summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-03 05:03:19 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-03 05:03:19 -0800
commit23118a7767b1726dce4a417574cb2ee50287c3fb (patch)
treebcf359a03ae957d187f768ce4cae1deb4e9a63bb
parent773dfbfd4633abf482835c656bfabb89b5d8cb4e (diff)
Add files from ibiblio as of 2025-03-03 05:03:19HEADmain
-rw-r--r--35879-0.txt398
-rw-r--r--35879-0.zipbin19972 -> 0 bytes
-rw-r--r--35879-8.txt1056
-rw-r--r--35879-8.zipbin19904 -> 0 bytes
-rw-r--r--35879-h.zipbin252093 -> 0 bytes
-rw-r--r--35879-h/35879-h.htm (renamed from 35879-h/35879-h.html)355
-rw-r--r--35879-rst.zipbin247445 -> 0 bytes
-rw-r--r--35879-rst/35879-rst.rst1596
-rw-r--r--35879-rst/images/cover.jpgbin115222 -> 0 bytes
-rw-r--r--35879-rst/images/im1.jpgbin111254 -> 0 bytes
-rw-r--r--35879.txt1056
-rw-r--r--35879.zipbin19898 -> 0 bytes
12 files changed, 4 insertions, 4457 deletions
diff --git a/35879-0.txt b/35879-0.txt
index 3602a25..a2b3315 100644
--- a/35879-0.txt
+++ b/35879-0.txt
@@ -1,25 +1,4 @@
- THE ROTIFERS
-
-
-This eBook is for the use of anyone anywhere at no cost and with almost
-no restrictions whatsoever. You may copy it, give it away or re-use it
-under the terms of the Project Gutenberg License included with this
-eBook or online at http://www.gutenberg.org/license.
-
-Title: The Rotifers
-
-Author: Robert Abernathy
-
-Release Date: April 16, 2011 [EBook #35879]
-
-Language: English
-
-Character set encoding: UTF-8
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS ***
-
-
-
+*** START OF THE PROJECT GUTENBERG EBOOK 35879 ***
Produced by Frank van Drogen, Greg Weeks, and the Online Distributed
Proofreading Team at http://www.pgdp.net.
@@ -671,377 +650,4 @@ slowly, wearily, up the path toward the house.
Fiction March 1953. Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.
-
-
-
-
-
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS ***
-
-
-
-
-A Word from Project Gutenberg
-
-
-We will update this book if we find any errors.
-
-This book can be found under: http://www.gutenberg.org/ebooks/35879
-
-Creating the works from public domain print editions means that no one
-owns a United States copyright in these works, so the Foundation (and
-you!) can copy and distribute it in the United States without permission
-and without paying copyright royalties. Special rules, set forth in the
-General Terms of Use part of this license, apply to copying and
-distributing Project Gutenberg™ electronic works to protect the Project
-Gutenberg™ concept and trademark. Project Gutenberg is a registered
-trademark, and may not be used if you charge for the eBooks, unless you
-receive specific permission. If you do not charge anything for copies of
-this eBook, complying with the rules is very easy. You may use this
-eBook for nearly any purpose such as creation of derivative works,
-reports, performances and research. They may be modified and printed and
-given away – you may do practically _anything_ with public domain
-eBooks. Redistribution is subject to the trademark license, especially
-commercial redistribution.
-
-
-
-The Full Project Gutenberg License
-
-
-_Please read this before you distribute or use this work._
-
-To protect the Project Gutenberg™ mission of promoting the free
-distribution of electronic works, by using or distributing this work (or
-any other work associated in any way with the phrase “Project
-Gutenberg”), you agree to comply with all the terms of the Full Project
-Gutenberg™ License available with this file or online at
-http://www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use & Redistributing Project Gutenberg™
-electronic works
-
-
-*1.A.* By reading or using any part of this Project Gutenberg™
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all the
-terms of this agreement, you must cease using and return or destroy all
-copies of Project Gutenberg™ electronic works in your possession. If you
-paid a fee for obtaining a copy of or access to a Project Gutenberg™
-electronic work and you do not agree to be bound by the terms of this
-agreement, you may obtain a refund from the person or entity to whom you
-paid the fee as set forth in paragraph 1.E.8.
-
-*1.B.* “Project Gutenberg” is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few things
-that you can do with most Project Gutenberg™ electronic works even
-without complying with the full terms of this agreement. See paragraph
-1.C below. There are a lot of things you can do with Project Gutenberg™
-electronic works if you follow the terms of this agreement and help
-preserve free future access to Project Gutenberg™ electronic works. See
-paragraph 1.E below.
-
-*1.C.* The Project Gutenberg Literary Archive Foundation (“the
-Foundation” or PGLAF), owns a compilation copyright in the collection of
-Project Gutenberg™ electronic works. Nearly all the individual works in
-the collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you
-from copying, distributing, performing, displaying or creating
-derivative works based on the work as long as all references to Project
-Gutenberg are removed. Of course, we hope that you will support the
-Project Gutenberg™ mission of promoting free access to electronic works
-by freely sharing Project Gutenberg™ works in compliance with the terms
-of this agreement for keeping the Project Gutenberg™ name associated
-with the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg™ License when you share it without charge with others.
-
-*1.D.* The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg™ work. The Foundation makes no representations concerning the
-copyright status of any work in any country outside the United States.
-
-*1.E.* Unless you have removed all references to Project Gutenberg:
-
-*1.E.1.* The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg™ License must appear
-prominently whenever any copy of a Project Gutenberg™ work (any work on
-which the phrase “Project Gutenberg” appears, or with which the phrase
-“Project Gutenberg” is associated) is accessed, displayed, performed,
-viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away
- or re-use it under the terms of the Project Gutenberg License
- included with this eBook or online at http://www.gutenberg.org
-
-*1.E.2.* If an individual Project Gutenberg™ electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work with
-the phrase “Project Gutenberg” associated with or appearing on the work,
-you must comply either with the requirements of paragraphs 1.E.1 through
-1.E.7 or obtain permission for the use of the work and the Project
-Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-*1.E.3.* If an individual Project Gutenberg™ electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg™ License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-*1.E.4.* Do not unlink or detach or remove the full Project Gutenberg™
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg™.
-
-*1.E.5.* Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg™ License.
-
-*1.E.6.* You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg™ work in a format other than
-“Plain Vanilla ASCII” or other format used in the official version
-posted on the official Project Gutenberg™ web site
-(http://www.gutenberg.org), you must, at no additional cost, fee or
-expense to the user, provide a copy, a means of exporting a copy, or a
-means of obtaining a copy upon request, of the work in its original
-“Plain Vanilla ASCII” or other form. Any alternate format must include
-the full Project Gutenberg™ License as specified in paragraph 1.E.1.
-
-*1.E.7.* Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg™ works unless
-you comply with paragraph 1.E.8 or 1.E.9.
-
-*1.E.8.* You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg™ electronic works provided
-that
-
- - You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg™ works calculated using the method you
- already use to calculate your applicable taxes. The fee is owed to
- the owner of the Project Gutenberg™ trademark, but he has agreed to
- donate royalties under this paragraph to the Project Gutenberg
- Literary Archive Foundation. Royalty payments must be paid within 60
- days following each date on which you prepare (or are legally
- required to prepare) your periodic tax returns. Royalty payments
- should be clearly marked as such and sent to the Project Gutenberg
- Literary Archive Foundation at the address specified in Section 4,
- “Information about donations to the Project Gutenberg Literary
- Archive Foundation.”
-
- - You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg™ License.
- You must require such a user to return or destroy all copies of the
- works possessed in a physical medium and discontinue all use of and
- all access to other copies of Project Gutenberg™ works.
-
- - You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
- - You comply with all other terms of this agreement for free
- distribution of Project Gutenberg™ works.
-
-
-*1.E.9.* If you wish to charge a fee or distribute a Project Gutenberg™
-electronic work or group of works on different terms than are set forth
-in this agreement, you must obtain permission in writing from both the
-Project Gutenberg Literary Archive Foundation and Michael Hart, the
-owner of the Project Gutenberg™ trademark. Contact the Foundation as set
-forth in Section 3. below.
-
-*1.F.*
-
-*1.F.1.* Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg™ collection.
-Despite these efforts, Project Gutenberg™ electronic works, and the
-medium on which they may be stored, may contain “Defects,” such as, but
-not limited to, incomplete, inaccurate or corrupt data, transcription
-errors, a copyright or other intellectual property infringement, a
-defective or damaged disk or other medium, a computer virus, or computer
-codes that damage or cannot be read by your equipment.
-
-*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES – Except for the “Right
-of Replacement or Refund” described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg™ trademark, and any other party distributing a Project
-Gutenberg™ electronic work under this agreement, disclaim all liability
-to you for damages, costs and expenses, including legal fees. YOU AGREE
-THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF
-WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3.
-YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR
-UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT,
-INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE
-NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
-
-*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND – If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-*1.F.4.* Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you ‘AS-IS,’ WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-*1.F.5.* Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-*1.F.6.* INDEMNITY – You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg™ electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg™ electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg™
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg™ work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg™
-
-
-Project Gutenberg™ is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg™’s goals
-and ensuring that the Project Gutenberg™ collection will remain freely
-available for generations to come. In 2001, the Project Gutenberg
-Literary Archive Foundation was created to provide a secure and
-permanent future for Project Gutenberg™ and future generations. To learn
-more about the Project Gutenberg Literary Archive Foundation and how
-your efforts and donations can help, see Sections 3 and 4 and the
-Foundation web page at http://www.pglaf.org .
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the state
-of Mississippi and granted tax exempt status by the Internal Revenue
-Service. The Foundation’s EIN or federal tax identification number is
-64-6221541. Its 501(c)(3) letter is posted at
-http://www.gutenberg.org/fundraising/pglaf . Contributions to the
-Project Gutenberg Literary Archive Foundation are tax deductible to the
-full extent permitted by U.S. federal laws and your state’s laws.
-
-The Foundation’s principal office is located at 4557 Melan Dr.
-S. Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation’s web site and official page
-at http://www.pglaf.org
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg Literary
-Archive Foundation
-
-
-Project Gutenberg™ depends upon and cannot survive without wide spread
-public support and donations to carry out its mission of increasing the
-number of public domain and licensed works that can be freely
-distributed in machine readable form accessible by the widest array of
-equipment including outdated equipment. Many small donations ($1 to
-$5,000) are particularly important to maintaining tax exempt status with
-the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations where
-we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit http://www.gutenberg.org/fundraising/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make any
-statements concerning tax treatment of donations received from outside
-the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other ways
-including checks, online payments and credit card donations. To donate,
-please visit: http://www.gutenberg.org/fundraising/donate
-
-
-Section 5. General Information About Project Gutenberg™ electronic
-works.
-
-
-Professor Michael S. Hart is the originator of the Project Gutenberg™
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg™ eBooks with only a loose network of volunteer support.
-
-Project Gutenberg™ eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S. unless
-a copyright notice is included. Thus, we do not necessarily keep eBooks
-in compliance with any particular paper edition.
-
-Each eBook is in a subdirectory of the same number as the eBook’s eBook
-number, often in several formats including plain vanilla ASCII,
-compressed (zipped), HTML and others.
-
-Corrected _editions_ of our eBooks replace the old file and take over
-the old filename and etext number. The replaced older file is renamed.
-_Versions_ based on separate sources are treated as new eBooks receiving
-new filenames and etext numbers.
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg™, including
-how to make donations to the Project Gutenberg Literary Archive
-Foundation, how to help produce our new eBooks, and how to subscribe to
-our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 35879 ***
diff --git a/35879-0.zip b/35879-0.zip
deleted file mode 100644
index 1efdf1b..0000000
--- a/35879-0.zip
+++ /dev/null
Binary files differ
diff --git a/35879-8.txt b/35879-8.txt
deleted file mode 100644
index a587082..0000000
--- a/35879-8.txt
+++ /dev/null
@@ -1,1056 +0,0 @@
- THE ROTIFERS
-
-
-This eBook is for the use of anyone anywhere at no cost and with almost
-no restrictions whatsoever. You may copy it, give it away or re-use it
-under the terms of the Project Gutenberg License included with this
-eBook or online at http://www.gutenberg.org/license.
-
-Title: The Rotifers
-
-Author: Robert Abernathy
-
-Release Date: April 16, 2011 [EBook #35879]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS ***
-
-
-
-
-Produced by Frank van Drogen, Greg Weeks, and the Online Distributed
-Proofreading Team at http://www.pgdp.net.
-
-
-
-
-
- THE ROTIFERS
-
- BY Robert Abernathy
-
- _Beneath the stagnant water shadowed by water lilies Harry found
- the fascinating world of the rotifers--but it was their world,
- and they resented intrusion._
-
- _Illustrated by Virgil Finlay_
-
-Henry Chatham knelt by the brink of his garden pond, a glass fish bowl
-cupped in his thin, nervous hands. Carefully he dipped the bowl into the
-green-scummed water and, moving it gently, let trailing streamers of
-submerged water weeds drift into it. Then he picked up the old scissors
-he had laid on the bank, and clipped the stems of the floating plants,
-getting as much of them as he could in the container.
-
-When he righted the bowl and got stiffly to his feet, it contained, he
-thought hopefully, a fair cross-section of fresh-water plankton. He was
-pleased with himself for remembering that term from the book he had
-studied assiduously for the last few nights in order to be able to cope
-with Harry's inevitable questions.
-
-There was even a shiny black water beetle doing insane circles on the
-surface of the water in the fish bowl. At sight of the insect, the eyes
-of the twelve-year-old boy, who had been standing by in silent
-expectation, widened with interest.
-
-"What's that thing, Dad?" he asked excitedly. "What's that crazy bug?"
-
-"I don't know its scientific name, I'm afraid," said Henry Chatham. "But
-when I was a boy we used to call them whirligig beetles."
-
-"He doesn't seem to think he has enough room in the bowl," said Harry
-thoughtfully. "Maybe we better put him back in the pond, Dad."
-
-"I thought you might want to look at him through the microscope," the
-father said in some surprise.
-
-"I think we ought to put him back," insisted Harry. Mr. Chatham held the
-dripping bowl obligingly. Harry's hand, a thin boy's hand with narrow
-sensitive fingers, hovered over the water, and when the beetle paused
-for a moment in its gyrations, made a dive for it.
-
-But the whirligig beetle saw the hand coming, and, quicker than a wink,
-plunged under the water and scooted rapidly to the very bottom of the
-bowl.
-
-Harry's young face was rueful; he wiped his wet hand on his trousers. "I
-guess he wants to stay," he supposed.
-
-The two went up the garden path together and into the house, Mr. Chatham
-bearing the fish bowl before him like a votive offering. Harry's mother
-met them at the door, brandishing an old towel.
-
-"Here," she said firmly, "you wipe that thing off before you bring it in
-the house. And don't drip any of that dirty pond water on my good
-carpet."
-
-"It's not dirty," said Henry Chatham. "It's just full of life, plants
-and animals too small for the eye to see. But Harry's going to see them
-with his microscope." He accepted the towel and wiped the water and
-slime from the outside of the bowl; then, in the living-room, he set it
-beside an open window, where the life-giving summer sun slanted in and
-fell on the green plants.
-
- ----
-
-The brand-new microscope stood nearby, in a good light. It was an
-expensive microscope, no toy for a child, and it magnified four hundred
-diameters. Henry Chatham had bought it because he believed that his only
-son showed a desire to peer into the mysteries of smallness, and so far
-Harry had not disappointed him; he had been ecstatic over the
-instrument. Together they had compared hairs from their two heads, had
-seen the point of a fine sewing needle made to look like the tip of a
-crowbar by the lowest power of the microscope, had made grains of salt
-look like discarded chunks of glass brick, had captured a house-fly and
-marvelled at its clawed hairy feet, its great red faceted eyes, and the
-delicate veining and fringing of its wings.
-
-Harry was staring at the bowl of pond water in a sort of fascination.
-"Are there germs in the water, Dad? Mother says pond water is full of
-germs."
-
-"I suppose so," answered Mr. Chatham, somewhat embarrassed. The book on
-microscopic fresh-water fauna had been explicit about _Paramecium_ and
-_Euglena_, diatomes and rhizopods, but it had failed to mention anything
-so vulgar as germs. But he supposed that which the book called Protozoa,
-the one-celled animalcules, were the same as germs.
-
-He said, "To look at things in water like this, you want to use a
-well-slide. It tells how to fix one in the instruction book."
-
-He let Harry find the glass slide with a cup ground into it, and another
-smooth slip of glass to cover it. Then he half-showed, half-told him how
-to scrape gently along the bottom sides of the drifting leaves, to
-capture the teeming life that dwelt there in the slime. When the boy
-understood, his young hands were quickly more skillful than his
-father's; they filled the well with a few drops of water that was
-promisingly green and murky.
-
-Already Harry knew how to adjust the lighting mirror under the stage of
-the microscope and turn the focusing screws. He did so, bent intently
-over the eyepiece, squinting down the polished barrel in the happy
-expectation of wonders.
-
-Henry Chatham's eyes wandered to the fish bowl, where the whirligig
-beetle had come to the top again and was describing intricate patterns
-among the water plants. He looked back to his son, and saw that Harry
-had ceased to turn the screws and instead was just looking--looking with
-a rapt, delicious fixity. His hands lay loosely clenched on the table
-top, and he hardly seemed to breathe. Only once or twice his lips moved
-as if to shape an exclamation that was snatched away by some new vision.
-
-"Have you got it, Harry?" asked his father after two or three minutes
-during which the boy did not move.
-
-Harry took a last long look, then glanced up, blinking slightly.
-
-"You look, Dad!" he exclaimed warmly. "It's--it's like a garden in the
-water, full of funny little people!"
-
-Mr. Chatham, not reluctantly, bent to gaze into the eyepiece. This was
-new to him too, and instantly he saw the aptness of Harry's simile.
-There was a garden there, of weird, green, transparent stalks composed
-of plainly visible cells fastened end to end, with globules and bladders
-like fruits or seed-pods attached to them, floating among them; and in
-the garden the strange little people swam to and fro, or clung with odd
-appendages to the stalks and branches. Their bodies were transparent
-like the plants, and in them were pulsing hearts and other organs
-plainly visible. They looked a little like sea horses with pointed
-tails, but their heads were different, small and rounded, with big,
-dark, glistening eyes.
-
-All at once Mr. Chatham realized that Harry was speaking to him, still
-in high excitement.
-
-"What are they, Dad?" he begged to know.
-
-His father straightened up and shook his head puzzledly. "I don't know,
-Harry," he answered slowly, casting about in his memory. He seemed to
-remember a microphotograph of a creature like those in the book he had
-studied, but the name that had gone with it eluded him. He had worked as
-an accountant for so many years that his memory was all for figures now.
-
-He bent over once more to immerse his eyes and mind in the green
-water-garden on the slide. The little creatures swam to and fro as
-before, growing hazy and dwindling or swelling as they swam out of the
-narrow focus of the lens; he gazed at those who paused in sharp
-definition, and saw that, although he had at first seen no visible means
-of propulsion, each creature bore about its head a halo of thread-like,
-flickering cilia that lashed the water and drew it forward, for all the
-world like an airplane propeller or a rapidly turning wheel.
-
-"I know what they are!" exclaimed Henry Chatham, turning to his son with
-an almost boyish excitement. "They're rotifers! That means
-'wheel-bearers', and they were called that because to the first
-scientists who saw them it looked like they swam with wheels."
-
-Harry had got down the book and was leafing through the pages. He looked
-up seriously. "Here they are," he said. "Here's a picture that looks
-almost like the ones in our pond water."
-
-"Let's see," said his father. They looked at the pictures and
-descriptions of the Rotifera; there was a good deal of concrete
-information on the habits and physiology of these odd and complex little
-animals who live their swarming lives in the shallow, stagnant waters of
-the Earth. It said that they were much more highly organized than
-Protozoa, having a discernible heart, brain, digestive system, and
-nervous system, and that their reproduction was by means of two sexes
-like that of the higher orders. Beyond that, they were a mystery; their
-relationship to other life-forms remained shrouded in doubt.
-
-"You've got something interesting there," said Henry Chatham with
-satisfaction. "Maybe you'll find out something about them that nobody
-knows yet."
-
-He was pleased when Harry spent all the rest of that Sunday afternoon
-peering into the microscope, watching the rotifers, and even more
-pleased when the boy found a pencil and paper and tried, in an
-amateurish way, to draw and describe what he saw in the green
-water-garden.
-
-Beyond a doubt, Henry thought, here was a hobby that had captured Harry
-as nothing else ever had.
-
- ----
-
-Mrs. Chatham was not so pleased. When her husband laid down his evening
-paper and went into the kitchen for a drink of water, she cornered him
-and hissed at him: "I told you you had no business buying Harry a thing
-like that! If he keeps on at this rate, he'll wear his eyes out in no
-time."
-
-Henry Chatham set down his water glass and looked straight at his wife.
-"Sally, Harry's eyes are young and he's using them to learn with. You've
-never been much worried over me, using my eyes up eight hours a day,
-five days a week, over a blind-alley bookkeeping job."
-
-He left her angrily silent and went back to his paper. He would lower
-the paper every now and then to watch Harry, in his corner of the
-living-room, bowed obliviously over the microscope and the secret life
-of the rotifers.
-
-Once the boy glanced up from his periodic drawing and asked, with the
-air of one who proposes a pondered question: "Dad, if you look through a
-microscope the wrong way is it a telescope?"
-
-Mr. Chatham lowered his paper and bit his underlip. "I don't think
-so--no, I don't know. When you look through a microscope, it makes
-things seem closer--one way, that is; if you looked the other way, it
-would probably make them seem farther off. What did you want to know
-for?"
-
-"Oh--nothing," Harry turned back to his work. As if on after-thought, he
-explained, "I was wondering if the rotifers could see me when I'm
-looking at them."
-
-Mr. Chatham laughed, a little nervously, because the strange fancies
-which his son sometimes voiced upset his ordered mind. Remembering the
-dark glistening eyes of the rotifers he had seen, however, he could
-recognize whence this question had stemmed.
-
-At dusk, Harry insisted on setting up the substage lamp which had been
-bought with the microscope, and by whose light he could go on looking
-until his bedtime, when his father helped him arrange a wick to feed the
-little glass-covered well in the slide so it would not dry up before
-morning. It was unwillingly, and only after his mother's strenuous
-complaints, that the boy went to bed at ten o'clock.
-
-In the following days his interest became more and more intense. He
-spent long hours, almost without moving, watching the rotifers. For the
-little animals had become the sole object which he desired to study
-under the microscope, and even his father found it difficult to
-understand such an enthusiasm.
-
-During the long hours at the office to which he commuted, Henry Chatham
-often found the vision of his son, absorbed with the invisible world
-that the microscope had opened to him, coming between him and the
-columns in the ledgers. And sometimes, too, he envisioned the dim green
-water-garden where the little things swam to and fro, and a strangeness
-filled his thoughts.
-
-On Wednesday evening, he glanced at the fish bowl and noticed that the
-water beetle, the whirligig beetle, was missing. Casually, he asked his
-son about it.
-
-"I had to get rid of him," said the boy with a trace of uneasiness in
-his manner. "I took him out and squashed him."
-
-"Why did you have to do that?"
-
-"He was eating the rotifers and their eggs," said Harry, with what
-seemed to be a touch of remembered anger at the beetle. He glanced
-toward his work-table, where three or four well-slides with small green
-pools under their glass covers now rested in addition to the one that
-was under the microscope.
-
-"How did you find out he was eating them?" inquired Mr. Chatham, feeling
-a warmth of pride at the thought that Harry had discovered such a
-scientific fact for himself.
-
-The boy hesitated oddly. "I--I looked it up in the book," he answered.
-
-His father masked his faint disappointment. "That's fine," he said. "I
-guess you find out more about them all the time."
-
-"Uh-huh," admitted Harry, turning back to his table.
-
-There was undoubtedly something a little strange about Harry's manner;
-and now Mr. Chatham realized that it had been two days since Harry had
-asked him to "Quick, take a look!" at the newest wonder he had
-discovered. With this thought teasing at his mind, the father walked
-casually over to the table where his son sat hunched and, looking down
-at the litter of slides and papers--some of which were covered with
-figures and scribblings of which he could make nothing. He said
-diffidently, "How about a look?"
-
-Harry glanced up as if startled. He was silent a moment; then he slid
-reluctantly from his chair and said, "All right."
-
-Mr. Chatham sat down and bent over the microscope. Puzzled and a little
-hurt, he twirled the focusing vernier and peered into the eyepiece,
-looking down once more into the green water world of the rotifers.
-
- ----
-
-There was a swarm of them under the lens, and they swam lazily to and
-fro, their cilia beating like miniature propellers. Their dark eyes
-stared, wet and glistening; they drifted in the motionless water, and
-clung with sucker-like pseudo-feet to the tangled plant stems.
-
-Then, as he almost looked away, one of them detached itself from the
-group and swam upward, toward him, growing larger and blurring as it
-rose out of the focus of the microscope. The last thing that remained
-defined, before it became a shapeless gray blob and vanished, was the
-dark blotches of the great cold eyes, seeming to stare full at
-him--cold, motionless, but alive.
-
-It was a curious experience. Henry Chatham drew suddenly back from the
-eyepiece, with an involuntary shudder that he could not explain to
-himself. He said haltingly, "They look interesting."
-
-"Sure, Dad," said Harry. He moved to occupy the chair again, and his
-dark young head bowed once more over the microscope. His father walked
-back across the room and sank gratefully into his arm-chair--after all,
-it had been a hard day at the office. He watched Harry work the focusing
-screws as if trying to find something, then take his pencil and begin to
-write quickly and impatiently.
-
-It was with a guilty feeling of prying that, after Harry had been sent
-reluctantly to bed, Henry Chatham took a tentative look at those papers
-which lay in apparent disorder on his son's work table. He frowned
-uncomprehendingly at the things that were written there; it was neither
-mathematics nor language, but many of the scribblings were jumbles of
-letters and figures. It looked like code, and he remembered that less
-than a year ago, Harry had been passionately interested in cryptography,
-and had shown what his father, at least, believed to be a considerable
-aptitude for such things.... But what did cryptography have to do with
-microscopy, or codes with--rotifers?
-
-Nowhere did there seem to be a key, but there were occasional words and
-phrases jotted into the margins of some of the sheets. Mr. Chatham read
-these, and learned nothing. "Can't dry up, but they can," said one.
-"Beds of germs," said another. And in the corner of one sheet, "1--Yes.
-2--No." The only thing that looked like a translation was the note:
-"rty34pr is the pond."
-
-Mr. Chatham shook his head bewilderedly, replacing the sheets carefully
-as they had been. Why should Harry want to keep notes on his scientific
-hobby in code? he wondered, rationalizing even as he wondered. He went
-to bed still puzzling, but it did not keep him from sleeping, for he was
-tired.
-
-Then, only the next evening, his wife maneuvered to get him alone with
-her and burst out passionately:
-
-"Henry, I told you that microscope was going to ruin Harry's eyesight! I
-was watching him today when he didn't know I was watching him, and I saw
-him winking and blinking right while he kept on looking into the thing.
-I was minded to stop him then and there, but I want you to assert _your_
-authority with him and tell him he can't go on."
-
-Henry Chatham passed one nervous hand over his own aching eyes. He asked
-mildly, "Are you sure it wasn't just your imagination, Sally? After all,
-a person blinks quite normally, you know."
-
-"It was not my imagination!" snapped Mrs. Chatham. "I know the symptoms
-of eyestrain when I see them, I guess. You'll have to stop Harry using
-that thing so much, or else be prepared to buy him glasses."
-
-"All right, Sally," said Mr. Chatham wearily. "I'll see if I can't
-persuade him to be a little more moderate."
-
-He went slowly into the living-room. At the moment, Harry was not using
-the microscope; instead, he seemed to be studying one of his cryptic
-pages of notes. As his father entered, he looked up sharply and swiftly
-laid the sheet down--face down.
-
-Perhaps it wasn't all Sally's imagination; the boy did look nervous, and
-there was a drawn, white look to his thin young face. His father said
-gently, "Harry, Mother tells me she saw you blinking, as if your eyes
-were tired, when you were looking into the microscope today. You know if
-you look too much, it can be a strain on your sight."
-
-Harry nodded quickly, too quickly, perhaps. "Yes, Dad," he said. "I read
-that in the book. It says there that if you close the eye you're looking
-with for a little while, it rests you and your eyes don't get tired. So
-I was practising that this afternoon. Mother must have been watching me
-then, and got the wrong idea."
-
-"Oh," said Henry Chatham. "Well, it's good that you're trying to be
-careful. But you've got your mother worried, and that's not so good. I
-wish, myself, that you wouldn't spend all your time with the microscope.
-Don't you ever play baseball with the fellows any more?"
-
-"I haven't got time," said the boy, with a curious stubborn twist to his
-mouth. "I can't right now, Dad." He glanced toward the microscope.
-
-"Your rotifers won't die if you leave them alone for a while. And if
-they do, there'll always be a new crop."
-
-"But I'd lose track of them," said Harry strangely. "Their lives are so
-short--they live so awfully fast. You don't know how fast they live."
-
-"I've seen them," answered his father. "I guess they're fast, all
-right." He did not know quite what to make of it all, so he settled
-himself in his chair with his paper.
-
-But that night, after Harry had gone later than usual to bed, he stirred
-himself to take down the book that dealt with life in pond-water. There
-was a memory pricking at his mind; the memory of the water beetle, which
-Harry had killed because, he said, he was eating the rotifers and their
-eggs. And the boy had said he had found that fact in the book.
-
-Mr. Chatham turned through the book; he read, with aching eyes, all that
-it said about rotifers. He searched for information on the beetle, and
-found there was a whole family of whirligig beetles. There was some
-material here on the characteristics and habits of the Gyrinidae, but
-nowhere did it mention the devouring of rotifers or their eggs among
-their customs.
-
-He tried the topical index, but there was no help there.
-
-Harry must have lied, thought his father with a whirling head. But why,
-why in God's name should he say he'd looked a thing up in the book when
-he must have found it out for himself, the hard way? There was no sense
-in it. He went back to the book, convinced that, sleepy as he was, he
-must have missed a point. The information simply wasn't there.
-
-He got to his feet and crossed the room to Harry's work table; he
-switched on the light over it and stood looking down at the pages of
-mystic notations. There were more pages now, quite a few. But none of
-them seemed to mean anything. The earlier pictures of rotifers which
-Harry had drawn had given way entirely to mysterious figures.
-
-Then the simple explanation occurred to him, and he switched off the
-light with a deep feeling of relief. Harry hadn't really _known_ that
-the water beetle ate rotifers; he had just suspected it. And, with his
-boy's respect for fair play, he had hesitated to admit that he had
-executed the beetle merely on suspicion.
-
-That didn't take the lie away, but it removed the mystery at least.
-
- ----
-
-Henry Chatham slept badly that night and dreamed distorted dreams. But
-when the alarm clock shrilled in the gray of morning, jarring him awake,
-the dream in which he had been immersed skittered away to the back of
-his mind, out of knowing, and sat there leering at him with strange,
-dark, glistening eyes.
-
-He dressed, washed the flat morning taste out of his mouth with coffee,
-and took his way to his train and the ten-minute ride into the city. On
-the way there, instead of snatching a look at the morning paper, he sat
-still in his seat, head bowed, trying to recapture the dream whose
-vanishing made him uneasy. He was superstitious about dreams in an
-up-to-date way, believing them not warnings from some Beyond outside
-himself, but from a subsconscious more knowing than the waking conscious
-mind.
-
-During the morning his work went slowly, for he kept pausing, sometimes
-in the midst of totalling a column of figures, to grasp at some mocking
-half-memory of that dream. At last, elbows on his desk, staring
-unseeingly at the clock on the wall, in the midst of the subdued murmur
-of the office, his mind went back to Harry, dark head bowed motionless
-over the barrel of his microscope, looking, always looking into the pale
-green water-gardens and the unseen lives of the beings that....
-
-All at once it came to him, the dream he had dreamed. _He_ had been
-bending over the microscope, _he_ had been looking into the unseen
-world, and the horror of what he had seen gripped him now and brought
-out the chill sweat on his body.
-
-For he had seen his son there in the clouded water, among the twisted
-glassy plants, his face turned upward and eyes wide in the agonized
-appeal of the drowning; and bubbles rising, fading. But around him had
-been a swarm of the weird creatures, and they had been dragging him
-down, down, blurring out of focus, and their great dark eyes glistening
-wetly, coldly....
-
-He was sitting rigid at his desk, his work forgotten; all at once he saw
-the clock and noticed with a start that it was already eleven a.m. A
-fear he could not define seized on him, and his hand reached
-spasmodically for the telephone on his desk.
-
-But before he touched it, it began ringing.
-
-After a moment's paralysis, he picked up the receiver. It was his wife's
-voice that came shrilly over the wires.
-
-"Henry!" she cried. "Is that you?"
-
-"Hello, Sally," he said with stiff lips. Her voice as she answered
-seemed to come nearer and go farther away, and he realized that his hand
-holding the instrument was shaking.
-
-"Henry, you've got to come home right now. Harry's sick. He's got a high
-fever, and he's been asking for you."
-
-He moistened his lips and said, "I'll be right home. I'll take a taxi."
-
-"Hurry!" she exclaimed. "He's been saying queer things. I think he's
-delirious." She paused, and added, "And it's all the fault of that
-microscope _you_ bought him!"
-
-"I'll be right home," he repeated dully.
-
- ----
-
-His wife was not at the door to meet him; she must be upstairs, in
-Harry's bedroom. He paused in the living room and glanced toward the
-table that bore the microscope; the black, gleaming thing still stood
-there, but he did not see any of the slides, and the papers were piled
-neatly together to one side. His eyes fell on the fish bowl; it was
-empty, clean and shining. He knew Harry hadn't done those things; that
-was Sally's neatness.
-
-Abruptly, instead of going straight up the stairs, he moved to the table
-and looked down at the pile of papers. The one on top was almost blank;
-on it was written several times: rty34pr ... rty34pr.... His memory for
-figure combinations served him; he remembered what had been written on
-another page: "rty34pr is the pond."
-
-That made him think of the pond, lying quiescent under its green scum
-and trailing plants at the end of the garden. A step on the stair jerked
-him around.
-
-It was his wife, of course. She said in a voice sharp-edged with
-apprehension: "What are you doing down here? Harry wants you. The doctor
-hasn't come; I phoned him just before I called you, but he hasn't come."
-
-He did not answer. Instead he gestured at the pile of papers, the empty
-fish bowl, an imperative question in his face.
-
-"I threw that dirty water back in the pond. It's probably what he caught
-something from. And he was breaking himself down, humping over that
-thing. It's _your_ fault, for getting it for him. Are you coming?" She
-glared coldly at him, turning back to the stairway.
-
-"I'm coming," he said heavily, and followed her upstairs.
-
-Harry lay back in his bed, a low mound under the covers. His head was
-propped against a single pillow, and his eyes were half-closed, the lids
-swollen-looking, his face hotly flushed. He was breathing slowly as if
-asleep.
-
-But as his father entered the room, he opened his eyes as if with an
-effort, fixed them on him, said, "Dad ... I've got to tell you."
-
-Mr. Chatham took the chair by the bedside, quietly, leaving his wife to
-stand. He asked, "About what, Harry?"
-
-"About--things." The boy's eyes shifted to his mother, at the foot of
-his bed. "I don't want to talk to her. _She_ thinks it's just fever. But
-you'll understand."
-
-Henry Chatham lifted his gaze to meet his wife's. "Maybe you'd better go
-downstairs and wait for the doctor, Sally."
-
-She looked hard at him, then turned abruptly to go out. "All right," she
-said in a thin voice, and closed the door softly behind her.
-
-"Now what did you want to tell me, Harry?"
-
-"About _them_ ... the rotifers," the boy said. His eyes had drifted
-half-shut again but his voice was clear. "They did it to me ... on
-purpose."
-
-"Did _what_?"
-
-"I don't know.... They used one of their cultures. They've got all
-kinds: beds of germs, under the leaves in the water. They've been
-growing new kinds, that will be worse than anything that ever was
-before.... They live so fast, they work so fast."
-
-Henry Chatham was silent, leaning forward beside the bed.
-
-"It was only a little while, before I found out they knew about me. I
-could see them through my microscope, but they could see me too.... And
-they kept signaling, swimming and turning.... I won't tell you how to
-talk to them, because nobody ought to talk to them ever again. Because
-they find out more than they tell.... They know about us, now, and they
-hate us. They never knew before--that there was anybody but them.... So
-they want to kill us all."
-
-"But why should they want to do that?" asked the father, as gently as he
-could. He kept telling himself, "He's delirious. It's like Sally says,
-he's been wearing himself out, thinking too much about--the rotifers.
-But the doctor will be here pretty soon, the doctor will know what to
-do."
-
-"They don't like knowing that they aren't the only ones on Earth that
-can think. I expect people would be the same way."
-
-"But they're such little things, Harry. They can't hurt us at all."
-
-The boy's eyes opened wide, shadowed with terror and fever. "I told you,
-Dad--They're growing germs, millions and billions of them, _new_
-ones.... And they kept telling me to take them back to the pond, so they
-could tell all the rest, and they could all start getting ready--for
-war."
-
-He remembered the shapes that swam and crept in the green water gardens,
-with whirling cilia and great, cold, glistening eyes. And he remembered
-the clean, empty fish bowl in the window downstairs.
-
-"Don't let them, Dad," said Harry convulsively. "You've got to kill them
-all. The ones here and the ones in the pond. You've got to kill them
-good--because they don't mind being killed, and they lay lots of eggs,
-and their eggs can stand almost anything, even drying up. _And the eggs
-remember what the old ones knew._"
-
-"Don't worry," said Henry Chatham quickly. He grasped his son's hand, a
-hot limp hand that had slipped from under the coverlet. "We'll stop
-them. We'll drain the pond."
-
-"That's swell," whispered the boy, his energy fading again. "I ought to
-have told you before, Dad--but first I was afraid you'd laugh, and
-then--I was just ... afraid...."
-
-His voice drifted away. And his father, looking down at the flushed
-face, saw that he seemed asleep. Well, that was better than the sick
-delirium--saying such strange, wild things--
-
-Downstairs the doctor was saying harshly, "All right. All right. But
-let's have a look at the patient."
-
-Henry Chatham came quietly downstairs; he greeted the doctor briefly,
-and did not follow him to Harry's bedroom.
-
-When he was left alone in the room, he went to the window and stood
-looking down at the microscope. He could not rid his head of
-strangeness: A window between two worlds, our world and that of the
-infinitely small, a window that looks both ways.
-
-After a time, he went through the kitchen and let himself out the back
-door, into the noonday sunlight.
-
-He followed the garden path, between the weed-grown beds of vegetables,
-until he came to the edge of the little pond. It lay there quiet in the
-sunlight, green-scummed and walled with stiff rank grass, a lone
-dragonfly swooping and wheeling above it. The image of all the stagnant
-waters, the fertile breeding-places of strange life, with which it was
-joined in the end by the tortuous hidden channels, the oozing pores of
-the Earth.
-
-And it seemed to him then that he glimpsed something, a hitherto unseen
-miasma, rising above the pool and darkening the sunlight ever so little.
-A dream, a shadow--the shadow of the alien dream of things hidden in
-smallness, the dark dream of the rotifers.
-
-The dragonfly, having seized a bright-winged fly that was sporting over
-the pond, descended heavily through the sunlit air and came to rest on a
-broad lily pad. Henry Chatham was suddenly afraid. He turned and walked
-slowly, wearily, up the path toward the house.
-
-
- *END*
-
-
-
- _Transcribers note_: This etext was produced from IF Worlds of Science
-Fiction March 1953. Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.
-
-
-
-
-
-
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS ***
-
-
-
-
-A Word from Project Gutenberg
-
-
-We will update this book if we find any errors.
-
-This book can be found under: http://www.gutenberg.org/ebooks/35879
-
-Creating the works from public domain print editions means that no one
-owns a United States copyright in these works, so the Foundation (and
-you!) can copy and distribute it in the United States without permission
-and without paying copyright royalties. Special rules, set forth in the
-General Terms of Use part of this license, apply to copying and
-distributing Project Gutenberg(tm) electronic works to protect the
-Project Gutenberg(tm) concept and trademark. Project Gutenberg is a
-registered trademark, and may not be used if you charge for the eBooks,
-unless you receive specific permission. If you do not charge anything
-for copies of this eBook, complying with the rules is very easy. You may
-use this eBook for nearly any purpose such as creation of derivative
-works, reports, performances and research. They may be modified and
-printed and given away - you may do practically _anything_ with public
-domain eBooks. Redistribution is subject to the trademark license,
-especially commercial redistribution.
-
-
-
-The Full Project Gutenberg License
-
-
-_Please read this before you distribute or use this work._
-
-To protect the Project Gutenberg(tm) mission of promoting the free
-distribution of electronic works, by using or distributing this work (or
-any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg(tm) License available with this file or online at
-http://www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use & Redistributing Project Gutenberg(tm)
-electronic works
-
-
-*1.A.* By reading or using any part of this Project Gutenberg(tm)
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all the
-terms of this agreement, you must cease using and return or destroy all
-copies of Project Gutenberg(tm) electronic works in your possession. If
-you paid a fee for obtaining a copy of or access to a Project
-Gutenberg(tm) electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-*1.B.* "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few things
-that you can do with most Project Gutenberg(tm) electronic works even
-without complying with the full terms of this agreement. See paragraph
-1.C below. There are a lot of things you can do with Project
-Gutenberg(tm) electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg(tm) electronic
-works. See paragraph 1.E below.
-
-*1.C.* The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection of
-Project Gutenberg(tm) electronic works. Nearly all the individual works
-in the collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you
-from copying, distributing, performing, displaying or creating
-derivative works based on the work as long as all references to Project
-Gutenberg are removed. Of course, we hope that you will support the
-Project Gutenberg(tm) mission of promoting free access to electronic
-works by freely sharing Project Gutenberg(tm) works in compliance with
-the terms of this agreement for keeping the Project Gutenberg(tm) name
-associated with the work. You can easily comply with the terms of this
-agreement by keeping this work in the same format with its attached full
-Project Gutenberg(tm) License when you share it without charge with
-others.
-
-*1.D.* The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg(tm) work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-*1.E.* Unless you have removed all references to Project Gutenberg:
-
-*1.E.1.* The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg(tm) License must appear
-prominently whenever any copy of a Project Gutenberg(tm) work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away
- or re-use it under the terms of the Project Gutenberg License
- included with this eBook or online at http://www.gutenberg.org
-
-*1.E.2.* If an individual Project Gutenberg(tm) electronic work is
-derived from the public domain (does not contain a notice indicating
-that it is posted with permission of the copyright holder), the work can
-be copied and distributed to anyone in the United States without paying
-any fees or charges. If you are redistributing or providing access to a
-work with the phrase "Project Gutenberg" associated with or appearing on
-the work, you must comply either with the requirements of paragraphs
-1.E.1 through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg(tm) trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-*1.E.3.* If an individual Project Gutenberg(tm) electronic work is
-posted with the permission of the copyright holder, your use and
-distribution must comply with both paragraphs 1.E.1 through 1.E.7 and
-any additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg(tm) License for all works posted
-with the permission of the copyright holder found at the beginning of
-this work.
-
-*1.E.4.* Do not unlink or detach or remove the full Project
-Gutenberg(tm) License terms from this work, or any files containing a
-part of this work or any other work associated with Project
-Gutenberg(tm).
-
-*1.E.5.* Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg(tm) License.
-
-*1.E.6.* You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg(tm) work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg(tm) web site
-(http://www.gutenberg.org), you must, at no additional cost, fee or
-expense to the user, provide a copy, a means of exporting a copy, or a
-means of obtaining a copy upon request, of the work in its original
-"Plain Vanilla ASCII" or other form. Any alternate format must include
-the full Project Gutenberg(tm) License as specified in paragraph 1.E.1.
-
-*1.E.7.* Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg(tm) works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-*1.E.8.* You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg(tm) electronic works
-provided that
-
- - You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg(tm) works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg(tm) trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
- - You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg(tm)
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg(tm)
- works.
-
- - You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
- - You comply with all other terms of this agreement for free
- distribution of Project Gutenberg(tm) works.
-
-
-*1.E.9.* If you wish to charge a fee or distribute a Project
-Gutenberg(tm) electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg(tm) trademark. Contact the
-Foundation as set forth in Section 3. below.
-
-*1.F.*
-
-*1.F.1.* Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg(tm) collection.
-Despite these efforts, Project Gutenberg(tm) electronic works, and the
-medium on which they may be stored, may contain "Defects," such as, but
-not limited to, incomplete, inaccurate or corrupt data, transcription
-errors, a copyright or other intellectual property infringement, a
-defective or damaged disk or other medium, a computer virus, or computer
-codes that damage or cannot be read by your equipment.
-
-*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg(tm) trademark, and any other party distributing a Project
-Gutenberg(tm) electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal fees.
-YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY,
-BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN
-PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND
-ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
-ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES
-EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
-
-*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-*1.F.4.* Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-*1.F.5.* Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-*1.F.6.* INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg(tm) electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg(tm) electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg(tm)
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg(tm) work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg(tm)
-
-
-Project Gutenberg(tm) is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg(tm)'s
-goals and ensuring that the Project Gutenberg(tm) collection will remain
-freely available for generations to come. In 2001, the Project Gutenberg
-Literary Archive Foundation was created to provide a secure and
-permanent future for Project Gutenberg(tm) and future generations. To
-learn more about the Project Gutenberg Literary Archive Foundation and
-how your efforts and donations can help, see Sections 3 and 4 and the
-Foundation web page at http://www.pglaf.org .
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the state
-of Mississippi and granted tax exempt status by the Internal Revenue
-Service. The Foundation's EIN or federal tax identification number is
-64-6221541. Its 501(c)(3) letter is posted at
-http://www.gutenberg.org/fundraising/pglaf . Contributions to the
-Project Gutenberg Literary Archive Foundation are tax deductible to the
-full extent permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr.
-S. Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official page
-at http://www.pglaf.org
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg Literary
-Archive Foundation
-
-
-Project Gutenberg(tm) depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations where
-we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit http://www.gutenberg.org/fundraising/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make any
-statements concerning tax treatment of donations received from outside
-the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other ways
-including checks, online payments and credit card donations. To donate,
-please visit: http://www.gutenberg.org/fundraising/donate
-
-
-Section 5. General Information About Project Gutenberg(tm) electronic
-works.
-
-
-Professor Michael S. Hart is the originator of the Project Gutenberg(tm)
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg(tm) eBooks with only a loose network of volunteer support.
-
-Project Gutenberg(tm) eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S. unless
-a copyright notice is included. Thus, we do not necessarily keep eBooks
-in compliance with any particular paper edition.
-
-Each eBook is in a subdirectory of the same number as the eBook's eBook
-number, often in several formats including plain vanilla ASCII,
-compressed (zipped), HTML and others.
-
-Corrected _editions_ of our eBooks replace the old file and take over
-the old filename and etext number. The replaced older file is renamed.
-_Versions_ based on separate sources are treated as new eBooks receiving
-new filenames and etext numbers.
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg(tm),
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/35879-8.zip b/35879-8.zip
deleted file mode 100644
index bc68ad0..0000000
--- a/35879-8.zip
+++ /dev/null
Binary files differ
diff --git a/35879-h.zip b/35879-h.zip
deleted file mode 100644
index dd1371b..0000000
--- a/35879-h.zip
+++ /dev/null
Binary files differ
diff --git a/35879-h/35879-h.html b/35879-h/35879-h.htm
index 398fef8..60e88df 100644
--- a/35879-h/35879-h.html
+++ b/35879-h/35879-h.htm
@@ -437,27 +437,9 @@ pre { font-family: monospace; font-size: 0.9em; white-space: pre-wrap
</style>
</head>
<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 35879 ***</div>
<div class="document" id="the-rotifers">
<h1 class="document-title level-1 pfirst title">THE ROTIFERS</h1>
-
-<!-- -*- encoding: utf-8 -*- -->
-<div class="class container pgheader" id="pg-header">
-<p class="noindent pfirst">This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the <a class="reference internal pginternal" href="#project-gutenberg-license">Project Gutenberg License</a>
-included with this eBook or online at
-<a class="reference external" href="http://www.gutenberg.org/license">http://www.gutenberg.org/license</a>.</p>
-<div class="vspace" style="height: 1em">
-</div>
-<div class="container" id="pg-machine-header">
-<p class="noindent pfirst">Title: The Rotifers</p>
-<p class="noindent pnext">Author: Robert Abernathy</p>
-<p class="noindent pnext">Release Date: April 16, 2011 [EBook #35879]</p>
-<p class="noindent pnext">Language: English</p>
-<p class="noindent pnext">Character set encoding: UTF-8</p>
-<div class="vspace" style="height: 1em">
-</div>
-<p class="noindent pnext" id="pg-start-line">*** START OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS ***</p>
</div>
<div class="vspace" style="height: 4em">
</div>
@@ -1439,339 +1421,6 @@ up the path toward the house.</p>
</div>
<div class="vspace" style="height: 5em">
</div>
-<p class="pfirst" id="pg-end-line">*** END OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS ***</p>
-<div class="backmatter">
-</div>
-<div class="level-2 section" id="a-word-from-project-gutenberg">
-<span id="pg-footer"/><h2 class="level-2 pfirst section-title title">A Word from Project Gutenberg</h2>
-<p class="pfirst">We will update this book if we find any errors.</p>
-<p class="pnext">This book can be found under: <a class="reference external" href="http://www.gutenberg.org/ebooks/35879">http://www.gutenberg.org/ebooks/35879</a></p>
-<p class="pnext">Creating the works from public domain print editions means that no one
-owns a United States copyright in these works, so the Foundation (and
-you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules, set
-forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg™ electronic works to
-protect the Project Gutenberg™ concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you charge
-for the eBooks, unless you receive specific permission. If you do not
-charge anything for copies of this eBook, complying with the rules is
-very easy. You may use this eBook for nearly any purpose such as
-creation of derivative works, reports, performances and research.
-They may be modified and printed and given away – you may do
-practically <em class="italics">anything</em> with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.</p>
-<div class="level-3 section" id="the-full-project-gutenberg-license">
-<span id="project-gutenberg-license"/><h3 class="level-3 pfirst section-title title">The Full Project Gutenberg License</h3>
-<p class="pfirst"><em class="italics">Please read this before you distribute or use this work.</em></p>
-<p class="pnext">To protect the Project Gutenberg™ mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase “Project
-Gutenberg”), you agree to comply with all the terms of the Full
-Project Gutenberg™ License available with this file or online at
-<a class="reference external" href="http://www.gutenberg.org/license">http://www.gutenberg.org/license</a>.</p>
-<div class="level-4 section" id="section-1-general-terms-of-use-redistributing-project-gutenberg-electronic-works">
-<h4 class="level-4 pfirst section-title title">Section 1. General Terms of Use &amp; Redistributing Project Gutenberg™ electronic works</h4>
-<p class="pfirst"><strong class="bold">1.A.</strong> By reading or using any part of this Project Gutenberg™
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg™ electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg™ electronic work and you do not agree to be bound by
-the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.</p>
-<p class="pnext"><strong class="bold">1.B.</strong> “Project Gutenberg” is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg™ electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg™ electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg™ electronic
-works. See paragraph 1.E below.</p>
-<p class="pnext"><strong class="bold">1.C.</strong> The Project Gutenberg Literary Archive Foundation (“the
-Foundation” or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg™ electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is in the public domain in the United
-States and you are located in the United States, we do not claim a
-right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg™ mission of promoting free
-access to electronic works by freely sharing Project Gutenberg™ works
-in compliance with the terms of this agreement for keeping the Project
-Gutenberg™ name associated with the work. You can easily comply with
-the terms of this agreement by keeping this work in the same format
-with its attached full Project Gutenberg™ License when you share it
-without charge with others.</p>
-<p class="pnext"><strong class="bold">1.D.</strong> The copyright laws of the place where you are located also
-govern what you can do with this work. Copyright laws in most
-countries are in a constant state of change. If you are outside the
-United States, check the laws of your country in addition to the terms
-of this agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg™ work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.</p>
-<p class="pnext"><strong class="bold">1.E.</strong> Unless you have removed all references to Project Gutenberg:</p>
-<p class="pnext"><strong class="bold">1.E.1.</strong> The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg™ License must appear
-prominently whenever any copy of a Project Gutenberg™ work (any work
-on which the phrase “Project Gutenberg” appears, or with which the
-phrase “Project Gutenberg” is associated) is accessed, displayed,
-performed, viewed, copied or distributed:</p>
-<blockquote><div>
-<p class="pfirst">This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at <a class="reference external" href="http://www.gutenberg.org">http://www.gutenberg.org</a></p>
-</div></blockquote>
-<p class="pfirst"><strong class="bold">1.E.2.</strong> If an individual Project Gutenberg™ electronic work is
-derived from the public domain (does not contain a notice indicating
-that it is posted with permission of the copyright holder), the work
-can be copied and distributed to anyone in the United States without
-paying any fees or charges. If you are redistributing or providing
-access to a work with the phrase “Project Gutenberg” associated with
-or appearing on the work, you must comply either with the requirements
-of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of
-the work and the Project Gutenberg™ trademark as set forth in
-paragraphs 1.E.8 or 1.E.9.</p>
-<p class="pnext"><strong class="bold">1.E.3.</strong> If an individual Project Gutenberg™ electronic work is
-posted with the permission of the copyright holder, your use and
-distribution must comply with both paragraphs 1.E.1 through 1.E.7 and
-any additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg™ License for all works posted
-with the permission of the copyright holder found at the beginning of
-this work.</p>
-<p class="pnext"><strong class="bold">1.E.4.</strong> Do not unlink or detach or remove the full Project
-Gutenberg™ License terms from this work, or any files containing a
-part of this work or any other work associated with Project
-Gutenberg™.</p>
-<p class="pnext"><strong class="bold">1.E.5.</strong> Do not copy, display, perform, distribute or redistribute
-this electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg™ License.</p>
-<p class="pnext"><strong class="bold">1.E.6.</strong> You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg™ work in a format other
-than “Plain Vanilla ASCII” or other format used in the official
-version posted on the official Project Gutenberg™ web site
-(<a class="reference external" href="http://www.gutenberg.org">http://www.gutenberg.org</a>), you must, at no additional cost, fee or
-expense to the user, provide a copy, a means of exporting a copy, or a
-means of obtaining a copy upon request, of the work in its original
-“Plain Vanilla ASCII” or other form. Any alternate format must include
-the full Project Gutenberg™ License as specified in paragraph 1.E.1.</p>
-<p class="pnext"><strong class="bold">1.E.7.</strong> Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg™ works
-unless you comply with paragraph 1.E.8 or 1.E.9.</p>
-<p class="pnext"><strong class="bold">1.E.8.</strong> You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg™ electronic works provided
-that</p>
-<ul class="open">
-<li><p class="first pfirst">You pay a royalty fee of 20% of the gross profits you derive from
-the use of Project Gutenberg™ works calculated using the method you
-already use to calculate your applicable taxes. The fee is owed to
-the owner of the Project Gutenberg™ trademark, but he has agreed to
-donate royalties under this paragraph to the Project Gutenberg
-Literary Archive Foundation. Royalty payments must be paid within 60
-days following each date on which you prepare (or are legally
-required to prepare) your periodic tax returns. Royalty payments
-should be clearly marked as such and sent to the Project Gutenberg
-Literary Archive Foundation at the address specified in Section 4,
-“Information about donations to the Project Gutenberg Literary
-Archive Foundation.”</p>
-</li>
-<li><p class="first pfirst">You provide a full refund of any money paid by a user who notifies
-you in writing (or by e-mail) within 30 days of receipt that s/he
-does not agree to the terms of the full Project Gutenberg™
-License. You must require such a user to return or destroy all
-copies of the works possessed in a physical medium and discontinue
-all use of and all access to other copies of Project Gutenberg™
-works.</p>
-</li>
-<li><p class="first pfirst">You provide, in accordance with paragraph 1.F.3, a full refund of
-any money paid for a work or a replacement copy, if a defect in the
-electronic work is discovered and reported to you within 90 days of
-receipt of the work.</p>
-</li>
-<li><p class="first pfirst">You comply with all other terms of this agreement for free
-distribution of Project Gutenberg™ works.</p>
-</li>
-</ul>
-<p class="pfirst"><strong class="bold">1.E.9.</strong> If you wish to charge a fee or distribute a Project
-Gutenberg™ electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and
-Michael Hart, the owner of the Project Gutenberg™ trademark. Contact
-the Foundation as set forth in Section 3. below.</p>
-<p class="pnext"><strong class="bold">1.F.</strong></p>
-<p class="pnext"><strong class="bold">1.F.1.</strong> Project Gutenberg volunteers and employees expend
-considerable effort to identify, do copyright research on, transcribe
-and proofread public domain works in creating the Project Gutenberg™
-collection. Despite these efforts, Project Gutenberg™ electronic
-works, and the medium on which they may be stored, may contain
-“Defects,” such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.</p>
-<p class="pnext"><strong class="bold">1.F.2.</strong> LIMITED WARRANTY, DISCLAIMER OF DAMAGES – Except for the
-“Right of Replacement or Refund” described in paragraph 1.F.3, the
-Project Gutenberg Literary Archive Foundation, the owner of the
-Project Gutenberg™ trademark, and any other party distributing a
-Project Gutenberg™ electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.</p>
-<p class="pnext"><strong class="bold">1.F.3.</strong> LIMITED RIGHT OF REPLACEMENT OR REFUND – If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.</p>
-<p class="pnext"><strong class="bold">1.F.4.</strong> Except for the limited right of replacement or refund set
-forth in paragraph 1.F.3, this work is provided to you ‘AS-IS,’ WITH
-NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.</p>
-<p class="pnext"><strong class="bold">1.F.5.</strong> Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.</p>
-<p class="pnext"><strong class="bold">1.F.6.</strong> INDEMNITY – You agree to indemnify and hold the Foundation,
-the trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg™ electronic works in accordance
-with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg™
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg™ work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg™ work, and (c) any
-Defect you cause.</p>
-</div>
-<div class="level-4 section" id="section-2-information-about-the-mission-of-project-gutenberg">
-<h4 class="level-4 pfirst section-title title">Section 2. Information about the Mission of Project Gutenberg™</h4>
-<p class="pfirst">Project Gutenberg™ is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.</p>
-<p class="pnext">Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg™'s
-goals and ensuring that the Project Gutenberg™ collection will remain
-freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg™ and future generations. To
-learn more about the Project Gutenberg Literary Archive Foundation and
-how your efforts and donations can help, see Sections 3 and 4 and the
-Foundation web page at <a class="reference external" href="http://www.pglaf.org">http://www.pglaf.org</a> .</p>
-</div>
-<div class="level-4 section" id="section-3-information-about-the-project-gutenberg-literary-archive-foundation">
-<h4 class="level-4 pfirst section-title title">Section 3. Information about the Project Gutenberg Literary Archive Foundation</h4>
-<p class="pfirst">The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-<a class="reference external" href="http://www.gutenberg.org/fundraising/pglaf">http://www.gutenberg.org/fundraising/pglaf</a> . Contributions to the
-Project Gutenberg Literary Archive Foundation are tax deductible to
-the full extent permitted by U.S. federal laws and your state's laws.</p>
-<p class="pnext">The Foundation's principal office is located at 4557 Melan Dr.
-S. Fairbanks, AK, 99712., but its volunteers and employees are
-scattered throughout numerous locations. Its business office is
-located at 809 North 1500 West, Salt Lake City, UT 84116, (801)
-596-1887, email <a class="reference external" href="mailto:business@pglaf.org">business@pglaf.org</a>. Email contact links and up to date
-contact information can be found at the Foundation's web site and
-official page at <a class="reference external" href="http://www.pglaf.org">http://www.pglaf.org</a></p>
-<p class="pnext">For additional contact information:</p>
-<blockquote><div>
-<div class="line-block outermost">
-<div class="line">Dr. Gregory B. Newby</div>
-<div class="line">Chief Executive and Director</div>
-<div class="line"><a class="reference external" href="mailto:gbnewby@pglaf.org">gbnewby@pglaf.org</a></div>
-</div>
-</div></blockquote>
-</div>
-<div class="level-4 section" id="section-4-information-about-donations-to-the-project-gutenberg-literary-archive-foundation">
-<h4 class="level-4 pfirst section-title title">Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation</h4>
-<p class="pfirst">Project Gutenberg™ depends upon and cannot survive without wide spread
-public support and donations to carry out its mission of increasing
-the number of public domain and licensed works that can be freely
-distributed in machine readable form accessible by the widest array of
-equipment including outdated equipment. Many small donations ($1 to
-$5,000) are particularly important to maintaining tax exempt status
-with the IRS.</p>
-<p class="pnext">The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit <a class="reference external" href="http://www.gutenberg.org/fundraising/donate">http://www.gutenberg.org/fundraising/donate</a></p>
-<p class="pnext">While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.</p>
-<p class="pnext">International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.</p>
-<p class="pnext">Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: <a class="reference external" href="http://www.gutenberg.org/fundraising/donate">http://www.gutenberg.org/fundraising/donate</a></p>
-</div>
-<div class="level-4 section" id="section-5-general-information-about-project-gutenberg-electronic-works">
-<h4 class="level-4 pfirst section-title title">Section 5. General Information About Project Gutenberg™ electronic works.</h4>
-<p class="pfirst">Professor Michael S. Hart is the originator of the Project Gutenberg™
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg™ eBooks with only a loose network of volunteer support.</p>
-<p class="pnext">Project Gutenberg™ eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the
-U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.</p>
-<p class="pnext">Each eBook is in a subdirectory of the same number as the eBook's
-eBook number, often in several formats including plain vanilla ASCII,
-compressed (zipped), HTML and others.</p>
-<p class="pnext">Corrected <em class="italics">editions</em> of our eBooks replace the old file and take over
-the old filename and etext number. The replaced older file is
-renamed. <em class="italics">Versions</em> based on separate sources are treated as new
-eBooks receiving new filenames and etext numbers.</p>
-<p class="pnext">Most people start at our Web site which has the main PG search
-facility:</p>
-<blockquote><div>
-<p class="pfirst"><a class="reference external" href="http://www.gutenberg.org">http://www.gutenberg.org</a></p>
-</div></blockquote>
-<p class="pfirst">This Web site includes information about Project Gutenberg™, including
-how to make donations to the Project Gutenberg Literary Archive
-Foundation, how to help produce our new eBooks, and how to subscribe
-to our email newsletter to hear about new eBooks.</p>
-</div>
-</div>
-</div>
-</div>
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 35879 ***</div>
</body>
</html>
diff --git a/35879-rst.zip b/35879-rst.zip
deleted file mode 100644
index 29125b9..0000000
--- a/35879-rst.zip
+++ /dev/null
Binary files differ
diff --git a/35879-rst/35879-rst.rst b/35879-rst/35879-rst.rst
deleted file mode 100644
index 36b760e..0000000
--- a/35879-rst/35879-rst.rst
+++ /dev/null
@@ -1,1596 +0,0 @@
-.. -*- encoding: utf-8 -*-
-
-.. meta::
- :PG.Id: 35879
- :PG.Title: The Rotifers
- :PG.Released: 2011-04-16
- :PG.Rights: Public Domain
- :PG.Producer: Frank van Drogen
- :PG.Producer: Greg Weeks
- :PG.Producer: the Online Distributed Proofreading Team at http://www.pgdp.net
- :DC.Creator: Robert Abernathy
- :DC.Title: The Rotifers
- :DC.Language: en
- :DC.Created: 1953
- :coverpage: images/cover.jpg
-
-
-
-================================
- THE ROTIFERS
-================================
-
-.. _pg-header:
-
-.. container::
- :class: pgheader
-
- .. style:: paragraph
- :class: noindent
-
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away or
- re-use it under the terms of the `Project Gutenberg License`_
- included with this eBook or online at
- http://www.gutenberg.org/license.
-
-
-
- |
-
- .. _pg-machine-header:
-
- .. container::
-
- Title: The Rotifers
-
- Author: Robert Abernathy
-
- Release Date: April 16, 2011 [EBook #35879]
-
- Language: English
-
- Character set encoding: UTF-8
-
- |
-
- .. _pg-start-line:
-
- \*\*\* START OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS \*\*\*
-
- |
- |
- |
- |
-
- .. _pg-produced-by:
-
- .. container::
-
- Produced by Frank van Drogen, Greg Weeks, and the Online Distributed Proofreading Team at http://www.pgdp.net.
-
- |
-
-
-
-
-.. role:: xl
- :class: x-large
-
-.. role:: small-caps
- :class: small-caps
-
-.. class:: center
-
-
-.. image:: images/cover.jpg
- :align: center
-
-..
-
-
-
- | :xl:`THE ROTIFERS`
- |
- | BY Robert Abernathy
- |
- | *Beneath the stagnant water shadowed by water lilies Harry found the fascinating world of the rotifers—but it was their world, and they resented intrusion.*
-
-
-
- *Illustrated by Virgil Finlay*
-
-
-
-Henry Chatham knelt by
-the brink of his garden pond,
-a glass fish bowl cupped in his thin,
-nervous hands. Carefully he dipped
-the bowl into the green-scummed
-water and, moving it gently, let
-trailing streamers of submerged
-water weeds drift into it. Then he
-picked up the old scissors he had
-laid on the bank, and clipped the
-stems of the floating plants, getting
-as much of them as he could in the
-container.
-
-When he righted the bowl and
-got stiffly to his feet, it contained, he
-thought hopefully, a fair cross-section
-of fresh-water plankton. He
-was pleased with himself for remembering
-that term from the book
-he had studied assiduously for the
-last few nights in order to be able
-to cope with Harry's inevitable
-questions.
-
-There was even a shiny black
-water beetle doing insane circles on
-the surface of the water in the fish
-bowl. At sight of the insect, the eyes
-of the twelve-year-old boy, who
-had been standing by in silent expectation,
-widened with interest.
-
-"What's that thing, Dad?" he
-asked excitedly. "What's that crazy
-bug?"
-
-"I don't know its scientific name,
-I'm afraid," said Henry Chatham.
-"But when I was a boy we used to
-call them whirligig beetles."
-
-"He doesn't seem to think he has
-enough room in the bowl," said
-Harry thoughtfully. "Maybe we
-better put him back in the pond,
-Dad."
-
-"I thought you might want to
-look at him through the microscope,"
-the father said in some surprise.
-
-"I think we ought to put him
-back," insisted Harry.
-Mr. Chatham held the dripping
-bowl obligingly. Harry's hand, a
-thin boy's hand with narrow sensitive
-fingers, hovered over the water,
-and when the beetle paused for a
-moment in its gyrations, made a
-dive for it.
-
-.. image:: images/im1.jpg
- :align: center
-
-But the whirligig beetle saw the
-hand coming, and, quicker than a
-wink, plunged under the water and
-scooted rapidly to the very bottom
-of the bowl.
-
-Harry's young face was rueful;
-he wiped his wet hand on his trousers.
-"I guess he wants to stay," he
-supposed.
-
-The two went up the garden
-path together and into the house,
-Mr. Chatham bearing the fish bowl
-before him like a votive offering.
-Harry's mother met them at the
-door, brandishing an old towel.
-
-"Here," she said firmly, "you
-wipe that thing off before you bring
-it in the house. And don't drip any
-of that dirty pond water on my good
-carpet."
-
-"It's not dirty," said Henry Chatham.
-"It's just full of life, plants
-and animals too small for the eye
-to see. But Harry's going to see
-them with his microscope." He accepted
-the towel and wiped the
-water and slime from the outside of
-the bowl; then, in the living-room,
-he set it beside an open window,
-where the life-giving summer sun
-slanted in and fell on the green
-plants.
-
-----
-
-The brand-new microscope
-stood nearby, in a good light. It
-was an expensive microscope, no
-toy for a child, and it magnified
-four hundred diameters. Henry
-Chatham had bought it because he
-believed that his only son showed a
-desire to peer into the mysteries of
-smallness, and so far Harry had not
-disappointed him; he had been ecstatic
-over the instrument. Together
-they had compared hairs from their
-two heads, had seen the point of a
-fine sewing needle made to look
-like the tip of a crowbar by the
-lowest power of the microscope,
-had made grains of salt look like
-discarded chunks of glass brick, had
-captured a house-fly and marvelled
-at its clawed hairy feet, its great
-red faceted eyes, and the delicate
-veining and fringing of its wings.
-
-Harry was staring at the bowl of
-pond water in a sort of fascination.
-"Are there germs in the water,
-Dad? Mother says pond water is
-full of germs."
-
-"I suppose so," answered Mr.
-Chatham, somewhat embarrassed.
-The book on microscopic fresh-water
-fauna had been explicit about
-*Paramecium* and *Euglena*, diatomes
-and rhizopods, but it had
-failed to mention anything so vulgar
-as germs. But he supposed that
-which the book called Protozoa, the
-one-celled animalcules, were the
-same as germs.
-
-He said, "To look at things in
-water like this, you want to use a
-well-slide. It tells how to fix one in
-the instruction book."
-
-He let Harry find the glass slide
-with a cup ground into it, and another
-smooth slip of glass to cover
-it. Then he half-showed, half-told
-him how to scrape gently along the
-bottom sides of the drifting leaves,
-to capture the teeming life that
-dwelt there in the slime. When the
-boy understood, his young hands
-were quickly more skillful than his
-father's; they filled the well with a
-few drops of water that was promisingly
-green and murky.
-
-Already Harry knew how to adjust
-the lighting mirror under the
-stage of the microscope and turn
-the focusing screws. He did so, bent
-intently over the eyepiece, squinting
-down the polished barrel in the
-happy expectation of wonders.
-
-Henry Chatham's eyes wandered
-to the fish bowl, where the whirligig
-beetle had come to the top again
-and was describing intricate patterns
-among the water plants. He
-looked back to his son, and saw that
-Harry had ceased to turn the screws
-and instead was just looking—looking
-with a rapt, delicious fixity.
-His hands lay loosely clenched on
-the table top, and he hardly seemed
-to breathe. Only once or twice his
-lips moved as if to shape an exclamation
-that was snatched away
-by some new vision.
-
-"Have you got it, Harry?" asked
-his father after two or three minutes
-during which the boy did not move.
-
-Harry took a last long look, then
-glanced up, blinking slightly.
-
-"You look, Dad!" he exclaimed
-warmly. "It's—it's like a garden in
-the water, full of funny little people!"
-
-Mr. Chatham, not reluctantly,
-bent to gaze into the eyepiece. This
-was new to him too, and instantly
-he saw the aptness of Harry's simile.
-There was a garden there, of weird,
-green, transparent stalks composed
-of plainly visible cells fastened end
-to end, with globules and bladders
-like fruits or seed-pods attached to
-them, floating among them; and in
-the garden the strange little people
-swam to and fro, or clung with odd
-appendages to the stalks and
-branches. Their bodies were transparent
-like the plants, and in them
-were pulsing hearts and other organs
-plainly visible. They looked a
-little like sea horses with pointed
-tails, but their heads were different,
-small and rounded, with big, dark,
-glistening eyes.
-
-All at once Mr. Chatham realized
-that Harry was speaking to
-him, still in high excitement.
-
-"What are they, Dad?" he
-begged to know.
-
-His father straightened up and
-shook his head puzzledly. "I don't
-know, Harry," he answered slowly,
-casting about in his memory. He
-seemed to remember a microphotograph
-of a creature like those in the
-book he had studied, but the name
-that had gone with it eluded him.
-He had worked as an accountant
-for so many years that his memory
-was all for figures now.
-
-He bent over once more to immerse
-his eyes and mind in the
-green water-garden on the slide.
-The little creatures swam to and
-fro as before, growing hazy and
-dwindling or swelling as they swam
-out of the narrow focus of the lens;
-he gazed at those who paused in
-sharp definition, and saw that, although
-he had at first seen no visible
-means of propulsion, each creature
-bore about its head a halo of
-thread-like, flickering cilia that
-lashed the water and drew it forward,
-for all the world like an airplane
-propeller or a rapidly turning
-wheel.
-
-"I know what they are!" exclaimed
-Henry Chatham, turning
-to his son with an almost boyish excitement.
-"They're rotifers! That
-means 'wheel-bearers', and they
-were called that because to the first
-scientists who saw them it looked
-like they swam with wheels."
-
-Harry had got down the book
-and was leafing through the pages.
-He looked up seriously. "Here they
-are," he said. "Here's a picture
-that looks almost like the ones in
-our pond water."
-
-"Let's see," said his father. They
-looked at the pictures and descriptions
-of the Rotifera; there was a
-good deal of concrete information
-on the habits and physiology of
-these odd and complex little animals
-who live their swarming lives
-in the shallow, stagnant waters of
-the Earth. It said that they were
-much more highly organized than
-Protozoa, having a discernible
-heart, brain, digestive system, and
-nervous system, and that their reproduction
-was by means of two
-sexes like that of the higher orders.
-Beyond that, they were a mystery;
-their relationship to other life-forms
-remained shrouded in doubt.
-
-"You've got something interesting
-there," said Henry Chatham
-with satisfaction. "Maybe you'll
-find out something about them that
-nobody knows yet."
-
-He was pleased when Harry
-spent all the rest of that Sunday
-afternoon peering into the microscope,
-watching the rotifers, and
-even more pleased when the boy
-found a pencil and paper and tried,
-in an amateurish way, to draw and
-describe what he saw in the green
-water-garden.
-
-Beyond a doubt, Henry thought,
-here was a hobby that had captured
-Harry as nothing else ever had.
-
-----
-
-Mrs. Chatham was not so
-pleased. When her husband
-laid down his evening paper and
-went into the kitchen for a drink of
-water, she cornered him and hissed
-at him: "I told you you had no
-business buying Harry a thing like
-that! If he keeps on at this rate,
-he'll wear his eyes out in no time."
-
-Henry Chatham set down his
-water glass and looked straight at
-his wife. "Sally, Harry's eyes are
-young and he's using them to learn
-with. You've never been much worried
-over me, using my eyes up
-eight hours a day, five days a week,
-over a blind-alley bookkeeping job."
-
-He left her angrily silent and
-went back to his paper. He would
-lower the paper every now and then
-to watch Harry, in his corner of the
-living-room, bowed obliviously over
-the microscope and the secret life
-of the rotifers.
-
-Once the boy glanced up from
-his periodic drawing and asked,
-with the air of one who proposes a
-pondered question: "Dad, if you
-look through a microscope the
-wrong way is it a telescope?"
-
-Mr. Chatham lowered his paper
-and bit his underlip. "I don't think
-so—no, I don't know. When you
-look through a microscope, it
-makes things seem closer—one way,
-that is; if you looked the other way,
-it would probably make them seem
-farther off. What did you want to
-know for?"
-
-"Oh—nothing," Harry turned
-back to his work. As if on after-thought,
-he explained, "I was wondering
-if the rotifers could see me
-when I'm looking at them."
-
-Mr. Chatham laughed, a little
-nervously, because the strange
-fancies which his son sometimes
-voiced upset his ordered mind. Remembering
-the dark glistening eyes
-of the rotifers he had seen, however,
-he could recognize whence
-this question had stemmed.
-
-At dusk, Harry insisted on setting
-up the substage lamp which
-had been bought with the microscope,
-and by whose light he could
-go on looking until his bedtime,
-when his father helped him arrange
-a wick to feed the little glass-covered
-well in the slide so it would
-not dry up before morning. It was
-unwillingly, and only after his
-mother's strenuous complaints, that
-the boy went to bed at ten o'clock.
-
-In the following days his interest
-became more and more intense. He
-spent long hours, almost without
-moving, watching the rotifers. For
-the little animals had become the
-sole object which he desired to
-study under the microscope, and
-even his father found it difficult to
-understand such an enthusiasm.
-
-During the long hours at the office
-to which he commuted, Henry
-Chatham often found the vision of
-his son, absorbed with the invisible
-world that the microscope had
-opened to him, coming between
-him and the columns in the ledgers.
-And sometimes, too, he envisioned
-the dim green water-garden where
-the little things swam to and fro,
-and a strangeness filled his thoughts.
-
-On Wednesday evening, he
-glanced at the fish bowl and noticed
-that the water beetle, the
-whirligig beetle, was missing. Casually,
-he asked his son about it.
-
-"I had to get rid of him," said
-the boy with a trace of uneasiness
-in his manner. "I took him out and
-squashed him."
-
-"Why did you have to do that?"
-
-"He was eating the rotifers and
-their eggs," said Harry, with what
-seemed to be a touch of remembered
-anger at the beetle. He
-glanced toward his work-table,
-where three or four well-slides with
-small green pools under their glass
-covers now rested in addition to the
-one that was under the microscope.
-
-"How did you find out he was
-eating them?" inquired Mr. Chatham,
-feeling a warmth of pride at
-the thought that Harry had discovered
-such a scientific fact for himself.
-
-The boy hesitated oddly. "I—I
-looked it up in the book," he answered.
-
-His father masked his faint disappointment.
-"That's fine," he
-said. "I guess you find out more
-about them all the time."
-
-"Uh-huh," admitted Harry, turning
-back to his table.
-
-There was undoubtedly something
-a little strange about Harry's
-manner; and now Mr. Chatham
-realized that it had been two days
-since Harry had asked him to
-"Quick, take a look!" at the newest
-wonder he had discovered. With
-this thought teasing at his mind,
-the father walked casually over to
-the table where his son sat hunched
-and, looking down at the litter of
-slides and papers—some of which
-were covered with figures and scribblings
-of which he could make nothing.
-He said diffidently, "How
-about a look?"
-
-Harry glanced up as if startled.
-He was silent a moment; then he
-slid reluctantly from his chair and
-said, "All right."
-
-Mr. Chatham sat down and bent
-over the microscope. Puzzled and
-a little hurt, he twirled the focusing
-vernier and peered into the eyepiece,
-looking down once more into
-the green water world of the rotifers.
-
-----
-
-There was a swarm of them
-under the lens, and they swam
-lazily to and fro, their cilia beating
-like miniature propellers. Their
-dark eyes stared, wet and glistening;
-they drifted in the motionless
-water, and clung with sucker-like
-pseudo-feet to the tangled plant
-stems.
-
-Then, as he almost looked away,
-one of them detached itself from
-the group and swam upward, toward
-him, growing larger and blurring
-as it rose out of the focus of the
-microscope. The last thing that remained
-defined, before it became a
-shapeless gray blob and vanished,
-was the dark blotches of the great
-cold eyes, seeming to stare full at
-him—cold, motionless, but alive.
-
-It was a curious experience.
-Henry Chatham drew suddenly
-back from the eyepiece, with an involuntary
-shudder that he could not
-explain to himself. He said haltingly,
-"They look interesting."
-
-"Sure, Dad," said Harry. He
-moved to occupy the chair again,
-and his dark young head bowed
-once more over the microscope. His
-father walked back across the room
-and sank gratefully into his arm-chair—after
-all, it had been a hard
-day at the office. He watched Harry
-work the focusing screws as if trying
-to find something, then take his
-pencil and begin to write quickly
-and impatiently.
-
-It was with a guilty feeling of
-prying that, after Harry had been
-sent reluctantly to bed, Henry Chatham
-took a tentative look at those
-papers which lay in apparent disorder
-on his son's work table. He
-frowned uncomprehendingly at the
-things that were written there; it
-was neither mathematics nor language,
-but many of the scribblings
-were jumbles of letters and figures.
-It looked like code, and he remembered
-that less than a year ago,
-Harry had been passionately interested
-in cryptography, and had
-shown what his father, at least, believed
-to be a considerable aptitude
-for such things.... But what did
-cryptography have to do with
-microscopy, or codes with—rotifers?
-
-Nowhere did there seem to be a
-key, but there were occasional
-words and phrases jotted into the
-margins of some of the sheets. Mr.
-Chatham read these, and learned
-nothing. "Can't dry up, but they
-can," said one. "Beds of germs,"
-said another. And in the corner of
-one sheet, "1—Yes. 2—No." The
-only thing that looked like a translation
-was the note: "rty34pr is the
-pond."
-
-Mr. Chatham shook his head bewilderedly,
-replacing the sheets
-carefully as they had been. Why
-should Harry want to keep notes on
-his scientific hobby in code? he
-wondered, rationalizing even as he
-wondered. He went to bed still
-puzzling, but it did not keep him
-from sleeping, for he was tired.
-
-Then, only the next evening, his
-wife maneuvered to get him alone
-with her and burst out passionately:
-
-"Henry, I told you that microscope
-was going to ruin Harry's
-eyesight! I was watching him today
-when he didn't know I was watching
-him, and I saw him winking
-and blinking right while he kept on
-looking into the thing. I was
-minded to stop him then and there,
-but I want you to assert *your* authority
-with him and tell him he
-can't go on."
-
-Henry Chatham passed one nervous
-hand over his own aching eyes.
-He asked mildly, "Are you sure it
-wasn't just your imagination, Sally?
-After all, a person blinks quite normally,
-you know."
-
-"It was not my imagination!"
-snapped Mrs. Chatham. "I know
-the symptoms of eyestrain when I
-see them, I guess. You'll have to
-stop Harry using that thing so
-much, or else be prepared to buy
-him glasses."
-
-"All right, Sally," said Mr. Chatham
-wearily. "I'll see if I can't persuade
-him to be a little more moderate."
-
-He went slowly into the living-room.
-At the moment, Harry was
-not using the microscope; instead,
-he seemed to be studying one of his
-cryptic pages of notes. As his father
-entered, he looked up sharply and
-swiftly laid the sheet down—face
-down.
-
-Perhaps it wasn't all Sally's imagination;
-the boy did look nervous,
-and there was a drawn, white look
-to his thin young face. His father
-said gently, "Harry, Mother tells
-me she saw you blinking, as if your
-eyes were tired, when you were
-looking into the microscope today.
-You know if you look too much, it
-can be a strain on your sight."
-
-Harry nodded quickly, too quickly,
-perhaps. "Yes, Dad," he said. "I
-read that in the book. It says there
-that if you close the eye you're looking
-with for a little while, it rests
-you and your eyes don't get tired.
-So I was practising that this afternoon.
-Mother must have been
-watching me then, and got the
-wrong idea."
-
-"Oh," said Henry Chatham.
-"Well, it's good that you're trying
-to be careful. But you've got your
-mother worried, and that's not so
-good. I wish, myself, that you
-wouldn't spend all your time with
-the microscope. Don't you ever
-play baseball with the fellows any
-more?"
-
-"I haven't got time," said the
-boy, with a curious stubborn twist
-to his mouth. "I can't right now,
-Dad." He glanced toward the
-microscope.
-
-"Your rotifers won't die if you
-leave them alone for a while. And
-if they do, there'll always be a new
-crop."
-
-"But I'd lose track of them," said
-Harry strangely. "Their lives are so
-short—they live so awfully fast. You
-don't know how fast they live."
-
-"I've seen them," answered his
-father. "I guess they're fast, all
-right." He did not know quite what
-to make of it all, so he settled himself
-in his chair with his paper.
-
-But that night, after Harry had
-gone later than usual to bed, he
-stirred himself to take down the
-book that dealt with life in pond-water.
-There was a memory pricking
-at his mind; the memory of the
-water beetle, which Harry had
-killed because, he said, he was eating
-the rotifers and their eggs. And
-the boy had said he had found that
-fact in the book.
-
-Mr. Chatham turned through the
-book; he read, with aching eyes, all
-that it said about rotifers. He
-searched for information on the
-beetle, and found there was a whole
-family of whirligig beetles. There
-was some material here on the characteristics
-and habits of the Gyrinidae,
-but nowhere did it mention the
-devouring of rotifers or their eggs
-among their customs.
-
-He tried the topical index, but
-there was no help there.
-
-Harry must have lied, thought his
-father with a whirling head. But
-why, why in God's name should he
-say he'd looked a thing up in the
-book when he must have found it
-out for himself, the hard way?
-There was no sense in it. He went
-back to the book, convinced that,
-sleepy as he was, he must have
-missed a point. The information
-simply wasn't there.
-
-He got to his feet and crossed the
-room to Harry's work table; he
-switched on the light over it and
-stood looking down at the pages of
-mystic notations. There were more
-pages now, quite a few. But none
-of them seemed to mean anything.
-The earlier pictures of rotifers
-which Harry had drawn had given
-way entirely to mysterious figures.
-
-Then the simple explanation occurred
-to him, and he switched off
-the light with a deep feeling of relief.
-Harry hadn't really *known*
-that the water beetle ate rotifers;
-he had just suspected it. And, with
-his boy's respect for fair play, he
-had hesitated to admit that he had
-executed the beetle merely on suspicion.
-
-That didn't take the lie away, but
-it removed the mystery at least.
-
-----
-
-Henry Chatham slept badly
-that night and dreamed distorted
-dreams. But when the alarm
-clock shrilled in the gray of morning,
-jarring him awake, the dream
-in which he had been immersed
-skittered away to the back of his
-mind, out of knowing, and sat there
-leering at him with strange, dark,
-glistening eyes.
-
-He dressed, washed the flat
-morning taste out of his mouth with
-coffee, and took his way to his train
-and the ten-minute ride into the
-city. On the way there, instead of
-snatching a look at the morning paper,
-he sat still in his seat, head
-bowed, trying to recapture the
-dream whose vanishing made him
-uneasy. He was superstitious about
-dreams in an up-to-date way, believing
-them not warnings from
-some Beyond outside himself, but
-from a subsconscious more knowing
-than the waking conscious mind.
-
-During the morning his work
-went slowly, for he kept pausing,
-sometimes in the midst of totalling
-a column of figures, to grasp at
-some mocking half-memory of that
-dream. At last, elbows on his desk,
-staring unseeingly at the clock on
-the wall, in the midst of the subdued
-murmur of the office, his mind
-went back to Harry, dark head
-bowed motionless over the barrel of
-his microscope, looking, always
-looking into the pale green water-gardens
-and the unseen lives of the
-beings that....
-
-All at once it came to him, the
-dream he had dreamed. *He* had
-been bending over the microscope,
-*he* had been looking into the unseen
-world, and the horror of what
-he had seen gripped him now and
-brought out the chill sweat on his
-body.
-
-For he had seen his son there in
-the clouded water, among the
-twisted glassy plants, his face turned
-upward and eyes wide in the agonized
-appeal of the drowning; and
-bubbles rising, fading. But around
-him had been a swarm of the weird
-creatures, and they had been dragging
-him down, down, blurring out
-of focus, and their great dark eyes
-glistening wetly, coldly....
-
-He was sitting rigid at his desk,
-his work forgotten; all at once he
-saw the clock and noticed with a
-start that it was already eleven a.m.
-A fear he could not define seized on
-him, and his hand reached spasmodically
-for the telephone on his
-desk.
-
-But before he touched it, it began
-ringing.
-
-After a moment's paralysis, he
-picked up the receiver. It was his
-wife's voice that came shrilly over
-the wires.
-
-"Henry!" she cried. "Is that
-you?"
-
-"Hello, Sally," he said with stiff
-lips. Her voice as she answered
-seemed to come nearer and go farther
-away, and he realized that his
-hand holding the instrument was
-shaking.
-
-"Henry, you've got to come home
-right now. Harry's sick. He's got a
-high fever, and he's been asking for
-you."
-
-He moistened his lips and said,
-"I'll be right home. I'll take a taxi."
-
-"Hurry!" she exclaimed. "He's
-been saying queer things. I think
-he's delirious." She paused, and
-added, "And it's all the fault of that
-microscope *you* bought him!"
-
-"I'll be right home," he repeated
-dully.
-
-----
-
-His wife was not at the door
-to meet him; she must be upstairs,
-in Harry's bedroom. He
-paused in the living room and
-glanced toward the table that bore
-the microscope; the black, gleaming
-thing still stood there, but he
-did not see any of the slides, and
-the papers were piled neatly together
-to one side. His eyes fell on
-the fish bowl; it was empty, clean
-and shining. He knew Harry hadn't
-done those things; that was Sally's
-neatness.
-
-Abruptly, instead of going
-straight up the stairs, he moved to
-the table and looked down at the
-pile of papers. The one on top was
-almost blank; on it was written several
-times: rty34pr ... rty34pr....
-His memory for figure combinations
-served him; he remembered what
-had been written on another page:
-"rty34pr is the pond."
-
-That made him think of the
-pond, lying quiescent under its
-green scum and trailing plants at
-the end of the garden. A step on the
-stair jerked him around.
-
-It was his wife, of course. She
-said in a voice sharp-edged with apprehension:
-"What are you doing
-down here? Harry wants you. The
-doctor hasn't come; I phoned him
-just before I called you, but he
-hasn't come."
-
-He did not answer. Instead he
-gestured at the pile of papers, the
-empty fish bowl, an imperative
-question in his face.
-
-"I threw that dirty water back in
-the pond. It's probably what he
-caught something from. And he
-was breaking himself down, humping
-over that thing. It's *your* fault,
-for getting it for him. Are you coming?"
-She glared coldly at him,
-turning back to the stairway.
-
-"I'm coming," he said heavily,
-and followed her upstairs.
-
-Harry lay back in his bed, a low
-mound under the covers. His head
-was propped against a single pillow,
-and his eyes were half-closed, the
-lids swollen-looking, his face hotly
-flushed. He was breathing slowly as
-if asleep.
-
-But as his father entered the
-room, he opened his eyes as if with
-an effort, fixed them on him, said,
-"Dad ... I've got to tell you."
-
-Mr. Chatham took the chair by
-the bedside, quietly, leaving his wife
-to stand. He asked, "About what,
-Harry?"
-
-"About—things." The boy's eyes
-shifted to his mother, at the foot of
-his bed. "I don't want to talk to
-her. *She* thinks it's just fever. But
-you'll understand."
-
-Henry Chatham lifted his gaze to
-meet his wife's. "Maybe you'd better
-go downstairs and wait for the
-doctor, Sally."
-
-She looked hard at him, then
-turned abruptly to go out. "All
-right," she said in a thin voice, and
-closed the door softly behind her.
-
-"Now what did you want to tell
-me, Harry?"
-
-"About *them* ... the rotifers,"
-the boy said. His eyes had drifted
-half-shut again but his voice was
-clear. "They did it to me ... on
-purpose."
-
-"Did *what*?"
-
-"I don't know.... They used one
-of their cultures. They've got all
-kinds: beds of germs, under the
-leaves in the water. They've been
-growing new kinds, that will be
-worse than anything that ever was
-before.... They live so fast, they
-work so fast."
-
-Henry Chatham was silent, leaning
-forward beside the bed.
-
-"It was only a little while, before
-I found out they knew about me. I
-could see them through my microscope,
-but they could see me too....
-And they kept signaling, swimming
-and turning.... I won't tell you how
-to talk to them, because nobody
-ought to talk to them ever again.
-Because they find out more than
-they tell.... They know about us,
-now, and they hate us. They never
-knew before—that there was anybody
-but them.... So they want to
-kill us all."
-
-"But why should they want to do
-that?" asked the father, as gently as
-he could. He kept telling himself,
-"He's delirious. It's like Sally says,
-he's been wearing himself out,
-thinking too much about—the rotifers.
-But the doctor will be here
-pretty soon, the doctor will know
-what to do."
-
-"They don't like knowing that
-they aren't the only ones on Earth
-that can think. I expect people
-would be the same way."
-
-"But they're such little things,
-Harry. They can't hurt us at all."
-
-The boy's eyes opened wide,
-shadowed with terror and fever. "I
-told you, Dad—They're growing
-germs, millions and billions of them,
-*new* ones.... And they kept telling
-me to take them back to the pond,
-so they could tell all the rest, and
-they could all start getting ready—for
-war."
-
-He remembered the shapes that
-swam and crept in the green water
-gardens, with whirling cilia and
-great, cold, glistening eyes. And he
-remembered the clean, empty fish
-bowl in the window downstairs.
-
-"Don't let them, Dad," said
-Harry convulsively. "You've got to
-kill them all. The ones here and the
-ones in the pond. You've got to kill
-them good—because they don't
-mind being killed, and they lay lots
-of eggs, and their eggs can stand almost
-anything, even drying up. *And
-the eggs remember what the old
-ones knew.*"
-
-"Don't worry," said Henry Chatham
-quickly. He grasped his son's
-hand, a hot limp hand that had
-slipped from under the coverlet.
-"We'll stop them. We'll drain the
-pond."
-
-"That's swell," whispered the
-boy, his energy fading again. "I
-ought to have told you before, Dad—but
-first I was afraid you'd laugh,
-and then—I was just ... afraid...."
-
-His voice drifted away. And his
-father, looking down at the flushed
-face, saw that he seemed asleep.
-Well, that was better than the sick
-delirium—saying such strange, wild
-things—
-
-Downstairs the doctor was saying
-harshly, "All right. All right. But
-let's have a look at the patient."
-
-Henry Chatham came quietly
-downstairs; he greeted the doctor
-briefly, and did not follow him to
-Harry's bedroom.
-
-When he was left alone in the
-room, he went to the window and
-stood looking down at the microscope.
-He could not rid his head of
-strangeness: A window between
-two worlds, our world and that of
-the infinitely small, a window that
-looks both ways.
-
-After a time, he went through the
-kitchen and let himself out the back
-door, into the noonday sunlight.
-
-He followed the garden path, between
-the weed-grown beds of vegetables,
-until he came to the edge of
-the little pond. It lay there quiet in
-the sunlight, green-scummed and
-walled with stiff rank grass, a lone
-dragonfly swooping and wheeling
-above it. The image of all the stagnant
-waters, the fertile breeding-places
-of strange life, with which it
-was joined in the end by the tortuous
-hidden channels, the oozing
-pores of the Earth.
-
-And it seemed to him then that
-he glimpsed something, a hitherto
-unseen miasma, rising above the
-pool and darkening the sunlight
-ever so little. A dream, a shadow—the
-shadow of the alien dream of
-things hidden in smallness, the dark
-dream of the rotifers.
-
-The dragonfly, having seized a
-bright-winged fly that was sporting
-over the pond, descended heavily
-through the sunlit air and came to
-rest on a broad lily pad. Henry
-Chatham was suddenly afraid. He
-turned and walked slowly, wearily,
-up the path toward the house.
-
-
-
-.. class:: center
-
- **END**
-
-
- | :small-caps:`Transcribers note`: This etext was produced from IF Worlds of Science Fiction March 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.
-
-|
-|
-|
-|
-|
-
-.. _pg_end_line:
-
-\*\*\* END OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS \*\*\*
-
-.. backmatter::
-
-.. toc-entry::
- :depth: 0
-
-.. _pg-footer:
-
-A Word from Project Gutenberg
-=============================
-
-We will update this book if we find any errors.
-
-This book can be found under: http://www.gutenberg.org/ebooks/35879
-
-Creating the works from public domain print editions means that no one
-owns a United States copyright in these works, so the Foundation (and
-you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules, set
-forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg™ electronic works to
-protect the Project Gutenberg™ concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you charge
-for the eBooks, unless you receive specific permission. If you do not
-charge anything for copies of this eBook, complying with the rules is
-very easy. You may use this eBook for nearly any purpose such as
-creation of derivative works, reports, performances and research.
-They may be modified and printed and given away – you may do
-practically *anything* with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-.. _Project Gutenberg License:
-
-The Full Project Gutenberg License
-----------------------------------
-
-*Please read this before you distribute or use this work.*
-
-To protect the Project Gutenberg™ mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase “Project
-Gutenberg”), you agree to comply with all the terms of the Full
-Project Gutenberg™ License available with this file or online at
-http://www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use & Redistributing Project Gutenberg™ electronic works
-````````````````````````````````````````````````````````````````````````````````````
-
-**1.A.** By reading or using any part of this Project Gutenberg™
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg™ electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg™ electronic work and you do not agree to be bound by
-the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-**1.B.** “Project Gutenberg” is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg™ electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg™ electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg™ electronic
-works. See paragraph 1.E below.
-
-**1.C.** The Project Gutenberg Literary Archive Foundation (“the
-Foundation” or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg™ electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is in the public domain in the United
-States and you are located in the United States, we do not claim a
-right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg™ mission of promoting free
-access to electronic works by freely sharing Project Gutenberg™ works
-in compliance with the terms of this agreement for keeping the Project
-Gutenberg™ name associated with the work. You can easily comply with
-the terms of this agreement by keeping this work in the same format
-with its attached full Project Gutenberg™ License when you share it
-without charge with others.
-
-
-
-**1.D.** The copyright laws of the place where you are located also
-govern what you can do with this work. Copyright laws in most
-countries are in a constant state of change. If you are outside the
-United States, check the laws of your country in addition to the terms
-of this agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg™ work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-**1.E.** Unless you have removed all references to Project Gutenberg:
-
-**1.E.1.** The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg™ License must appear
-prominently whenever any copy of a Project Gutenberg™ work (any work
-on which the phrase “Project Gutenberg” appears, or with which the
-phrase “Project Gutenberg” is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away or
- re-use it under the terms of the Project Gutenberg License included
- with this eBook or online at http://www.gutenberg.org
-
-**1.E.2.** If an individual Project Gutenberg™ electronic work is
-derived from the public domain (does not contain a notice indicating
-that it is posted with permission of the copyright holder), the work
-can be copied and distributed to anyone in the United States without
-paying any fees or charges. If you are redistributing or providing
-access to a work with the phrase “Project Gutenberg” associated with
-or appearing on the work, you must comply either with the requirements
-of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of
-the work and the Project Gutenberg™ trademark as set forth in
-paragraphs 1.E.8 or 1.E.9.
-
-**1.E.3.** If an individual Project Gutenberg™ electronic work is
-posted with the permission of the copyright holder, your use and
-distribution must comply with both paragraphs 1.E.1 through 1.E.7 and
-any additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg™ License for all works posted
-with the permission of the copyright holder found at the beginning of
-this work.
-
-**1.E.4.** Do not unlink or detach or remove the full Project
-Gutenberg™ License terms from this work, or any files containing a
-part of this work or any other work associated with Project
-Gutenberg™.
-
-**1.E.5.** Do not copy, display, perform, distribute or redistribute
-this electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg™ License.
-
-**1.E.6.** You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg™ work in a format other
-than “Plain Vanilla ASCII” or other format used in the official
-version posted on the official Project Gutenberg™ web site
-(http://www.gutenberg.org), you must, at no additional cost, fee or
-expense to the user, provide a copy, a means of exporting a copy, or a
-means of obtaining a copy upon request, of the work in its original
-“Plain Vanilla ASCII” or other form. Any alternate format must include
-the full Project Gutenberg™ License as specified in paragraph 1.E.1.
-
-**1.E.7.** Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg™ works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-**1.E.8.** You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg™ electronic works provided
-that
-
-.. class:: open
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg™ works calculated using the method you
- already use to calculate your applicable taxes. The fee is owed to
- the owner of the Project Gutenberg™ trademark, but he has agreed to
- donate royalties under this paragraph to the Project Gutenberg
- Literary Archive Foundation. Royalty payments must be paid within 60
- days following each date on which you prepare (or are legally
- required to prepare) your periodic tax returns. Royalty payments
- should be clearly marked as such and sent to the Project Gutenberg
- Literary Archive Foundation at the address specified in Section 4,
- “Information about donations to the Project Gutenberg Literary
- Archive Foundation.”
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg™
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg™
- works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg™ works.
-
-**1.E.9.** If you wish to charge a fee or distribute a Project
-Gutenberg™ electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and
-Michael Hart, the owner of the Project Gutenberg™ trademark. Contact
-the Foundation as set forth in Section 3. below.
-
-**1.F.**
-
-**1.F.1.** Project Gutenberg volunteers and employees expend
-considerable effort to identify, do copyright research on, transcribe
-and proofread public domain works in creating the Project Gutenberg™
-collection. Despite these efforts, Project Gutenberg™ electronic
-works, and the medium on which they may be stored, may contain
-“Defects,” such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-**1.F.2.** LIMITED WARRANTY, DISCLAIMER OF DAMAGES – Except for the
-“Right of Replacement or Refund” described in paragraph 1.F.3, the
-Project Gutenberg Literary Archive Foundation, the owner of the
-Project Gutenberg™ trademark, and any other party distributing a
-Project Gutenberg™ electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-**1.F.3.** LIMITED RIGHT OF REPLACEMENT OR REFUND – If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-**1.F.4.** Except for the limited right of replacement or refund set
-forth in paragraph 1.F.3, this work is provided to you ‘AS-IS,’ WITH
-NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-**1.F.5.** Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-**1.F.6.** INDEMNITY – You agree to indemnify and hold the Foundation,
-the trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg™ electronic works in accordance
-with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg™
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg™ work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg™ work, and (c) any
-Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg™
-``````````````````````````````````````````````````````````````
-
-Project Gutenberg™ is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg™'s
-goals and ensuring that the Project Gutenberg™ collection will remain
-freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg™ and future generations. To
-learn more about the Project Gutenberg Literary Archive Foundation and
-how your efforts and donations can help, see Sections 3 and 4 and the
-Foundation web page at http://www.pglaf.org .
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-``````````````````````````````````````````````````````````````````````````````
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Its 501(c)(3) letter is posted at
-http://www.gutenberg.org/fundraising/pglaf . Contributions to the
-Project Gutenberg Literary Archive Foundation are tax deductible to
-the full extent permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr.
-S. Fairbanks, AK, 99712., but its volunteers and employees are
-scattered throughout numerous locations. Its business office is
-located at 809 North 1500 West, Salt Lake City, UT 84116, (801)
-596-1887, email business@pglaf.org. Email contact links and up to date
-contact information can be found at the Foundation's web site and
-official page at http://www.pglaf.org
-
-For additional contact information:
-
- | Dr. Gregory B. Newby
- | Chief Executive and Director
- | gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-```````````````````````````````````````````````````````````````````````````````````````````
-
-Project Gutenberg™ depends upon and cannot survive without wide spread
-public support and donations to carry out its mission of increasing
-the number of public domain and licensed works that can be freely
-distributed in machine readable form accessible by the widest array of
-equipment including outdated equipment. Many small donations ($1 to
-$5,000) are particularly important to maintaining tax exempt status
-with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit http://www.gutenberg.org/fundraising/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: http://www.gutenberg.org/fundraising/donate
-
-
-Section 5. General Information About Project Gutenberg™ electronic works.
-`````````````````````````````````````````````````````````````````````````
-
-
-Professor Michael S. Hart is the originator of the Project Gutenberg™
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg™ eBooks with only a loose network of volunteer support.
-
-Project Gutenberg™ eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the
-U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Each eBook is in a subdirectory of the same number as the eBook's
-eBook number, often in several formats including plain vanilla ASCII,
-compressed (zipped), HTML and others.
-
-Corrected *editions* of our eBooks replace the old file and take over
-the old filename and etext number. The replaced older file is
-renamed. *Versions* based on separate sources are treated as new
-eBooks receiving new filenames and etext numbers.
-
-Most people start at our Web site which has the main PG search
-facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg™, including
-how to make donations to the Project Gutenberg Literary Archive
-Foundation, how to help produce our new eBooks, and how to subscribe
-to our email newsletter to hear about new eBooks.
-
diff --git a/35879-rst/images/cover.jpg b/35879-rst/images/cover.jpg
deleted file mode 100644
index 5309d98..0000000
--- a/35879-rst/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/35879-rst/images/im1.jpg b/35879-rst/images/im1.jpg
deleted file mode 100644
index 3c639ae..0000000
--- a/35879-rst/images/im1.jpg
+++ /dev/null
Binary files differ
diff --git a/35879.txt b/35879.txt
deleted file mode 100644
index c57f709..0000000
--- a/35879.txt
+++ /dev/null
@@ -1,1056 +0,0 @@
- THE ROTIFERS
-
-
-This eBook is for the use of anyone anywhere at no cost and with almost
-no restrictions whatsoever. You may copy it, give it away or re-use it
-under the terms of the Project Gutenberg License included with this
-eBook or online at http://www.gutenberg.org/license.
-
-Title: The Rotifers
-
-Author: Robert Abernathy
-
-Release Date: April 16, 2011 [EBook #35879]
-
-Language: English
-
-Character set encoding: US-ASCII
-
-*** START OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS ***
-
-
-
-
-Produced by Frank van Drogen, Greg Weeks, and the Online Distributed
-Proofreading Team at http://www.pgdp.net.
-
-
-
-
-
- THE ROTIFERS
-
- BY Robert Abernathy
-
- _Beneath the stagnant water shadowed by water lilies Harry found
- the fascinating world of the rotifers--but it was their world,
- and they resented intrusion._
-
- _Illustrated by Virgil Finlay_
-
-Henry Chatham knelt by the brink of his garden pond, a glass fish bowl
-cupped in his thin, nervous hands. Carefully he dipped the bowl into the
-green-scummed water and, moving it gently, let trailing streamers of
-submerged water weeds drift into it. Then he picked up the old scissors
-he had laid on the bank, and clipped the stems of the floating plants,
-getting as much of them as he could in the container.
-
-When he righted the bowl and got stiffly to his feet, it contained, he
-thought hopefully, a fair cross-section of fresh-water plankton. He was
-pleased with himself for remembering that term from the book he had
-studied assiduously for the last few nights in order to be able to cope
-with Harry's inevitable questions.
-
-There was even a shiny black water beetle doing insane circles on the
-surface of the water in the fish bowl. At sight of the insect, the eyes
-of the twelve-year-old boy, who had been standing by in silent
-expectation, widened with interest.
-
-"What's that thing, Dad?" he asked excitedly. "What's that crazy bug?"
-
-"I don't know its scientific name, I'm afraid," said Henry Chatham. "But
-when I was a boy we used to call them whirligig beetles."
-
-"He doesn't seem to think he has enough room in the bowl," said Harry
-thoughtfully. "Maybe we better put him back in the pond, Dad."
-
-"I thought you might want to look at him through the microscope," the
-father said in some surprise.
-
-"I think we ought to put him back," insisted Harry. Mr. Chatham held the
-dripping bowl obligingly. Harry's hand, a thin boy's hand with narrow
-sensitive fingers, hovered over the water, and when the beetle paused
-for a moment in its gyrations, made a dive for it.
-
-But the whirligig beetle saw the hand coming, and, quicker than a wink,
-plunged under the water and scooted rapidly to the very bottom of the
-bowl.
-
-Harry's young face was rueful; he wiped his wet hand on his trousers. "I
-guess he wants to stay," he supposed.
-
-The two went up the garden path together and into the house, Mr. Chatham
-bearing the fish bowl before him like a votive offering. Harry's mother
-met them at the door, brandishing an old towel.
-
-"Here," she said firmly, "you wipe that thing off before you bring it in
-the house. And don't drip any of that dirty pond water on my good
-carpet."
-
-"It's not dirty," said Henry Chatham. "It's just full of life, plants
-and animals too small for the eye to see. But Harry's going to see them
-with his microscope." He accepted the towel and wiped the water and
-slime from the outside of the bowl; then, in the living-room, he set it
-beside an open window, where the life-giving summer sun slanted in and
-fell on the green plants.
-
- ----
-
-The brand-new microscope stood nearby, in a good light. It was an
-expensive microscope, no toy for a child, and it magnified four hundred
-diameters. Henry Chatham had bought it because he believed that his only
-son showed a desire to peer into the mysteries of smallness, and so far
-Harry had not disappointed him; he had been ecstatic over the
-instrument. Together they had compared hairs from their two heads, had
-seen the point of a fine sewing needle made to look like the tip of a
-crowbar by the lowest power of the microscope, had made grains of salt
-look like discarded chunks of glass brick, had captured a house-fly and
-marvelled at its clawed hairy feet, its great red faceted eyes, and the
-delicate veining and fringing of its wings.
-
-Harry was staring at the bowl of pond water in a sort of fascination.
-"Are there germs in the water, Dad? Mother says pond water is full of
-germs."
-
-"I suppose so," answered Mr. Chatham, somewhat embarrassed. The book on
-microscopic fresh-water fauna had been explicit about _Paramecium_ and
-_Euglena_, diatomes and rhizopods, but it had failed to mention anything
-so vulgar as germs. But he supposed that which the book called Protozoa,
-the one-celled animalcules, were the same as germs.
-
-He said, "To look at things in water like this, you want to use a
-well-slide. It tells how to fix one in the instruction book."
-
-He let Harry find the glass slide with a cup ground into it, and another
-smooth slip of glass to cover it. Then he half-showed, half-told him how
-to scrape gently along the bottom sides of the drifting leaves, to
-capture the teeming life that dwelt there in the slime. When the boy
-understood, his young hands were quickly more skillful than his
-father's; they filled the well with a few drops of water that was
-promisingly green and murky.
-
-Already Harry knew how to adjust the lighting mirror under the stage of
-the microscope and turn the focusing screws. He did so, bent intently
-over the eyepiece, squinting down the polished barrel in the happy
-expectation of wonders.
-
-Henry Chatham's eyes wandered to the fish bowl, where the whirligig
-beetle had come to the top again and was describing intricate patterns
-among the water plants. He looked back to his son, and saw that Harry
-had ceased to turn the screws and instead was just looking--looking with
-a rapt, delicious fixity. His hands lay loosely clenched on the table
-top, and he hardly seemed to breathe. Only once or twice his lips moved
-as if to shape an exclamation that was snatched away by some new vision.
-
-"Have you got it, Harry?" asked his father after two or three minutes
-during which the boy did not move.
-
-Harry took a last long look, then glanced up, blinking slightly.
-
-"You look, Dad!" he exclaimed warmly. "It's--it's like a garden in the
-water, full of funny little people!"
-
-Mr. Chatham, not reluctantly, bent to gaze into the eyepiece. This was
-new to him too, and instantly he saw the aptness of Harry's simile.
-There was a garden there, of weird, green, transparent stalks composed
-of plainly visible cells fastened end to end, with globules and bladders
-like fruits or seed-pods attached to them, floating among them; and in
-the garden the strange little people swam to and fro, or clung with odd
-appendages to the stalks and branches. Their bodies were transparent
-like the plants, and in them were pulsing hearts and other organs
-plainly visible. They looked a little like sea horses with pointed
-tails, but their heads were different, small and rounded, with big,
-dark, glistening eyes.
-
-All at once Mr. Chatham realized that Harry was speaking to him, still
-in high excitement.
-
-"What are they, Dad?" he begged to know.
-
-His father straightened up and shook his head puzzledly. "I don't know,
-Harry," he answered slowly, casting about in his memory. He seemed to
-remember a microphotograph of a creature like those in the book he had
-studied, but the name that had gone with it eluded him. He had worked as
-an accountant for so many years that his memory was all for figures now.
-
-He bent over once more to immerse his eyes and mind in the green
-water-garden on the slide. The little creatures swam to and fro as
-before, growing hazy and dwindling or swelling as they swam out of the
-narrow focus of the lens; he gazed at those who paused in sharp
-definition, and saw that, although he had at first seen no visible means
-of propulsion, each creature bore about its head a halo of thread-like,
-flickering cilia that lashed the water and drew it forward, for all the
-world like an airplane propeller or a rapidly turning wheel.
-
-"I know what they are!" exclaimed Henry Chatham, turning to his son with
-an almost boyish excitement. "They're rotifers! That means
-'wheel-bearers', and they were called that because to the first
-scientists who saw them it looked like they swam with wheels."
-
-Harry had got down the book and was leafing through the pages. He looked
-up seriously. "Here they are," he said. "Here's a picture that looks
-almost like the ones in our pond water."
-
-"Let's see," said his father. They looked at the pictures and
-descriptions of the Rotifera; there was a good deal of concrete
-information on the habits and physiology of these odd and complex little
-animals who live their swarming lives in the shallow, stagnant waters of
-the Earth. It said that they were much more highly organized than
-Protozoa, having a discernible heart, brain, digestive system, and
-nervous system, and that their reproduction was by means of two sexes
-like that of the higher orders. Beyond that, they were a mystery; their
-relationship to other life-forms remained shrouded in doubt.
-
-"You've got something interesting there," said Henry Chatham with
-satisfaction. "Maybe you'll find out something about them that nobody
-knows yet."
-
-He was pleased when Harry spent all the rest of that Sunday afternoon
-peering into the microscope, watching the rotifers, and even more
-pleased when the boy found a pencil and paper and tried, in an
-amateurish way, to draw and describe what he saw in the green
-water-garden.
-
-Beyond a doubt, Henry thought, here was a hobby that had captured Harry
-as nothing else ever had.
-
- ----
-
-Mrs. Chatham was not so pleased. When her husband laid down his evening
-paper and went into the kitchen for a drink of water, she cornered him
-and hissed at him: "I told you you had no business buying Harry a thing
-like that! If he keeps on at this rate, he'll wear his eyes out in no
-time."
-
-Henry Chatham set down his water glass and looked straight at his wife.
-"Sally, Harry's eyes are young and he's using them to learn with. You've
-never been much worried over me, using my eyes up eight hours a day,
-five days a week, over a blind-alley bookkeeping job."
-
-He left her angrily silent and went back to his paper. He would lower
-the paper every now and then to watch Harry, in his corner of the
-living-room, bowed obliviously over the microscope and the secret life
-of the rotifers.
-
-Once the boy glanced up from his periodic drawing and asked, with the
-air of one who proposes a pondered question: "Dad, if you look through a
-microscope the wrong way is it a telescope?"
-
-Mr. Chatham lowered his paper and bit his underlip. "I don't think
-so--no, I don't know. When you look through a microscope, it makes
-things seem closer--one way, that is; if you looked the other way, it
-would probably make them seem farther off. What did you want to know
-for?"
-
-"Oh--nothing," Harry turned back to his work. As if on after-thought, he
-explained, "I was wondering if the rotifers could see me when I'm
-looking at them."
-
-Mr. Chatham laughed, a little nervously, because the strange fancies
-which his son sometimes voiced upset his ordered mind. Remembering the
-dark glistening eyes of the rotifers he had seen, however, he could
-recognize whence this question had stemmed.
-
-At dusk, Harry insisted on setting up the substage lamp which had been
-bought with the microscope, and by whose light he could go on looking
-until his bedtime, when his father helped him arrange a wick to feed the
-little glass-covered well in the slide so it would not dry up before
-morning. It was unwillingly, and only after his mother's strenuous
-complaints, that the boy went to bed at ten o'clock.
-
-In the following days his interest became more and more intense. He
-spent long hours, almost without moving, watching the rotifers. For the
-little animals had become the sole object which he desired to study
-under the microscope, and even his father found it difficult to
-understand such an enthusiasm.
-
-During the long hours at the office to which he commuted, Henry Chatham
-often found the vision of his son, absorbed with the invisible world
-that the microscope had opened to him, coming between him and the
-columns in the ledgers. And sometimes, too, he envisioned the dim green
-water-garden where the little things swam to and fro, and a strangeness
-filled his thoughts.
-
-On Wednesday evening, he glanced at the fish bowl and noticed that the
-water beetle, the whirligig beetle, was missing. Casually, he asked his
-son about it.
-
-"I had to get rid of him," said the boy with a trace of uneasiness in
-his manner. "I took him out and squashed him."
-
-"Why did you have to do that?"
-
-"He was eating the rotifers and their eggs," said Harry, with what
-seemed to be a touch of remembered anger at the beetle. He glanced
-toward his work-table, where three or four well-slides with small green
-pools under their glass covers now rested in addition to the one that
-was under the microscope.
-
-"How did you find out he was eating them?" inquired Mr. Chatham, feeling
-a warmth of pride at the thought that Harry had discovered such a
-scientific fact for himself.
-
-The boy hesitated oddly. "I--I looked it up in the book," he answered.
-
-His father masked his faint disappointment. "That's fine," he said. "I
-guess you find out more about them all the time."
-
-"Uh-huh," admitted Harry, turning back to his table.
-
-There was undoubtedly something a little strange about Harry's manner;
-and now Mr. Chatham realized that it had been two days since Harry had
-asked him to "Quick, take a look!" at the newest wonder he had
-discovered. With this thought teasing at his mind, the father walked
-casually over to the table where his son sat hunched and, looking down
-at the litter of slides and papers--some of which were covered with
-figures and scribblings of which he could make nothing. He said
-diffidently, "How about a look?"
-
-Harry glanced up as if startled. He was silent a moment; then he slid
-reluctantly from his chair and said, "All right."
-
-Mr. Chatham sat down and bent over the microscope. Puzzled and a little
-hurt, he twirled the focusing vernier and peered into the eyepiece,
-looking down once more into the green water world of the rotifers.
-
- ----
-
-There was a swarm of them under the lens, and they swam lazily to and
-fro, their cilia beating like miniature propellers. Their dark eyes
-stared, wet and glistening; they drifted in the motionless water, and
-clung with sucker-like pseudo-feet to the tangled plant stems.
-
-Then, as he almost looked away, one of them detached itself from the
-group and swam upward, toward him, growing larger and blurring as it
-rose out of the focus of the microscope. The last thing that remained
-defined, before it became a shapeless gray blob and vanished, was the
-dark blotches of the great cold eyes, seeming to stare full at
-him--cold, motionless, but alive.
-
-It was a curious experience. Henry Chatham drew suddenly back from the
-eyepiece, with an involuntary shudder that he could not explain to
-himself. He said haltingly, "They look interesting."
-
-"Sure, Dad," said Harry. He moved to occupy the chair again, and his
-dark young head bowed once more over the microscope. His father walked
-back across the room and sank gratefully into his arm-chair--after all,
-it had been a hard day at the office. He watched Harry work the focusing
-screws as if trying to find something, then take his pencil and begin to
-write quickly and impatiently.
-
-It was with a guilty feeling of prying that, after Harry had been sent
-reluctantly to bed, Henry Chatham took a tentative look at those papers
-which lay in apparent disorder on his son's work table. He frowned
-uncomprehendingly at the things that were written there; it was neither
-mathematics nor language, but many of the scribblings were jumbles of
-letters and figures. It looked like code, and he remembered that less
-than a year ago, Harry had been passionately interested in cryptography,
-and had shown what his father, at least, believed to be a considerable
-aptitude for such things.... But what did cryptography have to do with
-microscopy, or codes with--rotifers?
-
-Nowhere did there seem to be a key, but there were occasional words and
-phrases jotted into the margins of some of the sheets. Mr. Chatham read
-these, and learned nothing. "Can't dry up, but they can," said one.
-"Beds of germs," said another. And in the corner of one sheet, "1--Yes.
-2--No." The only thing that looked like a translation was the note:
-"rty34pr is the pond."
-
-Mr. Chatham shook his head bewilderedly, replacing the sheets carefully
-as they had been. Why should Harry want to keep notes on his scientific
-hobby in code? he wondered, rationalizing even as he wondered. He went
-to bed still puzzling, but it did not keep him from sleeping, for he was
-tired.
-
-Then, only the next evening, his wife maneuvered to get him alone with
-her and burst out passionately:
-
-"Henry, I told you that microscope was going to ruin Harry's eyesight! I
-was watching him today when he didn't know I was watching him, and I saw
-him winking and blinking right while he kept on looking into the thing.
-I was minded to stop him then and there, but I want you to assert _your_
-authority with him and tell him he can't go on."
-
-Henry Chatham passed one nervous hand over his own aching eyes. He asked
-mildly, "Are you sure it wasn't just your imagination, Sally? After all,
-a person blinks quite normally, you know."
-
-"It was not my imagination!" snapped Mrs. Chatham. "I know the symptoms
-of eyestrain when I see them, I guess. You'll have to stop Harry using
-that thing so much, or else be prepared to buy him glasses."
-
-"All right, Sally," said Mr. Chatham wearily. "I'll see if I can't
-persuade him to be a little more moderate."
-
-He went slowly into the living-room. At the moment, Harry was not using
-the microscope; instead, he seemed to be studying one of his cryptic
-pages of notes. As his father entered, he looked up sharply and swiftly
-laid the sheet down--face down.
-
-Perhaps it wasn't all Sally's imagination; the boy did look nervous, and
-there was a drawn, white look to his thin young face. His father said
-gently, "Harry, Mother tells me she saw you blinking, as if your eyes
-were tired, when you were looking into the microscope today. You know if
-you look too much, it can be a strain on your sight."
-
-Harry nodded quickly, too quickly, perhaps. "Yes, Dad," he said. "I read
-that in the book. It says there that if you close the eye you're looking
-with for a little while, it rests you and your eyes don't get tired. So
-I was practising that this afternoon. Mother must have been watching me
-then, and got the wrong idea."
-
-"Oh," said Henry Chatham. "Well, it's good that you're trying to be
-careful. But you've got your mother worried, and that's not so good. I
-wish, myself, that you wouldn't spend all your time with the microscope.
-Don't you ever play baseball with the fellows any more?"
-
-"I haven't got time," said the boy, with a curious stubborn twist to his
-mouth. "I can't right now, Dad." He glanced toward the microscope.
-
-"Your rotifers won't die if you leave them alone for a while. And if
-they do, there'll always be a new crop."
-
-"But I'd lose track of them," said Harry strangely. "Their lives are so
-short--they live so awfully fast. You don't know how fast they live."
-
-"I've seen them," answered his father. "I guess they're fast, all
-right." He did not know quite what to make of it all, so he settled
-himself in his chair with his paper.
-
-But that night, after Harry had gone later than usual to bed, he stirred
-himself to take down the book that dealt with life in pond-water. There
-was a memory pricking at his mind; the memory of the water beetle, which
-Harry had killed because, he said, he was eating the rotifers and their
-eggs. And the boy had said he had found that fact in the book.
-
-Mr. Chatham turned through the book; he read, with aching eyes, all that
-it said about rotifers. He searched for information on the beetle, and
-found there was a whole family of whirligig beetles. There was some
-material here on the characteristics and habits of the Gyrinidae, but
-nowhere did it mention the devouring of rotifers or their eggs among
-their customs.
-
-He tried the topical index, but there was no help there.
-
-Harry must have lied, thought his father with a whirling head. But why,
-why in God's name should he say he'd looked a thing up in the book when
-he must have found it out for himself, the hard way? There was no sense
-in it. He went back to the book, convinced that, sleepy as he was, he
-must have missed a point. The information simply wasn't there.
-
-He got to his feet and crossed the room to Harry's work table; he
-switched on the light over it and stood looking down at the pages of
-mystic notations. There were more pages now, quite a few. But none of
-them seemed to mean anything. The earlier pictures of rotifers which
-Harry had drawn had given way entirely to mysterious figures.
-
-Then the simple explanation occurred to him, and he switched off the
-light with a deep feeling of relief. Harry hadn't really _known_ that
-the water beetle ate rotifers; he had just suspected it. And, with his
-boy's respect for fair play, he had hesitated to admit that he had
-executed the beetle merely on suspicion.
-
-That didn't take the lie away, but it removed the mystery at least.
-
- ----
-
-Henry Chatham slept badly that night and dreamed distorted dreams. But
-when the alarm clock shrilled in the gray of morning, jarring him awake,
-the dream in which he had been immersed skittered away to the back of
-his mind, out of knowing, and sat there leering at him with strange,
-dark, glistening eyes.
-
-He dressed, washed the flat morning taste out of his mouth with coffee,
-and took his way to his train and the ten-minute ride into the city. On
-the way there, instead of snatching a look at the morning paper, he sat
-still in his seat, head bowed, trying to recapture the dream whose
-vanishing made him uneasy. He was superstitious about dreams in an
-up-to-date way, believing them not warnings from some Beyond outside
-himself, but from a subsconscious more knowing than the waking conscious
-mind.
-
-During the morning his work went slowly, for he kept pausing, sometimes
-in the midst of totalling a column of figures, to grasp at some mocking
-half-memory of that dream. At last, elbows on his desk, staring
-unseeingly at the clock on the wall, in the midst of the subdued murmur
-of the office, his mind went back to Harry, dark head bowed motionless
-over the barrel of his microscope, looking, always looking into the pale
-green water-gardens and the unseen lives of the beings that....
-
-All at once it came to him, the dream he had dreamed. _He_ had been
-bending over the microscope, _he_ had been looking into the unseen
-world, and the horror of what he had seen gripped him now and brought
-out the chill sweat on his body.
-
-For he had seen his son there in the clouded water, among the twisted
-glassy plants, his face turned upward and eyes wide in the agonized
-appeal of the drowning; and bubbles rising, fading. But around him had
-been a swarm of the weird creatures, and they had been dragging him
-down, down, blurring out of focus, and their great dark eyes glistening
-wetly, coldly....
-
-He was sitting rigid at his desk, his work forgotten; all at once he saw
-the clock and noticed with a start that it was already eleven a.m. A
-fear he could not define seized on him, and his hand reached
-spasmodically for the telephone on his desk.
-
-But before he touched it, it began ringing.
-
-After a moment's paralysis, he picked up the receiver. It was his wife's
-voice that came shrilly over the wires.
-
-"Henry!" she cried. "Is that you?"
-
-"Hello, Sally," he said with stiff lips. Her voice as she answered
-seemed to come nearer and go farther away, and he realized that his hand
-holding the instrument was shaking.
-
-"Henry, you've got to come home right now. Harry's sick. He's got a high
-fever, and he's been asking for you."
-
-He moistened his lips and said, "I'll be right home. I'll take a taxi."
-
-"Hurry!" she exclaimed. "He's been saying queer things. I think he's
-delirious." She paused, and added, "And it's all the fault of that
-microscope _you_ bought him!"
-
-"I'll be right home," he repeated dully.
-
- ----
-
-His wife was not at the door to meet him; she must be upstairs, in
-Harry's bedroom. He paused in the living room and glanced toward the
-table that bore the microscope; the black, gleaming thing still stood
-there, but he did not see any of the slides, and the papers were piled
-neatly together to one side. His eyes fell on the fish bowl; it was
-empty, clean and shining. He knew Harry hadn't done those things; that
-was Sally's neatness.
-
-Abruptly, instead of going straight up the stairs, he moved to the table
-and looked down at the pile of papers. The one on top was almost blank;
-on it was written several times: rty34pr ... rty34pr.... His memory for
-figure combinations served him; he remembered what had been written on
-another page: "rty34pr is the pond."
-
-That made him think of the pond, lying quiescent under its green scum
-and trailing plants at the end of the garden. A step on the stair jerked
-him around.
-
-It was his wife, of course. She said in a voice sharp-edged with
-apprehension: "What are you doing down here? Harry wants you. The doctor
-hasn't come; I phoned him just before I called you, but he hasn't come."
-
-He did not answer. Instead he gestured at the pile of papers, the empty
-fish bowl, an imperative question in his face.
-
-"I threw that dirty water back in the pond. It's probably what he caught
-something from. And he was breaking himself down, humping over that
-thing. It's _your_ fault, for getting it for him. Are you coming?" She
-glared coldly at him, turning back to the stairway.
-
-"I'm coming," he said heavily, and followed her upstairs.
-
-Harry lay back in his bed, a low mound under the covers. His head was
-propped against a single pillow, and his eyes were half-closed, the lids
-swollen-looking, his face hotly flushed. He was breathing slowly as if
-asleep.
-
-But as his father entered the room, he opened his eyes as if with an
-effort, fixed them on him, said, "Dad ... I've got to tell you."
-
-Mr. Chatham took the chair by the bedside, quietly, leaving his wife to
-stand. He asked, "About what, Harry?"
-
-"About--things." The boy's eyes shifted to his mother, at the foot of
-his bed. "I don't want to talk to her. _She_ thinks it's just fever. But
-you'll understand."
-
-Henry Chatham lifted his gaze to meet his wife's. "Maybe you'd better go
-downstairs and wait for the doctor, Sally."
-
-She looked hard at him, then turned abruptly to go out. "All right," she
-said in a thin voice, and closed the door softly behind her.
-
-"Now what did you want to tell me, Harry?"
-
-"About _them_ ... the rotifers," the boy said. His eyes had drifted
-half-shut again but his voice was clear. "They did it to me ... on
-purpose."
-
-"Did _what_?"
-
-"I don't know.... They used one of their cultures. They've got all
-kinds: beds of germs, under the leaves in the water. They've been
-growing new kinds, that will be worse than anything that ever was
-before.... They live so fast, they work so fast."
-
-Henry Chatham was silent, leaning forward beside the bed.
-
-"It was only a little while, before I found out they knew about me. I
-could see them through my microscope, but they could see me too.... And
-they kept signaling, swimming and turning.... I won't tell you how to
-talk to them, because nobody ought to talk to them ever again. Because
-they find out more than they tell.... They know about us, now, and they
-hate us. They never knew before--that there was anybody but them.... So
-they want to kill us all."
-
-"But why should they want to do that?" asked the father, as gently as he
-could. He kept telling himself, "He's delirious. It's like Sally says,
-he's been wearing himself out, thinking too much about--the rotifers.
-But the doctor will be here pretty soon, the doctor will know what to
-do."
-
-"They don't like knowing that they aren't the only ones on Earth that
-can think. I expect people would be the same way."
-
-"But they're such little things, Harry. They can't hurt us at all."
-
-The boy's eyes opened wide, shadowed with terror and fever. "I told you,
-Dad--They're growing germs, millions and billions of them, _new_
-ones.... And they kept telling me to take them back to the pond, so they
-could tell all the rest, and they could all start getting ready--for
-war."
-
-He remembered the shapes that swam and crept in the green water gardens,
-with whirling cilia and great, cold, glistening eyes. And he remembered
-the clean, empty fish bowl in the window downstairs.
-
-"Don't let them, Dad," said Harry convulsively. "You've got to kill them
-all. The ones here and the ones in the pond. You've got to kill them
-good--because they don't mind being killed, and they lay lots of eggs,
-and their eggs can stand almost anything, even drying up. _And the eggs
-remember what the old ones knew._"
-
-"Don't worry," said Henry Chatham quickly. He grasped his son's hand, a
-hot limp hand that had slipped from under the coverlet. "We'll stop
-them. We'll drain the pond."
-
-"That's swell," whispered the boy, his energy fading again. "I ought to
-have told you before, Dad--but first I was afraid you'd laugh, and
-then--I was just ... afraid...."
-
-His voice drifted away. And his father, looking down at the flushed
-face, saw that he seemed asleep. Well, that was better than the sick
-delirium--saying such strange, wild things--
-
-Downstairs the doctor was saying harshly, "All right. All right. But
-let's have a look at the patient."
-
-Henry Chatham came quietly downstairs; he greeted the doctor briefly,
-and did not follow him to Harry's bedroom.
-
-When he was left alone in the room, he went to the window and stood
-looking down at the microscope. He could not rid his head of
-strangeness: A window between two worlds, our world and that of the
-infinitely small, a window that looks both ways.
-
-After a time, he went through the kitchen and let himself out the back
-door, into the noonday sunlight.
-
-He followed the garden path, between the weed-grown beds of vegetables,
-until he came to the edge of the little pond. It lay there quiet in the
-sunlight, green-scummed and walled with stiff rank grass, a lone
-dragonfly swooping and wheeling above it. The image of all the stagnant
-waters, the fertile breeding-places of strange life, with which it was
-joined in the end by the tortuous hidden channels, the oozing pores of
-the Earth.
-
-And it seemed to him then that he glimpsed something, a hitherto unseen
-miasma, rising above the pool and darkening the sunlight ever so little.
-A dream, a shadow--the shadow of the alien dream of things hidden in
-smallness, the dark dream of the rotifers.
-
-The dragonfly, having seized a bright-winged fly that was sporting over
-the pond, descended heavily through the sunlit air and came to rest on a
-broad lily pad. Henry Chatham was suddenly afraid. He turned and walked
-slowly, wearily, up the path toward the house.
-
-
- *END*
-
-
-
- _Transcribers note_: This etext was produced from IF Worlds of Science
-Fiction March 1953. Extensive research did not uncover any evidence that
- the U.S. copyright on this publication was renewed.
-
-
-
-
-
-
-
-*** END OF THIS PROJECT GUTENBERG EBOOK THE ROTIFERS ***
-
-
-
-
-A Word from Project Gutenberg
-
-
-We will update this book if we find any errors.
-
-This book can be found under: http://www.gutenberg.org/ebooks/35879
-
-Creating the works from public domain print editions means that no one
-owns a United States copyright in these works, so the Foundation (and
-you!) can copy and distribute it in the United States without permission
-and without paying copyright royalties. Special rules, set forth in the
-General Terms of Use part of this license, apply to copying and
-distributing Project Gutenberg(tm) electronic works to protect the
-Project Gutenberg(tm) concept and trademark. Project Gutenberg is a
-registered trademark, and may not be used if you charge for the eBooks,
-unless you receive specific permission. If you do not charge anything
-for copies of this eBook, complying with the rules is very easy. You may
-use this eBook for nearly any purpose such as creation of derivative
-works, reports, performances and research. They may be modified and
-printed and given away - you may do practically _anything_ with public
-domain eBooks. Redistribution is subject to the trademark license,
-especially commercial redistribution.
-
-
-
-The Full Project Gutenberg License
-
-
-_Please read this before you distribute or use this work._
-
-To protect the Project Gutenberg(tm) mission of promoting the free
-distribution of electronic works, by using or distributing this work (or
-any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg(tm) License available with this file or online at
-http://www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use & Redistributing Project Gutenberg(tm)
-electronic works
-
-
-*1.A.* By reading or using any part of this Project Gutenberg(tm)
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all the
-terms of this agreement, you must cease using and return or destroy all
-copies of Project Gutenberg(tm) electronic works in your possession. If
-you paid a fee for obtaining a copy of or access to a Project
-Gutenberg(tm) electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-*1.B.* "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few things
-that you can do with most Project Gutenberg(tm) electronic works even
-without complying with the full terms of this agreement. See paragraph
-1.C below. There are a lot of things you can do with Project
-Gutenberg(tm) electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg(tm) electronic
-works. See paragraph 1.E below.
-
-*1.C.* The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection of
-Project Gutenberg(tm) electronic works. Nearly all the individual works
-in the collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you
-from copying, distributing, performing, displaying or creating
-derivative works based on the work as long as all references to Project
-Gutenberg are removed. Of course, we hope that you will support the
-Project Gutenberg(tm) mission of promoting free access to electronic
-works by freely sharing Project Gutenberg(tm) works in compliance with
-the terms of this agreement for keeping the Project Gutenberg(tm) name
-associated with the work. You can easily comply with the terms of this
-agreement by keeping this work in the same format with its attached full
-Project Gutenberg(tm) License when you share it without charge with
-others.
-
-*1.D.* The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg(tm) work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-*1.E.* Unless you have removed all references to Project Gutenberg:
-
-*1.E.1.* The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg(tm) License must appear
-prominently whenever any copy of a Project Gutenberg(tm) work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere at no cost and with
- almost no restrictions whatsoever. You may copy it, give it away
- or re-use it under the terms of the Project Gutenberg License
- included with this eBook or online at http://www.gutenberg.org
-
-*1.E.2.* If an individual Project Gutenberg(tm) electronic work is
-derived from the public domain (does not contain a notice indicating
-that it is posted with permission of the copyright holder), the work can
-be copied and distributed to anyone in the United States without paying
-any fees or charges. If you are redistributing or providing access to a
-work with the phrase "Project Gutenberg" associated with or appearing on
-the work, you must comply either with the requirements of paragraphs
-1.E.1 through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg(tm) trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-*1.E.3.* If an individual Project Gutenberg(tm) electronic work is
-posted with the permission of the copyright holder, your use and
-distribution must comply with both paragraphs 1.E.1 through 1.E.7 and
-any additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg(tm) License for all works posted
-with the permission of the copyright holder found at the beginning of
-this work.
-
-*1.E.4.* Do not unlink or detach or remove the full Project
-Gutenberg(tm) License terms from this work, or any files containing a
-part of this work or any other work associated with Project
-Gutenberg(tm).
-
-*1.E.5.* Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg(tm) License.
-
-*1.E.6.* You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg(tm) work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg(tm) web site
-(http://www.gutenberg.org), you must, at no additional cost, fee or
-expense to the user, provide a copy, a means of exporting a copy, or a
-means of obtaining a copy upon request, of the work in its original
-"Plain Vanilla ASCII" or other form. Any alternate format must include
-the full Project Gutenberg(tm) License as specified in paragraph 1.E.1.
-
-*1.E.7.* Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg(tm) works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-*1.E.8.* You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg(tm) electronic works
-provided that
-
- - You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg(tm) works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg(tm) trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
- - You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg(tm)
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg(tm)
- works.
-
- - You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
- - You comply with all other terms of this agreement for free
- distribution of Project Gutenberg(tm) works.
-
-
-*1.E.9.* If you wish to charge a fee or distribute a Project
-Gutenberg(tm) electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg(tm) trademark. Contact the
-Foundation as set forth in Section 3. below.
-
-*1.F.*
-
-*1.F.1.* Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg(tm) collection.
-Despite these efforts, Project Gutenberg(tm) electronic works, and the
-medium on which they may be stored, may contain "Defects," such as, but
-not limited to, incomplete, inaccurate or corrupt data, transcription
-errors, a copyright or other intellectual property infringement, a
-defective or damaged disk or other medium, a computer virus, or computer
-codes that damage or cannot be read by your equipment.
-
-*1.F.2.* LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg(tm) trademark, and any other party distributing a Project
-Gutenberg(tm) electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal fees.
-YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY,
-BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN
-PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND
-ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR
-ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES
-EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
-
-*1.F.3.* LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-*1.F.4.* Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
-
-*1.F.5.* Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-*1.F.6.* INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg(tm) electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg(tm) electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg(tm)
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg(tm) work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg(tm)
-
-
-Project Gutenberg(tm) is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need, is critical to reaching Project Gutenberg(tm)'s
-goals and ensuring that the Project Gutenberg(tm) collection will remain
-freely available for generations to come. In 2001, the Project Gutenberg
-Literary Archive Foundation was created to provide a secure and
-permanent future for Project Gutenberg(tm) and future generations. To
-learn more about the Project Gutenberg Literary Archive Foundation and
-how your efforts and donations can help, see Sections 3 and 4 and the
-Foundation web page at http://www.pglaf.org .
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the state
-of Mississippi and granted tax exempt status by the Internal Revenue
-Service. The Foundation's EIN or federal tax identification number is
-64-6221541. Its 501(c)(3) letter is posted at
-http://www.gutenberg.org/fundraising/pglaf . Contributions to the
-Project Gutenberg Literary Archive Foundation are tax deductible to the
-full extent permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
-business@pglaf.org. Email contact links and up to date contact
-information can be found at the Foundation's web site and official page
-at http://www.pglaf.org
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-
-Section 4. Information about Donations to the Project Gutenberg Literary
-Archive Foundation
-
-
-Project Gutenberg(tm) depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations where
-we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit http://www.gutenberg.org/fundraising/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make any
-statements concerning tax treatment of donations received from outside
-the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other ways
-including checks, online payments and credit card donations. To donate,
-please visit: http://www.gutenberg.org/fundraising/donate
-
-
-Section 5. General Information About Project Gutenberg(tm) electronic
-works.
-
-
-Professor Michael S. Hart is the originator of the Project Gutenberg(tm)
-concept of a library of electronic works that could be freely shared
-with anyone. For thirty years, he produced and distributed Project
-Gutenberg(tm) eBooks with only a loose network of volunteer support.
-
-Project Gutenberg(tm) eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S. unless
-a copyright notice is included. Thus, we do not necessarily keep eBooks
-in compliance with any particular paper edition.
-
-Each eBook is in a subdirectory of the same number as the eBook's eBook
-number, often in several formats including plain vanilla ASCII,
-compressed (zipped), HTML and others.
-
-Corrected _editions_ of our eBooks replace the old file and take over
-the old filename and etext number. The replaced older file is renamed.
-_Versions_ based on separate sources are treated as new eBooks receiving
-new filenames and etext numbers.
-
-Most people start at our Web site which has the main PG search facility:
-
- http://www.gutenberg.org
-
-This Web site includes information about Project Gutenberg(tm),
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/35879.zip b/35879.zip
deleted file mode 100644
index 275cfaf..0000000
--- a/35879.zip
+++ /dev/null
Binary files differ