summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 02:33:24 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 02:33:24 -0700
commit94fdf0d9822bd6a3e3498596c596f3ef18e90608 (patch)
treec954a43caa04a33b16a91d7d9209acd0b378861f
initial commit of ebook 26952HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--26952-8.txt3925
-rw-r--r--26952-8.zipbin0 -> 66946 bytes
-rw-r--r--26952-h.zipbin0 -> 332814 bytes
-rw-r--r--26952-h/26952-h.htm4770
-rw-r--r--26952-h/images/cover.jpgbin0 -> 33613 bytes
-rw-r--r--26952-h/images/illus1.jpgbin0 -> 56941 bytes
-rw-r--r--26952-h/images/illus2.jpgbin0 -> 53911 bytes
-rw-r--r--26952-h/images/illus3.jpgbin0 -> 51521 bytes
-rw-r--r--26952-h/images/title.jpgbin0 -> 61144 bytes
-rw-r--r--26952-page-images/c0001-image1.jpgbin0 -> 2057118 bytes
-rw-r--r--26952-page-images/f0000-image1a.jpgbin0 -> 807157 bytes
-rw-r--r--26952-page-images/f0000-image1b.jpgbin0 -> 822065 bytes
-rw-r--r--26952-page-images/f0001.pngbin0 -> 7005 bytes
-rw-r--r--26952-page-images/f0002.pngbin0 -> 3290 bytes
-rw-r--r--26952-page-images/f0003.pngbin0 -> 2443 bytes
-rw-r--r--26952-page-images/f0004.pngbin0 -> 4081 bytes
-rw-r--r--26952-page-images/f0005.pngbin0 -> 20048 bytes
-rw-r--r--26952-page-images/f0007.pngbin0 -> 7715 bytes
-rw-r--r--26952-page-images/f0008.pngbin0 -> 9020 bytes
-rw-r--r--26952-page-images/p0009.pngbin0 -> 14756 bytes
-rw-r--r--26952-page-images/p0010.pngbin0 -> 22551 bytes
-rw-r--r--26952-page-images/p0011.pngbin0 -> 21909 bytes
-rw-r--r--26952-page-images/p0012.pngbin0 -> 20259 bytes
-rw-r--r--26952-page-images/p0013.pngbin0 -> 21756 bytes
-rw-r--r--26952-page-images/p0014.pngbin0 -> 22052 bytes
-rw-r--r--26952-page-images/p0015.pngbin0 -> 23335 bytes
-rw-r--r--26952-page-images/p0016.pngbin0 -> 21513 bytes
-rw-r--r--26952-page-images/p0017.pngbin0 -> 21904 bytes
-rw-r--r--26952-page-images/p0018.pngbin0 -> 19906 bytes
-rw-r--r--26952-page-images/p0019.pngbin0 -> 21650 bytes
-rw-r--r--26952-page-images/p0020.pngbin0 -> 19180 bytes
-rw-r--r--26952-page-images/p0021.pngbin0 -> 22590 bytes
-rw-r--r--26952-page-images/p0022.pngbin0 -> 8173 bytes
-rw-r--r--26952-page-images/p0023.pngbin0 -> 15327 bytes
-rw-r--r--26952-page-images/p0024.pngbin0 -> 19121 bytes
-rw-r--r--26952-page-images/p0025.pngbin0 -> 21791 bytes
-rw-r--r--26952-page-images/p0026.pngbin0 -> 22478 bytes
-rw-r--r--26952-page-images/p0027.pngbin0 -> 23989 bytes
-rw-r--r--26952-page-images/p0028.pngbin0 -> 21415 bytes
-rw-r--r--26952-page-images/p0029.pngbin0 -> 6720 bytes
-rw-r--r--26952-page-images/p0030.pngbin0 -> 15128 bytes
-rw-r--r--26952-page-images/p0031.pngbin0 -> 21523 bytes
-rw-r--r--26952-page-images/p0032.pngbin0 -> 19959 bytes
-rw-r--r--26952-page-images/p0033.pngbin0 -> 21436 bytes
-rw-r--r--26952-page-images/p0034.pngbin0 -> 22333 bytes
-rw-r--r--26952-page-images/p0035.pngbin0 -> 20905 bytes
-rw-r--r--26952-page-images/p0036.pngbin0 -> 20511 bytes
-rw-r--r--26952-page-images/p0037.pngbin0 -> 22123 bytes
-rw-r--r--26952-page-images/p0038.pngbin0 -> 15117 bytes
-rw-r--r--26952-page-images/p0039.pngbin0 -> 15983 bytes
-rw-r--r--26952-page-images/p0040.pngbin0 -> 21508 bytes
-rw-r--r--26952-page-images/p0041.pngbin0 -> 23061 bytes
-rw-r--r--26952-page-images/p0042.pngbin0 -> 22879 bytes
-rw-r--r--26952-page-images/p0043.pngbin0 -> 21524 bytes
-rw-r--r--26952-page-images/p0044.pngbin0 -> 18948 bytes
-rw-r--r--26952-page-images/p0045.pngbin0 -> 18919 bytes
-rw-r--r--26952-page-images/p0046.pngbin0 -> 18682 bytes
-rw-r--r--26952-page-images/p0047.pngbin0 -> 19035 bytes
-rw-r--r--26952-page-images/p0048.pngbin0 -> 18326 bytes
-rw-r--r--26952-page-images/p0049.pngbin0 -> 21226 bytes
-rw-r--r--26952-page-images/p0050.pngbin0 -> 17214 bytes
-rw-r--r--26952-page-images/p0051.pngbin0 -> 15526 bytes
-rw-r--r--26952-page-images/p0052.pngbin0 -> 22193 bytes
-rw-r--r--26952-page-images/p0053.pngbin0 -> 21678 bytes
-rw-r--r--26952-page-images/p0054.pngbin0 -> 22135 bytes
-rw-r--r--26952-page-images/p0055.pngbin0 -> 23731 bytes
-rw-r--r--26952-page-images/p0056.pngbin0 -> 21703 bytes
-rw-r--r--26952-page-images/p0057.pngbin0 -> 21786 bytes
-rw-r--r--26952-page-images/p0058.pngbin0 -> 22759 bytes
-rw-r--r--26952-page-images/p0059.pngbin0 -> 22115 bytes
-rw-r--r--26952-page-images/p0060.pngbin0 -> 20459 bytes
-rw-r--r--26952-page-images/p0061.pngbin0 -> 22301 bytes
-rw-r--r--26952-page-images/p0062.pngbin0 -> 17233 bytes
-rw-r--r--26952-page-images/p0063.pngbin0 -> 16747 bytes
-rw-r--r--26952-page-images/p0064-image1.jpgbin0 -> 823485 bytes
-rw-r--r--26952-page-images/p0064.pngbin0 -> 21392 bytes
-rw-r--r--26952-page-images/p0065.pngbin0 -> 22476 bytes
-rw-r--r--26952-page-images/p0066.pngbin0 -> 22316 bytes
-rw-r--r--26952-page-images/p0067.pngbin0 -> 21418 bytes
-rw-r--r--26952-page-images/p0068.pngbin0 -> 21331 bytes
-rw-r--r--26952-page-images/p0069.pngbin0 -> 21463 bytes
-rw-r--r--26952-page-images/p0070.pngbin0 -> 11966 bytes
-rw-r--r--26952-page-images/p0071.pngbin0 -> 13415 bytes
-rw-r--r--26952-page-images/p0072.pngbin0 -> 19594 bytes
-rw-r--r--26952-page-images/p0073.pngbin0 -> 20043 bytes
-rw-r--r--26952-page-images/p0074.pngbin0 -> 18355 bytes
-rw-r--r--26952-page-images/p0075.pngbin0 -> 20093 bytes
-rw-r--r--26952-page-images/p0076.pngbin0 -> 20613 bytes
-rw-r--r--26952-page-images/p0077.pngbin0 -> 22354 bytes
-rw-r--r--26952-page-images/p0078.pngbin0 -> 20318 bytes
-rw-r--r--26952-page-images/p0079.pngbin0 -> 22492 bytes
-rw-r--r--26952-page-images/p0080.pngbin0 -> 20690 bytes
-rw-r--r--26952-page-images/p0081.pngbin0 -> 22124 bytes
-rw-r--r--26952-page-images/p0082.pngbin0 -> 21371 bytes
-rw-r--r--26952-page-images/p0083.pngbin0 -> 23723 bytes
-rw-r--r--26952-page-images/p0084.pngbin0 -> 22323 bytes
-rw-r--r--26952-page-images/p0085.pngbin0 -> 21598 bytes
-rw-r--r--26952-page-images/p0086.pngbin0 -> 22582 bytes
-rw-r--r--26952-page-images/p0087.pngbin0 -> 22696 bytes
-rw-r--r--26952-page-images/p0088.pngbin0 -> 20121 bytes
-rw-r--r--26952-page-images/p0089.pngbin0 -> 19193 bytes
-rw-r--r--26952-page-images/p0090.pngbin0 -> 20500 bytes
-rw-r--r--26952-page-images/p0091.pngbin0 -> 21401 bytes
-rw-r--r--26952-page-images/p0092.pngbin0 -> 16764 bytes
-rw-r--r--26952-page-images/p0093.pngbin0 -> 15474 bytes
-rw-r--r--26952-page-images/p0094.pngbin0 -> 20653 bytes
-rw-r--r--26952-page-images/p0095.pngbin0 -> 22735 bytes
-rw-r--r--26952-page-images/p0096.pngbin0 -> 21017 bytes
-rw-r--r--26952-page-images/p0097.pngbin0 -> 21163 bytes
-rw-r--r--26952-page-images/p0098.pngbin0 -> 17963 bytes
-rw-r--r--26952-page-images/p0099.pngbin0 -> 18090 bytes
-rw-r--r--26952-page-images/p0100.pngbin0 -> 21503 bytes
-rw-r--r--26952-page-images/p0101.pngbin0 -> 20931 bytes
-rw-r--r--26952-page-images/p0102.pngbin0 -> 21754 bytes
-rw-r--r--26952-page-images/p0103.pngbin0 -> 23269 bytes
-rw-r--r--26952-page-images/p0104.pngbin0 -> 22408 bytes
-rw-r--r--26952-page-images/p0105.pngbin0 -> 20673 bytes
-rw-r--r--26952-page-images/p0106.pngbin0 -> 14973 bytes
-rw-r--r--26952-page-images/p0107.pngbin0 -> 15035 bytes
-rw-r--r--26952-page-images/p0108.pngbin0 -> 19164 bytes
-rw-r--r--26952-page-images/p0109.pngbin0 -> 23158 bytes
-rw-r--r--26952-page-images/p0110.pngbin0 -> 22796 bytes
-rw-r--r--26952-page-images/p0111.pngbin0 -> 23232 bytes
-rw-r--r--26952-page-images/p0112.pngbin0 -> 21988 bytes
-rw-r--r--26952-page-images/p0113.pngbin0 -> 21865 bytes
-rw-r--r--26952-page-images/p0114.pngbin0 -> 21696 bytes
-rw-r--r--26952-page-images/p0115.pngbin0 -> 22195 bytes
-rw-r--r--26952-page-images/p0116.pngbin0 -> 22706 bytes
-rw-r--r--26952-page-images/p0117.pngbin0 -> 21638 bytes
-rw-r--r--26952-page-images/p0118.pngbin0 -> 19970 bytes
-rw-r--r--26952-page-images/p0119.pngbin0 -> 20591 bytes
-rw-r--r--26952-page-images/p0120.pngbin0 -> 21002 bytes
-rw-r--r--26952-page-images/p0121.pngbin0 -> 15690 bytes
-rw-r--r--26952-page-images/p0122.pngbin0 -> 18584 bytes
-rw-r--r--26952-page-images/p0123.pngbin0 -> 21029 bytes
-rw-r--r--26952-page-images/p0124.pngbin0 -> 21158 bytes
-rw-r--r--26952-page-images/p0125.pngbin0 -> 22359 bytes
-rw-r--r--26952-page-images/p0126.pngbin0 -> 19494 bytes
-rw-r--r--26952-page-images/p0127.pngbin0 -> 22134 bytes
-rw-r--r--26952-page-images/p0128.pngbin0 -> 21174 bytes
-rw-r--r--26952-page-images/p0129.pngbin0 -> 21766 bytes
-rw-r--r--26952-page-images/p0130.pngbin0 -> 21653 bytes
-rw-r--r--26952-page-images/p0131.pngbin0 -> 23752 bytes
-rw-r--r--26952-page-images/p0132.pngbin0 -> 22810 bytes
-rw-r--r--26952-page-images/p0133.pngbin0 -> 22393 bytes
-rw-r--r--26952-page-images/p0134.pngbin0 -> 22011 bytes
-rw-r--r--26952-page-images/p0135.pngbin0 -> 14880 bytes
-rw-r--r--26952-page-images/p0136.pngbin0 -> 15396 bytes
-rw-r--r--26952-page-images/p0137.pngbin0 -> 22770 bytes
-rw-r--r--26952-page-images/p0138.pngbin0 -> 20506 bytes
-rw-r--r--26952-page-images/p0139.pngbin0 -> 21494 bytes
-rw-r--r--26952-page-images/p0140.pngbin0 -> 21279 bytes
-rw-r--r--26952-page-images/p0141.pngbin0 -> 22342 bytes
-rw-r--r--26952-page-images/p0142.pngbin0 -> 20913 bytes
-rw-r--r--26952-page-images/p0143.pngbin0 -> 22142 bytes
-rw-r--r--26952-page-images/p0144-image1.jpgbin0 -> 847237 bytes
-rw-r--r--26952-page-images/p0144.pngbin0 -> 20933 bytes
-rw-r--r--26952-page-images/p0145.pngbin0 -> 9069 bytes
-rw-r--r--26952-page-images/p0146.pngbin0 -> 16340 bytes
-rw-r--r--26952-page-images/p0147.pngbin0 -> 22962 bytes
-rw-r--r--26952-page-images/p0148.pngbin0 -> 20313 bytes
-rw-r--r--26952-page-images/p0149.pngbin0 -> 19378 bytes
-rw-r--r--26952-page-images/p0150.pngbin0 -> 20374 bytes
-rw-r--r--26952-page-images/p0151.pngbin0 -> 20255 bytes
-rw-r--r--26952-page-images/p0152.pngbin0 -> 22938 bytes
-rw-r--r--26952-page-images/p0153.pngbin0 -> 20494 bytes
-rw-r--r--26952-page-images/p0154.pngbin0 -> 15342 bytes
-rw-r--r--26952-page-images/p0155.pngbin0 -> 22311 bytes
-rw-r--r--26952-page-images/p0156.pngbin0 -> 22238 bytes
-rw-r--r--26952-page-images/p0157.pngbin0 -> 22543 bytes
-rw-r--r--26952-page-images/p0158.pngbin0 -> 22053 bytes
-rw-r--r--26952-page-images/p0159.pngbin0 -> 10558 bytes
-rw-r--r--26952-page-images/p0160.pngbin0 -> 16468 bytes
-rw-r--r--26952-page-images/p0161.pngbin0 -> 22734 bytes
-rw-r--r--26952-page-images/p0162.pngbin0 -> 21170 bytes
-rw-r--r--26952-page-images/p0163.pngbin0 -> 20698 bytes
-rw-r--r--26952-page-images/p0164.pngbin0 -> 21989 bytes
-rw-r--r--26952-page-images/p0165.pngbin0 -> 21631 bytes
-rw-r--r--26952-page-images/p0166.pngbin0 -> 19460 bytes
-rw-r--r--26952-page-images/p0167.pngbin0 -> 16214 bytes
-rw-r--r--26952-page-images/p0168.pngbin0 -> 15100 bytes
-rw-r--r--26952-page-images/p0169.pngbin0 -> 22941 bytes
-rw-r--r--26952-page-images/p0170.pngbin0 -> 20706 bytes
-rw-r--r--26952-page-images/p0171.pngbin0 -> 22692 bytes
-rw-r--r--26952-page-images/p0172.pngbin0 -> 20433 bytes
-rw-r--r--26952-page-images/p0173.pngbin0 -> 20545 bytes
-rw-r--r--26952-page-images/p0174.pngbin0 -> 18998 bytes
-rw-r--r--26952-page-images/p0175.pngbin0 -> 16741 bytes
-rw-r--r--26952-page-images/p0176.pngbin0 -> 17936 bytes
-rw-r--r--26952-page-images/p0177.pngbin0 -> 21493 bytes
-rw-r--r--26952-page-images/p0178.pngbin0 -> 6331 bytes
-rw-r--r--26952-page-images/q0001.pngbin0 -> 40568 bytes
-rw-r--r--26952-page-images/q0002.pngbin0 -> 38718 bytes
-rw-r--r--26952.txt3925
-rw-r--r--26952.zipbin0 -> 66912 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
198 files changed, 12636 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/26952-8.txt b/26952-8.txt
new file mode 100644
index 0000000..02a27ee
--- /dev/null
+++ b/26952-8.txt
@@ -0,0 +1,3925 @@
+The Project Gutenberg EBook of Eric, by Mrs. S. B. C. Samuels
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Eric
+ or, Under the Sea
+
+Author: Mrs. S. B. C. Samuels
+
+Release Date: October 18, 2008 [EBook #26952]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ERIC ***
+
+
+
+
+Produced by Roger Frank, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+[Illustration: Froll's Antics.--Page 54.]
+
+
+
+
+[Illustrated title plate: Springdale Stories. Illustrated. ERIC. Lee &
+Shepard; BOSTON.]
+
+
+
+
+THE SPRINGDALE STORIES.
+
+ERIC;
+
+OR,
+UNDER THE SEA.
+
+BY
+MRS. S. B. C. SAMUELS,
+
+AUTHOR OF "ADELE," "HERBERT," "NETTIE'S TRIAL,"
+"JOHNSTONE'S FARM," "ENNISFELLEN."
+
+BOSTON
+LEE AND SHEPARD PUBLISHERS
+CHARLES T. DILLINGHAM NEW YORK
+
+
+
+
+Entered according to Act of Congress, in the year 1870,
+BY LEE AND SHEPARD,
+In the Office of the Librarian of Congress, at Washington.
+
+Electrotyped at the
+Boston Stereotype Foundry.
+
+
+
+
+AFFECTIONATELY DEDICATED
+
+TO
+
+FRANK EDWARD SAMUELS.
+
+
+
+
+THE SPRINGDALE STORIES.
+
+COMPLETE IN SIX VOLUMES,
+
+1. ADELE.
+2. ERIC.
+3. HERBERT.
+4. NETTIE'S TRIAL.
+5. JOHNSTONE'S FARM.
+6. ENNISFELLEN.
+
+
+
+
+PREFACE.
+
+The story of the travels of Eric and his friends on the continent of
+Europe will, I trust, be interesting to my young readers. Many of the
+incidents described are actual facts, and the descent of Eric, in diving
+armor, to the bottom of the sea, will be found to possess some items which
+will be worth remembering.
+
+The sights, sounds, and sensations which I have described, are such as any
+submarine diver of experience has seen, heard, and felt, and therefore
+will be instructive in a certain way.
+
+The finding a box of gold by the divers is not of often occurrence,
+although valuables are reclaimed from the ocean in this manner
+occasionally.
+
+The lesson taught by Eric's honesty in trying to find the owner of the
+money, and its influence on his accusers, when he is unjustly accused of
+theft, will be worthy of attention to all my young friends who have a name
+to make.
+
+
+
+
+CONTENTS
+
+CHAPTER PAGE
+ I. Leaving the Castle. 9
+ II. "The Hague." 23
+ III. The City. 30
+ IV. Allan's Story. 39
+ V. "Seeing the Elephant." 50
+ VI. A Dutch City. 62
+ VII. Under the Sea. 70
+ VIII. Thrilling Experience. 92
+ IX. Uncle John. 106
+ X. Strasbourg. 120
+ XI. Eric in Trouble. 135
+ XII. "A Friend in Need is a Friend Indeed." 145
+ XIII. The Real Thief. 153
+ XIV. Percy, Beauty, and Jack. 159
+ XV. The Last. 167
+
+
+
+
+ERIC.
+
+
+
+
+CHAPTER I.
+
+LEAVING THE CASTLE.
+
+
+Olendorf is not far from Hamburg. The broad and sparkling Elbe washes it
+on the western side, and with the rugged mountains and the weird grand,
+old forests upon the north and east, seem to shut the little town quite in
+from the outer world; yet Olendorf had been an important place and on
+account of its grand old fortress, Castle Wernier, was a bone of
+contention throughout the French and German wars; and between the French,
+who were resolute to hold the fortress, and the barons of Wernier, who
+were equally resolute to regain it, the castle suffered severely; and
+when, long years after, peace was declared, the last baron of Wernier
+died, and the castle came into the possession of Adele Stanley, his great
+granddaughter, it was merely a grand old ruin.
+
+Adele's father rebuilt the tower and a couple of wings, and furnished all
+the habitable rooms, intending to have his little Adele and Herbert spend
+their childhood there. But while Adele was yet almost a baby, her kind
+father died. Then she lost her mother, and was for a long time a wanderer
+among strangers in a foreign land; and the old castle had been
+uninhabited, except by Gretchen, the gardener's wife, and the owls in its
+dark turrets. Now, however, the long windows were thrown open to the fresh
+breezes and sunshine; merry laughter rang up from the garden; children's
+voices echoed among the ruins, and children's feet danced through the long
+corridors, keeping time to the music of the happy voices.
+
+Adele and Herbert Stanley were at the castle with their young guests from
+New York--Eric and Nettie Hyde. They had spent the summer months there;
+"the happiest months in their lives," they all declared. Now, alas! the
+merry season was drawing to a close. Adele was to go to her grandfather's
+home in England, Herbert to school at Eton, Nettie with her mother to New
+York, and Eric was to travel in Holland and the German states with his
+uncle, Dr. Ward, and his cousin, Johnny Van Rasseulger.
+
+Such a busy day as it was to be! But just now all care was forgotten, even
+to the regret at parting, in watching the absurd freaks of little Froll,
+the monkey. Her real name was Frolic; but who ever heard children call a
+pet by its real name?
+
+Mrs. Hyde called to Nettie, requesting her to do an errand. At the sound
+of her voice Nettie ran towards her, exclaiming,--
+
+"O, mamma! Adele has given us such a splendid present, to take home with
+us!"
+
+"What is it, my dear?"
+
+"I love it so dearly! It's--it's--"--here Nettie's voice trembled a
+little, and her heart knew its own misgivings--"it's--Froll, mamma, the
+little darling!"
+
+"And who _is_ Froll, the little darling!"
+
+"That dear little monkey," answered Nettie, pointing to Froll, now close
+at hand.
+
+"O," exclaimed Mrs. Hyde, retreating hastily, "I dislike monkeys, and I
+cannot have one travelling with me."
+
+"But, mamma--" said Nettie, piteously.
+
+"You need not think of it, my dear; it is quite impossible," was the
+decided reply, to Nettie's disappointment.
+
+"But may not Eric take her?"
+
+"Uncle Charlie must decide that question: if he has no objections to
+travelling with an animal that is never out of mischief, I suppose Eric
+may take charge of her."
+
+"But then, mamma, Eric will be gone a whole long year--"
+
+"And as you have lived nine whole long years," interrupted her mother,
+smiling, "without a monkey, or a desire for one, don't you think you could
+survive the separation?"
+
+Nettie didn't then think she could; but a while after, when Froll chased
+her with a paint-brush dripping wet with red paint, and then completely
+spoiled a pretty landscape view that Herbert was painting for her, she
+changed her mind, and decided that a voyage from Hamburg to New York with
+such an uncontrollable creature would be, to say the least, inconvenient.
+
+To be sure, papa was to meet them at the Hague, and he might be willing to
+look to her safe transportation across the Atlantic; but she had not much
+faith in this argument, and, making a virtue of necessity, resigned
+herself with becoming grace to her mother's wishes.
+
+Looking back upon the pleasant summer months at Castle Wernier, the
+children thought time had never gone so quickly. They were soon to be
+parted from each other, and their pleasant German home and every object
+took a new interest to them.
+
+"The value of a thing is never known till we have lost it," Herbert said,
+sorrowfully, thinking how lonely Adele and he would become when parted
+from their companions.
+
+"Nor how dear a place an old castle is, until we are forced to leave it,"
+said Eric.
+
+"I remember thinking once," said Nettie, "that this place was horrible. It
+was when we were all so frightened about the ghost."
+
+"And all the time I was the ghost," Adele added; "and I used to think it
+very hard that I couldn't speak to you, not knowing that I was frightening
+you all out of your wits."
+
+"I suppose more than half the ghosts we read about are only people walking
+in their sleep, as Adele did," said Herbert.
+
+"Of course," said Nettie; "but if we stay here all day, talking about
+ghosts, what will become of our pets and toys?"
+
+As Herbert and Adele were to start for their home in England when Mrs.
+Hyde and her children left the castle, all their pets were to be disposed
+of among the gardener's children, that is, all but Froll, for Eric was
+sure that uncle Charlie would not object to having the little creature for
+a travelling companion; and as Mrs. Hyde would not allow Nettie to take
+her with her, Froll was to make the tour of Germany with Dr. Ward and the
+boys.
+
+There were the pony, and the rabbits, and the canary bird, of all which
+Gretchen's children were to take the utmost care, until the dear
+_Fraulien_ and the young _Herr_ should come again. And many and loud were
+the expressions of affectionate regret at the children's departure, oddly
+intermingled with exclamations of delight at the appearance of numerous
+toys, which Mrs. Nichols and Mrs. Hyde had decided must be left over from
+the packing.
+
+Then the garden must be visited in every nook and corner. Particular
+directions must be left with Hans concerning their choice flowers and
+favorite plants.
+
+And then there was the grand event of the day--the packing up of their own
+individual treasures, in the shape of books and toys. They worked hard all
+day, and were very proud of their work when all was accomplished; but, in
+the dead of night, when they were fast in the "Land o' Nod," old mauma,
+who was prowling around the trunks and hampers to see if all were secure,
+seemed rather suspicious of one, and knelt down on the floor to examine
+it, giving it a little shake, by way of test.
+
+"Dear heart alive!" she exclaimed; "just you look here, missis, please.
+All those little flimpsy toys and things to bottom, an' the heavy book
+stuck in any ways to top, an' all of 'em jolting roun' like anything!"
+
+Poor tired Mrs. Hyde could not help smiling, as she leaned wearily over
+the two hampers the children had filled, and gave directions to mauma and
+Gretchen about repacking them.
+
+The two women soon accomplished what it had taken the children all day to
+perform; and to their faithful exertions was owing the safe arrival at
+Fifth Avenue and Ennisfellen of the toys.
+
+Early in the morning the children were aroused to prepare for their
+journey. They were all in high spirits, and thought dressing and
+breakfasting by candle-light the "greatest fun in the world;" though it is
+doubtful if they would have held to their opinion had the practice been
+continued permanently.
+
+"Nobody wants breakfast so early," Nettie said, as she laughed and talked
+in excitement.
+
+"I'm sure nobody wants to lunch on the train," shouted Eric, across the
+hall.
+
+"The train, indeed! Why, we shall be aboard the steamer at noon. I like to
+travel on these European steamers," Nettie called back.
+
+"I am so glad we are all to travel together to the Hague," said Adele's
+sweet voice. "How quickly you dress, Nettie! But where _can_ my other boot
+be?"
+
+"I'm sure I don't know; let's look for it. Here 'tis."
+
+"No; that's your own."
+
+"Sure enough; and I've been all this time doing up yours. Shouldn't wonder
+if we did miss the train. And it's in a knot, and I can't untie it. Mauma,
+mauma, bring another light here, quick! and you'd better hurry, Adele."
+
+"Nettie, did you mean the train was in a knot?" called Herbert.
+
+"No, it's _not_," said Nettie, quickly; and then they all laughed merrily.
+For, though Nettie's remark was not particularly brilliant, there was
+enough in it to amuse the happy, excited hearts around her.
+
+The breakfast received a very slight share of attention. The boys were
+constantly running below to "see after the horses," and Nettie was dancing
+about, in everybody's way, assuring them all that they would certainly
+lose the train, and begging Adele, for her own safety, to keep close to
+her, and not to be nervous on any account.
+
+"I know somebody will forget something!" she exclaimed for the fiftieth
+time. "Be sure, all of you, to remember."
+
+"Not to forget," interrupted Eric, mischievously.
+
+"The carriage has come to the door, Herr Von Nichols!" Gretchen announced,
+through her tears.
+
+All the Werniers, the ancient holders of the castle, had been Herr Vons;
+and as Mrs. Nichols was a Wernier, Gretchen had adopted the villagers'
+fashion of bestowing the title upon the husband.
+
+The servants were in the hall, sorrowfully awaiting the departure of their
+kind patrons.
+
+"Good by! Good by!" the children shouted; while the mournful group bade
+them "God speed."
+
+"Who's forgotten anything?" said Nettie, crowding into a corner of the
+carriage.
+
+"I think you have, my dear," answered her mother. "Where is your sacque?"
+
+Nettie looked quite dismayed.
+
+"O, I packed it, mamma. I forgot I was to wear this dress."
+
+There was a general consternation at this confession, until mauma drew the
+missing article from under her shawl.
+
+"Here 'tis, Miss Nettie. I 'spects you'd want it."
+
+"I'm ever so much obliged to you, mauma," said Nettie, eagerly seizing the
+sacque, and putting herself into it, while Mrs. Hyde rewarded the faithful
+old colored woman with a grateful smile.
+
+"I was so busy remembering for the others, mamma," Nettie said,
+apologetically.
+
+"Perhaps it would be as well for you to attend more particularly to
+yourself, my dear," was her mother's mild rebuke.
+
+Mr. Nichols and the boys were busy stowing boxes and parcels in various
+hidden compartments of the carriage. Just as Mr. Nichols announced that
+they were ready to start, Eric thrust his head in at the door, exclaiming,
+funnily,--
+
+"Mamma, Nettie is so anxious, suppose you all just feel inside your
+bonnets, to make sure that your heads are here?"
+
+"Don't detain us, Eric," his mother said, smiling at the frank, joyous
+face.
+
+"All right, mamma. This is my load: let me see,--Mrs. Hyde, Adele, Nettie,
+and mauma. Go ahead, Carl."
+
+The coachman drew up his reins, and the spirited horses, after curvetting
+and prancing for an instant, dashed down the avenue, Adele's and Nettie's
+white handkerchiefs floating on the breeze, in a last adieu to Wernier.
+
+They were followed immediately by another carriage, containing Mr. and
+Mrs. Nichols and the boys; and, except for the group of sorrowing
+servants, watching the fast-disappearing carriages, Castle Wernier was
+left alone.
+
+
+
+
+CHAPTER II.
+
+"THE HAGUE."
+
+
+ "The sun rode high, the breeze was free,
+ High dashed the diamond spray,
+ And proudly o'er the dark blue sea
+ The steamer ploughed her way."
+
+Aboard of the Hague, the children, watching the distant spires and domes
+of Hamburg "melt into air" as the vessel bore, with almost imperceptible
+motion rapidly towards the North Sea, began to realize that they would see
+no more of Wernier. And though their sorrow but faintly came home to them,
+they were sad and thoughtful.
+
+Adele whispered mournfully to Herbert, "O, let us go below! It is so like
+going out in the Europa, with dear mamma, before she died in the wreck. O,
+Herbie, I cannot bear the cruel, cruel sea. Take me below."
+
+So Herbert and Adele went to the cabin, and Eric suggested to Nettie that
+they should follow.
+
+"No," said Nettie, "I like to stay here. Eric, see that boy look at you; I
+think he wants to speak."
+
+Eric looked around, and saw a boy of his own age steadfastly regarding
+him. When he caught Eric's eye, he bowed and hastened forward, holding out
+his hand.
+
+"Eric Hyde?" he said.
+
+"Yes," said Eric. "Do you know me?"
+
+"I never _saw_ you before; but I know you, for all that," said the boy.
+
+"How?" said Eric, astonished, and interested, too.
+
+"I knew you by your voice. I used to live next door to you in New York. I
+was blind then, and auntie sent me out to Hamburg, to the famous oculist
+Dr. Francis. He has given me my sight, and I am going home alone. Auntie
+doesn't know about it yet; she only knows that the operation was performed
+two months ago, and that Dr. Francis had no doubt of its success. Won't
+she be surprised to see me walk into the parlor, and to hear the whole
+story from me?"
+
+"Hurrah!" cried Eric, excitedly, tossing his cap high in the air.
+
+"I remember you well," said Nettie; "I am Nettie Hyde. Don't you, Eric?"
+
+"Yes," said Eric. "I used to pity you so! Isn't it just jolly!"
+
+"Do you know," said the boy, whose name was Allan Ramsdell, "I never saw a
+steamer before to-day! I have been blind so long, ever since I was four
+years old. I've got the key of my state-room here, but I don't know where
+to go to look for the room."
+
+"I'll show you," volunteered Eric. "And, Nettie, if you will go down for
+Adele and Herbie, we'll go all over the steamer."
+
+Nettie ran quickly into the cabin, eager to impart the news of their new
+acquaintance. Mrs. Hyde was glad of anything that would interest Adele,
+and urged her to go upon deck with Herbert. Mr. Nichols was resting from
+the fatigue of the ride. Mrs. Nichols, always feeble, did not feel equal
+to the exertion of climbing the companion way, the stairs from the upper
+deck to the cabin, and Mrs. Hyde wished to remain with her; so the
+children began their exploring expedition alone.
+
+The great steamship was now out in the blue sea. The wide decks were
+gradually being cleared of passengers as they sought their narrow
+state-rooms, and as the children were quiet and orderly, no one interfered
+with them.
+
+"This is the dining-hall," announced Eric, as the five heads peered in at
+the door of a long saloon, where tables were ranged for the accommodation
+of the passengers.
+
+Behind this saloon was the kitchen, a hot, steaming place, where men,
+mostly cooks, in dirty white jackets, rushed helter-skelter into each
+other and around the room.
+
+"Too many cooks spoil the broth," said Herbert, in an undertone, which
+remark so tickled the others that they all ran off laughing, till they met
+a stout, dignified "yellow man," holding the store-room keys, and wearing
+a cleaner jacket than the others. He was the steward, and, being cross,
+scolded the children roundly for getting in his way. In the lower cabin
+were the steerage passengers. These had no saloon with tables arranged for
+their accommodation. They ate plain bean soup from tin mugs, and hard ship
+biscuit from their hands, and their table was a long board, let down from
+above by ropes. They stood around the board while eating, and when the
+meal was finished, the temporary table was drawn up out of the way.
+
+By the time these observations had been made Mrs. Hyde joined them; and
+after speaking kind congratulations to Allan, and inviting him to attach
+himself to their party, she warned the children of the approach of dinner,
+and requested them to prepare for it.
+
+Allan was very grateful to Mrs. Hyde for her kindness, and thanked her
+politely. He travelled with her to his aunt's door, and was such a
+gentlemanly, companionable boy that they all became very much attached to
+him. It would be pleasant to take the trip from Hamburg to the western
+coast with our party; but that is impossible, as Eric has considerable
+journeying to do in another direction, and we are to accompany him. But
+the voyage was a pleasant one, and the children saw and learned many new
+and wonderful things before they reached their destination. We must not
+forget that little Froll left Hamburg snugly packed in a cage, and
+intrusted to mauma's care for the voyage. She was quite a favorite aboard
+the vessel, and made much merriment by her absurd pranks, and at Hague was
+safely landed, and transported to the hotel.
+
+At Hague, too, the Hydes and Allan Ramsdell left the vessel, after a
+sorrowful parting with Mr. and Mrs. Nichols and Herbert and Adele.
+
+
+
+
+CHAPTER III.
+
+THE CITY.
+
+
+It would seem strange to us to hear our native city called "the Boston,"
+and stranger still to hear the staid old capital called by more names than
+one.
+
+Eric, and Allan, and Nettie were quite confused in the capital of Holland
+by the variety of names given it.
+
+"Hague," "The Hague," and "La Haye" they had heard, but upon their arrival
+they found its inhabitants calling it "_Gravenhaag_," which, Mrs. Hyde
+explained, meant "The Count's Meadow."
+
+"What a comical place!" Nettie exclaimed, as they glided along through
+"canal streets" to the hotel. "Mamma, if our streets were like these,
+wouldn't you fret for our precious necks every time we looked out of a
+window? And I don't suppose you would ever let us go out to play, for fear
+we'd drown."
+
+"Still, it is very pleasant gliding under these shady trees; and if you
+look about, my dear, you will see there are also carriage roads, with
+sidewalks."
+
+"Yes," said Eric; "we've passed several."
+
+"I like these boat roads best," said Allan, "they are so novel."
+
+"Where are we going, mamma?" asked Nettie, "and how far?"
+
+"To the _Vyverberg House_, my dear. I do not know the distance."
+
+"Is it a mile?" asked Eric, of the boatman.
+
+He shook his head, saying, "_Nein_."
+
+But you are not to think that he meant nine miles, for "_nein_" is German
+for "no."
+
+The Vyverberg House was at the north end of Gravenhaag; so our friends had
+a fine view of the town, and learned much of its history from the sober
+old boatman, who, very fortunately for them, spoke English well.
+
+He pointed out the moat, which surrounded the city and formed its
+principal defense, and the drawbridges which crossed the moat.
+
+"How different from Hamburg!" said Eric. "There, a strong wall fortified
+the town, and most of its streets are now built upon its old walls of
+fortification."
+
+"The canals were similar to these," said his mother. "You did not notice
+those particularly, because you always rode in Mr. Nichols's carriage."
+
+"But this is a much better looking town than Hamburg, mamma."
+
+"Yes, indeed; the buildings are much handsomer here," she assented.
+
+"O, how lovely!" "How splendid!" cried Nettie and Allan in a breath, as
+they came upon a fine open space, ornamented with a lake, and wooded
+island in its centre.
+
+"This is the Vyverberg," the boatman said.
+
+"Mamma, how good of you to bring us here!" cried the children; "it is
+perfectly splendid!"
+
+Well might they say so. The square containing the lovely lake and island
+was surrounded by the handsomest and chief public edifices of the city,
+the finest one of them all being the former palace of Prince Maurice, now
+the National Museum, celebrated for its gallery of pictures.
+
+The Royal Museum and other famous buildings were there; but that to which
+our party's attention was most closely drawn was the hotel.
+
+It stood facing the lake, a broad, comfortable-looking brick building,
+with heavy balconies, and frowning eaves and ornamental stucco work
+surrounded its doorways and windows. Between it and the avenue lay a
+beautiful garden, and just beyond the building was a small shady grove.
+
+"Mamma," exclaimed Nettie, "I _do_ think the Germans and Dutch have the
+most exquisite gardens in the world."
+
+"They are certainly very beautiful," said Mrs. Hyde. "Here in Holland
+great attention is paid to the culture of flowers. Indeed, some of the
+finest varieties are raised here, and Holland bulbs are among our choicest
+varieties."
+
+"Mrs. Hyde, I suppose I am very stupid," said Allan, blushing, "but I do
+not know what 'bulbs' are."
+
+"No, indeed, Allan; you show great good sense in asking about whatever you
+do not understand. That is the way to learn. Bulbous plants are those
+which have a round root, and produce very few leaves; they are such as the
+tulip, hyacinth, crocus, and others. They are nearly all ornamental and
+beautiful from the very large size and brilliant color of their flowers.
+Holland tulips were once so much in demand as to bring almost fabulous
+prices. A gentleman in Syracuse gave a valuable span of horses, and
+another exchanged his farm, for a bed of the tulip bulbs."
+
+"Thank you, ma'am," said Allan. "It is very interesting. When I am a man I
+think I will be a florist. I am very fond of flowers; they were a great
+comfort to me when I was blind."
+
+As Allan ceased speaking, the boat stopped, and they were landed upon a
+short flight of stone steps. Eric gave directions for the baggage, and
+then all proceeded to the hotel.
+
+A carriage was approaching them quite rapidly, and Nettie suddenly, with a
+cry of joy, sprang forward, directly in the way of the horses. If Allan
+had not, at the risk of serious injury to himself, immediately sprung
+after her and drawn her back, she would have been run over.
+
+"Let go of me, Allan; O, let me go! It is papa!" cried Nettie.
+
+A gentleman in the carriage stopped the horses, and leaned anxiously
+forward.
+
+"Is the little girl hurt?" he asked of Allan, in German.
+
+Poor Allan did not understand him, and could not answer. But there was no
+need, for in another instant, exclaiming, "Why, 'tis my own little girl!"
+the gentleman leaped from the carriage, and Nettie was in her father's
+arms.
+
+Meanwhile Mrs. Hyde and Eric, who had been separated by carriages from
+them, and had only seen Nettie spring before the horses, and Allan go
+after her, were very much frightened. They now appeared upon the scene,
+and finding the child sobbing in a gentleman's arms, concluded, of course,
+that she was hurt.
+
+"My darling!" cried poor Mrs. Hyde, in agony, "O, is she hurt, sir?"
+
+"No, ma'am," said Allan, "she is not hurt, at all!"
+
+"Alice!" said Mr. Hyde to his wife.
+
+He had but just landed from the American steamer, and was on his way to
+the hotel, not knowing of the arrival of "The Hague," when he first saw
+Nettie and Allan. He was overjoyed to find his family thus unexpectedly.
+
+"O, Eric, Eric! I am so glad!" she exclaimed, in relief; "but Nettie!"
+
+"My little rash, excitable Nettie is safe and sound in papa's arms," he
+said. But the tremor in his voice showed how nearly Nettie had escaped
+severe injury. "Eric, my boy," he added, "have you no word for papa?"
+
+Eric, white and faint, could not speak a word, but clasped his father's
+hand convulsively.
+
+"And where is my daughter's brave protector and deliverer?" Mr. Hyde
+asked, looking around for Allan.
+
+The boy, who had bashfully retreated behind Mrs. Hyde, was brought forward
+and introduced as "our neighbor the blind boy, whose sight is now
+restored."
+
+"He is travelling home with us," Mrs. Hyde added, when her husband had
+warmly thanked him.
+
+Quite a crowd had collected around our travellers, and so eagerly and
+sympathetically inquired what had happened, that Mr. Hyde was obliged to
+tell them, briefly, the incident, as he led the way to the Vyverberg
+House.
+
+It was but a few steps, and they were soon in the hotel, where the words
+of congratulation floated after them from the crowd; and presently a
+hearty cheer followed, when the good Hollanders understood that the little
+American _Fraulien_ had found her father.
+
+
+
+
+CHAPTER IV.
+
+ALLAN'S STORY.
+
+
+Poor Nettie was mortified enough by the result of her impulsive act. She
+was quite frightened by the crowd, and their joyous cheering filled her
+with terror, for she did not understand that these honest, kindly people
+were filled with joy because a little girl's heart was made happy.
+
+Her parents talked to her kindly and seriously of the necessity of
+learning to govern her impulsiveness, and Nettie promised; but, alas! the
+promise was broken again and again, until she learned by hard and terrible
+experience to be a careful, thoughtful child. She now found that she had
+spoiled every one's pleasure for the day.
+
+Her mother suffered from a nervous headache, brought on by the fright and
+excitement. Her father was obliged to leave, when they were comfortably
+established in the hotel, in order to transact some important business,
+and had taken Eric with him, starting immediately after their dinner.
+
+When he went off with Eric, Mrs. Hyde went to her room to lie down,
+forbidding Nettie to leave the parlor, that she might feel assured of the
+child's safety.
+
+Allan had a letter to write to Dr. Francis and his friends in Hamburg; so
+Nettie was obliged to amuse herself.
+
+She obtained permission from her mamma to take Froll out upon the balcony,
+and played with her for a little while quite happily. But by and by Froll
+spoiled all the fun; for she _would_ climb up the blinds and mouldings to
+the utmost limit of her chain, which was just long enough to admit of her
+reaching the window-sill and thrusting her head into the room where Mrs.
+Hyde lay. Now, Mrs. Hyde was really afraid of Froll, and these
+performances were not calculated to cure her headache. She spoke to Nettie
+once or twice from the room; but finding the monkey's visits repeated, she
+sent Allan down to tell Nettie that, if Froll came up to her window again,
+she must return to her cage, and Nettie to the parlor.
+
+"I won't let her go up again," said Nettie. "Now, Froll, be good; _do_
+climb down the other way, after this cake. See, Frolic, see!" and she
+threw a little fruit cake over the railing.
+
+Quick as a flash, Froll went after it; so very quickly, as to pull the end
+of the chain from Nettie's hand.
+
+Before the child had time to think, the mischievous monkey had seized the
+cake, and was travelling quickly up the blinds and moulding, over the
+sill, and, as Nettie drew a frightened breath, in at the window.
+
+"O, dear!" said Nettie; "now I'll have to be punished. It's silly of mamma
+to be so easily frightened."
+
+Her mamma, meanwhile, had just fallen into a doze. The rattling of the
+chain startled her; she opened her eyes, and saw the ugly little black
+monkey perched close beside her. She was quite startled, and very angry
+with Nettie, of course: after securing the monkey safely in her cage, she
+called Nettie to her, and speaking quite severely, told her to return to
+the parlor, to sit down on the lounge, and neither to rise from it, nor
+touch anything, until her father and Eric came home. Poor Nettie! It was
+very dull indeed for her, and before long she was sobbing quite bitterly.
+
+Meanwhile Allan finished his letter, and took up his cap, meaning to take
+a walk around the square. Looking into the parlor, and seeing Nettie's
+distress, he resolved to give up his walk and to comfort Nettie.
+
+"I wouldn't cry, Nettie," he said, so softly and kindly that she stopped
+crying, and looked up at him. "I will stay with you now. I've written my
+letter."
+
+Nettie's face lighted up instantly, but fell again as she exclaimed,--
+
+"But it is not fair, Allan: you told Eric you should take a walk; mamma is
+very unkind and unjust, too! I could not help Froll's going up that
+time."
+
+"O, Nettie," said Allan, "don't ever speak so of your mother, so kind and
+good. My mamma is dead, Nettie; and if yours should ever be laid away in
+the cold, cold ground, you would feel so dreadfully to think you had
+wronged her!"
+
+Nettie was crying again.
+
+"I _do_ love mamma, and it was very bad of me to speak so; but, O, dear! I
+never _do_ do anything right. I don't see why I can't be good, like
+Adele."
+
+"I know what makes Adele so good and gentle," said Allan. "She loves the
+Lord, and tries to please him."
+
+"But _I can't_!" said Nettie, piteously.
+
+"O, yes, you can, Nettie. Every one can."
+
+"Grown-up people can, I know."
+
+"And children too," said Allan, earnestly. "Let me tell you a story auntie
+used to tell me, when I was blind."
+
+Nettie assented, and Allan repeated the story of "Little Cristelle,"
+unconscious, the while, that he was fulfilling the teaching of song in
+ministering to Nettie.
+
+ "Slowly forth from the village church,
+ The voice of the choristers hushed overhead,
+ Came little Cristelle. She paused in the porch,
+ Pondering what the preacher had said.
+
+ "'_Even the youngest, humblest child_
+ _Something may do to please the Lord._'
+ 'Now what,' thought she, and half sadly smiled,
+ 'Can I, so little and poor, afford?'
+
+ "'_Never, never a day should pass,_
+ _Without some kindness kindly shown_,'
+ The preacher said. Then down to the grass
+ A skylark dropped, like a brown-winged stone.
+
+ "'Well, a day is before me now;
+ Yet what,' thought she, 'can I do, if I try?
+ If an angel of God would show me how!
+ But silly am I, and the hours they fly.'
+
+ "Then the lark sprang, singing, up from the sod,
+ And the maiden thought, as he rose to the blue,
+ 'He says he will carry my prayer to God;
+ But who would have thought the little lark knew?'
+
+ "Now she entered the village street
+ With book in hand and face demure;
+ And soon she came, with sober feet,
+ To a crying babe at a cottage door.
+
+ "It wept at a windmill that would not move,
+ It puffed with its round red cheeks in vain;
+ One sail stuck fast in a puzzling groove,
+ And baby's breath could not stir it again.
+
+ "So baby beat the sail, and cried,
+ While no one came from the cottage door;
+ But little Cristelle knelt down by its side,
+ And set the windmill going once more.
+
+ "Then baby was pleased, and the little girl
+ Was glad, when she heard it laugh and crow,
+ Thinking, 'Happy windmill that has but to whirl
+ To please the pretty young creature so!'
+
+ "No thought of herself was in her head,
+ As she passed out at the end of the street,
+ And came to a rose tree, tall and red,
+ Drooping and faint with summer heat.
+
+ "She ran to a brook that was flowing by,
+ She made of her two hands a nice round cup,
+ And washed the roots of the rose tree high,
+ Till it lifted its languid blossoms up.
+
+ "'O, happy brook!' thought little Cristelle;
+ 'You have done some good this summer's day:
+ You have made the flowers look fresh and well.'
+ Then she rose, and went on her way.
+
+ "But she saw, as she walked by the side of the brook,
+ Some great rough stones, that troubled its course,
+ And the gurgling water seemed to say, 'Look!
+ I struggle, and tumble, and murmur hoarse.
+
+ "'How these stones obstruct my road!
+ How I wish they were off and gone!
+ Then I would flow, as once I flowed,
+ Singing in silvery undertone.'
+
+ "Then little Cristelle, as bright as a bird,
+ Put off the shoes from her young, white feet;
+ She moves two stones, she comes to the third;
+ The brook already sings, 'Thanks! Sweet! Sweet!'
+
+ "O, then she hears the lark in the skies,
+ And thinks, 'What is it to God he says?'
+ And she tumbles and falls, and cannot rise,
+ For the water stifles her downward face.
+
+ "The little brook flows on as before,
+ The little lark sings with as sweet a sound,
+ The little babe crows at the cottage door,
+ And the red rose blooms; but Cristelle lies drowned!
+
+ "Come in softly; this is the room.
+ Is not that an innocent face?
+ Yes, those flowers give a faint perfume:
+ Think, child, of heaven, and our Lord his grace.
+
+ "Three at the right, and three at the left,
+ Two at the feet, and two at the head,
+ The tapers burn; the friends bereft
+ Have cried till their eyes are swollen and red.
+
+ "Who would have thought it, when little Cristelle
+ Pondered on what the preacher had told?
+ But the wise God does all things well,
+ And the fair young creature lies dead and cold!
+
+ "Then the little stream crept into the place,
+ And rippled up to the coffin's side,
+ And touched the corpse on its pale round face,
+ And kissed the eyes till they trembled wide,--
+
+ "Saying, 'I am a river of joy from Heaven;
+ You helped the brook, and I help you;
+ I sprinkle your brows with life-drops seven;
+ I bathe your eyes with healing dew.'
+
+ "Then a rose branch in through the window came,
+ And colored her lips and cheeks with red;
+ 'I remember, and Heaven does the same,'
+ Was all that the faithful rose branch said.
+
+ "Then a bright, small form to her cold neck clung;
+ It breathed on her till her breast did fill,
+ Saying, 'I am a cherub fond and young,
+ And I saw who breathed on the baby's mill.'
+
+ "Then little Cristelle sat up and smiled,
+ And said, 'Who put these flowers in my hand?'
+ And rubbed her eyes--poor innocent child--
+ Not being able to understand.
+
+ "But soon she heard the big bell of the church
+ Give the hour; which made her say,
+ 'Ah! I have slept and dreamt in this porch.
+ It is a very drowsy day!'"
+
+"O," said Nettie, drawing a long, deep breath, "I think, Allan, that it's
+the most beautiful story I ever heard. Do you know who wrote it?"
+
+"No," said Allan. "I used to think it was auntie's own; but I asked her
+once, and she said, 'O, no, indeed!' and that she did not know who wrote
+it, but thought it was a translation from the German."
+
+"Adele would have liked that so much!" said Nettie thoughtfully, "and she
+would have been just like little Cristelle, too."
+
+"Yes," said Allan, "I think she would; and that would have been because
+both of them were trying to please the Lord. Don't you see, Nettie?"
+
+"But after all, Allan, it is not a true story."
+
+"It's an allegory," said Allan. "It means that if we do every little
+simple kindness for the sake of helping others and pleasing the Lord, that
+we shall be children of the Lord, and live in heaven with him."
+
+"Then, Allan, you are one of the 'children of the Lord;' for you do kind,
+generous things all the time, and--"
+
+"No, no, Nettie," said Allan, hastily interrupting her. "I am very
+selfish, and I have to try very hard, and pray to the Lord Jesus to help
+me to be good."
+
+"But you _do_ give up for the sake of others, you know; now this
+afternoon--"
+
+"I am having a delightful time, and enjoying myself hugely," said Allan,
+interrupting her again, and laughing merrily. "I'll go and get my
+checker-board, and we'll have a game."
+
+Thus, thanks to the kind-hearted Allan, the afternoon wore pleasantly
+away, and when Mrs. Hyde and Eric returned, Allan and Nettie were both
+very happy, and in the midst of an exciting game. Mrs. Hyde had slept off
+her headache, and was giving orders for tea on the balcony, to the
+children's intense satisfaction.
+
+
+
+
+CHAPTER V.
+
+"SEEING THE ELEPHANT."
+
+
+"'You must wake and call me early, call me early, mother dear,'" sang
+Nettie, as she leaned over the balcony railing, gazing out upon the lovely
+lake and island before them; for Mr. Hyde had explained that, as his time
+was exceedingly limited, he could allow them only three days to explore
+Havenhaag, and at the end of that time they must leave for New York.
+
+"So we will begin with the Royal Museum to-morrow morning," he added; "and
+all who are up in good season can take a trip with me, in one of those
+shallops, around the lake."
+
+After the children had retired, Mr. and Mrs. Hyde held a consultation
+about Eric. They expected the arrival of Dr. Ward and their nephew daily,
+and were in hopes of seeing them before the steamer should sail. But there
+was just a chance that the doctor might be delayed at Paris; and if it
+should so happen, what would Eric do?
+
+His parents were unwilling to disappoint him by taking him to New York
+without making the desired tour of Germany; and they disliked the idea of
+leaving him, a young boy of thirteen, alone in a strange place.
+
+But his father at length decided to let him remain at the Vyverberg House,
+in case the doctor should be detained until after they had sailed.
+
+Eric was a thoughtful, reliable boy, and old enough, his father said, to
+learn to depend upon himself.
+
+Mrs. Hyde felt some misgivings as to this course at first; but her
+confidence in Eric was so great, that she soon consented to it, and having
+once decided in favor of the plan, she would let no thought of it trouble
+her.
+
+You may be sure that the three children did not need an "early call" in
+the morning, for they were up and dressed with the daylight, having a romp
+on their balcony with Froll, who frightened several of the occupants of
+adjacent rooms by trying to get in at their windows.
+
+Nettie told Eric how Froll had got her into disgrace, the day before, by
+the same trick.
+
+"I think," said Eric, "that she must once have belonged to an
+organ-grinder, and have been taught to climb up for money."
+
+"Very likely," said Allan. "But you had better break her of the trick.
+People, as a general thing, are not fond of the sudden appearance of a
+black monkey at their chamber windows."
+
+"Here's papa!" cried Nettie. "Now for our sail!"
+
+"Isn't Mrs. Hyde coming?" Allan asked.
+
+"Here she is! Good morning, mamma, and--O, Eric, mind Froll!" cried
+Nettie; but too late, for Froll had darted from him, and gone in at an
+open window above.
+
+There was a breathless silence.
+
+Mr. and Mrs. Hyde were very much annoyed, and the children were alarmed
+for the safety of their pet.
+
+While they were momentarily expecting a scream of terror from the occupant
+of the room, Froll reappeared at the window, and, with a grin and chatter
+of defiance, tumbled out, and clambered down towards the children, with a
+pair of gold-rimmed eye-glasses in her hand. A night-capped head, thrust
+out after her, was withdrawn again hastily, as its owner's eyes
+encountered those of Mrs. Hyde.
+
+Saucy Froll perched herself upon the top of the parlor blind, stuck the
+glasses upon her nose, and peered down at the children, who greeted this
+manoeuvre with an irresistible burst of laughter, in which their father
+and mother joined.
+
+The owner of the glasses again thrust his head out at the window, minus
+the nightcap this time, and seeing the monkey, laughed as heartily as the
+others.
+
+Leaning forward, he could reach the chain, which he caught; and then Froll
+was made to surrender her plunder; after which she was committed to her
+cage in disgrace.
+
+The sail on the lake was delightful. The water was as smooth as glass, the
+air fresh and cool, and the little island in the lake's centre was crowded
+with song birds, whose sweet, merry notes rang musically over the water,
+and were echoed back from the shore.
+
+After breakfast they prepared to visit the places of interest in
+"Gravenhaag."
+
+Mr. Hyde led the way to the National Museum, occupying the Prince Maurice
+palace--an elegant building of the seventeenth century. Numerous guides
+offered their services, and when one had been engaged, our party followed
+him up a broad, solid stairway to the famous picture gallery. Most of the
+paintings were old pieces of the German masters, and did not interest the
+children so much as their parents, for they were too young to appreciate
+them. But in one of the rooms almost entirely covering one end, was a
+grand picture, so vivid and natural that Nettie was quite startled by it
+at first. It was a picture of a young bull spotted white and brown, a cow
+lazily resting on the grass before it, a few sheep in different attitudes,
+and an aged cowherd leaning upon a fence. The background of the picture
+was a distant landscape, and all the objects were life-size.
+
+"That picture is Paul Potter's Bull--a highly prized work of art," said
+Mr. Hyde. "When the French invaded Holland, Napoleon ordered it to Paris,
+to be hung in the Louvre."
+
+"I suppose it didn't go, as it's here now," remarked Allan.
+
+"Yes, it was carried there, and excited much admiration. But when Holland
+was free of the French, and Germany victorious, the painting was
+reclaimed."
+
+The children could have staid, gazing with delight upon it, for a much
+longer time than was allowed them. The guide soon led the way to the Royal
+Museum of Curiosities, and they reluctantly followed. The collection of
+curiosities was in the lower part of the building, and here they saw all
+kinds of Chinese and Japanese articles, which, the guide informed them,
+was the largest and best collection of the kind in the world.
+
+There was enough here to interest our young folks, and old folks, too.
+
+All kinds of merchandise and manufactures, and most interesting and
+complicated toys, model cities, barges gayly-colored and filled with tiny
+men at work on tinier oars, pagodas, shops, temples, huts, houses,
+vehicles, and men, women, and children in every variety of costume,
+engaged in every conceivable employment.
+
+So fascinating was this Museum that the entire morning was most agreeably
+spent in it; and there was but just time, before leaving it, to look into
+the historical department, where were many objects of interest, and among
+other things the armor and weapons of De Ruyter, the famous admiral. At
+any other time these would have possessed great interest for the boys; but
+now they rather slighted them for the unique toys of China and Japan.
+
+After their dinner and a half hour's rest, the children paid a visit to
+the king's palace; for Gravenhaag, you must know, is the favorite
+residence of the king and court.
+
+Nettie and the boys walked very carefully, and held themselves very
+properly, such a thing as a visit to the king's palace not being a daily
+event with them. Although she would not have missed going for anything,
+Nettie was a little alarmed at their situation, as they drew near to the
+palace, a large Grecian building, with two wings, forming three sides of a
+square. She had an idea that whenever kings were displeased with people,
+they ordered their heads to be cut off; and she wondered if he _would_ be
+pleased to have their party looking at his possessions. Her fears were
+groundless, however.
+
+As they reached the square, they saw, near the entrance to the palace, a
+fine-looking man, well dressed and gentlemanly, who smiled kindly at the
+children, and, seeing their eager scrutiny of the palace, politely invited
+them to enter it.
+
+The boys were delighted, but Nettie declared that she was afraid of the
+king.
+
+"O, the king will not trouble you, my little maid," said the stranger, in
+excellent English: "walk in, walk in!"
+
+He held out his hand to Nettie, and was such a kind, pleasant-looking man,
+that Nettie's fears vanished. She gave him her hand, and the two boys
+followed her into the palace. Yes, actually _into_ it, when, a few minutes
+before, she had hardly dared venture a terrified glance at the outside,
+and was momentarily expecting the stern command,--
+
+"Off with their heads!"
+
+Their new friend led them to a lovely garden, gave them flowers and fruit,
+and chatted gayly with them all the time. Then he took them to several
+apartments of the palace, and finally into the drawing-room.
+
+The children noticed that every one made a respectful bow to their kind
+escort, and concluded that he must be some great nobleman; but judge of
+their surprise, when they found themselves being presented by him to a
+beautiful, pale lady, quietly dressed in black.
+
+"Alicia, my dear," said their nobleman, still speaking in English, "I have
+brought these young American travellers to see you. My little friends," to
+the children, "yonder lady is the _Queen of Holland_."
+
+Wasn't _that_ enough to confuse the best bred child in the world?
+
+Poor Eric had a faint idea that he must kiss the queen's toe, as a mark of
+courtesy, and stepped forward, with a dizzy singing in his ears, to do so.
+But he was saved from such a ridiculous situation by the gentle queen, who
+smiled and extended her hand; then Eric thankfully remembered that it was
+the queen's hand and the pope's toe. So he bent gracefully forward and
+kissed Queen Alicia's white fingers.
+
+Allan, of course, did the same. And Nettie had no time to consider what
+she must do, for the queen had kissed her quite warmly at first, and their
+strange guide had drawn her to his knee.
+
+"Why did you fear the king, little maid?" he asked, so kindly that Nettie
+confessed her idea of majestic temperaments. How he laughed! and how the
+queen laughed, too!
+
+"Now, I suppose you will want to go to mamma," he said, soon afterwards;
+and giving them each a gold coin, added, "Keep these to remember me by,
+and you can tell your friends that the _King of Holland_ gave them to
+you."
+
+The children were perfectly amazed, and could not speak their thanks
+properly; but of this the king took no notice. He led them to the entrance
+on the street, and then kindly said, "Good by."
+
+Mr. and Mrs. Hyde, who had become quite anxious over their long delay,
+were much relieved to see the children come safely home just before
+tea-time. They were quite as much astonished, by the account of the visit,
+as our young folks had supposed they would be.
+
+Tea, on the balcony, and some quiet music in the evening, finished up the
+day; and when the tired children sought their pillows, they quickly fell
+asleep.
+
+
+
+
+CHAPTER VI.
+
+A DUTCH CITY.
+
+
+It would take too long to mention all the sights seen and famous places
+visited by the travellers in Gravenhaag.
+
+They were admitted to the palace of the Prince of Orange, and saw his
+famous collection of paintings and chalk drawings. They went over the
+_Binnenhof_, which is a collection of ancient stone buildings, containing
+a handsome Gothic hall, and the prison in which Grotius and Barneveldt
+were confined, the churches, synagogues, and the royal library, and walked
+on the _Voorhout_, a beautiful promenade, with a fine, wide road lined
+with shade trees and furnished with benches, to the _Bosch_, a finely
+wooded park belonging to the King of Holland. In its centre, reached by
+winding walks among the trees and beautiful lakes, stands the _Huys in den
+Bosch_--house in the wood--the king's summer palace.
+
+After visiting all these places, and the printing establishments and iron
+foundery, Mr. Hyde, finding he had another day before the steamer sailed,
+took them all to Rotterdam. They went by railway to the city, and drove
+around it in an open carriage, like a barouche, which was waiting at the
+depot. Mr. Hyde, who had been there before, was quite familiar with the
+place. He ordered the coachman to drive through the High Street; and soon
+the children found themselves on a street considerably higher than the
+others, lined with shops, and looking very pleasant and busy. Mr. Hyde
+told them it was built upon the dam which prevented the Maas River from
+overflowing.
+
+"And this is the only street in Rotterdam," said he, "which has not a
+canal in its centre."
+
+[Illustration: The Queen of Holland.--Page 61.]
+
+When they had gone the length of High Street, they came to street after
+street, each having a canal in the middle, lined with trees on both sides,
+and exhibiting a medley of high gable fronts of houses, trees, and masts
+of shipping.
+
+"Dear me!" cried Nettie; "I wouldn't live in such a place for the world.
+It's pretty to look at; but think of having those ships going by right
+under the drawing-room windows. They make me giddy."
+
+"How many canals!" cried Allan. "They go lengthwise and crosswise through
+every street but the High."
+
+"And these clumsy bridges," said Nettie again, pointing to the drawbridges
+of white painted wood which they saw at every little distance; they were
+made of large, heavy beams overhead, and lifted by chains for the vessels
+to pass through.
+
+Under the trees, beside the canals, were yellow brick "sidewalks," as
+Nettie called them; but they were really quays, for the landing of goods.
+
+Between the trees and the houses, on a coarse, rough pavement, among
+carts, drays, and carriages, walked the foot passengers quite frequently.
+For though there were sidewalks close to the houses, little outbuildings
+and flights of steps to doorways were continually in the way, and it was
+"impossible for one to walk straight along, or at all fast, on any of
+them," as the children said.
+
+"Mamma," said Nettie, "I should think they would break their necks every
+minute. Just look at those canals, right in the street, and nothing to
+keep people from falling into them. What do they do in dark nights?"
+
+"How do they light the streets, papa?" asked Eric.
+
+"By oil lamps, hung on ropes from the houses to the trees," said Mr. Hyde.
+"They have gas on the High Street."
+
+Allan's attention had been attracted by some curious little structures
+outside the lower windows of several of the houses.
+
+"What are they?" he asked.
+
+"Looking-glasses," said Mr. Hyde.
+
+"Looking-glasses, papa! _Outside_ their windows?" exclaimed Nettie.
+
+"Yes, dear; they are hung so as to reflect the passing objects to the
+people inside."
+
+"Then they can see whatever is going on in the streets below, without
+coming to the windows," said Eric.
+
+"What a funny custom!" exclaimed Nettie, again.
+
+The only building they visited was the Church of St. Lawrence, where they
+saw the famous great organ, a splendid structure, larger than the great
+organs of Haarlem and Boston. It is one hundred and fifty feet high,
+mounted upon a colonnade fifty feet high, and has five thousand five
+hundred pipes.
+
+In the market-place they saw a statue of the great scholar Erasmus, and
+"the house where he was born," which is now, alas! a gin-shop. From the
+_Boomptjes_, a fine quay, planted with rows of beautiful trees, and
+surrounded by elegant, dark brick mansions, our party chartered a little
+sail boat, and went out upon the Maas.
+
+The beautiful, quiet Maas, with Rotterdam's green, woody banks in view;
+the blue, blue sky, seen clearly in the limpid waters; the steamers coming
+and going, and birds flying around, adding their sweet notes to nature's
+harmony--this beautiful picture was one remembered by the children all
+their lives. To-morrow's parting hung its shadow over them, and softened
+their hearts to the true beauty everywhere expressed.
+
+The sun had set when they reached the Vyverberg for the last time.
+
+"Mamma," said Eric, regretfully, "I almost wish I was going home with you
+all."
+
+"Uncle Charlie may come to-night," said his mother, cheerfully. "At any
+rate, he will soon come. You would then wish you had staid."
+
+"Yes, I know," said Eric. "But it is very hard to let you all go home
+without me, for all that."
+
+Very careful directions were given to Eric, and he was placed under the
+care of the landlord until he should hear from his uncle.
+
+The evening was very short to Eric, who lingered by his mother, and could
+not bear to leave her side, knowing he should see her no more for a long,
+long year.
+
+Long after Nettie and Allan had left them, he staid with his parents,
+listening to their last kind advice, and sending little loving messages to
+his cousins and schoolmates.
+
+In the morning he saw them off with a heavy heart. His father's last kind
+words, Allan's affectionate greeting, Nettie's tears, and his promise to
+his mother that he would remember his prayers and daily chapter in the
+Bible, and would try to make his travels a useful, profitable study, and
+to keep himself truthful, honest, and kind, were mixed up with a hearty,
+homesick longing to go after them. His eyes filled with tears as the
+stretch of water between him and his dear ones rapidly widened; he turned
+from the wharf with a sorrowful face, slowly and sadly retracing his steps
+to the hotel.
+
+"How dismal it will be! how lonely and dismal without them!" He thought
+and murmured sorrowfully,--
+
+ "Alone, alone, all, all alone!"
+
+
+
+
+CHAPTER VII.
+
+UNDER THE SEA.
+
+
+Eric had been but a few minutes in the parlor at the hotel, and was trying
+to amuse himself with little Froll, when there came a tap upon the door,
+and the servant entered with a card.
+
+Eric read the name,
+
+ EMIL LACELLE,
+
+and written underneath,
+
+ _No. 365 Vyverberg House._
+
+"Who in the world," thought Eric, "is Emil Lacelle? and what did he send
+this to me for?"
+
+The waiter explained that the gentleman was waiting, in his room, up
+stairs; and Eric, with Froll on his shoulder, started for No. 365.
+
+The door stood open, disclosing a pleasant room, with various kinds of
+odd-looking armor lying around: seated by a table was a gentleman dressed
+in black, whom Eric recognized at once as the one whose glasses Froll had
+stolen.
+
+This gentleman was looking for Eric, and said at once, when he entered the
+room,--
+
+"I am pleased to see you, monsieur," and politely requested him to be
+seated.
+
+"Do you speak French?" he asked.
+
+"Not very well, sir," answered Eric.
+
+"German?" inquired the stranger.
+
+"Yes, sir," said Eric.
+
+"And English?"
+
+"Yes, sir; I am an American."
+
+"I am a Frenchman," said Mr. Lacelle. "I want you, if you please, to do me
+a little service."
+
+"I will do anything that I can for you," said Eric. "I am very much
+obliged to you already for being so good-natured about your glasses."
+
+"Do not mention it!" Mr. Lacelle exclaimed, with the natural politeness of
+a Frenchman. "I have taken quite a fancy to your playful little beast."
+And he coaxed the monkey to him, and gently stroked her soft hair.
+
+"What is it that I can do for you, sir?" asked Eric. He was beginning to
+like Mr. Lacelle very much.
+
+"I have a letter to write to America, and am not enough of an English
+scholar to undertake it. Now, therefore, if I tell to you that which I
+want written, would you be so very kind, if you please, as to write for
+me, it?"
+
+"Yes, indeed; with much pleasure," said Eric; thinking the while, "No
+wonder he does not like to undertake a letter in English, when he speaks
+the language so clumsily."
+
+Mr. Lacelle, still holding Froll, brought forward a traveller's
+writing-desk, filled with perfumed French paper, and then placing it
+before Eric, and saying politely, "At your convenience, _monsieur_," he
+reseated himself.
+
+Eric arranged the paper, took up a pen, and after writing the date, sat
+waiting for his instructions.
+
+"For example, what do you say to two gentlemen?" asked Mr. Lacelle.
+
+Eric was completely puzzled, and could only say, "Sir?"
+
+"Pardon me!" exclaimed the Frenchman, "to _one_ you would say 'sir;' but
+to two, would you say 'sirs'?"
+
+"Yes," answered Eric, but, recollecting some letters he had copied for his
+father, added, "O, no: it's _Messrs._"
+
+"Exactly!" said Mr. Lacelle. "I thank you. That is fine."
+
+He appeared quite relieved, and began dictating.
+
+ "The Vyverberg, at the Hague,
+ Holland, October 21, 186-.
+
+ "Messrs. Brown and Lang:
+
+ "I have given to myself the pleasure of examining the sunken yacht in
+ the Zuyder Zee; and my opinion it is, that that vessel is injured not
+ in the least, and that I can right her for the sum of two hundred
+ dollars.
+
+ "Most respectfully to you, Messrs.,
+ Emil Lacelle,
+ _Submarine Diver._
+
+ "To Messrs. Brown and Lang,
+ New York City."
+
+"Is it quite correct English?" he asked, anxiously.
+
+Eric rewrote it, transposing some of the words. Mr. Lacelle was very
+grateful for the boy's assistance. He was by no means ignorant, but his
+knowledge of English was rather limited, and he was too sensitive to be
+willing to send off a peculiar letter.
+
+Mr. Lacelle's history would be very interesting, had we time to give it
+minutely; but there is only space to say that he was the younger son of a
+noble French family, whose circumstances during his youth were so
+unfortunate that he was thrown upon his own resources at a tender age, and
+had, by great energy and perseverance, become a wealthy and famous man.
+
+Eric knew that "sub" meant under, and "marine" the sea, but he did not
+understand exactly what it all meant; so he asked Mr. Lacelle, whose
+explanation and subsequent conversation, we will render in readable
+English.
+
+"A submarine diver is one who goes beneath the water of the sea:
+professionally he examines and clears harbors, removing obstructions, such
+as rocks, &c.; draws up sunken vessels, examines wrecks, and brings up
+from the depths of the ocean money, jewels, and articles of value."
+
+"But tell me," cried Eric, eagerly, "how does he breathe? what protects
+him in the water? how--"
+
+"I will tell you all about it," said Mr. Lacelle. "There are several
+divers here in the house. We are going to the Zuyder Zee, near Amsterdam,
+to-morrow, and you shall go too, if you wish."
+
+"O, thank you, sir," said Eric. "I would like to."
+
+"Meanwhile I will tell you," proceeded the diver. "We wear an armor such
+as this," he explained, pointing out the several pieces to Eric, as he
+noticed them. "In the first place an India-rubber suit like this. You will
+observe that it is made entirely water-proof, by being cemented down in
+the seams, wherever it is sewed."
+
+Eric looked with interest upon the clumsy-looking dress, which was made
+entirely whole, except the opening at the sleeves and neck, and was cut
+away above the shoulders, like a girl's low-necked dress, to admit the
+body of the wearer; the legs were footed off like stockings, and the
+wrists of the sleeves were terminated by tight, elastic rubber bands; a
+similar band surrounded the neck, which was also finished with a flap of
+white rubber facing.
+
+"You see," continued Mr. Lacelle, "we put ourselves into this suit,
+drawing it on from the top. It is perfectly water-tight. Upon our feet we
+wear shoes such as these," pointing to a pair of heavy leather shoes, with
+broad, high straps and buckles, and lead soles half an inch thick. "They
+weigh twenty-five pounds."
+
+"Why!" exclaimed Eric; "I should call that something of a load."
+
+"The weight is imperceptible in the water," the diver explained, and,
+showing Eric a couple of box-shaped canvas bags, added, "We wear these
+also, filled with weights, just above the waist, one before and one
+behind."
+
+"But you haven't told me yet how you breathe in the water," said Eric.
+
+"I am coming to that shortly. Upon our heads we wear a helmet, made of
+copper, completely covering head, face, and neck, and firmly inserted
+between the rubber facing and the tight band about the neck of the dress,
+just above the shoulders. To the back of the helmet is fastened a rubber
+hose, attached, above the water, to the pump, which keeps the diver
+supplied with air; and there is a glass window in the front. A half-inch
+rope, called the life-line, is securely adjusted to the diver, and by it
+he is lowered into or drawn from the water; and by it, also, he signals to
+those above for more air, for withdrawal, or anything he may require."
+
+"This helmet is heavy enough," said Eric, lifting and examining the
+curious structure. "There is a valve inside: what is that for?"
+
+"To let the air, which the diver breathes from his lungs, into the water,"
+Mr. Lacelle replied. "This machine in the case," pointing to a high
+black-walnut case, "is a three-cylinder air-pump; two men in the vessel,
+or on the shore, keep the pumps constantly in motion by means of the crank
+attached to the wheel."
+
+"Why do they have more than one pump?" Eric inquired.
+
+"One pump," answered Mr. Lacelle, "would not supply enough air; it would
+work like a water-pump, sending down the air by jerks, and the receiver
+would be exhausted between the supplies of air. Two pumps would send down
+the air puff-puff, like the pumps of a steam engine; but three pumps,
+constantly in motion, send down, through the hose, a steady and continuous
+stream of air, enabling the diver to breathe freely and fully."
+
+"And can you go down into any depth of water?" Eric asked, with intense
+interest.
+
+"Not lower than one hundred feet, usually, the pressure of the water is so
+great. I have been down one hundred and fifty-six feet below the surface;
+but that was something very remarkable."
+
+"And did you never have any hair-breadth escapes, or thrilling
+adventures?" inquired Eric.
+
+"No," answered the diver, with a slight laugh and shrug of the shoulders,
+"I never did, and never knew any one who did, although I have read of many
+such incidents, altogether too marvellous for belief. You see," he
+continued, "we know that the least carelessness would probably cost us our
+lives, and we are minutely accurate about all our equipments. And,"
+lowering his voice and speaking reverentially, "I always commit myself to
+the guidance and tender care of the good Shepherd.
+
+"'They that go down to the sea in ships, that do business in great
+waters,
+
+"'These see the works of the Lord, and his wonders in the deep.
+
+"'They cry unto the Lord in their trouble, and he bringeth them out of
+their distress.'"
+
+Eric listened, and his respect and esteem for the diver grew tenfold
+more.
+
+Mr. Lacelle continued:--
+
+"It is a strange business. The danger fascinates some, but the peril is
+never lost sight of. I put on the helmet, for the first time, more than
+ten years ago; and yet I never resume it without a feeling that it may be
+the last time I shall ever go down. Of course one has more confidence
+after a while; but there is something in being shut up in an armor weighed
+down with a hundred pounds, and knowing that a little leak in your
+life-pipe is your death, that no diver can get rid of. And I do not know
+that I should care to banish the feeling, for the sight of the clear blue
+sky, the genial sun, and the face of a fellow-man after long hours among
+the fishes, makes you feel like one who has suddenly been drawn away from
+the grasp of death."
+
+"Were you ever in great danger?" asked Eric.
+
+"I think the most dangerous place I ever got into was going down to
+examine the propeller Comet, sunk off Toledo. In working about her bottom,
+I got my air-pipe coiled over a large sliver from the stoven hole, and
+could not reach it with my hands. Every time I sprang up to remove the
+hose, my tender would give me the 'slack' of the line, thus letting me
+fall back again. He did not understand his duties, and did not know what
+my signals on the life-line meant. It was two hours and a half before I
+was relieved, and there was not a moment that I was not looking to see the
+hose cut by the ragged wood. It's a strange feeling you have down there.
+You go walking over a vessel, clambering up her sides, peering here and
+there, and the feeling that you are alone makes you nervous and uneasy.
+
+"Sometimes a vessel sinks down so fairly, that she stands up on the bottom
+as trim and neat as if she rode upon the surface. Then you can go down
+into the cabin, up the shrouds, walk all over her, just as easy as a
+sailor could if she were still dashing away before the breeze. Only it
+seems quiet, so tomb-like; there are no waves down there--only a swaying
+back and forth of the waters, and a see-sawing of the ship. You hear
+nothing from above. The great fishes will come swimming about, rubbing
+their noses against your glass, and staring with a wonderful look into
+your eyes. The very stillness sometimes gives life a chill. You hear just
+a moaning, wailing sound, like the last notes of an organ, and you cannot
+help thinking of dead men floating over and around you.
+
+"A diver does not like to go down more than a hundred and twenty feet; at
+that depth the pressure is painful, and there is danger of internal
+injury. I can stay down, for five or six hours at a time, at a hundred and
+fifteen or twenty feet, and do a good deal of hard work. In the waters of
+Lake Huron the diver can see thirty or forty feet away, but the other
+lakes will screen a vessel not ten feet from you.
+
+"Up here you seldom think of accident or death, but a hundred feet of
+water washing over your head would set you to thinking. A little stoppage
+of the air-pump, a leak in your hose, a careless action on the part of
+your tender, and a weight of a mountain would press the life out of you
+before you could make a move. And you may 'foul' your pipe or line
+yourself, and in your haste bring on what you dread. I often get my hose
+around a stair or rail, and generally release it without much trouble; the
+bare idea of what a slender thing holds back the clutch of death off my
+throat makes a cold sweat start from every pore."
+
+"I suppose you find many beautiful things," said Eric.
+
+"I wish I could describe half the wonderful and beautiful things I find,"
+cried Mr. Lacelle.
+
+"There are flowers, the most exquisite that can be imagined; groves of
+coral, beautiful caverns, with floors of silver sand, spiral caves winding
+down, down, down, covered with beautiful, delicate plants, and leading to
+beds of smooth, hard sand, which shine like gold. Feathery ferns turn
+silver and crimson beneath your hand, and beautiful fish glide around you,
+or rest in the water, with no motion save the gentle pulsation of their
+gills as they breathe.
+
+"I have stood upon the bottom of the ocean, and gazed up, awe-stricken and
+bewildered, at the wonderful masses of coral above my head, resembling
+forests of monstrous trees, with gnarled and twisted branches intertwined;
+and when I have considered that it was all the work of insects so tiny
+that millions of them were working at my feet, and I could not see them, I
+have compared my own littleness in the universe with the wonderful work of
+the least of them, and have felt my own insignificance.
+
+"And curious things have happened, too. I was once examining an old wreck
+off South America. It was an old Spanish frigate, supposed to have
+valuable jewels and a large amount of money aboard.
+
+"I was walking over the wreck one day, and, being disappointed in not
+finding any treasure, was about returning, when I observed a curious heap
+of shells, close to one of the stanchions. I picked off a handful from the
+top of the heap, which was about two feet high, and regularly piled in a
+conical form, and seeing the shells were of a most beautiful pink color,
+and very delicate, I filled my pockets with them, and then, touching the
+life-lines, was pulled up.
+
+"The divers in my employ were delighted with them, and as they were just
+the right size for buttons, one of the boys went down, with a large bag,
+to bring off the rest.
+
+"I told him just where to find them; but when he came up, he declared
+there were none to be seen anywhere.
+
+"I was sure he had not followed my directions; so I went down again; and
+judge my surprise when I found he had spoken truly. _There was not one to
+be seen._ The little wretches, disgusted with the disturbance I created,
+had all crawled away."
+
+"How curious!" exclaimed Eric. "Could you not find any of them?"
+
+"Not a vestige of them."
+
+"It was singular--wasn't it?"
+
+"Yes. I have learned many singular things since I have gone under the sea.
+For instance, water is a very powerful conductor of sound, much more so
+than air. We often blast rocks under the water--"
+
+"How can you?" interrupted Eric. "What keeps the powder dry?"
+
+"We have water-proof charges prepared."
+
+"But how can you fire them under the water?" persisted Eric.
+
+"By electricity," responded Mr. Lacelle. "A report of blasting rock a
+little distance off, will scarcely disturb us upon the land; but under the
+water it is very different. We were once blasting rocks near the coast,
+and another party were at work three quarters of a mile from us.
+
+"Our charge was set, and ready to go off; I sent word to our distant
+neighbors that we were about to blast, and they had better come up until
+it was over. My courtesy was repaid by a very profane answer, accompanied
+with a request to 'blast away.'
+
+"So the charge was set off; and the unfortunate divers in the distance
+were hauled out of the water more dead than alive. I afterwards learned
+from them that the shock was tremendous."
+
+"When you blow up the rocks, do you place the charges under them?"
+inquired Eric.
+
+"O, no; that would have no effect: holes are drilled in the rock, and the
+charges placed within them."
+
+"And when the rocks are blown, what do you do with the pieces that come
+off?" asked Eric.
+
+"We grapple them with hooks and chains, and draw them to the surface."
+
+"It is very interesting, and I am very much obliged to you for telling me
+so much," said Eric. "I wish I could learn _all_ about it."
+
+"Well, my boy, you shall go with me to-morrow; and, if you're not afraid
+to venture, I'll take you down beneath the sea with me. It is quite safe
+near Amsterdam."
+
+"O, thank you, sir," said Eric, eagerly, grasping the kind Frenchman's
+hand.
+
+"I must go now to the palace," said Mr. Lacelle. "I have an engagement
+there. Will you do me the honor to amuse yourself here until I return?"
+
+"Thank you," said Eric again, with a joyous smile; for Mr. Lacelle's room
+was stored with 'curios' from the bottom of the sea, and Eric knew he
+could spend a long time very comfortably there.
+
+He was careful to secure Froll in her cage, that she might do no mischief;
+and then he had a thoroughly good time, examining the sea things; and as
+they were all labelled with name and date, and the place from which they
+were taken, he gained much useful information.
+
+Before night a letter came from his uncle, saying that Johnny was quite
+ill, and had been unable to travel to the Hague; but he was now so much
+better, that they would probably join Eric in a day or two.
+
+"I shan't mind waiting," said Eric to himself; "and there's nothing now to
+prevent my going to Amsterdam to-morrow; but I wish uncle Charlie could be
+with me too."
+
+Then he remembered that he had been left under the landlord's care, and
+must obtain his permission. So he sought him out, and made known his
+request.
+
+The landlord of the Vyverberg was a kind-hearted German. He was quite fond
+of his little American guest, and readily consented to his plan for the
+morrow, telling Eric that Monsieur Lacelle was a remarkable man, and he
+could not be in better hands.
+
+"I think this is just the jolliest country, and full of the jolliest
+people in the world," was Eric's mental comment before he fell asleep that
+night. Indeed, there are few people more kind-hearted, thoughtful, or
+hospitable than the Dutch and Germans.
+
+Eric's parents were anxiously wondering how their boy fared alone in
+Gravenhaag.
+
+Could they have seen him as he read his promised chapter, and knelt to
+commit himself to God, or afterwards, falling asleep, his last thought of
+the kindness of the people around him, their own sleep would have been far
+lighter, and their prayers would have blessed the good foreigners.
+
+
+
+
+CHAPTER VIII.
+
+THRILLING EXPERIENCE.
+
+
+Early in the morning they went to Amsterdam, or Amsteldamme, as the
+Germans call it, because it controls the tides of the Amstel River.
+
+The city of Amsteldamme is situated on a marsh, and all its houses and
+buildings are erected on piles, which are driven from forty to fifty feet
+into the earth.
+
+"How many canals!" was Eric's first remark, when he obtained a good view
+of the city.
+
+"Yes," said Mr. Lacelle. "When I was a boy, I counted the bridges across
+the canals, and there were two hundred and fifty. The city is divided by
+the canals into ninety islands. Those high walls were once ramparts, but
+have since been converted into public walks. They are planted with trees,
+and make excellent promenades."
+
+"But suppose there should be another war," said Eric; "what would their
+defence be?"
+
+"They could easily flood the surrounding country."
+
+"What splendid streets these are!" said Eric, as they passed through one
+and another with rows of beautiful shade trees, handsome little stone
+bridges, broad, clean pavements, and long lines of elegant mansions.
+
+They were indeed very beautiful streets, not easily to be surpassed in all
+Europe.
+
+"I should think," said Eric, thoughtfully, "that there would be danger to
+the people here in having so much water in their town. Do the dikes ever
+give way?"
+
+"Very seldom. The people watch them very faithfully, and whenever a break
+is discovered it is instantly repaired. There is a very interesting story
+connected with the dikes of Holland, which I will tell you, to show you
+what great service a little boy did his country.
+
+"The little hero, Peter Daik, was on his way home, one night, from a
+village to which he had been sent by his father on an errand, when he
+noticed the water trickling through a narrow opening in the dike, built up
+to keep out the sea.
+
+"He stopped, and thought of what would happen if the hole were not
+closed.
+
+"He knew--for he had often heard his father tell of the sad disasters
+which had come from small beginnings--how, in a few hours, the opening
+would become bigger, and let in the mighty mass of water pressing on the
+dike, until, the whole defence being washed away, the rolling, dashing,
+angry sea would sweep on to the next village, destroying life and
+property, and everything in its way. Should he run home and alarm the
+villagers? It would be dark before they could arrive; and the hole, even
+then, might be so large as to defy all attempts to close it. What could he
+do to prevent such terrible ruin--he, only a little boy?
+
+"I will tell what he did. He sat down on the bank of the canal, stopped
+the opening with his hand, and patiently awaited the passing of a
+villager. But no one came.
+
+"Hour after hour rolled slowly by; yet there sat the heroic boy in the
+cold and darkness, shivering, wet, and tired, but stoutly pressing his
+hand against the water that tried to pass the dangerous breach.
+
+"All night he staid at his post. At last morning broke, when a clergyman,
+walking up the canal, heard a groan, and looking around to see where it
+came from, seeing the boy, and surprised at his strange position,
+exclaimed with astonishment,--
+
+"'Why are you there, my child?'
+
+"'I am keeping back the water, sir, and saving the village from being
+drowned,' answered little Peter, with lips so benumbed with cold that he
+could hardly speak.
+
+"The astonished minister at once relieved him of his hard duty, and the
+poor little fellow had but just strength enough left to alarm the
+villagers, who flocked to the dike, and repaired the breach.
+
+"Heroic boy! What a noble spirit of self-devotion he had shown! resolving
+to brave all the fatigue, the danger, the cold and darkness, rather than
+permit the ruin which would come if he deserted his post.
+
+"There is a beautiful poem on the subject by Miss Carey. I will repeat a
+few of the last verses."
+
+Then Mr. Lacelle repeated in a clear, mellow voice, whose slight foreign
+accent lent it an additional charm to Eric's ear,--
+
+ "So faintly calling and crying
+ Till the sun is under the sea,--
+ Crying and moaning till the stars
+ Come out for company.
+ He thinks of his brother and sister,
+ Asleep in their safe, warm bed;
+ He thinks of his father and mother;
+ Of himself as dying--and dead;
+ And of how, when the night is over,
+ They must come and find him at last;
+ But he never thinks he can leave the place
+ Where duty holds him fast.
+
+ "The good dame in the cottage
+ Is up and astir with the light,
+ For the thought of her little Peter
+ Has been with her all the night.
+ And now she watches the pathway,
+ As yestereve she had done;
+ But what does she see so strange and black
+ Against the rising sun?
+ Her neighbors are bearing between them
+ Something straight to her door;
+ Her child is coming home, but not
+ As ever he came before.
+
+ "'He is dead!' she cries; 'my darling!'
+ And the startled father hears,
+ And comes and looks the way she looks,
+ And fears the thing she fears;
+ Till a glad shout from the bearers
+ Thrills the stricken man and wife--
+ 'Give thanks, for your son has saved our land,
+ And God has saved his life!'
+ So there in the morning sunshine
+ They knelt about the boy,
+ And every head was bared and bent
+ In tearful, reverent joy.
+
+ "'Tis many a day since then; but still,
+ When the sea roars like a flood,
+ Their boys are taught what a boy can do
+ Who is brave, and true, and good;
+ For every man in that country
+ Takes his son by the hand,
+ And tells him of little Peter,
+ Whose courage saved the land.
+ They have many a valiant hero
+ Remembered through the years,
+ But never one whose name so oft
+ Is named with loving tears.
+ And his deed shall be sung by the cradle,
+ And told to the child on the knee,
+ So long as the dikes of Holland
+ Divide the land from the sea."
+
+They had now come to the Y, an inlet of the Zuyder Zee, where several of
+the men under Mr. Lacelle were at work.
+
+"Here we are," said Eric, gladly. "Here we are! Now for my 'thrilling
+experience,' as the newspapers say."
+
+There was a tent close by, into which they stepped to change their dress
+for the diver's costume.
+
+"Nobody would know me now, I am sure," said Eric to himself, when, with
+much difficulty, and considerable help from the attendants, he emerged
+from the tent arrayed in the suit. "I can hardly drag my feet along, they
+are so heavy; and I'm decidedly glad that my every-day hat is not like
+this helmet."
+
+Mr. Lacelle had given him particular directions about diving, and now the
+life-line and air-hose were adjusted, and the brave boy stood beside the
+professional diver, waiting for the descent.
+
+The signal was given, and soon Eric was going down underneath the blue,
+cold waves. He could not see Mr. Lacelle; it seemed as if he were never to
+stop going down: the water sang around his ears; and seeing nothing but
+water made him giddy and faint. He thought he must certainly smother, and,
+for an instant, was thoroughly afraid.
+
+Then he remembered that, at a single touch of the life-line, the men above
+would instantly draw him up, and, feeling quite at his ease again, began
+to look about him. To his great joy he saw the bottom, and was presently
+upon it, and walking towards Mr. Lacelle.
+
+Suddenly a sound like heavy peals of thunder reverberated through the
+water. At a motion from Mr. Lacelle, Eric looked quickly upward, and saw a
+school of tiny fish, darting with great velocity towards them, and several
+large fishes in pursuit of the little ones.
+
+On they came, straight towards Eric and Mr. Lacelle; but just before
+reaching them, they turned sharply off in the opposite direction; as they
+turned, the noise increased to a heavy peal, and ceased as they passed
+from sight.
+
+"How wonderful!" exclaimed Eric, involuntarily; and his voice sounded like
+roaring and screaming, though he had spoken quite softly.
+
+Mr. Lacelle then held at arm's length a small cartridge, which he
+signalled, by the lines, for the men above to ignite. Almost instantly it
+exploded. Eric was perfectly astounded by the effects of the report.
+
+It seemed as if huge rocks had fallen upon his helmet; and such a
+crashing, rending sound as accompanied the shock! It was quite as much as
+he was able to bear in the way of noise. Mr. Lacelle told him afterwards,
+that the noise of the report in the air would be no louder than that of a
+common fire-cracker.
+
+Eric hoped that Mr. Lacelle would make no more experiments in sound, and
+the diver did not seem at all anxious to do so.
+
+It was rather awe-inspiring, Eric thought, to be walking easily about at
+the bottom of the sea, knowing that around and above him lay the mighty
+element of death. And there, under the water, the eighth psalm came into
+his mind, and he realized its beauty as he had never been able to before.
+
+He walked around, picking up shells and curious plants, and being careful
+to keep near Mr. Lacelle, who was making some calculations about the
+building of a huge bridge, contemplated by the king. Several large fish
+swam lazily up to Eric, eyed him curiously, and let themselves be patted
+upon the back.
+
+"How amused Nettie would be!" he thought, and wished the huge fish were
+less inquisitive, as he did not particularly fancy them. He was quite
+interested in the flowers, which were as brilliant and beautiful as any
+upon the land, when suddenly he discovered a heap of shells quite similar
+to those which Mr. Lacelle had described the day before. He put several
+handfuls of them into his diver's basket, and then, moving off a few
+steps, he watched to see what they would do.
+
+When all was quiet, they moved slowly at first, then more rapidly, and all
+crawled away in the same direction.
+
+"That is very curious," thought Eric to himself. "I wish I knew what they
+are."
+
+When he moved again, something struck his foot. Looking quickly down
+through the window in his helmet, he saw a small, square box, made of tin,
+and fastened with a padlock. A key was in the lock, and Eric turned it and
+opened the box, wondering what it could contain. The lid flew back, and
+disclosed an inner cover, on which was painted a coat of arms, with the
+name "Arthur Montgomery" engraved beneath. A spring was visible, and,
+pressing it, Eric disclosed to his astonished vision a number of English
+sovereigns--gold coins worth about five dollars apiece.
+
+His first impulse was to show the prize to Mr. Lacelle, but he could not
+readily attract his attention. So, putting the box in his basket after
+safely locking it, he busied himself with gathering the beautiful flowers
+within his reach, and storing them in his basket to press for his mother.
+
+Suddenly he felt himself being drawn up slowly towards the surface, and,
+turning his head, saw that Mr. Lacelle was also ascending.
+
+He knew that they were being drawn up because Mr. Lacelle wished him to
+catch the return train to Gravenhaag, and had cautioned the men at the
+pumps not to let them remain under water more than half an hour; but he
+was extremely surprised to find that the time had passed.
+
+On reaching "terra firma," so much hurrying had to be done in changing his
+armor for more convenient land apparel, that he entirely forgot the box of
+money until seated beside Mr. Lacelle in the carriage. Then he showed it
+to him.
+
+"That _was_ a find, for so young a submarinist," said Mr. Lacelle. "It is
+yours, my boy; divers consider themselves entitled to all such
+unexpectedly discovered valuables."
+
+"But," said Eric, eagerly, "the owner's name is upon the box; and see!
+here is a letter addressed to 'Arthur Montgomery, Bart., Clone, Lancaster
+County, England.' I think I ought to return it."
+
+"Yes," said Mr. Lacelle, pleased with Eric's honesty, "conscientiously you
+ought; but you are not obliged to by law."
+
+"I would much rather," said Eric, earnestly. "Will you please to inquire
+about it, and see that it reaches the owner?" Mr. Lacelle promised, and,
+seeing Eric safely aboard the cars, bade him good by, and left for
+Amsteldamme.
+
+
+
+
+CHAPTER IX.
+
+UNCLE JOHN.
+
+
+When Eric returned to Gravenhaag, whom should he see but his uncle, Mr.
+Van Rasseulger? And he being the last person in the world that Eric would
+have thought of meeting there, of course he was decidedly surprised.
+
+"Uncle John!" he exclaimed, joyfully. "Who would have thought of seeing
+you here?"
+
+"You wouldn't, I'll wager, young man, or you'd not have gone wild goosing
+it over the water at Amsterdam."
+
+"I've had a glorious time!" exclaimed Eric. "I've been walking upon the
+bottom of the Zuyder Zee."
+
+"It's high time somebody arrived to look after you."
+
+"But, uncle John, it was perfectly safe. Mr. Lacelle is an experienced
+diver; and the landlord under whose care papa left me gave me permission.
+Besides, nothing happened--"
+
+"How stout and healthy you have grown!" exclaimed Mr. Van Rasseulger,
+interrupting Eric. "If Johnny has improved as much as you have, I shall
+send him abroad frequently."
+
+"How is Johnny? He was ill when uncle Charlie wrote to me."
+
+"Ill!" exclaimed Johnny's fond papa, instantly growing anxious. "What did
+the doctor say, Eric?"
+
+"Only that I must wait here a day or two, until Johnny was well enough to
+come on."
+
+"And where were they when he wrote?"
+
+"At Paris," said Eric.
+
+"I meant to stay with you to-night," said his uncle; "but I believe I
+shall take the boat to Antwerp to-night, and catch the Express to Paris. I
+must look after my boy."
+
+"O, please take me with you," pleaded Eric. "Mr. Lacelle is going to stay
+at Amsterdam, and I shall be terribly lonesome here, all alone again."
+
+"Well, get your things together. Can you be ready in two hours?"
+
+"In ten minutes," cried Eric, gayly: "mamma did all my packing before she
+left. I've only to tumble a few things into my travelling-bag, and to feed
+myself and Froll."
+
+"The little monkey? I've made her acquaintance. We're quite good
+friends."
+
+"Uncle John, if you haven't seen the doctor or Johnny, how _did_ you find
+me?" said Eric, who had been puzzling himself with this question for some
+time.
+
+"Entirely by accident," replied his uncle. "I arrived here about two hours
+since, and, finding all your names on the register, supposed I had stepped
+right into a family party; but then I learned that your father and mother,
+and that bundle of mischief called Nettie, had gone home, and that
+_Mynheer_ Eric had gone to Amsteldamme to explore the mysteries of the
+bottom of the sea. I was so frightened that if there had been a chance of
+hitting you, I should have gone directly after you."
+
+"I wish you had," said Eric, "in time to have gone down into the water."
+
+Mr. Van Rasseulger, for all his talk about Eric's expedition, was heartily
+pleased with his brave little nephew, and was thinking to himself such an
+honest, energetic, courageous boy would make his way well in the world.
+
+Eric had no idea that he was a particularly interesting boy. He was large
+and strong for his age, easy in his manners, and had a frank, joyous
+countenance, surmounted by thick, brown, curly hair. His eyes were very
+honest eyes indeed, often opening wide in a surprised way, when they saw
+anything not quite right, and blazing and flashing upon the aggressor when
+they witnessed wrong, cruelty, or injustice. He had been brought up upon
+the creed, "First of all, _do right_; and _be a gentleman_." And being
+thoughtful, careful, and obedient, he was trusted and respected as few
+boys of his age rarely deserve to be.
+
+Of course he had his faults. No young lad is without them. But the
+difference between Eric and other boys was, that when he became conscious
+of a fault in his character, he immediately set about overcoming it, and
+therefore soon got rid of it. But he was obliged to keep a very careful
+watch over himself, for little faults creep into one's character faster
+than the little weeds spring up in the flower garden, and, like the weeds,
+too, if at once removed are almost harmless, but if allowed to spread and
+flourish they soon spoil the entire character, as the weeds spoil the
+garden.
+
+While we have been moralizing, Eric has eaten his supper, neatly packed up
+the few things left about, and, with Froll and his travelling-bag, starts
+from the Vyverberg for Paris.
+
+A very common-looking steamboat took them to Antwerp. There is not much to
+relate of their journey, for Eric's adventures had so tired him that he
+slept all the way, only awakening to take the cars at Antwerp, and rousing
+once again to know they were passing through Brussels, and to hear his
+uncle say that the finest altar in the world was in the cathedral there.
+They arrived at Paris about noon of the next day, and, after considerable
+trouble, found that Dr. Ward had taken rooms in a hotel in the _Place
+Vendôme_, whither they at once repaired.
+
+Eric wanted to give his uncle and cousin a surprise. So Mr. Van Rasseulger
+did not send up their names, but they stole softly up the stairs, and
+opened the door.
+
+Johnny was alone, lying upon the floor, with a very fretful, discontented
+expression upon his countenance.
+
+He turned his head towards the door, and there, upon the threshold,
+blushing and laughing, stood Eric; and, better still, behind him was papa.
+The child uttered a joyful cry, and sprang into his father's arms, who
+hurried to meet him, exclaiming,--
+
+"My boy, my Johnny-boy, what is the matter?"
+
+"It's only the mumps," said Johnny, reassuringly, and holding out his hand
+to Eric. "O, ain't I glad you've come!" he added. "It's awful dull here,
+uncle Charlie is away at the hospital so much."
+
+"Well, how have you been, excepting the mumps?" inquired his father,
+relieved enough to find nothing serious the matter with his petted boy.
+
+"Bully!" exclaimed John, very improperly. "See how strong I'm getting,
+papa!" and he threw out his fist suddenly, giving his father a very
+uncomfortable punch in the side.
+
+"I'm glad you didn't illustrate on me," said Eric, laughing. "Uncle John,
+are you a tester?"
+
+"I'm an _at_testor, certainly," replied his uncle. "Johnny, if you
+demonstrate your power of strength so forcibly and practically, some one
+will apply oil of birch to you."
+
+"Then I'll be in first-rate running order," retorted Johnny, "and you'll
+have to take me to Strasbourg."
+
+"Indeed," said his father, "I think so."
+
+As they all sat, merrily talking, Dr. Ward returned, and was pleased and
+surprised enough to find his unexpected guests. His greeting was very
+cordial.
+
+Eric he was particularly glad to see; he had been worried about leaving
+him so long, alone, at the Hague; and Johnny had been too ill to travel or
+to be left with strangers, and Eric was too inexperienced, his uncle
+thought, to go from the Hague to Paris alone. So it was quite a relief to
+find him safely at hand.
+
+"And now," he said, after talking about home affairs for quite a while, "I
+see my way out of a dilemma. I have been anxious to attend two or three
+medical lectures at Heidelberg, and if you will look after the boys for a
+day or two, I can have my desire."
+
+"Certainly; I will for a day or two. At the end of that time I must go
+home. Here's this dutiful boy of mine, with never a word for mamma, Annie,
+or Adolphe.
+
+"Well," said Johnny, remonstrating, "you took me so by surprise, papa,
+that I forgot all about them."
+
+"Your filial affection must be strong," said his father, laughing at him.
+
+Johnny did not like this, and proposed to Eric to take a walk, and "see
+Paris."
+
+While they were gone, Mr. Van Rasseulger arranged with the doctor to meet
+them again at Heidelberg; meanwhile he would keep the boys with him for a
+week. They would leave Paris the next day, if John was well enough.
+
+Dr. Ward thought he would be.
+
+Mr. Van Rasseulger explained that he had been obliged to visit Rotterdam
+and Hague suddenly on business, and must go to Vienna, in Austria, and
+start for home, within a fortnight.
+
+"Don't neglect to take the boy to Munich, and show him to his grandfather;
+and don't forget your promise to 'make him as hearty and strong as Eric,'"
+he said.
+
+Poor little Johnny, in the interval between his own birth and that of his
+baby brother,--a space of seven years,--had been petted and pampered, and
+almost thoroughly spoiled. His temper had suffered with his constitution,
+and he became a delicate, sickly child. His parents, while living in New
+York, had lost three boys, and fearing to lose Johnny, too, had sent him
+to travel abroad, under Dr. Ward's care. Mr. Van Rasseulger was a native
+of Germany, and thought there was no air so invigorating as that breathed
+in on German soil. He had great hopes of its curing John's delicacy; and
+Dr. Ward thought that a strange country and traveller's hardships would be
+excellent aids in restoring the boy's natural health and good-nature.
+
+Meanwhile, Eric was seeing Paris under Johnny's guidance. To be sure, he
+could not see much in a day; but he took a look at the war column in the
+_Place Vendôme_, saw the _Palace of the Tuileries_, the _Jardin des
+Plantes_, and entertained his little cousin with an account of his visit
+to the King of Holland, and his submarine diving, both of which Johnny
+thought very wonderful. Eric was not much concerned at seeing so little of
+Paris at the time, for he knew that the doctor intended to spend a month
+there, after visiting Munich. He bought a guide-book while out with
+Johnny, and then they returned to their rooms in time to see the doctor
+start for Heidelberg.
+
+"Eric," said Johnny, when Dr. Ward had gone, "I must show you the American
+railway here."
+
+"Why?" said Eric; "I'm sure that is the last thing I came to Paris to
+see."
+
+"Now," said Johnny, importantly, "I suppose you think you know just what
+it is; but you're quite as mistaken as if you were a donkey without
+ears."
+
+"John!" said his father, reprovingly.
+
+"That was only a 'simile,' papa," answered Johnny, roguishly, as he led
+Eric out again.
+
+Sure enough, when they reached the railway, Eric found that his idea of it
+had been far from correct.
+
+"It is nothing at all but an omnibus running upon rails," he said: "I
+don't see why they call it American."
+
+"It isn't anything like as nice as our street cars--is it?" answered
+Johnny, with a flourish of national pride quite pardonable in so young an
+American.
+
+Just then the conductor, supposing the two boys wished to be passengers,
+saluted them politely, exclaiming, "_Complete, complete!_" and the omnibus
+rolled off along the rails.
+
+"What did he mean?" asked Eric, quite puzzled.
+
+"He said the coach was full," Johnny replied. "They are never allowed to
+carry more passengers than there are seats for."
+
+"That is still less and less like an American railway," said Eric,
+laughing, and thinking of the crowded cars and overstrained horses he had
+so often seen and pitied, wearily perambulating the streets of New York.
+
+"Let's have some cake and coffee," Johnny proposed, as they were strolling
+towards home. "I think French coffee is hard to beat."
+
+"When I was your age," remarked Eric, "mamma almost decided to live in
+Paris; but I am very glad she did not, for I think New York a great deal
+nicer."
+
+Johnny led the way to a café--that is, a coffee-house,--and here they
+regaled themselves with rolls and delicious coffee.
+
+Eric was shocked to see Johnny appropriate a couple of cakes and two lumps
+of sugar, left over from their repast, and convey them to his pocket.
+
+"Why, Johnny!" he exclaimed, in a tone of mortification.
+
+"They all do so," said John, laughing. "A Frenchman thinks he has a right
+to everything that he pays for. Watch the others."
+
+Eric looked around and saw several Frenchmen, who had finished their
+lunch, following John's example.
+
+"Well," said he, "if I should do that at Millard's, how they _would_ all
+stare!"
+
+Johnny was quite pleased with his own importance in being able to show
+Eric around the city, and proposed several places that they "ought to
+see." But the afternoon was waning, and a damp, chilly breeze sprang up,
+which Eric knew, from experience, was not at all good for the mumps. So he
+very prudently hurried Johnny home, holding forth Froll's loneliness as an
+additional inducement.
+
+
+
+
+CHAPTER X.
+
+STRASBOURG.
+
+
+"Uncle John," said Eric, the next morning, "do you think of going through
+Strasbourg, when we leave for Munich?"
+
+"No," said his uncle; "I have business to attend to on another route."
+
+"But, papa," expostulated Johnny, "we want to see the great clock in the
+Strasbourg Cathedral."
+
+"It will be impossible for me to go," Mr. Van Rasseulger said, very
+decidedly; but seeing that both the boys were greatly disappointed, he
+added, "If you could be a sober boy, Johnny, I might trust you alone with
+Eric, and you might go to Switzerland by the Strasbourg route, meeting me
+at Lucerne."
+
+"By ourselves? O, how jolly!" Johnny exclaimed, turning a somersault upon
+the floor.
+
+"But the question is, my boy, _Can_ I trust you?"
+
+"O, papa!"
+
+"I will consider it, John. I can trust Eric, but your inclinations are apt
+to be rather unsteady."
+
+That was certainly true, for Johnny's inclination just then was, back
+parallel with the floor, heels at a right angle with his head.
+
+"But I think I will try you," continued his father. "I shall put you under
+Eric's care, and require you to obey and refer to him. You may start
+to-morrow morning, which will give you time to spend a day and night at
+Strasbourg, and to meet me at Lucerne, on the evening of the day after
+to-morrow."
+
+"Hurrah! hurrah!" screamed Johnny, leaping to his feet, "hurrah for
+Strasbourg and its wonderful clock! Three cheers for--Good gracious!"
+
+The excited boy's exuberant spirits went up with Eric's guide-book to the
+ceiling of the room, and returned in bewilderment as the unfortunate book
+came down in a basin of water in which he had been sailing his magnetic
+ship.
+
+"An encouraging beginning that," remarked his father, gravely.
+
+"I didn't mean to, Eric," Johnny said quite meekly; "I guess 'twill dry in
+the sun."
+
+"Then you had better put it there," said Mr. Van Rasseulger; "you are
+tearing the leaves by holding the book in your wet hands." Johnny spread
+the guide-book upon a sunny window-seat, listening with interest to Eric's
+proposal.
+
+"I must study the route on the map down stairs; and if you are willing,
+uncle John, I will go out now with Johnny and get the tickets."
+
+"Certainly," said his uncle; "but my advice would be to study a dry
+guide-book and the map before getting the tickets; there may be a choice
+of routes."
+
+This was excellent advice, as the boys soon found. There were three
+routes, and some time elapsed before they decided upon one.
+
+At length they chose the shortest of all, as their time was limited and
+they wanted it all for Strasbourg. Their choice, therefore, fell upon the
+most direct route, it being straight across the country of France, and for
+a distance of about two hundred and fifty miles traversed by rail.
+
+They consulted with Monsieur Richarte, the landlord, and their uncle, and
+decided to take an early train on the following morning. A ride of eight
+hours would suffice for the journey, and their early start would enable
+them to have a few hours for sight-seeing in the day and twilight.
+
+But tourists should always allow for detention. For although Mr. Van
+Rasseulger saw them safely aboard the early train in the morning, an
+accident detained them at Vitry, and when they reached Strasbourg it was
+night--a dark, rainy, dismal night.
+
+They rode directly to the principal hotel, a large, roomy,
+comfortable-looking place, and immediately after supper proceeded to their
+room for the night.
+
+Before retiring, Johnny looked out from between the crimson window
+curtains, to see what he could of the city; but little was visible.
+Opposite the window was a little two-story house, with queer stagings
+about the chimneys. He called Eric to look at them, saying he guessed the
+chimneys were being rebuilt.
+
+"No, Johnny," said Eric. "You will find those stagings upon almost every
+house here. They are erected by the house-owners for the especial
+accommodation of storks that build in the chimneys and are the street
+scavengers of Strasbourg."
+
+"Are they?" said Johnny, sleepily; "well, let's go to bed." They were both
+very tired and sleepy boys, and prepared for a good night's rest.
+
+"I think I shall sleep well," Johnny remarked.
+
+"And I'm sure I shall," said Eric. "I've travelled nearly six hundred
+miles since night before last."
+
+But they were destined to disappointment, for from the large, open
+fireplace in the room there issued, all night long, a continuous wailing,
+moaning, rustling sound, caused by the wind; added to which were the
+dismal groanings of the old storks and piping of the young ones.
+
+It seemed to Eric that he had but just fallen asleep, when Johnny was
+shaking him and hallooing in his ear.
+
+"Eric! Eric! it's a splendid morning! Get up quick. I want to go out and
+see the sights. Hurry up!"
+
+"Yes," said Eric.
+
+Johnny scampered down stairs, and before long Eric joined him in the hall,
+where the impatient boy was walking on his hands, with his heels in the
+air, by way of diversion.
+
+"All ready?" he cried, and resumed a position more convenient and becoming
+for a promenade, as they started.
+
+They had a fine, breezy walk.
+
+Strasbourg is not far from the Rhine; and one of its tributaries, the
+graceful, sparkling _Ill_ River, which, as Johnny suggested, is a very
+_good_ stream, washes the city's walls and supplies it with water.
+
+This city is famous for its immense fortifications, its Minster, or
+Cathedral, and the Astronomical Clock of the Three Sages.
+
+Its form is triangular, and the entire city is enclosed by a bastioned
+line of ramparts and several outworks.
+
+There are seven entrance gates, and on the east side is a strong
+pentagonal or five-sided tower.
+
+There is a network of sluices, by which the surrounding country can be
+inundated. Strasbourg is one of the most important fortresses and arsenals
+of France, besides being its principal depot of artillery. It is
+pleasantly situated, but most of its streets are narrow, with lofty
+eaves-drooping houses.
+
+The boys were surprised to hear its inhabitants speaking German instead of
+French, but learned that the town was originally German, and was ceded to
+France in one of the Louis XIV. wars, when it became the capital of _Bas
+Rhin_, a division of France, on the eastern frontier.
+
+In many of the streets of Strasbourg are little wooden bridges, similar to
+canal bridges. These are built over the Ill, which intersects the city in
+all directions.
+
+When Eric and Johnny took their stroll, it was market-day, and, even at
+that early hour, the streets presented a lively scene.
+
+Carts and drays were the stalls in the open street, and people were buying
+and selling at a great rate.
+
+The fish stalls were surrounded by storks; but the people seemed to mind
+them no more than the birds minded the people. These storks are great
+favorites with Germans. In Strasbourg they are as tame as our domestic
+hens, and it is very comical to see them strutting importantly about, as
+if they had as good a right to the sidewalk as the other citizens.
+
+The boys returned to the hotel with ravenous appetites, but, hungry as
+they were, could not appreciate the described daintiness of a most
+apparently unpalatable pie, called _pâté de foie gras_; so they were
+obliged to content themselves with other edibles and fragrant French
+coffee.
+
+"Now for the minster!" said Eric, as they arose from the table.
+
+"The _minister_?" exclaimed Johnny; "what for?"
+
+Eric laughed.
+
+"Not _minister_, but _minster_. A minster is a cathedral church."
+
+"I don't care much about the minster, then," said Johnny, running up
+stairs on all fours. "I've seen cathedrals till I'm sick of them. But this
+clock _is_ curious, and I'm anxious to see it."
+
+"Johnny," expostulated Eric, "walk properly. You ought to have been a
+monkey.--And that reminds me," he added, "I must feed Froll and fasten
+her, that she may do no mischief while we're at the cathedral."
+
+Little Froll received an ample breakfast, and her silver chain was
+securely fastened. Then the boys left her.
+
+When they had been gone a while, and her breakfast had disappeared, Froll
+became lonesome, and cast her eyes about to see with what mischief she
+might best employ herself. But thoughtful Eric had placed every temptation
+out of her reach.
+
+Meanwhile Eric and Johnny were viewing the wonders of the famous
+astronomical clock.
+
+This clock is in the Strasbourg Cathedral. It was built in the cathedral,
+before its completion, in the year 1439, and was invented by Isaac
+Habrecht, a Jewish astrologer.
+
+European clocks were first invented in the eleventh century, by the
+Saracens, and used principally for monasteries. They were very rude,
+simple affairs, and sometimes would only "go" when somebody pushed the
+pendulum, which was rather inconvenient than otherwise.
+
+So wise mathematicians tried to make improvements; and some succeeded,
+among whom was Isaac Habrecht, who, in the fourteenth century, invented
+the most wonderful clock in the world, and called it the "Clock of the
+Three Sages," because once in every hour the figures of the Three Kings of
+the Orient came out from a niche in its side, and made a reverential bow
+before an image of the Virgin Mary, seated just above the dial-plate, on
+the front of the clock.
+
+It is built of dark wood, gilded and carved, and is sixty feet high. In
+shape it is somewhat similar to a church, with a tower on either side of
+the entrance; and these towers of the clock are encircled by spiral
+staircases, which are used when repairs are necessary.
+
+When Isaac Habrecht invented this wonderful clock, he meant it to run
+forever, always displaying to the good people of Strasbourg the days of
+the month, places of the sun and moon, and other celestial phenomena; and
+while he lived it worked admirably: but when he had been dead a while, the
+clock stopped; and as nobody else understood its machinery, it had quite a
+vacation.
+
+After a while, however, the good people of Strasbourg took it in hand, and
+it was repaired and set going--only to stop again. Thus it went on until
+Napoleon's time.
+
+Strasbourg, originally a German town, was ceded to Louis XIV. in 1681; so
+the clock was French property, and Napoleon decided it must be brought to
+life again. Under the most skilful French and German machinists this
+repairing took place. It was eminently successful _this_ time, and, when
+completed, was a great improvement on the old clock.
+
+It will now give not only the time of Strasbourg, but of every principal
+city in the world; also the day of the week and month, the course of the
+sun and planets, and all the eclipses of the sun and moon, in their
+regular order.
+
+In an alcove, above the dial, is an image of the Saviour; and every day,
+at noon, figures of the twelve apostles march round it and bow, while the
+holy image, with uplifted hands, administers a silent blessing. A cock, on
+the highest point of the right hand tower, flaps his wings and crows three
+times; and when he stops, a beautiful chime of bells rings out familiar
+and very musical tunes.
+
+A figure of Time, in a niche on one side, strikes the quarter hours from
+twelve to one; and four figures--Childhood, Youth, Manhood, and Old
+Age--pass slowly before him. In a niche, on the other side is an angel
+turning an hour-glass. The clock is in the south transept of the
+cathedral.
+
+Persons travelling abroad usually take Strasbourg on their route, to visit
+its cathedral,--the spire of which is the highest in the world, being four
+hundred and sixty feet high,--and to see its wonderful astronomical
+clock.
+
+Eric and Johnny were very much pleased with the famous clock. The guide
+who explained and told its history to them was very good-natured, and even
+allowed them to ascend the tower of the cathedral, which, usually, is not
+allowable.
+
+Here they had a most magnificent view, which I cannot attempt to describe,
+and only advise you to go and see it for yourself.
+
+Before leaving the cathedral, they bought two photographs of the wonderful
+clock, intending to send them home, with a description of their visit to
+Strasbourg.
+
+By the time their explorations were finished, Johnny declared that he was
+so hungry, he could almost eat one of those goose pies. The morning was
+quite gone. It would soon be time to take the train for Lucerne, and they
+must have dinner.
+
+"Won't Froll be glad to see us back!" exclaimed Johnny, as they reached
+their room; "she doesn't like to be left alone."
+
+Eric had bought some nuts for the little creature, and went with them
+straightway to her cage.
+
+The cage was just as he left it; the silver chain was there, too, fastened
+to one of the bars and to the tiny collar; but the collar hung dangling at
+the end of the chain, and Froll was nowhere to be seen.
+
+
+
+
+CHAPTER XI.
+
+ERIC IN TROUBLE.
+
+
+A thorough search was instantly made; but neither around the room, nor
+behind the furniture, nor upon the gallery roof, were any traces to be
+found of the lost Frolic.
+
+"It is too bad," cried Eric, in perplexity, while Johnny looked ready to
+cry. "We must speak to the landlord, and ask him what we are to do."
+
+Eric's German was by no means perfect; but he managed to make the
+good-natured landlord understand their trouble. He made inquiries of all,
+directly; but no one had seen the little monkey since the boys had left
+her. He did not think it at all likely that she had been stolen, for no
+one could get to the boys' room without being noticed by some of the
+servants, and he was quite sure that she would return safely to her
+comfortable quarters; so he advised the boys to leave the window open for
+her, and to go at once to the dinner he had been for some time keeping for
+them.
+
+His sensible advice was unwillingly followed; but Froll took no advantage
+of the window left open for her benefit.
+
+Eric and Johnny waited and watched impatiently, until it was almost time
+to start for the train. Then Eric left directions with the landlord, in
+case the monkey should be found and captured; promising to send for her.
+He was just going to call Johnny, when he heard his voice, crying,
+excitedly, "Eric, Eric!" and hoping Froll had returned, ran quickly up the
+stairs.
+
+"See there, what I found on the floor," exclaimed Johnny, as he entered
+the room, and held up before Eric's astonished gaze a jewelled ring, that
+flashed and sparkled in the sunlight.
+
+"Good gracious!" exclaimed Eric; "on the floor of _this_ room?"
+
+"Yes," answered Johnny, "on the floor, just where you're standing. It's a
+mercy we haven't stepped on it. Don't you think so?"
+
+"We must find the owner at once. Isn't it splendid!" said Eric,
+admiringly; "three diamonds and an emerald; it must have cost a fortune."
+
+Just at this juncture the door opened, and the landlord, followed by a
+French officer and a civilian, entered the room. The landlord exclaimed,
+in German,--
+
+"I beg your pardon, young gentlemen, but a serious loss has occurred in
+the house, and as you are about leaving it, perhaps you will be kind
+enough to let us inspect--"
+
+"_Ah! mon Dieu! il y ait!_"[1] screamed the French civilian, darting
+towards Eric and John, and, snatching the ring from Johnny's hand,
+displayed it triumphantly before the landlord and the officer.
+
+"I found it on the floor," said Johnny. "Is it yours?"
+
+"A likely story!" muttered the Frenchman.
+
+"I'm very glad you've got it," said Eric, with dignity. "My cousin found
+it on the floor a minute ago, and we were on the point of taking it to the
+landlord when you came in."
+
+Eric spoke slowly and distinctly, and with an air of honest truth that at
+once convinced the landlord. But the excitable little Frenchman, who had
+been clasping the precious ring, and murmuring, "_Ciel, ciel! ah, ciel!_"
+in an incoherent way, now sprang at Eric, and grasping him by the collar,
+exclaimed, angrily, "O, you fine fellow! you wicked one! where is my--my
+gold?--my gold? where is it?" and he gave the boy a series of shakes.
+
+Eric's anger was fully aroused. With flashing eyes, "How dare you!" he
+said, indignantly, and, turning upon the Frenchman, flung him with some
+violence against the wall.
+
+This made the little Frenchman still more furious; he would have sprung
+again upon Eric, but the officer interfered. Johnny, with his eyes almost
+starting from his head, had terrifiedly regarded this little scene,
+doubling his fists to aid in Eric's rescue.
+
+Eric turned indignantly to the landlord,--
+
+"What is the meaning of all this? Are two defenceless American boys, your
+guests, to be openly insulted in your presence without protection?"
+
+"Count D'Orsay has been robbed of his diamond ring and a sum of money,"
+explained the landlord. "He insisted that no person should leave the hotel
+without examination. That is why we came to you. He has found the ring in
+your hands, which is very astonishing, and he now suspects you of having
+the gold."
+
+The landlord spoke gently, and seemed grieved to be obliged to hurt their
+feelings, as he knew his implied meaning must.
+
+Poor Eric's face flushed hotly with shame and anger, while Johnny cried,
+furiously, "Eric, Eric, for pity's sake send for papa! He will teach that
+hateful Frenchman what it is to call us thieves."
+
+"Be quiet, John!" said Eric, imperiously. "Come here."
+
+"Now, sir," turning to the landlord, "please to let your officer search
+us, and then our baggage. Do it at once, for we are to leave Strasbourg
+directly."
+
+"Indeed!" sneered Count D'Orsay. "Perhaps you will not leave Strasbourg
+for the present. Search them, officer."
+
+The officer advanced reluctantly, and, by his expression of sympathy,
+showed himself much more a gentleman than the titled count, whose habitual
+politeness had been driven away by Eric's powerful thrust.
+
+The landlord, although deeply sympathetic, and convinced of their honesty,
+was powerless to resist Count D'Orsay. He was a German innholder, and the
+count a wealthy, influential French nobleman, with a proper warrant for
+searching his house. So he could in no way protect the boys from the
+indignity put upon them. But he hailed with joy Johnny's suggestion to
+send for his father, deciding to do so at once, if they should be
+detained.
+
+Of course no gold was found upon either of them, except that given to Eric
+for tickets and hotel expenses, and none was found in their baggage.
+
+But just as they were preparing to leave the place, having been released
+by the officer, Count D'Orsay uttered an exclamation, and pointed to a
+_fauteuil_--an easy chair--by the window.
+
+"_Celui-là!_"
+
+The officer stepped to the chair, and found, tucked between the cushion
+and the arm, a silk purse, full of gold pieces.
+
+Eric and Johnny were horror-stricken, and the good landlord was dumb with
+astonishment.
+
+The French count held up the purse triumphantly, and jingled the gold
+before Eric's eyes, exclaiming, tauntingly,--
+
+"It is mine, and I have it. The _prison_ is yours, and you shall have
+it."
+
+"Eric, Eric," cried Johnny, in agony of terror, "they _can't_ send us to
+prison. We haven't done anything. We didn't know the money was there, or
+the ring. O, what shall we do? Send for papa!"
+
+Eric's face was very white, and his hand trembled visibly, as he wrote his
+uncle's address on a card, and requested the landlord to send for him.
+
+Count D'Orsay wished them to be at once conducted to prison: but this the
+landlord would not allow, and the officer declared was unnecessarily
+severe. They might remain in their room, with a guard, and the landlord
+would be responsible for their remaining.
+
+As soon as the detestable Frenchman had gone, Johnny threw himself at full
+length upon the floor, crying violently. Eric could not comfort him, but
+sat at the window, with a proud, defiant face and swelling heart.
+
+Presently the kind landlord came again to them.
+
+He had sent word by telegraph to Johnny's father, and received a return
+message. Mr. Van Rasseulger would be with them by night.
+
+This was comforting. And gradually the boys thought less and less of their
+trouble, and became quite interested in making conjectures with the
+landlord as to when and how the money and jewels came into their room, and
+if Froll's disappearance could be owing to the same cause, or in any way
+connected with it, and if she would probably return at night.
+
+"It's an ill wind that blows nobody good," said Eric; "and perhaps, by
+being detained here, we shall find her."
+
+[Illustration: Eric and the French Count.--Page 143.]
+
+"I don't care what they do when papa gets here," said Johnny, whose faith
+in his father's power was limitless. "He'll just _fix_ that Count
+D'Orsay."
+
+Meanwhile Mr. Van Rasseulger was whizzing rapidly towards them in the
+afternoon train, and another powerful friend was coming from an opposite
+direction.
+
+-----
+
+ [1] O Heaven! he has it!
+
+
+
+
+CHAPTER XII.
+
+"A FRIEND IN NEED IS A FRIEND INDEED."
+
+
+One, two, three, four, five, six, sounded a deep-throated bell upon the
+evening air, and then a chime of bells played Luther's Chant.
+
+"O, dear!" groaned Johnny; "that's the wonderful clock; I wish we had let
+it alone."
+
+"Hark!" exclaimed Eric.
+
+His quick ear had caught the sound of footsteps upon the stairway leading
+to their room, and he fancied them to be his uncle's. He was right. The
+door opened presently, and Mr. Van Rasseulger was with them.
+
+"Well, what is all this nonsense?" he exclaimed, grasping Eric's hand, and
+drawing Johnny into his lap. "A good-natured guardian lets you off for a
+good time, and you get into trouble the first thing."
+
+Eric related all that had occurred, a little embarrassed at Johnny's
+admiring remark,--
+
+"You ought to have seen him spin that little dancing Frenchman against the
+wall, papa. I wish I'd been big enough! I'd have thrashed him!"
+
+"Hush, Johnny," said his father. "Go on, Eric. You say he found the money
+in the fauteuil. How in the world did the things get into this room?"
+
+"That is just what puzzles everybody," answered Eric, earnestly. "Uncle
+John, how _could_ it have got there? and the ring, too?"
+
+"Where did you find the ring, Johnny?"
+
+"Right here, sir, upon the floor, by Froll's cage;" answered Johnny,
+getting up and standing in the place.
+
+"It is very mysterious, certainly," Mr. Van Rasseulger said, "and the
+strange circumstances give the man strong grounds for suspicion against
+you. Of course, it is absurd to think that two little boys would have
+committed such a robbery; yet the ring was found in your hands, and the
+money concealed in your room, and therefore you are accused."
+
+"But, papa, can't you take us away? We didn't do it."
+
+"You silly boy, I _know_ you did not do it. But would you not rather stay
+and prove satisfactorily to all that you did not? I should not wish to
+take you from here while the faintest shadow of a suspicion lingered that
+you were guilty."
+
+"Nor would I wish to go," said Eric, proudly.
+
+"Well, then we'll stay," said Johnny, dolefully; "but I think it is
+dreadfully unjust to spoil all our good time. We Americans wouldn't do so
+to a Frenchman."
+
+"I'm afraid we would, under such suspicious evidences," said his uncle.
+"But you needn't worry about it, boys; every cloud has a silver lining."
+
+"It isn't pleasant to know we can't go out of our room," said Eric.
+
+"No: I must arrange about that," Mr. Van Rasseulger answered. "I will
+write a note to the American consul, and get you released."
+
+Eric started suddenly to his feet.
+
+"I am sure I heard Mr. Lacelle's voice," he said.
+
+"You couldn't have," said Johnny. "You left him at Amsterdam."
+
+"I did, I know I did!" persisted Eric. "There it is again: that is he! O,
+Uncle John, go out and tell him about it."
+
+His uncle left them, and before long returned, actually bringing Mr.
+Lacelle with him.
+
+The diver was surprised beyond measure to find his favorite Eric in
+Strasbourg, and highly indignant at the circumstance which detained him.
+
+"You are the most honest boy that ever lived," he cried, and told Mr. Van
+Rasseulger about the box of sovereigns. "But come, tell me all about
+this," he added.
+
+Eric again related the incident, beginning with his discovery of Froll's
+disappearance, and ending with the charge of theft and threat of prison.
+
+Johnny, who despite his dislike of Frenchmen in general, cordially liked
+Mr. Lacelle, was surprised to see his gradually increasing excitement as
+Eric's story progressed. At its termination, he started to his feet, and
+rapidly pacing the floor, exclaimed, joyfully,--
+
+"_Ha! a bon chat, bon rat!_"[2]
+
+"What have cats and rats to do with it?" thought Eric.
+
+"He is crazy!" thought Johnny.
+
+"Ah!" thought Mr. Van Rasseulger, "can he see through the millstone?"
+
+"Eric, your good name shall be cleared of all suspicion. Give me your
+hand!" exclaimed Mr. Lacelle. "I congratulate you, lad! I know who did the
+mischief."
+
+"Do you?" exclaimed the astonished boy.
+
+"Yes, my friend," answered the Frenchman, and darted from the room.
+
+"Here's a go!" cried Johnny, thrusting his hands into his pockets and
+striking an attitude; "he knows, and he hasn't told us what he knows, and
+I think _his_ nose ought to be pulled."
+
+"Do be still, Johnny," said Eric, "it's no time for jokes. Uncle John,
+what could he have meant?"
+
+"I am totally in the dark," replied his uncle.
+
+"I wish Froll would come back," murmured Johnny.
+
+"I have it!" cried Eric, suddenly, rushing from the room, by the guard at
+the door, and after Mr. Lacelle.
+
+"Well," said Johnny, "I wish I had!"
+
+Count D'Orsay's conscience was not quite easy in regard to the manner in
+which he had persecuted the two friendless American boys. His suspicions
+had been aroused merely by the fact that they were about to leave
+Strasbourg; and the discovery of the missing articles in their possession
+had seemed at the time to prove their guilt conclusively. But upon
+reflection, the honest surprise expressed in little Johnny's eyes, and
+Eric's look of proud, indignant disdain, haunted him with suggestions of
+their innocence.
+
+Might it not have been just possible that they did find the ring upon the
+floor, and did not know of the money's concealment? But, then--how could
+it be so? How could the ring and money have happened in their room, and
+for what purposes? Yet, again, if they did intend to steal, they had given
+up everything. He had lost nothing; and the French government would not
+thank him for quarrelling with an American just at that time. He would
+send word to the landlord to dismiss the policeman and let the boys have
+their liberty.
+
+Just as this conclusion was reached, there came a tap at the door, and the
+waiter entered with Mr. Lacelle's card, followed closely by Mr. Lacelle.
+
+Count D'Orsay expressed great pleasure at the unexpected visit; but Mr.
+Lacelle, waiving all ceremony, explained that he had come to clear his
+dear American friends from the disgraceful charge against them.
+
+He then spoke rapidly, in French, to the count, who appeared at first
+surprised, then credulous, then convinced.
+
+With sincere regret, he asked to be allowed to apologize at once, and
+begged Mr. Lacelle to tell him of some way in which he could make some
+amends for his unjust accusation.
+
+"I wish you to be thoroughly convinced," said Mr. Lacelle. "Place the
+articles upon the table, open the window, and conceal yourself behind the
+curtain."
+
+Mr. Lacelle did so.
+
+-----
+
+ [2] "To a good cat, a good rat!"
+
+
+
+
+CHAPTER XIII.
+
+THE REAL THIEF.
+
+
+Eric, when he reached the hall, was called by the landlord, who said,--
+
+"I am having the rooms searched, at Monsieur Lacelle's request, for your
+little monkey. Will you come with me? We may catch her more easily."
+
+Eric was very glad to assist in the search. When nearly all the front
+rooms had been thoroughly examined, to no purpose, the little truant was
+found at last in the upper story asleep, on a soft cushion, in the
+sunlight. Eric stole up softly and took possession of her.
+
+She awoke with a loud chatter of defiance, and tried to escape, but Eric
+held her fast.
+
+The landlord then ordered a servant to close all the windows in the front
+of the hotel, excepting those of Count D'Orsay, whose room was above that
+of the two boys.
+
+Eric hastened, at his request, for Froll's collar and chain, which were
+fastened upon her, and then she was released upon the balcony under the
+window of the boy's room, the landlord, Eric, Johnny, and Mr. Van
+Rasseulger watching her movements with intense interest.
+
+Meanwhile the count and Mr. Lacelle were stationed behind the window
+curtains, on the lookout for the marauder.
+
+Presently there was a sliding, scrambling, shuffling noise, and the thief
+came in through the window--not Eric, nor Johnny, but a being very
+insufficiently attired, and possessed of a long black tail; no less a
+personage than the little monkey, Froll.
+
+She walked straight to the table, climbed upon it, seized the ring, purse,
+and a gold pencil which Mr. Lacelle had laid there. Then she withdrew to
+the window, but to her rage and disappointment it was shut tight, and the
+two gentlemen confronted her.
+
+The little beast recognized Mr. Lacelle, and coolly handed him her stolen
+freight, which was quickly restored to its rightful owner.
+
+Thoroughly convinced of his unjust cruelty to Eric and Johnny, Count
+D'Orsay descended to the balcony, offering sincere and earnest apologies.
+
+Eric and Johnny, by turns hugging and scolding Froll, freely forgave the
+indignity put upon them, and shook hands cordially with the mortified
+count.
+
+Mr. Lacelle was in his glory. He shook hands with the monkey, stroked the
+boys' heads, and called Mr. Van Rasseulger "my dear" in his excitement;
+telling everybody how he had instantly surmised the true offender, on
+hearing of Froll's disappearance, and recalling the scene at Gravenhaag,
+when she had stolen his glasses, climbing in then through the open window.
+Finally he expressed an opinion that Froll had formerly belonged to an
+unprincipled master, who had trained her to climb in at windows and take
+away valuables.
+
+And here we will take an opportunity to remark that this was really the
+case, and that Eric subsequently learned that the man of whom Mr. Nichols
+bought her was arrested and imprisoned for practising with another monkey
+the same trick.
+
+Count D'Orsay could not be pacified until Mr. Van Rasseulger promised that
+the boys should visit him at the _Hôtel D'Orsay_, on their return to
+France.
+
+His conscience smote him for his unjust severity and unkindness, all the
+more for the frank, confiding way in which the two little heroes begged
+him to forget the incident.
+
+When they shook hands cordially with him, a glad cheer ascended from the
+throng of servants and spectators, whose honest hearts took a lively
+interest in the affair.
+
+The boys and Froll were made much of; and Mr. Lacelle delighted Johnny for
+hours with accounts of the wonders of the sea, so that the young
+gentleman, completely fascinated, made up his mind to be a submarine diver
+when he grew up.
+
+Froll's collar was tightened, and she was fastened to her cage, after
+having a bountiful feast of nuts.
+
+When the evening was about half spent, a waiter brought a large parcel to
+the door. It was addressed to "The Two Young Gentlemen at Room No. 37,"
+and contained books, toys, games, and confectionery, of which the count
+begged their acceptance.
+
+"This has been a day of adventures," said Eric, as he and Johnny were
+retiring late at night.
+
+"Yes," answered Johnny, sleepily, nestling between the sheets, "it has
+been a day of adventures, beginning with the wonderful clock, and ending
+with--Froll's--Froll's--the count--" and with a little more indistinct
+muttering, Johnny was fast asleep. Eric had read his chapter, and said his
+prayers with Johnny; but now, as he looked at his little cousin asleep, a
+sudden impulse seized him, and falling upon his knees by the bedside, he
+prayed that his influence over Johnny might always be for good, and that
+God would bless the bright, loving little boy, and make him a lamb of His
+fold for the good Shepherd's sake.
+
+
+
+
+CHAPTER XIV.
+
+PERCY, BEAUTY, AND JACK.
+
+
+Mr. Van Rasseulger decided to take the boys to Heidelberg, and there await
+Dr. Ward. It was inconvenient for him to do this, but he was unwilling to
+let them travel alone with the monkey again, for Froll was certainly a
+serious trouble.
+
+So on the morning of the following day they took the steamer for an eighty
+mile sail down the Rhine.
+
+The landlord, Mr. Lacelle, and Count D'Orsay bade them an affectionate
+adieu, after the two former had been sincerely thanked for their kindness
+to the young strangers, and the latter had begged them to renew their
+promise of a visit before they returned to America. To Mr. Van Rasseulger
+he extended an urgent invitation to visit him, whenever it should be
+convenient to him.
+
+Just before they left, Mr. Lacelle requested Eric's address, saying that
+he had written to Mr. Montgomery about the box of money, and would forward
+his reply to Eric.
+
+The boys were not sorry to leave Strasbourg, because Mr. Van Rasseulger
+had told them he should propose to the doctor to obtain horses there, and
+travel on horseback through the Black Forest, and over the mountains, to
+Munich, in Bavaria.
+
+They were enchanted with this idea, and during their sail down the Rhine
+lost much of the beautiful scenery about them in mutual conjectures as to
+whether uncle Charlie would like the proposition. When they reached
+Heidelberg, the doctor was already there, waiting for them.
+
+He was quite well satisfied with the plan, and said he would give the boys
+two days to explore Heidelberg, and would meantime be making the necessary
+arrangements.
+
+The boys did not like Heidelberg particularly, and Eric's shoulders were
+shrugged expressively when his uncle told him he was to be a student in
+the university, after his school course was completed.
+
+The only building of which they took any notice was the Church of the Holy
+Ghost--a large structure with a very high steeple, divided so that
+Protestant and Roman Catholic services were held in it at the same time.
+
+But perhaps the picturesque old town might have had more attraction for
+them, had not Dr. Ward and Mr. Van Rasseulger been looking up good horses
+to purchase for the journey.
+
+They soon found just what they wanted--a large, powerful horse for the
+doctor, and a couple of small horses, almost ponies, for the two boys.
+
+It was amusing to see the different evidences of delight manifested by
+Eric and Johnny.
+
+Eric's face flushed with glad emotion, and a quiet "Uncle John, how good
+you are!" was all that he said.
+
+But Johnny danced around the horses, wild with delight, throwing his cap
+in the air, dancing and hurrahing with all his might, and bestowing kisses
+indiscriminately upon his good papa and the dumb animals.
+
+One of the horses was coal black, with a white star upon his forehead, and
+one white foot; he was for Eric.
+
+Johnny's was a bright bay, with four white feet and a white nose: and the
+doctor's was a chestnut-colored horse, with a darker mane and tail.
+
+Of course the first great question was, what they were to be called.
+
+"I have named my horse 'Perseus,'" said the doctor, "in honor of the
+illustrious slayer of the Gorgon Medusa, and the deliverer of Andromeda."
+
+"I'll call mine 'Jack,' in honor of papa," said roguish Johnny.
+
+"And mine," exclaimed Eric, "shall be Bucephalus."
+
+Eric had just finished reading a classical history, and was greatly
+interested in the account of Alexander's power over Bucephalus.
+
+These names were soon abbreviated to "Percy," "Beauty," and "Jack."
+
+After the horses had been duly admired, Mr. Van Rasseulger took the boys
+with him, selected saddles, with travellers' saddle-bags, rubber cloaks, a
+couple of blankets, and two tin boxes for provisions, with an inside
+compartment for matches. The rubber cloaks were made with hoods, which
+could be drawn over the head, completely protecting it.
+
+Dr. Ward provided himself with similar apparel, and numerous little things
+which the boys had no idea would be necessary, and even Mr. Van Rasseulger
+overlooked.
+
+The next morning everything was in readiness. The blankets, light
+overcoats, rubber cloaks, and a change of clothing, were made into a roll,
+and strapped behind the saddles. The tin cases were filled for luncheon,
+and deposited in the saddle-bags, and the boys declared themselves in
+readiness.
+
+But when the doctor presented them each with a light knapsack, a tiny
+compass to wear upon their watch chains, and a pocket drinking cup, they
+instantly discovered that they could never in the world have got along
+without them.
+
+The horses were pawing the ground, impatient to be off, their long manes
+and tails floating in the cool morning breeze, their noble forms quivering
+with life and excitement.
+
+Johnny, divided between regret at parting with his father, and delight at
+the novel excursion; Eric, eager and excited, with mischievous Froll,
+demure enough just now, seated composedly upon his shoulder; the doctor
+coolly testing the saddle girths, and Mr. Van Rasseulger seeing them off,
+happy in their pleasure.
+
+"Be good and kind to my boy, as you have always been, Eric," he said,
+bidding his nephew "good by."
+
+"You mean, uncle John, as you have always been to me," Eric replied, with
+gratitude beaming in his eyes. "And Johnny is a dear little fellow; no one
+could help being good to him."
+
+"I hope he will grow like his cousin," said Mr. Van Rasseulger, with a
+hearty smile; "and, Johnny-boy, you must be very obedient to uncle
+Charlie. Do right, be a gentleman, and grow stout and healthy for papa."
+
+"We will write from Baden and Ulm," said the doctor. "We ought to get
+there by next week."
+
+After a few more words of parting they set off, and were soon out of
+sight.
+
+Three hours later, as Mr. Van Rasseulger, on his way to Vienna by rail,
+passed a turn in the road, the three travellers were in sight for an
+instant, apparently in good spirits and prime condition.
+
+He was extremely pleased with this unexpected view of them, and for some
+time after they had again disappeared the wealthy New York merchant lay
+back in his cushioned seat, building hopes of high promise upon the future
+of Johnny's life.
+
+Poor Johnny! he had been almost spoiled at home, but under the doctor's
+firm guidance and Eric's good influence, was wonderfully improved. The
+bright, merry little fellow was exhibiting his true character, long hidden
+by ill-advised indulgence.
+
+
+
+
+CHAPTER XV.
+
+THE LAST.
+
+
+Up the banks of the beautiful Rhine, through picturesque hamlets, over
+high, rugged mountains, and in the glory and grandeur of the forests, our
+horseback travellers sought and found the best of all treasures--health
+and happiness.
+
+The Swabian Mountains, and the Schwarz Wold, or Black Forest,--a group of
+mountains covered with forests,--through which they rode thirty-seven
+miles, required from them the greatest endurance.
+
+Nevertheless, upon the woody mountains, steep and difficult to climb as
+they were, they found several thriving villages, where they were kindly
+received, and where all their wants were generously supplied.
+
+But on one occasion, when a violent storm arose, and they were near no
+village, they were obliged to take shelter in an empty barn, and there
+remained through the night, sleeping, with their horses, upon the hard,
+board floor, with their knapsacks for pillows.
+
+And Johnny had one thrilling adventure.
+
+They had encamped for the night upon a small plateau, and, before
+dismounting, Johnny rode back to the edge, and was looking down upon the
+plains beneath, when suddenly he felt the ground give way from above where
+his horse was standing, and in an instant horse and rider, covered by a
+bank of sand, were sliding helplessly down the mountain. The shower of
+sand smothered their cries, and neither the doctor nor Eric noticed their
+disappearance at first. But presently Eric, turning to speak to him,
+exclaimed,--
+
+"Where in the world is Johnny?"
+
+The doctor looked hastily up. Seeing the fresh earth at the edge of the
+plateau, he rushed to the spot, examined it, and exclaiming, "Heavens! the
+child has fallen down a slide!" prepared to descend in the same place.
+
+"Eric, stay up there, and take care of the horses," he said, and was soon
+out of sight.
+
+Eric secured the horses, and then crept to the place from which the doctor
+had disappeared. He found, just beneath him, a long line of large troughs,
+open at both ends, and overlapping each other like shingles. It extended
+entirely down the side of the mountain, and to his horror Eric saw at its
+foot a lake.
+
+"O, Johnny, Johnny! my dear little cousin! And uncle Charlie, too--they
+will surely be killed!" he cried, in agony. For he knew at once that they
+had gone down a timber slide, and was afraid they would be drowned in the
+lake.
+
+And now I suppose I must tell you what a timber slide is.
+
+The Black Forest Mountains are covered with large and valuable trees,
+which are felled and sold by their owners; and as it would be decidedly
+inconvenient to take horses and carts up the mountain, and utterly
+impossible to get them down with a heavy load of those giant trees with
+sound necks, an ingenious Swiss invented the cheap and rapid way of
+getting the trees off the mountain by means of a slide, formed of immense
+troughs lapped together, and terminating in the lake, where the heavy logs
+are chained together and floated to a railway or wharf, just as they are
+done in our own country by the loggers of the Maine forests and other
+woody regions.
+
+Of course a descent in one of these slides, under ordinary circumstances,
+would be extremely dangerous to human life and limb. But it fortunately
+happened that neither the doctor, Johnny, nor Jack were seriously injured,
+for the slide had been disused for some time, and in consequence of an
+accident, somewhat similar to Johnny's, had been partially removed, and a
+high, soft bank of sand lay at its new terminus.
+
+Johnny and Jack were pitched violently into this, and rescued from their
+very uncomfortable position by a party of English travellers encamped near
+by.
+
+Many were the exclamations uttered at the marvellous and sudden entrance
+of our young friend upon the quiet beauties of the twilight scene, and
+bewildered Johnny scarcely knew whether to laugh or cry.
+
+His first anxiety was for Jack, but the English gentleman who drew him
+from the sand-bank would pay no attention to the horse until he was
+convinced that Johnny was unhurt. Assured about this, he patted and
+soothed poor frightened Jack, and walked him carefully over the soft
+greensward, to see if he appeared at all lame; and then Johnny was
+delighted enough to hear the horse pronounced all right.
+
+Johnny had several pretty bad bruises, which the Englishman, who was a
+physician, dressed for him.
+
+By the time this was done Dr. Ward, whose descent had been much slower and
+more careful than Johnny's, reached them, and his anxieties were at once
+quieted by Johnny's assurance that it was
+
+"Just the jolliest coast I ever had."
+
+After examining both Johnny and Jack, to assure himself of their
+well-being, and heartily thanking the Englishman for his kind assistance,
+the doctor asked permission to leave Johnny under his care until he could
+get Eric and the horses from the top of the mountain.
+
+The new friend willingly undertook the care of Johnny, and the doctor
+hastened up the mountain to relieve Eric's anxiety.
+
+Johnny seated himself near the door of the tent, and a young man of the
+party brought him some grapes. Jack neighed wistfully for his share, for
+Johnny had made a great pet of him, always dividing his fruit with him.
+
+"I'll give you some, Jack," he said, walking towards the horse. "Gracious,
+how stiff and sore I feel."
+
+While Jack was champing his feast with great satisfaction, an English boy,
+of Johnny's size, came towards them.
+
+"Is that your horse?" said he.
+
+"Yes," answered Johnny; "isn't he a good one?"
+
+"_Is_ he a good one?" asked the boy.
+
+"I guess he is," said Johnny, hotly; "there isn't a better horse
+anywhere."
+
+"But papa's groom told me," persisted the English lad, "that a horse with
+four white feet and a white nose was worthless. He says,--
+
+ 'One white foot, buy him,
+ Two white feet, try him,
+ Three white feet, deny him,
+ Four white feet and a white nose,
+ Take off his skin and throw him to the crows.'"
+
+Johnny detected a roguish glitter in his companion's blue eyes, and with a
+corresponding twinkle in his own, merely answered,--
+
+"My old nurse says,--
+
+ 'There was an old woman went up in a basket
+ Seventy times as high as the moon.'
+
+I suppose you believe that, too."
+
+This ready answer pleased the other, and they were soon fast friends.
+
+"What is your name?" Johnny asked.
+
+"Arthur Montgomery," was the reply.
+
+Johnny wondered where he had heard the name before; but though he was sure
+he had heard it, he could not remember where.
+
+He began to feel quite tired and sleepy before the doctor returned for
+him, and his bruises ached badly. Once he would have cried and worried
+every one about him, if in such an uncomfortable state; but now he bore
+the pain like a Spartan.
+
+The doctor came at last, and after thanking the Englishman again, he led
+the tired horse, with weary Johnny upon his back, to a wood-cutter's
+cottage near at hand, where they were to pass the night.
+
+Eric welcomed them with tears of joy in his eyes.
+
+"O, Johnny, what a narrow escape you have had!"
+
+"We ought to be very thankful," said the doctor.
+
+"Yes," said Johnny, sleepily, "I am thankful!"
+
+He woke up just before Eric went to bed, and said,--
+
+"That boy said his name was Arthur Montgomery. Where have I heard that
+name, Eric?"
+
+"Why," exclaimed Eric, "that was the name on the box of money I found!"
+
+"I knew I'd heard it somewhere," murmured Johnny, dropping off to sleep
+again.
+
+Eric ran to tell his uncle.
+
+"Ah," said the doctor, quite pleased to be able to return a good deed, "we
+will see them in the morning."
+
+But in the morning the English travellers had disappeared, and our party
+could find no trace of them.
+
+Eric was much disappointed. Now he would be obliged to wait patiently for
+Mr. Lacelle's letter.
+
+Johnny and Jack were not injured by their descent of the mountain, whose
+only effects were some pretty sore bruises, which Johnny tried not to
+mind, and an obstinacy in Jack's disposition that no human powers of
+persuasion could ever remove. He could never, after that memorable slide,
+be induced to go near the edge of any kind of an embankment; and he always
+declined going aboard a steamer, until Beauty and Percy had gone safely
+over the gangway.
+
+
+
+
+Miss VIRGINIA F. TOWNSEND'S BOOKS.
+
+Uniform Edition. Cloth. $1 50 Each.
+
+BUT A PHILISTINE.
+
+"Another novel by the author of 'A Woman's Word' and 'Lenox Dare,' will be
+warmly welcomed by hosts of readers of Miss Townsend's stories. There is
+nothing of the 'sensational,' or so called realistic, school in her
+writings. On the contrary, they are noted for their healthy moral tone and
+pure sentiment, and yet are not wanting in STRIKING SITUATIONS AND
+DRAMATIC INCIDENTS"--_Chicago Journal_
+
+LENOX DARE.
+
+"Her stories, always sunny and healthful, touch the springs of social life
+and make the reader better acquainted with this great human organization
+of which we all form a part, and tend to bring him into more intimate
+sympathy with what is most pure and noble in our nature. Among the best of
+her productions we place the volume here under notice. In temper and tone
+the volume is calculated to exert a healthful and elevating
+influence"--_New England Methodist_
+
+DARYLL GAP; or, Whether it Paid.
+
+A story of the petroleum days, and of a family who struck oil.
+
+"Miss Townsend is a very entertaining writer, and, while she entertains,
+at the same time instructs. Her plots are well arranged, and her
+characters are clearly and strongly drawn. The present volume will not
+detract from the reputation she has heretofore enjoyed."--_Pittsburg
+Recorder_
+
+A WOMAN'S WORD, AND HOW SHE KEPT IT.
+
+"The celebrity of Virginia F Townsend as an authoress, her brilliant
+descriptive powers, and pure, vigorous imagination, will insure a hearty
+welcome for the above entitled volume in the writer's happiest vein. Every
+woman will understand the self sacrifice of Genevieve Wen, and will
+entertain only scorn for the miserable man who imbittered her life to hide
+his own wrong doing"--_Fashion Quarterly_
+
+THAT QUEER GIRL.
+
+"A fresh, wholesome book about good men and good women, bright and cheery
+in style, and pure in morals. Just the book to take a young girl's
+fancy, and help her to grow up, like Madeline and Argia, into the
+sweetness of real girlhood, there being more of that same sweetness under
+the fuss and feathers of the present day than a casual observer might
+suppose"--_People's Monthly_
+
+ONLY GIRLS.
+
+"This volume shows how two persons, 'only girls,' saved two men from
+crime, even from ruin of body and soul, and all this came about in their
+lives without their purpose or knowledge at the time, and not at all as
+they or anybody else would have planned it, but it comes about well
+and naturally enough. The story is ingenious and graphic, and kept the
+writer of this notice up far into the small hours of yesterday
+morning."--_Washington Chronicle_
+
+Sold by all booksellers and newsdealers, and sent by mail, postpaid, on
+receipt of price.
+
+LEE & SHEPARD Publishers Boston
+
+
+
+
+LEE AND SHEPARD'S HANDBOOKS.
+
+ARE YOU INTERESTED IN BUGS?
+
+INSECTS; How to Catch and how to Prepare them for the Cabinet. Comprising
+a Manual of Instruction for the Field Naturalist. By Walter P. Manton.
+Illustrated. Cloth, 50 cents.
+
+"Nothing essential is omitted: every boy who has any taste for natural
+history should have this neat little volume. The many 'Agassiz Clubs'
+which have sprung up amid the youth of the country, should add it to their
+libraries."--_Chicago Advance._
+
+"OF INESTIMABLE VALUE TO YOUNG BOTANISTS." _Rural New-Yorker._
+
+FIELD BOTANY. A Handbook for the Collector. Containing Instructions for
+Gathering and Preserving Plants, and the Formation of a Herbarium. Also
+Complete Instructions in Leaf Photography, Plant Printing, and the
+Skeletonizing of Leaves. By Walter P. Manton. Illustrated. 50 cents.
+
+"A most valuable companion. The amount of information conveyed in the
+small compass is surprising."--_Demorest's Monthly._
+
+"EVERY NATURALIST OUGHT TO HAVE A COPY FOR IMMEDIATE USE."
+
+TAXIDERMY WITHOUT A TEACHER. Comprising a Complete Manual of Instruction
+for Preparing and Preserving Birds, Animals, and Fishes; with a Chapter on
+Hunting and Hygiene; together with Instructions for Preserving Eggs and
+Making Skeletons, and a number of valuable Recipes. By Walter P. Manton.
+Illustrated. 50 cents.
+
+"We would be glad if all teachers would take this little book, study it
+faithfully, become interested themselves, and interest their pupils in
+this wonderful art."--_Practical Teacher._
+
+HOW TO ENLARGE THE ANT TO THE SIZE OF AN ELEPHANT.
+
+BEGINNINGS WITH THE MICROSCOPE. A Working Handbook, containing simple
+Instructions in the Art and Method of using the Microscope and preparing
+Objects for Examination. By Walter P. Manton, M.D. Small 4to. Cloth, 50
+cents.
+
+Uniform with the author's "Handbooks of Natural History," and equally
+valuable.
+
+PARLEZ VOUS FRANCAIS?
+
+BROKEN ENGLISH. A Frenchman's Struggles with the English Language. By
+Professor E. C. Dubois, author of "The French Teacher." Cloth, 50 cents;
+cheap edition, paper, 30 cents.
+
+The Professor's famous lecture, delivered all over the country. Amusing as
+a narrative, instructive as a handbook of French conversation.
+
+AN EMERGENCY HANDBOOK.
+
+WHAT IS TO BE DONE. A Handbook for the Nursery, with useful Hints for
+Children and Adults. By Robert B. Dixon, M.D. Small 4to. Cloth, 50 cents.
+
+Dr. Dixon has produced a work that will be gladly welcomed by parents. His
+"remedies" are indorsed by many prominent medical men.
+
+Sold by all booksellers, or sent by mail, postpaid, on receipt of price.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Eric, by Mrs. S. B. C. Samuels
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ERIC ***
+
+***** This file should be named 26952-8.txt or 26952-8.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/9/5/26952/
+
+Produced by Roger Frank, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/26952-8.zip b/26952-8.zip
new file mode 100644
index 0000000..31e3b15
--- /dev/null
+++ b/26952-8.zip
Binary files differ
diff --git a/26952-h.zip b/26952-h.zip
new file mode 100644
index 0000000..1548719
--- /dev/null
+++ b/26952-h.zip
Binary files differ
diff --git a/26952-h/26952-h.htm b/26952-h/26952-h.htm
new file mode 100644
index 0000000..206468b
--- /dev/null
+++ b/26952-h/26952-h.htm
@@ -0,0 +1,4770 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<html xmlns="http://www.w3.org/1999/xhtml">
+<head>
+<meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+<title>
+The Project Gutenberg eBook of Eric, by S. B. C. Samuels.
+</title>
+
+<style type="text/css">
+/*<![CDATA[ XML blockout */
+<!--
+ p {margin-top: 0.5em; text-align: justify; margin-bottom: 0.5em;}
+ body {margin-left: 11%; margin-right: 10%;}
+ a {text-decoration: none;}
+ h3 {text-align:center; font-weight:normal; font-size: 1.2em;}
+ .pncolor {color: silver;}
+ .footnote .label {position: absolute; right: 84%; text-align: right;}
+ .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
+ .fnanchor {vertical-align: super; font-size: .8em; text-decoration: none;}
+ div.ce p {text-align: center; margin: auto 0;}
+ .figcenter {margin: 2em auto 2em auto; text-align: center;}
+ hr.mini {width: 2em; margin-top: 0.5em; margin-bottom: 0.5em; border:none; border-bottom:1px solid black; clear:both;}
+ div.la p {text-align: left; margin: auto 0;}
+ .caption {font-size:.8em;}
+ table {margin-left: auto; margin-right: auto; clear: both;}
+ .blockquot {margin-left:5%; margin-right:5%;}
+ .pagenum {display: inline; font-size: x-small; text-align: right; position: absolute; right: 2%; padding: 1px 3px; font-style: normal; font-variant:normal; font-weight:normal; text-decoration: none; background-color: inherit; border:1px solid #eee;}
+ div.ra p {text-align: right; margin: auto 0;}
+ hr.major {width: 65%; margin-top: 2em; margin-bottom: 2em; border:none; border-bottom:1px solid black; clear:both;}
+ hr.minor {width: 35%; margin-top: 1em; margin-bottom: 1em; border:none; border-bottom:1px solid black; clear:both;}
+ hr.silver {width: 100%; margin-top: 2em; margin-bottom: 2em; border:none; border-bottom:1px solid silver;}
+ h2 {text-align:center; font-weight:normal; font-size: 1.4em;}
+// -->
+/* XML end ]]>*/
+</style>
+
+</head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Eric, by Mrs. S. B. C. Samuels
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Eric
+ or, Under the Sea
+
+Author: Mrs. S. B. C. Samuels
+
+Release Date: October 18, 2008 [EBook #26952]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ERIC ***
+
+
+
+
+Produced by Roger Frank, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class='figcenter'>
+<img src='images/cover.jpg' alt='' title='' style='width: 414px; height: 475px;' /><br />
+</div>
+
+<hr class='silver' />
+
+<div class='figcenter'>
+<img src='images/illus1.jpg' alt='' title='' style='width: 343px; height: 487px;' /><br />
+<p class='caption' style='margin: 0 auto; text-align:center;width: 343px;'>
+<span style='font-variant: small-caps'>Froll&#8217;s Antics</span>.&mdash;Page 54.<br />
+</p>
+</div>
+
+<hr class='silver' />
+
+<div class='figcenter'>
+<img src='images/title.jpg' alt='' title='' style='width: 340px; height: 525px;' /><br />
+</div>
+
+<hr class='silver' />
+
+<div class='ce'>
+<p style=' font-style:italic;'>THE SPRINGDALE STORIES.</p>
+</div>
+
+<hr class='minor' />
+
+<div class='ce'>
+<p style=' font-size:2.2em; margin-top:.8em; margin-bottom:1.0em;'>ERIC;</p>
+<p style=' margin-bottom:2em;'>OR,</p>
+<p style=' font-size:1.8em; margin-bottom:1.2em;'>UNDER THE SEA.</p>
+<p>BY</p>
+<p style=' font-size:1.2em; margin-bottom:1em;'>MRS. S. B. C. SAMUELS,</p>
+<p style=' font-size:0.8em;'>AUTHOR OF &#8220;ADELE,&#8221; &#8220;HERBERT,&#8221; &#8220;NETTIE&#8217;S TRIAL,&#8221;</p>
+<p style=' font-size:0.8em; margin-bottom:3em;'>&#8220;JOHNSTONE&#8217;S FARM,&#8221; &#8220;ENNISFELLEN.&#8221;</p>
+</div>
+
+<hr class='mini' />
+
+<div class='ce'>
+<p style=' margin-top:2.4em;'>BOSTON</p>
+<p>LEE AND SHEPARD PUBLISHERS</p>
+<p style=' font-size:0.8em;'>CHARLES T. DILLINGHAM NEW YORK</p>
+</div>
+
+<hr class='silver' />
+
+<div class='ce' style=' font-size:0.8em;'>
+<p>Entered according to Act of Congress, in the year 1870,</p>
+<p>BY LEE AND SHEPARD,</p>
+<p style=' margin-bottom:2em;'>In the Office of the Librarian of Congress, at Washington.</p>
+<p>Electrotyped at the</p>
+<p>Boston Stereotype Foundry.</p>
+</div>
+
+<hr class='silver' />
+
+<div class='ce'>
+<p style=' margin-top:2em;'>AFFECTIONATELY DEDICATED</p>
+<p style=' font-size:0.8em;'>TO</p>
+<p style=' margin-bottom:2em; font-style:italic;'><i>FRANK EDWARD SAMUELS</i>.</p>
+</div>
+
+<hr class='silver' />
+
+<div class='ce'>
+<p style=' font-size:1.4em;'>THE SPRINGDALE STORIES.</p>
+</div>
+
+<div class='ce'>
+<p>COMPLETE IN SIX VOLUMES,</p>
+<div style='margin-top:1em'></div>
+</div>
+
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'>1. ADELE.</p>
+<p style='margin: 0 0 0 0.0em;'>2. ERIC.</p>
+<p style='margin: 0 0 0 0.0em;'>3. HERBERT.</p>
+<p style='margin: 0 0 0 0.0em;'>4. NETTIE&#8217;S TRIAL.</p>
+<p style='margin: 0 0 0 0.0em;'>5. JOHNSTONE&#8217;S FARM.</p>
+<p style='margin: 0 0 0 0.0em;'>6. ENNISFELLEN.</p>
+</td></tr></table>
+
+<hr class='silver' />
+
+<div class='ce'>
+<p style=' font-size:1.2em;'>PREFACE.</p>
+</div>
+
+<p>The story of the travels of Eric and his
+friends on the continent of Europe will, I
+trust, be interesting to my young readers.
+Many of the incidents described are actual
+facts, and the descent of Eric, in diving armor,
+to the bottom of the sea, will be found to possess
+some items which will be worth remembering.</p>
+<p>The sights, sounds, and sensations which I
+have described, are such as any submarine diver
+of experience has seen, heard, and felt, and
+therefore will be instructive in a certain way.</p>
+<p>The finding a box of gold by the divers is
+not of often occurrence, although valuables are
+reclaimed from the ocean in this manner occasionally.</p>
+<p>The lesson taught by Eric&#8217;s honesty in trying
+to find the owner of the money, and its
+influence on his accusers, when he is unjustly
+accused of theft, will be worthy of attention to
+all my young friends who have a name to
+make.</p>
+<hr class='silver' />
+
+<div class='ce'>
+<p style=' font-size:1.4em; margin-bottom:1em;'>Contents</p>
+</div>
+
+<table border='0' width='500' cellpadding='2' cellspacing='0' summary='Contents' style='margin:1em auto;'>
+<tr>
+ <td align='right' style='padding-right:1em;'><span style='font-size:small;'>CHAPTER</span></td>
+ <td></td>
+ <td align='right'><span style='font-size:small;'>PAGE</span></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>I.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>Leaving the Castle.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#I_LEAVING_THE_CASTLE'>9</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>II.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>&#8220;The Hague.&#8221;</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#II__THE_HAGUE'>23</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>III.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>The City.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#III_THE_CITY'>30</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>IV.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>Allan&#8217;s Story.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#IV_ALLAN_S_STORY'>39</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>V.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>&#8220;Seeing the Elephant.&#8221;</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#V__SEEING_THE_ELEPHANT'>50</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>VI.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>A Dutch City.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#VI_A_DUTCH_CITY'>62</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>VII.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>Under the Sea.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#VII_UNDER_THE_SEA'>70</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>VIII.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>Thrilling Experience.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#VIII_THRILLING_EXPERIENCE'>92</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>IX.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>Uncle John.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#IX_UNCLE_JOHN'>106</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>X.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>Strasbourg.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#X_STRASBOURG'>120</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>XI.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>Eric in Trouble.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#XI_ERIC_IN_TROUBLE'>135</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>XII.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>&#8220;A Friend in Need is a Friend Indeed.&#8221;</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#XII__A_FRIEND_IN_NEED_IS_A_FRIEND_INDEED'>145</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>XIII.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>The Real Thief.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#XIII_THE_REAL_THIEF'>153</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>XIV.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>Percy, Beauty, and Jack.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#XIV_PERCY_BEAUTY_AND_JACK'>159</a></td>
+</tr>
+<tr>
+ <td valign='top' align='right' style='padding-right:1em;'>XV.</td>
+ <td valign='top' align='left'><span style='font-variant: small-caps'>The Last.</span>&nbsp;&nbsp;</td>
+ <td valign='bottom' align='right'><a href='#XV_THE_LAST'>167</a></td>
+</tr>
+</table>
+<hr class='silver' />
+
+<div class='ce'>
+<p style=' font-size:1.6em;'>ERIC.</p>
+</div>
+
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='I_LEAVING_THE_CASTLE' id='I_LEAVING_THE_CASTLE'></a>
+<span class='pagenum pncolor'><a id='page_9' name='page_9'></a>9</span>
+<h2>CHAPTER I.</h2>
+<h3>LEAVING THE CASTLE.</h3>
+</div>
+
+<p>Olendorf is not far from Hamburg.
+The broad and sparkling Elbe washes
+it on the western side, and with the rugged
+mountains and the weird grand, old forests
+upon the north and east, seem to shut the
+little town quite in from the outer world;
+yet Olendorf had been an important place
+and on account of its grand old fortress,
+Castle Wernier, was a bone of contention
+throughout the French and German wars;
+and between the French, who were resolute
+to hold the fortress, and the barons of
+Wernier, who were equally resolute to
+<span class='pagenum pncolor'><a id='page_10' name='page_10'></a>10</span>
+regain it, the castle suffered severely; and
+when, long years after, peace was declared,
+the last baron of Wernier died, and the castle
+came into the possession of Adele Stanley,
+his great granddaughter, it was merely a
+grand old ruin.</p>
+<p>Adele&#8217;s father rebuilt the tower and a
+couple of wings, and furnished all the habitable
+rooms, intending to have his little Adele
+and Herbert spend their childhood there.
+But while Adele was yet almost a baby, her
+kind father died. Then she lost her mother,
+and was for a long time a wanderer among
+strangers in a foreign land; and the old castle
+had been uninhabited, except by Gretchen,
+the gardener&#8217;s wife, and the owls in its dark
+turrets. Now, however, the long windows
+were thrown open to the fresh breezes and
+sunshine; merry laughter rang up from the
+garden; children&#8217;s voices echoed among the
+ruins, and children&#8217;s feet danced through the
+long corridors, keeping time to the music of
+the happy voices.
+<span class='pagenum pncolor'><a id='page_11' name='page_11'></a>11</span></p>
+<p>Adele and Herbert Stanley were at the
+castle with their young guests from New
+York&mdash;Eric and Nettie Hyde. They had
+spent the summer months there; &#8220;the happiest
+months in their lives,&#8221; they all declared.
+Now, alas! the merry season was
+drawing to a close. Adele was to go to her
+grandfather&#8217;s home in England, Herbert to
+school at Eton, Nettie with her mother to
+New York, and Eric was to travel in Holland
+and the German states with his uncle,
+Dr. Ward, and his cousin, Johnny Van
+Rasseulger.</p>
+<p>Such a busy day as it was to be! But
+just now all care was forgotten, even to the
+regret at parting, in watching the absurd
+freaks of little Froll, the monkey. Her real
+name was Frolic; but who ever heard children
+call a pet by its real name?</p>
+<p>Mrs. Hyde called to Nettie, requesting her
+to do an errand. At the sound of her voice
+Nettie ran towards her, exclaiming,&mdash;
+<span class='pagenum pncolor'><a id='page_12' name='page_12'></a>12</span></p>
+<p>&#8220;O, mamma! Adele has given us such a
+splendid present, to take home with us!&#8221;</p>
+<p>&#8220;What is it, my dear?&#8221;</p>
+<p>&#8220;I love it so dearly! It&#8217;s&mdash;it&#8217;s&mdash;&#8221;&mdash;here
+Nettie&#8217;s voice trembled a little, and her heart
+knew its own misgivings&mdash;&#8220;it&#8217;s&mdash;Froll,
+mamma, the little darling!&#8221;</p>
+<p>&#8220;And who <i>is</i> Froll, the little darling!&#8221;</p>
+<p>&#8220;That dear little monkey,&#8221; answered
+Nettie, pointing to Froll, now close at
+hand.</p>
+<p>&#8220;O,&#8221; exclaimed Mrs. Hyde, retreating
+hastily, &#8220;I dislike monkeys, and I cannot
+have one travelling with me.&#8221;</p>
+<p>&#8220;But, mamma&mdash;&#8221; said Nettie, piteously.</p>
+<p>&#8220;You need not think of it, my dear; it is
+quite impossible,&#8221; was the decided reply, to
+Nettie&#8217;s disappointment.</p>
+<p>&#8220;But may not Eric take her?&#8221;</p>
+<p>&#8220;Uncle Charlie must decide that question:
+if he has no objections to travelling with an
+animal that is never out of mischief, I suppose
+Eric may take charge of her.&#8221;
+<span class='pagenum pncolor'><a id='page_13' name='page_13'></a>13</span></p>
+<p>&#8220;But then, mamma, Eric will be gone a
+whole long year&mdash;&#8221;</p>
+<p>&#8220;And as you have lived nine whole long
+years,&#8221; interrupted her mother, smiling,
+&#8220;without a monkey, or a desire for one,
+don&#8217;t you think you could survive the separation?&#8221;</p>
+<p>Nettie didn&#8217;t then think she could; but
+a while after, when Froll chased her with
+a paint-brush dripping wet with red paint,
+and then completely spoiled a pretty landscape
+view that Herbert was painting for
+her, she changed her mind, and decided
+that a voyage from Hamburg to New York
+with such an uncontrollable creature would
+be, to say the least, inconvenient.</p>
+<p>To be sure, papa was to meet them at the
+Hague, and he might be willing to look to
+her safe transportation across the Atlantic;
+but she had not much faith in this argument,
+and, making a virtue of necessity, resigned
+herself with becoming grace to her mother&#8217;s
+wishes.
+<span class='pagenum pncolor'><a id='page_14' name='page_14'></a>14</span></p>
+<p>Looking back upon the pleasant summer
+months at Castle Wernier, the children
+thought time had never gone so quickly.
+They were soon to be parted from each
+other, and their pleasant German home and
+every object took a new interest to them.</p>
+<p>&#8220;The value of a thing is never known till
+we have lost it,&#8221; Herbert said, sorrowfully,
+thinking how lonely Adele and he would become
+when parted from their companions.</p>
+<p>&#8220;Nor how dear a place an old castle is,
+until we are forced to leave it,&#8221; said Eric.</p>
+<p>&#8220;I remember thinking once,&#8221; said Nettie,
+&#8220;that this place was horrible. It was when
+we were all so frightened about the ghost.&#8221;</p>
+<p>&#8220;And all the time I was the ghost,&#8221;
+Adele added; &#8220;and I used to think it very
+hard that I couldn&#8217;t speak to you, not knowing
+that I was frightening you all out of
+your wits.&#8221;</p>
+<p>&#8220;I suppose more than half the ghosts we
+read about are only people walking in their
+sleep, as Adele did,&#8221; said Herbert.
+<span class='pagenum pncolor'><a id='page_15' name='page_15'></a>15</span></p>
+<p>&#8220;Of course,&#8221; said Nettie; &#8220;but if we stay
+here all day, talking about ghosts, what will
+become of our pets and toys?&#8221;</p>
+<p>As Herbert and Adele were to start for
+their home in England when Mrs. Hyde
+and her children left the castle, all their pets
+were to be disposed of among the gardener&#8217;s
+children, that is, all but Froll, for Eric
+was sure that uncle Charlie would not object
+to having the little creature for a travelling
+companion; and as Mrs. Hyde would not
+allow Nettie to take her with her, Froll was
+to make the tour of Germany with Dr.
+Ward and the boys.</p>
+<p>There were the pony, and the rabbits, and
+the canary bird, of all which Gretchen&#8217;s
+children were to take the utmost care, until
+the dear <i>Fraulien</i> and the young <i>Herr</i>
+should come again. And many and loud
+were the expressions of affectionate regret at
+the children&#8217;s departure, oddly intermingled
+with exclamations of delight at the appearance
+of numerous toys, which Mrs. Nichols
+<span class='pagenum pncolor'><a id='page_16' name='page_16'></a>16</span>
+and Mrs. Hyde had decided must be left
+over from the packing.</p>
+<p>Then the garden must be visited in every
+nook and corner. Particular directions must
+be left with Hans concerning their choice
+flowers and favorite plants.</p>
+<p>And then there was the grand event of
+the day&mdash;the packing up of their own individual
+treasures, in the shape of books and
+toys. They worked hard all day, and were
+very proud of their work when all was accomplished;
+but, in the dead of night, when
+they were fast in the &#8220;Land o&#8217; Nod,&#8221; old
+mauma, who was prowling around the trunks
+and hampers to see if all were secure,
+seemed rather suspicious of one, and knelt
+down on the floor to examine it, giving it a
+little shake, by way of test.</p>
+<p>&#8220;Dear heart alive!&#8221; she exclaimed; &#8220;just
+you look here, missis, please. All those
+little flimpsy toys and things to bottom, an&#8217;
+the heavy book stuck in any ways to top, an&#8217;
+all of &#8217;em jolting roun&#8217; like anything!&#8221;
+<span class='pagenum pncolor'><a id='page_17' name='page_17'></a>17</span></p>
+<p>Poor tired Mrs. Hyde could not help
+smiling, as she leaned wearily over the two
+hampers the children had filled, and gave
+directions to mauma and Gretchen about repacking
+them.</p>
+<p>The two women soon accomplished what
+it had taken the children all day to perform;
+and to their faithful exertions was owing the
+safe arrival at Fifth Avenue and Ennisfellen
+of the toys.</p>
+<p>Early in the morning the children were
+aroused to prepare for their journey. They
+were all in high spirits, and thought dressing
+and breakfasting by candle-light the &#8220;greatest
+fun in the world;&#8221; though it is doubtful
+if they would have held to their opinion had
+the practice been continued permanently.</p>
+<p>&#8220;Nobody wants breakfast so early,&#8221; Nettie
+said, as she laughed and talked in excitement.</p>
+<p>&#8220;I&#8217;m sure nobody wants to lunch on the
+train,&#8221; shouted Eric, across the hall.</p>
+<p>&#8220;The train, indeed! Why, we shall be
+<span class='pagenum pncolor'><a id='page_18' name='page_18'></a>18</span>
+aboard the steamer at noon. I like to travel
+on these European steamers,&#8221; Nettie called
+back.</p>
+<p>&#8220;I am so glad we are all to travel together
+to the Hague,&#8221; said Adele&#8217;s sweet
+voice. &#8220;How quickly you dress, Nettie!
+But where <i>can</i> my other boot be?&#8221;</p>
+<p>&#8220;I&#8217;m sure I don&#8217;t know; let&#8217;s look for it.
+Here &#8217;tis.&#8221;</p>
+<p>&#8220;No; that&#8217;s your own.&#8221;</p>
+<p>&#8220;Sure enough; and I&#8217;ve been all this time
+doing up yours. Shouldn&#8217;t wonder if we did
+miss the train. And it&#8217;s in a knot, and I can&#8217;t
+untie it. Mauma, mauma, bring another
+light here, quick! and you&#8217;d better hurry,
+Adele.&#8221;</p>
+<p>&#8220;Nettie, did you mean the train was in a
+knot?&#8221; called Herbert.</p>
+<p>&#8220;No, it&#8217;s <i>not</i>,&#8221; said Nettie, quickly; and
+then they all laughed merrily. For, though
+Nettie&#8217;s remark was not particularly brilliant,
+there was enough in it to amuse the happy,
+excited hearts around her.
+<span class='pagenum pncolor'><a id='page_19' name='page_19'></a>19</span></p>
+<p>The breakfast received a very slight share
+of attention. The boys were constantly running
+below to &#8220;see after the horses,&#8221; and
+Nettie was dancing about, in everybody&#8217;s
+way, assuring them all that they would certainly
+lose the train, and begging Adele, for
+her own safety, to keep close to her, and not
+to be nervous on any account.</p>
+<p>&#8220;I know somebody will forget something!&#8221;
+she exclaimed for the fiftieth time.
+&#8220;Be sure, all of you, to remember.&#8221;</p>
+<p>&#8220;Not to forget,&#8221; interrupted Eric, mischievously.</p>
+<p>&#8220;The carriage has come to the door, Herr
+Von Nichols!&#8221; Gretchen announced, through
+her tears.</p>
+<p>All the Werniers, the ancient holders of
+the castle, had been Herr Vons; and as Mrs.
+Nichols was a Wernier, Gretchen had adopted
+the villagers&#8217; fashion of bestowing the title
+upon the husband.</p>
+<p>The servants were in the hall, sorrowfully
+<span class='pagenum pncolor'><a id='page_20' name='page_20'></a>20</span>
+awaiting the departure of their kind
+patrons.</p>
+<p>&#8220;Good by! Good by!&#8221; the children
+shouted; while the mournful group bade
+them &#8220;God speed.&#8221;</p>
+<p>&#8220;Who&#8217;s forgotten anything?&#8221; said Nettie,
+crowding into a corner of the carriage.</p>
+<p>&#8220;I think you have, my dear,&#8221; answered
+her mother. &#8220;Where is your sacque?&#8221;</p>
+<p>Nettie looked quite dismayed.</p>
+<p>&#8220;O, I packed it, mamma. I forgot I was
+to wear this dress.&#8221;</p>
+<p>There was a general consternation at this
+confession, until mauma drew the missing
+article from under her shawl.</p>
+<p>&#8220;Here &#8217;tis, Miss Nettie. I &#8217;spects you&#8217;d
+want it.&#8221;</p>
+<p>&#8220;I&#8217;m ever so much obliged to you, mauma,&#8221;
+said Nettie, eagerly seizing the sacque,
+and putting herself into it, while Mrs. Hyde
+rewarded the faithful old colored woman
+with a grateful smile.
+<span class='pagenum pncolor'><a id='page_21' name='page_21'></a>21</span></p>
+<p>&#8220;I was so busy remembering for the
+others, mamma,&#8221; Nettie said, apologetically.</p>
+<p>&#8220;Perhaps it would be as well for you to
+attend more particularly to yourself, my
+dear,&#8221; was her mother&#8217;s mild rebuke.</p>
+<p>Mr. Nichols and the boys were busy
+stowing boxes and parcels in various hidden
+compartments of the carriage. Just as Mr.
+Nichols announced that they were ready to
+start, Eric thrust his head in at the door,
+exclaiming, funnily,&mdash;</p>
+<p>&#8220;Mamma, Nettie is so anxious, suppose
+you all just feel inside your bonnets, to make
+sure that your heads are here?&#8221;</p>
+<p>&#8220;Don&#8217;t detain us, Eric,&#8221; his mother said,
+smiling at the frank, joyous face.</p>
+<p>&#8220;All right, mamma. This is my load:
+let me see,&mdash;Mrs. Hyde, Adele, Nettie,
+and mauma. Go ahead, Carl.&#8221;</p>
+<p>The coachman drew up his reins, and the
+spirited horses, after curvetting and prancing
+for an instant, dashed down the avenue,
+Adele&#8217;s and Nettie&#8217;s white handkerchiefs
+<span class='pagenum pncolor'><a id='page_22' name='page_22'></a>22</span>
+floating on the breeze, in a last adieu to
+Wernier.</p>
+<p>They were followed immediately by another
+carriage, containing Mr. and Mrs.
+Nichols and the boys; and, except for the
+group of sorrowing servants, watching the
+fast-disappearing carriages, Castle Wernier
+was left alone.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='II__THE_HAGUE' id='II__THE_HAGUE'></a>
+<span class='pagenum pncolor'><a id='page_23' name='page_23'></a>23</span>
+<h2>CHAPTER II.</h2>
+<h3>&#8220;THE HAGUE.&#8221;</h3>
+</div>
+
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'>&#8220;The sun rode high, the breeze was free,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>High dashed the diamond spray,</p>
+<p style='margin: 0 0 0 0.0em;'>And proudly o&#8217;er the dark blue sea</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>The steamer ploughed her way.&#8221;</p>
+</td></tr></table>
+
+<p>Aboard of the Hague, the children,
+watching the distant spires and domes
+of Hamburg &#8220;melt into air&#8221; as the vessel bore,
+with almost imperceptible motion rapidly towards
+the North Sea, began to realize that
+they would see no more of Wernier. And
+though their sorrow but faintly came home
+to them, they were sad and thoughtful.</p>
+<p>Adele whispered mournfully to Herbert,
+&#8220;O, let us go below! It is so like going
+out in the Europa, with dear mamma, before
+<span class='pagenum pncolor'><a id='page_24' name='page_24'></a>24</span>
+she died in the wreck. O, Herbie, I cannot
+bear the cruel, cruel sea. Take me
+below.&#8221;</p>
+<p>So Herbert and Adele went to the cabin,
+and Eric suggested to Nettie that they should
+follow.</p>
+<p>&#8220;No,&#8221; said Nettie, &#8220;I like to stay here.
+Eric, see that boy look at you; I think he
+wants to speak.&#8221;</p>
+<p>Eric looked around, and saw a boy of his
+own age steadfastly regarding him. When
+he caught Eric&#8217;s eye, he bowed and hastened
+forward, holding out his hand.</p>
+<p>&#8220;Eric Hyde?&#8221; he said.</p>
+<p>&#8220;Yes,&#8221; said Eric. &#8220;Do you know me?&#8221;</p>
+<p>&#8220;I never <i>saw</i> you before; but I know
+you, for all that,&#8221; said the boy.</p>
+<p>&#8220;How?&#8221; said Eric, astonished, and interested,
+too.</p>
+<p>&#8220;I knew you by your voice. I used to
+live next door to you in New York. I was
+blind then, and auntie sent me out to Hamburg,
+to the famous oculist Dr. Francis. He
+<span class='pagenum pncolor'><a id='page_25' name='page_25'></a>25</span>
+has given me my sight, and I am going
+home alone. Auntie doesn&#8217;t know about it
+yet; she only knows that the operation
+was performed two months ago, and that
+Dr. Francis had no doubt of its success.
+Won&#8217;t she be surprised to see me walk into
+the parlor, and to hear the whole story from
+me?&#8221;</p>
+<p>&#8220;Hurrah!&#8221; cried Eric, excitedly, tossing
+his cap high in the air.</p>
+<p>&#8220;I remember you well,&#8221; said Nettie; &#8220;I
+am Nettie Hyde. Don&#8217;t you, Eric?&#8221;</p>
+<p>&#8220;Yes,&#8221; said Eric. &#8220;I used to pity you
+so! Isn&#8217;t it just jolly!&#8221;</p>
+<p>&#8220;Do you know,&#8221; said the boy, whose name
+was Allan Ramsdell, &#8220;I never saw a steamer
+before to-day! I have been blind so long,
+ever since I was four years old. I&#8217;ve got
+the key of my state-room here, but I don&#8217;t
+know where to go to look for the room.&#8221;</p>
+<p>&#8220;I&#8217;ll show you,&#8221; volunteered Eric. &#8220;And,
+Nettie, if you will go down for Adele and
+Herbie, we&#8217;ll go all over the steamer.&#8221;
+<span class='pagenum pncolor'><a id='page_26' name='page_26'></a>26</span></p>
+<p>Nettie ran quickly into the cabin, eager to
+impart the news of their new acquaintance.
+Mrs. Hyde was glad of anything that would
+interest Adele, and urged her to go upon
+deck with Herbert. Mr. Nichols was resting
+from the fatigue of the ride. Mrs.
+Nichols, always feeble, did not feel equal to
+the exertion of climbing the companion way,
+the stairs from the upper deck to the cabin,
+and Mrs. Hyde wished to remain with her;
+so the children began their exploring expedition
+alone.</p>
+<p>The great steamship was now out in the
+blue sea. The wide decks were gradually
+being cleared of passengers as they sought
+their narrow state-rooms, and as the children
+were quiet and orderly, no one interfered
+with them.</p>
+<p>&#8220;This is the dining-hall,&#8221; announced Eric,
+as the five heads peered in at the door of a
+long saloon, where tables were ranged for
+the accommodation of the passengers.</p>
+<p>Behind this saloon was the kitchen, a hot,
+<span class='pagenum pncolor'><a id='page_27' name='page_27'></a>27</span>
+steaming place, where men, mostly cooks,
+in dirty white jackets, rushed helter-skelter
+into each other and around the room.</p>
+<p>&#8220;Too many cooks spoil the broth,&#8221; said
+Herbert, in an undertone, which remark so
+tickled the others that they all ran off laughing,
+till they met a stout, dignified &#8220;yellow
+man,&#8221; holding the store-room keys, and wearing
+a cleaner jacket than the others. He was
+the steward, and, being cross, scolded the
+children roundly for getting in his way. In
+the lower cabin were the steerage passengers.
+These had no saloon with tables arranged
+for their accommodation. They ate plain
+bean soup from tin mugs, and hard ship
+biscuit from their hands, and their table was
+a long board, let down from above by ropes.
+They stood around the board while eating,
+and when the meal was finished, the temporary
+table was drawn up out of the way.</p>
+<p>By the time these observations had been
+made Mrs. Hyde joined them; and after
+speaking kind congratulations to Allan, and
+<span class='pagenum pncolor'><a id='page_28' name='page_28'></a>28</span>
+inviting him to attach himself to their party,
+she warned the children of the approach
+of dinner, and requested them to prepare
+for it.</p>
+<p>Allan was very grateful to Mrs. Hyde for
+her kindness, and thanked her politely. He
+travelled with her to his aunt&#8217;s door, and
+was such a gentlemanly, companionable boy
+that they all became very much attached to
+him. It would be pleasant to take the
+trip from Hamburg to the western coast with
+our party; but that is impossible, as Eric
+has considerable journeying to do in another
+direction, and we are to accompany him.
+But the voyage was a pleasant one, and the
+children saw and learned many new and
+wonderful things before they reached their
+destination. We must not forget that little
+Froll left Hamburg snugly packed in a
+cage, and intrusted to mauma&#8217;s care for the
+voyage. She was quite a favorite aboard
+the vessel, and made much merriment by her
+<span class='pagenum pncolor'><a id='page_29' name='page_29'></a>29</span>
+absurd pranks, and at Hague was safely
+landed, and transported to the hotel.</p>
+<p>At Hague, too, the Hydes and Allan
+Ramsdell left the vessel, after a sorrowful
+parting with Mr. and Mrs. Nichols and
+Herbert and Adele.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='III_THE_CITY' id='III_THE_CITY'></a>
+<span class='pagenum pncolor'><a id='page_30' name='page_30'></a>30</span>
+<h2>CHAPTER III.</h2>
+<h3>THE CITY.</h3>
+</div>
+
+<p>It would seem strange to us to hear our
+native city called &#8220;the Boston,&#8221; and
+stranger still to hear the staid old capital
+called by more names than one.</p>
+<p>Eric, and Allan, and Nettie were quite
+confused in the capital of Holland by the
+variety of names given it.</p>
+<p>&#8220;Hague,&#8221; &#8220;The Hague,&#8221; and &#8220;La Haye&#8221;
+they had heard, but upon their arrival they
+found its inhabitants calling it &#8220;<i>Gravenhaag</i>,&#8221;
+which, Mrs. Hyde explained, meant
+&#8220;The Count&#8217;s Meadow.&#8221;</p>
+<p>&#8220;What a comical place!&#8221; Nettie exclaimed,
+as they glided along through &#8220;canal streets&#8221;
+to the hotel. &#8220;Mamma, if our streets were
+<span class='pagenum pncolor'><a id='page_31' name='page_31'></a>31</span>
+like these, wouldn&#8217;t you fret for our precious
+necks every time we looked out of a window?
+And I don&#8217;t suppose you would ever let us
+go out to play, for fear we&#8217;d drown.&#8221;</p>
+<p>&#8220;Still, it is very pleasant gliding under
+these shady trees; and if you look about,
+my dear, you will see there are also carriage
+roads, with sidewalks.&#8221;</p>
+<p>&#8220;Yes,&#8221; said Eric; &#8220;we&#8217;ve passed several.&#8221;</p>
+<p>&#8220;I like these boat roads best,&#8221; said Allan,
+&#8220;they are so novel.&#8221;</p>
+<p>&#8220;Where are we going, mamma?&#8221; asked
+Nettie, &#8220;and how far?&#8221;</p>
+<p>&#8220;To the <i>Vyverberg House</i>, my dear. I
+do not know the distance.&#8221;</p>
+<p>&#8220;Is it a mile?&#8221; asked Eric, of the boatman.</p>
+<p>He shook his head, saying, &#8220;<i>Nein</i>.&#8221;</p>
+<p>But you are not to think that he meant
+nine miles, for &#8220;<i>nein</i>&#8221; is German for &#8220;no.&#8221;</p>
+<p>The Vyverberg House was at the north
+end of Gravenhaag; so our friends had a
+fine view of the town, and learned much of
+<span class='pagenum pncolor'><a id='page_32' name='page_32'></a>32</span>
+its history from the sober old boatman, who,
+very fortunately for them, spoke English
+well.</p>
+<p>He pointed out the moat, which surrounded
+the city and formed its principal
+defense, and the drawbridges which crossed
+the moat.</p>
+<p>&#8220;How different from Hamburg!&#8221; said
+Eric. &#8220;There, a strong wall fortified the
+town, and most of its streets are now built
+upon its old walls of fortification.&#8221;</p>
+<p>&#8220;The canals were similar to these,&#8221; said
+his mother. &#8220;You did not notice those
+particularly, because you always rode in Mr.
+Nichols&#8217;s carriage.&#8221;</p>
+<p>&#8220;But this is a much better looking town
+than Hamburg, mamma.&#8221;</p>
+<p>&#8220;Yes, indeed; the buildings are much
+handsomer here,&#8221; she assented.</p>
+<p>&#8220;O, how lovely!&#8221; &#8220;How splendid!&#8221; cried
+Nettie and Allan in a breath, as they came
+upon a fine open space, ornamented with a
+lake, and wooded island in its centre.
+<span class='pagenum pncolor'><a id='page_33' name='page_33'></a>33</span></p>
+<p>&#8220;This is the Vyverberg,&#8221; the boatman
+said.</p>
+<p>&#8220;Mamma, how good of you to bring us
+here!&#8221; cried the children; &#8220;it is perfectly
+splendid!&#8221;</p>
+<p>Well might they say so. The square
+containing the lovely lake and island was
+surrounded by the handsomest and chief
+public edifices of the city, the finest one of
+them all being the former palace of Prince
+Maurice, now the National Museum, celebrated
+for its gallery of pictures.</p>
+<p>The Royal Museum and other famous
+buildings were there; but that to which our
+party&#8217;s attention was most closely drawn was
+the hotel.</p>
+<p>It stood facing the lake, a broad, comfortable-looking
+brick building, with heavy balconies,
+and frowning eaves and ornamental
+stucco work surrounded its doorways and
+windows. Between it and the avenue lay a
+beautiful garden, and just beyond the building
+was a small shady grove.
+<span class='pagenum pncolor'><a id='page_34' name='page_34'></a>34</span></p>
+<p>&#8220;Mamma,&#8221; exclaimed Nettie, &#8220;I <i>do</i> think
+the Germans and Dutch have the most exquisite
+gardens in the world.&#8221;</p>
+<p>&#8220;They are certainly very beautiful,&#8221; said
+Mrs. Hyde. &#8220;Here in Holland great attention
+is paid to the culture of flowers. Indeed,
+some of the finest varieties are raised here,
+and Holland bulbs are among our choicest
+varieties.&#8221;</p>
+<p>&#8220;Mrs. Hyde, I suppose I am very
+stupid,&#8221; said Allan, blushing, &#8220;but I do not
+know what &#8216;bulbs&#8217; are.&#8221;</p>
+<p>&#8220;No, indeed, Allan; you show great good
+sense in asking about whatever you do not
+understand. That is the way to learn.
+Bulbous plants are those which have a round
+root, and produce very few leaves; they are
+such as the tulip, hyacinth, crocus, and
+others. They are nearly all ornamental and
+beautiful from the very large size and brilliant
+color of their flowers. Holland tulips
+were once so much in demand as to bring
+almost fabulous prices. A gentleman in
+<span class='pagenum pncolor'><a id='page_35' name='page_35'></a>35</span>
+Syracuse gave a valuable span of horses,
+and another exchanged his farm, for a bed of
+the tulip bulbs.&#8221;</p>
+<p>&#8220;Thank you, ma&#8217;am,&#8221; said Allan. &#8220;It is
+very interesting. When I am a man I
+think I will be a florist. I am very fond of
+flowers; they were a great comfort to me
+when I was blind.&#8221;</p>
+<p>As Allan ceased speaking, the boat
+stopped, and they were landed upon a
+short flight of stone steps. Eric gave
+directions for the baggage, and then all
+proceeded to the hotel.</p>
+<p>A carriage was approaching them quite
+rapidly, and Nettie suddenly, with a cry of
+joy, sprang forward, directly in the way of
+the horses. If Allan had not, at the risk
+of serious injury to himself, immediately
+sprung after her and drawn her back, she
+would have been run over.</p>
+<p>&#8220;Let go of me, Allan; O, let me go!
+It is papa!&#8221; cried Nettie.
+<span class='pagenum pncolor'><a id='page_36' name='page_36'></a>36</span></p>
+<p>A gentleman in the carriage stopped the
+horses, and leaned anxiously forward.</p>
+<p>&#8220;Is the little girl hurt?&#8221; he asked of
+Allan, in German.</p>
+<p>Poor Allan did not understand him, and
+could not answer. But there was no need,
+for in another instant, exclaiming, &#8220;Why, &#8217;tis
+my own little girl!&#8221; the gentleman leaped
+from the carriage, and Nettie was in her
+father&#8217;s arms.</p>
+<p>Meanwhile Mrs. Hyde and Eric, who
+had been separated by carriages from them,
+and had only seen Nettie spring before the
+horses, and Allan go after her, were very
+much frightened. They now appeared upon
+the scene, and finding the child sobbing in a
+gentleman&#8217;s arms, concluded, of course, that
+she was hurt.</p>
+<p>&#8220;My darling!&#8221; cried poor Mrs. Hyde, in
+agony, &#8220;O, is she hurt, sir?&#8221;</p>
+<p>&#8220;No, ma&#8217;am,&#8221; said Allan, &#8220;she is not
+hurt, at all!&#8221;</p>
+<p>&#8220;Alice!&#8221; said Mr. Hyde to his wife.
+<span class='pagenum pncolor'><a id='page_37' name='page_37'></a>37</span></p>
+<p>He had but just landed from the American
+steamer, and was on his way to the hotel,
+not knowing of the arrival of &#8220;The Hague,&#8221;
+when he first saw Nettie and Allan. He
+was overjoyed to find his family thus unexpectedly.</p>
+<p>&#8220;O, Eric, Eric! I am so glad!&#8221; she exclaimed,
+in relief; &#8220;but Nettie!&#8221;</p>
+<p>&#8220;My little rash, excitable Nettie is safe
+and sound in papa&#8217;s arms,&#8221; he said. But
+the tremor in his voice showed how nearly
+Nettie had escaped severe injury. &#8220;Eric, my
+boy,&#8221; he added, &#8220;have you no word for papa?&#8221;</p>
+<p>Eric, white and faint, could not speak a
+word, but clasped his father&#8217;s hand convulsively.</p>
+<p>&#8220;And where is my daughter&#8217;s brave protector
+and deliverer?&#8221; Mr. Hyde asked,
+looking around for Allan.</p>
+<p>The boy, who had bashfully retreated
+behind Mrs. Hyde, was brought forward and
+introduced as &#8220;our neighbor the blind boy,
+whose sight is now restored.&#8221;
+<span class='pagenum pncolor'><a id='page_38' name='page_38'></a>38</span></p>
+<p>&#8220;He is travelling home with us,&#8221; Mrs.
+Hyde added, when her husband had warmly
+thanked him.</p>
+<p>Quite a crowd had collected around our
+travellers, and so eagerly and sympathetically
+inquired what had happened, that Mr.
+Hyde was obliged to tell them, briefly, the
+incident, as he led the way to the Vyverberg
+House.</p>
+<p>It was but a few steps, and they were
+soon in the hotel, where the words of congratulation
+floated after them from the
+crowd; and presently a hearty cheer followed,
+when the good Hollanders understood
+that the little American <i>Fraulien</i> had
+found her father.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='IV_ALLAN_S_STORY' id='IV_ALLAN_S_STORY'></a>
+<span class='pagenum pncolor'><a id='page_39' name='page_39'></a>39</span>
+<h2>CHAPTER IV.</h2>
+<h3>ALLAN&#8217;S STORY.</h3>
+</div>
+
+<p>Poor Nettie was mortified enough by
+the result of her impulsive act. She
+was quite frightened by the crowd, and their
+joyous cheering filled her with terror, for
+she did not understand that these honest,
+kindly people were filled with joy because a
+little girl&#8217;s heart was made happy.</p>
+<p>Her parents talked to her kindly and
+seriously of the necessity of learning to
+govern her impulsiveness, and Nettie promised;
+but, alas! the promise was broken
+again and again, until she learned by hard
+and terrible experience to be a careful,
+thoughtful child. She now found that she
+<span class='pagenum pncolor'><a id='page_40' name='page_40'></a>40</span>
+had spoiled every one&#8217;s pleasure for the
+day.</p>
+<p>Her mother suffered from a nervous headache,
+brought on by the fright and excitement.
+Her father was obliged to leave,
+when they were comfortably established in
+the hotel, in order to transact some important
+business, and had taken Eric with him,
+starting immediately after their dinner.</p>
+<p>When he went off with Eric, Mrs. Hyde
+went to her room to lie down, forbidding
+Nettie to leave the parlor, that she might
+feel assured of the child&#8217;s safety.</p>
+<p>Allan had a letter to write to Dr. Francis
+and his friends in Hamburg; so Nettie
+was obliged to amuse herself.</p>
+<p>She obtained permission from her mamma
+to take Froll out upon the balcony, and
+played with her for a little while quite
+happily. But by and by Froll spoiled all
+the fun; for she <i>would</i> climb up the blinds
+and mouldings to the utmost limit of her
+chain, which was just long enough to admit
+<span class='pagenum pncolor'><a id='page_41' name='page_41'></a>41</span>
+of her reaching the window-sill and thrusting
+her head into the room where Mrs. Hyde lay.
+Now, Mrs. Hyde was really afraid of Froll,
+and these performances were not calculated
+to cure her headache. She spoke to Nettie
+once or twice from the room; but finding the
+monkey&#8217;s visits repeated, she sent Allan
+down to tell Nettie that, if Froll came up
+to her window again, she must return to her
+cage, and Nettie to the parlor.</p>
+<p>&#8220;I won&#8217;t let her go up again,&#8221; said Nettie.
+&#8220;Now, Froll, be good; <i>do</i> climb down the
+other way, after this cake. See, Frolic,
+see!&#8221; and she threw a little fruit cake over
+the railing.</p>
+<p>Quick as a flash, Froll went after it; so
+very quickly, as to pull the end of the chain
+from Nettie&#8217;s hand.</p>
+<p>Before the child had time to think, the
+mischievous monkey had seized the cake,
+and was travelling quickly up the blinds
+and moulding, over the sill, and, as Nettie
+drew a frightened breath, in at the window.
+<span class='pagenum pncolor'><a id='page_42' name='page_42'></a>42</span></p>
+<p>&#8220;O, dear!&#8221; said Nettie; &#8220;now I&#8217;ll have to
+be punished. It&#8217;s silly of mamma to be so
+easily frightened.&#8221;</p>
+<p>Her mamma, meanwhile, had just fallen
+into a doze. The rattling of the chain
+startled her; she opened her eyes, and saw
+the ugly little black monkey perched close
+beside her. She was quite startled, and
+very angry with Nettie, of course: after
+securing the monkey safely in her cage, she
+called Nettie to her, and speaking quite
+severely, told her to return to the parlor, to
+sit down on the lounge, and neither to rise
+from it, nor touch anything, until her father
+and Eric came home. Poor Nettie! It was
+very dull indeed for her, and before long she
+was sobbing quite bitterly.</p>
+<p>Meanwhile Allan finished his letter, and
+took up his cap, meaning to take a walk
+around the square. Looking into the parlor,
+and seeing Nettie&#8217;s distress, he resolved to
+give up his walk and to comfort Nettie.</p>
+<p>&#8220;I wouldn&#8217;t cry, Nettie,&#8221; he said, so softly
+<span class='pagenum pncolor'><a id='page_43' name='page_43'></a>43</span>
+and kindly that she stopped crying, and
+looked up at him. &#8220;I will stay with you
+now. I&#8217;ve written my letter.&#8221;</p>
+<p>Nettie&#8217;s face lighted up instantly, but fell
+again as she exclaimed,&mdash;</p>
+<p>&#8220;But it is not fair, Allan: you told Eric
+you should take a walk; mamma is very
+unkind and unjust, too! I could not help
+Froll&#8217;s going up that time.&#8221;</p>
+<p>&#8220;O, Nettie,&#8221; said Allan, &#8220;don&#8217;t ever speak
+so of your mother, so kind and good. My
+mamma is dead, Nettie; and if yours should
+ever be laid away in the cold, cold ground,
+you would feel so dreadfully to think you
+had wronged her!&#8221;</p>
+<p>Nettie was crying again.</p>
+<p>&#8220;I <i>do</i> love mamma, and it was very bad
+of me to speak so; but, O, dear! I never
+<i>do</i> do anything right. I don&#8217;t see why I
+can&#8217;t be good, like Adele.&#8221;</p>
+<p>&#8220;I know what makes Adele so good and
+gentle,&#8221; said Allan. &#8220;She loves the Lord,
+and tries to please him.&#8221;
+<span class='pagenum pncolor'><a id='page_44' name='page_44'></a>44</span></p>
+<p>&#8220;But <i>I can&#8217;t</i>!&#8221; said Nettie, piteously.</p>
+<p>&#8220;O, yes, you can, Nettie. Every one can.&#8221;</p>
+<p>&#8220;Grown-up people can, I know.&#8221;</p>
+<p>&#8220;And children too,&#8221; said Allan, earnestly.
+&#8220;Let me tell you a story auntie used
+to tell me, when I was blind.&#8221;</p>
+<p>Nettie assented, and Allan repeated the
+story of &#8220;Little Cristelle,&#8221; unconscious, the
+while, that he was fulfilling the teaching of
+song in ministering to Nettie.</p>
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'>&#8220;Slowly forth from the village church,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>The voice of the choristers hushed overhead,</p>
+<p style='margin: 0 0 0 0.0em;'>Came little Cristelle. She paused in the porch,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Pondering what the preacher had said.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;&#8216;<i>Even the youngest, humblest child</i></p>
+<p style='margin: 0 0 0 0.735835172921266em;'><i>Something may do to please the Lord.</i>&#8217;</p>
+<p style='margin: 0 0 0 0.0em;'>&#8216;Now what,&#8217; thought she, and half sadly smiled,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>&#8216;Can I, so little and poor, afford?&#8217;</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;&#8216;<i>Never, never a day should pass,</i></p>
+<p style='margin: 0 0 0 0.735835172921266em;'><i>Without some kindness kindly shown</i>,&#8217;</p>
+<p style='margin: 0 0 0 0.0em;'>The preacher said. Then down to the grass</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>A skylark dropped, like a brown-winged stone.</p>
+<br />
+<div><span class='pagenum pncolor'><a id='page_45' name='page_45'></a>45</span></div>
+<p style='margin: 0 0 0 0.0em;'>&#8220;&#8216;Well, a day is before me now;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Yet what,&#8217; thought she, &#8216;can I do, if I try?</p>
+<p style='margin: 0 0 0 0.0em;'>If an angel of God would show me how!</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>But silly am I, and the hours they fly.&#8217;</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Then the lark sprang, singing, up from the sod,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And the maiden thought, as he rose to the blue,</p>
+<p style='margin: 0 0 0 0.0em;'>&#8216;He says he will carry my prayer to God;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>But who would have thought the little lark knew?&#8217;</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Now she entered the village street</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>With book in hand and face demure;</p>
+<p style='margin: 0 0 0 0.0em;'>And soon she came, with sober feet,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>To a crying babe at a cottage door.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;It wept at a windmill that would not move,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>It puffed with its round red cheeks in vain;</p>
+<p style='margin: 0 0 0 0.0em;'>One sail stuck fast in a puzzling groove,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And baby&#8217;s breath could not stir it again.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;So baby beat the sail, and cried,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>While no one came from the cottage door;</p>
+<p style='margin: 0 0 0 0.0em;'>But little Cristelle knelt down by its side,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And set the windmill going once more.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Then baby was pleased, and the little girl</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Was glad, when she heard it laugh and crow,</p>
+<p style='margin: 0 0 0 0.0em;'>Thinking, &#8216;Happy windmill that has but to whirl</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>To please the pretty young creature so!&#8217;</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;No thought of herself was in her head,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>As she passed out at the end of the street,</p>
+<p style='margin: 0 0 0 0.0em;'>And came to a rose tree, tall and red,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Drooping and faint with summer heat.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;She ran to a brook that was flowing by,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>She made of her two hands a nice round cup,</p>
+<p style='margin: 0 0 0 0.0em;'>And washed the roots of the rose tree high,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Till it lifted its languid blossoms up.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;&#8216;O, happy brook!&#8217; thought little Cristelle;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>&#8216;You have done some good this summer&#8217;s day:</p>
+<p style='margin: 0 0 0 0.0em;'>You have made the flowers look fresh and well.&#8217;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Then she rose, and went on her way.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;But she saw, as she walked by the side of the brook,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Some great rough stones, that troubled its course,</p>
+<p style='margin: 0 0 0 0.0em;'>And the gurgling water seemed to say, &#8216;Look!</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>I struggle, and tumble, and murmur hoarse.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;&#8216;How these stones obstruct my road!</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>How I wish they were off and gone!</p>
+<p style='margin: 0 0 0 0.0em;'>Then I would flow, as once I flowed,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Singing in silvery undertone.&#8217;</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Then little Cristelle, as bright as a bird,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Put off the shoes from her young, white feet;</p>
+<p style='margin: 0 0 0 0.0em;'>She moves two stones, she comes to the third;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>The brook already sings, &#8216;Thanks! Sweet! Sweet!&#8217;</p>
+<br />
+<div><span class='pagenum pncolor'><a id='page_46' name='page_46'></a>46</span></div>
+<p style='margin: 0 0 0 0.0em;'>&#8220;O, then she hears the lark in the skies,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And thinks, &#8216;What is it to God he says?&#8217;</p>
+<p style='margin: 0 0 0 0.0em;'>And she tumbles and falls, and cannot rise,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>For the water stifles her downward face.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;The little brook flows on as before,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>The little lark sings with as sweet a sound,</p>
+<p style='margin: 0 0 0 0.0em;'>The little babe crows at the cottage door,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And the red rose blooms; but Cristelle lies drowned!</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Come in softly; this is the room.</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Is not that an innocent face?</p>
+<p style='margin: 0 0 0 0.0em;'>Yes, those flowers give a faint perfume:</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Think, child, of heaven, and our Lord his grace.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Three at the right, and three at the left,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Two at the feet, and two at the head,</p>
+<p style='margin: 0 0 0 0.0em;'>The tapers burn; the friends bereft</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Have cried till their eyes are swollen and red.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Who would have thought it, when little Cristelle</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Pondered on what the preacher had told?</p>
+<p style='margin: 0 0 0 0.0em;'>But the wise God does all things well,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And the fair young creature lies dead and cold!</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Then the little stream crept into the place,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And rippled up to the coffin&#8217;s side,</p>
+<p style='margin: 0 0 0 0.0em;'>And touched the corpse on its pale round face,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And kissed the eyes till they trembled wide,&mdash;</p>
+<br />
+<div><span class='pagenum pncolor'><a id='page_47' name='page_47'></a>47</span></div>
+<p style='margin: 0 0 0 0.0em;'>&#8220;Saying, &#8216;I am a river of joy from Heaven;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>You helped the brook, and I help you;</p>
+<p style='margin: 0 0 0 0.0em;'>I sprinkle your brows with life-drops seven;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>I bathe your eyes with healing dew.&#8217;</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Then a rose branch in through the window came,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And colored her lips and cheeks with red;</p>
+<p style='margin: 0 0 0 0.0em;'>&#8216;I remember, and Heaven does the same,&#8217;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Was all that the faithful rose branch said.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Then a bright, small form to her cold neck clung;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>It breathed on her till her breast did fill,</p>
+<p style='margin: 0 0 0 0.0em;'>Saying, &#8216;I am a cherub fond and young,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And I saw who breathed on the baby&#8217;s mill.&#8217;</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;Then little Cristelle sat up and smiled,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And said, &#8216;Who put these flowers in my hand?&#8217;</p>
+<p style='margin: 0 0 0 0.0em;'>And rubbed her eyes&mdash;poor innocent child&mdash;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Not being able to understand.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;But soon she heard the big bell of the church</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Give the hour; which made her say,</p>
+<p style='margin: 0 0 0 0.0em;'>&#8216;Ah! I have slept and dreamt in this porch.</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>It is a very drowsy day!&#8217;&#8221;</p>
+</td></tr></table>
+
+<p>&#8220;O,&#8221; said Nettie, drawing a long, deep
+breath, &#8220;I think, Allan, that it&#8217;s the most
+beautiful story I ever heard. Do you know
+who wrote it?&#8221;
+<span class='pagenum pncolor'><a id='page_48' name='page_48'></a>48</span></p>
+<p>&#8220;No,&#8221; said Allan. &#8220;I used to think it
+was auntie&#8217;s own; but I asked her once, and
+she said, &#8216;O, no, indeed!&#8217; and that she did
+not know who wrote it, but thought it was a
+translation from the German.&#8221;</p>
+<p>&#8220;Adele would have liked that so much!&#8221;
+said Nettie thoughtfully, &#8220;and she would
+have been just like little Cristelle, too.&#8221;</p>
+<p>&#8220;Yes,&#8221; said Allan, &#8220;I think she would;
+and that would have been because both of
+them were trying to please the Lord. Don&#8217;t
+you see, Nettie?&#8221;</p>
+<p>&#8220;But after all, Allan, it is not a true
+story.&#8221;</p>
+<p>&#8220;It&#8217;s an allegory,&#8221; said Allan. &#8220;It means
+that if we do every little simple kindness for
+the sake of helping others and pleasing the
+Lord, that we shall be children of the Lord,
+and live in heaven with him.&#8221;</p>
+<p>&#8220;Then, Allan, you are one of the &#8216;children
+of the Lord;&#8217; for you do kind, generous
+things all the time, and&mdash;&#8221;</p>
+<p>&#8220;No, no, Nettie,&#8221; said Allan, hastily interrupting
+<span class='pagenum pncolor'><a id='page_49' name='page_49'></a>49</span>
+her. &#8220;I am very selfish, and I
+have to try very hard, and pray to the Lord
+Jesus to help me to be good.&#8221;</p>
+<p>&#8220;But you <i>do</i> give up for the sake of others,
+you know; now this afternoon&mdash;&#8221;</p>
+<p>&#8220;I am having a delightful time, and enjoying
+myself hugely,&#8221; said Allan, interrupting
+her again, and laughing merrily.
+&#8220;I&#8217;ll go and get my checker-board, and we&#8217;ll
+have a game.&#8221;</p>
+<p>Thus, thanks to the kind-hearted Allan,
+the afternoon wore pleasantly away, and
+when Mrs. Hyde and Eric returned, Allan
+and Nettie were both very happy, and in the
+midst of an exciting game. Mrs. Hyde had
+slept off her headache, and was giving orders
+for tea on the balcony, to the children&#8217;s intense
+satisfaction.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='V__SEEING_THE_ELEPHANT' id='V__SEEING_THE_ELEPHANT'></a>
+<span class='pagenum pncolor'><a id='page_50' name='page_50'></a>50</span>
+<h2>CHAPTER V.</h2>
+<h3>&#8220;SEEING THE ELEPHANT.&#8221;</h3>
+</div>
+
+<p>&#8220;&#8216;You must wake and call me early,
+call me early, mother dear,&#8217;&#8221; sang
+Nettie, as she leaned over the balcony railing,
+gazing out upon the lovely lake and
+island before them; for Mr. Hyde had explained
+that, as his time was exceedingly limited,
+he could allow them only three days to
+explore Havenhaag, and at the end of that
+time they must leave for New York.</p>
+<p>&#8220;So we will begin with the Royal Museum
+to-morrow morning,&#8221; he added; &#8220;and all
+who are up in good season can take a trip
+with me, in one of those shallops, around the
+lake.&#8221;
+<span class='pagenum pncolor'><a id='page_51' name='page_51'></a>51</span></p>
+<p>After the children had retired, Mr. and
+Mrs. Hyde held a consultation about Eric.
+They expected the arrival of Dr. Ward and
+their nephew daily, and were in hopes of
+seeing them before the steamer should sail.
+But there was just a chance that the doctor
+might be delayed at Paris; and if it should so
+happen, what would Eric do?</p>
+<p>His parents were unwilling to disappoint
+him by taking him to New York without
+making the desired tour of Germany; and
+they disliked the idea of leaving him, a young
+boy of thirteen, alone in a strange place.</p>
+<p>But his father at length decided to let him
+remain at the Vyverberg House, in case the
+doctor should be detained until after they had
+sailed.</p>
+<p>Eric was a thoughtful, reliable boy, and
+old enough, his father said, to learn to depend
+upon himself.</p>
+<p>Mrs. Hyde felt some misgivings as to this
+course at first; but her confidence in Eric was
+so great, that she soon consented to it, and
+<span class='pagenum pncolor'><a id='page_52' name='page_52'></a>52</span>
+having once decided in favor of the plan, she
+would let no thought of it trouble her.</p>
+<p>You may be sure that the three children
+did not need an &#8220;early call&#8221; in the morning,
+for they were up and dressed with the daylight,
+having a romp on their balcony with
+Froll, who frightened several of the occupants
+of adjacent rooms by trying to get in
+at their windows.</p>
+<p>Nettie told Eric how Froll had got her into
+disgrace, the day before, by the same trick.</p>
+<p>&#8220;I think,&#8221; said Eric, &#8220;that she must once
+have belonged to an organ-grinder, and have
+been taught to climb up for money.&#8221;</p>
+<p>&#8220;Very likely,&#8221; said Allan. &#8220;But you had
+better break her of the trick. People, as a
+general thing, are not fond of the sudden appearance
+of a black monkey at their chamber
+windows.&#8221;</p>
+<p>&#8220;Here&#8217;s papa!&#8221; cried Nettie. &#8220;Now for
+our sail!&#8221;</p>
+<p>&#8220;Isn&#8217;t Mrs. Hyde coming?&#8221; Allan asked.</p>
+<p>&#8220;Here she is! Good morning, mamma,
+<span class='pagenum pncolor'><a id='page_53' name='page_53'></a>53</span>
+and&mdash;O, Eric, mind Froll!&#8221; cried Nettie;
+but too late, for Froll had darted from him,
+and gone in at an open window above.</p>
+<p>There was a breathless silence.</p>
+<p>Mr. and Mrs. Hyde were very much annoyed,
+and the children were alarmed for the
+safety of their pet.</p>
+<p>While they were momentarily expecting a
+scream of terror from the occupant of the
+room, Froll reappeared at the window, and,
+with a grin and chatter of defiance, tumbled
+out, and clambered down towards the children,
+with a pair of gold-rimmed eye-glasses in
+her hand. A night-capped head, thrust out
+after her, was withdrawn again hastily, as its
+owner&#8217;s eyes encountered those of Mrs. Hyde.</p>
+<p>Saucy Froll perched herself upon the top
+of the parlor blind, stuck the glasses upon
+her nose, and peered down at the children,
+who greeted this man&oelig;uvre with an irresistible
+burst of laughter, in which their father and
+mother joined.</p>
+<p>The owner of the glasses again thrust his
+<span class='pagenum pncolor'><a id='page_54' name='page_54'></a>54</span>
+head out at the window, minus the nightcap
+this time, and seeing the monkey, laughed as
+heartily as the others.</p>
+<p>Leaning forward, he could reach the chain,
+which he caught; and then Froll was made
+to surrender her plunder; after which she
+was committed to her cage in disgrace.</p>
+<p>The sail on the lake was delightful. The
+water was as smooth as glass, the air fresh
+and cool, and the little island in the lake&#8217;s
+centre was crowded with song birds, whose
+sweet, merry notes rang musically over the
+water, and were echoed back from the shore.</p>
+<p>After breakfast they prepared to visit the
+places of interest in &#8220;Gravenhaag.&#8221;</p>
+<p>Mr. Hyde led the way to the National
+Museum, occupying the Prince Maurice palace&mdash;an
+elegant building of the seventeenth
+century. Numerous guides offered their services,
+and when one had been engaged, our
+party followed him up a broad, solid stairway
+to the famous picture gallery. Most of the
+paintings were old pieces of the German masters,
+<span class='pagenum pncolor'><a id='page_55' name='page_55'></a>55</span>
+and did not interest the children so
+much as their parents, for they were too
+young to appreciate them. But in one of
+the rooms almost entirely covering one end,
+was a grand picture, so vivid and natural
+that Nettie was quite startled by it at first.
+It was a picture of a young bull spotted white
+and brown, a cow lazily resting on the grass
+before it, a few sheep in different attitudes,
+and an aged cowherd leaning upon a fence.
+The background of the picture was a distant
+landscape, and all the objects were life-size.</p>
+<p>&#8220;That picture is Paul Potter&#8217;s Bull&mdash;a
+highly prized work of art,&#8221; said Mr. Hyde.
+&#8220;When the French invaded Holland, Napoleon
+ordered it to Paris, to be hung in
+the Louvre.&#8221;</p>
+<p>&#8220;I suppose it didn&#8217;t go, as it&#8217;s here now,&#8221;
+remarked Allan.</p>
+<p>&#8220;Yes, it was carried there, and excited
+much admiration. But when Holland was
+free of the French, and Germany victorious,
+the painting was reclaimed.&#8221;
+<span class='pagenum pncolor'><a id='page_56' name='page_56'></a>56</span></p>
+<p>The children could have staid, gazing
+with delight upon it, for a much longer time
+than was allowed them. The guide soon
+led the way to the Royal Museum of Curiosities,
+and they reluctantly followed. The
+collection of curiosities was in the lower
+part of the building, and here they saw all
+kinds of Chinese and Japanese articles,
+which, the guide informed them, was the
+largest and best collection of the kind in the
+world.</p>
+<p>There was enough here to interest our
+young folks, and old folks, too.</p>
+<p>All kinds of merchandise and manufactures,
+and most interesting and complicated
+toys, model cities, barges gayly-colored and
+filled with tiny men at work on tinier oars,
+pagodas, shops, temples, huts, houses,
+vehicles, and men, women, and children in
+every variety of costume, engaged in every
+conceivable employment.</p>
+<p>So fascinating was this Museum that the
+entire morning was most agreeably spent in
+<span class='pagenum pncolor'><a id='page_57' name='page_57'></a>57</span>
+it; and there was but just time, before leaving
+it, to look into the historical department,
+where were many objects of interest, and
+among other things the armor and weapons
+of De Ruyter, the famous admiral. At any
+other time these would have possessed great
+interest for the boys; but now they rather
+slighted them for the unique toys of China
+and Japan.</p>
+<p>After their dinner and a half hour&#8217;s rest,
+the children paid a visit to the king&#8217;s palace;
+for Gravenhaag, you must know, is the
+favorite residence of the king and court.</p>
+<p>Nettie and the boys walked very carefully,
+and held themselves very properly, such a
+thing as a visit to the king&#8217;s palace not
+being a daily event with them. Although
+she would not have missed going for anything,
+Nettie was a little alarmed at their
+situation, as they drew near to the palace,
+a large Grecian building, with two wings,
+forming three sides of a square. She had
+an idea that whenever kings were displeased
+<span class='pagenum pncolor'><a id='page_58' name='page_58'></a>58</span>
+with people, they ordered their heads to be
+cut off; and she wondered if he <i>would</i> be
+pleased to have their party looking at his
+possessions. Her fears were groundless,
+however.</p>
+<p>As they reached the square, they saw, near
+the entrance to the palace, a fine-looking
+man, well dressed and gentlemanly, who
+smiled kindly at the children, and, seeing
+their eager scrutiny of the palace, politely
+invited them to enter it.</p>
+<p>The boys were delighted, but Nettie declared
+that she was afraid of the king.</p>
+<p>&#8220;O, the king will not trouble you, my
+little maid,&#8221; said the stranger, in excellent
+English: &#8220;walk in, walk in!&#8221;</p>
+<p>He held out his hand to Nettie, and was
+such a kind, pleasant-looking man, that
+Nettie&#8217;s fears vanished. She gave him her
+hand, and the two boys followed her into the
+palace. Yes, actually <i>into</i> it, when, a few
+minutes before, she had hardly dared venture
+a terrified glance at the outside, and
+<span class='pagenum pncolor'><a id='page_59' name='page_59'></a>59</span>
+was momentarily expecting the stern command,&mdash;</p>
+<p>&#8220;Off with their heads!&#8221;</p>
+<p>Their new friend led them to a lovely
+garden, gave them flowers and fruit, and
+chatted gayly with them all the time. Then
+he took them to several apartments of the
+palace, and finally into the drawing-room.</p>
+<p>The children noticed that every one made
+a respectful bow to their kind escort, and
+concluded that he must be some great nobleman;
+but judge of their surprise, when they
+found themselves being presented by him to
+a beautiful, pale lady, quietly dressed in
+black.</p>
+<p>&#8220;Alicia, my dear,&#8221; said their nobleman,
+still speaking in English, &#8220;I have brought
+these young American travellers to see you.
+My little friends,&#8221; to the children, &#8220;yonder
+lady is the <i>Queen of Holland</i>.&#8221;</p>
+<p>Wasn&#8217;t <i>that</i> enough to confuse the best
+bred child in the world?</p>
+<p>Poor Eric had a faint idea that he must
+<span class='pagenum pncolor'><a id='page_60' name='page_60'></a>60</span>
+kiss the queen&#8217;s toe, as a mark of courtesy,
+and stepped forward, with a dizzy singing in
+his ears, to do so. But he was saved from
+such a ridiculous situation by the gentle
+queen, who smiled and extended her hand;
+then Eric thankfully remembered that it was
+the queen&#8217;s hand and the pope&#8217;s toe. So he
+bent gracefully forward and kissed Queen
+Alicia&#8217;s white fingers.</p>
+<p>Allan, of course, did the same. And
+Nettie had no time to consider what she
+must do, for the queen had kissed her quite
+warmly at first, and their strange guide had
+drawn her to his knee.</p>
+<p>&#8220;Why did you fear the king, little maid?&#8221;
+he asked, so kindly that Nettie confessed
+her idea of majestic temperaments. How
+he laughed! and how the queen laughed,
+too!</p>
+<p>&#8220;Now, I suppose you will want to go to
+mamma,&#8221; he said, soon afterwards; and giving
+them each a gold coin, added, &#8220;Keep
+these to remember me by, and you can tell
+<span class='pagenum pncolor'><a id='page_61' name='page_61'></a>61</span>
+your friends that the <i>King of Holland</i> gave
+them to you.&#8221;</p>
+<p>The children were perfectly amazed, and
+could not speak their thanks properly; but
+of this the king took no notice. He led
+them to the entrance on the street, and then
+kindly said, &#8220;Good by.&#8221;</p>
+<p>Mr. and Mrs. Hyde, who had become
+quite anxious over their long delay, were
+much relieved to see the children come
+safely home just before tea-time. They
+were quite as much astonished, by the account
+of the visit, as our young folks had
+supposed they would be.</p>
+<p>Tea, on the balcony, and some quiet
+music in the evening, finished up the day;
+and when the tired children sought their
+pillows, they quickly fell asleep.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='VI_A_DUTCH_CITY' id='VI_A_DUTCH_CITY'></a>
+<span class='pagenum pncolor'><a id='page_62' name='page_62'></a>62</span>
+<h2>CHAPTER VI.</h2>
+<h3>A DUTCH CITY.</h3>
+</div>
+
+<p>It would take too long to mention all the
+sights seen and famous places visited
+by the travellers in Gravenhaag.</p>
+<p>They were admitted to the palace of the
+Prince of Orange, and saw his famous collection
+of paintings and chalk drawings.
+They went over the <i>Binnenhof</i>, which is a
+collection of ancient stone buildings, containing
+a handsome Gothic hall, and the prison
+in which Grotius and Barneveldt were confined,
+the churches, synagogues, and the
+royal library, and walked on the <i>Voorhout</i>,
+a beautiful promenade, with a fine, wide
+road lined with shade trees and furnished
+with benches, to the <i>Bosch</i>, a finely wooded
+<span class='pagenum pncolor'><a id='page_63' name='page_63'></a>63</span>
+park belonging to the King of Holland. In
+its centre, reached by winding walks among
+the trees and beautiful lakes, stands the
+<i>Huys in den Bosch</i>&mdash;house in the wood&mdash;the
+king&#8217;s summer palace.</p>
+<p>After visiting all these places, and the
+printing establishments and iron foundery,
+Mr. Hyde, finding he had another day before
+the steamer sailed, took them all to Rotterdam.
+They went by railway to the city,
+and drove around it in an open carriage, like
+a barouche, which was waiting at the depot.
+Mr. Hyde, who had been there before, was
+quite familiar with the place. He ordered
+the coachman to drive through the High
+Street; and soon the children found themselves
+on a street considerably higher than
+the others, lined with shops, and looking
+very pleasant and busy. Mr. Hyde told
+them it was built upon the dam which prevented
+the Maas River from overflowing.</p>
+<p>&#8220;And this is the only street in Rotterdam,&#8221;
+said he, &#8220;which has not a canal in its
+centre.&#8221;</p>
+<div class='figcenter'>
+<img src='images/illus2.jpg' alt='' title='' style='width: 352px; height: 486px;' /><br />
+<p class='caption' style='margin: 0 auto; text-align:center;width: 352px;'>
+<span style='font-variant: small-caps'>The Queen of Holland.</span>&mdash;Page 61.<br />
+</p>
+</div>
+
+<div><span class='pagenum pncolor'><a id='page_64' name='page_64'></a>64</span></div>
+<p>When they had gone the length of High
+Street, they came to street after street, each
+having a canal in the middle, lined with trees
+on both sides, and exhibiting a medley of
+high gable fronts of houses, trees, and masts
+of shipping.</p>
+<p>&#8220;Dear me!&#8221; cried Nettie; &#8220;I wouldn&#8217;t
+live in such a place for the world. It&#8217;s
+pretty to look at; but think of having those
+ships going by right under the drawing-room
+windows. They make me giddy.&#8221;</p>
+<p>&#8220;How many canals!&#8221; cried Allan. &#8220;They
+go lengthwise and crosswise through every
+street but the High.&#8221;</p>
+<p>&#8220;And these clumsy bridges,&#8221; said Nettie
+again, pointing to the drawbridges of white
+painted wood which they saw at every little
+distance; they were made of large, heavy
+beams overhead, and lifted by chains for the
+vessels to pass through.</p>
+<p>Under the trees, beside the canals, were
+<span class='pagenum pncolor'><a id='page_65' name='page_65'></a>65</span>
+yellow brick &#8220;sidewalks,&#8221; as Nettie called
+them; but they were really quays, for the
+landing of goods.</p>
+<p>Between the trees and the houses, on a
+coarse, rough pavement, among carts, drays,
+and carriages, walked the foot passengers
+quite frequently. For though there were
+sidewalks close to the houses, little outbuildings
+and flights of steps to doorways were
+continually in the way, and it was &#8220;impossible
+for one to walk straight along, or at all
+fast, on any of them,&#8221; as the children said.</p>
+<p>&#8220;Mamma,&#8221; said Nettie, &#8220;I should think
+they would break their necks every minute.
+Just look at those canals, right in the street,
+and nothing to keep people from falling into
+them. What do they do in dark nights?&#8221;</p>
+<p>&#8220;How do they light the streets, papa?&#8221;
+asked Eric.</p>
+<p>&#8220;By oil lamps, hung on ropes from the
+houses to the trees,&#8221; said Mr. Hyde. &#8220;They
+have gas on the High Street.&#8221;</p>
+<p>Allan&#8217;s attention had been attracted by
+<span class='pagenum pncolor'><a id='page_66' name='page_66'></a>66</span>
+some curious little structures outside the
+lower windows of several of the houses.</p>
+<p>&#8220;What are they?&#8221; he asked.</p>
+<p>&#8220;Looking-glasses,&#8221; said Mr. Hyde.</p>
+<p>&#8220;Looking-glasses, papa! <i>Outside</i> their
+windows?&#8221; exclaimed Nettie.</p>
+<p>&#8220;Yes, dear; they are hung so as to reflect
+the passing objects to the people inside.&#8221;</p>
+<p>&#8220;Then they can see whatever is going on
+in the streets below, without coming to the
+windows,&#8221; said Eric.</p>
+<p>&#8220;What a funny custom!&#8221; exclaimed
+Nettie, again.</p>
+<p>The only building they visited was the
+Church of St. Lawrence, where they saw
+the famous great organ, a splendid structure,
+larger than the great organs of Haarlem
+and Boston. It is one hundred and
+fifty feet high, mounted upon a colonnade
+fifty feet high, and has five thousand five
+hundred pipes.</p>
+<p>In the market-place they saw a statue of
+the great scholar Erasmus, and &#8220;the house
+<span class='pagenum pncolor'><a id='page_67' name='page_67'></a>67</span>
+where he was born,&#8221; which is now, alas! a
+gin-shop. From the <i>Boomptjes</i>, a fine quay,
+planted with rows of beautiful trees, and
+surrounded by elegant, dark brick mansions,
+our party chartered a little sail boat, and
+went out upon the Maas.</p>
+<p>The beautiful, quiet Maas, with Rotterdam&#8217;s
+green, woody banks in view; the blue,
+blue sky, seen clearly in the limpid waters;
+the steamers coming and going, and birds
+flying around, adding their sweet notes to
+nature&#8217;s harmony&mdash;this beautiful picture
+was one remembered by the children all their
+lives. To-morrow&#8217;s parting hung its shadow
+over them, and softened their hearts to the
+true beauty everywhere expressed.</p>
+<p>The sun had set when they reached the
+Vyverberg for the last time.</p>
+<p>&#8220;Mamma,&#8221; said Eric, regretfully, &#8220;I
+almost wish I was going home with you
+all.&#8221;</p>
+<p>&#8220;Uncle Charlie may come to-night,&#8221; said
+his mother, cheerfully. &#8220;At any rate, he
+<span class='pagenum pncolor'><a id='page_68' name='page_68'></a>68</span>
+will soon come. You would then wish you
+had staid.&#8221;</p>
+<p>&#8220;Yes, I know,&#8221; said Eric. &#8220;But it is very
+hard to let you all go home without me, for
+all that.&#8221;</p>
+<p>Very careful directions were given to
+Eric, and he was placed under the care of
+the landlord until he should hear from his
+uncle.</p>
+<p>The evening was very short to Eric, who
+lingered by his mother, and could not bear
+to leave her side, knowing he should see her
+no more for a long, long year.</p>
+<p>Long after Nettie and Allan had left them,
+he staid with his parents, listening to their
+last kind advice, and sending little loving
+messages to his cousins and schoolmates.</p>
+<p>In the morning he saw them off with a
+heavy heart. His father&#8217;s last kind words,
+Allan&#8217;s affectionate greeting, Nettie&#8217;s tears,
+and his promise to his mother that he would
+remember his prayers and daily chapter in
+the Bible, and would try to make his travels
+<span class='pagenum pncolor'><a id='page_69' name='page_69'></a>69</span>
+a useful, profitable study, and to keep himself
+truthful, honest, and kind, were mixed
+up with a hearty, homesick longing to go
+after them. His eyes filled with tears as the
+stretch of water between him and his dear
+ones rapidly widened; he turned from the
+wharf with a sorrowful face, slowly and
+sadly retracing his steps to the hotel.</p>
+<p>&#8220;How dismal it will be! how lonely and
+dismal without them!&#8221; He thought and
+murmured sorrowfully,&mdash;</p>
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'>&#8220;Alone, alone, all, all alone!&#8221;</p>
+</td></tr></table>
+
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='VII_UNDER_THE_SEA' id='VII_UNDER_THE_SEA'></a>
+<span class='pagenum pncolor'><a id='page_70' name='page_70'></a>70</span>
+<h2>CHAPTER VII.</h2>
+<h3>UNDER THE SEA.</h3>
+</div>
+
+<p>Eric had been but a few minutes in the
+parlor at the hotel, and was trying to
+amuse himself with little Froll, when there
+came a tap upon the door, and the servant
+entered with a card.</p>
+<p>Eric read the name,</p>
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'>EMIL LACELLE,</p>
+</td></tr></table>
+
+<p>and written underneath,</p>
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'><i>No. 365 Vyverberg House.</i></p>
+</td></tr></table>
+
+<p>&#8220;Who in the world,&#8221; thought Eric, &#8220;is
+Emil Lacelle? and what did he send this to
+me for?&#8221;</p>
+<p>The waiter explained that the gentleman
+was waiting, in his room, up stairs; and Eric,
+<span class='pagenum pncolor'><a id='page_71' name='page_71'></a>71</span>
+with Froll on his shoulder, started for No.
+365.</p>
+<p>The door stood open, disclosing a pleasant
+room, with various kinds of odd-looking
+armor lying around: seated by a table was
+a gentleman dressed in black, whom Eric
+recognized at once as the one whose glasses
+Froll had stolen.</p>
+<p>This gentleman was looking for Eric, and
+said at once, when he entered the room,&mdash;</p>
+<p>&#8220;I am pleased to see you, monsieur,&#8221; and
+politely requested him to be seated.</p>
+<p>&#8220;Do you speak French?&#8221; he asked.</p>
+<p>&#8220;Not very well, sir,&#8221; answered Eric.</p>
+<p>&#8220;German?&#8221; inquired the stranger.</p>
+<p>&#8220;Yes, sir,&#8221; said Eric.</p>
+<p>&#8220;And English?&#8221;</p>
+<p>&#8220;Yes, sir; I am an American.&#8221;</p>
+<p>&#8220;I am a Frenchman,&#8221; said Mr. Lacelle.
+&#8220;I want you, if you please, to do me a little
+service.&#8221;</p>
+<p>&#8220;I will do anything that I can for you,&#8221;
+said Eric. &#8220;I am very much obliged to you
+<span class='pagenum pncolor'><a id='page_72' name='page_72'></a>72</span>
+already for being so good-natured about your
+glasses.&#8221;</p>
+<p>&#8220;Do not mention it!&#8221; Mr. Lacelle exclaimed,
+with the natural politeness of a
+Frenchman. &#8220;I have taken quite a fancy to
+your playful little beast.&#8221; And he coaxed
+the monkey to him, and gently stroked her
+soft hair.</p>
+<p>&#8220;What is it that I can do for you, sir?&#8221;
+asked Eric. He was beginning to like Mr.
+Lacelle very much.</p>
+<p>&#8220;I have a letter to write to America, and
+am not enough of an English scholar to undertake
+it. Now, therefore, if I tell to you
+that which I want written, would you be
+so very kind, if you please, as to write for
+me, it?&#8221;</p>
+<p>&#8220;Yes, indeed; with much pleasure,&#8221; said
+Eric; thinking the while, &#8220;No wonder he
+does not like to undertake a letter in English,
+when he speaks the language so clumsily.&#8221;</p>
+<p>Mr. Lacelle, still holding Froll, brought
+<span class='pagenum pncolor'><a id='page_73' name='page_73'></a>73</span>
+forward a traveller&#8217;s writing-desk, filled with
+perfumed French paper, and then placing it
+before Eric, and saying politely, &#8220;At your
+convenience, <i>monsieur</i>,&#8221; he reseated himself.</p>
+<p>Eric arranged the paper, took up a pen,
+and after writing the date, sat waiting for his
+instructions.</p>
+<p>&#8220;For example, what do you say to two
+gentlemen?&#8221; asked Mr. Lacelle.</p>
+<p>Eric was completely puzzled, and could
+only say, &#8220;Sir?&#8221;</p>
+<p>&#8220;Pardon me!&#8221; exclaimed the Frenchman,
+&#8220;to <i>one</i> you would say &#8216;sir;&#8217; but to two,
+would you say &#8216;sirs&#8217;?&#8221;</p>
+<p>&#8220;Yes,&#8221; answered Eric, but, recollecting
+some letters he had copied for his father,
+added, &#8220;O, no: it&#8217;s <i>Messrs.</i>&#8221;</p>
+<p>&#8220;Exactly!&#8221; said Mr. Lacelle. &#8220;I thank
+you. That is fine.&#8221;</p>
+<p>He appeared quite relieved, and began
+dictating.
+<span class='pagenum pncolor'><a id='page_74' name='page_74'></a>74</span></p>
+<div class='blockquot'>
+<div class='ra'>
+<p style=' margin-right:2em;'>&#8220;<span style='font-variant: small-caps'>The Vyverberg, at the Hague,</span></p>
+<p><span style='font-variant: small-caps'>Holland</span>, October 21, 186-.</p>
+</div>
+
+<p>&#8220;<span style='font-variant: small-caps'>Messrs. Brown and Lang</span>:</p>
+<p>&#8220;I have given to myself the pleasure of examining
+the sunken yacht in the Zuyder Zee;
+and my opinion it is, that that vessel is injured
+not in the least, and that I can right
+her for the sum of two hundred dollars.</p>
+<div class='ra'>
+<p style=' margin-right:2em;'>&#8220;Most respectfully to you, Messrs.,</p>
+<p style=' margin-right:2em;'><span style='font-variant: small-caps'>Emil Lacelle,</span></p>
+<p><i>Submarine Diver.</i></p>
+</div>
+
+<div class='la'>
+<p>&#8220;<span style='font-variant: small-caps'>To Messrs. Brown and Lang</span>,</p>
+<p style=' margin-left:2em;'>New York City.&#8221;</p>
+</div>
+
+</div>
+<p>&#8220;Is it quite correct English?&#8221; he asked,
+anxiously.</p>
+<p>Eric rewrote it, transposing some of the
+words. Mr. Lacelle was very grateful for
+the boy&#8217;s assistance. He was by no means
+ignorant, but his knowledge of English was
+rather limited, and he was too sensitive to be
+willing to send off a peculiar letter.</p>
+<p>Mr. Lacelle&#8217;s history would be very interesting,
+had we time to give it minutely; but
+<span class='pagenum pncolor'><a id='page_75' name='page_75'></a>75</span>
+there is only space to say that he was the
+younger son of a noble French family, whose
+circumstances during his youth were so unfortunate
+that he was thrown upon his own
+resources at a tender age, and had, by great
+energy and perseverance, become a wealthy
+and famous man.</p>
+<p>Eric knew that &#8220;sub&#8221; meant under, and
+&#8220;marine&#8221; the sea, but he did not understand
+exactly what it all meant; so he asked Mr.
+Lacelle, whose explanation and subsequent
+conversation, we will render in readable English.</p>
+<p>&#8220;A submarine diver is one who goes beneath
+the water of the sea: professionally
+he examines and clears harbors, removing
+obstructions, such as rocks, &amp;c.; draws up
+sunken vessels, examines wrecks, and brings
+up from the depths of the ocean money,
+jewels, and articles of value.&#8221;</p>
+<p>&#8220;But tell me,&#8221; cried Eric, eagerly, &#8220;how
+does he breathe? what protects him in the
+water? how&mdash;&#8221;
+<span class='pagenum pncolor'><a id='page_76' name='page_76'></a>76</span></p>
+<p>&#8220;I will tell you all about it,&#8221; said Mr.
+Lacelle. &#8220;There are several divers here in
+the house. We are going to the Zuyder Zee,
+near Amsterdam, to-morrow, and you shall
+go too, if you wish.&#8221;</p>
+<p>&#8220;O, thank you, sir,&#8221; said Eric. &#8220;I would
+like to.&#8221;</p>
+<p>&#8220;Meanwhile I will tell you,&#8221; proceeded
+the diver. &#8220;We wear an armor such as
+this,&#8221; he explained, pointing out the several
+pieces to Eric, as he noticed them.
+&#8220;In the first place an India-rubber suit
+like this. You will observe that it is made
+entirely water-proof, by being cemented down
+in the seams, wherever it is sewed.&#8221;</p>
+<p>Eric looked with interest upon the clumsy-looking
+dress, which was made entirely whole,
+except the opening at the sleeves and neck,
+and was cut away above the shoulders, like
+a girl&#8217;s low-necked dress, to admit the body
+of the wearer; the legs were footed off like
+stockings, and the wrists of the sleeves were
+terminated by tight, elastic rubber bands; a
+<span class='pagenum pncolor'><a id='page_77' name='page_77'></a>77</span>
+similar band surrounded the neck, which
+was also finished with a flap of white rubber
+facing.</p>
+<p>&#8220;You see,&#8221; continued Mr. Lacelle, &#8220;we
+put ourselves into this suit, drawing it on
+from the top. It is perfectly water-tight.
+Upon our feet we wear shoes such as these,&#8221;
+pointing to a pair of heavy leather shoes,
+with broad, high straps and buckles, and
+lead soles half an inch thick. &#8220;They weigh
+twenty-five pounds.&#8221;</p>
+<p>&#8220;Why!&#8221; exclaimed Eric; &#8220;I should call
+that something of a load.&#8221;</p>
+<p>&#8220;The weight is imperceptible in the water,&#8221;
+the diver explained, and, showing Eric a
+couple of box-shaped canvas bags, added,
+&#8220;We wear these also, filled with weights,
+just above the waist, one before and one
+behind.&#8221;</p>
+<p>&#8220;But you haven&#8217;t told me yet how you
+breathe in the water,&#8221; said Eric.</p>
+<p>&#8220;I am coming to that shortly. Upon our
+heads we wear a helmet, made of copper,
+<span class='pagenum pncolor'><a id='page_78' name='page_78'></a>78</span>
+completely covering head, face, and neck,
+and firmly inserted between the rubber facing
+and the tight band about the neck of the
+dress, just above the shoulders. To the
+back of the helmet is fastened a rubber
+hose, attached, above the water, to the pump,
+which keeps the diver supplied with air; and
+there is a glass window in the front. A
+half-inch rope, called the life-line, is securely
+adjusted to the diver, and by it he is
+lowered into or drawn from the water; and
+by it, also, he signals to those above for
+more air, for withdrawal, or anything he
+may require.&#8221;</p>
+<p>&#8220;This helmet is heavy enough,&#8221; said
+Eric, lifting and examining the curious structure.
+&#8220;There is a valve inside: what is that
+for?&#8221;</p>
+<p>&#8220;To let the air, which the diver breathes
+from his lungs, into the water,&#8221; Mr. Lacelle
+replied. &#8220;This machine in the case,&#8221; pointing
+to a high black-walnut case, &#8220;is a three-cylinder
+air-pump; two men in the vessel, or
+<span class='pagenum pncolor'><a id='page_79' name='page_79'></a>79</span>
+on the shore, keep the pumps constantly in
+motion by means of the crank attached to
+the wheel.&#8221;</p>
+<p>&#8220;Why do they have more than one
+pump?&#8221; Eric inquired.</p>
+<p>&#8220;One pump,&#8221; answered Mr. Lacelle,
+&#8220;would not supply enough air; it would
+work like a water-pump, sending down the
+air by jerks, and the receiver would be exhausted
+between the supplies of air. Two
+pumps would send down the air puff-puff,
+like the pumps of a steam engine; but three
+pumps, constantly in motion, send down,
+through the hose, a steady and continuous
+stream of air, enabling the diver to breathe
+freely and fully.&#8221;</p>
+<p>&#8220;And can you go down into any depth of
+water?&#8221; Eric asked, with intense interest.</p>
+<p>&#8220;Not lower than one hundred feet, usually,
+the pressure of the water is so great.
+I have been down one hundred and fifty-six
+feet below the surface; but that was
+something very remarkable.&#8221;
+<span class='pagenum pncolor'><a id='page_80' name='page_80'></a>80</span></p>
+<p>&#8220;And did you never have any hair-breadth
+escapes, or thrilling adventures?&#8221; inquired
+Eric.</p>
+<p>&#8220;No,&#8221; answered the diver, with a slight
+laugh and shrug of the shoulders, &#8220;I never
+did, and never knew any one who did, although
+I have read of many such incidents,
+altogether too marvellous for belief. You
+see,&#8221; he continued, &#8220;we know that the least
+carelessness would probably cost us our lives,
+and we are minutely accurate about all our
+equipments. And,&#8221; lowering his voice and
+speaking reverentially, &#8220;I always commit
+myself to the guidance and tender care of
+the good Shepherd.</p>
+<p>&#8220;&#8216;They that go down to the sea in ships,
+that do business in great waters,</p>
+<p>&#8220;&#8216;These see the works of the Lord, and
+his wonders in the deep.</p>
+<p>&#8220;&#8216;They cry unto the Lord in their trouble,
+and he bringeth them out of their distress.&#8217;&#8221;</p>
+<p>Eric listened, and his respect and esteem
+for the diver grew tenfold more.
+<span class='pagenum pncolor'><a id='page_81' name='page_81'></a>81</span></p>
+<p>Mr. Lacelle continued:&mdash;</p>
+<p>&#8220;It is a strange business. The danger
+fascinates some, but the peril is never lost
+sight of. I put on the helmet, for the first
+time, more than ten years ago; and yet I
+never resume it without a feeling that it
+may be the last time I shall ever go down.
+Of course one has more confidence after a
+while; but there is something in being shut
+up in an armor weighed down with a hundred
+pounds, and knowing that a little leak
+in your life-pipe is your death, that no diver
+can get rid of. And I do not know that I
+should care to banish the feeling, for the
+sight of the clear blue sky, the genial sun,
+and the face of a fellow-man after long hours
+among the fishes, makes you feel like one
+who has suddenly been drawn away from
+the grasp of death.&#8221;</p>
+<p>&#8220;Were you ever in great danger?&#8221; asked
+Eric.</p>
+<p>&#8220;I think the most dangerous place I ever
+got into was going down to examine the
+<span class='pagenum pncolor'><a id='page_82' name='page_82'></a>82</span>
+propeller Comet, sunk off Toledo. In working
+about her bottom, I got my air-pipe
+coiled over a large sliver from the stoven
+hole, and could not reach it with my hands.
+Every time I sprang up to remove the hose,
+my tender would give me the &#8216;slack&#8217; of the
+line, thus letting me fall back again. He
+did not understand his duties, and did not
+know what my signals on the life-line meant.
+It was two hours and a half before I was
+relieved, and there was not a moment that I
+was not looking to see the hose cut by the
+ragged wood. It&#8217;s a strange feeling you
+have down there. You go walking over a
+vessel, clambering up her sides, peering here
+and there, and the feeling that you are alone
+makes you nervous and uneasy.</p>
+<p>&#8220;Sometimes a vessel sinks down so fairly,
+that she stands up on the bottom as trim
+and neat as if she rode upon the surface.
+Then you can go down into the cabin, up
+the shrouds, walk all over her, just as easy
+as a sailor could if she were still dashing
+<span class='pagenum pncolor'><a id='page_83' name='page_83'></a>83</span>
+away before the breeze. Only it seems
+quiet, so tomb-like; there are no waves
+down there&mdash;only a swaying back and forth
+of the waters, and a see-sawing of the ship.
+You hear nothing from above. The great
+fishes will come swimming about, rubbing
+their noses against your glass, and staring
+with a wonderful look into your eyes. The
+very stillness sometimes gives life a chill.
+You hear just a moaning, wailing sound,
+like the last notes of an organ, and you cannot
+help thinking of dead men floating over
+and around you.</p>
+<p>&#8220;A diver does not like to go down more
+than a hundred and twenty feet; at that
+depth the pressure is painful, and there is
+danger of internal injury. I can stay down,
+for five or six hours at a time, at a hundred
+and fifteen or twenty feet, and do a good
+deal of hard work. In the waters of Lake
+Huron the diver can see thirty or forty feet
+away, but the other lakes will screen a vessel
+not ten feet from you.
+<span class='pagenum pncolor'><a id='page_84' name='page_84'></a>84</span></p>
+<p>&#8220;Up here you seldom think of accident or
+death, but a hundred feet of water washing
+over your head would set you to thinking.
+A little stoppage of the air-pump, a leak in
+your hose, a careless action on the part of
+your tender, and a weight of a mountain
+would press the life out of you before you
+could make a move. And you may &#8216;foul&#8217;
+your pipe or line yourself, and in your haste
+bring on what you dread. I often get my
+hose around a stair or rail, and generally
+release it without much trouble; the bare
+idea of what a slender thing holds back the
+clutch of death off my throat makes a cold
+sweat start from every pore.&#8221;</p>
+<p>&#8220;I suppose you find many beautiful
+things,&#8221; said Eric.</p>
+<p>&#8220;I wish I could describe half the wonderful
+and beautiful things I find,&#8221; cried Mr.
+Lacelle.</p>
+<p>&#8220;There are flowers, the most exquisite
+that can be imagined; groves of coral, beautiful
+caverns, with floors of silver sand,
+<span class='pagenum pncolor'><a id='page_85' name='page_85'></a>85</span>
+spiral caves winding down, down, down,
+covered with beautiful, delicate plants, and
+leading to beds of smooth, hard sand, which
+shine like gold. Feathery ferns turn silver
+and crimson beneath your hand, and beautiful
+fish glide around you, or rest in the
+water, with no motion save the gentle pulsation
+of their gills as they breathe.</p>
+<p>&#8220;I have stood upon the bottom of the ocean,
+and gazed up, awe-stricken and bewildered,
+at the wonderful masses of coral above my
+head, resembling forests of monstrous trees,
+with gnarled and twisted branches intertwined;
+and when I have considered that it
+was all the work of insects so tiny that
+millions of them were working at my feet,
+and I could not see them, I have compared
+my own littleness in the universe with the
+wonderful work of the least of them, and
+have felt my own insignificance.</p>
+<p>&#8220;And curious things have happened, too.
+I was once examining an old wreck off
+South America. It was an old Spanish
+<span class='pagenum pncolor'><a id='page_86' name='page_86'></a>86</span>
+frigate, supposed to have valuable jewels
+and a large amount of money aboard.</p>
+<p>&#8220;I was walking over the wreck one day,
+and, being disappointed in not finding any
+treasure, was about returning, when I observed
+a curious heap of shells, close to one
+of the stanchions. I picked off a handful
+from the top of the heap, which was about
+two feet high, and regularly piled in a conical
+form, and seeing the shells were of a most
+beautiful pink color, and very delicate, I filled
+my pockets with them, and then, touching the
+life-lines, was pulled up.</p>
+<p>&#8220;The divers in my employ were delighted
+with them, and as they were just the right size
+for buttons, one of the boys went down, with
+a large bag, to bring off the rest.</p>
+<p>&#8220;I told him just where to find them; but
+when he came up, he declared there were
+none to be seen anywhere.</p>
+<p>&#8220;I was sure he had not followed my directions;
+so I went down again; and judge my
+surprise when I found he had spoken truly.
+<span class='pagenum pncolor'><a id='page_87' name='page_87'></a>87</span>
+<i>There was not one to be seen.</i> The little
+wretches, disgusted with the disturbance I
+created, had all crawled away.&#8221;</p>
+<p>&#8220;How curious!&#8221; exclaimed Eric. &#8220;Could
+you not find any of them?&#8221;</p>
+<p>&#8220;Not a vestige of them.&#8221;</p>
+<p>&#8220;It was singular&mdash;wasn&#8217;t it?&#8221;</p>
+<p>&#8220;Yes. I have learned many singular
+things since I have gone under the sea. For
+instance, water is a very powerful conductor
+of sound, much more so than air. We often
+blast rocks under the water&mdash;&#8221;</p>
+<p>&#8220;How can you?&#8221; interrupted Eric. &#8220;What
+keeps the powder dry?&#8221;</p>
+<p>&#8220;We have water-proof charges prepared.&#8221;</p>
+<p>&#8220;But how can you fire them under the
+water?&#8221; persisted Eric.</p>
+<p>&#8220;By electricity,&#8221; responded Mr. Lacelle.
+&#8220;A report of blasting rock a little distance
+off, will scarcely disturb us upon the land;
+but under the water it is very different. We
+were once blasting rocks near the coast, and
+<span class='pagenum pncolor'><a id='page_88' name='page_88'></a>88</span>
+another party were at work three quarters of
+a mile from us.</p>
+<p>&#8220;Our charge was set, and ready to go off;
+I sent word to our distant neighbors that we
+were about to blast, and they had better come
+up until it was over. My courtesy was repaid
+by a very profane answer, accompanied
+with a request to &#8216;blast away.&#8217;</p>
+<p>&#8220;So the charge was set off; and the unfortunate
+divers in the distance were hauled
+out of the water more dead than alive. I
+afterwards learned from them that the shock
+was tremendous.&#8221;</p>
+<p>&#8220;When you blow up the rocks, do you
+place the charges under them?&#8221; inquired
+Eric.</p>
+<p>&#8220;O, no; that would have no effect: holes
+are drilled in the rock, and the charges
+placed within them.&#8221;</p>
+<p>&#8220;And when the rocks are blown, what do
+you do with the pieces that come off?&#8221; asked
+Eric.
+<span class='pagenum pncolor'><a id='page_89' name='page_89'></a>89</span></p>
+<p>&#8220;We grapple them with hooks and chains,
+and draw them to the surface.&#8221;</p>
+<p>&#8220;It is very interesting, and I am very
+much obliged to you for telling me so
+much,&#8221; said Eric. &#8220;I wish I could learn
+<i>all</i> about it.&#8221;</p>
+<p>&#8220;Well, my boy, you shall go with me to-morrow;
+and, if you&#8217;re not afraid to venture,
+I&#8217;ll take you down beneath the sea with me.
+It is quite safe near Amsterdam.&#8221;</p>
+<p>&#8220;O, thank you, sir,&#8221; said Eric, eagerly,
+grasping the kind Frenchman&#8217;s hand.</p>
+<p>&#8220;I must go now to the palace,&#8221; said Mr.
+Lacelle. &#8220;I have an engagement there.
+Will you do me the honor to amuse yourself
+here until I return?&#8221;</p>
+<p>&#8220;Thank you,&#8221; said Eric again, with a
+joyous smile; for Mr. Lacelle&#8217;s room was
+stored with &#8216;curios&#8217; from the bottom of the
+sea, and Eric knew he could spend a long
+time very comfortably there.</p>
+<p>He was careful to secure Froll in her
+cage, that she might do no mischief; and
+<span class='pagenum pncolor'><a id='page_90' name='page_90'></a>90</span>
+then he had a thoroughly good time, examining
+the sea things; and as they were all labelled
+with name and date, and the place
+from which they were taken, he gained much
+useful information.</p>
+<p>Before night a letter came from his uncle,
+saying that Johnny was quite ill, and had
+been unable to travel to the Hague; but he
+was now so much better, that they would
+probably join Eric in a day or two.</p>
+<p>&#8220;I shan&#8217;t mind waiting,&#8221; said Eric to himself;
+&#8220;and there&#8217;s nothing now to prevent
+my going to Amsterdam to-morrow; but I
+wish uncle Charlie could be with me too.&#8221;</p>
+<p>Then he remembered that he had been left
+under the landlord&#8217;s care, and must obtain
+his permission. So he sought him out, and
+made known his request.</p>
+<p>The landlord of the Vyverberg was a kind-hearted
+German. He was quite fond of his
+little American guest, and readily consented
+to his plan for the morrow, telling Eric that
+<span class='pagenum pncolor'><a id='page_91' name='page_91'></a>91</span>
+Monsieur Lacelle was a remarkable man, and
+he could not be in better hands.</p>
+<p>&#8220;I think this is just the jolliest country,
+and full of the jolliest people in the world,&#8221;
+was Eric&#8217;s mental comment before he fell
+asleep that night. Indeed, there are few
+people more kind-hearted, thoughtful, or
+hospitable than the Dutch and Germans.</p>
+<p>Eric&#8217;s parents were anxiously wondering
+how their boy fared alone in Gravenhaag.</p>
+<p>Could they have seen him as he read his
+promised chapter, and knelt to commit himself
+to God, or afterwards, falling asleep,
+his last thought of the kindness of the people
+around him, their own sleep would have been
+far lighter, and their prayers would have
+blessed the good foreigners.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='VIII_THRILLING_EXPERIENCE' id='VIII_THRILLING_EXPERIENCE'></a>
+<span class='pagenum pncolor'><a id='page_92' name='page_92'></a>92</span>
+<h2>CHAPTER VIII.</h2>
+<h3>THRILLING EXPERIENCE.</h3>
+</div>
+
+<p>Early in the morning they went to
+Amsterdam, or Amsteldamme, as the
+Germans call it, because it controls the tides
+of the Amstel River.</p>
+<p>The city of Amsteldamme is situated on a
+marsh, and all its houses and buildings are
+erected on piles, which are driven from forty
+to fifty feet into the earth.</p>
+<p>&#8220;How many canals!&#8221; was Eric&#8217;s first remark,
+when he obtained a good view of the
+city.</p>
+<p>&#8220;Yes,&#8221; said Mr. Lacelle. &#8220;When I was a
+boy, I counted the bridges across the canals,
+and there were two hundred and fifty. The
+city is divided by the canals into ninety
+<span class='pagenum pncolor'><a id='page_93' name='page_93'></a>93</span>
+islands. Those high walls were once ramparts,
+but have since been converted into
+public walks. They are planted with trees,
+and make excellent promenades.&#8221;</p>
+<p>&#8220;But suppose there should be another
+war,&#8221; said Eric; &#8220;what would their defence
+be?&#8221;</p>
+<p>&#8220;They could easily flood the surrounding
+country.&#8221;</p>
+<p>&#8220;What splendid streets these are!&#8221; said
+Eric, as they passed through one and another
+with rows of beautiful shade trees,
+handsome little stone bridges, broad, clean
+pavements, and long lines of elegant mansions.</p>
+<p>They were indeed very beautiful streets,
+not easily to be surpassed in all Europe.</p>
+<p>&#8220;I should think,&#8221; said Eric, thoughtfully,
+&#8220;that there would be danger to the people
+here in having so much water in their town.
+Do the dikes ever give way?&#8221;</p>
+<p>&#8220;Very seldom. The people watch them
+very faithfully, and whenever a break is
+<span class='pagenum pncolor'><a id='page_94' name='page_94'></a>94</span>
+discovered it is instantly repaired. There is
+a very interesting story connected with the
+dikes of Holland, which I will tell you, to
+show you what great service a little boy did
+his country.</p>
+<p>&#8220;The little hero, Peter Daik, was on his
+way home, one night, from a village to
+which he had been sent by his father on an
+errand, when he noticed the water trickling
+through a narrow opening in the dike, built
+up to keep out the sea.</p>
+<p>&#8220;He stopped, and thought of what would
+happen if the hole were not closed.</p>
+<p>&#8220;He knew&mdash;for he had often heard his father
+tell of the sad disasters which had come
+from small beginnings&mdash;how, in a few hours,
+the opening would become bigger, and let
+in the mighty mass of water pressing on
+the dike, until, the whole defence being
+washed away, the rolling, dashing, angry
+sea would sweep on to the next village, destroying
+life and property, and everything in
+its way. Should he run home and alarm
+<span class='pagenum pncolor'><a id='page_95' name='page_95'></a>95</span>
+the villagers? It would be dark before
+they could arrive; and the hole, even
+then, might be so large as to defy all
+attempts to close it. What could he do
+to prevent such terrible ruin&mdash;he, only a
+little boy?</p>
+<p>&#8220;I will tell what he did. He sat down on
+the bank of the canal, stopped the opening
+with his hand, and patiently awaited the
+passing of a villager. But no one came.</p>
+<p>&#8220;Hour after hour rolled slowly by; yet
+there sat the heroic boy in the cold and darkness,
+shivering, wet, and tired, but stoutly
+pressing his hand against the water that
+tried to pass the dangerous breach.</p>
+<p>&#8220;All night he staid at his post. At last
+morning broke, when a clergyman, walking
+up the canal, heard a groan, and looking
+around to see where it came from, seeing the
+boy, and surprised at his strange position,
+exclaimed with astonishment,&mdash;</p>
+<p>&#8220;&#8216;Why are you there, my child?&#8217;</p>
+<p>&#8220;&#8216;I am keeping back the water, sir, and
+<span class='pagenum pncolor'><a id='page_96' name='page_96'></a>96</span>
+saving the village from being drowned,&#8217;
+answered little Peter, with lips so benumbed
+with cold that he could hardly speak.</p>
+<p>&#8220;The astonished minister at once relieved
+him of his hard duty, and the poor little
+fellow had but just strength enough left to
+alarm the villagers, who flocked to the dike,
+and repaired the breach.</p>
+<p>&#8220;Heroic boy! What a noble spirit of
+self-devotion he had shown! resolving to
+brave all the fatigue, the danger, the cold
+and darkness, rather than permit the ruin
+which would come if he deserted his post.</p>
+<p>&#8220;There is a beautiful poem on the subject
+by Miss Carey. I will repeat a few of the
+last verses.&#8221;</p>
+<p>Then Mr. Lacelle repeated in a clear,
+mellow voice, whose slight foreign accent
+lent it an additional charm to Eric&#8217;s ear,&mdash;</p>
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'>&#8220;So faintly calling and crying</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Till the sun is under the sea,&mdash;</p>
+<p style='margin: 0 0 0 0.0em;'>Crying and moaning till the stars</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Come out for company.</p>
+<div><span class='pagenum pncolor'><a id='page_97' name='page_97'></a>97</span></div>
+<p style='margin: 0 0 0 0.0em;'>He thinks of his brother and sister,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Asleep in their safe, warm bed;</p>
+<p style='margin: 0 0 0 0.0em;'>He thinks of his father and mother;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Of himself as dying&mdash;and dead;</p>
+<p style='margin: 0 0 0 0.0em;'>And of how, when the night is over,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>They must come and find him at last;</p>
+<p style='margin: 0 0 0 0.0em;'>But he never thinks he can leave the place</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Where duty holds him fast.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;The good dame in the cottage</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Is up and astir with the light,</p>
+<p style='margin: 0 0 0 0.0em;'>For the thought of her little Peter</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Has been with her all the night.</p>
+<p style='margin: 0 0 0 0.0em;'>And now she watches the pathway,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>As yestereve she had done;</p>
+<p style='margin: 0 0 0 0.0em;'>But what does she see so strange and black</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Against the rising sun?</p>
+<p style='margin: 0 0 0 0.0em;'>Her neighbors are bearing between them</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Something straight to her door;</p>
+<p style='margin: 0 0 0 0.0em;'>Her child is coming home, but not</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>As ever he came before.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;&#8216;He is dead!&#8217; she cries; &#8216;my darling!&#8217;</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And the startled father hears,</p>
+<p style='margin: 0 0 0 0.0em;'>And comes and looks the way she looks,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And fears the thing she fears;</p>
+<p style='margin: 0 0 0 0.0em;'>Till a glad shout from the bearers</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Thrills the stricken man and wife&mdash;</p>
+<p style='margin: 0 0 0 0.0em;'>&#8216;Give thanks, for your son has saved our land,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And God has saved his life!&#8217;</p>
+<div><span class='pagenum pncolor'><a id='page_98' name='page_98'></a>98</span></div>
+<p style='margin: 0 0 0 0.0em;'>So there in the morning sunshine</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>They knelt about the boy,</p>
+<p style='margin: 0 0 0 0.0em;'>And every head was bared and bent</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>In tearful, reverent joy.</p>
+<br />
+<p style='margin: 0 0 0 0.0em;'>&#8220;&#8216;Tis many a day since then; but still,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>When the sea roars like a flood,</p>
+<p style='margin: 0 0 0 0.0em;'>Their boys are taught what a boy can do</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Who is brave, and true, and good;</p>
+<p style='margin: 0 0 0 0.0em;'>For every man in that country</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Takes his son by the hand,</p>
+<p style='margin: 0 0 0 0.0em;'>And tells him of little Peter,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Whose courage saved the land.</p>
+<p style='margin: 0 0 0 0.0em;'>They have many a valiant hero</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Remembered through the years,</p>
+<p style='margin: 0 0 0 0.0em;'>But never one whose name so oft</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Is named with loving tears.</p>
+<p style='margin: 0 0 0 0.0em;'>And his deed shall be sung by the cradle,</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>And told to the child on the knee,</p>
+<p style='margin: 0 0 0 0.0em;'>So long as the dikes of Holland</p>
+<p style='margin: 0 0 0 0.735835172921266em;'>Divide the land from the sea.&#8221;</p>
+</td></tr></table>
+
+<p>They had now come to the Y, an inlet of
+the Zuyder Zee, where several of the men
+under Mr. Lacelle were at work.</p>
+<p>&#8220;Here we are,&#8221; said Eric, gladly. &#8220;Here
+we are! Now for my &#8216;thrilling experience,&#8217;
+as the newspapers say.&#8221;
+<span class='pagenum pncolor'><a id='page_99' name='page_99'></a>99</span></p>
+<p>There was a tent close by, into which
+they stepped to change their dress for the
+diver&#8217;s costume.</p>
+<p>&#8220;Nobody would know me now, I am
+sure,&#8221; said Eric to himself, when, with
+much difficulty, and considerable help from
+the attendants, he emerged from the tent
+arrayed in the suit. &#8220;I can hardly drag my
+feet along, they are so heavy; and I&#8217;m decidedly
+glad that my every-day hat is not
+like this helmet.&#8221;</p>
+<p>Mr. Lacelle had given him particular
+directions about diving, and now the life-line
+and air-hose were adjusted, and the
+brave boy stood beside the professional diver,
+waiting for the descent.</p>
+<p>The signal was given, and soon Eric was
+going down underneath the blue, cold waves.
+He could not see Mr. Lacelle; it seemed as
+if he were never to stop going down: the
+water sang around his ears; and seeing
+nothing but water made him giddy and
+faint. He thought he must certainly smother,
+<span class='pagenum pncolor'><a id='page_100' name='page_100'></a>100</span>
+and, for an instant, was thoroughly
+afraid.</p>
+<p>Then he remembered that, at a single
+touch of the life-line, the men above would
+instantly draw him up, and, feeling quite
+at his ease again, began to look about him.
+To his great joy he saw the bottom, and
+was presently upon it, and walking towards
+Mr. Lacelle.</p>
+<p>Suddenly a sound like heavy peals of
+thunder reverberated through the water.
+At a motion from Mr. Lacelle, Eric looked
+quickly upward, and saw a school of tiny
+fish, darting with great velocity towards
+them, and several large fishes in pursuit of
+the little ones.</p>
+<p>On they came, straight towards Eric and
+Mr. Lacelle; but just before reaching them,
+they turned sharply off in the opposite
+direction; as they turned, the noise increased
+to a heavy peal, and ceased as they passed
+from sight.</p>
+<p>&#8220;How wonderful!&#8221; exclaimed Eric, involuntarily;
+<span class='pagenum pncolor'><a id='page_101' name='page_101'></a>101</span>
+and his voice sounded like roaring
+and screaming, though he had spoken
+quite softly.</p>
+<p>Mr. Lacelle then held at arm&#8217;s length a
+small cartridge, which he signalled, by the
+lines, for the men above to ignite. Almost
+instantly it exploded. Eric was perfectly
+astounded by the effects of the report.</p>
+<p>It seemed as if huge rocks had fallen upon
+his helmet; and such a crashing, rending
+sound as accompanied the shock! It was
+quite as much as he was able to bear in the
+way of noise. Mr. Lacelle told him afterwards,
+that the noise of the report in the
+air would be no louder than that of a common
+fire-cracker.</p>
+<p>Eric hoped that Mr. Lacelle would make
+no more experiments in sound, and the diver
+did not seem at all anxious to do so.</p>
+<p>It was rather awe-inspiring, Eric thought,
+to be walking easily about at the bottom of
+the sea, knowing that around and above
+him lay the mighty element of death. And
+<span class='pagenum pncolor'><a id='page_102' name='page_102'></a>102</span>
+there, under the water, the eighth psalm
+came into his mind, and he realized its beauty
+as he had never been able to before.</p>
+<p>He walked around, picking up shells and
+curious plants, and being careful to keep
+near Mr. Lacelle, who was making some
+calculations about the building of a huge
+bridge, contemplated by the king. Several
+large fish swam lazily up to Eric, eyed him
+curiously, and let themselves be patted upon
+the back.</p>
+<p>&#8220;How amused Nettie would be!&#8221; he
+thought, and wished the huge fish were less
+inquisitive, as he did not particularly fancy
+them. He was quite interested in the flowers,
+which were as brilliant and beautiful as any
+upon the land, when suddenly he discovered
+a heap of shells quite similar to those which
+Mr. Lacelle had described the day before.
+He put several handfuls of them into his
+diver&#8217;s basket, and then, moving off a few
+steps, he watched to see what they would do.</p>
+<p>When all was quiet, they moved slowly at
+<span class='pagenum pncolor'><a id='page_103' name='page_103'></a>103</span>
+first, then more rapidly, and all crawled
+away in the same direction.</p>
+<p>&#8220;That is very curious,&#8221; thought Eric to
+himself. &#8220;I wish I knew what they are.&#8221;</p>
+<p>When he moved again, something struck
+his foot. Looking quickly down through
+the window in his helmet, he saw a small,
+square box, made of tin, and fastened with a
+padlock. A key was in the lock, and Eric
+turned it and opened the box, wondering
+what it could contain. The lid flew back,
+and disclosed an inner cover, on which was
+painted a coat of arms, with the name &#8220;Arthur
+Montgomery&#8221; engraved beneath. A
+spring was visible, and, pressing it, Eric disclosed
+to his astonished vision a number of
+English sovereigns&mdash;gold coins worth about
+five dollars apiece.</p>
+<p>His first impulse was to show the prize to
+Mr. Lacelle, but he could not readily attract
+his attention. So, putting the box in his
+basket after safely locking it, he busied himself
+with gathering the beautiful flowers
+<span class='pagenum pncolor'><a id='page_104' name='page_104'></a>104</span>
+within his reach, and storing them in his
+basket to press for his mother.</p>
+<p>Suddenly he felt himself being drawn up
+slowly towards the surface, and, turning his
+head, saw that Mr. Lacelle was also ascending.</p>
+<p>He knew that they were being drawn up
+because Mr. Lacelle wished him to catch the
+return train to Gravenhaag, and had cautioned
+the men at the pumps not to let them remain
+under water more than half an hour;
+but he was extremely surprised to find that
+the time had passed.</p>
+<p>On reaching &#8220;terra firma,&#8221; so much
+hurrying had to be done in changing his
+armor for more convenient land apparel, that
+he entirely forgot the box of money until
+seated beside Mr. Lacelle in the carriage.
+Then he showed it to him.</p>
+<p>&#8220;That <i>was</i> a find, for so young a submarinist,&#8221;
+said Mr. Lacelle. &#8220;It is yours,
+my boy; divers consider themselves entitled
+<span class='pagenum pncolor'><a id='page_105' name='page_105'></a>105</span>
+to all such unexpectedly discovered valuables.&#8221;</p>
+<p>&#8220;But,&#8221; said Eric, eagerly, &#8220;the owner&#8217;s
+name is upon the box; and see! here is a
+letter addressed to &#8216;Arthur Montgomery,
+Bart., Clone, Lancaster County, England.&#8217;
+I think I ought to return it.&#8221;</p>
+<p>&#8220;Yes,&#8221; said Mr. Lacelle, pleased with
+Eric&#8217;s honesty, &#8220;conscientiously you ought;
+but you are not obliged to by law.&#8221;</p>
+<p>&#8220;I would much rather,&#8221; said Eric, earnestly.
+&#8220;Will you please to inquire about it,
+and see that it reaches the owner?&#8221; Mr.
+Lacelle promised, and, seeing Eric safely
+aboard the cars, bade him good by, and left
+for Amsteldamme.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='IX_UNCLE_JOHN' id='IX_UNCLE_JOHN'></a>
+<span class='pagenum pncolor'><a id='page_106' name='page_106'></a>106</span>
+<h2>CHAPTER IX.</h2>
+<h3>UNCLE JOHN.</h3>
+</div>
+
+<p>When Eric returned to Gravenhaag,
+whom should he see but his uncle,
+Mr. Van Rasseulger? And he being the last
+person in the world that Eric would have
+thought of meeting there, of course he was
+decidedly surprised.</p>
+<p>&#8220;Uncle John!&#8221; he exclaimed, joyfully.
+&#8220;Who would have thought of seeing you
+here?&#8221;</p>
+<p>&#8220;You wouldn&#8217;t, I&#8217;ll wager, young man, or
+you&#8217;d not have gone wild goosing it over the
+water at Amsterdam.&#8221;</p>
+<p>&#8220;I&#8217;ve had a glorious time!&#8221; exclaimed
+Eric. &#8220;I&#8217;ve been walking upon the bottom
+of the Zuyder Zee.&#8221;
+<span class='pagenum pncolor'><a id='page_107' name='page_107'></a>107</span></p>
+<p>&#8220;It&#8217;s high time somebody arrived to look
+after you.&#8221;</p>
+<p>&#8220;But, uncle John, it was perfectly safe.
+Mr. Lacelle is an experienced diver; and
+the landlord under whose care papa left me
+gave me permission. Besides, nothing happened&mdash;&#8221;</p>
+<p>&#8220;How stout and healthy you have grown!&#8221;
+exclaimed Mr. Van Rasseulger, interrupting
+Eric. &#8220;If Johnny has improved as much
+as you have, I shall send him abroad frequently.&#8221;</p>
+<p>&#8220;How is Johnny? He was ill when uncle
+Charlie wrote to me.&#8221;</p>
+<p>&#8220;Ill!&#8221; exclaimed Johnny&#8217;s fond papa, instantly
+growing anxious. &#8220;What did the
+doctor say, Eric?&#8221;</p>
+<p>&#8220;Only that I must wait here a day or two,
+until Johnny was well enough to come on.&#8221;</p>
+<p>&#8220;And where were they when he wrote?&#8221;</p>
+<p>&#8220;At Paris,&#8221; said Eric.</p>
+<p>&#8220;I meant to stay with you to-night,&#8221; said
+his uncle; &#8220;but I believe I shall take the
+<span class='pagenum pncolor'><a id='page_108' name='page_108'></a>108</span>
+boat to Antwerp to-night, and catch the Express
+to Paris. I must look after my boy.&#8221;</p>
+<p>&#8220;O, please take me with you,&#8221; pleaded
+Eric. &#8220;Mr. Lacelle is going to stay at Amsterdam,
+and I shall be terribly lonesome
+here, all alone again.&#8221;</p>
+<p>&#8220;Well, get your things together. Can
+you be ready in two hours?&#8221;</p>
+<p>&#8220;In ten minutes,&#8221; cried Eric, gayly:
+&#8220;mamma did all my packing before she left.
+I&#8217;ve only to tumble a few things into my
+travelling-bag, and to feed myself and Froll.&#8221;</p>
+<p>&#8220;The little monkey? I&#8217;ve made her acquaintance.
+We&#8217;re quite good friends.&#8221;</p>
+<p>&#8220;Uncle John, if you haven&#8217;t seen the doctor
+or Johnny, how <i>did</i> you find me?&#8221; said
+Eric, who had been puzzling himself with
+this question for some time.</p>
+<p>&#8220;Entirely by accident,&#8221; replied his uncle.
+&#8220;I arrived here about two hours since, and,
+finding all your names on the register, supposed
+I had stepped right into a family party;
+but then I learned that your father and mother,
+<span class='pagenum pncolor'><a id='page_109' name='page_109'></a>109</span>
+and that bundle of mischief called Nettie,
+had gone home, and that <i>Mynheer</i> Eric had
+gone to Amsteldamme to explore the mysteries
+of the bottom of the sea. I was so
+frightened that if there had been a chance
+of hitting you, I should have gone directly
+after you.&#8221;</p>
+<p>&#8220;I wish you had,&#8221; said Eric, &#8220;in time to
+have gone down into the water.&#8221;</p>
+<p>Mr. Van Rasseulger, for all his talk about
+Eric&#8217;s expedition, was heartily pleased with
+his brave little nephew, and was thinking to
+himself such an honest, energetic, courageous
+boy would make his way well in the world.</p>
+<p>Eric had no idea that he was a particularly
+interesting boy. He was large and strong
+for his age, easy in his manners, and had
+a frank, joyous countenance, surmounted
+by thick, brown, curly hair. His eyes were
+very honest eyes indeed, often opening wide
+in a surprised way, when they saw anything
+not quite right, and blazing and flashing upon
+the aggressor when they witnessed wrong,
+<span class='pagenum pncolor'><a id='page_110' name='page_110'></a>110</span>
+cruelty, or injustice. He had been brought
+up upon the creed, &#8220;First of all, <i>do right</i>;
+and <i>be a gentleman</i>.&#8221; And being thoughtful,
+careful, and obedient, he was trusted
+and respected as few boys of his age rarely
+deserve to be.</p>
+<p>Of course he had his faults. No young
+lad is without them. But the difference
+between Eric and other boys was, that when
+he became conscious of a fault in his character,
+he immediately set about overcoming it,
+and therefore soon got rid of it. But he was
+obliged to keep a very careful watch over
+himself, for little faults creep into one&#8217;s character
+faster than the little weeds spring up in
+the flower garden, and, like the weeds, too,
+if at once removed are almost harmless, but
+if allowed to spread and flourish they soon
+spoil the entire character, as the weeds spoil
+the garden.</p>
+<p>While we have been moralizing, Eric has
+eaten his supper, neatly packed up the few
+things left about, and, with Froll and his
+<span class='pagenum pncolor'><a id='page_111' name='page_111'></a>111</span>
+travelling-bag, starts from the Vyverberg for
+Paris.</p>
+<p>A very common-looking steamboat took
+them to Antwerp. There is not much to relate
+of their journey, for Eric&#8217;s adventures
+had so tired him that he slept all the way,
+only awakening to take the cars at Antwerp,
+and rousing once again to know they were
+passing through Brussels, and to hear his
+uncle say that the finest altar in the world
+was in the cathedral there. They arrived at
+Paris about noon of the next day, and, after
+considerable trouble, found that Dr. Ward
+had taken rooms in a hotel in the <i>Place
+Vendôme</i>, whither they at once repaired.</p>
+<p>Eric wanted to give his uncle and cousin
+a surprise. So Mr. Van Rasseulger did not
+send up their names, but they stole softly up
+the stairs, and opened the door.</p>
+<p>Johnny was alone, lying upon the floor,
+with a very fretful, discontented expression
+upon his countenance.</p>
+<p>He turned his head towards the door, and
+<span class='pagenum pncolor'><a id='page_112' name='page_112'></a>112</span>
+there, upon the threshold, blushing and laughing,
+stood Eric; and, better still, behind
+him was papa. The child uttered a joyful
+cry, and sprang into his father&#8217;s arms, who
+hurried to meet him, exclaiming,&mdash;</p>
+<p>&#8220;My boy, my Johnny-boy, what is the
+matter?&#8221;</p>
+<p>&#8220;It&#8217;s only the mumps,&#8221; said Johnny, reassuringly,
+and holding out his hand to Eric.
+&#8220;O, ain&#8217;t I glad you&#8217;ve come!&#8221; he added.
+&#8220;It&#8217;s awful dull here, uncle Charlie is away
+at the hospital so much.&#8221;</p>
+<p>&#8220;Well, how have you been, excepting the
+mumps?&#8221; inquired his father, relieved enough
+to find nothing serious the matter with his
+petted boy.</p>
+<p>&#8220;Bully!&#8221; exclaimed John, very improperly.
+&#8220;See how strong I&#8217;m getting, papa!&#8221;
+and he threw out his fist suddenly, giving his
+father a very uncomfortable punch in the side.</p>
+<p>&#8220;I&#8217;m glad you didn&#8217;t illustrate on me,&#8221;
+said Eric, laughing. &#8220;Uncle John, are you
+a tester?&#8221;
+<span class='pagenum pncolor'><a id='page_113' name='page_113'></a>113</span></p>
+<p>&#8220;I&#8217;m an <i>at</i>testor, certainly,&#8221; replied his
+uncle. &#8220;Johnny, if you demonstrate your
+power of strength so forcibly and practically,
+some one will apply oil of birch to you.&#8221;</p>
+<p>&#8220;Then I&#8217;ll be in first-rate running order,&#8221;
+retorted Johnny, &#8220;and you&#8217;ll have to take
+me to Strasbourg.&#8221;</p>
+<p>&#8220;Indeed,&#8221; said his father, &#8220;I think so.&#8221;</p>
+<p>As they all sat, merrily talking, Dr.
+Ward returned, and was pleased and surprised
+enough to find his unexpected guests.
+His greeting was very cordial.</p>
+<p>Eric he was particularly glad to see; he
+had been worried about leaving him so long,
+alone, at the Hague; and Johnny had been
+too ill to travel or to be left with strangers,
+and Eric was too inexperienced, his uncle
+thought, to go from the Hague to Paris
+alone. So it was quite a relief to find him
+safely at hand.</p>
+<p>&#8220;And now,&#8221; he said, after talking about
+home affairs for quite a while, &#8220;I see my way
+out of a dilemma. I have been anxious to attend
+<span class='pagenum pncolor'><a id='page_114' name='page_114'></a>114</span>
+two or three medical lectures at Heidelberg,
+and if you will look after the boys for
+a day or two, I can have my desire.&#8221;</p>
+<p>&#8220;Certainly; I will for a day or two. At
+the end of that time I must go home.
+Here&#8217;s this dutiful boy of mine, with never
+a word for mamma, Annie, or Adolphe.</p>
+<p>&#8220;Well,&#8221; said Johnny, remonstrating, &#8220;you
+took me so by surprise, papa, that I forgot
+all about them.&#8221;</p>
+<p>&#8220;Your filial affection must be strong,&#8221;
+said his father, laughing at him.</p>
+<p>Johnny did not like this, and proposed to
+Eric to take a walk, and &#8220;see Paris.&#8221;</p>
+<p>While they were gone, Mr. Van Rasseulger
+arranged with the doctor to meet them
+again at Heidelberg; meanwhile he would
+keep the boys with him for a week. They
+would leave Paris the next day, if John was
+well enough.</p>
+<p>Dr. Ward thought he would be.</p>
+<p>Mr. Van Rasseulger explained that he
+had been obliged to visit Rotterdam and
+<span class='pagenum pncolor'><a id='page_115' name='page_115'></a>115</span>
+Hague suddenly on business, and must go
+to Vienna, in Austria, and start for home,
+within a fortnight.</p>
+<p>&#8220;Don&#8217;t neglect to take the boy to Munich,
+and show him to his grandfather; and don&#8217;t
+forget your promise to &#8216;make him as hearty
+and strong as Eric,&#8217;&#8221; he said.</p>
+<p>Poor little Johnny, in the interval between
+his own birth and that of his baby brother,&mdash;a
+space of seven years,&mdash;had been petted
+and pampered, and almost thoroughly spoiled.
+His temper had suffered with his constitution,
+and he became a delicate, sickly child.
+His parents, while living in New York, had
+lost three boys, and fearing to lose Johnny,
+too, had sent him to travel abroad, under
+Dr. Ward&#8217;s care. Mr. Van Rasseulger was
+a native of Germany, and thought there was
+no air so invigorating as that breathed in on
+German soil. He had great hopes of its
+curing John&#8217;s delicacy; and Dr. Ward
+thought that a strange country and traveller&#8217;s
+hardships would be excellent aids in
+<span class='pagenum pncolor'><a id='page_116' name='page_116'></a>116</span>
+restoring the boy&#8217;s natural health and good-nature.</p>
+<p>Meanwhile, Eric was seeing Paris under
+Johnny&#8217;s guidance. To be sure, he could
+not see much in a day; but he took a look
+at the war column in the <i>Place Vendôme</i>,
+saw the <i>Palace of the Tuileries</i>, the <i>Jardin
+des Plantes</i>, and entertained his little cousin
+with an account of his visit to the King of
+Holland, and his submarine diving, both
+of which Johnny thought very wonderful.
+Eric was not much concerned at seeing so
+little of Paris at the time, for he knew that
+the doctor intended to spend a month there,
+after visiting Munich. He bought a guide-book
+while out with Johnny, and then they
+returned to their rooms in time to see the
+doctor start for Heidelberg.</p>
+<p>&#8220;Eric,&#8221; said Johnny, when Dr. Ward had
+gone, &#8220;I must show you the American railway
+here.&#8221;</p>
+<p>&#8220;Why?&#8221; said Eric; &#8220;I&#8217;m sure that is the
+last thing I came to Paris to see.&#8221;
+<span class='pagenum pncolor'><a id='page_117' name='page_117'></a>117</span></p>
+<p>&#8220;Now,&#8221; said Johnny, importantly, &#8220;I
+suppose you think you know just what it is;
+but you&#8217;re quite as mistaken as if you were
+a donkey without ears.&#8221;</p>
+<p>&#8220;John!&#8221; said his father, reprovingly.</p>
+<p>&#8220;That was only a &#8216;simile,&#8217; papa,&#8221; answered
+Johnny, roguishly, as he led Eric
+out again.</p>
+<p>Sure enough, when they reached the railway,
+Eric found that his idea of it had been
+far from correct.</p>
+<p>&#8220;It is nothing at all but an omnibus running
+upon rails,&#8221; he said: &#8220;I don&#8217;t see why
+they call it American.&#8221;</p>
+<p>&#8220;It isn&#8217;t anything like as nice as our street
+cars&mdash;is it?&#8221; answered Johnny, with a flourish
+of national pride quite pardonable in so
+young an American.</p>
+<p>Just then the conductor, supposing the
+two boys wished to be passengers, saluted
+them politely, exclaiming, &#8220;<i>Complete, complete!</i>&#8221;
+and the omnibus rolled off along the
+rails.
+<span class='pagenum pncolor'><a id='page_118' name='page_118'></a>118</span></p>
+<p>&#8220;What did he mean?&#8221; asked Eric, quite
+puzzled.</p>
+<p>&#8220;He said the coach was full,&#8221; Johnny
+replied. &#8220;They are never allowed to carry
+more passengers than there are seats for.&#8221;</p>
+<p>&#8220;That is still less and less like an American
+railway,&#8221; said Eric, laughing, and thinking
+of the crowded cars and overstrained
+horses he had so often seen and pitied,
+wearily perambulating the streets of New
+York.</p>
+<p>&#8220;Let&#8217;s have some cake and coffee,&#8221; Johnny
+proposed, as they were strolling towards
+home. &#8220;I think French coffee is hard to
+beat.&#8221;</p>
+<p>&#8220;When I was your age,&#8221; remarked Eric,
+&#8220;mamma almost decided to live in Paris;
+but I am very glad she did not, for I think
+New York a great deal nicer.&#8221;</p>
+<p>Johnny led the way to a café&mdash;that is, a
+coffee-house,&mdash;and here they regaled themselves
+with rolls and delicious coffee.</p>
+<p>Eric was shocked to see Johnny appropriate
+<span class='pagenum pncolor'><a id='page_119' name='page_119'></a>119</span>
+a couple of cakes and two lumps of
+sugar, left over from their repast, and convey
+them to his pocket.</p>
+<p>&#8220;Why, Johnny!&#8221; he exclaimed, in a tone
+of mortification.</p>
+<p>&#8220;They all do so,&#8221; said John, laughing. &#8220;A
+Frenchman thinks he has a right to everything
+that he pays for. Watch the others.&#8221;</p>
+<p>Eric looked around and saw several
+Frenchmen, who had finished their lunch,
+following John&#8217;s example.</p>
+<p>&#8220;Well,&#8221; said he, &#8220;if I should do that at
+Millard&#8217;s, how they <i>would</i> all stare!&#8221;</p>
+<p>Johnny was quite pleased with his own
+importance in being able to show Eric
+around the city, and proposed several places
+that they &#8220;ought to see.&#8221; But the afternoon
+was waning, and a damp, chilly breeze sprang
+up, which Eric knew, from experience, was
+not at all good for the mumps. So he very
+prudently hurried Johnny home, holding
+forth Froll&#8217;s loneliness as an additional inducement.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='X_STRASBOURG' id='X_STRASBOURG'></a>
+<span class='pagenum pncolor'><a id='page_120' name='page_120'></a>120</span>
+<h2>CHAPTER X.</h2>
+<h3>STRASBOURG.</h3>
+</div>
+
+<p>&#8220;Uncle John,&#8221; said Eric, the next
+morning, &#8220;do you think of going
+through Strasbourg, when we leave for Munich?&#8221;</p>
+<p>&#8220;No,&#8221; said his uncle; &#8220;I have business to
+attend to on another route.&#8221;</p>
+<p>&#8220;But, papa,&#8221; expostulated Johnny, &#8220;we
+want to see the great clock in the Strasbourg
+Cathedral.&#8221;</p>
+<p>&#8220;It will be impossible for me to go,&#8221; Mr.
+Van Rasseulger said, very decidedly; but
+seeing that both the boys were greatly disappointed,
+he added, &#8220;If you could be a sober
+boy, Johnny, I might trust you alone with
+Eric, and you might go to Switzerland by
+<span class='pagenum pncolor'><a id='page_121' name='page_121'></a>121</span>
+the Strasbourg route, meeting me at Lucerne.&#8221;</p>
+<p>&#8220;By ourselves? O, how jolly!&#8221; Johnny
+exclaimed, turning a somersault upon the
+floor.</p>
+<p>&#8220;But the question is, my boy, <i>Can</i> I trust
+you?&#8221;</p>
+<p>&#8220;O, papa!&#8221;</p>
+<p>&#8220;I will consider it, John. I can trust Eric,
+but your inclinations are apt to be rather unsteady.&#8221;</p>
+<p>That was certainly true, for Johnny&#8217;s inclination
+just then was, back parallel with
+the floor, heels at a right angle with his
+head.</p>
+<p>&#8220;But I think I will try you,&#8221; continued his
+father. &#8220;I shall put you under Eric&#8217;s care,
+and require you to obey and refer to him.
+You may start to-morrow morning, which
+will give you time to spend a day and night
+at Strasbourg, and to meet me at Lucerne,
+on the evening of the day after to-morrow.&#8221;</p>
+<p>&#8220;Hurrah! hurrah!&#8221; screamed Johnny,
+<span class='pagenum pncolor'><a id='page_122' name='page_122'></a>122</span>
+leaping to his feet, &#8220;hurrah for Strasbourg and
+its wonderful clock! Three cheers for&mdash;Good
+gracious!&#8221;</p>
+<p>The excited boy&#8217;s exuberant spirits went
+up with Eric&#8217;s guide-book to the ceiling of
+the room, and returned in bewilderment as
+the unfortunate book came down in a basin
+of water in which he had been sailing his
+magnetic ship.</p>
+<p>&#8220;An encouraging beginning that,&#8221; remarked
+his father, gravely.</p>
+<p>&#8220;I didn&#8217;t mean to, Eric,&#8221; Johnny said
+quite meekly; &#8220;I guess &#8216;twill dry in the sun.&#8221;</p>
+<p>&#8220;Then you had better put it there,&#8221; said
+Mr. Van Rasseulger; &#8220;you are tearing the
+leaves by holding the book in your wet
+hands.&#8221; Johnny spread the guide-book upon
+a sunny window-seat, listening with interest
+to Eric&#8217;s proposal.</p>
+<p>&#8220;I must study the route on the map down
+stairs; and if you are willing, uncle John, I
+will go out now with Johnny and get the
+tickets.&#8221;
+<span class='pagenum pncolor'><a id='page_123' name='page_123'></a>123</span></p>
+<p>&#8220;Certainly,&#8221; said his uncle; &#8220;but my advice
+would be to study a dry guide-book and
+the map before getting the tickets; there may
+be a choice of routes.&#8221;</p>
+<p>This was excellent advice, as the boys
+soon found. There were three routes, and
+some time elapsed before they decided upon
+one.</p>
+<p>At length they chose the shortest of all,
+as their time was limited and they wanted it
+all for Strasbourg. Their choice, therefore,
+fell upon the most direct route, it being
+straight across the country of France, and
+for a distance of about two hundred and fifty
+miles traversed by rail.</p>
+<p>They consulted with Monsieur Richarte,
+the landlord, and their uncle, and decided to
+take an early train on the following morning.
+A ride of eight hours would suffice for the
+journey, and their early start would enable
+them to have a few hours for sight-seeing in
+the day and twilight.</p>
+<p>But tourists should always allow for detention.
+<span class='pagenum pncolor'><a id='page_124' name='page_124'></a>124</span>
+For although Mr. Van Rasseulger saw
+them safely aboard the early train in the
+morning, an accident detained them at Vitry,
+and when they reached Strasbourg it was night&mdash;a
+dark, rainy, dismal night.</p>
+<p>They rode directly to the principal hotel,
+a large, roomy, comfortable-looking place,
+and immediately after supper proceeded to
+their room for the night.</p>
+<p>Before retiring, Johnny looked out from
+between the crimson window curtains, to see
+what he could of the city; but little was visible.
+Opposite the window was a little two-story
+house, with queer stagings about the
+chimneys. He called Eric to look at them,
+saying he guessed the chimneys were being
+rebuilt.</p>
+<p>&#8220;No, Johnny,&#8221; said Eric. &#8220;You will find
+those stagings upon almost every house here.
+They are erected by the house-owners for the
+especial accommodation of storks that build in
+the chimneys and are the street scavengers of
+Strasbourg.&#8221;
+<span class='pagenum pncolor'><a id='page_125' name='page_125'></a>125</span></p>
+<p>&#8220;Are they?&#8221; said Johnny, sleepily; &#8220;well,
+let&#8217;s go to bed.&#8221; They were both very tired
+and sleepy boys, and prepared for a good
+night&#8217;s rest.</p>
+<p>&#8220;I think I shall sleep well,&#8221; Johnny remarked.</p>
+<p>&#8220;And I&#8217;m sure I shall,&#8221; said Eric. &#8220;I&#8217;ve
+travelled nearly six hundred miles since night
+before last.&#8221;</p>
+<p>But they were destined to disappointment,
+for from the large, open fireplace in the
+room there issued, all night long, a continuous
+wailing, moaning, rustling sound, caused
+by the wind; added to which were the dismal
+groanings of the old storks and piping of the
+young ones.</p>
+<p>It seemed to Eric that he had but just
+fallen asleep, when Johnny was shaking him
+and hallooing in his ear.</p>
+<p>&#8220;Eric! Eric! it&#8217;s a splendid morning!
+Get up quick. I want to go out and see the
+sights. Hurry up!&#8221;</p>
+<p>&#8220;Yes,&#8221; said Eric.
+<span class='pagenum pncolor'><a id='page_126' name='page_126'></a>126</span></p>
+<p>Johnny scampered down stairs, and before
+long Eric joined him in the hall, where the
+impatient boy was walking on his hands, with
+his heels in the air, by way of diversion.</p>
+<p>&#8220;All ready?&#8221; he cried, and resumed a position
+more convenient and becoming for a
+promenade, as they started.</p>
+<p>They had a fine, breezy walk.</p>
+<p>Strasbourg is not far from the Rhine; and
+one of its tributaries, the graceful, sparkling
+<i>Ill</i> River, which, as Johnny suggested, is a
+very <i>good</i> stream, washes the city&#8217;s walls and
+supplies it with water.</p>
+<p>This city is famous for its immense fortifications,
+its Minster, or Cathedral, and the
+Astronomical Clock of the Three Sages.</p>
+<p>Its form is triangular, and the entire city
+is enclosed by a bastioned line of ramparts
+and several outworks.</p>
+<p>There are seven entrance gates, and on the
+east side is a strong pentagonal or five-sided
+tower.</p>
+<p>There is a network of sluices, by which
+<span class='pagenum pncolor'><a id='page_127' name='page_127'></a>127</span>
+the surrounding country can be inundated.
+Strasbourg is one of the most important fortresses
+and arsenals of France, besides being
+its principal depot of artillery. It is pleasantly
+situated, but most of its streets are
+narrow, with lofty eaves-drooping houses.</p>
+<p>The boys were surprised to hear its inhabitants
+speaking German instead of French,
+but learned that the town was originally
+German, and was ceded to France in one of
+the Louis XIV. wars, when it became the
+capital of <i>Bas Rhin</i>, a division of France,
+on the eastern frontier.</p>
+<p>In many of the streets of Strasbourg are
+little wooden bridges, similar to canal bridges.
+These are built over the Ill, which intersects
+the city in all directions.</p>
+<p>When Eric and Johnny took their stroll, it
+was market-day, and, even at that early hour,
+the streets presented a lively scene.</p>
+<p>Carts and drays were the stalls in the open
+street, and people were buying and selling
+at a great rate.
+<span class='pagenum pncolor'><a id='page_128' name='page_128'></a>128</span></p>
+<p>The fish stalls were surrounded by storks;
+but the people seemed to mind them no more
+than the birds minded the people. These
+storks are great favorites with Germans. In
+Strasbourg they are as tame as our domestic
+hens, and it is very comical to see them strutting
+importantly about, as if they had as good
+a right to the sidewalk as the other citizens.</p>
+<p>The boys returned to the hotel with ravenous
+appetites, but, hungry as they were,
+could not appreciate the described daintiness
+of a most apparently unpalatable pie, called
+<i>pâté de foie gras</i>; so they were obliged to
+content themselves with other edibles and fragrant
+French coffee.</p>
+<p>&#8220;Now for the minster!&#8221; said Eric, as they
+arose from the table.</p>
+<p>&#8220;The <i>minister</i>?&#8221; exclaimed Johnny;
+&#8220;what for?&#8221;</p>
+<p>Eric laughed.</p>
+<p>&#8220;Not <i>minister</i>, but <i>minster</i>. A minster
+is a cathedral church.&#8221;</p>
+<p>&#8220;I don&#8217;t care much about the minster,
+<span class='pagenum pncolor'><a id='page_129' name='page_129'></a>129</span>
+then,&#8221; said Johnny, running up stairs on all
+fours. &#8220;I&#8217;ve seen cathedrals till I&#8217;m sick of
+them. But this clock <i>is</i> curious, and I&#8217;m
+anxious to see it.&#8221;</p>
+<p>&#8220;Johnny,&#8221; expostulated Eric, &#8220;walk properly.
+You ought to have been a monkey.&mdash;And
+that reminds me,&#8221; he added, &#8220;I
+must feed Froll and fasten her, that she may
+do no mischief while we&#8217;re at the cathedral.&#8221;</p>
+<p>Little Froll received an ample breakfast,
+and her silver chain was securely fastened.
+Then the boys left her.</p>
+<p>When they had been gone a while, and
+her breakfast had disappeared, Froll became
+lonesome, and cast her eyes about to see with
+what mischief she might best employ herself.
+But thoughtful Eric had placed every temptation
+out of her reach.</p>
+<p>Meanwhile Eric and Johnny were viewing
+the wonders of the famous astronomical
+clock.</p>
+<p>This clock is in the Strasbourg Cathedral.
+It was built in the cathedral, before its completion,
+<span class='pagenum pncolor'><a id='page_130' name='page_130'></a>130</span>
+in the year 1439, and was invented
+by Isaac Habrecht, a Jewish astrologer.</p>
+<p>European clocks were first invented in the
+eleventh century, by the Saracens, and used
+principally for monasteries. They were very
+rude, simple affairs, and sometimes would
+only &#8220;go&#8221; when somebody pushed the pendulum,
+which was rather inconvenient than
+otherwise.</p>
+<p>So wise mathematicians tried to make
+improvements; and some succeeded, among
+whom was Isaac Habrecht, who, in the fourteenth
+century, invented the most wonderful
+clock in the world, and called it the &#8220;Clock
+of the Three Sages,&#8221; because once in every
+hour the figures of the Three Kings of the
+Orient came out from a niche in its side, and
+made a reverential bow before an image of
+the Virgin Mary, seated just above the dial-plate,
+on the front of the clock.</p>
+<p>It is built of dark wood, gilded and carved,
+and is sixty feet high. In shape it is somewhat
+similar to a church, with a tower on
+<span class='pagenum pncolor'><a id='page_131' name='page_131'></a>131</span>
+either side of the entrance; and these towers
+of the clock are encircled by spiral staircases,
+which are used when repairs are necessary.</p>
+<p>When Isaac Habrecht invented this wonderful
+clock, he meant it to run forever,
+always displaying to the good people of
+Strasbourg the days of the month, places of
+the sun and moon, and other celestial phenomena;
+and while he lived it worked admirably:
+but when he had been dead a while, the clock
+stopped; and as nobody else understood its
+machinery, it had quite a vacation.</p>
+<p>After a while, however, the good people
+of Strasbourg took it in hand, and it was
+repaired and set going&mdash;only to stop again.
+Thus it went on until Napoleon&#8217;s time.</p>
+<p>Strasbourg, originally a German town, was
+ceded to Louis XIV. in 1681; so the clock
+was French property, and Napoleon decided
+it must be brought to life again. Under the
+most skilful French and German machinists
+this repairing took place. It was eminently
+<span class='pagenum pncolor'><a id='page_132' name='page_132'></a>132</span>
+successful <i>this</i> time, and, when completed,
+was a great improvement on the old clock.</p>
+<p>It will now give not only the time of
+Strasbourg, but of every principal city in the
+world; also the day of the week and month,
+the course of the sun and planets, and all the
+eclipses of the sun and moon, in their regular
+order.</p>
+<p>In an alcove, above the dial, is an image
+of the Saviour; and every day, at noon,
+figures of the twelve apostles march round it
+and bow, while the holy image, with uplifted
+hands, administers a silent blessing. A cock,
+on the highest point of the right hand tower,
+flaps his wings and crows three times; and
+when he stops, a beautiful chime of bells
+rings out familiar and very musical tunes.</p>
+<p>A figure of Time, in a niche on one side,
+strikes the quarter hours from twelve to one;
+and four figures&mdash;Childhood, Youth, Manhood,
+and Old Age&mdash;pass slowly before
+him. In a niche, on the other side is an
+<span class='pagenum pncolor'><a id='page_133' name='page_133'></a>133</span>
+angel turning an hour-glass. The clock is
+in the south transept of the cathedral.</p>
+<p>Persons travelling abroad usually take
+Strasbourg on their route, to visit its cathedral,&mdash;the
+spire of which is the highest in
+the world, being four hundred and sixty
+feet high,&mdash;and to see its wonderful astronomical
+clock.</p>
+<p>Eric and Johnny were very much pleased
+with the famous clock. The guide who explained
+and told its history to them was
+very good-natured, and even allowed them
+to ascend the tower of the cathedral, which,
+usually, is not allowable.</p>
+<p>Here they had a most magnificent view,
+which I cannot attempt to describe, and only
+advise you to go and see it for yourself.</p>
+<p>Before leaving the cathedral, they bought
+two photographs of the wonderful clock, intending
+to send them home, with a description
+of their visit to Strasbourg.</p>
+<p>By the time their explorations were finished,
+Johnny declared that he was so
+<span class='pagenum pncolor'><a id='page_134' name='page_134'></a>134</span>
+hungry, he could almost eat one of those
+goose pies. The morning was quite gone.
+It would soon be time to take the train for
+Lucerne, and they must have dinner.</p>
+<p>&#8220;Won&#8217;t Froll be glad to see us back!&#8221;
+exclaimed Johnny, as they reached their
+room; &#8220;she doesn&#8217;t like to be left alone.&#8221;</p>
+<p>Eric had bought some nuts for the little
+creature, and went with them straightway
+to her cage.</p>
+<p>The cage was just as he left it; the silver
+chain was there, too, fastened to one of the
+bars and to the tiny collar; but the collar
+hung dangling at the end of the chain, and
+Froll was nowhere to be seen.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='XI_ERIC_IN_TROUBLE' id='XI_ERIC_IN_TROUBLE'></a>
+<span class='pagenum pncolor'><a id='page_135' name='page_135'></a>135</span>
+<h2>CHAPTER XI.</h2>
+<h3>ERIC IN TROUBLE.</h3>
+</div>
+
+<p>A thorough search was instantly
+made; but neither around the room,
+nor behind the furniture, nor upon the gallery
+roof, were any traces to be found of the
+lost Frolic.</p>
+<p>&#8220;It is too bad,&#8221; cried Eric, in perplexity,
+while Johnny looked ready to cry. &#8220;We
+must speak to the landlord, and ask him
+what we are to do.&#8221;</p>
+<p>Eric&#8217;s German was by no means perfect;
+but he managed to make the good-natured
+landlord understand their trouble. He made
+inquiries of all, directly; but no one had
+seen the little monkey since the boys had
+left her. He did not think it at all likely
+<span class='pagenum pncolor'><a id='page_136' name='page_136'></a>136</span>
+that she had been stolen, for no one could
+get to the boys&#8217; room without being noticed
+by some of the servants, and he was quite
+sure that she would return safely to her
+comfortable quarters; so he advised the boys
+to leave the window open for her, and to go
+at once to the dinner he had been for some
+time keeping for them.</p>
+<p>His sensible advice was unwillingly followed;
+but Froll took no advantage of the
+window left open for her benefit.</p>
+<p>Eric and Johnny waited and watched impatiently,
+until it was almost time to start
+for the train. Then Eric left directions with
+the landlord, in case the monkey should be
+found and captured; promising to send for
+her. He was just going to call Johnny,
+when he heard his voice, crying, excitedly,
+&#8220;Eric, Eric!&#8221; and hoping Froll had returned,
+ran quickly up the stairs.</p>
+<p>&#8220;See there, what I found on the floor,&#8221;
+exclaimed Johnny, as he entered the room,
+and held up before Eric&#8217;s astonished gaze a
+<span class='pagenum pncolor'><a id='page_137' name='page_137'></a>137</span>
+jewelled ring, that flashed and sparkled in
+the sunlight.</p>
+<p>&#8220;Good gracious!&#8221; exclaimed Eric; &#8220;on
+the floor of <i>this</i> room?&#8221;</p>
+<p>&#8220;Yes,&#8221; answered Johnny, &#8220;on the floor,
+just where you&#8217;re standing. It&#8217;s a mercy we
+haven&#8217;t stepped on it. Don&#8217;t you think so?&#8221;</p>
+<p>&#8220;We must find the owner at once. Isn&#8217;t
+it splendid!&#8221; said Eric, admiringly; &#8220;three
+diamonds and an emerald; it must have cost
+a fortune.&#8221;</p>
+<p>Just at this juncture the door opened, and
+the landlord, followed by a French officer
+and a civilian, entered the room. The landlord
+exclaimed, in German,&mdash;</p>
+<p>&#8220;I beg your pardon, young gentlemen,
+but a serious loss has occurred in the house,
+and as you are about leaving it, perhaps you
+will be kind enough to let us inspect&mdash;&#8221;</p>
+<p>&#8220;<i>Ah! mon Dieu! il y ait!</i>&#8221;<a name="FNanchor_1" id="FNanchor_1"></a><a href="#Footnote_1" class="fnanchor">[1]</a> screamed
+the French civilian, darting towards Eric
+and John, and, snatching the ring from
+<span class='pagenum pncolor'><a id='page_138' name='page_138'></a>138</span>
+Johnny&#8217;s hand, displayed it triumphantly
+before the landlord and the officer.</p>
+<p>&#8220;I found it on the floor,&#8221; said Johnny.
+&#8220;Is it yours?&#8221;</p>
+<p>&#8220;A likely story!&#8221; muttered the Frenchman.</p>
+<p>&#8220;I&#8217;m very glad you&#8217;ve got it,&#8221; said Eric,
+with dignity. &#8220;My cousin found it on the
+floor a minute ago, and we were on the
+point of taking it to the landlord when you
+came in.&#8221;</p>
+<p>Eric spoke slowly and distinctly, and with
+an air of honest truth that at once convinced
+the landlord. But the excitable
+little Frenchman, who had been clasping
+the precious ring, and murmuring, &#8220;<i>Ciel,
+ciel! ah, ciel!</i>&#8221; in an incoherent way, now
+sprang at Eric, and grasping him by the
+collar, exclaimed, angrily, &#8220;O, you fine
+fellow! you wicked one! where is my&mdash;my
+gold?&mdash;my gold? where is it?&#8221; and he gave
+the boy a series of shakes.</p>
+<p>Eric&#8217;s anger was fully aroused. With
+<span class='pagenum pncolor'><a id='page_139' name='page_139'></a>139</span>
+flashing eyes, &#8220;How dare you!&#8221; he said,
+indignantly, and, turning upon the Frenchman,
+flung him with some violence against
+the wall.</p>
+<p>This made the little Frenchman still more
+furious; he would have sprung again upon
+Eric, but the officer interfered. Johnny,
+with his eyes almost starting from his head,
+had terrifiedly regarded this little scene,
+doubling his fists to aid in Eric&#8217;s rescue.</p>
+<p>Eric turned indignantly to the landlord,&mdash;</p>
+<p>&#8220;What is the meaning of all this? Are
+two defenceless American boys, your guests,
+to be openly insulted in your presence without
+protection?&#8221;</p>
+<p>&#8220;Count D&#8217;Orsay has been robbed of his
+diamond ring and a sum of money,&#8221; explained
+the landlord. &#8220;He insisted that no
+person should leave the hotel without examination.
+That is why we came to you.
+He has found the ring in your hands, which
+is very astonishing, and he now suspects you
+of having the gold.&#8221;
+<span class='pagenum pncolor'><a id='page_140' name='page_140'></a>140</span></p>
+<p>The landlord spoke gently, and seemed
+grieved to be obliged to hurt their feelings,
+as he knew his implied meaning must.</p>
+<p>Poor Eric&#8217;s face flushed hotly with shame
+and anger, while Johnny cried, furiously,
+&#8220;Eric, Eric, for pity&#8217;s sake send for papa!
+He will teach that hateful Frenchman what
+it is to call us thieves.&#8221;</p>
+<p>&#8220;Be quiet, John!&#8221; said Eric, imperiously.
+&#8220;Come here.&#8221;</p>
+<p>&#8220;Now, sir,&#8221; turning to the landlord,
+&#8220;please to let your officer search us, and
+then our baggage. Do it at once, for we
+are to leave Strasbourg directly.&#8221;</p>
+<p>&#8220;Indeed!&#8221; sneered Count D&#8217;Orsay. &#8220;Perhaps
+you will not leave Strasbourg for the
+present. Search them, officer.&#8221;</p>
+<p>The officer advanced reluctantly, and, by
+his expression of sympathy, showed himself
+much more a gentleman than the titled count,
+whose habitual politeness had been driven
+away by Eric&#8217;s powerful thrust.</p>
+<p>The landlord, although deeply sympathetic,
+<span class='pagenum pncolor'><a id='page_141' name='page_141'></a>141</span>
+and convinced of their honesty, was powerless
+to resist Count D&#8217;Orsay. He was a German
+innholder, and the count a wealthy, influential
+French nobleman, with a proper warrant
+for searching his house. So he could
+in no way protect the boys from the indignity
+put upon them. But he hailed with
+joy Johnny&#8217;s suggestion to send for his father,
+deciding to do so at once, if they should
+be detained.</p>
+<p>Of course no gold was found upon either
+of them, except that given to Eric for tickets
+and hotel expenses, and none was found in
+their baggage.</p>
+<p>But just as they were preparing to leave
+the place, having been released by the officer,
+Count D&#8217;Orsay uttered an exclamation, and
+pointed to a <i>fauteuil</i>&mdash;an easy chair&mdash;by
+the window.</p>
+<p>&#8220;<i>Celui-là!</i>&#8221;</p>
+<p>The officer stepped to the chair, and found,
+tucked between the cushion and the arm, a
+silk purse, full of gold pieces.
+<span class='pagenum pncolor'><a id='page_142' name='page_142'></a>142</span></p>
+<p>Eric and Johnny were horror-stricken, and
+the good landlord was dumb with astonishment.</p>
+<p>The French count held up the purse triumphantly,
+and jingled the gold before Eric&#8217;s
+eyes, exclaiming, tauntingly,&mdash;</p>
+<p>&#8220;It is mine, and I have it. The <i>prison</i>
+is yours, and you shall have it.&#8221;</p>
+<p>&#8220;Eric, Eric,&#8221; cried Johnny, in agony of
+terror, &#8220;they <i>can&#8217;t</i> send us to prison. We
+haven&#8217;t done anything. We didn&#8217;t know the
+money was there, or the ring. O, what shall
+we do? Send for papa!&#8221;</p>
+<p>Eric&#8217;s face was very white, and his hand
+trembled visibly, as he wrote his uncle&#8217;s address
+on a card, and requested the landlord
+to send for him.</p>
+<p>Count D&#8217;Orsay wished them to be at once
+conducted to prison: but this the landlord
+would not allow, and the officer declared was
+unnecessarily severe. They might remain in
+their room, with a guard, and the landlord
+would be responsible for their remaining.
+<span class='pagenum pncolor'><a id='page_143' name='page_143'></a>143</span></p>
+<p>As soon as the detestable Frenchman had
+gone, Johnny threw himself at full length
+upon the floor, crying violently. Eric could
+not comfort him, but sat at the window, with
+a proud, defiant face and swelling heart.</p>
+<p>Presently the kind landlord came again to
+them.</p>
+<p>He had sent word by telegraph to Johnny&#8217;s
+father, and received a return message. Mr.
+Van Rasseulger would be with them by
+night.</p>
+<p>This was comforting. And gradually the
+boys thought less and less of their trouble,
+and became quite interested in making conjectures
+with the landlord as to when and
+how the money and jewels came into their
+room, and if Froll&#8217;s disappearance could be
+owing to the same cause, or in any way connected
+with it, and if she would probably
+return at night.</p>
+<p>&#8220;It&#8217;s an ill wind that blows nobody good,&#8221;
+said Eric; &#8220;and perhaps, by being detained
+here, we shall find her.&#8221;</p>
+<div class='figcenter'>
+<img src='images/illus3.jpg' alt='' title='' style='width: 347px; height: 486px;' /><br />
+<p class='caption' style='margin: 0 auto; text-align:center;width: 347px;'>
+<span style='font-variant: small-caps'>Eric and the French Count</span>.&mdash;Page 143.<br />
+</p>
+</div>
+
+<div><span class='pagenum pncolor'><a id='page_144' name='page_144'></a>144</span></div>
+<p>&#8220;I don&#8217;t care what they do when papa
+gets here,&#8221; said Johnny, whose faith in his
+father&#8217;s power was limitless. &#8220;He&#8217;ll just
+<i>fix</i> that Count D&#8217;Orsay.&#8221;</p>
+<p>Meanwhile Mr. Van Rasseulger was whizzing
+rapidly towards them in the afternoon
+train, and another powerful friend was coming
+from an opposite direction.</p>
+
+<hr style='width: 10%; border:none; border-bottom:1px solid black; clear:both; margin: 2em auto 1em 0' />
+
+<div class='footnote'><a name='Footnote_1' id='Footnote_1'></a><a href='#FNanchor_1'><span class='label'>[1]</span></a>
+<p style='font-size: small'> O Heaven! he has it!</p></div>
+
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='XII__A_FRIEND_IN_NEED_IS_A_FRIEND_INDEED' id='XII__A_FRIEND_IN_NEED_IS_A_FRIEND_INDEED'></a>
+<span class='pagenum pncolor'><a id='page_145' name='page_145'></a>145</span>
+<h2>CHAPTER XII.</h2>
+<h3>&#8220;A FRIEND IN NEED IS A FRIEND INDEED.&#8221;</h3>
+</div>
+
+<p>One, two, three, four, five, six, sounded
+a deep-throated bell upon the evening
+air, and then a chime of bells played Luther&#8217;s
+Chant.</p>
+<p>&#8220;O, dear!&#8221; groaned Johnny; &#8220;that&#8217;s the
+wonderful clock; I wish we had let it alone.&#8221;</p>
+<p>&#8220;Hark!&#8221; exclaimed Eric.</p>
+<p>His quick ear had caught the sound of
+footsteps upon the stairway leading to their
+room, and he fancied them to be his uncle&#8217;s.
+He was right. The door opened presently,
+and Mr. Van Rasseulger was with them.</p>
+<p>&#8220;Well, what is all this nonsense?&#8221; he
+exclaimed, grasping Eric&#8217;s hand, and drawing
+Johnny into his lap. &#8220;A good-natured
+<span class='pagenum pncolor'><a id='page_146' name='page_146'></a>146</span>
+guardian lets you off for a good time, and
+you get into trouble the first thing.&#8221;</p>
+<p>Eric related all that had occurred, a little
+embarrassed at Johnny&#8217;s admiring remark,&mdash;</p>
+<p>&#8220;You ought to have seen him spin that
+little dancing Frenchman against the wall,
+papa. I wish I&#8217;d been big enough! I&#8217;d
+have thrashed him!&#8221;</p>
+<p>&#8220;Hush, Johnny,&#8221; said his father. &#8220;Go
+on, Eric. You say he found the money in
+the fauteuil. How in the world did the
+things get into this room?&#8221;</p>
+<p>&#8220;That is just what puzzles everybody,&#8221; answered
+Eric, earnestly. &#8220;Uncle John, how
+<i>could</i> it have got there? and the ring, too?&#8221;</p>
+<p>&#8220;Where did you find the ring, Johnny?&#8221;</p>
+<p>&#8220;Right here, sir, upon the floor, by Froll&#8217;s
+cage;&#8221; answered Johnny, getting up and
+standing in the place.</p>
+<p>&#8220;It is very mysterious, certainly,&#8221; Mr.
+Van Rasseulger said, &#8220;and the strange circumstances
+give the man strong grounds for
+suspicion against you. Of course, it is
+<span class='pagenum pncolor'><a id='page_147' name='page_147'></a>147</span>
+absurd to think that two little boys would
+have committed such a robbery; yet the ring
+was found in your hands, and the money
+concealed in your room, and therefore you
+are accused.&#8221;</p>
+<p>&#8220;But, papa, can&#8217;t you take us away? We
+didn&#8217;t do it.&#8221;</p>
+<p>&#8220;You silly boy, I <i>know</i> you did not do it.
+But would you not rather stay and prove
+satisfactorily to all that you did not? I
+should not wish to take you from here while
+the faintest shadow of a suspicion lingered
+that you were guilty.&#8221;</p>
+<p>&#8220;Nor would I wish to go,&#8221; said Eric,
+proudly.</p>
+<p>&#8220;Well, then we&#8217;ll stay,&#8221; said Johnny,
+dolefully; &#8220;but I think it is dreadfully unjust
+to spoil all our good time. We Americans
+wouldn&#8217;t do so to a Frenchman.&#8221;</p>
+<p>&#8220;I&#8217;m afraid we would, under such suspicious
+evidences,&#8221; said his uncle. &#8220;But you
+needn&#8217;t worry about it, boys; every cloud has
+a silver lining.&#8221;
+<span class='pagenum pncolor'><a id='page_148' name='page_148'></a>148</span></p>
+<p>&#8220;It isn&#8217;t pleasant to know we can&#8217;t go out
+of our room,&#8221; said Eric.</p>
+<p>&#8220;No: I must arrange about that,&#8221; Mr.
+Van Rasseulger answered. &#8220;I will write a
+note to the American consul, and get you
+released.&#8221;</p>
+<p>Eric started suddenly to his feet.</p>
+<p>&#8220;I am sure I heard Mr. Lacelle&#8217;s voice,&#8221;
+he said.</p>
+<p>&#8220;You couldn&#8217;t have,&#8221; said Johnny. &#8220;You
+left him at Amsterdam.&#8221;</p>
+<p>&#8220;I did, I know I did!&#8221; persisted Eric.
+&#8220;There it is again: that is he! O, Uncle
+John, go out and tell him about it.&#8221;</p>
+<p>His uncle left them, and before long returned,
+actually bringing Mr. Lacelle with
+him.</p>
+<p>The diver was surprised beyond measure
+to find his favorite Eric in Strasbourg, and
+highly indignant at the circumstance which
+detained him.</p>
+<p>&#8220;You are the most honest boy that
+ever lived,&#8221; he cried, and told Mr. Van
+<span class='pagenum pncolor'><a id='page_149' name='page_149'></a>149</span>
+Rasseulger about the box of sovereigns.
+&#8220;But come, tell me all about this,&#8221; he
+added.</p>
+<p>Eric again related the incident, beginning
+with his discovery of Froll&#8217;s disappearance,
+and ending with the charge of theft and
+threat of prison.</p>
+<p>Johnny, who despite his dislike of Frenchmen
+in general, cordially liked Mr. Lacelle,
+was surprised to see his gradually increasing
+excitement as Eric&#8217;s story progressed.
+At its termination, he started to his feet,
+and rapidly pacing the floor, exclaimed,
+joyfully,&mdash;</p>
+<p>&#8220;<i>Ha! a bon chat, bon rat!</i>&#8221;<a name="FNanchor_2" id="FNanchor_2"></a><a href="#Footnote_2" class="fnanchor">[2]</a></p>
+<p>&#8220;What have cats and rats to do with it?&#8221;
+thought Eric.</p>
+<p>&#8220;He is crazy!&#8221; thought Johnny.</p>
+<p>&#8220;Ah!&#8221; thought Mr. Van Rasseulger,
+&#8220;can he see through the millstone?&#8221;</p>
+<p>&#8220;Eric, your good name shall be cleared of
+all suspicion. Give me your hand!&#8221; exclaimed
+Mr. Lacelle. &#8220;I congratulate you,
+lad! I know who did the mischief.&#8221;
+<span class='pagenum pncolor'><a id='page_150' name='page_150'></a>150</span></p>
+<p>&#8220;Do you?&#8221; exclaimed the astonished boy.</p>
+<p>&#8220;Yes, my friend,&#8221; answered the Frenchman,
+and darted from the room.</p>
+<p>&#8220;Here&#8217;s a go!&#8221; cried Johnny, thrusting
+his hands into his pockets and striking an
+attitude; &#8220;he knows, and he hasn&#8217;t told us
+what he knows, and I think <i>his</i> nose ought
+to be pulled.&#8221;</p>
+<p>&#8220;Do be still, Johnny,&#8221; said Eric, &#8220;it&#8217;s no
+time for jokes. Uncle John, what could he
+have meant?&#8221;</p>
+<p>&#8220;I am totally in the dark,&#8221; replied his
+uncle.</p>
+<p>&#8220;I wish Froll would come back,&#8221; murmured
+Johnny.</p>
+<p>&#8220;I have it!&#8221; cried Eric, suddenly, rushing
+from the room, by the guard at the door,
+and after Mr. Lacelle.</p>
+<p>&#8220;Well,&#8221; said Johnny, &#8220;I wish I had!&#8221;</p>
+<p>Count D&#8217;Orsay&#8217;s conscience was not quite
+easy in regard to the manner in which he
+<span class='pagenum pncolor'><a id='page_151' name='page_151'></a>151</span>
+had persecuted the two friendless American
+boys. His suspicions had been aroused
+merely by the fact that they were about to
+leave Strasbourg; and the discovery of the
+missing articles in their possession had
+seemed at the time to prove their guilt conclusively.
+But upon reflection, the honest surprise
+expressed in little Johnny&#8217;s eyes, and
+Eric&#8217;s look of proud, indignant disdain, haunted
+him with suggestions of their innocence.</p>
+<p>Might it not have been just possible that
+they did find the ring upon the floor, and
+did not know of the money&#8217;s concealment?
+But, then&mdash;how could it be so? How
+could the ring and money have happened in
+their room, and for what purposes? Yet,
+again, if they did intend to steal, they had
+given up everything. He had lost nothing;
+and the French government would not thank
+him for quarrelling with an American just
+at that time. He would send word to the
+landlord to dismiss the policeman and let the
+boys have their liberty.
+<span class='pagenum pncolor'><a id='page_152' name='page_152'></a>152</span></p>
+<p>Just as this conclusion was reached, there
+came a tap at the door, and the waiter entered
+with Mr. Lacelle&#8217;s card, followed closely
+by Mr. Lacelle.</p>
+<p>Count D&#8217;Orsay expressed great pleasure
+at the unexpected visit; but Mr. Lacelle,
+waiving all ceremony, explained that he had
+come to clear his dear American friends
+from the disgraceful charge against them.</p>
+<p>He then spoke rapidly, in French, to the
+count, who appeared at first surprised, then
+credulous, then convinced.</p>
+<p>With sincere regret, he asked to be allowed
+to apologize at once, and begged
+Mr. Lacelle to tell him of some way in
+which he could make some amends for his
+unjust accusation.</p>
+<p>&#8220;I wish you to be thoroughly convinced,&#8221;
+said Mr. Lacelle. &#8220;Place the articles upon
+the table, open the window, and conceal
+yourself behind the curtain.&#8221;</p>
+<p>Mr. Lacelle did so.</p>
+
+<hr style='width: 10%; border:none; border-bottom:1px solid black; clear:both; margin: 2em auto 1em 0' />
+
+<div class='footnote'><a name='Footnote_2' id='Footnote_2'></a><a href='#FNanchor_2'><span class='label'>[2]</span></a>
+<p style='font-size: small'> &#8220;To a good cat, a good rat!&#8221;</p></div>
+
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='XIII_THE_REAL_THIEF' id='XIII_THE_REAL_THIEF'></a>
+<span class='pagenum pncolor'><a id='page_153' name='page_153'></a>153</span>
+<h2>CHAPTER XIII.</h2>
+<h3>THE REAL THIEF.</h3>
+</div>
+
+<p>Eric, when he reached the hall, was
+called by the landlord, who said,&mdash;</p>
+<p>&#8220;I am having the rooms searched, at Monsieur
+Lacelle&#8217;s request, for your little monkey.
+Will you come with me? We may catch her
+more easily.&#8221;</p>
+<p>Eric was very glad to assist in the search.
+When nearly all the front rooms had been
+thoroughly examined, to no purpose, the little
+truant was found at last in the upper
+story asleep, on a soft cushion, in the sunlight.
+Eric stole up softly and took possession
+of her.</p>
+<p>She awoke with a loud chatter of defiance,
+and tried to escape, but Eric held her fast.
+<span class='pagenum pncolor'><a id='page_154' name='page_154'></a>154</span></p>
+<p>The landlord then ordered a servant to
+close all the windows in the front of the
+hotel, excepting those of Count D&#8217;Orsay,
+whose room was above that of the two boys.</p>
+<p>Eric hastened, at his request, for Froll&#8217;s
+collar and chain, which were fastened upon
+her, and then she was released upon the
+balcony under the window of the boy&#8217;s room,
+the landlord, Eric, Johnny, and Mr. Van
+Rasseulger watching her movements with intense
+interest.</p>
+<p>Meanwhile the count and Mr. Lacelle
+were stationed behind the window curtains, on
+the lookout for the marauder.</p>
+<p>Presently there was a sliding, scrambling,
+shuffling noise, and the thief came in through
+the window&mdash;not Eric, nor Johnny, but a
+being very insufficiently attired, and possessed
+of a long black tail; no less a personage
+than the little monkey, Froll.</p>
+<p>She walked straight to the table, climbed
+upon it, seized the ring, purse, and a gold
+pencil which Mr. Lacelle had laid there.
+<span class='pagenum pncolor'><a id='page_155' name='page_155'></a>155</span>
+Then she withdrew to the window, but to
+her rage and disappointment it was shut
+tight, and the two gentlemen confronted her.</p>
+<p>The little beast recognized Mr. Lacelle, and
+coolly handed him her stolen freight, which
+was quickly restored to its rightful owner.</p>
+<p>Thoroughly convinced of his unjust cruelty
+to Eric and Johnny, Count D&#8217;Orsay descended
+to the balcony, offering sincere and earnest
+apologies.</p>
+<p>Eric and Johnny, by turns hugging and
+scolding Froll, freely forgave the indignity
+put upon them, and shook hands cordially
+with the mortified count.</p>
+<p>Mr. Lacelle was in his glory. He shook
+hands with the monkey, stroked the boys&#8217;
+heads, and called Mr. Van Rasseulger &#8220;my
+dear&#8221; in his excitement; telling everybody
+how he had instantly surmised the true offender,
+on hearing of Froll&#8217;s disappearance,
+and recalling the scene at Gravenhaag, when
+she had stolen his glasses, climbing in then
+through the open window. Finally he expressed
+<span class='pagenum pncolor'><a id='page_156' name='page_156'></a>156</span>
+an opinion that Froll had formerly
+belonged to an unprincipled master, who had
+trained her to climb in at windows and take
+away valuables.</p>
+<p>And here we will take an opportunity to
+remark that this was really the case, and that
+Eric subsequently learned that the man of
+whom Mr. Nichols bought her was arrested
+and imprisoned for practising with another
+monkey the same trick.</p>
+<p>Count D&#8217;Orsay could not be pacified until
+Mr. Van Rasseulger promised that the boys
+should visit him at the <i>Hôtel D&#8217;Orsay</i>, on
+their return to France.</p>
+<p>His conscience smote him for his unjust
+severity and unkindness, all the more for the
+frank, confiding way in which the two little
+heroes begged him to forget the incident.</p>
+<p>When they shook hands cordially with him,
+a glad cheer ascended from the throng of
+servants and spectators, whose honest hearts
+took a lively interest in the affair.</p>
+<p>The boys and Froll were made much of;
+<span class='pagenum pncolor'><a id='page_157' name='page_157'></a>157</span>
+and Mr. Lacelle delighted Johnny for hours
+with accounts of the wonders of the sea, so
+that the young gentleman, completely fascinated,
+made up his mind to be a submarine
+diver when he grew up.</p>
+<p>Froll&#8217;s collar was tightened, and she was
+fastened to her cage, after having a bountiful
+feast of nuts.</p>
+<p>When the evening was about half spent, a
+waiter brought a large parcel to the door. It
+was addressed to &#8220;The Two Young Gentlemen
+at Room No. 37,&#8221; and contained books,
+toys, games, and confectionery, of which the
+count begged their acceptance.</p>
+<p>&#8220;This has been a day of adventures,&#8221; said
+Eric, as he and Johnny were retiring late at
+night.</p>
+<p>&#8220;Yes,&#8221; answered Johnny, sleepily, nestling
+between the sheets, &#8220;it has been a day
+of adventures, beginning with the wonderful
+clock, and ending with&mdash;Froll&#8217;s&mdash;Froll&#8217;s&mdash;the
+count&mdash;&#8221; and with a little more indistinct
+muttering, Johnny was fast asleep.
+<span class='pagenum pncolor'><a id='page_158' name='page_158'></a>158</span>
+Eric had read his chapter, and said his prayers
+with Johnny; but now, as he looked at
+his little cousin asleep, a sudden impulse
+seized him, and falling upon his knees by the
+bedside, he prayed that his influence over
+Johnny might always be for good, and that
+God would bless the bright, loving little boy,
+and make him a lamb of His fold for the
+good Shepherd&#8217;s sake.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='XIV_PERCY_BEAUTY_AND_JACK' id='XIV_PERCY_BEAUTY_AND_JACK'></a>
+<span class='pagenum pncolor'><a id='page_159' name='page_159'></a>159</span>
+<h2>CHAPTER XIV.</h2>
+<h3>PERCY, BEAUTY, AND JACK.</h3>
+</div>
+
+<p>Mr. Van Rasseulger decided to
+take the boys to Heidelberg, and there
+await Dr. Ward. It was inconvenient for
+him to do this, but he was unwilling to let
+them travel alone with the monkey again,
+for Froll was certainly a serious trouble.</p>
+<p>So on the morning of the following day
+they took the steamer for an eighty mile sail
+down the Rhine.</p>
+<p>The landlord, Mr. Lacelle, and Count
+D&#8217;Orsay bade them an affectionate adieu, after
+the two former had been sincerely thanked
+for their kindness to the young strangers,
+and the latter had begged them to renew their
+promise of a visit before they returned to
+<span class='pagenum pncolor'><a id='page_160' name='page_160'></a>160</span>
+America. To Mr. Van Rasseulger he extended
+an urgent invitation to visit him, whenever
+it should be convenient to him.</p>
+<p>Just before they left, Mr. Lacelle requested
+Eric&#8217;s address, saying that he had
+written to Mr. Montgomery about the box of
+money, and would forward his reply to Eric.</p>
+<p>The boys were not sorry to leave Strasbourg,
+because Mr. Van Rasseulger had told
+them he should propose to the doctor to obtain
+horses there, and travel on horseback
+through the Black Forest, and over the mountains,
+to Munich, in Bavaria.</p>
+<p>They were enchanted with this idea, and
+during their sail down the Rhine lost much
+of the beautiful scenery about them in mutual
+conjectures as to whether uncle Charlie
+would like the proposition. When they
+reached Heidelberg, the doctor was already
+there, waiting for them.</p>
+<p>He was quite well satisfied with the plan,
+and said he would give the boys two days to
+<span class='pagenum pncolor'><a id='page_161' name='page_161'></a>161</span>
+explore Heidelberg, and would meantime be
+making the necessary arrangements.</p>
+<p>The boys did not like Heidelberg particularly,
+and Eric&#8217;s shoulders were shrugged expressively
+when his uncle told him he was to
+be a student in the university, after his school
+course was completed.</p>
+<p>The only building of which they took any
+notice was the Church of the Holy Ghost&mdash;a
+large structure with a very high steeple,
+divided so that Protestant and Roman Catholic
+services were held in it at the same
+time.</p>
+<p>But perhaps the picturesque old town
+might have had more attraction for them,
+had not Dr. Ward and Mr. Van Rasseulger
+been looking up good horses to purchase for
+the journey.</p>
+<p>They soon found just what they wanted&mdash;a
+large, powerful horse for the doctor, and a
+couple of small horses, almost ponies, for the
+two boys.</p>
+<p>It was amusing to see the different evidences
+<span class='pagenum pncolor'><a id='page_162' name='page_162'></a>162</span>
+of delight manifested by Eric and
+Johnny.</p>
+<p>Eric&#8217;s face flushed with glad emotion, and a
+quiet &#8220;Uncle John, how good you are!&#8221;
+was all that he said.</p>
+<p>But Johnny danced around the horses, wild
+with delight, throwing his cap in the air,
+dancing and hurrahing with all his might,
+and bestowing kisses indiscriminately upon
+his good papa and the dumb animals.</p>
+<p>One of the horses was coal black, with a
+white star upon his forehead, and one white
+foot; he was for Eric.</p>
+<p>Johnny&#8217;s was a bright bay, with four white
+feet and a white nose: and the doctor&#8217;s was a
+chestnut-colored horse, with a darker mane
+and tail.</p>
+<p>Of course the first great question was,
+what they were to be called.</p>
+<p>&#8220;I have named my horse &#8216;Perseus,&#8217;&#8221; said
+the doctor, &#8220;in honor of the illustrious slayer
+of the Gorgon Medusa, and the deliverer of
+Andromeda.&#8221;
+<span class='pagenum pncolor'><a id='page_163' name='page_163'></a>163</span></p>
+<p>&#8220;I&#8217;ll call mine &#8216;Jack,&#8217; in honor of papa,&#8221;
+said roguish Johnny.</p>
+<p>&#8220;And mine,&#8221; exclaimed Eric, &#8220;shall be
+Bucephalus.&#8221;</p>
+<p>Eric had just finished reading a classical
+history, and was greatly interested in the account
+of Alexander&#8217;s power over Bucephalus.</p>
+<p>These names were soon abbreviated to
+&#8220;Percy,&#8221; &#8220;Beauty,&#8221; and &#8220;Jack.&#8221;</p>
+<p>After the horses had been duly admired,
+Mr. Van Rasseulger took the boys with him,
+selected saddles, with travellers&#8217; saddle-bags,
+rubber cloaks, a couple of blankets, and two
+tin boxes for provisions, with an inside compartment
+for matches. The rubber cloaks
+were made with hoods, which could be drawn
+over the head, completely protecting it.</p>
+<p>Dr. Ward provided himself with similar
+apparel, and numerous little things which the
+boys had no idea would be necessary, and
+even Mr. Van Rasseulger overlooked.</p>
+<p>The next morning everything was in readiness.
+The blankets, light overcoats, rubber
+<span class='pagenum pncolor'><a id='page_164' name='page_164'></a>164</span>
+cloaks, and a change of clothing, were made
+into a roll, and strapped behind the saddles.
+The tin cases were filled for luncheon, and
+deposited in the saddle-bags, and the boys
+declared themselves in readiness.</p>
+<p>But when the doctor presented them each
+with a light knapsack, a tiny compass to
+wear upon their watch chains, and a pocket
+drinking cup, they instantly discovered that
+they could never in the world have got along
+without them.</p>
+<p>The horses were pawing the ground, impatient
+to be off, their long manes and tails
+floating in the cool morning breeze, their
+noble forms quivering with life and excitement.</p>
+<p>Johnny, divided between regret at parting
+with his father, and delight at the novel
+excursion; Eric, eager and excited, with
+mischievous Froll, demure enough just now,
+seated composedly upon his shoulder; the
+doctor coolly testing the saddle girths, and
+<span class='pagenum pncolor'><a id='page_165' name='page_165'></a>165</span>
+Mr. Van Rasseulger seeing them off, happy
+in their pleasure.</p>
+<p>&#8220;Be good and kind to my boy, as you
+have always been, Eric,&#8221; he said, bidding
+his nephew &#8220;good by.&#8221;</p>
+<p>&#8220;You mean, uncle John, as you have always
+been to me,&#8221; Eric replied, with gratitude
+beaming in his eyes. &#8220;And Johnny is
+a dear little fellow; no one could help being
+good to him.&#8221;</p>
+<p>&#8220;I hope he will grow like his cousin,&#8221;
+said Mr. Van Rasseulger, with a hearty
+smile; &#8220;and, Johnny-boy, you must be very
+obedient to uncle Charlie. Do right, be a
+gentleman, and grow stout and healthy for
+papa.&#8221;</p>
+<p>&#8220;We will write from Baden and Ulm,&#8221;
+said the doctor. &#8220;We ought to get there by
+next week.&#8221;</p>
+<p>After a few more words of parting they
+set off, and were soon out of sight.</p>
+<p>Three hours later, as Mr. Van Rasseulger,
+<span class='pagenum pncolor'><a id='page_166' name='page_166'></a>166</span>
+on his way to Vienna by rail, passed a turn
+in the road, the three travellers were in sight
+for an instant, apparently in good spirits and
+prime condition.</p>
+<p>He was extremely pleased with this unexpected
+view of them, and for some time after
+they had again disappeared the wealthy New
+York merchant lay back in his cushioned
+seat, building hopes of high promise upon the
+future of Johnny&#8217;s life.</p>
+<p>Poor Johnny! he had been almost spoiled
+at home, but under the doctor&#8217;s firm guidance
+and Eric&#8217;s good influence, was wonderfully
+improved. The bright, merry little fellow
+was exhibiting his true character, long hidden
+by ill-advised indulgence.</p>
+<hr class='major' />
+<div style='margin: auto; text-align: center; padding-top: 2em; padding-bottom: 1em'>
+<a name='XV_THE_LAST' id='XV_THE_LAST'></a>
+<span class='pagenum pncolor'><a id='page_167' name='page_167'></a>167</span>
+<h2>CHAPTER XV.</h2>
+<h3>THE LAST.</h3>
+</div>
+
+<p>Up the banks of the beautiful Rhine,
+through picturesque hamlets, over
+high, rugged mountains, and in the glory and
+grandeur of the forests, our horseback travellers
+sought and found the best of all treasures&mdash;health
+and happiness.</p>
+<p>The Swabian Mountains, and the Schwarz
+Wold, or Black Forest,&mdash;a group of mountains
+covered with forests,&mdash;through which
+they rode thirty-seven miles, required from
+them the greatest endurance.</p>
+<p>Nevertheless, upon the woody mountains,
+steep and difficult to climb as they were,
+they found several thriving villages, where
+<span class='pagenum pncolor'><a id='page_168' name='page_168'></a>168</span>
+they were kindly received, and where all
+their wants were generously supplied.</p>
+<p>But on one occasion, when a violent storm
+arose, and they were near no village, they
+were obliged to take shelter in an empty
+barn, and there remained through the night,
+sleeping, with their horses, upon the hard,
+board floor, with their knapsacks for pillows.</p>
+<p>And Johnny had one thrilling adventure.</p>
+<p>They had encamped for the night upon
+a small plateau, and, before dismounting,
+Johnny rode back to the edge, and was looking
+down upon the plains beneath, when
+suddenly he felt the ground give way from
+above where his horse was standing, and in
+an instant horse and rider, covered by a bank
+of sand, were sliding helplessly down the
+mountain. The shower of sand smothered
+their cries, and neither the doctor nor Eric
+noticed their disappearance at first. But
+presently Eric, turning to speak to him, exclaimed,&mdash;</p>
+<p>&#8220;Where in the world is Johnny?&#8221;
+<span class='pagenum pncolor'><a id='page_169' name='page_169'></a>169</span></p>
+<p>The doctor looked hastily up. Seeing
+the fresh earth at the edge of the plateau,
+he rushed to the spot, examined it, and exclaiming,
+&#8220;Heavens! the child has fallen
+down a slide!&#8221; prepared to descend in the
+same place.</p>
+<p>&#8220;Eric, stay up there, and take care of
+the horses,&#8221; he said, and was soon out
+of sight.</p>
+<p>Eric secured the horses, and then crept to
+the place from which the doctor had disappeared.
+He found, just beneath him, a long
+line of large troughs, open at both ends, and
+overlapping each other like shingles. It extended
+entirely down the side of the mountain,
+and to his horror Eric saw at its foot a
+lake.</p>
+<p>&#8220;O, Johnny, Johnny! my dear little
+cousin! And uncle Charlie, too&mdash;they will
+surely be killed!&#8221; he cried, in agony. For
+he knew at once that they had gone down
+a timber slide, and was afraid they would
+be drowned in the lake.
+<span class='pagenum pncolor'><a id='page_170' name='page_170'></a>170</span></p>
+<p>And now I suppose I must tell you
+what a timber slide is.</p>
+<p>The Black Forest Mountains are covered
+with large and valuable trees, which are
+felled and sold by their owners; and as it
+would be decidedly inconvenient to take
+horses and carts up the mountain, and
+utterly impossible to get them down with a
+heavy load of those giant trees with sound
+necks, an ingenious Swiss invented the
+cheap and rapid way of getting the trees
+off the mountain by means of a slide,
+formed of immense troughs lapped together,
+and terminating in the lake, where the
+heavy logs are chained together and floated
+to a railway or wharf, just as they are done
+in our own country by the loggers of the
+Maine forests and other woody regions.</p>
+<p>Of course a descent in one of these
+slides, under ordinary circumstances, would
+be extremely dangerous to human life and
+limb. But it fortunately happened that
+neither the doctor, Johnny, nor Jack were
+<span class='pagenum pncolor'><a id='page_171' name='page_171'></a>171</span>
+seriously injured, for the slide had been disused
+for some time, and in consequence of
+an accident, somewhat similar to Johnny&#8217;s,
+had been partially removed, and a high,
+soft bank of sand lay at its new terminus.</p>
+<p>Johnny and Jack were pitched violently
+into this, and rescued from their very uncomfortable
+position by a party of English
+travellers encamped near by.</p>
+<p>Many were the exclamations uttered at
+the marvellous and sudden entrance of our
+young friend upon the quiet beauties of
+the twilight scene, and bewildered Johnny
+scarcely knew whether to laugh or cry.</p>
+<p>His first anxiety was for Jack, but the
+English gentleman who drew him from the
+sand-bank would pay no attention to the
+horse until he was convinced that Johnny was
+unhurt. Assured about this, he patted and
+soothed poor frightened Jack, and walked
+him carefully over the soft greensward,
+<span class='pagenum pncolor'><a id='page_172' name='page_172'></a>172</span>
+to see if he appeared at all lame; and then
+Johnny was delighted enough to hear the
+horse pronounced all right.</p>
+<p>Johnny had several pretty bad bruises,
+which the Englishman, who was a physician,
+dressed for him.</p>
+<p>By the time this was done Dr. Ward,
+whose descent had been much slower and
+more careful than Johnny&#8217;s, reached them,
+and his anxieties were at once quieted by
+Johnny&#8217;s assurance that it was</p>
+<p>&#8220;Just the jolliest coast I ever had.&#8221;</p>
+<p>After examining both Johnny and Jack,
+to assure himself of their well-being, and
+heartily thanking the Englishman for his
+kind assistance, the doctor asked permission
+to leave Johnny under his care until he could
+get Eric and the horses from the top of the
+mountain.</p>
+<p>The new friend willingly undertook the
+care of Johnny, and the doctor hastened up
+the mountain to relieve Eric&#8217;s anxiety.
+<span class='pagenum pncolor'><a id='page_173' name='page_173'></a>173</span></p>
+<p>Johnny seated himself near the door of
+the tent, and a young man of the party
+brought him some grapes. Jack neighed
+wistfully for his share, for Johnny had made
+a great pet of him, always dividing his fruit
+with him.</p>
+<p>&#8220;I&#8217;ll give you some, Jack,&#8221; he said, walking
+towards the horse. &#8220;Gracious, how
+stiff and sore I feel.&#8221;</p>
+<p>While Jack was champing his feast with
+great satisfaction, an English boy, of Johnny&#8217;s
+size, came towards them.</p>
+<p>&#8220;Is that your horse?&#8221; said he.</p>
+<p>&#8220;Yes,&#8221; answered Johnny; &#8220;isn&#8217;t he a good
+one?&#8221;</p>
+<p>&#8220;<i>Is</i> he a good one?&#8221; asked the boy.</p>
+<p>&#8220;I guess he is,&#8221; said Johnny, hotly;
+&#8220;there isn&#8217;t a better horse anywhere.&#8221;</p>
+<p>&#8220;But papa&#8217;s groom told me,&#8221; persisted the
+English lad, &#8220;that a horse with four white
+feet and a white nose was worthless. He
+says,&mdash;
+<span class='pagenum pncolor'><a id='page_174' name='page_174'></a>174</span></p>
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'>&#8216;One white foot, buy him,</p>
+<p style='margin: 0 0 0 0.0em;'>Two white feet, try him,</p>
+<p style='margin: 0 0 0 0.0em;'>Three white feet, deny him,</p>
+<p style='margin: 0 0 0 0.0em;'>Four white feet and a white nose,</p>
+<p style='margin: 0 0 0 0.0em;'>Take off his skin and throw him to the crows.&#8217;&#8221;</p>
+</td></tr></table>
+
+<p>Johnny detected a roguish glitter in his
+companion&#8217;s blue eyes, and with a corresponding
+twinkle in his own, merely answered,&mdash;</p>
+<p>&#8220;My old nurse says,&mdash;</p>
+<table summary='poetry' style='margin:0 auto'><tr><td>
+<p style='margin: 0 0 0 0.0em;'>&#8216;There was an old woman went up in a basket</p>
+<p style='margin: 0 0 0 0.0em;'>Seventy times as high as the moon.&#8217;</p>
+</td></tr></table>
+
+<p>I suppose you believe that, too.&#8221;</p>
+<p>This ready answer pleased the other, and
+they were soon fast friends.</p>
+<p>&#8220;What is your name?&#8221; Johnny asked.</p>
+<p>&#8220;Arthur Montgomery,&#8221; was the reply.</p>
+<p>Johnny wondered where he had heard
+the name before; but though he was sure
+he had heard it, he could not remember
+where.
+<span class='pagenum pncolor'><a id='page_175' name='page_175'></a>175</span></p>
+<p>He began to feel quite tired and sleepy
+before the doctor returned for him, and his
+bruises ached badly. Once he would have
+cried and worried every one about him, if in
+such an uncomfortable state; but now he
+bore the pain like a Spartan.</p>
+<p>The doctor came at last, and after thanking
+the Englishman again, he led the tired horse,
+with weary Johnny upon his back, to a
+wood-cutter&#8217;s cottage near at hand, where
+they were to pass the night.</p>
+<p>Eric welcomed them with tears of joy in
+his eyes.</p>
+<p>&#8220;O, Johnny, what a narrow escape you
+have had!&#8221;</p>
+<p>&#8220;We ought to be very thankful,&#8221; said the
+doctor.</p>
+<p>&#8220;Yes,&#8221; said Johnny, sleepily, &#8220;I am
+thankful!&#8221;</p>
+<p>He woke up just before Eric went to bed,
+and said,&mdash;</p>
+<p>&#8220;That boy said his name was Arthur
+<span class='pagenum pncolor'><a id='page_176' name='page_176'></a>176</span>
+Montgomery. Where have I heard that
+name, Eric?&#8221;</p>
+<p>&#8220;Why,&#8221; exclaimed Eric, &#8220;that was the
+name on the box of money I found!&#8221;</p>
+<p>&#8220;I knew I&#8217;d heard it somewhere,&#8221; murmured
+Johnny, dropping off to sleep again.</p>
+<p>Eric ran to tell his uncle.</p>
+<p>&#8220;Ah,&#8221; said the doctor, quite pleased to be
+able to return a good deed, &#8220;we will see
+them in the morning.&#8221;</p>
+<p>But in the morning the English travellers
+had disappeared, and our party could find no
+trace of them.</p>
+<p>Eric was much disappointed. Now he
+would be obliged to wait patiently for Mr.
+Lacelle&#8217;s letter.</p>
+<p>Johnny and Jack were not injured by their
+descent of the mountain, whose only effects
+were some pretty sore bruises, which Johnny
+tried not to mind, and an obstinacy in Jack&#8217;s
+disposition that no human powers of persuasion
+could ever remove. He could never,
+<span class='pagenum pncolor'><a id='page_177' name='page_177'></a>177</span>
+after that memorable slide, be induced to go
+near the edge of any kind of an embankment;
+and he always declined going aboard
+a steamer, until Beauty and Percy had gone
+safely over the gangway.</p>
+<hr class='silver' />
+
+<div class='ce'>
+<p style=' font-size:1.2em;'>Miss VIRGINIA F. TOWNSEND&#8217;S BOOKS.</p>
+</div>
+
+<div class='ce'>
+<p style=' font-size:0.8em; margin-bottom:3em;'>Uniform Edition. Cloth. $1 50 Each.</p>
+</div>
+
+<p>BUT A PHILISTINE.</p>
+<p>&#8220;Another novel by the author of &#8216;A Woman&#8217;s Word&#8217; and &#8216;Lenox
+Dare,&#8217; will be warmly welcomed by hosts of readers of Miss Townsend&#8217;s
+stories. There is nothing of the &#8216;sensational,&#8217; or so called realistic,
+school in her writings. On the contrary, they are noted for their healthy
+moral tone and pure sentiment, and yet are not wanting in STRIKING
+SITUATIONS AND DRAMATIC INCIDENTS&#8221;&mdash;<i>Chicago Journal</i></p>
+<p>LENOX DARE.</p>
+<p>&#8220;Her stories, always sunny and healthful, touch the springs of social
+life and make the reader better acquainted with this great human organization
+of which we all form a part, and tend to bring him into more intimate
+sympathy with what is most pure and noble in our nature. Among
+the best of her productions we place the volume here under notice. In
+temper and tone the volume is calculated to exert a healthful and
+elevating influence&#8221;&mdash;<i>New England Methodist</i></p>
+<p>DARYLL GAP; or, Whether it Paid.</p>
+<p>A story of the petroleum days, and of a family who struck oil.</p>
+<p>&#8220;Miss Townsend is a very entertaining writer, and, while she entertains,
+at the same time instructs. Her plots are well arranged, and her
+characters are clearly and strongly drawn. The present volume will not
+detract from the reputation she has heretofore enjoyed.&#8221;&mdash;<i>Pittsburg
+Recorder</i></p>
+<p>A WOMAN&#8217;S WORD, AND HOW SHE KEPT IT.</p>
+<p>&#8220;The celebrity of Virginia F Townsend as an authoress, her brilliant
+descriptive powers, and pure, vigorous imagination, will insure a hearty
+welcome for the above entitled volume in the writer&#8217;s happiest vein.
+Every woman will understand the self sacrifice of Genevieve Wen, and
+will entertain only scorn for the miserable man who imbittered her life
+to hide his own wrong doing&#8221;&mdash;<i>Fashion Quarterly</i></p>
+<p>THAT QUEER GIRL.</p>
+<p>&#8220;A fresh, wholesome book about good men and good women, bright
+and cheery in style, and pure in morals. Just the book to take a young
+girl&#8217;s fancy, and help her to grow up, like Madeline and Argia, into the
+sweetness of real girlhood, there being more of that same sweetness
+under the fuss and feathers of the present day than a casual observer
+might suppose&#8221;&mdash;<i>People&#8217;s Monthly</i></p>
+<p>ONLY GIRLS.</p>
+<p>&#8220;This volume shows how two persons, &#8216;only girls,&#8217; saved two men
+from crime, even from ruin of body and soul, and all this came about in
+their lives without their purpose or knowledge at the time, and not at all
+as they or anybody else would have planned it, but it comes about well
+and naturally enough. The story is ingenious and graphic, and kept the
+writer of this notice up far into the small hours of yesterday morning.&#8221;&mdash;<i>Washington
+Chronicle</i></p>
+<div class='ce'>
+<p style=' font-size:0.8em;'><i>Sold by all booksellers and newsdealers, and sent by mail, postpaid, on receipt of price.</i></p>
+<div style='margin-top:1em'></div>
+</div>
+
+<div class='ce'>
+<p style=' font-size:1em;'>LEE &amp; SHEPARD Publishers Boston</p>
+</div>
+
+<div><span class='pagenum pncolor'><a id='page_178' name='page_178'></a>178</span></div>
+<hr class='silver' />
+
+<div class='ce'>
+<p style=' font-size:1.4em; margin-bottom:.8em;'>LEE AND SHEPARD&#8217;S HANDBOOKS.</p>
+</div>
+
+<div class='ce'>
+<p style=' font-size:1.2em;'>ARE YOU INTERESTED IN BUGS?</p>
+</div>
+
+<p>INSECTS; How to Catch and how to Prepare them for
+the Cabinet. Comprising a Manual of Instruction for the
+Field Naturalist. By <span style='font-variant: small-caps'>Walter P. Manton.</span> Illustrated. Cloth,
+50 cents.</p>
+<p>&#8220;Nothing essential is omitted: every boy who has any taste for natural
+history should have this neat little volume. The many &#8216;Agassiz
+Clubs&#8217; which have sprung up amid the youth of the country, should
+add it to their libraries.&#8221;&mdash;<i>Chicago Advance.</i></p>
+<p>&#8220;OF INESTIMABLE VALUE TO YOUNG BOTANISTS.&#8221;
+<i>Rural New-Yorker.</i></p>
+<p>FIELD BOTANY. A Handbook for the Collector. Containing Instructions
+for Gathering and Preserving Plants, and the Formation
+of a Herbarium. Also Complete Instructions in Leaf Photography,
+Plant Printing, and the Skeletonizing of Leaves. By <span style='font-variant: small-caps'>Walter
+P. Manton.</span> Illustrated. 50 cents.</p>
+<p>&#8220;A most valuable companion. The amount of information conveyed
+in the small compass is surprising.&#8221;&mdash;<i>Demorest&#8217;s Monthly.</i></p>
+<div class='ce'>
+<p>&#8220;EVERY NATURALIST OUGHT TO HAVE A COPY FOR IMMEDIATE USE.&#8221;</p>
+</div>
+
+<p>TAXIDERMY WITHOUT A TEACHER. Comprising a
+Complete Manual of Instruction for Preparing and Preserving
+Birds, Animals, and Fishes; with a Chapter on Hunting and Hygiene;
+together with Instructions for Preserving Eggs and Making
+Skeletons, and a number of valuable Recipes. By <span style='font-variant: small-caps'>Walter P.
+Manton.</span> Illustrated. 50 cents.</p>
+<p>&#8220;We would be glad if all teachers would take this little book, study
+it faithfully, become interested themselves, and interest their pupils in
+this wonderful art.&#8221;&mdash;<i>Practical Teacher.</i></p>
+<div class='ce'>
+<p>HOW TO ENLARGE THE ANT TO THE SIZE OF AN ELEPHANT.</p>
+</div>
+
+<p>BEGINNINGS WITH THE MICROSCOPE. A Working
+Handbook, containing simple Instructions in the Art and Method
+of using the Microscope and preparing Objects for Examination.
+By <span style='font-variant: small-caps'>Walter P. Manton, M.D.</span> Small 4to. Cloth, 50 cents.</p>
+<p>Uniform with the author&#8217;s &#8220;Handbooks of Natural History,&#8221; and
+equally valuable.</p>
+<div class='ce'>
+<p>PARLEZ VOUS FRANCAIS?</p>
+</div>
+
+<p>BROKEN ENGLISH. A Frenchman&#8217;s Struggles with the English
+Language. By Professor <span style='font-variant: small-caps'>E. C. Dubois</span>, author of &#8220;The French
+Teacher.&#8221; Cloth, 50 cents; cheap edition, paper, 30 cents.</p>
+<p>The Professor&#8217;s famous lecture, delivered all over the country. Amusing
+as a narrative, instructive as a handbook of French conversation.</p>
+<div class='ce'>
+<p>AN EMERGENCY HANDBOOK.</p>
+</div>
+
+<p>WHAT IS TO BE DONE. A Handbook for the Nursery, with
+useful Hints for Children and Adults. By <span style='font-variant: small-caps'>Robert B. Dixon, M.D.</span>
+Small 4to. Cloth, 50 cents.</p>
+<p>Dr. Dixon has produced a work that will be gladly welcomed by
+parents. His &#8220;remedies&#8221; are indorsed by many prominent medical men.</p>
+<div class='ce'>
+<p style=' font-size:0.8em;'><i>Sold by all booksellers, or sent by mail, postpaid, on receipt of price.</i></p>
+</div>
+
+<!-- generated by ppgen.rb version: 2.27 -->
+<!-- timestamp: Sat Oct 18 04:56:18 -0400 2008 -->
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Eric, by Mrs. S. B. C. Samuels
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ERIC ***
+
+***** This file should be named 26952-h.htm or 26952-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/9/5/26952/
+
+Produced by Roger Frank, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/26952-h/images/cover.jpg b/26952-h/images/cover.jpg
new file mode 100644
index 0000000..6bd8d69
--- /dev/null
+++ b/26952-h/images/cover.jpg
Binary files differ
diff --git a/26952-h/images/illus1.jpg b/26952-h/images/illus1.jpg
new file mode 100644
index 0000000..7062104
--- /dev/null
+++ b/26952-h/images/illus1.jpg
Binary files differ
diff --git a/26952-h/images/illus2.jpg b/26952-h/images/illus2.jpg
new file mode 100644
index 0000000..568aea1
--- /dev/null
+++ b/26952-h/images/illus2.jpg
Binary files differ
diff --git a/26952-h/images/illus3.jpg b/26952-h/images/illus3.jpg
new file mode 100644
index 0000000..1d13674
--- /dev/null
+++ b/26952-h/images/illus3.jpg
Binary files differ
diff --git a/26952-h/images/title.jpg b/26952-h/images/title.jpg
new file mode 100644
index 0000000..ba3463b
--- /dev/null
+++ b/26952-h/images/title.jpg
Binary files differ
diff --git a/26952-page-images/c0001-image1.jpg b/26952-page-images/c0001-image1.jpg
new file mode 100644
index 0000000..e24a0df
--- /dev/null
+++ b/26952-page-images/c0001-image1.jpg
Binary files differ
diff --git a/26952-page-images/f0000-image1a.jpg b/26952-page-images/f0000-image1a.jpg
new file mode 100644
index 0000000..0f7b49f
--- /dev/null
+++ b/26952-page-images/f0000-image1a.jpg
Binary files differ
diff --git a/26952-page-images/f0000-image1b.jpg b/26952-page-images/f0000-image1b.jpg
new file mode 100644
index 0000000..e8c7943
--- /dev/null
+++ b/26952-page-images/f0000-image1b.jpg
Binary files differ
diff --git a/26952-page-images/f0001.png b/26952-page-images/f0001.png
new file mode 100644
index 0000000..9bb5338
--- /dev/null
+++ b/26952-page-images/f0001.png
Binary files differ
diff --git a/26952-page-images/f0002.png b/26952-page-images/f0002.png
new file mode 100644
index 0000000..674b61a
--- /dev/null
+++ b/26952-page-images/f0002.png
Binary files differ
diff --git a/26952-page-images/f0003.png b/26952-page-images/f0003.png
new file mode 100644
index 0000000..f4e1331
--- /dev/null
+++ b/26952-page-images/f0003.png
Binary files differ
diff --git a/26952-page-images/f0004.png b/26952-page-images/f0004.png
new file mode 100644
index 0000000..c976463
--- /dev/null
+++ b/26952-page-images/f0004.png
Binary files differ
diff --git a/26952-page-images/f0005.png b/26952-page-images/f0005.png
new file mode 100644
index 0000000..bd0c5d8
--- /dev/null
+++ b/26952-page-images/f0005.png
Binary files differ
diff --git a/26952-page-images/f0007.png b/26952-page-images/f0007.png
new file mode 100644
index 0000000..f0f13ce
--- /dev/null
+++ b/26952-page-images/f0007.png
Binary files differ
diff --git a/26952-page-images/f0008.png b/26952-page-images/f0008.png
new file mode 100644
index 0000000..5905b6a
--- /dev/null
+++ b/26952-page-images/f0008.png
Binary files differ
diff --git a/26952-page-images/p0009.png b/26952-page-images/p0009.png
new file mode 100644
index 0000000..06f437f
--- /dev/null
+++ b/26952-page-images/p0009.png
Binary files differ
diff --git a/26952-page-images/p0010.png b/26952-page-images/p0010.png
new file mode 100644
index 0000000..19dd010
--- /dev/null
+++ b/26952-page-images/p0010.png
Binary files differ
diff --git a/26952-page-images/p0011.png b/26952-page-images/p0011.png
new file mode 100644
index 0000000..652dc79
--- /dev/null
+++ b/26952-page-images/p0011.png
Binary files differ
diff --git a/26952-page-images/p0012.png b/26952-page-images/p0012.png
new file mode 100644
index 0000000..c330a3e
--- /dev/null
+++ b/26952-page-images/p0012.png
Binary files differ
diff --git a/26952-page-images/p0013.png b/26952-page-images/p0013.png
new file mode 100644
index 0000000..6fb2c87
--- /dev/null
+++ b/26952-page-images/p0013.png
Binary files differ
diff --git a/26952-page-images/p0014.png b/26952-page-images/p0014.png
new file mode 100644
index 0000000..deb1e75
--- /dev/null
+++ b/26952-page-images/p0014.png
Binary files differ
diff --git a/26952-page-images/p0015.png b/26952-page-images/p0015.png
new file mode 100644
index 0000000..f635a25
--- /dev/null
+++ b/26952-page-images/p0015.png
Binary files differ
diff --git a/26952-page-images/p0016.png b/26952-page-images/p0016.png
new file mode 100644
index 0000000..0fdffb5
--- /dev/null
+++ b/26952-page-images/p0016.png
Binary files differ
diff --git a/26952-page-images/p0017.png b/26952-page-images/p0017.png
new file mode 100644
index 0000000..6b8f524
--- /dev/null
+++ b/26952-page-images/p0017.png
Binary files differ
diff --git a/26952-page-images/p0018.png b/26952-page-images/p0018.png
new file mode 100644
index 0000000..d39fdd5
--- /dev/null
+++ b/26952-page-images/p0018.png
Binary files differ
diff --git a/26952-page-images/p0019.png b/26952-page-images/p0019.png
new file mode 100644
index 0000000..32901b0
--- /dev/null
+++ b/26952-page-images/p0019.png
Binary files differ
diff --git a/26952-page-images/p0020.png b/26952-page-images/p0020.png
new file mode 100644
index 0000000..d182f13
--- /dev/null
+++ b/26952-page-images/p0020.png
Binary files differ
diff --git a/26952-page-images/p0021.png b/26952-page-images/p0021.png
new file mode 100644
index 0000000..d379e03
--- /dev/null
+++ b/26952-page-images/p0021.png
Binary files differ
diff --git a/26952-page-images/p0022.png b/26952-page-images/p0022.png
new file mode 100644
index 0000000..f1f7433
--- /dev/null
+++ b/26952-page-images/p0022.png
Binary files differ
diff --git a/26952-page-images/p0023.png b/26952-page-images/p0023.png
new file mode 100644
index 0000000..c46f6bd
--- /dev/null
+++ b/26952-page-images/p0023.png
Binary files differ
diff --git a/26952-page-images/p0024.png b/26952-page-images/p0024.png
new file mode 100644
index 0000000..cc5b97d
--- /dev/null
+++ b/26952-page-images/p0024.png
Binary files differ
diff --git a/26952-page-images/p0025.png b/26952-page-images/p0025.png
new file mode 100644
index 0000000..8ab68fb
--- /dev/null
+++ b/26952-page-images/p0025.png
Binary files differ
diff --git a/26952-page-images/p0026.png b/26952-page-images/p0026.png
new file mode 100644
index 0000000..5ee8f1e
--- /dev/null
+++ b/26952-page-images/p0026.png
Binary files differ
diff --git a/26952-page-images/p0027.png b/26952-page-images/p0027.png
new file mode 100644
index 0000000..ed7ce36
--- /dev/null
+++ b/26952-page-images/p0027.png
Binary files differ
diff --git a/26952-page-images/p0028.png b/26952-page-images/p0028.png
new file mode 100644
index 0000000..4dcf618
--- /dev/null
+++ b/26952-page-images/p0028.png
Binary files differ
diff --git a/26952-page-images/p0029.png b/26952-page-images/p0029.png
new file mode 100644
index 0000000..d091863
--- /dev/null
+++ b/26952-page-images/p0029.png
Binary files differ
diff --git a/26952-page-images/p0030.png b/26952-page-images/p0030.png
new file mode 100644
index 0000000..3a703b7
--- /dev/null
+++ b/26952-page-images/p0030.png
Binary files differ
diff --git a/26952-page-images/p0031.png b/26952-page-images/p0031.png
new file mode 100644
index 0000000..3317897
--- /dev/null
+++ b/26952-page-images/p0031.png
Binary files differ
diff --git a/26952-page-images/p0032.png b/26952-page-images/p0032.png
new file mode 100644
index 0000000..c4a9944
--- /dev/null
+++ b/26952-page-images/p0032.png
Binary files differ
diff --git a/26952-page-images/p0033.png b/26952-page-images/p0033.png
new file mode 100644
index 0000000..4449aba
--- /dev/null
+++ b/26952-page-images/p0033.png
Binary files differ
diff --git a/26952-page-images/p0034.png b/26952-page-images/p0034.png
new file mode 100644
index 0000000..786fce9
--- /dev/null
+++ b/26952-page-images/p0034.png
Binary files differ
diff --git a/26952-page-images/p0035.png b/26952-page-images/p0035.png
new file mode 100644
index 0000000..89abb19
--- /dev/null
+++ b/26952-page-images/p0035.png
Binary files differ
diff --git a/26952-page-images/p0036.png b/26952-page-images/p0036.png
new file mode 100644
index 0000000..dd0773c
--- /dev/null
+++ b/26952-page-images/p0036.png
Binary files differ
diff --git a/26952-page-images/p0037.png b/26952-page-images/p0037.png
new file mode 100644
index 0000000..ceb5b62
--- /dev/null
+++ b/26952-page-images/p0037.png
Binary files differ
diff --git a/26952-page-images/p0038.png b/26952-page-images/p0038.png
new file mode 100644
index 0000000..d8e51a2
--- /dev/null
+++ b/26952-page-images/p0038.png
Binary files differ
diff --git a/26952-page-images/p0039.png b/26952-page-images/p0039.png
new file mode 100644
index 0000000..8c30dc9
--- /dev/null
+++ b/26952-page-images/p0039.png
Binary files differ
diff --git a/26952-page-images/p0040.png b/26952-page-images/p0040.png
new file mode 100644
index 0000000..b6399dd
--- /dev/null
+++ b/26952-page-images/p0040.png
Binary files differ
diff --git a/26952-page-images/p0041.png b/26952-page-images/p0041.png
new file mode 100644
index 0000000..dbda672
--- /dev/null
+++ b/26952-page-images/p0041.png
Binary files differ
diff --git a/26952-page-images/p0042.png b/26952-page-images/p0042.png
new file mode 100644
index 0000000..e7933b9
--- /dev/null
+++ b/26952-page-images/p0042.png
Binary files differ
diff --git a/26952-page-images/p0043.png b/26952-page-images/p0043.png
new file mode 100644
index 0000000..39002a1
--- /dev/null
+++ b/26952-page-images/p0043.png
Binary files differ
diff --git a/26952-page-images/p0044.png b/26952-page-images/p0044.png
new file mode 100644
index 0000000..ba2b1b2
--- /dev/null
+++ b/26952-page-images/p0044.png
Binary files differ
diff --git a/26952-page-images/p0045.png b/26952-page-images/p0045.png
new file mode 100644
index 0000000..f2062f5
--- /dev/null
+++ b/26952-page-images/p0045.png
Binary files differ
diff --git a/26952-page-images/p0046.png b/26952-page-images/p0046.png
new file mode 100644
index 0000000..13272ee
--- /dev/null
+++ b/26952-page-images/p0046.png
Binary files differ
diff --git a/26952-page-images/p0047.png b/26952-page-images/p0047.png
new file mode 100644
index 0000000..8242d0e
--- /dev/null
+++ b/26952-page-images/p0047.png
Binary files differ
diff --git a/26952-page-images/p0048.png b/26952-page-images/p0048.png
new file mode 100644
index 0000000..a21f9eb
--- /dev/null
+++ b/26952-page-images/p0048.png
Binary files differ
diff --git a/26952-page-images/p0049.png b/26952-page-images/p0049.png
new file mode 100644
index 0000000..c3d1de9
--- /dev/null
+++ b/26952-page-images/p0049.png
Binary files differ
diff --git a/26952-page-images/p0050.png b/26952-page-images/p0050.png
new file mode 100644
index 0000000..58eff19
--- /dev/null
+++ b/26952-page-images/p0050.png
Binary files differ
diff --git a/26952-page-images/p0051.png b/26952-page-images/p0051.png
new file mode 100644
index 0000000..85ee08f
--- /dev/null
+++ b/26952-page-images/p0051.png
Binary files differ
diff --git a/26952-page-images/p0052.png b/26952-page-images/p0052.png
new file mode 100644
index 0000000..afee065
--- /dev/null
+++ b/26952-page-images/p0052.png
Binary files differ
diff --git a/26952-page-images/p0053.png b/26952-page-images/p0053.png
new file mode 100644
index 0000000..544708b
--- /dev/null
+++ b/26952-page-images/p0053.png
Binary files differ
diff --git a/26952-page-images/p0054.png b/26952-page-images/p0054.png
new file mode 100644
index 0000000..b3d516c
--- /dev/null
+++ b/26952-page-images/p0054.png
Binary files differ
diff --git a/26952-page-images/p0055.png b/26952-page-images/p0055.png
new file mode 100644
index 0000000..5b845fc
--- /dev/null
+++ b/26952-page-images/p0055.png
Binary files differ
diff --git a/26952-page-images/p0056.png b/26952-page-images/p0056.png
new file mode 100644
index 0000000..da4713d
--- /dev/null
+++ b/26952-page-images/p0056.png
Binary files differ
diff --git a/26952-page-images/p0057.png b/26952-page-images/p0057.png
new file mode 100644
index 0000000..75e0e26
--- /dev/null
+++ b/26952-page-images/p0057.png
Binary files differ
diff --git a/26952-page-images/p0058.png b/26952-page-images/p0058.png
new file mode 100644
index 0000000..7cd430f
--- /dev/null
+++ b/26952-page-images/p0058.png
Binary files differ
diff --git a/26952-page-images/p0059.png b/26952-page-images/p0059.png
new file mode 100644
index 0000000..593182c
--- /dev/null
+++ b/26952-page-images/p0059.png
Binary files differ
diff --git a/26952-page-images/p0060.png b/26952-page-images/p0060.png
new file mode 100644
index 0000000..ffc8949
--- /dev/null
+++ b/26952-page-images/p0060.png
Binary files differ
diff --git a/26952-page-images/p0061.png b/26952-page-images/p0061.png
new file mode 100644
index 0000000..18431f4
--- /dev/null
+++ b/26952-page-images/p0061.png
Binary files differ
diff --git a/26952-page-images/p0062.png b/26952-page-images/p0062.png
new file mode 100644
index 0000000..4e00708
--- /dev/null
+++ b/26952-page-images/p0062.png
Binary files differ
diff --git a/26952-page-images/p0063.png b/26952-page-images/p0063.png
new file mode 100644
index 0000000..64273a6
--- /dev/null
+++ b/26952-page-images/p0063.png
Binary files differ
diff --git a/26952-page-images/p0064-image1.jpg b/26952-page-images/p0064-image1.jpg
new file mode 100644
index 0000000..7d329bc
--- /dev/null
+++ b/26952-page-images/p0064-image1.jpg
Binary files differ
diff --git a/26952-page-images/p0064.png b/26952-page-images/p0064.png
new file mode 100644
index 0000000..91d9a1f
--- /dev/null
+++ b/26952-page-images/p0064.png
Binary files differ
diff --git a/26952-page-images/p0065.png b/26952-page-images/p0065.png
new file mode 100644
index 0000000..b3361f1
--- /dev/null
+++ b/26952-page-images/p0065.png
Binary files differ
diff --git a/26952-page-images/p0066.png b/26952-page-images/p0066.png
new file mode 100644
index 0000000..d6ec2df
--- /dev/null
+++ b/26952-page-images/p0066.png
Binary files differ
diff --git a/26952-page-images/p0067.png b/26952-page-images/p0067.png
new file mode 100644
index 0000000..de6581e
--- /dev/null
+++ b/26952-page-images/p0067.png
Binary files differ
diff --git a/26952-page-images/p0068.png b/26952-page-images/p0068.png
new file mode 100644
index 0000000..4946852
--- /dev/null
+++ b/26952-page-images/p0068.png
Binary files differ
diff --git a/26952-page-images/p0069.png b/26952-page-images/p0069.png
new file mode 100644
index 0000000..4f60500
--- /dev/null
+++ b/26952-page-images/p0069.png
Binary files differ
diff --git a/26952-page-images/p0070.png b/26952-page-images/p0070.png
new file mode 100644
index 0000000..d297505
--- /dev/null
+++ b/26952-page-images/p0070.png
Binary files differ
diff --git a/26952-page-images/p0071.png b/26952-page-images/p0071.png
new file mode 100644
index 0000000..ba96eff
--- /dev/null
+++ b/26952-page-images/p0071.png
Binary files differ
diff --git a/26952-page-images/p0072.png b/26952-page-images/p0072.png
new file mode 100644
index 0000000..70276f1
--- /dev/null
+++ b/26952-page-images/p0072.png
Binary files differ
diff --git a/26952-page-images/p0073.png b/26952-page-images/p0073.png
new file mode 100644
index 0000000..c6a70e0
--- /dev/null
+++ b/26952-page-images/p0073.png
Binary files differ
diff --git a/26952-page-images/p0074.png b/26952-page-images/p0074.png
new file mode 100644
index 0000000..45b42fd
--- /dev/null
+++ b/26952-page-images/p0074.png
Binary files differ
diff --git a/26952-page-images/p0075.png b/26952-page-images/p0075.png
new file mode 100644
index 0000000..4e47924
--- /dev/null
+++ b/26952-page-images/p0075.png
Binary files differ
diff --git a/26952-page-images/p0076.png b/26952-page-images/p0076.png
new file mode 100644
index 0000000..1132303
--- /dev/null
+++ b/26952-page-images/p0076.png
Binary files differ
diff --git a/26952-page-images/p0077.png b/26952-page-images/p0077.png
new file mode 100644
index 0000000..d11bb67
--- /dev/null
+++ b/26952-page-images/p0077.png
Binary files differ
diff --git a/26952-page-images/p0078.png b/26952-page-images/p0078.png
new file mode 100644
index 0000000..604550c
--- /dev/null
+++ b/26952-page-images/p0078.png
Binary files differ
diff --git a/26952-page-images/p0079.png b/26952-page-images/p0079.png
new file mode 100644
index 0000000..f5207d3
--- /dev/null
+++ b/26952-page-images/p0079.png
Binary files differ
diff --git a/26952-page-images/p0080.png b/26952-page-images/p0080.png
new file mode 100644
index 0000000..ede2d9f
--- /dev/null
+++ b/26952-page-images/p0080.png
Binary files differ
diff --git a/26952-page-images/p0081.png b/26952-page-images/p0081.png
new file mode 100644
index 0000000..7a0e62f
--- /dev/null
+++ b/26952-page-images/p0081.png
Binary files differ
diff --git a/26952-page-images/p0082.png b/26952-page-images/p0082.png
new file mode 100644
index 0000000..75d5641
--- /dev/null
+++ b/26952-page-images/p0082.png
Binary files differ
diff --git a/26952-page-images/p0083.png b/26952-page-images/p0083.png
new file mode 100644
index 0000000..06e0f64
--- /dev/null
+++ b/26952-page-images/p0083.png
Binary files differ
diff --git a/26952-page-images/p0084.png b/26952-page-images/p0084.png
new file mode 100644
index 0000000..f438649
--- /dev/null
+++ b/26952-page-images/p0084.png
Binary files differ
diff --git a/26952-page-images/p0085.png b/26952-page-images/p0085.png
new file mode 100644
index 0000000..bd16fa6
--- /dev/null
+++ b/26952-page-images/p0085.png
Binary files differ
diff --git a/26952-page-images/p0086.png b/26952-page-images/p0086.png
new file mode 100644
index 0000000..1c4dacd
--- /dev/null
+++ b/26952-page-images/p0086.png
Binary files differ
diff --git a/26952-page-images/p0087.png b/26952-page-images/p0087.png
new file mode 100644
index 0000000..ca0cf76
--- /dev/null
+++ b/26952-page-images/p0087.png
Binary files differ
diff --git a/26952-page-images/p0088.png b/26952-page-images/p0088.png
new file mode 100644
index 0000000..0af6fa1
--- /dev/null
+++ b/26952-page-images/p0088.png
Binary files differ
diff --git a/26952-page-images/p0089.png b/26952-page-images/p0089.png
new file mode 100644
index 0000000..b8fbf5e
--- /dev/null
+++ b/26952-page-images/p0089.png
Binary files differ
diff --git a/26952-page-images/p0090.png b/26952-page-images/p0090.png
new file mode 100644
index 0000000..45aa579
--- /dev/null
+++ b/26952-page-images/p0090.png
Binary files differ
diff --git a/26952-page-images/p0091.png b/26952-page-images/p0091.png
new file mode 100644
index 0000000..2725918
--- /dev/null
+++ b/26952-page-images/p0091.png
Binary files differ
diff --git a/26952-page-images/p0092.png b/26952-page-images/p0092.png
new file mode 100644
index 0000000..ab5a97f
--- /dev/null
+++ b/26952-page-images/p0092.png
Binary files differ
diff --git a/26952-page-images/p0093.png b/26952-page-images/p0093.png
new file mode 100644
index 0000000..7d91e4c
--- /dev/null
+++ b/26952-page-images/p0093.png
Binary files differ
diff --git a/26952-page-images/p0094.png b/26952-page-images/p0094.png
new file mode 100644
index 0000000..7d14df1
--- /dev/null
+++ b/26952-page-images/p0094.png
Binary files differ
diff --git a/26952-page-images/p0095.png b/26952-page-images/p0095.png
new file mode 100644
index 0000000..a740662
--- /dev/null
+++ b/26952-page-images/p0095.png
Binary files differ
diff --git a/26952-page-images/p0096.png b/26952-page-images/p0096.png
new file mode 100644
index 0000000..01b8018
--- /dev/null
+++ b/26952-page-images/p0096.png
Binary files differ
diff --git a/26952-page-images/p0097.png b/26952-page-images/p0097.png
new file mode 100644
index 0000000..d17d052
--- /dev/null
+++ b/26952-page-images/p0097.png
Binary files differ
diff --git a/26952-page-images/p0098.png b/26952-page-images/p0098.png
new file mode 100644
index 0000000..323d425
--- /dev/null
+++ b/26952-page-images/p0098.png
Binary files differ
diff --git a/26952-page-images/p0099.png b/26952-page-images/p0099.png
new file mode 100644
index 0000000..3d5057c
--- /dev/null
+++ b/26952-page-images/p0099.png
Binary files differ
diff --git a/26952-page-images/p0100.png b/26952-page-images/p0100.png
new file mode 100644
index 0000000..016a063
--- /dev/null
+++ b/26952-page-images/p0100.png
Binary files differ
diff --git a/26952-page-images/p0101.png b/26952-page-images/p0101.png
new file mode 100644
index 0000000..88fcd4e
--- /dev/null
+++ b/26952-page-images/p0101.png
Binary files differ
diff --git a/26952-page-images/p0102.png b/26952-page-images/p0102.png
new file mode 100644
index 0000000..1fbc95b
--- /dev/null
+++ b/26952-page-images/p0102.png
Binary files differ
diff --git a/26952-page-images/p0103.png b/26952-page-images/p0103.png
new file mode 100644
index 0000000..9ee008a
--- /dev/null
+++ b/26952-page-images/p0103.png
Binary files differ
diff --git a/26952-page-images/p0104.png b/26952-page-images/p0104.png
new file mode 100644
index 0000000..2d56609
--- /dev/null
+++ b/26952-page-images/p0104.png
Binary files differ
diff --git a/26952-page-images/p0105.png b/26952-page-images/p0105.png
new file mode 100644
index 0000000..66574d7
--- /dev/null
+++ b/26952-page-images/p0105.png
Binary files differ
diff --git a/26952-page-images/p0106.png b/26952-page-images/p0106.png
new file mode 100644
index 0000000..b38d168
--- /dev/null
+++ b/26952-page-images/p0106.png
Binary files differ
diff --git a/26952-page-images/p0107.png b/26952-page-images/p0107.png
new file mode 100644
index 0000000..74f4dbd
--- /dev/null
+++ b/26952-page-images/p0107.png
Binary files differ
diff --git a/26952-page-images/p0108.png b/26952-page-images/p0108.png
new file mode 100644
index 0000000..088fcbc
--- /dev/null
+++ b/26952-page-images/p0108.png
Binary files differ
diff --git a/26952-page-images/p0109.png b/26952-page-images/p0109.png
new file mode 100644
index 0000000..7c23380
--- /dev/null
+++ b/26952-page-images/p0109.png
Binary files differ
diff --git a/26952-page-images/p0110.png b/26952-page-images/p0110.png
new file mode 100644
index 0000000..d586325
--- /dev/null
+++ b/26952-page-images/p0110.png
Binary files differ
diff --git a/26952-page-images/p0111.png b/26952-page-images/p0111.png
new file mode 100644
index 0000000..62624a3
--- /dev/null
+++ b/26952-page-images/p0111.png
Binary files differ
diff --git a/26952-page-images/p0112.png b/26952-page-images/p0112.png
new file mode 100644
index 0000000..8b19cd8
--- /dev/null
+++ b/26952-page-images/p0112.png
Binary files differ
diff --git a/26952-page-images/p0113.png b/26952-page-images/p0113.png
new file mode 100644
index 0000000..837aad5
--- /dev/null
+++ b/26952-page-images/p0113.png
Binary files differ
diff --git a/26952-page-images/p0114.png b/26952-page-images/p0114.png
new file mode 100644
index 0000000..46a5058
--- /dev/null
+++ b/26952-page-images/p0114.png
Binary files differ
diff --git a/26952-page-images/p0115.png b/26952-page-images/p0115.png
new file mode 100644
index 0000000..1c1910d
--- /dev/null
+++ b/26952-page-images/p0115.png
Binary files differ
diff --git a/26952-page-images/p0116.png b/26952-page-images/p0116.png
new file mode 100644
index 0000000..4c3f379
--- /dev/null
+++ b/26952-page-images/p0116.png
Binary files differ
diff --git a/26952-page-images/p0117.png b/26952-page-images/p0117.png
new file mode 100644
index 0000000..15c4788
--- /dev/null
+++ b/26952-page-images/p0117.png
Binary files differ
diff --git a/26952-page-images/p0118.png b/26952-page-images/p0118.png
new file mode 100644
index 0000000..1a72e17
--- /dev/null
+++ b/26952-page-images/p0118.png
Binary files differ
diff --git a/26952-page-images/p0119.png b/26952-page-images/p0119.png
new file mode 100644
index 0000000..dbfa8bc
--- /dev/null
+++ b/26952-page-images/p0119.png
Binary files differ
diff --git a/26952-page-images/p0120.png b/26952-page-images/p0120.png
new file mode 100644
index 0000000..8f94c04
--- /dev/null
+++ b/26952-page-images/p0120.png
Binary files differ
diff --git a/26952-page-images/p0121.png b/26952-page-images/p0121.png
new file mode 100644
index 0000000..2e2ec6b
--- /dev/null
+++ b/26952-page-images/p0121.png
Binary files differ
diff --git a/26952-page-images/p0122.png b/26952-page-images/p0122.png
new file mode 100644
index 0000000..27453ca
--- /dev/null
+++ b/26952-page-images/p0122.png
Binary files differ
diff --git a/26952-page-images/p0123.png b/26952-page-images/p0123.png
new file mode 100644
index 0000000..a9177ac
--- /dev/null
+++ b/26952-page-images/p0123.png
Binary files differ
diff --git a/26952-page-images/p0124.png b/26952-page-images/p0124.png
new file mode 100644
index 0000000..ff33c61
--- /dev/null
+++ b/26952-page-images/p0124.png
Binary files differ
diff --git a/26952-page-images/p0125.png b/26952-page-images/p0125.png
new file mode 100644
index 0000000..094c771
--- /dev/null
+++ b/26952-page-images/p0125.png
Binary files differ
diff --git a/26952-page-images/p0126.png b/26952-page-images/p0126.png
new file mode 100644
index 0000000..b777280
--- /dev/null
+++ b/26952-page-images/p0126.png
Binary files differ
diff --git a/26952-page-images/p0127.png b/26952-page-images/p0127.png
new file mode 100644
index 0000000..0e61d67
--- /dev/null
+++ b/26952-page-images/p0127.png
Binary files differ
diff --git a/26952-page-images/p0128.png b/26952-page-images/p0128.png
new file mode 100644
index 0000000..f660da8
--- /dev/null
+++ b/26952-page-images/p0128.png
Binary files differ
diff --git a/26952-page-images/p0129.png b/26952-page-images/p0129.png
new file mode 100644
index 0000000..ee82402
--- /dev/null
+++ b/26952-page-images/p0129.png
Binary files differ
diff --git a/26952-page-images/p0130.png b/26952-page-images/p0130.png
new file mode 100644
index 0000000..87b491d
--- /dev/null
+++ b/26952-page-images/p0130.png
Binary files differ
diff --git a/26952-page-images/p0131.png b/26952-page-images/p0131.png
new file mode 100644
index 0000000..2370413
--- /dev/null
+++ b/26952-page-images/p0131.png
Binary files differ
diff --git a/26952-page-images/p0132.png b/26952-page-images/p0132.png
new file mode 100644
index 0000000..fdf1fe5
--- /dev/null
+++ b/26952-page-images/p0132.png
Binary files differ
diff --git a/26952-page-images/p0133.png b/26952-page-images/p0133.png
new file mode 100644
index 0000000..f23f6d2
--- /dev/null
+++ b/26952-page-images/p0133.png
Binary files differ
diff --git a/26952-page-images/p0134.png b/26952-page-images/p0134.png
new file mode 100644
index 0000000..e24ea03
--- /dev/null
+++ b/26952-page-images/p0134.png
Binary files differ
diff --git a/26952-page-images/p0135.png b/26952-page-images/p0135.png
new file mode 100644
index 0000000..953a1f5
--- /dev/null
+++ b/26952-page-images/p0135.png
Binary files differ
diff --git a/26952-page-images/p0136.png b/26952-page-images/p0136.png
new file mode 100644
index 0000000..6fe31ed
--- /dev/null
+++ b/26952-page-images/p0136.png
Binary files differ
diff --git a/26952-page-images/p0137.png b/26952-page-images/p0137.png
new file mode 100644
index 0000000..b6475a4
--- /dev/null
+++ b/26952-page-images/p0137.png
Binary files differ
diff --git a/26952-page-images/p0138.png b/26952-page-images/p0138.png
new file mode 100644
index 0000000..bc3580e
--- /dev/null
+++ b/26952-page-images/p0138.png
Binary files differ
diff --git a/26952-page-images/p0139.png b/26952-page-images/p0139.png
new file mode 100644
index 0000000..94d0539
--- /dev/null
+++ b/26952-page-images/p0139.png
Binary files differ
diff --git a/26952-page-images/p0140.png b/26952-page-images/p0140.png
new file mode 100644
index 0000000..f1ef7ff
--- /dev/null
+++ b/26952-page-images/p0140.png
Binary files differ
diff --git a/26952-page-images/p0141.png b/26952-page-images/p0141.png
new file mode 100644
index 0000000..e34ebf6
--- /dev/null
+++ b/26952-page-images/p0141.png
Binary files differ
diff --git a/26952-page-images/p0142.png b/26952-page-images/p0142.png
new file mode 100644
index 0000000..33c2d26
--- /dev/null
+++ b/26952-page-images/p0142.png
Binary files differ
diff --git a/26952-page-images/p0143.png b/26952-page-images/p0143.png
new file mode 100644
index 0000000..e512686
--- /dev/null
+++ b/26952-page-images/p0143.png
Binary files differ
diff --git a/26952-page-images/p0144-image1.jpg b/26952-page-images/p0144-image1.jpg
new file mode 100644
index 0000000..f9f25a3
--- /dev/null
+++ b/26952-page-images/p0144-image1.jpg
Binary files differ
diff --git a/26952-page-images/p0144.png b/26952-page-images/p0144.png
new file mode 100644
index 0000000..4c344a6
--- /dev/null
+++ b/26952-page-images/p0144.png
Binary files differ
diff --git a/26952-page-images/p0145.png b/26952-page-images/p0145.png
new file mode 100644
index 0000000..8ceea36
--- /dev/null
+++ b/26952-page-images/p0145.png
Binary files differ
diff --git a/26952-page-images/p0146.png b/26952-page-images/p0146.png
new file mode 100644
index 0000000..5f8f951
--- /dev/null
+++ b/26952-page-images/p0146.png
Binary files differ
diff --git a/26952-page-images/p0147.png b/26952-page-images/p0147.png
new file mode 100644
index 0000000..8f9e15d
--- /dev/null
+++ b/26952-page-images/p0147.png
Binary files differ
diff --git a/26952-page-images/p0148.png b/26952-page-images/p0148.png
new file mode 100644
index 0000000..f78322a
--- /dev/null
+++ b/26952-page-images/p0148.png
Binary files differ
diff --git a/26952-page-images/p0149.png b/26952-page-images/p0149.png
new file mode 100644
index 0000000..1436970
--- /dev/null
+++ b/26952-page-images/p0149.png
Binary files differ
diff --git a/26952-page-images/p0150.png b/26952-page-images/p0150.png
new file mode 100644
index 0000000..8508afe
--- /dev/null
+++ b/26952-page-images/p0150.png
Binary files differ
diff --git a/26952-page-images/p0151.png b/26952-page-images/p0151.png
new file mode 100644
index 0000000..e2705e1
--- /dev/null
+++ b/26952-page-images/p0151.png
Binary files differ
diff --git a/26952-page-images/p0152.png b/26952-page-images/p0152.png
new file mode 100644
index 0000000..0b59bdd
--- /dev/null
+++ b/26952-page-images/p0152.png
Binary files differ
diff --git a/26952-page-images/p0153.png b/26952-page-images/p0153.png
new file mode 100644
index 0000000..7c281f0
--- /dev/null
+++ b/26952-page-images/p0153.png
Binary files differ
diff --git a/26952-page-images/p0154.png b/26952-page-images/p0154.png
new file mode 100644
index 0000000..3025628
--- /dev/null
+++ b/26952-page-images/p0154.png
Binary files differ
diff --git a/26952-page-images/p0155.png b/26952-page-images/p0155.png
new file mode 100644
index 0000000..8d3730d
--- /dev/null
+++ b/26952-page-images/p0155.png
Binary files differ
diff --git a/26952-page-images/p0156.png b/26952-page-images/p0156.png
new file mode 100644
index 0000000..894385b
--- /dev/null
+++ b/26952-page-images/p0156.png
Binary files differ
diff --git a/26952-page-images/p0157.png b/26952-page-images/p0157.png
new file mode 100644
index 0000000..3c37019
--- /dev/null
+++ b/26952-page-images/p0157.png
Binary files differ
diff --git a/26952-page-images/p0158.png b/26952-page-images/p0158.png
new file mode 100644
index 0000000..6e42702
--- /dev/null
+++ b/26952-page-images/p0158.png
Binary files differ
diff --git a/26952-page-images/p0159.png b/26952-page-images/p0159.png
new file mode 100644
index 0000000..335f894
--- /dev/null
+++ b/26952-page-images/p0159.png
Binary files differ
diff --git a/26952-page-images/p0160.png b/26952-page-images/p0160.png
new file mode 100644
index 0000000..c9b958a
--- /dev/null
+++ b/26952-page-images/p0160.png
Binary files differ
diff --git a/26952-page-images/p0161.png b/26952-page-images/p0161.png
new file mode 100644
index 0000000..0c5ce6b
--- /dev/null
+++ b/26952-page-images/p0161.png
Binary files differ
diff --git a/26952-page-images/p0162.png b/26952-page-images/p0162.png
new file mode 100644
index 0000000..7ca9d91
--- /dev/null
+++ b/26952-page-images/p0162.png
Binary files differ
diff --git a/26952-page-images/p0163.png b/26952-page-images/p0163.png
new file mode 100644
index 0000000..550aecf
--- /dev/null
+++ b/26952-page-images/p0163.png
Binary files differ
diff --git a/26952-page-images/p0164.png b/26952-page-images/p0164.png
new file mode 100644
index 0000000..2e7cb58
--- /dev/null
+++ b/26952-page-images/p0164.png
Binary files differ
diff --git a/26952-page-images/p0165.png b/26952-page-images/p0165.png
new file mode 100644
index 0000000..bcc35e7
--- /dev/null
+++ b/26952-page-images/p0165.png
Binary files differ
diff --git a/26952-page-images/p0166.png b/26952-page-images/p0166.png
new file mode 100644
index 0000000..f9ddb36
--- /dev/null
+++ b/26952-page-images/p0166.png
Binary files differ
diff --git a/26952-page-images/p0167.png b/26952-page-images/p0167.png
new file mode 100644
index 0000000..ccd3d0a
--- /dev/null
+++ b/26952-page-images/p0167.png
Binary files differ
diff --git a/26952-page-images/p0168.png b/26952-page-images/p0168.png
new file mode 100644
index 0000000..bb7ac50
--- /dev/null
+++ b/26952-page-images/p0168.png
Binary files differ
diff --git a/26952-page-images/p0169.png b/26952-page-images/p0169.png
new file mode 100644
index 0000000..7bd6535
--- /dev/null
+++ b/26952-page-images/p0169.png
Binary files differ
diff --git a/26952-page-images/p0170.png b/26952-page-images/p0170.png
new file mode 100644
index 0000000..388b135
--- /dev/null
+++ b/26952-page-images/p0170.png
Binary files differ
diff --git a/26952-page-images/p0171.png b/26952-page-images/p0171.png
new file mode 100644
index 0000000..a598c86
--- /dev/null
+++ b/26952-page-images/p0171.png
Binary files differ
diff --git a/26952-page-images/p0172.png b/26952-page-images/p0172.png
new file mode 100644
index 0000000..6e669c0
--- /dev/null
+++ b/26952-page-images/p0172.png
Binary files differ
diff --git a/26952-page-images/p0173.png b/26952-page-images/p0173.png
new file mode 100644
index 0000000..2a7685c
--- /dev/null
+++ b/26952-page-images/p0173.png
Binary files differ
diff --git a/26952-page-images/p0174.png b/26952-page-images/p0174.png
new file mode 100644
index 0000000..cbc3871
--- /dev/null
+++ b/26952-page-images/p0174.png
Binary files differ
diff --git a/26952-page-images/p0175.png b/26952-page-images/p0175.png
new file mode 100644
index 0000000..962b0f7
--- /dev/null
+++ b/26952-page-images/p0175.png
Binary files differ
diff --git a/26952-page-images/p0176.png b/26952-page-images/p0176.png
new file mode 100644
index 0000000..8a70ede
--- /dev/null
+++ b/26952-page-images/p0176.png
Binary files differ
diff --git a/26952-page-images/p0177.png b/26952-page-images/p0177.png
new file mode 100644
index 0000000..1d0f501
--- /dev/null
+++ b/26952-page-images/p0177.png
Binary files differ
diff --git a/26952-page-images/p0178.png b/26952-page-images/p0178.png
new file mode 100644
index 0000000..cac78b4
--- /dev/null
+++ b/26952-page-images/p0178.png
Binary files differ
diff --git a/26952-page-images/q0001.png b/26952-page-images/q0001.png
new file mode 100644
index 0000000..12884b3
--- /dev/null
+++ b/26952-page-images/q0001.png
Binary files differ
diff --git a/26952-page-images/q0002.png b/26952-page-images/q0002.png
new file mode 100644
index 0000000..316a845
--- /dev/null
+++ b/26952-page-images/q0002.png
Binary files differ
diff --git a/26952.txt b/26952.txt
new file mode 100644
index 0000000..27cd163
--- /dev/null
+++ b/26952.txt
@@ -0,0 +1,3925 @@
+The Project Gutenberg EBook of Eric, by Mrs. S. B. C. Samuels
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Eric
+ or, Under the Sea
+
+Author: Mrs. S. B. C. Samuels
+
+Release Date: October 18, 2008 [EBook #26952]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK ERIC ***
+
+
+
+
+Produced by Roger Frank, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+[Illustration: Froll's Antics.--Page 54.]
+
+
+
+
+[Illustrated title plate: Springdale Stories. Illustrated. ERIC. Lee &
+Shepard; BOSTON.]
+
+
+
+
+THE SPRINGDALE STORIES.
+
+ERIC;
+
+OR,
+UNDER THE SEA.
+
+BY
+MRS. S. B. C. SAMUELS,
+
+AUTHOR OF "ADELE," "HERBERT," "NETTIE'S TRIAL,"
+"JOHNSTONE'S FARM," "ENNISFELLEN."
+
+BOSTON
+LEE AND SHEPARD PUBLISHERS
+CHARLES T. DILLINGHAM NEW YORK
+
+
+
+
+Entered according to Act of Congress, in the year 1870,
+BY LEE AND SHEPARD,
+In the Office of the Librarian of Congress, at Washington.
+
+Electrotyped at the
+Boston Stereotype Foundry.
+
+
+
+
+AFFECTIONATELY DEDICATED
+
+TO
+
+FRANK EDWARD SAMUELS.
+
+
+
+
+THE SPRINGDALE STORIES.
+
+COMPLETE IN SIX VOLUMES,
+
+1. ADELE.
+2. ERIC.
+3. HERBERT.
+4. NETTIE'S TRIAL.
+5. JOHNSTONE'S FARM.
+6. ENNISFELLEN.
+
+
+
+
+PREFACE.
+
+The story of the travels of Eric and his friends on the continent of
+Europe will, I trust, be interesting to my young readers. Many of the
+incidents described are actual facts, and the descent of Eric, in diving
+armor, to the bottom of the sea, will be found to possess some items which
+will be worth remembering.
+
+The sights, sounds, and sensations which I have described, are such as any
+submarine diver of experience has seen, heard, and felt, and therefore
+will be instructive in a certain way.
+
+The finding a box of gold by the divers is not of often occurrence,
+although valuables are reclaimed from the ocean in this manner
+occasionally.
+
+The lesson taught by Eric's honesty in trying to find the owner of the
+money, and its influence on his accusers, when he is unjustly accused of
+theft, will be worthy of attention to all my young friends who have a name
+to make.
+
+
+
+
+CONTENTS
+
+CHAPTER PAGE
+ I. Leaving the Castle. 9
+ II. "The Hague." 23
+ III. The City. 30
+ IV. Allan's Story. 39
+ V. "Seeing the Elephant." 50
+ VI. A Dutch City. 62
+ VII. Under the Sea. 70
+ VIII. Thrilling Experience. 92
+ IX. Uncle John. 106
+ X. Strasbourg. 120
+ XI. Eric in Trouble. 135
+ XII. "A Friend in Need is a Friend Indeed." 145
+ XIII. The Real Thief. 153
+ XIV. Percy, Beauty, and Jack. 159
+ XV. The Last. 167
+
+
+
+
+ERIC.
+
+
+
+
+CHAPTER I.
+
+LEAVING THE CASTLE.
+
+
+Olendorf is not far from Hamburg. The broad and sparkling Elbe washes it
+on the western side, and with the rugged mountains and the weird grand,
+old forests upon the north and east, seem to shut the little town quite in
+from the outer world; yet Olendorf had been an important place and on
+account of its grand old fortress, Castle Wernier, was a bone of
+contention throughout the French and German wars; and between the French,
+who were resolute to hold the fortress, and the barons of Wernier, who
+were equally resolute to regain it, the castle suffered severely; and
+when, long years after, peace was declared, the last baron of Wernier
+died, and the castle came into the possession of Adele Stanley, his great
+granddaughter, it was merely a grand old ruin.
+
+Adele's father rebuilt the tower and a couple of wings, and furnished all
+the habitable rooms, intending to have his little Adele and Herbert spend
+their childhood there. But while Adele was yet almost a baby, her kind
+father died. Then she lost her mother, and was for a long time a wanderer
+among strangers in a foreign land; and the old castle had been
+uninhabited, except by Gretchen, the gardener's wife, and the owls in its
+dark turrets. Now, however, the long windows were thrown open to the fresh
+breezes and sunshine; merry laughter rang up from the garden; children's
+voices echoed among the ruins, and children's feet danced through the long
+corridors, keeping time to the music of the happy voices.
+
+Adele and Herbert Stanley were at the castle with their young guests from
+New York--Eric and Nettie Hyde. They had spent the summer months there;
+"the happiest months in their lives," they all declared. Now, alas! the
+merry season was drawing to a close. Adele was to go to her grandfather's
+home in England, Herbert to school at Eton, Nettie with her mother to New
+York, and Eric was to travel in Holland and the German states with his
+uncle, Dr. Ward, and his cousin, Johnny Van Rasseulger.
+
+Such a busy day as it was to be! But just now all care was forgotten, even
+to the regret at parting, in watching the absurd freaks of little Froll,
+the monkey. Her real name was Frolic; but who ever heard children call a
+pet by its real name?
+
+Mrs. Hyde called to Nettie, requesting her to do an errand. At the sound
+of her voice Nettie ran towards her, exclaiming,--
+
+"O, mamma! Adele has given us such a splendid present, to take home with
+us!"
+
+"What is it, my dear?"
+
+"I love it so dearly! It's--it's--"--here Nettie's voice trembled a
+little, and her heart knew its own misgivings--"it's--Froll, mamma, the
+little darling!"
+
+"And who _is_ Froll, the little darling!"
+
+"That dear little monkey," answered Nettie, pointing to Froll, now close
+at hand.
+
+"O," exclaimed Mrs. Hyde, retreating hastily, "I dislike monkeys, and I
+cannot have one travelling with me."
+
+"But, mamma--" said Nettie, piteously.
+
+"You need not think of it, my dear; it is quite impossible," was the
+decided reply, to Nettie's disappointment.
+
+"But may not Eric take her?"
+
+"Uncle Charlie must decide that question: if he has no objections to
+travelling with an animal that is never out of mischief, I suppose Eric
+may take charge of her."
+
+"But then, mamma, Eric will be gone a whole long year--"
+
+"And as you have lived nine whole long years," interrupted her mother,
+smiling, "without a monkey, or a desire for one, don't you think you could
+survive the separation?"
+
+Nettie didn't then think she could; but a while after, when Froll chased
+her with a paint-brush dripping wet with red paint, and then completely
+spoiled a pretty landscape view that Herbert was painting for her, she
+changed her mind, and decided that a voyage from Hamburg to New York with
+such an uncontrollable creature would be, to say the least, inconvenient.
+
+To be sure, papa was to meet them at the Hague, and he might be willing to
+look to her safe transportation across the Atlantic; but she had not much
+faith in this argument, and, making a virtue of necessity, resigned
+herself with becoming grace to her mother's wishes.
+
+Looking back upon the pleasant summer months at Castle Wernier, the
+children thought time had never gone so quickly. They were soon to be
+parted from each other, and their pleasant German home and every object
+took a new interest to them.
+
+"The value of a thing is never known till we have lost it," Herbert said,
+sorrowfully, thinking how lonely Adele and he would become when parted
+from their companions.
+
+"Nor how dear a place an old castle is, until we are forced to leave it,"
+said Eric.
+
+"I remember thinking once," said Nettie, "that this place was horrible. It
+was when we were all so frightened about the ghost."
+
+"And all the time I was the ghost," Adele added; "and I used to think it
+very hard that I couldn't speak to you, not knowing that I was frightening
+you all out of your wits."
+
+"I suppose more than half the ghosts we read about are only people walking
+in their sleep, as Adele did," said Herbert.
+
+"Of course," said Nettie; "but if we stay here all day, talking about
+ghosts, what will become of our pets and toys?"
+
+As Herbert and Adele were to start for their home in England when Mrs.
+Hyde and her children left the castle, all their pets were to be disposed
+of among the gardener's children, that is, all but Froll, for Eric was
+sure that uncle Charlie would not object to having the little creature for
+a travelling companion; and as Mrs. Hyde would not allow Nettie to take
+her with her, Froll was to make the tour of Germany with Dr. Ward and the
+boys.
+
+There were the pony, and the rabbits, and the canary bird, of all which
+Gretchen's children were to take the utmost care, until the dear
+_Fraulien_ and the young _Herr_ should come again. And many and loud were
+the expressions of affectionate regret at the children's departure, oddly
+intermingled with exclamations of delight at the appearance of numerous
+toys, which Mrs. Nichols and Mrs. Hyde had decided must be left over from
+the packing.
+
+Then the garden must be visited in every nook and corner. Particular
+directions must be left with Hans concerning their choice flowers and
+favorite plants.
+
+And then there was the grand event of the day--the packing up of their own
+individual treasures, in the shape of books and toys. They worked hard all
+day, and were very proud of their work when all was accomplished; but, in
+the dead of night, when they were fast in the "Land o' Nod," old mauma,
+who was prowling around the trunks and hampers to see if all were secure,
+seemed rather suspicious of one, and knelt down on the floor to examine
+it, giving it a little shake, by way of test.
+
+"Dear heart alive!" she exclaimed; "just you look here, missis, please.
+All those little flimpsy toys and things to bottom, an' the heavy book
+stuck in any ways to top, an' all of 'em jolting roun' like anything!"
+
+Poor tired Mrs. Hyde could not help smiling, as she leaned wearily over
+the two hampers the children had filled, and gave directions to mauma and
+Gretchen about repacking them.
+
+The two women soon accomplished what it had taken the children all day to
+perform; and to their faithful exertions was owing the safe arrival at
+Fifth Avenue and Ennisfellen of the toys.
+
+Early in the morning the children were aroused to prepare for their
+journey. They were all in high spirits, and thought dressing and
+breakfasting by candle-light the "greatest fun in the world;" though it is
+doubtful if they would have held to their opinion had the practice been
+continued permanently.
+
+"Nobody wants breakfast so early," Nettie said, as she laughed and talked
+in excitement.
+
+"I'm sure nobody wants to lunch on the train," shouted Eric, across the
+hall.
+
+"The train, indeed! Why, we shall be aboard the steamer at noon. I like to
+travel on these European steamers," Nettie called back.
+
+"I am so glad we are all to travel together to the Hague," said Adele's
+sweet voice. "How quickly you dress, Nettie! But where _can_ my other boot
+be?"
+
+"I'm sure I don't know; let's look for it. Here 'tis."
+
+"No; that's your own."
+
+"Sure enough; and I've been all this time doing up yours. Shouldn't wonder
+if we did miss the train. And it's in a knot, and I can't untie it. Mauma,
+mauma, bring another light here, quick! and you'd better hurry, Adele."
+
+"Nettie, did you mean the train was in a knot?" called Herbert.
+
+"No, it's _not_," said Nettie, quickly; and then they all laughed merrily.
+For, though Nettie's remark was not particularly brilliant, there was
+enough in it to amuse the happy, excited hearts around her.
+
+The breakfast received a very slight share of attention. The boys were
+constantly running below to "see after the horses," and Nettie was dancing
+about, in everybody's way, assuring them all that they would certainly
+lose the train, and begging Adele, for her own safety, to keep close to
+her, and not to be nervous on any account.
+
+"I know somebody will forget something!" she exclaimed for the fiftieth
+time. "Be sure, all of you, to remember."
+
+"Not to forget," interrupted Eric, mischievously.
+
+"The carriage has come to the door, Herr Von Nichols!" Gretchen announced,
+through her tears.
+
+All the Werniers, the ancient holders of the castle, had been Herr Vons;
+and as Mrs. Nichols was a Wernier, Gretchen had adopted the villagers'
+fashion of bestowing the title upon the husband.
+
+The servants were in the hall, sorrowfully awaiting the departure of their
+kind patrons.
+
+"Good by! Good by!" the children shouted; while the mournful group bade
+them "God speed."
+
+"Who's forgotten anything?" said Nettie, crowding into a corner of the
+carriage.
+
+"I think you have, my dear," answered her mother. "Where is your sacque?"
+
+Nettie looked quite dismayed.
+
+"O, I packed it, mamma. I forgot I was to wear this dress."
+
+There was a general consternation at this confession, until mauma drew the
+missing article from under her shawl.
+
+"Here 'tis, Miss Nettie. I 'spects you'd want it."
+
+"I'm ever so much obliged to you, mauma," said Nettie, eagerly seizing the
+sacque, and putting herself into it, while Mrs. Hyde rewarded the faithful
+old colored woman with a grateful smile.
+
+"I was so busy remembering for the others, mamma," Nettie said,
+apologetically.
+
+"Perhaps it would be as well for you to attend more particularly to
+yourself, my dear," was her mother's mild rebuke.
+
+Mr. Nichols and the boys were busy stowing boxes and parcels in various
+hidden compartments of the carriage. Just as Mr. Nichols announced that
+they were ready to start, Eric thrust his head in at the door, exclaiming,
+funnily,--
+
+"Mamma, Nettie is so anxious, suppose you all just feel inside your
+bonnets, to make sure that your heads are here?"
+
+"Don't detain us, Eric," his mother said, smiling at the frank, joyous
+face.
+
+"All right, mamma. This is my load: let me see,--Mrs. Hyde, Adele, Nettie,
+and mauma. Go ahead, Carl."
+
+The coachman drew up his reins, and the spirited horses, after curvetting
+and prancing for an instant, dashed down the avenue, Adele's and Nettie's
+white handkerchiefs floating on the breeze, in a last adieu to Wernier.
+
+They were followed immediately by another carriage, containing Mr. and
+Mrs. Nichols and the boys; and, except for the group of sorrowing
+servants, watching the fast-disappearing carriages, Castle Wernier was
+left alone.
+
+
+
+
+CHAPTER II.
+
+"THE HAGUE."
+
+
+ "The sun rode high, the breeze was free,
+ High dashed the diamond spray,
+ And proudly o'er the dark blue sea
+ The steamer ploughed her way."
+
+Aboard of the Hague, the children, watching the distant spires and domes
+of Hamburg "melt into air" as the vessel bore, with almost imperceptible
+motion rapidly towards the North Sea, began to realize that they would see
+no more of Wernier. And though their sorrow but faintly came home to them,
+they were sad and thoughtful.
+
+Adele whispered mournfully to Herbert, "O, let us go below! It is so like
+going out in the Europa, with dear mamma, before she died in the wreck. O,
+Herbie, I cannot bear the cruel, cruel sea. Take me below."
+
+So Herbert and Adele went to the cabin, and Eric suggested to Nettie that
+they should follow.
+
+"No," said Nettie, "I like to stay here. Eric, see that boy look at you; I
+think he wants to speak."
+
+Eric looked around, and saw a boy of his own age steadfastly regarding
+him. When he caught Eric's eye, he bowed and hastened forward, holding out
+his hand.
+
+"Eric Hyde?" he said.
+
+"Yes," said Eric. "Do you know me?"
+
+"I never _saw_ you before; but I know you, for all that," said the boy.
+
+"How?" said Eric, astonished, and interested, too.
+
+"I knew you by your voice. I used to live next door to you in New York. I
+was blind then, and auntie sent me out to Hamburg, to the famous oculist
+Dr. Francis. He has given me my sight, and I am going home alone. Auntie
+doesn't know about it yet; she only knows that the operation was performed
+two months ago, and that Dr. Francis had no doubt of its success. Won't
+she be surprised to see me walk into the parlor, and to hear the whole
+story from me?"
+
+"Hurrah!" cried Eric, excitedly, tossing his cap high in the air.
+
+"I remember you well," said Nettie; "I am Nettie Hyde. Don't you, Eric?"
+
+"Yes," said Eric. "I used to pity you so! Isn't it just jolly!"
+
+"Do you know," said the boy, whose name was Allan Ramsdell, "I never saw a
+steamer before to-day! I have been blind so long, ever since I was four
+years old. I've got the key of my state-room here, but I don't know where
+to go to look for the room."
+
+"I'll show you," volunteered Eric. "And, Nettie, if you will go down for
+Adele and Herbie, we'll go all over the steamer."
+
+Nettie ran quickly into the cabin, eager to impart the news of their new
+acquaintance. Mrs. Hyde was glad of anything that would interest Adele,
+and urged her to go upon deck with Herbert. Mr. Nichols was resting from
+the fatigue of the ride. Mrs. Nichols, always feeble, did not feel equal
+to the exertion of climbing the companion way, the stairs from the upper
+deck to the cabin, and Mrs. Hyde wished to remain with her; so the
+children began their exploring expedition alone.
+
+The great steamship was now out in the blue sea. The wide decks were
+gradually being cleared of passengers as they sought their narrow
+state-rooms, and as the children were quiet and orderly, no one interfered
+with them.
+
+"This is the dining-hall," announced Eric, as the five heads peered in at
+the door of a long saloon, where tables were ranged for the accommodation
+of the passengers.
+
+Behind this saloon was the kitchen, a hot, steaming place, where men,
+mostly cooks, in dirty white jackets, rushed helter-skelter into each
+other and around the room.
+
+"Too many cooks spoil the broth," said Herbert, in an undertone, which
+remark so tickled the others that they all ran off laughing, till they met
+a stout, dignified "yellow man," holding the store-room keys, and wearing
+a cleaner jacket than the others. He was the steward, and, being cross,
+scolded the children roundly for getting in his way. In the lower cabin
+were the steerage passengers. These had no saloon with tables arranged for
+their accommodation. They ate plain bean soup from tin mugs, and hard ship
+biscuit from their hands, and their table was a long board, let down from
+above by ropes. They stood around the board while eating, and when the
+meal was finished, the temporary table was drawn up out of the way.
+
+By the time these observations had been made Mrs. Hyde joined them; and
+after speaking kind congratulations to Allan, and inviting him to attach
+himself to their party, she warned the children of the approach of dinner,
+and requested them to prepare for it.
+
+Allan was very grateful to Mrs. Hyde for her kindness, and thanked her
+politely. He travelled with her to his aunt's door, and was such a
+gentlemanly, companionable boy that they all became very much attached to
+him. It would be pleasant to take the trip from Hamburg to the western
+coast with our party; but that is impossible, as Eric has considerable
+journeying to do in another direction, and we are to accompany him. But
+the voyage was a pleasant one, and the children saw and learned many new
+and wonderful things before they reached their destination. We must not
+forget that little Froll left Hamburg snugly packed in a cage, and
+intrusted to mauma's care for the voyage. She was quite a favorite aboard
+the vessel, and made much merriment by her absurd pranks, and at Hague was
+safely landed, and transported to the hotel.
+
+At Hague, too, the Hydes and Allan Ramsdell left the vessel, after a
+sorrowful parting with Mr. and Mrs. Nichols and Herbert and Adele.
+
+
+
+
+CHAPTER III.
+
+THE CITY.
+
+
+It would seem strange to us to hear our native city called "the Boston,"
+and stranger still to hear the staid old capital called by more names than
+one.
+
+Eric, and Allan, and Nettie were quite confused in the capital of Holland
+by the variety of names given it.
+
+"Hague," "The Hague," and "La Haye" they had heard, but upon their arrival
+they found its inhabitants calling it "_Gravenhaag_," which, Mrs. Hyde
+explained, meant "The Count's Meadow."
+
+"What a comical place!" Nettie exclaimed, as they glided along through
+"canal streets" to the hotel. "Mamma, if our streets were like these,
+wouldn't you fret for our precious necks every time we looked out of a
+window? And I don't suppose you would ever let us go out to play, for fear
+we'd drown."
+
+"Still, it is very pleasant gliding under these shady trees; and if you
+look about, my dear, you will see there are also carriage roads, with
+sidewalks."
+
+"Yes," said Eric; "we've passed several."
+
+"I like these boat roads best," said Allan, "they are so novel."
+
+"Where are we going, mamma?" asked Nettie, "and how far?"
+
+"To the _Vyverberg House_, my dear. I do not know the distance."
+
+"Is it a mile?" asked Eric, of the boatman.
+
+He shook his head, saying, "_Nein_."
+
+But you are not to think that he meant nine miles, for "_nein_" is German
+for "no."
+
+The Vyverberg House was at the north end of Gravenhaag; so our friends had
+a fine view of the town, and learned much of its history from the sober
+old boatman, who, very fortunately for them, spoke English well.
+
+He pointed out the moat, which surrounded the city and formed its
+principal defense, and the drawbridges which crossed the moat.
+
+"How different from Hamburg!" said Eric. "There, a strong wall fortified
+the town, and most of its streets are now built upon its old walls of
+fortification."
+
+"The canals were similar to these," said his mother. "You did not notice
+those particularly, because you always rode in Mr. Nichols's carriage."
+
+"But this is a much better looking town than Hamburg, mamma."
+
+"Yes, indeed; the buildings are much handsomer here," she assented.
+
+"O, how lovely!" "How splendid!" cried Nettie and Allan in a breath, as
+they came upon a fine open space, ornamented with a lake, and wooded
+island in its centre.
+
+"This is the Vyverberg," the boatman said.
+
+"Mamma, how good of you to bring us here!" cried the children; "it is
+perfectly splendid!"
+
+Well might they say so. The square containing the lovely lake and island
+was surrounded by the handsomest and chief public edifices of the city,
+the finest one of them all being the former palace of Prince Maurice, now
+the National Museum, celebrated for its gallery of pictures.
+
+The Royal Museum and other famous buildings were there; but that to which
+our party's attention was most closely drawn was the hotel.
+
+It stood facing the lake, a broad, comfortable-looking brick building,
+with heavy balconies, and frowning eaves and ornamental stucco work
+surrounded its doorways and windows. Between it and the avenue lay a
+beautiful garden, and just beyond the building was a small shady grove.
+
+"Mamma," exclaimed Nettie, "I _do_ think the Germans and Dutch have the
+most exquisite gardens in the world."
+
+"They are certainly very beautiful," said Mrs. Hyde. "Here in Holland
+great attention is paid to the culture of flowers. Indeed, some of the
+finest varieties are raised here, and Holland bulbs are among our choicest
+varieties."
+
+"Mrs. Hyde, I suppose I am very stupid," said Allan, blushing, "but I do
+not know what 'bulbs' are."
+
+"No, indeed, Allan; you show great good sense in asking about whatever you
+do not understand. That is the way to learn. Bulbous plants are those
+which have a round root, and produce very few leaves; they are such as the
+tulip, hyacinth, crocus, and others. They are nearly all ornamental and
+beautiful from the very large size and brilliant color of their flowers.
+Holland tulips were once so much in demand as to bring almost fabulous
+prices. A gentleman in Syracuse gave a valuable span of horses, and
+another exchanged his farm, for a bed of the tulip bulbs."
+
+"Thank you, ma'am," said Allan. "It is very interesting. When I am a man I
+think I will be a florist. I am very fond of flowers; they were a great
+comfort to me when I was blind."
+
+As Allan ceased speaking, the boat stopped, and they were landed upon a
+short flight of stone steps. Eric gave directions for the baggage, and
+then all proceeded to the hotel.
+
+A carriage was approaching them quite rapidly, and Nettie suddenly, with a
+cry of joy, sprang forward, directly in the way of the horses. If Allan
+had not, at the risk of serious injury to himself, immediately sprung
+after her and drawn her back, she would have been run over.
+
+"Let go of me, Allan; O, let me go! It is papa!" cried Nettie.
+
+A gentleman in the carriage stopped the horses, and leaned anxiously
+forward.
+
+"Is the little girl hurt?" he asked of Allan, in German.
+
+Poor Allan did not understand him, and could not answer. But there was no
+need, for in another instant, exclaiming, "Why, 'tis my own little girl!"
+the gentleman leaped from the carriage, and Nettie was in her father's
+arms.
+
+Meanwhile Mrs. Hyde and Eric, who had been separated by carriages from
+them, and had only seen Nettie spring before the horses, and Allan go
+after her, were very much frightened. They now appeared upon the scene,
+and finding the child sobbing in a gentleman's arms, concluded, of course,
+that she was hurt.
+
+"My darling!" cried poor Mrs. Hyde, in agony, "O, is she hurt, sir?"
+
+"No, ma'am," said Allan, "she is not hurt, at all!"
+
+"Alice!" said Mr. Hyde to his wife.
+
+He had but just landed from the American steamer, and was on his way to
+the hotel, not knowing of the arrival of "The Hague," when he first saw
+Nettie and Allan. He was overjoyed to find his family thus unexpectedly.
+
+"O, Eric, Eric! I am so glad!" she exclaimed, in relief; "but Nettie!"
+
+"My little rash, excitable Nettie is safe and sound in papa's arms," he
+said. But the tremor in his voice showed how nearly Nettie had escaped
+severe injury. "Eric, my boy," he added, "have you no word for papa?"
+
+Eric, white and faint, could not speak a word, but clasped his father's
+hand convulsively.
+
+"And where is my daughter's brave protector and deliverer?" Mr. Hyde
+asked, looking around for Allan.
+
+The boy, who had bashfully retreated behind Mrs. Hyde, was brought forward
+and introduced as "our neighbor the blind boy, whose sight is now
+restored."
+
+"He is travelling home with us," Mrs. Hyde added, when her husband had
+warmly thanked him.
+
+Quite a crowd had collected around our travellers, and so eagerly and
+sympathetically inquired what had happened, that Mr. Hyde was obliged to
+tell them, briefly, the incident, as he led the way to the Vyverberg
+House.
+
+It was but a few steps, and they were soon in the hotel, where the words
+of congratulation floated after them from the crowd; and presently a
+hearty cheer followed, when the good Hollanders understood that the little
+American _Fraulien_ had found her father.
+
+
+
+
+CHAPTER IV.
+
+ALLAN'S STORY.
+
+
+Poor Nettie was mortified enough by the result of her impulsive act. She
+was quite frightened by the crowd, and their joyous cheering filled her
+with terror, for she did not understand that these honest, kindly people
+were filled with joy because a little girl's heart was made happy.
+
+Her parents talked to her kindly and seriously of the necessity of
+learning to govern her impulsiveness, and Nettie promised; but, alas! the
+promise was broken again and again, until she learned by hard and terrible
+experience to be a careful, thoughtful child. She now found that she had
+spoiled every one's pleasure for the day.
+
+Her mother suffered from a nervous headache, brought on by the fright and
+excitement. Her father was obliged to leave, when they were comfortably
+established in the hotel, in order to transact some important business,
+and had taken Eric with him, starting immediately after their dinner.
+
+When he went off with Eric, Mrs. Hyde went to her room to lie down,
+forbidding Nettie to leave the parlor, that she might feel assured of the
+child's safety.
+
+Allan had a letter to write to Dr. Francis and his friends in Hamburg; so
+Nettie was obliged to amuse herself.
+
+She obtained permission from her mamma to take Froll out upon the balcony,
+and played with her for a little while quite happily. But by and by Froll
+spoiled all the fun; for she _would_ climb up the blinds and mouldings to
+the utmost limit of her chain, which was just long enough to admit of her
+reaching the window-sill and thrusting her head into the room where Mrs.
+Hyde lay. Now, Mrs. Hyde was really afraid of Froll, and these
+performances were not calculated to cure her headache. She spoke to Nettie
+once or twice from the room; but finding the monkey's visits repeated, she
+sent Allan down to tell Nettie that, if Froll came up to her window again,
+she must return to her cage, and Nettie to the parlor.
+
+"I won't let her go up again," said Nettie. "Now, Froll, be good; _do_
+climb down the other way, after this cake. See, Frolic, see!" and she
+threw a little fruit cake over the railing.
+
+Quick as a flash, Froll went after it; so very quickly, as to pull the end
+of the chain from Nettie's hand.
+
+Before the child had time to think, the mischievous monkey had seized the
+cake, and was travelling quickly up the blinds and moulding, over the
+sill, and, as Nettie drew a frightened breath, in at the window.
+
+"O, dear!" said Nettie; "now I'll have to be punished. It's silly of mamma
+to be so easily frightened."
+
+Her mamma, meanwhile, had just fallen into a doze. The rattling of the
+chain startled her; she opened her eyes, and saw the ugly little black
+monkey perched close beside her. She was quite startled, and very angry
+with Nettie, of course: after securing the monkey safely in her cage, she
+called Nettie to her, and speaking quite severely, told her to return to
+the parlor, to sit down on the lounge, and neither to rise from it, nor
+touch anything, until her father and Eric came home. Poor Nettie! It was
+very dull indeed for her, and before long she was sobbing quite bitterly.
+
+Meanwhile Allan finished his letter, and took up his cap, meaning to take
+a walk around the square. Looking into the parlor, and seeing Nettie's
+distress, he resolved to give up his walk and to comfort Nettie.
+
+"I wouldn't cry, Nettie," he said, so softly and kindly that she stopped
+crying, and looked up at him. "I will stay with you now. I've written my
+letter."
+
+Nettie's face lighted up instantly, but fell again as she exclaimed,--
+
+"But it is not fair, Allan: you told Eric you should take a walk; mamma is
+very unkind and unjust, too! I could not help Froll's going up that
+time."
+
+"O, Nettie," said Allan, "don't ever speak so of your mother, so kind and
+good. My mamma is dead, Nettie; and if yours should ever be laid away in
+the cold, cold ground, you would feel so dreadfully to think you had
+wronged her!"
+
+Nettie was crying again.
+
+"I _do_ love mamma, and it was very bad of me to speak so; but, O, dear! I
+never _do_ do anything right. I don't see why I can't be good, like
+Adele."
+
+"I know what makes Adele so good and gentle," said Allan. "She loves the
+Lord, and tries to please him."
+
+"But _I can't_!" said Nettie, piteously.
+
+"O, yes, you can, Nettie. Every one can."
+
+"Grown-up people can, I know."
+
+"And children too," said Allan, earnestly. "Let me tell you a story auntie
+used to tell me, when I was blind."
+
+Nettie assented, and Allan repeated the story of "Little Cristelle,"
+unconscious, the while, that he was fulfilling the teaching of song in
+ministering to Nettie.
+
+ "Slowly forth from the village church,
+ The voice of the choristers hushed overhead,
+ Came little Cristelle. She paused in the porch,
+ Pondering what the preacher had said.
+
+ "'_Even the youngest, humblest child_
+ _Something may do to please the Lord._'
+ 'Now what,' thought she, and half sadly smiled,
+ 'Can I, so little and poor, afford?'
+
+ "'_Never, never a day should pass,_
+ _Without some kindness kindly shown_,'
+ The preacher said. Then down to the grass
+ A skylark dropped, like a brown-winged stone.
+
+ "'Well, a day is before me now;
+ Yet what,' thought she, 'can I do, if I try?
+ If an angel of God would show me how!
+ But silly am I, and the hours they fly.'
+
+ "Then the lark sprang, singing, up from the sod,
+ And the maiden thought, as he rose to the blue,
+ 'He says he will carry my prayer to God;
+ But who would have thought the little lark knew?'
+
+ "Now she entered the village street
+ With book in hand and face demure;
+ And soon she came, with sober feet,
+ To a crying babe at a cottage door.
+
+ "It wept at a windmill that would not move,
+ It puffed with its round red cheeks in vain;
+ One sail stuck fast in a puzzling groove,
+ And baby's breath could not stir it again.
+
+ "So baby beat the sail, and cried,
+ While no one came from the cottage door;
+ But little Cristelle knelt down by its side,
+ And set the windmill going once more.
+
+ "Then baby was pleased, and the little girl
+ Was glad, when she heard it laugh and crow,
+ Thinking, 'Happy windmill that has but to whirl
+ To please the pretty young creature so!'
+
+ "No thought of herself was in her head,
+ As she passed out at the end of the street,
+ And came to a rose tree, tall and red,
+ Drooping and faint with summer heat.
+
+ "She ran to a brook that was flowing by,
+ She made of her two hands a nice round cup,
+ And washed the roots of the rose tree high,
+ Till it lifted its languid blossoms up.
+
+ "'O, happy brook!' thought little Cristelle;
+ 'You have done some good this summer's day:
+ You have made the flowers look fresh and well.'
+ Then she rose, and went on her way.
+
+ "But she saw, as she walked by the side of the brook,
+ Some great rough stones, that troubled its course,
+ And the gurgling water seemed to say, 'Look!
+ I struggle, and tumble, and murmur hoarse.
+
+ "'How these stones obstruct my road!
+ How I wish they were off and gone!
+ Then I would flow, as once I flowed,
+ Singing in silvery undertone.'
+
+ "Then little Cristelle, as bright as a bird,
+ Put off the shoes from her young, white feet;
+ She moves two stones, she comes to the third;
+ The brook already sings, 'Thanks! Sweet! Sweet!'
+
+ "O, then she hears the lark in the skies,
+ And thinks, 'What is it to God he says?'
+ And she tumbles and falls, and cannot rise,
+ For the water stifles her downward face.
+
+ "The little brook flows on as before,
+ The little lark sings with as sweet a sound,
+ The little babe crows at the cottage door,
+ And the red rose blooms; but Cristelle lies drowned!
+
+ "Come in softly; this is the room.
+ Is not that an innocent face?
+ Yes, those flowers give a faint perfume:
+ Think, child, of heaven, and our Lord his grace.
+
+ "Three at the right, and three at the left,
+ Two at the feet, and two at the head,
+ The tapers burn; the friends bereft
+ Have cried till their eyes are swollen and red.
+
+ "Who would have thought it, when little Cristelle
+ Pondered on what the preacher had told?
+ But the wise God does all things well,
+ And the fair young creature lies dead and cold!
+
+ "Then the little stream crept into the place,
+ And rippled up to the coffin's side,
+ And touched the corpse on its pale round face,
+ And kissed the eyes till they trembled wide,--
+
+ "Saying, 'I am a river of joy from Heaven;
+ You helped the brook, and I help you;
+ I sprinkle your brows with life-drops seven;
+ I bathe your eyes with healing dew.'
+
+ "Then a rose branch in through the window came,
+ And colored her lips and cheeks with red;
+ 'I remember, and Heaven does the same,'
+ Was all that the faithful rose branch said.
+
+ "Then a bright, small form to her cold neck clung;
+ It breathed on her till her breast did fill,
+ Saying, 'I am a cherub fond and young,
+ And I saw who breathed on the baby's mill.'
+
+ "Then little Cristelle sat up and smiled,
+ And said, 'Who put these flowers in my hand?'
+ And rubbed her eyes--poor innocent child--
+ Not being able to understand.
+
+ "But soon she heard the big bell of the church
+ Give the hour; which made her say,
+ 'Ah! I have slept and dreamt in this porch.
+ It is a very drowsy day!'"
+
+"O," said Nettie, drawing a long, deep breath, "I think, Allan, that it's
+the most beautiful story I ever heard. Do you know who wrote it?"
+
+"No," said Allan. "I used to think it was auntie's own; but I asked her
+once, and she said, 'O, no, indeed!' and that she did not know who wrote
+it, but thought it was a translation from the German."
+
+"Adele would have liked that so much!" said Nettie thoughtfully, "and she
+would have been just like little Cristelle, too."
+
+"Yes," said Allan, "I think she would; and that would have been because
+both of them were trying to please the Lord. Don't you see, Nettie?"
+
+"But after all, Allan, it is not a true story."
+
+"It's an allegory," said Allan. "It means that if we do every little
+simple kindness for the sake of helping others and pleasing the Lord, that
+we shall be children of the Lord, and live in heaven with him."
+
+"Then, Allan, you are one of the 'children of the Lord;' for you do kind,
+generous things all the time, and--"
+
+"No, no, Nettie," said Allan, hastily interrupting her. "I am very
+selfish, and I have to try very hard, and pray to the Lord Jesus to help
+me to be good."
+
+"But you _do_ give up for the sake of others, you know; now this
+afternoon--"
+
+"I am having a delightful time, and enjoying myself hugely," said Allan,
+interrupting her again, and laughing merrily. "I'll go and get my
+checker-board, and we'll have a game."
+
+Thus, thanks to the kind-hearted Allan, the afternoon wore pleasantly
+away, and when Mrs. Hyde and Eric returned, Allan and Nettie were both
+very happy, and in the midst of an exciting game. Mrs. Hyde had slept off
+her headache, and was giving orders for tea on the balcony, to the
+children's intense satisfaction.
+
+
+
+
+CHAPTER V.
+
+"SEEING THE ELEPHANT."
+
+
+"'You must wake and call me early, call me early, mother dear,'" sang
+Nettie, as she leaned over the balcony railing, gazing out upon the lovely
+lake and island before them; for Mr. Hyde had explained that, as his time
+was exceedingly limited, he could allow them only three days to explore
+Havenhaag, and at the end of that time they must leave for New York.
+
+"So we will begin with the Royal Museum to-morrow morning," he added; "and
+all who are up in good season can take a trip with me, in one of those
+shallops, around the lake."
+
+After the children had retired, Mr. and Mrs. Hyde held a consultation
+about Eric. They expected the arrival of Dr. Ward and their nephew daily,
+and were in hopes of seeing them before the steamer should sail. But there
+was just a chance that the doctor might be delayed at Paris; and if it
+should so happen, what would Eric do?
+
+His parents were unwilling to disappoint him by taking him to New York
+without making the desired tour of Germany; and they disliked the idea of
+leaving him, a young boy of thirteen, alone in a strange place.
+
+But his father at length decided to let him remain at the Vyverberg House,
+in case the doctor should be detained until after they had sailed.
+
+Eric was a thoughtful, reliable boy, and old enough, his father said, to
+learn to depend upon himself.
+
+Mrs. Hyde felt some misgivings as to this course at first; but her
+confidence in Eric was so great, that she soon consented to it, and having
+once decided in favor of the plan, she would let no thought of it trouble
+her.
+
+You may be sure that the three children did not need an "early call" in
+the morning, for they were up and dressed with the daylight, having a romp
+on their balcony with Froll, who frightened several of the occupants of
+adjacent rooms by trying to get in at their windows.
+
+Nettie told Eric how Froll had got her into disgrace, the day before, by
+the same trick.
+
+"I think," said Eric, "that she must once have belonged to an
+organ-grinder, and have been taught to climb up for money."
+
+"Very likely," said Allan. "But you had better break her of the trick.
+People, as a general thing, are not fond of the sudden appearance of a
+black monkey at their chamber windows."
+
+"Here's papa!" cried Nettie. "Now for our sail!"
+
+"Isn't Mrs. Hyde coming?" Allan asked.
+
+"Here she is! Good morning, mamma, and--O, Eric, mind Froll!" cried
+Nettie; but too late, for Froll had darted from him, and gone in at an
+open window above.
+
+There was a breathless silence.
+
+Mr. and Mrs. Hyde were very much annoyed, and the children were alarmed
+for the safety of their pet.
+
+While they were momentarily expecting a scream of terror from the occupant
+of the room, Froll reappeared at the window, and, with a grin and chatter
+of defiance, tumbled out, and clambered down towards the children, with a
+pair of gold-rimmed eye-glasses in her hand. A night-capped head, thrust
+out after her, was withdrawn again hastily, as its owner's eyes
+encountered those of Mrs. Hyde.
+
+Saucy Froll perched herself upon the top of the parlor blind, stuck the
+glasses upon her nose, and peered down at the children, who greeted this
+manoeuvre with an irresistible burst of laughter, in which their father
+and mother joined.
+
+The owner of the glasses again thrust his head out at the window, minus
+the nightcap this time, and seeing the monkey, laughed as heartily as the
+others.
+
+Leaning forward, he could reach the chain, which he caught; and then Froll
+was made to surrender her plunder; after which she was committed to her
+cage in disgrace.
+
+The sail on the lake was delightful. The water was as smooth as glass, the
+air fresh and cool, and the little island in the lake's centre was crowded
+with song birds, whose sweet, merry notes rang musically over the water,
+and were echoed back from the shore.
+
+After breakfast they prepared to visit the places of interest in
+"Gravenhaag."
+
+Mr. Hyde led the way to the National Museum, occupying the Prince Maurice
+palace--an elegant building of the seventeenth century. Numerous guides
+offered their services, and when one had been engaged, our party followed
+him up a broad, solid stairway to the famous picture gallery. Most of the
+paintings were old pieces of the German masters, and did not interest the
+children so much as their parents, for they were too young to appreciate
+them. But in one of the rooms almost entirely covering one end, was a
+grand picture, so vivid and natural that Nettie was quite startled by it
+at first. It was a picture of a young bull spotted white and brown, a cow
+lazily resting on the grass before it, a few sheep in different attitudes,
+and an aged cowherd leaning upon a fence. The background of the picture
+was a distant landscape, and all the objects were life-size.
+
+"That picture is Paul Potter's Bull--a highly prized work of art," said
+Mr. Hyde. "When the French invaded Holland, Napoleon ordered it to Paris,
+to be hung in the Louvre."
+
+"I suppose it didn't go, as it's here now," remarked Allan.
+
+"Yes, it was carried there, and excited much admiration. But when Holland
+was free of the French, and Germany victorious, the painting was
+reclaimed."
+
+The children could have staid, gazing with delight upon it, for a much
+longer time than was allowed them. The guide soon led the way to the Royal
+Museum of Curiosities, and they reluctantly followed. The collection of
+curiosities was in the lower part of the building, and here they saw all
+kinds of Chinese and Japanese articles, which, the guide informed them,
+was the largest and best collection of the kind in the world.
+
+There was enough here to interest our young folks, and old folks, too.
+
+All kinds of merchandise and manufactures, and most interesting and
+complicated toys, model cities, barges gayly-colored and filled with tiny
+men at work on tinier oars, pagodas, shops, temples, huts, houses,
+vehicles, and men, women, and children in every variety of costume,
+engaged in every conceivable employment.
+
+So fascinating was this Museum that the entire morning was most agreeably
+spent in it; and there was but just time, before leaving it, to look into
+the historical department, where were many objects of interest, and among
+other things the armor and weapons of De Ruyter, the famous admiral. At
+any other time these would have possessed great interest for the boys; but
+now they rather slighted them for the unique toys of China and Japan.
+
+After their dinner and a half hour's rest, the children paid a visit to
+the king's palace; for Gravenhaag, you must know, is the favorite
+residence of the king and court.
+
+Nettie and the boys walked very carefully, and held themselves very
+properly, such a thing as a visit to the king's palace not being a daily
+event with them. Although she would not have missed going for anything,
+Nettie was a little alarmed at their situation, as they drew near to the
+palace, a large Grecian building, with two wings, forming three sides of a
+square. She had an idea that whenever kings were displeased with people,
+they ordered their heads to be cut off; and she wondered if he _would_ be
+pleased to have their party looking at his possessions. Her fears were
+groundless, however.
+
+As they reached the square, they saw, near the entrance to the palace, a
+fine-looking man, well dressed and gentlemanly, who smiled kindly at the
+children, and, seeing their eager scrutiny of the palace, politely invited
+them to enter it.
+
+The boys were delighted, but Nettie declared that she was afraid of the
+king.
+
+"O, the king will not trouble you, my little maid," said the stranger, in
+excellent English: "walk in, walk in!"
+
+He held out his hand to Nettie, and was such a kind, pleasant-looking man,
+that Nettie's fears vanished. She gave him her hand, and the two boys
+followed her into the palace. Yes, actually _into_ it, when, a few minutes
+before, she had hardly dared venture a terrified glance at the outside,
+and was momentarily expecting the stern command,--
+
+"Off with their heads!"
+
+Their new friend led them to a lovely garden, gave them flowers and fruit,
+and chatted gayly with them all the time. Then he took them to several
+apartments of the palace, and finally into the drawing-room.
+
+The children noticed that every one made a respectful bow to their kind
+escort, and concluded that he must be some great nobleman; but judge of
+their surprise, when they found themselves being presented by him to a
+beautiful, pale lady, quietly dressed in black.
+
+"Alicia, my dear," said their nobleman, still speaking in English, "I have
+brought these young American travellers to see you. My little friends," to
+the children, "yonder lady is the _Queen of Holland_."
+
+Wasn't _that_ enough to confuse the best bred child in the world?
+
+Poor Eric had a faint idea that he must kiss the queen's toe, as a mark of
+courtesy, and stepped forward, with a dizzy singing in his ears, to do so.
+But he was saved from such a ridiculous situation by the gentle queen, who
+smiled and extended her hand; then Eric thankfully remembered that it was
+the queen's hand and the pope's toe. So he bent gracefully forward and
+kissed Queen Alicia's white fingers.
+
+Allan, of course, did the same. And Nettie had no time to consider what
+she must do, for the queen had kissed her quite warmly at first, and their
+strange guide had drawn her to his knee.
+
+"Why did you fear the king, little maid?" he asked, so kindly that Nettie
+confessed her idea of majestic temperaments. How he laughed! and how the
+queen laughed, too!
+
+"Now, I suppose you will want to go to mamma," he said, soon afterwards;
+and giving them each a gold coin, added, "Keep these to remember me by,
+and you can tell your friends that the _King of Holland_ gave them to
+you."
+
+The children were perfectly amazed, and could not speak their thanks
+properly; but of this the king took no notice. He led them to the entrance
+on the street, and then kindly said, "Good by."
+
+Mr. and Mrs. Hyde, who had become quite anxious over their long delay,
+were much relieved to see the children come safely home just before
+tea-time. They were quite as much astonished, by the account of the visit,
+as our young folks had supposed they would be.
+
+Tea, on the balcony, and some quiet music in the evening, finished up the
+day; and when the tired children sought their pillows, they quickly fell
+asleep.
+
+
+
+
+CHAPTER VI.
+
+A DUTCH CITY.
+
+
+It would take too long to mention all the sights seen and famous places
+visited by the travellers in Gravenhaag.
+
+They were admitted to the palace of the Prince of Orange, and saw his
+famous collection of paintings and chalk drawings. They went over the
+_Binnenhof_, which is a collection of ancient stone buildings, containing
+a handsome Gothic hall, and the prison in which Grotius and Barneveldt
+were confined, the churches, synagogues, and the royal library, and walked
+on the _Voorhout_, a beautiful promenade, with a fine, wide road lined
+with shade trees and furnished with benches, to the _Bosch_, a finely
+wooded park belonging to the King of Holland. In its centre, reached by
+winding walks among the trees and beautiful lakes, stands the _Huys in den
+Bosch_--house in the wood--the king's summer palace.
+
+After visiting all these places, and the printing establishments and iron
+foundery, Mr. Hyde, finding he had another day before the steamer sailed,
+took them all to Rotterdam. They went by railway to the city, and drove
+around it in an open carriage, like a barouche, which was waiting at the
+depot. Mr. Hyde, who had been there before, was quite familiar with the
+place. He ordered the coachman to drive through the High Street; and soon
+the children found themselves on a street considerably higher than the
+others, lined with shops, and looking very pleasant and busy. Mr. Hyde
+told them it was built upon the dam which prevented the Maas River from
+overflowing.
+
+"And this is the only street in Rotterdam," said he, "which has not a
+canal in its centre."
+
+[Illustration: The Queen of Holland.--Page 61.]
+
+When they had gone the length of High Street, they came to street after
+street, each having a canal in the middle, lined with trees on both sides,
+and exhibiting a medley of high gable fronts of houses, trees, and masts
+of shipping.
+
+"Dear me!" cried Nettie; "I wouldn't live in such a place for the world.
+It's pretty to look at; but think of having those ships going by right
+under the drawing-room windows. They make me giddy."
+
+"How many canals!" cried Allan. "They go lengthwise and crosswise through
+every street but the High."
+
+"And these clumsy bridges," said Nettie again, pointing to the drawbridges
+of white painted wood which they saw at every little distance; they were
+made of large, heavy beams overhead, and lifted by chains for the vessels
+to pass through.
+
+Under the trees, beside the canals, were yellow brick "sidewalks," as
+Nettie called them; but they were really quays, for the landing of goods.
+
+Between the trees and the houses, on a coarse, rough pavement, among
+carts, drays, and carriages, walked the foot passengers quite frequently.
+For though there were sidewalks close to the houses, little outbuildings
+and flights of steps to doorways were continually in the way, and it was
+"impossible for one to walk straight along, or at all fast, on any of
+them," as the children said.
+
+"Mamma," said Nettie, "I should think they would break their necks every
+minute. Just look at those canals, right in the street, and nothing to
+keep people from falling into them. What do they do in dark nights?"
+
+"How do they light the streets, papa?" asked Eric.
+
+"By oil lamps, hung on ropes from the houses to the trees," said Mr. Hyde.
+"They have gas on the High Street."
+
+Allan's attention had been attracted by some curious little structures
+outside the lower windows of several of the houses.
+
+"What are they?" he asked.
+
+"Looking-glasses," said Mr. Hyde.
+
+"Looking-glasses, papa! _Outside_ their windows?" exclaimed Nettie.
+
+"Yes, dear; they are hung so as to reflect the passing objects to the
+people inside."
+
+"Then they can see whatever is going on in the streets below, without
+coming to the windows," said Eric.
+
+"What a funny custom!" exclaimed Nettie, again.
+
+The only building they visited was the Church of St. Lawrence, where they
+saw the famous great organ, a splendid structure, larger than the great
+organs of Haarlem and Boston. It is one hundred and fifty feet high,
+mounted upon a colonnade fifty feet high, and has five thousand five
+hundred pipes.
+
+In the market-place they saw a statue of the great scholar Erasmus, and
+"the house where he was born," which is now, alas! a gin-shop. From the
+_Boomptjes_, a fine quay, planted with rows of beautiful trees, and
+surrounded by elegant, dark brick mansions, our party chartered a little
+sail boat, and went out upon the Maas.
+
+The beautiful, quiet Maas, with Rotterdam's green, woody banks in view;
+the blue, blue sky, seen clearly in the limpid waters; the steamers coming
+and going, and birds flying around, adding their sweet notes to nature's
+harmony--this beautiful picture was one remembered by the children all
+their lives. To-morrow's parting hung its shadow over them, and softened
+their hearts to the true beauty everywhere expressed.
+
+The sun had set when they reached the Vyverberg for the last time.
+
+"Mamma," said Eric, regretfully, "I almost wish I was going home with you
+all."
+
+"Uncle Charlie may come to-night," said his mother, cheerfully. "At any
+rate, he will soon come. You would then wish you had staid."
+
+"Yes, I know," said Eric. "But it is very hard to let you all go home
+without me, for all that."
+
+Very careful directions were given to Eric, and he was placed under the
+care of the landlord until he should hear from his uncle.
+
+The evening was very short to Eric, who lingered by his mother, and could
+not bear to leave her side, knowing he should see her no more for a long,
+long year.
+
+Long after Nettie and Allan had left them, he staid with his parents,
+listening to their last kind advice, and sending little loving messages to
+his cousins and schoolmates.
+
+In the morning he saw them off with a heavy heart. His father's last kind
+words, Allan's affectionate greeting, Nettie's tears, and his promise to
+his mother that he would remember his prayers and daily chapter in the
+Bible, and would try to make his travels a useful, profitable study, and
+to keep himself truthful, honest, and kind, were mixed up with a hearty,
+homesick longing to go after them. His eyes filled with tears as the
+stretch of water between him and his dear ones rapidly widened; he turned
+from the wharf with a sorrowful face, slowly and sadly retracing his steps
+to the hotel.
+
+"How dismal it will be! how lonely and dismal without them!" He thought
+and murmured sorrowfully,--
+
+ "Alone, alone, all, all alone!"
+
+
+
+
+CHAPTER VII.
+
+UNDER THE SEA.
+
+
+Eric had been but a few minutes in the parlor at the hotel, and was trying
+to amuse himself with little Froll, when there came a tap upon the door,
+and the servant entered with a card.
+
+Eric read the name,
+
+ EMIL LACELLE,
+
+and written underneath,
+
+ _No. 365 Vyverberg House._
+
+"Who in the world," thought Eric, "is Emil Lacelle? and what did he send
+this to me for?"
+
+The waiter explained that the gentleman was waiting, in his room, up
+stairs; and Eric, with Froll on his shoulder, started for No. 365.
+
+The door stood open, disclosing a pleasant room, with various kinds of
+odd-looking armor lying around: seated by a table was a gentleman dressed
+in black, whom Eric recognized at once as the one whose glasses Froll had
+stolen.
+
+This gentleman was looking for Eric, and said at once, when he entered the
+room,--
+
+"I am pleased to see you, monsieur," and politely requested him to be
+seated.
+
+"Do you speak French?" he asked.
+
+"Not very well, sir," answered Eric.
+
+"German?" inquired the stranger.
+
+"Yes, sir," said Eric.
+
+"And English?"
+
+"Yes, sir; I am an American."
+
+"I am a Frenchman," said Mr. Lacelle. "I want you, if you please, to do me
+a little service."
+
+"I will do anything that I can for you," said Eric. "I am very much
+obliged to you already for being so good-natured about your glasses."
+
+"Do not mention it!" Mr. Lacelle exclaimed, with the natural politeness of
+a Frenchman. "I have taken quite a fancy to your playful little beast."
+And he coaxed the monkey to him, and gently stroked her soft hair.
+
+"What is it that I can do for you, sir?" asked Eric. He was beginning to
+like Mr. Lacelle very much.
+
+"I have a letter to write to America, and am not enough of an English
+scholar to undertake it. Now, therefore, if I tell to you that which I
+want written, would you be so very kind, if you please, as to write for
+me, it?"
+
+"Yes, indeed; with much pleasure," said Eric; thinking the while, "No
+wonder he does not like to undertake a letter in English, when he speaks
+the language so clumsily."
+
+Mr. Lacelle, still holding Froll, brought forward a traveller's
+writing-desk, filled with perfumed French paper, and then placing it
+before Eric, and saying politely, "At your convenience, _monsieur_," he
+reseated himself.
+
+Eric arranged the paper, took up a pen, and after writing the date, sat
+waiting for his instructions.
+
+"For example, what do you say to two gentlemen?" asked Mr. Lacelle.
+
+Eric was completely puzzled, and could only say, "Sir?"
+
+"Pardon me!" exclaimed the Frenchman, "to _one_ you would say 'sir;' but
+to two, would you say 'sirs'?"
+
+"Yes," answered Eric, but, recollecting some letters he had copied for his
+father, added, "O, no: it's _Messrs._"
+
+"Exactly!" said Mr. Lacelle. "I thank you. That is fine."
+
+He appeared quite relieved, and began dictating.
+
+ "The Vyverberg, at the Hague,
+ Holland, October 21, 186-.
+
+ "Messrs. Brown and Lang:
+
+ "I have given to myself the pleasure of examining the sunken yacht in
+ the Zuyder Zee; and my opinion it is, that that vessel is injured not
+ in the least, and that I can right her for the sum of two hundred
+ dollars.
+
+ "Most respectfully to you, Messrs.,
+ Emil Lacelle,
+ _Submarine Diver._
+
+ "To Messrs. Brown and Lang,
+ New York City."
+
+"Is it quite correct English?" he asked, anxiously.
+
+Eric rewrote it, transposing some of the words. Mr. Lacelle was very
+grateful for the boy's assistance. He was by no means ignorant, but his
+knowledge of English was rather limited, and he was too sensitive to be
+willing to send off a peculiar letter.
+
+Mr. Lacelle's history would be very interesting, had we time to give it
+minutely; but there is only space to say that he was the younger son of a
+noble French family, whose circumstances during his youth were so
+unfortunate that he was thrown upon his own resources at a tender age, and
+had, by great energy and perseverance, become a wealthy and famous man.
+
+Eric knew that "sub" meant under, and "marine" the sea, but he did not
+understand exactly what it all meant; so he asked Mr. Lacelle, whose
+explanation and subsequent conversation, we will render in readable
+English.
+
+"A submarine diver is one who goes beneath the water of the sea:
+professionally he examines and clears harbors, removing obstructions, such
+as rocks, &c.; draws up sunken vessels, examines wrecks, and brings up
+from the depths of the ocean money, jewels, and articles of value."
+
+"But tell me," cried Eric, eagerly, "how does he breathe? what protects
+him in the water? how--"
+
+"I will tell you all about it," said Mr. Lacelle. "There are several
+divers here in the house. We are going to the Zuyder Zee, near Amsterdam,
+to-morrow, and you shall go too, if you wish."
+
+"O, thank you, sir," said Eric. "I would like to."
+
+"Meanwhile I will tell you," proceeded the diver. "We wear an armor such
+as this," he explained, pointing out the several pieces to Eric, as he
+noticed them. "In the first place an India-rubber suit like this. You will
+observe that it is made entirely water-proof, by being cemented down in
+the seams, wherever it is sewed."
+
+Eric looked with interest upon the clumsy-looking dress, which was made
+entirely whole, except the opening at the sleeves and neck, and was cut
+away above the shoulders, like a girl's low-necked dress, to admit the
+body of the wearer; the legs were footed off like stockings, and the
+wrists of the sleeves were terminated by tight, elastic rubber bands; a
+similar band surrounded the neck, which was also finished with a flap of
+white rubber facing.
+
+"You see," continued Mr. Lacelle, "we put ourselves into this suit,
+drawing it on from the top. It is perfectly water-tight. Upon our feet we
+wear shoes such as these," pointing to a pair of heavy leather shoes, with
+broad, high straps and buckles, and lead soles half an inch thick. "They
+weigh twenty-five pounds."
+
+"Why!" exclaimed Eric; "I should call that something of a load."
+
+"The weight is imperceptible in the water," the diver explained, and,
+showing Eric a couple of box-shaped canvas bags, added, "We wear these
+also, filled with weights, just above the waist, one before and one
+behind."
+
+"But you haven't told me yet how you breathe in the water," said Eric.
+
+"I am coming to that shortly. Upon our heads we wear a helmet, made of
+copper, completely covering head, face, and neck, and firmly inserted
+between the rubber facing and the tight band about the neck of the dress,
+just above the shoulders. To the back of the helmet is fastened a rubber
+hose, attached, above the water, to the pump, which keeps the diver
+supplied with air; and there is a glass window in the front. A half-inch
+rope, called the life-line, is securely adjusted to the diver, and by it
+he is lowered into or drawn from the water; and by it, also, he signals to
+those above for more air, for withdrawal, or anything he may require."
+
+"This helmet is heavy enough," said Eric, lifting and examining the
+curious structure. "There is a valve inside: what is that for?"
+
+"To let the air, which the diver breathes from his lungs, into the water,"
+Mr. Lacelle replied. "This machine in the case," pointing to a high
+black-walnut case, "is a three-cylinder air-pump; two men in the vessel,
+or on the shore, keep the pumps constantly in motion by means of the crank
+attached to the wheel."
+
+"Why do they have more than one pump?" Eric inquired.
+
+"One pump," answered Mr. Lacelle, "would not supply enough air; it would
+work like a water-pump, sending down the air by jerks, and the receiver
+would be exhausted between the supplies of air. Two pumps would send down
+the air puff-puff, like the pumps of a steam engine; but three pumps,
+constantly in motion, send down, through the hose, a steady and continuous
+stream of air, enabling the diver to breathe freely and fully."
+
+"And can you go down into any depth of water?" Eric asked, with intense
+interest.
+
+"Not lower than one hundred feet, usually, the pressure of the water is so
+great. I have been down one hundred and fifty-six feet below the surface;
+but that was something very remarkable."
+
+"And did you never have any hair-breadth escapes, or thrilling
+adventures?" inquired Eric.
+
+"No," answered the diver, with a slight laugh and shrug of the shoulders,
+"I never did, and never knew any one who did, although I have read of many
+such incidents, altogether too marvellous for belief. You see," he
+continued, "we know that the least carelessness would probably cost us our
+lives, and we are minutely accurate about all our equipments. And,"
+lowering his voice and speaking reverentially, "I always commit myself to
+the guidance and tender care of the good Shepherd.
+
+"'They that go down to the sea in ships, that do business in great
+waters,
+
+"'These see the works of the Lord, and his wonders in the deep.
+
+"'They cry unto the Lord in their trouble, and he bringeth them out of
+their distress.'"
+
+Eric listened, and his respect and esteem for the diver grew tenfold
+more.
+
+Mr. Lacelle continued:--
+
+"It is a strange business. The danger fascinates some, but the peril is
+never lost sight of. I put on the helmet, for the first time, more than
+ten years ago; and yet I never resume it without a feeling that it may be
+the last time I shall ever go down. Of course one has more confidence
+after a while; but there is something in being shut up in an armor weighed
+down with a hundred pounds, and knowing that a little leak in your
+life-pipe is your death, that no diver can get rid of. And I do not know
+that I should care to banish the feeling, for the sight of the clear blue
+sky, the genial sun, and the face of a fellow-man after long hours among
+the fishes, makes you feel like one who has suddenly been drawn away from
+the grasp of death."
+
+"Were you ever in great danger?" asked Eric.
+
+"I think the most dangerous place I ever got into was going down to
+examine the propeller Comet, sunk off Toledo. In working about her bottom,
+I got my air-pipe coiled over a large sliver from the stoven hole, and
+could not reach it with my hands. Every time I sprang up to remove the
+hose, my tender would give me the 'slack' of the line, thus letting me
+fall back again. He did not understand his duties, and did not know what
+my signals on the life-line meant. It was two hours and a half before I
+was relieved, and there was not a moment that I was not looking to see the
+hose cut by the ragged wood. It's a strange feeling you have down there.
+You go walking over a vessel, clambering up her sides, peering here and
+there, and the feeling that you are alone makes you nervous and uneasy.
+
+"Sometimes a vessel sinks down so fairly, that she stands up on the bottom
+as trim and neat as if she rode upon the surface. Then you can go down
+into the cabin, up the shrouds, walk all over her, just as easy as a
+sailor could if she were still dashing away before the breeze. Only it
+seems quiet, so tomb-like; there are no waves down there--only a swaying
+back and forth of the waters, and a see-sawing of the ship. You hear
+nothing from above. The great fishes will come swimming about, rubbing
+their noses against your glass, and staring with a wonderful look into
+your eyes. The very stillness sometimes gives life a chill. You hear just
+a moaning, wailing sound, like the last notes of an organ, and you cannot
+help thinking of dead men floating over and around you.
+
+"A diver does not like to go down more than a hundred and twenty feet; at
+that depth the pressure is painful, and there is danger of internal
+injury. I can stay down, for five or six hours at a time, at a hundred and
+fifteen or twenty feet, and do a good deal of hard work. In the waters of
+Lake Huron the diver can see thirty or forty feet away, but the other
+lakes will screen a vessel not ten feet from you.
+
+"Up here you seldom think of accident or death, but a hundred feet of
+water washing over your head would set you to thinking. A little stoppage
+of the air-pump, a leak in your hose, a careless action on the part of
+your tender, and a weight of a mountain would press the life out of you
+before you could make a move. And you may 'foul' your pipe or line
+yourself, and in your haste bring on what you dread. I often get my hose
+around a stair or rail, and generally release it without much trouble; the
+bare idea of what a slender thing holds back the clutch of death off my
+throat makes a cold sweat start from every pore."
+
+"I suppose you find many beautiful things," said Eric.
+
+"I wish I could describe half the wonderful and beautiful things I find,"
+cried Mr. Lacelle.
+
+"There are flowers, the most exquisite that can be imagined; groves of
+coral, beautiful caverns, with floors of silver sand, spiral caves winding
+down, down, down, covered with beautiful, delicate plants, and leading to
+beds of smooth, hard sand, which shine like gold. Feathery ferns turn
+silver and crimson beneath your hand, and beautiful fish glide around you,
+or rest in the water, with no motion save the gentle pulsation of their
+gills as they breathe.
+
+"I have stood upon the bottom of the ocean, and gazed up, awe-stricken and
+bewildered, at the wonderful masses of coral above my head, resembling
+forests of monstrous trees, with gnarled and twisted branches intertwined;
+and when I have considered that it was all the work of insects so tiny
+that millions of them were working at my feet, and I could not see them, I
+have compared my own littleness in the universe with the wonderful work of
+the least of them, and have felt my own insignificance.
+
+"And curious things have happened, too. I was once examining an old wreck
+off South America. It was an old Spanish frigate, supposed to have
+valuable jewels and a large amount of money aboard.
+
+"I was walking over the wreck one day, and, being disappointed in not
+finding any treasure, was about returning, when I observed a curious heap
+of shells, close to one of the stanchions. I picked off a handful from the
+top of the heap, which was about two feet high, and regularly piled in a
+conical form, and seeing the shells were of a most beautiful pink color,
+and very delicate, I filled my pockets with them, and then, touching the
+life-lines, was pulled up.
+
+"The divers in my employ were delighted with them, and as they were just
+the right size for buttons, one of the boys went down, with a large bag,
+to bring off the rest.
+
+"I told him just where to find them; but when he came up, he declared
+there were none to be seen anywhere.
+
+"I was sure he had not followed my directions; so I went down again; and
+judge my surprise when I found he had spoken truly. _There was not one to
+be seen._ The little wretches, disgusted with the disturbance I created,
+had all crawled away."
+
+"How curious!" exclaimed Eric. "Could you not find any of them?"
+
+"Not a vestige of them."
+
+"It was singular--wasn't it?"
+
+"Yes. I have learned many singular things since I have gone under the sea.
+For instance, water is a very powerful conductor of sound, much more so
+than air. We often blast rocks under the water--"
+
+"How can you?" interrupted Eric. "What keeps the powder dry?"
+
+"We have water-proof charges prepared."
+
+"But how can you fire them under the water?" persisted Eric.
+
+"By electricity," responded Mr. Lacelle. "A report of blasting rock a
+little distance off, will scarcely disturb us upon the land; but under the
+water it is very different. We were once blasting rocks near the coast,
+and another party were at work three quarters of a mile from us.
+
+"Our charge was set, and ready to go off; I sent word to our distant
+neighbors that we were about to blast, and they had better come up until
+it was over. My courtesy was repaid by a very profane answer, accompanied
+with a request to 'blast away.'
+
+"So the charge was set off; and the unfortunate divers in the distance
+were hauled out of the water more dead than alive. I afterwards learned
+from them that the shock was tremendous."
+
+"When you blow up the rocks, do you place the charges under them?"
+inquired Eric.
+
+"O, no; that would have no effect: holes are drilled in the rock, and the
+charges placed within them."
+
+"And when the rocks are blown, what do you do with the pieces that come
+off?" asked Eric.
+
+"We grapple them with hooks and chains, and draw them to the surface."
+
+"It is very interesting, and I am very much obliged to you for telling me
+so much," said Eric. "I wish I could learn _all_ about it."
+
+"Well, my boy, you shall go with me to-morrow; and, if you're not afraid
+to venture, I'll take you down beneath the sea with me. It is quite safe
+near Amsterdam."
+
+"O, thank you, sir," said Eric, eagerly, grasping the kind Frenchman's
+hand.
+
+"I must go now to the palace," said Mr. Lacelle. "I have an engagement
+there. Will you do me the honor to amuse yourself here until I return?"
+
+"Thank you," said Eric again, with a joyous smile; for Mr. Lacelle's room
+was stored with 'curios' from the bottom of the sea, and Eric knew he
+could spend a long time very comfortably there.
+
+He was careful to secure Froll in her cage, that she might do no mischief;
+and then he had a thoroughly good time, examining the sea things; and as
+they were all labelled with name and date, and the place from which they
+were taken, he gained much useful information.
+
+Before night a letter came from his uncle, saying that Johnny was quite
+ill, and had been unable to travel to the Hague; but he was now so much
+better, that they would probably join Eric in a day or two.
+
+"I shan't mind waiting," said Eric to himself; "and there's nothing now to
+prevent my going to Amsterdam to-morrow; but I wish uncle Charlie could be
+with me too."
+
+Then he remembered that he had been left under the landlord's care, and
+must obtain his permission. So he sought him out, and made known his
+request.
+
+The landlord of the Vyverberg was a kind-hearted German. He was quite fond
+of his little American guest, and readily consented to his plan for the
+morrow, telling Eric that Monsieur Lacelle was a remarkable man, and he
+could not be in better hands.
+
+"I think this is just the jolliest country, and full of the jolliest
+people in the world," was Eric's mental comment before he fell asleep that
+night. Indeed, there are few people more kind-hearted, thoughtful, or
+hospitable than the Dutch and Germans.
+
+Eric's parents were anxiously wondering how their boy fared alone in
+Gravenhaag.
+
+Could they have seen him as he read his promised chapter, and knelt to
+commit himself to God, or afterwards, falling asleep, his last thought of
+the kindness of the people around him, their own sleep would have been far
+lighter, and their prayers would have blessed the good foreigners.
+
+
+
+
+CHAPTER VIII.
+
+THRILLING EXPERIENCE.
+
+
+Early in the morning they went to Amsterdam, or Amsteldamme, as the
+Germans call it, because it controls the tides of the Amstel River.
+
+The city of Amsteldamme is situated on a marsh, and all its houses and
+buildings are erected on piles, which are driven from forty to fifty feet
+into the earth.
+
+"How many canals!" was Eric's first remark, when he obtained a good view
+of the city.
+
+"Yes," said Mr. Lacelle. "When I was a boy, I counted the bridges across
+the canals, and there were two hundred and fifty. The city is divided by
+the canals into ninety islands. Those high walls were once ramparts, but
+have since been converted into public walks. They are planted with trees,
+and make excellent promenades."
+
+"But suppose there should be another war," said Eric; "what would their
+defence be?"
+
+"They could easily flood the surrounding country."
+
+"What splendid streets these are!" said Eric, as they passed through one
+and another with rows of beautiful shade trees, handsome little stone
+bridges, broad, clean pavements, and long lines of elegant mansions.
+
+They were indeed very beautiful streets, not easily to be surpassed in all
+Europe.
+
+"I should think," said Eric, thoughtfully, "that there would be danger to
+the people here in having so much water in their town. Do the dikes ever
+give way?"
+
+"Very seldom. The people watch them very faithfully, and whenever a break
+is discovered it is instantly repaired. There is a very interesting story
+connected with the dikes of Holland, which I will tell you, to show you
+what great service a little boy did his country.
+
+"The little hero, Peter Daik, was on his way home, one night, from a
+village to which he had been sent by his father on an errand, when he
+noticed the water trickling through a narrow opening in the dike, built up
+to keep out the sea.
+
+"He stopped, and thought of what would happen if the hole were not
+closed.
+
+"He knew--for he had often heard his father tell of the sad disasters
+which had come from small beginnings--how, in a few hours, the opening
+would become bigger, and let in the mighty mass of water pressing on the
+dike, until, the whole defence being washed away, the rolling, dashing,
+angry sea would sweep on to the next village, destroying life and
+property, and everything in its way. Should he run home and alarm the
+villagers? It would be dark before they could arrive; and the hole, even
+then, might be so large as to defy all attempts to close it. What could he
+do to prevent such terrible ruin--he, only a little boy?
+
+"I will tell what he did. He sat down on the bank of the canal, stopped
+the opening with his hand, and patiently awaited the passing of a
+villager. But no one came.
+
+"Hour after hour rolled slowly by; yet there sat the heroic boy in the
+cold and darkness, shivering, wet, and tired, but stoutly pressing his
+hand against the water that tried to pass the dangerous breach.
+
+"All night he staid at his post. At last morning broke, when a clergyman,
+walking up the canal, heard a groan, and looking around to see where it
+came from, seeing the boy, and surprised at his strange position,
+exclaimed with astonishment,--
+
+"'Why are you there, my child?'
+
+"'I am keeping back the water, sir, and saving the village from being
+drowned,' answered little Peter, with lips so benumbed with cold that he
+could hardly speak.
+
+"The astonished minister at once relieved him of his hard duty, and the
+poor little fellow had but just strength enough left to alarm the
+villagers, who flocked to the dike, and repaired the breach.
+
+"Heroic boy! What a noble spirit of self-devotion he had shown! resolving
+to brave all the fatigue, the danger, the cold and darkness, rather than
+permit the ruin which would come if he deserted his post.
+
+"There is a beautiful poem on the subject by Miss Carey. I will repeat a
+few of the last verses."
+
+Then Mr. Lacelle repeated in a clear, mellow voice, whose slight foreign
+accent lent it an additional charm to Eric's ear,--
+
+ "So faintly calling and crying
+ Till the sun is under the sea,--
+ Crying and moaning till the stars
+ Come out for company.
+ He thinks of his brother and sister,
+ Asleep in their safe, warm bed;
+ He thinks of his father and mother;
+ Of himself as dying--and dead;
+ And of how, when the night is over,
+ They must come and find him at last;
+ But he never thinks he can leave the place
+ Where duty holds him fast.
+
+ "The good dame in the cottage
+ Is up and astir with the light,
+ For the thought of her little Peter
+ Has been with her all the night.
+ And now she watches the pathway,
+ As yestereve she had done;
+ But what does she see so strange and black
+ Against the rising sun?
+ Her neighbors are bearing between them
+ Something straight to her door;
+ Her child is coming home, but not
+ As ever he came before.
+
+ "'He is dead!' she cries; 'my darling!'
+ And the startled father hears,
+ And comes and looks the way she looks,
+ And fears the thing she fears;
+ Till a glad shout from the bearers
+ Thrills the stricken man and wife--
+ 'Give thanks, for your son has saved our land,
+ And God has saved his life!'
+ So there in the morning sunshine
+ They knelt about the boy,
+ And every head was bared and bent
+ In tearful, reverent joy.
+
+ "'Tis many a day since then; but still,
+ When the sea roars like a flood,
+ Their boys are taught what a boy can do
+ Who is brave, and true, and good;
+ For every man in that country
+ Takes his son by the hand,
+ And tells him of little Peter,
+ Whose courage saved the land.
+ They have many a valiant hero
+ Remembered through the years,
+ But never one whose name so oft
+ Is named with loving tears.
+ And his deed shall be sung by the cradle,
+ And told to the child on the knee,
+ So long as the dikes of Holland
+ Divide the land from the sea."
+
+They had now come to the Y, an inlet of the Zuyder Zee, where several of
+the men under Mr. Lacelle were at work.
+
+"Here we are," said Eric, gladly. "Here we are! Now for my 'thrilling
+experience,' as the newspapers say."
+
+There was a tent close by, into which they stepped to change their dress
+for the diver's costume.
+
+"Nobody would know me now, I am sure," said Eric to himself, when, with
+much difficulty, and considerable help from the attendants, he emerged
+from the tent arrayed in the suit. "I can hardly drag my feet along, they
+are so heavy; and I'm decidedly glad that my every-day hat is not like
+this helmet."
+
+Mr. Lacelle had given him particular directions about diving, and now the
+life-line and air-hose were adjusted, and the brave boy stood beside the
+professional diver, waiting for the descent.
+
+The signal was given, and soon Eric was going down underneath the blue,
+cold waves. He could not see Mr. Lacelle; it seemed as if he were never to
+stop going down: the water sang around his ears; and seeing nothing but
+water made him giddy and faint. He thought he must certainly smother, and,
+for an instant, was thoroughly afraid.
+
+Then he remembered that, at a single touch of the life-line, the men above
+would instantly draw him up, and, feeling quite at his ease again, began
+to look about him. To his great joy he saw the bottom, and was presently
+upon it, and walking towards Mr. Lacelle.
+
+Suddenly a sound like heavy peals of thunder reverberated through the
+water. At a motion from Mr. Lacelle, Eric looked quickly upward, and saw a
+school of tiny fish, darting with great velocity towards them, and several
+large fishes in pursuit of the little ones.
+
+On they came, straight towards Eric and Mr. Lacelle; but just before
+reaching them, they turned sharply off in the opposite direction; as they
+turned, the noise increased to a heavy peal, and ceased as they passed
+from sight.
+
+"How wonderful!" exclaimed Eric, involuntarily; and his voice sounded like
+roaring and screaming, though he had spoken quite softly.
+
+Mr. Lacelle then held at arm's length a small cartridge, which he
+signalled, by the lines, for the men above to ignite. Almost instantly it
+exploded. Eric was perfectly astounded by the effects of the report.
+
+It seemed as if huge rocks had fallen upon his helmet; and such a
+crashing, rending sound as accompanied the shock! It was quite as much as
+he was able to bear in the way of noise. Mr. Lacelle told him afterwards,
+that the noise of the report in the air would be no louder than that of a
+common fire-cracker.
+
+Eric hoped that Mr. Lacelle would make no more experiments in sound, and
+the diver did not seem at all anxious to do so.
+
+It was rather awe-inspiring, Eric thought, to be walking easily about at
+the bottom of the sea, knowing that around and above him lay the mighty
+element of death. And there, under the water, the eighth psalm came into
+his mind, and he realized its beauty as he had never been able to before.
+
+He walked around, picking up shells and curious plants, and being careful
+to keep near Mr. Lacelle, who was making some calculations about the
+building of a huge bridge, contemplated by the king. Several large fish
+swam lazily up to Eric, eyed him curiously, and let themselves be patted
+upon the back.
+
+"How amused Nettie would be!" he thought, and wished the huge fish were
+less inquisitive, as he did not particularly fancy them. He was quite
+interested in the flowers, which were as brilliant and beautiful as any
+upon the land, when suddenly he discovered a heap of shells quite similar
+to those which Mr. Lacelle had described the day before. He put several
+handfuls of them into his diver's basket, and then, moving off a few
+steps, he watched to see what they would do.
+
+When all was quiet, they moved slowly at first, then more rapidly, and all
+crawled away in the same direction.
+
+"That is very curious," thought Eric to himself. "I wish I knew what they
+are."
+
+When he moved again, something struck his foot. Looking quickly down
+through the window in his helmet, he saw a small, square box, made of tin,
+and fastened with a padlock. A key was in the lock, and Eric turned it and
+opened the box, wondering what it could contain. The lid flew back, and
+disclosed an inner cover, on which was painted a coat of arms, with the
+name "Arthur Montgomery" engraved beneath. A spring was visible, and,
+pressing it, Eric disclosed to his astonished vision a number of English
+sovereigns--gold coins worth about five dollars apiece.
+
+His first impulse was to show the prize to Mr. Lacelle, but he could not
+readily attract his attention. So, putting the box in his basket after
+safely locking it, he busied himself with gathering the beautiful flowers
+within his reach, and storing them in his basket to press for his mother.
+
+Suddenly he felt himself being drawn up slowly towards the surface, and,
+turning his head, saw that Mr. Lacelle was also ascending.
+
+He knew that they were being drawn up because Mr. Lacelle wished him to
+catch the return train to Gravenhaag, and had cautioned the men at the
+pumps not to let them remain under water more than half an hour; but he
+was extremely surprised to find that the time had passed.
+
+On reaching "terra firma," so much hurrying had to be done in changing his
+armor for more convenient land apparel, that he entirely forgot the box of
+money until seated beside Mr. Lacelle in the carriage. Then he showed it
+to him.
+
+"That _was_ a find, for so young a submarinist," said Mr. Lacelle. "It is
+yours, my boy; divers consider themselves entitled to all such
+unexpectedly discovered valuables."
+
+"But," said Eric, eagerly, "the owner's name is upon the box; and see!
+here is a letter addressed to 'Arthur Montgomery, Bart., Clone, Lancaster
+County, England.' I think I ought to return it."
+
+"Yes," said Mr. Lacelle, pleased with Eric's honesty, "conscientiously you
+ought; but you are not obliged to by law."
+
+"I would much rather," said Eric, earnestly. "Will you please to inquire
+about it, and see that it reaches the owner?" Mr. Lacelle promised, and,
+seeing Eric safely aboard the cars, bade him good by, and left for
+Amsteldamme.
+
+
+
+
+CHAPTER IX.
+
+UNCLE JOHN.
+
+
+When Eric returned to Gravenhaag, whom should he see but his uncle, Mr.
+Van Rasseulger? And he being the last person in the world that Eric would
+have thought of meeting there, of course he was decidedly surprised.
+
+"Uncle John!" he exclaimed, joyfully. "Who would have thought of seeing
+you here?"
+
+"You wouldn't, I'll wager, young man, or you'd not have gone wild goosing
+it over the water at Amsterdam."
+
+"I've had a glorious time!" exclaimed Eric. "I've been walking upon the
+bottom of the Zuyder Zee."
+
+"It's high time somebody arrived to look after you."
+
+"But, uncle John, it was perfectly safe. Mr. Lacelle is an experienced
+diver; and the landlord under whose care papa left me gave me permission.
+Besides, nothing happened--"
+
+"How stout and healthy you have grown!" exclaimed Mr. Van Rasseulger,
+interrupting Eric. "If Johnny has improved as much as you have, I shall
+send him abroad frequently."
+
+"How is Johnny? He was ill when uncle Charlie wrote to me."
+
+"Ill!" exclaimed Johnny's fond papa, instantly growing anxious. "What did
+the doctor say, Eric?"
+
+"Only that I must wait here a day or two, until Johnny was well enough to
+come on."
+
+"And where were they when he wrote?"
+
+"At Paris," said Eric.
+
+"I meant to stay with you to-night," said his uncle; "but I believe I
+shall take the boat to Antwerp to-night, and catch the Express to Paris. I
+must look after my boy."
+
+"O, please take me with you," pleaded Eric. "Mr. Lacelle is going to stay
+at Amsterdam, and I shall be terribly lonesome here, all alone again."
+
+"Well, get your things together. Can you be ready in two hours?"
+
+"In ten minutes," cried Eric, gayly: "mamma did all my packing before she
+left. I've only to tumble a few things into my travelling-bag, and to feed
+myself and Froll."
+
+"The little monkey? I've made her acquaintance. We're quite good
+friends."
+
+"Uncle John, if you haven't seen the doctor or Johnny, how _did_ you find
+me?" said Eric, who had been puzzling himself with this question for some
+time.
+
+"Entirely by accident," replied his uncle. "I arrived here about two hours
+since, and, finding all your names on the register, supposed I had stepped
+right into a family party; but then I learned that your father and mother,
+and that bundle of mischief called Nettie, had gone home, and that
+_Mynheer_ Eric had gone to Amsteldamme to explore the mysteries of the
+bottom of the sea. I was so frightened that if there had been a chance of
+hitting you, I should have gone directly after you."
+
+"I wish you had," said Eric, "in time to have gone down into the water."
+
+Mr. Van Rasseulger, for all his talk about Eric's expedition, was heartily
+pleased with his brave little nephew, and was thinking to himself such an
+honest, energetic, courageous boy would make his way well in the world.
+
+Eric had no idea that he was a particularly interesting boy. He was large
+and strong for his age, easy in his manners, and had a frank, joyous
+countenance, surmounted by thick, brown, curly hair. His eyes were very
+honest eyes indeed, often opening wide in a surprised way, when they saw
+anything not quite right, and blazing and flashing upon the aggressor when
+they witnessed wrong, cruelty, or injustice. He had been brought up upon
+the creed, "First of all, _do right_; and _be a gentleman_." And being
+thoughtful, careful, and obedient, he was trusted and respected as few
+boys of his age rarely deserve to be.
+
+Of course he had his faults. No young lad is without them. But the
+difference between Eric and other boys was, that when he became conscious
+of a fault in his character, he immediately set about overcoming it, and
+therefore soon got rid of it. But he was obliged to keep a very careful
+watch over himself, for little faults creep into one's character faster
+than the little weeds spring up in the flower garden, and, like the weeds,
+too, if at once removed are almost harmless, but if allowed to spread and
+flourish they soon spoil the entire character, as the weeds spoil the
+garden.
+
+While we have been moralizing, Eric has eaten his supper, neatly packed up
+the few things left about, and, with Froll and his travelling-bag, starts
+from the Vyverberg for Paris.
+
+A very common-looking steamboat took them to Antwerp. There is not much to
+relate of their journey, for Eric's adventures had so tired him that he
+slept all the way, only awakening to take the cars at Antwerp, and rousing
+once again to know they were passing through Brussels, and to hear his
+uncle say that the finest altar in the world was in the cathedral there.
+They arrived at Paris about noon of the next day, and, after considerable
+trouble, found that Dr. Ward had taken rooms in a hotel in the _Place
+Vendome_, whither they at once repaired.
+
+Eric wanted to give his uncle and cousin a surprise. So Mr. Van Rasseulger
+did not send up their names, but they stole softly up the stairs, and
+opened the door.
+
+Johnny was alone, lying upon the floor, with a very fretful, discontented
+expression upon his countenance.
+
+He turned his head towards the door, and there, upon the threshold,
+blushing and laughing, stood Eric; and, better still, behind him was papa.
+The child uttered a joyful cry, and sprang into his father's arms, who
+hurried to meet him, exclaiming,--
+
+"My boy, my Johnny-boy, what is the matter?"
+
+"It's only the mumps," said Johnny, reassuringly, and holding out his hand
+to Eric. "O, ain't I glad you've come!" he added. "It's awful dull here,
+uncle Charlie is away at the hospital so much."
+
+"Well, how have you been, excepting the mumps?" inquired his father,
+relieved enough to find nothing serious the matter with his petted boy.
+
+"Bully!" exclaimed John, very improperly. "See how strong I'm getting,
+papa!" and he threw out his fist suddenly, giving his father a very
+uncomfortable punch in the side.
+
+"I'm glad you didn't illustrate on me," said Eric, laughing. "Uncle John,
+are you a tester?"
+
+"I'm an _at_testor, certainly," replied his uncle. "Johnny, if you
+demonstrate your power of strength so forcibly and practically, some one
+will apply oil of birch to you."
+
+"Then I'll be in first-rate running order," retorted Johnny, "and you'll
+have to take me to Strasbourg."
+
+"Indeed," said his father, "I think so."
+
+As they all sat, merrily talking, Dr. Ward returned, and was pleased and
+surprised enough to find his unexpected guests. His greeting was very
+cordial.
+
+Eric he was particularly glad to see; he had been worried about leaving
+him so long, alone, at the Hague; and Johnny had been too ill to travel or
+to be left with strangers, and Eric was too inexperienced, his uncle
+thought, to go from the Hague to Paris alone. So it was quite a relief to
+find him safely at hand.
+
+"And now," he said, after talking about home affairs for quite a while, "I
+see my way out of a dilemma. I have been anxious to attend two or three
+medical lectures at Heidelberg, and if you will look after the boys for a
+day or two, I can have my desire."
+
+"Certainly; I will for a day or two. At the end of that time I must go
+home. Here's this dutiful boy of mine, with never a word for mamma, Annie,
+or Adolphe.
+
+"Well," said Johnny, remonstrating, "you took me so by surprise, papa,
+that I forgot all about them."
+
+"Your filial affection must be strong," said his father, laughing at him.
+
+Johnny did not like this, and proposed to Eric to take a walk, and "see
+Paris."
+
+While they were gone, Mr. Van Rasseulger arranged with the doctor to meet
+them again at Heidelberg; meanwhile he would keep the boys with him for a
+week. They would leave Paris the next day, if John was well enough.
+
+Dr. Ward thought he would be.
+
+Mr. Van Rasseulger explained that he had been obliged to visit Rotterdam
+and Hague suddenly on business, and must go to Vienna, in Austria, and
+start for home, within a fortnight.
+
+"Don't neglect to take the boy to Munich, and show him to his grandfather;
+and don't forget your promise to 'make him as hearty and strong as Eric,'"
+he said.
+
+Poor little Johnny, in the interval between his own birth and that of his
+baby brother,--a space of seven years,--had been petted and pampered, and
+almost thoroughly spoiled. His temper had suffered with his constitution,
+and he became a delicate, sickly child. His parents, while living in New
+York, had lost three boys, and fearing to lose Johnny, too, had sent him
+to travel abroad, under Dr. Ward's care. Mr. Van Rasseulger was a native
+of Germany, and thought there was no air so invigorating as that breathed
+in on German soil. He had great hopes of its curing John's delicacy; and
+Dr. Ward thought that a strange country and traveller's hardships would be
+excellent aids in restoring the boy's natural health and good-nature.
+
+Meanwhile, Eric was seeing Paris under Johnny's guidance. To be sure, he
+could not see much in a day; but he took a look at the war column in the
+_Place Vendome_, saw the _Palace of the Tuileries_, the _Jardin des
+Plantes_, and entertained his little cousin with an account of his visit
+to the King of Holland, and his submarine diving, both of which Johnny
+thought very wonderful. Eric was not much concerned at seeing so little of
+Paris at the time, for he knew that the doctor intended to spend a month
+there, after visiting Munich. He bought a guide-book while out with
+Johnny, and then they returned to their rooms in time to see the doctor
+start for Heidelberg.
+
+"Eric," said Johnny, when Dr. Ward had gone, "I must show you the American
+railway here."
+
+"Why?" said Eric; "I'm sure that is the last thing I came to Paris to
+see."
+
+"Now," said Johnny, importantly, "I suppose you think you know just what
+it is; but you're quite as mistaken as if you were a donkey without
+ears."
+
+"John!" said his father, reprovingly.
+
+"That was only a 'simile,' papa," answered Johnny, roguishly, as he led
+Eric out again.
+
+Sure enough, when they reached the railway, Eric found that his idea of it
+had been far from correct.
+
+"It is nothing at all but an omnibus running upon rails," he said: "I
+don't see why they call it American."
+
+"It isn't anything like as nice as our street cars--is it?" answered
+Johnny, with a flourish of national pride quite pardonable in so young an
+American.
+
+Just then the conductor, supposing the two boys wished to be passengers,
+saluted them politely, exclaiming, "_Complete, complete!_" and the omnibus
+rolled off along the rails.
+
+"What did he mean?" asked Eric, quite puzzled.
+
+"He said the coach was full," Johnny replied. "They are never allowed to
+carry more passengers than there are seats for."
+
+"That is still less and less like an American railway," said Eric,
+laughing, and thinking of the crowded cars and overstrained horses he had
+so often seen and pitied, wearily perambulating the streets of New York.
+
+"Let's have some cake and coffee," Johnny proposed, as they were strolling
+towards home. "I think French coffee is hard to beat."
+
+"When I was your age," remarked Eric, "mamma almost decided to live in
+Paris; but I am very glad she did not, for I think New York a great deal
+nicer."
+
+Johnny led the way to a cafe--that is, a coffee-house,--and here they
+regaled themselves with rolls and delicious coffee.
+
+Eric was shocked to see Johnny appropriate a couple of cakes and two lumps
+of sugar, left over from their repast, and convey them to his pocket.
+
+"Why, Johnny!" he exclaimed, in a tone of mortification.
+
+"They all do so," said John, laughing. "A Frenchman thinks he has a right
+to everything that he pays for. Watch the others."
+
+Eric looked around and saw several Frenchmen, who had finished their
+lunch, following John's example.
+
+"Well," said he, "if I should do that at Millard's, how they _would_ all
+stare!"
+
+Johnny was quite pleased with his own importance in being able to show
+Eric around the city, and proposed several places that they "ought to
+see." But the afternoon was waning, and a damp, chilly breeze sprang up,
+which Eric knew, from experience, was not at all good for the mumps. So he
+very prudently hurried Johnny home, holding forth Froll's loneliness as an
+additional inducement.
+
+
+
+
+CHAPTER X.
+
+STRASBOURG.
+
+
+"Uncle John," said Eric, the next morning, "do you think of going through
+Strasbourg, when we leave for Munich?"
+
+"No," said his uncle; "I have business to attend to on another route."
+
+"But, papa," expostulated Johnny, "we want to see the great clock in the
+Strasbourg Cathedral."
+
+"It will be impossible for me to go," Mr. Van Rasseulger said, very
+decidedly; but seeing that both the boys were greatly disappointed, he
+added, "If you could be a sober boy, Johnny, I might trust you alone with
+Eric, and you might go to Switzerland by the Strasbourg route, meeting me
+at Lucerne."
+
+"By ourselves? O, how jolly!" Johnny exclaimed, turning a somersault upon
+the floor.
+
+"But the question is, my boy, _Can_ I trust you?"
+
+"O, papa!"
+
+"I will consider it, John. I can trust Eric, but your inclinations are apt
+to be rather unsteady."
+
+That was certainly true, for Johnny's inclination just then was, back
+parallel with the floor, heels at a right angle with his head.
+
+"But I think I will try you," continued his father. "I shall put you under
+Eric's care, and require you to obey and refer to him. You may start
+to-morrow morning, which will give you time to spend a day and night at
+Strasbourg, and to meet me at Lucerne, on the evening of the day after
+to-morrow."
+
+"Hurrah! hurrah!" screamed Johnny, leaping to his feet, "hurrah for
+Strasbourg and its wonderful clock! Three cheers for--Good gracious!"
+
+The excited boy's exuberant spirits went up with Eric's guide-book to the
+ceiling of the room, and returned in bewilderment as the unfortunate book
+came down in a basin of water in which he had been sailing his magnetic
+ship.
+
+"An encouraging beginning that," remarked his father, gravely.
+
+"I didn't mean to, Eric," Johnny said quite meekly; "I guess 'twill dry in
+the sun."
+
+"Then you had better put it there," said Mr. Van Rasseulger; "you are
+tearing the leaves by holding the book in your wet hands." Johnny spread
+the guide-book upon a sunny window-seat, listening with interest to Eric's
+proposal.
+
+"I must study the route on the map down stairs; and if you are willing,
+uncle John, I will go out now with Johnny and get the tickets."
+
+"Certainly," said his uncle; "but my advice would be to study a dry
+guide-book and the map before getting the tickets; there may be a choice
+of routes."
+
+This was excellent advice, as the boys soon found. There were three
+routes, and some time elapsed before they decided upon one.
+
+At length they chose the shortest of all, as their time was limited and
+they wanted it all for Strasbourg. Their choice, therefore, fell upon the
+most direct route, it being straight across the country of France, and for
+a distance of about two hundred and fifty miles traversed by rail.
+
+They consulted with Monsieur Richarte, the landlord, and their uncle, and
+decided to take an early train on the following morning. A ride of eight
+hours would suffice for the journey, and their early start would enable
+them to have a few hours for sight-seeing in the day and twilight.
+
+But tourists should always allow for detention. For although Mr. Van
+Rasseulger saw them safely aboard the early train in the morning, an
+accident detained them at Vitry, and when they reached Strasbourg it was
+night--a dark, rainy, dismal night.
+
+They rode directly to the principal hotel, a large, roomy,
+comfortable-looking place, and immediately after supper proceeded to their
+room for the night.
+
+Before retiring, Johnny looked out from between the crimson window
+curtains, to see what he could of the city; but little was visible.
+Opposite the window was a little two-story house, with queer stagings
+about the chimneys. He called Eric to look at them, saying he guessed the
+chimneys were being rebuilt.
+
+"No, Johnny," said Eric. "You will find those stagings upon almost every
+house here. They are erected by the house-owners for the especial
+accommodation of storks that build in the chimneys and are the street
+scavengers of Strasbourg."
+
+"Are they?" said Johnny, sleepily; "well, let's go to bed." They were both
+very tired and sleepy boys, and prepared for a good night's rest.
+
+"I think I shall sleep well," Johnny remarked.
+
+"And I'm sure I shall," said Eric. "I've travelled nearly six hundred
+miles since night before last."
+
+But they were destined to disappointment, for from the large, open
+fireplace in the room there issued, all night long, a continuous wailing,
+moaning, rustling sound, caused by the wind; added to which were the
+dismal groanings of the old storks and piping of the young ones.
+
+It seemed to Eric that he had but just fallen asleep, when Johnny was
+shaking him and hallooing in his ear.
+
+"Eric! Eric! it's a splendid morning! Get up quick. I want to go out and
+see the sights. Hurry up!"
+
+"Yes," said Eric.
+
+Johnny scampered down stairs, and before long Eric joined him in the hall,
+where the impatient boy was walking on his hands, with his heels in the
+air, by way of diversion.
+
+"All ready?" he cried, and resumed a position more convenient and becoming
+for a promenade, as they started.
+
+They had a fine, breezy walk.
+
+Strasbourg is not far from the Rhine; and one of its tributaries, the
+graceful, sparkling _Ill_ River, which, as Johnny suggested, is a very
+_good_ stream, washes the city's walls and supplies it with water.
+
+This city is famous for its immense fortifications, its Minster, or
+Cathedral, and the Astronomical Clock of the Three Sages.
+
+Its form is triangular, and the entire city is enclosed by a bastioned
+line of ramparts and several outworks.
+
+There are seven entrance gates, and on the east side is a strong
+pentagonal or five-sided tower.
+
+There is a network of sluices, by which the surrounding country can be
+inundated. Strasbourg is one of the most important fortresses and arsenals
+of France, besides being its principal depot of artillery. It is
+pleasantly situated, but most of its streets are narrow, with lofty
+eaves-drooping houses.
+
+The boys were surprised to hear its inhabitants speaking German instead of
+French, but learned that the town was originally German, and was ceded to
+France in one of the Louis XIV. wars, when it became the capital of _Bas
+Rhin_, a division of France, on the eastern frontier.
+
+In many of the streets of Strasbourg are little wooden bridges, similar to
+canal bridges. These are built over the Ill, which intersects the city in
+all directions.
+
+When Eric and Johnny took their stroll, it was market-day, and, even at
+that early hour, the streets presented a lively scene.
+
+Carts and drays were the stalls in the open street, and people were buying
+and selling at a great rate.
+
+The fish stalls were surrounded by storks; but the people seemed to mind
+them no more than the birds minded the people. These storks are great
+favorites with Germans. In Strasbourg they are as tame as our domestic
+hens, and it is very comical to see them strutting importantly about, as
+if they had as good a right to the sidewalk as the other citizens.
+
+The boys returned to the hotel with ravenous appetites, but, hungry as
+they were, could not appreciate the described daintiness of a most
+apparently unpalatable pie, called _pate de foie gras_; so they were
+obliged to content themselves with other edibles and fragrant French
+coffee.
+
+"Now for the minster!" said Eric, as they arose from the table.
+
+"The _minister_?" exclaimed Johnny; "what for?"
+
+Eric laughed.
+
+"Not _minister_, but _minster_. A minster is a cathedral church."
+
+"I don't care much about the minster, then," said Johnny, running up
+stairs on all fours. "I've seen cathedrals till I'm sick of them. But this
+clock _is_ curious, and I'm anxious to see it."
+
+"Johnny," expostulated Eric, "walk properly. You ought to have been a
+monkey.--And that reminds me," he added, "I must feed Froll and fasten
+her, that she may do no mischief while we're at the cathedral."
+
+Little Froll received an ample breakfast, and her silver chain was
+securely fastened. Then the boys left her.
+
+When they had been gone a while, and her breakfast had disappeared, Froll
+became lonesome, and cast her eyes about to see with what mischief she
+might best employ herself. But thoughtful Eric had placed every temptation
+out of her reach.
+
+Meanwhile Eric and Johnny were viewing the wonders of the famous
+astronomical clock.
+
+This clock is in the Strasbourg Cathedral. It was built in the cathedral,
+before its completion, in the year 1439, and was invented by Isaac
+Habrecht, a Jewish astrologer.
+
+European clocks were first invented in the eleventh century, by the
+Saracens, and used principally for monasteries. They were very rude,
+simple affairs, and sometimes would only "go" when somebody pushed the
+pendulum, which was rather inconvenient than otherwise.
+
+So wise mathematicians tried to make improvements; and some succeeded,
+among whom was Isaac Habrecht, who, in the fourteenth century, invented
+the most wonderful clock in the world, and called it the "Clock of the
+Three Sages," because once in every hour the figures of the Three Kings of
+the Orient came out from a niche in its side, and made a reverential bow
+before an image of the Virgin Mary, seated just above the dial-plate, on
+the front of the clock.
+
+It is built of dark wood, gilded and carved, and is sixty feet high. In
+shape it is somewhat similar to a church, with a tower on either side of
+the entrance; and these towers of the clock are encircled by spiral
+staircases, which are used when repairs are necessary.
+
+When Isaac Habrecht invented this wonderful clock, he meant it to run
+forever, always displaying to the good people of Strasbourg the days of
+the month, places of the sun and moon, and other celestial phenomena; and
+while he lived it worked admirably: but when he had been dead a while, the
+clock stopped; and as nobody else understood its machinery, it had quite a
+vacation.
+
+After a while, however, the good people of Strasbourg took it in hand, and
+it was repaired and set going--only to stop again. Thus it went on until
+Napoleon's time.
+
+Strasbourg, originally a German town, was ceded to Louis XIV. in 1681; so
+the clock was French property, and Napoleon decided it must be brought to
+life again. Under the most skilful French and German machinists this
+repairing took place. It was eminently successful _this_ time, and, when
+completed, was a great improvement on the old clock.
+
+It will now give not only the time of Strasbourg, but of every principal
+city in the world; also the day of the week and month, the course of the
+sun and planets, and all the eclipses of the sun and moon, in their
+regular order.
+
+In an alcove, above the dial, is an image of the Saviour; and every day,
+at noon, figures of the twelve apostles march round it and bow, while the
+holy image, with uplifted hands, administers a silent blessing. A cock, on
+the highest point of the right hand tower, flaps his wings and crows three
+times; and when he stops, a beautiful chime of bells rings out familiar
+and very musical tunes.
+
+A figure of Time, in a niche on one side, strikes the quarter hours from
+twelve to one; and four figures--Childhood, Youth, Manhood, and Old
+Age--pass slowly before him. In a niche, on the other side is an angel
+turning an hour-glass. The clock is in the south transept of the
+cathedral.
+
+Persons travelling abroad usually take Strasbourg on their route, to visit
+its cathedral,--the spire of which is the highest in the world, being four
+hundred and sixty feet high,--and to see its wonderful astronomical
+clock.
+
+Eric and Johnny were very much pleased with the famous clock. The guide
+who explained and told its history to them was very good-natured, and even
+allowed them to ascend the tower of the cathedral, which, usually, is not
+allowable.
+
+Here they had a most magnificent view, which I cannot attempt to describe,
+and only advise you to go and see it for yourself.
+
+Before leaving the cathedral, they bought two photographs of the wonderful
+clock, intending to send them home, with a description of their visit to
+Strasbourg.
+
+By the time their explorations were finished, Johnny declared that he was
+so hungry, he could almost eat one of those goose pies. The morning was
+quite gone. It would soon be time to take the train for Lucerne, and they
+must have dinner.
+
+"Won't Froll be glad to see us back!" exclaimed Johnny, as they reached
+their room; "she doesn't like to be left alone."
+
+Eric had bought some nuts for the little creature, and went with them
+straightway to her cage.
+
+The cage was just as he left it; the silver chain was there, too, fastened
+to one of the bars and to the tiny collar; but the collar hung dangling at
+the end of the chain, and Froll was nowhere to be seen.
+
+
+
+
+CHAPTER XI.
+
+ERIC IN TROUBLE.
+
+
+A thorough search was instantly made; but neither around the room, nor
+behind the furniture, nor upon the gallery roof, were any traces to be
+found of the lost Frolic.
+
+"It is too bad," cried Eric, in perplexity, while Johnny looked ready to
+cry. "We must speak to the landlord, and ask him what we are to do."
+
+Eric's German was by no means perfect; but he managed to make the
+good-natured landlord understand their trouble. He made inquiries of all,
+directly; but no one had seen the little monkey since the boys had left
+her. He did not think it at all likely that she had been stolen, for no
+one could get to the boys' room without being noticed by some of the
+servants, and he was quite sure that she would return safely to her
+comfortable quarters; so he advised the boys to leave the window open for
+her, and to go at once to the dinner he had been for some time keeping for
+them.
+
+His sensible advice was unwillingly followed; but Froll took no advantage
+of the window left open for her benefit.
+
+Eric and Johnny waited and watched impatiently, until it was almost time
+to start for the train. Then Eric left directions with the landlord, in
+case the monkey should be found and captured; promising to send for her.
+He was just going to call Johnny, when he heard his voice, crying,
+excitedly, "Eric, Eric!" and hoping Froll had returned, ran quickly up the
+stairs.
+
+"See there, what I found on the floor," exclaimed Johnny, as he entered
+the room, and held up before Eric's astonished gaze a jewelled ring, that
+flashed and sparkled in the sunlight.
+
+"Good gracious!" exclaimed Eric; "on the floor of _this_ room?"
+
+"Yes," answered Johnny, "on the floor, just where you're standing. It's a
+mercy we haven't stepped on it. Don't you think so?"
+
+"We must find the owner at once. Isn't it splendid!" said Eric,
+admiringly; "three diamonds and an emerald; it must have cost a fortune."
+
+Just at this juncture the door opened, and the landlord, followed by a
+French officer and a civilian, entered the room. The landlord exclaimed,
+in German,--
+
+"I beg your pardon, young gentlemen, but a serious loss has occurred in
+the house, and as you are about leaving it, perhaps you will be kind
+enough to let us inspect--"
+
+"_Ah! mon Dieu! il y ait!_"[1] screamed the French civilian, darting
+towards Eric and John, and, snatching the ring from Johnny's hand,
+displayed it triumphantly before the landlord and the officer.
+
+"I found it on the floor," said Johnny. "Is it yours?"
+
+"A likely story!" muttered the Frenchman.
+
+"I'm very glad you've got it," said Eric, with dignity. "My cousin found
+it on the floor a minute ago, and we were on the point of taking it to the
+landlord when you came in."
+
+Eric spoke slowly and distinctly, and with an air of honest truth that at
+once convinced the landlord. But the excitable little Frenchman, who had
+been clasping the precious ring, and murmuring, "_Ciel, ciel! ah, ciel!_"
+in an incoherent way, now sprang at Eric, and grasping him by the collar,
+exclaimed, angrily, "O, you fine fellow! you wicked one! where is my--my
+gold?--my gold? where is it?" and he gave the boy a series of shakes.
+
+Eric's anger was fully aroused. With flashing eyes, "How dare you!" he
+said, indignantly, and, turning upon the Frenchman, flung him with some
+violence against the wall.
+
+This made the little Frenchman still more furious; he would have sprung
+again upon Eric, but the officer interfered. Johnny, with his eyes almost
+starting from his head, had terrifiedly regarded this little scene,
+doubling his fists to aid in Eric's rescue.
+
+Eric turned indignantly to the landlord,--
+
+"What is the meaning of all this? Are two defenceless American boys, your
+guests, to be openly insulted in your presence without protection?"
+
+"Count D'Orsay has been robbed of his diamond ring and a sum of money,"
+explained the landlord. "He insisted that no person should leave the hotel
+without examination. That is why we came to you. He has found the ring in
+your hands, which is very astonishing, and he now suspects you of having
+the gold."
+
+The landlord spoke gently, and seemed grieved to be obliged to hurt their
+feelings, as he knew his implied meaning must.
+
+Poor Eric's face flushed hotly with shame and anger, while Johnny cried,
+furiously, "Eric, Eric, for pity's sake send for papa! He will teach that
+hateful Frenchman what it is to call us thieves."
+
+"Be quiet, John!" said Eric, imperiously. "Come here."
+
+"Now, sir," turning to the landlord, "please to let your officer search
+us, and then our baggage. Do it at once, for we are to leave Strasbourg
+directly."
+
+"Indeed!" sneered Count D'Orsay. "Perhaps you will not leave Strasbourg
+for the present. Search them, officer."
+
+The officer advanced reluctantly, and, by his expression of sympathy,
+showed himself much more a gentleman than the titled count, whose habitual
+politeness had been driven away by Eric's powerful thrust.
+
+The landlord, although deeply sympathetic, and convinced of their honesty,
+was powerless to resist Count D'Orsay. He was a German innholder, and the
+count a wealthy, influential French nobleman, with a proper warrant for
+searching his house. So he could in no way protect the boys from the
+indignity put upon them. But he hailed with joy Johnny's suggestion to
+send for his father, deciding to do so at once, if they should be
+detained.
+
+Of course no gold was found upon either of them, except that given to Eric
+for tickets and hotel expenses, and none was found in their baggage.
+
+But just as they were preparing to leave the place, having been released
+by the officer, Count D'Orsay uttered an exclamation, and pointed to a
+_fauteuil_--an easy chair--by the window.
+
+"_Celui-la!_"
+
+The officer stepped to the chair, and found, tucked between the cushion
+and the arm, a silk purse, full of gold pieces.
+
+Eric and Johnny were horror-stricken, and the good landlord was dumb with
+astonishment.
+
+The French count held up the purse triumphantly, and jingled the gold
+before Eric's eyes, exclaiming, tauntingly,--
+
+"It is mine, and I have it. The _prison_ is yours, and you shall have
+it."
+
+"Eric, Eric," cried Johnny, in agony of terror, "they _can't_ send us to
+prison. We haven't done anything. We didn't know the money was there, or
+the ring. O, what shall we do? Send for papa!"
+
+Eric's face was very white, and his hand trembled visibly, as he wrote his
+uncle's address on a card, and requested the landlord to send for him.
+
+Count D'Orsay wished them to be at once conducted to prison: but this the
+landlord would not allow, and the officer declared was unnecessarily
+severe. They might remain in their room, with a guard, and the landlord
+would be responsible for their remaining.
+
+As soon as the detestable Frenchman had gone, Johnny threw himself at full
+length upon the floor, crying violently. Eric could not comfort him, but
+sat at the window, with a proud, defiant face and swelling heart.
+
+Presently the kind landlord came again to them.
+
+He had sent word by telegraph to Johnny's father, and received a return
+message. Mr. Van Rasseulger would be with them by night.
+
+This was comforting. And gradually the boys thought less and less of their
+trouble, and became quite interested in making conjectures with the
+landlord as to when and how the money and jewels came into their room, and
+if Froll's disappearance could be owing to the same cause, or in any way
+connected with it, and if she would probably return at night.
+
+"It's an ill wind that blows nobody good," said Eric; "and perhaps, by
+being detained here, we shall find her."
+
+[Illustration: Eric and the French Count.--Page 143.]
+
+"I don't care what they do when papa gets here," said Johnny, whose faith
+in his father's power was limitless. "He'll just _fix_ that Count
+D'Orsay."
+
+Meanwhile Mr. Van Rasseulger was whizzing rapidly towards them in the
+afternoon train, and another powerful friend was coming from an opposite
+direction.
+
+-----
+
+ [1] O Heaven! he has it!
+
+
+
+
+CHAPTER XII.
+
+"A FRIEND IN NEED IS A FRIEND INDEED."
+
+
+One, two, three, four, five, six, sounded a deep-throated bell upon the
+evening air, and then a chime of bells played Luther's Chant.
+
+"O, dear!" groaned Johnny; "that's the wonderful clock; I wish we had let
+it alone."
+
+"Hark!" exclaimed Eric.
+
+His quick ear had caught the sound of footsteps upon the stairway leading
+to their room, and he fancied them to be his uncle's. He was right. The
+door opened presently, and Mr. Van Rasseulger was with them.
+
+"Well, what is all this nonsense?" he exclaimed, grasping Eric's hand, and
+drawing Johnny into his lap. "A good-natured guardian lets you off for a
+good time, and you get into trouble the first thing."
+
+Eric related all that had occurred, a little embarrassed at Johnny's
+admiring remark,--
+
+"You ought to have seen him spin that little dancing Frenchman against the
+wall, papa. I wish I'd been big enough! I'd have thrashed him!"
+
+"Hush, Johnny," said his father. "Go on, Eric. You say he found the money
+in the fauteuil. How in the world did the things get into this room?"
+
+"That is just what puzzles everybody," answered Eric, earnestly. "Uncle
+John, how _could_ it have got there? and the ring, too?"
+
+"Where did you find the ring, Johnny?"
+
+"Right here, sir, upon the floor, by Froll's cage;" answered Johnny,
+getting up and standing in the place.
+
+"It is very mysterious, certainly," Mr. Van Rasseulger said, "and the
+strange circumstances give the man strong grounds for suspicion against
+you. Of course, it is absurd to think that two little boys would have
+committed such a robbery; yet the ring was found in your hands, and the
+money concealed in your room, and therefore you are accused."
+
+"But, papa, can't you take us away? We didn't do it."
+
+"You silly boy, I _know_ you did not do it. But would you not rather stay
+and prove satisfactorily to all that you did not? I should not wish to
+take you from here while the faintest shadow of a suspicion lingered that
+you were guilty."
+
+"Nor would I wish to go," said Eric, proudly.
+
+"Well, then we'll stay," said Johnny, dolefully; "but I think it is
+dreadfully unjust to spoil all our good time. We Americans wouldn't do so
+to a Frenchman."
+
+"I'm afraid we would, under such suspicious evidences," said his uncle.
+"But you needn't worry about it, boys; every cloud has a silver lining."
+
+"It isn't pleasant to know we can't go out of our room," said Eric.
+
+"No: I must arrange about that," Mr. Van Rasseulger answered. "I will
+write a note to the American consul, and get you released."
+
+Eric started suddenly to his feet.
+
+"I am sure I heard Mr. Lacelle's voice," he said.
+
+"You couldn't have," said Johnny. "You left him at Amsterdam."
+
+"I did, I know I did!" persisted Eric. "There it is again: that is he! O,
+Uncle John, go out and tell him about it."
+
+His uncle left them, and before long returned, actually bringing Mr.
+Lacelle with him.
+
+The diver was surprised beyond measure to find his favorite Eric in
+Strasbourg, and highly indignant at the circumstance which detained him.
+
+"You are the most honest boy that ever lived," he cried, and told Mr. Van
+Rasseulger about the box of sovereigns. "But come, tell me all about
+this," he added.
+
+Eric again related the incident, beginning with his discovery of Froll's
+disappearance, and ending with the charge of theft and threat of prison.
+
+Johnny, who despite his dislike of Frenchmen in general, cordially liked
+Mr. Lacelle, was surprised to see his gradually increasing excitement as
+Eric's story progressed. At its termination, he started to his feet, and
+rapidly pacing the floor, exclaimed, joyfully,--
+
+"_Ha! a bon chat, bon rat!_"[2]
+
+"What have cats and rats to do with it?" thought Eric.
+
+"He is crazy!" thought Johnny.
+
+"Ah!" thought Mr. Van Rasseulger, "can he see through the millstone?"
+
+"Eric, your good name shall be cleared of all suspicion. Give me your
+hand!" exclaimed Mr. Lacelle. "I congratulate you, lad! I know who did the
+mischief."
+
+"Do you?" exclaimed the astonished boy.
+
+"Yes, my friend," answered the Frenchman, and darted from the room.
+
+"Here's a go!" cried Johnny, thrusting his hands into his pockets and
+striking an attitude; "he knows, and he hasn't told us what he knows, and
+I think _his_ nose ought to be pulled."
+
+"Do be still, Johnny," said Eric, "it's no time for jokes. Uncle John,
+what could he have meant?"
+
+"I am totally in the dark," replied his uncle.
+
+"I wish Froll would come back," murmured Johnny.
+
+"I have it!" cried Eric, suddenly, rushing from the room, by the guard at
+the door, and after Mr. Lacelle.
+
+"Well," said Johnny, "I wish I had!"
+
+Count D'Orsay's conscience was not quite easy in regard to the manner in
+which he had persecuted the two friendless American boys. His suspicions
+had been aroused merely by the fact that they were about to leave
+Strasbourg; and the discovery of the missing articles in their possession
+had seemed at the time to prove their guilt conclusively. But upon
+reflection, the honest surprise expressed in little Johnny's eyes, and
+Eric's look of proud, indignant disdain, haunted him with suggestions of
+their innocence.
+
+Might it not have been just possible that they did find the ring upon the
+floor, and did not know of the money's concealment? But, then--how could
+it be so? How could the ring and money have happened in their room, and
+for what purposes? Yet, again, if they did intend to steal, they had given
+up everything. He had lost nothing; and the French government would not
+thank him for quarrelling with an American just at that time. He would
+send word to the landlord to dismiss the policeman and let the boys have
+their liberty.
+
+Just as this conclusion was reached, there came a tap at the door, and the
+waiter entered with Mr. Lacelle's card, followed closely by Mr. Lacelle.
+
+Count D'Orsay expressed great pleasure at the unexpected visit; but Mr.
+Lacelle, waiving all ceremony, explained that he had come to clear his
+dear American friends from the disgraceful charge against them.
+
+He then spoke rapidly, in French, to the count, who appeared at first
+surprised, then credulous, then convinced.
+
+With sincere regret, he asked to be allowed to apologize at once, and
+begged Mr. Lacelle to tell him of some way in which he could make some
+amends for his unjust accusation.
+
+"I wish you to be thoroughly convinced," said Mr. Lacelle. "Place the
+articles upon the table, open the window, and conceal yourself behind the
+curtain."
+
+Mr. Lacelle did so.
+
+-----
+
+ [2] "To a good cat, a good rat!"
+
+
+
+
+CHAPTER XIII.
+
+THE REAL THIEF.
+
+
+Eric, when he reached the hall, was called by the landlord, who said,--
+
+"I am having the rooms searched, at Monsieur Lacelle's request, for your
+little monkey. Will you come with me? We may catch her more easily."
+
+Eric was very glad to assist in the search. When nearly all the front
+rooms had been thoroughly examined, to no purpose, the little truant was
+found at last in the upper story asleep, on a soft cushion, in the
+sunlight. Eric stole up softly and took possession of her.
+
+She awoke with a loud chatter of defiance, and tried to escape, but Eric
+held her fast.
+
+The landlord then ordered a servant to close all the windows in the front
+of the hotel, excepting those of Count D'Orsay, whose room was above that
+of the two boys.
+
+Eric hastened, at his request, for Froll's collar and chain, which were
+fastened upon her, and then she was released upon the balcony under the
+window of the boy's room, the landlord, Eric, Johnny, and Mr. Van
+Rasseulger watching her movements with intense interest.
+
+Meanwhile the count and Mr. Lacelle were stationed behind the window
+curtains, on the lookout for the marauder.
+
+Presently there was a sliding, scrambling, shuffling noise, and the thief
+came in through the window--not Eric, nor Johnny, but a being very
+insufficiently attired, and possessed of a long black tail; no less a
+personage than the little monkey, Froll.
+
+She walked straight to the table, climbed upon it, seized the ring, purse,
+and a gold pencil which Mr. Lacelle had laid there. Then she withdrew to
+the window, but to her rage and disappointment it was shut tight, and the
+two gentlemen confronted her.
+
+The little beast recognized Mr. Lacelle, and coolly handed him her stolen
+freight, which was quickly restored to its rightful owner.
+
+Thoroughly convinced of his unjust cruelty to Eric and Johnny, Count
+D'Orsay descended to the balcony, offering sincere and earnest apologies.
+
+Eric and Johnny, by turns hugging and scolding Froll, freely forgave the
+indignity put upon them, and shook hands cordially with the mortified
+count.
+
+Mr. Lacelle was in his glory. He shook hands with the monkey, stroked the
+boys' heads, and called Mr. Van Rasseulger "my dear" in his excitement;
+telling everybody how he had instantly surmised the true offender, on
+hearing of Froll's disappearance, and recalling the scene at Gravenhaag,
+when she had stolen his glasses, climbing in then through the open window.
+Finally he expressed an opinion that Froll had formerly belonged to an
+unprincipled master, who had trained her to climb in at windows and take
+away valuables.
+
+And here we will take an opportunity to remark that this was really the
+case, and that Eric subsequently learned that the man of whom Mr. Nichols
+bought her was arrested and imprisoned for practising with another monkey
+the same trick.
+
+Count D'Orsay could not be pacified until Mr. Van Rasseulger promised that
+the boys should visit him at the _Hotel D'Orsay_, on their return to
+France.
+
+His conscience smote him for his unjust severity and unkindness, all the
+more for the frank, confiding way in which the two little heroes begged
+him to forget the incident.
+
+When they shook hands cordially with him, a glad cheer ascended from the
+throng of servants and spectators, whose honest hearts took a lively
+interest in the affair.
+
+The boys and Froll were made much of; and Mr. Lacelle delighted Johnny for
+hours with accounts of the wonders of the sea, so that the young
+gentleman, completely fascinated, made up his mind to be a submarine diver
+when he grew up.
+
+Froll's collar was tightened, and she was fastened to her cage, after
+having a bountiful feast of nuts.
+
+When the evening was about half spent, a waiter brought a large parcel to
+the door. It was addressed to "The Two Young Gentlemen at Room No. 37,"
+and contained books, toys, games, and confectionery, of which the count
+begged their acceptance.
+
+"This has been a day of adventures," said Eric, as he and Johnny were
+retiring late at night.
+
+"Yes," answered Johnny, sleepily, nestling between the sheets, "it has
+been a day of adventures, beginning with the wonderful clock, and ending
+with--Froll's--Froll's--the count--" and with a little more indistinct
+muttering, Johnny was fast asleep. Eric had read his chapter, and said his
+prayers with Johnny; but now, as he looked at his little cousin asleep, a
+sudden impulse seized him, and falling upon his knees by the bedside, he
+prayed that his influence over Johnny might always be for good, and that
+God would bless the bright, loving little boy, and make him a lamb of His
+fold for the good Shepherd's sake.
+
+
+
+
+CHAPTER XIV.
+
+PERCY, BEAUTY, AND JACK.
+
+
+Mr. Van Rasseulger decided to take the boys to Heidelberg, and there await
+Dr. Ward. It was inconvenient for him to do this, but he was unwilling to
+let them travel alone with the monkey again, for Froll was certainly a
+serious trouble.
+
+So on the morning of the following day they took the steamer for an eighty
+mile sail down the Rhine.
+
+The landlord, Mr. Lacelle, and Count D'Orsay bade them an affectionate
+adieu, after the two former had been sincerely thanked for their kindness
+to the young strangers, and the latter had begged them to renew their
+promise of a visit before they returned to America. To Mr. Van Rasseulger
+he extended an urgent invitation to visit him, whenever it should be
+convenient to him.
+
+Just before they left, Mr. Lacelle requested Eric's address, saying that
+he had written to Mr. Montgomery about the box of money, and would forward
+his reply to Eric.
+
+The boys were not sorry to leave Strasbourg, because Mr. Van Rasseulger
+had told them he should propose to the doctor to obtain horses there, and
+travel on horseback through the Black Forest, and over the mountains, to
+Munich, in Bavaria.
+
+They were enchanted with this idea, and during their sail down the Rhine
+lost much of the beautiful scenery about them in mutual conjectures as to
+whether uncle Charlie would like the proposition. When they reached
+Heidelberg, the doctor was already there, waiting for them.
+
+He was quite well satisfied with the plan, and said he would give the boys
+two days to explore Heidelberg, and would meantime be making the necessary
+arrangements.
+
+The boys did not like Heidelberg particularly, and Eric's shoulders were
+shrugged expressively when his uncle told him he was to be a student in
+the university, after his school course was completed.
+
+The only building of which they took any notice was the Church of the Holy
+Ghost--a large structure with a very high steeple, divided so that
+Protestant and Roman Catholic services were held in it at the same time.
+
+But perhaps the picturesque old town might have had more attraction for
+them, had not Dr. Ward and Mr. Van Rasseulger been looking up good horses
+to purchase for the journey.
+
+They soon found just what they wanted--a large, powerful horse for the
+doctor, and a couple of small horses, almost ponies, for the two boys.
+
+It was amusing to see the different evidences of delight manifested by
+Eric and Johnny.
+
+Eric's face flushed with glad emotion, and a quiet "Uncle John, how good
+you are!" was all that he said.
+
+But Johnny danced around the horses, wild with delight, throwing his cap
+in the air, dancing and hurrahing with all his might, and bestowing kisses
+indiscriminately upon his good papa and the dumb animals.
+
+One of the horses was coal black, with a white star upon his forehead, and
+one white foot; he was for Eric.
+
+Johnny's was a bright bay, with four white feet and a white nose: and the
+doctor's was a chestnut-colored horse, with a darker mane and tail.
+
+Of course the first great question was, what they were to be called.
+
+"I have named my horse 'Perseus,'" said the doctor, "in honor of the
+illustrious slayer of the Gorgon Medusa, and the deliverer of Andromeda."
+
+"I'll call mine 'Jack,' in honor of papa," said roguish Johnny.
+
+"And mine," exclaimed Eric, "shall be Bucephalus."
+
+Eric had just finished reading a classical history, and was greatly
+interested in the account of Alexander's power over Bucephalus.
+
+These names were soon abbreviated to "Percy," "Beauty," and "Jack."
+
+After the horses had been duly admired, Mr. Van Rasseulger took the boys
+with him, selected saddles, with travellers' saddle-bags, rubber cloaks, a
+couple of blankets, and two tin boxes for provisions, with an inside
+compartment for matches. The rubber cloaks were made with hoods, which
+could be drawn over the head, completely protecting it.
+
+Dr. Ward provided himself with similar apparel, and numerous little things
+which the boys had no idea would be necessary, and even Mr. Van Rasseulger
+overlooked.
+
+The next morning everything was in readiness. The blankets, light
+overcoats, rubber cloaks, and a change of clothing, were made into a roll,
+and strapped behind the saddles. The tin cases were filled for luncheon,
+and deposited in the saddle-bags, and the boys declared themselves in
+readiness.
+
+But when the doctor presented them each with a light knapsack, a tiny
+compass to wear upon their watch chains, and a pocket drinking cup, they
+instantly discovered that they could never in the world have got along
+without them.
+
+The horses were pawing the ground, impatient to be off, their long manes
+and tails floating in the cool morning breeze, their noble forms quivering
+with life and excitement.
+
+Johnny, divided between regret at parting with his father, and delight at
+the novel excursion; Eric, eager and excited, with mischievous Froll,
+demure enough just now, seated composedly upon his shoulder; the doctor
+coolly testing the saddle girths, and Mr. Van Rasseulger seeing them off,
+happy in their pleasure.
+
+"Be good and kind to my boy, as you have always been, Eric," he said,
+bidding his nephew "good by."
+
+"You mean, uncle John, as you have always been to me," Eric replied, with
+gratitude beaming in his eyes. "And Johnny is a dear little fellow; no one
+could help being good to him."
+
+"I hope he will grow like his cousin," said Mr. Van Rasseulger, with a
+hearty smile; "and, Johnny-boy, you must be very obedient to uncle
+Charlie. Do right, be a gentleman, and grow stout and healthy for papa."
+
+"We will write from Baden and Ulm," said the doctor. "We ought to get
+there by next week."
+
+After a few more words of parting they set off, and were soon out of
+sight.
+
+Three hours later, as Mr. Van Rasseulger, on his way to Vienna by rail,
+passed a turn in the road, the three travellers were in sight for an
+instant, apparently in good spirits and prime condition.
+
+He was extremely pleased with this unexpected view of them, and for some
+time after they had again disappeared the wealthy New York merchant lay
+back in his cushioned seat, building hopes of high promise upon the future
+of Johnny's life.
+
+Poor Johnny! he had been almost spoiled at home, but under the doctor's
+firm guidance and Eric's good influence, was wonderfully improved. The
+bright, merry little fellow was exhibiting his true character, long hidden
+by ill-advised indulgence.
+
+
+
+
+CHAPTER XV.
+
+THE LAST.
+
+
+Up the banks of the beautiful Rhine, through picturesque hamlets, over
+high, rugged mountains, and in the glory and grandeur of the forests, our
+horseback travellers sought and found the best of all treasures--health
+and happiness.
+
+The Swabian Mountains, and the Schwarz Wold, or Black Forest,--a group of
+mountains covered with forests,--through which they rode thirty-seven
+miles, required from them the greatest endurance.
+
+Nevertheless, upon the woody mountains, steep and difficult to climb as
+they were, they found several thriving villages, where they were kindly
+received, and where all their wants were generously supplied.
+
+But on one occasion, when a violent storm arose, and they were near no
+village, they were obliged to take shelter in an empty barn, and there
+remained through the night, sleeping, with their horses, upon the hard,
+board floor, with their knapsacks for pillows.
+
+And Johnny had one thrilling adventure.
+
+They had encamped for the night upon a small plateau, and, before
+dismounting, Johnny rode back to the edge, and was looking down upon the
+plains beneath, when suddenly he felt the ground give way from above where
+his horse was standing, and in an instant horse and rider, covered by a
+bank of sand, were sliding helplessly down the mountain. The shower of
+sand smothered their cries, and neither the doctor nor Eric noticed their
+disappearance at first. But presently Eric, turning to speak to him,
+exclaimed,--
+
+"Where in the world is Johnny?"
+
+The doctor looked hastily up. Seeing the fresh earth at the edge of the
+plateau, he rushed to the spot, examined it, and exclaiming, "Heavens! the
+child has fallen down a slide!" prepared to descend in the same place.
+
+"Eric, stay up there, and take care of the horses," he said, and was soon
+out of sight.
+
+Eric secured the horses, and then crept to the place from which the doctor
+had disappeared. He found, just beneath him, a long line of large troughs,
+open at both ends, and overlapping each other like shingles. It extended
+entirely down the side of the mountain, and to his horror Eric saw at its
+foot a lake.
+
+"O, Johnny, Johnny! my dear little cousin! And uncle Charlie, too--they
+will surely be killed!" he cried, in agony. For he knew at once that they
+had gone down a timber slide, and was afraid they would be drowned in the
+lake.
+
+And now I suppose I must tell you what a timber slide is.
+
+The Black Forest Mountains are covered with large and valuable trees,
+which are felled and sold by their owners; and as it would be decidedly
+inconvenient to take horses and carts up the mountain, and utterly
+impossible to get them down with a heavy load of those giant trees with
+sound necks, an ingenious Swiss invented the cheap and rapid way of
+getting the trees off the mountain by means of a slide, formed of immense
+troughs lapped together, and terminating in the lake, where the heavy logs
+are chained together and floated to a railway or wharf, just as they are
+done in our own country by the loggers of the Maine forests and other
+woody regions.
+
+Of course a descent in one of these slides, under ordinary circumstances,
+would be extremely dangerous to human life and limb. But it fortunately
+happened that neither the doctor, Johnny, nor Jack were seriously injured,
+for the slide had been disused for some time, and in consequence of an
+accident, somewhat similar to Johnny's, had been partially removed, and a
+high, soft bank of sand lay at its new terminus.
+
+Johnny and Jack were pitched violently into this, and rescued from their
+very uncomfortable position by a party of English travellers encamped near
+by.
+
+Many were the exclamations uttered at the marvellous and sudden entrance
+of our young friend upon the quiet beauties of the twilight scene, and
+bewildered Johnny scarcely knew whether to laugh or cry.
+
+His first anxiety was for Jack, but the English gentleman who drew him
+from the sand-bank would pay no attention to the horse until he was
+convinced that Johnny was unhurt. Assured about this, he patted and
+soothed poor frightened Jack, and walked him carefully over the soft
+greensward, to see if he appeared at all lame; and then Johnny was
+delighted enough to hear the horse pronounced all right.
+
+Johnny had several pretty bad bruises, which the Englishman, who was a
+physician, dressed for him.
+
+By the time this was done Dr. Ward, whose descent had been much slower and
+more careful than Johnny's, reached them, and his anxieties were at once
+quieted by Johnny's assurance that it was
+
+"Just the jolliest coast I ever had."
+
+After examining both Johnny and Jack, to assure himself of their
+well-being, and heartily thanking the Englishman for his kind assistance,
+the doctor asked permission to leave Johnny under his care until he could
+get Eric and the horses from the top of the mountain.
+
+The new friend willingly undertook the care of Johnny, and the doctor
+hastened up the mountain to relieve Eric's anxiety.
+
+Johnny seated himself near the door of the tent, and a young man of the
+party brought him some grapes. Jack neighed wistfully for his share, for
+Johnny had made a great pet of him, always dividing his fruit with him.
+
+"I'll give you some, Jack," he said, walking towards the horse. "Gracious,
+how stiff and sore I feel."
+
+While Jack was champing his feast with great satisfaction, an English boy,
+of Johnny's size, came towards them.
+
+"Is that your horse?" said he.
+
+"Yes," answered Johnny; "isn't he a good one?"
+
+"_Is_ he a good one?" asked the boy.
+
+"I guess he is," said Johnny, hotly; "there isn't a better horse
+anywhere."
+
+"But papa's groom told me," persisted the English lad, "that a horse with
+four white feet and a white nose was worthless. He says,--
+
+ 'One white foot, buy him,
+ Two white feet, try him,
+ Three white feet, deny him,
+ Four white feet and a white nose,
+ Take off his skin and throw him to the crows.'"
+
+Johnny detected a roguish glitter in his companion's blue eyes, and with a
+corresponding twinkle in his own, merely answered,--
+
+"My old nurse says,--
+
+ 'There was an old woman went up in a basket
+ Seventy times as high as the moon.'
+
+I suppose you believe that, too."
+
+This ready answer pleased the other, and they were soon fast friends.
+
+"What is your name?" Johnny asked.
+
+"Arthur Montgomery," was the reply.
+
+Johnny wondered where he had heard the name before; but though he was sure
+he had heard it, he could not remember where.
+
+He began to feel quite tired and sleepy before the doctor returned for
+him, and his bruises ached badly. Once he would have cried and worried
+every one about him, if in such an uncomfortable state; but now he bore
+the pain like a Spartan.
+
+The doctor came at last, and after thanking the Englishman again, he led
+the tired horse, with weary Johnny upon his back, to a wood-cutter's
+cottage near at hand, where they were to pass the night.
+
+Eric welcomed them with tears of joy in his eyes.
+
+"O, Johnny, what a narrow escape you have had!"
+
+"We ought to be very thankful," said the doctor.
+
+"Yes," said Johnny, sleepily, "I am thankful!"
+
+He woke up just before Eric went to bed, and said,--
+
+"That boy said his name was Arthur Montgomery. Where have I heard that
+name, Eric?"
+
+"Why," exclaimed Eric, "that was the name on the box of money I found!"
+
+"I knew I'd heard it somewhere," murmured Johnny, dropping off to sleep
+again.
+
+Eric ran to tell his uncle.
+
+"Ah," said the doctor, quite pleased to be able to return a good deed, "we
+will see them in the morning."
+
+But in the morning the English travellers had disappeared, and our party
+could find no trace of them.
+
+Eric was much disappointed. Now he would be obliged to wait patiently for
+Mr. Lacelle's letter.
+
+Johnny and Jack were not injured by their descent of the mountain, whose
+only effects were some pretty sore bruises, which Johnny tried not to
+mind, and an obstinacy in Jack's disposition that no human powers of
+persuasion could ever remove. He could never, after that memorable slide,
+be induced to go near the edge of any kind of an embankment; and he always
+declined going aboard a steamer, until Beauty and Percy had gone safely
+over the gangway.
+
+
+
+
+Miss VIRGINIA F. TOWNSEND'S BOOKS.
+
+Uniform Edition. Cloth. $1 50 Each.
+
+BUT A PHILISTINE.
+
+"Another novel by the author of 'A Woman's Word' and 'Lenox Dare,' will be
+warmly welcomed by hosts of readers of Miss Townsend's stories. There is
+nothing of the 'sensational,' or so called realistic, school in her
+writings. On the contrary, they are noted for their healthy moral tone and
+pure sentiment, and yet are not wanting in STRIKING SITUATIONS AND
+DRAMATIC INCIDENTS"--_Chicago Journal_
+
+LENOX DARE.
+
+"Her stories, always sunny and healthful, touch the springs of social life
+and make the reader better acquainted with this great human organization
+of which we all form a part, and tend to bring him into more intimate
+sympathy with what is most pure and noble in our nature. Among the best of
+her productions we place the volume here under notice. In temper and tone
+the volume is calculated to exert a healthful and elevating
+influence"--_New England Methodist_
+
+DARYLL GAP; or, Whether it Paid.
+
+A story of the petroleum days, and of a family who struck oil.
+
+"Miss Townsend is a very entertaining writer, and, while she entertains,
+at the same time instructs. Her plots are well arranged, and her
+characters are clearly and strongly drawn. The present volume will not
+detract from the reputation she has heretofore enjoyed."--_Pittsburg
+Recorder_
+
+A WOMAN'S WORD, AND HOW SHE KEPT IT.
+
+"The celebrity of Virginia F Townsend as an authoress, her brilliant
+descriptive powers, and pure, vigorous imagination, will insure a hearty
+welcome for the above entitled volume in the writer's happiest vein. Every
+woman will understand the self sacrifice of Genevieve Wen, and will
+entertain only scorn for the miserable man who imbittered her life to hide
+his own wrong doing"--_Fashion Quarterly_
+
+THAT QUEER GIRL.
+
+"A fresh, wholesome book about good men and good women, bright and cheery
+in style, and pure in morals. Just the book to take a young girl's
+fancy, and help her to grow up, like Madeline and Argia, into the
+sweetness of real girlhood, there being more of that same sweetness under
+the fuss and feathers of the present day than a casual observer might
+suppose"--_People's Monthly_
+
+ONLY GIRLS.
+
+"This volume shows how two persons, 'only girls,' saved two men from
+crime, even from ruin of body and soul, and all this came about in their
+lives without their purpose or knowledge at the time, and not at all as
+they or anybody else would have planned it, but it comes about well
+and naturally enough. The story is ingenious and graphic, and kept the
+writer of this notice up far into the small hours of yesterday
+morning."--_Washington Chronicle_
+
+Sold by all booksellers and newsdealers, and sent by mail, postpaid, on
+receipt of price.
+
+LEE & SHEPARD Publishers Boston
+
+
+
+
+LEE AND SHEPARD'S HANDBOOKS.
+
+ARE YOU INTERESTED IN BUGS?
+
+INSECTS; How to Catch and how to Prepare them for the Cabinet. Comprising
+a Manual of Instruction for the Field Naturalist. By Walter P. Manton.
+Illustrated. Cloth, 50 cents.
+
+"Nothing essential is omitted: every boy who has any taste for natural
+history should have this neat little volume. The many 'Agassiz Clubs'
+which have sprung up amid the youth of the country, should add it to their
+libraries."--_Chicago Advance._
+
+"OF INESTIMABLE VALUE TO YOUNG BOTANISTS." _Rural New-Yorker._
+
+FIELD BOTANY. A Handbook for the Collector. Containing Instructions for
+Gathering and Preserving Plants, and the Formation of a Herbarium. Also
+Complete Instructions in Leaf Photography, Plant Printing, and the
+Skeletonizing of Leaves. By Walter P. Manton. Illustrated. 50 cents.
+
+"A most valuable companion. The amount of information conveyed in the
+small compass is surprising."--_Demorest's Monthly._
+
+"EVERY NATURALIST OUGHT TO HAVE A COPY FOR IMMEDIATE USE."
+
+TAXIDERMY WITHOUT A TEACHER. Comprising a Complete Manual of Instruction
+for Preparing and Preserving Birds, Animals, and Fishes; with a Chapter on
+Hunting and Hygiene; together with Instructions for Preserving Eggs and
+Making Skeletons, and a number of valuable Recipes. By Walter P. Manton.
+Illustrated. 50 cents.
+
+"We would be glad if all teachers would take this little book, study it
+faithfully, become interested themselves, and interest their pupils in
+this wonderful art."--_Practical Teacher._
+
+HOW TO ENLARGE THE ANT TO THE SIZE OF AN ELEPHANT.
+
+BEGINNINGS WITH THE MICROSCOPE. A Working Handbook, containing simple
+Instructions in the Art and Method of using the Microscope and preparing
+Objects for Examination. By Walter P. Manton, M.D. Small 4to. Cloth, 50
+cents.
+
+Uniform with the author's "Handbooks of Natural History," and equally
+valuable.
+
+PARLEZ VOUS FRANCAIS?
+
+BROKEN ENGLISH. A Frenchman's Struggles with the English Language. By
+Professor E. C. Dubois, author of "The French Teacher." Cloth, 50 cents;
+cheap edition, paper, 30 cents.
+
+The Professor's famous lecture, delivered all over the country. Amusing as
+a narrative, instructive as a handbook of French conversation.
+
+AN EMERGENCY HANDBOOK.
+
+WHAT IS TO BE DONE. A Handbook for the Nursery, with useful Hints for
+Children and Adults. By Robert B. Dixon, M.D. Small 4to. Cloth, 50 cents.
+
+Dr. Dixon has produced a work that will be gladly welcomed by parents. His
+"remedies" are indorsed by many prominent medical men.
+
+Sold by all booksellers, or sent by mail, postpaid, on receipt of price.
+
+
+
+
+
+
+End of the Project Gutenberg EBook of Eric, by Mrs. S. B. C. Samuels
+
+*** END OF THIS PROJECT GUTENBERG EBOOK ERIC ***
+
+***** This file should be named 26952.txt or 26952.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/2/6/9/5/26952/
+
+Produced by Roger Frank, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/26952.zip b/26952.zip
new file mode 100644
index 0000000..efae95f
--- /dev/null
+++ b/26952.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..3ec0f7c
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #26952 (https://www.gutenberg.org/ebooks/26952)