initial commit of ebook 35596HEADmain

34 files changed, 2804 insertions, 0 deletions

diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/35596-8.txt b/35596-8.txt
new file mode 100644
index 0000000..3c5d952
--- /dev/null
+++ b/35596-8.txt
@@ -0,0 +1,816 @@
+The Project Gutenberg EBook of Schumann, by Thomas Tapper
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Schumann
+       The Story of the Boy Who Made Pictures in Music
+
+Author: Thomas Tapper
+
+Release Date: March 17, 2011 [EBook #35596]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SCHUMANN ***
+
+
+
+
+Produced by Juliet Sutherland and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+                            CHILD'S OWN BOOK
+                          _of Great Musicians_
+                                SCHUMANN
+
+
+                             [Illustration]
+
+
+                                  _By_
+                             THOMAS TAPPER
+
+
+                          THEODORE PRESSER CO.
+                          1712 CHESTNUT STREET
+                              PHILADELPHIA
+
+
+
+
+                             [Illustration]
+
+                         Directions for Binding
+
+
+Enclosed in this envelope is the cord and the needle with which to bind
+this book. Start in from the outside as shown on the diagram here. Pass
+the needle and thread through the center of the book, leaving an end
+extend outside, then through to the outside, about 2 inches from the
+center; then from the outside to inside 2 inches from the center at the
+other end of the book, bringing the thread finally again through the
+center, and tie the two ends in a knot, one each side of the cord on the
+outside.
+
+                =THEO. PRESSER CO., Pub's., Phila., Pa.=
+
+
+
+
+                          HOW TO USE THIS BOOK
+
+                   *       *       *       *       *
+
+This book is one of a series known as the CHILD'S OWN BOOK OF GREAT
+MUSICIANS, written by Thomas Tapper, author of "Pictures from the Lives
+of the Great Composers for Children," "Music Talks with Children,"
+"First Studies in Music Biography," and others.
+
+The sheet of illustrations included herewith is to be cut apart by the
+child, and each illustration is to be inserted in its proper place
+throughout the book, pasted in the space containing the same number as
+will be found under each picture on the sheet. It is not necessary to
+cover the entire back of a picture with paste. Put it only on the
+corners and place neatly within the lines you will find printed around
+each space. Use photographic paste, if possible.
+
+After this play-work is completed there will be found at the back of the
+book blank pages upon which the child is to write his own story of the
+great musician, based upon the facts and questions found on the previous
+pages.
+
+The book is then to be sewed by the child through the center with the
+cord found in the enclosed envelope. The book thus becomes the child's
+own book.
+
+This series will be found not only to furnish a pleasing and interesting
+task for the children, but will teach them the main facts with regard to
+the life of each of the great musicians--an educational feature worth
+while.
+
+                   *       *       *       *       *
+
+This series of the Child's Own Book of Great Musicians includes at
+present a book on each of the following:
+
+        Bach                  Grieg                 Mozart
+        Beethoven             Handel                Nevin
+        Brahms                Haydn                 Schubert
+        Chopin                Liszt                 Schumann
+        Dvorák                MacDowell             Tschaikowsky
+        Foster                Mendelssohn           Verdi
+                                                    Wagner
+
+
+
+
+                   [Illustration: Transcriber's note:
+       First page of illustrations: 1, 14, 15, 12, 11, 10, 13, 6]
+
+
+
+
+                   [Illustration: Transcriber's note:
+         Second page of illustrations: 7, 8, 16, 9, 5, 3, 4, 2]
+
+
+
+
+                             Robt. Schumann
+
+
+                        The Story of the Boy Who
+                         Made Pictures in Music
+
+
+                   *       *       *       *       *
+
+
+                         Made up into a Book by
+
+
+        ........................................................
+
+
+                   *       *       *       *       *
+
+
+                              Philadelphia
+                          Theodore Presser Co.
+                           1712 Chestnut Str.
+
+
+                 Copyright. 1916, by THEO. PRESSER CO.
+                         Printed in the U.S.A.
+
+
+
+
+                      [Illustration: No. 1
+
+                      Cut the picture of Schumann
+                        from the sheet of pictures.
+                      Paste in here.
+                      Write the composer's name
+                        below and the dates also.]
+
+
+        ........................................................
+                                  BORN
+
+
+        ........................................................
+                                  DIED
+
+
+        ........................................................
+
+
+
+
+                     The Story of the Boy Who Made
+                           Pictures in Music.
+
+
+When Robert Schumann was a boy he used to amuse his friends by playing
+their pictures on the piano. He could make the music imitate the person.
+
+One day he said to them: This is the way the farmer walks when he comes
+home singing from his work.
+
+                          [Illustration: No. 2
+                           THE HAPPY FARMER.]
+
+Some day you will be able to play a lot of pieces by Schumann that
+picture the pleasantest things so clearly that you can see them very
+plainly indeed. In one of his books there is a music picture of a boy
+riding a rocking horse.
+
+Another of a little girl falling asleep.
+
+_A March for Little Soldiers._ (That is, make-believes.)
+
+And then there are _Sitting by the Fireside_, _What they Sing in
+Church_, and a piece the first four notes of which spell the name of a
+composer who was a good friend of Schumann's.
+
+This composer came from Denmark.
+
+                          [Illustration: No. 3
+                              NIELS GADE.]
+
+This is a picture of the house in Zwickau, Germany, where Robert
+Schumann was born.
+
+                          [Illustration: No. 4
+                        SCHUMANN'S BIRTHPLACE.]
+
+Schumann was a strong healthy youth who had many friends and loved life.
+
+                          [Illustration: No. 5
+                          SCHUMANN AS A YOUTH.]
+
+What do you think the Father and Mother of Robert Schumann wanted him to
+be when he was grown up?
+
+A lawyer!
+
+Robert was the youngest of five children, full of fun and up to all
+kinds of games. He went to school and became especially fond of reading
+plays.
+
+He also loved to write little plays and to act them out on the stage
+that his Father had built for him in his room. So he and his companions
+could give their plays in their own theatre.
+
+All the while Robert was taking piano lessons.
+
+Just before he entered the High School he heard a pianist who played so
+beautifully that he made up his mind that he would become a musician.
+
+The pianist whose playing gave him this thought is one whose name you
+will know better and better as you get older.
+
+                          [Illustration: No. 6
+                           IGNACE MOSCHELES.]
+
+There was lots of music making in the Schumann home, for Robert and all
+his companions played and sang. And besides that, he composed music for
+them.
+
+It must have been a pleasant picture to see all these German boys coming
+together to make music. If we could gather together some American boys
+who were alive at that same time, here are some we could have found:
+
+Nathaniel Hawthorne, who wrote for children, _Tanglewood Tales_ and the
+_Wonder Book_.
+
+                          [Illustration: No. 7
+                              HAWTHORNE.]
+
+Then there was Longfellow, who was born in Portland, Maine. How many of
+his poems do you know besides _Hiawatha_?
+
+                          [Illustration: No. 8
+                              LONGFELLOW.]
+
+And then we must not forget Whittier, who wrote many lovely poems. One
+was about a little girl who spelled the word that her companion missed
+in school and so she went above him in the class.
+
+                          [Illustration: No. 9
+                               WHITTIER.]
+
+And still there was another little boy only a year older than Robert
+Schumann. He was born in a cabin.
+
+                         [Illustration: No. 10
+                         LINCOLN'S BIRTHPLACE.]
+
+This boy's name, as you can guess, was Abraham Lincoln.
+
+                         [Illustration: No. 11
+                           ABRAHAM LINCOLN.]
+
+So when you think of Robert Schumann, let us also think of Hawthorne,
+Longfellow, Whittier, and Lincoln.
+
+They were all doing their best, even as boys, to be useful.
+
+Well, after all, Robert Schumann did not become a lawyer. He studied
+music very hard. His teacher was Frederick Wieck. His teacher's
+daughter, Clara Wieck, played the piano very beautifully.
+
+                         [Illustration: No. 12
+                             CLARA WIECK.]
+
+Papa Wieck, as he was called, was not very kind to Robert Schumann when
+the young man confessed that he and Clara loved one another and wished
+to marry.
+
+                         [Illustration: No. 13
+                           FRIEDRICH WIECK.]
+
+But after a while it all turned out happily and they were married. So
+Clara Wieck became Clara Schumann.
+
+Here is a picture of them seated together.
+
+                         [Illustration: No. 14
+                      ROBERT AND CLARA SCHUMANN.]
+
+In the sixteen years that Robert Schumann lived after he and Clara Wieck
+were married he composed lots of music for the piano, besides songs,
+symphonies, and other kinds of compositions.
+
+He was a teacher in the Leipzig Conservatory. Among his friends were
+Mendelssohn, Chopin, Brahms, and many others.
+
+Schumann is best known as a composer of music, although he was also a
+teacher, a conductor, and a writer upon musical subjects. For many years
+he was the head of a musical newspaper, which is remembered to this day
+because of the great work he did in helping people to understand new
+music and find out new composers. When he was a very young man Schumann
+wanted to become a pianist, but he unfortunately used a machine that he
+thought was going to help him play better. It hurt his hand so that he
+was never able to play well again. Poor Schumann went out of his mind in
+his last years, and died insane, July 29, 1856.
+
+                         [Illustration: No. 15
+                            CLARA SCHUMANN.]
+
+Clara Schumann lived forty years after Robert Schumann died. She was the
+teacher of many students, some of whom traveled from America to study
+with her. She, too, was a composer and a concert pianist who played in
+public from the time she was ten years of age.
+
+
+
+
+                      FACTS ABOUT ROBERT SCHUMANN.
+
+
+1. Robert Schumann was born at Zwickau, in Saxony, Germany, on June 8,
+1810.
+
+2. When Schumann was nine years old he heard the great pianist Ignaz
+Moscheles play and resolved to become a great pianist.
+
+3. When Schumann was a youth he showed a gift for writing poetry.
+
+4. Schumann's father was a successful book-seller.
+
+5. All through his life Schumann was a great lover of the writings of
+the German author, Jean Paul (whose full name was Jean Paul Richter).
+Much of his music shows his high regard for that writer of fairy
+stories.
+
+6. Schumann was twenty-one years old when he injured his hand and
+learned that therefore he could not hope to be a pianist. It was then
+that he made up his mind to be a composer.
+
+7. Schumann had enough means to live in comfort. He was not poor, as
+were Mozart, Schubert, and some others.
+
+8. Robert and Clara Schumann had eight children, and some of Schumann's
+best music was written to interest his children.
+
+9. Schumann died July 29, 1856.
+
+
+
+
+                 SOME QUESTIONS ABOUT ROBERT SCHUMANN.
+
+
+When you can answer them, try to write the Story of Schumann, to be
+copied on pages 14, 15, 16.
+
+1. In what country was Schumann born?
+
+2. Can you name some pieces for the piano composed by Schumann?
+
+3. What did he write when he was a little boy?
+
+4. What great pianist did Robert hear when a boy?
+
+5. Name some famous Americans who were boys when Robert was going to
+school.
+
+6. Who wrote Hiawatha? Tanglewood Tales?
+
+7. With whom did Robert Schumann study the piano?
+
+8. Whom did Robert Schumann marry?
+
+9. Tell what you know about her.
+
+10. Where did Schumann teach?
+
+11. Mention some of his friends.
+
+12. What does the composer picture for us in the "Happy Farmer?"
+
+13. Whose name is spelled by these notes?
+
+                             [Illustration]
+
+14. In what year was Schumann born?
+
+15. Through what was Schumann best known?
+
+16. How did he help people find new composers?
+
+17. What misfortune came to Schumann late in life?
+
+
+
+
+                     THE STORY OF ROBERT SCHUMANN.
+
+                     Written by...................
+
+                     On (date)....................
+
+                         [Illustration: No. 16]
+
+
+
+
+                          Transcriber's Notes:
+
+This book has inconsistencies in the names, sometimes anglicizing names
+and sometimes not.
+
+Passages in italics were indicated by _underscores_.
+
+Passages in bold were indicated by =equal signs=.
+
+Passages in small caps were replaced with ALL CAPS.
+
+In the list of composers in the instructions on how to use the book, the
+"r with a hácek" in the name Dvorák was replaced with a regular "r".
+
+On page 12, "as was Mozart" was replaced with "as were Mozart".
+
+
+
+
+
+End of the Project Gutenberg EBook of Schumann, by Thomas Tapper
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SCHUMANN ***
+
+***** This file should be named 35596-8.txt or 35596-8.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/3/5/5/9/35596/
+
+Produced by Juliet Sutherland and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/35596-8.zip b/35596-8.zip
new file mode 100644
index 0000000..f42bd57
--- /dev/null
+++ b/35596-8.zip
diff --git a/35596-h.zip b/35596-h.zip
new file mode 100644
index 0000000..cd98ae8
--- /dev/null
+++ b/35596-h.zip
diff --git a/35596-h/35596-h.htm b/35596-h/35596-h.htm
new file mode 100644
index 0000000..ca0890b
--- /dev/null
+++ b/35596-h/35596-h.htm
@@ -0,0 +1,1156 @@
+<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+    "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
+<!-- $Id: header.txt 236 2009-12-07 18:57:00Z vlsimpson $ -->
+
+<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
+  <head>
+    <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
+    <meta http-equiv="Content-Style-Type" content="text/css" />
+    <title>
+      The Project Gutenberg eBook of Child's Own Book of Great Musicians SCHUMANN by Thomas Tapper.
+    </title>
+    <style type="text/css">
+
+body {
+  margin-left: 10%;
+  margin-right: 10%;
+  font-size: 200%;
+}
+
+/* paragraphs */
+
+p {
+  margin-top: 3%;
+  margin-bottom: 3%;
+  text-align: justify;
+  text-indent: 5%;
+} /* general indented paragraph */
+
+p.h2 {
+  margin-top: 7%;
+  text-indent: 0%;
+  text-align: center;
+  font-size: 150%;
+  font-weight: bold;
+}
+
+p.h2a {
+  text-indent: 0%;
+  text-align: center;
+  font-size: 150%;
+  font-weight: bold;
+}
+
+p.h3 {
+  margin-top: 7%;
+  text-indent: 0%;
+  text-align: center;
+  font-size: 100%;
+  font-weight: bold;
+}
+
+p.noindent {
+ margin-top: 3%;
+ margin-bottom: 3%;
+ text-align: justify;
+ text-indent: 0%;
+} /* unindented paragraph */
+
+p.cap:first-letter { float: left; clear: left;
+ margin: -0.5% 0% 0 0;
+ padding:0;
+ line-height: 1.8%; font-size: 250%;
+} /* unindented with large first letter cap */
+
+hr {
+  width: 33%;
+  margin-top: 8%;
+  margin-bottom: 8%;
+  margin-left: auto;
+  margin-right: auto;
+  clear: both;
+}
+
+hr.hr2
+{
+  width: 90%;
+  color: #CCCCCC;
+  background-color: #FFFFFF;
+  border: none;
+  border-bottom: 6px double black;
+  margin: 8% auto;
+} /* horizontal rule for chapter divisions */
+
+hr.hrbd
+{
+  width: 70%;
+  color: #CCCCCC;
+  background-color: #FFFFFF;
+  border: none;
+  border-bottom: 6px dotted black;
+  margin: 8% auto;
+} /* long dotted line */
+
+hr.hrbdsm
+{
+  width: 50%;
+  color: #CCCCCC;
+  background-color: #FFFFFF;
+  border: none;
+  border-bottom: 6px dotted black;
+  margin: 8% auto;
+} /* short dotted line */
+
+table {
+  margin-left: auto;
+  margin-right: auto;
+}
+
+.pagenum { /* uncomment the next line for invisible page numbers */
+  visibility: hidden;
+  position: absolute;
+  left: 92%;
+  font-size: smaller;
+  text-align: right;
+} /* page numbers */
+
+/* Images */
+img {
+  border: 1px solid black;
+  padding: 6px;
+}
+
+.figcenter   {
+  margin: auto;
+  text-align: center;
+}
+
+.caption  {
+  font-weight: bold;
+  font-size: 100%;
+}
+
+/* other */
+.cursivecenter   {
+  font-family: cursive;
+  text-align: center;
+  text-indent: 0%;
+}
+.smfontcenter   {
+  text-align: center;
+  text-indent: 0%;
+  font-size: 75%;
+}
+
+.bbox     {
+  margin-left: 20%;
+  margin-right: 20%;
+  border: solid 2px;
+}
+
+.center   {text-align: center;}
+
+.smcap    {font-variant: small-caps;}
+
+span.lalign {
+ position: relative;
+ text-align: left;
+ top: auto;
+}
+
+span.ralign {
+ position: relative;
+ text-align: right;
+ top: auto;
+}
+
+div.tnote {
+  background-color: #FFDDFF;
+  border-style: dotted;
+  margin-left: 10%;
+  margin-right: 10%;
+  padding: 1%;
+  font-style: normal;
+  font-size: 80%;
+  text-align: justify;
+}
+
+pre {font-size:50%;}
+    </style>
+  </head>
+<body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Schumann, by Thomas Tapper
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Schumann
+       The Story of the Boy Who Made Pictures in Music
+
+Author: Thomas Tapper
+
+Release Date: March 17, 2011 [EBook #35596]
+
+Language: English
+
+Character set encoding: ISO-8859-1
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SCHUMANN ***
+
+
+
+
+Produced by Juliet Sutherland and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+</pre>
+
+
+<div class="figcenter">
+<img src="images/cover.jpg"
+alt="CHILD'S OWN BOOK
+of Great Musicians
+SCHUMANN
+
+By
+THOMAS TAPPER
+
+THEODORE PRESSER CO.
+1712 CHESTNUT STREET
+PHILADELPHIA"
+title="CHILD'S OWN BOOK
+of Great Musicians
+SCHUMANN
+
+By
+THOMAS TAPPER
+
+THEODORE PRESSER CO.
+1712 CHESTNUT STREET
+PHILADELPHIA"/>
+</div>
+
+<hr class="hr2"/>
+
+<div class="figcenter">
+<img src="images/002.png" alt="binding diagram" title="binding diagram" />
+</div>
+
+<p class="h2">Directions for Binding</p>
+
+<p>Enclosed in this envelope is the cord and the
+needle with which to bind this book. Start in from
+the outside as shown on the diagram here. Pass the
+needle and thread through the center of the book,
+leaving an end extend outside, then through to the
+outside, about 2 inches from the center; then from
+the outside to inside 2 inches from the center at the
+other end of the book, bringing the thread finally
+again through the center, and tie the two ends in a
+knot, one each side of the cord on the outside.</p>
+
+<p class="h3">THEO. PRESSER CO., Pub's., Phila., Pa.</p>
+
+<hr class="hr2"/>
+
+<p class="h2">HOW TO USE THIS BOOK</p>
+
+<hr />
+
+<p class="noindent">THIS book is one of a series known as the CHILD'S OWN
+BOOK OF GREAT MUSICIANS, written by Thomas
+Tapper, author of "Pictures from the Lives of the Great Composers
+for Children," "Music Talks with Children," "First
+Studies in Music Biography," and others.</p>
+
+<p>The sheet of illustrations included herewith is to be cut
+apart by the child, and each illustration is to be inserted in its
+proper place throughout the book, pasted in the space containing
+the same number as will be found under each picture on the
+sheet. It is not necessary to cover the entire back of a picture
+with paste. Put it only on the corners and place neatly within
+the lines you will find printed around each space. Use photographic
+paste, if possible.</p>
+
+<p>After this play-work is completed there will be found at
+the back of the book blank pages upon which the child is to
+write his own story of the great musician, based upon the facts
+and questions found on the previous pages.</p>
+
+<p>The book is then to be sewed by the child through the
+center with the cord found in the enclosed envelope. The book
+thus becomes the child's own book.</p>
+
+<p>This series will be found not only to furnish a pleasing and
+interesting task for the children, but will teach them the main
+facts with regard to the life of each of the great musicians&mdash;an
+educational feature worth while.</p>
+
+<hr style="width: 45%;" />
+
+<p>This series of the Child's Own Book of Great Musicians
+includes at present a book on each of the following:</p>
+
+<table style="width:90%;" border="0" summary="operas">
+<tr>
+  <td>Bach</td>
+  <td>Grieg</td>
+  <td>Mozart</td>
+</tr>
+<tr>
+  <td>Beethoven</td>
+  <td>Handel</td>
+  <td>Nevin</td>
+</tr>
+<tr>
+  <td>Brahms</td>
+  <td>Haydn</td>
+  <td>Schubert</td>
+</tr>
+<tr>
+  <td>Chopin</td>
+  <td>Liszt</td>
+  <td>Schumann</td>
+</tr>
+<tr>
+  <td>Dvo&#345;ák</td>
+  <td>MacDowell</td>
+  <td>Tschaikowsky</td>
+</tr>
+<tr>
+  <td>Foster</td>
+  <td>Mendelssohn</td>
+  <td>Verdi</td>
+</tr>
+<tr>
+  <td></td>
+  <td></td>
+  <td>Wagner</td>
+</tr>
+</table>
+
+<hr class="hr2"/>
+
+<div class="figcenter">
+<img src="images/page1.png"
+alt="First page of illustrations: 1, 14, 15, 12, 11, 10, 13, 6"
+title="First page of illustrations: 1, 14, 15, 12, 11, 10, 13, 6" />
+</div>
+
+<hr class="hr2"/>
+
+<div class="figcenter">
+<img src="images/page2.png"
+alt="Second page of illustrations: 7, 8, 16, 9, 5, 3, 4, 2" title="Second page of illustrations: 7, 8, 16, 9, 5, 3, 4, 2" />
+</div>
+
+<hr class="hr2"/>
+
+<div class="bbox">
+<p class="h2">Robt. Schumann</p>
+
+<p class="center">The Story of the Boy Who<br />
+Made Pictures in Music</p>
+
+<hr />
+
+<p class="center">Made up into a Book by</p>
+
+<p>&nbsp;</p>
+
+<hr class="hrbd" />
+
+<p>&nbsp;</p>
+
+<hr />
+
+<p class="cursivecenter">Philadelphia<br />
+Theodore Presser Co.<br />
+1712 Chestnut Str.</p>
+</div>
+
+<p class="smfontcenter"><span class="smcap">Copyright. 1916, by Theo. Presser Co.</span><br />
+Printed in the U.S.A.</p>
+
+<hr class="hr2"/>
+
+<div class="figcenter">
+<img src="images/illus01.png"
+alt="No. 1:
+
+Cut the picture of Schumann
+from the sheet of pictures.
+
+Paste in here.
+
+Write the composer&#39;s name
+below and the dates also."
+title="No. 1:
+
+Cut the picture of Schumann
+from the sheet of pictures.
+
+Paste in here.
+
+Write the composer&#39;s name
+below and the dates also." />
+</div>
+
+<p>&nbsp;</p>
+
+<hr class="hrbd" />
+
+<p class="center">BORN</p>
+
+<p>&nbsp;</p>
+
+<hr class="hrbd" />
+
+<p class="center">DIED</p>
+
+<p>&nbsp;</p>
+
+<hr class="hrbd" />
+
+<hr class="hr2"/>
+
+<p><span class="pagenum">[Pg&nbsp;3]</span></p>
+
+<p class="h2">The Story of the Boy Who Made<br />
+Pictures in Music.</p>
+
+<hr />
+
+<p>When Robert Schumann was a boy he used to
+amuse his friends by playing their pictures on the
+piano. He could make the music imitate the person.</p>
+
+<p>One day he said to them: This is the way the
+farmer walks when he comes home singing from his
+work.</p>
+
+<div class="figcenter">
+<img src="images/illus02.png" alt="No. 2" title="No. 2" /><br />
+<span class="caption">THE HAPPY FARMER. <a href="music/schumann1.mid">Listen</a></span>
+</div>
+
+<p>Some day you will be able to play a lot of pieces
+by Schumann that picture the pleasantest things so
+clearly that you can see them very plainly indeed.
+In one of his books there is a music picture of a boy
+riding a rocking horse.</p>
+
+<p>Another of a little girl falling asleep.</p>
+
+<p><i>A March for Little Soldiers.</i> (That is, make-believes.)</p>
+
+<p>And then there are <i>Sitting by the Fireside</i>, <i>What
+they Sing in Church</i>, and a piece the first four notes
+of which spell the name of a composer who was a
+good friend of Schumann's.</p>
+
+<p><span class="pagenum">[Pg&nbsp;4]</span>
+This composer came from Denmark.</p>
+
+<div class="figcenter">
+<img src="images/illus03.png" alt="No. 3" title="No. 3" /><br />
+<span class="caption">NIELS GADE.</span>
+</div>
+
+<p>This is a picture of the house in Zwickau, Germany,
+where Robert Schumann was born.</p>
+
+<div class="figcenter">
+<img src="images/illus04.png" alt="No. 4" title="No. 4" /><br />
+<span class="caption">SCHUMANN&#39;S BIRTHPLACE.</span>
+</div>
+
+<p><span class="pagenum">[Pg&nbsp;5]</span>
+Schumann was a strong healthy youth who had
+many friends and loved life.</p>
+
+<div class="figcenter">
+<img src="images/illus05.png" alt="No. 5" title="No. 5" /><br />
+<span class="caption">SCHUMANN AS A YOUTH.</span>
+</div>
+
+<p>What do you think the Father and Mother of
+Robert Schumann wanted him to be when he was
+grown up?</p>
+
+<p>A lawyer!</p>
+
+<p>Robert was the youngest of five children, full
+of fun and up to all kinds of games. He went to
+school and became especially fond of reading plays.</p>
+
+<p>He also loved to write little plays and to act
+them out on the stage that his Father had built for
+him in his room. So he and his companions could
+give their plays in their own theatre.</p>
+
+<p><span class="pagenum">[Pg&nbsp;6]</span>
+All the while Robert was taking piano lessons.</p>
+
+<p>Just before he entered the High School he heard
+a pianist who played so beautifully that he made up
+his mind that he would become a musician.</p>
+
+<p>The pianist whose playing gave him this thought
+is one whose name you will know better and better
+as you get older.</p>
+
+<div class="figcenter">
+<img src="images/illus06.png" alt="No. 6" title="No. 6" /><br />
+<span class="caption">IGNACE MOSCHELES.</span>
+</div>
+
+<p>There was lots of music making in the Schumann
+home, for Robert and all his companions
+played and sang. And besides that, he composed
+music for them.</p>
+
+<p>It must have been a pleasant picture to see all
+these German boys coming together to make music.
+If we could gather together some American boys
+who were alive at that same time, here are some we
+could have found:</p>
+
+<p><span class="pagenum">[Pg&nbsp;7]</span>
+Nathaniel Hawthorne, who wrote for children,
+<i>Tanglewood Tales</i> and the <i>Wonder Book</i>.</p>
+
+<div class="figcenter">
+<img src="images/illus07.png" alt="No. 7" title="No. 7" /><br />
+<span class="caption">HAWTHORNE.</span>
+</div>
+
+<p>Then there was Longfellow,
+who was born in Portland, Maine.
+How many of his poems do you
+know besides <i>Hiawatha</i>?</p>
+
+<div class="figcenter">
+<img src="images/illus08.png" alt="No. 8" title="No. 8" /><br />
+<span class="caption">LONGFELLOW.</span>
+</div>
+
+<p>And then we must not forget
+Whittier, who wrote many lovely
+poems. One was about a little girl
+who spelled the word that her companion
+missed in school and so she
+went above him in the class.</p>
+
+<div class="figcenter">
+<img src="images/illus09.png" alt="No. 9" title="No. 9" /><br />
+<span class="caption">WHITTIER.</span>
+</div>
+
+<p><span class="pagenum">[Pg&nbsp;8]</span>
+And still there was another little boy only a
+year older than Robert Schumann. He was born in
+a cabin.</p>
+
+<div class="figcenter">
+<img src="images/illus10.png" alt="No. 10" title="No. 10" /><br />
+<span class="caption"><br />LINCOLN&#39;S BIRTHPLACE.</span>
+</div>
+
+<p>This boy's name, as you can guess, was Abraham
+Lincoln.</p>
+
+<div class="figcenter">
+<img src="images/illus11.png" alt="No. 11" title="No. 11" /><br />
+<span class="caption">ABRAHAM LINCOLN.</span>
+</div>
+
+<p>So when you think of Robert Schumann, let us
+also think of Hawthorne, Longfellow, Whittier, and
+Lincoln.</p>
+
+<p>They were all doing their best, even as boys, to
+be useful.</p>
+
+<p><span class="pagenum">[Pg&nbsp;9]</span>
+Well, after all, Robert Schumann did not become
+a lawyer. He studied music very hard. His teacher
+was Frederick Wieck. His teacher's daughter, Clara
+Wieck, played the piano very beautifully.</p>
+
+<div class="figcenter">
+<img src="images/illus12.png" alt="No. 12" title="No. 12" /><br />
+<span class="caption">CLARA WIECK.</span>
+</div>
+
+<p>Papa Wieck, as he was called, was not very
+kind to Robert Schumann when the young man
+confessed that he and Clara loved one another and
+wished to marry.</p>
+
+<div class="figcenter">
+<img src="images/illus13.png" alt="No. 13" title="No. 13" /><br />
+<span class="caption">FRIEDRICH WIECK.</span>
+</div>
+
+<p><span class="pagenum">[Pg&nbsp;10]</span>
+But after a while it all turned out happily and
+they were married. So Clara Wieck became Clara
+Schumann.</p>
+
+<p>Here is a picture of them seated together.</p>
+
+<div class="figcenter">
+<img src="images/illus14.png" alt="No. 14" title="No. 14" /><br />
+<span class="caption">ROBERT AND CLARA SCHUMANN.</span>
+</div>
+
+<p>In the sixteen years that Robert Schumann lived
+after he and Clara Wieck were married he composed
+lots of music for the piano, besides songs, symphonies,
+and other kinds of compositions.</p>
+
+<p>He was a teacher in the Leipzig Conservatory.
+Among his friends were Mendelssohn, Chopin,
+Brahms, and many others.</p>
+
+<p>Schumann is best known as a composer of
+music, although he was also a teacher, a conductor,
+and a writer upon musical subjects. For many years
+he was the head of a musical newspaper, which is
+<span class="pagenum">[Pg&nbsp;11]</span>
+remembered to this day because of the great work
+he did in helping people to understand new music
+and find out new composers. When he was a very
+young man Schumann wanted to become a pianist,
+but he unfortunately used a machine that he thought
+was going to help him play better. It hurt his hand
+so that he was never able to play well again. Poor
+Schumann went out of his mind in his last years,
+and died insane, July 29, 1856.</p>
+
+<div class="figcenter">
+<img src="images/illus15.png" alt="No. 15" title="No. 15" /><br />
+<span class="caption">CLARA SCHUMANN.</span>
+</div>
+
+<p>Clara Schumann lived forty years after Robert
+Schumann died. She was the teacher of many students,
+some of whom traveled from America to study
+with her. She, too, was a composer and a concert
+pianist who played in public from the time she was
+ten years of age.
+<span class="pagenum">[Pg&nbsp;12]</span></p>
+
+<hr class="hr2"/>
+
+<p class="h2">FACTS ABOUT ROBERT SCHUMANN.</p>
+
+<p>1. Robert Schumann was born at Zwickau, in
+Saxony, Germany, on June 8, 1810.</p>
+
+<p>2. When Schumann was nine years old he heard
+the great pianist Ignaz Moscheles play and resolved
+to become a great pianist.</p>
+
+<p>3. When Schumann was a youth he showed a
+gift for writing poetry.</p>
+
+<p>4. Schumann's father was a successful book-seller.</p>
+
+<p>5. All through his life Schumann was a great
+lover of the writings of the German author, Jean
+Paul (whose full name was Jean Paul Richter).
+Much of his music shows his high regard for that
+writer of fairy stories.</p>
+
+<p>6. Schumann was twenty-one years old when he
+injured his hand and learned that therefore he could
+not hope to be a pianist. It was then that he made
+up his mind to be a composer.</p>
+
+<p>7. Schumann had enough means to live in comfort.
+He was not poor, as were Mozart, Schubert,
+and some others.</p>
+
+<p>8. Robert and Clara Schumann had eight children,
+and some of Schumann's best music was written
+to interest his children.</p>
+
+<p>9. Schumann died July 29, 1856.
+<span class="pagenum">[Pg&nbsp;13]</span></p>
+
+<hr class="hr2"/>
+
+<p class="h2">SOME QUESTIONS ABOUT ROBERT SCHUMANN.</p>
+
+<p>When you can answer them, try to write the
+Story of Schumann, to be copied on pages 14, 15, 16.</p>
+
+<p>1. In what country was Schumann born?</p>
+
+<p>2. Can you name some pieces for the piano composed
+by Schumann?</p>
+
+<p>3. What did he write when he was a little boy?</p>
+
+<p>4. What great pianist did Robert hear when a
+boy?</p>
+
+<p>5. Name some famous Americans who were
+boys when Robert was going to school.</p>
+
+<p>6. Who wrote Hiawatha? Tanglewood Tales?</p>
+
+<p>7. With whom did Robert Schumann study the
+piano?</p>
+
+<p>8. Whom did Robert Schumann marry?</p>
+
+<p>9. Tell what you know about her.</p>
+
+<p>10. Where did Schumann teach?</p>
+
+<p>11. Mention some of his friends.</p>
+
+<p>12. What does the composer picture for us in the
+"Happy Farmer?"</p>
+
+<p>13. Whose name is spelled by these notes?</p>
+
+<div class="figcenter">
+<img src="images/i018.png" alt="" title="" /><br />
+<span class="caption"><a href="music/schumann2.mid">Listen</a></span>
+</div>
+
+<p>14. In what year was Schumann born?</p>
+
+<p>15. Through what was Schumann best known?</p>
+
+<p>16. How did he help people find new composers?</p>
+
+<p>17. What misfortune came to Schumann late in
+life?</p>
+
+<hr class="hr2"/>
+
+<p><span class="pagenum">[Pg&nbsp;14]</span></p>
+
+<p class="h2">THE STORY OF ROBERT SCHUMANN.</p>
+
+<p>Written by . . . . . . . . . . . . . . . . . . . . . . . .</p>
+
+<p>On (date)  . . . . . . . . . . . . . . . . . . . . . . . .</p>
+
+<div class="figcenter">
+<img src="images/illus16.png" alt="No. 16" title="No. 16" />
+</div>
+
+<hr class="hr2"/>
+
+<div class="tnote">
+
+<p class="h2a">Transcriber's Notes:</p>
+
+<hr />
+
+<p>This book has inconsistencies in the names, sometimes anglicizing names
+and sometimes not.</p>
+
+<p>On page 12, "as was Mozart" was replaced with "as were Mozart".</p>
+</div>
+
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Schumann, by Thomas Tapper
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SCHUMANN ***
+
+***** This file should be named 35596-h.htm or 35596-h.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/3/5/5/9/35596/
+
+Produced by Juliet Sutherland and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+
+</body>
+</html>
diff --git a/35596-h/images/002.png b/35596-h/images/002.png
new file mode 100644
index 0000000..b6afa33
--- /dev/null
+++ b/35596-h/images/002.png
diff --git a/35596-h/images/cover.jpg b/35596-h/images/cover.jpg
new file mode 100644
index 0000000..39f9289
--- /dev/null
+++ b/35596-h/images/cover.jpg
diff --git a/35596-h/images/i018.png b/35596-h/images/i018.png
new file mode 100644
index 0000000..bf1fcf2
--- /dev/null
+++ b/35596-h/images/i018.png
diff --git a/35596-h/images/illus01.png b/35596-h/images/illus01.png
new file mode 100644
index 0000000..2e90659
--- /dev/null
+++ b/35596-h/images/illus01.png
diff --git a/35596-h/images/illus02.png b/35596-h/images/illus02.png
new file mode 100644
index 0000000..5c9081c
--- /dev/null
+++ b/35596-h/images/illus02.png
diff --git a/35596-h/images/illus03.png b/35596-h/images/illus03.png
new file mode 100644
index 0000000..22c7cdb
--- /dev/null
+++ b/35596-h/images/illus03.png
diff --git a/35596-h/images/illus04.png b/35596-h/images/illus04.png
new file mode 100644
index 0000000..e0e7704
--- /dev/null
+++ b/35596-h/images/illus04.png
diff --git a/35596-h/images/illus05.png b/35596-h/images/illus05.png
new file mode 100644
index 0000000..f321608
--- /dev/null
+++ b/35596-h/images/illus05.png
diff --git a/35596-h/images/illus06.png b/35596-h/images/illus06.png
new file mode 100644
index 0000000..ac777ec
--- /dev/null
+++ b/35596-h/images/illus06.png
diff --git a/35596-h/images/illus07.png b/35596-h/images/illus07.png
new file mode 100644
index 0000000..49394cd
--- /dev/null
+++ b/35596-h/images/illus07.png
diff --git a/35596-h/images/illus08.png b/35596-h/images/illus08.png
new file mode 100644
index 0000000..8eeb175
--- /dev/null
+++ b/35596-h/images/illus08.png
diff --git a/35596-h/images/illus09.png b/35596-h/images/illus09.png
new file mode 100644
index 0000000..7a6cf9e
--- /dev/null
+++ b/35596-h/images/illus09.png
diff --git a/35596-h/images/illus10.png b/35596-h/images/illus10.png
new file mode 100644
index 0000000..f284f9d
--- /dev/null
+++ b/35596-h/images/illus10.png
diff --git a/35596-h/images/illus11.png b/35596-h/images/illus11.png
new file mode 100644
index 0000000..dfc9e9b
--- /dev/null
+++ b/35596-h/images/illus11.png
diff --git a/35596-h/images/illus12.png b/35596-h/images/illus12.png
new file mode 100644
index 0000000..4071ea5
--- /dev/null
+++ b/35596-h/images/illus12.png
diff --git a/35596-h/images/illus13.png b/35596-h/images/illus13.png
new file mode 100644
index 0000000..caa72d0
--- /dev/null
+++ b/35596-h/images/illus13.png
diff --git a/35596-h/images/illus14.png b/35596-h/images/illus14.png
new file mode 100644
index 0000000..9c838af
--- /dev/null
+++ b/35596-h/images/illus14.png
diff --git a/35596-h/images/illus15.png b/35596-h/images/illus15.png
new file mode 100644
index 0000000..70da05a
--- /dev/null
+++ b/35596-h/images/illus15.png
diff --git a/35596-h/images/illus16.png b/35596-h/images/illus16.png
new file mode 100644
index 0000000..5747ef0
--- /dev/null
+++ b/35596-h/images/illus16.png
diff --git a/35596-h/images/page1.png b/35596-h/images/page1.png
new file mode 100644
index 0000000..8a4d0cf
--- /dev/null
+++ b/35596-h/images/page1.png
diff --git a/35596-h/images/page2.png b/35596-h/images/page2.png
new file mode 100644
index 0000000..917d5b9
--- /dev/null
+++ b/35596-h/images/page2.png
diff --git a/35596-h/music/schumann1.mid b/35596-h/music/schumann1.mid
new file mode 100644
index 0000000..826d7c9
--- /dev/null
+++ b/35596-h/music/schumann1.mid
diff --git a/35596-h/music/schumann2.mid b/35596-h/music/schumann2.mid
new file mode 100644
index 0000000..cae0d8d
--- /dev/null
+++ b/35596-h/music/schumann2.mid
diff --git a/35596-pdf.pdf b/35596-pdf.pdf
new file mode 100644
index 0000000..32aa16e
--- /dev/null
+++ b/35596-pdf.pdf
diff --git a/35596-pdf.zip b/35596-pdf.zip
new file mode 100644
index 0000000..f211a68
--- /dev/null
+++ b/35596-pdf.zip
diff --git a/35596.txt b/35596.txt
new file mode 100644
index 0000000..41247ff
--- /dev/null
+++ b/35596.txt
@@ -0,0 +1,816 @@
+The Project Gutenberg EBook of Schumann, by Thomas Tapper
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Schumann
+       The Story of the Boy Who Made Pictures in Music
+
+Author: Thomas Tapper
+
+Release Date: March 17, 2011 [EBook #35596]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK SCHUMANN ***
+
+
+
+
+Produced by Juliet Sutherland and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+
+
+
+
+
+
+
+                            CHILD'S OWN BOOK
+                          _of Great Musicians_
+                                SCHUMANN
+
+
+                             [Illustration]
+
+
+                                  _By_
+                             THOMAS TAPPER
+
+
+                          THEODORE PRESSER CO.
+                          1712 CHESTNUT STREET
+                              PHILADELPHIA
+
+
+
+
+                             [Illustration]
+
+                         Directions for Binding
+
+
+Enclosed in this envelope is the cord and the needle with which to bind
+this book. Start in from the outside as shown on the diagram here. Pass
+the needle and thread through the center of the book, leaving an end
+extend outside, then through to the outside, about 2 inches from the
+center; then from the outside to inside 2 inches from the center at the
+other end of the book, bringing the thread finally again through the
+center, and tie the two ends in a knot, one each side of the cord on the
+outside.
+
+                =THEO. PRESSER CO., Pub's., Phila., Pa.=
+
+
+
+
+                          HOW TO USE THIS BOOK
+
+                   *       *       *       *       *
+
+This book is one of a series known as the CHILD'S OWN BOOK OF GREAT
+MUSICIANS, written by Thomas Tapper, author of "Pictures from the Lives
+of the Great Composers for Children," "Music Talks with Children,"
+"First Studies in Music Biography," and others.
+
+The sheet of illustrations included herewith is to be cut apart by the
+child, and each illustration is to be inserted in its proper place
+throughout the book, pasted in the space containing the same number as
+will be found under each picture on the sheet. It is not necessary to
+cover the entire back of a picture with paste. Put it only on the
+corners and place neatly within the lines you will find printed around
+each space. Use photographic paste, if possible.
+
+After this play-work is completed there will be found at the back of the
+book blank pages upon which the child is to write his own story of the
+great musician, based upon the facts and questions found on the previous
+pages.
+
+The book is then to be sewed by the child through the center with the
+cord found in the enclosed envelope. The book thus becomes the child's
+own book.
+
+This series will be found not only to furnish a pleasing and interesting
+task for the children, but will teach them the main facts with regard to
+the life of each of the great musicians--an educational feature worth
+while.
+
+                   *       *       *       *       *
+
+This series of the Child's Own Book of Great Musicians includes at
+present a book on each of the following:
+
+        Bach                  Grieg                 Mozart
+        Beethoven             Handel                Nevin
+        Brahms                Haydn                 Schubert
+        Chopin                Liszt                 Schumann
+        Dvorak                MacDowell             Tschaikowsky
+        Foster                Mendelssohn           Verdi
+                                                    Wagner
+
+
+
+
+                   [Illustration: Transcriber's note:
+       First page of illustrations: 1, 14, 15, 12, 11, 10, 13, 6]
+
+
+
+
+                   [Illustration: Transcriber's note:
+         Second page of illustrations: 7, 8, 16, 9, 5, 3, 4, 2]
+
+
+
+
+                             Robt. Schumann
+
+
+                        The Story of the Boy Who
+                         Made Pictures in Music
+
+
+                   *       *       *       *       *
+
+
+                         Made up into a Book by
+
+
+        ........................................................
+
+
+                   *       *       *       *       *
+
+
+                              Philadelphia
+                          Theodore Presser Co.
+                           1712 Chestnut Str.
+
+
+                 Copyright. 1916, by THEO. PRESSER CO.
+                         Printed in the U.S.A.
+
+
+
+
+                      [Illustration: No. 1
+
+                      Cut the picture of Schumann
+                        from the sheet of pictures.
+                      Paste in here.
+                      Write the composer's name
+                        below and the dates also.]
+
+
+        ........................................................
+                                  BORN
+
+
+        ........................................................
+                                  DIED
+
+
+        ........................................................
+
+
+
+
+                     The Story of the Boy Who Made
+                           Pictures in Music.
+
+
+When Robert Schumann was a boy he used to amuse his friends by playing
+their pictures on the piano. He could make the music imitate the person.
+
+One day he said to them: This is the way the farmer walks when he comes
+home singing from his work.
+
+                          [Illustration: No. 2
+                           THE HAPPY FARMER.]
+
+Some day you will be able to play a lot of pieces by Schumann that
+picture the pleasantest things so clearly that you can see them very
+plainly indeed. In one of his books there is a music picture of a boy
+riding a rocking horse.
+
+Another of a little girl falling asleep.
+
+_A March for Little Soldiers._ (That is, make-believes.)
+
+And then there are _Sitting by the Fireside_, _What they Sing in
+Church_, and a piece the first four notes of which spell the name of a
+composer who was a good friend of Schumann's.
+
+This composer came from Denmark.
+
+                          [Illustration: No. 3
+                              NIELS GADE.]
+
+This is a picture of the house in Zwickau, Germany, where Robert
+Schumann was born.
+
+                          [Illustration: No. 4
+                        SCHUMANN'S BIRTHPLACE.]
+
+Schumann was a strong healthy youth who had many friends and loved life.
+
+                          [Illustration: No. 5
+                          SCHUMANN AS A YOUTH.]
+
+What do you think the Father and Mother of Robert Schumann wanted him to
+be when he was grown up?
+
+A lawyer!
+
+Robert was the youngest of five children, full of fun and up to all
+kinds of games. He went to school and became especially fond of reading
+plays.
+
+He also loved to write little plays and to act them out on the stage
+that his Father had built for him in his room. So he and his companions
+could give their plays in their own theatre.
+
+All the while Robert was taking piano lessons.
+
+Just before he entered the High School he heard a pianist who played so
+beautifully that he made up his mind that he would become a musician.
+
+The pianist whose playing gave him this thought is one whose name you
+will know better and better as you get older.
+
+                          [Illustration: No. 6
+                           IGNACE MOSCHELES.]
+
+There was lots of music making in the Schumann home, for Robert and all
+his companions played and sang. And besides that, he composed music for
+them.
+
+It must have been a pleasant picture to see all these German boys coming
+together to make music. If we could gather together some American boys
+who were alive at that same time, here are some we could have found:
+
+Nathaniel Hawthorne, who wrote for children, _Tanglewood Tales_ and the
+_Wonder Book_.
+
+                          [Illustration: No. 7
+                              HAWTHORNE.]
+
+Then there was Longfellow, who was born in Portland, Maine. How many of
+his poems do you know besides _Hiawatha_?
+
+                          [Illustration: No. 8
+                              LONGFELLOW.]
+
+And then we must not forget Whittier, who wrote many lovely poems. One
+was about a little girl who spelled the word that her companion missed
+in school and so she went above him in the class.
+
+                          [Illustration: No. 9
+                               WHITTIER.]
+
+And still there was another little boy only a year older than Robert
+Schumann. He was born in a cabin.
+
+                         [Illustration: No. 10
+                         LINCOLN'S BIRTHPLACE.]
+
+This boy's name, as you can guess, was Abraham Lincoln.
+
+                         [Illustration: No. 11
+                           ABRAHAM LINCOLN.]
+
+So when you think of Robert Schumann, let us also think of Hawthorne,
+Longfellow, Whittier, and Lincoln.
+
+They were all doing their best, even as boys, to be useful.
+
+Well, after all, Robert Schumann did not become a lawyer. He studied
+music very hard. His teacher was Frederick Wieck. His teacher's
+daughter, Clara Wieck, played the piano very beautifully.
+
+                         [Illustration: No. 12
+                             CLARA WIECK.]
+
+Papa Wieck, as he was called, was not very kind to Robert Schumann when
+the young man confessed that he and Clara loved one another and wished
+to marry.
+
+                         [Illustration: No. 13
+                           FRIEDRICH WIECK.]
+
+But after a while it all turned out happily and they were married. So
+Clara Wieck became Clara Schumann.
+
+Here is a picture of them seated together.
+
+                         [Illustration: No. 14
+                      ROBERT AND CLARA SCHUMANN.]
+
+In the sixteen years that Robert Schumann lived after he and Clara Wieck
+were married he composed lots of music for the piano, besides songs,
+symphonies, and other kinds of compositions.
+
+He was a teacher in the Leipzig Conservatory. Among his friends were
+Mendelssohn, Chopin, Brahms, and many others.
+
+Schumann is best known as a composer of music, although he was also a
+teacher, a conductor, and a writer upon musical subjects. For many years
+he was the head of a musical newspaper, which is remembered to this day
+because of the great work he did in helping people to understand new
+music and find out new composers. When he was a very young man Schumann
+wanted to become a pianist, but he unfortunately used a machine that he
+thought was going to help him play better. It hurt his hand so that he
+was never able to play well again. Poor Schumann went out of his mind in
+his last years, and died insane, July 29, 1856.
+
+                         [Illustration: No. 15
+                            CLARA SCHUMANN.]
+
+Clara Schumann lived forty years after Robert Schumann died. She was the
+teacher of many students, some of whom traveled from America to study
+with her. She, too, was a composer and a concert pianist who played in
+public from the time she was ten years of age.
+
+
+
+
+                      FACTS ABOUT ROBERT SCHUMANN.
+
+
+1. Robert Schumann was born at Zwickau, in Saxony, Germany, on June 8,
+1810.
+
+2. When Schumann was nine years old he heard the great pianist Ignaz
+Moscheles play and resolved to become a great pianist.
+
+3. When Schumann was a youth he showed a gift for writing poetry.
+
+4. Schumann's father was a successful book-seller.
+
+5. All through his life Schumann was a great lover of the writings of
+the German author, Jean Paul (whose full name was Jean Paul Richter).
+Much of his music shows his high regard for that writer of fairy
+stories.
+
+6. Schumann was twenty-one years old when he injured his hand and
+learned that therefore he could not hope to be a pianist. It was then
+that he made up his mind to be a composer.
+
+7. Schumann had enough means to live in comfort. He was not poor, as
+were Mozart, Schubert, and some others.
+
+8. Robert and Clara Schumann had eight children, and some of Schumann's
+best music was written to interest his children.
+
+9. Schumann died July 29, 1856.
+
+
+
+
+                 SOME QUESTIONS ABOUT ROBERT SCHUMANN.
+
+
+When you can answer them, try to write the Story of Schumann, to be
+copied on pages 14, 15, 16.
+
+1. In what country was Schumann born?
+
+2. Can you name some pieces for the piano composed by Schumann?
+
+3. What did he write when he was a little boy?
+
+4. What great pianist did Robert hear when a boy?
+
+5. Name some famous Americans who were boys when Robert was going to
+school.
+
+6. Who wrote Hiawatha? Tanglewood Tales?
+
+7. With whom did Robert Schumann study the piano?
+
+8. Whom did Robert Schumann marry?
+
+9. Tell what you know about her.
+
+10. Where did Schumann teach?
+
+11. Mention some of his friends.
+
+12. What does the composer picture for us in the "Happy Farmer?"
+
+13. Whose name is spelled by these notes?
+
+                             [Illustration]
+
+14. In what year was Schumann born?
+
+15. Through what was Schumann best known?
+
+16. How did he help people find new composers?
+
+17. What misfortune came to Schumann late in life?
+
+
+
+
+                     THE STORY OF ROBERT SCHUMANN.
+
+                     Written by...................
+
+                     On (date)....................
+
+                         [Illustration: No. 16]
+
+
+
+
+                          Transcriber's Notes:
+
+This book has inconsistencies in the names, sometimes anglicizing names
+and sometimes not.
+
+Passages in italics were indicated by _underscores_.
+
+Passages in bold were indicated by =equal signs=.
+
+Passages in small caps were replaced with ALL CAPS.
+
+In the list of composers in the instructions on how to use the book, the
+"r with a hacek" in the name Dvorak was replaced with a regular "r".
+
+On page 12, "as was Mozart" was replaced with "as were Mozart".
+
+
+
+
+
+End of the Project Gutenberg EBook of Schumann, by Thomas Tapper
+
+*** END OF THIS PROJECT GUTENBERG EBOOK SCHUMANN ***
+
+***** This file should be named 35596.txt or 35596.zip *****
+This and all associated files of various formats will be found in:
+        http://www.gutenberg.org/3/5/5/9/35596/
+
+Produced by Juliet Sutherland and the Online Distributed
+Proofreading Team at http://www.pgdp.net
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties.  Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark.  Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission.  If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy.  You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research.  They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks.  Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+http://gutenberg.org/license).
+
+
+Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A.  By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement.  If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B.  "Project Gutenberg" is a registered trademark.  It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement.  There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement.  See
+paragraph 1.C below.  There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works.  See paragraph 1.E below.
+
+1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works.  Nearly all the individual works in the
+collection are in the public domain in the United States.  If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed.  Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work.  You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D.  The copyright laws of the place where you are located also govern
+what you can do with this work.  Copyright laws in most countries are in
+a constant state of change.  If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work.  The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E.  Unless you have removed all references to Project Gutenberg:
+
+1.E.1.  The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever.  You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges.  If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder.  Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5.  Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6.  You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form.  However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form.  Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7.  Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8.  You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+     the use of Project Gutenberg-tm works calculated using the method
+     you already use to calculate your applicable taxes.  The fee is
+     owed to the owner of the Project Gutenberg-tm trademark, but he
+     has agreed to donate royalties under this paragraph to the
+     Project Gutenberg Literary Archive Foundation.  Royalty payments
+     must be paid within 60 days following each date on which you
+     prepare (or are legally required to prepare) your periodic tax
+     returns.  Royalty payments should be clearly marked as such and
+     sent to the Project Gutenberg Literary Archive Foundation at the
+     address specified in Section 4, "Information about donations to
+     the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+     you in writing (or by e-mail) within 30 days of receipt that s/he
+     does not agree to the terms of the full Project Gutenberg-tm
+     License.  You must require such a user to return or
+     destroy all copies of the works possessed in a physical medium
+     and discontinue all use of and all access to other copies of
+     Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+     money paid for a work or a replacement copy, if a defect in the
+     electronic work is discovered and reported to you within 90 days
+     of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+     distribution of Project Gutenberg-tm works.
+
+1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1.  Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection.  Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from.  If you
+received the work on a physical medium, you must return the medium with
+your written explanation.  The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund.  If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund.  If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4.  Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5.  Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law.  The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section  2.  Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers.  It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come.  In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at http://www.pglaf.org.
+
+
+Section 3.  Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service.  The Foundation's EIN or federal tax identification
+number is 64-6221541.  Its 501(c)(3) letter is posted at
+http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations.  Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org.  Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at http://pglaf.org
+
+For additional contact information:
+     Dr. Gregory B. Newby
+     Chief Executive and Director
+     gbnewby@pglaf.org
+
+
+Section 4.  Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment.  Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States.  Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements.  We do not solicit donations in locations
+where we have not received written confirmation of compliance.  To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit http://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States.  U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses.  Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: http://pglaf.org/donate
+
+
+Section 5.  General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart is the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone.  For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included.  Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+     http://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/35596.zip b/35596.zip
new file mode 100644
index 0000000..1d0d19e
--- /dev/null
+++ b/35596.zip
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..cb53d92
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #35596 (https://www.gutenberg.org/ebooks/35596)