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| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:37:36 -0700 |
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| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 02:37:36 -0700 |
| commit | 07b5a354b66c3ceff51a7e4db399a51474ead88b (patch) | |
| tree | 27e05f4f89852245ce5991fe960fd3027df16334 | |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/28164-8.txt b/28164-8.txt new file mode 100644 index 0000000..c453b1f --- /dev/null +++ b/28164-8.txt @@ -0,0 +1,5360 @@ +The Project Gutenberg EBook of The Big Bow Mystery, by I. Zangwill + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Big Bow Mystery + +Author: I. Zangwill + +Release Date: February 23, 2009 [EBook #28164] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BIG BOW MYSTERY *** + + + + +Produced by David Edwards, Mary Meehan and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + + + + + + + + + The Big Bow Mystery + + By I. Zangwill + + +Chicago and New York +Rand, McNally & Company + +Copyright, 1895, by Rand, McNally & Co. + + + + +[Illustration: "My God!" he cried.] + + + + +INTRODUCTION. + +OF MURDERS AND MYSTERIES. + + +As this little book was written some four years ago, I feel able to +review it without prejudice. A new book just hot from the brain is +naturally apt to appear faulty to its begetter, but an old book has got +into the proper perspective and may be praised by him without fear or +favor. "The Big Bow Mystery" seems to me an excellent murder story, as +murder stories go, for, while as sensational as the most of them, it +contains more humor and character creation than the best. Indeed, the +humor is too abundant. Mysteries should be sedate and sober. There +should be a pervasive atmosphere of horror and awe such as Poe manages +to create. Humor is out of tone; it would be more artistic to preserve a +somber note throughout. But I was a realist in those days, and in real +life mysteries occur to real persons with their individual humors, and +mysterious circumstances are apt to be complicated by comic. The +indispensable condition of a good mystery is that it should be able and +unable to be solved by the reader, and that the writer's solution should +satisfy. Many a mystery runs on breathlessly enough till the dénouement +is reached, only to leave the reader with the sense of having been +robbed of his breath under false pretenses. And not only must the +solution be adequate, but all its data must be given in the body of the +story. The author must not suddenly spring a new person or a new +circumstance upon his reader at the end. Thus, if a friend were to ask +me to guess who dined with him yesterday, it would be fatuous if he had +in mind somebody of whom he knew I had never heard. The only person who +has ever solved "The Big Bow Mystery" is myself. This is not paradox but +plain fact. For long before the book was written, I said to myself one +night that no mystery-monger had ever murdered a man in a room to which +there was no possible access. The puzzle was scarcely propounded ere the +solution flew up and the idea lay stored in my mind till, years later, +during the silly season, the editor of a popular London evening paper, +anxious to let the sea-serpent have a year off, asked me to provide him +with a more original piece of fiction. I might have refused, but there +was murder in my soul, and here was the opportunity. I went to work +seriously, though the _Morning Post_ subsequently said the skit was too +labored, and I succeeded at least in exciting my readers, so many of +whom sent in unsolicited testimonials in the shape of solutions during +the run of the story that, when it ended, the editor asked me to say +something by way of acknowledgement. Thereupon I wrote a letter to the +paper, thanking the would-be solvers for their kindly attempts to help +me out of the mess into which I had got the plot. I did not like to +wound their feelings by saying straight out that they had failed, one +and all, to hit on the real murderer, just like real police, so I tried +to break the truth to them in a roundabout, mendacious fashion, as thus: + + _To the Editor of "The Star."_ + + SIR: Now that "The Big Bow Mystery" is solved to the satisfaction + of at least one person, will you allow that person the use of your + invaluable columns to enable him to thank the hundreds of your + readers who have favored him with their kind suggestions and + solutions while his tale was running and they were reading? I ask + this more especially because great credit is due to them for + enabling me to end the story in a manner so satisfactory to myself. + When I started it, I had, of course, no idea who had done the + murder, but I was determined no one should guess it. Accordingly, + as each correspondent sent in the name of a suspect, I determined + he or she should not be the guilty party. By degrees every one of + the characters got ticked off as innocent--all except one, and I + had no option but to make that character the murderer. I was very + sorry to do this, as I rather liked that particular person, but + when one has such ingenious readers, what can one do? You can't let + anybody boast that he guessed aright, and, in spite of the trouble + of altering the plot five or six times, I feel that I have chosen + the course most consistent with the dignity of my profession. Had I + not been impelled by this consideration I should certainly have + brought in a verdict against Mrs. Drabdump, as recommended by the + reader who said that, judging by the illustration in the "Star," + she must be at least seven feet high, and, therefore, could easily + have got on the roof and put her (proportionately) long arm down + the chimney to effect the cut. I am not responsible for the + artist's conception of the character. When I last saw the good lady + she was under six feet, but your artist may have had later + information. The "Star" is always so frightfully up to date. I + ought not to omit the humorous remark of a correspondent, who said: + "Mortlake might have swung in some wild way from one window to + another, _at any rate in a story_." I hope my fellow-writers thus + satirically prodded will not demand his name, as I object to + murders, "at any rate in real life." Finally, a word with the + legions who have taken me to task for allowing Mr. Gladstone to + write over 170 words on a postcard. It is all owing to you, sir, + who announced my story as containing humorous elements. I tried to + put in some, and this gentle dig at the grand old correspondent's + habits was intended to be one of them. However, if I _am_ to be + taken "at the foot of the letter" (or rather of the postcard), I + must say that only to-day I received a postcard containing about + 250 words. But this was not from Mr. Gladstone. At any rate, till + Mr. Gladstone himself repudiates this postcard, I shall consider + myself justified in allowing it to stand in the book. + + Again thanking your readers for their valuable assistance, Yours, + etc. + +One would have imagined that nobody could take this seriously, for it is +obvious that the mystery-story is just the one species of story that can +not be told impromptu or altered at the last moment, seeing that it +demands the most careful piecing together and the most elaborate +dove-tailing. Nevertheless, if you cast your joke upon the waters, you +shall find it no joke after many days. This is what I read in the +_Lyttelton Times_, New Zealand: "The chain of circumstantial evidence +seems fairly irrefragable. From all accounts, Mr. Zangwill himself was +puzzled, after carefully forging every link, how to break it. The method +ultimately adopted I consider more ingenious than convincing." After +that I made up my mind never to joke again, but this good intention now +helps to pave the beaten path. + + I. ZANGWILL. + LONDON, September, 1895. + + + + +NOTE. + + +The Mystery which the author will always associate with this story is +how he got through the task of writing it. It was written in a +fortnight--day by day--to meet a sudden demand from the "Star," which +made "a new departure" with it. + +The said fortnight was further disturbed by an extraordinary combined +attack of other troubles and tasks. This is no excuse for the +shortcomings of the book, as it was always open to the writer to revise +or suppress it. The latter function may safely be left to the public, +while if the work stands--almost to a letter--as it appeared in the +"Star," it is because the author cannot tell a story more than once. + +The introduction of Mr. Gladstone into a fictitious scene is defended on +the ground that he is largely mythical. + + I. Z. + + + + +THE BIG BOW MYSTERY. + + + + +CHAPTER I. + + +On a memorable morning of early December London opened its eyes on a +frigid gray mist. There are mornings when King Fog masses his molecules +of carbon in serried squadrons in the city, while he scatters them +tenuously in the suburbs; so that your morning train may bear you from +twilight to darkness. But to-day the enemy's maneuvering was more +monotonous. From Bow even unto Hammersmith there draggled a dull, +wretched vapor, like the wraith of an impecunious suicide come into a +fortune immediately after the fatal deed. The barometers and +thermometers had sympathetically shared its depression, and their +spirits (when they had any) were low. The cold cut like a many-bladed +knife. + +Mrs. Drabdump, of 11 Glover Street, Bow, was one of the few persons in +London whom fog did not depress. She went about her work quite as +cheerlessly as usual. She had been among the earliest to be aware of the +enemy's advent, picking out the strands of fog from the coils of +darkness the moment she rolled up her bedroom blind and unveiled the +somber picture of the winter morning. She knew that the fog had come to +stay for the day at least, and that the gas bill for the quarter was +going to beat the record in high-jumping. She also knew that this was +because she had allowed her new gentleman lodger, Mr. Arthur Constant, +to pay a fixed sum of a shilling a week for gas, instead of charging him +a proportion of the actual account for the whole house. The +meteorologists might have saved the credit of their science if they had +reckoned with Mrs. Drabdump's next gas bill when they predicted the +weather and made "Snow" the favorite, and said that "Fog" would be +nowhere. Fog was everywhere, yet Mrs. Drabdump took no credit to herself +for her prescience. Mrs. Drabdump indeed took no credit for anything, +paying her way along doggedly, and struggling through life like a +wearied swimmer trying to touch the horizon. That things always went as +badly as she had foreseen did not exhilarate her in the least. + +Mrs. Drabdump was a widow. Widows are not born, but made, else you might +have fancied Mrs. Drabdump had always been a widow. Nature had given her +that tall, spare form, and that pale, thin-lipped, elongated, hard-eyed +visage, and that painfully precise hair, which are always associated +with widowhood in low life. It is only in higher circles that women can +lose their husbands and yet remain bewitching. The late Mr. Drabdump had +scratched the base of his thumb with a rusty nail, and Mrs. Drabdump's +foreboding that he would die of lockjaw had not prevented her wrestling +day and night with the shadow of Death, as she had wrestled with it +vainly twice before, when Katie died of diphtheria and little Johnny of +scarlet fever. Perhaps it is from overwork among the poor that Death has +been reduced to a shadow. + +Mrs. Drabdump was lighting the kitchen fire. She did it very +scientifically, as knowing the contrariety of coal and the anxiety of +flaming sticks to end in smoke unless rigidly kept up to the mark. +Science was a success as usual; and Mrs. Drabdump rose from her knees +content, like a Parsee priestess who had duly paid her morning devotions +to her deity. Then she started violently, and nearly lost her balance. +Her eye had caught the hands of the clock on the mantel. They pointed to +fifteen minutes to seven. Mrs. Drabdump's devotion to the kitchen fire +invariably terminated at fifteen minutes past six. What was the matter +with the clock? + +Mrs. Drabdump had an immediate vision of Snoppet, the neighboring +horologist, keeping the clock in hand for weeks and then returning it +only superficially repaired and secretly injured more vitally "for the +good of the trade." The evil vision vanished as quickly as it came, +exorcised by the deep boom of St. Dunstan's bells chiming the +three-quarters. In its place a great horror surged. Instinct had failed; +Mrs. Drabdump had risen at half-past six instead of six. Now she +understood why she had been feeling so dazed and strange and sleepy. She +had overslept herself. + +Chagrined and puzzled, she hastily set the kettle over the crackling +coal, discovering a second later that she had overslept herself because +Mr. Constant wished to be woke three-quarters of an hour earlier than +usual, and to have his breakfast at seven, having to speak at an early +meeting of discontented tram-men. She ran at once, candle in hand, to +his bedroom. It was upstairs. All "upstairs" was Arthur Constant's +domain, for it consisted of but two mutually independent rooms. Mrs. +Drabdump knocked viciously at the door of the one he used for a bedroom, +crying, "Seven o'clock, sir. You'll be late, sir. You must get up at +once." The usual slumbrous "All right" was not forthcoming; but, as she +herself had varied her morning salute, her ear was less expectant of the +echo. She went downstairs, with no foreboding save that the kettle would +come off second best in the race between its boiling and her lodger's +dressing. + +For she knew there was no fear of Arthur Constant's lying deaf to the +call of duty--temporarily represented by Mrs. Drabdump. He was a light +sleeper, and the tram conductors' bells were probably ringing in his +ears, summoning him to the meeting. Why Arthur Constant, B. +A.--white-handed and white-shirted, and gentleman to the very purse of +him--should concern himself with tram-men, when fortune had confined his +necessary relations with drivers to cabmen at the least, Mrs. Drabdump +could not quite make out. He probably aspired to represent Bow in +Parliament; but then it would surely have been wiser to lodge with a +landlady who possessed a vote by having a husband alive. Nor was there +much practical wisdom in his wish to black his own boots (an occupation +in which he shone but little), and to live in every way like a Bow +working man. Bow working men were not so lavish in their patronage of +water, whether existing in drinking glasses, morning tubs, or laundress' +establishments. Nor did they eat the delicacies with which Mrs. Drabdump +supplied him, with the assurance that they were the artisan's appanage. +She could not bear to see him eat things unbefitting his station. Arthur +Constant opened his mouth and ate what his landlady gave him, not first +deliberately shutting his eyes according to the formula, the rather +pluming himself on keeping them very wide open. But it is difficult for +saints to see through their own halos; and in practice an aureola about +the head is often indistinguishable from a mist. The tea to be scalded +in Mr. Constant's pot, when that cantankerous kettle should boil, was +not the coarse mixture of black and green sacred to herself and Mr. +Mortlake, of whom the thoughts of breakfast now reminded her. Poor Mr. +Mortlake, gone off without any to Devonport, somewhere about four in the +fog-thickened darkness of a winter night! Well, she hoped his journey +would be duly rewarded, that his perks would be heavy, and that he would +make as good a thing out of the "traveling expenses" as rival labor +leaders roundly accused him of to other people's faces. She did not +grudge him his gains, nor was it her business if, as they alleged, in +introducing Mr. Constant to her vacant rooms, his idea was not merely to +benefit his landlady. He had done her an uncommon good turn, queer as +was the lodger thus introduced. His own apostleship to the sons of toil +gave Mrs. Drabdump no twinges of perplexity. Tom Mortlake had been a +compositor; and apostleship was obviously a profession better paid and +of a higher social status. Tom Mortlake--the hero of a hundred +strikes--set up in print on a poster, was unmistakably superior to Tom +Mortlake setting up other men's names at a case. Still, the work was not +all beer and skittles, and Mrs. Drabdump felt that Tom's latest job was +not enviable. She shook his door as she passed it on her way to the +kitchen, but there was no response. The street door was only a few feet +off down the passage, and a glance at it dispelled the last hope that +Tom had abandoned the journey. The door was unbolted and unchained, and +the only security was the latch-key lock. Mrs. Drabdump felt a whit +uneasy, though, to give her her due, she never suffered as much as most +housewives do from criminals who never come. Not quite opposite, but +still only a few doors off, on the other side of the street, lived the +celebrated ex-detective, Grodman, and, illogically enough, his presence +in the street gave Mrs. Drabdump a curious sense of security, as of a +believer living under the shadow of the fane. That any human being of +ill-odor should consciously come within a mile of the scent of so famous +a sleuth-hound seemed to her highly improbable. Grodman had retired +(with a competence) and was only a sleeping dog now; still, even +criminals would have sense enough to let him lie. + +So Mrs. Drabdump did not really feel that there had been any danger, +especially as a second glance at the street door showed that Mortlake +had been thoughtful enough to slip the loop that held back the bolt of +the big lock. She allowed herself another throb of sympathy for the +labor leader whirling on his dreary way toward Devonport Dockyard. Not +that he had told her anything of his journey beyond the town; but she +knew Devonport had a Dockyard because Jessie Dymond--Tom's +sweetheart--once mentioned that her aunt lived near there, and it lay on +the surface that Tom had gone to help the dockers, who were imitating +their London brethren. Mrs. Drabdump did not need to be told things to +be aware of them. She went back to prepare Mr. Constant's superfine tea, +vaguely wondering why people were so discontented nowadays. But when she +brought up the tea and the toast and the eggs to Mr. Constant's +sitting-room (which adjoined his bedroom, though without communicating +with it), Mr. Constant was not sitting in it. She lit the gas, and laid +the cloth; then she returned to the landing and beat at the bedroom door +with an imperative palm. Silence alone answered her. She called him by +name and told him the hour, but hers was the only voice she heard, and +it sounded strangely to her in the shadows of the staircase. Then, +muttering, "Poor gentleman, he had the toothache last night; and p'r'aps +he's only just got a wink o' sleep. Pity to disturb him for the sake of +them grizzling conductors. I'll let him sleep his usual time," she bore +the tea-pot downstairs with a mournful, almost poetic, consciousness, +that soft-boiled eggs (like love) must grow cold. + +Half-past seven came--and she knocked again. But Constant slept on. + +His letters, always a strange assortment, arrived at eight, and a +telegram came soon after. Mrs. Drabdump rattled his door, shouted, and +at last put the wire under it. Her heart was beating fast enough now, +though there seemed to be a cold, clammy snake curling round it. She +went downstairs again and turned the handle of Mortlake's room, and went +in without knowing why. The coverlet of the bed showed that the occupant +had only lain down in his clothes, as if fearing to miss the early +train. She had not for a moment expected to find him in the room; yet +somehow the consciousness that she was alone in the house with the +sleeping Constant seemed to flash for the first time upon her, and the +clammy snake tightened its folds round her heart. + +She opened the street door, and her eye wandered nervously up and down. +It was half-past eight. The little street stretched cold and still in +the gray mist, blinking bleary eyes at either end, where the street +lamps smoldered on. No one was visible for the moment, though smoke was +rising from many of the chimneys to greet its sister mist. At the house +of the detective across the way the blinds were still down and the +shutters up. Yet the familiar, prosaic aspect of the street calmed her. +The bleak air set her coughing; she slammed the door to, and returned to +the kitchen to make fresh tea for Constant, who could only be in a deep +sleep. But the canister trembled in her grasp. She did not know whether +she dropped it or threw it down, but there was nothing in the hand that +battered again a moment later at the bedroom door. No sound within +answered the clamor without. She rained blow upon blow in a sort of +spasm of frenzy, scarce remembering that her object was merely to wake +her lodger, and almost staving in the lower panels with her kicks. Then +she turned the handle and tried to open the door, but it was locked. The +resistance recalled her to herself--she had a moment of shocked decency +at the thought that she had been about to enter Constant's bedroom. Then +the terror came over her afresh. She felt that she was alone in the +house with a corpse. She sank to the floor, cowering; with difficulty +stifling a desire to scream. Then she rose with a jerk and raced down +the stairs without looking behind her, and threw open the door and ran +out into the street, only pulling up with her hand violently agitating +Grodman's door-knocker. In a moment the first floor window was +raised--the little house was of the same pattern as her own--and +Grodman's full, fleshy face loomed through the fog in sleepy irritation +from under a nightcap. Despite its scowl the ex-detective's face dawned +upon her like the sun upon an occupant of the haunted chamber. + +"What in the devil's the matter?" he growled. Grodman was not an early +bird, now that he had no worms to catch. He could afford to despise +proverbs now, for the house in which he lived was his, and he lived in +it because several other houses in the street were also his, and it is +well for the landlord to be about his own estate in Bow, where poachers +often shoot the moon. Perhaps the desire to enjoy his greatness among +his early cronies counted for something, too, for he had been born and +bred at Bow, receiving when a youth his first engagement from the local +police quarters, whence he drew a few shillings a week as an amateur +detective in his leisure hours. + +Grodman was still a bachelor. In the celestial matrimonial bureau a +partner might have been selected for him, but he had never been able to +discover her. It was his one failure as a detective. He was a +self-sufficing person, who preferred a gas stove to a domestic; but in +deference to Glover Street opinion he admitted a female factotum between +ten a. m. and ten p. m., and, equally in deference to Glover Street +opinion, excluded her between ten p. m. and ten a. m. + +"I want you to come across at once," Mrs. Drabdump gasped. "Something +has happened to Mr. Constant." + +"What! Not bludgeoned by the police at the meeting this morning, I +hope?" + +"No, no! He didn't go. He is dead." + +"Dead?" Grodman's face grew very serious now. + +"Yes. Murdered!" + +"What?" almost shouted the ex-detective. "How? When? Where? Who?" + +"I don't know. I can't get to him. I have beaten at his door. He does +not answer." + +Grodman's face lit up with relief. + +"You silly woman! Is that all? I shall have a cold in my head. Bitter +weather. He's dog-tired after yesterday--processions, three speeches, +kindergarten, lecture on 'the moon,' article on co-operation. That's his +style." It was also Grodman's style. He never wasted words. + +"No," Mrs. Drabdump breathed up at him solemnly, "he's dead." + +"All right; go back. Don't alarm the neighborhood unnecessarily. Wait +for me. Down in five minutes." Grodman did not take this Cassandra of +the kitchen too seriously. Probably he knew his woman. His small, +bead-like eyes glittered with an almost amused smile as he withdrew them +from Mrs. Drabdump's ken, and shut down the sash with a bang. The poor +woman ran back across the road and through her door, which she would not +close behind her. It seemed to shut her in with the dead. She waited in +the passage. After an age--seven minutes by any honest clock--Grodman +made his appearance, looking as dressed as usual, but with unkempt hair +and with disconsolate side-whisker. He was not quite used to that +side-whisker yet, for it had only recently come within the margin of +cultivation. In active service Grodman had been clean-shaven, like all +members of the profession--for surely your detective is the most +versatile of actors. Mrs. Drabdump closed the street door quietly, and +pointed to the stairs, fear operating like a polite desire to give him +precedence. Grodman ascended, amusement still glimmering in his eyes. +Arrived on the landing he knocked peremptorily at the door, crying, +"Nine o'clock, Mr. Constant; nine o'clock!" When he ceased there was no +other sound or movement. His face grew more serious. He waited, then +knocked, and cried louder. He turned the handle, but the door was fast. +He tried to peer through the keyhole, but it was blocked. He shook the +upper panels, but the door seemed bolted as well as locked. He stood +still, his face set and rigid, for he liked and esteemed the man. + +"Ay, knock your loudest," whispered the pale-faced woman. "You'll not +wake him now." + +The gray mist had followed them through the street door, and hovered +about the staircase, charging the air with a moist, sepulchral odor. + +"Locked and bolted," muttered Grodman, shaking the door afresh. + +"Burst it open," breathed the woman, trembling violently all over, and +holding her hands before her as if to ward off the dreadful vision. +Without another word, Grodman applied his shoulder to the door, and made +a violent muscular effort. He had been an athlete in his time, and the +sap was yet in him. The door creaked, little by little it began to give, +the woodwork enclosing the bolt of the lock splintered, the panels bent +upward, the large upper bolt tore off its iron staple; the door flew +back with a crash. Grodman rushed in. + +"My God!" he cried. The woman shrieked. The sight was too terrible. + + * * * * * + +Within a few hours the jubilant news-boys were shrieking "Horrible +Suicide in Bow," and "The Star" poster added, for the satisfaction of +those too poor to purchase: "A Philanthropist Cuts His Throat." + + + + +CHAPTER II. + + +But the newspapers were premature. Scotland Yard refused to prejudge the +case despite the penny-a-liners. Several arrests were made, so that the +later editions were compelled to soften "Suicide" into "Mystery." The +people arrested were a nondescript collection of tramps. Most of them +had committed other offenses for which the police had not arrested them. +One bewildered-looking gentleman gave himself up (as if he were a +riddle), but the police would have none of him, and restored him +forthwith to his friends and keepers. The number of candidates for each +new opening in Newgate is astonishing. + +The full significance of this tragedy of a noble young life cut short +had hardly time to filter into the public mind, when a fresh sensation +absorbed it. Tom Mortlake had been arrested the same day at Liverpool on +suspicion of being concerned in the death of his fellow-lodger. The news +fell like a bombshell upon a land in which Tom Mortlake's name was a +household word. That the gifted artisan orator, who had never shrunk +upon occasion from launching red rhetoric at Society, should actually +have shed blood seemed too startling, especially as the blood shed was +not blue, but the property of a lovable young middle-class idealist, who +had now literally given his life to the Cause. But this supplementary +sensation did not grow to a head, and everybody (save a few labor +leaders) was relieved to hear that Tom had been released almost +immediately, being merely subpoenaed to appear at the inquest. In an +interview which he accorded to the representative of a Liverpool paper +the same afternoon, he stated that he put his arrest down entirely to +the enmity and rancor entertained toward him by the police throughout +the country. He had come to Liverpool to trace the movements of a friend +about whom he was very uneasy, and he was making anxious inquiries at +the docks to discover at what times steamers left for America, when the +detectives stationed there in accordance with instructions from +headquarters had arrested him as a suspicious-looking character. +"Though," said Tom, "they must very well have known my phiz, as I have +been sketched and caricatured all over the shop. When I told them who I +was they had the decency to let me go. They thought they'd scored off me +enough, I reckon. Yes, it certainly is a strange coincidence that I +might actually have had something to do with the poor fellow's death, +which has cut me up as much as anybody; though if they had known I had +just come from the 'scene of the crime,' and actually lived in the +house, they would probably have--let me alone." He laughed +sarcastically. "They are a queer lot of muddle-heads are the police. +Their motto is, 'First catch your man, then cook the evidence.' If +you're on the spot you're guilty because you're there, and if you're +elsewhere you're guilty because you have gone away. Oh, I know them! If +they could have seen their way to clap me in quod, they'd ha' done it. +Lucky I know the number of the cabman who took me to Euston before five +this morning." + +"If they clapped you in quod," the interviewer reported himself as +facetiously observing, "the prisoners would be on strike in a week." + +"Yes, but there would be so many black-legs ready to take their places," +Mortlake flashed back, "that I'm afraid it 'ould be no go. But do excuse +me. I am so upset about my friend. I'm afraid he has left England, and I +have to make inquiries; and now there's poor Constant gone--horrible! +horrible! and I'm due in London at the inquest. I must really run away. +Good-by. Tell your readers it's all a police grudge." + +"One last word, Mr. Mortlake, if you please. Is it true that you were +billed to preside at a great meeting of clerks at St. James' Hall +between one and two to-day to protest against the German invasion?" + +"Whew! so I had. But the beggars arrested me just before one, when I was +going to wire, and then the news of poor Constant's end drove it out of +my head. What a nuisance! Lord, how troubles do come together! Well, +good-by, send me a copy of the paper." + +Tom Mortlake's evidence at the inquest added little beyond this to the +public knowledge of his movements on the morning of the Mystery. The +cabman who drove him to Euston had written indignantly to the papers to +say that he had picked up his celebrated fare at Bow Railway Station at +about half-past four a. m., and the arrest was a deliberate insult to +democracy, and he offered to make an affidavit to that effect, leaving +it dubious to which effect. But Scotland Yard betrayed no itch for the +affidavit in question, and No. 2,138 subsided again into the obscurity +of his rank. Mortlake--whose face was very pale below the black mane +brushed back from his fine forehead--gave his evidence in low, +sympathetic tones. He had known the deceased for over a year, coming +constantly across him in their common political and social work, and had +found the furnished rooms for him in Glover Street at his own request, +they just being to let when Constant resolved to leave his rooms at +Oxford House in Bethnal Green and to share the actual life of the +people. The locality suited the deceased, as being near the People's +Palace. He respected and admired the deceased, whose genuine goodness +had won all hearts. The deceased was an untiring worker; never grumbled, +was always in fair spirits, regarded his life and wealth as a sacred +trust to be used for the benefit of humanity. He had last seen him at a +quarter past nine p. m. on the day preceding his death. He (witness) had +received a letter by the last post which made him uneasy about a friend. +Deceased was evidently suffering from toothache, and was fixing a piece +of cotton-wool in a hollow tooth, but he did not complain. Deceased +seemed rather upset by the news he brought, and they both discussed it +rather excitedly. + +By a Juryman: Did the news concern him? + +Mortlake: Only impersonally. He knew my friend, and was keenly +sympathetic when one was in trouble. + +Coroner: Could you show the jury the letter you received? + +Mortlake: I have mislaid it, and cannot make out where it has got to. If +you, sir, think it relevant or essential, I will state what the trouble +was. + +Coroner: Was the toothache very violent? + +Mortlake: I cannot tell. I think not, though he told me it had disturbed +his rest the night before. + +Coroner: What time did you leave him? + +Mortlake: About twenty to ten. + +Coroner: And what did you do then? + +Mortlake: I went out for an hour or so to make some inquiries. Then I +returned, and told my landlady I should be leaving by an early train +for--for the country. + +Coroner: And that was the last you saw of the deceased? + +Mortlake (with emotion): The last. + +Coroner: How was he when you left him? + +Mortlake: Mainly concerned about my trouble. + +Coroner: Otherwise you saw nothing unusual about him? + +Mortlake: Nothing. + +Coroner: What time did you leave the house on Tuesday morning? + +Mortlake: At about five and twenty minutes past four. + +Coroner: Are you sure that you shut the street door? + +Mortlake: Quite sure. Knowing my landlady was rather a timid person, I +even slipped the bolt of the big lock, which was usually tied back. It +was impossible for any one to get in even with a latch-key. + +Mrs. Drabdump's evidence (which, of course, preceded his) was more +important, and occupied a considerable time, unduly eked out by +Drabdumpian padding. Thus she not only deposed that Mr. Constant had the +toothache, but that it was going to last about a week; in tragic-comic +indifference to the radical cure that had been effected. Her account of +the last hours of the deceased tallied with Mortlake's, only that she +feared Mortlake was quarreling with him over something in the letter +that came by the nine o'clock post. Deceased had left the house a little +after Mortlake, but had returned before him, and had gone straight to +his bedroom. She had not actually seen him come in, having been in the +kitchen, but she heard his latch-key, followed by his light step up the +stairs. + +A Juryman: How do you know it was not somebody else? (Sensation, of +which the juryman tries to look unconscious.) + +Witness: He called down to me over the banisters, and says in his +sweetish voice: "Be hextra sure to wake me at a quarter to seven, Mrs. +Drabdump, or else I shan't get to my tram meeting." + +(Juryman collapses.) + +Coroner: And did you wake him? + +Mrs. Drabdump (breaking down): Oh, my lud, how can you ask? + +Coroner: There, there, compose yourself. I mean did you try to wake him? + +Mrs. Drabdump: I have taken in and done for lodgers this seventeen +years, my lud, and have always gave satisfaction; and Mr. Mortlake, he +wouldn't ha' recommended me otherwise, though I wish to Heaven the poor +gentleman had never---- + +Coroner: Yes, yes, of course. You tried to rouse him? + +But it was some time before Mrs. Drabdump was sufficiently calm to +explain that though she had overslept herself, and though it would have +been all the same anyhow, she had come up to time. Bit by bit the tragic +story was forced from her lips--a tragedy that even her telling could +not make tawdry. She told with superfluous detail how--when Mr. Grodman +broke in the door--she saw her unhappy gentleman lodger lying on his +back in bed, stone dead, with a gaping red wound in his throat; how her +stronger-minded companion calmed her a little by spreading a +handkerchief over the distorted face; how they then looked vainly about +and under the bed for any instrument by which the deed could have been +done, the veteran detective carefully making a rapid inventory of the +contents of the room, and taking notes of the precise position and +condition of the body before anything was disturbed by the arrival of +gapers or bunglers; how she had pointed out to him that both the windows +were firmly bolted to keep out the cold night air; how, having noted +this down with a puzzled, pitying shake of the head, he had opened the +window to summon the police, and espied in the fog one Denzil Cantercot, +whom he called and told to run to the nearest police-station and ask +them to send on an inspector and a surgeon. How they both remained in +the room till the police arrived, Grodman pondering deeply the while and +making notes every now and again, as fresh points occurred to him, and +asking her questions about the poor, weak-headed young man. Pressed as +to what she meant by calling the deceased "weak-headed," she replied +that some of her neighbors wrote him begging letters, though, Heaven +knew, they were better off than herself, who had to scrape her fingers +to the bone for every penny she earned. Under further pressure from Mr. +Talbot, who was watching the inquiry on behalf of Arthur Constant's +family, Mrs. Drabdump admitted that the deceased had behaved like a +human being, nor was there anything externally eccentric or queer in his +conduct. He was always cheerful and pleasant spoken, though certainly +soft--God rest his soul. No; he never shaved, but wore all the hair that +Heaven had given him. + +By a Juryman: She thought deceased was in the habit of locking his door +when he went to bed. Of course, she couldn't say for certain. +(Laughter.) There was no need to bolt the door as well. The bolt slid +upward, and was at the top of the door. When she first let lodgings, her +reasons for which she seemed anxious to publish, there had only been a +bolt, but a suspicious lodger, she would not call him a gentleman, had +complained that he could not fasten his door behind him, and so she had +been put to the expense of having a lock made. The complaining lodger +went off soon after without paying his rent. (Laughter.) She had always +known he would. + +The Coroner: Was deceased at all nervous? + +Witness: No, he was a very nice gentleman. (A laugh.) + +Coroner: I mean did he seem afraid of being robbed? + +Witness: No, he was always goin' to demonstrations. (Laughter.) I told +him to be careful. I told him I lost a purse with 3s. 2d. myself on +Jubilee Day. + +Mrs. Drabdump resumed her seat, weeping vaguely. + +The Coroner: Gentlemen, we shall have an opportunity of viewing the room +shortly. + +The story of the discovery of the body was retold, though more +scientifically, by Mr. George Grodman, whose unexpected resurgence into +the realm of his early exploits excited as keen a curiosity as the +reappearance "for this occasion only" of a retired prima donna. His +book, "Criminals I Have Caught," passed from the twenty-third to the +twenty-fourth edition merely on the strength of it. Mr. Grodman stated +that the body was still warm when he found it. He thought that death was +quite recent. The door he had had to burst was bolted as well as locked. +He confirmed Mrs. Drabdump's statement about the windows; the chimney +was very narrow. The cut looked as if done by a razor. There was no +instrument lying about the room. He had known the deceased about a +month. He seemed a very earnest, simple-minded young fellow who spoke a +great deal about the brotherhood of man. (The hardened old man-hunter's +voice was not free from a tremor as he spoke jerkily of the dead man's +enthusiasms.) He should have thought the deceased the last man in the +world to commit suicide. + +Mr. Denzil Cantercot was next called. He was a poet. (Laughter.) He was +on his way to Mr. Grodman's house to tell him he had been unable to do +some writing for him because he was suffering from writer's cramp, when +Mr. Grodman called to him from the window of No. 11 and asked him to run +for the police. No, he did not run; he was a philosopher. (Laughter.) He +returned with them to the door, but did not go up. He had no stomach for +crude sensations. (Laughter.) The gray fog was sufficiently unbeautiful +for him for one morning. (Laughter.) + +Inspector Howlett said: About 9:45 on the morning of Tuesday, 4th +December, from information received, he went with Sergeant Runnymede and +Dr. Robinson to 11 Glover Street, Bow, and there found the dead body of +a young man, lying on his back with his throat cut. The door of the room +had been smashed in, and the lock and the bolt evidently forced. The +room was tidy. There were no marks of blood on the floor. A purse full +of gold was on the dressing-table beside a big book. A hip-bath with +cold water stood beside the bed, over which was a hanging bookcase. +There was a large wardrobe against the wall next to the door. The +chimney was very narrow. There were two windows, one bolted. It was +about 18 feet to the pavement. There was no way of climbing up. No one +could possibly have got out of the room, and then bolted the doors and +windows behind him; and he had searched all parts of the room in which +anyone might have been concealed. He had been unable to find any +instrument in the room, in spite of exhaustive search, there being not +even a penknife in the pockets of the clothes of the deceased, which lay +on a chair. The house and the back yard, and the adjacent pavement, had +also been fruitlessly searched. + +Sergeant Runnymede made an identical statement, saving only that he had +gone with Dr. Robinson and Inspector Howlett. + +Dr. Robinson, divisional surgeon, said: The deceased was lying on his +back, with his throat cut. The body was not yet cold, the abdominal +region being quite warm. Rigor mortis had set in in the lower jaw, neck +and upper extremities. The muscles contracted when beaten. I inferred +that life had been extinct some two or three hours, probably not longer, +it might have been less. The bedclothes would keep the lower part warm +for some time. The wound, which was a deep one, was 5-1/2 inches from +right to left across the throat to a point under the left ear. The upper +portion of the windpipe was severed, and likewise the jugular vein. The +muscular coating of the carotid artery was divided. There was a slight +cut, as if in continuation of the wound, on the thumb of the left hand. +The hands were clasped underneath the head. There was no blood on the +right hand. The wound could not have been self-inflicted. A sharp +instrument had been used, such as a razor. The cut might have been made +by a left-handed person. No doubt death was practically instantaneous. I +saw no signs of a struggle about the body or the room. I noticed a purse +on the dressing-table, lying next to Madame Blavatsky's big book on +Theosophy. Sergeant Runnymede drew my attention to the fact that the +door had evidently been locked and bolted from within. + +By a Juryman: I do not say the cuts could not have been made by a +right-handed person. I can offer no suggestion as to how the inflicter +of the wound got in or out. Extremely improbable that the cut was +self-inflicted. There was little trace of the outside fog in the room. + +Police Constable Williams said he was on duty in the early hours of the +morning of the 4th inst. Glover Street lay within his beat. He saw or +heard nothing suspicious. The fog was never very dense, though nasty to +the throat. He had passed through Glover Street about half-past four. He +had not seen Mr. Mortlake or anybody else leave the house. + +The Court here adjourned, the Coroner and the jury repairing in a body +to 11 Glover Street to view the house and the bedroom of the deceased. +And the evening posters announced, "The Bow Mystery Thickens." + + + + +CHAPTER III. + + +Before the inquiry was resumed, all the poor wretches in custody had +been released on suspicion that they were innocent; there was not a +single case even for a magistrate. Clues, which at such seasons are +gathered by the police like blackberries off the hedges, were scanty and +unripe. Inferior specimens were offered them by bushels, but there was +not a good one among the lot. The police could not even manufacture a +clue. + +Arthur Constant's death was already the theme of every hearth, railway +carriage and public house. The dead idealist had points of contact with +so many spheres. The East End and West End alike were moved and excited, +the Democratic Leagues and the Churches, the Doss-houses and the +Universities. The pity of it! And then the impenetrable mystery of it! + +The evidence given in the concluding portion of the investigation was +necessarily less sensational. There were no more witnesses to bring the +scent of blood over the coroner's table; those who had yet to be heard +were merely relatives and friends of the deceased, who spoke of him as +he had been in life. His parents were dead, perhaps luckily for them; +his relatives had seen little of him, and had scarce heard as much about +him as the outside world. No man is a prophet in his own country, and, +even if he migrates, it is advisable for him to leave his family at +home. His friends were a motley crew; friends of the same friend are not +necessarily friends of one another. But their diversity only made the +congruity of the tale they had to tell more striking. It was the tale of +a man who had never made an enemy even by benefiting him, nor lost a +friend even by refusing his favors; the tale of a man whose heart +overflowed with peace and good will to all men all the year round; of a +man to whom Christmas came not once, but three hundred and sixty-five +times a year; it was the tale of a brilliant intellect, who gave up to +mankind what was meant for himself, and worked as a laborer in the +vineyard of humanity, never crying that the grapes were sour; of a man +uniformly cheerful and of good courage, living in that forgetfulness of +self which is the truest antidote to despair. And yet there was not +quite wanting the note of pain to jar the harmony and make it human. +Richard Elton, his chum from boyhood, and vicar of Somerton, in +Midlandshire, handed to the coroner a letter from the deceased about ten +days before his death, containing some passages which the coroner read +aloud: "Do you know anything of Schopenhauer? I mean anything beyond the +current misconceptions? I have been making his acquaintance lately. He +is an agreeable rattle of a pessimist; his essay on 'The Misery of +Mankind' is quite lively reading. At first his assimilation of +Christianity and Pessimism (it occurs in his essay on 'Suicide') dazzled +me as an audacious paradox. But there is truth in it. Verily, the whole +creation groaneth and travaileth, and man is a degraded monster, and sin +is over all. Ah, my friend, I have shed many of my illusions since I +came to this seething hive of misery and wrongdoing. What shall one +man's life--a million men's lives--avail against the corruption, the +vulgarity and the squalor of civilization? Sometimes I feel like a +farthing rush-light in the Hall of Eblis. Selfishness is so long and +life so short. And the worst of it is that everybody is so beastly +contented. The poor no more desire comfort than the rich culture. The +woman to whom a penny school fee for her child represents an appreciable +slice of her income is satisfied that the rich we shall always have with +us. + +"The real crusted old Tories are the paupers in the Workhouse. The +Radical working men are jealous of their own leaders, and the leaders of +one another. Schopenhauer must have organized a labor party in his salad +days. And yet one can't help feeling that he committed suicide as a +philosopher by not committing it as a man. He claims kinship with +Buddha, too; though Esoteric Buddhism at least seems spheres removed +from the philosophy of 'The Will and the Idea'. What a wonderful woman +Madame Blavatsky must be. I can't say I follow her, for she is up in the +clouds nearly all the time, and I haven't as yet developed an astral +body. Shall I send you on her book? It is fascinating.... I am becoming +quite a fluent orator. One soon gets into the way of it. The horrible +thing is that you catch yourself saying things to lead up to 'Cheers' +instead of sticking to the plain realities of the business. Lucy is +still doing the galleries in Italy. It used to pain me sometimes to +think of my darling's happiness when I came across a flat-chested +factory girl. Now I feel her happiness is as important as a factory +girl's." + +Lucy, the witness explained, was Lucy Brent, the betrothed of the +deceased. The poor girl had been telegraphed for, and had started for +England. The witness stated that the outburst of despondency in this +letter was almost a solitary one, most of the letters in his possession +being bright, buoyant and hopeful. Even this letter ended with a +humorous statement of the writer's manifold plans and projects for the +new year. The deceased was a good Churchman. + +Coroner: Was there any private trouble in his own life to account for +the temporary despondency? + +Witness: Not so far as I am aware. His financial position was +exceptionally favorable. + +Coroner: There had been no quarrel with Miss Brent? + +Witness: I have the best authority for saying that no shadow of +difference had ever come between them. + +Coroner: Was the deceased left-handed? + +Witness: Certainly not. He was not even ambidextrous. + +A Juryman: Isn't Shoppinhour one of the infidel writers, published by +the Freethought Publication Society? + +Witness: I do not know who publishes his books. + +The Juryman (a small grocer and big raw-boned Scotchman, rejoicing in +the name of Sandy Sanderson and the dignities of deaconry and membership +of the committee of the Bow Conservative Association): No equeevocation, +sir. Is he not a secularist, who has lectured at the Hall of Science? + +Witness: No, he is a foreign writer--(Mr. Sanderson was heard to thank +Heaven for this small mercy)--who believes that life is not worth +living. + +The Juryman: Were you not shocked to find the friend of a meenister +reading such impure leeterature? + +Witness: The deceased read everything. Schopenhauer is the author of a +system of philosophy, and not what you seem to imagine. Perhaps you +would like to inspect the book? (Laughter.) + +The Juryman: I would na' touch it with a pitchfork. Such books should be +burnt. And this Madame Blavatsky's book--what is that? Is that also +pheelosophy? + +Witness: No. It is Theosophy. (Laughter.) + +Mr. Allen Smith, secretary of the Trammel's Union, stated that he had +had an interview with the deceased on the day before his death, when he +(the deceased) spoke hopefully of the prospects of the movement, and +wrote him out a check for 10 guineas for his union. Deceased promised to +speak at a meeting called for a quarter past seven a.m. the next day. + +Mr. Edward Wimp, of the Scotland Yard Detective Department, said that +the letters and papers of the deceased threw no light upon the manner of +his death, and they would be handed back to the family. His Department +had not formed any theory on the subject. + +The Coroner proceeded to sum up the evidence. "We have to deal, +gentlemen," he said, "with a most incomprehensible and mysterious case, +the details of which are yet astonishingly simple. On the morning of +Tuesday, the 4th inst., Mrs. Drabdump, a worthy, hard-working widow, who +lets lodgings at 11 Grover Street, Bow, was unable to arouse the +deceased, who occupied the entire upper floor of the house. Becoming +alarmed, she went across to fetch Mr. George Grodman, a gentleman known +to us all by reputation, and to whose clear and scientific evidence we +are much indebted, and got him to batter in the door. They found the +deceased lying back in bed with a deep wound in his throat. Life had +only recently become extinct. There was no trace of any instrument by +which the cut could have been effected; there was no trace of any person +who could have effected the cut. No person could apparently have got in +or out. The medical evidence goes to show that the deceased could not +have inflicted the wound himself. And yet, gentlemen, there are, in the +nature of things, two--and only two--alternative explanations of his +death. Either the wound was inflicted by his own hand, or it was +inflicted by another's. I shall take each of these possibilities +separately. First, did the deceased commit suicide? The medical evidence +says deceased was lying with his hands clasped behind his head. Now the +wound was made from right to left, and terminated by a cut on the left +thumb. If the deceased had made it he would have had to do it with his +right hand, while his left hand remained under his head--a most peculiar +and unnatural position to assume. Moreover, in making a cut with the +right hand, one would naturally move the hand from left to right. It is +unlikely that the deceased would move his right hand so awkwardly and +unnaturally, unless, of course, his object was to baffle suspicion. +Another point is that on this hypothesis, the deceased would have had to +replace his right hand beneath his head. But Dr. Robinson believes that +death was instantaneous. If so, deceased could have had no time to pose +so neatly. It is just possible the cut was made with the left hand, but +then the deceased was right-handed. The absence of any signs of a +possible weapon undoubtedly goes to corroborate the medical evidence. +The police have made an exhaustive search in all places where the razor +or other weapon or instrument might by any possibility have been +concealed, including the bedclothes, the mattress, the pillow, and the +street into which it might have been dropped. But all theories involving +the willful concealment of the fatal instrument have to reckon with the +fact or probability that death was instantaneous, also with the fact +that there was no blood about the floor. Finally, the instrument used +was in all likelihood a razor, and the deceased did not shave, and was +never known to be in possession of any such instrument. If, then, we +were to confine ourselves to the medical and police evidence, there +would, I think, be little hesitation in dismissing the idea of suicide. +Nevertheless, it is well to forget the physical aspect of the case for a +moment and to apply our minds to an unprejudiced inquiry into the mental +aspect of it. Was there any reason why the deceased should wish to take +his own life? He was young, wealthy and popular, loving and loved; life +stretched fair before him. He had no vices. Plain living, high thinking, +and noble doing were the three guiding stars of his life. If he had had +ambition, an illustrious public career was within reach. He was an +orator of no mean power, a brilliant and industrious man. His outlook +was always on the future--he was always sketching out ways in which he +could be useful to his fellow-men. His purse and his time were ever at +the command of whosoever could show fair claim upon them. If such a man +were likely to end his own life, the science of human nature would be at +an end. Still, some of the shadows of the picture have been presented to +us. The man had his moments of despondency--as which of us has not? But +they seem to have been few and passing. Anyhow, he was cheerful enough +on the day before his death. He was suffering, too, from toothache. But +it does not seem to have been violent, nor did he complain. Possibly, of +course, the pain became very acute in the night. Nor must we forget that +he may have overworked himself, and got his nerves into a morbid state. +He worked very hard, never rising later than half-past seven, and doing +far more than the professional 'labor leader.' He taught and wrote as +well as spoke and organized. But on the other hand all witnesses agree +that he was looking forward eagerly to the meeting of tram-men on the +morning of the 4th inst. His whole heart was in the movement. Is it +likely that this was the night he would choose for quitting the scene of +his usefulness? Is it likely that if he had chosen it, he would not have +left letters and a statement behind, or made a last will and testament? +Mr. Wimp has found no possible clue to such conduct in his papers. Or is +it likely he would have concealed the instrument? The only positive sign +of intention is the bolting of his door in addition to the usual locking +of it, but one cannot lay much stress on that. Regarding the mental +aspects alone, the balance is largely against suicide; looking at the +physical aspects, suicide is well nigh impossible. Putting the two +together, the case against suicide is all but mathematically complete. +The answer, then, to our first question, Did the deceased commit +suicide? is, that he did not." + +The coroner paused, and everybody drew a long breath. The lucid +exposition had been followed with admiration. If the coroner had stopped +now, the jury would have unhesitatingly returned a verdict of "murder." +But the coroner swallowed a mouthful of water and went on. + +"We now come to the second alternative--was the deceased the victim of +homicide? In order to answer that question in the affirmative it is +essential that we should be able to form some conception of the _modus +operandi_. It is all very well for Dr. Robinson to say the cut was made +by another hand; but in the absence of any theory as to how the cut +could possibly have been made by that other hand, we should be driven +back to the theory of self-infliction, however improbable it may seem to +medical gentlemen. Now, what are the facts? When Mrs. Drabdump and Mr. +Grodman found the body it was yet warm, and Mr. Grodman, a witness +fortunately qualified by special experience, states that death had been +quite recent. This tallies closely enough with the view of Dr. Robinson, +who, examining the body about an hour later, put the time of death at +two or three hours before, say seven o'clock. Mrs. Drabdump had +attempted to wake the deceased at a quarter to seven, which would put +back the act to a little earlier. As I understand from Dr. Robinson, +that it is impossible to fix the time very precisely, death may have +very well taken place several hours before Mrs. Drabdump's first attempt +to wake deceased. Of course, it may have taken place between the first +and second calls, as he may merely have been sound asleep at first; it +may also not impossibly have taken place considerably earlier than the +first call, for all the physical data seem to prove. Nevertheless, on +the whole, I think we shall be least likely to err if we assume the time +of death to be half-past six. Gentlemen, let us picture to ourselves No. +11 Glover Street at half-past six. We have seen the house; we know +exactly how it is constructed. On the ground floor a front room tenanted +by Mr. Mortlake, with two windows giving on the street, both securely +bolted; a back room occupied by the landlady; and a kitchen. Mrs. +Drabdump did not leave her bedroom till half-past six, so that we may be +sure all the various doors and windows have not yet been unfastened; +while the season of the year is a guarantee that nothing had been left +open. The front door through which Mr. Mortlake has gone out before +half-past four, is guarded by the latch-key lock and the big lock. On +the upper floor are two rooms--a front room used by deceased for a +bedroom, and a back room which he used as a sitting-room. The back room +has been left open, with the key inside, but the window is fastened. The +door of the front room is not only locked, but bolted. We have seen the +splintered mortise and the staple of the upper bolt violently forced +from the woodwork and resting on the pin. The windows are bolted, the +fasteners being firmly fixed in the catches. The chimney is too narrow +to admit of the passage of even a child. This room, in fact, is as +firmly barred in as if besieged. It has no communication with any other +part of the house. It is as absolutely self-centered and isolated as if +it were a fort in the sea or a log-hut in the forest. Even if any +strange person is in the house, nay, in the very sitting-room of the +deceased, he cannot get into the bedroom, for the house is one built for +the poor, with no communication between the different rooms, so that +separate families, if need be, may inhabit each. Now, however, let us +grant that some person has achieved the miracle of getting into the +front room, first floor, 18 feet from the ground. At half-past six, or +thereabouts, he cuts the throat of the sleeping occupant. How is he then +to get out without attracting the attention of the now roused landlady? +But let us concede him that miracle, too. How is he to go away and yet +leave the doors and windows locked and bolted from within? This is a +degree of miracle at which my credulity must draw the line. No, the room +had been closed all night--there is scarce a trace of fog in it. No one +could get in or out. Finally, murders do not take place without motive. +Robbery and revenge are the only conceivable motives. The deceased had +not an enemy in the world; his money and valuables were left untouched. +Everything was in order. There were no signs of a struggle. The answer +then to our second inquiry--was the deceased killed by another +person?--is, that he was not. + +"Gentlemen, I am aware that this sounds impossible and contradictory. +But it is the facts that contradict themselves. It seems clear that the +deceased did not commit suicide. It seems equally clear that the +deceased was not murdered. There is nothing for it, therefore, +gentlemen, but to return a verdict tantamount to an acknowledgment of +our incompetence to come to any adequately grounded conviction whatever +as to the means or the manner by which the deceased met his death. It is +the most inexplicable mystery in all my experience." (Sensation.) + +The Foreman (after a colloquy with Mr. Sandy Sanderson): "We are not +agreed, sir. One of the jurors insists on a verdict of "Death from +visitation by the act of God."" + + + + +CHAPTER IV. + + +But Sandy Sanderson's burning solicitude to fix the crime flickered out +in the face of opposition, and in the end he bowed his head to the +inevitable "open verdict." Then the floodgates of inkland were opened, +and the deluge pattered for nine days on the deaf coffin where the poor +idealist moldered. The tongues of the Press were loosened, and the +leader writers reveled in recapitulating the circumstances of "The Big +Bow Mystery," though they could contribute nothing but adjectives to the +solution. The papers teemed with letters--it was a kind of Indian summer +of the silly season. But the editors could not keep them out, nor cared +to. The mystery was the one topic of conversation everywhere--it was on +the carpet and the bare boards alike, in the kitchen and the +drawing-room. It was discussed with science or stupidity, with aspirates +or without. It came up for breakfast with the rolls, and was swept off +the supper table with the last crumbs. + +No. 11 Glover Street, Bow, remained for days a shrine of pilgrimage. The +once sleepy little street buzzed from morning till night. From all parts +of the town people came to stare up at the bedroom window and wonder +with a foolish look of horror. The pavement was often blocked for hours +together, and itinerant vendors of refreshment made it a new market +center, while vocalists hastened thither to sing the delectable ditty of +the deed without having any voice in the matter. It was a pity the +Government did not erect a toll-gate at either end of the street. But +Chancellors of the Exchequer rarely avail themselves of the more obvious +expedients for paying off the National debt. + +Finally, familiarity bred contempt, and the wits grew facetious at the +expense of the Mystery. Jokes on the subject appeared even in the comic +papers. + +To the proverb, "You must not say Boo to a goose," one added, "or else +she will explain you the Mystery." The name of the gentleman who asked +whether the Bow Mystery was not 'arrowing shall not be divulged. There +was more point in "Dagonet's" remark that, if he had been one of the +unhappy jurymen, he should have been driven to "suicide." A professional +paradox-monger pointed triumphantly to the somewhat similar situation in +"the murder in the Rue Morgue," and said that Nature had been +plagiarizing again--like the monkey she was--and he recommended Poe's +publishers to apply for an injunction. More seriously, Poe's solution +was re-suggested by "Constant Reader" as an original idea. He thought +that a small organ-grinder's monkey might have got down the chimney with +its master's razor, and, after attempting to shave the occupant of the +bed, have returned the way it came. This idea created considerable +sensation, but a correspondent with a long train of letters draggling +after his name pointed out that a monkey small enough to get down so +narrow a flue would not be strong enough to inflict so deep a wound. +This was disputed by a third writer, and the contest raged so keenly +about the power of monkeys' muscles that it was almost taken for granted +that a monkey was the guilty party. The bubble was pricked by the pen of +"Common Sense," who laconically remarked that no traces of soot or blood +had been discovered on the floor, or on the nightshirt, or the +counterpane. The "Lancet's" leader on the Mystery was awaited with +interest. It said: "We cannot join in the praises that have been +showered upon the coroner's summing up. It shows again the evils +resulting from having coroners who are not medical men. He seems to have +appreciated but inadequately the significance of the medical evidence. +He should certainly have directed the jury to return a verdict of murder +on that. What was it to do with him that he could see no way by which +the wound could have been inflicted by an outside agency? It was for the +police to find how that was done. Enough that it was impossible for the +unhappy young man to have inflicted such a wound and then have strength +and will power enough to hide the instrument and to remove perfectly +every trace of his having left the bed for the purpose." It is +impossible to enumerate all the theories propounded by the amateur +detectives, while Scotland Yard religiously held its tongue. Ultimately +the interest on the subject became confined to a few papers which had +received the best letters. Those papers that couldn't get interesting +letters stopped the correspondence and sneered at the "sensationalism" +of those that could. Among the mass of fantasy there were not a few +notable solutions, which failed brilliantly, like rockets posing as +fixed stars. One was that in the obscurity of the fog the murderer had +ascended to the window of the bedroom by means of a ladder from the +pavement. He had then with a diamond cut one of the panes away, and +effected an entry through the aperture. On leaving he fixed in the pane +of glass again (or another which he had brought with him), and thus the +room remained with its bolts and locks untouched. On its being pointed +out that the panes were too small, a third correspondent showed that +that didn't matter, as it was only necessary to insert the hand and undo +the fastening, when the entire window could be opened, the process being +reversed by the murderer on leaving. This pretty edifice of glass was +smashed by a glazier, who wrote to say that a pane could hardly be fixed +in from only one side of a window frame, that it would fall out when +touched, and that in any case the wet putty could not have escaped +detection. A door panel sliced out and replaced was also put forward, +and as many trap-doors and secret passages were ascribed to No. 11 +Glover Street as if it were a medieval castle. Another of these clever +theories was that the murderer was in the room the whole time the police +were there--hidden in the wardrobe. Or he had got behind the door when +Grodman broke it open, so that he was not noticed in the excitement of +the discovery, and escaped with his weapon at the moment when Grodman +and Mrs. Drabdump were examining the window fastenings. + +Scientific explanations also were to hand to explain how the assassin +locked and bolted the door behind him. Powerful magnets outside the door +had been used to turn the key and push the bolt within. Murderers armed +with magnets loomed on the popular imagination like a new microbe. There +was only one defect in this ingenious theory--the thing could not be +done. A physiologist recalled the conjurers who swallowed swords--by an +anatomical peculiarity of the throat--and said that the deceased might +have swallowed the weapon after cutting his own throat. This was too +much for the public to swallow. As for the idea that the suicide had +been effected with a penknife or its blade, or a bit of steel, which had +got buried in the wound, not even the quotation of Shelley's line: + + "Makes such a wound, the knife is lost in it," + +could secure it a moment's acceptance. The same reception was accorded +to the idea that the cut had been made with a candlestick (or other +harmless article) constructed like a sword-stick. Theories of this sort +caused a humorist to explain that the deceased had hidden the razor in +his hollow tooth! Some kind friend of Messrs. Maskelyne and Cook +suggested that they were the only persons who could have done the deed, +as no one else could get out of a locked cabinet. But perhaps the most +brilliant of these flashes of false fire was the facetious, yet probably +half-seriously meant, letter that appeared in the "Pell Mell Press" +under the heading of + + THE BIG BOW MYSTERY SOLVED. + + "Sir--You will remember that when the Whitechapel murders were + agitating the universe, I suggested that the district coroner was + the assassin. My suggestion has been disregarded. The coroner is + still at large. So is the Whitechapel murderer. Perhaps this + suggestive coincidence will incline the authorities to pay more + attention to me this time. The problem seems to be this. The + deceased could not have cut his own throat. The deceased could not + have had his throat cut for him. As one of the two must have + happened, this is obvious nonsense. As this is obvious nonsense I + am justified in disbelieving it. As this obvious nonsense was + primarily put in circulation by Mrs. Drabdump and Mr. Grodman, I am + justified in disbelieving them. In short, sir, what guarantee have + we that the whole tale is not a cock-and-bull story, invented by + the two persons who first found the body? What proof is there that + the deed was not done by these persons themselves, who then went to + work to smash the door and break the locks and the bolts, and + fasten up all the windows before they called the police in? I + enclose my card, and am, sir, yours truly, One Who Looks Through + His Own Spectacles." + + ("Our correspondent's theory is not so audaciously original as he + seems to imagine. Has he not looked through the spectacles of the + people who persistently suggested that the Whitechapel murderer was + invariably the policeman who found the body? Somebody must find the + body, if it is to be found at all.--Ed. P. M. P.") + +The editor had reason to be pleased that he inserted this letter, for it +drew the following interesting communication from the great detective +himself: + + "THE BIG BOW MYSTERY SOLVED. + + "Sir--I do not agree with you that your correspondent's theory + lacks originality. On the contrary, I think it is delightfully + original. In fact it has given me an idea. What that idea is I do + not yet propose to say, but if 'One Who Looks Through His Own + Spectacles' will favor me with his name and address I shall be + happy to inform him a little before the rest of the world whether + his germ has borne any fruit. I feel he is a kindred spirit, and + take this opportunity of saying publicly that I was extremely + disappointed at the unsatisfactory verdict. The thing was a + palpable assassination; an open verdict has a tendency to relax the + exertions of Scotland Yard. I hope I shall not be accused of + immodesty, or of making personal reflections, when I say that the + Department has had several notorious failures of late. It is not + what it used to be. Crime is becoming impertinent. It no longer + knows its place, so to speak. It throws down the gauntlet where + once it used to cower in its fastnesses. I repeat, I make these + remarks solely in the interest of law and order. I do not for one + moment believe that Arthur Constant killed himself, and if Scotland + Yard satisfies itself with that explanation, and turns on its other + side and goes to sleep again, then, sir, one of the foulest and + most horrible crimes of the century will forever go unpunished. My + acquaintance with the unhappy victim was but recent; still, I saw + and knew enough of the man to be certain (and I hope I have seen + and known enough of other men to judge) that he was a man + constitutionally incapable of committing an act of violence, + whether against himself or anybody else. He would not hurt a fly, + as the saying goes. And a man of that gentle stamp always lacks the + active energy to lay hands on himself. He was a man to be esteemed + in no common degree, and I feel proud to be able to say that he + considered me a friend. I am hardly at the time of life at which a + man cares to put on his harness again; but, sir, it is impossible + that I should ever know a day's rest till the perpetrator of this + foul deed is discovered. I have already put myself in communication + with the family of the victim, who, I am pleased to say, have every + confidence in me, and look to me to clear the name of their unhappy + relative from the semi-imputation of suicide. I shall be pleased if + anyone who shares my distrust of the authorities, and who has any + clue whatever to this terrible mystery, or any plausible suggestion + to offer, if, in brief, any 'One who looks through his own + spectacles' will communicate with me. If I were asked to indicate + the direction in which new clues might be most usefully sought, I + should say, in the first instance, anything is valuable that helps + us to piece together a complete picture of the manifold activities + of the man in the East End. He entered one way or another into the + lives of a good many people; is it true that he nowhere made + enemies? With the best intentions a man may wound or offend; his + interference may be resented; he may even excite jealousy. A young + man like the late Mr. Constant could not have had as much practical + sagacity as he had goodness. Whose corns did he tread on? The more + we know of the last few months of his life the more we shall know + of the manner of his death. Thanking you by anticipation for the + insertion of this letter in your valuable columns, I am, sir, yours + truly, + + "George Grodman. + "46 Glover Street, Bow." + + "P. S.--Since writing the above lines I have, by the kindness of + Miss Brent, been placed in possession of a most valuable letter, + probably the last letter written by the unhappy gentleman. It is + dated Monday, 3 December, the very eve of the murder, and was + addressed to her at Florence, and has now, after some delay, + followed her back to London where the sad news unexpectedly brought + her. It is a letter couched, on the whole, in the most hopeful + spirit, and speaks in detail of his schemes. Of course, there are + things in it not meant for the ears of the public, but there can be + no harm in transcribing an important passage: + + "'You seem to have imbibed the idea that the East End is a kind of + Golgotha, and this despite that the books out of which you probably + got it are carefully labeled "Fiction." Lamb says somewhere that we + think of the "Dark Ages" as literally without sunlight, and so I + fancy people like you, dear, think of the "East End" as a mixture + of mire, misery and murder. How's that for alliteration? Why, + within five minutes' walk of me there are the loveliest houses, + with gardens back and front, inhabited by very fine people and + furniture. Many of my university friends' mouths would water if + they knew the income of some of the shop-keepers in the High Road. + + "'The rich people about here may not be so fashionable as those in + Kensington and Bayswater, but they are every bit as stupid and + materialistic. I don't deny, Lucy, I do have my black moments, and + I do sometimes pine to get away from all this to the lands of sun + and lotus-eating. But, on the whole, I am too busy even to dream of + dreaming. My real black moments are when I doubt if I am really + doing any good. But yet on the whole my conscience or my + self-conceit tells me that I am. If one cannot do much with the + mass, there is at least the consolation of doing good to the + individual. And, after all, is it not enough to have been an + influence for good over one or two human souls? There are quite + fine characters hereabout--especially in the women--natures capable + not only of self-sacrifice, but of delicacy of sentiment. To have + learnt to know of such, to have been of service to one or two of + such--is not this ample return? I could not get to St. James' Hall + to hear your friend's symphony at the Henschel concert. I have been + reading Mme. Blavatsky's latest book, and getting quite interested + in occult philosophy. Unfortunately I have to do all my reading in + bed, and I don't find the book as soothing a soporific as most new + books. For keeping one awake I find Theosophy as bad as + toothache....'" + + * * * * * + + "THE BIG BOW MYSTERY SOLVED. + + "Sir--I wonder if anyone besides myself has been struck by the + incredible bad taste of Mr. Grodman's letter in your last issue. + That he, a former servant of the Department, should publicly insult + and run it down can only be charitably explained by the supposition + that his judgment is failing him in his old age. In view of this + letter, are the relatives of the deceased justified in entrusting + him with any private documents? It is, no doubt, very good of him + to undertake to avenge one whom he seems snobbishly anxious to + claim as a friend; but, all things considered, should not his + letter have been headed 'The Big Bow Mystery Shelved?' I enclose my + card, and am, sir, + + "Your obedient servant, + "Scotland Yard." + +George Grodman read this letter with annoyance, and, crumpling up the +paper, murmured scornfully, "Edward Wimp." + + + + +CHAPTER V. + + +"Yes, but what will become of the Beautiful?" said Denzil Cantercot. + +"Hang the Beautiful!" said Peter Crowl, as if he were on the committee +of the Academy. "Give me the True." + +Denzil did nothing of the sort. He didn't happen to have it about him. + +[Illustration: Denzil Cantercot stood smoking a cigarette.] + +Denzil Cantercot stood smoking a cigarette in his landlord's shop, and +imparting an air of distinction and an agreeable aroma to the close +leathery atmosphere. Crowl cobbled away, talking to his tenant without +raising his eyes. He was a small, big-headed, sallow, sad-eyed man, with +a greasy apron. Denzil was wearing a heavy overcoat with a fur collar. +He was never seen without it in public during the winter. In private he +removed it and sat in his shirt sleeves. Crowl was a thinker, or thought +he was--which seems to involve original thinking anyway. His hair was +thinning rapidly at the top, as if his brain was struggling to get as +near as possible to the realities of things. He prided himself on having +no fads. Few men are without some foible or hobby; Crowl felt almost +lonely at times in his superiority. He was a Vegetarian, a Secularist, a +Blue Ribbonite, a Republican, and an Anti-Tobacconist. Meat was a fad. +Drink was a fad. Religion was a fad. Monarchy was a fad. Tobacco was a +fad. "A plain man like me," Crowl used to say, "can live without fads." +"A plain man" was Crowl's catchword. When of a Sunday morning he stood +on Mile-end Waste, which was opposite his shop--and held forth to the +crowd on the evils of kings, priests and mutton chops, the "plain man" +turned up at intervals like the "theme" of a symphonic movement. "I am +only a plain man and I want to know." It was a phrase that sabered the +spider-webs of logical refinement, and held them up scornfully on the +point. When Crowl went for a little recreation in Victoria Park on +Sunday afternoons, it was with this phrase that he invariably routed the +supernaturalists. Crowl knew his Bible better than most ministers, and +always carried a minutely-printed copy in his pocket, dogs-eared to mark +contradictions in the text. The second chapter of Jeremiah says one +thing; the first chapter of Corinthians says another. Two contradictory +statements may both be true, but "I am only a plain man, and I want to +know." Crowl spent a large part of his time in setting "the word against +the word." Cock-fighting affords its votaries no acuter pleasure than +Crowl derived from setting two texts by the ears. Crowl had a +metaphysical genius which sent his Sunday morning disciples frantic with +admiration, and struck the enemy dumb with dismay. He had discovered, +for instance, that the Deity could not move, owing to already filling +all space. He was also the first to invent, for the confusion of the +clerical, the crucial case of a saint dying at the Antipodes +contemporaneously with another in London. Both went skyward to heaven, +yet the two traveled in directly opposite directions. In all eternity +they would never meet. Which, then, got to heaven? Or was there no such +place? "I am only a plain man, and I want to know." Preserve us our open +spaces; they exist to testify to the incurable interest of humanity in +the Unknown and the Misunderstood. Even 'Arry is capable of five +minutes' attention to speculative theology, if 'Arriet isn't in a 'urry. + +Peter Crowl was not sorry to have a lodger like Denzil Cantercot, who, +though a man of parts and thus worth powder and shot, was so hopelessly +wrong on all subjects under the sun. In only one point did Peter Crowl +agree with Denzil Cantercot--he admired Denzil Cantercot secretly. When +he asked him for the True--which was about twice a day on the +average--he didn't really expect to get it from him. He knew that Denzil +was a poet. + +"The Beautiful," he went on, "is a thing that only appeals to men like +you. The True is for all men. The majority have the first claim. Till +then you poets must stand aside. The True and the Useful--that's what we +want. The Good of Society is the only test of things. Everything stands +or falls by the Good of Society." + +"The Good of Society!" echoed Denzil, scornfully. "What's the Good of +Society? The Individual is before all. The mass must be sacrificed to +the Great Man. Otherwise the Great Man will be sacrificed to the mass. +Without great men there would be no art. Without art life would be a +blank." + +"Ah, but we should fill it up with bread and butter," said Peter Crowl. + +"Yes, it is bread and butter that kills the Beautiful," said Denzil +Cantercot bitterly. "Many of us start by following the butterfly through +the verdant meadows, but we turn aside----" + +"To get the grub," chuckled Peter, cobbling away. + +"Peter, if you make a jest of everything, I'll not waste my time on +you." + +Denzil's wild eyes flashed angrily. He shook his long hair. Life was +very serious to him. He never wrote comic verse intentionally. + +There are three reasons why men of genius have long hair. One is, that +they forget it is growing. The second is, that they like it. The third +is, that it comes cheaper; they wear it long for the same reason that +they wear their hats long. + +Owing to this peculiarity of genius, you may get quite a reputation for +lack of twopence. The economic reason did not apply to Denzil, who could +always get credit with the profession on the strength of his appearance. +Therefore, when street Arabs vocally commanded him to get his hair cut, +they were doing no service to barbers. Why does all the world watch over +barbers and conspire to promote their interests? Denzil would have told +you it was not to serve the barbers, but to gratify the crowd's +instinctive resentment of originality. In his palmy days Denzil had been +an editor, but he no more thought of turning his scissors against +himself than of swallowing his paste. The efficacy of hair has changed +since the days of Samson, otherwise Denzil would have been a Hercules +instead of a long, thin, nervous man, looking too brittle and delicate +to be used even for a pipe-cleaner. The narrow oval of his face sloped +to a pointed, untrimmed beard. His linen was reproachable, his dingy +boots were down at heel, and his cocked hat was drab with dust. Such are +the effects of a love for the Beautiful. + +Peter Crowl was impressed with Denzil's condemnation of flippancy, and +he hastened to turn off the joke. + +"I'm quite serious," he said. "Butterflies are no good to nothing or +nobody; caterpillars at least save the birds from starving." + +"Just like your view of things, Peter," said Denzil. "Good morning, +madam." This to Mrs. Crowl, to whom he removed his hat with elaborate +courtesy. Mrs. Crowl grunted and looked at her husband with a note of +interrogation in each eye. For some seconds Crowl stuck to his last, +endeavoring not to see the question. He shifted uneasily on his stool. +His wife coughed grimly. He looked up, saw her towering over him, and +helplessly shook his head in a horizontal direction. It was wonderful +how Mrs. Crowl towered over Mr. Crowl, even when he stood up in his +shoes. She measured half an inch less. It was quite an optical illusion. + +"Mr. Crowl," said Mrs. Crowl, "then I'll tell him." + +"No, no, my dear, not yet," faltered Peter helplessly; "leave it to me." + +"I've left it to you long enough. You'll never do nothing. If it was a +question of provin' to a lot of chuckleheads that Jollygee and Genesis, +or some other dead and gone Scripture folk that don't consarn no mortal +soul, used to contradict each other, your tongue 'ud run thirteen to the +dozen. But when it's a matter of takin' the bread out o' the mouths o' +your own children, you ain't got no more to say for yourself than a +lamppost. Here's a man stayin' with you for weeks and weeks--eatin' and +drinkin' the flesh off your bones--without payin' a far----" + +"Hush, hush, mother; it's all right," said poor Crowl, red as fire. + +Denzil looked at her dreamily. "Is it possible you are alluding to me, +Mrs. Crowl?" he said. + +"Who then should I be alludin' to, Mr. Cantercot? Here's seven weeks +come and gone, and not a blessed 'aypenny have I----" + +"My dear Mrs. Crowl," said Denzil, removing his cigarette from his mouth +with a pained air, "why reproach me for your neglect?" + +"My neglect! I like that!" + +"I don't," said Denzil, more sharply. "If you had sent me in the bill +you would have had the money long ago. How do you expect me to think of +these details?" + +"We ain't so grand down here. People pays their way--they don't get no +bills," said Mrs. Crowl, accentuating the word with infinite scorn. + +Peter hammered away at a nail, as though to drown his spouse's voice. + +"It's three pounds fourteen and eight-pence, if you're so anxious to +know," Mrs. Crowl resumed. "And there ain't a woman in the Mile End Road +as 'ud a-done it cheaper, with bread at fourpence threefarden a quartern +and landlords clamorin' for rent every Monday morning almost afore the +sun's up and folks draggin' and slidderin' on till their shoes is only +fit to throw after brides, and Christmas comin' and seven-pence a week +for schoolin'!" + +Peter winced under the last item. He had felt it coming--like Christmas. +His wife and he parted company on the question of Free Education. Peter +felt that, having brought nine children into the world, it was only fair +he should pay a penny a week for each of those old enough to bear +educating. His better half argued that, having so many children, they +ought in reason to be exempted. Only people who had few children could +spare the penny. But the one point on which the cobbler-skeptic of the +Mile End Road got his way was this of the fees. It was a question of +conscience, and Mrs. Crowl had never made application for their +remission, though she often slapped her children in vexation instead. +They were used to slapping, and when nobody else slapped them they +slapped one another. They were bright, ill-mannered brats, who pestered +their parents and worried their teachers, and were happy as the Road was +long. + +"Bother the school fees!" Peter retorted, vexed. "Mr. Cantercot's not +responsible for your children." + +"I should hope not, indeed, Mr. Crowl," Mrs. Crowl said sternly. "I'm +ashamed of you." And with that she flounced out of the shop into the +back parlor. + +"It's all right," Peter called after her soothingly. "The money'll be +all right, mother." + +In lower circles it is customary to call your wife your mother; in +somewhat superior circles it is the fashion to speak of her as "the +wife" as you speak of "the Stock Exchange," or "the Thames," without +claiming any peculiar property. Instinctively men are ashamed of being +moral and domesticated. + +Denzil puffed his cigarette, unembarrassed. Peter bent attentively over +his work, making nervous stabs with his awl. There was a long silence. +An organ-grinder played a waltz outside, unregarded; and, failing to +annoy anybody, moved on. Denzil lit another cigarette. The dirty-faced +clock on the shop wall chimed twelve. + +"What do you think," said Crowl, "of Republics?" + +"They are low," Denzil replied. "Without a Monarch there is no visible +incarnation of Authority." + +"What! do you call Queen Victoria visible?" + +"Peter, do you want to drive me from the house? Leave frivolousness to +women, whose minds are only large enough for domestic difficulties. +Republics are low. Plato mercifully kept the poets out of his. Republics +are not congenial soil for poetry." + +"What nonsense! If England dropped its fad of Monarchy and became a +Republic to-morrow, do you mean to say that----?" + +"I mean to say that there would be no Poet Laureate to begin with." + +"Who's fribbling now, you or me, Cantercot? But I don't care a +button-hook about poets, present company always excepted. I'm only a +plain man, and I want to know where's the sense of givin' any one person +authority over everybody else?" + +"Ah, that's what Tom Mortlake used to say. Wait till you're in power, +Peter, with trade-union money to control, and working men bursting to +give you flying angels and to carry you aloft, like a banner, +huzzahing." + +"Ah, that's because he's head and shoulders above 'em already," said +Crowl, with a flash in his sad gray eyes. "Still, it don't prove that +I'd talk any different. And I think you're quite wrong about his being +spoiled. Tom's a fine fellow--a man every inch of him, and that's a good +many. I don't deny he has his weaknesses, and there was a time when he +stood in this very shop and denounced that poor dead Constant. 'Crowl,' +said he, 'that man'll do mischief. I don't like these kid-glove +philanthropists mixing themselves up in practical labor disputes they +don't understand.'" + +Denzil whistled involuntarily. It was a piece of news. + +"I daresay," continued Crowl, "he's a bit jealous of anybody's +interference with his influence. But in this case the jealousy did wear +off, you see, for the poor fellow and he got quite pals, as everybody +knows. Tom's not the man to hug a prejudice. However, all that don't +prove nothing against Republics. Look at the Czar and the Jews. I'm only +a plain man, but I wouldn't live in Russia not for--not for all the +leather in it! An Englishman, taxed as he is to keep up his Fad of +Monarchy, is at least king in his own castle, whoever bosses it at +Windsor. Excuse me a minute, the missus is callin'." + +"Excuse _me_ a minute. I'm going, and I want to say before I go--I feel +it is only right you should know at once--that after what has passed +to-day I can never be on the same footing here as in the--shall I say +pleasant?--days of yore." + +"Oh, no, Cantercot. Don't say that; don't say that!" pleaded the little +cobbler. + +"Well, shall I say unpleasant, then?" + +"No, no, Cantercot. Don't misunderstand me. Mother has been very much +put to it lately to rub along. You see she has such a growing family. It +grows--daily. But never mind her. You pay whenever you've got the +money." + +Denzil shook his head. "It cannot be. You know when I came here first I +rented your top room and boarded myself. Then I learnt to know you. We +talked together. Of the Beautiful. And the Useful. I found you had no +soul. But you were honest, and I liked you. I went so far as to take my +meals with your family. I made myself at home in your back parlor. But +the vase has been shattered (I do not refer to that on the mantelpiece), +and though the scent of the roses may cling to it still, it can be +pieced together--nevermore." He shook his hair sadly and shambled out of +the shop. Crowl would have gone after him, but Mrs. Crowl was still +calling, and ladies must have the precedence in all polite societies. + +Cantercot went straight--or as straight as his loose gait permitted--to +46 Glover Street, and knocked at the door. Grodman's factotum opened it. +She was a pock-marked person, with a brickdust complexion and a +coquettish manner. + +"Oh, here we are again!" she said vivaciously. + +"Don't talk like a clown," Cantercot snapped. "Is Mr. Grodman in?" + +"No, you've put him out," growled the gentleman himself, suddenly +appearing in his slippers. "Come in. What the devil have you been doing +with yourself since the inquest? Drinking again?" + +"I've sworn off. Haven't touched a drop since----" + +"The murder?" + +"Eh?" said Denzil Cantercot, startled. "What do you mean?" + +"What I say. Since December 4, I reckon everything from that murder, +now, as they reckon longitude from Greenwich." + +"Oh," said Denzil Cantercot. + +"Let me see. Nearly a fortnight. What a long time to keep away from +Drink--and Me." + +"I don't know which is worse," said Denzil, irritated. "You both steal +away my brains." + +"Indeed?" said Grodman, with an amused smile. "Well, it's only petty +pilfering, after all. What's put salt on your wounds?" + +"The twenty-fourth edition of my book." + +"Whose book?" + +"Well, your book. You must be making piles of money out of 'Criminals I +Have Caught.'" + +"'Criminals _I_ Have Caught,'" corrected Grodman. "My dear Denzil, how +often am I to point out that I went through the experiences that make +the backbone of my book, not you? In each case I cooked the criminal's +goose. Any journalist could have supplied the dressing." + +"The contrary. The journeymen of journalism would have left the truth +naked. You yourself could have done that--for there is no man to beat +you at cold, lucid, scientific statement. But I idealized the bare facts +and lifted them into the realm of poetry and literature. The +twenty-fourth edition of the book attests my success." + +"Rot! The twenty-fourth edition was all owing to the murder! Did you do +that?" + +"You take one up so sharply, Mr. Grodman," said Denzil, changing his +tone. + +"No--I've retired," laughed Grodman. + +Denzil did not reprove the ex-detective's flippancy. He even laughed a +little. + +"Well, give me another fiver, and I'll cry 'quits.' I'm in debt." + +"Not a penny. Why haven't you been to see me since the murder? I had to +write that letter to the 'Pell Mell Press' myself. You might have earned +a crown." + +"I've had writer's cramp, and couldn't do your last job. I was coming to +tell you so on the morning of the----" + +"Murder. So you said at the inquest." + +"It's true." + +"Of course. Weren't you on your oath? It was very zealous of you to get +up so early to tell me. In which hand did you have this cramp?" + +"Why, in the right, of course." + +"And you couldn't write with your left?" + +"I don't think I could even hold a pen." + +"Or any other instrument, mayhap. What had you been doing to bring it +on?" + +"Writing too much. That is the only possible cause." + +"Oh, I don't know. Writing what?" + +Denzil hesitated. "An epic poem." + +"No wonder you're in debt. Will a sovereign get you out of it?" + +"No; it wouldn't be the least use to me." + +"Here it is, then." + +Denzil took the coin and his hat. + +"Aren't you going to earn it, you beggar? Sit down and write something +for me." + +Denzil got pen and paper, and took his place. + +"What do you want me to write?" + +"The Epic Poem." + +Denzil started and flushed. But he set to work. Grodman leaned back in +his armchair and laughed, studying the poet's grave face. + +Denzil wrote three lines and paused. + +"Can't remember any more? Well, read me the start." + +Denzil read: + + "Of man's first disobedience and the fruit + Of that forbidden tree whose mortal taste + Brought death into the world--" + +"Hold on!" cried Grodman; "what morbid subjects you choose, to be sure." + +"Morbid! Why, Milton chose the same subject!" + +"Blow Milton. Take yourself off--you and your Epics." + +Denzil went. The pock-marked person opened the street door for him. + +"When am I to have that new dress, dear?" she whispered coquettishly. + +"I have no money, Jane," he said shortly. + +"You have a sovereign." + +Denzil gave her the sovereign, and slammed the door viciously. Grodman +overheard their whispers, and laughed silently. His hearing was acute. +Jane had first introduced Denzil to his acquaintance about two years +ago, when he spoke of getting an amanuensis, and the poet had been doing +odd jobs for him ever since. Grodman argued that Jane had her reasons. +Without knowing them he got a hold over both. There was no one, he felt, +he could not get a hold over. All men--and women--have something to +conceal, and you have only to pretend to know what it is. Thus Grodman, +who was nothing if not scientific. + +Denzil Cantercot shambled home thoughtfully, and abstractedly took his +place at the Crowl dinner-table. + + + + +CHAPTER VI. + + +Mrs. Crowl surveyed Denzil Cantercot so stonily and cut him his beef so +savagely that he said grace when the dinner was over. Peter fed his +metaphysical genius on tomatoes. He was tolerant enough to allow his +family to follow their Fads; but no savory smells ever tempted him to be +false to his vegetable loves. Besides, meat might have reminded him too +much of his work. There is nothing like leather, but Bow beefsteaks +occasionally come very near it. + +After dinner Denzil usually indulged in poetic reverie. But to-day he +did not take his nap. He went out at once to "raise the wind." But there +was a dead calm everywhere. In vain he asked for an advance at the +office of the "Mile End Mirror," to which he contributed scathing +leaderettes about vestrymen. In vain he trudged to the city and offered +to write the "Ham and Eggs Gazette" an essay on the modern methods of +bacon-curing. Denzil knew a great deal about the breeding and +slaughtering of pigs, smoke-lofts and drying processes, having for years +dictated the policy of the "New Pork Herald" in these momentous matters. +Denzil also knew a great deal about many other esoteric matters, +including weaving machines, the manufacture of cabbage leaves and snuff, +and the inner economy of drain-pipes. He had written for the trade +papers since boyhood. But there is great competition on these papers. So +many men of literary gifts know all about the intricate technicalities +of manufactures and markets, and are eager to set the trade right. +Grodman perhaps hardly allowed sufficiently for the step backward that +Denzil made when he devoted his whole time for months to "Criminals I +Have Caught." It was as damaging as a debauch. For when your rivals are +pushing forward, to stand still is to go back. + +In despair Denzil shambled toilsomely to Bethnal Green. He paused before +the window of a little tobacconist's shop, wherein was displayed a +placard announcing + + "PLOTS FOR SALE." + +The announcement went on to state that a large stock of plots was to be +obtained on the premises--embracing sensational plots, humorous plots, +love plots, religious plots, and poetic plots; also complete +manuscripts, original novels, poems and tales. Apply within. + +It was a very dirty-looking shop, with begrimed bricks and blackened +woodwork. The window contained some musty old books, an assortment of +pipes and tobacco, and a large number of the vilest daubs unhung, +painted in oil on Academy boards, and unframed. These were intended for +landscapes, as you could tell from the titles. The most expensive was +"Chingford Church," and it was marked 1s. 9d. The others ran from 6d. to +1s. 3d., and were mostly representations of Scotch scenery--a loch with +mountains in the background, with solid reflections in the water and a +tree in the foreground. Sometimes the tree would be in the background. +Then the loch would be in the foreground. Sky and water were intensely +blue in all. The name of the collection was "Original oil paintings done +by hand." Dust lay thick upon everything, as if carefully shoveled on; +and the proprietor looked as if he slept in his shop window at night +without taking his clothes off. He was a gaunt man with a red nose, long +but scanty black locks covered by a smoking cap, and a luxuriant black +mustache. He smoked a long clay pipe, and had the air of a broken-down +operatic villain. + +"Ah, good afternoon, Mr. Cantercot," he said, rubbing his hands, half +from cold, half from usage; "what have you brought me?" + +"Nothing," said Denzil, "but if you will lend me a sovereign I'll do you +a stunner." + +The operatic villain shook his locks, his eyes full of pawky cunning. +"If you did it after that it would be a stunner." + +What the operatic villain did with these plots, and who bought them, +Cantercot never knew nor cared to know. Brains are cheap to-day, and +Denzil was glad enough to find a customer. + +"Surely you've known me long enough to trust me," he cried. + +"Trust is dead," said the operatic villain, puffing away. + +"So is Queen Anne," cried the irritated poet. His eyes took a dangerous +hunted look. Money he must have. But the operatic villain was +inflexible. No plot, no supper. + +Poor Denzil went out flaming. He knew not where to turn. Temporarily he +turned on his heel again and stared despairingly at the shop window. +Again he read the legend: + + "PLOTS FOR SALE." + +He stared so long at this that it lost its meaning. When the sense of +the words suddenly flashed upon him again, they bore a new significance. +He went in meekly, and borrowed fourpence of the operatic villain. Then +he took the 'bus for Scotland Yard. There was a not ill-looking servant +girl in the 'bus. The rhythm of the vehicle shaped itself into rhymes in +his brain. He forgot all about his situation and his object. He had +never really written an epic--except "Paradise Lost"--but he composed +lyrics about wine and women and often wept to think how miserable he +was. But nobody ever bought anything of him, except articles on +bacon-curing or attacks on vestrymen. He was a strange, wild creature, +and the wench felt quite pretty under his ardent gaze. It almost +hypnotized her, though, and she looked down at her new French kid boots +to escape it. + +At Scotland Yard Denzil asked for Edward Wimp. Edward Wimp was not on +view. Like kings and editors, Detectives are difficult of +approach--unless you are a criminal, when you cannot see anything of +them at all. Denzil knew of Edward Wimp, principally because of +Grodman's contempt for his successor. Wimp was a man of taste and +culture. Grodman's interests were entirely concentrated on the problems +of logic and evidence. Books about these formed his sole reading; for +_belles lettres_ he cared not a straw. Wimp, with his flexible +intellect, had a great contempt for Grodman and his slow, laborious, +ponderous, almost Teutonic methods. Worse, he almost threatened to +eclipse the radiant tradition of Grodman by some wonderfully ingenious +bits of workmanship. Wimp was at his greatest in collecting +circumstantial evidence; in putting two and two together to make five. +He would collect together a number of dark and disconnected data and +flash across them the electric light of some unifying hypothesis in a +way which would have done credit to a Darwin or a Faraday. An intellect +which might have served to unveil the secret workings of nature was +subverted to the protection of a capitalistic civilization. + +By the assistance of a friendly policeman, whom the poet magnetized into +the belief that his business was a matter of life and death, Denzil +obtained the great detective's private address. It was near King's +Cross. By a miracle Wimp was at home in the afternoon. He was writing +when Denzil was ushered up three pairs of stairs into his presence, but +he got up and flashed the bull's-eye of his glance upon the visitor. + +"Mr. Denzil Cantercot, I believe!" said Wimp. + +Denzil started. He had not sent up his name, merely describing himself +as a gentleman. + +"That is my name," he murmured. + +"You were one of the witnesses at the inquest on the body of the late +Arthur Constant. I have your evidence there." He pointed to a file. "Why +have you come to give fresh evidence?" + +Again Denzil started, flushing in addition this time. "I want money," he +said, almost involuntarily. + +"Sit down." Denzil sat. Wimp stood. + +Wimp was young and fresh-colored. He had a Roman nose, and was smartly +dressed. He had beaten Grodman by discovering the wife Heaven meant for +him. He had a bouncing boy, who stole jam out of the pantry without +anyone being the wiser. Wimp did what work he could do at home in a +secluded study at the top of the house. Outside his chamber of horrors +he was the ordinary husband of commerce. He adored his wife, who thought +poorly of his intellect, but highly of his heart. In domestic +difficulties Wimp was helpless. He could not even tell whether the +servant's "character" was forged or genuine. Probably he could not level +himself to such petty problems. He was like the senior wrangler who has +forgotten how to do quadratics, and has to solve equations of the second +degree by the calculus. + +"How much money do you want?" he asked. + +"I do not make bargains," Denzil replied, his calm come back by this +time. "I came to tender you a suggestion. It struck me that you might +offer me a fiver for my trouble. Should you do so, I shall not refuse +it." + +"You shall not refuse it--if you deserve it." + +"Good. I will come to the point at once. My suggestion concerns--Tom +Mortlake." + +Denzil threw out the name as if it were a torpedo. Wimp did not move. + +"Tom Mortlake," went on Denzil, looking disappointed, "had a +sweetheart." He paused impressively. + +Wimp said "Yes?" + +"Where is that sweetheart now?" + +"Where, indeed?" + +"You know about her disappearance?" + +"You have just informed me of it." + +"Yes, she is gone--without a trace. She went about a fortnight before +Mr. Constant's murder." + +"Murder? How do you know it was a murder?" + +"Mr. Grodman says so," said Denzil, startled again. + +"H'm! Isn't that rather a proof that it was suicide? Well, go on." + +"About a fortnight before the suicide, Jessie Dymond disappeared. So +they tell me in Stepney Green, where she lodged and worked." + +"What was she?" + +"She was a dressmaker. She had a wonderful talent. Quite fashionable +ladies got to know of it. One of her dresses was presented at Court. I +think the lady forgot to pay for it; so Jessie's landlady said." + +"Did she live alone?" + +"She had no parents, but the house was respectable." + +"Good-looking, I suppose?" + +"As a poet's dream." + +"As yours, for instance?" + +"I am a poet; I dream." + +"You dream you are a poet. Well, well! She was engaged to Mortlake?" + +"Oh, yes! They made no secret of it. The engagement was an old one. When +he was earning 36s. a week as a compositor they were saving up to buy a +home. He worked at Railton and Hockes', who print the 'New Pork Herald.' +I used to take my 'copy' into the comps' room, and one day the Father of +the Chapel told me all about 'Mortlake and his young woman.' Ye gods! +How times are changed! Two years ago Mortlake had to struggle with my +caligraphy--now he is in with all the nobs, and goes to the 'at homes' +of the aristocracy." + +"Radical M. P.'s," murmured Wimp, smiling. + +"While I am still barred from the dazzling drawing-rooms, where beauty +and intellect foregather. A mere artisan! A manual laborer!" Denzil's +eyes flashed angrily. He rose with excitement. "They say he always was a +jabberer in the composing-room, and he has jabbered himself right out of +it and into a pretty good thing. He didn't have much to say about the +crimes of capital when he was set up to second the toast of 'Railton and +Hockes' at the beanfeast." + +"Toast and butter, toast and butter," said Wimp genially. "I shouldn't +blame a man for serving the two together, Mr. Cantercot." + +Denzil forced a laugh. "Yes; but consistency's my motto. I like to see +the royal soul immaculate, unchanging, immovable by fortune. Anyhow, +when better times came for Mortlake the engagement still dragged on. He +did not visit her so much. This last autumn he saw very little of her." + +"How do you know?" + +"I--I was often in Stepney Green. My business took me past the house of +an evening. Sometimes there was no light in her room. That meant she was +downstairs gossiping with the landlady." + +"She might have been out with Tom?" + +"No, sir; I knew Tom was on the platform somewhere or other. He was +working up to all hours organizing the eight hours working movement." + +"A very good reason for relaxing his sweethearting." + +"It was. He never went to Stepney Green on a week night." + +"But you always did." + +"No--not every night." + +"You didn't go in?" + +"Never. She wouldn't permit my visits. She was a girl of strong +character. She always reminded me of Flora Macdonald." + +"Another lady of your acquaintance?" + +"A lady I know better than the shadows who surround me; who is more real +to me than the women who pester me for the price for apartments. Jessie +Dymond, too, was of the race of heroines. Her eyes were clear blue, two +wells with Truth at the bottom of each. When I looked into those eyes my +own were dazzled. They were the only eyes I could never make dreamy." He +waved his hand as if making a pass with it. "It was she who had the +influence over me." + +"You knew her then?" + +"Oh, yes. I knew Tom from the old 'New Pork Herald' days, and when I +first met him with Jessie hanging on his arm he was quite proud to +introduce her to a poet. When he got on he tried to shake me off." + +"You should have repaid him what you borrowed." + +"It--it--was only a trifle," stammered Denzil. + +"Yes, but the world turns on trifles," said the wise Wimp. + +"The world is itself a trifle," said the pensive poet. "The Beautiful +alone is deserving of our regard." + +"And when the Beautiful was not gossiping with her landlady, did she +gossip with you as you passed the door?" + +"Alas, no! She sat in her room reading, and cast a shadow--" + +"On your life?" + +"No; on the blind." + +"Always one shadow?" + +"No, sir. Once or twice, two." + +"Ah, you had been drinking." + +"On my life, not. I have sworn off the treacherous wine-cup." + +"That's right. Beer is bad for poets. It makes their feet shaky. Whose +was the second shadow?" + +"A man's." + +"Naturally. Mortlake's, perhaps?" + +"Impossible. He was still striking eight hours." + +"You found out whose? You didn't leave it a shadow of doubt?" + +"No; I waited till the substance came out." + +"It was Arthur Constant." + +"You are a magician! You--you terrify me. Yes, it was he." + +"Only once or twice, you say?" + +"I didn't keep watch over them." + +"No, no, of course not. You only passed casually. I understand you +thoroughly." + +Denzil did not feel comfortable at the assertion. + +"What did he go there for?" Wimp went on. + +"I don't know. I'd stake my soul on Jessie's honor." + +"You might double your stake without risk." + +"Yes, I might! I would! You see her with my eyes." + +"For the moment they are the only ones available. When was the last time +you saw the two together?" + +"About the middle of November." + +"Mortlake knew nothing of their meetings?" + +"I don't know. Perhaps he did. Mr. Constant had probably enlisted her in +his social mission work. I knew she was one of the attendants at the big +children's tea in the Great Assembly Hall early in November. He treated +her quite like a lady. She was the only attendant who worked with her +hands." + +"The others carried the cups on their feet, I suppose?" + +"No; how could that be? My meaning is that all the other attendants were +real ladies, and Jessie was only an amateur, so to speak. There was no +novelty for her in handing kids cups of tea. I daresay she had helped +her landlady often enough at that--there's quite a bushel of brats below +stairs. It's almost as bad as at friend Crowl's. Jessie was a real +brick. But perhaps Tom didn't know her value. Perhaps he didn't like +Constant to call on her, and it led to a quarrel. Anyhow, she's +disappeared, like the snowfall on the river. There's not a trace. The +landlady, who was such a friend of hers that Jessie used to make up her +stuff into dresses for nothing, tells me that she's dreadfully annoyed +at not having been left the slightest clue to her late tenant's +whereabouts." + +"You have been making inquiries on your own account apparently." + +"Only of the landlady. Jessie never even gave her the week's notice, but +paid her in lieu of it, and left immediately. The landlady told me I +could have knocked her down with a feather. Unfortunately, I wasn't +there to do it, for I should certainly have knocked her down for not +keeping her eyes open better. She says if she had only had the least +suspicion beforehand that the minx (she dared to call Jessie a minx) was +going, she'd have known where, or her name would have been somebody +else's. And yet she admits that Jessie was looking ill and worried. +Stupid old hag!" + +"A woman of character," murmured the detective. + +"Didn't I tell you so?" cried Denzil eagerly. "Another girl would have +let out that she was going. But, no! not a word. She plumped down the +money and walked out. The landlady ran upstairs. None of Jessie's things +were there. She must have quietly sold them off, or transferred them to +the new place. I never in my life met a girl who so thoroughly knew her +own mind or had a mind so worth knowing. She always reminded me of the +Maid of Saragossa." + +"Indeed! And when did she leave?" + +"On the 19th of November." + +"Mortlake of course knows where she is?" + +"I can't say. Last time I was at the house to inquire--it was at the end +of November--he hadn't been seen there for six weeks. He wrote to her, +of course, sometimes--the landlady knew his writing." + +Wimp looked Denzil straight in the eyes, and said, "You mean, of course, +to accuse Mortlake of the murder of Mr. Constant?" + +"N-n-no, not at all," stammered Denzil, "only you know what Mr. Grodman +wrote to the 'Pell Mell.' The more we know about Mr. Constant's life the +more we shall know about the manner of his death. I thought my +information would be valuable to you, and I brought it." + +"And why didn't you take it to Mr. Grodman?" + +"Because I thought it wouldn't be valuable to me." + +"You wrote 'Criminals I Have Caught.'" + +"How--how do you know that?" Wimp was startling him to-day with a +vengeance. + +"Your style, my dear Mr. Cantercot. The unique noble style." + +"Yes, I was afraid it would betray me," said Denzil. "And since you +know, I may tell you that Grodman's a mean curmudgeon. What does he want +with all that money and those houses--a man with no sense of the +Beautiful? He'd have taken my information, and given me more kicks than +ha'pence for it, so to speak." + +"Yes, he is a shrewd man after all. I don't see anything valuable in +your evidence against Mortlake." + +"No!" said Denzil in a disappointed tone, and fearing he was going to be +robbed. "Not when Mortlake was already jealous of Mr. Constant, who was +a sort of rival organizer, unpaid! A kind of blackleg doing the work +cheaper--nay, for nothing." + +"Did Mortlake tell you he was jealous?" said Wimp, a shade of sarcastic +contempt piercing through his tones. + +"Oh, yes! He said to me, 'That man will work mischief. I don't like your +kid-glove philanthropists meddling in matters they don't understand.'" + +"Those were his very words?" + +"His _ipsissima verba_." + +"Very well. I have your address in my files. Here is a sovereign for +you." + +"Only one sovereign! It's not the least use to me." + +"Very well. It's of great use to me. I have a wife to keep." + +"I haven't," said Denzil with a sickly smile, "so perhaps I can manage +on it after all." He took his hat and the sovereign. + +Outside the door he met a rather pretty servant just bringing in some +tea to her master. He nearly upset her tray at sight of her. She seemed +more amused at the _rencontre_ than he. + +"Good afternoon, dear," she said coquettishly. "You might let me have +that sovereign. I do so want a new Sunday bonnet." + +Denzil gave her the sovereign, and slammed the hall door viciously when +he got to the bottom of the stairs. He seemed to be walking arm-in-arm +with the long arm of coincidence. Wimp did not hear the duologue. He was +already busy on his evening's report to headquarters. The next day +Denzil had a body-guard wherever he went. It might have gratified his +vanity had he known it. But to-night he was yet unattended, so no one +noted that he went to 46 Glover Street, after the early Crowl supper. He +could not help going. He wanted to get another sovereign. He also itched +to taunt Grodman. Not succeeding in the former object, he felt the road +open for the second. + +"Do you still hope to discover the Bow murderer?" he asked the old +bloodhound. + +"I can lay my hand on him now," Grodman announced curtly. + +Denzil hitched his chair back involuntarily. He found conversation with +detectives as lively as playing at skittles with bombshells. They got on +his nerves terribly, these undemonstrative gentlemen with no sense of +the Beautiful. + +"But why don't you give him up to justice?" he murmured. + +"Ah--it has to be proved yet. But it is only a matter of time." + +"Oh!" said Denzil, "and shall I write the story for you?" + +"No. You will not live long enough." + +Denzil turned white. "Nonsense! I am years younger than you," he gasped. + +"Yes," said Grodman, "but you drink so much." + + + + +CHAPTER VII. + + +When Wimp invited Grodman to eat his Christmas plum-pudding at King's +Cross Grodman was only a little surprised. The two men were always +overwhelmingly cordial when they met, in order to disguise their mutual +detestation. When people really like each other, they make no +concealment of their mutual contempt. In his letter to Grodman, Wimp +said that he thought it would be nicer for him to keep Christmas in +company than in solitary state. There seems to be a general prejudice in +favor of Christmas numbers, and Grodman yielded to it. Besides, he +thought that a peep at the Wimp domestic interior would be as good as a +pantomime. He quite enjoyed the fun that was coming, for he knew that +Wimp had not invited him out of mere "peace and goodwill." + +There was only one other guest at the festive board. This was Wimp's +wife's mother's mother, a lady of sweet seventy. Only a minority of +mankind can obtain a grandmother-in-law by marrying, but Wimp was not +unduly conceited. The old lady suffered from delusions. One of them was +that she was a centenarian. She dressed for the part. It is +extraordinary what pains ladies will take to conceal their age. Another +of Wimp's grandmother-in-law's delusions was that Wimp had married to +get her into the family. Not to frustrate his design, she always gave +him her company on high-days and holidays. Wilfred Wimp--the little boy +who stole the jam--was in great form at the Christmas dinner. The only +drawback to his enjoyment was that its sweets needed no stealing. His +mother presided over the platters, and thought how much cleverer Grodman +was than her husband. When the pretty servant who waited on them was +momentarily out of the room, Grodman had remarked that she seemed very +inquisitive. This coincided with Mrs. Wimp's own convictions, though Mr. +Wimp could never be brought to see anything unsatisfactory or suspicious +about the girl, not even though there were faults in spelling in the +"character" with which her last mistress had supplied her. + +It was true that the puss had pricked up her ears when Denzil +Cantercot's name was mentioned. Grodman saw it and watched her, and +fooled Wimp to the top of his bent. It was, of course, Wimp who +introduced the poet's name, and he did it so casually that Grodman +perceived at once that he wished to pump him. The idea that the rival +bloodhound should come to him for confirmation of suspicions against his +own pet jackal was too funny. It was almost as funny to Grodman that +evidence of some sort should be obviously lying to hand in the bosom of +Wimp's hand-maiden; so obviously that Wimp could not see it. Grodman +enjoyed his Christmas dinner, secure that he had not found a successor +after all. Wimp, for his part, contemptuously wondered at the way +Grodman's thought hovered about Denzil without grazing the truth. A man +constantly about him, too! + +"Denzil is a man of genius," said Grodman. "And as such comes under the +heading of Suspicious Characters. He has written an Epic Poem and read +it to me. It is morbid from start to finish. There is 'death' in the +third line. I daresay you know he polished up my book." Grodman's +artlessness was perfect. + +"No. You surprise me," Wimp replied. "I'm sure he couldn't have done +much to it. Look at your letter in the 'Pell Mell.' Who wants more +polish and refinement than that showed?" + +"Ah, I didn't know you did me the honor of reading that." + +"Oh, yes; we both read it," put in Mrs. Wimp. "I told Mr. Wimp it was +clever and cogent. After that quotation from the letter to the poor +fellow's _fiancée_ there could be no more doubt but that it was murder. +Mr. Wimp was convinced by it, too, weren't you, Edward?" + +Edward coughed uneasily. It was a true statement, and therefore an +indiscreet. Grodman would plume himself terribly. At this moment Wimp +felt that Grodman had been right in remaining a bachelor. Grodman +perceived the humor of the situation, and wore a curious, sub-mocking +smile. + +"On the day I was born," said Wimp's grandmother-in-law, "over a hundred +years ago, there was a babe murdered." Wimp found himself wishing it had +been she. He was anxious to get back to Cantercot. "Don't let us talk +shop on Christmas Day," he said, smiling at Grodman. "Besides, murder +isn't a very appropriate subject." + +"No, it ain't," said Grodman. "How did we get on to it? Oh, yes--Denzil +Cantercot. Ha! ha! ha! That's curious, for since Denzil wrote 'Criminals +I have Caught,' his mind's running on nothing but murders. A poet's +brain is easily turned." + +Wimp's eye glittered with excitement and contempt for Grodman's +blindness. In Grodman's eye there danced an amused scorn of Wimp; to the +outsider his amusement appeared at the expense of the poet. + +Having wrought his rival up to the highest pitch Grodman slyly and +suddenly unstrung him. + +"How lucky for Denzil!" he said, still in the same naive, facetious +Christmasy tone, "that he can prove an alibi in this Constant affair." + +"An alibi!" gasped Wimp. "Really?" + +"Oh, yes. He was with his wife, you know. She's my woman of all work, +Jane. She happened to mention his being with her." + +Jane had done nothing of the kind. After the colloquy he had overheard +Grodman had set himself to find out the relation between his two +employes. By casually referring to Denzil as "your husband" he so +startled the poor woman that she did not attempt to deny the bond. Only +once did he use the two words, but he was satisfied. As to the alibi he +had not yet troubled her; but to take its existence for granted would +upset and discomfort Wimp. For the moment that was triumph enough for +Wimp's guest. + +"Par," said Wilfred Wimp, "what's a alleybi? A marble?" + +"No, my lad," said Grodman, "it means being somewhere else when you're +supposed to be somewhere." + +"Ah, playing truant," said Wilfred self-consciously; his schoolmaster +had often proved an alibi against him. "Then Denzil will be hanged." + +Was it a prophecy? Wimp accepted it as such; as an oracle from the gods +bidding him mistrust Grodman. Out of the mouths of little children +issueth wisdom; sometimes even when they are not saying their lessons. + +"When I was in my cradle, a century ago," said Wimp's +grandmother-in-law, "men were hanged for stealing horses." + +They silenced her with snapdragon performances. + +Wimp was busy thinking how to get at Grodman's factotum. + +Grodman was busy thinking how to get at Wimp's domestic. + +Neither received any of the usual messages from the Christmas Bells. + + * * * * * + +The next day was sloppy and uncertain. A thin rain drizzled languidly. +One can stand that sort of thing on a summer Bank Holiday; one expects +it. But to have a bad December Bank Holiday is too much of a bad thing. +Some steps should surely be taken to confuse the weather clerk's +chronology. Once let him know that Bank Holiday is coming, and he writes +to the company for more water. To-day his stock seemed low and he was +dribbling it out; at times the wintry sun would shine in a feeble, +diluted way, and though the holiday-makers would have preferred to take +their sunshine neat, they swarmed forth in their myriads whenever there +was a ray of hope. But it was only dodging the raindrops; up went the +umbrellas again, and the streets became meadows of ambulating mushrooms. + +Denzil Cantercot sat in his fur overcoat at the open window, looking at +the landscape in water colors. He smoked an after-dinner cigarette, and +spoke of the Beautiful. Crowl was with him. They were in the first floor +front, Crowl's bedroom, which, from its view of the Mile End Road, was +livelier than the parlor with its outlook on the backyard. Mrs. Crowl +was an anti-tobacconist as regards the best bedroom; but Peter did not +like to put the poet or his cigarette out. He felt there was something +in common between smoke and poetry, over and above their being both +Fads. Besides, Mrs. Crowl was sulking in the kitchen. She had been +arranging for an excursion with Peter and the children to Victoria Park. +She had dreamed of the Crystal Palace, but Santa Claus had put no gifts +in the cobbler's shoes. Now she could not risk spoiling the feather in +her bonnet. The nine brats expressed their disappointment by slapping +one another on the staircases. Peter felt that Mrs. Crowl connected him +in some way with the rainfall, and was unhappy. Was it not enough that +he had been deprived of the pleasure of pointing out to a superstitious +majority the mutual contradictions of Leviticus and the Song of Solomon? +It was not often that Crowl could count on such an audience. + +"And you still call Nature beautiful?" he said to Denzil, pointing to +the ragged sky and the dripping eaves. "Ugly old scarecrow!" + +"Ugly she seems to-day," admitted Denzil. "But what is Ugliness but a +higher form of Beauty? You have to look deeper into it to see it; such +vision is the priceless gift of the few. To me this wan desolation of +sighing rain is lovely as the sea-washed ruins of cities." + +"Ah, but you wouldn't like to go out in it," said Peter Crowl. As he +spoke the drizzle suddenly thickened into a torrent. + +"We do not always kiss the woman we love." + +"Speak for yourself, Denzil. I'm only a plain man, and I want to know if +Nature isn't a Fad. Hallo, there goes Mortlake! Lord, a minute of this +will soak him to the skin." + +The labor leader was walking along with bowed head. He did not seem to +mind the shower. It was some seconds before he even heard Crowl's +invitation to him to take shelter. When he did hear it he shook his +head. + +"I know I can't offer you a drawing-room with duchesses stuck about it," +said Peter, vexed. + +Tom turned the handle of the shop door and went in. There was nothing in +the world which now galled him more than the suspicion that he was +stuck-up and wished to cut old friends. He picked his way through the +nine brats who clung affectionately to his wet knees, dispersing them +finally by a jet of coppers to scramble for. Peter met him on the stair +and shook his hand lovingly and admiringly, and took him into Mrs. +Crowl's bedroom. + +"Don't mind what I say, Tom. I'm only a plain man, and my tongue will +say what comes uppermost! But it ain't from the soul, Tom, it ain't from +the soul," said Peter, punning feebly, and letting a mirthless smile +play over his sallow features. "You know Mr. Cantercot, I suppose? The +poet." + +"Oh, yes; how do you do, Tom? Seen the 'New Pork Herald' lately? Not +bad, those old times, eh?" + +"No," said Tom, "I wish I was back in them." + +"Nonsense, nonsense," said Peter, in much concern. "Look at the good you +are doing to the working man. Look how you are sweeping away the Fads. +Ah, it's a grand thing to be gifted, Tom. The idea of your chuckin' +yourself away on a composin' room! Manual labor is all very well for +plain men like me, with no gift but just enough brains to see into the +realities of things--to understand that we've got no soul and no +immortality, and all that--and too selfish to look after anybody's +comfort but my own and mother's and the kid's. But men like you and +Cantercot--it ain't right that you should be peggin' away at low +material things. Not that I think Cantercot's gospel's any value to the +masses. The Beautiful is all very well for folks who've got nothing else +to think of, but give me the True. You're the man for my money, +Mortlake. No reference to the funds, Tom, to which I contribute little +enough, Heaven knows; though how a place can know anything, Heaven alone +knows. You give us the Useful, Tom; that's what the world wants more +than the Beautiful." + +"Socrates said that the Useful is the Beautiful," said Denzil. + +"That may be," said Peter, "but the Beautiful ain't the Useful." + +"Nonsense!" said Denzil. "What about Jessie--I mean Miss Dymond? There's +a combination for you. She always reminds me of Grace Darling. How is +she, Tom?" + +"She's dead!" snapped Tom. + +"What?" Denzil turned as white as a Christmas ghost. + +"It was in the papers," said Tom; "all about her and the lifeboat." + +"Oh, you mean Grace Darling," said Denzil, visibly relieved. "I meant +Miss Dymond." + +"You needn't be so interested in her," said Tom, surlily. "She don't +appreciate it. Ah, the shower is over. I must be going." + +"No, stay a little longer, Tom," pleaded Peter. "I see a lot about you +in the papers, but very little of your dear old phiz now. I can't spare +the time to go and hear you. But I really must give myself a treat. +When's your next show?" + +"Oh, I am always giving shows," said Tom, smiling a little. "But my next +big performance is on the twenty-first of January, when that picture of +poor Mr. Constant is to be unveiled at the Bow Break o' Day Club. They +have written to Gladstone and other big pots to come down. I do hope the +old man accepts. A non-political gathering like this is the only +occasion we could both speak at, and I have never been on the same +platform with Gladstone." + +He forgot his depression and ill-temper in the prospect, and spoke with +more animation. + +"No, I should hope not, Tom," said Peter. "What with his Fads about the +Bible being a Rock, and Monarchy being the right thing, he is a most +dangerous man to lead the Radicals. He never lays his ax to the root of +anything--except oak trees." + +"Mr. Cantycot!" It was Mrs. Crowl's voice that broke in upon the tirade. +"There's a gentleman to see you." The astonishment Mrs. Crowl put into +the "gentleman" was delightful. It was almost as good as a week's rent +to her to give vent to her feelings. The controversial couple had moved +away from the window when Tom entered, and had not noticed the immediate +advent of another visitor who had spent his time profitably in listening +to Mrs. Crowl before asking to see the presumable object of his visit. + +"Ask him up if it's a friend of yours, Cantercot," said Peter. It was +Wimp. Denzil was rather dubious as to the friendship, but he preferred +to take Wimp diluted. "Mortlake's upstairs," he said. "Will you come up +and see him?" + +Wimp had intended a duologue, but he made no objection, so he, too, +stumbled through the nine brats to Mrs. Crowl's bedroom. It was a queer +quartette. Wimp had hardly expected to find anybody at the house on +Boxing Day, but he did not care to waste a day. Was not Grodman, too, on +the track? How lucky it was that Denzil had made the first overtures, so +that he could approach him without exciting suspicion. + +Mortlake scowled when he saw the detective. He objected to the +police--on principle. But Crowl had no idea who the visitor was, even +when told his name. He was rather pleased to meet one of Denzil's +high-class friends, and welcomed him warmly. Probably he was some famous +editor, which would account for his name stirring vague recollections. +He summoned the eldest brat and sent him for beer (people would have +their Fads), and not without trepidation called down to "Mother" for +glasses. "Mother" observed at night (in the same apartment) that the +beer money might have paid the week's school fees for half the family. + +"We were just talking of poor Mr. Constant's portrait, Mr. Wimp," said +the unconscious Crowl; "they're going to unveil it, Mortlake tells me, +on the twenty-first of next month at the Bow Break o' Day Club." + +"Ah," said Wimp, elated at being spared the trouble of maneuvering the +conversation; "mysterious affair that, Mr. Crowl." + +"No; it's the right thing," said Peter. "There ought to be some memorial +of the man in the district where he worked and where he died, poor +chap." The cobbler brushed away a tear. + +"Yes, it's only right," echoed Mortlake a whit eagerly. "He was a noble +fellow, a true philanthropist. The only thoroughly unselfish worker I've +ever met." + +"He was that," said Peter; "and it's a rare pattern is unselfishness. +Poor fellow, poor fellow. He preached the Useful, too. I've never met +his like. Ah, I wish there was a Heaven for him to go to!" He blew his +nose violently with a red pocket-handkerchief. + +"Well, he's there, if there _is_," said Tom. + +"I hope he is," added Wimp fervently; "but I shouldn't like to go there +the way he did." + +"You were the last person to see him, Tom, weren't you?" said Denzil. + +"Oh, no," answered Tom quickly. "You remember he went out after me; at +least, so Mrs. Drabdump said at the inquest." + +"That last conversation he had with you, Tom," said Denzil. "He didn't +say anything to you that would lead you to suppose--" + +"No, of course not!" interrupted Mortlake impatiently. + +"Do you really think he was murdered, Tom?" said Denzil. + +"Mr. Wimp's opinion on that point is more valuable than mine," replied +Tom, testily. "It may have been suicide. Men often get sick of +life--especially if they are bored," he added meaningly. + +"Ah, but you were the last person known to be with him," said Denzil. + +Crowl laughed. "Had you there, Tom." + +But they did not have Tom there much longer, for he departed, looking +even worse-tempered than when he came. Wimp went soon after, and Crowl +and Denzil were left to their interminable argumentation concerning the +Useful and the Beautiful. + +Wimp went west. He had several strings (or cords) to his bow, and he +ultimately found himself at Kensal Green Cemetery. Being there, he went +down the avenues of the dead to a grave to note down the exact date of a +death. It was a day on which the dead seemed enviable. The dull, sodden +sky, the dripping, leafless trees, the wet spongy soil, the reeking +grass--everything combined to make one long to be in a warm, comfortable +grave, away from the leaden ennui of life. Suddenly the detective's keen +eye caught sight of a figure that made his heart throb with sudden +excitement. It was that of a woman in a gray shawl and a brown bonnet +standing before a railed-in grave. She had no umbrella. The rain plashed +mournfully upon her, but left no trace on her soaking garments. Wimp +crept up behind her, but she paid no heed to him. Her eyes were lowered +to the grave, which seemed to be drawing them toward it by some strange +morbid fascination. His eyes followed hers. The simple headstone bore +the name: "Arthur Constant." + +Wimp tapped her suddenly on the shoulder. + +Mrs. Drabdump went deadly white. She turned round, staring at Wimp +without any recognition. + +"You remember me, surely," he said. "I've been down once or twice to +your place about that poor gentleman's papers." His eye indicated the +grave. + +"Lor! I remember you now," said Mrs. Drabdump. + +"Won't you come under my umbrella? You must be drenched to the skin." + +"It don't matter, sir. I can't take no hurt. I've had the rheumatics +this twenty year." + +Mrs. Drabdump shrank from accepting Wimp's attentions, not so much +perhaps because he was a man as because he was a gentleman. Mrs. +Drabdump liked to see the fine folks keep their place, and not +contaminate their skirts by contact with the lower castes. "It's set +wet, it'll rain right into the new year," she announced. "And they say a +bad beginnin' makes a worse endin'." Mrs. Drabdump was one of those +persons who give you the idea that they just missed being born +barometers. + +"But what are you doing in this miserable spot, so far from home?" +queried the detective. + +"It's Bank Holiday," Mrs. Drabdump reminded him in tones of acute +surprise. "I always make a hexcursion on Bank Holiday." + + + + +CHAPTER VIII. + + +The New Year brought Mrs. Drabdump a new lodger. He was an old gentleman +with a long gray beard. He rented the rooms of the late Mr. Constant, +and lived a very retired life. Haunted rooms--or rooms that ought to be +haunted if the ghosts of those murdered in them had any +self-respect--are supposed to fetch a lower rent in the market. The +whole Irish problem might be solved if the spirits of "Mr. Balfour's +victims" would only depreciate the value of property to a point +consistent with the support of an agricultural population. But Mrs. +Drabdump's new lodger paid so much for his rooms that he laid himself +open to a suspicion of special interest in ghosts. Perhaps he was a +member of the Psychical Society. The neighborhood imagined him another +mad philanthropist, but as he did not appear to be doing any good to +anybody it relented and conceded his sanity. Mortlake, who occasionally +stumbled across him in the passage, did not trouble himself to think +about him at all. He was too full of other troubles and cares. Though he +worked harder than ever, the spirit seemed to have gone out of him. +Sometimes he forgot himself in a fine rapture of eloquence--lashing +himself up into a divine resentment of injustice or a passion of +sympathy with the sufferings of his brethren--but mostly he plodded on +in dull, mechanical fashion. He still made brief provincial tours, +starring a day here and a day there, and everywhere his admirers +remarked how jaded and overworked he looked. There was talk of starting +a subscription to give him a holiday on the Continent--a luxury +obviously unobtainable on the few pounds allowed him per week. The new +lodger would doubtless have been pleased to subscribe, for he seemed +quite to like occupying Mortlake's chamber the nights he was absent, +though he was thoughtful enough not to disturb the hardworked landlady +in the adjoining room by unseemly noise. Wimp was always a quiet man. + +Meantime the 21st of the month approached, and the East End was in +excitement. Mr. Gladstone had consented to be present at the ceremony of +unveiling the portrait of Arthur Constant, presented by an unknown donor +to the Bow Break o' Day Club, and it was to be a great function. The +whole affair was outside the lines of party politics, so that even +Conservatives and Socialists considered themselves justified in +pestering the committee for tickets. To say nothing of ladies. As the +committee desired to be present themselves, nine-tenths of the +applications for admission had to be refused, as is usual on these +occasions. The committee agreed among themselves to exclude the fair sex +altogether as the only way of disposing of their womankind who were +making speeches as long as Mr. Gladstone's. Each committeeman told his +sisters, female cousins and aunts that the other committeemen had +insisted on divesting the function of all grace; and what could a man do +when he was in a minority of one? + +Crowl, who was not a member of the Break o' Day Club, was particularly +anxious to hear the great orator whom he despised; fortunately Mortlake +remembered the cobbler's anxiety to hear himself, and on the eve of the +ceremony sent him a ticket. Crowl was in the first flush of possession +when Denzil Cantercot returned, after a sudden and unannounced absence +of three days. His clothes were muddy and tattered, his cocked hat was +deformed, his cavalier beard was matted, and his eyes were bloodshot. +The cobbler nearly dropped the ticket at the sight of him. "Hullo, +Cantercot!" he gasped. "Why, where have you been all these days?" + +"Terribly busy!" said Denzil. "Here, give me a glass of water. I'm dry +as the Sahara." + +Crowl ran inside and got the water, trying hard not to inform Mrs. Crowl +of their lodger's return. "Mother" had expressed herself freely on the +subject of the poet during his absence, and not in terms which would +have commended themselves to the poet's fastidious literary sense. +Indeed, she did not hesitate to call him a sponger and a low swindler, +who had run away to avoid paying the piper. Her fool of a husband might +be quite sure he would never set eyes on the scoundrel again. However, +Mrs. Crowl was wrong. Here was Denzil back again. And yet Mr. Crowl felt +no sense of victory. He had no desire to crow over his partner and to +utter that "See! didn't I tell you so?" which is a greater consolation +than religion in most of the misfortunes of life. Unfortunately, to get +the water, Crowl had to go to the kitchen; and as he was usually such a +temperate man, this desire for drink in the middle of the day attracted +the attention of the lady in possession. Crowl had to explain the +situation. Mrs. Crowl ran into the shop to improve it. Mr. Crowl +followed in dismay, leaving a trail of spilled water in his wake. + +"You good-for-nothing, disreputable scarecrow, where have----" + +"Hush, mother. Let him drink. Mr. Cantercot is thirsty." + +"Does he care if my children are hungry?" + +Denzil tossed the water greedily down his throat almost at a gulp, as if +it were brandy. + +"Madam," he said, smacking his lips, "I do care. I care intensely. Few +things in life would grieve me more deeply than to hear that a child, a +dear little child--the Beautiful in a nutshell--had suffered hunger. You +wrong me." His voice was tremulous with the sense of injury. Tears stood +in his eyes. + +"Wrong you? I've no wish to wrong you," said Mrs. Crowl. "I should like +to hang you." + +"Don't talk of such ugly things," said Denzil, touching his throat +nervously. + +"Well, what have you been doin' all this time?" + +"Why, what should I be doing?" + +"How should I know what became of you? I thought it was another murder." + +"What!" Denzil's glass dashed to fragments on the floor. "What do you +mean?" + +But Mrs. Crowl was glaring too viciously at Mr. Crowl to reply. He +understood the message as if it were printed. It ran: "You have broken +one of my best glasses. You have annihilated threepence, or a week's +school fees for half the family." Peter wished she would turn the +lightning upon Denzil, a conductor down whom it would run innocuously. +He stooped down and picked up the pieces as carefully as if they were +cuttings from the Koh-i-noor. Thus the lightning passed harmlessly over +his head and flew toward Cantercot. + +"What do I mean?" Mrs. Crowl echoed, as if there had been no interval. +"I mean that it would be a good thing if you had been murdered." + +"What unbeautiful ideas you have, to be sure!" murmured Denzil. + +"Yes; but they'd be useful," said Mrs. Crowl, who had not lived with +Peter all these years for nothing. "And if you haven't been murdered +what have you been doing?" + +"My dear, my dear," put in Crowl, deprecatingly, looking up from his +quadrupedal position like a sad dog, "you are not Cantercot's keeper." + +"Oh, ain't I?" flashed his spouse. "Who else keeps him I should like to +know?" + +Peter went on picking up the pieces of the Koh-i-noor. + +"I have no secrets from Mrs. Crowl" Denzil explained courteously. "I +have been working day and night bringing out a new paper. Haven't had a +wink of sleep for three nights." + +Peter looked up at his bloodshot eyes with respectful interest. + +"The capitalist met me in the street--an old friend of mine--I was +overjoyed at the _rencontre_ and told him the idea I'd been brooding +over for months and he promised to stand all the racket." + +"What sort of a paper?" said Peter. + +"Can you ask? To what do you think I've been devoting my days and nights +but to the cultivation of the Beautiful?" + +"Is that what the paper will be devoted to?" + +"Yes. To the Beautiful." + +"I know," snorted Mrs. Crowl, "with portraits of actresses." + +"Portraits? Oh, no!" said Denzil. "That would be the True--not the +Beautiful." + +"And what's the name of the paper?" asked Crowl. + +"Ah, that's a secret, Peter. Like Scott, I prefer to remain anonymous." + +"Just like your Fads. I'm only a plain man, and I want to know where the +fun of anonymity comes in? If I had any gifts, I should like to get the +credit. It's a right and natural feeling, to my thinking." + +"Unnatural, Peter; unnatural. We're all born anonymous, and I'm for +sticking close to Nature. Enough for me that I disseminate the +Beautiful. Any letters come during my absence, Mrs. Crowl?" + +"No," she snapped. "But a gent named Grodman called. He said you hadn't +been to see him for some time, and looked annoyed to hear you'd +disappeared. How much have you let him in for?" + +"The man's in my debt," said Denzil, annoyed. "I wrote a book for him +and he's taken all the credit for it, the rogue! My name doesn't appear +even in the Preface. What's that ticket you're looking so lovingly at, +Peter?" + +"That's for to-night--the unveiling of Constant's portrait. Gladstone +speaks. Awful demand for places." + +"Gladstone!" sneered Denzil. "Who wants to hear Gladstone? A man who's +devoted his life to pulling down the pillars of Church and State." + +"A man's who's devoted his whole life to propping up the crumbling Fads +of Religion and Monarchy. But, for all that, the man has his gifts, and +I'm burnin' to hear him." + +"I wouldn't go out of my way an inch to hear him," said Denzil; and went +up to his room, and when Mrs. Crowl sent him up a cup of nice strong tea +at tea time, the brat who bore it found him lying dressed on the bed, +snoring unbeautifully. + +The evening wore on. It was fine frosty weather. The Whitechapel Road +swarmed, with noisy life, as though it were a Saturday night. The stars +flared in the sky like the lights of celestial costermongers. Everybody +was on the alert for the advent of Mr. Gladstone. He must surely come +through the Road on his journey from the West Bow-wards. But nobody saw +him or his carriage, except those about the Hall. Probably he went by +tram most of the way. He would have caught cold in an open carriage, or +bobbing his head out of the window of a closed. + +"If he had only been a German prince, or a cannibal king," said Crowl +bitterly, as he plodded toward the Club, "we should have disguised Mile +End in bunting and blue fire. But perhaps it's a compliment. He knows +his London, and it's no use trying to hide the facts from him. They must +have queer notions of cities, those monarchs. They must fancy everybody +lives in a flutter of flags and walks about under triumphal arches, like +as if I were to stitch shoes in my Sunday clothes." By a defiance of +chronology Crowl had them on to-day, and they seemed to accentuate the +simile. + +"And why shouldn't life be fuller of the Beautiful," said Denzil. The +poet had brushed the reluctant mud off his garments to the extent it was +willing to go, and had washed his face, but his eyes were still +bloodshot from the cultivation of the Beautiful. Denzil was accompanying +Crowl to the door of the Club out of good-fellowship. Denzil was himself +accompanied by Grodman, though less obtrusively. Least obtrusively was +he accompanied by his usual Scotland Yard shadows, Wimp's agents. There +was a surging nondescript crowd about the Club, and the police, and the +door-keeper, and the stewards could with difficulty keep out the tide of +the ticketless, through which the current of the privileged had equal +difficulty in permeating. The streets all around were thronged with +people longing for a glimpse of Gladstone. Mortlake drove up in a hansom +(his head a self-conscious pendulum of popularity, swaying and bowing to +right and left) and received all the pent-up enthusiasm. + +"Well, good-by, Cantercot," said Crowl. + +"No, I'll see you to the door, Peter." + +They fought their way shoulder to shoulder. + +Now that Grodman had found Denzil he was not going to lose him again. He +had only found him by accident, for he was himself bound to the +unveiling ceremony, to which he had been invited in view of his known +devotion to the task of unveiling the Mystery. He spoke to one of the +policemen about, who said, "Ay, ay, sir," and he was prepared to follow +Denzil, if necessary, and to give up the pleasure of hearing Gladstone +for an acuter thrill. The arrest must be delayed no longer. + +But Denzil seemed as if he were going in on the heels of Crowl. This +would suit Grodman better. He could then have the two pleasures. But +Denzil was stopped half-way through the door. + +"Ticket, sir!" + +Denzil drew himself up to his full height. + +"Press," he said, majestically. All the glories and grandeurs of the +Fourth Estate were concentrated in that haughty monosyllable. Heaven +itself is full of journalists who have overawed St. Peter. But the +door-keeper was a veritable dragon. + +"What paper, sir?" + +"'New Pork Herald,'" said Denzil sharply. He did not relish his word +being distrusted. + +"'New York Herald,'" said one of the bystanding stewards, scarce +catching the sounds. "Pass him in." + +And in the twinkling of an eye, Denzil had eagerly slipped inside. + +But during the brief altercation Wimp had come up. Even he could not +make his face quite impassive, and there was a suppressed intensity in +the eyes and a quiver about the mouth. He went in on Denzil's heels, +blocking up the doorway with Grodman. The two men were so full of their +coming _coups_ that they struggled for some seconds, side by side, +before they recognized each other. Then they shook hands heartily. + +"That was Cantercot just went in, wasn't it, Grodman?" said Wimp. + +"I didn't notice," said Grodman, in tones of utter indifference. + +At bottom Wimp was terribly excited. He felt that his _coup_ was going +to be executed under very sensational circumstances. Everything would +combine to turn the eyes of the country upon him--nay, of the world, for +had not the Big Bow Mystery been discussed in every language under the +sun? In these electric times the criminal achieves a cosmopolitan +reputation. It is a privilege he shares with few other artists. This +time Wimp would be one of them; and, he felt, deservedly so. If the +criminal had been cunning to the point of genius in planning the murder, +he had been acute to the point of divination in detecting it. Never +before had he pieced together so broken a chain. He could not resist the +unique opportunity of setting a sensational scheme in a sensational +frame-work. The dramatic instinct was strong in him; he felt like a +playwright who has constructed a strong melodramatic plot, and has the +Drury Lane stage suddenly offered him to present it on. It would be +folly to deny himself the luxury, though the presence of Mr. Gladstone +and the nature of the ceremony should perhaps have given him pause. Yet, +on the other hand, these were the very factors of the temptation. Wimp +went in and took a seat behind Denzil. All the seats were numbered, so +that everybody might have the satisfaction of occupying somebody else's. +Denzil was in the special reserved places in the front row just by the +central gangway; Crowl was squeezed into a corner behind a pillar near +the back of the hall. Grodman had been honored with a seat on the +platform, which was accessible by steps on the right and left, but he +kept his eye on Denzil. The picture of the poor idealist hung on the +wall behind Grodman's head, covered by its curtain of brown holland. +There was a subdued buzz of excitement about the hall, which swelled +into cheers every now and again as some gentleman known to fame or Bow +took his place upon the platform. It was occupied by several local M. +P.'s of varying politics, a number of other Parliamentary satellites of +the great man, three or four labor leaders, a peer or two of +philanthropic pretensions, a sprinkling of Toynbee and Oxford Hall men, +the president and other honorary officials, some of the family and +friends of the deceased, together with the inevitable percentage of +persons who had no claim to be there save cheek. Gladstone was +late--later than Mortlake, who was cheered to the echo when he arrived, +someone starting "For He's a Jolly Good Fellow," as if it were a +political meeting. Gladstone came in just in time to acknowledge the +compliment. The noise of the song, trolled out from iron lungs, had +drowned the huzzahs heralding the old man's advent. The convivial chorus +went to Mortlake's head, as if champagne had really preceded it. His +eyes grew moist and dim. He saw himself swimming to the Millenium on +waves of enthusiasm. Ah, how his brother-toilers should be rewarded for +their trust in him! + +With his usual courtesy and consideration, Mr. Gladstone had refused to +perform the actual unveiling of Arthur Constant's portrait. "That," he +said in his postcard, "will fall most appropriately to Mr. Mortlake, a +gentleman who has, I am given to understand, enjoyed the personal +friendship of the late Mr. Constant, and has co-operated with him in +various schemes for the organization of skilled and unskilled classes of +labor, as well as for the diffusion of better ideals--ideals of +self-culture and self-restraint--among the workingmen of Bow, who have +been fortunate, so far as I can perceive, in the possession (if in one +case unhappily only temporary possession) of two such men of undoubted +ability and honesty to direct their divided counsels and to lead them +along a road, which, though I cannot pledge myself to approve of it in +all its turnings and windings, is yet not unfitted to bring them +somewhat nearer to goals to which there are few of us but would extend +some measure of hope that the working classes of this great Empire may +in due course, yet with no unnecessary delay, be enabled to arrive." + +Mr. Gladstone's speech was an expansion of his postcard, punctuated by +cheers. The only new thing in it was the graceful and touching way in +which he revealed what had been a secret up till then--that the portrait +had been painted and presented to the Bow Break o' Day Club, by Lucy +Brent, who in the fulness of time would have been Arthur Constant's +wife. It was a painting for which he had sat to her while alive, and she +had stifled yet pampered her grief by working hard at it since his +death. The fact added the last touch of pathos to the occasion. Crowl's +face was hidden behind his red handkerchief; even the fire of excitement +in Wimp's eye was quenched for a moment by a tear-drop, as he thought of +Mrs. Wimp and Wilfred. As for Grodman, there was almost a lump in his +throat. Denzil Cantercot was the only unmoved man in the room. He +thought the episode quite too Beautiful, and was already weaving it into +rhyme. + +At the conclusion of his speech Mr. Gladstone called upon Tom Mortlake +to unveil the portrait. Tom rose, pale and excited. His hand faltered as +he touched the cord. He seemed overcome with emotion. Was it the mention +of Lucy Brent that had moved him to his depths? + +The brown holland fell away--the dead stood revealed as he had been in +life. Every feature, painted by the hand of Love, was instinct with +vitality: the fine, earnest face, the sad kindly eyes, the noble brow +seeming still a-throb with the thought of Humanity. A thrill ran through +the room--there was a low, undefinable murmur. O, the pathos and the +tragedy of it! Every eye was fixed, misty with emotion, upon the dead +man in the picture and the living man who stood, pale and agitated, and +visibly unable to commence his speech, at the side of the canvas. +Suddenly a hand was laid upon the labor leader's shoulder, and there +rang through the hall in Wimp's clear, decisive tones the words: "Tom +Mortlake, I arrest you for the murder of Arthur Constant!" + + + + +CHAPTER IX. + + +For a moment there was an acute, terrible silence. Mortlake's face was +that of a corpse; the face of the dead man at his side was flushed with +the hues of life. To the overstrung nerves of the onlookers, the +brooding eyes of the picture seemed sad and stern with menace, and +charged with the lightnings of doom. + +It was a horrible contrast. For Wimp, alone, the painted face had +fuller, more tragical, meanings. The audience seemed turned to stone. +They sat or stood--in every variety of attitude--frozen, rigid. Arthur +Constant's picture dominated the scene, the only living thing in a hall +of the dead. + +But only for a moment. Mortlake shook off the detective's hand. + +"Boys!" he cried, in accents of infinite indignation, "this is a police +conspiracy." + +His words relaxed the tension. The stony figures were agitated. A dull, +excited hubbub answered him. The little cobbler darted from behind his +pillar, and leaped upon a bench. The cords of his brow were swollen with +excitement. He seemed a giant overshadowing the hall. + +"Boys!" he roared, in his best Victoria Park voice, "listen to me. This +charge is a foul and damnable lie." + +"Bravo!" "Hear, hear!" "Hooray!" "It is!" was roared back at him from +all parts of the room. Everybody rose and stood in tentative attitudes, +excited to the last degree. + +"Boys!" Peter roared on, "you all know me. I'm a plain man, and I want +to know if it's likely a man would murder his best friend." + +"No," in a mighty volume of sound. + +Wimp had scarcely calculated upon Mortlake's popularity. He stood on the +platform, pale and anxious as his prisoner. + +"And if he did, why didn't they prove it the first time?" + +"Hear, hear!" + +"And if they want to arrest him, why couldn't they leave it till the +ceremony was over? Tom Mortlake's not the man to run away." + +"Tom Mortlake! Tom Mortlake! Three cheers for Tom Mortlake! Hip, hip, +hip, hooray!" + +"Three groans for the police." "Hoo! Oo! Oo!" + +Wimp's melodrama was not going well. He felt like the author to whose +ears is borne the ominous sibilance of the pit. He almost wished he had +not followed the curtain-raiser with his own stronger drama. +Unconsciously the police, scattered about the hall, drew together. The +people on the platform knew not what to do. They had all risen and stood +in a densely-packed mass. Even Mr. Gladstone's speech failed him in +circumstances so novel. The groans died away; the cheers for Mortlake +rose and swelled and fell and rose again. Sticks and umbrellas were +banged and rattled, handkerchiefs were waved, the thunder deepened. The +motley crowd still surging about the hall took up the cheers, and for +hundreds of yards around people were going black in the face out of mere +irresponsible enthusiasm. At last Tom waved his hand--the thunder +dwindled, died. The prisoner was master of the situation. + +Grodman stood on the platform, grasping the back of his chair, a curious +mocking Mephistophelian glitter about his eyes, his lips wreathed into a +half smile. There was no hurry for him to get Denzil Cantercot arrested +now. Wimp had made an egregious, a colossal blunder. In Grodman's heart +there was a great glad calm as of a man who has strained his sinews to +win in a famous match, and has heard the judge's word. He felt almost +kindly to Denzil now. + +Tom Mortlake spoke. His face was set and stony. His tall figure was +drawn up haughtily to its full height. He pushed the black mane back +from his forehead with a characteristic gesture. The fevered audience +hung upon his lips--the men at the back leaned eagerly forward--the +reporters were breathless with fear lest they should miss a word. What +would the great labor leader have to say at this supreme moment? + +"Mr. Chairman and Gentlemen: It is to me a melancholy pleasure to have +been honored with the task of unveiling to-night this portrait of a +great benefactor to Bow and a true friend to the laboring classes. +Except that he honored me with his friendship while living, and that the +aspirations of my life have, in my small and restricted way, been +identical with his, there is little reason why this honorable duty +should have fallen upon me. Gentlemen, I trust that we shall all find an +inspiring influence in the daily vision of the dead, who yet liveth in +our hearts and in this noble work of art--wrought, as Mr. Gladstone has +told us, by the hand of one who loved him." The speaker paused a moment, +his low vibrant tones faltering into silence. "If we humble workingmen +of Bow can never hope to exert individually a tithe of the beneficial +influence wielded by Arthur Constant, it is yet possible for each of us +to walk in the light he has kindled in our midst--a perpetual lamp of +self-sacrifice and brotherhood." + +That was all. The room rang with cheers. Tom Mortlake resumed his seat. +To Wimp the man's audacity verged on the Sublime; to Denzil on the +Beautiful. Again there was a breathless hush. Mr. Gladstone's mobile +face was working with excitement. No such extraordinary scene had +occurred in the whole of his extraordinary experience. He seemed about +to rise. The cheering subsided to a painful stillness. Wimp cut the +situation by laying his hand again upon Tom's shoulder. + +"Come quietly with me," he said. The words were almost a whisper, but in +the supreme silence they traveled to the ends of the hall. + +"Don't you go, Tom!" The trumpet tones were Peter's. The call thrilled +an answering chord of defiance in every breast, and a low, ominous +murmur swept through the hall. + +Tom rose, and there was silence again. "Boys," he said, "let me go. +Don't make any noise about it. I shall be with you again to-morrow." + +But the blood of the Break o' Day boys was at fever heat. A hurtling +mass of men struggled confusedly from their seats. In a moment all was +chaos. Tom did not move. Half-a-dozen men, headed by Peter, scaled the +platform. Wimp was thrown to one side, and the invaders formed a ring +round Tom's chair. The platform people scampered like mice from the +center. Some huddled together in the corners, others slipped out at the +rear. The committee congratulated themselves on having had the +self-denial to exclude ladies. Mr. Gladstone's satellites hurried the +old man off and into his carriage; though the fight promised to become +Homeric. Grodman stood at the side of the platform secretly more amused +than ever, concerning himself no more with Denzil Cantercot, who was +already strengthening his nerves at the bar upstairs. The police about +the hall blew their whistles, and policemen came rushing in from outside +and the neighborhood. An Irish M. P. on the platform was waving his +gingham like a shillalah in sheer excitement, forgetting his new-found +respectability and dreaming himself back at Donnybrook Fair. Him a +conscientious constable floored with a truncheon. But a shower of fists +fell on the zealot's face, and he tottered back bleeding. Then the storm +broke in all its fury. The upper air was black with staves, sticks, and +umbrellas, mingled with the pallid hailstones of knobby fists. Yells and +groans and hoots and battle-cries blent in grotesque chorus, like one of +Dvorák's weird diabolical movements. Mortlake stood impassive, with arms +folded, making no further effort, and the battle raged round him as the +water swirls around some steadfast rock. A posse of police from the back +fought their way steadily toward him, and charged up the heights of the +platform steps, only to be sent tumbling backward, as their leader was +hurled at them like a battering ram. Upon the top of the heap fell he, +surmounting the strata of policemen. But others clambered upon them, +escalading the platform. A moment more and Mortlake would have been +taken, after being well shaken. Then the miracle happened. + +As when of old a reputable goddess _ex machina_ saw her favorite hero in +dire peril, straightway she drew down a cloud from the celestial stores +of Jupiter and enveloped her fondling in kindly night, so that his +adversary strove with the darkness, so did Crowl, the cunning cobbler, +the much-daring, essay to insure his friend's safety. He turned off the +gas at the meter. + +An Arctic night--unpreceded by twilight--fell, and there dawned the +sabbath of the witches. The darkness could be felt--and it left blood +and bruises behind it. When the lights were turned on again, Mortlake +was gone. But several of the rioters were arrested, triumphantly. + +And through all, and over all, the face of the dead man who had sought +to bring peace on earth, brooded. + + * * * * * + +Crowl sat meekly eating his supper of bread and cheese, with his head +bandaged, while Denzil Cantercot told him the story of how he had +rescued Tom Mortlake. He had been among the first to scale the height, +and had never budged from Tom's side or from the forefront of the battle +till he had seen him safely outside and into a by-street. + +[Illustration: Crowl sat meekly eating his supper of bread and cheese.] + +"I am so glad you saw that he got away safely," said Crowl, "I wasn't +quite sure he would." + +"Yes; but I wish some cowardly fool hadn't turned off the gas. I like +men to see that they are beaten." + +"But it seemed--easier," faltered Crowl. + +"Easier!" echoed Denzil, taking a deep draught of bitter. "Really, +Peter, I'm sorry to find you always will take such low views. It may be +easier, but it's shabby. It shocks one's sense of the Beautiful." + +Crowl ate his bread and cheese shame-facedly. + +"But what was the use of breaking your head to save him?" said Mrs. +Crowl with an unconscious pun. "He must be caught." + +"Ah, I don't see how the Useful does come in, now," said Peter +thoughtfully. "But I didn't think of that at the time." + +He swallowed his water quickly and it went the wrong way and added to +his confusion. It also began to dawn upon him that he might be called to +account. Let it be said at once that he wasn't. He had taken too +prominent a part. + +Meantime, Mrs. Wimp was bathing Mr. Wimp's eye, and rubbing him +generally with arnica. Wimp's melodrama had been, indeed, a sight for +the gods. Only, virtue was vanquished and vice triumphant. The villain +had escaped, and without striking a blow. + + + + +CHAPTER X. + + +There was matter and to spare for the papers the next day. The striking +ceremony--Mr. Gladstone's speech--the sensational arrest--these would of +themselves have made excellent themes for reports and leaders. But the +personality of the man arrested, and the Big Bow Mystery Battle--as it +came to be called--gave additional piquancy to the paragraphs and the +posters. The behavior of Mortlake put the last touch to the +picturesqueness of the position. He left the hall when the lights went +out, and walked unnoticed and unmolested through pleiads of policemen to +the nearest police station, where the superintendent was almost too +excited to take any notice of his demand to be arrested. But to do him +justice, the official yielded as soon as he understood the situation. It +seems inconceivable that he did not violate some red-tape regulation in +so doing. To some this self-surrender was limpid proof of innocence; to +others it was the damning token of despairing guilt. + +The morning papers were pleasant reading for Grodman, who chuckled as +continuously over his morning egg, as if he had laid it. Jane was +alarmed for the sanity of her saturnine master. As her husband would +have said, Grodman's grins were not Beautiful. But he made no effort to +suppress them. Not only had Wimp perpetrated a grotesque blunder, but +the journalists to a man were down on his great sensation tableau, +though their denunciations did not appear in the dramatic columns. The +Liberal papers said that he had endangered Mr. Gladstone's life; the +Conservative that he had unloosed the raging elements of Bow +blackguardism, and set in motion forces which might have easily swelled +to a riot, involving severe destruction of property. But "Tom Mortlake," +was, after all, the thought swamping every other. It was, in a sense, a +triumph for the man. + +But Wimp's turn came when Mortlake, who reserved his defense, was +brought up before a magistrate, and, by force of the new evidence, fully +committed for trial on the charge of murdering Arthur Constant. Then +men's thoughts centered again on the Mystery, and the solution of the +inexplicable problem agitated mankind from China to Peru. + +In the middle of February, the great trial befell. It was another of the +opportunities which the Chancellor of the Exchequer neglects. So +stirring a drama might have easily cleared its expenses--despite the +length of the cast, the salaries of the stars, and the rent of the +house--in mere advance booking. For it was a drama which (by the rights +of Magna Charta) could never be repeated; a drama which ladies of +fashion would have given their earrings to witness, even with the +central figure not a woman. And there was a woman in it anyhow, to judge +by the little that had transpired at the magisterial examination, and +the fact that the country was placarded with bills offering a reward for +information concerning a Miss Jessie Dymond. Mortlake was defended by +Sir Charles Brown-Harland, Q. C., retained at the expense of the +Mortlake Defense Fund (subscriptions to which came also from Australia +and the Continent), and set on his mettle by the fact that he was the +accepted labor candidate for an East-end constituency. Their Majesties, +Victoria and the Law, were represented by Mr. Robert Spigot, Q. C. + +Mr. Spigot, Q. C., in presenting his case, said: "I propose to show that +the prisoner murdered his friend and fellow-lodger, Mr. Arthur Constant, +in cold blood, and with the most careful premeditation; premeditation so +studied, as to leave the circumstances of the death an impenetrable +mystery for weeks to all the world, though fortunately without +altogether baffling the almost superhuman ingenuity of Mr. Edward Wimp, +of the Scotland Yard Detective Department. I propose to show that the +motives of the prisoner were jealousy and revenge; jealousy not only of +his friend's superior influence over the workingmen he himself aspired +to lead, but the more commonplace animosity engendered by the disturbing +element of a woman having relations to both. If, before my case is +complete, it will be my painful duty to show that the murdered man was +not the saint the world has agreed to paint him, I shall not shrink from +unveiling the truer picture, in the interests of justice, which cannot +say _nil nisi bonum_ even of the dead. I propose to show that the murder +was committed by the prisoner shortly before half-past six on the +morning of December 4th, and that the prisoner having, with the +remarkable ingenuity which he has shown throughout, attempted to prepare +an alibi by feigning to leave London by the first train to Liverpool, +returned home, got in with his latch-key through the street-door, which +he had left on the latch, unlocked his victim's bedroom with a key which +he possessed, cut the sleeping man's throat, pocketed his razor, locked +the door again, and gave it the appearance of being bolted, went +downstairs, unslipped the bolt of the big lock, closed the door behind +him, and got to Euston in time for the second train to Liverpool. The +fog helped his proceedings throughout." Such was in sum the theory of +the prosecution. The pale defiant figure in the dock winced perceptibly +under parts of it. + +Mrs. Drabdump was the first witness called for the prosecution. She was +quite used to legal inquisitiveness by this time, but did not appear in +good spirits. + +"On the night of December 3d, you gave the prisoner a letter?" + +"Yes, your ludship." + +"How did he behave when he read it?" + +"He turned very pale and excited. He went up to the poor gentleman's +room, and I'm afraid he quarreled with him. He might have left his last +hours peaceful." (Amusement.) + +"What happened then?" + +"Mr. Mortlake went out in a passion, and came in again in about an +hour." + +"He told you he was going away to Liverpool very early the next +morning." + +"No, your ludship, he said he was going to Devonport." (Sensation.) + +"What time did you get up the next morning?" + +"Half-past six." + +"That is not your usual time?" + +"No, I always get up at six." + +"How do you account for the extra sleepiness?" + +"Misfortunes will happen." + +"It wasn't the dull, foggy weather?" + +"No, my lud, else I should never get up early." (Laughter.) + +"You drink something before going to bed?" + +"I like my cup o' tea. I take it strong, without sugar. It always +steadies my nerves." + +"Quite so. Where were you when the prisoner told you he was going to +Devonport?" + +"Drinkin' my tea in the kitchen." + +"What should you say if prisoner dropped something in it to make you +sleep late?" + +Witness (startled): "He ought to be shot." + +"He might have done it without your noticing it, I suppose?" + +"If he was clever enough to murder the poor gentleman, he was clever +enough to try and poison me." + +The Judge: "The witness in her replies must confine herself to the +evidence." + +Mr. Spigot, Q. C.: "I must submit to your lordship that it is a very +logical answer, and exactly illustrates the interdependence of the +probabilities. Now, Mrs. Drabdump, let us know what happened when you +awoke at half-past six the next morning." + +Thereupon Mrs. Drabdump recapitulated the evidence (with new +redundancies, but slight variations) given by her at the inquest. How +she became alarmed--how she found the street-door locked by the big +lock--how she roused Grodman, and got him to burst open the door--how +they found the body--all this with which the public was already familiar +_ad nauseam_ was extorted from her afresh. + +"Look at this key" (key passed to the witness). "Do you recognize it?" + +"Yes; how did you get it? It's the key of my first-floor front. I am +sure I left it sticking in the door." + +"Did you know a Miss Dymond?" + +"Yes, Mr. Mortlake's sweetheart. But I knew he would never marry her, +poor thing." (Sensation.) + +"Why not?" + +"He was getting too grand for her." (Amusement). + +"You don't mean anything more than that?" + +"I don't know; she only came to my place once or twice. The last time I +set eyes on her must have been in October." + +"How did she appear?" + +"She was very miserable, but she wouldn't let you see it." (Laughter.) + +"How has the prisoner behaved since the murder?" + +"He always seemed very glum and sorry for it." + +Cross-examined: "Did not the prisoner once occupy the bedroom of Mr. +Constant, and give it up to him, so that Mr. Constant might have the two +rooms on the same floor?" + +"Yes, but he didn't pay as much." + +"And, while occupying this front bedroom, did not the prisoner once lose +his key and have another made?" + +"He did; he was very careless." + +"Do you know what the prisoner and Mr. Constant spoke about on the night +of December 3d?" + +"No; I couldn't hear." + +"Then how did you know they were quarreling?" + +"They were talkin' so loud." + +Sir Charles Brown-Harland, Q. C. (sharply): "But I'm talking loudly to +you now. Should you say I was quarreling?" + +"It takes two to make a quarrel." (Laughter.) + +"Was the prisoner the sort of man who, in your opinion, would commit a +murder?" + +"No, I never should ha' guessed it was him." + +"He always struck you as a thorough gentleman?" + +"No, my lud. I knew he was only a comp." + +"You say the prisoner has seemed depressed since the murder. Might not +that have been due to the disappearance of his sweetheart?" + +"No, he'd more likely be glad to get rid of her." + +"Then he wouldn't be jealous if Mr. Constant took her off his hands?" +(Sensation.) + +"Men are dog-in-the-mangers." + +"Never mind about men, Mrs. Drabdump. Had the prisoner ceased to care +for Miss Dymond?" + +"He didn't seem to think of her, my lud. When he got a letter in her +handwriting among his heap he used to throw it aside till he'd torn open +the others." + +Brown-Harland, Q. C. (with a triumphant ring in his voice): "Thank you, +Mrs. Drabdump. You may sit down." + +Spigot, Q. C.: "One moment, Mrs. Drabdump. You say the prisoner had +ceased to care for Miss Dymond. Might not this have been in consequence +of his suspecting for some time that she had relations with Mr. +Constant?" + +The Judge: "That is not a fair question." + +Spigot, Q. C.: "That will do, thank you, Mrs. Drabdump." + +Brown-Harland, Q. C.: "No; one question more, Mrs. Drabdump. Did you +ever see anything--say when Miss Dymond came to your house--to make you +suspect anything between Mr. Constant and the prisoner's sweetheart?" + +"She did meet him once when Mr. Mortlake was out." (Sensation.) + +"Where did she meet him?" + +"In the passage. He was going out when she knocked and he opened the +door." (Amusement.) + +"You didn't hear what they said?" + +"I ain't a eavesdropper. They spoke friendly and went away together." + +Mr. George Grodman was called and repeated his evidence at the inquest. +Cross-examined, he testified to the warm friendship between Mr. Constant +and the prisoner. He knew very little about Miss Dymond, having scarcely +seen her. Prisoner had never spoken to him much about her. He should not +think she was much in prisoner's thoughts. Naturally the prisoner had +been depressed by the death of his friend. Besides, he was overworked. +Witness thought highly of Mortlake's character. It was incredible that +Constant had had improper relations of any kind with his friend's +promised wife. Grodman's evidence made a very favorable impression on +the jury; the prisoner looked his gratitude; and the prosecution felt +sorry it had been necessary to call this witness. + +Inspector Howlett and Sergeant Runnymede had also to repeat their +evidence. Dr. Robinson, police-surgeon, likewise retendered his evidence +as to the nature of the wound, and the approximate hour of death. But +this time he was much more severely examined. He would not bind himself +down to state the time within an hour or two. He thought life had been +extinct two or three hours when he arrived, so that the deed had been +committed between seven and eight. Under gentle pressure from the +prosecuting counsel, he admitted that it might possibly have been +between six and seven. Cross-examined, he reiterated his impression in +favor of the later hour. + +Supplementary evidence from medical experts proved as dubious and +uncertain as if the court had confined itself to the original witness. +It seemed to be generally agreed that the data for determining the time +of death of anybody were too complex and variable to admit of very +precise inference; _rigor mortis_ and other symptoms setting in within +very wide limits and differing largely in different persons. All agreed +that death from such a cut must have been practically instantaneous, and +the theory of suicide was rejected by all. As a whole the medical +evidence tended to fix the time of death, with a high degree of +probability, between the hours of six and half-past eight. The efforts +of the Prosecution were bent upon throwing back the time of death to as +early as possible after about half-past five. The Defense spent all its +strength upon pinning the experts to the conclusion that death could not +have been earlier than seven. Evidently the Prosecution was going to +fight hard for the hypothesis that Mortlake had committed the crime in +the interval between the first and second trains for Liverpool; while +the Defense was concentrating itself on an alibi, showing that the +prisoner had traveled by the second train which left Euston Station at a +quarter-past seven, so that there could have been no possible time for +the passage between Bow and Euston. It was an exciting struggle. As yet +the contending forces seemed equally matched. The evidence had gone as +much for as against the prisoner. But everybody knew that worse lay +behind. + +"Call Edward Wimp." + +The story Edward Wimp had to tell began tamely enough with +thrice-threshed-out facts. But at last the new facts came. + +"In consequence of suspicions that had formed in your mind you took up +your quarters, disguised, in the late Mr. Constant's rooms?" + +"I did; at the commencement of the year. My suspicions had gradually +gathered against the occupants of No. 11, Glover Street, and I resolved +to quash or confirm these suspicions once for all." + +"Will you tell the jury what followed?" + +"Whenever the prisoner was away for the night I searched his room. I +found the key of Mr. Constant's bedroom buried deeply in the side of +prisoner's leather sofa. I found what I imagine to be the letter he +received on December 3d, in the pages of a 'Bradshaw' lying under the +same sofa. There were two razors about." + +Mr. Spigot, Q. C., said: "The key has already been identified by Mrs. +Drabdump. The letter I now propose to read." + +It was undated, and ran as follows: + + "Dear Tom--This is to bid you farewell. It is the best for us all. + I am going a long way, dearest. Do not seek to find me, for it will + be useless. Think of me as one swallowed up by the waters, and be + assured that it is only to spare you shame and humiliation in the + future that I tear myself from you and all the sweetness of life. + Darling, there is no other way. I feel you could never marry me + now. I have felt it for months. Dear Tom, you will understand what + I mean. We must look facts in the face. I hope you will always be + friends with Mr. Constant. Good by, dear. God bless you! May you + always be happy, and find a worthier wife than I. Perhaps when you + are great, and rich, and famous, as you deserve, you will sometimes + think not unkindly of one who, however faulty and unworthy of you, + will at least love you till the end. Yours, till death, + + "Jessie." + +By the time this letter was finished numerous old gentlemen, with wigs +or without, were observed to be polishing their glasses. Mr. Wimp's +examination was resumed. + +"After making these discoveries what did you do?" + +"I made inquiries about Miss Dymond, and found Mr. Constant had visited +her once or twice in the evening. I imagined there would be some traces +of a pecuniary connection. I was allowed by the family to inspect Mr. +Constant's check-book, and found a paid check made out for £25 in the +name of Miss Dymond. By inquiry at the Bank, I found it had been cashed +on November 12th of last year. I then applied for a warrant against the +prisoner." + +Cross-examined: "Do you suggest that the prisoner opened Mr. Constant's +bedroom with the key you found?" + +"Certainly." + +Brown-Harland, Q. C. (sarcastically): "And locked the door from within +with it on leaving?" + +"Certainly." + +"Will you have the goodness to explain how the trick was done?" + +"It wasn't done. (Laughter.) The prisoner probably locked the door from +the outside. Those who broke it open naturally imagined it had been +locked from the inside when they found the key inside. The key would, on +this theory, be on the floor as the outside locking could not have been +effected if it had been in the lock. The first persons to enter the room +would naturally believe it had been thrown down in the bursting of the +door. Or it might have been left sticking very loosely inside the lock +so as not to interfere with the turning of the outside key in which case +it would also probably have been thrown to the ground." + +"Indeed. Very ingenious. And can you also explain how the prisoner could +have bolted the door within from the outside?" + +"I can. (Renewed sensation.) There is only one way in which it was +possible--and that was, of course, a mere conjurer's illusion. To cause +a locked door to appear bolted in addition, it would only be necessary +for the person on the inside of the door to wrest the staple containing +the bolt from the woodwork. The bolt in Mr. Constant's bedroom worked +perpendicularly. When the staple was torn off, it would simply remain at +rest on the pin of the bolt instead of supporting it or keeping it +fixed. A person bursting open the door and finding the staple resting on +the pin and torn away from the lintel of the door, would, of course, +imagine he had torn it away, never dreaming the wresting off had been +done beforehand." (Applause in court, which was instantly checked by the +ushers.) The counsel for the defense felt he had been entrapped in +attempting to be sarcastic with the redoubtable detective. Grodman +seemed green with envy. It was the one thing he had not thought of. + +Mrs. Drabdump, Grodman, Inspector Howlett, and Sergeant Runnymede were +recalled and re-examined by the embarrassed Sir Charles Brown-Harland as +to the exact condition of the lock and the bolt and the position of the +key. It turned out as Wimp had suggested; so prepossessed were the +witnesses with the conviction that the door was locked and bolted from +the inside when it was burst open that they were a little hazy about the +exact details. The damage had been repaired, so that it was all a +question of precise past observation. The inspector and the sergeant +testified that the key was in the lock when they saw it, though both the +mortise and the bolt were broken. They were not prepared to say that +Wimp's theory was impossible; they would even admit it was quite +possible that the staple of the bolt had been torn off beforehand. Mrs. +Drabdump could give no clear account of such petty facts in view of her +immediate engrossing interest in the horrible sight of the corpse. +Grodman alone was positive that the key was in the door when he burst it +open. No, he did not remember picking it up from the floor and putting +it in. And he was certain that the staple of the bolt was not broken, +from the resistance he experienced in trying to shake the upper panels +of the door. + +By the Prosecution: "Don't you think, from the comparative ease with +which the door yielded to your onslaught, that it is highly probable +that the pin of the bolt was not in a firmly fixed staple, but in one +already detached from the woodwork of the lintel?" + +"The door did not yield so easily." + +"But you must be a Hercules." + +"Not quite; the bolt was old, and the woodwork crumbling; the lock was +new and shoddy. But I have always been a strong man." + +"Very well, Mr. Grodman. I hope you will never appear at the +music-halls." (Laughter.) + +Jessie Dymond's landlady was the next witness for the prosecution. She +corroborated Wimp's statements as to Constant's occasional visits, and +narrated how the girl had been enlisted by the dead philanthropist as a +collaborator in some of his enterprises. But the most telling portion of +her evidence was the story of how, late at night, on December 3d, the +prisoner called upon her and inquired wildly about the whereabouts of +his sweetheart. He said he had just received a mysterious letter from +Miss Dymond saying she was gone. She (the landlady) replied that she +could have told him that weeks ago, as her ungrateful lodger was gone +now some three weeks without leaving a hint behind her. In answer to his +most ungentlemanly raging and raving, she told him it served him right, +as he should have looked after her better, and not kept away for so +long. She reminded him that there were as good fish in the sea as ever +came out, and a girl of Jessie's attractions need not pine away (as she +had seemed to be pining away) for lack of appreciation. He then called +her a liar and left her, and she hoped never to see his face again, +though she was not surprised to see it in the dock. + +Mr. Fitzjames Montgomery, a bank clerk, remembered cashing the check +produced. He particularly remembered it, because he paid the money to a +very pretty girl. She took the entire amount in gold. At this point the +case was adjourned. + +Denzil Cantercot was the first witness called for the prosecution on the +resumption of the trial. Pressed as to whether he had not told Mr. Wimp +that he had overheard the prisoner denouncing Mr. Constant, he could not +say. He had not actually heard the prisoner's denunciations; he might +have given Mr. Wimp a false impression, but then Mr. Wimp was so +prosaically literal. (Laughter.) Mr. Crowl had told him something of the +kind. Cross-examined, he said Jessie Dymond was a rare spirit and she +always reminded him of Joan of Arc. + +Mr. Crowl, being called, was extremely agitated. He refused to take the +oath, and informed the court that the Bible was a Fad. He could not +swear by anything so self-contradictory. He would affirm. He could not +deny--though he looked like wishing to--that the prisoner had at first +been rather mistrustful of Mr. Constant, but he was certain that the +feeling had quickly worn off. Yes, he was a great friend of the +prisoner, but he didn't see why that should invalidate his testimony, +especially as he had not taken an oath. Certainly the prisoner seemed +rather depressed when he saw him on Bank Holiday, but it was overwork on +behalf of the people and for the demolition of the Fads. + +Several other familiars of the prisoner gave more or less reluctant +testimony as to his sometime prejudice against the amateur rival labor +leader. His expressions of dislike had been strong and bitter. The +Prosecution also produced a poster announcing that the prisoner would +preside at a great meeting of clerks on December 4th. He had not turned +up at this meeting nor sent any explanation. Finally, there was the +evidence of the detectives who originally arrested him at Liverpool +Docks in view of his suspicious demeanor. This completed the case for +the prosecution. + +Sir Charles Brown-Harland, Q. C., rose with a swagger and a rustle of +his silk gown, and proceeded to set forth the theory of the defense. He +said he did not purpose to call any witnesses. The hypothesis of the +prosecution was so inherently childish and inconsequential, and so +dependent upon a bundle of interdependent probabilities that it crumbled +away at the merest touch. The prisoner's character was of unblemished +integrity, his last public appearance had been made on the same platform +with Mr. Gladstone, and his honesty and highmindedness had been vouched +for by statesmen of the highest standing. His movements could be +accounted for from hour to hour--and those with which the prosecution +credited him rested on no tangible evidence whatever. He was also +credited with superhuman ingenuity and diabolical cunning of which he +had shown no previous symptom. Hypothesis was piled on hypothesis, as in +the old Oriental legend, where the world rested on the elephant and the +elephant on the tortoise. It might be worth while, however, to point out +that it was at least quite likely that the death of Mr. Constant had not +taken place before seven, and as the prisoner left Euston Station at +7:15 a. m. for Liverpool, he could certainly not have got there from Bow +in the time; also that it was hardly possible for the prisoner, who +could prove being at Euston Station at 5:25 a. m., to travel backward +and forward to Glover Street and commit the crime all within less than +two hours. "The real facts," said Sir Charles impressively, "are most +simple. The prisoner, partly from pressure of work, partly (he had no +wish to conceal) from worldly ambition, had begun to neglect Miss +Dymond, to whom he was engaged to be married. The man was but human, and +his head was a little turned by his growing importance. Nevertheless, at +heart he was still deeply attached to Miss Dymond. She, however, appears +to have jumped to the conclusion that he had ceased to love her, that +she was unworthy of him, unfitted by education to take her place side by +side with him in the new spheres to which he was mounting--that, in +short, she was a drag on his career. Being, by all accounts, a girl of +remarkable force of character, she resolved to cut the Gordian knot by +leaving London, and, fearing lest her affianced husband's +conscientiousness should induce him to sacrifice himself to her; +dreading also, perhaps, her own weakness, she made the parting absolute, +and the place of her refuge a mystery. A theory has been suggested which +drags an honored name in the mire--a theory so superfluous that I shall +only allude to it. That Arthur Constant could have seduced, or had any +improper relations with his friend's betrothed is a hypothesis to which +the lives of both give the lie. Before leaving London--or England--Miss +Dymond wrote to her aunt in Devonport--her only living relative in this +country--asking her as a great favor to forward an addressed letter to +the prisoner, a fortnight after receipt. The aunt obeyed implicitly. +This was the letter which fell like a thunderbolt on the prisoner on the +night of December 3d. All his old love returned--he was full of +self-reproach and pity for the poor girl. The letter read ominously. +Perhaps she was going to put an end to herself. His first thought was to +rush up to his friend, Constant, to seek his advice. Perhaps Constant +knew something of the affair. The prisoner knew the two were in not +infrequent communication. It is possible--my lord and gentlemen of the +jury, I do not wish to follow the methods of the prosecution and confuse +theory with fact, so I say it is possible--that Mr. Constant had +supplied her with the £25 to leave the country. He was like a brother to +her, perhaps even acted imprudently in calling upon her, though neither +dreamed of evil. It is possible that he may have encouraged her in her +abnegation and in her altruistic aspirations, perhaps even without +knowing their exact drift, for does he not speak in his very last letter +of the fine female characters he was meeting, and the influence for good +he had over individual human souls? Still, this we can now never know, +unless the dead speak or the absent return. It is also not impossible +that Miss Dymond was entrusted with the £25 for charitable purposes. But +to come back to certainties. The prisoner consulted Mr. Constant about +the letter. He then ran to Miss Dymond's lodgings in Stepney Green, +knowing beforehand his trouble would be futile. The letter bore the +postmark of Devonport. He knew the girl had an aunt there; possibly she +might have gone to her. He could not telegraph, for he was ignorant of +the address. He consulted his 'Bradshaw,' and resolved to leave by the +5:30 a. m. from Paddington, and told his landlady so. He left the letter +in the 'Bradshaw,' which ultimately got thrust among a pile of papers +under the sofa, so that he had to get another. He was careless and +disorderly, and the key found by Mr. Wimp in his sofa must have lain +there for some years, having been lost there in the days when he +occupied the bedroom afterward rented by Mr. Constant. Afraid to miss +his train, he did not undress on that distressful night. Meantime the +thought occurred to him that Jessie was too clever a girl to leave so +easy a trail, and he jumped to the conclusion that she would be going to +her married brother in America, and had gone to Devonport merely to bid +her aunt farewell. He determined therefore to get to Liverpool, without +wasting time at Devonport, to institute inquiries. Not suspecting the +delay in the transit of the letter, he thought he might yet stop her, +even at the landing-stage or on the tender. Unfortunately his cab went +slowly in the fog, he missed the first train, and wandered about +brooding disconsolately in the mist till the second. At Liverpool his +suspicious, excited demeanor procured his momentary arrest. Since then +the thought of the lost girl has haunted and broken him. That is the +whole, the plain, and the sufficing story." The effective witnesses for +the defense were, indeed, few. It is so hard to prove a negative. There +was Jessie's aunt, who bore out the statement of the counsel for the +defense. There were the porters who saw him leave Euston by the 7:15 +train for Liverpool, and arrive just too late for the 5:15; there was +the cabman (2,138), who drove him to Euston just in time, he (witness) +thought, to catch the 5:15 a. m. Under cross-examination, the cabman got +a little confused; he was asked whether, if he really picked up the +prisoner at Bow Railway Station at about 4:30, he ought not to have +caught the first train at Euston. He said the fog made him drive rather +slowly, but admitted the mist was transparent enough to warrant full +speed. He also admitted being a strong trade unionist, Spigot, Q. C., +artfully extorting the admission as if it were of the utmost +significance. Finally, there were numerous witnesses--of all sorts and +conditions--to the prisoner's high character, as well as to Arthur +Constant's blameless and moral life. + +In his closing speech on the third day of the trial, Sir Charles pointed +out with great exhaustiveness and cogency the flimsiness of the case for +the prosecution, the number of hypotheses it involved, and their mutual +interdependence. Mrs. Drabdump was a witness whose evidence must be +accepted with extreme caution. The jury must remember that she was +unable to dissociate her observations from her inferences, and thought +that the prisoner and Mr. Constant were quarreling merely because they +were agitated. He dissected her evidence, and showed that it entirely +bore out the story of the defense. He asked the jury to bear in mind +that no positive evidence (whether of cabmen or others) had been given +of the various and complicated movements attributed to the prisoner on +the morning of December 4th, between the hours of 5:25 and 7:15 a. m., +and that the most important witness on the theory of the prosecution--he +meant, of course, Miss Dymond--had not been produced. Even if she were +dead, and her body were found, no countenance would be given to the +theory of the prosecution, for the mere conviction that her lover had +deserted her would be a sufficient explanation of her suicide. Beyond +the ambiguous letter, no tittle of evidence of her dishonor--on which +the bulk of the case against the prisoner rested--had been adduced. As +for the motive of political jealousy that had been a mere passing cloud. +The two men had become fast friends. As to the circumstances of the +alleged crime, the medical evidence was on the whole in favor of the +time of death being late; and the prisoner had left London at a quarter +past seven. The drugging theory was absurd, and as for the too clever +bolt and lock theories, Mr. Grodman, a trained scientific observer, had +pooh-poohed them. He would solemnly exhort the jury to remember that if +they condemned the prisoner they would not only send an innocent man to +an ignominious death on the flimsiest circumstantial evidence, but they +would deprive the workingmen of this country of one of their truest +friends and their ablest leader. + +The conclusion of Sir Charles' vigorous speech was greeted with +irrepressible applause. + +Mr. Spigot, Q. C., in closing the case for the prosecution, asked the +jury to return a verdict against the prisoner for as malicious and +premeditated a crime as ever disgraced the annals of any civilized +country. His cleverness and education had only been utilized for the +devil's ends, while his reputation had been used as a cloak. Everything +pointed strongly to the prisoner's guilt. On receiving Miss Dymond's +letter announcing her shame, and (probably) her intention to commit +suicide, he had hastened upstairs to denounce Constant. He had then +rushed to the girl's lodgings, and, finding his worst fears confirmed, +planned at once his diabolically ingenious scheme of revenge. He told +his landlady he was going to Devonport, so that if he bungled, the +police would be put temporarily off his track. His real destination was +Liverpool, for he intended to leave the country. Lest, however, his plan +should break down here, too, he arranged an ingenious alibi by being +driven to Euston for the 5:15 train to Liverpool. The cabman would not +know he did not intend to go by it, but meant to return to 11, Glover +Street, there to perpetrate this foul crime, interruption to which he +had possibly barred by drugging his landlady. His presence at Liverpool +(whither he really went by the second train) would corroborate the +cabman's story. That night he had not undressed nor gone to bed; he had +plotted out his devilish scheme till it was perfect; the fog came as an +unexpected ally to cover his movements. Jealousy, outraged affection, +the desire for revenge, the lust for political power--these were human. +They might pity the criminal, they could not find him innocent of the +crime. + +Mr. Justice Crogie, summing up, began dead against the prisoner. +Reviewing the evidence, he pointed out that plausible hypotheses neatly +dove-tailed did not necessarily weaken one another, the fitting so well +together of the whole rather making for the truth of the parts. Besides, +the case for the prosecution was as far from being all hypothesis as the +case for the defense was from excluding hypothesis. The key, the letter, +the reluctance to produce the letter, the heated interview with +Constant, the misstatement about the prisoner's destination, the flight +to Liverpool, the false tale about searching for a "him," the +denunciations of Constant, all these were facts. On the other hand, +there were various lacunae and hypotheses in the case for the defense. +Even conceding the somewhat dubious alibi afforded by the prisoner's +presence at Euston at 5:25 a. m., there was no attempt to account for +his movements between that and 7:15 a. m. It was as possible that he +returned to Bow as that he lingered about Euston. There was nothing in +the medical evidence to make his guilt impossible. Nor was there +anything inherently impossible in Constant's yielding to the sudden +temptation of a beautiful girl, nor in a working-girl deeming herself +deserted, temporarily succumbing to the fascinations of a gentleman and +regretting it bitterly afterward. What had become of the girl was a +mystery. Hers might have been one of those nameless corpses which the +tide swirls up on slimy river banks. The jury must remember, too, that +the relation might not have actually passed into dishonor, it might have +been just grave enough to smite the girl's conscience, and to induce her +to behave as she had done. It was enough that her letter should have +excited the jealousy of the prisoner. There was one other point which he +would like to impress on the jury, and which the counsel for the +prosecution had not sufficiently insisted upon. This was that the +prisoner's guiltiness was the only plausible solution that had ever been +advanced of the Bow Mystery. The medical evidence agreed that Mr. +Constant did not die by his own hand. Someone must therefore have +murdered him. The number of people who could have had any possible +reason or opportunity to murder him was extremely small. The prisoner +had both reason and opportunity. By what logicians called the method of +exclusion, suspicion would attach to him on even slight evidence. The +actual evidence was strong and plausible, and now that Mr. Wimp's +ingenious theory had enabled them to understand how the door could have +been apparently locked and bolted from within, the last difficulty and +the last argument for suicide had been removed. The prisoner's guilt was +as clear as circumstantial evidence could make it. If they let him go +free, the Bow Mystery might henceforward be placed among the archives of +unavenged assassinations. Having thus well-nigh hung the prisoner, the +judge wound up by insisting on the high probability of the story for the +defense, though that, too, was dependent in important details upon the +prisoner's mere private statements to his counsel. The jury, being by +this time sufficiently muddled by his impartiality, were dismissed, with +the exhortation to allow due weight to every fact and probability in +determining their righteous verdict. + +The minutes ran into hours, but the jury did not return. The shadows of +night fell across the reeking, fevered court before they announced their +verdict-- + +"Guilty." + +The judge put on his black cap. + +The great reception arranged outside was a fiasco; the evening banquet +was indefinitely postponed. Wimp had won; Grodman felt like a whipped +cur. + + + + +CHAPTER XI. + + +"So you were right," Denzil could not help saying as he greeted Grodman +a week afterward. "I shall not live to tell the story of how you +discovered the Bow murderer." + +"Sit down," growled Grodman; "perhaps you will after all." There was a +dangerous gleam in his eyes. Denzil was sorry he had spoken. + +"I sent for you," Grodman said, "to tell you that on the night Wimp +arrested Mortlake I had made preparations for your arrest." + +Denzil gasped, "What for?" + +"My dear Denzil, there is a little law in this country invented for the +confusion of the poetic. The greatest exponent of the Beautiful is only +allowed the same number of wives as the greengrocer. I do not blame you +for not being satisfied with Jane--she is a good servant but a bad +mistress--but it was cruel to Kitty not to inform her that Jane had a +prior right in you, and unjust to Jane not to let her know of the +contract with Kitty." + +"They both know it now well enough, curse 'em," said the poet. + +"Yes; your secrets are like your situations--you can't keep them long. +My poor poet, I pity you--betwixt the devil and the deep sea." + +"They're a pair of harpies, each holding over me the Damocles sword of +an arrest for bigamy. Neither loves me." + +"I should think they would come in very useful to you. You plant one in +my house to tell my secrets to Wimp, and you plant one in Wimp's house +to tell Wimp's secrets to me, I suppose. Out with some, then." + +"Upon my honor you wrong me. Jane brought me here, not I Jane. As for +Kitty, I never had such a shock in my life as at finding her installed +in Wimp's house." + +"She thought it safer to have the law handy for your arrest. Besides, +she probably desired to occupy a parallel position to Jane's. She must +do something for a living; you wouldn't do anything for hers. And so you +couldn't go anywhere without meeting a wife! Ha! ha! ha! Serve you +right, my polygamous poet." + +"But why should you arrest me?" + +"Revenge, Denzil. I have been the best friend you ever had in this cold, +prosaic world. You have eaten my bread, drunk my claret, written my +book, smoked my cigars, and pocketed my money. And yet, when you have an +important piece of information bearing on a mystery about which I am +thinking day and night, you calmly go and sell it to Wimp." + +"I did-didn't," stammered Denzil. + +"Liar! Do you think Kitty has any secrets from me? As soon as I +discovered your two marriages I determined to have you arrested +for--your treachery. But when I found you had, as I thought, put Wimp on +the wrong scent, when I felt sure that by arresting Mortlake he was +going to make a greater ass of himself than even nature had been able to +do, then I forgave you. I let you walk about the earth--and +drink--freely. Now it is Wimp who crows--everybody pats him on the +back--they call him the mystery man of the Scotland-Yard tribe. Poor Tom +Mortlake will be hanged, and all through your telling Wimp about Jessie +Dymond!" + +"It was you yourself," said Denzil sullenly. "Everybody was giving it +up. But you said 'Let us find out all that Arthur Constant did in the +last few months of his life.' Wimp couldn't miss stumbling on Jessie +sooner or later. I'd have throttled Constant, if I had known he'd +touched her," he wound up with irrelevant indignation. + +Grodman winced at the idea that he himself had worked _ad majorem +gloriam_ of Wimp. And yet, had not Mrs. Wimp let out as much at the +Christmas dinner? + +"What's past is past," he said gruffly. "But if Tom Mortlake hangs, you +go to Portland." + +"How can I help Tom hanging?" + +"Help the agitation as much as you can. Write letters under all sorts of +names to all the papers. Get everybody you know to sign the great +petition. Find out where Jessie Dymond is--the girl who holds the proof +of Tom Mortlake's innocence." + +"You really believe him innocent?" + +"Don't be satirical, Denzil. Haven't I taken the chair at all the +meetings? Am I not the most copious correspondent of the Press?" + +"I thought it was only to spite Wimp." + +"Rubbish. It's to save poor Tom. He no more murdered Arthur Constant +than--you did!" He laughed an unpleasant laugh. + +Denzil bade him farewell, frigid with fear. + +Grodman was up to his ears in letters and telegrams. Somehow he had +become the leader of the rescue party--suggestions, subscriptions came +from all sides. The suggestions were burnt, the subscriptions +acknowledged in the papers and used for hunting up the missing girl. +Lucy Brent headed the list with a hundred pounds. It was a fine +testimony to her faith in her dead lover's honor. + +The release of the Jury had unloosed "The Greater Jury," which always +now sits upon the smaller. Every means was taken to nullify the value of +the "palladium of British liberty." The foreman and the jurors were +interviewed, the judge was judged, and by those who were no judges. The +Home Secretary (who had done nothing beyond accepting office under the +Crown) was vituperated, and sundry provincial persons wrote +confidentially to the Queen. Arthur Constant's backsliding cheered many +by convincing them that others were as bad as themselves; and well-to-do +tradesmen saw in Mortlake's wickedness the pernicious effects of +socialism. A dozen new theories were afloat. Constant had committed +suicide by Esoteric Buddhism, as witness his devotion to Mme. Blavatsky, +or he had been murdered by his Mahatma, or victimized by Hypnotism, +Mesmerism, Somnambulism, and other weird abstractions. Grodman's great +point was--Jessie Dymond must be produced, dead or alive. The electric +current scoured the civilized world in search of her. What wonder if the +shrewder sort divined that the indomitable detective had fixed his last +hope on the girl's guilt? If Jessie had wrongs why should she not have +avenged them herself? Did she not always remind the poet of Joan of Arc? + +Another week passed; the shadow of the gallows crept over the days; on, +on, remorselessly drawing nearer, as the last ray of hope sank below the +horizon. The Home Secretary remained inflexible; the great petitions +discharged their signatures at him in vain. He was a Conservative, +sternly conscientious; and the mere insinuation that his obstinacy was +due to the politics of the condemned only hardened him against the +temptation of a cheap reputation for magnanimity. He would not even +grant a respite, to increase the chances of the discovery of Jessie +Dymond. In the last of the three weeks there was a final monster meeting +of protest. Grodman again took the chair, and several distinguished +faddists were present, as well as numerous respectable members of +society. The Home Secretary acknowledged the receipt of their +resolutions. The Trade Unions were divided in their allegiance; some +whispered of faith and hope, others of financial defalcations. The +former essayed to organize a procession and an indignation meeting on +the Sunday preceding the Tuesday fixed for the execution, but it fell +through on a rumor of confession. The Monday papers contained a last +masterly letter from Grodman exposing the weakness of the evidence, but +they knew nothing of a confession. The prisoner was mute and disdainful, +professing little regard for a life empty of love and burdened with +self-reproach. He refused to see clergymen. He was accorded an interview +with Miss Brent in the presence of a jailer, and solemnly asseverated +his respect for her dead lover's memory. Monday buzzed with rumors; the +evening papers chronicled them hour by hour. A poignant anxiety was +abroad. The girl would be found. Some miracle would happen. A reprieve +would arrive. The sentence would be commuted. But the short day darkened +into night even as Mortlake's short day was darkening. And the shadow of +the gallows crept on and on and seemed to mingle with the twilight. + +Crowl stood at the door of his shop, unable to work. His big gray eyes +were heavy with unshed tears. The dingy wintry road seemed one vast +cemetery; the street lamps twinkled like corpse-lights. The confused +sounds of the street-life reached his ear as from another world. He did +not see the people who flitted to and fro amid the gathering shadows of +the cold, dreary night. One ghastly vision flashed and faded and flashed +upon the background of the duskiness. + +Denzil stood beside him, smoking in silence. A cold fear was at his +heart. That terrible Grodman! As the hangman's cord was tightening round +Mortlake, he felt the convict's chains tightening round himself. And yet +there was one gleam of hope, feeble as the yellow flicker of the +gas-lamp across the way. Grodman had obtained an interview with the +condemned late that afternoon, and the parting had been painful, but the +evening paper, that in its turn had obtained an interview with the +ex-detective, announced on its placard: + + "GRODMAN STILL CONFIDENT," + +and the thousands who yet pinned their faith on this extraordinary man +refused to extinguish the last sparks of hope. Denzil had bought the +paper and scanned it eagerly, but there was nothing save the vague +assurance that the indefatigable Grodman was still almost pathetically +expectant of the miracle. Denzil did not share the expectation; he +meditated flight. + +"Peter," he said at last, "I'm afraid it's all over." + +Crowl nodded, heart-broken. "All over!" he repeated, "and to think that +he dies--and it is--all over!" + +He looked despairingly at the blank winter sky, where leaden clouds shut +out the stars. "Poor, poor young fellow! To-night alive and thinking. +To-morrow night a clod, with no more sense or motion than a bit of +leather! No compensation nowhere for being cut off innocent in the pride +of youth and strength! A man who has always preached the Useful day and +night, and toiled and suffered for his fellows. Where's the justice of +it, where's the justice of it?" he demanded fiercely. Again his wet eyes +wandered upward toward heaven, that heaven away from which the soul of a +dead saint at the Antipodes was speeding into infinite space. + +"Well, where was the justice for Arthur Constant if he, too, was +innocent?" said Denzil. "Really, Peter, I don't see why you should take +it for granted that Tom is so dreadfully injured. Your horny-handed +labor leaders are, after all, men of no aesthetic refinement, with no +sense of the Beautiful; you cannot expect them to be exempt from the +coarser forms of crime. Humanity must look to for other leaders--to the +seers and the poets!" + +"Cantercot, if you say Tom's guilty I'll knock you down." The little +cobbler turned upon his tall friend like a roused lion. Then he added, +"I beg your pardon, Cantercot, I don't mean that. After all, I've no +grounds. The judge is an honest man, and with gifts I can't lay claim +to. But I believe in Tom with all my heart. And if Tom is guilty I +believe in the Cause of the People with all my heart all the same. The +Fads are doomed to death, they may be reprieved, but they must die at +last." + +He drew a deep sigh, and looked along the dreary Road. It was quite dark +now, but by the light of the lamps and the gas in the shop windows the +dull, monotonous Road lay revealed in all its sordid, familiar outlines; +with its long stretches of chill pavement, its unlovely architecture, +and its endless stream of prosaic pedestrians. + +A sudden consciousness of the futility of his existence pierced the +little cobbler like an icy wind. He saw his own life, and a hundred +million lives like his, swelling and breaking like bubbles on a dark +ocean, unheeded, uncared for. + +A newsboy passed along, clamoring "The Bow murderer, preparations for +the hexecution!" + +A terrible shudder shook the cobbler's frame. His eyes ranged +sightlessly after the boy; the merciful tears filled them at last. + +"The Cause of the People," he murmured, brokenly, "I believe in the +Cause of the People. There is nothing else." + +"Peter, come in to tea, you'll catch cold," said Mrs. Crowl. + +Denzil went in to tea and Peter followed. + + * * * * * + +Meantime, round the house of the Home Secretary, who was in town, an +ever-augmenting crowd was gathered, eager to catch the first whisper of +a reprieve. + +The house was guarded by a cordon of police, for there was no +inconsiderable danger of a popular riot. At times a section of the crowd +groaned and hooted. Once a volley of stones was discharged at the +windows. The news-boys were busy vending their special editions, and the +reporters struggled through the crowd, clutching descriptive pencils, +and ready to rush off to telegraph offices should anything "extra +special" occur. Telegraph boys were coming up every now and again with +threats, messages, petitions and exhortations from all parts of the +country to the unfortunate Home Secretary, who was striving to keep his +aching head cool as he went through the voluminous evidence for the last +time and pondered over the more important letters which "The Greater +Jury" had contributed to the obscuration of the problem. Grodman's +letter in that morning's paper shook him most; under his scientific +analysis the circumstantial chain seemed forged of painted cardboard. +Then the poor man read the judge's summing up, and the chain became +tempered steel. The noise of the crowd outside broke upon his ear in his +study like the roar of a distant ocean. The more the rabble hooted him, +the more he essayed to hold scrupulously the scales of life and death. +And the crowd grew and grew, as men came away from their work. There +were many that loved the man who lay in the jaws of death, and a spirit +of mad revolt surged in their breasts. And the sky was gray, and the +bleak night deepened and the shadow of the gallows crept on. + +Suddenly a strange inarticulate murmur spread through the crowd, a vague +whisper of no one knew what. Something had happened. Somebody was +coming. A second later and one of the outskirts of the throng was +agitated, and a convulsive cheer went up from it, and was taken up +infectiously all along the street. The crowd parted--a hansom dashed +through the center. "Grodman! Grodman!" shouted those who recognized the +occupant. "Grodman! Hurrah!" Grodman was outwardly calm and pale, but +his eyes glittered; he waved his hand encouragingly as the hansom dashed +up to the door, cleaving the turbulent crowd as a canoe cleaves the +waters. Grodman sprang out, the constables at the portal made way for +him respectfully. He knocked imperatively, the door was opened +cautiously; a boy rushed up and delivered a telegram; Grodman forced his +way in, gave his name, and insisted on seeing the Home Secretary on a +matter of life and death. Those near the door heard his words and +cheered, and the crowd divined the good omen, and the air throbbed with +cannonades of joyous sound. The cheers rang in Grodman's ears as the +door slammed behind him. The reporters struggled to the front. An +excited knot of working men pressed round the arrested hansom, they took +the horse out. A dozen enthusiasts struggled for the honor of placing +themselves between the shafts. And the crowd awaited Grodman. + + + + +CHAPTER XII. + + +Grodman was ushered into the conscientious Minister's study. The doughty +chief of the agitation was, perhaps, the one man who could not be +denied. As he entered, the Home Secretary's face seemed lit up with +relief. At a sign from his master, the amanuensis who had brought in the +last telegram took it back with him into the outer room where he worked. +Needless to say not a tithe of the Minister's correspondence ever came +under his own eyes. + +"You have a valid reason for troubling me, I suppose, Mr. Grodman?" said +the Home Secretary, almost cheerfully. "Of course it is about Mortlake?" + +"It is; and I have the best of all reasons." + +"Take a seat. Proceed." + +"Pray do not consider me impertinent, but have you ever given any +attention to the science of evidence?" + +"How do you mean?" asked the Home Secretary, rather puzzled, adding, +with a melancholy smile, "I have had to lately. Of course, I've never +been a criminal lawyer, like some of my predecessors. But I should +hardly speak of it as a science; I look upon it as a question of +common-sense." + +"Pardon me, sir. It is the most subtle and difficult of all the +sciences. It is, indeed, rather the science of the sciences. What is the +whole of Inductive Logic, as laid down, say, by Bacon and Mill, but an +attempt to appraise the value of evidence, the said evidence being the +trails left by the Creator, so to speak? The Creator has--I say it in +all reverence--drawn a myriad red herrings across the track, but the +true scientist refuses to be baffled by superficial appearances in +detecting the secrets of Nature. The vulgar herd catches at the gross +apparent fact, but the man of insight knows that what lies on the +surface does lie." + +"Very interesting, Mr. Grodman, but really----" + +"Bear with me, sir. The science of evidence being thus so extremely +subtle, and demanding the most acute and trained observation of facts, +the most comprehensive understanding of human psychology, is naturally +given over to professors who have not the remotest idea that 'things are +not what they seem,' and that everything is other than it appears; to +professors, most of whom, by their year-long devotion to the +shop-counter or the desk, have acquired an intimate acquaintance with +all the infinite shades and complexities of things and human nature. +When twelve of these professors are put in a box, it is called a jury. +When one of these professors is put in a box by himself, he is called a +witness. The retailing of evidence--the observation of the facts--is +given over to people who go through their lives without eyes; the +appreciation of evidence--the judging of these facts--is surrendered to +people who may possibly be adepts in weighing out pounds of sugar. Apart +from their sheer inability to fulfill either function--to observe, or to +judge--their observation and their judgment alike are vitiated by all +sorts of irrelevant prejudices." + +"You are attacking trial by jury." + +"Not necessarily. I am prepared to accept that scientifically, on the +ground that, as there are, as a rule, only two alternatives, the balance +of probability is slightly in favor of the true decision being come to. +Then, in cases where experts like myself have got up the evidence, the +jury can be made to see through trained eyes." + +The Home Secretary tapped impatiently with his foot. + +"I can't listen to abstract theorizing," he said. "Have you any fresh +concrete evidence?" + +"Sir, everything depends on our getting down to the root of the matter. +What percentage of average evidence should you think is thorough, plain, +simple, unvarnished fact, 'the truth, the whole truth, and nothing but +the truth'?" + +"Fifty?" said the Minister, humoring him a little. + +"Not five. I say nothing of lapses of memory, of inborn defects of +observational power--though the suspiciously precise recollection of +dates and events possessed by ordinary witnesses in important trials +taking place years after the occurrences involved, is one of the most +amazing things in the curiosities of modern jurisprudence. I defy you, +sir, to tell me what you had for dinner last Monday, or what exactly you +were saying and doing at five o'clock last Tuesday afternoon. Nobody +whose life does not run in mechanical grooves can do anything of the +sort; unless, of course, the facts have been very impressive. But this +by the way. The great obstacle to veracious observation is the element +of prepossession in all vision. Has it ever struck you, sir, that we +never see anyone more than once, if that? The first time we meet a man +we may possibly see him as he is; the second time our vision is colored +and modified by the memory of the first. Do our friends appear to us as +they appear to strangers? Do our rooms, our furniture, our pipes strike +our eye as they would strike the eye of an outsider, looking on them for +the first time? Can a mother see her babe's ugliness, or a lover his +mistress' shortcomings, though they stare everybody else in the face? +Can we see ourselves as others see us? No; habit, prepossession changes +all. The mind is a large factor of every so-called external fact. The +eye sees, sometimes, what it wishes to see, more often what it expects +to see. You follow me, sir?" + +The Home Secretary nodded his head less impatiently. He was beginning to +be interested. The hubbub from without broke faintly upon their ears. + +"To give you a definite example. Mr. Wimp says that when I burst open +the door of Mr. Constant's room on the morning of December 4th, and saw +that the staple of the bolt had been wrested by the pin from the lintel, +I jumped at once to the conclusion that I had broken the bolt. Now I +admit that this was so, only in things like this you do not seem to +conclude, you jump so fast that you see, or seem to. On the other hand, +when you see a standing ring of fire produced by whirling a burning +stick, you do not believe in its continuous existence. It is the same +when witnessing a legerdemain performance. Seeing is not always +believing, despite the proverb; but believing is often seeing. It is not +to the point that in that little matter of the door Wimp was as +hopelessly and incurably wrong as he has been in everything all along. +Though the door was securely bolted, I confess that I should have seen +that I had broken the bolt in forcing the door, even if it had been +broken beforehand. Never once since December 4th did this possibility +occur to me, till Wimp with perverted ingenuity suggested it. If this is +the case with a trained observer, one moreover fully conscious of this +ineradicable tendency of the human mind, how must it be with an +untrained observer?" + +"Come to the point, come to the point," said the Home Secretary, putting +out his hand as if it itched to touch the bell on the writing-table. + +"Such as," went on Grodman imperturbably, "such as--Mrs. Drabdump. That +worthy person is unable, by repeated violent knocking, to arouse her +lodger who yet desires to be aroused; she becomes alarmed, she rushes +across to get my assistance; I burst open the door--what do you think +the good lady expected to see?" + +"Mr. Constant murdered, I suppose," murmured the Home Secretary, +wonderingly. + +"Exactly. And so she saw it. And what should you think was the condition +of Arthur Constant when the door yielded to my violent exertions and +flew open?" + +"Why, was he not dead?" gasped the Home Secretary, his heart fluttering +violently. + +"Dead? A young, healthy fellow like that! When the door flew open Arthur +Constant was sleeping the sleep of the just. It was a deep, a very deep +sleep, of course, else the blows at his door would long since have +awakened him. But all the while Mrs. Drabdump's fancy was picturing her +lodger cold and stark the poor young fellow was lying in bed in a nice +warm sleep." + +"You mean to say you found Arthur Constant alive?" + +"As you were last night." + +The minister was silent, striving confusedly to take in the situation. +Outside the crowd was cheering again. It was probably to pass the time. + +"Then, when was he murdered?" + +"Immediately afterward." + +"By whom?" + +"Well, that is, if you will pardon me, not a very intelligent question. +Science and common-sense are in accord for once. Try the method of +exhaustion. It must have been either by Mrs. Drabdump or by myself." + +"You mean to say that Mrs. Drabdump----!" + +"Poor dear Mrs. Drabdump, you don't deserve this of your Home Secretary! +The idea of that good lady!" + +"It was you!" + +"Calm yourself, my dear Home Secretary. There is nothing to be alarmed +at. It was a solitary experiment, and I intend it to remain so." The +noise without grew louder. "Three cheers for Grodman! Hip, hip, hip, +hooray," fell faintly on their ears. + +But the Minister, pallid and deeply moved, touched the bell. The Home +Secretary's home secretary appeared. He looked at the great man's +agitated face with suppressed surprise. + +"Thank you for calling in your amanuensis," said Grodman. "I intended to +ask you to lend me his services. I suppose he can write shorthand." + +The minister nodded, speechless. + +"That is well. I intend this statement to form the basis of an appendix +to the twenty-fifth edition--sort of silver wedding--of my book, +'Criminals I Have Caught,' Mr. Denzil Cantercot, who, by the will I have +made to-day, is appointed my literary executor, will have the task of +working it up with literary and dramatic touches after the model of the +other chapters of my book. I have every confidence he will be able to do +me as much justice, from a literary point of view, as you, sir, no doubt +will from a legal. I feel certain he will succeed in catching the style +of the other chapters to perfection." + +"Templeton," whispered the Home Secretary, "this man may be a lunatic. +The effort to solve the Big Bow Mystery may have addled his brain. +Still," he added aloud, "it will be as well for you to take down his +statement in shorthand." + +"Thank you, sir," said Grodman, heartily. "Ready, Mr. Templeton? Here +goes. My career till I left the Scotland-Yard Detective Department is +known to all the world. Is that too fast for you, Mr. Templeton? A +little? Well, I'll go slower; but pull me up if I forget to keep the +brake on. When I retired, I discovered that I was a bachelor. But it was +too late to marry. Time hung on my hands. The preparation of my book, +'Criminals I Have Caught,' kept me occupied for some months. When it was +published I had nothing more to do but think. I had plenty of money, and +it was safely invested; there was no call for speculation. The future +was meaningless to me; I regretted I had not elected to die in harness. +As idle old men must, I lived in the past. I went over and over again my +ancient exploits; I re-read my book. And as I thought and thought, away +from the excitement of the actual hunt, and seeing the facts in a truer +perspective, so it grew daily clearer to me that criminals were more +fools than rogues. Every crime I had traced, however cleverly +perpetrated, was from the point of view of penetrability a weak failure. +Traces and trails were left on all sides--ragged edges, rough-hewn +corners; in short, the job was botched, artistic completeness +unattained. To the vulgar, my feats might seem marvelous--the average +man is mystified to grasp how you detect the letter 'e' in a simple +cryptogram--to myself they were as commonplace as the crimes they +unveiled. To me now, with my lifelong study of the science of evidence, +it seemed possible to commit not merely one, but a thousand crimes that +should be absolutely undiscoverable. And yet criminals would go on +sinning, and giving themselves away, in the same old grooves--no +originality, no dash, no individual insight, no fresh conception! One +would imagine there were an Academy of crime with forty thousand +armchairs. And gradually, as I pondered and brooded over the thought, +there came upon me the desire to commit a crime that should baffle +detection. I could invent hundreds of such crimes, and please myself by +imagining them done; but would they really work out in practice? +Evidently the sole performer of my experiment must be myself; the +subject--whom or what? Accident should determine. I itched to commence +with murder--to tackle the stiffest problems first, and I burned to +startle and baffle the world--especially the world of which I had ceased +to be. Outwardly I was calm, and spoke to the people about me as usual. +Inwardly I was on fire with a consuming scientific passion. I sported +with my pet theories, and fitted them mentally on everyone I met. Every +friend or acquaintance I sat and gossiped with, I was plotting how to +murder without leaving a clue. There is not one of my friends or +acquaintances I have not done away with in thought. There is no public +man--have no fear, my dear Home Secretary--I have not planned to +assassinate secretly, mysteriously, unintelligibly, undiscoverably. Ah, +how I could give the stock criminals points--with their second-hand +motives, their conventional conceptions, their commonplace details, +their lack of artistic feeling and restraint. + +"The late Arthur Constant came to live nearly opposite me. I cultivated +his acquaintance--he was a lovable young fellow, an excellent subject +for experiment. I do not know when I have ever taken to a man more. From +the moment I first set eyes on him, there was a peculiar sympathy +between us. We were drawn to each other. I felt instinctively he would +be the man. I loved to hear him speak enthusiastically of the +Brotherhood of Man--I, who knew the brotherhood of man was to the ape, +the serpent, and the tiger--and he seemed to find a pleasure in stealing +a moment's chat with me from his engrossing self-appointed duties. It is +a pity humanity should have been robbed of so valuable a life. But it +had to be. At a quarter to ten on the night of December 3d he came to +me. Naturally I said nothing about this visit at the inquest or the +trial. His object was to consult me mysteriously about some girl. He +said he had privately lent her money--which she was to repay at her +convenience. What the money was for he did not know, except that it was +somehow connected with an act of abnegation in which he had vaguely +encouraged her. The girl had since disappeared, and he was in distress +about her. He would not tell me who it was--of course now, sir, you know +as well as I it was Jessie Dymond--but asked for advice as to how to set +about finding her. He mentioned that Mortlake was leaving for Devonport +by the first train on the next day. Of old I should have connected these +two facts and sought the thread; now, as he spoke, all my thoughts were +dyed red. He was suffering perceptibly from toothache, and in answer to +my sympathetic inquiries told me it had been allowing him very little +sleep. Everything combined to invite the trial of one of my favorite +theories. I spoke to him in a fatherly way, and when I had tendered some +vague advice about the girl, and made him promise to secure a night's +rest (before he faced the arduous tram-men's meeting in the morning) by +taking a sleeping-draught, I gave him some sulfonal in a phial. It is a +new drug, which produces protracted sleep without disturbing the +digestion, and which I use myself. He promised faithfully to take the +draught; and I also exhorted him earnestly to bolt and bar and lock +himself in so as to stop up every chink or aperture by which the cold +air of the winter's night might creep into the room. I remonstrated with +him on the careless manner he treated his body, and he laughed in his +good-humored, gentle way, and promised to obey me in all things. And he +did. That Mrs. Drabdump, failing to rouse him, would cry 'Murder!' I +took for certain. She is built that way. As even Sir Charles +Brown-Harland remarked, she habitually takes her prepossessions for +facts, her inferences for observations. She forecasts the future in +gray. Most women of Mrs. Drabdump's class would have behaved as she did. +She happened to be a peculiarly favorable specimen for working on by +'suggestion,' but I would have undertaken to produce the same effect on +almost any woman under similar conditions. The only uncertain link in +the chain was: Would Mrs. Drabdump rush across to get me to break open +the door? Women always rush for a man. I was well-nigh the nearest, and +certainly the most authoritative man in the street, and I took it for +granted she would." + +"But suppose she hadn't?" the Home Secretary could not help asking. + +"Then the murder wouldn't have happened, that's all. In due course +Arthur Constant would have awoke, or somebody else breaking open the +door would have found him sleeping; no harm done, nobody any the wiser. +I could hardly sleep myself that night. The thought of the extraordinary +crime I was about to commit--a burning curiosity to know whether Wimp +would detect the _modus operandi_--the prospect of sharing the feelings +of murderers with whom I had been in contact all my life without being +in touch with the terrible joys of their inner life--the fear lest I +should be too fast asleep to hear Mrs. Drabdump's knock--these things +agitated me and disturbed my rest. I lay tossing on my bed, planning +every detail of poor Constant's end. The hours dragged slowly and +wretchedly on toward the misty dawn. I was racked with suspense. Was I +to be disappointed after all? At last the welcome sound came--the +rat-tat-tat of murder. The echoes of that knock are yet in my ear. 'Come +over and kill him!' I put my night-capped head out of the window and +told her to wait for me. I dressed hurriedly, took my razor, and went +across to 11 Glover Street. As I broke open the door of the bedroom in +which Arthur Constant lay sleeping, his head resting on his hands, I +cried, 'My God!' as if I saw some awful vision. A mist as of blood +swam before Mrs. Drabdump's eyes. She cowered back, for an instant +(I divined rather than saw the action) she shut off the dreaded +sight with her hands. In that instant I had made my cut--precisely, +scientifically--made so deep a cut and drew out the weapon so sharply +that there was scarce a drop of blood on it; then there came from the +throat a jet of blood which Mrs. Drabdump, conscious only of the horrid +gash, saw but vaguely. I covered up the face quickly with a handkerchief +to hide any convulsive distortion. But as the medical evidence (in this +detail accurate) testified, death was instantaneous. I pocketed the +razor and the empty sulfonal phial. With a woman like Mrs. Drabdump to +watch me, I could do anything I pleased. I got her to draw my attention +to the fact that both the windows were fastened. Some fool, by the by, +thought there was a discrepancy in the evidence because the police found +only one window fastened, forgetting that, in my innocence, I took care +not to fasten the window I had opened to call for aid. Naturally I did +not call for aid before a considerable time had elapsed. There was Mrs. +Drabdump to quiet, and the excuse of making notes--as an old hand. My +object was to gain time. I wanted the body to be fairly cold and stiff +before being discovered, though there was not much danger here; for, as +you saw by the medical evidence, there is no telling the time of death +to an hour or two. The frank way in which I said the death was very +recent disarmed all suspicion, and even Dr. Robinson was unconsciously +worked upon, in adjudging the time of death, by the knowledge (query +here, Mr. Templeton) that it had preceded my advent on the scene. + +"Before leaving Mrs. Drabdump there is just one point I should like to +say a word about. You have listened so patiently, sir, to my lectures on +the science of sciences that you will not refuse to hear the last. A +good deal of importance has been attached to Mrs. Drabdump's +oversleeping herself by half an hour. It happens that this (like the +innocent fog which has also been made responsible for much) is a purely +accidental and irrelevant circumstance. In all works on inductive logic +it is thoroughly recognized that only some of the circumstances of a +phenomenon are of its essence and causally interconnected; there is +always a certain proportion of heterogeneous accompaniments which have +no intimate relation whatever with the phenomenon. Yet so crude is as +yet the comprehension of the science of evidence, that every feature of +the phenomenon under investigation is made equally important, and sought +to be linked with the chain of evidence. To attempt to explain +everything is always the mark of the tyro. The fog and Mrs. Drabdump's +oversleeping herself were mere accidents. There are always these +irrelevant accompaniments, and the true scientist allows for this +element of (so to speak) chemically unrelated detail. Even I never +counted on the unfortunate series of accidental phenomena which have led +to Mortlake's implication in a network of suspicion. On the other hand, +the fact that my servant Jane, who usually goes about ten, left a few +minutes earlier on the night of December 3d, so that she didn't know of +Constant's visit, was a relevant accident. In fact, just as the art of +the artist or the editor consists largely in knowing what to leave out, +so does the art of the scientific detector of crime consist in knowing +what details to ignore. In short, to explain everything is to explain +too much. And too much is worse than too little. To return to my +experiment. My success exceeded my wildest dreams. None had an inkling +of the truth. The insolubility of the Big Bow Mystery teased the acutest +minds in Europe and the civilized world. That a man could have been +murdered in a thoroughly inaccessible room savored of the ages of magic. +The redoubtable Wimp, who had been blazoned as my successor, fell back +on the theory of suicide. The mystery would have slept till my death, +but--I fear--for my own ingenuity. I tried to stand outside myself, and +to look at the crime with the eyes of another, or of my old self. I +found the work of art so perfect as to leave only one sublimely simple +solution. The very terms of the problem were so inconceivable that, had +I not been the murderer, I should have suspected myself, in conjunction +of course with Mrs. Drabdump. The first persons to enter the room would +have seemed to me guilty. I wrote at once (in a disguised hand and over +the signature of 'One Who Looks Through His Own Spectacles') to the +'Pell Mell Press' to suggest this. By associating myself thus with Mrs. +Drabdump I made it difficult for people to dissociate the two who +entered the room together. To dash a half-truth in the world's eyes is +the surest way of blinding it altogether. This letter of mine I +contradicted myself (in my own name) the next day, and in the course of +the long letter which I was tempted to write I adduced fresh evidence +against the theory of suicide. I was disgusted with the open verdict, +and wanted men to be up and doing and trying to find me out. I enjoyed +the hunt more. Unfortunately, Wimp, set on the chase again by my own +letter, by dint of persistent blundering, blundered into a track +which--by a devilish tissue of coincidences I had neither foreseen nor +dreamt of--seemed to the world the true. Mortlake was arrested and +condemned. Wimp had apparently crowned his reputation. This was too +much. I had taken all this trouble merely to put a feather in Wimp's +cap, whereas I had expected to shake his reputation by it. It was bad +enough that an innocent man should suffer; but that Wimp should achieve +a reputation he did not deserve, and overshadow all his predecessors by +dint of a colossal mistake, this seemed to me intolerable. I have moved +heaven and earth to get the verdict set aside and to save the prisoner; +I have exposed the weakness of the evidence; I have had the world +searched for the missing girl; I have petitioned and agitated. In vain. +I have failed. Now I play my last card. As the overweening Wimp could +not be allowed to go down to posterity as the solver of this terrible +mystery, I decided that the condemned man might just as well profit by +his exposure. That is the reason I make the exposure to-night, before it +is too late to save Mortlake." + +"So that is the reason?" said the Home Secretary with a suspicion of +mockery in his tones. + +"The sole reason." + +Even as he spoke a deeper roar than ever penetrated the study. The crowd +had again started cheering. Impatient as the watchers were, they felt +that no news was good news. The longer the interview accorded by the +Home Secretary to the chairman of the Defense Committee, the greater the +hope his obduracy was melting. The idol of the people would be saved, +and "Grodman" and "Tom Mortlake" were mingled in the exultant plaudits. + +"Templeton," said the Minister, "have you got down every word of Mr. +Grodman's confession?" + +"Every word, sir." + +"Then bring in the cable you received just as Mr. Grodman entered the +house." + +Templeton went back into the outer room and brought back the cablegram +that had been lying on the Minister's writing-table when Grodman came +in. The Home Secretary silently handed it to his visitor. It was from +the Chief of Police of Melbourne, announcing that Jessie Dymond had just +arrived in that city in a sailing vessel, ignorant of all that had +occurred, and had been immediately dispatched back to England, having +made a statement entirely corroborating the theory of the defense. + +"Pending further inquiries into this," said the Home Secretary, not +without appreciation of the grim humor of the situation as he glanced at +Grodman's ashen cheeks, "I have reprieved the prisoner. Mr. Templeton +was about to dispatch the messenger to the governor of Newgate as you +entered this room. Mr. Wimp's card-castle would have tumbled to pieces +without your assistance. Your still undiscoverable crime would have +shaken his reputation as you intended." + +A sudden explosion shook the room and blent with the cheers of the +populace. Grodman had shot himself--very scientifically--in the heart. +He fell at the Home Secretary's feet, stone dead. + +[Illustration: He fell at the Home Secretary's feet, stone dead.] + +Some of the workingmen who had been standing waiting by the shafts of +the hansom helped to bear the stretcher. + + +THE END. + + + + +The Antique Library of Standard and Popular 12mos. + + + ABBE CONSTANTIN. Halevy. + ABBOT. Scott. + ADAM BEDE. Eliot. + AESOP'S FABLES. + ALHAMBRA. Irving. + ALICE. Lytton. + AN AMERICAN GIRL IN LONDON. Duncan. + ANDERSEN'S FAIRY TALES. Andersen. + ANNE OF GEIERSTEIN. Scott. + ANTIQUARY. Scott. + ARABIAN NIGHTS' ENTERTAINMENTS. + ARDATH. Corelli. + AULD LANG SYNE. Russell. + BARON MUNCHAUSEN. Raspe. + BARRACK ROOM BALLADS AND OTHER VERSE. Kipling. + BEHIND A MASK. Daudet. + BETROTHED. Scott. + BETWEEN TWO OPINIONS. Loti. + BEYOND THE CITY. Doyle. + BIG BOW MYSTERY. Zangwill. + BLACK BEAUTY. Sewell. + BLACK DWARF. Scott. + BLACK TULIP. Dumas. + BONDMAN. Caine. + BRIDE OF LAMMERMOOR. Scott. + BRYANT'S POEMS. Bryant. + CALLED BACK. Conway. + CAST UP BY THE SEA. Baker. + CAXTONS, THE Lytton. + CHANGE OF AIR. Hope. + CHILDREN OF THE ABBEY. Roche. + CHOUANS. Balzac. + CLEOPATRA. Haggard. + CLOISTER WENDHUSEN. Heimburg. + COUNT ROBERT OF PARIS. Scott. + COWPER'S POEMS. Cowper. + CRIQUETTE. Halevy. + DANESBURY HOUSE. Wood. + DANIRA. Werner. + DARK DAYS. Conway. + DAVID COPPERFIELD. Dickens. + DEEMSTER. Caine. + DEERSLAYER. Cooper. + DEPARTMENTAL DITTIES. Kipling. + DESCENT OF MAN. Darwin. + DESPERATE REMEDIES. Hardy. + DEVEREUX. Lytton. + DIANA OF THE CROSSWAYS. Meredith. + DOCTOR RAMEAU. Ohnet. + DOMBEY & SON. Dickens. + DONOVAN. Lyall. + DOROTHY'S DOUBLE. Henty. + EAST LYNNE. Wood. + ELSIE. Heimburg. + ERNEST MALTRAVERS. Lytton. + EUGENE ARAM. Lytton. + EVOLUTION OF DODD. Smith. + FAIR MAID OF PERTH. Scott. + FAR FROM THE MADDING CROWD. Hardy. + FIRST VIOLIN. Fothergill. + FLOWER GIRL OF PARIS. Schobert. + FLOWER OF FRANCE. Ryan. + FORTUNES OF NIGEL. Scott. + FROMONT, Jr. AND RISLER, Sr. Daudet. + GLADIATORS. Whyte-Melville. + GRAY AND THE BLUE. Roe. + GREAT KEINPLATZ EXPERIMENT. Doyle. + GREEN MOUNTAIN BOYS. Thompson. + GRIMM'S FAIRY TALES. + GRIMM'S HOUSEHOLD TALES. + GULLIVER'S TRAVELS. Swift. + GUY MANNERING. Scott. + HANDY ANDY. Lover. + HANS OF ICELAND. Hugo. + HAROLD. Lytton. + HEART OF MIDLOTHIAN. Scott. + HEIR OF LINNE. Buchanan. + HEIR OF REDCLYFFE. Yonge. + HORTENSE. Heimburg. + HOUSE OF THE SEVEN GABLES. Hawthorne. + HOUSE OF THE WOLF. Weyman. + HOUSE PARTY. Ouida. + HUNCHBACK OF NOTRE DAME. Hugo. + HYPATIA. Kingsley. + IN ALL SHADES. Allen. + IN LOVE'S DOMAINS. Ryan. + INTO MOROCCO. Loti. + IRONMASTER. Ohnet. + IRON PIRATE. Pemberton. + IT'S NEVER TOO LATE TO MEND. Reade. + IVANHOE. Scott. + JANE EYRE. Bronte. + JOHN HALIFAX, GENTLEMAN. Mulock. + JOSEPH BALSAMO. Dumas. + KARMA. Sinnett. + KENELM CHILLINGLY. Lytton. + KENILWORTH. Scott. + KIDNAPPED. Stevenson. + KINGS IN EXILE. Daudet. + LAST DAYS OF POMPEII. Lytton. + LAST OF THE MOHICANS. Cooper. + LIGHT OF ASIA. Arnold. + LIGHT THAT FAILED. Kipling. + LORNA DOONE. Blackmore. + LUCILE. Meredith. + LUCRETIA. Lytton. + MAN OF MARK. Hope. + MAROONED. Russell. + MARRIAGE AT SEA. Russell. + MARTIN HEWITT. Morrison. + MASTER OF BALLANTRAE. Stevenson. + MASTER OF THE MINE. Buchanan. + MAYOR OF CASTERBRIDGE. Hardy. + MEMOIRS OF A PHYSICIAN. Dumas. + MERZE. Ryan. + MICAH CLARKE. Doyle. + MICHAEL'S CRAG. Allen. + MIDDLEMARCH. Eliot. + MILL ON THE FLOSS. Eliot. + MINE OWN PEOPLE AND IN BLACK AND WHITE. Kipling. + MONASTERY, THE Scott. + MRS. ANNIE GREEN. Read. + MY LADY NICOTINE. Barrie. + NEWCOMES. Thackeray. + NICHOLAS NICKLEBY. Dickens. + NORTH AGAINST SOUTH. Verne. + OLD MORTALITY. Scott. + ONE OF THE FORTY. Daudet. + ON THE HEIGHTS. Auerbach. + ORIGIN OF SPECIES. Darwin. + OUR MUTUAL FRIEND. Dickens. + PAGAN OF THE ALLEGHANIES. Ryan. + PATHFINDER. Cooper. + PAUL CLIFFORD. Lytton. + PELHAM. Lytton. + PERE GORIOT. Balzac. + PHANTOM RICKSHAW. Kipling. + PICKWICK PAPERS. Dickens. + PILGRIMS OF THE RHINE. Lytton. + PILGRIM'S PROGRESS. Bunyan. + PIONEERS. Cooper. + PIRATE. Scott. + PLAIN TALES FROM THE HILLS. Kipling. + PRAIRIE. Cooper. + PRETTY MICHAL. Jokai. + PRINCE OF THE HOUSE OF DAVID. Ingraham. + QUENTIN DURWARD. Scott. + RED GAUNTLET. Scott. + REPROACH OF ANNESLEY. Grey. + RETURN OF THE NATIVE. Hardy. + RIENZI. Lytton. + ROBINSON CRUSOE. Defoe. + ROB ROY. Scott. + ROMANCE OF TWO WORLDS. Corelli. + ROMOLA. Eliot. + ST. RONAN'S WELL. Scott. + SARCHEDON. Whyte-Melville. + SCARLET LETTER. Hawthorne. + SCOTT'S POEMS. Scott. + SCOTTISH CHIEFS. Porter. + SEA WOLVES. Pemberton. + SHADOW OF A CRIME. Caine. + SHE FELL IN LOVE WITH HER HUSBAND. Werner. + SIGN OF THE FOUR. Doyle. + SILENCE OF DEAN MAITLAND. Grey. + SKETCH BOOK. Irving. + SOLDIERS THREE. Kipling. + SON OF HAGAR. Caine. + SONG OF HIAWATHA. Longfellow. + SQUAW ELOUISE. Ryan. + STORY OF AN AFRICAN FARM. Schreiner. + STRANGE STORY. Lytton. + STRONGER THAN DEATH. Gautier. + STUDY IN SCARLET. Doyle. + STUDY OF GENIUS. Royse. + SURGEON'S DAUGHTER. Scott. + SWISS FAMILY ROBINSON. Wyss. + TALE OF TWO CITIES. Dickens. + TALES FROM SHAKESPEARE. Lamb. + TALISMAN. Scott. + THADDEUS OF WARSAW. Porter. + THELMA. Corelli. + THREE MEN IN A BOAT. Jerome. + TOILERS OF THE SEA. Hugo. + TOLD IN THE HILLS. Ryan. + TOM BROWN AT OXFORD. Hughes. + TOM BROWN'S SCHOOL DAYS. Hughes. + TREASURE ISLAND. Stevenson. + UNCLE TOM'S CABIN. Stowe. + UNDER THE DEODARS AND STORY OF THE GADSBYS. Kipling. + UNDER TWO FLAGS. Ouida. + UP TERRAPIN RIVER. Read. + VANITY FAIR. Thackeray. + VICAR OF WAKEFIELD. Goldsmith. + WAVERLY. Scott. + WEE WILLIE WINKIE. Kipling. + WESTWARD HO. Kingsley. + WE TWO. Lyall. + WHAT'S BRED IN THE BONE. Allen. + WHITE COMPANY. Doyle. + WOODLANDERS. Hardy. + WOODSTOCK. Scott. + ZANONI. Lytton. + + + + + +End of the Project Gutenberg EBook of The Big Bow Mystery, by I. 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Zangwill. + </title> + <style type="text/css"> +/*<![CDATA[ XML blockout */ +<!-- + p { margin-top: .75em; + text-align: justify; + margin-bottom: .75em; + } + h1,h2,h3,h4,h5,h6 { + text-align: center; /* all headings centered */ + clear: both; + } + hr { width: 33%; + margin-top: 2em; + margin-bottom: 2em; + margin-left: auto; + margin-right: auto; + clear: both; + } + + table {margin-left: auto; margin-right: auto;} + + body{margin-left: 10%; + margin-right: 10%; + } + + .pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + } /* page numbers */ + + .linenum {position: absolute; top: auto; left: 4%;} /* poetry number */ + .blockquot{margin-left: 5%; margin-right: 10%;} + .sidenote {width: 20%; padding-bottom: .5em; padding-top: .5em; + padding-left: .5em; padding-right: .5em; margin-left: 1em; + float: right; clear: right; margin-top: 1em; + font-size: smaller; color: black; background: #eeeeee; border: dashed 1px;} + + .bb {border-bottom: solid 2px;} + .bl {border-left: solid 2px;} + .bt {border-top: solid 2px;} + .br {border-right: solid 2px;} + .bbox {border: solid 2px;} + + .center {text-align: center;} + .smcap {font-variant: small-caps;} + .u {text-decoration: underline;} + + .caption {font-weight: bold;} + + .figcenter {margin: auto; text-align: center;} + + .figleft {float: left; clear: left; margin-left: 0; margin-bottom: 1em; margin-top: + 1em; margin-right: 1em; padding: 0; text-align: center;} + + .figright {float: right; clear: right; margin-left: 1em; margin-bottom: 1em; + margin-top: 1em; margin-right: 0; padding: 0; text-align: center;} + + .footnotes {border: dashed 1px;} + .footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + .footnote .label {position: absolute; right: 84%; text-align: right;} + .fnanchor {vertical-align: super; font-size: .8em; text-decoration: none;} + + .poem {margin-left:10%; margin-right:10%; text-align: left;} + .poem br {display: none;} + .poem .stanza {margin: 1em 0em 1em 0em;} + .poem span.i0 {display: block; margin-left: 0em; padding-left: 3em; text-indent: -3em;} + .poem span.i2 {display: block; margin-left: 2em; padding-left: 3em; text-indent: -3em;} + .poem span.i4 {display: block; margin-left: 4em; padding-left: 3em; text-indent: -3em;} + // --> + /* XML end ]]>*/ + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of The Big Bow Mystery, by I. Zangwill + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Big Bow Mystery + +Author: I. Zangwill + +Release Date: February 23, 2009 [EBook #28164] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BIG BOW MYSTERY *** + + + + +Produced by David Edwards, Mary Meehan and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + + + + + +</pre> + + + + + + + + +<h1>The Big Bow Mystery</h1> + +<h2>By I. Zangwill</h2> + + +<h3>Chicago and New York<br /> +Rand, McNally & Company</h3> + +<h3>Copyright, 1895, by Rand, McNally & Co.</h3> + + +<hr style="width: 65%;" /> + + +<div class="figcenter"> +<a name="illus1" id="illus1"></a> +<img src="images/illus1.jpg" alt=""/> +</div> + +<h3>"My God!" he cried.</h3> + + +<hr style="width: 65%;" /> + +<h2>CONTENTS</h2> + +<!-- Autogenerated TOC. Modify or delete as required. --> +<p> +<a href="#INTRODUCTION">INTRODUCTION.</a><br /> +<a href="#NOTE">NOTE.</a><br /> +<a href="#CHAPTER_I">CHAPTER I.</a><br /> +<a href="#CHAPTER_II">CHAPTER II.</a><br /> +<a href="#CHAPTER_III">CHAPTER III.</a><br /> +<a href="#CHAPTER_IV">CHAPTER IV.</a><br /> +<a href="#CHAPTER_V">CHAPTER V.</a><br /> +<a href="#CHAPTER_VI">CHAPTER VI.</a><br /> +<a href="#CHAPTER_VII">CHAPTER VII.</a><br /> +<a href="#CHAPTER_VIII">CHAPTER VIII.</a><br /> +<a href="#CHAPTER_IX">CHAPTER IX.</a><br /> +<a href="#CHAPTER_X">CHAPTER X.</a><br /> +<a href="#CHAPTER_XI">CHAPTER XI.</a><br /> +<a href="#CHAPTER_XII">CHAPTER XII.</a><br /><br /> +<a href="#The_Antique_Library_of_Standard_and_Popular_12mos">The Antique Library of Standard and Popular 12mos.</a><br /> +</p> +<!-- End Autogenerated TOC. --> + +<hr style="width: 65%;" /> + +<h2>LIST OF ILLUSTRATIONS</h2> + +<p><a href="#illus1">"My God!" he cried.</a></p> + +<p><a href="#illus2">Denzil Cantercot stood smoking a cigarette.</a></p> + +<p><a href="#illus3">Crowl sat meekly eating his supper of bread and cheese.</a></p> + +<p><a href="#illus4">He fell at the Home Secretary's feet, stone dead.</a></p> + + +<hr style="width: 65%;" /> +<h3><a name="INTRODUCTION" id="INTRODUCTION"></a>INTRODUCTION.</h3> + +<h3>OF MURDERS AND MYSTERIES.</h3> + + +<p>As this little book was written some four years ago, I feel able to +review it without prejudice. A new book just hot from the brain is +naturally apt to appear faulty to its begetter, but an old book has got +into the proper perspective and may be praised by him without fear or +favor. "The Big Bow Mystery" seems to me an excellent murder story, as +murder stories go, for, while as sensational as the most of them, it +contains more humor and character creation than the best. Indeed, the +humor is too abundant. Mysteries should be sedate and sober. There +should be a pervasive atmosphere of horror and awe such as Poe manages +to create. Humor is out of tone; it would be more artistic to preserve a +somber note throughout. But I was a realist in those days, and in real +life mysteries occur to real persons with their individual humors, and +mysterious circumstances are apt to be complicated by comic. The +indispensable condition of a good mystery is that it should be able and +unable to be solved by the reader, and that the writer's solution should +satisfy. Many a mystery runs on breathlessly enough till the dénouement +is reached, only to leave the reader with the sense of having been +robbed of his breath under false pretenses. And not only must the +solution be adequate, but all its data must be given in the body of the +story. The author must not suddenly spring a new person or a new +circumstance upon his reader at the end. Thus, if a friend were to ask +me to guess who dined with him yesterday, it would be fatuous if he had +in mind somebody of whom he knew I had never heard. The only person who +has ever solved "The Big Bow Mystery" is myself. This is not paradox but +plain fact. For long before the book was written, I said to myself one +night that no mystery-monger had ever murdered a man in a room to which +there was no possible access. The puzzle was scarcely propounded ere the +solution flew up and the idea lay stored in my mind till, years later, +during the silly season, the editor of a popular London evening paper, +anxious to let the sea-serpent have a year off, asked me to provide him +with a more original piece of fiction. I might have refused, but there +was murder in my soul, and here was the opportunity. I went to work +seriously, though the <i>Morning Post</i> subsequently said the skit was too +labored, and I succeeded at least in exciting my readers, so many of +whom sent in unsolicited testimonials in the shape of solutions during +the run of the story that, when it ended, the editor asked me to say +something by way of acknowledgement. Thereupon I wrote a letter to the +paper, thanking the would-be solvers for their kindly attempts to help +me out of the mess into which I had got the plot. I did not like to +wound their feelings by saying straight out that they had failed, one +and all, to hit on the real murderer, just like real police, so I tried +to break the truth to them in a roundabout, mendacious fashion, as thus:</p> + +<div class="blockquot"><p><i>To the Editor of "The Star."</i></p> + +<p><span class="smcap">Sir:</span> Now that "The Big Bow Mystery" is solved to the satisfaction +of at least one person, will you allow that person the use of your +invaluable columns to enable him to thank the hundreds of your +readers who have favored him with their kind suggestions and +solutions while his tale was running and they were reading? I ask +this more especially because great credit is due to them for +enabling me to end the story in a manner so satisfactory to myself. +When I started it, I had, of course, no idea who had done the +murder, but I was determined no one should guess it. Accordingly, +as each correspondent sent in the name of a suspect, I determined +he or she should not be the guilty party. By degrees every one of +the characters got ticked off as innocent—all except one, and I +had no option but to make that character the murderer. I was very +sorry to do this, as I rather liked that particular person, but +when one has such ingenious readers, what can one do? You can't let +anybody boast that he guessed aright, and, in spite of the trouble +of altering the plot five or six times, I feel that I have chosen +the course most consistent with the dignity of my profession. Had I +not been impelled by this consideration I should certainly have +brought in a verdict against Mrs. Drabdump, as recommended by the +reader who said that, judging by the illustration in the "Star," +she must be at least seven feet high, and, therefore, could easily +have got on the roof and put her (proportionately) long arm down +the chimney to effect the cut. I am not responsible for the +artist's conception of the character. When I last saw the good lady +she was under six feet, but your artist may have had later +information. The "Star" is always so frightfully up to date. I +ought not to omit the humorous remark of a correspondent, who said: +"Mortlake might have swung in some wild way from one window to +another, <i>at any rate in a story</i>." I hope my fellow-writers thus +satirically prodded will not demand his name, as I object to +murders, "at any rate in real life." Finally, a word with the +legions who have taken me to task for allowing Mr. Gladstone to +write over 170 words on a postcard. It is all owing to you, sir, +who announced my story as containing humorous elements. I tried to +put in some, and this gentle dig at the grand old correspondent's +habits was intended to be one of them. However, if I <i>am</i> to be +taken "at the foot of the letter" (or rather of the postcard), I +must say that only to-day I received a postcard containing about +250 words. But this was not from Mr. Gladstone. At any rate, till +Mr. Gladstone himself repudiates this postcard, I shall consider +myself justified in allowing it to stand in the book.</p> + +<p>Again thanking your readers for their valuable assistance, Yours, +etc.</p></div> + +<p>One would have imagined that nobody could take this seriously, for it is +obvious that the mystery-story is just the one species of story that can +not be told impromptu or altered at the last moment, seeing that it +demands the most careful piecing together and the most elaborate +dove-tailing. Nevertheless, if you cast your joke upon the waters, you +shall find it no joke after many days. This is what I read in the +<i>Lyttelton Times</i>, New Zealand: "The chain of circumstantial evidence +seems fairly irrefragable. From all accounts, Mr. Zangwill himself was +puzzled, after carefully forging every link, how to break it. The method +ultimately adopted I consider more ingenious than convincing." After +that I made up my mind never to joke again, but this good intention now +helps to pave the beaten path.</p> + +<div class="poem"><div class="stanza"> +<span class="i0"><span class="smcap">I. Zangwill.</span><br /></span> +</div><div class="stanza"> +<span class="i0"><span class="smcap">London</span>, September, 1895.<br /></span> +</div></div> + + + +<hr style="width: 65%;" /> +<h3><a name="NOTE" id="NOTE"></a>NOTE.</h3> + + +<p>The Mystery which the author will always associate with this story is +how he got through the task of writing it. It was written in a +fortnight—day by day—to meet a sudden demand from the "Star," which +made "a new departure" with it.</p> + +<p>The said fortnight was further disturbed by an extraordinary combined +attack of other troubles and tasks. This is no excuse for the +shortcomings of the book, as it was always open to the writer to revise +or suppress it. The latter function may safely be left to the public, +while if the work stands—almost to a letter—as it appeared in the +"Star," it is because the author cannot tell a story more than once.</p> + +<p>The introduction of Mr. Gladstone into a fictitious scene is defended on +the ground that he is largely mythical.</p> + +<div class="poem"><div class="stanza"> +<span class="i0">I. Z.<br /></span> +</div></div> + + + +<hr style="width: 65%;" /> +<h2>THE BIG BOW MYSTERY.</h2> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_I" id="CHAPTER_I"></a>CHAPTER I.</h2> + + +<p>On a memorable morning of early December London opened its eyes on a +frigid gray mist. There are mornings when King Fog masses his molecules +of carbon in serried squadrons in the city, while he scatters them +tenuously in the suburbs; so that your morning train may bear you from +twilight to darkness. But to-day the enemy's maneuvering was more +monotonous. From Bow even unto Hammersmith there draggled a dull, +wretched vapor, like the wraith of an impecunious suicide come into a +fortune immediately after the fatal deed. The barometers and +thermometers had sympathetically shared its depression, and their +spirits (when they had any) were low. The cold cut like a many-bladed +knife.</p> + +<p>Mrs. Drabdump, of 11 Glover Street, Bow, was one of the few persons in +London whom fog did not depress. She went about her work quite as +cheerlessly as usual. She had been among the earliest to be aware of the +enemy's advent, picking out the strands of fog from the coils of +darkness the moment she rolled up her bedroom blind and unveiled the +somber picture of the winter morning. She knew that the fog had come to +stay for the day at least, and that the gas bill for the quarter was +going to beat the record in high-jumping. She also knew that this was +because she had allowed her new gentleman lodger, Mr. Arthur Constant, +to pay a fixed sum of a shilling a week for gas, instead of charging him +a proportion of the actual account for the whole house. The +meteorologists might have saved the credit of their science if they had +reckoned with Mrs. Drabdump's next gas bill when they predicted the +weather and made "Snow" the favorite, and said that "Fog" would be +nowhere. Fog was everywhere, yet Mrs. Drabdump took no credit to herself +for her prescience. Mrs. Drabdump indeed took no credit for anything, +paying her way along doggedly, and struggling through life like a +wearied swimmer trying to touch the horizon. That things always went as +badly as she had foreseen did not exhilarate her in the least.</p> + +<p>Mrs. Drabdump was a widow. Widows are not born, but made, else you might +have fancied Mrs. Drabdump had always been a widow. Nature had given her +that tall, spare form, and that pale, thin-lipped, elongated, hard-eyed +visage, and that painfully precise hair, which are always associated +with widowhood in low life. It is only in higher circles that women can +lose their husbands and yet remain bewitching. The late Mr. Drabdump had +scratched the base of his thumb with a rusty nail, and Mrs. Drabdump's +foreboding that he would die of lockjaw had not prevented her wrestling +day and night with the shadow of Death, as she had wrestled with it +vainly twice before, when Katie died of diphtheria and little Johnny of +scarlet fever. Perhaps it is from overwork among the poor that Death has +been reduced to a shadow.</p> + +<p>Mrs. Drabdump was lighting the kitchen fire. She did it very +scientifically, as knowing the contrariety of coal and the anxiety of +flaming sticks to end in smoke unless rigidly kept up to the mark. +Science was a success as usual; and Mrs. Drabdump rose from her knees +content, like a Parsee priestess who had duly paid her morning devotions +to her deity. Then she started violently, and nearly lost her balance. +Her eye had caught the hands of the clock on the mantel. They pointed to +fifteen minutes to seven. Mrs. Drabdump's devotion to the kitchen fire +invariably terminated at fifteen minutes past six. What was the matter +with the clock?</p> + +<p>Mrs. Drabdump had an immediate vision of Snoppet, the neighboring +horologist, keeping the clock in hand for weeks and then returning it +only superficially repaired and secretly injured more vitally "for the +good of the trade." The evil vision vanished as quickly as it came, +exorcised by the deep boom of St. Dunstan's bells chiming the +three-quarters. In its place a great horror surged. Instinct had failed; +Mrs. Drabdump had risen at half-past six instead of six. Now she +understood why she had been feeling so dazed and strange and sleepy. She +had overslept herself.</p> + +<p>Chagrined and puzzled, she hastily set the kettle over the crackling +coal, discovering a second later that she had overslept herself because +Mr. Constant wished to be woke three-quarters of an hour earlier than +usual, and to have his breakfast at seven, having to speak at an early +meeting of discontented tram-men. She ran at once, candle in hand, to +his bedroom. It was upstairs. All "upstairs" was Arthur Constant's +domain, for it consisted of but two mutually independent rooms. Mrs. +Drabdump knocked viciously at the door of the one he used for a bedroom, +crying, "Seven o'clock, sir. You'll be late, sir. You must get up at +once." The usual slumbrous "All right" was not forthcoming; but, as she +herself had varied her morning salute, her ear was less expectant of the +echo. She went downstairs, with no foreboding save that the kettle would +come off second best in the race between its boiling and her lodger's +dressing.</p> + +<p>For she knew there was no fear of Arthur Constant's lying deaf to the +call of duty—temporarily represented by Mrs. Drabdump. He was a light +sleeper, and the tram conductors' bells were probably ringing in his +ears, summoning him to the meeting. Why Arthur Constant, B. +A.—white-handed and white-shirted, and gentleman to the very purse of +him—should concern himself with tram-men, when fortune had confined his +necessary relations with drivers to cabmen at the least, Mrs. Drabdump +could not quite make out. He probably aspired to represent Bow in +Parliament; but then it would surely have been wiser to lodge with a +landlady who possessed a vote by having a husband alive. Nor was there +much practical wisdom in his wish to black his own boots (an occupation +in which he shone but little), and to live in every way like a Bow +working man. Bow working men were not so lavish in their patronage of +water, whether existing in drinking glasses, morning tubs, or laundress' +establishments. Nor did they eat the delicacies with which Mrs. Drabdump +supplied him, with the assurance that they were the artisan's appanage. +She could not bear to see him eat things unbefitting his station. Arthur +Constant opened his mouth and ate what his landlady gave him, not first +deliberately shutting his eyes according to the formula, the rather +pluming himself on keeping them very wide open. But it is difficult for +saints to see through their own halos; and in practice an aureola about +the head is often indistinguishable from a mist. The tea to be scalded +in Mr. Constant's pot, when that cantankerous kettle should boil, was +not the coarse mixture of black and green sacred to herself and Mr. +Mortlake, of whom the thoughts of breakfast now reminded her. Poor Mr. +Mortlake, gone off without any to Devonport, somewhere about four in the +fog-thickened darkness of a winter night! Well, she hoped his journey +would be duly rewarded, that his perks would be heavy, and that he would +make as good a thing out of the "traveling expenses" as rival labor +leaders roundly accused him of to other people's faces. She did not +grudge him his gains, nor was it her business if, as they alleged, in +introducing Mr. Constant to her vacant rooms, his idea was not merely to +benefit his landlady. He had done her an uncommon good turn, queer as +was the lodger thus introduced. His own apostleship to the sons of toil +gave Mrs. Drabdump no twinges of perplexity. Tom Mortlake had been a +compositor; and apostleship was obviously a profession better paid and +of a higher social status. Tom Mortlake—the hero of a hundred +strikes—set up in print on a poster, was unmistakably superior to Tom +Mortlake setting up other men's names at a case. Still, the work was not +all beer and skittles, and Mrs. Drabdump felt that Tom's latest job was +not enviable. She shook his door as she passed it on her way to the +kitchen, but there was no response. The street door was only a few feet +off down the passage, and a glance at it dispelled the last hope that +Tom had abandoned the journey. The door was unbolted and unchained, and +the only security was the latch-key lock. Mrs. Drabdump felt a whit +uneasy, though, to give her her due, she never suffered as much as most +housewives do from criminals who never come. Not quite opposite, but +still only a few doors off, on the other side of the street, lived the +celebrated ex-detective, Grodman, and, illogically enough, his presence +in the street gave Mrs. Drabdump a curious sense of security, as of a +believer living under the shadow of the fane. That any human being of +ill-odor should consciously come within a mile of the scent of so famous +a sleuth-hound seemed to her highly improbable. Grodman had retired +(with a competence) and was only a sleeping dog now; still, even +criminals would have sense enough to let him lie.</p> + +<p>So Mrs. Drabdump did not really feel that there had been any danger, +especially as a second glance at the street door showed that Mortlake +had been thoughtful enough to slip the loop that held back the bolt of +the big lock. She allowed herself another throb of sympathy for the +labor leader whirling on his dreary way toward Devonport Dockyard. Not +that he had told her anything of his journey beyond the town; but she +knew Devonport had a Dockyard because Jessie Dymond—Tom's +sweetheart—once mentioned that her aunt lived near there, and it lay on +the surface that Tom had gone to help the dockers, who were imitating +their London brethren. Mrs. Drabdump did not need to be told things to +be aware of them. She went back to prepare Mr. Constant's superfine tea, +vaguely wondering why people were so discontented nowadays. But when she +brought up the tea and the toast and the eggs to Mr. Constant's +sitting-room (which adjoined his bedroom, though without communicating +with it), Mr. Constant was not sitting in it. She lit the gas, and laid +the cloth; then she returned to the landing and beat at the bedroom door +with an imperative palm. Silence alone answered her. She called him by +name and told him the hour, but hers was the only voice she heard, and +it sounded strangely to her in the shadows of the staircase. Then, +muttering, "Poor gentleman, he had the toothache last night; and p'r'aps +he's only just got a wink o' sleep. Pity to disturb him for the sake of +them grizzling conductors. I'll let him sleep his usual time," she bore +the tea-pot downstairs with a mournful, almost poetic, consciousness, +that soft-boiled eggs (like love) must grow cold.</p> + +<p>Half-past seven came—and she knocked again. But Constant slept on.</p> + +<p>His letters, always a strange assortment, arrived at eight, and a +telegram came soon after. Mrs. Drabdump rattled his door, shouted, and +at last put the wire under it. Her heart was beating fast enough now, +though there seemed to be a cold, clammy snake curling round it. She +went downstairs again and turned the handle of Mortlake's room, and went +in without knowing why. The coverlet of the bed showed that the occupant +had only lain down in his clothes, as if fearing to miss the early +train. She had not for a moment expected to find him in the room; yet +somehow the consciousness that she was alone in the house with the +sleeping Constant seemed to flash for the first time upon her, and the +clammy snake tightened its folds round her heart.</p> + +<p>She opened the street door, and her eye wandered nervously up and down. +It was half-past eight. The little street stretched cold and still in +the gray mist, blinking bleary eyes at either end, where the street +lamps smoldered on. No one was visible for the moment, though smoke was +rising from many of the chimneys to greet its sister mist. At the house +of the detective across the way the blinds were still down and the +shutters up. Yet the familiar, prosaic aspect of the street calmed her. +The bleak air set her coughing; she slammed the door to, and returned to +the kitchen to make fresh tea for Constant, who could only be in a deep +sleep. But the canister trembled in her grasp. She did not know whether +she dropped it or threw it down, but there was nothing in the hand that +battered again a moment later at the bedroom door. No sound within +answered the clamor without. She rained blow upon blow in a sort of +spasm of frenzy, scarce remembering that her object was merely to wake +her lodger, and almost staving in the lower panels with her kicks. Then +she turned the handle and tried to open the door, but it was locked. The +resistance recalled her to herself—she had a moment of shocked decency +at the thought that she had been about to enter Constant's bedroom. Then +the terror came over her afresh. She felt that she was alone in the +house with a corpse. She sank to the floor, cowering; with difficulty +stifling a desire to scream. Then she rose with a jerk and raced down +the stairs without looking behind her, and threw open the door and ran +out into the street, only pulling up with her hand violently agitating +Grodman's door-knocker. In a moment the first floor window was +raised—the little house was of the same pattern as her own—and +Grodman's full, fleshy face loomed through the fog in sleepy irritation +from under a nightcap. Despite its scowl the ex-detective's face dawned +upon her like the sun upon an occupant of the haunted chamber.</p> + +<p>"What in the devil's the matter?" he growled. Grodman was not an early +bird, now that he had no worms to catch. He could afford to despise +proverbs now, for the house in which he lived was his, and he lived in +it because several other houses in the street were also his, and it is +well for the landlord to be about his own estate in Bow, where poachers +often shoot the moon. Perhaps the desire to enjoy his greatness among +his early cronies counted for something, too, for he had been born and +bred at Bow, receiving when a youth his first engagement from the local +police quarters, whence he drew a few shillings a week as an amateur +detective in his leisure hours.</p> + +<p>Grodman was still a bachelor. In the celestial matrimonial bureau a +partner might have been selected for him, but he had never been able to +discover her. It was his one failure as a detective. He was a +self-sufficing person, who preferred a gas stove to a domestic; but in +deference to Glover Street opinion he admitted a female factotum between +ten a. m. and ten p. m., and, equally in deference to Glover Street +opinion, excluded her between ten p. m. and ten a. m.</p> + +<p>"I want you to come across at once," Mrs. Drabdump gasped. "Something +has happened to Mr. Constant."</p> + +<p>"What! Not bludgeoned by the police at the meeting this morning, I +hope?"</p> + +<p>"No, no! He didn't go. He is dead."</p> + +<p>"Dead?" Grodman's face grew very serious now.</p> + +<p>"Yes. Murdered!"</p> + +<p>"What?" almost shouted the ex-detective. "How? When? Where? Who?"</p> + +<p>"I don't know. I can't get to him. I have beaten at his door. He does +not answer."</p> + +<p>Grodman's face lit up with relief.</p> + +<p>"You silly woman! Is that all? I shall have a cold in my head. Bitter +weather. He's dog-tired after yesterday—processions, three speeches, +kindergarten, lecture on 'the moon,' article on co-operation. That's his +style." It was also Grodman's style. He never wasted words.</p> + +<p>"No," Mrs. Drabdump breathed up at him solemnly, "he's dead."</p> + +<p>"All right; go back. Don't alarm the neighborhood unnecessarily. Wait +for me. Down in five minutes." Grodman did not take this Cassandra of +the kitchen too seriously. Probably he knew his woman. His small, +bead-like eyes glittered with an almost amused smile as he withdrew them +from Mrs. Drabdump's ken, and shut down the sash with a bang. The poor +woman ran back across the road and through her door, which she would not +close behind her. It seemed to shut her in with the dead. She waited in +the passage. After an age—seven minutes by any honest clock—Grodman +made his appearance, looking as dressed as usual, but with unkempt hair +and with disconsolate side-whisker. He was not quite used to that +side-whisker yet, for it had only recently come within the margin of +cultivation. In active service Grodman had been clean-shaven, like all +members of the profession—for surely your detective is the most +versatile of actors. Mrs. Drabdump closed the street door quietly, and +pointed to the stairs, fear operating like a polite desire to give him +precedence. Grodman ascended, amusement still glimmering in his eyes. +Arrived on the landing he knocked peremptorily at the door, crying, +"Nine o'clock, Mr. Constant; nine o'clock!" When he ceased there was no +other sound or movement. His face grew more serious. He waited, then +knocked, and cried louder. He turned the handle, but the door was fast. +He tried to peer through the keyhole, but it was blocked. He shook the +upper panels, but the door seemed bolted as well as locked. He stood +still, his face set and rigid, for he liked and esteemed the man.</p> + +<p>"Ay, knock your loudest," whispered the pale-faced woman. "You'll not +wake him now."</p> + +<p>The gray mist had followed them through the street door, and hovered +about the staircase, charging the air with a moist, sepulchral odor.</p> + +<p>"Locked and bolted," muttered Grodman, shaking the door afresh.</p> + +<p>"Burst it open," breathed the woman, trembling violently all over, and +holding her hands before her as if to ward off the dreadful vision. +Without another word, Grodman applied his shoulder to the door, and made +a violent muscular effort. He had been an athlete in his time, and the +sap was yet in him. The door creaked, little by little it began to give, +the woodwork enclosing the bolt of the lock splintered, the panels bent +upward, the large upper bolt tore off its iron staple; the door flew +back with a crash. Grodman rushed in.</p> + +<p>"My God!" he cried. The woman shrieked. The sight was too terrible.</p> + +<hr style='width: 45%;' /> + +<p>Within a few hours the jubilant news-boys were shrieking "Horrible +Suicide in Bow," and "The Star" poster added, for the satisfaction of +those too poor to purchase: "A Philanthropist Cuts His Throat."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_II" id="CHAPTER_II"></a>CHAPTER II.</h2> + + +<p>But the newspapers were premature. Scotland Yard refused to prejudge the +case despite the penny-a-liners. Several arrests were made, so that the +later editions were compelled to soften "Suicide" into "Mystery." The +people arrested were a nondescript collection of tramps. Most of them +had committed other offenses for which the police had not arrested them. +One bewildered-looking gentleman gave himself up (as if he were a +riddle), but the police would have none of him, and restored him +forthwith to his friends and keepers. The number of candidates for each +new opening in Newgate is astonishing.</p> + +<p>The full significance of this tragedy of a noble young life cut short +had hardly time to filter into the public mind, when a fresh sensation +absorbed it. Tom Mortlake had been arrested the same day at Liverpool on +suspicion of being concerned in the death of his fellow-lodger. The news +fell like a bombshell upon a land in which Tom Mortlake's name was a +household word. That the gifted artisan orator, who had never shrunk +upon occasion from launching red rhetoric at Society, should actually +have shed blood seemed too startling, especially as the blood shed was +not blue, but the property of a lovable young middle-class idealist, who +had now literally given his life to the Cause. But this supplementary +sensation did not grow to a head, and everybody (save a few labor +leaders) was relieved to hear that Tom had been released almost +immediately, being merely subpoenaed to appear at the inquest. In an +interview which he accorded to the representative of a Liverpool paper +the same afternoon, he stated that he put his arrest down entirely to +the enmity and rancor entertained toward him by the police throughout +the country. He had come to Liverpool to trace the movements of a friend +about whom he was very uneasy, and he was making anxious inquiries at +the docks to discover at what times steamers left for America, when the +detectives stationed there in accordance with instructions from +headquarters had arrested him as a suspicious-looking character. +"Though," said Tom, "they must very well have known my phiz, as I have +been sketched and caricatured all over the shop. When I told them who I +was they had the decency to let me go. They thought they'd scored off me +enough, I reckon. Yes, it certainly is a strange coincidence that I +might actually have had something to do with the poor fellow's death, +which has cut me up as much as anybody; though if they had known I had +just come from the 'scene of the crime,' and actually lived in the +house, they would probably have—let me alone." He laughed +sarcastically. "They are a queer lot of muddle-heads are the police. +Their motto is, 'First catch your man, then cook the evidence.' If +you're on the spot you're guilty because you're there, and if you're +elsewhere you're guilty because you have gone away. Oh, I know them! If +they could have seen their way to clap me in quod, they'd ha' done it. +Lucky I know the number of the cabman who took me to Euston before five +this morning."</p> + +<p>"If they clapped you in quod," the interviewer reported himself as +facetiously observing, "the prisoners would be on strike in a week."</p> + +<p>"Yes, but there would be so many black-legs ready to take their places," +Mortlake flashed back, "that I'm afraid it 'ould be no go. But do excuse +me. I am so upset about my friend. I'm afraid he has left England, and I +have to make inquiries; and now there's poor Constant gone—horrible! +horrible! and I'm due in London at the inquest. I must really run away. +Good-by. Tell your readers it's all a police grudge."</p> + +<p>"One last word, Mr. Mortlake, if you please. Is it true that you were +billed to preside at a great meeting of clerks at St. James' Hall +between one and two to-day to protest against the German invasion?"</p> + +<p>"Whew! so I had. But the beggars arrested me just before one, when I was +going to wire, and then the news of poor Constant's end drove it out of +my head. What a nuisance! Lord, how troubles do come together! Well, +good-by, send me a copy of the paper."</p> + +<p>Tom Mortlake's evidence at the inquest added little beyond this to the +public knowledge of his movements on the morning of the Mystery. The +cabman who drove him to Euston had written indignantly to the papers to +say that he had picked up his celebrated fare at Bow Railway Station at +about half-past four a. m., and the arrest was a deliberate insult to +democracy, and he offered to make an affidavit to that effect, leaving +it dubious to which effect. But Scotland Yard betrayed no itch for the +affidavit in question, and No. 2,138 subsided again into the obscurity +of his rank. Mortlake—whose face was very pale below the black mane +brushed back from his fine forehead—gave his evidence in low, +sympathetic tones. He had known the deceased for over a year, coming +constantly across him in their common political and social work, and had +found the furnished rooms for him in Glover Street at his own request, +they just being to let when Constant resolved to leave his rooms at +Oxford House in Bethnal Green and to share the actual life of the +people. The locality suited the deceased, as being near the People's +Palace. He respected and admired the deceased, whose genuine goodness +had won all hearts. The deceased was an untiring worker; never grumbled, +was always in fair spirits, regarded his life and wealth as a sacred +trust to be used for the benefit of humanity. He had last seen him at a +quarter past nine p. m. on the day preceding his death. He (witness) had +received a letter by the last post which made him uneasy about a friend. +Deceased was evidently suffering from toothache, and was fixing a piece +of cotton-wool in a hollow tooth, but he did not complain. Deceased +seemed rather upset by the news he brought, and they both discussed it +rather excitedly.</p> + +<p>By a Juryman: Did the news concern him?</p> + +<p>Mortlake: Only impersonally. He knew my friend, and was keenly +sympathetic when one was in trouble.</p> + +<p>Coroner: Could you show the jury the letter you received?</p> + +<p>Mortlake: I have mislaid it, and cannot make out where it has got to. If +you, sir, think it relevant or essential, I will state what the trouble +was.</p> + +<p>Coroner: Was the toothache very violent?</p> + +<p>Mortlake: I cannot tell. I think not, though he told me it had disturbed +his rest the night before.</p> + +<p>Coroner: What time did you leave him?</p> + +<p>Mortlake: About twenty to ten.</p> + +<p>Coroner: And what did you do then?</p> + +<p>Mortlake: I went out for an hour or so to make some inquiries. Then I +returned, and told my landlady I should be leaving by an early train +for—for the country.</p> + +<p>Coroner: And that was the last you saw of the deceased?</p> + +<p>Mortlake (with emotion): The last.</p> + +<p>Coroner: How was he when you left him?</p> + +<p>Mortlake: Mainly concerned about my trouble.</p> + +<p>Coroner: Otherwise you saw nothing unusual about him?</p> + +<p>Mortlake: Nothing.</p> + +<p>Coroner: What time did you leave the house on Tuesday morning?</p> + +<p>Mortlake: At about five and twenty minutes past four.</p> + +<p>Coroner: Are you sure that you shut the street door?</p> + +<p>Mortlake: Quite sure. Knowing my landlady was rather a timid person, I +even slipped the bolt of the big lock, which was usually tied back. It +was impossible for any one to get in even with a latch-key.</p> + +<p>Mrs. Drabdump's evidence (which, of course, preceded his) was more +important, and occupied a considerable time, unduly eked out by +Drabdumpian padding. Thus she not only deposed that Mr. Constant had the +toothache, but that it was going to last about a week; in tragic-comic +indifference to the radical cure that had been effected. Her account of +the last hours of the deceased tallied with Mortlake's, only that she +feared Mortlake was quarreling with him over something in the letter +that came by the nine o'clock post. Deceased had left the house a little +after Mortlake, but had returned before him, and had gone straight to +his bedroom. She had not actually seen him come in, having been in the +kitchen, but she heard his latch-key, followed by his light step up the +stairs.</p> + +<p>A Juryman: How do you know it was not somebody else? (Sensation, of +which the juryman tries to look unconscious.)</p> + +<p>Witness: He called down to me over the banisters, and says in his +sweetish voice: "Be hextra sure to wake me at a quarter to seven, Mrs. +Drabdump, or else I shan't get to my tram meeting."</p> + +<p>(Juryman collapses.)</p> + +<p>Coroner: And did you wake him?</p> + +<p>Mrs. Drabdump (breaking down): Oh, my lud, how can you ask?</p> + +<p>Coroner: There, there, compose yourself. I mean did you try to wake him?</p> + +<p>Mrs. Drabdump: I have taken in and done for lodgers this seventeen +years, my lud, and have always gave satisfaction; and Mr. Mortlake, he +wouldn't ha' recommended me otherwise, though I wish to Heaven the poor +gentleman had never——</p> + +<p>Coroner: Yes, yes, of course. You tried to rouse him?</p> + +<p>But it was some time before Mrs. Drabdump was sufficiently calm to +explain that though she had overslept herself, and though it would have +been all the same anyhow, she had come up to time. Bit by bit the tragic +story was forced from her lips—a tragedy that even her telling could +not make tawdry. She told with superfluous detail how—when Mr. Grodman +broke in the door—she saw her unhappy gentleman lodger lying on his +back in bed, stone dead, with a gaping red wound in his throat; how her +stronger-minded companion calmed her a little by spreading a +handkerchief over the distorted face; how they then looked vainly about +and under the bed for any instrument by which the deed could have been +done, the veteran detective carefully making a rapid inventory of the +contents of the room, and taking notes of the precise position and +condition of the body before anything was disturbed by the arrival of +gapers or bunglers; how she had pointed out to him that both the windows +were firmly bolted to keep out the cold night air; how, having noted +this down with a puzzled, pitying shake of the head, he had opened the +window to summon the police, and espied in the fog one Denzil Cantercot, +whom he called and told to run to the nearest police-station and ask +them to send on an inspector and a surgeon. How they both remained in +the room till the police arrived, Grodman pondering deeply the while and +making notes every now and again, as fresh points occurred to him, and +asking her questions about the poor, weak-headed young man. Pressed as +to what she meant by calling the deceased "weak-headed," she replied +that some of her neighbors wrote him begging letters, though, Heaven +knew, they were better off than herself, who had to scrape her fingers +to the bone for every penny she earned. Under further pressure from Mr. +Talbot, who was watching the inquiry on behalf of Arthur Constant's +family, Mrs. Drabdump admitted that the deceased had behaved like a +human being, nor was there anything externally eccentric or queer in his +conduct. He was always cheerful and pleasant spoken, though certainly +soft—God rest his soul. No; he never shaved, but wore all the hair that +Heaven had given him.</p> + +<p>By a Juryman: She thought deceased was in the habit of locking his door +when he went to bed. Of course, she couldn't say for certain. +(Laughter.) There was no need to bolt the door as well. The bolt slid +upward, and was at the top of the door. When she first let lodgings, her +reasons for which she seemed anxious to publish, there had only been a +bolt, but a suspicious lodger, she would not call him a gentleman, had +complained that he could not fasten his door behind him, and so she had +been put to the expense of having a lock made. The complaining lodger +went off soon after without paying his rent. (Laughter.) She had always +known he would.</p> + +<p>The Coroner: Was deceased at all nervous?</p> + +<p>Witness: No, he was a very nice gentleman. (A laugh.)</p> + +<p>Coroner: I mean did he seem afraid of being robbed?</p> + +<p>Witness: No, he was always goin' to demonstrations. (Laughter.) I told +him to be careful. I told him I lost a purse with 3s. 2d. myself on +Jubilee Day.</p> + +<p>Mrs. Drabdump resumed her seat, weeping vaguely.</p> + +<p>The Coroner: Gentlemen, we shall have an opportunity of viewing the room +shortly.</p> + +<p>The story of the discovery of the body was retold, though more +scientifically, by Mr. George Grodman, whose unexpected resurgence into +the realm of his early exploits excited as keen a curiosity as the +reappearance "for this occasion only" of a retired prima donna. His +book, "Criminals I Have Caught," passed from the twenty-third to the +twenty-fourth edition merely on the strength of it. Mr. Grodman stated +that the body was still warm when he found it. He thought that death was +quite recent. The door he had had to burst was bolted as well as locked. +He confirmed Mrs. Drabdump's statement about the windows; the chimney +was very narrow. The cut looked as if done by a razor. There was no +instrument lying about the room. He had known the deceased about a +month. He seemed a very earnest, simple-minded young fellow who spoke a +great deal about the brotherhood of man. (The hardened old man-hunter's +voice was not free from a tremor as he spoke jerkily of the dead man's +enthusiasms.) He should have thought the deceased the last man in the +world to commit suicide.</p> + +<p>Mr. Denzil Cantercot was next called. He was a poet. (Laughter.) He was +on his way to Mr. Grodman's house to tell him he had been unable to do +some writing for him because he was suffering from writer's cramp, when +Mr. Grodman called to him from the window of No. 11 and asked him to run +for the police. No, he did not run; he was a philosopher. (Laughter.) He +returned with them to the door, but did not go up. He had no stomach for +crude sensations. (Laughter.) The gray fog was sufficiently unbeautiful +for him for one morning. (Laughter.)</p> + +<p>Inspector Howlett said: About 9:45 on the morning of Tuesday, 4th +December, from information received, he went with Sergeant Runnymede and +Dr. Robinson to 11 Glover Street, Bow, and there found the dead body of +a young man, lying on his back with his throat cut. The door of the room +had been smashed in, and the lock and the bolt evidently forced. The +room was tidy. There were no marks of blood on the floor. A purse full +of gold was on the dressing-table beside a big book. A hip-bath with +cold water stood beside the bed, over which was a hanging bookcase. +There was a large wardrobe against the wall next to the door. The +chimney was very narrow. There were two windows, one bolted. It was +about 18 feet to the pavement. There was no way of climbing up. No one +could possibly have got out of the room, and then bolted the doors and +windows behind him; and he had searched all parts of the room in which +anyone might have been concealed. He had been unable to find any +instrument in the room, in spite of exhaustive search, there being not +even a penknife in the pockets of the clothes of the deceased, which lay +on a chair. The house and the back yard, and the adjacent pavement, had +also been fruitlessly searched.</p> + +<p>Sergeant Runnymede made an identical statement, saving only that he had +gone with Dr. Robinson and Inspector Howlett.</p> + +<p>Dr. Robinson, divisional surgeon, said: The deceased was lying on his +back, with his throat cut. The body was not yet cold, the abdominal +region being quite warm. Rigor mortis had set in in the lower jaw, neck +and upper extremities. The muscles contracted when beaten. I inferred +that life had been extinct some two or three hours, probably not longer, +it might have been less. The bedclothes would keep the lower part warm +for some time. The wound, which was a deep one, was 5-1/2 inches from +right to left across the throat to a point under the left ear. The upper +portion of the windpipe was severed, and likewise the jugular vein. The +muscular coating of the carotid artery was divided. There was a slight +cut, as if in continuation of the wound, on the thumb of the left hand. +The hands were clasped underneath the head. There was no blood on the +right hand. The wound could not have been self-inflicted. A sharp +instrument had been used, such as a razor. The cut might have been made +by a left-handed person. No doubt death was practically instantaneous. I +saw no signs of a struggle about the body or the room. I noticed a purse +on the dressing-table, lying next to Madame Blavatsky's big book on +Theosophy. Sergeant Runnymede drew my attention to the fact that the +door had evidently been locked and bolted from within.</p> + +<p>By a Juryman: I do not say the cuts could not have been made by a +right-handed person. I can offer no suggestion as to how the inflicter +of the wound got in or out. Extremely improbable that the cut was +self-inflicted. There was little trace of the outside fog in the room.</p> + +<p>Police Constable Williams said he was on duty in the early hours of the +morning of the 4th inst. Glover Street lay within his beat. He saw or +heard nothing suspicious. The fog was never very dense, though nasty to +the throat. He had passed through Glover Street about half-past four. He +had not seen Mr. Mortlake or anybody else leave the house.</p> + +<p>The Court here adjourned, the Coroner and the jury repairing in a body +to 11 Glover Street to view the house and the bedroom of the deceased. +And the evening posters announced, "The Bow Mystery Thickens."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_III" id="CHAPTER_III"></a>CHAPTER III.</h2> + + +<p>Before the inquiry was resumed, all the poor wretches in custody had +been released on suspicion that they were innocent; there was not a +single case even for a magistrate. Clues, which at such seasons are +gathered by the police like blackberries off the hedges, were scanty and +unripe. Inferior specimens were offered them by bushels, but there was +not a good one among the lot. The police could not even manufacture a +clue.</p> + +<p>Arthur Constant's death was already the theme of every hearth, railway +carriage and public house. The dead idealist had points of contact with +so many spheres. The East End and West End alike were moved and excited, +the Democratic Leagues and the Churches, the Doss-houses and the +Universities. The pity of it! And then the impenetrable mystery of it!</p> + +<p>The evidence given in the concluding portion of the investigation was +necessarily less sensational. There were no more witnesses to bring the +scent of blood over the coroner's table; those who had yet to be heard +were merely relatives and friends of the deceased, who spoke of him as +he had been in life. His parents were dead, perhaps luckily for them; +his relatives had seen little of him, and had scarce heard as much about +him as the outside world. No man is a prophet in his own country, and, +even if he migrates, it is advisable for him to leave his family at +home. His friends were a motley crew; friends of the same friend are not +necessarily friends of one another. But their diversity only made the +congruity of the tale they had to tell more striking. It was the tale of +a man who had never made an enemy even by benefiting him, nor lost a +friend even by refusing his favors; the tale of a man whose heart +overflowed with peace and good will to all men all the year round; of a +man to whom Christmas came not once, but three hundred and sixty-five +times a year; it was the tale of a brilliant intellect, who gave up to +mankind what was meant for himself, and worked as a laborer in the +vineyard of humanity, never crying that the grapes were sour; of a man +uniformly cheerful and of good courage, living in that forgetfulness of +self which is the truest antidote to despair. And yet there was not +quite wanting the note of pain to jar the harmony and make it human. +Richard Elton, his chum from boyhood, and vicar of Somerton, in +Midlandshire, handed to the coroner a letter from the deceased about ten +days before his death, containing some passages which the coroner read +aloud: "Do you know anything of Schopenhauer? I mean anything beyond the +current misconceptions? I have been making his acquaintance lately. He +is an agreeable rattle of a pessimist; his essay on 'The Misery of +Mankind' is quite lively reading. At first his assimilation of +Christianity and Pessimism (it occurs in his essay on 'Suicide') dazzled +me as an audacious paradox. But there is truth in it. Verily, the whole +creation groaneth and travaileth, and man is a degraded monster, and sin +is over all. Ah, my friend, I have shed many of my illusions since I +came to this seething hive of misery and wrongdoing. What shall one +man's life—a million men's lives—avail against the corruption, the +vulgarity and the squalor of civilization? Sometimes I feel like a +farthing rush-light in the Hall of Eblis. Selfishness is so long and +life so short. And the worst of it is that everybody is so beastly +contented. The poor no more desire comfort than the rich culture. The +woman to whom a penny school fee for her child represents an appreciable +slice of her income is satisfied that the rich we shall always have with +us.</p> + +<p>"The real crusted old Tories are the paupers in the Workhouse. The +Radical working men are jealous of their own leaders, and the leaders of +one another. Schopenhauer must have organized a labor party in his salad +days. And yet one can't help feeling that he committed suicide as a +philosopher by not committing it as a man. He claims kinship with +Buddha, too; though Esoteric Buddhism at least seems spheres removed +from the philosophy of 'The Will and the Idea'. What a wonderful woman +Madame Blavatsky must be. I can't say I follow her, for she is up in the +clouds nearly all the time, and I haven't as yet developed an astral +body. Shall I send you on her book? It is fascinating.... I am becoming +quite a fluent orator. One soon gets into the way of it. The horrible +thing is that you catch yourself saying things to lead up to 'Cheers' +instead of sticking to the plain realities of the business. Lucy is +still doing the galleries in Italy. It used to pain me sometimes to +think of my darling's happiness when I came across a flat-chested +factory girl. Now I feel her happiness is as important as a factory +girl's."</p> + +<p>Lucy, the witness explained, was Lucy Brent, the betrothed of the +deceased. The poor girl had been telegraphed for, and had started for +England. The witness stated that the outburst of despondency in this +letter was almost a solitary one, most of the letters in his possession +being bright, buoyant and hopeful. Even this letter ended with a +humorous statement of the writer's manifold plans and projects for the +new year. The deceased was a good Churchman.</p> + +<p>Coroner: Was there any private trouble in his own life to account for +the temporary despondency?</p> + +<p>Witness: Not so far as I am aware. His financial position was +exceptionally favorable.</p> + +<p>Coroner: There had been no quarrel with Miss Brent?</p> + +<p>Witness: I have the best authority for saying that no shadow of +difference had ever come between them.</p> + +<p>Coroner: Was the deceased left-handed?</p> + +<p>Witness: Certainly not. He was not even ambidextrous.</p> + +<p>A Juryman: Isn't Shoppinhour one of the infidel writers, published by +the Freethought Publication Society?</p> + +<p>Witness: I do not know who publishes his books.</p> + +<p>The Juryman (a small grocer and big raw-boned Scotchman, rejoicing in +the name of Sandy Sanderson and the dignities of deaconry and membership +of the committee of the Bow Conservative Association): No equeevocation, +sir. Is he not a secularist, who has lectured at the Hall of Science?</p> + +<p>Witness: No, he is a foreign writer—(Mr. Sanderson was heard to thank +Heaven for this small mercy)—who believes that life is not worth +living.</p> + +<p>The Juryman: Were you not shocked to find the friend of a meenister +reading such impure leeterature?</p> + +<p>Witness: The deceased read everything. Schopenhauer is the author of a +system of philosophy, and not what you seem to imagine. Perhaps you +would like to inspect the book? (Laughter.)</p> + +<p>The Juryman: I would na' touch it with a pitchfork. Such books should be +burnt. And this Madame Blavatsky's book—what is that? Is that also +pheelosophy?</p> + +<p>Witness: No. It is Theosophy. (Laughter.)</p> + +<p>Mr. Allen Smith, secretary of the Trammel's Union, stated that he had +had an interview with the deceased on the day before his death, when he +(the deceased) spoke hopefully of the prospects of the movement, and +wrote him out a check for 10 guineas for his union. Deceased promised to +speak at a meeting called for a quarter past seven a.m. the next day.</p> + +<p>Mr. Edward Wimp, of the Scotland Yard Detective Department, said that +the letters and papers of the deceased threw no light upon the manner of +his death, and they would be handed back to the family. His Department +had not formed any theory on the subject.</p> + +<p>The Coroner proceeded to sum up the evidence. "We have to deal, +gentlemen," he said, "with a most incomprehensible and mysterious case, +the details of which are yet astonishingly simple. On the morning of +Tuesday, the 4th inst., Mrs. Drabdump, a worthy, hard-working widow, who +lets lodgings at 11 Grover Street, Bow, was unable to arouse the +deceased, who occupied the entire upper floor of the house. Becoming +alarmed, she went across to fetch Mr. George Grodman, a gentleman known +to us all by reputation, and to whose clear and scientific evidence we +are much indebted, and got him to batter in the door. They found the +deceased lying back in bed with a deep wound in his throat. Life had +only recently become extinct. There was no trace of any instrument by +which the cut could have been effected; there was no trace of any person +who could have effected the cut. No person could apparently have got in +or out. The medical evidence goes to show that the deceased could not +have inflicted the wound himself. And yet, gentlemen, there are, in the +nature of things, two—and only two—alternative explanations of his +death. Either the wound was inflicted by his own hand, or it was +inflicted by another's. I shall take each of these possibilities +separately. First, did the deceased commit suicide? The medical evidence +says deceased was lying with his hands clasped behind his head. Now the +wound was made from right to left, and terminated by a cut on the left +thumb. If the deceased had made it he would have had to do it with his +right hand, while his left hand remained under his head—a most peculiar +and unnatural position to assume. Moreover, in making a cut with the +right hand, one would naturally move the hand from left to right. It is +unlikely that the deceased would move his right hand so awkwardly and +unnaturally, unless, of course, his object was to baffle suspicion. +Another point is that on this hypothesis, the deceased would have had to +replace his right hand beneath his head. But Dr. Robinson believes that +death was instantaneous. If so, deceased could have had no time to pose +so neatly. It is just possible the cut was made with the left hand, but +then the deceased was right-handed. The absence of any signs of a +possible weapon undoubtedly goes to corroborate the medical evidence. +The police have made an exhaustive search in all places where the razor +or other weapon or instrument might by any possibility have been +concealed, including the bedclothes, the mattress, the pillow, and the +street into which it might have been dropped. But all theories involving +the willful concealment of the fatal instrument have to reckon with the +fact or probability that death was instantaneous, also with the fact +that there was no blood about the floor. Finally, the instrument used +was in all likelihood a razor, and the deceased did not shave, and was +never known to be in possession of any such instrument. If, then, we +were to confine ourselves to the medical and police evidence, there +would, I think, be little hesitation in dismissing the idea of suicide. +Nevertheless, it is well to forget the physical aspect of the case for a +moment and to apply our minds to an unprejudiced inquiry into the mental +aspect of it. Was there any reason why the deceased should wish to take +his own life? He was young, wealthy and popular, loving and loved; life +stretched fair before him. He had no vices. Plain living, high thinking, +and noble doing were the three guiding stars of his life. If he had had +ambition, an illustrious public career was within reach. He was an +orator of no mean power, a brilliant and industrious man. His outlook +was always on the future—he was always sketching out ways in which he +could be useful to his fellow-men. His purse and his time were ever at +the command of whosoever could show fair claim upon them. If such a man +were likely to end his own life, the science of human nature would be at +an end. Still, some of the shadows of the picture have been presented to +us. The man had his moments of despondency—as which of us has not? But +they seem to have been few and passing. Anyhow, he was cheerful enough +on the day before his death. He was suffering, too, from toothache. But +it does not seem to have been violent, nor did he complain. Possibly, of +course, the pain became very acute in the night. Nor must we forget that +he may have overworked himself, and got his nerves into a morbid state. +He worked very hard, never rising later than half-past seven, and doing +far more than the professional 'labor leader.' He taught and wrote as +well as spoke and organized. But on the other hand all witnesses agree +that he was looking forward eagerly to the meeting of tram-men on the +morning of the 4th inst. His whole heart was in the movement. Is it +likely that this was the night he would choose for quitting the scene of +his usefulness? Is it likely that if he had chosen it, he would not have +left letters and a statement behind, or made a last will and testament? +Mr. Wimp has found no possible clue to such conduct in his papers. Or is +it likely he would have concealed the instrument? The only positive sign +of intention is the bolting of his door in addition to the usual locking +of it, but one cannot lay much stress on that. Regarding the mental +aspects alone, the balance is largely against suicide; looking at the +physical aspects, suicide is well nigh impossible. Putting the two +together, the case against suicide is all but mathematically complete. +The answer, then, to our first question, Did the deceased commit +suicide? is, that he did not."</p> + +<p>The coroner paused, and everybody drew a long breath. The lucid +exposition had been followed with admiration. If the coroner had stopped +now, the jury would have unhesitatingly returned a verdict of "murder." +But the coroner swallowed a mouthful of water and went on.</p> + +<p>"We now come to the second alternative—was the deceased the victim of +homicide? In order to answer that question in the affirmative it is +essential that we should be able to form some conception of the <i>modus +operandi</i>. It is all very well for Dr. Robinson to say the cut was made +by another hand; but in the absence of any theory as to how the cut +could possibly have been made by that other hand, we should be driven +back to the theory of self-infliction, however improbable it may seem to +medical gentlemen. Now, what are the facts? When Mrs. Drabdump and Mr. +Grodman found the body it was yet warm, and Mr. Grodman, a witness +fortunately qualified by special experience, states that death had been +quite recent. This tallies closely enough with the view of Dr. Robinson, +who, examining the body about an hour later, put the time of death at +two or three hours before, say seven o'clock. Mrs. Drabdump had +attempted to wake the deceased at a quarter to seven, which would put +back the act to a little earlier. As I understand from Dr. Robinson, +that it is impossible to fix the time very precisely, death may have +very well taken place several hours before Mrs. Drabdump's first attempt +to wake deceased. Of course, it may have taken place between the first +and second calls, as he may merely have been sound asleep at first; it +may also not impossibly have taken place considerably earlier than the +first call, for all the physical data seem to prove. Nevertheless, on +the whole, I think we shall be least likely to err if we assume the time +of death to be half-past six. Gentlemen, let us picture to ourselves No. +11 Glover Street at half-past six. We have seen the house; we know +exactly how it is constructed. On the ground floor a front room tenanted +by Mr. Mortlake, with two windows giving on the street, both securely +bolted; a back room occupied by the landlady; and a kitchen. Mrs. +Drabdump did not leave her bedroom till half-past six, so that we may be +sure all the various doors and windows have not yet been unfastened; +while the season of the year is a guarantee that nothing had been left +open. The front door through which Mr. Mortlake has gone out before +half-past four, is guarded by the latch-key lock and the big lock. On +the upper floor are two rooms—a front room used by deceased for a +bedroom, and a back room which he used as a sitting-room. The back room +has been left open, with the key inside, but the window is fastened. The +door of the front room is not only locked, but bolted. We have seen the +splintered mortise and the staple of the upper bolt violently forced +from the woodwork and resting on the pin. The windows are bolted, the +fasteners being firmly fixed in the catches. The chimney is too narrow +to admit of the passage of even a child. This room, in fact, is as +firmly barred in as if besieged. It has no communication with any other +part of the house. It is as absolutely self-centered and isolated as if +it were a fort in the sea or a log-hut in the forest. Even if any +strange person is in the house, nay, in the very sitting-room of the +deceased, he cannot get into the bedroom, for the house is one built for +the poor, with no communication between the different rooms, so that +separate families, if need be, may inhabit each. Now, however, let us +grant that some person has achieved the miracle of getting into the +front room, first floor, 18 feet from the ground. At half-past six, or +thereabouts, he cuts the throat of the sleeping occupant. How is he then +to get out without attracting the attention of the now roused landlady? +But let us concede him that miracle, too. How is he to go away and yet +leave the doors and windows locked and bolted from within? This is a +degree of miracle at which my credulity must draw the line. No, the room +had been closed all night—there is scarce a trace of fog in it. No one +could get in or out. Finally, murders do not take place without motive. +Robbery and revenge are the only conceivable motives. The deceased had +not an enemy in the world; his money and valuables were left untouched. +Everything was in order. There were no signs of a struggle. The answer +then to our second inquiry—was the deceased killed by another +person?—is, that he was not.</p> + +<p>"Gentlemen, I am aware that this sounds impossible and contradictory. +But it is the facts that contradict themselves. It seems clear that the +deceased did not commit suicide. It seems equally clear that the +deceased was not murdered. There is nothing for it, therefore, +gentlemen, but to return a verdict tantamount to an acknowledgment of +our incompetence to come to any adequately grounded conviction whatever +as to the means or the manner by which the deceased met his death. It is +the most inexplicable mystery in all my experience." (Sensation.)</p> + +<p>The Foreman (after a colloquy with Mr. Sandy Sanderson): "We are not +agreed, sir. One of the jurors insists on a verdict of "Death from +visitation by the act of God.""</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_IV" id="CHAPTER_IV"></a>CHAPTER IV.</h2> + + +<p>But Sandy Sanderson's burning solicitude to fix the crime flickered out +in the face of opposition, and in the end he bowed his head to the +inevitable "open verdict." Then the floodgates of inkland were opened, +and the deluge pattered for nine days on the deaf coffin where the poor +idealist moldered. The tongues of the Press were loosened, and the +leader writers reveled in recapitulating the circumstances of "The Big +Bow Mystery," though they could contribute nothing but adjectives to the +solution. The papers teemed with letters—it was a kind of Indian summer +of the silly season. But the editors could not keep them out, nor cared +to. The mystery was the one topic of conversation everywhere—it was on +the carpet and the bare boards alike, in the kitchen and the +drawing-room. It was discussed with science or stupidity, with aspirates +or without. It came up for breakfast with the rolls, and was swept off +the supper table with the last crumbs.</p> + +<p>No. 11 Glover Street, Bow, remained for days a shrine of pilgrimage. The +once sleepy little street buzzed from morning till night. From all parts +of the town people came to stare up at the bedroom window and wonder +with a foolish look of horror. The pavement was often blocked for hours +together, and itinerant vendors of refreshment made it a new market +center, while vocalists hastened thither to sing the delectable ditty of +the deed without having any voice in the matter. It was a pity the +Government did not erect a toll-gate at either end of the street. But +Chancellors of the Exchequer rarely avail themselves of the more obvious +expedients for paying off the National debt.</p> + +<p>Finally, familiarity bred contempt, and the wits grew facetious at the +expense of the Mystery. Jokes on the subject appeared even in the comic +papers.</p> + +<p>To the proverb, "You must not say Boo to a goose," one added, "or else +she will explain you the Mystery." The name of the gentleman who asked +whether the Bow Mystery was not 'arrowing shall not be divulged. There +was more point in "Dagonet's" remark that, if he had been one of the +unhappy jurymen, he should have been driven to "suicide." A professional +paradox-monger pointed triumphantly to the somewhat similar situation in +"the murder in the Rue Morgue," and said that Nature had been +plagiarizing again—like the monkey she was—and he recommended Poe's +publishers to apply for an injunction. More seriously, Poe's solution +was re-suggested by "Constant Reader" as an original idea. He thought +that a small organ-grinder's monkey might have got down the chimney with +its master's razor, and, after attempting to shave the occupant of the +bed, have returned the way it came. This idea created considerable +sensation, but a correspondent with a long train of letters draggling +after his name pointed out that a monkey small enough to get down so +narrow a flue would not be strong enough to inflict so deep a wound. +This was disputed by a third writer, and the contest raged so keenly +about the power of monkeys' muscles that it was almost taken for granted +that a monkey was the guilty party. The bubble was pricked by the pen of +"Common Sense," who laconically remarked that no traces of soot or blood +had been discovered on the floor, or on the nightshirt, or the +counterpane. The "Lancet's" leader on the Mystery was awaited with +interest. It said: "We cannot join in the praises that have been +showered upon the coroner's summing up. It shows again the evils +resulting from having coroners who are not medical men. He seems to have +appreciated but inadequately the significance of the medical evidence. +He should certainly have directed the jury to return a verdict of murder +on that. What was it to do with him that he could see no way by which +the wound could have been inflicted by an outside agency? It was for the +police to find how that was done. Enough that it was impossible for the +unhappy young man to have inflicted such a wound and then have strength +and will power enough to hide the instrument and to remove perfectly +every trace of his having left the bed for the purpose." It is +impossible to enumerate all the theories propounded by the amateur +detectives, while Scotland Yard religiously held its tongue. Ultimately +the interest on the subject became confined to a few papers which had +received the best letters. Those papers that couldn't get interesting +letters stopped the correspondence and sneered at the "sensationalism" +of those that could. Among the mass of fantasy there were not a few +notable solutions, which failed brilliantly, like rockets posing as +fixed stars. One was that in the obscurity of the fog the murderer had +ascended to the window of the bedroom by means of a ladder from the +pavement. He had then with a diamond cut one of the panes away, and +effected an entry through the aperture. On leaving he fixed in the pane +of glass again (or another which he had brought with him), and thus the +room remained with its bolts and locks untouched. On its being pointed +out that the panes were too small, a third correspondent showed that +that didn't matter, as it was only necessary to insert the hand and undo +the fastening, when the entire window could be opened, the process being +reversed by the murderer on leaving. This pretty edifice of glass was +smashed by a glazier, who wrote to say that a pane could hardly be fixed +in from only one side of a window frame, that it would fall out when +touched, and that in any case the wet putty could not have escaped +detection. A door panel sliced out and replaced was also put forward, +and as many trap-doors and secret passages were ascribed to No. 11 +Glover Street as if it were a medieval castle. Another of these clever +theories was that the murderer was in the room the whole time the police +were there—hidden in the wardrobe. Or he had got behind the door when +Grodman broke it open, so that he was not noticed in the excitement of +the discovery, and escaped with his weapon at the moment when Grodman +and Mrs. Drabdump were examining the window fastenings.</p> + +<p>Scientific explanations also were to hand to explain how the assassin +locked and bolted the door behind him. Powerful magnets outside the door +had been used to turn the key and push the bolt within. Murderers armed +with magnets loomed on the popular imagination like a new microbe. There +was only one defect in this ingenious theory—the thing could not be +done. A physiologist recalled the conjurers who swallowed swords—by an +anatomical peculiarity of the throat—and said that the deceased might +have swallowed the weapon after cutting his own throat. This was too +much for the public to swallow. As for the idea that the suicide had +been effected with a penknife or its blade, or a bit of steel, which had +got buried in the wound, not even the quotation of Shelley's line:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"Makes such a wound, the knife is lost in it,"<br /></span> +</div></div> + +<p>could secure it a moment's acceptance. The same reception was accorded +to the idea that the cut had been made with a candlestick (or other +harmless article) constructed like a sword-stick. Theories of this sort +caused a humorist to explain that the deceased had hidden the razor in +his hollow tooth! Some kind friend of Messrs. Maskelyne and Cook +suggested that they were the only persons who could have done the deed, +as no one else could get out of a locked cabinet. But perhaps the most +brilliant of these flashes of false fire was the facetious, yet probably +half-seriously meant, letter that appeared in the "Pell Mell Press" +under the heading of</p> + +<div class="blockquot"> + +<h3>THE BIG BOW MYSTERY SOLVED.</h3> + +<p>"Sir—You will remember that when the Whitechapel murders were +agitating the universe, I suggested that the district coroner was +the assassin. My suggestion has been disregarded. The coroner is +still at large. So is the Whitechapel murderer. Perhaps this +suggestive coincidence will incline the authorities to pay more +attention to me this time. The problem seems to be this. The +deceased could not have cut his own throat. The deceased could not +have had his throat cut for him. As one of the two must have +happened, this is obvious nonsense. As this is obvious nonsense I +am justified in disbelieving it. As this obvious nonsense was +primarily put in circulation by Mrs. Drabdump and Mr. Grodman, I am +justified in disbelieving them. In short, sir, what guarantee have +we that the whole tale is not a cock-and-bull story, invented by +the two persons who first found the body? What proof is there that +the deed was not done by these persons themselves, who then went to +work to smash the door and break the locks and the bolts, and +fasten up all the windows before they called the police in? I +enclose my card, and am, sir, yours truly, One Who Looks Through +His Own Spectacles."</p> + +<p>("Our correspondent's theory is not so audaciously original as he +seems to imagine. Has he not looked through the spectacles of the +people who persistently suggested that the Whitechapel murderer was +invariably the policeman who found the body? Somebody must find the +body, if it is to be found at all.—Ed. P. M. P.")</p></div> + +<hr style="width: 45%;" /> + +<p>The editor had reason to be pleased that he inserted this letter, for it +drew the following interesting communication from the great detective +himself:</p> + +<hr style="width: 45%;" /> + +<div class="blockquot"> + +<h3>"THE BIG BOW MYSTERY SOLVED.</h3> + +<p>"Sir—I do not agree with you that your correspondent's theory +lacks originality. On the contrary, I think it is delightfully +original. In fact it has given me an idea. What that idea is I do +not yet propose to say, but if 'One Who Looks Through His Own +Spectacles' will favor me with his name and address I shall be +happy to inform him a little before the rest of the world whether +his germ has borne any fruit. I feel he is a kindred spirit, and +take this opportunity of saying publicly that I was extremely +disappointed at the unsatisfactory verdict. The thing was a +palpable assassination; an open verdict has a tendency to relax the +exertions of Scotland Yard. I hope I shall not be accused of +immodesty, or of making personal reflections, when I say that the +Department has had several notorious failures of late. It is not +what it used to be. Crime is becoming impertinent. It no longer +knows its place, so to speak. It throws down the gauntlet where +once it used to cower in its fastnesses. I repeat, I make these +remarks solely in the interest of law and order. I do not for one +moment believe that Arthur Constant killed himself, and if Scotland +Yard satisfies itself with that explanation, and turns on its other +side and goes to sleep again, then, sir, one of the foulest and +most horrible crimes of the century will forever go unpunished. My +acquaintance with the unhappy victim was but recent; still, I saw +and knew enough of the man to be certain (and I hope I have seen +and known enough of other men to judge) that he was a man +constitutionally incapable of committing an act of violence, +whether against himself or anybody else. He would not hurt a fly, +as the saying goes. And a man of that gentle stamp always lacks the +active energy to lay hands on himself. He was a man to be esteemed +in no common degree, and I feel proud to be able to say that he +considered me a friend. I am hardly at the time of life at which a +man cares to put on his harness again; but, sir, it is impossible +that I should ever know a day's rest till the perpetrator of this +foul deed is discovered. I have already put myself in communication +with the family of the victim, who, I am pleased to say, have every +confidence in me, and look to me to clear the name of their unhappy +relative from the semi-imputation of suicide. I shall be pleased if +anyone who shares my distrust of the authorities, and who has any +clue whatever to this terrible mystery, or any plausible suggestion +to offer, if, in brief, any 'One who looks through his own +spectacles' will communicate with me. If I were asked to indicate +the direction in which new clues might be most usefully sought, I +should say, in the first instance, anything is valuable that helps +us to piece together a complete picture of the manifold activities +of the man in the East End. He entered one way or another into the +lives of a good many people; is it true that he nowhere made +enemies? With the best intentions a man may wound or offend; his +interference may be resented; he may even excite jealousy. A young +man like the late Mr. Constant could not have had as much practical +sagacity as he had goodness. Whose corns did he tread on? The more +we know of the last few months of his life the more we shall know +of the manner of his death. Thanking you by anticipation for the +insertion of this letter in your valuable columns, I am, sir, yours +truly,</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"George Grodman.<br /></span> +<span class="i0">"46 Glover Street, Bow."<br /></span> +</div></div> + +<p>"P. S.—Since writing the above lines I have, by the kindness of +Miss Brent, been placed in possession of a most valuable letter, +probably the last letter written by the unhappy gentleman. It is +dated Monday, 3 December, the very eve of the murder, and was +addressed to her at Florence, and has now, after some delay, +followed her back to London where the sad news unexpectedly brought +her. It is a letter couched, on the whole, in the most hopeful +spirit, and speaks in detail of his schemes. Of course, there are +things in it not meant for the ears of the public, but there can be +no harm in transcribing an important passage:</p> + +<p>"'You seem to have imbibed the idea that the East End is a kind of +Golgotha, and this despite that the books out of which you probably +got it are carefully labeled "Fiction." Lamb says somewhere that we +think of the "Dark Ages" as literally without sunlight, and so I +fancy people like you, dear, think of the "East End" as a mixture +of mire, misery and murder. How's that for alliteration? Why, +within five minutes' walk of me there are the loveliest houses, +with gardens back and front, inhabited by very fine people and +furniture. Many of my university friends' mouths would water if +they knew the income of some of the shop-keepers in the High Road.</p> + +<p>"'The rich people about here may not be so fashionable as those in +Kensington and Bayswater, but they are every bit as stupid and +materialistic. I don't deny, Lucy, I do have my black moments, and +I do sometimes pine to get away from all this to the lands of sun +and lotus-eating. But, on the whole, I am too busy even to dream of +dreaming. My real black moments are when I doubt if I am really +doing any good. But yet on the whole my conscience or my +self-conceit tells me that I am. If one cannot do much with the +mass, there is at least the consolation of doing good to the +individual. And, after all, is it not enough to have been an +influence for good over one or two human souls? There are quite +fine characters hereabout—especially in the women—natures capable +not only of self-sacrifice, but of delicacy of sentiment. To have +learnt to know of such, to have been of service to one or two of +such—is not this ample return? I could not get to St. James' Hall +to hear your friend's symphony at the Henschel concert. I have been +reading Mme. Blavatsky's latest book, and getting quite interested +in occult philosophy. Unfortunately I have to do all my reading in +bed, and I don't find the book as soothing a soporific as most new +books. For keeping one awake I find Theosophy as bad as +toothache....'"</p></div> + +<hr style="width: 45%;" /> + +<div class="blockquot"> + +<h3>"THE BIG BOW MYSTERY SOLVED.</h3> + +<p>"Sir—I wonder if anyone besides myself has been struck by the +incredible bad taste of Mr. Grodman's letter in your last issue. +That he, a former servant of the Department, should publicly insult +and run it down can only be charitably explained by the supposition +that his judgment is failing him in his old age. In view of this +letter, are the relatives of the deceased justified in entrusting +him with any private documents? It is, no doubt, very good of him +to undertake to avenge one whom he seems snobbishly anxious to +claim as a friend; but, all things considered, should not his +letter have been headed 'The Big Bow Mystery Shelved?' I enclose my +card, and am, sir,</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"Your obedient servant,<br /></span> +<span class="i0">"Scotland Yard."<br /></span> +</div></div></div> + +<hr style="width: 45%;" /> + +<p>George Grodman read this letter with annoyance, and, crumpling up the +paper, murmured scornfully, "Edward Wimp."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_V" id="CHAPTER_V"></a>CHAPTER V.</h2> + + +<p>"Yes, but what will become of the Beautiful?" said Denzil Cantercot.</p> + +<p>"Hang the Beautiful!" said Peter Crowl, as if he were on the committee +of the Academy. "Give me the True."</p> + +<p>Denzil did nothing of the sort. He didn't happen to have it about him.</p> + +<hr style="width: 45%;" /> + +<div class="figcenter"> +<a name="illus2" id="illus2"></a> +<img src="images/illus2.jpg" alt=""/> +</div> + +<h3>Denzil Cantercot stood smoking a cigarette.</h3> + +<hr style="width: 45%;" /> + +<p>Denzil Cantercot stood smoking a cigarette in his landlord's shop, and +imparting an air of distinction and an agreeable aroma to the close +leathery atmosphere. Crowl cobbled away, talking to his tenant without +raising his eyes. He was a small, big-headed, sallow, sad-eyed man, with +a greasy apron. Denzil was wearing a heavy overcoat with a fur collar. +He was never seen without it in public during the winter. In private he +removed it and sat in his shirt sleeves. Crowl was a thinker, or thought +he was—which seems to involve original thinking anyway. His hair was +thinning rapidly at the top, as if his brain was struggling to get as +near as possible to the realities of things. He prided himself on having +no fads. Few men are without some foible or hobby; Crowl felt almost +lonely at times in his superiority. He was a Vegetarian, a Secularist, a +Blue Ribbonite, a Republican, and an Anti-Tobacconist. Meat was a fad. +Drink was a fad. Religion was a fad. Monarchy was a fad. Tobacco was a +fad. "A plain man like me," Crowl used to say, "can live without fads." +"A plain man" was Crowl's catchword. When of a Sunday morning he stood +on Mile-end Waste, which was opposite his shop—and held forth to the +crowd on the evils of kings, priests and mutton chops, the "plain man" +turned up at intervals like the "theme" of a symphonic movement. "I am +only a plain man and I want to know." It was a phrase that sabered the +spider-webs of logical refinement, and held them up scornfully on the +point. When Crowl went for a little recreation in Victoria Park on +Sunday afternoons, it was with this phrase that he invariably routed the +supernaturalists. Crowl knew his Bible better than most ministers, and +always carried a minutely-printed copy in his pocket, dogs-eared to mark +contradictions in the text. The second chapter of Jeremiah says one +thing; the first chapter of Corinthians says another. Two contradictory +statements may both be true, but "I am only a plain man, and I want to +know." Crowl spent a large part of his time in setting "the word against +the word." Cock-fighting affords its votaries no acuter pleasure than +Crowl derived from setting two texts by the ears. Crowl had a +metaphysical genius which sent his Sunday morning disciples frantic with +admiration, and struck the enemy dumb with dismay. He had discovered, +for instance, that the Deity could not move, owing to already filling +all space. He was also the first to invent, for the confusion of the +clerical, the crucial case of a saint dying at the Antipodes +contemporaneously with another in London. Both went skyward to heaven, +yet the two traveled in directly opposite directions. In all eternity +they would never meet. Which, then, got to heaven? Or was there no such +place? "I am only a plain man, and I want to know." Preserve us our open +spaces; they exist to testify to the incurable interest of humanity in +the Unknown and the Misunderstood. Even 'Arry is capable of five +minutes' attention to speculative theology, if 'Arriet isn't in a 'urry.</p> + +<p>Peter Crowl was not sorry to have a lodger like Denzil Cantercot, who, +though a man of parts and thus worth powder and shot, was so hopelessly +wrong on all subjects under the sun. In only one point did Peter Crowl +agree with Denzil Cantercot—he admired Denzil Cantercot secretly. When +he asked him for the True—which was about twice a day on the +average—he didn't really expect to get it from him. He knew that Denzil +was a poet.</p> + +<p>"The Beautiful," he went on, "is a thing that only appeals to men like +you. The True is for all men. The majority have the first claim. Till +then you poets must stand aside. The True and the Useful—that's what we +want. The Good of Society is the only test of things. Everything stands +or falls by the Good of Society."</p> + +<p>"The Good of Society!" echoed Denzil, scornfully. "What's the Good of +Society? The Individual is before all. The mass must be sacrificed to +the Great Man. Otherwise the Great Man will be sacrificed to the mass. +Without great men there would be no art. Without art life would be a +blank."</p> + +<p>"Ah, but we should fill it up with bread and butter," said Peter Crowl.</p> + +<p>"Yes, it is bread and butter that kills the Beautiful," said Denzil +Cantercot bitterly. "Many of us start by following the butterfly through +the verdant meadows, but we turn aside——"</p> + +<p>"To get the grub," chuckled Peter, cobbling away.</p> + +<p>"Peter, if you make a jest of everything, I'll not waste my time on +you."</p> + +<p>Denzil's wild eyes flashed angrily. He shook his long hair. Life was +very serious to him. He never wrote comic verse intentionally.</p> + +<p>There are three reasons why men of genius have long hair. One is, that +they forget it is growing. The second is, that they like it. The third +is, that it comes cheaper; they wear it long for the same reason that +they wear their hats long.</p> + +<p>Owing to this peculiarity of genius, you may get quite a reputation for +lack of twopence. The economic reason did not apply to Denzil, who could +always get credit with the profession on the strength of his appearance. +Therefore, when street Arabs vocally commanded him to get his hair cut, +they were doing no service to barbers. Why does all the world watch over +barbers and conspire to promote their interests? Denzil would have told +you it was not to serve the barbers, but to gratify the crowd's +instinctive resentment of originality. In his palmy days Denzil had been +an editor, but he no more thought of turning his scissors against +himself than of swallowing his paste. The efficacy of hair has changed +since the days of Samson, otherwise Denzil would have been a Hercules +instead of a long, thin, nervous man, looking too brittle and delicate +to be used even for a pipe-cleaner. The narrow oval of his face sloped +to a pointed, untrimmed beard. His linen was reproachable, his dingy +boots were down at heel, and his cocked hat was drab with dust. Such are +the effects of a love for the Beautiful.</p> + +<p>Peter Crowl was impressed with Denzil's condemnation of flippancy, and +he hastened to turn off the joke.</p> + +<p>"I'm quite serious," he said. "Butterflies are no good to nothing or +nobody; caterpillars at least save the birds from starving."</p> + +<p>"Just like your view of things, Peter," said Denzil. "Good morning, +madam." This to Mrs. Crowl, to whom he removed his hat with elaborate +courtesy. Mrs. Crowl grunted and looked at her husband with a note of +interrogation in each eye. For some seconds Crowl stuck to his last, +endeavoring not to see the question. He shifted uneasily on his stool. +His wife coughed grimly. He looked up, saw her towering over him, and +helplessly shook his head in a horizontal direction. It was wonderful +how Mrs. Crowl towered over Mr. Crowl, even when he stood up in his +shoes. She measured half an inch less. It was quite an optical illusion.</p> + +<p>"Mr. Crowl," said Mrs. Crowl, "then I'll tell him."</p> + +<p>"No, no, my dear, not yet," faltered Peter helplessly; "leave it to me."</p> + +<p>"I've left it to you long enough. You'll never do nothing. If it was a +question of provin' to a lot of chuckleheads that Jollygee and Genesis, +or some other dead and gone Scripture folk that don't consarn no mortal +soul, used to contradict each other, your tongue 'ud run thirteen to the +dozen. But when it's a matter of takin' the bread out o' the mouths o' +your own children, you ain't got no more to say for yourself than a +lamppost. Here's a man stayin' with you for weeks and weeks—eatin' and +drinkin' the flesh off your bones—without payin' a far——"</p> + +<p>"Hush, hush, mother; it's all right," said poor Crowl, red as fire.</p> + +<p>Denzil looked at her dreamily. "Is it possible you are alluding to me, +Mrs. Crowl?" he said.</p> + +<p>"Who then should I be alludin' to, Mr. Cantercot? Here's seven weeks +come and gone, and not a blessed 'aypenny have I——"</p> + +<p>"My dear Mrs. Crowl," said Denzil, removing his cigarette from his mouth +with a pained air, "why reproach me for your neglect?"</p> + +<p>"My neglect! I like that!"</p> + +<p>"I don't," said Denzil, more sharply. "If you had sent me in the bill +you would have had the money long ago. How do you expect me to think of +these details?"</p> + +<p>"We ain't so grand down here. People pays their way—they don't get no +bills," said Mrs. Crowl, accentuating the word with infinite scorn.</p> + +<p>Peter hammered away at a nail, as though to drown his spouse's voice.</p> + +<p>"It's three pounds fourteen and eight-pence, if you're so anxious to +know," Mrs. Crowl resumed. "And there ain't a woman in the Mile End Road +as 'ud a-done it cheaper, with bread at fourpence threefarden a quartern +and landlords clamorin' for rent every Monday morning almost afore the +sun's up and folks draggin' and slidderin' on till their shoes is only +fit to throw after brides, and Christmas comin' and seven-pence a week +for schoolin'!"</p> + +<p>Peter winced under the last item. He had felt it coming—like Christmas. +His wife and he parted company on the question of Free Education. Peter +felt that, having brought nine children into the world, it was only fair +he should pay a penny a week for each of those old enough to bear +educating. His better half argued that, having so many children, they +ought in reason to be exempted. Only people who had few children could +spare the penny. But the one point on which the cobbler-skeptic of the +Mile End Road got his way was this of the fees. It was a question of +conscience, and Mrs. Crowl had never made application for their +remission, though she often slapped her children in vexation instead. +They were used to slapping, and when nobody else slapped them they +slapped one another. They were bright, ill-mannered brats, who pestered +their parents and worried their teachers, and were happy as the Road was +long.</p> + +<p>"Bother the school fees!" Peter retorted, vexed. "Mr. Cantercot's not +responsible for your children."</p> + +<p>"I should hope not, indeed, Mr. Crowl," Mrs. Crowl said sternly. "I'm +ashamed of you." And with that she flounced out of the shop into the +back parlor.</p> + +<p>"It's all right," Peter called after her soothingly. "The money'll be +all right, mother."</p> + +<p>In lower circles it is customary to call your wife your mother; in +somewhat superior circles it is the fashion to speak of her as "the +wife" as you speak of "the Stock Exchange," or "the Thames," without +claiming any peculiar property. Instinctively men are ashamed of being +moral and domesticated.</p> + +<p>Denzil puffed his cigarette, unembarrassed. Peter bent attentively over +his work, making nervous stabs with his awl. There was a long silence. +An organ-grinder played a waltz outside, unregarded; and, failing to +annoy anybody, moved on. Denzil lit another cigarette. The dirty-faced +clock on the shop wall chimed twelve.</p> + +<p>"What do you think," said Crowl, "of Republics?"</p> + +<p>"They are low," Denzil replied. "Without a Monarch there is no visible +incarnation of Authority."</p> + +<p>"What! do you call Queen Victoria visible?"</p> + +<p>"Peter, do you want to drive me from the house? Leave frivolousness to +women, whose minds are only large enough for domestic difficulties. +Republics are low. Plato mercifully kept the poets out of his. Republics +are not congenial soil for poetry."</p> + +<p>"What nonsense! If England dropped its fad of Monarchy and became a +Republic to-morrow, do you mean to say that——?"</p> + +<p>"I mean to say that there would be no Poet Laureate to begin with."</p> + +<p>"Who's fribbling now, you or me, Cantercot? But I don't care a +button-hook about poets, present company always excepted. I'm only a +plain man, and I want to know where's the sense of givin' any one person +authority over everybody else?"</p> + +<p>"Ah, that's what Tom Mortlake used to say. Wait till you're in power, +Peter, with trade-union money to control, and working men bursting to +give you flying angels and to carry you aloft, like a banner, +huzzahing."</p> + +<p>"Ah, that's because he's head and shoulders above 'em already," said +Crowl, with a flash in his sad gray eyes. "Still, it don't prove that +I'd talk any different. And I think you're quite wrong about his being +spoiled. Tom's a fine fellow—a man every inch of him, and that's a good +many. I don't deny he has his weaknesses, and there was a time when he +stood in this very shop and denounced that poor dead Constant. 'Crowl,' +said he, 'that man'll do mischief. I don't like these kid-glove +philanthropists mixing themselves up in practical labor disputes they +don't understand.'"</p> + +<p>Denzil whistled involuntarily. It was a piece of news.</p> + +<p>"I daresay," continued Crowl, "he's a bit jealous of anybody's +interference with his influence. But in this case the jealousy did wear +off, you see, for the poor fellow and he got quite pals, as everybody +knows. Tom's not the man to hug a prejudice. However, all that don't +prove nothing against Republics. Look at the Czar and the Jews. I'm only +a plain man, but I wouldn't live in Russia not for—not for all the +leather in it! An Englishman, taxed as he is to keep up his Fad of +Monarchy, is at least king in his own castle, whoever bosses it at +Windsor. Excuse me a minute, the missus is callin'."</p> + +<p>"Excuse <i>me</i> a minute. I'm going, and I want to say before I go—I feel +it is only right you should know at once—that after what has passed +to-day I can never be on the same footing here as in the—shall I say +pleasant?—days of yore."</p> + +<p>"Oh, no, Cantercot. Don't say that; don't say that!" pleaded the little +cobbler.</p> + +<p>"Well, shall I say unpleasant, then?"</p> + +<p>"No, no, Cantercot. Don't misunderstand me. Mother has been very much +put to it lately to rub along. You see she has such a growing family. It +grows—daily. But never mind her. You pay whenever you've got the +money."</p> + +<p>Denzil shook his head. "It cannot be. You know when I came here first I +rented your top room and boarded myself. Then I learnt to know you. We +talked together. Of the Beautiful. And the Useful. I found you had no +soul. But you were honest, and I liked you. I went so far as to take my +meals with your family. I made myself at home in your back parlor. But +the vase has been shattered (I do not refer to that on the mantelpiece), +and though the scent of the roses may cling to it still, it can be +pieced together—nevermore." He shook his hair sadly and shambled out of +the shop. Crowl would have gone after him, but Mrs. Crowl was still +calling, and ladies must have the precedence in all polite societies.</p> + +<p>Cantercot went straight—or as straight as his loose gait permitted—to +46 Glover Street, and knocked at the door. Grodman's factotum opened it. +She was a pock-marked person, with a brickdust complexion and a +coquettish manner.</p> + +<p>"Oh, here we are again!" she said vivaciously.</p> + +<p>"Don't talk like a clown," Cantercot snapped. "Is Mr. Grodman in?"</p> + +<p>"No, you've put him out," growled the gentleman himself, suddenly +appearing in his slippers. "Come in. What the devil have you been doing +with yourself since the inquest? Drinking again?"</p> + +<p>"I've sworn off. Haven't touched a drop since——"</p> + +<p>"The murder?"</p> + +<p>"Eh?" said Denzil Cantercot, startled. "What do you mean?"</p> + +<p>"What I say. Since December 4, I reckon everything from that murder, +now, as they reckon longitude from Greenwich."</p> + +<p>"Oh," said Denzil Cantercot.</p> + +<p>"Let me see. Nearly a fortnight. What a long time to keep away from +Drink—and Me."</p> + +<p>"I don't know which is worse," said Denzil, irritated. "You both steal +away my brains."</p> + +<p>"Indeed?" said Grodman, with an amused smile. "Well, it's only petty +pilfering, after all. What's put salt on your wounds?"</p> + +<p>"The twenty-fourth edition of my book."</p> + +<p>"Whose book?"</p> + +<p>"Well, your book. You must be making piles of money out of 'Criminals I +Have Caught.'"</p> + +<p>"'Criminals <i>I</i> Have Caught,'" corrected Grodman. "My dear Denzil, how +often am I to point out that I went through the experiences that make +the backbone of my book, not you? In each case I cooked the criminal's +goose. Any journalist could have supplied the dressing."</p> + +<p>"The contrary. The journeymen of journalism would have left the truth +naked. You yourself could have done that—for there is no man to beat +you at cold, lucid, scientific statement. But I idealized the bare facts +and lifted them into the realm of poetry and literature. The +twenty-fourth edition of the book attests my success."</p> + +<p>"Rot! The twenty-fourth edition was all owing to the murder! Did you do +that?"</p> + +<p>"You take one up so sharply, Mr. Grodman," said Denzil, changing his +tone.</p> + +<p>"No—I've retired," laughed Grodman.</p> + +<p>Denzil did not reprove the ex-detective's flippancy. He even laughed a +little.</p> + +<p>"Well, give me another fiver, and I'll cry 'quits.' I'm in debt."</p> + +<p>"Not a penny. Why haven't you been to see me since the murder? I had to +write that letter to the 'Pell Mell Press' myself. You might have earned +a crown."</p> + +<p>"I've had writer's cramp, and couldn't do your last job. I was coming to +tell you so on the morning of the——"</p> + +<p>"Murder. So you said at the inquest."</p> + +<p>"It's true."</p> + +<p>"Of course. Weren't you on your oath? It was very zealous of you to get +up so early to tell me. In which hand did you have this cramp?"</p> + +<p>"Why, in the right, of course."</p> + +<p>"And you couldn't write with your left?"</p> + +<p>"I don't think I could even hold a pen."</p> + +<p>"Or any other instrument, mayhap. What had you been doing to bring it +on?"</p> + +<p>"Writing too much. That is the only possible cause."</p> + +<p>"Oh, I don't know. Writing what?"</p> + +<p>Denzil hesitated. "An epic poem."</p> + +<p>"No wonder you're in debt. Will a sovereign get you out of it?"</p> + +<p>"No; it wouldn't be the least use to me."</p> + +<p>"Here it is, then."</p> + +<p>Denzil took the coin and his hat.</p> + +<p>"Aren't you going to earn it, you beggar? Sit down and write something +for me."</p> + +<p>Denzil got pen and paper, and took his place.</p> + +<p>"What do you want me to write?"</p> + +<p>"The Epic Poem."</p> + +<p>Denzil started and flushed. But he set to work. Grodman leaned back in +his armchair and laughed, studying the poet's grave face.</p> + +<p>Denzil wrote three lines and paused.</p> + +<p>"Can't remember any more? Well, read me the start."</p> + +<p>Denzil read:</p> + +<div class="poem"><div class="stanza"> +<span class="i0">"Of man's first disobedience and the fruit<br /></span> +<span class="i0">Of that forbidden tree whose mortal taste<br /></span> +<span class="i2">Brought death into the world—"<br /></span> +</div></div> + +<p>"Hold on!" cried Grodman; "what morbid subjects you choose, to be sure."</p> + +<p>"Morbid! Why, Milton chose the same subject!"</p> + +<p>"Blow Milton. Take yourself off—you and your Epics."</p> + +<p>Denzil went. The pock-marked person opened the street door for him.</p> + +<p>"When am I to have that new dress, dear?" she whispered coquettishly.</p> + +<p>"I have no money, Jane," he said shortly.</p> + +<p>"You have a sovereign."</p> + +<p>Denzil gave her the sovereign, and slammed the door viciously. Grodman +overheard their whispers, and laughed silently. His hearing was acute. +Jane had first introduced Denzil to his acquaintance about two years +ago, when he spoke of getting an amanuensis, and the poet had been doing +odd jobs for him ever since. Grodman argued that Jane had her reasons. +Without knowing them he got a hold over both. There was no one, he felt, +he could not get a hold over. All men—and women—have something to +conceal, and you have only to pretend to know what it is. Thus Grodman, +who was nothing if not scientific.</p> + +<p>Denzil Cantercot shambled home thoughtfully, and abstractedly took his +place at the Crowl dinner-table.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_VI" id="CHAPTER_VI"></a>CHAPTER VI.</h2> + + +<p>Mrs. Crowl surveyed Denzil Cantercot so stonily and cut him his beef so +savagely that he said grace when the dinner was over. Peter fed his +metaphysical genius on tomatoes. He was tolerant enough to allow his +family to follow their Fads; but no savory smells ever tempted him to be +false to his vegetable loves. Besides, meat might have reminded him too +much of his work. There is nothing like leather, but Bow beefsteaks +occasionally come very near it.</p> + +<p>After dinner Denzil usually indulged in poetic reverie. But to-day he +did not take his nap. He went out at once to "raise the wind." But there +was a dead calm everywhere. In vain he asked for an advance at the +office of the "Mile End Mirror," to which he contributed scathing +leaderettes about vestrymen. In vain he trudged to the city and offered +to write the "Ham and Eggs Gazette" an essay on the modern methods of +bacon-curing. Denzil knew a great deal about the breeding and +slaughtering of pigs, smoke-lofts and drying processes, having for years +dictated the policy of the "New Pork Herald" in these momentous matters. +Denzil also knew a great deal about many other esoteric matters, +including weaving machines, the manufacture of cabbage leaves and snuff, +and the inner economy of drain-pipes. He had written for the trade +papers since boyhood. But there is great competition on these papers. So +many men of literary gifts know all about the intricate technicalities +of manufactures and markets, and are eager to set the trade right. +Grodman perhaps hardly allowed sufficiently for the step backward that +Denzil made when he devoted his whole time for months to "Criminals I +Have Caught." It was as damaging as a debauch. For when your rivals are +pushing forward, to stand still is to go back.</p> + +<p>In despair Denzil shambled toilsomely to Bethnal Green. He paused before +the window of a little tobacconist's shop, wherein was displayed a +placard announcing</p> + +<h3>"PLOTS FOR SALE."</h3> + +<p>The announcement went on to state that a large stock of plots was to be +obtained on the premises—embracing sensational plots, humorous plots, +love plots, religious plots, and poetic plots; also complete +manuscripts, original novels, poems and tales. Apply within.</p> + +<p>It was a very dirty-looking shop, with begrimed bricks and blackened +woodwork. The window contained some musty old books, an assortment of +pipes and tobacco, and a large number of the vilest daubs unhung, +painted in oil on Academy boards, and unframed. These were intended for +landscapes, as you could tell from the titles. The most expensive was +"Chingford Church," and it was marked 1s. 9d. The others ran from 6d. to +1s. 3d., and were mostly representations of Scotch scenery—a loch with +mountains in the background, with solid reflections in the water and a +tree in the foreground. Sometimes the tree would be in the background. +Then the loch would be in the foreground. Sky and water were intensely +blue in all. The name of the collection was "Original oil paintings done +by hand." Dust lay thick upon everything, as if carefully shoveled on; +and the proprietor looked as if he slept in his shop window at night +without taking his clothes off. He was a gaunt man with a red nose, long +but scanty black locks covered by a smoking cap, and a luxuriant black +mustache. He smoked a long clay pipe, and had the air of a broken-down +operatic villain.</p> + +<p>"Ah, good afternoon, Mr. Cantercot," he said, rubbing his hands, half +from cold, half from usage; "what have you brought me?"</p> + +<p>"Nothing," said Denzil, "but if you will lend me a sovereign I'll do you +a stunner."</p> + +<p>The operatic villain shook his locks, his eyes full of pawky cunning. +"If you did it after that it would be a stunner."</p> + +<p>What the operatic villain did with these plots, and who bought them, +Cantercot never knew nor cared to know. Brains are cheap to-day, and +Denzil was glad enough to find a customer.</p> + +<p>"Surely you've known me long enough to trust me," he cried.</p> + +<p>"Trust is dead," said the operatic villain, puffing away.</p> + +<p>"So is Queen Anne," cried the irritated poet. His eyes took a dangerous +hunted look. Money he must have. But the operatic villain was +inflexible. No plot, no supper.</p> + +<p>Poor Denzil went out flaming. He knew not where to turn. Temporarily he +turned on his heel again and stared despairingly at the shop window. +Again he read the legend:</p> + +<h3>"PLOTS FOR SALE."</h3> + +<p>He stared so long at this that it lost its meaning. When the sense of +the words suddenly flashed upon him again, they bore a new significance. +He went in meekly, and borrowed fourpence of the operatic villain. Then +he took the 'bus for Scotland Yard. There was a not ill-looking servant +girl in the 'bus. The rhythm of the vehicle shaped itself into rhymes in +his brain. He forgot all about his situation and his object. He had +never really written an epic—except "Paradise Lost"—but he composed +lyrics about wine and women and often wept to think how miserable he +was. But nobody ever bought anything of him, except articles on +bacon-curing or attacks on vestrymen. He was a strange, wild creature, +and the wench felt quite pretty under his ardent gaze. It almost +hypnotized her, though, and she looked down at her new French kid boots +to escape it.</p> + +<p>At Scotland Yard Denzil asked for Edward Wimp. Edward Wimp was not on +view. Like kings and editors, Detectives are difficult of +approach—unless you are a criminal, when you cannot see anything of +them at all. Denzil knew of Edward Wimp, principally because of +Grodman's contempt for his successor. Wimp was a man of taste and +culture. Grodman's interests were entirely concentrated on the problems +of logic and evidence. Books about these formed his sole reading; for +<i>belles lettres</i> he cared not a straw. Wimp, with his flexible +intellect, had a great contempt for Grodman and his slow, laborious, +ponderous, almost Teutonic methods. Worse, he almost threatened to +eclipse the radiant tradition of Grodman by some wonderfully ingenious +bits of workmanship. Wimp was at his greatest in collecting +circumstantial evidence; in putting two and two together to make five. +He would collect together a number of dark and disconnected data and +flash across them the electric light of some unifying hypothesis in a +way which would have done credit to a Darwin or a Faraday. An intellect +which might have served to unveil the secret workings of nature was +subverted to the protection of a capitalistic civilization.</p> + +<p>By the assistance of a friendly policeman, whom the poet magnetized into +the belief that his business was a matter of life and death, Denzil +obtained the great detective's private address. It was near King's +Cross. By a miracle Wimp was at home in the afternoon. He was writing +when Denzil was ushered up three pairs of stairs into his presence, but +he got up and flashed the bull's-eye of his glance upon the visitor.</p> + +<p>"Mr. Denzil Cantercot, I believe!" said Wimp.</p> + +<p>Denzil started. He had not sent up his name, merely describing himself +as a gentleman.</p> + +<p>"That is my name," he murmured.</p> + +<p>"You were one of the witnesses at the inquest on the body of the late +Arthur Constant. I have your evidence there." He pointed to a file. "Why +have you come to give fresh evidence?"</p> + +<p>Again Denzil started, flushing in addition this time. "I want money," he +said, almost involuntarily.</p> + +<p>"Sit down." Denzil sat. Wimp stood.</p> + +<p>Wimp was young and fresh-colored. He had a Roman nose, and was smartly +dressed. He had beaten Grodman by discovering the wife Heaven meant for +him. He had a bouncing boy, who stole jam out of the pantry without +anyone being the wiser. Wimp did what work he could do at home in a +secluded study at the top of the house. Outside his chamber of horrors +he was the ordinary husband of commerce. He adored his wife, who thought +poorly of his intellect, but highly of his heart. In domestic +difficulties Wimp was helpless. He could not even tell whether the +servant's "character" was forged or genuine. Probably he could not level +himself to such petty problems. He was like the senior wrangler who has +forgotten how to do quadratics, and has to solve equations of the second +degree by the calculus.</p> + +<p>"How much money do you want?" he asked.</p> + +<p>"I do not make bargains," Denzil replied, his calm come back by this +time. "I came to tender you a suggestion. It struck me that you might +offer me a fiver for my trouble. Should you do so, I shall not refuse +it."</p> + +<p>"You shall not refuse it—if you deserve it."</p> + +<p>"Good. I will come to the point at once. My suggestion concerns—Tom +Mortlake."</p> + +<p>Denzil threw out the name as if it were a torpedo. Wimp did not move.</p> + +<p>"Tom Mortlake," went on Denzil, looking disappointed, "had a +sweetheart." He paused impressively.</p> + +<p>Wimp said "Yes?"</p> + +<p>"Where is that sweetheart now?"</p> + +<p>"Where, indeed?"</p> + +<p>"You know about her disappearance?"</p> + +<p>"You have just informed me of it."</p> + +<p>"Yes, she is gone—without a trace. She went about a fortnight before +Mr. Constant's murder."</p> + +<p>"Murder? How do you know it was a murder?"</p> + +<p>"Mr. Grodman says so," said Denzil, startled again.</p> + +<p>"H'm! Isn't that rather a proof that it was suicide? Well, go on."</p> + +<p>"About a fortnight before the suicide, Jessie Dymond disappeared. So +they tell me in Stepney Green, where she lodged and worked."</p> + +<p>"What was she?"</p> + +<p>"She was a dressmaker. She had a wonderful talent. Quite fashionable +ladies got to know of it. One of her dresses was presented at Court. I +think the lady forgot to pay for it; so Jessie's landlady said."</p> + +<p>"Did she live alone?"</p> + +<p>"She had no parents, but the house was respectable."</p> + +<p>"Good-looking, I suppose?"</p> + +<p>"As a poet's dream."</p> + +<p>"As yours, for instance?"</p> + +<p>"I am a poet; I dream."</p> + +<p>"You dream you are a poet. Well, well! She was engaged to Mortlake?"</p> + +<p>"Oh, yes! They made no secret of it. The engagement was an old one. When +he was earning 36s. a week as a compositor they were saving up to buy a +home. He worked at Railton and Hockes', who print the 'New Pork Herald.' +I used to take my 'copy' into the comps' room, and one day the Father of +the Chapel told me all about 'Mortlake and his young woman.' Ye gods! +How times are changed! Two years ago Mortlake had to struggle with my +caligraphy—now he is in with all the nobs, and goes to the 'at homes' +of the aristocracy."</p> + +<p>"Radical M. P.'s," murmured Wimp, smiling.</p> + +<p>"While I am still barred from the dazzling drawing-rooms, where beauty +and intellect foregather. A mere artisan! A manual laborer!" Denzil's +eyes flashed angrily. He rose with excitement. "They say he always was a +jabberer in the composing-room, and he has jabbered himself right out of +it and into a pretty good thing. He didn't have much to say about the +crimes of capital when he was set up to second the toast of 'Railton and +Hockes' at the beanfeast."</p> + +<p>"Toast and butter, toast and butter," said Wimp genially. "I shouldn't +blame a man for serving the two together, Mr. Cantercot."</p> + +<p>Denzil forced a laugh. "Yes; but consistency's my motto. I like to see +the royal soul immaculate, unchanging, immovable by fortune. Anyhow, +when better times came for Mortlake the engagement still dragged on. He +did not visit her so much. This last autumn he saw very little of her."</p> + +<p>"How do you know?"</p> + +<p>"I—I was often in Stepney Green. My business took me past the house of +an evening. Sometimes there was no light in her room. That meant she was +downstairs gossiping with the landlady."</p> + +<p>"She might have been out with Tom?"</p> + +<p>"No, sir; I knew Tom was on the platform somewhere or other. He was +working up to all hours organizing the eight hours working movement."</p> + +<p>"A very good reason for relaxing his sweethearting."</p> + +<p>"It was. He never went to Stepney Green on a week night."</p> + +<p>"But you always did."</p> + +<p>"No—not every night."</p> + +<p>"You didn't go in?"</p> + +<p>"Never. She wouldn't permit my visits. She was a girl of strong +character. She always reminded me of Flora Macdonald."</p> + +<p>"Another lady of your acquaintance?"</p> + +<p>"A lady I know better than the shadows who surround me; who is more real +to me than the women who pester me for the price for apartments. Jessie +Dymond, too, was of the race of heroines. Her eyes were clear blue, two +wells with Truth at the bottom of each. When I looked into those eyes my +own were dazzled. They were the only eyes I could never make dreamy." He +waved his hand as if making a pass with it. "It was she who had the +influence over me."</p> + +<p>"You knew her then?"</p> + +<p>"Oh, yes. I knew Tom from the old 'New Pork Herald' days, and when I +first met him with Jessie hanging on his arm he was quite proud to +introduce her to a poet. When he got on he tried to shake me off."</p> + +<p>"You should have repaid him what you borrowed."</p> + +<p>"It—it—was only a trifle," stammered Denzil.</p> + +<p>"Yes, but the world turns on trifles," said the wise Wimp.</p> + +<p>"The world is itself a trifle," said the pensive poet. "The Beautiful +alone is deserving of our regard."</p> + +<p>"And when the Beautiful was not gossiping with her landlady, did she +gossip with you as you passed the door?"</p> + +<p>"Alas, no! She sat in her room reading, and cast a shadow—"</p> + +<p>"On your life?"</p> + +<p>"No; on the blind."</p> + +<p>"Always one shadow?"</p> + +<p>"No, sir. Once or twice, two."</p> + +<p>"Ah, you had been drinking."</p> + +<p>"On my life, not. I have sworn off the treacherous wine-cup."</p> + +<p>"That's right. Beer is bad for poets. It makes their feet shaky. Whose +was the second shadow?"</p> + +<p>"A man's."</p> + +<p>"Naturally. Mortlake's, perhaps?"</p> + +<p>"Impossible. He was still striking eight hours."</p> + +<p>"You found out whose? You didn't leave it a shadow of doubt?"</p> + +<p>"No; I waited till the substance came out."</p> + +<p>"It was Arthur Constant."</p> + +<p>"You are a magician! You—you terrify me. Yes, it was he."</p> + +<p>"Only once or twice, you say?"</p> + +<p>"I didn't keep watch over them."</p> + +<p>"No, no, of course not. You only passed casually. I understand you +thoroughly."</p> + +<p>Denzil did not feel comfortable at the assertion.</p> + +<p>"What did he go there for?" Wimp went on.</p> + +<p>"I don't know. I'd stake my soul on Jessie's honor."</p> + +<p>"You might double your stake without risk."</p> + +<p>"Yes, I might! I would! You see her with my eyes."</p> + +<p>"For the moment they are the only ones available. When was the last time +you saw the two together?"</p> + +<p>"About the middle of November."</p> + +<p>"Mortlake knew nothing of their meetings?"</p> + +<p>"I don't know. Perhaps he did. Mr. Constant had probably enlisted her in +his social mission work. I knew she was one of the attendants at the big +children's tea in the Great Assembly Hall early in November. He treated +her quite like a lady. She was the only attendant who worked with her +hands."</p> + +<p>"The others carried the cups on their feet, I suppose?"</p> + +<p>"No; how could that be? My meaning is that all the other attendants were +real ladies, and Jessie was only an amateur, so to speak. There was no +novelty for her in handing kids cups of tea. I daresay she had helped +her landlady often enough at that—there's quite a bushel of brats below +stairs. It's almost as bad as at friend Crowl's. Jessie was a real +brick. But perhaps Tom didn't know her value. Perhaps he didn't like +Constant to call on her, and it led to a quarrel. Anyhow, she's +disappeared, like the snowfall on the river. There's not a trace. The +landlady, who was such a friend of hers that Jessie used to make up her +stuff into dresses for nothing, tells me that she's dreadfully annoyed +at not having been left the slightest clue to her late tenant's +whereabouts."</p> + +<p>"You have been making inquiries on your own account apparently."</p> + +<p>"Only of the landlady. Jessie never even gave her the week's notice, but +paid her in lieu of it, and left immediately. The landlady told me I +could have knocked her down with a feather. Unfortunately, I wasn't +there to do it, for I should certainly have knocked her down for not +keeping her eyes open better. She says if she had only had the least +suspicion beforehand that the minx (she dared to call Jessie a minx) was +going, she'd have known where, or her name would have been somebody +else's. And yet she admits that Jessie was looking ill and worried. +Stupid old hag!"</p> + +<p>"A woman of character," murmured the detective.</p> + +<p>"Didn't I tell you so?" cried Denzil eagerly. "Another girl would have +let out that she was going. But, no! not a word. She plumped down the +money and walked out. The landlady ran upstairs. None of Jessie's things +were there. She must have quietly sold them off, or transferred them to +the new place. I never in my life met a girl who so thoroughly knew her +own mind or had a mind so worth knowing. She always reminded me of the +Maid of Saragossa."</p> + +<p>"Indeed! And when did she leave?"</p> + +<p>"On the 19th of November."</p> + +<p>"Mortlake of course knows where she is?"</p> + +<p>"I can't say. Last time I was at the house to inquire—it was at the end +of November—he hadn't been seen there for six weeks. He wrote to her, +of course, sometimes—the landlady knew his writing."</p> + +<p>Wimp looked Denzil straight in the eyes, and said, "You mean, of course, +to accuse Mortlake of the murder of Mr. Constant?"</p> + +<p>"N-n-no, not at all," stammered Denzil, "only you know what Mr. Grodman +wrote to the 'Pell Mell.' The more we know about Mr. Constant's life the +more we shall know about the manner of his death. I thought my +information would be valuable to you, and I brought it."</p> + +<p>"And why didn't you take it to Mr. Grodman?"</p> + +<p>"Because I thought it wouldn't be valuable to me."</p> + +<p>"You wrote 'Criminals I Have Caught.'"</p> + +<p>"How—how do you know that?" Wimp was startling him to-day with a +vengeance.</p> + +<p>"Your style, my dear Mr. Cantercot. The unique noble style."</p> + +<p>"Yes, I was afraid it would betray me," said Denzil. "And since you +know, I may tell you that Grodman's a mean curmudgeon. What does he want +with all that money and those houses—a man with no sense of the +Beautiful? He'd have taken my information, and given me more kicks than +ha'pence for it, so to speak."</p> + +<p>"Yes, he is a shrewd man after all. I don't see anything valuable in +your evidence against Mortlake."</p> + +<p>"No!" said Denzil in a disappointed tone, and fearing he was going to be +robbed. "Not when Mortlake was already jealous of Mr. Constant, who was +a sort of rival organizer, unpaid! A kind of blackleg doing the work +cheaper—nay, for nothing."</p> + +<p>"Did Mortlake tell you he was jealous?" said Wimp, a shade of sarcastic +contempt piercing through his tones.</p> + +<p>"Oh, yes! He said to me, 'That man will work mischief. I don't like your +kid-glove philanthropists meddling in matters they don't understand.'"</p> + +<p>"Those were his very words?"</p> + +<p>"His <i>ipsissima verba</i>."</p> + +<p>"Very well. I have your address in my files. Here is a sovereign for +you."</p> + +<p>"Only one sovereign! It's not the least use to me."</p> + +<p>"Very well. It's of great use to me. I have a wife to keep."</p> + +<p>"I haven't," said Denzil with a sickly smile, "so perhaps I can manage +on it after all." He took his hat and the sovereign.</p> + +<p>Outside the door he met a rather pretty servant just bringing in some +tea to her master. He nearly upset her tray at sight of her. She seemed +more amused at the <i>rencontre</i> than he.</p> + +<p>"Good afternoon, dear," she said coquettishly. "You might let me have +that sovereign. I do so want a new Sunday bonnet."</p> + +<p>Denzil gave her the sovereign, and slammed the hall door viciously when +he got to the bottom of the stairs. He seemed to be walking arm-in-arm +with the long arm of coincidence. Wimp did not hear the duologue. He was +already busy on his evening's report to headquarters. The next day +Denzil had a body-guard wherever he went. It might have gratified his +vanity had he known it. But to-night he was yet unattended, so no one +noted that he went to 46 Glover Street, after the early Crowl supper. He +could not help going. He wanted to get another sovereign. He also itched +to taunt Grodman. Not succeeding in the former object, he felt the road +open for the second.</p> + +<p>"Do you still hope to discover the Bow murderer?" he asked the old +bloodhound.</p> + +<p>"I can lay my hand on him now," Grodman announced curtly.</p> + +<p>Denzil hitched his chair back involuntarily. He found conversation with +detectives as lively as playing at skittles with bombshells. They got on +his nerves terribly, these undemonstrative gentlemen with no sense of +the Beautiful.</p> + +<p>"But why don't you give him up to justice?" he murmured.</p> + +<p>"Ah—it has to be proved yet. But it is only a matter of time."</p> + +<p>"Oh!" said Denzil, "and shall I write the story for you?"</p> + +<p>"No. You will not live long enough."</p> + +<p>Denzil turned white. "Nonsense! I am years younger than you," he gasped.</p> + +<p>"Yes," said Grodman, "but you drink so much."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_VII" id="CHAPTER_VII"></a>CHAPTER VII.</h2> + + +<p>When Wimp invited Grodman to eat his Christmas plum-pudding at King's +Cross Grodman was only a little surprised. The two men were always +overwhelmingly cordial when they met, in order to disguise their mutual +detestation. When people really like each other, they make no +concealment of their mutual contempt. In his letter to Grodman, Wimp +said that he thought it would be nicer for him to keep Christmas in +company than in solitary state. There seems to be a general prejudice in +favor of Christmas numbers, and Grodman yielded to it. Besides, he +thought that a peep at the Wimp domestic interior would be as good as a +pantomime. He quite enjoyed the fun that was coming, for he knew that +Wimp had not invited him out of mere "peace and goodwill."</p> + +<p>There was only one other guest at the festive board. This was Wimp's +wife's mother's mother, a lady of sweet seventy. Only a minority of +mankind can obtain a grandmother-in-law by marrying, but Wimp was not +unduly conceited. The old lady suffered from delusions. One of them was +that she was a centenarian. She dressed for the part. It is +extraordinary what pains ladies will take to conceal their age. Another +of Wimp's grandmother-in-law's delusions was that Wimp had married to +get her into the family. Not to frustrate his design, she always gave +him her company on high-days and holidays. Wilfred Wimp—the little boy +who stole the jam—was in great form at the Christmas dinner. The only +drawback to his enjoyment was that its sweets needed no stealing. His +mother presided over the platters, and thought how much cleverer Grodman +was than her husband. When the pretty servant who waited on them was +momentarily out of the room, Grodman had remarked that she seemed very +inquisitive. This coincided with Mrs. Wimp's own convictions, though Mr. +Wimp could never be brought to see anything unsatisfactory or suspicious +about the girl, not even though there were faults in spelling in the +"character" with which her last mistress had supplied her.</p> + +<p>It was true that the puss had pricked up her ears when Denzil +Cantercot's name was mentioned. Grodman saw it and watched her, and +fooled Wimp to the top of his bent. It was, of course, Wimp who +introduced the poet's name, and he did it so casually that Grodman +perceived at once that he wished to pump him. The idea that the rival +bloodhound should come to him for confirmation of suspicions against his +own pet jackal was too funny. It was almost as funny to Grodman that +evidence of some sort should be obviously lying to hand in the bosom of +Wimp's hand-maiden; so obviously that Wimp could not see it. Grodman +enjoyed his Christmas dinner, secure that he had not found a successor +after all. Wimp, for his part, contemptuously wondered at the way +Grodman's thought hovered about Denzil without grazing the truth. A man +constantly about him, too!</p> + +<p>"Denzil is a man of genius," said Grodman. "And as such comes under the +heading of Suspicious Characters. He has written an Epic Poem and read +it to me. It is morbid from start to finish. There is 'death' in the +third line. I daresay you know he polished up my book." Grodman's +artlessness was perfect.</p> + +<p>"No. You surprise me," Wimp replied. "I'm sure he couldn't have done +much to it. Look at your letter in the 'Pell Mell.' Who wants more +polish and refinement than that showed?"</p> + +<p>"Ah, I didn't know you did me the honor of reading that."</p> + +<p>"Oh, yes; we both read it," put in Mrs. Wimp. "I told Mr. Wimp it was +clever and cogent. After that quotation from the letter to the poor +fellow's <i>fiancée</i> there could be no more doubt but that it was murder. +Mr. Wimp was convinced by it, too, weren't you, Edward?"</p> + +<p>Edward coughed uneasily. It was a true statement, and therefore an +indiscreet. Grodman would plume himself terribly. At this moment Wimp +felt that Grodman had been right in remaining a bachelor. Grodman +perceived the humor of the situation, and wore a curious, sub-mocking +smile.</p> + +<p>"On the day I was born," said Wimp's grandmother-in-law, "over a hundred +years ago, there was a babe murdered." Wimp found himself wishing it had +been she. He was anxious to get back to Cantercot. "Don't let us talk +shop on Christmas Day," he said, smiling at Grodman. "Besides, murder +isn't a very appropriate subject."</p> + +<p>"No, it ain't," said Grodman. "How did we get on to it? Oh, yes—Denzil +Cantercot. Ha! ha! ha! That's curious, for since Denzil wrote 'Criminals +I have Caught,' his mind's running on nothing but murders. A poet's +brain is easily turned."</p> + +<p>Wimp's eye glittered with excitement and contempt for Grodman's +blindness. In Grodman's eye there danced an amused scorn of Wimp; to the +outsider his amusement appeared at the expense of the poet.</p> + +<p>Having wrought his rival up to the highest pitch Grodman slyly and +suddenly unstrung him.</p> + +<p>"How lucky for Denzil!" he said, still in the same naive, facetious +Christmasy tone, "that he can prove an alibi in this Constant affair."</p> + +<p>"An alibi!" gasped Wimp. "Really?"</p> + +<p>"Oh, yes. He was with his wife, you know. She's my woman of all work, +Jane. She happened to mention his being with her."</p> + +<p>Jane had done nothing of the kind. After the colloquy he had overheard +Grodman had set himself to find out the relation between his two +employes. By casually referring to Denzil as "your husband" he so +startled the poor woman that she did not attempt to deny the bond. Only +once did he use the two words, but he was satisfied. As to the alibi he +had not yet troubled her; but to take its existence for granted would +upset and discomfort Wimp. For the moment that was triumph enough for +Wimp's guest.</p> + +<p>"Par," said Wilfred Wimp, "what's a alleybi? A marble?"</p> + +<p>"No, my lad," said Grodman, "it means being somewhere else when you're +supposed to be somewhere."</p> + +<p>"Ah, playing truant," said Wilfred self-consciously; his schoolmaster +had often proved an alibi against him. "Then Denzil will be hanged."</p> + +<p>Was it a prophecy? Wimp accepted it as such; as an oracle from the gods +bidding him mistrust Grodman. Out of the mouths of little children +issueth wisdom; sometimes even when they are not saying their lessons.</p> + +<p>"When I was in my cradle, a century ago," said Wimp's +grandmother-in-law, "men were hanged for stealing horses."</p> + +<p>They silenced her with snapdragon performances.</p> + +<p>Wimp was busy thinking how to get at Grodman's factotum.</p> + +<p>Grodman was busy thinking how to get at Wimp's domestic.</p> + +<p>Neither received any of the usual messages from the Christmas Bells.</p> + +<hr style='width: 45%;' /> + +<p>The next day was sloppy and uncertain. A thin rain drizzled languidly. +One can stand that sort of thing on a summer Bank Holiday; one expects +it. But to have a bad December Bank Holiday is too much of a bad thing. +Some steps should surely be taken to confuse the weather clerk's +chronology. Once let him know that Bank Holiday is coming, and he writes +to the company for more water. To-day his stock seemed low and he was +dribbling it out; at times the wintry sun would shine in a feeble, +diluted way, and though the holiday-makers would have preferred to take +their sunshine neat, they swarmed forth in their myriads whenever there +was a ray of hope. But it was only dodging the raindrops; up went the +umbrellas again, and the streets became meadows of ambulating mushrooms.</p> + +<p>Denzil Cantercot sat in his fur overcoat at the open window, looking at +the landscape in water colors. He smoked an after-dinner cigarette, and +spoke of the Beautiful. Crowl was with him. They were in the first floor +front, Crowl's bedroom, which, from its view of the Mile End Road, was +livelier than the parlor with its outlook on the backyard. Mrs. Crowl +was an anti-tobacconist as regards the best bedroom; but Peter did not +like to put the poet or his cigarette out. He felt there was something +in common between smoke and poetry, over and above their being both +Fads. Besides, Mrs. Crowl was sulking in the kitchen. She had been +arranging for an excursion with Peter and the children to Victoria Park. +She had dreamed of the Crystal Palace, but Santa Claus had put no gifts +in the cobbler's shoes. Now she could not risk spoiling the feather in +her bonnet. The nine brats expressed their disappointment by slapping +one another on the staircases. Peter felt that Mrs. Crowl connected him +in some way with the rainfall, and was unhappy. Was it not enough that +he had been deprived of the pleasure of pointing out to a superstitious +majority the mutual contradictions of Leviticus and the Song of Solomon? +It was not often that Crowl could count on such an audience.</p> + +<p>"And you still call Nature beautiful?" he said to Denzil, pointing to +the ragged sky and the dripping eaves. "Ugly old scarecrow!"</p> + +<p>"Ugly she seems to-day," admitted Denzil. "But what is Ugliness but a +higher form of Beauty? You have to look deeper into it to see it; such +vision is the priceless gift of the few. To me this wan desolation of +sighing rain is lovely as the sea-washed ruins of cities."</p> + +<p>"Ah, but you wouldn't like to go out in it," said Peter Crowl. As he +spoke the drizzle suddenly thickened into a torrent.</p> + +<p>"We do not always kiss the woman we love."</p> + +<p>"Speak for yourself, Denzil. I'm only a plain man, and I want to know if +Nature isn't a Fad. Hallo, there goes Mortlake! Lord, a minute of this +will soak him to the skin."</p> + +<p>The labor leader was walking along with bowed head. He did not seem to +mind the shower. It was some seconds before he even heard Crowl's +invitation to him to take shelter. When he did hear it he shook his +head.</p> + +<p>"I know I can't offer you a drawing-room with duchesses stuck about it," +said Peter, vexed.</p> + +<p>Tom turned the handle of the shop door and went in. There was nothing in +the world which now galled him more than the suspicion that he was +stuck-up and wished to cut old friends. He picked his way through the +nine brats who clung affectionately to his wet knees, dispersing them +finally by a jet of coppers to scramble for. Peter met him on the stair +and shook his hand lovingly and admiringly, and took him into Mrs. +Crowl's bedroom.</p> + +<p>"Don't mind what I say, Tom. I'm only a plain man, and my tongue will +say what comes uppermost! But it ain't from the soul, Tom, it ain't from +the soul," said Peter, punning feebly, and letting a mirthless smile +play over his sallow features. "You know Mr. Cantercot, I suppose? The +poet."</p> + +<p>"Oh, yes; how do you do, Tom? Seen the 'New Pork Herald' lately? Not +bad, those old times, eh?"</p> + +<p>"No," said Tom, "I wish I was back in them."</p> + +<p>"Nonsense, nonsense," said Peter, in much concern. "Look at the good you +are doing to the working man. Look how you are sweeping away the Fads. +Ah, it's a grand thing to be gifted, Tom. The idea of your chuckin' +yourself away on a composin' room! Manual labor is all very well for +plain men like me, with no gift but just enough brains to see into the +realities of things—to understand that we've got no soul and no +immortality, and all that—and too selfish to look after anybody's +comfort but my own and mother's and the kid's. But men like you and +Cantercot—it ain't right that you should be peggin' away at low +material things. Not that I think Cantercot's gospel's any value to the +masses. The Beautiful is all very well for folks who've got nothing else +to think of, but give me the True. You're the man for my money, +Mortlake. No reference to the funds, Tom, to which I contribute little +enough, Heaven knows; though how a place can know anything, Heaven alone +knows. You give us the Useful, Tom; that's what the world wants more +than the Beautiful."</p> + +<p>"Socrates said that the Useful is the Beautiful," said Denzil.</p> + +<p>"That may be," said Peter, "but the Beautiful ain't the Useful."</p> + +<p>"Nonsense!" said Denzil. "What about Jessie—I mean Miss Dymond? There's +a combination for you. She always reminds me of Grace Darling. How is +she, Tom?"</p> + +<p>"She's dead!" snapped Tom.</p> + +<p>"What?" Denzil turned as white as a Christmas ghost.</p> + +<p>"It was in the papers," said Tom; "all about her and the lifeboat."</p> + +<p>"Oh, you mean Grace Darling," said Denzil, visibly relieved. "I meant +Miss Dymond."</p> + +<p>"You needn't be so interested in her," said Tom, surlily. "She don't +appreciate it. Ah, the shower is over. I must be going."</p> + +<p>"No, stay a little longer, Tom," pleaded Peter. "I see a lot about you +in the papers, but very little of your dear old phiz now. I can't spare +the time to go and hear you. But I really must give myself a treat. +When's your next show?"</p> + +<p>"Oh, I am always giving shows," said Tom, smiling a little. "But my next +big performance is on the twenty-first of January, when that picture of +poor Mr. Constant is to be unveiled at the Bow Break o' Day Club. They +have written to Gladstone and other big pots to come down. I do hope the +old man accepts. A non-political gathering like this is the only +occasion we could both speak at, and I have never been on the same +platform with Gladstone."</p> + +<p>He forgot his depression and ill-temper in the prospect, and spoke with +more animation.</p> + +<p>"No, I should hope not, Tom," said Peter. "What with his Fads about the +Bible being a Rock, and Monarchy being the right thing, he is a most +dangerous man to lead the Radicals. He never lays his ax to the root of +anything—except oak trees."</p> + +<p>"Mr. Cantycot!" It was Mrs. Crowl's voice that broke in upon the tirade. +"There's a gentleman to see you." The astonishment Mrs. Crowl put into +the "gentleman" was delightful. It was almost as good as a week's rent +to her to give vent to her feelings. The controversial couple had moved +away from the window when Tom entered, and had not noticed the immediate +advent of another visitor who had spent his time profitably in listening +to Mrs. Crowl before asking to see the presumable object of his visit.</p> + +<p>"Ask him up if it's a friend of yours, Cantercot," said Peter. It was +Wimp. Denzil was rather dubious as to the friendship, but he preferred +to take Wimp diluted. "Mortlake's upstairs," he said. "Will you come up +and see him?"</p> + +<p>Wimp had intended a duologue, but he made no objection, so he, too, +stumbled through the nine brats to Mrs. Crowl's bedroom. It was a queer +quartette. Wimp had hardly expected to find anybody at the house on +Boxing Day, but he did not care to waste a day. Was not Grodman, too, on +the track? How lucky it was that Denzil had made the first overtures, so +that he could approach him without exciting suspicion.</p> + +<p>Mortlake scowled when he saw the detective. He objected to the +police—on principle. But Crowl had no idea who the visitor was, even +when told his name. He was rather pleased to meet one of Denzil's +high-class friends, and welcomed him warmly. Probably he was some famous +editor, which would account for his name stirring vague recollections. +He summoned the eldest brat and sent him for beer (people would have +their Fads), and not without trepidation called down to "Mother" for +glasses. "Mother" observed at night (in the same apartment) that the +beer money might have paid the week's school fees for half the family.</p> + +<p>"We were just talking of poor Mr. Constant's portrait, Mr. Wimp," said +the unconscious Crowl; "they're going to unveil it, Mortlake tells me, +on the twenty-first of next month at the Bow Break o' Day Club."</p> + +<p>"Ah," said Wimp, elated at being spared the trouble of maneuvering the +conversation; "mysterious affair that, Mr. Crowl."</p> + +<p>"No; it's the right thing," said Peter. "There ought to be some memorial +of the man in the district where he worked and where he died, poor +chap." The cobbler brushed away a tear.</p> + +<p>"Yes, it's only right," echoed Mortlake a whit eagerly. "He was a noble +fellow, a true philanthropist. The only thoroughly unselfish worker I've +ever met."</p> + +<p>"He was that," said Peter; "and it's a rare pattern is unselfishness. +Poor fellow, poor fellow. He preached the Useful, too. I've never met +his like. Ah, I wish there was a Heaven for him to go to!" He blew his +nose violently with a red pocket-handkerchief.</p> + +<p>"Well, he's there, if there <i>is</i>," said Tom.</p> + +<p>"I hope he is," added Wimp fervently; "but I shouldn't like to go there +the way he did."</p> + +<p>"You were the last person to see him, Tom, weren't you?" said Denzil.</p> + +<p>"Oh, no," answered Tom quickly. "You remember he went out after me; at +least, so Mrs. Drabdump said at the inquest."</p> + +<p>"That last conversation he had with you, Tom," said Denzil. "He didn't +say anything to you that would lead you to suppose—"</p> + +<p>"No, of course not!" interrupted Mortlake impatiently.</p> + +<p>"Do you really think he was murdered, Tom?" said Denzil.</p> + +<p>"Mr. Wimp's opinion on that point is more valuable than mine," replied +Tom, testily. "It may have been suicide. Men often get sick of +life—especially if they are bored," he added meaningly.</p> + +<p>"Ah, but you were the last person known to be with him," said Denzil.</p> + +<p>Crowl laughed. "Had you there, Tom."</p> + +<p>But they did not have Tom there much longer, for he departed, looking +even worse-tempered than when he came. Wimp went soon after, and Crowl +and Denzil were left to their interminable argumentation concerning the +Useful and the Beautiful.</p> + +<p>Wimp went west. He had several strings (or cords) to his bow, and he +ultimately found himself at Kensal Green Cemetery. Being there, he went +down the avenues of the dead to a grave to note down the exact date of a +death. It was a day on which the dead seemed enviable. The dull, sodden +sky, the dripping, leafless trees, the wet spongy soil, the reeking +grass—everything combined to make one long to be in a warm, comfortable +grave, away from the leaden ennui of life. Suddenly the detective's keen +eye caught sight of a figure that made his heart throb with sudden +excitement. It was that of a woman in a gray shawl and a brown bonnet +standing before a railed-in grave. She had no umbrella. The rain plashed +mournfully upon her, but left no trace on her soaking garments. Wimp +crept up behind her, but she paid no heed to him. Her eyes were lowered +to the grave, which seemed to be drawing them toward it by some strange +morbid fascination. His eyes followed hers. The simple headstone bore +the name: "Arthur Constant."</p> + +<p>Wimp tapped her suddenly on the shoulder.</p> + +<p>Mrs. Drabdump went deadly white. She turned round, staring at Wimp +without any recognition.</p> + +<p>"You remember me, surely," he said. "I've been down once or twice to +your place about that poor gentleman's papers." His eye indicated the +grave.</p> + +<p>"Lor! I remember you now," said Mrs. Drabdump.</p> + +<p>"Won't you come under my umbrella? You must be drenched to the skin."</p> + +<p>"It don't matter, sir. I can't take no hurt. I've had the rheumatics +this twenty year."</p> + +<p>Mrs. Drabdump shrank from accepting Wimp's attentions, not so much +perhaps because he was a man as because he was a gentleman. Mrs. +Drabdump liked to see the fine folks keep their place, and not +contaminate their skirts by contact with the lower castes. "It's set +wet, it'll rain right into the new year," she announced. "And they say a +bad beginnin' makes a worse endin'." Mrs. Drabdump was one of those +persons who give you the idea that they just missed being born +barometers.</p> + +<p>"But what are you doing in this miserable spot, so far from home?" +queried the detective.</p> + +<p>"It's Bank Holiday," Mrs. Drabdump reminded him in tones of acute +surprise. "I always make a hexcursion on Bank Holiday."</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_VIII" id="CHAPTER_VIII"></a>CHAPTER VIII.</h2> + + +<p>The New Year brought Mrs. Drabdump a new lodger. He was an old gentleman +with a long gray beard. He rented the rooms of the late Mr. Constant, +and lived a very retired life. Haunted rooms—or rooms that ought to be +haunted if the ghosts of those murdered in them had any +self-respect—are supposed to fetch a lower rent in the market. The +whole Irish problem might be solved if the spirits of "Mr. Balfour's +victims" would only depreciate the value of property to a point +consistent with the support of an agricultural population. But Mrs. +Drabdump's new lodger paid so much for his rooms that he laid himself +open to a suspicion of special interest in ghosts. Perhaps he was a +member of the Psychical Society. The neighborhood imagined him another +mad philanthropist, but as he did not appear to be doing any good to +anybody it relented and conceded his sanity. Mortlake, who occasionally +stumbled across him in the passage, did not trouble himself to think +about him at all. He was too full of other troubles and cares. Though he +worked harder than ever, the spirit seemed to have gone out of him. +Sometimes he forgot himself in a fine rapture of eloquence—lashing +himself up into a divine resentment of injustice or a passion of +sympathy with the sufferings of his brethren—but mostly he plodded on +in dull, mechanical fashion. He still made brief provincial tours, +starring a day here and a day there, and everywhere his admirers +remarked how jaded and overworked he looked. There was talk of starting +a subscription to give him a holiday on the Continent—a luxury +obviously unobtainable on the few pounds allowed him per week. The new +lodger would doubtless have been pleased to subscribe, for he seemed +quite to like occupying Mortlake's chamber the nights he was absent, +though he was thoughtful enough not to disturb the hardworked landlady +in the adjoining room by unseemly noise. Wimp was always a quiet man.</p> + +<p>Meantime the 21st of the month approached, and the East End was in +excitement. Mr. Gladstone had consented to be present at the ceremony of +unveiling the portrait of Arthur Constant, presented by an unknown donor +to the Bow Break o' Day Club, and it was to be a great function. The +whole affair was outside the lines of party politics, so that even +Conservatives and Socialists considered themselves justified in +pestering the committee for tickets. To say nothing of ladies. As the +committee desired to be present themselves, nine-tenths of the +applications for admission had to be refused, as is usual on these +occasions. The committee agreed among themselves to exclude the fair sex +altogether as the only way of disposing of their womankind who were +making speeches as long as Mr. Gladstone's. Each committeeman told his +sisters, female cousins and aunts that the other committeemen had +insisted on divesting the function of all grace; and what could a man do +when he was in a minority of one?</p> + +<p>Crowl, who was not a member of the Break o' Day Club, was particularly +anxious to hear the great orator whom he despised; fortunately Mortlake +remembered the cobbler's anxiety to hear himself, and on the eve of the +ceremony sent him a ticket. Crowl was in the first flush of possession +when Denzil Cantercot returned, after a sudden and unannounced absence +of three days. His clothes were muddy and tattered, his cocked hat was +deformed, his cavalier beard was matted, and his eyes were bloodshot. +The cobbler nearly dropped the ticket at the sight of him. "Hullo, +Cantercot!" he gasped. "Why, where have you been all these days?"</p> + +<p>"Terribly busy!" said Denzil. "Here, give me a glass of water. I'm dry +as the Sahara."</p> + +<p>Crowl ran inside and got the water, trying hard not to inform Mrs. Crowl +of their lodger's return. "Mother" had expressed herself freely on the +subject of the poet during his absence, and not in terms which would +have commended themselves to the poet's fastidious literary sense. +Indeed, she did not hesitate to call him a sponger and a low swindler, +who had run away to avoid paying the piper. Her fool of a husband might +be quite sure he would never set eyes on the scoundrel again. However, +Mrs. Crowl was wrong. Here was Denzil back again. And yet Mr. Crowl felt +no sense of victory. He had no desire to crow over his partner and to +utter that "See! didn't I tell you so?" which is a greater consolation +than religion in most of the misfortunes of life. Unfortunately, to get +the water, Crowl had to go to the kitchen; and as he was usually such a +temperate man, this desire for drink in the middle of the day attracted +the attention of the lady in possession. Crowl had to explain the +situation. Mrs. Crowl ran into the shop to improve it. Mr. Crowl +followed in dismay, leaving a trail of spilled water in his wake.</p> + +<p>"You good-for-nothing, disreputable scarecrow, where have——"</p> + +<p>"Hush, mother. Let him drink. Mr. Cantercot is thirsty."</p> + +<p>"Does he care if my children are hungry?"</p> + +<p>Denzil tossed the water greedily down his throat almost at a gulp, as if +it were brandy.</p> + +<p>"Madam," he said, smacking his lips, "I do care. I care intensely. Few +things in life would grieve me more deeply than to hear that a child, a +dear little child—the Beautiful in a nutshell—had suffered hunger. You +wrong me." His voice was tremulous with the sense of injury. Tears stood +in his eyes.</p> + +<p>"Wrong you? I've no wish to wrong you," said Mrs. Crowl. "I should like +to hang you."</p> + +<p>"Don't talk of such ugly things," said Denzil, touching his throat +nervously.</p> + +<p>"Well, what have you been doin' all this time?"</p> + +<p>"Why, what should I be doing?"</p> + +<p>"How should I know what became of you? I thought it was another murder."</p> + +<p>"What!" Denzil's glass dashed to fragments on the floor. "What do you +mean?"</p> + +<p>But Mrs. Crowl was glaring too viciously at Mr. Crowl to reply. He +understood the message as if it were printed. It ran: "You have broken +one of my best glasses. You have annihilated threepence, or a week's +school fees for half the family." Peter wished she would turn the +lightning upon Denzil, a conductor down whom it would run innocuously. +He stooped down and picked up the pieces as carefully as if they were +cuttings from the Koh-i-noor. Thus the lightning passed harmlessly over +his head and flew toward Cantercot.</p> + +<p>"What do I mean?" Mrs. Crowl echoed, as if there had been no interval. +"I mean that it would be a good thing if you had been murdered."</p> + +<p>"What unbeautiful ideas you have, to be sure!" murmured Denzil.</p> + +<p>"Yes; but they'd be useful," said Mrs. Crowl, who had not lived with +Peter all these years for nothing. "And if you haven't been murdered +what have you been doing?"</p> + +<p>"My dear, my dear," put in Crowl, deprecatingly, looking up from his +quadrupedal position like a sad dog, "you are not Cantercot's keeper."</p> + +<p>"Oh, ain't I?" flashed his spouse. "Who else keeps him I should like to +know?"</p> + +<p>Peter went on picking up the pieces of the Koh-i-noor.</p> + +<p>"I have no secrets from Mrs. Crowl" Denzil explained courteously. "I +have been working day and night bringing out a new paper. Haven't had a +wink of sleep for three nights."</p> + +<p>Peter looked up at his bloodshot eyes with respectful interest.</p> + +<p>"The capitalist met me in the street—an old friend of mine—I was +overjoyed at the <i>rencontre</i> and told him the idea I'd been brooding +over for months and he promised to stand all the racket."</p> + +<p>"What sort of a paper?" said Peter.</p> + +<p>"Can you ask? To what do you think I've been devoting my days and nights +but to the cultivation of the Beautiful?"</p> + +<p>"Is that what the paper will be devoted to?"</p> + +<p>"Yes. To the Beautiful."</p> + +<p>"I know," snorted Mrs. Crowl, "with portraits of actresses."</p> + +<p>"Portraits? Oh, no!" said Denzil. "That would be the True—not the +Beautiful."</p> + +<p>"And what's the name of the paper?" asked Crowl.</p> + +<p>"Ah, that's a secret, Peter. Like Scott, I prefer to remain anonymous."</p> + +<p>"Just like your Fads. I'm only a plain man, and I want to know where the +fun of anonymity comes in? If I had any gifts, I should like to get the +credit. It's a right and natural feeling, to my thinking."</p> + +<p>"Unnatural, Peter; unnatural. We're all born anonymous, and I'm for +sticking close to Nature. Enough for me that I disseminate the +Beautiful. Any letters come during my absence, Mrs. Crowl?"</p> + +<p>"No," she snapped. "But a gent named Grodman called. He said you hadn't +been to see him for some time, and looked annoyed to hear you'd +disappeared. How much have you let him in for?"</p> + +<p>"The man's in my debt," said Denzil, annoyed. "I wrote a book for him +and he's taken all the credit for it, the rogue! My name doesn't appear +even in the Preface. What's that ticket you're looking so lovingly at, +Peter?"</p> + +<p>"That's for to-night—the unveiling of Constant's portrait. Gladstone +speaks. Awful demand for places."</p> + +<p>"Gladstone!" sneered Denzil. "Who wants to hear Gladstone? A man who's +devoted his life to pulling down the pillars of Church and State."</p> + +<p>"A man's who's devoted his whole life to propping up the crumbling Fads +of Religion and Monarchy. But, for all that, the man has his gifts, and +I'm burnin' to hear him."</p> + +<p>"I wouldn't go out of my way an inch to hear him," said Denzil; and went +up to his room, and when Mrs. Crowl sent him up a cup of nice strong tea +at tea time, the brat who bore it found him lying dressed on the bed, +snoring unbeautifully.</p> + +<p>The evening wore on. It was fine frosty weather. The Whitechapel Road +swarmed, with noisy life, as though it were a Saturday night. The stars +flared in the sky like the lights of celestial costermongers. Everybody +was on the alert for the advent of Mr. Gladstone. He must surely come +through the Road on his journey from the West Bow-wards. But nobody saw +him or his carriage, except those about the Hall. Probably he went by +tram most of the way. He would have caught cold in an open carriage, or +bobbing his head out of the window of a closed.</p> + +<p>"If he had only been a German prince, or a cannibal king," said Crowl +bitterly, as he plodded toward the Club, "we should have disguised Mile +End in bunting and blue fire. But perhaps it's a compliment. He knows +his London, and it's no use trying to hide the facts from him. They must +have queer notions of cities, those monarchs. They must fancy everybody +lives in a flutter of flags and walks about under triumphal arches, like +as if I were to stitch shoes in my Sunday clothes." By a defiance of +chronology Crowl had them on to-day, and they seemed to accentuate the +simile.</p> + +<p>"And why shouldn't life be fuller of the Beautiful," said Denzil. The +poet had brushed the reluctant mud off his garments to the extent it was +willing to go, and had washed his face, but his eyes were still +bloodshot from the cultivation of the Beautiful. Denzil was accompanying +Crowl to the door of the Club out of good-fellowship. Denzil was himself +accompanied by Grodman, though less obtrusively. Least obtrusively was +he accompanied by his usual Scotland Yard shadows, Wimp's agents. There +was a surging nondescript crowd about the Club, and the police, and the +door-keeper, and the stewards could with difficulty keep out the tide of +the ticketless, through which the current of the privileged had equal +difficulty in permeating. The streets all around were thronged with +people longing for a glimpse of Gladstone. Mortlake drove up in a hansom +(his head a self-conscious pendulum of popularity, swaying and bowing to +right and left) and received all the pent-up enthusiasm.</p> + +<p>"Well, good-by, Cantercot," said Crowl.</p> + +<p>"No, I'll see you to the door, Peter."</p> + +<p>They fought their way shoulder to shoulder.</p> + +<p>Now that Grodman had found Denzil he was not going to lose him again. He +had only found him by accident, for he was himself bound to the +unveiling ceremony, to which he had been invited in view of his known +devotion to the task of unveiling the Mystery. He spoke to one of the +policemen about, who said, "Ay, ay, sir," and he was prepared to follow +Denzil, if necessary, and to give up the pleasure of hearing Gladstone +for an acuter thrill. The arrest must be delayed no longer.</p> + +<p>But Denzil seemed as if he were going in on the heels of Crowl. This +would suit Grodman better. He could then have the two pleasures. But +Denzil was stopped half-way through the door.</p> + +<p>"Ticket, sir!"</p> + +<p>Denzil drew himself up to his full height.</p> + +<p>"Press," he said, majestically. All the glories and grandeurs of the +Fourth Estate were concentrated in that haughty monosyllable. Heaven +itself is full of journalists who have overawed St. Peter. But the +door-keeper was a veritable dragon.</p> + +<p>"What paper, sir?"</p> + +<p>"'New Pork Herald,'" said Denzil sharply. He did not relish his word +being distrusted.</p> + +<p>"'New York Herald,'" said one of the bystanding stewards, scarce +catching the sounds. "Pass him in."</p> + +<p>And in the twinkling of an eye, Denzil had eagerly slipped inside.</p> + +<p>But during the brief altercation Wimp had come up. Even he could not +make his face quite impassive, and there was a suppressed intensity in +the eyes and a quiver about the mouth. He went in on Denzil's heels, +blocking up the doorway with Grodman. The two men were so full of their +coming <i>coups</i> that they struggled for some seconds, side by side, +before they recognized each other. Then they shook hands heartily.</p> + +<p>"That was Cantercot just went in, wasn't it, Grodman?" said Wimp.</p> + +<p>"I didn't notice," said Grodman, in tones of utter indifference.</p> + +<p>At bottom Wimp was terribly excited. He felt that his <i>coup</i> was going +to be executed under very sensational circumstances. Everything would +combine to turn the eyes of the country upon him—nay, of the world, for +had not the Big Bow Mystery been discussed in every language under the +sun? In these electric times the criminal achieves a cosmopolitan +reputation. It is a privilege he shares with few other artists. This +time Wimp would be one of them; and, he felt, deservedly so. If the +criminal had been cunning to the point of genius in planning the murder, +he had been acute to the point of divination in detecting it. Never +before had he pieced together so broken a chain. He could not resist the +unique opportunity of setting a sensational scheme in a sensational +frame-work. The dramatic instinct was strong in him; he felt like a +playwright who has constructed a strong melodramatic plot, and has the +Drury Lane stage suddenly offered him to present it on. It would be +folly to deny himself the luxury, though the presence of Mr. Gladstone +and the nature of the ceremony should perhaps have given him pause. Yet, +on the other hand, these were the very factors of the temptation. Wimp +went in and took a seat behind Denzil. All the seats were numbered, so +that everybody might have the satisfaction of occupying somebody else's. +Denzil was in the special reserved places in the front row just by the +central gangway; Crowl was squeezed into a corner behind a pillar near +the back of the hall. Grodman had been honored with a seat on the +platform, which was accessible by steps on the right and left, but he +kept his eye on Denzil. The picture of the poor idealist hung on the +wall behind Grodman's head, covered by its curtain of brown holland. +There was a subdued buzz of excitement about the hall, which swelled +into cheers every now and again as some gentleman known to fame or Bow +took his place upon the platform. It was occupied by several local M. +P.'s of varying politics, a number of other Parliamentary satellites of +the great man, three or four labor leaders, a peer or two of +philanthropic pretensions, a sprinkling of Toynbee and Oxford Hall men, +the president and other honorary officials, some of the family and +friends of the deceased, together with the inevitable percentage of +persons who had no claim to be there save cheek. Gladstone was +late—later than Mortlake, who was cheered to the echo when he arrived, +someone starting "For He's a Jolly Good Fellow," as if it were a +political meeting. Gladstone came in just in time to acknowledge the +compliment. The noise of the song, trolled out from iron lungs, had +drowned the huzzahs heralding the old man's advent. The convivial chorus +went to Mortlake's head, as if champagne had really preceded it. His +eyes grew moist and dim. He saw himself swimming to the Millenium on +waves of enthusiasm. Ah, how his brother-toilers should be rewarded for +their trust in him!</p> + +<p>With his usual courtesy and consideration, Mr. Gladstone had refused to +perform the actual unveiling of Arthur Constant's portrait. "That," he +said in his postcard, "will fall most appropriately to Mr. Mortlake, a +gentleman who has, I am given to understand, enjoyed the personal +friendship of the late Mr. Constant, and has co-operated with him in +various schemes for the organization of skilled and unskilled classes of +labor, as well as for the diffusion of better ideals—ideals of +self-culture and self-restraint—among the workingmen of Bow, who have +been fortunate, so far as I can perceive, in the possession (if in one +case unhappily only temporary possession) of two such men of undoubted +ability and honesty to direct their divided counsels and to lead them +along a road, which, though I cannot pledge myself to approve of it in +all its turnings and windings, is yet not unfitted to bring them +somewhat nearer to goals to which there are few of us but would extend +some measure of hope that the working classes of this great Empire may +in due course, yet with no unnecessary delay, be enabled to arrive."</p> + +<p>Mr. Gladstone's speech was an expansion of his postcard, punctuated by +cheers. The only new thing in it was the graceful and touching way in +which he revealed what had been a secret up till then—that the portrait +had been painted and presented to the Bow Break o' Day Club, by Lucy +Brent, who in the fulness of time would have been Arthur Constant's +wife. It was a painting for which he had sat to her while alive, and she +had stifled yet pampered her grief by working hard at it since his +death. The fact added the last touch of pathos to the occasion. Crowl's +face was hidden behind his red handkerchief; even the fire of excitement +in Wimp's eye was quenched for a moment by a tear-drop, as he thought of +Mrs. Wimp and Wilfred. As for Grodman, there was almost a lump in his +throat. Denzil Cantercot was the only unmoved man in the room. He +thought the episode quite too Beautiful, and was already weaving it into +rhyme.</p> + +<p>At the conclusion of his speech Mr. Gladstone called upon Tom Mortlake +to unveil the portrait. Tom rose, pale and excited. His hand faltered as +he touched the cord. He seemed overcome with emotion. Was it the mention +of Lucy Brent that had moved him to his depths?</p> + +<p>The brown holland fell away—the dead stood revealed as he had been in +life. Every feature, painted by the hand of Love, was instinct with +vitality: the fine, earnest face, the sad kindly eyes, the noble brow +seeming still a-throb with the thought of Humanity. A thrill ran through +the room—there was a low, undefinable murmur. O, the pathos and the +tragedy of it! Every eye was fixed, misty with emotion, upon the dead +man in the picture and the living man who stood, pale and agitated, and +visibly unable to commence his speech, at the side of the canvas. +Suddenly a hand was laid upon the labor leader's shoulder, and there +rang through the hall in Wimp's clear, decisive tones the words: "Tom +Mortlake, I arrest you for the murder of Arthur Constant!"</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_IX" id="CHAPTER_IX"></a>CHAPTER IX.</h2> + + +<p>For a moment there was an acute, terrible silence. Mortlake's face was +that of a corpse; the face of the dead man at his side was flushed with +the hues of life. To the overstrung nerves of the onlookers, the +brooding eyes of the picture seemed sad and stern with menace, and +charged with the lightnings of doom.</p> + +<p>It was a horrible contrast. For Wimp, alone, the painted face had +fuller, more tragical, meanings. The audience seemed turned to stone. +They sat or stood—in every variety of attitude—frozen, rigid. Arthur +Constant's picture dominated the scene, the only living thing in a hall +of the dead.</p> + +<p>But only for a moment. Mortlake shook off the detective's hand.</p> + +<p>"Boys!" he cried, in accents of infinite indignation, "this is a police +conspiracy."</p> + +<p>His words relaxed the tension. The stony figures were agitated. A dull, +excited hubbub answered him. The little cobbler darted from behind his +pillar, and leaped upon a bench. The cords of his brow were swollen with +excitement. He seemed a giant overshadowing the hall.</p> + +<p>"Boys!" he roared, in his best Victoria Park voice, "listen to me. This +charge is a foul and damnable lie."</p> + +<p>"Bravo!" "Hear, hear!" "Hooray!" "It is!" was roared back at him from +all parts of the room. Everybody rose and stood in tentative attitudes, +excited to the last degree.</p> + +<p>"Boys!" Peter roared on, "you all know me. I'm a plain man, and I want +to know if it's likely a man would murder his best friend."</p> + +<p>"No," in a mighty volume of sound.</p> + +<p>Wimp had scarcely calculated upon Mortlake's popularity. He stood on the +platform, pale and anxious as his prisoner.</p> + +<p>"And if he did, why didn't they prove it the first time?"</p> + +<p>"Hear, hear!"</p> + +<p>"And if they want to arrest him, why couldn't they leave it till the +ceremony was over? Tom Mortlake's not the man to run away."</p> + +<p>"Tom Mortlake! Tom Mortlake! Three cheers for Tom Mortlake! Hip, hip, +hip, hooray!"</p> + +<p>"Three groans for the police." "Hoo! Oo! Oo!"</p> + +<p>Wimp's melodrama was not going well. He felt like the author to whose +ears is borne the ominous sibilance of the pit. He almost wished he had +not followed the curtain-raiser with his own stronger drama. +Unconsciously the police, scattered about the hall, drew together. The +people on the platform knew not what to do. They had all risen and stood +in a densely-packed mass. Even Mr. Gladstone's speech failed him in +circumstances so novel. The groans died away; the cheers for Mortlake +rose and swelled and fell and rose again. Sticks and umbrellas were +banged and rattled, handkerchiefs were waved, the thunder deepened. The +motley crowd still surging about the hall took up the cheers, and for +hundreds of yards around people were going black in the face out of mere +irresponsible enthusiasm. At last Tom waved his hand—the thunder +dwindled, died. The prisoner was master of the situation.</p> + +<p>Grodman stood on the platform, grasping the back of his chair, a curious +mocking Mephistophelian glitter about his eyes, his lips wreathed into a +half smile. There was no hurry for him to get Denzil Cantercot arrested +now. Wimp had made an egregious, a colossal blunder. In Grodman's heart +there was a great glad calm as of a man who has strained his sinews to +win in a famous match, and has heard the judge's word. He felt almost +kindly to Denzil now.</p> + +<p>Tom Mortlake spoke. His face was set and stony. His tall figure was +drawn up haughtily to its full height. He pushed the black mane back +from his forehead with a characteristic gesture. The fevered audience +hung upon his lips—the men at the back leaned eagerly forward—the +reporters were breathless with fear lest they should miss a word. What +would the great labor leader have to say at this supreme moment?</p> + +<p>"Mr. Chairman and Gentlemen: It is to me a melancholy pleasure to have +been honored with the task of unveiling to-night this portrait of a +great benefactor to Bow and a true friend to the laboring classes. +Except that he honored me with his friendship while living, and that the +aspirations of my life have, in my small and restricted way, been +identical with his, there is little reason why this honorable duty +should have fallen upon me. Gentlemen, I trust that we shall all find an +inspiring influence in the daily vision of the dead, who yet liveth in +our hearts and in this noble work of art—wrought, as Mr. Gladstone has +told us, by the hand of one who loved him." The speaker paused a moment, +his low vibrant tones faltering into silence. "If we humble workingmen +of Bow can never hope to exert individually a tithe of the beneficial +influence wielded by Arthur Constant, it is yet possible for each of us +to walk in the light he has kindled in our midst—a perpetual lamp of +self-sacrifice and brotherhood."</p> + +<p>That was all. The room rang with cheers. Tom Mortlake resumed his seat. +To Wimp the man's audacity verged on the Sublime; to Denzil on the +Beautiful. Again there was a breathless hush. Mr. Gladstone's mobile +face was working with excitement. No such extraordinary scene had +occurred in the whole of his extraordinary experience. He seemed about +to rise. The cheering subsided to a painful stillness. Wimp cut the +situation by laying his hand again upon Tom's shoulder.</p> + +<p>"Come quietly with me," he said. The words were almost a whisper, but in +the supreme silence they traveled to the ends of the hall.</p> + +<p>"Don't you go, Tom!" The trumpet tones were Peter's. The call thrilled +an answering chord of defiance in every breast, and a low, ominous +murmur swept through the hall.</p> + +<p>Tom rose, and there was silence again. "Boys," he said, "let me go. +Don't make any noise about it. I shall be with you again to-morrow."</p> + +<p>But the blood of the Break o' Day boys was at fever heat. A hurtling +mass of men struggled confusedly from their seats. In a moment all was +chaos. Tom did not move. Half-a-dozen men, headed by Peter, scaled the +platform. Wimp was thrown to one side, and the invaders formed a ring +round Tom's chair. The platform people scampered like mice from the +center. Some huddled together in the corners, others slipped out at the +rear. The committee congratulated themselves on having had the +self-denial to exclude ladies. Mr. Gladstone's satellites hurried the +old man off and into his carriage; though the fight promised to become +Homeric. Grodman stood at the side of the platform secretly more amused +than ever, concerning himself no more with Denzil Cantercot, who was +already strengthening his nerves at the bar upstairs. The police about +the hall blew their whistles, and policemen came rushing in from outside +and the neighborhood. An Irish M. P. on the platform was waving his +gingham like a shillalah in sheer excitement, forgetting his new-found +respectability and dreaming himself back at Donnybrook Fair. Him a +conscientious constable floored with a truncheon. But a shower of fists +fell on the zealot's face, and he tottered back bleeding. Then the storm +broke in all its fury. The upper air was black with staves, sticks, and +umbrellas, mingled with the pallid hailstones of knobby fists. Yells and +groans and hoots and battle-cries blent in grotesque chorus, like one of +Dvorák's weird diabolical movements. Mortlake stood impassive, with arms +folded, making no further effort, and the battle raged round him as the +water swirls around some steadfast rock. A posse of police from the back +fought their way steadily toward him, and charged up the heights of the +platform steps, only to be sent tumbling backward, as their leader was +hurled at them like a battering ram. Upon the top of the heap fell he, +surmounting the strata of policemen. But others clambered upon them, +escalading the platform. A moment more and Mortlake would have been +taken, after being well shaken. Then the miracle happened.</p> + +<p>As when of old a reputable goddess <i>ex machina</i> saw her favorite hero in +dire peril, straightway she drew down a cloud from the celestial stores +of Jupiter and enveloped her fondling in kindly night, so that his +adversary strove with the darkness, so did Crowl, the cunning cobbler, +the much-daring, essay to insure his friend's safety. He turned off the +gas at the meter.</p> + +<p>An Arctic night—unpreceded by twilight—fell, and there dawned the +sabbath of the witches. The darkness could be felt—and it left blood +and bruises behind it. When the lights were turned on again, Mortlake +was gone. But several of the rioters were arrested, triumphantly.</p> + +<p>And through all, and over all, the face of the dead man who had sought +to bring peace on earth, brooded.</p> + +<hr style='width: 45%;' /> + +<p>Crowl sat meekly eating his supper of bread and cheese, with his head +bandaged, while Denzil Cantercot told him the story of how he had +rescued Tom Mortlake. He had been among the first to scale the height, +and had never budged from Tom's side or from the forefront of the battle +till he had seen him safely outside and into a by-street.</p> + +<hr style="width: 45%;" /> + +<div class="figcenter"> +<a name="illus3" id="illus3"></a> +<img src="images/illus3.jpg" alt=""/> +</div> + +<h3>Crowl sat meekly eating his supper of bread and cheese.</h3> + +<hr style="width: 45%;" /> + + + +<p>"I am so glad you saw that he got away safely," said Crowl, "I wasn't +quite sure he would."</p> + +<p>"Yes; but I wish some cowardly fool hadn't turned off the gas. I like +men to see that they are beaten."</p> + +<p>"But it seemed—easier," faltered Crowl.</p> + +<p>"Easier!" echoed Denzil, taking a deep draught of bitter. "Really, +Peter, I'm sorry to find you always will take such low views. It may be +easier, but it's shabby. It shocks one's sense of the Beautiful."</p> + +<p>Crowl ate his bread and cheese shame-facedly.</p> + +<p>"But what was the use of breaking your head to save him?" said Mrs. +Crowl with an unconscious pun. "He must be caught."</p> + +<p>"Ah, I don't see how the Useful does come in, now," said Peter +thoughtfully. "But I didn't think of that at the time."</p> + +<p>He swallowed his water quickly and it went the wrong way and added to +his confusion. It also began to dawn upon him that he might be called to +account. Let it be said at once that he wasn't. He had taken too +prominent a part.</p> + +<p>Meantime, Mrs. Wimp was bathing Mr. Wimp's eye, and rubbing him +generally with arnica. Wimp's melodrama had been, indeed, a sight for +the gods. Only, virtue was vanquished and vice triumphant. The villain +had escaped, and without striking a blow.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_X" id="CHAPTER_X"></a>CHAPTER X.</h2> + + +<p>There was matter and to spare for the papers the next day. The striking +ceremony—Mr. Gladstone's speech—the sensational arrest—these would of +themselves have made excellent themes for reports and leaders. But the +personality of the man arrested, and the Big Bow Mystery Battle—as it +came to be called—gave additional piquancy to the paragraphs and the +posters. The behavior of Mortlake put the last touch to the +picturesqueness of the position. He left the hall when the lights went +out, and walked unnoticed and unmolested through pleiads of policemen to +the nearest police station, where the superintendent was almost too +excited to take any notice of his demand to be arrested. But to do him +justice, the official yielded as soon as he understood the situation. It +seems inconceivable that he did not violate some red-tape regulation in +so doing. To some this self-surrender was limpid proof of innocence; to +others it was the damning token of despairing guilt.</p> + +<p>The morning papers were pleasant reading for Grodman, who chuckled as +continuously over his morning egg, as if he had laid it. Jane was +alarmed for the sanity of her saturnine master. As her husband would +have said, Grodman's grins were not Beautiful. But he made no effort to +suppress them. Not only had Wimp perpetrated a grotesque blunder, but +the journalists to a man were down on his great sensation tableau, +though their denunciations did not appear in the dramatic columns. The +Liberal papers said that he had endangered Mr. Gladstone's life; the +Conservative that he had unloosed the raging elements of Bow +blackguardism, and set in motion forces which might have easily swelled +to a riot, involving severe destruction of property. But "Tom Mortlake," +was, after all, the thought swamping every other. It was, in a sense, a +triumph for the man.</p> + +<p>But Wimp's turn came when Mortlake, who reserved his defense, was +brought up before a magistrate, and, by force of the new evidence, fully +committed for trial on the charge of murdering Arthur Constant. Then +men's thoughts centered again on the Mystery, and the solution of the +inexplicable problem agitated mankind from China to Peru.</p> + +<p>In the middle of February, the great trial befell. It was another of the +opportunities which the Chancellor of the Exchequer neglects. So +stirring a drama might have easily cleared its expenses—despite the +length of the cast, the salaries of the stars, and the rent of the +house—in mere advance booking. For it was a drama which (by the rights +of Magna Charta) could never be repeated; a drama which ladies of +fashion would have given their earrings to witness, even with the +central figure not a woman. And there was a woman in it anyhow, to judge +by the little that had transpired at the magisterial examination, and +the fact that the country was placarded with bills offering a reward for +information concerning a Miss Jessie Dymond. Mortlake was defended by +Sir Charles Brown-Harland, Q. C., retained at the expense of the +Mortlake Defense Fund (subscriptions to which came also from Australia +and the Continent), and set on his mettle by the fact that he was the +accepted labor candidate for an East-end constituency. Their Majesties, +Victoria and the Law, were represented by Mr. Robert Spigot, Q. C.</p> + +<p>Mr. Spigot, Q. C., in presenting his case, said: "I propose to show that +the prisoner murdered his friend and fellow-lodger, Mr. Arthur Constant, +in cold blood, and with the most careful premeditation; premeditation so +studied, as to leave the circumstances of the death an impenetrable +mystery for weeks to all the world, though fortunately without +altogether baffling the almost superhuman ingenuity of Mr. Edward Wimp, +of the Scotland Yard Detective Department. I propose to show that the +motives of the prisoner were jealousy and revenge; jealousy not only of +his friend's superior influence over the workingmen he himself aspired +to lead, but the more commonplace animosity engendered by the disturbing +element of a woman having relations to both. If, before my case is +complete, it will be my painful duty to show that the murdered man was +not the saint the world has agreed to paint him, I shall not shrink from +unveiling the truer picture, in the interests of justice, which cannot +say <i>nil nisi bonum</i> even of the dead. I propose to show that the murder +was committed by the prisoner shortly before half-past six on the +morning of December 4th, and that the prisoner having, with the +remarkable ingenuity which he has shown throughout, attempted to prepare +an alibi by feigning to leave London by the first train to Liverpool, +returned home, got in with his latch-key through the street-door, which +he had left on the latch, unlocked his victim's bedroom with a key which +he possessed, cut the sleeping man's throat, pocketed his razor, locked +the door again, and gave it the appearance of being bolted, went +downstairs, unslipped the bolt of the big lock, closed the door behind +him, and got to Euston in time for the second train to Liverpool. The +fog helped his proceedings throughout." Such was in sum the theory of +the prosecution. The pale defiant figure in the dock winced perceptibly +under parts of it.</p> + +<p>Mrs. Drabdump was the first witness called for the prosecution. She was +quite used to legal inquisitiveness by this time, but did not appear in +good spirits.</p> + +<p>"On the night of December 3d, you gave the prisoner a letter?"</p> + +<p>"Yes, your ludship."</p> + +<p>"How did he behave when he read it?"</p> + +<p>"He turned very pale and excited. He went up to the poor gentleman's +room, and I'm afraid he quarreled with him. He might have left his last +hours peaceful." (Amusement.)</p> + +<p>"What happened then?"</p> + +<p>"Mr. Mortlake went out in a passion, and came in again in about an +hour."</p> + +<p>"He told you he was going away to Liverpool very early the next +morning."</p> + +<p>"No, your ludship, he said he was going to Devonport." (Sensation.)</p> + +<p>"What time did you get up the next morning?"</p> + +<p>"Half-past six."</p> + +<p>"That is not your usual time?"</p> + +<p>"No, I always get up at six."</p> + +<p>"How do you account for the extra sleepiness?"</p> + +<p>"Misfortunes will happen."</p> + +<p>"It wasn't the dull, foggy weather?"</p> + +<p>"No, my lud, else I should never get up early." (Laughter.)</p> + +<p>"You drink something before going to bed?"</p> + +<p>"I like my cup o' tea. I take it strong, without sugar. It always +steadies my nerves."</p> + +<p>"Quite so. Where were you when the prisoner told you he was going to +Devonport?"</p> + +<p>"Drinkin' my tea in the kitchen."</p> + +<p>"What should you say if prisoner dropped something in it to make you +sleep late?"</p> + +<p>Witness (startled): "He ought to be shot."</p> + +<p>"He might have done it without your noticing it, I suppose?"</p> + +<p>"If he was clever enough to murder the poor gentleman, he was clever +enough to try and poison me."</p> + +<p>The Judge: "The witness in her replies must confine herself to the +evidence."</p> + +<p>Mr. Spigot, Q. C.: "I must submit to your lordship that it is a very +logical answer, and exactly illustrates the interdependence of the +probabilities. Now, Mrs. Drabdump, let us know what happened when you +awoke at half-past six the next morning."</p> + +<p>Thereupon Mrs. Drabdump recapitulated the evidence (with new +redundancies, but slight variations) given by her at the inquest. How +she became alarmed—how she found the street-door locked by the big +lock—how she roused Grodman, and got him to burst open the door—how +they found the body—all this with which the public was already familiar +<i>ad nauseam</i> was extorted from her afresh.</p> + +<p>"Look at this key" (key passed to the witness). "Do you recognize it?"</p> + +<p>"Yes; how did you get it? It's the key of my first-floor front. I am +sure I left it sticking in the door."</p> + +<p>"Did you know a Miss Dymond?"</p> + +<p>"Yes, Mr. Mortlake's sweetheart. But I knew he would never marry her, +poor thing." (Sensation.)</p> + +<p>"Why not?"</p> + +<p>"He was getting too grand for her." (Amusement).</p> + +<p>"You don't mean anything more than that?"</p> + +<p>"I don't know; she only came to my place once or twice. The last time I +set eyes on her must have been in October."</p> + +<p>"How did she appear?"</p> + +<p>"She was very miserable, but she wouldn't let you see it." (Laughter.)</p> + +<p>"How has the prisoner behaved since the murder?"</p> + +<p>"He always seemed very glum and sorry for it."</p> + +<p>Cross-examined: "Did not the prisoner once occupy the bedroom of Mr. +Constant, and give it up to him, so that Mr. Constant might have the two +rooms on the same floor?"</p> + +<p>"Yes, but he didn't pay as much."</p> + +<p>"And, while occupying this front bedroom, did not the prisoner once lose +his key and have another made?"</p> + +<p>"He did; he was very careless."</p> + +<p>"Do you know what the prisoner and Mr. Constant spoke about on the night +of December 3d?"</p> + +<p>"No; I couldn't hear."</p> + +<p>"Then how did you know they were quarreling?"</p> + +<p>"They were talkin' so loud."</p> + +<p>Sir Charles Brown-Harland, Q. C. (sharply): "But I'm talking loudly to +you now. Should you say I was quarreling?"</p> + +<p>"It takes two to make a quarrel." (Laughter.)</p> + +<p>"Was the prisoner the sort of man who, in your opinion, would commit a +murder?"</p> + +<p>"No, I never should ha' guessed it was him."</p> + +<p>"He always struck you as a thorough gentleman?"</p> + +<p>"No, my lud. I knew he was only a comp."</p> + +<p>"You say the prisoner has seemed depressed since the murder. Might not +that have been due to the disappearance of his sweetheart?"</p> + +<p>"No, he'd more likely be glad to get rid of her."</p> + +<p>"Then he wouldn't be jealous if Mr. Constant took her off his hands?" +(Sensation.)</p> + +<p>"Men are dog-in-the-mangers."</p> + +<p>"Never mind about men, Mrs. Drabdump. Had the prisoner ceased to care +for Miss Dymond?"</p> + +<p>"He didn't seem to think of her, my lud. When he got a letter in her +handwriting among his heap he used to throw it aside till he'd torn open +the others."</p> + +<p>Brown-Harland, Q. C. (with a triumphant ring in his voice): "Thank you, +Mrs. Drabdump. You may sit down."</p> + +<p>Spigot, Q. C.: "One moment, Mrs. Drabdump. You say the prisoner had +ceased to care for Miss Dymond. Might not this have been in consequence +of his suspecting for some time that she had relations with Mr. +Constant?"</p> + +<p>The Judge: "That is not a fair question."</p> + +<p>Spigot, Q. C.: "That will do, thank you, Mrs. Drabdump."</p> + +<p>Brown-Harland, Q. C.: "No; one question more, Mrs. Drabdump. Did you +ever see anything—say when Miss Dymond came to your house—to make you +suspect anything between Mr. Constant and the prisoner's sweetheart?"</p> + +<p>"She did meet him once when Mr. Mortlake was out." (Sensation.)</p> + +<p>"Where did she meet him?"</p> + +<p>"In the passage. He was going out when she knocked and he opened the +door." (Amusement.)</p> + +<p>"You didn't hear what they said?"</p> + +<p>"I ain't a eavesdropper. They spoke friendly and went away together."</p> + +<p>Mr. George Grodman was called and repeated his evidence at the inquest. +Cross-examined, he testified to the warm friendship between Mr. Constant +and the prisoner. He knew very little about Miss Dymond, having scarcely +seen her. Prisoner had never spoken to him much about her. He should not +think she was much in prisoner's thoughts. Naturally the prisoner had +been depressed by the death of his friend. Besides, he was overworked. +Witness thought highly of Mortlake's character. It was incredible that +Constant had had improper relations of any kind with his friend's +promised wife. Grodman's evidence made a very favorable impression on +the jury; the prisoner looked his gratitude; and the prosecution felt +sorry it had been necessary to call this witness.</p> + +<p>Inspector Howlett and Sergeant Runnymede had also to repeat their +evidence. Dr. Robinson, police-surgeon, likewise retendered his evidence +as to the nature of the wound, and the approximate hour of death. But +this time he was much more severely examined. He would not bind himself +down to state the time within an hour or two. He thought life had been +extinct two or three hours when he arrived, so that the deed had been +committed between seven and eight. Under gentle pressure from the +prosecuting counsel, he admitted that it might possibly have been +between six and seven. Cross-examined, he reiterated his impression in +favor of the later hour.</p> + +<p>Supplementary evidence from medical experts proved as dubious and +uncertain as if the court had confined itself to the original witness. +It seemed to be generally agreed that the data for determining the time +of death of anybody were too complex and variable to admit of very +precise inference; <i>rigor mortis</i> and other symptoms setting in within +very wide limits and differing largely in different persons. All agreed +that death from such a cut must have been practically instantaneous, and +the theory of suicide was rejected by all. As a whole the medical +evidence tended to fix the time of death, with a high degree of +probability, between the hours of six and half-past eight. The efforts +of the Prosecution were bent upon throwing back the time of death to as +early as possible after about half-past five. The Defense spent all its +strength upon pinning the experts to the conclusion that death could not +have been earlier than seven. Evidently the Prosecution was going to +fight hard for the hypothesis that Mortlake had committed the crime in +the interval between the first and second trains for Liverpool; while +the Defense was concentrating itself on an alibi, showing that the +prisoner had traveled by the second train which left Euston Station at a +quarter-past seven, so that there could have been no possible time for +the passage between Bow and Euston. It was an exciting struggle. As yet +the contending forces seemed equally matched. The evidence had gone as +much for as against the prisoner. But everybody knew that worse lay +behind.</p> + +<p>"Call Edward Wimp."</p> + +<p>The story Edward Wimp had to tell began tamely enough with +thrice-threshed-out facts. But at last the new facts came.</p> + +<p>"In consequence of suspicions that had formed in your mind you took up +your quarters, disguised, in the late Mr. Constant's rooms?"</p> + +<p>"I did; at the commencement of the year. My suspicions had gradually +gathered against the occupants of No. 11, Glover Street, and I resolved +to quash or confirm these suspicions once for all."</p> + +<p>"Will you tell the jury what followed?"</p> + +<p>"Whenever the prisoner was away for the night I searched his room. I +found the key of Mr. Constant's bedroom buried deeply in the side of +prisoner's leather sofa. I found what I imagine to be the letter he +received on December 3d, in the pages of a 'Bradshaw' lying under the +same sofa. There were two razors about."</p> + +<p>Mr. Spigot, Q. C., said: "The key has already been identified by Mrs. +Drabdump. The letter I now propose to read."</p> + +<p>It was undated, and ran as follows:</p> + +<div class="blockquot"><p>"Dear Tom—This is to bid you farewell. It is the best for us all. +I am going a long way, dearest. Do not seek to find me, for it will +be useless. Think of me as one swallowed up by the waters, and be +assured that it is only to spare you shame and humiliation in the +future that I tear myself from you and all the sweetness of life. +Darling, there is no other way. I feel you could never marry me +now. I have felt it for months. Dear Tom, you will understand what +I mean. We must look facts in the face. I hope you will always be +friends with Mr. Constant. Good by, dear. God bless you! May you +always be happy, and find a worthier wife than I. Perhaps when you +are great, and rich, and famous, as you deserve, you will sometimes +think not unkindly of one who, however faulty and unworthy of you, +will at least love you till the end. Yours, till death,</p> + +<p>"Jessie."</p></div> + +<p>By the time this letter was finished numerous old gentlemen, with wigs +or without, were observed to be polishing their glasses. Mr. Wimp's +examination was resumed.</p> + +<p>"After making these discoveries what did you do?"</p> + +<p>"I made inquiries about Miss Dymond, and found Mr. Constant had visited +her once or twice in the evening. I imagined there would be some traces +of a pecuniary connection. I was allowed by the family to inspect Mr. +Constant's check-book, and found a paid check made out for £25 in the +name of Miss Dymond. By inquiry at the Bank, I found it had been cashed +on November 12th of last year. I then applied for a warrant against the +prisoner."</p> + +<p>Cross-examined: "Do you suggest that the prisoner opened Mr. Constant's +bedroom with the key you found?"</p> + +<p>"Certainly."</p> + +<p>Brown-Harland, Q. C. (sarcastically): "And locked the door from within +with it on leaving?"</p> + +<p>"Certainly."</p> + +<p>"Will you have the goodness to explain how the trick was done?"</p> + +<p>"It wasn't done. (Laughter.) The prisoner probably locked the door from +the outside. Those who broke it open naturally imagined it had been +locked from the inside when they found the key inside. The key would, on +this theory, be on the floor as the outside locking could not have been +effected if it had been in the lock. The first persons to enter the room +would naturally believe it had been thrown down in the bursting of the +door. Or it might have been left sticking very loosely inside the lock +so as not to interfere with the turning of the outside key in which case +it would also probably have been thrown to the ground."</p> + +<p>"Indeed. Very ingenious. And can you also explain how the prisoner could +have bolted the door within from the outside?"</p> + +<p>"I can. (Renewed sensation.) There is only one way in which it was +possible—and that was, of course, a mere conjurer's illusion. To cause +a locked door to appear bolted in addition, it would only be necessary +for the person on the inside of the door to wrest the staple containing +the bolt from the woodwork. The bolt in Mr. Constant's bedroom worked +perpendicularly. When the staple was torn off, it would simply remain at +rest on the pin of the bolt instead of supporting it or keeping it +fixed. A person bursting open the door and finding the staple resting on +the pin and torn away from the lintel of the door, would, of course, +imagine he had torn it away, never dreaming the wresting off had been +done beforehand." (Applause in court, which was instantly checked by the +ushers.) The counsel for the defense felt he had been entrapped in +attempting to be sarcastic with the redoubtable detective. Grodman +seemed green with envy. It was the one thing he had not thought of.</p> + +<p>Mrs. Drabdump, Grodman, Inspector Howlett, and Sergeant Runnymede were +recalled and re-examined by the embarrassed Sir Charles Brown-Harland as +to the exact condition of the lock and the bolt and the position of the +key. It turned out as Wimp had suggested; so prepossessed were the +witnesses with the conviction that the door was locked and bolted from +the inside when it was burst open that they were a little hazy about the +exact details. The damage had been repaired, so that it was all a +question of precise past observation. The inspector and the sergeant +testified that the key was in the lock when they saw it, though both the +mortise and the bolt were broken. They were not prepared to say that +Wimp's theory was impossible; they would even admit it was quite +possible that the staple of the bolt had been torn off beforehand. Mrs. +Drabdump could give no clear account of such petty facts in view of her +immediate engrossing interest in the horrible sight of the corpse. +Grodman alone was positive that the key was in the door when he burst it +open. No, he did not remember picking it up from the floor and putting +it in. And he was certain that the staple of the bolt was not broken, +from the resistance he experienced in trying to shake the upper panels +of the door.</p> + +<p>By the Prosecution: "Don't you think, from the comparative ease with +which the door yielded to your onslaught, that it is highly probable +that the pin of the bolt was not in a firmly fixed staple, but in one +already detached from the woodwork of the lintel?"</p> + +<p>"The door did not yield so easily."</p> + +<p>"But you must be a Hercules."</p> + +<p>"Not quite; the bolt was old, and the woodwork crumbling; the lock was +new and shoddy. But I have always been a strong man."</p> + +<p>"Very well, Mr. Grodman. I hope you will never appear at the +music-halls." (Laughter.)</p> + +<p>Jessie Dymond's landlady was the next witness for the prosecution. She +corroborated Wimp's statements as to Constant's occasional visits, and +narrated how the girl had been enlisted by the dead philanthropist as a +collaborator in some of his enterprises. But the most telling portion of +her evidence was the story of how, late at night, on December 3d, the +prisoner called upon her and inquired wildly about the whereabouts of +his sweetheart. He said he had just received a mysterious letter from +Miss Dymond saying she was gone. She (the landlady) replied that she +could have told him that weeks ago, as her ungrateful lodger was gone +now some three weeks without leaving a hint behind her. In answer to his +most ungentlemanly raging and raving, she told him it served him right, +as he should have looked after her better, and not kept away for so +long. She reminded him that there were as good fish in the sea as ever +came out, and a girl of Jessie's attractions need not pine away (as she +had seemed to be pining away) for lack of appreciation. He then called +her a liar and left her, and she hoped never to see his face again, +though she was not surprised to see it in the dock.</p> + +<p>Mr. Fitzjames Montgomery, a bank clerk, remembered cashing the check +produced. He particularly remembered it, because he paid the money to a +very pretty girl. She took the entire amount in gold. At this point the +case was adjourned.</p> + +<p>Denzil Cantercot was the first witness called for the prosecution on the +resumption of the trial. Pressed as to whether he had not told Mr. Wimp +that he had overheard the prisoner denouncing Mr. Constant, he could not +say. He had not actually heard the prisoner's denunciations; he might +have given Mr. Wimp a false impression, but then Mr. Wimp was so +prosaically literal. (Laughter.) Mr. Crowl had told him something of the +kind. Cross-examined, he said Jessie Dymond was a rare spirit and she +always reminded him of Joan of Arc.</p> + +<p>Mr. Crowl, being called, was extremely agitated. He refused to take the +oath, and informed the court that the Bible was a Fad. He could not +swear by anything so self-contradictory. He would affirm. He could not +deny—though he looked like wishing to—that the prisoner had at first +been rather mistrustful of Mr. Constant, but he was certain that the +feeling had quickly worn off. Yes, he was a great friend of the +prisoner, but he didn't see why that should invalidate his testimony, +especially as he had not taken an oath. Certainly the prisoner seemed +rather depressed when he saw him on Bank Holiday, but it was overwork on +behalf of the people and for the demolition of the Fads.</p> + +<p>Several other familiars of the prisoner gave more or less reluctant +testimony as to his sometime prejudice against the amateur rival labor +leader. His expressions of dislike had been strong and bitter. The +Prosecution also produced a poster announcing that the prisoner would +preside at a great meeting of clerks on December 4th. He had not turned +up at this meeting nor sent any explanation. Finally, there was the +evidence of the detectives who originally arrested him at Liverpool +Docks in view of his suspicious demeanor. This completed the case for +the prosecution.</p> + +<p>Sir Charles Brown-Harland, Q. C., rose with a swagger and a rustle of +his silk gown, and proceeded to set forth the theory of the defense. He +said he did not purpose to call any witnesses. The hypothesis of the +prosecution was so inherently childish and inconsequential, and so +dependent upon a bundle of interdependent probabilities that it crumbled +away at the merest touch. The prisoner's character was of unblemished +integrity, his last public appearance had been made on the same platform +with Mr. Gladstone, and his honesty and highmindedness had been vouched +for by statesmen of the highest standing. His movements could be +accounted for from hour to hour—and those with which the prosecution +credited him rested on no tangible evidence whatever. He was also +credited with superhuman ingenuity and diabolical cunning of which he +had shown no previous symptom. Hypothesis was piled on hypothesis, as in +the old Oriental legend, where the world rested on the elephant and the +elephant on the tortoise. It might be worth while, however, to point out +that it was at least quite likely that the death of Mr. Constant had not +taken place before seven, and as the prisoner left Euston Station at +7:15 a. m. for Liverpool, he could certainly not have got there from Bow +in the time; also that it was hardly possible for the prisoner, who +could prove being at Euston Station at 5:25 a. m., to travel backward +and forward to Glover Street and commit the crime all within less than +two hours. "The real facts," said Sir Charles impressively, "are most +simple. The prisoner, partly from pressure of work, partly (he had no +wish to conceal) from worldly ambition, had begun to neglect Miss +Dymond, to whom he was engaged to be married. The man was but human, and +his head was a little turned by his growing importance. Nevertheless, at +heart he was still deeply attached to Miss Dymond. She, however, appears +to have jumped to the conclusion that he had ceased to love her, that +she was unworthy of him, unfitted by education to take her place side by +side with him in the new spheres to which he was mounting—that, in +short, she was a drag on his career. Being, by all accounts, a girl of +remarkable force of character, she resolved to cut the Gordian knot by +leaving London, and, fearing lest her affianced husband's +conscientiousness should induce him to sacrifice himself to her; +dreading also, perhaps, her own weakness, she made the parting absolute, +and the place of her refuge a mystery. A theory has been suggested which +drags an honored name in the mire—a theory so superfluous that I shall +only allude to it. That Arthur Constant could have seduced, or had any +improper relations with his friend's betrothed is a hypothesis to which +the lives of both give the lie. Before leaving London—or England—Miss +Dymond wrote to her aunt in Devonport—her only living relative in this +country—asking her as a great favor to forward an addressed letter to +the prisoner, a fortnight after receipt. The aunt obeyed implicitly. +This was the letter which fell like a thunderbolt on the prisoner on the +night of December 3d. All his old love returned—he was full of +self-reproach and pity for the poor girl. The letter read ominously. +Perhaps she was going to put an end to herself. His first thought was to +rush up to his friend, Constant, to seek his advice. Perhaps Constant +knew something of the affair. The prisoner knew the two were in not +infrequent communication. It is possible—my lord and gentlemen of the +jury, I do not wish to follow the methods of the prosecution and confuse +theory with fact, so I say it is possible—that Mr. Constant had +supplied her with the £25 to leave the country. He was like a brother to +her, perhaps even acted imprudently in calling upon her, though neither +dreamed of evil. It is possible that he may have encouraged her in her +abnegation and in her altruistic aspirations, perhaps even without +knowing their exact drift, for does he not speak in his very last letter +of the fine female characters he was meeting, and the influence for good +he had over individual human souls? Still, this we can now never know, +unless the dead speak or the absent return. It is also not impossible +that Miss Dymond was entrusted with the £25 for charitable purposes. But +to come back to certainties. The prisoner consulted Mr. Constant about +the letter. He then ran to Miss Dymond's lodgings in Stepney Green, +knowing beforehand his trouble would be futile. The letter bore the +postmark of Devonport. He knew the girl had an aunt there; possibly she +might have gone to her. He could not telegraph, for he was ignorant of +the address. He consulted his 'Bradshaw,' and resolved to leave by the +5:30 a. m. from Paddington, and told his landlady so. He left the letter +in the 'Bradshaw,' which ultimately got thrust among a pile of papers +under the sofa, so that he had to get another. He was careless and +disorderly, and the key found by Mr. Wimp in his sofa must have lain +there for some years, having been lost there in the days when he +occupied the bedroom afterward rented by Mr. Constant. Afraid to miss +his train, he did not undress on that distressful night. Meantime the +thought occurred to him that Jessie was too clever a girl to leave so +easy a trail, and he jumped to the conclusion that she would be going to +her married brother in America, and had gone to Devonport merely to bid +her aunt farewell. He determined therefore to get to Liverpool, without +wasting time at Devonport, to institute inquiries. Not suspecting the +delay in the transit of the letter, he thought he might yet stop her, +even at the landing-stage or on the tender. Unfortunately his cab went +slowly in the fog, he missed the first train, and wandered about +brooding disconsolately in the mist till the second. At Liverpool his +suspicious, excited demeanor procured his momentary arrest. Since then +the thought of the lost girl has haunted and broken him. That is the +whole, the plain, and the sufficing story." The effective witnesses for +the defense were, indeed, few. It is so hard to prove a negative. There +was Jessie's aunt, who bore out the statement of the counsel for the +defense. There were the porters who saw him leave Euston by the 7:15 +train for Liverpool, and arrive just too late for the 5:15; there was +the cabman (2,138), who drove him to Euston just in time, he (witness) +thought, to catch the 5:15 a. m. Under cross-examination, the cabman got +a little confused; he was asked whether, if he really picked up the +prisoner at Bow Railway Station at about 4:30, he ought not to have +caught the first train at Euston. He said the fog made him drive rather +slowly, but admitted the mist was transparent enough to warrant full +speed. He also admitted being a strong trade unionist, Spigot, Q. C., +artfully extorting the admission as if it were of the utmost +significance. Finally, there were numerous witnesses—of all sorts and +conditions—to the prisoner's high character, as well as to Arthur +Constant's blameless and moral life.</p> + +<p>In his closing speech on the third day of the trial, Sir Charles pointed +out with great exhaustiveness and cogency the flimsiness of the case for +the prosecution, the number of hypotheses it involved, and their mutual +interdependence. Mrs. Drabdump was a witness whose evidence must be +accepted with extreme caution. The jury must remember that she was +unable to dissociate her observations from her inferences, and thought +that the prisoner and Mr. Constant were quarreling merely because they +were agitated. He dissected her evidence, and showed that it entirely +bore out the story of the defense. He asked the jury to bear in mind +that no positive evidence (whether of cabmen or others) had been given +of the various and complicated movements attributed to the prisoner on +the morning of December 4th, between the hours of 5:25 and 7:15 a. m., +and that the most important witness on the theory of the prosecution—he +meant, of course, Miss Dymond—had not been produced. Even if she were +dead, and her body were found, no countenance would be given to the +theory of the prosecution, for the mere conviction that her lover had +deserted her would be a sufficient explanation of her suicide. Beyond +the ambiguous letter, no tittle of evidence of her dishonor—on which +the bulk of the case against the prisoner rested—had been adduced. As +for the motive of political jealousy that had been a mere passing cloud. +The two men had become fast friends. As to the circumstances of the +alleged crime, the medical evidence was on the whole in favor of the +time of death being late; and the prisoner had left London at a quarter +past seven. The drugging theory was absurd, and as for the too clever +bolt and lock theories, Mr. Grodman, a trained scientific observer, had +pooh-poohed them. He would solemnly exhort the jury to remember that if +they condemned the prisoner they would not only send an innocent man to +an ignominious death on the flimsiest circumstantial evidence, but they +would deprive the workingmen of this country of one of their truest +friends and their ablest leader.</p> + +<p>The conclusion of Sir Charles' vigorous speech was greeted with +irrepressible applause.</p> + +<p>Mr. Spigot, Q. C., in closing the case for the prosecution, asked the +jury to return a verdict against the prisoner for as malicious and +premeditated a crime as ever disgraced the annals of any civilized +country. His cleverness and education had only been utilized for the +devil's ends, while his reputation had been used as a cloak. Everything +pointed strongly to the prisoner's guilt. On receiving Miss Dymond's +letter announcing her shame, and (probably) her intention to commit +suicide, he had hastened upstairs to denounce Constant. He had then +rushed to the girl's lodgings, and, finding his worst fears confirmed, +planned at once his diabolically ingenious scheme of revenge. He told +his landlady he was going to Devonport, so that if he bungled, the +police would be put temporarily off his track. His real destination was +Liverpool, for he intended to leave the country. Lest, however, his plan +should break down here, too, he arranged an ingenious alibi by being +driven to Euston for the 5:15 train to Liverpool. The cabman would not +know he did not intend to go by it, but meant to return to 11, Glover +Street, there to perpetrate this foul crime, interruption to which he +had possibly barred by drugging his landlady. His presence at Liverpool +(whither he really went by the second train) would corroborate the +cabman's story. That night he had not undressed nor gone to bed; he had +plotted out his devilish scheme till it was perfect; the fog came as an +unexpected ally to cover his movements. Jealousy, outraged affection, +the desire for revenge, the lust for political power—these were human. +They might pity the criminal, they could not find him innocent of the +crime.</p> + +<p>Mr. Justice Crogie, summing up, began dead against the prisoner. +Reviewing the evidence, he pointed out that plausible hypotheses neatly +dove-tailed did not necessarily weaken one another, the fitting so well +together of the whole rather making for the truth of the parts. Besides, +the case for the prosecution was as far from being all hypothesis as the +case for the defense was from excluding hypothesis. The key, the letter, +the reluctance to produce the letter, the heated interview with +Constant, the misstatement about the prisoner's destination, the flight +to Liverpool, the false tale about searching for a "him," the +denunciations of Constant, all these were facts. On the other hand, +there were various lacunae and hypotheses in the case for the defense. +Even conceding the somewhat dubious alibi afforded by the prisoner's +presence at Euston at 5:25 a. m., there was no attempt to account for +his movements between that and 7:15 a. m. It was as possible that he +returned to Bow as that he lingered about Euston. There was nothing in +the medical evidence to make his guilt impossible. Nor was there +anything inherently impossible in Constant's yielding to the sudden +temptation of a beautiful girl, nor in a working-girl deeming herself +deserted, temporarily succumbing to the fascinations of a gentleman and +regretting it bitterly afterward. What had become of the girl was a +mystery. Hers might have been one of those nameless corpses which the +tide swirls up on slimy river banks. The jury must remember, too, that +the relation might not have actually passed into dishonor, it might have +been just grave enough to smite the girl's conscience, and to induce her +to behave as she had done. It was enough that her letter should have +excited the jealousy of the prisoner. There was one other point which he +would like to impress on the jury, and which the counsel for the +prosecution had not sufficiently insisted upon. This was that the +prisoner's guiltiness was the only plausible solution that had ever been +advanced of the Bow Mystery. The medical evidence agreed that Mr. +Constant did not die by his own hand. Someone must therefore have +murdered him. The number of people who could have had any possible +reason or opportunity to murder him was extremely small. The prisoner +had both reason and opportunity. By what logicians called the method of +exclusion, suspicion would attach to him on even slight evidence. The +actual evidence was strong and plausible, and now that Mr. Wimp's +ingenious theory had enabled them to understand how the door could have +been apparently locked and bolted from within, the last difficulty and +the last argument for suicide had been removed. The prisoner's guilt was +as clear as circumstantial evidence could make it. If they let him go +free, the Bow Mystery might henceforward be placed among the archives of +unavenged assassinations. Having thus well-nigh hung the prisoner, the +judge wound up by insisting on the high probability of the story for the +defense, though that, too, was dependent in important details upon the +prisoner's mere private statements to his counsel. The jury, being by +this time sufficiently muddled by his impartiality, were dismissed, with +the exhortation to allow due weight to every fact and probability in +determining their righteous verdict.</p> + +<p>The minutes ran into hours, but the jury did not return. The shadows of +night fell across the reeking, fevered court before they announced their +verdict—</p> + +<p>"Guilty."</p> + +<p>The judge put on his black cap.</p> + +<p>The great reception arranged outside was a fiasco; the evening banquet +was indefinitely postponed. Wimp had won; Grodman felt like a whipped +cur.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XI" id="CHAPTER_XI"></a>CHAPTER XI.</h2> + + +<p>"So you were right," Denzil could not help saying as he greeted Grodman +a week afterward. "I shall not live to tell the story of how you +discovered the Bow murderer."</p> + +<p>"Sit down," growled Grodman; "perhaps you will after all." There was a +dangerous gleam in his eyes. Denzil was sorry he had spoken.</p> + +<p>"I sent for you," Grodman said, "to tell you that on the night Wimp +arrested Mortlake I had made preparations for your arrest."</p> + +<p>Denzil gasped, "What for?"</p> + +<p>"My dear Denzil, there is a little law in this country invented for the +confusion of the poetic. The greatest exponent of the Beautiful is only +allowed the same number of wives as the greengrocer. I do not blame you +for not being satisfied with Jane—she is a good servant but a bad +mistress—but it was cruel to Kitty not to inform her that Jane had a +prior right in you, and unjust to Jane not to let her know of the +contract with Kitty."</p> + +<p>"They both know it now well enough, curse 'em," said the poet.</p> + +<p>"Yes; your secrets are like your situations—you can't keep them long. +My poor poet, I pity you—betwixt the devil and the deep sea."</p> + +<p>"They're a pair of harpies, each holding over me the Damocles sword of +an arrest for bigamy. Neither loves me."</p> + +<p>"I should think they would come in very useful to you. You plant one in +my house to tell my secrets to Wimp, and you plant one in Wimp's house +to tell Wimp's secrets to me, I suppose. Out with some, then."</p> + +<p>"Upon my honor you wrong me. Jane brought me here, not I Jane. As for +Kitty, I never had such a shock in my life as at finding her installed +in Wimp's house."</p> + +<p>"She thought it safer to have the law handy for your arrest. Besides, +she probably desired to occupy a parallel position to Jane's. She must +do something for a living; you wouldn't do anything for hers. And so you +couldn't go anywhere without meeting a wife! Ha! ha! ha! Serve you +right, my polygamous poet."</p> + +<p>"But why should you arrest me?"</p> + +<p>"Revenge, Denzil. I have been the best friend you ever had in this cold, +prosaic world. You have eaten my bread, drunk my claret, written my +book, smoked my cigars, and pocketed my money. And yet, when you have an +important piece of information bearing on a mystery about which I am +thinking day and night, you calmly go and sell it to Wimp."</p> + +<p>"I did-didn't," stammered Denzil.</p> + +<p>"Liar! Do you think Kitty has any secrets from me? As soon as I +discovered your two marriages I determined to have you arrested +for—your treachery. But when I found you had, as I thought, put Wimp on +the wrong scent, when I felt sure that by arresting Mortlake he was +going to make a greater ass of himself than even nature had been able to +do, then I forgave you. I let you walk about the earth—and +drink—freely. Now it is Wimp who crows—everybody pats him on the +back—they call him the mystery man of the Scotland-Yard tribe. Poor Tom +Mortlake will be hanged, and all through your telling Wimp about Jessie +Dymond!"</p> + +<p>"It was you yourself," said Denzil sullenly. "Everybody was giving it +up. But you said 'Let us find out all that Arthur Constant did in the +last few months of his life.' Wimp couldn't miss stumbling on Jessie +sooner or later. I'd have throttled Constant, if I had known he'd +touched her," he wound up with irrelevant indignation.</p> + +<p>Grodman winced at the idea that he himself had worked <i>ad majorem +gloriam</i> of Wimp. And yet, had not Mrs. Wimp let out as much at the +Christmas dinner?</p> + +<p>"What's past is past," he said gruffly. "But if Tom Mortlake hangs, you +go to Portland."</p> + +<p>"How can I help Tom hanging?"</p> + +<p>"Help the agitation as much as you can. Write letters under all sorts of +names to all the papers. Get everybody you know to sign the great +petition. Find out where Jessie Dymond is—the girl who holds the proof +of Tom Mortlake's innocence."</p> + +<p>"You really believe him innocent?"</p> + +<p>"Don't be satirical, Denzil. Haven't I taken the chair at all the +meetings? Am I not the most copious correspondent of the Press?"</p> + +<p>"I thought it was only to spite Wimp."</p> + +<p>"Rubbish. It's to save poor Tom. He no more murdered Arthur Constant +than—you did!" He laughed an unpleasant laugh.</p> + +<p>Denzil bade him farewell, frigid with fear.</p> + +<p>Grodman was up to his ears in letters and telegrams. Somehow he had +become the leader of the rescue party—suggestions, subscriptions came +from all sides. The suggestions were burnt, the subscriptions +acknowledged in the papers and used for hunting up the missing girl. +Lucy Brent headed the list with a hundred pounds. It was a fine +testimony to her faith in her dead lover's honor.</p> + +<p>The release of the Jury had unloosed "The Greater Jury," which always +now sits upon the smaller. Every means was taken to nullify the value of +the "palladium of British liberty." The foreman and the jurors were +interviewed, the judge was judged, and by those who were no judges. The +Home Secretary (who had done nothing beyond accepting office under the +Crown) was vituperated, and sundry provincial persons wrote +confidentially to the Queen. Arthur Constant's backsliding cheered many +by convincing them that others were as bad as themselves; and well-to-do +tradesmen saw in Mortlake's wickedness the pernicious effects of +socialism. A dozen new theories were afloat. Constant had committed +suicide by Esoteric Buddhism, as witness his devotion to Mme. Blavatsky, +or he had been murdered by his Mahatma, or victimized by Hypnotism, +Mesmerism, Somnambulism, and other weird abstractions. Grodman's great +point was—Jessie Dymond must be produced, dead or alive. The electric +current scoured the civilized world in search of her. What wonder if the +shrewder sort divined that the indomitable detective had fixed his last +hope on the girl's guilt? If Jessie had wrongs why should she not have +avenged them herself? Did she not always remind the poet of Joan of Arc?</p> + +<p>Another week passed; the shadow of the gallows crept over the days; on, +on, remorselessly drawing nearer, as the last ray of hope sank below the +horizon. The Home Secretary remained inflexible; the great petitions +discharged their signatures at him in vain. He was a Conservative, +sternly conscientious; and the mere insinuation that his obstinacy was +due to the politics of the condemned only hardened him against the +temptation of a cheap reputation for magnanimity. He would not even +grant a respite, to increase the chances of the discovery of Jessie +Dymond. In the last of the three weeks there was a final monster meeting +of protest. Grodman again took the chair, and several distinguished +faddists were present, as well as numerous respectable members of +society. The Home Secretary acknowledged the receipt of their +resolutions. The Trade Unions were divided in their allegiance; some +whispered of faith and hope, others of financial defalcations. The +former essayed to organize a procession and an indignation meeting on +the Sunday preceding the Tuesday fixed for the execution, but it fell +through on a rumor of confession. The Monday papers contained a last +masterly letter from Grodman exposing the weakness of the evidence, but +they knew nothing of a confession. The prisoner was mute and disdainful, +professing little regard for a life empty of love and burdened with +self-reproach. He refused to see clergymen. He was accorded an interview +with Miss Brent in the presence of a jailer, and solemnly asseverated +his respect for her dead lover's memory. Monday buzzed with rumors; the +evening papers chronicled them hour by hour. A poignant anxiety was +abroad. The girl would be found. Some miracle would happen. A reprieve +would arrive. The sentence would be commuted. But the short day darkened +into night even as Mortlake's short day was darkening. And the shadow of +the gallows crept on and on and seemed to mingle with the twilight.</p> + +<p>Crowl stood at the door of his shop, unable to work. His big gray eyes +were heavy with unshed tears. The dingy wintry road seemed one vast +cemetery; the street lamps twinkled like corpse-lights. The confused +sounds of the street-life reached his ear as from another world. He did +not see the people who flitted to and fro amid the gathering shadows of +the cold, dreary night. One ghastly vision flashed and faded and flashed +upon the background of the duskiness.</p> + +<p>Denzil stood beside him, smoking in silence. A cold fear was at his +heart. That terrible Grodman! As the hangman's cord was tightening round +Mortlake, he felt the convict's chains tightening round himself. And yet +there was one gleam of hope, feeble as the yellow flicker of the +gas-lamp across the way. Grodman had obtained an interview with the +condemned late that afternoon, and the parting had been painful, but the +evening paper, that in its turn had obtained an interview with the +ex-detective, announced on its placard:</p> + +<h3>"GRODMAN STILL CONFIDENT"</h3> + +<p>and the thousands who yet pinned their faith on this extraordinary man +refused to extinguish the last sparks of hope. Denzil had bought the +paper and scanned it eagerly, but there was nothing save the vague +assurance that the indefatigable Grodman was still almost pathetically +expectant of the miracle. Denzil did not share the expectation; he +meditated flight.</p> + +<p>"Peter," he said at last, "I'm afraid it's all over."</p> + +<p>Crowl nodded, heart-broken. "All over!" he repeated, "and to think that +he dies—and it is—all over!"</p> + +<p>He looked despairingly at the blank winter sky, where leaden clouds shut +out the stars. "Poor, poor young fellow! To-night alive and thinking. +To-morrow night a clod, with no more sense or motion than a bit of +leather! No compensation nowhere for being cut off innocent in the pride +of youth and strength! A man who has always preached the Useful day and +night, and toiled and suffered for his fellows. Where's the justice of +it, where's the justice of it?" he demanded fiercely. Again his wet eyes +wandered upward toward heaven, that heaven away from which the soul of a +dead saint at the Antipodes was speeding into infinite space.</p> + +<p>"Well, where was the justice for Arthur Constant if he, too, was +innocent?" said Denzil. "Really, Peter, I don't see why you should take +it for granted that Tom is so dreadfully injured. Your horny-handed +labor leaders are, after all, men of no aesthetic refinement, with no +sense of the Beautiful; you cannot expect them to be exempt from the +coarser forms of crime. Humanity must look to for other leaders—to the +seers and the poets!"</p> + +<p>"Cantercot, if you say Tom's guilty I'll knock you down." The little +cobbler turned upon his tall friend like a roused lion. Then he added, +"I beg your pardon, Cantercot, I don't mean that. After all, I've no +grounds. The judge is an honest man, and with gifts I can't lay claim +to. But I believe in Tom with all my heart. And if Tom is guilty I +believe in the Cause of the People with all my heart all the same. The +Fads are doomed to death, they may be reprieved, but they must die at +last."</p> + +<p>He drew a deep sigh, and looked along the dreary Road. It was quite dark +now, but by the light of the lamps and the gas in the shop windows the +dull, monotonous Road lay revealed in all its sordid, familiar outlines; +with its long stretches of chill pavement, its unlovely architecture, +and its endless stream of prosaic pedestrians.</p> + +<p>A sudden consciousness of the futility of his existence pierced the +little cobbler like an icy wind. He saw his own life, and a hundred +million lives like his, swelling and breaking like bubbles on a dark +ocean, unheeded, uncared for.</p> + +<p>A newsboy passed along, clamoring "The Bow murderer, preparations for +the hexecution!"</p> + +<p>A terrible shudder shook the cobbler's frame. His eyes ranged +sightlessly after the boy; the merciful tears filled them at last.</p> + +<p>"The Cause of the People," he murmured, brokenly, "I believe in the +Cause of the People. There is nothing else."</p> + +<p>"Peter, come in to tea, you'll catch cold," said Mrs. Crowl.</p> + +<p>Denzil went in to tea and Peter followed.</p> + +<hr style='width: 45%;' /> + +<p>Meantime, round the house of the Home Secretary, who was in town, an +ever-augmenting crowd was gathered, eager to catch the first whisper of +a reprieve.</p> + +<p>The house was guarded by a cordon of police, for there was no +inconsiderable danger of a popular riot. At times a section of the crowd +groaned and hooted. Once a volley of stones was discharged at the +windows. The news-boys were busy vending their special editions, and the +reporters struggled through the crowd, clutching descriptive pencils, +and ready to rush off to telegraph offices should anything "extra +special" occur. Telegraph boys were coming up every now and again with +threats, messages, petitions and exhortations from all parts of the +country to the unfortunate Home Secretary, who was striving to keep his +aching head cool as he went through the voluminous evidence for the last +time and pondered over the more important letters which "The Greater +Jury" had contributed to the obscuration of the problem. Grodman's +letter in that morning's paper shook him most; under his scientific +analysis the circumstantial chain seemed forged of painted cardboard. +Then the poor man read the judge's summing up, and the chain became +tempered steel. The noise of the crowd outside broke upon his ear in his +study like the roar of a distant ocean. The more the rabble hooted him, +the more he essayed to hold scrupulously the scales of life and death. +And the crowd grew and grew, as men came away from their work. There +were many that loved the man who lay in the jaws of death, and a spirit +of mad revolt surged in their breasts. And the sky was gray, and the +bleak night deepened and the shadow of the gallows crept on.</p> + +<p>Suddenly a strange inarticulate murmur spread through the crowd, a vague +whisper of no one knew what. Something had happened. Somebody was +coming. A second later and one of the outskirts of the throng was +agitated, and a convulsive cheer went up from it, and was taken up +infectiously all along the street. The crowd parted—a hansom dashed +through the center. "Grodman! Grodman!" shouted those who recognized the +occupant. "Grodman! Hurrah!" Grodman was outwardly calm and pale, but +his eyes glittered; he waved his hand encouragingly as the hansom dashed +up to the door, cleaving the turbulent crowd as a canoe cleaves the +waters. Grodman sprang out, the constables at the portal made way for +him respectfully. He knocked imperatively, the door was opened +cautiously; a boy rushed up and delivered a telegram; Grodman forced his +way in, gave his name, and insisted on seeing the Home Secretary on a +matter of life and death. Those near the door heard his words and +cheered, and the crowd divined the good omen, and the air throbbed with +cannonades of joyous sound. The cheers rang in Grodman's ears as the +door slammed behind him. The reporters struggled to the front. An +excited knot of working men pressed round the arrested hansom, they took +the horse out. A dozen enthusiasts struggled for the honor of placing +themselves between the shafts. And the crowd awaited Grodman.</p> + + + +<hr style="width: 65%;" /> +<h2><a name="CHAPTER_XII" id="CHAPTER_XII"></a>CHAPTER XII.</h2> + + +<p>Grodman was ushered into the conscientious Minister's study. The doughty +chief of the agitation was, perhaps, the one man who could not be +denied. As he entered, the Home Secretary's face seemed lit up with +relief. At a sign from his master, the amanuensis who had brought in the +last telegram took it back with him into the outer room where he worked. +Needless to say not a tithe of the Minister's correspondence ever came +under his own eyes.</p> + +<p>"You have a valid reason for troubling me, I suppose, Mr. Grodman?" said +the Home Secretary, almost cheerfully. "Of course it is about Mortlake?"</p> + +<p>"It is; and I have the best of all reasons."</p> + +<p>"Take a seat. Proceed."</p> + +<p>"Pray do not consider me impertinent, but have you ever given any +attention to the science of evidence?"</p> + +<p>"How do you mean?" asked the Home Secretary, rather puzzled, adding, +with a melancholy smile, "I have had to lately. Of course, I've never +been a criminal lawyer, like some of my predecessors. But I should +hardly speak of it as a science; I look upon it as a question of +common-sense."</p> + +<p>"Pardon me, sir. It is the most subtle and difficult of all the +sciences. It is, indeed, rather the science of the sciences. What is the +whole of Inductive Logic, as laid down, say, by Bacon and Mill, but an +attempt to appraise the value of evidence, the said evidence being the +trails left by the Creator, so to speak? The Creator has—I say it in +all reverence—drawn a myriad red herrings across the track, but the +true scientist refuses to be baffled by superficial appearances in +detecting the secrets of Nature. The vulgar herd catches at the gross +apparent fact, but the man of insight knows that what lies on the +surface does lie."</p> + +<p>"Very interesting, Mr. Grodman, but really——"</p> + +<p>"Bear with me, sir. The science of evidence being thus so extremely +subtle, and demanding the most acute and trained observation of facts, +the most comprehensive understanding of human psychology, is naturally +given over to professors who have not the remotest idea that 'things are +not what they seem,' and that everything is other than it appears; to +professors, most of whom, by their year-long devotion to the +shop-counter or the desk, have acquired an intimate acquaintance with +all the infinite shades and complexities of things and human nature. +When twelve of these professors are put in a box, it is called a jury. +When one of these professors is put in a box by himself, he is called a +witness. The retailing of evidence—the observation of the facts—is +given over to people who go through their lives without eyes; the +appreciation of evidence—the judging of these facts—is surrendered to +people who may possibly be adepts in weighing out pounds of sugar. Apart +from their sheer inability to fulfill either function—to observe, or to +judge—their observation and their judgment alike are vitiated by all +sorts of irrelevant prejudices."</p> + +<p>"You are attacking trial by jury."</p> + +<p>"Not necessarily. I am prepared to accept that scientifically, on the +ground that, as there are, as a rule, only two alternatives, the balance +of probability is slightly in favor of the true decision being come to. +Then, in cases where experts like myself have got up the evidence, the +jury can be made to see through trained eyes."</p> + +<p>The Home Secretary tapped impatiently with his foot.</p> + +<p>"I can't listen to abstract theorizing," he said. "Have you any fresh +concrete evidence?"</p> + +<p>"Sir, everything depends on our getting down to the root of the matter. +What percentage of average evidence should you think is thorough, plain, +simple, unvarnished fact, 'the truth, the whole truth, and nothing but +the truth'?"</p> + +<p>"Fifty?" said the Minister, humoring him a little.</p> + +<p>"Not five. I say nothing of lapses of memory, of inborn defects of +observational power—though the suspiciously precise recollection of +dates and events possessed by ordinary witnesses in important trials +taking place years after the occurrences involved, is one of the most +amazing things in the curiosities of modern jurisprudence. I defy you, +sir, to tell me what you had for dinner last Monday, or what exactly you +were saying and doing at five o'clock last Tuesday afternoon. Nobody +whose life does not run in mechanical grooves can do anything of the +sort; unless, of course, the facts have been very impressive. But this +by the way. The great obstacle to veracious observation is the element +of prepossession in all vision. Has it ever struck you, sir, that we +never see anyone more than once, if that? The first time we meet a man +we may possibly see him as he is; the second time our vision is colored +and modified by the memory of the first. Do our friends appear to us as +they appear to strangers? Do our rooms, our furniture, our pipes strike +our eye as they would strike the eye of an outsider, looking on them for +the first time? Can a mother see her babe's ugliness, or a lover his +mistress' shortcomings, though they stare everybody else in the face? +Can we see ourselves as others see us? No; habit, prepossession changes +all. The mind is a large factor of every so-called external fact. The +eye sees, sometimes, what it wishes to see, more often what it expects +to see. You follow me, sir?"</p> + +<p>The Home Secretary nodded his head less impatiently. He was beginning to +be interested. The hubbub from without broke faintly upon their ears.</p> + +<p>"To give you a definite example. Mr. Wimp says that when I burst open +the door of Mr. Constant's room on the morning of December 4th, and saw +that the staple of the bolt had been wrested by the pin from the lintel, +I jumped at once to the conclusion that I had broken the bolt. Now I +admit that this was so, only in things like this you do not seem to +conclude, you jump so fast that you see, or seem to. On the other hand, +when you see a standing ring of fire produced by whirling a burning +stick, you do not believe in its continuous existence. It is the same +when witnessing a legerdemain performance. Seeing is not always +believing, despite the proverb; but believing is often seeing. It is not +to the point that in that little matter of the door Wimp was as +hopelessly and incurably wrong as he has been in everything all along. +Though the door was securely bolted, I confess that I should have seen +that I had broken the bolt in forcing the door, even if it had been +broken beforehand. Never once since December 4th did this possibility +occur to me, till Wimp with perverted ingenuity suggested it. If this is +the case with a trained observer, one moreover fully conscious of this +ineradicable tendency of the human mind, how must it be with an +untrained observer?"</p> + +<p>"Come to the point, come to the point," said the Home Secretary, putting +out his hand as if it itched to touch the bell on the writing-table.</p> + +<p>"Such as," went on Grodman imperturbably, "such as—Mrs. Drabdump. That +worthy person is unable, by repeated violent knocking, to arouse her +lodger who yet desires to be aroused; she becomes alarmed, she rushes +across to get my assistance; I burst open the door—what do you think +the good lady expected to see?"</p> + +<p>"Mr. Constant murdered, I suppose," murmured the Home Secretary, +wonderingly.</p> + +<p>"Exactly. And so she saw it. And what should you think was the condition +of Arthur Constant when the door yielded to my violent exertions and +flew open?"</p> + +<p>"Why, was he not dead?" gasped the Home Secretary, his heart fluttering +violently.</p> + +<p>"Dead? A young, healthy fellow like that! When the door flew open Arthur +Constant was sleeping the sleep of the just. It was a deep, a very deep +sleep, of course, else the blows at his door would long since have +awakened him. But all the while Mrs. Drabdump's fancy was picturing her +lodger cold and stark the poor young fellow was lying in bed in a nice +warm sleep."</p> + +<p>"You mean to say you found Arthur Constant alive?"</p> + +<p>"As you were last night."</p> + +<p>The minister was silent, striving confusedly to take in the situation. +Outside the crowd was cheering again. It was probably to pass the time.</p> + +<p>"Then, when was he murdered?"</p> + +<p>"Immediately afterward."</p> + +<p>"By whom?"</p> + +<p>"Well, that is, if you will pardon me, not a very intelligent question. +Science and common-sense are in accord for once. Try the method of +exhaustion. It must have been either by Mrs. Drabdump or by myself."</p> + +<p>"You mean to say that Mrs. Drabdump——!"</p> + +<p>"Poor dear Mrs. Drabdump, you don't deserve this of your Home Secretary! +The idea of that good lady!"</p> + +<p>"It was you!"</p> + +<p>"Calm yourself, my dear Home Secretary. There is nothing to be alarmed +at. It was a solitary experiment, and I intend it to remain so." The +noise without grew louder. "Three cheers for Grodman! Hip, hip, hip, +hooray," fell faintly on their ears.</p> + +<p>But the Minister, pallid and deeply moved, touched the bell. The Home +Secretary's home secretary appeared. He looked at the great man's +agitated face with suppressed surprise.</p> + +<p>"Thank you for calling in your amanuensis," said Grodman. "I intended to +ask you to lend me his services. I suppose he can write shorthand."</p> + +<p>The minister nodded, speechless.</p> + +<p>"That is well. I intend this statement to form the basis of an appendix +to the twenty-fifth edition—sort of silver wedding—of my book, +'Criminals I Have Caught,' Mr. Denzil Cantercot, who, by the will I have +made to-day, is appointed my literary executor, will have the task of +working it up with literary and dramatic touches after the model of the +other chapters of my book. I have every confidence he will be able to do +me as much justice, from a literary point of view, as you, sir, no doubt +will from a legal. I feel certain he will succeed in catching the style +of the other chapters to perfection."</p> + +<p>"Templeton," whispered the Home Secretary, "this man may be a lunatic. +The effort to solve the Big Bow Mystery may have addled his brain. +Still," he added aloud, "it will be as well for you to take down his +statement in shorthand."</p> + +<p>"Thank you, sir," said Grodman, heartily. "Ready, Mr. Templeton? Here +goes. My career till I left the Scotland-Yard Detective Department is +known to all the world. Is that too fast for you, Mr. Templeton? A +little? Well, I'll go slower; but pull me up if I forget to keep the +brake on. When I retired, I discovered that I was a bachelor. But it was +too late to marry. Time hung on my hands. The preparation of my book, +'Criminals I Have Caught,' kept me occupied for some months. When it was +published I had nothing more to do but think. I had plenty of money, and +it was safely invested; there was no call for speculation. The future +was meaningless to me; I regretted I had not elected to die in harness. +As idle old men must, I lived in the past. I went over and over again my +ancient exploits; I re-read my book. And as I thought and thought, away +from the excitement of the actual hunt, and seeing the facts in a truer +perspective, so it grew daily clearer to me that criminals were more +fools than rogues. Every crime I had traced, however cleverly +perpetrated, was from the point of view of penetrability a weak failure. +Traces and trails were left on all sides—ragged edges, rough-hewn +corners; in short, the job was botched, artistic completeness +unattained. To the vulgar, my feats might seem marvelous—the average +man is mystified to grasp how you detect the letter 'e' in a simple +cryptogram—to myself they were as commonplace as the crimes they +unveiled. To me now, with my lifelong study of the science of evidence, +it seemed possible to commit not merely one, but a thousand crimes that +should be absolutely undiscoverable. And yet criminals would go on +sinning, and giving themselves away, in the same old grooves—no +originality, no dash, no individual insight, no fresh conception! One +would imagine there were an Academy of crime with forty thousand +armchairs. And gradually, as I pondered and brooded over the thought, +there came upon me the desire to commit a crime that should baffle +detection. I could invent hundreds of such crimes, and please myself by +imagining them done; but would they really work out in practice? +Evidently the sole performer of my experiment must be myself; the +subject—whom or what? Accident should determine. I itched to commence +with murder—to tackle the stiffest problems first, and I burned to +startle and baffle the world—especially the world of which I had ceased +to be. Outwardly I was calm, and spoke to the people about me as usual. +Inwardly I was on fire with a consuming scientific passion. I sported +with my pet theories, and fitted them mentally on everyone I met. Every +friend or acquaintance I sat and gossiped with, I was plotting how to +murder without leaving a clue. There is not one of my friends or +acquaintances I have not done away with in thought. There is no public +man—have no fear, my dear Home Secretary—I have not planned to +assassinate secretly, mysteriously, unintelligibly, undiscoverably. Ah, +how I could give the stock criminals points—with their second-hand +motives, their conventional conceptions, their commonplace details, +their lack of artistic feeling and restraint.</p> + +<p>"The late Arthur Constant came to live nearly opposite me. I cultivated +his acquaintance—he was a lovable young fellow, an excellent subject +for experiment. I do not know when I have ever taken to a man more. From +the moment I first set eyes on him, there was a peculiar sympathy +between us. We were drawn to each other. I felt instinctively he would +be the man. I loved to hear him speak enthusiastically of the +Brotherhood of Man—I, who knew the brotherhood of man was to the ape, +the serpent, and the tiger—and he seemed to find a pleasure in stealing +a moment's chat with me from his engrossing self-appointed duties. It is +a pity humanity should have been robbed of so valuable a life. But it +had to be. At a quarter to ten on the night of December 3d he came to +me. Naturally I said nothing about this visit at the inquest or the +trial. His object was to consult me mysteriously about some girl. He +said he had privately lent her money—which she was to repay at her +convenience. What the money was for he did not know, except that it was +somehow connected with an act of abnegation in which he had vaguely +encouraged her. The girl had since disappeared, and he was in distress +about her. He would not tell me who it was—of course now, sir, you know +as well as I it was Jessie Dymond—but asked for advice as to how to set +about finding her. He mentioned that Mortlake was leaving for Devonport +by the first train on the next day. Of old I should have connected these +two facts and sought the thread; now, as he spoke, all my thoughts were +dyed red. He was suffering perceptibly from toothache, and in answer to +my sympathetic inquiries told me it had been allowing him very little +sleep. Everything combined to invite the trial of one of my favorite +theories. I spoke to him in a fatherly way, and when I had tendered some +vague advice about the girl, and made him promise to secure a night's +rest (before he faced the arduous tram-men's meeting in the morning) by +taking a sleeping-draught, I gave him some sulfonal in a phial. It is a +new drug, which produces protracted sleep without disturbing the +digestion, and which I use myself. He promised faithfully to take the +draught; and I also exhorted him earnestly to bolt and bar and lock +himself in so as to stop up every chink or aperture by which the cold +air of the winter's night might creep into the room. I remonstrated with +him on the careless manner he treated his body, and he laughed in his +good-humored, gentle way, and promised to obey me in all things. And he +did. That Mrs. Drabdump, failing to rouse him, would cry 'Murder!' I +took for certain. She is built that way. As even Sir Charles +Brown-Harland remarked, she habitually takes her prepossessions for +facts, her inferences for observations. She forecasts the future in +gray. Most women of Mrs. Drabdump's class would have behaved as she did. +She happened to be a peculiarly favorable specimen for working on by +'suggestion,' but I would have undertaken to produce the same effect on +almost any woman under similar conditions. The only uncertain link in +the chain was: Would Mrs. Drabdump rush across to get me to break open +the door? Women always rush for a man. I was well-nigh the nearest, and +certainly the most authoritative man in the street, and I took it for +granted she would."</p> + +<p>"But suppose she hadn't?" the Home Secretary could not help asking.</p> + +<p>"Then the murder wouldn't have happened, that's all. In due course +Arthur Constant would have awoke, or somebody else breaking open the +door would have found him sleeping; no harm done, nobody any the wiser. +I could hardly sleep myself that night. The thought of the extraordinary +crime I was about to commit—a burning curiosity to know whether Wimp +would detect the <i>modus operandi</i>—the prospect of sharing the feelings +of murderers with whom I had been in contact all my life without being +in touch with the terrible joys of their inner life—the fear lest I +should be too fast asleep to hear Mrs. Drabdump's knock—these things +agitated me and disturbed my rest. I lay tossing on my bed, planning +every detail of poor Constant's end. The hours dragged slowly and +wretchedly on toward the misty dawn. I was racked with suspense. Was I +to be disappointed after all? At last the welcome sound came—the +rat-tat-tat of murder. The echoes of that knock are yet in my ear. 'Come +over and kill him!' I put my night-capped head out of the window and +told her to wait for me. I dressed hurriedly, took my razor, and went +across to 11 Glover Street. As I broke open the door of the bedroom in +which Arthur Constant lay sleeping, his head resting on his hands, I +cried, 'My God!' as if I saw some awful vision. A mist as of blood +swam before Mrs. Drabdump's eyes. She cowered back, for an instant +(I divined rather than saw the action) she shut off the dreaded +sight with her hands. In that instant I had made my cut—precisely, +scientifically—made so deep a cut and drew out the weapon so sharply +that there was scarce a drop of blood on it; then there came from the +throat a jet of blood which Mrs. Drabdump, conscious only of the horrid +gash, saw but vaguely. I covered up the face quickly with a handkerchief +to hide any convulsive distortion. But as the medical evidence (in this +detail accurate) testified, death was instantaneous. I pocketed the +razor and the empty sulfonal phial. With a woman like Mrs. Drabdump to +watch me, I could do anything I pleased. I got her to draw my attention +to the fact that both the windows were fastened. Some fool, by the by, +thought there was a discrepancy in the evidence because the police found +only one window fastened, forgetting that, in my innocence, I took care +not to fasten the window I had opened to call for aid. Naturally I did +not call for aid before a considerable time had elapsed. There was Mrs. +Drabdump to quiet, and the excuse of making notes—as an old hand. My +object was to gain time. I wanted the body to be fairly cold and stiff +before being discovered, though there was not much danger here; for, as +you saw by the medical evidence, there is no telling the time of death +to an hour or two. The frank way in which I said the death was very +recent disarmed all suspicion, and even Dr. Robinson was unconsciously +worked upon, in adjudging the time of death, by the knowledge (query +here, Mr. Templeton) that it had preceded my advent on the scene.</p> + +<p>"Before leaving Mrs. Drabdump there is just one point I should like to +say a word about. You have listened so patiently, sir, to my lectures on +the science of sciences that you will not refuse to hear the last. A +good deal of importance has been attached to Mrs. Drabdump's +oversleeping herself by half an hour. It happens that this (like the +innocent fog which has also been made responsible for much) is a purely +accidental and irrelevant circumstance. In all works on inductive logic +it is thoroughly recognized that only some of the circumstances of a +phenomenon are of its essence and causally interconnected; there is +always a certain proportion of heterogeneous accompaniments which have +no intimate relation whatever with the phenomenon. Yet so crude is as +yet the comprehension of the science of evidence, that every feature of +the phenomenon under investigation is made equally important, and sought +to be linked with the chain of evidence. To attempt to explain +everything is always the mark of the tyro. The fog and Mrs. Drabdump's +oversleeping herself were mere accidents. There are always these +irrelevant accompaniments, and the true scientist allows for this +element of (so to speak) chemically unrelated detail. Even I never +counted on the unfortunate series of accidental phenomena which have led +to Mortlake's implication in a network of suspicion. On the other hand, +the fact that my servant Jane, who usually goes about ten, left a few +minutes earlier on the night of December 3d, so that she didn't know of +Constant's visit, was a relevant accident. In fact, just as the art of +the artist or the editor consists largely in knowing what to leave out, +so does the art of the scientific detector of crime consist in knowing +what details to ignore. In short, to explain everything is to explain +too much. And too much is worse than too little. To return to my +experiment. My success exceeded my wildest dreams. None had an inkling +of the truth. The insolubility of the Big Bow Mystery teased the acutest +minds in Europe and the civilized world. That a man could have been +murdered in a thoroughly inaccessible room savored of the ages of magic. +The redoubtable Wimp, who had been blazoned as my successor, fell back +on the theory of suicide. The mystery would have slept till my death, +but—I fear—for my own ingenuity. I tried to stand outside myself, and +to look at the crime with the eyes of another, or of my old self. I +found the work of art so perfect as to leave only one sublimely simple +solution. The very terms of the problem were so inconceivable that, had +I not been the murderer, I should have suspected myself, in conjunction +of course with Mrs. Drabdump. The first persons to enter the room would +have seemed to me guilty. I wrote at once (in a disguised hand and over +the signature of 'One Who Looks Through His Own Spectacles') to the +'Pell Mell Press' to suggest this. By associating myself thus with Mrs. +Drabdump I made it difficult for people to dissociate the two who +entered the room together. To dash a half-truth in the world's eyes is +the surest way of blinding it altogether. This letter of mine I +contradicted myself (in my own name) the next day, and in the course of +the long letter which I was tempted to write I adduced fresh evidence +against the theory of suicide. I was disgusted with the open verdict, +and wanted men to be up and doing and trying to find me out. I enjoyed +the hunt more. Unfortunately, Wimp, set on the chase again by my own +letter, by dint of persistent blundering, blundered into a track +which—by a devilish tissue of coincidences I had neither foreseen nor +dreamt of—seemed to the world the true. Mortlake was arrested and +condemned. Wimp had apparently crowned his reputation. This was too +much. I had taken all this trouble merely to put a feather in Wimp's +cap, whereas I had expected to shake his reputation by it. It was bad +enough that an innocent man should suffer; but that Wimp should achieve +a reputation he did not deserve, and overshadow all his predecessors by +dint of a colossal mistake, this seemed to me intolerable. I have moved +heaven and earth to get the verdict set aside and to save the prisoner; +I have exposed the weakness of the evidence; I have had the world +searched for the missing girl; I have petitioned and agitated. In vain. +I have failed. Now I play my last card. As the overweening Wimp could +not be allowed to go down to posterity as the solver of this terrible +mystery, I decided that the condemned man might just as well profit by +his exposure. That is the reason I make the exposure to-night, before it +is too late to save Mortlake."</p> + +<p>"So that is the reason?" said the Home Secretary with a suspicion of +mockery in his tones.</p> + +<p>"The sole reason."</p> + +<p>Even as he spoke a deeper roar than ever penetrated the study. The crowd +had again started cheering. Impatient as the watchers were, they felt +that no news was good news. The longer the interview accorded by the +Home Secretary to the chairman of the Defense Committee, the greater the +hope his obduracy was melting. The idol of the people would be saved, +and "Grodman" and "Tom Mortlake" were mingled in the exultant plaudits.</p> + +<p>"Templeton," said the Minister, "have you got down every word of Mr. +Grodman's confession?"</p> + +<p>"Every word, sir."</p> + +<p>"Then bring in the cable you received just as Mr. Grodman entered the +house."</p> + +<p>Templeton went back into the outer room and brought back the cablegram +that had been lying on the Minister's writing-table when Grodman came +in. The Home Secretary silently handed it to his visitor. It was from +the Chief of Police of Melbourne, announcing that Jessie Dymond had just +arrived in that city in a sailing vessel, ignorant of all that had +occurred, and had been immediately dispatched back to England, having +made a statement entirely corroborating the theory of the defense.</p> + +<p>"Pending further inquiries into this," said the Home Secretary, not +without appreciation of the grim humor of the situation as he glanced at +Grodman's ashen cheeks, "I have reprieved the prisoner. Mr. Templeton +was about to dispatch the messenger to the governor of Newgate as you +entered this room. Mr. Wimp's card-castle would have tumbled to pieces +without your assistance. Your still undiscoverable crime would have +shaken his reputation as you intended."</p> + +<p>A sudden explosion shook the room and blent with the cheers of the +populace. Grodman had shot himself—very scientifically—in the heart. +He fell at the Home Secretary's feet, stone dead.</p> + +<hr style="width: 45%;" /> + +<div class="figcenter"> +<a name="illus4" id="illus4"></a> +<img src="images/illus4.jpg" alt=""/> +</div> + +<h3>He fell at the Home Secretary's feet, stone dead.</h3> + +<hr style="width: 45%;" /> + + +<p>Some of the workingmen who had been standing waiting by the shafts of +the hansom helped to bear the stretcher.</p> + + +<h3>THE END.</h3> + + + +<hr style="width: 65%;" /> +<h2><a name="The_Antique_Library_of_Standard_and_Popular_12mos" id="The_Antique_Library_of_Standard_and_Popular_12mos"></a>The Antique Library of Standard and Popular 12mos.</h2> + + +<div class="poem"><div class="stanza"> +<span class="i0">ABBE CONSTANTIN. Halevy.<br /></span> +<span class="i0">ABBOT. Scott.<br /></span> +<span class="i0">ADAM BEDE. Eliot.<br /></span> +<span class="i0">AESOP'S FABLES.<br /></span> +<span class="i0">ALHAMBRA. Irving.<br /></span> +<span class="i0">ALICE. Lytton.<br /></span> +<span class="i0">AN AMERICAN GIRL IN LONDON. Duncan.<br /></span> +<span class="i0">ANDERSEN'S FAIRY TALES. Andersen.<br /></span> +<span class="i0">ANNE OF GEIERSTEIN. Scott.<br /></span> +<span class="i0">ANTIQUARY. Scott.<br /></span> +<span class="i0">ARABIAN NIGHTS' ENTERTAINMENTS.<br /></span> +<span class="i0">ARDATH. Corelli.<br /></span> +<span class="i0">AULD LANG SYNE. Russell.<br /></span> +<span class="i0">BARON MUNCHAUSEN. Raspe.<br /></span> +<span class="i0">BARRACK ROOM BALLADS AND OTHER VERSE. Kipling.<br /></span> +<span class="i0">BEHIND A MASK. Daudet.<br /></span> +<span class="i0">BETROTHED. Scott.<br /></span> +<span class="i0">BETWEEN TWO OPINIONS. Loti.<br /></span> +<span class="i0">BEYOND THE CITY. Doyle.<br /></span> +<span class="i0">BIG BOW MYSTERY. Zangwill.<br /></span> +<span class="i0">BLACK BEAUTY. Sewell.<br /></span> +<span class="i0">BLACK DWARF. Scott.<br /></span> +<span class="i0">BLACK TULIP. Dumas.<br /></span> +<span class="i0">BONDMAN. Caine.<br /></span> +<span class="i0">BRIDE OF LAMMERMOOR. Scott.<br /></span> +<span class="i0">BRYANT'S POEMS. Bryant.<br /></span> +<span class="i0">CALLED BACK. Conway.<br /></span> +<span class="i0">CAST UP BY THE SEA. Baker.<br /></span> +<span class="i0">CAXTONS, THE Lytton.<br /></span> +<span class="i0">CHANGE OF AIR. Hope.<br /></span> +<span class="i0">CHILDREN OF THE ABBEY. Roche.<br /></span> +<span class="i0">CHOUANS. Balzac.<br /></span> +<span class="i0">CLEOPATRA. Haggard.<br /></span> +<span class="i0">CLOISTER WENDHUSEN. Heimburg.<br /></span> +<span class="i0">COUNT ROBERT OF PARIS. Scott.<br /></span> +<span class="i0">COWPER'S POEMS. Cowper.<br /></span> +<span class="i0">CRIQUETTE. Halevy.<br /></span> +<span class="i0">DANESBURY HOUSE. Wood.<br /></span> +<span class="i0">DANIRA. Werner.<br /></span> +<span class="i0">DARK DAYS. Conway.<br /></span> +<span class="i0">DAVID COPPERFIELD. Dickens.<br /></span> +<span class="i0">DEEMSTER. Caine.<br /></span> +<span class="i0">DEERSLAYER. Cooper.<br /></span> +<span class="i0">DEPARTMENTAL DITTIES. Kipling.<br /></span> +<span class="i0">DESCENT OF MAN. Darwin.<br /></span> +<span class="i0">DESPERATE REMEDIES. Hardy.<br /></span> +<span class="i0">DEVEREUX. Lytton.<br /></span> +<span class="i0">DIANA OF THE CROSSWAYS. Meredith.<br /></span> +<span class="i0">DOCTOR RAMEAU. Ohnet.<br /></span> +<span class="i0">DOMBEY & SON. Dickens.<br /></span> +<span class="i0">DONOVAN. Lyall.<br /></span> +<span class="i0">DOROTHY'S DOUBLE. Henty.<br /></span> +<span class="i0">EAST LYNNE. Wood.<br /></span> +<span class="i0">ELSIE. Heimburg.<br /></span> +<span class="i0">ERNEST MALTRAVERS. Lytton.<br /></span> +<span class="i0">EUGENE ARAM. Lytton.<br /></span> +<span class="i0">EVOLUTION OF DODD. Smith.<br /></span> +<span class="i0">FAIR MAID OF PERTH. Scott.<br /></span> +<span class="i0">FAR FROM THE MADDING CROWD. Hardy.<br /></span> +<span class="i0">FIRST VIOLIN. Fothergill.<br /></span> +<span class="i0">FLOWER GIRL OF PARIS. Schobert.<br /></span> +<span class="i0">FLOWER OF FRANCE. Ryan.<br /></span> +<span class="i0">FORTUNES OF NIGEL. Scott.<br /></span> +<span class="i0">FROMONT, Jr. AND RISLER, Sr. Daudet.<br /></span> +<span class="i0">GLADIATORS. Whyte-Melville.<br /></span> +<span class="i0">GRAY AND THE BLUE. Roe.<br /></span> +<span class="i0">GREAT KEINPLATZ EXPERIMENT. Doyle.<br /></span> +<span class="i0">GREEN MOUNTAIN BOYS. Thompson.<br /></span> +<span class="i0">GRIMM'S FAIRY TALES.<br /></span> +<span class="i0">GRIMM'S HOUSEHOLD TALES.<br /></span> +<span class="i0">GULLIVER'S TRAVELS. Swift.<br /></span> +<span class="i0">GUY MANNERING. Scott.<br /></span> +<span class="i0">HANDY ANDY. Lover.<br /></span> +<span class="i0">HANS OF ICELAND. Hugo.<br /></span> +<span class="i0">HAROLD. Lytton.<br /></span> +<span class="i0">HEART OF MIDLOTHIAN. Scott.<br /></span> +<span class="i0">HEIR OF LINNE. Buchanan.<br /></span> +<span class="i0">HEIR OF REDCLYFFE. Yonge.<br /></span> +<span class="i0">HORTENSE. Heimburg.<br /></span> +<span class="i0">HOUSE OF THE SEVEN GABLES. Hawthorne.<br /></span> +<span class="i0">HOUSE OF THE WOLF. Weyman.<br /></span> +<span class="i0">HOUSE PARTY. Ouida.<br /></span> +<span class="i0">HUNCHBACK OF NOTRE DAME. Hugo.<br /></span> +<span class="i0">HYPATIA. Kingsley.<br /></span> +<span class="i0">IN ALL SHADES. Allen.<br /></span> +<span class="i0">IN LOVE'S DOMAINS. Ryan.<br /></span> +<span class="i0">INTO MOROCCO. Loti.<br /></span> +<span class="i0">IRONMASTER. Ohnet.<br /></span> +<span class="i0">IRON PIRATE. Pemberton.<br /></span> +<span class="i0">IT'S NEVER TOO LATE TO MEND. Reade.<br /></span> +<span class="i0">IVANHOE. Scott.<br /></span> +<span class="i0">JANE EYRE. Bronte.<br /></span> +<span class="i0">JOHN HALIFAX, GENTLEMAN. Mulock.<br /></span> +<span class="i0">JOSEPH BALSAMO. Dumas.<br /></span> +<span class="i0">KARMA. Sinnett.<br /></span> +<span class="i0">KENELM CHILLINGLY. Lytton.<br /></span> +<span class="i0">KENILWORTH. Scott.<br /></span> +<span class="i0">KIDNAPPED. Stevenson.<br /></span> +<span class="i0">KINGS IN EXILE. Daudet.<br /></span> +<span class="i0">LAST DAYS OF POMPEII. Lytton.<br /></span> +<span class="i0">LAST OF THE MOHICANS. Cooper.<br /></span> +<span class="i0">LIGHT OF ASIA. Arnold.<br /></span> +<span class="i0">LIGHT THAT FAILED. Kipling.<br /></span> +<span class="i0">LORNA DOONE. Blackmore.<br /></span> +<span class="i0">LUCILE. Meredith.<br /></span> +<span class="i0">LUCRETIA. Lytton.<br /></span> +<span class="i0">MAN OF MARK. Hope.<br /></span> +<span class="i0">MAROONED. Russell.<br /></span> +<span class="i0">MARRIAGE AT SEA. Russell.<br /></span> +<span class="i0">MARTIN HEWITT. Morrison.<br /></span> +<span class="i0">MASTER OF BALLANTRAE. Stevenson.<br /></span> +<span class="i0">MASTER OF THE MINE. Buchanan.<br /></span> +<span class="i0">MAYOR OF CASTERBRIDGE. Hardy.<br /></span> +<span class="i0">MEMOIRS OF A PHYSICIAN. Dumas.<br /></span> +<span class="i0">MERZE. Ryan.<br /></span> +<span class="i0">MICAH CLARKE. Doyle.<br /></span> +<span class="i0">MICHAEL'S CRAG. Allen.<br /></span> +<span class="i0">MIDDLEMARCH. Eliot.<br /></span> +<span class="i0">MILL ON THE FLOSS. Eliot.<br /></span> +<span class="i0">MINE OWN PEOPLE AND IN BLACK AND WHITE. Kipling.<br /></span> +<span class="i0">MONASTERY, THE Scott.<br /></span> +<span class="i0">MRS. ANNIE GREEN. Read.<br /></span> +<span class="i0">MY LADY NICOTINE. Barrie.<br /></span> +<span class="i0">NEWCOMES. Thackeray.<br /></span> +<span class="i0">NICHOLAS NICKLEBY. Dickens.<br /></span> +<span class="i0">NORTH AGAINST SOUTH. Verne.<br /></span> +<span class="i0">OLD MORTALITY. Scott.<br /></span> +<span class="i0">ONE OF THE FORTY. Daudet.<br /></span> +<span class="i0">ON THE HEIGHTS. Auerbach.<br /></span> +<span class="i0">ORIGIN OF SPECIES. Darwin.<br /></span> +<span class="i0">OUR MUTUAL FRIEND. Dickens.<br /></span> +<span class="i0">PAGAN OF THE ALLEGHANIES. Ryan.<br /></span> +<span class="i0">PATHFINDER. Cooper.<br /></span> +<span class="i0">PAUL CLIFFORD. Lytton.<br /></span> +<span class="i0">PELHAM. Lytton.<br /></span> +<span class="i0">PERE GORIOT. Balzac.<br /></span> +<span class="i0">PHANTOM RICKSHAW. Kipling.<br /></span> +<span class="i0">PICKWICK PAPERS. Dickens.<br /></span> +<span class="i0">PILGRIMS OF THE RHINE. Lytton.<br /></span> +<span class="i0">PILGRIM'S PROGRESS. Bunyan.<br /></span> +<span class="i0">PIONEERS. Cooper.<br /></span> +<span class="i0">PIRATE. Scott.<br /></span> +<span class="i0">PLAIN TALES FROM THE HILLS. Kipling.<br /></span> +<span class="i0">PRAIRIE. Cooper.<br /></span> +<span class="i0">PRETTY MICHAL. Jokai.<br /></span> +<span class="i0">PRINCE OF THE HOUSE OF DAVID. Ingraham.<br /></span> +<span class="i0">QUENTIN DURWARD. Scott.<br /></span> +<span class="i0">RED GAUNTLET. Scott.<br /></span> +<span class="i0">REPROACH OF ANNESLEY. Grey.<br /></span> +<span class="i0">RETURN OF THE NATIVE. Hardy.<br /></span> +<span class="i0">RIENZI. Lytton.<br /></span> +<span class="i0">ROBINSON CRUSOE. Defoe.<br /></span> +<span class="i0">ROB ROY. Scott.<br /></span> +<span class="i0">ROMANCE OF TWO WORLDS. Corelli.<br /></span> +<span class="i0">ROMOLA. Eliot.<br /></span> +<span class="i0">ST. RONAN'S WELL. Scott.<br /></span> +<span class="i0">SARCHEDON. Whyte-Melville.<br /></span> +<span class="i0">SCARLET LETTER. Hawthorne.<br /></span> +<span class="i0">SCOTT'S POEMS. Scott.<br /></span> +<span class="i0">SCOTTISH CHIEFS. Porter.<br /></span> +<span class="i0">SEA WOLVES. Pemberton.<br /></span> +<span class="i0">SHADOW OF A CRIME. Caine.<br /></span> +<span class="i0">SHE FELL IN LOVE WITH HER HUSBAND. Werner.<br /></span> +<span class="i0">SIGN OF THE FOUR. Doyle.<br /></span> +<span class="i0">SILENCE OF DEAN MAITLAND. Grey.<br /></span> +<span class="i0">SKETCH BOOK. Irving.<br /></span> +<span class="i0">SOLDIERS THREE. Kipling.<br /></span> +<span class="i0">SON OF HAGAR. Caine.<br /></span> +<span class="i0">SONG OF HIAWATHA. Longfellow.<br /></span> +<span class="i0">SQUAW ELOUISE. Ryan.<br /></span> +<span class="i0">STORY OF AN AFRICAN FARM. Schreiner.<br /></span> +<span class="i0">STRANGE STORY. Lytton.<br /></span> +<span class="i0">STRONGER THAN DEATH. Gautier.<br /></span> +<span class="i0">STUDY IN SCARLET. Doyle.<br /></span> +<span class="i0">STUDY OF GENIUS. Royse.<br /></span> +<span class="i0">SURGEON'S DAUGHTER. Scott.<br /></span> +<span class="i0">SWISS FAMILY ROBINSON. Wyss.<br /></span> +<span class="i0">TALE OF TWO CITIES. Dickens.<br /></span> +<span class="i0">TALES FROM SHAKESPEARE. Lamb.<br /></span> +<span class="i0">TALISMAN. Scott.<br /></span> +<span class="i0">THADDEUS OF WARSAW. Porter.<br /></span> +<span class="i0">THELMA. Corelli.<br /></span> +<span class="i0">THREE MEN IN A BOAT. Jerome.<br /></span> +<span class="i0">TOILERS OF THE SEA. Hugo.<br /></span> +<span class="i0">TOLD IN THE HILLS. Ryan.<br /></span> +<span class="i0">TOM BROWN AT OXFORD. Hughes.<br /></span> +<span class="i0">TOM BROWN'S SCHOOL DAYS. Hughes.<br /></span> +<span class="i0">TREASURE ISLAND. Stevenson.<br /></span> +<span class="i0">UNCLE TOM'S CABIN. Stowe.<br /></span> +<span class="i0">UNDER THE DEODARS AND STORY OF THE GADSBYS. Kipling.<br /></span> +<span class="i0">UNDER TWO FLAGS. Ouida.<br /></span> +<span class="i0">UP TERRAPIN RIVER. Read.<br /></span> +<span class="i0">VANITY FAIR. Thackeray.<br /></span> +<span class="i0">VICAR OF WAKEFIELD. Goldsmith.<br /></span> +<span class="i0">WAVERLY. Scott.<br /></span> +<span class="i0">WEE WILLIE WINKIE. Kipling.<br /></span> +<span class="i0">WESTWARD HO. Kingsley.<br /></span> +<span class="i0">WE TWO. Lyall.<br /></span> +<span class="i0">WHAT'S BRED IN THE BONE. Allen.<br /></span> +<span class="i0">WHITE COMPANY. Doyle.<br /></span> +<span class="i0">WOODLANDERS. Hardy.<br /></span> +<span class="i0">WOODSTOCK. Scott.<br /></span> +<span class="i0">ZANONI. Lytton.<br /></span> +</div></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of The Big Bow Mystery, by I. 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Zangwill + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: The Big Bow Mystery + +Author: I. Zangwill + +Release Date: February 23, 2009 [EBook #28164] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK THE BIG BOW MYSTERY *** + + + + +Produced by David Edwards, Mary Meehan and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Internet Archive) + + + + + + + + + + The Big Bow Mystery + + By I. Zangwill + + +Chicago and New York +Rand, McNally & Company + +Copyright, 1895, by Rand, McNally & Co. + + + + +[Illustration: "My God!" he cried.] + + + + +INTRODUCTION. + +OF MURDERS AND MYSTERIES. + + +As this little book was written some four years ago, I feel able to +review it without prejudice. A new book just hot from the brain is +naturally apt to appear faulty to its begetter, but an old book has got +into the proper perspective and may be praised by him without fear or +favor. "The Big Bow Mystery" seems to me an excellent murder story, as +murder stories go, for, while as sensational as the most of them, it +contains more humor and character creation than the best. Indeed, the +humor is too abundant. Mysteries should be sedate and sober. There +should be a pervasive atmosphere of horror and awe such as Poe manages +to create. Humor is out of tone; it would be more artistic to preserve a +somber note throughout. But I was a realist in those days, and in real +life mysteries occur to real persons with their individual humors, and +mysterious circumstances are apt to be complicated by comic. The +indispensable condition of a good mystery is that it should be able and +unable to be solved by the reader, and that the writer's solution should +satisfy. Many a mystery runs on breathlessly enough till the denouement +is reached, only to leave the reader with the sense of having been +robbed of his breath under false pretenses. And not only must the +solution be adequate, but all its data must be given in the body of the +story. The author must not suddenly spring a new person or a new +circumstance upon his reader at the end. Thus, if a friend were to ask +me to guess who dined with him yesterday, it would be fatuous if he had +in mind somebody of whom he knew I had never heard. The only person who +has ever solved "The Big Bow Mystery" is myself. This is not paradox but +plain fact. For long before the book was written, I said to myself one +night that no mystery-monger had ever murdered a man in a room to which +there was no possible access. The puzzle was scarcely propounded ere the +solution flew up and the idea lay stored in my mind till, years later, +during the silly season, the editor of a popular London evening paper, +anxious to let the sea-serpent have a year off, asked me to provide him +with a more original piece of fiction. I might have refused, but there +was murder in my soul, and here was the opportunity. I went to work +seriously, though the _Morning Post_ subsequently said the skit was too +labored, and I succeeded at least in exciting my readers, so many of +whom sent in unsolicited testimonials in the shape of solutions during +the run of the story that, when it ended, the editor asked me to say +something by way of acknowledgement. Thereupon I wrote a letter to the +paper, thanking the would-be solvers for their kindly attempts to help +me out of the mess into which I had got the plot. I did not like to +wound their feelings by saying straight out that they had failed, one +and all, to hit on the real murderer, just like real police, so I tried +to break the truth to them in a roundabout, mendacious fashion, as thus: + + _To the Editor of "The Star."_ + + SIR: Now that "The Big Bow Mystery" is solved to the satisfaction + of at least one person, will you allow that person the use of your + invaluable columns to enable him to thank the hundreds of your + readers who have favored him with their kind suggestions and + solutions while his tale was running and they were reading? I ask + this more especially because great credit is due to them for + enabling me to end the story in a manner so satisfactory to myself. + When I started it, I had, of course, no idea who had done the + murder, but I was determined no one should guess it. Accordingly, + as each correspondent sent in the name of a suspect, I determined + he or she should not be the guilty party. By degrees every one of + the characters got ticked off as innocent--all except one, and I + had no option but to make that character the murderer. I was very + sorry to do this, as I rather liked that particular person, but + when one has such ingenious readers, what can one do? You can't let + anybody boast that he guessed aright, and, in spite of the trouble + of altering the plot five or six times, I feel that I have chosen + the course most consistent with the dignity of my profession. Had I + not been impelled by this consideration I should certainly have + brought in a verdict against Mrs. Drabdump, as recommended by the + reader who said that, judging by the illustration in the "Star," + she must be at least seven feet high, and, therefore, could easily + have got on the roof and put her (proportionately) long arm down + the chimney to effect the cut. I am not responsible for the + artist's conception of the character. When I last saw the good lady + she was under six feet, but your artist may have had later + information. The "Star" is always so frightfully up to date. I + ought not to omit the humorous remark of a correspondent, who said: + "Mortlake might have swung in some wild way from one window to + another, _at any rate in a story_." I hope my fellow-writers thus + satirically prodded will not demand his name, as I object to + murders, "at any rate in real life." Finally, a word with the + legions who have taken me to task for allowing Mr. Gladstone to + write over 170 words on a postcard. It is all owing to you, sir, + who announced my story as containing humorous elements. I tried to + put in some, and this gentle dig at the grand old correspondent's + habits was intended to be one of them. However, if I _am_ to be + taken "at the foot of the letter" (or rather of the postcard), I + must say that only to-day I received a postcard containing about + 250 words. But this was not from Mr. Gladstone. At any rate, till + Mr. Gladstone himself repudiates this postcard, I shall consider + myself justified in allowing it to stand in the book. + + Again thanking your readers for their valuable assistance, Yours, + etc. + +One would have imagined that nobody could take this seriously, for it is +obvious that the mystery-story is just the one species of story that can +not be told impromptu or altered at the last moment, seeing that it +demands the most careful piecing together and the most elaborate +dove-tailing. Nevertheless, if you cast your joke upon the waters, you +shall find it no joke after many days. This is what I read in the +_Lyttelton Times_, New Zealand: "The chain of circumstantial evidence +seems fairly irrefragable. From all accounts, Mr. Zangwill himself was +puzzled, after carefully forging every link, how to break it. The method +ultimately adopted I consider more ingenious than convincing." After +that I made up my mind never to joke again, but this good intention now +helps to pave the beaten path. + + I. ZANGWILL. + LONDON, September, 1895. + + + + +NOTE. + + +The Mystery which the author will always associate with this story is +how he got through the task of writing it. It was written in a +fortnight--day by day--to meet a sudden demand from the "Star," which +made "a new departure" with it. + +The said fortnight was further disturbed by an extraordinary combined +attack of other troubles and tasks. This is no excuse for the +shortcomings of the book, as it was always open to the writer to revise +or suppress it. The latter function may safely be left to the public, +while if the work stands--almost to a letter--as it appeared in the +"Star," it is because the author cannot tell a story more than once. + +The introduction of Mr. Gladstone into a fictitious scene is defended on +the ground that he is largely mythical. + + I. Z. + + + + +THE BIG BOW MYSTERY. + + + + +CHAPTER I. + + +On a memorable morning of early December London opened its eyes on a +frigid gray mist. There are mornings when King Fog masses his molecules +of carbon in serried squadrons in the city, while he scatters them +tenuously in the suburbs; so that your morning train may bear you from +twilight to darkness. But to-day the enemy's maneuvering was more +monotonous. From Bow even unto Hammersmith there draggled a dull, +wretched vapor, like the wraith of an impecunious suicide come into a +fortune immediately after the fatal deed. The barometers and +thermometers had sympathetically shared its depression, and their +spirits (when they had any) were low. The cold cut like a many-bladed +knife. + +Mrs. Drabdump, of 11 Glover Street, Bow, was one of the few persons in +London whom fog did not depress. She went about her work quite as +cheerlessly as usual. She had been among the earliest to be aware of the +enemy's advent, picking out the strands of fog from the coils of +darkness the moment she rolled up her bedroom blind and unveiled the +somber picture of the winter morning. She knew that the fog had come to +stay for the day at least, and that the gas bill for the quarter was +going to beat the record in high-jumping. She also knew that this was +because she had allowed her new gentleman lodger, Mr. Arthur Constant, +to pay a fixed sum of a shilling a week for gas, instead of charging him +a proportion of the actual account for the whole house. The +meteorologists might have saved the credit of their science if they had +reckoned with Mrs. Drabdump's next gas bill when they predicted the +weather and made "Snow" the favorite, and said that "Fog" would be +nowhere. Fog was everywhere, yet Mrs. Drabdump took no credit to herself +for her prescience. Mrs. Drabdump indeed took no credit for anything, +paying her way along doggedly, and struggling through life like a +wearied swimmer trying to touch the horizon. That things always went as +badly as she had foreseen did not exhilarate her in the least. + +Mrs. Drabdump was a widow. Widows are not born, but made, else you might +have fancied Mrs. Drabdump had always been a widow. Nature had given her +that tall, spare form, and that pale, thin-lipped, elongated, hard-eyed +visage, and that painfully precise hair, which are always associated +with widowhood in low life. It is only in higher circles that women can +lose their husbands and yet remain bewitching. The late Mr. Drabdump had +scratched the base of his thumb with a rusty nail, and Mrs. Drabdump's +foreboding that he would die of lockjaw had not prevented her wrestling +day and night with the shadow of Death, as she had wrestled with it +vainly twice before, when Katie died of diphtheria and little Johnny of +scarlet fever. Perhaps it is from overwork among the poor that Death has +been reduced to a shadow. + +Mrs. Drabdump was lighting the kitchen fire. She did it very +scientifically, as knowing the contrariety of coal and the anxiety of +flaming sticks to end in smoke unless rigidly kept up to the mark. +Science was a success as usual; and Mrs. Drabdump rose from her knees +content, like a Parsee priestess who had duly paid her morning devotions +to her deity. Then she started violently, and nearly lost her balance. +Her eye had caught the hands of the clock on the mantel. They pointed to +fifteen minutes to seven. Mrs. Drabdump's devotion to the kitchen fire +invariably terminated at fifteen minutes past six. What was the matter +with the clock? + +Mrs. Drabdump had an immediate vision of Snoppet, the neighboring +horologist, keeping the clock in hand for weeks and then returning it +only superficially repaired and secretly injured more vitally "for the +good of the trade." The evil vision vanished as quickly as it came, +exorcised by the deep boom of St. Dunstan's bells chiming the +three-quarters. In its place a great horror surged. Instinct had failed; +Mrs. Drabdump had risen at half-past six instead of six. Now she +understood why she had been feeling so dazed and strange and sleepy. She +had overslept herself. + +Chagrined and puzzled, she hastily set the kettle over the crackling +coal, discovering a second later that she had overslept herself because +Mr. Constant wished to be woke three-quarters of an hour earlier than +usual, and to have his breakfast at seven, having to speak at an early +meeting of discontented tram-men. She ran at once, candle in hand, to +his bedroom. It was upstairs. All "upstairs" was Arthur Constant's +domain, for it consisted of but two mutually independent rooms. Mrs. +Drabdump knocked viciously at the door of the one he used for a bedroom, +crying, "Seven o'clock, sir. You'll be late, sir. You must get up at +once." The usual slumbrous "All right" was not forthcoming; but, as she +herself had varied her morning salute, her ear was less expectant of the +echo. She went downstairs, with no foreboding save that the kettle would +come off second best in the race between its boiling and her lodger's +dressing. + +For she knew there was no fear of Arthur Constant's lying deaf to the +call of duty--temporarily represented by Mrs. Drabdump. He was a light +sleeper, and the tram conductors' bells were probably ringing in his +ears, summoning him to the meeting. Why Arthur Constant, B. +A.--white-handed and white-shirted, and gentleman to the very purse of +him--should concern himself with tram-men, when fortune had confined his +necessary relations with drivers to cabmen at the least, Mrs. Drabdump +could not quite make out. He probably aspired to represent Bow in +Parliament; but then it would surely have been wiser to lodge with a +landlady who possessed a vote by having a husband alive. Nor was there +much practical wisdom in his wish to black his own boots (an occupation +in which he shone but little), and to live in every way like a Bow +working man. Bow working men were not so lavish in their patronage of +water, whether existing in drinking glasses, morning tubs, or laundress' +establishments. Nor did they eat the delicacies with which Mrs. Drabdump +supplied him, with the assurance that they were the artisan's appanage. +She could not bear to see him eat things unbefitting his station. Arthur +Constant opened his mouth and ate what his landlady gave him, not first +deliberately shutting his eyes according to the formula, the rather +pluming himself on keeping them very wide open. But it is difficult for +saints to see through their own halos; and in practice an aureola about +the head is often indistinguishable from a mist. The tea to be scalded +in Mr. Constant's pot, when that cantankerous kettle should boil, was +not the coarse mixture of black and green sacred to herself and Mr. +Mortlake, of whom the thoughts of breakfast now reminded her. Poor Mr. +Mortlake, gone off without any to Devonport, somewhere about four in the +fog-thickened darkness of a winter night! Well, she hoped his journey +would be duly rewarded, that his perks would be heavy, and that he would +make as good a thing out of the "traveling expenses" as rival labor +leaders roundly accused him of to other people's faces. She did not +grudge him his gains, nor was it her business if, as they alleged, in +introducing Mr. Constant to her vacant rooms, his idea was not merely to +benefit his landlady. He had done her an uncommon good turn, queer as +was the lodger thus introduced. His own apostleship to the sons of toil +gave Mrs. Drabdump no twinges of perplexity. Tom Mortlake had been a +compositor; and apostleship was obviously a profession better paid and +of a higher social status. Tom Mortlake--the hero of a hundred +strikes--set up in print on a poster, was unmistakably superior to Tom +Mortlake setting up other men's names at a case. Still, the work was not +all beer and skittles, and Mrs. Drabdump felt that Tom's latest job was +not enviable. She shook his door as she passed it on her way to the +kitchen, but there was no response. The street door was only a few feet +off down the passage, and a glance at it dispelled the last hope that +Tom had abandoned the journey. The door was unbolted and unchained, and +the only security was the latch-key lock. Mrs. Drabdump felt a whit +uneasy, though, to give her her due, she never suffered as much as most +housewives do from criminals who never come. Not quite opposite, but +still only a few doors off, on the other side of the street, lived the +celebrated ex-detective, Grodman, and, illogically enough, his presence +in the street gave Mrs. Drabdump a curious sense of security, as of a +believer living under the shadow of the fane. That any human being of +ill-odor should consciously come within a mile of the scent of so famous +a sleuth-hound seemed to her highly improbable. Grodman had retired +(with a competence) and was only a sleeping dog now; still, even +criminals would have sense enough to let him lie. + +So Mrs. Drabdump did not really feel that there had been any danger, +especially as a second glance at the street door showed that Mortlake +had been thoughtful enough to slip the loop that held back the bolt of +the big lock. She allowed herself another throb of sympathy for the +labor leader whirling on his dreary way toward Devonport Dockyard. Not +that he had told her anything of his journey beyond the town; but she +knew Devonport had a Dockyard because Jessie Dymond--Tom's +sweetheart--once mentioned that her aunt lived near there, and it lay on +the surface that Tom had gone to help the dockers, who were imitating +their London brethren. Mrs. Drabdump did not need to be told things to +be aware of them. She went back to prepare Mr. Constant's superfine tea, +vaguely wondering why people were so discontented nowadays. But when she +brought up the tea and the toast and the eggs to Mr. Constant's +sitting-room (which adjoined his bedroom, though without communicating +with it), Mr. Constant was not sitting in it. She lit the gas, and laid +the cloth; then she returned to the landing and beat at the bedroom door +with an imperative palm. Silence alone answered her. She called him by +name and told him the hour, but hers was the only voice she heard, and +it sounded strangely to her in the shadows of the staircase. Then, +muttering, "Poor gentleman, he had the toothache last night; and p'r'aps +he's only just got a wink o' sleep. Pity to disturb him for the sake of +them grizzling conductors. I'll let him sleep his usual time," she bore +the tea-pot downstairs with a mournful, almost poetic, consciousness, +that soft-boiled eggs (like love) must grow cold. + +Half-past seven came--and she knocked again. But Constant slept on. + +His letters, always a strange assortment, arrived at eight, and a +telegram came soon after. Mrs. Drabdump rattled his door, shouted, and +at last put the wire under it. Her heart was beating fast enough now, +though there seemed to be a cold, clammy snake curling round it. She +went downstairs again and turned the handle of Mortlake's room, and went +in without knowing why. The coverlet of the bed showed that the occupant +had only lain down in his clothes, as if fearing to miss the early +train. She had not for a moment expected to find him in the room; yet +somehow the consciousness that she was alone in the house with the +sleeping Constant seemed to flash for the first time upon her, and the +clammy snake tightened its folds round her heart. + +She opened the street door, and her eye wandered nervously up and down. +It was half-past eight. The little street stretched cold and still in +the gray mist, blinking bleary eyes at either end, where the street +lamps smoldered on. No one was visible for the moment, though smoke was +rising from many of the chimneys to greet its sister mist. At the house +of the detective across the way the blinds were still down and the +shutters up. Yet the familiar, prosaic aspect of the street calmed her. +The bleak air set her coughing; she slammed the door to, and returned to +the kitchen to make fresh tea for Constant, who could only be in a deep +sleep. But the canister trembled in her grasp. She did not know whether +she dropped it or threw it down, but there was nothing in the hand that +battered again a moment later at the bedroom door. No sound within +answered the clamor without. She rained blow upon blow in a sort of +spasm of frenzy, scarce remembering that her object was merely to wake +her lodger, and almost staving in the lower panels with her kicks. Then +she turned the handle and tried to open the door, but it was locked. The +resistance recalled her to herself--she had a moment of shocked decency +at the thought that she had been about to enter Constant's bedroom. Then +the terror came over her afresh. She felt that she was alone in the +house with a corpse. She sank to the floor, cowering; with difficulty +stifling a desire to scream. Then she rose with a jerk and raced down +the stairs without looking behind her, and threw open the door and ran +out into the street, only pulling up with her hand violently agitating +Grodman's door-knocker. In a moment the first floor window was +raised--the little house was of the same pattern as her own--and +Grodman's full, fleshy face loomed through the fog in sleepy irritation +from under a nightcap. Despite its scowl the ex-detective's face dawned +upon her like the sun upon an occupant of the haunted chamber. + +"What in the devil's the matter?" he growled. Grodman was not an early +bird, now that he had no worms to catch. He could afford to despise +proverbs now, for the house in which he lived was his, and he lived in +it because several other houses in the street were also his, and it is +well for the landlord to be about his own estate in Bow, where poachers +often shoot the moon. Perhaps the desire to enjoy his greatness among +his early cronies counted for something, too, for he had been born and +bred at Bow, receiving when a youth his first engagement from the local +police quarters, whence he drew a few shillings a week as an amateur +detective in his leisure hours. + +Grodman was still a bachelor. In the celestial matrimonial bureau a +partner might have been selected for him, but he had never been able to +discover her. It was his one failure as a detective. He was a +self-sufficing person, who preferred a gas stove to a domestic; but in +deference to Glover Street opinion he admitted a female factotum between +ten a. m. and ten p. m., and, equally in deference to Glover Street +opinion, excluded her between ten p. m. and ten a. m. + +"I want you to come across at once," Mrs. Drabdump gasped. "Something +has happened to Mr. Constant." + +"What! Not bludgeoned by the police at the meeting this morning, I +hope?" + +"No, no! He didn't go. He is dead." + +"Dead?" Grodman's face grew very serious now. + +"Yes. Murdered!" + +"What?" almost shouted the ex-detective. "How? When? Where? Who?" + +"I don't know. I can't get to him. I have beaten at his door. He does +not answer." + +Grodman's face lit up with relief. + +"You silly woman! Is that all? I shall have a cold in my head. Bitter +weather. He's dog-tired after yesterday--processions, three speeches, +kindergarten, lecture on 'the moon,' article on co-operation. That's his +style." It was also Grodman's style. He never wasted words. + +"No," Mrs. Drabdump breathed up at him solemnly, "he's dead." + +"All right; go back. Don't alarm the neighborhood unnecessarily. Wait +for me. Down in five minutes." Grodman did not take this Cassandra of +the kitchen too seriously. Probably he knew his woman. His small, +bead-like eyes glittered with an almost amused smile as he withdrew them +from Mrs. Drabdump's ken, and shut down the sash with a bang. The poor +woman ran back across the road and through her door, which she would not +close behind her. It seemed to shut her in with the dead. She waited in +the passage. After an age--seven minutes by any honest clock--Grodman +made his appearance, looking as dressed as usual, but with unkempt hair +and with disconsolate side-whisker. He was not quite used to that +side-whisker yet, for it had only recently come within the margin of +cultivation. In active service Grodman had been clean-shaven, like all +members of the profession--for surely your detective is the most +versatile of actors. Mrs. Drabdump closed the street door quietly, and +pointed to the stairs, fear operating like a polite desire to give him +precedence. Grodman ascended, amusement still glimmering in his eyes. +Arrived on the landing he knocked peremptorily at the door, crying, +"Nine o'clock, Mr. Constant; nine o'clock!" When he ceased there was no +other sound or movement. His face grew more serious. He waited, then +knocked, and cried louder. He turned the handle, but the door was fast. +He tried to peer through the keyhole, but it was blocked. He shook the +upper panels, but the door seemed bolted as well as locked. He stood +still, his face set and rigid, for he liked and esteemed the man. + +"Ay, knock your loudest," whispered the pale-faced woman. "You'll not +wake him now." + +The gray mist had followed them through the street door, and hovered +about the staircase, charging the air with a moist, sepulchral odor. + +"Locked and bolted," muttered Grodman, shaking the door afresh. + +"Burst it open," breathed the woman, trembling violently all over, and +holding her hands before her as if to ward off the dreadful vision. +Without another word, Grodman applied his shoulder to the door, and made +a violent muscular effort. He had been an athlete in his time, and the +sap was yet in him. The door creaked, little by little it began to give, +the woodwork enclosing the bolt of the lock splintered, the panels bent +upward, the large upper bolt tore off its iron staple; the door flew +back with a crash. Grodman rushed in. + +"My God!" he cried. The woman shrieked. The sight was too terrible. + + * * * * * + +Within a few hours the jubilant news-boys were shrieking "Horrible +Suicide in Bow," and "The Star" poster added, for the satisfaction of +those too poor to purchase: "A Philanthropist Cuts His Throat." + + + + +CHAPTER II. + + +But the newspapers were premature. Scotland Yard refused to prejudge the +case despite the penny-a-liners. Several arrests were made, so that the +later editions were compelled to soften "Suicide" into "Mystery." The +people arrested were a nondescript collection of tramps. Most of them +had committed other offenses for which the police had not arrested them. +One bewildered-looking gentleman gave himself up (as if he were a +riddle), but the police would have none of him, and restored him +forthwith to his friends and keepers. The number of candidates for each +new opening in Newgate is astonishing. + +The full significance of this tragedy of a noble young life cut short +had hardly time to filter into the public mind, when a fresh sensation +absorbed it. Tom Mortlake had been arrested the same day at Liverpool on +suspicion of being concerned in the death of his fellow-lodger. The news +fell like a bombshell upon a land in which Tom Mortlake's name was a +household word. That the gifted artisan orator, who had never shrunk +upon occasion from launching red rhetoric at Society, should actually +have shed blood seemed too startling, especially as the blood shed was +not blue, but the property of a lovable young middle-class idealist, who +had now literally given his life to the Cause. But this supplementary +sensation did not grow to a head, and everybody (save a few labor +leaders) was relieved to hear that Tom had been released almost +immediately, being merely subpoenaed to appear at the inquest. In an +interview which he accorded to the representative of a Liverpool paper +the same afternoon, he stated that he put his arrest down entirely to +the enmity and rancor entertained toward him by the police throughout +the country. He had come to Liverpool to trace the movements of a friend +about whom he was very uneasy, and he was making anxious inquiries at +the docks to discover at what times steamers left for America, when the +detectives stationed there in accordance with instructions from +headquarters had arrested him as a suspicious-looking character. +"Though," said Tom, "they must very well have known my phiz, as I have +been sketched and caricatured all over the shop. When I told them who I +was they had the decency to let me go. They thought they'd scored off me +enough, I reckon. Yes, it certainly is a strange coincidence that I +might actually have had something to do with the poor fellow's death, +which has cut me up as much as anybody; though if they had known I had +just come from the 'scene of the crime,' and actually lived in the +house, they would probably have--let me alone." He laughed +sarcastically. "They are a queer lot of muddle-heads are the police. +Their motto is, 'First catch your man, then cook the evidence.' If +you're on the spot you're guilty because you're there, and if you're +elsewhere you're guilty because you have gone away. Oh, I know them! If +they could have seen their way to clap me in quod, they'd ha' done it. +Lucky I know the number of the cabman who took me to Euston before five +this morning." + +"If they clapped you in quod," the interviewer reported himself as +facetiously observing, "the prisoners would be on strike in a week." + +"Yes, but there would be so many black-legs ready to take their places," +Mortlake flashed back, "that I'm afraid it 'ould be no go. But do excuse +me. I am so upset about my friend. I'm afraid he has left England, and I +have to make inquiries; and now there's poor Constant gone--horrible! +horrible! and I'm due in London at the inquest. I must really run away. +Good-by. Tell your readers it's all a police grudge." + +"One last word, Mr. Mortlake, if you please. Is it true that you were +billed to preside at a great meeting of clerks at St. James' Hall +between one and two to-day to protest against the German invasion?" + +"Whew! so I had. But the beggars arrested me just before one, when I was +going to wire, and then the news of poor Constant's end drove it out of +my head. What a nuisance! Lord, how troubles do come together! Well, +good-by, send me a copy of the paper." + +Tom Mortlake's evidence at the inquest added little beyond this to the +public knowledge of his movements on the morning of the Mystery. The +cabman who drove him to Euston had written indignantly to the papers to +say that he had picked up his celebrated fare at Bow Railway Station at +about half-past four a. m., and the arrest was a deliberate insult to +democracy, and he offered to make an affidavit to that effect, leaving +it dubious to which effect. But Scotland Yard betrayed no itch for the +affidavit in question, and No. 2,138 subsided again into the obscurity +of his rank. Mortlake--whose face was very pale below the black mane +brushed back from his fine forehead--gave his evidence in low, +sympathetic tones. He had known the deceased for over a year, coming +constantly across him in their common political and social work, and had +found the furnished rooms for him in Glover Street at his own request, +they just being to let when Constant resolved to leave his rooms at +Oxford House in Bethnal Green and to share the actual life of the +people. The locality suited the deceased, as being near the People's +Palace. He respected and admired the deceased, whose genuine goodness +had won all hearts. The deceased was an untiring worker; never grumbled, +was always in fair spirits, regarded his life and wealth as a sacred +trust to be used for the benefit of humanity. He had last seen him at a +quarter past nine p. m. on the day preceding his death. He (witness) had +received a letter by the last post which made him uneasy about a friend. +Deceased was evidently suffering from toothache, and was fixing a piece +of cotton-wool in a hollow tooth, but he did not complain. Deceased +seemed rather upset by the news he brought, and they both discussed it +rather excitedly. + +By a Juryman: Did the news concern him? + +Mortlake: Only impersonally. He knew my friend, and was keenly +sympathetic when one was in trouble. + +Coroner: Could you show the jury the letter you received? + +Mortlake: I have mislaid it, and cannot make out where it has got to. If +you, sir, think it relevant or essential, I will state what the trouble +was. + +Coroner: Was the toothache very violent? + +Mortlake: I cannot tell. I think not, though he told me it had disturbed +his rest the night before. + +Coroner: What time did you leave him? + +Mortlake: About twenty to ten. + +Coroner: And what did you do then? + +Mortlake: I went out for an hour or so to make some inquiries. Then I +returned, and told my landlady I should be leaving by an early train +for--for the country. + +Coroner: And that was the last you saw of the deceased? + +Mortlake (with emotion): The last. + +Coroner: How was he when you left him? + +Mortlake: Mainly concerned about my trouble. + +Coroner: Otherwise you saw nothing unusual about him? + +Mortlake: Nothing. + +Coroner: What time did you leave the house on Tuesday morning? + +Mortlake: At about five and twenty minutes past four. + +Coroner: Are you sure that you shut the street door? + +Mortlake: Quite sure. Knowing my landlady was rather a timid person, I +even slipped the bolt of the big lock, which was usually tied back. It +was impossible for any one to get in even with a latch-key. + +Mrs. Drabdump's evidence (which, of course, preceded his) was more +important, and occupied a considerable time, unduly eked out by +Drabdumpian padding. Thus she not only deposed that Mr. Constant had the +toothache, but that it was going to last about a week; in tragic-comic +indifference to the radical cure that had been effected. Her account of +the last hours of the deceased tallied with Mortlake's, only that she +feared Mortlake was quarreling with him over something in the letter +that came by the nine o'clock post. Deceased had left the house a little +after Mortlake, but had returned before him, and had gone straight to +his bedroom. She had not actually seen him come in, having been in the +kitchen, but she heard his latch-key, followed by his light step up the +stairs. + +A Juryman: How do you know it was not somebody else? (Sensation, of +which the juryman tries to look unconscious.) + +Witness: He called down to me over the banisters, and says in his +sweetish voice: "Be hextra sure to wake me at a quarter to seven, Mrs. +Drabdump, or else I shan't get to my tram meeting." + +(Juryman collapses.) + +Coroner: And did you wake him? + +Mrs. Drabdump (breaking down): Oh, my lud, how can you ask? + +Coroner: There, there, compose yourself. I mean did you try to wake him? + +Mrs. Drabdump: I have taken in and done for lodgers this seventeen +years, my lud, and have always gave satisfaction; and Mr. Mortlake, he +wouldn't ha' recommended me otherwise, though I wish to Heaven the poor +gentleman had never---- + +Coroner: Yes, yes, of course. You tried to rouse him? + +But it was some time before Mrs. Drabdump was sufficiently calm to +explain that though she had overslept herself, and though it would have +been all the same anyhow, she had come up to time. Bit by bit the tragic +story was forced from her lips--a tragedy that even her telling could +not make tawdry. She told with superfluous detail how--when Mr. Grodman +broke in the door--she saw her unhappy gentleman lodger lying on his +back in bed, stone dead, with a gaping red wound in his throat; how her +stronger-minded companion calmed her a little by spreading a +handkerchief over the distorted face; how they then looked vainly about +and under the bed for any instrument by which the deed could have been +done, the veteran detective carefully making a rapid inventory of the +contents of the room, and taking notes of the precise position and +condition of the body before anything was disturbed by the arrival of +gapers or bunglers; how she had pointed out to him that both the windows +were firmly bolted to keep out the cold night air; how, having noted +this down with a puzzled, pitying shake of the head, he had opened the +window to summon the police, and espied in the fog one Denzil Cantercot, +whom he called and told to run to the nearest police-station and ask +them to send on an inspector and a surgeon. How they both remained in +the room till the police arrived, Grodman pondering deeply the while and +making notes every now and again, as fresh points occurred to him, and +asking her questions about the poor, weak-headed young man. Pressed as +to what she meant by calling the deceased "weak-headed," she replied +that some of her neighbors wrote him begging letters, though, Heaven +knew, they were better off than herself, who had to scrape her fingers +to the bone for every penny she earned. Under further pressure from Mr. +Talbot, who was watching the inquiry on behalf of Arthur Constant's +family, Mrs. Drabdump admitted that the deceased had behaved like a +human being, nor was there anything externally eccentric or queer in his +conduct. He was always cheerful and pleasant spoken, though certainly +soft--God rest his soul. No; he never shaved, but wore all the hair that +Heaven had given him. + +By a Juryman: She thought deceased was in the habit of locking his door +when he went to bed. Of course, she couldn't say for certain. +(Laughter.) There was no need to bolt the door as well. The bolt slid +upward, and was at the top of the door. When she first let lodgings, her +reasons for which she seemed anxious to publish, there had only been a +bolt, but a suspicious lodger, she would not call him a gentleman, had +complained that he could not fasten his door behind him, and so she had +been put to the expense of having a lock made. The complaining lodger +went off soon after without paying his rent. (Laughter.) She had always +known he would. + +The Coroner: Was deceased at all nervous? + +Witness: No, he was a very nice gentleman. (A laugh.) + +Coroner: I mean did he seem afraid of being robbed? + +Witness: No, he was always goin' to demonstrations. (Laughter.) I told +him to be careful. I told him I lost a purse with 3s. 2d. myself on +Jubilee Day. + +Mrs. Drabdump resumed her seat, weeping vaguely. + +The Coroner: Gentlemen, we shall have an opportunity of viewing the room +shortly. + +The story of the discovery of the body was retold, though more +scientifically, by Mr. George Grodman, whose unexpected resurgence into +the realm of his early exploits excited as keen a curiosity as the +reappearance "for this occasion only" of a retired prima donna. His +book, "Criminals I Have Caught," passed from the twenty-third to the +twenty-fourth edition merely on the strength of it. Mr. Grodman stated +that the body was still warm when he found it. He thought that death was +quite recent. The door he had had to burst was bolted as well as locked. +He confirmed Mrs. Drabdump's statement about the windows; the chimney +was very narrow. The cut looked as if done by a razor. There was no +instrument lying about the room. He had known the deceased about a +month. He seemed a very earnest, simple-minded young fellow who spoke a +great deal about the brotherhood of man. (The hardened old man-hunter's +voice was not free from a tremor as he spoke jerkily of the dead man's +enthusiasms.) He should have thought the deceased the last man in the +world to commit suicide. + +Mr. Denzil Cantercot was next called. He was a poet. (Laughter.) He was +on his way to Mr. Grodman's house to tell him he had been unable to do +some writing for him because he was suffering from writer's cramp, when +Mr. Grodman called to him from the window of No. 11 and asked him to run +for the police. No, he did not run; he was a philosopher. (Laughter.) He +returned with them to the door, but did not go up. He had no stomach for +crude sensations. (Laughter.) The gray fog was sufficiently unbeautiful +for him for one morning. (Laughter.) + +Inspector Howlett said: About 9:45 on the morning of Tuesday, 4th +December, from information received, he went with Sergeant Runnymede and +Dr. Robinson to 11 Glover Street, Bow, and there found the dead body of +a young man, lying on his back with his throat cut. The door of the room +had been smashed in, and the lock and the bolt evidently forced. The +room was tidy. There were no marks of blood on the floor. A purse full +of gold was on the dressing-table beside a big book. A hip-bath with +cold water stood beside the bed, over which was a hanging bookcase. +There was a large wardrobe against the wall next to the door. The +chimney was very narrow. There were two windows, one bolted. It was +about 18 feet to the pavement. There was no way of climbing up. No one +could possibly have got out of the room, and then bolted the doors and +windows behind him; and he had searched all parts of the room in which +anyone might have been concealed. He had been unable to find any +instrument in the room, in spite of exhaustive search, there being not +even a penknife in the pockets of the clothes of the deceased, which lay +on a chair. The house and the back yard, and the adjacent pavement, had +also been fruitlessly searched. + +Sergeant Runnymede made an identical statement, saving only that he had +gone with Dr. Robinson and Inspector Howlett. + +Dr. Robinson, divisional surgeon, said: The deceased was lying on his +back, with his throat cut. The body was not yet cold, the abdominal +region being quite warm. Rigor mortis had set in in the lower jaw, neck +and upper extremities. The muscles contracted when beaten. I inferred +that life had been extinct some two or three hours, probably not longer, +it might have been less. The bedclothes would keep the lower part warm +for some time. The wound, which was a deep one, was 5-1/2 inches from +right to left across the throat to a point under the left ear. The upper +portion of the windpipe was severed, and likewise the jugular vein. The +muscular coating of the carotid artery was divided. There was a slight +cut, as if in continuation of the wound, on the thumb of the left hand. +The hands were clasped underneath the head. There was no blood on the +right hand. The wound could not have been self-inflicted. A sharp +instrument had been used, such as a razor. The cut might have been made +by a left-handed person. No doubt death was practically instantaneous. I +saw no signs of a struggle about the body or the room. I noticed a purse +on the dressing-table, lying next to Madame Blavatsky's big book on +Theosophy. Sergeant Runnymede drew my attention to the fact that the +door had evidently been locked and bolted from within. + +By a Juryman: I do not say the cuts could not have been made by a +right-handed person. I can offer no suggestion as to how the inflicter +of the wound got in or out. Extremely improbable that the cut was +self-inflicted. There was little trace of the outside fog in the room. + +Police Constable Williams said he was on duty in the early hours of the +morning of the 4th inst. Glover Street lay within his beat. He saw or +heard nothing suspicious. The fog was never very dense, though nasty to +the throat. He had passed through Glover Street about half-past four. He +had not seen Mr. Mortlake or anybody else leave the house. + +The Court here adjourned, the Coroner and the jury repairing in a body +to 11 Glover Street to view the house and the bedroom of the deceased. +And the evening posters announced, "The Bow Mystery Thickens." + + + + +CHAPTER III. + + +Before the inquiry was resumed, all the poor wretches in custody had +been released on suspicion that they were innocent; there was not a +single case even for a magistrate. Clues, which at such seasons are +gathered by the police like blackberries off the hedges, were scanty and +unripe. Inferior specimens were offered them by bushels, but there was +not a good one among the lot. The police could not even manufacture a +clue. + +Arthur Constant's death was already the theme of every hearth, railway +carriage and public house. The dead idealist had points of contact with +so many spheres. The East End and West End alike were moved and excited, +the Democratic Leagues and the Churches, the Doss-houses and the +Universities. The pity of it! And then the impenetrable mystery of it! + +The evidence given in the concluding portion of the investigation was +necessarily less sensational. There were no more witnesses to bring the +scent of blood over the coroner's table; those who had yet to be heard +were merely relatives and friends of the deceased, who spoke of him as +he had been in life. His parents were dead, perhaps luckily for them; +his relatives had seen little of him, and had scarce heard as much about +him as the outside world. No man is a prophet in his own country, and, +even if he migrates, it is advisable for him to leave his family at +home. His friends were a motley crew; friends of the same friend are not +necessarily friends of one another. But their diversity only made the +congruity of the tale they had to tell more striking. It was the tale of +a man who had never made an enemy even by benefiting him, nor lost a +friend even by refusing his favors; the tale of a man whose heart +overflowed with peace and good will to all men all the year round; of a +man to whom Christmas came not once, but three hundred and sixty-five +times a year; it was the tale of a brilliant intellect, who gave up to +mankind what was meant for himself, and worked as a laborer in the +vineyard of humanity, never crying that the grapes were sour; of a man +uniformly cheerful and of good courage, living in that forgetfulness of +self which is the truest antidote to despair. And yet there was not +quite wanting the note of pain to jar the harmony and make it human. +Richard Elton, his chum from boyhood, and vicar of Somerton, in +Midlandshire, handed to the coroner a letter from the deceased about ten +days before his death, containing some passages which the coroner read +aloud: "Do you know anything of Schopenhauer? I mean anything beyond the +current misconceptions? I have been making his acquaintance lately. He +is an agreeable rattle of a pessimist; his essay on 'The Misery of +Mankind' is quite lively reading. At first his assimilation of +Christianity and Pessimism (it occurs in his essay on 'Suicide') dazzled +me as an audacious paradox. But there is truth in it. Verily, the whole +creation groaneth and travaileth, and man is a degraded monster, and sin +is over all. Ah, my friend, I have shed many of my illusions since I +came to this seething hive of misery and wrongdoing. What shall one +man's life--a million men's lives--avail against the corruption, the +vulgarity and the squalor of civilization? Sometimes I feel like a +farthing rush-light in the Hall of Eblis. Selfishness is so long and +life so short. And the worst of it is that everybody is so beastly +contented. The poor no more desire comfort than the rich culture. The +woman to whom a penny school fee for her child represents an appreciable +slice of her income is satisfied that the rich we shall always have with +us. + +"The real crusted old Tories are the paupers in the Workhouse. The +Radical working men are jealous of their own leaders, and the leaders of +one another. Schopenhauer must have organized a labor party in his salad +days. And yet one can't help feeling that he committed suicide as a +philosopher by not committing it as a man. He claims kinship with +Buddha, too; though Esoteric Buddhism at least seems spheres removed +from the philosophy of 'The Will and the Idea'. What a wonderful woman +Madame Blavatsky must be. I can't say I follow her, for she is up in the +clouds nearly all the time, and I haven't as yet developed an astral +body. Shall I send you on her book? It is fascinating.... I am becoming +quite a fluent orator. One soon gets into the way of it. The horrible +thing is that you catch yourself saying things to lead up to 'Cheers' +instead of sticking to the plain realities of the business. Lucy is +still doing the galleries in Italy. It used to pain me sometimes to +think of my darling's happiness when I came across a flat-chested +factory girl. Now I feel her happiness is as important as a factory +girl's." + +Lucy, the witness explained, was Lucy Brent, the betrothed of the +deceased. The poor girl had been telegraphed for, and had started for +England. The witness stated that the outburst of despondency in this +letter was almost a solitary one, most of the letters in his possession +being bright, buoyant and hopeful. Even this letter ended with a +humorous statement of the writer's manifold plans and projects for the +new year. The deceased was a good Churchman. + +Coroner: Was there any private trouble in his own life to account for +the temporary despondency? + +Witness: Not so far as I am aware. His financial position was +exceptionally favorable. + +Coroner: There had been no quarrel with Miss Brent? + +Witness: I have the best authority for saying that no shadow of +difference had ever come between them. + +Coroner: Was the deceased left-handed? + +Witness: Certainly not. He was not even ambidextrous. + +A Juryman: Isn't Shoppinhour one of the infidel writers, published by +the Freethought Publication Society? + +Witness: I do not know who publishes his books. + +The Juryman (a small grocer and big raw-boned Scotchman, rejoicing in +the name of Sandy Sanderson and the dignities of deaconry and membership +of the committee of the Bow Conservative Association): No equeevocation, +sir. Is he not a secularist, who has lectured at the Hall of Science? + +Witness: No, he is a foreign writer--(Mr. Sanderson was heard to thank +Heaven for this small mercy)--who believes that life is not worth +living. + +The Juryman: Were you not shocked to find the friend of a meenister +reading such impure leeterature? + +Witness: The deceased read everything. Schopenhauer is the author of a +system of philosophy, and not what you seem to imagine. Perhaps you +would like to inspect the book? (Laughter.) + +The Juryman: I would na' touch it with a pitchfork. Such books should be +burnt. And this Madame Blavatsky's book--what is that? Is that also +pheelosophy? + +Witness: No. It is Theosophy. (Laughter.) + +Mr. Allen Smith, secretary of the Trammel's Union, stated that he had +had an interview with the deceased on the day before his death, when he +(the deceased) spoke hopefully of the prospects of the movement, and +wrote him out a check for 10 guineas for his union. Deceased promised to +speak at a meeting called for a quarter past seven a.m. the next day. + +Mr. Edward Wimp, of the Scotland Yard Detective Department, said that +the letters and papers of the deceased threw no light upon the manner of +his death, and they would be handed back to the family. His Department +had not formed any theory on the subject. + +The Coroner proceeded to sum up the evidence. "We have to deal, +gentlemen," he said, "with a most incomprehensible and mysterious case, +the details of which are yet astonishingly simple. On the morning of +Tuesday, the 4th inst., Mrs. Drabdump, a worthy, hard-working widow, who +lets lodgings at 11 Grover Street, Bow, was unable to arouse the +deceased, who occupied the entire upper floor of the house. Becoming +alarmed, she went across to fetch Mr. George Grodman, a gentleman known +to us all by reputation, and to whose clear and scientific evidence we +are much indebted, and got him to batter in the door. They found the +deceased lying back in bed with a deep wound in his throat. Life had +only recently become extinct. There was no trace of any instrument by +which the cut could have been effected; there was no trace of any person +who could have effected the cut. No person could apparently have got in +or out. The medical evidence goes to show that the deceased could not +have inflicted the wound himself. And yet, gentlemen, there are, in the +nature of things, two--and only two--alternative explanations of his +death. Either the wound was inflicted by his own hand, or it was +inflicted by another's. I shall take each of these possibilities +separately. First, did the deceased commit suicide? The medical evidence +says deceased was lying with his hands clasped behind his head. Now the +wound was made from right to left, and terminated by a cut on the left +thumb. If the deceased had made it he would have had to do it with his +right hand, while his left hand remained under his head--a most peculiar +and unnatural position to assume. Moreover, in making a cut with the +right hand, one would naturally move the hand from left to right. It is +unlikely that the deceased would move his right hand so awkwardly and +unnaturally, unless, of course, his object was to baffle suspicion. +Another point is that on this hypothesis, the deceased would have had to +replace his right hand beneath his head. But Dr. Robinson believes that +death was instantaneous. If so, deceased could have had no time to pose +so neatly. It is just possible the cut was made with the left hand, but +then the deceased was right-handed. The absence of any signs of a +possible weapon undoubtedly goes to corroborate the medical evidence. +The police have made an exhaustive search in all places where the razor +or other weapon or instrument might by any possibility have been +concealed, including the bedclothes, the mattress, the pillow, and the +street into which it might have been dropped. But all theories involving +the willful concealment of the fatal instrument have to reckon with the +fact or probability that death was instantaneous, also with the fact +that there was no blood about the floor. Finally, the instrument used +was in all likelihood a razor, and the deceased did not shave, and was +never known to be in possession of any such instrument. If, then, we +were to confine ourselves to the medical and police evidence, there +would, I think, be little hesitation in dismissing the idea of suicide. +Nevertheless, it is well to forget the physical aspect of the case for a +moment and to apply our minds to an unprejudiced inquiry into the mental +aspect of it. Was there any reason why the deceased should wish to take +his own life? He was young, wealthy and popular, loving and loved; life +stretched fair before him. He had no vices. Plain living, high thinking, +and noble doing were the three guiding stars of his life. If he had had +ambition, an illustrious public career was within reach. He was an +orator of no mean power, a brilliant and industrious man. His outlook +was always on the future--he was always sketching out ways in which he +could be useful to his fellow-men. His purse and his time were ever at +the command of whosoever could show fair claim upon them. If such a man +were likely to end his own life, the science of human nature would be at +an end. Still, some of the shadows of the picture have been presented to +us. The man had his moments of despondency--as which of us has not? But +they seem to have been few and passing. Anyhow, he was cheerful enough +on the day before his death. He was suffering, too, from toothache. But +it does not seem to have been violent, nor did he complain. Possibly, of +course, the pain became very acute in the night. Nor must we forget that +he may have overworked himself, and got his nerves into a morbid state. +He worked very hard, never rising later than half-past seven, and doing +far more than the professional 'labor leader.' He taught and wrote as +well as spoke and organized. But on the other hand all witnesses agree +that he was looking forward eagerly to the meeting of tram-men on the +morning of the 4th inst. His whole heart was in the movement. Is it +likely that this was the night he would choose for quitting the scene of +his usefulness? Is it likely that if he had chosen it, he would not have +left letters and a statement behind, or made a last will and testament? +Mr. Wimp has found no possible clue to such conduct in his papers. Or is +it likely he would have concealed the instrument? The only positive sign +of intention is the bolting of his door in addition to the usual locking +of it, but one cannot lay much stress on that. Regarding the mental +aspects alone, the balance is largely against suicide; looking at the +physical aspects, suicide is well nigh impossible. Putting the two +together, the case against suicide is all but mathematically complete. +The answer, then, to our first question, Did the deceased commit +suicide? is, that he did not." + +The coroner paused, and everybody drew a long breath. The lucid +exposition had been followed with admiration. If the coroner had stopped +now, the jury would have unhesitatingly returned a verdict of "murder." +But the coroner swallowed a mouthful of water and went on. + +"We now come to the second alternative--was the deceased the victim of +homicide? In order to answer that question in the affirmative it is +essential that we should be able to form some conception of the _modus +operandi_. It is all very well for Dr. Robinson to say the cut was made +by another hand; but in the absence of any theory as to how the cut +could possibly have been made by that other hand, we should be driven +back to the theory of self-infliction, however improbable it may seem to +medical gentlemen. Now, what are the facts? When Mrs. Drabdump and Mr. +Grodman found the body it was yet warm, and Mr. Grodman, a witness +fortunately qualified by special experience, states that death had been +quite recent. This tallies closely enough with the view of Dr. Robinson, +who, examining the body about an hour later, put the time of death at +two or three hours before, say seven o'clock. Mrs. Drabdump had +attempted to wake the deceased at a quarter to seven, which would put +back the act to a little earlier. As I understand from Dr. Robinson, +that it is impossible to fix the time very precisely, death may have +very well taken place several hours before Mrs. Drabdump's first attempt +to wake deceased. Of course, it may have taken place between the first +and second calls, as he may merely have been sound asleep at first; it +may also not impossibly have taken place considerably earlier than the +first call, for all the physical data seem to prove. Nevertheless, on +the whole, I think we shall be least likely to err if we assume the time +of death to be half-past six. Gentlemen, let us picture to ourselves No. +11 Glover Street at half-past six. We have seen the house; we know +exactly how it is constructed. On the ground floor a front room tenanted +by Mr. Mortlake, with two windows giving on the street, both securely +bolted; a back room occupied by the landlady; and a kitchen. Mrs. +Drabdump did not leave her bedroom till half-past six, so that we may be +sure all the various doors and windows have not yet been unfastened; +while the season of the year is a guarantee that nothing had been left +open. The front door through which Mr. Mortlake has gone out before +half-past four, is guarded by the latch-key lock and the big lock. On +the upper floor are two rooms--a front room used by deceased for a +bedroom, and a back room which he used as a sitting-room. The back room +has been left open, with the key inside, but the window is fastened. The +door of the front room is not only locked, but bolted. We have seen the +splintered mortise and the staple of the upper bolt violently forced +from the woodwork and resting on the pin. The windows are bolted, the +fasteners being firmly fixed in the catches. The chimney is too narrow +to admit of the passage of even a child. This room, in fact, is as +firmly barred in as if besieged. It has no communication with any other +part of the house. It is as absolutely self-centered and isolated as if +it were a fort in the sea or a log-hut in the forest. Even if any +strange person is in the house, nay, in the very sitting-room of the +deceased, he cannot get into the bedroom, for the house is one built for +the poor, with no communication between the different rooms, so that +separate families, if need be, may inhabit each. Now, however, let us +grant that some person has achieved the miracle of getting into the +front room, first floor, 18 feet from the ground. At half-past six, or +thereabouts, he cuts the throat of the sleeping occupant. How is he then +to get out without attracting the attention of the now roused landlady? +But let us concede him that miracle, too. How is he to go away and yet +leave the doors and windows locked and bolted from within? This is a +degree of miracle at which my credulity must draw the line. No, the room +had been closed all night--there is scarce a trace of fog in it. No one +could get in or out. Finally, murders do not take place without motive. +Robbery and revenge are the only conceivable motives. The deceased had +not an enemy in the world; his money and valuables were left untouched. +Everything was in order. There were no signs of a struggle. The answer +then to our second inquiry--was the deceased killed by another +person?--is, that he was not. + +"Gentlemen, I am aware that this sounds impossible and contradictory. +But it is the facts that contradict themselves. It seems clear that the +deceased did not commit suicide. It seems equally clear that the +deceased was not murdered. There is nothing for it, therefore, +gentlemen, but to return a verdict tantamount to an acknowledgment of +our incompetence to come to any adequately grounded conviction whatever +as to the means or the manner by which the deceased met his death. It is +the most inexplicable mystery in all my experience." (Sensation.) + +The Foreman (after a colloquy with Mr. Sandy Sanderson): "We are not +agreed, sir. One of the jurors insists on a verdict of "Death from +visitation by the act of God."" + + + + +CHAPTER IV. + + +But Sandy Sanderson's burning solicitude to fix the crime flickered out +in the face of opposition, and in the end he bowed his head to the +inevitable "open verdict." Then the floodgates of inkland were opened, +and the deluge pattered for nine days on the deaf coffin where the poor +idealist moldered. The tongues of the Press were loosened, and the +leader writers reveled in recapitulating the circumstances of "The Big +Bow Mystery," though they could contribute nothing but adjectives to the +solution. The papers teemed with letters--it was a kind of Indian summer +of the silly season. But the editors could not keep them out, nor cared +to. The mystery was the one topic of conversation everywhere--it was on +the carpet and the bare boards alike, in the kitchen and the +drawing-room. It was discussed with science or stupidity, with aspirates +or without. It came up for breakfast with the rolls, and was swept off +the supper table with the last crumbs. + +No. 11 Glover Street, Bow, remained for days a shrine of pilgrimage. The +once sleepy little street buzzed from morning till night. From all parts +of the town people came to stare up at the bedroom window and wonder +with a foolish look of horror. The pavement was often blocked for hours +together, and itinerant vendors of refreshment made it a new market +center, while vocalists hastened thither to sing the delectable ditty of +the deed without having any voice in the matter. It was a pity the +Government did not erect a toll-gate at either end of the street. But +Chancellors of the Exchequer rarely avail themselves of the more obvious +expedients for paying off the National debt. + +Finally, familiarity bred contempt, and the wits grew facetious at the +expense of the Mystery. Jokes on the subject appeared even in the comic +papers. + +To the proverb, "You must not say Boo to a goose," one added, "or else +she will explain you the Mystery." The name of the gentleman who asked +whether the Bow Mystery was not 'arrowing shall not be divulged. There +was more point in "Dagonet's" remark that, if he had been one of the +unhappy jurymen, he should have been driven to "suicide." A professional +paradox-monger pointed triumphantly to the somewhat similar situation in +"the murder in the Rue Morgue," and said that Nature had been +plagiarizing again--like the monkey she was--and he recommended Poe's +publishers to apply for an injunction. More seriously, Poe's solution +was re-suggested by "Constant Reader" as an original idea. He thought +that a small organ-grinder's monkey might have got down the chimney with +its master's razor, and, after attempting to shave the occupant of the +bed, have returned the way it came. This idea created considerable +sensation, but a correspondent with a long train of letters draggling +after his name pointed out that a monkey small enough to get down so +narrow a flue would not be strong enough to inflict so deep a wound. +This was disputed by a third writer, and the contest raged so keenly +about the power of monkeys' muscles that it was almost taken for granted +that a monkey was the guilty party. The bubble was pricked by the pen of +"Common Sense," who laconically remarked that no traces of soot or blood +had been discovered on the floor, or on the nightshirt, or the +counterpane. The "Lancet's" leader on the Mystery was awaited with +interest. It said: "We cannot join in the praises that have been +showered upon the coroner's summing up. It shows again the evils +resulting from having coroners who are not medical men. He seems to have +appreciated but inadequately the significance of the medical evidence. +He should certainly have directed the jury to return a verdict of murder +on that. What was it to do with him that he could see no way by which +the wound could have been inflicted by an outside agency? It was for the +police to find how that was done. Enough that it was impossible for the +unhappy young man to have inflicted such a wound and then have strength +and will power enough to hide the instrument and to remove perfectly +every trace of his having left the bed for the purpose." It is +impossible to enumerate all the theories propounded by the amateur +detectives, while Scotland Yard religiously held its tongue. Ultimately +the interest on the subject became confined to a few papers which had +received the best letters. Those papers that couldn't get interesting +letters stopped the correspondence and sneered at the "sensationalism" +of those that could. Among the mass of fantasy there were not a few +notable solutions, which failed brilliantly, like rockets posing as +fixed stars. One was that in the obscurity of the fog the murderer had +ascended to the window of the bedroom by means of a ladder from the +pavement. He had then with a diamond cut one of the panes away, and +effected an entry through the aperture. On leaving he fixed in the pane +of glass again (or another which he had brought with him), and thus the +room remained with its bolts and locks untouched. On its being pointed +out that the panes were too small, a third correspondent showed that +that didn't matter, as it was only necessary to insert the hand and undo +the fastening, when the entire window could be opened, the process being +reversed by the murderer on leaving. This pretty edifice of glass was +smashed by a glazier, who wrote to say that a pane could hardly be fixed +in from only one side of a window frame, that it would fall out when +touched, and that in any case the wet putty could not have escaped +detection. A door panel sliced out and replaced was also put forward, +and as many trap-doors and secret passages were ascribed to No. 11 +Glover Street as if it were a medieval castle. Another of these clever +theories was that the murderer was in the room the whole time the police +were there--hidden in the wardrobe. Or he had got behind the door when +Grodman broke it open, so that he was not noticed in the excitement of +the discovery, and escaped with his weapon at the moment when Grodman +and Mrs. Drabdump were examining the window fastenings. + +Scientific explanations also were to hand to explain how the assassin +locked and bolted the door behind him. Powerful magnets outside the door +had been used to turn the key and push the bolt within. Murderers armed +with magnets loomed on the popular imagination like a new microbe. There +was only one defect in this ingenious theory--the thing could not be +done. A physiologist recalled the conjurers who swallowed swords--by an +anatomical peculiarity of the throat--and said that the deceased might +have swallowed the weapon after cutting his own throat. This was too +much for the public to swallow. As for the idea that the suicide had +been effected with a penknife or its blade, or a bit of steel, which had +got buried in the wound, not even the quotation of Shelley's line: + + "Makes such a wound, the knife is lost in it," + +could secure it a moment's acceptance. The same reception was accorded +to the idea that the cut had been made with a candlestick (or other +harmless article) constructed like a sword-stick. Theories of this sort +caused a humorist to explain that the deceased had hidden the razor in +his hollow tooth! Some kind friend of Messrs. Maskelyne and Cook +suggested that they were the only persons who could have done the deed, +as no one else could get out of a locked cabinet. But perhaps the most +brilliant of these flashes of false fire was the facetious, yet probably +half-seriously meant, letter that appeared in the "Pell Mell Press" +under the heading of + + THE BIG BOW MYSTERY SOLVED. + + "Sir--You will remember that when the Whitechapel murders were + agitating the universe, I suggested that the district coroner was + the assassin. My suggestion has been disregarded. The coroner is + still at large. So is the Whitechapel murderer. Perhaps this + suggestive coincidence will incline the authorities to pay more + attention to me this time. The problem seems to be this. The + deceased could not have cut his own throat. The deceased could not + have had his throat cut for him. As one of the two must have + happened, this is obvious nonsense. As this is obvious nonsense I + am justified in disbelieving it. As this obvious nonsense was + primarily put in circulation by Mrs. Drabdump and Mr. Grodman, I am + justified in disbelieving them. In short, sir, what guarantee have + we that the whole tale is not a cock-and-bull story, invented by + the two persons who first found the body? What proof is there that + the deed was not done by these persons themselves, who then went to + work to smash the door and break the locks and the bolts, and + fasten up all the windows before they called the police in? I + enclose my card, and am, sir, yours truly, One Who Looks Through + His Own Spectacles." + + ("Our correspondent's theory is not so audaciously original as he + seems to imagine. Has he not looked through the spectacles of the + people who persistently suggested that the Whitechapel murderer was + invariably the policeman who found the body? Somebody must find the + body, if it is to be found at all.--Ed. P. M. P.") + +The editor had reason to be pleased that he inserted this letter, for it +drew the following interesting communication from the great detective +himself: + + "THE BIG BOW MYSTERY SOLVED. + + "Sir--I do not agree with you that your correspondent's theory + lacks originality. On the contrary, I think it is delightfully + original. In fact it has given me an idea. What that idea is I do + not yet propose to say, but if 'One Who Looks Through His Own + Spectacles' will favor me with his name and address I shall be + happy to inform him a little before the rest of the world whether + his germ has borne any fruit. I feel he is a kindred spirit, and + take this opportunity of saying publicly that I was extremely + disappointed at the unsatisfactory verdict. The thing was a + palpable assassination; an open verdict has a tendency to relax the + exertions of Scotland Yard. I hope I shall not be accused of + immodesty, or of making personal reflections, when I say that the + Department has had several notorious failures of late. It is not + what it used to be. Crime is becoming impertinent. It no longer + knows its place, so to speak. It throws down the gauntlet where + once it used to cower in its fastnesses. I repeat, I make these + remarks solely in the interest of law and order. I do not for one + moment believe that Arthur Constant killed himself, and if Scotland + Yard satisfies itself with that explanation, and turns on its other + side and goes to sleep again, then, sir, one of the foulest and + most horrible crimes of the century will forever go unpunished. My + acquaintance with the unhappy victim was but recent; still, I saw + and knew enough of the man to be certain (and I hope I have seen + and known enough of other men to judge) that he was a man + constitutionally incapable of committing an act of violence, + whether against himself or anybody else. He would not hurt a fly, + as the saying goes. And a man of that gentle stamp always lacks the + active energy to lay hands on himself. He was a man to be esteemed + in no common degree, and I feel proud to be able to say that he + considered me a friend. I am hardly at the time of life at which a + man cares to put on his harness again; but, sir, it is impossible + that I should ever know a day's rest till the perpetrator of this + foul deed is discovered. I have already put myself in communication + with the family of the victim, who, I am pleased to say, have every + confidence in me, and look to me to clear the name of their unhappy + relative from the semi-imputation of suicide. I shall be pleased if + anyone who shares my distrust of the authorities, and who has any + clue whatever to this terrible mystery, or any plausible suggestion + to offer, if, in brief, any 'One who looks through his own + spectacles' will communicate with me. If I were asked to indicate + the direction in which new clues might be most usefully sought, I + should say, in the first instance, anything is valuable that helps + us to piece together a complete picture of the manifold activities + of the man in the East End. He entered one way or another into the + lives of a good many people; is it true that he nowhere made + enemies? With the best intentions a man may wound or offend; his + interference may be resented; he may even excite jealousy. A young + man like the late Mr. Constant could not have had as much practical + sagacity as he had goodness. Whose corns did he tread on? The more + we know of the last few months of his life the more we shall know + of the manner of his death. Thanking you by anticipation for the + insertion of this letter in your valuable columns, I am, sir, yours + truly, + + "George Grodman. + "46 Glover Street, Bow." + + "P. S.--Since writing the above lines I have, by the kindness of + Miss Brent, been placed in possession of a most valuable letter, + probably the last letter written by the unhappy gentleman. It is + dated Monday, 3 December, the very eve of the murder, and was + addressed to her at Florence, and has now, after some delay, + followed her back to London where the sad news unexpectedly brought + her. It is a letter couched, on the whole, in the most hopeful + spirit, and speaks in detail of his schemes. Of course, there are + things in it not meant for the ears of the public, but there can be + no harm in transcribing an important passage: + + "'You seem to have imbibed the idea that the East End is a kind of + Golgotha, and this despite that the books out of which you probably + got it are carefully labeled "Fiction." Lamb says somewhere that we + think of the "Dark Ages" as literally without sunlight, and so I + fancy people like you, dear, think of the "East End" as a mixture + of mire, misery and murder. How's that for alliteration? Why, + within five minutes' walk of me there are the loveliest houses, + with gardens back and front, inhabited by very fine people and + furniture. Many of my university friends' mouths would water if + they knew the income of some of the shop-keepers in the High Road. + + "'The rich people about here may not be so fashionable as those in + Kensington and Bayswater, but they are every bit as stupid and + materialistic. I don't deny, Lucy, I do have my black moments, and + I do sometimes pine to get away from all this to the lands of sun + and lotus-eating. But, on the whole, I am too busy even to dream of + dreaming. My real black moments are when I doubt if I am really + doing any good. But yet on the whole my conscience or my + self-conceit tells me that I am. If one cannot do much with the + mass, there is at least the consolation of doing good to the + individual. And, after all, is it not enough to have been an + influence for good over one or two human souls? There are quite + fine characters hereabout--especially in the women--natures capable + not only of self-sacrifice, but of delicacy of sentiment. To have + learnt to know of such, to have been of service to one or two of + such--is not this ample return? I could not get to St. James' Hall + to hear your friend's symphony at the Henschel concert. I have been + reading Mme. Blavatsky's latest book, and getting quite interested + in occult philosophy. Unfortunately I have to do all my reading in + bed, and I don't find the book as soothing a soporific as most new + books. For keeping one awake I find Theosophy as bad as + toothache....'" + + * * * * * + + "THE BIG BOW MYSTERY SOLVED. + + "Sir--I wonder if anyone besides myself has been struck by the + incredible bad taste of Mr. Grodman's letter in your last issue. + That he, a former servant of the Department, should publicly insult + and run it down can only be charitably explained by the supposition + that his judgment is failing him in his old age. In view of this + letter, are the relatives of the deceased justified in entrusting + him with any private documents? It is, no doubt, very good of him + to undertake to avenge one whom he seems snobbishly anxious to + claim as a friend; but, all things considered, should not his + letter have been headed 'The Big Bow Mystery Shelved?' I enclose my + card, and am, sir, + + "Your obedient servant, + "Scotland Yard." + +George Grodman read this letter with annoyance, and, crumpling up the +paper, murmured scornfully, "Edward Wimp." + + + + +CHAPTER V. + + +"Yes, but what will become of the Beautiful?" said Denzil Cantercot. + +"Hang the Beautiful!" said Peter Crowl, as if he were on the committee +of the Academy. "Give me the True." + +Denzil did nothing of the sort. He didn't happen to have it about him. + +[Illustration: Denzil Cantercot stood smoking a cigarette.] + +Denzil Cantercot stood smoking a cigarette in his landlord's shop, and +imparting an air of distinction and an agreeable aroma to the close +leathery atmosphere. Crowl cobbled away, talking to his tenant without +raising his eyes. He was a small, big-headed, sallow, sad-eyed man, with +a greasy apron. Denzil was wearing a heavy overcoat with a fur collar. +He was never seen without it in public during the winter. In private he +removed it and sat in his shirt sleeves. Crowl was a thinker, or thought +he was--which seems to involve original thinking anyway. His hair was +thinning rapidly at the top, as if his brain was struggling to get as +near as possible to the realities of things. He prided himself on having +no fads. Few men are without some foible or hobby; Crowl felt almost +lonely at times in his superiority. He was a Vegetarian, a Secularist, a +Blue Ribbonite, a Republican, and an Anti-Tobacconist. Meat was a fad. +Drink was a fad. Religion was a fad. Monarchy was a fad. Tobacco was a +fad. "A plain man like me," Crowl used to say, "can live without fads." +"A plain man" was Crowl's catchword. When of a Sunday morning he stood +on Mile-end Waste, which was opposite his shop--and held forth to the +crowd on the evils of kings, priests and mutton chops, the "plain man" +turned up at intervals like the "theme" of a symphonic movement. "I am +only a plain man and I want to know." It was a phrase that sabered the +spider-webs of logical refinement, and held them up scornfully on the +point. When Crowl went for a little recreation in Victoria Park on +Sunday afternoons, it was with this phrase that he invariably routed the +supernaturalists. Crowl knew his Bible better than most ministers, and +always carried a minutely-printed copy in his pocket, dogs-eared to mark +contradictions in the text. The second chapter of Jeremiah says one +thing; the first chapter of Corinthians says another. Two contradictory +statements may both be true, but "I am only a plain man, and I want to +know." Crowl spent a large part of his time in setting "the word against +the word." Cock-fighting affords its votaries no acuter pleasure than +Crowl derived from setting two texts by the ears. Crowl had a +metaphysical genius which sent his Sunday morning disciples frantic with +admiration, and struck the enemy dumb with dismay. He had discovered, +for instance, that the Deity could not move, owing to already filling +all space. He was also the first to invent, for the confusion of the +clerical, the crucial case of a saint dying at the Antipodes +contemporaneously with another in London. Both went skyward to heaven, +yet the two traveled in directly opposite directions. In all eternity +they would never meet. Which, then, got to heaven? Or was there no such +place? "I am only a plain man, and I want to know." Preserve us our open +spaces; they exist to testify to the incurable interest of humanity in +the Unknown and the Misunderstood. Even 'Arry is capable of five +minutes' attention to speculative theology, if 'Arriet isn't in a 'urry. + +Peter Crowl was not sorry to have a lodger like Denzil Cantercot, who, +though a man of parts and thus worth powder and shot, was so hopelessly +wrong on all subjects under the sun. In only one point did Peter Crowl +agree with Denzil Cantercot--he admired Denzil Cantercot secretly. When +he asked him for the True--which was about twice a day on the +average--he didn't really expect to get it from him. He knew that Denzil +was a poet. + +"The Beautiful," he went on, "is a thing that only appeals to men like +you. The True is for all men. The majority have the first claim. Till +then you poets must stand aside. The True and the Useful--that's what we +want. The Good of Society is the only test of things. Everything stands +or falls by the Good of Society." + +"The Good of Society!" echoed Denzil, scornfully. "What's the Good of +Society? The Individual is before all. The mass must be sacrificed to +the Great Man. Otherwise the Great Man will be sacrificed to the mass. +Without great men there would be no art. Without art life would be a +blank." + +"Ah, but we should fill it up with bread and butter," said Peter Crowl. + +"Yes, it is bread and butter that kills the Beautiful," said Denzil +Cantercot bitterly. "Many of us start by following the butterfly through +the verdant meadows, but we turn aside----" + +"To get the grub," chuckled Peter, cobbling away. + +"Peter, if you make a jest of everything, I'll not waste my time on +you." + +Denzil's wild eyes flashed angrily. He shook his long hair. Life was +very serious to him. He never wrote comic verse intentionally. + +There are three reasons why men of genius have long hair. One is, that +they forget it is growing. The second is, that they like it. The third +is, that it comes cheaper; they wear it long for the same reason that +they wear their hats long. + +Owing to this peculiarity of genius, you may get quite a reputation for +lack of twopence. The economic reason did not apply to Denzil, who could +always get credit with the profession on the strength of his appearance. +Therefore, when street Arabs vocally commanded him to get his hair cut, +they were doing no service to barbers. Why does all the world watch over +barbers and conspire to promote their interests? Denzil would have told +you it was not to serve the barbers, but to gratify the crowd's +instinctive resentment of originality. In his palmy days Denzil had been +an editor, but he no more thought of turning his scissors against +himself than of swallowing his paste. The efficacy of hair has changed +since the days of Samson, otherwise Denzil would have been a Hercules +instead of a long, thin, nervous man, looking too brittle and delicate +to be used even for a pipe-cleaner. The narrow oval of his face sloped +to a pointed, untrimmed beard. His linen was reproachable, his dingy +boots were down at heel, and his cocked hat was drab with dust. Such are +the effects of a love for the Beautiful. + +Peter Crowl was impressed with Denzil's condemnation of flippancy, and +he hastened to turn off the joke. + +"I'm quite serious," he said. "Butterflies are no good to nothing or +nobody; caterpillars at least save the birds from starving." + +"Just like your view of things, Peter," said Denzil. "Good morning, +madam." This to Mrs. Crowl, to whom he removed his hat with elaborate +courtesy. Mrs. Crowl grunted and looked at her husband with a note of +interrogation in each eye. For some seconds Crowl stuck to his last, +endeavoring not to see the question. He shifted uneasily on his stool. +His wife coughed grimly. He looked up, saw her towering over him, and +helplessly shook his head in a horizontal direction. It was wonderful +how Mrs. Crowl towered over Mr. Crowl, even when he stood up in his +shoes. She measured half an inch less. It was quite an optical illusion. + +"Mr. Crowl," said Mrs. Crowl, "then I'll tell him." + +"No, no, my dear, not yet," faltered Peter helplessly; "leave it to me." + +"I've left it to you long enough. You'll never do nothing. If it was a +question of provin' to a lot of chuckleheads that Jollygee and Genesis, +or some other dead and gone Scripture folk that don't consarn no mortal +soul, used to contradict each other, your tongue 'ud run thirteen to the +dozen. But when it's a matter of takin' the bread out o' the mouths o' +your own children, you ain't got no more to say for yourself than a +lamppost. Here's a man stayin' with you for weeks and weeks--eatin' and +drinkin' the flesh off your bones--without payin' a far----" + +"Hush, hush, mother; it's all right," said poor Crowl, red as fire. + +Denzil looked at her dreamily. "Is it possible you are alluding to me, +Mrs. Crowl?" he said. + +"Who then should I be alludin' to, Mr. Cantercot? Here's seven weeks +come and gone, and not a blessed 'aypenny have I----" + +"My dear Mrs. Crowl," said Denzil, removing his cigarette from his mouth +with a pained air, "why reproach me for your neglect?" + +"My neglect! I like that!" + +"I don't," said Denzil, more sharply. "If you had sent me in the bill +you would have had the money long ago. How do you expect me to think of +these details?" + +"We ain't so grand down here. People pays their way--they don't get no +bills," said Mrs. Crowl, accentuating the word with infinite scorn. + +Peter hammered away at a nail, as though to drown his spouse's voice. + +"It's three pounds fourteen and eight-pence, if you're so anxious to +know," Mrs. Crowl resumed. "And there ain't a woman in the Mile End Road +as 'ud a-done it cheaper, with bread at fourpence threefarden a quartern +and landlords clamorin' for rent every Monday morning almost afore the +sun's up and folks draggin' and slidderin' on till their shoes is only +fit to throw after brides, and Christmas comin' and seven-pence a week +for schoolin'!" + +Peter winced under the last item. He had felt it coming--like Christmas. +His wife and he parted company on the question of Free Education. Peter +felt that, having brought nine children into the world, it was only fair +he should pay a penny a week for each of those old enough to bear +educating. His better half argued that, having so many children, they +ought in reason to be exempted. Only people who had few children could +spare the penny. But the one point on which the cobbler-skeptic of the +Mile End Road got his way was this of the fees. It was a question of +conscience, and Mrs. Crowl had never made application for their +remission, though she often slapped her children in vexation instead. +They were used to slapping, and when nobody else slapped them they +slapped one another. They were bright, ill-mannered brats, who pestered +their parents and worried their teachers, and were happy as the Road was +long. + +"Bother the school fees!" Peter retorted, vexed. "Mr. Cantercot's not +responsible for your children." + +"I should hope not, indeed, Mr. Crowl," Mrs. Crowl said sternly. "I'm +ashamed of you." And with that she flounced out of the shop into the +back parlor. + +"It's all right," Peter called after her soothingly. "The money'll be +all right, mother." + +In lower circles it is customary to call your wife your mother; in +somewhat superior circles it is the fashion to speak of her as "the +wife" as you speak of "the Stock Exchange," or "the Thames," without +claiming any peculiar property. Instinctively men are ashamed of being +moral and domesticated. + +Denzil puffed his cigarette, unembarrassed. Peter bent attentively over +his work, making nervous stabs with his awl. There was a long silence. +An organ-grinder played a waltz outside, unregarded; and, failing to +annoy anybody, moved on. Denzil lit another cigarette. The dirty-faced +clock on the shop wall chimed twelve. + +"What do you think," said Crowl, "of Republics?" + +"They are low," Denzil replied. "Without a Monarch there is no visible +incarnation of Authority." + +"What! do you call Queen Victoria visible?" + +"Peter, do you want to drive me from the house? Leave frivolousness to +women, whose minds are only large enough for domestic difficulties. +Republics are low. Plato mercifully kept the poets out of his. Republics +are not congenial soil for poetry." + +"What nonsense! If England dropped its fad of Monarchy and became a +Republic to-morrow, do you mean to say that----?" + +"I mean to say that there would be no Poet Laureate to begin with." + +"Who's fribbling now, you or me, Cantercot? But I don't care a +button-hook about poets, present company always excepted. I'm only a +plain man, and I want to know where's the sense of givin' any one person +authority over everybody else?" + +"Ah, that's what Tom Mortlake used to say. Wait till you're in power, +Peter, with trade-union money to control, and working men bursting to +give you flying angels and to carry you aloft, like a banner, +huzzahing." + +"Ah, that's because he's head and shoulders above 'em already," said +Crowl, with a flash in his sad gray eyes. "Still, it don't prove that +I'd talk any different. And I think you're quite wrong about his being +spoiled. Tom's a fine fellow--a man every inch of him, and that's a good +many. I don't deny he has his weaknesses, and there was a time when he +stood in this very shop and denounced that poor dead Constant. 'Crowl,' +said he, 'that man'll do mischief. I don't like these kid-glove +philanthropists mixing themselves up in practical labor disputes they +don't understand.'" + +Denzil whistled involuntarily. It was a piece of news. + +"I daresay," continued Crowl, "he's a bit jealous of anybody's +interference with his influence. But in this case the jealousy did wear +off, you see, for the poor fellow and he got quite pals, as everybody +knows. Tom's not the man to hug a prejudice. However, all that don't +prove nothing against Republics. Look at the Czar and the Jews. I'm only +a plain man, but I wouldn't live in Russia not for--not for all the +leather in it! An Englishman, taxed as he is to keep up his Fad of +Monarchy, is at least king in his own castle, whoever bosses it at +Windsor. Excuse me a minute, the missus is callin'." + +"Excuse _me_ a minute. I'm going, and I want to say before I go--I feel +it is only right you should know at once--that after what has passed +to-day I can never be on the same footing here as in the--shall I say +pleasant?--days of yore." + +"Oh, no, Cantercot. Don't say that; don't say that!" pleaded the little +cobbler. + +"Well, shall I say unpleasant, then?" + +"No, no, Cantercot. Don't misunderstand me. Mother has been very much +put to it lately to rub along. You see she has such a growing family. It +grows--daily. But never mind her. You pay whenever you've got the +money." + +Denzil shook his head. "It cannot be. You know when I came here first I +rented your top room and boarded myself. Then I learnt to know you. We +talked together. Of the Beautiful. And the Useful. I found you had no +soul. But you were honest, and I liked you. I went so far as to take my +meals with your family. I made myself at home in your back parlor. But +the vase has been shattered (I do not refer to that on the mantelpiece), +and though the scent of the roses may cling to it still, it can be +pieced together--nevermore." He shook his hair sadly and shambled out of +the shop. Crowl would have gone after him, but Mrs. Crowl was still +calling, and ladies must have the precedence in all polite societies. + +Cantercot went straight--or as straight as his loose gait permitted--to +46 Glover Street, and knocked at the door. Grodman's factotum opened it. +She was a pock-marked person, with a brickdust complexion and a +coquettish manner. + +"Oh, here we are again!" she said vivaciously. + +"Don't talk like a clown," Cantercot snapped. "Is Mr. Grodman in?" + +"No, you've put him out," growled the gentleman himself, suddenly +appearing in his slippers. "Come in. What the devil have you been doing +with yourself since the inquest? Drinking again?" + +"I've sworn off. Haven't touched a drop since----" + +"The murder?" + +"Eh?" said Denzil Cantercot, startled. "What do you mean?" + +"What I say. Since December 4, I reckon everything from that murder, +now, as they reckon longitude from Greenwich." + +"Oh," said Denzil Cantercot. + +"Let me see. Nearly a fortnight. What a long time to keep away from +Drink--and Me." + +"I don't know which is worse," said Denzil, irritated. "You both steal +away my brains." + +"Indeed?" said Grodman, with an amused smile. "Well, it's only petty +pilfering, after all. What's put salt on your wounds?" + +"The twenty-fourth edition of my book." + +"Whose book?" + +"Well, your book. You must be making piles of money out of 'Criminals I +Have Caught.'" + +"'Criminals _I_ Have Caught,'" corrected Grodman. "My dear Denzil, how +often am I to point out that I went through the experiences that make +the backbone of my book, not you? In each case I cooked the criminal's +goose. Any journalist could have supplied the dressing." + +"The contrary. The journeymen of journalism would have left the truth +naked. You yourself could have done that--for there is no man to beat +you at cold, lucid, scientific statement. But I idealized the bare facts +and lifted them into the realm of poetry and literature. The +twenty-fourth edition of the book attests my success." + +"Rot! The twenty-fourth edition was all owing to the murder! Did you do +that?" + +"You take one up so sharply, Mr. Grodman," said Denzil, changing his +tone. + +"No--I've retired," laughed Grodman. + +Denzil did not reprove the ex-detective's flippancy. He even laughed a +little. + +"Well, give me another fiver, and I'll cry 'quits.' I'm in debt." + +"Not a penny. Why haven't you been to see me since the murder? I had to +write that letter to the 'Pell Mell Press' myself. You might have earned +a crown." + +"I've had writer's cramp, and couldn't do your last job. I was coming to +tell you so on the morning of the----" + +"Murder. So you said at the inquest." + +"It's true." + +"Of course. Weren't you on your oath? It was very zealous of you to get +up so early to tell me. In which hand did you have this cramp?" + +"Why, in the right, of course." + +"And you couldn't write with your left?" + +"I don't think I could even hold a pen." + +"Or any other instrument, mayhap. What had you been doing to bring it +on?" + +"Writing too much. That is the only possible cause." + +"Oh, I don't know. Writing what?" + +Denzil hesitated. "An epic poem." + +"No wonder you're in debt. Will a sovereign get you out of it?" + +"No; it wouldn't be the least use to me." + +"Here it is, then." + +Denzil took the coin and his hat. + +"Aren't you going to earn it, you beggar? Sit down and write something +for me." + +Denzil got pen and paper, and took his place. + +"What do you want me to write?" + +"The Epic Poem." + +Denzil started and flushed. But he set to work. Grodman leaned back in +his armchair and laughed, studying the poet's grave face. + +Denzil wrote three lines and paused. + +"Can't remember any more? Well, read me the start." + +Denzil read: + + "Of man's first disobedience and the fruit + Of that forbidden tree whose mortal taste + Brought death into the world--" + +"Hold on!" cried Grodman; "what morbid subjects you choose, to be sure." + +"Morbid! Why, Milton chose the same subject!" + +"Blow Milton. Take yourself off--you and your Epics." + +Denzil went. The pock-marked person opened the street door for him. + +"When am I to have that new dress, dear?" she whispered coquettishly. + +"I have no money, Jane," he said shortly. + +"You have a sovereign." + +Denzil gave her the sovereign, and slammed the door viciously. Grodman +overheard their whispers, and laughed silently. His hearing was acute. +Jane had first introduced Denzil to his acquaintance about two years +ago, when he spoke of getting an amanuensis, and the poet had been doing +odd jobs for him ever since. Grodman argued that Jane had her reasons. +Without knowing them he got a hold over both. There was no one, he felt, +he could not get a hold over. All men--and women--have something to +conceal, and you have only to pretend to know what it is. Thus Grodman, +who was nothing if not scientific. + +Denzil Cantercot shambled home thoughtfully, and abstractedly took his +place at the Crowl dinner-table. + + + + +CHAPTER VI. + + +Mrs. Crowl surveyed Denzil Cantercot so stonily and cut him his beef so +savagely that he said grace when the dinner was over. Peter fed his +metaphysical genius on tomatoes. He was tolerant enough to allow his +family to follow their Fads; but no savory smells ever tempted him to be +false to his vegetable loves. Besides, meat might have reminded him too +much of his work. There is nothing like leather, but Bow beefsteaks +occasionally come very near it. + +After dinner Denzil usually indulged in poetic reverie. But to-day he +did not take his nap. He went out at once to "raise the wind." But there +was a dead calm everywhere. In vain he asked for an advance at the +office of the "Mile End Mirror," to which he contributed scathing +leaderettes about vestrymen. In vain he trudged to the city and offered +to write the "Ham and Eggs Gazette" an essay on the modern methods of +bacon-curing. Denzil knew a great deal about the breeding and +slaughtering of pigs, smoke-lofts and drying processes, having for years +dictated the policy of the "New Pork Herald" in these momentous matters. +Denzil also knew a great deal about many other esoteric matters, +including weaving machines, the manufacture of cabbage leaves and snuff, +and the inner economy of drain-pipes. He had written for the trade +papers since boyhood. But there is great competition on these papers. So +many men of literary gifts know all about the intricate technicalities +of manufactures and markets, and are eager to set the trade right. +Grodman perhaps hardly allowed sufficiently for the step backward that +Denzil made when he devoted his whole time for months to "Criminals I +Have Caught." It was as damaging as a debauch. For when your rivals are +pushing forward, to stand still is to go back. + +In despair Denzil shambled toilsomely to Bethnal Green. He paused before +the window of a little tobacconist's shop, wherein was displayed a +placard announcing + + "PLOTS FOR SALE." + +The announcement went on to state that a large stock of plots was to be +obtained on the premises--embracing sensational plots, humorous plots, +love plots, religious plots, and poetic plots; also complete +manuscripts, original novels, poems and tales. Apply within. + +It was a very dirty-looking shop, with begrimed bricks and blackened +woodwork. The window contained some musty old books, an assortment of +pipes and tobacco, and a large number of the vilest daubs unhung, +painted in oil on Academy boards, and unframed. These were intended for +landscapes, as you could tell from the titles. The most expensive was +"Chingford Church," and it was marked 1s. 9d. The others ran from 6d. to +1s. 3d., and were mostly representations of Scotch scenery--a loch with +mountains in the background, with solid reflections in the water and a +tree in the foreground. Sometimes the tree would be in the background. +Then the loch would be in the foreground. Sky and water were intensely +blue in all. The name of the collection was "Original oil paintings done +by hand." Dust lay thick upon everything, as if carefully shoveled on; +and the proprietor looked as if he slept in his shop window at night +without taking his clothes off. He was a gaunt man with a red nose, long +but scanty black locks covered by a smoking cap, and a luxuriant black +mustache. He smoked a long clay pipe, and had the air of a broken-down +operatic villain. + +"Ah, good afternoon, Mr. Cantercot," he said, rubbing his hands, half +from cold, half from usage; "what have you brought me?" + +"Nothing," said Denzil, "but if you will lend me a sovereign I'll do you +a stunner." + +The operatic villain shook his locks, his eyes full of pawky cunning. +"If you did it after that it would be a stunner." + +What the operatic villain did with these plots, and who bought them, +Cantercot never knew nor cared to know. Brains are cheap to-day, and +Denzil was glad enough to find a customer. + +"Surely you've known me long enough to trust me," he cried. + +"Trust is dead," said the operatic villain, puffing away. + +"So is Queen Anne," cried the irritated poet. His eyes took a dangerous +hunted look. Money he must have. But the operatic villain was +inflexible. No plot, no supper. + +Poor Denzil went out flaming. He knew not where to turn. Temporarily he +turned on his heel again and stared despairingly at the shop window. +Again he read the legend: + + "PLOTS FOR SALE." + +He stared so long at this that it lost its meaning. When the sense of +the words suddenly flashed upon him again, they bore a new significance. +He went in meekly, and borrowed fourpence of the operatic villain. Then +he took the 'bus for Scotland Yard. There was a not ill-looking servant +girl in the 'bus. The rhythm of the vehicle shaped itself into rhymes in +his brain. He forgot all about his situation and his object. He had +never really written an epic--except "Paradise Lost"--but he composed +lyrics about wine and women and often wept to think how miserable he +was. But nobody ever bought anything of him, except articles on +bacon-curing or attacks on vestrymen. He was a strange, wild creature, +and the wench felt quite pretty under his ardent gaze. It almost +hypnotized her, though, and she looked down at her new French kid boots +to escape it. + +At Scotland Yard Denzil asked for Edward Wimp. Edward Wimp was not on +view. Like kings and editors, Detectives are difficult of +approach--unless you are a criminal, when you cannot see anything of +them at all. Denzil knew of Edward Wimp, principally because of +Grodman's contempt for his successor. Wimp was a man of taste and +culture. Grodman's interests were entirely concentrated on the problems +of logic and evidence. Books about these formed his sole reading; for +_belles lettres_ he cared not a straw. Wimp, with his flexible +intellect, had a great contempt for Grodman and his slow, laborious, +ponderous, almost Teutonic methods. Worse, he almost threatened to +eclipse the radiant tradition of Grodman by some wonderfully ingenious +bits of workmanship. Wimp was at his greatest in collecting +circumstantial evidence; in putting two and two together to make five. +He would collect together a number of dark and disconnected data and +flash across them the electric light of some unifying hypothesis in a +way which would have done credit to a Darwin or a Faraday. An intellect +which might have served to unveil the secret workings of nature was +subverted to the protection of a capitalistic civilization. + +By the assistance of a friendly policeman, whom the poet magnetized into +the belief that his business was a matter of life and death, Denzil +obtained the great detective's private address. It was near King's +Cross. By a miracle Wimp was at home in the afternoon. He was writing +when Denzil was ushered up three pairs of stairs into his presence, but +he got up and flashed the bull's-eye of his glance upon the visitor. + +"Mr. Denzil Cantercot, I believe!" said Wimp. + +Denzil started. He had not sent up his name, merely describing himself +as a gentleman. + +"That is my name," he murmured. + +"You were one of the witnesses at the inquest on the body of the late +Arthur Constant. I have your evidence there." He pointed to a file. "Why +have you come to give fresh evidence?" + +Again Denzil started, flushing in addition this time. "I want money," he +said, almost involuntarily. + +"Sit down." Denzil sat. Wimp stood. + +Wimp was young and fresh-colored. He had a Roman nose, and was smartly +dressed. He had beaten Grodman by discovering the wife Heaven meant for +him. He had a bouncing boy, who stole jam out of the pantry without +anyone being the wiser. Wimp did what work he could do at home in a +secluded study at the top of the house. Outside his chamber of horrors +he was the ordinary husband of commerce. He adored his wife, who thought +poorly of his intellect, but highly of his heart. In domestic +difficulties Wimp was helpless. He could not even tell whether the +servant's "character" was forged or genuine. Probably he could not level +himself to such petty problems. He was like the senior wrangler who has +forgotten how to do quadratics, and has to solve equations of the second +degree by the calculus. + +"How much money do you want?" he asked. + +"I do not make bargains," Denzil replied, his calm come back by this +time. "I came to tender you a suggestion. It struck me that you might +offer me a fiver for my trouble. Should you do so, I shall not refuse +it." + +"You shall not refuse it--if you deserve it." + +"Good. I will come to the point at once. My suggestion concerns--Tom +Mortlake." + +Denzil threw out the name as if it were a torpedo. Wimp did not move. + +"Tom Mortlake," went on Denzil, looking disappointed, "had a +sweetheart." He paused impressively. + +Wimp said "Yes?" + +"Where is that sweetheart now?" + +"Where, indeed?" + +"You know about her disappearance?" + +"You have just informed me of it." + +"Yes, she is gone--without a trace. She went about a fortnight before +Mr. Constant's murder." + +"Murder? How do you know it was a murder?" + +"Mr. Grodman says so," said Denzil, startled again. + +"H'm! Isn't that rather a proof that it was suicide? Well, go on." + +"About a fortnight before the suicide, Jessie Dymond disappeared. So +they tell me in Stepney Green, where she lodged and worked." + +"What was she?" + +"She was a dressmaker. She had a wonderful talent. Quite fashionable +ladies got to know of it. One of her dresses was presented at Court. I +think the lady forgot to pay for it; so Jessie's landlady said." + +"Did she live alone?" + +"She had no parents, but the house was respectable." + +"Good-looking, I suppose?" + +"As a poet's dream." + +"As yours, for instance?" + +"I am a poet; I dream." + +"You dream you are a poet. Well, well! She was engaged to Mortlake?" + +"Oh, yes! They made no secret of it. The engagement was an old one. When +he was earning 36s. a week as a compositor they were saving up to buy a +home. He worked at Railton and Hockes', who print the 'New Pork Herald.' +I used to take my 'copy' into the comps' room, and one day the Father of +the Chapel told me all about 'Mortlake and his young woman.' Ye gods! +How times are changed! Two years ago Mortlake had to struggle with my +caligraphy--now he is in with all the nobs, and goes to the 'at homes' +of the aristocracy." + +"Radical M. P.'s," murmured Wimp, smiling. + +"While I am still barred from the dazzling drawing-rooms, where beauty +and intellect foregather. A mere artisan! A manual laborer!" Denzil's +eyes flashed angrily. He rose with excitement. "They say he always was a +jabberer in the composing-room, and he has jabbered himself right out of +it and into a pretty good thing. He didn't have much to say about the +crimes of capital when he was set up to second the toast of 'Railton and +Hockes' at the beanfeast." + +"Toast and butter, toast and butter," said Wimp genially. "I shouldn't +blame a man for serving the two together, Mr. Cantercot." + +Denzil forced a laugh. "Yes; but consistency's my motto. I like to see +the royal soul immaculate, unchanging, immovable by fortune. Anyhow, +when better times came for Mortlake the engagement still dragged on. He +did not visit her so much. This last autumn he saw very little of her." + +"How do you know?" + +"I--I was often in Stepney Green. My business took me past the house of +an evening. Sometimes there was no light in her room. That meant she was +downstairs gossiping with the landlady." + +"She might have been out with Tom?" + +"No, sir; I knew Tom was on the platform somewhere or other. He was +working up to all hours organizing the eight hours working movement." + +"A very good reason for relaxing his sweethearting." + +"It was. He never went to Stepney Green on a week night." + +"But you always did." + +"No--not every night." + +"You didn't go in?" + +"Never. She wouldn't permit my visits. She was a girl of strong +character. She always reminded me of Flora Macdonald." + +"Another lady of your acquaintance?" + +"A lady I know better than the shadows who surround me; who is more real +to me than the women who pester me for the price for apartments. Jessie +Dymond, too, was of the race of heroines. Her eyes were clear blue, two +wells with Truth at the bottom of each. When I looked into those eyes my +own were dazzled. They were the only eyes I could never make dreamy." He +waved his hand as if making a pass with it. "It was she who had the +influence over me." + +"You knew her then?" + +"Oh, yes. I knew Tom from the old 'New Pork Herald' days, and when I +first met him with Jessie hanging on his arm he was quite proud to +introduce her to a poet. When he got on he tried to shake me off." + +"You should have repaid him what you borrowed." + +"It--it--was only a trifle," stammered Denzil. + +"Yes, but the world turns on trifles," said the wise Wimp. + +"The world is itself a trifle," said the pensive poet. "The Beautiful +alone is deserving of our regard." + +"And when the Beautiful was not gossiping with her landlady, did she +gossip with you as you passed the door?" + +"Alas, no! She sat in her room reading, and cast a shadow--" + +"On your life?" + +"No; on the blind." + +"Always one shadow?" + +"No, sir. Once or twice, two." + +"Ah, you had been drinking." + +"On my life, not. I have sworn off the treacherous wine-cup." + +"That's right. Beer is bad for poets. It makes their feet shaky. Whose +was the second shadow?" + +"A man's." + +"Naturally. Mortlake's, perhaps?" + +"Impossible. He was still striking eight hours." + +"You found out whose? You didn't leave it a shadow of doubt?" + +"No; I waited till the substance came out." + +"It was Arthur Constant." + +"You are a magician! You--you terrify me. Yes, it was he." + +"Only once or twice, you say?" + +"I didn't keep watch over them." + +"No, no, of course not. You only passed casually. I understand you +thoroughly." + +Denzil did not feel comfortable at the assertion. + +"What did he go there for?" Wimp went on. + +"I don't know. I'd stake my soul on Jessie's honor." + +"You might double your stake without risk." + +"Yes, I might! I would! You see her with my eyes." + +"For the moment they are the only ones available. When was the last time +you saw the two together?" + +"About the middle of November." + +"Mortlake knew nothing of their meetings?" + +"I don't know. Perhaps he did. Mr. Constant had probably enlisted her in +his social mission work. I knew she was one of the attendants at the big +children's tea in the Great Assembly Hall early in November. He treated +her quite like a lady. She was the only attendant who worked with her +hands." + +"The others carried the cups on their feet, I suppose?" + +"No; how could that be? My meaning is that all the other attendants were +real ladies, and Jessie was only an amateur, so to speak. There was no +novelty for her in handing kids cups of tea. I daresay she had helped +her landlady often enough at that--there's quite a bushel of brats below +stairs. It's almost as bad as at friend Crowl's. Jessie was a real +brick. But perhaps Tom didn't know her value. Perhaps he didn't like +Constant to call on her, and it led to a quarrel. Anyhow, she's +disappeared, like the snowfall on the river. There's not a trace. The +landlady, who was such a friend of hers that Jessie used to make up her +stuff into dresses for nothing, tells me that she's dreadfully annoyed +at not having been left the slightest clue to her late tenant's +whereabouts." + +"You have been making inquiries on your own account apparently." + +"Only of the landlady. Jessie never even gave her the week's notice, but +paid her in lieu of it, and left immediately. The landlady told me I +could have knocked her down with a feather. Unfortunately, I wasn't +there to do it, for I should certainly have knocked her down for not +keeping her eyes open better. She says if she had only had the least +suspicion beforehand that the minx (she dared to call Jessie a minx) was +going, she'd have known where, or her name would have been somebody +else's. And yet she admits that Jessie was looking ill and worried. +Stupid old hag!" + +"A woman of character," murmured the detective. + +"Didn't I tell you so?" cried Denzil eagerly. "Another girl would have +let out that she was going. But, no! not a word. She plumped down the +money and walked out. The landlady ran upstairs. None of Jessie's things +were there. She must have quietly sold them off, or transferred them to +the new place. I never in my life met a girl who so thoroughly knew her +own mind or had a mind so worth knowing. She always reminded me of the +Maid of Saragossa." + +"Indeed! And when did she leave?" + +"On the 19th of November." + +"Mortlake of course knows where she is?" + +"I can't say. Last time I was at the house to inquire--it was at the end +of November--he hadn't been seen there for six weeks. He wrote to her, +of course, sometimes--the landlady knew his writing." + +Wimp looked Denzil straight in the eyes, and said, "You mean, of course, +to accuse Mortlake of the murder of Mr. Constant?" + +"N-n-no, not at all," stammered Denzil, "only you know what Mr. Grodman +wrote to the 'Pell Mell.' The more we know about Mr. Constant's life the +more we shall know about the manner of his death. I thought my +information would be valuable to you, and I brought it." + +"And why didn't you take it to Mr. Grodman?" + +"Because I thought it wouldn't be valuable to me." + +"You wrote 'Criminals I Have Caught.'" + +"How--how do you know that?" Wimp was startling him to-day with a +vengeance. + +"Your style, my dear Mr. Cantercot. The unique noble style." + +"Yes, I was afraid it would betray me," said Denzil. "And since you +know, I may tell you that Grodman's a mean curmudgeon. What does he want +with all that money and those houses--a man with no sense of the +Beautiful? He'd have taken my information, and given me more kicks than +ha'pence for it, so to speak." + +"Yes, he is a shrewd man after all. I don't see anything valuable in +your evidence against Mortlake." + +"No!" said Denzil in a disappointed tone, and fearing he was going to be +robbed. "Not when Mortlake was already jealous of Mr. Constant, who was +a sort of rival organizer, unpaid! A kind of blackleg doing the work +cheaper--nay, for nothing." + +"Did Mortlake tell you he was jealous?" said Wimp, a shade of sarcastic +contempt piercing through his tones. + +"Oh, yes! He said to me, 'That man will work mischief. I don't like your +kid-glove philanthropists meddling in matters they don't understand.'" + +"Those were his very words?" + +"His _ipsissima verba_." + +"Very well. I have your address in my files. Here is a sovereign for +you." + +"Only one sovereign! It's not the least use to me." + +"Very well. It's of great use to me. I have a wife to keep." + +"I haven't," said Denzil with a sickly smile, "so perhaps I can manage +on it after all." He took his hat and the sovereign. + +Outside the door he met a rather pretty servant just bringing in some +tea to her master. He nearly upset her tray at sight of her. She seemed +more amused at the _rencontre_ than he. + +"Good afternoon, dear," she said coquettishly. "You might let me have +that sovereign. I do so want a new Sunday bonnet." + +Denzil gave her the sovereign, and slammed the hall door viciously when +he got to the bottom of the stairs. He seemed to be walking arm-in-arm +with the long arm of coincidence. Wimp did not hear the duologue. He was +already busy on his evening's report to headquarters. The next day +Denzil had a body-guard wherever he went. It might have gratified his +vanity had he known it. But to-night he was yet unattended, so no one +noted that he went to 46 Glover Street, after the early Crowl supper. He +could not help going. He wanted to get another sovereign. He also itched +to taunt Grodman. Not succeeding in the former object, he felt the road +open for the second. + +"Do you still hope to discover the Bow murderer?" he asked the old +bloodhound. + +"I can lay my hand on him now," Grodman announced curtly. + +Denzil hitched his chair back involuntarily. He found conversation with +detectives as lively as playing at skittles with bombshells. They got on +his nerves terribly, these undemonstrative gentlemen with no sense of +the Beautiful. + +"But why don't you give him up to justice?" he murmured. + +"Ah--it has to be proved yet. But it is only a matter of time." + +"Oh!" said Denzil, "and shall I write the story for you?" + +"No. You will not live long enough." + +Denzil turned white. "Nonsense! I am years younger than you," he gasped. + +"Yes," said Grodman, "but you drink so much." + + + + +CHAPTER VII. + + +When Wimp invited Grodman to eat his Christmas plum-pudding at King's +Cross Grodman was only a little surprised. The two men were always +overwhelmingly cordial when they met, in order to disguise their mutual +detestation. When people really like each other, they make no +concealment of their mutual contempt. In his letter to Grodman, Wimp +said that he thought it would be nicer for him to keep Christmas in +company than in solitary state. There seems to be a general prejudice in +favor of Christmas numbers, and Grodman yielded to it. Besides, he +thought that a peep at the Wimp domestic interior would be as good as a +pantomime. He quite enjoyed the fun that was coming, for he knew that +Wimp had not invited him out of mere "peace and goodwill." + +There was only one other guest at the festive board. This was Wimp's +wife's mother's mother, a lady of sweet seventy. Only a minority of +mankind can obtain a grandmother-in-law by marrying, but Wimp was not +unduly conceited. The old lady suffered from delusions. One of them was +that she was a centenarian. She dressed for the part. It is +extraordinary what pains ladies will take to conceal their age. Another +of Wimp's grandmother-in-law's delusions was that Wimp had married to +get her into the family. Not to frustrate his design, she always gave +him her company on high-days and holidays. Wilfred Wimp--the little boy +who stole the jam--was in great form at the Christmas dinner. The only +drawback to his enjoyment was that its sweets needed no stealing. His +mother presided over the platters, and thought how much cleverer Grodman +was than her husband. When the pretty servant who waited on them was +momentarily out of the room, Grodman had remarked that she seemed very +inquisitive. This coincided with Mrs. Wimp's own convictions, though Mr. +Wimp could never be brought to see anything unsatisfactory or suspicious +about the girl, not even though there were faults in spelling in the +"character" with which her last mistress had supplied her. + +It was true that the puss had pricked up her ears when Denzil +Cantercot's name was mentioned. Grodman saw it and watched her, and +fooled Wimp to the top of his bent. It was, of course, Wimp who +introduced the poet's name, and he did it so casually that Grodman +perceived at once that he wished to pump him. The idea that the rival +bloodhound should come to him for confirmation of suspicions against his +own pet jackal was too funny. It was almost as funny to Grodman that +evidence of some sort should be obviously lying to hand in the bosom of +Wimp's hand-maiden; so obviously that Wimp could not see it. Grodman +enjoyed his Christmas dinner, secure that he had not found a successor +after all. Wimp, for his part, contemptuously wondered at the way +Grodman's thought hovered about Denzil without grazing the truth. A man +constantly about him, too! + +"Denzil is a man of genius," said Grodman. "And as such comes under the +heading of Suspicious Characters. He has written an Epic Poem and read +it to me. It is morbid from start to finish. There is 'death' in the +third line. I daresay you know he polished up my book." Grodman's +artlessness was perfect. + +"No. You surprise me," Wimp replied. "I'm sure he couldn't have done +much to it. Look at your letter in the 'Pell Mell.' Who wants more +polish and refinement than that showed?" + +"Ah, I didn't know you did me the honor of reading that." + +"Oh, yes; we both read it," put in Mrs. Wimp. "I told Mr. Wimp it was +clever and cogent. After that quotation from the letter to the poor +fellow's _fiancee_ there could be no more doubt but that it was murder. +Mr. Wimp was convinced by it, too, weren't you, Edward?" + +Edward coughed uneasily. It was a true statement, and therefore an +indiscreet. Grodman would plume himself terribly. At this moment Wimp +felt that Grodman had been right in remaining a bachelor. Grodman +perceived the humor of the situation, and wore a curious, sub-mocking +smile. + +"On the day I was born," said Wimp's grandmother-in-law, "over a hundred +years ago, there was a babe murdered." Wimp found himself wishing it had +been she. He was anxious to get back to Cantercot. "Don't let us talk +shop on Christmas Day," he said, smiling at Grodman. "Besides, murder +isn't a very appropriate subject." + +"No, it ain't," said Grodman. "How did we get on to it? Oh, yes--Denzil +Cantercot. Ha! ha! ha! That's curious, for since Denzil wrote 'Criminals +I have Caught,' his mind's running on nothing but murders. A poet's +brain is easily turned." + +Wimp's eye glittered with excitement and contempt for Grodman's +blindness. In Grodman's eye there danced an amused scorn of Wimp; to the +outsider his amusement appeared at the expense of the poet. + +Having wrought his rival up to the highest pitch Grodman slyly and +suddenly unstrung him. + +"How lucky for Denzil!" he said, still in the same naive, facetious +Christmasy tone, "that he can prove an alibi in this Constant affair." + +"An alibi!" gasped Wimp. "Really?" + +"Oh, yes. He was with his wife, you know. She's my woman of all work, +Jane. She happened to mention his being with her." + +Jane had done nothing of the kind. After the colloquy he had overheard +Grodman had set himself to find out the relation between his two +employes. By casually referring to Denzil as "your husband" he so +startled the poor woman that she did not attempt to deny the bond. Only +once did he use the two words, but he was satisfied. As to the alibi he +had not yet troubled her; but to take its existence for granted would +upset and discomfort Wimp. For the moment that was triumph enough for +Wimp's guest. + +"Par," said Wilfred Wimp, "what's a alleybi? A marble?" + +"No, my lad," said Grodman, "it means being somewhere else when you're +supposed to be somewhere." + +"Ah, playing truant," said Wilfred self-consciously; his schoolmaster +had often proved an alibi against him. "Then Denzil will be hanged." + +Was it a prophecy? Wimp accepted it as such; as an oracle from the gods +bidding him mistrust Grodman. Out of the mouths of little children +issueth wisdom; sometimes even when they are not saying their lessons. + +"When I was in my cradle, a century ago," said Wimp's +grandmother-in-law, "men were hanged for stealing horses." + +They silenced her with snapdragon performances. + +Wimp was busy thinking how to get at Grodman's factotum. + +Grodman was busy thinking how to get at Wimp's domestic. + +Neither received any of the usual messages from the Christmas Bells. + + * * * * * + +The next day was sloppy and uncertain. A thin rain drizzled languidly. +One can stand that sort of thing on a summer Bank Holiday; one expects +it. But to have a bad December Bank Holiday is too much of a bad thing. +Some steps should surely be taken to confuse the weather clerk's +chronology. Once let him know that Bank Holiday is coming, and he writes +to the company for more water. To-day his stock seemed low and he was +dribbling it out; at times the wintry sun would shine in a feeble, +diluted way, and though the holiday-makers would have preferred to take +their sunshine neat, they swarmed forth in their myriads whenever there +was a ray of hope. But it was only dodging the raindrops; up went the +umbrellas again, and the streets became meadows of ambulating mushrooms. + +Denzil Cantercot sat in his fur overcoat at the open window, looking at +the landscape in water colors. He smoked an after-dinner cigarette, and +spoke of the Beautiful. Crowl was with him. They were in the first floor +front, Crowl's bedroom, which, from its view of the Mile End Road, was +livelier than the parlor with its outlook on the backyard. Mrs. Crowl +was an anti-tobacconist as regards the best bedroom; but Peter did not +like to put the poet or his cigarette out. He felt there was something +in common between smoke and poetry, over and above their being both +Fads. Besides, Mrs. Crowl was sulking in the kitchen. She had been +arranging for an excursion with Peter and the children to Victoria Park. +She had dreamed of the Crystal Palace, but Santa Claus had put no gifts +in the cobbler's shoes. Now she could not risk spoiling the feather in +her bonnet. The nine brats expressed their disappointment by slapping +one another on the staircases. Peter felt that Mrs. Crowl connected him +in some way with the rainfall, and was unhappy. Was it not enough that +he had been deprived of the pleasure of pointing out to a superstitious +majority the mutual contradictions of Leviticus and the Song of Solomon? +It was not often that Crowl could count on such an audience. + +"And you still call Nature beautiful?" he said to Denzil, pointing to +the ragged sky and the dripping eaves. "Ugly old scarecrow!" + +"Ugly she seems to-day," admitted Denzil. "But what is Ugliness but a +higher form of Beauty? You have to look deeper into it to see it; such +vision is the priceless gift of the few. To me this wan desolation of +sighing rain is lovely as the sea-washed ruins of cities." + +"Ah, but you wouldn't like to go out in it," said Peter Crowl. As he +spoke the drizzle suddenly thickened into a torrent. + +"We do not always kiss the woman we love." + +"Speak for yourself, Denzil. I'm only a plain man, and I want to know if +Nature isn't a Fad. Hallo, there goes Mortlake! Lord, a minute of this +will soak him to the skin." + +The labor leader was walking along with bowed head. He did not seem to +mind the shower. It was some seconds before he even heard Crowl's +invitation to him to take shelter. When he did hear it he shook his +head. + +"I know I can't offer you a drawing-room with duchesses stuck about it," +said Peter, vexed. + +Tom turned the handle of the shop door and went in. There was nothing in +the world which now galled him more than the suspicion that he was +stuck-up and wished to cut old friends. He picked his way through the +nine brats who clung affectionately to his wet knees, dispersing them +finally by a jet of coppers to scramble for. Peter met him on the stair +and shook his hand lovingly and admiringly, and took him into Mrs. +Crowl's bedroom. + +"Don't mind what I say, Tom. I'm only a plain man, and my tongue will +say what comes uppermost! But it ain't from the soul, Tom, it ain't from +the soul," said Peter, punning feebly, and letting a mirthless smile +play over his sallow features. "You know Mr. Cantercot, I suppose? The +poet." + +"Oh, yes; how do you do, Tom? Seen the 'New Pork Herald' lately? Not +bad, those old times, eh?" + +"No," said Tom, "I wish I was back in them." + +"Nonsense, nonsense," said Peter, in much concern. "Look at the good you +are doing to the working man. Look how you are sweeping away the Fads. +Ah, it's a grand thing to be gifted, Tom. The idea of your chuckin' +yourself away on a composin' room! Manual labor is all very well for +plain men like me, with no gift but just enough brains to see into the +realities of things--to understand that we've got no soul and no +immortality, and all that--and too selfish to look after anybody's +comfort but my own and mother's and the kid's. But men like you and +Cantercot--it ain't right that you should be peggin' away at low +material things. Not that I think Cantercot's gospel's any value to the +masses. The Beautiful is all very well for folks who've got nothing else +to think of, but give me the True. You're the man for my money, +Mortlake. No reference to the funds, Tom, to which I contribute little +enough, Heaven knows; though how a place can know anything, Heaven alone +knows. You give us the Useful, Tom; that's what the world wants more +than the Beautiful." + +"Socrates said that the Useful is the Beautiful," said Denzil. + +"That may be," said Peter, "but the Beautiful ain't the Useful." + +"Nonsense!" said Denzil. "What about Jessie--I mean Miss Dymond? There's +a combination for you. She always reminds me of Grace Darling. How is +she, Tom?" + +"She's dead!" snapped Tom. + +"What?" Denzil turned as white as a Christmas ghost. + +"It was in the papers," said Tom; "all about her and the lifeboat." + +"Oh, you mean Grace Darling," said Denzil, visibly relieved. "I meant +Miss Dymond." + +"You needn't be so interested in her," said Tom, surlily. "She don't +appreciate it. Ah, the shower is over. I must be going." + +"No, stay a little longer, Tom," pleaded Peter. "I see a lot about you +in the papers, but very little of your dear old phiz now. I can't spare +the time to go and hear you. But I really must give myself a treat. +When's your next show?" + +"Oh, I am always giving shows," said Tom, smiling a little. "But my next +big performance is on the twenty-first of January, when that picture of +poor Mr. Constant is to be unveiled at the Bow Break o' Day Club. They +have written to Gladstone and other big pots to come down. I do hope the +old man accepts. A non-political gathering like this is the only +occasion we could both speak at, and I have never been on the same +platform with Gladstone." + +He forgot his depression and ill-temper in the prospect, and spoke with +more animation. + +"No, I should hope not, Tom," said Peter. "What with his Fads about the +Bible being a Rock, and Monarchy being the right thing, he is a most +dangerous man to lead the Radicals. He never lays his ax to the root of +anything--except oak trees." + +"Mr. Cantycot!" It was Mrs. Crowl's voice that broke in upon the tirade. +"There's a gentleman to see you." The astonishment Mrs. Crowl put into +the "gentleman" was delightful. It was almost as good as a week's rent +to her to give vent to her feelings. The controversial couple had moved +away from the window when Tom entered, and had not noticed the immediate +advent of another visitor who had spent his time profitably in listening +to Mrs. Crowl before asking to see the presumable object of his visit. + +"Ask him up if it's a friend of yours, Cantercot," said Peter. It was +Wimp. Denzil was rather dubious as to the friendship, but he preferred +to take Wimp diluted. "Mortlake's upstairs," he said. "Will you come up +and see him?" + +Wimp had intended a duologue, but he made no objection, so he, too, +stumbled through the nine brats to Mrs. Crowl's bedroom. It was a queer +quartette. Wimp had hardly expected to find anybody at the house on +Boxing Day, but he did not care to waste a day. Was not Grodman, too, on +the track? How lucky it was that Denzil had made the first overtures, so +that he could approach him without exciting suspicion. + +Mortlake scowled when he saw the detective. He objected to the +police--on principle. But Crowl had no idea who the visitor was, even +when told his name. He was rather pleased to meet one of Denzil's +high-class friends, and welcomed him warmly. Probably he was some famous +editor, which would account for his name stirring vague recollections. +He summoned the eldest brat and sent him for beer (people would have +their Fads), and not without trepidation called down to "Mother" for +glasses. "Mother" observed at night (in the same apartment) that the +beer money might have paid the week's school fees for half the family. + +"We were just talking of poor Mr. Constant's portrait, Mr. Wimp," said +the unconscious Crowl; "they're going to unveil it, Mortlake tells me, +on the twenty-first of next month at the Bow Break o' Day Club." + +"Ah," said Wimp, elated at being spared the trouble of maneuvering the +conversation; "mysterious affair that, Mr. Crowl." + +"No; it's the right thing," said Peter. "There ought to be some memorial +of the man in the district where he worked and where he died, poor +chap." The cobbler brushed away a tear. + +"Yes, it's only right," echoed Mortlake a whit eagerly. "He was a noble +fellow, a true philanthropist. The only thoroughly unselfish worker I've +ever met." + +"He was that," said Peter; "and it's a rare pattern is unselfishness. +Poor fellow, poor fellow. He preached the Useful, too. I've never met +his like. Ah, I wish there was a Heaven for him to go to!" He blew his +nose violently with a red pocket-handkerchief. + +"Well, he's there, if there _is_," said Tom. + +"I hope he is," added Wimp fervently; "but I shouldn't like to go there +the way he did." + +"You were the last person to see him, Tom, weren't you?" said Denzil. + +"Oh, no," answered Tom quickly. "You remember he went out after me; at +least, so Mrs. Drabdump said at the inquest." + +"That last conversation he had with you, Tom," said Denzil. "He didn't +say anything to you that would lead you to suppose--" + +"No, of course not!" interrupted Mortlake impatiently. + +"Do you really think he was murdered, Tom?" said Denzil. + +"Mr. Wimp's opinion on that point is more valuable than mine," replied +Tom, testily. "It may have been suicide. Men often get sick of +life--especially if they are bored," he added meaningly. + +"Ah, but you were the last person known to be with him," said Denzil. + +Crowl laughed. "Had you there, Tom." + +But they did not have Tom there much longer, for he departed, looking +even worse-tempered than when he came. Wimp went soon after, and Crowl +and Denzil were left to their interminable argumentation concerning the +Useful and the Beautiful. + +Wimp went west. He had several strings (or cords) to his bow, and he +ultimately found himself at Kensal Green Cemetery. Being there, he went +down the avenues of the dead to a grave to note down the exact date of a +death. It was a day on which the dead seemed enviable. The dull, sodden +sky, the dripping, leafless trees, the wet spongy soil, the reeking +grass--everything combined to make one long to be in a warm, comfortable +grave, away from the leaden ennui of life. Suddenly the detective's keen +eye caught sight of a figure that made his heart throb with sudden +excitement. It was that of a woman in a gray shawl and a brown bonnet +standing before a railed-in grave. She had no umbrella. The rain plashed +mournfully upon her, but left no trace on her soaking garments. Wimp +crept up behind her, but she paid no heed to him. Her eyes were lowered +to the grave, which seemed to be drawing them toward it by some strange +morbid fascination. His eyes followed hers. The simple headstone bore +the name: "Arthur Constant." + +Wimp tapped her suddenly on the shoulder. + +Mrs. Drabdump went deadly white. She turned round, staring at Wimp +without any recognition. + +"You remember me, surely," he said. "I've been down once or twice to +your place about that poor gentleman's papers." His eye indicated the +grave. + +"Lor! I remember you now," said Mrs. Drabdump. + +"Won't you come under my umbrella? You must be drenched to the skin." + +"It don't matter, sir. I can't take no hurt. I've had the rheumatics +this twenty year." + +Mrs. Drabdump shrank from accepting Wimp's attentions, not so much +perhaps because he was a man as because he was a gentleman. Mrs. +Drabdump liked to see the fine folks keep their place, and not +contaminate their skirts by contact with the lower castes. "It's set +wet, it'll rain right into the new year," she announced. "And they say a +bad beginnin' makes a worse endin'." Mrs. Drabdump was one of those +persons who give you the idea that they just missed being born +barometers. + +"But what are you doing in this miserable spot, so far from home?" +queried the detective. + +"It's Bank Holiday," Mrs. Drabdump reminded him in tones of acute +surprise. "I always make a hexcursion on Bank Holiday." + + + + +CHAPTER VIII. + + +The New Year brought Mrs. Drabdump a new lodger. He was an old gentleman +with a long gray beard. He rented the rooms of the late Mr. Constant, +and lived a very retired life. Haunted rooms--or rooms that ought to be +haunted if the ghosts of those murdered in them had any +self-respect--are supposed to fetch a lower rent in the market. The +whole Irish problem might be solved if the spirits of "Mr. Balfour's +victims" would only depreciate the value of property to a point +consistent with the support of an agricultural population. But Mrs. +Drabdump's new lodger paid so much for his rooms that he laid himself +open to a suspicion of special interest in ghosts. Perhaps he was a +member of the Psychical Society. The neighborhood imagined him another +mad philanthropist, but as he did not appear to be doing any good to +anybody it relented and conceded his sanity. Mortlake, who occasionally +stumbled across him in the passage, did not trouble himself to think +about him at all. He was too full of other troubles and cares. Though he +worked harder than ever, the spirit seemed to have gone out of him. +Sometimes he forgot himself in a fine rapture of eloquence--lashing +himself up into a divine resentment of injustice or a passion of +sympathy with the sufferings of his brethren--but mostly he plodded on +in dull, mechanical fashion. He still made brief provincial tours, +starring a day here and a day there, and everywhere his admirers +remarked how jaded and overworked he looked. There was talk of starting +a subscription to give him a holiday on the Continent--a luxury +obviously unobtainable on the few pounds allowed him per week. The new +lodger would doubtless have been pleased to subscribe, for he seemed +quite to like occupying Mortlake's chamber the nights he was absent, +though he was thoughtful enough not to disturb the hardworked landlady +in the adjoining room by unseemly noise. Wimp was always a quiet man. + +Meantime the 21st of the month approached, and the East End was in +excitement. Mr. Gladstone had consented to be present at the ceremony of +unveiling the portrait of Arthur Constant, presented by an unknown donor +to the Bow Break o' Day Club, and it was to be a great function. The +whole affair was outside the lines of party politics, so that even +Conservatives and Socialists considered themselves justified in +pestering the committee for tickets. To say nothing of ladies. As the +committee desired to be present themselves, nine-tenths of the +applications for admission had to be refused, as is usual on these +occasions. The committee agreed among themselves to exclude the fair sex +altogether as the only way of disposing of their womankind who were +making speeches as long as Mr. Gladstone's. Each committeeman told his +sisters, female cousins and aunts that the other committeemen had +insisted on divesting the function of all grace; and what could a man do +when he was in a minority of one? + +Crowl, who was not a member of the Break o' Day Club, was particularly +anxious to hear the great orator whom he despised; fortunately Mortlake +remembered the cobbler's anxiety to hear himself, and on the eve of the +ceremony sent him a ticket. Crowl was in the first flush of possession +when Denzil Cantercot returned, after a sudden and unannounced absence +of three days. His clothes were muddy and tattered, his cocked hat was +deformed, his cavalier beard was matted, and his eyes were bloodshot. +The cobbler nearly dropped the ticket at the sight of him. "Hullo, +Cantercot!" he gasped. "Why, where have you been all these days?" + +"Terribly busy!" said Denzil. "Here, give me a glass of water. I'm dry +as the Sahara." + +Crowl ran inside and got the water, trying hard not to inform Mrs. Crowl +of their lodger's return. "Mother" had expressed herself freely on the +subject of the poet during his absence, and not in terms which would +have commended themselves to the poet's fastidious literary sense. +Indeed, she did not hesitate to call him a sponger and a low swindler, +who had run away to avoid paying the piper. Her fool of a husband might +be quite sure he would never set eyes on the scoundrel again. However, +Mrs. Crowl was wrong. Here was Denzil back again. And yet Mr. Crowl felt +no sense of victory. He had no desire to crow over his partner and to +utter that "See! didn't I tell you so?" which is a greater consolation +than religion in most of the misfortunes of life. Unfortunately, to get +the water, Crowl had to go to the kitchen; and as he was usually such a +temperate man, this desire for drink in the middle of the day attracted +the attention of the lady in possession. Crowl had to explain the +situation. Mrs. Crowl ran into the shop to improve it. Mr. Crowl +followed in dismay, leaving a trail of spilled water in his wake. + +"You good-for-nothing, disreputable scarecrow, where have----" + +"Hush, mother. Let him drink. Mr. Cantercot is thirsty." + +"Does he care if my children are hungry?" + +Denzil tossed the water greedily down his throat almost at a gulp, as if +it were brandy. + +"Madam," he said, smacking his lips, "I do care. I care intensely. Few +things in life would grieve me more deeply than to hear that a child, a +dear little child--the Beautiful in a nutshell--had suffered hunger. You +wrong me." His voice was tremulous with the sense of injury. Tears stood +in his eyes. + +"Wrong you? I've no wish to wrong you," said Mrs. Crowl. "I should like +to hang you." + +"Don't talk of such ugly things," said Denzil, touching his throat +nervously. + +"Well, what have you been doin' all this time?" + +"Why, what should I be doing?" + +"How should I know what became of you? I thought it was another murder." + +"What!" Denzil's glass dashed to fragments on the floor. "What do you +mean?" + +But Mrs. Crowl was glaring too viciously at Mr. Crowl to reply. He +understood the message as if it were printed. It ran: "You have broken +one of my best glasses. You have annihilated threepence, or a week's +school fees for half the family." Peter wished she would turn the +lightning upon Denzil, a conductor down whom it would run innocuously. +He stooped down and picked up the pieces as carefully as if they were +cuttings from the Koh-i-noor. Thus the lightning passed harmlessly over +his head and flew toward Cantercot. + +"What do I mean?" Mrs. Crowl echoed, as if there had been no interval. +"I mean that it would be a good thing if you had been murdered." + +"What unbeautiful ideas you have, to be sure!" murmured Denzil. + +"Yes; but they'd be useful," said Mrs. Crowl, who had not lived with +Peter all these years for nothing. "And if you haven't been murdered +what have you been doing?" + +"My dear, my dear," put in Crowl, deprecatingly, looking up from his +quadrupedal position like a sad dog, "you are not Cantercot's keeper." + +"Oh, ain't I?" flashed his spouse. "Who else keeps him I should like to +know?" + +Peter went on picking up the pieces of the Koh-i-noor. + +"I have no secrets from Mrs. Crowl" Denzil explained courteously. "I +have been working day and night bringing out a new paper. Haven't had a +wink of sleep for three nights." + +Peter looked up at his bloodshot eyes with respectful interest. + +"The capitalist met me in the street--an old friend of mine--I was +overjoyed at the _rencontre_ and told him the idea I'd been brooding +over for months and he promised to stand all the racket." + +"What sort of a paper?" said Peter. + +"Can you ask? To what do you think I've been devoting my days and nights +but to the cultivation of the Beautiful?" + +"Is that what the paper will be devoted to?" + +"Yes. To the Beautiful." + +"I know," snorted Mrs. Crowl, "with portraits of actresses." + +"Portraits? Oh, no!" said Denzil. "That would be the True--not the +Beautiful." + +"And what's the name of the paper?" asked Crowl. + +"Ah, that's a secret, Peter. Like Scott, I prefer to remain anonymous." + +"Just like your Fads. I'm only a plain man, and I want to know where the +fun of anonymity comes in? If I had any gifts, I should like to get the +credit. It's a right and natural feeling, to my thinking." + +"Unnatural, Peter; unnatural. We're all born anonymous, and I'm for +sticking close to Nature. Enough for me that I disseminate the +Beautiful. Any letters come during my absence, Mrs. Crowl?" + +"No," she snapped. "But a gent named Grodman called. He said you hadn't +been to see him for some time, and looked annoyed to hear you'd +disappeared. How much have you let him in for?" + +"The man's in my debt," said Denzil, annoyed. "I wrote a book for him +and he's taken all the credit for it, the rogue! My name doesn't appear +even in the Preface. What's that ticket you're looking so lovingly at, +Peter?" + +"That's for to-night--the unveiling of Constant's portrait. Gladstone +speaks. Awful demand for places." + +"Gladstone!" sneered Denzil. "Who wants to hear Gladstone? A man who's +devoted his life to pulling down the pillars of Church and State." + +"A man's who's devoted his whole life to propping up the crumbling Fads +of Religion and Monarchy. But, for all that, the man has his gifts, and +I'm burnin' to hear him." + +"I wouldn't go out of my way an inch to hear him," said Denzil; and went +up to his room, and when Mrs. Crowl sent him up a cup of nice strong tea +at tea time, the brat who bore it found him lying dressed on the bed, +snoring unbeautifully. + +The evening wore on. It was fine frosty weather. The Whitechapel Road +swarmed, with noisy life, as though it were a Saturday night. The stars +flared in the sky like the lights of celestial costermongers. Everybody +was on the alert for the advent of Mr. Gladstone. He must surely come +through the Road on his journey from the West Bow-wards. But nobody saw +him or his carriage, except those about the Hall. Probably he went by +tram most of the way. He would have caught cold in an open carriage, or +bobbing his head out of the window of a closed. + +"If he had only been a German prince, or a cannibal king," said Crowl +bitterly, as he plodded toward the Club, "we should have disguised Mile +End in bunting and blue fire. But perhaps it's a compliment. He knows +his London, and it's no use trying to hide the facts from him. They must +have queer notions of cities, those monarchs. They must fancy everybody +lives in a flutter of flags and walks about under triumphal arches, like +as if I were to stitch shoes in my Sunday clothes." By a defiance of +chronology Crowl had them on to-day, and they seemed to accentuate the +simile. + +"And why shouldn't life be fuller of the Beautiful," said Denzil. The +poet had brushed the reluctant mud off his garments to the extent it was +willing to go, and had washed his face, but his eyes were still +bloodshot from the cultivation of the Beautiful. Denzil was accompanying +Crowl to the door of the Club out of good-fellowship. Denzil was himself +accompanied by Grodman, though less obtrusively. Least obtrusively was +he accompanied by his usual Scotland Yard shadows, Wimp's agents. There +was a surging nondescript crowd about the Club, and the police, and the +door-keeper, and the stewards could with difficulty keep out the tide of +the ticketless, through which the current of the privileged had equal +difficulty in permeating. The streets all around were thronged with +people longing for a glimpse of Gladstone. Mortlake drove up in a hansom +(his head a self-conscious pendulum of popularity, swaying and bowing to +right and left) and received all the pent-up enthusiasm. + +"Well, good-by, Cantercot," said Crowl. + +"No, I'll see you to the door, Peter." + +They fought their way shoulder to shoulder. + +Now that Grodman had found Denzil he was not going to lose him again. He +had only found him by accident, for he was himself bound to the +unveiling ceremony, to which he had been invited in view of his known +devotion to the task of unveiling the Mystery. He spoke to one of the +policemen about, who said, "Ay, ay, sir," and he was prepared to follow +Denzil, if necessary, and to give up the pleasure of hearing Gladstone +for an acuter thrill. The arrest must be delayed no longer. + +But Denzil seemed as if he were going in on the heels of Crowl. This +would suit Grodman better. He could then have the two pleasures. But +Denzil was stopped half-way through the door. + +"Ticket, sir!" + +Denzil drew himself up to his full height. + +"Press," he said, majestically. All the glories and grandeurs of the +Fourth Estate were concentrated in that haughty monosyllable. Heaven +itself is full of journalists who have overawed St. Peter. But the +door-keeper was a veritable dragon. + +"What paper, sir?" + +"'New Pork Herald,'" said Denzil sharply. He did not relish his word +being distrusted. + +"'New York Herald,'" said one of the bystanding stewards, scarce +catching the sounds. "Pass him in." + +And in the twinkling of an eye, Denzil had eagerly slipped inside. + +But during the brief altercation Wimp had come up. Even he could not +make his face quite impassive, and there was a suppressed intensity in +the eyes and a quiver about the mouth. He went in on Denzil's heels, +blocking up the doorway with Grodman. The two men were so full of their +coming _coups_ that they struggled for some seconds, side by side, +before they recognized each other. Then they shook hands heartily. + +"That was Cantercot just went in, wasn't it, Grodman?" said Wimp. + +"I didn't notice," said Grodman, in tones of utter indifference. + +At bottom Wimp was terribly excited. He felt that his _coup_ was going +to be executed under very sensational circumstances. Everything would +combine to turn the eyes of the country upon him--nay, of the world, for +had not the Big Bow Mystery been discussed in every language under the +sun? In these electric times the criminal achieves a cosmopolitan +reputation. It is a privilege he shares with few other artists. This +time Wimp would be one of them; and, he felt, deservedly so. If the +criminal had been cunning to the point of genius in planning the murder, +he had been acute to the point of divination in detecting it. Never +before had he pieced together so broken a chain. He could not resist the +unique opportunity of setting a sensational scheme in a sensational +frame-work. The dramatic instinct was strong in him; he felt like a +playwright who has constructed a strong melodramatic plot, and has the +Drury Lane stage suddenly offered him to present it on. It would be +folly to deny himself the luxury, though the presence of Mr. Gladstone +and the nature of the ceremony should perhaps have given him pause. Yet, +on the other hand, these were the very factors of the temptation. Wimp +went in and took a seat behind Denzil. All the seats were numbered, so +that everybody might have the satisfaction of occupying somebody else's. +Denzil was in the special reserved places in the front row just by the +central gangway; Crowl was squeezed into a corner behind a pillar near +the back of the hall. Grodman had been honored with a seat on the +platform, which was accessible by steps on the right and left, but he +kept his eye on Denzil. The picture of the poor idealist hung on the +wall behind Grodman's head, covered by its curtain of brown holland. +There was a subdued buzz of excitement about the hall, which swelled +into cheers every now and again as some gentleman known to fame or Bow +took his place upon the platform. It was occupied by several local M. +P.'s of varying politics, a number of other Parliamentary satellites of +the great man, three or four labor leaders, a peer or two of +philanthropic pretensions, a sprinkling of Toynbee and Oxford Hall men, +the president and other honorary officials, some of the family and +friends of the deceased, together with the inevitable percentage of +persons who had no claim to be there save cheek. Gladstone was +late--later than Mortlake, who was cheered to the echo when he arrived, +someone starting "For He's a Jolly Good Fellow," as if it were a +political meeting. Gladstone came in just in time to acknowledge the +compliment. The noise of the song, trolled out from iron lungs, had +drowned the huzzahs heralding the old man's advent. The convivial chorus +went to Mortlake's head, as if champagne had really preceded it. His +eyes grew moist and dim. He saw himself swimming to the Millenium on +waves of enthusiasm. Ah, how his brother-toilers should be rewarded for +their trust in him! + +With his usual courtesy and consideration, Mr. Gladstone had refused to +perform the actual unveiling of Arthur Constant's portrait. "That," he +said in his postcard, "will fall most appropriately to Mr. Mortlake, a +gentleman who has, I am given to understand, enjoyed the personal +friendship of the late Mr. Constant, and has co-operated with him in +various schemes for the organization of skilled and unskilled classes of +labor, as well as for the diffusion of better ideals--ideals of +self-culture and self-restraint--among the workingmen of Bow, who have +been fortunate, so far as I can perceive, in the possession (if in one +case unhappily only temporary possession) of two such men of undoubted +ability and honesty to direct their divided counsels and to lead them +along a road, which, though I cannot pledge myself to approve of it in +all its turnings and windings, is yet not unfitted to bring them +somewhat nearer to goals to which there are few of us but would extend +some measure of hope that the working classes of this great Empire may +in due course, yet with no unnecessary delay, be enabled to arrive." + +Mr. Gladstone's speech was an expansion of his postcard, punctuated by +cheers. The only new thing in it was the graceful and touching way in +which he revealed what had been a secret up till then--that the portrait +had been painted and presented to the Bow Break o' Day Club, by Lucy +Brent, who in the fulness of time would have been Arthur Constant's +wife. It was a painting for which he had sat to her while alive, and she +had stifled yet pampered her grief by working hard at it since his +death. The fact added the last touch of pathos to the occasion. Crowl's +face was hidden behind his red handkerchief; even the fire of excitement +in Wimp's eye was quenched for a moment by a tear-drop, as he thought of +Mrs. Wimp and Wilfred. As for Grodman, there was almost a lump in his +throat. Denzil Cantercot was the only unmoved man in the room. He +thought the episode quite too Beautiful, and was already weaving it into +rhyme. + +At the conclusion of his speech Mr. Gladstone called upon Tom Mortlake +to unveil the portrait. Tom rose, pale and excited. His hand faltered as +he touched the cord. He seemed overcome with emotion. Was it the mention +of Lucy Brent that had moved him to his depths? + +The brown holland fell away--the dead stood revealed as he had been in +life. Every feature, painted by the hand of Love, was instinct with +vitality: the fine, earnest face, the sad kindly eyes, the noble brow +seeming still a-throb with the thought of Humanity. A thrill ran through +the room--there was a low, undefinable murmur. O, the pathos and the +tragedy of it! Every eye was fixed, misty with emotion, upon the dead +man in the picture and the living man who stood, pale and agitated, and +visibly unable to commence his speech, at the side of the canvas. +Suddenly a hand was laid upon the labor leader's shoulder, and there +rang through the hall in Wimp's clear, decisive tones the words: "Tom +Mortlake, I arrest you for the murder of Arthur Constant!" + + + + +CHAPTER IX. + + +For a moment there was an acute, terrible silence. Mortlake's face was +that of a corpse; the face of the dead man at his side was flushed with +the hues of life. To the overstrung nerves of the onlookers, the +brooding eyes of the picture seemed sad and stern with menace, and +charged with the lightnings of doom. + +It was a horrible contrast. For Wimp, alone, the painted face had +fuller, more tragical, meanings. The audience seemed turned to stone. +They sat or stood--in every variety of attitude--frozen, rigid. Arthur +Constant's picture dominated the scene, the only living thing in a hall +of the dead. + +But only for a moment. Mortlake shook off the detective's hand. + +"Boys!" he cried, in accents of infinite indignation, "this is a police +conspiracy." + +His words relaxed the tension. The stony figures were agitated. A dull, +excited hubbub answered him. The little cobbler darted from behind his +pillar, and leaped upon a bench. The cords of his brow were swollen with +excitement. He seemed a giant overshadowing the hall. + +"Boys!" he roared, in his best Victoria Park voice, "listen to me. This +charge is a foul and damnable lie." + +"Bravo!" "Hear, hear!" "Hooray!" "It is!" was roared back at him from +all parts of the room. Everybody rose and stood in tentative attitudes, +excited to the last degree. + +"Boys!" Peter roared on, "you all know me. I'm a plain man, and I want +to know if it's likely a man would murder his best friend." + +"No," in a mighty volume of sound. + +Wimp had scarcely calculated upon Mortlake's popularity. He stood on the +platform, pale and anxious as his prisoner. + +"And if he did, why didn't they prove it the first time?" + +"Hear, hear!" + +"And if they want to arrest him, why couldn't they leave it till the +ceremony was over? Tom Mortlake's not the man to run away." + +"Tom Mortlake! Tom Mortlake! Three cheers for Tom Mortlake! Hip, hip, +hip, hooray!" + +"Three groans for the police." "Hoo! Oo! Oo!" + +Wimp's melodrama was not going well. He felt like the author to whose +ears is borne the ominous sibilance of the pit. He almost wished he had +not followed the curtain-raiser with his own stronger drama. +Unconsciously the police, scattered about the hall, drew together. The +people on the platform knew not what to do. They had all risen and stood +in a densely-packed mass. Even Mr. Gladstone's speech failed him in +circumstances so novel. The groans died away; the cheers for Mortlake +rose and swelled and fell and rose again. Sticks and umbrellas were +banged and rattled, handkerchiefs were waved, the thunder deepened. The +motley crowd still surging about the hall took up the cheers, and for +hundreds of yards around people were going black in the face out of mere +irresponsible enthusiasm. At last Tom waved his hand--the thunder +dwindled, died. The prisoner was master of the situation. + +Grodman stood on the platform, grasping the back of his chair, a curious +mocking Mephistophelian glitter about his eyes, his lips wreathed into a +half smile. There was no hurry for him to get Denzil Cantercot arrested +now. Wimp had made an egregious, a colossal blunder. In Grodman's heart +there was a great glad calm as of a man who has strained his sinews to +win in a famous match, and has heard the judge's word. He felt almost +kindly to Denzil now. + +Tom Mortlake spoke. His face was set and stony. His tall figure was +drawn up haughtily to its full height. He pushed the black mane back +from his forehead with a characteristic gesture. The fevered audience +hung upon his lips--the men at the back leaned eagerly forward--the +reporters were breathless with fear lest they should miss a word. What +would the great labor leader have to say at this supreme moment? + +"Mr. Chairman and Gentlemen: It is to me a melancholy pleasure to have +been honored with the task of unveiling to-night this portrait of a +great benefactor to Bow and a true friend to the laboring classes. +Except that he honored me with his friendship while living, and that the +aspirations of my life have, in my small and restricted way, been +identical with his, there is little reason why this honorable duty +should have fallen upon me. Gentlemen, I trust that we shall all find an +inspiring influence in the daily vision of the dead, who yet liveth in +our hearts and in this noble work of art--wrought, as Mr. Gladstone has +told us, by the hand of one who loved him." The speaker paused a moment, +his low vibrant tones faltering into silence. "If we humble workingmen +of Bow can never hope to exert individually a tithe of the beneficial +influence wielded by Arthur Constant, it is yet possible for each of us +to walk in the light he has kindled in our midst--a perpetual lamp of +self-sacrifice and brotherhood." + +That was all. The room rang with cheers. Tom Mortlake resumed his seat. +To Wimp the man's audacity verged on the Sublime; to Denzil on the +Beautiful. Again there was a breathless hush. Mr. Gladstone's mobile +face was working with excitement. No such extraordinary scene had +occurred in the whole of his extraordinary experience. He seemed about +to rise. The cheering subsided to a painful stillness. Wimp cut the +situation by laying his hand again upon Tom's shoulder. + +"Come quietly with me," he said. The words were almost a whisper, but in +the supreme silence they traveled to the ends of the hall. + +"Don't you go, Tom!" The trumpet tones were Peter's. The call thrilled +an answering chord of defiance in every breast, and a low, ominous +murmur swept through the hall. + +Tom rose, and there was silence again. "Boys," he said, "let me go. +Don't make any noise about it. I shall be with you again to-morrow." + +But the blood of the Break o' Day boys was at fever heat. A hurtling +mass of men struggled confusedly from their seats. In a moment all was +chaos. Tom did not move. Half-a-dozen men, headed by Peter, scaled the +platform. Wimp was thrown to one side, and the invaders formed a ring +round Tom's chair. The platform people scampered like mice from the +center. Some huddled together in the corners, others slipped out at the +rear. The committee congratulated themselves on having had the +self-denial to exclude ladies. Mr. Gladstone's satellites hurried the +old man off and into his carriage; though the fight promised to become +Homeric. Grodman stood at the side of the platform secretly more amused +than ever, concerning himself no more with Denzil Cantercot, who was +already strengthening his nerves at the bar upstairs. The police about +the hall blew their whistles, and policemen came rushing in from outside +and the neighborhood. An Irish M. P. on the platform was waving his +gingham like a shillalah in sheer excitement, forgetting his new-found +respectability and dreaming himself back at Donnybrook Fair. Him a +conscientious constable floored with a truncheon. But a shower of fists +fell on the zealot's face, and he tottered back bleeding. Then the storm +broke in all its fury. The upper air was black with staves, sticks, and +umbrellas, mingled with the pallid hailstones of knobby fists. Yells and +groans and hoots and battle-cries blent in grotesque chorus, like one of +Dvorak's weird diabolical movements. Mortlake stood impassive, with arms +folded, making no further effort, and the battle raged round him as the +water swirls around some steadfast rock. A posse of police from the back +fought their way steadily toward him, and charged up the heights of the +platform steps, only to be sent tumbling backward, as their leader was +hurled at them like a battering ram. Upon the top of the heap fell he, +surmounting the strata of policemen. But others clambered upon them, +escalading the platform. A moment more and Mortlake would have been +taken, after being well shaken. Then the miracle happened. + +As when of old a reputable goddess _ex machina_ saw her favorite hero in +dire peril, straightway she drew down a cloud from the celestial stores +of Jupiter and enveloped her fondling in kindly night, so that his +adversary strove with the darkness, so did Crowl, the cunning cobbler, +the much-daring, essay to insure his friend's safety. He turned off the +gas at the meter. + +An Arctic night--unpreceded by twilight--fell, and there dawned the +sabbath of the witches. The darkness could be felt--and it left blood +and bruises behind it. When the lights were turned on again, Mortlake +was gone. But several of the rioters were arrested, triumphantly. + +And through all, and over all, the face of the dead man who had sought +to bring peace on earth, brooded. + + * * * * * + +Crowl sat meekly eating his supper of bread and cheese, with his head +bandaged, while Denzil Cantercot told him the story of how he had +rescued Tom Mortlake. He had been among the first to scale the height, +and had never budged from Tom's side or from the forefront of the battle +till he had seen him safely outside and into a by-street. + +[Illustration: Crowl sat meekly eating his supper of bread and cheese.] + +"I am so glad you saw that he got away safely," said Crowl, "I wasn't +quite sure he would." + +"Yes; but I wish some cowardly fool hadn't turned off the gas. I like +men to see that they are beaten." + +"But it seemed--easier," faltered Crowl. + +"Easier!" echoed Denzil, taking a deep draught of bitter. "Really, +Peter, I'm sorry to find you always will take such low views. It may be +easier, but it's shabby. It shocks one's sense of the Beautiful." + +Crowl ate his bread and cheese shame-facedly. + +"But what was the use of breaking your head to save him?" said Mrs. +Crowl with an unconscious pun. "He must be caught." + +"Ah, I don't see how the Useful does come in, now," said Peter +thoughtfully. "But I didn't think of that at the time." + +He swallowed his water quickly and it went the wrong way and added to +his confusion. It also began to dawn upon him that he might be called to +account. Let it be said at once that he wasn't. He had taken too +prominent a part. + +Meantime, Mrs. Wimp was bathing Mr. Wimp's eye, and rubbing him +generally with arnica. Wimp's melodrama had been, indeed, a sight for +the gods. Only, virtue was vanquished and vice triumphant. The villain +had escaped, and without striking a blow. + + + + +CHAPTER X. + + +There was matter and to spare for the papers the next day. The striking +ceremony--Mr. Gladstone's speech--the sensational arrest--these would of +themselves have made excellent themes for reports and leaders. But the +personality of the man arrested, and the Big Bow Mystery Battle--as it +came to be called--gave additional piquancy to the paragraphs and the +posters. The behavior of Mortlake put the last touch to the +picturesqueness of the position. He left the hall when the lights went +out, and walked unnoticed and unmolested through pleiads of policemen to +the nearest police station, where the superintendent was almost too +excited to take any notice of his demand to be arrested. But to do him +justice, the official yielded as soon as he understood the situation. It +seems inconceivable that he did not violate some red-tape regulation in +so doing. To some this self-surrender was limpid proof of innocence; to +others it was the damning token of despairing guilt. + +The morning papers were pleasant reading for Grodman, who chuckled as +continuously over his morning egg, as if he had laid it. Jane was +alarmed for the sanity of her saturnine master. As her husband would +have said, Grodman's grins were not Beautiful. But he made no effort to +suppress them. Not only had Wimp perpetrated a grotesque blunder, but +the journalists to a man were down on his great sensation tableau, +though their denunciations did not appear in the dramatic columns. The +Liberal papers said that he had endangered Mr. Gladstone's life; the +Conservative that he had unloosed the raging elements of Bow +blackguardism, and set in motion forces which might have easily swelled +to a riot, involving severe destruction of property. But "Tom Mortlake," +was, after all, the thought swamping every other. It was, in a sense, a +triumph for the man. + +But Wimp's turn came when Mortlake, who reserved his defense, was +brought up before a magistrate, and, by force of the new evidence, fully +committed for trial on the charge of murdering Arthur Constant. Then +men's thoughts centered again on the Mystery, and the solution of the +inexplicable problem agitated mankind from China to Peru. + +In the middle of February, the great trial befell. It was another of the +opportunities which the Chancellor of the Exchequer neglects. So +stirring a drama might have easily cleared its expenses--despite the +length of the cast, the salaries of the stars, and the rent of the +house--in mere advance booking. For it was a drama which (by the rights +of Magna Charta) could never be repeated; a drama which ladies of +fashion would have given their earrings to witness, even with the +central figure not a woman. And there was a woman in it anyhow, to judge +by the little that had transpired at the magisterial examination, and +the fact that the country was placarded with bills offering a reward for +information concerning a Miss Jessie Dymond. Mortlake was defended by +Sir Charles Brown-Harland, Q. C., retained at the expense of the +Mortlake Defense Fund (subscriptions to which came also from Australia +and the Continent), and set on his mettle by the fact that he was the +accepted labor candidate for an East-end constituency. Their Majesties, +Victoria and the Law, were represented by Mr. Robert Spigot, Q. C. + +Mr. Spigot, Q. C., in presenting his case, said: "I propose to show that +the prisoner murdered his friend and fellow-lodger, Mr. Arthur Constant, +in cold blood, and with the most careful premeditation; premeditation so +studied, as to leave the circumstances of the death an impenetrable +mystery for weeks to all the world, though fortunately without +altogether baffling the almost superhuman ingenuity of Mr. Edward Wimp, +of the Scotland Yard Detective Department. I propose to show that the +motives of the prisoner were jealousy and revenge; jealousy not only of +his friend's superior influence over the workingmen he himself aspired +to lead, but the more commonplace animosity engendered by the disturbing +element of a woman having relations to both. If, before my case is +complete, it will be my painful duty to show that the murdered man was +not the saint the world has agreed to paint him, I shall not shrink from +unveiling the truer picture, in the interests of justice, which cannot +say _nil nisi bonum_ even of the dead. I propose to show that the murder +was committed by the prisoner shortly before half-past six on the +morning of December 4th, and that the prisoner having, with the +remarkable ingenuity which he has shown throughout, attempted to prepare +an alibi by feigning to leave London by the first train to Liverpool, +returned home, got in with his latch-key through the street-door, which +he had left on the latch, unlocked his victim's bedroom with a key which +he possessed, cut the sleeping man's throat, pocketed his razor, locked +the door again, and gave it the appearance of being bolted, went +downstairs, unslipped the bolt of the big lock, closed the door behind +him, and got to Euston in time for the second train to Liverpool. The +fog helped his proceedings throughout." Such was in sum the theory of +the prosecution. The pale defiant figure in the dock winced perceptibly +under parts of it. + +Mrs. Drabdump was the first witness called for the prosecution. She was +quite used to legal inquisitiveness by this time, but did not appear in +good spirits. + +"On the night of December 3d, you gave the prisoner a letter?" + +"Yes, your ludship." + +"How did he behave when he read it?" + +"He turned very pale and excited. He went up to the poor gentleman's +room, and I'm afraid he quarreled with him. He might have left his last +hours peaceful." (Amusement.) + +"What happened then?" + +"Mr. Mortlake went out in a passion, and came in again in about an +hour." + +"He told you he was going away to Liverpool very early the next +morning." + +"No, your ludship, he said he was going to Devonport." (Sensation.) + +"What time did you get up the next morning?" + +"Half-past six." + +"That is not your usual time?" + +"No, I always get up at six." + +"How do you account for the extra sleepiness?" + +"Misfortunes will happen." + +"It wasn't the dull, foggy weather?" + +"No, my lud, else I should never get up early." (Laughter.) + +"You drink something before going to bed?" + +"I like my cup o' tea. I take it strong, without sugar. It always +steadies my nerves." + +"Quite so. Where were you when the prisoner told you he was going to +Devonport?" + +"Drinkin' my tea in the kitchen." + +"What should you say if prisoner dropped something in it to make you +sleep late?" + +Witness (startled): "He ought to be shot." + +"He might have done it without your noticing it, I suppose?" + +"If he was clever enough to murder the poor gentleman, he was clever +enough to try and poison me." + +The Judge: "The witness in her replies must confine herself to the +evidence." + +Mr. Spigot, Q. C.: "I must submit to your lordship that it is a very +logical answer, and exactly illustrates the interdependence of the +probabilities. Now, Mrs. Drabdump, let us know what happened when you +awoke at half-past six the next morning." + +Thereupon Mrs. Drabdump recapitulated the evidence (with new +redundancies, but slight variations) given by her at the inquest. How +she became alarmed--how she found the street-door locked by the big +lock--how she roused Grodman, and got him to burst open the door--how +they found the body--all this with which the public was already familiar +_ad nauseam_ was extorted from her afresh. + +"Look at this key" (key passed to the witness). "Do you recognize it?" + +"Yes; how did you get it? It's the key of my first-floor front. I am +sure I left it sticking in the door." + +"Did you know a Miss Dymond?" + +"Yes, Mr. Mortlake's sweetheart. But I knew he would never marry her, +poor thing." (Sensation.) + +"Why not?" + +"He was getting too grand for her." (Amusement). + +"You don't mean anything more than that?" + +"I don't know; she only came to my place once or twice. The last time I +set eyes on her must have been in October." + +"How did she appear?" + +"She was very miserable, but she wouldn't let you see it." (Laughter.) + +"How has the prisoner behaved since the murder?" + +"He always seemed very glum and sorry for it." + +Cross-examined: "Did not the prisoner once occupy the bedroom of Mr. +Constant, and give it up to him, so that Mr. Constant might have the two +rooms on the same floor?" + +"Yes, but he didn't pay as much." + +"And, while occupying this front bedroom, did not the prisoner once lose +his key and have another made?" + +"He did; he was very careless." + +"Do you know what the prisoner and Mr. Constant spoke about on the night +of December 3d?" + +"No; I couldn't hear." + +"Then how did you know they were quarreling?" + +"They were talkin' so loud." + +Sir Charles Brown-Harland, Q. C. (sharply): "But I'm talking loudly to +you now. Should you say I was quarreling?" + +"It takes two to make a quarrel." (Laughter.) + +"Was the prisoner the sort of man who, in your opinion, would commit a +murder?" + +"No, I never should ha' guessed it was him." + +"He always struck you as a thorough gentleman?" + +"No, my lud. I knew he was only a comp." + +"You say the prisoner has seemed depressed since the murder. Might not +that have been due to the disappearance of his sweetheart?" + +"No, he'd more likely be glad to get rid of her." + +"Then he wouldn't be jealous if Mr. Constant took her off his hands?" +(Sensation.) + +"Men are dog-in-the-mangers." + +"Never mind about men, Mrs. Drabdump. Had the prisoner ceased to care +for Miss Dymond?" + +"He didn't seem to think of her, my lud. When he got a letter in her +handwriting among his heap he used to throw it aside till he'd torn open +the others." + +Brown-Harland, Q. C. (with a triumphant ring in his voice): "Thank you, +Mrs. Drabdump. You may sit down." + +Spigot, Q. C.: "One moment, Mrs. Drabdump. You say the prisoner had +ceased to care for Miss Dymond. Might not this have been in consequence +of his suspecting for some time that she had relations with Mr. +Constant?" + +The Judge: "That is not a fair question." + +Spigot, Q. C.: "That will do, thank you, Mrs. Drabdump." + +Brown-Harland, Q. C.: "No; one question more, Mrs. Drabdump. Did you +ever see anything--say when Miss Dymond came to your house--to make you +suspect anything between Mr. Constant and the prisoner's sweetheart?" + +"She did meet him once when Mr. Mortlake was out." (Sensation.) + +"Where did she meet him?" + +"In the passage. He was going out when she knocked and he opened the +door." (Amusement.) + +"You didn't hear what they said?" + +"I ain't a eavesdropper. They spoke friendly and went away together." + +Mr. George Grodman was called and repeated his evidence at the inquest. +Cross-examined, he testified to the warm friendship between Mr. Constant +and the prisoner. He knew very little about Miss Dymond, having scarcely +seen her. Prisoner had never spoken to him much about her. He should not +think she was much in prisoner's thoughts. Naturally the prisoner had +been depressed by the death of his friend. Besides, he was overworked. +Witness thought highly of Mortlake's character. It was incredible that +Constant had had improper relations of any kind with his friend's +promised wife. Grodman's evidence made a very favorable impression on +the jury; the prisoner looked his gratitude; and the prosecution felt +sorry it had been necessary to call this witness. + +Inspector Howlett and Sergeant Runnymede had also to repeat their +evidence. Dr. Robinson, police-surgeon, likewise retendered his evidence +as to the nature of the wound, and the approximate hour of death. But +this time he was much more severely examined. He would not bind himself +down to state the time within an hour or two. He thought life had been +extinct two or three hours when he arrived, so that the deed had been +committed between seven and eight. Under gentle pressure from the +prosecuting counsel, he admitted that it might possibly have been +between six and seven. Cross-examined, he reiterated his impression in +favor of the later hour. + +Supplementary evidence from medical experts proved as dubious and +uncertain as if the court had confined itself to the original witness. +It seemed to be generally agreed that the data for determining the time +of death of anybody were too complex and variable to admit of very +precise inference; _rigor mortis_ and other symptoms setting in within +very wide limits and differing largely in different persons. All agreed +that death from such a cut must have been practically instantaneous, and +the theory of suicide was rejected by all. As a whole the medical +evidence tended to fix the time of death, with a high degree of +probability, between the hours of six and half-past eight. The efforts +of the Prosecution were bent upon throwing back the time of death to as +early as possible after about half-past five. The Defense spent all its +strength upon pinning the experts to the conclusion that death could not +have been earlier than seven. Evidently the Prosecution was going to +fight hard for the hypothesis that Mortlake had committed the crime in +the interval between the first and second trains for Liverpool; while +the Defense was concentrating itself on an alibi, showing that the +prisoner had traveled by the second train which left Euston Station at a +quarter-past seven, so that there could have been no possible time for +the passage between Bow and Euston. It was an exciting struggle. As yet +the contending forces seemed equally matched. The evidence had gone as +much for as against the prisoner. But everybody knew that worse lay +behind. + +"Call Edward Wimp." + +The story Edward Wimp had to tell began tamely enough with +thrice-threshed-out facts. But at last the new facts came. + +"In consequence of suspicions that had formed in your mind you took up +your quarters, disguised, in the late Mr. Constant's rooms?" + +"I did; at the commencement of the year. My suspicions had gradually +gathered against the occupants of No. 11, Glover Street, and I resolved +to quash or confirm these suspicions once for all." + +"Will you tell the jury what followed?" + +"Whenever the prisoner was away for the night I searched his room. I +found the key of Mr. Constant's bedroom buried deeply in the side of +prisoner's leather sofa. I found what I imagine to be the letter he +received on December 3d, in the pages of a 'Bradshaw' lying under the +same sofa. There were two razors about." + +Mr. Spigot, Q. C., said: "The key has already been identified by Mrs. +Drabdump. The letter I now propose to read." + +It was undated, and ran as follows: + + "Dear Tom--This is to bid you farewell. It is the best for us all. + I am going a long way, dearest. Do not seek to find me, for it will + be useless. Think of me as one swallowed up by the waters, and be + assured that it is only to spare you shame and humiliation in the + future that I tear myself from you and all the sweetness of life. + Darling, there is no other way. I feel you could never marry me + now. I have felt it for months. Dear Tom, you will understand what + I mean. We must look facts in the face. I hope you will always be + friends with Mr. Constant. Good by, dear. God bless you! May you + always be happy, and find a worthier wife than I. Perhaps when you + are great, and rich, and famous, as you deserve, you will sometimes + think not unkindly of one who, however faulty and unworthy of you, + will at least love you till the end. Yours, till death, + + "Jessie." + +By the time this letter was finished numerous old gentlemen, with wigs +or without, were observed to be polishing their glasses. Mr. Wimp's +examination was resumed. + +"After making these discoveries what did you do?" + +"I made inquiries about Miss Dymond, and found Mr. Constant had visited +her once or twice in the evening. I imagined there would be some traces +of a pecuniary connection. I was allowed by the family to inspect Mr. +Constant's check-book, and found a paid check made out for L25 in the +name of Miss Dymond. By inquiry at the Bank, I found it had been cashed +on November 12th of last year. I then applied for a warrant against the +prisoner." + +Cross-examined: "Do you suggest that the prisoner opened Mr. Constant's +bedroom with the key you found?" + +"Certainly." + +Brown-Harland, Q. C. (sarcastically): "And locked the door from within +with it on leaving?" + +"Certainly." + +"Will you have the goodness to explain how the trick was done?" + +"It wasn't done. (Laughter.) The prisoner probably locked the door from +the outside. Those who broke it open naturally imagined it had been +locked from the inside when they found the key inside. The key would, on +this theory, be on the floor as the outside locking could not have been +effected if it had been in the lock. The first persons to enter the room +would naturally believe it had been thrown down in the bursting of the +door. Or it might have been left sticking very loosely inside the lock +so as not to interfere with the turning of the outside key in which case +it would also probably have been thrown to the ground." + +"Indeed. Very ingenious. And can you also explain how the prisoner could +have bolted the door within from the outside?" + +"I can. (Renewed sensation.) There is only one way in which it was +possible--and that was, of course, a mere conjurer's illusion. To cause +a locked door to appear bolted in addition, it would only be necessary +for the person on the inside of the door to wrest the staple containing +the bolt from the woodwork. The bolt in Mr. Constant's bedroom worked +perpendicularly. When the staple was torn off, it would simply remain at +rest on the pin of the bolt instead of supporting it or keeping it +fixed. A person bursting open the door and finding the staple resting on +the pin and torn away from the lintel of the door, would, of course, +imagine he had torn it away, never dreaming the wresting off had been +done beforehand." (Applause in court, which was instantly checked by the +ushers.) The counsel for the defense felt he had been entrapped in +attempting to be sarcastic with the redoubtable detective. Grodman +seemed green with envy. It was the one thing he had not thought of. + +Mrs. Drabdump, Grodman, Inspector Howlett, and Sergeant Runnymede were +recalled and re-examined by the embarrassed Sir Charles Brown-Harland as +to the exact condition of the lock and the bolt and the position of the +key. It turned out as Wimp had suggested; so prepossessed were the +witnesses with the conviction that the door was locked and bolted from +the inside when it was burst open that they were a little hazy about the +exact details. The damage had been repaired, so that it was all a +question of precise past observation. The inspector and the sergeant +testified that the key was in the lock when they saw it, though both the +mortise and the bolt were broken. They were not prepared to say that +Wimp's theory was impossible; they would even admit it was quite +possible that the staple of the bolt had been torn off beforehand. Mrs. +Drabdump could give no clear account of such petty facts in view of her +immediate engrossing interest in the horrible sight of the corpse. +Grodman alone was positive that the key was in the door when he burst it +open. No, he did not remember picking it up from the floor and putting +it in. And he was certain that the staple of the bolt was not broken, +from the resistance he experienced in trying to shake the upper panels +of the door. + +By the Prosecution: "Don't you think, from the comparative ease with +which the door yielded to your onslaught, that it is highly probable +that the pin of the bolt was not in a firmly fixed staple, but in one +already detached from the woodwork of the lintel?" + +"The door did not yield so easily." + +"But you must be a Hercules." + +"Not quite; the bolt was old, and the woodwork crumbling; the lock was +new and shoddy. But I have always been a strong man." + +"Very well, Mr. Grodman. I hope you will never appear at the +music-halls." (Laughter.) + +Jessie Dymond's landlady was the next witness for the prosecution. She +corroborated Wimp's statements as to Constant's occasional visits, and +narrated how the girl had been enlisted by the dead philanthropist as a +collaborator in some of his enterprises. But the most telling portion of +her evidence was the story of how, late at night, on December 3d, the +prisoner called upon her and inquired wildly about the whereabouts of +his sweetheart. He said he had just received a mysterious letter from +Miss Dymond saying she was gone. She (the landlady) replied that she +could have told him that weeks ago, as her ungrateful lodger was gone +now some three weeks without leaving a hint behind her. In answer to his +most ungentlemanly raging and raving, she told him it served him right, +as he should have looked after her better, and not kept away for so +long. She reminded him that there were as good fish in the sea as ever +came out, and a girl of Jessie's attractions need not pine away (as she +had seemed to be pining away) for lack of appreciation. He then called +her a liar and left her, and she hoped never to see his face again, +though she was not surprised to see it in the dock. + +Mr. Fitzjames Montgomery, a bank clerk, remembered cashing the check +produced. He particularly remembered it, because he paid the money to a +very pretty girl. She took the entire amount in gold. At this point the +case was adjourned. + +Denzil Cantercot was the first witness called for the prosecution on the +resumption of the trial. Pressed as to whether he had not told Mr. Wimp +that he had overheard the prisoner denouncing Mr. Constant, he could not +say. He had not actually heard the prisoner's denunciations; he might +have given Mr. Wimp a false impression, but then Mr. Wimp was so +prosaically literal. (Laughter.) Mr. Crowl had told him something of the +kind. Cross-examined, he said Jessie Dymond was a rare spirit and she +always reminded him of Joan of Arc. + +Mr. Crowl, being called, was extremely agitated. He refused to take the +oath, and informed the court that the Bible was a Fad. He could not +swear by anything so self-contradictory. He would affirm. He could not +deny--though he looked like wishing to--that the prisoner had at first +been rather mistrustful of Mr. Constant, but he was certain that the +feeling had quickly worn off. Yes, he was a great friend of the +prisoner, but he didn't see why that should invalidate his testimony, +especially as he had not taken an oath. Certainly the prisoner seemed +rather depressed when he saw him on Bank Holiday, but it was overwork on +behalf of the people and for the demolition of the Fads. + +Several other familiars of the prisoner gave more or less reluctant +testimony as to his sometime prejudice against the amateur rival labor +leader. His expressions of dislike had been strong and bitter. The +Prosecution also produced a poster announcing that the prisoner would +preside at a great meeting of clerks on December 4th. He had not turned +up at this meeting nor sent any explanation. Finally, there was the +evidence of the detectives who originally arrested him at Liverpool +Docks in view of his suspicious demeanor. This completed the case for +the prosecution. + +Sir Charles Brown-Harland, Q. C., rose with a swagger and a rustle of +his silk gown, and proceeded to set forth the theory of the defense. He +said he did not purpose to call any witnesses. The hypothesis of the +prosecution was so inherently childish and inconsequential, and so +dependent upon a bundle of interdependent probabilities that it crumbled +away at the merest touch. The prisoner's character was of unblemished +integrity, his last public appearance had been made on the same platform +with Mr. Gladstone, and his honesty and highmindedness had been vouched +for by statesmen of the highest standing. His movements could be +accounted for from hour to hour--and those with which the prosecution +credited him rested on no tangible evidence whatever. He was also +credited with superhuman ingenuity and diabolical cunning of which he +had shown no previous symptom. Hypothesis was piled on hypothesis, as in +the old Oriental legend, where the world rested on the elephant and the +elephant on the tortoise. It might be worth while, however, to point out +that it was at least quite likely that the death of Mr. Constant had not +taken place before seven, and as the prisoner left Euston Station at +7:15 a. m. for Liverpool, he could certainly not have got there from Bow +in the time; also that it was hardly possible for the prisoner, who +could prove being at Euston Station at 5:25 a. m., to travel backward +and forward to Glover Street and commit the crime all within less than +two hours. "The real facts," said Sir Charles impressively, "are most +simple. The prisoner, partly from pressure of work, partly (he had no +wish to conceal) from worldly ambition, had begun to neglect Miss +Dymond, to whom he was engaged to be married. The man was but human, and +his head was a little turned by his growing importance. Nevertheless, at +heart he was still deeply attached to Miss Dymond. She, however, appears +to have jumped to the conclusion that he had ceased to love her, that +she was unworthy of him, unfitted by education to take her place side by +side with him in the new spheres to which he was mounting--that, in +short, she was a drag on his career. Being, by all accounts, a girl of +remarkable force of character, she resolved to cut the Gordian knot by +leaving London, and, fearing lest her affianced husband's +conscientiousness should induce him to sacrifice himself to her; +dreading also, perhaps, her own weakness, she made the parting absolute, +and the place of her refuge a mystery. A theory has been suggested which +drags an honored name in the mire--a theory so superfluous that I shall +only allude to it. That Arthur Constant could have seduced, or had any +improper relations with his friend's betrothed is a hypothesis to which +the lives of both give the lie. Before leaving London--or England--Miss +Dymond wrote to her aunt in Devonport--her only living relative in this +country--asking her as a great favor to forward an addressed letter to +the prisoner, a fortnight after receipt. The aunt obeyed implicitly. +This was the letter which fell like a thunderbolt on the prisoner on the +night of December 3d. All his old love returned--he was full of +self-reproach and pity for the poor girl. The letter read ominously. +Perhaps she was going to put an end to herself. His first thought was to +rush up to his friend, Constant, to seek his advice. Perhaps Constant +knew something of the affair. The prisoner knew the two were in not +infrequent communication. It is possible--my lord and gentlemen of the +jury, I do not wish to follow the methods of the prosecution and confuse +theory with fact, so I say it is possible--that Mr. Constant had +supplied her with the L25 to leave the country. He was like a brother to +her, perhaps even acted imprudently in calling upon her, though neither +dreamed of evil. It is possible that he may have encouraged her in her +abnegation and in her altruistic aspirations, perhaps even without +knowing their exact drift, for does he not speak in his very last letter +of the fine female characters he was meeting, and the influence for good +he had over individual human souls? Still, this we can now never know, +unless the dead speak or the absent return. It is also not impossible +that Miss Dymond was entrusted with the L25 for charitable purposes. But +to come back to certainties. The prisoner consulted Mr. Constant about +the letter. He then ran to Miss Dymond's lodgings in Stepney Green, +knowing beforehand his trouble would be futile. The letter bore the +postmark of Devonport. He knew the girl had an aunt there; possibly she +might have gone to her. He could not telegraph, for he was ignorant of +the address. He consulted his 'Bradshaw,' and resolved to leave by the +5:30 a. m. from Paddington, and told his landlady so. He left the letter +in the 'Bradshaw,' which ultimately got thrust among a pile of papers +under the sofa, so that he had to get another. He was careless and +disorderly, and the key found by Mr. Wimp in his sofa must have lain +there for some years, having been lost there in the days when he +occupied the bedroom afterward rented by Mr. Constant. Afraid to miss +his train, he did not undress on that distressful night. Meantime the +thought occurred to him that Jessie was too clever a girl to leave so +easy a trail, and he jumped to the conclusion that she would be going to +her married brother in America, and had gone to Devonport merely to bid +her aunt farewell. He determined therefore to get to Liverpool, without +wasting time at Devonport, to institute inquiries. Not suspecting the +delay in the transit of the letter, he thought he might yet stop her, +even at the landing-stage or on the tender. Unfortunately his cab went +slowly in the fog, he missed the first train, and wandered about +brooding disconsolately in the mist till the second. At Liverpool his +suspicious, excited demeanor procured his momentary arrest. Since then +the thought of the lost girl has haunted and broken him. That is the +whole, the plain, and the sufficing story." The effective witnesses for +the defense were, indeed, few. It is so hard to prove a negative. There +was Jessie's aunt, who bore out the statement of the counsel for the +defense. There were the porters who saw him leave Euston by the 7:15 +train for Liverpool, and arrive just too late for the 5:15; there was +the cabman (2,138), who drove him to Euston just in time, he (witness) +thought, to catch the 5:15 a. m. Under cross-examination, the cabman got +a little confused; he was asked whether, if he really picked up the +prisoner at Bow Railway Station at about 4:30, he ought not to have +caught the first train at Euston. He said the fog made him drive rather +slowly, but admitted the mist was transparent enough to warrant full +speed. He also admitted being a strong trade unionist, Spigot, Q. C., +artfully extorting the admission as if it were of the utmost +significance. Finally, there were numerous witnesses--of all sorts and +conditions--to the prisoner's high character, as well as to Arthur +Constant's blameless and moral life. + +In his closing speech on the third day of the trial, Sir Charles pointed +out with great exhaustiveness and cogency the flimsiness of the case for +the prosecution, the number of hypotheses it involved, and their mutual +interdependence. Mrs. Drabdump was a witness whose evidence must be +accepted with extreme caution. The jury must remember that she was +unable to dissociate her observations from her inferences, and thought +that the prisoner and Mr. Constant were quarreling merely because they +were agitated. He dissected her evidence, and showed that it entirely +bore out the story of the defense. He asked the jury to bear in mind +that no positive evidence (whether of cabmen or others) had been given +of the various and complicated movements attributed to the prisoner on +the morning of December 4th, between the hours of 5:25 and 7:15 a. m., +and that the most important witness on the theory of the prosecution--he +meant, of course, Miss Dymond--had not been produced. Even if she were +dead, and her body were found, no countenance would be given to the +theory of the prosecution, for the mere conviction that her lover had +deserted her would be a sufficient explanation of her suicide. Beyond +the ambiguous letter, no tittle of evidence of her dishonor--on which +the bulk of the case against the prisoner rested--had been adduced. As +for the motive of political jealousy that had been a mere passing cloud. +The two men had become fast friends. As to the circumstances of the +alleged crime, the medical evidence was on the whole in favor of the +time of death being late; and the prisoner had left London at a quarter +past seven. The drugging theory was absurd, and as for the too clever +bolt and lock theories, Mr. Grodman, a trained scientific observer, had +pooh-poohed them. He would solemnly exhort the jury to remember that if +they condemned the prisoner they would not only send an innocent man to +an ignominious death on the flimsiest circumstantial evidence, but they +would deprive the workingmen of this country of one of their truest +friends and their ablest leader. + +The conclusion of Sir Charles' vigorous speech was greeted with +irrepressible applause. + +Mr. Spigot, Q. C., in closing the case for the prosecution, asked the +jury to return a verdict against the prisoner for as malicious and +premeditated a crime as ever disgraced the annals of any civilized +country. His cleverness and education had only been utilized for the +devil's ends, while his reputation had been used as a cloak. Everything +pointed strongly to the prisoner's guilt. On receiving Miss Dymond's +letter announcing her shame, and (probably) her intention to commit +suicide, he had hastened upstairs to denounce Constant. He had then +rushed to the girl's lodgings, and, finding his worst fears confirmed, +planned at once his diabolically ingenious scheme of revenge. He told +his landlady he was going to Devonport, so that if he bungled, the +police would be put temporarily off his track. His real destination was +Liverpool, for he intended to leave the country. Lest, however, his plan +should break down here, too, he arranged an ingenious alibi by being +driven to Euston for the 5:15 train to Liverpool. The cabman would not +know he did not intend to go by it, but meant to return to 11, Glover +Street, there to perpetrate this foul crime, interruption to which he +had possibly barred by drugging his landlady. His presence at Liverpool +(whither he really went by the second train) would corroborate the +cabman's story. That night he had not undressed nor gone to bed; he had +plotted out his devilish scheme till it was perfect; the fog came as an +unexpected ally to cover his movements. Jealousy, outraged affection, +the desire for revenge, the lust for political power--these were human. +They might pity the criminal, they could not find him innocent of the +crime. + +Mr. Justice Crogie, summing up, began dead against the prisoner. +Reviewing the evidence, he pointed out that plausible hypotheses neatly +dove-tailed did not necessarily weaken one another, the fitting so well +together of the whole rather making for the truth of the parts. Besides, +the case for the prosecution was as far from being all hypothesis as the +case for the defense was from excluding hypothesis. The key, the letter, +the reluctance to produce the letter, the heated interview with +Constant, the misstatement about the prisoner's destination, the flight +to Liverpool, the false tale about searching for a "him," the +denunciations of Constant, all these were facts. On the other hand, +there were various lacunae and hypotheses in the case for the defense. +Even conceding the somewhat dubious alibi afforded by the prisoner's +presence at Euston at 5:25 a. m., there was no attempt to account for +his movements between that and 7:15 a. m. It was as possible that he +returned to Bow as that he lingered about Euston. There was nothing in +the medical evidence to make his guilt impossible. Nor was there +anything inherently impossible in Constant's yielding to the sudden +temptation of a beautiful girl, nor in a working-girl deeming herself +deserted, temporarily succumbing to the fascinations of a gentleman and +regretting it bitterly afterward. What had become of the girl was a +mystery. Hers might have been one of those nameless corpses which the +tide swirls up on slimy river banks. The jury must remember, too, that +the relation might not have actually passed into dishonor, it might have +been just grave enough to smite the girl's conscience, and to induce her +to behave as she had done. It was enough that her letter should have +excited the jealousy of the prisoner. There was one other point which he +would like to impress on the jury, and which the counsel for the +prosecution had not sufficiently insisted upon. This was that the +prisoner's guiltiness was the only plausible solution that had ever been +advanced of the Bow Mystery. The medical evidence agreed that Mr. +Constant did not die by his own hand. Someone must therefore have +murdered him. The number of people who could have had any possible +reason or opportunity to murder him was extremely small. The prisoner +had both reason and opportunity. By what logicians called the method of +exclusion, suspicion would attach to him on even slight evidence. The +actual evidence was strong and plausible, and now that Mr. Wimp's +ingenious theory had enabled them to understand how the door could have +been apparently locked and bolted from within, the last difficulty and +the last argument for suicide had been removed. The prisoner's guilt was +as clear as circumstantial evidence could make it. If they let him go +free, the Bow Mystery might henceforward be placed among the archives of +unavenged assassinations. Having thus well-nigh hung the prisoner, the +judge wound up by insisting on the high probability of the story for the +defense, though that, too, was dependent in important details upon the +prisoner's mere private statements to his counsel. The jury, being by +this time sufficiently muddled by his impartiality, were dismissed, with +the exhortation to allow due weight to every fact and probability in +determining their righteous verdict. + +The minutes ran into hours, but the jury did not return. The shadows of +night fell across the reeking, fevered court before they announced their +verdict-- + +"Guilty." + +The judge put on his black cap. + +The great reception arranged outside was a fiasco; the evening banquet +was indefinitely postponed. Wimp had won; Grodman felt like a whipped +cur. + + + + +CHAPTER XI. + + +"So you were right," Denzil could not help saying as he greeted Grodman +a week afterward. "I shall not live to tell the story of how you +discovered the Bow murderer." + +"Sit down," growled Grodman; "perhaps you will after all." There was a +dangerous gleam in his eyes. Denzil was sorry he had spoken. + +"I sent for you," Grodman said, "to tell you that on the night Wimp +arrested Mortlake I had made preparations for your arrest." + +Denzil gasped, "What for?" + +"My dear Denzil, there is a little law in this country invented for the +confusion of the poetic. The greatest exponent of the Beautiful is only +allowed the same number of wives as the greengrocer. I do not blame you +for not being satisfied with Jane--she is a good servant but a bad +mistress--but it was cruel to Kitty not to inform her that Jane had a +prior right in you, and unjust to Jane not to let her know of the +contract with Kitty." + +"They both know it now well enough, curse 'em," said the poet. + +"Yes; your secrets are like your situations--you can't keep them long. +My poor poet, I pity you--betwixt the devil and the deep sea." + +"They're a pair of harpies, each holding over me the Damocles sword of +an arrest for bigamy. Neither loves me." + +"I should think they would come in very useful to you. You plant one in +my house to tell my secrets to Wimp, and you plant one in Wimp's house +to tell Wimp's secrets to me, I suppose. Out with some, then." + +"Upon my honor you wrong me. Jane brought me here, not I Jane. As for +Kitty, I never had such a shock in my life as at finding her installed +in Wimp's house." + +"She thought it safer to have the law handy for your arrest. Besides, +she probably desired to occupy a parallel position to Jane's. She must +do something for a living; you wouldn't do anything for hers. And so you +couldn't go anywhere without meeting a wife! Ha! ha! ha! Serve you +right, my polygamous poet." + +"But why should you arrest me?" + +"Revenge, Denzil. I have been the best friend you ever had in this cold, +prosaic world. You have eaten my bread, drunk my claret, written my +book, smoked my cigars, and pocketed my money. And yet, when you have an +important piece of information bearing on a mystery about which I am +thinking day and night, you calmly go and sell it to Wimp." + +"I did-didn't," stammered Denzil. + +"Liar! Do you think Kitty has any secrets from me? As soon as I +discovered your two marriages I determined to have you arrested +for--your treachery. But when I found you had, as I thought, put Wimp on +the wrong scent, when I felt sure that by arresting Mortlake he was +going to make a greater ass of himself than even nature had been able to +do, then I forgave you. I let you walk about the earth--and +drink--freely. Now it is Wimp who crows--everybody pats him on the +back--they call him the mystery man of the Scotland-Yard tribe. Poor Tom +Mortlake will be hanged, and all through your telling Wimp about Jessie +Dymond!" + +"It was you yourself," said Denzil sullenly. "Everybody was giving it +up. But you said 'Let us find out all that Arthur Constant did in the +last few months of his life.' Wimp couldn't miss stumbling on Jessie +sooner or later. I'd have throttled Constant, if I had known he'd +touched her," he wound up with irrelevant indignation. + +Grodman winced at the idea that he himself had worked _ad majorem +gloriam_ of Wimp. And yet, had not Mrs. Wimp let out as much at the +Christmas dinner? + +"What's past is past," he said gruffly. "But if Tom Mortlake hangs, you +go to Portland." + +"How can I help Tom hanging?" + +"Help the agitation as much as you can. Write letters under all sorts of +names to all the papers. Get everybody you know to sign the great +petition. Find out where Jessie Dymond is--the girl who holds the proof +of Tom Mortlake's innocence." + +"You really believe him innocent?" + +"Don't be satirical, Denzil. Haven't I taken the chair at all the +meetings? Am I not the most copious correspondent of the Press?" + +"I thought it was only to spite Wimp." + +"Rubbish. It's to save poor Tom. He no more murdered Arthur Constant +than--you did!" He laughed an unpleasant laugh. + +Denzil bade him farewell, frigid with fear. + +Grodman was up to his ears in letters and telegrams. Somehow he had +become the leader of the rescue party--suggestions, subscriptions came +from all sides. The suggestions were burnt, the subscriptions +acknowledged in the papers and used for hunting up the missing girl. +Lucy Brent headed the list with a hundred pounds. It was a fine +testimony to her faith in her dead lover's honor. + +The release of the Jury had unloosed "The Greater Jury," which always +now sits upon the smaller. Every means was taken to nullify the value of +the "palladium of British liberty." The foreman and the jurors were +interviewed, the judge was judged, and by those who were no judges. The +Home Secretary (who had done nothing beyond accepting office under the +Crown) was vituperated, and sundry provincial persons wrote +confidentially to the Queen. Arthur Constant's backsliding cheered many +by convincing them that others were as bad as themselves; and well-to-do +tradesmen saw in Mortlake's wickedness the pernicious effects of +socialism. A dozen new theories were afloat. Constant had committed +suicide by Esoteric Buddhism, as witness his devotion to Mme. Blavatsky, +or he had been murdered by his Mahatma, or victimized by Hypnotism, +Mesmerism, Somnambulism, and other weird abstractions. Grodman's great +point was--Jessie Dymond must be produced, dead or alive. The electric +current scoured the civilized world in search of her. What wonder if the +shrewder sort divined that the indomitable detective had fixed his last +hope on the girl's guilt? If Jessie had wrongs why should she not have +avenged them herself? Did she not always remind the poet of Joan of Arc? + +Another week passed; the shadow of the gallows crept over the days; on, +on, remorselessly drawing nearer, as the last ray of hope sank below the +horizon. The Home Secretary remained inflexible; the great petitions +discharged their signatures at him in vain. He was a Conservative, +sternly conscientious; and the mere insinuation that his obstinacy was +due to the politics of the condemned only hardened him against the +temptation of a cheap reputation for magnanimity. He would not even +grant a respite, to increase the chances of the discovery of Jessie +Dymond. In the last of the three weeks there was a final monster meeting +of protest. Grodman again took the chair, and several distinguished +faddists were present, as well as numerous respectable members of +society. The Home Secretary acknowledged the receipt of their +resolutions. The Trade Unions were divided in their allegiance; some +whispered of faith and hope, others of financial defalcations. The +former essayed to organize a procession and an indignation meeting on +the Sunday preceding the Tuesday fixed for the execution, but it fell +through on a rumor of confession. The Monday papers contained a last +masterly letter from Grodman exposing the weakness of the evidence, but +they knew nothing of a confession. The prisoner was mute and disdainful, +professing little regard for a life empty of love and burdened with +self-reproach. He refused to see clergymen. He was accorded an interview +with Miss Brent in the presence of a jailer, and solemnly asseverated +his respect for her dead lover's memory. Monday buzzed with rumors; the +evening papers chronicled them hour by hour. A poignant anxiety was +abroad. The girl would be found. Some miracle would happen. A reprieve +would arrive. The sentence would be commuted. But the short day darkened +into night even as Mortlake's short day was darkening. And the shadow of +the gallows crept on and on and seemed to mingle with the twilight. + +Crowl stood at the door of his shop, unable to work. His big gray eyes +were heavy with unshed tears. The dingy wintry road seemed one vast +cemetery; the street lamps twinkled like corpse-lights. The confused +sounds of the street-life reached his ear as from another world. He did +not see the people who flitted to and fro amid the gathering shadows of +the cold, dreary night. One ghastly vision flashed and faded and flashed +upon the background of the duskiness. + +Denzil stood beside him, smoking in silence. A cold fear was at his +heart. That terrible Grodman! As the hangman's cord was tightening round +Mortlake, he felt the convict's chains tightening round himself. And yet +there was one gleam of hope, feeble as the yellow flicker of the +gas-lamp across the way. Grodman had obtained an interview with the +condemned late that afternoon, and the parting had been painful, but the +evening paper, that in its turn had obtained an interview with the +ex-detective, announced on its placard: + + "GRODMAN STILL CONFIDENT," + +and the thousands who yet pinned their faith on this extraordinary man +refused to extinguish the last sparks of hope. Denzil had bought the +paper and scanned it eagerly, but there was nothing save the vague +assurance that the indefatigable Grodman was still almost pathetically +expectant of the miracle. Denzil did not share the expectation; he +meditated flight. + +"Peter," he said at last, "I'm afraid it's all over." + +Crowl nodded, heart-broken. "All over!" he repeated, "and to think that +he dies--and it is--all over!" + +He looked despairingly at the blank winter sky, where leaden clouds shut +out the stars. "Poor, poor young fellow! To-night alive and thinking. +To-morrow night a clod, with no more sense or motion than a bit of +leather! No compensation nowhere for being cut off innocent in the pride +of youth and strength! A man who has always preached the Useful day and +night, and toiled and suffered for his fellows. Where's the justice of +it, where's the justice of it?" he demanded fiercely. Again his wet eyes +wandered upward toward heaven, that heaven away from which the soul of a +dead saint at the Antipodes was speeding into infinite space. + +"Well, where was the justice for Arthur Constant if he, too, was +innocent?" said Denzil. "Really, Peter, I don't see why you should take +it for granted that Tom is so dreadfully injured. Your horny-handed +labor leaders are, after all, men of no aesthetic refinement, with no +sense of the Beautiful; you cannot expect them to be exempt from the +coarser forms of crime. Humanity must look to for other leaders--to the +seers and the poets!" + +"Cantercot, if you say Tom's guilty I'll knock you down." The little +cobbler turned upon his tall friend like a roused lion. Then he added, +"I beg your pardon, Cantercot, I don't mean that. After all, I've no +grounds. The judge is an honest man, and with gifts I can't lay claim +to. But I believe in Tom with all my heart. And if Tom is guilty I +believe in the Cause of the People with all my heart all the same. The +Fads are doomed to death, they may be reprieved, but they must die at +last." + +He drew a deep sigh, and looked along the dreary Road. It was quite dark +now, but by the light of the lamps and the gas in the shop windows the +dull, monotonous Road lay revealed in all its sordid, familiar outlines; +with its long stretches of chill pavement, its unlovely architecture, +and its endless stream of prosaic pedestrians. + +A sudden consciousness of the futility of his existence pierced the +little cobbler like an icy wind. He saw his own life, and a hundred +million lives like his, swelling and breaking like bubbles on a dark +ocean, unheeded, uncared for. + +A newsboy passed along, clamoring "The Bow murderer, preparations for +the hexecution!" + +A terrible shudder shook the cobbler's frame. His eyes ranged +sightlessly after the boy; the merciful tears filled them at last. + +"The Cause of the People," he murmured, brokenly, "I believe in the +Cause of the People. There is nothing else." + +"Peter, come in to tea, you'll catch cold," said Mrs. Crowl. + +Denzil went in to tea and Peter followed. + + * * * * * + +Meantime, round the house of the Home Secretary, who was in town, an +ever-augmenting crowd was gathered, eager to catch the first whisper of +a reprieve. + +The house was guarded by a cordon of police, for there was no +inconsiderable danger of a popular riot. At times a section of the crowd +groaned and hooted. Once a volley of stones was discharged at the +windows. The news-boys were busy vending their special editions, and the +reporters struggled through the crowd, clutching descriptive pencils, +and ready to rush off to telegraph offices should anything "extra +special" occur. Telegraph boys were coming up every now and again with +threats, messages, petitions and exhortations from all parts of the +country to the unfortunate Home Secretary, who was striving to keep his +aching head cool as he went through the voluminous evidence for the last +time and pondered over the more important letters which "The Greater +Jury" had contributed to the obscuration of the problem. Grodman's +letter in that morning's paper shook him most; under his scientific +analysis the circumstantial chain seemed forged of painted cardboard. +Then the poor man read the judge's summing up, and the chain became +tempered steel. The noise of the crowd outside broke upon his ear in his +study like the roar of a distant ocean. The more the rabble hooted him, +the more he essayed to hold scrupulously the scales of life and death. +And the crowd grew and grew, as men came away from their work. There +were many that loved the man who lay in the jaws of death, and a spirit +of mad revolt surged in their breasts. And the sky was gray, and the +bleak night deepened and the shadow of the gallows crept on. + +Suddenly a strange inarticulate murmur spread through the crowd, a vague +whisper of no one knew what. Something had happened. Somebody was +coming. A second later and one of the outskirts of the throng was +agitated, and a convulsive cheer went up from it, and was taken up +infectiously all along the street. The crowd parted--a hansom dashed +through the center. "Grodman! Grodman!" shouted those who recognized the +occupant. "Grodman! Hurrah!" Grodman was outwardly calm and pale, but +his eyes glittered; he waved his hand encouragingly as the hansom dashed +up to the door, cleaving the turbulent crowd as a canoe cleaves the +waters. Grodman sprang out, the constables at the portal made way for +him respectfully. He knocked imperatively, the door was opened +cautiously; a boy rushed up and delivered a telegram; Grodman forced his +way in, gave his name, and insisted on seeing the Home Secretary on a +matter of life and death. Those near the door heard his words and +cheered, and the crowd divined the good omen, and the air throbbed with +cannonades of joyous sound. The cheers rang in Grodman's ears as the +door slammed behind him. The reporters struggled to the front. An +excited knot of working men pressed round the arrested hansom, they took +the horse out. A dozen enthusiasts struggled for the honor of placing +themselves between the shafts. And the crowd awaited Grodman. + + + + +CHAPTER XII. + + +Grodman was ushered into the conscientious Minister's study. The doughty +chief of the agitation was, perhaps, the one man who could not be +denied. As he entered, the Home Secretary's face seemed lit up with +relief. At a sign from his master, the amanuensis who had brought in the +last telegram took it back with him into the outer room where he worked. +Needless to say not a tithe of the Minister's correspondence ever came +under his own eyes. + +"You have a valid reason for troubling me, I suppose, Mr. Grodman?" said +the Home Secretary, almost cheerfully. "Of course it is about Mortlake?" + +"It is; and I have the best of all reasons." + +"Take a seat. Proceed." + +"Pray do not consider me impertinent, but have you ever given any +attention to the science of evidence?" + +"How do you mean?" asked the Home Secretary, rather puzzled, adding, +with a melancholy smile, "I have had to lately. Of course, I've never +been a criminal lawyer, like some of my predecessors. But I should +hardly speak of it as a science; I look upon it as a question of +common-sense." + +"Pardon me, sir. It is the most subtle and difficult of all the +sciences. It is, indeed, rather the science of the sciences. What is the +whole of Inductive Logic, as laid down, say, by Bacon and Mill, but an +attempt to appraise the value of evidence, the said evidence being the +trails left by the Creator, so to speak? The Creator has--I say it in +all reverence--drawn a myriad red herrings across the track, but the +true scientist refuses to be baffled by superficial appearances in +detecting the secrets of Nature. The vulgar herd catches at the gross +apparent fact, but the man of insight knows that what lies on the +surface does lie." + +"Very interesting, Mr. Grodman, but really----" + +"Bear with me, sir. The science of evidence being thus so extremely +subtle, and demanding the most acute and trained observation of facts, +the most comprehensive understanding of human psychology, is naturally +given over to professors who have not the remotest idea that 'things are +not what they seem,' and that everything is other than it appears; to +professors, most of whom, by their year-long devotion to the +shop-counter or the desk, have acquired an intimate acquaintance with +all the infinite shades and complexities of things and human nature. +When twelve of these professors are put in a box, it is called a jury. +When one of these professors is put in a box by himself, he is called a +witness. The retailing of evidence--the observation of the facts--is +given over to people who go through their lives without eyes; the +appreciation of evidence--the judging of these facts--is surrendered to +people who may possibly be adepts in weighing out pounds of sugar. Apart +from their sheer inability to fulfill either function--to observe, or to +judge--their observation and their judgment alike are vitiated by all +sorts of irrelevant prejudices." + +"You are attacking trial by jury." + +"Not necessarily. I am prepared to accept that scientifically, on the +ground that, as there are, as a rule, only two alternatives, the balance +of probability is slightly in favor of the true decision being come to. +Then, in cases where experts like myself have got up the evidence, the +jury can be made to see through trained eyes." + +The Home Secretary tapped impatiently with his foot. + +"I can't listen to abstract theorizing," he said. "Have you any fresh +concrete evidence?" + +"Sir, everything depends on our getting down to the root of the matter. +What percentage of average evidence should you think is thorough, plain, +simple, unvarnished fact, 'the truth, the whole truth, and nothing but +the truth'?" + +"Fifty?" said the Minister, humoring him a little. + +"Not five. I say nothing of lapses of memory, of inborn defects of +observational power--though the suspiciously precise recollection of +dates and events possessed by ordinary witnesses in important trials +taking place years after the occurrences involved, is one of the most +amazing things in the curiosities of modern jurisprudence. I defy you, +sir, to tell me what you had for dinner last Monday, or what exactly you +were saying and doing at five o'clock last Tuesday afternoon. Nobody +whose life does not run in mechanical grooves can do anything of the +sort; unless, of course, the facts have been very impressive. But this +by the way. The great obstacle to veracious observation is the element +of prepossession in all vision. Has it ever struck you, sir, that we +never see anyone more than once, if that? The first time we meet a man +we may possibly see him as he is; the second time our vision is colored +and modified by the memory of the first. Do our friends appear to us as +they appear to strangers? Do our rooms, our furniture, our pipes strike +our eye as they would strike the eye of an outsider, looking on them for +the first time? Can a mother see her babe's ugliness, or a lover his +mistress' shortcomings, though they stare everybody else in the face? +Can we see ourselves as others see us? No; habit, prepossession changes +all. The mind is a large factor of every so-called external fact. The +eye sees, sometimes, what it wishes to see, more often what it expects +to see. You follow me, sir?" + +The Home Secretary nodded his head less impatiently. He was beginning to +be interested. The hubbub from without broke faintly upon their ears. + +"To give you a definite example. Mr. Wimp says that when I burst open +the door of Mr. Constant's room on the morning of December 4th, and saw +that the staple of the bolt had been wrested by the pin from the lintel, +I jumped at once to the conclusion that I had broken the bolt. Now I +admit that this was so, only in things like this you do not seem to +conclude, you jump so fast that you see, or seem to. On the other hand, +when you see a standing ring of fire produced by whirling a burning +stick, you do not believe in its continuous existence. It is the same +when witnessing a legerdemain performance. Seeing is not always +believing, despite the proverb; but believing is often seeing. It is not +to the point that in that little matter of the door Wimp was as +hopelessly and incurably wrong as he has been in everything all along. +Though the door was securely bolted, I confess that I should have seen +that I had broken the bolt in forcing the door, even if it had been +broken beforehand. Never once since December 4th did this possibility +occur to me, till Wimp with perverted ingenuity suggested it. If this is +the case with a trained observer, one moreover fully conscious of this +ineradicable tendency of the human mind, how must it be with an +untrained observer?" + +"Come to the point, come to the point," said the Home Secretary, putting +out his hand as if it itched to touch the bell on the writing-table. + +"Such as," went on Grodman imperturbably, "such as--Mrs. Drabdump. That +worthy person is unable, by repeated violent knocking, to arouse her +lodger who yet desires to be aroused; she becomes alarmed, she rushes +across to get my assistance; I burst open the door--what do you think +the good lady expected to see?" + +"Mr. Constant murdered, I suppose," murmured the Home Secretary, +wonderingly. + +"Exactly. And so she saw it. And what should you think was the condition +of Arthur Constant when the door yielded to my violent exertions and +flew open?" + +"Why, was he not dead?" gasped the Home Secretary, his heart fluttering +violently. + +"Dead? A young, healthy fellow like that! When the door flew open Arthur +Constant was sleeping the sleep of the just. It was a deep, a very deep +sleep, of course, else the blows at his door would long since have +awakened him. But all the while Mrs. Drabdump's fancy was picturing her +lodger cold and stark the poor young fellow was lying in bed in a nice +warm sleep." + +"You mean to say you found Arthur Constant alive?" + +"As you were last night." + +The minister was silent, striving confusedly to take in the situation. +Outside the crowd was cheering again. It was probably to pass the time. + +"Then, when was he murdered?" + +"Immediately afterward." + +"By whom?" + +"Well, that is, if you will pardon me, not a very intelligent question. +Science and common-sense are in accord for once. Try the method of +exhaustion. It must have been either by Mrs. Drabdump or by myself." + +"You mean to say that Mrs. Drabdump----!" + +"Poor dear Mrs. Drabdump, you don't deserve this of your Home Secretary! +The idea of that good lady!" + +"It was you!" + +"Calm yourself, my dear Home Secretary. There is nothing to be alarmed +at. It was a solitary experiment, and I intend it to remain so." The +noise without grew louder. "Three cheers for Grodman! Hip, hip, hip, +hooray," fell faintly on their ears. + +But the Minister, pallid and deeply moved, touched the bell. The Home +Secretary's home secretary appeared. He looked at the great man's +agitated face with suppressed surprise. + +"Thank you for calling in your amanuensis," said Grodman. "I intended to +ask you to lend me his services. I suppose he can write shorthand." + +The minister nodded, speechless. + +"That is well. I intend this statement to form the basis of an appendix +to the twenty-fifth edition--sort of silver wedding--of my book, +'Criminals I Have Caught,' Mr. Denzil Cantercot, who, by the will I have +made to-day, is appointed my literary executor, will have the task of +working it up with literary and dramatic touches after the model of the +other chapters of my book. I have every confidence he will be able to do +me as much justice, from a literary point of view, as you, sir, no doubt +will from a legal. I feel certain he will succeed in catching the style +of the other chapters to perfection." + +"Templeton," whispered the Home Secretary, "this man may be a lunatic. +The effort to solve the Big Bow Mystery may have addled his brain. +Still," he added aloud, "it will be as well for you to take down his +statement in shorthand." + +"Thank you, sir," said Grodman, heartily. "Ready, Mr. Templeton? Here +goes. My career till I left the Scotland-Yard Detective Department is +known to all the world. Is that too fast for you, Mr. Templeton? A +little? Well, I'll go slower; but pull me up if I forget to keep the +brake on. When I retired, I discovered that I was a bachelor. But it was +too late to marry. Time hung on my hands. The preparation of my book, +'Criminals I Have Caught,' kept me occupied for some months. When it was +published I had nothing more to do but think. I had plenty of money, and +it was safely invested; there was no call for speculation. The future +was meaningless to me; I regretted I had not elected to die in harness. +As idle old men must, I lived in the past. I went over and over again my +ancient exploits; I re-read my book. And as I thought and thought, away +from the excitement of the actual hunt, and seeing the facts in a truer +perspective, so it grew daily clearer to me that criminals were more +fools than rogues. Every crime I had traced, however cleverly +perpetrated, was from the point of view of penetrability a weak failure. +Traces and trails were left on all sides--ragged edges, rough-hewn +corners; in short, the job was botched, artistic completeness +unattained. To the vulgar, my feats might seem marvelous--the average +man is mystified to grasp how you detect the letter 'e' in a simple +cryptogram--to myself they were as commonplace as the crimes they +unveiled. To me now, with my lifelong study of the science of evidence, +it seemed possible to commit not merely one, but a thousand crimes that +should be absolutely undiscoverable. And yet criminals would go on +sinning, and giving themselves away, in the same old grooves--no +originality, no dash, no individual insight, no fresh conception! One +would imagine there were an Academy of crime with forty thousand +armchairs. And gradually, as I pondered and brooded over the thought, +there came upon me the desire to commit a crime that should baffle +detection. I could invent hundreds of such crimes, and please myself by +imagining them done; but would they really work out in practice? +Evidently the sole performer of my experiment must be myself; the +subject--whom or what? Accident should determine. I itched to commence +with murder--to tackle the stiffest problems first, and I burned to +startle and baffle the world--especially the world of which I had ceased +to be. Outwardly I was calm, and spoke to the people about me as usual. +Inwardly I was on fire with a consuming scientific passion. I sported +with my pet theories, and fitted them mentally on everyone I met. Every +friend or acquaintance I sat and gossiped with, I was plotting how to +murder without leaving a clue. There is not one of my friends or +acquaintances I have not done away with in thought. There is no public +man--have no fear, my dear Home Secretary--I have not planned to +assassinate secretly, mysteriously, unintelligibly, undiscoverably. Ah, +how I could give the stock criminals points--with their second-hand +motives, their conventional conceptions, their commonplace details, +their lack of artistic feeling and restraint. + +"The late Arthur Constant came to live nearly opposite me. I cultivated +his acquaintance--he was a lovable young fellow, an excellent subject +for experiment. I do not know when I have ever taken to a man more. From +the moment I first set eyes on him, there was a peculiar sympathy +between us. We were drawn to each other. I felt instinctively he would +be the man. I loved to hear him speak enthusiastically of the +Brotherhood of Man--I, who knew the brotherhood of man was to the ape, +the serpent, and the tiger--and he seemed to find a pleasure in stealing +a moment's chat with me from his engrossing self-appointed duties. It is +a pity humanity should have been robbed of so valuable a life. But it +had to be. At a quarter to ten on the night of December 3d he came to +me. Naturally I said nothing about this visit at the inquest or the +trial. His object was to consult me mysteriously about some girl. He +said he had privately lent her money--which she was to repay at her +convenience. What the money was for he did not know, except that it was +somehow connected with an act of abnegation in which he had vaguely +encouraged her. The girl had since disappeared, and he was in distress +about her. He would not tell me who it was--of course now, sir, you know +as well as I it was Jessie Dymond--but asked for advice as to how to set +about finding her. He mentioned that Mortlake was leaving for Devonport +by the first train on the next day. Of old I should have connected these +two facts and sought the thread; now, as he spoke, all my thoughts were +dyed red. He was suffering perceptibly from toothache, and in answer to +my sympathetic inquiries told me it had been allowing him very little +sleep. Everything combined to invite the trial of one of my favorite +theories. I spoke to him in a fatherly way, and when I had tendered some +vague advice about the girl, and made him promise to secure a night's +rest (before he faced the arduous tram-men's meeting in the morning) by +taking a sleeping-draught, I gave him some sulfonal in a phial. It is a +new drug, which produces protracted sleep without disturbing the +digestion, and which I use myself. He promised faithfully to take the +draught; and I also exhorted him earnestly to bolt and bar and lock +himself in so as to stop up every chink or aperture by which the cold +air of the winter's night might creep into the room. I remonstrated with +him on the careless manner he treated his body, and he laughed in his +good-humored, gentle way, and promised to obey me in all things. And he +did. That Mrs. Drabdump, failing to rouse him, would cry 'Murder!' I +took for certain. She is built that way. As even Sir Charles +Brown-Harland remarked, she habitually takes her prepossessions for +facts, her inferences for observations. She forecasts the future in +gray. Most women of Mrs. Drabdump's class would have behaved as she did. +She happened to be a peculiarly favorable specimen for working on by +'suggestion,' but I would have undertaken to produce the same effect on +almost any woman under similar conditions. The only uncertain link in +the chain was: Would Mrs. Drabdump rush across to get me to break open +the door? Women always rush for a man. I was well-nigh the nearest, and +certainly the most authoritative man in the street, and I took it for +granted she would." + +"But suppose she hadn't?" the Home Secretary could not help asking. + +"Then the murder wouldn't have happened, that's all. In due course +Arthur Constant would have awoke, or somebody else breaking open the +door would have found him sleeping; no harm done, nobody any the wiser. +I could hardly sleep myself that night. The thought of the extraordinary +crime I was about to commit--a burning curiosity to know whether Wimp +would detect the _modus operandi_--the prospect of sharing the feelings +of murderers with whom I had been in contact all my life without being +in touch with the terrible joys of their inner life--the fear lest I +should be too fast asleep to hear Mrs. Drabdump's knock--these things +agitated me and disturbed my rest. I lay tossing on my bed, planning +every detail of poor Constant's end. The hours dragged slowly and +wretchedly on toward the misty dawn. I was racked with suspense. Was I +to be disappointed after all? At last the welcome sound came--the +rat-tat-tat of murder. The echoes of that knock are yet in my ear. 'Come +over and kill him!' I put my night-capped head out of the window and +told her to wait for me. I dressed hurriedly, took my razor, and went +across to 11 Glover Street. As I broke open the door of the bedroom in +which Arthur Constant lay sleeping, his head resting on his hands, I +cried, 'My God!' as if I saw some awful vision. A mist as of blood +swam before Mrs. Drabdump's eyes. She cowered back, for an instant +(I divined rather than saw the action) she shut off the dreaded +sight with her hands. In that instant I had made my cut--precisely, +scientifically--made so deep a cut and drew out the weapon so sharply +that there was scarce a drop of blood on it; then there came from the +throat a jet of blood which Mrs. Drabdump, conscious only of the horrid +gash, saw but vaguely. I covered up the face quickly with a handkerchief +to hide any convulsive distortion. But as the medical evidence (in this +detail accurate) testified, death was instantaneous. I pocketed the +razor and the empty sulfonal phial. With a woman like Mrs. Drabdump to +watch me, I could do anything I pleased. I got her to draw my attention +to the fact that both the windows were fastened. Some fool, by the by, +thought there was a discrepancy in the evidence because the police found +only one window fastened, forgetting that, in my innocence, I took care +not to fasten the window I had opened to call for aid. Naturally I did +not call for aid before a considerable time had elapsed. There was Mrs. +Drabdump to quiet, and the excuse of making notes--as an old hand. My +object was to gain time. I wanted the body to be fairly cold and stiff +before being discovered, though there was not much danger here; for, as +you saw by the medical evidence, there is no telling the time of death +to an hour or two. The frank way in which I said the death was very +recent disarmed all suspicion, and even Dr. Robinson was unconsciously +worked upon, in adjudging the time of death, by the knowledge (query +here, Mr. Templeton) that it had preceded my advent on the scene. + +"Before leaving Mrs. Drabdump there is just one point I should like to +say a word about. You have listened so patiently, sir, to my lectures on +the science of sciences that you will not refuse to hear the last. A +good deal of importance has been attached to Mrs. Drabdump's +oversleeping herself by half an hour. It happens that this (like the +innocent fog which has also been made responsible for much) is a purely +accidental and irrelevant circumstance. In all works on inductive logic +it is thoroughly recognized that only some of the circumstances of a +phenomenon are of its essence and causally interconnected; there is +always a certain proportion of heterogeneous accompaniments which have +no intimate relation whatever with the phenomenon. Yet so crude is as +yet the comprehension of the science of evidence, that every feature of +the phenomenon under investigation is made equally important, and sought +to be linked with the chain of evidence. To attempt to explain +everything is always the mark of the tyro. The fog and Mrs. Drabdump's +oversleeping herself were mere accidents. There are always these +irrelevant accompaniments, and the true scientist allows for this +element of (so to speak) chemically unrelated detail. Even I never +counted on the unfortunate series of accidental phenomena which have led +to Mortlake's implication in a network of suspicion. On the other hand, +the fact that my servant Jane, who usually goes about ten, left a few +minutes earlier on the night of December 3d, so that she didn't know of +Constant's visit, was a relevant accident. In fact, just as the art of +the artist or the editor consists largely in knowing what to leave out, +so does the art of the scientific detector of crime consist in knowing +what details to ignore. In short, to explain everything is to explain +too much. And too much is worse than too little. To return to my +experiment. My success exceeded my wildest dreams. None had an inkling +of the truth. The insolubility of the Big Bow Mystery teased the acutest +minds in Europe and the civilized world. That a man could have been +murdered in a thoroughly inaccessible room savored of the ages of magic. +The redoubtable Wimp, who had been blazoned as my successor, fell back +on the theory of suicide. The mystery would have slept till my death, +but--I fear--for my own ingenuity. I tried to stand outside myself, and +to look at the crime with the eyes of another, or of my old self. I +found the work of art so perfect as to leave only one sublimely simple +solution. The very terms of the problem were so inconceivable that, had +I not been the murderer, I should have suspected myself, in conjunction +of course with Mrs. Drabdump. The first persons to enter the room would +have seemed to me guilty. I wrote at once (in a disguised hand and over +the signature of 'One Who Looks Through His Own Spectacles') to the +'Pell Mell Press' to suggest this. By associating myself thus with Mrs. +Drabdump I made it difficult for people to dissociate the two who +entered the room together. To dash a half-truth in the world's eyes is +the surest way of blinding it altogether. This letter of mine I +contradicted myself (in my own name) the next day, and in the course of +the long letter which I was tempted to write I adduced fresh evidence +against the theory of suicide. I was disgusted with the open verdict, +and wanted men to be up and doing and trying to find me out. I enjoyed +the hunt more. Unfortunately, Wimp, set on the chase again by my own +letter, by dint of persistent blundering, blundered into a track +which--by a devilish tissue of coincidences I had neither foreseen nor +dreamt of--seemed to the world the true. Mortlake was arrested and +condemned. Wimp had apparently crowned his reputation. This was too +much. I had taken all this trouble merely to put a feather in Wimp's +cap, whereas I had expected to shake his reputation by it. It was bad +enough that an innocent man should suffer; but that Wimp should achieve +a reputation he did not deserve, and overshadow all his predecessors by +dint of a colossal mistake, this seemed to me intolerable. I have moved +heaven and earth to get the verdict set aside and to save the prisoner; +I have exposed the weakness of the evidence; I have had the world +searched for the missing girl; I have petitioned and agitated. In vain. +I have failed. Now I play my last card. As the overweening Wimp could +not be allowed to go down to posterity as the solver of this terrible +mystery, I decided that the condemned man might just as well profit by +his exposure. That is the reason I make the exposure to-night, before it +is too late to save Mortlake." + +"So that is the reason?" said the Home Secretary with a suspicion of +mockery in his tones. + +"The sole reason." + +Even as he spoke a deeper roar than ever penetrated the study. The crowd +had again started cheering. Impatient as the watchers were, they felt +that no news was good news. The longer the interview accorded by the +Home Secretary to the chairman of the Defense Committee, the greater the +hope his obduracy was melting. The idol of the people would be saved, +and "Grodman" and "Tom Mortlake" were mingled in the exultant plaudits. + +"Templeton," said the Minister, "have you got down every word of Mr. +Grodman's confession?" + +"Every word, sir." + +"Then bring in the cable you received just as Mr. Grodman entered the +house." + +Templeton went back into the outer room and brought back the cablegram +that had been lying on the Minister's writing-table when Grodman came +in. The Home Secretary silently handed it to his visitor. It was from +the Chief of Police of Melbourne, announcing that Jessie Dymond had just +arrived in that city in a sailing vessel, ignorant of all that had +occurred, and had been immediately dispatched back to England, having +made a statement entirely corroborating the theory of the defense. + +"Pending further inquiries into this," said the Home Secretary, not +without appreciation of the grim humor of the situation as he glanced at +Grodman's ashen cheeks, "I have reprieved the prisoner. Mr. Templeton +was about to dispatch the messenger to the governor of Newgate as you +entered this room. Mr. Wimp's card-castle would have tumbled to pieces +without your assistance. Your still undiscoverable crime would have +shaken his reputation as you intended." + +A sudden explosion shook the room and blent with the cheers of the +populace. Grodman had shot himself--very scientifically--in the heart. +He fell at the Home Secretary's feet, stone dead. + +[Illustration: He fell at the Home Secretary's feet, stone dead.] + +Some of the workingmen who had been standing waiting by the shafts of +the hansom helped to bear the stretcher. + + +THE END. + + + + +The Antique Library of Standard and Popular 12mos. + + + ABBE CONSTANTIN. Halevy. + ABBOT. Scott. + ADAM BEDE. Eliot. + AESOP'S FABLES. + ALHAMBRA. Irving. + ALICE. Lytton. + AN AMERICAN GIRL IN LONDON. Duncan. + ANDERSEN'S FAIRY TALES. Andersen. + ANNE OF GEIERSTEIN. Scott. + ANTIQUARY. Scott. + ARABIAN NIGHTS' ENTERTAINMENTS. + ARDATH. Corelli. + AULD LANG SYNE. Russell. + BARON MUNCHAUSEN. Raspe. + BARRACK ROOM BALLADS AND OTHER VERSE. Kipling. + BEHIND A MASK. Daudet. + BETROTHED. Scott. + BETWEEN TWO OPINIONS. Loti. + BEYOND THE CITY. Doyle. + BIG BOW MYSTERY. Zangwill. + BLACK BEAUTY. Sewell. + BLACK DWARF. Scott. + BLACK TULIP. Dumas. + BONDMAN. Caine. + BRIDE OF LAMMERMOOR. Scott. + BRYANT'S POEMS. Bryant. + CALLED BACK. Conway. + CAST UP BY THE SEA. Baker. + CAXTONS, THE Lytton. + CHANGE OF AIR. Hope. + CHILDREN OF THE ABBEY. Roche. + CHOUANS. Balzac. + CLEOPATRA. Haggard. + CLOISTER WENDHUSEN. Heimburg. + COUNT ROBERT OF PARIS. Scott. + COWPER'S POEMS. Cowper. + CRIQUETTE. Halevy. + DANESBURY HOUSE. Wood. + DANIRA. Werner. + DARK DAYS. Conway. + DAVID COPPERFIELD. Dickens. + DEEMSTER. Caine. + DEERSLAYER. Cooper. + DEPARTMENTAL DITTIES. Kipling. + DESCENT OF MAN. Darwin. + DESPERATE REMEDIES. Hardy. + DEVEREUX. Lytton. + DIANA OF THE CROSSWAYS. Meredith. + DOCTOR RAMEAU. Ohnet. + DOMBEY & SON. Dickens. + DONOVAN. Lyall. + DOROTHY'S DOUBLE. Henty. + EAST LYNNE. Wood. + ELSIE. Heimburg. + ERNEST MALTRAVERS. Lytton. + EUGENE ARAM. Lytton. + EVOLUTION OF DODD. Smith. + FAIR MAID OF PERTH. Scott. + FAR FROM THE MADDING CROWD. Hardy. + FIRST VIOLIN. Fothergill. + FLOWER GIRL OF PARIS. Schobert. + FLOWER OF FRANCE. Ryan. + FORTUNES OF NIGEL. Scott. + FROMONT, Jr. AND RISLER, Sr. Daudet. + GLADIATORS. Whyte-Melville. + GRAY AND THE BLUE. Roe. + GREAT KEINPLATZ EXPERIMENT. Doyle. + GREEN MOUNTAIN BOYS. Thompson. + GRIMM'S FAIRY TALES. + GRIMM'S HOUSEHOLD TALES. + GULLIVER'S TRAVELS. Swift. + GUY MANNERING. Scott. + HANDY ANDY. Lover. + HANS OF ICELAND. Hugo. + HAROLD. Lytton. + HEART OF MIDLOTHIAN. Scott. + HEIR OF LINNE. Buchanan. + HEIR OF REDCLYFFE. Yonge. + HORTENSE. Heimburg. + HOUSE OF THE SEVEN GABLES. Hawthorne. + HOUSE OF THE WOLF. Weyman. + HOUSE PARTY. Ouida. + HUNCHBACK OF NOTRE DAME. Hugo. + HYPATIA. Kingsley. + IN ALL SHADES. Allen. + IN LOVE'S DOMAINS. Ryan. + INTO MOROCCO. Loti. + IRONMASTER. Ohnet. + IRON PIRATE. Pemberton. + IT'S NEVER TOO LATE TO MEND. Reade. + IVANHOE. Scott. + JANE EYRE. Bronte. + JOHN HALIFAX, GENTLEMAN. Mulock. + JOSEPH BALSAMO. Dumas. + KARMA. Sinnett. + KENELM CHILLINGLY. Lytton. + KENILWORTH. Scott. + KIDNAPPED. Stevenson. + KINGS IN EXILE. Daudet. + LAST DAYS OF POMPEII. Lytton. + LAST OF THE MOHICANS. Cooper. + LIGHT OF ASIA. Arnold. + LIGHT THAT FAILED. Kipling. + LORNA DOONE. Blackmore. + LUCILE. Meredith. + LUCRETIA. Lytton. + MAN OF MARK. Hope. + MAROONED. Russell. + MARRIAGE AT SEA. Russell. + MARTIN HEWITT. Morrison. + MASTER OF BALLANTRAE. Stevenson. + MASTER OF THE MINE. Buchanan. + MAYOR OF CASTERBRIDGE. Hardy. + MEMOIRS OF A PHYSICIAN. Dumas. + MERZE. Ryan. + MICAH CLARKE. Doyle. + MICHAEL'S CRAG. Allen. + MIDDLEMARCH. Eliot. + MILL ON THE FLOSS. Eliot. + MINE OWN PEOPLE AND IN BLACK AND WHITE. Kipling. + MONASTERY, THE Scott. + MRS. ANNIE GREEN. Read. + MY LADY NICOTINE. Barrie. + NEWCOMES. Thackeray. + NICHOLAS NICKLEBY. Dickens. + NORTH AGAINST SOUTH. Verne. + OLD MORTALITY. Scott. + ONE OF THE FORTY. Daudet. + ON THE HEIGHTS. Auerbach. + ORIGIN OF SPECIES. Darwin. + OUR MUTUAL FRIEND. Dickens. + PAGAN OF THE ALLEGHANIES. Ryan. + PATHFINDER. Cooper. + PAUL CLIFFORD. Lytton. + PELHAM. Lytton. + PERE GORIOT. Balzac. + PHANTOM RICKSHAW. Kipling. + PICKWICK PAPERS. Dickens. + PILGRIMS OF THE RHINE. Lytton. + PILGRIM'S PROGRESS. Bunyan. + PIONEERS. Cooper. + PIRATE. Scott. + PLAIN TALES FROM THE HILLS. Kipling. + PRAIRIE. Cooper. + PRETTY MICHAL. Jokai. + PRINCE OF THE HOUSE OF DAVID. Ingraham. + QUENTIN DURWARD. Scott. + RED GAUNTLET. Scott. + REPROACH OF ANNESLEY. Grey. + RETURN OF THE NATIVE. Hardy. + RIENZI. Lytton. + ROBINSON CRUSOE. Defoe. + ROB ROY. Scott. + ROMANCE OF TWO WORLDS. Corelli. + ROMOLA. Eliot. + ST. RONAN'S WELL. Scott. + SARCHEDON. Whyte-Melville. + SCARLET LETTER. Hawthorne. + SCOTT'S POEMS. Scott. + SCOTTISH CHIEFS. Porter. + SEA WOLVES. Pemberton. + SHADOW OF A CRIME. Caine. + SHE FELL IN LOVE WITH HER HUSBAND. Werner. + SIGN OF THE FOUR. Doyle. + SILENCE OF DEAN MAITLAND. Grey. + SKETCH BOOK. Irving. + SOLDIERS THREE. Kipling. + SON OF HAGAR. Caine. + SONG OF HIAWATHA. Longfellow. + SQUAW ELOUISE. Ryan. + STORY OF AN AFRICAN FARM. Schreiner. + STRANGE STORY. Lytton. + STRONGER THAN DEATH. Gautier. + STUDY IN SCARLET. Doyle. + STUDY OF GENIUS. Royse. + SURGEON'S DAUGHTER. Scott. + SWISS FAMILY ROBINSON. Wyss. + TALE OF TWO CITIES. Dickens. + TALES FROM SHAKESPEARE. Lamb. + TALISMAN. Scott. + THADDEUS OF WARSAW. Porter. + THELMA. Corelli. + THREE MEN IN A BOAT. Jerome. + TOILERS OF THE SEA. Hugo. + TOLD IN THE HILLS. Ryan. + TOM BROWN AT OXFORD. Hughes. + TOM BROWN'S SCHOOL DAYS. Hughes. + TREASURE ISLAND. Stevenson. + UNCLE TOM'S CABIN. Stowe. + UNDER THE DEODARS AND STORY OF THE GADSBYS. Kipling. + UNDER TWO FLAGS. Ouida. + UP TERRAPIN RIVER. Read. + VANITY FAIR. Thackeray. + VICAR OF WAKEFIELD. Goldsmith. + WAVERLY. Scott. + WEE WILLIE WINKIE. Kipling. + WESTWARD HO. Kingsley. + WE TWO. Lyall. + WHAT'S BRED IN THE BONE. Allen. + WHITE COMPANY. Doyle. + WOODLANDERS. Hardy. + WOODSTOCK. Scott. + ZANONI. Lytton. + + + + + +End of the Project Gutenberg EBook of The Big Bow Mystery, by I. 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