125 files changed, 4344 insertions, 0 deletions

diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/28132-8.txt b/28132-8.txt
new file mode 100644
index 0000000..bdeb5e4
--- /dev/null
+++ b/28132-8.txt
@@ -0,0 +1,1337 @@
+Project Gutenberg's The Nursery, April 1877, Vol. XXI. No. 4, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Nursery, April 1877, Vol. XXI. No. 4
+       A Monthly Magazine for Youngest Readers
+
+Author: Various
+
+Release Date: February 20, 2009 [EBook #28132]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, APRIL 1877 ***
+
+
+
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+
+
+
+
+
+
+THE
+
+NURSERY
+
+
+_A Monthly Magazine_
+
+FOR YOUNGEST READERS.
+
+VOLUME XXI.--No. 4.
+
+          BOSTON:
+          JOHN L. SHOREY, No. 36 BROMFIELD STREET,
+          1877.
+
+
+          Entered according to Act of Congress, in the year 1877, by
+
+          JOHN L. SHOREY,
+
+          In the Office of the Librarian of Congress at Washington.
+
+          FRANKLIN PRESS:
+          RAND, AVERY, AND COMPANY,
+          117 FRANKLIN STREET,
+          BOSTON.
+
+
+[Illustration: Contents]
+
+IN PROSE.
+
+  "Why did Elfrida go to Sleep?"           97
+  The Prairie-Dog                         100
+  Strut                                   101
+  Third Lesson in Astronomy               103
+  The Robbery                             104
+  The Little Recruit                      107
+  One good turn deserves another          109
+  A Letter from Texas                     110
+  Drawing-Lesson                          113
+  A Story of a Seal                       114
+  Fun in Winter                           117
+  Old Whitey                              118
+  Why do they all Love Freddy?            122
+  My Rabbits                              125
+  The Council of Buzzards                 127
+
+
+IN VERSE.
+
+  The Caterpillars                       102
+  Puss and her Three Kittens             106
+  Fred and Ned                           120
+  How the Morning comes                  124
+  A Mother Goose Melody (_with music_)   128
+
+[Illustration]
+
+
+[Illustration: "WHY DID ELFRIDA GO TO SLEEP?"
+
+VOL. XXI.--NO. 4.]
+
+
+
+
+"WHY DID ELFRIDA GO TO SLEEP?"
+
+
+[Illustration: T]HAT was the question, "Why did Elfrida go to sleep?"
+She had been sent to the grocer's in the village; and the grocer's was
+only half a mile off from Brook Cottage, where she lived with her aunt
+and five cousins. She had been sent to buy a pound of sugar, half a
+pound of coffee, and five small rolls of bread.
+
+Usually she would go to the shop and return in less than half an hour.
+Now a whole hour went by, and no Elfrida was to be seen. What could be
+the matter? Had she run a thorn into her foot, and been lamed? Had she
+stopped to talk with the children on their way home from school? Had she
+been run over by a fast horse?
+
+"Let us go and find her," cried James, the eldest of the three boys.
+"Let us all go!" echoed Susan, his youngest sister. "Shall Sport go with
+us?" asked Emma. "By all means!" said James. "Here, Sport, Sport! Where
+are you, old fellow?" A big black-and-white Newfoundlander soon rushed
+frisking in, wagging his tail, and seeming ready to eat up every one of
+the children, just to show them how fond he was of them all.
+
+Then the children all set out for Mr. Spicer's shop. There they learned
+that no Elfrida had been seen in the shop that afternoon. "Where can she
+be?" cried James, a little anxious. "Sport, where is Elfrida?"
+
+Sport stopped his nonsense of playing with a stick, and began to look
+serious. Then he made a bee-line for the nearest turning on the right,
+on the way home. This was an old lane, on which some old gardens backed,
+and which led, by a little longer way, to Brook Cottage.
+
+By the time the children had arrived at the head of the lane, Sport was
+seen galloping back in a state of great excitement. "Bow-wow!"--"Oh, you
+have found her, have you, old fellow?"--"Bow-wow!"--"Well and good! You
+are a jolly old Sport!"
+
+On the step of the gate of an old garden sat Elfrida, fast asleep, with
+her empty basket in her lap. Emma proposed to tickle her nose with a
+straw. "No! I will pull that thick braid of hair," said Susan. "No! let
+me whisper in her ear," said James. But, before anybody did any thing,
+Sport settled the question by putting his paws up on her shoulders, and
+crying, "Bow-wow!"
+
+Elfrida started, and looked around as if in a dream. "What does it mean?
+How long have I been here?" cried she. "Why did you go to sleep?" asked
+the two girls. "Yes, why, why, did you go to sleep?" echoed all the
+boys. "Oh, that's my secret," said Elfrida. "Now who can catch me in my
+run to Mr. Spicer's?" So off she started, followed by Sport and all the
+children.
+
+"Now tell us why did you go to sleep?" said the children, as they were
+all on their way home, after she had made her purchases. "Will you
+promise not to tell anybody, if I tell you?" asked Elfrida. "We promise,
+we promise!" cried all the children. "Now, then, why did you go to
+sleep?"--"Hush! I went to sleep because--because--because I was sleepy,"
+said Elfrida.
+
+                                                ARTHUR SELWYN.
+
+[Illustration]
+
+
+
+
+THE PRAIRIE-DOG
+
+
+MY friend John lives in Colorado, not far from Denver; and he writes me,
+that he and his sister, not long ago, walked out to see some
+prairie-dogs.
+
+The prairie-dog is about the size of a full-grown squirrel, and of a
+like color. It makes a hole for itself in the ground. This hole is in
+the shape of a tunnel, and as large round as a man's hat.
+
+[Illustration]
+
+Now, this little dog is so gentle, that he lets the owl and the
+rattlesnake come and live with him, if they like. All three are often
+found dwelling together. For my part, I should not much like such
+neighbors.
+
+The prairie-dogs live on the roots of grass. Scattered all around the
+entrance to their homes, you may see remnants of the dry roots which
+they have got for food. They are quick in their movements, and quite
+playful.
+
+Johnny writes me, that, when some of these little dogs saw him and his
+sister approaching, they sat down on their hind-legs, and began barking.
+Then they dropped into their holes backwards. As Johnny did not care to
+wake up any of the other lodgers, he and his sister went home, well
+content with their first sight of a prairie-dog.
+
+                                                   AUNT ALICE.
+
+[Illustration]
+
+
+
+
+STRUT
+
+
+STRUT was the name of a hen that lived on Father Nunn's farm, nine miles
+from Norwalk, Ohio.
+
+She was very vain; that is, she had a very good opinion of herself. She
+always would strut when walking. Indeed, it was hard for her to pick up
+grains of corn as other chickens did. I think she never saw her feet in
+her life: certainly she never looked where she stepped.
+
+Worse than all this, when she saw any person in the yard, instead of
+dodging away, as a modest hen should, she would strut right up to such a
+person, and look saucily in his face, as though asking, "Who are you?
+Where are you going? What for?"
+
+At last, however, Strut received a severe rebuke for her evil ways.
+Cousin William Bird, who is soon to be a doctor, was visiting at Father
+Nunn's. Having occasion to climb the ladder to the barn-loft, he saw
+Strut on the farther side. He knew that she would come straight to him;
+and he also knew that she would not look where she stepped. So he held
+still to see what would happen; for exactly between them was an opening
+in the floor for throwing down hay.
+
+Sure enough, Strut started for Cousin William, and, stepping off the
+edge of the hole, fell fluttering, cackling, and frightened, to the
+floor beneath.
+
+She was humbled by her fall; for she never strutted again, but walked
+and ate afterwards like other chickens.
+
+                                                    UNCLE JOE.
+
+
+
+
+THE CATERPILLARS
+
+
+    EIGHT great cabbages growing in the ground;
+    Crowds of little caterpillars crawling all around;
+    Caterpillars squirmed about, and wriggled in the sun;
+    Said, "These cabbages look sweet: suppose we taste of one!"
+
+    Down flew a hungry bird, coming from the wood,
+    Saw the caterpillars there, and said, "Won't those taste good!"
+    Up crept pussy-cat, hunting round for mice,
+    Saw the bird, and smacked her lips, and said, "Won't he taste nice!"
+
+    Dog saw pussy creeping there, and he began to run,
+    Said, "Now I will frighten puss, and then there will be fun!"
+    So doggy barked; and pussy hid; and birdie flew away;
+    And caterpillars lived to eat a cabbage up that day.
+
+                                                      FLETA F.
+
+[Illustration]
+
+
+
+
+THIRD LESSON IN ASTRONOMY
+
+
+I HAVE told you about the sun and the stars. Can you think of any thing
+else in the sky that you would like to know a little about? Of course, I
+do not mean the dark clouds, but something bright and pretty, that all
+children love to look at.
+
+I think you must have guessed that I mean the moon,--the beautiful moon.
+Now, I want you to make another guess: Is the moon bright because it is
+made of fire, like the sun; or because the sun shines on it, as it does
+on Venus and Jupiter?
+
+If any of you think it is made of fire, you must try to warm your little
+toes and fingers in the moonlight, as you do in the sunshine, and you
+will find out for yourselves that it is not a great fire, like the sun,
+and that you cannot get warm in the light of it.
+
+And now you will guess at once, that, if it is not fire itself, it must
+shine from the sun's fire; and that is right. The moon itself is cold
+and dark. It is the light of the sun that makes it look bright to us. We
+might call it the sun's looking-glass, in which we see his image or
+reflection.
+
+But we cannot at all times see the whole of it. When we do, we call it a
+full moon, and, when we see only the edge of it, we say it is a new
+moon. The moon itself does not change its shape. It is always round,
+like an orange--a dark round ball, which we should never see at all, if
+the sun did not light it up for us; and it is only a part of the time we
+can see the side which is lighted up.
+
+Which do you suppose is the larger,--the moon, or the stars? Now I know
+you will say the moon, because it looks so much larger; but you must
+remember that the stars are so far away, we can hardly see them at all,
+and the moon is our own moon, and much nearer to us than our own sun.
+
+We can see more of it than we can see of the stars; but it is a very
+small thing indeed, compared with one of them. It would take about fifty
+moons to make one such earth as we live on, and it would take more
+earths than you can count to make one star or sun.
+
+                                                      M. E. R.
+
+
+
+
+THE ROBBERY.
+
+
+I MUST tell you of something that happened one day last summer, when I
+was at the Zoölogical Garden in Philadelphia.
+
+Among the persons standing around the cage where the monkeys were kept,
+was an old lady who had on a pair of gold-rimmed spectacles. All at
+once, a big brown monkey stretched out his paw between the bars,
+snatched the spectacles, and scampered away, chattering and grinning
+with delight.
+
+Of course, the poor lady was in distress. The keeper came to the rescue,
+and, by driving the monkey about the cage with a long pole, forced him
+at last to drop the spectacles. But one of the glasses had come out of
+it; and this the thief still held in his mouth, and refused to give up.
+
+[Illustration]
+
+The keeper followed him sharply with the pole. Away he went, swinging
+from one rope to another, screaming and scolding all the time, until the
+keeper was so tired, that I feared he would have to let the monkey keep
+the glass. But this the keeper said would never do; for he knew, that,
+if he let the monkey carry the day, he never could control him again.
+
+So the keeper still plied his pole. The monkey dodged it as well as he
+could, until the blows came so thick and fast, that he could bear them
+no longer, when he opened his mouth, and let the glass drop.
+
+Now comes the funniest part of the story. The glass fell quite near the
+bars, just where the old lady was standing; and a gentleman took her
+parasol, which had a hooked handle, to draw it within reach. But he put
+the parasol in a little too far, and it slipped out of his hand.
+
+Instantly a large yellow monkey wrapped his long tail around it, and
+started off. Imagine the feelings of the poor old lady--first robbed of
+her spectacles, and then of her parasol!
+
+But her property was all recovered at last; the robbers were both
+punished; and she went on her way in peace.
+
+                                                 MRS. E. S. R.
+
+
+
+
+PUSS AND HER THREE KITTENS.
+
+
+          OUR old cat has kittens three;
+          What do you think their names should be?
+          One is a tabby with emerald eyes,
+            And a tail that's long and slender;
+          But into a temper she quickly flies,
+            If you ever by chance offend her.
+              I think we shall call her this--
+              I think we shall call her that;
+            Now, don't you fancy "Pepper-pot"
+              A nice name for a cat?
+
+          One is black, with a frill of white,
+            And her feet are all white fur, too;
+          If you stroke her, she carries her tail upright,
+            And quickly begins to purr, too.
+              I think we shall call her this--
+              I think we shall call her that;
+            Now, don't you fancy "Sootikin"
+              A nice name for a cat?
+
+          One is a tortoise-shell, yellow and black,
+            With a lot of white about him:
+          If you tease him, at once he sets up his back:
+            He's a quarrelsome Tom, ne'er doubt him!
+              I think we shall call him this--
+              I think we shall call him that;
+            Now, don't you fancy "Scratchaway"
+              A nice name for a cat?
+
+            Our old cat has kittens three,
+            And I fancy these their names will be:
+          "Pepper-pot," "Sootikin," "Scratchaway,"--there!
+          Were there ever kittens with these to compare?
+          And we call the old mother--now, what do you think?
+            "Tabitha Longclaws Tiddleywink."
+
+                                                  THOMAS HOOD.
+
+
+
+
+THE LITTLE RECRUIT.
+
+
+THERE had been an insurrection in Dolldom. _Insurrection_ is a big word:
+what does it mean, I wonder? I will tell you: it means an uprising, a
+rebellion. If a number of persons should refuse to obey the law, and
+rise up in arms to resist it, they would be guilty of an insurrection.
+
+[Illustration]
+
+Now, it happened (according to Tommy's story) that all the dolls in the
+house, headed by a naughty male doll of African descent, and known as
+"Dandy Jim," rose in insurrection against their lawful queen, Lucy the
+First, whose brother, Duke Tommy, was commander-in-chief of her
+Majesty's forces.
+
+The rebels were well fortified in one corner of the play-room. They had
+mounted several cannon on alphabet-blocks; and a whole company of tin
+soldiers defended the outworks. Besides this, a china dog and a wooden
+elephant had been enlisted as allies, and stood bravely in front.
+
+General Tommy felt a weight of responsibility upon his shoulders, and,
+like a prudent soldier, he resolved not to go into battle until his army
+was large enough to make victory certain. So he enlisted Queen Lucy the
+First as a recruit.
+
+Queen Lucy looked very grand in her paper cocked hat, with a feather at
+the top. She carried a gun; and General Tommy taught her how to fire it
+off. When all were ready for the onset, he blew a trumpet.
+
+The army marched in excellent order along the entry, into the play-room;
+and not a soldier drew back as they came within sight of the enemy.
+"Halt!" cried General Tommy. The army halted. The traitor, "Dandy Jim,"
+stood pointing his sword, and the dolls all kept still.
+
+One long blast of the trumpet, and then the brave General Tommy cried
+out, "Now, soldiers, on, on to victory!"
+
+On they went. The tin soldiers were soon swept down. The dog and the
+elephant were handsomely beaten; and, rushing into the fort, General
+Tommy seized the traitor, "Dandy Jim," by the throat, and said, "Now,
+sir, your doom is a dungeon!"
+
+The dolls all fell on their knees, and thus was the great insurrection
+in Dolldom put down without bloodshed, and the authority of Queen Lucy
+the First fully restored. Of course, there was great rejoicing; and,
+when the reporter left, General Tommy was preparing for a grand
+illumination.
+
+                                                 EMILY CARTER.
+
+[Illustration]
+
+
+
+
+ONE GOOD TURN DESERVES ANOTHER.
+
+
+ON a fine summer day, a dove, that was perched upon the branch of a
+tree, saw a bee fall into a stream that was flowing past. The poor bee
+tried to get out of the water, but could not.
+
+The dove, seeing that the bee was struggling for her life, dropped a
+leaf close beside her, so that she might climb on to it, and save
+herself. This the bee at once did, and very glad she was to find herself
+safe once more.
+
+Not long after this, a sportsman, who was roaming through the woods for
+game, saw the dove flying about, and lifted his gun to shoot her. But,
+just as he was taking aim, something happened, that checked him in the
+act.
+
+The bee, whose life had been saved by the dove, was going about from
+flower to flower in search of honey, when she saw the sportsman taking
+aim at the good dove that had befriended her in her time of need. "That
+dove once saved my life, and now I will save hers," thought the bee to
+herself.
+
+With that she flew at the sportsman, and stung him on the lip. The poor
+fellow dropped his gun with a loud cry of pain, which so startled the
+dove, that she flew away; and the man did not have another chance to
+shoot her. "Surely one good turn deserves another," thought the bee, as
+she turned merrily to her work.
+
+                                                      LEONORA.
+
+
+
+
+A LETTER FROM TEXAS.
+
+
+_Dear Children_,--I am writing this letter at my office-desk in San
+Antonio, Texas, a long way off from some of you who will read it. I am
+the big brother of a lot of little ones, and they call me "Doc."
+
+We take "The Nursery," and the little folks think it is splendid. As
+soon as it comes, mamma reads the stories, and shows them the pictures.
+
+They crowd around her to listen: some of them sit down on chairs like
+little ladies; some sit on the floor like beggars; and some--I am sorry
+to say--lie flat down on the carpet, like--certainly not like ladies and
+gentlemen.
+
+What do you think, children, of boys and girls who lie on the floor, and
+kick up their heels in the air? _You_ would not do so, would you?
+
+[Illustration]
+
+Now listen! I want to tell you something about our cat. When we first
+got her, she was a tiny kitten, and we fed her on milk in a saucer. You
+ought to have seen her lap it up with her little tongue! Don't you think
+it is a pretty sight to see a kitten drinking milk? I do. But our cat
+isn't a kitten any longer, but a great, big, grown cat.
+
+Well, the other night she got locked up in the schoolroom. You know Miss
+Anna and Miss Emma teach a big school in our house, and Willie,
+Pressley, Eddie, May, and Emily go to it. Sadie, "Little Lalla," and
+baby are too young for school yet. These are my little brothers' and
+sisters' names. There are eight of them mentioned here. See if you can
+count them.
+
+As soon as Emily found out that Kitty was locked up, she ran to Miss
+Eliza and mamma, and asked them to let her out; but they said, "No," for
+they knew that, if she got out of the schoolroom, she would surely run
+into the dining-room, and drink up the baby's milk. So she had to stay
+there all night.
+
+Early next morning, Miss Eliza went into the schoolroom to let Kitty
+out; and what do you think she saw? There was Kitty, fast asleep in
+Willie's little wagon, and four little kittens lying by her side, fast
+asleep too.
+
+When Miss Eliza went back to the nursery, and told the children what she
+had seen, Eddie, May, Emily, Sadie, and even "Little Lalla" set up a big
+shout, and, bursting out of the nursery, ran shouting and laughing to
+the little wagon in the schoolroom, where, sure enough, there they were,
+four little ones. Three were gray and white, and one gray and black.
+Kitty looked so pleased and so happy! You ought to have seen her. Wasn't
+that a nice surprise?
+
+May chose the one that looked most like Kitty: Emily and Sadie each
+chose one of the gray-and-white ones, and Eddie took the gray-and-black
+fellow.
+
+To-day is Emily's birthday. She is seven years old, and may have a
+little party. If she _does_, how I would like to have you all here to
+play with her! However, at some future time I may write, and tell you
+all about it.
+
+But it is time for me to run home, and get some dinner: so good-by.
+
+                                                        "DOC."
+
+
+[Illustration]
+
+
+
+
+[Illustration: DRAWING-LESSON BY HARRISON WEIR.
+
+VOL. XXI.--NO. 4.]
+
+
+
+
+A STORY OF A SEAL.
+
+
+"THE seal is an amphibious quadruped."
+
+"Oh, come now, Aunt Emily, do not puzzle us with your hard names," cries
+Johnny.
+
+"But, Johnny, a lad seven years old ought to know that _amphibious_
+means 'capable of living on land or water;' and that _quadruped_ means
+'having four feet.'"
+
+"Oh, now I understand," said Johnny. "But does the seal have feet?"
+
+"It has a sort of feet; but they are so wrapped up in the skin, that
+they are not of much use on land, except to help it to creep, after a
+fashion. So the seal passes most of its time in the sea, coming on shore
+only to bask and sleep in the sun, or to suckle its young ones. It is
+covered with a close thick fur and is a very good swimmer."
+
+"But let us have the story," said Jane.
+
+"The story is this: once a fisherman, after harpooning an old seal,
+found one of its young ones on the sand, and took it home. Here it
+became the playmate of the children, whom it seemed to love very much.
+They named it Blue-eyes. It would play with them from morning till
+night, would lick their hands, and call them with a gentle little cry,
+not unlike the human voice in its tone.
+
+"It would look at them tenderly with its large blue eyes, shaded by long
+black lashes. It was very fond of music. It would follow its master to
+fish, swimming around the boat, and taking a great many fish, which it
+would give up without even biting them. No dog could have been more
+faithful, or more quick to learn what was wanted.
+
+"But the fisherman's half-sister was a silly old woman. She had come to
+help nurse his wife, who was ill. This half-sister took it into her head
+that the poor seal would bring bad luck to the family. She told her
+brother that he must get rid of it.
+
+[Illustration]
+
+"Weary of her teasing, he at last took the poor seal, rowed with it out
+into the open sea, and there, more than seven miles from the shore,
+threw it into the water, and then hurried home as fast as sails would
+carry him.
+
+"But, when he entered his cottage, the first thing he saw was the
+faithful seal lying close beside the cradle of one of his children. As
+soon as it saw its master, it showed great joy, and tried to caress
+him. But he took the seal and gave it away to a sailor, who was going on
+a long voyage. Two weeks afterward, as the fisherman came back from his
+boat, he saw the seal at play with the children.
+
+"'If you do not kill that seal, I will kill it myself,' said the old
+aunt. The children began to cry. 'No, no, you shall not kill it!' cried
+Hans with flashing eyes. 'You shall kill me first,' cried little Jane.
+'You have no right to kill it,' cried Mary, the eldest girl.
+
+"'Am I to be ruled by these children?' said the silly aunt, turning to
+her brother.
+
+"'The seal shall live,' said he: 'the children shall have their way.
+Your notion that the poor seal brings bad luck is a very silly notion.
+You ought to be ashamed of it.'
+
+"'Hurrah!' cried Hans. 'Blue-eyes, the vote is taken: you are to live,
+and all this nonsense about your bringing bad luck is blown away.'
+
+"The seal began to flop about as if in great joy.
+
+"'I shall leave the house at once,' said the silly aunt.
+
+"'Do as you please,' said the fisherman.
+
+"And so it turned out, that the only ill luck brought to the family by
+the seal was the departure of the cross and silly old aunt. And, if the
+truth were known, this was found to be a very good thing for all. The
+fisherman prospered, the mother of the children got well at once; and
+all were happier than ever before, including Blue-eyes, who now was the
+jolliest seal that ever played with children."
+
+                                                 EMILY CARTER.
+
+[Illustration]
+
+[Illustration]
+
+
+
+
+FUN IN WINTER.
+
+
+THE ground was white with snow. The sky looked black as though another
+storm were coming. The day was very cold; but the tough boys and girls
+did not mind the cold weather. They were out to have some fun.
+
+Their rubber boots, and thick coats and mittens, kept them dry and warm.
+One of the boys, though, had come out bare-headed. He was the boy who
+never _could_ find his cap when he wanted it. His name was Tom.
+
+"Now look here, Tom," said his brother Sam, a sturdy little chap, who
+was always trying to keep Tom in order; "this won't do. You go into the
+house and get your cap. Go quick, or you'll get this snowball right in
+your face."
+
+"Fire away!" said Tom, dancing around, and putting up his arm to keep
+off the snowball.
+
+"I'm going to have a hand in this game," said Joe, aiming a snowball at
+Sam. "Look out for yourself, old fellow."
+
+"Clear the track!" cried Bill and Ned, rolling a huge snowball down the
+hill.
+
+Mrs. O'Sullivan, who was just going up the back-steps to ask for cold
+victuals, looked around to see what was going on; while Charles had his
+own fun in dragging his little sister up the hill on her sled.
+
+All this time, a little boy named Jim, who had been having a private
+coast in the field near the house, was peeping over the fence, and
+wishing he were old enough to play with the other boys. He didn't
+venture to join them, for he was bashful, and rather timid: but he saw
+all that took place, and he will remember all about it when he sees this
+picture.
+
+                                                    UNCLE SAM.
+
+
+
+
+OLD WHITEY.
+
+
+I AM a great boy six years old, and I take "The Nursery." Some of the
+stories I spell out myself; but the most of them mamma reads aloud to my
+little brother Albert and me.
+
+Last summer, we all went to visit an uncle who lives on a large farm. We
+had just the best kind of a time. There was a big dog, named Rover, that
+would play with us for hours. He would run after and bring back a ball
+or stick, or any thing that we would throw for him. He would "speak,"
+"roll over," "sit up and read," and do lots of funny tricks.
+
+Then there was a white horse twenty-five years old, and just as sleek
+and fat as a colt. Old Whitey has lived on the farm ever since he was a
+little colt. Old as he is, he is still able to do a great deal of work.
+
+[Illustration]
+
+One day Uncle Wash was ploughing, and he put me on the back of Old
+Whitey. Well, I liked that very much, and began to cluck, and jerk the
+reins, to make him go along; when in an instant, without any warning, he
+pricked up his ears, kicked up his heels, and ran away, leaving the
+plough behind.
+
+I can't tell you how scared I was. I held on as long as I could; but it
+was of no use. The old horse ran through swamps and bogs, and dropped
+me, head first, in the mud and dirt. I was hurt on my head and side, but
+I would not cry because I was too big for that. When the men got to me,
+I was hunting for my hat.
+
+After getting rid of his load, the runaway coolly walked up to the barn,
+and stood looking as mild as a lamb. I didn't have any faith in Old
+Whitey after that, though his master said he never knew him to do such a
+thing before.
+
+                                                       NELSON.
+  WOODSTOCK, VT.
+
+
+
+
+FRED AND NED.
+
+
+[Illustration]
+
+          "OH, this is weather for play, for play!
+          And I will not go to school to-day,"
+          Said Master Frederic Philip Fay.
+
+          So he hung his satchel upon a tree:
+          And over the hills to the pond went he,
+          To frolic, and see what he could see.
+
+          He met a boy on the way to school,
+          And said, "Ned Foster, you're a fool
+          To study and plod because it's the rule."
+
+          Quoth Ned, "You'll find that _he's_ the fool
+          Who, for his pleasure, shirks his school:
+          Sun, moon, and stars, all go by rule."
+
+          Then Ned passed cheerily on his way,
+          And not another word did say
+          To Master Frederic Philip Fay.
+
+          Fred sat him down on a rock near by,
+          And cast a look on the bright blue sky,
+          And then at the sun, that was mounting high.
+
+          "Yes, truly, the sun has no time for play:
+          He has to go in a certain way,"
+          Said Master Frederic Philip Fay.
+
+          "Oh! what would become of us all, suppose
+          The sun, some morn, should say, as he rose,
+          'A truant I'll be to-day--here goes!'
+
+          "Then off should whirl in a mad career,
+          And leave it all night and winter here,--
+          No blue in the sky, no flower to cheer?
+
+          "Yes, there is a duty for every one,
+          For Master Fay, as well as the sun:
+          A law must be minded, a task must be done."
+
+          Up started Frederic Philip Fay:
+          He took from the tree his satchel away,
+          And ran off to school without delay.
+
+                                                      IDA FAY.
+
+[Illustration]
+
+
+
+
+WHY DO THEY ALL LOVE FREDDY?
+
+
+"BUT do they all love Freddy, mamma?"
+
+"I think there is no doubt of it, Freddy. The cat loves you; for she
+will let you pull her about, and never try to scratch you."
+
+"Yes; and I think old Towser loves me. He lets me get on his back: he
+never bites me."
+
+"I would like to catch him at it--biting my little Freddy! He knows too
+much for that; and, besides, he loves you."
+
+"But does the old cow love me, mamma?"
+
+"Why, didn't she let you play with her calf, and never try to hook you?
+The old cow loves Freddy, and will give him all the fresh milk he
+wants."
+
+"The hens love me because I feed them."
+
+"Yes, the hens love you; and, more than that, the little sparrows love
+you; for they follow you, and hop about your feet, as if they wanted to
+say, 'Good-morning, Freddy! We all love you, Freddy.'"
+
+"But I will tell you one beast that does not love me, mamma. The old sow
+does not love me."
+
+"Don't you believe it, little boy! The old sow loves you just as well as
+Towser does; just as well as the cow does; just as well as old Scamper,
+the horse, loves you."
+
+"I should like to be sure that the sow loves me."
+
+"Come with me, and I will put you on her back; and, if she does not like
+it, it will be a sign that she does not love you; but, if she does like
+it, it will be a sign that she loves my little Freddy just as much as
+the others do."
+
+So mamma took Freddy, and placed him on the back of the old sow. The old
+sow gave a look over her ears, saw it was Freddy, and then uttered a
+contented grunt, as much as to say, "All right! Freddy, you are a
+darling, and I love you."
+
+[Illustration]
+
+"Did I not tell you that the old sow loved you, like the rest?"
+
+"Yes, mamma; but why, why, do they love me? Tell me that."
+
+Mamma snatched Freddy up in her arms, took him into the house, and then
+said, "I think they must love you, Freddy, because you love them. Love
+wins love, you know. The person who says that no one loves him should
+ask himself the question, 'But do I love any one?'"
+
+                                                      IDA FAY.
+
+
+
+
+HOW THE MORNING COMES.
+
+
+              CHEERY, cheery,
+              Out of the dreary
+                Dark there glows
+          A tint of yellow, a purple gleam,
+          A shine of silver, a brazen beam,
+              A flush of rose;
+          The darkness, meanwhile, flying, gone:
+          Thus does the morning dawn.
+
+              Creeping, creeping,
+              Daintily peeping,
+                Hastes the light
+          Through the window to see where lies
+          The little girl with the sleepy eyes;
+              Glistens bright
+          With very joy to find the place
+          Where lies her dreaming face.
+
+              Drowsy, drowsy,
+              A little frowzy
+                Gold-locked head
+          Turns on its pillow, yawns, and winks;
+          Lifts from its pillow, peeps, and blinks;
+                Turns in bed;
+          Then with a slow, reluctant shake,
+          Is almost wide awake.
+
+                                        MRS. CLARA DOTY BATES.
+
+[Illustration]
+
+
+
+
+MY RABBITS.
+
+
+ONE day Cousin John asked me if I would like two nice rabbits. I said I
+would like them very much. So he gave them to me, and I had a pen made
+for them.
+
+One I called Pink, and the other White. They were very tame, and soon
+got to know their names. I took them out and let them run about the yard
+every fine day.
+
+Once Pink ran away, and I thought he was lost. I had a long chase after
+him through the bushes; but I caught him at last and brought him home.
+
+My brother George kept a lot of chickens in the yard, and while I fed my
+pet rabbits, he would feed his chickens.
+
+                                                       HATTIE.
+
+[Illustration]
+
+
+
+
+THE COUNCIL OF BUZZARDS.
+
+
+THE buzzard is a large black bird, nearly as large as a turkey. He never
+kills that he may eat, but devours the refuse in the city streets, and
+the dead animals on the prairies and swamps of the Southern States. It
+is against the law to shoot buzzards; for they are the health officers
+of the South.
+
+Here, in beautiful, sunny Louisiana, I seldom look out doors without
+seeing one or more buzzards slowly circling around in the air in quest
+of food. Before they begin to eat, they arrange themselves in a solemn
+row, as if holding a council, and "caw" in a very wise manner. Then one
+flies down, and then another, and another; and as they eat, they seem to
+comment on their repast. At last nothing is left of it but the bare
+bones to bleach in the sun. They will eat an ox in a day.
+
+                                                     AUNT ANN.
+  LA TECHE, LA.
+
+[Illustration]
+
+
+
+
+A MOTHER GOOSE MELODY.
+
+Music by ANNIE MOORE.
+
+
+[Illustration: Music]
+
+          Three little dogs were basking in the cinders,
+          And three little cats were playing in the windows,
+          Three little mice popp'd out of a hole,
+          And a piece of cheese they stole, they stole!
+          The three little cats jump'd up in a trice,
+          And crack'd the bones of the three little mice,
+          The three little mice.
+
+       *       *       *       *       *
+
+Transcriber's Notes:
+
+The January edition of the Nursery had a table of contents for the first
+six issues of the year. This table was divided to cover each specific
+issue. A title page copied from the January edition was also used for
+this number.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Nursery, April 1877, Vol. XXI. No.
+4, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, APRIL 1877 ***
+
+***** This file should be named 28132-8.txt or 28132-8.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/2/8/1/3/28132/
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/28132-8.zip b/28132-8.zip
new file mode 100644
index 0000000..e7791d3
--- /dev/null
+++ b/28132-8.zip
diff --git a/28132-h.zip b/28132-h.zip
new file mode 100644
index 0000000..0169e61
--- /dev/null
+++ b/28132-h.zip
diff --git a/28132-h/28132-h.htm b/28132-h/28132-h.htm
new file mode 100644
index 0000000..6dfc7ce
--- /dev/null
+++ b/28132-h/28132-h.htm
@@ -0,0 +1,1654 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+    "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+  <head>
+    <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+    <meta http-equiv="Content-Style-Type" content="text/css" />
+    <title>
+      The Project Gutenberg eBook of The Nursery, April 1877, Vol. XXI., by Various.
+    </title>
+    <style type="text/css">
+
+    p {margin-top: .75em;
+       text-align: justify;
+       text-indent: 1.25em;
+       margin-bottom: .75em;
+        }
+    img {border: 0;}
+    .tnote      {border: dashed 1px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em;
+                  padding-left: .5em; padding-right: .5em;}
+    ins {text-decoration:none;  border-bottom: thin dotted gray;}
+    h1,h2,h3,h4,h5,h6 {
+         text-align: center; /* all headings centered */
+         clear: both;
+         }
+    hr { width: 33%;
+	 margin-top: 2em;
+	 margin-bottom: 2em;
+         margin-left: auto;
+         margin-right: auto;
+         clear: both;
+       }
+
+    table {margin-left: auto; margin-right: auto;}
+table.freddy {width: 500px; text-align: center; background-image:
+     url("images/illus121.png"); background-repeat: no-repeat;}
+    body{margin-left: 10%;
+         margin-right: 10%;
+        }
+
+    .pagenum  { /* uncomment the next line for invisible page numbers */
+            /*  visibility: hidden;  */
+                position: absolute;
+                left: 92%;
+                font-size: smaller;
+                text-align: right;
+              } /* page numbers */
+     .copyright {text-align: center; font-size: 70%;}
+    .blockquot{margin-left: 5%; margin-right: 10%; text-align: justify;}
+
+    .bbox     {border: solid 2px; margin-left: 10%; margin-right: 10%; padding-bottom: .5em; padding-top: .5em;
+                  padding-left: .5em; padding-right: .5em;}
+
+    .center   {text-align: center;}
+    .smcap    {font-variant: small-caps;}
+
+    .caption  {font-weight: bold; font-size: 70%;}
+
+    .figcenter   {margin: auto; text-align: center;}
+
+    .figleft     {float: left; clear: left; margin-left: 0; margin-bottom: 0; margin-top:
+                 1em; margin-right: 0; padding: 0; text-align: center;}
+
+    .figright    {float: right; clear: right; margin-left: 1em; margin-bottom: 1em;
+                 margin-top: 1em; margin-right: 0; padding: 0; text-align: center;}
+
+    .unindent {margin-top: .75em;
+       text-align: justify;
+       margin-bottom: .75em;
+        }
+    .right    {text-align: right;}
+    .poem      {margin-left: 30%; margin-right: 10%; text-align: left;}
+    .poem2   {margin-left: 15%; margin-right: 10%; text-align: left;}
+    .sig    {margin-right: 10%; text-align: right;}
+    .story {font-size: 200%; margin-top: .75em;
+       text-align: justify;
+       text-indent: 1.25em;
+       margin-bottom: .75em;}
+
+    </style>
+  </head>
+<body>
+
+
+<pre>
+
+Project Gutenberg's The Nursery, April 1877, Vol. XXI. No. 4, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Nursery, April 1877, Vol. XXI. No. 4
+       A Monthly Magazine for Youngest Readers
+
+Author: Various
+
+Release Date: February 20, 2009 [EBook #28132]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, APRIL 1877 ***
+
+
+
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+
+
+
+
+</pre>
+
+
+
+<h3>THE</h3>
+
+<h1>NURSERY</h1>
+
+<h2><i>A Monthly Magazine</i></h2>
+
+<h2><span class="smcap">For Youngest Readers.</span></h2>
+
+<div class='center'>VOLUME XXI.&mdash;No. 4.<br />
+
+<br /><br />
+BOSTON:<br />
+JOHN L. SHOREY, No. 36 BROMFIELD STREET,<br />
+1877.<br />
+</div>
+
+<div class='copyright'><br /><br /><br />
+Entered according to Act of Congress, in the year 1877, by<br />
+JOHN L. SHOREY,<br />
+In the Office of the Librarian of Congress at Washington.<br />
+<br /><br /><br />
+FRANKLIN PRESS:<br />
+RAND, AVERY, AND COMPANY,<br />
+117 FRANKLIN STREET,<br />
+BOSTON.<br /></div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<div class="figcenter" style="width: 400px;">
+<img src="images/contents.png" width="400" height="210" alt="Contents" title="" />
+</div>
+
+<h3>IN PROSE.</h3>
+
+
+
+<div class='center'>
+<table border="0" cellpadding="0" cellspacing="0" summary="Contents in prose">
+<tr><td align='left'>"Why did Elfrida go to Sleep?"&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</td><td align='right'><a href="#Page_97">97</a></td></tr>
+<tr><td align='left'>The Prairie-Dog</td><td align='right'><a href="#Page_100">100</a></td></tr>
+<tr><td align='left'>Strut</td><td align='right'><a href="#Page_101">101</a></td></tr>
+<tr><td align='left'>Third Lesson in Astronomy</td><td align='right'><a href="#Page_103">103</a></td></tr>
+<tr><td align='left'>The Robbery</td><td align='right'><a href="#Page_104">104</a></td></tr>
+<tr><td align='left'>The Little Recruit</td><td align='right'><a href="#Page_107">107</a></td></tr>
+<tr><td align='left'>One good turn deserves another</td><td align='right'><a href="#Page_109">109</a></td></tr>
+<tr><td align='left'>A Letter from Texas</td><td align='right'><a href="#Page_110">110</a></td></tr>
+<tr><td align='left'>Drawing-Lesson</td><td align='right'><a href="#Page_113">113</a></td></tr>
+<tr><td align='left'>A Story of a Seal</td><td align='right'><a href="#Page_114">114</a></td></tr>
+<tr><td align='left'>Fun in Winter</td><td align='right'><a href="#Page_117">117</a></td></tr>
+<tr><td align='left'>Old Whitey</td><td align='right'><a href="#Page_118">118</a></td></tr>
+<tr><td align='left'>Why do they all Love Freddy?</td><td align='right'><a href="#Page_122">122</a></td></tr>
+<tr><td align='left'>My Rabbits</td><td align='right'><a href="#Page_125">125</a></td></tr>
+<tr><td align='left'>The Council of Buzzards</td><td align='right'><a href="#Page_127">127</a></td></tr>
+</table></div>
+
+<h3><br />IN VERSE.</h3>
+
+<div class='center'>
+<table border="0" cellpadding="0" cellspacing="0" summary="Contents in verse">
+<tr><td align='left'>The Caterpillars</td><td align='right'><a href="#Page_102">102</a></td></tr>
+<tr><td align='left'>Puss and her Three Kittens</td><td align='right'><a href="#Page_106">106</a></td></tr>
+<tr><td align='left'>Fred and Ned</td><td align='right'><a href="#Page_120">120</a></td></tr>
+<tr><td align='left'>How the Morning comes</td><td align='right'><a href="#Page_124">124</a></td></tr>
+<tr><td align='left'>A Mother Goose Melody (<i>with music</i>)&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;</td><td align='right'><a href="#Page_128">128</a></td></tr>
+</table></div>
+<div class="figcenter" style="width: 200px;">
+<img src="images/contents_end.png" width="200" height="139" alt="Decoration" title="" />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_97" id="Page_97">[97]</a></span></p>
+
+<div class="figcenter" style="width: 326px;">
+<img src="images/illus097.png" width="326" height="500" alt="&quot;WHY DID ELFRIDA GO TO SLEEP?&quot;" title="" />
+<span class="caption">&quot;WHY DID ELFRIDA GO TO SLEEP?&quot;</span>
+</div>
+
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div><p><span class='pagenum'><a name="Page_98" id="Page_98">[98]</a></span></p>
+
+<h2>"WHY DID ELFRIDA GO TO SLEEP?"</h2>
+
+
+<div class="figleft" style="width: 113px;">
+<img src="images/illus098.png" width="113" height="125" alt="T" title="" />
+</div><div class='unindent'><br /><br />HAT was the question, "Why did Elfrida go to
+sleep?" She had been sent to the grocer's in
+the village; and the grocer's was only half a
+mile off from Brook Cottage, where she lived
+with her aunt and five cousins. She had been
+sent to buy a pound of sugar, half a pound of coffee, and
+five small rolls of bread.</div>
+
+<p>Usually she would go to the shop and return in less than
+half an hour. Now a whole hour went by, and no Elfrida
+was to be seen. What could be the matter? Had she run
+a thorn into her foot, and been lamed? Had she stopped to
+talk with the children on their way home from school? Had
+she been run over by a fast horse?</p>
+
+<p>"Let us go and find her," cried James, the eldest of the
+three boys. "Let us all go!" echoed Susan, his youngest
+sister. "Shall Sport go with us?" asked Emma. "By all
+means!" said James. "Here, Sport, Sport! Where are
+you, old fellow?" A big black-and-white Newfoundlander
+soon rushed frisking in, wagging his tail, and seeming ready
+to eat up every one of the children, just to show them how
+fond he was of them all.</p>
+
+<p>Then the children all set out for Mr. Spicer's shop.
+There they learned that no Elfrida had been seen in the
+shop that afternoon. "Where can she be?" cried James,
+a little anxious. "Sport, where is Elfrida?"</p>
+
+<p>Sport stopped his nonsense of playing with a stick, and
+began to look serious. Then he made a bee-line for the
+nearest turning on the right, on the way home. This was
+an old lane, on which some old gardens backed, and which
+led, by a little longer way, to Brook Cottage.</p>
+
+<p>By the time the children had arrived at the head of the<span class='pagenum'><a name="Page_99" id="Page_99">[99]</a></span>
+lane, Sport was seen galloping back in a state of great
+excitement. "Bow-wow!"&mdash;"Oh, you have found her,
+have you, old fellow?"&mdash;"Bow-wow!"&mdash;"Well and
+good! You are a jolly old Sport!"</p>
+
+<p>On the step of the gate of an old garden sat Elfrida, fast
+asleep, with her empty basket in her lap. Emma proposed
+to tickle her nose with a straw. "No! I will pull that thick
+braid of hair," said Susan. "No! let me whisper in her
+ear," said James. But, before anybody did any thing, Sport
+settled the question by putting his paws up on her shoulders,
+and crying, "Bow-wow!"</p>
+
+<p>Elfrida started, and looked around as if in a dream.
+"What does it mean? How long have I been here?"
+cried she. "Why did you go to sleep?" asked the two
+girls. "Yes, why, why, did you go to sleep?" echoed all
+the boys. "Oh, that's my secret," said Elfrida. "Now
+who can catch me in my run to Mr. Spicer's?" So off she
+started, followed by Sport and all the children.</p>
+
+<p>"Now tell us why did you go to sleep?" said the children,
+as they were all on their way home, after she had made her
+purchases. "Will you promise not to tell anybody, if I tell
+you?" asked Elfrida. "We promise, we promise!" cried
+all the children. "Now, then, why did you go to sleep?"&mdash;"Hush!
+I went to sleep because&mdash;because&mdash;because I
+was sleepy," said Elfrida.</p>
+
+<div class='sig'>
+<span class="smcap">Arthur Selwyn.</span><br />
+</div>
+
+<div class="figcenter" style="width: 300px;">
+<img src="images/illus099.png" width="300" height="119" alt="Bird" title="" />
+</div>
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div><p><span class='pagenum'><a name="Page_100" id="Page_100">[100]</a></span></p>
+
+<h2>THE PRAIRIE-DOG</h2>
+
+
+<p><span class="smcap">My</span> friend John lives in Colorado, not far from Denver;
+and he writes me, that he and his sister, not long ago,
+walked out to see some prairie-dogs.</p>
+
+<p>The prairie-dog is about the size of a full-grown squirrel,
+and of a like color. It makes a hole for itself in the ground.
+This hole is in the shape of a tunnel, and as large round as
+a man's hat.</p>
+
+<div class="figcenter" style="width: 300px;">
+<img src="images/illus100.png" width="300" height="232" alt="Prairie Dogs" title="" />
+</div>
+
+<p>Now, this little dog is so gentle, that he lets the owl and
+the rattlesnake come and live with him, if they like. All
+three are often found dwelling together. For my part, I
+should not much like such neighbors.</p>
+
+<p>The prairie-dogs live on the roots of grass. Scattered all
+around the entrance to their homes, you may see remnants
+of the dry roots which they have got for food. They are
+quick in their movements, and quite playful.</p>
+
+<p>Johnny writes me, that, when some of these little dogs
+saw him and his sister approaching, they sat down on their
+hind-legs, and began barking. Then they dropped into
+their holes backwards. As Johnny did not care to wake up
+any of the other lodgers, he and his sister went home, well
+content with their first sight of a prairie-dog.</p>
+
+<div class='sig'>
+<span class="smcap">Aunt Alice.</span><br />
+</div>
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_101" id="Page_101">[101]</a></span></p>
+
+<div class="figcenter" style="width: 400px;">
+<img src="images/illus101.png" width="400" height="314" alt="Strut" title="" />
+</div>
+
+
+
+<h2>STRUT</h2>
+
+
+<p><span class="smcap">Strut</span> was the name of a hen that lived on Father Nunn's
+farm, nine miles from Norwalk, Ohio.</p>
+
+<p>She was very vain; that is, she had a very good opinion
+of herself. She always would strut when walking. Indeed,
+it was hard for her to pick up grains of corn as other chickens
+did. I think she never saw her feet in her life: certainly
+she never looked where she stepped.</p>
+
+<p>Worse than all this, when she saw any person in the yard,
+instead of dodging away, as a modest hen should, she would
+strut right up to such a person, and look saucily in his face,
+as though asking, "Who are you? Where are you going?
+What for?"</p>
+
+<p>At last, however, Strut received a severe rebuke for her
+evil ways. Cousin William Bird, who is soon to be a doctor,
+was visiting at Father Nunn's. Having occasion to climb<span class='pagenum'><a name="Page_102" id="Page_102">[102]</a></span>
+the ladder to the barn-loft, he saw Strut on the farther side.
+He knew that she would come straight to him; and he also
+knew that she would not look where she stepped. So he
+held still to see what would happen; for exactly between
+them was an opening in the floor for throwing down hay.</p>
+
+<p>Sure enough, Strut started for Cousin William, and, stepping
+off the edge of the hole, fell fluttering, cackling, and
+frightened, to the floor beneath.</p>
+
+<p>She was humbled by her fall; for she never strutted
+again, but walked and ate afterwards like other chickens.</p>
+
+<div class='sig'>
+<span class="smcap">Uncle Joe</span>.<br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>THE CATERPILLARS</h2>
+
+
+<div class='poem'>
+<span class="smcap">Eight</span> great cabbages growing in the ground;<br />
+Crowds of little caterpillars crawling all around;<br />
+Caterpillars squirmed about, and wriggled in the sun;<br />
+Said, "These cabbages look sweet: suppose we taste of one!"<br />
+<br />
+Down flew a hungry bird, coming from the wood,<br />
+Saw the caterpillars there, and said, "Won't those taste good!"<br />
+Up crept pussy-cat, hunting round for mice,<br />
+Saw the bird, and smacked her lips, and said, "Won't he taste nice!"<br />
+<br />
+Dog saw pussy creeping there, and he began to run,<br />
+Said, "Now I will frighten puss, and then there will be fun!"<br />
+So doggy barked; and pussy hid; and birdie flew away;<br />
+And caterpillars lived to eat a cabbage up that day.<br />
+</div>
+
+<div class='sig'>
+<span class="smcap">Fleta F.</span><br />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+
+<p><span class='pagenum'><a name="Page_103" id="Page_103">[103]</a></span></p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus103.png" width="500" height="261" alt="Third lesson in Astronomy" title="" />
+</div>
+
+
+
+<h2>THIRD LESSON IN ASTRONOMY</h2>
+
+
+<p><span class="smcap">I have</span> told you about the sun and the stars. Can you
+think of any thing else in the sky that you would like to
+know a little about? Of course, I do not mean the dark
+clouds, but something bright and pretty, that all children
+love to look at.</p>
+
+<p>I think you must have guessed that I mean the moon,&mdash;the
+beautiful moon. Now, I want you to make another
+guess: Is the moon bright because it is made of fire, like the
+sun; or because the sun shines on it, as it does on Venus and
+Jupiter?</p>
+
+<p>If any of you think it is made of fire, you must try to
+warm your little toes and fingers in the moonlight, as you do
+in the sunshine, and you will find out for yourselves that it
+is not a great fire, like the sun, and that you cannot get
+warm in the light of it.</p>
+
+<p>And now you will guess at once, that, if it is not fire itself,
+it must shine from the sun's fire; and that is right. The
+moon itself is cold and dark. It is the light of the sun that
+makes it look bright to us. We might call it the sun's
+looking-glass, in which we see his image or reflection.<span class='pagenum'><a name="Page_104" id="Page_104">[104]</a></span></p>
+
+<p>But we cannot at all times see the whole of it. When
+we do, we call it a full moon, and, when we see only the edge
+of it, we say it is a new moon. The moon itself does not
+change its shape. It is always round, like an orange&mdash;a
+dark round ball, which we should never see at all, if the sun
+did not light it up for us; and it is only a part of the time
+we can see the side which is lighted up.</p>
+
+<p>Which do you suppose is the larger,&mdash;the moon, or the
+stars? Now I know you will say the moon, because it looks
+so much larger; but you must remember that the stars are
+so far away, we can hardly see them at all, and the moon is
+our own moon, and much nearer to us than our own sun.</p>
+
+<p>We can see more of it than we can see of the stars; but
+it is a very small thing indeed, compared with one of them.
+It would take about fifty moons to make one such earth as
+we live on, and it would take more earths than you can
+count to make one star or sun.</p>
+
+<div class='sig'>
+<span class="smcap">M. E. R.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>THE ROBBERY.</h2>
+
+
+<p><span class="smcap">I must</span> tell you of something that happened one day last
+summer, when I was at the Zo&ouml;logical Garden in Philadelphia.</p>
+
+<p>Among the persons standing around the cage where the
+monkeys were kept, was an old lady who had on a pair of
+gold-rimmed spectacles. All at once, a big brown monkey
+stretched out his paw between the bars, snatched the spectacles,
+and scampered away, chattering and grinning with
+delight.</p>
+
+<p>Of course, the poor lady was in distress. The keeper
+came to the rescue, and, by driving the monkey about the<span class='pagenum'><a name="Page_105" id="Page_105">[105]</a></span>
+cage with a long pole, forced him at last to drop the spectacles.
+But one of the glasses had come out of it; and this
+the thief still held in his mouth, and refused to give up.</p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus105.png" width="500" height="372" alt="The Robbery" title="" />
+</div>
+
+<p>The keeper followed him sharply with the pole. Away
+he went, swinging from one rope to another, screaming and
+scolding all the time, until the keeper was so tired, that I
+feared he would have to let the monkey keep the glass.
+But this the keeper said would never do; for he knew, that,
+if he let the monkey carry the day, he never could control
+him again.</p>
+
+<p>So the keeper still plied his pole. The monkey dodged
+it as well as he could, until the blows came so thick and
+fast, that he could bear them no longer, when he opened his
+mouth, and let the glass drop.</p>
+
+<p>Now comes the funniest part of the story. The glass fell
+quite near the bars, just where the old lady was standing;<span class='pagenum'><a name="Page_106" id="Page_106">[106]</a></span>
+and a gentleman took her parasol, which had a hooked
+handle, to draw it within reach. But he put the parasol
+in a little too far, and it slipped out of his hand.</p>
+
+<p>Instantly a large yellow monkey wrapped his long tail
+around it, and started off. Imagine the feelings of the poor
+old lady&mdash;first robbed of her spectacles, and then of her
+parasol!</p>
+
+<p>But her property was all recovered at last; the robbers
+were both punished; and she went on her way in peace.</p>
+
+<div class='sig'>
+<span class="smcap">Mrs. E. S. R.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>PUSS AND HER THREE KITTENS.</h2>
+
+
+<div class='poem'>
+<span class="smcap">Our</span> old cat has kittens three;<br />
+What do you think their names should be?<br />
+One is a tabby with emerald eyes,<br />
+<span style="margin-left: 1em;">And a tail that's long and slender;</span><br />
+But into a temper she quickly flies,<br />
+<span style="margin-left: 1em;">If you ever by chance offend her.</span><br />
+<span style="margin-left: 2em;">I think we shall call her this&mdash;</span><br />
+<span style="margin-left: 2em;">I think we shall call her that;</span><br />
+<span style="margin-left: 1em;">Now, don't you fancy "Pepper-pot"</span><br />
+<span style="margin-left: 2em;">A nice name for a cat?</span><br />
+<br />
+One is black, with a frill of white,<br />
+<span style="margin-left: 1em;">And her feet are all white fur, too;</span><br />
+If you stroke her, she carries her tail upright,<br />
+<span style="margin-left: 1em;">And quickly begins to purr, too.</span><br />
+<span style="margin-left: 2em;">I think we shall call her this&mdash;</span><br />
+<span style="margin-left: 2em;">I think we shall call her that;</span><br />
+<span style="margin-left: 1em;">Now, don't you fancy "Sootikin"</span><br />
+<span class='pagenum'><a name="Page_107" id="Page_107">[107]</a></span><span style="margin-left: 2em;">A nice name for a cat?</span><br />
+<br />
+One is a tortoise-shell, yellow and black,<br />
+<span style="margin-left: 1em;">With a lot of white about him:</span><br />
+If you tease him, at once he sets up his back:<br />
+<span style="margin-left: 1em;">He's a quarrelsome Tom, ne'er doubt him!</span><br />
+<span style="margin-left: 2em;">I think we shall call him this&mdash;</span><br />
+<span style="margin-left: 2em;">I think we shall call him that;</span><br />
+<span style="margin-left: 1em;">Now, don't you fancy "Scratchaway"</span><br />
+<span style="margin-left: 2em;">A nice name for a cat?</span><br />
+<br />
+<span style="margin-left: 1em;">Our old cat has kittens three,</span><br />
+<span style="margin-left: 1em;">And I fancy these their names will be:</span><br />
+"Pepper-pot," "Sootikin," "Scratchaway,"&mdash;there!<br />
+Were there ever kittens with these to compare?<br />
+And we call the old mother&mdash;now, what do you think?<br />
+<span style="margin-left: 1em;">"Tabitha Longclaws Tiddleywink."</span><br />
+</div>
+
+<div class='sig'>
+<span class="smcap">Thomas Hood.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>THE LITTLE RECRUIT.</h2>
+
+<div class="figright" style="width: 176px;">
+<img src="images/illus107.png" width="176" height="200" alt="The Little Recruit" title="" />
+</div>
+
+<p><span class="smcap">There</span> had been an insurrection
+in Dolldom. <i>Insurrection</i> is a big
+word: what does it mean, I wonder?
+I will tell you: it means an
+uprising, a rebellion. If a number
+of persons should refuse to obey
+the law, and rise up in arms to
+resist it, they would be guilty of
+an insurrection.</p>
+
+
+<p>Now, it happened (according to
+Tommy's story) that all the dolls in the house, headed by
+a naughty male doll of African descent, and known as
+"Dandy Jim," rose in insurrection against their lawful<span class='pagenum'><a name="Page_108" id="Page_108">[108]</a></span>
+queen, Lucy the First, whose brother, Duke Tommy, was
+commander-in-chief of her Majesty's forces.</p>
+
+<p>The rebels were well fortified in one corner of the play-room.
+They had mounted several cannon on alphabet-blocks;
+and a whole company of tin soldiers defended the
+outworks. Besides this, a china dog and a wooden elephant
+had been enlisted as allies, and stood bravely in front.</p>
+
+<p>General Tommy felt a weight of responsibility upon his
+shoulders, and, like a prudent soldier, he resolved not to go
+into battle until his army was large enough to make victory
+certain. So he enlisted Queen Lucy the First as a recruit.</p>
+
+<p>Queen Lucy looked very grand in her paper cocked hat,
+with a feather at the top. She carried a gun; and General
+Tommy taught her how to fire it off. When all were ready
+for the onset, he blew a trumpet.</p>
+
+<p>The army marched in excellent order along the entry,
+into the play-room; and not a soldier drew back as they
+came within sight of the enemy. "Halt!" cried General
+Tommy. The army halted. The traitor, "Dandy Jim,"
+stood pointing his sword, and the dolls all kept still.</p>
+
+<p>One long blast of the trumpet, and then the brave General
+Tommy cried out, "Now, soldiers, on, on to victory!"</p>
+
+<p>On they went. The tin soldiers were soon swept down.
+The dog and the elephant were handsomely beaten; and,
+rushing into the fort, General Tommy seized the traitor,
+"Dandy Jim," by the throat, and said, "Now, sir, your
+doom is a dungeon!"</p>
+
+<p>The dolls all fell on their knees, and thus was the great
+insurrection in Dolldom put down without bloodshed, and
+the authority of Queen Lucy the First fully restored. Of
+course, there was great rejoicing; and, when the reporter
+left, General Tommy was preparing for a grand illumination.</p>
+
+<div class='sig'>
+<span class="smcap">Emily Carter.</span><br />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+
+<p><span class='pagenum'><a name="Page_109" id="Page_109">[109]</a></span></p>
+
+<div class="figcenter" style="width: 229px;">
+<img src="images/illus109.png" width="229" height="300" alt="Bird" title="" />
+</div>
+
+
+
+<h2>ONE GOOD TURN DESERVES ANOTHER.</h2>
+
+
+<p><span class="smcap">On</span> a fine summer day, a dove, that was perched upon
+the branch of a tree, saw a bee fall into a stream that was
+flowing past. The poor bee tried to get out of the water,
+but could not.</p>
+
+<p>The dove, seeing that the bee was struggling for her life,
+dropped a leaf close beside her, so that she might climb on
+to it, and save herself. This the bee at once did, and very
+glad she was to find herself safe once more.</p>
+
+<p>Not long after this, a sportsman, who was roaming through
+the woods for game, saw the dove flying about, and lifted<span class='pagenum'><a name="Page_110" id="Page_110">[110]</a></span>
+his gun to shoot her. But, just as he was taking aim, something
+happened, that checked him in the act.</p>
+
+<p>The bee, whose life had been saved by the dove, was
+going about from flower to flower in search of honey, when
+she saw the sportsman taking aim at the good dove that
+had befriended her in her time of need. "That dove once
+saved my life, and now I will save hers," thought the bee
+to herself.</p>
+
+<p>With that she flew at the sportsman, and stung him on
+the lip. The poor fellow dropped his gun with a loud cry
+of pain, which so startled the dove, that she flew away; and
+the man did not have another chance to shoot her. "Surely
+one good turn deserves another," thought the bee, as she
+turned merrily to her work.</p>
+
+<div class='sig'>
+<span class="smcap">Leonora.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>A LETTER FROM TEXAS.</h2>
+
+
+<p><i>Dear Children</i>,&mdash;I am writing this letter at my office-desk
+in San Antonio, Texas, a long way off from some of
+you who will read it. I am the big brother of a lot of little
+ones, and they call me "Doc."</p>
+
+<p>We take "The Nursery," and the little folks think it is
+splendid. As soon as it comes, mamma reads the stories,
+and shows them the pictures.</p>
+
+<p>They crowd around her to listen: some of them sit down
+on chairs like little ladies; some sit on the floor like beggars;
+and some&mdash;I am sorry to say&mdash;lie flat down on the carpet,
+like&mdash;certainly not like ladies and gentlemen.</p>
+
+<p>What do you think, children, of boys and girls who lie on
+the floor, and kick up their heels in the air? <i>You</i> would
+not do so, would you?<span class='pagenum'><a name="Page_111" id="Page_111">[111]</a></span></p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus111.png" width="500" height="383" alt="Reading the letter" title="" />
+</div>
+
+<p>Now listen! I want to tell you something about our cat.
+When we first got her, she was a tiny kitten, and we fed her
+on milk in a saucer. You ought to have seen her lap it up
+with her little tongue! Don't you think it is a pretty sight
+to see a kitten drinking milk? I do. But our cat isn't a
+kitten any longer, but a great, big, grown cat.</p>
+
+<p>Well, the other night she got locked up in the schoolroom.
+You know Miss Anna and Miss Emma teach a big
+school in our house, and Willie, Pressley, Eddie, May, and
+Emily go to it. Sadie, "Little Lalla," and baby are too
+young for school yet. These are my little brothers' and
+sisters' names. There are eight of them mentioned here.
+See if you can count them.</p>
+
+<p>As soon as Emily found out that Kitty was locked up,
+she ran to Miss Eliza and mamma, and asked them to let
+her out; but they said, "No," for they knew that, if she<span class='pagenum'><a name="Page_112" id="Page_112">[112]</a></span>
+got out of the schoolroom, she would surely run into the
+dining-room, and drink up the baby's milk. So she had to
+stay there all night.</p>
+
+<p>Early next morning, Miss Eliza went into the schoolroom
+to let Kitty out; and what do you think she saw? There
+was Kitty, fast asleep in Willie's little wagon, and four little
+kittens lying by her side, fast asleep too.</p>
+
+<p>When Miss Eliza went back to the nursery, and told the
+children what she had seen, Eddie, May, Emily, Sadie, and
+even "Little Lalla" set up a big shout, and, bursting out of
+the nursery, ran shouting and laughing to the little wagon
+in the schoolroom, where, sure enough, there they were,
+four little ones. Three were gray and white, and one gray
+and black. Kitty looked so pleased and so happy! You
+ought to have seen her. Wasn't that a nice surprise?</p>
+
+<p>May chose the one that looked most like Kitty: Emily and
+Sadie each chose one of the gray-and-white ones, and Eddie
+took the gray-and-black fellow.</p>
+
+<p>To-day is Emily's birthday. She is seven years old, and
+may have a little party. If she <i>does</i>, how I would like to
+have you all here to play with her! However, at some
+future time I may write, and tell you all about it.</p>
+
+<p>But it is time for me to run home, and get some dinner:
+so good-by.</p>
+
+<div class='sig'>
+"<span class="smcap">Doc.</span>"<br />
+</div>
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus112.png" width="500" height="142" alt="Landscape" title="" />
+</div>
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div><p><span class='pagenum'><a name="Page_113" id="Page_113">[113]</a></span></p>
+
+<div class="figcenter" style="width: 341px;">
+<img src="images/illus113.png" width="341" height="500" alt="DRAWING-LESSON BY HARRISON WEIR." title="" />
+<span class="caption">DRAWING-LESSON BY HARRISON WEIR.</span>
+</div>
+
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div><p><span class='pagenum'><a name="Page_114" id="Page_114">[114]</a></span></p>
+
+<h2>A STORY OF A SEAL.</h2>
+
+
+<p>"<span class="smcap">The</span> seal is an amphibious quadruped."</p>
+
+<p>"Oh, come now, Aunt Emily, do not puzzle us with your
+hard names," cries Johnny.</p>
+
+<p>"But, Johnny, a lad seven years old ought to know that
+<i>amphibious</i> means 'capable of living on land or water;' and
+that <i>quadruped</i> means 'having four feet.'"</p>
+
+<p>"Oh, now I understand," said Johnny. "But does the
+seal have feet?"</p>
+
+<p>"It has a sort of feet; but they are so wrapped up in the
+skin, that they are not of much use on land, except to help
+it to creep, after a fashion. So the seal passes most of its
+time in the sea, coming on shore only to bask and sleep in
+the sun, or to suckle its young ones. It is covered with a
+close thick fur and is a very good swimmer."</p>
+
+<p>"But let us have the story," said Jane.</p>
+
+<p>"The story is this: once a fisherman, after harpooning
+an old seal, found one of its young ones on the sand, and
+took it home. Here it became the playmate of the children,
+whom it seemed to love very much. They named it Blue-eyes.
+It would play with them from morning till night,
+would lick their hands, and call them with a gentle little
+cry, not unlike the human voice in its tone.</p>
+
+<p>"It would look at them tenderly with its large blue eyes,
+shaded by long black lashes. It was very fond of music.
+It would follow its master to fish, swimming around the
+boat, and taking a great many fish, which it would give up
+without even biting them. No dog could have been more
+faithful, or more quick to learn what was wanted.</p>
+
+<p>"But the fisherman's half-sister was a silly old woman.
+She had come to help nurse his wife, who was ill. This
+half-sister took it into her head that the poor seal would<span class='pagenum'><a name="Page_115" id="Page_115">[115]</a></span>
+bring bad luck to the family. She told her brother that he
+must get rid of it.</p>
+
+<div class="figcenter" style="width: 365px;">
+<img src="images/illus115.png" width="365" height="400" alt="Seal" title="" />
+</div>
+
+<p>"Weary of her teasing, he at last took the poor seal,
+rowed with it out into the open sea, and there, more than
+seven miles from the shore, threw it into the water, and
+then hurried home as fast as sails would carry him.</p>
+
+<p>"But, when he entered his cottage, the first thing he saw
+was the faithful seal lying close beside the cradle of one of
+his children. As soon as it saw its master, it showed great<span class='pagenum'><a name="Page_116" id="Page_116">[116]</a></span>
+joy, and tried to caress him. But he took the seal and
+gave it away to a sailor, who was going on a long voyage.
+Two weeks afterward, as the fisherman came back from his
+boat, he saw the seal at play with the children.</p>
+
+<p>"'If you do not kill that seal, I will kill it myself,' said
+the old aunt. The children began to cry. 'No, no, you
+shall not kill it!' cried Hans with flashing eyes. 'You shall
+kill me first,' cried little Jane. 'You have no right to kill
+it,' cried Mary, the eldest girl.</p>
+
+<p>"'Am I to be ruled by these children?' said the silly
+aunt, turning to her brother.</p>
+
+<p>"'The seal shall live,' said he: 'the children shall have
+their way. Your notion that the poor seal brings bad luck
+is a very silly notion. You ought to be ashamed of it.'</p>
+
+<p>"'Hurrah!' cried Hans. 'Blue-eyes, the vote is taken:
+you are to live, and all this nonsense about your bringing
+bad luck is blown away.'</p>
+
+<p>"The seal began to flop about as if in great joy.</p>
+
+<p>"'I shall leave the house at once,' said the silly aunt.</p>
+
+<p>"'Do as you please,' said the fisherman.</p>
+
+<p>"And so it turned out, that the only ill luck brought to
+the family by the seal was the departure of the cross and
+silly old aunt. And, if the truth were known, this was
+found to be a very good thing for all. The fisherman
+prospered, the mother of the children got well at once; and
+all were happier than ever before, including Blue-eyes, who
+now was the jolliest seal that ever played with children."</p>
+
+<div class='sig'>
+<span class="smcap">Emily Carter.</span><br />
+</div>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus116.png" width="500" height="135" alt="The ocean" title="" />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_117" id="Page_117">[117]</a></span></p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus117.png" width="500" height="380" alt="Fun in Winter" title="" />
+</div>
+
+
+
+
+<h2>FUN IN WINTER.</h2>
+
+
+<p><span class="smcap">The</span> ground was white with snow. The sky looked black
+as though another storm were coming. The day was very
+cold; but the tough boys and girls did not mind the cold
+weather. They were out to have some fun.</p>
+
+<p>Their rubber boots, and thick coats and mittens, kept
+them dry and warm. One of the boys, though, had come
+out bare-headed. He was the boy who never <i>could</i> find
+his cap when he wanted it. His name was Tom.</p>
+
+<p>"Now look here, Tom," said his brother Sam, a sturdy
+little chap, who was always trying to keep Tom in order;
+"this won't do. You go into the house and get your cap.
+Go quick, or you'll get this snowball right in your face."</p>
+
+<p>"Fire away!" said Tom, dancing around, and putting up
+his arm to keep off the snowball.<span class='pagenum'><a name="Page_118" id="Page_118">[118]</a></span></p>
+
+<p>"I'm going to have a hand in this game," said Joe,
+aiming a snowball at Sam. "Look out for yourself, old
+fellow."</p>
+
+<p>"Clear the track!" cried Bill and Ned, rolling a huge
+snowball down the hill.</p>
+
+<p>Mrs. O'Sullivan, who was just going up the back-steps to
+ask for cold victuals, looked around to see what was going
+on; while Charles had his own fun in dragging his little
+sister up the hill on her sled.</p>
+
+<p>All this time, a little boy named Jim, who had been
+having a private coast in the field near the house, was
+peeping over the fence, and wishing he were old enough to
+play with the other boys. He didn't venture to join them,
+for he was bashful, and rather timid: but he saw all that
+took place, and he will remember all about it when he sees
+this picture.</p>
+
+<div class='sig'>
+<span class="smcap">Uncle Sam.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<h2>OLD WHITEY.</h2>
+
+
+<p><span class="smcap">I am</span> a great boy six years old, and I take "The Nursery."
+Some of the stories I spell out myself; but the most of them
+mamma reads aloud to my little brother Albert and me.</p>
+
+<p>Last summer, we all went to visit an uncle who lives on a
+large farm. We had just the best kind of a time. There
+was a big dog, named Rover, that would play with us for
+hours. He would run after and bring back a ball or stick, or
+any thing that we would throw for him. He would "speak,"
+"roll over," "sit up and read," and do lots of funny tricks.</p>
+
+<p>Then there was a white horse twenty-five years old, and
+just as sleek and fat as a colt. Old Whitey has lived on
+the farm ever since he was a little colt. Old as he is, he is
+still able to do a great deal of work.<span class='pagenum'><a name="Page_119" id="Page_119">[119]</a></span></p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus119.png" width="500" height="381" alt="Old Whitey running away" title="" />
+</div>
+
+<p>One day Uncle Wash was ploughing, and he put me on
+the back of Old Whitey. Well, I liked that very much, and
+began to cluck, and jerk the reins, to make him go along;
+when in an instant, without any warning, he pricked up
+his ears, kicked up his heels, and ran away, leaving the
+plough behind.</p>
+
+<p>I can't tell you how scared I was. I held on as long as I
+could; but it was of no use. The old horse ran through
+swamps and bogs, and dropped me, head first, in the mud
+and dirt. I was hurt on my head and side, but I would not
+cry because I was too big for that. When the men got to
+me, I was hunting for my hat.</p>
+
+<p>After getting rid of his load, the runaway coolly walked
+up to the barn, and stood looking as mild as a lamb. I
+didn't have any faith in Old Whitey after that, though
+his master said he never knew him to do such a thing
+before.</p>
+
+<div class='sig'>
+<span class="smcap">Nelson.</span><br /></div>
+<p>
+<span class="smcap">Woodstock, Vt.</span></p>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_120" id="Page_120">[120]</a></span></p>
+
+<h2>FRED AND NED.</h2>
+
+
+<div class="figleft" style="width: 162px;">
+<img src="images/illus120.png" width="162" height="800" alt="Fred and Ned" title="" />
+</div>
+
+<div class='poem'>
+"<span class="smcap">Oh</span>, this is weather for play, for play!<br />
+And I will not go to school to-day,"<br />
+Said Master Frederic Philip Fay.<br />
+<br /><br />
+So he hung his satchel upon a tree:<br />
+And over the hills to the pond went he,<br />
+To frolic, and see what he could see.<br />
+<br /><br />
+He met a boy on the way to school,<br />
+And said, "Ned Foster, you're a fool<br />
+To study and plod because it's the rule."<br />
+<br /><br />
+Quoth Ned, "You'll find that <i>he's</i> the fool<br />
+Who, for his pleasure, shirks his school:<br />
+Sun, moon, and stars, all go by rule."<br />
+<br /><br />
+Then Ned passed cheerily on his way,<br />
+And not another word did say<br />
+To Master Frederic Philip Fay.<br />
+<br /><br />
+Fred sat him down on a rock near by,<br />
+And cast a look on the bright blue sky,<br />
+<span class='pagenum'><a name="Page_121" id="Page_121">[121]</a></span>And then at the sun, that was mounting high.<br />
+<br /><br />
+"Yes, truly, the sun has no time for play:<br />
+He has to go in a certain way,"<br />
+Said Master Frederic Philip Fay.<br />
+<br /><br />
+"Oh! what would become of us all, suppose<br />
+The sun, some morn, should say, as he rose,<br />
+'A truant I'll be to-day&mdash;here goes!'<br />
+<br /><br />
+"Then off should whirl in a mad career,<br />
+And leave it all night and winter here,&mdash;<br />
+No blue in the sky, no flower to cheer?<br />
+</div>
+<div class='center'> <table class="freddy" summary="End of poem">
+<tr><td align='left'>
+<div class='poem2'><br /><br /><br />
+"Yes, there is a duty for every one,<br />
+For Master Fay, as well as the sun:<br />
+A law must be minded, a task must be done."<br />
+<br /><br />
+Up started Frederic Philip Fay:<br />
+He took from the tree his satchel away,<br />
+And ran off to school without delay.<br /><br />
+</div>
+
+<div class='sig'>
+<span style="margin-right: 8em;"><span class="smcap">Ida Fay.</span></span><br />
+</div>
+<br /><br /><br /><br /><br /><br /><br /><br /><br /><br /></td>
+</tr></table></div>
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_122" id="Page_122">[122]</a></span></p>
+
+
+
+
+<h2>WHY DO THEY ALL LOVE FREDDY?</h2>
+
+
+<p>"<span class="smcap">But</span> do they all love Freddy, mamma?"</p>
+
+<p>"I think there is no doubt of it, Freddy. The cat loves
+you; for she will let you pull her about, and never try to
+scratch you."</p>
+
+<p>"Yes; and I think old Towser loves me. He lets me get
+on his back: he never bites me."</p>
+
+<p>"I would like to catch him at it&mdash;biting my little
+Freddy! He knows too much for that; and, besides, he
+loves you."</p>
+
+<p>"But does the old cow love me, mamma?"</p>
+
+<p>"Why, didn't she let you play with her calf, and never
+try to hook you? The old cow loves Freddy, and will give
+him all the fresh milk he wants."</p>
+
+<p>"The hens love me because I feed them."</p>
+
+<p>"Yes, the hens love you; and, more than that, the little
+sparrows love you; for they follow you, and hop about your
+feet, as if they wanted to say, 'Good-morning, Freddy!
+We all love you, Freddy.'"</p>
+
+<p>"But I will tell you one beast that does not love me,
+mamma. The old sow does not love me."</p>
+
+<p>"Don't you believe it, little boy! The old sow loves you
+just as well as Towser does; just as well as the cow does;
+just as well as old Scamper, the horse, loves you."</p>
+
+<p>"I should like to be sure that the sow loves me."</p>
+
+<p>"Come with me, and I will put you on her back; and, if
+she does not like it, it will be a sign that she does not love
+you; but, if she does like it, it will be a sign that she loves
+my little Freddy just as much as the others do."</p>
+
+<p>So mamma took Freddy, and placed him on the back of
+the old sow. The old sow gave a look over her ears, saw it
+was Freddy, and then uttered a contented grunt, as much<span class='pagenum'><a name="Page_123" id="Page_123">[123]</a></span>
+as to say, "All right! Freddy, you are a darling, and I
+love you."</p>
+
+<div class="figcenter" style="width: 457px;">
+<img src="images/illus123.png" width="457" height="450" alt="The Sow" title="" />
+</div>
+
+<p>"Did I not tell you that the old sow loved you, like the
+rest?"</p>
+
+<p>"Yes, mamma; but why, why, do they love me? Tell
+me that."</p>
+
+<p>Mamma snatched Freddy up in her arms, took him into
+the house, and then said, "I think they must love you,
+Freddy, because you love them. Love wins love, you know.
+The person who says that no one loves him should ask himself
+the question, 'But do I love any one?'"</p>
+
+<div class='sig'>
+<span class="smcap">Ida Fay.</span><br />
+</div>
+
+
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_124" id="Page_124">[124]</a></span></p>
+<h2>HOW THE MORNING COMES.</h2>
+
+
+<div class='poem'>
+<span style="margin-left: 2em;"><span class="smcap">Cheery</span>, cheery,</span><br />
+<span style="margin-left: 2em;">Out of the dreary</span><br />
+<span style="margin-left: 3em;">Dark there glows</span><br />
+A tint of yellow, a purple gleam,<br />
+A shine of silver, a brazen beam,<br />
+<span style="margin-left: 2em;">A flush of rose;</span><br />
+The darkness, meanwhile, flying, gone:<br />
+Thus does the morning dawn.<br />
+<br />
+<span style="margin-left: 2em;">Creeping, creeping,</span><br />
+<span style="margin-left: 2em;">Daintily peeping,</span><br />
+<span style="margin-left: 3em;">Hastes the light</span><br />
+Through the window to see where lies<br />
+The little girl with the sleepy eyes;<br />
+<span style="margin-left: 2em;">Glistens bright</span><br />
+With very joy to find the place<br />
+Where lies her dreaming face.<br />
+<br />
+<span style="margin-left: 2em;">Drowsy, drowsy,</span><br />
+<span style="margin-left: 2em;">A little frowzy</span><br />
+<span style="margin-left: 3em;">Gold-locked head</span><br />
+Turns on its pillow, yawns, and winks;<br />
+Lifts from its pillow, peeps, and blinks;<br />
+<span style="margin-left: 3em;">Turns in bed;</span><br />
+Then with a slow, reluctant shake,<br />
+Is almost wide awake.<br />
+</div>
+
+<div class='sig'>
+<span class="smcap">Mrs. Clara Doty Bates.</span><br />
+</div>
+
+<p><span class='pagenum'><a name="Page_125" id="Page_125">[125]</a></span></p>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<div class="figcenter" style="width: 327px;">
+<img src="images/illus125.png" width="327" height="400" alt="My Rabbits" title="" />
+</div>
+
+
+
+
+<h2>MY RABBITS.</h2>
+
+<div class='story'>
+<p><span class="smcap">One</span> day Cousin John asked
+me if I would like two nice
+rabbits. I said I would like<span class='pagenum'><a name="Page_126" id="Page_126">[126]</a></span>
+them very much. So he gave
+them to me, and I had a pen
+made for them.</p>
+
+<p>One I called Pink, and the
+other White. They were very
+tame, and soon got to know
+their names. I took them out
+and let them run about the yard
+every fine day.</p>
+
+<p>Once Pink ran away, and I
+thought he was lost. I had a
+long chase after him through
+the bushes; but I caught him
+at last and brought him home.</p>
+
+<p>My brother George kept a
+lot of chickens in the yard, and
+while I fed my pet rabbits, he
+would feed his chickens.</p>
+</div>
+<div class='sig'>
+<span class="smcap">Hattie.</span><br />
+</div>
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+
+<p><span class='pagenum'><a name="Page_127" id="Page_127">[127]</a></span></p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus127.png" width="500" height="376" alt="Council of Buzzards" title="" />
+</div>
+
+
+
+<h2>THE COUNCIL OF BUZZARDS.</h2>
+
+
+<p><span class="smcap">The</span> buzzard is a large black bird, nearly as large as
+a turkey. He never kills that he may eat, but devours
+the refuse in the city streets, and the dead animals on the
+prairies and swamps of the Southern States. It is against
+the law to shoot buzzards; for they are the health officers
+of the South.</p>
+
+<p>Here, in beautiful, sunny Louisiana, I seldom look out
+doors without seeing one or more buzzards slowly circling
+around in the air in quest of food. Before they begin to
+eat, they arrange themselves in a solemn row, as if holding
+a council, and "caw" in a very wise manner. Then one
+flies down, and then another, and another; and as they eat,
+they seem to comment on their repast. At last nothing is
+left of it but the bare bones to bleach in the sun. They
+will eat an ox in a day.</p>
+
+<div class='sig'>
+<span class="smcap">Aunt Ann.</span><br />
+</div><p><span class="smcap">La Teche, La.</span><br />
+</p>
+
+<div class="figcenter" style="width: 139px;"><img src="images/divider1.png" width="139" height="19" alt="Divider" title="" /></div>
+<p><span class='pagenum'><a name="Page_128" id="Page_128">[128]</a></span></p>
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus128.png" width="500" height="268" alt="A Mother Goose Melody" title="" />
+</div>
+
+
+
+
+<h2>A MOTHER GOOSE MELODY.</h2>
+
+<div class='sig'>Music by <span class="smcap">Annie Moore</span>.</div>
+
+
+<div class="figcenter" style="width: 500px;">
+<img src="images/illus128-music.png" width="500" height="515" alt="Music" title="" />
+</div>
+<div class="center"><small>[<i>Transcriber's Note: You can play this music (MIDI file) by clicking</i> <a href="music/apr77.mid">here</a>.]</small><br /><br /></div>
+
+<div class='poem'>
+Three little dogs were basking in the cinders,<br />
+And three little cats were playing in the windows,<br />
+Three little mice popp'd out of a hole,<br />
+And a piece of cheese they stole, they stole!<br />
+The three little cats jump'd up in a trice,<br />
+And crack'd the bones of the three little mice,<br />
+The three little mice.<br />
+</div>
+<hr style="width: 65%;" />
+<div class='tnote'><h3>Transcriber's Notes</h3>
+<p>Transcriber's Notes:
+
+The January edition of the Nursery had a table of contents for the first
+six issues of the year. This table was divided to cover each specific
+issue. A title page copied from the January edition was also used for
+this number.</p></div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Nursery, April 1877, Vol. XXI. No.
+4, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, APRIL 1877 ***
+
+***** This file should be named 28132-h.htm or 28132-h.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/2/8/1/3/28132/
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/28132-h/images/contents.png b/28132-h/images/contents.png
new file mode 100644
index 0000000..5584228
--- /dev/null
+++ b/28132-h/images/contents.png
diff --git a/28132-h/images/contents_end.png b/28132-h/images/contents_end.png
new file mode 100644
index 0000000..0cab884
--- /dev/null
+++ b/28132-h/images/contents_end.png
diff --git a/28132-h/images/divider1.png b/28132-h/images/divider1.png
new file mode 100644
index 0000000..e084d2e
--- /dev/null
+++ b/28132-h/images/divider1.png
diff --git a/28132-h/images/illus097.png b/28132-h/images/illus097.png
new file mode 100644
index 0000000..54c48f2
--- /dev/null
+++ b/28132-h/images/illus097.png
diff --git a/28132-h/images/illus098.png b/28132-h/images/illus098.png
new file mode 100644
index 0000000..66d07a4
--- /dev/null
+++ b/28132-h/images/illus098.png
diff --git a/28132-h/images/illus099.png b/28132-h/images/illus099.png
new file mode 100644
index 0000000..832cebb
--- /dev/null
+++ b/28132-h/images/illus099.png
diff --git a/28132-h/images/illus100.png b/28132-h/images/illus100.png
new file mode 100644
index 0000000..94bf46c
--- /dev/null
+++ b/28132-h/images/illus100.png
diff --git a/28132-h/images/illus101.png b/28132-h/images/illus101.png
new file mode 100644
index 0000000..435bb4a
--- /dev/null
+++ b/28132-h/images/illus101.png
diff --git a/28132-h/images/illus103.png b/28132-h/images/illus103.png
new file mode 100644
index 0000000..765ee1e
--- /dev/null
+++ b/28132-h/images/illus103.png
diff --git a/28132-h/images/illus105.png b/28132-h/images/illus105.png
new file mode 100644
index 0000000..ee6e534
--- /dev/null
+++ b/28132-h/images/illus105.png
diff --git a/28132-h/images/illus107.png b/28132-h/images/illus107.png
new file mode 100644
index 0000000..eee9395
--- /dev/null
+++ b/28132-h/images/illus107.png
diff --git a/28132-h/images/illus109.png b/28132-h/images/illus109.png
new file mode 100644
index 0000000..dcda039
--- /dev/null
+++ b/28132-h/images/illus109.png
diff --git a/28132-h/images/illus111.png b/28132-h/images/illus111.png
new file mode 100644
index 0000000..effffe4
--- /dev/null
+++ b/28132-h/images/illus111.png
diff --git a/28132-h/images/illus112.png b/28132-h/images/illus112.png
new file mode 100644
index 0000000..dd9cb1e
--- /dev/null
+++ b/28132-h/images/illus112.png
diff --git a/28132-h/images/illus113.png b/28132-h/images/illus113.png
new file mode 100644
index 0000000..fa47529
--- /dev/null
+++ b/28132-h/images/illus113.png
diff --git a/28132-h/images/illus115.png b/28132-h/images/illus115.png
new file mode 100644
index 0000000..34037f4
--- /dev/null
+++ b/28132-h/images/illus115.png
diff --git a/28132-h/images/illus116.png b/28132-h/images/illus116.png
new file mode 100644
index 0000000..214f21d
--- /dev/null
+++ b/28132-h/images/illus116.png
diff --git a/28132-h/images/illus117.png b/28132-h/images/illus117.png
new file mode 100644
index 0000000..c6d35db
--- /dev/null
+++ b/28132-h/images/illus117.png
diff --git a/28132-h/images/illus119.png b/28132-h/images/illus119.png
new file mode 100644
index 0000000..27201fb
--- /dev/null
+++ b/28132-h/images/illus119.png
diff --git a/28132-h/images/illus120.png b/28132-h/images/illus120.png
new file mode 100644
index 0000000..1ffab02
--- /dev/null
+++ b/28132-h/images/illus120.png
diff --git a/28132-h/images/illus121.png b/28132-h/images/illus121.png
new file mode 100644
index 0000000..2b0d147
--- /dev/null
+++ b/28132-h/images/illus121.png
diff --git a/28132-h/images/illus123.png b/28132-h/images/illus123.png
new file mode 100644
index 0000000..8c888d4
--- /dev/null
+++ b/28132-h/images/illus123.png
diff --git a/28132-h/images/illus125.png b/28132-h/images/illus125.png
new file mode 100644
index 0000000..edeb1ab
--- /dev/null
+++ b/28132-h/images/illus125.png
diff --git a/28132-h/images/illus127.png b/28132-h/images/illus127.png
new file mode 100644
index 0000000..4685f88
--- /dev/null
+++ b/28132-h/images/illus127.png
diff --git a/28132-h/images/illus128-music.png b/28132-h/images/illus128-music.png
new file mode 100644
index 0000000..ac08ec5
--- /dev/null
+++ b/28132-h/images/illus128-music.png
diff --git a/28132-h/images/illus128.png b/28132-h/images/illus128.png
new file mode 100644
index 0000000..2951a15
--- /dev/null
+++ b/28132-h/images/illus128.png
diff --git a/28132-h/music/apr77.mid b/28132-h/music/apr77.mid
new file mode 100644
index 0000000..2a3c226
--- /dev/null
+++ b/28132-h/music/apr77.mid
diff --git a/28132-page-images/f0097.jpg b/28132-page-images/f0097.jpg
new file mode 100644
index 0000000..e8d6ee1
--- /dev/null
+++ b/28132-page-images/f0097.jpg
diff --git a/28132-page-images/f0097.png b/28132-page-images/f0097.png
new file mode 100644
index 0000000..d804b17
--- /dev/null
+++ b/28132-page-images/f0097.png
diff --git a/28132-page-images/p0098-image1.jpg b/28132-page-images/p0098-image1.jpg
new file mode 100644
index 0000000..ebfb22a
--- /dev/null
+++ b/28132-page-images/p0098-image1.jpg
diff --git a/28132-page-images/p0098.png b/28132-page-images/p0098.png
new file mode 100644
index 0000000..2a2c024
--- /dev/null
+++ b/28132-page-images/p0098.png
diff --git a/28132-page-images/p0099-image1.jpg b/28132-page-images/p0099-image1.jpg
new file mode 100644
index 0000000..ab57aad
--- /dev/null
+++ b/28132-page-images/p0099-image1.jpg
diff --git a/28132-page-images/p0099.png b/28132-page-images/p0099.png
new file mode 100644
index 0000000..ee22d1d
--- /dev/null
+++ b/28132-page-images/p0099.png
diff --git a/28132-page-images/p0100-image1.jpg b/28132-page-images/p0100-image1.jpg
new file mode 100644
index 0000000..934a43d
--- /dev/null
+++ b/28132-page-images/p0100-image1.jpg
diff --git a/28132-page-images/p0100.png b/28132-page-images/p0100.png
new file mode 100644
index 0000000..3465c4c
--- /dev/null
+++ b/28132-page-images/p0100.png
diff --git a/28132-page-images/p0101-image1.jpg b/28132-page-images/p0101-image1.jpg
new file mode 100644
index 0000000..b95b24c
--- /dev/null
+++ b/28132-page-images/p0101-image1.jpg
diff --git a/28132-page-images/p0101.png b/28132-page-images/p0101.png
new file mode 100644
index 0000000..e13141a
--- /dev/null
+++ b/28132-page-images/p0101.png
diff --git a/28132-page-images/p0102.png b/28132-page-images/p0102.png
new file mode 100644
index 0000000..5bea804
--- /dev/null
+++ b/28132-page-images/p0102.png
diff --git a/28132-page-images/p0103-image1.jpg b/28132-page-images/p0103-image1.jpg
new file mode 100644
index 0000000..6ed6776
--- /dev/null
+++ b/28132-page-images/p0103-image1.jpg
diff --git a/28132-page-images/p0103.png b/28132-page-images/p0103.png
new file mode 100644
index 0000000..44a64ea
--- /dev/null
+++ b/28132-page-images/p0103.png
diff --git a/28132-page-images/p0104.png b/28132-page-images/p0104.png
new file mode 100644
index 0000000..8306211
--- /dev/null
+++ b/28132-page-images/p0104.png
diff --git a/28132-page-images/p0105-image1.jpg b/28132-page-images/p0105-image1.jpg
new file mode 100644
index 0000000..c9159bc
--- /dev/null
+++ b/28132-page-images/p0105-image1.jpg
diff --git a/28132-page-images/p0105.png b/28132-page-images/p0105.png
new file mode 100644
index 0000000..936f9d6
--- /dev/null
+++ b/28132-page-images/p0105.png
diff --git a/28132-page-images/p0106.png b/28132-page-images/p0106.png
new file mode 100644
index 0000000..02186bd
--- /dev/null
+++ b/28132-page-images/p0106.png
diff --git a/28132-page-images/p0107-image1.jpg b/28132-page-images/p0107-image1.jpg
new file mode 100644
index 0000000..cc060d3
--- /dev/null
+++ b/28132-page-images/p0107-image1.jpg
diff --git a/28132-page-images/p0107.png b/28132-page-images/p0107.png
new file mode 100644
index 0000000..8537f3f
--- /dev/null
+++ b/28132-page-images/p0107.png
diff --git a/28132-page-images/p0108.png b/28132-page-images/p0108.png
new file mode 100644
index 0000000..256366a
--- /dev/null
+++ b/28132-page-images/p0108.png
diff --git a/28132-page-images/p0109-image1.jpg b/28132-page-images/p0109-image1.jpg
new file mode 100644
index 0000000..9447fd1
--- /dev/null
+++ b/28132-page-images/p0109-image1.jpg
diff --git a/28132-page-images/p0109.png b/28132-page-images/p0109.png
new file mode 100644
index 0000000..394317e
--- /dev/null
+++ b/28132-page-images/p0109.png
diff --git a/28132-page-images/p0110.png b/28132-page-images/p0110.png
new file mode 100644
index 0000000..16ea49d
--- /dev/null
+++ b/28132-page-images/p0110.png
diff --git a/28132-page-images/p0111-image1.jpg b/28132-page-images/p0111-image1.jpg
new file mode 100644
index 0000000..a2c7b2e
--- /dev/null
+++ b/28132-page-images/p0111-image1.jpg
diff --git a/28132-page-images/p0111.png b/28132-page-images/p0111.png
new file mode 100644
index 0000000..37f5d64
--- /dev/null
+++ b/28132-page-images/p0111.png
diff --git a/28132-page-images/p0112-image1.jpg b/28132-page-images/p0112-image1.jpg
new file mode 100644
index 0000000..1100275
--- /dev/null
+++ b/28132-page-images/p0112-image1.jpg
diff --git a/28132-page-images/p0112.png b/28132-page-images/p0112.png
new file mode 100644
index 0000000..82558ef
--- /dev/null
+++ b/28132-page-images/p0112.png
diff --git a/28132-page-images/p0113-image1.jpg b/28132-page-images/p0113-image1.jpg
new file mode 100644
index 0000000..08a2257
--- /dev/null
+++ b/28132-page-images/p0113-image1.jpg
diff --git a/28132-page-images/p0113.png b/28132-page-images/p0113.png
new file mode 100644
index 0000000..60fcc11
--- /dev/null
+++ b/28132-page-images/p0113.png
diff --git a/28132-page-images/p0114.png b/28132-page-images/p0114.png
new file mode 100644
index 0000000..abd91d9
--- /dev/null
+++ b/28132-page-images/p0114.png
diff --git a/28132-page-images/p0115-image1.jpg b/28132-page-images/p0115-image1.jpg
new file mode 100644
index 0000000..4ce5fbd
--- /dev/null
+++ b/28132-page-images/p0115-image1.jpg
diff --git a/28132-page-images/p0115.png b/28132-page-images/p0115.png
new file mode 100644
index 0000000..138b330
--- /dev/null
+++ b/28132-page-images/p0115.png
diff --git a/28132-page-images/p0116-image1.jpg b/28132-page-images/p0116-image1.jpg
new file mode 100644
index 0000000..d509978
--- /dev/null
+++ b/28132-page-images/p0116-image1.jpg
diff --git a/28132-page-images/p0116.png b/28132-page-images/p0116.png
new file mode 100644
index 0000000..85d10da
--- /dev/null
+++ b/28132-page-images/p0116.png
diff --git a/28132-page-images/p0117-image1.jpg b/28132-page-images/p0117-image1.jpg
new file mode 100644
index 0000000..be13364
--- /dev/null
+++ b/28132-page-images/p0117-image1.jpg
diff --git a/28132-page-images/p0117.png b/28132-page-images/p0117.png
new file mode 100644
index 0000000..b64a289
--- /dev/null
+++ b/28132-page-images/p0117.png
diff --git a/28132-page-images/p0118.png b/28132-page-images/p0118.png
new file mode 100644
index 0000000..a83a7be
--- /dev/null
+++ b/28132-page-images/p0118.png
diff --git a/28132-page-images/p0119-image1.jpg b/28132-page-images/p0119-image1.jpg
new file mode 100644
index 0000000..b03e434
--- /dev/null
+++ b/28132-page-images/p0119-image1.jpg
diff --git a/28132-page-images/p0119.png b/28132-page-images/p0119.png
new file mode 100644
index 0000000..2e7171d
--- /dev/null
+++ b/28132-page-images/p0119.png
diff --git a/28132-page-images/p0120-image1.jpg b/28132-page-images/p0120-image1.jpg
new file mode 100644
index 0000000..2dad91a
--- /dev/null
+++ b/28132-page-images/p0120-image1.jpg
diff --git a/28132-page-images/p0120.png b/28132-page-images/p0120.png
new file mode 100644
index 0000000..d2ed0e9
--- /dev/null
+++ b/28132-page-images/p0120.png
diff --git a/28132-page-images/p0121-image1.jpg b/28132-page-images/p0121-image1.jpg
new file mode 100644
index 0000000..9edd065
--- /dev/null
+++ b/28132-page-images/p0121-image1.jpg
diff --git a/28132-page-images/p0121.png b/28132-page-images/p0121.png
new file mode 100644
index 0000000..1188cc4
--- /dev/null
+++ b/28132-page-images/p0121.png
diff --git a/28132-page-images/p0122.png b/28132-page-images/p0122.png
new file mode 100644
index 0000000..0e9b497
--- /dev/null
+++ b/28132-page-images/p0122.png
diff --git a/28132-page-images/p0123-image1.jpg b/28132-page-images/p0123-image1.jpg
new file mode 100644
index 0000000..9774112
--- /dev/null
+++ b/28132-page-images/p0123-image1.jpg
diff --git a/28132-page-images/p0123.png b/28132-page-images/p0123.png
new file mode 100644
index 0000000..2802911
--- /dev/null
+++ b/28132-page-images/p0123.png
diff --git a/28132-page-images/p0124.png b/28132-page-images/p0124.png
new file mode 100644
index 0000000..58399c9
--- /dev/null
+++ b/28132-page-images/p0124.png
diff --git a/28132-page-images/p0125-image1.jpg b/28132-page-images/p0125-image1.jpg
new file mode 100644
index 0000000..c0f36c4
--- /dev/null
+++ b/28132-page-images/p0125-image1.jpg
diff --git a/28132-page-images/p0125.png b/28132-page-images/p0125.png
new file mode 100644
index 0000000..695d51a
--- /dev/null
+++ b/28132-page-images/p0125.png
diff --git a/28132-page-images/p0126.png b/28132-page-images/p0126.png
new file mode 100644
index 0000000..e71d860
--- /dev/null
+++ b/28132-page-images/p0126.png
diff --git a/28132-page-images/p0127-image1.jpg b/28132-page-images/p0127-image1.jpg
new file mode 100644
index 0000000..469cf08
--- /dev/null
+++ b/28132-page-images/p0127-image1.jpg
diff --git a/28132-page-images/p0127.png b/28132-page-images/p0127.png
new file mode 100644
index 0000000..3f33143
--- /dev/null
+++ b/28132-page-images/p0127.png
diff --git a/28132-page-images/p0128-image1a.jpg b/28132-page-images/p0128-image1a.jpg
new file mode 100644
index 0000000..b6bb5f2
--- /dev/null
+++ b/28132-page-images/p0128-image1a.jpg
diff --git a/28132-page-images/p0128-image1b.png b/28132-page-images/p0128-image1b.png
new file mode 100644
index 0000000..a593ba7
--- /dev/null
+++ b/28132-page-images/p0128-image1b.png
diff --git a/28132-page-images/p0128-image1c.png b/28132-page-images/p0128-image1c.png
new file mode 100644
index 0000000..7617e97
--- /dev/null
+++ b/28132-page-images/p0128-image1c.png
diff --git a/28132-page-images/p0128-image1d.png b/28132-page-images/p0128-image1d.png
new file mode 100644
index 0000000..552ae84
--- /dev/null
+++ b/28132-page-images/p0128-image1d.png
diff --git a/28132-page-images/p0128.png b/28132-page-images/p0128.png
new file mode 100644
index 0000000..c824ff6
--- /dev/null
+++ b/28132-page-images/p0128.png
diff --git a/28132-page-images/p097.png b/28132-page-images/p097.png
new file mode 100644
index 0000000..d804b17
--- /dev/null
+++ b/28132-page-images/p097.png
diff --git a/28132-page-images/p098.png b/28132-page-images/p098.png
new file mode 100644
index 0000000..2a2c024
--- /dev/null
+++ b/28132-page-images/p098.png
diff --git a/28132-page-images/p099.png b/28132-page-images/p099.png
new file mode 100644
index 0000000..ee22d1d
--- /dev/null
+++ b/28132-page-images/p099.png
diff --git a/28132-page-images/p100.png b/28132-page-images/p100.png
new file mode 100644
index 0000000..3465c4c
--- /dev/null
+++ b/28132-page-images/p100.png
diff --git a/28132-page-images/p101.png b/28132-page-images/p101.png
new file mode 100644
index 0000000..e13141a
--- /dev/null
+++ b/28132-page-images/p101.png
diff --git a/28132-page-images/p102.png b/28132-page-images/p102.png
new file mode 100644
index 0000000..5bea804
--- /dev/null
+++ b/28132-page-images/p102.png
diff --git a/28132-page-images/p103.png b/28132-page-images/p103.png
new file mode 100644
index 0000000..44a64ea
--- /dev/null
+++ b/28132-page-images/p103.png
diff --git a/28132-page-images/p104.png b/28132-page-images/p104.png
new file mode 100644
index 0000000..8306211
--- /dev/null
+++ b/28132-page-images/p104.png
diff --git a/28132-page-images/p105.png b/28132-page-images/p105.png
new file mode 100644
index 0000000..936f9d6
--- /dev/null
+++ b/28132-page-images/p105.png
diff --git a/28132-page-images/p106.png b/28132-page-images/p106.png
new file mode 100644
index 0000000..02186bd
--- /dev/null
+++ b/28132-page-images/p106.png
diff --git a/28132-page-images/p107.png b/28132-page-images/p107.png
new file mode 100644
index 0000000..8537f3f
--- /dev/null
+++ b/28132-page-images/p107.png
diff --git a/28132-page-images/p108.png b/28132-page-images/p108.png
new file mode 100644
index 0000000..256366a
--- /dev/null
+++ b/28132-page-images/p108.png
diff --git a/28132-page-images/p109.png b/28132-page-images/p109.png
new file mode 100644
index 0000000..394317e
--- /dev/null
+++ b/28132-page-images/p109.png
diff --git a/28132-page-images/p110.png b/28132-page-images/p110.png
new file mode 100644
index 0000000..16ea49d
--- /dev/null
+++ b/28132-page-images/p110.png
diff --git a/28132-page-images/p111.png b/28132-page-images/p111.png
new file mode 100644
index 0000000..37f5d64
--- /dev/null
+++ b/28132-page-images/p111.png
diff --git a/28132-page-images/p112.png b/28132-page-images/p112.png
new file mode 100644
index 0000000..82558ef
--- /dev/null
+++ b/28132-page-images/p112.png
diff --git a/28132-page-images/p113.png b/28132-page-images/p113.png
new file mode 100644
index 0000000..60fcc11
--- /dev/null
+++ b/28132-page-images/p113.png
diff --git a/28132-page-images/p114.png b/28132-page-images/p114.png
new file mode 100644
index 0000000..abd91d9
--- /dev/null
+++ b/28132-page-images/p114.png
diff --git a/28132-page-images/p115.png b/28132-page-images/p115.png
new file mode 100644
index 0000000..138b330
--- /dev/null
+++ b/28132-page-images/p115.png
diff --git a/28132-page-images/p116.png b/28132-page-images/p116.png
new file mode 100644
index 0000000..85d10da
--- /dev/null
+++ b/28132-page-images/p116.png
diff --git a/28132-page-images/p117.png b/28132-page-images/p117.png
new file mode 100644
index 0000000..b64a289
--- /dev/null
+++ b/28132-page-images/p117.png
diff --git a/28132-page-images/p118.png b/28132-page-images/p118.png
new file mode 100644
index 0000000..a83a7be
--- /dev/null
+++ b/28132-page-images/p118.png
diff --git a/28132-page-images/p119.png b/28132-page-images/p119.png
new file mode 100644
index 0000000..2e7171d
--- /dev/null
+++ b/28132-page-images/p119.png
diff --git a/28132-page-images/p120.png b/28132-page-images/p120.png
new file mode 100644
index 0000000..d2ed0e9
--- /dev/null
+++ b/28132-page-images/p120.png
diff --git a/28132-page-images/p121.png b/28132-page-images/p121.png
new file mode 100644
index 0000000..1188cc4
--- /dev/null
+++ b/28132-page-images/p121.png
diff --git a/28132-page-images/p122.png b/28132-page-images/p122.png
new file mode 100644
index 0000000..0e9b497
--- /dev/null
+++ b/28132-page-images/p122.png
diff --git a/28132-page-images/p123.png b/28132-page-images/p123.png
new file mode 100644
index 0000000..2802911
--- /dev/null
+++ b/28132-page-images/p123.png
diff --git a/28132-page-images/p124.png b/28132-page-images/p124.png
new file mode 100644
index 0000000..58399c9
--- /dev/null
+++ b/28132-page-images/p124.png
diff --git a/28132-page-images/p125.png b/28132-page-images/p125.png
new file mode 100644
index 0000000..695d51a
--- /dev/null
+++ b/28132-page-images/p125.png
diff --git a/28132-page-images/p126.png b/28132-page-images/p126.png
new file mode 100644
index 0000000..e71d860
--- /dev/null
+++ b/28132-page-images/p126.png
diff --git a/28132-page-images/p127.png b/28132-page-images/p127.png
new file mode 100644
index 0000000..3f33143
--- /dev/null
+++ b/28132-page-images/p127.png
diff --git a/28132-page-images/p128.png b/28132-page-images/p128.png
new file mode 100644
index 0000000..c824ff6
--- /dev/null
+++ b/28132-page-images/p128.png
diff --git a/28132.txt b/28132.txt
new file mode 100644
index 0000000..0d7eaca
--- /dev/null
+++ b/28132.txt
@@ -0,0 +1,1337 @@
+Project Gutenberg's The Nursery, April 1877, Vol. XXI. No. 4, by Various
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Nursery, April 1877, Vol. XXI. No. 4
+       A Monthly Magazine for Youngest Readers
+
+Author: Various
+
+Release Date: February 20, 2009 [EBook #28132]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, APRIL 1877 ***
+
+
+
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+
+
+
+
+
+
+THE
+
+NURSERY
+
+
+_A Monthly Magazine_
+
+FOR YOUNGEST READERS.
+
+VOLUME XXI.--No. 4.
+
+          BOSTON:
+          JOHN L. SHOREY, No. 36 BROMFIELD STREET,
+          1877.
+
+
+          Entered according to Act of Congress, in the year 1877, by
+
+          JOHN L. SHOREY,
+
+          In the Office of the Librarian of Congress at Washington.
+
+          FRANKLIN PRESS:
+          RAND, AVERY, AND COMPANY,
+          117 FRANKLIN STREET,
+          BOSTON.
+
+
+[Illustration: Contents]
+
+IN PROSE.
+
+  "Why did Elfrida go to Sleep?"           97
+  The Prairie-Dog                         100
+  Strut                                   101
+  Third Lesson in Astronomy               103
+  The Robbery                             104
+  The Little Recruit                      107
+  One good turn deserves another          109
+  A Letter from Texas                     110
+  Drawing-Lesson                          113
+  A Story of a Seal                       114
+  Fun in Winter                           117
+  Old Whitey                              118
+  Why do they all Love Freddy?            122
+  My Rabbits                              125
+  The Council of Buzzards                 127
+
+
+IN VERSE.
+
+  The Caterpillars                       102
+  Puss and her Three Kittens             106
+  Fred and Ned                           120
+  How the Morning comes                  124
+  A Mother Goose Melody (_with music_)   128
+
+[Illustration]
+
+
+[Illustration: "WHY DID ELFRIDA GO TO SLEEP?"
+
+VOL. XXI.--NO. 4.]
+
+
+
+
+"WHY DID ELFRIDA GO TO SLEEP?"
+
+
+[Illustration: T]HAT was the question, "Why did Elfrida go to sleep?"
+She had been sent to the grocer's in the village; and the grocer's was
+only half a mile off from Brook Cottage, where she lived with her aunt
+and five cousins. She had been sent to buy a pound of sugar, half a
+pound of coffee, and five small rolls of bread.
+
+Usually she would go to the shop and return in less than half an hour.
+Now a whole hour went by, and no Elfrida was to be seen. What could be
+the matter? Had she run a thorn into her foot, and been lamed? Had she
+stopped to talk with the children on their way home from school? Had she
+been run over by a fast horse?
+
+"Let us go and find her," cried James, the eldest of the three boys.
+"Let us all go!" echoed Susan, his youngest sister. "Shall Sport go with
+us?" asked Emma. "By all means!" said James. "Here, Sport, Sport! Where
+are you, old fellow?" A big black-and-white Newfoundlander soon rushed
+frisking in, wagging his tail, and seeming ready to eat up every one of
+the children, just to show them how fond he was of them all.
+
+Then the children all set out for Mr. Spicer's shop. There they learned
+that no Elfrida had been seen in the shop that afternoon. "Where can she
+be?" cried James, a little anxious. "Sport, where is Elfrida?"
+
+Sport stopped his nonsense of playing with a stick, and began to look
+serious. Then he made a bee-line for the nearest turning on the right,
+on the way home. This was an old lane, on which some old gardens backed,
+and which led, by a little longer way, to Brook Cottage.
+
+By the time the children had arrived at the head of the lane, Sport was
+seen galloping back in a state of great excitement. "Bow-wow!"--"Oh, you
+have found her, have you, old fellow?"--"Bow-wow!"--"Well and good! You
+are a jolly old Sport!"
+
+On the step of the gate of an old garden sat Elfrida, fast asleep, with
+her empty basket in her lap. Emma proposed to tickle her nose with a
+straw. "No! I will pull that thick braid of hair," said Susan. "No! let
+me whisper in her ear," said James. But, before anybody did any thing,
+Sport settled the question by putting his paws up on her shoulders, and
+crying, "Bow-wow!"
+
+Elfrida started, and looked around as if in a dream. "What does it mean?
+How long have I been here?" cried she. "Why did you go to sleep?" asked
+the two girls. "Yes, why, why, did you go to sleep?" echoed all the
+boys. "Oh, that's my secret," said Elfrida. "Now who can catch me in my
+run to Mr. Spicer's?" So off she started, followed by Sport and all the
+children.
+
+"Now tell us why did you go to sleep?" said the children, as they were
+all on their way home, after she had made her purchases. "Will you
+promise not to tell anybody, if I tell you?" asked Elfrida. "We promise,
+we promise!" cried all the children. "Now, then, why did you go to
+sleep?"--"Hush! I went to sleep because--because--because I was sleepy,"
+said Elfrida.
+
+                                                ARTHUR SELWYN.
+
+[Illustration]
+
+
+
+
+THE PRAIRIE-DOG
+
+
+MY friend John lives in Colorado, not far from Denver; and he writes me,
+that he and his sister, not long ago, walked out to see some
+prairie-dogs.
+
+The prairie-dog is about the size of a full-grown squirrel, and of a
+like color. It makes a hole for itself in the ground. This hole is in
+the shape of a tunnel, and as large round as a man's hat.
+
+[Illustration]
+
+Now, this little dog is so gentle, that he lets the owl and the
+rattlesnake come and live with him, if they like. All three are often
+found dwelling together. For my part, I should not much like such
+neighbors.
+
+The prairie-dogs live on the roots of grass. Scattered all around the
+entrance to their homes, you may see remnants of the dry roots which
+they have got for food. They are quick in their movements, and quite
+playful.
+
+Johnny writes me, that, when some of these little dogs saw him and his
+sister approaching, they sat down on their hind-legs, and began barking.
+Then they dropped into their holes backwards. As Johnny did not care to
+wake up any of the other lodgers, he and his sister went home, well
+content with their first sight of a prairie-dog.
+
+                                                   AUNT ALICE.
+
+[Illustration]
+
+
+
+
+STRUT
+
+
+STRUT was the name of a hen that lived on Father Nunn's farm, nine miles
+from Norwalk, Ohio.
+
+She was very vain; that is, she had a very good opinion of herself. She
+always would strut when walking. Indeed, it was hard for her to pick up
+grains of corn as other chickens did. I think she never saw her feet in
+her life: certainly she never looked where she stepped.
+
+Worse than all this, when she saw any person in the yard, instead of
+dodging away, as a modest hen should, she would strut right up to such a
+person, and look saucily in his face, as though asking, "Who are you?
+Where are you going? What for?"
+
+At last, however, Strut received a severe rebuke for her evil ways.
+Cousin William Bird, who is soon to be a doctor, was visiting at Father
+Nunn's. Having occasion to climb the ladder to the barn-loft, he saw
+Strut on the farther side. He knew that she would come straight to him;
+and he also knew that she would not look where she stepped. So he held
+still to see what would happen; for exactly between them was an opening
+in the floor for throwing down hay.
+
+Sure enough, Strut started for Cousin William, and, stepping off the
+edge of the hole, fell fluttering, cackling, and frightened, to the
+floor beneath.
+
+She was humbled by her fall; for she never strutted again, but walked
+and ate afterwards like other chickens.
+
+                                                    UNCLE JOE.
+
+
+
+
+THE CATERPILLARS
+
+
+    EIGHT great cabbages growing in the ground;
+    Crowds of little caterpillars crawling all around;
+    Caterpillars squirmed about, and wriggled in the sun;
+    Said, "These cabbages look sweet: suppose we taste of one!"
+
+    Down flew a hungry bird, coming from the wood,
+    Saw the caterpillars there, and said, "Won't those taste good!"
+    Up crept pussy-cat, hunting round for mice,
+    Saw the bird, and smacked her lips, and said, "Won't he taste nice!"
+
+    Dog saw pussy creeping there, and he began to run,
+    Said, "Now I will frighten puss, and then there will be fun!"
+    So doggy barked; and pussy hid; and birdie flew away;
+    And caterpillars lived to eat a cabbage up that day.
+
+                                                      FLETA F.
+
+[Illustration]
+
+
+
+
+THIRD LESSON IN ASTRONOMY
+
+
+I HAVE told you about the sun and the stars. Can you think of any thing
+else in the sky that you would like to know a little about? Of course, I
+do not mean the dark clouds, but something bright and pretty, that all
+children love to look at.
+
+I think you must have guessed that I mean the moon,--the beautiful moon.
+Now, I want you to make another guess: Is the moon bright because it is
+made of fire, like the sun; or because the sun shines on it, as it does
+on Venus and Jupiter?
+
+If any of you think it is made of fire, you must try to warm your little
+toes and fingers in the moonlight, as you do in the sunshine, and you
+will find out for yourselves that it is not a great fire, like the sun,
+and that you cannot get warm in the light of it.
+
+And now you will guess at once, that, if it is not fire itself, it must
+shine from the sun's fire; and that is right. The moon itself is cold
+and dark. It is the light of the sun that makes it look bright to us. We
+might call it the sun's looking-glass, in which we see his image or
+reflection.
+
+But we cannot at all times see the whole of it. When we do, we call it a
+full moon, and, when we see only the edge of it, we say it is a new
+moon. The moon itself does not change its shape. It is always round,
+like an orange--a dark round ball, which we should never see at all, if
+the sun did not light it up for us; and it is only a part of the time we
+can see the side which is lighted up.
+
+Which do you suppose is the larger,--the moon, or the stars? Now I know
+you will say the moon, because it looks so much larger; but you must
+remember that the stars are so far away, we can hardly see them at all,
+and the moon is our own moon, and much nearer to us than our own sun.
+
+We can see more of it than we can see of the stars; but it is a very
+small thing indeed, compared with one of them. It would take about fifty
+moons to make one such earth as we live on, and it would take more
+earths than you can count to make one star or sun.
+
+                                                      M. E. R.
+
+
+
+
+THE ROBBERY.
+
+
+I MUST tell you of something that happened one day last summer, when I
+was at the Zooelogical Garden in Philadelphia.
+
+Among the persons standing around the cage where the monkeys were kept,
+was an old lady who had on a pair of gold-rimmed spectacles. All at
+once, a big brown monkey stretched out his paw between the bars,
+snatched the spectacles, and scampered away, chattering and grinning
+with delight.
+
+Of course, the poor lady was in distress. The keeper came to the rescue,
+and, by driving the monkey about the cage with a long pole, forced him
+at last to drop the spectacles. But one of the glasses had come out of
+it; and this the thief still held in his mouth, and refused to give up.
+
+[Illustration]
+
+The keeper followed him sharply with the pole. Away he went, swinging
+from one rope to another, screaming and scolding all the time, until the
+keeper was so tired, that I feared he would have to let the monkey keep
+the glass. But this the keeper said would never do; for he knew, that,
+if he let the monkey carry the day, he never could control him again.
+
+So the keeper still plied his pole. The monkey dodged it as well as he
+could, until the blows came so thick and fast, that he could bear them
+no longer, when he opened his mouth, and let the glass drop.
+
+Now comes the funniest part of the story. The glass fell quite near the
+bars, just where the old lady was standing; and a gentleman took her
+parasol, which had a hooked handle, to draw it within reach. But he put
+the parasol in a little too far, and it slipped out of his hand.
+
+Instantly a large yellow monkey wrapped his long tail around it, and
+started off. Imagine the feelings of the poor old lady--first robbed of
+her spectacles, and then of her parasol!
+
+But her property was all recovered at last; the robbers were both
+punished; and she went on her way in peace.
+
+                                                 MRS. E. S. R.
+
+
+
+
+PUSS AND HER THREE KITTENS.
+
+
+          OUR old cat has kittens three;
+          What do you think their names should be?
+          One is a tabby with emerald eyes,
+            And a tail that's long and slender;
+          But into a temper she quickly flies,
+            If you ever by chance offend her.
+              I think we shall call her this--
+              I think we shall call her that;
+            Now, don't you fancy "Pepper-pot"
+              A nice name for a cat?
+
+          One is black, with a frill of white,
+            And her feet are all white fur, too;
+          If you stroke her, she carries her tail upright,
+            And quickly begins to purr, too.
+              I think we shall call her this--
+              I think we shall call her that;
+            Now, don't you fancy "Sootikin"
+              A nice name for a cat?
+
+          One is a tortoise-shell, yellow and black,
+            With a lot of white about him:
+          If you tease him, at once he sets up his back:
+            He's a quarrelsome Tom, ne'er doubt him!
+              I think we shall call him this--
+              I think we shall call him that;
+            Now, don't you fancy "Scratchaway"
+              A nice name for a cat?
+
+            Our old cat has kittens three,
+            And I fancy these their names will be:
+          "Pepper-pot," "Sootikin," "Scratchaway,"--there!
+          Were there ever kittens with these to compare?
+          And we call the old mother--now, what do you think?
+            "Tabitha Longclaws Tiddleywink."
+
+                                                  THOMAS HOOD.
+
+
+
+
+THE LITTLE RECRUIT.
+
+
+THERE had been an insurrection in Dolldom. _Insurrection_ is a big word:
+what does it mean, I wonder? I will tell you: it means an uprising, a
+rebellion. If a number of persons should refuse to obey the law, and
+rise up in arms to resist it, they would be guilty of an insurrection.
+
+[Illustration]
+
+Now, it happened (according to Tommy's story) that all the dolls in the
+house, headed by a naughty male doll of African descent, and known as
+"Dandy Jim," rose in insurrection against their lawful queen, Lucy the
+First, whose brother, Duke Tommy, was commander-in-chief of her
+Majesty's forces.
+
+The rebels were well fortified in one corner of the play-room. They had
+mounted several cannon on alphabet-blocks; and a whole company of tin
+soldiers defended the outworks. Besides this, a china dog and a wooden
+elephant had been enlisted as allies, and stood bravely in front.
+
+General Tommy felt a weight of responsibility upon his shoulders, and,
+like a prudent soldier, he resolved not to go into battle until his army
+was large enough to make victory certain. So he enlisted Queen Lucy the
+First as a recruit.
+
+Queen Lucy looked very grand in her paper cocked hat, with a feather at
+the top. She carried a gun; and General Tommy taught her how to fire it
+off. When all were ready for the onset, he blew a trumpet.
+
+The army marched in excellent order along the entry, into the play-room;
+and not a soldier drew back as they came within sight of the enemy.
+"Halt!" cried General Tommy. The army halted. The traitor, "Dandy Jim,"
+stood pointing his sword, and the dolls all kept still.
+
+One long blast of the trumpet, and then the brave General Tommy cried
+out, "Now, soldiers, on, on to victory!"
+
+On they went. The tin soldiers were soon swept down. The dog and the
+elephant were handsomely beaten; and, rushing into the fort, General
+Tommy seized the traitor, "Dandy Jim," by the throat, and said, "Now,
+sir, your doom is a dungeon!"
+
+The dolls all fell on their knees, and thus was the great insurrection
+in Dolldom put down without bloodshed, and the authority of Queen Lucy
+the First fully restored. Of course, there was great rejoicing; and,
+when the reporter left, General Tommy was preparing for a grand
+illumination.
+
+                                                 EMILY CARTER.
+
+[Illustration]
+
+
+
+
+ONE GOOD TURN DESERVES ANOTHER.
+
+
+ON a fine summer day, a dove, that was perched upon the branch of a
+tree, saw a bee fall into a stream that was flowing past. The poor bee
+tried to get out of the water, but could not.
+
+The dove, seeing that the bee was struggling for her life, dropped a
+leaf close beside her, so that she might climb on to it, and save
+herself. This the bee at once did, and very glad she was to find herself
+safe once more.
+
+Not long after this, a sportsman, who was roaming through the woods for
+game, saw the dove flying about, and lifted his gun to shoot her. But,
+just as he was taking aim, something happened, that checked him in the
+act.
+
+The bee, whose life had been saved by the dove, was going about from
+flower to flower in search of honey, when she saw the sportsman taking
+aim at the good dove that had befriended her in her time of need. "That
+dove once saved my life, and now I will save hers," thought the bee to
+herself.
+
+With that she flew at the sportsman, and stung him on the lip. The poor
+fellow dropped his gun with a loud cry of pain, which so startled the
+dove, that she flew away; and the man did not have another chance to
+shoot her. "Surely one good turn deserves another," thought the bee, as
+she turned merrily to her work.
+
+                                                      LEONORA.
+
+
+
+
+A LETTER FROM TEXAS.
+
+
+_Dear Children_,--I am writing this letter at my office-desk in San
+Antonio, Texas, a long way off from some of you who will read it. I am
+the big brother of a lot of little ones, and they call me "Doc."
+
+We take "The Nursery," and the little folks think it is splendid. As
+soon as it comes, mamma reads the stories, and shows them the pictures.
+
+They crowd around her to listen: some of them sit down on chairs like
+little ladies; some sit on the floor like beggars; and some--I am sorry
+to say--lie flat down on the carpet, like--certainly not like ladies and
+gentlemen.
+
+What do you think, children, of boys and girls who lie on the floor, and
+kick up their heels in the air? _You_ would not do so, would you?
+
+[Illustration]
+
+Now listen! I want to tell you something about our cat. When we first
+got her, she was a tiny kitten, and we fed her on milk in a saucer. You
+ought to have seen her lap it up with her little tongue! Don't you think
+it is a pretty sight to see a kitten drinking milk? I do. But our cat
+isn't a kitten any longer, but a great, big, grown cat.
+
+Well, the other night she got locked up in the schoolroom. You know Miss
+Anna and Miss Emma teach a big school in our house, and Willie,
+Pressley, Eddie, May, and Emily go to it. Sadie, "Little Lalla," and
+baby are too young for school yet. These are my little brothers' and
+sisters' names. There are eight of them mentioned here. See if you can
+count them.
+
+As soon as Emily found out that Kitty was locked up, she ran to Miss
+Eliza and mamma, and asked them to let her out; but they said, "No," for
+they knew that, if she got out of the schoolroom, she would surely run
+into the dining-room, and drink up the baby's milk. So she had to stay
+there all night.
+
+Early next morning, Miss Eliza went into the schoolroom to let Kitty
+out; and what do you think she saw? There was Kitty, fast asleep in
+Willie's little wagon, and four little kittens lying by her side, fast
+asleep too.
+
+When Miss Eliza went back to the nursery, and told the children what she
+had seen, Eddie, May, Emily, Sadie, and even "Little Lalla" set up a big
+shout, and, bursting out of the nursery, ran shouting and laughing to
+the little wagon in the schoolroom, where, sure enough, there they were,
+four little ones. Three were gray and white, and one gray and black.
+Kitty looked so pleased and so happy! You ought to have seen her. Wasn't
+that a nice surprise?
+
+May chose the one that looked most like Kitty: Emily and Sadie each
+chose one of the gray-and-white ones, and Eddie took the gray-and-black
+fellow.
+
+To-day is Emily's birthday. She is seven years old, and may have a
+little party. If she _does_, how I would like to have you all here to
+play with her! However, at some future time I may write, and tell you
+all about it.
+
+But it is time for me to run home, and get some dinner: so good-by.
+
+                                                        "DOC."
+
+
+[Illustration]
+
+
+
+
+[Illustration: DRAWING-LESSON BY HARRISON WEIR.
+
+VOL. XXI.--NO. 4.]
+
+
+
+
+A STORY OF A SEAL.
+
+
+"THE seal is an amphibious quadruped."
+
+"Oh, come now, Aunt Emily, do not puzzle us with your hard names," cries
+Johnny.
+
+"But, Johnny, a lad seven years old ought to know that _amphibious_
+means 'capable of living on land or water;' and that _quadruped_ means
+'having four feet.'"
+
+"Oh, now I understand," said Johnny. "But does the seal have feet?"
+
+"It has a sort of feet; but they are so wrapped up in the skin, that
+they are not of much use on land, except to help it to creep, after a
+fashion. So the seal passes most of its time in the sea, coming on shore
+only to bask and sleep in the sun, or to suckle its young ones. It is
+covered with a close thick fur and is a very good swimmer."
+
+"But let us have the story," said Jane.
+
+"The story is this: once a fisherman, after harpooning an old seal,
+found one of its young ones on the sand, and took it home. Here it
+became the playmate of the children, whom it seemed to love very much.
+They named it Blue-eyes. It would play with them from morning till
+night, would lick their hands, and call them with a gentle little cry,
+not unlike the human voice in its tone.
+
+"It would look at them tenderly with its large blue eyes, shaded by long
+black lashes. It was very fond of music. It would follow its master to
+fish, swimming around the boat, and taking a great many fish, which it
+would give up without even biting them. No dog could have been more
+faithful, or more quick to learn what was wanted.
+
+"But the fisherman's half-sister was a silly old woman. She had come to
+help nurse his wife, who was ill. This half-sister took it into her head
+that the poor seal would bring bad luck to the family. She told her
+brother that he must get rid of it.
+
+[Illustration]
+
+"Weary of her teasing, he at last took the poor seal, rowed with it out
+into the open sea, and there, more than seven miles from the shore,
+threw it into the water, and then hurried home as fast as sails would
+carry him.
+
+"But, when he entered his cottage, the first thing he saw was the
+faithful seal lying close beside the cradle of one of his children. As
+soon as it saw its master, it showed great joy, and tried to caress
+him. But he took the seal and gave it away to a sailor, who was going on
+a long voyage. Two weeks afterward, as the fisherman came back from his
+boat, he saw the seal at play with the children.
+
+"'If you do not kill that seal, I will kill it myself,' said the old
+aunt. The children began to cry. 'No, no, you shall not kill it!' cried
+Hans with flashing eyes. 'You shall kill me first,' cried little Jane.
+'You have no right to kill it,' cried Mary, the eldest girl.
+
+"'Am I to be ruled by these children?' said the silly aunt, turning to
+her brother.
+
+"'The seal shall live,' said he: 'the children shall have their way.
+Your notion that the poor seal brings bad luck is a very silly notion.
+You ought to be ashamed of it.'
+
+"'Hurrah!' cried Hans. 'Blue-eyes, the vote is taken: you are to live,
+and all this nonsense about your bringing bad luck is blown away.'
+
+"The seal began to flop about as if in great joy.
+
+"'I shall leave the house at once,' said the silly aunt.
+
+"'Do as you please,' said the fisherman.
+
+"And so it turned out, that the only ill luck brought to the family by
+the seal was the departure of the cross and silly old aunt. And, if the
+truth were known, this was found to be a very good thing for all. The
+fisherman prospered, the mother of the children got well at once; and
+all were happier than ever before, including Blue-eyes, who now was the
+jolliest seal that ever played with children."
+
+                                                 EMILY CARTER.
+
+[Illustration]
+
+[Illustration]
+
+
+
+
+FUN IN WINTER.
+
+
+THE ground was white with snow. The sky looked black as though another
+storm were coming. The day was very cold; but the tough boys and girls
+did not mind the cold weather. They were out to have some fun.
+
+Their rubber boots, and thick coats and mittens, kept them dry and warm.
+One of the boys, though, had come out bare-headed. He was the boy who
+never _could_ find his cap when he wanted it. His name was Tom.
+
+"Now look here, Tom," said his brother Sam, a sturdy little chap, who
+was always trying to keep Tom in order; "this won't do. You go into the
+house and get your cap. Go quick, or you'll get this snowball right in
+your face."
+
+"Fire away!" said Tom, dancing around, and putting up his arm to keep
+off the snowball.
+
+"I'm going to have a hand in this game," said Joe, aiming a snowball at
+Sam. "Look out for yourself, old fellow."
+
+"Clear the track!" cried Bill and Ned, rolling a huge snowball down the
+hill.
+
+Mrs. O'Sullivan, who was just going up the back-steps to ask for cold
+victuals, looked around to see what was going on; while Charles had his
+own fun in dragging his little sister up the hill on her sled.
+
+All this time, a little boy named Jim, who had been having a private
+coast in the field near the house, was peeping over the fence, and
+wishing he were old enough to play with the other boys. He didn't
+venture to join them, for he was bashful, and rather timid: but he saw
+all that took place, and he will remember all about it when he sees this
+picture.
+
+                                                    UNCLE SAM.
+
+
+
+
+OLD WHITEY.
+
+
+I AM a great boy six years old, and I take "The Nursery." Some of the
+stories I spell out myself; but the most of them mamma reads aloud to my
+little brother Albert and me.
+
+Last summer, we all went to visit an uncle who lives on a large farm. We
+had just the best kind of a time. There was a big dog, named Rover, that
+would play with us for hours. He would run after and bring back a ball
+or stick, or any thing that we would throw for him. He would "speak,"
+"roll over," "sit up and read," and do lots of funny tricks.
+
+Then there was a white horse twenty-five years old, and just as sleek
+and fat as a colt. Old Whitey has lived on the farm ever since he was a
+little colt. Old as he is, he is still able to do a great deal of work.
+
+[Illustration]
+
+One day Uncle Wash was ploughing, and he put me on the back of Old
+Whitey. Well, I liked that very much, and began to cluck, and jerk the
+reins, to make him go along; when in an instant, without any warning, he
+pricked up his ears, kicked up his heels, and ran away, leaving the
+plough behind.
+
+I can't tell you how scared I was. I held on as long as I could; but it
+was of no use. The old horse ran through swamps and bogs, and dropped
+me, head first, in the mud and dirt. I was hurt on my head and side, but
+I would not cry because I was too big for that. When the men got to me,
+I was hunting for my hat.
+
+After getting rid of his load, the runaway coolly walked up to the barn,
+and stood looking as mild as a lamb. I didn't have any faith in Old
+Whitey after that, though his master said he never knew him to do such a
+thing before.
+
+                                                       NELSON.
+  WOODSTOCK, VT.
+
+
+
+
+FRED AND NED.
+
+
+[Illustration]
+
+          "OH, this is weather for play, for play!
+          And I will not go to school to-day,"
+          Said Master Frederic Philip Fay.
+
+          So he hung his satchel upon a tree:
+          And over the hills to the pond went he,
+          To frolic, and see what he could see.
+
+          He met a boy on the way to school,
+          And said, "Ned Foster, you're a fool
+          To study and plod because it's the rule."
+
+          Quoth Ned, "You'll find that _he's_ the fool
+          Who, for his pleasure, shirks his school:
+          Sun, moon, and stars, all go by rule."
+
+          Then Ned passed cheerily on his way,
+          And not another word did say
+          To Master Frederic Philip Fay.
+
+          Fred sat him down on a rock near by,
+          And cast a look on the bright blue sky,
+          And then at the sun, that was mounting high.
+
+          "Yes, truly, the sun has no time for play:
+          He has to go in a certain way,"
+          Said Master Frederic Philip Fay.
+
+          "Oh! what would become of us all, suppose
+          The sun, some morn, should say, as he rose,
+          'A truant I'll be to-day--here goes!'
+
+          "Then off should whirl in a mad career,
+          And leave it all night and winter here,--
+          No blue in the sky, no flower to cheer?
+
+          "Yes, there is a duty for every one,
+          For Master Fay, as well as the sun:
+          A law must be minded, a task must be done."
+
+          Up started Frederic Philip Fay:
+          He took from the tree his satchel away,
+          And ran off to school without delay.
+
+                                                      IDA FAY.
+
+[Illustration]
+
+
+
+
+WHY DO THEY ALL LOVE FREDDY?
+
+
+"BUT do they all love Freddy, mamma?"
+
+"I think there is no doubt of it, Freddy. The cat loves you; for she
+will let you pull her about, and never try to scratch you."
+
+"Yes; and I think old Towser loves me. He lets me get on his back: he
+never bites me."
+
+"I would like to catch him at it--biting my little Freddy! He knows too
+much for that; and, besides, he loves you."
+
+"But does the old cow love me, mamma?"
+
+"Why, didn't she let you play with her calf, and never try to hook you?
+The old cow loves Freddy, and will give him all the fresh milk he
+wants."
+
+"The hens love me because I feed them."
+
+"Yes, the hens love you; and, more than that, the little sparrows love
+you; for they follow you, and hop about your feet, as if they wanted to
+say, 'Good-morning, Freddy! We all love you, Freddy.'"
+
+"But I will tell you one beast that does not love me, mamma. The old sow
+does not love me."
+
+"Don't you believe it, little boy! The old sow loves you just as well as
+Towser does; just as well as the cow does; just as well as old Scamper,
+the horse, loves you."
+
+"I should like to be sure that the sow loves me."
+
+"Come with me, and I will put you on her back; and, if she does not like
+it, it will be a sign that she does not love you; but, if she does like
+it, it will be a sign that she loves my little Freddy just as much as
+the others do."
+
+So mamma took Freddy, and placed him on the back of the old sow. The old
+sow gave a look over her ears, saw it was Freddy, and then uttered a
+contented grunt, as much as to say, "All right! Freddy, you are a
+darling, and I love you."
+
+[Illustration]
+
+"Did I not tell you that the old sow loved you, like the rest?"
+
+"Yes, mamma; but why, why, do they love me? Tell me that."
+
+Mamma snatched Freddy up in her arms, took him into the house, and then
+said, "I think they must love you, Freddy, because you love them. Love
+wins love, you know. The person who says that no one loves him should
+ask himself the question, 'But do I love any one?'"
+
+                                                      IDA FAY.
+
+
+
+
+HOW THE MORNING COMES.
+
+
+              CHEERY, cheery,
+              Out of the dreary
+                Dark there glows
+          A tint of yellow, a purple gleam,
+          A shine of silver, a brazen beam,
+              A flush of rose;
+          The darkness, meanwhile, flying, gone:
+          Thus does the morning dawn.
+
+              Creeping, creeping,
+              Daintily peeping,
+                Hastes the light
+          Through the window to see where lies
+          The little girl with the sleepy eyes;
+              Glistens bright
+          With very joy to find the place
+          Where lies her dreaming face.
+
+              Drowsy, drowsy,
+              A little frowzy
+                Gold-locked head
+          Turns on its pillow, yawns, and winks;
+          Lifts from its pillow, peeps, and blinks;
+                Turns in bed;
+          Then with a slow, reluctant shake,
+          Is almost wide awake.
+
+                                        MRS. CLARA DOTY BATES.
+
+[Illustration]
+
+
+
+
+MY RABBITS.
+
+
+ONE day Cousin John asked me if I would like two nice rabbits. I said I
+would like them very much. So he gave them to me, and I had a pen made
+for them.
+
+One I called Pink, and the other White. They were very tame, and soon
+got to know their names. I took them out and let them run about the yard
+every fine day.
+
+Once Pink ran away, and I thought he was lost. I had a long chase after
+him through the bushes; but I caught him at last and brought him home.
+
+My brother George kept a lot of chickens in the yard, and while I fed my
+pet rabbits, he would feed his chickens.
+
+                                                       HATTIE.
+
+[Illustration]
+
+
+
+
+THE COUNCIL OF BUZZARDS.
+
+
+THE buzzard is a large black bird, nearly as large as a turkey. He never
+kills that he may eat, but devours the refuse in the city streets, and
+the dead animals on the prairies and swamps of the Southern States. It
+is against the law to shoot buzzards; for they are the health officers
+of the South.
+
+Here, in beautiful, sunny Louisiana, I seldom look out doors without
+seeing one or more buzzards slowly circling around in the air in quest
+of food. Before they begin to eat, they arrange themselves in a solemn
+row, as if holding a council, and "caw" in a very wise manner. Then one
+flies down, and then another, and another; and as they eat, they seem to
+comment on their repast. At last nothing is left of it but the bare
+bones to bleach in the sun. They will eat an ox in a day.
+
+                                                     AUNT ANN.
+  LA TECHE, LA.
+
+[Illustration]
+
+
+
+
+A MOTHER GOOSE MELODY.
+
+Music by ANNIE MOORE.
+
+
+[Illustration: Music]
+
+          Three little dogs were basking in the cinders,
+          And three little cats were playing in the windows,
+          Three little mice popp'd out of a hole,
+          And a piece of cheese they stole, they stole!
+          The three little cats jump'd up in a trice,
+          And crack'd the bones of the three little mice,
+          The three little mice.
+
+       *       *       *       *       *
+
+Transcriber's Notes:
+
+The January edition of the Nursery had a table of contents for the first
+six issues of the year. This table was divided to cover each specific
+issue. A title page copied from the January edition was also used for
+this number.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Nursery, April 1877, Vol. XXI. No.
+4, by Various
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, APRIL 1877 ***
+
+***** This file should be named 28132.txt or 28132.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/2/8/1/3/28132/
+
+Produced by Emmy, Juliet Sutherland and the Online
+Distributed Proofreading Team at http://www.pgdp.net. Music
+by Linda Cantoni.
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/28132.zip b/28132.zip
new file mode 100644
index 0000000..f9fb50d
--- /dev/null
+++ b/28132.zip
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..48b9f39
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #28132 (https://www.gutenberg.org/ebooks/28132)