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+Project Gutenberg's Three Elephant Power, by Andrew Barton 'Banjo' Paterson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Three Elephant Power
+
+Author: Andrew Barton 'Banjo' Paterson
+
+Release Date: June 29, 2008 [EBook #307]
+Last Updated: March 9, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THREE ELEPHANT POWER ***
+
+
+
+
+Produced by A. Light and L. Bowser
+
+
+
+
+
+THREE ELEPHANT POWER AND OTHER STORIES
+
+by Andrew Barton 'Banjo' Paterson and by Knott Gold
+
+[Australian Poet, Reporter--1864-1941.]
+
+
+1917 Edition
+
+
+
+[Note on text: These stories appeared originally in several
+Australian journals.]
+
+
+
+
+CONTENTS
+
+ Three Elephant Power
+ The Oracle
+ The Cast-iron Canvasser
+ The Merino Sheep
+ The Bullock
+ White-when-he's-wanted
+ The Downfall of Mulligan's
+ The Amateur Gardener
+ Thirsty Island
+ Dan Fitzgerald Explains
+ The Cat
+ Sitting in Judgment
+ The Dog
+ The Dog--as a Sportsman
+ Concerning a Steeplechase Rider
+ Victor Second
+ Concerning a Dog-fight
+ His Masterpiece
+
+ Done for the Double by Knott Gold
+
+
+
+
+
+THREE ELEPHANT POWER
+
+
+“Them things,” said Alfred the chauffeur, tapping the speed indicator
+with his fingers, “them things are all right for the police. But, Lord,
+you can fix 'em up if you want to. Did you ever hear about Henery, that
+used to drive for old John Bull--about Henery and the elephant?”
+
+Alfred was chauffeur to a friend of mine who owned a very powerful car.
+Alfred was part of that car. Weirdly intelligent, of poor physique, he
+might have been any age from fifteen to eighty. His education had been
+somewhat hurried, but there was no doubt as to his mechanical ability.
+He took to a car like a young duck to water. He talked motor, thought
+motor, and would have accepted--I won't say with enthusiasm, for
+Alfred's motto was 'Nil admirari'--but without hesitation, an offer to
+drive in the greatest race in the world. He could drive really well,
+too; as for belief in himself, after six months' apprenticeship in
+a garage he was prepared to vivisect a six-cylinder engine with the
+confidence of a diplomaed bachelor of engineering.
+
+Barring a tendency to flash driving, and a delight in persecuting slow
+cars by driving just in front of them and letting them come up and enjoy
+his dust, and then shooting away again, he was a respectable member of
+society. When his boss was in the car he cloaked the natural ferocity of
+his instincts; but this day, with only myself on board, and a clear run
+of a hundred and twenty miles up to the station before him, he let her
+loose, confident that if any trouble occurred I would be held morally
+responsible.
+
+As we flew past a somnolent bush pub, Alfred, whistling softly, leant
+forward and turned on a little more oil.
+
+“You never heard about Henery and the elephant?” he said. “It was dead
+funny. Henery was a bushwacker, but clean mad on motorin'. He was wood
+and water joey at some squatter's place until he seen a motor-car go
+past one day, the first that ever they had in the districk.
+
+“'That's my game,' says Henery; 'no more wood and water joey for me.'
+
+“So he comes to town and gets a job off Miles that had that garage at
+the back of Allison's. An old cove that they called John Bull--I don't
+know his right name, he was a fat old cove--he used to come there to
+hire cars, and Henery used to drive him. And this old John Bull he
+had lots of stuff, so at last he reckons he's going to get a car for
+himself, and he promises Henery a job to drive it. A queer cove this
+Henery was--half mad, I think, but the best hand with a car ever I see.”
+
+While he had been talking we topped a hill, and opened up a new stretch
+of blue-grey granite-like road. Down at the foot of the hill was a
+teamster's waggon in camp; the horses in their harness munching at their
+nose-bags, while the teamster and a mate were boiling a billy a little
+off to the side of the road. There was a turn in the road just below
+the waggon which looked a bit sharp, so of course Alfred bore down on it
+like a whirlwind. The big stupid team-horses huddled together and pushed
+each other awkwardly as we passed. A dog that had been sleeping in
+the shade of the waggon sprang out right in front of the car, and was
+exterminated without ever knowing what struck him.
+
+There was just room to clear the tail of the waggon and negotiate the
+turn. Alfred, with the calm decision of a Napoleon, swung round the bend
+to find that the teamster's hack, fast asleep, was tied to the tail of
+the waggon. Nothing but a lightning-like twist of the steering-wheel
+prevented our scooping the old animal up, and taking him on board as a
+passenger. As it was, we carried off most of his tail as a trophy on the
+brass of the lamp. The old steed, thus rudely awakened, lashed out good
+and hard, but by that time we were gone, and he missed the car by a
+quarter of a mile.
+
+During this strenuous episode Alfred never relaxed his professional
+stolidity, and, when we were clear, went on with his story in the tone
+of a man who found life wanting in animation.
+
+“Well, at fust, the old man would only buy one of these little
+eight-horse rubby-dubbys that go strugglin' up 'ills with a death-rattle
+in its throat, and all the people in buggies passin' it. O' course that
+didn't suit Henery. He used to get that spiked when a car passed him,
+he'd nearly go mad. And one day he nearly got the sack for dodgin' about
+up a steep 'ill in front of one o' them big twenty-four Darracqs, full
+of 'owlin' toffs, and not lettin' 'em get a chance to go past till they
+got to the top. But at last he persuaded old John Bull to let him go
+to England and buy a car for him. He was to do a year in the shops, and
+pick up all the wrinkles, and get a car for the old man. Bit better than
+wood and water joeying, wasn't it?”
+
+Our progress here was barred by our rounding a corner right on to a
+flock of sheep, that at once packed together into a solid mass in front
+of us, blocking the whole road from fence to fence.
+
+“Silly cows o' things, ain't they?” said Alfred, putting on his
+emergency brake, and skidding up till the car came softly to rest
+against the cushion-like mass--a much quicker stop than any horse-drawn
+vehicle could have made. A few sheep were crushed somewhat, but it
+is well known that a sheep is practically indestructible by violence.
+Whatever Alfred's faults were, he certainly could drive.
+
+“Well,” he went on, lighting a cigarette, unheeding the growls of the
+drovers, who were trying to get the sheep to pass the car, “well, as I
+was sayin', Henery went to England, and he got a car. Do you know wot he
+got?”
+
+“No, I don't.”
+
+“'E got a ninety,” said Alfred slowly, giving time for the words to soak
+in.
+
+“A ninety! What do you mean?”
+
+“'E got a ninety--a ninety-horse-power racin' engine wot was made
+for some American millionaire and wasn't as fast as wot some other
+millionaire had, so he sold it for the price of the iron, and Henery got
+it, and had a body built for it, and he comes out here and tells us all
+it's a twenty mongrel--you know, one of them cars that's made part in
+one place and part in another, the body here and the engine there, and
+the radiator another place. There's lots of cheap cars made like that.
+
+“So Henery he says that this is a twenty mongrel--only a four-cylinder
+engine; and nobody drops to what she is till Henery goes out one Sunday
+and waits for the big Napier that Scotty used to drive--it belonged to
+the same bloke wot owned that big racehorse wot won all the races. So
+Henery and Scotty they have a fair go round the park while both their
+bosses is at church, and Henery beat him out o' sight--fair lost
+him--and so Henery was reckoned the boss of the road. No one would take
+him on after that.”
+
+A nasty creek-crossing here required Alfred's attention. A little girl,
+carrying a billy-can of water, stood by the stepping stones, and smiled
+shyly as we passed. Alfred waved her a salute quite as though he were an
+ordinary human being. I felt comforted. He had his moments of relaxation
+evidently, and his affections like other people.
+
+“What happened to Henry and the ninety-horse machine?” I asked. “And
+where does the elephant come in?”
+
+Alfred smiled pityingly.
+
+“Ain't I tellin' yer,” he said. “You wouldn't understand if I didn't
+tell yer how he got the car and all that. So here's Henery,” he went on,
+“with old John Bull goin' about in the fastest car in Australia, and
+old John, he's a quiet old geezer, that wouldn't drive faster than the
+regulations for anything, and that short-sighted he can't see to
+the side of the road. So what does Henery do? He fixes up the
+speed-indicator--puts a new face on it, so that when the car is doing
+thirty, the indicator only shows fifteen, and twenty for forty, and so
+on. So out they'd go, and if Henery knew there was a big car in front of
+him, he'd let out to forty-five, and the pace would very near blow
+the whiskers off old John; and every now and again he'd look at the
+indicator, and it'd be showin' twenty-two and a half, and he'd say:
+
+“'Better be careful, Henery, you're slightly exceedin' the speed limit;
+twenty miles an hour, you know, Henery, should be fast enough for
+anybody, and you're doing over twenty-two.'
+
+“Well, one day, Henery told me, he was tryin' to catch up a big car that
+just came out from France, and it had a half-hour start of him, and he
+was just fairly flyin', and there was a lot of cars on the road, and he
+flies past 'em so fast the old man says, 'It's very strange, Henery,'
+he says, 'that all the cars that are out to-day are comin' this way,' he
+says. You see he was passin' 'em so fast he thought they were all comin'
+towards him.
+
+“And Henery sees a mate of his comin', so he lets out a notch or two,
+and the two cars flew by each other like chain lightnin'. They were each
+doin' about forty, and the old man, he says, 'There's a driver must be
+travellin' a hundred miles an hour,' he says. 'I never see a car go by
+so fast in my life,' he says. 'If I could find out who he is, I'd report
+him,' he says. 'Did you know the car, Henery?' But of course Henery, he
+doesn't know, so on they goes.
+
+“The owner of the big French car thinks he has the fastest car in
+Australia, and when he sees Henery and the old man coming, he tells his
+driver to let her out a little; but Henery gives the ninety-horse the
+full of the lever, and whips up alongside in one jump. And then he keeps
+there just half a length ahead of him, tormentin' him like. And the
+owner of the French car he yells out to old John Bull, 'You're going
+a nice pace for an old 'un,' he says. Old John has a blink down at
+the indicator. 'We're doing twenty-five,' he yells out. 'Twenty-five
+grandmothers,' says the bloke; but Henery he put on his accelerator, and
+left him. It wouldn't do to let the old man get wise to it, you know.”
+
+We topped a big hill, and Alfred cut off the engine and let the car
+swoop, as swiftly and noiselessly as an eagle, down to the flat country
+below.
+
+“You're a long while coming to the elephant, Alfred,” I said.
+
+“Well, now, I'll tell you about the elephant,” said Alfred, letting his
+clutch in again, and taking up the story to the accompaniment of the
+rhythmic throb of the engine.
+
+“One day Henery and the old man were going out a long trip over the
+mountain, and down the Kangaroo Valley Road that's all cut out of the
+side of the 'ill. And after they's gone a mile or two, Henery sees a
+track in the road--the track of the biggest car he ever seen or 'eard
+of. An' the more he looks at it, the more he reckons he must ketch that
+car and see what she's made of. So he slows down passin' two yokels on
+the road, and he says, 'Did you see a big car along 'ere?'
+
+“'Yes, we did,' they says.
+
+“'How big is she?' says Henery.
+
+“'Biggest car ever we see,' says the yokels, and they laughed that silly
+way these yokels always does.
+
+“'How many horse-power do you think she was?' says Henery.
+
+“'Horse-power,' they says; 'elephant-power, you mean! She was three
+elephant-power,' they says; and they goes 'Haw, haw!' and Henery drops
+his clutch in, and off he goes after that car.”
+
+Alfred lit another cigarette as a preliminary to the climax.
+
+“So they run for miles, and all the time there's the track ahead of 'em,
+and Henery keeps lettin' her out, thinkin' that he'll never ketch that
+car. They went through a town so fast, the old man he says, 'What house
+was that we just passed,' he says. At last they come to the top of the
+big 'ill, and there's the tracks of the big car goin' straight down
+ahead of 'em.
+
+“D'you know that road? It's all cut out of the side of the mountain, and
+there's places where if she was to side-slip you'd go down 'undreds
+of thousands of feet. And there's sharp turns, too; but the surface is
+good, so Henery he lets her out, and down they go, whizzin' round the
+turns and skatin' out near the edge, and the old cove sittin' there
+enjoyin' it, never knowin' the danger. And comin' to one turn Henery
+gives a toot on the 'orn, and then he heard somethin' go 'toot, toot'
+right away down the mountain.
+
+“'Bout a mile ahead it seemed to be, and Henery reckoned he'd go another
+four miles before he'd ketch it, so he chances them turns more than
+ever. And she was pretty hot, too; but he kept her at it, and he hadn't
+gone a full mile till he come round a turn about forty miles an hour,
+and before he could stop he run right into it, and wot do you think it
+was?”
+
+I hadn't the faintest idea.
+
+“A circus. One of them travellin' circuses, goin' down the coast; and
+one of the elephants had sore feet, so they put him in a big waggon,
+and another elephant pulled in front and one pushed behind. Three
+elephant-power it was, right enough. That was the waggon wot made the
+big track. Well, it was all done so sudden. Before Henery could stop, he
+runs the radiator--very near boiling she was--up against the elephant's
+tail, and prints the pattern of the latest honeycomb radiator on the
+elephant as clear as if you done it with a stencil.
+
+“The elephant, he lets a roar out of him like one of them bulls
+bellerin', and he puts out his nose and ketches Henery round the neck,
+and yanks him out of the car, and chucks him right clean over the cliff,
+'bout a thousand feet. But he never done nothin' to the old bloke.”
+
+“Good gracious!”
+
+“Well, it finished Henery, killed him stone dead, of course, and the old
+man he was terrible cut up over losin' such a steady, trustworthy man.
+'Never get another like him,' he says.”
+
+We were nearly at our journey's end, and we turned through a gate
+into the home paddocks. Some young stock, both horses and cattle, came
+frisking and cantering after the car, and the rough bush track took
+all Alfred's attention. We crossed a creek, the water swishing from the
+wheels, and began the long pull up to the homestead. Over the clamour of
+the little-used second speed, Alfred concluded his narrative.
+
+“The old bloke advertised,” he said, “for another driver, a steady,
+reliable man to drive a twenty horse-power, four-cylinder touring car.
+Every driver in Sydney put in for it. Nothing like a fast car to fetch
+'em, you know. And Scotty got it. Him wot used to drive the Napier I was
+tellin' you about.”
+
+“And what did the old man say when he found he'd been running a racing
+car?”
+
+“He don't know now. Scotty never told 'im. Why should he? He's drivin'
+about the country now, the boss of the roads, but he won't chance
+her near a circus. Thinks he might bump the same elephant. And that
+elephant, every time he smells a car passin' in the road, he goes near
+mad with fright. If he ever sees that car again, do you think he'd know
+it?”
+
+Not being used to elephants, I could not offer an opinion.
+
+
+
+
+THE ORACLE
+
+
+No tram ever goes to Randwick races without him; he is always fat,
+hairy, and assertive; he is generally one of a party, and takes the
+centre of the stage all the time--collects and hands over the fares,
+adjusts the change, chaffs the conductor, crushes the thin, apologetic
+stranger next him into a pulp, and talks to the whole compartment as if
+they had asked for his opinion.
+
+He knows all the trainers and owners, or takes care to give the
+impression that he does. He slowly and pompously hauls out his
+race book, and one of his satellites opens the ball by saying, in a
+deferential way:
+
+“What do you like for the 'urdles, Charley?”
+
+The Oracle looks at the book and breathes heavily; no one else ventures
+to speak.
+
+“Well,” he says, at last, “of course there's only one in it--if he's
+wanted. But that's it--will they spin him? I don't think they will.
+They's only a lot o' cuddies, any'ow.”
+
+No one likes to expose his own ignorance by asking which horse he refers
+to as the “only one in it”; and the Oracle goes on to deal out some more
+wisdom in a loud voice.
+
+“Billy K---- told me” (he probably hardly knows Billy K---- by sight)
+“Billy K---- told me that that bay 'orse ran the best mile-an'-a-half
+ever done on Randwick yesterday; but I don't give him a chance, for all
+that; that's the worst of these trainers. They don't know when their
+horses are well--half of 'em.”
+
+Then a voice comes from behind him. It is that of the thin man, who is
+crushed out of sight by the bulk of the Oracle.
+
+“I think,” says the thin man, “that that horse of Flannery's ought to
+run well in the Handicap.”
+
+The Oracle can't stand this sort of thing at all. He gives a snort,
+wheels half-round and looks at the speaker. Then he turns back to the
+compartment full of people, and says: “No 'ope.”
+
+The thin man makes a last effort. “Well, they backed him last night,
+anyhow.”
+
+“Who backed 'im?” says the Oracle.
+
+“In Tattersall's,” says the thin man.
+
+“I'm sure,” says the Oracle; and the thin man collapses.
+
+On arrival at the course, the Oracle is in great form. Attended by
+his string of satellites, he plods from stall to stall staring at the
+horses. Their names are printed in big letters on the stalls, but the
+Oracle doesn't let that stop his display of knowledge.
+
+“'Ere's Blue Fire,” he says, stopping at that animal's stall, and
+swinging his race book. “Good old Blue Fire!” he goes on loudly, as a
+little court collects. “Jimmy B----” (mentioning a popular jockey) “told
+me he couldn't have lost on Saturday week if he had only been ridden
+different. I had a good stake on him, too, that day. Lor', the races
+that has been chucked away on this horse. They will not ride him right.”
+
+A trainer who is standing by, civilly interposes. “This isn't Blue
+Fire,” he says. “Blue Fire's out walking about. This is a two-year-old
+filly that's in the stall----”
+
+“Well, I can see that, can't I,” says the Oracle, crushingly. “You
+don't suppose I thought Blue Fire was a mare, did you?” and he moves off
+hurriedly.
+
+“Now, look here, you chaps,” he says to his followers at last. “You wait
+here. I want to go and see a few of the talent, and it don't do to have
+a crowd with you. There's Jimmy M---- over there now” (pointing to a
+leading trainer). “I'll get hold of him in a minute. He couldn't tell me
+anything with so many about. Just you wait here.”
+
+He crushes into a crowd that has gathered round the favourite's stall,
+and overhears one hard-faced racing man say to another, “What do you
+like?” to which the other answers, “Well, either this or Royal Scot. I
+think I'll put a bit on Royal Scot.” This is enough for the Oracle. He
+doesn't know either of the men from Adam, or either of the horses from
+the great original pachyderm, but the information will do to go on with.
+He rejoins his followers, and looks very mysterious.
+
+“Well, did you hear anything?” they say.
+
+The Oracle talks low and confidentially.
+
+“The crowd that have got the favourite tell me they're not afraid of
+anything but Royal Scot,” he says. “I think we'd better put a bit on
+both.”
+
+“What did the Royal Scot crowd say?” asks an admirer deferentially.
+
+“Oh, they're going to try and win. I saw the stable commissioner, and he
+told me they were going to put a hundred on him. Of course, you
+needn't say I told you, 'cause I promised him I wouldn't tell.” And
+the satellites beam with admiration of the Oracle, and think what a
+privilege it is to go to the races with such a knowing man.
+
+They contribute their mites to the general fund, some putting in a
+pound, others half a sovereign, and the Oracle takes it into the ring to
+invest, half on the favourite and half on Royal Scot. He finds that the
+favourite is at two to one, and Royal Scot at threes, eight to one
+being offered against anything else. As he ploughs through the ring, a
+Whisperer (one of those broken-down followers of the turf who get
+their living in various mysterious ways, but partly by giving “tips” to
+backers) pulls his sleeve.
+
+“What are you backing?” he says.
+
+“Favourite and Royal Scot,” says the Oracle.
+
+“Put a pound on Bendemeer,” says the tipster. “It's a certainty. Meet
+me here if it comes off, and I'll tell you something for the next race.
+Don't miss it now. Get on quick!”
+
+The Oracle is humble enough before the hanger-on of the turf. A
+bookmaker roars “10 to 1 Bendemeer;” he suddenly fishes out a sovereign
+of his own--and he hasn't money to spare, for all his knowingness--and
+puts it on Bendemeer. His friends' money he puts on the favourite and
+Royal Scot as arranged. Then they all go round to watch the race.
+
+The horses are at the post; a distant cluster of crowded animals with
+little dots of colour on their backs. Green, blue, yellow, purple,
+French grey, and old gold, they change about in a bewildering manner,
+and though the Oracle has a cheap pair of glasses, he can't make out
+where Bendemeer has got to. Royal Scot and the favourite he has lost
+interest in, and secretly hopes that they will be left at the post
+or break their necks; but he does not confide his sentiment to his
+companions.
+
+They're off! The long line of colours across the track becomes a
+shapeless clump and then draws out into a long string. “What's that in
+front?” yells someone at the rails. “Oh, that thing of Hart's,” says
+someone else. But the Oracle hears them not; he is looking in the mass
+of colour for a purple cap and grey jacket, with black arm bands. He
+cannot see it anywhere, and the confused and confusing mass swings round
+the turn into the straight.
+
+Then there is a babel of voices, and suddenly a shout of “Bendemeer!
+Bendemeer!” and the Oracle, without knowing which is Bendemeer, takes
+up the cry feverishly. “Bendemeer! Bendemeer!” he yells, waggling his
+glasses about, trying to see where the animal is.
+
+“Where's Royal Scot, Charley? Where's Royal Scot?” screams one of his
+friends, in agony. “'Ow's he doin'?”
+
+“No 'ope!” says the Oracle, with fiendish glee. “Bendemeer! Bendemeer!”
+
+The horses are at the Leger stand now, whips are out, and three horses
+seem to be nearly abreast; in fact, to the Oracle there seem to be a
+dozen nearly abreast. Then a big chestnut sticks his head in front
+of the others, and a small man at the Oracle's side emits a deafening
+series of yells right by the Oracle's ear:
+
+“Go on, Jimmy! Rub it into him! Belt him! It's a cake-walk! A cake-walk!”
+ The big chestnut, in a dogged sort of way, seems to stick his body clear
+of his opponents, and passes the post a winner by a length. The Oracle
+doesn't know what has won, but fumbles with his book. The number on the
+saddle-cloth catches his eye--No. 7; he looks hurriedly down the page.
+No. 7--Royal Scot. Second is No. 24--Bendemeer. Favourite nowhere.
+
+Hardly has he realised it, before his friends are cheering and clapping
+him on the back. “By George, Charley, it takes you to pick 'em.” “Come
+and 'ave a wet!” “You 'ad a quid in, didn't you, Charley?” The Oracle
+feels very sick at having missed the winner, but he dies game. “Yes,
+rather; I had a quid on,” he says. “And” (here he nerves himself to
+smile) “I had a saver on the second, too.”
+
+His comrades gasp with astonishment. “D'you hear that, eh? Charley
+backed first and second. That's pickin' 'em if you like.” They have a
+wet, and pour fulsome adulation on the Oracle when he collects their
+money.
+
+After the Oracle has collected the winnings for his friends he meets the
+Whisperer again.
+
+“It didn't win?” he says to the Whisperer in inquiring tones.
+
+“Didn't win,” says the Whisperer, who has determined to brazen the
+matter out. “How could he win? Did you see the way he was ridden? That
+horse was stiffened just after I seen you, and he never tried a yard.
+Did you see the way he was pulled and hauled about at the turn? It'd
+make a man sick. What was the stipendiary stewards doing, I wonder?”
+
+This fills the Oracle with a new idea. All that he remembers of the race
+at the turn was a jumble of colours, a kaleidoscope of horses and of
+riders hanging on to the horses' necks. But it wouldn't do to admit that
+he didn't see everything, and didn't know everything; so he plunges in
+boldly.
+
+“O' course I saw it,” he says. “And a blind man could see it. They ought
+to rub him out.”
+
+“Course they ought,” says the Whisperer. “But, look here, put two quid
+on Tell-tale; you'll get it all back!”
+
+The Oracle does put on “two quid”, and doesn't get it all back. Neither
+does he see any more of this race than he did of the last one--in fact,
+he cheers wildly when the wrong horse is coming in. But when the public
+begin to hoot he hoots as loudly as anybody--louder if anything; and all
+the way home in the tram he lays down the law about stiff running, and
+wants to know what the stipendiaries are doing.
+
+If you go into any barber's shop, you can hear him at it, and he
+flourishes in suburban railway carriages; but he has a tremendous local
+reputation, having picked first and second in the handicap, and it would
+be a bold man who would venture to question the Oracle's knowledge of
+racing and of all matters relating to it.
+
+
+
+
+THE CAST-IRON CANVASSER
+
+
+The firm of Sloper and Dodge, publishers and printers, was in great
+distress. These two enterprising individuals had worked up an enormous
+business in time-payment books, which they sold all over Australia
+by means of canvassers. They had put all the money they had into the
+business; and now, just when everything was in thorough working order,
+the public had revolted against them.
+
+Their canvassers were molested by the country folk in divers strange
+bush ways. One was made drunk, and then a two-horse harrow was run over
+him; another was decoyed into the ranges on pretence of being shown a
+gold-mine, and his guide galloped away and left him to freeze all night
+in the bush. In mining localities the inhabitants were called together
+by beating a camp-oven lid with a pick, and the canvasser was given ten
+minutes in which to get out of the town alive. If he disregarded the
+hint he would, as likely as not, fall accidentally down a disused shaft.
+
+The people of one district applied to their M.P. to have canvassers
+brought under the “Noxious Animals Act”, and demanded that a reward
+should be offered for their scalps. Reports appeared in the country
+press about strange, gigantic birds that appeared at remote selections
+and frightened the inhabitants to death--these were Sloper and Dodge's
+sober and reliable agents, wearing neat, close-fitting suits of tar and
+feathers.
+
+In fact, it was altogether too hot for the canvassers, and they came
+in from North and West and South, crippled and disheartened, to tender
+their resignations. To make matters worse, Sloper and Dodge had just
+got out a large Atlas of Australasia, and if they couldn't sell it, ruin
+stared them in the face; and how could they sell it without canvassers?
+
+The members of the firm sat in their private office. Sloper was a long,
+sanctimonious individual, very religious and very bald. Dodge was a
+little, fat American, with bristly, black hair and beard, and quick,
+beady eyes. He was eternally smoking a reeking black pipe, and puffing
+the smoke through his nose in great whiffs, like a locomotive on a
+steep grade. Anybody walking into one of those whiffs was liable to get
+paralysis.
+
+Just as things were at their very blackest, something had turned up that
+promised to relieve all their difficulties. An inventor had offered to
+supply them with a patent cast-iron canvasser--a figure which (he said)
+when wound up would walk, talk, collect orders, and stand any amount
+of ill-usage and wear and tear. If this could indeed be done, they
+were saved. They had made an appointment with the genius; but he was
+half-an-hour late, and the partners were steeped in gloom.
+
+They had begun to despair of his appearing at all, when a cab rattled up
+to the door. Sloper and Dodge rushed unanimously to the window. A
+young man, very badly dressed, stepped out of the cab, holding over
+his shoulder what looked like the upper half of a man's body. In his
+disengaged hand he held a pair of human legs with boots and trousers on.
+Thus burdened he turned to ask his fare, but the cabman gave a yell of
+terror, whipped up his horse, and disappeared at a hand-gallop; and a
+woman who happened to be going by, ran down the street, howling that
+Jack the Ripper had come to town. The man bolted in at the door, and
+toiled up the dark stairs tramping heavily, the legs and feet, which he
+dragged after him, making an unearthly clatter. He came in and put his
+burden down on the sofa.
+
+“There you are, gents,” he said; “there's your canvasser.”
+
+Sloper and Dodge recoiled in horror. The upper part of the man had a
+waxy face, dull, fishy eyes, and dark hair; he lounged on the sofa like
+a corpse at ease, while his legs and feet stood by, leaning stiffly
+against the wall. The partners gazed at him for a while in silence.
+
+“Fix him together, for God's sake,” said Dodge. “He looks awful.”
+
+The Genius grinned, and fixed the legs on.
+
+“Now he looks better,” said Dodge, poking about the figure--“looks
+as much like life as most--ah, would you, you brute!” he exclaimed,
+springing back in alarm, for the figure had made a violent La Blanche
+swing at him.
+
+“That's all right,” said the Inventor. “It's no good having his face
+knocked about, you know--lot of trouble to make that face. His head and
+body are full of springs, and if anybody hits him in the face, or in the
+pit of the stomach--favourite places to hit canvassers, the pit of the
+stomach--it sets a strong spring in motion, and he fetches his right
+hand round with a swipe that'll knock them into the middle of next week.
+It's an awful hit. Griffo couldn't dodge it, and Slavin couldn't stand
+up against it. No fear of any man hitting _him_ twice.
+
+“And he's dog-proof, too. His legs are padded with tar and oakum, and
+if a dog bites a bit out of him, it will take that dog weeks to pick his
+teeth clean. Never bite anybody again, that dog won't. And he'll talk,
+talk, talk, like a suffragist gone mad; his phonograph can be charged
+for 100,000 words, and all you've got to do is to speak into it what you
+want him to say, and he'll say it. He'll go on saying it till he talks
+his man silly, or gets an order. He has an order-form in his hand, and
+as soon as anyone signs it and gives it back to him, that sets another
+spring in motion, and he puts the order in his pocket, turns round, and
+walks away. Grand idea, isn't he? Lor' bless you, I fairly love him.”
+
+He beamed affectionately on his monster.
+
+“What about stairs?” said Dodge.
+
+“No stairs in the bush,” said the Inventor, blowing a speck of dust off
+his apparition; “all ground-floor houses. Anyhow, if there were stairs
+we could carry him up and let him fall down afterwards, or get flung
+down like any other canvasser.”
+
+“Ha! Let's see him walk,” said Dodge.
+
+The figure walked all right, stiff and erect.
+
+“Now let's hear him yabber.”
+
+The Genius touched a spring, and instantly, in a queer, tin-whistly
+voice, he began to sing, “Little Annie Rooney”.
+
+“Good!” said Dodge; “he'll do. We'll give you your price. Leave him here
+to-night, and come in to-morrow. We'll send you off to the back country
+with him. Ninemile would be a good place to start in. Have a cigar?”
+
+Mr. Dodge, much elated, sucked at his pipe, and blew through his nose a
+cloud of nearly solid smoke, through which the Genius sidled out. They
+could hear him sneezing and choking all the way down the stairs.
+
+Ninemile is a quiet little place, sleepy beyond description. When the
+mosquitoes in that town settle on anyone, they usually go to sleep, and
+forget to bite him. The climate is so hot that the very grasshoppers
+crawl into the hotel parlours out of the sun, climb up the window
+curtains, and then go to sleep. The Riot Act never had to be read in
+Ninemile. The only thing that can arouse the inhabitants out of their
+lethargy is the prospect of a drink at somebody else's expense.
+
+For these reasons it had been decided to start the Cast-iron Canvasser
+there, and then move him on to more populous and active localities if he
+proved a success. They sent up the Genius, and one of their men who knew
+the district well. The Genius was to manage the automaton, and the other
+was to lay out the campaign, choose the victims, and collect the money,
+geniuses being notoriously unreliable and loose in their cash. They got
+through a good deal of whisky on the way up, and when they arrived at
+Ninemile were in a cheerful mood, and disposed to take risks.
+
+“Who'll we begin on?” said the Genius.
+
+“Oh, hang it all,” said the other, “let's make a start with Macpherson.”
+
+Macpherson was a Land Agent, and the big bug of the place. He was a
+gigantic Scotchman, six feet four in his socks, and freckled all over
+with freckles as big as half-crowns. His eyebrows would have made
+decent-sized moustaches for a cavalryman, and his moustaches looked like
+horns. He was a fighter from the ground up, and had a desperate “down”
+ on canvassers generally, and on Sloper and Dodge's canvassers in
+particular.
+
+Sloper and Dodge had published a book called “Remarkable Colonials”, and
+Macpherson had written out his own biography for it. He was intensely
+proud of his pedigree and his relations, and in his narrative made out
+that he was descended from the original Fhairshon who swam round Noah's
+Ark with his title-deeds in his teeth. He showed how his people had
+fought under Alexander the Great and Timour, and had come over to
+Scotland some centuries before William the Conqueror landed in England.
+He proved that he was related in a general way to one emperor, fifteen
+kings, twenty-five dukes, and earls and lords and viscounts innumerable.
+And then, after all, the editor of “Remarkable Colonials” managed to mix
+him up with some other fellow, some low-bred Irish McPherson, born in
+Dublin of poor but honest parents.
+
+It was a terrible outrage. Macpherson became president of the Western
+District Branch of the “Remarkable Colonials” Defence League, a fierce
+and homicidal association got up to resist, legally and otherwise,
+paying for the book. He had further sworn by all he held sacred that
+every canvasser who came to harry him in future should die, and had put
+up a notice on his office-door, “Canvassers come in at their own risk.”
+
+He had a dog of what he called the Hold'em breed, who could tell a
+canvasser by his walk, and would go for him on sight. The reader will
+understand, therefore, that, when the Genius and his mate proposed to
+start on Macpherson, they were laying out a capacious contract for
+the Cast-iron Canvasser, and could only have been inspired by a morbid
+craving for excitement, aided by the influence of backblock whisky.
+
+The Inventor wound the figure up in the back parlour of the pub. There
+were a frightful lot of screws to tighten before the thing would work,
+but at last he said it was ready, and they shambled off down the street,
+the figure marching stiffly between them. It had a book tucked under
+its arm and an order-form in its hand. When they arrived opposite
+Macpherson's office, the Genius started the phonograph working, pointed
+the figure straight at Macpherson's door, and set it going. Then the two
+conspirators waited, like Guy Fawkes in his cellar.
+
+The automaton marched across the road and in at the open door, talking
+to itself loudly in a hoarse, unnatural voice.
+
+Macpherson was writing at his table, and looked up.
+
+The figure walked bang through a small collection of flower-pots, sent
+a chair flying, tramped heavily in the spittoon, and then brought up
+against the table with a loud crash and stood still. It was talking all
+the time.
+
+“I have here,” it said, “a most valuable work, an Atlas of Australia,
+which I desire to submit to your notice. The large and increasing demand
+of bush residents for time-payment works has induced the publishers of
+this----”
+
+“My God!” said Macpherson, “it's a canvasser. Here, Tom Sayers, Tom
+Sayers!” and he whistled and called for his dog. “Now,” he said, “will
+you go out of this office quietly, or will you be thrown out? It's for
+yourself to decide, but you've only got while a duck wags his tail to
+decide in. Which'll it be?”
+
+“---- works of modern ages,” said the canvasser. “Every person
+subscribing to this invaluable work will receive, in addition, a
+flat-iron, a railway pass for a year, and a pocket-compass. If you will
+please sign this order----”
+
+Just here Tom Sayers came tearing through the office, and without
+waiting for orders hitched straight on to the canvasser's calf. To
+Macpherson's amazement the piece came clear away, and Tom Sayers rolled
+about on the floor with his mouth full of a sticky substance which
+seemed to surprise him badly.
+
+The long Scotchman paused awhile before this mystery, but at last
+he fancied he had got the solution. “Got a cork leg, have you?” said
+he--“Well, let's see if your ribs are cork too,” and he struck the
+canvasser an awful blow on the fifth button of the waistcoat.
+
+Quicker than lightning came that terrific right-hand cross-counter.
+Macpherson never even knew what happened to him. The canvasser's right
+hand, which had been adjusted by his inventor for a high blow, had
+landed on the butt of Macpherson's ear and dropped him like a fowl. The
+gasping, terrified bull-dog fled the scene, and the canvasser stood over
+his fallen foe, still intoning the virtues of his publication. He had
+come there merely as a friend, he said, to give the inhabitants of
+Ninemile a chance to buy a book which had recently earned the approval
+of King O'Malley and His Excellency the Governor-General.
+
+The Genius and his mate watched this extraordinary drama through the
+window. The stimulant habitually consumed by the Ninemilers had induced
+in them a state of superlative Dutch courage, and they looked upon the
+whole affair as a wildly hilarious joke.
+
+“By Gad! he's done him,” said the Genius, as Macpherson went down, “done
+him in one hit. If he don't pay as a canvasser I'll take him to town
+and back him to fight Les Darcy. Look out for yourself; don't you handle
+him!” he continued as the other approached the figure. “Leave him to
+me. As like as not, if you get fooling about him, he'll give you a clout
+that'll paralyse you.”
+
+So saying, he guided the automaton out of the office and into the
+street, and walked straight into a policeman.
+
+By a common impulse the Genius and his mate ran rapidly away in
+different directions, leaving the figure alone with the officer.
+
+He was a fully-ordained sergeant--by name Aloysius O'Grady; a squat,
+rosy little Irishman. He hated violent arrests and all that sort of
+thing, and had a faculty of persuading drunks and disorderlies and other
+fractious persons to “go quietly along wid him,” that was little short
+of marvellous. Excited revellers, who were being carried by their mates,
+struggling violently, would break away to prance gaily along to the
+lock-up with the sergeant. Obstinate drunks who had done nothing but lie
+on the ground and kick their feet in the air, would get up like birds,
+serpent-charmed, to go with him to durance vile.
+
+As soon as he saw the canvasser, and noted his fixed, unearthly stare,
+and listened to his hoarse, unnatural voice, the sergeant knew what was
+the matter; it was a man in the horrors, a common enough spectacle at
+Ninemile. He resolved to decoy him into the lock-up, and accosted him in
+a friendly, free-and-easy way.
+
+“Good day t'ye,” he said.
+
+“---- most magnificent volume ever published, jewelled in fourteen
+holes, working on a ruby roller, and in a glass case,” said the
+book-canvasser. “The likenesses of the historical personages are
+so natural that the book must not be left open on the table, or the
+mosquitoes will ruin it by stinging the portraits.”
+
+It then dawned on the sergeant that this was no mere case of the
+horrors--he was dealing with a book-canvasser.
+
+“Ah, sure,” he said, “fwhat's the use uv tryin' to sell books at all, at
+all; folks does be peltin' them out into the street, and the nanny-goats
+lives on them these times. Oi send the childer out to pick 'em up, and
+we have 'em at me place in barrow-loads. Come along wid me now, and
+Oi'll make you nice and comfortable for the night,” and he laid his hand
+on the outstretched palm of the figure.
+
+It was a fatal mistake. He had set in motion the machinery which
+operated the figure's left arm, and it moved that limb in towards its
+body, and hugged the sergeant to its breast, with a vice-like grip. Then
+it started in a faltering and uneven, but dogged, way to walk towards
+the river.
+
+“Immortial Saints!” gasped the sergeant, “he's squazin' the livin'
+breath out uv me. Lave go now loike a dacent sowl, lave go. And oh,
+for the love uv God, don't be shpakin' into me ear that way;” for the
+figure's mouth was pressed tight against the sergeant's ear, and its
+awful voice went through and through the little man's head, as it held
+forth about the volume. The sergeant struggled violently, and by so
+doing set some more springs in motion, and the figure's right arm
+made terrific swipes in the air. A following of boys and loafers had
+collected by this time. “Blimey, how does he lash out!” was the remark
+they made. But they didn't interfere, notwithstanding the sergeant's
+frantic appeals, and things were going hard with him when his
+subordinate, Constable Dooley, appeared on the scene.
+
+Dooley, better known as The Wombat because of his sleepy disposition,
+was a man of great strength. He had originally been quartered at Sydney,
+and had fought many bitter battles with the notorious “pushes” of Bondi,
+Surry Hills and The Rocks. After that, duty at Ninemile was child's
+play, and he never ran in fewer than two drunks at a time; it was
+beneath his dignity to be seen capturing a solitary inebriate. If they
+wouldn't come any other way, he would take them by the ankles and drag
+them after him. When the Wombat saw the sergeant in the grasp of an
+inebriate he bore down on the fray full of fight.
+
+“I'll soon make him lave go, sergeant,” he said, and he caught hold of
+the figure's right arm, to put on the “police twist”. Unfortunately,
+at that exact moment the sergeant touched one of the springs in the
+creature's breast. With the suddenness and severity of a horse-kick, it
+lashed out with its right hand, catching the redoubtable Dooley a thud
+on the jaw, and sending him to grass as if he had been shot.
+
+For a few minutes he “lay as only dead men lie”. Then he got up bit by
+bit, wandered off home to the police-barracks, and mentioned casually
+to his wife that John L. Sullivan had come to town, and had taken
+the sergeant away to drown him. After which, having given orders that
+anybody who called was to be told that he had gone fifteen miles out of
+town to serve a summons on a man for not registering a dog, he locked
+himself up in a cell for the rest of the day.
+
+Meanwhile, the Cast-iron Canvasser, still holding the sergeant tightly
+clutched to its breast, was marching straight towards the river.
+Something had disorganised its vocal arrangements, and it was now
+positively shrieking in the sergeant's ear, and, as it yelled, the
+little man yelled still louder.
+
+“Oi don't want yer accursed book. Lave go uv me, Oi say!” He beat with
+his fists on its face, and kicked its shins without avail. A short,
+staggering rush, a wild shriek from the officer, and they both toppled
+over the steep bank and went souse into the depths of Ninemile Creek.
+
+That was the end of the matter. The Genius and his mate returned to town
+hurriedly, and lay low, expecting to be indicted for murder. Constable
+Dooley drew up a report for the Chief of Police which contained so many
+strange statements that the Police department concluded the sergeant
+must have got drunk and drowned himself, and that Dooley saw him do it,
+but was too drunk to pull him out.
+
+Anyone unacquainted with Ninemile might expect that a report of the
+occurrence would have reached the Sydney papers. As a matter of fact the
+storekeeper did think of writing one, but decided that it was too much
+trouble. There was some idea of asking the Government to fish the two
+bodies out of the river; but about that time an agitation was started
+in Ninemile to have the Federal Capital located there, and nothing else
+mattered.
+
+The Genius discovered a pub in Sydney that kept the Ninemile brand of
+whisky, and drank himself to death; the Wombat became a Sub-Inspector of
+Police; Sloper entered the Christian ministry; Dodge was elected to the
+Federal Parliament; and a vague tradition about “a bloke who came up
+here in the horrors, and drownded poor old O'Grady,” is the only memory
+that remains of that wonderful creation, the Cast-iron Canvasser.
+
+
+
+
+THE MERINO SHEEP
+
+
+People have got the impression that the merino is a gentle, bleating
+animal that gets its living without trouble to anybody, and comes up
+every year to be shorn with a pleased smile upon its amiable face. It is
+my purpose here to exhibit the merino sheep in its true light.
+
+First let us give him his due. No one can accuse him of being a
+ferocious animal. No one could ever say that a sheep attacked him
+without provocation; although there is an old bush story of a man who
+was discovered in the act of killing a neighbour's wether.
+
+“Hello!” said the neighbour, “What's this? Killing my sheep! What have
+you got to say for yourself?”
+
+“Yes,” said the man, with an air of virtuous indignation. “I _am_ killing
+your sheep. I'll kill _any_ man's sheep that bites _me_!”
+
+But as a rule the merino refrains from using his teeth on people. He
+goes to work in another way.
+
+The truth is that he is a dangerous monomaniac, and his one idea is to
+ruin the man who owns him. With this object in view he will display a
+talent for getting into trouble and a genius for dying that are almost
+incredible.
+
+If a mob of sheep see a bush fire closing round them, do they run away
+out of danger? Not at all, they rush round and round in a ring till the
+fire burns them up. If they are in a river-bed, with a howling flood
+coming down, they will stubbornly refuse to cross three inches of water
+to save themselves. Dogs may bark and men may shriek, but the sheep
+won't move. They will wait there till the flood comes and drowns them
+all, and then their corpses go down the river on their backs with their
+feet in the air.
+
+A mob will crawl along a road slowly enough to exasperate a snail, but
+let a lamb get away in a bit of rough country, and a racehorse can't
+head him back again. If sheep are put into a big paddock with water in
+three corners of it, they will resolutely crowd into the fourth, and die
+of thirst.
+
+When being counted out at a gate, if a scrap of bark be left on the
+ground in the gateway, they will refuse to step over it until dogs and
+men have sweated and toiled and sworn and “heeled 'em up”, and “spoke
+to 'em”, and fairly jammed them at it. At last one will gather courage,
+rush at the fancied obstacle, spring over it about six feet in the air,
+and dart away. The next does exactly the same, but jumps a bit higher.
+Then comes a rush of them following one another in wild bounds like
+antelopes, until one overjumps himself and alights on his head. This
+frightens those still in the yard, and they stop running out.
+
+Then the dogging and shrieking and hustling and tearing have to be gone
+through all over again. (This on a red-hot day, mind you, with clouds
+of blinding dust about, the yolk of wool irritating your eyes, and,
+perhaps, three or four thousand sheep to put through). The delay throws
+out the man who is counting, and he forgets whether he left off at 45
+or 95. The dogs, meanwhile, have taken the first chance to slip over
+the fence and hide in the shade somewhere, and then there are loud
+whistlings and oaths, and calls for Rover and Bluey. At last a
+dirt-begrimed man jumps over the fence, unearths Bluey, and hauls him
+back by the ear. Bluey sets to work barking and heeling-'em up again,
+and pretends that he thoroughly enjoys it; but all the while he is
+looking out for another chance to “clear”. And _this_ time he won't be
+discovered in a hurry.
+
+There is a well-authenticated story of a ship-load of sheep that was
+lost because an old ram jumped overboard, and all the rest followed him.
+No doubt they did, and were proud to do it. A sheep won't go through
+an open gate on his own responsibility, but he would gladly and proudly
+“follow the leader” through the red-hot portals of Hades: and it makes
+no difference whether the lead goes voluntarily, or is hauled struggling
+and kicking and fighting every inch of the way.
+
+For pure, sodden stupidity there is no animal like the merino. A lamb
+will follow a bullock-dray, drawn by sixteen bullocks and driven by
+a profane person with a whip, under the impression that the aggregate
+monstrosity is his mother. A ewe never knows her own lamb by sight, and
+apparently has no sense of colour. She can recognise its voice half a
+mile off among a thousand other voices apparently exactly similar; but
+when she gets within five yards of it she starts to smell all the other
+lambs within reach, including the black ones--though her own may be
+white.
+
+The fiendish resemblance which one sheep bears to another is a great
+advantage to them in their struggles with their owners. It makes it more
+difficult to draft them out of a strange flock, and much harder to tell
+when any are missing.
+
+Concerning this resemblance between sheep, there is a story told of
+a fat old Murrumbidgee squatter who gave a big price for a famous ram
+called Sir Oliver. He took a friend out one day to inspect Sir Oliver,
+and overhauled that animal with a most impressive air of sheep-wisdom.
+
+“Look here,” he said, “at the fineness of the wool. See the serrations
+in each thread of it. See the density of it. Look at the way his legs
+and belly are clothed--he's wool all over, that sheep. Grand animal,
+grand animal!”
+
+Then they went and had a drink, and the old squatter said, “Now, I'll
+show you the difference between a champion ram and a second-rater.” So
+he caught a ram and pointed out his defects. “See here--not half the
+serrations that other sheep had. No density of fleece to speak of.
+Bare-bellied as a pig, compared with Sir Oliver. Not that this isn't
+a fair sheep, but he'd be dear at one-tenth Sir Oliver's price. By the
+way, Johnson” (to his overseer), “what ram _is_ this?”
+
+“That, sir,” replied the astounded functionary--“that _is_ Sir Oliver,
+sir!”
+
+There is another kind of sheep in Australia, as great a curse in his own
+way as the merino--namely, the cross-bred, or half-merino-half-Leicester
+animal. The cross-bred will get through, under, or over any fence you
+like to put in front of him. He is never satisfied with his owner's run,
+but always thinks other people's runs must be better, so he sets off to
+explore. He will strike a course, say, south-east, and so long as
+the fit takes him he will keep going south-east through all
+obstacles--rivers, fences, growing crops, anything. The merino relies on
+passive resistance for his success; the cross-bred carries the war into
+the enemy's camp, and becomes a living curse to his owner day and night.
+
+Once there was a man who was induced in a weak moment to buy twenty
+cross-bred rams. From that hour the hand of Fate was upon him. They
+got into all the paddocks they shouldn't have been in. They scattered
+themselves over the run promiscuously. They visited the cultivation
+paddock and the vegetable-garden at their own sweet will. And then they
+took to roving. In a body they visited the neighbouring stations, and
+played havoc with the sheep all over the district.
+
+The wretched owner was constantly getting fiery letters from his
+neighbours: “Your blanky rams are here. Come and take them away at
+once,” and he would have to go nine or ten miles to drive them home. Any
+man who has tried to drive rams on a hot day knows what purgatory is. He
+was threatened every week with actions for trespass.
+
+He tried shutting them up in the sheep-yard. They got out and went back
+to the garden. Then he gaoled them in the calf-pen. Out again and into
+a growing crop. Then he set a boy to watch them; but the boy went to
+sleep, and they were four miles away across country before he got on to
+their tracks.
+
+At length, when they happened accidentally to be at home on their
+owner's run, there came a big flood. His sheep, mostly merinos, had
+plenty of time to get on to high ground and save their lives; but, of
+course, they didn't, and were almost all drowned. The owner sat on a
+rise above the waste of waters and watched the dead animals go by. He
+was a ruined man. But he said, “Thank God, those cross-bred rams are
+drowned, anyhow.” Just as he spoke there was a splashing in the water,
+and the twenty rams solemnly swam ashore and ranged themselves in front
+of him. They were the only survivors of his twenty thousand sheep.
+He broke down, and was taken to an asylum for insane paupers. The
+cross-breds had fulfilled their destiny.
+
+The cross-bred drives his owner out of his mind, but the merino ruins
+his man with greater celerity. Nothing on earth will kill cross-breds;
+nothing will keep merinos alive. If they are put on dry salt-bush
+country they die of drought. If they are put on damp, well-watered
+country they die of worms, fluke, and foot-rot. They die in the wet
+seasons and they die in the dry ones.
+
+The hard, resentful look on the faces of all bushmen comes from a long
+course of dealing with merino sheep. The merino dominates the bush,
+and gives to Australian literature its melancholy tinge, its despairing
+pathos. The poems about dying boundary-riders, and lonely graves under
+mournful she-oaks, are the direct outcome of the poet's too close
+association with that soul-destroying animal. A man who could write
+anything cheerful after a day in the drafting-yards would be a freak of
+nature.
+
+
+
+
+THE BULLOCK
+
+
+The typical Australian bullock--long-horned, sullen-eyed, stupid, and
+vindictive--is bred away out in Queensland, on remote stations in the
+Never Never land, where men live on damper and beef, and occasionally
+eat a whole bottle of hot pickles at a sitting, simply to satisfy their
+craving for vegetable food. Here, under the blazing tropic sun, among
+flies and dust and loneliness, they struggle with the bullock from
+year's end to year's end. It is not to be supposed that they take up
+this kind of thing for fun. The man who worked cattle for sport would
+wheel bricks for amusement.
+
+At periodical intervals a boom in cattle-country arises in the cities,
+and syndicates are formed to take up country and stock it. It looks so
+beautifully simple--_on paper_.
+
+You get your country, thousands of miles of it, for next to nothing.
+You buy your breeding herd for a ridiculously small sum, on long-dated
+bills. Your staff consists of a manager, who toils for a share of the
+profits, a couple of half-civilized white stockmen at low wages, and
+a handful of blacks, who work harder for a little opium ash than they
+would for much money. Plant costs nothing, improvements nothing--no
+woolshed is needed, there are no shearers to pay, and no carriage to
+market, for the bullock walks himself down to his doom. Granted that
+prices are low, still it is obvious that there must be huge profits in
+the business. So the cattle start away out to “the country”, where they
+are supposed to increase and multiply, and enrich their owners. Alas!
+for such hopes. There is a curse on cattle.
+
+No one has ever been able to explain exactly how the deficit arises.
+Put the figures before the oldest and most experienced cattleman, and he
+will fail to show why they don't work out right. And yet they never do.
+It is not the fault of the cattle themselves. Sheep would rather die
+than live--and when one comes to think of the life they lead, one can
+easily understand their preference for death; but cattle, if given half
+a chance, will do their best to prolong their existence.
+
+If they are running on low-lying country and are driven off when a flood
+comes, they will probably walk back into the flood-water and get drowned
+as soon as their owner turns his back. But, as a rule, cattle are not
+suicidal. They sort themselves into mobs, they pick out the best bits of
+country, they find their way to the water, they breed habitually; but it
+always ends in the same way. The hand of Fate is against them.
+
+If a drought comes, they eat off the grass near the water and have to
+travel far out for a feed. Then they fall away and get weak, and when
+they come down to drink they get bogged in the muddy waterholes and die
+there.
+
+Or Providence sends the pleuro, and big strong beasts slink away by
+themselves, and stand under trees glaring savagely till death comes.
+Or else the tick attacks them, and soon a fine, strong beast becomes
+a miserable, shrunken, tottering wreck. Once cattle get really low in
+condition they are done for. Sheep can be shifted when their pasture
+fails, but you can't shift cattle. They die quicker on the roads than
+on the run. The only thing is to watch and pray for rain. It always
+comes--after the cattle are dead.
+
+As for describing the animals themselves, it would take volumes. Sheep
+are all alike, but cattle are all different. The drovers on the road
+get to know the habits and tendencies of each particular bullock--the
+one-eyed bullock that pokes out to the side of the mob, the inquisitive
+bullock that is always walking over towards the drover as if he were
+going to speak to him, the agitator bullock who is always trying to get
+up a stampede and prodding the others with his horns.
+
+In poor Boake's “Where the Dead Men Lie” he says:
+
+ Only the hand of Night can free them--
+ That's when the dead men fly!
+ Only the frightened cattle see them--
+ See the dead men go by!
+ Cloven hoofs beating out one measure,
+ Bidding the stockman know no leisure--
+ That's when the dead men take their pleasure!
+ That's when the dead men fly!
+
+Cattle on a camp see ghosts, sure enough--else, why is it that, when
+hundreds are in camp at night--some standing, some lying asleep, all
+facing different ways--in an instant, at some invisible cause of alarm,
+the whole mob are on their feet and all racing _in the same direction_,
+away from some unseen terror?
+
+It doesn't do to sneak round cattle at night; it is better to whistle
+and sing than to surprise them by a noiseless appearance. Anyone
+sneaking about frightens them, and then they will charge right over
+the top of somebody on the opposite side, and away into the darkness,
+becoming more and more frightened as they go, smashing against trees and
+stumps, breaking legs and ribs, and playing the dickens with themselves
+generally. Cattle “on the road” are unaccountable animals; one cannot
+say for certain what they will do. In this respect they differ from
+sheep, whose movements can be predicted with absolute certainty.
+
+All the cussedness of the bovine race is centred in the cow. In
+Australia the most opprobious epithet one can apply to a man or other
+object is “cow”. In the whole range of a bullock-driver's vocabulary
+there is no word that expresses his blistering scorn so well as “cow”.
+To an exaggerated feminine perversity the cow adds a fiendish ingenuity
+in making trouble.
+
+A quiet milking-cow will “plant” her calf with such skill that ten
+stockmen cannot find him in a one-mile paddock. While the search goes on
+she grazes unconcernedly, as if she never had a calf in her life. If
+by chance he be discovered, then one notices a curious thing. The very
+youngest calf, the merest staggering-Bob two days old, will not move
+till the old lady gives him orders to do so. One may pull him about
+without getting a move out of him. If sufficiently persecuted he will
+at last sing out for help, and then his mother will arrive full-gallop,
+charge men and horses indiscriminately, and clear out with him to the
+thickest timber in the most rugged part of the creek-bed, defying man to
+get her to the yard.
+
+While in his mother's company he seconds her efforts with great
+judgment. But, if he be separated from her, he will follow a horse and
+rider up to the yard thinking he is following his mother, though
+she bellow instructions to him from the rear. Then the guileless
+agriculturist, having penned him up, sets a dog on him, and his cries
+soon fetch the old cow full-run to his assistance. Once in the yard
+she is roped, hauled into the bail, propped up to prevent her throwing
+herself down, and milked by sheer brute-force. After a while she
+steadies down and will walk into the bail, knowing her turn and behaving
+like a respectable female.
+
+Cows and calves have no idea of sound or distance. If a cow is on the
+opposite side of the fence, and wishes to communicate with her calf, she
+will put her head through the fence, place her mouth against his ear as
+if she were going to whisper, and then utter a roar that can be heard
+two miles off. It would stun a human being; but the calf thinks it over
+for a moment, and then answers with a prolonged yell in the old cow's
+ear. So the dialogue goes on for hours without either party dropping
+dead.
+
+There is an element of danger in dealing with cattle that makes men
+smart and self-reliant and independent. Men who deal with sheep get
+gloomy and morbid, and are for ever going on strike. Nobody ever heard
+of a stockman's strike. The true stockrider thinks himself just as good
+a man as his boss, and inasmuch as “the boss” never makes any money,
+while the stockman gets his wages, the stockman may be considered as
+having the better position of the two.
+
+Sheepmen like to think that they know all about cattle, and could work
+them if they chose. A Queensland drover once took a big mob from the
+Gulf right down through New South Wales, selling various lots as he
+went. He had to deliver some to a small sheep-man, near Braidwood, who
+was buying a few hundred cattle as a spec. By the time they arrived, the
+cattle had been on the road eight months, and were quiet as milkers. But
+the sheep-man and his satellites came out, riding stable-fed horses
+and brandishing twenty-foot whips, all determined to sell their lives
+dearly. They galloped round the astonished cattle and spurred their
+horses and cracked their whips, till they roused the weary mob. Then
+they started to cut out the beasts they wanted. The horses rushed and
+pulled, and the whips maddened the cattle, and all was turmoil and
+confusion.
+
+The Queensland drovers looked on amazed, sitting their patient leg-weary
+horses they had ridden almost continuously for eight months. At last,
+seeing the hash the sheep-men were making of it, the drovers set to
+work, and in a little while, without a shout, or crack of a whip, had
+cut out the required number. These the head drover delivered to the
+buyer, simply remarking, “Many's the time _you_ never cut-out cattle.”
+
+As I write, there rises a vision of a cattle-camp on an open plain,
+the blue sky overhead, the long grass rustling below, the great mob of
+parti-coloured cattle eddying restlessly about, thrusting at each other
+with their horns; and in among the sullen half-savage animals go the
+light, wiry stock-riders, horse and man working together, watchful,
+quick, and resolute.
+
+A white steer is wanted that is right in the throng. Way!--make way! and
+horse and rider edge into the restless sea of cattle, the man with his
+eye fixed on the selected animal, the horse, glancing eagerly about him,
+trying to discover which is the wanted one. The press divides and the
+white steer scuttles along the edge of the mob trying to force his way
+in again. Suddenly he and two or three others are momentarily eddied out
+to the outskirts of the mob, and in that second the stockman dashes his
+horse between them and the main body. The lumbering beasts rush hither
+and thither in a vain attempt to return to their comrades. Those not
+wanted are allowed to return, but the white steer finds, to his
+dismay, that wherever he turns that horse and man and dreaded whip are
+confronting him. He doubles and dodges and makes feints to charge,
+but the horse anticipates every movement and wheels quicker than the
+bullock. At last the white steer sees the outlying mob he is required to
+join, and trots off to them quite happy, while horse and rider return to
+cut out another.
+
+It is a pretty exhibition of skill and intelligence, doubly pleasant to
+watch because of the undoubted interest that the horses take in it. Big,
+stupid creatures that they are, cursed with highly-strung nerves, and
+blessed with little sense, they are pathetically anxious to do such
+work as they can understand. So they go into the cutting-out camp with a
+zest, and toil all day edging lumbering bullocks out of the mob, but as
+soon as a bad rider gets on them and begins to haul their mouths about,
+their nerves overcome them, and they get awkward and frightened. A horse
+that is a crack camp-horse in one man's hands may be a hopeless brute in
+the hands of another.
+
+
+
+
+WHITE-WHEN-HE'S-WANTED
+
+
+Buckalong was a big freehold of some 80,000 acres, belonging to an
+absentee syndicate, and therefore run in most niggardly style. There was
+a manager on 200 pounds a year, Sandy M'Gregor to wit--a hard-headed old
+Scotchman known as “four-eyed M'Gregor”, because he wore spectacles.
+For assistants, he had half-a-dozen of us--jackaroos and
+colonial-experiencers--who got nothing a year, and earned it.
+
+We had, in most instances, paid premiums to learn the noble art of
+squatting--which now appears to me hardly worth studying, for so much
+depends on luck that a man with a head as long as a horse's has little
+better chance than the fool just imported. Besides the manager and the
+jackaroos, there were a few boundary riders to prowl round the fences of
+the vast paddocks. This constituted the whole station staff.
+
+Buckalong was on one of the main routes by which stock were taken to
+market, or from the plains to the tablelands, and vice versa. Great mobs
+of travelling sheep constantly passed through the run, eating up the
+grass and vexing the soul of the manager. By law, sheep must travel six
+miles per day, and they must be kept to within half-a-mile of the road.
+Of course we kept all the grass near the road eaten bare, to discourage
+travellers from coming that way.
+
+Such hapless wretches as did venture through Buckalong used to try hard
+to stray from the road and pick up a feed, but old Sandy was always
+ready for them, and would have them dogged right through the run. This
+bred feuds, and bad language, and personal combats between us and the
+drovers, whom we looked upon as natural enemies.
+
+The men who came through with mobs of cattle used to pull down the
+paddock fences at night, and slip the cattle in for refreshments, but
+old Sandy often turned out at 2 or 3 a.m. to catch a mob of bullocks
+in the horse-paddock, and then off they went to Buckalong pound. The
+drovers, as in duty bound, attributed the trespass to accident--broken
+rails, and so on--and sometimes they tried to rescue the cattle, which
+again bred strife and police-court summonses.
+
+Besides having a particular aversion to drovers, old M'Gregor had
+a general “down” on the young Australians whom he comprehensively
+described as a “feckless, horrse-dealin', horrse-stealin', crawlin' lot
+o' wretches.” According to him, a native-born would sooner work a horse
+to death than work for a living any day. He hated any man who wanted to
+sell him a horse.
+
+“As aw walk the street,” he used to say, “the fouk disna stawp me to buy
+claes nor shoon, an' wheerfore should they stawp me to buy horrses? It's
+'Mister M'Gregor, will ye purrchase a horrse?' Let them wait till I ask
+them to come wi' their horrses.”
+
+Such being his views on horseflesh and drovers, we felt no little
+excitement when one Sunday, at dinner, the cook came in to say there
+was “a drover-chap outside wanted the boss to come and have a look at
+a horse.” M'Gregor simmered a while, and muttered something about the
+“Sawbath day”; but at last he went out, and we filed after him to see
+the fun.
+
+The drover stood by the side of his horse, beneath the acacia trees
+in the yard. He had a big scar on his face, apparently the result
+of collision with a fence; he looked thin and sickly and seemed
+poverty-stricken enough to disarm hostility. Obviously, he was down on
+his luck. Had it not been for that indefinable self-reliant look which
+drovers--the Ishmaels of the bush--always acquire, one might have taken
+him for a swagman. His horse was in much the same plight. It was a
+ragged, unkempt pony, pitifully poor and very footsore, at first sight,
+an absolute “moke”; but a second glance showed colossal round ribs,
+square hips, and a great length of rein, the rest hidden beneath a
+wealth of loose hair. He looked like “a good journey horse”, possibly
+something better.
+
+We gathered round while M'Gregor questioned the drover. The man was
+monosyllabic to a degree, as the real bushmen generally are. It is only
+the rowdy and the town-bushy that are fluent of speech.
+
+“Guid mornin',” said M'Gregor.
+
+“Mornin', boss,” said the drover, shortly.
+
+“Is this the horrse ye hae for sale?”
+
+“Yes.”
+
+“Ay,” and M'Gregor looked at the pony with a businesslike
+don't-think-much-of-him air, ran his hand lightly over the hard legs,
+and opened the passive creature's mouth. “H'm,” he said. Then he turned
+to the drover. “Ye seem a bit oot o' luck. Ye're thin like. What's been
+the matter?”
+
+“Been sick with fever--Queensland fever. Just come through from the
+North. Been out on the Diamantina last.”
+
+“Ay. I was there mysel',” said M'Gregor. “Hae ye the fever on ye still?”
+
+“Yes--goin' home to get rid of it.”
+
+A man can only get Queensland fever in a malarial district, but he
+can carry it with him wherever he goes. If he stays, it will sap his
+strength and pull him to pieces; if he moves to a better climate,
+the malady moves with him, leaving him by degrees, and coming back at
+regular intervals to rack, shake, burn, and sweat its victim. Gradually
+it wears itself out, often wearing its patient out at the same time.
+M'Gregor had been through the experience, and there was a slight change
+in his voice as he went on with his palaver.
+
+“Whaur are ye makin' for the noo?”
+
+“Monaro--my people live in Monaro.”
+
+“Hoo will ye get to Monaro gin ye sell the horrse?”
+
+“Coach and rail. Too sick to care about ridin',” said the drover, while
+a wan smile flitted over his yellow-grey features. “I've rode him far
+enough. I've rode that horse a thousand miles. I wouldn't sell him, only
+I'm a bit hard up. Sellin' him now to get the money to go home.”
+
+“Hoo auld is he?”
+
+“Seven.”
+
+“Is he a guid horrse on a camp?” asked M'Gregor.
+
+“No better camp-horse in Queensland,” said the drover. “You can chuck
+the reins on his neck, an' he'll cut out a beast by himself.”
+
+M'Gregor's action in this matter puzzled us. We spent our time crawling
+after sheep, and a camp-horse would be about as much use to us as
+side-pockets to a pig. We had expected Sandy to rush the fellow off the
+place at once, and we couldn't understand how it was that he took
+so much interest in him. Perhaps the fever-racked drover and the old
+camp-horse appealed to him in a way incomprehensible to us. We had never
+been on the Queensland cattle-camps, nor shaken and shivered with the
+fever, nor lived the roving life of the overlanders. M'Gregor had done
+all this, and his heart (I can see it all now) went out to the man who
+brought the old days back to him.
+
+“Ah, weel,” he said, “we hae'na muckle use for a camp-horrse here, ye
+ken; wi'oot some of these lads wad like to try theer han' cuttin'
+oot the milkers' cawves frae their mithers.” And the old man laughed
+contemptuously, while we felt humbled in the sight of the man from far
+back. “An' what'll ye be wantin' for him?” asked M'Gregor.
+
+“Reckon he's worth fifteen notes,” said the drover.
+
+This fairly staggered us. Our estimates had varied between thirty
+shillings and a fiver. We thought the negotiations would close abruptly;
+but M'Gregor, after a little more examination, agreed to give the price,
+provided the saddle and bridle, both grand specimens of ancient art,
+were given in. This was agreed to, and the drover was sent off to get
+his meals in the hut before leaving by the coach.
+
+“The mon is verra harrd up, an' it's a sair thing that Queensland
+fever,” was the only remark M'Gregor made. But we knew now that there
+was a soft spot in his heart somewhere.
+
+Next morning the drover got a crisp-looking cheque. He said no word
+while the cheque was being written, but, as he was going away, the horse
+happened to be in the yard, and he went over to the old comrade that had
+carried him so many miles, and laid a hand on his neck.
+
+“He ain't much to look at,” said the drover, speaking slowly and
+awkwardly, “but he's white when he's wanted.” And just before the coach
+rattled off, the man of few words leant down from the box and nodded
+impressively, and repeated, “Yes, he's white when he's wanted.”
+
+We didn't trouble to give the new horse a name. Station horses are
+generally called after the man from whom they are bought. “Tom Devine”,
+“The Regan mare”, “Black M'Carthy” and “Bay M'Carthy” were among the
+appellations of our horses at that time. As we didn't know the drover's
+name, we simply called the animal “The new horse” until a still newer
+horse was one day acquired. Then, one of the hands being told to take
+the new horse, said, “D'yer mean the _new_ new horse or the _old_ new
+horse?”
+
+“Naw,” said the boss, “not the new horrse--that bay horrse we bought
+frae the drover. The ane he said was white when he's wanted.”
+
+And so, by degrees, the animal came to be referred to as the horse
+that's white when he's wanted, and at last settled down to the definite
+name of “White-when-he's-wanted”.
+
+White-when-he's-wanted didn't seem much of an acquisition. He was sent
+out to do slavery for Greenhide Billy, a boundary-rider who plumed
+himself on having once been a cattle-man. After a week's experience of
+“White”, Billy came in to the homestead disgusted. The pony was so lazy
+that he had to build a fire under him to get him to move, and so rough
+that it made a man's nose bleed to ride him more than a mile. “The boss
+must have been off his head to give fifteen notes for such a cow.”
+
+M'Gregor heard this complaint. “Verra weel, Mr. Billy,” said he, hotly,
+“ye can juist tak' ane of the young horrses in yon paddock, an' if he
+bucks wi' ye an' kills ye, it's yer ain fault. Ye're a cattleman--so ye
+say--dommed if ah believe it. Ah believe ye're a dairy-farmin' body frae
+Illawarra. Ye ken neither horrse nor cattle. Mony's the time ye never
+rode buckjumpers, Mr. Billy”--and with this parting-shot the old man
+turned into the house, and White-when-he's-wanted came back to the head
+station.
+
+For a while he was a sort of pariah. He used to yard the horses, fetch
+up the cows, and hunt travelling sheep through the run. He really was
+lazy and rough, and we all decided that Billy's opinion of him was
+correct, until the day came to make one of our periodical raids on the
+wild horses in the hills at the back of the run.
+
+Every now and again we formed parties to run in some of these animals,
+and, after nearly galloping to death half-a-dozen good horses, we
+would capture three or four brumbies, and bring them in triumph to the
+homestead to be broken in. By the time they had thrown half the crack
+riders on the station, broken all the bridles, rolled on all the
+saddles, and kicked all the dogs, they would be marketable (and no great
+bargains) at about thirty shillings a head.
+
+Yet there is no sport in the world to be mentioned in the same volume as
+“running horses”, and we were very keen on it. All the crack nags were
+got as fit as possible, and fed up beforehand; and on this particular
+occasion White-when-he's-wanted, being in good trim, was given a week's
+hard feed and lent to a harum-scarum fellow from the Upper Murray, who
+happened to be working in a survey camp on the run. How he did open our
+eyes!
+
+He ran the mob from hill to hill, from range to range, across open
+country and back again to the hills, over flats and gullies,
+through hop-scrub and stringybark ridges; and all the time
+White-when-he's-wanted was on the wing of the mob, pulling double. The
+mares and foals dropped out, the colts and young stock pulled up dead
+beat, and only the seasoned veterans were left. Most of our horses caved
+in altogether; one or two were kept in the hunt by judicious nursing and
+shirking the work; but White-when-he's-wanted was with the quarry from
+end to end of the run, doing double his share; and at the finish, when a
+chance offered to wheel them into the trapyard, he simply smothered them
+for pace, and slewed them into the wings before they knew where they
+were. Such a capture had not fallen to our lot for many a day, and the
+fame of White-when-he's-wanted was speedily noised abroad.
+
+He was always fit for work, always hungry, always ready to lie down and
+roll, and always lazy. But when he heard the rush of the brumbies' feet
+in the scrub he became frantic with excitement. He could race over the
+roughest ground without misplacing a hoof or altering his stride, and he
+could sail over fallen timber and across gullies like a kangaroo. Nearly
+every Sunday we were after the brumbies, until they got as lean as
+greyhounds and as cunning as policemen. We were always ready to back
+White-when-he's-wanted to run-down, single-handed, any animal in
+the bush that we liked to put him after--wild horses, wild cattle,
+kangaroos, emus, dingoes, kangaroo-rats--we barred nothing, for, if he
+couldn't beat them for pace, he would outlast them.
+
+And then one day he disappeared from the paddock, and we never saw him
+again. We knew there were plenty of men in the district who would steal
+him; but, as we knew also of many more who would “inform” for a pound
+or two, we were sure that it could not have been local “talent” that
+had taken him. We offered good rewards and set some of the right sort to
+work, but heard nothing of him for about a year.
+
+Then the surveyor's assistant turned up again, after a trip to the
+interior. He told us the usual string of back-block lies, and wound up
+by saying that out on the very fringe of settlement he had met an old
+acquaintance.
+
+“Who was that?”
+
+“Why, that little bay horse that I rode after the brumbies that time.
+The one you called White-when-he's-wanted.”
+
+“The deuce you did! Are you sure? Who had him?”
+
+“Sure! I'd swear to him anywhere. A little drover fellow had him. A
+little fellow, with a big scar across his forehead. Came from Monaro way
+somewhere. He said he bought the horse from you for fifteen notes.”
+
+The King's warrant doesn't run much out west of Boulia, and it is not
+likely that any of us will ever see the drover again, or will ever again
+cross the back of “White-when-he's-wanted”.
+
+
+
+
+THE DOWNFALL OF MULLIGAN'S
+
+
+The sporting men of Mulligan's were an exceedingly knowing lot; in fact,
+they had obtained the name amongst their neighbours of being a little
+bit too knowing. They had “taken down” the adjoining town in a variety
+of ways. They were always winning maiden plates with horses which were
+shrewdly suspected to be old and well-tried performers in disguise.
+
+When the sports of Paddy's Flat unearthed a phenomenal runner in the
+shape of a blackfellow called Frying-pan Joe, the Mulligan contingent
+immediately took the trouble to discover a blackfellow of their own,
+and they made a match and won all the Paddy's Flat money with ridiculous
+ease; then their blackfellow turned out to be a well-known Sydney
+performer. They had a man who could fight, a man who could be backed to
+jump five-feet-ten, a man who could kill eight pigeons out of nine at
+thirty yards, a man who could make a break of fifty or so at billiards
+if he tried; they could all drink, and they all had that indefinite look
+of infinite wisdom and conscious superiority which belongs only to those
+who know something about horseflesh.
+
+They knew a great many things never learnt at Sunday-school. They were
+experts at cards and dice. They would go to immense trouble to work off
+any small swindle in the sporting line. In short the general consensus
+of opinion was that they were a very “fly” crowd at Mulligan's, and if
+you went there you wanted to “keep your eyes skinned” or they'd “have”
+ you over a threepenny-bit.
+
+There were races at Sydney one Christmas, and a select band of the
+Mulligan sportsmen were going down to them. They were in high
+feather, having just won a lot of money from a young Englishman at
+pigeon-shooting, by the simple method of slipping blank cartridges into
+his gun when he wasn't looking, and then backing the bird.
+
+They intended to make a fortune out of the Sydney people, and admirers
+who came to see them off only asked them as a favour to leave money
+enough in Sydney to make it worth while for another detachment to go
+down later on. Just as the train was departing a priest came running on
+to the platform, and was bundled into the carriage where our Mulligan
+friends were; the door was slammed to, and away they went. His Reverence
+was hot and perspiring, and for a few minutes mopped himself with a
+handkerchief, while the silence was unbroken except by the rattle of the
+train.
+
+After a while one of the Mulligan fraternity got out a pack of cards and
+proposed a game to while away the time. There was a young squatter in
+the carriage who looked as if he might be induced to lose a few pounds,
+and the sportsmen thought they would be neglecting their opportunities
+if they did not try to “get a bit to go on with” from him. He agreed to
+play, and, just as a matter of courtesy, they asked the priest whether
+he would take a hand.
+
+“What game d'ye play?” he asked, in a melodious brogue.
+
+They explained that any game was equally acceptable to them, but they
+thought it right to add that they generally played for money.
+
+“Sure an' it don't matter for wanst in a way,” said he--“Oi'll take
+a hand bedad--Oi'm only going about fifty miles, so Oi can't lose a
+fortune.”
+
+They lifted a light portmanteau on to their knees to make a table, and
+five of them--three of the Mulligan crowd and the two strangers--started
+to have a little game of poker. Things looked rosy for the Mulligan
+boys, who chuckled as they thought how soon they were making a
+beginning, and what a magnificent yarn they would have to tell about how
+they rooked a priest on the way down.
+
+Nothing sensational resulted from the first few deals, and the priest
+began to ask questions.
+
+“Be ye going to the races?”
+
+They said they were.
+
+“Ah! and Oi suppose ye'll be betting wid thim bookmakers--betting on the
+horses, will yez? They do be terrible knowing men, thim bookmakers, they
+tell me. I wouldn't bet much if Oi was ye,” he said, with an affable
+smile. “If ye go bettin' ye will be took in wid thim bookmakers.”
+
+The boys listened with a bored air and reckoned that by the time they
+parted the priest would have learnt that they were well able to look
+after themselves. They went steadily on with the game, and the priest
+and the young squatter won slightly; this was part of the plan to lead
+them on to plunge. They neared the station where the priest was to get
+out. He had won rather more than they liked, so the signal was passed
+round to “put the cross on”. Poker is a game at which a man need not
+risk much unless he feels inclined, and on this deal the priest stood
+out. Consequently, when they drew up at his station he was still a few
+pounds in.
+
+“Bedad,” he said, “Oi don't loike goin' away wid yer money. Oi'll go on
+to the next station so as ye can have revinge.” Then he sat down again,
+and play went on in earnest.
+
+The man of religion seemed to have the Devil's own luck. When he was
+dealt a good hand he invariably backed it well, and if he had a bad one
+he would not risk anything. The sports grew painfully anxious as they
+saw him getting further and further ahead of them, prattling away all
+the time like a big schoolboy. The squatter was the biggest loser so
+far, but the priest was the only winner. All the others were out of
+pocket. His reverence played with great dash, and seemed to know a lot
+about the game, so that on arrival at the second station he was a good
+round sum in pocket.
+
+He rose to leave them with many expressions of regret, and laughingly
+promised full revenge next time. Just as he was opening the carriage
+door, one of the Mulligan fraternity said in a stage-whisper: “He's a
+blanky sink-pocket. If he can come this far, let him come on to Sydney
+and play for double the stakes.” Like a shot the priest turned on him.
+
+“Bedad, an' if _that's_ yer talk, Oi'll play ye fer double stakes from
+here to the other side of glory. Do yez think men are mice because they
+eat cheese? It isn't one of the Ryans would be fearing to give any man
+his revinge!”
+
+He snorted defiance at them, grabbed his cards and waded in. The others
+felt that a crisis was at hand and settled down to play in a dead
+silence. But the priest kept on winning steadily, and the “old man” of
+the Mulligan push saw that something decisive must be done, and decided
+on a big plunge to get all the money back on one hand. By a dexterous
+manipulation of the cards he dealt himself four kings, almost the best
+hand at poker. Then he began with assumed hesitation to bet on his hand,
+raising the stake little by little.
+
+“Sure ye're trying to bluff, so ye are!” said the priest, and
+immediately raised it.
+
+The others had dropped out of the game and watched with painful interest
+the stake grow and grow. The Mulligan fraternity felt a cheerful
+certainty that the “old man” had made things safe, and regarded
+themselves as mercifully delivered from an unpleasant situation.
+The priest went on doggedly raising the stake in response to his
+antagonist's challenges until it had attained huge dimensions.
+
+“Sure that's high enough,” said he, putting into the pool sufficient to
+entitle him to see his opponent's hand.
+
+The “old man” with great gravity laid down his four kings, whereat the
+Mulligan boys let a big sigh of relief escape them.
+
+Then the priest laid down four aces and scooped the pool.
+
+The sportsmen of Mulligan's never quite knew how they got out to
+Randwick. They borrowed a bit of money in Sydney, and found themselves
+in the saddling-paddock in a half-dazed condition, trying to realize
+what had happened to them. During the afternoon they were up at the end
+of the lawn near the Leger stand and could hear the babel of tongues,
+small bookmakers, thimble riggers, confidence men, and so on, plying
+their trades outside. In the tumult of voices they heard one that
+sounded familiar. Soon suspicion grew into certainty, and they knew that
+it was the voice of “Father” Ryan. They walked to the fence and looked
+over. This is what he was saying:--
+
+“Pop it down, gents! Pop it down! If you don't put down a brick you
+can't pick up a castle! I'll bet no one here can pick the knave of
+hearts out of these three cards. I'll bet half-a-sovereign no one here
+can find the knave!”
+
+Then the crowd parted a little, and through the opening they could see
+him distinctly, doing a great business and showing wonderful dexterity
+with the pasteboard.
+
+There is still enough money in Sydney to make it worth while for another
+detachment to come down from Mulligan's; but the next lot will hesitate
+about playing poker with priests in the train.
+
+
+
+
+THE AMATEUR GARDENER
+
+
+The first step in amateur gardening is to sit down and consider what
+good you are going to get by it. If you are only a tenant by the month,
+as most people are, it is obviously not of much use for you to plant a
+fruit orchard or an avenue of oak trees. What you want is something that
+will grow quickly, and will stand transplanting, for when you move it
+would be a sin to leave behind you the plants on which you have spent so
+much labour and so much patent manure.
+
+We knew a man once who was a bookmaker by trade--and a Leger bookmaker
+at that--but had a passion for horses and flowers. When he “had a big
+win”, as he occasionally did, it was his custom to have movable wooden
+stables, built on skids, put up in the yard, and to have tons of the
+best soil that money could buy carted into the garden of the premises
+which he was occupying.
+
+Then he would keep splendid horses, and grow rare roses and show-bench
+chrysanthemums. His landlord passing by would see the garden in a
+blaze of colour, and promise himself to raise the bookmaker's rent next
+quarter day.
+
+However, when the bookmaker “took the knock”, as he invariably did at
+least twice a year, it was his pleasing custom to move without giving
+notice. He would hitch two cart-horses to the stables, and haul them
+right away at night. He would not only dig up the roses, trees, and
+chrysanthemums he had planted, but would also cart away the soil he
+had brought in; in fact, he used to shift the garden bodily. He had one
+garden that he shifted to nearly every suburb in Sydney; and he always
+argued that the change of air was invaluable for chrysanthemums.
+
+Being determined, then, to go in for gardening on common-sense
+principles, and having decided on the shrubs you mean to grow, the next
+consideration is your chance of growing them.
+
+If your neighbour keeps game fowls, it may be taken for granted that
+before long they will pay you a visit, and you will see the rooster
+scratching your pot plants out by the roots as if they were so much
+straw, just to make a nice place to lie down and fluff the dust over
+himself. Goats will also stray in from the street, and bite the young
+shoots off, selecting the most valuable plants with a discrimination
+that would do credit to a professional gardener.
+
+It is therefore useless to think of growing delicate or squeamish
+plants. Most amateur gardeners maintain a lifelong struggle against the
+devices of Nature; but when the forces of man and the forces of Nature
+come into conflict Nature wins every time. Nature has decreed that
+certain plants shall be hardy, and therefore suitable to suburban
+amateur gardeners; the suburban amateur gardener persists in trying to
+grow quite other plants, and in despising those marked out by Nature for
+his use. It is to correct this tendency that this article is written.
+
+The greatest standby to the amateur gardener should undoubtedly be the
+blue-flowered shrub known as “plumbago”. This homely but hardy plant
+will grow anywhere. It naturally prefers a good soil, and a sufficient
+rainfall, but if need be it will worry along without either. Fowls
+cannot scratch it up, and even the goat turns away dismayed from its
+hard-featured branches. The flower is not strikingly beautiful nor
+ravishingly scented, but it flowers nine months out of the year;
+smothered with street dust and scorched by the summer sun, you will find
+that faithful old plumbago plugging along undismayed. A plant like
+this should be encouraged--but the misguided amateur gardener as a rule
+despises it.
+
+The plant known as the churchyard geranium is also one marked out by
+Providence for the amateur; so is Cosmea, which comes up year after year
+where once planted. In creepers, bignonia and lantana will hold their
+own under difficulties perhaps as well as any that can be found. In
+trees the Port Jackson fig is a patriotic one to grow. It is a fine
+plant to provide exercise, as it sheds its leaves unsparingly, and
+requires the whole garden to be swept up every day.
+
+Your aim as a student of Nature should be to encourage the survival
+of the fittest. There is a grass called nut grass, and another called
+Parramatta grass, either of which holds its own against anything living
+or dead. The average gardening manual gives you recipes for destroying
+these. Why should you destroy them in favour of a sickly plant that
+needs constant attention? No. The Parramatta grass is the selected of
+Nature, and who are you to interfere with Nature?
+
+Having decided to go in for strong, simple plants that will hold their
+own, and a bit over, you must get your implements of husbandry.
+
+The spade is the first thing, but the average ironmonger will show you
+an unwieldy weapon only meant to be used by navvies. Don't buy it. Get a
+small spade, about half-size--it is nice and light and doesn't tire the
+wrist, and with it you can make a good display of enthusiasm, and earn
+the hypocritical admiration of your wife. After digging for half-an-hour
+or so, get her to rub your back with any of the backache cures. From
+that moment you will have no further need for the spade.
+
+A barrow is about the only other thing needed; anyhow, it is almost a
+necessity for wheeling cases of whisky up to the house. A rake is useful
+when your terrier dog has bailed up a cat, and will not attack it until
+the cat is made to run.
+
+Talking of terrier dogs, an acquaintance of ours has a dog that does all
+his gardening. The dog is a small elderly terrier with a failing memory.
+As soon as the terrier has planted a bone in the garden the owner slips
+over, digs it up and takes it away. When that terrier goes back and
+finds the bone gone, he distrusts his memory, and begins to think that
+perhaps he has made a mistake, and has dug in the wrong place; so he
+sets to work, and digs patiently all over the garden, turning over acres
+of soil in the course of his search. This saves his master a lot of
+backache.
+
+The sensible amateur gardener, then, will not attempt to fight with
+Nature but will fall in with her views. What more pleasant than to get
+out of bed at 11.30 on a Sunday morning; to look out of your window at
+a lawn waving with the feathery plumes of Parramatta grass, and to see
+beyond it the churchyard geranium flourishing side by side with the
+plumbago and the Port Jackson fig?
+
+The garden gate blows open, and the local commando of goats, headed by
+an aged and fragrant patriarch, locally known as De Wet, rushes in; but
+their teeth will barely bite through the wiry stalks of the Parramatta
+grass, and the plumbago and the figtree fail to attract them, and
+before long they stand on one another's shoulders, scale the fence, and
+disappear into the next-door garden, where a fanatic is trying to grow
+show roses.
+
+After the last goat has scaled your neighbour's fence, and only De Wet
+is left, your little dog discovers him. De Wet beats a hurried retreat,
+apparently at full speed, with the dog exactly one foot behind him in
+frantic pursuit. We say apparently at full speed, because experience has
+taught that De Wet can run as fast as a greyhound when he likes; but
+he never exerts himself to go faster than is necessary to keep just in
+front of whatever dog is after him.
+
+Hearing the scrimmage, your neighbour comes on to his verandah, and sees
+the chase going down the street.
+
+“Ha! that wretched old De Wet again!” he says. “Small hope your dog has
+of catching him! Why don't you get a garden gate like mine, so that he
+won't get in?”
+
+“No; he can't get in at your gate,” is the reply; “but I think his
+commando are in your back garden now.”
+
+Then follows a frantic rush. Your neighbour falls downstairs in his
+haste, and the commando, after stopping to bite some priceless pot
+plants of your neighbour's as they come out, skips easily back over the
+fence and through your gate into the street again.
+
+If a horse gets in his hoofs make no impression on the firm turf of the
+Parramatta grass, and you get quite a hearty laugh by dropping a chair
+on him from the first-floor window.
+
+The game fowls of your other neighbour come fluttering into your garden,
+and scratch and chuckle and fluff themselves under your plumbago bush;
+but you don't worry. Why should you? They can't hurt it; and, besides,
+you know that the small black hen and the big yellow one, who have
+disappeared from the throng, are even now laying their daily egg for you
+behind the thickest bush.
+
+Your little dog rushes frantically up and down the front bed of your
+garden, barking and racing, and tearing up the ground, because his rival
+little dog, who lives down the street, is going past with his master,
+and each pretends that he wants to be at the other--as they have
+pretended every day for the past three years. The performance he is
+going through doesn't disturb you. Why should it? By following the
+directions in this article you have selected plants he cannot hurt.
+
+After breakfasting at noon, you stroll out, and, perhaps, smooth with
+your foot, or with your spade, the inequalities made by the hens; you
+gather up casually the eggs they have laid; you whistle to your little
+dog, and go out for a stroll with a light heart.
+
+
+
+
+THIRSTY ISLAND
+
+
+Travellers approaching a bush township are sure to find some distance
+from the town a lonely public-house waiting by the roadside to give
+them welcome. Thirsty (miscalled Thursday) Island is the outlying pub of
+Australia.
+
+When the China and British-India steamers arrive from the North the
+first place they come to is Thirsty Island, the sentinel at the gate of
+Torres Straits. New chums on the steamers see a fleet of white-sailed
+pearling luggers, a long pier clustered with a hybrid crowd of every
+colour, caste and creed under Heaven, and at the back of it all a little
+galvanized-iron town shining in the sun.
+
+For nine months of the year a crisp, cool south-east wind blows, the
+snow-white beach is splashed with spray and dotted with the picturesque
+figures of Japanese divers and South Sea Island boatmen. Coco-nut palms
+line the roads by the beach, and back of the town are the barracks and a
+fort nestling among the trees on the hillside. Thirsty Island is a nice
+place--to look at.
+
+When a vessel makes fast the Thirsty Islanders come down to greet
+the new-comers and give them welcome to Australia. The new-chums are
+inclined to patronise these simple, outlying people. Fresh from the
+iniquities of the China-coast cocktail and the unhallowed orgies of the
+Sourabaya Club, new-chums think they have little to learn in the way of
+drink; at any rate, they haven't come all the way to Thursday Island
+to be taught anything. Poor new-chums! Little do they know the kind of
+people they are up against.
+
+The following description of a night at Thursday Island is taken from a
+new-chum's note book:
+
+“Passed Proudfoot shoal and arrived at Thursday Island. First sight
+of Australia. Lot of men came aboard, all called Captain. They are all
+pearl-fishers or pilots, not a bit like the bushmen I expected. When
+they came aboard they divided into parties. Some invaded the Captain's
+cabin; others sat in the smoking room; the rest crowded into the saloon.
+They talked to the passengers about the Boer War, and told us about
+pearls worth 1000 pounds that had been found lately.
+
+“One captain pulled a handful of loose pearls out of a jar and handed
+them round in a casual way for us to look at. The stewards opened
+bottles and we all sat down for a drink and a smoke. I spoke to one
+captain--an oldish man--and he grinned amiably, but did not answer.
+Another captain leaned over to me and said, 'Don't take any notice of
+him, he's boozed all this week.'
+
+“Conversation and drink became general. The night was very hot and
+close, and some of the passengers seemed to be taking more than was good
+for them. A contagious thirst spread round the ship, and before long the
+stewards and firemen were at it. The saloon became an inferno of drink
+and sweat and tobacco smoke. Perfect strangers were talking to each
+other at the top of their voices.
+
+“Young MacTavish, who is in a crack English regiment, asked the captain
+of a pearling lugger whether he didn't know Talbot de Cholmondeley in
+the Blues.
+
+“The pearler said very likely he had met 'em, and no doubt he'd remember
+their faces if he saw them, but he never could remember names.
+
+“Another passenger--a Jew--was trying to buy some pearls cheap from the
+captains, but the more the captains drank the less anxious they became
+to talk about pearls.
+
+“The night wore on, and still the drinks circulated. Young MacTavish
+slept profoundly.
+
+“One passenger gave his steward a sovereign as he was leaving the
+ship, and in half an hour the steward was carried to his berth in
+a fit--alcoholic in its origin. Another steward was observed openly
+drinking the passengers' whisky. When accused, he didn't even attempt
+to defend himself; the great Thursday Island thirst seemed to have
+communicated itself to everyone on board, and he simply _had_ to drink.
+
+“About three in the morning a tour of the ship disclosed the following
+state of affairs: Captain's room full of captains solemnly tight;
+smoking-room empty, except for the inanimate form of the captain who had
+been boozed all the week, and was now sleeping peacefully with his feet
+on the sofa and his head on the floor. The saloon was full of captains
+and passengers--the latter mostly in a state of collapse or laughing and
+singing deliriously; the rails lined with firemen who had business over
+the side; stewards ditto.
+
+“At last the Thursday Islanders departed, unsteadily, but still on their
+feet, leaving a demoralized ship behind them. And young MacTavish,
+who has seen a thing or two in his brief span, staggered to his berth,
+saying, 'My God! Is _all_ Australia like this place?'”
+
+ * * * * *
+
+When no ships arrive, the Islanders just drop into the pubs, as a
+matter of routine, for their usual evening soak. They drink weird
+compounds--horehound beer, known as “lady dog”, and things like that.
+About two in the morning they go home speechless, but still able to
+travel. It is very rarely that an Islander gets helplessly drunk, but
+strangers generally have to be put to bed.
+
+The Japanese on the island are a strong faction. They have a club of
+their own, and once gave a dinner to mark the death of one of their
+members. He was shrewdly suspected of having tried to drown another
+member by cutting his airpipe, so, when he died, the club celebrated
+the event. The Japanese are not looked upon with favor by the white
+islanders. They send their money to Japan--thousands of pounds a year go
+through the little office in money-orders--and so they are not “good for
+trade”.
+
+The Manilamen and Kanakas and Torres Strait islanders, on the other
+hand, bring all the money they do not spend on the pearling schooner to
+the island, and “blow it in”, like men. They knife each other sometimes,
+and now and again have to be run in wholesale, but they are “good for
+trade”. The local lock-up has a record of eighteen drunks run in in
+seven minutes. They weren't taken along in carriages-and-four, either;
+they were mostly dragged along by the scruff of the neck.
+
+Billy Malkeela, the South Sea diver, summed up the Japanese
+question--“Seems to me dis Islan' soon b'long Japanee altogedder. One
+time pa-lenty rickatta (plenty regatta), all same Isle of Wight. Now no
+more rickatta. All money go Japan!”
+
+An English new-chum made his appearance there lately--a most undefeated
+sportsman. He was put down in a diving dress in about eight feet of
+water, where he bubbled and struggled about in great style. Suddenly he
+turned, rushed for the beach, and made for the foot of a tree, which he
+tried to climb under the impression that he was still at the bottom of
+the ocean. Then he was hauled in by the life-line.
+
+The pearlers thought to get some fun out of him by giving him an oyster
+to open in which they had previously planted a pearl; he never saw the
+pearl and threw the oyster into the scuppers with the rest, and the
+pearlers had to go down on all fours and grope for that pearl among the
+stinking oysters. It was funny--but not in the way they had intended.
+
+The pearlers go out in schooners called floating stations (their enemies
+call them floating public-houses) and no man knows what hospitality
+is till he has been a guest on a pearling schooner. They carry it to
+extremes sometimes. Some pearlers were out in a lugger, and were passing
+by one of these schooners. They determined not to go on board, as it was
+late, and they were in a hurry. The captain of the schooner went below,
+got his rifle and put two bullets through their foresail. Then they put
+the helm down and went aboard; it was an invitation almost equivalent to
+a royal command. They felt heartily ashamed of themselves as they slunk
+up on deck, and the captain of the schooner eyed them reproachfully.
+
+“I couldn't let you disgrace yourselves by passing my schooner,” he
+said; “but if it ever happens again I'll fire at the deck. A man that
+would pass a schooner in broad daylight is better dead.”
+
+There is a fort and garrison at Thirsty Island, but they are not needed.
+If an invading fleet comes this way it should be encouraged by every
+possible means to land at the island; the heat, the thirst, the
+horehound beer, and the Islanders may be trusted to do the rest.
+
+
+
+
+DAN FITZGERALD EXPLAINS
+
+
+The circus was having its afternoon siesta. Overhead the towering canvas
+tent spread like a giant mushroom on a network of stalks--slanting
+beams, interlaced with guys and wire ropes.
+
+The ring looked small and lonely; its circle of empty benches seemed
+to stare intently at it, as though some sort of unseen performance were
+going on for the benefit of a ghostly audience. Now and again a guy rope
+creaked, or a loose end of canvas flapped like faint, unreal applause,
+as the silence shut down again, it did not need much imagination to
+people the ring with dead and gone circus riders performing for the
+benefit of shadowy spectators packed on those benches.
+
+In the menagerie portion matters were different; here there was a free
+and easy air, the animals realising that for the present the eyes of the
+public were off them, and they could put in the afternoon as they chose.
+
+The big African apes had dropped the “business” of showing their teeth,
+and pretending that they wanted to tear the spectators' faces off. They
+were carefully and painstakingly trying to fix up a kind of rustic seat
+in the corner of their cage with a short piece of board, which they
+placed against the wall. This fell down every time they sat on it, and
+the whole adjustment had to be gone through again.
+
+The camel had stretched himself full length on the tan, and was enjoying
+a luxurious snooze, oblivious of the fact that before long he would
+have to get up and assume that far-off ship-of-the-desert aspect. The
+remainder of the animals were, like actors, “resting” before their
+“turn” came on; even the elephant had ceased to sway about, while a
+small monkey, asleep on a sloping tent pole, had an attack of nightmare
+and would have fallen off his perch but for his big tail. It was a land
+of the Lotus-eater
+
+ “In which it seemed always afternoon.”
+
+These visions were dispelled by the entry of a person who said, “D'ye
+want to see Dan?” and soon Dan Fitzgerald, the man who knows all
+about the training of horses, came into the tent with Montgomery, the
+ringmaster, and between them they proceeded to expound the methods of
+training horseflesh.
+
+“What sort of horse do we buy for circus work? Well, it depends what we
+want 'em for. There are three sorts of horses in use in a circus--ring
+horses, trick horses, and school horses; but it doesn't matter what he
+is wanted for, a horse is all the better if he knows nothing. A horse
+that has been pulled about and partly trained has to unlearn a lot
+before he is any use to us. The less he knows, the better it is.”
+
+“Then do you just try any sort of horse?”
+
+“Any sort, so long as he is a good sort, but it depends on what he is
+wanted for. If we want a ring horse, he has to be a quiet sober-going
+animal, not too well-bred and fiery. A ring horse is one that just goes
+round the ring for the bareback riders and equestriennes to perform
+on. The human being is the “star”, and the horse in only a secondary
+performer, a sort of understudy; yes, that's it, an understudy--he has
+to study how to keep under the man.”
+
+“Are they hard to train?”
+
+“Their work all depends on the men that ride them. In bareback riding
+there's a knack in jumping on the horse. If a man lands awkwardly and
+jars the horse's back, the horse will get out of step and flinch at each
+jump, and he isn't nearly so good to perform on. A ring horse must
+not swerve or change his pace; if you're up in the air, throwing a
+somersault, and the horse swerves from underneath you--where are you?”
+
+“Some people think that horses take a lot of notice of the band--is that
+so?”
+
+“Not that I know of. If there are any horses in the show with an ear
+for music, I haven't heard of them. They take a lot of notice of the
+ringmaster.”
+
+“Does it take them long to learn this work?”
+
+“Not long; a couple of months will teach a ring horse; of course, some
+are better than others.”
+
+“First of all we teach them to come up to you, with the whip, like
+horsebreakers do. Then we run them round the ring with a lunging rein
+for a long time; then, when they are steady to the ring, we let them
+run with the rein loose, and the trainer can catch hold of it if they go
+wrong. Then we put a roller on them--a broad surcingle that goes round
+the horse's body--and the boys jump on them and canter round, holding
+on to the roller, or standing up, lying down, and doing tricks till the
+horse gets used to it.”
+
+“Well?”
+
+“Well, you give 'em a couple of hours of it, perhaps, and then dry them
+and feed them, and give them a spell, and then bring them out again.
+They soon get to know what you want; but you can't break in horses on
+the move. The shifting and worry and noise and excitement put it all out
+of their heads. We have a fixed camp where we break them in. And a horse
+may know his work perfectly well when there is no one about, but bring
+him into the ring at night, and he is all abroad.”
+
+“Do you have to give them much whip?”
+
+“Not much. If a horse doesn't know what you want him to do, it only
+ruins him to whip him. But once he does a thing a few times, and then
+won't do it, then you must whip him.”
+
+“What about trick horses?”
+
+“A trick horse rolls a barrel, or lies down and goes to bed with the
+clown, or fires a pistol--does any trick like that. Some small circuses
+make the same horses do both trick and ring work, but it isn't a good
+line. A horse is all the better to have only one line of business--same
+as a man.”
+
+“How do you teach them tricks?”
+
+“Oh, it takes a long time and a lot of hard work and great patience.
+Even to make a horse lie down when he's ordered takes a couple of months
+sometimes. To make a horse lie down, you strap up one leg, and then pull
+his head round; after a while he gets so tired of the strained position
+that he lies down, after which he learns to do it at command. If you
+want him to pick up a handkerchief, you put a bit of carrot in it, and
+after a while they know that you want them to pick it up--but it takes
+a long time. Then a strange hand in the ring will flurry them, and if
+anything goes wrong, they get all abroad. A good active pony, with a bit
+of Arab blood in him, is the best for tricks.”
+
+“What's a school horse?”
+
+“Ah, that's a line of business that isn't appreciated enough out here.
+On the Continent they think a lot of them. A school horse is one that is
+taught to do passaging, to change his feet at command, to move sideways
+and backwards; in fact, to drill. Out here no one thinks much of it. But
+in Germany, where everyone goes through military riding schools, they
+do. The Germans are the best horse-trainers in the world; and the big
+German circus-proprietors have men to do all their business for them,
+while they just attend to the horses.”
+
+“How long does it take to turn out a school horse?”
+
+“Well, Chiarini was the best trainer out here, and he used to take two
+years to get a horse to his satisfaction. For school horses, you must
+have thoroughbreds, because their appearance is half their success. We
+had a New Zealand thoroughbred that had raced, and was turning out a
+splendid school horse, and he got burnt after costing a year's training.
+That's the luck of the game, you know. You keep at it year after year,
+and sometimes they die, and sometimes they get crippled--it's all in the
+luck of the game. You may give fifty pounds for a horse, and find that
+he can never get over his fear of the elephant, while you give ten
+pounds for another, and find him a ready-made performer almost.”
+
+We passed out through the ghostly circus and the menagerie tent down to
+the stable tent. There, among a lot of others, a tranquil-looking animal
+was munching some feed, while in front of him hung a placard, “Tiger
+Horse”.
+
+“That's a new sort! What is he, ring, trick, or school horse?”
+
+“Well, he's a class by himself. I suppose you'd call him a ring horse.
+That's the horse that the tiger rides on.”
+
+“Did it take him long to learn that?”
+
+“Well, it did not take this horse long; but we tried eleven others
+before we could get one to stand it. They're just like men, all
+different. What one will stand another won't look at. Well, good-bye.”
+
+Just like men--no doubt; most men have to carry tigers of various sorts
+through life to get a living.
+
+
+
+
+THE CAT
+
+
+Most people think that the cat is an unintelligent animal, fond of ease,
+and caring little for anything but mice and milk. But a cat has really
+more character than most human beings, and gets a great deal more
+satisfaction out of life. Of all the animal kingdom, the cat has the
+most many-sided character.
+
+He--or she--is an athlete, a musician, an acrobat, a Lothario, a grim
+fighter, a sport of the first water. All day long the cat loafs about
+the house, takes things easy, sleeps by the fire, and allows himself
+to be pestered by the attentions of our womenfolk and annoyed by our
+children. To pass the time away he sometimes watches a mouse-hole for
+an hour or two--just to keep himself from dying of ennui; and people get
+the idea that this sort of thing is all that life holds for the cat.
+But watch him as the shades of evening fall, and you see the cat as he
+really is.
+
+When the family sits down to tea, the cat usually puts in an appearance
+to get his share, and purrs noisily, and rubs himself against the
+legs of the family; and all the time he is thinking of a fight or a
+love-affair that is coming off that evening. If there is a guest at
+table the cat is particularly civil to him, because the guest is likely
+to have the best of what is going. Sometimes, instead of recognizing
+this civility with something to eat, the guest stoops down and strokes
+the cat, and says, “Poor pussy! poor pussy!”
+
+The cat soon tires of that; he puts up his claw and quietly but firmly
+rakes the guest in the leg.
+
+“Ow!” says the guest, “the cat stuck his claws into me!” The delighted
+family remarks, “Isn't it sweet of him? Isn't he intelligent? _He wants
+you to give him something to eat_.”
+
+The guest dares not do what he would like to do--kick the cat through
+the window--so, with tears of rage and pain in his eyes, he affects
+to be very much amused, and sorts out a bit of fish from his plate and
+hands it down. The cat gingerly receives it, with a look in his
+eyes that says: “Another time, my friend, you won't be so dull of
+comprehension,” and purrs maliciously as he retires to a safe distance
+from the guest's boot before eating it. A cat isn't a fool--not by a
+long way.
+
+When the family has finished tea, and gathers round the fire to enjoy
+the hours of indigestion, the cat slouches casually out of the room and
+disappears. Life, true life, now begins for him.
+
+He saunters down his own backyard, springs to the top of the fence with
+one easy bound, drops lightly down on the other side, trots across the
+right-of-way to a vacant allotment, and skips to the roof of an empty
+shed. As he goes, he throws off the effeminacy of civilisation; his gait
+becomes lithe and pantherlike; he looks quickly and keenly from side to
+side, and moves noiselessly, for he has so many enemies--dogs, cabmen
+with whips, and small boys with stones.
+
+Arrived on the top of the shed, the cat arches his back, rakes his claws
+once or twice through the soft bark of the old roof, wheels round and
+stretches himself a few times; just to see that every muscle is in full
+working order; then, dropping his head nearly to his paws, he sends
+across a league of backyards his call to his kindred--a call to love, or
+war, or sport.
+
+Before long they come, gliding, graceful shadows, approaching
+circuitously, and halting occasionally to reconnoitre--tortoiseshell,
+tabby, and black, all domestic cats, but all transformed for the nonce
+into their natural state. No longer are they the hypocritical, meek
+creatures who an hour ago were cadging for fish and milk. They are now
+ruffling, swaggering blades with a Gascon sense of dignity. Their fights
+are grim and determined, and a cat will be clawed to ribbons before he
+will yield.
+
+Even young lady cats have this inestimable superiority over human
+beings, that they can work off jealousy, hatred, and malice in a
+sprawling, yelling combat on a flat roof. All cats fight, and all keep
+themselves more or less in training while they are young. Your cat may
+be the acknowledged lightweight champion of his district--a Griffo of
+the feline ring!
+
+Just think how much more he gets out of his life than you do out of
+yours--what a hurricane of fighting and lovemaking his life is--and
+blush for yourself. You have had one little love-affair, and never had a
+good, all-out fight in your life!
+
+And the sport they have, too! As they get older and retire from the ring
+they go in for sport more systematically; the suburban backyards, that
+are to us but dullness indescribable, are to them hunting-grounds and
+trysting-places where they may have more gallant adventure than ever had
+King Arthur's knights or Robin Hood's merry men.
+
+Grimalkin decides to kill a canary in a neighbouring verandah. Consider
+the fascination of it--the stealthy reconnaissance from the top of the
+fence; the care to avoid waking the house-dog, the noiseless approach
+and the hurried dash, and the fierce clawing at the fluttering bird till
+its mangled body is dragged through the bars of the cage; the exultant
+retreat with the spoil; the growling over the feast that follows. Not
+the least entertaining part of it is the demure satisfaction of arriving
+home in time for breakfast and hearing the house-mistress say: “Tom must
+be sick; he seems to have no appetite.”
+
+It is always levelled as a reproach against cats that they are more fond
+of their home than of the people in it. Naturally, the cat doesn't like
+to leave his country, the land where all his friends are, and where he
+knows every landmark. Exiled in a strange land, he would have to learn a
+new geography, to exploit another tribe of dogs, to fight and make love
+to an entirely new nation of cats. Life isn't long enough for that sort
+of thing. So, when the family moves, the cat, if allowed, will stay at
+the old house and attach himself to the new tenants. He will give them
+the privilege of boarding him while he enjoys life in his own way. He
+is not going to sacrifice his whole career for the doubtful reward which
+fidelity to his old master or mistress might bring.
+
+
+
+
+SITTING IN JUDGMENT
+
+
+The show ring was a circular enclosure of about four acres, with a
+spiked batten fence round it, and a listless crowd of back-country
+settlers propped along the fence. Behind them were the sheds for
+produce, and the machinery sections where steam threshers and earth
+scoops hummed and buzzed and thundered unnoticed. Crowds of sightseers
+wandered past the cattle stalls to gape at the fat bullocks; side-shows
+flourished, a blase goose drew marbles out of a tin canister, and a
+boxing showman displayed his muscles outside his tent, while his partner
+urged the youth of the district to come in and be thumped for the
+edification of the spectators.
+
+Suddenly a gate opened at the end of the show ring, and horses, cattle,
+dogs, vehicles, motor-cars, and bicyclists crowded into the arena. This
+was the general parade, but it would have been better described as a
+general chaos. Trotting horses and ponies, in harness, went whirling
+round the ring, every horse and every driver fully certain that
+every eye was fixed on them; the horses--the vainest creatures in the
+world--arching their necks and lifting their feet, whizzed past in
+bewildering succession, till the onlookers grew giddy. Inside the
+whirling circle blood stallions stood on their hind legs, screaming
+defiance to the world at large; great shaggy-fronted bulls, with dull
+vindictive eyes, paced along, looking as though they were trying to
+remember who it was that struck them last. A showground bull always
+seems to be nursing a grievance.
+
+Mixed up with the stallions and bulls were dogs and donkeys. The dogs
+were led by attendants, apparently selected on the principle of the
+larger the dog the smaller the custodian; while the donkeys were the
+only creatures unmoved by their surroundings, for they slept peaceably
+through the procession, occasionally waking up to bray their sense of
+boredom.
+
+In the centre of the ring a few lady-riders, stern-featured women for
+the most part, were being “judged” by a trembling official, who feared
+to look them in the face, but hurriedly and apologetically examined
+horses and saddles, whispered his award to the stewards, and fled at
+top speed to the official stand--his sanctuary from the fury of spurned
+beauty. The defeated ladies immediately began to “perform”--that is, to
+ask the universe at large whether anyone ever heard the like of that!
+But the stewards strategically slipped away, and the injured innocents
+had no resource left but to ride haughtily round the ring, glaring
+defiance at the spectators.
+
+All this time stewards and committee-men were wandering among the
+competitors, trying to find the animals for judgment. The clerk of the
+ring--a huge man on a small cob--galloped around, roaring like a
+bull: “This way for the fourteen stone 'acks! Come on, you twelve
+'and ponies!” and by degrees various classes got judged, and dispersed
+grumbling. Then the bulls filed out with their grievances still
+unsettled, the lady riders were persuaded to withdraw, and the clerk of
+the ring sent a sonorous bellow across the ground: “Where's the jumpin'
+judges?”
+
+From the official stand came a brisk, dark-faced, wiry little man. He
+had been a steeplechase rider and a trainer in his time. Long experience
+of that tricky animal, the horse, had made him reserved and slow to
+express an opinion. He mounted the table, and produced a note-book.
+From the bar of the booth came a large, hairy, red-faced man, whose face
+showed fatuous self-complacency. He was a noted show-judge because he
+refused, on principle, to listen to others' opinions; or in those rare
+cases when he did, only to eject a scornful contradiction. The third
+judge was a local squatter, who was overwhelmed with a sense of his own
+importance.
+
+They seated themselves on a raised platform in the centre of the ring,
+and held consultation. The small dark man produced his note-book.
+
+“I always keep a scale of points,” he said. “Give 'em so many points for
+each fence. Then give 'em so many for make, shape, and quality, and so
+many for the way they jump.”
+
+The fat man looked infinite contempt. “I never want any scale of
+points,” he said. “One look at the 'orses is enough for me. A man that
+judges by points ain't a judge at all, I reckon. What do you think?” he
+went on, turning to the squatter. “Do you go by points?”
+
+“Never,” said the squatter, firmly; which, as he had never judged before
+in his life, was strictly true.
+
+“Well, we'll each go our own way,” said the little man. “I'll keep
+points. Send 'em in.”
+
+“Number One, Conductor!” roared the ring steward in a voice like
+thunder, and a long-legged grey horse came trotting into the ring and
+sidled about uneasily. His rider pointed him for the first jump, and
+went at it at a terrific pace. Nearing the fence the horse made a wild
+spring, and cleared it by feet, while the crowd yelled applause. At the
+second jump he raced right under the obstacle, propped dead, and rose
+in the air with a leap like a goat, while the crowd yelled their delight
+again, and said: “My oath! ain't he clever?” As he neared the third
+fence he shifted about uneasily, and finally took it at an angle,
+clearing a wholly unnecessary thirty feet. Again the hurricane of cheers
+broke out. “Don't he fly 'em,” said one man, waving his hat. At the
+last fence he made his spring yards too soon; his forelegs got over all
+right, but his hind legs dropped on the rail with a sounding rap, and he
+left a little tuft of hair sticking on it.
+
+“I like to see 'em feel their fences,” said the fat man. “I had a
+bay 'orse once, and he felt every fence he ever jumped; shows their
+confidence.”
+
+“I think he'll feel that last one for a while,” said the little dark
+man. “What's this now?”
+
+“Number Two, Homeward Bound!” An old, solid chestnut horse came out and
+cantered up to each jump, clearing them coolly and methodically. The
+crowd was not struck by the performance, and the fat man said: “No
+pace!” but surreptitiously made two strokes (to indicate Number Two) on
+the cuff of his shirt.
+
+“Number Eleven, Spite!” This was a leggy, weedy chestnut,
+half-racehorse, half-nondescript, ridden by a terrified amateur, who
+went at the fence with a white, set face. The horse raced up to the
+fence, and stopped dead, amid the jeers of the crowd. The rider let
+daylight into him with his spurs, and rushed him at it again. This time
+he got over.
+
+Round he went, clouting some fences with his front legs, others with
+his hind legs. The crowd jeered, but the fat man, from a sheer spirit
+of opposition, said: “That would be a good horse if he was rode better.”
+ And the squatter remarked: “Yes, he belongs to a young feller just near
+me. I've seen him jump splendidly out in the bush, over brush fences.”
+
+The little dark man said nothing, but made a note in his book.
+
+“Number Twelve, Gaslight!” “Now, you'll see a horse,” said the fat man.
+“I've judged this 'orse in twenty different shows, and gave him first
+prize every time!”
+
+Gaslight turned out to be a fiddle-headed, heavy-shouldered brute, whose
+long experience of jumping in shows where they give points for pace--as
+if the affair was a steeplechase--had taught him to get the business
+over as quickly as he could. He went thundering round the ring, pulling
+double, and standing off his fences in a style that would infallibly
+bring him to grief if following hounds across roads or through broken
+timber.
+
+“Now,” said the fat man, “that's a 'unter, that is. What I say is, when
+you come to judge at a show, pick out the 'orse you'd soonest be on if
+Ned Kelly was after you, and there you have the best 'unter.”
+
+The little man did not reply, but made the usual scrawl in his book,
+while the squatter hastened to agree with the fat man. “I like to see a
+bit of pace myself,” he ventured.
+
+The fat man sat on him heavily. “You don't call that pace, do you?” he
+said. “He was going dead slow.”
+
+Various other competitors did their turn round the ring, some propping
+and bucking over the jumps, others rushing and tearing at their fences;
+not one jumped as a hunter should. Some got themselves into difficulties
+by changing feet or misjudging the distance, and were loudly applauded
+by the crowd for “cleverness” in getting themselves out of the
+difficulties they had themselves created.
+
+A couple of rounds narrowed the competitors down to a few, and the task
+of deciding was entered on.
+
+“I have kept a record,” said the little man, “of how they jumped each
+fence, and I give them points for style of jumping, and for their make
+and shape and hunting qualities. The way I bring it out is that Homeward
+Bound is the best, with Gaslight second.”
+
+“Homeward Bound!” said the fat man. “Why, the pace he went wouldn't head
+a duck. He didn't go as fast as a Chinaman could trot with two baskets
+of stones. I want to have three of 'em in to have another look at
+'em.” Here he looked surreptitiously at his cuff, saw a note “No. II.”,
+mistook it for “Number Eleven”, and said: “I want Number Eleven to go
+another round.”
+
+The leggy, weedy chestnut, with the terrified amateur up, came sidling
+and snorting out into the ring. The fat man looked at him with scorn.
+
+“What is that fiddle-headed brute doing in the ring?” he said.
+
+“Why,” said the ring steward, “you said you wanted him.”
+
+“Well,” said the fat man, “if I said I wanted him I do want him. Let him
+go the round.”
+
+The terrified amateur went at his fences with the rashness of despair,
+and narrowly escaped being clouted off on two occasions. This put the
+fat man in a quandary. He had kept no record, and all the horses were
+jumbled up in his head; but he had one fixed idea, to give the first
+prize to Gaslight; as to the second he was open to argument. From sheer
+contrariness he said that Number Eleven would be “all right if he were
+rode better,” and the squatter agreed. The little man was overruled, and
+the prizes went--Gaslight, first; Spite, second; Homeward Bound, third.
+
+The crowd hooted loudly as Spite's rider came round with the second
+ribbon, and small boys suggested to the fat judge in shrill tones that
+he ought to boil his head. The fat man stalked majestically into the
+stewards' stand, and on being asked how he came to give Spite the
+second prize, remarked oracularly: “I judge the 'orse, I don't judge the
+rider.” This silenced criticism, and everyone adjourned to have a drink.
+
+Over the flowing bowl the fat man said: “You see, I don't believe in
+this nonsense about points. I can judge 'em without that.”
+
+Twenty dissatisfied competitors vowed they would never bring another
+horse there in their lives. Gaslight's owner said: “Blimey, I knew it
+would be all right with old Billy judging. 'E knows this 'orse.”
+
+
+
+
+THE DOG
+
+
+The dog is a member of society who likes to have his day's work, and who
+does it more conscientiously than most human beings. A dog always looks
+as if he ought to have a pipe in his mouth and a black bag for his
+lunch, and then he would go quite happily to office every day.
+
+A dog without work is like a man without work, a nuisance to himself and
+everybody else. People who live about town, and keep a dog to give the
+children hydatids and to keep the neighbours awake at night, imagine
+that the animal is fulfilling his destiny. All town dogs, fancy dogs,
+show dogs, lap-dogs, and other dogs with no work to do, should be
+abolished; it is only in the country that a dog has any justification
+for his existence.
+
+The old theory that animals have only instinct, not reason, to guide
+them, is knocked endways by the dog. A dog can reason as well as a human
+being on some subjects, and better on others, and the best reasoning dog
+of all is the sheep-dog. The sheep-dog is a professional artist with a
+pride in his business. Watch any drover's dogs bringing sheep into
+the yards. How thoroughly they feel their responsibility, and how very
+annoyed they get if a stray dog with no occupation wants them to stop
+and fool about! They snap at him and hurry off, as much as to say: “You
+go about your idleness. Don't you see this is my busy day?”
+
+Sheep-dogs are followers of Thomas Carlyle. They hold that the only
+happiness for a dog in this life is to find his work and to do it. The
+idle, 'dilettante', non-working, aristocratic dog they have no use for.
+
+The training of a sheep-dog for his profession begins at a very early
+age. The first thing is to take him out with his mother and let him see
+her working. He blunders lightheartedly, frisking along in front of the
+horse, and his owner tries to ride over him, and generally succeeds. It
+is amusing to see how that knocks all the gas out of a puppy, and with
+what a humble air he falls to the rear and glues himself to the horse's
+heels, scarcely daring to look to the right or to the left, for fear of
+committing some other breach of etiquette.
+
+He has had his first lesson--to keep behind the horse until he is
+wanted. Then he watches the old slut work, and is allowed to go with her
+round the sheep; and if he shows any disposition to get out of hand
+and frolic about, the old lady will bite him sharply to prevent his
+interfering with her work.
+
+By degrees, slowly, like any other professional, he learns his business.
+He learns to bring sheep after a horse simply at a wave of the hand;
+to force the mob up to a gate where they can be counted or drafted;
+to follow the scent of lost sheep, and to drive sheep through a town
+without any master, one dog going on ahead to block the sheep from
+turning off into by-streets while the other drives them on from the
+rear.
+
+How do they learn all these things? Dogs for show work are taught
+painstakingly by men who are skilled in handling them; but, after all,
+they teach themselves more than the men teach them. It looks as if the
+acquired knowledge of generations were transmitted from dog to dog.
+The puppy, descended from a race of sheep-dogs, starts with all his
+faculties directed towards the working of sheep; he is half-educated
+as soon as he is born. He can no more help working sheep than a born
+musician can help being musical, or a Hebrew can help gathering in
+shekels. It is bred in him. If he can't get sheep to work, he will
+work a fowl; often and often one can see a collie pup painstakingly and
+carefully driving a bewildered old hen into a stable, or a stock-yard,
+or any other enclosed space on which he has fixed his mind. How does he
+learn to do that? He didn't learn it at all. The knowledge was born with
+him.
+
+When the dog has been educated, or has educated himself, he enjoys his
+work; but very few dogs like work “in the yards”. The sun is hot,
+the dust rises in clouds, and there is nothing to do but bark, bark,
+bark--which is all very well for learners and amateurs, but is beneath
+the dignity of the true professional sheep-dog. When they are hoarse
+with barking and nearly choked with dust, the men lose their tempers and
+swear at them, and throw clods of earth at them, and sing out to them
+“Speak up, blast you!”
+
+Then the dogs suddenly decide that they have done enough for the day.
+Watching their opportunity, they silently steal over the fence, and
+hide in any cool place they can find. After a while the men notice that
+hardly any are left, and operations are suspended while a great hunt is
+made into outlying pieces of cover, where the dogs are sure to be found
+lying low and looking as guilty as so many thieves. A clutch at the
+scruff of the neck, a kick in the ribs, and they are hauled out of
+hiding-places; and accompany their masters to the yard frolicking about
+and pretending that they are quite delighted to be going back, and
+only hid in those bushes out of sheer thoughtlessness. He is a champion
+hypocrite, is the dog.
+
+Dogs, like horses, have very keen intuition. They know when the men
+around them are frightened, though they may not know the cause. In a
+great Queensland strike, when the shearers attacked and burnt Dagworth
+shed, some rifle-volleys were exchanged. The air was full of human
+electricity, each man giving out waves of fear and excitement. Mark now
+the effect it had on the dogs. They were not in the fighting; nobody
+fired at them, and nobody spoke to them; but every dog left his master,
+left the sheep, and went away to the homestead, about six miles off.
+There wasn't a dog about the shed next day after the fight. The noise of
+the rifles had not frightened them, because they were well-accustomed to
+that.*
+
+ * The same thing happened constantly with horses in the
+ South African War. A loose horse would feed contentedly
+ while our men were firing, but when our troops were being
+ fired at the horses became uneasy, and the loose ones would
+ trot away. The excitement of the men communicated itself to
+ them.
+
+Dogs have an amazing sense of responsibility. Sometimes, when there are
+sheep to be worked, an old slut who has young puppies may be greatly
+exercised in her mind whether she should go out or not. On the one hand,
+she does not care about leaving the puppies, on the other, she feels
+that she really ought to go rather than allow the sheep to be knocked
+about by those learners. Hesitatingly, with many a look behind her, she
+trots out after the horses and the other dogs. An impassioned appeal
+from the head boundary rider, “Go back home, will yer!” is treated with
+the contempt it deserves. She goes out to the yards, works, perhaps half
+the day, and then slips quietly under the fences and trots off home,
+contented.
+
+
+
+
+THE DOG--AS A SPORTSMAN
+
+
+The sheep-dog and the cattle-dog are the workmen of the animal kingdom;
+sporting and fighting dogs are the professionals and artists.
+
+A house-dog or a working-dog will only work for his master; a
+professional or artistic dog will work for anybody, so long as he is
+treated like an artist. A man going away for a week's shooting can
+borrow a dog, and the dog will work for him loyally, just as a good
+musician will do his best, though the conductor is strange to him, and
+the other members of the band are not up to the mark. The musician's
+art is sacred to him, and that is the case with the dog--Art before
+everything.
+
+It is a grand sight to see a really good setter or pointer working up to
+a bird, occasionally glancing over his shoulder to see if the man with
+the gun has not lost himself. He throws his whole soul into his work,
+questing carefully over the cold scent, feathering eagerly when the bird
+is close, and at last drawing up like a statue. Not Paganini himself
+ever lost himself in his art more thoroughly than does humble Spot or
+Ponto. It is not amusement and not a mere duty to him; it is a sacred
+gift, which he is bound to exercise.
+
+A pointer in need of amusement will play with another dog--the pair
+pretending to fight, and so on, but when there is work to be done, the
+dog is lost in the artist. How crestfallen he looks if by any chance he
+blunders on to a bird without pointing it! A fiddler who has played
+a wrong note in a solo is the only creature who can look quite so
+discomfited. Humanity, instead of going to the ant for wisdom, should
+certainly go to the dog.
+
+Sporting dogs are like other artists, in that they are apt to get
+careless of everything except their vocation. They are similarly quite
+unreliable in their affections. They are not good watch dogs, and take
+little interest in chasing cats. They look on a little dog that catches
+rats much as a great musician looks on a cricketer--it's clever, but it
+isn't Art.
+
+Hunting and fighting dogs are the gladiators of the animal world.
+A fox-hound or a kangaroo-dog is always of the same opinion as Mr.
+Jorrocks:--“All time is wasted what isn't spent in 'untin'.”
+
+A greyhound will start out in the morning with three lame legs, but as
+soon as he sees a hare start he _must_ go. He utterly forgets his sorrows
+in the excitement, just as a rowing-man, all over boils and blisters,
+will pull a desperate race without feeling any pain. Such dogs are not
+easily excited by anything but a chase, and a burglar might come and rob
+the house and murder the inmates without arousing any excitement among
+them. Guarding a house is “not their pidgin” as the Chinese say. That
+is one great reason for the success of the dog at whatever branch of his
+tribe's work he goes in for--he is so thorough. Dogs who are forced to
+combine half-a-dozen professions never make a success at anything. One
+dog one billet is their motto.
+
+The most earnest and thorough of all the dog tribe is the fighting
+dog. His intense self-respect, his horror of brawling, his cool
+determination, make him a pattern to humanity. The bull-dog or
+bull-terrier is generally the most friendly and best-tempered dog in the
+world; but when he is put down in the ring he fights till he drops, in
+grim silence, though his feet are bitten through and through, his ears
+are in rags, and his neck a hideous mass of wounds.
+
+In a well-conducted dog-fight each dog in turn has to attack the other
+dog, and one can see fierce earnestness blazing in the eye of the
+attacker as he hurls himself on the foe. What makes him fight like
+that? It is not bloodthirstiness, because they are neither savage nor
+quarrelsome dogs: a bulldog will go all his life without a fight, unless
+put into a ring. It is simply their strong self-respect and stubborn
+pride which will not let them give in. The greyhound snaps at his
+opponent and then runs for his life, but the fighting dog stands to it
+till death.
+
+Just occasionally one sees the same type of human being--some
+quiet-spoken, good-tempered man who has taken up glove-fighting for a
+living, and who, perhaps, gets pitted against a man a shade better than
+himself. After a few rounds he knows he is overmatched, but there is
+something at the back of his brain that will not let him cave in. Round
+after round he stands punishment, and round after round he grimly comes
+up, till, possibly, his opponent loses heart, or a fluky hit turns the
+scale in his favour. These men are to be found in every class of life.
+Many of the gamest of the game are mere gutter-bred boys who will
+continue to fight long after they have endured enough punishment to
+entitle them to quit.
+
+You can see in their eyes the same hard glitter that shows in the
+bulldog's eyes as he limps across the ring, or in the eye of the
+racehorse as he lies down to it when his opponent is outpacing him. It
+is grit, pluck, vim, nerve force; call it what you like, and there is no
+created thing that has more of it than the dog.
+
+The blood-lust is a dog-phase that has never been quite understood.
+Every station-owner knows that sometimes the house-dogs are liable to
+take a sudden fit of sheep-killing. Any kind of dog will do it, from the
+collie downward. Sometimes dogs from different homesteads meet in the
+paddocks, having apparently arranged the whole affair beforehand. They
+are very artful about it, too. They lie round the house till dark, and
+then slink off and have a wild night's blood-spree, running down the
+wretched sheep and tearing their throats open; before dawn they
+slink back again and lie around the house as before. Many and many a
+sheep-owner has gone out with a gun and shot his neighbour's dogs for
+killing sheep which his own wicked, innocent-looking dogs had slain.
+
+
+
+
+CONCERNING A STEEPLECHASE RIDER
+
+
+Of all the ways in which men get a living there is none so hard and so
+precarious as that of steeplechase-riding in Australia. It is bad enough
+in England, where steeplechases only take place in winter, when the
+ground is soft, where the horses are properly schooled before being
+raced, and where most of the obstacles will yield a little if struck and
+give the horse a chance to blunder over safely.
+
+In Australia the men have to go at racing-speed, on very hard ground,
+over the most rigid and uncompromising obstacles--ironbark rails clamped
+into solid posts with bands of iron. No wonder they are always coming
+to grief, and are always in and out of hospital in splints and bandages.
+Sometimes one reads that a horse has fallen and the rider has “escaped
+with a severe shaking.”
+
+That “shaking”, gentle reader, would lay you or me up for weeks, with
+a doctor to look after us and a crowd of sympathetic friends calling to
+know how our poor back was. But the steeplechase-rider has to be out and
+about again, “riding exercise” every morning, and “schooling” all sorts
+of cantankerous brutes over the fences. These men take their lives in
+their hands and look at grim death between their horses' ears every time
+they race or “school”.
+
+The death-record among Australian cross-country jockeys and horses is
+very great; it is a curious instance of how custom sanctifies all things
+that such horse-and-man slaughter is accepted in such a callous way. If
+any theatre gave a show at which men and horses were habitually crippled
+or killed in full sight of the audience, the manager would be put on his
+trial for manslaughter.
+
+Our race-tracks use up their yearly average of horses and men without
+attracting remark. One would suppose that the risk being so great the
+profits were enormous; but they are not. In “the game” as played on
+our racecourses there is just a bare living for a good capable horseman
+while he lasts, with the certainty of an ugly smash if he keeps at it
+long enough.
+
+And they don't need to keep at it very long. After a few good “shakings”
+ they begin to take a nip or two to put heart into them before they go
+out, and after a while they have to increase the dose. At last they
+cannot ride at all without a regular cargo of alcohol on board, and are
+either “half-muzzy” or shaky according as they have taken too much or
+too little.
+
+Then the game becomes suicidal; it is an axiom that as soon as a man
+begins to funk he begins to fall. The reason is that a rider who has
+lost his nerve is afraid of his horse making a mistake, and takes a
+pull, or urges him onward, just at the crucial moment when the horse is
+rattling up to his fence and judging his distance. That little, nervous
+pull at his head or that little touch of the spur, takes his attention
+from the fence, with the result that he makes his spring a foot too far
+off or a foot too close in, and--smash!
+
+The loafers who hang about the big fences rush up to see if the jockey
+is killed or stunned; if he is, they dispose of any jewellery he may
+have about him; they have been known almost to tear a finger off in
+their endeavours to secure a ring. The ambulance clatters up at a
+canter, the poor rider is pushed in out of sight, and the ladies in the
+stand say how unlucky they are--that brute of a horse falling after
+they backed him. A wolfish-eyed man in the Leger-stand shouts to
+a wolfish-eyed pal, “Bill, I believe that jock was killed when the
+chestnut fell,” and Bill replies, “Yes, damn him, I had five bob on
+him.” And the rider, gasping like a crushed chicken, is carried into the
+casualty-room and laid on a little stretcher, while outside the window
+the bookmakers are roaring “Four to one bar one,” and the racing is
+going on merrily as ever.
+
+These remarks serve to introduce one of the fraternity who may be
+considered as typical of all. He was a small, wiry, hard-featured
+fellow, the son of a stockman on a big cattle-station, and began life as
+a horse-breaker; he was naturally a horseman, able and willing to ride
+anything that could carry him. He left the station to go with cattle on
+the road, and having picked up a horse that showed pace, amused himself
+by jumping over fences. Then he went to Wagga, entered the horse in a
+steeplechase, rode him himself, won handsomely, sold the horse at a good
+price to a Sydney buyer, and went down to ride it in his Sydney races.
+
+In Sydney he did very well; he got a name as a fearless and clever
+rider, and was offered several mounts on fine animals. So he pitched
+his camp in Sydney, and became a fully-enrolled member of the worst
+profession in the world. I had known him in the old days on the road,
+and when I met him on the course one day I enquired how he liked the new
+life.
+
+“Well, it's a livin',” he said, “but it's no great shakes. They don't
+give steeplechase-riders a chance in Sydney. There's very few races, and
+the big sweepstakes keep horses out of the game.”
+
+“Do you get a fair share of the riding?” I asked.
+
+“Oh, yes; I get as much as anybody. But there's a lot of 'em got a
+notion I won't take hold of a horse when I'm told (i.e., pull him to
+prevent him winning). Some of these days I'll take hold of a horse when
+they don't expect it.”
+
+I smiled as I thought there was probably a sorry day in store for some
+backer when the jockey “took hold” unexpectedly.
+
+“Do you have to pull horses, then, to get employment?”
+
+“Oh, well, it's this way,” he said, rather apologetically, “if an owner
+is badly treated by the handicapper, and is just giving his horse a run
+to get weight off, then it's right enough to catch hold a bit. But when
+a horse is favourite and the public are backing him it isn't right to
+take hold of him then. _I_ would not do it.” This was his whole code of
+morals--not to pull a favourite; and he felt himself very superior to
+the scoundrel who would pull favourites or outsiders indiscriminately.
+
+“What do you get for riding?” I asked him.
+
+“Well,” he said, looking about uneasily, “we're supposed to get a
+fiver for a losing mount and ten pounds if we win, but a lot of the
+steeplechase-owners are what I call 'battlers'--men who have no money
+and get along by owing everybody. They promise us all sorts of money if
+we win, but they don't pay if we lose. I only got two pounds for that
+last steeplechase.”
+
+“Two pounds!” I made a rapid calculation. He had ridden over eighteen
+fences for two pounds--had chanced his life eighteen times at less than
+half-a-crown a time.
+
+“Good Heavens!” I said, “that's a poor game. Wouldn't you be better back
+on the station?”
+
+“Oh, I don't know--sometimes we get laid a bit to nothing, and do well
+out of a race. And then, you know, a steeplechase rider is somebody--not
+like an ordinary fellow that is just working.”
+
+I realised that I was an “ordinary fellow who was just working”, and
+felt small accordingly.
+
+“I'm just off to weigh now,” he said--“I'm riding Contractor, and he'll
+run well, but he always seems to fall at those logs. Still, I ought to
+have luck to-day. I met a hearse as I was coming out. I'll get him over
+the fences, somehow.”
+
+“Do you think it lucky, then, to meet a hearse?”
+
+“Oh, yes,” he said, “if you _meet_ it. You mustn't overtake it--that's
+unlucky. So is a cross-eyed man unlucky. Cross-eyed men ought to be kept
+off racecourses.”
+
+He reappeared clad in his racing rig, and we set off to see the horse
+saddled. We found the owner in a great state of excitement. It seemed he
+had no money--absolutely none whatever--but had borrowed enough to pay
+the sweepstakes, and stood to make something if the horse won and lose
+nothing if he lost, as he had nothing to lose. My friend insisted on
+being paid two pounds before he would mount, and the owner nearly had a
+fit in his efforts to persuade him to ride on credit. At last a backer
+of the horse agreed to pay 2 pounds 10s., win or lose, and the rider was
+to get 25 pounds out of the prize if he won. So up he got; and as he and
+the others walked the big muscular horses round the ring, nodding gaily
+to friends in the crowd, I thought of the gladiators going out to fight
+in the arena with the cry of “Hail, Caesar, those about to die salute
+thee!”
+
+The story of the race is soon told. My friend went to the front at the
+start and led nearly all the way, and “Contractor!” was on every one's
+lips as the big horse sailed along in front of his field. He came at the
+log-fence full of running, and it looked certain that he would get over.
+But at the last stride he seemed to falter, then plunged right into the
+fence, striking it with his chest, and, turning right over, landed on
+his unfortunate rider.
+
+A crowd clustered round and hid horse and rider from view, and I ran
+down to the casualty-room to meet him when the ambulance came in. The
+limp form was carefully taken out and laid on a stretcher while a doctor
+examined the crushed ribs, the broken arm, and all the havoc that the
+horse's huge weight had wrought.
+
+There was no hope from the first. My poor friend, who had so often faced
+Death for two pounds, lay very still awhile. Then he began to talk,
+wandering in his mind, “Where are the cattle?”--his mind evidently going
+back to the old days on the road. Then, quickly, “Look out there--give
+me room!” and again “Five-and-twenty pounds, Mary, and a sure thing if
+he don't fall at the logs.”
+
+Mary was sobbing beside the bed, cursing the fence and the money that
+had brought him to grief. At last, in a tone of satisfaction, he said,
+quite clear and loud: “I know how it was--_There couldn't have been any
+dead man in that hearse!_”
+
+And so, having solved the mystery to his own satisfaction, he drifted
+away into unconsciousness--and woke somewhere on the other side of the
+big fence that we can neither see through nor over, but all have to face
+sooner or later.
+
+
+
+
+VICTOR SECOND
+
+
+We were training two horses for the Buckatowndown races--an old grey
+warrior called Tricolor--better known to the station boys as The
+Trickler--and a mare for the hack race. Station horses don't get trained
+quite like Carbine; some days we had no time to give them gallops at
+all, so they had to gallop twice as far the next day to make up.
+
+One day the boy we had looking after The Trickler fell in with a mob of
+sharps who told him we didn't know anything about training horses, and
+that what the horse really wanted was “a twicer”--that is to say, a
+gallop twice round the course. So the boy gave him “a twicer” on his own
+responsibility. When we found out about it we gave the boy a twicer with
+the strap, and he left and took out a summons against us. But somehow
+or other we managed to get the old horse pretty fit, tried him against
+hacks of different descriptions, and persuaded ourselves that we had the
+biggest certainty ever known on a racecourse.
+
+When the horses were galloping in the morning the kangaroo-dog, Victor,
+nearly always went down to the course to run round with them. It amused
+him, apparently, and didn't hurt anyone, so we used to let him race; in
+fact, we rather encouraged him, because it kept him in good trim to hunt
+kangaroo. When we were starting for the meeting, someone said we had
+better tie up Victor or he would be getting stolen at the races. We
+called and whistled, but he had made himself scarce, so we started and
+forgot all about him.
+
+Buckatowndown Races. Red-hot day, everything dusty, everybody drunk and
+blasphemous. All the betting at Buckatowndown was double-event--you had
+to win the money first, and fight the man for it afterwards.
+
+The start for our race, the Town Plate, was delayed for a quarter of an
+hour because the starter flatly refused to leave a fight of which he was
+an interested spectator. Every horse, as he did his preliminary gallop,
+had a string of dogs after him, and the clerk of the course came full
+cry after the dogs with a whip.
+
+By and by the horses strung across to the start at the far side of the
+course. They fiddled about for a bit; then down went the flag and they
+came sweeping along all bunched up together, one holding a nice
+position on the inside. All of a sudden we heard a wild chorus of
+imprecations--“Look at that dog!” Victor had chipped in with the
+racehorses, and was running right in front of the field. It looked a
+guinea to a gooseberry that some of them would fall on him.
+
+The owners danced and swore. What did we mean by bringing a something
+mongrel there to trip up and kill horses that were worth a paddockful of
+all the horses we had ever owned, or would ever breed or own, even if we
+lived to be a thousand. We were fairly in it and no mistake.
+
+As the field came past the stand the first time we could hear the
+riders swearing at our dog, and a wild yell of execration arose from
+the public. He had got right among the ruck by this time, and was racing
+alongside his friend The Trickler, thoroughly enjoying himself. After
+passing the stand the pace became very merry; the dog stretched out all
+he knew; when they began to make it too hot for him, he cut off corners,
+and joined at odd intervals, and every time he made a fresh appearance
+the people in the stand lifted up their voices and “swore cruel”.
+
+The horses were all at the whip as they turned into the straight, and
+then The Trickler and the publican's mare singled out. We could hear
+the “chop, chop!” of the whips as they came along together, but the mare
+could not suffer it as long as the old fellow, and she swerved off while
+he struggled home a winner by a length or so. Just as they settled down
+to finish Victor dashed up on the inside, and passed the post at old
+Trickler's girths. The populace immediately went for him with stones,
+bottles, and other missiles, and he had to scratch gravel to save his
+life. But imagine the amazement of the other owners when the judge
+placed Trickler first, Victor second, and the publican's mare third!
+
+The publican tried to argue it out with him. He said you couldn't place
+a kangaroo-dog second in a horse-race.
+
+The judge said it was _his_ (hiccough) business what he placed, and that
+those who (hiccough) interfered with him would be sorry for it. Also he
+expressed a (garnished) opinion that the publican's mare was no rotten
+good, and that she was the right sort of mare for a poor man to own,
+because she would keep him poor.
+
+Then the publican called the judge a cow. The judge was willing; a rip,
+tear, and chew fight ensued, which lasted some time. The judge won.
+
+Fifteen protests were lodged against our win, but we didn't worry about
+that--we had laid the stewards a bit to nothing. Every second man we met
+wanted to run us a mile for 100 pounds a side; and a drunken shearer,
+spoiling for a fight, said he had heard we were “brimming over with
+bally science”, and had ridden forty miles to find out.
+
+We didn't wait for the hack race. We folded our tents like the Arab
+and stole away. But it remains on the annals of Buckatowndown how a
+kangaroo-dog ran second for the Town Plate.
+
+
+
+
+CONCERNING A DOG-FIGHT
+
+
+Dog-fighting as a sport is not much in vogue now-a-days. To begin with
+it is illegal. Not that _that_ matters much, for Sunday drinking is also
+illegal. But dog-fighting is one of the cruel sports which the
+community has decided to put down with all the force of public opinion.
+Nevertheless, a certain amount of it is still carried on near Sydney,
+and very neatly and scientifically carried on, too--principally by
+gentlemen who live out Botany way and do not care for public opinion.
+
+The grey dawn was just breaking over Botany when we got to the
+meeting-place. Away to the East the stars were paling in the faint flush
+of coming dawn, and over the sandhills came the boom of breakers. It was
+Sunday morning, and all the respectable, non-dog-fighting population of
+that odoriferous suburb were sleeping their heavy, Sunday-morning
+sleep. Some few people, however, were astir. In the dim light hurried
+pedestrians plodded along the heavy road towards the sandhills. Now and
+then a van, laden with ten or eleven of “the talent”, and drawn by a
+horse that cost fifteen shillings at auction, rolled softly along in the
+same direction. These were dog-fighters who had got “the office”, and
+knew exactly where the match was to take place.
+
+The “meet” was on a main road, about half-a-mile from town; here some
+two hundred people had assembled, and hung up their horses and vehicles
+to the fence without the slightest concealment. They said the police
+would not interfere with them--and they did not seem a nice crowd to
+interfere with.
+
+One dog was on the ground when we arrived, having come out in a hansom
+cab with his trainer. He was a white bull-terrier, weighing about forty
+pounds, “trained to the hour”, with the muscles standing out all over
+him. He waited in the cab, licking his trainer's face at intervals to
+reassure that individual of his protection and support; the rest of the
+time he glowered out of the cab and eyed the public scornfully. He knew
+as well as any human being that there was sport afoot, and looked about
+eagerly and wickedly to see what he could get his teeth into.
+
+Soon a messenger came running up to know whether they meant to sit in
+the cab till the police came; the other dog, he said, had arrived and
+all was ready. The trainer and dog got out of the cab; we followed them
+through a fence and over a rise--and there, about twenty yards from
+the main road, was a neatly-pitched enclosure like a prize-ring, a
+thirty-foot-square enclosure formed with stakes and ropes. About a
+hundred people were at the ringside, and in the far corner, in the arms
+of his trainer, was the other dog--a brindle.
+
+It was wonderful to see the two dogs when they caught sight of each
+other. The white dog came up to the ring straining at his leash, nearly
+dragging his trainer off his feet in his efforts to get at the enemy. At
+intervals he emitted a hoarse roar of challenge and defiance.
+
+The brindled dog never uttered a sound. He fixed his eyes on his
+adversary with a look of intense hunger, of absolute yearning for
+combat. He never for an instant shifted his unwinking gaze. He seemed
+like an animal who saw the hopes of years about to be realised. With
+painful earnestness he watched every detail of the other dog's toilet;
+and while the white dog was making fierce efforts to get at him, he
+stood Napoleonic, grand in his courage, waiting for the fray.
+
+All details were carefully attended to, and all rules strictly
+observed. People may think a dog-fight is a go-as-you-please outbreak of
+lawlessness, but there are rules and regulations--simple, but effective.
+There were two umpires, a referee, a timekeeper, and two seconds for
+each dog. The stakes were said to be ten pounds a-side. After some talk,
+the dogs were carried to the centre of the ring by their seconds and put
+on the ground. Like a flash of lightning they dashed at each other, and
+the fight began.
+
+Nearly everyone has seen dogs fight--“it is their nature to”, as Dr.
+Watts put it. But an ordinary worry between (say) a retriever and a
+collie, terminating as soon as one or other gets his ear bitten, gives
+a very faint idea of a real dog-fight. But bull-terriers are the
+gladiators of the canine race. Bred and trained to fight, carefully
+exercised and dieted for weeks beforehand, they come to the fray
+exulting in their strength and determined to win. Each is trained to
+fight for certain holds, a grip of the ear or the back of the neck being
+of very slight importance. The foot is a favourite hold, the throat is,
+of course, fashionable--if they can get it.
+
+The white and the brindle sparred and wrestled and gripped and threw
+each other, fighting grimly, and disdaining to utter a sound. Their
+seconds dodged round them unceasingly, giving them encouragement and
+advice--“That's the style, Boxer--fight for his foot”--“Draw your foot
+back, old man,” and so on. Now and again one dog got a grip of the
+other's foot and chewed savagely, and the spectators danced with
+excitement. The moment the dogs let each other go they were snatched up
+by their seconds and carried to their corners, and a minute's time was
+allowed, in which their mouths were washed out and a cloth rubbed over
+their bodies.
+
+Then came the ceremony of “coming to scratch”. When time was called for
+the second round the brindled dog was let loose in his own corner, and
+was required by the rules to go across the ring of his own free will and
+attack the other dog. If he failed to do this he would lose the fight.
+The white dog, meanwhile, was held in his corner waiting the attack.
+After the next round it was the white dog's turn to make the attack, and
+so on alternately. The animals need not fight a moment longer than they
+chose, as either dog could abandon the fight by failing to attack his
+enemy.
+
+While their condition lasted they used to dash across the ring at
+full run; but, after a while, when the punishment got severe and their
+“fitness” began to fail, it became a very exciting question whether or
+not a dog would “come to scratch”. The brindled dog's condition was not
+so good as the other's. He used to lie on his stomach between the rounds
+to rest himself, and several times it looked as if he would not cross
+the ring when his turn came. But as soon as time was called he would
+start to his feet and limp slowly across glaring steadily at his
+adversary; then, as he got nearer, he would quicken his pace, make a
+savage rush, and in a moment they would be locked in combat. So they
+battled on for fifty-six minutes, till the white dog (who was apparently
+having all the best of it), on being called to cross the ring, only went
+half-way across and stood there for a minute growling savagely. So he
+lost the fight.
+
+No doubt it was a brutal exhibition. But it was not cruel to the animals
+in the same sense that pigeon-shooting or hare-hunting is cruel. The
+dogs are born fighters, anxious and eager to fight, desiring nothing
+better. Whatever limited intelligence they have is all directed to
+this one consuming passion. They could stop when they liked, but anyone
+looking on could see that they gloried in the combat. Fighting is like
+breath to them--they must have it. Nature has implanted in all animals a
+fighting instinct for the weeding out of the physically unfit, and these
+dogs have an extra share of that fighting instinct.
+
+Of course, now that militarism is going to be abolished, and the
+world is going to be so good and teetotal, and only fight in debating
+societies, these nasty savage animals will be out of date. We will not
+be allowed to keep anything more quarrelsome than a poodle--and a man
+of the future, the New Man, whose fighting instincts have not been
+quite bred out of him, will, perhaps, be found at grey dawn of a Sunday
+morning with a crowd of other unregenerates in some backyard frantically
+cheering two of them to mortal combat.
+
+
+
+
+HIS MASTERPIECE
+
+
+Greenhide Billy was a stockman on a Clarence River cattle-station, and
+admittedly the biggest liar in the district. He had been for many years
+pioneering in the Northern Territory, the other side of the sun-down--a
+regular “furthest-out man”--and this assured his reputation among
+station-hands who award rank according to amount of experience.
+
+Young men who have always hung around the home districts, doing a job of
+shearing here or a turn at horse-breaking there, look with reverence
+on Riverine or Macquarie-River shearers who come in with tales of runs
+where they have 300,000 acres of freehold land and shear 250,000
+sheep; these again pale their ineffectual fires before the glory of the
+Northern Territory man who has all-comers on toast, because no one can
+contradict him or check his figures. When two of them meet, however,
+they are not fools enough to cut down quotations and spoil the market;
+they lie in support of each other, and make all other bushmen feel mean
+and pitiful and inexperienced.
+
+Sometimes a youngster would timidly ask Greenhide Billy about the
+'terra incognita': “What sort of a place is it, Billy--how big are the
+properties? How many acres had you in the place you were on?”
+
+“Acres be d----d!” Billy would scornfully reply; “hear him talking
+about acres! D'ye think we were blanked cockatoo selectors! Out there we
+reckon country by the hundred miles. You orter say, 'How many thousand
+miles of country?' and then I'd understand you.”
+
+Furthermore, according to Billy, they reckoned the rainfall in the
+Territory by yards, not inches. He had seen blackfellows who could
+jump at least three inches higher than anyone else had ever seen a
+blackfellow jump, and every bushman has seen or personally known
+a blackfellow who could jump over six feet. Billy had seen bigger
+droughts, better country, fatter cattle, faster horses, and cleverer
+dogs, than any other man on the Clarence River. But one night when the
+rain was on the roof, and the river was rising with a moaning sound, and
+the men were gathered round the fire in the hut smoking and staring at
+the coals, Billy turned himself loose and gave us his masterpiece.
+
+“I was drovin' with cattle from Mungrybanbone to old Corlett's station
+on the Buckadowntown River” (Billy always started his stories with some
+paralysing bush names). “We had a thousand head of store-cattle, wild,
+mountain-bred wretches that'd charge you on sight; they were that handy
+with their horns they could skewer a mosquito. There was one or two
+one-eyed cattle among 'em--and you know how a one-eyed beast always
+keeps movin' away from the mob, pokin' away out to the edge of them so
+as they won't git on his blind side, so that by stirrin' about he keeps
+the others restless.
+
+“They had been scared once or twice, and stampeded and gave us all we
+could do to keep them together; and it was wet and dark and thundering,
+and it looked like a real bad night for us. It was my watch. I was on
+one side of the cattle, like it might be here, with a small bit of a
+fire; and my mate, Barcoo Jim, he was right opposite on the other side
+of the cattle, and had gone to sleep under a log. The rest of the men
+were in the camp fast asleep. Every now and again I'd get on my horse
+and prowl round the cattle quiet like, and they seemed to be settled
+down all right, and I was sitting by my fire holding my horse and
+drowsing, when all of a sudden a blessed 'possum ran out from some
+saplings and scratched up a tree right alongside me. I was half-asleep,
+I suppose, and was startled; anyhow, never thinking what I was doing, I
+picked up a firestick out of the fire and flung it at the 'possum.
+
+“Whoop! Before you could say Jack Robertson, that thousand head of
+cattle were on their feet, and made one wild, headlong, mad rush right
+over the place where poor old Barcoo Jim was sleeping. There was no
+time to hunt up materials for the inquest; I had to keep those cattle
+together, so I sprang into the saddle, dashed the spurs into the old
+horse, dropped my head on his mane, and sent him as hard as he could leg
+it through the scrub to get to the lead of the cattle and steady them.
+It was brigalow, and you know what that is.
+
+“You know how the brigalow grows,” continued Bill; “saplings about as
+thick as a man's arm, and that close together a dog can't open his mouth
+to bark in 'em. Well, those cattle swept through that scrub, levelling
+it like as if it had been cleared for a railway line. They cleared
+a track a quarter of a mile wide, and smashed every stick, stump and
+sapling on it. You could hear them roaring and their hoofs thundering
+and the scrub smashing three or four miles off.
+
+“And where was I? I was racing parallel with the cattle, with my head
+down on the horse's neck, letting him pick his way through the scrub in
+the pitchy darkness. This went on for about four miles. Then the cattle
+began to get winded, and I dug into the old stock-horse with the spurs,
+and got in front, and began to crack the whip and sing out, so as to
+steady them a little; after awhile they dropped slower and slower, and I
+kept the whip going. I got them all together in a patch of open country,
+and there I rode round and round 'em all night till daylight.
+
+“And how I wasn't killed in the scrub, goodness only knows; for a man
+couldn't ride in the daylight where I did in the dark. The cattle were
+all knocked about--horns smashed, legs broken, ribs torn; but they were
+all there, every solitary head of 'em; and as soon as the daylight broke
+I took 'em back to the camp--that is, all that could travel, because I
+had to leave a few broken-legged ones.”
+
+Billy paused in his narrative. He knew that some suggestions would be
+made, by way of compromise, to tone down the awful strength of the yarn,
+and he prepared himself accordingly. His motto was “No surrender”; he
+never abated one jot of his statements; if anyone chose to remark on
+them, he made them warmer and stronger, and absolutely flattened out the
+intruder.
+
+“That was a wonderful bit of ridin' you done, Billy,” said one of the
+men at last, admiringly. “It's a wonder you wasn't killed. I suppose
+your clothes was pretty well tore off your back with the scrub?”
+
+“Never touched a twig,” said Billy.
+
+“Ah!” faltered the inquirer, “then no doubt you had a real ringin' good
+stock-horse that could take you through a scrub like that full-split in
+the dark, and not hit you against anything.”
+
+“No, he wasn't a good un,” said Billy decisively, “he was the worst
+horse in the camp. Terrible awkward in the scrub he was, always fallin'
+down on his knees; and his neck was so short you could sit far back on
+him and pull his ears.”
+
+Here that interrogator retired hurt; he gave Billy best. After a pause
+another took up the running.
+
+“How did your mate get on, Billy? I s'pose he was trampled to a mummy!”
+
+“No,” said Billy, “he wasn't hurt a bit. I told you he was sleeping
+under the shelter of a log. Well, when those cattle rushed they swept
+over that log a thousand strong; and every beast of that herd took the
+log in his stride and just missed landing on Barcoo Jimmy by about four
+inches.”
+
+The men waited a while and smoked, to let this statement soak well into
+their systems; at last one rallied and had a final try.
+
+“It's a wonder then, Billy,” he said, “that your mate didn't come after
+you and give you a hand to steady the cattle.”
+
+“Well, perhaps it was,” said Billy, “only that there was a bigger wonder
+than that at the back of it.”
+
+“What was that?”
+
+“My mate never woke up all through it.”
+
+Then the men knocked the ashes out of their pipes and went to bed.
+
+
+
+
+DONE FOR THE DOUBLE
+
+by Knott Gold
+
+Author of “Flogged for a Furlong”, “Won by a Winker”, etc., etc.
+
+
+
+
+Chapter I.--WANTED, A PONY
+
+
+Algernon de Montgomery Smythers was a merchant, wealthy beyond the
+dreams of avarice. Other merchants might dress more lavishly, and wear
+larger watch chains; but the bank balance is the true test of mercantile
+superiority, and in a trial of bank balances Algernon de Montgomery
+Smythers represented Tyson at seven stone. He was unbeatable.
+
+He lived in comfort, not to say luxury. He had champagne for breakfast
+every morning, and his wife always slept with a pair of diamond earrings
+worth a small fortune in her ears. It is things like these that show
+true gentility.
+
+Though they had been married many years, the A. de M. Smythers had but
+one child--a son and heir. No Christmas Day was allowed to pass by his
+doting parents without a gift to young Algy of some trifle worth about
+150 pounds, less the discount for cash. He had six play-rooms, all
+filled with the most expensive toys and ingenious mechanical devices.
+He had a phonograph that could hail a ship out at the South Head, and a
+mechanical parrot that sang “The Wearing of the Green”. And still he was
+not happy.
+
+Sometimes, in spite of the vigilance of his four nurses and six
+under-nurses, he would escape into the street, and run about with the
+little boys he met there. One day he gave one of them a sovereign for
+a locust. Certainly the locust was a “double-drummer”, and could deafen
+the German Band when shaken up judiciously; still, it was dear at a
+sovereign.
+
+It is ever thus.
+
+What we have we do not value, and what other people have we are not
+strong enough to take from them.
+
+Such is life.
+
+Christmas was approaching, and the question of Algy's Christmas present
+agitated the bosom of his parents. He already had nearly everything a
+child could want; but one morning a bright inspiration struck Algy's
+father. Algy should have a pony.
+
+With Mr. Smythers to think was to act. He was not a man who believed
+in allowing grass to grow under his feet. His motto was, “Up and be
+doing--somebody.” So he put an advertisement in the paper that same day.
+
+“Wanted, a boy's pony. Must be guaranteed sound, strong, handsome,
+intelligent. Used to trains, trams, motors, fire engines, and motor
+'buses. Any failure in above respects will disqualify. Certificate of
+birth required as well as references from last place. Price no object.”
+
+
+
+
+Chapter II.--BLINKY BILL'S SACRIFICE
+
+
+Down in a poverty-stricken part of the city lived Blinky Bill, the
+horse-dealer.
+
+His yard was surrounded by loose-boxes made of any old timber,
+galvanized iron, sheets of roofing-felt, and bark he could gather
+together.
+
+He kept all sorts of horses, except good sorts. There were harness
+horses, that wouldn't pull, and saddle horses that wouldn't go--or, if
+they went, used to fall down. Nearly every animal about the place had
+something the matter with it.
+
+When the bailiff dropped in, as he did every two or three weeks, Bill
+and he would go out together, and “have a punt” on some of Bill's
+ponies, or on somebody else's ponies--the latter for choice. But
+periodical punts and occasional sales of horses would not keep the wolf
+from the door. Ponies keep on eating whether they are winning or not and
+Blinky Bill had got down to the very last pitch of desperation when he
+saw the advertisement mentioned at the end of last chapter.
+
+It was like a ray of hope to him. At once there flashed upon him what he
+must do.
+
+He must make a great sacrifice; he must sell Sausage II.
+
+Sausage II. was the greatest thirteen-two pony of the day. Time and
+again he had gone out to race when, to use William's own words, it was
+a blue duck for Bill's chance of keeping afloat; and every time did the
+gallant race pony pull his owner through.
+
+Bill owed more to Sausage II. than he owed to his creditors.
+
+Brought up as a pet, the little animal was absolutely trustworthy. He
+would carry a lady or a child, or pull a sulky; in fact, it was quite
+a common thing for Blinky Bill to drive him in a sulky to a country
+meeting and look about him for a likely “mark”. If he could find a fleet
+youth with a reputedly fast pony, Bill would offer to “pull the little
+cuddy out of the sulky and run yer for a fiver.” Sometimes he got
+beaten; but as he never paid, that didn't matter. He did not believe in
+fighting; but he would always sooner fight than pay.
+
+But all these devices had left him on his uppers in the end. He had
+no feed for his ponies, and no money to buy it; the corn merchant had
+written his account off as bad, and had no desire to make it worse.
+Under the circumstances, what was he to do? Sausage II. must be sold.
+
+With heavy heart Bill led the pony down to be inspected. He saw Mr.
+Algernon de Montgomery Smythers, and measured him with his eye. He saw
+it would be no use to talk about racing to him, so he went on the other
+track.
+
+He told him that the pony belonged to a Methodist clergyman, who used to
+drive him in a “shay”. There are no shays in this country; but Bill had
+read the word somewhere, and thought it sounded respectable. “Yus, sir,”
+ he said, “'e goes lovely in a shay,” and he was just starting off at
+twenty words a second, when he was stopped.
+
+Mr. A. de M. Smythers was brusque with his inferiors, and in this he
+made a mistake. Instead of listening to all that Blinky Bill said, and
+disbelieving it at his leisure, he stopped his talk.
+
+“If you want to sell this pony, dry up,” he said. “I don't believe a
+word you say, and it only worries me to hear you lying.”
+
+Fatal mistake! You should never stop a horse-dealer's talk. And call him
+anything you like, but never say you doubt his word.
+
+Both these things Mr. Smythers did; and, though he bought the pony at a
+high price, yet the insult sank deep into the heart of Blinky Bill.
+
+As the capitalist departed leading the pony, Blinky Bill muttered to
+himself, “Ha! ha! Little does he know that he is leading Sausage II.,
+the greatest 13.2 pony of the century. Let him beware how he gets
+alongside anything. That's all! Blinky Bill may yet be revenged!”
+
+
+
+
+Chapter III.--EXIT ALGY
+
+
+Christmas Day came. Algy's father gave orders to have the pony saddled,
+and led round to the front door. Algy's mother, a lady of forty summers,
+spent the morning superintending the dinner. Dinner was the principal
+event in the day with her. Alas, poor lady! Everything she ate agreed
+with her, and she got fatter and fatter and fatter.
+
+The cold world never fully appreciates the struggles of those who
+are fat--the efforts at starvation, the detested exercise, the long,
+miserable walks. Well has one of our greatest poets written, “Take up
+the fat man's burden.” But we digress.
+
+When Algy saw the pony he shouted with delight, and in half a minute was
+riding him up and down the front drive. Then he asked for leave to go
+out in the street--and that was where the trouble began.
+
+Up and down the street the pony cantered, as quietly as possible, till
+suddenly round a corner came two butcher boys racing their horses. With
+a clatter of clumsy hoofs they thundered past. In half a second there
+was a rattle, and a sort of comet-like rush through the air. Sausage II.
+was off after them with his precious burden.
+
+The family dog tried to keep up with him, and succeeded in keeping ahead
+for about three strides. Then, like the wolves that pursued Mazeppa, he
+was left yelping far behind. Through Surry Hills and Redfern swept the
+flying pony, his rider lying out on his neck in Tod Sloan fashion, while
+the ground seemed to race beneath him. The events of the way were just
+one hopeless blur till the pony ran straight as an arrow into the yard
+of Blinky Bill.
+
+
+
+
+Chapter IV.--RUNNING THE RULE
+
+
+As soon as Blinky Bill recognised his visitor, he was delighted.
+
+“You here,” he said, “Ha, ha, revenge is mine! I'll get a tidy reward
+for taking you back, my young shaver.”
+
+Then from the unresisting child he took a gold watch and three
+sovereigns. These he said he would put in a safe place for him, till he
+was going home again. He expected to get at least a tenner ready money
+for bringing Algy back, and hoped that he might be allowed to keep the
+watch into the bargain.
+
+With a light heart he went down town with Algy's watch and sovereigns in
+his pocket. He did not return till daylight, when he awoke his wife with
+bad news.
+
+“Can't give the boy up,” he said. “I moskenoed his block and tackle, and
+blued it in the school.” In other words, he had pawned the boy's watch
+and chain, and had lost the proceeds at pitch and toss.
+
+“Nothing for it but to move,” he said, “and take the kid with us.”
+
+So move they did.
+
+The reader can imagine with what frantic anxiety the father and mother
+of little Algy sought for their lost one. They put the matter into the
+hands of the detective police, and waited for the Sherlock Holmeses of
+the force to get in their fine work. There was nothing doing.
+
+Years rolled on, and the mysterious disappearance of little Algy was yet
+unsolved. The horse-dealer's revenge was complete.
+
+The boy's mother consulted a clairvoyant, who murmured mystically “What
+went by the ponies, will come by the ponies;” and with that they had to
+remain satisfied.
+
+
+
+
+Chapter V.--THE TRICKS OF THE TURF
+
+
+It was race day at Pulling'em Park, and the ponies were doing their
+usual performances.
+
+Among the throng the heaviest punter is a fat lady with diamond
+earrings. Does the reader recognize her? It is little Algy's mother.
+Her husband is dead, leaving her the whole of his colossal fortune, and,
+having developed a taste for gambling, she is now engaged in “doing it
+in on the ponies”. She is one of the biggest bettors in the game.
+
+When women take to betting they are worse than men.
+
+But it is not for betting alone that she attends the meetings. She
+remembers the clairvoyant's “What went by the ponies will come by the
+ponies.” And always she searches in the ranks of the talent for her lost
+Algy.
+
+Here enters another of our dramatis personae--Blinky Bill, prosperous
+once more. He has got a string of ponies and punters together. The
+first are not much use to a man without the second; but, in spite of all
+temptations, Bill has always declined to number among his punters the
+mother of the child he stole. But the poor lady regularly punts on his
+ponies, and just as regularly is “sent up”--in other words, loses her
+money.
+
+To-day she has backed Blinky's pair, Nostrils and Tin Can, for the
+double. Nostrils has won his race, and Tin Can, if on the job, can
+win the second half of the double. Is he on the job? The prices are
+lengthening against him, and the poor lady recognises that once more she
+is “in the cart”.
+
+Just then she meets Tin Can's jockey, Dodger Smith, face to face. A
+piercing scream rends the atmosphere, as if a thousand school children
+drew a thousand slate pencils down a thousand slates simultaneously. “Me
+cheild! Me cheild! Me long-lost Algy!”
+
+It did not take long to convince Algy that he would be better off as a
+son to a wealthy lady than as a jockey, subject to the fiendish caprices
+of Blinky Bill.
+
+“All right, mother,” he said. “Put all you can raise on Tin Can. I'm
+going to send Blinky up. It's time I had a cut on me own, anyway.”
+
+The horses went to the post. Tons of money were at the last moment
+hurled on to Tin Can. The books, knowing he was “dead”, responded
+gamely, and wrote his name till their wrists gave out. Blinky Bill had
+a half-share in all the bookies' winnings, so he chuckled grimly as he
+went to the rails to watch the race.
+
+They're off. And what is this that flashes to the front, while the howls
+of the bookies rise like the yelping of fiends in torment? It is Dodger
+Smith on Tin Can, and from the grandstand there is a shrill feminine
+yell of triumph as the gallant pony sails past the post.
+
+The bookies thought that Blinky Bill had sold them, and they discarded
+him for ever.
+
+Algy and his mother were united, and backed horses together happily ever
+after, and sometimes out in the back yard of their palatial mansion
+they hand the empty bottles, free of charge, to a poor old broken-down
+bottle-O, called Blinky Bill.
+
+
+
+
+
+End of the Project Gutenberg EBook of Three Elephant Power, by
+Andrew Barton 'Banjo' Paterson
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diff --git a/307-0.zip b/307-0.zip
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+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ Three Elephant Power and Other Stories, by Andrew Barton 'banjo' Paterson
+ and by Knott Gold
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+Project Gutenberg's Three Elephant Power, by Andrew Barton 'Banjo' Paterson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Three Elephant Power
+
+Author: Andrew Barton 'Banjo' Paterson
+
+Release Date: June 29, 2008 [EBook #307]
+Last Updated: March 9, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THREE ELEPHANT POWER ***
+
+
+
+
+Produced by A. Light, L. Bowser, and David Widger
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ THREE ELEPHANT POWER <br /> AND OTHER STORIES
+ </h1>
+ <h2>
+ by Andrew Barton 'Banjo' Paterson
+ </h2>
+ <h4>
+ [Australian Poet, Reporter&mdash;1864-1941.]
+ </h4>
+ <p>
+ <br />
+ </p>
+ <h3>
+ 1917 Edition
+ </h3>
+ <p>
+ <br />
+ </p>
+ <h5>
+ [Note on text: These stories appeared originally <br /> in several
+ Australian journals.]
+ </h5>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <blockquote>
+ <p class="toc">
+ <big><b>CONTENTS</b></big>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> THREE ELEPHANT POWER </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> THE ORACLE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> THE CAST-IRON CANVASSER </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> THE MERINO SHEEP </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> THE BULLOCK </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> WHITE-WHEN-HE'S-WANTED </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> THE DOWNFALL OF MULLIGAN'S </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> THE AMATEUR GARDENER </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> THIRSTY ISLAND </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> DAN FITZGERALD EXPLAINS </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> THE CAT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> SITTING IN JUDGMENT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> THE DOG </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> THE DOG&mdash;AS A SPORTSMAN </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> CONCERNING A STEEPLECHASE RIDER </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> VICTOR SECOND </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> CONCERNING A DOG-FIGHT </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> HIS MASTERPIECE </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> DONE FOR THE DOUBLE, By Knott Gold </a>
+ </p>
+ <p class="toc2">
+ <a href="#link2HCH0001"> Chapter I.&mdash;WANTED, A PONY </a>
+ </p>
+ <p class="toc2">
+ <a href="#link2HCH0002"> Chapter II.&mdash;BLINKY BILL'S SACRIFICE </a>
+ </p>
+ <p class="toc2">
+ <a href="#link2HCH0003"> Chapter III.&mdash;EXIT ALGY </a>
+ </p>
+ <p class="toc2">
+ <a href="#link2HCH0004"> Chapter IV.&mdash;RUNNING THE RULE </a>
+ </p>
+ <p class="toc2">
+ <a href="#link2HCH0005"> Chapter V.&mdash;THE TRICKS OF THE TURF </a>
+ </p>
+ </blockquote>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0001" id="link2H_4_0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h2>
+ THREE ELEPHANT POWER
+ </h2>
+ <p>
+ &ldquo;Them things,&rdquo; said Alfred the chauffeur, tapping the speed indicator with
+ his fingers, &ldquo;them things are all right for the police. But, Lord, you can
+ fix 'em up if you want to. Did you ever hear about Henery, that used to
+ drive for old John Bull&mdash;about Henery and the elephant?&rdquo;
+ </p>
+ <p>
+ Alfred was chauffeur to a friend of mine who owned a very powerful car.
+ Alfred was part of that car. Weirdly intelligent, of poor physique, he
+ might have been any age from fifteen to eighty. His education had been
+ somewhat hurried, but there was no doubt as to his mechanical ability. He
+ took to a car like a young duck to water. He talked motor, thought motor,
+ and would have accepted&mdash;I won't say with enthusiasm, for Alfred's
+ motto was 'Nil admirari'&mdash;but without hesitation, an offer to drive
+ in the greatest race in the world. He could drive really well, too; as for
+ belief in himself, after six months' apprenticeship in a garage he was
+ prepared to vivisect a six-cylinder engine with the confidence of a
+ diplomaed bachelor of engineering.
+ </p>
+ <p>
+ Barring a tendency to flash driving, and a delight in persecuting slow
+ cars by driving just in front of them and letting them come up and enjoy
+ his dust, and then shooting away again, he was a respectable member of
+ society. When his boss was in the car he cloaked the natural ferocity of
+ his instincts; but this day, with only myself on board, and a clear run of
+ a hundred and twenty miles up to the station before him, he let her loose,
+ confident that if any trouble occurred I would be held morally
+ responsible.
+ </p>
+ <p>
+ As we flew past a somnolent bush pub, Alfred, whistling softly, leant
+ forward and turned on a little more oil.
+ </p>
+ <p>
+ &ldquo;You never heard about Henery and the elephant?&rdquo; he said. &ldquo;It was dead
+ funny. Henery was a bushwacker, but clean mad on motorin'. He was wood and
+ water joey at some squatter's place until he seen a motor-car go past one
+ day, the first that ever they had in the districk.
+ </p>
+ <p>
+ &ldquo;'That's my game,' says Henery; 'no more wood and water joey for me.'
+ </p>
+ <p>
+ &ldquo;So he comes to town and gets a job off Miles that had that garage at the
+ back of Allison's. An old cove that they called John Bull&mdash;I don't
+ know his right name, he was a fat old cove&mdash;he used to come there to
+ hire cars, and Henery used to drive him. And this old John Bull he had
+ lots of stuff, so at last he reckons he's going to get a car for himself,
+ and he promises Henery a job to drive it. A queer cove this Henery was&mdash;half
+ mad, I think, but the best hand with a car ever I see.&rdquo;
+ </p>
+ <p>
+ While he had been talking we topped a hill, and opened up a new stretch of
+ blue-grey granite-like road. Down at the foot of the hill was a teamster's
+ waggon in camp; the horses in their harness munching at their nose-bags,
+ while the teamster and a mate were boiling a billy a little off to the
+ side of the road. There was a turn in the road just below the waggon which
+ looked a bit sharp, so of course Alfred bore down on it like a whirlwind.
+ The big stupid team-horses huddled together and pushed each other
+ awkwardly as we passed. A dog that had been sleeping in the shade of the
+ waggon sprang out right in front of the car, and was exterminated without
+ ever knowing what struck him.
+ </p>
+ <p>
+ There was just room to clear the tail of the waggon and negotiate the
+ turn. Alfred, with the calm decision of a Napoleon, swung round the bend
+ to find that the teamster's hack, fast asleep, was tied to the tail of the
+ waggon. Nothing but a lightning-like twist of the steering-wheel prevented
+ our scooping the old animal up, and taking him on board as a passenger. As
+ it was, we carried off most of his tail as a trophy on the brass of the
+ lamp. The old steed, thus rudely awakened, lashed out good and hard, but
+ by that time we were gone, and he missed the car by a quarter of a mile.
+ </p>
+ <p>
+ During this strenuous episode Alfred never relaxed his professional
+ stolidity, and, when we were clear, went on with his story in the tone of
+ a man who found life wanting in animation.
+ </p>
+ <p>
+ &ldquo;Well, at fust, the old man would only buy one of these little eight-horse
+ rubby-dubbys that go strugglin' up 'ills with a death-rattle in its
+ throat, and all the people in buggies passin' it. O' course that didn't
+ suit Henery. He used to get that spiked when a car passed him, he'd nearly
+ go mad. And one day he nearly got the sack for dodgin' about up a steep
+ 'ill in front of one o' them big twenty-four Darracqs, full of 'owlin'
+ toffs, and not lettin' 'em get a chance to go past till they got to the
+ top. But at last he persuaded old John Bull to let him go to England and
+ buy a car for him. He was to do a year in the shops, and pick up all the
+ wrinkles, and get a car for the old man. Bit better than wood and water
+ joeying, wasn't it?&rdquo;
+ </p>
+ <p>
+ Our progress here was barred by our rounding a corner right on to a flock
+ of sheep, that at once packed together into a solid mass in front of us,
+ blocking the whole road from fence to fence.
+ </p>
+ <p>
+ &ldquo;Silly cows o' things, ain't they?&rdquo; said Alfred, putting on his emergency
+ brake, and skidding up till the car came softly to rest against the
+ cushion-like mass&mdash;a much quicker stop than any horse-drawn vehicle
+ could have made. A few sheep were crushed somewhat, but it is well known
+ that a sheep is practically indestructible by violence. Whatever Alfred's
+ faults were, he certainly could drive.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he went on, lighting a cigarette, unheeding the growls of the
+ drovers, who were trying to get the sheep to pass the car, &ldquo;well, as I was
+ sayin', Henery went to England, and he got a car. Do you know wot he got?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I don't.&rdquo;
+ </p>
+ <p>
+ &ldquo;'E got a ninety,&rdquo; said Alfred slowly, giving time for the words to soak
+ in.
+ </p>
+ <p>
+ &ldquo;A ninety! What do you mean?&rdquo;
+ </p>
+ <p>
+ &ldquo;'E got a ninety&mdash;a ninety-horse-power racin' engine wot was made for
+ some American millionaire and wasn't as fast as wot some other millionaire
+ had, so he sold it for the price of the iron, and Henery got it, and had a
+ body built for it, and he comes out here and tells us all it's a twenty
+ mongrel&mdash;you know, one of them cars that's made part in one place and
+ part in another, the body here and the engine there, and the radiator
+ another place. There's lots of cheap cars made like that.
+ </p>
+ <p>
+ &ldquo;So Henery he says that this is a twenty mongrel&mdash;only a
+ four-cylinder engine; and nobody drops to what she is till Henery goes out
+ one Sunday and waits for the big Napier that Scotty used to drive&mdash;it
+ belonged to the same bloke wot owned that big racehorse wot won all the
+ races. So Henery and Scotty they have a fair go round the park while both
+ their bosses is at church, and Henery beat him out o' sight&mdash;fair
+ lost him&mdash;and so Henery was reckoned the boss of the road. No one
+ would take him on after that.&rdquo;
+ </p>
+ <p>
+ A nasty creek-crossing here required Alfred's attention. A little girl,
+ carrying a billy-can of water, stood by the stepping stones, and smiled
+ shyly as we passed. Alfred waved her a salute quite as though he were an
+ ordinary human being. I felt comforted. He had his moments of relaxation
+ evidently, and his affections like other people.
+ </p>
+ <p>
+ &ldquo;What happened to Henry and the ninety-horse machine?&rdquo; I asked. &ldquo;And where
+ does the elephant come in?&rdquo;
+ </p>
+ <p>
+ Alfred smiled pityingly.
+ </p>
+ <p>
+ &ldquo;Ain't I tellin' yer,&rdquo; he said. &ldquo;You wouldn't understand if I didn't tell
+ yer how he got the car and all that. So here's Henery,&rdquo; he went on, &ldquo;with
+ old John Bull goin' about in the fastest car in Australia, and old John,
+ he's a quiet old geezer, that wouldn't drive faster than the regulations
+ for anything, and that short-sighted he can't see to the side of the road.
+ So what does Henery do? He fixes up the speed-indicator&mdash;puts a new
+ face on it, so that when the car is doing thirty, the indicator only shows
+ fifteen, and twenty for forty, and so on. So out they'd go, and if Henery
+ knew there was a big car in front of him, he'd let out to forty-five, and
+ the pace would very near blow the whiskers off old John; and every now and
+ again he'd look at the indicator, and it'd be showin' twenty-two and a
+ half, and he'd say:
+ </p>
+ <p>
+ &ldquo;'Better be careful, Henery, you're slightly exceedin' the speed limit;
+ twenty miles an hour, you know, Henery, should be fast enough for anybody,
+ and you're doing over twenty-two.'
+ </p>
+ <p>
+ &ldquo;Well, one day, Henery told me, he was tryin' to catch up a big car that
+ just came out from France, and it had a half-hour start of him, and he was
+ just fairly flyin', and there was a lot of cars on the road, and he flies
+ past 'em so fast the old man says, 'It's very strange, Henery,' he says,
+ 'that all the cars that are out to-day are comin' this way,' he says. You
+ see he was passin' 'em so fast he thought they were all comin' towards
+ him.
+ </p>
+ <p>
+ &ldquo;And Henery sees a mate of his comin', so he lets out a notch or two, and
+ the two cars flew by each other like chain lightnin'. They were each doin'
+ about forty, and the old man, he says, 'There's a driver must be
+ travellin' a hundred miles an hour,' he says. 'I never see a car go by so
+ fast in my life,' he says. 'If I could find out who he is, I'd report
+ him,' he says. 'Did you know the car, Henery?' But of course Henery, he
+ doesn't know, so on they goes.
+ </p>
+ <p>
+ &ldquo;The owner of the big French car thinks he has the fastest car in
+ Australia, and when he sees Henery and the old man coming, he tells his
+ driver to let her out a little; but Henery gives the ninety-horse the full
+ of the lever, and whips up alongside in one jump. And then he keeps there
+ just half a length ahead of him, tormentin' him like. And the owner of the
+ French car he yells out to old John Bull, 'You're going a nice pace for an
+ old 'un,' he says. Old John has a blink down at the indicator. 'We're
+ doing twenty-five,' he yells out. 'Twenty-five grandmothers,' says the
+ bloke; but Henery he put on his accelerator, and left him. It wouldn't do
+ to let the old man get wise to it, you know.&rdquo;
+ </p>
+ <p>
+ We topped a big hill, and Alfred cut off the engine and let the car swoop,
+ as swiftly and noiselessly as an eagle, down to the flat country below.
+ </p>
+ <p>
+ &ldquo;You're a long while coming to the elephant, Alfred,&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;Well, now, I'll tell you about the elephant,&rdquo; said Alfred, letting his
+ clutch in again, and taking up the story to the accompaniment of the
+ rhythmic throb of the engine.
+ </p>
+ <p>
+ &ldquo;One day Henery and the old man were going out a long trip over the
+ mountain, and down the Kangaroo Valley Road that's all cut out of the side
+ of the 'ill. And after they's gone a mile or two, Henery sees a track in
+ the road&mdash;the track of the biggest car he ever seen or 'eard of. An'
+ the more he looks at it, the more he reckons he must ketch that car and
+ see what she's made of. So he slows down passin' two yokels on the road,
+ and he says, 'Did you see a big car along 'ere?'
+ </p>
+ <p>
+ &ldquo;'Yes, we did,' they says.
+ </p>
+ <p>
+ &ldquo;'How big is she?' says Henery.
+ </p>
+ <p>
+ &ldquo;'Biggest car ever we see,' says the yokels, and they laughed that silly
+ way these yokels always does.
+ </p>
+ <p>
+ &ldquo;'How many horse-power do you think she was?' says Henery.
+ </p>
+ <p>
+ &ldquo;'Horse-power,' they says; 'elephant-power, you mean! She was three
+ elephant-power,' they says; and they goes 'Haw, haw!' and Henery drops his
+ clutch in, and off he goes after that car.&rdquo;
+ </p>
+ <p>
+ Alfred lit another cigarette as a preliminary to the climax.
+ </p>
+ <p>
+ &ldquo;So they run for miles, and all the time there's the track ahead of 'em,
+ and Henery keeps lettin' her out, thinkin' that he'll never ketch that
+ car. They went through a town so fast, the old man he says, 'What house
+ was that we just passed,' he says. At last they come to the top of the big
+ 'ill, and there's the tracks of the big car goin' straight down ahead of
+ 'em.
+ </p>
+ <p>
+ &ldquo;D'you know that road? It's all cut out of the side of the mountain, and
+ there's places where if she was to side-slip you'd go down 'undreds of
+ thousands of feet. And there's sharp turns, too; but the surface is good,
+ so Henery he lets her out, and down they go, whizzin' round the turns and
+ skatin' out near the edge, and the old cove sittin' there enjoyin' it,
+ never knowin' the danger. And comin' to one turn Henery gives a toot on
+ the 'orn, and then he heard somethin' go 'toot, toot' right away down the
+ mountain.
+ </p>
+ <p>
+ &ldquo;'Bout a mile ahead it seemed to be, and Henery reckoned he'd go another
+ four miles before he'd ketch it, so he chances them turns more than ever.
+ And she was pretty hot, too; but he kept her at it, and he hadn't gone a
+ full mile till he come round a turn about forty miles an hour, and before
+ he could stop he run right into it, and wot do you think it was?&rdquo;
+ </p>
+ <p>
+ I hadn't the faintest idea.
+ </p>
+ <p>
+ &ldquo;A circus. One of them travellin' circuses, goin' down the coast; and one
+ of the elephants had sore feet, so they put him in a big waggon, and
+ another elephant pulled in front and one pushed behind. Three
+ elephant-power it was, right enough. That was the waggon wot made the big
+ track. Well, it was all done so sudden. Before Henery could stop, he runs
+ the radiator&mdash;very near boiling she was&mdash;up against the
+ elephant's tail, and prints the pattern of the latest honeycomb radiator
+ on the elephant as clear as if you done it with a stencil.
+ </p>
+ <p>
+ &ldquo;The elephant, he lets a roar out of him like one of them bulls bellerin',
+ and he puts out his nose and ketches Henery round the neck, and yanks him
+ out of the car, and chucks him right clean over the cliff, 'bout a
+ thousand feet. But he never done nothin' to the old bloke.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good gracious!&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it finished Henery, killed him stone dead, of course, and the old
+ man he was terrible cut up over losin' such a steady, trustworthy man.
+ 'Never get another like him,' he says.&rdquo;
+ </p>
+ <p>
+ We were nearly at our journey's end, and we turned through a gate into the
+ home paddocks. Some young stock, both horses and cattle, came frisking and
+ cantering after the car, and the rough bush track took all Alfred's
+ attention. We crossed a creek, the water swishing from the wheels, and
+ began the long pull up to the homestead. Over the clamour of the
+ little-used second speed, Alfred concluded his narrative.
+ </p>
+ <p>
+ &ldquo;The old bloke advertised,&rdquo; he said, &ldquo;for another driver, a steady,
+ reliable man to drive a twenty horse-power, four-cylinder touring car.
+ Every driver in Sydney put in for it. Nothing like a fast car to fetch
+ 'em, you know. And Scotty got it. Him wot used to drive the Napier I was
+ tellin' you about.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what did the old man say when he found he'd been running a racing
+ car?&rdquo;
+ </p>
+ <p>
+ &ldquo;He don't know now. Scotty never told 'im. Why should he? He's drivin'
+ about the country now, the boss of the roads, but he won't chance her near
+ a circus. Thinks he might bump the same elephant. And that elephant, every
+ time he smells a car passin' in the road, he goes near mad with fright. If
+ he ever sees that car again, do you think he'd know it?&rdquo;
+ </p>
+ <p>
+ Not being used to elephants, I could not offer an opinion.
+ </p>
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE ORACLE
+ </h2>
+ <p>
+ No tram ever goes to Randwick races without him; he is always fat, hairy,
+ and assertive; he is generally one of a party, and takes the centre of the
+ stage all the time&mdash;collects and hands over the fares, adjusts the
+ change, chaffs the conductor, crushes the thin, apologetic stranger next
+ him into a pulp, and talks to the whole compartment as if they had asked
+ for his opinion.
+ </p>
+ <p>
+ He knows all the trainers and owners, or takes care to give the impression
+ that he does. He slowly and pompously hauls out his race book, and one of
+ his satellites opens the ball by saying, in a deferential way:
+ </p>
+ <p>
+ &ldquo;What do you like for the 'urdles, Charley?&rdquo;
+ </p>
+ <p>
+ The Oracle looks at the book and breathes heavily; no one else ventures to
+ speak.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he says, at last, &ldquo;of course there's only one in it&mdash;if he's
+ wanted. But that's it&mdash;will they spin him? I don't think they will.
+ They's only a lot o' cuddies, any'ow.&rdquo;
+ </p>
+ <p>
+ No one likes to expose his own ignorance by asking which horse he refers
+ to as the &ldquo;only one in it&rdquo;; and the Oracle goes on to deal out some more
+ wisdom in a loud voice.
+ </p>
+ <p>
+ &ldquo;Billy K&mdash;&mdash; told me&rdquo; (he probably hardly knows Billy K&mdash;&mdash;
+ by sight) &ldquo;Billy K&mdash;&mdash; told me that that bay 'orse ran the best
+ mile-an'-a-half ever done on Randwick yesterday; but I don't give him a
+ chance, for all that; that's the worst of these trainers. They don't know
+ when their horses are well&mdash;half of 'em.&rdquo;
+ </p>
+ <p>
+ Then a voice comes from behind him. It is that of the thin man, who is
+ crushed out of sight by the bulk of the Oracle.
+ </p>
+ <p>
+ &ldquo;I think,&rdquo; says the thin man, &ldquo;that that horse of Flannery's ought to run
+ well in the Handicap.&rdquo;
+ </p>
+ <p>
+ The Oracle can't stand this sort of thing at all. He gives a snort, wheels
+ half-round and looks at the speaker. Then he turns back to the compartment
+ full of people, and says: &ldquo;No 'ope.&rdquo;
+ </p>
+ <p>
+ The thin man makes a last effort. &ldquo;Well, they backed him last night,
+ anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who backed 'im?&rdquo; says the Oracle.
+ </p>
+ <p>
+ &ldquo;In Tattersall's,&rdquo; says the thin man.
+ </p>
+ <p>
+ &ldquo;I'm sure,&rdquo; says the Oracle; and the thin man collapses.
+ </p>
+ <p>
+ On arrival at the course, the Oracle is in great form. Attended by his
+ string of satellites, he plods from stall to stall staring at the horses.
+ Their names are printed in big letters on the stalls, but the Oracle
+ doesn't let that stop his display of knowledge.
+ </p>
+ <p>
+ &ldquo;'Ere's Blue Fire,&rdquo; he says, stopping at that animal's stall, and swinging
+ his race book. &ldquo;Good old Blue Fire!&rdquo; he goes on loudly, as a little court
+ collects. &ldquo;Jimmy B&mdash;&mdash;&rdquo; (mentioning a popular jockey) &ldquo;told me
+ he couldn't have lost on Saturday week if he had only been ridden
+ different. I had a good stake on him, too, that day. Lor', the races that
+ has been chucked away on this horse. They will not ride him right.&rdquo;
+ </p>
+ <p>
+ A trainer who is standing by, civilly interposes. &ldquo;This isn't Blue Fire,&rdquo;
+ he says. &ldquo;Blue Fire's out walking about. This is a two-year-old filly
+ that's in the stall&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, I can see that, can't I,&rdquo; says the Oracle, crushingly. &ldquo;You don't
+ suppose I thought Blue Fire was a mare, did you?&rdquo; and he moves off
+ hurriedly.
+ </p>
+ <p>
+ &ldquo;Now, look here, you chaps,&rdquo; he says to his followers at last. &ldquo;You wait
+ here. I want to go and see a few of the talent, and it don't do to have a
+ crowd with you. There's Jimmy M&mdash;&mdash; over there now&rdquo; (pointing to
+ a leading trainer). &ldquo;I'll get hold of him in a minute. He couldn't tell me
+ anything with so many about. Just you wait here.&rdquo;
+ </p>
+ <p>
+ He crushes into a crowd that has gathered round the favourite's stall, and
+ overhears one hard-faced racing man say to another, &ldquo;What do you like?&rdquo; to
+ which the other answers, &ldquo;Well, either this or Royal Scot. I think I'll
+ put a bit on Royal Scot.&rdquo; This is enough for the Oracle. He doesn't know
+ either of the men from Adam, or either of the horses from the great
+ original pachyderm, but the information will do to go on with. He rejoins
+ his followers, and looks very mysterious.
+ </p>
+ <p>
+ &ldquo;Well, did you hear anything?&rdquo; they say.
+ </p>
+ <p>
+ The Oracle talks low and confidentially.
+ </p>
+ <p>
+ &ldquo;The crowd that have got the favourite tell me they're not afraid of
+ anything but Royal Scot,&rdquo; he says. &ldquo;I think we'd better put a bit on
+ both.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did the Royal Scot crowd say?&rdquo; asks an admirer deferentially.
+ </p>
+ <p>
+ &ldquo;Oh, they're going to try and win. I saw the stable commissioner, and he
+ told me they were going to put a hundred on him. Of course, you needn't
+ say I told you, 'cause I promised him I wouldn't tell.&rdquo; And the satellites
+ beam with admiration of the Oracle, and think what a privilege it is to go
+ to the races with such a knowing man.
+ </p>
+ <p>
+ They contribute their mites to the general fund, some putting in a pound,
+ others half a sovereign, and the Oracle takes it into the ring to invest,
+ half on the favourite and half on Royal Scot. He finds that the favourite
+ is at two to one, and Royal Scot at threes, eight to one being offered
+ against anything else. As he ploughs through the ring, a Whisperer (one of
+ those broken-down followers of the turf who get their living in various
+ mysterious ways, but partly by giving &ldquo;tips&rdquo; to backers) pulls his sleeve.
+ </p>
+ <p>
+ &ldquo;What are you backing?&rdquo; he says.
+ </p>
+ <p>
+ &ldquo;Favourite and Royal Scot,&rdquo; says the Oracle.
+ </p>
+ <p>
+ &ldquo;Put a pound on Bendemeer,&rdquo; says the tipster. &ldquo;It's a certainty. Meet me
+ here if it comes off, and I'll tell you something for the next race. Don't
+ miss it now. Get on quick!&rdquo;
+ </p>
+ <p>
+ The Oracle is humble enough before the hanger-on of the turf. A bookmaker
+ roars &ldquo;10 to 1 Bendemeer;&rdquo; he suddenly fishes out a sovereign of his own&mdash;and
+ he hasn't money to spare, for all his knowingness&mdash;and puts it on
+ Bendemeer. His friends' money he puts on the favourite and Royal Scot as
+ arranged. Then they all go round to watch the race.
+ </p>
+ <p>
+ The horses are at the post; a distant cluster of crowded animals with
+ little dots of colour on their backs. Green, blue, yellow, purple, French
+ grey, and old gold, they change about in a bewildering manner, and though
+ the Oracle has a cheap pair of glasses, he can't make out where Bendemeer
+ has got to. Royal Scot and the favourite he has lost interest in, and
+ secretly hopes that they will be left at the post or break their necks;
+ but he does not confide his sentiment to his companions.
+ </p>
+ <p>
+ They're off! The long line of colours across the track becomes a shapeless
+ clump and then draws out into a long string. &ldquo;What's that in front?&rdquo; yells
+ someone at the rails. &ldquo;Oh, that thing of Hart's,&rdquo; says someone else. But
+ the Oracle hears them not; he is looking in the mass of colour for a
+ purple cap and grey jacket, with black arm bands. He cannot see it
+ anywhere, and the confused and confusing mass swings round the turn into
+ the straight.
+ </p>
+ <p>
+ Then there is a babel of voices, and suddenly a shout of &ldquo;Bendemeer!
+ Bendemeer!&rdquo; and the Oracle, without knowing which is Bendemeer, takes up
+ the cry feverishly. &ldquo;Bendemeer! Bendemeer!&rdquo; he yells, waggling his glasses
+ about, trying to see where the animal is.
+ </p>
+ <p>
+ &ldquo;Where's Royal Scot, Charley? Where's Royal Scot?&rdquo; screams one of his
+ friends, in agony. &ldquo;'Ow's he doin'?&rdquo;
+ </p>
+ <p>
+ &ldquo;No 'ope!&rdquo; says the Oracle, with fiendish glee. &ldquo;Bendemeer! Bendemeer!&rdquo;
+ </p>
+ <p>
+ The horses are at the Leger stand now, whips are out, and three horses
+ seem to be nearly abreast; in fact, to the Oracle there seem to be a dozen
+ nearly abreast. Then a big chestnut sticks his head in front of the
+ others, and a small man at the Oracle's side emits a deafening series of
+ yells right by the Oracle's ear:
+ </p>
+ <p>
+ &ldquo;Go on, Jimmy! Rub it into him! Belt him! It's a cake-walk! A cake-walk!&rdquo;
+ The big chestnut, in a dogged sort of way, seems to stick his body clear
+ of his opponents, and passes the post a winner by a length. The Oracle
+ doesn't know what has won, but fumbles with his book. The number on the
+ saddle-cloth catches his eye&mdash;No. 7; he looks hurriedly down the
+ page. No. 7&mdash;Royal Scot. Second is No. 24&mdash;Bendemeer. Favourite
+ nowhere.
+ </p>
+ <p>
+ Hardly has he realised it, before his friends are cheering and clapping
+ him on the back. &ldquo;By George, Charley, it takes you to pick 'em.&rdquo; &ldquo;Come and
+ 'ave a wet!&rdquo; &ldquo;You 'ad a quid in, didn't you, Charley?&rdquo; The Oracle feels
+ very sick at having missed the winner, but he dies game. &ldquo;Yes, rather; I
+ had a quid on,&rdquo; he says. &ldquo;And&rdquo; (here he nerves himself to smile) &ldquo;I had a
+ saver on the second, too.&rdquo;
+ </p>
+ <p>
+ His comrades gasp with astonishment. &ldquo;D'you hear that, eh? Charley backed
+ first and second. That's pickin' 'em if you like.&rdquo; They have a wet, and
+ pour fulsome adulation on the Oracle when he collects their money.
+ </p>
+ <p>
+ After the Oracle has collected the winnings for his friends he meets the
+ Whisperer again.
+ </p>
+ <p>
+ &ldquo;It didn't win?&rdquo; he says to the Whisperer in inquiring tones.
+ </p>
+ <p>
+ &ldquo;Didn't win,&rdquo; says the Whisperer, who has determined to brazen the matter
+ out. &ldquo;How could he win? Did you see the way he was ridden? That horse was
+ stiffened just after I seen you, and he never tried a yard. Did you see
+ the way he was pulled and hauled about at the turn? It'd make a man sick.
+ What was the stipendiary stewards doing, I wonder?&rdquo;
+ </p>
+ <p>
+ This fills the Oracle with a new idea. All that he remembers of the race
+ at the turn was a jumble of colours, a kaleidoscope of horses and of
+ riders hanging on to the horses' necks. But it wouldn't do to admit that
+ he didn't see everything, and didn't know everything; so he plunges in
+ boldly.
+ </p>
+ <p>
+ &ldquo;O' course I saw it,&rdquo; he says. &ldquo;And a blind man could see it. They ought
+ to rub him out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Course they ought,&rdquo; says the Whisperer. &ldquo;But, look here, put two quid on
+ Tell-tale; you'll get it all back!&rdquo;
+ </p>
+ <p>
+ The Oracle does put on &ldquo;two quid&rdquo;, and doesn't get it all back. Neither
+ does he see any more of this race than he did of the last one&mdash;in
+ fact, he cheers wildly when the wrong horse is coming in. But when the
+ public begin to hoot he hoots as loudly as anybody&mdash;louder if
+ anything; and all the way home in the tram he lays down the law about
+ stiff running, and wants to know what the stipendiaries are doing.
+ </p>
+ <p>
+ If you go into any barber's shop, you can hear him at it, and he
+ flourishes in suburban railway carriages; but he has a tremendous local
+ reputation, having picked first and second in the handicap, and it would
+ be a bold man who would venture to question the Oracle's knowledge of
+ racing and of all matters relating to it.
+ </p>
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE CAST-IRON CANVASSER
+ </h2>
+ <p>
+ The firm of Sloper and Dodge, publishers and printers, was in great
+ distress. These two enterprising individuals had worked up an enormous
+ business in time-payment books, which they sold all over Australia by
+ means of canvassers. They had put all the money they had into the
+ business; and now, just when everything was in thorough working order, the
+ public had revolted against them.
+ </p>
+ <p>
+ Their canvassers were molested by the country folk in divers strange bush
+ ways. One was made drunk, and then a two-horse harrow was run over him;
+ another was decoyed into the ranges on pretence of being shown a
+ gold-mine, and his guide galloped away and left him to freeze all night in
+ the bush. In mining localities the inhabitants were called together by
+ beating a camp-oven lid with a pick, and the canvasser was given ten
+ minutes in which to get out of the town alive. If he disregarded the hint
+ he would, as likely as not, fall accidentally down a disused shaft.
+ </p>
+ <p>
+ The people of one district applied to their M.P. to have canvassers
+ brought under the &ldquo;Noxious Animals Act&rdquo;, and demanded that a reward should
+ be offered for their scalps. Reports appeared in the country press about
+ strange, gigantic birds that appeared at remote selections and frightened
+ the inhabitants to death&mdash;these were Sloper and Dodge's sober and
+ reliable agents, wearing neat, close-fitting suits of tar and feathers.
+ </p>
+ <p>
+ In fact, it was altogether too hot for the canvassers, and they came in
+ from North and West and South, crippled and disheartened, to tender their
+ resignations. To make matters worse, Sloper and Dodge had just got out a
+ large Atlas of Australasia, and if they couldn't sell it, ruin stared them
+ in the face; and how could they sell it without canvassers?
+ </p>
+ <p>
+ The members of the firm sat in their private office. Sloper was a long,
+ sanctimonious individual, very religious and very bald. Dodge was a
+ little, fat American, with bristly, black hair and beard, and quick, beady
+ eyes. He was eternally smoking a reeking black pipe, and puffing the smoke
+ through his nose in great whiffs, like a locomotive on a steep grade.
+ Anybody walking into one of those whiffs was liable to get paralysis.
+ </p>
+ <p>
+ Just as things were at their very blackest, something had turned up that
+ promised to relieve all their difficulties. An inventor had offered to
+ supply them with a patent cast-iron canvasser&mdash;a figure which (he
+ said) when wound up would walk, talk, collect orders, and stand any amount
+ of ill-usage and wear and tear. If this could indeed be done, they were
+ saved. They had made an appointment with the genius; but he was
+ half-an-hour late, and the partners were steeped in gloom.
+ </p>
+ <p>
+ They had begun to despair of his appearing at all, when a cab rattled up
+ to the door. Sloper and Dodge rushed unanimously to the window. A young
+ man, very badly dressed, stepped out of the cab, holding over his shoulder
+ what looked like the upper half of a man's body. In his disengaged hand he
+ held a pair of human legs with boots and trousers on. Thus burdened he
+ turned to ask his fare, but the cabman gave a yell of terror, whipped up
+ his horse, and disappeared at a hand-gallop; and a woman who happened to
+ be going by, ran down the street, howling that Jack the Ripper had come to
+ town. The man bolted in at the door, and toiled up the dark stairs
+ tramping heavily, the legs and feet, which he dragged after him, making an
+ unearthly clatter. He came in and put his burden down on the sofa.
+ </p>
+ <p>
+ &ldquo;There you are, gents,&rdquo; he said; &ldquo;there's your canvasser.&rdquo;
+ </p>
+ <p>
+ Sloper and Dodge recoiled in horror. The upper part of the man had a waxy
+ face, dull, fishy eyes, and dark hair; he lounged on the sofa like a
+ corpse at ease, while his legs and feet stood by, leaning stiffly against
+ the wall. The partners gazed at him for a while in silence.
+ </p>
+ <p>
+ &ldquo;Fix him together, for God's sake,&rdquo; said Dodge. &ldquo;He looks awful.&rdquo;
+ </p>
+ <p>
+ The Genius grinned, and fixed the legs on.
+ </p>
+ <p>
+ &ldquo;Now he looks better,&rdquo; said Dodge, poking about the figure&mdash;&ldquo;looks as
+ much like life as most&mdash;ah, would you, you brute!&rdquo; he exclaimed,
+ springing back in alarm, for the figure had made a violent La Blanche
+ swing at him.
+ </p>
+ <p>
+ &ldquo;That's all right,&rdquo; said the Inventor. &ldquo;It's no good having his face
+ knocked about, you know&mdash;lot of trouble to make that face. His head
+ and body are full of springs, and if anybody hits him in the face, or in
+ the pit of the stomach&mdash;favourite places to hit canvassers, the pit
+ of the stomach&mdash;it sets a strong spring in motion, and he fetches his
+ right hand round with a swipe that'll knock them into the middle of next
+ week. It's an awful hit. Griffo couldn't dodge it, and Slavin couldn't
+ stand up against it. No fear of any man hitting <i>him</i> twice.
+ </p>
+ <p>
+ &ldquo;And he's dog-proof, too. His legs are padded with tar and oakum, and if a
+ dog bites a bit out of him, it will take that dog weeks to pick his teeth
+ clean. Never bite anybody again, that dog won't. And he'll talk, talk,
+ talk, like a suffragist gone mad; his phonograph can be charged for
+ 100,000 words, and all you've got to do is to speak into it what you want
+ him to say, and he'll say it. He'll go on saying it till he talks his man
+ silly, or gets an order. He has an order-form in his hand, and as soon as
+ anyone signs it and gives it back to him, that sets another spring in
+ motion, and he puts the order in his pocket, turns round, and walks away.
+ Grand idea, isn't he? Lor' bless you, I fairly love him.&rdquo;
+ </p>
+ <p>
+ He beamed affectionately on his monster.
+ </p>
+ <p>
+ &ldquo;What about stairs?&rdquo; said Dodge.
+ </p>
+ <p>
+ &ldquo;No stairs in the bush,&rdquo; said the Inventor, blowing a speck of dust off
+ his apparition; &ldquo;all ground-floor houses. Anyhow, if there were stairs we
+ could carry him up and let him fall down afterwards, or get flung down
+ like any other canvasser.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ha! Let's see him walk,&rdquo; said Dodge.
+ </p>
+ <p>
+ The figure walked all right, stiff and erect.
+ </p>
+ <p>
+ &ldquo;Now let's hear him yabber.&rdquo;
+ </p>
+ <p>
+ The Genius touched a spring, and instantly, in a queer, tin-whistly voice,
+ he began to sing, &ldquo;Little Annie Rooney&rdquo;.
+ </p>
+ <p>
+ &ldquo;Good!&rdquo; said Dodge; &ldquo;he'll do. We'll give you your price. Leave him here
+ to-night, and come in to-morrow. We'll send you off to the back country
+ with him. Ninemile would be a good place to start in. Have a cigar?&rdquo;
+ </p>
+ <p>
+ Mr. Dodge, much elated, sucked at his pipe, and blew through his nose a
+ cloud of nearly solid smoke, through which the Genius sidled out. They
+ could hear him sneezing and choking all the way down the stairs.
+ </p>
+ <p>
+ Ninemile is a quiet little place, sleepy beyond description. When the
+ mosquitoes in that town settle on anyone, they usually go to sleep, and
+ forget to bite him. The climate is so hot that the very grasshoppers crawl
+ into the hotel parlours out of the sun, climb up the window curtains, and
+ then go to sleep. The Riot Act never had to be read in Ninemile. The only
+ thing that can arouse the inhabitants out of their lethargy is the
+ prospect of a drink at somebody else's expense.
+ </p>
+ <p>
+ For these reasons it had been decided to start the Cast-iron Canvasser
+ there, and then move him on to more populous and active localities if he
+ proved a success. They sent up the Genius, and one of their men who knew
+ the district well. The Genius was to manage the automaton, and the other
+ was to lay out the campaign, choose the victims, and collect the money,
+ geniuses being notoriously unreliable and loose in their cash. They got
+ through a good deal of whisky on the way up, and when they arrived at
+ Ninemile were in a cheerful mood, and disposed to take risks.
+ </p>
+ <p>
+ &ldquo;Who'll we begin on?&rdquo; said the Genius.
+ </p>
+ <p>
+ &ldquo;Oh, hang it all,&rdquo; said the other, &ldquo;let's make a start with Macpherson.&rdquo;
+ </p>
+ <p>
+ Macpherson was a Land Agent, and the big bug of the place. He was a
+ gigantic Scotchman, six feet four in his socks, and freckled all over with
+ freckles as big as half-crowns. His eyebrows would have made decent-sized
+ moustaches for a cavalryman, and his moustaches looked like horns. He was
+ a fighter from the ground up, and had a desperate &ldquo;down&rdquo; on canvassers
+ generally, and on Sloper and Dodge's canvassers in particular.
+ </p>
+ <p>
+ Sloper and Dodge had published a book called &ldquo;Remarkable Colonials&rdquo;, and
+ Macpherson had written out his own biography for it. He was intensely
+ proud of his pedigree and his relations, and in his narrative made out
+ that he was descended from the original Fhairshon who swam round Noah's
+ Ark with his title-deeds in his teeth. He showed how his people had fought
+ under Alexander the Great and Timour, and had come over to Scotland some
+ centuries before William the Conqueror landed in England. He proved that
+ he was related in a general way to one emperor, fifteen kings, twenty-five
+ dukes, and earls and lords and viscounts innumerable. And then, after all,
+ the editor of &ldquo;Remarkable Colonials&rdquo; managed to mix him up with some other
+ fellow, some low-bred Irish McPherson, born in Dublin of poor but honest
+ parents.
+ </p>
+ <p>
+ It was a terrible outrage. Macpherson became president of the Western
+ District Branch of the &ldquo;Remarkable Colonials&rdquo; Defence League, a fierce and
+ homicidal association got up to resist, legally and otherwise, paying for
+ the book. He had further sworn by all he held sacred that every canvasser
+ who came to harry him in future should die, and had put up a notice on his
+ office-door, &ldquo;Canvassers come in at their own risk.&rdquo;
+ </p>
+ <p>
+ He had a dog of what he called the Hold'em breed, who could tell a
+ canvasser by his walk, and would go for him on sight. The reader will
+ understand, therefore, that, when the Genius and his mate proposed to
+ start on Macpherson, they were laying out a capacious contract for the
+ Cast-iron Canvasser, and could only have been inspired by a morbid craving
+ for excitement, aided by the influence of backblock whisky.
+ </p>
+ <p>
+ The Inventor wound the figure up in the back parlour of the pub. There
+ were a frightful lot of screws to tighten before the thing would work, but
+ at last he said it was ready, and they shambled off down the street, the
+ figure marching stiffly between them. It had a book tucked under its arm
+ and an order-form in its hand. When they arrived opposite Macpherson's
+ office, the Genius started the phonograph working, pointed the figure
+ straight at Macpherson's door, and set it going. Then the two conspirators
+ waited, like Guy Fawkes in his cellar.
+ </p>
+ <p>
+ The automaton marched across the road and in at the open door, talking to
+ itself loudly in a hoarse, unnatural voice.
+ </p>
+ <p>
+ Macpherson was writing at his table, and looked up.
+ </p>
+ <p>
+ The figure walked bang through a small collection of flower-pots, sent a
+ chair flying, tramped heavily in the spittoon, and then brought up against
+ the table with a loud crash and stood still. It was talking all the time.
+ </p>
+ <p>
+ &ldquo;I have here,&rdquo; it said, &ldquo;a most valuable work, an Atlas of Australia,
+ which I desire to submit to your notice. The large and increasing demand
+ of bush residents for time-payment works has induced the publishers of
+ this&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;My God!&rdquo; said Macpherson, &ldquo;it's a canvasser. Here, Tom Sayers, Tom
+ Sayers!&rdquo; and he whistled and called for his dog. &ldquo;Now,&rdquo; he said, &ldquo;will you
+ go out of this office quietly, or will you be thrown out? It's for
+ yourself to decide, but you've only got while a duck wags his tail to
+ decide in. Which'll it be?&rdquo;
+ </p>
+ <p>
+ &ldquo;&mdash;&mdash; works of modern ages,&rdquo; said the canvasser. &ldquo;Every person
+ subscribing to this invaluable work will receive, in addition, a
+ flat-iron, a railway pass for a year, and a pocket-compass. If you will
+ please sign this order&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Just here Tom Sayers came tearing through the office, and without waiting
+ for orders hitched straight on to the canvasser's calf. To Macpherson's
+ amazement the piece came clear away, and Tom Sayers rolled about on the
+ floor with his mouth full of a sticky substance which seemed to surprise
+ him badly.
+ </p>
+ <p>
+ The long Scotchman paused awhile before this mystery, but at last he
+ fancied he had got the solution. &ldquo;Got a cork leg, have you?&rdquo; said he&mdash;&ldquo;Well,
+ let's see if your ribs are cork too,&rdquo; and he struck the canvasser an awful
+ blow on the fifth button of the waistcoat.
+ </p>
+ <p>
+ Quicker than lightning came that terrific right-hand cross-counter.
+ Macpherson never even knew what happened to him. The canvasser's right
+ hand, which had been adjusted by his inventor for a high blow, had landed
+ on the butt of Macpherson's ear and dropped him like a fowl. The gasping,
+ terrified bull-dog fled the scene, and the canvasser stood over his fallen
+ foe, still intoning the virtues of his publication. He had come there
+ merely as a friend, he said, to give the inhabitants of Ninemile a chance
+ to buy a book which had recently earned the approval of King O'Malley and
+ His Excellency the Governor-General.
+ </p>
+ <p>
+ The Genius and his mate watched this extraordinary drama through the
+ window. The stimulant habitually consumed by the Ninemilers had induced in
+ them a state of superlative Dutch courage, and they looked upon the whole
+ affair as a wildly hilarious joke.
+ </p>
+ <p>
+ &ldquo;By Gad! he's done him,&rdquo; said the Genius, as Macpherson went down, &ldquo;done
+ him in one hit. If he don't pay as a canvasser I'll take him to town and
+ back him to fight Les Darcy. Look out for yourself; don't you handle him!&rdquo;
+ he continued as the other approached the figure. &ldquo;Leave him to me. As like
+ as not, if you get fooling about him, he'll give you a clout that'll
+ paralyse you.&rdquo;
+ </p>
+ <p>
+ So saying, he guided the automaton out of the office and into the street,
+ and walked straight into a policeman.
+ </p>
+ <p>
+ By a common impulse the Genius and his mate ran rapidly away in different
+ directions, leaving the figure alone with the officer.
+ </p>
+ <p>
+ He was a fully-ordained sergeant&mdash;by name Aloysius O'Grady; a squat,
+ rosy little Irishman. He hated violent arrests and all that sort of thing,
+ and had a faculty of persuading drunks and disorderlies and other
+ fractious persons to &ldquo;go quietly along wid him,&rdquo; that was little short of
+ marvellous. Excited revellers, who were being carried by their mates,
+ struggling violently, would break away to prance gaily along to the
+ lock-up with the sergeant. Obstinate drunks who had done nothing but lie
+ on the ground and kick their feet in the air, would get up like birds,
+ serpent-charmed, to go with him to durance vile.
+ </p>
+ <p>
+ As soon as he saw the canvasser, and noted his fixed, unearthly stare, and
+ listened to his hoarse, unnatural voice, the sergeant knew what was the
+ matter; it was a man in the horrors, a common enough spectacle at
+ Ninemile. He resolved to decoy him into the lock-up, and accosted him in a
+ friendly, free-and-easy way.
+ </p>
+ <p>
+ &ldquo;Good day t'ye,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;&mdash;&mdash; most magnificent volume ever published, jewelled in
+ fourteen holes, working on a ruby roller, and in a glass case,&rdquo; said the
+ book-canvasser. &ldquo;The likenesses of the historical personages are so
+ natural that the book must not be left open on the table, or the
+ mosquitoes will ruin it by stinging the portraits.&rdquo;
+ </p>
+ <p>
+ It then dawned on the sergeant that this was no mere case of the horrors&mdash;he
+ was dealing with a book-canvasser.
+ </p>
+ <p>
+ &ldquo;Ah, sure,&rdquo; he said, &ldquo;fwhat's the use uv tryin' to sell books at all, at
+ all; folks does be peltin' them out into the street, and the nanny-goats
+ lives on them these times. Oi send the childer out to pick 'em up, and we
+ have 'em at me place in barrow-loads. Come along wid me now, and Oi'll
+ make you nice and comfortable for the night,&rdquo; and he laid his hand on the
+ outstretched palm of the figure.
+ </p>
+ <p>
+ It was a fatal mistake. He had set in motion the machinery which operated
+ the figure's left arm, and it moved that limb in towards its body, and
+ hugged the sergeant to its breast, with a vice-like grip. Then it started
+ in a faltering and uneven, but dogged, way to walk towards the river.
+ </p>
+ <p>
+ &ldquo;Immortial Saints!&rdquo; gasped the sergeant, &ldquo;he's squazin' the livin' breath
+ out uv me. Lave go now loike a dacent sowl, lave go. And oh, for the love
+ uv God, don't be shpakin' into me ear that way;&rdquo; for the figure's mouth
+ was pressed tight against the sergeant's ear, and its awful voice went
+ through and through the little man's head, as it held forth about the
+ volume. The sergeant struggled violently, and by so doing set some more
+ springs in motion, and the figure's right arm made terrific swipes in the
+ air. A following of boys and loafers had collected by this time. &ldquo;Blimey,
+ how does he lash out!&rdquo; was the remark they made. But they didn't
+ interfere, notwithstanding the sergeant's frantic appeals, and things were
+ going hard with him when his subordinate, Constable Dooley, appeared on
+ the scene.
+ </p>
+ <p>
+ Dooley, better known as The Wombat because of his sleepy disposition, was
+ a man of great strength. He had originally been quartered at Sydney, and
+ had fought many bitter battles with the notorious &ldquo;pushes&rdquo; of Bondi, Surry
+ Hills and The Rocks. After that, duty at Ninemile was child's play, and he
+ never ran in fewer than two drunks at a time; it was beneath his dignity
+ to be seen capturing a solitary inebriate. If they wouldn't come any other
+ way, he would take them by the ankles and drag them after him. When the
+ Wombat saw the sergeant in the grasp of an inebriate he bore down on the
+ fray full of fight.
+ </p>
+ <p>
+ &ldquo;I'll soon make him lave go, sergeant,&rdquo; he said, and he caught hold of the
+ figure's right arm, to put on the &ldquo;police twist&rdquo;. Unfortunately, at that
+ exact moment the sergeant touched one of the springs in the creature's
+ breast. With the suddenness and severity of a horse-kick, it lashed out
+ with its right hand, catching the redoubtable Dooley a thud on the jaw,
+ and sending him to grass as if he had been shot.
+ </p>
+ <p>
+ For a few minutes he &ldquo;lay as only dead men lie&rdquo;. Then he got up bit by
+ bit, wandered off home to the police-barracks, and mentioned casually to
+ his wife that John L. Sullivan had come to town, and had taken the
+ sergeant away to drown him. After which, having given orders that anybody
+ who called was to be told that he had gone fifteen miles out of town to
+ serve a summons on a man for not registering a dog, he locked himself up
+ in a cell for the rest of the day.
+ </p>
+ <p>
+ Meanwhile, the Cast-iron Canvasser, still holding the sergeant tightly
+ clutched to its breast, was marching straight towards the river. Something
+ had disorganised its vocal arrangements, and it was now positively
+ shrieking in the sergeant's ear, and, as it yelled, the little man yelled
+ still louder.
+ </p>
+ <p>
+ &ldquo;Oi don't want yer accursed book. Lave go uv me, Oi say!&rdquo; He beat with his
+ fists on its face, and kicked its shins without avail. A short, staggering
+ rush, a wild shriek from the officer, and they both toppled over the steep
+ bank and went souse into the depths of Ninemile Creek.
+ </p>
+ <p>
+ That was the end of the matter. The Genius and his mate returned to town
+ hurriedly, and lay low, expecting to be indicted for murder. Constable
+ Dooley drew up a report for the Chief of Police which contained so many
+ strange statements that the Police department concluded the sergeant must
+ have got drunk and drowned himself, and that Dooley saw him do it, but was
+ too drunk to pull him out.
+ </p>
+ <p>
+ Anyone unacquainted with Ninemile might expect that a report of the
+ occurrence would have reached the Sydney papers. As a matter of fact the
+ storekeeper did think of writing one, but decided that it was too much
+ trouble. There was some idea of asking the Government to fish the two
+ bodies out of the river; but about that time an agitation was started in
+ Ninemile to have the Federal Capital located there, and nothing else
+ mattered.
+ </p>
+ <p>
+ The Genius discovered a pub in Sydney that kept the Ninemile brand of
+ whisky, and drank himself to death; the Wombat became a Sub-Inspector of
+ Police; Sloper entered the Christian ministry; Dodge was elected to the
+ Federal Parliament; and a vague tradition about &ldquo;a bloke who came up here
+ in the horrors, and drownded poor old O'Grady,&rdquo; is the only memory that
+ remains of that wonderful creation, the Cast-iron Canvasser.
+ </p>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE MERINO SHEEP
+ </h2>
+ <p>
+ People have got the impression that the merino is a gentle, bleating
+ animal that gets its living without trouble to anybody, and comes up every
+ year to be shorn with a pleased smile upon its amiable face. It is my
+ purpose here to exhibit the merino sheep in its true light.
+ </p>
+ <p>
+ First let us give him his due. No one can accuse him of being a ferocious
+ animal. No one could ever say that a sheep attacked him without
+ provocation; although there is an old bush story of a man who was
+ discovered in the act of killing a neighbour's wether.
+ </p>
+ <p>
+ &ldquo;Hello!&rdquo; said the neighbour, &ldquo;What's this? Killing my sheep! What have you
+ got to say for yourself?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said the man, with an air of virtuous indignation. &ldquo;I <i>am</i>
+ killing your sheep. I'll kill <i>any</i> man's sheep that bites <i>me</i>!&rdquo;
+ </p>
+ <p>
+ But as a rule the merino refrains from using his teeth on people. He goes
+ to work in another way.
+ </p>
+ <p>
+ The truth is that he is a dangerous monomaniac, and his one idea is to
+ ruin the man who owns him. With this object in view he will display a
+ talent for getting into trouble and a genius for dying that are almost
+ incredible.
+ </p>
+ <p>
+ If a mob of sheep see a bush fire closing round them, do they run away out
+ of danger? Not at all, they rush round and round in a ring till the fire
+ burns them up. If they are in a river-bed, with a howling flood coming
+ down, they will stubbornly refuse to cross three inches of water to save
+ themselves. Dogs may bark and men may shriek, but the sheep won't move.
+ They will wait there till the flood comes and drowns them all, and then
+ their corpses go down the river on their backs with their feet in the air.
+ </p>
+ <p>
+ A mob will crawl along a road slowly enough to exasperate a snail, but let
+ a lamb get away in a bit of rough country, and a racehorse can't head him
+ back again. If sheep are put into a big paddock with water in three
+ corners of it, they will resolutely crowd into the fourth, and die of
+ thirst.
+ </p>
+ <p>
+ When being counted out at a gate, if a scrap of bark be left on the ground
+ in the gateway, they will refuse to step over it until dogs and men have
+ sweated and toiled and sworn and &ldquo;heeled 'em up&rdquo;, and &ldquo;spoke to 'em&rdquo;, and
+ fairly jammed them at it. At last one will gather courage, rush at the
+ fancied obstacle, spring over it about six feet in the air, and dart away.
+ The next does exactly the same, but jumps a bit higher. Then comes a rush
+ of them following one another in wild bounds like antelopes, until one
+ overjumps himself and alights on his head. This frightens those still in
+ the yard, and they stop running out.
+ </p>
+ <p>
+ Then the dogging and shrieking and hustling and tearing have to be gone
+ through all over again. (This on a red-hot day, mind you, with clouds of
+ blinding dust about, the yolk of wool irritating your eyes, and, perhaps,
+ three or four thousand sheep to put through). The delay throws out the man
+ who is counting, and he forgets whether he left off at 45 or 95. The dogs,
+ meanwhile, have taken the first chance to slip over the fence and hide in
+ the shade somewhere, and then there are loud whistlings and oaths, and
+ calls for Rover and Bluey. At last a dirt-begrimed man jumps over the
+ fence, unearths Bluey, and hauls him back by the ear. Bluey sets to work
+ barking and heeling-'em up again, and pretends that he thoroughly enjoys
+ it; but all the while he is looking out for another chance to &ldquo;clear&rdquo;. And
+ <i>this</i> time he won't be discovered in a hurry.
+ </p>
+ <p>
+ There is a well-authenticated story of a ship-load of sheep that was lost
+ because an old ram jumped overboard, and all the rest followed him. No
+ doubt they did, and were proud to do it. A sheep won't go through an open
+ gate on his own responsibility, but he would gladly and proudly &ldquo;follow
+ the leader&rdquo; through the red-hot portals of Hades: and it makes no
+ difference whether the lead goes voluntarily, or is hauled struggling and
+ kicking and fighting every inch of the way.
+ </p>
+ <p>
+ For pure, sodden stupidity there is no animal like the merino. A lamb will
+ follow a bullock-dray, drawn by sixteen bullocks and driven by a profane
+ person with a whip, under the impression that the aggregate monstrosity is
+ his mother. A ewe never knows her own lamb by sight, and apparently has no
+ sense of colour. She can recognise its voice half a mile off among a
+ thousand other voices apparently exactly similar; but when she gets within
+ five yards of it she starts to smell all the other lambs within reach,
+ including the black ones&mdash;though her own may be white.
+ </p>
+ <p>
+ The fiendish resemblance which one sheep bears to another is a great
+ advantage to them in their struggles with their owners. It makes it more
+ difficult to draft them out of a strange flock, and much harder to tell
+ when any are missing.
+ </p>
+ <p>
+ Concerning this resemblance between sheep, there is a story told of a fat
+ old Murrumbidgee squatter who gave a big price for a famous ram called Sir
+ Oliver. He took a friend out one day to inspect Sir Oliver, and overhauled
+ that animal with a most impressive air of sheep-wisdom.
+ </p>
+ <p>
+ &ldquo;Look here,&rdquo; he said, &ldquo;at the fineness of the wool. See the serrations in
+ each thread of it. See the density of it. Look at the way his legs and
+ belly are clothed&mdash;he's wool all over, that sheep. Grand animal,
+ grand animal!&rdquo;
+ </p>
+ <p>
+ Then they went and had a drink, and the old squatter said, &ldquo;Now, I'll show
+ you the difference between a champion ram and a second-rater.&rdquo; So he
+ caught a ram and pointed out his defects. &ldquo;See here&mdash;not half the
+ serrations that other sheep had. No density of fleece to speak of.
+ Bare-bellied as a pig, compared with Sir Oliver. Not that this isn't a
+ fair sheep, but he'd be dear at one-tenth Sir Oliver's price. By the way,
+ Johnson&rdquo; (to his overseer), &ldquo;what ram <i>is</i> this?&rdquo;
+ </p>
+ <p>
+ &ldquo;That, sir,&rdquo; replied the astounded functionary&mdash;&ldquo;that <i>is</i> Sir
+ Oliver, sir!&rdquo;
+ </p>
+ <p>
+ There is another kind of sheep in Australia, as great a curse in his own
+ way as the merino&mdash;namely, the cross-bred, or
+ half-merino-half-Leicester animal. The cross-bred will get through, under,
+ or over any fence you like to put in front of him. He is never satisfied
+ with his owner's run, but always thinks other people's runs must be
+ better, so he sets off to explore. He will strike a course, say,
+ south-east, and so long as the fit takes him he will keep going south-east
+ through all obstacles&mdash;rivers, fences, growing crops, anything. The
+ merino relies on passive resistance for his success; the cross-bred
+ carries the war into the enemy's camp, and becomes a living curse to his
+ owner day and night.
+ </p>
+ <p>
+ Once there was a man who was induced in a weak moment to buy twenty
+ cross-bred rams. From that hour the hand of Fate was upon him. They got
+ into all the paddocks they shouldn't have been in. They scattered
+ themselves over the run promiscuously. They visited the cultivation
+ paddock and the vegetable-garden at their own sweet will. And then they
+ took to roving. In a body they visited the neighbouring stations, and
+ played havoc with the sheep all over the district.
+ </p>
+ <p>
+ The wretched owner was constantly getting fiery letters from his
+ neighbours: &ldquo;Your blanky rams are here. Come and take them away at once,&rdquo;
+ and he would have to go nine or ten miles to drive them home. Any man who
+ has tried to drive rams on a hot day knows what purgatory is. He was
+ threatened every week with actions for trespass.
+ </p>
+ <p>
+ He tried shutting them up in the sheep-yard. They got out and went back to
+ the garden. Then he gaoled them in the calf-pen. Out again and into a
+ growing crop. Then he set a boy to watch them; but the boy went to sleep,
+ and they were four miles away across country before he got on to their
+ tracks.
+ </p>
+ <p>
+ At length, when they happened accidentally to be at home on their owner's
+ run, there came a big flood. His sheep, mostly merinos, had plenty of time
+ to get on to high ground and save their lives; but, of course, they
+ didn't, and were almost all drowned. The owner sat on a rise above the
+ waste of waters and watched the dead animals go by. He was a ruined man.
+ But he said, &ldquo;Thank God, those cross-bred rams are drowned, anyhow.&rdquo; Just
+ as he spoke there was a splashing in the water, and the twenty rams
+ solemnly swam ashore and ranged themselves in front of him. They were the
+ only survivors of his twenty thousand sheep. He broke down, and was taken
+ to an asylum for insane paupers. The cross-breds had fulfilled their
+ destiny.
+ </p>
+ <p>
+ The cross-bred drives his owner out of his mind, but the merino ruins his
+ man with greater celerity. Nothing on earth will kill cross-breds; nothing
+ will keep merinos alive. If they are put on dry salt-bush country they die
+ of drought. If they are put on damp, well-watered country they die of
+ worms, fluke, and foot-rot. They die in the wet seasons and they die in
+ the dry ones.
+ </p>
+ <p>
+ The hard, resentful look on the faces of all bushmen comes from a long
+ course of dealing with merino sheep. The merino dominates the bush, and
+ gives to Australian literature its melancholy tinge, its despairing
+ pathos. The poems about dying boundary-riders, and lonely graves under
+ mournful she-oaks, are the direct outcome of the poet's too close
+ association with that soul-destroying animal. A man who could write
+ anything cheerful after a day in the drafting-yards would be a freak of
+ nature.
+ </p>
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE BULLOCK
+ </h2>
+ <p>
+ The typical Australian bullock&mdash;long-horned, sullen-eyed, stupid, and
+ vindictive&mdash;is bred away out in Queensland, on remote stations in the
+ Never Never land, where men live on damper and beef, and occasionally eat
+ a whole bottle of hot pickles at a sitting, simply to satisfy their
+ craving for vegetable food. Here, under the blazing tropic sun, among
+ flies and dust and loneliness, they struggle with the bullock from year's
+ end to year's end. It is not to be supposed that they take up this kind of
+ thing for fun. The man who worked cattle for sport would wheel bricks for
+ amusement.
+ </p>
+ <p>
+ At periodical intervals a boom in cattle-country arises in the cities, and
+ syndicates are formed to take up country and stock it. It looks so
+ beautifully simple&mdash;<i>on paper</i>.
+ </p>
+ <p>
+ You get your country, thousands of miles of it, for next to nothing. You
+ buy your breeding herd for a ridiculously small sum, on long-dated bills.
+ Your staff consists of a manager, who toils for a share of the profits, a
+ couple of half-civilized white stockmen at low wages, and a handful of
+ blacks, who work harder for a little opium ash than they would for much
+ money. Plant costs nothing, improvements nothing&mdash;no woolshed is
+ needed, there are no shearers to pay, and no carriage to market, for the
+ bullock walks himself down to his doom. Granted that prices are low, still
+ it is obvious that there must be huge profits in the business. So the
+ cattle start away out to &ldquo;the country&rdquo;, where they are supposed to
+ increase and multiply, and enrich their owners. Alas! for such hopes.
+ There is a curse on cattle.
+ </p>
+ <p>
+ No one has ever been able to explain exactly how the deficit arises. Put
+ the figures before the oldest and most experienced cattleman, and he will
+ fail to show why they don't work out right. And yet they never do. It is
+ not the fault of the cattle themselves. Sheep would rather die than live&mdash;and
+ when one comes to think of the life they lead, one can easily understand
+ their preference for death; but cattle, if given half a chance, will do
+ their best to prolong their existence.
+ </p>
+ <p>
+ If they are running on low-lying country and are driven off when a flood
+ comes, they will probably walk back into the flood-water and get drowned
+ as soon as their owner turns his back. But, as a rule, cattle are not
+ suicidal. They sort themselves into mobs, they pick out the best bits of
+ country, they find their way to the water, they breed habitually; but it
+ always ends in the same way. The hand of Fate is against them.
+ </p>
+ <p>
+ If a drought comes, they eat off the grass near the water and have to
+ travel far out for a feed. Then they fall away and get weak, and when they
+ come down to drink they get bogged in the muddy waterholes and die there.
+ </p>
+ <p>
+ Or Providence sends the pleuro, and big strong beasts slink away by
+ themselves, and stand under trees glaring savagely till death comes. Or
+ else the tick attacks them, and soon a fine, strong beast becomes a
+ miserable, shrunken, tottering wreck. Once cattle get really low in
+ condition they are done for. Sheep can be shifted when their pasture
+ fails, but you can't shift cattle. They die quicker on the roads than on
+ the run. The only thing is to watch and pray for rain. It always comes&mdash;after
+ the cattle are dead.
+ </p>
+ <p>
+ As for describing the animals themselves, it would take volumes. Sheep are
+ all alike, but cattle are all different. The drovers on the road get to
+ know the habits and tendencies of each particular bullock&mdash;the
+ one-eyed bullock that pokes out to the side of the mob, the inquisitive
+ bullock that is always walking over towards the drover as if he were going
+ to speak to him, the agitator bullock who is always trying to get up a
+ stampede and prodding the others with his horns.
+ </p>
+ <p>
+ In poor Boake's &ldquo;Where the Dead Men Lie&rdquo; he says:
+ </p>
+<pre xml:space="preserve">
+ Only the hand of Night can free them&mdash;
+ That's when the dead men fly!
+ Only the frightened cattle see them&mdash;
+ See the dead men go by!
+ Cloven hoofs beating out one measure,
+ Bidding the stockman know no leisure&mdash;
+ That's when the dead men take their pleasure!
+ That's when the dead men fly!
+</pre>
+ <p>
+ Cattle on a camp see ghosts, sure enough&mdash;else, why is it that, when
+ hundreds are in camp at night&mdash;some standing, some lying asleep, all
+ facing different ways&mdash;in an instant, at some invisible cause of
+ alarm, the whole mob are on their feet and all racing <i>in the same
+ direction</i>, away from some unseen terror?
+ </p>
+ <p>
+ It doesn't do to sneak round cattle at night; it is better to whistle and
+ sing than to surprise them by a noiseless appearance. Anyone sneaking
+ about frightens them, and then they will charge right over the top of
+ somebody on the opposite side, and away into the darkness, becoming more
+ and more frightened as they go, smashing against trees and stumps,
+ breaking legs and ribs, and playing the dickens with themselves generally.
+ Cattle &ldquo;on the road&rdquo; are unaccountable animals; one cannot say for certain
+ what they will do. In this respect they differ from sheep, whose movements
+ can be predicted with absolute certainty.
+ </p>
+ <p>
+ All the cussedness of the bovine race is centred in the cow. In Australia
+ the most opprobious epithet one can apply to a man or other object is
+ &ldquo;cow&rdquo;. In the whole range of a bullock-driver's vocabulary there is no
+ word that expresses his blistering scorn so well as &ldquo;cow&rdquo;. To an
+ exaggerated feminine perversity the cow adds a fiendish ingenuity in
+ making trouble.
+ </p>
+ <p>
+ A quiet milking-cow will &ldquo;plant&rdquo; her calf with such skill that ten
+ stockmen cannot find him in a one-mile paddock. While the search goes on
+ she grazes unconcernedly, as if she never had a calf in her life. If by
+ chance he be discovered, then one notices a curious thing. The very
+ youngest calf, the merest staggering-Bob two days old, will not move till
+ the old lady gives him orders to do so. One may pull him about without
+ getting a move out of him. If sufficiently persecuted he will at last sing
+ out for help, and then his mother will arrive full-gallop, charge men and
+ horses indiscriminately, and clear out with him to the thickest timber in
+ the most rugged part of the creek-bed, defying man to get her to the yard.
+ </p>
+ <p>
+ While in his mother's company he seconds her efforts with great judgment.
+ But, if he be separated from her, he will follow a horse and rider up to
+ the yard thinking he is following his mother, though she bellow
+ instructions to him from the rear. Then the guileless agriculturist,
+ having penned him up, sets a dog on him, and his cries soon fetch the old
+ cow full-run to his assistance. Once in the yard she is roped, hauled into
+ the bail, propped up to prevent her throwing herself down, and milked by
+ sheer brute-force. After a while she steadies down and will walk into the
+ bail, knowing her turn and behaving like a respectable female.
+ </p>
+ <p>
+ Cows and calves have no idea of sound or distance. If a cow is on the
+ opposite side of the fence, and wishes to communicate with her calf, she
+ will put her head through the fence, place her mouth against his ear as if
+ she were going to whisper, and then utter a roar that can be heard two
+ miles off. It would stun a human being; but the calf thinks it over for a
+ moment, and then answers with a prolonged yell in the old cow's ear. So
+ the dialogue goes on for hours without either party dropping dead.
+ </p>
+ <p>
+ There is an element of danger in dealing with cattle that makes men smart
+ and self-reliant and independent. Men who deal with sheep get gloomy and
+ morbid, and are for ever going on strike. Nobody ever heard of a
+ stockman's strike. The true stockrider thinks himself just as good a man
+ as his boss, and inasmuch as &ldquo;the boss&rdquo; never makes any money, while the
+ stockman gets his wages, the stockman may be considered as having the
+ better position of the two.
+ </p>
+ <p>
+ Sheepmen like to think that they know all about cattle, and could work
+ them if they chose. A Queensland drover once took a big mob from the Gulf
+ right down through New South Wales, selling various lots as he went. He
+ had to deliver some to a small sheep-man, near Braidwood, who was buying a
+ few hundred cattle as a spec. By the time they arrived, the cattle had
+ been on the road eight months, and were quiet as milkers. But the
+ sheep-man and his satellites came out, riding stable-fed horses and
+ brandishing twenty-foot whips, all determined to sell their lives dearly.
+ They galloped round the astonished cattle and spurred their horses and
+ cracked their whips, till they roused the weary mob. Then they started to
+ cut out the beasts they wanted. The horses rushed and pulled, and the
+ whips maddened the cattle, and all was turmoil and confusion.
+ </p>
+ <p>
+ The Queensland drovers looked on amazed, sitting their patient leg-weary
+ horses they had ridden almost continuously for eight months. At last,
+ seeing the hash the sheep-men were making of it, the drovers set to work,
+ and in a little while, without a shout, or crack of a whip, had cut out
+ the required number. These the head drover delivered to the buyer, simply
+ remarking, &ldquo;Many's the time <i>you</i> never cut-out cattle.&rdquo;
+ </p>
+ <p>
+ As I write, there rises a vision of a cattle-camp on an open plain, the
+ blue sky overhead, the long grass rustling below, the great mob of
+ parti-coloured cattle eddying restlessly about, thrusting at each other
+ with their horns; and in among the sullen half-savage animals go the
+ light, wiry stock-riders, horse and man working together, watchful, quick,
+ and resolute.
+ </p>
+ <p>
+ A white steer is wanted that is right in the throng. Way!&mdash;make way!
+ and horse and rider edge into the restless sea of cattle, the man with his
+ eye fixed on the selected animal, the horse, glancing eagerly about him,
+ trying to discover which is the wanted one. The press divides and the
+ white steer scuttles along the edge of the mob trying to force his way in
+ again. Suddenly he and two or three others are momentarily eddied out to
+ the outskirts of the mob, and in that second the stockman dashes his horse
+ between them and the main body. The lumbering beasts rush hither and
+ thither in a vain attempt to return to their comrades. Those not wanted
+ are allowed to return, but the white steer finds, to his dismay, that
+ wherever he turns that horse and man and dreaded whip are confronting him.
+ He doubles and dodges and makes feints to charge, but the horse
+ anticipates every movement and wheels quicker than the bullock. At last
+ the white steer sees the outlying mob he is required to join, and trots
+ off to them quite happy, while horse and rider return to cut out another.
+ </p>
+ <p>
+ It is a pretty exhibition of skill and intelligence, doubly pleasant to
+ watch because of the undoubted interest that the horses take in it. Big,
+ stupid creatures that they are, cursed with highly-strung nerves, and
+ blessed with little sense, they are pathetically anxious to do such work
+ as they can understand. So they go into the cutting-out camp with a zest,
+ and toil all day edging lumbering bullocks out of the mob, but as soon as
+ a bad rider gets on them and begins to haul their mouths about, their
+ nerves overcome them, and they get awkward and frightened. A horse that is
+ a crack camp-horse in one man's hands may be a hopeless brute in the hands
+ of another.
+ </p>
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ WHITE-WHEN-HE'S-WANTED
+ </h2>
+ <p>
+ Buckalong was a big freehold of some 80,000 acres, belonging to an
+ absentee syndicate, and therefore run in most niggardly style. There was a
+ manager on 200 pounds a year, Sandy M'Gregor to wit&mdash;a hard-headed
+ old Scotchman known as &ldquo;four-eyed M'Gregor&rdquo;, because he wore spectacles.
+ For assistants, he had half-a-dozen of us&mdash;jackaroos and
+ colonial-experiencers&mdash;who got nothing a year, and earned it.
+ </p>
+ <p>
+ We had, in most instances, paid premiums to learn the noble art of
+ squatting&mdash;which now appears to me hardly worth studying, for so much
+ depends on luck that a man with a head as long as a horse's has little
+ better chance than the fool just imported. Besides the manager and the
+ jackaroos, there were a few boundary riders to prowl round the fences of
+ the vast paddocks. This constituted the whole station staff.
+ </p>
+ <p>
+ Buckalong was on one of the main routes by which stock were taken to
+ market, or from the plains to the tablelands, and vice versa. Great mobs
+ of travelling sheep constantly passed through the run, eating up the grass
+ and vexing the soul of the manager. By law, sheep must travel six miles
+ per day, and they must be kept to within half-a-mile of the road. Of
+ course we kept all the grass near the road eaten bare, to discourage
+ travellers from coming that way.
+ </p>
+ <p>
+ Such hapless wretches as did venture through Buckalong used to try hard to
+ stray from the road and pick up a feed, but old Sandy was always ready for
+ them, and would have them dogged right through the run. This bred feuds,
+ and bad language, and personal combats between us and the drovers, whom we
+ looked upon as natural enemies.
+ </p>
+ <p>
+ The men who came through with mobs of cattle used to pull down the paddock
+ fences at night, and slip the cattle in for refreshments, but old Sandy
+ often turned out at 2 or 3 a.m. to catch a mob of bullocks in the
+ horse-paddock, and then off they went to Buckalong pound. The drovers, as
+ in duty bound, attributed the trespass to accident&mdash;broken rails, and
+ so on&mdash;and sometimes they tried to rescue the cattle, which again
+ bred strife and police-court summonses.
+ </p>
+ <p>
+ Besides having a particular aversion to drovers, old M'Gregor had a
+ general &ldquo;down&rdquo; on the young Australians whom he comprehensively described
+ as a &ldquo;feckless, horrse-dealin', horrse-stealin', crawlin' lot o'
+ wretches.&rdquo; According to him, a native-born would sooner work a horse to
+ death than work for a living any day. He hated any man who wanted to sell
+ him a horse.
+ </p>
+ <p>
+ &ldquo;As aw walk the street,&rdquo; he used to say, &ldquo;the fouk disna stawp me to buy
+ claes nor shoon, an' wheerfore should they stawp me to buy horrses? It's
+ 'Mister M'Gregor, will ye purrchase a horrse?' Let them wait till I ask
+ them to come wi' their horrses.&rdquo;
+ </p>
+ <p>
+ Such being his views on horseflesh and drovers, we felt no little
+ excitement when one Sunday, at dinner, the cook came in to say there was
+ &ldquo;a drover-chap outside wanted the boss to come and have a look at a
+ horse.&rdquo; M'Gregor simmered a while, and muttered something about the
+ &ldquo;Sawbath day&rdquo;; but at last he went out, and we filed after him to see the
+ fun.
+ </p>
+ <p>
+ The drover stood by the side of his horse, beneath the acacia trees in the
+ yard. He had a big scar on his face, apparently the result of collision
+ with a fence; he looked thin and sickly and seemed poverty-stricken enough
+ to disarm hostility. Obviously, he was down on his luck. Had it not been
+ for that indefinable self-reliant look which drovers&mdash;the Ishmaels of
+ the bush&mdash;always acquire, one might have taken him for a swagman. His
+ horse was in much the same plight. It was a ragged, unkempt pony,
+ pitifully poor and very footsore, at first sight, an absolute &ldquo;moke&rdquo;; but
+ a second glance showed colossal round ribs, square hips, and a great
+ length of rein, the rest hidden beneath a wealth of loose hair. He looked
+ like &ldquo;a good journey horse&rdquo;, possibly something better.
+ </p>
+ <p>
+ We gathered round while M'Gregor questioned the drover. The man was
+ monosyllabic to a degree, as the real bushmen generally are. It is only
+ the rowdy and the town-bushy that are fluent of speech.
+ </p>
+ <p>
+ &ldquo;Guid mornin',&rdquo; said M'Gregor.
+ </p>
+ <p>
+ &ldquo;Mornin', boss,&rdquo; said the drover, shortly.
+ </p>
+ <p>
+ &ldquo;Is this the horrse ye hae for sale?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ay,&rdquo; and M'Gregor looked at the pony with a businesslike
+ don't-think-much-of-him air, ran his hand lightly over the hard legs, and
+ opened the passive creature's mouth. &ldquo;H'm,&rdquo; he said. Then he turned to the
+ drover. &ldquo;Ye seem a bit oot o' luck. Ye're thin like. What's been the
+ matter?&rdquo;
+ </p>
+ <p>
+ &ldquo;Been sick with fever&mdash;Queensland fever. Just come through from the
+ North. Been out on the Diamantina last.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ay. I was there mysel',&rdquo; said M'Gregor. &ldquo;Hae ye the fever on ye still?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes&mdash;goin' home to get rid of it.&rdquo;
+ </p>
+ <p>
+ A man can only get Queensland fever in a malarial district, but he can
+ carry it with him wherever he goes. If he stays, it will sap his strength
+ and pull him to pieces; if he moves to a better climate, the malady moves
+ with him, leaving him by degrees, and coming back at regular intervals to
+ rack, shake, burn, and sweat its victim. Gradually it wears itself out,
+ often wearing its patient out at the same time. M'Gregor had been through
+ the experience, and there was a slight change in his voice as he went on
+ with his palaver.
+ </p>
+ <p>
+ &ldquo;Whaur are ye makin' for the noo?&rdquo;
+ </p>
+ <p>
+ &ldquo;Monaro&mdash;my people live in Monaro.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hoo will ye get to Monaro gin ye sell the horrse?&rdquo;
+ </p>
+ <p>
+ &ldquo;Coach and rail. Too sick to care about ridin',&rdquo; said the drover, while a
+ wan smile flitted over his yellow-grey features. &ldquo;I've rode him far
+ enough. I've rode that horse a thousand miles. I wouldn't sell him, only
+ I'm a bit hard up. Sellin' him now to get the money to go home.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hoo auld is he?&rdquo;
+ </p>
+ <p>
+ &ldquo;Seven.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is he a guid horrse on a camp?&rdquo; asked M'Gregor.
+ </p>
+ <p>
+ &ldquo;No better camp-horse in Queensland,&rdquo; said the drover. &ldquo;You can chuck the
+ reins on his neck, an' he'll cut out a beast by himself.&rdquo;
+ </p>
+ <p>
+ M'Gregor's action in this matter puzzled us. We spent our time crawling
+ after sheep, and a camp-horse would be about as much use to us as
+ side-pockets to a pig. We had expected Sandy to rush the fellow off the
+ place at once, and we couldn't understand how it was that he took so much
+ interest in him. Perhaps the fever-racked drover and the old camp-horse
+ appealed to him in a way incomprehensible to us. We had never been on the
+ Queensland cattle-camps, nor shaken and shivered with the fever, nor lived
+ the roving life of the overlanders. M'Gregor had done all this, and his
+ heart (I can see it all now) went out to the man who brought the old days
+ back to him.
+ </p>
+ <p>
+ &ldquo;Ah, weel,&rdquo; he said, &ldquo;we hae'na muckle use for a camp-horrse here, ye ken;
+ wi'oot some of these lads wad like to try theer han' cuttin' oot the
+ milkers' cawves frae their mithers.&rdquo; And the old man laughed
+ contemptuously, while we felt humbled in the sight of the man from far
+ back. &ldquo;An' what'll ye be wantin' for him?&rdquo; asked M'Gregor.
+ </p>
+ <p>
+ &ldquo;Reckon he's worth fifteen notes,&rdquo; said the drover.
+ </p>
+ <p>
+ This fairly staggered us. Our estimates had varied between thirty
+ shillings and a fiver. We thought the negotiations would close abruptly;
+ but M'Gregor, after a little more examination, agreed to give the price,
+ provided the saddle and bridle, both grand specimens of ancient art, were
+ given in. This was agreed to, and the drover was sent off to get his meals
+ in the hut before leaving by the coach.
+ </p>
+ <p>
+ &ldquo;The mon is verra harrd up, an' it's a sair thing that Queensland fever,&rdquo;
+ was the only remark M'Gregor made. But we knew now that there was a soft
+ spot in his heart somewhere.
+ </p>
+ <p>
+ Next morning the drover got a crisp-looking cheque. He said no word while
+ the cheque was being written, but, as he was going away, the horse
+ happened to be in the yard, and he went over to the old comrade that had
+ carried him so many miles, and laid a hand on his neck.
+ </p>
+ <p>
+ &ldquo;He ain't much to look at,&rdquo; said the drover, speaking slowly and
+ awkwardly, &ldquo;but he's white when he's wanted.&rdquo; And just before the coach
+ rattled off, the man of few words leant down from the box and nodded
+ impressively, and repeated, &ldquo;Yes, he's white when he's wanted.&rdquo;
+ </p>
+ <p>
+ We didn't trouble to give the new horse a name. Station horses are
+ generally called after the man from whom they are bought. &ldquo;Tom Devine&rdquo;,
+ &ldquo;The Regan mare&rdquo;, &ldquo;Black M'Carthy&rdquo; and &ldquo;Bay M'Carthy&rdquo; were among the
+ appellations of our horses at that time. As we didn't know the drover's
+ name, we simply called the animal &ldquo;The new horse&rdquo; until a still newer
+ horse was one day acquired. Then, one of the hands being told to take the
+ new horse, said, &ldquo;D'yer mean the <i>new</i> new horse or the <i>old</i>
+ new horse?&rdquo;
+ </p>
+ <p>
+ &ldquo;Naw,&rdquo; said the boss, &ldquo;not the new horrse&mdash;that bay horrse we bought
+ frae the drover. The ane he said was white when he's wanted.&rdquo;
+ </p>
+ <p>
+ And so, by degrees, the animal came to be referred to as the horse that's
+ white when he's wanted, and at last settled down to the definite name of
+ &ldquo;White-when-he's-wanted&rdquo;.
+ </p>
+ <p>
+ White-when-he's-wanted didn't seem much of an acquisition. He was sent out
+ to do slavery for Greenhide Billy, a boundary-rider who plumed himself on
+ having once been a cattle-man. After a week's experience of &ldquo;White&rdquo;, Billy
+ came in to the homestead disgusted. The pony was so lazy that he had to
+ build a fire under him to get him to move, and so rough that it made a
+ man's nose bleed to ride him more than a mile. &ldquo;The boss must have been
+ off his head to give fifteen notes for such a cow.&rdquo;
+ </p>
+ <p>
+ M'Gregor heard this complaint. &ldquo;Verra weel, Mr. Billy,&rdquo; said he, hotly,
+ &ldquo;ye can juist tak' ane of the young horrses in yon paddock, an' if he
+ bucks wi' ye an' kills ye, it's yer ain fault. Ye're a cattleman&mdash;so
+ ye say&mdash;dommed if ah believe it. Ah believe ye're a dairy-farmin'
+ body frae Illawarra. Ye ken neither horrse nor cattle. Mony's the time ye
+ never rode buckjumpers, Mr. Billy&rdquo;&mdash;and with this parting-shot the
+ old man turned into the house, and White-when-he's-wanted came back to the
+ head station.
+ </p>
+ <p>
+ For a while he was a sort of pariah. He used to yard the horses, fetch up
+ the cows, and hunt travelling sheep through the run. He really was lazy
+ and rough, and we all decided that Billy's opinion of him was correct,
+ until the day came to make one of our periodical raids on the wild horses
+ in the hills at the back of the run.
+ </p>
+ <p>
+ Every now and again we formed parties to run in some of these animals,
+ and, after nearly galloping to death half-a-dozen good horses, we would
+ capture three or four brumbies, and bring them in triumph to the homestead
+ to be broken in. By the time they had thrown half the crack riders on the
+ station, broken all the bridles, rolled on all the saddles, and kicked all
+ the dogs, they would be marketable (and no great bargains) at about thirty
+ shillings a head.
+ </p>
+ <p>
+ Yet there is no sport in the world to be mentioned in the same volume as
+ &ldquo;running horses&rdquo;, and we were very keen on it. All the crack nags were got
+ as fit as possible, and fed up beforehand; and on this particular occasion
+ White-when-he's-wanted, being in good trim, was given a week's hard feed
+ and lent to a harum-scarum fellow from the Upper Murray, who happened to
+ be working in a survey camp on the run. How he did open our eyes!
+ </p>
+ <p>
+ He ran the mob from hill to hill, from range to range, across open country
+ and back again to the hills, over flats and gullies, through hop-scrub and
+ stringybark ridges; and all the time White-when-he's-wanted was on the
+ wing of the mob, pulling double. The mares and foals dropped out, the
+ colts and young stock pulled up dead beat, and only the seasoned veterans
+ were left. Most of our horses caved in altogether; one or two were kept in
+ the hunt by judicious nursing and shirking the work; but
+ White-when-he's-wanted was with the quarry from end to end of the run,
+ doing double his share; and at the finish, when a chance offered to wheel
+ them into the trapyard, he simply smothered them for pace, and slewed them
+ into the wings before they knew where they were. Such a capture had not
+ fallen to our lot for many a day, and the fame of White-when-he's-wanted
+ was speedily noised abroad.
+ </p>
+ <p>
+ He was always fit for work, always hungry, always ready to lie down and
+ roll, and always lazy. But when he heard the rush of the brumbies' feet in
+ the scrub he became frantic with excitement. He could race over the
+ roughest ground without misplacing a hoof or altering his stride, and he
+ could sail over fallen timber and across gullies like a kangaroo. Nearly
+ every Sunday we were after the brumbies, until they got as lean as
+ greyhounds and as cunning as policemen. We were always ready to back
+ White-when-he's-wanted to run-down, single-handed, any animal in the bush
+ that we liked to put him after&mdash;wild horses, wild cattle, kangaroos,
+ emus, dingoes, kangaroo-rats&mdash;we barred nothing, for, if he couldn't
+ beat them for pace, he would outlast them.
+ </p>
+ <p>
+ And then one day he disappeared from the paddock, and we never saw him
+ again. We knew there were plenty of men in the district who would steal
+ him; but, as we knew also of many more who would &ldquo;inform&rdquo; for a pound or
+ two, we were sure that it could not have been local &ldquo;talent&rdquo; that had
+ taken him. We offered good rewards and set some of the right sort to work,
+ but heard nothing of him for about a year.
+ </p>
+ <p>
+ Then the surveyor's assistant turned up again, after a trip to the
+ interior. He told us the usual string of back-block lies, and wound up by
+ saying that out on the very fringe of settlement he had met an old
+ acquaintance.
+ </p>
+ <p>
+ &ldquo;Who was that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, that little bay horse that I rode after the brumbies that time. The
+ one you called White-when-he's-wanted.&rdquo;
+ </p>
+ <p>
+ &ldquo;The deuce you did! Are you sure? Who had him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Sure! I'd swear to him anywhere. A little drover fellow had him. A little
+ fellow, with a big scar across his forehead. Came from Monaro way
+ somewhere. He said he bought the horse from you for fifteen notes.&rdquo;
+ </p>
+ <p>
+ The King's warrant doesn't run much out west of Boulia, and it is not
+ likely that any of us will ever see the drover again, or will ever again
+ cross the back of &ldquo;White-when-he's-wanted&rdquo;.
+ </p>
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE DOWNFALL OF MULLIGAN'S
+ </h2>
+ <p>
+ The sporting men of Mulligan's were an exceedingly knowing lot; in fact,
+ they had obtained the name amongst their neighbours of being a little bit
+ too knowing. They had &ldquo;taken down&rdquo; the adjoining town in a variety of
+ ways. They were always winning maiden plates with horses which were
+ shrewdly suspected to be old and well-tried performers in disguise.
+ </p>
+ <p>
+ When the sports of Paddy's Flat unearthed a phenomenal runner in the shape
+ of a blackfellow called Frying-pan Joe, the Mulligan contingent
+ immediately took the trouble to discover a blackfellow of their own, and
+ they made a match and won all the Paddy's Flat money with ridiculous ease;
+ then their blackfellow turned out to be a well-known Sydney performer.
+ They had a man who could fight, a man who could be backed to jump
+ five-feet-ten, a man who could kill eight pigeons out of nine at thirty
+ yards, a man who could make a break of fifty or so at billiards if he
+ tried; they could all drink, and they all had that indefinite look of
+ infinite wisdom and conscious superiority which belongs only to those who
+ know something about horseflesh.
+ </p>
+ <p>
+ They knew a great many things never learnt at Sunday-school. They were
+ experts at cards and dice. They would go to immense trouble to work off
+ any small swindle in the sporting line. In short the general consensus of
+ opinion was that they were a very &ldquo;fly&rdquo; crowd at Mulligan's, and if you
+ went there you wanted to &ldquo;keep your eyes skinned&rdquo; or they'd &ldquo;have&rdquo; you
+ over a threepenny-bit.
+ </p>
+ <p>
+ There were races at Sydney one Christmas, and a select band of the
+ Mulligan sportsmen were going down to them. They were in high feather,
+ having just won a lot of money from a young Englishman at pigeon-shooting,
+ by the simple method of slipping blank cartridges into his gun when he
+ wasn't looking, and then backing the bird.
+ </p>
+ <p>
+ They intended to make a fortune out of the Sydney people, and admirers who
+ came to see them off only asked them as a favour to leave money enough in
+ Sydney to make it worth while for another detachment to go down later on.
+ Just as the train was departing a priest came running on to the platform,
+ and was bundled into the carriage where our Mulligan friends were; the
+ door was slammed to, and away they went. His Reverence was hot and
+ perspiring, and for a few minutes mopped himself with a handkerchief,
+ while the silence was unbroken except by the rattle of the train.
+ </p>
+ <p>
+ After a while one of the Mulligan fraternity got out a pack of cards and
+ proposed a game to while away the time. There was a young squatter in the
+ carriage who looked as if he might be induced to lose a few pounds, and
+ the sportsmen thought they would be neglecting their opportunities if they
+ did not try to &ldquo;get a bit to go on with&rdquo; from him. He agreed to play, and,
+ just as a matter of courtesy, they asked the priest whether he would take
+ a hand.
+ </p>
+ <p>
+ &ldquo;What game d'ye play?&rdquo; he asked, in a melodious brogue.
+ </p>
+ <p>
+ They explained that any game was equally acceptable to them, but they
+ thought it right to add that they generally played for money.
+ </p>
+ <p>
+ &ldquo;Sure an' it don't matter for wanst in a way,&rdquo; said he&mdash;&ldquo;Oi'll take a
+ hand bedad&mdash;Oi'm only going about fifty miles, so Oi can't lose a
+ fortune.&rdquo;
+ </p>
+ <p>
+ They lifted a light portmanteau on to their knees to make a table, and
+ five of them&mdash;three of the Mulligan crowd and the two strangers&mdash;started
+ to have a little game of poker. Things looked rosy for the Mulligan boys,
+ who chuckled as they thought how soon they were making a beginning, and
+ what a magnificent yarn they would have to tell about how they rooked a
+ priest on the way down.
+ </p>
+ <p>
+ Nothing sensational resulted from the first few deals, and the priest
+ began to ask questions.
+ </p>
+ <p>
+ &ldquo;Be ye going to the races?&rdquo;
+ </p>
+ <p>
+ They said they were.
+ </p>
+ <p>
+ &ldquo;Ah! and Oi suppose ye'll be betting wid thim bookmakers&mdash;betting on
+ the horses, will yez? They do be terrible knowing men, thim bookmakers,
+ they tell me. I wouldn't bet much if Oi was ye,&rdquo; he said, with an affable
+ smile. &ldquo;If ye go bettin' ye will be took in wid thim bookmakers.&rdquo;
+ </p>
+ <p>
+ The boys listened with a bored air and reckoned that by the time they
+ parted the priest would have learnt that they were well able to look after
+ themselves. They went steadily on with the game, and the priest and the
+ young squatter won slightly; this was part of the plan to lead them on to
+ plunge. They neared the station where the priest was to get out. He had
+ won rather more than they liked, so the signal was passed round to &ldquo;put
+ the cross on&rdquo;. Poker is a game at which a man need not risk much unless he
+ feels inclined, and on this deal the priest stood out. Consequently, when
+ they drew up at his station he was still a few pounds in.
+ </p>
+ <p>
+ &ldquo;Bedad,&rdquo; he said, &ldquo;Oi don't loike goin' away wid yer money. Oi'll go on to
+ the next station so as ye can have revinge.&rdquo; Then he sat down again, and
+ play went on in earnest.
+ </p>
+ <p>
+ The man of religion seemed to have the Devil's own luck. When he was dealt
+ a good hand he invariably backed it well, and if he had a bad one he would
+ not risk anything. The sports grew painfully anxious as they saw him
+ getting further and further ahead of them, prattling away all the time
+ like a big schoolboy. The squatter was the biggest loser so far, but the
+ priest was the only winner. All the others were out of pocket. His
+ reverence played with great dash, and seemed to know a lot about the game,
+ so that on arrival at the second station he was a good round sum in
+ pocket.
+ </p>
+ <p>
+ He rose to leave them with many expressions of regret, and laughingly
+ promised full revenge next time. Just as he was opening the carriage door,
+ one of the Mulligan fraternity said in a stage-whisper: &ldquo;He's a blanky
+ sink-pocket. If he can come this far, let him come on to Sydney and play
+ for double the stakes.&rdquo; Like a shot the priest turned on him.
+ </p>
+ <p>
+ &ldquo;Bedad, an' if <i>that's</i> yer talk, Oi'll play ye fer double stakes
+ from here to the other side of glory. Do yez think men are mice because
+ they eat cheese? It isn't one of the Ryans would be fearing to give any
+ man his revinge!&rdquo;
+ </p>
+ <p>
+ He snorted defiance at them, grabbed his cards and waded in. The others
+ felt that a crisis was at hand and settled down to play in a dead silence.
+ But the priest kept on winning steadily, and the &ldquo;old man&rdquo; of the Mulligan
+ push saw that something decisive must be done, and decided on a big plunge
+ to get all the money back on one hand. By a dexterous manipulation of the
+ cards he dealt himself four kings, almost the best hand at poker. Then he
+ began with assumed hesitation to bet on his hand, raising the stake little
+ by little.
+ </p>
+ <p>
+ &ldquo;Sure ye're trying to bluff, so ye are!&rdquo; said the priest, and immediately
+ raised it.
+ </p>
+ <p>
+ The others had dropped out of the game and watched with painful interest
+ the stake grow and grow. The Mulligan fraternity felt a cheerful certainty
+ that the &ldquo;old man&rdquo; had made things safe, and regarded themselves as
+ mercifully delivered from an unpleasant situation. The priest went on
+ doggedly raising the stake in response to his antagonist's challenges
+ until it had attained huge dimensions.
+ </p>
+ <p>
+ &ldquo;Sure that's high enough,&rdquo; said he, putting into the pool sufficient to
+ entitle him to see his opponent's hand.
+ </p>
+ <p>
+ The &ldquo;old man&rdquo; with great gravity laid down his four kings, whereat the
+ Mulligan boys let a big sigh of relief escape them.
+ </p>
+ <p>
+ Then the priest laid down four aces and scooped the pool.
+ </p>
+ <p>
+ The sportsmen of Mulligan's never quite knew how they got out to Randwick.
+ They borrowed a bit of money in Sydney, and found themselves in the
+ saddling-paddock in a half-dazed condition, trying to realize what had
+ happened to them. During the afternoon they were up at the end of the lawn
+ near the Leger stand and could hear the babel of tongues, small
+ bookmakers, thimble riggers, confidence men, and so on, plying their
+ trades outside. In the tumult of voices they heard one that sounded
+ familiar. Soon suspicion grew into certainty, and they knew that it was
+ the voice of &ldquo;Father&rdquo; Ryan. They walked to the fence and looked over. This
+ is what he was saying:&mdash;
+ </p>
+ <p>
+ &ldquo;Pop it down, gents! Pop it down! If you don't put down a brick you can't
+ pick up a castle! I'll bet no one here can pick the knave of hearts out of
+ these three cards. I'll bet half-a-sovereign no one here can find the
+ knave!&rdquo;
+ </p>
+ <p>
+ Then the crowd parted a little, and through the opening they could see him
+ distinctly, doing a great business and showing wonderful dexterity with
+ the pasteboard.
+ </p>
+ <p>
+ There is still enough money in Sydney to make it worth while for another
+ detachment to come down from Mulligan's; but the next lot will hesitate
+ about playing poker with priests in the train.
+ </p>
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE AMATEUR GARDENER
+ </h2>
+ <p>
+ The first step in amateur gardening is to sit down and consider what good
+ you are going to get by it. If you are only a tenant by the month, as most
+ people are, it is obviously not of much use for you to plant a fruit
+ orchard or an avenue of oak trees. What you want is something that will
+ grow quickly, and will stand transplanting, for when you move it would be
+ a sin to leave behind you the plants on which you have spent so much
+ labour and so much patent manure.
+ </p>
+ <p>
+ We knew a man once who was a bookmaker by trade&mdash;and a Leger
+ bookmaker at that&mdash;but had a passion for horses and flowers. When he
+ &ldquo;had a big win&rdquo;, as he occasionally did, it was his custom to have movable
+ wooden stables, built on skids, put up in the yard, and to have tons of
+ the best soil that money could buy carted into the garden of the premises
+ which he was occupying.
+ </p>
+ <p>
+ Then he would keep splendid horses, and grow rare roses and show-bench
+ chrysanthemums. His landlord passing by would see the garden in a blaze of
+ colour, and promise himself to raise the bookmaker's rent next quarter
+ day.
+ </p>
+ <p>
+ However, when the bookmaker &ldquo;took the knock&rdquo;, as he invariably did at
+ least twice a year, it was his pleasing custom to move without giving
+ notice. He would hitch two cart-horses to the stables, and haul them right
+ away at night. He would not only dig up the roses, trees, and
+ chrysanthemums he had planted, but would also cart away the soil he had
+ brought in; in fact, he used to shift the garden bodily. He had one garden
+ that he shifted to nearly every suburb in Sydney; and he always argued
+ that the change of air was invaluable for chrysanthemums.
+ </p>
+ <p>
+ Being determined, then, to go in for gardening on common-sense principles,
+ and having decided on the shrubs you mean to grow, the next consideration
+ is your chance of growing them.
+ </p>
+ <p>
+ If your neighbour keeps game fowls, it may be taken for granted that
+ before long they will pay you a visit, and you will see the rooster
+ scratching your pot plants out by the roots as if they were so much straw,
+ just to make a nice place to lie down and fluff the dust over himself.
+ Goats will also stray in from the street, and bite the young shoots off,
+ selecting the most valuable plants with a discrimination that would do
+ credit to a professional gardener.
+ </p>
+ <p>
+ It is therefore useless to think of growing delicate or squeamish plants.
+ Most amateur gardeners maintain a lifelong struggle against the devices of
+ Nature; but when the forces of man and the forces of Nature come into
+ conflict Nature wins every time. Nature has decreed that certain plants
+ shall be hardy, and therefore suitable to suburban amateur gardeners; the
+ suburban amateur gardener persists in trying to grow quite other plants,
+ and in despising those marked out by Nature for his use. It is to correct
+ this tendency that this article is written.
+ </p>
+ <p>
+ The greatest standby to the amateur gardener should undoubtedly be the
+ blue-flowered shrub known as &ldquo;plumbago&rdquo;. This homely but hardy plant will
+ grow anywhere. It naturally prefers a good soil, and a sufficient
+ rainfall, but if need be it will worry along without either. Fowls cannot
+ scratch it up, and even the goat turns away dismayed from its
+ hard-featured branches. The flower is not strikingly beautiful nor
+ ravishingly scented, but it flowers nine months out of the year; smothered
+ with street dust and scorched by the summer sun, you will find that
+ faithful old plumbago plugging along undismayed. A plant like this should
+ be encouraged&mdash;but the misguided amateur gardener as a rule despises
+ it.
+ </p>
+ <p>
+ The plant known as the churchyard geranium is also one marked out by
+ Providence for the amateur; so is Cosmea, which comes up year after year
+ where once planted. In creepers, bignonia and lantana will hold their own
+ under difficulties perhaps as well as any that can be found. In trees the
+ Port Jackson fig is a patriotic one to grow. It is a fine plant to provide
+ exercise, as it sheds its leaves unsparingly, and requires the whole
+ garden to be swept up every day.
+ </p>
+ <p>
+ Your aim as a student of Nature should be to encourage the survival of the
+ fittest. There is a grass called nut grass, and another called Parramatta
+ grass, either of which holds its own against anything living or dead. The
+ average gardening manual gives you recipes for destroying these. Why
+ should you destroy them in favour of a sickly plant that needs constant
+ attention? No. The Parramatta grass is the selected of Nature, and who are
+ you to interfere with Nature?
+ </p>
+ <p>
+ Having decided to go in for strong, simple plants that will hold their
+ own, and a bit over, you must get your implements of husbandry.
+ </p>
+ <p>
+ The spade is the first thing, but the average ironmonger will show you an
+ unwieldy weapon only meant to be used by navvies. Don't buy it. Get a
+ small spade, about half-size&mdash;it is nice and light and doesn't tire
+ the wrist, and with it you can make a good display of enthusiasm, and earn
+ the hypocritical admiration of your wife. After digging for half-an-hour
+ or so, get her to rub your back with any of the backache cures. From that
+ moment you will have no further need for the spade.
+ </p>
+ <p>
+ A barrow is about the only other thing needed; anyhow, it is almost a
+ necessity for wheeling cases of whisky up to the house. A rake is useful
+ when your terrier dog has bailed up a cat, and will not attack it until
+ the cat is made to run.
+ </p>
+ <p>
+ Talking of terrier dogs, an acquaintance of ours has a dog that does all
+ his gardening. The dog is a small elderly terrier with a failing memory.
+ As soon as the terrier has planted a bone in the garden the owner slips
+ over, digs it up and takes it away. When that terrier goes back and finds
+ the bone gone, he distrusts his memory, and begins to think that perhaps
+ he has made a mistake, and has dug in the wrong place; so he sets to work,
+ and digs patiently all over the garden, turning over acres of soil in the
+ course of his search. This saves his master a lot of backache.
+ </p>
+ <p>
+ The sensible amateur gardener, then, will not attempt to fight with Nature
+ but will fall in with her views. What more pleasant than to get out of bed
+ at 11.30 on a Sunday morning; to look out of your window at a lawn waving
+ with the feathery plumes of Parramatta grass, and to see beyond it the
+ churchyard geranium flourishing side by side with the plumbago and the
+ Port Jackson fig?
+ </p>
+ <p>
+ The garden gate blows open, and the local commando of goats, headed by an
+ aged and fragrant patriarch, locally known as De Wet, rushes in; but their
+ teeth will barely bite through the wiry stalks of the Parramatta grass,
+ and the plumbago and the figtree fail to attract them, and before long
+ they stand on one another's shoulders, scale the fence, and disappear into
+ the next-door garden, where a fanatic is trying to grow show roses.
+ </p>
+ <p>
+ After the last goat has scaled your neighbour's fence, and only De Wet is
+ left, your little dog discovers him. De Wet beats a hurried retreat,
+ apparently at full speed, with the dog exactly one foot behind him in
+ frantic pursuit. We say apparently at full speed, because experience has
+ taught that De Wet can run as fast as a greyhound when he likes; but he
+ never exerts himself to go faster than is necessary to keep just in front
+ of whatever dog is after him.
+ </p>
+ <p>
+ Hearing the scrimmage, your neighbour comes on to his verandah, and sees
+ the chase going down the street.
+ </p>
+ <p>
+ &ldquo;Ha! that wretched old De Wet again!&rdquo; he says. &ldquo;Small hope your dog has of
+ catching him! Why don't you get a garden gate like mine, so that he won't
+ get in?&rdquo;
+ </p>
+ <p>
+ &ldquo;No; he can't get in at your gate,&rdquo; is the reply; &ldquo;but I think his
+ commando are in your back garden now.&rdquo;
+ </p>
+ <p>
+ Then follows a frantic rush. Your neighbour falls downstairs in his haste,
+ and the commando, after stopping to bite some priceless pot plants of your
+ neighbour's as they come out, skips easily back over the fence and through
+ your gate into the street again.
+ </p>
+ <p>
+ If a horse gets in his hoofs make no impression on the firm turf of the
+ Parramatta grass, and you get quite a hearty laugh by dropping a chair on
+ him from the first-floor window.
+ </p>
+ <p>
+ The game fowls of your other neighbour come fluttering into your garden,
+ and scratch and chuckle and fluff themselves under your plumbago bush; but
+ you don't worry. Why should you? They can't hurt it; and, besides, you
+ know that the small black hen and the big yellow one, who have disappeared
+ from the throng, are even now laying their daily egg for you behind the
+ thickest bush.
+ </p>
+ <p>
+ Your little dog rushes frantically up and down the front bed of your
+ garden, barking and racing, and tearing up the ground, because his rival
+ little dog, who lives down the street, is going past with his master, and
+ each pretends that he wants to be at the other&mdash;as they have
+ pretended every day for the past three years. The performance he is going
+ through doesn't disturb you. Why should it? By following the directions in
+ this article you have selected plants he cannot hurt.
+ </p>
+ <p>
+ After breakfasting at noon, you stroll out, and, perhaps, smooth with your
+ foot, or with your spade, the inequalities made by the hens; you gather up
+ casually the eggs they have laid; you whistle to your little dog, and go
+ out for a stroll with a light heart.
+ </p>
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THIRSTY ISLAND
+ </h2>
+ <p>
+ Travellers approaching a bush township are sure to find some distance from
+ the town a lonely public-house waiting by the roadside to give them
+ welcome. Thirsty (miscalled Thursday) Island is the outlying pub of
+ Australia.
+ </p>
+ <p>
+ When the China and British-India steamers arrive from the North the first
+ place they come to is Thirsty Island, the sentinel at the gate of Torres
+ Straits. New chums on the steamers see a fleet of white-sailed pearling
+ luggers, a long pier clustered with a hybrid crowd of every colour, caste
+ and creed under Heaven, and at the back of it all a little galvanized-iron
+ town shining in the sun.
+ </p>
+ <p>
+ For nine months of the year a crisp, cool south-east wind blows, the
+ snow-white beach is splashed with spray and dotted with the picturesque
+ figures of Japanese divers and South Sea Island boatmen. Coco-nut palms
+ line the roads by the beach, and back of the town are the barracks and a
+ fort nestling among the trees on the hillside. Thirsty Island is a nice
+ place&mdash;to look at.
+ </p>
+ <p>
+ When a vessel makes fast the Thirsty Islanders come down to greet the
+ new-comers and give them welcome to Australia. The new-chums are inclined
+ to patronise these simple, outlying people. Fresh from the iniquities of
+ the China-coast cocktail and the unhallowed orgies of the Sourabaya Club,
+ new-chums think they have little to learn in the way of drink; at any
+ rate, they haven't come all the way to Thursday Island to be taught
+ anything. Poor new-chums! Little do they know the kind of people they are
+ up against.
+ </p>
+ <p>
+ The following description of a night at Thursday Island is taken from a
+ new-chum's note book:
+ </p>
+ <p>
+ &ldquo;Passed Proudfoot shoal and arrived at Thursday Island. First sight of
+ Australia. Lot of men came aboard, all called Captain. They are all
+ pearl-fishers or pilots, not a bit like the bushmen I expected. When they
+ came aboard they divided into parties. Some invaded the Captain's cabin;
+ others sat in the smoking room; the rest crowded into the saloon. They
+ talked to the passengers about the Boer War, and told us about pearls
+ worth 1000 pounds that had been found lately.
+ </p>
+ <p>
+ &ldquo;One captain pulled a handful of loose pearls out of a jar and handed them
+ round in a casual way for us to look at. The stewards opened bottles and
+ we all sat down for a drink and a smoke. I spoke to one captain&mdash;an
+ oldish man&mdash;and he grinned amiably, but did not answer. Another
+ captain leaned over to me and said, 'Don't take any notice of him, he's
+ boozed all this week.'
+ </p>
+ <p>
+ &ldquo;Conversation and drink became general. The night was very hot and close,
+ and some of the passengers seemed to be taking more than was good for
+ them. A contagious thirst spread round the ship, and before long the
+ stewards and firemen were at it. The saloon became an inferno of drink and
+ sweat and tobacco smoke. Perfect strangers were talking to each other at
+ the top of their voices.
+ </p>
+ <p>
+ &ldquo;Young MacTavish, who is in a crack English regiment, asked the captain of
+ a pearling lugger whether he didn't know Talbot de Cholmondeley in the
+ Blues.
+ </p>
+ <p>
+ &ldquo;The pearler said very likely he had met 'em, and no doubt he'd remember
+ their faces if he saw them, but he never could remember names.
+ </p>
+ <p>
+ &ldquo;Another passenger&mdash;a Jew&mdash;was trying to buy some pearls cheap
+ from the captains, but the more the captains drank the less anxious they
+ became to talk about pearls.
+ </p>
+ <p>
+ &ldquo;The night wore on, and still the drinks circulated. Young MacTavish slept
+ profoundly.
+ </p>
+ <p>
+ &ldquo;One passenger gave his steward a sovereign as he was leaving the ship,
+ and in half an hour the steward was carried to his berth in a fit&mdash;alcoholic
+ in its origin. Another steward was observed openly drinking the
+ passengers' whisky. When accused, he didn't even attempt to defend
+ himself; the great Thursday Island thirst seemed to have communicated
+ itself to everyone on board, and he simply <i>had</i> to drink.
+ </p>
+ <p>
+ &ldquo;About three in the morning a tour of the ship disclosed the following
+ state of affairs: Captain's room full of captains solemnly tight;
+ smoking-room empty, except for the inanimate form of the captain who had
+ been boozed all the week, and was now sleeping peacefully with his feet on
+ the sofa and his head on the floor. The saloon was full of captains and
+ passengers&mdash;the latter mostly in a state of collapse or laughing and
+ singing deliriously; the rails lined with firemen who had business over
+ the side; stewards ditto.
+ </p>
+ <p>
+ &ldquo;At last the Thursday Islanders departed, unsteadily, but still on their
+ feet, leaving a demoralized ship behind them. And young MacTavish, who has
+ seen a thing or two in his brief span, staggered to his berth, saying, 'My
+ God! Is <i>all</i> Australia like this place?'&rdquo;
+ </p>
+ <hr />
+ <p>
+ When no ships arrive, the Islanders just drop into the pubs, as a matter
+ of routine, for their usual evening soak. They drink weird compounds&mdash;horehound
+ beer, known as &ldquo;lady dog&rdquo;, and things like that. About two in the morning
+ they go home speechless, but still able to travel. It is very rarely that
+ an Islander gets helplessly drunk, but strangers generally have to be put
+ to bed.
+ </p>
+ <p>
+ The Japanese on the island are a strong faction. They have a club of their
+ own, and once gave a dinner to mark the death of one of their members. He
+ was shrewdly suspected of having tried to drown another member by cutting
+ his airpipe, so, when he died, the club celebrated the event. The Japanese
+ are not looked upon with favor by the white islanders. They send their
+ money to Japan&mdash;thousands of pounds a year go through the little
+ office in money-orders&mdash;and so they are not &ldquo;good for trade&rdquo;.
+ </p>
+ <p>
+ The Manilamen and Kanakas and Torres Strait islanders, on the other hand,
+ bring all the money they do not spend on the pearling schooner to the
+ island, and &ldquo;blow it in&rdquo;, like men. They knife each other sometimes, and
+ now and again have to be run in wholesale, but they are &ldquo;good for trade&rdquo;.
+ The local lock-up has a record of eighteen drunks run in in seven minutes.
+ They weren't taken along in carriages-and-four, either; they were mostly
+ dragged along by the scruff of the neck.
+ </p>
+ <p>
+ Billy Malkeela, the South Sea diver, summed up the Japanese question&mdash;&ldquo;Seems
+ to me dis Islan' soon b'long Japanee altogedder. One time pa-lenty
+ rickatta (plenty regatta), all same Isle of Wight. Now no more rickatta.
+ All money go Japan!&rdquo;
+ </p>
+ <p>
+ An English new-chum made his appearance there lately&mdash;a most
+ undefeated sportsman. He was put down in a diving dress in about eight
+ feet of water, where he bubbled and struggled about in great style.
+ Suddenly he turned, rushed for the beach, and made for the foot of a tree,
+ which he tried to climb under the impression that he was still at the
+ bottom of the ocean. Then he was hauled in by the life-line.
+ </p>
+ <p>
+ The pearlers thought to get some fun out of him by giving him an oyster to
+ open in which they had previously planted a pearl; he never saw the pearl
+ and threw the oyster into the scuppers with the rest, and the pearlers had
+ to go down on all fours and grope for that pearl among the stinking
+ oysters. It was funny&mdash;but not in the way they had intended.
+ </p>
+ <p>
+ The pearlers go out in schooners called floating stations (their enemies
+ call them floating public-houses) and no man knows what hospitality is
+ till he has been a guest on a pearling schooner. They carry it to extremes
+ sometimes. Some pearlers were out in a lugger, and were passing by one of
+ these schooners. They determined not to go on board, as it was late, and
+ they were in a hurry. The captain of the schooner went below, got his
+ rifle and put two bullets through their foresail. Then they put the helm
+ down and went aboard; it was an invitation almost equivalent to a royal
+ command. They felt heartily ashamed of themselves as they slunk up on
+ deck, and the captain of the schooner eyed them reproachfully.
+ </p>
+ <p>
+ &ldquo;I couldn't let you disgrace yourselves by passing my schooner,&rdquo; he said;
+ &ldquo;but if it ever happens again I'll fire at the deck. A man that would pass
+ a schooner in broad daylight is better dead.&rdquo;
+ </p>
+ <p>
+ There is a fort and garrison at Thirsty Island, but they are not needed.
+ If an invading fleet comes this way it should be encouraged by every
+ possible means to land at the island; the heat, the thirst, the horehound
+ beer, and the Islanders may be trusted to do the rest.
+ </p>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ DAN FITZGERALD EXPLAINS
+ </h2>
+ <p>
+ The circus was having its afternoon siesta. Overhead the towering canvas
+ tent spread like a giant mushroom on a network of stalks&mdash;slanting
+ beams, interlaced with guys and wire ropes.
+ </p>
+ <p>
+ The ring looked small and lonely; its circle of empty benches seemed to
+ stare intently at it, as though some sort of unseen performance were going
+ on for the benefit of a ghostly audience. Now and again a guy rope
+ creaked, or a loose end of canvas flapped like faint, unreal applause, as
+ the silence shut down again, it did not need much imagination to people
+ the ring with dead and gone circus riders performing for the benefit of
+ shadowy spectators packed on those benches.
+ </p>
+ <p>
+ In the menagerie portion matters were different; here there was a free and
+ easy air, the animals realising that for the present the eyes of the
+ public were off them, and they could put in the afternoon as they chose.
+ </p>
+ <p>
+ The big African apes had dropped the &ldquo;business&rdquo; of showing their teeth,
+ and pretending that they wanted to tear the spectators' faces off. They
+ were carefully and painstakingly trying to fix up a kind of rustic seat in
+ the corner of their cage with a short piece of board, which they placed
+ against the wall. This fell down every time they sat on it, and the whole
+ adjustment had to be gone through again.
+ </p>
+ <p>
+ The camel had stretched himself full length on the tan, and was enjoying a
+ luxurious snooze, oblivious of the fact that before long he would have to
+ get up and assume that far-off ship-of-the-desert aspect. The remainder of
+ the animals were, like actors, &ldquo;resting&rdquo; before their &ldquo;turn&rdquo; came on; even
+ the elephant had ceased to sway about, while a small monkey, asleep on a
+ sloping tent pole, had an attack of nightmare and would have fallen off
+ his perch but for his big tail. It was a land of the Lotus-eater
+ </p>
+<pre xml:space="preserve">
+ &ldquo;In which it seemed always afternoon.&rdquo;
+ </pre>
+ <p>
+ These visions were dispelled by the entry of a person who said, &ldquo;D'ye want
+ to see Dan?&rdquo; and soon Dan Fitzgerald, the man who knows all about the
+ training of horses, came into the tent with Montgomery, the ringmaster,
+ and between them they proceeded to expound the methods of training
+ horseflesh.
+ </p>
+ <p>
+ &ldquo;What sort of horse do we buy for circus work? Well, it depends what we
+ want 'em for. There are three sorts of horses in use in a circus&mdash;ring
+ horses, trick horses, and school horses; but it doesn't matter what he is
+ wanted for, a horse is all the better if he knows nothing. A horse that
+ has been pulled about and partly trained has to unlearn a lot before he is
+ any use to us. The less he knows, the better it is.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then do you just try any sort of horse?&rdquo;
+ </p>
+ <p>
+ &ldquo;Any sort, so long as he is a good sort, but it depends on what he is
+ wanted for. If we want a ring horse, he has to be a quiet sober-going
+ animal, not too well-bred and fiery. A ring horse is one that just goes
+ round the ring for the bareback riders and equestriennes to perform on.
+ The human being is the &ldquo;star&rdquo;, and the horse in only a secondary
+ performer, a sort of understudy; yes, that's it, an understudy&mdash;he
+ has to study how to keep under the man.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are they hard to train?&rdquo;
+ </p>
+ <p>
+ &ldquo;Their work all depends on the men that ride them. In bareback riding
+ there's a knack in jumping on the horse. If a man lands awkwardly and jars
+ the horse's back, the horse will get out of step and flinch at each jump,
+ and he isn't nearly so good to perform on. A ring horse must not swerve or
+ change his pace; if you're up in the air, throwing a somersault, and the
+ horse swerves from underneath you&mdash;where are you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Some people think that horses take a lot of notice of the band&mdash;is
+ that so?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not that I know of. If there are any horses in the show with an ear for
+ music, I haven't heard of them. They take a lot of notice of the
+ ringmaster.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does it take them long to learn this work?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not long; a couple of months will teach a ring horse; of course, some are
+ better than others.&rdquo;
+ </p>
+ <p>
+ &ldquo;First of all we teach them to come up to you, with the whip, like
+ horsebreakers do. Then we run them round the ring with a lunging rein for
+ a long time; then, when they are steady to the ring, we let them run with
+ the rein loose, and the trainer can catch hold of it if they go wrong.
+ Then we put a roller on them&mdash;a broad surcingle that goes round the
+ horse's body&mdash;and the boys jump on them and canter round, holding on
+ to the roller, or standing up, lying down, and doing tricks till the horse
+ gets used to it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, you give 'em a couple of hours of it, perhaps, and then dry them
+ and feed them, and give them a spell, and then bring them out again. They
+ soon get to know what you want; but you can't break in horses on the move.
+ The shifting and worry and noise and excitement put it all out of their
+ heads. We have a fixed camp where we break them in. And a horse may know
+ his work perfectly well when there is no one about, but bring him into the
+ ring at night, and he is all abroad.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you have to give them much whip?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not much. If a horse doesn't know what you want him to do, it only ruins
+ him to whip him. But once he does a thing a few times, and then won't do
+ it, then you must whip him.&rdquo;
+ </p>
+ <p>
+ &ldquo;What about trick horses?&rdquo;
+ </p>
+ <p>
+ &ldquo;A trick horse rolls a barrel, or lies down and goes to bed with the
+ clown, or fires a pistol&mdash;does any trick like that. Some small
+ circuses make the same horses do both trick and ring work, but it isn't a
+ good line. A horse is all the better to have only one line of business&mdash;same
+ as a man.&rdquo;
+ </p>
+ <p>
+ &ldquo;How do you teach them tricks?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, it takes a long time and a lot of hard work and great patience. Even
+ to make a horse lie down when he's ordered takes a couple of months
+ sometimes. To make a horse lie down, you strap up one leg, and then pull
+ his head round; after a while he gets so tired of the strained position
+ that he lies down, after which he learns to do it at command. If you want
+ him to pick up a handkerchief, you put a bit of carrot in it, and after a
+ while they know that you want them to pick it up&mdash;but it takes a long
+ time. Then a strange hand in the ring will flurry them, and if anything
+ goes wrong, they get all abroad. A good active pony, with a bit of Arab
+ blood in him, is the best for tricks.&rdquo;
+ </p>
+ <p>
+ &ldquo;What's a school horse?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, that's a line of business that isn't appreciated enough out here. On
+ the Continent they think a lot of them. A school horse is one that is
+ taught to do passaging, to change his feet at command, to move sideways
+ and backwards; in fact, to drill. Out here no one thinks much of it. But
+ in Germany, where everyone goes through military riding schools, they do.
+ The Germans are the best horse-trainers in the world; and the big German
+ circus-proprietors have men to do all their business for them, while they
+ just attend to the horses.&rdquo;
+ </p>
+ <p>
+ &ldquo;How long does it take to turn out a school horse?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Chiarini was the best trainer out here, and he used to take two
+ years to get a horse to his satisfaction. For school horses, you must have
+ thoroughbreds, because their appearance is half their success. We had a
+ New Zealand thoroughbred that had raced, and was turning out a splendid
+ school horse, and he got burnt after costing a year's training. That's the
+ luck of the game, you know. You keep at it year after year, and sometimes
+ they die, and sometimes they get crippled&mdash;it's all in the luck of
+ the game. You may give fifty pounds for a horse, and find that he can
+ never get over his fear of the elephant, while you give ten pounds for
+ another, and find him a ready-made performer almost.&rdquo;
+ </p>
+ <p>
+ We passed out through the ghostly circus and the menagerie tent down to
+ the stable tent. There, among a lot of others, a tranquil-looking animal
+ was munching some feed, while in front of him hung a placard, &ldquo;Tiger
+ Horse&rdquo;.
+ </p>
+ <p>
+ &ldquo;That's a new sort! What is he, ring, trick, or school horse?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, he's a class by himself. I suppose you'd call him a ring horse.
+ That's the horse that the tiger rides on.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did it take him long to learn that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, it did not take this horse long; but we tried eleven others before
+ we could get one to stand it. They're just like men, all different. What
+ one will stand another won't look at. Well, good-bye.&rdquo;
+ </p>
+ <p>
+ Just like men&mdash;no doubt; most men have to carry tigers of various
+ sorts through life to get a living.
+ </p>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE CAT
+ </h2>
+ <p>
+ Most people think that the cat is an unintelligent animal, fond of ease,
+ and caring little for anything but mice and milk. But a cat has really
+ more character than most human beings, and gets a great deal more
+ satisfaction out of life. Of all the animal kingdom, the cat has the most
+ many-sided character.
+ </p>
+ <p>
+ He&mdash;or she&mdash;is an athlete, a musician, an acrobat, a Lothario, a
+ grim fighter, a sport of the first water. All day long the cat loafs about
+ the house, takes things easy, sleeps by the fire, and allows himself to be
+ pestered by the attentions of our womenfolk and annoyed by our children.
+ To pass the time away he sometimes watches a mouse-hole for an hour or two&mdash;just
+ to keep himself from dying of ennui; and people get the idea that this
+ sort of thing is all that life holds for the cat. But watch him as the
+ shades of evening fall, and you see the cat as he really is.
+ </p>
+ <p>
+ When the family sits down to tea, the cat usually puts in an appearance to
+ get his share, and purrs noisily, and rubs himself against the legs of the
+ family; and all the time he is thinking of a fight or a love-affair that
+ is coming off that evening. If there is a guest at table the cat is
+ particularly civil to him, because the guest is likely to have the best of
+ what is going. Sometimes, instead of recognizing this civility with
+ something to eat, the guest stoops down and strokes the cat, and says,
+ &ldquo;Poor pussy! poor pussy!&rdquo;
+ </p>
+ <p>
+ The cat soon tires of that; he puts up his claw and quietly but firmly
+ rakes the guest in the leg.
+ </p>
+ <p>
+ &ldquo;Ow!&rdquo; says the guest, &ldquo;the cat stuck his claws into me!&rdquo; The delighted
+ family remarks, &ldquo;Isn't it sweet of him? Isn't he intelligent? <i>He wants
+ you to give him something to eat</i>.&rdquo;
+ </p>
+ <p>
+ The guest dares not do what he would like to do&mdash;kick the cat through
+ the window&mdash;so, with tears of rage and pain in his eyes, he affects
+ to be very much amused, and sorts out a bit of fish from his plate and
+ hands it down. The cat gingerly receives it, with a look in his eyes that
+ says: &ldquo;Another time, my friend, you won't be so dull of comprehension,&rdquo;
+ and purrs maliciously as he retires to a safe distance from the guest's
+ boot before eating it. A cat isn't a fool&mdash;not by a long way.
+ </p>
+ <p>
+ When the family has finished tea, and gathers round the fire to enjoy the
+ hours of indigestion, the cat slouches casually out of the room and
+ disappears. Life, true life, now begins for him.
+ </p>
+ <p>
+ He saunters down his own backyard, springs to the top of the fence with
+ one easy bound, drops lightly down on the other side, trots across the
+ right-of-way to a vacant allotment, and skips to the roof of an empty
+ shed. As he goes, he throws off the effeminacy of civilisation; his gait
+ becomes lithe and pantherlike; he looks quickly and keenly from side to
+ side, and moves noiselessly, for he has so many enemies&mdash;dogs, cabmen
+ with whips, and small boys with stones.
+ </p>
+ <p>
+ Arrived on the top of the shed, the cat arches his back, rakes his claws
+ once or twice through the soft bark of the old roof, wheels round and
+ stretches himself a few times; just to see that every muscle is in full
+ working order; then, dropping his head nearly to his paws, he sends across
+ a league of backyards his call to his kindred&mdash;a call to love, or
+ war, or sport.
+ </p>
+ <p>
+ Before long they come, gliding, graceful shadows, approaching
+ circuitously, and halting occasionally to reconnoitre&mdash;tortoiseshell,
+ tabby, and black, all domestic cats, but all transformed for the nonce
+ into their natural state. No longer are they the hypocritical, meek
+ creatures who an hour ago were cadging for fish and milk. They are now
+ ruffling, swaggering blades with a Gascon sense of dignity. Their fights
+ are grim and determined, and a cat will be clawed to ribbons before he
+ will yield.
+ </p>
+ <p>
+ Even young lady cats have this inestimable superiority over human beings,
+ that they can work off jealousy, hatred, and malice in a sprawling,
+ yelling combat on a flat roof. All cats fight, and all keep themselves
+ more or less in training while they are young. Your cat may be the
+ acknowledged lightweight champion of his district&mdash;a Griffo of the
+ feline ring!
+ </p>
+ <p>
+ Just think how much more he gets out of his life than you do out of yours&mdash;what
+ a hurricane of fighting and lovemaking his life is&mdash;and blush for
+ yourself. You have had one little love-affair, and never had a good,
+ all-out fight in your life!
+ </p>
+ <p>
+ And the sport they have, too! As they get older and retire from the ring
+ they go in for sport more systematically; the suburban backyards, that are
+ to us but dullness indescribable, are to them hunting-grounds and
+ trysting-places where they may have more gallant adventure than ever had
+ King Arthur's knights or Robin Hood's merry men.
+ </p>
+ <p>
+ Grimalkin decides to kill a canary in a neighbouring verandah. Consider
+ the fascination of it&mdash;the stealthy reconnaissance from the top of
+ the fence; the care to avoid waking the house-dog, the noiseless approach
+ and the hurried dash, and the fierce clawing at the fluttering bird till
+ its mangled body is dragged through the bars of the cage; the exultant
+ retreat with the spoil; the growling over the feast that follows. Not the
+ least entertaining part of it is the demure satisfaction of arriving home
+ in time for breakfast and hearing the house-mistress say: &ldquo;Tom must be
+ sick; he seems to have no appetite.&rdquo;
+ </p>
+ <p>
+ It is always levelled as a reproach against cats that they are more fond
+ of their home than of the people in it. Naturally, the cat doesn't like to
+ leave his country, the land where all his friends are, and where he knows
+ every landmark. Exiled in a strange land, he would have to learn a new
+ geography, to exploit another tribe of dogs, to fight and make love to an
+ entirely new nation of cats. Life isn't long enough for that sort of
+ thing. So, when the family moves, the cat, if allowed, will stay at the
+ old house and attach himself to the new tenants. He will give them the
+ privilege of boarding him while he enjoys life in his own way. He is not
+ going to sacrifice his whole career for the doubtful reward which fidelity
+ to his old master or mistress might bring.
+ </p>
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ SITTING IN JUDGMENT
+ </h2>
+ <p>
+ The show ring was a circular enclosure of about four acres, with a spiked
+ batten fence round it, and a listless crowd of back-country settlers
+ propped along the fence. Behind them were the sheds for produce, and the
+ machinery sections where steam threshers and earth scoops hummed and
+ buzzed and thundered unnoticed. Crowds of sightseers wandered past the
+ cattle stalls to gape at the fat bullocks; side-shows flourished, a blase
+ goose drew marbles out of a tin canister, and a boxing showman displayed
+ his muscles outside his tent, while his partner urged the youth of the
+ district to come in and be thumped for the edification of the spectators.
+ </p>
+ <p>
+ Suddenly a gate opened at the end of the show ring, and horses, cattle,
+ dogs, vehicles, motor-cars, and bicyclists crowded into the arena. This
+ was the general parade, but it would have been better described as a
+ general chaos. Trotting horses and ponies, in harness, went whirling round
+ the ring, every horse and every driver fully certain that every eye was
+ fixed on them; the horses&mdash;the vainest creatures in the world&mdash;arching
+ their necks and lifting their feet, whizzed past in bewildering
+ succession, till the onlookers grew giddy. Inside the whirling circle
+ blood stallions stood on their hind legs, screaming defiance to the world
+ at large; great shaggy-fronted bulls, with dull vindictive eyes, paced
+ along, looking as though they were trying to remember who it was that
+ struck them last. A showground bull always seems to be nursing a
+ grievance.
+ </p>
+ <p>
+ Mixed up with the stallions and bulls were dogs and donkeys. The dogs were
+ led by attendants, apparently selected on the principle of the larger the
+ dog the smaller the custodian; while the donkeys were the only creatures
+ unmoved by their surroundings, for they slept peaceably through the
+ procession, occasionally waking up to bray their sense of boredom.
+ </p>
+ <p>
+ In the centre of the ring a few lady-riders, stern-featured women for the
+ most part, were being &ldquo;judged&rdquo; by a trembling official, who feared to look
+ them in the face, but hurriedly and apologetically examined horses and
+ saddles, whispered his award to the stewards, and fled at top speed to the
+ official stand&mdash;his sanctuary from the fury of spurned beauty. The
+ defeated ladies immediately began to &ldquo;perform&rdquo;&mdash;that is, to ask the
+ universe at large whether anyone ever heard the like of that! But the
+ stewards strategically slipped away, and the injured innocents had no
+ resource left but to ride haughtily round the ring, glaring defiance at
+ the spectators.
+ </p>
+ <p>
+ All this time stewards and committee-men were wandering among the
+ competitors, trying to find the animals for judgment. The clerk of the
+ ring&mdash;a huge man on a small cob&mdash;galloped around, roaring like a
+ bull: &ldquo;This way for the fourteen stone 'acks! Come on, you twelve 'and
+ ponies!&rdquo; and by degrees various classes got judged, and dispersed
+ grumbling. Then the bulls filed out with their grievances still unsettled,
+ the lady riders were persuaded to withdraw, and the clerk of the ring sent
+ a sonorous bellow across the ground: &ldquo;Where's the jumpin' judges?&rdquo;
+ </p>
+ <p>
+ From the official stand came a brisk, dark-faced, wiry little man. He had
+ been a steeplechase rider and a trainer in his time. Long experience of
+ that tricky animal, the horse, had made him reserved and slow to express
+ an opinion. He mounted the table, and produced a note-book. From the bar
+ of the booth came a large, hairy, red-faced man, whose face showed fatuous
+ self-complacency. He was a noted show-judge because he refused, on
+ principle, to listen to others' opinions; or in those rare cases when he
+ did, only to eject a scornful contradiction. The third judge was a local
+ squatter, who was overwhelmed with a sense of his own importance.
+ </p>
+ <p>
+ They seated themselves on a raised platform in the centre of the ring, and
+ held consultation. The small dark man produced his note-book.
+ </p>
+ <p>
+ &ldquo;I always keep a scale of points,&rdquo; he said. &ldquo;Give 'em so many points for
+ each fence. Then give 'em so many for make, shape, and quality, and so
+ many for the way they jump.&rdquo;
+ </p>
+ <p>
+ The fat man looked infinite contempt. &ldquo;I never want any scale of points,&rdquo;
+ he said. &ldquo;One look at the 'orses is enough for me. A man that judges by
+ points ain't a judge at all, I reckon. What do you think?&rdquo; he went on,
+ turning to the squatter. &ldquo;Do you go by points?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never,&rdquo; said the squatter, firmly; which, as he had never judged before
+ in his life, was strictly true.
+ </p>
+ <p>
+ &ldquo;Well, we'll each go our own way,&rdquo; said the little man. &ldquo;I'll keep points.
+ Send 'em in.&rdquo;
+ </p>
+ <p>
+ &ldquo;Number One, Conductor!&rdquo; roared the ring steward in a voice like thunder,
+ and a long-legged grey horse came trotting into the ring and sidled about
+ uneasily. His rider pointed him for the first jump, and went at it at a
+ terrific pace. Nearing the fence the horse made a wild spring, and cleared
+ it by feet, while the crowd yelled applause. At the second jump he raced
+ right under the obstacle, propped dead, and rose in the air with a leap
+ like a goat, while the crowd yelled their delight again, and said: &ldquo;My
+ oath! ain't he clever?&rdquo; As he neared the third fence he shifted about
+ uneasily, and finally took it at an angle, clearing a wholly unnecessary
+ thirty feet. Again the hurricane of cheers broke out. &ldquo;Don't he fly 'em,&rdquo;
+ said one man, waving his hat. At the last fence he made his spring yards
+ too soon; his forelegs got over all right, but his hind legs dropped on
+ the rail with a sounding rap, and he left a little tuft of hair sticking
+ on it.
+ </p>
+ <p>
+ &ldquo;I like to see 'em feel their fences,&rdquo; said the fat man. &ldquo;I had a bay
+ 'orse once, and he felt every fence he ever jumped; shows their
+ confidence.&rdquo;
+ </p>
+ <p>
+ &ldquo;I think he'll feel that last one for a while,&rdquo; said the little dark man.
+ &ldquo;What's this now?&rdquo;
+ </p>
+ <p>
+ &ldquo;Number Two, Homeward Bound!&rdquo; An old, solid chestnut horse came out and
+ cantered up to each jump, clearing them coolly and methodically. The crowd
+ was not struck by the performance, and the fat man said: &ldquo;No pace!&rdquo; but
+ surreptitiously made two strokes (to indicate Number Two) on the cuff of
+ his shirt.
+ </p>
+ <p>
+ &ldquo;Number Eleven, Spite!&rdquo; This was a leggy, weedy chestnut, half-racehorse,
+ half-nondescript, ridden by a terrified amateur, who went at the fence
+ with a white, set face. The horse raced up to the fence, and stopped dead,
+ amid the jeers of the crowd. The rider let daylight into him with his
+ spurs, and rushed him at it again. This time he got over.
+ </p>
+ <p>
+ Round he went, clouting some fences with his front legs, others with his
+ hind legs. The crowd jeered, but the fat man, from a sheer spirit of
+ opposition, said: &ldquo;That would be a good horse if he was rode better.&rdquo; And
+ the squatter remarked: &ldquo;Yes, he belongs to a young feller just near me.
+ I've seen him jump splendidly out in the bush, over brush fences.&rdquo;
+ </p>
+ <p>
+ The little dark man said nothing, but made a note in his book.
+ </p>
+ <p>
+ &ldquo;Number Twelve, Gaslight!&rdquo; &ldquo;Now, you'll see a horse,&rdquo; said the fat man.
+ &ldquo;I've judged this 'orse in twenty different shows, and gave him first
+ prize every time!&rdquo;
+ </p>
+ <p>
+ Gaslight turned out to be a fiddle-headed, heavy-shouldered brute, whose
+ long experience of jumping in shows where they give points for pace&mdash;as
+ if the affair was a steeplechase&mdash;had taught him to get the business
+ over as quickly as he could. He went thundering round the ring, pulling
+ double, and standing off his fences in a style that would infallibly bring
+ him to grief if following hounds across roads or through broken timber.
+ </p>
+ <p>
+ &ldquo;Now,&rdquo; said the fat man, &ldquo;that's a 'unter, that is. What I say is, when
+ you come to judge at a show, pick out the 'orse you'd soonest be on if Ned
+ Kelly was after you, and there you have the best 'unter.&rdquo;
+ </p>
+ <p>
+ The little man did not reply, but made the usual scrawl in his book, while
+ the squatter hastened to agree with the fat man. &ldquo;I like to see a bit of
+ pace myself,&rdquo; he ventured.
+ </p>
+ <p>
+ The fat man sat on him heavily. &ldquo;You don't call that pace, do you?&rdquo; he
+ said. &ldquo;He was going dead slow.&rdquo;
+ </p>
+ <p>
+ Various other competitors did their turn round the ring, some propping and
+ bucking over the jumps, others rushing and tearing at their fences; not
+ one jumped as a hunter should. Some got themselves into difficulties by
+ changing feet or misjudging the distance, and were loudly applauded by the
+ crowd for &ldquo;cleverness&rdquo; in getting themselves out of the difficulties they
+ had themselves created.
+ </p>
+ <p>
+ A couple of rounds narrowed the competitors down to a few, and the task of
+ deciding was entered on.
+ </p>
+ <p>
+ &ldquo;I have kept a record,&rdquo; said the little man, &ldquo;of how they jumped each
+ fence, and I give them points for style of jumping, and for their make and
+ shape and hunting qualities. The way I bring it out is that Homeward Bound
+ is the best, with Gaslight second.&rdquo;
+ </p>
+ <p>
+ &ldquo;Homeward Bound!&rdquo; said the fat man. &ldquo;Why, the pace he went wouldn't head a
+ duck. He didn't go as fast as a Chinaman could trot with two baskets of
+ stones. I want to have three of 'em in to have another look at 'em.&rdquo; Here
+ he looked surreptitiously at his cuff, saw a note &ldquo;No. II.&rdquo;, mistook it
+ for &ldquo;Number Eleven&rdquo;, and said: &ldquo;I want Number Eleven to go another round.&rdquo;
+ </p>
+ <p>
+ The leggy, weedy chestnut, with the terrified amateur up, came sidling and
+ snorting out into the ring. The fat man looked at him with scorn.
+ </p>
+ <p>
+ &ldquo;What is that fiddle-headed brute doing in the ring?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Why,&rdquo; said the ring steward, &ldquo;you said you wanted him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the fat man, &ldquo;if I said I wanted him I do want him. Let him
+ go the round.&rdquo;
+ </p>
+ <p>
+ The terrified amateur went at his fences with the rashness of despair, and
+ narrowly escaped being clouted off on two occasions. This put the fat man
+ in a quandary. He had kept no record, and all the horses were jumbled up
+ in his head; but he had one fixed idea, to give the first prize to
+ Gaslight; as to the second he was open to argument. From sheer
+ contrariness he said that Number Eleven would be &ldquo;all right if he were
+ rode better,&rdquo; and the squatter agreed. The little man was overruled, and
+ the prizes went&mdash;Gaslight, first; Spite, second; Homeward Bound,
+ third.
+ </p>
+ <p>
+ The crowd hooted loudly as Spite's rider came round with the second
+ ribbon, and small boys suggested to the fat judge in shrill tones that he
+ ought to boil his head. The fat man stalked majestically into the
+ stewards' stand, and on being asked how he came to give Spite the second
+ prize, remarked oracularly: &ldquo;I judge the 'orse, I don't judge the rider.&rdquo;
+ This silenced criticism, and everyone adjourned to have a drink.
+ </p>
+ <p>
+ Over the flowing bowl the fat man said: &ldquo;You see, I don't believe in this
+ nonsense about points. I can judge 'em without that.&rdquo;
+ </p>
+ <p>
+ Twenty dissatisfied competitors vowed they would never bring another horse
+ there in their lives. Gaslight's owner said: &ldquo;Blimey, I knew it would be
+ all right with old Billy judging. 'E knows this 'orse.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE DOG
+ </h2>
+ <p>
+ The dog is a member of society who likes to have his day's work, and who
+ does it more conscientiously than most human beings. A dog always looks as
+ if he ought to have a pipe in his mouth and a black bag for his lunch, and
+ then he would go quite happily to office every day.
+ </p>
+ <p>
+ A dog without work is like a man without work, a nuisance to himself and
+ everybody else. People who live about town, and keep a dog to give the
+ children hydatids and to keep the neighbours awake at night, imagine that
+ the animal is fulfilling his destiny. All town dogs, fancy dogs, show
+ dogs, lap-dogs, and other dogs with no work to do, should be abolished; it
+ is only in the country that a dog has any justification for his existence.
+ </p>
+ <p>
+ The old theory that animals have only instinct, not reason, to guide them,
+ is knocked endways by the dog. A dog can reason as well as a human being
+ on some subjects, and better on others, and the best reasoning dog of all
+ is the sheep-dog. The sheep-dog is a professional artist with a pride in
+ his business. Watch any drover's dogs bringing sheep into the yards. How
+ thoroughly they feel their responsibility, and how very annoyed they get
+ if a stray dog with no occupation wants them to stop and fool about! They
+ snap at him and hurry off, as much as to say: &ldquo;You go about your idleness.
+ Don't you see this is my busy day?&rdquo;
+ </p>
+ <p>
+ Sheep-dogs are followers of Thomas Carlyle. They hold that the only
+ happiness for a dog in this life is to find his work and to do it. The
+ idle, 'dilettante', non-working, aristocratic dog they have no use for.
+ </p>
+ <p>
+ The training of a sheep-dog for his profession begins at a very early age.
+ The first thing is to take him out with his mother and let him see her
+ working. He blunders lightheartedly, frisking along in front of the horse,
+ and his owner tries to ride over him, and generally succeeds. It is
+ amusing to see how that knocks all the gas out of a puppy, and with what a
+ humble air he falls to the rear and glues himself to the horse's heels,
+ scarcely daring to look to the right or to the left, for fear of
+ committing some other breach of etiquette.
+ </p>
+ <p>
+ He has had his first lesson&mdash;to keep behind the horse until he is
+ wanted. Then he watches the old slut work, and is allowed to go with her
+ round the sheep; and if he shows any disposition to get out of hand and
+ frolic about, the old lady will bite him sharply to prevent his
+ interfering with her work.
+ </p>
+ <p>
+ By degrees, slowly, like any other professional, he learns his business.
+ He learns to bring sheep after a horse simply at a wave of the hand; to
+ force the mob up to a gate where they can be counted or drafted; to follow
+ the scent of lost sheep, and to drive sheep through a town without any
+ master, one dog going on ahead to block the sheep from turning off into
+ by-streets while the other drives them on from the rear.
+ </p>
+ <p>
+ How do they learn all these things? Dogs for show work are taught
+ painstakingly by men who are skilled in handling them; but, after all,
+ they teach themselves more than the men teach them. It looks as if the
+ acquired knowledge of generations were transmitted from dog to dog. The
+ puppy, descended from a race of sheep-dogs, starts with all his faculties
+ directed towards the working of sheep; he is half-educated as soon as he
+ is born. He can no more help working sheep than a born musician can help
+ being musical, or a Hebrew can help gathering in shekels. It is bred in
+ him. If he can't get sheep to work, he will work a fowl; often and often
+ one can see a collie pup painstakingly and carefully driving a bewildered
+ old hen into a stable, or a stock-yard, or any other enclosed space on
+ which he has fixed his mind. How does he learn to do that? He didn't learn
+ it at all. The knowledge was born with him.
+ </p>
+ <p>
+ When the dog has been educated, or has educated himself, he enjoys his
+ work; but very few dogs like work &ldquo;in the yards&rdquo;. The sun is hot, the dust
+ rises in clouds, and there is nothing to do but bark, bark, bark&mdash;which
+ is all very well for learners and amateurs, but is beneath the dignity of
+ the true professional sheep-dog. When they are hoarse with barking and
+ nearly choked with dust, the men lose their tempers and swear at them, and
+ throw clods of earth at them, and sing out to them &ldquo;Speak up, blast you!&rdquo;
+ </p>
+ <p>
+ Then the dogs suddenly decide that they have done enough for the day.
+ Watching their opportunity, they silently steal over the fence, and hide
+ in any cool place they can find. After a while the men notice that hardly
+ any are left, and operations are suspended while a great hunt is made into
+ outlying pieces of cover, where the dogs are sure to be found lying low
+ and looking as guilty as so many thieves. A clutch at the scruff of the
+ neck, a kick in the ribs, and they are hauled out of hiding-places; and
+ accompany their masters to the yard frolicking about and pretending that
+ they are quite delighted to be going back, and only hid in those bushes
+ out of sheer thoughtlessness. He is a champion hypocrite, is the dog.
+ </p>
+ <p>
+ Dogs, like horses, have very keen intuition. They know when the men around
+ them are frightened, though they may not know the cause. In a great
+ Queensland strike, when the shearers attacked and burnt Dagworth shed,
+ some rifle-volleys were exchanged. The air was full of human electricity,
+ each man giving out waves of fear and excitement. Mark now the effect it
+ had on the dogs. They were not in the fighting; nobody fired at them, and
+ nobody spoke to them; but every dog left his master, left the sheep, and
+ went away to the homestead, about six miles off. There wasn't a dog about
+ the shed next day after the fight. The noise of the rifles had not
+ frightened them, because they were well-accustomed to that.*
+ </p>
+<pre xml:space="preserve">
+ * The same thing happened constantly with horses in the
+ South African War. A loose horse would feed contentedly
+ while our men were firing, but when our troops were being
+ fired at the horses became uneasy, and the loose ones would
+ trot away. The excitement of the men communicated itself to
+ them.
+</pre>
+ <p>
+ Dogs have an amazing sense of responsibility. Sometimes, when there are
+ sheep to be worked, an old slut who has young puppies may be greatly
+ exercised in her mind whether she should go out or not. On the one hand,
+ she does not care about leaving the puppies, on the other, she feels that
+ she really ought to go rather than allow the sheep to be knocked about by
+ those learners. Hesitatingly, with many a look behind her, she trots out
+ after the horses and the other dogs. An impassioned appeal from the head
+ boundary rider, &ldquo;Go back home, will yer!&rdquo; is treated with the contempt it
+ deserves. She goes out to the yards, works, perhaps half the day, and then
+ slips quietly under the fences and trots off home, contented.
+ </p>
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ THE DOG&mdash;AS A SPORTSMAN
+ </h2>
+ <p>
+ The sheep-dog and the cattle-dog are the workmen of the animal kingdom;
+ sporting and fighting dogs are the professionals and artists.
+ </p>
+ <p>
+ A house-dog or a working-dog will only work for his master; a professional
+ or artistic dog will work for anybody, so long as he is treated like an
+ artist. A man going away for a week's shooting can borrow a dog, and the
+ dog will work for him loyally, just as a good musician will do his best,
+ though the conductor is strange to him, and the other members of the band
+ are not up to the mark. The musician's art is sacred to him, and that is
+ the case with the dog&mdash;Art before everything.
+ </p>
+ <p>
+ It is a grand sight to see a really good setter or pointer working up to a
+ bird, occasionally glancing over his shoulder to see if the man with the
+ gun has not lost himself. He throws his whole soul into his work, questing
+ carefully over the cold scent, feathering eagerly when the bird is close,
+ and at last drawing up like a statue. Not Paganini himself ever lost
+ himself in his art more thoroughly than does humble Spot or Ponto. It is
+ not amusement and not a mere duty to him; it is a sacred gift, which he is
+ bound to exercise.
+ </p>
+ <p>
+ A pointer in need of amusement will play with another dog&mdash;the pair
+ pretending to fight, and so on, but when there is work to be done, the dog
+ is lost in the artist. How crestfallen he looks if by any chance he
+ blunders on to a bird without pointing it! A fiddler who has played a
+ wrong note in a solo is the only creature who can look quite so
+ discomfited. Humanity, instead of going to the ant for wisdom, should
+ certainly go to the dog.
+ </p>
+ <p>
+ Sporting dogs are like other artists, in that they are apt to get careless
+ of everything except their vocation. They are similarly quite unreliable
+ in their affections. They are not good watch dogs, and take little
+ interest in chasing cats. They look on a little dog that catches rats much
+ as a great musician looks on a cricketer&mdash;it's clever, but it isn't
+ Art.
+ </p>
+ <p>
+ Hunting and fighting dogs are the gladiators of the animal world. A
+ fox-hound or a kangaroo-dog is always of the same opinion as Mr. Jorrocks:&mdash;&ldquo;All
+ time is wasted what isn't spent in 'untin'.&rdquo;
+ </p>
+ <p>
+ A greyhound will start out in the morning with three lame legs, but as
+ soon as he sees a hare start he <i>must</i> go. He utterly forgets his
+ sorrows in the excitement, just as a rowing-man, all over boils and
+ blisters, will pull a desperate race without feeling any pain. Such dogs
+ are not easily excited by anything but a chase, and a burglar might come
+ and rob the house and murder the inmates without arousing any excitement
+ among them. Guarding a house is &ldquo;not their pidgin&rdquo; as the Chinese say.
+ That is one great reason for the success of the dog at whatever branch of
+ his tribe's work he goes in for&mdash;he is so thorough. Dogs who are
+ forced to combine half-a-dozen professions never make a success at
+ anything. One dog one billet is their motto.
+ </p>
+ <p>
+ The most earnest and thorough of all the dog tribe is the fighting dog.
+ His intense self-respect, his horror of brawling, his cool determination,
+ make him a pattern to humanity. The bull-dog or bull-terrier is generally
+ the most friendly and best-tempered dog in the world; but when he is put
+ down in the ring he fights till he drops, in grim silence, though his feet
+ are bitten through and through, his ears are in rags, and his neck a
+ hideous mass of wounds.
+ </p>
+ <p>
+ In a well-conducted dog-fight each dog in turn has to attack the other
+ dog, and one can see fierce earnestness blazing in the eye of the attacker
+ as he hurls himself on the foe. What makes him fight like that? It is not
+ bloodthirstiness, because they are neither savage nor quarrelsome dogs: a
+ bulldog will go all his life without a fight, unless put into a ring. It
+ is simply their strong self-respect and stubborn pride which will not let
+ them give in. The greyhound snaps at his opponent and then runs for his
+ life, but the fighting dog stands to it till death.
+ </p>
+ <p>
+ Just occasionally one sees the same type of human being&mdash;some
+ quiet-spoken, good-tempered man who has taken up glove-fighting for a
+ living, and who, perhaps, gets pitted against a man a shade better than
+ himself. After a few rounds he knows he is overmatched, but there is
+ something at the back of his brain that will not let him cave in. Round
+ after round he stands punishment, and round after round he grimly comes
+ up, till, possibly, his opponent loses heart, or a fluky hit turns the
+ scale in his favour. These men are to be found in every class of life.
+ Many of the gamest of the game are mere gutter-bred boys who will continue
+ to fight long after they have endured enough punishment to entitle them to
+ quit.
+ </p>
+ <p>
+ You can see in their eyes the same hard glitter that shows in the
+ bulldog's eyes as he limps across the ring, or in the eye of the racehorse
+ as he lies down to it when his opponent is outpacing him. It is grit,
+ pluck, vim, nerve force; call it what you like, and there is no created
+ thing that has more of it than the dog.
+ </p>
+ <p>
+ The blood-lust is a dog-phase that has never been quite understood. Every
+ station-owner knows that sometimes the house-dogs are liable to take a
+ sudden fit of sheep-killing. Any kind of dog will do it, from the collie
+ downward. Sometimes dogs from different homesteads meet in the paddocks,
+ having apparently arranged the whole affair beforehand. They are very
+ artful about it, too. They lie round the house till dark, and then slink
+ off and have a wild night's blood-spree, running down the wretched sheep
+ and tearing their throats open; before dawn they slink back again and lie
+ around the house as before. Many and many a sheep-owner has gone out with
+ a gun and shot his neighbour's dogs for killing sheep which his own
+ wicked, innocent-looking dogs had slain.
+ </p>
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CONCERNING A STEEPLECHASE RIDER
+ </h2>
+ <p>
+ Of all the ways in which men get a living there is none so hard and so
+ precarious as that of steeplechase-riding in Australia. It is bad enough
+ in England, where steeplechases only take place in winter, when the ground
+ is soft, where the horses are properly schooled before being raced, and
+ where most of the obstacles will yield a little if struck and give the
+ horse a chance to blunder over safely.
+ </p>
+ <p>
+ In Australia the men have to go at racing-speed, on very hard ground, over
+ the most rigid and uncompromising obstacles&mdash;ironbark rails clamped
+ into solid posts with bands of iron. No wonder they are always coming to
+ grief, and are always in and out of hospital in splints and bandages.
+ Sometimes one reads that a horse has fallen and the rider has &ldquo;escaped
+ with a severe shaking.&rdquo;
+ </p>
+ <p>
+ That &ldquo;shaking&rdquo;, gentle reader, would lay you or me up for weeks, with a
+ doctor to look after us and a crowd of sympathetic friends calling to know
+ how our poor back was. But the steeplechase-rider has to be out and about
+ again, &ldquo;riding exercise&rdquo; every morning, and &ldquo;schooling&rdquo; all sorts of
+ cantankerous brutes over the fences. These men take their lives in their
+ hands and look at grim death between their horses' ears every time they
+ race or &ldquo;school&rdquo;.
+ </p>
+ <p>
+ The death-record among Australian cross-country jockeys and horses is very
+ great; it is a curious instance of how custom sanctifies all things that
+ such horse-and-man slaughter is accepted in such a callous way. If any
+ theatre gave a show at which men and horses were habitually crippled or
+ killed in full sight of the audience, the manager would be put on his
+ trial for manslaughter.
+ </p>
+ <p>
+ Our race-tracks use up their yearly average of horses and men without
+ attracting remark. One would suppose that the risk being so great the
+ profits were enormous; but they are not. In &ldquo;the game&rdquo; as played on our
+ racecourses there is just a bare living for a good capable horseman while
+ he lasts, with the certainty of an ugly smash if he keeps at it long
+ enough.
+ </p>
+ <p>
+ And they don't need to keep at it very long. After a few good &ldquo;shakings&rdquo;
+ they begin to take a nip or two to put heart into them before they go out,
+ and after a while they have to increase the dose. At last they cannot ride
+ at all without a regular cargo of alcohol on board, and are either
+ &ldquo;half-muzzy&rdquo; or shaky according as they have taken too much or too little.
+ </p>
+ <p>
+ Then the game becomes suicidal; it is an axiom that as soon as a man
+ begins to funk he begins to fall. The reason is that a rider who has lost
+ his nerve is afraid of his horse making a mistake, and takes a pull, or
+ urges him onward, just at the crucial moment when the horse is rattling up
+ to his fence and judging his distance. That little, nervous pull at his
+ head or that little touch of the spur, takes his attention from the fence,
+ with the result that he makes his spring a foot too far off or a foot too
+ close in, and&mdash;smash!
+ </p>
+ <p>
+ The loafers who hang about the big fences rush up to see if the jockey is
+ killed or stunned; if he is, they dispose of any jewellery he may have
+ about him; they have been known almost to tear a finger off in their
+ endeavours to secure a ring. The ambulance clatters up at a canter, the
+ poor rider is pushed in out of sight, and the ladies in the stand say how
+ unlucky they are&mdash;that brute of a horse falling after they backed
+ him. A wolfish-eyed man in the Leger-stand shouts to a wolfish-eyed pal,
+ &ldquo;Bill, I believe that jock was killed when the chestnut fell,&rdquo; and Bill
+ replies, &ldquo;Yes, damn him, I had five bob on him.&rdquo; And the rider, gasping
+ like a crushed chicken, is carried into the casualty-room and laid on a
+ little stretcher, while outside the window the bookmakers are roaring
+ &ldquo;Four to one bar one,&rdquo; and the racing is going on merrily as ever.
+ </p>
+ <p>
+ These remarks serve to introduce one of the fraternity who may be
+ considered as typical of all. He was a small, wiry, hard-featured fellow,
+ the son of a stockman on a big cattle-station, and began life as a
+ horse-breaker; he was naturally a horseman, able and willing to ride
+ anything that could carry him. He left the station to go with cattle on
+ the road, and having picked up a horse that showed pace, amused himself by
+ jumping over fences. Then he went to Wagga, entered the horse in a
+ steeplechase, rode him himself, won handsomely, sold the horse at a good
+ price to a Sydney buyer, and went down to ride it in his Sydney races.
+ </p>
+ <p>
+ In Sydney he did very well; he got a name as a fearless and clever rider,
+ and was offered several mounts on fine animals. So he pitched his camp in
+ Sydney, and became a fully-enrolled member of the worst profession in the
+ world. I had known him in the old days on the road, and when I met him on
+ the course one day I enquired how he liked the new life.
+ </p>
+ <p>
+ &ldquo;Well, it's a livin',&rdquo; he said, &ldquo;but it's no great shakes. They don't give
+ steeplechase-riders a chance in Sydney. There's very few races, and the
+ big sweepstakes keep horses out of the game.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you get a fair share of the riding?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Oh, yes; I get as much as anybody. But there's a lot of 'em got a notion
+ I won't take hold of a horse when I'm told (i.e., pull him to prevent him
+ winning). Some of these days I'll take hold of a horse when they don't
+ expect it.&rdquo;
+ </p>
+ <p>
+ I smiled as I thought there was probably a sorry day in store for some
+ backer when the jockey &ldquo;took hold&rdquo; unexpectedly.
+ </p>
+ <p>
+ &ldquo;Do you have to pull horses, then, to get employment?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, well, it's this way,&rdquo; he said, rather apologetically, &ldquo;if an owner is
+ badly treated by the handicapper, and is just giving his horse a run to
+ get weight off, then it's right enough to catch hold a bit. But when a
+ horse is favourite and the public are backing him it isn't right to take
+ hold of him then. <i>I</i> would not do it.&rdquo; This was his whole code of
+ morals&mdash;not to pull a favourite; and he felt himself very superior to
+ the scoundrel who would pull favourites or outsiders indiscriminately.
+ </p>
+ <p>
+ &ldquo;What do you get for riding?&rdquo; I asked him.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; he said, looking about uneasily, &ldquo;we're supposed to get a fiver
+ for a losing mount and ten pounds if we win, but a lot of the
+ steeplechase-owners are what I call 'battlers'&mdash;men who have no money
+ and get along by owing everybody. They promise us all sorts of money if we
+ win, but they don't pay if we lose. I only got two pounds for that last
+ steeplechase.&rdquo;
+ </p>
+ <p>
+ &ldquo;Two pounds!&rdquo; I made a rapid calculation. He had ridden over eighteen
+ fences for two pounds&mdash;had chanced his life eighteen times at less
+ than half-a-crown a time.
+ </p>
+ <p>
+ &ldquo;Good Heavens!&rdquo; I said, &ldquo;that's a poor game. Wouldn't you be better back
+ on the station?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I don't know&mdash;sometimes we get laid a bit to nothing, and do
+ well out of a race. And then, you know, a steeplechase rider is somebody&mdash;not
+ like an ordinary fellow that is just working.&rdquo;
+ </p>
+ <p>
+ I realised that I was an &ldquo;ordinary fellow who was just working&rdquo;, and felt
+ small accordingly.
+ </p>
+ <p>
+ &ldquo;I'm just off to weigh now,&rdquo; he said&mdash;&ldquo;I'm riding Contractor, and
+ he'll run well, but he always seems to fall at those logs. Still, I ought
+ to have luck to-day. I met a hearse as I was coming out. I'll get him over
+ the fences, somehow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you think it lucky, then, to meet a hearse?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, yes,&rdquo; he said, &ldquo;if you <i>meet</i> it. You mustn't overtake it&mdash;that's
+ unlucky. So is a cross-eyed man unlucky. Cross-eyed men ought to be kept
+ off racecourses.&rdquo;
+ </p>
+ <p>
+ He reappeared clad in his racing rig, and we set off to see the horse
+ saddled. We found the owner in a great state of excitement. It seemed he
+ had no money&mdash;absolutely none whatever&mdash;but had borrowed enough
+ to pay the sweepstakes, and stood to make something if the horse won and
+ lose nothing if he lost, as he had nothing to lose. My friend insisted on
+ being paid two pounds before he would mount, and the owner nearly had a
+ fit in his efforts to persuade him to ride on credit. At last a backer of
+ the horse agreed to pay 2 pounds 10s., win or lose, and the rider was to
+ get 25 pounds out of the prize if he won. So up he got; and as he and the
+ others walked the big muscular horses round the ring, nodding gaily to
+ friends in the crowd, I thought of the gladiators going out to fight in
+ the arena with the cry of &ldquo;Hail, Caesar, those about to die salute thee!&rdquo;
+ </p>
+ <p>
+ The story of the race is soon told. My friend went to the front at the
+ start and led nearly all the way, and &ldquo;Contractor!&rdquo; was on every one's
+ lips as the big horse sailed along in front of his field. He came at the
+ log-fence full of running, and it looked certain that he would get over.
+ But at the last stride he seemed to falter, then plunged right into the
+ fence, striking it with his chest, and, turning right over, landed on his
+ unfortunate rider.
+ </p>
+ <p>
+ A crowd clustered round and hid horse and rider from view, and I ran down
+ to the casualty-room to meet him when the ambulance came in. The limp form
+ was carefully taken out and laid on a stretcher while a doctor examined
+ the crushed ribs, the broken arm, and all the havoc that the horse's huge
+ weight had wrought.
+ </p>
+ <p>
+ There was no hope from the first. My poor friend, who had so often faced
+ Death for two pounds, lay very still awhile. Then he began to talk,
+ wandering in his mind, &ldquo;Where are the cattle?&rdquo;&mdash;his mind evidently
+ going back to the old days on the road. Then, quickly, &ldquo;Look out there&mdash;give
+ me room!&rdquo; and again &ldquo;Five-and-twenty pounds, Mary, and a sure thing if he
+ don't fall at the logs.&rdquo;
+ </p>
+ <p>
+ Mary was sobbing beside the bed, cursing the fence and the money that had
+ brought him to grief. At last, in a tone of satisfaction, he said, quite
+ clear and loud: &ldquo;I know how it was&mdash;<i>There couldn't have been any
+ dead man in that hearse!</i>&rdquo;
+ </p>
+ <p>
+ And so, having solved the mystery to his own satisfaction, he drifted away
+ into unconsciousness&mdash;and woke somewhere on the other side of the big
+ fence that we can neither see through nor over, but all have to face
+ sooner or later.
+ </p>
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VICTOR SECOND
+ </h2>
+ <p>
+ We were training two horses for the Buckatowndown races&mdash;an old grey
+ warrior called Tricolor&mdash;better known to the station boys as The
+ Trickler&mdash;and a mare for the hack race. Station horses don't get
+ trained quite like Carbine; some days we had no time to give them gallops
+ at all, so they had to gallop twice as far the next day to make up.
+ </p>
+ <p>
+ One day the boy we had looking after The Trickler fell in with a mob of
+ sharps who told him we didn't know anything about training horses, and
+ that what the horse really wanted was &ldquo;a twicer&rdquo;&mdash;that is to say, a
+ gallop twice round the course. So the boy gave him &ldquo;a twicer&rdquo; on his own
+ responsibility. When we found out about it we gave the boy a twicer with
+ the strap, and he left and took out a summons against us. But somehow or
+ other we managed to get the old horse pretty fit, tried him against hacks
+ of different descriptions, and persuaded ourselves that we had the biggest
+ certainty ever known on a racecourse.
+ </p>
+ <p>
+ When the horses were galloping in the morning the kangaroo-dog, Victor,
+ nearly always went down to the course to run round with them. It amused
+ him, apparently, and didn't hurt anyone, so we used to let him race; in
+ fact, we rather encouraged him, because it kept him in good trim to hunt
+ kangaroo. When we were starting for the meeting, someone said we had
+ better tie up Victor or he would be getting stolen at the races. We called
+ and whistled, but he had made himself scarce, so we started and forgot all
+ about him.
+ </p>
+ <p>
+ Buckatowndown Races. Red-hot day, everything dusty, everybody drunk and
+ blasphemous. All the betting at Buckatowndown was double-event&mdash;you
+ had to win the money first, and fight the man for it afterwards.
+ </p>
+ <p>
+ The start for our race, the Town Plate, was delayed for a quarter of an
+ hour because the starter flatly refused to leave a fight of which he was
+ an interested spectator. Every horse, as he did his preliminary gallop,
+ had a string of dogs after him, and the clerk of the course came full cry
+ after the dogs with a whip.
+ </p>
+ <p>
+ By and by the horses strung across to the start at the far side of the
+ course. They fiddled about for a bit; then down went the flag and they
+ came sweeping along all bunched up together, one holding a nice position
+ on the inside. All of a sudden we heard a wild chorus of imprecations&mdash;&ldquo;Look
+ at that dog!&rdquo; Victor had chipped in with the racehorses, and was running
+ right in front of the field. It looked a guinea to a gooseberry that some
+ of them would fall on him.
+ </p>
+ <p>
+ The owners danced and swore. What did we mean by bringing a something
+ mongrel there to trip up and kill horses that were worth a paddockful of
+ all the horses we had ever owned, or would ever breed or own, even if we
+ lived to be a thousand. We were fairly in it and no mistake.
+ </p>
+ <p>
+ As the field came past the stand the first time we could hear the riders
+ swearing at our dog, and a wild yell of execration arose from the public.
+ He had got right among the ruck by this time, and was racing alongside his
+ friend The Trickler, thoroughly enjoying himself. After passing the stand
+ the pace became very merry; the dog stretched out all he knew; when they
+ began to make it too hot for him, he cut off corners, and joined at odd
+ intervals, and every time he made a fresh appearance the people in the
+ stand lifted up their voices and &ldquo;swore cruel&rdquo;.
+ </p>
+ <p>
+ The horses were all at the whip as they turned into the straight, and then
+ The Trickler and the publican's mare singled out. We could hear the &ldquo;chop,
+ chop!&rdquo; of the whips as they came along together, but the mare could not
+ suffer it as long as the old fellow, and she swerved off while he
+ struggled home a winner by a length or so. Just as they settled down to
+ finish Victor dashed up on the inside, and passed the post at old
+ Trickler's girths. The populace immediately went for him with stones,
+ bottles, and other missiles, and he had to scratch gravel to save his
+ life. But imagine the amazement of the other owners when the judge placed
+ Trickler first, Victor second, and the publican's mare third!
+ </p>
+ <p>
+ The publican tried to argue it out with him. He said you couldn't place a
+ kangaroo-dog second in a horse-race.
+ </p>
+ <p>
+ The judge said it was <i>his</i> (hiccough) business what he placed, and
+ that those who (hiccough) interfered with him would be sorry for it. Also
+ he expressed a (garnished) opinion that the publican's mare was no rotten
+ good, and that she was the right sort of mare for a poor man to own,
+ because she would keep him poor.
+ </p>
+ <p>
+ Then the publican called the judge a cow. The judge was willing; a rip,
+ tear, and chew fight ensued, which lasted some time. The judge won.
+ </p>
+ <p>
+ Fifteen protests were lodged against our win, but we didn't worry about
+ that&mdash;we had laid the stewards a bit to nothing. Every second man we
+ met wanted to run us a mile for 100 pounds a side; and a drunken shearer,
+ spoiling for a fight, said he had heard we were &ldquo;brimming over with bally
+ science&rdquo;, and had ridden forty miles to find out.
+ </p>
+ <p>
+ We didn't wait for the hack race. We folded our tents like the Arab and
+ stole away. But it remains on the annals of Buckatowndown how a
+ kangaroo-dog ran second for the Town Plate.
+ </p>
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CONCERNING A DOG-FIGHT
+ </h2>
+ <p>
+ Dog-fighting as a sport is not much in vogue now-a-days. To begin with it
+ is illegal. Not that <i>that</i> matters much, for Sunday drinking is also
+ illegal. But dog-fighting is one of the cruel sports which the community
+ has decided to put down with all the force of public opinion.
+ Nevertheless, a certain amount of it is still carried on near Sydney, and
+ very neatly and scientifically carried on, too&mdash;principally by
+ gentlemen who live out Botany way and do not care for public opinion.
+ </p>
+ <p>
+ The grey dawn was just breaking over Botany when we got to the
+ meeting-place. Away to the East the stars were paling in the faint flush
+ of coming dawn, and over the sandhills came the boom of breakers. It was
+ Sunday morning, and all the respectable, non-dog-fighting population of
+ that odoriferous suburb were sleeping their heavy, Sunday-morning sleep.
+ Some few people, however, were astir. In the dim light hurried pedestrians
+ plodded along the heavy road towards the sandhills. Now and then a van,
+ laden with ten or eleven of &ldquo;the talent&rdquo;, and drawn by a horse that cost
+ fifteen shillings at auction, rolled softly along in the same direction.
+ These were dog-fighters who had got &ldquo;the office&rdquo;, and knew exactly where
+ the match was to take place.
+ </p>
+ <p>
+ The &ldquo;meet&rdquo; was on a main road, about half-a-mile from town; here some two
+ hundred people had assembled, and hung up their horses and vehicles to the
+ fence without the slightest concealment. They said the police would not
+ interfere with them&mdash;and they did not seem a nice crowd to interfere
+ with.
+ </p>
+ <p>
+ One dog was on the ground when we arrived, having come out in a hansom cab
+ with his trainer. He was a white bull-terrier, weighing about forty
+ pounds, &ldquo;trained to the hour&rdquo;, with the muscles standing out all over him.
+ He waited in the cab, licking his trainer's face at intervals to reassure
+ that individual of his protection and support; the rest of the time he
+ glowered out of the cab and eyed the public scornfully. He knew as well as
+ any human being that there was sport afoot, and looked about eagerly and
+ wickedly to see what he could get his teeth into.
+ </p>
+ <p>
+ Soon a messenger came running up to know whether they meant to sit in the
+ cab till the police came; the other dog, he said, had arrived and all was
+ ready. The trainer and dog got out of the cab; we followed them through a
+ fence and over a rise&mdash;and there, about twenty yards from the main
+ road, was a neatly-pitched enclosure like a prize-ring, a
+ thirty-foot-square enclosure formed with stakes and ropes. About a hundred
+ people were at the ringside, and in the far corner, in the arms of his
+ trainer, was the other dog&mdash;a brindle.
+ </p>
+ <p>
+ It was wonderful to see the two dogs when they caught sight of each other.
+ The white dog came up to the ring straining at his leash, nearly dragging
+ his trainer off his feet in his efforts to get at the enemy. At intervals
+ he emitted a hoarse roar of challenge and defiance.
+ </p>
+ <p>
+ The brindled dog never uttered a sound. He fixed his eyes on his adversary
+ with a look of intense hunger, of absolute yearning for combat. He never
+ for an instant shifted his unwinking gaze. He seemed like an animal who
+ saw the hopes of years about to be realised. With painful earnestness he
+ watched every detail of the other dog's toilet; and while the white dog
+ was making fierce efforts to get at him, he stood Napoleonic, grand in his
+ courage, waiting for the fray.
+ </p>
+ <p>
+ All details were carefully attended to, and all rules strictly observed.
+ People may think a dog-fight is a go-as-you-please outbreak of
+ lawlessness, but there are rules and regulations&mdash;simple, but
+ effective. There were two umpires, a referee, a timekeeper, and two
+ seconds for each dog. The stakes were said to be ten pounds a-side. After
+ some talk, the dogs were carried to the centre of the ring by their
+ seconds and put on the ground. Like a flash of lightning they dashed at
+ each other, and the fight began.
+ </p>
+ <p>
+ Nearly everyone has seen dogs fight&mdash;&ldquo;it is their nature to&rdquo;, as Dr.
+ Watts put it. But an ordinary worry between (say) a retriever and a
+ collie, terminating as soon as one or other gets his ear bitten, gives a
+ very faint idea of a real dog-fight. But bull-terriers are the gladiators
+ of the canine race. Bred and trained to fight, carefully exercised and
+ dieted for weeks beforehand, they come to the fray exulting in their
+ strength and determined to win. Each is trained to fight for certain
+ holds, a grip of the ear or the back of the neck being of very slight
+ importance. The foot is a favourite hold, the throat is, of course,
+ fashionable&mdash;if they can get it.
+ </p>
+ <p>
+ The white and the brindle sparred and wrestled and gripped and threw each
+ other, fighting grimly, and disdaining to utter a sound. Their seconds
+ dodged round them unceasingly, giving them encouragement and advice&mdash;&ldquo;That's
+ the style, Boxer&mdash;fight for his foot&rdquo;&mdash;&ldquo;Draw your foot back, old
+ man,&rdquo; and so on. Now and again one dog got a grip of the other's foot and
+ chewed savagely, and the spectators danced with excitement. The moment the
+ dogs let each other go they were snatched up by their seconds and carried
+ to their corners, and a minute's time was allowed, in which their mouths
+ were washed out and a cloth rubbed over their bodies.
+ </p>
+ <p>
+ Then came the ceremony of &ldquo;coming to scratch&rdquo;. When time was called for
+ the second round the brindled dog was let loose in his own corner, and was
+ required by the rules to go across the ring of his own free will and
+ attack the other dog. If he failed to do this he would lose the fight. The
+ white dog, meanwhile, was held in his corner waiting the attack. After the
+ next round it was the white dog's turn to make the attack, and so on
+ alternately. The animals need not fight a moment longer than they chose,
+ as either dog could abandon the fight by failing to attack his enemy.
+ </p>
+ <p>
+ While their condition lasted they used to dash across the ring at full
+ run; but, after a while, when the punishment got severe and their
+ &ldquo;fitness&rdquo; began to fail, it became a very exciting question whether or not
+ a dog would &ldquo;come to scratch&rdquo;. The brindled dog's condition was not so
+ good as the other's. He used to lie on his stomach between the rounds to
+ rest himself, and several times it looked as if he would not cross the
+ ring when his turn came. But as soon as time was called he would start to
+ his feet and limp slowly across glaring steadily at his adversary; then,
+ as he got nearer, he would quicken his pace, make a savage rush, and in a
+ moment they would be locked in combat. So they battled on for fifty-six
+ minutes, till the white dog (who was apparently having all the best of
+ it), on being called to cross the ring, only went half-way across and
+ stood there for a minute growling savagely. So he lost the fight.
+ </p>
+ <p>
+ No doubt it was a brutal exhibition. But it was not cruel to the animals
+ in the same sense that pigeon-shooting or hare-hunting is cruel. The dogs
+ are born fighters, anxious and eager to fight, desiring nothing better.
+ Whatever limited intelligence they have is all directed to this one
+ consuming passion. They could stop when they liked, but anyone looking on
+ could see that they gloried in the combat. Fighting is like breath to them&mdash;they
+ must have it. Nature has implanted in all animals a fighting instinct for
+ the weeding out of the physically unfit, and these dogs have an extra
+ share of that fighting instinct.
+ </p>
+ <p>
+ Of course, now that militarism is going to be abolished, and the world is
+ going to be so good and teetotal, and only fight in debating societies,
+ these nasty savage animals will be out of date. We will not be allowed to
+ keep anything more quarrelsome than a poodle&mdash;and a man of the
+ future, the New Man, whose fighting instincts have not been quite bred out
+ of him, will, perhaps, be found at grey dawn of a Sunday morning with a
+ crowd of other unregenerates in some backyard frantically cheering two of
+ them to mortal combat.
+ </p>
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ HIS MASTERPIECE
+ </h2>
+ <p>
+ Greenhide Billy was a stockman on a Clarence River cattle-station, and
+ admittedly the biggest liar in the district. He had been for many years
+ pioneering in the Northern Territory, the other side of the sun-down&mdash;a
+ regular &ldquo;furthest-out man&rdquo;&mdash;and this assured his reputation among
+ station-hands who award rank according to amount of experience.
+ </p>
+ <p>
+ Young men who have always hung around the home districts, doing a job of
+ shearing here or a turn at horse-breaking there, look with reverence on
+ Riverine or Macquarie-River shearers who come in with tales of runs where
+ they have 300,000 acres of freehold land and shear 250,000 sheep; these
+ again pale their ineffectual fires before the glory of the Northern
+ Territory man who has all-comers on toast, because no one can contradict
+ him or check his figures. When two of them meet, however, they are not
+ fools enough to cut down quotations and spoil the market; they lie in
+ support of each other, and make all other bushmen feel mean and pitiful
+ and inexperienced.
+ </p>
+ <p>
+ Sometimes a youngster would timidly ask Greenhide Billy about the 'terra
+ incognita': &ldquo;What sort of a place is it, Billy&mdash;how big are the
+ properties? How many acres had you in the place you were on?&rdquo;
+ </p>
+ <p>
+ &ldquo;Acres be d&mdash;&mdash;d!&rdquo; Billy would scornfully reply; &ldquo;hear him
+ talking about acres! D'ye think we were blanked cockatoo selectors! Out
+ there we reckon country by the hundred miles. You orter say, 'How many
+ thousand miles of country?' and then I'd understand you.&rdquo;
+ </p>
+ <p>
+ Furthermore, according to Billy, they reckoned the rainfall in the
+ Territory by yards, not inches. He had seen blackfellows who could jump at
+ least three inches higher than anyone else had ever seen a blackfellow
+ jump, and every bushman has seen or personally known a blackfellow who
+ could jump over six feet. Billy had seen bigger droughts, better country,
+ fatter cattle, faster horses, and cleverer dogs, than any other man on the
+ Clarence River. But one night when the rain was on the roof, and the river
+ was rising with a moaning sound, and the men were gathered round the fire
+ in the hut smoking and staring at the coals, Billy turned himself loose
+ and gave us his masterpiece.
+ </p>
+ <p>
+ &ldquo;I was drovin' with cattle from Mungrybanbone to old Corlett's station on
+ the Buckadowntown River&rdquo; (Billy always started his stories with some
+ paralysing bush names). &ldquo;We had a thousand head of store-cattle, wild,
+ mountain-bred wretches that'd charge you on sight; they were that handy
+ with their horns they could skewer a mosquito. There was one or two
+ one-eyed cattle among 'em&mdash;and you know how a one-eyed beast always
+ keeps movin' away from the mob, pokin' away out to the edge of them so as
+ they won't git on his blind side, so that by stirrin' about he keeps the
+ others restless.
+ </p>
+ <p>
+ &ldquo;They had been scared once or twice, and stampeded and gave us all we
+ could do to keep them together; and it was wet and dark and thundering,
+ and it looked like a real bad night for us. It was my watch. I was on one
+ side of the cattle, like it might be here, with a small bit of a fire; and
+ my mate, Barcoo Jim, he was right opposite on the other side of the
+ cattle, and had gone to sleep under a log. The rest of the men were in the
+ camp fast asleep. Every now and again I'd get on my horse and prowl round
+ the cattle quiet like, and they seemed to be settled down all right, and I
+ was sitting by my fire holding my horse and drowsing, when all of a sudden
+ a blessed 'possum ran out from some saplings and scratched up a tree right
+ alongside me. I was half-asleep, I suppose, and was startled; anyhow,
+ never thinking what I was doing, I picked up a firestick out of the fire
+ and flung it at the 'possum.
+ </p>
+ <p>
+ &ldquo;Whoop! Before you could say Jack Robertson, that thousand head of cattle
+ were on their feet, and made one wild, headlong, mad rush right over the
+ place where poor old Barcoo Jim was sleeping. There was no time to hunt up
+ materials for the inquest; I had to keep those cattle together, so I
+ sprang into the saddle, dashed the spurs into the old horse, dropped my
+ head on his mane, and sent him as hard as he could leg it through the
+ scrub to get to the lead of the cattle and steady them. It was brigalow,
+ and you know what that is.
+ </p>
+ <p>
+ &ldquo;You know how the brigalow grows,&rdquo; continued Bill; &ldquo;saplings about as
+ thick as a man's arm, and that close together a dog can't open his mouth
+ to bark in 'em. Well, those cattle swept through that scrub, levelling it
+ like as if it had been cleared for a railway line. They cleared a track a
+ quarter of a mile wide, and smashed every stick, stump and sapling on it.
+ You could hear them roaring and their hoofs thundering and the scrub
+ smashing three or four miles off.
+ </p>
+ <p>
+ &ldquo;And where was I? I was racing parallel with the cattle, with my head down
+ on the horse's neck, letting him pick his way through the scrub in the
+ pitchy darkness. This went on for about four miles. Then the cattle began
+ to get winded, and I dug into the old stock-horse with the spurs, and got
+ in front, and began to crack the whip and sing out, so as to steady them a
+ little; after awhile they dropped slower and slower, and I kept the whip
+ going. I got them all together in a patch of open country, and there I
+ rode round and round 'em all night till daylight.
+ </p>
+ <p>
+ &ldquo;And how I wasn't killed in the scrub, goodness only knows; for a man
+ couldn't ride in the daylight where I did in the dark. The cattle were all
+ knocked about&mdash;horns smashed, legs broken, ribs torn; but they were
+ all there, every solitary head of 'em; and as soon as the daylight broke I
+ took 'em back to the camp&mdash;that is, all that could travel, because I
+ had to leave a few broken-legged ones.&rdquo;
+ </p>
+ <p>
+ Billy paused in his narrative. He knew that some suggestions would be
+ made, by way of compromise, to tone down the awful strength of the yarn,
+ and he prepared himself accordingly. His motto was &ldquo;No surrender&rdquo;; he
+ never abated one jot of his statements; if anyone chose to remark on them,
+ he made them warmer and stronger, and absolutely flattened out the
+ intruder.
+ </p>
+ <p>
+ &ldquo;That was a wonderful bit of ridin' you done, Billy,&rdquo; said one of the men
+ at last, admiringly. &ldquo;It's a wonder you wasn't killed. I suppose your
+ clothes was pretty well tore off your back with the scrub?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never touched a twig,&rdquo; said Billy.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; faltered the inquirer, &ldquo;then no doubt you had a real ringin' good
+ stock-horse that could take you through a scrub like that full-split in
+ the dark, and not hit you against anything.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, he wasn't a good un,&rdquo; said Billy decisively, &ldquo;he was the worst horse
+ in the camp. Terrible awkward in the scrub he was, always fallin' down on
+ his knees; and his neck was so short you could sit far back on him and
+ pull his ears.&rdquo;
+ </p>
+ <p>
+ Here that interrogator retired hurt; he gave Billy best. After a pause
+ another took up the running.
+ </p>
+ <p>
+ &ldquo;How did your mate get on, Billy? I s'pose he was trampled to a mummy!&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said Billy, &ldquo;he wasn't hurt a bit. I told you he was sleeping under
+ the shelter of a log. Well, when those cattle rushed they swept over that
+ log a thousand strong; and every beast of that herd took the log in his
+ stride and just missed landing on Barcoo Jimmy by about four inches.&rdquo;
+ </p>
+ <p>
+ The men waited a while and smoked, to let this statement soak well into
+ their systems; at last one rallied and had a final try.
+ </p>
+ <p>
+ &ldquo;It's a wonder then, Billy,&rdquo; he said, &ldquo;that your mate didn't come after
+ you and give you a hand to steady the cattle.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, perhaps it was,&rdquo; said Billy, &ldquo;only that there was a bigger wonder
+ than that at the back of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was that?&rdquo;
+ </p>
+ <p>
+ &ldquo;My mate never woke up all through it.&rdquo;
+ </p>
+ <p>
+ Then the men knocked the ashes out of their pipes and went to bed.
+ </p>
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ DONE FOR THE DOUBLE
+ </h2>
+ <h3>
+ by Knott Gold
+ </h3>
+ <p>
+ Author of &ldquo;Flogged for a Furlong&rdquo;, &ldquo;Won by a Winker&rdquo;, etc., etc.
+ </p>
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter I.&mdash;WANTED, A PONY
+ </h2>
+ <p>
+ Algernon de Montgomery Smythers was a merchant, wealthy beyond the dreams
+ of avarice. Other merchants might dress more lavishly, and wear larger
+ watch chains; but the bank balance is the true test of mercantile
+ superiority, and in a trial of bank balances Algernon de Montgomery
+ Smythers represented Tyson at seven stone. He was unbeatable.
+ </p>
+ <p>
+ He lived in comfort, not to say luxury. He had champagne for breakfast
+ every morning, and his wife always slept with a pair of diamond earrings
+ worth a small fortune in her ears. It is things like these that show true
+ gentility.
+ </p>
+ <p>
+ Though they had been married many years, the A. de M. Smythers had but one
+ child&mdash;a son and heir. No Christmas Day was allowed to pass by his
+ doting parents without a gift to young Algy of some trifle worth about 150
+ pounds, less the discount for cash. He had six play-rooms, all filled with
+ the most expensive toys and ingenious mechanical devices. He had a
+ phonograph that could hail a ship out at the South Head, and a mechanical
+ parrot that sang &ldquo;The Wearing of the Green&rdquo;. And still he was not happy.
+ </p>
+ <p>
+ Sometimes, in spite of the vigilance of his four nurses and six
+ under-nurses, he would escape into the street, and run about with the
+ little boys he met there. One day he gave one of them a sovereign for a
+ locust. Certainly the locust was a &ldquo;double-drummer&rdquo;, and could deafen the
+ German Band when shaken up judiciously; still, it was dear at a sovereign.
+ </p>
+ <p>
+ It is ever thus.
+ </p>
+ <p>
+ What we have we do not value, and what other people have we are not strong
+ enough to take from them.
+ </p>
+ <p>
+ Such is life.
+ </p>
+ <p>
+ Christmas was approaching, and the question of Algy's Christmas present
+ agitated the bosom of his parents. He already had nearly everything a
+ child could want; but one morning a bright inspiration struck Algy's
+ father. Algy should have a pony.
+ </p>
+ <p>
+ With Mr. Smythers to think was to act. He was not a man who believed in
+ allowing grass to grow under his feet. His motto was, &ldquo;Up and be doing&mdash;somebody.&rdquo;
+ So he put an advertisement in the paper that same day.
+ </p>
+ <p>
+ &ldquo;Wanted, a boy's pony. Must be guaranteed sound, strong, handsome,
+ intelligent. Used to trains, trams, motors, fire engines, and motor
+ 'buses. Any failure in above respects will disqualify. Certificate of
+ birth required as well as references from last place. Price no object.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter II.&mdash;BLINKY BILL'S SACRIFICE
+ </h2>
+ <p>
+ Down in a poverty-stricken part of the city lived Blinky Bill, the
+ horse-dealer.
+ </p>
+ <p>
+ His yard was surrounded by loose-boxes made of any old timber, galvanized
+ iron, sheets of roofing-felt, and bark he could gather together.
+ </p>
+ <p>
+ He kept all sorts of horses, except good sorts. There were harness horses,
+ that wouldn't pull, and saddle horses that wouldn't go&mdash;or, if they
+ went, used to fall down. Nearly every animal about the place had something
+ the matter with it.
+ </p>
+ <p>
+ When the bailiff dropped in, as he did every two or three weeks, Bill and
+ he would go out together, and &ldquo;have a punt&rdquo; on some of Bill's ponies, or
+ on somebody else's ponies&mdash;the latter for choice. But periodical
+ punts and occasional sales of horses would not keep the wolf from the
+ door. Ponies keep on eating whether they are winning or not and Blinky
+ Bill had got down to the very last pitch of desperation when he saw the
+ advertisement mentioned at the end of last chapter.
+ </p>
+ <p>
+ It was like a ray of hope to him. At once there flashed upon him what he
+ must do.
+ </p>
+ <p>
+ He must make a great sacrifice; he must sell Sausage II.
+ </p>
+ <p>
+ Sausage II. was the greatest thirteen-two pony of the day. Time and again
+ he had gone out to race when, to use William's own words, it was a blue
+ duck for Bill's chance of keeping afloat; and every time did the gallant
+ race pony pull his owner through.
+ </p>
+ <p>
+ Bill owed more to Sausage II. than he owed to his creditors.
+ </p>
+ <p>
+ Brought up as a pet, the little animal was absolutely trustworthy. He
+ would carry a lady or a child, or pull a sulky; in fact, it was quite a
+ common thing for Blinky Bill to drive him in a sulky to a country meeting
+ and look about him for a likely &ldquo;mark&rdquo;. If he could find a fleet youth
+ with a reputedly fast pony, Bill would offer to &ldquo;pull the little cuddy out
+ of the sulky and run yer for a fiver.&rdquo; Sometimes he got beaten; but as he
+ never paid, that didn't matter. He did not believe in fighting; but he
+ would always sooner fight than pay.
+ </p>
+ <p>
+ But all these devices had left him on his uppers in the end. He had no
+ feed for his ponies, and no money to buy it; the corn merchant had written
+ his account off as bad, and had no desire to make it worse. Under the
+ circumstances, what was he to do? Sausage II. must be sold.
+ </p>
+ <p>
+ With heavy heart Bill led the pony down to be inspected. He saw Mr.
+ Algernon de Montgomery Smythers, and measured him with his eye. He saw it
+ would be no use to talk about racing to him, so he went on the other
+ track.
+ </p>
+ <p>
+ He told him that the pony belonged to a Methodist clergyman, who used to
+ drive him in a &ldquo;shay&rdquo;. There are no shays in this country; but Bill had
+ read the word somewhere, and thought it sounded respectable. &ldquo;Yus, sir,&rdquo;
+ he said, &ldquo;'e goes lovely in a shay,&rdquo; and he was just starting off at
+ twenty words a second, when he was stopped.
+ </p>
+ <p>
+ Mr. A. de M. Smythers was brusque with his inferiors, and in this he made
+ a mistake. Instead of listening to all that Blinky Bill said, and
+ disbelieving it at his leisure, he stopped his talk.
+ </p>
+ <p>
+ &ldquo;If you want to sell this pony, dry up,&rdquo; he said. &ldquo;I don't believe a word
+ you say, and it only worries me to hear you lying.&rdquo;
+ </p>
+ <p>
+ Fatal mistake! You should never stop a horse-dealer's talk. And call him
+ anything you like, but never say you doubt his word.
+ </p>
+ <p>
+ Both these things Mr. Smythers did; and, though he bought the pony at a
+ high price, yet the insult sank deep into the heart of Blinky Bill.
+ </p>
+ <p>
+ As the capitalist departed leading the pony, Blinky Bill muttered to
+ himself, &ldquo;Ha! ha! Little does he know that he is leading Sausage II., the
+ greatest 13.2 pony of the century. Let him beware how he gets alongside
+ anything. That's all! Blinky Bill may yet be revenged!&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter III.&mdash;EXIT ALGY
+ </h2>
+ <p>
+ Christmas Day came. Algy's father gave orders to have the pony saddled,
+ and led round to the front door. Algy's mother, a lady of forty summers,
+ spent the morning superintending the dinner. Dinner was the principal
+ event in the day with her. Alas, poor lady! Everything she ate agreed with
+ her, and she got fatter and fatter and fatter.
+ </p>
+ <p>
+ The cold world never fully appreciates the struggles of those who are fat&mdash;the
+ efforts at starvation, the detested exercise, the long, miserable walks.
+ Well has one of our greatest poets written, &ldquo;Take up the fat man's
+ burden.&rdquo; But we digress.
+ </p>
+ <p>
+ When Algy saw the pony he shouted with delight, and in half a minute was
+ riding him up and down the front drive. Then he asked for leave to go out
+ in the street&mdash;and that was where the trouble began.
+ </p>
+ <p>
+ Up and down the street the pony cantered, as quietly as possible, till
+ suddenly round a corner came two butcher boys racing their horses. With a
+ clatter of clumsy hoofs they thundered past. In half a second there was a
+ rattle, and a sort of comet-like rush through the air. Sausage II. was off
+ after them with his precious burden.
+ </p>
+ <p>
+ The family dog tried to keep up with him, and succeeded in keeping ahead
+ for about three strides. Then, like the wolves that pursued Mazeppa, he
+ was left yelping far behind. Through Surry Hills and Redfern swept the
+ flying pony, his rider lying out on his neck in Tod Sloan fashion, while
+ the ground seemed to race beneath him. The events of the way were just one
+ hopeless blur till the pony ran straight as an arrow into the yard of
+ Blinky Bill.
+ </p>
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter IV.&mdash;RUNNING THE RULE
+ </h2>
+ <p>
+ As soon as Blinky Bill recognised his visitor, he was delighted.
+ </p>
+ <p>
+ &ldquo;You here,&rdquo; he said, &ldquo;Ha, ha, revenge is mine! I'll get a tidy reward for
+ taking you back, my young shaver.&rdquo;
+ </p>
+ <p>
+ Then from the unresisting child he took a gold watch and three sovereigns.
+ These he said he would put in a safe place for him, till he was going home
+ again. He expected to get at least a tenner ready money for bringing Algy
+ back, and hoped that he might be allowed to keep the watch into the
+ bargain.
+ </p>
+ <p>
+ With a light heart he went down town with Algy's watch and sovereigns in
+ his pocket. He did not return till daylight, when he awoke his wife with
+ bad news.
+ </p>
+ <p>
+ &ldquo;Can't give the boy up,&rdquo; he said. &ldquo;I moskenoed his block and tackle, and
+ blued it in the school.&rdquo; In other words, he had pawned the boy's watch and
+ chain, and had lost the proceeds at pitch and toss.
+ </p>
+ <p>
+ &ldquo;Nothing for it but to move,&rdquo; he said, &ldquo;and take the kid with us.&rdquo;
+ </p>
+ <p>
+ So move they did.
+ </p>
+ <p>
+ The reader can imagine with what frantic anxiety the father and mother of
+ little Algy sought for their lost one. They put the matter into the hands
+ of the detective police, and waited for the Sherlock Holmeses of the force
+ to get in their fine work. There was nothing doing.
+ </p>
+ <p>
+ Years rolled on, and the mysterious disappearance of little Algy was yet
+ unsolved. The horse-dealer's revenge was complete.
+ </p>
+ <p>
+ The boy's mother consulted a clairvoyant, who murmured mystically &ldquo;What
+ went by the ponies, will come by the ponies;&rdquo; and with that they had to
+ remain satisfied.
+ </p>
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ Chapter V.&mdash;THE TRICKS OF THE TURF
+ </h2>
+ <p>
+ It was race day at Pulling'em Park, and the ponies were doing their usual
+ performances.
+ </p>
+ <p>
+ Among the throng the heaviest punter is a fat lady with diamond earrings.
+ Does the reader recognize her? It is little Algy's mother. Her husband is
+ dead, leaving her the whole of his colossal fortune, and, having developed
+ a taste for gambling, she is now engaged in &ldquo;doing it in on the ponies&rdquo;.
+ She is one of the biggest bettors in the game.
+ </p>
+ <p>
+ When women take to betting they are worse than men.
+ </p>
+ <p>
+ But it is not for betting alone that she attends the meetings. She
+ remembers the clairvoyant's &ldquo;What went by the ponies will come by the
+ ponies.&rdquo; And always she searches in the ranks of the talent for her lost
+ Algy.
+ </p>
+ <p>
+ Here enters another of our dramatis personae&mdash;Blinky Bill, prosperous
+ once more. He has got a string of ponies and punters together. The first
+ are not much use to a man without the second; but, in spite of all
+ temptations, Bill has always declined to number among his punters the
+ mother of the child he stole. But the poor lady regularly punts on his
+ ponies, and just as regularly is &ldquo;sent up&rdquo;&mdash;in other words, loses her
+ money.
+ </p>
+ <p>
+ To-day she has backed Blinky's pair, Nostrils and Tin Can, for the double.
+ Nostrils has won his race, and Tin Can, if on the job, can win the second
+ half of the double. Is he on the job? The prices are lengthening against
+ him, and the poor lady recognises that once more she is &ldquo;in the cart&rdquo;.
+ </p>
+ <p>
+ Just then she meets Tin Can's jockey, Dodger Smith, face to face. A
+ piercing scream rends the atmosphere, as if a thousand school children
+ drew a thousand slate pencils down a thousand slates simultaneously. &ldquo;Me
+ cheild! Me cheild! Me long-lost Algy!&rdquo;
+ </p>
+ <p>
+ It did not take long to convince Algy that he would be better off as a son
+ to a wealthy lady than as a jockey, subject to the fiendish caprices of
+ Blinky Bill.
+ </p>
+ <p>
+ &ldquo;All right, mother,&rdquo; he said. &ldquo;Put all you can raise on Tin Can. I'm going
+ to send Blinky up. It's time I had a cut on me own, anyway.&rdquo;
+ </p>
+ <p>
+ The horses went to the post. Tons of money were at the last moment hurled
+ on to Tin Can. The books, knowing he was &ldquo;dead&rdquo;, responded gamely, and
+ wrote his name till their wrists gave out. Blinky Bill had a half-share in
+ all the bookies' winnings, so he chuckled grimly as he went to the rails
+ to watch the race.
+ </p>
+ <p>
+ They're off. And what is this that flashes to the front, while the howls
+ of the bookies rise like the yelping of fiends in torment? It is Dodger
+ Smith on Tin Can, and from the grandstand there is a shrill feminine yell
+ of triumph as the gallant pony sails past the post.
+ </p>
+ <p>
+ The bookies thought that Blinky Bill had sold them, and they discarded him
+ for ever.
+ </p>
+ <p>
+ Algy and his mother were united, and backed horses together happily ever
+ after, and sometimes out in the back yard of their palatial mansion they
+ hand the empty bottles, free of charge, to a poor old broken-down
+ bottle-O, called Blinky Bill.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of Three Elephant Power, by
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+</pre>
+ </body>
+</html>
diff --git a/307.txt b/307.txt
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--- /dev/null
+++ b/307.txt
@@ -0,0 +1,4041 @@
+Project Gutenberg's Three Elephant Power, by Andrew Barton 'Banjo' Paterson
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Three Elephant Power
+
+Author: Andrew Barton 'Banjo' Paterson
+
+Release Date: June 29, 2008 [EBook #307]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THREE ELEPHANT POWER ***
+
+
+
+
+Produced by A. Light and L. Bowser
+
+
+
+
+
+THREE ELEPHANT POWER AND OTHER STORIES
+
+by Andrew Barton 'Banjo' Paterson and by Knott Gold
+
+[Australian Poet, Reporter--1864-1941.]
+
+
+1917 Edition
+
+
+
+[Note on text: These stories appeared originally in several
+Australian journals.]
+
+
+
+
+CONTENTS
+
+ Three Elephant Power
+ The Oracle
+ The Cast-iron Canvasser
+ The Merino Sheep
+ The Bullock
+ White-when-he's-wanted
+ The Downfall of Mulligan's
+ The Amateur Gardener
+ Thirsty Island
+ Dan Fitzgerald Explains
+ The Cat
+ Sitting in Judgment
+ The Dog
+ The Dog--as a Sportsman
+ Concerning a Steeplechase Rider
+ Victor Second
+ Concerning a Dog-fight
+ His Masterpiece
+
+ Done for the Double by Knott Gold
+
+
+
+
+
+THREE ELEPHANT POWER
+
+
+"Them things," said Alfred the chauffeur, tapping the speed indicator
+with his fingers, "them things are all right for the police. But, Lord,
+you can fix 'em up if you want to. Did you ever hear about Henery, that
+used to drive for old John Bull--about Henery and the elephant?"
+
+Alfred was chauffeur to a friend of mine who owned a very powerful car.
+Alfred was part of that car. Weirdly intelligent, of poor physique, he
+might have been any age from fifteen to eighty. His education had been
+somewhat hurried, but there was no doubt as to his mechanical ability.
+He took to a car like a young duck to water. He talked motor, thought
+motor, and would have accepted--I won't say with enthusiasm, for
+Alfred's motto was 'Nil admirari'--but without hesitation, an offer to
+drive in the greatest race in the world. He could drive really well,
+too; as for belief in himself, after six months' apprenticeship in
+a garage he was prepared to vivisect a six-cylinder engine with the
+confidence of a diplomaed bachelor of engineering.
+
+Barring a tendency to flash driving, and a delight in persecuting slow
+cars by driving just in front of them and letting them come up and enjoy
+his dust, and then shooting away again, he was a respectable member of
+society. When his boss was in the car he cloaked the natural ferocity of
+his instincts; but this day, with only myself on board, and a clear run
+of a hundred and twenty miles up to the station before him, he let her
+loose, confident that if any trouble occurred I would be held morally
+responsible.
+
+As we flew past a somnolent bush pub, Alfred, whistling softly, leant
+forward and turned on a little more oil.
+
+"You never heard about Henery and the elephant?" he said. "It was dead
+funny. Henery was a bushwacker, but clean mad on motorin'. He was wood
+and water joey at some squatter's place until he seen a motor-car go
+past one day, the first that ever they had in the districk.
+
+"'That's my game,' says Henery; 'no more wood and water joey for me.'
+
+"So he comes to town and gets a job off Miles that had that garage at
+the back of Allison's. An old cove that they called John Bull--I don't
+know his right name, he was a fat old cove--he used to come there to
+hire cars, and Henery used to drive him. And this old John Bull he
+had lots of stuff, so at last he reckons he's going to get a car for
+himself, and he promises Henery a job to drive it. A queer cove this
+Henery was--half mad, I think, but the best hand with a car ever I see."
+
+While he had been talking we topped a hill, and opened up a new stretch
+of blue-grey granite-like road. Down at the foot of the hill was a
+teamster's waggon in camp; the horses in their harness munching at their
+nose-bags, while the teamster and a mate were boiling a billy a little
+off to the side of the road. There was a turn in the road just below
+the waggon which looked a bit sharp, so of course Alfred bore down on it
+like a whirlwind. The big stupid team-horses huddled together and pushed
+each other awkwardly as we passed. A dog that had been sleeping in
+the shade of the waggon sprang out right in front of the car, and was
+exterminated without ever knowing what struck him.
+
+There was just room to clear the tail of the waggon and negotiate the
+turn. Alfred, with the calm decision of a Napoleon, swung round the bend
+to find that the teamster's hack, fast asleep, was tied to the tail of
+the waggon. Nothing but a lightning-like twist of the steering-wheel
+prevented our scooping the old animal up, and taking him on board as a
+passenger. As it was, we carried off most of his tail as a trophy on the
+brass of the lamp. The old steed, thus rudely awakened, lashed out good
+and hard, but by that time we were gone, and he missed the car by a
+quarter of a mile.
+
+During this strenuous episode Alfred never relaxed his professional
+stolidity, and, when we were clear, went on with his story in the tone
+of a man who found life wanting in animation.
+
+"Well, at fust, the old man would only buy one of these little
+eight-horse rubby-dubbys that go strugglin' up 'ills with a death-rattle
+in its throat, and all the people in buggies passin' it. O' course that
+didn't suit Henery. He used to get that spiked when a car passed him,
+he'd nearly go mad. And one day he nearly got the sack for dodgin' about
+up a steep 'ill in front of one o' them big twenty-four Darracqs, full
+of 'owlin' toffs, and not lettin' 'em get a chance to go past till they
+got to the top. But at last he persuaded old John Bull to let him go
+to England and buy a car for him. He was to do a year in the shops, and
+pick up all the wrinkles, and get a car for the old man. Bit better than
+wood and water joeying, wasn't it?"
+
+Our progress here was barred by our rounding a corner right on to a
+flock of sheep, that at once packed together into a solid mass in front
+of us, blocking the whole road from fence to fence.
+
+"Silly cows o' things, ain't they?" said Alfred, putting on his
+emergency brake, and skidding up till the car came softly to rest
+against the cushion-like mass--a much quicker stop than any horse-drawn
+vehicle could have made. A few sheep were crushed somewhat, but it
+is well known that a sheep is practically indestructible by violence.
+Whatever Alfred's faults were, he certainly could drive.
+
+"Well," he went on, lighting a cigarette, unheeding the growls of the
+drovers, who were trying to get the sheep to pass the car, "well, as I
+was sayin', Henery went to England, and he got a car. Do you know wot he
+got?"
+
+"No, I don't."
+
+"'E got a ninety," said Alfred slowly, giving time for the words to soak
+in.
+
+"A ninety! What do you mean?"
+
+"'E got a ninety--a ninety-horse-power racin' engine wot was made
+for some American millionaire and wasn't as fast as wot some other
+millionaire had, so he sold it for the price of the iron, and Henery got
+it, and had a body built for it, and he comes out here and tells us all
+it's a twenty mongrel--you know, one of them cars that's made part in
+one place and part in another, the body here and the engine there, and
+the radiator another place. There's lots of cheap cars made like that.
+
+"So Henery he says that this is a twenty mongrel--only a four-cylinder
+engine; and nobody drops to what she is till Henery goes out one Sunday
+and waits for the big Napier that Scotty used to drive--it belonged to
+the same bloke wot owned that big racehorse wot won all the races. So
+Henery and Scotty they have a fair go round the park while both their
+bosses is at church, and Henery beat him out o' sight--fair lost
+him--and so Henery was reckoned the boss of the road. No one would take
+him on after that."
+
+A nasty creek-crossing here required Alfred's attention. A little girl,
+carrying a billy-can of water, stood by the stepping stones, and smiled
+shyly as we passed. Alfred waved her a salute quite as though he were an
+ordinary human being. I felt comforted. He had his moments of relaxation
+evidently, and his affections like other people.
+
+"What happened to Henry and the ninety-horse machine?" I asked. "And
+where does the elephant come in?"
+
+Alfred smiled pityingly.
+
+"Ain't I tellin' yer," he said. "You wouldn't understand if I didn't
+tell yer how he got the car and all that. So here's Henery," he went on,
+"with old John Bull goin' about in the fastest car in Australia, and
+old John, he's a quiet old geezer, that wouldn't drive faster than the
+regulations for anything, and that short-sighted he can't see to
+the side of the road. So what does Henery do? He fixes up the
+speed-indicator--puts a new face on it, so that when the car is doing
+thirty, the indicator only shows fifteen, and twenty for forty, and so
+on. So out they'd go, and if Henery knew there was a big car in front of
+him, he'd let out to forty-five, and the pace would very near blow
+the whiskers off old John; and every now and again he'd look at the
+indicator, and it'd be showin' twenty-two and a half, and he'd say:
+
+"'Better be careful, Henery, you're slightly exceedin' the speed limit;
+twenty miles an hour, you know, Henery, should be fast enough for
+anybody, and you're doing over twenty-two.'
+
+"Well, one day, Henery told me, he was tryin' to catch up a big car that
+just came out from France, and it had a half-hour start of him, and he
+was just fairly flyin', and there was a lot of cars on the road, and he
+flies past 'em so fast the old man says, 'It's very strange, Henery,'
+he says, 'that all the cars that are out to-day are comin' this way,' he
+says. You see he was passin' 'em so fast he thought they were all comin'
+towards him.
+
+"And Henery sees a mate of his comin', so he lets out a notch or two,
+and the two cars flew by each other like chain lightnin'. They were each
+doin' about forty, and the old man, he says, 'There's a driver must be
+travellin' a hundred miles an hour,' he says. 'I never see a car go by
+so fast in my life,' he says. 'If I could find out who he is, I'd report
+him,' he says. 'Did you know the car, Henery?' But of course Henery, he
+doesn't know, so on they goes.
+
+"The owner of the big French car thinks he has the fastest car in
+Australia, and when he sees Henery and the old man coming, he tells his
+driver to let her out a little; but Henery gives the ninety-horse the
+full of the lever, and whips up alongside in one jump. And then he keeps
+there just half a length ahead of him, tormentin' him like. And the
+owner of the French car he yells out to old John Bull, 'You're going
+a nice pace for an old 'un,' he says. Old John has a blink down at
+the indicator. 'We're doing twenty-five,' he yells out. 'Twenty-five
+grandmothers,' says the bloke; but Henery he put on his accelerator, and
+left him. It wouldn't do to let the old man get wise to it, you know."
+
+We topped a big hill, and Alfred cut off the engine and let the car
+swoop, as swiftly and noiselessly as an eagle, down to the flat country
+below.
+
+"You're a long while coming to the elephant, Alfred," I said.
+
+"Well, now, I'll tell you about the elephant," said Alfred, letting his
+clutch in again, and taking up the story to the accompaniment of the
+rhythmic throb of the engine.
+
+"One day Henery and the old man were going out a long trip over the
+mountain, and down the Kangaroo Valley Road that's all cut out of the
+side of the 'ill. And after they's gone a mile or two, Henery sees a
+track in the road--the track of the biggest car he ever seen or 'eard
+of. An' the more he looks at it, the more he reckons he must ketch that
+car and see what she's made of. So he slows down passin' two yokels on
+the road, and he says, 'Did you see a big car along 'ere?'
+
+"'Yes, we did,' they says.
+
+"'How big is she?' says Henery.
+
+"'Biggest car ever we see,' says the yokels, and they laughed that silly
+way these yokels always does.
+
+"'How many horse-power do you think she was?' says Henery.
+
+"'Horse-power,' they says; 'elephant-power, you mean! She was three
+elephant-power,' they says; and they goes 'Haw, haw!' and Henery drops
+his clutch in, and off he goes after that car."
+
+Alfred lit another cigarette as a preliminary to the climax.
+
+"So they run for miles, and all the time there's the track ahead of 'em,
+and Henery keeps lettin' her out, thinkin' that he'll never ketch that
+car. They went through a town so fast, the old man he says, 'What house
+was that we just passed,' he says. At last they come to the top of the
+big 'ill, and there's the tracks of the big car goin' straight down
+ahead of 'em.
+
+"D'you know that road? It's all cut out of the side of the mountain, and
+there's places where if she was to side-slip you'd go down 'undreds
+of thousands of feet. And there's sharp turns, too; but the surface is
+good, so Henery he lets her out, and down they go, whizzin' round the
+turns and skatin' out near the edge, and the old cove sittin' there
+enjoyin' it, never knowin' the danger. And comin' to one turn Henery
+gives a toot on the 'orn, and then he heard somethin' go 'toot, toot'
+right away down the mountain.
+
+"'Bout a mile ahead it seemed to be, and Henery reckoned he'd go another
+four miles before he'd ketch it, so he chances them turns more than
+ever. And she was pretty hot, too; but he kept her at it, and he hadn't
+gone a full mile till he come round a turn about forty miles an hour,
+and before he could stop he run right into it, and wot do you think it
+was?"
+
+I hadn't the faintest idea.
+
+"A circus. One of them travellin' circuses, goin' down the coast; and
+one of the elephants had sore feet, so they put him in a big waggon,
+and another elephant pulled in front and one pushed behind. Three
+elephant-power it was, right enough. That was the waggon wot made the
+big track. Well, it was all done so sudden. Before Henery could stop, he
+runs the radiator--very near boiling she was--up against the elephant's
+tail, and prints the pattern of the latest honeycomb radiator on the
+elephant as clear as if you done it with a stencil.
+
+"The elephant, he lets a roar out of him like one of them bulls
+bellerin', and he puts out his nose and ketches Henery round the neck,
+and yanks him out of the car, and chucks him right clean over the cliff,
+'bout a thousand feet. But he never done nothin' to the old bloke."
+
+"Good gracious!"
+
+"Well, it finished Henery, killed him stone dead, of course, and the old
+man he was terrible cut up over losin' such a steady, trustworthy man.
+'Never get another like him,' he says."
+
+We were nearly at our journey's end, and we turned through a gate
+into the home paddocks. Some young stock, both horses and cattle, came
+frisking and cantering after the car, and the rough bush track took
+all Alfred's attention. We crossed a creek, the water swishing from the
+wheels, and began the long pull up to the homestead. Over the clamour of
+the little-used second speed, Alfred concluded his narrative.
+
+"The old bloke advertised," he said, "for another driver, a steady,
+reliable man to drive a twenty horse-power, four-cylinder touring car.
+Every driver in Sydney put in for it. Nothing like a fast car to fetch
+'em, you know. And Scotty got it. Him wot used to drive the Napier I was
+tellin' you about."
+
+"And what did the old man say when he found he'd been running a racing
+car?"
+
+"He don't know now. Scotty never told 'im. Why should he? He's drivin'
+about the country now, the boss of the roads, but he won't chance
+her near a circus. Thinks he might bump the same elephant. And that
+elephant, every time he smells a car passin' in the road, he goes near
+mad with fright. If he ever sees that car again, do you think he'd know
+it?"
+
+Not being used to elephants, I could not offer an opinion.
+
+
+
+
+THE ORACLE
+
+
+No tram ever goes to Randwick races without him; he is always fat,
+hairy, and assertive; he is generally one of a party, and takes the
+centre of the stage all the time--collects and hands over the fares,
+adjusts the change, chaffs the conductor, crushes the thin, apologetic
+stranger next him into a pulp, and talks to the whole compartment as if
+they had asked for his opinion.
+
+He knows all the trainers and owners, or takes care to give the
+impression that he does. He slowly and pompously hauls out his
+race book, and one of his satellites opens the ball by saying, in a
+deferential way:
+
+"What do you like for the 'urdles, Charley?"
+
+The Oracle looks at the book and breathes heavily; no one else ventures
+to speak.
+
+"Well," he says, at last, "of course there's only one in it--if he's
+wanted. But that's it--will they spin him? I don't think they will.
+They's only a lot o' cuddies, any'ow."
+
+No one likes to expose his own ignorance by asking which horse he refers
+to as the "only one in it"; and the Oracle goes on to deal out some more
+wisdom in a loud voice.
+
+"Billy K---- told me" (he probably hardly knows Billy K---- by sight)
+"Billy K---- told me that that bay 'orse ran the best mile-an'-a-half
+ever done on Randwick yesterday; but I don't give him a chance, for all
+that; that's the worst of these trainers. They don't know when their
+horses are well--half of 'em."
+
+Then a voice comes from behind him. It is that of the thin man, who is
+crushed out of sight by the bulk of the Oracle.
+
+"I think," says the thin man, "that that horse of Flannery's ought to
+run well in the Handicap."
+
+The Oracle can't stand this sort of thing at all. He gives a snort,
+wheels half-round and looks at the speaker. Then he turns back to the
+compartment full of people, and says: "No 'ope."
+
+The thin man makes a last effort. "Well, they backed him last night,
+anyhow."
+
+"Who backed 'im?" says the Oracle.
+
+"In Tattersall's," says the thin man.
+
+"I'm sure," says the Oracle; and the thin man collapses.
+
+On arrival at the course, the Oracle is in great form. Attended by
+his string of satellites, he plods from stall to stall staring at the
+horses. Their names are printed in big letters on the stalls, but the
+Oracle doesn't let that stop his display of knowledge.
+
+"'Ere's Blue Fire," he says, stopping at that animal's stall, and
+swinging his race book. "Good old Blue Fire!" he goes on loudly, as a
+little court collects. "Jimmy B----" (mentioning a popular jockey) "told
+me he couldn't have lost on Saturday week if he had only been ridden
+different. I had a good stake on him, too, that day. Lor', the races
+that has been chucked away on this horse. They will not ride him right."
+
+A trainer who is standing by, civilly interposes. "This isn't Blue
+Fire," he says. "Blue Fire's out walking about. This is a two-year-old
+filly that's in the stall----"
+
+"Well, I can see that, can't I," says the Oracle, crushingly. "You
+don't suppose I thought Blue Fire was a mare, did you?" and he moves off
+hurriedly.
+
+"Now, look here, you chaps," he says to his followers at last. "You wait
+here. I want to go and see a few of the talent, and it don't do to have
+a crowd with you. There's Jimmy M---- over there now" (pointing to a
+leading trainer). "I'll get hold of him in a minute. He couldn't tell me
+anything with so many about. Just you wait here."
+
+He crushes into a crowd that has gathered round the favourite's stall,
+and overhears one hard-faced racing man say to another, "What do you
+like?" to which the other answers, "Well, either this or Royal Scot. I
+think I'll put a bit on Royal Scot." This is enough for the Oracle. He
+doesn't know either of the men from Adam, or either of the horses from
+the great original pachyderm, but the information will do to go on with.
+He rejoins his followers, and looks very mysterious.
+
+"Well, did you hear anything?" they say.
+
+The Oracle talks low and confidentially.
+
+"The crowd that have got the favourite tell me they're not afraid of
+anything but Royal Scot," he says. "I think we'd better put a bit on
+both."
+
+"What did the Royal Scot crowd say?" asks an admirer deferentially.
+
+"Oh, they're going to try and win. I saw the stable commissioner, and he
+told me they were going to put a hundred on him. Of course, you
+needn't say I told you, 'cause I promised him I wouldn't tell." And
+the satellites beam with admiration of the Oracle, and think what a
+privilege it is to go to the races with such a knowing man.
+
+They contribute their mites to the general fund, some putting in a
+pound, others half a sovereign, and the Oracle takes it into the ring to
+invest, half on the favourite and half on Royal Scot. He finds that the
+favourite is at two to one, and Royal Scot at threes, eight to one
+being offered against anything else. As he ploughs through the ring, a
+Whisperer (one of those broken-down followers of the turf who get
+their living in various mysterious ways, but partly by giving "tips" to
+backers) pulls his sleeve.
+
+"What are you backing?" he says.
+
+"Favourite and Royal Scot," says the Oracle.
+
+"Put a pound on Bendemeer," says the tipster. "It's a certainty. Meet
+me here if it comes off, and I'll tell you something for the next race.
+Don't miss it now. Get on quick!"
+
+The Oracle is humble enough before the hanger-on of the turf. A
+bookmaker roars "10 to 1 Bendemeer;" he suddenly fishes out a sovereign
+of his own--and he hasn't money to spare, for all his knowingness--and
+puts it on Bendemeer. His friends' money he puts on the favourite and
+Royal Scot as arranged. Then they all go round to watch the race.
+
+The horses are at the post; a distant cluster of crowded animals with
+little dots of colour on their backs. Green, blue, yellow, purple,
+French grey, and old gold, they change about in a bewildering manner,
+and though the Oracle has a cheap pair of glasses, he can't make out
+where Bendemeer has got to. Royal Scot and the favourite he has lost
+interest in, and secretly hopes that they will be left at the post
+or break their necks; but he does not confide his sentiment to his
+companions.
+
+They're off! The long line of colours across the track becomes a
+shapeless clump and then draws out into a long string. "What's that in
+front?" yells someone at the rails. "Oh, that thing of Hart's," says
+someone else. But the Oracle hears them not; he is looking in the mass
+of colour for a purple cap and grey jacket, with black arm bands. He
+cannot see it anywhere, and the confused and confusing mass swings round
+the turn into the straight.
+
+Then there is a babel of voices, and suddenly a shout of "Bendemeer!
+Bendemeer!" and the Oracle, without knowing which is Bendemeer, takes
+up the cry feverishly. "Bendemeer! Bendemeer!" he yells, waggling his
+glasses about, trying to see where the animal is.
+
+"Where's Royal Scot, Charley? Where's Royal Scot?" screams one of his
+friends, in agony. "'Ow's he doin'?"
+
+"No 'ope!" says the Oracle, with fiendish glee. "Bendemeer! Bendemeer!"
+
+The horses are at the Leger stand now, whips are out, and three horses
+seem to be nearly abreast; in fact, to the Oracle there seem to be a
+dozen nearly abreast. Then a big chestnut sticks his head in front
+of the others, and a small man at the Oracle's side emits a deafening
+series of yells right by the Oracle's ear:
+
+"Go on, Jimmy! Rub it into him! Belt him! It's a cake-walk! A cake-walk!"
+The big chestnut, in a dogged sort of way, seems to stick his body clear
+of his opponents, and passes the post a winner by a length. The Oracle
+doesn't know what has won, but fumbles with his book. The number on the
+saddle-cloth catches his eye--No. 7; he looks hurriedly down the page.
+No. 7--Royal Scot. Second is No. 24--Bendemeer. Favourite nowhere.
+
+Hardly has he realised it, before his friends are cheering and clapping
+him on the back. "By George, Charley, it takes you to pick 'em." "Come
+and 'ave a wet!" "You 'ad a quid in, didn't you, Charley?" The Oracle
+feels very sick at having missed the winner, but he dies game. "Yes,
+rather; I had a quid on," he says. "And" (here he nerves himself to
+smile) "I had a saver on the second, too."
+
+His comrades gasp with astonishment. "D'you hear that, eh? Charley
+backed first and second. That's pickin' 'em if you like." They have a
+wet, and pour fulsome adulation on the Oracle when he collects their
+money.
+
+After the Oracle has collected the winnings for his friends he meets the
+Whisperer again.
+
+"It didn't win?" he says to the Whisperer in inquiring tones.
+
+"Didn't win," says the Whisperer, who has determined to brazen the
+matter out. "How could he win? Did you see the way he was ridden? That
+horse was stiffened just after I seen you, and he never tried a yard.
+Did you see the way he was pulled and hauled about at the turn? It'd
+make a man sick. What was the stipendiary stewards doing, I wonder?"
+
+This fills the Oracle with a new idea. All that he remembers of the race
+at the turn was a jumble of colours, a kaleidoscope of horses and of
+riders hanging on to the horses' necks. But it wouldn't do to admit that
+he didn't see everything, and didn't know everything; so he plunges in
+boldly.
+
+"O' course I saw it," he says. "And a blind man could see it. They ought
+to rub him out."
+
+"Course they ought," says the Whisperer. "But, look here, put two quid
+on Tell-tale; you'll get it all back!"
+
+The Oracle does put on "two quid", and doesn't get it all back. Neither
+does he see any more of this race than he did of the last one--in fact,
+he cheers wildly when the wrong horse is coming in. But when the public
+begin to hoot he hoots as loudly as anybody--louder if anything; and all
+the way home in the tram he lays down the law about stiff running, and
+wants to know what the stipendiaries are doing.
+
+If you go into any barber's shop, you can hear him at it, and he
+flourishes in suburban railway carriages; but he has a tremendous local
+reputation, having picked first and second in the handicap, and it would
+be a bold man who would venture to question the Oracle's knowledge of
+racing and of all matters relating to it.
+
+
+
+
+THE CAST-IRON CANVASSER
+
+
+The firm of Sloper and Dodge, publishers and printers, was in great
+distress. These two enterprising individuals had worked up an enormous
+business in time-payment books, which they sold all over Australia
+by means of canvassers. They had put all the money they had into the
+business; and now, just when everything was in thorough working order,
+the public had revolted against them.
+
+Their canvassers were molested by the country folk in divers strange
+bush ways. One was made drunk, and then a two-horse harrow was run over
+him; another was decoyed into the ranges on pretence of being shown a
+gold-mine, and his guide galloped away and left him to freeze all night
+in the bush. In mining localities the inhabitants were called together
+by beating a camp-oven lid with a pick, and the canvasser was given ten
+minutes in which to get out of the town alive. If he disregarded the
+hint he would, as likely as not, fall accidentally down a disused shaft.
+
+The people of one district applied to their M.P. to have canvassers
+brought under the "Noxious Animals Act", and demanded that a reward
+should be offered for their scalps. Reports appeared in the country
+press about strange, gigantic birds that appeared at remote selections
+and frightened the inhabitants to death--these were Sloper and Dodge's
+sober and reliable agents, wearing neat, close-fitting suits of tar and
+feathers.
+
+In fact, it was altogether too hot for the canvassers, and they came
+in from North and West and South, crippled and disheartened, to tender
+their resignations. To make matters worse, Sloper and Dodge had just
+got out a large Atlas of Australasia, and if they couldn't sell it, ruin
+stared them in the face; and how could they sell it without canvassers?
+
+The members of the firm sat in their private office. Sloper was a long,
+sanctimonious individual, very religious and very bald. Dodge was a
+little, fat American, with bristly, black hair and beard, and quick,
+beady eyes. He was eternally smoking a reeking black pipe, and puffing
+the smoke through his nose in great whiffs, like a locomotive on a
+steep grade. Anybody walking into one of those whiffs was liable to get
+paralysis.
+
+Just as things were at their very blackest, something had turned up that
+promised to relieve all their difficulties. An inventor had offered to
+supply them with a patent cast-iron canvasser--a figure which (he said)
+when wound up would walk, talk, collect orders, and stand any amount
+of ill-usage and wear and tear. If this could indeed be done, they
+were saved. They had made an appointment with the genius; but he was
+half-an-hour late, and the partners were steeped in gloom.
+
+They had begun to despair of his appearing at all, when a cab rattled up
+to the door. Sloper and Dodge rushed unanimously to the window. A
+young man, very badly dressed, stepped out of the cab, holding over
+his shoulder what looked like the upper half of a man's body. In his
+disengaged hand he held a pair of human legs with boots and trousers on.
+Thus burdened he turned to ask his fare, but the cabman gave a yell of
+terror, whipped up his horse, and disappeared at a hand-gallop; and a
+woman who happened to be going by, ran down the street, howling that
+Jack the Ripper had come to town. The man bolted in at the door, and
+toiled up the dark stairs tramping heavily, the legs and feet, which he
+dragged after him, making an unearthly clatter. He came in and put his
+burden down on the sofa.
+
+"There you are, gents," he said; "there's your canvasser."
+
+Sloper and Dodge recoiled in horror. The upper part of the man had a
+waxy face, dull, fishy eyes, and dark hair; he lounged on the sofa like
+a corpse at ease, while his legs and feet stood by, leaning stiffly
+against the wall. The partners gazed at him for a while in silence.
+
+"Fix him together, for God's sake," said Dodge. "He looks awful."
+
+The Genius grinned, and fixed the legs on.
+
+"Now he looks better," said Dodge, poking about the figure--"looks
+as much like life as most--ah, would you, you brute!" he exclaimed,
+springing back in alarm, for the figure had made a violent La Blanche
+swing at him.
+
+"That's all right," said the Inventor. "It's no good having his face
+knocked about, you know--lot of trouble to make that face. His head and
+body are full of springs, and if anybody hits him in the face, or in the
+pit of the stomach--favourite places to hit canvassers, the pit of the
+stomach--it sets a strong spring in motion, and he fetches his right
+hand round with a swipe that'll knock them into the middle of next week.
+It's an awful hit. Griffo couldn't dodge it, and Slavin couldn't stand
+up against it. No fear of any man hitting _him_ twice.
+
+"And he's dog-proof, too. His legs are padded with tar and oakum, and
+if a dog bites a bit out of him, it will take that dog weeks to pick his
+teeth clean. Never bite anybody again, that dog won't. And he'll talk,
+talk, talk, like a suffragist gone mad; his phonograph can be charged
+for 100,000 words, and all you've got to do is to speak into it what you
+want him to say, and he'll say it. He'll go on saying it till he talks
+his man silly, or gets an order. He has an order-form in his hand, and
+as soon as anyone signs it and gives it back to him, that sets another
+spring in motion, and he puts the order in his pocket, turns round, and
+walks away. Grand idea, isn't he? Lor' bless you, I fairly love him."
+
+He beamed affectionately on his monster.
+
+"What about stairs?" said Dodge.
+
+"No stairs in the bush," said the Inventor, blowing a speck of dust off
+his apparition; "all ground-floor houses. Anyhow, if there were stairs
+we could carry him up and let him fall down afterwards, or get flung
+down like any other canvasser."
+
+"Ha! Let's see him walk," said Dodge.
+
+The figure walked all right, stiff and erect.
+
+"Now let's hear him yabber."
+
+The Genius touched a spring, and instantly, in a queer, tin-whistly
+voice, he began to sing, "Little Annie Rooney".
+
+"Good!" said Dodge; "he'll do. We'll give you your price. Leave him here
+to-night, and come in to-morrow. We'll send you off to the back country
+with him. Ninemile would be a good place to start in. Have a cigar?"
+
+Mr. Dodge, much elated, sucked at his pipe, and blew through his nose a
+cloud of nearly solid smoke, through which the Genius sidled out. They
+could hear him sneezing and choking all the way down the stairs.
+
+Ninemile is a quiet little place, sleepy beyond description. When the
+mosquitoes in that town settle on anyone, they usually go to sleep, and
+forget to bite him. The climate is so hot that the very grasshoppers
+crawl into the hotel parlours out of the sun, climb up the window
+curtains, and then go to sleep. The Riot Act never had to be read in
+Ninemile. The only thing that can arouse the inhabitants out of their
+lethargy is the prospect of a drink at somebody else's expense.
+
+For these reasons it had been decided to start the Cast-iron Canvasser
+there, and then move him on to more populous and active localities if he
+proved a success. They sent up the Genius, and one of their men who knew
+the district well. The Genius was to manage the automaton, and the other
+was to lay out the campaign, choose the victims, and collect the money,
+geniuses being notoriously unreliable and loose in their cash. They got
+through a good deal of whisky on the way up, and when they arrived at
+Ninemile were in a cheerful mood, and disposed to take risks.
+
+"Who'll we begin on?" said the Genius.
+
+"Oh, hang it all," said the other, "let's make a start with Macpherson."
+
+Macpherson was a Land Agent, and the big bug of the place. He was a
+gigantic Scotchman, six feet four in his socks, and freckled all over
+with freckles as big as half-crowns. His eyebrows would have made
+decent-sized moustaches for a cavalryman, and his moustaches looked like
+horns. He was a fighter from the ground up, and had a desperate "down"
+on canvassers generally, and on Sloper and Dodge's canvassers in
+particular.
+
+Sloper and Dodge had published a book called "Remarkable Colonials", and
+Macpherson had written out his own biography for it. He was intensely
+proud of his pedigree and his relations, and in his narrative made out
+that he was descended from the original Fhairshon who swam round Noah's
+Ark with his title-deeds in his teeth. He showed how his people had
+fought under Alexander the Great and Timour, and had come over to
+Scotland some centuries before William the Conqueror landed in England.
+He proved that he was related in a general way to one emperor, fifteen
+kings, twenty-five dukes, and earls and lords and viscounts innumerable.
+And then, after all, the editor of "Remarkable Colonials" managed to mix
+him up with some other fellow, some low-bred Irish McPherson, born in
+Dublin of poor but honest parents.
+
+It was a terrible outrage. Macpherson became president of the Western
+District Branch of the "Remarkable Colonials" Defence League, a fierce
+and homicidal association got up to resist, legally and otherwise,
+paying for the book. He had further sworn by all he held sacred that
+every canvasser who came to harry him in future should die, and had put
+up a notice on his office-door, "Canvassers come in at their own risk."
+
+He had a dog of what he called the Hold'em breed, who could tell a
+canvasser by his walk, and would go for him on sight. The reader will
+understand, therefore, that, when the Genius and his mate proposed to
+start on Macpherson, they were laying out a capacious contract for
+the Cast-iron Canvasser, and could only have been inspired by a morbid
+craving for excitement, aided by the influence of backblock whisky.
+
+The Inventor wound the figure up in the back parlour of the pub. There
+were a frightful lot of screws to tighten before the thing would work,
+but at last he said it was ready, and they shambled off down the street,
+the figure marching stiffly between them. It had a book tucked under
+its arm and an order-form in its hand. When they arrived opposite
+Macpherson's office, the Genius started the phonograph working, pointed
+the figure straight at Macpherson's door, and set it going. Then the two
+conspirators waited, like Guy Fawkes in his cellar.
+
+The automaton marched across the road and in at the open door, talking
+to itself loudly in a hoarse, unnatural voice.
+
+Macpherson was writing at his table, and looked up.
+
+The figure walked bang through a small collection of flower-pots, sent
+a chair flying, tramped heavily in the spittoon, and then brought up
+against the table with a loud crash and stood still. It was talking all
+the time.
+
+"I have here," it said, "a most valuable work, an Atlas of Australia,
+which I desire to submit to your notice. The large and increasing demand
+of bush residents for time-payment works has induced the publishers of
+this----"
+
+"My God!" said Macpherson, "it's a canvasser. Here, Tom Sayers, Tom
+Sayers!" and he whistled and called for his dog. "Now," he said, "will
+you go out of this office quietly, or will you be thrown out? It's for
+yourself to decide, but you've only got while a duck wags his tail to
+decide in. Which'll it be?"
+
+"---- works of modern ages," said the canvasser. "Every person
+subscribing to this invaluable work will receive, in addition, a
+flat-iron, a railway pass for a year, and a pocket-compass. If you will
+please sign this order----"
+
+Just here Tom Sayers came tearing through the office, and without
+waiting for orders hitched straight on to the canvasser's calf. To
+Macpherson's amazement the piece came clear away, and Tom Sayers rolled
+about on the floor with his mouth full of a sticky substance which
+seemed to surprise him badly.
+
+The long Scotchman paused awhile before this mystery, but at last
+he fancied he had got the solution. "Got a cork leg, have you?" said
+he--"Well, let's see if your ribs are cork too," and he struck the
+canvasser an awful blow on the fifth button of the waistcoat.
+
+Quicker than lightning came that terrific right-hand cross-counter.
+Macpherson never even knew what happened to him. The canvasser's right
+hand, which had been adjusted by his inventor for a high blow, had
+landed on the butt of Macpherson's ear and dropped him like a fowl. The
+gasping, terrified bull-dog fled the scene, and the canvasser stood over
+his fallen foe, still intoning the virtues of his publication. He had
+come there merely as a friend, he said, to give the inhabitants of
+Ninemile a chance to buy a book which had recently earned the approval
+of King O'Malley and His Excellency the Governor-General.
+
+The Genius and his mate watched this extraordinary drama through the
+window. The stimulant habitually consumed by the Ninemilers had induced
+in them a state of superlative Dutch courage, and they looked upon the
+whole affair as a wildly hilarious joke.
+
+"By Gad! he's done him," said the Genius, as Macpherson went down, "done
+him in one hit. If he don't pay as a canvasser I'll take him to town
+and back him to fight Les Darcy. Look out for yourself; don't you handle
+him!" he continued as the other approached the figure. "Leave him to
+me. As like as not, if you get fooling about him, he'll give you a clout
+that'll paralyse you."
+
+So saying, he guided the automaton out of the office and into the
+street, and walked straight into a policeman.
+
+By a common impulse the Genius and his mate ran rapidly away in
+different directions, leaving the figure alone with the officer.
+
+He was a fully-ordained sergeant--by name Aloysius O'Grady; a squat,
+rosy little Irishman. He hated violent arrests and all that sort of
+thing, and had a faculty of persuading drunks and disorderlies and other
+fractious persons to "go quietly along wid him," that was little short
+of marvellous. Excited revellers, who were being carried by their mates,
+struggling violently, would break away to prance gaily along to the
+lock-up with the sergeant. Obstinate drunks who had done nothing but lie
+on the ground and kick their feet in the air, would get up like birds,
+serpent-charmed, to go with him to durance vile.
+
+As soon as he saw the canvasser, and noted his fixed, unearthly stare,
+and listened to his hoarse, unnatural voice, the sergeant knew what was
+the matter; it was a man in the horrors, a common enough spectacle at
+Ninemile. He resolved to decoy him into the lock-up, and accosted him in
+a friendly, free-and-easy way.
+
+"Good day t'ye," he said.
+
+"---- most magnificent volume ever published, jewelled in fourteen
+holes, working on a ruby roller, and in a glass case," said the
+book-canvasser. "The likenesses of the historical personages are
+so natural that the book must not be left open on the table, or the
+mosquitoes will ruin it by stinging the portraits."
+
+It then dawned on the sergeant that this was no mere case of the
+horrors--he was dealing with a book-canvasser.
+
+"Ah, sure," he said, "fwhat's the use uv tryin' to sell books at all, at
+all; folks does be peltin' them out into the street, and the nanny-goats
+lives on them these times. Oi send the childer out to pick 'em up, and
+we have 'em at me place in barrow-loads. Come along wid me now, and
+Oi'll make you nice and comfortable for the night," and he laid his hand
+on the outstretched palm of the figure.
+
+It was a fatal mistake. He had set in motion the machinery which
+operated the figure's left arm, and it moved that limb in towards its
+body, and hugged the sergeant to its breast, with a vice-like grip. Then
+it started in a faltering and uneven, but dogged, way to walk towards
+the river.
+
+"Immortial Saints!" gasped the sergeant, "he's squazin' the livin'
+breath out uv me. Lave go now loike a dacent sowl, lave go. And oh,
+for the love uv God, don't be shpakin' into me ear that way;" for the
+figure's mouth was pressed tight against the sergeant's ear, and its
+awful voice went through and through the little man's head, as it held
+forth about the volume. The sergeant struggled violently, and by so
+doing set some more springs in motion, and the figure's right arm
+made terrific swipes in the air. A following of boys and loafers had
+collected by this time. "Blimey, how does he lash out!" was the remark
+they made. But they didn't interfere, notwithstanding the sergeant's
+frantic appeals, and things were going hard with him when his
+subordinate, Constable Dooley, appeared on the scene.
+
+Dooley, better known as The Wombat because of his sleepy disposition,
+was a man of great strength. He had originally been quartered at Sydney,
+and had fought many bitter battles with the notorious "pushes" of Bondi,
+Surry Hills and The Rocks. After that, duty at Ninemile was child's
+play, and he never ran in fewer than two drunks at a time; it was
+beneath his dignity to be seen capturing a solitary inebriate. If they
+wouldn't come any other way, he would take them by the ankles and drag
+them after him. When the Wombat saw the sergeant in the grasp of an
+inebriate he bore down on the fray full of fight.
+
+"I'll soon make him lave go, sergeant," he said, and he caught hold of
+the figure's right arm, to put on the "police twist". Unfortunately,
+at that exact moment the sergeant touched one of the springs in the
+creature's breast. With the suddenness and severity of a horse-kick, it
+lashed out with its right hand, catching the redoubtable Dooley a thud
+on the jaw, and sending him to grass as if he had been shot.
+
+For a few minutes he "lay as only dead men lie". Then he got up bit by
+bit, wandered off home to the police-barracks, and mentioned casually
+to his wife that John L. Sullivan had come to town, and had taken
+the sergeant away to drown him. After which, having given orders that
+anybody who called was to be told that he had gone fifteen miles out of
+town to serve a summons on a man for not registering a dog, he locked
+himself up in a cell for the rest of the day.
+
+Meanwhile, the Cast-iron Canvasser, still holding the sergeant tightly
+clutched to its breast, was marching straight towards the river.
+Something had disorganised its vocal arrangements, and it was now
+positively shrieking in the sergeant's ear, and, as it yelled, the
+little man yelled still louder.
+
+"Oi don't want yer accursed book. Lave go uv me, Oi say!" He beat with
+his fists on its face, and kicked its shins without avail. A short,
+staggering rush, a wild shriek from the officer, and they both toppled
+over the steep bank and went souse into the depths of Ninemile Creek.
+
+That was the end of the matter. The Genius and his mate returned to town
+hurriedly, and lay low, expecting to be indicted for murder. Constable
+Dooley drew up a report for the Chief of Police which contained so many
+strange statements that the Police department concluded the sergeant
+must have got drunk and drowned himself, and that Dooley saw him do it,
+but was too drunk to pull him out.
+
+Anyone unacquainted with Ninemile might expect that a report of the
+occurrence would have reached the Sydney papers. As a matter of fact the
+storekeeper did think of writing one, but decided that it was too much
+trouble. There was some idea of asking the Government to fish the two
+bodies out of the river; but about that time an agitation was started
+in Ninemile to have the Federal Capital located there, and nothing else
+mattered.
+
+The Genius discovered a pub in Sydney that kept the Ninemile brand of
+whisky, and drank himself to death; the Wombat became a Sub-Inspector of
+Police; Sloper entered the Christian ministry; Dodge was elected to the
+Federal Parliament; and a vague tradition about "a bloke who came up
+here in the horrors, and drownded poor old O'Grady," is the only memory
+that remains of that wonderful creation, the Cast-iron Canvasser.
+
+
+
+
+THE MERINO SHEEP
+
+
+People have got the impression that the merino is a gentle, bleating
+animal that gets its living without trouble to anybody, and comes up
+every year to be shorn with a pleased smile upon its amiable face. It is
+my purpose here to exhibit the merino sheep in its true light.
+
+First let us give him his due. No one can accuse him of being a
+ferocious animal. No one could ever say that a sheep attacked him
+without provocation; although there is an old bush story of a man who
+was discovered in the act of killing a neighbour's wether.
+
+"Hello!" said the neighbour, "What's this? Killing my sheep! What have
+you got to say for yourself?"
+
+"Yes," said the man, with an air of virtuous indignation. "I _am_ killing
+your sheep. I'll kill _any_ man's sheep that bites _me_!"
+
+But as a rule the merino refrains from using his teeth on people. He
+goes to work in another way.
+
+The truth is that he is a dangerous monomaniac, and his one idea is to
+ruin the man who owns him. With this object in view he will display a
+talent for getting into trouble and a genius for dying that are almost
+incredible.
+
+If a mob of sheep see a bush fire closing round them, do they run away
+out of danger? Not at all, they rush round and round in a ring till the
+fire burns them up. If they are in a river-bed, with a howling flood
+coming down, they will stubbornly refuse to cross three inches of water
+to save themselves. Dogs may bark and men may shriek, but the sheep
+won't move. They will wait there till the flood comes and drowns them
+all, and then their corpses go down the river on their backs with their
+feet in the air.
+
+A mob will crawl along a road slowly enough to exasperate a snail, but
+let a lamb get away in a bit of rough country, and a racehorse can't
+head him back again. If sheep are put into a big paddock with water in
+three corners of it, they will resolutely crowd into the fourth, and die
+of thirst.
+
+When being counted out at a gate, if a scrap of bark be left on the
+ground in the gateway, they will refuse to step over it until dogs and
+men have sweated and toiled and sworn and "heeled 'em up", and "spoke
+to 'em", and fairly jammed them at it. At last one will gather courage,
+rush at the fancied obstacle, spring over it about six feet in the air,
+and dart away. The next does exactly the same, but jumps a bit higher.
+Then comes a rush of them following one another in wild bounds like
+antelopes, until one overjumps himself and alights on his head. This
+frightens those still in the yard, and they stop running out.
+
+Then the dogging and shrieking and hustling and tearing have to be gone
+through all over again. (This on a red-hot day, mind you, with clouds
+of blinding dust about, the yolk of wool irritating your eyes, and,
+perhaps, three or four thousand sheep to put through). The delay throws
+out the man who is counting, and he forgets whether he left off at 45
+or 95. The dogs, meanwhile, have taken the first chance to slip over
+the fence and hide in the shade somewhere, and then there are loud
+whistlings and oaths, and calls for Rover and Bluey. At last a
+dirt-begrimed man jumps over the fence, unearths Bluey, and hauls him
+back by the ear. Bluey sets to work barking and heeling-'em up again,
+and pretends that he thoroughly enjoys it; but all the while he is
+looking out for another chance to "clear". And _this_ time he won't be
+discovered in a hurry.
+
+There is a well-authenticated story of a ship-load of sheep that was
+lost because an old ram jumped overboard, and all the rest followed him.
+No doubt they did, and were proud to do it. A sheep won't go through
+an open gate on his own responsibility, but he would gladly and proudly
+"follow the leader" through the red-hot portals of Hades: and it makes
+no difference whether the lead goes voluntarily, or is hauled struggling
+and kicking and fighting every inch of the way.
+
+For pure, sodden stupidity there is no animal like the merino. A lamb
+will follow a bullock-dray, drawn by sixteen bullocks and driven by
+a profane person with a whip, under the impression that the aggregate
+monstrosity is his mother. A ewe never knows her own lamb by sight, and
+apparently has no sense of colour. She can recognise its voice half a
+mile off among a thousand other voices apparently exactly similar; but
+when she gets within five yards of it she starts to smell all the other
+lambs within reach, including the black ones--though her own may be
+white.
+
+The fiendish resemblance which one sheep bears to another is a great
+advantage to them in their struggles with their owners. It makes it more
+difficult to draft them out of a strange flock, and much harder to tell
+when any are missing.
+
+Concerning this resemblance between sheep, there is a story told of
+a fat old Murrumbidgee squatter who gave a big price for a famous ram
+called Sir Oliver. He took a friend out one day to inspect Sir Oliver,
+and overhauled that animal with a most impressive air of sheep-wisdom.
+
+"Look here," he said, "at the fineness of the wool. See the serrations
+in each thread of it. See the density of it. Look at the way his legs
+and belly are clothed--he's wool all over, that sheep. Grand animal,
+grand animal!"
+
+Then they went and had a drink, and the old squatter said, "Now, I'll
+show you the difference between a champion ram and a second-rater." So
+he caught a ram and pointed out his defects. "See here--not half the
+serrations that other sheep had. No density of fleece to speak of.
+Bare-bellied as a pig, compared with Sir Oliver. Not that this isn't
+a fair sheep, but he'd be dear at one-tenth Sir Oliver's price. By the
+way, Johnson" (to his overseer), "what ram _is_ this?"
+
+"That, sir," replied the astounded functionary--"that _is_ Sir Oliver,
+sir!"
+
+There is another kind of sheep in Australia, as great a curse in his own
+way as the merino--namely, the cross-bred, or half-merino-half-Leicester
+animal. The cross-bred will get through, under, or over any fence you
+like to put in front of him. He is never satisfied with his owner's run,
+but always thinks other people's runs must be better, so he sets off to
+explore. He will strike a course, say, south-east, and so long as
+the fit takes him he will keep going south-east through all
+obstacles--rivers, fences, growing crops, anything. The merino relies on
+passive resistance for his success; the cross-bred carries the war into
+the enemy's camp, and becomes a living curse to his owner day and night.
+
+Once there was a man who was induced in a weak moment to buy twenty
+cross-bred rams. From that hour the hand of Fate was upon him. They
+got into all the paddocks they shouldn't have been in. They scattered
+themselves over the run promiscuously. They visited the cultivation
+paddock and the vegetable-garden at their own sweet will. And then they
+took to roving. In a body they visited the neighbouring stations, and
+played havoc with the sheep all over the district.
+
+The wretched owner was constantly getting fiery letters from his
+neighbours: "Your blanky rams are here. Come and take them away at
+once," and he would have to go nine or ten miles to drive them home. Any
+man who has tried to drive rams on a hot day knows what purgatory is. He
+was threatened every week with actions for trespass.
+
+He tried shutting them up in the sheep-yard. They got out and went back
+to the garden. Then he gaoled them in the calf-pen. Out again and into
+a growing crop. Then he set a boy to watch them; but the boy went to
+sleep, and they were four miles away across country before he got on to
+their tracks.
+
+At length, when they happened accidentally to be at home on their
+owner's run, there came a big flood. His sheep, mostly merinos, had
+plenty of time to get on to high ground and save their lives; but, of
+course, they didn't, and were almost all drowned. The owner sat on a
+rise above the waste of waters and watched the dead animals go by. He
+was a ruined man. But he said, "Thank God, those cross-bred rams are
+drowned, anyhow." Just as he spoke there was a splashing in the water,
+and the twenty rams solemnly swam ashore and ranged themselves in front
+of him. They were the only survivors of his twenty thousand sheep.
+He broke down, and was taken to an asylum for insane paupers. The
+cross-breds had fulfilled their destiny.
+
+The cross-bred drives his owner out of his mind, but the merino ruins
+his man with greater celerity. Nothing on earth will kill cross-breds;
+nothing will keep merinos alive. If they are put on dry salt-bush
+country they die of drought. If they are put on damp, well-watered
+country they die of worms, fluke, and foot-rot. They die in the wet
+seasons and they die in the dry ones.
+
+The hard, resentful look on the faces of all bushmen comes from a long
+course of dealing with merino sheep. The merino dominates the bush,
+and gives to Australian literature its melancholy tinge, its despairing
+pathos. The poems about dying boundary-riders, and lonely graves under
+mournful she-oaks, are the direct outcome of the poet's too close
+association with that soul-destroying animal. A man who could write
+anything cheerful after a day in the drafting-yards would be a freak of
+nature.
+
+
+
+
+THE BULLOCK
+
+
+The typical Australian bullock--long-horned, sullen-eyed, stupid, and
+vindictive--is bred away out in Queensland, on remote stations in the
+Never Never land, where men live on damper and beef, and occasionally
+eat a whole bottle of hot pickles at a sitting, simply to satisfy their
+craving for vegetable food. Here, under the blazing tropic sun, among
+flies and dust and loneliness, they struggle with the bullock from
+year's end to year's end. It is not to be supposed that they take up
+this kind of thing for fun. The man who worked cattle for sport would
+wheel bricks for amusement.
+
+At periodical intervals a boom in cattle-country arises in the cities,
+and syndicates are formed to take up country and stock it. It looks so
+beautifully simple--_on paper_.
+
+You get your country, thousands of miles of it, for next to nothing.
+You buy your breeding herd for a ridiculously small sum, on long-dated
+bills. Your staff consists of a manager, who toils for a share of the
+profits, a couple of half-civilized white stockmen at low wages, and
+a handful of blacks, who work harder for a little opium ash than they
+would for much money. Plant costs nothing, improvements nothing--no
+woolshed is needed, there are no shearers to pay, and no carriage to
+market, for the bullock walks himself down to his doom. Granted that
+prices are low, still it is obvious that there must be huge profits in
+the business. So the cattle start away out to "the country", where they
+are supposed to increase and multiply, and enrich their owners. Alas!
+for such hopes. There is a curse on cattle.
+
+No one has ever been able to explain exactly how the deficit arises.
+Put the figures before the oldest and most experienced cattleman, and he
+will fail to show why they don't work out right. And yet they never do.
+It is not the fault of the cattle themselves. Sheep would rather die
+than live--and when one comes to think of the life they lead, one can
+easily understand their preference for death; but cattle, if given half
+a chance, will do their best to prolong their existence.
+
+If they are running on low-lying country and are driven off when a flood
+comes, they will probably walk back into the flood-water and get drowned
+as soon as their owner turns his back. But, as a rule, cattle are not
+suicidal. They sort themselves into mobs, they pick out the best bits of
+country, they find their way to the water, they breed habitually; but it
+always ends in the same way. The hand of Fate is against them.
+
+If a drought comes, they eat off the grass near the water and have to
+travel far out for a feed. Then they fall away and get weak, and when
+they come down to drink they get bogged in the muddy waterholes and die
+there.
+
+Or Providence sends the pleuro, and big strong beasts slink away by
+themselves, and stand under trees glaring savagely till death comes.
+Or else the tick attacks them, and soon a fine, strong beast becomes
+a miserable, shrunken, tottering wreck. Once cattle get really low in
+condition they are done for. Sheep can be shifted when their pasture
+fails, but you can't shift cattle. They die quicker on the roads than
+on the run. The only thing is to watch and pray for rain. It always
+comes--after the cattle are dead.
+
+As for describing the animals themselves, it would take volumes. Sheep
+are all alike, but cattle are all different. The drovers on the road
+get to know the habits and tendencies of each particular bullock--the
+one-eyed bullock that pokes out to the side of the mob, the inquisitive
+bullock that is always walking over towards the drover as if he were
+going to speak to him, the agitator bullock who is always trying to get
+up a stampede and prodding the others with his horns.
+
+In poor Boake's "Where the Dead Men Lie" he says:
+
+ Only the hand of Night can free them--
+ That's when the dead men fly!
+ Only the frightened cattle see them--
+ See the dead men go by!
+ Cloven hoofs beating out one measure,
+ Bidding the stockman know no leisure--
+ That's when the dead men take their pleasure!
+ That's when the dead men fly!
+
+Cattle on a camp see ghosts, sure enough--else, why is it that, when
+hundreds are in camp at night--some standing, some lying asleep, all
+facing different ways--in an instant, at some invisible cause of alarm,
+the whole mob are on their feet and all racing _in the same direction_,
+away from some unseen terror?
+
+It doesn't do to sneak round cattle at night; it is better to whistle
+and sing than to surprise them by a noiseless appearance. Anyone
+sneaking about frightens them, and then they will charge right over
+the top of somebody on the opposite side, and away into the darkness,
+becoming more and more frightened as they go, smashing against trees and
+stumps, breaking legs and ribs, and playing the dickens with themselves
+generally. Cattle "on the road" are unaccountable animals; one cannot
+say for certain what they will do. In this respect they differ from
+sheep, whose movements can be predicted with absolute certainty.
+
+All the cussedness of the bovine race is centred in the cow. In
+Australia the most opprobious epithet one can apply to a man or other
+object is "cow". In the whole range of a bullock-driver's vocabulary
+there is no word that expresses his blistering scorn so well as "cow".
+To an exaggerated feminine perversity the cow adds a fiendish ingenuity
+in making trouble.
+
+A quiet milking-cow will "plant" her calf with such skill that ten
+stockmen cannot find him in a one-mile paddock. While the search goes on
+she grazes unconcernedly, as if she never had a calf in her life. If
+by chance he be discovered, then one notices a curious thing. The very
+youngest calf, the merest staggering-Bob two days old, will not move
+till the old lady gives him orders to do so. One may pull him about
+without getting a move out of him. If sufficiently persecuted he will
+at last sing out for help, and then his mother will arrive full-gallop,
+charge men and horses indiscriminately, and clear out with him to the
+thickest timber in the most rugged part of the creek-bed, defying man to
+get her to the yard.
+
+While in his mother's company he seconds her efforts with great
+judgment. But, if he be separated from her, he will follow a horse and
+rider up to the yard thinking he is following his mother, though
+she bellow instructions to him from the rear. Then the guileless
+agriculturist, having penned him up, sets a dog on him, and his cries
+soon fetch the old cow full-run to his assistance. Once in the yard
+she is roped, hauled into the bail, propped up to prevent her throwing
+herself down, and milked by sheer brute-force. After a while she
+steadies down and will walk into the bail, knowing her turn and behaving
+like a respectable female.
+
+Cows and calves have no idea of sound or distance. If a cow is on the
+opposite side of the fence, and wishes to communicate with her calf, she
+will put her head through the fence, place her mouth against his ear as
+if she were going to whisper, and then utter a roar that can be heard
+two miles off. It would stun a human being; but the calf thinks it over
+for a moment, and then answers with a prolonged yell in the old cow's
+ear. So the dialogue goes on for hours without either party dropping
+dead.
+
+There is an element of danger in dealing with cattle that makes men
+smart and self-reliant and independent. Men who deal with sheep get
+gloomy and morbid, and are for ever going on strike. Nobody ever heard
+of a stockman's strike. The true stockrider thinks himself just as good
+a man as his boss, and inasmuch as "the boss" never makes any money,
+while the stockman gets his wages, the stockman may be considered as
+having the better position of the two.
+
+Sheepmen like to think that they know all about cattle, and could work
+them if they chose. A Queensland drover once took a big mob from the
+Gulf right down through New South Wales, selling various lots as he
+went. He had to deliver some to a small sheep-man, near Braidwood, who
+was buying a few hundred cattle as a spec. By the time they arrived, the
+cattle had been on the road eight months, and were quiet as milkers. But
+the sheep-man and his satellites came out, riding stable-fed horses
+and brandishing twenty-foot whips, all determined to sell their lives
+dearly. They galloped round the astonished cattle and spurred their
+horses and cracked their whips, till they roused the weary mob. Then
+they started to cut out the beasts they wanted. The horses rushed and
+pulled, and the whips maddened the cattle, and all was turmoil and
+confusion.
+
+The Queensland drovers looked on amazed, sitting their patient leg-weary
+horses they had ridden almost continuously for eight months. At last,
+seeing the hash the sheep-men were making of it, the drovers set to
+work, and in a little while, without a shout, or crack of a whip, had
+cut out the required number. These the head drover delivered to the
+buyer, simply remarking, "Many's the time _you_ never cut-out cattle."
+
+As I write, there rises a vision of a cattle-camp on an open plain,
+the blue sky overhead, the long grass rustling below, the great mob of
+parti-coloured cattle eddying restlessly about, thrusting at each other
+with their horns; and in among the sullen half-savage animals go the
+light, wiry stock-riders, horse and man working together, watchful,
+quick, and resolute.
+
+A white steer is wanted that is right in the throng. Way!--make way! and
+horse and rider edge into the restless sea of cattle, the man with his
+eye fixed on the selected animal, the horse, glancing eagerly about him,
+trying to discover which is the wanted one. The press divides and the
+white steer scuttles along the edge of the mob trying to force his way
+in again. Suddenly he and two or three others are momentarily eddied out
+to the outskirts of the mob, and in that second the stockman dashes his
+horse between them and the main body. The lumbering beasts rush hither
+and thither in a vain attempt to return to their comrades. Those not
+wanted are allowed to return, but the white steer finds, to his
+dismay, that wherever he turns that horse and man and dreaded whip are
+confronting him. He doubles and dodges and makes feints to charge,
+but the horse anticipates every movement and wheels quicker than the
+bullock. At last the white steer sees the outlying mob he is required to
+join, and trots off to them quite happy, while horse and rider return to
+cut out another.
+
+It is a pretty exhibition of skill and intelligence, doubly pleasant to
+watch because of the undoubted interest that the horses take in it. Big,
+stupid creatures that they are, cursed with highly-strung nerves, and
+blessed with little sense, they are pathetically anxious to do such
+work as they can understand. So they go into the cutting-out camp with a
+zest, and toil all day edging lumbering bullocks out of the mob, but as
+soon as a bad rider gets on them and begins to haul their mouths about,
+their nerves overcome them, and they get awkward and frightened. A horse
+that is a crack camp-horse in one man's hands may be a hopeless brute in
+the hands of another.
+
+
+
+
+WHITE-WHEN-HE'S-WANTED
+
+
+Buckalong was a big freehold of some 80,000 acres, belonging to an
+absentee syndicate, and therefore run in most niggardly style. There was
+a manager on 200 pounds a year, Sandy M'Gregor to wit--a hard-headed old
+Scotchman known as "four-eyed M'Gregor", because he wore spectacles.
+For assistants, he had half-a-dozen of us--jackaroos and
+colonial-experiencers--who got nothing a year, and earned it.
+
+We had, in most instances, paid premiums to learn the noble art of
+squatting--which now appears to me hardly worth studying, for so much
+depends on luck that a man with a head as long as a horse's has little
+better chance than the fool just imported. Besides the manager and the
+jackaroos, there were a few boundary riders to prowl round the fences of
+the vast paddocks. This constituted the whole station staff.
+
+Buckalong was on one of the main routes by which stock were taken to
+market, or from the plains to the tablelands, and vice versa. Great mobs
+of travelling sheep constantly passed through the run, eating up the
+grass and vexing the soul of the manager. By law, sheep must travel six
+miles per day, and they must be kept to within half-a-mile of the road.
+Of course we kept all the grass near the road eaten bare, to discourage
+travellers from coming that way.
+
+Such hapless wretches as did venture through Buckalong used to try hard
+to stray from the road and pick up a feed, but old Sandy was always
+ready for them, and would have them dogged right through the run. This
+bred feuds, and bad language, and personal combats between us and the
+drovers, whom we looked upon as natural enemies.
+
+The men who came through with mobs of cattle used to pull down the
+paddock fences at night, and slip the cattle in for refreshments, but
+old Sandy often turned out at 2 or 3 a.m. to catch a mob of bullocks
+in the horse-paddock, and then off they went to Buckalong pound. The
+drovers, as in duty bound, attributed the trespass to accident--broken
+rails, and so on--and sometimes they tried to rescue the cattle, which
+again bred strife and police-court summonses.
+
+Besides having a particular aversion to drovers, old M'Gregor had
+a general "down" on the young Australians whom he comprehensively
+described as a "feckless, horrse-dealin', horrse-stealin', crawlin' lot
+o' wretches." According to him, a native-born would sooner work a horse
+to death than work for a living any day. He hated any man who wanted to
+sell him a horse.
+
+"As aw walk the street," he used to say, "the fouk disna stawp me to buy
+claes nor shoon, an' wheerfore should they stawp me to buy horrses? It's
+'Mister M'Gregor, will ye purrchase a horrse?' Let them wait till I ask
+them to come wi' their horrses."
+
+Such being his views on horseflesh and drovers, we felt no little
+excitement when one Sunday, at dinner, the cook came in to say there
+was "a drover-chap outside wanted the boss to come and have a look at
+a horse." M'Gregor simmered a while, and muttered something about the
+"Sawbath day"; but at last he went out, and we filed after him to see
+the fun.
+
+The drover stood by the side of his horse, beneath the acacia trees
+in the yard. He had a big scar on his face, apparently the result
+of collision with a fence; he looked thin and sickly and seemed
+poverty-stricken enough to disarm hostility. Obviously, he was down on
+his luck. Had it not been for that indefinable self-reliant look which
+drovers--the Ishmaels of the bush--always acquire, one might have taken
+him for a swagman. His horse was in much the same plight. It was a
+ragged, unkempt pony, pitifully poor and very footsore, at first sight,
+an absolute "moke"; but a second glance showed colossal round ribs,
+square hips, and a great length of rein, the rest hidden beneath a
+wealth of loose hair. He looked like "a good journey horse", possibly
+something better.
+
+We gathered round while M'Gregor questioned the drover. The man was
+monosyllabic to a degree, as the real bushmen generally are. It is only
+the rowdy and the town-bushy that are fluent of speech.
+
+"Guid mornin'," said M'Gregor.
+
+"Mornin', boss," said the drover, shortly.
+
+"Is this the horrse ye hae for sale?"
+
+"Yes."
+
+"Ay," and M'Gregor looked at the pony with a businesslike
+don't-think-much-of-him air, ran his hand lightly over the hard legs,
+and opened the passive creature's mouth. "H'm," he said. Then he turned
+to the drover. "Ye seem a bit oot o' luck. Ye're thin like. What's been
+the matter?"
+
+"Been sick with fever--Queensland fever. Just come through from the
+North. Been out on the Diamantina last."
+
+"Ay. I was there mysel'," said M'Gregor. "Hae ye the fever on ye still?"
+
+"Yes--goin' home to get rid of it."
+
+A man can only get Queensland fever in a malarial district, but he
+can carry it with him wherever he goes. If he stays, it will sap his
+strength and pull him to pieces; if he moves to a better climate,
+the malady moves with him, leaving him by degrees, and coming back at
+regular intervals to rack, shake, burn, and sweat its victim. Gradually
+it wears itself out, often wearing its patient out at the same time.
+M'Gregor had been through the experience, and there was a slight change
+in his voice as he went on with his palaver.
+
+"Whaur are ye makin' for the noo?"
+
+"Monaro--my people live in Monaro."
+
+"Hoo will ye get to Monaro gin ye sell the horrse?"
+
+"Coach and rail. Too sick to care about ridin'," said the drover, while
+a wan smile flitted over his yellow-grey features. "I've rode him far
+enough. I've rode that horse a thousand miles. I wouldn't sell him, only
+I'm a bit hard up. Sellin' him now to get the money to go home."
+
+"Hoo auld is he?"
+
+"Seven."
+
+"Is he a guid horrse on a camp?" asked M'Gregor.
+
+"No better camp-horse in Queensland," said the drover. "You can chuck
+the reins on his neck, an' he'll cut out a beast by himself."
+
+M'Gregor's action in this matter puzzled us. We spent our time crawling
+after sheep, and a camp-horse would be about as much use to us as
+side-pockets to a pig. We had expected Sandy to rush the fellow off the
+place at once, and we couldn't understand how it was that he took
+so much interest in him. Perhaps the fever-racked drover and the old
+camp-horse appealed to him in a way incomprehensible to us. We had never
+been on the Queensland cattle-camps, nor shaken and shivered with the
+fever, nor lived the roving life of the overlanders. M'Gregor had done
+all this, and his heart (I can see it all now) went out to the man who
+brought the old days back to him.
+
+"Ah, weel," he said, "we hae'na muckle use for a camp-horrse here, ye
+ken; wi'oot some of these lads wad like to try theer han' cuttin'
+oot the milkers' cawves frae their mithers." And the old man laughed
+contemptuously, while we felt humbled in the sight of the man from far
+back. "An' what'll ye be wantin' for him?" asked M'Gregor.
+
+"Reckon he's worth fifteen notes," said the drover.
+
+This fairly staggered us. Our estimates had varied between thirty
+shillings and a fiver. We thought the negotiations would close abruptly;
+but M'Gregor, after a little more examination, agreed to give the price,
+provided the saddle and bridle, both grand specimens of ancient art,
+were given in. This was agreed to, and the drover was sent off to get
+his meals in the hut before leaving by the coach.
+
+"The mon is verra harrd up, an' it's a sair thing that Queensland
+fever," was the only remark M'Gregor made. But we knew now that there
+was a soft spot in his heart somewhere.
+
+Next morning the drover got a crisp-looking cheque. He said no word
+while the cheque was being written, but, as he was going away, the horse
+happened to be in the yard, and he went over to the old comrade that had
+carried him so many miles, and laid a hand on his neck.
+
+"He ain't much to look at," said the drover, speaking slowly and
+awkwardly, "but he's white when he's wanted." And just before the coach
+rattled off, the man of few words leant down from the box and nodded
+impressively, and repeated, "Yes, he's white when he's wanted."
+
+We didn't trouble to give the new horse a name. Station horses are
+generally called after the man from whom they are bought. "Tom Devine",
+"The Regan mare", "Black M'Carthy" and "Bay M'Carthy" were among the
+appellations of our horses at that time. As we didn't know the drover's
+name, we simply called the animal "The new horse" until a still newer
+horse was one day acquired. Then, one of the hands being told to take
+the new horse, said, "D'yer mean the _new_ new horse or the _old_ new
+horse?"
+
+"Naw," said the boss, "not the new horrse--that bay horrse we bought
+frae the drover. The ane he said was white when he's wanted."
+
+And so, by degrees, the animal came to be referred to as the horse
+that's white when he's wanted, and at last settled down to the definite
+name of "White-when-he's-wanted".
+
+White-when-he's-wanted didn't seem much of an acquisition. He was sent
+out to do slavery for Greenhide Billy, a boundary-rider who plumed
+himself on having once been a cattle-man. After a week's experience of
+"White", Billy came in to the homestead disgusted. The pony was so lazy
+that he had to build a fire under him to get him to move, and so rough
+that it made a man's nose bleed to ride him more than a mile. "The boss
+must have been off his head to give fifteen notes for such a cow."
+
+M'Gregor heard this complaint. "Verra weel, Mr. Billy," said he, hotly,
+"ye can juist tak' ane of the young horrses in yon paddock, an' if he
+bucks wi' ye an' kills ye, it's yer ain fault. Ye're a cattleman--so ye
+say--dommed if ah believe it. Ah believe ye're a dairy-farmin' body frae
+Illawarra. Ye ken neither horrse nor cattle. Mony's the time ye never
+rode buckjumpers, Mr. Billy"--and with this parting-shot the old man
+turned into the house, and White-when-he's-wanted came back to the head
+station.
+
+For a while he was a sort of pariah. He used to yard the horses, fetch
+up the cows, and hunt travelling sheep through the run. He really was
+lazy and rough, and we all decided that Billy's opinion of him was
+correct, until the day came to make one of our periodical raids on the
+wild horses in the hills at the back of the run.
+
+Every now and again we formed parties to run in some of these animals,
+and, after nearly galloping to death half-a-dozen good horses, we
+would capture three or four brumbies, and bring them in triumph to the
+homestead to be broken in. By the time they had thrown half the crack
+riders on the station, broken all the bridles, rolled on all the
+saddles, and kicked all the dogs, they would be marketable (and no great
+bargains) at about thirty shillings a head.
+
+Yet there is no sport in the world to be mentioned in the same volume as
+"running horses", and we were very keen on it. All the crack nags were
+got as fit as possible, and fed up beforehand; and on this particular
+occasion White-when-he's-wanted, being in good trim, was given a week's
+hard feed and lent to a harum-scarum fellow from the Upper Murray, who
+happened to be working in a survey camp on the run. How he did open our
+eyes!
+
+He ran the mob from hill to hill, from range to range, across open
+country and back again to the hills, over flats and gullies,
+through hop-scrub and stringybark ridges; and all the time
+White-when-he's-wanted was on the wing of the mob, pulling double. The
+mares and foals dropped out, the colts and young stock pulled up dead
+beat, and only the seasoned veterans were left. Most of our horses caved
+in altogether; one or two were kept in the hunt by judicious nursing and
+shirking the work; but White-when-he's-wanted was with the quarry from
+end to end of the run, doing double his share; and at the finish, when a
+chance offered to wheel them into the trapyard, he simply smothered them
+for pace, and slewed them into the wings before they knew where they
+were. Such a capture had not fallen to our lot for many a day, and the
+fame of White-when-he's-wanted was speedily noised abroad.
+
+He was always fit for work, always hungry, always ready to lie down and
+roll, and always lazy. But when he heard the rush of the brumbies' feet
+in the scrub he became frantic with excitement. He could race over the
+roughest ground without misplacing a hoof or altering his stride, and he
+could sail over fallen timber and across gullies like a kangaroo. Nearly
+every Sunday we were after the brumbies, until they got as lean as
+greyhounds and as cunning as policemen. We were always ready to back
+White-when-he's-wanted to run-down, single-handed, any animal in
+the bush that we liked to put him after--wild horses, wild cattle,
+kangaroos, emus, dingoes, kangaroo-rats--we barred nothing, for, if he
+couldn't beat them for pace, he would outlast them.
+
+And then one day he disappeared from the paddock, and we never saw him
+again. We knew there were plenty of men in the district who would steal
+him; but, as we knew also of many more who would "inform" for a pound
+or two, we were sure that it could not have been local "talent" that
+had taken him. We offered good rewards and set some of the right sort to
+work, but heard nothing of him for about a year.
+
+Then the surveyor's assistant turned up again, after a trip to the
+interior. He told us the usual string of back-block lies, and wound up
+by saying that out on the very fringe of settlement he had met an old
+acquaintance.
+
+"Who was that?"
+
+"Why, that little bay horse that I rode after the brumbies that time.
+The one you called White-when-he's-wanted."
+
+"The deuce you did! Are you sure? Who had him?"
+
+"Sure! I'd swear to him anywhere. A little drover fellow had him. A
+little fellow, with a big scar across his forehead. Came from Monaro way
+somewhere. He said he bought the horse from you for fifteen notes."
+
+The King's warrant doesn't run much out west of Boulia, and it is not
+likely that any of us will ever see the drover again, or will ever again
+cross the back of "White-when-he's-wanted".
+
+
+
+
+THE DOWNFALL OF MULLIGAN'S
+
+
+The sporting men of Mulligan's were an exceedingly knowing lot; in fact,
+they had obtained the name amongst their neighbours of being a little
+bit too knowing. They had "taken down" the adjoining town in a variety
+of ways. They were always winning maiden plates with horses which were
+shrewdly suspected to be old and well-tried performers in disguise.
+
+When the sports of Paddy's Flat unearthed a phenomenal runner in the
+shape of a blackfellow called Frying-pan Joe, the Mulligan contingent
+immediately took the trouble to discover a blackfellow of their own,
+and they made a match and won all the Paddy's Flat money with ridiculous
+ease; then their blackfellow turned out to be a well-known Sydney
+performer. They had a man who could fight, a man who could be backed to
+jump five-feet-ten, a man who could kill eight pigeons out of nine at
+thirty yards, a man who could make a break of fifty or so at billiards
+if he tried; they could all drink, and they all had that indefinite look
+of infinite wisdom and conscious superiority which belongs only to those
+who know something about horseflesh.
+
+They knew a great many things never learnt at Sunday-school. They were
+experts at cards and dice. They would go to immense trouble to work off
+any small swindle in the sporting line. In short the general consensus
+of opinion was that they were a very "fly" crowd at Mulligan's, and if
+you went there you wanted to "keep your eyes skinned" or they'd "have"
+you over a threepenny-bit.
+
+There were races at Sydney one Christmas, and a select band of the
+Mulligan sportsmen were going down to them. They were in high
+feather, having just won a lot of money from a young Englishman at
+pigeon-shooting, by the simple method of slipping blank cartridges into
+his gun when he wasn't looking, and then backing the bird.
+
+They intended to make a fortune out of the Sydney people, and admirers
+who came to see them off only asked them as a favour to leave money
+enough in Sydney to make it worth while for another detachment to go
+down later on. Just as the train was departing a priest came running on
+to the platform, and was bundled into the carriage where our Mulligan
+friends were; the door was slammed to, and away they went. His Reverence
+was hot and perspiring, and for a few minutes mopped himself with a
+handkerchief, while the silence was unbroken except by the rattle of the
+train.
+
+After a while one of the Mulligan fraternity got out a pack of cards and
+proposed a game to while away the time. There was a young squatter in
+the carriage who looked as if he might be induced to lose a few pounds,
+and the sportsmen thought they would be neglecting their opportunities
+if they did not try to "get a bit to go on with" from him. He agreed to
+play, and, just as a matter of courtesy, they asked the priest whether
+he would take a hand.
+
+"What game d'ye play?" he asked, in a melodious brogue.
+
+They explained that any game was equally acceptable to them, but they
+thought it right to add that they generally played for money.
+
+"Sure an' it don't matter for wanst in a way," said he--"Oi'll take
+a hand bedad--Oi'm only going about fifty miles, so Oi can't lose a
+fortune."
+
+They lifted a light portmanteau on to their knees to make a table, and
+five of them--three of the Mulligan crowd and the two strangers--started
+to have a little game of poker. Things looked rosy for the Mulligan
+boys, who chuckled as they thought how soon they were making a
+beginning, and what a magnificent yarn they would have to tell about how
+they rooked a priest on the way down.
+
+Nothing sensational resulted from the first few deals, and the priest
+began to ask questions.
+
+"Be ye going to the races?"
+
+They said they were.
+
+"Ah! and Oi suppose ye'll be betting wid thim bookmakers--betting on the
+horses, will yez? They do be terrible knowing men, thim bookmakers, they
+tell me. I wouldn't bet much if Oi was ye," he said, with an affable
+smile. "If ye go bettin' ye will be took in wid thim bookmakers."
+
+The boys listened with a bored air and reckoned that by the time they
+parted the priest would have learnt that they were well able to look
+after themselves. They went steadily on with the game, and the priest
+and the young squatter won slightly; this was part of the plan to lead
+them on to plunge. They neared the station where the priest was to get
+out. He had won rather more than they liked, so the signal was passed
+round to "put the cross on". Poker is a game at which a man need not
+risk much unless he feels inclined, and on this deal the priest stood
+out. Consequently, when they drew up at his station he was still a few
+pounds in.
+
+"Bedad," he said, "Oi don't loike goin' away wid yer money. Oi'll go on
+to the next station so as ye can have revinge." Then he sat down again,
+and play went on in earnest.
+
+The man of religion seemed to have the Devil's own luck. When he was
+dealt a good hand he invariably backed it well, and if he had a bad one
+he would not risk anything. The sports grew painfully anxious as they
+saw him getting further and further ahead of them, prattling away all
+the time like a big schoolboy. The squatter was the biggest loser so
+far, but the priest was the only winner. All the others were out of
+pocket. His reverence played with great dash, and seemed to know a lot
+about the game, so that on arrival at the second station he was a good
+round sum in pocket.
+
+He rose to leave them with many expressions of regret, and laughingly
+promised full revenge next time. Just as he was opening the carriage
+door, one of the Mulligan fraternity said in a stage-whisper: "He's a
+blanky sink-pocket. If he can come this far, let him come on to Sydney
+and play for double the stakes." Like a shot the priest turned on him.
+
+"Bedad, an' if _that's_ yer talk, Oi'll play ye fer double stakes from
+here to the other side of glory. Do yez think men are mice because they
+eat cheese? It isn't one of the Ryans would be fearing to give any man
+his revinge!"
+
+He snorted defiance at them, grabbed his cards and waded in. The others
+felt that a crisis was at hand and settled down to play in a dead
+silence. But the priest kept on winning steadily, and the "old man" of
+the Mulligan push saw that something decisive must be done, and decided
+on a big plunge to get all the money back on one hand. By a dexterous
+manipulation of the cards he dealt himself four kings, almost the best
+hand at poker. Then he began with assumed hesitation to bet on his hand,
+raising the stake little by little.
+
+"Sure ye're trying to bluff, so ye are!" said the priest, and
+immediately raised it.
+
+The others had dropped out of the game and watched with painful interest
+the stake grow and grow. The Mulligan fraternity felt a cheerful
+certainty that the "old man" had made things safe, and regarded
+themselves as mercifully delivered from an unpleasant situation.
+The priest went on doggedly raising the stake in response to his
+antagonist's challenges until it had attained huge dimensions.
+
+"Sure that's high enough," said he, putting into the pool sufficient to
+entitle him to see his opponent's hand.
+
+The "old man" with great gravity laid down his four kings, whereat the
+Mulligan boys let a big sigh of relief escape them.
+
+Then the priest laid down four aces and scooped the pool.
+
+The sportsmen of Mulligan's never quite knew how they got out to
+Randwick. They borrowed a bit of money in Sydney, and found themselves
+in the saddling-paddock in a half-dazed condition, trying to realize
+what had happened to them. During the afternoon they were up at the end
+of the lawn near the Leger stand and could hear the babel of tongues,
+small bookmakers, thimble riggers, confidence men, and so on, plying
+their trades outside. In the tumult of voices they heard one that
+sounded familiar. Soon suspicion grew into certainty, and they knew that
+it was the voice of "Father" Ryan. They walked to the fence and looked
+over. This is what he was saying:--
+
+"Pop it down, gents! Pop it down! If you don't put down a brick you
+can't pick up a castle! I'll bet no one here can pick the knave of
+hearts out of these three cards. I'll bet half-a-sovereign no one here
+can find the knave!"
+
+Then the crowd parted a little, and through the opening they could see
+him distinctly, doing a great business and showing wonderful dexterity
+with the pasteboard.
+
+There is still enough money in Sydney to make it worth while for another
+detachment to come down from Mulligan's; but the next lot will hesitate
+about playing poker with priests in the train.
+
+
+
+
+THE AMATEUR GARDENER
+
+
+The first step in amateur gardening is to sit down and consider what
+good you are going to get by it. If you are only a tenant by the month,
+as most people are, it is obviously not of much use for you to plant a
+fruit orchard or an avenue of oak trees. What you want is something that
+will grow quickly, and will stand transplanting, for when you move it
+would be a sin to leave behind you the plants on which you have spent so
+much labour and so much patent manure.
+
+We knew a man once who was a bookmaker by trade--and a Leger bookmaker
+at that--but had a passion for horses and flowers. When he "had a big
+win", as he occasionally did, it was his custom to have movable wooden
+stables, built on skids, put up in the yard, and to have tons of the
+best soil that money could buy carted into the garden of the premises
+which he was occupying.
+
+Then he would keep splendid horses, and grow rare roses and show-bench
+chrysanthemums. His landlord passing by would see the garden in a
+blaze of colour, and promise himself to raise the bookmaker's rent next
+quarter day.
+
+However, when the bookmaker "took the knock", as he invariably did at
+least twice a year, it was his pleasing custom to move without giving
+notice. He would hitch two cart-horses to the stables, and haul them
+right away at night. He would not only dig up the roses, trees, and
+chrysanthemums he had planted, but would also cart away the soil he
+had brought in; in fact, he used to shift the garden bodily. He had one
+garden that he shifted to nearly every suburb in Sydney; and he always
+argued that the change of air was invaluable for chrysanthemums.
+
+Being determined, then, to go in for gardening on common-sense
+principles, and having decided on the shrubs you mean to grow, the next
+consideration is your chance of growing them.
+
+If your neighbour keeps game fowls, it may be taken for granted that
+before long they will pay you a visit, and you will see the rooster
+scratching your pot plants out by the roots as if they were so much
+straw, just to make a nice place to lie down and fluff the dust over
+himself. Goats will also stray in from the street, and bite the young
+shoots off, selecting the most valuable plants with a discrimination
+that would do credit to a professional gardener.
+
+It is therefore useless to think of growing delicate or squeamish
+plants. Most amateur gardeners maintain a lifelong struggle against the
+devices of Nature; but when the forces of man and the forces of Nature
+come into conflict Nature wins every time. Nature has decreed that
+certain plants shall be hardy, and therefore suitable to suburban
+amateur gardeners; the suburban amateur gardener persists in trying to
+grow quite other plants, and in despising those marked out by Nature for
+his use. It is to correct this tendency that this article is written.
+
+The greatest standby to the amateur gardener should undoubtedly be the
+blue-flowered shrub known as "plumbago". This homely but hardy plant
+will grow anywhere. It naturally prefers a good soil, and a sufficient
+rainfall, but if need be it will worry along without either. Fowls
+cannot scratch it up, and even the goat turns away dismayed from its
+hard-featured branches. The flower is not strikingly beautiful nor
+ravishingly scented, but it flowers nine months out of the year;
+smothered with street dust and scorched by the summer sun, you will find
+that faithful old plumbago plugging along undismayed. A plant like
+this should be encouraged--but the misguided amateur gardener as a rule
+despises it.
+
+The plant known as the churchyard geranium is also one marked out by
+Providence for the amateur; so is Cosmea, which comes up year after year
+where once planted. In creepers, bignonia and lantana will hold their
+own under difficulties perhaps as well as any that can be found. In
+trees the Port Jackson fig is a patriotic one to grow. It is a fine
+plant to provide exercise, as it sheds its leaves unsparingly, and
+requires the whole garden to be swept up every day.
+
+Your aim as a student of Nature should be to encourage the survival
+of the fittest. There is a grass called nut grass, and another called
+Parramatta grass, either of which holds its own against anything living
+or dead. The average gardening manual gives you recipes for destroying
+these. Why should you destroy them in favour of a sickly plant that
+needs constant attention? No. The Parramatta grass is the selected of
+Nature, and who are you to interfere with Nature?
+
+Having decided to go in for strong, simple plants that will hold their
+own, and a bit over, you must get your implements of husbandry.
+
+The spade is the first thing, but the average ironmonger will show you
+an unwieldy weapon only meant to be used by navvies. Don't buy it. Get a
+small spade, about half-size--it is nice and light and doesn't tire the
+wrist, and with it you can make a good display of enthusiasm, and earn
+the hypocritical admiration of your wife. After digging for half-an-hour
+or so, get her to rub your back with any of the backache cures. From
+that moment you will have no further need for the spade.
+
+A barrow is about the only other thing needed; anyhow, it is almost a
+necessity for wheeling cases of whisky up to the house. A rake is useful
+when your terrier dog has bailed up a cat, and will not attack it until
+the cat is made to run.
+
+Talking of terrier dogs, an acquaintance of ours has a dog that does all
+his gardening. The dog is a small elderly terrier with a failing memory.
+As soon as the terrier has planted a bone in the garden the owner slips
+over, digs it up and takes it away. When that terrier goes back and
+finds the bone gone, he distrusts his memory, and begins to think that
+perhaps he has made a mistake, and has dug in the wrong place; so he
+sets to work, and digs patiently all over the garden, turning over acres
+of soil in the course of his search. This saves his master a lot of
+backache.
+
+The sensible amateur gardener, then, will not attempt to fight with
+Nature but will fall in with her views. What more pleasant than to get
+out of bed at 11.30 on a Sunday morning; to look out of your window at
+a lawn waving with the feathery plumes of Parramatta grass, and to see
+beyond it the churchyard geranium flourishing side by side with the
+plumbago and the Port Jackson fig?
+
+The garden gate blows open, and the local commando of goats, headed by
+an aged and fragrant patriarch, locally known as De Wet, rushes in; but
+their teeth will barely bite through the wiry stalks of the Parramatta
+grass, and the plumbago and the figtree fail to attract them, and
+before long they stand on one another's shoulders, scale the fence, and
+disappear into the next-door garden, where a fanatic is trying to grow
+show roses.
+
+After the last goat has scaled your neighbour's fence, and only De Wet
+is left, your little dog discovers him. De Wet beats a hurried retreat,
+apparently at full speed, with the dog exactly one foot behind him in
+frantic pursuit. We say apparently at full speed, because experience has
+taught that De Wet can run as fast as a greyhound when he likes; but
+he never exerts himself to go faster than is necessary to keep just in
+front of whatever dog is after him.
+
+Hearing the scrimmage, your neighbour comes on to his verandah, and sees
+the chase going down the street.
+
+"Ha! that wretched old De Wet again!" he says. "Small hope your dog has
+of catching him! Why don't you get a garden gate like mine, so that he
+won't get in?"
+
+"No; he can't get in at your gate," is the reply; "but I think his
+commando are in your back garden now."
+
+Then follows a frantic rush. Your neighbour falls downstairs in his
+haste, and the commando, after stopping to bite some priceless pot
+plants of your neighbour's as they come out, skips easily back over the
+fence and through your gate into the street again.
+
+If a horse gets in his hoofs make no impression on the firm turf of the
+Parramatta grass, and you get quite a hearty laugh by dropping a chair
+on him from the first-floor window.
+
+The game fowls of your other neighbour come fluttering into your garden,
+and scratch and chuckle and fluff themselves under your plumbago bush;
+but you don't worry. Why should you? They can't hurt it; and, besides,
+you know that the small black hen and the big yellow one, who have
+disappeared from the throng, are even now laying their daily egg for you
+behind the thickest bush.
+
+Your little dog rushes frantically up and down the front bed of your
+garden, barking and racing, and tearing up the ground, because his rival
+little dog, who lives down the street, is going past with his master,
+and each pretends that he wants to be at the other--as they have
+pretended every day for the past three years. The performance he is
+going through doesn't disturb you. Why should it? By following the
+directions in this article you have selected plants he cannot hurt.
+
+After breakfasting at noon, you stroll out, and, perhaps, smooth with
+your foot, or with your spade, the inequalities made by the hens; you
+gather up casually the eggs they have laid; you whistle to your little
+dog, and go out for a stroll with a light heart.
+
+
+
+
+THIRSTY ISLAND
+
+
+Travellers approaching a bush township are sure to find some distance
+from the town a lonely public-house waiting by the roadside to give
+them welcome. Thirsty (miscalled Thursday) Island is the outlying pub of
+Australia.
+
+When the China and British-India steamers arrive from the North the
+first place they come to is Thirsty Island, the sentinel at the gate of
+Torres Straits. New chums on the steamers see a fleet of white-sailed
+pearling luggers, a long pier clustered with a hybrid crowd of every
+colour, caste and creed under Heaven, and at the back of it all a little
+galvanized-iron town shining in the sun.
+
+For nine months of the year a crisp, cool south-east wind blows, the
+snow-white beach is splashed with spray and dotted with the picturesque
+figures of Japanese divers and South Sea Island boatmen. Coco-nut palms
+line the roads by the beach, and back of the town are the barracks and a
+fort nestling among the trees on the hillside. Thirsty Island is a nice
+place--to look at.
+
+When a vessel makes fast the Thirsty Islanders come down to greet
+the new-comers and give them welcome to Australia. The new-chums are
+inclined to patronise these simple, outlying people. Fresh from the
+iniquities of the China-coast cocktail and the unhallowed orgies of the
+Sourabaya Club, new-chums think they have little to learn in the way of
+drink; at any rate, they haven't come all the way to Thursday Island
+to be taught anything. Poor new-chums! Little do they know the kind of
+people they are up against.
+
+The following description of a night at Thursday Island is taken from a
+new-chum's note book:
+
+"Passed Proudfoot shoal and arrived at Thursday Island. First sight
+of Australia. Lot of men came aboard, all called Captain. They are all
+pearl-fishers or pilots, not a bit like the bushmen I expected. When
+they came aboard they divided into parties. Some invaded the Captain's
+cabin; others sat in the smoking room; the rest crowded into the saloon.
+They talked to the passengers about the Boer War, and told us about
+pearls worth 1000 pounds that had been found lately.
+
+"One captain pulled a handful of loose pearls out of a jar and handed
+them round in a casual way for us to look at. The stewards opened
+bottles and we all sat down for a drink and a smoke. I spoke to one
+captain--an oldish man--and he grinned amiably, but did not answer.
+Another captain leaned over to me and said, 'Don't take any notice of
+him, he's boozed all this week.'
+
+"Conversation and drink became general. The night was very hot and
+close, and some of the passengers seemed to be taking more than was good
+for them. A contagious thirst spread round the ship, and before long the
+stewards and firemen were at it. The saloon became an inferno of drink
+and sweat and tobacco smoke. Perfect strangers were talking to each
+other at the top of their voices.
+
+"Young MacTavish, who is in a crack English regiment, asked the captain
+of a pearling lugger whether he didn't know Talbot de Cholmondeley in
+the Blues.
+
+"The pearler said very likely he had met 'em, and no doubt he'd remember
+their faces if he saw them, but he never could remember names.
+
+"Another passenger--a Jew--was trying to buy some pearls cheap from the
+captains, but the more the captains drank the less anxious they became
+to talk about pearls.
+
+"The night wore on, and still the drinks circulated. Young MacTavish
+slept profoundly.
+
+"One passenger gave his steward a sovereign as he was leaving the
+ship, and in half an hour the steward was carried to his berth in
+a fit--alcoholic in its origin. Another steward was observed openly
+drinking the passengers' whisky. When accused, he didn't even attempt
+to defend himself; the great Thursday Island thirst seemed to have
+communicated itself to everyone on board, and he simply _had_ to drink.
+
+"About three in the morning a tour of the ship disclosed the following
+state of affairs: Captain's room full of captains solemnly tight;
+smoking-room empty, except for the inanimate form of the captain who had
+been boozed all the week, and was now sleeping peacefully with his feet
+on the sofa and his head on the floor. The saloon was full of captains
+and passengers--the latter mostly in a state of collapse or laughing and
+singing deliriously; the rails lined with firemen who had business over
+the side; stewards ditto.
+
+"At last the Thursday Islanders departed, unsteadily, but still on their
+feet, leaving a demoralized ship behind them. And young MacTavish,
+who has seen a thing or two in his brief span, staggered to his berth,
+saying, 'My God! Is _all_ Australia like this place?'"
+
+ * * * * *
+
+When no ships arrive, the Islanders just drop into the pubs, as a
+matter of routine, for their usual evening soak. They drink weird
+compounds--horehound beer, known as "lady dog", and things like that.
+About two in the morning they go home speechless, but still able to
+travel. It is very rarely that an Islander gets helplessly drunk, but
+strangers generally have to be put to bed.
+
+The Japanese on the island are a strong faction. They have a club of
+their own, and once gave a dinner to mark the death of one of their
+members. He was shrewdly suspected of having tried to drown another
+member by cutting his airpipe, so, when he died, the club celebrated
+the event. The Japanese are not looked upon with favor by the white
+islanders. They send their money to Japan--thousands of pounds a year go
+through the little office in money-orders--and so they are not "good for
+trade".
+
+The Manilamen and Kanakas and Torres Strait islanders, on the other
+hand, bring all the money they do not spend on the pearling schooner to
+the island, and "blow it in", like men. They knife each other sometimes,
+and now and again have to be run in wholesale, but they are "good for
+trade". The local lock-up has a record of eighteen drunks run in in
+seven minutes. They weren't taken along in carriages-and-four, either;
+they were mostly dragged along by the scruff of the neck.
+
+Billy Malkeela, the South Sea diver, summed up the Japanese
+question--"Seems to me dis Islan' soon b'long Japanee altogedder. One
+time pa-lenty rickatta (plenty regatta), all same Isle of Wight. Now no
+more rickatta. All money go Japan!"
+
+An English new-chum made his appearance there lately--a most undefeated
+sportsman. He was put down in a diving dress in about eight feet of
+water, where he bubbled and struggled about in great style. Suddenly he
+turned, rushed for the beach, and made for the foot of a tree, which he
+tried to climb under the impression that he was still at the bottom of
+the ocean. Then he was hauled in by the life-line.
+
+The pearlers thought to get some fun out of him by giving him an oyster
+to open in which they had previously planted a pearl; he never saw the
+pearl and threw the oyster into the scuppers with the rest, and the
+pearlers had to go down on all fours and grope for that pearl among the
+stinking oysters. It was funny--but not in the way they had intended.
+
+The pearlers go out in schooners called floating stations (their enemies
+call them floating public-houses) and no man knows what hospitality
+is till he has been a guest on a pearling schooner. They carry it to
+extremes sometimes. Some pearlers were out in a lugger, and were passing
+by one of these schooners. They determined not to go on board, as it was
+late, and they were in a hurry. The captain of the schooner went below,
+got his rifle and put two bullets through their foresail. Then they put
+the helm down and went aboard; it was an invitation almost equivalent to
+a royal command. They felt heartily ashamed of themselves as they slunk
+up on deck, and the captain of the schooner eyed them reproachfully.
+
+"I couldn't let you disgrace yourselves by passing my schooner," he
+said; "but if it ever happens again I'll fire at the deck. A man that
+would pass a schooner in broad daylight is better dead."
+
+There is a fort and garrison at Thirsty Island, but they are not needed.
+If an invading fleet comes this way it should be encouraged by every
+possible means to land at the island; the heat, the thirst, the
+horehound beer, and the Islanders may be trusted to do the rest.
+
+
+
+
+DAN FITZGERALD EXPLAINS
+
+
+The circus was having its afternoon siesta. Overhead the towering canvas
+tent spread like a giant mushroom on a network of stalks--slanting
+beams, interlaced with guys and wire ropes.
+
+The ring looked small and lonely; its circle of empty benches seemed
+to stare intently at it, as though some sort of unseen performance were
+going on for the benefit of a ghostly audience. Now and again a guy rope
+creaked, or a loose end of canvas flapped like faint, unreal applause,
+as the silence shut down again, it did not need much imagination to
+people the ring with dead and gone circus riders performing for the
+benefit of shadowy spectators packed on those benches.
+
+In the menagerie portion matters were different; here there was a free
+and easy air, the animals realising that for the present the eyes of the
+public were off them, and they could put in the afternoon as they chose.
+
+The big African apes had dropped the "business" of showing their teeth,
+and pretending that they wanted to tear the spectators' faces off. They
+were carefully and painstakingly trying to fix up a kind of rustic seat
+in the corner of their cage with a short piece of board, which they
+placed against the wall. This fell down every time they sat on it, and
+the whole adjustment had to be gone through again.
+
+The camel had stretched himself full length on the tan, and was enjoying
+a luxurious snooze, oblivious of the fact that before long he would
+have to get up and assume that far-off ship-of-the-desert aspect. The
+remainder of the animals were, like actors, "resting" before their
+"turn" came on; even the elephant had ceased to sway about, while a
+small monkey, asleep on a sloping tent pole, had an attack of nightmare
+and would have fallen off his perch but for his big tail. It was a land
+of the Lotus-eater
+
+ "In which it seemed always afternoon."
+
+These visions were dispelled by the entry of a person who said, "D'ye
+want to see Dan?" and soon Dan Fitzgerald, the man who knows all
+about the training of horses, came into the tent with Montgomery, the
+ringmaster, and between them they proceeded to expound the methods of
+training horseflesh.
+
+"What sort of horse do we buy for circus work? Well, it depends what we
+want 'em for. There are three sorts of horses in use in a circus--ring
+horses, trick horses, and school horses; but it doesn't matter what he
+is wanted for, a horse is all the better if he knows nothing. A horse
+that has been pulled about and partly trained has to unlearn a lot
+before he is any use to us. The less he knows, the better it is."
+
+"Then do you just try any sort of horse?"
+
+"Any sort, so long as he is a good sort, but it depends on what he is
+wanted for. If we want a ring horse, he has to be a quiet sober-going
+animal, not too well-bred and fiery. A ring horse is one that just goes
+round the ring for the bareback riders and equestriennes to perform
+on. The human being is the "star", and the horse in only a secondary
+performer, a sort of understudy; yes, that's it, an understudy--he has
+to study how to keep under the man."
+
+"Are they hard to train?"
+
+"Their work all depends on the men that ride them. In bareback riding
+there's a knack in jumping on the horse. If a man lands awkwardly and
+jars the horse's back, the horse will get out of step and flinch at each
+jump, and he isn't nearly so good to perform on. A ring horse must
+not swerve or change his pace; if you're up in the air, throwing a
+somersault, and the horse swerves from underneath you--where are you?"
+
+"Some people think that horses take a lot of notice of the band--is that
+so?"
+
+"Not that I know of. If there are any horses in the show with an ear
+for music, I haven't heard of them. They take a lot of notice of the
+ringmaster."
+
+"Does it take them long to learn this work?"
+
+"Not long; a couple of months will teach a ring horse; of course, some
+are better than others."
+
+"First of all we teach them to come up to you, with the whip, like
+horsebreakers do. Then we run them round the ring with a lunging rein
+for a long time; then, when they are steady to the ring, we let them
+run with the rein loose, and the trainer can catch hold of it if they go
+wrong. Then we put a roller on them--a broad surcingle that goes round
+the horse's body--and the boys jump on them and canter round, holding
+on to the roller, or standing up, lying down, and doing tricks till the
+horse gets used to it."
+
+"Well?"
+
+"Well, you give 'em a couple of hours of it, perhaps, and then dry them
+and feed them, and give them a spell, and then bring them out again.
+They soon get to know what you want; but you can't break in horses on
+the move. The shifting and worry and noise and excitement put it all out
+of their heads. We have a fixed camp where we break them in. And a horse
+may know his work perfectly well when there is no one about, but bring
+him into the ring at night, and he is all abroad."
+
+"Do you have to give them much whip?"
+
+"Not much. If a horse doesn't know what you want him to do, it only
+ruins him to whip him. But once he does a thing a few times, and then
+won't do it, then you must whip him."
+
+"What about trick horses?"
+
+"A trick horse rolls a barrel, or lies down and goes to bed with the
+clown, or fires a pistol--does any trick like that. Some small circuses
+make the same horses do both trick and ring work, but it isn't a good
+line. A horse is all the better to have only one line of business--same
+as a man."
+
+"How do you teach them tricks?"
+
+"Oh, it takes a long time and a lot of hard work and great patience.
+Even to make a horse lie down when he's ordered takes a couple of months
+sometimes. To make a horse lie down, you strap up one leg, and then pull
+his head round; after a while he gets so tired of the strained position
+that he lies down, after which he learns to do it at command. If you
+want him to pick up a handkerchief, you put a bit of carrot in it, and
+after a while they know that you want them to pick it up--but it takes
+a long time. Then a strange hand in the ring will flurry them, and if
+anything goes wrong, they get all abroad. A good active pony, with a bit
+of Arab blood in him, is the best for tricks."
+
+"What's a school horse?"
+
+"Ah, that's a line of business that isn't appreciated enough out here.
+On the Continent they think a lot of them. A school horse is one that is
+taught to do passaging, to change his feet at command, to move sideways
+and backwards; in fact, to drill. Out here no one thinks much of it. But
+in Germany, where everyone goes through military riding schools, they
+do. The Germans are the best horse-trainers in the world; and the big
+German circus-proprietors have men to do all their business for them,
+while they just attend to the horses."
+
+"How long does it take to turn out a school horse?"
+
+"Well, Chiarini was the best trainer out here, and he used to take two
+years to get a horse to his satisfaction. For school horses, you must
+have thoroughbreds, because their appearance is half their success. We
+had a New Zealand thoroughbred that had raced, and was turning out a
+splendid school horse, and he got burnt after costing a year's training.
+That's the luck of the game, you know. You keep at it year after year,
+and sometimes they die, and sometimes they get crippled--it's all in the
+luck of the game. You may give fifty pounds for a horse, and find that
+he can never get over his fear of the elephant, while you give ten
+pounds for another, and find him a ready-made performer almost."
+
+We passed out through the ghostly circus and the menagerie tent down to
+the stable tent. There, among a lot of others, a tranquil-looking animal
+was munching some feed, while in front of him hung a placard, "Tiger
+Horse".
+
+"That's a new sort! What is he, ring, trick, or school horse?"
+
+"Well, he's a class by himself. I suppose you'd call him a ring horse.
+That's the horse that the tiger rides on."
+
+"Did it take him long to learn that?"
+
+"Well, it did not take this horse long; but we tried eleven others
+before we could get one to stand it. They're just like men, all
+different. What one will stand another won't look at. Well, good-bye."
+
+Just like men--no doubt; most men have to carry tigers of various sorts
+through life to get a living.
+
+
+
+
+THE CAT
+
+
+Most people think that the cat is an unintelligent animal, fond of ease,
+and caring little for anything but mice and milk. But a cat has really
+more character than most human beings, and gets a great deal more
+satisfaction out of life. Of all the animal kingdom, the cat has the
+most many-sided character.
+
+He--or she--is an athlete, a musician, an acrobat, a Lothario, a grim
+fighter, a sport of the first water. All day long the cat loafs about
+the house, takes things easy, sleeps by the fire, and allows himself
+to be pestered by the attentions of our womenfolk and annoyed by our
+children. To pass the time away he sometimes watches a mouse-hole for
+an hour or two--just to keep himself from dying of ennui; and people get
+the idea that this sort of thing is all that life holds for the cat.
+But watch him as the shades of evening fall, and you see the cat as he
+really is.
+
+When the family sits down to tea, the cat usually puts in an appearance
+to get his share, and purrs noisily, and rubs himself against the
+legs of the family; and all the time he is thinking of a fight or a
+love-affair that is coming off that evening. If there is a guest at
+table the cat is particularly civil to him, because the guest is likely
+to have the best of what is going. Sometimes, instead of recognizing
+this civility with something to eat, the guest stoops down and strokes
+the cat, and says, "Poor pussy! poor pussy!"
+
+The cat soon tires of that; he puts up his claw and quietly but firmly
+rakes the guest in the leg.
+
+"Ow!" says the guest, "the cat stuck his claws into me!" The delighted
+family remarks, "Isn't it sweet of him? Isn't he intelligent? _He wants
+you to give him something to eat_."
+
+The guest dares not do what he would like to do--kick the cat through
+the window--so, with tears of rage and pain in his eyes, he affects
+to be very much amused, and sorts out a bit of fish from his plate and
+hands it down. The cat gingerly receives it, with a look in his
+eyes that says: "Another time, my friend, you won't be so dull of
+comprehension," and purrs maliciously as he retires to a safe distance
+from the guest's boot before eating it. A cat isn't a fool--not by a
+long way.
+
+When the family has finished tea, and gathers round the fire to enjoy
+the hours of indigestion, the cat slouches casually out of the room and
+disappears. Life, true life, now begins for him.
+
+He saunters down his own backyard, springs to the top of the fence with
+one easy bound, drops lightly down on the other side, trots across the
+right-of-way to a vacant allotment, and skips to the roof of an empty
+shed. As he goes, he throws off the effeminacy of civilisation; his gait
+becomes lithe and pantherlike; he looks quickly and keenly from side to
+side, and moves noiselessly, for he has so many enemies--dogs, cabmen
+with whips, and small boys with stones.
+
+Arrived on the top of the shed, the cat arches his back, rakes his claws
+once or twice through the soft bark of the old roof, wheels round and
+stretches himself a few times; just to see that every muscle is in full
+working order; then, dropping his head nearly to his paws, he sends
+across a league of backyards his call to his kindred--a call to love, or
+war, or sport.
+
+Before long they come, gliding, graceful shadows, approaching
+circuitously, and halting occasionally to reconnoitre--tortoiseshell,
+tabby, and black, all domestic cats, but all transformed for the nonce
+into their natural state. No longer are they the hypocritical, meek
+creatures who an hour ago were cadging for fish and milk. They are now
+ruffling, swaggering blades with a Gascon sense of dignity. Their fights
+are grim and determined, and a cat will be clawed to ribbons before he
+will yield.
+
+Even young lady cats have this inestimable superiority over human
+beings, that they can work off jealousy, hatred, and malice in a
+sprawling, yelling combat on a flat roof. All cats fight, and all keep
+themselves more or less in training while they are young. Your cat may
+be the acknowledged lightweight champion of his district--a Griffo of
+the feline ring!
+
+Just think how much more he gets out of his life than you do out of
+yours--what a hurricane of fighting and lovemaking his life is--and
+blush for yourself. You have had one little love-affair, and never had a
+good, all-out fight in your life!
+
+And the sport they have, too! As they get older and retire from the ring
+they go in for sport more systematically; the suburban backyards, that
+are to us but dullness indescribable, are to them hunting-grounds and
+trysting-places where they may have more gallant adventure than ever had
+King Arthur's knights or Robin Hood's merry men.
+
+Grimalkin decides to kill a canary in a neighbouring verandah. Consider
+the fascination of it--the stealthy reconnaissance from the top of the
+fence; the care to avoid waking the house-dog, the noiseless approach
+and the hurried dash, and the fierce clawing at the fluttering bird till
+its mangled body is dragged through the bars of the cage; the exultant
+retreat with the spoil; the growling over the feast that follows. Not
+the least entertaining part of it is the demure satisfaction of arriving
+home in time for breakfast and hearing the house-mistress say: "Tom must
+be sick; he seems to have no appetite."
+
+It is always levelled as a reproach against cats that they are more fond
+of their home than of the people in it. Naturally, the cat doesn't like
+to leave his country, the land where all his friends are, and where he
+knows every landmark. Exiled in a strange land, he would have to learn a
+new geography, to exploit another tribe of dogs, to fight and make love
+to an entirely new nation of cats. Life isn't long enough for that sort
+of thing. So, when the family moves, the cat, if allowed, will stay at
+the old house and attach himself to the new tenants. He will give them
+the privilege of boarding him while he enjoys life in his own way. He
+is not going to sacrifice his whole career for the doubtful reward which
+fidelity to his old master or mistress might bring.
+
+
+
+
+SITTING IN JUDGMENT
+
+
+The show ring was a circular enclosure of about four acres, with a
+spiked batten fence round it, and a listless crowd of back-country
+settlers propped along the fence. Behind them were the sheds for
+produce, and the machinery sections where steam threshers and earth
+scoops hummed and buzzed and thundered unnoticed. Crowds of sightseers
+wandered past the cattle stalls to gape at the fat bullocks; side-shows
+flourished, a blase goose drew marbles out of a tin canister, and a
+boxing showman displayed his muscles outside his tent, while his partner
+urged the youth of the district to come in and be thumped for the
+edification of the spectators.
+
+Suddenly a gate opened at the end of the show ring, and horses, cattle,
+dogs, vehicles, motor-cars, and bicyclists crowded into the arena. This
+was the general parade, but it would have been better described as a
+general chaos. Trotting horses and ponies, in harness, went whirling
+round the ring, every horse and every driver fully certain that
+every eye was fixed on them; the horses--the vainest creatures in the
+world--arching their necks and lifting their feet, whizzed past in
+bewildering succession, till the onlookers grew giddy. Inside the
+whirling circle blood stallions stood on their hind legs, screaming
+defiance to the world at large; great shaggy-fronted bulls, with dull
+vindictive eyes, paced along, looking as though they were trying to
+remember who it was that struck them last. A showground bull always
+seems to be nursing a grievance.
+
+Mixed up with the stallions and bulls were dogs and donkeys. The dogs
+were led by attendants, apparently selected on the principle of the
+larger the dog the smaller the custodian; while the donkeys were the
+only creatures unmoved by their surroundings, for they slept peaceably
+through the procession, occasionally waking up to bray their sense of
+boredom.
+
+In the centre of the ring a few lady-riders, stern-featured women for
+the most part, were being "judged" by a trembling official, who feared
+to look them in the face, but hurriedly and apologetically examined
+horses and saddles, whispered his award to the stewards, and fled at
+top speed to the official stand--his sanctuary from the fury of spurned
+beauty. The defeated ladies immediately began to "perform"--that is, to
+ask the universe at large whether anyone ever heard the like of that!
+But the stewards strategically slipped away, and the injured innocents
+had no resource left but to ride haughtily round the ring, glaring
+defiance at the spectators.
+
+All this time stewards and committee-men were wandering among the
+competitors, trying to find the animals for judgment. The clerk of the
+ring--a huge man on a small cob--galloped around, roaring like a
+bull: "This way for the fourteen stone 'acks! Come on, you twelve
+'and ponies!" and by degrees various classes got judged, and dispersed
+grumbling. Then the bulls filed out with their grievances still
+unsettled, the lady riders were persuaded to withdraw, and the clerk of
+the ring sent a sonorous bellow across the ground: "Where's the jumpin'
+judges?"
+
+From the official stand came a brisk, dark-faced, wiry little man. He
+had been a steeplechase rider and a trainer in his time. Long experience
+of that tricky animal, the horse, had made him reserved and slow to
+express an opinion. He mounted the table, and produced a note-book.
+From the bar of the booth came a large, hairy, red-faced man, whose face
+showed fatuous self-complacency. He was a noted show-judge because he
+refused, on principle, to listen to others' opinions; or in those rare
+cases when he did, only to eject a scornful contradiction. The third
+judge was a local squatter, who was overwhelmed with a sense of his own
+importance.
+
+They seated themselves on a raised platform in the centre of the ring,
+and held consultation. The small dark man produced his note-book.
+
+"I always keep a scale of points," he said. "Give 'em so many points for
+each fence. Then give 'em so many for make, shape, and quality, and so
+many for the way they jump."
+
+The fat man looked infinite contempt. "I never want any scale of
+points," he said. "One look at the 'orses is enough for me. A man that
+judges by points ain't a judge at all, I reckon. What do you think?" he
+went on, turning to the squatter. "Do you go by points?"
+
+"Never," said the squatter, firmly; which, as he had never judged before
+in his life, was strictly true.
+
+"Well, we'll each go our own way," said the little man. "I'll keep
+points. Send 'em in."
+
+"Number One, Conductor!" roared the ring steward in a voice like
+thunder, and a long-legged grey horse came trotting into the ring and
+sidled about uneasily. His rider pointed him for the first jump, and
+went at it at a terrific pace. Nearing the fence the horse made a wild
+spring, and cleared it by feet, while the crowd yelled applause. At the
+second jump he raced right under the obstacle, propped dead, and rose
+in the air with a leap like a goat, while the crowd yelled their delight
+again, and said: "My oath! ain't he clever?" As he neared the third
+fence he shifted about uneasily, and finally took it at an angle,
+clearing a wholly unnecessary thirty feet. Again the hurricane of cheers
+broke out. "Don't he fly 'em," said one man, waving his hat. At the
+last fence he made his spring yards too soon; his forelegs got over all
+right, but his hind legs dropped on the rail with a sounding rap, and he
+left a little tuft of hair sticking on it.
+
+"I like to see 'em feel their fences," said the fat man. "I had a
+bay 'orse once, and he felt every fence he ever jumped; shows their
+confidence."
+
+"I think he'll feel that last one for a while," said the little dark
+man. "What's this now?"
+
+"Number Two, Homeward Bound!" An old, solid chestnut horse came out and
+cantered up to each jump, clearing them coolly and methodically. The
+crowd was not struck by the performance, and the fat man said: "No
+pace!" but surreptitiously made two strokes (to indicate Number Two) on
+the cuff of his shirt.
+
+"Number Eleven, Spite!" This was a leggy, weedy chestnut,
+half-racehorse, half-nondescript, ridden by a terrified amateur, who
+went at the fence with a white, set face. The horse raced up to the
+fence, and stopped dead, amid the jeers of the crowd. The rider let
+daylight into him with his spurs, and rushed him at it again. This time
+he got over.
+
+Round he went, clouting some fences with his front legs, others with
+his hind legs. The crowd jeered, but the fat man, from a sheer spirit
+of opposition, said: "That would be a good horse if he was rode better."
+And the squatter remarked: "Yes, he belongs to a young feller just near
+me. I've seen him jump splendidly out in the bush, over brush fences."
+
+The little dark man said nothing, but made a note in his book.
+
+"Number Twelve, Gaslight!" "Now, you'll see a horse," said the fat man.
+"I've judged this 'orse in twenty different shows, and gave him first
+prize every time!"
+
+Gaslight turned out to be a fiddle-headed, heavy-shouldered brute, whose
+long experience of jumping in shows where they give points for pace--as
+if the affair was a steeplechase--had taught him to get the business
+over as quickly as he could. He went thundering round the ring, pulling
+double, and standing off his fences in a style that would infallibly
+bring him to grief if following hounds across roads or through broken
+timber.
+
+"Now," said the fat man, "that's a 'unter, that is. What I say is, when
+you come to judge at a show, pick out the 'orse you'd soonest be on if
+Ned Kelly was after you, and there you have the best 'unter."
+
+The little man did not reply, but made the usual scrawl in his book,
+while the squatter hastened to agree with the fat man. "I like to see a
+bit of pace myself," he ventured.
+
+The fat man sat on him heavily. "You don't call that pace, do you?" he
+said. "He was going dead slow."
+
+Various other competitors did their turn round the ring, some propping
+and bucking over the jumps, others rushing and tearing at their fences;
+not one jumped as a hunter should. Some got themselves into difficulties
+by changing feet or misjudging the distance, and were loudly applauded
+by the crowd for "cleverness" in getting themselves out of the
+difficulties they had themselves created.
+
+A couple of rounds narrowed the competitors down to a few, and the task
+of deciding was entered on.
+
+"I have kept a record," said the little man, "of how they jumped each
+fence, and I give them points for style of jumping, and for their make
+and shape and hunting qualities. The way I bring it out is that Homeward
+Bound is the best, with Gaslight second."
+
+"Homeward Bound!" said the fat man. "Why, the pace he went wouldn't head
+a duck. He didn't go as fast as a Chinaman could trot with two baskets
+of stones. I want to have three of 'em in to have another look at
+'em." Here he looked surreptitiously at his cuff, saw a note "No. II.",
+mistook it for "Number Eleven", and said: "I want Number Eleven to go
+another round."
+
+The leggy, weedy chestnut, with the terrified amateur up, came sidling
+and snorting out into the ring. The fat man looked at him with scorn.
+
+"What is that fiddle-headed brute doing in the ring?" he said.
+
+"Why," said the ring steward, "you said you wanted him."
+
+"Well," said the fat man, "if I said I wanted him I do want him. Let him
+go the round."
+
+The terrified amateur went at his fences with the rashness of despair,
+and narrowly escaped being clouted off on two occasions. This put the
+fat man in a quandary. He had kept no record, and all the horses were
+jumbled up in his head; but he had one fixed idea, to give the first
+prize to Gaslight; as to the second he was open to argument. From sheer
+contrariness he said that Number Eleven would be "all right if he were
+rode better," and the squatter agreed. The little man was overruled, and
+the prizes went--Gaslight, first; Spite, second; Homeward Bound, third.
+
+The crowd hooted loudly as Spite's rider came round with the second
+ribbon, and small boys suggested to the fat judge in shrill tones that
+he ought to boil his head. The fat man stalked majestically into the
+stewards' stand, and on being asked how he came to give Spite the
+second prize, remarked oracularly: "I judge the 'orse, I don't judge the
+rider." This silenced criticism, and everyone adjourned to have a drink.
+
+Over the flowing bowl the fat man said: "You see, I don't believe in
+this nonsense about points. I can judge 'em without that."
+
+Twenty dissatisfied competitors vowed they would never bring another
+horse there in their lives. Gaslight's owner said: "Blimey, I knew it
+would be all right with old Billy judging. 'E knows this 'orse."
+
+
+
+
+THE DOG
+
+
+The dog is a member of society who likes to have his day's work, and who
+does it more conscientiously than most human beings. A dog always looks
+as if he ought to have a pipe in his mouth and a black bag for his
+lunch, and then he would go quite happily to office every day.
+
+A dog without work is like a man without work, a nuisance to himself and
+everybody else. People who live about town, and keep a dog to give the
+children hydatids and to keep the neighbours awake at night, imagine
+that the animal is fulfilling his destiny. All town dogs, fancy dogs,
+show dogs, lap-dogs, and other dogs with no work to do, should be
+abolished; it is only in the country that a dog has any justification
+for his existence.
+
+The old theory that animals have only instinct, not reason, to guide
+them, is knocked endways by the dog. A dog can reason as well as a human
+being on some subjects, and better on others, and the best reasoning dog
+of all is the sheep-dog. The sheep-dog is a professional artist with a
+pride in his business. Watch any drover's dogs bringing sheep into
+the yards. How thoroughly they feel their responsibility, and how very
+annoyed they get if a stray dog with no occupation wants them to stop
+and fool about! They snap at him and hurry off, as much as to say: "You
+go about your idleness. Don't you see this is my busy day?"
+
+Sheep-dogs are followers of Thomas Carlyle. They hold that the only
+happiness for a dog in this life is to find his work and to do it. The
+idle, 'dilettante', non-working, aristocratic dog they have no use for.
+
+The training of a sheep-dog for his profession begins at a very early
+age. The first thing is to take him out with his mother and let him see
+her working. He blunders lightheartedly, frisking along in front of the
+horse, and his owner tries to ride over him, and generally succeeds. It
+is amusing to see how that knocks all the gas out of a puppy, and with
+what a humble air he falls to the rear and glues himself to the horse's
+heels, scarcely daring to look to the right or to the left, for fear of
+committing some other breach of etiquette.
+
+He has had his first lesson--to keep behind the horse until he is
+wanted. Then he watches the old slut work, and is allowed to go with her
+round the sheep; and if he shows any disposition to get out of hand
+and frolic about, the old lady will bite him sharply to prevent his
+interfering with her work.
+
+By degrees, slowly, like any other professional, he learns his business.
+He learns to bring sheep after a horse simply at a wave of the hand;
+to force the mob up to a gate where they can be counted or drafted;
+to follow the scent of lost sheep, and to drive sheep through a town
+without any master, one dog going on ahead to block the sheep from
+turning off into by-streets while the other drives them on from the
+rear.
+
+How do they learn all these things? Dogs for show work are taught
+painstakingly by men who are skilled in handling them; but, after all,
+they teach themselves more than the men teach them. It looks as if the
+acquired knowledge of generations were transmitted from dog to dog.
+The puppy, descended from a race of sheep-dogs, starts with all his
+faculties directed towards the working of sheep; he is half-educated
+as soon as he is born. He can no more help working sheep than a born
+musician can help being musical, or a Hebrew can help gathering in
+shekels. It is bred in him. If he can't get sheep to work, he will
+work a fowl; often and often one can see a collie pup painstakingly and
+carefully driving a bewildered old hen into a stable, or a stock-yard,
+or any other enclosed space on which he has fixed his mind. How does he
+learn to do that? He didn't learn it at all. The knowledge was born with
+him.
+
+When the dog has been educated, or has educated himself, he enjoys his
+work; but very few dogs like work "in the yards". The sun is hot,
+the dust rises in clouds, and there is nothing to do but bark, bark,
+bark--which is all very well for learners and amateurs, but is beneath
+the dignity of the true professional sheep-dog. When they are hoarse
+with barking and nearly choked with dust, the men lose their tempers and
+swear at them, and throw clods of earth at them, and sing out to them
+"Speak up, blast you!"
+
+Then the dogs suddenly decide that they have done enough for the day.
+Watching their opportunity, they silently steal over the fence, and
+hide in any cool place they can find. After a while the men notice that
+hardly any are left, and operations are suspended while a great hunt is
+made into outlying pieces of cover, where the dogs are sure to be found
+lying low and looking as guilty as so many thieves. A clutch at the
+scruff of the neck, a kick in the ribs, and they are hauled out of
+hiding-places; and accompany their masters to the yard frolicking about
+and pretending that they are quite delighted to be going back, and
+only hid in those bushes out of sheer thoughtlessness. He is a champion
+hypocrite, is the dog.
+
+Dogs, like horses, have very keen intuition. They know when the men
+around them are frightened, though they may not know the cause. In a
+great Queensland strike, when the shearers attacked and burnt Dagworth
+shed, some rifle-volleys were exchanged. The air was full of human
+electricity, each man giving out waves of fear and excitement. Mark now
+the effect it had on the dogs. They were not in the fighting; nobody
+fired at them, and nobody spoke to them; but every dog left his master,
+left the sheep, and went away to the homestead, about six miles off.
+There wasn't a dog about the shed next day after the fight. The noise of
+the rifles had not frightened them, because they were well-accustomed to
+that.*
+
+ * The same thing happened constantly with horses in the
+ South African War. A loose horse would feed contentedly
+ while our men were firing, but when our troops were being
+ fired at the horses became uneasy, and the loose ones would
+ trot away. The excitement of the men communicated itself to
+ them.
+
+Dogs have an amazing sense of responsibility. Sometimes, when there are
+sheep to be worked, an old slut who has young puppies may be greatly
+exercised in her mind whether she should go out or not. On the one hand,
+she does not care about leaving the puppies, on the other, she feels
+that she really ought to go rather than allow the sheep to be knocked
+about by those learners. Hesitatingly, with many a look behind her, she
+trots out after the horses and the other dogs. An impassioned appeal
+from the head boundary rider, "Go back home, will yer!" is treated with
+the contempt it deserves. She goes out to the yards, works, perhaps half
+the day, and then slips quietly under the fences and trots off home,
+contented.
+
+
+
+
+THE DOG--AS A SPORTSMAN
+
+
+The sheep-dog and the cattle-dog are the workmen of the animal kingdom;
+sporting and fighting dogs are the professionals and artists.
+
+A house-dog or a working-dog will only work for his master; a
+professional or artistic dog will work for anybody, so long as he is
+treated like an artist. A man going away for a week's shooting can
+borrow a dog, and the dog will work for him loyally, just as a good
+musician will do his best, though the conductor is strange to him, and
+the other members of the band are not up to the mark. The musician's
+art is sacred to him, and that is the case with the dog--Art before
+everything.
+
+It is a grand sight to see a really good setter or pointer working up to
+a bird, occasionally glancing over his shoulder to see if the man with
+the gun has not lost himself. He throws his whole soul into his work,
+questing carefully over the cold scent, feathering eagerly when the bird
+is close, and at last drawing up like a statue. Not Paganini himself
+ever lost himself in his art more thoroughly than does humble Spot or
+Ponto. It is not amusement and not a mere duty to him; it is a sacred
+gift, which he is bound to exercise.
+
+A pointer in need of amusement will play with another dog--the pair
+pretending to fight, and so on, but when there is work to be done, the
+dog is lost in the artist. How crestfallen he looks if by any chance he
+blunders on to a bird without pointing it! A fiddler who has played
+a wrong note in a solo is the only creature who can look quite so
+discomfited. Humanity, instead of going to the ant for wisdom, should
+certainly go to the dog.
+
+Sporting dogs are like other artists, in that they are apt to get
+careless of everything except their vocation. They are similarly quite
+unreliable in their affections. They are not good watch dogs, and take
+little interest in chasing cats. They look on a little dog that catches
+rats much as a great musician looks on a cricketer--it's clever, but it
+isn't Art.
+
+Hunting and fighting dogs are the gladiators of the animal world.
+A fox-hound or a kangaroo-dog is always of the same opinion as Mr.
+Jorrocks:--"All time is wasted what isn't spent in 'untin'."
+
+A greyhound will start out in the morning with three lame legs, but as
+soon as he sees a hare start he _must_ go. He utterly forgets his sorrows
+in the excitement, just as a rowing-man, all over boils and blisters,
+will pull a desperate race without feeling any pain. Such dogs are not
+easily excited by anything but a chase, and a burglar might come and rob
+the house and murder the inmates without arousing any excitement among
+them. Guarding a house is "not their pidgin" as the Chinese say. That
+is one great reason for the success of the dog at whatever branch of his
+tribe's work he goes in for--he is so thorough. Dogs who are forced to
+combine half-a-dozen professions never make a success at anything. One
+dog one billet is their motto.
+
+The most earnest and thorough of all the dog tribe is the fighting
+dog. His intense self-respect, his horror of brawling, his cool
+determination, make him a pattern to humanity. The bull-dog or
+bull-terrier is generally the most friendly and best-tempered dog in the
+world; but when he is put down in the ring he fights till he drops, in
+grim silence, though his feet are bitten through and through, his ears
+are in rags, and his neck a hideous mass of wounds.
+
+In a well-conducted dog-fight each dog in turn has to attack the other
+dog, and one can see fierce earnestness blazing in the eye of the
+attacker as he hurls himself on the foe. What makes him fight like
+that? It is not bloodthirstiness, because they are neither savage nor
+quarrelsome dogs: a bulldog will go all his life without a fight, unless
+put into a ring. It is simply their strong self-respect and stubborn
+pride which will not let them give in. The greyhound snaps at his
+opponent and then runs for his life, but the fighting dog stands to it
+till death.
+
+Just occasionally one sees the same type of human being--some
+quiet-spoken, good-tempered man who has taken up glove-fighting for a
+living, and who, perhaps, gets pitted against a man a shade better than
+himself. After a few rounds he knows he is overmatched, but there is
+something at the back of his brain that will not let him cave in. Round
+after round he stands punishment, and round after round he grimly comes
+up, till, possibly, his opponent loses heart, or a fluky hit turns the
+scale in his favour. These men are to be found in every class of life.
+Many of the gamest of the game are mere gutter-bred boys who will
+continue to fight long after they have endured enough punishment to
+entitle them to quit.
+
+You can see in their eyes the same hard glitter that shows in the
+bulldog's eyes as he limps across the ring, or in the eye of the
+racehorse as he lies down to it when his opponent is outpacing him. It
+is grit, pluck, vim, nerve force; call it what you like, and there is no
+created thing that has more of it than the dog.
+
+The blood-lust is a dog-phase that has never been quite understood.
+Every station-owner knows that sometimes the house-dogs are liable to
+take a sudden fit of sheep-killing. Any kind of dog will do it, from the
+collie downward. Sometimes dogs from different homesteads meet in the
+paddocks, having apparently arranged the whole affair beforehand. They
+are very artful about it, too. They lie round the house till dark, and
+then slink off and have a wild night's blood-spree, running down the
+wretched sheep and tearing their throats open; before dawn they
+slink back again and lie around the house as before. Many and many a
+sheep-owner has gone out with a gun and shot his neighbour's dogs for
+killing sheep which his own wicked, innocent-looking dogs had slain.
+
+
+
+
+CONCERNING A STEEPLECHASE RIDER
+
+
+Of all the ways in which men get a living there is none so hard and so
+precarious as that of steeplechase-riding in Australia. It is bad enough
+in England, where steeplechases only take place in winter, when the
+ground is soft, where the horses are properly schooled before being
+raced, and where most of the obstacles will yield a little if struck and
+give the horse a chance to blunder over safely.
+
+In Australia the men have to go at racing-speed, on very hard ground,
+over the most rigid and uncompromising obstacles--ironbark rails clamped
+into solid posts with bands of iron. No wonder they are always coming
+to grief, and are always in and out of hospital in splints and bandages.
+Sometimes one reads that a horse has fallen and the rider has "escaped
+with a severe shaking."
+
+That "shaking", gentle reader, would lay you or me up for weeks, with
+a doctor to look after us and a crowd of sympathetic friends calling to
+know how our poor back was. But the steeplechase-rider has to be out and
+about again, "riding exercise" every morning, and "schooling" all sorts
+of cantankerous brutes over the fences. These men take their lives in
+their hands and look at grim death between their horses' ears every time
+they race or "school".
+
+The death-record among Australian cross-country jockeys and horses is
+very great; it is a curious instance of how custom sanctifies all things
+that such horse-and-man slaughter is accepted in such a callous way. If
+any theatre gave a show at which men and horses were habitually crippled
+or killed in full sight of the audience, the manager would be put on his
+trial for manslaughter.
+
+Our race-tracks use up their yearly average of horses and men without
+attracting remark. One would suppose that the risk being so great the
+profits were enormous; but they are not. In "the game" as played on
+our racecourses there is just a bare living for a good capable horseman
+while he lasts, with the certainty of an ugly smash if he keeps at it
+long enough.
+
+And they don't need to keep at it very long. After a few good "shakings"
+they begin to take a nip or two to put heart into them before they go
+out, and after a while they have to increase the dose. At last they
+cannot ride at all without a regular cargo of alcohol on board, and are
+either "half-muzzy" or shaky according as they have taken too much or
+too little.
+
+Then the game becomes suicidal; it is an axiom that as soon as a man
+begins to funk he begins to fall. The reason is that a rider who has
+lost his nerve is afraid of his horse making a mistake, and takes a
+pull, or urges him onward, just at the crucial moment when the horse is
+rattling up to his fence and judging his distance. That little, nervous
+pull at his head or that little touch of the spur, takes his attention
+from the fence, with the result that he makes his spring a foot too far
+off or a foot too close in, and--smash!
+
+The loafers who hang about the big fences rush up to see if the jockey
+is killed or stunned; if he is, they dispose of any jewellery he may
+have about him; they have been known almost to tear a finger off in
+their endeavours to secure a ring. The ambulance clatters up at a
+canter, the poor rider is pushed in out of sight, and the ladies in the
+stand say how unlucky they are--that brute of a horse falling after
+they backed him. A wolfish-eyed man in the Leger-stand shouts to
+a wolfish-eyed pal, "Bill, I believe that jock was killed when the
+chestnut fell," and Bill replies, "Yes, damn him, I had five bob on
+him." And the rider, gasping like a crushed chicken, is carried into the
+casualty-room and laid on a little stretcher, while outside the window
+the bookmakers are roaring "Four to one bar one," and the racing is
+going on merrily as ever.
+
+These remarks serve to introduce one of the fraternity who may be
+considered as typical of all. He was a small, wiry, hard-featured
+fellow, the son of a stockman on a big cattle-station, and began life as
+a horse-breaker; he was naturally a horseman, able and willing to ride
+anything that could carry him. He left the station to go with cattle on
+the road, and having picked up a horse that showed pace, amused himself
+by jumping over fences. Then he went to Wagga, entered the horse in a
+steeplechase, rode him himself, won handsomely, sold the horse at a good
+price to a Sydney buyer, and went down to ride it in his Sydney races.
+
+In Sydney he did very well; he got a name as a fearless and clever
+rider, and was offered several mounts on fine animals. So he pitched
+his camp in Sydney, and became a fully-enrolled member of the worst
+profession in the world. I had known him in the old days on the road,
+and when I met him on the course one day I enquired how he liked the new
+life.
+
+"Well, it's a livin'," he said, "but it's no great shakes. They don't
+give steeplechase-riders a chance in Sydney. There's very few races, and
+the big sweepstakes keep horses out of the game."
+
+"Do you get a fair share of the riding?" I asked.
+
+"Oh, yes; I get as much as anybody. But there's a lot of 'em got a
+notion I won't take hold of a horse when I'm told (i.e., pull him to
+prevent him winning). Some of these days I'll take hold of a horse when
+they don't expect it."
+
+I smiled as I thought there was probably a sorry day in store for some
+backer when the jockey "took hold" unexpectedly.
+
+"Do you have to pull horses, then, to get employment?"
+
+"Oh, well, it's this way," he said, rather apologetically, "if an owner
+is badly treated by the handicapper, and is just giving his horse a run
+to get weight off, then it's right enough to catch hold a bit. But when
+a horse is favourite and the public are backing him it isn't right to
+take hold of him then. _I_ would not do it." This was his whole code of
+morals--not to pull a favourite; and he felt himself very superior to
+the scoundrel who would pull favourites or outsiders indiscriminately.
+
+"What do you get for riding?" I asked him.
+
+"Well," he said, looking about uneasily, "we're supposed to get a
+fiver for a losing mount and ten pounds if we win, but a lot of the
+steeplechase-owners are what I call 'battlers'--men who have no money
+and get along by owing everybody. They promise us all sorts of money if
+we win, but they don't pay if we lose. I only got two pounds for that
+last steeplechase."
+
+"Two pounds!" I made a rapid calculation. He had ridden over eighteen
+fences for two pounds--had chanced his life eighteen times at less than
+half-a-crown a time.
+
+"Good Heavens!" I said, "that's a poor game. Wouldn't you be better back
+on the station?"
+
+"Oh, I don't know--sometimes we get laid a bit to nothing, and do well
+out of a race. And then, you know, a steeplechase rider is somebody--not
+like an ordinary fellow that is just working."
+
+I realised that I was an "ordinary fellow who was just working", and
+felt small accordingly.
+
+"I'm just off to weigh now," he said--"I'm riding Contractor, and he'll
+run well, but he always seems to fall at those logs. Still, I ought to
+have luck to-day. I met a hearse as I was coming out. I'll get him over
+the fences, somehow."
+
+"Do you think it lucky, then, to meet a hearse?"
+
+"Oh, yes," he said, "if you _meet_ it. You mustn't overtake it--that's
+unlucky. So is a cross-eyed man unlucky. Cross-eyed men ought to be kept
+off racecourses."
+
+He reappeared clad in his racing rig, and we set off to see the horse
+saddled. We found the owner in a great state of excitement. It seemed he
+had no money--absolutely none whatever--but had borrowed enough to pay
+the sweepstakes, and stood to make something if the horse won and lose
+nothing if he lost, as he had nothing to lose. My friend insisted on
+being paid two pounds before he would mount, and the owner nearly had a
+fit in his efforts to persuade him to ride on credit. At last a backer
+of the horse agreed to pay 2 pounds 10s., win or lose, and the rider was
+to get 25 pounds out of the prize if he won. So up he got; and as he and
+the others walked the big muscular horses round the ring, nodding gaily
+to friends in the crowd, I thought of the gladiators going out to fight
+in the arena with the cry of "Hail, Caesar, those about to die salute
+thee!"
+
+The story of the race is soon told. My friend went to the front at the
+start and led nearly all the way, and "Contractor!" was on every one's
+lips as the big horse sailed along in front of his field. He came at the
+log-fence full of running, and it looked certain that he would get over.
+But at the last stride he seemed to falter, then plunged right into the
+fence, striking it with his chest, and, turning right over, landed on
+his unfortunate rider.
+
+A crowd clustered round and hid horse and rider from view, and I ran
+down to the casualty-room to meet him when the ambulance came in. The
+limp form was carefully taken out and laid on a stretcher while a doctor
+examined the crushed ribs, the broken arm, and all the havoc that the
+horse's huge weight had wrought.
+
+There was no hope from the first. My poor friend, who had so often faced
+Death for two pounds, lay very still awhile. Then he began to talk,
+wandering in his mind, "Where are the cattle?"--his mind evidently going
+back to the old days on the road. Then, quickly, "Look out there--give
+me room!" and again "Five-and-twenty pounds, Mary, and a sure thing if
+he don't fall at the logs."
+
+Mary was sobbing beside the bed, cursing the fence and the money that
+had brought him to grief. At last, in a tone of satisfaction, he said,
+quite clear and loud: "I know how it was--_There couldn't have been any
+dead man in that hearse!_"
+
+And so, having solved the mystery to his own satisfaction, he drifted
+away into unconsciousness--and woke somewhere on the other side of the
+big fence that we can neither see through nor over, but all have to face
+sooner or later.
+
+
+
+
+VICTOR SECOND
+
+
+We were training two horses for the Buckatowndown races--an old grey
+warrior called Tricolor--better known to the station boys as The
+Trickler--and a mare for the hack race. Station horses don't get trained
+quite like Carbine; some days we had no time to give them gallops at
+all, so they had to gallop twice as far the next day to make up.
+
+One day the boy we had looking after The Trickler fell in with a mob of
+sharps who told him we didn't know anything about training horses, and
+that what the horse really wanted was "a twicer"--that is to say, a
+gallop twice round the course. So the boy gave him "a twicer" on his own
+responsibility. When we found out about it we gave the boy a twicer with
+the strap, and he left and took out a summons against us. But somehow
+or other we managed to get the old horse pretty fit, tried him against
+hacks of different descriptions, and persuaded ourselves that we had the
+biggest certainty ever known on a racecourse.
+
+When the horses were galloping in the morning the kangaroo-dog, Victor,
+nearly always went down to the course to run round with them. It amused
+him, apparently, and didn't hurt anyone, so we used to let him race; in
+fact, we rather encouraged him, because it kept him in good trim to hunt
+kangaroo. When we were starting for the meeting, someone said we had
+better tie up Victor or he would be getting stolen at the races. We
+called and whistled, but he had made himself scarce, so we started and
+forgot all about him.
+
+Buckatowndown Races. Red-hot day, everything dusty, everybody drunk and
+blasphemous. All the betting at Buckatowndown was double-event--you had
+to win the money first, and fight the man for it afterwards.
+
+The start for our race, the Town Plate, was delayed for a quarter of an
+hour because the starter flatly refused to leave a fight of which he was
+an interested spectator. Every horse, as he did his preliminary gallop,
+had a string of dogs after him, and the clerk of the course came full
+cry after the dogs with a whip.
+
+By and by the horses strung across to the start at the far side of the
+course. They fiddled about for a bit; then down went the flag and they
+came sweeping along all bunched up together, one holding a nice
+position on the inside. All of a sudden we heard a wild chorus of
+imprecations--"Look at that dog!" Victor had chipped in with the
+racehorses, and was running right in front of the field. It looked a
+guinea to a gooseberry that some of them would fall on him.
+
+The owners danced and swore. What did we mean by bringing a something
+mongrel there to trip up and kill horses that were worth a paddockful of
+all the horses we had ever owned, or would ever breed or own, even if we
+lived to be a thousand. We were fairly in it and no mistake.
+
+As the field came past the stand the first time we could hear the
+riders swearing at our dog, and a wild yell of execration arose from
+the public. He had got right among the ruck by this time, and was racing
+alongside his friend The Trickler, thoroughly enjoying himself. After
+passing the stand the pace became very merry; the dog stretched out all
+he knew; when they began to make it too hot for him, he cut off corners,
+and joined at odd intervals, and every time he made a fresh appearance
+the people in the stand lifted up their voices and "swore cruel".
+
+The horses were all at the whip as they turned into the straight, and
+then The Trickler and the publican's mare singled out. We could hear
+the "chop, chop!" of the whips as they came along together, but the mare
+could not suffer it as long as the old fellow, and she swerved off while
+he struggled home a winner by a length or so. Just as they settled down
+to finish Victor dashed up on the inside, and passed the post at old
+Trickler's girths. The populace immediately went for him with stones,
+bottles, and other missiles, and he had to scratch gravel to save his
+life. But imagine the amazement of the other owners when the judge
+placed Trickler first, Victor second, and the publican's mare third!
+
+The publican tried to argue it out with him. He said you couldn't place
+a kangaroo-dog second in a horse-race.
+
+The judge said it was _his_ (hiccough) business what he placed, and that
+those who (hiccough) interfered with him would be sorry for it. Also he
+expressed a (garnished) opinion that the publican's mare was no rotten
+good, and that she was the right sort of mare for a poor man to own,
+because she would keep him poor.
+
+Then the publican called the judge a cow. The judge was willing; a rip,
+tear, and chew fight ensued, which lasted some time. The judge won.
+
+Fifteen protests were lodged against our win, but we didn't worry about
+that--we had laid the stewards a bit to nothing. Every second man we met
+wanted to run us a mile for 100 pounds a side; and a drunken shearer,
+spoiling for a fight, said he had heard we were "brimming over with
+bally science", and had ridden forty miles to find out.
+
+We didn't wait for the hack race. We folded our tents like the Arab
+and stole away. But it remains on the annals of Buckatowndown how a
+kangaroo-dog ran second for the Town Plate.
+
+
+
+
+CONCERNING A DOG-FIGHT
+
+
+Dog-fighting as a sport is not much in vogue now-a-days. To begin with
+it is illegal. Not that _that_ matters much, for Sunday drinking is also
+illegal. But dog-fighting is one of the cruel sports which the
+community has decided to put down with all the force of public opinion.
+Nevertheless, a certain amount of it is still carried on near Sydney,
+and very neatly and scientifically carried on, too--principally by
+gentlemen who live out Botany way and do not care for public opinion.
+
+The grey dawn was just breaking over Botany when we got to the
+meeting-place. Away to the East the stars were paling in the faint flush
+of coming dawn, and over the sandhills came the boom of breakers. It was
+Sunday morning, and all the respectable, non-dog-fighting population of
+that odoriferous suburb were sleeping their heavy, Sunday-morning
+sleep. Some few people, however, were astir. In the dim light hurried
+pedestrians plodded along the heavy road towards the sandhills. Now and
+then a van, laden with ten or eleven of "the talent", and drawn by a
+horse that cost fifteen shillings at auction, rolled softly along in the
+same direction. These were dog-fighters who had got "the office", and
+knew exactly where the match was to take place.
+
+The "meet" was on a main road, about half-a-mile from town; here some
+two hundred people had assembled, and hung up their horses and vehicles
+to the fence without the slightest concealment. They said the police
+would not interfere with them--and they did not seem a nice crowd to
+interfere with.
+
+One dog was on the ground when we arrived, having come out in a hansom
+cab with his trainer. He was a white bull-terrier, weighing about forty
+pounds, "trained to the hour", with the muscles standing out all over
+him. He waited in the cab, licking his trainer's face at intervals to
+reassure that individual of his protection and support; the rest of the
+time he glowered out of the cab and eyed the public scornfully. He knew
+as well as any human being that there was sport afoot, and looked about
+eagerly and wickedly to see what he could get his teeth into.
+
+Soon a messenger came running up to know whether they meant to sit in
+the cab till the police came; the other dog, he said, had arrived and
+all was ready. The trainer and dog got out of the cab; we followed them
+through a fence and over a rise--and there, about twenty yards from
+the main road, was a neatly-pitched enclosure like a prize-ring, a
+thirty-foot-square enclosure formed with stakes and ropes. About a
+hundred people were at the ringside, and in the far corner, in the arms
+of his trainer, was the other dog--a brindle.
+
+It was wonderful to see the two dogs when they caught sight of each
+other. The white dog came up to the ring straining at his leash, nearly
+dragging his trainer off his feet in his efforts to get at the enemy. At
+intervals he emitted a hoarse roar of challenge and defiance.
+
+The brindled dog never uttered a sound. He fixed his eyes on his
+adversary with a look of intense hunger, of absolute yearning for
+combat. He never for an instant shifted his unwinking gaze. He seemed
+like an animal who saw the hopes of years about to be realised. With
+painful earnestness he watched every detail of the other dog's toilet;
+and while the white dog was making fierce efforts to get at him, he
+stood Napoleonic, grand in his courage, waiting for the fray.
+
+All details were carefully attended to, and all rules strictly
+observed. People may think a dog-fight is a go-as-you-please outbreak of
+lawlessness, but there are rules and regulations--simple, but effective.
+There were two umpires, a referee, a timekeeper, and two seconds for
+each dog. The stakes were said to be ten pounds a-side. After some talk,
+the dogs were carried to the centre of the ring by their seconds and put
+on the ground. Like a flash of lightning they dashed at each other, and
+the fight began.
+
+Nearly everyone has seen dogs fight--"it is their nature to", as Dr.
+Watts put it. But an ordinary worry between (say) a retriever and a
+collie, terminating as soon as one or other gets his ear bitten, gives
+a very faint idea of a real dog-fight. But bull-terriers are the
+gladiators of the canine race. Bred and trained to fight, carefully
+exercised and dieted for weeks beforehand, they come to the fray
+exulting in their strength and determined to win. Each is trained to
+fight for certain holds, a grip of the ear or the back of the neck being
+of very slight importance. The foot is a favourite hold, the throat is,
+of course, fashionable--if they can get it.
+
+The white and the brindle sparred and wrestled and gripped and threw
+each other, fighting grimly, and disdaining to utter a sound. Their
+seconds dodged round them unceasingly, giving them encouragement and
+advice--"That's the style, Boxer--fight for his foot"--"Draw your foot
+back, old man," and so on. Now and again one dog got a grip of the
+other's foot and chewed savagely, and the spectators danced with
+excitement. The moment the dogs let each other go they were snatched up
+by their seconds and carried to their corners, and a minute's time was
+allowed, in which their mouths were washed out and a cloth rubbed over
+their bodies.
+
+Then came the ceremony of "coming to scratch". When time was called for
+the second round the brindled dog was let loose in his own corner, and
+was required by the rules to go across the ring of his own free will and
+attack the other dog. If he failed to do this he would lose the fight.
+The white dog, meanwhile, was held in his corner waiting the attack.
+After the next round it was the white dog's turn to make the attack, and
+so on alternately. The animals need not fight a moment longer than they
+chose, as either dog could abandon the fight by failing to attack his
+enemy.
+
+While their condition lasted they used to dash across the ring at
+full run; but, after a while, when the punishment got severe and their
+"fitness" began to fail, it became a very exciting question whether or
+not a dog would "come to scratch". The brindled dog's condition was not
+so good as the other's. He used to lie on his stomach between the rounds
+to rest himself, and several times it looked as if he would not cross
+the ring when his turn came. But as soon as time was called he would
+start to his feet and limp slowly across glaring steadily at his
+adversary; then, as he got nearer, he would quicken his pace, make a
+savage rush, and in a moment they would be locked in combat. So they
+battled on for fifty-six minutes, till the white dog (who was apparently
+having all the best of it), on being called to cross the ring, only went
+half-way across and stood there for a minute growling savagely. So he
+lost the fight.
+
+No doubt it was a brutal exhibition. But it was not cruel to the animals
+in the same sense that pigeon-shooting or hare-hunting is cruel. The
+dogs are born fighters, anxious and eager to fight, desiring nothing
+better. Whatever limited intelligence they have is all directed to
+this one consuming passion. They could stop when they liked, but anyone
+looking on could see that they gloried in the combat. Fighting is like
+breath to them--they must have it. Nature has implanted in all animals a
+fighting instinct for the weeding out of the physically unfit, and these
+dogs have an extra share of that fighting instinct.
+
+Of course, now that militarism is going to be abolished, and the
+world is going to be so good and teetotal, and only fight in debating
+societies, these nasty savage animals will be out of date. We will not
+be allowed to keep anything more quarrelsome than a poodle--and a man
+of the future, the New Man, whose fighting instincts have not been
+quite bred out of him, will, perhaps, be found at grey dawn of a Sunday
+morning with a crowd of other unregenerates in some backyard frantically
+cheering two of them to mortal combat.
+
+
+
+
+HIS MASTERPIECE
+
+
+Greenhide Billy was a stockman on a Clarence River cattle-station, and
+admittedly the biggest liar in the district. He had been for many years
+pioneering in the Northern Territory, the other side of the sun-down--a
+regular "furthest-out man"--and this assured his reputation among
+station-hands who award rank according to amount of experience.
+
+Young men who have always hung around the home districts, doing a job of
+shearing here or a turn at horse-breaking there, look with reverence
+on Riverine or Macquarie-River shearers who come in with tales of runs
+where they have 300,000 acres of freehold land and shear 250,000
+sheep; these again pale their ineffectual fires before the glory of the
+Northern Territory man who has all-comers on toast, because no one can
+contradict him or check his figures. When two of them meet, however,
+they are not fools enough to cut down quotations and spoil the market;
+they lie in support of each other, and make all other bushmen feel mean
+and pitiful and inexperienced.
+
+Sometimes a youngster would timidly ask Greenhide Billy about the
+'terra incognita': "What sort of a place is it, Billy--how big are the
+properties? How many acres had you in the place you were on?"
+
+"Acres be d----d!" Billy would scornfully reply; "hear him talking
+about acres! D'ye think we were blanked cockatoo selectors! Out there we
+reckon country by the hundred miles. You orter say, 'How many thousand
+miles of country?' and then I'd understand you."
+
+Furthermore, according to Billy, they reckoned the rainfall in the
+Territory by yards, not inches. He had seen blackfellows who could
+jump at least three inches higher than anyone else had ever seen a
+blackfellow jump, and every bushman has seen or personally known
+a blackfellow who could jump over six feet. Billy had seen bigger
+droughts, better country, fatter cattle, faster horses, and cleverer
+dogs, than any other man on the Clarence River. But one night when the
+rain was on the roof, and the river was rising with a moaning sound, and
+the men were gathered round the fire in the hut smoking and staring at
+the coals, Billy turned himself loose and gave us his masterpiece.
+
+"I was drovin' with cattle from Mungrybanbone to old Corlett's station
+on the Buckadowntown River" (Billy always started his stories with some
+paralysing bush names). "We had a thousand head of store-cattle, wild,
+mountain-bred wretches that'd charge you on sight; they were that handy
+with their horns they could skewer a mosquito. There was one or two
+one-eyed cattle among 'em--and you know how a one-eyed beast always
+keeps movin' away from the mob, pokin' away out to the edge of them so
+as they won't git on his blind side, so that by stirrin' about he keeps
+the others restless.
+
+"They had been scared once or twice, and stampeded and gave us all we
+could do to keep them together; and it was wet and dark and thundering,
+and it looked like a real bad night for us. It was my watch. I was on
+one side of the cattle, like it might be here, with a small bit of a
+fire; and my mate, Barcoo Jim, he was right opposite on the other side
+of the cattle, and had gone to sleep under a log. The rest of the men
+were in the camp fast asleep. Every now and again I'd get on my horse
+and prowl round the cattle quiet like, and they seemed to be settled
+down all right, and I was sitting by my fire holding my horse and
+drowsing, when all of a sudden a blessed 'possum ran out from some
+saplings and scratched up a tree right alongside me. I was half-asleep,
+I suppose, and was startled; anyhow, never thinking what I was doing, I
+picked up a firestick out of the fire and flung it at the 'possum.
+
+"Whoop! Before you could say Jack Robertson, that thousand head of
+cattle were on their feet, and made one wild, headlong, mad rush right
+over the place where poor old Barcoo Jim was sleeping. There was no
+time to hunt up materials for the inquest; I had to keep those cattle
+together, so I sprang into the saddle, dashed the spurs into the old
+horse, dropped my head on his mane, and sent him as hard as he could leg
+it through the scrub to get to the lead of the cattle and steady them.
+It was brigalow, and you know what that is.
+
+"You know how the brigalow grows," continued Bill; "saplings about as
+thick as a man's arm, and that close together a dog can't open his mouth
+to bark in 'em. Well, those cattle swept through that scrub, levelling
+it like as if it had been cleared for a railway line. They cleared
+a track a quarter of a mile wide, and smashed every stick, stump and
+sapling on it. You could hear them roaring and their hoofs thundering
+and the scrub smashing three or four miles off.
+
+"And where was I? I was racing parallel with the cattle, with my head
+down on the horse's neck, letting him pick his way through the scrub in
+the pitchy darkness. This went on for about four miles. Then the cattle
+began to get winded, and I dug into the old stock-horse with the spurs,
+and got in front, and began to crack the whip and sing out, so as to
+steady them a little; after awhile they dropped slower and slower, and I
+kept the whip going. I got them all together in a patch of open country,
+and there I rode round and round 'em all night till daylight.
+
+"And how I wasn't killed in the scrub, goodness only knows; for a man
+couldn't ride in the daylight where I did in the dark. The cattle were
+all knocked about--horns smashed, legs broken, ribs torn; but they were
+all there, every solitary head of 'em; and as soon as the daylight broke
+I took 'em back to the camp--that is, all that could travel, because I
+had to leave a few broken-legged ones."
+
+Billy paused in his narrative. He knew that some suggestions would be
+made, by way of compromise, to tone down the awful strength of the yarn,
+and he prepared himself accordingly. His motto was "No surrender"; he
+never abated one jot of his statements; if anyone chose to remark on
+them, he made them warmer and stronger, and absolutely flattened out the
+intruder.
+
+"That was a wonderful bit of ridin' you done, Billy," said one of the
+men at last, admiringly. "It's a wonder you wasn't killed. I suppose
+your clothes was pretty well tore off your back with the scrub?"
+
+"Never touched a twig," said Billy.
+
+"Ah!" faltered the inquirer, "then no doubt you had a real ringin' good
+stock-horse that could take you through a scrub like that full-split in
+the dark, and not hit you against anything."
+
+"No, he wasn't a good un," said Billy decisively, "he was the worst
+horse in the camp. Terrible awkward in the scrub he was, always fallin'
+down on his knees; and his neck was so short you could sit far back on
+him and pull his ears."
+
+Here that interrogator retired hurt; he gave Billy best. After a pause
+another took up the running.
+
+"How did your mate get on, Billy? I s'pose he was trampled to a mummy!"
+
+"No," said Billy, "he wasn't hurt a bit. I told you he was sleeping
+under the shelter of a log. Well, when those cattle rushed they swept
+over that log a thousand strong; and every beast of that herd took the
+log in his stride and just missed landing on Barcoo Jimmy by about four
+inches."
+
+The men waited a while and smoked, to let this statement soak well into
+their systems; at last one rallied and had a final try.
+
+"It's a wonder then, Billy," he said, "that your mate didn't come after
+you and give you a hand to steady the cattle."
+
+"Well, perhaps it was," said Billy, "only that there was a bigger wonder
+than that at the back of it."
+
+"What was that?"
+
+"My mate never woke up all through it."
+
+Then the men knocked the ashes out of their pipes and went to bed.
+
+
+
+
+DONE FOR THE DOUBLE
+
+by Knott Gold
+
+Author of "Flogged for a Furlong", "Won by a Winker", etc., etc.
+
+
+
+
+Chapter I.--WANTED, A PONY
+
+
+Algernon de Montgomery Smythers was a merchant, wealthy beyond the
+dreams of avarice. Other merchants might dress more lavishly, and wear
+larger watch chains; but the bank balance is the true test of mercantile
+superiority, and in a trial of bank balances Algernon de Montgomery
+Smythers represented Tyson at seven stone. He was unbeatable.
+
+He lived in comfort, not to say luxury. He had champagne for breakfast
+every morning, and his wife always slept with a pair of diamond earrings
+worth a small fortune in her ears. It is things like these that show
+true gentility.
+
+Though they had been married many years, the A. de M. Smythers had but
+one child--a son and heir. No Christmas Day was allowed to pass by his
+doting parents without a gift to young Algy of some trifle worth about
+150 pounds, less the discount for cash. He had six play-rooms, all
+filled with the most expensive toys and ingenious mechanical devices.
+He had a phonograph that could hail a ship out at the South Head, and a
+mechanical parrot that sang "The Wearing of the Green". And still he was
+not happy.
+
+Sometimes, in spite of the vigilance of his four nurses and six
+under-nurses, he would escape into the street, and run about with the
+little boys he met there. One day he gave one of them a sovereign for
+a locust. Certainly the locust was a "double-drummer", and could deafen
+the German Band when shaken up judiciously; still, it was dear at a
+sovereign.
+
+It is ever thus.
+
+What we have we do not value, and what other people have we are not
+strong enough to take from them.
+
+Such is life.
+
+Christmas was approaching, and the question of Algy's Christmas present
+agitated the bosom of his parents. He already had nearly everything a
+child could want; but one morning a bright inspiration struck Algy's
+father. Algy should have a pony.
+
+With Mr. Smythers to think was to act. He was not a man who believed
+in allowing grass to grow under his feet. His motto was, "Up and be
+doing--somebody." So he put an advertisement in the paper that same day.
+
+"Wanted, a boy's pony. Must be guaranteed sound, strong, handsome,
+intelligent. Used to trains, trams, motors, fire engines, and motor
+'buses. Any failure in above respects will disqualify. Certificate of
+birth required as well as references from last place. Price no object."
+
+
+
+
+Chapter II.--BLINKY BILL'S SACRIFICE
+
+
+Down in a poverty-stricken part of the city lived Blinky Bill, the
+horse-dealer.
+
+His yard was surrounded by loose-boxes made of any old timber,
+galvanized iron, sheets of roofing-felt, and bark he could gather
+together.
+
+He kept all sorts of horses, except good sorts. There were harness
+horses, that wouldn't pull, and saddle horses that wouldn't go--or, if
+they went, used to fall down. Nearly every animal about the place had
+something the matter with it.
+
+When the bailiff dropped in, as he did every two or three weeks, Bill
+and he would go out together, and "have a punt" on some of Bill's
+ponies, or on somebody else's ponies--the latter for choice. But
+periodical punts and occasional sales of horses would not keep the wolf
+from the door. Ponies keep on eating whether they are winning or not and
+Blinky Bill had got down to the very last pitch of desperation when he
+saw the advertisement mentioned at the end of last chapter.
+
+It was like a ray of hope to him. At once there flashed upon him what he
+must do.
+
+He must make a great sacrifice; he must sell Sausage II.
+
+Sausage II. was the greatest thirteen-two pony of the day. Time and
+again he had gone out to race when, to use William's own words, it was
+a blue duck for Bill's chance of keeping afloat; and every time did the
+gallant race pony pull his owner through.
+
+Bill owed more to Sausage II. than he owed to his creditors.
+
+Brought up as a pet, the little animal was absolutely trustworthy. He
+would carry a lady or a child, or pull a sulky; in fact, it was quite
+a common thing for Blinky Bill to drive him in a sulky to a country
+meeting and look about him for a likely "mark". If he could find a fleet
+youth with a reputedly fast pony, Bill would offer to "pull the little
+cuddy out of the sulky and run yer for a fiver." Sometimes he got
+beaten; but as he never paid, that didn't matter. He did not believe in
+fighting; but he would always sooner fight than pay.
+
+But all these devices had left him on his uppers in the end. He had
+no feed for his ponies, and no money to buy it; the corn merchant had
+written his account off as bad, and had no desire to make it worse.
+Under the circumstances, what was he to do? Sausage II. must be sold.
+
+With heavy heart Bill led the pony down to be inspected. He saw Mr.
+Algernon de Montgomery Smythers, and measured him with his eye. He saw
+it would be no use to talk about racing to him, so he went on the other
+track.
+
+He told him that the pony belonged to a Methodist clergyman, who used to
+drive him in a "shay". There are no shays in this country; but Bill had
+read the word somewhere, and thought it sounded respectable. "Yus, sir,"
+he said, "'e goes lovely in a shay," and he was just starting off at
+twenty words a second, when he was stopped.
+
+Mr. A. de M. Smythers was brusque with his inferiors, and in this he
+made a mistake. Instead of listening to all that Blinky Bill said, and
+disbelieving it at his leisure, he stopped his talk.
+
+"If you want to sell this pony, dry up," he said. "I don't believe a
+word you say, and it only worries me to hear you lying."
+
+Fatal mistake! You should never stop a horse-dealer's talk. And call him
+anything you like, but never say you doubt his word.
+
+Both these things Mr. Smythers did; and, though he bought the pony at a
+high price, yet the insult sank deep into the heart of Blinky Bill.
+
+As the capitalist departed leading the pony, Blinky Bill muttered to
+himself, "Ha! ha! Little does he know that he is leading Sausage II.,
+the greatest 13.2 pony of the century. Let him beware how he gets
+alongside anything. That's all! Blinky Bill may yet be revenged!"
+
+
+
+
+Chapter III.--EXIT ALGY
+
+
+Christmas Day came. Algy's father gave orders to have the pony saddled,
+and led round to the front door. Algy's mother, a lady of forty summers,
+spent the morning superintending the dinner. Dinner was the principal
+event in the day with her. Alas, poor lady! Everything she ate agreed
+with her, and she got fatter and fatter and fatter.
+
+The cold world never fully appreciates the struggles of those who
+are fat--the efforts at starvation, the detested exercise, the long,
+miserable walks. Well has one of our greatest poets written, "Take up
+the fat man's burden." But we digress.
+
+When Algy saw the pony he shouted with delight, and in half a minute was
+riding him up and down the front drive. Then he asked for leave to go
+out in the street--and that was where the trouble began.
+
+Up and down the street the pony cantered, as quietly as possible, till
+suddenly round a corner came two butcher boys racing their horses. With
+a clatter of clumsy hoofs they thundered past. In half a second there
+was a rattle, and a sort of comet-like rush through the air. Sausage II.
+was off after them with his precious burden.
+
+The family dog tried to keep up with him, and succeeded in keeping ahead
+for about three strides. Then, like the wolves that pursued Mazeppa, he
+was left yelping far behind. Through Surry Hills and Redfern swept the
+flying pony, his rider lying out on his neck in Tod Sloan fashion, while
+the ground seemed to race beneath him. The events of the way were just
+one hopeless blur till the pony ran straight as an arrow into the yard
+of Blinky Bill.
+
+
+
+
+Chapter IV.--RUNNING THE RULE
+
+
+As soon as Blinky Bill recognised his visitor, he was delighted.
+
+"You here," he said, "Ha, ha, revenge is mine! I'll get a tidy reward
+for taking you back, my young shaver."
+
+Then from the unresisting child he took a gold watch and three
+sovereigns. These he said he would put in a safe place for him, till he
+was going home again. He expected to get at least a tenner ready money
+for bringing Algy back, and hoped that he might be allowed to keep the
+watch into the bargain.
+
+With a light heart he went down town with Algy's watch and sovereigns in
+his pocket. He did not return till daylight, when he awoke his wife with
+bad news.
+
+"Can't give the boy up," he said. "I moskenoed his block and tackle, and
+blued it in the school." In other words, he had pawned the boy's watch
+and chain, and had lost the proceeds at pitch and toss.
+
+"Nothing for it but to move," he said, "and take the kid with us."
+
+So move they did.
+
+The reader can imagine with what frantic anxiety the father and mother
+of little Algy sought for their lost one. They put the matter into the
+hands of the detective police, and waited for the Sherlock Holmeses of
+the force to get in their fine work. There was nothing doing.
+
+Years rolled on, and the mysterious disappearance of little Algy was yet
+unsolved. The horse-dealer's revenge was complete.
+
+The boy's mother consulted a clairvoyant, who murmured mystically "What
+went by the ponies, will come by the ponies;" and with that they had to
+remain satisfied.
+
+
+
+
+Chapter V.--THE TRICKS OF THE TURF
+
+
+It was race day at Pulling'em Park, and the ponies were doing their
+usual performances.
+
+Among the throng the heaviest punter is a fat lady with diamond
+earrings. Does the reader recognize her? It is little Algy's mother.
+Her husband is dead, leaving her the whole of his colossal fortune, and,
+having developed a taste for gambling, she is now engaged in "doing it
+in on the ponies". She is one of the biggest bettors in the game.
+
+When women take to betting they are worse than men.
+
+But it is not for betting alone that she attends the meetings. She
+remembers the clairvoyant's "What went by the ponies will come by the
+ponies." And always she searches in the ranks of the talent for her lost
+Algy.
+
+Here enters another of our dramatis personae--Blinky Bill, prosperous
+once more. He has got a string of ponies and punters together. The
+first are not much use to a man without the second; but, in spite of all
+temptations, Bill has always declined to number among his punters the
+mother of the child he stole. But the poor lady regularly punts on his
+ponies, and just as regularly is "sent up"--in other words, loses her
+money.
+
+To-day she has backed Blinky's pair, Nostrils and Tin Can, for the
+double. Nostrils has won his race, and Tin Can, if on the job, can
+win the second half of the double. Is he on the job? The prices are
+lengthening against him, and the poor lady recognises that once more she
+is "in the cart".
+
+Just then she meets Tin Can's jockey, Dodger Smith, face to face. A
+piercing scream rends the atmosphere, as if a thousand school children
+drew a thousand slate pencils down a thousand slates simultaneously. "Me
+cheild! Me cheild! Me long-lost Algy!"
+
+It did not take long to convince Algy that he would be better off as a
+son to a wealthy lady than as a jockey, subject to the fiendish caprices
+of Blinky Bill.
+
+"All right, mother," he said. "Put all you can raise on Tin Can. I'm
+going to send Blinky up. It's time I had a cut on me own, anyway."
+
+The horses went to the post. Tons of money were at the last moment
+hurled on to Tin Can. The books, knowing he was "dead", responded
+gamely, and wrote his name till their wrists gave out. Blinky Bill had
+a half-share in all the bookies' winnings, so he chuckled grimly as he
+went to the rails to watch the race.
+
+They're off. And what is this that flashes to the front, while the howls
+of the bookies rise like the yelping of fiends in torment? It is Dodger
+Smith on Tin Can, and from the grandstand there is a shrill feminine
+yell of triumph as the gallant pony sails past the post.
+
+The bookies thought that Blinky Bill had sold them, and they discarded
+him for ever.
+
+Algy and his mother were united, and backed horses together happily ever
+after, and sometimes out in the back yard of their palatial mansion
+they hand the empty bottles, free of charge, to a poor old broken-down
+bottle-O, called Blinky Bill.
+
+
+
+
+
+End of the Project Gutenberg EBook of Three Elephant Power, by
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+The Project Gutenberg Etext of Three Elephant Power and Other Stories
+by Andrew Barton `Banjo' Paterson
+[Australian Poet & Reporter -- 1864-1941.]
+
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+
+
+Three Elephant Power and Other Stories
+
+by Andrew Barton `Banjo' Paterson [Australian Poet, Reporter -- 1864-1941.]
+
+
+
+
+
+
+[Note on text: Italicized words or phrases are capitalized.
+Some obvious errors have been corrected.]
+
+[This etext is transcribed from the original edition of 1917,
+which was published in Sydney.]
+
+
+
+
+
+
+Three Elephant Power and Other Stories
+By A. B. Paterson, Author of The Man from Snowy River, Rio Grande,
+Saltbush Bill, J.P., An Outback Marriage, Etc.
+
+
+
+
+
+
+These stories appeared originally in several Australian journals.
+
+
+
+
+
+
+Contents
+
+
+
+Three Elephant Power
+The Oracle
+The Cast-iron Canvasser
+The Merino Sheep
+The Bullock
+White-when-he's-wanted
+The Downfall of Mulligan's
+The Amateur Gardener
+Thirsty Island
+Dan Fitzgerald Explains
+The Cat
+Sitting in Judgment
+The Dog
+The Dog -- as a Sportsman
+Concerning a Steeplechase Rider
+Victor Second
+Concerning a Dog-fight
+His Masterpiece
+Done for the Double
+
+
+
+
+
+
+Three Elephant Power
+
+
+
+"Them things," said Alfred the chauffeur, tapping the speed indicator
+with his fingers, "them things are all right for the police. But, Lord,
+you can fix 'em up if you want to. Did you ever hear about Henery,
+that used to drive for old John Bull -- about Henery and the elephant?"
+
+Alfred was chauffeur to a friend of mine who owned a very powerful car.
+Alfred was part of that car. Weirdly intelligent, of poor physique,
+he might have been any age from fifteen to eighty. His education had been
+somewhat hurried, but there was no doubt as to his mechanical ability.
+He took to a car like a young duck to water. He talked motor,
+thought motor, and would have accepted -- I won't say with enthusiasm,
+for Alfred's motto was `Nil admirari' -- but without hesitation,
+an offer to drive in the greatest race in the world.
+He could drive really well, too; as for belief in himself,
+after six months' apprenticeship in a garage he was prepared
+to vivisect a six-cylinder engine with the confidence of
+a diplomaed bachelor of engineering.
+
+Barring a tendency to flash driving, and a delight in persecuting slow cars
+by driving just in front of them and letting them come up
+and enjoy his dust, and then shooting away again,
+he was a respectable member of society. When his boss was in the car
+he cloaked the natural ferocity of his instincts; but this day,
+with only myself on board, and a clear run of a hundred and twenty miles
+up to the station before him, he let her loose, confident that
+if any trouble occurred I would be held morally responsible.
+
+As we flew past a somnolent bush pub, Alfred, whistling softly,
+leant forward and turned on a little more oil.
+
+"You never heard about Henery and the elephant?" he said.
+"It was dead funny. Henery was a bushwacker, but clean mad on motorin'.
+He was wood and water joey at some squatter's place until he seen
+a motor-car go past one day, the first that ever they had in the districk.
+
+"`That's my game,' says Henery; `no more wood and water joey for me.'
+
+"So he comes to town and gets a job off Miles that had that garage
+at the back of Allison's. An old cove that they called John Bull
+-- I don't know his right name, he was a fat old cove --
+he used to come there to hire cars, and Henery used to drive him.
+And this old John Bull he had lots of stuff, so at last he reckons
+he's going to get a car for himself, and he promises Henery a job
+to drive it. A queer cove this Henery was -- half mad, I think,
+but the best hand with a car ever I see."
+
+While he had been talking we topped a hill, and opened up a new stretch
+of blue-grey granite-like road. Down at the foot of the hill
+was a teamster's waggon in camp; the horses in their harness munching at
+their nose-bags, while the teamster and a mate were boiling a billy
+a little off to the side of the road. There was a turn in the road
+just below the waggon which looked a bit sharp, so of course
+Alfred bore down on it like a whirlwind. The big stupid team-horses
+huddled together and pushed each other awkwardly as we passed.
+A dog that had been sleeping in the shade of the waggon sprang out
+right in front of the car, and was exterminated without ever knowing
+what struck him.
+
+There was just room to clear the tail of the waggon and negotiate the turn.
+Alfred, with the calm decision of a Napoleon, swung round the bend
+to find that the teamster's hack, fast asleep, was tied to the tail
+of the waggon. Nothing but a lightning-like twist of the steering-wheel
+prevented our scooping the old animal up, and taking him on board
+as a passenger. As it was, we carried off most of his tail as a trophy
+on the brass of the lamp. The old steed, thus rudely awakened,
+lashed out good and hard, but by that time we were gone,
+and he missed the car by a quarter of a mile.
+
+During this strenuous episode Alfred never relaxed
+his professional stolidity, and, when we were clear, went on with his story
+in the tone of a man who found life wanting in animation.
+
+"Well, at fust, the old man would only buy one of these little
+eight-horse rubby-dubbys that go strugglin' up 'ills with a death-rattle
+in its throat, and all the people in buggies passin' it.
+O' course that didn't suit Henery. He used to get that spiked
+when a car passed him, he'd nearly go mad. And one day he nearly
+got the sack for dodgin' about up a steep 'ill in front of one o' them
+big twenty-four Darracqs, full of 'owlin' toffs, and not lettin' 'em
+get a chance to go past till they got to the top. But at last he persuaded
+old John Bull to let him go to England and buy a car for him.
+He was to do a year in the shops, and pick up all the wrinkles,
+and get a car for the old man. Bit better than wood and water joeying,
+wasn't it?"
+
+Our progress here was barred by our rounding a corner right on to a flock
+of sheep, that at once packed together into a solid mass in front of us,
+blocking the whole road from fence to fence.
+
+"Silly cows o' things, ain't they?" said Alfred, putting on his
+emergency brake, and skidding up till the car came softly to rest against
+the cushion-like mass -- a much quicker stop than any horse-drawn vehicle
+could have made. A few sheep were crushed somewhat, but it is well known
+that a sheep is practically indestructible by violence.
+Whatever Alfred's faults were, he certainly could drive.
+
+"Well," he went on, lighting a cigarette, unheeding the growls
+of the drovers, who were trying to get the sheep to pass the car,
+"well, as I was sayin', Henery went to England, and he got a car.
+Do you know wot he got?"
+
+"No, I don't."
+
+"'E got a ninety," said Alfred slowly, giving time for the words
+to soak in.
+
+"A ninety! What do you mean?"
+
+"'E got a ninety -- a ninety-horse-power racin' engine wot was made
+for some American millionaire and wasn't as fast as wot
+some other millionaire had, so he sold it for the price of the iron,
+and Henery got it, and had a body built for it, and he comes out here
+and tells us all it's a twenty mongrel -- you know, one of them cars
+that's made part in one place and part in another, the body here
+and the engine there, and the radiator another place.
+There's lots of cheap cars made like that.
+
+"So Henery he says that this is a twenty mongrel --
+only a four-cylinder engine; and nobody drops to what she is
+till Henery goes out one Sunday and waits for the big Napier
+that Scotty used to drive -- it belonged to the same bloke wot owned
+that big racehorse wot won all the races. So Henery and Scotty
+they have a fair go round the park while both their bosses is at church,
+and Henery beat him out o' sight -- fair lost him -- and so Henery
+was reckoned the boss of the road. No one would take him on after that."
+
+A nasty creek-crossing here required Alfred's attention. A little girl,
+carrying a billy-can of water, stood by the stepping stones,
+and smiled shyly as we passed. Alfred waved her a salute quite as though
+he were an ordinary human being. I felt comforted. He had his moments
+of relaxation evidently, and his affections like other people.
+
+"What happened to Henry and the ninety-horse machine?" I asked.
+"And where does the elephant come in?"
+
+Alfred smiled pityingly.
+
+"Ain't I tellin' yer," he said. "You wouldn't understand if I didn't
+tell yer how he got the car and all that. So here's Henery," he went on,
+"with old John Bull goin' about in the fastest car in Australia,
+and old John, he's a quiet old geezer, that wouldn't drive faster
+than the regulations for anything, and that short-sighted he can't see
+to the side of the road. So what does Henery do? He fixes up
+the speed-indicator -- puts a new face on it, so that when the car
+is doing thirty, the indicator only shows fifteen, and twenty for forty,
+and so on. So out they'd go, and if Henery knew there was a big car
+in front of him, he'd let out to forty-five, and the pace would very near
+blow the whiskers off old John; and every now and again he'd look
+at the indicator, and it'd be showin' twenty-two and a half, and he'd say:
+
+"`Better be careful, Henery, you're slightly exceedin' the speed limit;
+twenty miles an hour, you know, Henery, should be fast enough for anybody,
+and you're doing over twenty-two.'
+
+"Well, one day, Henery told me, he was tryin' to catch up a big car
+that just came out from France, and it had a half-hour start of him,
+and he was just fairly flyin', and there was a lot of cars on the road,
+and he flies past 'em so fast the old man says, `It's very strange,
+Henery,' he says, `that all the cars that are out to-day are comin'
+this way,' he says. You see he was passin' 'em so fast he thought
+they were all comin' towards him.
+
+"And Henery sees a mate of his comin', so he lets out a notch or two,
+and the two cars flew by each other like chain lightnin'. They were each
+doin' about forty, and the old man, he says, `There's a driver
+must be travellin' a hundred miles an hour,' he says. `I never see a car
+go by so fast in my life,' he says. `If I could find out who he is,
+I'd report him,' he says. `Did you know the car, Henery?'
+But of course Henery, he doesn't know, so on they goes.
+
+"The owner of the big French car thinks he has the fastest car
+in Australia, and when he sees Henery and the old man coming, he tells
+his driver to let her out a little; but Henery gives the ninety-horse
+the full of the lever, and whips up alongside in one jump. And then
+he keeps there just half a length ahead of him, tormentin' him like.
+And the owner of the French car he yells out to old John Bull,
+`You're going a nice pace for an old 'un,' he says. Old John has a blink
+down at the indicator. `We're doing twenty-five,' he yells out.
+`Twenty-five grandmothers,' says the bloke; but Henery he put on
+his accelerator, and left him. It wouldn't do to let the old man
+get wise to it, you know."
+
+We topped a big hill, and Alfred cut off the engine and let the car swoop,
+as swiftly and noiselessly as an eagle, down to the flat country below.
+
+"You're a long while coming to the elephant, Alfred," I said.
+
+"Well, now, I'll tell you about the elephant," said Alfred,
+letting his clutch in again, and taking up the story to the accompaniment
+of the rhythmic throb of the engine.
+
+"One day Henery and the old man were going out a long trip
+over the mountain, and down the Kangaroo Valley Road that's all cut out
+of the side of the 'ill. And after they's gone a mile or two,
+Henery sees a track in the road -- the track of the biggest car
+he ever seen or 'eard of. An' the more he looks at it, the more he reckons
+he must ketch that car and see what she's made of. So he slows down
+passin' two yokels on the road, and he says, `Did you see a big car
+along 'ere?'
+
+"`Yes, we did,' they says.
+
+"`How big is she?' says Henery.
+
+"`Biggest car ever we see,' says the yokels, and they laughed
+that silly way these yokels always does.
+
+"`How many horse-power do you think she was?' says Henery.
+
+"`Horse-power,' they says; `elephant-power, you mean!
+She was three elephant-power,' they says; and they goes `Haw, haw!'
+and Henery drops his clutch in, and off he goes after that car."
+
+Alfred lit another cigarette as a preliminary to the climax.
+
+"So they run for miles, and all the time there's the track ahead of 'em,
+and Henery keeps lettin' her out, thinkin' that he'll never ketch that car.
+They went through a town so fast, the old man he says, `What house was that
+we just passed,' he says. At last they come to the top of the big 'ill,
+and there's the tracks of the big car goin' straight down ahead of 'em.
+
+"D'you know that road? It's all cut out of the side of the mountain,
+and there's places where if she was to side-slip you'd go down
+'undreds of thousands of feet. And there's sharp turns, too;
+but the surface is good, so Henery he lets her out, and down they go,
+whizzin' round the turns and skatin' out near the edge,
+and the old cove sittin' there enjoyin' it, never knowin' the danger.
+And comin' to one turn Henery gives a toot on the 'orn,
+and then he heard somethin' go `toot, toot' right away down the mountain.
+
+"'Bout a mile ahead it seemed to be, and Henery reckoned he'd go
+another four miles before he'd ketch it, so he chances them turns
+more than ever. And she was pretty hot, too; but he kept her at it,
+and he hadn't gone a full mile till he come round a turn
+about forty miles an hour, and before he could stop he run right into it,
+and wot do you think it was?"
+
+I hadn't the faintest idea.
+
+"A circus. One of them travellin' circuses, goin' down the coast;
+and one of the elephants had sore feet, so they put him in a big waggon,
+and another elephant pulled in front and one pushed behind.
+Three elephant-power it was, right enough. That was the waggon wot made
+the big track. Well, it was all done so sudden. Before Henery could stop,
+he runs the radiator -- very near boiling she was -- up against the
+elephant's tail, and prints the pattern of the latest honeycomb radiator
+on the elephant as clear as if you done it with a stencil.
+
+"The elephant, he lets a roar out of him like one of them bulls bellerin',
+and he puts out his nose and ketches Henery round the neck,
+and yanks him out of the car, and chucks him right clean over the cliff,
+'bout a thousand feet. But he never done nothin' to the old bloke."
+
+"Good gracious!"
+
+"Well, it finished Henery, killed him stone dead, of course,
+and the old man he was terrible cut up over losin' such a steady,
+trustworthy man. `Never get another like him,' he says."
+
+We were nearly at our journey's end, and we turned through a gate
+into the home paddocks. Some young stock, both horses and cattle,
+came frisking and cantering after the car, and the rough bush track
+took all Alfred's attention. We crossed a creek, the water swishing
+from the wheels, and began the long pull up to the homestead.
+Over the clamour of the little-used second speed, Alfred concluded
+his narrative.
+
+"The old bloke advertised," he said, "for another driver, a steady,
+reliable man to drive a twenty horse-power, four-cylinder touring car.
+Every driver in Sydney put in for it. Nothing like a fast car
+to fetch 'em, you know. And Scotty got it. Him wot used to drive
+the Napier I was tellin' you about."
+
+"And what did the old man say when he found he'd been running
+a racing car?"
+
+"He don't know now. Scotty never told 'im. Why should he?
+He's drivin' about the country now, the boss of the roads,
+but he won't chance her near a circus. Thinks he might bump
+the same elephant. And that elephant, every time he smells a car
+passin' in the road, he goes near mad with fright. If he ever sees
+that car again, do you think he'd know it?"
+
+Not being used to elephants, I could not offer an opinion.
+
+
+
+
+The Oracle
+
+
+
+No tram ever goes to Randwick races without him; he is always fat,
+hairy, and assertive; he is generally one of a party,
+and takes the centre of the stage all the time --
+collects and hands over the fares, adjusts the change,
+chaffs the conductor, crushes the thin, apologetic stranger next him
+into a pulp, and talks to the whole compartment as if they had asked
+for his opinion.
+
+He knows all the trainers and owners, or takes care to give the impression
+that he does. He slowly and pompously hauls out his race book,
+and one of his satellites opens the ball by saying, in a deferential way:
+
+"What do you like for the 'urdles, Charley?"
+
+The Oracle looks at the book and breathes heavily; no one else
+ventures to speak.
+
+"Well," he says, at last, "of course there's only one in it --
+if he's wanted. But that's it -- will they spin him? I don't think
+they will. They's only a lot o' cuddies, any'ow."
+
+No one likes to expose his own ignorance by asking which horse he refers to
+as the "only one in it"; and the Oracle goes on to deal out
+some more wisdom in a loud voice.
+
+"Billy K---- told me" (he probably hardly knows Billy K---- by sight)
+"Billy K---- told me that that bay 'orse ran the best mile-an'-a-half
+ever done on Randwick yesterday; but I don't give him a chance,
+for all that; that's the worst of these trainers. They don't know
+when their horses are well -- half of 'em."
+
+Then a voice comes from behind him. It is that of the thin man,
+who is crushed out of sight by the bulk of the Oracle.
+
+"I think," says the thin man, "that that horse of Flannery's
+ought to run well in the Handicap."
+
+The Oracle can't stand this sort of thing at all. He gives a snort,
+wheels half-round and looks at the speaker. Then he turns back
+to the compartment full of people, and says: "No 'ope."
+
+The thin man makes a last effort. "Well, they backed him last night,
+anyhow."
+
+"Who backed 'im?" says the Oracle.
+
+"In Tattersall's," says the thin man.
+
+"I'm sure," says the Oracle; and the thin man collapses.
+
+On arrival at the course, the Oracle is in great form. Attended by his
+string of satellites, he plods from stall to stall staring at the horses.
+Their names are printed in big letters on the stalls, but the Oracle
+doesn't let that stop his display of knowledge.
+
+"'Ere's Blue Fire," he says, stopping at that animal's stall,
+and swinging his race book. "Good old Blue Fire!" he goes on loudly,
+as a little court collects. "Jimmy B----" (mentioning a popular jockey)
+"told me he couldn't have lost on Saturday week if he had only
+been ridden different. I had a good stake on him, too, that day.
+Lor', the races that has been chucked away on this horse.
+They will not ride him right."
+
+A trainer who is standing by, civilly interposes. "This isn't Blue Fire,"
+he says. "Blue Fire's out walking about. This is a two-year-old filly
+that's in the stall ----"
+
+"Well, I can see that, can't I," says the Oracle, crushingly.
+"You don't suppose I thought Blue Fire was a mare, did you?"
+and he moves off hurriedly.
+
+"Now, look here, you chaps," he says to his followers at last.
+"You wait here. I want to go and see a few of the talent, and it don't do
+to have a crowd with you. There's Jimmy M---- over there now"
+(pointing to a leading trainer). "I'll get hold of him in a minute.
+He couldn't tell me anything with so many about. Just you wait here."
+
+He crushes into a crowd that has gathered round the favourite's stall,
+and overhears one hard-faced racing man say to another, "What do you like?"
+to which the other answers, "Well, either this or Royal Scot.
+I think I'll put a bit on Royal Scot." This is enough for the Oracle.
+He doesn't know either of the men from Adam, or either of the horses
+from the great original pachyderm, but the information will do
+to go on with. He rejoins his followers, and looks very mysterious.
+
+"Well, did you hear anything?" they say.
+
+The Oracle talks low and confidentially.
+
+"The crowd that have got the favourite tell me they're not afraid
+of anything but Royal Scot," he says. "I think we'd better put
+a bit on both."
+
+"What did the Royal Scot crowd say?" asks an admirer deferentially.
+
+"Oh, they're going to try and win. I saw the stable commissioner,
+and he told me they were going to put a hundred on him. Of course,
+you needn't say I told you, 'cause I promised him I wouldn't tell."
+And the satellites beam with admiration of the Oracle, and think
+what a privilege it is to go to the races with such a knowing man.
+
+They contribute their mites to the general fund, some putting in a pound,
+others half a sovereign, and the Oracle takes it into the ring to invest,
+half on the favourite and half on Royal Scot. He finds that the favourite
+is at two to one, and Royal Scot at threes, eight to one being offered
+against anything else. As he ploughs through the ring, a Whisperer
+(one of those broken-down followers of the turf who get their living
+in various mysterious ways, but partly by giving "tips" to backers)
+pulls his sleeve.
+
+"What are you backing?" he says.
+
+"Favourite and Royal Scot," says the Oracle.
+
+"Put a pound on Bendemeer," says the tipster. "It's a certainty.
+Meet me here if it comes off, and I'll tell you something
+for the next race. Don't miss it now. Get on quick!"
+
+The Oracle is humble enough before the hanger-on of the turf.
+A bookmaker roars "10 to 1 Bendemeer;" he suddenly fishes out a sovereign
+of his own -- and he hasn't money to spare, for all his knowingness --
+and puts it on Bendemeer. His friends' money he puts on the favourite
+and Royal Scot as arranged. Then they all go round to watch the race.
+
+The horses are at the post; a distant cluster of crowded animals
+with little dots of colour on their backs. Green, blue, yellow, purple,
+French grey, and old gold, they change about in a bewildering manner,
+and though the Oracle has a cheap pair of glasses, he can't make out
+where Bendemeer has got to. Royal Scot and the favourite
+he has lost interest in, and secretly hopes that they will be
+left at the post or break their necks; but he does not confide
+his sentiment to his companions.
+
+They're off! The long line of colours across the track
+becomes a shapeless clump and then draws out into a long string.
+"What's that in front?" yells someone at the rails.
+"Oh, that thing of Hart's," says someone else. But the Oracle
+hears them not; he is looking in the mass of colour
+for a purple cap and grey jacket, with black arm bands.
+He cannot see it anywhere, and the confused and confusing mass
+swings round the turn into the straight.
+
+Then there is a babel of voices, and suddenly a shout of "Bendemeer!
+Bendemeer!" and the Oracle, without knowing which is Bendemeer,
+takes up the cry feverishly. "Bendemeer! Bendemeer!" he yells,
+waggling his glasses about, trying to see where the animal is.
+
+"Where's Royal Scot, Charley? Where's Royal Scot?" screams one
+of his friends, in agony. "'Ow's he doin'?"
+
+"No 'ope!" says the Oracle, with fiendish glee. "Bendemeer! Bendemeer!"
+
+The horses are at the Leger stand now, whips are out, and three horses
+seem to be nearly abreast; in fact, to the Oracle there seem to be
+a dozen nearly abreast. Then a big chestnut sticks his head in front
+of the others, and a small man at the Oracle's side emits
+a deafening series of yells right by the Oracle's ear:
+
+"Go on, Jimmy! Rub it into him! Belt him! It's a cake-walk!
+A cake-walk! The big chestnut, in a dogged sort of way,
+seems to stick his body clear of his opponents, and passes the post
+a winner by a length. The Oracle doesn't know what has won, but fumbles
+with his book. The number on the saddle-cloth catches his eye -- No. 7;
+he looks hurriedly down the page. No. 7 -- Royal Scot. Second is No. 24
+-- Bendemeer. Favourite nowhere.
+
+Hardly has he realised it, before his friends are cheering and clapping him
+on the back. "By George, Charley, it takes you to pick 'em."
+"Come and 'ave a wet!" "You 'ad a quid in, didn't you, Charley?"
+The Oracle feels very sick at having missed the winner, but he dies game.
+"Yes, rather; I had a quid on," he says. "And" (here he nerves himself
+to smile) "I had a saver on the second, too."
+
+His comrades gasp with astonishment. "D'you hear that, eh? Charley backed
+first and second. That's pickin' 'em if you like." They have a wet,
+and pour fulsome adulation on the Oracle when he collects their money.
+
+After the Oracle has collected the winnings for his friends
+he meets the Whisperer again.
+
+"It didn't win?" he says to the Whisperer in inquiring tones.
+
+"Didn't win," says the Whisperer, who has determined to brazen
+the matter out. "How could he win? Did you see the way he was ridden?
+That horse was stiffened just after I seen you, and he never tried a yard.
+Did you see the way he was pulled and hauled about at the turn?
+It'd make a man sick. What was the stipendiary stewards doing, I wonder?"
+
+This fills the Oracle with a new idea. All that he remembers of the race
+at the turn was a jumble of colours, a kaleidoscope of horses and of riders
+hanging on to the horses' necks. But it wouldn't do to admit that he
+didn't see everything, and didn't know everything; so he plunges in boldly.
+
+"O' course I saw it," he says. "And a blind man could see it.
+They ought to rub him out."
+
+"Course they ought," says the Whisperer. "But, look here,
+put two quid on Tell-tale; you'll get it all back!"
+
+The Oracle does put on "two quid", and doesn't get it all back.
+Neither does he see any more of this race than he did of the last one --
+in fact, he cheers wildly when the wrong horse is coming in.
+But when the public begin to hoot he hoots as loudly as anybody --
+louder if anything; and all the way home in the tram he lays down the law
+about stiff running, and wants to know what the stipendiaries are doing.
+
+If you go into any barber's shop, you can hear him at it, and he flourishes
+in suburban railway carriages; but he has a tremendous local reputation,
+having picked first and second in the handicap, and it would be a bold man
+who would venture to question the Oracle's knowledge of racing
+and of all matters relating to it.
+
+
+
+
+The Cast-iron Canvasser
+
+
+
+The firm of Sloper and Dodge, publishers and printers,
+was in great distress. These two enterprising individuals had worked up
+an enormous business in time-payment books, which they sold
+all over Australia by means of canvassers. They had put
+all the money they had into the business; and now, just when everything
+was in thorough working order, the public had revolted against them.
+
+Their canvassers were molested by the country folk in divers
+strange bush ways. One was made drunk, and then a two-horse harrow
+was run over him; another was decoyed into the ranges on pretence
+of being shown a gold-mine, and his guide galloped away
+and left him to freeze all night in the bush. In mining localities
+the inhabitants were called together by beating a camp-oven lid
+with a pick, and the canvasser was given ten minutes in which
+to get out of the town alive. If he disregarded the hint he would,
+as likely as not, fall accidentally down a disused shaft.
+
+The people of one district applied to their M.P. to have canvassers
+brought under the "Noxious Animals Act", and demanded that a reward
+should be offered for their scalps. Reports appeared in the country press
+about strange, gigantic birds that appeared at remote selections
+and frightened the inhabitants to death -- these were Sloper and Dodge's
+sober and reliable agents, wearing neat, close-fitting suits
+of tar and feathers.
+
+In fact, it was altogether too hot for the canvassers,
+and they came in from North and West and South, crippled and disheartened,
+to tender their resignations. To make matters worse, Sloper and Dodge had
+just got out a large Atlas of Australasia, and if they couldn't sell it,
+ruin stared them in the face; and how could they sell it
+without canvassers?
+
+The members of the firm sat in their private office. Sloper was a long,
+sanctimonious individual, very religious and very bald.
+Dodge was a little, fat American, with bristly, black hair and beard,
+and quick, beady eyes. He was eternally smoking a reeking black pipe,
+and puffing the smoke through his nose in great whiffs, like a locomotive
+on a steep grade. Anybody walking into one of those whiffs
+was liable to get paralysis.
+
+Just as things were at their very blackest, something had turned up
+that promised to relieve all their difficulties. An inventor had offered
+to supply them with a patent cast-iron canvasser -- a figure which
+(he said) when wound up would walk, talk, collect orders,
+and stand any amount of ill-usage and wear and tear. If this could
+indeed be done, they were saved. They had made an appointment
+with the genius; but he was half-an-hour late, and the partners
+were steeped in gloom.
+
+They had begun to despair of his appearing at all, when a cab rattled up
+to the door. Sloper and Dodge rushed unanimously to the window.
+A young man, very badly dressed, stepped out of the cab,
+holding over his shoulder what looked like the upper half of a man's body.
+In his disengaged hand he held a pair of human legs
+with boots and trousers on. Thus burdened he turned to ask his fare,
+but the cabman gave a yell of terror, whipped up his horse,
+and disappeared at a hand-gallop; and a woman who happened to be going by,
+ran down the street, howling that Jack the Ripper had come to town.
+The man bolted in at the door, and toiled up the dark stairs
+tramping heavily, the legs and feet, which he dragged after him,
+making an unearthly clatter. He came in and put his burden down
+on the sofa.
+
+"There you are, gents," he said; "there's your canvasser."
+
+Sloper and Dodge recoiled in horror. The upper part of the man
+had a waxy face, dull, fishy eyes, and dark hair; he lounged on the sofa
+like a corpse at ease, while his legs and feet stood by, leaning stiffly
+against the wall. The partners gazed at him for a while in silence.
+
+"Fix him together, for God's sake," said Dodge. "He looks awful."
+
+The Genius grinned, and fixed the legs on.
+
+"Now he looks better," said Dodge, poking about the figure --
+"looks as much like life as most -- ah, would you, you brute!"
+he exclaimed, springing back in alarm, for the figure had made
+a violent La Blanche swing at him.
+
+"That's all right," said the Inventor. "It's no good having his face
+knocked about, you know -- lot of trouble to make that face.
+His head and body are full of springs, and if anybody hits him in the face,
+or in the pit of the stomach -- favourite places to hit canvassers,
+the pit of the stomach -- it sets a strong spring in motion,
+and he fetches his right hand round with a swipe that'll knock them into
+the middle of next week. It's an awful hit. Griffo couldn't dodge it,
+and Slavin couldn't stand up against it. No fear of any man
+hitting HIM twice.
+
+"And he's dog-proof, too. His legs are padded with tar and oakum,
+and if a dog bites a bit out of him, it will take that dog weeks
+to pick his teeth clean. Never bite anybody again, that dog won't.
+And he'll talk, talk, talk, like a suffragist gone mad;
+his phonograph can be charged for 100,000 words, and all you've got to do
+is to speak into it what you want him to say, and he'll say it.
+He'll go on saying it till he talks his man silly, or gets an order.
+He has an order-form in his hand, and as soon as anyone signs it
+and gives it back to him, that sets another spring in motion,
+and he puts the order in his pocket, turns round, and walks away.
+Grand idea, isn't he? Lor' bless you, I fairly love him."
+
+He beamed affectionately on his monster.
+
+"What about stairs?" said Dodge.
+
+"No stairs in the bush," said the Inventor, blowing a speck of dust
+off his apparition; "all ground-floor houses. Anyhow, if there were stairs
+we could carry him up and let him fall down afterwards,
+or get flung down like any other canvasser."
+
+"Ha! Let's see him walk," said Dodge.
+
+The figure walked all right, stiff and erect.
+
+"Now let's hear him yabber."
+
+The Genius touched a spring, and instantly, in a queer, tin-whistly voice,
+he began to sing, "Little Annie Rooney".
+
+"Good!" said Dodge; "he'll do. We'll give you your price.
+Leave him here to-night, and come in to-morrow. We'll send you off
+to the back country with him. Ninemile would be a good place to start in.
+Have a cigar?"
+
+Mr. Dodge, much elated, sucked at his pipe, and blew through his nose
+a cloud of nearly solid smoke, through which the Genius sidled out.
+They could hear him sneezing and choking all the way down the stairs.
+
+Ninemile is a quiet little place, sleepy beyond description.
+When the mosquitoes in that town settle on anyone,
+they usually go to sleep, and forget to bite him. The climate is so hot
+that the very grasshoppers crawl into the hotel parlours out of the sun,
+climb up the window curtains, and then go to sleep. The Riot Act
+never had to be read in Ninemile. The only thing that can arouse
+the inhabitants out of their lethargy is the prospect of a drink
+at somebody else's expense.
+
+For these reasons it had been decided to start the Cast-iron Canvasser
+there, and then move him on to more populous and active localities
+if he proved a success. They sent up the Genius, and one of their men
+who knew the district well. The Genius was to manage the automaton,
+and the other was to lay out the campaign, choose the victims,
+and collect the money, geniuses being notoriously unreliable
+and loose in their cash. They got through a good deal of whisky
+on the way up, and when they arrived at Ninemile were in a cheerful mood,
+and disposed to take risks.
+
+"Who'll we begin on?" said the Genius.
+
+"Oh, hang it all," said the other, "let's make a start with Macpherson."
+
+Macpherson was a Land Agent, and the big bug of the place.
+He was a gigantic Scotchman, six feet four in his socks,
+and freckled all over with freckles as big as half-crowns.
+His eyebrows would have made decent-sized moustaches for a cavalryman,
+and his moustaches looked like horns. He was a fighter from the ground up,
+and had a desperate "down" on canvassers generally,
+and on Sloper and Dodge's canvassers in particular.
+
+Sloper and Dodge had published a book called "Remarkable Colonials",
+and Macpherson had written out his own biography for it. He was
+intensely proud of his pedigree and his relations, and in his narrative
+made out that he was descended from the original Fhairshon
+who swam round Noah's Ark with his title-deeds in his teeth.
+He showed how his people had fought under Alexander the Great and Timour,
+and had come over to Scotland some centuries before William the Conqueror
+landed in England. He proved that he was related in a general way
+to one emperor, fifteen kings, twenty-five dukes, and earls and lords
+and viscounts innumerable. And then, after all, the editor
+of "Remarkable Colonials" managed to mix him up with some other fellow,
+some low-bred Irish McPherson, born in Dublin of poor but honest parents.
+
+It was a terrible outrage. Macpherson became president of
+the Western District Branch of the "Remarkable Colonials" Defence League,
+a fierce and homicidal association got up to resist, legally and otherwise,
+paying for the book. He had further sworn by all he held sacred
+that every canvasser who came to harry him in future should die,
+and had put up a notice on his office-door, "Canvassers come in
+at their own risk."
+
+He had a dog of what he called the Hold'em breed, who could tell
+a canvasser by his walk, and would go for him on sight.
+The reader will understand, therefore, that, when the Genius and his mate
+proposed to start on Macpherson, they were laying out a capacious contract
+for the Cast-iron Canvasser, and could only have been inspired by a morbid
+craving for excitement, aided by the influence of backblock whisky.
+
+The Inventor wound the figure up in the back parlour of the pub.
+There were a frightful lot of screws to tighten before the thing
+would work, but at last he said it was ready, and they shambled off
+down the street, the figure marching stiffly between them.
+It had a book tucked under its arm and an order-form in its hand.
+When they arrived opposite Macpherson's office, the Genius started
+the phonograph working, pointed the figure straight at Macpherson's door,
+and set it going. Then the two conspirators waited, like Guy Fawkes
+in his cellar.
+
+The automaton marched across the road and in at the open door,
+talking to itself loudly in a hoarse, unnatural voice.
+
+Macpherson was writing at his table, and looked up.
+
+The figure walked bang through a small collection of flower-pots,
+sent a chair flying, tramped heavily in the spittoon, and then brought up
+against the table with a loud crash and stood still. It was talking
+all the time.
+
+"I have here," it said, "a most valuable work, an Atlas of Australia,
+which I desire to submit to your notice. The large and increasing demand
+of bush residents for time-payment works has induced the publishers
+of this ----"
+
+"My God!" said Macpherson, "it's a canvasser. Here, Tom Sayers,
+Tom Sayers!" and he whistled and called for his dog. "Now," he said,
+"will you go out of this office quietly, or will you be thrown out?
+It's for yourself to decide, but you've only got while a duck wags his tail
+to decide in. Which'll it be?"
+
+"---- works of modern ages," said the canvasser. "Every person
+subscribing to this invaluable work will receive, in addition,
+a flat-iron, a railway pass for a year, and a pocket-compass.
+If you will please sign this order ----"
+
+Just here Tom Sayers came tearing through the office,
+and without waiting for orders hitched straight on to the canvasser's calf.
+To Macpherson's amazement the piece came clear away, and Tom Sayers
+rolled about on the floor with his mouth full of a sticky substance
+which seemed to surprise him badly.
+
+The long Scotchman paused awhile before this mystery, but at last
+he fancied he had got the solution. "Got a cork leg, have you?" said he --
+"Well, let's see if your ribs are cork too," and he struck the canvasser
+an awful blow on the fifth button of the waistcoat.
+
+Quicker than lightning came that terrific right-hand cross-counter.
+Macpherson never even knew what happened to him. The canvasser's
+right hand, which had been adjusted by his inventor for a high blow,
+had landed on the butt of Macpherson's ear and dropped him like a fowl.
+The gasping, terrified bull-dog fled the scene, and the canvasser
+stood over his fallen foe, still intoning the virtues of his publication.
+He had come there merely as a friend, he said, to give the inhabitants
+of Ninemile a chance to buy a book which had recently earned the approval
+of King O'Malley and His Excellency the Governor-General.
+
+The Genius and his mate watched this extraordinary drama
+through the window. The stimulant habitually consumed by the Ninemilers
+had induced in them a state of superlative Dutch courage,
+and they looked upon the whole affair as a wildly hilarious joke.
+
+"By Gad! he's done him," said the Genius, as Macpherson went down,
+"done him in one hit. If he don't pay as a canvasser I'll take him to town
+and back him to fight Les Darcy. Look out for yourself;
+don't you handle him!" he continued as the other approached the figure.
+"Leave him to me. As like as not, if you get fooling about him,
+he'll give you a clout that'll paralyse you."
+
+So saying, he guided the automaton out of the office and into the street,
+and walked straight into a policeman.
+
+By a common impulse the Genius and his mate ran rapidly away
+in different directions, leaving the figure alone with the officer.
+
+He was a fully-ordained sergeant -- by name Aloysius O'Grady; a squat,
+rosy little Irishman. He hated violent arrests and all that sort of thing,
+and had a faculty of persuading drunks and disorderlies and other
+fractious persons to "go quietly along wid him," that was little short
+of marvellous. Excited revellers, who were being carried by their mates,
+struggling violently, would break away to prance gaily along to the lock-up
+with the sergeant. Obstinate drunks who had done nothing
+but lie on the ground and kick their feet in the air,
+would get up like birds, serpent-charmed, to go with him to durance vile.
+
+As soon as he saw the canvasser, and noted his fixed, unearthly stare,
+and listened to his hoarse, unnatural voice, the sergeant knew
+what was the matter; it was a man in the horrors, a common enough spectacle
+at Ninemile. He resolved to decoy him into the lock-up, and accosted him
+in a friendly, free-and-easy way.
+
+"Good day t'ye," he said.
+
+"---- most magnificent volume ever published, jewelled in fourteen holes,
+working on a ruby roller, and in a glass case," said the book-canvasser.
+"The likenesses of the historical personages are so natural
+that the book must not be left open on the table, or the mosquitoes
+will ruin it by stinging the portraits."
+
+It then dawned on the sergeant that this was no mere case of the horrors --
+he was dealing with a book-canvasser.
+
+"Ah, sure," he said, "fwhat's the use uv tryin' to sell books at all,
+at all; folks does be peltin' them out into the street, and the nanny-goats
+lives on them these times. Oi send the childer out to pick 'em up,
+and we have 'em at me place in barrow-loads. Come along wid me now,
+and Oi'll make you nice and comfortable for the night,"
+and he laid his hand on the outstretched palm of the figure.
+
+It was a fatal mistake. He had set in motion the machinery which operated
+the figure's left arm, and it moved that limb in towards its body,
+and hugged the sergeant to its breast, with a vice-like grip.
+Then it started in a faltering and uneven, but dogged, way
+to walk towards the river.
+
+"Immortial Saints!" gasped the sergeant, "he's squazin' the livin' breath
+out uv me. Lave go now loike a dacent sowl, lave go. And oh,
+for the love uv God, don't be shpakin' into me ear that way;"
+for the figure's mouth was pressed tight against the sergeant's ear,
+and its awful voice went through and through the little man's head,
+as it held forth about the volume. The sergeant struggled violently,
+and by so doing set some more springs in motion, and the figure's right arm
+made terrific swipes in the air. A following of boys and loafers
+had collected by this time. "Blimey, how does he lash out!" was the remark
+they made. But they didn't interfere, notwithstanding the sergeant's
+frantic appeals, and things were going hard with him when his subordinate,
+Constable Dooley, appeared on the scene.
+
+Dooley, better known as The Wombat because of his sleepy disposition,
+was a man of great strength. He had originally been quartered at Sydney,
+and had fought many bitter battles with the notorious "pushes" of Bondi,
+Surry Hills and The Rocks. After that, duty at Ninemile was child's play,
+and he never ran in fewer than two drunks at a time;
+it was beneath his dignity to be seen capturing a solitary inebriate.
+If they wouldn't come any other way, he would take them by the ankles
+and drag them after him. When the Wombat saw the sergeant in the grasp
+of an inebriate he bore down on the fray full of fight.
+
+"I'll soon make him lave go, sergeant," he said, and he caught hold
+of the figure's right arm, to put on the "police twist". Unfortunately,
+at that exact moment the sergeant touched one of the springs in
+the creature's breast. With the suddenness and severity of a horse-kick,
+it lashed out with its right hand, catching the redoubtable Dooley
+a thud on the jaw, and sending him to grass as if he had been shot.
+
+For a few minutes he "lay as only dead men lie". Then he got up
+bit by bit, wandered off home to the police-barracks,
+and mentioned casually to his wife that John L. Sullivan had come to town,
+and had taken the sergeant away to drown him. After which,
+having given orders that anybody who called was to be told
+that he had gone fifteen miles out of town to serve a summons on a man
+for not registering a dog, he locked himself up in a cell
+for the rest of the day.
+
+Meanwhile, the Cast-iron Canvasser, still holding the sergeant
+tightly clutched to its breast, was marching straight towards the river.
+Something had disorganised its vocal arrangements, and it was now
+positively shrieking in the sergeant's ear, and, as it yelled,
+the little man yelled still louder.
+
+"Oi don't want yer accursed book. Lave go uv me, Oi say!"
+He beat with his fists on its face, and kicked its shins without avail.
+A short, staggering rush, a wild shriek from the officer,
+and they both toppled over the steep bank and went souse into the depths
+of Ninemile Creek.
+
+That was the end of the matter. The Genius and his mate
+returned to town hurriedly, and lay low, expecting to be indicted
+for murder. Constable Dooley drew up a report for the Chief of Police
+which contained so many strange statements that the Police department
+concluded the sergeant must have got drunk and drowned himself,
+and that Dooley saw him do it, but was too drunk to pull him out.
+
+Anyone unacquainted with Ninemile might expect that a report
+of the occurrence would have reached the Sydney papers.
+As a matter of fact the storekeeper did think of writing one,
+but decided that it was too much trouble. There was some idea
+of asking the Government to fish the two bodies out of the river;
+but about that time an agitation was started in Ninemile
+to have the Federal Capital located there, and nothing else mattered.
+
+The Genius discovered a pub in Sydney that kept the Ninemile brand
+of whisky, and drank himself to death; the Wombat became
+a Sub-Inspector of Police; Sloper entered the Christian ministry;
+Dodge was elected to the Federal Parliament; and a vague tradition about
+"a bloke who came up here in the horrors, and drownded poor old O'Grady,"
+is the only memory that remains of that wonderful creation,
+the Cast-iron Canvasser.
+
+
+
+
+The Merino Sheep
+
+
+
+People have got the impression that the merino is a gentle, bleating animal
+that gets its living without trouble to anybody, and comes up every year
+to be shorn with a pleased smile upon its amiable face.
+It is my purpose here to exhibit the merino sheep in its true light.
+
+First let us give him his due. No one can accuse him of being
+a ferocious animal. No one could ever say that a sheep attacked him
+without provocation; although there is an old bush story of a man
+who was discovered in the act of killing a neighbour's wether.
+
+"Hello!" said the neighbour, "What's this? Killing my sheep!
+What have you got to say for yourself?"
+
+"Yes," said the man, with an air of virtuous indignation.
+"I AM killing your sheep. I'll kill ANY man's sheep that bites ME!"
+
+But as a rule the merino refrains from using his teeth on people.
+He goes to work in another way.
+
+The truth is that he is a dangerous monomaniac, and his one idea
+is to ruin the man who owns him. With this object in view
+he will display a talent for getting into trouble and a genius for dying
+that are almost incredible.
+
+If a mob of sheep see a bush fire closing round them, do they run away
+out of danger? Not at all, they rush round and round in a ring
+till the fire burns them up. If they are in a river-bed,
+with a howling flood coming down, they will stubbornly refuse
+to cross three inches of water to save themselves. Dogs may bark
+and men may shriek, but the sheep won't move. They will wait there
+till the flood comes and drowns them all, and then their corpses
+go down the river on their backs with their feet in the air.
+
+A mob will crawl along a road slowly enough to exasperate a snail,
+but let a lamb get away in a bit of rough country,
+and a racehorse can't head him back again. If sheep are put into
+a big paddock with water in three corners of it, they will resolutely
+crowd into the fourth, and die of thirst.
+
+When being counted out at a gate, if a scrap of bark be left on the ground
+in the gateway, they will refuse to step over it until dogs and men
+have sweated and toiled and sworn and "heeled 'em up", and "spoke to 'em",
+and fairly jammed them at it. At last one will gather courage,
+rush at the fancied obstacle, spring over it about six feet in the air,
+and dart away. The next does exactly the same, but jumps a bit higher.
+Then comes a rush of them following one another in wild bounds
+like antelopes, until one overjumps himself and alights on his head.
+This frightens those still in the yard, and they stop running out.
+
+Then the dogging and shrieking and hustling and tearing have to be
+gone through all over again. (This on a red-hot day, mind you,
+with clouds of blinding dust about, the yolk of wool irritating your eyes,
+and, perhaps, three or four thousand sheep to put through).
+The delay throws out the man who is counting, and he forgets whether
+he left off at 45 or 95. The dogs, meanwhile, have taken the first chance
+to slip over the fence and hide in the shade somewhere, and then
+there are loud whistlings and oaths, and calls for Rover and Bluey.
+At last a dirt-begrimed man jumps over the fence, unearths Bluey,
+and hauls him back by the ear. Bluey sets to work barking
+and heeling-'em up again, and pretends that he thoroughly enjoys it;
+but all the while he is looking out for another chance to "clear".
+And THIS time he won't be discovered in a hurry.
+
+There is a well-authenticated story of a ship-load of sheep that was lost
+because an old ram jumped overboard, and all the rest followed him.
+No doubt they did, and were proud to do it. A sheep won't go through
+an open gate on his own responsibility, but he would gladly and proudly
+"follow the leader" through the red-hot portals of Hades:
+and it makes no difference whether the lead goes voluntarily,
+or is hauled struggling and kicking and fighting every inch of the way.
+
+For pure, sodden stupidity there is no animal like the merino.
+A lamb will follow a bullock-dray, drawn by sixteen bullocks
+and driven by a profane person with a whip, under the impression
+that the aggregate monstrosity is his mother. A ewe never knows
+her own lamb by sight, and apparently has no sense of colour.
+She can recognise its voice half a mile off among a thousand other voices
+apparently exactly similar; but when she gets within five yards of it
+she starts to smell all the other lambs within reach,
+including the black ones -- though her own may be white.
+
+The fiendish resemblance which one sheep bears to another
+is a great advantage to them in their struggles with their owners.
+It makes it more difficult to draft them out of a strange flock,
+and much harder to tell when any are missing.
+
+Concerning this resemblance between sheep, there is a story told
+of a fat old Murrumbidgee squatter who gave a big price for a famous ram
+called Sir Oliver. He took a friend out one day to inspect Sir Oliver,
+and overhauled that animal with a most impressive air of sheep-wisdom.
+
+"Look here," he said, "at the fineness of the wool. See the serrations
+in each thread of it. See the density of it. Look at the way
+his legs and belly are clothed -- he's wool all over, that sheep.
+Grand animal, grand animal!"
+
+Then they went and had a drink, and the old squatter said, "Now,
+I'll show you the difference between a champion ram and a second-rater."
+So he caught a ram and pointed out his defects. "See here -- not half
+the serrations that other sheep had. No density of fleece to speak of.
+Bare-bellied as a pig, compared with Sir Oliver. Not that this isn't
+a fair sheep, but he'd be dear at one-tenth Sir Oliver's price.
+By the way, Johnson" (to his overseer), "what ram IS this?"
+
+"That, sir," replied the astounded functionary -- "that IS Sir Oliver,
+sir!"
+
+There is another kind of sheep in Australia, as great a curse
+in his own way as the merino -- namely, the cross-bred,
+or half-merino-half-Leicester animal. The cross-bred will get through,
+under, or over any fence you like to put in front of him.
+He is never satisfied with his owner's run, but always thinks
+other people's runs must be better, so he sets off to explore.
+He will strike a course, say, south-east, and so long as the fit takes him
+he will keep going south-east through all obstacles -- rivers, fences,
+growing crops, anything. The merino relies on passive resistance
+for his success; the cross-bred carries the war into the enemy's camp,
+and becomes a living curse to his owner day and night.
+
+Once there was a man who was induced in a weak moment to buy
+twenty cross-bred rams. From that hour the hand of Fate was upon him.
+They got into all the paddocks they shouldn't have been in.
+They scattered themselves over the run promiscuously.
+They visited the cultivation paddock and the vegetable-garden
+at their own sweet will. And then they took to roving. In a body
+they visited the neighbouring stations, and played havoc with the sheep
+all over the district.
+
+The wretched owner was constantly getting fiery letters
+from his neighbours: "Your blanky rams are here. Come and take them away
+at once," and he would have to go nine or ten miles to drive them home.
+Any man who has tried to drive rams on a hot day knows what purgatory is.
+He was threatened every week with actions for trespass.
+
+He tried shutting them up in the sheep-yard. They got out and went back
+to the garden. Then he gaoled them in the calf-pen.
+Out again and into a growing crop. Then he set a boy to watch them;
+but the boy went to sleep, and they were four miles away across country
+before he got on to their tracks.
+
+At length, when they happened accidentally to be at home
+on their owner's run, there came a big flood. His sheep, mostly merinos,
+had plenty of time to get on to high ground and save their lives;
+but, of course, they didn't, and were almost all drowned. The owner sat
+on a rise above the waste of waters and watched the dead animals go by.
+He was a ruined man. But he said, "Thank God, those cross-bred rams
+are drowned, anyhow." Just as he spoke there was a splashing in the water,
+and the twenty rams solemnly swam ashore and ranged themselves in front
+of him. They were the only survivors of his twenty thousand sheep.
+He broke down, and was taken to an asylum for insane paupers.
+The cross-breds had fulfilled their destiny.
+
+The cross-bred drives his owner out of his mind, but the merino
+ruins his man with greater celerity. Nothing on earth
+will kill cross-breds; nothing will keep merinos alive.
+If they are put on dry salt-bush country they die of drought.
+If they are put on damp, well-watered country they die of worms, fluke,
+and foot-rot. They die in the wet seasons and they die in the dry ones.
+
+The hard, resentful look on the faces of all bushmen comes from
+a long course of dealing with merino sheep. The merino dominates the bush,
+and gives to Australian literature its melancholy tinge,
+its despairing pathos. The poems about dying boundary-riders,
+and lonely graves under mournful she-oaks, are the direct outcome
+of the poet's too close association with that soul-destroying animal.
+A man who could write anything cheerful after a day in the drafting-yards
+would be a freak of nature.
+
+
+
+
+The Bullock
+
+
+
+The typical Australian bullock -- long-horned, sullen-eyed, stupid,
+and vindictive -- is bred away out in Queensland, on remote stations
+in the Never Never land, where men live on damper and beef,
+and occasionally eat a whole bottle of hot pickles at a sitting,
+simply to satisfy their craving for vegetable food. Here,
+under the blazing tropic sun, among flies and dust and loneliness,
+they struggle with the bullock from year's end to year's end.
+It is not to be supposed that they take up this kind of thing for fun.
+The man who worked cattle for sport would wheel bricks for amusement.
+
+At periodical intervals a boom in cattle-country arises in the cities,
+and syndicates are formed to take up country and stock it.
+It looks so beautifully simple -- ON PAPER.
+
+You get your country, thousands of miles of it, for next to nothing.
+You buy your breeding herd for a ridiculously small sum,
+on long-dated bills. Your staff consists of a manager,
+who toils for a share of the profits, a couple of half-civilized
+white stockmen at low wages, and a handful of blacks,
+who work harder for a little opium ash than they would for much money.
+Plant costs nothing, improvements nothing -- no woolshed is needed,
+there are no shearers to pay, and no carriage to market, for the bullock
+walks himself down to his doom. Granted that prices are low,
+still it is obvious that there must be huge profits in the business.
+So the cattle start away out to "the country", where they are supposed
+to increase and multiply, and enrich their owners. Alas! for such hopes.
+There is a curse on cattle.
+
+No one has ever been able to explain exactly how the deficit arises.
+Put the figures before the oldest and most experienced cattleman,
+and he will fail to show why they don't work out right.
+And yet they never do. It is not the fault of the cattle themselves.
+Sheep would rather die than live -- and when one comes to think of
+the life they lead, one can easily understand their preference for death;
+but cattle, if given half a chance, will do their best to prolong
+their existence.
+
+If they are running on low-lying country and are driven off
+when a flood comes, they will probably walk back into the flood-water
+and get drowned as soon as their owner turns his back. But, as a rule,
+cattle are not suicidal. They sort themselves into mobs,
+they pick out the best bits of country, they find their way to the water,
+they breed habitually; but it always ends in the same way.
+The hand of Fate is against them.
+
+If a drought comes, they eat off the grass near the water
+and have to travel far out for a feed. Then they fall away and get weak,
+and when they come down to drink they get bogged in the muddy waterholes
+and die there.
+
+Or Providence sends the pleuro, and big strong beasts slink away
+by themselves, and stand under trees glaring savagely till death comes.
+Or else the tick attacks them, and soon a fine, strong beast becomes
+a miserable, shrunken, tottering wreck. Once cattle get really low
+in condition they are done for. Sheep can be shifted when their
+pasture fails, but you can't shift cattle. They die quicker on the roads
+than on the run. The only thing is to watch and pray for rain.
+It always comes -- after the cattle are dead.
+
+As for describing the animals themselves, it would take volumes.
+Sheep are all alike, but cattle are all different. The drovers on the road
+get to know the habits and tendencies of each particular bullock --
+the one-eyed bullock that pokes out to the side of the mob,
+the inquisitive bullock that is always walking over towards the drover
+as if he were going to speak to him, the agitator bullock who is always
+trying to get up a stampede and prodding the others with his horns.
+
+In poor Boake's "Where the Dead Men Lie" he says:
+
+ Only the hand of Night can free them --
+ That's when the dead men fly!
+ Only the frightened cattle see them --
+ See the dead men go by!
+ Cloven hoofs beating out one measure,
+ Bidding the stockman know no leisure --
+ That's when the dead men take their pleasure!
+ That's when the dead men fly!
+
+Cattle on a camp see ghosts, sure enough -- else, why is it that,
+when hundreds are in camp at night -- some standing, some lying asleep,
+all facing different ways -- in an instant, at some invisible
+cause of alarm, the whole mob are on their feet and all racing
+IN THE SAME DIRECTION, away from some unseen terror?
+
+It doesn't do to sneak round cattle at night; it is better
+to whistle and sing than to surprise them by a noiseless appearance.
+Anyone sneaking about frightens them, and then they will charge
+right over the top of somebody on the opposite side,
+and away into the darkness, becoming more and more frightened as they go,
+smashing against trees and stumps, breaking legs and ribs,
+and playing the dickens with themselves generally. Cattle "on the road"
+are unaccountable animals; one cannot say for certain what they will do.
+In this respect they differ from sheep, whose movements can be predicted
+with absolute certainty.
+
+All the cussedness of the bovine race is centred in the cow. In Australia
+the most opprobious epithet one can apply to a man or other object
+is "cow". In the whole range of a bullock-driver's vocabulary
+there is no word that expresses his blistering scorn so well as "cow".
+To an exaggerated feminine perversity the cow adds a fiendish ingenuity
+in making trouble.
+
+A quiet milking-cow will "plant" her calf with such skill that ten stockmen
+cannot find him in a one-mile paddock. While the search goes on
+she grazes unconcernedly, as if she never had a calf in her life.
+If by chance he be discovered, then one notices a curious thing.
+The very youngest calf, the merest staggering-Bob two days old,
+will not move till the old lady gives him orders to do so.
+One may pull him about without getting a move out of him.
+If sufficiently persecuted he will at last sing out for help, and then
+his mother will arrive full-gallop, charge men and horses indiscriminately,
+and clear out with him to the thickest timber in the most rugged part
+of the creek-bed, defying man to get her to the yard.
+
+While in his mother's company he seconds her efforts with great judgment.
+But, if he be separated from her, he will follow a horse and rider
+up to the yard thinking he is following his mother, though she bellow
+instructions to him from the rear. Then the guileless agriculturist,
+having penned him up, sets a dog on him, and his cries soon fetch
+the old cow full-run to his assistance. Once in the yard she is roped,
+hauled into the bail, propped up to prevent her throwing herself down,
+and milked by sheer brute-force. After a while she steadies down
+and will walk into the bail, knowing her turn and behaving like
+a respectable female.
+
+Cows and calves have no idea of sound or distance. If a cow is on
+the opposite side of the fence, and wishes to communicate with her calf,
+she will put her head through the fence, place her mouth against his ear
+as if she were going to whisper, and then utter a roar that can be heard
+two miles off. It would stun a human being; but the calf thinks it over
+for a moment, and then answers with a prolonged yell in the old cow's ear.
+So the dialogue goes on for hours without either party dropping dead.
+
+There is an element of danger in dealing with cattle that makes men
+smart and self-reliant and independent. Men who deal with sheep
+get gloomy and morbid, and are for ever going on strike. Nobody ever heard
+of a stockman's strike. The true stockrider thinks himself just as good
+a man as his boss, and inasmuch as "the boss" never makes any money,
+while the stockman gets his wages, the stockman may be considered as having
+the better position of the two.
+
+Sheepmen like to think that they know all about cattle, and could work them
+if they chose. A Queensland drover once took a big mob from the Gulf
+right down through New South Wales, selling various lots as he went.
+He had to deliver some to a small sheep-man, near Braidwood,
+who was buying a few hundred cattle as a spec. By the time they arrived,
+the cattle had been on the road eight months, and were quiet as milkers.
+But the sheep-man and his satellites came out, riding stable-fed horses and
+brandishing twenty-foot whips, all determined to sell their lives dearly.
+They galloped round the astonished cattle and spurred their horses
+and cracked their whips, till they roused the weary mob. Then they started
+to cut out the beasts they wanted. The horses rushed and pulled,
+and the whips maddened the cattle, and all was turmoil and confusion.
+
+The Queensland drovers looked on amazed, sitting their patient
+leg-weary horses they had ridden almost continuously for eight months.
+At last, seeing the hash the sheep-men were making of it,
+the drovers set to work, and in a little while, without a shout,
+or crack of a whip, had cut out the required number.
+These the head drover delivered to the buyer, simply remarking,
+"Many's the time YOU never cut-out cattle."
+
+As I write, there rises a vision of a cattle-camp on an open plain,
+the blue sky overhead, the long grass rustling below,
+the great mob of parti-coloured cattle eddying restlessly about,
+thrusting at each other with their horns; and in among
+the sullen half-savage animals go the light, wiry stock-riders,
+horse and man working together, watchful, quick, and resolute.
+
+A white steer is wanted that is right in the throng. Way! -- make way!
+and horse and rider edge into the restless sea of cattle,
+the man with his eye fixed on the selected animal, the horse,
+glancing eagerly about him, trying to discover which is the wanted one.
+The press divides and the white steer scuttles along the edge of the mob
+trying to force his way in again. Suddenly he and two or three others
+are momentarily eddied out to the outskirts of the mob, and in that second
+the stockman dashes his horse between them and the main body.
+The lumbering beasts rush hither and thither in a vain attempt
+to return to their comrades. Those not wanted are allowed to return,
+but the white steer finds, to his dismay, that wherever he turns that horse
+and man and dreaded whip are confronting him. He doubles and dodges
+and makes feints to charge, but the horse anticipates every movement
+and wheels quicker than the bullock. At last the white steer sees
+the outlying mob he is required to join, and trots off to them quite happy,
+while horse and rider return to cut out another.
+
+It is a pretty exhibition of skill and intelligence, doubly pleasant
+to watch because of the undoubted interest that the horses take in it.
+Big, stupid creatures that they are, cursed with highly-strung nerves,
+and blessed with little sense, they are pathetically anxious to do
+such work as they can understand. So they go into the cutting-out camp
+with a zest, and toil all day edging lumbering bullocks out of the mob,
+but as soon as a bad rider gets on them and begins
+to haul their mouths about, their nerves overcome them,
+and they get awkward and frightened. A horse that is a crack camp-horse
+in one man's hands may be a hopeless brute in the hands of another.
+
+
+
+
+White-when-he's-wanted
+
+
+
+Buckalong was a big freehold of some 80,000 acres, belonging to
+an absentee syndicate, and therefore run in most niggardly style.
+There was a manager on 200 pounds a year, Sandy M'Gregor to wit --
+a hard-headed old Scotchman known as "four-eyed M'Gregor",
+because he wore spectacles. For assistants, he had half-a-dozen of us --
+jackaroos and colonial-experiencers -- who got nothing a year,
+and earned it.
+
+We had, in most instances, paid premiums to learn the noble art
+of squatting -- which now appears to me hardly worth studying,
+for so much depends on luck that a man with a head as long as a horse's
+has little better chance than the fool just imported.
+Besides the manager and the jackaroos, there were a few boundary riders
+to prowl round the fences of the vast paddocks. This constituted
+the whole station staff.
+
+Buckalong was on one of the main routes by which stock were taken
+to market, or from the plains to the tablelands, and vice versa.
+Great mobs of travelling sheep constantly passed through the run,
+eating up the grass and vexing the soul of the manager. By law,
+sheep must travel six miles per day, and they must be kept to within
+half-a-mile of the road. Of course we kept all the grass near the road
+eaten bare, to discourage travellers from coming that way.
+
+Such hapless wretches as did venture through Buckalong used to try hard
+to stray from the road and pick up a feed, but old Sandy was always
+ready for them, and would have them dogged right through the run.
+This bred feuds, and bad language, and personal combats between us
+and the drovers, whom we looked upon as natural enemies.
+
+The men who came through with mobs of cattle used to pull down
+the paddock fences at night, and slip the cattle in for refreshments,
+but old Sandy often turned out at 2 or 3 a.m. to catch a mob of bullocks
+in the horse-paddock, and then off they went to Buckalong pound.
+The drovers, as in duty bound, attributed the trespass to accident --
+broken rails, and so on -- and sometimes they tried to rescue the cattle,
+which again bred strife and police-court summonses.
+
+Besides having a particular aversion to drovers, old M'Gregor had
+a general "down" on the young Australians whom he comprehensively described
+as a "feckless, horrse-dealin', horrse-stealin', crawlin' lot o' wretches."
+According to him, a native-born would sooner work a horse to death
+than work for a living any day. He hated any man who wanted
+to sell him a horse.
+
+"As aw walk the street," he used to say, "the fouk disna stawp me
+to buy claes nor shoon, an' wheerfore should they stawp me to buy horrses?
+It's `Mister M'Gregor, will ye purrchase a horrse?' Let them wait
+till I ask them to come wi' their horrses."
+
+Such being his views on horseflesh and drovers, we felt
+no little excitement when one Sunday, at dinner, the cook came in to say
+there was "a drover-chap outside wanted the boss to come and have a look
+at a horse." M'Gregor simmered a while, and muttered something about
+the "Sawbath day"; but at last he went out, and we filed after him
+to see the fun.
+
+The drover stood by the side of his horse, beneath the acacia trees
+in the yard. He had a big scar on his face, apparently the result
+of collision with a fence; he looked thin and sickly and seemed
+poverty-stricken enough to disarm hostility. Obviously, he was down
+on his luck. Had it not been for that indefinable self-reliant look
+which drovers -- the Ishmaels of the bush -- always acquire, one might
+have taken him for a swagman. His horse was in much the same plight.
+It was a ragged, unkempt pony, pitifully poor and very footsore,
+at first sight, an absolute "moke"; but a second glance showed
+colossal round ribs, square hips, and a great length of rein,
+the rest hidden beneath a wealth of loose hair. He looked like
+"a good journey horse", possibly something better.
+
+We gathered round while M'Gregor questioned the drover.
+The man was monosyllabic to a degree, as the real bushmen generally are.
+It is only the rowdy and the town-bushy that are fluent of speech.
+
+"Guid mornin'," said M'Gregor.
+
+"Mornin', boss," said the drover, shortly.
+
+"Is this the horrse ye hae for sale?"
+
+"Yes."
+
+"Ay," and M'Gregor looked at the pony with a businesslike
+don't-think-much-of-him air, ran his hand lightly over the hard legs,
+and opened the passive creature's mouth. "H'm," he said.
+Then he turned to the drover. "Ye seem a bit oot o' luck.
+Ye're thin like. What's been the matter?"
+
+"Been sick with fever -- Queensland fever. Just come through
+from the North. Been out on the Diamantina last."
+
+"Ay. I was there mysel'," said M'Gregor. "Hae ye the fever on ye still?"
+
+"Yes -- goin' home to get rid of it."
+
+A man can only get Queensland fever in a malarial district, but he can
+carry it with him wherever he goes. If he stays, it will sap his strength
+and pull him to pieces; if he moves to a better climate, the malady moves
+with him, leaving him by degrees, and coming back at regular intervals
+to rack, shake, burn, and sweat its victim. Gradually it wears itself out,
+often wearing its patient out at the same time. M'Gregor had been through
+the experience, and there was a slight change in his voice as he went on
+with his palaver.
+
+"Whaur are ye makin' for the noo?"
+
+"Monaro -- my people live in Monaro."
+
+"Hoo will ye get to Monaro gin ye sell the horrse?"
+
+"Coach and rail. Too sick to care about ridin'," said the drover,
+while a wan smile flitted over his yellow-grey features.
+"I've rode him far enough. I've rode that horse a thousand miles.
+I wouldn't sell him, only I'm a bit hard up. Sellin' him now
+to get the money to go home."
+
+"Hoo auld is he?"
+
+"Seven."
+
+"Is he a guid horrse on a camp?" asked M'Gregor.
+
+"No better camp-horse in Queensland," said the drover. "You can chuck
+the reins on his neck, an' he'll cut out a beast by himself."
+
+M'Gregor's action in this matter puzzled us. We spent our time
+crawling after sheep, and a camp-horse would be about as much use to us
+as side-pockets to a pig. We had expected Sandy to rush the fellow
+off the place at once, and we couldn't understand how it was that he took
+so much interest in him. Perhaps the fever-racked drover
+and the old camp-horse appealed to him in a way incomprehensible to us.
+We had never been on the Queensland cattle-camps, nor shaken and shivered
+with the fever, nor lived the roving life of the overlanders.
+M'Gregor had done all this, and his heart (I can see it all now) went out
+to the man who brought the old days back to him.
+
+"Ah, weel," he said, "we hae'na muckle use for a camp-horrse here,
+ye ken; wi'oot some of these lads wad like to try theer han'
+cuttin' oot the milkers' cawves frae their mithers." And the old man
+laughed contemptuously, while we felt humbled in the sight of the man
+from far back. "An' what'll ye be wantin' for him?" asked M'Gregor.
+
+"Reckon he's worth fifteen notes," said the drover.
+
+This fairly staggered us. Our estimates had varied between
+thirty shillings and a fiver. We thought the negotiations
+would close abruptly; but M'Gregor, after a little more examination,
+agreed to give the price, provided the saddle and bridle,
+both grand specimens of ancient art, were given in. This was agreed to,
+and the drover was sent off to get his meals in the hut before leaving
+by the coach.
+
+"The mon is verra harrd up, an' it's a sair thing that Queensland fever,"
+was the only remark M'Gregor made. But we knew now that there was
+a soft spot in his heart somewhere.
+
+Next morning the drover got a crisp-looking cheque. He said no word
+while the cheque was being written, but, as he was going away,
+the horse happened to be in the yard, and he went over to the old comrade
+that had carried him so many miles, and laid a hand on his neck.
+
+"He ain't much to look at," said the drover, speaking slowly and awkwardly,
+"but he's white when he's wanted." And just before the coach rattled off,
+the man of few words leant down from the box and nodded impressively,
+and repeated, "Yes, he's white when he's wanted."
+
+We didn't trouble to give the new horse a name. Station horses
+are generally called after the man from whom they are bought.
+"Tom Devine", "The Regan mare", "Black M'Carthy" and "Bay M'Carthy"
+were among the appellations of our horses at that time. As we didn't know
+the drover's name, we simply called the animal "The new horse"
+until a still newer horse was one day acquired. Then, one of the hands
+being told to take the new horse, said, "D'yer mean the NEW new horse
+or the OLD new horse?"
+
+"Naw," said the boss, "not the new horrse -- that bay horrse we bought
+frae the drover. The ane he said was white when he's wanted."
+
+And so, by degrees, the animal came to be referred to as the horse
+that's white when he's wanted, and at last settled down
+to the definite name of "White-when-he's-wanted".
+
+White-when-he's-wanted didn't seem much of an acquisition. He was sent out
+to do slavery for Greenhide Billy, a boundary-rider who plumed himself
+on having once been a cattle-man. After a week's experience of "White",
+Billy came in to the homestead disgusted. The pony was so lazy
+that he had to build a fire under him to get him to move, and so rough
+that it made a man's nose bleed to ride him more than a mile. "The boss
+must have been off his head to give fifteen notes for such a cow."
+
+M'Gregor heard this complaint. "Verra weel, Mr. Billy," said he, hotly,
+"ye can juist tak' ane of the young horrses in yon paddock,
+an' if he bucks wi' ye an' kills ye, it's yer ain fault.
+Ye're a cattleman -- so ye say -- dommed if ah believe it.
+Ah believe ye're a dairy-farmin' body frae Illawarra. Ye ken neither
+horrse nor cattle. Mony's the time ye never rode buckjumpers, Mr. Billy"
+-- and with this parting-shot the old man turned into the house,
+and White-when-he's-wanted came back to the head station.
+
+For a while he was a sort of pariah. He used to yard the horses,
+fetch up the cows, and hunt travelling sheep through the run.
+He really was lazy and rough, and we all decided that Billy's opinion
+of him was correct, until the day came to make one of our periodical raids
+on the wild horses in the hills at the back of the run.
+
+Every now and again we formed parties to run in some of these animals,
+and, after nearly galloping to death half-a-dozen good horses,
+we would capture three or four brumbies, and bring them in triumph
+to the homestead to be broken in. By the time they had thrown
+half the crack riders on the station, broken all the bridles,
+rolled on all the saddles, and kicked all the dogs, they would be
+marketable (and no great bargains) at about thirty shillings a head.
+
+Yet there is no sport in the world to be mentioned in the same volume
+as "running horses", and we were very keen on it. All the crack nags
+were got as fit as possible, and fed up beforehand;
+and on this particular occasion White-when-he's-wanted, being in good trim,
+was given a week's hard feed and lent to a harum-scarum fellow from
+the Upper Murray, who happened to be working in a survey camp on the run.
+How he did open our eyes!
+
+He ran the mob from hill to hill, from range to range,
+across open country and back again to the hills, over flats and gullies,
+through hop-scrub and stringybark ridges; and all the time
+White-when-he's-wanted was on the wing of the mob, pulling double.
+The mares and foals dropped out, the colts and young stock pulled up
+dead beat, and only the seasoned veterans were left. Most of our horses
+caved in altogether; one or two were kept in the hunt by judicious nursing
+and shirking the work; but White-when-he's-wanted was with the quarry
+from end to end of the run, doing double his share; and at the finish,
+when a chance offered to wheel them into the trapyard, he simply
+smothered them for pace, and slewed them into the wings before they knew
+where they were. Such a capture had not fallen to our lot for many a day,
+and the fame of White-when-he's-wanted was speedily noised abroad.
+
+He was always fit for work, always hungry, always ready
+to lie down and roll, and always lazy. But when he heard the rush
+of the brumbies' feet in the scrub he became frantic with excitement.
+He could race over the roughest ground without misplacing a hoof
+or altering his stride, and he could sail over fallen timber
+and across gullies like a kangaroo. Nearly every Sunday
+we were after the brumbies, until they got as lean as greyhounds
+and as cunning as policemen. We were always ready
+to back White-when-he's-wanted to run-down, single-handed,
+any animal in the bush that we liked to put him after -- wild horses,
+wild cattle, kangaroos, emus, dingoes, kangaroo-rats -- we barred nothing,
+for, if he couldn't beat them for pace, he would outlast them.
+
+And then one day he disappeared from the paddock, and we never
+saw him again. We knew there were plenty of men in the district
+who would steal him; but, as we knew also of many more who would "inform"
+for a pound or two, we were sure that it could not have been local "talent"
+that had taken him. We offered good rewards and set some of the right sort
+to work, but heard nothing of him for about a year.
+
+Then the surveyor's assistant turned up again, after a trip
+to the interior. He told us the usual string of back-block lies,
+and wound up by saying that out on the very fringe of settlement
+he had met an old acquaintance.
+
+"Who was that?"
+
+"Why, that little bay horse that I rode after the brumbies that time.
+The one you called White-when-he's-wanted."
+
+"The deuce you did! Are you sure? Who had him?"
+
+"Sure! I'd swear to him anywhere. A little drover fellow had him.
+A little fellow, with a big scar across his forehead. Came from Monaro way
+somewhere. He said he bought the horse from you for fifteen notes."
+
+The King's warrant doesn't run much out west of Boulia,
+and it is not likely that any of us will ever see the drover again,
+or will ever again cross the back of "White-when-he's-wanted".
+
+
+
+
+The Downfall of Mulligan's
+
+
+
+The sporting men of Mulligan's were an exceedingly knowing lot;
+in fact, they had obtained the name amongst their neighbours
+of being a little bit too knowing. They had "taken down"
+the adjoining town in a variety of ways. They were always winning
+maiden plates with horses which were shrewdly suspected to be old
+and well-tried performers in disguise.
+
+When the sports of Paddy's Flat unearthed a phenomenal runner in the shape
+of a blackfellow called Frying-pan Joe, the Mulligan contingent
+immediately took the trouble to discover a blackfellow of their own,
+and they made a match and won all the Paddy's Flat money
+with ridiculous ease; then their blackfellow turned out to be
+a well-known Sydney performer. They had a man who could fight,
+a man who could be backed to jump five-feet-ten, a man who could
+kill eight pigeons out of nine at thirty yards, a man who could make
+a break of fifty or so at billiards if he tried; they could all drink,
+and they all had that indefinite look of infinite wisdom
+and conscious superiority which belongs only to those who know something
+about horseflesh.
+
+They knew a great many things never learnt at Sunday-school.
+They were experts at cards and dice. They would go to immense trouble
+to work off any small swindle in the sporting line.
+In short the general consensus of opinion was that they were
+a very "fly" crowd at Mulligan's, and if you went there you wanted to
+"keep your eyes skinned" or they'd "have" you over a threepenny-bit.
+
+There were races at Sydney one Christmas, and a select band of
+the Mulligan sportsmen were going down to them. They were in high feather,
+having just won a lot of money from a young Englishman at pigeon-shooting,
+by the simple method of slipping blank cartridges into his gun
+when he wasn't looking, and then backing the bird.
+
+They intended to make a fortune out of the Sydney people,
+and admirers who came to see them off only asked them as a favour
+to leave money enough in Sydney to make it worth while
+for another detachment to go down later on. Just as the train
+was departing a priest came running on to the platform,
+and was bundled into the carriage where our Mulligan friends were;
+the door was slammed to, and away they went. His Reverence was hot
+and perspiring, and for a few minutes mopped himself with a handkerchief,
+while the silence was unbroken except by the rattle of the train.
+
+After a while one of the Mulligan fraternity got out a pack of cards
+and proposed a game to while away the time. There was a young squatter
+in the carriage who looked as if he might be induced to lose a few pounds,
+and the sportsmen thought they would be neglecting their opportunities
+if they did not try to "get a bit to go on with" from him.
+He agreed to play, and, just as a matter of courtesy, they asked the priest
+whether he would take a hand.
+
+"What game d'ye play?" he asked, in a melodious brogue.
+
+They explained that any game was equally acceptable to them,
+but they thought it right to add that they generally played for money.
+
+"Sure an' it don't matter for wanst in a way," said he --
+"Oi'll take a hand bedad -- Oi'm only going about fifty miles,
+so Oi can't lose a fortune."
+
+They lifted a light portmanteau on to their knees to make a table,
+and five of them -- three of the Mulligan crowd and the two strangers --
+started to have a little game of poker. Things looked rosy
+for the Mulligan boys, who chuckled as they thought how soon
+they were making a beginning, and what a magnificent yarn they would have
+to tell about how they rooked a priest on the way down.
+
+Nothing sensational resulted from the first few deals, and the priest began
+to ask questions.
+
+"Be ye going to the races?"
+
+They said they were.
+
+"Ah! and Oi suppose ye'll be betting wid thim bookmakers --
+betting on the horses, will yez? They do be terrible knowing men,
+thim bookmakers, they tell me. I wouldn't bet much if Oi was ye," he said,
+with an affable smile. "If ye go bettin' ye will be took in
+wid thim bookmakers."
+
+The boys listened with a bored air and reckoned that by the time
+they parted the priest would have learnt that they were well able
+to look after themselves. They went steadily on with the game,
+and the priest and the young squatter won slightly; this was part
+of the plan to lead them on to plunge. They neared the station
+where the priest was to get out. He had won rather more than they liked,
+so the signal was passed round to "put the cross on". Poker is a game
+at which a man need not risk much unless he feels inclined,
+and on this deal the priest stood out. Consequently,
+when they drew up at his station he was still a few pounds in.
+
+"Bedad," he said, "Oi don't loike goin' away wid yer money.
+Oi'll go on to the next station so as ye can have revinge."
+Then he sat down again, and play went on in earnest.
+
+The man of religion seemed to have the Devil's own luck. When he was dealt
+a good hand he invariably backed it well, and if he had a bad one
+he would not risk anything. The sports grew painfully anxious
+as they saw him getting further and further ahead of them,
+prattling away all the time like a big schoolboy. The squatter was
+the biggest loser so far, but the priest was the only winner.
+All the others were out of pocket. His reverence played with great dash,
+and seemed to know a lot about the game, so that on arrival
+at the second station he was a good round sum in pocket.
+
+He rose to leave them with many expressions of regret, and laughingly
+promised full revenge next time. Just as he was opening the carriage door,
+one of the Mulligan fraternity said in a stage-whisper:
+"He's a blanky sink-pocket. If he can come this far,
+let him come on to Sydney and play for double the stakes."
+Like a shot the priest turned on him.
+
+"Bedad, an' if THAT'S yer talk, Oi'll play ye fer double stakes
+from here to the other side of glory. Do yez think men are mice
+because they eat cheese? It isn't one of the Ryans would be fearing
+to give any man his revinge!"
+
+He snorted defiance at them, grabbed his cards and waded in.
+The others felt that a crisis was at hand and settled down to play
+in a dead silence. But the priest kept on winning steadily,
+and the "old man" of the Mulligan push saw that something decisive
+must be done, and decided on a big plunge to get all the money back
+on one hand. By a dexterous manipulation of the cards
+he dealt himself four kings, almost the best hand at poker.
+Then he began with assumed hesitation to bet on his hand,
+raising the stake little by little.
+
+"Sure ye're trying to bluff, so ye are!" said the priest,
+and immediately raised it.
+
+The others had dropped out of the game and watched with painful interest
+the stake grow and grow. The Mulligan fraternity felt a cheerful certainty
+that the "old man" had made things safe, and regarded themselves
+as mercifully delivered from an unpleasant situation. The priest went on
+doggedly raising the stake in response to his antagonist's challenges
+until it had attained huge dimensions.
+
+"Sure that's high enough," said he, putting into the pool
+sufficient to entitle him to see his opponent's hand.
+
+The "old man" with great gravity laid down his four kings,
+whereat the Mulligan boys let a big sigh of relief escape them.
+
+Then the priest laid down four aces and scooped the pool.
+
+The sportsmen of Mulligan's never quite knew how they got out to Randwick.
+They borrowed a bit of money in Sydney, and found themselves
+in the saddling-paddock in a half-dazed condition, trying to realize
+what had happened to them. During the afternoon they were up at the end
+of the lawn near the Leger stand and could hear the babel of tongues,
+small bookmakers, thimble riggers, confidence men, and so on,
+plying their trades outside. In the tumult of voices they heard one
+that sounded familiar. Soon suspicion grew into certainty,
+and they knew that it was the voice of "Father" Ryan.
+They walked to the fence and looked over. This is what he was saying: --
+
+"Pop it down, gents! Pop it down! If you don't put down a brick
+you can't pick up a castle! I'll bet no one here can pick
+the knave of hearts out of these three cards. I'll bet half-a-sovereign
+no one here can find the knave!"
+
+Then the crowd parted a little, and through the opening
+they could see him distinctly, doing a great business
+and showing wonderful dexterity with the pasteboard.
+
+There is still enough money in Sydney to make it worth while
+for another detachment to come down from Mulligan's; but the next lot
+will hesitate about playing poker with priests in the train.
+
+
+
+
+The Amateur Gardener
+
+
+
+The first step in amateur gardening is to sit down and consider what good
+you are going to get by it. If you are only a tenant by the month,
+as most people are, it is obviously not of much use for you to plant
+a fruit orchard or an avenue of oak trees. What you want is something
+that will grow quickly, and will stand transplanting, for when you move
+it would be a sin to leave behind you the plants on which you have spent
+so much labour and so much patent manure.
+
+We knew a man once who was a bookmaker by trade --
+and a Leger bookmaker at that -- but had a passion for horses and flowers.
+When he "had a big win", as he occasionally did, it was his custom
+to have movable wooden stables, built on skids, put up in the yard,
+and to have tons of the best soil that money could buy
+carted into the garden of the premises which he was occupying.
+
+Then he would keep splendid horses, and grow rare roses
+and show-bench chrysanthemums. His landlord passing by
+would see the garden in a blaze of colour, and promise himself
+to raise the bookmaker's rent next quarter day.
+
+However, when the bookmaker "took the knock", as he invariably did at least
+twice a year, it was his pleasing custom to move without giving notice.
+He would hitch two cart-horses to the stables, and haul them right away
+at night. He would not only dig up the roses, trees, and chrysanthemums
+he had planted, but would also cart away the soil he had brought in;
+in fact, he used to shift the garden bodily. He had one garden
+that he shifted to nearly every suburb in Sydney; and he always argued
+that the change of air was invaluable for chrysanthemums.
+
+Being determined, then, to go in for gardening on common-sense principles,
+and having decided on the shrubs you mean to grow, the next consideration
+is your chance of growing them.
+
+If your neighbour keeps game fowls, it may be taken for granted
+that before long they will pay you a visit, and you will see the rooster
+scratching your pot plants out by the roots as if they were so much straw,
+just to make a nice place to lie down and fluff the dust over himself.
+Goats will also stray in from the street, and bite the young shoots off,
+selecting the most valuable plants with a discrimination
+that would do credit to a professional gardener.
+
+It is therefore useless to think of growing delicate or squeamish plants.
+Most amateur gardeners maintain a lifelong struggle against
+the devices of Nature; but when the forces of man and the forces of Nature
+come into conflict Nature wins every time. Nature has decreed
+that certain plants shall be hardy, and therefore suitable to suburban
+amateur gardeners; the suburban amateur gardener persists in trying to grow
+quite other plants, and in despising those marked out by Nature
+for his use. It is to correct this tendency that this article is written.
+
+The greatest standby to the amateur gardener should undoubtedly be
+the blue-flowered shrub known as "plumbago". This homely but hardy plant
+will grow anywhere. It naturally prefers a good soil,
+and a sufficient rainfall, but if need be it will worry along
+without either. Fowls cannot scratch it up, and even the goat
+turns away dismayed from its hard-featured branches.
+The flower is not strikingly beautiful nor ravishingly scented,
+but it flowers nine months out of the year; smothered with street dust
+and scorched by the summer sun, you will find that faithful old plumbago
+plugging along undismayed. A plant like this should be encouraged --
+but the misguided amateur gardener as a rule despises it.
+
+The plant known as the churchyard geranium is also one marked out
+by Providence for the amateur; so is Cosmea, which comes up year after year
+where once planted. In creepers, bignonia and lantana will hold their own
+under difficulties perhaps as well as any that can be found.
+In trees the Port Jackson fig is a patriotic one to grow.
+It is a fine plant to provide exercise, as it sheds its leaves unsparingly,
+and requires the whole garden to be swept up every day.
+
+Your aim as a student of Nature should be to encourage
+the survival of the fittest. There is a grass called nut grass,
+and another called Parramatta grass, either of which holds its own
+against anything living or dead. The average gardening manual
+gives you recipes for destroying these. Why should you destroy them
+in favour of a sickly plant that needs constant attention? No.
+The Parramatta grass is the selected of Nature, and who are you
+to interfere with Nature?
+
+Having decided to go in for strong, simple plants that will hold their own,
+and a bit over, you must get your implements of husbandry.
+
+The spade is the first thing, but the average ironmonger will show you
+an unwieldy weapon only meant to be used by navvies. Don't buy it.
+Get a small spade, about half-size -- it is nice and light and doesn't
+tire the wrist, and with it you can make a good display of enthusiasm,
+and earn the hypocritical admiration of your wife. After digging
+for half-an-hour or so, get her to rub your back with any
+of the backache cures. From that moment you will have no further need
+for the spade.
+
+A barrow is about the only other thing needed; anyhow,
+it is almost a necessity for wheeling cases of whisky up to the house.
+A rake is useful when your terrier dog has bailed up a cat,
+and will not attack it until the cat is made to run.
+
+Talking of terrier dogs, an acquaintance of ours has a dog that does all
+his gardening. The dog is a small elderly terrier with a failing memory.
+As soon as the terrier has planted a bone in the garden
+the owner slips over, digs it up and takes it away. When that terrier
+goes back and finds the bone gone, he distrusts his memory,
+and begins to think that perhaps he has made a mistake,
+and has dug in the wrong place; so he sets to work, and digs patiently
+all over the garden, turning over acres of soil in the course of
+his search. This saves his master a lot of backache.
+
+The sensible amateur gardener, then, will not attempt to fight with Nature
+but will fall in with her views. What more pleasant than to get out of bed
+at 11.30 on a Sunday morning; to look out of your window at a lawn
+waving with the feathery plumes of Parramatta grass, and to see beyond it
+the churchyard geranium flourishing side by side with the plumbago
+and the Port Jackson fig?
+
+The garden gate blows open, and the local commando of goats,
+headed by an aged and fragrant patriarch, locally known as De Wet,
+rushes in; but their teeth will barely bite through the wiry stalks
+of the Parramatta grass, and the plumbago and the figtree fail
+to attract them, and before long they stand on one another's shoulders,
+scale the fence, and disappear into the next-door garden,
+where a fanatic is trying to grow show roses.
+
+After the last goat has scaled your neighbour's fence, and only De Wet
+is left, your little dog discovers him. De Wet beats a hurried retreat,
+apparently at full speed, with the dog exactly one foot behind him
+in frantic pursuit. We say apparently at full speed, because experience
+has taught that De Wet can run as fast as a greyhound when he likes;
+but he never exerts himself to go faster than is necessary
+to keep just in front of whatever dog is after him.
+
+Hearing the scrimmage, your neighbour comes on to his verandah,
+and sees the chase going down the street.
+
+"Ha! that wretched old De Wet again!" he says. "Small hope your dog has
+of catching him! Why don't you get a garden gate like mine,
+so that he won't get in?"
+
+"No; he can't get in at your gate," is the reply; "but I think his commando
+are in your back garden now."
+
+Then follows a frantic rush. Your neighbour falls downstairs in his haste,
+and the commando, after stopping to bite some priceless pot plants
+of your neighbour's as they come out, skips easily back over the fence
+and through your gate into the street again.
+
+If a horse gets in his hoofs make no impression on the firm turf
+of the Parramatta grass, and you get quite a hearty laugh
+by dropping a chair on him from the first-floor window.
+
+The game fowls of your other neighbour come fluttering into your garden,
+and scratch and chuckle and fluff themselves under your plumbago bush;
+but you don't worry. Why should you? They can't hurt it; and, besides,
+you know that the small black hen and the big yellow one,
+who have disappeared from the throng, are even now laying their daily egg
+for you behind the thickest bush.
+
+Your little dog rushes frantically up and down the front bed
+of your garden, barking and racing, and tearing up the ground,
+because his rival little dog, who lives down the street, is going past
+with his master, and each pretends that he wants to be at the other --
+as they have pretended every day for the past three years. The performance
+he is going through doesn't disturb you. Why should it? By following
+the directions in this article you have selected plants he cannot hurt.
+
+After breakfasting at noon, you stroll out, and, perhaps,
+smooth with your foot, or with your spade, the inequalities
+made by the hens; you gather up casually the eggs they have laid;
+you whistle to your little dog, and go out for a stroll with a light heart.
+
+
+
+
+Thirsty Island
+
+
+
+Travellers approaching a bush township are sure to find some distance
+from the town a lonely public-house waiting by the roadside
+to give them welcome. Thirsty (miscalled Thursday) Island
+is the outlying pub of Australia.
+
+When the China and British-India steamers arrive from the North
+the first place they come to is Thirsty Island, the sentinel at the gate
+of Torres Straits. New chums on the steamers see a fleet
+of white-sailed pearling luggers, a long pier clustered with a hybrid crowd
+of every colour, caste and creed under Heaven, and at the back of it all
+a little galvanized-iron town shining in the sun.
+
+For nine months of the year a crisp, cool south-east wind blows,
+the snow-white beach is splashed with spray and dotted with
+the picturesque figures of Japanese divers and South Sea Island boatmen.
+Coco-nut palms line the roads by the beach, and back of the town
+are the barracks and a fort nestling among the trees on the hillside.
+Thirsty Island is a nice place -- to look at.
+
+When a vessel makes fast the Thirsty Islanders come down
+to greet the new-comers and give them welcome to Australia.
+The new-chums are inclined to patronise these simple, outlying people.
+Fresh from the iniquities of the China-coast cocktail
+and the unhallowed orgies of the Sourabaya Club, new-chums think they have
+little to learn in the way of drink; at any rate, they haven't come
+all the way to Thursday Island to be taught anything. Poor new-chums!
+Little do they know the kind of people they are up against.
+
+The following description of a night at Thursday Island is taken from
+a new-chum's note book:
+
+"Passed Proudfoot shoal and arrived at Thursday Island.
+First sight of Australia. Lot of men came aboard, all called Captain.
+They are all pearl-fishers or pilots, not a bit like the bushmen
+I expected. When they came aboard they divided into parties. Some invaded
+the Captain's cabin; others sat in the smoking room; the rest crowded
+into the saloon. They talked to the passengers about the Boer War,
+and told us about pearls worth 1000 pounds that had been found lately.
+
+"One captain pulled a handful of loose pearls out of a jar
+and handed them round in a casual way for us to look at.
+The stewards opened bottles and we all sat down for a drink and a smoke.
+I spoke to one captain -- an oldish man -- and he grinned amiably,
+but did not answer. Another captain leaned over to me and said,
+`Don't take any notice of him, he's boozed all this week.'
+
+"Conversation and drink became general. The night was very hot and close,
+and some of the passengers seemed to be taking more than was good for them.
+A contagious thirst spread round the ship, and before long the stewards
+and firemen were at it. The saloon became an inferno of drink and sweat
+and tobacco smoke. Perfect strangers were talking to each other
+at the top of their voices.
+
+"Young MacTavish, who is in a crack English regiment,
+asked the captain of a pearling lugger whether he didn't know
+Talbot de Cholmondeley in the Blues.
+
+"The pearler said very likely he had met 'em, and no doubt he'd remember
+their faces if he saw them, but he never could remember names.
+
+"Another passenger -- a Jew -- was trying to buy some pearls cheap
+from the captains, but the more the captains drank the less anxious
+they became to talk about pearls.
+
+"The night wore on, and still the drinks circulated. Young MacTavish
+slept profoundly.
+
+"One passenger gave his steward a sovereign as he was leaving the ship,
+and in half an hour the steward was carried to his berth in a fit --
+alcoholic in its origin. Another steward was observed openly drinking
+the passengers' whisky. When accused, he didn't even attempt
+to defend himself; the great Thursday Island thirst seemed to have
+communicated itself to everyone on board, and he simply HAD to drink.
+
+"About three in the morning a tour of the ship disclosed the following
+state of affairs: Captain's room full of captains solemnly tight;
+smoking-room empty, except for the inanimate form of the captain
+who had been boozed all the week, and was now sleeping peacefully
+with his feet on the sofa and his head on the floor. The saloon was full
+of captains and passengers -- the latter mostly in a state of collapse
+or laughing and singing deliriously; the rails lined with firemen
+who had business over the side; stewards ditto.
+
+"At last the Thursday Islanders departed, unsteadily, but still on
+their feet, leaving a demoralized ship behind them. And young MacTavish,
+who has seen a thing or two in his brief span, staggered to his berth,
+saying, `My God! Is ALL Australia like this place?'"
+
+ * * * * *
+
+When no ships arrive, the Islanders just drop into the pubs,
+as a matter of routine, for their usual evening soak.
+They drink weird compounds -- horehound beer, known as "lady dog",
+and things like that. About two in the morning they go home speechless,
+but still able to travel. It is very rarely that an Islander gets
+helplessly drunk, but strangers generally have to be put to bed.
+
+The Japanese on the island are a strong faction. They have a club
+of their own, and once gave a dinner to mark the death
+of one of their members. He was shrewdly suspected of having tried
+to drown another member by cutting his airpipe, so, when he died,
+the club celebrated the event. The Japanese are not looked upon with favor
+by the white islanders. They send their money to Japan --
+thousands of pounds a year go through the little office in money-orders --
+and so they are not "good for trade".
+
+The Manilamen and Kanakas and Torres Strait islanders,
+on the other hand, bring all the money they do not spend
+on the pearling schooner to the island, and "blow it in", like men.
+They knife each other sometimes, and now and again have to be
+run in wholesale, but they are "good for trade". The local lock-up
+has a record of eighteen drunks run in in seven minutes.
+They weren't taken along in carriages-and-four, either;
+they were mostly dragged along by the scruff of the neck.
+
+Billy Malkeela, the South Sea diver, summed up the Japanese question --
+"Seems to me dis Islan' soon b'long Japanee altogedder.
+One time pa-lenty rickatta (plenty regatta), all same Isle of Wight.
+Now no more rickatta. All money go Japan!"
+
+An English new-chum made his appearance there lately --
+a most undefeated sportsman. He was put down in a diving dress
+in about eight feet of water, where he bubbled and struggled about
+in great style. Suddenly he turned, rushed for the beach,
+and made for the foot of a tree, which he tried to climb
+under the impression that he was still at the bottom of the ocean.
+Then he was hauled in by the life-line.
+
+The pearlers thought to get some fun out of him by giving him
+an oyster to open in which they had previously planted a pearl;
+he never saw the pearl and threw the oyster into the scuppers
+with the rest, and the pearlers had to go down on all fours
+and grope for that pearl among the stinking oysters. It was funny --
+but not in the way they had intended.
+
+The pearlers go out in schooners called floating stations
+(their enemies call them floating public-houses) and no man knows
+what hospitality is till he has been a guest on a pearling schooner.
+They carry it to extremes sometimes. Some pearlers were out in a lugger,
+and were passing by one of these schooners. They determined
+not to go on board, as it was late, and they were in a hurry.
+The captain of the schooner went below, got his rifle and put two bullets
+through their foresail. Then they put the helm down and went aboard;
+it was an invitation almost equivalent to a royal command.
+They felt heartily ashamed of themselves as they slunk up on deck,
+and the captain of the schooner eyed them reproachfully.
+
+"I couldn't let you disgrace yourselves by passing my schooner," he said;
+"but if it ever happens again I'll fire at the deck. A man that would
+pass a schooner in broad daylight is better dead."
+
+There is a fort and garrison at Thirsty Island, but they are not needed.
+If an invading fleet comes this way it should be encouraged
+by every possible means to land at the island; the heat, the thirst,
+the horehound beer, and the Islanders may be trusted to do the rest.
+
+
+
+
+Dan Fitzgerald Explains
+
+
+
+The circus was having its afternoon siesta. Overhead the towering
+canvas tent spread like a giant mushroom on a network of stalks --
+slanting beams, interlaced with guys and wire ropes.
+
+The ring looked small and lonely; its circle of empty benches seemed
+to stare intently at it, as though some sort of unseen performance
+were going on for the benefit of a ghostly audience. Now and again
+a guy rope creaked, or a loose end of canvas flapped like faint,
+unreal applause, as the silence shut down again, it did not need
+much imagination to people the ring with dead and gone circus riders
+performing for the benefit of shadowy spectators packed on those benches.
+
+In the menagerie portion matters were different; here there was
+a free and easy air, the animals realising that for the present
+the eyes of the public were off them, and they could put in the afternoon
+as they chose.
+
+The big African apes had dropped the "business" of showing their teeth,
+and pretending that they wanted to tear the spectators' faces off.
+They were carefully and painstakingly trying to fix up a kind of
+rustic seat in the corner of their cage with a short piece of board,
+which they placed against the wall. This fell down every time
+they sat on it, and the whole adjustment had to be gone through again.
+
+The camel had stretched himself full length on the tan, and was enjoying
+a luxurious snooze, oblivious of the fact that before long he would have to
+get up and assume that far-off ship-of-the-desert aspect. The remainder
+of the animals were, like actors, "resting" before their "turn" came on;
+even the elephant had ceased to sway about, while a small monkey,
+asleep on a sloping tent pole, had an attack of nightmare
+and would have fallen off his perch but for his big tail.
+It was a land of the Lotus-eater
+
+ "In which it seemed always afternoon."
+
+These visions were dispelled by the entry of a person who said,
+"D'ye want to see Dan?" and soon Dan Fitzgerald, the man who knows
+all about the training of horses, came into the tent with Montgomery,
+the ringmaster, and between them they proceeded to expound the methods
+of training horseflesh.
+
+"What sort of horse do we buy for circus work? Well, it depends what
+we want 'em for. There are three sorts of horses in use in a circus --
+ring horses, trick horses, and school horses; but it doesn't matter
+what he is wanted for, a horse is all the better if he knows nothing.
+A horse that has been pulled about and partly trained has to unlearn a lot
+before he is any use to us. The less he knows, the better it is."
+
+"Then do you just try any sort of horse?"
+
+"Any sort, so long as he is a good sort, but it depends on what
+he is wanted for. If we want a ring horse, he has to be a quiet
+sober-going animal, not too well-bred and fiery. A ring horse is one
+that just goes round the ring for the bareback riders and equestriennes
+to perform on. The human being is the "star", and the horse in only
+a secondary performer, a sort of understudy; yes, that's it,
+an understudy -- he has to study how to keep under the man."
+
+"Are they hard to train?"
+
+"Their work all depends on the men that ride them. In bareback riding
+there's a knack in jumping on the horse. If a man lands awkwardly
+and jars the horse's back, the horse will get out of step
+and flinch at each jump, and he isn't nearly so good to perform on.
+A ring horse must not swerve or change his pace; if you're up in the air,
+throwing a somersault, and the horse swerves from underneath you --
+where are you?"
+
+"Some people think that horses take a lot of notice of the band --
+is that so?"
+
+"Not that I know of. If there are any horses in the show
+with an ear for music, I haven't heard of them. They take a lot of notice
+of the ringmaster."
+
+"Does it take them long to learn this work?"
+
+"Not long; a couple of months will teach a ring horse; of course,
+some are better than others."
+
+"First of all we teach them to come up to you, with the whip,
+like horsebreakers do. Then we run them round the ring with a lunging rein
+for a long time; then, when they are steady to the ring, we let them run
+with the rein loose, and the trainer can catch hold of it if they go wrong.
+Then we put a roller on them -- a broad surcingle that goes round
+the horse's body -- and the boys jump on them and canter round,
+holding on to the roller, or standing up, lying down, and doing tricks
+till the horse gets used to it."
+
+"Well?"
+
+"Well, you give 'em a couple of hours of it, perhaps, and then dry them
+and feed them, and give them a spell, and then bring them out again.
+They soon get to know what you want; but you can't break in horses
+on the move. The shifting and worry and noise and excitement put it all
+out of their heads. We have a fixed camp where we break them in.
+And a horse may know his work perfectly well when there is no one about,
+but bring him into the ring at night, and he is all abroad."
+
+"Do you have to give them much whip?"
+
+"Not much. If a horse doesn't know what you want him to do,
+it only ruins him to whip him. But once he does a thing a few times,
+and then won't do it, then you must whip him."
+
+"What about trick horses?"
+
+"A trick horse rolls a barrel, or lies down and goes to bed with the clown,
+or fires a pistol -- does any trick like that. Some small circuses
+make the same horses do both trick and ring work, but it isn't a good line.
+A horse is all the better to have only one line of business --
+same as a man."
+
+"How do you teach them tricks?"
+
+"Oh, it takes a long time and a lot of hard work and great patience.
+Even to make a horse lie down when he's ordered takes a couple of months
+sometimes. To make a horse lie down, you strap up one leg,
+and then pull his head round; after a while he gets so tired
+of the strained position that he lies down, after which
+he learns to do it at command. If you want him to pick up a handkerchief,
+you put a bit of carrot in it, and after a while they know
+that you want them to pick it up -- but it takes a long time.
+Then a strange hand in the ring will flurry them,
+and if anything goes wrong, they get all abroad. A good active pony,
+with a bit of Arab blood in him, is the best for tricks."
+
+"What's a school horse?"
+
+"Ah, that's a line of business that isn't appreciated enough out here.
+On the Continent they think a lot of them. A school horse is one
+that is taught to do passaging, to change his feet at command,
+to move sideways and backwards; in fact, to drill. Out here
+no one thinks much of it. But in Germany, where everyone goes through
+military riding schools, they do. The Germans are the best horse-trainers
+in the world; and the big German circus-proprietors have men
+to do all their business for them, while they just attend to the horses."
+
+"How long does it take to turn out a school horse?"
+
+"Well, Chiarini was the best trainer out here, and he used to take
+two years to get a horse to his satisfaction. For school horses, you must
+have thoroughbreds, because their appearance is half their success.
+We had a New Zealand thoroughbred that had raced, and was turning out
+a splendid school horse, and he got burnt after costing a year's training.
+That's the luck of the game, you know. You keep at it year after year,
+and sometimes they die, and sometimes they get crippled --
+it's all in the luck of the game. You may give fifty pounds for a horse,
+and find that he can never get over his fear of the elephant, while you
+give ten pounds for another, and find him a ready-made performer almost."
+
+We passed out through the ghostly circus and the menagerie tent
+down to the stable tent. There, among a lot of others,
+a tranquil-looking animal was munching some feed, while in front of him
+hung a placard, "Tiger Horse".
+
+"That's a new sort! What is he, ring, trick, or school horse?"
+
+"Well, he's a class by himself. I suppose you'd call him a ring horse.
+That's the horse that the tiger rides on."
+
+"Did it take him long to learn that?"
+
+"Well, it did not take this horse long; but we tried eleven others
+before we could get one to stand it. They're just like men, all different.
+What one will stand another won't look at. Well, good-bye."
+
+Just like men -- no doubt; most men have to carry tigers of various sorts
+through life to get a living.
+
+
+
+
+The Cat
+
+
+
+Most people think that the cat is an unintelligent animal,
+fond of ease, and caring little for anything but mice and milk.
+But a cat has really more character than most human beings,
+and gets a great deal more satisfaction out of life.
+Of all the animal kingdom, the cat has the most many-sided character.
+
+He -- or she -- is an athlete, a musician, an acrobat, a Lothario,
+a grim fighter, a sport of the first water. All day long
+the cat loafs about the house, takes things easy, sleeps by the fire,
+and allows himself to be pestered by the attentions of our womenfolk
+and annoyed by our children. To pass the time away
+he sometimes watches a mouse-hole for an hour or two --
+just to keep himself from dying of ennui; and people get the idea
+that this sort of thing is all that life holds for the cat. But watch him
+as the shades of evening fall, and you see the cat as he really is.
+
+When the family sits down to tea, the cat usually puts in an appearance
+to get his share, and purrs noisily, and rubs himself against the legs
+of the family; and all the time he is thinking of a fight or a love-affair
+that is coming off that evening. If there is a guest at table
+the cat is particularly civil to him, because the guest is likely to have
+the best of what is going. Sometimes, instead of recognizing this civility
+with something to eat, the guest stoops down and strokes the cat, and says,
+"Poor pussy! poor pussy!"
+
+The cat soon tires of that; he puts up his claw and quietly but firmly
+rakes the guest in the leg.
+
+"Ow!" says the guest, "the cat stuck his claws into me!"
+The delighted family remarks, "Isn't it sweet of him?
+Isn't he intelligent? HE WANTS YOU TO GIVE HIM SOMETHING TO EAT."
+
+The guest dares not do what he would like to do -- kick the cat
+through the window -- so, with tears of rage and pain in his eyes,
+he affects to be very much amused, and sorts out a bit of fish
+from his plate and hands it down. The cat gingerly receives it,
+with a look in his eyes that says: "Another time, my friend,
+you won't be so dull of comprehension," and purrs maliciously
+as he retires to a safe distance from the guest's boot before eating it.
+A cat isn't a fool -- not by a long way.
+
+When the family has finished tea, and gathers round the fire to enjoy
+the hours of indigestion, the cat slouches casually out of the room
+and disappears. Life, true life, now begins for him.
+
+He saunters down his own backyard, springs to the top of the fence
+with one easy bound, drops lightly down on the other side,
+trots across the right-of-way to a vacant allotment, and skips to the roof
+of an empty shed. As he goes, he throws off the effeminacy
+of civilisation; his gait becomes lithe and pantherlike;
+he looks quickly and keenly from side to side, and moves noiselessly,
+for he has so many enemies -- dogs, cabmen with whips,
+and small boys with stones.
+
+Arrived on the top of the shed, the cat arches his back, rakes his claws
+once or twice through the soft bark of the old roof, wheels round
+and stretches himself a few times; just to see that every muscle
+is in full working order; then, dropping his head nearly to his paws,
+he sends across a league of backyards his call to his kindred --
+a call to love, or war, or sport.
+
+Before long they come, gliding, graceful shadows, approaching circuitously,
+and halting occasionally to reconnoitre -- tortoiseshell, tabby, and black,
+all domestic cats, but all transformed for the nonce
+into their natural state. No longer are they the hypocritical,
+meek creatures who an hour ago were cadging for fish and milk.
+They are now ruffling, swaggering blades with a Gascon sense of dignity.
+Their fights are grim and determined, and a cat will be clawed to ribbons
+before he will yield.
+
+Even young lady cats have this inestimable superiority over human beings,
+that they can work off jealousy, hatred, and malice in a sprawling,
+yelling combat on a flat roof. All cats fight, and all keep themselves
+more or less in training while they are young. Your cat may be
+the acknowledged lightweight champion of his district --
+a Griffo of the feline ring!
+
+Just think how much more he gets out of his life than you do out of yours
+-- what a hurricane of fighting and lovemaking his life is --
+and blush for yourself. You have had one little love-affair,
+and never had a good, all-out fight in your life!
+
+And the sport they have, too! As they get older and retire from the ring
+they go in for sport more systematically; the suburban backyards,
+that are to us but dullness indescribable, are to them hunting-grounds
+and trysting-places where they may have more gallant adventure
+than ever had King Arthur's knights or Robin Hood's merry men.
+
+Grimalkin decides to kill a canary in a neighbouring verandah.
+Consider the fascination of it -- the stealthy reconnaissance
+from the top of the fence; the care to avoid waking the house-dog,
+the noiseless approach and the hurried dash, and the fierce clawing
+at the fluttering bird till its mangled body is dragged through
+the bars of the cage; the exultant retreat with the spoil;
+the growling over the feast that follows. Not the least entertaining part
+of it is the demure satisfaction of arriving home in time for breakfast
+and hearing the house-mistress say: "Tom must be sick; he seems to have
+no appetite."
+
+It is always levelled as a reproach against cats that they are more fond
+of their home than of the people in it. Naturally, the cat doesn't like
+to leave his country, the land where all his friends are,
+and where he knows every landmark. Exiled in a strange land,
+he would have to learn a new geography, to exploit another tribe of dogs,
+to fight and make love to an entirely new nation of cats.
+Life isn't long enough for that sort of thing. So, when the family moves,
+the cat, if allowed, will stay at the old house and attach himself
+to the new tenants. He will give them the privilege of boarding him
+while he enjoys life in his own way. He is not going to sacrifice
+his whole career for the doubtful reward which fidelity to his old master
+or mistress might bring.
+
+
+
+
+Sitting in Judgment
+
+
+
+The show ring was a circular enclosure of about four acres,
+with a spiked batten fence round it, and a listless crowd
+of back-country settlers propped along the fence. Behind them were
+the sheds for produce, and the machinery sections where steam threshers
+and earth scoops hummed and buzzed and thundered unnoticed.
+Crowds of sightseers wandered past the cattle stalls to gape at
+the fat bullocks; side-shows flourished, a blase goose drew marbles
+out of a tin canister, and a boxing showman displayed his muscles
+outside his tent, while his partner urged the youth of the district
+to come in and be thumped for the edification of the spectators.
+
+Suddenly a gate opened at the end of the show ring, and horses, cattle,
+dogs, vehicles, motor-cars, and bicyclists crowded into the arena.
+This was the general parade, but it would have been better described
+as a general chaos. Trotting horses and ponies, in harness,
+went whirling round the ring, every horse and every driver fully certain
+that every eye was fixed on them; the horses -- the vainest creatures
+in the world -- arching their necks and lifting their feet,
+whizzed past in bewildering succession, till the onlookers grew giddy.
+Inside the whirling circle blood stallions stood on their hind legs,
+screaming defiance to the world at large; great shaggy-fronted bulls,
+with dull vindictive eyes, paced along, looking as though they were trying
+to remember who it was that struck them last. A showground bull
+always seems to be nursing a grievance.
+
+Mixed up with the stallions and bulls were dogs and donkeys.
+The dogs were led by attendants, apparently selected on the principle
+of the larger the dog the smaller the custodian; while the donkeys
+were the only creatures unmoved by their surroundings,
+for they slept peaceably through the procession, occasionally waking up
+to bray their sense of boredom.
+
+In the centre of the ring a few lady-riders, stern-featured women
+for the most part, were being "judged" by a trembling official,
+who feared to look them in the face, but hurriedly and apologetically
+examined horses and saddles, whispered his award to the stewards,
+and fled at top speed to the official stand -- his sanctuary from the fury
+of spurned beauty. The defeated ladies immediately began to "perform" --
+that is, to ask the universe at large whether anyone ever heard
+the like of that! But the stewards strategically slipped away,
+and the injured innocents had no resource left but to ride haughtily
+round the ring, glaring defiance at the spectators.
+
+All this time stewards and committee-men were wandering among
+the competitors, trying to find the animals for judgment.
+The clerk of the ring -- a huge man on a small cob -- galloped around,
+roaring like a bull: "This way for the fourteen stone 'acks! Come on,
+you twelve 'and ponies!" and by degrees various classes got judged,
+and dispersed grumbling. Then the bulls filed out with their grievances
+still unsettled, the lady riders were persuaded to withdraw,
+and the clerk of the ring sent a sonorous bellow across the ground:
+"Where's the jumpin' judges?"
+
+From the official stand came a brisk, dark-faced, wiry little man.
+He had been a steeplechase rider and a trainer in his time.
+Long experience of that tricky animal, the horse, had made him reserved
+and slow to express an opinion. He mounted the table,
+and produced a note-book. From the bar of the booth came a large, hairy,
+red-faced man, whose face showed fatuous self-complacency.
+He was a noted show-judge because he refused, on principle,
+to listen to others' opinions; or in those rare cases when he did,
+only to eject a scornful contradiction. The third judge was
+a local squatter, who was overwhelmed with a sense of his own importance.
+
+They seated themselves on a raised platform in the centre of the ring,
+and held consultation. The small dark man produced his note-book.
+
+"I always keep a scale of points," he said. "Give 'em so many points
+for each fence. Then give 'em so many for make, shape, and quality,
+and so many for the way they jump."
+
+The fat man looked infinite contempt. "I never want any scale of points,"
+he said. "One look at the 'orses is enough for me. A man that judges
+by points ain't a judge at all, I reckon. What do you think?" he went on,
+turning to the squatter. "Do you go by points?"
+
+"Never," said the squatter, firmly; which, as he had never judged before
+in his life, was strictly true.
+
+"Well, we'll each go our own way," said the little man. "I'll keep points.
+Send 'em in."
+
+"Number One, Conductor!" roared the ring steward in a voice like thunder,
+and a long-legged grey horse came trotting into the ring
+and sidled about uneasily. His rider pointed him for the first jump,
+and went at it at a terrific pace. Nearing the fence the horse made
+a wild spring, and cleared it by feet, while the crowd yelled applause.
+At the second jump he raced right under the obstacle, propped dead,
+and rose in the air with a leap like a goat, while the crowd
+yelled their delight again, and said: "My oath! ain't he clever?"
+As he neared the third fence he shifted about uneasily, and finally
+took it at an angle, clearing a wholly unnecessary thirty feet.
+Again the hurricane of cheers broke out. "Don't he fly 'em," said one man,
+waving his hat. At the last fence he made his spring yards too soon;
+his forelegs got over all right, but his hind legs dropped on the rail
+with a sounding rap, and he left a little tuft of hair sticking on it.
+
+"I like to see 'em feel their fences," said the fat man.
+"I had a bay 'orse once, and he felt every fence he ever jumped;
+shows their confidence."
+
+"I think he'll feel that last one for a while," said the little dark man.
+"What's this now?"
+
+"Number Two, Homeward Bound!" An old, solid chestnut horse came out
+and cantered up to each jump, clearing them coolly and methodically.
+The crowd was not struck by the performance, and the fat man said:
+"No pace!" but surreptitiously made two strokes (to indicate Number Two)
+on the cuff of his shirt.
+
+"Number Eleven, Spite!" This was a leggy, weedy chestnut, half-racehorse,
+half-nondescript, ridden by a terrified amateur, who went at the fence
+with a white, set face. The horse raced up to the fence, and stopped dead,
+amid the jeers of the crowd. The rider let daylight into him
+with his spurs, and rushed him at it again. This time he got over.
+
+Round he went, clouting some fences with his front legs,
+others with his hind legs. The crowd jeered, but the fat man,
+from a sheer spirit of opposition, said: "That would be a good horse
+if he was rode better." And the squatter remarked: "Yes,
+he belongs to a young feller just near me. I've seen him jump splendidly
+out in the bush, over brush fences."
+
+The little dark man said nothing, but made a note in his book.
+
+"Number Twelve, Gaslight!" "Now, you'll see a horse," said the fat man.
+"I've judged this 'orse in twenty different shows, and gave him first prize
+every time!"
+
+Gaslight turned out to be a fiddle-headed, heavy-shouldered brute,
+whose long experience of jumping in shows where they give points for pace
+-- as if the affair was a steeplechase -- had taught him
+to get the business over as quickly as he could. He went thundering
+round the ring, pulling double, and standing off his fences in a style
+that would infallibly bring him to grief if following hounds across roads
+or through broken timber.
+
+"Now," said the fat man, "that's a 'unter, that is. What I say is,
+when you come to judge at a show, pick out the 'orse you'd soonest be on
+if Ned Kelly was after you, and there you have the best 'unter."
+
+The little man did not reply, but made the usual scrawl in his book,
+while the squatter hastened to agree with the fat man. "I like to see
+a bit of pace myself," he ventured.
+
+The fat man sat on him heavily. "You don't call that pace,
+do you?" he said. "He was going dead slow."
+
+Various other competitors did their turn round the ring,
+some propping and bucking over the jumps, others rushing and tearing
+at their fences; not one jumped as a hunter should. Some got themselves
+into difficulties by changing feet or misjudging the distance,
+and were loudly applauded by the crowd for "cleverness"
+in getting themselves out of the difficulties they had themselves created.
+
+A couple of rounds narrowed the competitors down to a few,
+and the task of deciding was entered on.
+
+"I have kept a record," said the little man, "of how they jumped
+each fence, and I give them points for style of jumping, and for their make
+and shape and hunting qualities. The way I bring it out is that
+Homeward Bound is the best, with Gaslight second."
+
+"Homeward Bound!" said the fat man. "Why, the pace he went wouldn't head
+a duck. He didn't go as fast as a Chinaman could trot with two baskets
+of stones. I want to have three of 'em in to have another look at 'em."
+Here he looked surreptitiously at his cuff, saw a note "No. II.",
+mistook it for "Number Eleven", and said: "I want Number Eleven
+to go another round."
+
+The leggy, weedy chestnut, with the terrified amateur up, came sidling
+and snorting out into the ring. The fat man looked at him with scorn.
+
+"What is that fiddle-headed brute doing in the ring?" he said.
+
+"Why," said the ring steward, "you said you wanted him."
+
+"Well," said the fat man, "if I said I wanted him I do want him.
+Let him go the round."
+
+The terrified amateur went at his fences with the rashness of despair,
+and narrowly escaped being clouted off on two occasions.
+This put the fat man in a quandary. He had kept no record,
+and all the horses were jumbled up in his head; but he had one fixed idea,
+to give the first prize to Gaslight; as to the second he was open
+to argument. From sheer contrariness he said that Number Eleven would be
+"all right if he were rode better," and the squatter agreed.
+The little man was overruled, and the prizes went -- Gaslight, first;
+Spite, second; Homeward Bound, third.
+
+The crowd hooted loudly as Spite's rider came round with the second ribbon,
+and small boys suggested to the fat judge in shrill tones that he ought to
+boil his head. The fat man stalked majestically into the stewards' stand,
+and on being asked how he came to give Spite the second prize,
+remarked oracularly: "I judge the 'orse, I don't judge the rider."
+This silenced criticism, and everyone adjourned to have a drink.
+
+Over the flowing bowl the fat man said: "You see, I don't believe
+in this nonsense about points. I can judge 'em without that."
+
+Twenty dissatisfied competitors vowed they would never bring
+another horse there in their lives. Gaslight's owner said: "Blimey,
+I knew it would be all right with old Billy judging. 'E knows this 'orse."
+
+
+
+
+The Dog
+
+
+
+The dog is a member of society who likes to have his day's work,
+and who does it more conscientiously than most human beings.
+A dog always looks as if he ought to have a pipe in his mouth
+and a black bag for his lunch, and then he would go quite happily to office
+every day.
+
+A dog without work is like a man without work, a nuisance to himself
+and everybody else. People who live about town, and keep a dog
+to give the children hydatids and to keep the neighbours awake at night,
+imagine that the animal is fulfilling his destiny. All town dogs,
+fancy dogs, show dogs, lap-dogs, and other dogs with no work to do,
+should be abolished; it is only in the country that a dog has
+any justification for his existence.
+
+The old theory that animals have only instinct, not reason, to guide them,
+is knocked endways by the dog. A dog can reason as well as a human being
+on some subjects, and better on others, and the best reasoning dog of all
+is the sheep-dog. The sheep-dog is a professional artist with a pride
+in his business. Watch any drover's dogs bringing sheep into the yards.
+How thoroughly they feel their responsibility, and how very annoyed
+they get if a stray dog with no occupation wants them to stop
+and fool about! They snap at him and hurry off, as much as to say:
+"You go about your idleness. Don't you see this is my busy day?"
+
+Sheep-dogs are followers of Thomas Carlyle. They hold that
+the only happiness for a dog in this life is to find his work and to do it.
+The idle, `dilettante', non-working, aristocratic dog they have no use for.
+
+The training of a sheep-dog for his profession begins at a very early age.
+The first thing is to take him out with his mother and let him see
+her working. He blunders lightheartedly, frisking along
+in front of the horse, and his owner tries to ride over him,
+and generally succeeds. It is amusing to see how that knocks all the gas
+out of a puppy, and with what a humble air he falls to the rear
+and glues himself to the horse's heels, scarcely daring to look
+to the right or to the left, for fear of committing some other breach
+of etiquette.
+
+He has had his first lesson -- to keep behind the horse until he is wanted.
+Then he watches the old slut work, and is allowed to go with her
+round the sheep; and if he shows any disposition to get out of hand
+and frolic about, the old lady will bite him sharply to prevent
+his interfering with her work.
+
+By degrees, slowly, like any other professional, he learns his business.
+He learns to bring sheep after a horse simply at a wave of the hand;
+to force the mob up to a gate where they can be counted or drafted;
+to follow the scent of lost sheep, and to drive sheep through a town
+without any master, one dog going on ahead to block the sheep from
+turning off into by-streets while the other drives them on from the rear.
+
+How do they learn all these things? Dogs for show work
+are taught painstakingly by men who are skilled in handling them;
+but, after all, they teach themselves more than the men teach them.
+It looks as if the acquired knowledge of generations were transmitted
+from dog to dog. The puppy, descended from a race of sheep-dogs,
+starts with all his faculties directed towards the working of sheep;
+he is half-educated as soon as he is born. He can no more help
+working sheep than a born musician can help being musical,
+or a Hebrew can help gathering in shekels. It is bred in him.
+If he can't get sheep to work, he will work a fowl;
+often and often one can see a collie pup painstakingly and carefully
+driving a bewildered old hen into a stable, or a stock-yard,
+or any other enclosed space on which he has fixed his mind.
+How does he learn to do that? He didn't learn it at all.
+The knowledge was born with him.
+
+When the dog has been educated, or has educated himself,
+he enjoys his work; but very few dogs like work "in the yards".
+The sun is hot, the dust rises in clouds, and there is nothing to do
+but bark, bark, bark -- which is all very well for learners and amateurs,
+but is beneath the dignity of the true professional sheep-dog.
+When they are hoarse with barking and nearly choked with dust,
+the men lose their tempers and swear at them, and throw clods of earth
+at them, and sing out to them "Speak up, blast you!"
+
+Then the dogs suddenly decide that they have done enough for the day.
+Watching their opportunity, they silently steal over the fence,
+and hide in any cool place they can find. After a while the men notice
+that hardly any are left, and operations are suspended while
+a great hunt is made into outlying pieces of cover, where the dogs
+are sure to be found lying low and looking as guilty as so many thieves.
+A clutch at the scruff of the neck, a kick in the ribs, and they are
+hauled out of hiding-places; and accompany their masters to the yard
+frolicking about and pretending that they are quite delighted to be
+going back, and only hid in those bushes out of sheer thoughtlessness.
+He is a champion hypocrite, is the dog.
+
+Dogs, like horses, have very keen intuition. They know when the men
+around them are frightened, though they may not know the cause.
+In a great Queensland strike, when the shearers attacked and burnt
+Dagworth shed, some rifle-volleys were exchanged. The air was full
+of human electricity, each man giving out waves of fear and excitement.
+Mark now the effect it had on the dogs. They were not in the fighting;
+nobody fired at them, and nobody spoke to them; but every dog
+left his master, left the sheep, and went away to the homestead,
+about six miles off. There wasn't a dog about the shed next day
+after the fight. The noise of the rifles had not frightened them,
+because they were well-accustomed to that.*
+
+* The same thing happened constantly with horses in the South African War.
+A loose horse would feed contentedly while our men were firing,
+but when our troops were being fired at the horses became uneasy,
+and the loose ones would trot away. The excitement of the men
+communicated itself to them.
+
+Dogs have an amazing sense of responsibility. Sometimes,
+when there are sheep to be worked, an old slut who has young puppies
+may be greatly exercised in her mind whether she should go out or not.
+On the one hand, she does not care about leaving the puppies, on the other,
+she feels that she really ought to go rather than allow the sheep
+to be knocked about by those learners. Hesitatingly, with many a look
+behind her, she trots out after the horses and the other dogs.
+An impassioned appeal from the head boundary rider,
+"Go back home, will yer!" is treated with the contempt it deserves.
+She goes out to the yards, works, perhaps half the day,
+and then slips quietly under the fences and trots off home, contented.
+
+
+
+
+The Dog -- as a Sportsman
+
+
+
+The sheep-dog and the cattle-dog are the workmen of the animal kingdom;
+sporting and fighting dogs are the professionals and artists.
+
+A house-dog or a working-dog will only work for his master;
+a professional or artistic dog will work for anybody, so long as he
+is treated like an artist. A man going away for a week's shooting
+can borrow a dog, and the dog will work for him loyally, just as
+a good musician will do his best, though the conductor is strange to him,
+and the other members of the band are not up to the mark.
+The musician's art is sacred to him, and that is the case with the dog --
+Art before everything.
+
+It is a grand sight to see a really good setter or pointer
+working up to a bird, occasionally glancing over his shoulder to see
+if the man with the gun has not lost himself. He throws his whole soul
+into his work, questing carefully over the cold scent, feathering eagerly
+when the bird is close, and at last drawing up like a statue.
+Not Paganini himself ever lost himself in his art more thoroughly than does
+humble Spot or Ponto. It is not amusement and not a mere duty to him;
+it is a sacred gift, which he is bound to exercise.
+
+A pointer in need of amusement will play with another dog --
+the pair pretending to fight, and so on, but when there is work to be done,
+the dog is lost in the artist. How crestfallen he looks if by any chance
+he blunders on to a bird without pointing it! A fiddler who has played
+a wrong note in a solo is the only creature who can look
+quite so discomfited. Humanity, instead of going to the ant for wisdom,
+should certainly go to the dog.
+
+Sporting dogs are like other artists, in that they are apt to get careless
+of everything except their vocation. They are similarly
+quite unreliable in their affections. They are not good watch dogs,
+and take little interest in chasing cats. They look on a little dog
+that catches rats much as a great musician looks on a cricketer --
+it's clever, but it isn't Art.
+
+Hunting and fighting dogs are the gladiators of the animal world.
+A fox-hound or a kangaroo-dog is always of the same opinion
+as Mr. Jorrocks: -- "All time is wasted what isn't spent in 'untin'."
+
+A greyhound will start out in the morning with three lame legs,
+but as soon as he sees a hare start he MUST go. He utterly forgets
+his sorrows in the excitement, just as a rowing-man, all over
+boils and blisters, will pull a desperate race without feeling any pain.
+Such dogs are not easily excited by anything but a chase,
+and a burglar might come and rob the house and murder the inmates
+without arousing any excitement among them. Guarding a house
+is "not their pidgin" as the Chinese say. That is one great reason
+for the success of the dog at whatever branch of his tribe's work
+he goes in for -- he is so thorough. Dogs who are forced to combine
+half-a-dozen professions never make a success at anything.
+One dog one billet is their motto.
+
+The most earnest and thorough of all the dog tribe is the fighting dog.
+His intense self-respect, his horror of brawling, his cool determination,
+make him a pattern to humanity. The bull-dog or bull-terrier is generally
+the most friendly and best-tempered dog in the world; but when he
+is put down in the ring he fights till he drops, in grim silence,
+though his feet are bitten through and through, his ears are in rags,
+and his neck a hideous mass of wounds.
+
+In a well-conducted dog-fight each dog in turn has to attack the other dog,
+and one can see fierce earnestness blazing in the eye of the attacker
+as he hurls himself on the foe. What makes him fight like that? It is not
+bloodthirstiness, because they are neither savage nor quarrelsome dogs:
+a bulldog will go all his life without a fight, unless put into a ring.
+It is simply their strong self-respect and stubborn pride which will not
+let them give in. The greyhound snaps at his opponent and then runs
+for his life, but the fighting dog stands to it till death.
+
+Just occasionally one sees the same type of human being --
+some quiet-spoken, good-tempered man who has taken up glove-fighting
+for a living, and who, perhaps, gets pitted against a man a shade better
+than himself. After a few rounds he knows he is overmatched, but there is
+something at the back of his brain that will not let him cave in.
+Round after round he stands punishment, and round after round
+he grimly comes up, till, possibly, his opponent loses heart,
+or a fluky hit turns the scale in his favour. These men are to be found
+in every class of life. Many of the gamest of the game are mere
+gutter-bred boys who will continue to fight long after they have endured
+enough punishment to entitle them to quit.
+
+You can see in their eyes the same hard glitter that shows
+in the bulldog's eyes as he limps across the ring, or in the eye
+of the racehorse as he lies down to it when his opponent is outpacing him.
+It is grit, pluck, vim, nerve force; call it what you like,
+and there is no created thing that has more of it than the dog.
+
+The blood-lust is a dog-phase that has never been quite understood.
+Every station-owner knows that sometimes the house-dogs are liable to take
+a sudden fit of sheep-killing. Any kind of dog will do it,
+from the collie downward. Sometimes dogs from different homesteads meet
+in the paddocks, having apparently arranged the whole affair beforehand.
+They are very artful about it, too. They lie round the house till dark,
+and then slink off and have a wild night's blood-spree,
+running down the wretched sheep and tearing their throats open;
+before dawn they slink back again and lie around the house as before.
+Many and many a sheep-owner has gone out with a gun
+and shot his neighbour's dogs for killing sheep which his own wicked,
+innocent-looking dogs had slain.
+
+
+
+
+Concerning a Steeplechase Rider
+
+
+
+Of all the ways in which men get a living there is none so hard
+and so precarious as that of steeplechase-riding in Australia.
+It is bad enough in England, where steeplechases only take place in winter,
+when the ground is soft, where the horses are properly schooled
+before being raced, and where most of the obstacles will yield a little
+if struck and give the horse a chance to blunder over safely.
+
+In Australia the men have to go at racing-speed, on very hard ground,
+over the most rigid and uncompromising obstacles -- ironbark rails
+clamped into solid posts with bands of iron. No wonder they are always
+coming to grief, and are always in and out of hospital
+in splints and bandages. Sometimes one reads that a horse has fallen
+and the rider has "escaped with a severe shaking."
+
+That "shaking", gentle reader, would lay you or me up for weeks,
+with a doctor to look after us and a crowd of sympathetic friends
+calling to know how our poor back was. But the steeplechase-rider
+has to be out and about again, "riding exercise" every morning,
+and "schooling" all sorts of cantankerous brutes over the fences.
+These men take their lives in their hands and look at grim death
+between their horses' ears every time they race or "school".
+
+The death-record among Australian cross-country jockeys and horses
+is very great; it is a curious instance of how custom sanctifies all things
+that such horse-and-man slaughter is accepted in such a callous way.
+If any theatre gave a show at which men and horses were habitually
+crippled or killed in full sight of the audience, the manager would be
+put on his trial for manslaughter.
+
+Our race-tracks use up their yearly average of horses and men
+without attracting remark. One would suppose that the risk being so great
+the profits were enormous; but they are not. In "the game" as played
+on our racecourses there is just a bare living for a good capable horseman
+while he lasts, with the certainty of an ugly smash if he keeps at it
+long enough.
+
+And they don't need to keep at it very long. After a few good "shakings"
+they begin to take a nip or two to put heart into them before they go out,
+and after a while they have to increase the dose. At last they cannot
+ride at all without a regular cargo of alcohol on board, and are either
+"half-muzzy" or shaky according as they have taken too much or too little.
+
+Then the game becomes suicidal; it is an axiom that as soon as a man
+begins to funk he begins to fall. The reason is that a rider who has
+lost his nerve is afraid of his horse making a mistake, and takes a pull,
+or urges him onward, just at the crucial moment when the horse is rattling
+up to his fence and judging his distance. That little, nervous pull
+at his head or that little touch of the spur, takes his attention
+from the fence, with the result that he makes his spring a foot too far off
+or a foot too close in, and -- smash!
+
+The loafers who hang about the big fences rush up to see if the jockey
+is killed or stunned; if he is, they dispose of any jewellery he may have
+about him; they have been known almost to tear a finger off in their
+endeavours to secure a ring. The ambulance clatters up at a canter,
+the poor rider is pushed in out of sight, and the ladies in the stand
+say how unlucky they are -- that brute of a horse falling
+after they backed him. A wolfish-eyed man in the Leger-stand shouts
+to a wolfish-eyed pal, "Bill, I believe that jock was killed
+when the chestnut fell," and Bill replies, "Yes, damn him,
+I had five bob on him." And the rider, gasping like a crushed chicken,
+is carried into the casualty-room and laid on a little stretcher,
+while outside the window the bookmakers are roaring "Four to one bar one,"
+and the racing is going on merrily as ever.
+
+These remarks serve to introduce one of the fraternity
+who may be considered as typical of all. He was a small, wiry,
+hard-featured fellow, the son of a stockman on a big cattle-station,
+and began life as a horse-breaker; he was naturally a horseman,
+able and willing to ride anything that could carry him.
+He left the station to go with cattle on the road, and having picked up
+a horse that showed pace, amused himself by jumping over fences.
+Then he went to Wagga, entered the horse in a steeplechase,
+rode him himself, won handsomely, sold the horse at a good price
+to a Sydney buyer, and went down to ride it in his Sydney races.
+
+In Sydney he did very well; he got a name as a fearless and clever rider,
+and was offered several mounts on fine animals. So he pitched his camp
+in Sydney, and became a fully-enrolled member of the worst profession
+in the world. I had known him in the old days on the road, and when
+I met him on the course one day I enquired how he liked the new life.
+
+"Well, it's a livin'," he said, "but it's no great shakes. They don't give
+steeplechase-riders a chance in Sydney. There's very few races,
+and the big sweepstakes keep horses out of the game."
+
+"Do you get a fair share of the riding?" I asked.
+
+"Oh, yes; I get as much as anybody. But there's a lot of 'em got a notion
+I won't take hold of a horse when I'm told (i.e., pull him
+to prevent him winning). Some of these days I'll take hold of a horse
+when they don't expect it."
+
+I smiled as I thought there was probably a sorry day in store
+for some backer when the jockey "took hold" unexpectedly.
+
+"Do you have to pull horses, then, to get employment?"
+
+"Oh, well, it's this way," he said, rather apologetically, "if an owner
+is badly treated by the handicapper, and is just giving his horse a run
+to get weight off, then it's right enough to catch hold a bit.
+But when a horse is favourite and the public are backing him
+it isn't right to take hold of him then. _I_ would not do it."
+This was his whole code of morals -- not to pull a favourite;
+and he felt himself very superior to the scoundrel who would pull
+favourites or outsiders indiscriminately.
+
+"What do you get for riding?" I asked him.
+
+"Well," he said, looking about uneasily, "we're supposed to get
+a fiver for a losing mount and ten pounds if we win, but a lot
+of the steeplechase-owners are what I call `battlers' --
+men who have no money and get along by owing everybody. They promise us
+all sorts of money if we win, but they don't pay if we lose.
+I only got two pounds for that last steeplechase."
+
+"Two pounds!" I made a rapid calculation. He had ridden over
+eighteen fences for two pounds -- had chanced his life eighteen times
+at less than half-a-crown a time.
+
+"Good Heavens!" I said, "that's a poor game. Wouldn't you be better
+back on the station?"
+
+"Oh, I don't know -- sometimes we get laid a bit to nothing,
+and do well out of a race. And then, you know, a steeplechase rider
+is somebody -- not like an ordinary fellow that is just working."
+
+I realised that I was an "ordinary fellow who was just working",
+and felt small accordingly.
+
+"I'm just off to weigh now," he said -- "I'm riding Contractor,
+and he'll run well, but he always seems to fall at those logs. Still,
+I ought to have luck to-day. I met a hearse as I was coming out.
+I'll get him over the fences, somehow."
+
+"Do you think it lucky, then, to meet a hearse?"
+
+"Oh, yes," he said, "if you MEET it. You mustn't overtake it --
+that's unlucky. So is a cross-eyed man unlucky. Cross-eyed men
+ought to be kept off racecourses."
+
+He reappeared clad in his racing rig, and we set off to see
+the horse saddled. We found the owner in a great state of excitement.
+It seemed he had no money -- absolutely none whatever -- but had borrowed
+enough to pay the sweepstakes, and stood to make something if the horse won
+and lose nothing if he lost, as he had nothing to lose. My friend insisted
+on being paid two pounds before he would mount, and the owner
+nearly had a fit in his efforts to persuade him to ride on credit.
+At last a backer of the horse agreed to pay 2 pounds 10s., win or lose,
+and the rider was to get 25 pounds out of the prize if he won.
+So up he got; and as he and the others walked the big muscular horses
+round the ring, nodding gaily to friends in the crowd, I thought of
+the gladiators going out to fight in the arena with the cry of
+"Hail, Caesar, those about to die salute thee!"
+
+The story of the race is soon told. My friend went to the front
+at the start and led nearly all the way, and "Contractor!" was on
+every one's lips as the big horse sailed along in front of his field.
+He came at the log-fence full of running, and it looked certain
+that he would get over. But at the last stride he seemed to falter,
+then plunged right into the fence, striking it with his chest, and,
+turning right over, landed on his unfortunate rider.
+
+A crowd clustered round and hid horse and rider from view,
+and I ran down to the casualty-room to meet him when the ambulance came in.
+The limp form was carefully taken out and laid on a stretcher
+while a doctor examined the crushed ribs, the broken arm, and all the havoc
+that the horse's huge weight had wrought.
+
+There was no hope from the first. My poor friend, who had so often
+faced Death for two pounds, lay very still awhile. Then he began to talk,
+wandering in his mind, "Where are the cattle?" -- his mind evidently
+going back to the old days on the road. Then, quickly, "Look out there --
+give me room!" and again "Five-and-twenty pounds, Mary, and a sure thing
+if he don't fall at the logs."
+
+Mary was sobbing beside the bed, cursing the fence and the money
+that had brought him to grief. At last, in a tone of satisfaction,
+he said, quite clear and loud: "I know how it was --
+THERE COULDN'T HAVE BEEN ANY DEAD MAN IN THAT HEARSE!"
+
+And so, having solved the mystery to his own satisfaction, he drifted away
+into unconsciousness -- and woke somewhere on the other side
+of the big fence that we can neither see through nor over,
+but all have to face sooner or later.
+
+
+
+
+Victor Second
+
+
+
+We were training two horses for the Buckatowndown races --
+an old grey warrior called Tricolor -- better known to the station boys
+as The Trickler -- and a mare for the hack race. Station horses
+don't get trained quite like Carbine; some days we had no time
+to give them gallops at all, so they had to gallop twice as far
+the next day to make up.
+
+One day the boy we had looking after The Trickler fell in with
+a mob of sharps who told him we didn't know anything about training horses,
+and that what the horse really wanted was "a twicer" -- that is to say,
+a gallop twice round the course. So the boy gave him "a twicer"
+on his own responsibility. When we found out about it we gave the boy
+a twicer with the strap, and he left and took out a summons against us.
+But somehow or other we managed to get the old horse pretty fit,
+tried him against hacks of different descriptions, and persuaded ourselves
+that we had the biggest certainty ever known on a racecourse.
+
+When the horses were galloping in the morning the kangaroo-dog, Victor,
+nearly always went down to the course to run round with them.
+It amused him, apparently, and didn't hurt anyone, so we used
+to let him race; in fact, we rather encouraged him, because it kept him
+in good trim to hunt kangaroo. When we were starting for the meeting,
+someone said we had better tie up Victor or he would be getting stolen
+at the races. We called and whistled, but he had made himself scarce,
+so we started and forgot all about him.
+
+Buckatowndown Races. Red-hot day, everything dusty, everybody drunk
+and blasphemous. All the betting at Buckatowndown was double-event --
+you had to win the money first, and fight the man for it afterwards.
+
+The start for our race, the Town Plate, was delayed for
+a quarter of an hour because the starter flatly refused to leave a fight
+of which he was an interested spectator. Every horse,
+as he did his preliminary gallop, had a string of dogs after him,
+and the clerk of the course came full cry after the dogs with a whip.
+
+By and by the horses strung across to the start at the far side
+of the course. They fiddled about for a bit; then down went the flag
+and they came sweeping along all bunched up together, one holding
+a nice position on the inside. All of a sudden we heard a wild chorus
+of imprecations -- "Look at that dog!" Victor had chipped in with
+the racehorses, and was running right in front of the field.
+It looked a guinea to a gooseberry that some of them would fall on him.
+
+The owners danced and swore. What did we mean by bringing
+a something mongrel there to trip up and kill horses that were worth
+a paddockful of all the horses we had ever owned, or would ever
+breed or own, even if we lived to be a thousand. We were fairly in it
+and no mistake.
+
+As the field came past the stand the first time we could hear the riders
+swearing at our dog, and a wild yell of execration arose from the public.
+He had got right among the ruck by this time, and was racing alongside
+his friend The Trickler, thoroughly enjoying himself. After passing
+the stand the pace became very merry; the dog stretched out all he knew;
+when they began to make it too hot for him, he cut off corners,
+and joined at odd intervals, and every time he made a fresh appearance
+the people in the stand lifted up their voices and "swore cruel".
+
+The horses were all at the whip as they turned into the straight,
+and then The Trickler and the publican's mare singled out.
+We could hear the "chop, chop!" of the whips as they came along together,
+but the mare could not suffer it as long as the old fellow,
+and she swerved off while he struggled home a winner by a length or so.
+Just as they settled down to finish Victor dashed up on the inside,
+and passed the post at old Trickler's girths. The populace
+immediately went for him with stones, bottles, and other missiles,
+and he had to scratch gravel to save his life. But imagine the amazement
+of the other owners when the judge placed Trickler first, Victor second,
+and the publican's mare third!
+
+The publican tried to argue it out with him. He said you couldn't place
+a kangaroo-dog second in a horse-race.
+
+The judge said it was HIS (hiccough) business what he placed,
+and that those who (hiccough) interfered with him would be sorry for it.
+Also he expressed a (garnished) opinion that the publican's mare
+was no rotten good, and that she was the right sort of mare
+for a poor man to own, because she would keep him poor.
+
+Then the publican called the judge a cow. The judge was willing;
+a rip, tear, and chew fight ensued, which lasted some time. The judge won.
+
+Fifteen protests were lodged against our win, but we didn't
+worry about that -- we had laid the stewards a bit to nothing.
+Every second man we met wanted to run us a mile for 100 pounds a side;
+and a drunken shearer, spoiling for a fight, said he had heard we were
+"brimming over with bally science", and had ridden forty miles to find out.
+
+We didn't wait for the hack race. We folded our tents like the Arab
+and stole away. But it remains on the annals of Buckatowndown
+how a kangaroo-dog ran second for the Town Plate.
+
+
+
+
+Concerning a Dog-fight
+
+
+
+Dog-fighting as a sport is not much in vogue now-a-days. To begin with
+it is illegal. Not that THAT matters much, for Sunday drinking
+is also illegal. But dog-fighting is one of the cruel sports which
+the community has decided to put down with all the force of public opinion.
+Nevertheless, a certain amount of it is still carried on near Sydney,
+and very neatly and scientifically carried on, too -- principally by
+gentlemen who live out Botany way and do not care for public opinion.
+
+The grey dawn was just breaking over Botany when we got to
+the meeting-place. Away to the East the stars were paling
+in the faint flush of coming dawn, and over the sandhills came
+the boom of breakers. It was Sunday morning, and all the respectable,
+non-dog-fighting population of that odoriferous suburb were sleeping
+their heavy, Sunday-morning sleep. Some few people, however, were astir.
+In the dim light hurried pedestrians plodded along the heavy road
+towards the sandhills. Now and then a van, laden with ten or eleven of
+"the talent", and drawn by a horse that cost fifteen shillings at auction,
+rolled softly along in the same direction. These were dog-fighters who
+had got "the office", and knew exactly where the match was to take place.
+
+The "meet" was on a main road, about half-a-mile from town;
+here some two hundred people had assembled, and hung up
+their horses and vehicles to the fence without the slightest concealment.
+They said the police would not interfere with them -- and they did not seem
+a nice crowd to interfere with.
+
+One dog was on the ground when we arrived, having come out
+in a hansom cab with his trainer. He was a white bull-terrier,
+weighing about forty pounds, "trained to the hour",
+with the muscles standing out all over him. He waited in the cab,
+licking his trainer's face at intervals to reassure that individual of
+his protection and support; the rest of the time he glowered out of the cab
+and eyed the public scornfully. He knew as well as any human being
+that there was sport afoot, and looked about eagerly and wickedly
+to see what he could get his teeth into.
+
+Soon a messenger came running up to know whether they meant
+to sit in the cab till the police came; the other dog, he said,
+had arrived and all was ready. The trainer and dog got out of the cab;
+we followed them through a fence and over a rise -- and there,
+about twenty yards from the main road, was a neatly-pitched enclosure
+like a prize-ring, a thirty-foot-square enclosure formed with
+stakes and ropes. About a hundred people were at the ringside,
+and in the far corner, in the arms of his trainer, was the other dog --
+a brindle.
+
+It was wonderful to see the two dogs when they caught sight of each other.
+The white dog came up to the ring straining at his leash, nearly dragging
+his trainer off his feet in his efforts to get at the enemy.
+At intervals he emitted a hoarse roar of challenge and defiance.
+
+The brindled dog never uttered a sound. He fixed his eyes on his adversary
+with a look of intense hunger, of absolute yearning for combat.
+He never for an instant shifted his unwinking gaze.
+He seemed like an animal who saw the hopes of years about to be realised.
+With painful earnestness he watched every detail of the other dog's toilet;
+and while the white dog was making fierce efforts to get at him,
+he stood Napoleonic, grand in his courage, waiting for the fray.
+
+All details were carefully attended to, and all rules strictly observed.
+People may think a dog-fight is a go-as-you-please outbreak of lawlessness,
+but there are rules and regulations -- simple, but effective. There were
+two umpires, a referee, a timekeeper, and two seconds for each dog.
+The stakes were said to be ten pounds a-side. After some talk,
+the dogs were carried to the centre of the ring by their seconds and put
+on the ground. Like a flash of lightning they dashed at each other,
+and the fight began.
+
+Nearly everyone has seen dogs fight -- "it is their nature to",
+as Dr. Watts put it. But an ordinary worry between (say) a retriever
+and a collie, terminating as soon as one or other gets his ear bitten,
+gives a very faint idea of a real dog-fight. But bull-terriers
+are the gladiators of the canine race. Bred and trained to fight,
+carefully exercised and dieted for weeks beforehand, they come to the fray
+exulting in their strength and determined to win. Each is trained to fight
+for certain holds, a grip of the ear or the back of the neck
+being of very slight importance. The foot is a favourite hold,
+the throat is, of course, fashionable -- if they can get it.
+
+The white and the brindle sparred and wrestled and gripped and threw
+each other, fighting grimly, and disdaining to utter a sound.
+Their seconds dodged round them unceasingly, giving them encouragement
+and advice -- "That's the style, Boxer -- fight for his foot" --
+"Draw your foot back, old man," and so on. Now and again one dog
+got a grip of the other's foot and chewed savagely, and the spectators
+danced with excitement. The moment the dogs let each other go
+they were snatched up by their seconds and carried to their corners,
+and a minute's time was allowed, in which their mouths were washed out
+and a cloth rubbed over their bodies.
+
+Then came the ceremony of "coming to scratch". When time was called
+for the second round the brindled dog was let loose in his own corner,
+and was required by the rules to go across the ring of his own free will
+and attack the other dog. If he failed to do this he would lose the fight.
+The white dog, meanwhile, was held in his corner waiting the attack.
+After the next round it was the white dog's turn to make the attack,
+and so on alternately. The animals need not fight a moment longer
+than they chose, as either dog could abandon the fight by failing to attack
+his enemy.
+
+While their condition lasted they used to dash across the ring at full run;
+but, after a while, when the punishment got severe and their "fitness"
+began to fail, it became a very exciting question whether or not a dog
+would "come to scratch". The brindled dog's condition was not so good
+as the other's. He used to lie on his stomach between the rounds to
+rest himself, and several times it looked as if he would not cross the ring
+when his turn came. But as soon as time was called he would
+start to his feet and limp slowly across glaring steadily at his adversary;
+then, as he got nearer, he would quicken his pace, make a savage rush,
+and in a moment they would be locked in combat. So they battled on
+for fifty-six minutes, till the white dog (who was apparently having
+all the best of it), on being called to cross the ring,
+only went half-way across and stood there for a minute growling savagely.
+So he lost the fight.
+
+No doubt it was a brutal exhibition. But it was not cruel to the animals
+in the same sense that pigeon-shooting or hare-hunting is cruel.
+The dogs are born fighters, anxious and eager to fight,
+desiring nothing better. Whatever limited intelligence they have
+is all directed to this one consuming passion. They could stop
+when they liked, but anyone looking on could see that they gloried
+in the combat. Fighting is like breath to them -- they must have it.
+Nature has implanted in all animals a fighting instinct
+for the weeding out of the physically unfit, and these dogs have
+an extra share of that fighting instinct.
+
+Of course, now that militarism is going to be abolished, and the world
+is going to be so good and teetotal, and only fight in debating societies,
+these nasty savage animals will be out of date. We will not be allowed
+to keep anything more quarrelsome than a poodle -- and a man of the future,
+the New Man, whose fighting instincts have not been quite bred out of him,
+will, perhaps, be found at grey dawn of a Sunday morning
+with a crowd of other unregenerates in some backyard
+frantically cheering two of them to mortal combat.
+
+
+
+
+His Masterpiece
+
+
+
+Greenhide Billy was a stockman on a Clarence River cattle-station,
+and admittedly the biggest liar in the district. He had been
+for many years pioneering in the Northern Territory, the other side
+of the sun-down -- a regular "furthest-out man" -- and this assured
+his reputation among station-hands who award rank according to
+amount of experience.
+
+Young men who have always hung around the home districts, doing a job
+of shearing here or a turn at horse-breaking there, look with reverence
+on Riverine or Macquarie-River shearers who come in with tales of runs
+where they have 300,000 acres of freehold land and shear 250,000 sheep;
+these again pale their ineffectual fires before the glory of
+the Northern Territory man who has all-comers on toast, because no one
+can contradict him or check his figures. When two of them meet, however,
+they are not fools enough to cut down quotations and spoil the market;
+they lie in support of each other, and make all other bushmen feel
+mean and pitiful and inexperienced.
+
+Sometimes a youngster would timidly ask Greenhide Billy about
+the `terra incognita': "What sort of a place is it, Billy -- how big
+are the properties? How many acres had you in the place you were on?"
+
+"Acres be d----d!" Billy would scornfully reply; "hear him
+talking about acres! D'ye think we were blanked cockatoo selectors!
+Out there we reckon country by the hundred miles. You orter say,
+`How many thousand miles of country?' and then I'd understand you."
+
+Furthermore, according to Billy, they reckoned the rainfall
+in the Territory by yards, not inches. He had seen blackfellows
+who could jump at least three inches higher than anyone else had ever seen
+a blackfellow jump, and every bushman has seen or personally known
+a blackfellow who could jump over six feet. Billy had seen
+bigger droughts, better country, fatter cattle, faster horses,
+and cleverer dogs, than any other man on the Clarence River.
+But one night when the rain was on the roof, and the river was rising
+with a moaning sound, and the men were gathered round the fire in the hut
+smoking and staring at the coals, Billy turned himself loose and gave us
+his masterpiece.
+
+"I was drovin' with cattle from Mungrybanbone to old Corlett's station
+on the Buckadowntown River" (Billy always started his stories
+with some paralysing bush names). "We had a thousand head of store-cattle,
+wild, mountain-bred wretches that'd charge you on sight;
+they were that handy with their horns they could skewer a mosquito.
+There was one or two one-eyed cattle among 'em -- and you know how
+a one-eyed beast always keeps movin' away from the mob,
+pokin' away out to the edge of them so as they won't git on his blind side,
+so that by stirrin' about he keeps the others restless.
+
+"They had been scared once or twice, and stampeded and gave us
+all we could do to keep them together; and it was wet and dark
+and thundering, and it looked like a real bad night for us.
+It was my watch. I was on one side of the cattle, like it might be here,
+with a small bit of a fire; and my mate, Barcoo Jim, he was right opposite
+on the other side of the cattle, and had gone to sleep under a log.
+The rest of the men were in the camp fast asleep. Every now and again
+I'd get on my horse and prowl round the cattle quiet like,
+and they seemed to be settled down all right, and I was sitting by my fire
+holding my horse and drowsing, when all of a sudden a blessed 'possum
+ran out from some saplings and scratched up a tree right alongside me.
+I was half-asleep, I suppose, and was startled; anyhow, never thinking
+what I was doing, I picked up a firestick out of the fire and flung it
+at the 'possum.
+
+"Whoop! Before you could say Jack Robertson, that thousand head of cattle
+were on their feet, and made one wild, headlong, mad rush right over
+the place where poor old Barcoo Jim was sleeping. There was no time
+to hunt up materials for the inquest; I had to keep those cattle together,
+so I sprang into the saddle, dashed the spurs into the old horse,
+dropped my head on his mane, and sent him as hard as he could leg it
+through the scrub to get to the lead of the cattle and steady them.
+It was brigalow, and you know what that is.
+
+"You know how the brigalow grows," continued Bill; "saplings about as thick
+as a man's arm, and that close together a dog can't open his mouth
+to bark in 'em. Well, those cattle swept through that scrub, levelling it
+like as if it had been cleared for a railway line. They cleared a track
+a quarter of a mile wide, and smashed every stick, stump and sapling on it.
+You could hear them roaring and their hoofs thundering
+and the scrub smashing three or four miles off.
+
+"And where was I? I was racing parallel with the cattle, with my head down
+on the horse's neck, letting him pick his way through the scrub
+in the pitchy darkness. This went on for about four miles.
+Then the cattle began to get winded, and I dug into the old stock-horse
+with the spurs, and got in front, and began to crack the whip and sing out,
+so as to steady them a little; after awhile they dropped slower and slower,
+and I kept the whip going. I got them all together in a patch of
+open country, and there I rode round and round 'em all night till daylight.
+
+"And how I wasn't killed in the scrub, goodness only knows;
+for a man couldn't ride in the daylight where I did in the dark.
+The cattle were all knocked about -- horns smashed, legs broken, ribs torn;
+but they were all there, every solitary head of 'em; and as soon as
+the daylight broke I took 'em back to the camp -- that is,
+all that could travel, because I had to leave a few broken-legged ones."
+
+Billy paused in his narrative. He knew that some suggestions would
+be made, by way of compromise, to tone down the awful strength of the yarn,
+and he prepared himself accordingly. His motto was "No surrender";
+he never abated one jot of his statements; if anyone chose to remark
+on them, he made them warmer and stronger, and absolutely flattened out
+the intruder.
+
+"That was a wonderful bit of ridin' you done, Billy,"
+said one of the men at last, admiringly. "It's a wonder you wasn't killed.
+I suppose your clothes was pretty well tore off your back with the scrub?"
+
+"Never touched a twig," said Billy.
+
+"Ah!" faltered the inquirer, "then no doubt you had a real
+ringin' good stock-horse that could take you through a scrub like that
+full-split in the dark, and not hit you against anything."
+
+"No, he wasn't a good un," said Billy decisively, "he was the worst horse
+in the camp. Terrible awkward in the scrub he was, always fallin' down
+on his knees; and his neck was so short you could sit far back on him
+and pull his ears."
+
+Here that interrogator retired hurt; he gave Billy best. After a pause
+another took up the running.
+
+"How did your mate get on, Billy? I s'pose he was trampled to a mummy!"
+
+"No," said Billy, "he wasn't hurt a bit. I told you he was sleeping
+under the shelter of a log. Well, when those cattle rushed
+they swept over that log a thousand strong; and every beast of that herd
+took the log in his stride and just missed landing on Barcoo Jimmy
+by about four inches."
+
+The men waited a while and smoked, to let this statement soak well
+into their systems; at last one rallied and had a final try.
+
+"It's a wonder then, Billy," he said, "that your mate didn't come after you
+and give you a hand to steady the cattle."
+
+"Well, perhaps it was," said Billy, "only that there was a bigger wonder
+than that at the back of it."
+
+"What was that?"
+
+"My mate never woke up all through it."
+
+Then the men knocked the ashes out of their pipes and went to bed.
+
+
+
+
+Done for the Double
+
+by Knott Gold
+Author of "Flogged for a Furlong", "Won by a Winker", etc., etc.
+
+
+
+Chapter I. -- Wanted, a Pony
+
+
+Algernon de Montgomery Smythers was a merchant, wealthy beyond
+the dreams of avarice. Other merchants might dress more lavishly,
+and wear larger watch chains; but the bank balance is the true test
+of mercantile superiority, and in a trial of bank balances
+Algernon de Montgomery Smythers represented Tyson at seven stone.
+He was unbeatable.
+
+He lived in comfort, not to say luxury. He had champagne
+for breakfast every morning, and his wife always slept with a pair
+of diamond earrings worth a small fortune in her ears.
+It is things like these that show true gentility.
+
+Though they had been married many years, the A. de M. Smythers
+had but one child -- a son and heir. No Christmas Day was allowed to pass
+by his doting parents without a gift to young Algy of some trifle
+worth about 150 pounds, less the discount for cash. He had six play-rooms,
+all filled with the most expensive toys and ingenious mechanical devices.
+He had a phonograph that could hail a ship out at the South Head,
+and a mechanical parrot that sang "The Wearing of the Green".
+And still he was not happy.
+
+Sometimes, in spite of the vigilance of his four nurses
+and six under-nurses, he would escape into the street, and run about
+with the little boys he met there. One day he gave one of them a sovereign
+for a locust. Certainly the locust was a "double-drummer",
+and could deafen the German Band when shaken up judiciously;
+still, it was dear at a sovereign.
+
+It is ever thus.
+
+What we have we do not value, and what other people have
+we are not strong enough to take from them.
+
+Such is life.
+
+Christmas was approaching, and the question of Algy's Christmas present
+agitated the bosom of his parents. He already had nearly everything
+a child could want; but one morning a bright inspiration
+struck Algy's father. Algy should have a pony.
+
+With Mr. Smythers to think was to act. He was not a man
+who believed in allowing grass to grow under his feet. His motto was,
+"Up and be doing -- somebody." So he put an advertisement in the paper
+that same day.
+
+"Wanted, a boy's pony. Must be guaranteed sound, strong, handsome,
+intelligent. Used to trains, trams, motors, fire engines,
+and motor 'buses. Any failure in above respects will disqualify.
+Certificate of birth required as well as references from last place.
+Price no object."
+
+
+Chapter II. -- Blinky Bill's Sacrifice
+
+
+Down in a poverty-stricken part of the city lived Blinky Bill,
+the horse-dealer.
+
+His yard was surrounded by loose-boxes made of any old timber,
+galvanized iron, sheets of roofing-felt, and bark he could gather together.
+
+He kept all sorts of horses, except good sorts. There were harness horses,
+that wouldn't pull, and saddle horses that wouldn't go -- or, if they went,
+used to fall down. Nearly every animal about the place had something
+the matter with it.
+
+When the bailiff dropped in, as he did every two or three weeks,
+Bill and he would go out together, and "have a punt" on some of
+Bill's ponies, or on somebody else's ponies -- the latter for choice.
+But periodical punts and occasional sales of horses would not keep the wolf
+from the door. Ponies keep on eating whether they are winning or not
+and Blinky Bill had got down to the very last pitch of desperation
+when he saw the advertisement mentioned at the end of last chapter.
+
+It was like a ray of hope to him. At once there flashed upon him
+what he must do.
+
+He must make a great sacrifice; he must sell Sausage II.
+
+Sausage II. was the greatest thirteen-two pony of the day.
+Time and again he had gone out to race when, to use William's own words,
+it was a blue duck for Bill's chance of keeping afloat; and every time
+did the gallant race pony pull his owner through.
+
+Bill owed more to Sausage II. than he owed to his creditors.
+
+Brought up as a pet, the little animal was absolutely trustworthy.
+He would carry a lady or a child, or pull a sulky; in fact,
+it was quite a common thing for Blinky Bill to drive him in a sulky
+to a country meeting and look about him for a likely "mark".
+If he could find a fleet youth with a reputedly fast pony,
+Bill would offer to "pull the little cuddy out of the sulky
+and run yer for a fiver." Sometimes he got beaten; but as he never paid,
+that didn't matter. He did not believe in fighting; but he would always
+sooner fight than pay.
+
+But all these devices had left him on his uppers in the end.
+He had no feed for his ponies, and no money to buy it; the corn merchant
+had written his account off as bad, and had no desire to make it worse.
+Under the circumstances, what was he to do? Sausage II. must be sold.
+
+With heavy heart Bill led the pony down to be inspected.
+He saw Mr. Algernon de Montgomery Smythers, and measured him with his eye.
+He saw it would be no use to talk about racing to him,
+so he went on the other track.
+
+He told him that the pony belonged to a Methodist clergyman,
+who used to drive him in a "shay". There are no shays in this country;
+but Bill had read the word somewhere, and thought it sounded respectable.
+"Yus, sir," he said, "'e goes lovely in a shay," and he was
+just starting off at twenty words a second, when he was stopped.
+
+Mr. A. de M. Smythers was brusque with his inferiors, and in this
+he made a mistake. Instead of listening to all that Blinky Bill said,
+and disbelieving it at his leisure, he stopped his talk.
+
+"If you want to sell this pony, dry up," he said. "I don't believe
+a word you say, and it only worries me to hear you lying."
+
+Fatal mistake! You should never stop a horse-dealer's talk.
+And call him anything you like, but never say you doubt his word.
+
+Both these things Mr. Smythers did; and, though he bought the pony
+at a high price, yet the insult sank deep into the heart of Blinky Bill.
+
+As the capitalist departed leading the pony, Blinky Bill muttered
+to himself, "Ha! ha! Little does he know that he is leading Sausage II.,
+the greatest 13.2 pony of the century. Let him beware how he gets
+alongside anything. That's all! Blinky Bill may yet be revenged!"
+
+
+Chapter III. -- Exit Algy
+
+
+Christmas Day came. Algy's father gave orders to have the pony saddled,
+and led round to the front door. Algy's mother, a lady of forty summers,
+spent the morning superintending the dinner. Dinner was the
+principal event in the day with her. Alas, poor lady! Everything she ate
+agreed with her, and she got fatter and fatter and fatter.
+
+The cold world never fully appreciates the struggles of those
+who are fat -- the efforts at starvation, the detested exercise,
+the long, miserable walks. Well has one of our greatest poets written,
+"Take up the fat man's burden." But we digress.
+
+When Algy saw the pony he shouted with delight, and in half a minute
+was riding him up and down the front drive. Then he asked for leave
+to go out in the street -- and that was where the trouble began.
+
+Up and down the street the pony cantered, as quietly as possible,
+till suddenly round a corner came two butcher boys racing their horses.
+With a clatter of clumsy hoofs they thundered past. In half a second
+there was a rattle, and a sort of comet-like rush through the air.
+Sausage II. was off after them with his precious burden.
+
+The family dog tried to keep up with him, and succeeded in keeping ahead
+for about three strides. Then, like the wolves that pursued Mazeppa,
+he was left yelping far behind. Through Surry Hills and Redfern swept
+the flying pony, his rider lying out on his neck in Tod Sloan fashion,
+while the ground seemed to race beneath him. The events of the way
+were just one hopeless blur till the pony ran straight as an arrow
+into the yard of Blinky Bill.
+
+
+Chapter IV. -- Running the Rule
+
+
+As soon as Blinky Bill recognised his visitor, he was delighted.
+
+"You here," he said, "Ha, ha, revenge is mine! I'll get a tidy reward
+for taking you back, my young shaver."
+
+Then from the unresisting child he took a gold watch and three sovereigns.
+These he said he would put in a safe place for him, till he was
+going home again. He expected to get at least a tenner ready money for
+bringing Algy back, and hoped that he might be allowed to keep the watch
+into the bargain.
+
+With a light heart he went down town with Algy's watch and sovereigns
+in his pocket. He did not return till daylight, when he awoke his wife
+with bad news.
+
+"Can't give the boy up," he said. "I moskenoed his block and tackle,
+and blued it in the school." In other words, he had pawned the boy's
+watch and chain, and had lost the proceeds at pitch and toss.
+
+"Nothing for it but to move," he said, "and take the kid with us."
+
+So move they did.
+
+The reader can imagine with what frantic anxiety the father and mother
+of little Algy sought for their lost one. They put the matter into
+the hands of the detective police, and waited for the Sherlock Holmeses
+of the force to get in their fine work. There was nothing doing.
+
+Years rolled on, and the mysterious disappearance of little Algy
+was yet unsolved. The horse-dealer's revenge was complete.
+
+The boy's mother consulted a clairvoyant, who murmured mystically
+"What went by the ponies, will come by the ponies;" and with that
+they had to remain satisfied.
+
+
+Chapter V. -- The Tricks of the Turf
+
+
+It was race day at Pulling'em Park, and the ponies were doing
+their usual performances.
+
+Among the throng the heaviest punter is a fat lady with diamond earrings.
+Does the reader recognize her? It is little Algy's mother.
+Her husband is dead, leaving her the whole of his colossal fortune,
+and, having developed a taste for gambling, she is now engaged in
+"doing it in on the ponies". She is one of the biggest bettors
+in the game.
+
+When women take to betting they are worse than men.
+
+But it is not for betting alone that she attends the meetings.
+She remembers the clairvoyant's "What went by the ponies will come
+by the ponies." And always she searches in the ranks of the talent
+for her lost Algy.
+
+Here enters another of our dramatis personae -- Blinky Bill,
+prosperous once more. He has got a string of ponies and punters together.
+The first are not much use to a man without the second; but, in spite of
+all temptations, Bill has always declined to number among his punters
+the mother of the child he stole. But the poor lady regularly punts
+on his ponies, and just as regularly is "sent up" -- in other words,
+loses her money.
+
+To-day she has backed Blinky's pair, Nostrils and Tin Can, for the double.
+Nostrils has won his race, and Tin Can, if on the job,
+can win the second half of the double. Is he on the job?
+The prices are lengthening against him, and the poor lady recognises
+that once more she is "in the cart".
+
+Just then she meets Tin Can's jockey, Dodger Smith, face to face.
+A piercing scream rends the atmosphere, as if a thousand school children
+drew a thousand slate pencils down a thousand slates simultaneously.
+"Me cheild! Me cheild! Me long-lost Algy!"
+
+It did not take long to convince Algy that he would be better off as a son
+to a wealthy lady than as a jockey, subject to the fiendish caprices
+of Blinky Bill.
+
+"All right, mother," he said. "Put all you can raise on Tin Can.
+I'm going to send Blinky up. It's time I had a cut on me own, anyway."
+
+The horses went to the post. Tons of money were at the last moment
+hurled on to Tin Can. The books, knowing he was "dead",
+responded gamely, and wrote his name till their wrists gave out.
+Blinky Bill had a half-share in all the bookies' winnings,
+so he chuckled grimly as he went to the rails to watch the race.
+
+They're off. And what is this that flashes to the front,
+while the howls of the bookies rise like the yelping of fiends in torment?
+It is Dodger Smith on Tin Can, and from the grandstand there is
+a shrill feminine yell of triumph as the gallant pony sails past the post.
+
+The bookies thought that Blinky Bill had sold them,
+and they discarded him for ever.
+
+Algy and his mother were united, and backed horses together
+happily ever after, and sometimes out in the back yard of
+their palatial mansion they hand the empty bottles, free of charge,
+to a poor old broken-down bottle-O, called Blinky Bill.
+
+
+
+
+
+
+End of this Project Gutenberg Etext of Three Elephant Power and Other Stories
+
+
+
+
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