diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:33:18 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:33:18 -0700 |
| commit | 11e495dab50bd36ba50cc84a1d1545f878fbf9b3 (patch) | |
| tree | f4f7c435cfe8e7803bd4e040c8b35ce8c19571cb | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 26934-h.zip | bin | 0 -> 486977 bytes | |||
| -rw-r--r-- | 26934-h/26934-h.htm | 3257 | ||||
| -rw-r--r-- | 26934-h/images/image1.jpg | bin | 0 -> 3772 bytes | |||
| -rw-r--r-- | 26934-h/images/image10.jpg | bin | 0 -> 44224 bytes | |||
| -rw-r--r-- | 26934-h/images/image11.jpg | bin | 0 -> 43862 bytes | |||
| -rw-r--r-- | 26934-h/images/image12.jpg | bin | 0 -> 21862 bytes | |||
| -rw-r--r-- | 26934-h/images/image2.jpg | bin | 0 -> 28124 bytes | |||
| -rw-r--r-- | 26934-h/images/image3.jpg | bin | 0 -> 43191 bytes | |||
| -rw-r--r-- | 26934-h/images/image4.jpg | bin | 0 -> 45633 bytes | |||
| -rw-r--r-- | 26934-h/images/image5.jpg | bin | 0 -> 43657 bytes | |||
| -rw-r--r-- | 26934-h/images/image6.jpg | bin | 0 -> 41178 bytes | |||
| -rw-r--r-- | 26934-h/images/image7.jpg | bin | 0 -> 32575 bytes | |||
| -rw-r--r-- | 26934-h/images/image8.jpg | bin | 0 -> 35657 bytes | |||
| -rw-r--r-- | 26934-h/images/image9.jpg | bin | 0 -> 40725 bytes | |||
| -rw-r--r-- | 26934-page-images/f0001.png | bin | 0 -> 2285 bytes | |||
| -rw-r--r-- | 26934-page-images/f0003.png | bin | 0 -> 15474 bytes | |||
| -rw-r--r-- | 26934-page-images/f0004.png | bin | 0 -> 3373 bytes | |||
| -rw-r--r-- | 26934-page-images/f0005.png | bin | 0 -> 16044 bytes | |||
| -rw-r--r-- | 26934-page-images/f0007-image1.jpg | bin | 0 -> 237512 bytes | |||
| -rw-r--r-- | 26934-page-images/p0001.png | bin | 0 -> 31728 bytes | |||
| -rw-r--r-- | 26934-page-images/p0002.png | bin | 0 -> 43646 bytes | |||
| -rw-r--r-- | 26934-page-images/p0003.png | bin | 0 -> 43076 bytes | |||
| -rw-r--r-- | 26934-page-images/p0004.png | bin | 0 -> 39236 bytes | |||
| -rw-r--r-- | 26934-page-images/p0005.png | bin | 0 -> 42056 bytes | |||
| -rw-r--r-- | 26934-page-images/p0006.png | bin | 0 -> 26062 bytes | |||
| -rw-r--r-- | 26934-page-images/p0007.png | bin | 0 -> 33506 bytes | |||
| -rw-r--r-- | 26934-page-images/p0008.png | bin | 0 -> 47257 bytes | |||
| -rw-r--r-- | 26934-page-images/p0009.png | bin | 0 -> 45553 bytes | |||
| -rw-r--r-- | 26934-page-images/p0010.png | bin | 0 -> 42759 bytes | |||
| -rw-r--r-- | 26934-page-images/p0011.png | bin | 0 -> 40240 bytes | |||
| -rw-r--r-- | 26934-page-images/p0012.png | bin | 0 -> 40714 bytes | |||
| -rw-r--r-- | 26934-page-images/p0013.png | bin | 0 -> 40715 bytes | |||
| -rw-r--r-- | 26934-page-images/p0014.png | bin | 0 -> 34348 bytes | |||
| -rw-r--r-- | 26934-page-images/p0015.png | bin | 0 -> 46077 bytes | |||
| -rw-r--r-- | 26934-page-images/p0016.png | bin | 0 -> 45391 bytes | |||
| -rw-r--r-- | 26934-page-images/p0017.png | bin | 0 -> 24670 bytes | |||
| -rw-r--r-- | 26934-page-images/p0018.png | bin | 0 -> 32548 bytes | |||
| -rw-r--r-- | 26934-page-images/p0019.png | bin | 0 -> 46488 bytes | |||
| -rw-r--r-- | 26934-page-images/p0020.png | bin | 0 -> 48652 bytes | |||
| -rw-r--r-- | 26934-page-images/p0021.png | bin | 0 -> 46800 bytes | |||
| -rw-r--r-- | 26934-page-images/p0022.png | bin | 0 -> 47695 bytes | |||
| -rw-r--r-- | 26934-page-images/p0023.png | bin | 0 -> 49411 bytes | |||
| -rw-r--r-- | 26934-page-images/p0024-insert1.jpg | bin | 0 -> 395472 bytes | |||
| -rw-r--r-- | 26934-page-images/p0024.png | bin | 0 -> 48276 bytes | |||
| -rw-r--r-- | 26934-page-images/p0025.png | bin | 0 -> 49875 bytes | |||
| -rw-r--r-- | 26934-page-images/p0026.png | bin | 0 -> 47670 bytes | |||
| -rw-r--r-- | 26934-page-images/p0027.png | bin | 0 -> 48241 bytes | |||
| -rw-r--r-- | 26934-page-images/p0028.png | bin | 0 -> 46981 bytes | |||
| -rw-r--r-- | 26934-page-images/p0029.png | bin | 0 -> 47877 bytes | |||
| -rw-r--r-- | 26934-page-images/p0030.png | bin | 0 -> 48185 bytes | |||
| -rw-r--r-- | 26934-page-images/p0031.png | bin | 0 -> 17079 bytes | |||
| -rw-r--r-- | 26934-page-images/p0032.png | bin | 0 -> 34041 bytes | |||
| -rw-r--r-- | 26934-page-images/p0033.png | bin | 0 -> 45484 bytes | |||
| -rw-r--r-- | 26934-page-images/p0034.png | bin | 0 -> 49073 bytes | |||
| -rw-r--r-- | 26934-page-images/p0035.png | bin | 0 -> 48154 bytes | |||
| -rw-r--r-- | 26934-page-images/p0036-insert1.jpg | bin | 0 -> 408124 bytes | |||
| -rw-r--r-- | 26934-page-images/p0036.png | bin | 0 -> 41702 bytes | |||
| -rw-r--r-- | 26934-page-images/p0037.png | bin | 0 -> 33614 bytes | |||
| -rw-r--r-- | 26934-page-images/p0038.png | bin | 0 -> 34220 bytes | |||
| -rw-r--r-- | 26934-page-images/p0039.png | bin | 0 -> 46297 bytes | |||
| -rw-r--r-- | 26934-page-images/p0040.png | bin | 0 -> 46774 bytes | |||
| -rw-r--r-- | 26934-page-images/p0041.png | bin | 0 -> 46491 bytes | |||
| -rw-r--r-- | 26934-page-images/p0042.png | bin | 0 -> 46814 bytes | |||
| -rw-r--r-- | 26934-page-images/p0043.png | bin | 0 -> 48366 bytes | |||
| -rw-r--r-- | 26934-page-images/p0044.png | bin | 0 -> 44234 bytes | |||
| -rw-r--r-- | 26934-page-images/p0045.png | bin | 0 -> 38557 bytes | |||
| -rw-r--r-- | 26934-page-images/p0046.png | bin | 0 -> 33167 bytes | |||
| -rw-r--r-- | 26934-page-images/p0047.png | bin | 0 -> 45669 bytes | |||
| -rw-r--r-- | 26934-page-images/p0048.png | bin | 0 -> 41038 bytes | |||
| -rw-r--r-- | 26934-page-images/p0049.png | bin | 0 -> 46339 bytes | |||
| -rw-r--r-- | 26934-page-images/p0050.png | bin | 0 -> 19010 bytes | |||
| -rw-r--r-- | 26934-page-images/p0051.png | bin | 0 -> 35558 bytes | |||
| -rw-r--r-- | 26934-page-images/p0052-insert1.jpg | bin | 0 -> 446423 bytes | |||
| -rw-r--r-- | 26934-page-images/p0052.png | bin | 0 -> 48425 bytes | |||
| -rw-r--r-- | 26934-page-images/p0053.png | bin | 0 -> 47220 bytes | |||
| -rw-r--r-- | 26934-page-images/p0054.png | bin | 0 -> 47378 bytes | |||
| -rw-r--r-- | 26934-page-images/p0055.png | bin | 0 -> 46768 bytes | |||
| -rw-r--r-- | 26934-page-images/p0056.png | bin | 0 -> 48500 bytes | |||
| -rw-r--r-- | 26934-page-images/p0057.png | bin | 0 -> 46756 bytes | |||
| -rw-r--r-- | 26934-page-images/p0058.png | bin | 0 -> 44353 bytes | |||
| -rw-r--r-- | 26934-page-images/p0059.png | bin | 0 -> 45725 bytes | |||
| -rw-r--r-- | 26934-page-images/p0060.png | bin | 0 -> 24029 bytes | |||
| -rw-r--r-- | 26934-page-images/p0061.png | bin | 0 -> 35136 bytes | |||
| -rw-r--r-- | 26934-page-images/p0062-insert1.jpg | bin | 0 -> 363264 bytes | |||
| -rw-r--r-- | 26934-page-images/p0062.png | bin | 0 -> 44728 bytes | |||
| -rw-r--r-- | 26934-page-images/p0063.png | bin | 0 -> 43282 bytes | |||
| -rw-r--r-- | 26934-page-images/p0064.png | bin | 0 -> 47622 bytes | |||
| -rw-r--r-- | 26934-page-images/p0065.png | bin | 0 -> 46700 bytes | |||
| -rw-r--r-- | 26934-page-images/p0066.png | bin | 0 -> 49379 bytes | |||
| -rw-r--r-- | 26934-page-images/p0067.png | bin | 0 -> 48027 bytes | |||
| -rw-r--r-- | 26934-page-images/p0068.png | bin | 0 -> 35118 bytes | |||
| -rw-r--r-- | 26934-page-images/p0069.png | bin | 0 -> 47619 bytes | |||
| -rw-r--r-- | 26934-page-images/p0070.png | bin | 0 -> 44881 bytes | |||
| -rw-r--r-- | 26934-page-images/p0071.png | bin | 0 -> 43430 bytes | |||
| -rw-r--r-- | 26934-page-images/p0072.png | bin | 0 -> 42649 bytes | |||
| -rw-r--r-- | 26934-page-images/p0073.png | bin | 0 -> 45205 bytes | |||
| -rw-r--r-- | 26934-page-images/p0074.png | bin | 0 -> 46589 bytes | |||
| -rw-r--r-- | 26934-page-images/p0075.png | bin | 0 -> 44910 bytes | |||
| -rw-r--r-- | 26934-page-images/p0076.png | bin | 0 -> 47099 bytes | |||
| -rw-r--r-- | 26934-page-images/p0077.png | bin | 0 -> 42026 bytes | |||
| -rw-r--r-- | 26934-page-images/p0078.png | bin | 0 -> 46939 bytes | |||
| -rw-r--r-- | 26934-page-images/p0079.png | bin | 0 -> 36807 bytes | |||
| -rw-r--r-- | 26934-page-images/p0080.png | bin | 0 -> 36534 bytes | |||
| -rw-r--r-- | 26934-page-images/p0081.png | bin | 0 -> 49775 bytes | |||
| -rw-r--r-- | 26934-page-images/p0082-insert1.jpg | bin | 0 -> 270091 bytes | |||
| -rw-r--r-- | 26934-page-images/p0082.png | bin | 0 -> 46621 bytes | |||
| -rw-r--r-- | 26934-page-images/p0083.png | bin | 0 -> 45166 bytes | |||
| -rw-r--r-- | 26934-page-images/p0084.png | bin | 0 -> 37498 bytes | |||
| -rw-r--r-- | 26934-page-images/p0085.png | bin | 0 -> 34387 bytes | |||
| -rw-r--r-- | 26934-page-images/p0086.png | bin | 0 -> 48060 bytes | |||
| -rw-r--r-- | 26934-page-images/p0087.png | bin | 0 -> 46611 bytes | |||
| -rw-r--r-- | 26934-page-images/p0088.png | bin | 0 -> 45435 bytes | |||
| -rw-r--r-- | 26934-page-images/p0089.png | bin | 0 -> 45039 bytes | |||
| -rw-r--r-- | 26934-page-images/p0090-insert1.jpg | bin | 0 -> 320135 bytes | |||
| -rw-r--r-- | 26934-page-images/p0090.png | bin | 0 -> 39676 bytes | |||
| -rw-r--r-- | 26934-page-images/p0091.png | bin | 0 -> 35819 bytes | |||
| -rw-r--r-- | 26934-page-images/p0092.png | bin | 0 -> 43879 bytes | |||
| -rw-r--r-- | 26934-page-images/p0093.png | bin | 0 -> 19993 bytes | |||
| -rw-r--r-- | 26934-page-images/p0094.png | bin | 0 -> 33809 bytes | |||
| -rw-r--r-- | 26934-page-images/p0095.png | bin | 0 -> 47251 bytes | |||
| -rw-r--r-- | 26934-page-images/p0096.png | bin | 0 -> 48916 bytes | |||
| -rw-r--r-- | 26934-page-images/p0097.png | bin | 0 -> 47073 bytes | |||
| -rw-r--r-- | 26934-page-images/p0098.png | bin | 0 -> 43313 bytes | |||
| -rw-r--r-- | 26934-page-images/p0099.png | bin | 0 -> 46943 bytes | |||
| -rw-r--r-- | 26934-page-images/p0100.png | bin | 0 -> 48562 bytes | |||
| -rw-r--r-- | 26934-page-images/p0101.png | bin | 0 -> 45911 bytes | |||
| -rw-r--r-- | 26934-page-images/p0102.png | bin | 0 -> 15979 bytes | |||
| -rw-r--r-- | 26934-page-images/p0103.png | bin | 0 -> 37848 bytes | |||
| -rw-r--r-- | 26934-page-images/p0104.png | bin | 0 -> 45152 bytes | |||
| -rw-r--r-- | 26934-page-images/p0105.png | bin | 0 -> 42484 bytes | |||
| -rw-r--r-- | 26934-page-images/p0106-insert1.jpg | bin | 0 -> 401266 bytes | |||
| -rw-r--r-- | 26934-page-images/p0106.png | bin | 0 -> 33389 bytes | |||
| -rw-r--r-- | 26934-page-images/p0107.png | bin | 0 -> 32769 bytes | |||
| -rw-r--r-- | 26934-page-images/p0108.png | bin | 0 -> 40107 bytes | |||
| -rw-r--r-- | 26934-page-images/p0109.png | bin | 0 -> 44056 bytes | |||
| -rw-r--r-- | 26934-page-images/p0110.png | bin | 0 -> 47287 bytes | |||
| -rw-r--r-- | 26934-page-images/p0111.png | bin | 0 -> 16310 bytes | |||
| -rw-r--r-- | 26934-page-images/p0112.png | bin | 0 -> 35585 bytes | |||
| -rw-r--r-- | 26934-page-images/p0113.png | bin | 0 -> 45189 bytes | |||
| -rw-r--r-- | 26934-page-images/p0114.png | bin | 0 -> 34280 bytes | |||
| -rw-r--r-- | 26934-page-images/p0115.png | bin | 0 -> 33271 bytes | |||
| -rw-r--r-- | 26934-page-images/p0116.png | bin | 0 -> 45568 bytes | |||
| -rw-r--r-- | 26934-page-images/p0117.png | bin | 0 -> 47666 bytes | |||
| -rw-r--r-- | 26934-page-images/p0118.png | bin | 0 -> 47881 bytes | |||
| -rw-r--r-- | 26934-page-images/p0119.png | bin | 0 -> 44293 bytes | |||
| -rw-r--r-- | 26934-page-images/p0120.png | bin | 0 -> 48745 bytes | |||
| -rw-r--r-- | 26934-page-images/p0121.png | bin | 0 -> 48470 bytes | |||
| -rw-r--r-- | 26934-page-images/p0122.png | bin | 0 -> 47777 bytes | |||
| -rw-r--r-- | 26934-page-images/p0123.png | bin | 0 -> 48622 bytes | |||
| -rw-r--r-- | 26934-page-images/p0124.png | bin | 0 -> 46274 bytes | |||
| -rw-r--r-- | 26934-page-images/p0125.png | bin | 0 -> 44592 bytes | |||
| -rw-r--r-- | 26934-page-images/p0126-insert1.jpg | bin | 0 -> 603675 bytes | |||
| -rw-r--r-- | 26934-page-images/p0126.png | bin | 0 -> 45073 bytes | |||
| -rw-r--r-- | 26934-page-images/p0127.png | bin | 0 -> 46014 bytes | |||
| -rw-r--r-- | 26934-page-images/p0128.png | bin | 0 -> 45312 bytes | |||
| -rw-r--r-- | 26934-page-images/p0129.png | bin | 0 -> 42714 bytes | |||
| -rw-r--r-- | 26934-page-images/p0130.png | bin | 0 -> 19128 bytes | |||
| -rw-r--r-- | 26934-page-images/p0131.png | bin | 0 -> 34589 bytes | |||
| -rw-r--r-- | 26934-page-images/p0132.png | bin | 0 -> 47053 bytes | |||
| -rw-r--r-- | 26934-page-images/p0133.png | bin | 0 -> 46499 bytes | |||
| -rw-r--r-- | 26934-page-images/p0134.png | bin | 0 -> 45037 bytes | |||
| -rw-r--r-- | 26934-page-images/p0135.png | bin | 0 -> 42405 bytes | |||
| -rw-r--r-- | 26934-page-images/p0136.png | bin | 0 -> 46629 bytes | |||
| -rw-r--r-- | 26934-page-images/p0137.png | bin | 0 -> 16997 bytes | |||
| -rw-r--r-- | 26934-page-images/p0138-insert1.jpg | bin | 0 -> 504137 bytes | |||
| -rw-r--r-- | 26934-page-images/p0138.png | bin | 0 -> 34389 bytes | |||
| -rw-r--r-- | 26934-page-images/p0139.png | bin | 0 -> 42259 bytes | |||
| -rw-r--r-- | 26934-page-images/p0140.png | bin | 0 -> 41234 bytes | |||
| -rw-r--r-- | 26934-page-images/q0001-image1.jpg | bin | 0 -> 107934 bytes | |||
| -rw-r--r-- | 26934-page-images/q0001.png | bin | 0 -> 65347 bytes | |||
| -rw-r--r-- | 26934.txt | 3092 | ||||
| -rw-r--r-- | 26934.zip | bin | 0 -> 58715 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
175 files changed, 6365 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/26934-h.zip b/26934-h.zip Binary files differnew file mode 100644 index 0000000..b566297 --- /dev/null +++ b/26934-h.zip diff --git a/26934-h/26934-h.htm b/26934-h/26934-h.htm new file mode 100644 index 0000000..e518640 --- /dev/null +++ b/26934-h/26934-h.htm @@ -0,0 +1,3257 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <title> + The Project Gutenberg eBook of Shawn of Skarrow, by James Tandy Ellis + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 1%; + font-size: smaller; + text-align: right; + color: #A9A9A9 + } /* page numbers */ + + ins.correction { + text-decoration:none; /* replace default underline.. */ + border-bottom: thin dotted gray; /* ..with delicate gray line */ + } + + + .center {text-align: center;} + .smcap {font-variant: small-caps;} + .u {text-decoration: underline;} + + .caption {font-weight: bold; font-size: smaller;} + + .figcenter {margin: auto; text-align: center;} + + a:link {text-decoration: none} + a:visited {text-decoration: none} + a:active {text-decoration: none} + a:hover {text-decoration: underline;} + + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Shawn of Skarrow, by James Tandy Ellis + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Shawn of Skarrow + +Author: James Tandy Ellis + +Release Date: October 16, 2008 [EBook #26934] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK SHAWN OF SKARROW *** + + + + +Produced by David Garcia, Verity White and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + + + + + +</pre> + + +<table cellpadding="5" border="2" style="border-style: solid; border-collapse: collapse; background-color: #DCDCDC" summary="note"> +<tr> +<td>Transcriber's note:<br /> Inconsistent hyphenation and spelling in the original document have been preserved excepted where noted. +Obvious typographical errors have been <ins class="correction" title="like this">corrected</ins>.</td> +</tr> +</table> + +<p><br /><br /></p> + +<h1>SHAWN OF SKARROW</h1> + +<p><br /><br /><br /><br /><br /></p> + +<h3>BY</h3> +<h2>JAMES TANDY ELLIS</h2> + +<p class="center">Author of "Sprigs O' Mint," "Kentucky Stories,"<br /> +"Awhile in the Mountains," etc.</p> + +<p><br /><br /></p> + +<div class="figcenter" style="width: 100px;"> +<img src="images/image1.jpg" width="100" height="87" alt="image1" title="Decoration" /> +</div> + +<p><br /><br /></p> + +<h3>THE C. M. CLARK PUBLISHING CO.<br /> +BOSTON, MASSACHUSETTS</h3> + +<hr style="width: 5%" /> + +<p class="center" style="font-size: smaller">BOSTON, MASSACHUSETTS<br /> +<span class="smcap">Copyright, 1911</span>,<br /> +THE C. M. CLARK PUBLISHING CO., +<span class="smcap">Boston, Massachusetts.</span></p> + +<hr style="width: 65%;" /> + +<h2>ILLUSTRATIONS</h2> + +<table width="65%" summary="illustrations" cellpadding="2" cellspacing="2"> +<tr> +<td>Frontispiece</td> +<td align="right">Shawn and Coaly</td> +</tr> +<tr> +<td> </td> +<td align="right"><span style="font-size: smaller">Page</span></td> +</tr> +<tr> +<td>"You'll be a great fisherman, some day, Shawn"</td> +<td align="right"><a href="#page24">24</a></td> +</tr> +<tr> +<td>Burney begin to take out the shells</td> +<td align="right"><a href="#page36">36</a></td> +</tr> +<tr> +<td>"De Prodegale Son"</td> +<td align="right"><a href="#page52">52</a></td> +</tr> +<tr> +<td>"I'll give you ten dollars to set us over"</td> +<td align="right"><a href="#page62">62</a></td> +</tr> +<tr> +<td>"You and the doctor got your birds"</td> +<td align="right"><a href="#page82">82</a></td> +</tr> +<tr> +<td>They were nearing the last hundred yard flag</td> +<td align="right"><a href="#page90">90</a></td> +</tr> +<tr> +<td>"W'y, Jedge, you know my name"</td> +<td align="right"><a href="#page106">106</a></td> +</tr> +<tr> +<td>The Cabin of the America fell with a crash</td> +<td align="right"><a href="#page126">126</a></td> +</tr> +<tr> +<td>Lallite ran up to Shawn, giving him both her hands</td> +<td align="right"><a href="#page139">139</a></td> +</tr> +</table> + +<hr style="width: 65%" /> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image2.jpg" width="300" height="435" alt="image2" title="Illustration" /> +<span class="caption">Shawn and Coaly.</span> +</div> + +<hr style="width: 65%" /> + +<p><span class='pagenum'><a name="page1" id="page1">1</a></span></p> + +<h1>SHAWN OF SKARROW</h1> + +<h2>CHAPTER I</h2> + +<p class="smcap">"Oh Shawn!"</p> + +<p>It was a shrill voice calling from the bank above the river.</p> + +<p>"You can holler till dark, but I ain't goin' to answer you while a +blue-channel cat is nibblin' at this line."</p> + +<p>Through the short and chubby fingers a stout sea-grass line was running +out to the accumulated driftwood in the eddy below the wharf-boat. +Suddenly there came a spasmodic jerk of the line.</p> + +<p>"He bluffed that time."</p> + +<p>The front finger tapped the line, as an expert telegraph operator taps +his key.</p> + +<p>"He's coming back for that crawfish tail now." The line went taut. The +freckled arms executed a series of light<span class='pagenum'><a name="page2" id="page2">2</a></span>ning-like movements and the +catfish lay on the shore, a five-pounder, beating the sands with his +flashing tail.</p> + +<p>"Oh Shawn!"</p> + +<p>"I'm a-comin' now; come on, Coaly." The little brown dog wagged his tail +and got up from his resting place in the sand. They went up the hill +toward the little frame building on the bank.</p> + +<p>The boy's mother met him at the door. She was a frail-looking woman, +upon whose face was a sorrowful and melancholy expression.</p> + +<p>"Shawn, Mrs. Alden has sent for you, and wants you to come up to the big +house; get on your cottonade pants and wash your face and comb your +hair, and when you go up there, don't scratch your shins together, and +don't forget to say <i>yes mam</i>."</p> + +<p>It was a matter of but a few moments for Shawn to array himself in his +best clothes. As he turned to go, his mother wearily took his face +between her hands and kissed him on the lips. The black eyes beamed +tenderly upon her, and over<span class='pagenum'><a name="page3" id="page3">3</a></span> the sun-tanned features flashed a smile of +cheerfulness and love.</p> + +<p>"Take that fish to Mrs. Alden, Shawn."</p> + +<p>"It's for you, mammy."</p> + +<p>"No, take it to her."</p> + +<p>Shawn climbed the hill and went up through the alley, going around to +the side entrance of the Alden home. There was something about the great +house which always filled him with a spirit of awe, and as he glanced +over toward the long garden and orchard, there came into his heart a +yearning such as he had never known before.</p> + +<p>A servant opened the door, and Shawn held up his fish: "This is for Mrs. +Alden; she sent for me." The servant took the fish and said, "You will +find Mrs. Alden in the next room. Leave your dog outside." Shawn walked +into the room. A woman with a sweet spiritual face sat in an invalid's +rolling-chair.</p> + +<p>Extending her thin white hand to Shawn, she bestowed upon him a smile of +tenderness.</p> + +<p>"I am glad you came, Shawn; take<span class='pagenum'><a name="page4" id="page4">4</a></span> that chair." Shawn was striving hard +to remember his mother's parting injunction in regard to his shins.</p> + +<p>"How old are you, Shawn?"</p> + +<p>"Yes, mam, fourteen past in March."</p> + +<p>"How long have you attended school?" The black eyelashes fell and the +smile vanished. "I went to old 'fesser Barker up to Christmas twice."</p> + +<p>"Why did you stop?"</p> + +<p>"I put red pepper on his plug tobacker!"</p> + +<p>"Did you go to any other school?"</p> + +<p>"Yes, mam, I went to Miss Julie Bean six months."</p> + +<p>"Did you quit that school?"</p> + +<p>"Yes, mam, I put cuckle burrs in her bonnet."</p> + +<p>"Weren't you sorry for it?"</p> + +<p>"Yes, mam, but too late."</p> + +<p>"You spend a good part of your time fishing, don't you?"</p> + +<p>"Yes, mam, but I catches them."</p> + +<p>"Isn't there anything you would rather do than fish?" A long silence +followed, then the eyes suddenly brightened:<span class='pagenum'><a name="page5" id="page5">5</a></span></p> + +<p>"Yes, mam."</p> + +<p>"What is it?"</p> + +<p>"I'd rather blow up hog bladders with a quill and bust 'em!"</p> + +<p>"Shawn, have you ever thought of what you would like to do in life; what +you would like to make of yourself as you grow to manhood?"</p> + +<p>"Yes, mam, I'm goin' to be a doctor!"</p> + +<p>"Indeed!"</p> + +<p>"Yes, mam, indeed, I help doctor Hissong roll pills now, and he helps me +in my books more than I learned at school."</p> + +<p>"Shawn, I am going to ask you to begin with the term of school which +opens soon. I will furnish you with books and tuition and will help you +in every way."</p> + +<p>"Will it help me to be a doctor?"</p> + +<p>"It will help you in everything."</p> + +<p>"Could I take Coaly with me?"</p> + +<p>"I hardly think so."</p> + +<p>Shawn gazed out of the window. The fleecy clouds were moving +majestically above the river, along the old haunts he loved so well, but +something in the kind blue eyes of the good woman sitting<span class='pagenum'><a name="page6" id="page6">6</a></span> there with +folded hands, touched his innermost being, and he arose and turning +squarely to face his benefactress, said: "I'll do it, Mrs. Alden."</p> + +<p>"I thank you, Shawn."</p> + +<p>"Yes, mam, but I did not ketch that fish I brought you for niggers to +eat; they never told you I brought it."</p> + +<p>Mrs. Alden rolled her chair near him, and placing her hand on his +shoulder, said, "I appreciate your bringing it very much and will +remember it."</p> + +<p>As Shawn left the porch he turned to his little dog and said, "Oh, Lord, +Coaly, we're goin' to school!"</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page7" id="page7">7</a></span></p> + +<h2>CHAPTER II</h2> + +<h3>DOCTOR HISSONG'S OFFICE</h3> + +<p><span class="smcap">"So you</span> are going to school, Shawn?"</p> + +<p>"Yes, sir, I promised Mrs. Alden."</p> + +<p>"That's the best promise you ever made, and to the best woman that God +ever made."</p> + +<p>Old Doctor Hissong sat in his big armchair, his spectacles tilted high +on his nose as he looked at Shawn, who was leaning against the +mantel-board. Old Brad, a negro who had been the doctor's servant for +many years, sat in a hickory chair near the back door. Brad, aside from +taking care of the doctor's office, gave some of his time to preaching, +although it was a matter of some speculation as to whether his general +habits warranted his ministerial fulfillments.</p> + +<p>The old office was dingy with its medi<span class='pagenum'><a name="page8" id="page8">8</a></span>cine bottles ranging along the +shelves, and cobwebs and dust were in evidence all about them. Over in +the corner was a pair of saddlebags, and a pair of jean legging hung +over a chair. In another corner was a tall book-case, the glass front +broken out, and the books scattered about on the shelves. On the top of +the book-case was an object which had long been a source of discomfort +to Shawn and Brad—a grinning skull.</p> + +<p>A doctor's office, in the old days, without a skull peering out from +some hidden recess, was not considered complete—it contributed a kind +of mysterious power to the man of medicine, and lent the impression that +he had dipped deeply into the science of healing.</p> + +<p>"Look at the slate, Shawn."</p> + +<p>Shawn went out and took down the slate which hung by the office door. +"Old man Stivers has been writing on the slate," said Shawn.</p> + +<p>"Huh," said Brad, "I reckun he 'cided to cum an' git you to cum out an' +see his wife, now dat he done rin up a bill wid<span class='pagenum'><a name="page9" id="page9">9</a></span> ole doc' Poleen, an' +carn't git him to cum no mo'."</p> + +<p>"Yes, Brad, it's strange—the man who loses sleep and health to save +others has a hard time getting his pay. They look to the doctor mighty +anxiously in the hour of trouble, and in the hour of suffering and death +the doctor is a power of comfort."</p> + +<p>"I see dat Bill Hugers scratchin' on de slate las' night," said Brad, +"yo' hain' gwine to see him no mo', is yo', wid him owin' yo' a big +bill?"</p> + +<p>"Bill was one of my best friends when I made the race for the +Legislature," said the doctor.</p> + +<p>Brad scratched his head. He recalled the time when the doctor went to +Frankfort as the representative of his county, and he remembered the +scuffling he had to do during the doctor's absence—the yearning for +many comforts which did not come. He recalled how the doctors picked up +old Hissong's practice while he was away, and he had not forgotten the +mean things they had said about him<span class='pagenum'><a name="page10" id="page10">10</a></span> when he returned to be nursed +through a spell of "too much liquor."</p> + +<p>"Yo' hain' never gwine run no mo', is yo', doc?"</p> + +<p>"I can't say, Brad."</p> + +<p>"Brad, didn't you hear somebody holler outside? Go out and see who it +is." Brad opened the door.</p> + +<p>"Is the doc in thar?"</p> + +<p>"Yes, sah, cum in."</p> + +<p>A tall, double-jointed farm-hand came blustering into the room, his face +covered with a yarn comforter. He slowly unwound the rag and brought to +view the side of his face, swollen to a frightful size.</p> + +<p>"Done busted me wide open; kin you pull her, doc?"</p> + +<p>The old doctor examined the tooth and said, "You've got a tooth like a +hoss—fix the chair in the back room, Brad."</p> + +<p>Brad brought a washpan and placed it beside the chair. Doctor Hissong +opened a drawer and brought forth an instrument that resembled a +cant-hook, one of those tools used in overturning logs. This tooth +extractor had a handle about six<span class='pagenum'><a name="page11" id="page11">11</a></span> inches long, and a sort of steel hook +on the end, and it would draw the tooth, if the jawbone did not break.</p> + +<p>The suffering patient looked on with an expression on his face anything +but pleasant.</p> + +<p>"Looks like fixin' fer hog-killin', doc!"</p> + +<p>"Well, I've known 'em to die under it," complacently said the old doctor +as he shuffled about. "Give him a drink, Brad, and put him in the +chair."</p> + +<p>The patient stretched his long legs and rested his feet on a soap box.</p> + +<p>"Fifty cents," said the doctor, as he approached with his instrument in +his hand.</p> + +<p>"Hafter have it beforehand, doc?"</p> + +<p>"Yes, sir, that's my rule, for nine cases out of ten are so mad when I +get through that they won't pay."</p> + +<p>The money paid, the doctor carefully leaned over and fitted the hook +over the tooth.</p> + +<p>"Clinch him, Shawn!"</p> + +<p>"O-r-r-r-r-r-wow! leggo! leggo!"</p> + +<p>"Choke him, Brad!"<span class='pagenum'><a name="page12" id="page12">12</a></span></p> + +<p>All four of them were on the floor, the farm-hand had smashed the +wash-stand with his feet, and the water pitcher had gone with the ruins.</p> + +<p>"Hold his feet, Shawn!"</p> + +<p>Shawn jumped straddle-ways on the legs, and the old doctor made another +pull.</p> + +<p>"H-l-l-u-p! H-e-l-l-l-u-p!"</p> + +<p>Rising with the strength of a desperate man, the farmer dragged all of +them into the front room, but the old doctor did not lose his hold on +the tooth. The last remaining glass in the bookcase was smashed and the +lower sash of the front window caved in.</p> + +<p>"Throw him, Brad!"</p> + +<p>The tooth-key slipped off and the farmer let out a yell and tried to get +out of the door.</p> + +<p>"Nail him, Brad!"</p> + +<p>"I don't want that tooth pulled, doc."</p> + +<p>"Yes, you do, and you had just as well make up your mind to get back in +that chair."</p> + +<p>"By Gosh, you had better get a mule to kick it out!"<span class='pagenum'><a name="page13" id="page13">13</a></span></p> + +<p>Brad and Shawn got him in the chair again and the doctor tried for +another hold on the tooth. The back of the chair gave way with a crash.</p> + +<p>"What's that?" said the doctor.</p> + +<p>"I think it wuz my backbone come uncoupled," said the farmer. Brad +grabbed him by the left leg and the struggling group went down in a +heap, but the doctor came up with a gleam of triumph on his face, and +holding aloft the terrible molar. Brad was panting, over by the door.</p> + +<p>As the farmer turned to leave, he walked over to doctor Hissong and +said, "Doc, if you air as good at doctorin' other diseases as you air at +pullin' teeth, thar hain't much prospect of this community enlargin' her +population."</p> + +<p>Doctor Hissong glanced over toward the bookcase where Shawn was +standing:</p> + +<p>"Shawn, do you still want to be a doctor?"</p> + +<p>"Not a tooth doctor," said Shawn.</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page14" id="page14">14</a></span></p> + +<h2>CHAPTER III</h2> + +<h3>IN SCHOOL</h3> + +<p><span class="smcap">The varying</span> routine of school was a trying ordeal to Shawn. The spelling +classes, the reading and the terrible arithmetic were as a nightmare to +his mind which yearned for the freedom of the river and the woods. Afar +off yonder was the stream, where the white gulls were soaring lazily +above the channel. Through the windows he could see the tall sycamores +and the white-graveled beach, where he and Coaly had spent so many happy +hours. In his fancy he could see the cool crystal water oozing out from +the spring which he had dug in the sand, and which he had lined with +white boulders. Oh, to be down there, breathing the sweet air as he +paddled his john-boat about the stream. He turned from<span class='pagenum'><a name="page15" id="page15">15</a></span> the enrapturing +view—turned to the hateful books. The children around him were bending +over their studies, happiness reflected from their faces, but gloom sat +on the countenance of Shawn. Oh, for Coaly and freedom. All might have +gone well had it not been for Coaly. To leave Coaly chained up at home +through the long hours; to be separated from this companion, who yelped +and begged so hard to be taken along, was becoming more unbearable each +day, and there came a day when the pleading eyes brought his release, +and together they marched into the school.</p> + +<p>The story of "Mary's Little Lamb" was not associated with Coaly in +Shawn's mind. Shawn put his books on his desk, and Coaly lay down, as +peacefully accepting the new turn of affairs. Mrs. Wingate, the teacher, +came over to Shawn's desk and quietly said: "Shawn, you must put your +dog outside."</p> + +<p>"Can't he stay if he keeps quiet?"</p> + +<p>"No, we cannot have any dogs in the school-room."<span class='pagenum'><a name="page16" id="page16">16</a></span></p> + +<p>Shawn gazed out upon the river and then down at Coaly.</p> + +<p>"Come on, Coaly," he said as he started to the door. He passed out into +the hallway, Coaly following. Just as Coaly started through the doorway, +a boy gave him a vicious kick, which set him to howling. Shawn sprang +into the room.</p> + +<p>"Who kicked my dog?"</p> + +<p>A little girl said, "Henry Freeman did it!"</p> + +<p>Good resolutions and books were forgotten. Farewell to every ambition. +Freeman tried to free himself from the enraged boy by climbing over the +desks and calling to the teacher. The little girls were screaming and +books and slates were scattered all about the room. Mrs. Wingate finally +succeeded in getting her hands on Shawn and drew him away as he planted +a parting blow on Freeman's nose. Shawn turned and facing the school, +tragically exclaimed, "Where I go, Coaly goes. Where Coaly goes, I go!"</p> + +<p>Henry Freeman followed Shawn to the<span class='pagenum'><a name="page17" id="page17">17</a></span> door. Shawn turned for battle +again, but Freeman used a more malicious weapon by saying, "Who's your +daddy? Who's your daddy?"</p> + +<p>And then Shawn burst into tears.</p> + +<p>The next morning a servant found on Mrs. Alden's porch a bundle +containing the books and clothes which she had given Shawn. Pinned to +the bundle was a note. In a scrawling hand was written, "I am much +abliged. I tride to keep my promise. I am going away. I have kept the +little testament.<br /> +<span style="padding-left: 15%;">Shawn."</span></p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page18" id="page18">18</a></span></p> + +<h2>CHAPTER IV</h2> + +<div style="margin: auto; width: 20em; text-align: center;"> +<p><ins class="correction" title="original: '">"</ins>Oh sing your praise of the bounding craft;<br /> +<span style="margin-left: 1em;">And the merry sloops afloat,</span><br /> +But for easy space, both fore and aft,<br /> +<span style="margin-left: 1em;">I'll bunk on the shanty-boat."</span></p> +</div> + +<p><span class="smcap">"Jump out</span> there, Shawn, and take a hitch around that cottonwood with +that line—we're at the mouth of Salt River, an' no better fishin' on +the Ohio."</p> + +<p>John Burney was standing on the bow of his shanty-boat, with a long +steering-oar in his hand.</p> + +<p>"Jump, Shawn!" Shawn leaped to the shore and made the line fast to the +tree.</p> + +<p>"Haul out that aft gang-plank and stake her deep on the shore, there, +steady, boy; she lays good and snug an' weather-shape—now git to your +breakfast."</p> + +<p>Inside of the boat a wood fire was burning in the stove. The fragrant +aroma of coffee and fried fish came over the<span class='pagenum'><a name="page19" id="page19">19</a></span> morning air. Shawn took +off one of the stove-lids, and over the burning coals toasted two or +three slices of bread. The first primrose bloom of the glowing day came +over the hills. The sunbeams rioting on the water lent an enchantment to +the autumn scene.</p> + +<p>Further back from the river, on the hills, were the claret hues of young +oaks, and the scarlet of young maples. The morning rays sifting through +the little windows of the boat revealed the arrangement of this river +habitation. The two sleeping bunks were near the rear end of the boat; +two chairs, the stove and a rough table were in the forward end. Near +the door hung great coils of fishing line and tackle, and in the corner +was a dip-net and gig.</p> + +<p>As Shawn sat eating his breakfast, his thoughts wandered back to Skarrow +and his mother in the little frame house on the river bank—to Mrs. +Alden and doctor Hissong. He thought of the many kindnesses shown him by +these friends, and, perhaps, wondered how his mother might<span class='pagenum'><a name="page20" id="page20">20</a></span> have missed +him since the night he stole away with old John Burney, who made these +shanty-boat trips every autumn. It had been the dream of his life to go +down the river with Burney, for how often had he sat on the wharf-boat +at Skarrow listening to Burney's tales of shanty-boat life on the lower +Ohio. And here he was at last; he and Coaly!</p> + +<p>"Shawn," said Burney, "I want to drop a fish-basket just below that +willer. The channel is fine up here, and I might walk up town and see if +I can get a ham-hock and some beef lights, while you look over the hooks +on the jugs—there ain't no bait like a ham-hock for juggin', fer a +channel-cat wants a meat that won't turn white in water."</p> + +<p>In the early days of "jugging" on the Ohio, the outfit was a matter of +considerable expense, as half-gallon stone jugs were used, but as time +went on, some ingenious fisherman substituted blocks of wood, painted in +white or conspicuous colors. A stout line, some six or seven feet long, +is stapled to the block of wood,<span class='pagenum'><a name="page21" id="page21">21</a></span> and with a good, heavy hook at the end +of the line, the outfit is complete. The jugs, some twenty or thirty, +are put out at the head of the channel, and are followed by the +fishermen in a skiff or john-boat. When a channel-cat takes the bait, +the jug stands on end and begins to scud through the water. The +fisherman pursues in his boat, and coming up, pushes his dip-net under +the fish as he draws him to the surface. It is the most exciting and +fascinating method known in river fishing.</p> + +<p>Burney came from town with the bait. Shawn had the jugs ready and +together they rowed to the head of the channel. Shawn placed the jugs in +the water, and they floated away in a line, ranging some four or five +feet apart, Burney and Shawn lingering behind with silent oars. Suddenly +a jug stood upon end.</p> + +<p>"Down atter him, Shawn!"</p> + +<p>Shawn skilfully sent the boat toward the bobbing jug.</p> + +<p>"He's heading for shoal water!" yelled Burney, "Slack your right +oar—now<span class='pagenum'><a name="page22" id="page22">22</a></span> come ahead—hold her—ease her up to him—look at that jug!" +The jug was racing for deep water again, and disappeared from the +surface for at least half a minute.</p> + +<p>"He's a whopper, Shawn! Yonder he goes, thirty yards away! Give me the +oars and take the dip-net. Great Hirum, boy! yonder is another jug +that's hung!"</p> + +<p>Burney sent the boat with a bound after the whirling jug. Shawn stood in +the bow of the boat with the dip-net ready to swing. They went to the +lower side of the jug, and just as Shawn reached out for the line, +Burney, unintentionally, brought the boat to a sudden stop, and Shawn, +losing his balance, went over board, dip-net and all. Burney sprang to +the stern of the boat, and as Shawn came up he held out an oar to him, +and Shawn grasped the side of the boat. Burney took the dip-net and +paddled the boat toward the jug, and catching the line, raised the fish +to the top of the water. Shawn swam around to the other side as Burney +raised the fish. "For land sake!<span class='pagenum'><a name="page23" id="page23">23</a></span> Look at him, boy! He's the biggest one +I ever hooked—I can't get him in this boat—we'll have to tow him +ashore!"</p> + +<p>They fastened a stout line through the gills of the big fish and towed +him to the shore and pulled him out on the beach—a blue channel-cat of +forty pounds. "Go and get some dry clothes, while I go after the jugs," +said Burney. Shawn went down to the boat and rummaged around for a +change of clothes. He found a suit of Burney's heavy underclothing, and +rolling them up to suit his size, got into them; then came Burney's old +corduroy trousers, and Shawn buckled them up until they hung directly +under his armpits. Building a fire in the stove and hanging his wet +clothes before it, he left the boat and ran back to the spot where they +had left the big fish. Burney returned with the jugs and threw out +another smaller fish which he had taken off. "We'll eat this one, Shawn, +and sell the other one and divide the money," and as Shawn stood before +him in the loose-fitting clothes, old Burney laughed<span class='pagenum'><a name="page24" id="page24">24</a></span> and said, "Well, +if he ain't growed to a man since that ketch!"</p> + +<p>They hung the big fish to the side of the boat. "I'll show you how to +skin a channel-cat," said Burney as he drew forth his steel pincers. +"We'll peddle him out this evening." It was a joyous pair that climbed +the hill leading to the little town, the big fish swinging on a pole +between them. There were plenty of buyers, and as they returned to the +boat, Burney said to Shawn, "You'll be a great fisherman some day, +Shawn," and Shawn said, "I'm goin' to be a doctor."</p> + +<p>"What kind of a doctor, Shawn? steam or hoss doctor?"</p> + +<p>"Neither one. I'm goin' to be a reg'ler doctor, like Doctor Hissong."</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image3.jpg" width="300" height="422" alt="image3" title="Illustration" /> +<span class="caption">"You'll be a great fisherman, some day, Shawn"</span> +</div> + +<p>"Shawn, this doctorin' business is a good deal like hoss tradin'; you've +got to take your chance on a short hoss and blemishes, and some of the +doctors look like they interfere powerfully with themselves—you know +how a hoss <i>interferes</i>. I calkerlate that a good doctor is mighty +<span class='pagenum'><a name="page25" id="page25">25</a></span> +rare, and after all, it's a good deal more in his encouraging talk than +his medicine. You never knowed old Doc' Felix Simpson—he was away +before your time and practiced in the country four miles above Skarrow. +Doc' Simpson would have his joke, and to hear him laugh would cure 'most +any case of ailment. Lawse! how I used to love to hear him tell about +old P'silly Orton and the time she played dead. Doc' Simpson said that +aunt P'silly took a notion that she wanted her old man to raise her some +money to take a trip down to the city, and as the money wa'nt raisable, +P'silly took on and 'lowed that she was goin' to die, and she kept on +havin' sinkin' spells and such, and bye and bye she lays on the bed and +wauls up her eyes and breathes her last, to all appearances. Uncle Buck +gits skeered and digs out for Doc' Simpson, and when Doc' Simpson gits +thar, thar was the old neighbor wimmen tryin' to comfort uncle Buck and +sayin', <ins class="correction" title="original: ' missing">'</ins>Ba'r your burden, Buck; the Lord has give and the Lord has tuck +away.' Doc' Simpson goes up to<span class='pagenum'><a name="page26" id="page26">26</a></span> P'silly, who was layin' with folded +hands, and feels her pulse, and says, 'Yes, she is dead, pore soul'; and +they all bust out cryin' and the hounds begin to howl, and Doc' comes up +to the bed and says, 'Bein' she is dead, I'll pour a little of this +nitric acid in her yeer to make shore.' And as he took the stopper out +of the bottle, P'silly opens one eye an' says, 'Doc' Simpson, if you +pour that in my yeer, you'll never straddle that hoss of yourn again.'</p> + +<p>"There's another sort of doctor, Shawn, the magic-healers, the sort as +cures by the layin' on of hands and rubbin'. Pelican Smith was one of +this sort. He practiced up on the Kentucky river and made a sort of +circuit down in our country. Sometimes thar would come a report of +somebody gittin' well, but when anybody died, Pelican always said, 'The +Lord loved him best.' You never knowed Pelican. He was all sorts of a +character—got his nickname from his nose—they weren't no other one +like it, and him and that nose made history in the river<span class='pagenum'><a name="page27" id="page27">27</a></span> country. His +first marriage was to Addie Stringer, up at Ball's Landing, and it was +all right as fer as it went. They started on their honeymoon from Ball's +Landing on the steamer Little Tiger. They was goin' down to Wide Awake, +some thirty miles. The boat caught fire, Pelican swum out on a +crackerbox, and when they found the body of his wife next day, Pelican +thumped the side of his nose with his thumb and said, 'Hit's a dam pity +she couldn't swim'.</p> + +<p>"It wasn't long before he got into business by starting a 'blind tiger', +and he worked up several war dances in the community, but one night thar +was started a mild argument as to whether the Methodists or the Baptists +was the chosen of the Lord. The argument was in Pelican's place, and he +had to close up the joint, for nearly all of his best customers passed +out with the close of the argument. Pelican told me afterward that over +three hundred shots was fired, and said to me, 'I reckon the only reason +I was saved was that I didn't belong to<span class='pagenum'><a name="page28" id="page28">28</a></span> either denomination, as I am a +Campbellite.'</p> + +<p>"Pelican moved down on the Ohio after this, and it was there I met him. +There is always considerable interest, Shawn, in a stranger when he +moves into a community, especially if there is some mystery about him. +Pelican didn't have much to say—he had no desire to mention his past. +He was wise. It was rumored that he had left a good farm at Ball's +Landing and had moved down on the Ohio for asthma trouble that bothered +him. About the only disease he ever had was the whiskey habit, but he +did not dispute any of the statements made by an interested community. +His stock went up with the talk about the farm. He was invited to take +supper with Bill Bristow. Bill owned twenty acres of hill land, with a +small house and a mortgage on it. Old Bill's daughter, Lettie, set next +to Pelican at the table, and old Bill looked on with satisfaction at the +headway they was making. Old Bristow was thinking of the farm up at +Ball's<span class='pagenum'><a name="page29" id="page29">29</a></span> Landing; Pelican was thinking of the one he was on. After a +time, Pelican and Lettie was married. Bristow give a dance and ice cream +supper and charged fifty cents admission. There was dancing, singing and +a cuttin' scrape and the couple felt that the occasion had been one of +success. Pelican certainly married into old Bristow's family for he +never made any move toward looking for another home, and it wasn't long +before Bristow begin to screw up his face.</p> + +<p>"Time passed and then come the twins, a boy and a girl, and Pelican was +proud of the boy, for he had the Pelican nose, but old Bristow rose up +in his wrath and said that they would have to go, and so Pelican and his +wife come down into my neighborhood to live in a shanty-boat on the +river, but they didn't git along, and fit and cussed from mornin' till +night. Bristow come down to patch up matters. Pelican knocked him off +the boat with an oar, and as he floundered out to the shore and wrung +the water out of his whiskers he said, 'Fix yer own<span class='pagenum'><a name="page30" id="page30">30</a></span> troubles—far'well.' +Two weeks after the fight Mrs. Pelican Smith went back to live with her +father and Pelican went into the fishin' and 'blind tiger' business. I +had two new nets and a set of trot lines, and we bunched into a sort of +partnership. I couldn't git him to say anything about his family or +whether he wanted to see them again. But one night we set together on +the shore. We had run out of bait and was tryin' to make plans to git +some, as the lines was dry upon the shore and the fish would be runnin' +with the gentle rise comin' in the river. We set on an old sycamore log +together. The moon had just swung over the hill and I could see the +white rim of it above the edge of Pelican's nose.</p> + +<p>"'Pelican,' I said, 'why don't you go back to your wife and children and +try to live happy with them?' He made no answer and I pressed on him, +'Pelican, them two little twins air dependent on you, and if you had a +little home to yourself, where the vines could run over your doorway and +the birds sing in your<span class='pagenum'><a name="page31" id="page31">31</a></span> own trees, with your wife and children beside +you, your life would be happy—think of them, Pelican, your wife and +children.'"</p> + +<p>"Pelican rose up, his face turned to the river. Ah, I had him at last +thinking of his dear ones.</p> + +<p>"'What are you thinkin' of, Pelican?'</p> + +<p>"'I was thinkin' wher'n the hell we'd git that bait' said he."</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page32" id="page32">32</a></span></p> + +<h2>CHAPTER V</h2> + +<p><span class="smcap">"Did you</span> ever eat a mussel, Shawn?"</p> + +<p>"No, sir, I didn't think they were good to eat."</p> + +<p>"Well, lots of things are made good to eat by the way you cook 'em. I +want you to bale out the boat and we'll go up to the head of the bar and +drop the grab-hooks along in shoal water and after we get a good dozen, +small broilin' size, I'm goin' to show you how to cook 'em. A <ins class="correction" title="original: mussell">mussel</ins>, my +boy, is a sort of lefthanded cousin to an oyster, only he lacks the salt +water and a good many of the finer points; a right smart like a good +many men, and I want to tell you another thing—one of the finest pearls +that sold in a jewelry store in Cincinnati for fifteen hundred dollars, +was taken from a mussel that come out of the Ohio river."<span class='pagenum'><a name="page33" id="page33">33</a></span></p> + +<p>"Luke Walters found it at Craig's bar," said Shawn.</p> + +<p>"The same," said Burney.</p> + +<p>"We might boil a bushel or two down and run a chance of finding +somethin'; there's no tellin'. Git one of them lemons out of the box and +the wire broiler and a stew-pan."</p> + +<p>Shawn came around with the boat, Burney came out with the drag-hooks. +Shawn sat at the oars and they started up the stream. The white pebbles +on the shore gleamed in the rosy sunlight. A kingfisher perched on a +rock by the stream, tilted his head to the side in a quizzical way and +watched the boat approach. The leaves from the tall sycamores and +cottonwoods came tumbling down to the edge of the water as if seeking to +embark upon a journey southward. A little creek came pouring its crystal +waters into the great river. Just above the mouth of the creek, some boy +had built a miniature mill-race, and the water coursing over the little +wheel murmured tenderly and soothingly upon the ear.<span class='pagenum'><a name="page34" id="page34">34</a></span></p> + +<p>"Shawn, there's many a boy in the city would like to have a plaything +like that. Did you notice how nice and keerful-like he has made that dam +and the shoot? I'll tell you, a country boy knows how to look out for +his fun. You'll see the day when the old water-mill will be a thing of +the past; steam will run 'em out, as it has run out the flat-boat. In +the old days I used to make the flat-boat trip to New Orleans and walk +all the way back and help <i>cordelle</i> the boat, they brought back their +flat-boats in them days—think of doing that now. But I hate to see the +water-mills go. There's one out on Eagle that has been run by five +generations, and they can't make flour by steam as good as Amos Kirby's +flour. Amos' father had the process down, it seems, better than any of +them. The old man was knowed all over that country, not only for his +good flour, but for his good deeds and his kindness to the poor, and +that's a mighty good name to leave behind. He always had a houseful of +company, and always got drunk fust, so<span class='pagenum'><a name="page35" id="page35">35</a></span> that the rest of his company +would feel at home. I et dinner thar once, and they wound up with some +cake they called egg-kisses. You didn't have to chaw 'em—you just +throwed 'em up in the roof of your mouth and let 'em melt—pull over +thar to the head of the bar."</p> + +<p>Shawn took off his shoes, and bare-footed, with trousers rolled to his +knees, began the hunt for mussels around the bar, as Burney threw out +the drag-hooks in deeper water. Burney was drifting slowly down the +stream and Shawn could see him bringing up the hooks and putting the +mussels inside the boat. Shawn found them plentiful around the edge of +the bar, and when Burney came back they had the boat well filled.</p> + +<p>"Now, Shawn, we're goin' over to the shore and I am goin' to give you a +feast." Burney made a wood fire, and after taking the mussels from the +shell, put them in the stew-pan and let them boil for a short time, then +putting them on the broiler, he held them over the live wood coals. +"Squeeze a little of that lemon<span class='pagenum'><a name="page36" id="page36">36</a></span> juice over them, Shawn, and season 'em +up—now try one." Shawn took one of them and nibbled it gingerly around +the edges.</p> + +<p>"What do you think of 'em?"</p> + +<p>"Did you ever drink out of a cow-track, Mr. Burney?"</p> + +<p>"No. Why?"</p> + +<p>"Well, you never missed much," said Shawn.</p> + +<p>They rowed down to the shanty-boat and Burney built a big fire on the +shore. He got out his big kettle and said, "We're goin' to boil these +out and look for a pearl."</p> + +<p>Under the roaring fire the kettle began to sing. Shawn watched Burney as +he filled the big pot with mussels. "You've got to boil them until the +meat comes away from the shell and is boiled all to smithereens, before +you've a chance to git a pearl."</p> + +<p>It was late afternoon before the kettle was taken off. Burney began to +drain off the water and take out the shells. All of the substance in the +bottom of the +<span class='pagenum'><a name="page37" id="page37">37</a></span> +kettle was subjected to a careful inspection as he drew it forth.</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image4.jpg" width="300" height="429" alt="image4" title="Illustration" /> +<span class="caption">Burney began to take out the shells.</span> +</div> + +<p>Suddenly Burney held his hand up toward the sun and exclaimed, "Come +here, quick, Shawn, I've found one—I don't know how good, but it's a +pearl!" He rubbed it between his hands and wiped it off carefully on his +sleeve. "That tiny pink spot on the side of it is a blemish that will +never come out, but I think it is a pearl of some value. I'm goin' to +give it to you; maybe you can sell it or give it to some girl some +day—leastwise, Shawn, we'll put in the spare time boilin' down a few +more of 'em."</p> + +<p>Shawn took the pearl, his cheeks were aglow under the stress of the +find. "Oh, Mr. Burney, I'll keep it always for a luck stone."</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page38" id="page38">38</a></span></p> + +<h2>CHAPTER VI</h2> + +<p><span class="smcap">Shawn</span> was clearing away the supper dishes. Burney tilted his hickory +chair against the wall and puffed at his short pipe. Coaly was asleep in +the corner. "Shawn, when you git through I want you to read me some more +out of your Testament—I'm gittin' to like it."</p> + +<p>Shawn carefully wiped his hands before taking up the little book. +Seating himself by the table, and drawing the lamp nearer, he opened the +book at random. The chapter was Revelation, XIII.</p> + +<p>Shawn began reading in a halting and uncertain voice: "And I stood upon +the sands of the sea and saw a beast rise out of the sea having seven +heads and ten horns."</p> + +<p>"Hold on there, Shawn," said Burney, "Is that in the Bible?"<span class='pagenum'><a name="page39" id="page39">39</a></span></p> + +<p>"Yes, sir, you can see for yourself."</p> + +<p>"I can't read to no account," said Burney, "but air you certain that's +in the Bible?"</p> + +<p>"Yes, sir."</p> + +<p>Burney scratched his head and crossed his legs. "Well, all I've got to +say is, that there must a been a leak some'ers around a distillery when +that feller got to writin'. I don't read much, but I read in the Bible +once about an old feller by the name of Job, who comes up to a feller by +the name of Amasa, and Job pertendin' to be his friend, took him by the +whiskers, like he was going to kiss him, and Job said, 'How's your +health, brother Amasa?' and before Amasa could answer, Job cut him in +the fifth rib with a corn-knife or sunthin'. Maybe times have changed +since them days, but it still pays to watch a man who comes up to you +with his hand behind him, and there ain't no man goin' to take me by the +whiskers when he says <i>howdy</i>—I've larn't that much from the Bible—but +you stick to that Book, Shawn, even if some of the stories do<span class='pagenum'><a name="page40" id="page40">40</a></span> make you +set up and take notice, it's a good Book to live by and a better one to +die by. Stick to it, Shawn—I'm goin' to bed."</p> + +<p>Shawn went out and sat on the bow of the boat. The night was beautiful. +Along the shore the willows were rustling as the south wind kissed their +foliage. The moon was coming over the hill, a full, round, voluptuous +moon. The tiny reflections of the stars quivered in the depths of the +stream. From the head of the bend came the long and deepened breathing +of a coal boat. A bell clangs in the engine-room, the great wheel stops +as welcoming rest, the bell clangs again and the boat swings on, +standing for the channel. Afar up the river, Shawn saw a lurid light +against the sky. The heightened colors came and went in flashes and +spurts. That light could not come from the headlight of a steamer. Shawn +went quietly to the door and called Burney. Burney came to the door of +the boat, rubbing his eyes. "Must be a house burning, from the looks of +it." They<span class='pagenum'><a name="page41" id="page41">41</a></span> stood on the shanty-boat until the light began to diminish +and then went to bed. Burney was unable to sleep. Presently he got up +and turned up the wick of the lamp. Coaly went over and nestled by his +feet. Suddenly Burney heard the sound of approaching footsteps. Coaly +began to growl and moved nearer the door. Shawn was peering out of his +bunk. Burney opened the door as two men came up the gang-plank. They +were breathing hard and looked as though they had been running. One of +them was untying the chain of the john-boat, and said, "We want your +boat to get across the river; we're in a hurry."</p> + +<p>"Let go of that chain," said Burney, as he raised a musket to his +shoulder. "You can't have that boat, and I want you to get off of this +boat at once."</p> + +<p>The men drew back, they were desperate looking characters, but they +heard the determined tone of Burney's voice and they stepped ashore and +made off down the beach. Burney turned to Shawn and said, "Somethin' is +wrong;<span class='pagenum'><a name="page42" id="page42">42</a></span> them fellers have done somethin'. What's that?" They could hear +the deep baying of a hound. "My God, they's bloodhounds!"</p> + +<p>There is something strangely weird in the sound of a bloodhound's voice +coming across the night—something that seems to tell of death. The +trail was fresh and the dogs were coming under full yelp.</p> + +<p>"Put on your shoes and come out front, Shawn," said Burney. Eight or ten +men came down through the willows, one man in front and holding the +hounds by a leash. Each man was armed with a shotgun. The dogs came to +the gang-plank, and stopped at the water, and lapped it with their long, +yellow tongues.</p> + +<p>"Whose boat is this, and who's here?" asked one of the men. Old John +answered in a clear and unshaken voice, "I am John Burney, and this is +my boat." One of the men came forward and extending his hand, said, "I +know John Burney; there's nothing wrong with him, but Burney, can you +throw any light on these tracks leading<span class='pagenum'><a name="page43" id="page43">43</a></span> here?" Burney told them of the +two men, of their wanting his boat to cross the river. "They went down +the shore," said Burney, "about twenty minutes ago; your dogs oughtn't +to have much trouble in locating the track, but tell me what's wrong?" +The man holding the dogs answered, "Casper Daniel's country store was +robbed and burned just after he had gone to bed, and Daniels was either +murdered or lost in the fire."</p> + +<p>Shawn shuddered and crept back into the boat. The men put the dogs on +the trail. Shawn heard them baying as they went down through the deep +cottonwood grove. "No sleep for me to-night," said Burney. The voices of +the hounds came in faint baying. Burney restlessly paced the shore until +the first streaks of dawn. About five o'clock he heard the men coming +back. They came down to the boat. Handcuffed together were the two +criminals, their haggard faces bore the look of despair. They were +sullen and silent, and as Shawn stood gazing at them, he could not +repress a feeling of<span class='pagenum'><a name="page44" id="page44">44</a></span> pity, although their hands were stained with human +blood. They were taken up the road to the little town and placed in the +jail. Shawn and Burney followed the men. Around the jail was a crowd of +excited men and loud voices were heard on every side. Men were coming +out of the saloon on the corner just beyond the jail. They stood around +in groups and angry mutterings were heard. Suddenly there seemed to be a +concerted move in front of the jail. A young lawyer sprang upon a box +and pleaded with the crowd to let the law take its course.</p> + +<p>"Law!" exclaimed a black-whiskered man, "we've never had any law that +money couldn't buy!"</p> + +<p>"Hang 'em! Hang 'em!" yelled the crowd. A rush was made for the jail. +The jailor was making a feeble pretense of protecting his prisoners. A +heavy sledge crashed against the door, the jailor was knocked down and +the keys taken from him.</p> + +<p>"There they are! Bring 'em out!"<span class='pagenum'><a name="page45" id="page45">45</a></span></p> + +<p>The poor wretches were dragged out, moaning piteously and begging for +their lives. Shawn turned away, sick at heart, but something seemed to +hold him to the spot.</p> + +<p>"Don't kill us, men, for God's sake don't kill us!" pleaded one of the +criminals but his voice was drowned in the uproar of the maddened crowd.</p> + +<p>"That lower limb will do, boys, everybody pull!"</p> + +<p>A cloud afar off in the sky seemed to float across the sun. They cut the +two rigid bodies down at noon. Shawn and Burney returned to the boat. A +rain-crow was calling softly from a willow tree, and the ripples +murmured sorrowfully on the shore. Shawn touched Burney on the arm as +they stood by the boat: "Mr. Burney, there's a Memphis packet due up +here to-night. I don't like to leave you, but I'm goin' home—I've just +got to go."</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page46" id="page46">46</a></span></p> + +<h2>CHAPTER VII</h2> + +<p><span class="smcap">It was</span> after midnight when the boat upon which Shawn took passage +reached Skarrow. As they climbed the hill, Coaly instinctively turned +toward Shawn's home, but Shawn had determined to first visit old Brad +and make inquiry as to the kind of welcome he might expect from his +mother. He knocked gently on the door of old Brad's cabin.</p> + +<p>"Who dar?" called Brad.</p> + +<p>"It's Shawn, uncle Brad; I've come home."</p> + +<p>"Great Lawd!" exclaimed the old darkey, "Wait er minnit tell I strack a +light—come in hyar, boy." Shawn went in as Brad threw a chunk of wood +on the fire. "Set down thar, boy, and lemme put dis coffee-pot on de +coals an' brile yo' a piece uv bacon. Lawse, chile!<span class='pagenum'><a name="page47" id="page47">47</a></span> some say yo' done +drown, an' some say yo' rin away wid race-boss men, en yo' mammy <ins class="correction" title="original: jes'' stracted">jes' +'stracted</ins> an' axin' me ef I heerd frum yo' ev'ry day. Is yo' seen yo' +mammy yet?"</p> + +<p>"No," said Shawn, "I felt like—"</p> + +<p>"Out wid it," said old Brad, "Dat's right, an' say dat yo' felt like yo' +wuz ershamed uv yo'self en had done wrong, but yo' go down thar jes' as +soon ez yo' kin an' see yo' mammy. Yo' hain' no wicked boy, Shawn, but +des kinder ramshackel an' loose-jinted in yo' constitushun, but yo' +hain' wicked. I know what wickedness is, but even de wicked hez got de +chance to tu'n frum de errer uv dey ways befo' hit is too late. De +wickedes' man I ever knowed, honey, wuz Captain Monbridge, down in +Louisiana. He wuz de wickedes' an' han'sumest man en de richest man in +dat secshun, en when he got drunk an' got on his big black hoss, he +would shoot de fust nigger whut crossed his path, en when he wuz drunk, +de niggers wuz mi'ty skase eround. He fell off'n his<span class='pagenum'><a name="page48" id="page48">48</a></span> hoss one night an' +wuz kilt, en de folks all say dat he went straight ter hell, but de naix +spring after he wuz daid, a strange flower cum peepin' outer his grave, +en hit wuz de mos' curios flower dat wuz ever seen 'roun' dar—a kine uv +red dat nobody ever see befo', en hit kep' a-comin' an' a-comin', en +purty soon de people all cum to see dat flower on Captain Monbridge's +grave. Byme bye de flower grow to a big stalk, en down in de center uv +de stalk wuz a leaf, en when dey tuck out dat leaf, dar wuz writ on hit +dese words:</p> + +<table summary="poetry"> +<tr> +<td>'Betwix de stirrup an' de groun'<br /> +He mercy axed an' mercy foun.'</td> +</tr> +</table> + +<p>"Yassir, he wuz saved." Uncle Brad took the coffee-pot from the glowing +coals and poured a steaming cup of coffee for Shawn. "Shawn, I'm gwine +tuh preach at de chutch Sunday mawnin' an' I want yo' to heah me. I'm +gwine preach on de Prodegale Son, an' hit's gwine tuh be a sarmon."<span class='pagenum'><a name="page49" id="page49">49</a></span></p> + +<p>"I'll be there," said Shawn.</p> + +<p>Shawn and Coaly went down the hill. Coaly gave a yelp of delight and +stood barking before the door. Shawn's mother sprang from bed, opened +the door and clasped her son to her breast. "Oh, Shawn, bless God, +you've come!" And Shawn's home had never looked so inviting before.</p> + +<p>"Mammy, I'll never leave you again."</p> + +<p>He went to sleep in his little room overlooking the river, and he heard +again the night wind crooning through the trees and the night owl's +tones echoing through the distant wood. His heart was warm again in the +glow of sweet memories. He was in his old home.</p> + +<p>The next day found Shawn enjoying the surprising event of being +cordially welcomed by the inhabitants of the town. The worst sort of +straggler is often astonished at the kindly interest accorded him upon +returning to his old home. Old Doctor Hissong greeted him by saying, +"Hello, been seeing the world, have you?" When he went up to the Alden<span class='pagenum'><a name="page50" id="page50">50</a></span> +home, he found the same good friend there; the same sweet smile and the +kind words, and Mrs. Alden still anxious to help him and guide him to +better pathways, urging upon him the great need of an education, and +Shawn promised to return to school.</p> + +<p>"Don't fergit about dat sarmon," said old Brad, "I'm gwine tuh look fer +yo' at de chutch termorrer."</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page51" id="page51">51</a></span></p> + +<h2>CHAPTER VIII</h2> + +<h3>DE PRODEGALE SON</h3> + +<p><span class="smcap">Shawn found</span> a seat on one of the benches reserved for the white people. +Uncle Brad was in the pulpit. He arose, in all of the dignity of the +occasion. The little church was well filled with colored people. After a +song and prayer, uncle Brad came forward and began reading, to all +appearances, from the last half of the fifteenth chapter of Luke. +Closing the Bible, he began, "I have read fo' yo' heahin' de story uv de +Prodegale Son. Dis hyar boy, han'sum an' smart, bergin to git tired uv +de fawm—he heer'd de boys frum de city tellin' erbout de great doin's +down dar, en de mo' he look eroun' de mo' de ole place los' hit's chawm, +en fine'ly he goes to hi' daddy en says, says he, 'Pap, I dun git to de +age<span class='pagenum'><a name="page52" id="page52">52</a></span> when I waun' see sum uv de wurl, en' ef yo' gwine do ennything fo' +me, do hit now.' Yessir, he lit a seegar en blow de smoke thru hi' nose +en say, 'Do hit now!'</p> + +<p>"De boy dun fergit how his daddy fotch him up an' feed him an' clothe +him, but dat doan' count wid chillun. Dey kine er reason hit dis way: +'Yo' 'sponsibul fo' my bein' heah, en yo' bleeged to teck keer uv me'. +De ole man kiner swole up, but he drawed his check on de bank—de Bible +doan' say how much, but hit mus' ter been a pile, fer de Bible doan' +fool wid little things. De boy wen' 'roun' to tell 'em all good-bye, an' +his mammy jes' fell on his neck an' wep'. He wuz de black sheep, an' hit +seem dat de mammies allus love dese black sheep de best. When he cum to +tell his brother good-bye, de brother kiner put hi' han' to hi' mouf en +say, 'Doan' yo' write back to me when yo' git busted,' en de Prodegale +Son he say, 'Pooh, pooh, yo' clod-hopper.'</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image5.jpg" width="300" height="437" alt="image5" title="Illustration" /> +<span class="caption">"De Prodegale Son."</span> +</div> + +<p>"Dar wuz de ole folks sottin' on de poach as he wen' down de road. Dey +could see him ergin crowin' in de craddle; +<span class='pagenum'><a name="page53" id="page53">53</a></span> +dey could see him larnin' how to teck his fust step, en back in de +years, dey could heah de fust word he ever said—de fust one mos' uv us +says, <i>mammy</i>.</p> + +<p>"He rech de city, en dere wuz frens waitin' him by de score, en dey say, +'Whut a fine genermun! Whut a spote! All wool en a yahd wide!' Yassir! +An he smile an' swole up an' say, 'Le's have sunthin!' Dey go inter de +bar, en de barkeeper smile en say, 'Whut's yourn, gents?' Some say ole +fashun toddy, some say gin, en' so on. De young man res' hi' foot on de +railin' uv de bar, en look at hi'sel' in de glass, en he see de dimun +rings on his fingers jes' glis'nin', an' when de licker gits to workin' +inside him, he look in de glass ergin, en 'lows to hi'sel', 'I reckon +I'se jes' about de wahmest thing in dis hyar town,'—an' he wuz! He +foots all de bills. Lawse! how he meck frens. He tell er story, en dey +all jes' laff fit ter bust, an' say, 'Hain' he great!' De ladies uv de +town, some uv 'em, dey roll dey black eyes at him an' say, 'Hain' he +sweet!' He done fergot<span class='pagenum'><a name="page54" id="page54">54</a></span> de little girl wid de blue eyes an' de gold ha'r +blowin' in de win'. De gamblers tuck a crack at him, too—dey kin tell a +sucker three miles off. Dey showed him how to handle de kyards an' roll +de bones, en he rar'd back in a sof' cheer wid a black seegar in hi' +mouf an' see his money slip erway. Lawse! yo' oreter see his room whar +he stay. He slep' in a feather-tick nine foot deep, an' show-nuff goose +feathers, mine yo'; a red lam' wool blanket, en lookin'-glasses all over +de wall, so ez he could see hi'sel' whichever way he tu'n. Nobody to +scole him erbout gittin' up in de mawnin' en he had his breakfas' fotch +up on a silver waiter by a shiny nigger, but somehow, de vittels got so +dey didn't tase ez good ez dey did down on de ole fawm. City grub looks +mi'ty temp'in at fust, but after while when yo' git down ter kinder +pickin' ovah hit, yo'll find dat hit's lackin' in de juice er sunthin', +en yo' long to lay yo' gums on de things jes' whar dey grow.</p> + +<p>"Byme-bye—hit allus comes, he see<span class='pagenum'><a name="page55" id="page55">55</a></span> dat he's gittin' low in cash, en +'fore long yo' see him slippin' 'roun' to de pawn shop. De ole pawn-shop +man he scowl at him an' fix ter bleed him good en strong. His dimun +shirt-stud wen' fust, en one by one de rings on hi' fingers, tell dey +look ez bare ez a bean-pole in de wintah time.</p> + +<p>"He move his bo'din' house, en purty soon he move ergin, tell he fine'ly +cum ter a house whar dey didn't have much mo' den liver hash. Oh, Lord! +Liver hash! Whar wuz his frens? Ef enny uv yo' hez ever been dar, good +an' busted, yo' know whar dey wuz. Dey tu'n erway frum him lack he wuz a +polecat.</p> + +<p>"One mawnin' when ever'thing wuz gone, he started frum de city. Whut a +change! One shurt wuz all he had, en dat hadn' seen de wash fer two +weeks. He wuz seedy en his heart wuz sore; he wuz down an' out, en clean +out, en didn't even have chawin' terbacker. He look lack a turkey +buzzard ez had lost his wing-feathers. He wundered on; he stop by de +bridge whar de water wuz tricklin'<span class='pagenum'><a name="page56" id="page56">56</a></span> down below—he see de picture uv +hi'sel' in de water, en' hit meck de cole chills run up hi' back. +'Shamed er himsel'? He dun got so ershamed dat he look lack he cum out'n +a hole in de groun'. Byme-bye he cum to a fawm house, en ast fer a job. +Yo' know he mus' er been awful hongry to think erbout wuk, but he dun +got so hongry dat he et yarbs en sapplin' bark er ennything. De fawmer +look at him en say, 'I cudden' hev yo' erbout de house; de wimmen +wouldn' stan' fer hit, but I got some hawgs up de holler yo' kin feed, +but yo'll hev to stay erway frum hyar, ez I doan' wan' my chillun +skeered.'</p> + +<p>"He wen' up de holler. De win' sigh en groan thru de poppaw bushes, en +he wuz sad, en de dark drap down en hit wuz so lonesome; nobody but de +katydids en de screech-owl en dem hawgs. Doan' yo' feel sorry fer him, +frens? I do—I feel sorry fer ennybody in dat sort er fix, but feelin' +sorry hain' gwine ter holp much when yo' git yo'se'f tied up in sech a +box. He fed dem hawgs, he et what dem hawgs et, he slep' close to dem +hawgs, he wuz<span class='pagenum'><a name="page57" id="page57">57</a></span> suttenly <i>on de hawg</i>, but dey wuz better company en dem +gamblers en some dem wimmen in de city—yes, dey wuz.</p> + +<p>"Byme-bye, one night, ez he see de moon comin' over de hill, en de stars +winkin en blinkin' in de sky, he got ter thinkin' uv de ole home, uv de +chitlins en de spare ribs, de fat biskits en de sweet milk, de persarves +en de yaller butter—he jes' cudden' stand hit. He walk down to de +hawg-pen en throw over some cawn en say, 'Far'well, my frens, I'se done +de bes' I kin fer yo', but I'm gwine home!'</p> + +<p>"He struck out, fust in a kine er foxtrot, but de mo' he thought er +home, de faster he got. Erlong time hit seem, over dat lonesome road. De +little chillun cum out ter look at him, but fly back inter de house, he +look so awdashus, en ef he meet a hawg in de road, he cudden' look him +in de face. He could smell de ham and hominy fryin' in de skillet at de +houses whar he pass, en' hit meck hi' mouf water lack a hoss wid de +slobbers.</p> + +<p>"Fine'ly he see erway down yondah, de ole place frum de top uv de +hill—de<span class='pagenum'><a name="page58" id="page58">58</a></span> ole house sottin' back in de cool shade. He tuck a hitch on +his rotten britches an' hit de grit.</p> + +<p>"Ez he cum up to de yahd gate, his dawg bark at him, an' his daddy cum +down de yahd wid his big gold-headed cane, en he never knowed hi' son +whatsomever, tell de boy kiner drag up en say, 'Pap, fo' Gawd sake, +gimme sunthin' ter eat!'</p> + +<p>"Ole Miss, his mammy, sot by de big winder, lookin' kinder sad-like, +doin' fancy wuk wid her needle, en singin' sorter sof 'In De Sweet Bye +en' Bye,' en' presen'ly she hear her boy's voice—a mammy kin hear de +voice uv her boy a long way—en' she jump up en' thode her sewin' erway +en' cried out ez de tears stream down her cheek, 'Praise Gawd, my boy +done cum back!'</p> + +<p>"De ole genermun knowed de black sheep dun cum home, en he holler out en +say, 'Bring de bes' robe en put hit on him, but wash him in de pon' +fust!' Den he say, 'Bring de fattes' calf, de one fed on de bran' mash!' +Dey wuz merry,<span class='pagenum'><a name="page59" id="page59">59</a></span> en his mammy wep' on his neck, arfter hit wuz washed, en +when he sot down to de table, en she give him de veal cutlets en de +light rolls, he des hook his laig 'roun' a cheer 'roun' an' lay to, en +he des kin er roll frum side ter side, layin' in de grub, en licken' his +fingers, en passin' up hi' plate—en dey think he's thru, en gwine set +back, but he jes' teck a fresh holt en square hi'se'f erway en des roam +eroun' in glory, en he smile, en de grease jes' a-shinin' on hi' chin.</p> + +<p>"But de brother wuz mad. He 'low dat he stay at home, en ack a puffeck +genermun, en dis hyar skalawag jes' play de devil ginerally, en den cum +back lack er skunk en dey tu'n de ole house upside down fer him. He chaw +de rag monstrous fer a spell, but de ole man fine'ly tell him ef he +doan' lack hit, he better go out en try de wurl hi'se'f, en de brother +look at de Prodegale, en kiner shiver en simmer down.</p> + +<p>"Dat night when de Prodegale got inter de feather-bed, whar he done hid +a ham-bone under de piller, en hi' mammy<span class='pagenum'><a name="page60" id="page60">60</a></span> tucked him in en kiss him good +night, he strotch hi'se'f en say, 'When I goes erway frum heah ergin, I +goes erway daid!' En he drap to sleep—de sweetes' sleep fo' many er +long time, en dream uv de little gal wid de blue eyes, who wuz still er +waitin' fer him.</p> + +<p>"Young men, all I wan' ter say tuh yo' by de way uv windin' up is +dis—Ef yo' got a good home, er enny sort uv home, stay dar!"</p> + +<p>And Shawn, sitting by the window, clasped his little Testament and +fervently said, "Amen!"</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page61" id="page61">61</a></span></p> + +<h2>CHAPTER IX</h2> + +<p><span class="smcap">Shawn had</span> been at home for several days. One night when the waves were +rolling high on the stream, he sat in the office of the hotel, which +stood on the bank of the river. A cheerful log fire glowed in the old +fireplace. Pence Oiler, the ferryman, sat in the corner puffing at a cob +pipe. Suddenly, came the loud cry of "Hello!" When the door was opened, +a young man and woman came into the office. They had hurriedly gotten +out of a buggy and both seemed very much agitated, and the young man +quickly informed them that they were eloping from a neighboring county +and were being hotly pursued by an angry father and brother. Shawn's +gaze was fixed on the young woman, for never before had he seen such a +beautiful face,<span class='pagenum'><a name="page62" id="page62">62</a></span> such lustrous, dark eyes, lit up by the flame of love, +seemed to shed a glow upon the dingy walls of the old room.</p> + +<p>"Where can I find the ferryman?" asked the young man.</p> + +<p>"I am the ferryman," said old Pence, "but you can't cross the river +to-night; the wind is too high."</p> + +<p>"But I must cross," said the young man, as a wild glance shot from his +eye. "I'll give you ten dollars to set us over!"</p> + +<p>"I'm feer'd to resk it," said Pence, but the beautiful girl went up to +him, and with a smile which seemed to melt into the very soul, softly +said, "I am not afraid. Won't you take us?"</p> + +<p>Old Pence hesitated for a moment and then turned and asked, "Who will go +with me?"</p> + +<p>"Let me go, Mr. Oiler," said Shawn, never thinking of danger connected +with the river.</p> + +<p>"Can you hold the rudder?" asked old Pence as he turned to Shawn.</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image6.jpg" width="300" height="441" alt="image6" title="Illustration" /> +<span class="caption">"I'll give you ten dollars to set us over."</span> +</div> + +<p>"I'll hold it, Mr. Oiler," said Shawn. Down to the shore they went, the +sweet +<span class='pagenum'><a name="page63" id="page63">63</a></span> +woman calm and undisturbed, while the young man at her side was +trembling and uneasy. The wind was blowing a gale, and the waves were +beating angrily upon the shore.</p> + +<p>After several attempts, Shawn and Oiler succeeded in launching the boat +and getting up sail. The spray and water came drenching the young woman, +but she quietly took her seat.</p> + +<p>"Hold her dead on Ogman's hill!" yelled Oiler to Shawn. The wind +bellowed into the stout sail and they shot into the foam, Shawn leaning +back with a firm grasp on the tiller, and his eye fixed on Oiler.</p> + +<p>"Keep her quartered, with stern to the wind, and don't give her a chance +to sheer!" shouted Oiler.</p> + +<p>"Is there much danger?" asked the bridegroom, as his teeth chattered. +Oiler did not answer him but yelled to Shawn, "Hold her steady and +fast!"</p> + +<p>"I'm trying to," said the groom, clutching his fair companion.</p> + +<p>"I wasn't talking to you," said Oiler.<span class='pagenum'><a name="page64" id="page64">64</a></span></p> + +<p>They were nearing the Indiana shore. Oiler shouted to Shawn, "Turn her +down a few points, then lift her out on the shore!" and beautifully did +they mount high on the pebbled beach. Oiler turned to Shawn and said, +"We'll not go back to-night." They went to the hotel. The proprietor +found the county clerk and a minister, and there in the little hotel +parlor, Shawn saw their passengers take the marriage vows.</p> + +<p>"Wasn't he scared comin' over?" said Shawn to Oiler as they went to bed.</p> + +<p>"Yes," said Oiler, "but wimmen always has the best grit when it comes to +a showdown, and when a woman makes up her mind to do a thing, 'spesh'ly +to git married, thar ain't no river or anything else can stop her. I've +seed a good many couples cross this stream—some of 'em, I reckon, wish +they had never made the trip. I fetched old Joe Davis over here with his +third wife. He run away with old Dodger Spillman's girl. Old Dodger +killed a plug hoss tryin' to beat them to the river. We was about forty +yards<span class='pagenum'><a name="page65" id="page65">65</a></span> from shore when old Dodger run down and hollered for me to come +back, but his girl stood up in the skiff and hollered to him, 'Go back, +pap and cool off—hit's my last chance!'</p> + +<p>"I started across with a young couple once, but the girl's daddy beat +'em to the river, and drawed down on the young man with a hoss-pistol. +The young man didn't flinch, but folded his arms and looked that old +galoot in the eye as cool as ever I see. The father ordered his girl to +come back with him, but she ketched holt of her lover's arm and said, +'If you are goin' to shoot, I bid for the fust fire—I'm goin' to have +this man!' Her old daddy swelled up and bust out cryin' and begged them +to go back home and git married, but they wouldn't do it, and he went +across with us, and after he got four or five drinks, he like to bought +out the town for them. Don't never run off to git married, Shawn. As for +myself, they ain't no sort of weddin' to my likin'. I never got sot on +but one girl, but I got sot on her for all time to<span class='pagenum'><a name="page66" id="page66">66</a></span> come, and dad-scat +her, she run away with another feller just about a week before we was to +be hitched. Wimmen is curious. Some say as how we couldn't git along +without 'em, and it looks like it's mighty hard for some to git along +with 'em, an' seems as after some people gits the ones they's after, +that somethin' comes along to take away their happiness before it has +begun. There was Ann Coffee. Her and Eli Travis must a courted nigh onto +ten year. It was away back yonder in '52, but I can see 'em now settin' +out thar on the bank, holdin' hands. They went down to Madison and was +married at last. They took the Redstone for Cincinnati. The boat was +full of people; it was in the spring, and a happy crowd was aboard, with +music and dancin', and people come out all along the shore to see the +boat pass. Just four miles below here, on the Kentucky side, the +Redstone landed to take a young preacher aboard. His name was Perry +Scott, and he come up the swingin'-stage wavin' his han'kerchief to his +father and mother on the shore. Sud<span class='pagenum'><a name="page67" id="page67">67</a></span>denly, there comes a mighty roar on +the air. The steamer was hid from view as the explosion shook the earth +and splashed water everywhere. The b'ilers of the Redstone had bust, and +all around you could hear the groans of the dyin'. The young preacher +was never heard of again, and nothin' but his white han'kerchief, +hangin' in a tree, was ever found. There was over seventeen people +killed outright. Eli Travis went down to death, and strange to say, Ann, +his wife, who was standin' by his side, was saved. She was blowed high +up in the air, but come down close to shore. Her hair turned white after +that, Shawn, and she used to set out thar on the bank, where they had +set so often, lookin' away down to the bend of the stream whar Eli had +been took away from her."</p> + +<p>The next morning when Oiler and Shawn started to the river, Oiler +slipped a five dollar gold piece in Shawn's hand. "He give me two of +'em, and one of them belongs to you. What are you goin' to do with +yours, Shawn?"</p> + +<p>"Give it to my mammy," said Shawn.</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page68" id="page68">68</a></span></p> + +<h2>CHAPTER X</h2> + +<p><span class="smcap">Doctor Hissong</span> sat by the fireplace in his office. Brad was blacking a +pair of shoes. "Shawn," said the old doctor, "I'm going up to Old +Meadows this afternoon to hunt quail, and I want you to go along. Go +down and get ready while Brad hitches up the buggy."</p> + +<p>The first snow of the season was gently sifting from the November skies +as Doctor Hissong and Shawn drove along the river road. Scattered flocks +of wild-geese and ducks were flying above the cottonwoods and sycamores. +The <i>honk</i>, <i>honk</i> of the geese as they circled above the stream, their +white wings flashing in the veiled sunlight, lent a delicious touch to +the winter scene. Shawn was watching the curling smoke from a tall +chimney at the bend of the river. As<span class='pagenum'><a name="page69" id="page69">69</a></span> they drew nearer, he saw the old +house nestling behind the tall pine trees, the white columns of the +broad porch standing out in stately grandeur. Doctor Hissong drove +through the orchard, coming up to the lower entrance to the house. Major +LeCroix came down the yard, his long, silvery hair waving beneath his +broad-brimmed hat, his ruddy countenance beaming a cordial welcome. Just +behind him, his hat in his hand, was Horton, a colored gentleman of the +old school, brought up in the LeCroix service, and staunch in his +devotion to the family. Major LeCroix led the way to the house. The +guineas began calling a chorus of <i>pot-racs</i> and ran fluttering through +the drifting snow. "They are giving us a song of welcome," said Doctor +Hissong. Horton showed his gleaming teeth and said, "No, sah, it's a +song uv sorrow, for my ole woman, Mary, hez got two uv 'em in de yuven, +bakin' fo' yo' suppah."</p> + +<p>As Shawn passed the old stone kitchen, he caught the fragrance of the +good things in Aunt Mary's oven, and Aunt<span class='pagenum'><a name="page70" id="page70">70</a></span> Mary, in her white cap and +apron, was bending over the stove.</p> + +<p>Major LeCroix and Doctor Hissong were standing on the porch. Shawn +paused for a moment to gaze fondly to where the stream wended its way +among the tall hills. The Major opened the low colonial door, and stood +aside as his guests entered the beautiful old family room. A back-log +blazed cheerfully in the open fireplace.</p> + +<p>Over the fireplace was the mantel, with its rich hand-carving of the +French coat of arms. On the walls of the room were family portraits, +some of them brought from the provinces of old France. Doctor Hissong +stood before one portrait, a face sweet in its Madonna-like innocence +and purity. A tear-drop stole down the Major's cheek.</p> + +<p>Leading Doctor Hissong over to the window, he pointed to the family +burying-ground, and said, "The dear wife sleeps under that tallest +pine." The snow had covered the mound, but again the Major could see +April days out there,<span class='pagenum'><a name="page71" id="page71">71</a></span> and the heavy bloom of the orchard—the redbird +and the catbird were pouring out symphonies of melody; the silver-winged +pigeons were bending through the golden skies, and again he could hear a +mother's voice calling in happiest tones to her children.</p> + +<p>"Horton, call Lallite," said Major LeCroix.</p> + +<p>Shawn turned suddenly to see a young girl come into the room. She came +up coyly, greeting Doctor Hissong, and when she came over toward Shawn, +he felt a hot flush coming to his cheek. He had seen this young girl +before, with her father in town, but now as she came before him, with +her merry, flashing eyes and radiant color, he stood with downcast eyes, +and the old desire to run off to the woods came over him again. She gave +him her soft hand as her musical voice said, "I am so glad you came with +the doctor." He stood as one entranced before this girl of such sweet +and simple beauty, and unconsciously, he was <ins class="correction" title="original: lead">led</ins> into an<span class='pagenum'><a name="page72" id="page72">72</a></span> easy attitude +and relieved from his painful embarrassment.</p> + +<p>Horton came into the room, bearing a tray and glasses. He turned to the +Major and asked, "De white er de red, Major?"</p> + +<p>"Both, Horton."</p> + +<p>Horton took the keys which hung at the end of the mantel. Returning, he +placed two bottles of grape wine on the tray. He filled the glasses, but +the Major observed that Shawn did not take his glass.</p> + +<p>"Do you want the wine, boy?"</p> + +<p>"No, sir, I thank you," said Shawn, hesitatingly.</p> + +<p>"It's all right, Major," said Doctor Hissong, "Mrs. Alden is looking +after him, you know."</p> + +<p>Raising his glass, Major LeCroix said, "Welcome to Old Meadows, and a +health to pleasant memories. You find things sadly changed—my dear +companion gone; my boy a soldier in a distant land, Louise long married +and never returning until she comes with the children to spend the +summer—but I have Lallite with her<span class='pagenum'><a name="page73" id="page73">73</a></span> dear, happy heart, and I have Mary +and Horton."</p> + +<p>The winter day was fast drawing to its close. Horton again appearing, +quietly said: "Supper is sarved."</p> + +<p>The old dining-room with its mahogany side-board and dining-table, the +heavy brass candle-sticks, the tall clock in the corner, were all +familiar objects, and the presence of Aunt Mary and Horton, standing +behind the chairs, was a picture of a happier time, with the background +of many glad faces to be filled only with memory.</p> + +<p>Shawn sat beside Lallite at the table, and deep down in his heart, he +felt that it was good to be there, and that life was opening to +something dearer than the general happenings of his narrow sphere had +ever given hope for.</p> + +<p>With bowed head the Major asked the table blessing. Aunt Mary brought in +the delicious baked apples and poured over them the rich cream. The +Major was carving the guineas. "Lallite, help Shawn to one of those +corn-pones; I'll<span class='pagenum'><a name="page74" id="page74">74</a></span> venture that you'll never get them any better in town. +The last time I was in the city, they brought me something they said was +cornbread, but it was mixed up with molasses, baking-powder and other +things. There are different kinds of cornbread, as you know. There is a +bread called egg-bread, made with meal, buttermilk, lard, soda and eggs, +and there is a mush-bread, made by scalding the meal—some call it +spoon-bread; but the only corn-bread is the pone, and the only way to +make them is to get white flint corn, have it ground at a watermill, if +you can, where they do not bolt the life out of it, scald your meal with +hot water, adding salt, then drain off the water thoroughly and mix your +meal with good, rich, sweet milk, then shove 'em in a hot oven, and +you'll have cornbread that is cornbread. Take one and butter it while it +is hot—don't cut it, break it. There you are. Let me help you to this +guinea breast. Did you ever know anyone who could get the crisp turn +that Mary gets on them?"<span class='pagenum'><a name="page75" id="page75">75</a></span></p> + +<p>"Never, sir," said Doctor Hissong, "I never knew but one woman who could +come anyways near Mary's cooking, and that was Joel Hobson's wife, Lucy. +They used to say that her cooking was her only redeeming feature, for +she had a temper like a wildcat, and vented it upon poor Joel and made +life so miserable for him that he finally took to drink. One night, so +the boys tell it, Joel got too much and was lying out under the big elm +tree, afraid to go home. One of the boys rigged himself out in a white +sheet and came up to Joel, tapping him on the shoulder. 'Who are you?' +said Joel<ins class="correction" title="original: not present">.</ins> 'I am the devil,' answered the deep voice. 'Come right over +and give me your hand; we're kinfolks. I married your sister.'</p> + +<p>"I suppose you remember Lucy's mother, Major? Her name was Sahra Turner; +she was a good woman but powerful curious. She had married off all of +her girls but Mary Ellen, and Tip Jennings was paying court to her. It +seems that Sahra had kept close track of<span class='pagenum'><a name="page76" id="page76">76</a></span> the courtship and the headway +of all her girls, and one night when Tip was in the parlor with Mary +Ellen, Sahra had a small kitchen table set by the parlor door and was +standing on it, looking over the transom to see how Tip was coming on. +Tip had gotten down on his knees and was making his declaration to Mary +Ellen. They were somewhat out of Sahra's range of vision. The crucial +moment had come, and Sahra leaned over to see the climax, but she leaned +too far, and one of the table-legs broke. Well, they got her up with two +ribs broke and laid up in bed for a long spell. Tip never came back, and +Mary Ellen married some fellow, who took her out to Kansas."</p> + +<p>They sat long at the table, the Major rising again into the spirit of +old days, Shawn laughing at the quaint jokes and stories. Lallite's +sweet laughter rang out, bringing the glow into the Major's eyes. She +had heard the stories so often, but they never grew dull with the years, +and they seemed to mellow as<span class='pagenum'><a name="page77" id="page77">77</a></span> beautifully as did the sunset of the +Major's life.</p> + +<p>Shawn listened again as he sat by the blazing fire to tales of the +war—of charges, victories and defeats. Above the piano hung the Major's +sword, presented to him by his soldiers after the battle of Stone River.</p> + +<p>"Major," said Doctor Hissong, "I want to hear some music before we +retire."</p> + +<p>"What do you say, Lally?" said the Major.</p> + +<p>Lallite went to the piano and gently touched the yellow keys. Major +LeCroix drew forth his beloved clarionet. As he took the instrument from +its case, he said, "I'm getting rusty nowadays, but Lally keeps me from +getting entirely out of tune. We'll try 'Sounds From Home'."</p> + +<p>Lallite played the introduction and the Major joined in, the clarionet +breathing forth a deep rich melody. The Major seemed to throw his very +soul into the music, and Lallite followed him with a<span class='pagenum'><a name="page78" id="page78">78</a></span> tender +accompaniment. The blaze from the fireplace flickered and threw changing +shadows over the old room. The Major and his daughter played on. They +were living again in the past, and the strains were bringing memories +sacred and sweet. Shawn sat as one transported to a heavenly sphere, his +eyes fixed on the delicately graceful figure swaying to and fro under +the changing cadences of the melody. It was the sweetest music that had +ever floated into the portals of Shawn's heart, awakening a thrill of +tenderness and love.</p> + +<p>The tall clock in the dining-hall pealed forth the hour of ten. Horton +came with a lighted candle, and Shawn followed him to the south room +overlooking the river. A cozy fire burned in the grate, the moon +swinging above the stream touched the hills and valley to silvery +softness. He stood near the window and gazed long upon the water, the +stream running through every association of his life. On the table was a +daguerrotype; it was Lallite's<span class='pagenum'><a name="page79" id="page79">79</a></span> face, and the eyes seemed smiling just +for him.</p> + +<p>Doctor Hissong and Major LeCroix sat long into the night. "Major," said +the old doctor, "I'm going to make the race for the Legislature again. +John Freeman wants it, but I want to represent the county just once +more. Can you hold this end of the county for me?"</p> + +<p>"I think I can," said the Major.</p> + +<p>"Then I'll announce. Freeman is a bitter man to go against, but I'm not +afraid to try him out. I'm getting worn out in the practice of medicine, +and will probably retire whether elected or not. I have my affairs in +good shape; a bachelor doesn't require much. I want to put Shawn into +the practice some day, God bless him." A tear-drop glistened on the old +doctor's cheek, and Major LeCroix knew the secret of this emotion.</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page80" id="page80">80</a></span></p> + +<h2>CHAPTER XI</h2> + +<p><span class="smcap">Who does</span> not recall the joyous thrill that comes with the preparation +for a hunt—the powder-horns and shot pouches scattered here and +there—the cleaning of guns, the glances at the sky to determine whether +wind and weather are propitious, the barking of the dogs as their eyes +gleam in anticipation of the day's sport.</p> + +<p>Major LeCroix critically examined Dr. Hissong's gun: "Too much choke in +the barrel for quail. Shawn, don't you load that rusty piece of yours +too heavily." Reaching above the doorway, he brought down his +muzzle-loading gun, with its silver mounted hammers and lock shields, +and as he caressingly drew his coat-sleeve along the barrels, he said, +"They don't know how to make them like this nowadays."<span class='pagenum'><a name="page81" id="page81">81</a></span></p> + +<p>They went forth into the frosty, bracing air. They walked leisurely +along the bank of the little creek, where a crust of ice fringed the +shore. "Major," said Horton, "de las' time I see dat big flock uv birds, +wuz in de stubble de uther side de orchid." The Major worked the dogs +toward the stubble-field. Sam, the old English setter, began to trail, +halting occasionally to sniff the breeze.</p> + +<p>"I think we will locate them in the sorghum patch," said the Major. Sam +was creeping cautiously through the sage grass just above the sorghum +field. Presently he came up erect and rigid, Bess, the trim little Irish +setter, behind him at back-stand. "Steady, there! Ho, steady! Can you +beat that, doctor?" cried the Major. "Get to the lower side of them, +Shawn, so we can drive them to the orchard—flush, Sam!" The old setter +sprang forward and the birds arose from the ground with an exciting +flutter. The guns roared and two birds fell. Doctor Hissong was +reloading, ramming the charge home with a long hickory<span class='pagenum'><a name="page82" id="page82">82</a></span> ramrod. With +trembling hand, Major LeCroix drew the cork from his powder-horn, and +endeavored to pour the powder into the barrel.</p> + +<p>"Let me load for you," said Shawn.</p> + +<p>"No, indeed, I'm not too old to load my gun." He stood for a moment +looking at the shot-pouch. "Here, boy, maybe you had better load for +me." A tinge of sadness crept over his features, but gave way to an +expression of joy when Shawn said, "You and the doctor got your birds +that time, I missed." Horton gave Shawn a grateful glance. They got into +the scattered birds, the Major and Doctor Hissong thoroughly enjoying +the sport. As each bird came from cover, Shawn held his fire, and +followed closely after the shots of doctor Hissong and Major LeCroix, +and as each bird fell, he would shout, "Good shot, Major!" or "Good +shot, doctor!" They got into the lower bottoms, and by noon Horton +showed a fine bag of game. Shawn modestly refused to claim but a few of +the birds, but Horton knew of his +<span class='pagenum'><a name="page83" id="page83">83</a></span> +unerring marksmanship, and wondered at his unselfishness. Major LeCroix +and Doctor Hissong were in jubilant spirits as they turned homeward. Old +Sam, the setter, limped painfully behind the doctor.</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image7.jpg" width="300" height="426" alt="image7" title="Illustration" /> +<span class="caption">"You and the doctor got your birds."</span> +</div> + +<p>"What crippled Sam?" asked the Major.</p> + +<p>"I loaned him to a young fellow from Ohio last winter," said the doctor, +"I reckon about the greenest young man that ever went into the field. He +told Brad that he didn't know when nor how to shoot at the birds, and +the old black rascal said, 'Jes' shoot whar de dawg sets,' and +unfortunately Sam got tired and sat down, and got a load of bird-shot in +his hind-legs."</p> + +<p>As they put their guns away that afternoon, Major LeCroix again examined +Shawn's cheap gun. Then came the supper of broiled birds, cooked as only +Mary could cook them, and at the table-board they went over the field +again, the work of the dogs, the Major meanwhile waxing eloquent over +the trueness of his gun.<span class='pagenum'><a name="page84" id="page84">84</a></span></p> + +<p>Shawn lay again in the old Empire bed, watching the dying embers in the +fireplace. Softly the door opened—the Major entered, a lighted candle +in one hand, and his beloved muzzle-loader in the other. "Shawn, I have +been thinking it all over; I will hunt no more, but there are many days +for you in the field, but you <i>must</i> have a gun, and I am giving you +mine." He paused at the door, held the candle aloft, the soft light +falling on his silvery hair, "Good night and pleasant dreams."</p> + +<p>And the night was filled with pleasant dreams for Shawn, for that +afternoon as he and Lallite stood upon the porch, gazing upon the wintry +stream, she drew near him and said, "It will be so lonesome tomorrow +when you are gone," and something in the tone of the voice echoed the +same words in his heart.</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page85" id="page85">85</a></span></p> + +<h2>CHAPTER XII</h2> + +<p><span class="smcap">It was</span> midwinter, and the river was frozen over. The boats had not been +running for many days, and the happiest time of all the happy days for +the young people of the river towns had come. The ponds and creeks were +forgotten in the great event of skating on the river, and for miles the +smooth surface was a speedway over which the skaters made merry +excursions. In front of Skarrow the ice was firm, and with that buoyancy +so dear to the lovers of this sport. In the afternoons the young people +from the town of Skarrow and Vincent on the opposite side, all met on +the river. All classes were there—the darkey with his big crook-runner +skates, and the young beau, with his latest style polished runners. The +two races volun<span class='pagenum'><a name="page86" id="page86">86</a></span>tarily divided the skating grounds, the white people +above, and the colored folks below.</p> + +<p>The merry jingle of sleigh-bells could be heard amid this happy throng, +and glad voices rising in a splendid chorus, echoed throughout the +valley, and many a love dream had its first awakening and sweet +realization in this joyous time. How the crisp, frosty air brought the +glow of health and beauty to the cheek; how sweet the music of maiden +voices rising upon the wintry air, and the tumbling of glossy curls +underneath the hoods and sealskin caps as they sped through the +delightful hours. Tullie Wasson was out there with his string +band—Tullie with his old black fiddle, and Jim Grey with his cornet, +and his son with his wondrous bass violin, and Tullie knew all the good +old tunes, and a few fancy waltzes and polkas, but he was at his best in +the Virginia Reel, and it was a pretty sight to see the joyous couples +ranging off to their positions for the ice dance, and what great bursts +of<span class='pagenum'><a name="page87" id="page87">87</a></span> laughter and cries of happiness swelled up when Tullie shouted, "Git +yer pardners fer a Reel!" The movements of the dance were executed with +a grace that would have done credit to the ball-room, Jimmy Dunla, the +master of ceremonies, occasionally leaving the lines to give an +exhibition of fancy skating and cutting his name on the ice.</p> + +<p>Then came the races. The towns of Vincent and Skarrow gave a cup each +skating year for the winner of the Ice Race. The race was for one +thousand yards, the starting point was at the big hay barn, and a red +flag marked the post at the end of the course. Four young men from each +side of the river were entered in this race, the event of the season. +Indiana held the cup. It had been three years since the last race. Among +those entered by the Kentucky boys was Shawn. He had been practicing for +many days, and somehow, the hopes of Kentucky were centered in him. The +winner of the last race was also entered again. He was one of the most<span class='pagenum'><a name="page88" id="page88">88</a></span> +popular boys of the Indiana town, and the betting was strongly in his +favor. He was of magnificent build, with a long, graceful stroke, and +came skating out before the crowd with the easy confidence of one who +felt that the race was won. He closely watched the Kentucky boys as they +circled about the crowd preparatory to starting for the head of the +course. His eyes were fixed on Shawn. Turning to a friend, he said, "If +I am beaten to-day, there's the young fellow who will get the cup." He +skated over toward Shawn, and extending his hand, with the utmost good +will, he said, "I'm afraid that I will have to beat my old record to win +out to-day." Shawn smilingly took his hand and answered, "We are going +to do our best, but if Indiana keeps the cup, I know of no one who would +deserve it more than you, Danner."</p> + +<p>The starter announced the race, and ordered the contestants to the head +of the course. As they gracefully swung away, Lallite waved her hand +toward<span class='pagenum'><a name="page89" id="page89">89</a></span> Shawn, and the tender glance from her blue eyes sent a thrill +into his bosom.</p> + +<p>They were forming for the start, sixty yards beyond the flag which +marked the line of starting. All was excitement in the crowd gathered on +each side near the finishing line. It seemed that every voice was hushed +as they saw the red flag at the head of the course suddenly fall, and +heard the cry, "Go!" They could see the flash of steel against the ice +as the skaters bent every effort toward the goal. After the first +hundred yards, Danner and Shawn were seen to be in the lead, Danner +almost erect and coming like a whirlwind. Shawn was bending over, but +close on Danner's heels, and with a shorter but much faster stroke. +<i>Swish</i>, <i>swish</i>, <i>swish</i>—they could hear the sound of the skates on +the ice.</p> + +<p>The Indiana crowd set up a mighty shout. "Come on, Danner! Look at +Danner!"</p> + +<p>"Come, Shawn," yelled the Kentucky boys. Old Brad ran out and threw up +his hat and shouted, "Down to it, my<span class='pagenum'><a name="page90" id="page90">90</a></span> Shawn—bust yo'se'f wide open, +honey!"</p> + +<p>Shawn was just behind Danner. They were nearing the last hundred yard +flag. Danner threw all his energy and power into the last effort; every +nerve and muscle was strained to its utmost.</p> + +<p>"Danner wins!" went up the cry, but suddenly like a rush of wind, Shawn +shot past him and the flag went down with Shawn a good five yards in the +lead.</p> + +<p>And such a mighty shout that went up on that frozen stream was never +heard before. Old Brad was rubbing Shawn's face and chest. Shawn heard +the loud huzzas and heard Danner's voice praising his wonderful race, +but best of all, Lallite came up, and with her own hand, presented him +the cup. On the shoulders the boys of Skarrow he was carried in triumph. +It was a proud day for Shawn. He had brought the cup back to Kentucky.</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image8.jpg" width="300" height="431" alt="image8" title="Illustration" /> +<span class="caption">They were nearing the last hundred yard flag.</span> +</div> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page91" id="page91">91</a></span></p> + +<h2>CHAPTER XIII</h2> + +<p><span class="smcap">The winter</span> had passed away. Shawn had been working hard in school, and +under the encouragement of Mrs. Alden, was making fair progress, but +Sunday afternoons found him in his row-boat, wandering about the stream +and generally pulling his boat out on the beach at Old Meadows, for +Lallite was there to greet him, and already they had told each other of +their love. What a dream of happiness, to wander together along the +pebbled beach, or through the upland woods, to tell each other the +little incidents of their daily life, and to pledge eternal fidelity. Oh +dearest days, when the rose of love first blooms in youthful hearts, +when lips breathe the tenderest promises, fraught with such transports +of delight; when each lingering word<span class='pagenum'><a name="page92" id="page92">92</a></span> grows sweeter under the spell of +love-lit eyes. Oh, blissful elysium of love's young dream!</p> + +<p>They stood together in the deepening twilight, when the sun's last bars +of gold were reflected in the stream.</p> + +<p>"Oh, Shawn, it was a glad day when you first came with Doctor Hissong to +hunt."</p> + +<p>"Yes," said Shawn, as he took her hand, "it was a hunt where I came upon +unexpected game, but how could you ever feel any love for a poor +river-rat?"</p> + +<p>"I don't know," said Lallite, "but maybe, it is that kind that some +girls want to fall in love with, especially if they have beautiful +teeth, and black eyes and hair, and can be unselfish enough to kill a +bag of game for two old men, and let them think that they did the +shooting."</p> + +<p>"Lally, when they have love plays on the show-boats, they have all sorts +of quarrels and they lie and cuss and tear up things generally."</p> + +<p>"Well, Shawn, there's all sorts of love,<span class='pagenum'><a name="page93" id="page93">93</a></span> I suppose, but mine is not the +show-boat kind."</p> + +<p>"Thank the Lord," said Shawn.</p> + +<p>He drew out a little paste-board box. Nestling in a wad of cotton, was +the pearl given to him by Burney.</p> + +<p>"Lally, this is the only thing I have ever owned in the way of jewelry, +and it's not much, but will you take it and wear it for my sake?"</p> + +<p>"It will always be a perfect pearl to me," said the blushing girl.</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page94" id="page94">94</a></span></p> + +<h2>CHAPTER XIV</h2> + +<p><span class="smcap">Doctor Hissong</span> was announced as a candidate for the Legislature. John +Freeman, his opponent, was making a vigorous canvass for the nomination +before the democratic primary. Freeman, unfortunately, saw fit to inject +personalities into the campaign, and sought to throw the old doctor into +a violent passion, possibly leading him to his old weakness of resorting +to liquor, but Doctor Hissong made his canvass upon a high plane, +appealing to the voters from a standpoint of the duties and +responsibilities involving this honor, and ignoring the petty thrusts of +his opponent.</p> + +<p>Major LeCroix gave a burgoo at his locust grove on the river, to which +all the candidates were invited. It was<span class='pagenum'><a name="page95" id="page95">95</a></span> an occasion which brought out +an immense crowd of farmers and town-people. "Turkle" Thompkins had been +engaged to make the burgoo, and the river country could not boast of +another such burgoo maker as "Turkle", for the making of burgoo soup +requires an experience born of long practice and care. Thompkins always +selected the best meats, of beef, mutton, chickens and squirrels, and +vegetables of corn, tomatoes, onions, cabbage and potatoes. The boiling +of this delicious soup was begun the night before. Darkies were stirring +the great kettles as "Turkle" went quietly around, adding some new +ingredient here and there. Others could make burgoo—a certain kind, but +not the Thompkins kind, for there was a lusciousness about his burgoo +that filled you with a satisfaction never known before—a something that +soothed your aching pangs—something that seemed to put your heart at +rest with all the world, and recall the words, "Fate cannot harm me; I +have dined to-day."<span class='pagenum'><a name="page96" id="page96">96</a></span></p> + +<p>Above the smoke of the kettles, the sky was blue and dreamy; the river +was winding like a thread of silver through the quiet valley. The long +table of rough boards, with the row of tin cups and great stacks of +bread, was an inviting spectacle. The farmers stood around in groups, +discussing political questions and cropping prospects until "Turkle" +Thompkins announced dinner. Then came a merry clattering of tin cups as +"Turkle" came by with buckets of burgoo<ins class="correction" title="original: not present">,</ins> dipping it out with a long +ladle. What an appetite each individual seemed to develop for this +open-air repast. After the dinner, preparations were made for the +speaking. The spot selected for the speaking was below the grove, where +an elm stump answered for a platform.</p> + +<p>The candidates for the county offices were called for, and each one made +a short talk, asking the support of the voters. Doctor Hissong's name +was shouted. Unbuttoning his long blue coat, he drew forth a large red +silk handkerchief and wiped the gathering beads<span class='pagenum'><a name="page97" id="page97">97</a></span> of perspiration from +his forehead. Pulling down his black velvet vest, he made a courtly bow, +took a drink of water from a gourd and began:</p> + +<p>"Gentlemen and fellow citizens—It gives me transcendent happiness and +unalloyed pleasure to lend my humble presence to this sublime and +significant occasion, and I cannot permit this occasion to pass without +availing myself of the opportunity that this magnificent and intelligent +audience affords of presenting myself to you as the candidate for the +democratic nomination for the office of representative in the Kentucky +Legislature. It has been the pride of my life to proclaim myself as a +patriot; that I am a descendent of one who helped to make this country +free—'decori decus addit avoto,' and I have felt that the realization +of this patriotism and its dream that has clung to me through life, +would be in getting a system of locks and dams on the Kentucky +river—that river that winds through an enchantment of rocky cliffs and +hanging<span class='pagenum'><a name="page98" id="page98">98</a></span> foliage; by mountains, cedar-tipped and mossy-green; by rolling +meadows, where the velvet softness of the blue-grass enriches this +idyllic picture—this stream that is famed in song and story, a perfect +Switzerland of enrapturing and delicious beauty. Here a thundering +waterfall and fragile foliage bending over the foam. Here cool and shady +ravines leading up to tranquil Edens, the voluptuous bends through an +enchantment of bloom and wildwood, losing themselves among the +rock-ribbed hills. This stream, bathed in the effulgence of the dropping +sun—the mingling afterglow of sunset and the primrose bloom of the +first stars, unfolds then with its majestic splendors to the enraptured +gaze. We are held spell-bound, my friends, as we see the bright moon +riding the hilltops and shining overhead,</p> + +<table summary="poetry"> +<tr> +<td><ins class="correction" title="original: reversed">"'</ins>The bright moon shining overhead,<br /> +<span style="margin-left: 1em;">The stream beneath the breeze's touch,</span><br /> +Are pure and perfect joys indeed,<br /> +<span style="margin-left: 1em;">But few are they who think them such.'"</span></td> +</tr> +</table> + +<p><span class='pagenum'><a name="page99" id="page99">99</a></span></p> + +<p>The rough and rocky points are softened under the magic and seem to lean +lovingly toward the stream. Ah, to keep all of this loveliness stored +from human eye—I mean to lock and dam this stream for all humanity who +wish to journey thence and revel amid these splendors. 'Sic passem; +semper idem.' Not one measly lock and dam, but a system of locks by +which navigation could be advanced from the mountains to the Ohio, +developing the great resources of that wonderous possibility, wherein +the bema procliamus of nature we might find another Arch of Hadrian, or +the Tower of the Winds; where mountain peaks may rise like unto the +temple of Olympian Zeus, or the far away monument of Philopappos. Yes, +gentlemen, I stand for locking and damming the Kentucky river! 'Civis +Romanus Sum' was the proud utterance of the noble Roman, and the +proudest of that proud and conquering race never proclaimed himself such +with greater delight than I, that I am an American and a Democrat. With +my feeling of<span class='pagenum'><a name="page100" id="page100">100</a></span> patriotism runs my devotion to the democratic party. But, +gentlemen, in saying that I am a Democrat, brings forward the great +existing issues between the two leading parties of the country. I might +go into a long discussion of the principles of those two parties, but in +a nutshell I can define the differences of such vital import to the +voters of this land. The principles of the Democratic party +represent—er, well, they represent the principles which that great +party stands for, and the principles of the Republican party, ahem! Yes, +sir, gentlemen, the principles of the Republican party represent the +principles for which the Democratic party won't stand! So there you have +it, and I defy any man to dispute this argument. I will not go into +discussion of its principles here. I have sought public preferment at +the hands of my party, but 'Ego, spembat pretio nionemonio,' sometimes +that preferment was accorded, at least, upon one occasion. No man has a +right to complain when, under any form of government, the<span class='pagenum'><a name="page101" id="page101">101</a></span> people +withhold their indorsement, but every citizen has a right to complain if +the downfall of an aspirant is accomplished by foul and unfair means," +(this last statement was made while looking toward Freeman). "I have +passed practically all of my life in your midst. A man should be honest, +with a courage to face the great truths opening to him."</p> + +<p>Freeman interrupted him at this point, "A man should be courageous +enough to own his own children!"</p> + +<p>"You sneaking hypocrite!" shouted Doctor Hissong, "You let one of your +own sisters die in poverty and distress!"</p> + +<p>"You are a damned liar!" said Freeman.</p> + +<p>Doctor Hissong leaped from the stand, a derringer in his hand. The crowd +fell back. Freeman fired point-blank at Hissong, but missed, then turned +to run. Doctor Hissong brought up his derringer and pulled the trigger. +Old Brad shouted, "You got him in de laig, doctah, but he runnin' yit!" +Freeman's son, Henry, the one who kicked Coaly that<span class='pagenum'><a name="page102" id="page102">102</a></span> day in school, +caught up his father's pistol which had fallen to the ground, but as he +turned toward Doctor Hissong, Shawn sprang forward, knocking the +revolver from his hand.</p> + +<p>The older men separated the younger combatants, and the crowd broke up +and turned homeward.</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page103" id="page103">103</a></span></p> + +<h2>CHAPTER XV</h2> + +<p><span class="smcap">The town</span> marshall of Skarrow was a very busy man the next morning after +the burgoo, serving warrants on Doctor Hissong and Freeman, summoning +witnesses and a jury, and getting men to serve on a jury in a small +town, where two of its foremost citizens are to stand trial, is a matter +of considerable difficulty. Freeman had only received a slight flesh +wound, and was not confined to his home.</p> + +<p>Court was held in the office of Judge Budlong, who acted as prosecuting +attorney, magistrate, writer of wills and general collector of accounts +and rents. An occasional runaway couple, seeking the marriage bond, +added a few dollars to his bank account, for the Judge had a +happy-go-lucky ceremony which did not impress nor detain a restless +lover too<span class='pagenum'><a name="page104" id="page104">104</a></span> seriously with the sanctity of the occasion. There were a few +law books on the table, a heavy tool-chest, where the Judge kept a jug +of white corn whiskey under lock and key. The police Judge, a sort of +hanger-on about town, put a coal of fire in his pipe and said, +"Gentlemen, air you ready to try this case?"</p> + +<p>Budlong arose and balanced his ponderous form against the table, holding +a law-book in his hand. The tuft of whiskers on his chin seemed to +quiver into an accompaniment to his words. He began reading in a deep +voice: "Gentlemen of the jury, to enlighten you as to the nature of this +case, I shall read to you under Subdivision V, Section 1165, Kentucky +Statutes: 'If any person shall by fighting, or otherwise unlawfully pull +or put out an eye, cut or bite off the tongue, nose, ear or lip, or cut +or bite off any other limb or member of another person, he shall be +confined in the penetentiary for not less than one, or more than five +years'."<span class='pagenum'><a name="page105" id="page105">105</a></span></p> + +<p>"That law don't seem to apply to this case," said the police-Judge.</p> + +<p>"Shut up," said Budlong, "I ain't through. What do you know about law, +anyhow?"</p> + +<p>"I ain't very strong on tecknickelties," said the police-Judge, "duly +elected by the voters of this town, I am the Court, and as such I +perpose to perside, and I demand, sah, your respectful recognition of +that fact."</p> + +<p>"Duly elected," said Budlong, "because nobody else would have it. But, +gentlemen of the jury, I shall read you Section 1166, which is as +follows, 'If any person shall draw and present a pistol, loaded with +lead or other substance, or shoot at and wound another with the +intention to kill him, so that he does not die thereby, he shall be +confined in the penetentiary not less than one, or more than five years. +There's your law, gentlemen. Call the first witness!"</p> + +<p>"Bill Shonts!" called the marshall. Bill came to the chair.<span class='pagenum'><a name="page106" id="page106">106</a></span></p> + +<p>"What's your name?"</p> + +<p>"W'y, Jedge, you know my name."</p> + +<p>"Answer my question. What's your name?"</p> + +<p>"Bill Shonts."</p> + +<p>"Where do you live?"</p> + +<p>"Sho, Jedge, you've knowed me all my life!"</p> + +<p>"That ain't the question. You answer accordin' to the custom of the +court."</p> + +<p>"I want you to state what you know about this case."</p> + +<p>"Directly, or indirectly, Jedge?"</p> + +<p>"Where was you when this difficulty started?"</p> + +<p>"Well, sir, I was not in any one certain spot, directly, but indirectly, +I was jest beginnin' to—"</p> + +<p>"State where you was at!" thundered Budlong.</p> + +<p>"Well, sir, jest at the time of this difficulty, I was jest beginning to +take a nap—"</p> + +<p>"Do you mean to say that you was asleep?"</p> + +<p>"Not directly, Jedge, but—"</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image9.jpg" width="300" height="436" alt="image9" title="Illustration" /> +<span class="caption">"W'y, Jedge, you know my name."</span> +</div> + +<p><span class='pagenum'><a name="page107" id="page107">107</a></span></p> + +<p>"Where was you when the damn lie passed?"</p> + +<p>"Jest beginning to move."</p> + +<p>"Did you see Doctor Hissong draw a pistol?"</p> + +<p>"No, sir, not directly."</p> + +<p>"Did you hear a shot?"</p> + +<p>"Yes, sir."</p> + +<p>"Where was you then?"</p> + +<p>"Ramblin' away, sir."</p> + +<p>"What do you mean by <i>ramblin' away</i>?"</p> + +<p>"Runnin', flyin', hittin' the dust."</p> + +<p>"Then you don't know who fired first?"</p> + +<p>"No, sir, not directly."</p> + +<p>"Call Jerry McManus," said Budlong. A red-faced, jovial-looking Irishman +took the chair.</p> + +<p>"Where were you when this trouble started, Jerry?"</p> + +<p>"Under a sycamore tree, asleep."</p> + +<p>"Had you been drinkin'?"</p> + +<p>"Yis, sor, thot is to say, accordin' to the liberties av a mon injoyin' +the soshabilities av good company."<span class='pagenum'><a name="page108" id="page108">108</a></span></p> + +<p>"Did you hear the <i>dam lie</i> pass?"</p> + +<p>"No, sor, I heard no footsteps av iny sort."</p> + +<p>"Did you hear a shot from where you lay?"</p> + +<p>"There wor no shot from where I lay. If there wor iny shot from where I +lay, thin I wor already half-shot."</p> + +<p>"Wasn't you in a state of intoxication?"</p> + +<p>"I wor in the state of Kintucky."</p> + +<p>"Stand aside," said Budlong, "Call the next witness." One by one the +witnesses gave their testimony, varying according to the friendly +feeling for the men on trial. At last, Budlong said, "Call Brad +Jackson." Old Brad got in the witness chair and gazed listlessly at the +ceiling.</p> + +<p>"Brad, was you present when this difficulty started?"</p> + +<p>"No, sah."</p> + +<p>"Where was you?"</p> + +<p>"In de grove, eatin' soup."</p> + +<p>"Where was you when the lie passed?"</p> + +<p>"On my way to Doctor Hissong."</p> + +<p>"State to the jury what you know about this case."<span class='pagenum'><a name="page109" id="page109">109</a></span></p> + +<p>"Yassir, genelmun, hit remine me uv de time when Kernel Poindexter an' +Mistah Fontaine had a quarrel ovah a fox-chase down in Baton-Rouge—"</p> + +<p>"Confine yourself to the case," said Budlong.</p> + +<p>"Yassir, thankee, Jedge, en Kernel Poindexter he 'low dat his dawg, +Watercress wuz in de lead, full yelp at de crossin' 'buv de bayou—"</p> + +<p>"I don't care nothin' about that fox-chase," shouted Budlong, "You tell +the court what you know about this case."</p> + +<p>"Yassir, I'm tryin' to, Marse Jim—en Mistah Brandon Fontaine, you know, +he want one er de ole quality in dat naberhood, he sorter drap in dar, +en pick up a lot er money by sorter tradin' en watchin' 'roun' de edges, +en a kine uv cotton swapper, en wo' fine duds en' de bigges' watch-chain +yo' ever see—"</p> + +<p>"Judge, will you pull that old nigger back to this case?" said Budlong.</p> + +<p>"In due time, sah, in due time," said the police-Judge, who wanted to +hear the outcome of Brad's story.<span class='pagenum'><a name="page110" id="page110">110</a></span></p> + +<p>"Yassir, en Mistah Brandon Fontaine en Kernel Poindexter, dey met in +front uv de post-office, en Mistah Brandon Fontaine he smokin' a long, +black seegar, en one foot crossed on tuther, en when Kernel Poindexter +come up, Mistah Fontaine say, 'Yo' dawg cut thru en got in de lead,' en +Kernel Poindexter, he look jes ez cool ez a cabbage-leaf, en he say, +'Hit's a scan'lous lie, frum low trash!' Kernel Poindexter done turned +white en his eye wuz all glitter—"</p> + +<p>"I told you, for the last time, to tell what you know about this case!"</p> + +<p>"Yassir, easy, Marse Jim. Gimme a chanst. En Mr. Brandon Fontaine kinder +thode hi han' behine him, en' Kernel Poindexter crac' erway at him en +bust a bottle uv whiskey inside his pocket en dis hyar Mistah Fontaine, +he showed de <i>yaller</i> jes' lak Mr. Freeman did yestiddy, en he rin so +fas' dat yo' could play checkers on his coat-tail!"</p> + +<p>"Stand aside," roared Budlong.</p> + +<p>The case went to the jury. That august body retired to deliberate. The<span class='pagenum'><a name="page111" id="page111">111</a></span> +stragglers near the window heard hot words and wrangling in the +jury-room. In the course of an hour, the door opened and the jury filed +in.</p> + +<p>"Have you reached a verdict, gentlemen?"</p> + +<p>"We have," said the foreman.</p> + +<p>"What is it?"</p> + +<p>"We don't find no evidence to convict nobody."</p> + +<p>"So help me, Caesar!" said Budlong.</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page112" id="page112">112</a></span></p> + +<h2>CHAPTER XVI</h2> + +<p><span class="smcap">John Burney</span> was clearing away the wreck of a coal-barge that had drifted +under the lower edge of the wharfboat. The water had fallen, leaving +part of the barge on shore. Burney had used every known method in trying +to remove the wreckage. Old Pence Oiler came by and walked up to the +heavy mass of timbers and called to Burney, "John, she's too wet to +burn, and there ain't but one way to git her off, an' that's to lay a +stick of dynamite under the front end, give her a slow fuse and blow her +out."</p> + +<p>Burney called to Shawn, who was on the bank, and asked him to go down to +Bennett's mill and get a stick of dynamite, and Shawn, desirous of +seeing the blast, hastened on the errand.</p> + +<p>"Be careful how you handle that<span class='pagenum'><a name="page113" id="page113">113</a></span> goods," said Bennett, "I knowed a +feller once who left some of it layin' around, and a hog et it, and the +man kicked the hog and lost a leg!"</p> + +<p>Shawn helped Burney to place the stick, unmindful of one of Coaly's +never-failing traits. Shawn had taught him, as a young dog, to carry +things from the boat in his mouth, and faithful Coaly could be sent back +for his glove or any small article left behind. The little dog stood +watching Shawn and Burney as they placed the stick and touched the fire +to the fuse.</p> + +<p>"Run, Shawn!" yelled Burney.</p> + +<p>Old man Oiler backed his boat out into the stream, and Shawn and Burney +ran up the shore.</p> + +<p>Horror of horrors! When Burney turned to look back toward the wreckage, +he saw Coaly coming after them with the dynamite stick in his mouth, the +fire slowly creeping up the fuse.</p> + +<p>"Go back, Coaly! Go back!" yelled Burney. He threw a boulder at the +little dog, but he came on. Burney ran<span class='pagenum'><a name="page114" id="page114">114</a></span> for the willows under the bank +as Coaly quickened his pace. Shawn had taken refuge in an old saw-mill +and peered out, wringing his hands in an agony of suspense. Burney was +breaking down the dry willows and yelling, "Go back, Coaly!"</p> + +<p>Suddenly, there was a loud report that shook the earth. The ground was +torn up and bark and driftwood were scattered everywhere. Shawn and +Burney ran up, but there were no signs of Coaly, not even a trace of +bone, hide nor hair. Coaly had returned to the original atoms of +<ins class="correction" title="original: atmoshpere">atmosphere</ins> and nothingness.</p> + +<p>Shawn sat upon a log and wept. Pence Oiler came up, cut a piece of +tobacco from his plug and said, "There's nothin' to bury—not even a +tooth."</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page115" id="page115">115</a></span></p> + +<h2>CHAPTER XVII</h2> + +<h3>THE STATES AND THE AMERICA</h3> + +<p><span class="smcap">The winter</span> days had come again, and the year was fast drawing to its +close. Doctor Hissong had been elected to the Legislature, and was +making arrangements to leave for Frankfort the first of January. Shawn +was in school, growing into a handsome and athletic young man of +eighteen years, with the light of health glowing in his eyes, and with +an honest purpose in his heart.</p> + +<p>One morning Mrs. Alden sent word to him to call at her home after the +school hour. Shawn went up there in the afternoon. The good woman +greeted him with a smile and bade him be seated by the library fire.</p> + +<p>"Shawn, I have sent for you, purposely, to ask a great favor."<span class='pagenum'><a name="page116" id="page116">116</a></span></p> + +<p>The black eyes beamed the sincere impulse of his heart, as he turned to +her and said, "Mrs. Alden, it would make me happy to do something for +you."</p> + +<p>"I am going to Cincinnati on the boat to-night, Shawn. I am going there +to see a great specialist, and I would like very much for you to go with +me."</p> + +<p>"It will give me pleasure to go," said Shawn.</p> + +<p>Shawn met Mrs. Alden's carriage at the wharfboat, and exerted himself to +make her as comfortable as possible until the arrival of the up-stream +boat. At 8.30 o'clock the wharfmaster came into the little waiting-room +and said, "The America will soon be here."</p> + +<p>In a short time the great steamer drew up to the wharf, and Shawn, +supporting Mrs. Alden's frail form with his strong arms, went up the +steps and into the cabin. The chambermaid placed Mrs. Alden's chair in +the ladies' cabin, and Shawn went off to select a convenient and +comfortable stateroom.</p> + +<p>The cabin presented a scene of merri<span class='pagenum'><a name="page117" id="page117">117</a></span>ment. Under the gleaming lights +were a hundred happy couples, dancing away the gladsome hours. The +strains of music swelled and floated far out into the night, and the +joyous voices mingled with the changing melodies.</p> + +<p>Shawn sat near Mrs. Alden, and together they gazed upon the gay throng +and enjoyed the inspiriting music. Far below, in the engine-room, the +lights glimmered over the polished machinery. The engineer glanced +occasionally at his steam-gauge and water-cocks. The negro firemen were +singing a plantation melody as they heaved shovels of coal into the +glaring furnace under the boilers. Roustabouts and deck-hands were +catching short rounds of sleep in their bunks back of the engine-room. +Sitting on either side of the boiler, were "deck passengers," those too +poor to engage passage in the cabin, and here and there, tired children +lay asleep across their mothers' knees.</p> + +<p>In the pilot-house, Napolean Jenkins, the head pilot, stood with his +hand on the<span class='pagenum'><a name="page118" id="page118">118</a></span> spokes of the wheel, gazing with the eyes of a night-bird +on the outlines of shore and hill. Mann Turpin, his steersman, stood at +the right of the wheel. Jenkins knocked the ashes from his cigar, and +the glow from the deep red circle of tobacco fire momentarily radiated +the gloom of the pilot-house. The night was serene and clear, the full +moon shining and shedding her dreamy light over the sleeping, snow-clad +valley, and the silvery rays filtered through the clustering branches of +the towering trees. As the great boat swung along past a farm-house, +Jenkins heard the shrill, alarming cry of a peacock. Strains of music +came floating upward from the cabin. The grim, black smoke-stacks were +breathing heavily, and the timbers of the Texas trembled as the boat +came up under the high pressure of steam.</p> + +<p>The lights of Wansaw were just around the bend. Jenkins blew a long +blast for the little town. The sound echoed and re-echoed among the +wooded hills. The farmer in his bed on the silent shore<span class='pagenum'><a name="page119" id="page119">119</a></span> turned on his +pillow as the deep, sonorous sound fell upon his ear—the sweet, weird +music of the stream.</p> + +<p>Jenkins made the landing, and heading his boat for the middle of the +river, made a long crossing for the Indiana shore.</p> + +<p>"It's a fine night," said Turpin.</p> + +<p>"Beautiful," said Jenkins.</p> + +<p>He turned and gazed toward the stern of his boat as she swung into the +clear and squared herself for the point of the bend. The moonbeams +glittered and danced on the waves in the wake of the steamer, and the +rays touched the snow on the hills with diamond sparks. The tall +sycamores on either side stood clearly outlined against the wintry sky, +and the white corn-shocks on the distant ridge were silhouetted like +Indian wigwams. Here and there a light glimmered from some cabin window, +and a dog barked defiance at the boat as it sped up stream.</p> + +<p>"The States ought to be about due," said Turpin.</p> + +<p>"I think I hear her now," said Jenkins.</p> + +<p>When they got up to the point of the<span class='pagenum'><a name="page120" id="page120">120</a></span> bend where they could see up the +river, they saw the States coming down. From her forward smoke-stacks +were the signal lights of emerald green and ruby red, trembling in +delicate brilliancy against the background of silvery sky. The splash of +her ponderous wheels as they churned the water, seemed to vibrate into a +song of gathering power. When the two boats were about eight hundred +yards apart, Jenkins turned to Turpin and said, "Blow two blasts; I'll +take the left side." Turpin sounded the blasts, and Jenkins headed for +the Indiana shore. Jacob Remlin, the pilot on the States, blew one blast +of his whistle just as Turpin sounded the first signal on the America. +Jenkins on the America, did not hear Remlin's one signal, because it +sounded at the same time of the first signal from the America. Remlin on +the States, heard the last one of the signals from the America, taking +it for an answer to his own signal, and he also headed his boat for the +Indiana shore. Both men violated the rules of signals. Remlin<span class='pagenum'><a name="page121" id="page121">121</a></span> should +not have blown any signal until he heard from the up-stream boat, and +Jenkins, not hearing any signal from the States, should have stopped his +boat. Jenkins was standing on the starboard side, that placing him +behind the chimney, and he did not see the States until she came out +across his bow.</p> + +<p>"My God!" shouted Turpin, as he saw the States bearing down upon them +like some ferocious monster, "We're lost!"</p> + +<p>The boats came together with a fearful crash. The smoke-stacks groaned +and hissed, and great clouds of smoke rolled over the scene. The first +shock of the collision brought a sudden check to the dancing on the +America, throwing many to the floor and mixing up the whole assembly +into a confused mass. Heads were peering through the transoms of the +staterooms and voices excitedly calling, "What's the matter?" John +Briscoe, the watchman, came hurriedly through the cabin and said, "The +States and the America have run into each other!"</p> + +<p>The strains of music had ceased giving<span class='pagenum'><a name="page122" id="page122">122</a></span> way to anxious inquiries on +every side. The officers of the boat were running to and fro, giving +orders, the negro cabin-boys adding to the chaos of the scene by loud +and far-reaching cries.</p> + +<p>On the roof, the Captain was giving orders to Jenkins: "Come ahead, +outside!" Jenkins pulled the bell-rope and the brave engineer responded +to the order. The boats had swung a short distance apart, the States +rapidly sinking. Jenkins put the America up between the States and the +shore. The States was carrying, as freight, a lot of barrels of coal-oil +and gasoline, and in the collision these were smashed and the gasoline +caught fire and in a few moments the sinking boat was all ablaze +forward.</p> + +<p>Jenkins groaned as he saw the fire, for the flames had already swept +over upon the America, and he saw that his boat was also doomed. The bow +of the America was almost touching the gravel, and believing that he had +his boat safely on shore, Jenkins hurriedly left the pilot-house. +Charles Ditman, the other head<span class='pagenum'><a name="page123" id="page123">123</a></span> pilot of the America, off watch, ran up +into the pilot-house and catching the wheel, rang for reversed engines, +and backed the boat out into the river, away from the States, but his +action was miscalculated, for fire had broken out on the America, and +great sheets of flame were leaping from her forward decks and guards. +Had the boat held the position in which Jenkins had placed her, all the +passengers might have escaped. Officers and crew were cutting away +timbers with axes and dashing water upon the fire, but the great +crackling tongue of flame licked up everything in its pathway. The +heavens shone like a great, golden mirror under the spreading blaze. The +burning oil flowed out over the water and flamed up across every avenue +of escape. From out the black clouds of smoke, great sheets of flame +burst through, rolled heavenward, and leaped down again like some +devouring demon.</p> + +<p>In such a transformation from pleasure to horror, who can discern the +turning impulses within the human breast—of<span class='pagenum'><a name="page124" id="page124">124</a></span> fear, of hope or of heroic +self-control? To some, such a moment brings hopeless despair, or frantic +terror, which will crush women and children and crowd them from places +of safety, and oftimes in such an hour there comes to those of otherwise +timid dispositions, a grandeur of heroism never evidencing itself +before; some latent, slumbering power of soul that can only be awakened +by some fearful test of human tragedy.</p> + +<p>From the burning boats came wild cries, shrieks and screams. Some were +kneeling in prayer, others cursing and bemoaning their plight. Dr. +Fannastock, a millionaire manufacturer from Philadelphia, clasped his +beautiful daughter in his arms and cried, "I will give one hundred +thousand dollars to the one who saves my child!" Both were lost. Ole +Bull, the famous violinist, who had taken passage at Louisville, stood +quietly holding his violin case, calmly endeavoring to reassure the +frightened women and children. The fire was fast approaching the rear +cabin.<span class='pagenum'><a name="page125" id="page125">125</a></span></p> + +<p>Shawn stood by Mrs. Alden's side, buckling a life-preserver around her +body. "I'm trusting in God, Shawn," said the good woman, as a ghastly +pallor overspread her face.</p> + +<p>"Put a little of that trust in me," said Shawn as he bore her in his +arms to the aft guards. Hurriedly passing down the back stairs, he went +through the engine-room to the rear end of the boat. They were lowering +the trailing-yawl, which swung on a level with the floor of the lower +cabin. As the yawl touched the water, a score of roustabouts started to +leap into it.</p> + +<p>"Stand back there!" shouted Shawn. "These women and children must go +first."</p> + +<p>Shawn lowered himself into the yawl, and catching Mrs. Alden with both +hands, placed her on a seat in the stern of the boat. The fire was +gaining headway and black volumes of smoke were rolling from the +engine-room. Ole Bull, with a countenance pale, but noble in its +expression of high courage, tenderly low<span class='pagenum'><a name="page126" id="page126">126</a></span>ered the women and children +into the boat. Shawn took each one and placed them as closely as +possible on the seats.</p> + +<p>"Get aboard," he said to the musician. Shawn pushed the yawl away from +the burning boat, and seating himself with the oars, began the fight for +the shore. Great sparks from the burning timbers fell about them. The +cabin of the America toppled and fell with a crash, and as the burning +portions struck the water the waves seemed to hiss as if seeking some +struggling soul. The clamor had become deafening; men were leaping into +the water and hoarse cries rang out above the flames.</p> + +<p>Shawn was bending to the oars, his long boating practice now standing +him in good stead. The fumes from the burning oil were almost +unbearable, threatening to suffocate the occupants of the yawl. Thirty +yards away was the shore. The muscles in Shawn's arms were straining to +their utmost. The heavily laden boat was almost dipping water.</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image10.jpg" width="300" height="429" alt="image10" title="Illustration" /> +<span class="caption">The Cabin of the <ins class="correction" title="original: American">America</ins> fell with a crash.</span> +</div> + +<p><span class='pagenum'><a name="page127" id="page127">127</a></span></p> + +<p>"Sit steady, everybody!" cried Shawn. He turned and gazed toward the +shore, and then put all his strength into the oars and ran the boat upon +the shore. The occupants leaped out, giving joyful expressions for their +safety. Shawn wrapped Mrs. Alden in his coat and carried her from the +boat. On the bank was a log-cabin, from which a light shone. Hastening +thither, he found the door open and a wood-fire burning in the +fireplace, the family having gone to the scene of the disaster. Shawn +placed Mrs. Alden in a chair and said, "Try to make the best of it until +I return; I'm going back to save all I can."</p> + +<p>"May God watch over you," sobbed Mrs. Alden.</p> + +<p>Shawn sprang into the yawl and pushed out into the stream, and the work +he did that night in saving struggling beings, is still talked about +along that river. The boats were burning to the water's edge, and along +the shore were sobs and groans from those who had reached land; cries of +anguish from those who<span class='pagenum'><a name="page128" id="page128">128</a></span> had lost their loved ones. Oh, the suffering of +that winter night! Children with blistered limbs, crying for mothers +whose voices were hushed beneath the stream; old men writhing in cruel +pain, moaning in piteous tones; young men with folded arms hearing again +the last sad cries of sweethearts as they were torn from them.</p> + +<p>Shawn went back to the log-house and found Mrs. Alden in tears.</p> + +<p>"Oh, my dear boy, if I were only strong enough to go among those +suffering ones. God has been kind to give me strength to pass through +this ordeal, but I am helpless to aid others."</p> + +<p>Shawn stood by her chair; the frost had coated his dark hair, his cheeks +seemed aflame from the exertion through which he had passed.</p> + +<p>The news of the disaster traveled fast.</p> + +<p>The Alice Lee, coming up from Madison, stopped at all of the villages +and took aboard doctors and those volunteering to help. At midnight they +arrived at the scene of the terrible catas<span class='pagenum'><a name="page129" id="page129">129</a></span>trophe. One of the first +passengers to step ashore was Doctor Hissong, Brad Jackson just behind +him. The old doctor had his saddle-bags and instrument case, and Brad +carried a roll of bandages.</p> + +<p>"I wonder if they're still alive, Brad?" said Doctor Hissong. Old Brad's +heart was heavy with forebodings, but suddenly he gave vent to a yell +that nearly upset the nerves of Doctor Hissong: "Fo' Gawd, doctah, +yondah's Shawn!"</p> + +<p>Shawn came up, and the old doctor threw his arms around him and cried +for joy. "Is Mrs. Alden alive, Shawn?"</p> + +<p>"All right," said Shawn, as he pointed toward the cabin. Doctor Hissong +hastened to the cabin, and when he came up to Mrs. Alden he bent over +her hand and kissed it with a beautiful reverence.</p> + +<p>"Thank God for saving you," he said.</p> + +<p>"And Shawn," gently added Mrs. Alden.</p> + +<p>The survivors went aboard the Alice Lee and the injured and the dead +were also taken on board. Doctor Hissong<span class='pagenum'><a name="page130" id="page130">130</a></span> and the other doctors gave all +their time toward alleviating the sufferings of the unfortunate ones.</p> + +<p>When the boat reached Skarrow, it found Mrs. Alden's carriage at the +wharf. Shawn and Brad carried her to it. She turned to Doctor Hissong +and said, "Bring as many of the injured as you can to my home, and those +in need of clothes or assistance in any way."</p> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page131" id="page131">131</a></span></p> + +<h2>CHAPTER XVIII</h2> + +<p><span class="smcap">The passing</span> of five years over a country village generally brings but +little change in the existing conditions, but even in this prosaic +atmosphere of easy going methods and action, the calendar marks some +days and events of more than passing notice.</p> + +<p>Doctor Hissong had served his term in the Legislature, and proudly +pointed to his record in passing the bill for the construction of extra +locks and dams on the Kentucky river.</p> + +<p>Shawn was attending lectures at the Medical College in Louisville, +Doctor Hissong acting as his preceptor and paying all the expenses +necessary to his medical education, and now that <ins class="correction" title="original: the">he</ins> had been two years +in school and was nearing the end of the course, Shawn felt that life<span class='pagenum'><a name="page132" id="page132">132</a></span> +held out a hope for him far beyond the dreams of his earlier years, and +his breast swelled with gratitude to those who had shown him such +friendship and confidence; to the kind old doctor, who trusted him to +his every word and deed, and to Mrs. Alden, who wrote him such beautiful +and touching letters, reminding him of his duty to God and his +fellow-men, and as he laid each one of her letters aside, it seemed that +a newer strength and some higher motive filled his heart.</p> + +<p>And there were other letters whose coming he anxiously awaited. The +small, round handwriting on the envelope sent the glow of happiness into +his eyes; the dear, sweet letters from Lallite, with marginal notes in +every conceivable nook and corner of the page; the dainty tid-bits of +love. When these letters came, Shawn took them and wandered down to the +stream he loved so well. Lallite seemed associated with the murmuring +ripples, the tiny pebbles of the beach, and the shimmering bosom of the +river. <span class='pagenum'><a name="page133" id="page133">133</a></span>As he sat near the drowsy rumbling falls with her letter in his +hand, it seemed that the river flowing past breathed some tender message +from the village above and linked his heart into a closer and fonder +memory of sweeter hours. And these letters laden with love's tender +offerings, with here and there some whisperings of loneliness, some +unlooked-for digression embracing the gossip of the neighborhood, or +some delicious speculation as to his fidelity and love.</p> + +<p>One day, just about three weeks before his graduation, as he sat at the +dinner table, a servant came in and placed a telegram beside his plate. +Shawn opened the envelope and read, "Come home at once. Dave Budlong."</p> + +<p>Something seemed to almost paralyze his heart-strings; some terrible +apprehension took possession of him. His mother? Mrs. Alden? Lallite?</p> + +<p>Through the long, dragging hours which followed until the evening +mail-boat started up the river, he wandered in an agony of suspense.<span class='pagenum'><a name="page134" id="page134">134</a></span></p> + +<p>The river had lost its charm, and the strains of music from the +orchestra on the boat, fell on his ears in saddened tones. He walked the +hurricane deck, and bent his gaze upon the distant river bends, as +counting the dragging miles. At midnight the boat reached Skarrow. Dave +Budlong, the old lawyer, was there to meet Shawn. Shawn grasped his hand +and eagerly asked, "Tell me what is the matter!"</p> + +<p>"Doc' Hissong is very low and has been calling for you ever since last +night," said Budlong.</p> + +<p>They went up the hill to the office. Old Brad met them at the door, +"Praise Gawd, you've come, Shawn—he gwine mi'ty fas'—he nearin' de +Valley uv de Shadder." Shawn went in, and as he saw the old doctor's +white head on the pillow, the tears gushed from his eyes. He went to the +bedside and took the old physician's hand.</p> + +<p>"Doctor, it's Shawn; I've come."</p> + +<p>A glad beam came into the fast-closing eyes, and the feeble voice +struggled into<span class='pagenum'><a name="page135" id="page135">135</a></span> a fitful tone, "Shawn, my boy, God has forgiven me—I +don't know how it may be—I've tried to think it out, but somehow I feel +that in the long journey I must now take alone, that God will let the +light burn for me—I've remembered you, Shawn."</p> + +<p>The head sank back upon the pillow. Old Brad was sobbing in the corner. +From the hill came the weird tones of a whip-poor-will, and from the +far-away bend of the river, the echoes of a steamer's wheel. The moon +shot a beam of light through the window and the rays seemed to rest +tenderly upon the calm and gentle face. Doctor Hissong's spirit had +flown.</p> + +<p>"Clear the room," said Budlong, "I want to speak in private with Shawn."</p> + +<p>Taking a paper from his pocket he said, "Shawn, Doctor Hissong told me +to read you this, his will. I am here to do it. I drew it up."</p> + +<p>The old lawyer stood by the mantlepiece, and by the flickering lamplight +read:<span class='pagenum'><a name="page136" id="page136">136</a></span></p> + +<div style="margin-left: 10%; margin-right: 10%;"> +<p>"In the name of God, Amen. Realizing the uncertainty of life and the +certainty of death, I, Radford J. Hissong, being of sound and disposing +mind and memory, do hereby publish this to be my last will and +testament, hereby revoking all former wills and codicils.</p> + +<p>1st—I give to the old negro Brad Jackson the sum of $500.00 and intrust +him to the care of the young man known as Shawn Collins.</p> + +<p>2d—I desire that $1,000.00 of my estate be distributed among the poor +of Skarrow.</p> + +<p>3rd.—I give, devise and bequeath to the young man, known as Shawn +Collins, but whom I hereby acknowledge to be my son, my river-bottom +farm, consisting of 387 acres. I bequeath to him my hill farm, +consisting of 187 acres. I bequeath to him my town property, consisting +of two dwellings and one store-room, my office, bank stock and all other +properties found, outside of the first two clauses of this will. This +property to belong to the said Shawn,<span class='pagenum'><a name="page137" id="page137">137</a></span> to be used or disposed of +according to his pleasure. I desire a modest stone above my grave, and +ask that I be buried in the cemetery on the hill, overlooking the river.</p> + +<p>In witness whereof I have hereby set my hand, this 18th day of Sept. +186-</p> +<div style="margin: auto; width: 70%; text-align: center;"> +<p style="text-align: right; padding-right: 2em;">Radford J. Hissong.</p> +</div> + +<table style="text-align: left" summary="signatures"> +<tr> +<td>Witness:</td> +<td>Dave Budlong,</td> +</tr> +<tr> +<td> </td> +<td>John Burney,</td> +</tr> +<tr> +<td> </td> +<td>Victor LeCroix.</td> +</tr> +</table> +</div> + +<hr style="width: 65%;" /> + +<p><span class='pagenum'><a name="page138" id="page138">138</a></span></p> + +<h2>CHAPTER XIX</h2> + +<p><span class="smcap">After the</span> funeral, Shawn appeared as one upon whom had fallen a great +and strange sorrow. He felt as though some dark curtain had suddenly +been lowered between him and all prospects of future happiness. There +now seemed a lingering consciousness which separated him from his old +individuality; something that awakened a flame of anguish within his +heart and sent a tingling rush of blood to his cheek, but Mrs. Alden +came, with her gracious and charitable heart and sought to soothe the +troubled spirit, and her words fell as a blessed benediction into his +soul.</p> + +<p>"I'm going to Old Meadows, Mrs. Alden, and there bid farewell to every +hope and joy that I have in this world."</p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image11.jpg" width="300" height="441" alt="image11" title="Illustration" /> +<span class="caption"> Lallite ran up to Shawn, giving him both her hands.</span> +</div> + +<p>He rode his horse slowly through the +<span class='pagenum'><a name="page139" id="page139">139</a></span> +old orchard again, where he and Doctor Hissong had driven that winter +morning, but what a change had now come into his heart. He heard the +guineas call again, but every sound was teeming with sadness.</p> + +<p>Horton took his horse at the gate, and Major LeCroix met him at the +porch, and his voice had the old-time ring of welcome. "Horton, call +Lally; Shawn has come."</p> + +<p>Shawn went into the old family room, Doctor Hissong's will in his hand. +Lallite came down the stairs and ran up to Shawn, giving him both her +hands. Her eyes were beaming the joy of his return, but Shawn stood with +downcast gaze and trembling limbs.</p> + +<p>"Lally, here is Doctor Hissong's will. It is fair and just that you read +it, and afterward, I am willing to release you from any obligation."</p> + +<p>With a frightened glance, the beautiful girl began to read the will. +Shawn leaned against the old piano and buried his face in his hands. +Presently he felt two soft<span class='pagenum'><a name="page140" id="page140">140</a></span> arms steal about his neck and a gentle voice +saying, "Shawn, would it be the nobler course of a love that should +change or turn against one, who was in no way responsible for the +conditions of birth; to turn against one who has raised himself above +every stigma by his high principle and courage, by tenderness and +unselfishness? No, Shawn, some better spirit guides me, and no matter +what the world may say, I can face it as the woman who loves you, and +that love shall shed its light in such radiance that all the shadows +will flee away."</p> + +<p>"Oh, Lally," said Shawn, as he caught her in his arms, "Through all of +this darkness you have been my guiding star. I will start in at the old +office next month." And above the softened glow of the mussel-pearl in +the pin on her breast, two pairs of eyes beamed with the love which +never grows dim with advancing years.</p> + +<p class="center"><b>END.</b></p> + +<hr style="width: 65%;" /> + +<h1>Shawn of Skarrow</h1> + +<h3>By JAMES TANDY ELLIS</h3> + +<p class="center"><i>Author of<br /> +"Sprigs O' Mint," "Kentucky Stories," "Awhile in the Mountains," Etc.</i></p> + +<div class="figcenter" style="width: 300px;"> +<img src="images/image12.jpg" width="300" height="421" alt="image11" title="Portrait" /> +</div> + +<p>The author of this story of northern Kentucky was born in Carroll +County, Kentucky, on the beautiful Ohio river, where the scene of the +book is laid. He is well known all over his native state, as a writer, a +prince of story tellers, a public speaker and an accomplished musician.</p> + +<p>His genial nature is shown not only in his writings, but in all of his +general life, and the characters which he gives us in "Shawn of +Skarrow," put us in closer touch with the simple beauty of men and women +as seen and known through a wholesome and cheerful mind.</p> + +<p>Mr. Ellis is the author of a number of books dealing with Kentucky +character and life. His writings are true in their coloring, and carry +with them a delicious "flavor of the soil."</p> + +<h2>Illustrated Price, $1.00 net</h2> + +<p class="center" style="font-size: smaller">AT ALL BOOKSELLERS OR SENT ON RECEIPT OF PRICE BY</p> + +<h2>The C. M. CLARK PUBLISHING CO.</h2> + +<h3>Boston Massachusetts</h3> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Shawn of Skarrow, by James Tandy Ellis + +*** END OF THIS PROJECT GUTENBERG EBOOK SHAWN OF SKARROW *** + +***** This file should be named 26934-h.htm or 26934-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/6/9/3/26934/ + +Produced by David Garcia, Verity White and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/26934-h/images/image1.jpg b/26934-h/images/image1.jpg Binary files differnew file mode 100644 index 0000000..d1fa97a --- /dev/null +++ b/26934-h/images/image1.jpg diff --git a/26934-h/images/image10.jpg b/26934-h/images/image10.jpg Binary files differnew file mode 100644 index 0000000..c648b3d --- /dev/null +++ b/26934-h/images/image10.jpg diff --git a/26934-h/images/image11.jpg b/26934-h/images/image11.jpg Binary files differnew file mode 100644 index 0000000..8fa6822 --- /dev/null +++ b/26934-h/images/image11.jpg diff --git a/26934-h/images/image12.jpg b/26934-h/images/image12.jpg Binary files differnew file mode 100644 index 0000000..2f2f16a --- /dev/null +++ b/26934-h/images/image12.jpg diff --git a/26934-h/images/image2.jpg b/26934-h/images/image2.jpg Binary files differnew file mode 100644 index 0000000..4485f16 --- /dev/null +++ b/26934-h/images/image2.jpg diff --git a/26934-h/images/image3.jpg b/26934-h/images/image3.jpg Binary files differnew file mode 100644 index 0000000..4f0b516 --- /dev/null +++ b/26934-h/images/image3.jpg diff --git a/26934-h/images/image4.jpg b/26934-h/images/image4.jpg Binary files differnew file mode 100644 index 0000000..2d55811 --- /dev/null +++ b/26934-h/images/image4.jpg diff --git a/26934-h/images/image5.jpg b/26934-h/images/image5.jpg Binary files differnew file mode 100644 index 0000000..cb78626 --- /dev/null +++ b/26934-h/images/image5.jpg diff --git a/26934-h/images/image6.jpg b/26934-h/images/image6.jpg Binary files differnew file mode 100644 index 0000000..887fd2b --- /dev/null +++ b/26934-h/images/image6.jpg diff --git a/26934-h/images/image7.jpg b/26934-h/images/image7.jpg Binary files differnew file mode 100644 index 0000000..c1bb50a --- /dev/null +++ b/26934-h/images/image7.jpg diff --git a/26934-h/images/image8.jpg b/26934-h/images/image8.jpg Binary files differnew file mode 100644 index 0000000..5c43fb7 --- /dev/null +++ b/26934-h/images/image8.jpg diff --git a/26934-h/images/image9.jpg b/26934-h/images/image9.jpg Binary files differnew file mode 100644 index 0000000..f5c2c20 --- /dev/null +++ b/26934-h/images/image9.jpg diff --git a/26934-page-images/f0001.png b/26934-page-images/f0001.png Binary files differnew file mode 100644 index 0000000..9cd94e0 --- /dev/null +++ b/26934-page-images/f0001.png diff --git a/26934-page-images/f0003.png b/26934-page-images/f0003.png Binary files differnew file mode 100644 index 0000000..15c452b --- /dev/null +++ b/26934-page-images/f0003.png diff --git a/26934-page-images/f0004.png b/26934-page-images/f0004.png Binary files differnew file mode 100644 index 0000000..c028c0e --- /dev/null +++ b/26934-page-images/f0004.png diff --git a/26934-page-images/f0005.png b/26934-page-images/f0005.png Binary files differnew file mode 100644 index 0000000..1fa6913 --- /dev/null +++ b/26934-page-images/f0005.png diff --git a/26934-page-images/f0007-image1.jpg b/26934-page-images/f0007-image1.jpg Binary files differnew file mode 100644 index 0000000..5369cf9 --- /dev/null +++ b/26934-page-images/f0007-image1.jpg diff --git a/26934-page-images/p0001.png b/26934-page-images/p0001.png Binary files differnew file mode 100644 index 0000000..59b7b80 --- /dev/null +++ b/26934-page-images/p0001.png diff --git a/26934-page-images/p0002.png b/26934-page-images/p0002.png Binary files differnew file mode 100644 index 0000000..1fdcc49 --- /dev/null +++ b/26934-page-images/p0002.png diff --git a/26934-page-images/p0003.png b/26934-page-images/p0003.png Binary files differnew file mode 100644 index 0000000..77ee824 --- /dev/null +++ b/26934-page-images/p0003.png diff --git a/26934-page-images/p0004.png b/26934-page-images/p0004.png Binary files differnew file mode 100644 index 0000000..523a4cf --- /dev/null +++ b/26934-page-images/p0004.png diff --git a/26934-page-images/p0005.png b/26934-page-images/p0005.png Binary files differnew file mode 100644 index 0000000..27b1b97 --- /dev/null +++ b/26934-page-images/p0005.png diff --git a/26934-page-images/p0006.png b/26934-page-images/p0006.png Binary files differnew file mode 100644 index 0000000..98b9875 --- /dev/null +++ b/26934-page-images/p0006.png diff --git a/26934-page-images/p0007.png b/26934-page-images/p0007.png Binary files differnew file mode 100644 index 0000000..6258890 --- /dev/null +++ b/26934-page-images/p0007.png diff --git a/26934-page-images/p0008.png b/26934-page-images/p0008.png Binary files differnew file mode 100644 index 0000000..e58f35c --- /dev/null +++ b/26934-page-images/p0008.png diff --git a/26934-page-images/p0009.png b/26934-page-images/p0009.png Binary files differnew file mode 100644 index 0000000..49dd78e --- /dev/null +++ b/26934-page-images/p0009.png diff --git a/26934-page-images/p0010.png b/26934-page-images/p0010.png Binary files differnew file mode 100644 index 0000000..701b2e2 --- /dev/null +++ b/26934-page-images/p0010.png diff --git a/26934-page-images/p0011.png b/26934-page-images/p0011.png Binary files differnew file mode 100644 index 0000000..ff89f5a --- /dev/null +++ b/26934-page-images/p0011.png diff --git a/26934-page-images/p0012.png b/26934-page-images/p0012.png Binary files differnew file mode 100644 index 0000000..5a75679 --- /dev/null +++ b/26934-page-images/p0012.png diff --git a/26934-page-images/p0013.png b/26934-page-images/p0013.png Binary files differnew file mode 100644 index 0000000..6c24ec8 --- /dev/null +++ b/26934-page-images/p0013.png diff --git a/26934-page-images/p0014.png b/26934-page-images/p0014.png Binary files differnew file mode 100644 index 0000000..7f36e51 --- /dev/null +++ b/26934-page-images/p0014.png diff --git a/26934-page-images/p0015.png b/26934-page-images/p0015.png Binary files differnew file mode 100644 index 0000000..1d3bb7d --- /dev/null +++ b/26934-page-images/p0015.png diff --git a/26934-page-images/p0016.png b/26934-page-images/p0016.png Binary files differnew file mode 100644 index 0000000..ab64c97 --- /dev/null +++ b/26934-page-images/p0016.png diff --git a/26934-page-images/p0017.png b/26934-page-images/p0017.png Binary files differnew file mode 100644 index 0000000..ae119aa --- /dev/null +++ b/26934-page-images/p0017.png diff --git a/26934-page-images/p0018.png b/26934-page-images/p0018.png Binary files differnew file mode 100644 index 0000000..976e677 --- /dev/null +++ b/26934-page-images/p0018.png diff --git a/26934-page-images/p0019.png b/26934-page-images/p0019.png Binary files differnew file mode 100644 index 0000000..d46fa46 --- /dev/null +++ b/26934-page-images/p0019.png diff --git a/26934-page-images/p0020.png b/26934-page-images/p0020.png Binary files differnew file mode 100644 index 0000000..cf78ed8 --- /dev/null +++ b/26934-page-images/p0020.png diff --git a/26934-page-images/p0021.png b/26934-page-images/p0021.png Binary files differnew file mode 100644 index 0000000..0cee3fb --- /dev/null +++ b/26934-page-images/p0021.png diff --git a/26934-page-images/p0022.png b/26934-page-images/p0022.png Binary files differnew file mode 100644 index 0000000..9819722 --- /dev/null +++ b/26934-page-images/p0022.png diff --git a/26934-page-images/p0023.png b/26934-page-images/p0023.png Binary files differnew file mode 100644 index 0000000..55c845b --- /dev/null +++ b/26934-page-images/p0023.png diff --git a/26934-page-images/p0024-insert1.jpg b/26934-page-images/p0024-insert1.jpg Binary files differnew file mode 100644 index 0000000..5d827b5 --- /dev/null +++ b/26934-page-images/p0024-insert1.jpg diff --git a/26934-page-images/p0024.png b/26934-page-images/p0024.png Binary files differnew file mode 100644 index 0000000..5875dc2 --- /dev/null +++ b/26934-page-images/p0024.png diff --git a/26934-page-images/p0025.png b/26934-page-images/p0025.png Binary files differnew file mode 100644 index 0000000..1b73631 --- /dev/null +++ b/26934-page-images/p0025.png diff --git a/26934-page-images/p0026.png b/26934-page-images/p0026.png Binary files differnew file mode 100644 index 0000000..9a73f3d --- /dev/null +++ b/26934-page-images/p0026.png diff --git a/26934-page-images/p0027.png b/26934-page-images/p0027.png Binary files differnew file mode 100644 index 0000000..fe35df3 --- /dev/null +++ b/26934-page-images/p0027.png diff --git a/26934-page-images/p0028.png b/26934-page-images/p0028.png Binary files differnew file mode 100644 index 0000000..f88ff54 --- /dev/null +++ b/26934-page-images/p0028.png diff --git a/26934-page-images/p0029.png b/26934-page-images/p0029.png Binary files differnew file mode 100644 index 0000000..d6bb92f --- /dev/null +++ b/26934-page-images/p0029.png diff --git a/26934-page-images/p0030.png b/26934-page-images/p0030.png Binary files differnew file mode 100644 index 0000000..0285b1f --- /dev/null +++ b/26934-page-images/p0030.png diff --git a/26934-page-images/p0031.png b/26934-page-images/p0031.png Binary files differnew file mode 100644 index 0000000..d5bb496 --- /dev/null +++ b/26934-page-images/p0031.png diff --git a/26934-page-images/p0032.png b/26934-page-images/p0032.png Binary files differnew file mode 100644 index 0000000..739e3ff --- /dev/null +++ b/26934-page-images/p0032.png diff --git a/26934-page-images/p0033.png b/26934-page-images/p0033.png Binary files differnew file mode 100644 index 0000000..adfb4f6 --- /dev/null +++ b/26934-page-images/p0033.png diff --git a/26934-page-images/p0034.png b/26934-page-images/p0034.png Binary files differnew file mode 100644 index 0000000..945e5f7 --- /dev/null +++ b/26934-page-images/p0034.png diff --git a/26934-page-images/p0035.png b/26934-page-images/p0035.png Binary files differnew file mode 100644 index 0000000..60c99f1 --- /dev/null +++ b/26934-page-images/p0035.png diff --git a/26934-page-images/p0036-insert1.jpg b/26934-page-images/p0036-insert1.jpg Binary files differnew file mode 100644 index 0000000..259e877 --- /dev/null +++ b/26934-page-images/p0036-insert1.jpg diff --git a/26934-page-images/p0036.png b/26934-page-images/p0036.png Binary files differnew file mode 100644 index 0000000..aa3fa67 --- /dev/null +++ b/26934-page-images/p0036.png diff --git a/26934-page-images/p0037.png b/26934-page-images/p0037.png Binary files differnew file mode 100644 index 0000000..57d289c --- /dev/null +++ b/26934-page-images/p0037.png diff --git a/26934-page-images/p0038.png b/26934-page-images/p0038.png Binary files differnew file mode 100644 index 0000000..e1f8854 --- /dev/null +++ b/26934-page-images/p0038.png diff --git a/26934-page-images/p0039.png b/26934-page-images/p0039.png Binary files differnew file mode 100644 index 0000000..625b93c --- /dev/null +++ b/26934-page-images/p0039.png diff --git a/26934-page-images/p0040.png b/26934-page-images/p0040.png Binary files differnew file mode 100644 index 0000000..4576963 --- /dev/null +++ b/26934-page-images/p0040.png diff --git a/26934-page-images/p0041.png b/26934-page-images/p0041.png Binary files differnew file mode 100644 index 0000000..845e14b --- /dev/null +++ b/26934-page-images/p0041.png diff --git a/26934-page-images/p0042.png b/26934-page-images/p0042.png Binary files differnew file mode 100644 index 0000000..324ea0e --- /dev/null +++ b/26934-page-images/p0042.png diff --git a/26934-page-images/p0043.png b/26934-page-images/p0043.png Binary files differnew file mode 100644 index 0000000..e521018 --- /dev/null +++ b/26934-page-images/p0043.png diff --git a/26934-page-images/p0044.png b/26934-page-images/p0044.png Binary files differnew file mode 100644 index 0000000..bae9206 --- /dev/null +++ b/26934-page-images/p0044.png diff --git a/26934-page-images/p0045.png b/26934-page-images/p0045.png Binary files differnew file mode 100644 index 0000000..72be385 --- /dev/null +++ b/26934-page-images/p0045.png diff --git a/26934-page-images/p0046.png b/26934-page-images/p0046.png Binary files differnew file mode 100644 index 0000000..53dcade --- /dev/null +++ b/26934-page-images/p0046.png diff --git a/26934-page-images/p0047.png b/26934-page-images/p0047.png Binary files differnew file mode 100644 index 0000000..34b8063 --- /dev/null +++ b/26934-page-images/p0047.png diff --git a/26934-page-images/p0048.png b/26934-page-images/p0048.png Binary files differnew file mode 100644 index 0000000..3cf3319 --- /dev/null +++ b/26934-page-images/p0048.png diff --git a/26934-page-images/p0049.png b/26934-page-images/p0049.png Binary files differnew file mode 100644 index 0000000..69524a5 --- /dev/null +++ b/26934-page-images/p0049.png diff --git a/26934-page-images/p0050.png b/26934-page-images/p0050.png Binary files differnew file mode 100644 index 0000000..dd045dc --- /dev/null +++ b/26934-page-images/p0050.png diff --git a/26934-page-images/p0051.png b/26934-page-images/p0051.png Binary files differnew file mode 100644 index 0000000..194ba8f --- /dev/null +++ b/26934-page-images/p0051.png diff --git a/26934-page-images/p0052-insert1.jpg b/26934-page-images/p0052-insert1.jpg Binary files differnew file mode 100644 index 0000000..4e9b5a8 --- /dev/null +++ b/26934-page-images/p0052-insert1.jpg diff --git a/26934-page-images/p0052.png b/26934-page-images/p0052.png Binary files differnew file mode 100644 index 0000000..12030e8 --- /dev/null +++ b/26934-page-images/p0052.png diff --git a/26934-page-images/p0053.png b/26934-page-images/p0053.png Binary files differnew file mode 100644 index 0000000..83a21de --- /dev/null +++ b/26934-page-images/p0053.png diff --git a/26934-page-images/p0054.png b/26934-page-images/p0054.png Binary files differnew file mode 100644 index 0000000..4e847dc --- /dev/null +++ b/26934-page-images/p0054.png diff --git a/26934-page-images/p0055.png b/26934-page-images/p0055.png Binary files differnew file mode 100644 index 0000000..56b96bf --- /dev/null +++ b/26934-page-images/p0055.png diff --git a/26934-page-images/p0056.png b/26934-page-images/p0056.png Binary files differnew file mode 100644 index 0000000..ff06d65 --- /dev/null +++ b/26934-page-images/p0056.png diff --git a/26934-page-images/p0057.png b/26934-page-images/p0057.png Binary files differnew file mode 100644 index 0000000..e4a8575 --- /dev/null +++ b/26934-page-images/p0057.png diff --git a/26934-page-images/p0058.png b/26934-page-images/p0058.png Binary files differnew file mode 100644 index 0000000..376ac7e --- /dev/null +++ b/26934-page-images/p0058.png diff --git a/26934-page-images/p0059.png b/26934-page-images/p0059.png Binary files differnew file mode 100644 index 0000000..5762f56 --- /dev/null +++ b/26934-page-images/p0059.png diff --git a/26934-page-images/p0060.png b/26934-page-images/p0060.png Binary files differnew file mode 100644 index 0000000..e5adbb2 --- /dev/null +++ b/26934-page-images/p0060.png diff --git a/26934-page-images/p0061.png b/26934-page-images/p0061.png Binary files differnew file mode 100644 index 0000000..3078ac1 --- /dev/null +++ b/26934-page-images/p0061.png diff --git a/26934-page-images/p0062-insert1.jpg b/26934-page-images/p0062-insert1.jpg Binary files differnew file mode 100644 index 0000000..67eb75d --- /dev/null +++ b/26934-page-images/p0062-insert1.jpg diff --git a/26934-page-images/p0062.png b/26934-page-images/p0062.png Binary files differnew file mode 100644 index 0000000..9b7c1d6 --- /dev/null +++ b/26934-page-images/p0062.png diff --git a/26934-page-images/p0063.png b/26934-page-images/p0063.png Binary files differnew file mode 100644 index 0000000..7d31302 --- /dev/null +++ b/26934-page-images/p0063.png diff --git a/26934-page-images/p0064.png b/26934-page-images/p0064.png Binary files differnew file mode 100644 index 0000000..80e393b --- /dev/null +++ b/26934-page-images/p0064.png diff --git a/26934-page-images/p0065.png b/26934-page-images/p0065.png Binary files differnew file mode 100644 index 0000000..66cea7b --- /dev/null +++ b/26934-page-images/p0065.png diff --git a/26934-page-images/p0066.png b/26934-page-images/p0066.png Binary files differnew file mode 100644 index 0000000..8f8bb2e --- /dev/null +++ b/26934-page-images/p0066.png diff --git a/26934-page-images/p0067.png b/26934-page-images/p0067.png Binary files differnew file mode 100644 index 0000000..31f9117 --- /dev/null +++ b/26934-page-images/p0067.png diff --git a/26934-page-images/p0068.png b/26934-page-images/p0068.png Binary files differnew file mode 100644 index 0000000..e06a4fe --- /dev/null +++ b/26934-page-images/p0068.png diff --git a/26934-page-images/p0069.png b/26934-page-images/p0069.png Binary files differnew file mode 100644 index 0000000..89635d9 --- /dev/null +++ b/26934-page-images/p0069.png diff --git a/26934-page-images/p0070.png b/26934-page-images/p0070.png Binary files differnew file mode 100644 index 0000000..362c072 --- /dev/null +++ b/26934-page-images/p0070.png diff --git a/26934-page-images/p0071.png b/26934-page-images/p0071.png Binary files differnew file mode 100644 index 0000000..e7c2de4 --- /dev/null +++ b/26934-page-images/p0071.png diff --git a/26934-page-images/p0072.png b/26934-page-images/p0072.png Binary files differnew file mode 100644 index 0000000..88fd47b --- /dev/null +++ b/26934-page-images/p0072.png diff --git a/26934-page-images/p0073.png b/26934-page-images/p0073.png Binary files differnew file mode 100644 index 0000000..df82cce --- /dev/null +++ b/26934-page-images/p0073.png diff --git a/26934-page-images/p0074.png b/26934-page-images/p0074.png Binary files differnew file mode 100644 index 0000000..d6b47cf --- /dev/null +++ b/26934-page-images/p0074.png diff --git a/26934-page-images/p0075.png b/26934-page-images/p0075.png Binary files differnew file mode 100644 index 0000000..64e1f5f --- /dev/null +++ b/26934-page-images/p0075.png diff --git a/26934-page-images/p0076.png b/26934-page-images/p0076.png Binary files differnew file mode 100644 index 0000000..475634e --- /dev/null +++ b/26934-page-images/p0076.png diff --git a/26934-page-images/p0077.png b/26934-page-images/p0077.png Binary files differnew file mode 100644 index 0000000..acc3fc2 --- /dev/null +++ b/26934-page-images/p0077.png diff --git a/26934-page-images/p0078.png b/26934-page-images/p0078.png Binary files differnew file mode 100644 index 0000000..27efe65 --- /dev/null +++ b/26934-page-images/p0078.png diff --git a/26934-page-images/p0079.png b/26934-page-images/p0079.png Binary files differnew file mode 100644 index 0000000..abfb20e --- /dev/null +++ b/26934-page-images/p0079.png diff --git a/26934-page-images/p0080.png b/26934-page-images/p0080.png Binary files differnew file mode 100644 index 0000000..45e76e8 --- /dev/null +++ b/26934-page-images/p0080.png diff --git a/26934-page-images/p0081.png b/26934-page-images/p0081.png Binary files differnew file mode 100644 index 0000000..451eef3 --- /dev/null +++ b/26934-page-images/p0081.png diff --git a/26934-page-images/p0082-insert1.jpg b/26934-page-images/p0082-insert1.jpg Binary files differnew file mode 100644 index 0000000..968ab3e --- /dev/null +++ b/26934-page-images/p0082-insert1.jpg diff --git a/26934-page-images/p0082.png b/26934-page-images/p0082.png Binary files differnew file mode 100644 index 0000000..3006ebf --- /dev/null +++ b/26934-page-images/p0082.png diff --git a/26934-page-images/p0083.png b/26934-page-images/p0083.png Binary files differnew file mode 100644 index 0000000..4a43e2e --- /dev/null +++ b/26934-page-images/p0083.png diff --git a/26934-page-images/p0084.png b/26934-page-images/p0084.png Binary files differnew file mode 100644 index 0000000..ed7a2cb --- /dev/null +++ b/26934-page-images/p0084.png diff --git a/26934-page-images/p0085.png b/26934-page-images/p0085.png Binary files differnew file mode 100644 index 0000000..dea9f7c --- /dev/null +++ b/26934-page-images/p0085.png diff --git a/26934-page-images/p0086.png b/26934-page-images/p0086.png Binary files differnew file mode 100644 index 0000000..c309f70 --- /dev/null +++ b/26934-page-images/p0086.png diff --git a/26934-page-images/p0087.png b/26934-page-images/p0087.png Binary files differnew file mode 100644 index 0000000..fcd340e --- /dev/null +++ b/26934-page-images/p0087.png diff --git a/26934-page-images/p0088.png b/26934-page-images/p0088.png Binary files differnew file mode 100644 index 0000000..5c4f78f --- /dev/null +++ b/26934-page-images/p0088.png diff --git a/26934-page-images/p0089.png b/26934-page-images/p0089.png Binary files differnew file mode 100644 index 0000000..df8116e --- /dev/null +++ b/26934-page-images/p0089.png diff --git a/26934-page-images/p0090-insert1.jpg b/26934-page-images/p0090-insert1.jpg Binary files differnew file mode 100644 index 0000000..f330678 --- /dev/null +++ b/26934-page-images/p0090-insert1.jpg diff --git a/26934-page-images/p0090.png b/26934-page-images/p0090.png Binary files differnew file mode 100644 index 0000000..91ece3d --- /dev/null +++ b/26934-page-images/p0090.png diff --git a/26934-page-images/p0091.png b/26934-page-images/p0091.png Binary files differnew file mode 100644 index 0000000..f92ba5c --- /dev/null +++ b/26934-page-images/p0091.png diff --git a/26934-page-images/p0092.png b/26934-page-images/p0092.png Binary files differnew file mode 100644 index 0000000..ec2cfee --- /dev/null +++ b/26934-page-images/p0092.png diff --git a/26934-page-images/p0093.png b/26934-page-images/p0093.png Binary files differnew file mode 100644 index 0000000..6e97f52 --- /dev/null +++ b/26934-page-images/p0093.png diff --git a/26934-page-images/p0094.png b/26934-page-images/p0094.png Binary files differnew file mode 100644 index 0000000..fa33a73 --- /dev/null +++ b/26934-page-images/p0094.png diff --git a/26934-page-images/p0095.png b/26934-page-images/p0095.png Binary files differnew file mode 100644 index 0000000..c8a06ae --- /dev/null +++ b/26934-page-images/p0095.png diff --git a/26934-page-images/p0096.png b/26934-page-images/p0096.png Binary files differnew file mode 100644 index 0000000..e3a96c1 --- /dev/null +++ b/26934-page-images/p0096.png diff --git a/26934-page-images/p0097.png b/26934-page-images/p0097.png Binary files differnew file mode 100644 index 0000000..8932066 --- /dev/null +++ b/26934-page-images/p0097.png diff --git a/26934-page-images/p0098.png b/26934-page-images/p0098.png Binary files differnew file mode 100644 index 0000000..43a2899 --- /dev/null +++ b/26934-page-images/p0098.png diff --git a/26934-page-images/p0099.png b/26934-page-images/p0099.png Binary files differnew file mode 100644 index 0000000..e556e0a --- /dev/null +++ b/26934-page-images/p0099.png diff --git a/26934-page-images/p0100.png b/26934-page-images/p0100.png Binary files differnew file mode 100644 index 0000000..c200574 --- /dev/null +++ b/26934-page-images/p0100.png diff --git a/26934-page-images/p0101.png b/26934-page-images/p0101.png Binary files differnew file mode 100644 index 0000000..0db145f --- /dev/null +++ b/26934-page-images/p0101.png diff --git a/26934-page-images/p0102.png b/26934-page-images/p0102.png Binary files differnew file mode 100644 index 0000000..fb72d45 --- /dev/null +++ b/26934-page-images/p0102.png diff --git a/26934-page-images/p0103.png b/26934-page-images/p0103.png Binary files differnew file mode 100644 index 0000000..255f107 --- /dev/null +++ b/26934-page-images/p0103.png diff --git a/26934-page-images/p0104.png b/26934-page-images/p0104.png Binary files differnew file mode 100644 index 0000000..fa612bc --- /dev/null +++ b/26934-page-images/p0104.png diff --git a/26934-page-images/p0105.png b/26934-page-images/p0105.png Binary files differnew file mode 100644 index 0000000..349c7d0 --- /dev/null +++ b/26934-page-images/p0105.png diff --git a/26934-page-images/p0106-insert1.jpg b/26934-page-images/p0106-insert1.jpg Binary files differnew file mode 100644 index 0000000..d39b090 --- /dev/null +++ b/26934-page-images/p0106-insert1.jpg diff --git a/26934-page-images/p0106.png b/26934-page-images/p0106.png Binary files differnew file mode 100644 index 0000000..f34004f --- /dev/null +++ b/26934-page-images/p0106.png diff --git a/26934-page-images/p0107.png b/26934-page-images/p0107.png Binary files differnew file mode 100644 index 0000000..ef3ee81 --- /dev/null +++ b/26934-page-images/p0107.png diff --git a/26934-page-images/p0108.png b/26934-page-images/p0108.png Binary files differnew file mode 100644 index 0000000..f201147 --- /dev/null +++ b/26934-page-images/p0108.png diff --git a/26934-page-images/p0109.png b/26934-page-images/p0109.png Binary files differnew file mode 100644 index 0000000..0758871 --- /dev/null +++ b/26934-page-images/p0109.png diff --git a/26934-page-images/p0110.png b/26934-page-images/p0110.png Binary files differnew file mode 100644 index 0000000..a632a0d --- /dev/null +++ b/26934-page-images/p0110.png diff --git a/26934-page-images/p0111.png b/26934-page-images/p0111.png Binary files differnew file mode 100644 index 0000000..f51821d --- /dev/null +++ b/26934-page-images/p0111.png diff --git a/26934-page-images/p0112.png b/26934-page-images/p0112.png Binary files differnew file mode 100644 index 0000000..4cac73f --- /dev/null +++ b/26934-page-images/p0112.png diff --git a/26934-page-images/p0113.png b/26934-page-images/p0113.png Binary files differnew file mode 100644 index 0000000..e53167d --- /dev/null +++ b/26934-page-images/p0113.png diff --git a/26934-page-images/p0114.png b/26934-page-images/p0114.png Binary files differnew file mode 100644 index 0000000..5f0224c --- /dev/null +++ b/26934-page-images/p0114.png diff --git a/26934-page-images/p0115.png b/26934-page-images/p0115.png Binary files differnew file mode 100644 index 0000000..f139559 --- /dev/null +++ b/26934-page-images/p0115.png diff --git a/26934-page-images/p0116.png b/26934-page-images/p0116.png Binary files differnew file mode 100644 index 0000000..8a3571a --- /dev/null +++ b/26934-page-images/p0116.png diff --git a/26934-page-images/p0117.png b/26934-page-images/p0117.png Binary files differnew file mode 100644 index 0000000..df37fc8 --- /dev/null +++ b/26934-page-images/p0117.png diff --git a/26934-page-images/p0118.png b/26934-page-images/p0118.png Binary files differnew file mode 100644 index 0000000..a734a97 --- /dev/null +++ b/26934-page-images/p0118.png diff --git a/26934-page-images/p0119.png b/26934-page-images/p0119.png Binary files differnew file mode 100644 index 0000000..d91b688 --- /dev/null +++ b/26934-page-images/p0119.png diff --git a/26934-page-images/p0120.png b/26934-page-images/p0120.png Binary files differnew file mode 100644 index 0000000..9c533bc --- /dev/null +++ b/26934-page-images/p0120.png diff --git a/26934-page-images/p0121.png b/26934-page-images/p0121.png Binary files differnew file mode 100644 index 0000000..e2d94c5 --- /dev/null +++ b/26934-page-images/p0121.png diff --git a/26934-page-images/p0122.png b/26934-page-images/p0122.png Binary files differnew file mode 100644 index 0000000..98be9b0 --- /dev/null +++ b/26934-page-images/p0122.png diff --git a/26934-page-images/p0123.png b/26934-page-images/p0123.png Binary files differnew file mode 100644 index 0000000..fc18216 --- /dev/null +++ b/26934-page-images/p0123.png diff --git a/26934-page-images/p0124.png b/26934-page-images/p0124.png Binary files differnew file mode 100644 index 0000000..aa95714 --- /dev/null +++ b/26934-page-images/p0124.png diff --git a/26934-page-images/p0125.png b/26934-page-images/p0125.png Binary files differnew file mode 100644 index 0000000..2bbc3e8 --- /dev/null +++ b/26934-page-images/p0125.png diff --git a/26934-page-images/p0126-insert1.jpg b/26934-page-images/p0126-insert1.jpg Binary files differnew file mode 100644 index 0000000..0e63086 --- /dev/null +++ b/26934-page-images/p0126-insert1.jpg diff --git a/26934-page-images/p0126.png b/26934-page-images/p0126.png Binary files differnew file mode 100644 index 0000000..3a7e9cf --- /dev/null +++ b/26934-page-images/p0126.png diff --git a/26934-page-images/p0127.png b/26934-page-images/p0127.png Binary files differnew file mode 100644 index 0000000..3508cd6 --- /dev/null +++ b/26934-page-images/p0127.png diff --git a/26934-page-images/p0128.png b/26934-page-images/p0128.png Binary files differnew file mode 100644 index 0000000..613294d --- /dev/null +++ b/26934-page-images/p0128.png diff --git a/26934-page-images/p0129.png b/26934-page-images/p0129.png Binary files differnew file mode 100644 index 0000000..d2608eb --- /dev/null +++ b/26934-page-images/p0129.png diff --git a/26934-page-images/p0130.png b/26934-page-images/p0130.png Binary files differnew file mode 100644 index 0000000..22f0589 --- /dev/null +++ b/26934-page-images/p0130.png diff --git a/26934-page-images/p0131.png b/26934-page-images/p0131.png Binary files differnew file mode 100644 index 0000000..8aff435 --- /dev/null +++ b/26934-page-images/p0131.png diff --git a/26934-page-images/p0132.png b/26934-page-images/p0132.png Binary files differnew file mode 100644 index 0000000..0d5cbc0 --- /dev/null +++ b/26934-page-images/p0132.png diff --git a/26934-page-images/p0133.png b/26934-page-images/p0133.png Binary files differnew file mode 100644 index 0000000..4af7c5d --- /dev/null +++ b/26934-page-images/p0133.png diff --git a/26934-page-images/p0134.png b/26934-page-images/p0134.png Binary files differnew file mode 100644 index 0000000..711b9fd --- /dev/null +++ b/26934-page-images/p0134.png diff --git a/26934-page-images/p0135.png b/26934-page-images/p0135.png Binary files differnew file mode 100644 index 0000000..b01e791 --- /dev/null +++ b/26934-page-images/p0135.png diff --git a/26934-page-images/p0136.png b/26934-page-images/p0136.png Binary files differnew file mode 100644 index 0000000..a13417c --- /dev/null +++ b/26934-page-images/p0136.png diff --git a/26934-page-images/p0137.png b/26934-page-images/p0137.png Binary files differnew file mode 100644 index 0000000..9eb951b --- /dev/null +++ b/26934-page-images/p0137.png diff --git a/26934-page-images/p0138-insert1.jpg b/26934-page-images/p0138-insert1.jpg Binary files differnew file mode 100644 index 0000000..7949442 --- /dev/null +++ b/26934-page-images/p0138-insert1.jpg diff --git a/26934-page-images/p0138.png b/26934-page-images/p0138.png Binary files differnew file mode 100644 index 0000000..05ee450 --- /dev/null +++ b/26934-page-images/p0138.png diff --git a/26934-page-images/p0139.png b/26934-page-images/p0139.png Binary files differnew file mode 100644 index 0000000..7493522 --- /dev/null +++ b/26934-page-images/p0139.png diff --git a/26934-page-images/p0140.png b/26934-page-images/p0140.png Binary files differnew file mode 100644 index 0000000..7d6b5b8 --- /dev/null +++ b/26934-page-images/p0140.png diff --git a/26934-page-images/q0001-image1.jpg b/26934-page-images/q0001-image1.jpg Binary files differnew file mode 100644 index 0000000..ebc8c21 --- /dev/null +++ b/26934-page-images/q0001-image1.jpg diff --git a/26934-page-images/q0001.png b/26934-page-images/q0001.png Binary files differnew file mode 100644 index 0000000..d32d4c7 --- /dev/null +++ b/26934-page-images/q0001.png diff --git a/26934.txt b/26934.txt new file mode 100644 index 0000000..c99e409 --- /dev/null +++ b/26934.txt @@ -0,0 +1,3092 @@ +The Project Gutenberg EBook of Shawn of Skarrow, by James Tandy Ellis + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Shawn of Skarrow + +Author: James Tandy Ellis + +Release Date: October 16, 2008 [EBook #26934] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK SHAWN OF SKARROW *** + + + + +Produced by David Garcia, Verity White and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + + + + + + +----------------------------------------------------------------+ + | Transcriber's note: | + | | + | Inconsistent hyphenation and spelling in the original document | + | have been preserved unless listed at the end of the text. | + | | + | Obvious typographical errors have been corrected; please see | + | the end of the text for details. | + +----------------------------------------------------------------+ + + + + +SHAWN OF SKARROW + + + + +SHAWN OF SKARROW + + BY + JAMES TANDY ELLIS + + Author of "Sprigs O' Mint," "Kentucky Stories," + "Awhile in the Mountains," etc. + + [Illustration] + + THE C. M. CLARK PUBLISHING CO. + BOSTON, MASSACHUSETTS + + COPYRIGHT, 1911, + + THE C. M. CLARK PUBLISHING CO., + BOSTON, MASSACHUSETTS. + + + + +ILLUSTRATIONS + + + Frontispiece Shawn and Coaly + Page + "You'll be a great fisherman, some day, Shawn" 24 + Burney begin to take out the shells 36 + "De Prodegale Son" 52 + "I'll give you ten dollars to set us over" 62 + "You and the doctor got your birds" 82 + They were nearing the last hundred yard flag 90 + "W'y, Jedge, you know my name" 106 + The Cabin of the American fell with a crash 126 + Lallite ran up to Shawn, giving him both her hands 139 + + + + +[Illustration: Shawn and Coaly.] + + + + +SHAWN OF SKARROW + + + + +CHAPTER I + + +"Oh Shawn!" + +It was a shrill voice calling from the bank above the river. + +"You can holler till dark, but I ain't goin' to answer you while a +blue-channel cat is nibblin' at this line." + +Through the short and chubby fingers a stout sea-grass line was running +out to the accumulated driftwood in the eddy below the wharf-boat. +Suddenly there came a spasmodic jerk of the line. + +"He bluffed that time." + +The front finger tapped the line, as an expert telegraph operator taps +his key. + +"He's coming back for that crawfish tail now." The line went taut. The +freckled arms executed a series of lightning-like movements and the +catfish lay on the shore, a five-pounder, beating the sands with his +flashing tail. + +"Oh Shawn!" + +"I'm a-comin' now; come on, Coaly." The little brown dog wagged his tail +and got up from his resting place in the sand. They went up the hill +toward the little frame building on the bank. + +The boy's mother met him at the door. She was a frail-looking woman, +upon whose face was a sorrowful and melancholy expression. + +"Shawn, Mrs. Alden has sent for you, and wants you to come up to the big +house; get on your cottonade pants and wash your face and comb your +hair, and when you go up there, don't scratch your shins together, and +don't forget to say _yes mam_." + +It was a matter of but a few moments for Shawn to array himself in his +best clothes. As he turned to go, his mother wearily took his face +between her hands and kissed him on the lips. The black eyes beamed +tenderly upon her, and over the sun-tanned features flashed a smile of +cheerfulness and love. + +"Take that fish to Mrs. Alden, Shawn." + +"It's for you, mammy." + +"No, take it to her." + +Shawn climbed the hill and went up through the alley, going around to +the side entrance of the Alden home. There was something about the great +house which always filled him with a spirit of awe, and as he glanced +over toward the long garden and orchard, there came into his heart a +yearning such as he had never known before. + +A servant opened the door, and Shawn held up his fish: "This is for Mrs. +Alden; she sent for me." The servant took the fish and said, "You will +find Mrs. Alden in the next room. Leave your dog outside." Shawn walked +into the room. A woman with a sweet spiritual face sat in an invalid's +rolling-chair. + +Extending her thin white hand to Shawn, she bestowed upon him a smile of +tenderness. + +"I am glad you came, Shawn; take that chair." Shawn was striving hard +to remember his mother's parting injunction in regard to his shins. + +"How old are you, Shawn?" + +"Yes, mam, fourteen past in March." + +"How long have you attended school?" The black eyelashes fell and the +smile vanished. "I went to old 'fesser Barker up to Christmas twice." + +"Why did you stop?" + +"I put red pepper on his plug tobacker!" + +"Did you go to any other school?" + +"Yes, mam, I went to Miss Julie Bean six months." + +"Did you quit that school?" + +"Yes, mam, I put cuckle burrs in her bonnet." + +"Weren't you sorry for it?" + +"Yes, mam, but too late." + +"You spend a good part of your time fishing, don't you?" + +"Yes, mam, but I catches them." + +"Isn't there anything you would rather do than fish?" A long silence +followed, then the eyes suddenly brightened: + +"Yes, mam." + +"What is it?" + +"I'd rather blow up hog bladders with a quill and bust 'em!" + +"Shawn, have you ever thought of what you would like to do in life; what +you would like to make of yourself as you grow to manhood?" + +"Yes, mam, I'm goin' to be a doctor!" + +"Indeed!" + +"Yes, mam, indeed, I help doctor Hissong roll pills now, and he helps me +in my books more than I learned at school." + +"Shawn, I am going to ask you to begin with the term of school which +opens soon. I will furnish you with books and tuition and will help you +in every way." + +"Will it help me to be a doctor?" + +"It will help you in everything." + +"Could I take Coaly with me?" + +"I hardly think so." + +Shawn gazed out of the window. The fleecy clouds were moving +majestically above the river, along the old haunts he loved so well, but +something in the kind blue eyes of the good woman sitting there with +folded hands, touched his innermost being, and he arose and turning +squarely to face his benefactress, said: "I'll do it, Mrs. Alden." + +"I thank you, Shawn." + +"Yes, mam, but I did not ketch that fish I brought you for niggers to +eat; they never told you I brought it." + +Mrs. Alden rolled her chair near him, and placing her hand on his +shoulder, said, "I appreciate your bringing it very much and will +remember it." + +As Shawn left the porch he turned to his little dog and said, "Oh, Lord, +Coaly, we're goin' to school!" + + + + +CHAPTER II + +DOCTOR HISSONG'S OFFICE + + +"So you are going to school, Shawn?" + +"Yes, sir, I promised Mrs. Alden." + +"That's the best promise you ever made, and to the best woman that God +ever made." + +Old Doctor Hissong sat in his big armchair, his spectacles tilted high +on his nose as he looked at Shawn, who was leaning against the +mantel-board. Old Brad, a negro who had been the doctor's servant for +many years, sat in a hickory chair near the back door. Brad, aside from +taking care of the doctor's office, gave some of his time to preaching, +although it was a matter of some speculation as to whether his general +habits warranted his ministerial fulfillments. + +The old office was dingy with its medicine bottles ranging along the +shelves, and cobwebs and dust were in evidence all about them. Over in +the corner was a pair of saddlebags, and a pair of jean legging hung +over a chair. In another corner was a tall book-case, the glass front +broken out, and the books scattered about on the shelves. On the top of +the book-case was an object which had long been a source of discomfort +to Shawn and Brad--a grinning skull. + +A doctor's office, in the old days, without a skull peering out from +some hidden recess, was not considered complete--it contributed a kind +of mysterious power to the man of medicine, and lent the impression that +he had dipped deeply into the science of healing. + +"Look at the slate, Shawn." + +Shawn went out and took down the slate which hung by the office door. +"Old man Stivers has been writing on the slate," said Shawn. + +"Huh," said Brad, "I reckun he 'cided to cum an' git you to cum out an' +see his wife, now dat he done rin up a bill wid ole doc' Poleen, an' +carn't git him to cum no mo'." + +"Yes, Brad, it's strange--the man who loses sleep and health to save +others has a hard time getting his pay. They look to the doctor mighty +anxiously in the hour of trouble, and in the hour of suffering and death +the doctor is a power of comfort." + +"I see dat Bill Hugers scratchin' on de slate las' night," said Brad, +"yo' hain' gwine to see him no mo', is yo', wid him owin' yo' a big +bill?" + +"Bill was one of my best friends when I made the race for the +Legislature," said the doctor. + +Brad scratched his head. He recalled the time when the doctor went to +Frankfort as the representative of his county, and he remembered the +scuffling he had to do during the doctor's absence--the yearning for +many comforts which did not come. He recalled how the doctors picked up +old Hissong's practice while he was away, and he had not forgotten the +mean things they had said about him when he returned to be nursed +through a spell of "too much liquor." + +"Yo' hain' never gwine run no mo', is yo', doc?" + +"I can't say, Brad." + +"Brad, didn't you hear somebody holler outside? Go out and see who it +is." Brad opened the door. + +"Is the doc in thar?" + +"Yes, sah, cum in." + +A tall, double-jointed farm-hand came blustering into the room, his face +covered with a yarn comforter. He slowly unwound the rag and brought to +view the side of his face, swollen to a frightful size. + +"Done busted me wide open; kin you pull her, doc?" + +The old doctor examined the tooth and said, "You've got a tooth like a +hoss--fix the chair in the back room, Brad." + +Brad brought a washpan and placed it beside the chair. Doctor Hissong +opened a drawer and brought forth an instrument that resembled a +cant-hook, one of those tools used in overturning logs. This tooth +extractor had a handle about six inches long, and a sort of steel hook +on the end, and it would draw the tooth, if the jawbone did not break. + +The suffering patient looked on with an expression on his face anything +but pleasant. + +"Looks like fixin' fer hog-killin', doc!" + +"Well, I've known 'em to die under it," complacently said the old doctor +as he shuffled about. "Give him a drink, Brad, and put him in the +chair." + +The patient stretched his long legs and rested his feet on a soap box. + +"Fifty cents," said the doctor, as he approached with his instrument in +his hand. + +"Hafter have it beforehand, doc?" + +"Yes, sir, that's my rule, for nine cases out of ten are so mad when I +get through that they won't pay." + +The money paid, the doctor carefully leaned over and fitted the hook +over the tooth. + +"Clinch him, Shawn!" + +"O-r-r-r-r-r-wow! leggo! leggo!" + +"Choke him, Brad!" + +All four of them were on the floor, the farm-hand had smashed the +wash-stand with his feet, and the water pitcher had gone with the ruins. + +"Hold his feet, Shawn!" + +Shawn jumped straddle-ways on the legs, and the old doctor made another +pull. + +"H-l-l-u-p! H-e-l-l-l-u-p!" + +Rising with the strength of a desperate man, the farmer dragged all of +them into the front room, but the old doctor did not lose his hold on +the tooth. The last remaining glass in the bookcase was smashed and the +lower sash of the front window caved in. + +"Throw him, Brad!" + +The tooth-key slipped off and the farmer let out a yell and tried to get +out of the door. + +"Nail him, Brad!" + +"I don't want that tooth pulled, doc." + +"Yes, you do, and you had just as well make up your mind to get back in +that chair." + +"By Gosh, you had better get a mule to kick it out!" + +Brad and Shawn got him in the chair again and the doctor tried for +another hold on the tooth. The back of the chair gave way with a crash. + +"What's that?" said the doctor. + +"I think it wuz my backbone come uncoupled," said the farmer. Brad +grabbed him by the left leg and the struggling group went down in a +heap, but the doctor came up with a gleam of triumph on his face, and +holding aloft the terrible molar. Brad was panting, over by the door. + +As the farmer turned to leave, he walked over to doctor Hissong and +said, "Doc, if you air as good at doctorin' other diseases as you air at +pullin' teeth, thar hain't much prospect of this community enlargin' her +population." + +Doctor Hissong glanced over toward the bookcase where Shawn was +standing: + +"Shawn, do you still want to be a doctor?" + +"Not a tooth doctor," said Shawn. + + + + +CHAPTER III + +IN SCHOOL + + +The varying routine of school was a trying ordeal to Shawn. The spelling +classes, the reading and the terrible arithmetic were as a nightmare to +his mind which yearned for the freedom of the river and the woods. Afar +off yonder was the stream, where the white gulls were soaring lazily +above the channel. Through the windows he could see the tall sycamores +and the white-graveled beach, where he and Coaly had spent so many happy +hours. In his fancy he could see the cool crystal water oozing out from +the spring which he had dug in the sand, and which he had lined with +white boulders. Oh, to be down there, breathing the sweet air as he +paddled his john-boat about the stream. He turned from the enrapturing +view--turned to the hateful books. The children around him were bending +over their studies, happiness reflected from their faces, but gloom sat +on the countenance of Shawn. Oh, for Coaly and freedom. All might have +gone well had it not been for Coaly. To leave Coaly chained up at home +through the long hours; to be separated from this companion, who yelped +and begged so hard to be taken along, was becoming more unbearable each +day, and there came a day when the pleading eyes brought his release, +and together they marched into the school. + +The story of "Mary's Little Lamb" was not associated with Coaly in +Shawn's mind. Shawn put his books on his desk, and Coaly lay down, as +peacefully accepting the new turn of affairs. Mrs. Wingate, the teacher, +came over to Shawn's desk and quietly said: "Shawn, you must put your +dog outside." + +"Can't he stay if he keeps quiet?" + +"No, we cannot have any dogs in the school-room." + +Shawn gazed out upon the river and then down at Coaly. + +"Come on, Coaly," he said as he started to the door. He passed out into +the hallway, Coaly following. Just as Coaly started through the doorway, +a boy gave him a vicious kick, which set him to howling. Shawn sprang +into the room. + +"Who kicked my dog?" + +A little girl said, "Henry Freeman did it!" + +Good resolutions and books were forgotten. Farewell to every ambition. +Freeman tried to free himself from the enraged boy by climbing over the +desks and calling to the teacher. The little girls were screaming and +books and slates were scattered all about the room. Mrs. Wingate finally +succeeded in getting her hands on Shawn and drew him away as he planted +a parting blow on Freeman's nose. Shawn turned and facing the school, +tragically exclaimed, "Where I go, Coaly goes. Where Coaly goes, I go!" + +Henry Freeman followed Shawn to the door. Shawn turned for battle +again, but Freeman used a more malicious weapon by saying, "Who's your +daddy? Who's your daddy?" + +And then Shawn burst into tears. + +The next morning a servant found on Mrs. Alden's porch a bundle +containing the books and clothes which she had given Shawn. Pinned to +the bundle was a note. In a scrawling hand was written, "I am much +abliged. I tride to keep my promise. I am going away. I have kept the +little testament. Shawn." + + + + +CHAPTER IV + + + "Oh sing your praise of the bounding craft; + And the merry sloops afloat, + But for easy space, both fore and aft, + I'll bunk on the shanty-boat." + +"Jump out there, Shawn, and take a hitch around that cottonwood with +that line--we're at the mouth of Salt River, an' no better fishin' on +the Ohio." + +John Burney was standing on the bow of his shanty-boat, with a long +steering-oar in his hand. + +"Jump, Shawn!" Shawn leaped to the shore and made the line fast to the +tree. + +"Haul out that aft gang-plank and stake her deep on the shore, there, +steady, boy; she lays good and snug an' weather-shape--now git to your +breakfast." + +Inside of the boat a wood fire was burning in the stove. The fragrant +aroma of coffee and fried fish came over the morning air. Shawn took +off one of the stove-lids, and over the burning coals toasted two or +three slices of bread. The first primrose bloom of the glowing day came +over the hills. The sunbeams rioting on the water lent an enchantment to +the autumn scene. + +Further back from the river, on the hills, were the claret hues of young +oaks, and the scarlet of young maples. The morning rays sifting through +the little windows of the boat revealed the arrangement of this river +habitation. The two sleeping bunks were near the rear end of the boat; +two chairs, the stove and a rough table were in the forward end. Near +the door hung great coils of fishing line and tackle, and in the corner +was a dip-net and gig. + +As Shawn sat eating his breakfast, his thoughts wandered back to Skarrow +and his mother in the little frame house on the river bank--to Mrs. +Alden and doctor Hissong. He thought of the many kindnesses shown him by +these friends, and, perhaps, wondered how his mother might have missed +him since the night he stole away with old John Burney, who made these +shanty-boat trips every autumn. It had been the dream of his life to go +down the river with Burney, for how often had he sat on the wharf-boat +at Skarrow listening to Burney's tales of shanty-boat life on the lower +Ohio. And here he was at last; he and Coaly! + +"Shawn," said Burney, "I want to drop a fish-basket just below that +willer. The channel is fine up here, and I might walk up town and see if +I can get a ham-hock and some beef lights, while you look over the hooks +on the jugs--there ain't no bait like a ham-hock for juggin', fer a +channel-cat wants a meat that won't turn white in water." + +In the early days of "jugging" on the Ohio, the outfit was a matter of +considerable expense, as half-gallon stone jugs were used, but as time +went on, some ingenious fisherman substituted blocks of wood, painted in +white or conspicuous colors. A stout line, some six or seven feet long, +is stapled to the block of wood, and with a good, heavy hook at the end +of the line, the outfit is complete. The jugs, some twenty or thirty, +are put out at the head of the channel, and are followed by the +fishermen in a skiff or john-boat. When a channel-cat takes the bait, +the jug stands on end and begins to scud through the water. The +fisherman pursues in his boat, and coming up, pushes his dip-net under +the fish as he draws him to the surface. It is the most exciting and +fascinating method known in river fishing. + +Burney came from town with the bait. Shawn had the jugs ready and +together they rowed to the head of the channel. Shawn placed the jugs in +the water, and they floated away in a line, ranging some four or five +feet apart, Burney and Shawn lingering behind with silent oars. Suddenly +a jug stood upon end. + +"Down atter him, Shawn!" + +Shawn skilfully sent the boat toward the bobbing jug. + +"He's heading for shoal water!" yelled Burney, "Slack your right +oar--now come ahead--hold her--ease her up to him--look at that jug!" +The jug was racing for deep water again, and disappeared from the +surface for at least half a minute. + +"He's a whopper, Shawn! Yonder he goes, thirty yards away! Give me the +oars and take the dip-net. Great Hirum, boy! yonder is another jug +that's hung!" + +Burney sent the boat with a bound after the whirling jug. Shawn stood in +the bow of the boat with the dip-net ready to swing. They went to the +lower side of the jug, and just as Shawn reached out for the line, +Burney, unintentionally, brought the boat to a sudden stop, and Shawn, +losing his balance, went over board, dip-net and all. Burney sprang to +the stern of the boat, and as Shawn came up he held out an oar to him, +and Shawn grasped the side of the boat. Burney took the dip-net and +paddled the boat toward the jug, and catching the line, raised the fish +to the top of the water. Shawn swam around to the other side as Burney +raised the fish. "For land sake! Look at him, boy! He's the biggest one +I ever hooked--I can't get him in this boat--we'll have to tow him +ashore!" + +They fastened a stout line through the gills of the big fish and towed +him to the shore and pulled him out on the beach--a blue channel-cat of +forty pounds. "Go and get some dry clothes, while I go after the jugs," +said Burney. Shawn went down to the boat and rummaged around for a +change of clothes. He found a suit of Burney's heavy underclothing, and +rolling them up to suit his size, got into them; then came Burney's old +corduroy trousers, and Shawn buckled them up until they hung directly +under his armpits. Building a fire in the stove and hanging his wet +clothes before it, he left the boat and ran back to the spot where they +had left the big fish. Burney returned with the jugs and threw out +another smaller fish which he had taken off. "We'll eat this one, Shawn, +and sell the other one and divide the money," and as Shawn stood before +him in the loose-fitting clothes, old Burney laughed and said, "Well, +if he ain't growed to a man since that ketch!" + +They hung the big fish to the side of the boat. "I'll show you how to +skin a channel-cat," said Burney as he drew forth his steel pincers. +"We'll peddle him out this evening." It was a joyous pair that climbed +the hill leading to the little town, the big fish swinging on a pole +between them. There were plenty of buyers, and as they returned to the +boat, Burney said to Shawn, "You'll be a great fisherman some day, +Shawn," and Shawn said, "I'm goin' to be a doctor." + +"What kind of a doctor, Shawn? steam or hoss doctor?" + +"Neither one. I'm goin' to be a reg'ler doctor, like Doctor Hissong." + +[Illustration: "You'll be a great fisherman, some day, Shawn"] + +"Shawn, this doctorin' business is a good deal like hoss tradin'; you've +got to take your chance on a short hoss and blemishes, and some of the +doctors look like they interfere powerfully with themselves--you know +how a hoss _interferes_. I calkerlate that a good doctor is mighty +rare, and after all, it's a good deal more in his encouraging talk +than his medicine. You never knowed old Doc' Felix Simpson--he was away +before your time and practiced in the country four miles above Skarrow. +Doc' Simpson would have his joke, and to hear him laugh would cure 'most +any case of ailment. Lawse! how I used to love to hear him tell about +old P'silly Orton and the time she played dead. Doc' Simpson said that +aunt P'silly took a notion that she wanted her old man to raise her some +money to take a trip down to the city, and as the money wa'nt raisable, +P'silly took on and 'lowed that she was goin' to die, and she kept on +havin' sinkin' spells and such, and bye and bye she lays on the bed and +wauls up her eyes and breathes her last, to all appearances. Uncle Buck +gits skeered and digs out for Doc' Simpson, and when Doc' Simpson gits +thar, thar was the old neighbor wimmen tryin' to comfort uncle Buck and +sayin', 'Ba'r your burden, Buck; the Lord has give and the Lord has tuck +away.' Doc' Simpson goes up to P'silly, who was layin' with folded +hands, and feels her pulse, and says, 'Yes, she is dead, pore soul'; and +they all bust out cryin' and the hounds begin to howl, and Doc' comes up +to the bed and says, 'Bein' she is dead, I'll pour a little of this +nitric acid in her yeer to make shore.' And as he took the stopper out +of the bottle, P'silly opens one eye an' says, 'Doc' Simpson, if you +pour that in my yeer, you'll never straddle that hoss of yourn again.' + +"There's another sort of doctor, Shawn, the magic-healers, the sort as +cures by the layin' on of hands and rubbin'. Pelican Smith was one of +this sort. He practiced up on the Kentucky river and made a sort of +circuit down in our country. Sometimes thar would come a report of +somebody gittin' well, but when anybody died, Pelican always said, 'The +Lord loved him best.' You never knowed Pelican. He was all sorts of a +character--got his nickname from his nose--they weren't no other one +like it, and him and that nose made history in the river country. His +first marriage was to Addie Stringer, up at Ball's Landing, and it was +all right as fer as it went. They started on their honeymoon from Ball's +Landing on the steamer Little Tiger. They was goin' down to Wide Awake, +some thirty miles. The boat caught fire, Pelican swum out on a +crackerbox, and when they found the body of his wife next day, Pelican +thumped the side of his nose with his thumb and said, 'Hit's a dam pity +she couldn't swim'. + +"It wasn't long before he got into business by starting a 'blind tiger', +and he worked up several war dances in the community, but one night thar +was started a mild argument as to whether the Methodists or the Baptists +was the chosen of the Lord. The argument was in Pelican's place, and he +had to close up the joint, for nearly all of his best customers passed +out with the close of the argument. Pelican told me afterward that over +three hundred shots was fired, and said to me, 'I reckon the only reason +I was saved was that I didn't belong to either denomination, as I am a +Campbellite.' + +"Pelican moved down on the Ohio after this, and it was there I met him. +There is always considerable interest, Shawn, in a stranger when he +moves into a community, especially if there is some mystery about him. +Pelican didn't have much to say--he had no desire to mention his past. +He was wise. It was rumored that he had left a good farm at Ball's +Landing and had moved down on the Ohio for asthma trouble that bothered +him. About the only disease he ever had was the whiskey habit, but he +did not dispute any of the statements made by an interested community. +His stock went up with the talk about the farm. He was invited to take +supper with Bill Bristow. Bill owned twenty acres of hill land, with a +small house and a mortgage on it. Old Bill's daughter, Lettie, set next +to Pelican at the table, and old Bill looked on with satisfaction at the +headway they was making. Old Bristow was thinking of the farm up at +Ball's Landing; Pelican was thinking of the one he was on. After a +time, Pelican and Lettie was married. Bristow give a dance and ice cream +supper and charged fifty cents admission. There was dancing, singing and +a cuttin' scrape and the couple felt that the occasion had been one of +success. Pelican certainly married into old Bristow's family for he +never made any move toward looking for another home, and it wasn't long +before Bristow begin to screw up his face. + +"Time passed and then come the twins, a boy and a girl, and Pelican was +proud of the boy, for he had the Pelican nose, but old Bristow rose up +in his wrath and said that they would have to go, and so Pelican and his +wife come down into my neighborhood to live in a shanty-boat on the +river, but they didn't git along, and fit and cussed from mornin' till +night. Bristow come down to patch up matters. Pelican knocked him off +the boat with an oar, and as he floundered out to the shore and wrung +the water out of his whiskers he said, 'Fix yer own troubles--far'well.' +Two weeks after the fight Mrs. Pelican Smith went back to live with her +father and Pelican went into the fishin' and 'blind tiger' business. I +had two new nets and a set of trot lines, and we bunched into a sort of +partnership. I couldn't git him to say anything about his family or +whether he wanted to see them again. But one night we set together on +the shore. We had run out of bait and was tryin' to make plans to git +some, as the lines was dry upon the shore and the fish would be runnin' +with the gentle rise comin' in the river. We set on an old sycamore log +together. The moon had just swung over the hill and I could see the +white rim of it above the edge of Pelican's nose. + +"'Pelican,' I said, 'why don't you go back to your wife and children and +try to live happy with them?' He made no answer and I pressed on him, +'Pelican, them two little twins air dependent on you, and if you had a +little home to yourself, where the vines could run over your doorway and +the birds sing in your own trees, with your wife and children beside +you, your life would be happy--think of them, Pelican, your wife and +children.'" + +"Pelican rose up, his face turned to the river. Ah, I had him at last +thinking of his dear ones. + +"'What are you thinkin' of, Pelican?' + +"'I was thinkin' wher'n the hell we'd git that bait' said he." + + + + +CHAPTER V + + +"Did you ever eat a mussel, Shawn?" + +"No, sir, I didn't think they were good to eat." + +"Well, lots of things are made good to eat by the way you cook 'em. I +want you to bale out the boat and we'll go up to the head of the bar and +drop the grab-hooks along in shoal water and after we get a good dozen, +small broilin' size, I'm goin' to show you how to cook 'em. A mussel, my +boy, is a sort of lefthanded cousin to an oyster, only he lacks the salt +water and a good many of the finer points; a right smart like a good +many men, and I want to tell you another thing--one of the finest pearls +that sold in a jewelry store in Cincinnati for fifteen hundred dollars, +was taken from a mussel that come out of the Ohio river." + +"Luke Walters found it at Craig's bar," said Shawn. + +"The same," said Burney. + +"We might boil a bushel or two down and run a chance of finding +somethin'; there's no tellin'. Git one of them lemons out of the box and +the wire broiler and a stew-pan." + +Shawn came around with the boat, Burney came out with the drag-hooks. +Shawn sat at the oars and they started up the stream. The white pebbles +on the shore gleamed in the rosy sunlight. A kingfisher perched on a +rock by the stream, tilted his head to the side in a quizzical way and +watched the boat approach. The leaves from the tall sycamores and +cottonwoods came tumbling down to the edge of the water as if seeking to +embark upon a journey southward. A little creek came pouring its crystal +waters into the great river. Just above the mouth of the creek, some boy +had built a miniature mill-race, and the water coursing over the little +wheel murmured tenderly and soothingly upon the ear. + +"Shawn, there's many a boy in the city would like to have a plaything +like that. Did you notice how nice and keerful-like he has made that dam +and the shoot? I'll tell you, a country boy knows how to look out for +his fun. You'll see the day when the old water-mill will be a thing of +the past; steam will run 'em out, as it has run out the flat-boat. In +the old days I used to make the flat-boat trip to New Orleans and walk +all the way back and help _cordelle_ the boat, they brought back their +flat-boats in them days--think of doing that now. But I hate to see the +water-mills go. There's one out on Eagle that has been run by five +generations, and they can't make flour by steam as good as Amos Kirby's +flour. Amos' father had the process down, it seems, better than any of +them. The old man was knowed all over that country, not only for his +good flour, but for his good deeds and his kindness to the poor, and +that's a mighty good name to leave behind. He always had a houseful of +company, and always got drunk fust, so that the rest of his company +would feel at home. I et dinner thar once, and they wound up with some +cake they called egg-kisses. You didn't have to chaw 'em--you just +throwed 'em up in the roof of your mouth and let 'em melt--pull over +thar to the head of the bar." + +Shawn took off his shoes, and bare-footed, with trousers rolled to his +knees, began the hunt for mussels around the bar, as Burney threw out +the drag-hooks in deeper water. Burney was drifting slowly down the +stream and Shawn could see him bringing up the hooks and putting the +mussels inside the boat. Shawn found them plentiful around the edge of +the bar, and when Burney came back they had the boat well filled. + +"Now, Shawn, we're goin' over to the shore and I am goin' to give you a +feast." Burney made a wood fire, and after taking the mussels from the +shell, put them in the stew-pan and let them boil for a short time, then +putting them on the broiler, he held them over the live wood coals. +"Squeeze a little of that lemon juice over them, Shawn, and season 'em +up--now try one." Shawn took one of them and nibbled it gingerly around +the edges. + +"What do you think of 'em?" + +"Did you ever drink out of a cow-track, Mr. Burney?" + +"No. Why?" + +"Well, you never missed much," said Shawn. + +They rowed down to the shanty-boat and Burney built a big fire on the +shore. He got out his big kettle and said, "We're goin' to boil these +out and look for a pearl." + +Under the roaring fire the kettle began to sing. Shawn watched Burney as +he filled the big pot with mussels. "You've got to boil them until the +meat comes away from the shell and is boiled all to smithereens, before +you've a chance to git a pearl." + +It was late afternoon before the kettle was taken off. Burney began to +drain off the water and take out the shells. All of the substance in the +bottom of the kettle was subjected to a careful inspection as he drew +it forth. + +[Illustration: Burney began to take out the shells.] + +Suddenly Burney held his hand up toward the sun and exclaimed, "Come +here, quick, Shawn, I've found one--I don't know how good, but it's a +pearl!" He rubbed it between his hands and wiped it off carefully on his +sleeve. "That tiny pink spot on the side of it is a blemish that will +never come out, but I think it is a pearl of some value. I'm goin' to +give it to you; maybe you can sell it or give it to some girl some +day--leastwise, Shawn, we'll put in the spare time boilin' down a few +more of 'em." + +Shawn took the pearl, his cheeks were aglow under the stress of the +find. "Oh, Mr. Burney, I'll keep it always for a luck stone." + + + + +CHAPTER VI + + +Shawn was clearing away the supper dishes. Burney tilted his hickory +chair against the wall and puffed at his short pipe. Coaly was asleep in +the corner. "Shawn, when you git through I want you to read me some more +out of your Testament--I'm gittin' to like it." + +Shawn carefully wiped his hands before taking up the little book. +Seating himself by the table, and drawing the lamp nearer, he opened the +book at random. The chapter was Revelation, XIII. + +Shawn began reading in a halting and uncertain voice: "And I stood upon +the sands of the sea and saw a beast rise out of the sea having seven +heads and ten horns." + +"Hold on there, Shawn," said Burney, "Is that in the Bible?" + +"Yes, sir, you can see for yourself." + +"I can't read to no account," said Burney, "but air you certain that's +in the Bible?" + +"Yes, sir." + +Burney scratched his head and crossed his legs. "Well, all I've got to +say is, that there must a been a leak some'ers around a distillery when +that feller got to writin'. I don't read much, but I read in the Bible +once about an old feller by the name of Job, who comes up to a feller by +the name of Amasa, and Job pertendin' to be his friend, took him by the +whiskers, like he was going to kiss him, and Job said, 'How's your +health, brother Amasa?' and before Amasa could answer, Job cut him in +the fifth rib with a corn-knife or sunthin'. Maybe times have changed +since them days, but it still pays to watch a man who comes up to you +with his hand behind him, and there ain't no man goin' to take me by the +whiskers when he says _howdy_--I've larn't that much from the Bible--but +you stick to that Book, Shawn, even if some of the stories do make you +set up and take notice, it's a good Book to live by and a better one to +die by. Stick to it, Shawn--I'm goin' to bed." + +Shawn went out and sat on the bow of the boat. The night was beautiful. +Along the shore the willows were rustling as the south wind kissed their +foliage. The moon was coming over the hill, a full, round, voluptuous +moon. The tiny reflections of the stars quivered in the depths of the +stream. From the head of the bend came the long and deepened breathing +of a coal boat. A bell clangs in the engine-room, the great wheel stops +as welcoming rest, the bell clangs again and the boat swings on, +standing for the channel. Afar up the river, Shawn saw a lurid light +against the sky. The heightened colors came and went in flashes and +spurts. That light could not come from the headlight of a steamer. Shawn +went quietly to the door and called Burney. Burney came to the door of +the boat, rubbing his eyes. "Must be a house burning, from the looks of +it." They stood on the shanty-boat until the light began to diminish +and then went to bed. Burney was unable to sleep. Presently he got up +and turned up the wick of the lamp. Coaly went over and nestled by his +feet. Suddenly Burney heard the sound of approaching footsteps. Coaly +began to growl and moved nearer the door. Shawn was peering out of his +bunk. Burney opened the door as two men came up the gang-plank. They +were breathing hard and looked as though they had been running. One of +them was untying the chain of the john-boat, and said, "We want your +boat to get across the river; we're in a hurry." + +"Let go of that chain," said Burney, as he raised a musket to his +shoulder. "You can't have that boat, and I want you to get off of this +boat at once." + +The men drew back, they were desperate looking characters, but they +heard the determined tone of Burney's voice and they stepped ashore and +made off down the beach. Burney turned to Shawn and said, "Somethin' is +wrong; them fellers have done somethin'. What's that?" They could hear +the deep baying of a hound. "My God, they's bloodhounds!" + +There is something strangely weird in the sound of a bloodhound's voice +coming across the night--something that seems to tell of death. The +trail was fresh and the dogs were coming under full yelp. + +"Put on your shoes and come out front, Shawn," said Burney. Eight or ten +men came down through the willows, one man in front and holding the +hounds by a leash. Each man was armed with a shotgun. The dogs came to +the gang-plank, and stopped at the water, and lapped it with their long, +yellow tongues. + +"Whose boat is this, and who's here?" asked one of the men. Old John +answered in a clear and unshaken voice, "I am John Burney, and this is +my boat." One of the men came forward and extending his hand, said, "I +know John Burney; there's nothing wrong with him, but Burney, can you +throw any light on these tracks leading here?" Burney told them of the +two men, of their wanting his boat to cross the river. "They went down +the shore," said Burney, "about twenty minutes ago; your dogs oughtn't +to have much trouble in locating the track, but tell me what's wrong?" +The man holding the dogs answered, "Casper Daniel's country store was +robbed and burned just after he had gone to bed, and Daniels was either +murdered or lost in the fire." + +Shawn shuddered and crept back into the boat. The men put the dogs on +the trail. Shawn heard them baying as they went down through the deep +cottonwood grove. "No sleep for me to-night," said Burney. The voices of +the hounds came in faint baying. Burney restlessly paced the shore until +the first streaks of dawn. About five o'clock he heard the men coming +back. They came down to the boat. Handcuffed together were the two +criminals, their haggard faces bore the look of despair. They were +sullen and silent, and as Shawn stood gazing at them, he could not +repress a feeling of pity, although their hands were stained with human +blood. They were taken up the road to the little town and placed in the +jail. Shawn and Burney followed the men. Around the jail was a crowd of +excited men and loud voices were heard on every side. Men were coming +out of the saloon on the corner just beyond the jail. They stood around +in groups and angry mutterings were heard. Suddenly there seemed to be a +concerted move in front of the jail. A young lawyer sprang upon a box +and pleaded with the crowd to let the law take its course. + +"Law!" exclaimed a black-whiskered man, "we've never had any law that +money couldn't buy!" + +"Hang 'em! Hang 'em!" yelled the crowd. A rush was made for the jail. +The jailor was making a feeble pretense of protecting his prisoners. A +heavy sledge crashed against the door, the jailor was knocked down and +the keys taken from him. + +"There they are! Bring 'em out!" + +The poor wretches were dragged out, moaning piteously and begging for +their lives. Shawn turned away, sick at heart, but something seemed to +hold him to the spot. + +"Don't kill us, men, for God's sake don't kill us!" pleaded one of the +criminals but his voice was drowned in the uproar of the maddened crowd. + +"That lower limb will do, boys, everybody pull!" + +A cloud afar off in the sky seemed to float across the sun. They cut the +two rigid bodies down at noon. Shawn and Burney returned to the boat. A +rain-crow was calling softly from a willow tree, and the ripples +murmured sorrowfully on the shore. Shawn touched Burney on the arm as +they stood by the boat: "Mr. Burney, there's a Memphis packet due up +here to-night. I don't like to leave you, but I'm goin' home--I've just +got to go." + + + + +CHAPTER VII + + +It was after midnight when the boat upon which Shawn took passage +reached Skarrow. As they climbed the hill, Coaly instinctively turned +toward Shawn's home, but Shawn had determined to first visit old Brad +and make inquiry as to the kind of welcome he might expect from his +mother. He knocked gently on the door of old Brad's cabin. + +"Who dar?" called Brad. + +"It's Shawn, uncle Brad; I've come home." + +"Great Lawd!" exclaimed the old darkey, "Wait er minnit tell I strack a +light--come in hyar, boy." Shawn went in as Brad threw a chunk of wood +on the fire. "Set down thar, boy, and lemme put dis coffee-pot on de +coals an' brile yo' a piece uv bacon. Lawse, chile! some say yo' done +drown, an' some say yo' rin away wid race-boss men, en yo' mammy jes' +'stracted an' axin' me ef I heerd frum yo' ev'ry day. Is yo' seen yo' +mammy yet?" + +"No," said Shawn, "I felt like--" + +"Out wid it," said old Brad, "Dat's right, an' say dat yo' felt like yo' +wuz ershamed uv yo'self en had done wrong, but yo' go down thar jes' as +soon ez yo' kin an' see yo' mammy. Yo' hain' no wicked boy, Shawn, but +des kinder ramshackel an' loose-jinted in yo' constitushun, but yo' +hain' wicked. I know what wickedness is, but even de wicked hez got de +chance to tu'n frum de errer uv dey ways befo' hit is too late. De +wickedes' man I ever knowed, honey, wuz Captain Monbridge, down in +Louisiana. He wuz de wickedes' an' han'sumest man en de richest man in +dat secshun, en when he got drunk an' got on his big black hoss, he +would shoot de fust nigger whut crossed his path, en when he wuz drunk, +de niggers wuz mi'ty skase eround. He fell off'n his hoss one night an' +wuz kilt, en de folks all say dat he went straight ter hell, but de naix +spring after he wuz daid, a strange flower cum peepin' outer his grave, +en hit wuz de mos' curios flower dat wuz ever seen 'roun' dar--a kine uv +red dat nobody ever see befo', en hit kep' a-comin' an' a-comin', en +purty soon de people all cum to see dat flower on Captain Monbridge's +grave. Byme bye de flower grow to a big stalk, en down in de center uv +de stalk wuz a leaf, en when dey tuck out dat leaf, dar wuz writ on hit +dese words: + + 'Betwix de stirrup an' de groun' + He mercy axed an' mercy foun.' + +"Yassir, he wuz saved." Uncle Brad took the coffee-pot from the glowing +coals and poured a steaming cup of coffee for Shawn. "Shawn, I'm gwine +tuh preach at de chutch Sunday mawnin' an' I want yo' to heah me. I'm +gwine preach on de Prodegale Son, an' hit's gwine tuh be a sarmon." + +"I'll be there," said Shawn. + +Shawn and Coaly went down the hill. Coaly gave a yelp of delight and +stood barking before the door. Shawn's mother sprang from bed, opened +the door and clasped her son to her breast. "Oh, Shawn, bless God, +you've come!" And Shawn's home had never looked so inviting before. + +"Mammy, I'll never leave you again." + +He went to sleep in his little room overlooking the river, and he heard +again the night wind crooning through the trees and the night owl's +tones echoing through the distant wood. His heart was warm again in the +glow of sweet memories. He was in his old home. + +The next day found Shawn enjoying the surprising event of being +cordially welcomed by the inhabitants of the town. The worst sort of +straggler is often astonished at the kindly interest accorded him upon +returning to his old home. Old Doctor Hissong greeted him by saying, +"Hello, been seeing the world, have you?" When he went up to the Alden +home, he found the same good friend there; the same sweet smile and the +kind words, and Mrs. Alden still anxious to help him and guide him to +better pathways, urging upon him the great need of an education, and +Shawn promised to return to school. + +"Don't fergit about dat sarmon," said old Brad, "I'm gwine tuh look fer +yo' at de chutch termorrer." + + + + +CHAPTER VIII + +DE PRODEGALE SON + + +Shawn found a seat on one of the benches reserved for the white people. +Uncle Brad was in the pulpit. He arose, in all of the dignity of the +occasion. The little church was well filled with colored people. After a +song and prayer, uncle Brad came forward and began reading, to all +appearances, from the last half of the fifteenth chapter of Luke. +Closing the Bible, he began, "I have read fo' yo' heahin' de story uv de +Prodegale Son. Dis hyar boy, han'sum an' smart, bergin to git tired uv +de fawm--he heer'd de boys frum de city tellin' erbout de great doin's +down dar, en de mo' he look eroun' de mo' de ole place los' hit's chawm, +en fine'ly he goes to hi' daddy en says, says he, 'Pap, I dun git to de +age when I waun' see sum uv de wurl, en' ef yo' gwine do ennything fo' +me, do hit now.' Yessir, he lit a seegar en blow de smoke thru hi' nose +en say, 'Do hit now!' + +"De boy dun fergit how his daddy fotch him up an' feed him an' clothe +him, but dat doan' count wid chillun. Dey kine er reason hit dis way: +'Yo' 'sponsibul fo' my bein' heah, en yo' bleeged to teck keer uv me'. +De ole man kiner swole up, but he drawed his check on de bank--de Bible +doan' say how much, but hit mus' ter been a pile, fer de Bible doan' +fool wid little things. De boy wen' 'roun' to tell 'em all good-bye, an' +his mammy jes' fell on his neck an' wep'. He wuz de black sheep, an' hit +seem dat de mammies allus love dese black sheep de best. When he cum to +tell his brother good-bye, de brother kiner put hi' han' to hi' mouf en +say, 'Doan' yo' write back to me when yo' git busted,' en de Prodegale +Son he say, 'Pooh, pooh, yo' clod-hopper.' + +"Dar wuz de ole folks sottin' on de poach as he wen' down de road. Dey +could see him ergin crowin' in de craddle; dey could see him larnin' +how to teck his fust step, en back in de years, dey could heah de fust +word he ever said--de fust one mos' uv us says, _mammy_. + +[Illustration: "De Prodegale Son."] + +"He rech de city, en dere wuz frens waitin' him by de score, en dey say, +'Whut a fine genermun! Whut a spote! All wool en a yahd wide!' Yassir! +An he smile an' swole up an' say, 'Le's have sunthin!' Dey go inter de +bar, en de barkeeper smile en say, 'Whut's yourn, gents?' Some say ole +fashun toddy, some say gin, en' so on. De young man res' hi' foot on de +railin' uv de bar, en look at hi'sel' in de glass, en he see de dimun +rings on his fingers jes' glis'nin', an' when de licker gits to workin' +inside him, he look in de glass ergin, en 'lows to hi'sel', 'I reckon +I'se jes' about de wahmest thing in dis hyar town,'--an' he wuz! He +foots all de bills. Lawse! how he meck frens. He tell er story, en dey +all jes' laff fit ter bust, an' say, 'Hain' he great!' De ladies uv de +town, some uv 'em, dey roll dey black eyes at him an' say, 'Hain' he +sweet!' He done fergot de little girl wid de blue eyes an' de gold ha'r +blowin' in de win'. De gamblers tuck a crack at him, too--dey kin tell a +sucker three miles off. Dey showed him how to handle de kyards an' roll +de bones, en he rar'd back in a sof' cheer wid a black seegar in hi' +mouf an' see his money slip erway. Lawse! yo' oreter see his room whar +he stay. He slep' in a feather-tick nine foot deep, an' show-nuff goose +feathers, mine yo'; a red lam' wool blanket, en lookin'-glasses all over +de wall, so ez he could see hi'sel' whichever way he tu'n. Nobody to +scole him erbout gittin' up in de mawnin' en he had his breakfas' fotch +up on a silver waiter by a shiny nigger, but somehow, de vittels got so +dey didn't tase ez good ez dey did down on de ole fawm. City grub looks +mi'ty temp'in at fust, but after while when yo' git down ter kinder +pickin' ovah hit, yo'll find dat hit's lackin' in de juice er sunthin', +en yo' long to lay yo' gums on de things jes' whar dey grow. + +"Byme-bye--hit allus comes, he see dat he's gittin' low in cash, en +'fore long yo' see him slippin' 'roun' to de pawn shop. De ole pawn-shop +man he scowl at him an' fix ter bleed him good en strong. His dimun +shirt-stud wen' fust, en one by one de rings on hi' fingers, tell dey +look ez bare ez a bean-pole in de wintah time. + +"He move his bo'din' house, en purty soon he move ergin, tell he fine'ly +cum ter a house whar dey didn't have much mo' den liver hash. Oh, Lord! +Liver hash! Whar wuz his frens? Ef enny uv yo' hez ever been dar, good +an' busted, yo' know whar dey wuz. Dey tu'n erway frum him lack he wuz a +polecat. + +"One mawnin' when ever'thing wuz gone, he started frum de city. Whut a +change! One shurt wuz all he had, en dat hadn' seen de wash fer two +weeks. He wuz seedy en his heart wuz sore; he wuz down an' out, en clean +out, en didn't even have chawin' terbacker. He look lack a turkey +buzzard ez had lost his wing-feathers. He wundered on; he stop by de +bridge whar de water wuz tricklin' down below--he see de picture uv +hi'sel' in de water, en' hit meck de cole chills run up hi' back. +'Shamed er himsel'? He dun got so ershamed dat he look lack he cum out'n +a hole in de groun'. Byme-bye he cum to a fawm house, en ast fer a job. +Yo' know he mus' er been awful hongry to think erbout wuk, but he dun +got so hongry dat he et yarbs en sapplin' bark er ennything. De fawmer +look at him en say, 'I cudden' hev yo' erbout de house; de wimmen +wouldn' stan' fer hit, but I got some hawgs up de holler yo' kin feed, +but yo'll hev to stay erway frum hyar, ez I doan' wan' my chillun +skeered.' + +"He wen' up de holler. De win' sigh en groan thru de poppaw bushes, en +he wuz sad, en de dark drap down en hit wuz so lonesome; nobody but de +katydids en de screech-owl en dem hawgs. Doan' yo' feel sorry fer him, +frens? I do--I feel sorry fer ennybody in dat sort er fix, but feelin' +sorry hain' gwine ter holp much when yo' git yo'se'f tied up in sech a +box. He fed dem hawgs, he et what dem hawgs et, he slep' close to dem +hawgs, he wuz suttenly _on de hawg_, but dey wuz better company en dem +gamblers en some dem wimmen in de city--yes, dey wuz. + +"Byme-bye, one night, ez he see de moon comin' over de hill, en de stars +winkin en blinkin' in de sky, he got ter thinkin' uv de ole home, uv de +chitlins en de spare ribs, de fat biskits en de sweet milk, de persarves +en de yaller butter--he jes' cudden' stand hit. He walk down to de +hawg-pen en throw over some cawn en say, 'Far'well, my frens, I'se done +de bes' I kin fer yo', but I'm gwine home!' + +"He struck out, fust in a kine er foxtrot, but de mo' he thought er +home, de faster he got. Erlong time hit seem, over dat lonesome road. De +little chillun cum out ter look at him, but fly back inter de house, he +look so awdashus, en ef he meet a hawg in de road, he cudden' look him +in de face. He could smell de ham and hominy fryin' in de skillet at de +houses whar he pass, en' hit meck hi' mouf water lack a hoss wid de +slobbers. + +"Fine'ly he see erway down yondah, de ole place frum de top uv de +hill--de ole house sottin' back in de cool shade. He tuck a hitch on +his rotten britches an' hit de grit. + +"Ez he cum up to de yahd gate, his dawg bark at him, an' his daddy cum +down de yahd wid his big gold-headed cane, en he never knowed hi' son +whatsomever, tell de boy kiner drag up en say, 'Pap, fo' Gawd sake, +gimme sunthin' ter eat!' + +"Ole Miss, his mammy, sot by de big winder, lookin' kinder sad-like, +doin' fancy wuk wid her needle, en singin' sorter sof 'In De Sweet Bye +en' Bye,' en' presen'ly she hear her boy's voice--a mammy kin hear de +voice uv her boy a long way--en' she jump up en' thode her sewin' erway +en' cried out ez de tears stream down her cheek, 'Praise Gawd, my boy +done cum back!' + +"De ole genermun knowed de black sheep dun cum home, en he holler out en +say, 'Bring de bes' robe en put hit on him, but wash him in de pon' +fust!' Den he say, 'Bring de fattes' calf, de one fed on de bran' mash!' +Dey wuz merry, en his mammy wep' on his neck, arfter hit wuz washed, en +when he sot down to de table, en she give him de veal cutlets en de +light rolls, he des hook his laig 'roun' a cheer 'roun' an' lay to, en +he des kin er roll frum side ter side, layin' in de grub, en licken' his +fingers, en passin' up hi' plate--en dey think he's thru, en gwine set +back, but he jes' teck a fresh holt en square hi'se'f erway en des roam +eroun' in glory, en he smile, en de grease jes' a-shinin' on hi' chin. + +"But de brother wuz mad. He 'low dat he stay at home, en ack a puffeck +genermun, en dis hyar skalawag jes' play de devil ginerally, en den cum +back lack er skunk en dey tu'n de ole house upside down fer him. He chaw +de rag monstrous fer a spell, but de ole man fine'ly tell him ef he +doan' lack hit, he better go out en try de wurl hi'se'f, en de brother +look at de Prodegale, en kiner shiver en simmer down. + +"Dat night when de Prodegale got inter de feather-bed, whar he done hid +a ham-bone under de piller, en hi' mammy tucked him in en kiss him good +night, he strotch hi'se'f en say, 'When I goes erway frum heah ergin, I +goes erway daid!' En he drap to sleep--de sweetes' sleep fo' many er +long time, en dream uv de little gal wid de blue eyes, who wuz still er +waitin' fer him. + +"Young men, all I wan' ter say tuh yo' by de way uv windin' up is +dis--Ef yo' got a good home, er enny sort uv home, stay dar!" + +And Shawn, sitting by the window, clasped his little Testament and +fervently said, "Amen!" + + + + +CHAPTER IX + + +Shawn had been at home for several days. One night when the waves were +rolling high on the stream, he sat in the office of the hotel, which +stood on the bank of the river. A cheerful log fire glowed in the old +fireplace. Pence Oiler, the ferryman, sat in the corner puffing at a cob +pipe. Suddenly, came the loud cry of "Hello!" When the door was opened, +a young man and woman came into the office. They had hurriedly gotten +out of a buggy and both seemed very much agitated, and the young man +quickly informed them that they were eloping from a neighboring county +and were being hotly pursued by an angry father and brother. Shawn's +gaze was fixed on the young woman, for never before had he seen such a +beautiful face, such lustrous, dark eyes, lit up by the flame of love, +seemed to shed a glow upon the dingy walls of the old room. + +"Where can I find the ferryman?" asked the young man. + +"I am the ferryman," said old Pence, "but you can't cross the river +to-night; the wind is too high." + +"But I must cross," said the young man, as a wild glance shot from his +eye. "I'll give you ten dollars to set us over!" + +"I'm feer'd to resk it," said Pence, but the beautiful girl went up to +him, and with a smile which seemed to melt into the very soul, softly +said, "I am not afraid. Won't you take us?" + +Old Pence hesitated for a moment and then turned and asked, "Who will go +with me?" + +"Let me go, Mr. Oiler," said Shawn, never thinking of danger connected +with the river. + +"Can you hold the rudder?" asked old Pence as he turned to Shawn. + +"I'll hold it, Mr. Oiler," said Shawn. Down to the shore they went, the +sweet woman calm and undisturbed, while the young man at her side was +trembling and uneasy. The wind was blowing a gale, and the waves were +beating angrily upon the shore. + +[Illustration: "I'll give you ten dollars to set us over."] + +After several attempts, Shawn and Oiler succeeded in launching the boat +and getting up sail. The spray and water came drenching the young woman, +but she quietly took her seat. + +"Hold her dead on Ogman's hill!" yelled Oiler to Shawn. The wind +bellowed into the stout sail and they shot into the foam, Shawn leaning +back with a firm grasp on the tiller, and his eye fixed on Oiler. + +"Keep her quartered, with stern to the wind, and don't give her a chance +to sheer!" shouted Oiler. + +"Is there much danger?" asked the bridegroom, as his teeth chattered. +Oiler did not answer him but yelled to Shawn, "Hold her steady and +fast!" + +"I'm trying to," said the groom, clutching his fair companion. + +"I wasn't talking to you," said Oiler. + +They were nearing the Indiana shore. Oiler shouted to Shawn, "Turn her +down a few points, then lift her out on the shore!" and beautifully did +they mount high on the pebbled beach. Oiler turned to Shawn and said, +"We'll not go back to-night." They went to the hotel. The proprietor +found the county clerk and a minister, and there in the little hotel +parlor, Shawn saw their passengers take the marriage vows. + +"Wasn't he scared comin' over?" said Shawn to Oiler as they went to bed. + +"Yes," said Oiler, "but wimmen always has the best grit when it comes to +a showdown, and when a woman makes up her mind to do a thing, 'spesh'ly +to git married, thar ain't no river or anything else can stop her. I've +seed a good many couples cross this stream--some of 'em, I reckon, wish +they had never made the trip. I fetched old Joe Davis over here with his +third wife. He run away with old Dodger Spillman's girl. Old Dodger +killed a plug hoss tryin' to beat them to the river. We was about forty +yards from shore when old Dodger run down and hollered for me to come +back, but his girl stood up in the skiff and hollered to him, 'Go back, +pap and cool off--hit's my last chance!' + +"I started across with a young couple once, but the girl's daddy beat +'em to the river, and drawed down on the young man with a hoss-pistol. +The young man didn't flinch, but folded his arms and looked that old +galoot in the eye as cool as ever I see. The father ordered his girl to +come back with him, but she ketched holt of her lover's arm and said, +'If you are goin' to shoot, I bid for the fust fire--I'm goin' to have +this man!' Her old daddy swelled up and bust out cryin' and begged them +to go back home and git married, but they wouldn't do it, and he went +across with us, and after he got four or five drinks, he like to bought +out the town for them. Don't never run off to git married, Shawn. As for +myself, they ain't no sort of weddin' to my likin'. I never got sot on +but one girl, but I got sot on her for all time to come, and dad-scat +her, she run away with another feller just about a week before we was to +be hitched. Wimmen is curious. Some say as how we couldn't git along +without 'em, and it looks like it's mighty hard for some to git along +with 'em, an' seems as after some people gits the ones they's after, +that somethin' comes along to take away their happiness before it has +begun. There was Ann Coffee. Her and Eli Travis must a courted nigh onto +ten year. It was away back yonder in '52, but I can see 'em now settin' +out thar on the bank, holdin' hands. They went down to Madison and was +married at last. They took the Redstone for Cincinnati. The boat was +full of people; it was in the spring, and a happy crowd was aboard, with +music and dancin', and people come out all along the shore to see the +boat pass. Just four miles below here, on the Kentucky side, the +Redstone landed to take a young preacher aboard. His name was Perry +Scott, and he come up the swingin'-stage wavin' his han'kerchief to his +father and mother on the shore. Suddenly, there comes a mighty roar on +the air. The steamer was hid from view as the explosion shook the earth +and splashed water everywhere. The b'ilers of the Redstone had bust, and +all around you could hear the groans of the dyin'. The young preacher +was never heard of again, and nothin' but his white han'kerchief, +hangin' in a tree, was ever found. There was over seventeen people +killed outright. Eli Travis went down to death, and strange to say, Ann, +his wife, who was standin' by his side, was saved. She was blowed high +up in the air, but come down close to shore. Her hair turned white after +that, Shawn, and she used to set out thar on the bank, where they had +set so often, lookin' away down to the bend of the stream whar Eli had +been took away from her." + +The next morning when Oiler and Shawn started to the river, Oiler +slipped a five dollar gold piece in Shawn's hand. "He give me two of +'em, and one of them belongs to you. What are you goin' to do with +yours, Shawn?" + +"Give it to my mammy," said Shawn. + + + + +CHAPTER X + + +Doctor Hissong sat by the fireplace in his office. Brad was blacking a +pair of shoes. "Shawn," said the old doctor, "I'm going up to Old +Meadows this afternoon to hunt quail, and I want you to go along. Go +down and get ready while Brad hitches up the buggy." + +The first snow of the season was gently sifting from the November skies +as Doctor Hissong and Shawn drove along the river road. Scattered flocks +of wild-geese and ducks were flying above the cottonwoods and sycamores. +The _honk_, _honk_ of the geese as they circled above the stream, their +white wings flashing in the veiled sunlight, lent a delicious touch to +the winter scene. Shawn was watching the curling smoke from a tall +chimney at the bend of the river. As they drew nearer, he saw the old +house nestling behind the tall pine trees, the white columns of the +broad porch standing out in stately grandeur. Doctor Hissong drove +through the orchard, coming up to the lower entrance to the house. Major +LeCroix came down the yard, his long, silvery hair waving beneath his +broad-brimmed hat, his ruddy countenance beaming a cordial welcome. Just +behind him, his hat in his hand, was Horton, a colored gentleman of the +old school, brought up in the LeCroix service, and staunch in his +devotion to the family. Major LeCroix led the way to the house. The +guineas began calling a chorus of _pot-racs_ and ran fluttering through +the drifting snow. "They are giving us a song of welcome," said Doctor +Hissong. Horton showed his gleaming teeth and said, "No, sah, it's a +song uv sorrow, for my ole woman, Mary, hez got two uv 'em in de yuven, +bakin' fo' yo' suppah." + +As Shawn passed the old stone kitchen, he caught the fragrance of the +good things in Aunt Mary's oven, and Aunt Mary, in her white cap and +apron, was bending over the stove. + +Major LeCroix and Doctor Hissong were standing on the porch. Shawn +paused for a moment to gaze fondly to where the stream wended its way +among the tall hills. The Major opened the low colonial door, and stood +aside as his guests entered the beautiful old family room. A back-log +blazed cheerfully in the open fireplace. + +Over the fireplace was the mantel, with its rich hand-carving of the +French coat of arms. On the walls of the room were family portraits, +some of them brought from the provinces of old France. Doctor Hissong +stood before one portrait, a face sweet in its Madonna-like innocence +and purity. A tear-drop stole down the Major's cheek. + +Leading Doctor Hissong over to the window, he pointed to the family +burying-ground, and said, "The dear wife sleeps under that tallest +pine." The snow had covered the mound, but again the Major could see +April days out there, and the heavy bloom of the orchard--the redbird +and the catbird were pouring out symphonies of melody; the silver-winged +pigeons were bending through the golden skies, and again he could hear a +mother's voice calling in happiest tones to her children. + +"Horton, call Lallite," said Major LeCroix. + +Shawn turned suddenly to see a young girl come into the room. She came +up coyly, greeting Doctor Hissong, and when she came over toward Shawn, +he felt a hot flush coming to his cheek. He had seen this young girl +before, with her father in town, but now as she came before him, with +her merry, flashing eyes and radiant color, he stood with downcast eyes, +and the old desire to run off to the woods came over him again. She gave +him her soft hand as her musical voice said, "I am so glad you came with +the doctor." He stood as one entranced before this girl of such sweet +and simple beauty, and unconsciously, he was led into an easy attitude +and relieved from his painful embarrassment. + +Horton came into the room, bearing a tray and glasses. He turned to the +Major and asked, "De white er de red, Major?" + +"Both, Horton." + +Horton took the keys which hung at the end of the mantel. Returning, he +placed two bottles of grape wine on the tray. He filled the glasses, but +the Major observed that Shawn did not take his glass. + +"Do you want the wine, boy?" + +"No, sir, I thank you," said Shawn, hesitatingly. + +"It's all right, Major," said Doctor Hissong, "Mrs. Alden is looking +after him, you know." + +Raising his glass, Major LeCroix said, "Welcome to Old Meadows, and a +health to pleasant memories. You find things sadly changed--my dear +companion gone; my boy a soldier in a distant land, Louise long married +and never returning until she comes with the children to spend the +summer--but I have Lallite with her dear, happy heart, and I have Mary +and Horton." + +The winter day was fast drawing to its close. Horton again appearing, +quietly said: "Supper is sarved." + +The old dining-room with its mahogany side-board and dining-table, the +heavy brass candle-sticks, the tall clock in the corner, were all +familiar objects, and the presence of Aunt Mary and Horton, standing +behind the chairs, was a picture of a happier time, with the background +of many glad faces to be filled only with memory. + +Shawn sat beside Lallite at the table, and deep down in his heart, he +felt that it was good to be there, and that life was opening to +something dearer than the general happenings of his narrow sphere had +ever given hope for. + +With bowed head the Major asked the table blessing. Aunt Mary brought in +the delicious baked apples and poured over them the rich cream. The +Major was carving the guineas. "Lallite, help Shawn to one of those +corn-pones; I'll venture that you'll never get them any better in town. +The last time I was in the city, they brought me something they said was +cornbread, but it was mixed up with molasses, baking-powder and other +things. There are different kinds of cornbread, as you know. There is a +bread called egg-bread, made with meal, buttermilk, lard, soda and eggs, +and there is a mush-bread, made by scalding the meal--some call it +spoon-bread; but the only corn-bread is the pone, and the only way to +make them is to get white flint corn, have it ground at a watermill, if +you can, where they do not bolt the life out of it, scald your meal with +hot water, adding salt, then drain off the water thoroughly and mix your +meal with good, rich, sweet milk, then shove 'em in a hot oven, and +you'll have cornbread that is cornbread. Take one and butter it while it +is hot--don't cut it, break it. There you are. Let me help you to this +guinea breast. Did you ever know anyone who could get the crisp turn +that Mary gets on them?" + +"Never, sir," said Doctor Hissong, "I never knew but one woman who could +come anyways near Mary's cooking, and that was Joel Hobson's wife, Lucy. +They used to say that her cooking was her only redeeming feature, for +she had a temper like a wildcat, and vented it upon poor Joel and made +life so miserable for him that he finally took to drink. One night, so +the boys tell it, Joel got too much and was lying out under the big elm +tree, afraid to go home. One of the boys rigged himself out in a white +sheet and came up to Joel, tapping him on the shoulder. 'Who are you?' +said Joel. 'I am the devil,' answered the deep voice. 'Come right over +and give me your hand; we're kinfolks. I married your sister.' + +"I suppose you remember Lucy's mother, Major? Her name was Sahra Turner; +she was a good woman but powerful curious. She had married off all of +her girls but Mary Ellen, and Tip Jennings was paying court to her. It +seems that Sahra had kept close track of the courtship and the headway +of all her girls, and one night when Tip was in the parlor with Mary +Ellen, Sahra had a small kitchen table set by the parlor door and was +standing on it, looking over the transom to see how Tip was coming on. +Tip had gotten down on his knees and was making his declaration to Mary +Ellen. They were somewhat out of Sahra's range of vision. The crucial +moment had come, and Sahra leaned over to see the climax, but she leaned +too far, and one of the table-legs broke. Well, they got her up with two +ribs broke and laid up in bed for a long spell. Tip never came back, and +Mary Ellen married some fellow, who took her out to Kansas." + +They sat long at the table, the Major rising again into the spirit of +old days, Shawn laughing at the quaint jokes and stories. Lallite's +sweet laughter rang out, bringing the glow into the Major's eyes. She +had heard the stories so often, but they never grew dull with the years, +and they seemed to mellow as beautifully as did the sunset of the +Major's life. + +Shawn listened again as he sat by the blazing fire to tales of the +war--of charges, victories and defeats. Above the piano hung the Major's +sword, presented to him by his soldiers after the battle of Stone River. + +"Major," said Doctor Hissong, "I want to hear some music before we +retire." + +"What do you say, Lally?" said the Major. + +Lallite went to the piano and gently touched the yellow keys. Major +LeCroix drew forth his beloved clarionet. As he took the instrument from +its case, he said, "I'm getting rusty nowadays, but Lally keeps me from +getting entirely out of tune. We'll try 'Sounds From Home'." + +Lallite played the introduction and the Major joined in, the clarionet +breathing forth a deep rich melody. The Major seemed to throw his very +soul into the music, and Lallite followed him with a tender +accompaniment. The blaze from the fireplace flickered and threw changing +shadows over the old room. The Major and his daughter played on. They +were living again in the past, and the strains were bringing memories +sacred and sweet. Shawn sat as one transported to a heavenly sphere, his +eyes fixed on the delicately graceful figure swaying to and fro under +the changing cadences of the melody. It was the sweetest music that had +ever floated into the portals of Shawn's heart, awakening a thrill of +tenderness and love. + +The tall clock in the dining-hall pealed forth the hour of ten. Horton +came with a lighted candle, and Shawn followed him to the south room +overlooking the river. A cozy fire burned in the grate, the moon +swinging above the stream touched the hills and valley to silvery +softness. He stood near the window and gazed long upon the water, the +stream running through every association of his life. On the table was a +daguerrotype; it was Lallite's face, and the eyes seemed smiling just +for him. + +Doctor Hissong and Major LeCroix sat long into the night. "Major," said +the old doctor, "I'm going to make the race for the Legislature again. +John Freeman wants it, but I want to represent the county just once +more. Can you hold this end of the county for me?" + +"I think I can," said the Major. + +"Then I'll announce. Freeman is a bitter man to go against, but I'm not +afraid to try him out. I'm getting worn out in the practice of medicine, +and will probably retire whether elected or not. I have my affairs in +good shape; a bachelor doesn't require much. I want to put Shawn into +the practice some day, God bless him." A tear-drop glistened on the old +doctor's cheek, and Major LeCroix knew the secret of this emotion. + + + + +CHAPTER XI + + +Who does not recall the joyous thrill that comes with the preparation +for a hunt--the powder-horns and shot pouches scattered here and +there--the cleaning of guns, the glances at the sky to determine whether +wind and weather are propitious, the barking of the dogs as their eyes +gleam in anticipation of the day's sport. + +Major LeCroix critically examined Dr. Hissong's gun: "Too much choke in +the barrel for quail. Shawn, don't you load that rusty piece of yours +too heavily." Reaching above the doorway, he brought down his +muzzle-loading gun, with its silver mounted hammers and lock shields, +and as he caressingly drew his coat-sleeve along the barrels, he said, +"They don't know how to make them like this nowadays." + +They went forth into the frosty, bracing air. They walked leisurely +along the bank of the little creek, where a crust of ice fringed the +shore. "Major," said Horton, "de las' time I see dat big flock uv birds, +wuz in de stubble de uther side de orchid." The Major worked the dogs +toward the stubble-field. Sam, the old English setter, began to trail, +halting occasionally to sniff the breeze. + +"I think we will locate them in the sorghum patch," said the Major. Sam +was creeping cautiously through the sage grass just above the sorghum +field. Presently he came up erect and rigid, Bess, the trim little Irish +setter, behind him at back-stand. "Steady, there! Ho, steady! Can you +beat that, doctor?" cried the Major. "Get to the lower side of them, +Shawn, so we can drive them to the orchard--flush, Sam!" The old setter +sprang forward and the birds arose from the ground with an exciting +flutter. The guns roared and two birds fell. Doctor Hissong was +reloading, ramming the charge home with a long hickory ramrod. With +trembling hand, Major LeCroix drew the cork from his powder-horn, and +endeavored to pour the powder into the barrel. + +"Let me load for you," said Shawn. + +"No, indeed, I'm not too old to load my gun." He stood for a moment +looking at the shot-pouch. "Here, boy, maybe you had better load for +me." A tinge of sadness crept over his features, but gave way to an +expression of joy when Shawn said, "You and the doctor got your birds +that time, I missed." Horton gave Shawn a grateful glance. They got into +the scattered birds, the Major and Doctor Hissong thoroughly enjoying +the sport. As each bird came from cover, Shawn held his fire, and +followed closely after the shots of doctor Hissong and Major LeCroix, +and as each bird fell, he would shout, "Good shot, Major!" or "Good +shot, doctor!" They got into the lower bottoms, and by noon Horton +showed a fine bag of game. Shawn modestly refused to claim but a few of +the birds, but Horton knew of his unerring marksmanship, and wondered +at his unselfishness. Major LeCroix and Doctor Hissong were in jubilant +spirits as they turned homeward. Old Sam, the setter, limped painfully +behind the doctor. + +[Illustration: "You and the doctor got your birds."] + +"What crippled Sam?" asked the Major. + +"I loaned him to a young fellow from Ohio last winter," said the doctor, +"I reckon about the greenest young man that ever went into the field. He +told Brad that he didn't know when nor how to shoot at the birds, and +the old black rascal said, 'Jes' shoot whar de dawg sets,' and +unfortunately Sam got tired and sat down, and got a load of bird-shot in +his hind-legs." + +As they put their guns away that afternoon, Major LeCroix again examined +Shawn's cheap gun. Then came the supper of broiled birds, cooked as only +Mary could cook them, and at the table-board they went over the field +again, the work of the dogs, the Major meanwhile waxing eloquent over +the trueness of his gun. + +Shawn lay again in the old Empire bed, watching the dying embers in the +fireplace. Softly the door opened--the Major entered, a lighted candle +in one hand, and his beloved muzzle-loader in the other. "Shawn, I have +been thinking it all over; I will hunt no more, but there are many days +for you in the field, but you _must_ have a gun, and I am giving you +mine." He paused at the door, held the candle aloft, the soft light +falling on his silvery hair, "Good night and pleasant dreams." + +And the night was filled with pleasant dreams for Shawn, for that +afternoon as he and Lallite stood upon the porch, gazing upon the wintry +stream, she drew near him and said, "It will be so lonesome tomorrow +when you are gone," and something in the tone of the voice echoed the +same words in his heart. + + + + +CHAPTER XII + + +It was midwinter, and the river was frozen over. The boats had not been +running for many days, and the happiest time of all the happy days for +the young people of the river towns had come. The ponds and creeks were +forgotten in the great event of skating on the river, and for miles the +smooth surface was a speedway over which the skaters made merry +excursions. In front of Skarrow the ice was firm, and with that buoyancy +so dear to the lovers of this sport. In the afternoons the young people +from the town of Skarrow and Vincent on the opposite side, all met on +the river. All classes were there--the darkey with his big crook-runner +skates, and the young beau, with his latest style polished runners. The +two races voluntarily divided the skating grounds, the white people +above, and the colored folks below. + +The merry jingle of sleigh-bells could be heard amid this happy throng, +and glad voices rising in a splendid chorus, echoed throughout the +valley, and many a love dream had its first awakening and sweet +realization in this joyous time. How the crisp, frosty air brought the +glow of health and beauty to the cheek; how sweet the music of maiden +voices rising upon the wintry air, and the tumbling of glossy curls +underneath the hoods and sealskin caps as they sped through the +delightful hours. Tullie Wasson was out there with his string +band--Tullie with his old black fiddle, and Jim Grey with his cornet, +and his son with his wondrous bass violin, and Tullie knew all the good +old tunes, and a few fancy waltzes and polkas, but he was at his best in +the Virginia Reel, and it was a pretty sight to see the joyous couples +ranging off to their positions for the ice dance, and what great bursts +of laughter and cries of happiness swelled up when Tullie shouted, "Git +yer pardners fer a Reel!" The movements of the dance were executed with +a grace that would have done credit to the ball-room, Jimmy Dunla, the +master of ceremonies, occasionally leaving the lines to give an +exhibition of fancy skating and cutting his name on the ice. + +Then came the races. The towns of Vincent and Skarrow gave a cup each +skating year for the winner of the Ice Race. The race was for one +thousand yards, the starting point was at the big hay barn, and a red +flag marked the post at the end of the course. Four young men from each +side of the river were entered in this race, the event of the season. +Indiana held the cup. It had been three years since the last race. Among +those entered by the Kentucky boys was Shawn. He had been practicing for +many days, and somehow, the hopes of Kentucky were centered in him. The +winner of the last race was also entered again. He was one of the most +popular boys of the Indiana town, and the betting was strongly in his +favor. He was of magnificent build, with a long, graceful stroke, and +came skating out before the crowd with the easy confidence of one who +felt that the race was won. He closely watched the Kentucky boys as they +circled about the crowd preparatory to starting for the head of the +course. His eyes were fixed on Shawn. Turning to a friend, he said, "If +I am beaten to-day, there's the young fellow who will get the cup." He +skated over toward Shawn, and extending his hand, with the utmost good +will, he said, "I'm afraid that I will have to beat my old record to win +out to-day." Shawn smilingly took his hand and answered, "We are going +to do our best, but if Indiana keeps the cup, I know of no one who would +deserve it more than you, Danner." + +The starter announced the race, and ordered the contestants to the head +of the course. As they gracefully swung away, Lallite waved her hand +toward Shawn, and the tender glance from her blue eyes sent a thrill +into his bosom. + +They were forming for the start, sixty yards beyond the flag which +marked the line of starting. All was excitement in the crowd gathered on +each side near the finishing line. It seemed that every voice was hushed +as they saw the red flag at the head of the course suddenly fall, and +heard the cry, "Go!" They could see the flash of steel against the ice +as the skaters bent every effort toward the goal. After the first +hundred yards, Danner and Shawn were seen to be in the lead, Danner +almost erect and coming like a whirlwind. Shawn was bending over, but +close on Danner's heels, and with a shorter but much faster stroke. +_Swish_, _swish_, _swish_--they could hear the sound of the skates on +the ice. + +The Indiana crowd set up a mighty shout. "Come on, Danner! Look at +Danner!" + +"Come, Shawn," yelled the Kentucky boys. Old Brad ran out and threw up +his hat and shouted, "Down to it, my Shawn--bust yo'se'f wide open, +honey!" + +Shawn was just behind Danner. They were nearing the last hundred yard +flag. Danner threw all his energy and power into the last effort; every +nerve and muscle was strained to its utmost. + +"Danner wins!" went up the cry, but suddenly like a rush of wind, Shawn +shot past him and the flag went down with Shawn a good five yards in the +lead. + +And such a mighty shout that went up on that frozen stream was never +heard before. Old Brad was rubbing Shawn's face and chest. Shawn heard +the loud huzzas and heard Danner's voice praising his wonderful race, +but best of all, Lallite came up, and with her own hand, presented him +the cup. On the shoulders the boys of Skarrow he was carried in triumph. +It was a proud day for Shawn. He had brought the cup back to Kentucky. + +[Illustration: They were nearing the last hundred yard flag.] + + + + +CHAPTER XIII + + +The winter had passed away. Shawn had been working hard in school, and +under the encouragement of Mrs. Alden, was making fair progress, but +Sunday afternoons found him in his row-boat, wandering about the stream +and generally pulling his boat out on the beach at Old Meadows, for +Lallite was there to greet him, and already they had told each other of +their love. What a dream of happiness, to wander together along the +pebbled beach, or through the upland woods, to tell each other the +little incidents of their daily life, and to pledge eternal fidelity. Oh +dearest days, when the rose of love first blooms in youthful hearts, +when lips breathe the tenderest promises, fraught with such transports +of delight; when each lingering word grows sweeter under the spell of +love-lit eyes. Oh, blissful elysium of love's young dream! + +They stood together in the deepening twilight, when the sun's last bars +of gold were reflected in the stream. + +"Oh, Shawn, it was a glad day when you first came with Doctor Hissong to +hunt." + +"Yes," said Shawn, as he took her hand, "it was a hunt where I came upon +unexpected game, but how could you ever feel any love for a poor +river-rat?" + +"I don't know," said Lallite, "but maybe, it is that kind that some +girls want to fall in love with, especially if they have beautiful +teeth, and black eyes and hair, and can be unselfish enough to kill a +bag of game for two old men, and let them think that they did the +shooting." + +"Lally, when they have love plays on the show-boats, they have all sorts +of quarrels and they lie and cuss and tear up things generally." + +"Well, Shawn, there's all sorts of love, I suppose, but mine is not the +show-boat kind." + +"Thank the Lord," said Shawn. + +He drew out a little paste-board box. Nestling in a wad of cotton, was +the pearl given to him by Burney. + +"Lally, this is the only thing I have ever owned in the way of jewelry, +and it's not much, but will you take it and wear it for my sake?" + +"It will always be a perfect pearl to me," said the blushing girl. + + + + +CHAPTER XIV + + +Doctor Hissong was announced as a candidate for the Legislature. John +Freeman, his opponent, was making a vigorous canvass for the nomination +before the democratic primary. Freeman, unfortunately, saw fit to inject +personalities into the campaign, and sought to throw the old doctor into +a violent passion, possibly leading him to his old weakness of resorting +to liquor, but Doctor Hissong made his canvass upon a high plane, +appealing to the voters from a standpoint of the duties and +responsibilities involving this honor, and ignoring the petty thrusts of +his opponent. + +Major LeCroix gave a burgoo at his locust grove on the river, to which +all the candidates were invited. It was an occasion which brought out +an immense crowd of farmers and town-people. "Turkle" Thompkins had been +engaged to make the burgoo, and the river country could not boast of +another such burgoo maker as "Turkle", for the making of burgoo soup +requires an experience born of long practice and care. Thompkins always +selected the best meats, of beef, mutton, chickens and squirrels, and +vegetables of corn, tomatoes, onions, cabbage and potatoes. The boiling +of this delicious soup was begun the night before. Darkies were stirring +the great kettles as "Turkle" went quietly around, adding some new +ingredient here and there. Others could make burgoo--a certain kind, but +not the Thompkins kind, for there was a lusciousness about his burgoo +that filled you with a satisfaction never known before--a something that +soothed your aching pangs--something that seemed to put your heart at +rest with all the world, and recall the words, "Fate cannot harm me; I +have dined to-day." + +Above the smoke of the kettles, the sky was blue and dreamy; the river +was winding like a thread of silver through the quiet valley. The long +table of rough boards, with the row of tin cups and great stacks of +bread, was an inviting spectacle. The farmers stood around in groups, +discussing political questions and cropping prospects until "Turkle" +Thompkins announced dinner. Then came a merry clattering of tin cups as +"Turkle" came by with buckets of burgoo, dipping it out with a long +ladle. What an appetite each individual seemed to develop for this +open-air repast. After the dinner, preparations were made for the +speaking. The spot selected for the speaking was below the grove, where +an elm stump answered for a platform. + +The candidates for the county offices were called for, and each one made +a short talk, asking the support of the voters. Doctor Hissong's name +was shouted. Unbuttoning his long blue coat, he drew forth a large red +silk handkerchief and wiped the gathering beads of perspiration from +his forehead. Pulling down his black velvet vest, he made a courtly bow, +took a drink of water from a gourd and began: + +"Gentlemen and fellow citizens--It gives me transcendent happiness and +unalloyed pleasure to lend my humble presence to this sublime and +significant occasion, and I cannot permit this occasion to pass without +availing myself of the opportunity that this magnificent and intelligent +audience affords of presenting myself to you as the candidate for the +democratic nomination for the office of representative in the Kentucky +Legislature. It has been the pride of my life to proclaim myself as a +patriot; that I am a descendent of one who helped to make this country +free--'decori decus addit avoto,' and I have felt that the realization +of this patriotism and its dream that has clung to me through life, +would be in getting a system of locks and dams on the Kentucky +river--that river that winds through an enchantment of rocky cliffs and +hanging foliage; by mountains, cedar-tipped and mossy-green; by rolling +meadows, where the velvet softness of the blue-grass enriches this +idyllic picture--this stream that is famed in song and story, a perfect +Switzerland of enrapturing and delicious beauty. Here a thundering +waterfall and fragile foliage bending over the foam. Here cool and shady +ravines leading up to tranquil Edens, the voluptuous bends through an +enchantment of bloom and wildwood, losing themselves among the +rock-ribbed hills. This stream, bathed in the effulgence of the dropping +sun--the mingling afterglow of sunset and the primrose bloom of the +first stars, unfolds then with its majestic splendors to the enraptured +gaze. We are held spell-bound, my friends, as we see the bright moon +riding the hilltops and shining overhead, + + "'The bright moon shining overhead, + The stream beneath the breeze's touch, + Are pure and perfect joys indeed, + But few are they who think them such.'" + + +The rough and rocky points are softened under the magic and seem to lean +lovingly toward the stream. Ah, to keep all of this loveliness stored +from human eye--I mean to lock and dam this stream for all humanity who +wish to journey thence and revel amid these splendors. 'Sic passem; +semper idem.' Not one measly lock and dam, but a system of locks by +which navigation could be advanced from the mountains to the Ohio, +developing the great resources of that wonderous possibility, wherein +the bema procliamus of nature we might find another Arch of Hadrian, or +the Tower of the Winds; where mountain peaks may rise like unto the +temple of Olympian Zeus, or the far away monument of Philopappos. Yes, +gentlemen, I stand for locking and damming the Kentucky river! 'Civis +Romanus Sum' was the proud utterance of the noble Roman, and the +proudest of that proud and conquering race never proclaimed himself such +with greater delight than I, that I am an American and a Democrat. With +my feeling of patriotism runs my devotion to the democratic party. But, +gentlemen, in saying that I am a Democrat, brings forward the great +existing issues between the two leading parties of the country. I might +go into a long discussion of the principles of those two parties, but in +a nutshell I can define the differences of such vital import to the +voters of this land. The principles of the Democratic party +represent--er, well, they represent the principles which that great +party stands for, and the principles of the Republican party, ahem! Yes, +sir, gentlemen, the principles of the Republican party represent the +principles for which the Democratic party won't stand! So there you have +it, and I defy any man to dispute this argument. I will not go into +discussion of its principles here. I have sought public preferment at +the hands of my party, but 'Ego, spembat pretio nionemonio,' sometimes +that preferment was accorded, at least, upon one occasion. No man has a +right to complain when, under any form of government, the people +withhold their indorsement, but every citizen has a right to complain if +the downfall of an aspirant is accomplished by foul and unfair means," +(this last statement was made while looking toward Freeman). "I have +passed practically all of my life in your midst. A man should be honest, +with a courage to face the great truths opening to him." + +Freeman interrupted him at this point, "A man should be courageous +enough to own his own children!" + +"You sneaking hypocrite!" shouted Doctor Hissong, "You let one of your +own sisters die in poverty and distress!" + +"You are a damned liar!" said Freeman. + +Doctor Hissong leaped from the stand, a derringer in his hand. The crowd +fell back. Freeman fired point-blank at Hissong, but missed, then turned +to run. Doctor Hissong brought up his derringer and pulled the trigger. +Old Brad shouted, "You got him in de laig, doctah, but he runnin' yit!" +Freeman's son, Henry, the one who kicked Coaly that day in school, +caught up his father's pistol which had fallen to the ground, but as he +turned toward Doctor Hissong, Shawn sprang forward, knocking the +revolver from his hand. + +The older men separated the younger combatants, and the crowd broke up +and turned homeward. + + + + +CHAPTER XV + + +The town marshall of Skarrow was a very busy man the next morning after +the burgoo, serving warrants on Doctor Hissong and Freeman, summoning +witnesses and a jury, and getting men to serve on a jury in a small +town, where two of its foremost citizens are to stand trial, is a matter +of considerable difficulty. Freeman had only received a slight flesh +wound, and was not confined to his home. + +Court was held in the office of Judge Budlong, who acted as prosecuting +attorney, magistrate, writer of wills and general collector of accounts +and rents. An occasional runaway couple, seeking the marriage bond, +added a few dollars to his bank account, for the Judge had a +happy-go-lucky ceremony which did not impress nor detain a restless +lover too seriously with the sanctity of the occasion. There were a few +law books on the table, a heavy tool-chest, where the Judge kept a jug +of white corn whiskey under lock and key. The police Judge, a sort of +hanger-on about town, put a coal of fire in his pipe and said, +"Gentlemen, air you ready to try this case?" + +Budlong arose and balanced his ponderous form against the table, holding +a law-book in his hand. The tuft of whiskers on his chin seemed to +quiver into an accompaniment to his words. He began reading in a deep +voice: "Gentlemen of the jury, to enlighten you as to the nature of this +case, I shall read to you under Subdivision V, Section 1165, Kentucky +Statutes: 'If any person shall by fighting, or otherwise unlawfully pull +or put out an eye, cut or bite off the tongue, nose, ear or lip, or cut +or bite off any other limb or member of another person, he shall be +confined in the penetentiary for not less than one, or more than five +years'." + +"That law don't seem to apply to this case," said the police-Judge. + +"Shut up," said Budlong, "I ain't through. What do you know about law, +anyhow?" + +"I ain't very strong on tecknickelties," said the police-Judge, "duly +elected by the voters of this town, I am the Court, and as such I +perpose to perside, and I demand, sah, your respectful recognition of +that fact." + +"Duly elected," said Budlong, "because nobody else would have it. But, +gentlemen of the jury, I shall read you Section 1166, which is as +follows, 'If any person shall draw and present a pistol, loaded with +lead or other substance, or shoot at and wound another with the +intention to kill him, so that he does not die thereby, he shall be +confined in the penetentiary not less than one, or more than five years. +There's your law, gentlemen. Call the first witness!" + +"Bill Shonts!" called the marshall. Bill came to the chair. + +"What's your name?" + +"W'y, Jedge, you know my name." + +"Answer my question. What's your name?" + +"Bill Shonts." + +"Where do you live?" + +"Sho, Jedge, you've knowed me all my life!" + +"That ain't the question. You answer accordin' to the custom of the +court." + +"I want you to state what you know about this case." + +"Directly, or indirectly, Jedge?" + +"Where was you when this difficulty started?" + +"Well, sir, I was not in any one certain spot, directly, but indirectly, +I was jest beginnin' to--" + +"State where you was at!" thundered Budlong. + +"Well, sir, jest at the time of this difficulty, I was jest beginning to +take a nap--" + +"Do you mean to say that you was asleep?" + +"Not directly, Jedge, but--" + +[Illustration: "W'y, Jedge, you know my name."] + +"Where was you when the damn lie passed?" + +"Jest beginning to move." + +"Did you see Doctor Hissong draw a pistol?" + +"No, sir, not directly." + +"Did you hear a shot?" + +"Yes, sir." + +"Where was you then?" + +"Ramblin' away, sir." + +"What do you mean by _ramblin' away_?" + +"Runnin', flyin', hittin' the dust." + +"Then you don't know who fired first?" + +"No, sir, not directly." + +"Call Jerry McManus," said Budlong. A red-faced, jovial-looking Irishman +took the chair. + +"Where were you when this trouble started, Jerry?" + +"Under a sycamore tree, asleep." + +"Had you been drinkin'?" + +"Yis, sor, thot is to say, accordin' to the liberties av a mon injoyin' +the soshabilities av good company." + +"Did you hear the _dam lie_ pass?" + +"No, sor, I heard no footsteps av iny sort." + +"Did you hear a shot from where you lay?" + +"There wor no shot from where I lay. If there wor iny shot from where I +lay, thin I wor already half-shot." + +"Wasn't you in a state of intoxication?" + +"I wor in the state of Kintucky." + +"Stand aside," said Budlong, "Call the next witness." One by one the +witnesses gave their testimony, varying according to the friendly +feeling for the men on trial. At last, Budlong said, "Call Brad +Jackson." Old Brad got in the witness chair and gazed listlessly at the +ceiling. + +"Brad, was you present when this difficulty started?" + +"No, sah." + +"Where was you?" + +"In de grove, eatin' soup." + +"Where was you when the lie passed?" + +"On my way to Doctor Hissong." + +"State to the jury what you know about this case." + +"Yassir, genelmun, hit remine me uv de time when Kernel Poindexter an' +Mistah Fontaine had a quarrel ovah a fox-chase down in Baton-Rouge--" + +"Confine yourself to the case," said Budlong. + +"Yassir, thankee, Jedge, en Kernel Poindexter he 'low dat his dawg, +Watercress wuz in de lead, full yelp at de crossin' 'buv de bayou--" + +"I don't care nothin' about that fox-chase," shouted Budlong, "You tell +the court what you know about this case." + +"Yassir, I'm tryin' to, Marse Jim--en Mistah Brandon Fontaine, you know, +he want one er de ole quality in dat naberhood, he sorter drap in dar, +en pick up a lot er money by sorter tradin' en watchin' 'roun' de edges, +en a kine uv cotton swapper, en wo' fine duds en' de bigges' watch-chain +yo' ever see--" + +"Judge, will you pull that old nigger back to this case?" said Budlong. + +"In due time, sah, in due time," said the police-Judge, who wanted to +hear the outcome of Brad's story. + +"Yassir, en Mistah Brandon Fontaine en Kernel Poindexter, dey met in +front uv de post-office, en Mistah Brandon Fontaine he smokin' a long, +black seegar, en one foot crossed on tuther, en when Kernel Poindexter +come up, Mistah Fontaine say, 'Yo' dawg cut thru en got in de lead,' en +Kernel Poindexter, he look jes ez cool ez a cabbage-leaf, en he say, +'Hit's a scan'lous lie, frum low trash!' Kernel Poindexter done turned +white en his eye wuz all glitter--" + +"I told you, for the last time, to tell what you know about this case!" + +"Yassir, easy, Marse Jim. Gimme a chanst. En Mr. Brandon Fontaine kinder +thode hi han' behine him, en' Kernel Poindexter crac' erway at him en +bust a bottle uv whiskey inside his pocket en dis hyar Mistah Fontaine, +he showed de _yaller_ jes' lak Mr. Freeman did yestiddy, en he rin so +fas' dat yo' could play checkers on his coat-tail!" + +"Stand aside," roared Budlong. + +The case went to the jury. That august body retired to deliberate. The +stragglers near the window heard hot words and wrangling in the +jury-room. In the course of an hour, the door opened and the jury filed +in. + +"Have you reached a verdict, gentlemen?" + +"We have," said the foreman. + +"What is it?" + +"We don't find no evidence to convict nobody." + +"So help me, Caesar!" said Budlong. + + + + +CHAPTER XVI + + +John Burney was clearing away the wreck of a coal-barge that had drifted +under the lower edge of the wharfboat. The water had fallen, leaving +part of the barge on shore. Burney had used every known method in trying +to remove the wreckage. Old Pence Oiler came by and walked up to the +heavy mass of timbers and called to Burney, "John, she's too wet to +burn, and there ain't but one way to git her off, an' that's to lay a +stick of dynamite under the front end, give her a slow fuse and blow her +out." + +Burney called to Shawn, who was on the bank, and asked him to go down to +Bennett's mill and get a stick of dynamite, and Shawn, desirous of +seeing the blast, hastened on the errand. + +"Be careful how you handle that goods," said Bennett, "I knowed a +feller once who left some of it layin' around, and a hog et it, and the +man kicked the hog and lost a leg!" + +Shawn helped Burney to place the stick, unmindful of one of Coaly's +never-failing traits. Shawn had taught him, as a young dog, to carry +things from the boat in his mouth, and faithful Coaly could be sent back +for his glove or any small article left behind. The little dog stood +watching Shawn and Burney as they placed the stick and touched the fire +to the fuse. + +"Run, Shawn!" yelled Burney. + +Old man Oiler backed his boat out into the stream, and Shawn and Burney +ran up the shore. + +Horror of horrors! When Burney turned to look back toward the wreckage, +he saw Coaly coming after them with the dynamite stick in his mouth, the +fire slowly creeping up the fuse. + +"Go back, Coaly! Go back!" yelled Burney. He threw a boulder at the +little dog, but he came on. Burney ran for the willows under the bank +as Coaly quickened his pace. Shawn had taken refuge in an old saw-mill +and peered out, wringing his hands in an agony of suspense. Burney was +breaking down the dry willows and yelling, "Go back, Coaly!" + +Suddenly, there was a loud report that shook the earth. The ground was +torn up and bark and driftwood were scattered everywhere. Shawn and +Burney ran up, but there were no signs of Coaly, not even a trace of +bone, hide nor hair. Coaly had returned to the original atoms of +atmosphere and nothingness. + +Shawn sat upon a log and wept. Pence Oiler came up, cut a piece of +tobacco from his plug and said, "There's nothin' to bury--not even a +tooth." + + + + +CHAPTER XVII + +THE STATES AND THE AMERICA + + +The winter days had come again, and the year was fast drawing to its +close. Doctor Hissong had been elected to the Legislature, and was +making arrangements to leave for Frankfort the first of January. Shawn +was in school, growing into a handsome and athletic young man of +eighteen years, with the light of health glowing in his eyes, and with +an honest purpose in his heart. + +One morning Mrs. Alden sent word to him to call at her home after the +school hour. Shawn went up there in the afternoon. The good woman +greeted him with a smile and bade him be seated by the library fire. + +"Shawn, I have sent for you, purposely, to ask a great favor." + +The black eyes beamed the sincere impulse of his heart, as he turned to +her and said, "Mrs. Alden, it would make me happy to do something for +you." + +"I am going to Cincinnati on the boat to-night, Shawn. I am going there +to see a great specialist, and I would like very much for you to go with +me." + +"It will give me pleasure to go," said Shawn. + +Shawn met Mrs. Alden's carriage at the wharfboat, and exerted himself to +make her as comfortable as possible until the arrival of the up-stream +boat. At 8.30 o'clock the wharfmaster came into the little waiting-room +and said, "The America will soon be here." + +In a short time the great steamer drew up to the wharf, and Shawn, +supporting Mrs. Alden's frail form with his strong arms, went up the +steps and into the cabin. The chambermaid placed Mrs. Alden's chair in +the ladies' cabin, and Shawn went off to select a convenient and +comfortable stateroom. + +The cabin presented a scene of merriment. Under the gleaming lights +were a hundred happy couples, dancing away the gladsome hours. The +strains of music swelled and floated far out into the night, and the +joyous voices mingled with the changing melodies. + +Shawn sat near Mrs. Alden, and together they gazed upon the gay throng +and enjoyed the inspiriting music. Far below, in the engine-room, the +lights glimmered over the polished machinery. The engineer glanced +occasionally at his steam-gauge and water-cocks. The negro firemen were +singing a plantation melody as they heaved shovels of coal into the +glaring furnace under the boilers. Roustabouts and deck-hands were +catching short rounds of sleep in their bunks back of the engine-room. +Sitting on either side of the boiler, were "deck passengers," those too +poor to engage passage in the cabin, and here and there, tired children +lay asleep across their mothers' knees. + +In the pilot-house, Napolean Jenkins, the head pilot, stood with his +hand on the spokes of the wheel, gazing with the eyes of a night-bird +on the outlines of shore and hill. Mann Turpin, his steersman, stood at +the right of the wheel. Jenkins knocked the ashes from his cigar, and +the glow from the deep red circle of tobacco fire momentarily radiated +the gloom of the pilot-house. The night was serene and clear, the full +moon shining and shedding her dreamy light over the sleeping, snow-clad +valley, and the silvery rays filtered through the clustering branches of +the towering trees. As the great boat swung along past a farm-house, +Jenkins heard the shrill, alarming cry of a peacock. Strains of music +came floating upward from the cabin. The grim, black smoke-stacks were +breathing heavily, and the timbers of the Texas trembled as the boat +came up under the high pressure of steam. + +The lights of Wansaw were just around the bend. Jenkins blew a long +blast for the little town. The sound echoed and re-echoed among the +wooded hills. The farmer in his bed on the silent shore turned on his +pillow as the deep, sonorous sound fell upon his ear--the sweet, weird +music of the stream. + +Jenkins made the landing, and heading his boat for the middle of the +river, made a long crossing for the Indiana shore. + +"It's a fine night," said Turpin. + +"Beautiful," said Jenkins. + +He turned and gazed toward the stern of his boat as she swung into the +clear and squared herself for the point of the bend. The moonbeams +glittered and danced on the waves in the wake of the steamer, and the +rays touched the snow on the hills with diamond sparks. The tall +sycamores on either side stood clearly outlined against the wintry sky, +and the white corn-shocks on the distant ridge were silhouetted like +Indian wigwams. Here and there a light glimmered from some cabin window, +and a dog barked defiance at the boat as it sped up stream. + +"The States ought to be about due," said Turpin. + +"I think I hear her now," said Jenkins. + +When they got up to the point of the bend where they could see up the +river, they saw the States coming down. From her forward smoke-stacks +were the signal lights of emerald green and ruby red, trembling in +delicate brilliancy against the background of silvery sky. The splash of +her ponderous wheels as they churned the water, seemed to vibrate into a +song of gathering power. When the two boats were about eight hundred +yards apart, Jenkins turned to Turpin and said, "Blow two blasts; I'll +take the left side." Turpin sounded the blasts, and Jenkins headed for +the Indiana shore. Jacob Remlin, the pilot on the States, blew one blast +of his whistle just as Turpin sounded the first signal on the America. +Jenkins on the America, did not hear Remlin's one signal, because it +sounded at the same time of the first signal from the America. Remlin on +the States, heard the last one of the signals from the America, taking +it for an answer to his own signal, and he also headed his boat for the +Indiana shore. Both men violated the rules of signals. Remlin should +not have blown any signal until he heard from the up-stream boat, and +Jenkins, not hearing any signal from the States, should have stopped his +boat. Jenkins was standing on the starboard side, that placing him +behind the chimney, and he did not see the States until she came out +across his bow. + +"My God!" shouted Turpin, as he saw the States bearing down upon them +like some ferocious monster, "We're lost!" + +The boats came together with a fearful crash. The smoke-stacks groaned +and hissed, and great clouds of smoke rolled over the scene. The first +shock of the collision brought a sudden check to the dancing on the +America, throwing many to the floor and mixing up the whole assembly +into a confused mass. Heads were peering through the transoms of the +staterooms and voices excitedly calling, "What's the matter?" John +Briscoe, the watchman, came hurriedly through the cabin and said, "The +States and the America have run into each other!" + +The strains of music had ceased giving way to anxious inquiries on +every side. The officers of the boat were running to and fro, giving +orders, the negro cabin-boys adding to the chaos of the scene by loud +and far-reaching cries. + +On the roof, the Captain was giving orders to Jenkins: "Come ahead, +outside!" Jenkins pulled the bell-rope and the brave engineer responded +to the order. The boats had swung a short distance apart, the States +rapidly sinking. Jenkins put the America up between the States and the +shore. The States was carrying, as freight, a lot of barrels of coal-oil +and gasoline, and in the collision these were smashed and the gasoline +caught fire and in a few moments the sinking boat was all ablaze +forward. + +Jenkins groaned as he saw the fire, for the flames had already swept +over upon the America, and he saw that his boat was also doomed. The bow +of the America was almost touching the gravel, and believing that he had +his boat safely on shore, Jenkins hurriedly left the pilot-house. +Charles Ditman, the other head pilot of the America, off watch, ran up +into the pilot-house and catching the wheel, rang for reversed engines, +and backed the boat out into the river, away from the States, but his +action was miscalculated, for fire had broken out on the America, and +great sheets of flame were leaping from her forward decks and guards. +Had the boat held the position in which Jenkins had placed her, all the +passengers might have escaped. Officers and crew were cutting away +timbers with axes and dashing water upon the fire, but the great +crackling tongue of flame licked up everything in its pathway. The +heavens shone like a great, golden mirror under the spreading blaze. The +burning oil flowed out over the water and flamed up across every avenue +of escape. From out the black clouds of smoke, great sheets of flame +burst through, rolled heavenward, and leaped down again like some +devouring demon. + +In such a transformation from pleasure to horror, who can discern the +turning impulses within the human breast--of fear, of hope or of heroic +self-control? To some, such a moment brings hopeless despair, or frantic +terror, which will crush women and children and crowd them from places +of safety, and oftimes in such an hour there comes to those of otherwise +timid dispositions, a grandeur of heroism never evidencing itself +before; some latent, slumbering power of soul that can only be awakened +by some fearful test of human tragedy. + +From the burning boats came wild cries, shrieks and screams. Some were +kneeling in prayer, others cursing and bemoaning their plight. Dr. +Fannastock, a millionaire manufacturer from Philadelphia, clasped his +beautiful daughter in his arms and cried, "I will give one hundred +thousand dollars to the one who saves my child!" Both were lost. Ole +Bull, the famous violinist, who had taken passage at Louisville, stood +quietly holding his violin case, calmly endeavoring to reassure the +frightened women and children. The fire was fast approaching the rear +cabin. + +Shawn stood by Mrs. Alden's side, buckling a life-preserver around her +body. "I'm trusting in God, Shawn," said the good woman, as a ghastly +pallor overspread her face. + +"Put a little of that trust in me," said Shawn as he bore her in his +arms to the aft guards. Hurriedly passing down the back stairs, he went +through the engine-room to the rear end of the boat. They were lowering +the trailing-yawl, which swung on a level with the floor of the lower +cabin. As the yawl touched the water, a score of roustabouts started to +leap into it. + +"Stand back there!" shouted Shawn. "These women and children must go +first." + +Shawn lowered himself into the yawl, and catching Mrs. Alden with both +hands, placed her on a seat in the stern of the boat. The fire was +gaining headway and black volumes of smoke were rolling from the +engine-room. Ole Bull, with a countenance pale, but noble in its +expression of high courage, tenderly lowered the women and children +into the boat. Shawn took each one and placed them as closely as +possible on the seats. + +"Get aboard," he said to the musician. Shawn pushed the yawl away from +the burning boat, and seating himself with the oars, began the fight for +the shore. Great sparks from the burning timbers fell about them. The +cabin of the America toppled and fell with a crash, and as the burning +portions struck the water the waves seemed to hiss as if seeking some +struggling soul. The clamor had become deafening; men were leaping into +the water and hoarse cries rang out above the flames. + +Shawn was bending to the oars, his long boating practice now standing +him in good stead. The fumes from the burning oil were almost +unbearable, threatening to suffocate the occupants of the yawl. Thirty +yards away was the shore. The muscles in Shawn's arms were straining to +their utmost. The heavily laden boat was almost dipping water. + +[Illustration: The Cabin of the America fell with a crash.] + +"Sit steady, everybody!" cried Shawn. He turned and gazed toward the +shore, and then put all his strength into the oars and ran the boat upon +the shore. The occupants leaped out, giving joyful expressions for their +safety. Shawn wrapped Mrs. Alden in his coat and carried her from the +boat. On the bank was a log-cabin, from which a light shone. Hastening +thither, he found the door open and a wood-fire burning in the +fireplace, the family having gone to the scene of the disaster. Shawn +placed Mrs. Alden in a chair and said, "Try to make the best of it until +I return; I'm going back to save all I can." + +"May God watch over you," sobbed Mrs. Alden. + +Shawn sprang into the yawl and pushed out into the stream, and the work +he did that night in saving struggling beings, is still talked about +along that river. The boats were burning to the water's edge, and along +the shore were sobs and groans from those who had reached land; cries of +anguish from those who had lost their loved ones. Oh, the suffering of +that winter night! Children with blistered limbs, crying for mothers +whose voices were hushed beneath the stream; old men writhing in cruel +pain, moaning in piteous tones; young men with folded arms hearing again +the last sad cries of sweethearts as they were torn from them. + +Shawn went back to the log-house and found Mrs. Alden in tears. + +"Oh, my dear boy, if I were only strong enough to go among those +suffering ones. God has been kind to give me strength to pass through +this ordeal, but I am helpless to aid others." + +Shawn stood by her chair; the frost had coated his dark hair, his cheeks +seemed aflame from the exertion through which he had passed. + +The news of the disaster traveled fast. + +The Alice Lee, coming up from Madison, stopped at all of the villages +and took aboard doctors and those volunteering to help. At midnight they +arrived at the scene of the terrible catastrophe. One of the first +passengers to step ashore was Doctor Hissong, Brad Jackson just behind +him. The old doctor had his saddle-bags and instrument case, and Brad +carried a roll of bandages. + +"I wonder if they're still alive, Brad?" said Doctor Hissong. Old Brad's +heart was heavy with forebodings, but suddenly he gave vent to a yell +that nearly upset the nerves of Doctor Hissong: "Fo' Gawd, doctah, +yondah's Shawn!" + +Shawn came up, and the old doctor threw his arms around him and cried +for joy. "Is Mrs. Alden alive, Shawn?" + +"All right," said Shawn, as he pointed toward the cabin. Doctor Hissong +hastened to the cabin, and when he came up to Mrs. Alden he bent over +her hand and kissed it with a beautiful reverence. + +"Thank God for saving you," he said. + +"And Shawn," gently added Mrs. Alden. + +The survivors went aboard the Alice Lee and the injured and the dead +were also taken on board. Doctor Hissong and the other doctors gave all +their time toward alleviating the sufferings of the unfortunate ones. + +When the boat reached Skarrow, it found Mrs. Alden's carriage at the +wharf. Shawn and Brad carried her to it. She turned to Doctor Hissong +and said, "Bring as many of the injured as you can to my home, and those +in need of clothes or assistance in any way." + + + + +CHAPTER XVIII + + +The passing of five years over a country village generally brings but +little change in the existing conditions, but even in this prosaic +atmosphere of easy going methods and action, the calendar marks some +days and events of more than passing notice. + +Doctor Hissong had served his term in the Legislature, and proudly +pointed to his record in passing the bill for the construction of extra +locks and dams on the Kentucky river. + +Shawn was attending lectures at the Medical College in Louisville, +Doctor Hissong acting as his preceptor and paying all the expenses +necessary to his medical education, and now that he had been two years +in school and was nearing the end of the course, Shawn felt that life +held out a hope for him far beyond the dreams of his earlier years, and +his breast swelled with gratitude to those who had shown him such +friendship and confidence; to the kind old doctor, who trusted him to +his every word and deed, and to Mrs. Alden, who wrote him such beautiful +and touching letters, reminding him of his duty to God and his +fellow-men, and as he laid each one of her letters aside, it seemed that +a newer strength and some higher motive filled his heart. + +And there were other letters whose coming he anxiously awaited. The +small, round handwriting on the envelope sent the glow of happiness into +his eyes; the dear, sweet letters from Lallite, with marginal notes in +every conceivable nook and corner of the page; the dainty tid-bits of +love. When these letters came, Shawn took them and wandered down to the +stream he loved so well. Lallite seemed associated with the murmuring +ripples, the tiny pebbles of the beach, and the shimmering bosom of the +river. As he sat near the drowsy rumbling falls with her letter in his +hand, it seemed that the river flowing past breathed some tender message +from the village above and linked his heart into a closer and fonder +memory of sweeter hours. And these letters laden with love's tender +offerings, with here and there some whisperings of loneliness, some +unlooked-for digression embracing the gossip of the neighborhood, or +some delicious speculation as to his fidelity and love. + +One day, just about three weeks before his graduation, as he sat at the +dinner table, a servant came in and placed a telegram beside his plate. +Shawn opened the envelope and read, "Come home at once. Dave Budlong." + +Something seemed to almost paralyze his heart-strings; some terrible +apprehension took possession of him. His mother? Mrs. Alden? Lallite? + +Through the long, dragging hours which followed until the evening +mail-boat started up the river, he wandered in an agony of suspense. + +The river had lost its charm, and the strains of music from the +orchestra on the boat, fell on his ears in saddened tones. He walked the +hurricane deck, and bent his gaze upon the distant river bends, as +counting the dragging miles. At midnight the boat reached Skarrow. Dave +Budlong, the old lawyer, was there to meet Shawn. Shawn grasped his hand +and eagerly asked, "Tell me what is the matter!" + +"Doc' Hissong is very low and has been calling for you ever since last +night," said Budlong. + +They went up the hill to the office. Old Brad met them at the door, +"Praise Gawd, you've come, Shawn--he gwine mi'ty fas'--he nearin' de +Valley uv de Shadder." Shawn went in, and as he saw the old doctor's +white head on the pillow, the tears gushed from his eyes. He went to the +bedside and took the old physician's hand. + +"Doctor, it's Shawn; I've come." + +A glad beam came into the fast-closing eyes, and the feeble voice +struggled into a fitful tone, "Shawn, my boy, God has forgiven me--I +don't know how it may be--I've tried to think it out, but somehow I feel +that in the long journey I must now take alone, that God will let the +light burn for me--I've remembered you, Shawn." + +The head sank back upon the pillow. Old Brad was sobbing in the corner. +From the hill came the weird tones of a whip-poor-will, and from the +far-away bend of the river, the echoes of a steamer's wheel. The moon +shot a beam of light through the window and the rays seemed to rest +tenderly upon the calm and gentle face. Doctor Hissong's spirit had +flown. + +"Clear the room," said Budlong, "I want to speak in private with Shawn." + +Taking a paper from his pocket he said, "Shawn, Doctor Hissong told me +to read you this, his will. I am here to do it. I drew it up." + +The old lawyer stood by the mantlepiece, and by the flickering lamplight +read: + + "In the name of God, Amen. Realizing the uncertainty of life and + the certainty of death, I, Radford J. Hissong, being of sound + and disposing mind and memory, do hereby publish this to be my + last will and testament, hereby revoking all former wills and + codicils. + + 1st--I give to the old negro Brad Jackson the sum of $500.00 and + intrust him to the care of the young man known as Shawn Collins. + + 2d--I desire that $1,000.00 of my estate be distributed among + the poor of Skarrow. + + 3rd.--I give, devise and bequeath to the young man, known as + Shawn Collins, but whom I hereby acknowledge to be my son, my + river-bottom farm, consisting of 387 acres. I bequeath to him my + hill farm, consisting of 187 acres. I bequeath to him my town + property, consisting of two dwellings and one store-room, my + office, bank stock and all other properties found, outside of + the first two clauses of this will. This property to belong to + the said Shawn, to be used or disposed of according to his + pleasure. I desire a modest stone above my grave, and ask that I + be buried in the cemetery on the hill, overlooking the river. + + In witness whereof I have hereby set my hand, this 18th day of + Sept. 186- + + Radford J. Hissong. + + Witness: Dave Budlong, + John Burney, + Victor LeCroix. + + + +CHAPTER XIX + + +After the funeral, Shawn appeared as one upon whom had fallen a great +and strange sorrow. He felt as though some dark curtain had suddenly +been lowered between him and all prospects of future happiness. There +now seemed a lingering consciousness which separated him from his old +individuality; something that awakened a flame of anguish within his +heart and sent a tingling rush of blood to his cheek, but Mrs. Alden +came, with her gracious and charitable heart and sought to soothe the +troubled spirit, and her words fell as a blessed benediction into his +soul. + +"I'm going to Old Meadows, Mrs. Alden, and there bid farewell to every +hope and joy that I have in this world." + +He rode his horse slowly through the old orchard again, where he and +Doctor Hissong had driven that winter morning, but what a change had now +come into his heart. He heard the guineas call again, but every sound +was teeming with sadness. + +[Illustration: Lallite ran up to Shawn, giving him both her hands.] + +Horton took his horse at the gate, and Major LeCroix met him at the +porch, and his voice had the old-time ring of welcome. "Horton, call +Lally; Shawn has come." + +Shawn went into the old family room, Doctor Hissong's will in his hand. +Lallite came down the stairs and ran up to Shawn, giving him both her +hands. Her eyes were beaming the joy of his return, but Shawn stood with +downcast gaze and trembling limbs. + +"Lally, here is Doctor Hissong's will. It is fair and just that you read +it, and afterward, I am willing to release you from any obligation." + +With a frightened glance, the beautiful girl began to read the will. +Shawn leaned against the old piano and buried his face in his hands. +Presently he felt two soft arms steal about his neck and a gentle voice +saying, "Shawn, would it be the nobler course of a love that should +change or turn against one, who was in no way responsible for the +conditions of birth; to turn against one who has raised himself above +every stigma by his high principle and courage, by tenderness and +unselfishness? No, Shawn, some better spirit guides me, and no matter +what the world may say, I can face it as the woman who loves you, and +that love shall shed its light in such radiance that all the shadows +will flee away." + +"Oh, Lally," said Shawn, as he caught her in his arms, "Through all of +this darkness you have been my guiding star. I will start in at the old +office next month." And above the softened glow of the mussel-pearl in +the pin on her breast, two pairs of eyes beamed with the love which +never grows dim with advancing years. + +END. + + + + +Shawn of Skarrow + +By JAMES TANDY ELLIS + +Author of + +"Sprigs O' Mint," "Kentucky Stories," "Awhile in the Mountains," Etc. + +The author of this story of northern Kentucky was born in Carroll +County, Kentucky, on the beautiful Ohio river, where the scene of the +book is laid. He is well known all over his native state, as a writer, a +prince of story tellers, a public speaker and an accomplished musician. + +His genial nature is shown not only in his writings, but in all of his +general life, and the characters which he gives us in "Shawn of +Skarrow," put us in closer touch with the simple beauty of men and women +as seen and known through a wholesome and cheerful mind. + +Mr. Ellis is the author of a number of books dealing with Kentucky +character and life. His writings are true in their coloring, and carry +with them a delicious "flavor of the soil." + +Illustrated Price, $1.00 net + +AT ALL BOOKSELLERS OR SENT ON RECEIPT OF PRICE BY + +The C. M. CLARK PUBLISHING CO. + +Boston Massachusetts + + + + + +-----------------------------------------------------------------+ + | | + | Transcriber's Note: | + | | + | Page 18 'Oh sing your praise changed to "Oh sing your praise | + | Page 25 sayin', Ba'r changed to sayin', 'Ba'r | + | Page 32 A mussell, my changed to A mussel, my | + | Page 47 jes'' stracted changed to jes' 'stracted | + | Page 71 he was lead into changed to he was led into | + | Page 75 said Joel 'I am changed to said Joel. 'I am | + | Page 96 of burgoo dipping changed to of burgoo, dipping | + | Page 98 '"The bright moon changed to "'The bright moon | + | Page 114 atmoshpere and nothingness changed to atmosphere and | + | nothingness | + | Page 126 in illustration caption, Cabin of the American changed | + | to Cabin of the America | + | Page 131 now that the had changed to now that he had | + | | + +-----------------------------------------------------------------+ + + + + + +End of the Project Gutenberg EBook of Shawn of Skarrow, by James Tandy Ellis + +*** END OF THIS PROJECT GUTENBERG EBOOK SHAWN OF SKARROW *** + +***** This file should be named 26934.txt or 26934.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/2/6/9/3/26934/ + +Produced by David Garcia, Verity White and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, is critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/26934.zip b/26934.zip Binary files differnew file mode 100644 index 0000000..4a66510 --- /dev/null +++ b/26934.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..08d5535 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #26934 (https://www.gutenberg.org/ebooks/26934) |
