summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-14 19:56:49 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-14 19:56:49 -0700
commit06cabbf814e11573fac239f4417e69eb08c16cf9 (patch)
treee3d48ece05210a6ecbb1a6475a6864c829d9e0c0
initial commit of ebook 31993HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--31993-8.txt987
-rw-r--r--31993-8.zipbin0 -> 19327 bytes
-rw-r--r--31993-h.zipbin0 -> 1504010 bytes
-rw-r--r--31993-h/31993-h.htm1255
-rw-r--r--31993-h/images/004.pngbin0 -> 29624 bytes
-rw-r--r--31993-h/images/005.pngbin0 -> 33192 bytes
-rw-r--r--31993-h/images/008.pngbin0 -> 36904 bytes
-rw-r--r--31993-h/images/009.pngbin0 -> 41262 bytes
-rw-r--r--31993-h/images/010.pngbin0 -> 36960 bytes
-rw-r--r--31993-h/images/011.pngbin0 -> 28265 bytes
-rw-r--r--31993-h/images/014.pngbin0 -> 27413 bytes
-rw-r--r--31993-h/images/015.pngbin0 -> 40334 bytes
-rw-r--r--31993-h/images/016.pngbin0 -> 33634 bytes
-rw-r--r--31993-h/images/017.pngbin0 -> 42406 bytes
-rw-r--r--31993-h/images/018.pngbin0 -> 33984 bytes
-rw-r--r--31993-h/images/019.pngbin0 -> 29037 bytes
-rw-r--r--31993-h/images/022.pngbin0 -> 41830 bytes
-rw-r--r--31993-h/images/023.pngbin0 -> 27752 bytes
-rw-r--r--31993-h/images/024.pngbin0 -> 34031 bytes
-rw-r--r--31993-h/images/025.pngbin0 -> 28630 bytes
-rw-r--r--31993-h/images/028.pngbin0 -> 29859 bytes
-rw-r--r--31993-h/images/029.pngbin0 -> 36000 bytes
-rw-r--r--31993-h/images/030.pngbin0 -> 30977 bytes
-rw-r--r--31993-h/images/031.pngbin0 -> 7426 bytes
-rw-r--r--31993-h/images/cover.jpgbin0 -> 80030 bytes
-rw-r--r--31993-h/images/fig_001.jpgbin0 -> 27965 bytes
-rw-r--r--31993-h/images/fig_002.jpgbin0 -> 64830 bytes
-rw-r--r--31993-h/images/fig_003.jpgbin0 -> 25733 bytes
-rw-r--r--31993-h/images/fig_004.jpgbin0 -> 42817 bytes
-rw-r--r--31993-h/images/fig_005.jpgbin0 -> 32061 bytes
-rw-r--r--31993-h/images/fig_006.jpgbin0 -> 62906 bytes
-rw-r--r--31993-h/images/fig_007.jpgbin0 -> 73391 bytes
-rw-r--r--31993-h/images/fig_008.jpgbin0 -> 38329 bytes
-rw-r--r--31993-h/images/fig_009.jpgbin0 -> 31007 bytes
-rw-r--r--31993-h/images/fig_010.jpgbin0 -> 50247 bytes
-rw-r--r--31993-h/images/fig_011.jpgbin0 -> 45381 bytes
-rw-r--r--31993-h/images/fig_012.jpgbin0 -> 45286 bytes
-rw-r--r--31993-h/images/fig_013.jpgbin0 -> 52567 bytes
-rw-r--r--31993-h/images/fig_014.jpgbin0 -> 31583 bytes
-rw-r--r--31993-h/images/fig_015.jpgbin0 -> 33595 bytes
-rw-r--r--31993-h/images/frontispiece.jpgbin0 -> 75846 bytes
-rw-r--r--31993-h/images/tpage_deco.jpgbin0 -> 29643 bytes
-rw-r--r--31993.txt989
-rw-r--r--31993.zipbin0 -> 19343 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
47 files changed, 3247 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/31993-8.txt b/31993-8.txt
new file mode 100644
index 0000000..8c2c508
--- /dev/null
+++ b/31993-8.txt
@@ -0,0 +1,987 @@
+The Project Gutenberg EBook of 'Round the yule-log: Christmas in Norway, by
+Peter Christen Asbjörnsen
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: 'Round the yule-log: Christmas in Norway
+
+Author: Peter Christen Asbjörnsen
+
+Translator: H. L. Broekstad
+
+Release Date: April 15, 2010 [EBook #31993]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK 'ROUND THE YULE-LOG ***
+
+
+
+
+Produced by Bryan Ness, Anne Grieve and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+ +--------------------------------------------------------------+
+ | |
+ | Transcriber's note: |
+ | |
+ | This book contains illustrations, several of which are |
+ | printed in mid-paragraph, either on a separate page or |
+ | alongside the text itself. To avoid disrupting the flow of |
+ | the text, the markers for these illustrations have been |
+ | moved to paragraph breaks. The original illustrations have |
+ | no captions, but descriptions have been added to them for |
+ | the enhancement of this text version. |
+ | |
+ | The one instance of the OE ligature in the book has been |
+ | replaced by OE. |
+ | |
+ | Punctuation surrounding reported speech has been |
+ | regularised, all other punctuation and spelling has been |
+ | left as in the original text. |
+ | |
+ +--------------------------------------------------------------+
+
+
+
+[Frontispiece: Picture of a troll pulling girl by the arm]
+
+
+[Illustration: Picture of a laughing troll]
+
+
+'Round the Yule-Log
+
+Christmas in Norway
+
+
+BY
+
+P. CHR. ASBJÖRNSEN
+
+
+TRANSLATED BY
+
+H. L. BROEKSTAD.
+
+
+BOSTON
+
+DANA ESTES AND CO.
+
+PUBLISHERS
+
+
+_Copyright, 1895,_
+
+BY ESTES AND LAURIAT
+
+_All rights reserved_
+
+
+Colonial Press
+
+Electrotyped and Printed by C. H. Simonds & Co.
+
+Boston, Mass., U. S. A.
+
+
+
+
+'ROUND THE YULE-LOG.
+
+
+The wind was whistling through the old lime and maple trees opposite my
+windows, the snow was sweeping down the street, and the sky was black as
+a December sky can possibly be here in Christiania. I was in just as
+black a mood. It was Christmas Eve,--the first I was to spend away from
+the cosey fireside of my home. I had lately received my officer's
+commission, and had hoped that I should have gladdened my aged parents
+with my presence during the holidays, and had also hoped that I should
+be able to show myself in all my glory and splendour to the ladies of
+our parish. But a fever had brought me to the hospital, which I had left
+only a week before, and now I found myself in the much-extolled state of
+convalescence. I had written home for a horse and sledge and my father's
+fur coat, but my letter could scarcely reach our valley before the day
+after Christmas, and the horse could not be in town before New Year's
+Eve.
+
+My comrades had all left town, and I knew no family with whom I could
+make myself at home during the holidays. The two old maids I lodged with
+were certainly very kind and friendly people, and they had taken great
+care of me in the commencement of my illness, but the peculiar ways and
+habits of these ladies were too much of the old school to prove
+attractive to the fancies of youth. Their thoughts dwelt mostly on the
+past; and when they, as often might occur, related to me some stories of
+the town, its people and its customs, these stories reminded me, not
+only by their contents, but also by the simple, unaffected way in which
+they were rendered, of a past age.
+
+[Illustration: Picture of two old maids]
+
+The antiquated appearance of these ladies was also in the strictest
+harmony with the house in which they lived. It was one of those old
+houses in Custom House Street, with deep windows, long dark passages and
+staircases, gloomy rooms and garrets, where one could not help thinking
+of ghosts and brownies; in short, just such a house, and perhaps it was
+the very one, which Mauritz Hansen has described in his story, "The Old
+Dame with the Hood." Their circle of acquaintances was very limited;
+besides a married sister and her children, no other visitors came there
+but a couple of tiresome old ladies. The only relief to this kind of
+life was a pretty niece and some merry little cousins of hers, who
+always made me tell them fairy tales and stories.
+
+I tried to divert myself in my loneliness and melancholy mood by looking
+out at all the people who passed up and down the street in the snow and
+wind, with blue noses and half-shut eyes. It amused me to see the bustle
+and the life in the apothecary's shop across the street. The door was
+scarcely shut for a moment. Servants and peasants streamed in and out,
+and commenced to study the labels and directions when they came out in
+the street. Some appeared to be able to make them out, but sometimes a
+lengthy study and a dubious shake of the head showed that the solution
+was too difficult. It was growing dusk. I could not distinguish the
+countenances any longer, but gazed across at the old building. The
+apothecary's house, "The Swan," as it is still called, stood there,
+with its dark, reddish-brown walls, its pointed gables and towers, with
+weather-cocks and latticed windows, as a monument of the architecture of
+the time of King Christian the Fourth. The Swan looked then, as now, a
+most respectable and sedate bird, with its gold ring round its neck, its
+spur-boots, and its wings stretched out as if to fly. I was about to
+plunge myself into reflection on imprisoned birds when I was disturbed
+by noise and laughter proceeding from some children in the adjoining
+room, and by a gentle, old-maidish knock at my door.
+
+[Illustration: Picture of an old maid knocking at the door]
+
+On my requesting the visitor to come in, the elder of my landladies,
+Miss Mette, entered the room with a courtesy in the good old style; she
+inquired after my health, and invited me, without further ceremony, to
+come and make myself at home with them for the evening. "It isn't good
+for you, dear Lieutenant, to sit thus alone here in the dark," she
+added. "Will you not come in to us now at once? Old Mother Skau and my
+brother's little girls have come; they will perhaps amuse you a little.
+You are so fond of the dear children."
+
+[Illustration: Picture of an old woman wearing a cap]
+
+I accepted the friendly invitation. As I entered the room, the fire from
+the large square stove, where the logs were burning lustily, threw a
+red, flickering light through the wide-open door over the room, which
+was very deep, and furnished in the old style, with high-back, Russia
+leather chairs, and one of those settees which were intended for
+farthingales and straight up-and-down positions. The walls were adorned
+with oil paintings, portraits of stiff ladies with powdered coiffures,
+of bewigged Oldenborgians, and other redoubtable persons in mail and
+armour or red coats.
+
+[Illustration: Picture of the narrator looking at the paintings]
+
+"You must really excuse us, Lieutenant, for not having lighted the
+candles yet," said Miss Cicely, the younger sister, who was generally
+called "Cilly," and who came towards me and dropped a courtesy, exactly
+like her sister's; "but the children do so like to tumble about here
+before the fire in the dusk of the evening, and Madam Skau does also
+enjoy a quiet little chat in the chimney corner."
+
+"Oh, chat me here and chat me there! there is nothing you like yourself
+better than a little bit of gossip in the dusk of the evening, Cilly,
+and then we are to get the blame of it," answered the old asthmatic lady
+whom they called Mother Skau.
+
+"Eh! good evening, sir," she said to me, as she drew herself up to make
+the best of her own inflated, bulky appearance. "Come and sit down here
+and tell me how it fares with you; but, by my troth, you are nothing but
+skin and bones!"
+
+I had to tell her all about my illness, and in return I had to endure a
+very long and circumstantial account of her rheumatism and her
+asthmatical ailments, which, fortunately, was interrupted by the noisy
+arrival of the children from the kitchen, where they had paid a visit to
+old Stine, a fixture in the house.
+
+"Oh, auntie, do you know what Stine says?" cried a little brown-eyed
+beauty. "She says I shall go with her into the hay-loft to-night and
+give the brownie his Christmas porridge. But I won't go; I am afraid of
+the brownies!"
+
+"Never mind, my dear, Stine says it only to get rid of you; she dare not
+go into the hay-loft herself--the foolish old thing--in the dark, for
+she knows well enough she was frightened once by the brownies herself,"
+said Miss Mette. "But are you not going to say good evening to the
+Lieutenant, children?"
+
+"Oh, is that you, Lieutenant? I did not know you. How pale you are! It
+is such a long time since I saw you!" shouted the children all at once,
+as they flocked round me.
+
+"Now you must tell us something awfully jolly! It is such a long time
+since you told us anything. Oh, tell us about Buttercup, dear Mr.
+Lieutenant, do tell us about Buttercup and Goldentooth!"
+
+I had to tell them about Buttercup and the dog Goldentooth, but they
+would not let me off until I gave them a couple of stories into the
+bargain about the brownies at Vager and at Bure, who stole hay from each
+other, and who met at last with a load of hay on their backs, and how
+they fought till they vanished in a cloud of hay-dust. I had also to
+tell them the story of the brownie at Hesselberg, who teased the
+house-dog till the farmer came out and threw him over the barn bridge.
+The children clapped their hands in great joy and laughed heartily.
+
+[Illustration: Picture of two brownies fighting]
+
+"It served him right, the naughty brownie!" they shouted, and asked for
+another story.
+
+"Well," said I, "I will tell you the story of Peter Gynt and the trolls.
+
+"In the olden days there lived in Kvam a hunter whose name was Peter
+Gynt, and who was always roaming about in the mountains after bears and
+elks, for in those days there were more forests on the mountains than
+there are now, and consequently plenty of wild beasts.
+
+"One day, shortly before Christmas, Peter set out on an expedition. He
+had heard of a farm on Doorefell which was invaded by such a number of
+trolls every Christmas Eve that the people on the farm had to move out,
+and get shelter at some of their neighbours'. He was anxious to go
+there, for he had a great fancy to come across the trolls, and see if he
+could not overcome them. He dressed himself in some old ragged clothes,
+and took a tame white bear which he had with him, as well as an awl,
+some pitch and twine. When he came to the farm he went in and asked for
+lodgings.
+
+[Illustration: Picture of Peter Gynt and his tame white bear]
+
+"'God help us!' said the farmer; 'we can't give you any lodgings. We
+have to clear out of the house ourselves soon and look for lodgings, for
+every Christmas Eve we have the trolls here.'
+
+"But Peter thought he should be able to clear the trolls out,--he had
+done such a thing before; and then he got leave to stay, and a pig's
+skin into the bargain. The bear lay down behind the fireplace, and
+Peter took out his awl and pitch and twine, and began making a big, big
+shoe, which it took the whole pig's skin to make. He put a strong rope
+in for lacings, that he might pull the shoe tightly together, and,
+finally, he armed himself with a couple of handspikes.
+
+"Shortly he heard the trolls coming. They had a fiddler with them, and
+some began dancing, while others fell to eating the Christmas fare on
+the table,--some fried bacon, and some fried frogs and toads, and other
+nasty things which they had brought with them. During this some of the
+trolls found the shoe Peter had made. They thought it must belong to a
+very big foot. They all wanted to try it on at once, so they put a foot
+each into it; but Peter made haste and tightened the rope, took one of
+the handspikes and fastened the rope around it, and got them at last
+securely tied up in the shoe.
+
+"Just then the bear put his nose out from behind the fireplace, where he
+was lying, and smelt they were frying something.
+
+"'Will you have a sausage, pussy?' said one of the trolls, and threw a
+hot frog right into the bear's jaws.
+
+"'Scratch them, pussy!' said Peter.
+
+"The bear got so angry that he rushed at the trolls and scratched them
+all over, while Peter took the other handspike and hammered away at them
+as if he wanted to beat their brains out. The trolls had to clear out at
+last, but Peter stayed and enjoyed himself with all the Christmas fare
+the whole week. After that the trolls were not heard of there for many
+years.
+
+"Some years afterwards, about Christmas time, Peter was out in the
+forest cutting wood for the holidays, when a troll came up to him and
+shouted,--
+
+[Illustration: Picture of a troll shouting at Peter Gynt]
+
+"'Have you got that big pussy of yours, yet?'
+
+"'Oh, yes! she is at home behind the fireplace,' said he; 'and she has
+got seven kittens, all bigger and larger than herself.'
+
+"'We'll never come to you any more, then,' said the troll, and they
+never did."
+
+The children were all delighted with this story.
+
+"Tell us another, dear Lieutenant," they all shouted in chorus.
+
+"No, no, children! you bother the Lieutenant too much," said Miss
+Cicely. "Aunt Mette will tell you a story now."
+
+"Yes, do, auntie, do!" was the general cry.
+
+"I don't know exactly what I shall tell you," said Aunt Mette, "but
+since we have commenced telling about the brownies, I think I will tell
+you something about them, too. You remember, of course, old Kari
+Gausdal, who came here and baked bread, and who always had so many tales
+to tell you."
+
+"Oh, yes, yes!" shouted the children.
+
+"Well, old Kari told me that she was in service at the orphan asylum
+some years ago, and at that time it was still more dreary and lonely in
+that part of the town than it is now. That asylum is a dark and dismal
+place, I can tell you. Well, when Kari came there she was cook, and a
+very smart and clever girl she was. She had, one day, to get up very
+early in the morning to brew, when the other servants said to her,--
+
+"'You had better mind you don't get up too early, and you mustn't put
+any fire under the copper before two o'clock.'
+
+"'Why?' she asked.
+
+"'Don't you know there is a brownie here? And you ought to know that
+those people don't like to be disturbed so early,' they said; 'and
+before two o'clock you mustn't light the fire by any means.'
+
+"'Is that all?' said Kari. She was anything but chicken-hearted. 'I have
+nothing to do with that brownie of yours, but if he comes in my way,
+why, by my faith, I will send him head over heels through the door.'
+
+"The others warned her, but she did not care a bit, and next morning,
+just as the clock struck one, she got up and lighted the fire under the
+copper in the brewhouse; but the fire went out in a moment. Somebody
+appeared to be throwing the logs about on the hearth, but she could not
+see who it was. She gathered the logs together, one at a time, but it
+was of no use, and the chimney would not draw, either. She got tired of
+this at last, took a burning log and ran around the room with it,
+swinging it high and low while she shouted, 'Be gone, be gone whence you
+came! If you think you can frighten me you are mistaken.' 'Curse you!'
+somebody hissed in one of the darkest corners. 'I have had seven souls
+in this house; I thought I should have got eight in all!' 'But from that
+time nobody saw or heard the brownie in the asylum,' said Kari Gausdal."
+
+[Illustration: Picture of Kari swinging the burning log]
+
+"I am getting so frightened!" said one of the children. "No, you must
+tell us some more stories, Lieutenant; I never feel afraid when you tell
+us anything, because you tell us such jolly tales." Another proposed
+that I should tell them about the brownie who danced the Halling dance
+with the lassie. That was a tale I didn't care much about, as there was
+some singing in it. But they would on no account let me off, and I was
+going to clear my throat and prepare my exceedingly inharmonious voice
+to sing the Halling dance, which belongs to the story, when the pretty
+niece, whom I have already referred to, entered the room, to the great
+joy of the children and to my rescue.
+
+"Well, my dear children, I will tell you the story, if you can get
+cousin Lizzie to sing the Halling for you," said I, as she sat down,
+"and then you'll dance to it yourselves, won't you?"
+
+Cousin Lizzie was besieged by the children, and had to promise to do the
+singing, so I commenced my story.
+
+"There was, once upon a time,--I almost think it was in Hallingdal,--a
+lassie who was sent up into the hay-loft with the cream porridge for the
+brownie,--I cannot recollect if it was on a Thursday or on a Christmas
+Eve, but I think it was a Christmas Eve. Well, she thought it was a
+great pity to give the brownie such a dainty dish, so she ate the
+porridge herself, and the melted butter in the bargain, and went up into
+the hay-loft with the plain oatmeal porridge and sour milk, in a pig's
+trough instead. 'There, that's good enough for you, Master Brownie,' she
+said. But no sooner had she spoken the words than the brownie stood
+right before her, seized her round the waist, and danced about with her,
+which he kept up till she lay gasping for breath, and when the people
+came up into the hay-loft in the morning, she was more dead than alive.
+But as long as they danced, the brownie sang," (and here Cousin Lizzie
+undertook his part, and sang to the tune of the Halling)--
+
+[Illustration: Picture of the girl lying in the hay-loft]
+
+ "And you have eaten the porridge for the brownie,
+ And you shall dance with the little brownie!
+
+ "And have you eaten the porridge for the brownie?
+ Then you shall dance with the little brownie!"
+
+I assisted in keeping time by stamping on the floor with my feet, while
+the children romped about the room in uproarious joy.
+
+"I think you are turning the house upside down, children!" said old
+Mother Skau; "if you'll be quiet, I'll give you a story."
+
+The children were soon quiet, and Mother Skau commenced as follows:
+
+[Illustration: Picture of a Brownie hurling dishes on the floor]
+
+"You hear a great deal about brownies and fairies and such like beings,
+but I don't believe there is much in it. I have neither seen one nor the
+other. Of course I have not been so very much about in my lifetime, but
+I believe it is all nonsense. But old Stine out in the kitchen there,
+she says she has seen the brownie. About the time when I was confirmed
+she was in service with my parents. She came to us from a captain's, who
+had given up the sea. It was a very quiet place. The captain only took a
+walk as far as the quay every day. They always went to bed early. People
+said there was a brownie in the house. Well, it so happened that Stine
+and the cook were sitting in their room one evening, mending and darning
+their things; it was near bedtime, for the watchman had already sung out
+'Ten o'clock!' but somehow the darning and the sewing went on very
+slowly indeed; every moment 'Jack Nap' came and played his tricks upon
+them. At one moment Stine was nodding and nodding, and then came the
+cook's turn,--they could not keep their eyes open; they had been up
+early that morning to wash clothes. But just as they were sitting thus,
+they heard a terrible crash down stairs in the kitchen, and Stine
+shouted, 'Lor' bless and preserve us! it must be the brownie.' She was
+so frightened she dared scarcely move a foot, but at last the cook
+plucked up courage and went down into the kitchen, closely followed by
+Stine. When they opened the kitchen door they found all the crockery on
+the floor, but none of it broken, while the brownie was standing on the
+big kitchen table with his red cap on, and hurling one dish after the
+other on to the floor, and laughing in great glee. The cook had heard
+that the brownies could sometimes be tricked into moving into another
+house when anybody would tell them of a very quiet place, and as she
+long had been wishing for an opportunity to play a trick upon this
+brownie, she took courage and spoke to him,--her voice was a little
+shaky at the time,--that he ought to remove to the tinman's over the
+way, where it was so very quiet and pleasant, because they always went
+to bed at nine o'clock every evening; which was true enough, as the cook
+told Stine later, but then the master and all his apprentices and
+journeymen were up every morning at three o'clock and hammered away and
+made a terrible noise all day. Since that day they have not seen the
+brownie any more at the captain's. He seemed to feel quite at home at
+the tinman's, although they were hammering and tapping away there all
+day; but people said that the gude-wife put a dish of porridge up in the
+garret for him every Thursday evening, and it's no wonder that they got
+on well and became rich when they had a brownie in the house. Stine
+believed he brought things to them. Whether it was the brownie or not
+who really helped them, I cannot say," said Mother Skau, in conclusion,
+and got a fit of coughing and choking after the exertion of telling
+this, for her, unusually long story.
+
+[Illustration: Picture of the gude-wife putting porridge in the garret]
+
+When she had taken a pinch of snuff she felt better, and became quite
+cheerful again, and began:--
+
+"My mother, who, by the way, was a truthful woman, told a story which
+happened here in the town one Christmas Eve. I know it is true, for an
+untrue word never passed her lips."
+
+"Let us hear it, Madame Skau," said I.
+
+"Yes, tell, tell, Mother Skau!" cried the children.
+
+She coughed a little, took another pinch of snuff, and proceeded:--
+
+"When my mother still was in her teens, she used sometimes to visit a
+widow whom she knew, and whose name was,--dear me, what was her
+name?--Madame,--yes, Madame Evensen, of course. She was a woman who had
+seen the best part of her life, but whether she lived up in Mill Street
+or down in the corner by the Little Church Hill, I cannot say for
+certain. Well, one Christmas Eve, just like to-night, she thought she
+would go to the morning service on the Christmas Day, for she was a
+great church-goer, and so she left out some coffee with the girl before
+she went to bed, that she might get a cup next morning,--she was sure a
+cup of warm coffee would do her a great deal of good at that early hour.
+When she woke, the moon was shining into the room; but when she got up
+to look at the clock she found it had stopped and that the fingers
+pointed to half-past eleven. She had no idea what time it could be, so
+she went to the window and looked across to the church. The light was
+streaming out through all the windows. She must have overslept herself!
+She called the girl and told her to get the coffee ready, while she
+dressed herself. So she took her hymn-book and started for church. The
+street was very quiet; she did not meet a single person on her way to
+church. When she went inside, she sat down in her customary seat in one
+of the pews, but when she looked around her she thought that the people
+were so pale and so strange,--exactly as if they were all dead. She did
+not know any of them, but there were several of them she seemed to
+recollect having seen before; but when and where she had seen them she
+could not call to mind. When the minister came into the pulpit, she saw
+that he was not one of the ministers in the town, but a tall, pale man,
+whose face, however, she thought she could recollect. He preached very
+nicely indeed, and there was not the usual noisy coughing and hawking
+which you always hear at the morning services on a Christmas Day; it was
+so quiet, you could have heard a needle drop on the floor,--in fact, it
+was so quiet she began to feel quite uneasy and uncomfortable. When the
+singing commenced again, a female who sat next to her leant towards her
+and whispered in her ear, 'Throw the cloak loosely around you and go,
+because if you wait here till the service is over they will make short
+work of you. It is the dead who are keeping service.'"
+
+[Illustration: Picture of a Church with light streaming from the windows]
+
+"Oh, Mother Skau, I feel so frightened, I feel so frightened!" whimpered
+one of the children, and climbed up on a chair.
+
+"Hush, hush, child!" said Mother Skau. "She got away from them safe
+enough; only listen! When the widow heard the voice of the person next
+to her, she turned round to look at her,--but what a start she got! She
+recognized her; it was her neighbour who died many years ago; and when
+she looked around the church, she remembered well that she had seen both
+the minister and several of the congregation before, and that they had
+died long ago. This sent quite a cold shiver through her, she became
+that frightened. She threw the cloak loosely round her, as the female
+next to her had said, and went out of the pew; but she thought they all
+turned round and stretched out their hands after her. Her legs shook
+under her, till she thought she would sink down on the church floor.
+When she came out on the steps, she felt that they had got hold of her
+cloak; she let it go and left it in their clutches, while she hurried
+home as quickly as she could. When she came to the door the clock struck
+one, and by the time she got inside she was nearly half dead,--she was
+that frightened. In the morning when the people went to church, they
+found the cloak lying on the steps, but it was torn into a thousand
+pieces. My mother had often seen the cloak before, and I think she saw
+one of the pieces, also; but that doesn't matter,--it was a short, pink,
+woollen cloak, with fur lining and borders, such as was still in use in
+my childhood. They are very rarely seen nowadays, but there are some old
+ladies in the town and down at the 'Home' whom I see with such cloaks in
+church at Christmas time."
+
+[Illustration: Picture of a girl running from the church]
+
+The children, who had expressed considerable fear and uneasiness during
+the latter part of the story, declared they would not hear any more such
+terrible stories. They had crept up into the sofa and on the chairs, but
+still they thought they felt somebody plucking at them from underneath
+the table. Suddenly the lights were brought in, and we discovered then,
+to our great amusement, that the children had put their legs on to the
+table. The lights, the Christmas cake, the jellies, the tarts and the
+wine soon chased away the horrible ghost story and all fear from their
+minds, revived everybody's spirits, and brought the conversation on to
+their neighbours and the topics of the day. Finally, our thoughts took a
+flight towards something more substantial, on the appearance of the
+Christmas porridge and the roast ribs of pork. We broke up early, and
+parted with the best wishes for a Merry Christmas. I passed, however, a
+very uneasy night. I do not know whether it was the stories, the
+substantial supper, my weak condition, or all these combined, which was
+the cause of it; I tossed myself hither and thither in my bed, and got
+mixed up with brownies, fairies and ghosts the whole night. Finally, I
+sailed through the air towards the church, while some merry sledge-bells
+were ringing in my ears. The church was lighted up, and when I came
+inside I saw it was our own church up in the valley. There were nobody
+there but peasants in their red caps, soldiers in full uniform, country
+lasses with their white head-dresses and red cheeks. The minister was in
+the pulpit; it was my grandfather, who died when I was a little boy. But
+just as he was in the middle of the sermon, he made a somersault--he was
+known as one of the smartest men in the parish--right into the middle of
+the church; the surplice flew one way and the collar another. "There
+lies the parson, and here am I," he said, with one of his well-known
+airs, "and now let us have a spring dance!" In an instant the whole of
+the congregation was in the midst of a wild dance. A big tall peasant
+came towards me and took me by the shoulder and said, "You'll have to
+join us, my lad!"
+
+[Illustration: Picture of a young woman holding a bible]
+
+At this moment I awoke, and felt some one pulling at my shoulder. I
+could scarcely believe my eyes when I saw the same peasant whom I had
+seen in my dream leaning over me. There he was, with the red cap down
+over his ears, a big fur coat over his arm, and a pair of big eyes
+looking fixedly at me.
+
+"You must be dreaming," he said, "the perspiration is standing in big
+drops on your forehead, and you were sleeping as heavily as a bear in
+his lair! God's peace and a merry Christmas to you, I say! and
+greetings to you from your father and all yours up in the valley. Here's
+a letter from your father, and the horse is waiting for you out in the
+yard."
+
+"But, good heavens! is that you, Thor?" I shouted in great joy. It was
+indeed my father's man, a splendid specimen of a Norwegian peasant. "How
+in the world have you come here already?"
+
+[Illustration: Picture of Thor leaning over the bed]
+
+"Ah! that I can soon tell you," answered Thor. "I came with your
+favourite, the bay mare. I had to take your father down to Næs, and then
+he says to me, 'Thor,' says he, 'it isn't very far to town from here.
+Just take the bay mare and run down and see how the Lieutenant is, and
+if he is well and can come back with you, you must bring him back along
+with you,' says he."
+
+When we left the town it was daylight. The roads were in splendid
+condition. The bay mare stretched out her old smart legs, and we
+arrived at length in sight of the dear old house. Thor jumped off the
+sledge to undo the gate, and as we merrily drove up to the door we were
+met by the boisterous welcome of old Rover, who, in his frantic joy at
+hearing my voice, almost broke his chains in trying to rush at me.
+
+Such a Christmas as I spent that year I cannot recollect before or
+since.
+
+
+THE END.
+
+
+
+
+
+End of the Project Gutenberg EBook of 'Round the yule-log: Christmas in
+Norway, by Peter Christen Asbjörnsen
+
+*** END OF THIS PROJECT GUTENBERG EBOOK 'ROUND THE YULE-LOG ***
+
+***** This file should be named 31993-8.txt or 31993-8.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/9/9/31993/
+
+Produced by Bryan Ness, Anne Grieve and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/31993-8.zip b/31993-8.zip
new file mode 100644
index 0000000..42c9759
--- /dev/null
+++ b/31993-8.zip
Binary files differ
diff --git a/31993-h.zip b/31993-h.zip
new file mode 100644
index 0000000..c912651
--- /dev/null
+++ b/31993-h.zip
Binary files differ
diff --git a/31993-h/31993-h.htm b/31993-h/31993-h.htm
new file mode 100644
index 0000000..266120c
--- /dev/null
+++ b/31993-h/31993-h.htm
@@ -0,0 +1,1255 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ -->
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+ <meta http-equiv="Content-Style-Type" content="text/css" />
+ <title>
+ The Project Gutenberg eBook of 'Round the Yule-Log, by P. Chr. Asbjörnsen.
+ </title>
+ <style type="text/css">
+
+body {
+ margin-left: 10%;
+ margin-right: 10%;
+}
+
+ h1,h2,h3,h4,h5,h6 {
+ text-align: center; /* all headings centered */
+ clear: both;
+}
+
+p {
+ margin-top: .75em;
+ text-align: justify;
+ margin-bottom: .75em;
+}
+
+hr {
+ width: 65%;
+ margin-top: 2em;
+ margin-bottom: 2em;
+ margin-left: auto;
+ margin-right: auto;
+ clear: both;
+}
+
+.above2 {margin-top: 2em;}
+
+.above4 {margin-top: 4em;}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+ /* visibility: hidden; */
+ position: absolute;
+ left: 92%;
+ font-size: smaller;
+ text-align: right;
+} /* page numbers */
+
+.center {text-align: center;}
+
+.smcap {font-variant: small-caps;
+ font-size: larger;}
+
+/* Images */
+.figcenter {
+ margin: 3em auto 3em auto;
+ text-align: center;
+}
+
+.figleft {
+ float: left;
+ clear: left;
+ margin-left: 0;
+ margin-bottom: 1em;
+ margin-top: 1em;
+ margin-right: 1em;
+ padding: 0;
+ text-align: center;
+}
+
+.figright {
+ float: right;
+ clear: right;
+ margin-left: 1em;
+ margin-bottom:
+ 1em;
+ margin-top: 1em;
+ margin-right: 0;
+ padding: 0;
+ text-align: center;
+}
+
+/* Poetry */
+.poem {
+ margin-left:10%;
+ margin-right:10%;
+ text-align: left;
+}
+
+.poem br {display: none;}
+
+.poem .stanza {margin: 1em 0em 1em 0em;}
+
+.poem span.i0 {
+ display: block;
+ margin-left: 0em;
+ padding-left: 3em;
+ text-indent: -3em;
+}
+
+ </style>
+ </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of 'Round the yule-log: Christmas in Norway, by
+Peter Christen Asbjörnsen
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: 'Round the yule-log: Christmas in Norway
+
+Author: Peter Christen Asbjörnsen
+
+Translator: H. L. Broekstad
+
+Release Date: April 15, 2010 [EBook #31993]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK 'ROUND THE YULE-LOG ***
+
+
+
+
+Produced by Bryan Ness, Anne Grieve and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+
+</pre>
+
+
+<p class="center">Please read the <a href="#Transnote">Transcriber's Notes</a> at the end of the text.</p>
+
+<div class="figcenter" style="width: 500px;"><a name="cover" id="cover"><img src="images/cover.jpg" width="430" height="600" alt="Green
+cloth cover with black lettering, illustrated with a picture of a woman in traditional Norwegian costume hanging washing out to dry" title="Front Cover" /></a></div>
+
+<div class="figcenter" style="width: 500px;"><img src="images/frontispiece.jpg" width="424" height="600" alt="Picture
+of a troll pulling girl by the arm" title="Frontispiece" /></div>
+
+<p class ="above4"></p>
+
+<h1>'Round the
+Yule-Log</h1>
+
+<h2>Christmas in Norway</h2>
+
+<p class="center"><b>BY</b></p>
+<p class="center"><b>P. CHR. ASBJÖRNSEN</b></p>
+<p class="above2"></p>
+<p class="center"><b>TRANSLATED BY
+H. L. BR&OElig;KSTAD.</b></p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/tpage_deco.jpg" width="250" height="419"
+alt="Picture of a laughing troll" title="Title-page decoration" /></div>
+
+<p class="center">BOSTON
+DANA ESTES AND CO.
+PUBLISHERS</p>
+
+<p class="center"><i>Copyright, 1895,</i></p>
+<p class="center"><span class="smcap">By Estes and Lauriat</span></p>
+<p class="center"><i>All rights reserved</i></p>
+
+<p class="above4"></p>
+
+<p class="center">Colonial Press</p>
+<p class="center">Electrotyped and Printed by C. H. Simonds &amp; Co.</p>
+<p class="center">Boston, Mass., U. S. A.</p>
+
+<hr />
+
+
+<p class="above4"><span class="pagenum"><a name="Page_5" id="Page_5"></a>[<a href="images/004.png">Page 5</a>]</span></p>
+
+<h1>'ROUND THE YULE-LOG.</h1>
+
+<p class="above4">The wind was whistling through the old lime and maple
+trees opposite my windows, the snow was sweeping down
+the street, and the sky was black as a December sky can
+possibly be here in Christiania. I was in just as black a
+mood. It was Christmas Eve,&mdash;the first I was to spend away
+from the cosey fireside of my home. I had lately received my
+officer's commission, and had hoped that I should have gladdened
+my aged parents with my presence during the holidays,
+and had also hoped that I should be able to show myself in all
+my glory and splendour to the ladies of our parish. But a
+fever had brought me to the hospital, which I had left
+only a week before, and now I found myself in the much-extolled
+state of convalescence. I had written home for a
+horse and sledge and my father's fur coat, but my letter could
+scarcely reach our valley before the day after Christmas, and
+the horse could not be in town before New Year's Eve.</p>
+
+<p>My comrades had all left town, and I knew no family with
+whom I could make myself at home during the holidays. The
+two old maids I lodged with were certainly very kind and
+friendly people, and they had taken great care of me in the
+commencement of my illness, but the peculiar ways and habits
+of these ladies were too much of the old school to prove
+attractive to the fancies of youth. Their thoughts dwelt
+mostly on the past; and when they, as often might occur,
+related to me some stories of the town, its people and its
+customs, these stories reminded me, not only by their contents,<span class="pagenum"><a name="Page_6" id="Page_6"></a>[<a href="images/005.png">Page 6</a>]</span>
+but also by the simple, unaffected way in which they were
+rendered, of a past age.</p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_001.jpg" width="350" height="232"
+alt="Picture of two old maids" title="page 6 illustration" /></div>
+
+<p>The antiquated appearance of these ladies was also in the
+strictest harmony with the house in which they lived. It was
+one of those old houses in Custom House Street, with deep
+windows, long dark passages and staircases, gloomy rooms and
+garrets, where one could not help thinking of ghosts and
+brownies; in short, just such a house, and perhaps it was the
+very one, which Mauritz Hansen has described
+in his story, "The Old
+Dame with the Hood." Their
+circle of acquaintances
+was very limited; besides
+a married sister and her children,
+no other visitors came
+there but a couple of tiresome old ladies.
+The only relief to this kind of life was a pretty niece and
+some merry little cousins of hers, who always made me tell
+them fairy tales and stories.</p>
+
+<p>I tried to divert myself in my loneliness and melancholy
+mood by looking out at all the people who passed up and
+down the street in the snow and wind, with blue noses and
+half-shut eyes. It amused me to see the bustle and the life
+in the apothecary's shop across the street. The door was
+scarcely shut for a moment. Servants and peasants streamed
+in and out, and commenced to study the labels and directions
+when they came out in the street. Some appeared to be able
+to make them out, but sometimes a lengthy study and a
+dubious shake of the head showed that the solution was too
+difficult. It was growing dusk. I could not distinguish the
+countenances any longer, but gazed across at the old building.
+The apothecary's house, "The Swan," as it is still called,
+stood there, with its dark, reddish-brown walls, its pointed
+gables and towers, with weather-cocks and latticed windows,
+as a monument of the architecture of the time of King Christian
+the Fourth. The Swan looked then, as now, a most
+respectable and sedate bird, with its gold ring round its neck,
+its spur-boots, and its wings stretched out as if to fly. I was
+about to plunge myself into reflection on imprisoned birds
+when I was disturbed by noise and laughter
+proceeding from some children in the
+adjoining room, and by a gentle, old-maidish<span class="pagenum"><a name="Page_7" id="Page_7"></a>[Page 7]</span>
+knock at my door.</p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_002.jpg" width="385" height="600" alt="Picture
+of an old maid knocking at the door" title="page 7 illustration" /></div>
+
+<p>On my requesting the visitor<span class="pagenum"><a name="Page_8" id="Page_8"></a>[Page 8]</span>
+to come in, the elder of my
+landladies, Miss Mette, entered
+the room with a courtesy in
+the good old style; she inquired
+after my health, and
+invited me, without further
+ceremony, to come and make
+myself at home with them for
+the evening. "It isn't good for you, dear Lieutenant, to sit
+thus alone here in the dark," she added. "Will you not
+come in to us now at once? Old Mother Skau and my
+brother's little girls have come; they will perhaps amuse you<span class="pagenum"><a name="Page_9" id="Page_9"></a>[<a href="images/008.png">Page 9</a>]</span>
+a little. You are so fond of the dear children."</p>
+
+<div class="figright" style="width: 400px;"><img src="images/fig_003.jpg" width="250" height="268" alt="Picture
+of an old woman wearing a cap" title="page 9 illustration" /></div>
+
+<p>I accepted the friendly invitation. As I entered the room,
+the fire from the large square stove, where the logs were
+burning lustily, threw a red, flickering light through the wide-open
+door over the room, which was very deep, and furnished
+in the old style, with high-back, Russia leather chairs, and one
+of those settees which were intended for farthingales and
+straight up-and-down positions. The walls were adorned with<span class="pagenum"><a name="Page_10" id="Page_10"></a>[<a href="images/009.png">Page 10</a>]</span>
+oil paintings, portraits of stiff ladies with powdered coiffures,
+of bewigged Oldenborgians, and other redoubtable persons in
+mail and armour or red coats.</p>
+
+<p>"You must really excuse us, Lieutenant, for not having lighted the candles yet," said
+Miss Cicely, the younger
+sister, who was generally
+called "Cilly," and who
+came towards me and
+dropped a courtesy, exactly
+like her sister's;
+"but the children do so
+like to tumble about
+here before the fire in
+the dusk of the evening,
+and Madam Skau does also
+enjoy a quiet little chat in the
+chimney corner."</p>
+
+<p>"Oh, chat me here and chat
+me there! there is nothing you
+like yourself better than a
+little bit of gossip in the dusk
+of the evening, Cilly, and then
+we are to get the blame of
+it," answered the old asthmatic
+lady whom they called Mother
+Skau.</p>
+
+<div class="figleft" style="width: 500px;"><img src="images/fig_004.jpg" width="300" height="500" alt="Picture
+of the narrator looking at the paintings" title="page 10 illustration" /></div><p>"Eh! good evening, sir," she said to me, as she drew herself
+up to make the best of her own inflated, bulky appearance.
+"Come and sit down here and tell me how it fares with you;
+but, by my troth, you are nothing but skin and bones!"</p>
+
+<p>I had to tell her all about my illness, and in return I had
+to endure a very long and circumstantial account of her<span class="pagenum"><a name="Page_11" id="Page_11"></a>[<a href="images/010.png">Page 11</a>]</span>
+rheumatism and her asthmatical ailments, which, fortunately,
+was interrupted by the noisy arrival of the children from the
+kitchen, where they had paid a visit to old Stine, a fixture in
+the house.</p>
+
+<p>"Oh, auntie, do you know what Stine says?" cried a little
+brown-eyed beauty. "She says I shall go with her into the
+hay-loft to-night and give the brownie his Christmas porridge.
+But I won't go; I am afraid of the
+brownies!"</p>
+
+<p>"Never mind, my dear,
+Stine says it only to get rid
+of you; she dare not go
+into the hay-loft herself&mdash;the
+foolish old thing&mdash;in the
+dark, for she knows well
+enough she was frightened
+once by the brownies herself,"
+said Miss Mette. "But are you
+not going to say good evening
+to the Lieutenant, children?"</p>
+
+<p>"Oh, is that you, Lieutenant? I did not know you. How
+pale you are! It is such a long time since I saw you!"
+shouted the children all at once, as they flocked round me.</p>
+
+<p>"Now you must tell us something awfully jolly! It is such
+a long time since you told us anything. Oh, tell us about
+Buttercup, dear Mr. Lieutenant, do tell us about Buttercup
+and Goldentooth!"</p>
+
+<p>I had to tell them about Buttercup and the dog Goldentooth,
+but they would not let me off until I gave them a
+couple of stories into the bargain about the brownies at Vager
+and at Bure, who stole hay from each other, and who met at<span class="pagenum"><a name="Page_12" id="Page_12"></a>[<a href="images/011.png">Page 12</a>]</span>
+last with a load of hay on their backs, and how they fought till
+they vanished in a cloud of hay-dust. I had also to tell
+them the story of the brownie at Hesselberg, who teased the
+house-dog till the farmer came out and threw him over the barn
+bridge. The children clapped their hands in great joy and
+laughed heartily.</p><div class="figright" style="width: 400px;"><img src="images/fig_005.jpg" width="300" height="268" alt="Picture
+of two brownies fighting" title="page 11 illustration" /></div>
+
+<p>"It served him right, the naughty brownie!" they shouted,
+and asked for another story.</p>
+
+<p>"Well," said I, "I will tell you the story of Peter Gynt and
+the trolls.</p>
+
+<p>"In the olden days there lived in Kvam a hunter whose
+name was Peter Gynt, and who was always roaming about
+in the mountains after bears and elks, for in those days there
+were more forests on the mountains than there are now, and
+consequently plenty of wild beasts.</p>
+
+<p>"One day, shortly before Christmas, Peter set out on an
+expedition. He had heard of a farm on Doorefell which was
+invaded by such a number of trolls every Christmas Eve that
+the people on the farm had to move out, and get shelter at
+some of their neighbours'. He was anxious to go there, for
+he had a great fancy to come across the trolls, and see if he
+could not overcome them. He dressed himself in some old
+ragged clothes, and took a tame white bear which he had with
+him, as well as an awl, some pitch and twine. When he came
+to the farm he went in and asked for lodgings.<span class="pagenum"><a name="Page_13" id="Page_13">[Page 13]</a></span></p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_006.jpg" width="380" height="600" alt="Picture
+of Peter Gynt and his tame white bear" title="page 13 illustration" /></div>
+
+<p>"'God help us!' said the farmer; 'we can't give you any<span class="pagenum"><a name="Page_14" id="Page_14">[Page 14]</a></span>
+lodgings. We have to clear out of the house ourselves soon
+and look for lodgings, for every Christmas Eve we have the
+trolls here.'</p>
+
+<p>"But Peter thought he should be able to clear the trolls out,&mdash;he
+had done such a thing before; and then he got leave to
+stay, and a pig's skin into the bargain. The bear lay down<span class="pagenum"><a name="Page_15" id="Page_15"></a>[<a href="images/014.png">Page 15</a>]</span>
+behind the fireplace, and Peter took out his awl and pitch
+and twine, and began making a big, big shoe, which it took the
+whole pig's skin to make. He put a strong rope in for lacings,
+that he might pull the shoe tightly together, and, finally, he
+armed himself with a couple of handspikes.</p>
+
+<p>"Shortly he heard the trolls coming. They had a fiddler
+with them, and some began dancing, while others fell to eating
+the Christmas fare on the table,&mdash;some fried bacon, and some
+fried frogs and toads, and other nasty things which they had
+brought with them. During this some of the trolls found
+the shoe Peter had made. They thought it must belong
+to a very big foot. They all wanted to try it on at once,
+so they put a foot each into it; but Peter made haste and
+tightened the rope, took one of the handspikes and fastened
+the rope around it, and got them at last securely tied up in
+the shoe.</p>
+
+<p>"Just then the bear put his nose out from behind the fireplace,
+where he was lying, and smelt they were frying something.</p>
+
+<p>"'Will you have a sausage, pussy?' said one of the trolls,
+and threw a hot frog right into the bear's jaws.</p>
+
+<p>"'Scratch them, pussy!' said Peter.</p>
+
+<p>"The bear got so angry that he rushed at the trolls and
+scratched them all over, while Peter took the other handspike
+and hammered away at them as if he wanted to beat their
+brains out. The trolls had to clear out at last, but Peter
+stayed and enjoyed himself with all the Christmas fare the
+whole week. After that the trolls were not heard of there for
+many years.</p>
+
+<p>"Some years afterwards, about Christmas time, Peter was
+out in the forest cutting wood for the holidays, when a troll
+came up to him and shouted,&mdash;</p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_007.jpg" width="500" height="429" alt="Picture
+of a troll shouting at Peter Gynt" title="page 16 illustration" /></div><p>"'Have you got that big pussy of yours, yet?'<span class="pagenum"><a name="Page_16" id="Page_16"></a>[<a href="images/015.png">Page 16</a>]</span></p>
+
+<p>"'Oh, yes! she is at home behind the fireplace,' said he; 'and
+she has got seven kittens, all bigger and larger than herself.'</p>
+
+<p>"'We'll never come to you any more, then,' said the troll,
+and they never did."</p>
+
+<p>The children were all delighted with this story.</p>
+
+<p>"Tell us another, dear Lieutenant," they all shouted in
+chorus.</p>
+
+<p>"No, no, children! you bother the Lieutenant too much,"
+said Miss Cicely. "Aunt Mette will tell you a story now."</p>
+
+<p>"Yes, do, auntie, do!" was the general cry.</p>
+
+<p>"I don't know exactly what I shall tell you," said Aunt<span class="pagenum"><a name="Page_17" id="Page_17"></a>[<a href="images/016.png">Page 17</a>]</span>
+Mette, "but since we have commenced telling about the brownies,
+I think I will tell you something about them, too. You
+remember, of course, old Kari Gausdal, who came here and
+baked bread, and who always had so many tales to tell you."</p>
+
+<p>"Oh, yes, yes!" shouted the children.</p>
+
+<p>"Well, old Kari told me that she was in service at the
+orphan asylum some years ago, and at that time it was still
+more dreary and lonely in that part of the town than it is now.
+That asylum is a dark and dismal place, I can tell you. Well,
+when Kari came there she was cook, and a very smart and
+clever girl she was. She had, one day, to get up very early
+in the morning to brew, when the other servants said to
+her,&mdash;</p>
+
+<div class="figleft" style="width: 300px;"><img src="images/fig_008.jpg" width="250" height="437" alt="Picture
+of Kari swinging the burning log" title="page 18 illustration" /></div><p>"'You had better mind you don't get up too early, and you
+mustn't put any fire under the copper before two o'clock.'</p>
+
+<p>"'Why?' she asked.</p>
+
+<p>"'Don't you know there is a brownie here? And you ought
+to know that those people don't like to be disturbed so early,'
+they said; 'and before two o'clock you mustn't light the fire
+by any means.'</p>
+
+<p>"'Is that all?' said Kari. She was anything but chicken-hearted.
+'I have nothing to do with that brownie of yours,
+but if he comes in my way, why, by my faith, I will send him
+head over heels through the door.'</p>
+
+<p>"The others warned her, but she did not care a bit, and next
+morning, just as the clock struck one, she got up and lighted
+the fire under the copper in the brewhouse; but the fire
+went out in a moment. Somebody appeared to be throwing
+the logs about on the hearth, but she could not see who it was.
+She gathered the logs together, one at a time, but it was of no
+use, and the chimney would not draw, either. She got tired of
+this at last, took a burning log and ran around the room with<span class="pagenum"><a name="Page_18" id="Page_18"></a>[<a href="images/017.png">Page 18</a>]</span>
+it, swinging it high and low while she shouted, 'Be gone, be
+gone whence you came! If you think you can frighten me
+you are mistaken.' 'Curse you!' somebody hissed in one
+of the darkest corners. 'I have had seven souls in this house; I
+thought I should have got eight in all!' 'But from that time
+nobody saw or heard the brownie in the
+asylum,' said Kari Gausdal."</p>
+
+<p>"I am getting so frightened!" said
+one of the children. "No, you must
+tell us some more stories, Lieutenant;
+I never feel afraid when you
+tell us anything, because you tell us
+such jolly tales." Another proposed
+that I should tell them about the
+brownie who danced the Halling
+dance with the lassie. That was a
+tale I didn't care much about, as
+there was some singing in it. But
+they would on no account let me
+off, and I was going to clear my
+throat and prepare my exceedingly
+inharmonious voice to sing
+the Halling dance, which belongs
+to the story, when the pretty niece,
+whom I have already referred to, entered
+the room, to the great joy of the children and to my rescue.</p>
+
+<p>"Well, my dear children, I will tell you the story, if you can
+get cousin Lizzie to sing the Halling for you," said I, as she
+sat down, "and then you'll dance to it yourselves, won't
+you?"</p>
+
+<p>Cousin Lizzie was besieged by the children, and had to
+promise to do the singing, so I commenced my story.</p>
+
+<div class="figright" style="width: 400px;"><img src="images/fig_009.jpg" width="350" height="243" alt="Picture
+of the girl lying in the hay-loft" title="page 19 illustration" /></div>
+<p>"There was, once upon a time,&mdash;I almost think it was in<span class="pagenum"><a name="Page_19" id="Page_19"></a>[<a href="images/018.png">Page 19</a>]</span>
+Hallingdal,&mdash;a lassie who was sent up into the hay-loft with
+the cream porridge for the brownie,&mdash;I cannot recollect if it
+was on a Thursday or on a Christmas Eve, but I think it was a
+Christmas Eve. Well, she thought it was a great pity to give
+the brownie such a dainty dish, so she ate the porridge herself,
+and the melted butter in the bargain, and went up into the
+hay-loft with the plain oatmeal porridge and sour milk, in a
+pig's trough instead. 'There, that's good enough for you,
+Master Brownie,' she said. But no sooner
+had she spoken the words than the
+brownie stood right before her, seized
+her round the waist, and danced about
+with her, which he kept up
+till she lay gasping for
+breath, and when the
+people came up into the
+hay-loft in the morning,
+she was more dead than
+alive. But as long as they danced, the brownie sang," (and
+here Cousin Lizzie undertook his part, and sang to the tune
+of the Halling)&mdash;</p>
+
+<div class="poem"><div class="stanza">
+<span class="i0">"And you have eaten the porridge for the brownie,<br /></span>
+<span class="i0">And you shall dance with the little brownie!<br /></span>
+</div><div class="stanza">
+<span class="i0">"And have you eaten the porridge for the brownie?<br /></span>
+<span class="i0">Then you shall dance with the little brownie!"<br /></span>
+</div></div>
+
+<p>I assisted in keeping time by stamping on the floor with my
+feet, while the children romped about the room in uproarious
+joy.</p>
+
+<p>"I think you are turning the house upside down, children!"<span class="pagenum"><a name="Page_20" id="Page_20"></a>[<a href="images/019.png">Page 20</a>]</span>
+said old Mother Skau; "if you'll be quiet, I'll give you a
+story."</p>
+
+<p>The children were soon quiet, and Mother Skau commenced
+as follows:</p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_010.jpg" width="384" height="600" alt="Picture
+of a Brownie hurling dishes on the floor" title="page 21 illustration" /></div>
+
+<p>"You hear a great deal about brownies and fairies and
+such like beings, but I don't believe there is much in it. I
+have neither seen one nor the other. Of course I have not been
+so very much about in my lifetime, but I believe it is all
+nonsense. But old Stine out in the kitchen there, she says
+she has seen the brownie. About the time when I was
+confirmed she was in service with my parents. She came
+to us from a captain's, who had given up the sea. It was
+a very quiet place. The captain only took a walk as far as
+the quay every day. They always went to bed early. People
+said there was a brownie in the house. Well, it so happened
+that Stine and the cook were sitting in their room one evening,
+mending and darning their things; it was near bedtime, for
+the watchman had already sung out 'Ten o'clock!' but somehow
+the darning and the sewing went on very slowly indeed;
+every moment 'Jack Nap' came and played his tricks upon
+them. At one moment Stine was nodding and nodding, and
+then came the cook's turn,&mdash;they could not keep their eyes
+open; they had been up early that morning to wash clothes.
+But just as they were sitting thus, they heard a terrible crash
+down stairs in the kitchen, and Stine shouted, 'Lor' bless and
+preserve us! it must be the brownie.' She was so frightened
+she dared scarcely move a foot, but at last the cook plucked
+up courage and went down into the kitchen, closely followed<span class="pagenum"><a name="Page_21" id="Page_21">[Page 21]</a></span>
+by Stine. When they opened the kitchen door they found
+all the crockery on the floor, but none of it broken, while the<span class="pagenum"><a name="Page_22" id="Page_22">[Page 22]</a></span>
+brownie was standing on the big kitchen table with his red cap
+on, and hurling one dish after the other on to the floor, and<span class="pagenum"><a name="Page_23" id="Page_23"></a>[<a href="images/022.png">Page 23</a>]</span>
+laughing in great glee. The cook had heard that the brownies
+could sometimes be tricked into moving into another house
+when anybody would tell them of a very quiet place, and as
+she long had been wishing for an opportunity to play a trick
+upon this brownie, she took courage
+and spoke to him,&mdash;her voice was
+a little shaky at the time,&mdash;that
+he ought to remove to the tinman's
+over the way, where it
+was so very quiet and pleasant,
+because they always went
+to bed at nine o'clock every
+evening; which was true
+enough, as the cook told
+Stine later, but then the
+master and all his apprentices
+and journeymen
+were up every
+morning at three
+o'clock and hammered
+away and
+made a terrible
+noise all day.
+Since that
+day they
+have not
+seen the
+brownie any more at the captain's. He seemed to feel quite
+at home at the tinman's, although they were hammering and
+tapping away there all day; but people said that the gude-wife
+put a dish of porridge up in the garret for him every
+Thursday evening, and it's no wonder that they got on well<span class="pagenum"><a name="Page_24" id="Page_24"></a>[<a href="images/023.png">Page 24</a>]</span>
+and became rich when they had a brownie in the house.
+Stine believed he brought things to them. Whether it was
+the brownie or not who really helped them, I cannot say,"
+said Mother Skau, in conclusion, and got a fit of coughing
+and choking after the exertion of telling this, for her, unusually
+long story.</p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_011.jpg" width="450" height="520" alt="Picture
+of the gude-wife putting porridge in the garret" title="page 23 illustration" /></div>
+
+<p>When she had taken a pinch of snuff she felt better, and
+became quite cheerful again, and began:&mdash;</p>
+
+<p>"My mother, who, by the way, was a truthful woman, told
+a story which happened here in the town one Christmas Eve.
+I know it is true, for an untrue word never passed her lips."</p>
+
+<p>"Let us hear it, Madame Skau," said I.</p>
+
+<p>"Yes, tell, tell, Mother Skau!" cried the children.</p>
+
+<p>She coughed a little, took another pinch of snuff, and proceeded:&mdash;</p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_012.jpg" width="450" height="337" alt="Picture
+of a Church with light streaming from the windows" title="page 25 illustration" /></div><p>"When my mother still was in her teens, she used sometimes
+to visit a widow whom she knew, and whose name was,&mdash;dear
+me, what was her name?&mdash;Madame,&mdash;yes, Madame
+Evensen, of course. She was a woman who had seen the
+best part of her life, but whether she lived up in Mill Street or
+down in the corner by the Little Church Hill, I cannot say for
+certain. Well, one Christmas Eve, just like to-night, she
+thought she would go to the morning service on the Christmas
+Day, for she was a great church-goer, and so she left
+out some coffee with the girl before she went to bed, that
+she might get a cup next morning,&mdash;she was sure a cup
+of warm coffee would do her a great deal of good at that
+early hour. When she woke, the moon was shining into
+the room; but when she got up to look at the clock she
+found it had stopped and that the fingers pointed to half-past
+eleven. She had no idea what time it could be, so<span class="pagenum"><a name="Page_25" id="Page_25"></a>[<a href="images/024.png">Page 25</a>]</span>
+she went to the window and looked across to the church.
+The light was streaming out through all the windows. She
+must have overslept herself! She called the girl and told
+her to get the coffee ready, while she dressed herself. So
+she took her hymn-book and started for church. The street
+was very quiet; she did not meet a single person on her
+way to church. When she went inside, she sat down in
+her customary seat in one of the pews, but when she looked
+around her she thought that the people were so pale and so
+strange,&mdash;exactly as if they were all dead. She did not know
+any of them, but there were several of them she seemed to
+recollect having seen before; but when and where she had
+seen them she could not call to mind. When the minister
+came into the pulpit, she saw that he was not one of the
+ministers in the town, but a tall, pale man, whose face, however,
+she thought she could recollect. He preached very
+nicely indeed, and there was not the usual noisy coughing<span class="pagenum"><a name="Page_26" id="Page_26"></a>[<a href="images/025.png">Page 26</a>]</span>
+and hawking which you always hear at the morning services
+on a Christmas Day; it was so quiet, you could have heard
+a needle drop on the floor,&mdash;in fact, it was so quiet she began
+to feel quite uneasy and uncomfortable. When the singing
+commenced again, a female who sat next to her leant towards
+her and whispered in her ear, 'Throw the cloak loosely
+around you and go, because if you wait here till the service
+is over they will make short work of you. It is the dead
+who are keeping service.'"</p>
+
+<p>"Oh, Mother Skau, I feel so frightened, I feel so frightened!"
+whimpered one of the children, and climbed up on
+a chair.</p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_013.jpg" width="333" height="600" alt="Picture
+of a girl running from the church" title="page 27 illustration" /></div><p>"Hush, hush, child!" said Mother Skau. "She got away
+from them safe enough; only listen! When the widow heard
+the voice of the person next to her, she turned round to
+look at her,&mdash;but what a start she got! She recognized
+her; it was her neighbour who died many years ago; and
+when she looked around the church, she remembered well
+that she had seen both the minister and several of the congregation
+before, and that they had died long ago. This sent
+quite a cold shiver through her, she became that frightened.
+She threw the cloak loosely round her, as the female next
+to her had said, and went out of the pew; but she thought
+they all turned round and stretched out their hands after her.
+Her legs shook under her, till she thought she would sink
+down on the church floor. When she came out on the
+steps, she felt that they had got hold of her cloak; she let
+it go and left it in their clutches, while she hurried home<span class="pagenum"><a name="Page_27" id="Page_27">[Page 27]</a></span>
+as quickly as she could. When she came to the door the
+clock struck one, and by the time she got inside she was<span class="pagenum"><a name="Page_28" id="Page_28">[Page 28]</a></span>
+nearly half dead,&mdash;she was that frightened. In the morning
+when the people went to church, they found the cloak lying
+on the steps, but it was torn into a thousand pieces. My<span class="pagenum"><a name="Page_29" id="Page_29"></a>[<a href="images/028.png">Page 29</a>]</span>
+mother had often seen the cloak before, and I think she
+saw one of the pieces, also; but that doesn't matter,&mdash;it
+was a short, pink, woollen cloak, with fur lining and borders,
+such as was still in use in my childhood. They are very
+rarely seen nowadays, but there are some old ladies in the
+town and down at the 'Home' whom I see with such cloaks
+in church at Christmas time."</p>
+
+<div class="figleft" style="width: 300px;"><img src="images/fig_014.jpg" width="250" height="436" alt="Picture
+of a young woman holding a bible" title="page 30 illustration" /></div><p>The children, who had expressed considerable fear and
+uneasiness during the latter part of the story, declared they
+would not hear any more such terrible stories. They had
+crept up into the sofa and on the chairs, but still they
+thought they felt somebody plucking at them from underneath
+the table. Suddenly the lights were brought in, and
+we discovered then, to our great amusement, that the children
+had put their legs on to the table. The lights, the Christmas
+cake, the jellies, the tarts and the wine soon chased away
+the horrible ghost story and all fear from their minds, revived
+everybody's spirits, and brought the conversation on to their
+neighbours and the topics of the day. Finally, our thoughts
+took a flight towards something more substantial, on the
+appearance of the Christmas porridge and the roast ribs of
+pork. We broke up early, and parted with the best wishes
+for a Merry Christmas. I passed, however, a very uneasy
+night. I do not know whether it was the stories, the substantial
+supper, my weak condition, or all these combined,
+which was the cause of it; I tossed myself hither and thither
+in my bed, and got mixed up with brownies, fairies and ghosts
+the whole night. Finally, I sailed through the air towards
+the church, while some merry sledge-bells were ringing in
+my ears. The church was lighted up, and when I came
+inside I saw it was our own church up in the valley. There<span class="pagenum"><a name="Page_30" id="Page_30"></a>[<a href="images/029.png">Page 30</a>]</span>
+were nobody there but peasants in their red caps, soldiers
+in full uniform, country lasses with their white head-dresses
+and red cheeks. The minister was in the pulpit; it was
+my grandfather, who died when I was a little boy. But just
+as he was in the middle of the sermon, he
+made a somersault&mdash;he was known as
+one of the smartest men in the parish&mdash;right
+into the middle of the
+church; the surplice flew one
+way and the collar another.
+"There lies the parson, and
+here am I," he said, with one
+of his well-known airs, "and
+now let us have a spring
+dance!" In an instant the
+whole of the congregation was
+in the midst of a wild dance.
+A big tall peasant came towards
+me and took me by
+the shoulder and said, "You'll
+have to join us, my lad!"</p>
+
+<p>At this moment I awoke, and
+felt some one pulling at my shoulder.
+I could scarcely believe my eyes
+when I saw the same peasant whom I
+had seen in my dream leaning over me.
+There he was, with the red cap down over his ears, a big
+fur coat over his arm, and a pair of big eyes looking fixedly
+at me.</p>
+
+<p>"You must be dreaming," he said, "the perspiration is
+standing in big drops on your forehead, and you were sleeping
+as heavily as a bear in his lair! God's peace and a<span class="pagenum"><a name="Page_31" id="Page_31"></a>[<a href="images/030.png">Page 31</a>]</span>
+merry Christmas to you, I say! and greetings to you from
+your father and all yours up in the valley. Here's a letter
+from your father, and the horse is waiting for you out in
+the yard."</p>
+
+<p>"But, good heavens! is that you, Thor?" I shouted in
+great joy. It was indeed my father's man, a splendid specimen
+of a Norwegian peasant. "How in the world have you
+come here already?"</p>
+
+<div class="figcenter" style="width: 500px;"><img src="images/fig_015.jpg" width="450" height="267" alt="Picture
+of Thor leaning over the bed" title="page 31 illustration" /></div>
+
+<p>"Ah! that I can soon tell you," answered Thor. "I came
+with your favourite, the bay mare. I had to take your father
+down to N&aelig;s, and then he says to me, 'Thor,' says he, 'it
+isn't very far to town from here. Just take the bay mare
+and run down and see how the Lieutenant is, and if he is
+well and can come back with you, you must bring him back
+along with you,' says he."</p>
+
+<p>When we left the town it was daylight. The roads were
+in splendid condition. The bay mare stretched out her<span class="pagenum"><a name="Page_32" id="Page_32"></a>[<a href="images/031.png">Page 32</a>]</span>
+old smart legs, and we arrived at length in sight of the
+dear old house. Thor jumped off the sledge to undo the
+gate, and as we merrily drove up to the door we were met
+by the boisterous welcome of old Rover, who, in his frantic
+joy at hearing my voice, almost broke his chains in trying
+to rush at me.</p>
+
+<p>Such a Christmas as I spent that year I cannot recollect
+before or since.</p>
+
+<p class="above4"></p>
+
+<p class="center"><span class="smcap">The End.</span></p>
+
+<p class="above4"></p>
+<hr />
+<p class="above4"></p>
+
+<h3><a name="Transnote">Transcriber's Notes</a></h3>
+
+<p class="above2">Punctuation surrounding reported speech has been regularised, all other
+punctuation and spelling has been left as in the original text.</p>
+
+<p>Some of the illustrations have been moved from their original
+placings to paragraph breaks. Every effort has been made to place
+them as close to the scenes depicted as possible.</p>
+
+<p>Page numbers at the right side link to black and white images of
+the book's pages. The original book has blank pages
+following the full-page illustrations. To reduce the size of the
+image file, neither the blank pages nor the black and white copies
+of the full-page colour illustrations have been included.</p>
+
+<p><a href="#cover">Return to top</a>.</p>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of 'Round the yule-log: Christmas in
+Norway, by Peter Christen Asbjörnsen
+
+*** END OF THIS PROJECT GUTENBERG EBOOK 'ROUND THE YULE-LOG ***
+
+***** This file should be named 31993-h.htm or 31993-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/9/9/31993/
+
+Produced by Bryan Ness, Anne Grieve and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/31993-h/images/004.png b/31993-h/images/004.png
new file mode 100644
index 0000000..6025cf7
--- /dev/null
+++ b/31993-h/images/004.png
Binary files differ
diff --git a/31993-h/images/005.png b/31993-h/images/005.png
new file mode 100644
index 0000000..b2b3ea9
--- /dev/null
+++ b/31993-h/images/005.png
Binary files differ
diff --git a/31993-h/images/008.png b/31993-h/images/008.png
new file mode 100644
index 0000000..9f202dd
--- /dev/null
+++ b/31993-h/images/008.png
Binary files differ
diff --git a/31993-h/images/009.png b/31993-h/images/009.png
new file mode 100644
index 0000000..ba0d71c
--- /dev/null
+++ b/31993-h/images/009.png
Binary files differ
diff --git a/31993-h/images/010.png b/31993-h/images/010.png
new file mode 100644
index 0000000..0ff5ce5
--- /dev/null
+++ b/31993-h/images/010.png
Binary files differ
diff --git a/31993-h/images/011.png b/31993-h/images/011.png
new file mode 100644
index 0000000..102a465
--- /dev/null
+++ b/31993-h/images/011.png
Binary files differ
diff --git a/31993-h/images/014.png b/31993-h/images/014.png
new file mode 100644
index 0000000..4287e3b
--- /dev/null
+++ b/31993-h/images/014.png
Binary files differ
diff --git a/31993-h/images/015.png b/31993-h/images/015.png
new file mode 100644
index 0000000..2cb251a
--- /dev/null
+++ b/31993-h/images/015.png
Binary files differ
diff --git a/31993-h/images/016.png b/31993-h/images/016.png
new file mode 100644
index 0000000..ebb7840
--- /dev/null
+++ b/31993-h/images/016.png
Binary files differ
diff --git a/31993-h/images/017.png b/31993-h/images/017.png
new file mode 100644
index 0000000..a6977c5
--- /dev/null
+++ b/31993-h/images/017.png
Binary files differ
diff --git a/31993-h/images/018.png b/31993-h/images/018.png
new file mode 100644
index 0000000..f47dc16
--- /dev/null
+++ b/31993-h/images/018.png
Binary files differ
diff --git a/31993-h/images/019.png b/31993-h/images/019.png
new file mode 100644
index 0000000..8a6e5b3
--- /dev/null
+++ b/31993-h/images/019.png
Binary files differ
diff --git a/31993-h/images/022.png b/31993-h/images/022.png
new file mode 100644
index 0000000..5d6770c
--- /dev/null
+++ b/31993-h/images/022.png
Binary files differ
diff --git a/31993-h/images/023.png b/31993-h/images/023.png
new file mode 100644
index 0000000..deb6d14
--- /dev/null
+++ b/31993-h/images/023.png
Binary files differ
diff --git a/31993-h/images/024.png b/31993-h/images/024.png
new file mode 100644
index 0000000..a8c1ab5
--- /dev/null
+++ b/31993-h/images/024.png
Binary files differ
diff --git a/31993-h/images/025.png b/31993-h/images/025.png
new file mode 100644
index 0000000..eb7b0ed
--- /dev/null
+++ b/31993-h/images/025.png
Binary files differ
diff --git a/31993-h/images/028.png b/31993-h/images/028.png
new file mode 100644
index 0000000..a485388
--- /dev/null
+++ b/31993-h/images/028.png
Binary files differ
diff --git a/31993-h/images/029.png b/31993-h/images/029.png
new file mode 100644
index 0000000..d7d147b
--- /dev/null
+++ b/31993-h/images/029.png
Binary files differ
diff --git a/31993-h/images/030.png b/31993-h/images/030.png
new file mode 100644
index 0000000..4ee48c5
--- /dev/null
+++ b/31993-h/images/030.png
Binary files differ
diff --git a/31993-h/images/031.png b/31993-h/images/031.png
new file mode 100644
index 0000000..db46c3f
--- /dev/null
+++ b/31993-h/images/031.png
Binary files differ
diff --git a/31993-h/images/cover.jpg b/31993-h/images/cover.jpg
new file mode 100644
index 0000000..bdf495c
--- /dev/null
+++ b/31993-h/images/cover.jpg
Binary files differ
diff --git a/31993-h/images/fig_001.jpg b/31993-h/images/fig_001.jpg
new file mode 100644
index 0000000..3e8fa43
--- /dev/null
+++ b/31993-h/images/fig_001.jpg
Binary files differ
diff --git a/31993-h/images/fig_002.jpg b/31993-h/images/fig_002.jpg
new file mode 100644
index 0000000..88a226c
--- /dev/null
+++ b/31993-h/images/fig_002.jpg
Binary files differ
diff --git a/31993-h/images/fig_003.jpg b/31993-h/images/fig_003.jpg
new file mode 100644
index 0000000..39c6734
--- /dev/null
+++ b/31993-h/images/fig_003.jpg
Binary files differ
diff --git a/31993-h/images/fig_004.jpg b/31993-h/images/fig_004.jpg
new file mode 100644
index 0000000..868cb82
--- /dev/null
+++ b/31993-h/images/fig_004.jpg
Binary files differ
diff --git a/31993-h/images/fig_005.jpg b/31993-h/images/fig_005.jpg
new file mode 100644
index 0000000..9481b73
--- /dev/null
+++ b/31993-h/images/fig_005.jpg
Binary files differ
diff --git a/31993-h/images/fig_006.jpg b/31993-h/images/fig_006.jpg
new file mode 100644
index 0000000..550667c
--- /dev/null
+++ b/31993-h/images/fig_006.jpg
Binary files differ
diff --git a/31993-h/images/fig_007.jpg b/31993-h/images/fig_007.jpg
new file mode 100644
index 0000000..78017a8
--- /dev/null
+++ b/31993-h/images/fig_007.jpg
Binary files differ
diff --git a/31993-h/images/fig_008.jpg b/31993-h/images/fig_008.jpg
new file mode 100644
index 0000000..14ccf2d
--- /dev/null
+++ b/31993-h/images/fig_008.jpg
Binary files differ
diff --git a/31993-h/images/fig_009.jpg b/31993-h/images/fig_009.jpg
new file mode 100644
index 0000000..58ab5c3
--- /dev/null
+++ b/31993-h/images/fig_009.jpg
Binary files differ
diff --git a/31993-h/images/fig_010.jpg b/31993-h/images/fig_010.jpg
new file mode 100644
index 0000000..c117fcb
--- /dev/null
+++ b/31993-h/images/fig_010.jpg
Binary files differ
diff --git a/31993-h/images/fig_011.jpg b/31993-h/images/fig_011.jpg
new file mode 100644
index 0000000..b923964
--- /dev/null
+++ b/31993-h/images/fig_011.jpg
Binary files differ
diff --git a/31993-h/images/fig_012.jpg b/31993-h/images/fig_012.jpg
new file mode 100644
index 0000000..2ed52ee
--- /dev/null
+++ b/31993-h/images/fig_012.jpg
Binary files differ
diff --git a/31993-h/images/fig_013.jpg b/31993-h/images/fig_013.jpg
new file mode 100644
index 0000000..be9f404
--- /dev/null
+++ b/31993-h/images/fig_013.jpg
Binary files differ
diff --git a/31993-h/images/fig_014.jpg b/31993-h/images/fig_014.jpg
new file mode 100644
index 0000000..2f53aa2
--- /dev/null
+++ b/31993-h/images/fig_014.jpg
Binary files differ
diff --git a/31993-h/images/fig_015.jpg b/31993-h/images/fig_015.jpg
new file mode 100644
index 0000000..331b004
--- /dev/null
+++ b/31993-h/images/fig_015.jpg
Binary files differ
diff --git a/31993-h/images/frontispiece.jpg b/31993-h/images/frontispiece.jpg
new file mode 100644
index 0000000..7426346
--- /dev/null
+++ b/31993-h/images/frontispiece.jpg
Binary files differ
diff --git a/31993-h/images/tpage_deco.jpg b/31993-h/images/tpage_deco.jpg
new file mode 100644
index 0000000..3c72738
--- /dev/null
+++ b/31993-h/images/tpage_deco.jpg
Binary files differ
diff --git a/31993.txt b/31993.txt
new file mode 100644
index 0000000..6e82fc7
--- /dev/null
+++ b/31993.txt
@@ -0,0 +1,989 @@
+The Project Gutenberg EBook of 'Round the yule-log: Christmas in Norway, by
+Peter Christen Asbjörnsen
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: 'Round the yule-log: Christmas in Norway
+
+Author: Peter Christen Asbjörnsen
+
+Translator: H. L. Broekstad
+
+Release Date: April 15, 2010 [EBook #31993]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK 'ROUND THE YULE-LOG ***
+
+
+
+
+Produced by Bryan Ness, Anne Grieve and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+
+
+
+
+ +-------------------------------------------------------------+
+ | |
+ | Transcriber's note: |
+ | |
+ | Throughout this text, oe has been substituted for both the |
+ | oe ligature and the letter o with an umlaut. The ae ligature|
+ | has been replaced by ae. |
+ | |
+ | This book contains illustrations, several of which are |
+ | printed in mid-paragraph, either on a separate page or |
+ | alongside the text itself. To avoid disrupting the flow of |
+ | the text, the markers for these illustrations have been |
+ | moved to paragraph breaks. The original illustrations have |
+ | no captions, but descriptions have been added to them for |
+ | the enhancement of this text version. |
+ | |
+ | Punctuation surrounding reported speech has been |
+ | regularised, all other punctuation and spelling has been |
+ | left as in the original text. |
+ | |
+ +-------------------------------------------------------------+
+
+
+
+[Frontispiece: Picture of a troll pulling girl by the arm]
+
+
+[Illustration: Picture of a laughing troll]
+
+
+'Round the Yule-Log
+
+Christmas in Norway
+
+
+BY
+
+P. CHR. ASBJOERNSEN
+
+
+TRANSLATED BY
+
+H. L. BROEKSTAD.
+
+
+BOSTON
+
+DANA ESTES AND CO.
+
+PUBLISHERS
+
+
+_Copyright, 1895,_
+
+BY ESTES AND LAURIAT
+
+_All rights reserved_
+
+
+Colonial Press
+
+Electrotyped and Printed by C. H. Simonds & Co.
+
+Boston, Mass., U. S. A.
+
+
+
+
+'ROUND THE YULE-LOG.
+
+
+The wind was whistling through the old lime and maple trees opposite my
+windows, the snow was sweeping down the street, and the sky was black as
+a December sky can possibly be here in Christiania. I was in just as
+black a mood. It was Christmas Eve,--the first I was to spend away from
+the cosey fireside of my home. I had lately received my officer's
+commission, and had hoped that I should have gladdened my aged parents
+with my presence during the holidays, and had also hoped that I should
+be able to show myself in all my glory and splendour to the ladies of
+our parish. But a fever had brought me to the hospital, which I had left
+only a week before, and now I found myself in the much-extolled state of
+convalescence. I had written home for a horse and sledge and my father's
+fur coat, but my letter could scarcely reach our valley before the day
+after Christmas, and the horse could not be in town before New Year's
+Eve.
+
+My comrades had all left town, and I knew no family with whom I could
+make myself at home during the holidays. The two old maids I lodged with
+were certainly very kind and friendly people, and they had taken great
+care of me in the commencement of my illness, but the peculiar ways and
+habits of these ladies were too much of the old school to prove
+attractive to the fancies of youth. Their thoughts dwelt mostly on the
+past; and when they, as often might occur, related to me some stories of
+the town, its people and its customs, these stories reminded me, not
+only by their contents, but also by the simple, unaffected way in which
+they were rendered, of a past age.
+
+[Illustration: Picture of two old maids]
+
+The antiquated appearance of these ladies was also in the strictest
+harmony with the house in which they lived. It was one of those old
+houses in Custom House Street, with deep windows, long dark passages and
+staircases, gloomy rooms and garrets, where one could not help thinking
+of ghosts and brownies; in short, just such a house, and perhaps it was
+the very one, which Mauritz Hansen has described in his story, "The Old
+Dame with the Hood." Their circle of acquaintances was very limited;
+besides a married sister and her children, no other visitors came there
+but a couple of tiresome old ladies. The only relief to this kind of
+life was a pretty niece and some merry little cousins of hers, who
+always made me tell them fairy tales and stories.
+
+I tried to divert myself in my loneliness and melancholy mood by looking
+out at all the people who passed up and down the street in the snow and
+wind, with blue noses and half-shut eyes. It amused me to see the bustle
+and the life in the apothecary's shop across the street. The door was
+scarcely shut for a moment. Servants and peasants streamed in and out,
+and commenced to study the labels and directions when they came out in
+the street. Some appeared to be able to make them out, but sometimes a
+lengthy study and a dubious shake of the head showed that the solution
+was too difficult. It was growing dusk. I could not distinguish the
+countenances any longer, but gazed across at the old building. The
+apothecary's house, "The Swan," as it is still called, stood there,
+with its dark, reddish-brown walls, its pointed gables and towers, with
+weather-cocks and latticed windows, as a monument of the architecture of
+the time of King Christian the Fourth. The Swan looked then, as now, a
+most respectable and sedate bird, with its gold ring round its neck, its
+spur-boots, and its wings stretched out as if to fly. I was about to
+plunge myself into reflection on imprisoned birds when I was disturbed
+by noise and laughter proceeding from some children in the adjoining
+room, and by a gentle, old-maidish knock at my door.
+
+[Illustration: Picture of an old maid knocking at the door]
+
+On my requesting the visitor to come in, the elder of my landladies,
+Miss Mette, entered the room with a courtesy in the good old style; she
+inquired after my health, and invited me, without further ceremony, to
+come and make myself at home with them for the evening. "It isn't good
+for you, dear Lieutenant, to sit thus alone here in the dark," she
+added. "Will you not come in to us now at once? Old Mother Skau and my
+brother's little girls have come; they will perhaps amuse you a little.
+You are so fond of the dear children."
+
+[Illustration: Picture of an old woman wearing a cap]
+
+I accepted the friendly invitation. As I entered the room, the fire from
+the large square stove, where the logs were burning lustily, threw a
+red, flickering light through the wide-open door over the room, which
+was very deep, and furnished in the old style, with high-back, Russia
+leather chairs, and one of those settees which were intended for
+farthingales and straight up-and-down positions. The walls were adorned
+with oil paintings, portraits of stiff ladies with powdered coiffures,
+of bewigged Oldenborgians, and other redoubtable persons in mail and
+armour or red coats.
+
+[Illustration: Picture of the narrator looking at the paintings]
+
+"You must really excuse us, Lieutenant, for not having lighted the
+candles yet," said Miss Cicely, the younger sister, who was generally
+called "Cilly," and who came towards me and dropped a courtesy, exactly
+like her sister's; "but the children do so like to tumble about here
+before the fire in the dusk of the evening, and Madam Skau does also
+enjoy a quiet little chat in the chimney corner."
+
+"Oh, chat me here and chat me there! there is nothing you like yourself
+better than a little bit of gossip in the dusk of the evening, Cilly,
+and then we are to get the blame of it," answered the old asthmatic lady
+whom they called Mother Skau.
+
+"Eh! good evening, sir," she said to me, as she drew herself up to make
+the best of her own inflated, bulky appearance. "Come and sit down here
+and tell me how it fares with you; but, by my troth, you are nothing but
+skin and bones!"
+
+I had to tell her all about my illness, and in return I had to endure a
+very long and circumstantial account of her rheumatism and her
+asthmatical ailments, which, fortunately, was interrupted by the noisy
+arrival of the children from the kitchen, where they had paid a visit to
+old Stine, a fixture in the house.
+
+"Oh, auntie, do you know what Stine says?" cried a little brown-eyed
+beauty. "She says I shall go with her into the hay-loft to-night and
+give the brownie his Christmas porridge. But I won't go; I am afraid of
+the brownies!"
+
+"Never mind, my dear, Stine says it only to get rid of you; she dare not
+go into the hay-loft herself--the foolish old thing--in the dark, for
+she knows well enough she was frightened once by the brownies herself,"
+said Miss Mette. "But are you not going to say good evening to the
+Lieutenant, children?"
+
+"Oh, is that you, Lieutenant? I did not know you. How pale you are! It
+is such a long time since I saw you!" shouted the children all at once,
+as they flocked round me.
+
+"Now you must tell us something awfully jolly! It is such a long time
+since you told us anything. Oh, tell us about Buttercup, dear Mr.
+Lieutenant, do tell us about Buttercup and Goldentooth!"
+
+I had to tell them about Buttercup and the dog Goldentooth, but they
+would not let me off until I gave them a couple of stories into the
+bargain about the brownies at Vager and at Bure, who stole hay from each
+other, and who met at last with a load of hay on their backs, and how
+they fought till they vanished in a cloud of hay-dust. I had also to
+tell them the story of the brownie at Hesselberg, who teased the
+house-dog till the farmer came out and threw him over the barn bridge.
+The children clapped their hands in great joy and laughed heartily.
+
+[Illustration: Picture of two brownies fighting]
+
+"It served him right, the naughty brownie!" they shouted, and asked for
+another story.
+
+"Well," said I, "I will tell you the story of Peter Gynt and the trolls.
+
+"In the olden days there lived in Kvam a hunter whose name was Peter
+Gynt, and who was always roaming about in the mountains after bears and
+elks, for in those days there were more forests on the mountains than
+there are now, and consequently plenty of wild beasts.
+
+"One day, shortly before Christmas, Peter set out on an expedition. He
+had heard of a farm on Doorefell which was invaded by such a number of
+trolls every Christmas Eve that the people on the farm had to move out,
+and get shelter at some of their neighbours'. He was anxious to go
+there, for he had a great fancy to come across the trolls, and see if he
+could not overcome them. He dressed himself in some old ragged clothes,
+and took a tame white bear which he had with him, as well as an awl,
+some pitch and twine. When he came to the farm he went in and asked for
+lodgings.
+
+[Illustration: Picture of Peter Gynt and his tame white bear]
+
+"'God help us!' said the farmer; 'we can't give you any lodgings. We
+have to clear out of the house ourselves soon and look for lodgings, for
+every Christmas Eve we have the trolls here.'
+
+"But Peter thought he should be able to clear the trolls out,--he had
+done such a thing before; and then he got leave to stay, and a pig's
+skin into the bargain. The bear lay down behind the fireplace, and
+Peter took out his awl and pitch and twine, and began making a big, big
+shoe, which it took the whole pig's skin to make. He put a strong rope
+in for lacings, that he might pull the shoe tightly together, and,
+finally, he armed himself with a couple of handspikes.
+
+"Shortly he heard the trolls coming. They had a fiddler with them, and
+some began dancing, while others fell to eating the Christmas fare on
+the table,--some fried bacon, and some fried frogs and toads, and other
+nasty things which they had brought with them. During this some of the
+trolls found the shoe Peter had made. They thought it must belong to a
+very big foot. They all wanted to try it on at once, so they put a foot
+each into it; but Peter made haste and tightened the rope, took one of
+the handspikes and fastened the rope around it, and got them at last
+securely tied up in the shoe.
+
+"Just then the bear put his nose out from behind the fireplace, where he
+was lying, and smelt they were frying something.
+
+"'Will you have a sausage, pussy?' said one of the trolls, and threw a
+hot frog right into the bear's jaws.
+
+"'Scratch them, pussy!' said Peter.
+
+"The bear got so angry that he rushed at the trolls and scratched them
+all over, while Peter took the other handspike and hammered away at them
+as if he wanted to beat their brains out. The trolls had to clear out at
+last, but Peter stayed and enjoyed himself with all the Christmas fare
+the whole week. After that the trolls were not heard of there for many
+years.
+
+"Some years afterwards, about Christmas time, Peter was out in the
+forest cutting wood for the holidays, when a troll came up to him and
+shouted,--
+
+[Illustration: Picture of a troll shouting at Peter Gynt]
+
+"'Have you got that big pussy of yours, yet?'
+
+"'Oh, yes! she is at home behind the fireplace,' said he; 'and she has
+got seven kittens, all bigger and larger than herself.'
+
+"'We'll never come to you any more, then,' said the troll, and they
+never did."
+
+The children were all delighted with this story.
+
+"Tell us another, dear Lieutenant," they all shouted in chorus.
+
+"No, no, children! you bother the Lieutenant too much," said Miss
+Cicely. "Aunt Mette will tell you a story now."
+
+"Yes, do, auntie, do!" was the general cry.
+
+"I don't know exactly what I shall tell you," said Aunt Mette, "but
+since we have commenced telling about the brownies, I think I will tell
+you something about them, too. You remember, of course, old Kari
+Gausdal, who came here and baked bread, and who always had so many tales
+to tell you."
+
+"Oh, yes, yes!" shouted the children.
+
+"Well, old Kari told me that she was in service at the orphan asylum
+some years ago, and at that time it was still more dreary and lonely in
+that part of the town than it is now. That asylum is a dark and dismal
+place, I can tell you. Well, when Kari came there she was cook, and a
+very smart and clever girl she was. She had, one day, to get up very
+early in the morning to brew, when the other servants said to her,--
+
+"'You had better mind you don't get up too early, and you mustn't put
+any fire under the copper before two o'clock.'
+
+"'Why?' she asked.
+
+"'Don't you know there is a brownie here? And you ought to know that
+those people don't like to be disturbed so early,' they said; 'and
+before two o'clock you mustn't light the fire by any means.'
+
+"'Is that all?' said Kari. She was anything but chicken-hearted. 'I have
+nothing to do with that brownie of yours, but if he comes in my way,
+why, by my faith, I will send him head over heels through the door.'
+
+"The others warned her, but she did not care a bit, and next morning,
+just as the clock struck one, she got up and lighted the fire under the
+copper in the brewhouse; but the fire went out in a moment. Somebody
+appeared to be throwing the logs about on the hearth, but she could not
+see who it was. She gathered the logs together, one at a time, but it
+was of no use, and the chimney would not draw, either. She got tired of
+this at last, took a burning log and ran around the room with it,
+swinging it high and low while she shouted, 'Be gone, be gone whence you
+came! If you think you can frighten me you are mistaken.' 'Curse you!'
+somebody hissed in one of the darkest corners. 'I have had seven souls
+in this house; I thought I should have got eight in all!' 'But from that
+time nobody saw or heard the brownie in the asylum,' said Kari Gausdal."
+
+[Illustration: Picture of Kari swinging the burning log]
+
+"I am getting so frightened!" said one of the children. "No, you must
+tell us some more stories, Lieutenant; I never feel afraid when you tell
+us anything, because you tell us such jolly tales." Another proposed
+that I should tell them about the brownie who danced the Halling dance
+with the lassie. That was a tale I didn't care much about, as there was
+some singing in it. But they would on no account let me off, and I was
+going to clear my throat and prepare my exceedingly inharmonious voice
+to sing the Halling dance, which belongs to the story, when the pretty
+niece, whom I have already referred to, entered the room, to the great
+joy of the children and to my rescue.
+
+"Well, my dear children, I will tell you the story, if you can get
+cousin Lizzie to sing the Halling for you," said I, as she sat down,
+"and then you'll dance to it yourselves, won't you?"
+
+Cousin Lizzie was besieged by the children, and had to promise to do the
+singing, so I commenced my story.
+
+"There was, once upon a time,--I almost think it was in Hallingdal,--a
+lassie who was sent up into the hay-loft with the cream porridge for the
+brownie,--I cannot recollect if it was on a Thursday or on a Christmas
+Eve, but I think it was a Christmas Eve. Well, she thought it was a
+great pity to give the brownie such a dainty dish, so she ate the
+porridge herself, and the melted butter in the bargain, and went up into
+the hay-loft with the plain oatmeal porridge and sour milk, in a pig's
+trough instead. 'There, that's good enough for you, Master Brownie,' she
+said. But no sooner had she spoken the words than the brownie stood
+right before her, seized her round the waist, and danced about with her,
+which he kept up till she lay gasping for breath, and when the people
+came up into the hay-loft in the morning, she was more dead than alive.
+But as long as they danced, the brownie sang," (and here Cousin Lizzie
+undertook his part, and sang to the tune of the Halling)--
+
+[Illustration: Picture of the girl lying in the hay-loft]
+
+ "And you have eaten the porridge for the brownie,
+ And you shall dance with the little brownie!
+
+ "And have you eaten the porridge for the brownie?
+ Then you shall dance with the little brownie!"
+
+I assisted in keeping time by stamping on the floor with my feet, while
+the children romped about the room in uproarious joy.
+
+"I think you are turning the house upside down, children!" said old
+Mother Skau; "if you'll be quiet, I'll give you a story."
+
+The children were soon quiet, and Mother Skau commenced as follows:
+
+[Illustration: Picture of a Brownie hurling dishes on the floor]
+
+"You hear a great deal about brownies and fairies and such like beings,
+but I don't believe there is much in it. I have neither seen one nor the
+other. Of course I have not been so very much about in my lifetime, but
+I believe it is all nonsense. But old Stine out in the kitchen there,
+she says she has seen the brownie. About the time when I was confirmed
+she was in service with my parents. She came to us from a captain's, who
+had given up the sea. It was a very quiet place. The captain only took a
+walk as far as the quay every day. They always went to bed early. People
+said there was a brownie in the house. Well, it so happened that Stine
+and the cook were sitting in their room one evening, mending and darning
+their things; it was near bedtime, for the watchman had already sung out
+'Ten o'clock!' but somehow the darning and the sewing went on very
+slowly indeed; every moment 'Jack Nap' came and played his tricks upon
+them. At one moment Stine was nodding and nodding, and then came the
+cook's turn,--they could not keep their eyes open; they had been up
+early that morning to wash clothes. But just as they were sitting thus,
+they heard a terrible crash down stairs in the kitchen, and Stine
+shouted, 'Lor' bless and preserve us! it must be the brownie.' She was
+so frightened she dared scarcely move a foot, but at last the cook
+plucked up courage and went down into the kitchen, closely followed by
+Stine. When they opened the kitchen door they found all the crockery on
+the floor, but none of it broken, while the brownie was standing on the
+big kitchen table with his red cap on, and hurling one dish after the
+other on to the floor, and laughing in great glee. The cook had heard
+that the brownies could sometimes be tricked into moving into another
+house when anybody would tell them of a very quiet place, and as she
+long had been wishing for an opportunity to play a trick upon this
+brownie, she took courage and spoke to him,--her voice was a little
+shaky at the time,--that he ought to remove to the tinman's over the
+way, where it was so very quiet and pleasant, because they always went
+to bed at nine o'clock every evening; which was true enough, as the cook
+told Stine later, but then the master and all his apprentices and
+journeymen were up every morning at three o'clock and hammered away and
+made a terrible noise all day. Since that day they have not seen the
+brownie any more at the captain's. He seemed to feel quite at home at
+the tinman's, although they were hammering and tapping away there all
+day; but people said that the gude-wife put a dish of porridge up in the
+garret for him every Thursday evening, and it's no wonder that they got
+on well and became rich when they had a brownie in the house. Stine
+believed he brought things to them. Whether it was the brownie or not
+who really helped them, I cannot say," said Mother Skau, in conclusion,
+and got a fit of coughing and choking after the exertion of telling
+this, for her, unusually long story.
+
+[Illustration: Picture of the gude-wife putting porridge in the garret]
+
+When she had taken a pinch of snuff she felt better, and became quite
+cheerful again, and began:--
+
+"My mother, who, by the way, was a truthful woman, told a story which
+happened here in the town one Christmas Eve. I know it is true, for an
+untrue word never passed her lips."
+
+"Let us hear it, Madame Skau," said I.
+
+"Yes, tell, tell, Mother Skau!" cried the children.
+
+She coughed a little, took another pinch of snuff, and proceeded:--
+
+"When my mother still was in her teens, she used sometimes to visit a
+widow whom she knew, and whose name was,--dear me, what was her
+name?--Madame,--yes, Madame Evensen, of course. She was a woman who had
+seen the best part of her life, but whether she lived up in Mill Street
+or down in the corner by the Little Church Hill, I cannot say for
+certain. Well, one Christmas Eve, just like to-night, she thought she
+would go to the morning service on the Christmas Day, for she was a
+great church-goer, and so she left out some coffee with the girl before
+she went to bed, that she might get a cup next morning,--she was sure a
+cup of warm coffee would do her a great deal of good at that early hour.
+When she woke, the moon was shining into the room; but when she got up
+to look at the clock she found it had stopped and that the fingers
+pointed to half-past eleven. She had no idea what time it could be, so
+she went to the window and looked across to the church. The light was
+streaming out through all the windows. She must have overslept herself!
+She called the girl and told her to get the coffee ready, while she
+dressed herself. So she took her hymn-book and started for church. The
+street was very quiet; she did not meet a single person on her way to
+church. When she went inside, she sat down in her customary seat in one
+of the pews, but when she looked around her she thought that the people
+were so pale and so strange,--exactly as if they were all dead. She did
+not know any of them, but there were several of them she seemed to
+recollect having seen before; but when and where she had seen them she
+could not call to mind. When the minister came into the pulpit, she saw
+that he was not one of the ministers in the town, but a tall, pale man,
+whose face, however, she thought she could recollect. He preached very
+nicely indeed, and there was not the usual noisy coughing and hawking
+which you always hear at the morning services on a Christmas Day; it was
+so quiet, you could have heard a needle drop on the floor,--in fact, it
+was so quiet she began to feel quite uneasy and uncomfortable. When the
+singing commenced again, a female who sat next to her leant towards her
+and whispered in her ear, 'Throw the cloak loosely around you and go,
+because if you wait here till the service is over they will make short
+work of you. It is the dead who are keeping service.'"
+
+[Illustration: Picture of a Church with light streaming from the windows]
+
+"Oh, Mother Skau, I feel so frightened, I feel so frightened!" whimpered
+one of the children, and climbed up on a chair.
+
+"Hush, hush, child!" said Mother Skau. "She got away from them safe
+enough; only listen! When the widow heard the voice of the person next
+to her, she turned round to look at her,--but what a start she got! She
+recognized her; it was her neighbour who died many years ago; and when
+she looked around the church, she remembered well that she had seen both
+the minister and several of the congregation before, and that they had
+died long ago. This sent quite a cold shiver through her, she became
+that frightened. She threw the cloak loosely round her, as the female
+next to her had said, and went out of the pew; but she thought they all
+turned round and stretched out their hands after her. Her legs shook
+under her, till she thought she would sink down on the church floor.
+When she came out on the steps, she felt that they had got hold of her
+cloak; she let it go and left it in their clutches, while she hurried
+home as quickly as she could. When she came to the door the clock struck
+one, and by the time she got inside she was nearly half dead,--she was
+that frightened. In the morning when the people went to church, they
+found the cloak lying on the steps, but it was torn into a thousand
+pieces. My mother had often seen the cloak before, and I think she saw
+one of the pieces, also; but that doesn't matter,--it was a short, pink,
+woollen cloak, with fur lining and borders, such as was still in use in
+my childhood. They are very rarely seen nowadays, but there are some old
+ladies in the town and down at the 'Home' whom I see with such cloaks in
+church at Christmas time."
+
+[Illustration: Picture of a girl running from the church]
+
+The children, who had expressed considerable fear and uneasiness during
+the latter part of the story, declared they would not hear any more such
+terrible stories. They had crept up into the sofa and on the chairs, but
+still they thought they felt somebody plucking at them from underneath
+the table. Suddenly the lights were brought in, and we discovered then,
+to our great amusement, that the children had put their legs on to the
+table. The lights, the Christmas cake, the jellies, the tarts and the
+wine soon chased away the horrible ghost story and all fear from their
+minds, revived everybody's spirits, and brought the conversation on to
+their neighbours and the topics of the day. Finally, our thoughts took a
+flight towards something more substantial, on the appearance of the
+Christmas porridge and the roast ribs of pork. We broke up early, and
+parted with the best wishes for a Merry Christmas. I passed, however, a
+very uneasy night. I do not know whether it was the stories, the
+substantial supper, my weak condition, or all these combined, which was
+the cause of it; I tossed myself hither and thither in my bed, and got
+mixed up with brownies, fairies and ghosts the whole night. Finally, I
+sailed through the air towards the church, while some merry sledge-bells
+were ringing in my ears. The church was lighted up, and when I came
+inside I saw it was our own church up in the valley. There were nobody
+there but peasants in their red caps, soldiers in full uniform, country
+lasses with their white head-dresses and red cheeks. The minister was in
+the pulpit; it was my grandfather, who died when I was a little boy. But
+just as he was in the middle of the sermon, he made a somersault--he was
+known as one of the smartest men in the parish--right into the middle of
+the church; the surplice flew one way and the collar another. "There
+lies the parson, and here am I," he said, with one of his well-known
+airs, "and now let us have a spring dance!" In an instant the whole of
+the congregation was in the midst of a wild dance. A big tall peasant
+came towards me and took me by the shoulder and said, "You'll have to
+join us, my lad!"
+
+[Illustration: Picture of a young woman holding a bible]
+
+At this moment I awoke, and felt some one pulling at my shoulder. I
+could scarcely believe my eyes when I saw the same peasant whom I had
+seen in my dream leaning over me. There he was, with the red cap down
+over his ears, a big fur coat over his arm, and a pair of big eyes
+looking fixedly at me.
+
+"You must be dreaming," he said, "the perspiration is standing in big
+drops on your forehead, and you were sleeping as heavily as a bear in
+his lair! God's peace and a merry Christmas to you, I say! and
+greetings to you from your father and all yours up in the valley. Here's
+a letter from your father, and the horse is waiting for you out in the
+yard."
+
+"But, good heavens! is that you, Thor?" I shouted in great joy. It was
+indeed my father's man, a splendid specimen of a Norwegian peasant. "How
+in the world have you come here already?"
+
+[Illustration: Picture of Thor leaning over the bed]
+
+"Ah! that I can soon tell you," answered Thor. "I came with your
+favourite, the bay mare. I had to take your father down to Naes, and then
+he says to me, 'Thor,' says he, 'it isn't very far to town from here.
+Just take the bay mare and run down and see how the Lieutenant is, and
+if he is well and can come back with you, you must bring him back along
+with you,' says he."
+
+When we left the town it was daylight. The roads were in splendid
+condition. The bay mare stretched out her old smart legs, and we
+arrived at length in sight of the dear old house. Thor jumped off the
+sledge to undo the gate, and as we merrily drove up to the door we were
+met by the boisterous welcome of old Rover, who, in his frantic joy at
+hearing my voice, almost broke his chains in trying to rush at me.
+
+Such a Christmas as I spent that year I cannot recollect before or
+since.
+
+
+THE END.
+
+
+
+
+
+End of the Project Gutenberg EBook of 'Round the yule-log: Christmas in
+Norway, by Peter Christen Asbjörnsen
+
+*** END OF THIS PROJECT GUTENBERG EBOOK 'ROUND THE YULE-LOG ***
+
+***** This file should be named 31993.txt or 31993.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/3/1/9/9/31993/
+
+Produced by Bryan Ness, Anne Grieve and the Online
+Distributed Proofreading Team at https://www.pgdp.net (This
+file was produced from images generously made available
+by The Internet Archive/American Libraries.)
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/31993.zip b/31993.zip
new file mode 100644
index 0000000..c1d0af0
--- /dev/null
+++ b/31993.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..42dab2d
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #31993 (https://www.gutenberg.org/ebooks/31993)