summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes3
-rw-r--r--29445-h.zipbin0 -> 174110 bytes
-rw-r--r--29445-h/29445-h.htm1007
-rw-r--r--29445-h/images/001.pngbin0 -> 85109 bytes
-rw-r--r--29445-h/images/002-1.jpgbin0 -> 11216 bytes
-rw-r--r--29445-h/images/002-2.jpgbin0 -> 64130 bytes
-rw-r--r--29445.txt756
-rw-r--r--29445.zipbin0 -> 12401 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
10 files changed, 1779 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/29445-h.zip b/29445-h.zip
new file mode 100644
index 0000000..469ff3e
--- /dev/null
+++ b/29445-h.zip
Binary files differ
diff --git a/29445-h/29445-h.htm b/29445-h/29445-h.htm
new file mode 100644
index 0000000..2bce220
--- /dev/null
+++ b/29445-h/29445-h.htm
@@ -0,0 +1,1007 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of The Hour of Battle, by Robert Sheckley
+ </title>
+ <style type="text/css">
+
+ p {margin-top: .75em; text-align: justify; margin-bottom: .75em;}
+ h1,h2,.p1 {text-align: center;}
+ hr {width: 45%; margin: 1em auto; visibility: hidden;}
+ body {margin-left: 10%; margin-right: 10%;}
+ .figright {float: right; clear: right; margin: 1em 0 1em 1em; padding: 0; width: 361px;}
+ img {border: none;}
+ a:link,a:visited {text-decoration: none;}
+ .figt {float: left; clear: left; margin: 15px; padding: 0; width: 141px;}
+ .trn {border: solid 1px; margin: 3em 15%; min-height: 230px;}
+ .trn p {margin: 15px;}
+ .bk1 {margin: 2em auto; width: 25em;}
+ .p1 {margin-top: 2em;}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of The Hour of Battle, by Robert Sheckley
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Hour of Battle
+
+Author: Robert Sheckley
+
+Illustrator: Roy Gerald Krenkel
+
+Release Date: July 18, 2009 [EBook #29445]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE HOUR OF BATTLE ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<h1><big>THE HOUR<br />
+OF BATTLE</big></h1>
+
+<h2>BY ROBERT SHECKLEY</h2>
+
+<p class="p1">ILLUSTRATED BY KRENKEL</p>
+
+<div class="bk1"><p><big>As one of the Guardian ships protecting Earth, the
+crew had a problem to solve. Just how do you protect
+a race from an enemy who can take over a man's mind
+without seeming effort or warning?</big></p></div>
+
+<p>"That hand didn't move, did
+it?" Edwardson asked, standing
+at the port, looking at the
+stars.</p>
+
+<p>"No," Morse said. He had
+been staring fixedly at the
+Attison Detector for over an
+hour. Now he blinked three
+times rapidly, and looked again.
+"Not a millimeter."</p>
+
+<p>"I don't think it moved
+either," Cassel added, from behind
+the gunfire panel. And that
+was that. The slender black hand
+of the indicator rested unwaveringly
+on zero. The ship's guns
+were ready, their black mouths
+open to the stars. A steady hum
+filled the room. It came from the
+Attison Detector, and the sound
+was reassuring. It reinforced
+the fact that the Detector was
+attached to all the other Detectors,
+forming a gigantic network
+around Earth.</p>
+
+<p>"Why in hell don't they
+come?" Edwardson asked, still
+looking at the stars. "Why don't
+they hit?"</p>
+
+<p>"Aah, shut up," Morse said.
+He had a tired, glum look. High
+on his right temple was an old
+radiation burn, a sunburst of
+pink scar tissue. From a distance
+it looked like a decoration.</p>
+
+<p>"I just wish they'd come,"
+Edwardson said. He returned
+from the port to his chair, bending
+to clear the low metal ceiling.
+"Don't you wish they'd
+come?" Edwardson had the narrow,
+timid face of a mouse; but
+a highly intelligent mouse. One
+that cats did well to avoid.</p>
+
+<div class="figright"><img src="images/001.png" width="361" height="550" alt="" title="" /></div>
+
+<p>"Don't you?" he repeated.</p>
+
+<p>The other men didn't answer.
+They had settled back to their
+dreams, staring hypnotically at
+the Detector face.</p>
+
+<p>"They've had enough time,"
+Edwardson said, half to himself.</p>
+
+<p>Cassel yawned and licked his
+lips. "Anyone want to play some
+gin?" he asked, stroking his
+beard. The beard was a memento
+of his undergraduate days.
+Cassel maintained he could store
+almost fifteen minutes worth of
+oxygen in its follicles. He had
+never stepped into space unhelmeted
+to prove it.</p>
+
+<p>Morse looked away, and Edwardson
+automatically watched
+the indicator. This routine had
+been drilled into them, branded
+into their subconscious. They
+would as soon have cut their
+throats as leave the indicator unguarded.</p>
+
+<p>"Do you think they'll come
+soon?" Edwardson asked, his
+brown rodent's eyes on the indicator.
+The men didn't answer
+him. After two months together
+in space their conversational
+powers were exhausted. They
+weren't interested in Cassel's
+undergraduate days, or in
+Morse's conquests.</p>
+
+<p>They were bored to death even
+with their own thoughts and
+dreams, bored with the attack
+they expected momentarily.</p>
+
+<p>"Just one thing <i>I'd</i> like to
+know," Edwardson said, slipping
+with ease into an old conversational
+gambit. "How far can
+they do it?"</p>
+
+<p>They had talked for weeks
+about the enemy's telepathic
+range, but they always returned
+to it.</p>
+
+<p>As professional soldiers, they
+couldn't help but speculate on
+the enemy and his weapons.
+It was their shop talk.</p>
+
+<p>"Well," Morse said wearily,
+"Our Detector network covers
+the system out beyond Mars' orbit."</p>
+
+<p>"Where we sit," Cassel said,
+watching the indicators now that
+the others were talking.</p>
+
+<p>"They might not even know
+we have a detection unit working,"
+Morse said, as he had said
+a thousand times.</p>
+
+<p>"Oh, stop," Edwardson said,
+his thin face twisted in scorn.
+"They're telepathic. They must
+have read every bit of stuff in
+Everset's mind."</p>
+
+<p>"Everset didn't know we had
+a detection unit," Morse said,
+his eyes returning to the dial.
+"He was captured before we had
+it."</p>
+
+<p>"Look," Edwardson said,
+"They ask him, 'Boy, what
+would you do if you knew a telepathic
+race was coming to take
+over Earth? How would you
+guard the planet?'"</p>
+
+<p>"Idle speculation," Cassel
+said. "Maybe Everset didn't
+think of this."</p>
+
+<p>"He thinks like a man, doesn't
+he? Everyone agreed on this
+defense. Everset would, too."</p>
+
+<p>"Syllogistic," Cassel murmured.
+"Very shaky."</p>
+
+<p>"I sure wish he hadn't been
+captured," Edwardson said.</p>
+
+<p>"It could have been worse,"
+Morse put in, his face sadder
+than ever. "What if they'd captured
+<i>both</i> of them?"</p>
+
+<p>"I wish they'd come," Edwardson
+said.</p>
+
+<hr />
+
+<p>Richard Everset and C. R.
+Jones had gone on the first interstellar
+flight. They had
+found an inhabited planet in
+the region of Vega. The rest
+was standard procedure.</p>
+
+<p>A flip of the coin had decided
+it. Everset went down in the
+scouter, maintaining radio contact
+with Jones, in the ship.</p>
+
+<p>The recording of that contact
+was preserved for all Earth to
+hear.</p>
+
+<p>"Just met the natives," Everset
+said. "Funny-looking bunch.
+Give you the physical description
+later."</p>
+
+<p>"Are they trying to talk to
+you?" Jones asked, guiding the
+ship in a slow spiral over the
+planet.</p>
+
+<p>"No. Hold it. Well I'm
+damned! They're telepathic!
+How do you like that?"</p>
+
+<p>"Great," Jones said. "Go on."</p>
+
+<p>"Hold it. Say, Jonesy, I don't
+know as I like these boys. They
+haven't got nice minds. Brother!"</p>
+
+<p>"What is it?" Jones asked,
+lifting the ship a little higher.</p>
+
+<p>"Minds! These bastards are
+power-crazy. Seems they've hit
+all the systems around here,
+looking for someone to&mdash;"</p>
+
+<p>"Yeh?"</p>
+
+<p>"I've got that a bit wrong,"
+Everset said pleasantly. "They
+are not so bad."</p>
+
+<p>Jones had a quick mind, a suspicious
+nature and good reflexes.
+He set the accelerator for all the
+G's he could take, lay down on
+the floor and said, "Tell me
+more."</p>
+
+<p>"Come on down," Everset
+said, in violation of every law
+of spaceflight. "These guys are
+all right. As a matter of fact,
+they're the most marvelous&mdash;"</p>
+
+<p>That was where the recording
+ended, because Jones was pinned
+to the floor by twenty G's acceleration
+as he boosted the ship
+to the level needed for the C-jump.</p>
+
+<p>He broke three ribs getting
+home, but he got there.</p>
+
+<p>A telepathic species was on
+the march. What was Earth going
+to do about it?</p>
+
+<p>A lot of speculation necessarily
+clothed the bare bones of
+Jones' information. Evidently
+the species could take over a
+mind with ease. With Everset,
+it seemed that they had insinuated
+their thoughts into his,
+delicately altering his previous
+convictions. They had possessed
+him with remarkable ease.</p>
+
+<p>How about Jones? Why hadn't
+they taken him? Was distance
+a factor? Or hadn't they been
+prepared for the suddenness of
+his departure?</p>
+
+<p>One thing was certain. Everything
+Everset knew, the enemy
+knew. That meant they knew
+where Earth was, and how defenseless
+the planet was to their
+form of attack.</p>
+
+<p>It could be expected that they
+were on their way.</p>
+
+<p>Something was needed to
+nullify their tremendous advantage.
+But what sort of something?
+What armor is there
+against thought? How do you
+dodge a wavelength?</p>
+
+<p>Pouch-eyed scientists gravely
+consulted their periodic tables.</p>
+
+<p>And how do you know when
+a man has been possessed? Although
+the enemy was clumsy
+with Everset, would they continue
+to be clumsy? Wouldn't
+they learn?</p>
+
+<p>Psychologists tore their hair
+and bewailed the absence of an
+absolute scale for humanity.</p>
+
+<p>Of course, something had to
+be done at once. The answer,
+from a technological planet, was
+a technological one. Build a
+space fleet and equip it with
+some sort of a detection-fire network.</p>
+
+<p>This was done in record time.
+The Attison Detector was developed,
+a cross between radar
+and the electroencephalograph.
+Any alteration from the typical human
+brain wave pattern of
+the occupants of a Detector-equipped
+ship would boost the
+indicator around the dial. Even
+a bad dream or a case of indigestion
+would jar it.</p>
+
+<p>It seemed probable that any
+attempt to take over a human
+mind would disturb something.
+There had to be a point of interaction,
+somewhere.</p>
+
+<p>That was what the Attison
+Detector was supposed to detect.
+Maybe it would.</p>
+
+<p>The spaceships, three men to
+a ship, dotted space between
+Earth and Mars, forming a gigantic
+sphere with Earth in the
+center.</p>
+
+<p>Tens of thousands of men
+crouched behind gunfire panels,
+watching the dials on the Attison
+Detector.</p>
+
+<p>The unmoving dials.</p>
+
+<hr />
+
+<p>"Do you think I could fire a
+couple of bursts?" Edwardson
+asked, his fingers on the gunfire
+button. "Just to limber the
+guns?"</p>
+
+<p>"Those guns don't need limbering,"
+Cassel said, stroking
+his beard. "Besides, you'd throw
+the whole fleet into a panic."</p>
+
+<p>"Cassel," Morse said, very
+quietly. "Get your hand off your
+beard."</p>
+
+<p>"Why should I?" Cassel
+asked.</p>
+
+<p>"Because," Morse answered,
+almost in a whisper, "I am about
+to ram it right down your fat
+throat."</p>
+
+<p>Cassel grinned and tightened
+his fists. "Pleasure," he said.
+"I'm tired of looking at that
+scar of yours." He stood up.</p>
+
+<p>"Cut it," Edwardson said
+wearily. "Watch the birdie."</p>
+
+<p>"No reason to, really," Morse
+said, leaning back. "There's an
+alarm bell attached." But he
+looked at the dial.</p>
+
+<p>"What if the bell doesn't
+work?" Edwardson asked.
+"What if the dial is jammed?
+How would you like something
+cold slithering into your mind?"</p>
+
+<p>"The dial'll work," Cassel
+said. His eyes shifted from Edwardson's
+face to the motionless
+indicator.</p>
+
+<p>"I think I'll sack in," Edwardson
+said.</p>
+
+<p>"Stick around," Cassel said.
+"Play you some gin."</p>
+
+<p>"All right." Edwardson found
+and shuffled the greasy cards,
+while Morse took a turn glaring
+at the dial.</p>
+
+<p>"I sure wish they'd come," he
+said.</p>
+
+<p>"Cut," Edwardson said, handing
+the pack to Cassel.</p>
+
+<p>"I wonder what our friends
+look like," Morse said, watching
+the dial.</p>
+
+<p>"Probably remarkably like
+us," Edwardson said, dealing
+the cards. Cassel picked them
+up one by one, slowly, as if he
+hoped something interesting
+would be under them.</p>
+
+<p>"They should have given us
+another man," Cassel said. "We
+could play bridge."</p>
+
+<p>"I don't play bridge," Edwardson
+said.</p>
+
+<p>"You could learn."</p>
+
+<p>"Why didn't we send a task
+force?" Morse asked. "Why didn't
+we bomb their planet?"</p>
+
+<p>"Don't be dumb," Edwardson
+said. "We'd lose any ship we
+sent. Probably get them back at
+us, possessed and firing."</p>
+
+<p>"Knock with nine," Cassel
+said.</p>
+
+<p>"I don't give a good damn if
+you knock with a thousand," Edwardson
+said gaily. "How much
+do I owe you now?"</p>
+
+<p>"Three million five hundred
+and eight thousand and ten.
+Dollars."</p>
+
+<p>"I sure wish they'd come,"
+Morse said.</p>
+
+<p>"Want me to write a check?"</p>
+
+<p>"Take your time. Take until
+next week."</p>
+
+<p>"Someone should reason with
+the bastards," Morse said, looking
+out the port. Cassel immediately
+looked at the dial.</p>
+
+<p>"I just thought of something,"
+Edwardson said.</p>
+
+<p>"Yeh?"</p>
+
+<p>"I bet it feels horrible to have
+your mind grabbed," Edwardson
+said. "I bet it's awful."</p>
+
+<p>"You'll know when it happens,"
+Cassel said.</p>
+
+<p>"Did Everset?"</p>
+
+<p>"Probably. He just couldn't
+do anything about it."</p>
+
+<p>"My mind feels fine," Cassel
+said. "But the first one of you
+guys starts acting queer&mdash;watch
+out."</p>
+
+<p>They all laughed.</p>
+
+<p>"Well," Edwardson said, "I'd
+sure like a chance to reason with
+them. This is stupid."</p>
+
+<p>"Why not?" Cassel asked.</p>
+
+<p>"You mean go out and meet
+<i>them</i>?"</p>
+
+<p>"Sure," Cassel said. "We're
+doing no good sitting here."</p>
+
+<p>"I should think we could do
+something," Edwardson said
+slowly. "After all, they're not invincible.
+They're reasoning beings."</p>
+
+<p>Morse punched a course on
+the ship's tape, then looked
+up.</p>
+
+<p>"You think we should contact
+the command? Tell them what
+we're doing?"</p>
+
+<p>"No!" Cassel said, and Edwardson
+nodded in agreement.
+"Red tape. We'll just go out and
+see what we can do. If they
+won't talk, we'll blast 'em out
+of space."</p>
+
+<p>"Look!"</p>
+
+<p>Out of the port they could see
+the red flare of a reaction engine;
+the next ship in their sector,
+speeding forward.</p>
+
+<p>"They must have got the same
+idea," Edwardson said.</p>
+
+<p>"Let's get there first," Cassel
+said. Morse shoved the accelerator
+in and they were thrown
+back in their seats.</p>
+
+<p>"That dial hasn't moved yet,
+has it?" Edwardson asked, over
+the clamor of the Detector alarm
+bell.</p>
+
+<p>"Not a move out of it," Cassel
+said, looking at the dial with
+its indicator slammed all the way
+over to the highest notch.</p>
+
+<div class="trn"><div class="figt"><a href="images/002-2.jpg"><img src="images/002-1.jpg" width="141" height="200" alt="" title="" /></a></div>
+
+<p><big><b>Transcriber's Note:</b></big></p>
+
+<p>This etext was produced from <i>Space Science Fiction</i> September 1953.
+Extensive research did not uncover any evidence that the U.S.
+copyright on this publication was renewed. Minor spelling and
+typographical errors have been corrected without note.</p></div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of The Hour of Battle, by Robert Sheckley
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE HOUR OF BATTLE ***
+
+***** This file should be named 29445-h.htm or 29445-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/9/4/4/29445/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/29445-h/images/001.png b/29445-h/images/001.png
new file mode 100644
index 0000000..416562e
--- /dev/null
+++ b/29445-h/images/001.png
Binary files differ
diff --git a/29445-h/images/002-1.jpg b/29445-h/images/002-1.jpg
new file mode 100644
index 0000000..d0918ee
--- /dev/null
+++ b/29445-h/images/002-1.jpg
Binary files differ
diff --git a/29445-h/images/002-2.jpg b/29445-h/images/002-2.jpg
new file mode 100644
index 0000000..7973c0b
--- /dev/null
+++ b/29445-h/images/002-2.jpg
Binary files differ
diff --git a/29445.txt b/29445.txt
new file mode 100644
index 0000000..a4680eb
--- /dev/null
+++ b/29445.txt
@@ -0,0 +1,756 @@
+The Project Gutenberg EBook of The Hour of Battle, by Robert Sheckley
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Hour of Battle
+
+Author: Robert Sheckley
+
+Illustrator: Roy Gerald Krenkel
+
+Release Date: July 18, 2009 [EBook #29445]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE HOUR OF BATTLE ***
+
+
+
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+
+
+
+
+
+
+
+THE HOUR OF BATTLE
+
+BY ROBERT SHECKLEY
+
+ILLUSTRATED BY KRENKEL
+
+
+ As one of the Guardian ships protecting Earth, the crew had a
+ problem to solve. Just how do you protect a race from an enemy who
+ can take over a man's mind without seeming effort or warning?
+
+
+"That hand didn't move, did it?" Edwardson asked, standing at the port,
+looking at the stars.
+
+"No," Morse said. He had been staring fixedly at the Attison Detector
+for over an hour. Now he blinked three times rapidly, and looked again.
+"Not a millimeter."
+
+"I don't think it moved either," Cassel added, from behind the gunfire
+panel. And that was that. The slender black hand of the indicator rested
+unwaveringly on zero. The ship's guns were ready, their black mouths
+open to the stars. A steady hum filled the room. It came from the
+Attison Detector, and the sound was reassuring. It reinforced the fact
+that the Detector was attached to all the other Detectors, forming a
+gigantic network around Earth.
+
+"Why in hell don't they come?" Edwardson asked, still looking at the
+stars. "Why don't they hit?"
+
+"Aah, shut up," Morse said. He had a tired, glum look. High on his right
+temple was an old radiation burn, a sunburst of pink scar tissue. From a
+distance it looked like a decoration.
+
+"I just wish they'd come," Edwardson said. He returned from the port to
+his chair, bending to clear the low metal ceiling. "Don't you wish
+they'd come?" Edwardson had the narrow, timid face of a mouse; but a
+highly intelligent mouse. One that cats did well to avoid.
+
+[Illustration]
+
+"Don't you?" he repeated.
+
+The other men didn't answer. They had settled back to their dreams,
+staring hypnotically at the Detector face.
+
+"They've had enough time," Edwardson said, half to himself.
+
+Cassel yawned and licked his lips. "Anyone want to play some gin?" he
+asked, stroking his beard. The beard was a memento of his undergraduate
+days. Cassel maintained he could store almost fifteen minutes worth of
+oxygen in its follicles. He had never stepped into space unhelmeted to
+prove it.
+
+Morse looked away, and Edwardson automatically watched the indicator.
+This routine had been drilled into them, branded into their
+subconscious. They would as soon have cut their throats as leave the
+indicator unguarded.
+
+"Do you think they'll come soon?" Edwardson asked, his brown rodent's
+eyes on the indicator. The men didn't answer him. After two months
+together in space their conversational powers were exhausted. They
+weren't interested in Cassel's undergraduate days, or in Morse's
+conquests.
+
+They were bored to death even with their own thoughts and dreams, bored
+with the attack they expected momentarily.
+
+"Just one thing _I'd_ like to know," Edwardson said, slipping with ease
+into an old conversational gambit. "How far can they do it?"
+
+They had talked for weeks about the enemy's telepathic range, but they
+always returned to it.
+
+As professional soldiers, they couldn't help but speculate on the enemy
+and his weapons. It was their shop talk.
+
+"Well," Morse said wearily, "Our Detector network covers the system out
+beyond Mars' orbit."
+
+"Where we sit," Cassel said, watching the indicators now that the others
+were talking.
+
+"They might not even know we have a detection unit working," Morse said,
+as he had said a thousand times.
+
+"Oh, stop," Edwardson said, his thin face twisted in scorn. "They're
+telepathic. They must have read every bit of stuff in Everset's mind."
+
+"Everset didn't know we had a detection unit," Morse said, his eyes
+returning to the dial. "He was captured before we had it."
+
+"Look," Edwardson said, "They ask him, 'Boy, what would you do if you
+knew a telepathic race was coming to take over Earth? How would you
+guard the planet?'"
+
+"Idle speculation," Cassel said. "Maybe Everset didn't think of this."
+
+"He thinks like a man, doesn't he? Everyone agreed on this defense.
+Everset would, too."
+
+"Syllogistic," Cassel murmured. "Very shaky."
+
+"I sure wish he hadn't been captured," Edwardson said.
+
+"It could have been worse," Morse put in, his face sadder than ever.
+"What if they'd captured _both_ of them?"
+
+"I wish they'd come," Edwardson said.
+
+ * * * * *
+
+Richard Everset and C. R. Jones had gone on the first interstellar
+flight. They had found an inhabited planet in the region of Vega. The
+rest was standard procedure.
+
+A flip of the coin had decided it. Everset went down in the scouter,
+maintaining radio contact with Jones, in the ship.
+
+The recording of that contact was preserved for all Earth to hear.
+
+"Just met the natives," Everset said. "Funny-looking bunch. Give you the
+physical description later."
+
+"Are they trying to talk to you?" Jones asked, guiding the ship in a
+slow spiral over the planet.
+
+"No. Hold it. Well I'm damned! They're telepathic! How do you like
+that?"
+
+"Great," Jones said. "Go on."
+
+"Hold it. Say, Jonesy, I don't know as I like these boys. They haven't
+got nice minds. Brother!"
+
+"What is it?" Jones asked, lifting the ship a little higher.
+
+"Minds! These bastards are power-crazy. Seems they've hit all the
+systems around here, looking for someone to--"
+
+"Yeh?"
+
+"I've got that a bit wrong," Everset said pleasantly. "They are not so
+bad."
+
+Jones had a quick mind, a suspicious nature and good reflexes. He set
+the accelerator for all the G's he could take, lay down on the floor and
+said, "Tell me more."
+
+"Come on down," Everset said, in violation of every law of spaceflight.
+"These guys are all right. As a matter of fact, they're the most
+marvelous--"
+
+That was where the recording ended, because Jones was pinned to the
+floor by twenty G's acceleration as he boosted the ship to the level
+needed for the C-jump.
+
+He broke three ribs getting home, but he got there.
+
+A telepathic species was on the march. What was Earth going to do about
+it?
+
+A lot of speculation necessarily clothed the bare bones of Jones'
+information. Evidently the species could take over a mind with ease.
+With Everset, it seemed that they had insinuated their thoughts into
+his, delicately altering his previous convictions. They had possessed
+him with remarkable ease.
+
+How about Jones? Why hadn't they taken him? Was distance a factor? Or
+hadn't they been prepared for the suddenness of his departure?
+
+One thing was certain. Everything Everset knew, the enemy knew. That
+meant they knew where Earth was, and how defenseless the planet was to
+their form of attack.
+
+It could be expected that they were on their way.
+
+Something was needed to nullify their tremendous advantage. But what
+sort of something? What armor is there against thought? How do you dodge
+a wavelength?
+
+Pouch-eyed scientists gravely consulted their periodic tables.
+
+And how do you know when a man has been possessed? Although the enemy
+was clumsy with Everset, would they continue to be clumsy? Wouldn't they
+learn?
+
+Psychologists tore their hair and bewailed the absence of an absolute
+scale for humanity.
+
+Of course, something had to be done at once. The answer, from a
+technological planet, was a technological one. Build a space fleet and
+equip it with some sort of a detection-fire network.
+
+This was done in record time. The Attison Detector was developed, a
+cross between radar and the electroencephalograph. Any alteration from
+the typical human brain wave pattern of the occupants of a
+Detector-equipped ship would boost the indicator around the dial. Even a
+bad dream or a case of indigestion would jar it.
+
+It seemed probable that any attempt to take over a human mind would
+disturb something. There had to be a point of interaction, somewhere.
+
+That was what the Attison Detector was supposed to detect. Maybe it
+would.
+
+The spaceships, three men to a ship, dotted space between Earth and
+Mars, forming a gigantic sphere with Earth in the center.
+
+Tens of thousands of men crouched behind gunfire panels, watching the
+dials on the Attison Detector.
+
+The unmoving dials.
+
+ * * * * *
+
+"Do you think I could fire a couple of bursts?" Edwardson asked, his
+fingers on the gunfire button. "Just to limber the guns?"
+
+"Those guns don't need limbering," Cassel said, stroking his beard.
+"Besides, you'd throw the whole fleet into a panic."
+
+"Cassel," Morse said, very quietly. "Get your hand off your beard."
+
+"Why should I?" Cassel asked.
+
+"Because," Morse answered, almost in a whisper, "I am about to ram it
+right down your fat throat."
+
+Cassel grinned and tightened his fists. "Pleasure," he said. "I'm tired
+of looking at that scar of yours." He stood up.
+
+"Cut it," Edwardson said wearily. "Watch the birdie."
+
+"No reason to, really," Morse said, leaning back. "There's an alarm bell
+attached." But he looked at the dial.
+
+"What if the bell doesn't work?" Edwardson asked. "What if the dial is
+jammed? How would you like something cold slithering into your mind?"
+
+"The dial'll work," Cassel said. His eyes shifted from Edwardson's face
+to the motionless indicator.
+
+"I think I'll sack in," Edwardson said.
+
+"Stick around," Cassel said. "Play you some gin."
+
+"All right." Edwardson found and shuffled the greasy cards, while Morse
+took a turn glaring at the dial.
+
+"I sure wish they'd come," he said.
+
+"Cut," Edwardson said, handing the pack to Cassel.
+
+"I wonder what our friends look like," Morse said, watching the dial.
+
+"Probably remarkably like us," Edwardson said, dealing the cards. Cassel
+picked them up one by one, slowly, as if he hoped something interesting
+would be under them.
+
+"They should have given us another man," Cassel said. "We could play
+bridge."
+
+"I don't play bridge," Edwardson said.
+
+"You could learn."
+
+"Why didn't we send a task force?" Morse asked. "Why didn't we bomb
+their planet?"
+
+"Don't be dumb," Edwardson said. "We'd lose any ship we sent. Probably
+get them back at us, possessed and firing."
+
+"Knock with nine," Cassel said.
+
+"I don't give a good damn if you knock with a thousand," Edwardson said
+gaily. "How much do I owe you now?"
+
+"Three million five hundred and eight thousand and ten. Dollars."
+
+"I sure wish they'd come," Morse said.
+
+"Want me to write a check?"
+
+"Take your time. Take until next week."
+
+"Someone should reason with the bastards," Morse said, looking out the
+port. Cassel immediately looked at the dial.
+
+"I just thought of something," Edwardson said.
+
+"Yeh?"
+
+"I bet it feels horrible to have your mind grabbed," Edwardson said. "I
+bet it's awful."
+
+"You'll know when it happens," Cassel said.
+
+"Did Everset?"
+
+"Probably. He just couldn't do anything about it."
+
+"My mind feels fine," Cassel said. "But the first one of you guys starts
+acting queer--watch out."
+
+They all laughed.
+
+"Well," Edwardson said, "I'd sure like a chance to reason with them.
+This is stupid."
+
+"Why not?" Cassel asked.
+
+"You mean go out and meet _them_?"
+
+"Sure," Cassel said. "We're doing no good sitting here."
+
+"I should think we could do something," Edwardson said slowly. "After
+all, they're not invincible. They're reasoning beings."
+
+Morse punched a course on the ship's tape, then looked up.
+
+"You think we should contact the command? Tell them what we're doing?"
+
+"No!" Cassel said, and Edwardson nodded in agreement. "Red tape. We'll
+just go out and see what we can do. If they won't talk, we'll blast 'em
+out of space."
+
+"Look!"
+
+Out of the port they could see the red flare of a reaction engine; the
+next ship in their sector, speeding forward.
+
+"They must have got the same idea," Edwardson said.
+
+"Let's get there first," Cassel said. Morse shoved the accelerator in
+and they were thrown back in their seats.
+
+"That dial hasn't moved yet, has it?" Edwardson asked, over the clamor
+of the Detector alarm bell.
+
+"Not a move out of it," Cassel said, looking at the dial with its
+indicator slammed all the way over to the highest notch.
+
+
+
+
+Transcriber's Note:
+
+ This etext was produced from _Space Science Fiction_ September 1953.
+ Extensive research did not uncover any evidence that the U.S.
+ copyright on this publication was renewed. Minor spelling and
+ typographical errors have been corrected without note.
+
+
+
+
+
+End of the Project Gutenberg EBook of The Hour of Battle, by Robert Sheckley
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE HOUR OF BATTLE ***
+
+***** This file should be named 29445.txt or 29445.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/2/9/4/4/29445/
+
+Produced by Greg Weeks, Stephen Blundell and the Online
+Distributed Proofreading Team at https://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/29445.zip b/29445.zip
new file mode 100644
index 0000000..403c466
--- /dev/null
+++ b/29445.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..68cd2e2
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #29445 (https://www.gutenberg.org/ebooks/29445)