diff options
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 28644-h.zip | bin | 0 -> 87764 bytes | |||
| -rw-r--r-- | 28644-h/28644-h.htm | 1002 | ||||
| -rw-r--r-- | 28644-h/images/001-1.jpg | bin | 0 -> 14649 bytes | |||
| -rw-r--r-- | 28644-h/images/001-2.jpg | bin | 0 -> 58689 bytes | |||
| -rw-r--r-- | 28644.txt | 740 | ||||
| -rw-r--r-- | 28644.zip | bin | 0 -> 13037 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
9 files changed, 1758 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/28644-h.zip b/28644-h.zip Binary files differnew file mode 100644 index 0000000..7f742f2 --- /dev/null +++ b/28644-h.zip diff --git a/28644-h/28644-h.htm b/28644-h/28644-h.htm new file mode 100644 index 0000000..215feeb --- /dev/null +++ b/28644-h/28644-h.htm @@ -0,0 +1,1002 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> + +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> + <head> + <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" /> + <meta http-equiv="Content-Style-Type" content="text/css" /> + <title> + The Project Gutenberg eBook of Beyond the Door, by Philip K. Dick + </title> + <style type="text/css"> + + p {margin-top: .75em; text-align: justify; margin-bottom: .75em;} + h1,h2 {text-align: right; font-weight: normal; line-height: 2em;} + body {margin-left: 10%; margin-right: 10%;} + .smcap {font-variant: small-caps;} + .bk1 {margin: 1em auto 3em; border-top: solid 2px; border-bottom: solid 2px;} + .bk2 {float: left; width: 15em; margin: 1em 2em 1em 0;} + .pr1 {line-height: 1.5em; margin-top: 4em;} + .figt {float: left; clear: left; margin: 15px; padding: 0; width: 141px;} + .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;} + .trn p {margin: 15px;} + hr {width: 45%; margin: 1em auto; visibility: hidden;} + a:link,a:visited {text-decoration: none;} + img {border: none;} + + </style> + </head> +<body> + + +<pre> + +The Project Gutenberg EBook of Beyond the Door, by Philip K. Dick + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Beyond the Door + +Author: Philip K. Dick + +Release Date: April 30, 2009 [EBook #28644] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK BEYOND THE DOOR *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + +</pre> + + +<div class="bk1"><p><small><i>Did you ever wonder at the lonely life the bird in a cuckoo clock has to +lead—that it might possibly love and hate just as easily as a real animal +of flesh and blood? Philip Dick used that idea for this brief fantasy tale. +We're sure that after reading it you'll give cuckoo clocks more respect.</i></small></p></div> + +<div class="bk2"> + +<h1><b>beyond<br /> +the<br /> +door</b></h1> + +<h2><small><i>by ... Philip K. Dick</i></small></h2> + +<p class="pr1"><big><b>Larry Thomas bought a cuckoo clock +for his wife—without knowing the +price he would have to pay.</b></big></p></div> + +<p><span class="smcap">That night</span> at the dinner table +he brought it out and set it down +beside her plate. Doris stared at +it, her hand to her mouth. "My +God, what is it?" She looked up +at him, bright-eyed.</p> + +<p>"Well, open it."</p> + +<p>Doris tore the ribbon and paper +from the square package with her +sharp nails, her bosom rising and +falling. Larry stood watching her +as she lifted the lid. He lit a +cigarette and leaned against the +wall.</p> + +<p>"A cuckoo clock!" Doris cried. +"A real old cuckoo clock like my +mother had." She turned the +clock over and over. "Just like +my mother had, when Pete was +still alive." Her eyes sparkled +with tears.</p> + +<p>"It's made in Germany," Larry +said. After a moment he added, +"Carl got it for me wholesale. He +knows some guy in the clock business. +Otherwise I wouldn't have—" +He stopped.</p> + +<p>Doris made a funny little sound.</p> + +<p>"I mean, otherwise I wouldn't +have been able to afford it." He +scowled. "What's the matter with +you? You've got your clock, +haven't you? Isn't that what you +want?"</p> + +<p>Doris sat holding onto the +clock, her fingers pressed against +the brown wood.</p> + +<p>"Well," Larry said, "what's +the matter?"</p> + +<p>He watched in amazement as +she leaped up and ran from the +room, still clutching the clock. +He shook his head. "Never satisfied. +They're all that way. Never +get enough."</p> + +<p>He sat down at the table and +finished his meal.</p> + +<p>The cuckoo clock was not very +large. It was hand-made, however, +and there were countless +frets on it, little indentations and +ornaments scored in the soft +wood. Doris sat on the bed drying +her eyes and winding the +clock. She set the hands by her +wristwatch. Presently she carefully +moved the hands to two +minutes of ten. She carried the +clock over to the dresser and +propped it up.</p> + +<p>Then she sat waiting, her hands +twisted together in her lap—waiting +for the cuckoo to come +out, for the hour to strike.</p> + +<p>As she sat she thought about +Larry and what he had said. And +what she had said, too, for that +matter—not that she could be +blamed for any of it. After all, +she couldn't keep listening to him +forever without defending herself; +you had to blow your own +trumpet in the world.</p> + +<p>She touched her handkerchief +to her eyes suddenly. Why did he +have to say that, about getting it +wholesale? Why did he have to +spoil it all? If he felt that way he +needn't have got it in the first +place. She clenched her fists. He +was so mean, so damn mean.</p> + +<p>But she was glad of the little +clock sitting there ticking to itself, +with its funny grilled edges +and the door. Inside the door +was the cuckoo, waiting to come +out. Was he listening, his head +cocked on one side, listening to +hear the clock strike so that he +would know to come out?</p> + +<p>Did he sleep between hours? +Well, she would soon see him: +she could ask him. And she would +show the clock to Bob. He would +love it; Bob loved old things, even +old stamps and buttons. He liked +to go with her to the stores. Of +course, it was a little <i>awkward</i>, +but Larry had been staying at the +office so much, and that helped. +If only Larry didn't call up sometimes +to—</p> + +<p>There was a whirr. The clock +shuddered and all at once the door +opened. The cuckoo came out, +sliding swiftly. He paused and +looked around solemnly, scrutinizing +her, the room, the furniture.</p> + +<p>It was the first time he had +seen her, she realized, smiling to +herself in pleasure. She stood up, +coming toward him shyly. "Go +on," she said. "I'm waiting."</p> + +<p>The cuckoo opened his bill. He +whirred and chirped, quickly, +rhythmically. Then, after a moment +of contemplation, he retired. +And the door snapped shut.</p> + +<p>She was delighted. She clapped +her hands and spun in a little +circle. He was marvelous, perfect! +And the way he had looked +around, studying her, sizing her +up. He liked her; she was certain +of it. And she, of course, loved +him at once, completely. He was +just what she had hoped would +come out of the little door.</p> + +<p>Doris went to the clock. She +bent over the little door, her lips +close to the wood. "Do you hear +me?" she whispered. "I think +you're the most wonderful cuckoo +in the world." She paused, embarrassed. +"I hope you'll like it +here."</p> + +<p>Then she went downstairs +again, slowly, her head high.</p> + +<p>Larry and the cuckoo clock +really never got along well from +the start. Doris said it was because +he didn't wind it right, and +it didn't like being only half-wound +all the time. Larry turned +the job of winding over to her; the +cuckoo came out every quarter +hour and ran the spring down +without remorse, and someone +had to be ever after it, winding it +up again.</p> + +<p>Doris did her best, but she forgot +a good deal of the time. Then +Larry would throw his newspaper +down with an elaborate weary +motion and stand up. He would +go into the dining-room where the +clock was mounted on the wall +over the fireplace. He would take +the clock down and making sure +that he had his thumb over the +little door, he would wind it up.</p> + +<p>"Why do you put your thumb +over the door?" Doris asked once.</p> + +<p>"You're supposed to."</p> + +<p>She raised an eyebrow. "Are +you sure? I wonder if it isn't that +you don't want him to come out +while you're standing so close."</p> + +<p>"Why not?"</p> + +<p>"Maybe you're afraid of him."</p> + +<p>Larry laughed. He put the +clock back on the wall and gingerly +removed his thumb. When +Doris wasn't looking he examined +his thumb.</p> + +<p>There was still a trace of the +nick cut out of the soft part of +it. Who—or what—had pecked +at him?</p> + +<hr /> + +<p>One Saturday morning, when +Larry was down at the office +working over some important +special accounts, Bob Chambers +came to the front porch and rang +the bell.</p> + +<p>Doris was taking a quick +shower. She dried herself and +slipped into her robe. When she +opened the door Bob stepped inside, +grinning.</p> + +<p>"Hi," he said, looking around.</p> + +<p>"It's all right. Larry's at the +office."</p> + +<p>"Fine." Bob gazed at her slim +legs below the hem of the robe. +"How nice you look today."</p> + +<p>She laughed. "Be careful! Maybe +I shouldn't let you in after +all."</p> + +<p>They looked at one another, +half amused half frightened. Presently +Bob said, "If you want, +I'll—"</p> + +<p>"No, for God's sake." She +caught hold of his sleeve. "Just +get out of the doorway so I can +close it. Mrs. Peters across the +street, you know."</p> + +<p>She closed the door. "And I +want to show you something," she +said. "You haven't seen it."</p> + +<p>He was interested. "An antique? +Or what?"</p> + +<p>She took his arm, leading him +toward the dining-room. "You'll +love it, Bobby." She stopped, +wide-eyed. "I hope you will. You +must; you must love it. It means +so much to me—<i>he</i> means so +much."</p> + +<p>"He?" Bob frowned. "Who is +he?"</p> + +<p>Doris laughed. "You're jealous! +Come on." A moment later they +stood before the clock, looking +up at it. "He'll come out in a few +minutes. Wait until you see him. +I know you two will get along +just fine."</p> + +<p>"What does Larry think of +him?"</p> + +<p>"They don't like each other. +Sometimes when Larry's here he +won't come out. Larry gets mad +if he doesn't come out on time. +He says—"</p> + +<p>"Says what?"</p> + +<p>Doris looked down. "He always +says he's been robbed, even if he +did get it wholesale." She brightened. +"But I know he won't come +out because he doesn't like Larry. +When I'm here alone he comes +right out for me, every fifteen +minutes, even though he really +only has to come out on the hour."</p> + +<p>She gazed up at the clock. "He +comes out for me because he +wants to. We talk; I tell him +things. Of course, I'd like to have +him upstairs in my room, but it +wouldn't be right."</p> + +<p>There was the sound of footsteps +on the front porch. They +looked at each other, horrified.</p> + +<p>Larry pushed the front door +open, grunting. He set his briefcase +down and took off his hat. +Then he saw Bob for the first +time.</p> + +<p>"Chambers. I'll be damned." +His eyes narrowed. "What are +you doing here?" He came into +the dining-room. Doris drew her +robe about her helplessly, backing +away.</p> + +<p>"I—" Bob began. "That is, we—" +He broke off, glancing at +Doris. Suddenly the clock began +to whirr. The cuckoo came rushing +out, bursting into sound. +Larry moved toward him.</p> + +<p>"Shut that din off," he said. He +raised his fist toward the clock. +The cuckoo snapped into silence +and retreated. The door closed. +"That's better." Larry studied +Doris and Bob, standing mutely +together.</p> + +<p>"I came over to look at the +clock," Bob said. "Doris told +me that it's a rare antique and +that—"</p> + +<p>"Nuts. I bought it myself." +Larry walked up to him. "Get +out of here." He turned to Doris. +"You too. And take that damn +clock with you."</p> + +<p>He paused, rubbing his chin. +"No. Leave the clock here. It's +mine; I bought it and paid for it."</p> + +<p>In the weeks that followed after +Doris left, Larry and the cuckoo +clock got along even worse than +before. For one thing, the cuckoo +stayed inside most of the time, +sometimes even at twelve o'clock +when he should have been busiest. +And if he did come out at all he +usually spoke only once or twice, +never the correct number of times. +And there was a sullen, uncooperative +note in his voice, a +jarring sound that made Larry uneasy +and a little angry.</p> + +<p>But he kept the clock wound, +because the house was very still +and quiet and it got on his nerves +not to hear someone running +around, talking and dropping +things. And even the whirring of +a clock sounded good to him.</p> + +<p>But he didn't like the cuckoo +at all. And sometimes he spoke +to him.</p> + +<p>"Listen," he said late one night +to the closed little door. "I know +you can hear me. I ought to give +you back to the Germans—back +to the Black Forest." He paced +back and forth. "I wonder what +they're doing now, the two of +them. That young punk with his +books and his antiques. A man +shouldn't be interested in antiques; +that's for women."</p> + +<p>He set his jaw. "Isn't that +right?"</p> + +<p>The clock said nothing. Larry +walked up in front of it. "Isn't +that right?" he demanded. "Don't +you have anything to say?"</p> + +<p>He looked at the face of the +clock. It was almost eleven, just a +few seconds before the hour. "All +right. I'll wait until eleven. Then +I want to hear what you have to +say. You've been pretty quiet the +last few weeks since she left."</p> + +<p>He grinned wryly. "Maybe you +don't like it here since she's gone." +He scowled. "Well, I paid for +you, and you're coming out +whether you like it or not. You +hear me?"</p> + +<p>Eleven o'clock came. Far off, +at the end of town, the great +tower clock boomed sleepily to +itself. But the little door remained +shut. Nothing moved. +The minute hand passed on and +the cuckoo did not stir. He was +someplace inside the clock, beyond +the door, silent and remote.</p> + +<p>"All right, if that's the way you +feel," Larry murmured, his lips +twisting. "But it isn't fair. It's +your job to come out. We all +have to do things we don't like."</p> + +<p>He went unhappily into the +kitchen and opened the great +gleaming refrigerator. As he +poured himself a drink he thought +about the clock.</p> + +<p>There was no doubt about it—the +cuckoo should come out, +Doris or no Doris. He had always +liked her, from the very start. +They had got along well, the two +of them. Probably he liked Bob +too—probably he had seen +enough of Bob to get to know +him. They would be quite happy +together, Bob and Doris and the +cuckoo.</p> + +<p>Larry finished his drink. He +opened the drawer at the sink +and took out the hammer. He +carried it carefully into the dining-room. +The clock was ticking +gently to itself on the wall.</p> + +<p>"Look," he said, waving the +hammer. "You know what I have +here? You know what I'm going +to do with it? I'm going to start +on you—first." He smiled. "Birds +of a feather, that's what you are—the +three of you."</p> + +<p>The room was silent.</p> + +<p>"Are you coming out? Or do +I have to come in and get you?"</p> + +<p>The clock whirred a little.</p> + +<p>"I hear you in there. You've +got a lot of talking to do, enough +for the last three weeks. As I +figure it, you owe me—"</p> + +<p>The door opened. The cuckoo +came out fast, straight at him. +Larry was looking down, his brow +wrinkled in thought. He glanced +up, and the cuckoo caught him +squarely in the eye.</p> + +<p>Down he went, hammer and +chair and everything, hitting the +floor with a tremendous crash. +For a moment the cuckoo paused, +its small body poised rigidly. Then +it went back inside its house. The +door snapped tight-shut after it.</p> + +<p>The man lay on the floor, +stretched out grotesquely, his head +bent over to one side. Nothing +moved or stirred. The room was +completely silent, except, of +course, for the ticking of the +clock.</p> + +<hr /> + +<p>"I see," Doris said, her face +tight. Bob put his arm around +her, steadying her.</p> + +<p>"Doctor," Bob said, "can I ask +you something?"</p> + +<p>"Of course," the doctor said.</p> + +<p>"Is it very easy to break your +neck, falling from so low a chair? +It wasn't very far to fall. I wonder +if it might not have been an +accident. Is there any chance it +might have been—"</p> + +<p>"Suicide?" the doctor rubbed +his jaw. "I never heard of anyone +committing suicide that way. +It was an accident; I'm positive."</p> + +<p>"I don't mean suicide," Bob +murmured under his breath, looking +up at the clock on the wall. +"I meant <i>something else</i>."</p> + +<p>But no one heard him.</p> + +<div class="trn"><div class="figt"><a href="images/001-2.jpg"><img src="images/001-1.jpg" width="141" height="200" alt="" title="" /></a></div> + +<p><b><big>Transcriber's Note:</big></b></p> + +<p>This etext was produced from <i>Fantastic Universe</i> January 1954. +Extensive research did not uncover any evidence that the U.S. +copyright on this publication was renewed. Minor spelling and +typographical errors have been corrected without note.</p></div> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Beyond the Door, by Philip K. Dick + +*** END OF THIS PROJECT GUTENBERG EBOOK BEYOND THE DOOR *** + +***** This file should be named 28644-h.htm or 28644-h.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/8/6/4/28644/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/28644-h/images/001-1.jpg b/28644-h/images/001-1.jpg Binary files differnew file mode 100644 index 0000000..2277f15 --- /dev/null +++ b/28644-h/images/001-1.jpg diff --git a/28644-h/images/001-2.jpg b/28644-h/images/001-2.jpg Binary files differnew file mode 100644 index 0000000..2ed9676 --- /dev/null +++ b/28644-h/images/001-2.jpg diff --git a/28644.txt b/28644.txt new file mode 100644 index 0000000..e1788de --- /dev/null +++ b/28644.txt @@ -0,0 +1,740 @@ +The Project Gutenberg EBook of Beyond the Door, by Philip K. Dick + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Beyond the Door + +Author: Philip K. Dick + +Release Date: April 30, 2009 [EBook #28644] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK BEYOND THE DOOR *** + + + + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + + + + + + + + + _Did you ever wonder at the lonely life the bird in a cuckoo clock + has to lead--that it might possibly love and hate just as easily as + a real animal of flesh and blood? Philip Dick used that idea for + this brief fantasy tale. We're sure that after reading it you'll + give cuckoo clocks more respect._ + + + beyond + the + door + + _by ... Philip K. Dick_ + + + Larry Thomas bought a cuckoo clock + for his wife--without knowing the + price he would have to pay. + + +That night at the dinner table he brought it out and set it down beside +her plate. Doris stared at it, her hand to her mouth. "My God, what is +it?" She looked up at him, bright-eyed. + +"Well, open it." + +Doris tore the ribbon and paper from the square package with her sharp +nails, her bosom rising and falling. Larry stood watching her as she +lifted the lid. He lit a cigarette and leaned against the wall. + +"A cuckoo clock!" Doris cried. "A real old cuckoo clock like my mother +had." She turned the clock over and over. "Just like my mother had, when +Pete was still alive." Her eyes sparkled with tears. + +"It's made in Germany," Larry said. After a moment he added, "Carl got +it for me wholesale. He knows some guy in the clock business. Otherwise +I wouldn't have--" He stopped. + +Doris made a funny little sound. + +"I mean, otherwise I wouldn't have been able to afford it." He scowled. +"What's the matter with you? You've got your clock, haven't you? Isn't +that what you want?" + +Doris sat holding onto the clock, her fingers pressed against the brown +wood. + +"Well," Larry said, "what's the matter?" + +He watched in amazement as she leaped up and ran from the room, still +clutching the clock. He shook his head. "Never satisfied. They're all +that way. Never get enough." + +He sat down at the table and finished his meal. + +The cuckoo clock was not very large. It was hand-made, however, and +there were countless frets on it, little indentations and ornaments +scored in the soft wood. Doris sat on the bed drying her eyes and +winding the clock. She set the hands by her wristwatch. Presently she +carefully moved the hands to two minutes of ten. She carried the clock +over to the dresser and propped it up. + +Then she sat waiting, her hands twisted together in her lap--waiting for +the cuckoo to come out, for the hour to strike. + +As she sat she thought about Larry and what he had said. And what she +had said, too, for that matter--not that she could be blamed for any of +it. After all, she couldn't keep listening to him forever without +defending herself; you had to blow your own trumpet in the world. + +She touched her handkerchief to her eyes suddenly. Why did he have to +say that, about getting it wholesale? Why did he have to spoil it all? +If he felt that way he needn't have got it in the first place. She +clenched her fists. He was so mean, so damn mean. + +But she was glad of the little clock sitting there ticking to itself, +with its funny grilled edges and the door. Inside the door was the +cuckoo, waiting to come out. Was he listening, his head cocked on one +side, listening to hear the clock strike so that he would know to come +out? + +Did he sleep between hours? Well, she would soon see him: she could ask +him. And she would show the clock to Bob. He would love it; Bob loved +old things, even old stamps and buttons. He liked to go with her to the +stores. Of course, it was a little _awkward_, but Larry had been staying +at the office so much, and that helped. If only Larry didn't call up +sometimes to-- + +There was a whirr. The clock shuddered and all at once the door opened. +The cuckoo came out, sliding swiftly. He paused and looked around +solemnly, scrutinizing her, the room, the furniture. + +It was the first time he had seen her, she realized, smiling to herself +in pleasure. She stood up, coming toward him shyly. "Go on," she said. +"I'm waiting." + +The cuckoo opened his bill. He whirred and chirped, quickly, +rhythmically. Then, after a moment of contemplation, he retired. And the +door snapped shut. + +She was delighted. She clapped her hands and spun in a little circle. He +was marvelous, perfect! And the way he had looked around, studying her, +sizing her up. He liked her; she was certain of it. And she, of course, +loved him at once, completely. He was just what she had hoped would come +out of the little door. + +Doris went to the clock. She bent over the little door, her lips close +to the wood. "Do you hear me?" she whispered. "I think you're the most +wonderful cuckoo in the world." She paused, embarrassed. "I hope you'll +like it here." + +Then she went downstairs again, slowly, her head high. + +Larry and the cuckoo clock really never got along well from the start. +Doris said it was because he didn't wind it right, and it didn't like +being only half-wound all the time. Larry turned the job of winding over +to her; the cuckoo came out every quarter hour and ran the spring down +without remorse, and someone had to be ever after it, winding it up +again. + +Doris did her best, but she forgot a good deal of the time. Then Larry +would throw his newspaper down with an elaborate weary motion and stand +up. He would go into the dining-room where the clock was mounted on the +wall over the fireplace. He would take the clock down and making sure +that he had his thumb over the little door, he would wind it up. + +"Why do you put your thumb over the door?" Doris asked once. + +"You're supposed to." + +She raised an eyebrow. "Are you sure? I wonder if it isn't that you +don't want him to come out while you're standing so close." + +"Why not?" + +"Maybe you're afraid of him." + +Larry laughed. He put the clock back on the wall and gingerly removed +his thumb. When Doris wasn't looking he examined his thumb. + +There was still a trace of the nick cut out of the soft part of it. +Who--or what--had pecked at him? + + * * * * * + +One Saturday morning, when Larry was down at the office working over +some important special accounts, Bob Chambers came to the front porch +and rang the bell. + +Doris was taking a quick shower. She dried herself and slipped into her +robe. When she opened the door Bob stepped inside, grinning. + +"Hi," he said, looking around. + +"It's all right. Larry's at the office." + +"Fine." Bob gazed at her slim legs below the hem of the robe. "How nice +you look today." + +She laughed. "Be careful! Maybe I shouldn't let you in after all." + +They looked at one another, half amused half frightened. Presently Bob +said, "If you want, I'll--" + +"No, for God's sake." She caught hold of his sleeve. "Just get out of +the doorway so I can close it. Mrs. Peters across the street, you +know." + +She closed the door. "And I want to show you something," she said. "You +haven't seen it." + +He was interested. "An antique? Or what?" + +She took his arm, leading him toward the dining-room. "You'll love it, +Bobby." She stopped, wide-eyed. "I hope you will. You must; you must +love it. It means so much to me--_he_ means so much." + +"He?" Bob frowned. "Who is he?" + +Doris laughed. "You're jealous! Come on." A moment later they stood +before the clock, looking up at it. "He'll come out in a few minutes. +Wait until you see him. I know you two will get along just fine." + +"What does Larry think of him?" + +"They don't like each other. Sometimes when Larry's here he won't come +out. Larry gets mad if he doesn't come out on time. He says--" + +"Says what?" + +Doris looked down. "He always says he's been robbed, even if he did get +it wholesale." She brightened. "But I know he won't come out because he +doesn't like Larry. When I'm here alone he comes right out for me, every +fifteen minutes, even though he really only has to come out on the +hour." + +She gazed up at the clock. "He comes out for me because he wants to. We +talk; I tell him things. Of course, I'd like to have him upstairs in my +room, but it wouldn't be right." + +There was the sound of footsteps on the front porch. They looked at each +other, horrified. + +Larry pushed the front door open, grunting. He set his briefcase down +and took off his hat. Then he saw Bob for the first time. + +"Chambers. I'll be damned." His eyes narrowed. "What are you doing +here?" He came into the dining-room. Doris drew her robe about her +helplessly, backing away. + +"I--" Bob began. "That is, we--" He broke off, glancing at Doris. +Suddenly the clock began to whirr. The cuckoo came rushing out, bursting +into sound. Larry moved toward him. + +"Shut that din off," he said. He raised his fist toward the clock. The +cuckoo snapped into silence and retreated. The door closed. "That's +better." Larry studied Doris and Bob, standing mutely together. + +"I came over to look at the clock," Bob said. "Doris told me that it's a +rare antique and that--" + +"Nuts. I bought it myself." Larry walked up to him. "Get out of here." +He turned to Doris. "You too. And take that damn clock with you." + +He paused, rubbing his chin. "No. Leave the clock here. It's mine; I +bought it and paid for it." + +In the weeks that followed after Doris left, Larry and the cuckoo clock +got along even worse than before. For one thing, the cuckoo stayed +inside most of the time, sometimes even at twelve o'clock when he should +have been busiest. And if he did come out at all he usually spoke only +once or twice, never the correct number of times. And there was a +sullen, uncooperative note in his voice, a jarring sound that made Larry +uneasy and a little angry. + +But he kept the clock wound, because the house was very still and quiet +and it got on his nerves not to hear someone running around, talking and +dropping things. And even the whirring of a clock sounded good to him. + +But he didn't like the cuckoo at all. And sometimes he spoke to him. + +"Listen," he said late one night to the closed little door. "I know you +can hear me. I ought to give you back to the Germans--back to the Black +Forest." He paced back and forth. "I wonder what they're doing now, the +two of them. That young punk with his books and his antiques. A man +shouldn't be interested in antiques; that's for women." + +He set his jaw. "Isn't that right?" + +The clock said nothing. Larry walked up in front of it. "Isn't that +right?" he demanded. "Don't you have anything to say?" + +He looked at the face of the clock. It was almost eleven, just a few +seconds before the hour. "All right. I'll wait until eleven. Then I want +to hear what you have to say. You've been pretty quiet the last few +weeks since she left." + +He grinned wryly. "Maybe you don't like it here since she's gone." He +scowled. "Well, I paid for you, and you're coming out whether you like +it or not. You hear me?" + +Eleven o'clock came. Far off, at the end of town, the great tower clock +boomed sleepily to itself. But the little door remained shut. Nothing +moved. The minute hand passed on and the cuckoo did not stir. He was +someplace inside the clock, beyond the door, silent and remote. + +"All right, if that's the way you feel," Larry murmured, his lips +twisting. "But it isn't fair. It's your job to come out. We all have to +do things we don't like." + +He went unhappily into the kitchen and opened the great gleaming +refrigerator. As he poured himself a drink he thought about the clock. + +There was no doubt about it--the cuckoo should come out, Doris or no +Doris. He had always liked her, from the very start. They had got along +well, the two of them. Probably he liked Bob too--probably he had seen +enough of Bob to get to know him. They would be quite happy together, +Bob and Doris and the cuckoo. + +Larry finished his drink. He opened the drawer at the sink and took out +the hammer. He carried it carefully into the dining-room. The clock was +ticking gently to itself on the wall. + +"Look," he said, waving the hammer. "You know what I have here? You know +what I'm going to do with it? I'm going to start on you--first." He +smiled. "Birds of a feather, that's what you are--the three of you." + +The room was silent. + +"Are you coming out? Or do I have to come in and get you?" + +The clock whirred a little. + +"I hear you in there. You've got a lot of talking to do, enough for the +last three weeks. As I figure it, you owe me--" + +The door opened. The cuckoo came out fast, straight at him. Larry was +looking down, his brow wrinkled in thought. He glanced up, and the +cuckoo caught him squarely in the eye. + +Down he went, hammer and chair and everything, hitting the floor with a +tremendous crash. For a moment the cuckoo paused, its small body poised +rigidly. Then it went back inside its house. The door snapped tight-shut +after it. + +The man lay on the floor, stretched out grotesquely, his head bent over +to one side. Nothing moved or stirred. The room was completely silent, +except, of course, for the ticking of the clock. + + * * * * * + +"I see," Doris said, her face tight. Bob put his arm around her, +steadying her. + +"Doctor," Bob said, "can I ask you something?" + +"Of course," the doctor said. + +"Is it very easy to break your neck, falling from so low a chair? It +wasn't very far to fall. I wonder if it might not have been an accident. +Is there any chance it might have been--" + +"Suicide?" the doctor rubbed his jaw. "I never heard of anyone +committing suicide that way. It was an accident; I'm positive." + +"I don't mean suicide," Bob murmured under his breath, looking up at the +clock on the wall. "I meant _something else_." + +But no one heard him. + + + + +Transcriber's Note: + + This etext was produced from _Fantastic Universe_ January 1954. + Extensive research did not uncover any evidence that the U.S. + copyright on this publication was renewed. Minor spelling and + typographical errors have been corrected without note. + + + + + +End of the Project Gutenberg EBook of Beyond the Door, by Philip K. Dick + +*** END OF THIS PROJECT GUTENBERG EBOOK BEYOND THE DOOR *** + +***** This file should be named 28644.txt or 28644.zip ***** +This and all associated files of various formats will be found in: + https://www.gutenberg.org/2/8/6/4/28644/ + +Produced by Greg Weeks, Stephen Blundell and the Online +Distributed Proofreading Team at https://www.pgdp.net + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +https://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at https://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +https://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at https://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit https://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including including checks, online payments and credit card +donations. To donate, please visit: https://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart was the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + https://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/28644.zip b/28644.zip Binary files differnew file mode 100644 index 0000000..d6aa0e0 --- /dev/null +++ b/28644.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..8753d8a --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #28644 (https://www.gutenberg.org/ebooks/28644) |
