's house, and she was in a fair way to +possess the throne. + +Lucian turned away from the window, and from the scene that mocked +him, muttering: "I will see her alone, let come what will. I will make +one struggle to regain my power over her, and if I succeed--" + +Evidently the wily gambler could not testify as to what would be +likely to follow. For the second time since his partnership with Cora, +he found that lady a stumbling-block by no means despicable. + +On leaving the drawing-room, Cora rushed up the stairs, and throwing +open the door of her dressing-room, fairly precipitated herself across +the threshold, forgetting in her blind rage to close the door behind +her. She stood still for an instant, and then, springing to the +window, threw it wide open, letting in a flood of wintry air. For a +moment she leaned across the sill, drinking in deep draughts of the +frosty ether. Then dashing down the sash, she turned swiftly, and +encountered a pair of bright black eyes that looked in at her from the +secure darkness of the hall. Sweeping across the room, she confronted +the owner of the eyes, demanding haughtily: + +"Who are you? And how dare you spy at my door?" + +The woman--for it was a woman--came forward and said, respectfully: +"If you please, I am Miss Payne's maid, and I was just bringing up +some things from the hall, ma'am," lifting to view a chatelaine and +shawl strap. "I didn't mean to annoy you. I was only surprised to see +such a pretty young lady here." + +Miss Payne's maid was a large woman of a very uncertain age, arrayed +in sober black, not at all like the usual ladies' maid. But she seemed +so very respectful, and full of contrition at having annoyed such a +"pretty lady," that Cora made no further assault upon her, but closed +the door with unusual emphasis instead, and gave way once more to the +wrath that was filling her soul. + +To be baffled like this now; now, when her schemes were approaching +fruition; now, when this fair domain, this splendid fortune, was just +within her grasp, to have it plucked from her hand by a mere girl, who +mocked her while she said, "this wealth is mine, this house is mine; +woman, you have schemed in vain!" + +And this was not all. She had bound herself hand and foot. She had +jeopardized her liberty, for what might not occur, now that this girl +could demand access to the imprisoned old man, her step-father? If she +dared, she would go away that very night. But no; this would only +confirm suspicion, if suspicion were entertained. + +Not the least drop in her cup of bitterness, was the knowledge that +Edward Percy was secretly enjoying her discomfiture. As she thought of +him, and his look when she swept past him, Cora stopped short in her +angry promenade, and frowned fiercely. Then she crossed to her mirror +and surveyed her agitated face, saying, half aloud: + +"At least I will rob him of that pleasure; baffled as I may be, he +shall never enjoy my discomfiture! I can act a part yet. And Edward +Percy shall find that if my schemes are to be overthrown, his, too, +may suffer. He rejoices to see me thwarted; I will thwart him, let it +cost what it may!" + +And Cora began to smooth her rumpled locks, and put her somewhat +disarranged toilet in order, with swift, firm fingers. While she was +thus occupied, there came a tap upon her door. Recognizing it at once, +as Davlin's knock, she said, "come," and never once lifted her eyes +from her task. + +Lucian, finding that the dinner hour was at hand, and beginning to +fear that Cora might still further commit herself, had thought it +wisest to come and see what was the state of her feelings, and +endeavor to persuade her to play out her part. He entered the room +with some apprehension; but seeing her so composed, came close as she +stood before her dressing-glass and said, as he gazed down at the +flounce she was busy adjusting: + +"Now is the time for pluck, Co. You will come down?" + +Cora gave a last touch to the silk and lace and then, letting the +sweeping train fall from her hand, and standing very erect before him, +said: + +"Yes, I shall go down. Do you suppose I will let that man think that I +am completely annihilated? There; don't talk to me now! I shall not +forget myself again, never fear. But after dinner, come to me here. +You were wise enough to bring me into this charming 'corner,' now let +your wisdom take me out of it, or I will extricate myself in my own +way." + +Again the iron hand fell upon her shoulder, as her partner in iniquity +hissed in her ear: + +"And I intend that you shall not be a fool! Our game is not lost. Let +me once get the lay of the land, and we may win yet." + +She turned her eyes upon him with angry incredulity. "How, pray?" + +"Wait and see!" + +She made no reply, but, taking up her dainty handkerchief, turned to +leave the room, motioning him to precede her. In the hall, she paused +at the head of the stairs, saying: + +"Go down; I will come directly." + +"What are you going to do?" + +"Go down," she repeated; "I know what I am doing." + +She went slowly down the hall in the direction of the room before +which stood Madeline's luggage that had just arrived from the little +station. + +Lucian gazed after her in some amazement, watched her tap softly, +heard the door open, saw her enter the room, and then went slowly +down-stairs. + + + + +CHAPTER XXXVIII. + +CORA UNDER ORDERS. + + +When Cora entered the room, Madeline Payne stood before her mirror, +while her maid, kneeling beside her, arranged the folds of lustrous +azure silk that fell about the slender form. + +The door had been opened by Hagar, who could scarcely keep her eyes +off the beautiful face and form of her young mistress, and who was, in +consequence, making very slow progress with the work of putting away +the garments that had been discarded in favor of the lovely dinner +dress. + +Madeline realized fully that the part she was now playing was even +more difficult and distasteful than that which she had abandoned. But +she was resolute. To go back now would be worse than death. While she +felt a thrill of repugnance as she saw the fair, sensual face of John +Arthur's wife reflected in her mirror, she turned with smiling +countenance, saying: + +"Is it you, step-mamma? How kind of you! Am I delaying the dinner?" + +"No more than I am," smiled Cora, in return. "I thought you might like +me to wait for you, as you are so much of a stranger to your old +home." + +"Oh, I am not at all timid, I assure you; but it is nicer to go +together. Am I almost ready, Strong?" + +"Almost, Miss Payne." + +"How quickly your maid dresses you," said Cora, resolved to keep the +conversational ball rolling. + +"Oh, yes; Strong knows how to pack things so that what you want first +is uppermost, and I had my dinner dress in a hand traveling-case." +Then, turning about she asked, abruptly: "Have you a good maid, +step-mamma?" + +Cora laughed nervously as she replied: "I have no maid, good or bad. +My maid ran away a week ago, after robbing me and nearly killing me +with chloroform." + +"Mercy, what a wretch! What have you done with her?" + +"We have not found her." + +"Did you look?" + +"Yes; detectives are looking for her now." + +"Well, I hope they will find her. Now I am ready; come, step-mamma." + +And together the two descended the stairs. + +Three faces reflected three degrees of surprise, as the ladies entered +the drawing-room with every appearance of good feeling and mutual +satisfaction. Davlin and Percy took their cue immediately. The only +one whom an observer would have pronounced not quite at ease, was Miss +Ellen Arthur, who stared from one to the other rather more than was +polite, and who sustained her part in the conversation in a very +nervous, fragmentary manner. + +Dinner being announced, Mr. Davlin promptly offered his arm to +Madeline, who accepted it with perfect nonchalance. They followed Cora +to the dining-room, themselves followed by Miss Arthur and Percy. + +Where four people separately, and each for his own end, determine to +appear cordial and perfectly at ease, each one bent upon completely +blinding the other three, there must of a necessity be much +conversation, and more or less hilarity, whether real or assumed. + +These four, who were waging upon each other secret and deadly war, ate +and drank together; and while Madeline regaled them with a fictitious +account of herself during the time she had been supposed dead, the +others listened and commented, and vied with each other in paying +hypocritical court to the heiress of Oakley. + +"You see, step-mamma," said Madeline, as they lingered over their +dessert, "I was never ignorant of what was going on here. My old nurse +kept me informed. When I sent you the fiction of my death, I had no +intention of returning, for I had determined never to live at Oakley +during my step-father's reign. But upon hearing of his insanity, I +resolved to come back, being now, of course, the real head of the +house. Mr. Arthur being _non compos mentis_, I, as heiress, assume +control of my own." + +If a wish could have killed, Cora would have closed forever that +insolent smiling mouth. But she felt herself powerless. + +Davlin, with inimitable tact, came to her rescue: "Cora will be only +too glad to welcome the queen back to her own. Indeed, she has been +for some time declaring her intention of abdicating, for a time at +least, and taking Mr. Arthur south to some medicinal springs. But the +doctor fears the change will not benefit him." + +Madeline turned her eyes upon Cora. "She can't go just yet," she said, +with odd decision; "I want her society. Where is your doctor, Mr. +Davlin?" + +"He is up-stairs with his patient, Miss Payne. He usually joins us at +breakfast, but not often at dinner." + +The truth was that Lucian, not feeling upon safe ground, had advised +the "doctor" to keep discreetly out of the way of this shrewd young +lady for the present, lest her keen questions should draw out +something not to their advantage. + +Miss Payne turned to Cora again. "You have perfect confidence in the +skill of this doctor, step-mamma?" + +"Oh, yes!" said Cora, positively; "he has been known to me a very long +time. Besides, we had in one of the Bellair doctors, who agreed with +Dr. Le Guise in every particular." + +"Well, I must see this learned gentleman to-morrow, and my step-papa +also, I think. Step-mamma, you look fatigued; dining is too much for +your strength. Let us leave the gentlemen to their wine and cigars." + +As if she had been presiding at that table all her life, Miss Payne +arose, bowed to the two men, and preceding the two astonished ladies, +swept from the dining-room. + +Cora, as she followed the graceful figure, could hardly restrain her +mortification and rage. She felt a longing amounting almost to frenzy, +to spring upon the girl and stab her in the back. + +The two men did not linger long in the dining-room. Each felt anxious, +for reasons of his own, to be again in the presence of Miss Payne, and +so soon joined the ladies in the drawing-room. + +After a little more hypocrisy on all their parts, Cora arose to retire +to her apartments, declaring that the excitement of Miss Payne's +arrival had made her forgetful of herself and her health, and that she +began to feel her fictitious strength departing. + +Madeline, too, arose, and offering her arm to Cora, said that she +would also retire. Nodding a careless good-night to the three deserted +ones, she left the room, with the fair invalid leaning languidly upon +her arm. + +To the surprise and dissatisfaction of Cora, Madeline not only +accompanied her to her own apartment, but entered with her. Having +closed the door carefully behind them, she turned about, and dropping +all her assumed gayety and friendliness, said with the air of a queen +commanding a subject: + +"Now, Mrs. Arthur, let us understand each other!" + +The sudden and marked change of her voice and manner startled the +woman out of all her self-possession. She stood staring in the stern +face of the girl with all of the audacity frightened out of her own. + +Cora was an adventuress to the tips of her fingers. She was fond of +intrigue; she possessed a certain kind of courage; but she was, after +all, at heart, a coward. She was quite willing to compromise her soul +for gain, but not her body. In short, she loved herself too well to +find any piquancy in personal danger. + +Since the loss of the papers and the flight of Celine Leroque had +shaken her feeling of security, Cora had been restive and anxious to +bring this plot to a climax. She had found it not at all to her taste +to have Percy holding over her head a sword, be it ever so slender. +And now, as she confronted Madeline, all her selfishness was alarmed. +She waited in absolute fear the next words from the lips of her enemy. + +"You need not weary yourself by playing the invalid in my presence, +madame," pursued the girl. "I am quite well aware that your illness +has been all a sham. I know, too, that you have found the _role_ of +invalid very irksome." + +The eyes of Cora widened still more, and all the color fled from her +lips. But she made a fierce struggle and, although she could not +summon up her usual insolence, she managed to gasp out, half +defiantly: "What do you mean?" + +"You understand my meaning," replied the girl, with contempt. "I mean +that you are in my power, and that you must obey my will." + +For a moment Cora's anger outweighed her fear. She came a step nearer +and said, sneeringly: "Indeed, Miss Payne! That remains to be seen!" + +"True," assented Madeline, coldly. "First, then, you had better +instruct your friend, Dr. Le Guise, not to administer _hasheesh_ to +Mr. Arthur to-morrow, in order to have him properly insane when I +visit him." + +Cora's knees bent under her, and all the color fled out of her face. +But she rallied her flying courage enough to say: "Explain yourself, +Miss Payne." + +Madeline drew toward her Cora's easiest lounging chair, and seated +herself therein with much deliberation, saying, as she did so: + +"You had better sit down, Mrs. Arthur; there is no necessity for a +display of anger, or for any more attempts at deception. The one is as +useless as the other is transparent. And I have considerable to say to +you." + +Cora moved sullenly toward a chair and sank into it, feeling like a +woman in a nightmare. + +"First, then, for your position," pursued Madeline. "It is sufficient +to say that I know of your scheme to dispose of Mr. Arthur and inherit +the wealth you supposed to be his." + +Cora was beginning to feel a return of combativeness, and she +exclaimed quickly: "That is false!" + +"I know," pursued her inquisitor, ignoring her retort, "that this man +you call 'Dr. Le Guise,' is your tool and--_I have had every drug that +has been prescribed by him analyzed by city physicians!_" + +Cora saw that she was indeed undone, and began to fight with the +recklessness of despair. "I don't believe you!" she cried, reckless +that she was committing herself. "That old spy, Hagar, has fancied +these things. How could you get the medicines?" + +"Not through Hagar." + +"How then?" + +"_Just as I got the certificate of your marriage with Mr. Percy._" + +The woman sprang to her feet. "You--you are--" + +"Celine Leroque, madame!" with an imitation of the ladies' maid +accent. + +Cora fell back in her chair panting. + +"Now," resumed Madeline, "why don't you reflect that, if it were my +intention to denounce you, I could have done that long ago. Are you +not aware that my step-father is my enemy?" + +"Not--in that way." + +"In that way precisely. John Arthur tortured my mother until she died +heart-broken. He made my childhood miserable, and shut me up in a +convent to pass my girlhood in loneliness. He bartered me in marriage +to a man older and uglier than himself, for ten thousand dollars. Then +I defied him to his face; swore to revenge upon him my mother's wrongs +and mine; and ran away. Do you understand now why I have allowed you +to persecute John Arthur?" + +Cora's courage began to revive. "I think I do," she said, slowly. + +"You see, Mrs. Arthur, it is in my power to arrest you; first, for +Bigamy, and second, for Attempted Poisoning." + +Cora looked at her coolly. "But you won't do either," she said. + +"Won't I? And why not?" + +"Because, to do either, you must bring your own name into too +prominent notice." + +Madeline laughed scornfully. + +[Illustration: "You--you are--!" "_Celine Leroque_, madame."--page +362.] + +"You forget," she said, "I left my home for revenge. I feigned to be +dead--I returned to Oakley in disguise--for revenge. Do you think that +I will let my pride stay me when, by exposing you, I can complete my +vengeance upon John Arthur?" + +Cora's countenance fell. She had not viewed the matter in just that +light. She made no answer, and Madeline continued: + +"Don't flatter yourself that I shall hesitate, if I cannot effect my +purpose otherwise. I am not disposed just now to war with you, but if +you do not see fit to accept my terms, then I must turn against you." + +"What do you want of me?" sullenly. + +"I want you to continue as we have begun. I want Miss Arthur, Mr. +Percy, and your brother, to believe us the best of friends. Above all, +I want John Arthur to think us allies." + +"And what then?" + +"Then, you will be safe so far as I am concerned. Then, when I have +accomplished my purpose and hold in my hands the keys to the Oakley +coffers, you shall have money, and shall go hence to resume your +career in whatever field you choose." + +"What security have I for all this?" + +"My word!" + +"And if I reject your terms?" + +Madeline smiled oddly. + +"What is to prevent my leaving this place now, to-night?" said Cora. + +Madeline laughed, saying: "Do you want to try that?" + +"If I did, what then?" + +"Then--you would not be permitted to leave these premises!" + +"Ah! you have spies in this house!" + +"Yes; and out of it. There is no chance for you to escape. There is +no chance for any one to escape. Mrs. Arthur, is this man that you +call your brother really such, or is he, too, in your plot?" + +Cora looked at her keenly, but it was no part of Madeline's plan to +let her know that she had ever seen Lucian Davlin before that evening. +Her face was as calm and inscrutable as the face of the sphinx. + +"No," said Cora, at length "my brother does not know of it." + +"I am glad of that," replied Madeline. "But, for fear of any +deception, he will be kept under _surveillance_; and if anything is +communicated to him I shall surely know it." + +"Why did you rob me of those papers?" asked Cora, abruptly. + +"Because," said Madeline, leaning forward, "you and I have a common +enemy." + +"What! not Percy?" + +"Yes, Percy!" + +Cora looked amazed. "But--have you known him before?" + +"I never saw him until he came to Oakley." + +"I can't see how he has incurred your enmity here." + +"He has not incurred my enmity here. I hated him before I ever saw +him." + +"Why?" + +"Because he has wronged a friend who is as dear to me as life." + +"Oh!" + +"Don't puzzle your brain over this; you won't be enlightened. It is +sufficient for you to know that you can serve me if you choose, +because we are both enemies of the same men." Then, rising, "Now +choose; will you remain here as my ally, or leave in disgrace, and a +prisoner, as my enemy?" + +Cora reflected, and finally said: "I accept your terms." + +"Very good; and now for precautions. You must allow me to supply you +with a maid." + +"What?" + +"You are an invalid; I am well and strong. What could be more natural +than that I should desire you to have every care and comfort that I +can desire? I shall give you my maid; she will supply the place of +Celine Leroque." + +"I won't have her," cried Cora, angrily. "I won't have a jailer." + +"Certainly not; you will have my maid, however. I will get another +to-morrow." + +"I won't have her!" + +"Nonsense." Madeline stepped quickly to the door and opened it. +"Strong," she said, softly. + +Instantly in stepped Strong, who had been just outside awaiting the +orders of her mistress. + +"Strong," said Madeline, "I am going to let you wait upon Mrs. Arthur. +She is in delicate health, and needs a maid. You must be _very +attentive_, and don't let her get into any draughts. You can sleep in +the dressing-room; and if she is not _well cared for_, I shall hold +you accountable." + +Cora looked at the big, robust woman, so appropriately called Strong, +and felt that she was indeed a prisoner. + +Strong bowed in silent submission to the will of her late mistress, +and turned her broad visage upon her new one. + +Madeline moved to leave the room, saying, with a return to her former +manner: "Good-night, step-mamma; try and go down to breakfast with me +in the morning, won't you?" + +Without waiting for a reply, she opened the door and swept across the +hall, and Cora heard her door close behind her. Not deigning a single +glance at Strong, Cora sat tapping her foot upon the carpet and +reviewing the situation. After some angry musing, the practical side +of her nature began to assert itself. She reflected that she was not, +after all, in immediate danger; and that she would be still, to all +outward appearance, the mistress of Oakley. There was not much to fear +just now, and she would keep her eyes open. + +Meantime, she would not be unnecessarily uncomfortable. And so, being +by nature indolent, she decided to make the most of the unwelcome +Strong. Turning toward the statue-like figure near the door, she +galvanized it into life by saying: + +"Strong, get my dressing-gown from that closet, and then take off my +dress." + +And Strong commenced her duties with cheerful alacrity. + + + + +CHAPTER XXXIX. + +MYSTIFIED PEOPLE. + + +John Arthur sat before a smoldering fire, gazing moodily down at the +charred embers that had lost their glow and only showed a dark red +light here and there, as if to assure one that there was fire in the +grate. + +He was thinner than of old. His face wore a sickly pallor. His hands +that clutched the arms of his invalid's chair worked incessantly, +indicating surely that his nerves were in anything but a state of +calm. He was feeble, too, in body; but his mind, spite of the verdict +of the Bellair physician and the drugs of the Professor, was still +unimpaired. + +In the solitude of the two rooms, out of which he had not once +stepped since first he was removed to the west wing, he had had ample +time for reflection; but he had by no means arrived at a state of +mental beatitude. + +He had found it useless to struggle, useless to bluster, to argue or +to plead. Henry was a merciless jailer, and Dr. Le Guise a sarcastic +one. + +His breakfast had been served, and stood upon the table beside him; +but he scarcely glanced at it. When Henry came in from the ante-room +to remove the things, he said, without looking up: "Go ask Le Guise to +come to me." + +Henry carried away the tray, deposited it in the ante-room, locked the +door of the chamber carefully, and made his way to the breakfast-room. + +At that moment, the incongruous mixture called the family, were there +assembled, including the Professor. The latter was just then +discussing the condition of his patient with Miss Payne, in blissful +ignorance of the fact that the young lady was fully conversant with +his mode of treatment, and the true condition of her step-father's +health. + +"You see, my dear young lady," the Professor said, pompously, "his is +the worst form of insanity; the very worst. When a patient raves +constantly we know precisely what to do with him. But when he is, at +times, to all appearance, as sane as yourself, and yet liable at any +moment to blaze out a perfect madman, one dislikes to treat him as a +madman, and yet it is not safe to consider him a sane being." + +Madeline nodded, with a splendid assumption of profound interest. + +"It's a sad case," she said, pensively. "I almost dread the +interview." + +"I think he is quite collected this morning, and he may be calm +throughout. I hope so, for I should not like to have you witness one +of his tantrums." + +"I have seen him in tantrums when he was considered sane," said the +girl, with an odd intonation. + +Then looking up, she saw Henry, who had entered the room and stood +staring at her in speechless amazement. Hagar had informed him that +his young mistress was in the house. But he was not prepared for the +vision of loveliness that the girl presented, as she turned toward him +clad in her morning robe of snowy cashmere bordered with swansdown, +and trailing after her like a train of snow. Luckily no one noted his +start of surprise and quick glance of recognition, and Madeline said: + +"Is not that my step-father's attendant, doctor? I think he wants +you." + +The "doctor" beckoned Henry to approach, and said, affably: "Well, and +how is our patient, Henry?" + +"About as usual, sir. But he wants to see you." + +"Oh, he does? Poor soul, I'll come directly, Henry." Then, turning to +Madeline: "Shall I break to him the news of your arrival?" + +"No; not unless you think it unsafe to surprise him." + +"On the contrary, an agreeable surprise might prove beneficial." + +The Professor, who had received sundry instructions from Davlin, +assumed to be ignorant of the fact that the patient supposed his +step-daughter dead. + +Smiling a little at the hypocrisy of the man, who pretended to have at +heart the interest of a patient supposed to be in an excessively +nervous state, yet was quite ready to expose that patient to the shock +of meeting, without previous preparation, one supposed to be dead and +in her grave, Madeline turned, and with a gesture brought Cora to her +side. + +"Is Dr. Le Guise aware that my step-papa believes me to be dead?" she +asked. + +Cora and the Professor looked dubiously at one another for an instant. +Then the former, seeing her cue in the face of the latter, said: "He +is not." + +"Well, step-mamma, I am going up to see him soon, and, on second +thought, it will be best to have the doctor inform him of my +resurrection." + +Cora nodded. + +"And," pursued the girl, "I will only say that I desire you, doctor, +to inform him that I feigned death for reasons of my own. That I am +here in the flesh, and will appear in his presence soon. When you have +prepared him for my coming, have the goodness to come down and tell +me." + +Saying this she turned away, after which the Professor quitted the +room to obey the summons of his patient. + +Lucian Davlin had witnessed the interview, the summons and the +departure, from a distance. He had found no opportunity for conversing +with Cora, as yet, and was sorely puzzled by the present aspect of +affairs. + +He had watched the two narrowly, but he found himself unable to read +the true meaning lurking beneath the soft words that fell from the +lips of Madeline. He could hear no jar in the music of her voice, +could catch no glance that would give the lie to her honeyed words. +She was playing her part like a born actress. + +He had not expected to see Cora accept the situation without a +struggle. He was glad to find that there was to be no scene, and +yet--somehow he felt himself at a disadvantage. + +He had viewed the situation from his stand-point, however, and had +decided upon his course of action. + +First, he was resolved not to quit the field until he had made a +desperate attempt to regain his power over the heiress of Oakley. +Second, he would use stratagem in order to obtain an interview with +her. + +In due time, Dr. Le Guise came among them once more, and announced to +Madeline his readiness to conduct her into the presence of his +patient. + +"He is quite prepared to see me, then?" questioned Madeline. + +"Quite, although I left him a trifle agitated and upset." + +As they paused at the door leading from the hall of the west wing, she +said: + +"I will go in alone, Dr. Le Guise." + +"As you please." Then, as it were an afterthought. "I really believe, +for your own safety, you had better keep Henry near you." + +"I shall be in no danger," she replied, and entered the outer chamber, +closing and locking the door after herself. + +In answer to her knock, the door of the ante-chamber was unlocked and +opened by Henry. Madeline swept across the threshold and extended her +hand to the faithful fellow, saying: + +"Henry, I am glad to see you. I hope you do not find your present +duties too heavy?" + +"Not since I knew I was serving you, miss," said the man, +respectfully. + +"You are serving me, Henry. I need you here very much; and rest +assured you shall have your reward for all you have done or may do for +me." + +Evidently the prospect of reward was not unpleasing to him. His +countenance beamed satisfaction. + +"And, Henry," continued his mistress, "attend to this. You are not, on +any account, to give your charge any more of the medicine prepared for +him by the doctor." + +A look of surprise shone from the eyes of the negro, but he answered +simply, like the well-trained servant he was: "Yes, miss." + +"Above all, Henry, you are to let the doctor think that you administer +all that he gives you." + +Henry signified that he fully understood and would obey his +instructions. Then he opened the inner door, and John Arthur and +Madeline Payne stood once more face to face! + +For a moment, the two eyed each other in silence. Then John Arthur +said, with a sneer on his lip, and in a tone which proved clearly that +time and imprisonment had not taught him meekness: + +"So, you young jade, what escapade have you been up to now? And how +dare you come back here like a young princess? Why don't you keep out +of my house?" + +Madeline laughed scornfully. "_Your_ house!--But I forgive you, +step-papa; of course you are not accountable for your words." + +Her tone was mockery itself. The man found it difficult to restrain +his wrath as he looked in her scornful face and said: "Don't dare to +pretend to believe that I am crazy! Are you in league against me, +too?" + +Wishing to draw from him just how much of the baseness of Cora he +believed in, or suspected, she dropped her voice and asked, in assumed +surprise: "Is it possible that you believe some one to be plotting +against you?" + +"Is it _possible_! How else could I be kept shut up a prisoner in my +own house?" + +The girl seemed to ponder. "Who is your enemy?" she asked. + +"Every one in this house." + +"What! Surely not your wife?" + +"I'm not so certain of that." + +"But she, too, has been sick." + +"Have they locked _her_ up?" snapped he. + +Madeline smiled. "Well, not exactly; she is not allowed much liberty, +though." + +"Why won't she come and see me?" + +"Mercy! She is too delicate." + +"Seems to me you are well informed for one so lately arrived." + +"I _am_ well informed, Mr. Arthur. But I am not a late arrival." + +"What do you mean?" sullenly. + +"Just what I say," with an odd laugh. "I have been in this house since +you were first put in these rooms." + +He sat like one stupefied. At last he sprang up and fairly yelled, "In +the fiend's name, explain this chicanery. Why are you here? Who is +keeping me a prisoner, and wherefore? Is it _you_, you little virago?" + +"Softly, step-papa; one thing at a time. I am here because _you_ are +here," she said in a voice of unruffled calm. "Who is keeping you a +prisoner, you ask? I am." + +Once more he seemed on the point of giving way to a paroxysm of rage, +but controlled himself and said, sullenly: + +"I suppose I may thank you for my imprisonment from first to last." + +"You may thank me if you choose, but it will be bestowing your +gratitude upon the wrong party. I did not lock you up. I simply +permitted it." + +"And why have you leagued with my wife--curse her--to shut me up like +a thief?" + +"Why?" her voice rising in angry scorn, "Do you ask me _why_? Why did +you make my mother almost a prisoner in her own home? Why did you +crush her in life, and blaspheme her in death? Why did you drive her +daughter from the home that was hers, to escape from your cruelty, +your insults, your avarice? John Arthur, how dare you ask me _why_ you +are here!" + +Again the flashing eye, the ringing, wrathful voice, the white, +uplifted hand. They menaced him again, as on that June evening when +she had defied him and then fled out into the darkness, not to return, +save in dreams, until now. + +Again he felt a thrill of terror, and he sat before her mute and +cowering. At last he found voice to say: "Do you mean that you intend +to keep me a prisoner?" + +Her eyes met his full. They were cold as snow and resolute as fate. +"You will never leave these rooms until you accede to the terms I have +to propose." + +Her audacity fairly stunned him. He fell back a pace as he said: +"What--terms?" + +"First, you are to agree to resign the guardianship of my property. +Second, you are to leave Oakley forthwith and forever, and to keep +ever and always away from me and all that is mine." + +"Bah!" he cried, angrily, "do you think I am a fool? I won't resign my +guardianship; the property is _mine_, not yours!" + +"Then I will choose a new guardian immediately. How ignorant of law +you are, step-papa! Don't you know that you are legally _dead_? Don't +you know that a lunatic can't hold property? Legally, I can choose a +guardian to-morrow." + +"You she-devil! But I am not a lunatic!" sneered he. + +"How obtuse you are, step-papa! You _are_ a lunatic; we have the +certificates of two physicians to that effect; and that is all the law +requires. Now, be reasonable; what can you do?" + +"I'll get out, by heavens," he yelled; "and I'll put you in State's +prison for false imprisonment!" + +She turned upon him with the utmost composure. "My dear sir, you have +not one witness to prove that you are a sane man. There are many to +prove that you have been subject to violent fits of madness." + +She turned again, and he, no longer seeking to control his rage, +sprang toward her, uttering a volley of curses. + +During their entire interview, Henry had stood like a sentinel at the +outer door of the ante-room, while that leading into the chamber of +the prisoner stood wide open. At the first accent of rage, he darted +forward; and as the girl sprang away from her step-father, that +gentleman felt himself seized and hurled with scant ceremony to the +middle of the room. + +"Don't you try that, sir!" cried Henry, in high wrath. "You won't find +me a friend, if you do." + +"So," panted the old man, "this is one of your hirelings, is it? And +pray, sir, what is this young fiend to pay you for your services?" + +"That's my affair," responded the man, coolly. "You can't buy me off; +and if you try that game again, you will get yourself into a straight +jacket." + +Madeline laughed, and said: "There, Henry, you need not be alarmed for +me. But when you report this attack to the doctor, tell him that I +think he had better take measures to secure his safety and yours, in +case your patient should be again seized with a fit of violence." + +John Arthur immediately saw that he had damaged his own cause. + +"You had better sleep upon my proposition, Mr. Arthur," said Madeline, +from the threshold. "If you pine for liberty, send for me. And don't +think, for a moment, that I shall allow you to go free without taking +the necessary precautions to insure myself against any trouble you +might desire to make me. Adieu, Mr. Arthur." And she swept from the +room. + +John Arthur stood for many minutes in the same place and attitude. +When his anger would permit him, he began to wonder. She had come and +gone, and how much the wiser was he? Where had she been all these +months? Why had she allowed them to think her dead? Who were her +friends, for friends she must have found? Why had her presence in the +house, if she had been here, been kept from him? How had she gained +the ascendancy over every one in that house? He thought so long and +intensely that he started up, at last, almost beginning to fear that +he was becoming mad. + +When Dr. Le Guise again came into his presence, he began to question +him. But it was labor lost. Dr. Le Guise would not admit that he was a +sane man. Dr. Le Guise knew nothing, absolutely nothing, outside the +range of his professional duties. He was sorry for his patient; very +sorry. He assumed to take all assertions on the part of Mr. Arthur as +so many fresh evidences of insanity. + +[Illustration: "Don't try that, sir!" cried Henry, in high +wrath.--page 375.] + +He was very grave, was Dr. Le Guise, but not to be moved. In fact, the +prisoner fancied that he could observe in the doctor's tone, manner, +and countenance, an unusual degree of complacency, and relish for his +position and authority. And the prisoner was right. The reason for +the doctor's placidity of manner was simply this: + +Madeline on leaving the rooms of the west wing, had encountered the +worthy "doctor" just at the turn of the passage, and she had paused, +saying: + +"Dr. Le Guise, you were right about my unfortunate step-father. He is +quite mad, and really a dangerous charge. An ordinary fee is too +little to offer you, considering what you have undertaken. I don't +know what terms my step-mamma has made with you, but I will volunteer +to double her price. You will be amply remunerated, and must consider +the house and everything in it at your disposal, so long as you keep +your patient safe, and do not permit him to do any mischief." + +The astute Professor had taken in the full meaning of her words, which +served to quiet the fears that had haunted him since the advent of +Miss Payne; fears that the young lady would prove to be an enemy, and +one keen enough to fathom the secret they were keeping hidden in the +west wing. + +He had seen that, for some reason, neither Cora nor Davlin dared, or +did, oppose her. Now he fancied he understood the reason; it was +because they did not fear her, for her interests were in common with +theirs. + +"He is certainly a dangerous man," said the Professor, gravely; "I +will obey your instructions to the letter." + + + + +CHAPTER XL. + +DAVLIN'S "POINTS." + + +Madeline having left the morning-room, accompanied by the too +observant Professor, Lucian saw at once his opportunity for a few +words with Cora. Without too great an appearance of haste, he moved +across the room, pausing before the fire, in front of which Miss +Arthur was seated, and addressing to her a few careless words. Then he +glanced at Percy, who sat at the most remote corner of the room, +assuming to be much interested in some geological specimens in a +little cabinet. + +Cora divined his intention. She knew, too, that this was the very best +place for an interview, which she desired to make a brief one, being +somewhat afraid of committing herself if she allowed him to ask too +many questions. So she moved over to the window, and seated herself in +a low chair. + +She had decided upon her own present course of action. She would play +her part well while she remained at Oakley, and she would escape from +it as soon as she had succeeded in blinding the eyes of her jailers, +for she mentally acknowledged them as such. + +When Davlin at length crossed the room, and dropped carelessly down in +the chair at her side, she lifted her eyes to his, and said, +inquiringly: "Well?" + +He looked at her keenly for a moment. Then, not to lose any time by +useless words, came straight at the point. + +"Time's precious, Co. We can't attract attention by a long dialogue, +and yet we must talk things over. When can I find you alone?" + +"Not at all for a day or two." + +"Why not?" elevating his eyebrows. + +Cora rested her head upon her hand in such a way as to conceal from +those at the opposite end of the room, the expression of her face, and +said: + +"Because I want to be sure that we can talk without being observed. +Miss Payne seems very friendly, and has given me her maid because, +she says, an invalid needs waiting on, and she sleeps in my +dressing-room. I don't want to excite suspicion by sending her away, +in order to admit you, and--I don't see that there is much to be +said." + +Lucian seemed weighing her words for a moment. Then he asked: "What do +you make of Miss Payne?" + +"What do you make of her?" she retorted, quickly. + +"Nothing, as yet." + +"No more do I." + +Another brief silence, and then he asked: "Do you think there is any +immediate danger--for us?" + +"As how?" + +"From him: Arthur." + +Now came Cora's grand coup. She felt pretty sure that Lucian knew of +her interview with Madeline, and believed that she would be telling +him no news when she said: + +"Listen! She went with me to my room last night, and she asked a good +many questions about him. And I am sure of this: she is no friend to +him, and if she sees no reason for suspecting any of us, she won't +trouble herself about him. She told me that she ran away from home +because she had been so oppressed by him, and that his attempt to +marry her off, in order to put money in his own pocket, was only one +among many of the things she had endured at his hands. Of one thing I +am sure: the old man may be a stumbling-block to us, but he is an +object of positive hatred to her." + +Cora uttered this combination of truth and falsehood without the least +compunction. If she could have warned him of the danger hanging over +them without jeopardizing herself, she would have done so. But that, +she knew, was impossible. + +He had planned this "game" which now bade fair to be such an utter +failure, and if anyone must suffer, why, let it be him. And then, too, +she reasoned, she had not gathered from the words of Madeline that she +suspected Mr. Davlin of duplicity of any kind. As for the Professor, +Cora cared little what became of him. She could gain nothing and +might, doubtless would, lose much by warning him. + +Lastly, Cora assured herself that were their positions reversed, and +Lucian the one who saw that his own safety lay in leaving her to her +fate, he would not scruple to make her his scapegoat. And in this she +was quite right. + +Again the man seemed to puzzle over some knotty, mental question. Then +he arose, and leaning against the window frame in a favorite attitude, +glanced across at Percy and the spinster as he asked, slowly: "Did she +say anything about me?" + +Cora looked up in genuine surprise. "About you? No; why should she?" + +"I mean," he said, "did she say anything to cause you to think that +she suspected us?" + +"No," shortly; "why should she? She never saw either of us until +yesterday." + +"What do you think brought her back here just now?" + +"It's easy enough to see why she came back. She has heard of the +insanity of Mr. Arthur, and has come, as she said, to take possession +of her own." + +Another pause; then Cora said: "Is the Professor 'up' to anything +new?" + +"No." + +"Then don't let him take the alarm. It would hurt us. We can't run +now, and I don't think we have much to fear. We will lose the +money--that's all." + +Lucian looked out upon the evergreens and graveled walks of Oakley, +and said, under his breath: "Will we?" + +Then he turned upon his heel and sauntered out of the room. + +The question that was then uppermost in his mind, the question that +had been since the first shock of her reappearance had given him time +to think, was, why had Madeline returned to Oakley? + +Was it, as she alleged, because she had changed her mind, and wanted +to be mistress of her own? Or was it because he was there? If he could +convince himself that the latter reason was the true one, then he +would know how to act. + +She had kept herself informed of affairs at Oakley. Then she must have +known of the fact that the so-called brother of John Arthur's wife was +Lucian Davlin. She must have known that. Of course she knew it. Did +not her manner on the evening of her arrival prove that? Not for one +instant did she lose her self-possession. Had his presence been +unexpected, she could hardly have restrained every sign of emotion, of +recognition. Clearly, she was prepared for their meeting. + +Ah! now he was getting at things. If she came to Oakley, knowing him +to be established there as a member of the family, she came +_expecting_ to meet him. She was not afraid of him, then. She was not +averse to meeting him. Perhaps--he began to think it highly +probable--she came solely to meet him. If so, did she come for love, +or--for revenge? + +If she came for revenge why did she not denounce him? But no, she +would hardly do that. What woman would? But she might have assumed +toward him a more hostile attitude. + +Finally, his masculine vanity helped him to a conclusion. A woman +seldom forgets her first love so easily, and he could meet her so +differently now. She had _not_ forgotten her love for him. He could +win it back, and her forgiveness with it. And then--then, if he could +but manage Cora, what would hinder him from marrying her, and being +in clover ever after! He was tired of roving; they could go to the +city; he need not give up gaming, and--he really loved the girl; had +loved her since the day she had escaped from his snare. + +Having arrived at this stage in his day-dream, he began to feel +buoyant. And when he heard from the Professor the result of Madeline's +visit to her step-father, his complacency was at high tide. + +"It's all in a nutshell to me," said the Professor, as they smoked +their confidential cigars in the privacy of Lucian's own room. "Mind, +I don't suppose she _is_ up to our game; she can't be, you know; but +she is pretty thoroughly convinced that what she thinks is his +insanity, is but temporary." + +"How do you know that?" interrupted Lucian, sharply. + +"Not from anything _she_ said; I had very few words with her. But look +here, Davlin, isn't this a clear case enough? When I went up to see +the old fool, after their interview, I find him in a paroxysm of rage. +Of course he makes his complaint; his _ravings_ informed me of this: +She told him that she did not really think him very crazy herself, but +two doctors _did_, and she didn't feel called to dispute them. She +told him that he could not prove himself sane in any court in America; +and that he, being insane, was dead in law; and she was going to +choose another guardian." + +Lucian Davlin fairly bounded from the chair. "That's it!" he +ejaculated under his breath. + +"Then," pursues the Professor, puffing away tranquilly, "she comes +straight from this interview and meets me, to whom she says that, 'It +is a most deplorable and dangerous case; that he is really liable to +attack me or Henry at any moment; that I must take every precaution +and guard against his sudden attack, even if I were forced to confine +him still more closely; and that she had suspected him of partial +insanity long ago.' Now, what do you think of that?" + +Precisely what he thought it was not Mr. Davlin's intention to tell. +One idea, however, he expressed promptly enough: "I think," he said, +leaning a little forward and looking full at his companion, "that you +had better take the advice of Miss Payne. Confine him close, the +closer the better; but don't drug him any more at present!" + +The Professor nodded serenely as he said: "Right, quite right. Just +what I was about to suggest." + +He might have added that he had resolved upon taking the course +indicated, even if the suggestion had not been made. "The young lady +holds the winning cards," he had assured himself. "I will take her +orders before I get myself in too deep!" His "too deep" meant deep as +the grave. + +And now Lucian had a new subject for conjecture. If Miss Payne +proposed to appoint for herself a guardian, who would she select? Who +had been caring for her during all these months? Was it man or woman? + +The only information she had volunteered had been implied rather than +spoken. In answer to Miss Arthur's rather abrupt query at the +breakfast table, as to how she had managed to prosper so well in a +strange city where she had no friends, the girl had replied, with a +little laugh: + +"I suppose it has never occurred to either yourself or Mr. Arthur that +I might have found out some of my mother's friends. I was put in +possession of my mother's journal on the very day that I ran away from +Oakley. I am not so friendless as you may think." + +Lucian was again puzzled, but knowing the girl as he did, he was not +prepared to believe that a guardian, in the form of a lover, would +appear. He was now convinced that Cora, whom at first he had somewhat +doubted, was not for some unknown reason attempting to deceive him. + +The Professor's story had corroborated hers, and given him, as he +expressed it, "a fresh point" in his game. But alas for Lucian! Every +fancied discovery only beguiled him farther and farther from the +truth, and rendered him more and more blind to the chains that were +being forged about him. + + + + +CHAPTER XLI. + +THE DAYS PASS BY. + + +Several days passed and still Lucian Davlin had not found the much +wished for opportunity to converse with Madeline. Neither had he been +able to find Cora alone. Visit her room when he would, there was the +burly waiting-maid. Finally Cora had warned him, with some asperity, +that his "actions looked rather suspicious," and then he obeyed her +gentle hint and remained aloof. + +Two days after the bestowal of Strong, the maid, upon the +not-too-grateful Cora, an angular, grenadier-looking female presented +herself at the servants' entrance, announcing that she was "the new +maid;" and she was installed as high priestess of Madeline's +apartments without loss of time. + +The servants below stairs made comments, as servants will. Even Miss +Arthur, Percy, and Davlin agreed in calling the two maids, +respectively, "Grenadier" and "Griffin." + +But only Cora knew that the two were better learned in the art of +spying than in matters of the toilet. She knew herself to be under +continual surveillance. Above stairs or below, Madeline or Hagar, +Strong or Joliffe were not far away. And yet she had not abandoned her +plan of escaping. + +One morning, Cora, looking from the window of her dressing room, saw +two men moving about in the grounds below. Upon commenting upon their +presence there, Strong had answered, readily; + +"Yes, madame, Joliffe tells me that they are here to sink a well. Miss +Payne has decided to have a fountain among those cedar trees, and they +are to go to work immediately." + +"But a well in winter! They can't dig." + +"They don't dig; they bore. It's to be a fountain, madame." + +But in spite of the "fountain" explanation, Cora knew that the house +was guarded from without as well as from within. + +"It's no use to warn Lucian, or anybody, now," she thought. "It would +only get us all into worse trouble." + +But still she did not abandon the thoughts of her own escape. + +And now began a time of trial for poor Ellen Arthur. Madeline Payne, +after studiously ignoring the two men for some days, began to unbend. +She commenced by conversing with Percy, listening to his slow and +stately sentences, smiling her approval, and completely captivating +that susceptible gentleman. Then, by degrees, she drew Lucian into the +conversation, and smiled upon and listened to him. + +All this Cora observed, wondering what the girl was trying to do; +while the spinster looked on in untold agony, fearful lest this fair +sorceress should avenge herself for some of her childish grievances by +robbing her of her lover. + +Meanwhile Lucian Davlin interpreted all this in his own favor. "She +is proud and still resentful," he thought. "And she is using Percy as +a medium of approach to me." + +At last Lucian, growing impatient, resorted to an old, old trick. He +watched his opportunity, and one evening, as Madeline was following +Cora from the drawing-room, the door of which he was holding open for +their exit, he pushed into her hand a small scrap of paper. + +She would have dropped it; her first impulse was to do so, but Cora +turned as her hand was about to loosen its clasp upon the fragment. So +she passed on, carrying it with her to her own room. There she opened +it and read these pencilled words: + + For God's sake do not torture me longer. You have condemned + me without a hearing. Be as merciful as you are strong and + lovely. At least let me see you alone, when I can plead for + myself. + +Half an hour later, Hagar tapped at his door. When he opened it, she +put in his hand a bit of paper, on which were these faintly-pencilled +lines: + + If you desire my friendship, you must date our acquaintance + from this week. You never knew me in the past. + +"And she is right," muttered he; "the Madeline Payne of last summer, +and the Madeline Payne of now, are to each other as the chrysalis to +the butterfly, in beauty; as the kitten to the panther, in spirit; as +the babe to the woman, in mind. That Madeline pleased me; this one, I +love." + +So he accepted the position, and did not give up striving to draw from +her some special word, or look, or tone, that he need not feel +belonged as much to Percy as to himself. + +Meantime Percy was revolving various things in his learned head. + +He had been, as a matter of course, deeply impressed with her beauty, +and he had been much puzzled as well. + +Having witnessed her arrival, he had fully expected rebellion from +Cora, for Cora was not the woman to be barred out from a prospective +fortune and make no sign. But there was no war, and no indications of +battle. Cora and the heiress were wonderfully friendly. Mr. Percy +could not understand it. + +The manner of Davlin toward him had not changed in the least, +remaining as studiously polite as when he was so cordially invited to +take up his abode under the hospitable roof of Oakley. + +That of Cora was decidedly different. While before she addressed him +with a sort of conciliating courtesy, and had seemed desirous of +furthering his plans and hastening on his marriage with Miss Arthur, +she now manifested an almost contemptuous indifference, not only to +himself, but to his _fiance_. + +True to her nature, Cora was gathering up what gleams of satisfaction +she could. When she had become assured that it was not Percy who held +possession of her stolen papers, and that the girl in whose hands they +were was more his enemy than hers, she rejoiced in his discomfiture to +come. Seeing that it was no longer necessary to propitiate her enemy, +she indulged in the luxury of acting out her hatred, when she could +without betraying to Davlin this change, which might require an +explanation. + +That some sort of understanding existed between Miss Payne and Cora, +Percy instantly surmised, and every day confirmed the belief. That +Miss Payne held the power, he also believed. So believing, he began to +wonder if it were not better to "be off with the old love," and seek +to win the heiress, for the vanity of Mr. Percy inspired him to +believe that it would not be a hopeless task. He had heard, however, +of that person who, "between two stools," fell to the ground, and he +was careful not to reveal to Miss Arthur the laxity of his affections. + +And so the days moved on. + +Percy dividing his attention between his _fiance_ and Miss Payne; +studying the latter, and closely watching Davlin and Cora. + +That last named lady smiling and lounging below stairs, sulking and +smoking above, and always under surveillance. + +Davlin, having assured Cora that he was acting from motives politic, +paying open court to Madeline. + +That young lady calmly acting her part, thoroughly understanding and +heartily despising them all. + +John Arthur alternately raging and sulking, obdurately refusing to +accede to his step-daughter's terms, and vowing to escape and wreak +vengeance upon every one of them. + +"Dr. Le Guise," calm as a Summer morning, and taking more real ease +and comfort than all the others combined. + +Hagar watchful and anxious. + +The two new maids making themselves popular in the kitchen, and +"sleeping with their eyes open." + + * * * * * + +And still no clue by which Madeline and her efficient _aides de camp_ +could unravel the web of doubt that still clung about, and kept a +prisoner, the long-suffering Philip Girard. + + + + +CHAPTER XLII. + +A STRUGGLE FOR FREEDOM. + + +After some days of outward calm, came a ripple upon the surface of +events. + +It had been a dull, cloudy day, with occasional gusts of wind and +rain; wind that chilled to the very marrow, and rain that froze as it +fell. + +The three men, Davlin, Percy and the Professor, had been constrained +to abandon their customary morning walk, with cigar accompaniment, up +and down the terrace. And the well-borers had been obliged to stop +their work. + +Mrs. Arthur had kept her room and her bed all day long, afflicted by a +raging toothache. Strong was kept at her side, almost constantly +applying hot water, laudanum and various other local applications. As +the day advanced, the sufferer seemed growing worse; and when Madeline +came in to administer consolation, and see if the woman were really +ill, Cora sent for Dr. Le Guise, vowing she would have the tooth out, +and every other one in her head, if the pain did not stop. But when +the Professor arrived, her courage failed her. She drew back at the +sight of the formidable forceps, saying that she would "try and endure +it a little longer; it seemed a bit easier just then." + +All this Madeline noted. Retiring from the room she signaled to Strong +to follow her out. "What do you think of her?" questioned Madeline of +the latter, as the door closed between them and Cora. + +Strong looked dubious. "I really don't know what to think, Miss +Payne," she said. "If it is shamming, it is the best I ever saw." + +"True," answered Madeline; "I am at a loss. You had better apply some +test, Strong, and--keep all your medicines out of her reach. Don't let +her get any laudanum, or anything; and presently report to me. She +must not be left alone, however; when I send Joliffe in, do you come +to me." + +Madeline passed on to her own room, and Strong returned to her +patient. + +When Joliffe went to her relief, Strong presented herself before +Madeline, saying: "I can't think she is shamming, Miss Payne. I +suggested a mustard blister, and she never made a murmur. I put it on +awful strong, and she declared that it was nothing to the pain. When I +took it off her cheek was red as flannel, and she wanted it put on +again. She says it relieves her, and thinks if the pain don't come +back she will sleep. I made sure of the bottles all the same," added +Strong. "I have used a lot of chloroform on her, but of course some +would evaporate." And she held up to view a half-filled chloroform +vial. + +She was right; full half an ounce had "evaporated," during the brief +minute when she had stood in the hall to confer with Madeline. + +Altogether, Strong had a hard day. + +Cora kept her continually on her feet. The blinds must be opened, and +shut again, every fifteen minutes. The room was too hot, and the fire +must be smothered. Then it was too cold, and the fire must be +stimulated to a blaze. And no one could wait upon her but Strong. + +As night came on, the paroxysms of pain returned in full force, and +Strong was implored once more to apply the soothing mustard. + +When Madeline looked in at ten o'clock, Cora was groaning in misery, +and Strong was applying a blister. When she again looked in, an hour +later, the invalid, with blistered face and fevered eyes, feebly +declared herself a "trifle easier," and Strong was bathing her head +with _eau de Cologne_. + +Madeline soon retired to her room, and her couch. But for half an +hour longer, Cora kept the now yawning Strong at her side. Then she +said: + +"Go now and get some rest, Strong. Leave the mustard on my face, and +then I think I can sleep. I am getting drowsy now." + +Strong replaced the mustard, and raked up the fire. Then she looked +carefully to the fastenings of the doors, and returned to the bedside. +Already her mistress was in a heavy slumber. + +Putting in her pocket the keys of both doors, Strong retired to the +dressing-room and, loosening her garments, threw herself down wearily +upon a couch, and was soon sleeping the sleep of the just, and +breathing heavily. + +For some moments after the loud breathing told that her maid was +asleep, Cora lay quietly, but with eyes wide open. Then she stirred, +making a slight noise, but the heavy breathing continued as before. + +Cora now raised herself up on her elbow and again listened. Still the +heavy breathing. Again she moved audibly, at the same time calling +softly: "Strong!" + +But Strong slumbered on. + +Quickly snatching the bandages from her much enduring face, Cora +sprang lightly from the bed. Taking something from under her pillows, +she stole noiselessly into the dressing-room and up to the couch of +the sleeping Strong. In another instant there was a pungent odor in +the room, and something white and moist lay over the musical proboscis +of the slumbering giantess. + +In five minutes more, Cora Arthur stood arrayed in a dark traveling +suit, with a pair of walking boots in one hand, and the key of her +chamber door in the other. Swiftly and silently as a professional +house-breaker, she opened the door and passed out, closing it quietly +behind her. + +Like a shadow she glided down the now unlighted stairway, and through +the dark and silent hall, in the direction of the dining-room. Turning +to the left, she paused before a side door, the very door through +which Madeline had escaped on a certain eventful June night, and +noiselessly undid the fastenings. In another moment she was outside, +and the door had closed behind her. + +She drew a long breath of relief, and sat down to put on her shoes. +Her escape was well timed; the train for the city, the midnight +express, was due in twenty minutes. Strong would hardly waken before +that time, and then--she would be flying across the country at the +heels of the iron horse. + +Rising to her feet, she took one step in the darkness--only one. Then +a light suddenly flashed before her eyes, a heavy hand grasped her +arm, and a gruff voice said: "This is a bad night for ladies to be +abroad. You had better go back, ma'am!" + +Cora made a desperate effort to free herself, but the hand held her as +in a vise, and the bull's eye of the dark lantern flashed in her face +as the speaker continued: + +"Yes, you are the identical one I am looking for. Got a red +face--toothache didn't make you a trifle lightheaded, did it? Come, +turn about, quick!" + +And Cora knew that Madeline Payne had not been as blind as she had +seemed. It was useless to struggle, useless to protest. The strong +hand pushed her toward the entrance. The man gripped the lantern in +his teeth, while he opened the door, and pushing her through, followed +after. Closing the door again, and never once releasing his hold upon +her, he forced her unwilling feet to retrace their steps, saying, as +they ascended the stairs: + +"Show the way to your own room, if you don't want me to rouse the +house." + +Quivering with rage, Cora pointed to the door, and was immediately +ushered, with more force than politeness, back into her own +dressing-room and the presence of her still insensible maid. + +"Now, then," said her tormentor, "where is Miss Payne's room? No +nonsense, mind; I'm not a flat." + +Cora, thoroughly convinced of the truth of this statement, sullenly +directed him to Madeline's door. + +"Stand where you are," was the next command of the man; "it might jar +your tooth to move." + +And Cora stood where he had left her, while he aroused Miss Payne and +communicated to her the news of the night's exploit. + +In a very few moments Joliffe appeared, and without so much as casting +a glance at Cora, set herself to arouse the stupefied Strong--a feat +which was soon accomplished, for the woman had nearly exhausted the +effects of her sleeping potion. A moment later, and Madeline appeared +upon the threshold. After surveying the scene in silence for an +instant, she entered the room, closed the door, and said with a laugh +that set Cora's blood boiling: "So you were tired of our society, and +fancied that you could outwit me? Undeceive yourself, madame; it is +not in your power to escape from my hands, and whatever fate I choose +to adjudge you." + +Then turning to the man, she said: "You have done well, Morris; this +kind of work you will find more profitable than well-boring. You may +go now." + +The man bowed respectfully, and silently quitted the room. + +Then Madeline addressed Joliffe: "You will stay here the remainder of +the night. Let Strong sleep; she is not to blame for permitting her +charge to escape, and she will be more wary in future." + +[Illustration: "This is a bad night for ladies to be abroad!"--page +393.] + +Then turning again to Cora, who had flung herself in a chair and sat +gazing from one to the other in sullen silence, she said, with a smile +on her lips: "You should not work against your own interests, Mrs. +Arthur. Had you succeeded in escaping on the midnight express, who, +think you, would have been summoned to meet you on your arrival in the +city?" + +"Doubtless an officer," replied the woman, doggedly. "I might have +known you for a sleuth hound who would guard every avenue." + +"Thanks; you do me honor. I should not have summoned an officer, +however; there is some one else waiting anxiously to welcome you +there." + +"Indeed," sarcastically; "who?" + +"_Old Verage._" + +Cora started up in her chair. "For God's sake, _what_ are you?" + +"A witch," said the girl, demurely. "I am as old as the world, and can +fly through the air on a broomstick, so don't think to escape me +again, step-mamma. I trust you will enjoy your brief repose, for it +will soon be morning, and if I don't see your fair face at the +breakfast table, I shall not be content." + +Cora put two fingers to her blistered cheek, saying: "You can't ask me +to come down with this face." + +"True, I can't. Good-night, step-mamma; it would have been better if +you had let the doctor pull that tooth." + +And Miss Payne swept away, leaving the would-be fugitive to her own +reflections. + + + + +CHAPTER XLIII. + +THE DOCTOR'S WOOING. + + +Mrs. Ralston had become to Olive Girard as one of the family. There +was a strange affinity between the two women, who had known so much of +sorrow, so many dark, dark days. As yet, however, there was not entire +confidence. Mrs. Ralston knew nothing of the movements then on foot to +liberate the husband of her hostess; and Olive knew no more of Mrs. +Ralston's past than had been communicated by Claire, which was in +reality but very little. + +Dr. Vaughan had become an ardent admirer of the grave, sweet, pale +lady, who had, in her turn, conceived a very earnest admiration for +him. + +Always a close student of the human countenance, Mrs. Ralston had not +been long in reading in the face of the young man his regard for +Claire Keith. Having discovered this, she studied him still more +attentively, coming, at last, to the conclusion that he was worthy of +her beloved Claire. + +But Claire appeared ever under a strange restraint in the presence of +Dr. Vaughan. She seemed always to endeavor to keep either her sister +or her friend at her side, as if she found herself more at ease while +in their proximity. Evidently she was keeping close guard over +herself. And just as evidently she was glad to be in the presence of +Clarence Vaughan when supported by her sister and friend, and safe +from a _tete-a-tete_. + +Mrs. Ralston was really troubled by this apparent misunderstanding, or +whatever it might be, that rendered Claire less cordial towards Dr. +Vaughan than she would have been to one who was only a friend, and far +less worthy of friendship. She mentally resolved, when a fitting +opportunity should occur, to endeavor to win the confidence of the +girl, for she saw that two natures, formed to love each other, were +drifting apart, with no prospect of a better understanding. And that +opportunity came sooner than she had expected. + +One day, a day destined to be always remembered by the chief actors in +our strange drama, Mrs. Ralston seated herself at a davenport in Mrs. +Girard's pretty library to write a letter to Mr. Lord. The promptness +and energy of that good man had completely baffled the acute +detective, and the danger which Mrs. Ralston had so much feared, the +danger of being discovered by her worthless husband, was now past. + +She had entered the library through the drawing-room and, both rooms +being untenanted, had left the door of communication between them half +open. + +Sitting thus, she heard the door of the drawing-room open, and the +rustle of feminine garments betokened the entrance of one of her +friends. Presently soft ripples of music fell upon her ear, and she +knew that it was Claire who was now at the piano, playing dreamily, +softly, as if half fearful of awakening some beloved sleeper. + +After a few moments, the ripple changed to a plaintive minor +accompaniment, that had in it an undertone as of far-off winds and +waves. Then the full, clear voice of the girl rang out in that most +beautiful of songs, which alone should make famous the genius of Jean +Ingelow and Virginie Gabriel: + + "When sparrows build and the leaves break forth, + My old sorrow wakes and cries." + +The singer sang on, all unconscious that two listeners were noting the +passion and pain in her voice: + + "How could I tell I could love thee to-day, + When that day I held not dear? + How could I know I should love thee, away, + When I did not love thee near?" + +As the last note died away in sorrowful vibrations, Mrs. Ralston, in +the library, was conscious of tears trickling down her cheek. + +At the same moment there was a discordant crash among the piano keys, +and Claire's voice was saying, almost angrily: "Dr. Vaughan! how came +you here? How dared you--" + +There was a suspicious tremor in her voice, and she stopped speaking, +as if too proud to show how very much she had been thrown off her +guard. + +"Forgive me, Miss Keith," the deep voice of Clarence Vaughan +responded. "Believe me, I did not intend my presence as an +impertinence. Your servant admitted me, and I thought it not wrong to +enter unannounced, although I hardly hoped to find you alone. Surely +you do not blame me for my silence while you sang?" + +Claire made no reply. She was strongly tempted to fly and let Clarence +Vaughan think what he would. But before she could stir, he had moved a +step nearer and was looking straight down in her eyes. + +"Claire," he said, in tones of reverential tenderness, "I have waited +for the time to come when I might say to you what you must let me say +now. You have seemed to avoid me of late; I can not guess why. And +to-day, as I listened to your song, a new thought, a new fear, has +entered my mind. Claire, tell me, have you read the love that has +been in my heart since I first saw your face, and have you sought to +shun me because you love another?" + +While he was uttering this speech, Claire Keith had regained her +self-command, and her answer now came low and clear: "Dr. Vaughan, you +have not guessed aright. I have not avoided you because I love +another." + +"Claire, nature did not make you an actress. There was love in your +voice when you sang that song!" + +"Thank you," coolly; "I have been taught to sing with expression." + +"Claire, Claire Keith, I beg you answer me truly; do you really +dislike me? You say you do not love another; could you learn to love +me?" + +No answer. + +"Tell me, Claire, do you not know how deeply I love you?" + +Silence. + +"Claire, Claire, speak to me. End this suspense. Will you not try to +love me?" + +She moved away from him, and avoiding his eyes, answered in an odd, +hard voice: "No, Dr. Vaughan, I will not try to love you." + +His next words were uttered almost tremulously. "Ah! I understand. I +have displeased you; tell me how." + +"You have never displeased me. You are goodness itself. Let me pass, +Doctor Vaughan; I must not listen to you." + +"Must not? Then you do avoid me?" + +"Yes," almost inaudibly. + +"Why?" stepping before her and cutting off her retreat. + +"I won't tell you. Yes, I will, too. Oh, how blind you are! How can +you love me when--when there is some one better, better a thousand +times, and braver, too. Some one whose life needs your love, because +it has been so loveless always. I won't love you. I won't listen to +you. If you want me to be your friend, make the life that is giving +its best to others, as happy as it deserves to be. And--don't ever +talk--like this--to me again." + +Before he could open his lips, or put out a hand to detain her, she +had rushed from the room. + +Clarence Vaughan gazed after the flying form in speechless grief and +amazement. Then flinging himself into a chair, he bowed his head upon +his hands in sorrowful meditation. Sitting thus he did not perceive +the approach of some one, who laid a hand lightly upon his bowed head, +murmuring: "Blind! blind! blind!" + +Starting up, he saw the face of Mrs. Ralston bending toward him and +wearing an expression of mingled compassion and amusement. + +"Forgive me," she said, her countenance resuming its usual gravity. "I +was in the library, and heard all. I listened willfully, too, for I +have been observing you and Claire, and I want to help you." + +Clarence dropped disconsolately back in his chair. "If you have heard +all," he said, "you know that it is useless to try to help me." + +Mrs. Ralston laughed outright. "If you were not blind you would not +need my help," she said. "As it is, you do." + +"Mrs. Ralston, what do you mean?" + +"I mean that your battle is half won. If you will explain to me one +half her words, I will explain to you the other half." + +"You are laughing at me," he said, wearily. "What can you explain?" + +"That ridiculous girl commanded you to bestow your love upon some more +worthy object; some one who was living for others; or some such words. +Whom did she mean, may I ask?" + +He started up as if inspired by a new thought. "I see!" he exclaimed; +"She must have meant--a very dear friend of hers." + +He could not say the name that was in his thought. It would sound like +egotism. + +"That is sufficient," said the lady. "Now, I am going to betray +Claire, as she has betrayed this other one. You foolish fellow, can't +you see that the child loves you and is striving to do a Quixotic +thing by giving you up to her friend? Think over her words and manner, +and don't take her at her bidding. If this other, to whom Claire +commands you to turn, is a true woman, she would not thank you for the +offer of a preoccupied heart." + +"She is a true woman," said Clarence, emphatically. "And as dear to me +as a sister could be, but--" + +"Then let her be a sister still," said Mrs. Ralston, quietly. "And +don't lose any time in persuading Claire that she is wronging herself +as well as you; and that you would be wronging still more this friend +whom you both love, were you to offer her so pitiful a thing as a hand +without a heart. She is a true woman, you say. If so, she would never +forgive that. Believe me, Dr. Vaughan, there are even worse depths of +sorrow than to have loved worthily--and lost." + +Mrs. Ralston turned and went softly from the room. + +For a few moments, Clarence Vaughan stood wrapped in thought. Then his +face became illuminated as he said, half aloud: "What a fool I have +been, that I should have so misunderstood that dear girl! Oh, I can be +patient now, and bide my time." + +And now his reverie was broken in upon by Olive, who entered +hurriedly, saying: "Doctor Vaughan, are you here alone? I thought +Claire was with you." + +He made no answer to this remark, but said, as he took her proffered +hand: "I ran down to tell you that I have taken the detectives off. +Jarvis is still in our pay, in case of emergency. He has sent his +report to Davlin, and a scant one it was. Of course, Davlin is glad to +have him withdraw; that is, if he knows, as he must, that the papers +are not in Percy's hands." + +"Then all depends upon Madeline now?" + +"All depends upon Madeline." + +"Poor Philip," sighed Olive, "what would he say if he knew that his +fate rests in the hands of a mere girl?" + +"If he knew of that 'mere girl' what we know, he would say that his +fate could not rest in better hands. No man ever had a more efficient +champion, nor one half so brave and beautiful." + +They had not dared to tell Philip of the hope that was daily growing +stronger in their hearts; if they failed, he should be thrust back +into no gulf of black darkness because they had cheated him with a +false hope. + + + + +CHAPTER XLIV. + +A FRESH COMPLICATION. + + +On leaving so abruptly the companionship of Dr. Vaughan, Claire rushed +straight to her room. Closing and locking the door, she flung herself +down upon a couch and indulged in a hearty cry. She was at once happy +and sorry, angry and pleased. Presently, Claire sat up and began to +review things more calmly. + +"What a wretched little dunce I am!" she soliloquized. "And what must +he think of me! Well!" with a little sigh, "the worse his opinion of +me, the better for Madeline. And here I am this minute, in spite of +myself, actually rejoicing in my heart because he has not done the +very thing I have resolved that he should do. But he never will know +it. Neither shall any one else. I won't give him another chance to +talk to me; no, not if I have to take to my heels ten times a day. +It's only right that I should give him up; I, indeed, who fancied +myself in love with a white-handed, yellow-haired villain." + +At this point in her meditations, some one rapped softly at her door. + +"Claire, dear," said a soft voice, "open your door; I want to come +in." + +It was Mrs. Ralston, and Claire advanced slowly and turned the key in +the lock. + +"I--I thought it was somebody else," she said, hypocritically. "Come +in, Mrs. Ralston." + +Thus invited, the lady entered. Without making a comment on the +disturbed appearance of her young friend, she crossed to the window, +and sitting down in a cosy dressing-chair, said: "Come directly here, +young lady, and sit down on that ottoman." + +Looking somewhat surprised, the girl obeyed. + +"Claire, my child, I have a confession to make. I was in the library +while you sang: 'When sparrows build.'" + +The girl's cheek flushed and then paled; but she made no answer. + +"And," pursued Mrs. Ralston, "I heard more than your song." + +No reply. + +"And more than your words!" + +"More than--my--my words?" + +"Yes; I heard your heart's secret." + +Claire's face drooped. "What do you mean?" she asked, deprecatingly. + +"My darling, I mean that your heart spoke through your voice, and it +belied your words. Why did you deny your love for so noble a man?" + +Claire raised her head. "I didn't!" she said, suddenly, as if driven +to bay. + +"No," smiled Mrs. Ralston. "You were a wily little serpent. But you +deceived him." + +"I don't care," doggedly. + +"Now you are telling a fib!" + +"Well, I am not sorry, then," getting hold of her monitor's hand. "Why +do you turn against poor me, when I am trying to do my duty?" + +"Because you are not doing your duty." + +"Yes, I am; indeed, I am. You don't know." + +"Then tell me, and let me be your friend and adviser." + +"But you can't advise," objected Claire, "because you don't know +the--the other one." + +"Well, I do know you." + +"There it is!" burst forth the champion of the absent. "You know me, +but you don't know what a worthless, unattractive little imp I am +compared to her. You don't know her, but you shall! And when you do, +poor me will have to take a seat lower down in the tabernacle of your +affections." + +"I wonder if this 'other' would so readily resign her lover to you?" +she said. + +"Would she!" flashed Claire. "Would she _not_? Has she not? Ah, if you +knew her, you would never say that!" Then suddenly capturing the other +hand of the lady, she said, in quieter but very grave tones: "Can you +listen to a long story, Mrs. Ralston; rather to several stories +combined in one? I am going to tell you what I have so much wanted you +to know--the story of Madeline Payne." + +Mrs. Ralston expressed her more than willingness to hear all that +Claire had to tell, and the girl settled down comfortably on the +ottoman at the feet of her friend, and began at the beginning. It was +indeed a long story, for Claire omitted nothing. As she told how +Madeline had exposed to her the baseness of Percy, Mrs. Ralston +started up, her face pale as death, and then sank back in her chair. + +"Percy!" she cried. "What--what is his other name?" + +Claire stared at her in amazement. "What is it, Mrs. Ralston--you are +ill?" + +"No," almost gasped the lady; "tell me--his name." + +"I did not intend to speak his name," Claire said, slowly. "It is +Edward Percy." + +Mrs. Ralston was on her feet in an instant, her face flushing with +excitement. "Come with me!" she almost shrieked. "Quick! to my room." + +Wondering vaguely, Claire followed. + +Mrs. Ralston almost flew to her apartment. She flung open the door, +and in an instant was on her knees beside a trunk, opening trays and +searching for something eagerly. + +"Look!" she cried, suddenly thrusting out something toward Claire; +something from which she averted her own face. "Look, did you ever see +that face?" + +The girl gave one glance and uttered a sharp cry. It was a miniature +painted on ivory; painted years ago, but she knew it only too well. + +Mrs. Ralston regained her feet, trembling so that she could scarcely +stand. + +"Where did you get it?" cried Claire. "It is he; Edward Percy!" + +Mrs. Ralston started forward and took the picture from her hand. "_It +is my husband!_" she whispered. + +With the words on her lips, she fell heavily to the floor, in a dead +faint. + +When Mrs. Ralston awoke to consciousness, she was lying upon her bed, +with Dr. Vaughan bending over her, Olive standing near, and Claire a +little aloof, looking pale and anxious. Her first thought was of the +picture. + +"Where is it?" she murmured, addressing Claire, who stepped forward +eagerly. + +"It is here, dear Mrs. Ralston," said Claire. "I caught it from your +hand after you fell. I thought--" And then she hesitated. + +"I understand," she said, looking at the girl fixedly. "Drop it from +your hand, Claire; drop it _there_," pointing to the grate. "It has +done its work; we need never look upon it again." + +Claire obeyed her silently. For the second time she had consigned to +the flames the pictured face of Edward Percy. + +To the surprise of the three who had so lately seen her coming slowly +back from the swoon, so like death, Mrs. Ralston raised herself to a +sitting posture, and then slowly arose from the bed and stood upright +before them, and there was a flush on her cheek, and a light in her +eyes that was new to that usually pale, sad face. + +"Dear friends," she said, turning toward Clarence and Olive, who had +been watching the burning of the picture with surprised and somewhat +curious eyes, "I am quite recovered; and I want to think. Will you +please leave me alone, quite alone, for a little while?" + +Olive, Claire and Clarence went slowly and silently down to the +drawing-room, Claire keeping very close to her sister and carefully +avoiding the eyes of the young man. Seating herself beside Olive, +Claire told, in her own way, all that she knew of the affair. + +"I wanted to tell Mrs. Ralston of Madeline," she commenced, "and, not +to omit anything, I told her poor Philip's story,--all about the two +men, and how the man, Percy, had appeared at Oakley as the lover of +Miss Arthur. When I spoke his name, she ran to her room, almost +dragging me with her, and--" + +Suddenly she paused, horrified at a sudden thought. How could she +explain to these two, who knew nothing of her "affair" with Edward +Percy--who did not dream that she had ever seen his face--her ability +to recognize the picture Mrs. Ralston had shown her? + +"And?" interrogated Olive. + +Clarence Vaughan saw that there was a reason for her hesitation, and +while wondering what it could be, came to her rescue. "And fainted, of +course," said he. "Well, she is better now, and perhaps we shall hear +the conclusion of the mystery all in good time." + +If she had dared, Claire would have given him a glance of gratitude. +As it was, she only averted her face and felt herself a great +hypocrite. + +Doctor Vaughan was to remain for lunch; and while he talked quietly +with Olive, Claire sat considering what they would say if they knew +all. Presently her reverie was interrupted by the entrance of a +servant, who said: + +"Mrs. Ralston wishes Miss Keith to come to her." + +Claire started up, and without a word to either her lover or her +sister, hurried into the presence of her friend. + +Mrs. Ralston advanced to meet the girl as she entered the room, and +laying a hand upon her shoulder, said: "I understood you to say that +your sister knows nothing of your acquaintance with that man. Am I +right? + +"Yes." + +"And you do not wish her to know?" + +Claire hesitated. "I did not then think it was wrong to conceal it +from her," she said, finally; "but now, if you think it best, I will +try and tell her." + +"But I do not think it best, my darling. I should have been convinced +of his identity even had I not used the picture as a test. We will say +nothing on that subject. And now, let us go down-stairs, for we have +work to do!" + +So saying, she led the way from the room and Claire followed, +wondering how all this was to end. + + + + +CHAPTER XLV. + +MRS. RALSTON'S STORY. + + +Mrs. Ralston entered the drawing-room with the light of a new and +strong purpose shining in her eyes. + +"Dear friends," she said, "sit near me and give me your attention. I +have a story to tell, and I must not fatigue myself too much in the +telling." + +Without a word, Clarence moved forward an easy chair. As she seated +herself, they all grouped about her with grave, expectant faces. + +"I will make brief mention of myself," said the lady, sinking back in +the luxurious chair with a slightly weary smile. "My life has never +been a bright one. Married for the first time at the age of sixteen, +my childhood was prematurely blighted, and my first real trouble fell +upon me. It was not a happy marriage, and during the years of my first +husband's life, I became more and more alienated from my relatives. + +"When at last my husband died, I was thirty-six years old, and owing +to ill-health, looked much older. But--I was wealthy. Then I met a +man, younger than myself, and very handsome. I was weak and foolish. I +believed in him and--married him. For four years he squandered my +money and made my life a burden. At last, when I could endure no +longer, and when, because he had inherited a fortune from some +relative, I knew he would trouble himself little as to particulars, I +caused him to believe me dead and buried. + +"In reality I was in better health than usual, and while he was +spending his new fortune and fancying me in the grave, I sailed for +Europe. Before I departed, however, I saw him once more, myself +unseen. It is this part of my story that will make your hearts glad." + +She paused for a moment, and her three listeners gazed into each +other's faces in silent wonder. + +"I was going to Europe in company with some friends of Mrs. Lord who, +of course, knew my secret. They twice postponed their time for +sailing, and while waiting for them I went with my maid to a little +mountain inn where travelers only came for a day, and then went on up +the mountain. + +"When I first arrived, the garrulous hostess made frequent mention of +a hunting party that had gone up the mountain a few days before, +stopping for dinner at the inn. I had been nearly two weeks in my +mountain retreat when my maid came rushing in, one day, crying out +that the hunting party had come back, and that one of their number had +been badly hurt. + +"Well, they brought the wounded man up-stairs, and put him in the room +that adjoined my sleeping apartment. The partitions between were of +the sham kind--merely boards papered over. After he was settled, and +the hum of many voices died away, I went into my little bed-room. + +"I had scarcely entered when a voice from the next room, a man's +voice, deep and full, although then subdued, startled me. I listened +unthinkingly. 'There's no use in being weak about this business,' he +said. 'Of course, you can make me trouble if you like, but hang me, +Percy, I can't see how it will benefit you.' + +"I see you are amazed, Doctor Vaughan, and Mrs. Girard is turning +pale. You are beginning to guess the truth. Yes, it _was_ Edward Percy +who answered the first speaker, and--Edward Percy is my husband." + +Again she paused for a moment. One could have heard a pin drop, so +breathlessly eager, so silent, were her listeners. No one stirred or +spoke, and she soon resumed: + +"At the first sound of the other voice, I sank down sick with fear +lest the man should, in some way, find me out. Sitting there, I heard +him say, in the half fretful, wholly languid tones that I knew so +well, 'It's easy to talk as you do; show me wherein it will be to my +advantage, if you don't want me to knock down your pretty story. Curse +you, what did you try to murder me for?" + +"Then the other answered impatiently: 'I tell you, man, I was +mistaken. I took you for him. Now listen: Neither you nor I love the +fellow, and we each hold a trifle of power over the other. You can +refute my statement, if you like, and accuse me of attacking you. In +that case I may be imprisoned; but that won't keep you above water +long. If I am arrested for assault with intent to kill, you will soon +find yourself in the next cell, accused of the still more serious +crime of bigamy. On the other hand, if you let the matter rest as it +is, and let _him_ take his chances, I won't use those little documents +I hold, which prove conclusively that you married a second wife while +the first was living. Come, what do you say?' + +"I remember their very words; not one syllable escaped me then, or has +drifted from my mind since. And I could have predicted what the next +words of my husband would be. I know his weakness so well, and I knew, +too, then, for the first time, that my vague suspicions had been too +true--that he had indeed been false to me, more than false. + +"'I will do this,' said he, halting at every few words. 'If you will +give me back the money you won from me up there, and will give me up +those papers, we will not quarrel over this affair. We will let His +Majesty take the consequences of your act, if you choose. I like him +even less than I do you. But the money I must have.' + +"The other replied: 'I'll do it.' Then the money was counted out and +the 'papers' changed hands. + +"While they talked, I was seized with an unaccountable desire to see +the man I had once loved. I heard my maid moving in the next room, and +I arose and went to her. She was a quick-witted creature, and knew +just what to do. She made me put on a hat and veil, and throw a shawl +about me, and then bade me go down-stairs, while she knocked at the +door of the sick-room. When I heard it open I was to come up, and +while she made a pretense of offering her services, in case of need, I +could obtain, over her shoulder, a view of the occupants of the room. +Her ruse was successful. When I ascended the stairs, I obtained a full +view of the two men. I should know the dark face of the tall stranger +if I came upon it in Africa. + +"To do myself justice, I never once thought of the wrong they were +doing their victim; never realized that it was my duty to denounce +them. Having seen the face of my husband I had but one idea, one +desire; to get away, anywhere, the farther the better. + +"Early the next morning, I was _en route_ to the city, and there, to +my infinite relief I found my friends ready to sail. When at last I +was actually on the ocean, and realized that I was safe from +discovery, I began to think of the victim whose name I had not heard. +But it was too late then, and I tried to ease my conscience by +thinking that, after all, as Edward was not dangerously hurt, it might +not turn out a serious matter. I watched the papers, but somehow the +accounts of the trial all missed me." + +As she ceased speaking, her eyes rested sadly upon the face of Olive, +and she started forward suddenly, saying: "Doctor, she is going to +faint!" + +"No," gasped Olive, half-rising, "I, I--" + +And she fell forward to be caught in the ready arms of Clarence +Vaughan. When at last they succeeded in arousing her from that +death-like stupor, and she could sit up and look about her, slowly +recalling events, Mrs. Ralston stepped readily into the position of +leader, and turning to Claire, said: + +"Go and see that lunch is served immediately, dear. We have much to do +before night, and must not work fasting." + +"Oh," cried Olive, as Claire disappeared, "is this true? Will Philip +be released at last, released with every doubt cleared away, every +suspicion removed? Tell me, I cannot realize it." + +"It is true, dear Mrs. Girard; and now you must not give way to +weakness. We dare not lose time. Dr. Vaughan, yourself, and I, in +putting these facts in the hands of the right parties, must hasten the +legal process by which Philip will be released." + +When Claire Keith returned, she found them deep in a discussion as to +the quickest way of effecting the release of Philip Girard. + +"Let me settle it," she said, imperiously. "To-day you will go to see +Philip's lawyers, and when this stupid law process is put in motion, +Olive--I know her--will go straight and set herself down outside the +very prison gates. But your beautiful laws can lock an honest man up +much quicker than they can let him out, and can serve a warrant sooner +than do a tardy act of justice. So, if you please, I am going down to +Oakley to arrest that vile Lucian Davlin, and get him off poor +Madeline's hands." + +"You!" cried the two ladies in the same breath. + +"Yes, I! Philip won't want anyone but Olive, and Olive will snub me +unmercifully if I venture to offer myself as an escort. I'm going to +do myself the honor of seeing Mr. Davlin arrested." + +"Claire is right," said Mrs. Ralston; "the man must be arrested +immediately." + +"And," interrupted Olive, "you must all three go to Bellair; that is," +looking at Mrs. Ralston, "if--" + +"If I will go?" interrupted that lady. "Yes, I, too, intend to be +present when Miss Payne gives her enemy up to justice." + +[Illustration: "No!" gasped Olive, half rising; "I--I--"--page 413.] + +"Are you in earnest about going to Bellair, Miss Keith?" Clarence +Vaughan asked. "Shall you go, really?" + +Claire bestowed upon him a willful little nod over her shoulder, +saying, as she did so: "I shall, 'really.' I am confident that +something will happen there, and I want a chance to faint!" + + + + +CHAPTER XLVI. + +CORA "STIRS UP THE ANIMALS." + + +It was evening--the evening of the day on which Mrs. Ralston had made +her startling revelation. Madeline Payne stood alone in her own room, +looking moodily out upon the leafless grove that was fast taking on a +covering of snow. + +The storm that had been impending for days, had broken at last. For +two hours the snow had been falling thickly, steadily, in great +feather-like flakes, which quickly covered the brown earth, and +clothed the naked treetops with a fair, white garment. + +Madeline had been standing, motionless and moody, for many minutes. +Her eyes were full of dissatisfaction, and her lips were compressed. +She had been taking a mental review of the situation, and its present +aspect was far from pleasing. + +"What a knot," she soliloquized; "what a difficult, baffling, +miserable knot! To be kept thus inactive just because the last knot in +the tangle will not come straight--good gracious, how like a pun that +sounds! How much longer must I smile upon these wretches? How much +longer must I conceal my real feelings? I will put my forces into +action, and make my last, desperate venture, for this is becoming +intolerable. I must force, or buy, this secret from Edward Percy, at +the cost of his safety, or my fortune, if need be." + +She pressed her face against the frosted pane, peering down through +the gathering night and the snow. + +"Mercy!" she ejaculated, "who on earth can be plowing through this +storm? And on what errand? It looks like--and, as I live, it is, yes, +it is, Mr. Edward Percy! He is too dainty to expose himself for +nothing. I must look into this." + +While she was musing at the window, Cora, curled up behind one of the +crimson curtains of the red parlor, had become the possessor of a +valuable secret. + +She had entered the room but a few moments before. Finding it dimly +lighted, and heated to a Summer temperature, she ensconced herself _a +la Sultana_ in one of the deep window embrasures, and lay sulkily +watching the flying snowflakes and the fast coming night. Presently +the sound of approaching footsteps, and almost simultaneously the +opening of the door, disturbed her quiet. With a quick movement, she +drew the curtains together and sat, a silent listener, to a brief +dialogue. + +The new comers were Miss Arthur and Edward Percy. After a few +sentences had been interchanged, Percy left the room, and then it was +that Madeline saw him take his way toward the village. + +Presently Miss Arthur also quitted the room; and going straight +up-stairs, Cora knocked at Madeline's door. "Now, then," muttered she, +"I'll stir up the animals." + +Madeline did not look especially gratified at sight of her visitor, +but Cora entered with scant ceremony. Pushing the door shut with +unnecessary emphasis, she turned upon her, saying, rather +ungraciously: + +"I have made a discovery of which, I think, you will thank me for +telling you. And I am going to tell you because I can't spoil their +plans, but you can, and I want to see them spoiled." + +"Your frankness is commendable," said Madeline, ironically. "Go on!" + +"Percy and the old maid are going to be privately married to-morrow +morning." + +"How do you know?" + +Cora related the particulars of her ambush, and gave a concise report +of the conversation of the lovers. + +"He has gone to the village on that very business now," Cora said. +"She is to walk down to the clergyman's house, and he is to meet her +there. Then they will come back, and no one to be the wiser." + +Madeline laughed. "Be at ease," she said. "I will try and prevent the +necessity for such a disagreeable walk as that would be for so fragile +a lady. We won't have a wedding just yet." + +"What a cool one you are!" cried Cora. "If you were not my enemy, I +could admire you vastly." + +"Don't, I beg of you," said the girl, gravely. "I am sufficiently +humiliated by being obliged to deal with you as an enemy." + +Cora flushed angrily. "Then I should think the humiliation of being +made love to by my brother, would overcome you," she sneered. + +"It does, almost," replied the girl, wearily. + +"Then let me do you another favor. Mr. Davlin is no more my brother +than he is yours." + +Madeline's answer fairly took her breath away. "Madame, you are very +good, but I have known that from the first." + +"What!" gasped the woman; adding, after a moment of silence, "Is he +your lover as well as--" + +"Yours?" finished Madeline. "And what then, Mrs. Arthur?" + +"Then," hissed Cora; "then, I hate you both." + +Madeline laughed bitterly. "As you have told me a secret, and as I +don't want to remain in your debt, I will tell you one in return. +Lucian Davlin _is_ my lover, but I am his bitterest foe!" + +Cora came closer and looked her eagerly in the face. "What has he done +to you?" she asked, breathlessly. + +"You may find out later; just now we are even. Understand, no word of +warning to him, if you value your safety. Obey my wishes, and when I +am done with you, you may go free. Attempt any treachery, and I will +give you up to justice." + +"I shan't put myself in jeopardy for him now, whatever I might have +done. You may believe that." + +"I think I may," replied Madeline, dryly. + +When Cora retired to her own room, to chuckle over the discomfiture in +store for the spinster and Mr. Percy, and to wonder wrathfully what +the mystery concerning Miss Payne and Lucian could mean, Madeline +stood for many minutes lost in thought. + +Finally she threw herself down upon a couch, uttering a half sigh, and +looking utterly weary and perplexed. A moment later, Joliffe entered +noiselessly, as usual, and the girl said to her: + +"When Miss Arthur retires for the night, which won't be for some time, +do you see Mr. Percy when he is _alone_, mind, and tell him Miss Payne +desires him to wait her pleasure in the library." + +Joliffe bowed and went out again like a cat. + +When, at last, the other members of that incongruous family circle +were safely out of the way, Madeline, warned by the everpresent, +soundless Joliffe, awaited in the library the coming of Mr. Percy. + +Wondering much what the haughty heiress could have to communicate to +him, and dimly hoping that the tide was turning in his favor, Mr. +Percy entered the presence of the arbiter of his fate. Bowing like a +courtier, he approached her. + +"Miss Payne has deigned to honor me with an interview," he said, in +his slowest, softest, most irresistible manner. "I can never be +sufficiently grateful." + +Madeline motioned him to a seat opposite her own, saying, with an odd +smile: "You shall, at least, have an opportunity for repaying your +debt of gratitude, sir, and that immediately." + +Percy took the seat indicated and bowed gravely. "Command me, Miss +Payne." + +"It rests with you," Madeline began, "whether we shall be from +to-night neutral toward each other, or enemies." + +"Enemies!" he exclaimed. "Oh, that would be impossible." + +Madeline was full of inward rage. She longed to lean across the table +and dash her hand full in that smiling blonde face. But she looked at +him instead quite tranquilly, and said, with a queer smile: "Then you +would do me a favor, even at your own personal--inconvenience, Mr. +Percy?" + +"Would I not?" fervently. "Only command me, Miss Payne." + +"I will take you at your word, then. Mr. Percy, you will oblige me +very much by putting off your marriage with Miss Arthur one week +longer." + +Here was a bomb-shell. It electrified the languid gentleman. He became +suddenly animated by fear. "What--what do you mean, Miss Payne?" +starting half out of his seat and nervously sitting down again. + +"Precisely what I say, sir. It does not please me to have my relative +leave my house to be married in this clandestine manner. There, don't +ask me how I discovered what you thought was a profound secret. You +see I did discover it. Will you put off this romantic marriage--to +oblige me?" + +Percy was trying very hard to think. If he could believe it was +because he had found favor in her eyes, that she asked this. But no; +even his vanity could not credit that suggestion. Of late she had +openly shown a preference for Davlin. What, then, could be her motive? +Could it be that at the instigation of Cora she had sought this +interview? + +He rallied his forces and replied: "Miss Payne, you have taken me by +storm. If I may not ask how you made this discovery, may I not, at +least, beg to know why you make this demand?" + +"I have told you; it shocks my sense of propriety." + +"Pardon me if I say there must be another motive." + +"You are pardoned," coolly; "now, do you grant my request?" + +Percy arose from the table flushed and angry. "Pardon me, Miss Payne, +you demand too much." + +"Nevertheless, I _do_ demand it." + +"And I beg to decline." + +"Then I must deal with Miss Arthur. The knowledge that you have one +wife in the grave, and another under this very roof, may have the +desired effect upon _her_." + +Percy dropped back in his chair, pale as ashes. All was lost, then. +Cora had betrayed him! But he resolved not to commit himself. Perhaps +Madeline had only verbal information. While he was trying to frame a +speech, however, she knocked this last prop from under him. + +"I may as well assure you that parleying is useless. I have known, +from the first moment you entered this house, just upon what terms you +stood with Mrs. Arthur. Don't trouble yourself to ask how I know. +Perhaps you have been puzzled to know why Mrs. Arthur and her brother +so suddenly became cordial and invited you to Oakley, where you so +much desired to be. Let me enlighten you. They fancied that you had +regained possession of important documents--two marriage certificates, +in fact--for they had lost them." + +"What?" ejaculated Percy. + +"And--I found them," added Madeline. + +His countenance fell again. + +"They are in my possession," pursued she. "Shall I show them to Miss +Arthur, or not?" + +"It can't make much difference now," said the man, sullenly. + +"Let us understand each other fully," said Madeline. "I am not acting +in concert with Cora Arthur. She is even more in my power than you +are. I have no desire to undeceive Miss Arthur. Neither do I wish you +to leave Oakley. On the contrary, I want you here; you can be of +service to me, by and by. And I pledge you my word that so long as you +remain under this roof, those papers shall not be used against you." + +"And if I don't choose to remain?" + +Madeline laughed. "Then you must take the consequences," she said, +carelessly. + +"And what will they be?" + +"Exposure and arrest." + +Percy drew pen, ink, and paper toward him. "What shall I write to the +clergyman?" he asked, sullenly. + +"Whatever you choose. And I will send it. Make your peace with Miss +Arthur, too, in your own way." + +"And when I leave Oakley, what then?" he grunted. + +"Then, if you have fulfilled the conditions, I will burn the papers in +your presence, and you are free henceforth." + +"There is the note," he said, flinging it toward her as soon as +written. "After all, I may as well be in your power as in hers," and +again he arose to go from the room. + +"I am glad you take so sensible a view of it," retorted she, looking +up from her perusal of his note. "Good-night, Mr. Percy." + +And thus cavalierly dismissed, Mr. Percy bowed, somewhat less +gallantly than when entering, and left the room. + +"So, that is nipped in the bud," soliloquized Madeline, as she went +wearily to her own room once more. "When will this miserable +complication unravel itself, or be unraveled?" + +Little did she dream how soon she would receive an answer to this +question. + + + + +CHAPTER XLVII. + +THE BEGINNING OF THE END. + + +The next morning dawned clear and beautiful. Over head, one unbroken +expanse of blue; under foot, a mantle of soft, white ermine. All the +trees were transformed into fairy-like, silver-robed, pearl-studded, +plume-adorned wonders. Diamonds floated in the air, and sunbeams +lighted up the whole with dazzling brilliancy. Everything was white, +pure, wonderful, and the whole enclosed in a monster chrysolite; +earth, air, and sky, were shut within a radiant sphere that had never +an outlet. + +Madeline had passed an almost sleepless night. But when she arose, +with the first gleam of sunlight, and looked upon this new, white, +imprisoned world, she felt strong for a fresh day's battle. + +"I must go out," she said to herself; "out into this sparkling air. I +can breathe in the brightness; I know I can. I almost feel as if I +could catch it, and weave it into my life." + +She hastily donned her wraps and set off for a brisk walk, no matter +where, through that glorious Winter glow. + +Under the snow-laden arms of the grand old trees, out of the grounds +of Oakley. Before she realized it she was half way down the path +leading to the village. + +Something that jarred upon her sense of the beautiful, awakened her to +herself, and she turned suddenly about. + +"How dare ugly little brown bears come out in the white glitter," she +muttered, whimsically. "I will turn about; he spoils the fairy +picture. I had forgotten there were boys, or men, in the world." + +Something came panting behind her. The "brown bear" had accelerated +his pace, and now came up at a round trot. + +"Hold on a minit; darned if I can see who ye air in this snow," he +cried, pausing before her and rubbing his eyes vigorously. "All right; +I thought it was you," he added, after considerable blinking. "I've +got a tellygram for ye, Miss Payne; orders were not to give it to +anyone but you, so I chased ye sharp." + +Madeline laughed outright as she took the telegram from his hand. The +boy, without waiting for her words of thanks, took to his heels, +shouting back over his shoulder: "No answer!" + +Madeline gazed for a moment after the flying figure, and wonderingly +opened the message. This is what she read: + + Be at H----'s to-night when evening train comes down. We are + ready for action; have found a witness. + + C. V. + +Madeline lifted her eyes from the scrap of paper and looked about her +incredulously, as if she expected to find some explanation shining in +the air. + +"Ready for action," she murmured. "That means--can it mean that Lucian +Davlin is at last in our power? Can those detectives have solved the +mystery? Oh! how can I wait until night!" + +She fairly flew along now, eager to keep in motion. On, on she went, +over the stile, through the glittering white-robed grove; on, until +she reached Hagar's cottage. It was locked and deserted, as she knew, +but she cared not for that. She must walk somewhere, then why not +here? + +For a moment she stood on the snow-laden door stone, and gazed about +her. Then swiftly, as swiftly as before, she flew down the path--the +same path she had taken on the Summer day when she had heard from +Hagar's lips her mother's story. When she reached the tree in whose +arms she had nestled so often, where she had listened to the bargain +between her step-father and decrepit old Amos Adams, and where she had +been wooed by Lucian Davlin--she paused. There, coming toward her, was +Lucian Davlin himself. + +"What a fatality!" muttered the girl. "He is coming to meet me; has +been watching me, perhaps." + +She stood calmly gazing up at the snow-laden branches, and again she +saw herself standing underneath them, a hesitating girl, wondering if +she could let her lover go away alone. Then she turned her head and +her eyes met those of Lucian Davlin. + +"Good morning, Miss Payne," he said, lifting his hat with his usual +grace. "I am happy to know that we have one taste in common--a love of +nature in this disguise. Is not the wintry world beautiful?" + +"Beautiful, indeed," replied Madeline, resuming her walk homeward. +"The trees are fairy palaces. It is lovelier than Summer, is it not?" + +"It is very lovely," gazing not at the trees but down into her face, +"but--so cold." + +She understood his meaning and replied, calmly: "Cold? Yes; it is not +Summer." + +"No," he assented, with a sad intonation, "it is not Summer. Miss +Payne, Madeline, will it ever be Summer again?" + +Madeline looked up and about her, and smiled as she did so. "Yes," she +replied, "it will be Summer--soon." + +He had turned and retraced his steps at her side. She was walking +swiftly again, and for some time neither spoke. When they entered the +grounds of the manor, he said, half deprecatingly: + +"Madeline, may I ask this one question?" + +"Yes," quietly. + +"I saw you pause under that tree and look about you," he said, slowly; +"was it because you thought of other days, and of me?" + +Slowly she turned her face toward him, saying, simply: "Yes." + +They were nearing the entrance, and he half stopped to ask his next +question. "Will you tell me what were your thoughts, Madeline?" + +Slowly she ascended the steps, and at the door turned and faced him: +"I will tell you to-night." + +And with a ripple of laughter on her lips, she entered the hall of +Oakley. + + + + +CHAPTER XLVIII. + +THE SWORD OF FATE. + + +Evening at Oakley. + +At last the long day was done: the day that to Madeline Payne had +seemed almost endless. At last, too, the early evening hours had +dragged themselves away, and the time of her triumph was at hand. + +From out Hagar's cottage a silent party issued, and took their way +across the snow to the little stile just above the terrace walk. Here +they paused for a moment. Some one was loitering on the terrace, where +the shadows fell thickest. Madeline stepped through the gap, saying +softly: "Joliffe!" + +Immediately the form emerged from the shadow. It was the cat-like +waiting-maid. + +"It's all right, Miss," she said, in a whisper. "They are all in the +drawing-room, but I think they are getting uneasy." + +"Well, I will not keep them in suspense long," said Madeline, and in +the darkness she smiled triumphantly. "Lead on, Joliffe." + +Silently they moved on, and paused again at the side entrance; the one +from which Cora had endeavored to escape but a short time before. +Madeline opened the door, and in another moment she, with Mrs. +Ralston, Claire Keith, Clarence Vaughan and two strangers, stood +within the walls of Oakley. + +They moved on like shadows to the rear end of the hall, up the +servant's stairway, and straight to the west wing. Evidently they +were expected here too, for in obedience to a light tap, the door +opened, and they passed quietly within the outer room of John Arthur's +prison suite. + +"Close the door, Henry," said Madeline. + +This being done, she turned and surveyed her comrades. + +"So far, good," she pronounced. "Now, can you make yourselves +comfortable here for a little while? Hagar and Joliffe will know just +what to do as soon as I have, myself, viewed the field of battle; or +perhaps I had better pilot you in person." + +"As you please," said the foremost of the strangers. "I think we +understand each other." + +"Then we won't lose time," said Madeline. "Henry, call Dr. Le Guise." + +Henry tapped at the door of the inner room, and in a trice the worthy +Professor stood in their midst. He glanced from one to another in +amazement, and the look of confidence forsook his face. He had not +been prepared to see these strangers, and his first thought was, of +course, for his own safety. + +"Have no uneasiness, sir," said Madeline, seeing the fear in his face; +"these ladies and gentlemen will not interfere with you. They are here +because it is desirable that the people below should not know of their +proximity just yet. You are about to aid us, and need have no fear for +yourself." + +The Professor drew a breath of relief. + +While this conversation was going on, Mrs. Ralston and Claire had +removed their wraps, as if they knew quite well what they were about, +which, indeed, they did. Now, as Madeline did likewise, preparatory to +entering the room of the prisoner, they seated themselves, looking +grave, but perfectly composed. Dr. Vaughan said a few quiet words to +Henry, and the two strangers stood "at ease," looking as indifferent +as statues. + +Entering the inner room; in company with the Professor, Madeline found +John Arthur pacing restlessly up and down. + +"I wish you to go down-stairs with us for a few moments," said +Madeline. "It is to your own interest to do so. It is the easiest and +surest way of imparting to you what you must know, and, when you know +all, I shall be your jailer no longer. It shall then remain for you to +decide whether you will accept my terms, and end your days with at +least a semblance of honor, or whether you will remain here to be +pointed at as a man disgraced and dishonored, and deservedly so. When +you have seen justice done to those who have wronged you more than +they have me, for little as I desire to serve you circumstances have +constituted me your avenger--you will be free to act as you may see +fit." + +With this she turned and abruptly quitted the room, leaving John +Arthur fairly stunned by her words, yet utterly unable to comprehend +their full meaning. Returning to the ante-room, Madeline found Hagar +awaiting her. + +"Well, Hagar," said the girl, "we are ready to go down; is the library +lighted?" + +"Yes, Miss Madeline." + +"And the door leading to the drawing-room?" + +"Is closed, Miss." + +"Then go down, Hagar; open the library door, and leave it open. Move +the fire screen opposite the door leading to the drawing-room. When we +are all within the library turn out the light. That is all." + +Hagar moved away to do her bidding, smiling grimly. + + * * * * * + +Time was dragging, in the drawing-room. + +Cora was there, not from choice, but because Madeline had so ordered +it, and the aggrieved lady was not at all inclined to conversation. + +Miss Arthur, who was hoping for a _tete-a-tete_ with her lover, was +alarmingly glum. She had accepted, in good faith, his statement that +he had received a note from the clergyman, saying that he had been +suddenly called away and would be absent some days, but she did not +quite understand why another would not do as well. Somehow, all that +day, she had found no opportunity for hinting to her lover that a +Unitarian minister lived quite near. + +Finding the ladies so little disposed to be entertained, the two men +retired within themselves, each after his own peculiar fashion. + +Lucian Davlin lounged, in his favorite manner, in a big arm chair, and +absorbed himself in the mazes of "_Lalla Rookh_." + +Percy, seated sidewise on a sofa directly opposite a large mirror, +gazed languidly at his own reflected image, and furtively at the two +women opposite, stroking his handsome blonde whiskers the while. + +At last Miss Arthur broke the silence by saying, with a side glance +toward Cora: "There is one thing that I have not yet asked to be +enlightened about. Perhaps you could explain the mystery, Mrs. Arthur? +I mean the appearance of Madeline at my bedside not long ago--or her +ghost." + +Cora uttered a disagreeable laugh, and then replied: "How should I be +able to explain? I am not the keeper of Miss Payne, or 'her ghost.'" + +"Probably not; however, you are so friendly, so sisterly, I might say, +that I thought perhaps--" + +"You thought perhaps my step-mamma was in the secret?" said the voice +of a new comer. + +All eyes were turned toward the library, where Madeline Payne stood, +clad in a walking dress, and looking fairly radiant with suppressed +excitement. + +"You misjudge my step-mamma, Aunt Ellen." As she speaks, Madeline +advances toward the silent group, leaving the library door ajar. "I +will explain that singular phenomenon. I intend to clear up all the +mysteries to-night--here--now. First, then, about the ghost: It was I, +Miss Arthur, Madeline Payne, in the flesh." + +Lucian Davlin's book lies on his knee neglected now. + +Edward Percy's face has lost its look of languor. + +Cora is flushing red and then paling, while she wonders inwardly if +her time has come; if she is to be exposed to a last humiliation. + +"We will settle another point," continues Madeline, imperturbably, while +she rests one arm upon a cushioned chair back, and looks coolly from one to +another. "Some of you have felt sufficient interest in me to wonder why I +sent home, to my sorrowing friends, the false statement of my death. I will +explain that. When I left home it was with wrath in my heart, and on my +lips the vow that I would come back and with power in my hands. I had +wrongs to avenge, and I swore to be mistress of my own, and to bring home +to a bad man the heartache and bitterness he had measured out to another. +Well, I did not know just how this was to be accomplished, but Providence, +or fate, showed me the way. Then I saw the necessity for coming back to +Oakley, and to pave the way for my new advent, I sent Nurse Hagar with the +false account of my death. A girl had died in the hospital--a poor, +heart-broken, homeless, friendless, wronged, little unfortunate,--'Kitty +the Dancer' she was called in the days when she was fair to see, and men, +bad men, set snares for her feet." + +What ails Lucian Davlin? He is compressing his lips, and struggling +hard for an appearance of composure. + +Madeline goes calmly on. "The poor girl died forlorn. She had been +wooed by a vile man, a gambler. She had been to meet him and was +returning from a rendezvous when the carriage that was conveying her +to her poor lodging was overturned, and she was taken up a helpless, +bleeding mass, and carried to the hospital. Then she sent for this +heartless villain, again and again. She implored him to come to her, +at least to send assistance, for she was destitute--a pauper. He +refused, this thing, unworthy the name of man. He was setting other +snares. He had no time, no pity, for his dying victim. Well, she died, +and was buried as Madeline Payne, while I, standing beside her coffin, +prayed to God to make my head wise, and my heart strong, that I might +hunt down, and drive out from the haunts of men, her soulless +destroyer." + +Madeline pauses, and three pair of eyes gaze at her with genuine +wonder. But the eyes of Lucian Davlin are fixed upon vacancy, and with +all the might of his powerful will he is struggling to appear calm. + +Madeline turns her eyes calmly from his face to Cora's, and seems to +see nothing of this, as she resumes: + +"Some strange fatality had made this man the bane of other lives, that +were to be brought into contact with mine. I found that the happiness +of two noble beings was being wrecked by this same man. One of these +two had been my benefactor, had saved me from a fate worse than death, +so I set myself to hunt this man down. And here I found that I could +accomplish two objects at one stroke. I found that the man was playing +into my hands. I followed him in disguise. Little by little I gained +the knowledge of his secrets, enough to send him to State's prison, +and more than enough. But one thing was wanting. For that I waited; +for that I breathed the same air with creatures whom my soul loathed, +and now that one missing link is supplied. At last, I am free! At +last, I can throw off the mask! At last, I can say to the destroyer of +poor Kitty, to the man who swore away the liberty of another to screen +himself--Lucian Davlin, I have hunted you down! I have held you here +to be taken like a rat in a trap! Officers, seize him! He has been my +prisoner long enough!" + +Was it a transformation scene? + +While she is uttering those last words, suddenly the room becomes full +of people, and Lucian Davlin is writhing in the grasp of the two +officers; struggling hopelessly, baffled completely, maddened with +rage and shame. When at last he has ceased to struggle, because +resistance is so utterly useless, he turns his now glaring eyes upon +the brave girl whose life he had sought to wreck, and hisses: + +"Don't forget to mention how you first came to the conclusion that I +had wronged you! Don't forget to state that you ran away from Bellair +with me; that you lodged in my bachelor quarters; that--" + +A heavy hand comes in forcible contact with the sneering mouth, as one +of the officers says, gruffly: "None o' that, my lad. I'd sooner gag +you than not, if you give me another chance." + +But Madeline answers him with a scornful laugh: "That I shot you in +your own den? Coward! do you think my friends do not know all? Here +stands the man who saw me in your company that night," pointing to +Clarence Vaughan; "and here," turning to Claire, "is the sister of the +woman who came to me, at Dr. Vaughan's request, and told me who and +what you were! It was these two who nursed me during my illness, and +who have been, from first to last, my friends. Bah! man, you have been +only a dupe. Your servant, your doctor, your detectives, are all in my +service! I have fooled you to the top of your bent, and kept you under +this roof until we had found the proof that it was you, and not Philip +Girard, who struck this man," pointing to Percy, "and robbed him, five +years ago." + +With a muttered curse, Lucian Davlin flings himself down in the seat +he had lately occupied, the watchful officers, pistol in hand, +standing on either side of him. + +Edward Percy, for the first time since her entrance, withdraws his +eyes from Madeline's face and casts a frightened glance about him. +Having done this, he feels anything but reassured. + +Near the outer door stand the two "well-diggers," who have entered +like spirits, and now look as if, for the first time since their +advent in Oakley, they feel quite at home. Nearest to Madeline stands +Clarence Vaughan. Back of these, a little in the shadow, two +others--two women. One stands with her face turned away, and he can +only tell that the form draped in the rich India shawl is tall and +graceful. But the other--she moves out from the shadow and her eyes +meet his full. + +Great heavens! it is Claire Keith! + +He moves restlessly, his fair face flushing and paling. The first +impulse of his coward heart is flight. But the two "well-diggers" are +not surmountable obstacles. He turns his face again toward the Nemesis +who is now gazing scornfully at him. + +"I have no intention of neglecting any one of you four," she says, +icily. "Edward Percy, I told you last night that I would burn certain +papers in your presence. I am quite ready to keep my word. There will +be no use for them after to-night. But I shall not stifle the +testimony of living witnesses against you." Then she raised her voice +slightly. "Dr. Le Guise, bring in your patient." + +John Arthur, pallid with fear and rage, stands upon the threshold of +the drawing-room, closely attended by the Professor and Henry. + +Then Madeline turned to the now terror-stricken Cora. "Come forward, +Mrs. John Arthur," she says, scornfully. "It is time to let you +speak!" + +When Edward Percy turns his eyes toward Claire, she has instinctively +moved nearer to Madeline's side, at the same time favoring him with a +look so fraught with contempt that the villain lowers his eyes, and +turns away his face. As Madeline now addresses the fair adventuress, +Claire again moves. She has been standing directly between Cora and +her Nemesis. Now she takes up a position quite apart from her friends, +and near the officer who guards Lucian Davlin on the right. + +Cora sees that all is lost. But she recalls the promises of safety +given her by Madeline, and nerves herself for a last attempt at cool +insolence. Her quick wits have taken in the situation. Now she +understands why Madeline has led Davlin on, and why her hatred of him +is so intense. Now she knows the meaning of the words that last night +seemed so mysterious: "Lucian Davlin is my lover, but I am his +bitterest foe." Now, as she steps forward, the hate she feels shining +in her eyes, and with a growing air of reckless bravado as she glances +at him, Cora, too, is Lucian Davlin's bitter foe. + +"Cora!" The name comes from the lips of John Arthur, almost in a cry. + +But she never once glances toward him. She fixes her eyes upon +Madeline's face and doggedly awaits her command. + +"Tell us what you know of this man," Madeline says, pointing to Edward +Percy: "and be brief." + +Cora turns her eyes slowly upon the man. She surveys him with infinite +insolence, and then she turns with wonderful coolness toward Ellen +Arthur. + +"Miss Arthur," she says, with a malicious gleam in her eyes, "this +will interest you. I knew that man ten years ago. I was making my +first venture out in the world, and it was a very bad one. I fell in +love with his pretty face, and married him. Before long I discovered +that matrimony was a mania of Mr. Percy's--by-the-by, he sailed under +another name then. I found that he had another wife living; a woman he +had married for her money. Well, being sensitive, I took offense, and +after a little, I ran away from him, carrying with me the certificates +of his two marriages, which I had taken some pains to get possession +of. After that--" + +Cora pauses suddenly and glances toward Madeline. + +"After that you went to Europe. You may pass over the foreign tour, +and take up the story five years later," subjoins Madeline, coldly. + +"After that, I went to Europe," echoes Cora. "And five years later +found me in Gotham." + +"Be explicit now, please: no omissions," commands Madeline. + +"Five years ago, then," resumes Cora, "that gentleman there," +motioning to Davlin, but never turning her face toward him, "came to +me one day with the information that my dear husband was a rich man, +thanks to some deceased old relative, and that his other wife was +dead. For some reason this other marriage had been kept very secret, +and my friend there argued that in case anything happened to Percy, I +might come in as his widow, and claim his fortune. Well, Mr. Percy did +not die, more's the pity. Instead of that he lived and squandered his +money in less than three years. He was hurt, somehow, and a certain +Mr. Philip Girard was falsely accused and convicted for attempted +murder." + +"Who was the real would-be assassin?" asked Madeline, sternly. + +"Lucian Davlin," emphatically. + +Madeline turns swiftly to Percy. "Mr. Percy, explain, if you wish to +lighten your own burden, by what means did that man persuade you to +let him go free?" + +"By--threatening me with an action for--" + +"Bigamy!" finished Cora. + +The villain, bereft of all hope and courage, stood white and +trembling, under the eyes of his accusers and judges. + +"I am letting these people hear you tell these things because I want +that man,"--pointing to John Arthur, who had long since collapsed into +a big chair--"to hear all this from your own lips," says Madeline. + +Turning again to Cora, she says: + +"Lucian Davlin made use of the papers--the certificates you had stolen +from Edward Percy--to intimidate that gentleman, and secure himself +from danger. Am I correct?" + +"Yes," replies Cora, casting a malignant glance from one to the other +of the accused men. + +"Very good. Now we will pass on four or more years. You were in some +little trouble last June, Mrs. Arthur. Explain how you came to +Bellair." + +"How?" + +"Yes, for what purpose. And at whose instigation." + +Cora hesitated, and Davlin moved uneasily. + +"Don't think that you will damage your cause by making a full +statement," suggested Miss Payne, meaningly. "Answer my questions, +please." + +Again Cora glances at Davlin. Then turning toward Madeline she assumes +an air of defiant recklessness, and answers the questions promptly. "I +came at Lucian Davlin's suggestion, and because he had induced me to +think that I could easily become--what I am." + +"And that is--" + +"Mrs. Arthur, of Oakley!" with a mocking laugh. + +The old man in the chair utters a loud groan, but no one heeds him. +All eyes are fixed upon Madeline and Cora. + +"You plotted to become John Arthur's wife?" pursues Madeline, +relentlessly. + +"Yes." + +"And--his widow?" + +No reply. + +"You planned to keep him a prisoner?" + +"Yes." + +"And Lucian Davlin, your pretended brother, was your accomplice?" + +"Yes." + +Madeline turns swiftly toward her step-father, as she does so moving +nearer toward Edward Percy. + +"John Arthur, are you satisfied?" she asks, sternly. "Shall the +knowledge of your disgrace go beyond this room? Do you choose to +remain here and be pointed at by every boor in Oakley, as the man who +married an adventuress, a gambler's accomplice? or will you accept my +terms?" + +John Arthur lifts his head, then staggers to his feet. "Curse you!" he +cries. "Curse you all! What proof have I that these people will +respect my feelings?" + +"You have my word," replies the girl, coolly. "These gentlemen of the +Secret Service are not given to gossip. Mr. Davlin will have but +little opportunity for circulating scandal where he is going. Mr. +Percy, and your wife, will hardly remain in the neighborhood long +enough to injure you here, unless by your own choice. Your sister will +scarcely betray you, and the rest are my friends. Choose!" + +Pallid with rage and shame, the old man turned toward Cora. + +"You she-devil!" he screams, "this is your work--" + +"No," interposes Madeline, calmly, "it is _your_ work, John Arthur! +What you have sown, you are reaping. Will you have all your guilty +past, your shameful present, made known? Or will you leave my mother's +home and mine, and cease to usurp my rights? Choose!" + +Every eye is turned upon the old man and his questioner. Every ear is +intently listening for his answer. + +Every ear, do we say? No; one man is only feigning rapt attention; one +mind is turning over wicked possibilities, while the others await, +with different degrees of eagerness or curiosity, John Arthur's +answer. + +"Needs must when the devil drives," says the baffled old man, turning +toward the door. "I will go, and I leave my curse behind me!" + +This is the moment which Lucian Davlin has watched. While all eyes are +turned toward John Arthur, he bends suddenly forward. He has wrenched +the pistol from one of his guardians, and the weapon is aimed at +Madeline's heart! + +Instantaneously there is a quick, panther-like spring, and Claire +Keith's little hand strikes the arm that directs the deadly weapon. +There is a sharp report, but the direction of the bullet is changed. + +Madeline Payne stands erect and startled, while Edward Percy falls to +the floor, the blood gushing from a wound in his breast. In another +instant, Lucian Davlin lies prostrate, felled by a blow from one +detective, while the other bends over him and savagely adjusts a pair +of manacles. + +The others, even to Cora, group themselves about the wounded man. Dr. +Vaughan kneels beside him a moment, then he lifts his eyes to meet +those of Madeline. + +"It is a death wound," he says. + +"Prepare a couch in the next room directly. He must not be carried +up-stairs." + +When this order has been obeyed, and the injured man has been removed, +Madeline returns to the drawing-room, untenanted now save by the +officers and their prisoner. They are waiting there until the midnight +train shall be due, and the time approaches. Moving quite near to the +now silent, sullen villain, the girl surveys him with absolute +loathing. + +"The goddess you worship has deserted you, Lucian Davlin," she says, +slowly. "It was not in the book of chance that you should triumph over +or outwit me. The bullet you designed for me has completed the work +you began five years ago. Go, to live a convict, or die on the +scaffold, and when you think upon the failure of your villainous +schemes, remember that this retribution has been wrought by a woman's +hand! Officers, take him away!" + +Through the darkness they hurry him, from the sights and scenes of +Oakley and Bellair--forever. His goddess has indeed forsaken him. When +the two officers take leave of him at the prison, he has had his last +glimpse of the outside world. + +[Illustration: "Edward Percy falls to the floor, the blood gushing +from a wound in the breast!"--page 439.] + +From the moment when he failed in his attempt upon the life that had +defied him, no word had escaped his lips. Silent, moody, and utterly +hopeless, this proud-spirited, evil-hearted Son of Chance, enters +the prison gates, and, as they close upon him, we have done with +Lucian Davlin, a _convict for life_! + + + + +CHAPTER XLIX. + +AS THE FOOL DIETH. + + +Edward Percy is dying--was dying when they lifted him from the +drawing-room carpet, and gently laid him on the couch hastily prepared +by Hagar and the frightened servants. They have watched beside him +through the night, and now, in the gray of the morning, Clarence +Vaughan still keeps his vigil. + +The wounded man moves feebly, and turns his fast dimming eyes toward +the watcher. "I thought--I saw--some one," he says, brokenly, "when--I +fell. Who--was--the lady?" + +His voice dies away, as Clarence, bending over him, answers gently: +"You mean the lady that stood near the door, whose face was turned +away?" + +"Yes," in a whisper; "was it--my--wife?" + +Clarence turns toward the window where Mrs. Ralston sits, out of view +of the sick man. + +She moves forward a little. "Tell him," she says, in a low voice. + +Edward Percy is a dying man, but his mind was never clearer. He +perfectly comprehends the explanations made by Clarence. He had +recognized the face of his wife when he lay bleeding at her feet. He +closes his eyes and is silent for some moments. Then he asks, in that +dying half-whisper, the only tone he ever will use: "You +think--I--will--die?" + +"You cannot live," replies Clarence, gravely. + +Again the wounded man shuts his eyes and thinks; then: "How long--will +I--last?" he questions. + +"I can keep you alive twenty-four hours--not longer," says Clarence, +after a pause. + +"Then--I must talk now." + +Clarence goes to a table, and pours something into a tiny glass. This +he brings, and putting it to the lips of the patient, says: "Try and +swallow this. It is a stimulant. Then lie quiet for a few moments; +after that you may talk." + +This is done, and for a time there is silence in the room. Then the +wounded man whispers, with an appearance of more strength: "Tell +_her_--to come here." + +Mrs. Ralston moves forward, and he looks at her long and attentively. +Then, with a turn of his olden coolness: "You grew tired of me," he +said. + +"Yes," she replies, in a low, sad voice, "I grew tired of you; very +tired. But don't talk of those days now. You are too near the end; +think of that!" + +"I do," he said, slowly. "But I can't alter the past--and--I don't +know--about the future. I want--to see a--notary." + +"Don't you want to see a clergyman?" + +"What for? If I am dying--it's of no use to play--hypocrite. I don't +believe in--your clergyman. I admit that--I wronged--you," he +continues, gazing at Mrs. Ralston, "and I deceived Miss Keith. If you +two--can forgive me--I will take my chances--for the rest." + +Mrs. Ralston bends above him with a face full of pity, but in which +there is no love. "I forgive you, Edward; and so will Claire, fully. +But you did her very little harm. She was not long deceived. Do you +want to see her?" + +"Yes; and--don't let Alice--Cora, you call her--come near me." + +Truly, this dying sinner is not a meek one, not a very repentant one. + +When they ask him if he will see Miss Arthur, his reply is +characteristic. "Does she want--to see--me?" + +No; she has not asked to see him, they say. But of course she would be +glad to come to him. + +"Let her alone," he says, "she don't want to see me. If she did, it +would be to scratch out--my eyes--because she is--cheated out +of--being married. She isn't hurt. She is too big a fool." + +When Claire comes to his bedside, accompanied by Madeline, he says: +"Miss Claire--I loved you better than any woman I ever knew--truly. +If--you had been Mr. Keith's heiress--I would never have come to +Oakley. I thought you were--his heiress when--I wooed you--in +Baltimore. But you are the only woman--who ever beat me--and puzzled +me. You did not care much, after all." + +To Madeline he says, after he has swallowed a second stimulant: "But +for you, I would not be here. You women have hunted me down. But you +are as brave--as a lioness--a little Nemesis. I--won't--bear malice." + +At noon, the notary comes, and Edward Percy makes an affidavit as to +the truth of the testimony that will convict Lucian Davlin. It is the +affidavit of a fast dying man. + +All day Mrs. Ralston sits beside him. And Clarence Vaughan watches the +slowly ebbing life tide. Once he seems struggling to say something, +and his wife bends down to catch what may be some word of penitence. + +"Bury--me like a gentleman." + +This is what he says, and Clarence Vaughan smiles bitterly as he +thinks, "selfish and egotistical to the last." + +Night comes on and the end is very near. Over the dying face flits a +malignant shadow, and he makes a last effort to speak. Again the +watchers bend nearer. + +"I hope--they will--hang Davlin," he breathes, feebly. + +The two listeners recoil with horror, at the sound of the vindictive +wish from dying lips. + +These are the last words of Edward Percy. Slowly go the minutes, and +deeper grow the shadows. Again Clarence Vaughan bends above the couch, +and then he says: "Your vigil is ended, Mrs. Ralston. He is dead." + + * * * * * + +That night, while the house is hushed to a quiet, one portion of the +household asleep, the other keeping the death-watch, Cora again tries +to escape from Oakley. But this time Strong is not to be caught +napping, and the vanquished adventuress resigns herself to her fate. + +Two days more, and then Edward Percy is buried, according to his +request, "like a gentleman." + +All that is known outside of Oakley concerning his death is that he +was shot by Lucian Davlin, between whom, and himself, some feud had +existed. + +And John Arthur and Cora remain, and "keep up appearances" to the +last. + +Dr. Le Guise, or the Professor, has stayed too, for appearance sake. +But the day after they have buried Edward Percy, he goes, and very +gladly, back to the city. Madeline keeps her promise; he goes free, +and none save the few ever know that Dr. Le Guise is an impostor. + +At the same time John Arthur turns his back upon Oakley forever. +"Appearances" are observed to the last. He goes, tenderly attended by +the Professor, by Cora, and by his sister. Goes much muffled, and +enacting the _role_ of invalid. + +They are taking the sick man South; this is what the villagers think. + +But when the train reaches the city, this select party disbands. John +Arthur becomes active once more and, with his sister, hurries away in +the nearest cab, while the Professor and Cora separate by mutual +consent. + +And here we will leave them--all but Cora. + +She has escaped Scylla only to fall upon Charybdis. As she hurries +along through the familiar streets, her plans are laid. She will go to +Lucian Davlin's rooms; nobody will be there to dispute her possession +for a day or two to come, and she has possessed herself of the keys, +left behind as useless by their outlawed owner. + +When she ascends the steps, some one, who is lounging past the +premises, looks at her narrowly. As she disappears behind the swinging +outer door, this lounger becomes wonderfully alert, and hastens away +as if he had just discovered his mission. + +Two hours later, as Cora descends the stairs and emerges into the +street, the vision of a monkey-faced old man appears before her. And +while another lays a firm detaining hand upon her arm, the old man, +fairly dancing with glee, cries out: + +"Ah, ha! here you are, my pretty sharper! I didn't have these premises +watched for nothing, did I? Now I have got you! Bring her along, +officer, bring her along. She won't dodge us this time." + +And Cora is hurried into a cab, closely followed by old Verage, who +chatters his doubtful consolation, and laughs his eldritch laughter, +and finally consigns her to prison to answer to a charge of +swindling. + + + + +CHAPTER L. + +"AND THEN COMES REST." + + +At last Oakley is rid of its _intriguants_, its plotters and +impostors. + +And Madeline and Claire sit alone in the chamber of the former, +talking of the strange events that have so lately transpired--of +Philip Girard's vindication, of Lucian Davlin's punishment, of Edward +Percy's death. + +It is the day following that of the burial, and Mrs. Ralston is lying +asleep in her own room, with old Hagar in near attendance. + +"Poor Mrs. Ralston," says Claire, after a long pause in their +converse. "She is thoroughly worn out, and yet, weary as she was, she +must have talked with you for hours, Madeline, after we came back from +the grave." + +Over Madeline's face flits an odd, half-sad smile, as she replies, +dreamily: + +"Yes, we talked a long time, dear; Mrs. Ralston was then in the mood +for talking. Can't you understand how one may be nervously active, may +be at just that stage of bodily weariness when the mind is intensely +alive? The excitement of all she had lately undergone was still upon +her, and the mind could not resign itself to rest while anything +remained unsettled or under a cloud." + +"Oh, I can understand how that may be." Then, after a pause, "so +something remained to be settled?" + +"Yes." + +"And, between you, you disposed of the difficulty?" + +"Yes." + +Another silence. Then Madeline turns to look at her companion. + +"Why don't you ask me what the 'difficulty' was?" + +No answer. + +"But you want to know?" + +Claire laughs nervously. + +"And I want to tell you," pursues Madeline. "First, we talked of +ourselves." + +"Oh!" ejaculates Claire, looking immensely relieved. + +"Yes, we talked of ourselves first; and we have become great friends." + +"Of course!" cries Miss Enthusiasm; "I knew you would." + +"We have decided to give our new friendship a severe test." + +"How?" asks Claire, forgetting her caution. + +"By visiting Europe in each other's society." + +Claire springs up excitedly. "Madeline Payne, you don't mean it! You +_can't_! You _shall_ not; there! Europe, indeed. You are crazy! I +won't hear of it!" stamping her foot emphatically. + +Madeline leans back in her chair and laughs; then suddenly becomes +grave. + +"But I do mean it, Claire, my darling," she says, softly. "And I'll +tell you what else I mean. Sit down here, close beside me and listen." + +Instinctively Claire obeys. + +"Now, then," continues Madeline, "you know what an odd, uncultivated +sort of a life mine has been, and you know that this little world of +mine has not been a very bright one. Well, ever since I could read and +think, I have longed to see Italy, and France, and England, and +Germany, and the Holy Land. My work is done here. There is nothing now +to prevent my going--no duty to perform, no one to keep me here. I +could not find a better friend and companion than Mrs. Ralston, and +she is very anxious to go, and to take me with her. You are all very +dear to me, but no one needs me now more than she, nor so much. And, +Claire, don't make any mistakes about me. I am not going away +sorrowfully, or with any heavy weight upon my spirits. I am going to +enjoy and make the most and best of the life and youth God has given +me. I am going for change, and recreation, and rest. I have been +acting the part of an avenger here, a stern, unforgiving Nemesis, but +I would do over again all that I have done, if need be. I am not half +so good as you. I can not submit with meekness to injustice and wrong. +I shall fight my enemies, if I have more to fight, until the end of +the chapter. And now I have a confession to make." + +Claire stirs uneasily. "Don't," she says, deprecatingly: "I don't want +to hear a confession." + +"But I want to make one, and you must listen. First, however, let me +tell you that during my talk with Mrs. Ralston, I heard about a +certain interview, wherein a ridiculous young lady discarded the man +she loved, because she fancied she would wrong some one else if she +admitted her love for him, and accepted his. Well--don't turn your +face away--that was foolish. But my blunder was a downright wicked +one. Yes, Claire, I will tell all the truth. When you and I stood +together out under the trees, and talked of Clarence Vaughan; when you +showed me the picture and told me the little pastoral about Edward +Percy; I knew that Clarence Vaughan loved you--and I thought I loved, +nay, I did love, _him_. + +"When I came down here and found so soon that Edward Percy was--so +utterly unworthy, we will say, because he is dead, I felt at once that +you must be undeceived. + +"Then a great temptation came to me, and I said to myself, 'When she +becomes disenchanted, and ceases to love this man, she will learn to +value the other and more noble lover; she will learn to love him!' + +"All night long, before I came to undeceive you, and to warn Olive, I +battled with a great temptation. And I yielded to it. Listen, Claire, +while I tell you how base I was. + +"When I set out for the city in the morning, I said to myself: 'Claire +Keith is the soul of truth and honor. She is generous to a fault. If I +let her see how much I care for Clarence Vaughan, I shall appeal to +her pity and her honor, without the aid of words. She will never +listen to his suit; she will try to advance my interest; she will +become my ally.' See, dear, how truly I judged you. + +"Well, I came. I told you of Percy's baseness, and when I saw how +brave you were; how full of scorn for the dishonest man; how +impossible it was for one so unworthy to drag you down, or darken your +life because of his baseness; I was filled with shame and remorse. I +knew then that I was unworthy your friendship, or of a good man's +love. + +"Standing in your presence, humiliated by your pure nobility, I +repented, and I resolved to give up all thought of Clarence Vaughan. I +did give him up. + +"But, Claire, although I did not know it, my very penitence must have +committed me, and while I was renouncing my designs, you were +resolving to further them. In some manner I must have betrayed +myself." + +There is a moment's pause. Claire Keith's face is buried in her hands, +and Madeline, bending toward her, cries out, remorsefully: + +"Claire! Claire! Look up and believe me. As God hears me, that is past +and dead. See how I am humbling myself, and do not doubt me." + +Claire's head rears itself suddenly. She flings herself forward +impetuously, and clasps her arms about her friend. + +"Madeline, stop!" she cries, brokenly; "I won't hear you slander +yourself. Don't I know you too well to doubt you! But I won't have a +lover; I won't love any one but you." + +Again the laugh comes to Madeline's lips. + +"Little Miss Impulse!" she says, tenderly. "But, sister Claire, I am +not done yet. I am going to put you on the penitent's stool now. Just +imagine yourself in my place for a little. Do you think I could have +made this confession to you if my weakness were not a thing of the +past? You know I never could. I am not ashamed to confess that I did +love Clarence. But I should be more than ashamed, under all the +circumstances, if I could not say with truth that that love is a thing +of the past. As my dearest friend, my brother, if you will, I shall +always love him; but no more than that. I am not sorry that I have +loved him, for I am a better woman because of it. But, I repeat it, +that love is a thing of the past. Claire, do you not believe?" + +They gaze into each other's eyes for a moment. Then Claire says: "I +believe, Madeline." + +A smile brightens the brown eyes now, and their owner says: "Then +don't you see that you have made a mistake--one that, for my sake, you +must rectify?" + +Claire begins to look rebellious. "No, I don't," she cries, blushing +scarlet. "You wicked girl, you have been getting me into a trap!" + +Madeline says, very gravely: + +"Claire, I want you to trust me in this, as you all have in other +things. I want you to let me feel that I have not made the friends I +love best, unhappy. I shall leave you soon: if I have been your +friend, let me have my way in this one thing. If you don't, all the +rest will have been in vain. See, my drama is ended; my enemies are +punished. Now let me make my dear ones happy. Do you know, John Arthur +has put a new thought in my head. 'Confound you,' he growled; it was +his parting benediction, 'I might have known your father's blood ruled +you. I might have looked for cunning and intrigue from that confounded +Expert's Daughter.' It is true, Claire; I am the daughter of an +Expert, a detective, brave and shrewd. Hagar says that I am like my +father, and that I have inherited his talents. When I recall the knot +we have just unravelled, the war we have just waged, I can but think +that my father's chosen calling may have become mine. If the world +ever grows stale, if I pine for change or excitement or absorbing +occupation, I can go to my father's chief and say, 'I am the daughter +of Lionel Payne, the Expert, and I have inherited a measure of my +father's talents.' Do you think he will trust his knotty cases to the +Expert's Daughter?" + +"I think he will, if he is wise. But, Madeline, all this is folly. You +will never leave us. Olive wants you; we all want you." + +"And you will all have enough of me. But, Claire, do not ask me to +stay now. It is better for me, better for all, that I go away. I must +let old memories die out. I want to forget old scenes. I want rest. I +need to school my wayward nature, to teach my heart to beat calmly, +my soul to possess itself in peace. Claire, I must go." + +Just here, some one taps softly. It is a servant who holds in her +hands a telegram from Olive to Madeline, which runs thus: + + All is well. Philip and I start for home to-night. Meet us + there without fail, all of you. + + OLIVE. + +They read it together, and then Claire burst into tears--tears of joy +and thankfulness. + +"Philip is free once more! Oh, Madeline, Madeline; and it was you who +saved him; it was _you_!" + +Madeline pushes the message into her hand, saying: "If I have done +such wonderful things, why do you refuse to obey me? Go, now, and take +this good news to Clarence Vaughan. And mind you, don't come back, for +I am going to tell Mrs. Ralston." + +Half laughing, half crying, Claire is compelled to go down to the +library alone. Clarence Vaughan is there, pacing thoughtfully up and +down. + +Claire enters softly, the paper ostentatiously displayed in her hand. +But he looks straight at the blushing, bashful, tear-stained face. Her +eyes, half glad, half shy, wholly tell-tale, fall before his own. And +the lover who has waited in patience for his opportunity, seizes it +now and makes it a moment of victory. + +"I have brought you good news, Dr. Vaughan." + +He comes straight toward her, and imprisons both little hands, +together with the "news" they contain. + +"You have brought me yourself, then, and I have been lying in wait for +this opportunity. Claire, shall you ever run away from me again?" + +It is useless to rebel. His voice tells her that he knows too much, +and that he will not be evaded any more. + +She gives him one glimpse of her face, and then she is clasped in his +strong, loving arms, and from this safe haven, after a time, she tells +her good news, struggling prettily to free herself from the loving +imprisonment. + +"Philip is free, and is coming home." + +"Of course; why not, darling? There is no accusation against him now." + +"Madeline is going away with Mrs. Ralston. Don't you think she is too +bad? Can't we make her stay?" + +A look of regretful sadness rests for a moment upon his countenance. +Then he says, very tenderly: + +"My little darling, Madeline has earned the right to her own perfect +liberty. After the fierce schooling through which she has passed, +believe me, there is nothing left for us to teach her. She has grown +beyond us. Let her have her will, for she knows best what will give +her the rest, the forgetfulness, the absorbing interest in other +things, that her strong nature needs. Madeline has much to unlearn, +much to forget; and she knows this. She is growing to understand her +strong, brave self, to value her strength. She will never be an idler, +never sink into the ranks of the commonplace. If, after a time, she +finds for herself a worthy love, she will be the tenderest, the truest +of wives. But she is sufficient unto herself. She has beauty, genius, +force, a strong will, a splendid intellect. We shall watch her course +from afar, and I am much mistaken if we do not, some day, hear great +things of our Madeline." + +Claire draws herself gently from the restraining arm, and turns her +blue eyes upon him. + +[Illustration: "She sinks to her knees, and leaning out, absorbs the +restfulness, the peace, the white, pure glory of the dawn."--page +456.] + +"Madeline will never marry," she says softly, sadly. "You are right; +she is above us, beyond us. God has made her sufficient unto herself." + + * * * * * + +It is dawn, gray dawn. + +Madeline Payne rises from a long untroubled sleep, and flings wide her +shutters. + +What is this that she sees? + +All below her an unbroken mantle of white; all about and above, the +waving of snowy plumes, and floating, misty-white loveliness. + +The world is clothed in a new garment; the foot-prints of her enemies +are hidden, are blotted from the face of the earth. The pathway to the +cemetery where they lately bore Edward Percy, is obliterated, too. The +grave of the erring man is covered with heaven's whitest, purest +mantle of charity and forgetfulness. + +Above, below, all about her, is silence and whiteness and peace. + +She sinks to her knees, and leaning out, absorbs into herself the +restfulness, the peace, the white, pure glory, of the dawn. + +"It is a token," she murmurs, softly. "It is God's benediction on my +new day, on my new life. It is the beginning of rest. There is nothing +old in this fresh, white world. Let the snow mantle rest thus upon my +past life. Ah, how rich I am! How rich in friends; how strong in that +I have been able to do some good, to make my beloved happy. Never let +me repine at my fate. I am rich, and strong, and free. This new, +white, beautiful world is mine, when I wish to wander. My friends are +mine, when I wish to rest, and find a home." + +Ah, 'tis good to know-- + + "God's greatness shines around our incompleteness; + Round our restlessness, _His rest_." + +Up from the east shoots an arrow of gold, and a bar of roseate light. +Higher yet, and the world is aglow with mystic, glittering loveliness. +Diamonds sparkling everywhere; snow plumes waving; the earth's white +unbroken mantle gleaming and sparkling, and stretching away to meet +the golden glow at the horizon's edge. + +Kneeling there, with her white hands clasped upon the window ledge, +the glory of the morning falls over her like a benediction; lighting +up the golden hair; pouring its radiance into the solemn brown eyes; +kissing the pure pale cheeks; breathing peace, and rest, and hope into +the long-tried, but conquering heart of THE EXPERT'S DAUGHTER. + +THE END. + + + + * * * * * + + + + +POPULAR BOOKS. + + +_A Mountain Mystery; or, The Outlaws of the Rockies._ + + By LAWRENCE L. LYNCH. Illustrated by 37 original Engravings. + Price, $1.50. + + A stirring story of detectives' adventures among the mountain + outlaws and stage robbers of the Far West. Our old friends + Stanhope and Vernet, reappear in new roles. + + +_Dangerous Ground; or, The Rival Detectives._ + + By LAWRENCE L. LYNCH. Illustrated by 45 original Engravings. + Price, $1.50. + + Its incidents are splendidly handled. There is not a dull + page or line in it. Dick Stanhope is a character to be + admired for his courage; while one's deepest sympathies twine + about the noble, tender-hearted Leslie Warburton. + + +_Madeline Payne, the Detective's Daughter._ + + By LAWRENCE L. LYNCH. Illustrated by 44 original Engravings. + Price, $1.50. + + "One of the most fascinating of modern novels. It combines + the excitement that ever attends the intricate and hazardous + schemes of a detective, together with as cunningly elaborated + a plot as the best of Wilkie Collins' or Charles Reade's." + + +_Out of a Labyrinth._ + + By LAWRENCE L. LYNCH. Illustrated by 36 original Engravings. + Price $1.50. + + "We have so often spoken of Mr. Lynch's superb abilities that + further praise is scarcely essential. Suffice it to say that + this work is in no way inferior to those which have preceded + it."--_Aurora News._ + + +_The Gold Hunters' Adventures in Australia._ + + By WM. H. THOMES. Illustrated by 41 fine Engravings. Price, + $1.50. + + An exciting story of adventures in Australia, in the early + days, when the discovery of gold drew thither a motley crowd + of reckless daring men. + + +_The Bushrangers; or, Wild Life in Australia._ + + By WM. H. THOMES. Illustrated. Price, $1.50. + + The record of a second voyage to that land of mystery and + adventure--Australia--by the "Gold Hunters," and replete with + exciting exploits among lawless men. + + +_The Gold Hunters in Europe; or, The Dead Alive._ + + By WM. H THOMES. Illustrated by 34 fine Engravings. Price, + $1.50. + + The heroes of "The Gold Hunters' Adventures" seek excitement + in a trip through Europe, and meet with a constant succession + of perilous adventures. + + +_A Slaver's Adventures on Sea and Land._ + + By WM. H. THOMES. Illustrated by 40 fine Engravings. Price, + $1.50. + + A thrilling story of an exciting life on board a slaver, + chased by British gunboats, and equally interesting + adventures in the wilds of Africa and on the Island of Cuba. + + +_A Whaleman's Adventures on Sea and Land._ + + By WM. H. THOMES. Illustrated by 36 fine Engravings. Price, + $1.50. + + A vivid story of life on a whaler, in the Pacific Ocean, and + of adventures in the Sandwich Islands, and in California in + the earlier days. + + +_Running the Blockade._ + +By WM. H THOMES. Profusely illustrated. Price, $1.50. + + A tale of adventures on a Blockade Runner during the + rebellion, by a Union officer acting in the Secret Service of + the United States. + +Sold on all Railroad Trains, by all Booksellers, or will be sent +post-paid on receipt of price by + +ALEX. T. LOYD & CO., + +133 LASALLE STREET, CHICAGO. + + * * * * * + + +A NEW DETECTIVE STORY. + +By LAWRENCE L. LYNCH. + +Author of "Shadowed by Three," "Madeline Payne," etc. + +[Illustration: "Don't pull, boys; I've got the drop on ye!" Page 50.] + +DANGEROUS GROUND; + +OR THE + +RIVAL DETECTIVES. + +The author's latest and greatest work; intensely interesting. 45 +Elegant Illustrations. + +PRICE $1.50. + +Sold on all Railroad Trains and by all Booksellers. + + * * * * * + + +THE GOLD HUNTERS' ADVENTURES; + +OR, WILD LIFE IN AUSTRALIA. + +By WM. H. THOMES, author of "The Bushrangers," "The Gold Hunters in +Europe," "A Whaleman's Adventures," "Life in the East Indies," +"Adventures on a Slaver," "Running the Blockade," etc., etc. + +[Illustration: "Now for a rush.--Cut them to pieces!"] + +A FASCINATING STORY OF ADVENTURE. + + * * * * * + + +A SLAVER'S ADVENTURES + +ON SEA AND LAND. + +[Illustration: "We saw many species of wild animals." Page 89.] + +By WM. H. THOMES, + +Author of "The Gold Hunters' Adventures in Australia," "The +Bushrangers," "Running the Blockade," etc., etc. + +ILLUSTRATED WITH FORTY ELEGANT ENGRAVINGS + +SOLD ON ALL RAILWAY TRAINS AND BY ALL BOOKSELLERS. + + * * * * * + + +A Whaleman's Adventures + +AT SEA, IN THE SANDWICH ISLANDS AND CALIFORNIA. + +[Illustration] + +By WM. H. THOMES, + +Author of "The Gold Hunters' Adventures in Australia," "The +Bushrangers," "Running the Blockade," etc., etc. + +Illustrated with Thirty-Six Fine Engravings. + +SOLD ON ALL RAILWAY TRAINS AND BY ALL BOOKSELLERS. + + + +***END OF THE PROJECT GUTENBERG EBOOK MADELINE PAYNE, THE DETECTIVE'S +DAUGHTER*** + + +******* This file should be named 26482.txt or 26482.zip ******* + + +This and all associated files of various formats will be found in: +https://www.gutenberg.org/dirs/2/6/4/8/26482 + + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. 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