diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:06:16 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-14 20:06:16 -0700 |
| commit | a0bf4b189d0bd8f066fd8b0b6d01ad43524b1389 (patch) | |
| tree | 9b597238f82c27f38c423c0349d8abf6f02f40b1 | |
| -rw-r--r-- | .gitattributes | 3 | ||||
| -rw-r--r-- | 36661-8.txt | 5124 | ||||
| -rw-r--r-- | 36661-8.zip | bin | 0 -> 68227 bytes | |||
| -rw-r--r-- | 36661-h.zip | bin | 0 -> 81818 bytes | |||
| -rw-r--r-- | 36661-h/36661-h.htm | 6693 | ||||
| -rw-r--r-- | 36661-h/images/decoration.jpg | bin | 0 -> 3783 bytes | |||
| -rw-r--r-- | 36661.txt | 5124 | ||||
| -rw-r--r-- | 36661.zip | bin | 0 -> 68184 bytes | |||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 |
10 files changed, 16957 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..6833f05 --- /dev/null +++ b/.gitattributes @@ -0,0 +1,3 @@ +* text=auto +*.txt text +*.md text diff --git a/36661-8.txt b/36661-8.txt new file mode 100644 index 0000000..6763ba6 --- /dev/null +++ b/36661-8.txt @@ -0,0 +1,5124 @@ +The Project Gutenberg EBook of Kentucky Poems, by Madison J. Cawein + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Kentucky Poems + +Author: Madison J. Cawein + +Commentator: Edmund Gosse + +Release Date: July 9, 2011 [EBook #36661] + +Language: English + +Character set encoding: ISO-8859-1 + +*** START OF THIS PROJECT GUTENBERG EBOOK KENTUCKY POEMS *** + + + + +Produced by David Garcia, Matthew Wheaton and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + + + + + + The Author's thanks are due to Mr. R. H. RUSSELL, of New York, for + kind permission to reprint from _Shapes and Shadows_ four of the poems + published in this volume. + + + + + KENTUCKY POEMS + + BY MADISON CAWEIN + + + WITH AN INTRODUCTION BY EDMUND GOSSE + + NEW YORK + E. P. DUTTON & CO. + 1903 + + + + + NOTE + + + The poems included in this volume have been selected from the + following volumes of the author: _Moods and Memories_, _Red Leaves and + Roses_, _Poems of Nature and Love_, _Intimations of the Beautiful_, + _Days and Dreams_, _Undertones_, _Idyllic Monologues_, _The Garden of + Dreams_, _Shapes and Shadows_, _Myth and Romance_, and _Weeds by the + Wall_. None of the longer poems have been included in this selection. + + + + + CONTENTS + + + PROLOGUE + + FOREST AND FIELD + + SUMMER + + TO SORROW + + NIGHT + + A FALLEN BEECH + + A TWILIGHT MOTH + + THE GRASSHOPPER + + BEFORE THE RAIN + + AFTER RAIN + + THE HAUNTED HOUSE + + OCTOBER + + INDIAN SUMMER + + ALONG THE OHIO + + A COIGN OF THE FOREST + + CREOLE SERENADE + + WILL O' THE WISPS + + THE TOLLMAN'S DAUGHTER + + THE BOY COLUMBUS + + SONG OF THE ELF + + THE OLD INN + + THE MILL-WATER + + THE DREAM + + SPRING TWILIGHT + + A SLEET-STORM IN MAY + + UNREQUITED + + THE HEART O' SPRING + + 'A BROKEN RAINBOW ON THE SKIES OF MAY' + + ORGIE + + REVERIE + + LETHE + + DIONYSIA + + THE NAIAD + + THE LIMNAD + + INTIMATIONS + + BEFORE THE TEMPLE + + ANTHEM OF DAWN + + AT THE LANE'S END + + THE FARMSTEAD + + A FLOWER OF THE FIELDS + + THE FEUD + + LYNCHERS + + DEAD MAN'S RUN + + AUGUST + + THE BUSH-SPARROW + + QUIET + + MUSIC + + THE PURPLE VALLEYS + + A DREAM SHAPE + + THE OLD BARN + + THE WOOD WITCH + + AT SUNSET + + MAY + + RAIN + + TO FALL + + SUNSET IN AUTUMN + + THE HILLS + + CONTENT + + HEART OF MY HEART + + OCTOBER + + MYTH AND ROMANCE + + GENIUS LOCI + + DISCOVERY + + THE OLD SPRING + + THE FOREST SPRING + + TRANSMUTATION + + DEAD CITIES + + FROST + + A NIGHT IN JUNE + + THE DREAMER + + WINTER + + MID-WINTER + + SPRING + + TRANSFORMATION + + RESPONSE + + THE SWASHBUCKLER + + SIMULACRA + + CAVERNS + + THE BLUE BIRD + + QUATRAINS + + ADVENTURERS + + EPILOGUE + + + + +INTRODUCTION + + +Since the disappearance of the latest survivors of that graceful and +somewhat academic school of poets who ruled American literature so long +from the shores of Massachusetts, serious poetry in the United States +seems to have been passing through a crisis of languor. Perhaps there is +no country on the civilised globe where, in theory, verse is treated +with more respect and, in practice, with a greater lack of grave +consideration than America. No conjecture as to the reason of this must +be attempted here, further than to suggest that the extreme value set +upon sharpness, ingenuity and rapid mobility is obviously calculated to +depreciate and to condemn the quiet practice of the most meditative of +the arts. Hence we find that it is what is called 'humorous' verse which +is mainly in fashion on the western side of the Atlantic. Those rhymes +are most warmly welcomed which play the most preposterous tricks with +language, which dazzle by the most mountebank swiftness of turn, and +which depend most for their effect upon paradox and the negation of +sober thought. It is probable that the diseased craving for what is +'smart,' 'snappy' and wide-awake, and the impulse to see everything +foreshortened and topsy-turvy, must wear themselves out before cooler +and more graceful tastes again prevail in imaginative literature. + +Whatever be the cause, it is certain that this is not a moment when +serious poetry, of any species, is flourishing in the United States. The +absence of anything like a common impulse among young writers, of any +definite and intelligible, if excessive, _parti pris_, is immediately +observable if we contrast the American, for instance, with the French +poets of the last fifteen years. Where there is no school and no clear +trend of executive ambition, the solitary artist, whose talent forces +itself up into the light and air, suffers unusual difficulties, and runs +a constant danger of being choked in the aimless mediocrity that +surrounds him. We occasionally meet with a poet in the history of +literature, of whom we are inclined to say, Charming as he is, he would +have developed his talent more evenly and conspicuously,--with greater +decorum, perhaps,--if he had been accompanied from the first by other +young men like-minded, who would have formed for him an atmosphere and +cleared for him a space. This is the one regret I feel in contemplating, +as I have done for years past, the ardent and beautiful talent of Mr. +Cawein. I deplore the fact that he seems to stand alone in his +generation; I think his poetry would have been even better than it is, +and its qualities would certainly have been more clearly perceived, and +more intelligently appreciated, if he were less isolated. In his own +country, at this particular moment, in this matter of serious +nature-painting in lyric verse, Mr. Cawein possesses what Cowley would +have called 'a monopoly of wit,' In one of his lyrics Mr. Cawein asks-- + + 'The song-birds, are they flown away, + The song-birds of the summer-time, + That sang their souls into the day, + And set the laughing hours to rhyme? + No cat-bird scatters through the hush + The sparkling crystals of her song; + Within the woods no hermit-thrush + Trails an enchanted flute along.' + +To this inquiry, the answer is: the only hermit-thrush now audible +seems to sing from Louisville, Kentucky. America will, we may be +perfectly sure, calm herself into harmony again, and possess once more +her school of singers. In those coming days, history may perceive in Mr. +Cawein the golden link that bound the music of the past to the music of +the future through an interval of comparative tunelessness. + +The career of Mr. Madison Cawein is represented to me as being most +uneventful. He seems to have enjoyed unusual advantages for the +cultivation and protection of the poetical temperament. He was born on +the 23rd of March 1865, in the metropolis of Kentucky, the vigorous city +of Louisville, on the southern side of the Ohio, in the midst of a +country celebrated for tobacco and whisky and Indian corn. These are +commodities which may be consumed in excess, but in moderation they make +glad the heart of man. They represent a certain glow of the earth, they +indicate the action of a serene and gentle climate upon a rich soil. It +was in this delicate and voluptuous state of Kentucky that Mr. Cawein +was born, that he was educated, that he became a poet, and that he has +lived ever since. His blood is full of the colour and odour of his +native landscape. The solemn books of history tell us that Kentucky was +discovered in 1769, by Daniel Boone, a hunter. But he first discovers a +country who sees it first, and teaches the world to see it; no doubt +some day the city of Louisville will erect, in one of its principal +squares, a statue to 'Madison Cawein, who discovered the Beauty of +Kentucky.' The genius of this poet is like one of those deep rivers of +his native state, which cut paths through the forests of chestnut and +hemlock as they hurry towards the south and west, brushing with the +impulsive fringe of their currents the rhododendrons and calmias and +azaleas that bend from the banks to be mirrored in their flushing +waters. + +Mr. Cawein's vocation to poetry was irresistible. I do not know that he +ever tried to resist it. I have even the idea that a little more +resistance would have been salutary for a talent which nothing could +have discouraged, and which opposition might have taught the arts of +compression and selection. Mr. Cawein suffered at first, I think, from +lack of criticism more than from lack of eulogy. From his early writings +I seem to gather an impression of a Louisville more ready to praise what +was second-rate than what was first-rate, and practically, indeed, +without any scale of appreciation whatever. This may be a mistake of +mine; at all events, Mr. Cawein has had more to gain from the passage +of years in self-criticism than in inspiring enthusiasm. The fount was +in him from the first; but it bubbled forth before he had digged a +definite channel for it. Sometimes, to this very day, he sports with the +principles of syntax as Nature played games so long ago with the +fantastic caverns of the valley of the Green River or with the +coral-reefs of his own Ohio. He has bad rhymes, amazing in so delicate +an ear; he has awkwardness of phrase not expected in one so plunged in +contemplation of the eternal harmony of Nature. But these grow fewer and +less obtrusive as the years pass by. + +The virgin timber-forests of Kentucky, the woods of honey-locust and +buck-eye, of white oak and yellow poplar, with their clearings full of +flowers unknown to us by sight or name, from which in the distance are +visible the domes of the far-away Cumberland Mountains, this seems to +be the hunting-field of Mr. Cawein's imagination. Here all, it must be +confessed, has hitherto been unfamiliar to the Muses. If Persephone 'of +our Cumnor cowslips never heard,' how much less can her attention have +been arrested by clusters of orchids from the Ocklawaha, or by the song +of the Whippoorwill, rung out when 'the west was hot geranium-red' under +the boughs of a black-jack on the slopes of Mount Kinnex. 'Not here,' +one is inclined to exclaim, 'not here, O Apollo, are haunts meet for +thee,' but the art of the poet is displayed by his skill in breaking +down these prejudices of time and place. Mr. Cawein reconciles us to his +strange landscape--the strangeness of which one has to admit is mainly +one of nomenclature,--by the exercise of a delightful instinctive +pantheism. He brings the ancient gods to Kentucky, and it is marvellous +how quickly they learn to be at home there. Here is Bacchus, with a +spicy fragment of calamus-root in his hand, trampling down the blue-eyed +grass, and skipping, with the air of a hunter born, into the hickory +thicket, to escape Artemis, whose robes, as she passes swiftly with her +dogs through the woods, startle the humming-birds, silence the green +tree-frogs, and fill the hot still air with the perfumes of peppermint +and pennyroyal. It is a queer landscape, but one of new natural +beauties frankly and sympathetically discovered, and it forms a _mise en +scène_ which, I make bold to say, would have scandalised neither Keats +nor Spenser. + +It was Mr. Howells,--ever as generous in discovering new native talent +as he is unflinching in reproof of the effeteness of European +taste,--who first drew attention to the originality and beauty of Mr. +Cawein's poetry. The Kentucky poet had, at that time, published but one +tentative volume, the _Blooms of the Berry_, of 1887. This was followed, +in 1888, by _The Triumph of Music_, and since then hardly a year has +passed without a slender sheaf of verse from Mr. Cawein's garden. Among +these (if a single volume is to be indicated), the quality which +distinguishes him from all other poets,--the Kentucky flavour, if we may +call it so,--is perhaps to be most agreeably detected in _Intimations of +the Beautiful_. But it is time that I should leave the American lyrist +to make his own appeal to English ears, with but one additional word of +explanation, namely, that in this selection Mr. Cawein's narrative poems +on mediæval themes, and in general his cosmopolitan writings, have been +neglected in favour of such lyrics as would present him most vividly in +his own native landscape, no visitor in spirit to Europe, but at home +in that bright and exuberant West-- + + Where, in the hazy morning, runs + The stony branch that pools and drips, + Where red-haws and the wild-rose hips + Are strewn like pebbles; where the sun's + Own gold seems captured by the weeds; + To see, through scintillating seeds, + The hunters steal with glimmering guns. + To stand within the dewy ring + Where pale death smites the bone-set blooms, + And everlasting's flowers, and plumes + Of mint, with aromatic wing! + And hear the creek,--whose sobbing seems + A wild man murmuring in his dreams,-- + And insect violins that sing! + +So sweet a voice, so consonant with the music +of the singers of past times, heard in a place so +fresh and strange, will surely not pass without +its welcome from the lovers of genuine poetry. + + EDMUND GOSSE. + + + + + PROLOGUE + + + _There is a poetry that speaks + Through common things: the grasshopper, + That in the hot weeds creaks and creaks, + Says all of summer to my ear: + And in the cricket's cry I hear + The fireside speak, and feel the frost + Work mysteries of silver near + On country casements, while, deep lost + In snow, the gatepost seems a sheeted ghost. + + And other things give rare delight: + Those guttural harps the green-frogs tune, + Those minstrels of the falling night, + That hail the sickle of the moon + From grassy pools that glass her lune: + Or,--all of August in its loud + Dry cry,--the locust's call at noon, + That tells of heat and never a cloud + To veil the pitiless sun as with a shroud. + + The rain,--whose cloud dark-lids the moon, + The great white eyeball of the night,-- + Makes music for me; to its tune + I hear the flowers unfolding white, + The mushroom growing, and the slight + Green sound of grass that dances near; + The melon ripening with delight; + And in the orchard, soft and clear, + The apple redly rounding out its sphere. + + The grigs make music as of old, + To which the fairies whirl and shine + Within the moonlight's prodigal gold, + On woodways wild with many a vine: + When all the wilderness with wine + Of stars is drunk, I hear it say-- + 'Is God restricted to confine + His wonders only to the day, + That yields the abstract tangible to clay?' + + And to my ear the wind of Morn,-- + When on her rubric forehead far + One star burns big,--lifts a vast horn + Of wonder where all murmurs are: + In which I hear the waters war, + The torrent and the blue abyss, + And pines,--that terrace bar on bar + The mountain side,--like lovers' kiss, + And whisper words where naught but grandeur is. + + The jutting crags,--all iron-veined + With ore,--the peaks, where eagles scream, + That pour their cataracts, rainbow-stained, + Like hair, in many a mountain stream, + Can lift my soul beyond the dream + Of all religions; make me scan + No mere external or extreme, + But inward pierce the outward plan + And learn that rocks have souls as well as man._ + + + + + FOREST AND FIELD + + + I + + Green, watery jets of light let through + The rippling foliage drenched with dew; + And golden glimmers, warm and dim, + That in the vistaed distance swim; + Where, 'round the wood-spring's oozy urn, + The limp, loose fronds of forest fern + Trail like the tresses, green and wet, + A wood-nymph binds with violet. + O'er rocks that bulge and roots that knot + The emerald-amber mosses clot; + From matted walls of brier and brush + The elder nods its plumes of plush; + And, Argus-eyed with many a bloom, + The wild-rose breathes its wild perfume; + May-apples, ripening yellow, lean + With oblong fruit, a lemon-green, + Near Indian-turnips, long of stem, + That bear an acorn-oval gem, + As if some woodland Bacchus there,-- + While braiding locks of hyacinth hair + With ivy-tod,--had idly tost + His thyrsus down and so had lost: + And blood-root, that from scarlet wombs + Puts forth, in spring, its milk-white blooms, + That then like starry footsteps shine + Of April under beech and pine; + At which the gnarled eyes of trees + Stare, big as Fauns' at Dryades, + That bend above a fountain's spar + As white and naked as a star. + + The stagnant stream flows sleepily + Thick with its lily-pads; the bee,-- + All honey-drunk, a Bassarid,-- + Booms past the mottled toad, that, hid + In calamus-plants and blue-eyed grass, + Beside the water's pooling glass, + Silenus-like, eyes stolidly + The Mænad-glittering dragonfly. + And pennyroyal and peppermint + Pour dry-hot odours without stint + From fields and banks of many streams; + And in their scent one almost seems + To see Demeter pass, her breath + Sweet with her triumph over death.-- + A haze of floating saffron; sound + Of shy, crisp creepings o'er the ground; + The dip and stir of twig and leaf; + Tempestuous gusts of spices brief + Borne over bosks of sassafras + By winds that foot it on the grass; + Sharp, sudden songs and whisperings, + That hint at untold hidden things-- + Pan and Sylvanus who of old + Kept sacred each wild wood and wold. + A wily light beneath the trees + Quivers and dusks with every breeze-- + A Hamadryad, haply, who,-- + Culling her morning meal of dew + From frail, accustomed cups of flowers,-- + Now sees some Satyr in the bowers, + Or hears his goat-hoof snapping press + Some brittle branch, and in distress + Shrinks back; her dark, dishevelled hair + Veiling her limbs one instant there. + + + II + + Down precipices of the dawn + The rivers of the day are drawn, + The soundless torrents, free and far, + Of gold that deluge every star. + There is a sound of brooks and wings + That fills the woods with carollings; + And, dashed on moss and flow'r and fern, + And leaves, that quiver, breathe and burn, + Rose-radiance smites the solitudes, + The dew-drenched hills, the dripping woods, + That twitter as with canticles + Of shade and light; and wind, that smells + Of flowers, and buds, and boisterous bees, + Delirious honey, and wet trees.-- + Through briers that trip them, one by one, + With swinging pails, that take the sun, + A troop of girls comes--berriers, + Whose bare feet glitter where they pass + Through dewdrop-trembling tufts of grass. + And, oh! their laughter and their cheers + Wake Echo 'mid her shrubby rocks + Who, answering, from her mountain mocks + With rapid fairy horns; as if + Each mossy vale and weedy cliff + Had its imperial Oberon, + Who, seeking his Titania, hid + In coverts caverned from the sun, + In kingly wrath had called and chid. + + Cloud-feathers, oozing orange light, + Make rich the Indian locks of night; + Her dusky waist with sultry gold + Girdled and buckled fold on fold. + One star. A sound of bleating flocks. + Great shadows stretched along the rocks, + Like giant curses overthrown + By some Arthurian champion. + Soft-swimming sorceries of mist + That streak blue glens with amethyst. + And, tinkling in the clover dells, + The twilight sound of cattle-bells. + And where the marsh in reed and grass + Burns, angry as a shattered glass, + The flies make golden blurs, that shine + Like drops of amber-scattered wine + Spun high by reeling Bacchanals, + When Bacchus wreathes his curling hair + With vine-leaves, and from every lair + His worshippers around him calls. + They come, they come, a happy throng, + The berriers with gibe and song; + Their pails brimmed black to tin-bright eaves + With luscious fruit, kept cool with leaves + Of aromatic sassafras; + 'Twixt which some sparkling berry slips, + Like laughter, from the purple mass, + Wine-swollen as Silenus' lips. + + + III + + The tanned and tired noon climbs high + Up burning reaches of the sky; + Below the drowsy belts of pines + The rock-ledged river foams and shines; + And over rainless hill and dell + Is blown the harvest's sultry smell: + While, in the fields, one sees and hears + The brawny-throated harvesters,-- + Their red brows beaded with the heat,-- + By twos and threes among the wheat + Flash their hot scythes; behind them press + The binders--men and maids that sing + Like some mad troop of piping Pan;-- + While all the hillsides swoon and ring + Such sounds of Ariel airiness + As haunted freckled Caliban. + 'O ho! O ho! 'tis noon I say. + The roses blow. + Away, away, above the hay, + To the tune o' the bees the roses sway; + The love-songs that they hum all day, + So low! So low! + The roses' Minnesingers they.' + + Up velvet lawns of lilac skies + The tawny moon begins to rise + Behind low, blue-black hills of trees,-- + As rises up, in Siren seas, + To rock in purple deeps, hip-hid, + A virgin-bosomed Oceanid.-- + Gaunt shadows crouch by tree and scaur, + Like shaggy Satyrs waiting for + The moonbeam Nymphs, the Dryads white, + That take with loveliness the night, + And glorify it with their love. + The sweet, far notes I hear, I hear, + Beyond dim pines and mellow ways, + The song of some fair harvester, + The lovely Limnad of the grove, + Whose singing charms me while it slays. + 'O deep! O deep! the earth and air + Are sunk in sleep. + Adieu to care! Now everywhere + Is rest; and by the old oak there + The maiden with the nut-brown hair + Doth keep, doth keep + Tryst with her lover the young and fair.' + + + IV + + Like Atalanta's spheres of gold, + Within the orchard, apples rolled + From sudden hands of boughs that lay + Their leaves, like palms, against the day; + And near them pears of rusty brown + Lay bruised; and peaches, pink with down, + And furry as the ears of Pan, + Or, like Diana's cheeks, a tan + Beneath which burnt a tender fire; + Or wan as Psyche's with desire. + And down the orchard vistas,--young, + A hickory basket by him swung, + A straw-hat, 'gainst the sloping sun + Drawn brim-broad o'er his face,--he strode; + As if he looked to find some one, + His eyes far-fixed beyond the road. + Before him, like a living burr, + Rattled the noisy grasshopper. + And where the cows' melodious bells + Trailed music up and down the dells, + Beside the spring, that o'er the ground + Went whimpering like a fretful hound, + He saw her waiting, fair and slim, + Her pail forgotten there, for him. + + Yellow as sunset skies and pale + As fairy clouds that stay or sail + Through azure vaults of summer, blue + As summer heavens, the wild-flowers grew; + And blossoms on which spurts of light + Fell laughing, like the lips one might + Feign for a Hebe, or a girl + Whose mouth is laughter-lit with pearl. + Long ferns, in murmuring masses heaped; + And mosses moist, in beryl steeped + And musk aromas of the wood + And silence of the solitude: + And everything that near her blew + The spring had showered thick with dew.-- + Across the rambling fence she leaned, + Her fresh, round arms all white and bare; + Her artless beauty, bonnet-screened, + Rich-coloured with its auburn hair. + A wood-thrush gurgled in a vine-- + Ah! 'tis his step, 'tis he she hears; + The wild-rose smelt like some rare wine-- + He comes, ah, yes! 'tis he who nears. + And her brown eyes and all her face + Said welcome. And with rustic grace + He leant beside her; and they had + Some talk with youthful laughter glad: + I know not what; I know but this + Its final period was a kiss. + + + + + SUMMER + + + I + + Hang out your loveliest star, O Night! O Night! + Your richest rose, O Dawn! + To greet sweet Summer, her, who, clothed in light, + Leads Earth's best hours on. + Hark! how the wild birds of the woods + Throat it within the dewy solitudes! + The brook sings low and soft, + The trees make song, + As, from her heaven aloft + Comes blue-eyed Summer like a girl along. + + + II + + And as the Day, her lover, leads her in, + How bright his beauty glows! + How red his lips, that ever try to win + Her mouth's delicious rose! + And from the beating of his heart + Warm winds arise and sighing thence depart; + And from his eyes and hair + The light and dew + Fall round her everywhere, + And Heaven above her is an arch of blue. + + + III + + Come to the forest, or the treeless meadows + Deep with their hay or grain; + Come where the hills lift high their thrones of shadows, + Where tawny orchards reign. + Come where the reapers whet the scythe; + Where golden sheaves are heaped; where berriers blythe, + With willow-basket and with pail, + Swarm knoll and plain; + Where flowers freckle every vale, + And beauty goes with hands of berry-stain. + + + IV + + Come where the dragon-flies, a brassy blue, + Flit round the wildwood streams, + And, sucking at some horn of honey-dew, + The wild-bee hums and dreams. + Come where the butterfly waves wings of sleep, + Gold-disked and mottled over blossoms deep; + Come where beneath the rustic bridge + The green frog cries; + Or in the shade the rainbowed midge, + Above the emerald pools, with murmurings flies. + + + V + + Come where the cattle browse within the brake, + As red as oak and strong; + Where far-off bells the echoes faintly wake, + And milkmaids sing their song. + Come where the vine-trailed rocks, with waters hoary, + Tell to the sun some legend or some story; + Or, where the sunset to the land + Speaks words of gold; + Where ripeness walks, a wheaten band + Around her hair and blossoms manifold. + + + VI + + Come where the woods lift up their stalwart arms + Unto the star-sown skies; + Knotted and gnarled, that to the winds and storms + Fling mighty rhapsodies: + Or to the moon repeat what they have seen, + When Night upon their shoulders vast doth lean. + Come where the dew's clear syllable + Drips from the rose; + And where the fireflies fill + The night with golden music of their glows. + + + VII + + Now while the dingles and the vine-roofed glens + Whisper their flowery tale + Unto the silence; and the lakes and fens + Unto the moonlight pale + Murmur their rapture, let us seek her out, + Her of the honey throat, and peachy pout, + Summer! and at her feet, + The love of old + Lay like a sheaf of wheat, + And of our hearts the purest gold of gold. + + + + + TO SORROW + + + I + + O dark-eyed goddess of the marble brow, + Whose look is silence and whose touch is night, + Who walkest lonely through the world, O thou, + Who sittest lonely with Life's blown-out light; + Who in the hollow hours of night's noon + Criest like some lost child; + Whose anguish-fevered eyeballs seek the moon + To cool their pulses wild. + Thou who dost bend to kiss Joy's sister cheek, + Turning its rose to alabaster; yea, + Thou who art terrible and mad and meek, + Why in my heart art thou enshrined to-day? + O Sorrow say, O say! + + + II + + Now Spring is here and all the world is white, + I will go forth, and where the forest robes + Itself in green, and every hill and height + Crowns its fair head with blossoms,--spirit globes + Of hyacinth and crocus dashed with dew,-- + I will forget my grief, + And thee, O Sorrow, gazing on the blue, + Beneath a last year's leaf, + Of some brief violet the south wind woos, + Or bluet, whence the west wind raked the snow; + The baby eyes of love, the darling hues + Of happiness, that thou canst never know, + O child of pain and woe. + + + III + + On some hoar upland, sweet with clustered thorns, + Hard by a river's windy white of waves, + I shall sit down with Spring,--whose eyes are morns + Of light; whose cheeks the rose of health enslaves,-- + And so forget thee braiding in her hair + The snowdrop, tipped with green, + The cool-eyed primrose and the trillium fair, + And moony celandine. + Contented so to lie within her arms, + Forgetting all the sear and sad and wan, + Remembering love alone, who o'er earth's storms, + High on the mountains of perpetual dawn, + Leads the glad hours on. + + + IV + + Or in the peace that follows storm, when Even, + Within the west, stands dreaming lone and far, + Clad on with green and silver, and the Heaven + Is brightly brooched with one gold-glittering star. + I will lie down beside some mountain lake, + 'Round which the tall pines sigh, + And breathing musk of rain from boughs that shake + Storm balsam from on high, + Make friends of Dream and Contemplation high + And Music, listening to the mocking-bird,-- + Who through the hush sends its melodious cry,-- + And so forget a while that other word, + That all loved things must die. + + + + + NIGHT + + + Out of the East, as from an unknown shore, + Thou comest with thy children in thine arms,-- + Slumber and Dream,--whom mortals all adore, + Their flowing raiment sculptured to their charms: + Soft on thy breast thy lovely children rest, + Laid like twin roses in one balmy nest. + Silent thou comest, swiftly too and slow. + There is no other presence like to thine, + When thou approachest with thy babes divine, + Thy shadowy face above them bending low, + Blowing the ringlets from their brows of snow. + + Oft have I taken Sleep from thy dark arms, + And fondled her fair head, with poppies wreathed, + Within my bosom's depths, until its storms + With her were hushed and I but faintly breathed. + And then her sister, Dream, with frolic art + Arose from rest, and on my sleeping heart + Blew bubbles of dreams where elfin worlds were lost; + Worlds where my stranger soul sang songs to me, + And talked with spirits by a rainbowed sea, + Or smiled, an unfamiliar shape of frost, + Floating on gales of breathless melody. + + Day comes to us in garish glory garbed; + But thou, thou bringest to the tired heart + Rest and deep silence, in which are absorbed + All the vain tumults of the mind and mart. + Whether thou comest with hands full of stars, + Or clothed in storm and clouds, the lightning bars, + Rolling the thunder like some mighty dress, + God moves with thee; we seem to hear His feet, + Wind-like, along the floors of Heaven beat; + To see His face, revealed in awfulness, + Through thee, O Night, to ban us or to bless. + + + + + A FALLEN BEECH + + + Nevermore at doorways that are barken + Shall the madcap wind knock and the moonlight; + Nor the circle which thou once didst darken, + Shine with footsteps of the neighbouring moonlight, + Visitors for whom thou oft didst hearken. + + Nevermore, gallooned with cloudy laces, + Shall the morning, like a fair freebooter, + Make thy leaves his richest treasure-places; + Nor the sunset, like a royal suitor, + Clothe thy limbs with his imperial graces. + + And no more, between the savage wonder + Of the sunset and the moon's up-coming, + Shall the storm, with boisterous hoof-beats, under + Thy dark roof dance, Faun-like, to the humming + Of the Pan-pipes of the rain and thunder. + + Oft the Satyr-spirit, beauty-drunken, + Of the Spring called; and the music measure + Of thy sap made answer; and thy sunken + Veins grew vehement with youth, whose pressure + Swelled thy gnarly muscles, winter-shrunken. + + And the germs, deep down in darkness rooted, + Bubbled green from all thy million oilets, + Where the spirits, rain-and-sunbeam-suited, + Of the April made their whispering toilets, + Or within thy stately shadow footed. + + Oft the hours of blonde Summer tinkled + At the windows of thy twigs, and found thee + Bird-blithe; or, with shapely bodies, twinkled + Lissom feet of naked flowers around thee, + Where thy mats of moss lay sunbeam-sprinkled. + + And the Autumn with his gypsy-coated + Troop of days beneath thy branches rested, + Swarthy-faced and dark of eye; and throated + Songs of roaming; or with red hand tested + Every nut-bur that above him floated. + + Then the Winter, barren-browed, but rich in + Shaggy followers of frost and freezing, + Made the floor of thy broad boughs his kitchen, + Trapper-like, to camp in; grimly easing + Limbs snow-furred and moccasined with lichen. + + Now, alas! no more do these invest thee + With the dignity of whilom gladness! + They--unto whose hearts thou once confessed thee + Of thy dreams--now know thee not! and sadness + Sits beside thee where, forgot, dost rest thee. + + + + + A TWILIGHT MOTH + + + All day the primroses have thought of thee, + Their golden heads close-haremed from the heat; + All day the mystic moonflowers silkenly + Veiled snowy faces,--that no bee might greet + Or butterfly that, weighed with pollen, passed;-- + Keeping Sultana-charms for thee, at last, + Their lord, who comest to salute each sweet. + + Cool-throated flowers that avoid the day's + Too fervid kisses; every bud that drinks + The tipsy dew and to the starlight plays + Nocturns of fragrance, thy wing'd shadow links + In bonds of secret brotherhood and faith; + O bearer of their order's shibboleth, + Like some pale symbol fluttering o'er these pinks. + + What dost thou whisper in the balsam's ear + That sets it blushing, or the hollyhock's,-- + A syllabled silence that no man may hear,-- + As dreamily upon its stem it rocks? + What spell dost bear from listening plant to plant, + Like some white witch, some ghostly ministrant, + Some spectre of some perished flower of phlox? + + O voyager of that universe which lies + Between the four walls of this garden fair,-- + Whose constellations are the fireflies + That wheel their instant courses everywhere,-- + 'Mid fairy firmaments wherein one sees + Mimic Boötes and the Pleiades, + Thou steerest like some fairy ship-of-air. + + Gnome-wrought of moonbeam fluff and gossamer, + Silent as scent, perhaps thou chariotest + Mab or King Oberon; or, haply, her + His queen, Titania, on some midnight quest.-- + Oh for the herb, the magic euphrasy, + That should unmask thee to mine eyes, ah me! + And all that world at which my soul hath guessed! + + + + + THE GRASSHOPPER + + + What joy you take in making hotness hotter, + In emphasising dulness with your buzz, + Making monotony more monotonous! + When Summer comes, and drouth hath dried the water + In all the creeks, we hear your ragged rasp + Filling the stillness. Or,--as urchins beat + A stagnant pond whereon the bubbles gasp,-- + Your switch-like music whips the midday heat. + O bur of sound caught in the Summer's hair, + We hear you everywhere! + + We hear you in the vines and berry-brambles, + Along the unkempt lanes, among the weeds, + Amid the shadeless meadows, gray with seeds, + And by the wood 'round which the rail-fence rambles, + Sawing the sunlight with your sultry saw. + Or,--like to tomboy truants, at their play + With noisy mirth among the barn's deep straw,-- + You sing away the careless summer-day. + O brier-like voice that clings in idleness + To Summer's drowsy dress! + + You tramp of insects, vagrant and unheeding, + Improvident, who of the summer make + One long green mealtime, and for winter take + No care, aye singing or just merely feeding! + Happy-go-lucky vagabond,--'though frost + Shall pierce, ere long, your green coat or your brown, + And pinch your body,--let no song be lost, + But as you lived into your grave go down-- + Like some small poet with his little rhyme, + Forgotten of all time. + + + + + BEFORE THE RAIN + + + Before the rain, low in the obscure east, + Weak and morose the moon hung, sickly gray; + Around its disc the storm mists, cracked and creased, + Wove an enormous web, wherein it lay + Like some white spider hungry for its prey. + Vindictive looked the scowling firmament, + In which each star, that flashed a dagger ray, + Seemed filled with malice of some dark intent. + + The marsh-frog croaked; and underneath the stone + The peevish cricket raised a creaking cry. + Within the world these sounds were heard alone, + Save when the ruffian wind swept from the sky, + Making each tree like some sad spirit sigh; + Or shook the clumsy beetle from its weed, + That, in the drowsy darkness, bungling by, + Sharded the silence with its feverish speed. + + Slowly the tempest gathered. Hours passed + Before was heard the thunder's sullen drum + Rumbling night's hollow; and the Earth at last, + Restless with waiting,--like a woman, dumb + With doubting of the love that should have clomb + Her casement hours ago,--avowed again, + 'Mid protestations, joy that he had come. + And all night long I heard the Heavens explain. + + + + + AFTER RAIN + + + Behold the blossom-bosomed Day again, + With all the star-white Hours in her train, + Laughs out of pearl-lights through a golden ray, + That, leaning on the woodland wildness, blends + A sprinkled amber with the showers that lay + Their oblong emeralds on the leafy ends. + Behold her bend with maiden-braided brows + Above the wildflower, sidewise with its strain + Of dewy happiness, to kiss again + Each drop to death; or, under rainy boughs, + With fingers, fragrant as the woodland rain, + Gather the sparkles from the sycamore, + To set within each core + Of crimson roses girdling her hips, + Where each bud dreams and drips. + Smoothing her blue-black hair,--where many a tusk + Of iris flashes,--like the falchions' sheen + Of Faery 'round blue banners of its Queen,-- + Is it a Naiad singing in the dusk, + That haunts the spring, where all the moss is musk + With footsteps of the flowers on the banks? + Or just a wild-bird voluble with thanks? + + Balm for each blade of grass: the Hours prepare + A festival each weed's invited to. + Each bee is drunken with the honied air: + And all the air is eloquent with blue. + The wet hay glitters, and the harvester + Tinkles his scythe,--as twinkling as the dew,-- + That shall not spare + Blossom or brier in its sweeping path; + And, ere it cut one swath, + Rings them they die, and tells them to prepare. + + What is the spice that haunts each glen and glade? + A Dryad's lips, who slumbers in the shade? + A Faun, who lets the heavy ivy-wreath + Slip to his thigh as, reaching up, he pulls + The chestnut blossoms in whole bosomfuls? + A sylvan Spirit, whose sweet mouth doth breathe + Her viewless presence near us, unafraid? + Or troops of ghosts of blooms, that whitely wade + The brook? whose wisdom knows no other song + Than that the bird sings where it builds beneath + The wild-rose and sits singing all day long. + + Oh, let me sit with silence for a space, + A little while forgetting that fierce part + Of man that struggles in the toiling mart; + Where God can look into my heart's own heart + From unsoiled heights made amiable with grace; + And where the sermons that the old oaks keep + Can steal into me.--And what better then + Than, turning to the moss a quiet face, + To fall asleep? a little while to sleep + And dream of wiser worlds and wiser men. + + + + + THE HAUNTED HOUSE + + + I + + The shadows sit and stand about its door + Like uninvited guests and poor; + And all the long, hot summer day + The grating locust dins its roundelay + In one old sycamore. + The squirrel leaves upon its rotting roof, + In empty hulls, its tracks; + And in its clapboard cracks + The spider weaves a windy woof; + Its cells the mud-wasp packs. + The she-fox whelps upon its floor; + The owlet roosts above its door; + And where the musty mosses run, + The freckled snake basks in the sun. + + + II + + The children of what fathers sleep + Beneath these melancholy pines? + The slow slugs crawl among their graves where creep + The doddered poison-vines. + The orchard, near the meadow deep, + Lifts up decrepit arms, + Gray-lichened in a withering heap. + No sap swells up to make it leap + As once in calms and storms; + No blossom lulls its age asleep; + Each breeze brings sad alarms. + Big, bell-round pears and apples, russet-red, + No maiden gathers now; + The worm-bored trunks weep gum, like tears, instead, + From each decaying bough. + + + III + + The woodlands around it are solitary + And fold it like gaunt hands; + The sunlight is sad and the moonlight is dreary, + And the hum of the country is weary, so weary! + And the bees go by in bands + To other lovelier lands. + The grasses are rotting in walk and in bower; + The lonesomeness,--dank and rank + As a chamber where lies for a lonely hour + An old-man's corpse with many a flower,-- + Is hushed and blank. + And even the birds have passed it by, + To sing their songs to a happier sky, + A happier sky and bank. + + + IV + + In its desolate halls are lying, + Gold, blood-red and browned, + Drifted leaves of summer dying; + And the winds, above them sighing, + Turn them round and round, + Make a ghostly sound + As of footsteps falling, flying, + Voices through the chambers crying, + Of the haunted house. + + + V + + Gazing down in her white shroud, + Shroud of windy cloud, + Comes at night the phantom moon; + Comes and all the shadows soon, + Crowding in the rooms, arouse; + Shadows, ghosts, her rays lead on, + Till beneath the cloud + Like a ghost she's gone, + In her gusty shroud, + O'er the haunted house. + + + + + OCTOBER + + + I oft have met her slowly wandering + Beside a leafy stream, her locks blown wild, + Her cheeks a hectic flush, more fair than Spring, + As if on her the sumach copse had smiled. + Or I have seen her sitting, tall and brown,-- + Her gentle eyes with foolish weeping dim,-- + Beneath a twisted oak from whose red leaves + She wound great drowsy wreaths and cast them down; + The west-wind in her hair, that made it swim + Far out behind, deep as the rustling sheaves. + + Or in the hill-lands I have often seen + The marvel of her passage; glimpses faint + Of glimmering woods that glanced the hills between, + Like Indian faces, fierce with forest paint. + Or I have met her 'twixt two beechen hills, + Within a dingled valley near a fall, + Held in her nut-brown hand one cardinal flower; + Or wading dimly where the leaf-dammed rills + Went babbling through the wildwood's arrased hall, + Where burned the beech and maples glared their power. + + Or I have met her by some ruined mill, + Where trailed the crimson creeper, serpentine, + On fallen leaves that stirred and rustled chill, + And watched her swinging in the wild-grape vine. + While Beauty, sad among the vales and mountains, + More sad than death, or all that death can teach, + Dreamed of decay and stretched appealing arms, + Where splashed the murmur of the forest's fountains; + With all her loveliness did she beseech, + And all the sorrow of her wildwood charms. + + Once only in a hollow, girt with trees, + A-dream amid wild asters filled with rain, + I glimpsed her cheeks red-berried by the breeze, + In her dark eyes the night's sidereal stain. + And once upon an orchard's tangled path, + Where all the golden-rod had turned to brown, + Where russets rolled and leaves were sweet of breath, + I have beheld her 'mid her aftermath + Of blossoms standing, in her gypsy gown, + Within her gaze the deeps of life and death. + + + + + INDIAN SUMMER + + + The dawn is a warp of fever, + The eve is a woof of fire; + And the month is a singing weaver + Weaving a red desire. + + With stars Dawn dices with Even + For the rosy gold they heap + On the blue of the day's deep heaven, + On the black of the night's far deep. + + It's--'Reins to the blood!' and 'Marry!'-- + The season's a prince who burns + With the teasing lusts that harry + His heart for a wench who spurns. + + It's--'Crown us a beaker with sherry, + To drink to the doxy's heels; + A tankard of wine o' the berry, + To lips like a cloven peel's. + + ''S death! if a king be saddened, + Right so let a fool laugh lies: + But wine! when a king is gladdened, + And a woman's waist and her eyes.' + + He hath shattered the loom of the weaver, + And left but a leaf that flits, + He hath seized heaven's gold, and a fever + Of mist and of frost is its. + + He hath tippled the buxom beauty, + And gotten her hug and her kiss-- + The wide world's royal booty + To pile at her feet for this. + + + + + ALONG THE OHIO + + + Athwart a sky of brass long welts of gold; + A path of gold the wide Ohio lies; + Beneath the sunset, billowing manifold, + The dark-blue hill-tops rise. + + And westward dips the crescent of the moon + Through great cloud-feathers, flushed with rosy ray, + That close around the crystal of her lune + The redbird wings of Day. + + A little skiff slips o'er the burnished stream; + A fiery wake, that broadens far behind, + Follows in ripples; and the paddles gleam + Against the evening wind. + + Was it the boat, the solitude and hush, + That with dead Indians peopled all the glooms? + That made each bank, meseemed, and every bush + Start into eagle-plumes? + + That made me seem to hear the breaking brush, + And as the deer's great antlers swelled in view, + To hear the arrow twang from cane and rush, + That dipped to the canoe? + + To see the glimmering wigwams by the waves? + And, wildly clad, around the camp-fires' glow, + The Shawnee chieftains with their painted braves, + Each grasping his war-bow? + + But now the vision like the sunset fades, + The ribs of golden clouds have oozed their light; + And from the west, like sombre sachem shades, + Gallop the shades of night. + + The broad Ohio glitters to the stars; + And many murmurs whisper in its woods-- + Is it the sorrow of dead warriors + For their lost solitudes? + + The moon goes down; and like another moon + The crescent of the river twinkles there, + Unchanged as when the eyes of Daniel Boone + Beheld it flowing fair. + + + + + A COIGN OF THE FOREST + + + The hills hang woods around, where green, below + Dark, breezy boughs of beech-trees, mats the moss, + Crisp with the brittle hulls of last year's nuts; + The water hums one bar there; and a glow + Of gold lies steady where the trailers toss + Red, bugled blossoms and a rock abuts; + In spots the wild-phlox and oxalis grow + Where beech-roots bulge the loam, protrude across + The grass-grown road and roll it into ruts. + + And where the sumach brakes grow dusk and dense, + Among the rocks, great yellow violets, + Blue-bells and wind-flowers bloom; the agaric + In dampness crowds; a fungus, thick, intense + With gold and crimson and wax-white, that sets + The May-apples along the terraced creek + At bold defiance. Where the old rail-fence + Divides the hollow, there the bee-bird whets + His bill, and there the elder hedge is thick. + + No one can miss it; for two cat-birds nest, + Calling all morning, in the trumpet-vine; + And there at noon the pewee sits and floats + A woodland welcome; and his very best + At eve the red-bird sings, as if to sign + The record of its loveliness with notes. + At night the moon stoops over it to rest, + And unreluctant stars. Where waters shine + There runs a whisper as of wind-swept oats. + + + + + CREOLE SERENADE + + + Under mossy oak and pine + Whispering falls the fountained stream; + In its pool the lilies shine + Silvery, each a moonlight gleam. + + Roses bloom and roses die + In the warm rose-scented dark, + Where the firefly, like an eye, + Winks and glows, a golden spark. + + Amber-belted through the night + Swings the alabaster moon, + Like a big magnolia white + On the fragrant heart of June. + + With a broken syrinx there, + With bignonia overgrown, + Is it Pan in hoof and hair, + Or his image carved from stone? + + See! her casement's jessamines part, + And, with starry blossoms blent, + Like the moon she leans--O heart, + 'Tis another firmament. + + SINGS + + The dim verbena drugs the dusk + With lemon-heavy odours where + The heliotropes breathe drowsy musk + Into the jasmine-dreamy air; + The moss-rose bursts its dewy husk + And spills its attar there. + + The orange at thy casement swings + Star-censers oozing rich perfumes; + The clematis, long-petalled, clings + In clusters of dark purple blooms; + With flowers, like moons or sylphide wings, + Magnolias light the glooms. + + Awake, awake from sleep! + Thy balmy hair, + Down-fallen, deep on deep, + Like blossoms there,-- + That dew and fragrance weep,-- + Will fill the night with prayer. + Awake, awake from sleep! + + And dreaming here it seems to me + A dryad's bosom grows confessed, + Bright in the moss of yonder tree, + That rustles with the murmurous West-- + Or is it but a bloom I see, + Round as thy virgin breast? + + Through fathomless deeps above are rolled + A million feverish worlds, that burst, + Like gems, from Heaven's caskets old + Of darkness--fires that throb and thirst; + An aloe, showering buds of gold, + The night seems, star-immersed. + + Unseal, unseal thine eyes! + O'er which her rod + Sleep sways;--and like the skies, + That dream and nod, + Their starry majesties + Will fill the night with God. + Unseal, unseal thine eyes! + + + + + WILL O' THE WISPS + + + Beyond the barley meads and hay, + What was the light that beckoned there? + That made her sweet lips smile and say-- + 'Oh, busk me in a gown of May, + And knot red poppies in my hair.' + + Over the meadow and the wood + What was the voice that filled her ears? + That sent into pale cheeks the blood, + Until each seemed a wild-brier bud + Mown down by mowing harvesters?... + + Beyond the orchard, down the hill, + The water flows, the water whirls; + And there they found her past all ill, + A plaintive face but smiling still, + The cresses caught among her curls. + + At twilight in the willow glen + What sound is that the silence hears, + When all the dusk is hushed again + And homeward from the fields strong men + And women go, the harvesters? + + One seeks the place where she is laid, + Where violets bloom from year to year-- + 'O sunny head! O bird-like maid! + The orchard blossoms fall and fade + And I am lonely, lonely here.' + + Two stars burn bright above the vale; + They seem to him the eyes of Ruth: + The low moon rises very pale + As if she, too, had heard the tale, + All heartbreak, of a maid and youth. + + + + + THE TOLLMAN'S DAUGHTER + + + She stood waist-deep among the briers: + Above in twisted lengths were rolled + The sunset's tangled whorls of gold, + Blown from the west's cloud-pillared fires. + And in the hush no sound did mar, + You almost heard o'er hill and dell, + Deep, bubbling over, star on star, + The night's blue cisterns slowly well. + A crane, like some dark crescent, crossed + The sunset, winging towards the west; + While up the east her silver breast + Of light the moon brought, white as frost. + + So have I painted her, you see, + The tollman's daughter.--What an arm + And throat was hers! and what a form!-- + Art dreams of such divinity. + What braids of night to hold and kiss! + There is no pigment anywhere + A man might use to picture this-- + The splendour of her raven hair. + A face as beautiful and bright, + As rosy fair as twilight skies, + Lit with the stars of hazel eyes + And eyebrowed black with pencilled night. + + For her, I know, where'er she trod + Each dewdrop raised a looking-glass + To flash her beauty from the grass; + That wild-flowers bloomed along the sod, + And whispered perfume when she smiled; + The wood-bird hushed to hear her song, + Or, all enamoured, tame, not wild, + Before her feet flew fluttering long. + The brook went mad with melody, + Eddied in laughter when she kissed + With naked feet its amethyst-- + And I--I fell in love; ah me! + + + + + THE BOY COLUMBUS + + + And he had mused on lands each bird,-- + That winged from realms of Falerina, + O'er seas of the Enchanted Sword,-- + In romance sang him, till he heard + Vague foam on Islands of Alcina. + + For rich Levant and old Castile + Let other seamen freight their galleys; + With Polo he and Mandeville + Through stranger seas a dreamy keel + Sailed into wonder-peopled valleys. + + Far continents of flow'r and fruit, + Of everlasting spring; where fountains + 'Mid flow'rs, with human faces, shoot; + Where races dwell, both man and brute, + In cities under golden mountains. + + Where cataracts their thunders hurl + From heights the tempest has at mercy; + Vast peaks that touch the moon, and whirl + Their torrents down of gold and pearl; + And forests strange as those of Circe. + + Let rapiered Love lute, in the shade + Of royal gardens, to the Palace + And Court, that haunt the balustrade + Of terraces and still parade + Their vanity and guile and malice. + + Him something calls diviner yet + Than Love, more mighty than a lover; + Heroic Truth that will not let + Deed lag; a purpose, westward set, + In eyes far-seeing to discover. + + + + + SONG OF THE ELF + + + I + + When the poppies, with their shields, + Sentinel + Forest and the harvest fields, + In the bell + Of a blossom, fair to see, + There I stall the bumble-bee, + My good stud; + There I stable him and hold, + Harness him with hairy gold; + There I ease his burly back + Of the honey and its sack + Gathered from each bud. + + + II + + Where the glow-worm lights its lamp, + There I lie; + Where, above the grasses damp, + Moths go by; + Now within the fussy brook, + Where the waters wind and crook + Round the rocks, + I go sailing down the gloom + Straddling on a wisp of broom; + Or, beneath the owlet moon, + Trip it to the cricket's tune + Tossing back my locks. + + + III + + Ere the crowfoot on the lawn + Lifts its head, + Or the glow-worm's light be gone, + Dim and dead, + In a cobweb hammock deep, + 'Twixt two ferns I swing and sleep, + Hid away; + Where the drowsy musk-rose blows + And a dreamy runnel flows, + In the land of Faëry, + Where no mortal thing can see, + All the elfin day. + + + + + THE OLD INN + + + Red-winding from the sleepy town, + One takes the lone, forgotten lane + Straight through the hills. A brush-bird brown + Bubbles in thorn-flowers, sweet with rain, + Where breezes bend the gleaming grain, + And cautious drip of higher leaves + The lower dips that drip again.-- + Above the tangled trees it heaves + Its gables and its haunted eaves. + + One creeper, gnarled and blossomless, + O'erforests all its eastern wall; + The sighing cedars rake and press + Dark boughs along the panes they sprawl; + While, where the sun beats, drone and drawl + The mud-wasps; and one bushy bee, + Gold-dusty, hurls along the hall + To buzz into a crack.--To me + The shadows seem too scared to flee. + + Of ragged chimneys martins make + Huge pipes of music; twittering, here + They build and roost.--My footfalls wake + Strange stealing echoes, till I fear + I'll see my pale self drawing near, + My phantom face as in a glass; + Or one, men murdered, buried--where?-- + Dim in gray stealthy glimmer, pass + With lips that seem to moan 'Alas.' + + + + + THE MILL-WATER + + + The water-flag and wild cane grow + 'Round banks whereon the sunbeams sow + Fantastic gold when, on its shores, + The wind sighs through the sycamores. + + In one green angle, just in reach, + Between a willow-tree and beech, + Moss-grown and leaky lies a boat + The thick-grown lilies keep afloat. + + And through its waters, half awake, + Slow swims the spotted water-snake; + And near its edge, like some gray streak, + Stands gaunt the still fly-up-the-creek. + + Between the lily-pads and blooms + The water-spirits set their looms, + That weave the lace-like light that dims + The glimmering leaves of under limbs. + + Each lily is the hiding-place + Of some dim wood-imp's elvish face, + That watches you with gold-green eyes + Where bubbles of its breathing rise. + + I fancy, when the waxing moon + Leans through the trees and dreams of June, + And when the black bat slants its wing, + And lonelier the green-frogs sing; + + I fancy, when the whippoorwill + In some old tree sings wild and shrill, + With glow-worm eyes that dot the dark,-- + Each holding high a firefly spark + + To torch its way,--the wood-imps come: + And some float rocking here; and some + Unmoor the lily leaves and oar + Around the old boat by the shore. + + They climb through oozy weeds and moss; + They swarm its rotting sides and toss + Their firefly torches o'er its edge + Or hang them in the tangled sedge. + + The boat is loosed. The moon is pale. + Around the dam they slowly sail. + Upon the bow, to pilot it, + A jack-o'-lantern gleam doth sit. + + Yes, I have seen it in my dreams!-- + Naught is forgotten! naught, it seems!-- + The strangled face, the tangled hair + Of the drown'd woman trailing there. + + + + + THE DREAM + + + This was my dream: + It seemed the afternoon + Of some deep tropic day; and yet the moon + Stood round and bright with golden alchemy + High in a heaven bluer than the sea. + Long lawny lengths of perishable cloud + Hung in a west o'er rolling forests bowed; + Clouds raining colours, gold and violet, + That, opening, seemed from mystic worlds to let + Hints down of Parian beauty and lost charms + Of dim immortals, young, with floating forms. + And all about me fruited orchards grew, + Pear, quince and peach, and plums of dusty blue; + Rose-apricots and apples streaked with fire, + Kissed into ripeness by the sun's desire + And big with juice. And on far, fading hills, + Down which it seemed a hundred torrent rills + Flashed rushing silver, vines and vines and vines + Of purple vintage swollen with cool wines; + Pale pleasant wines and fragrant as late June, + Their delicate tang drawn from the wine-white moon. + And from the clouds o'er this sweet world there dripped + An odorous music, strangely feverish-lipped, + That swung and swooned and panted in mad sighs; + Investing at each throb the air with eyes, + And forms of sensuous spirits, limpid white, + Clad on with raiment as of starry night; + Fair, faint embodiments of melody, + From out whose hearts of crystal one could see + The music stream like light through delicate hands + Hollowing a lamp. And as on sounding sands + The ocean murmur haunts the rosy shells, + Within whose convolutions beauty dwells, + My soul became a vibrant harp of love, + Re-echoing all the harmony above. + + + + + SPRING TWILIGHT + + + The sun set late; and left along the west + A belt of furious ruby, o'er which snows + Of clouds unrolled; each cloud a mighty breast + Blooming with almond-rose. + + The sun set late; and wafts of wind beat down, + And cuffed the blossoms from the blossoming quince; + Scattered the pollen from the lily's crown, + And made the clover wince. + + By dusky forests, through whose fretful boughs + In flying fragments shot the evening's flame, + Adown the tangled lane the quiet cows + With dreamy tinklings came. + + The sun set late; but hardly had he gone + When o'er the moon's gold-litten crescent there, + Clean Phosphor, polished as a precious stone, + Burned in fair deeps of air. + + As from faint stars the glory waned and waned, + The crickets made the oldtime garden shrill; + And past the luminous pasture-lands complained + The first far whippoorwill. + + + + + A SLEET-STORM IN MAY + + + On southern winds shot through with amber light, + Breathing soft balm and clothed in cloudy white, + The lily-fingered Spring came o'er the hills, + Waking the crocus and the daffodils. + O'er the cold Earth she breathed a tender sigh-- + The maples sang and flung their banners high, + Their crimson-tasselled pennons, and the elm + Bound his dark brows with a green-crested helm. + Beneath the musky rot of Autumn's leaves, + Under the forest's myriad naked eaves, + Life woke and rose in gold and green and blue, + Robed in the starlight of the twinkling dew. + With timid tread adown the barren wood + Spring held her way, when, lo! before her stood + White-mantled Winter wagging his white head, + Stormy his brow and stormily he said: + 'The God of Terror, and the King of Storm, + Must I remind thee how my iron arm + Raised my red standards 'mid these conquered bowers, + Turning their green to crimson?--Thou, with flowers, + Thou wouldst supplant me! nay! usurp my throne!-- + Audacious one!'--And at her breast he tossed + A bitter javelin of ice and frost; + And left her lying on th' unfeeling mould. + The fragile blossoms, gathered in the fold + Of her warm bosom, fell in desolate rows + About her beauty, and, like fragrant snows, + Covered her lovely hands and beautiful feet, + Or on her lips lay like last kisses sweet + That died there. Lilacs, musky of the May, + And bluer violets and snowdrops lay + Entombed in crystal, icy dim and fair, + Like teardrops scattered in her heavenly hair. + + Alas! sad heart, break not beneath the pain! + Time changeth all; the Beautiful wakes again.-- + We should not question such; a higher power + Knows best what bud is ripest or what flower, + And silently plucks it at the fittest hour. + + + + + UNREQUITED + + + Passion? not hers, within whose virgin eyes + All Eden lay.--And I remember how + I drank the Heaven of her gaze with sighs-- + She never sighed, nor gave me kiss or vow. + + So have I seen a clear October pool, + Cold, liquid topaz, set within the sear + Gold of the woodland, tremorless and cool, + Reflecting all the heartbreak of the year. + + Sweetheart? not she whose voice was music sweet; + Whose face was sweeter than melodious prayer. + Sweetheart I called her.--When did she repeat + Sweet to one hope or heart to one despair? + + So have I seen a rose set round with thorn, + Sung to and sung to by a bird of spring, + And when, breast-pierced, the bird lay all forlorn, + The rose bloomed on, fair and unnoticing. + + + + + THE HEART O' SPRING + + + Whiten, oh whiten, O clouds of lawn! + Lily-like clouds that whiten above, + Now like a dove, and now like a swan, + But never, oh never--pass on! pass on! + Never so white as the throat of my love. + + Blue-black night on the mountain peaks + Is not so black as the locks o' my love! + Stars that shine through the evening streaks + Over the torrent that flashes and breaks, + Are not so bright as the eyes o' my love! + + Moon in a cloud, a cloud of snow, + Mist in the vale where the rivulet sounds, + Dropping from ledge to ledge below, + Turning to gold in the sunset's glow, + Are not so soft as her footstep sounds. + + Sound o' May winds in the blossoming trees, + Is not so sweet as her laugh that rings; + Song o' wild birds on the morning breeze, + Birds and brooks and murmur o' bees, + Are harsh to her voice when she laughs or sings. + + The rose of my heart is she, my dawn! + My star o' the east, my moon above! + My soul takes ship for the Avalon + Of her heart of hearts, and shall sail on + Till it anchors safe in its haven of love. + + + + + 'A BROKEN RAINBOW ON THE SKIES OF MAY' + + + A broken rainbow on the skies of May, + Touching the dripping roses and low clouds, + And in wet clouds its scattered glories lost:-- + So in the sorrow of her soul the ghost + Of one great love, of iridescent ray, + Spanning the roses dim of memory, + Against the tumult of life's rushing crowds-- + A broken rainbow on the skies of May. + + A flashing humming-bird among the flowers, + Deep-coloured blooms; its slender tongue and bill + Sucking the syrups and the calyxed myrrhs, + Till, being full of sweets, away it whirrs:-- + Such was his love that won her heart's rich bowers + To give to him their all, their honied showers, + The bloom from which he drank his body's fill-- + A flashing humming-bird among the flowers. + + A moon, moth-white, that through long mists of fleece + Moves amber-girt into a bulk of black, + And, lost to vision, rims the black with froth:-- + A love that swept its moon, like some great moth, + Across the heaven of her soul's young peace; + And, smoothly passing, in the clouds did cease + Of time, through which its burning light comes back-- + A moon, moth-white, that moves through mists of fleece. + + A bolt of living thunder downward hurled, + Momental blazing from the piled-up storm, + That instants out the mountains and the ocean, + The towering crag, then blots the sight's commotion:-- + Love, love that swiftly coming bared the world, + The deeps of life, 'round which fate's clouds are curled, + And, ceasing, left all night and black alarm-- + A bolt of living thunder downward hurled. + + + + + ORGIE + + + On nights like this, when bayou and lagoon + Dream in the moonlight's mystic radiance, + I seem to walk like one deep in a trance + With old-world myths born of the mist and moon. + + Lascivious eyes and mouths of sensual rose + Smile into mine; and breasts of luring light, + And tresses streaming golden to the night, + Persuade me onward where the forest glows. + + And then it seems along the haunted hills + There falls a flutter as of beautiful feet, + As if tempestuous troops of Mænads meet + To drain deep bowls and shout and have their wills. + + And then I feel her limbs will be revealed + Like some great snow-white moth among the trees; + Her vampire beauty, waiting there to seize + And dance me downward where my doom is sealed. + + + + + REVERIE + + + What ogive gates from gold of Ophir wrought, + What walls of Parian, whiter than a rose, + What towers of crystal, for the eyes of thought, + Hast builded on far Islands of Repose? + Thy cloudy columns, vast, Corinthian, + Or huge, Ionic, colonnade the heights + Of dreamland, looming o'er the soul's deep seas; + Built melodies of marble, that no man + Has ever reached, except in fancy's flights, + Templing the presence of perpetual ease. + + Oft, where o'er plastic frieze and plinths of spar,-- + In glimmering solitudes of pillared stone,-- + The twilight blossoms with one violet star, + With thee, O Reverie, I have stood alone, + And there beheld, from out the Mythic Age, + The rosy breasts of Cytherea--fair, + Full-cestused, and suggestive of what loves + Immortal--rise; and heard the lyric rage + Of sun-burnt Poesy, whose throat breathes bare + O'er leopard skins, fluting among his groves. + + Oft, where thy castled peaks and templed vales + Cloud--like convulsive sunsets--shores that dream, + Myrrh-fragrant, over siren seas whose sails + Gleam white as lilies on a lilied stream, + My soul has dreamed. Or by thy sapphire sea, + In thy arcaded gardens, in the shade + Of breathing sculpture, oft has walked with thought, + And bent, in shadowy attitude, its knee + Before the shrine of Beauty that must fade + And leave no memory of the mind that wrought. + + Who hath beheld thy caverns where, in heaps, + The wines of Lethe and Love's witchery, + In sealéd Amphoræ a sibyl keeps, + World-old, for ever guarded secretly?-- + No wine of Xeres or of Syracuse! + No fine Falernian and no vile Sabine!-- + The stolen fire of a demigod, + Whose bubbled purple goddess feet did bruise + In crusted vats of vintage, where the green + Flames with wild poppies, on the Samian sod. + + Oh, for the deep enchantment of one draught! + The reckless ecstasy of classic earth!-- + With godlike eyes to laugh as gods have laughed + In eyes of mortal brown, a mighty mirth. + Of deity delirious with desire! + To breathe the dropping roses of the shrines, + The splashing wine-libation and the blood, + And all the young priest's dreaming! To inspire + My eager soul with beauty, 'til it shines + An utt'rance of life's loftier brotherhood! + + So would I slumber in the old-world shades, + And Poesy should touch me, as some bold + Wild bee a pulpy lily of the glades, + Barbaric-covered with the kernelled gold; + And feel the glory of the Golden Age + Less godly than my purpose, strong to dare + Death with the pure immortal lips of love: + Less lovely than my soul's ideal rage + To mate itself with Music and declare + Itself part meaning of the stars above. + + + + + LETHE + + + I + + There is a scent of roses and spilt wine + Between the moonlight and the laurel coppice; + The marble idol glimmers on its shrine, + White as a star, among a heaven of poppies. + Here all my life lies like a spilth of wine. + There is a mouth of music like a lute, + A nightingale that singeth to one flower; + Between the falling flower and the fruit, + Where love hath died, the music of an hour. + + + II + + To sit alone with memory and a rose; + To dwell with shadows of whilom romances; + To make one hour of a year of woes + And walk on starlight, in ethereal trances, + With love's lost face fair as a moon-white rose. + To shape from music and the scent of buds + Love's spirit and its presence of sweet fire, + Between the heart's wild burning and the blood's, + Is part of life and of the soul's desire. + + + III + + There is a song to silence and the stars, + Between the forest and the temple's arches; + And down the stream of night, like nenuphars, + The tossing fires of the revellers' torches.-- + Here all my life waits lonely as the stars.-- + Shall not one hour of all those hours suffice + For resignation God hath given as dower? + Between the summons and the sacrifice + One hour of love, th' eternity of an hour? + + + IV + + The shrine is shattered and the bird is gone; + Dark is the house of music and of bridal; + The stars are stricken and the storm comes on; + Lost in a wreck of roses lies the idol, + Sad as the memory of a joy that's gone.-- + To dream of perished gladness and a kiss, + Waking the last chord of love's broken lyre, + Between remembering and forgetting, this + Is part of life and of the soul's desire. + + + + + DIONYSIA + + + The day is dead; and in the west + The slender crescent of the moon-- + Diana's crystal-kindled crest-- + Sinks hillward in a silvery swoon. + What is the murmur in the dell? + The stealthy whisper and the drip? + A Dryad with her leaf-light trip? + A Naiad o'er her fountain well?-- + Who with white fingers for her comb, + Sleeks her blue hair, and from its curls + Showers slim minnows and pale pearls, + And hollow music of the foam. + What is it in the vistaed ways + That leans and springs, and stoops and sways?-- + The naked limbs of one who flees? + An Oread who hesitates + Before the Satyr form that waits, + Crouching to leap, that there she sees? + Or under boughs, reclining cool, + A Hamadryad, like a pool + Of moonlight, palely beautiful? + Or Limnad, with her lilied face, + More lovely than the misty lace + That haunts a star and gives it grace? + Or is it some Leimoniad + In wildwood flowers dimly clad? + Oblong blossoms white as froth, + Or mottled like the tiger-moth; + Or brindled as the brows of death, + Wild of hue and wild of breath: + Here ethereal flame and milk + Blent with velvet and with silk; + Here an iridescent glow + Mixed with satin and with snow: + Pansy, poppy and the pale + Serpolet and galingale; + Mandrake and anemone, + Honey-reservoirs o' the bee; + Cistus and the cyclamen,-- + Cheeked like blushing Hebe this, + And the other white as is + Bubbled milk of Venus when + Cupid's baby mouth is pressed, + Rosy to her rosy breast. + And, besides, all flowers that mate + With aroma, and in hue + Stars and rainbows duplicate + Here on earth for me and you. + + Yea! at last mine eyes can see! + 'Tis no shadow of the tree + Swaying softly there, but she!-- + Mænad, Bassarid, Bacchant, + What you will, who doth enchant + Night with sensuous nudity. + Lo! again I hear her pant + Breasting through the dewy glooms-- + Through the glow-worm gleams and glowers + Of the starlight;--wood-perfumes + Swoon around her and frail showers + Of the leaflet-tilted rain. + Lo! like love, she comes again + Through the pale voluptuous dusk, + Sweet of limb with breasts of musk. + With her lips, like blossoms, breathing + Honeyed pungence of her kiss, + And her auburn tresses wreathing + Like umbrageous helichrys, + There she stands, like fire and snow, + In the moon's ambrosial glow, + Both her shapely loins low-looped + With the balmy blossoms, drooped, + Of the deep amaracus. + Spiritual, yet sensual, + Lo, she ever greets me thus + In my vision; white and tall, + Her delicious body there,-- + Raimented with amorous air,-- + To my mind expresses all + The allurements of the world. + And once more I seem to feel + On my soul, like frenzy, hurled + All the passionate past.--I reel, + Greek again in ancient Greece, + In the Pyrrhic revelries; + In the mad and Mænad dance; + Onward dragged with violence; + Pan and old Silenus and + Faunus and a Bacchant band + Round me. Wild my wine-stained hand + O'er tumultuous hair is lifted; + While the flushed and Phallic orgies + Whirl around me; and the marges + Of the wood are torn and rifted + With lascivious laugh and shout. + And barbarian there again,-- + Shameless with the shameless rout, + Bacchus lusting in each vein,-- + With her pagan lips on mine, + Like a god made drunk with wine, + On I reel; and in the revels + Her loose hair, the dance dishevels, + Blows, and 'thwart my vision swims + All the splendour of her limbs.... + + So it seems. Yet woods are lonely. + And when I again awake, + I shall find their faces only + Moonbeams in the boughs that shake; + And their revels, but the rush + Of night-winds through bough and brush. + Yet my dreaming--is it more + Than mere dreaming? Is a door + Opened in my soul? a curtain + Raised? to let me see for certain + I have lived that life before? + + + + + THE NAIAD + + + She sits among the iris stalks + Of babbling brooks; and leans for hours + Among the river's lily flowers, + Or on their whiteness walks: + Above dark forest pools, gray rocks + Wall in, she leans with dripping locks, + And listening to the echo, talks + With her own face--Iothera. + + There is no forest of the hills, + No valley of the solitude, + Nor fern nor moss, that may elude + Her searching step that stills: + She dreams among the wild-rose brakes + Of fountains that the ripple shakes, + And, dreaming of herself, she fills + The silence with 'Iothera.' + + And every wind that haunts the ways + Of leaf and bough, once having kissed + Her virgin nudity, goes whist + With wonder and amaze. + There blows no breeze which hath not learned + Her name's sweet melody, and yearned + To kiss her mouth that laughs and says, + 'Iothera, Iothera.' + + No wild thing of the wood, no bird, + Or brown or blue, or gold or gray, + Beneath the sun's or moonlight's ray, + That hath not loved and heard; + They are her pupils; she can say + No new thing but, within a day, + They have its music, word for word, + Harmonious as Iothera. + + No man who lives and is not wise + With love for common flowers and trees, + Bee, bird, and beast, and brook, and breeze, + And rocks and hills and skies,-- + Search where he will,--shall ever see + One flutter of her drapery, + One glimpse of limbs, or hair, or eyes + Of beautiful Iothera. + + + + + THE LIMNAD + + + I + + The lake she haunts gleams dreamily + 'Twixt sleepy boughs of melody, + Set 'mid the hills beside the sea, + In tangled bush and brier; + Where the ghostly sunsets write + Wondrous things in golden light; + And above the pine-crowned height, + Clouds of twilight, rosy white, + Build their towers of fire. + + + II + + 'Mid the rushes there that swing, + Flowering flags where voices sing + When low winds are murmuring, + Murmuring to stars that glitter; + Blossom-white, with purple locks, + Underneath the stars' still flocks, + In the dusky waves she rocks, + Rocks, and all the landscape mocks + With a song most sweet and bitter. + + + III + + Soft it sounds, at first, as dreams + Filled with tears that fall in streams; + Then it soars, until it seems + Beauty's very self hath spoken; + And the woods grow silent quite, + Stars wax faint and flowers turn white; + And the nightingales that light + Near, or hear her through the night, + Die, their hearts with longing broken. + + + IV + + Dark, dim and sad o'er mournful lands, + White-throated stars heaped in her hands, + Like wildwood buds, the Twilight stands, + The Twilight dreaming lingers; + Listening where the Limnad sings + Witcheries, whose beauty brings + A great moon from hidden springs, + Pale with amorous quiverings + Feet of fire and silvery fingers. + + + V + + In the vales Auloniads, + On the mountains Oreads, + On the leas Leimoniads, + Naked as the stars that glisten, + Pan, the Satyrs, Dryades, + Fountain-lovely Naiades, + Foam-lipped Oceanides, + Breathless 'mid their seas and trees, + Stay and stop and lean and listen. + + + VI + + Large-eyed, Siren-like she stands, + In the lake or on its sands, + And with rapture from the hands + Of the Night some stars are shaken; + To her song the rushes swing, + Lilies nod and ripples ring, + Lost in helpless listening-- + These will wake that hear her sing, + But one mortal will not waken. + + + + + INTIMATIONS + + + I + + Is it uneasy moonlight + On the restless field, that stirs? + Or wild white meadow-blossoms + The night-wind bends and blurs? + + Is it the dolorous water, + That sobs in the woods and sighs? + Or heart of an ancient oak-tree, + That breaks and, sighing, dies? + + The wind is vague with the shadows + That wander in No-Man's Land; + The water is dark with the voices + That weep on the Unknown strand. + + O ghosts of the winds that call me! + O ghosts of the whispering waves! + As sad as forgotten flowers + That die upon nameless graves! + + What is this thing you tell me + In tongues of a twilight race, + Of death, with the vanished features, + Mantled, of my own face? + + + II + + The old enigmas of the deathless dawns + And riddles of the all immortal eves,-- + That still o'er Delphic lawns + Speak as the gods spoke through oracular leaves-- + I read with new-born eyes, + Remembering how, a slave; + They buried me, a living sacrifice, + Once in a dead king's grave. + + Or crowned with hyacinth and helichrys, + How, towards the altar in the marble gloom,-- + Hearing the magadis + Dirge through the pale amaracine perfume,-- + 'Mid chanting priests I trod, + With never a sigh or pause, + To give my life to pacify a god, + And save my country's cause. + + Again: Cyrenian roses on wild hair, + And oil and purple smeared on breasts and cheeks, + How, with mad torches there,-- + Reddening the cedars of Cithæron's peaks,-- + With gesture and fierce glance, + Lascivious Mænad bands + Once drew and slew me in the Pyrrhic dance, + With Bacchanalian hands. + + + III + + In eons of the senses, + My spirit knew of yore, + I found the Isle of Circe + And felt her magic lore; + And still the soul remembers + What I was once before. + + She gave me flowers to smell of + That wizard branches bore, + Of weird and sorcerous beauty, + Whose stems dripped human gore-- + Their scent when I remember + I know that world once more. + + She gave me fruits to eat of + That grew upon the shore, + Of necromantic ripeness, + With human flesh at core-- + Their taste when I remember + I know that life once more. + + And then, behold! a serpent, + That glides my face before, + With eyes of tears and fire + That glare me o'er and o'er-- + I look into its eyeballs, + And know myself once more. + + + + + BEFORE THE TEMPLE + + + I + + All desolate she sate her down + Upon the marble of the temple's stair. + You would have thought her, with her eyes of brown, + Flushed cheeks and hazel hair, + A dryad dreaming there. + + + II + + A priest of Bacchus passed, nor stopped + To chide her; deeming her--whose chiton hid + But half her bosom, and whose girdle dropped-- + Some grief-drowned Bassarid, + The god of wine had chid. + + + III + + With wreaths of woodland cyclamen + For Dian's shrine, a shepherdess drew near, + All her young thoughts on vestal beauty, when-- + She dare not look for fear-- + Behold the goddess here! + + + IV + + Fierce lights on shields of bossy brass + And helms of gold, next from the hills deploy + Tall youths of Argos. And she sees _him_ pass, + Flushed with heroic joy, + On towards the siege of Troy. + + + + + ANTHEM OF DAWN + + + I + + Then up the orient heights to the zenith that balanced the + crescent,-- + Up and far up and over,--the heaven grew erubescent, + Vibrant with rose and with ruby from hands of the harpist Dawn, + Smiting symphonic fire on the firmament's barbition; + And the East was a priest who adored with offerings of gold and of + gems, + And a wonderful carpet unrolled for the inaccessible hems + Of the glittering robes of her limbs; that, lily and amethyst, + Swept glorying on and on through temples of cloud and mist. + + + II + + Then out of the splendour and richness, that burned like a magic + stone, + The torrent suffusion that deepened and dazzled and broadened and + shone, + The pomp and the pageant of colour, triumphal procession of glare, + The sun, like a king in armour, breathing splendour from feet to + hair, + Stood forth with majesty girdled, as a hero who towers afar + Where the bannered gates are bristling hells and the walls are + roaring war: + And broad on the back of the world, like a Cherubin's fiery blade, + The effulgent gaze of his aspect fell in glittering accolade. + + + III + + Then billowing blue, like an ocean, rolled from the shores of dawn + to even: + And the stars, like rafts, went down: and the moon, like a + ghost-ship driven, + A feather of foam, from port to port of the cloud-built isles that + dotted, + With pearl and cameo, bays of the day, her canvas webbed and rooted, + Lay lost in the gulf of heaven: while over her mixed and melted + The beautiful children of Morn, whose bodies are opal-belted; + The beautiful daughters of Dawn, who, over and under and after + The rivered radiance wrestled; and rainbowed heaven with laughter + Of halcyon sapphire.--O Dawn! thou visible mirth, + Thou hallelujah of heaven! hosanna of Earth! + + + + + AT THE LANE'S END + + + I + + No more to strip the roses from + The rose-boughs of her porch's place!-- + I dreamed last night that I was home + Beside a rose--her face. + + I must have smiled in sleep--who knows?-- + The rose aroma filled the lane; + I saw her white hand's lifted rose + That called me home again. + + And yet when I awoke--so wan, + An old face wet with icy tears!-- + Somehow, it seems, sleep had misdrawn + A love gone thirty years. + + + II + + The clouds roll up and the clouds roll down + Over the roofs of the little town; + Out in the hills where the pike winds by + Fields of clover and bottoms of rye, + You will hear no sound but the barking cough + Of the striped chipmunk where the lane leads off; + You will hear no bird but the sapsuckers + Far off in the forest,--that seems to purr, + As the warm wind fondles its top, grown hot, + Like the docile back of an ocelot: + You will see no thing but the shine and shade + Of briers that climb and of weeds that wade + The glittering creeks of the light, that fills + The dusty road and the red-keel hills-- + And all day long in the pennyroy'l + The grasshoppers at their anvils toil; + Thick click of their tireless hammers thrum, + And the wheezy belts of their bellows hum; + Tinkers who solder the silence and heat + To make the loneliness more complete. + Around old rails where the blackberries + Are reddening ripe, and the bumble-bees + Are a drowsy rustle of Summer's skirts, + And the bob-white's wing is the fan she flirts. + Under the hill, through the iron weeds, + And ox-eyed daisies and milkweeds, leads + The path forgotten of all but one. + Where elder bushes are sick with sun, + And wild raspberries branch big blue veins + O'er the face of the rock, where the old spring rains + Its sparkling splinters of molten spar + On the gravel bed where the tadpoles are,-- + You will find the pales of the fallen fence, + And the tangled orchard and vineyard, dense + With the weedy neglect of thirty years. + The garden there,--where the soft sky clears + Like an old sweet face that has dried its tears;-- + The garden plot where the cabbage grew + And the pompous pumpkin; and beans that blew + Balloons of white by the melon patch; + Maize; and tomatoes that seemed to catch + Oblong amber and agate balls + Thrown from the sun in the frosty falls: + Long rows of currants and gooseberries, + And the balsam-gourd with its honey-bees. + And here was a nook for the princess-plumes, + The snap-dragons and the poppy-blooms, + Mother's sweet-williams and pansy flowers, + And the morning-glories' bewildered bowers, + Tipping their cornucopias up + For the humming-birds that came to sup. + And over it all was the Sabbath peace + Of the land whose lap was the love of these; + And the old log-house where my innocence died, + With my boyhood buried side by side. + + Shall a man with a face as withered and gray + As the wasp-nest stowed in a loft away,-- + Where the hornets haunt and the mortar drops + From the loosened logs of the clapboard tops;-- + Whom vice has aged as the rotting rooms + The rain where memories haunt the glooms; + A hitch in his joints like the rheum that gnars + In the rasping hinge of the door that jars; + A harsh, cracked throat like the old stone flue + Where the swallows build the summer through; + Shall a man, I say, with the spider sins + That the long years spin in the outs and ins + Of his soul, returning to see once more + His boyhood's home, where his life was poor + With toil and tears and their fretfulness, + But rich with health and the hopes that bless + The unsoiled wealth of a vigorous youth; + Shall he not take comfort and know the truth + In its threadbare raiment of falsehood?--Yea! + In his crumbled past he shall kneel and pray, + Like a pilgrim come to the shrine again + Of the homely saints that shall soothe his pain, + And arise and depart made clean from stain! + + + III + + Years of care can not erase + Visions of the hills and trees + Closing in the dam and race; + Not the mile-long memories + Of the mill-stream's lovely place. + + How the sunsets used to stain + Mirror of the water lying + Under eaves made dark with rain! + Where the red-bird, westward flying, + Lit to try one song again. + + Dingles, hills, and woods, and springs, + Where we came in calm and storm, + Swinging in the grape-vine swings, + Wading where the rocks were warm, + With our fishing-nets and strings. + + Here the road plunged down the hill, + Under ash and chinquapin,-- + Where the grasshoppers would drill + Ears of silence with their din,-- + To the willow-girdled mill. + + There the path beyond the ford + Takes the woodside, just below + Shallows that the lilies sword, + Where the scarlet blossoms blow + Of the trumpet-vine and gourd. + + Summer winds, that sink with heat, + On the pelted waters winnow + Moony petals that repeat + Crescents, where the startled minnow + Beats a glittering retreat. + + Summer winds that bear the scent + Of the iron-weed and mint, + Weary with sweet freight and spent, + On the deeper pools imprint + Stumbling steps in many a dent. + + Summer winds, that split the husk + Of the peach and nectarine, + Trail along the amber dusk + Hazy skirts of gray and green, + Spilling balms of dew and musk. + + Where with balls of bursting juice + Summer sees the red wild-plum + Strew the gravel; ripened loose, + Autumn hears the pawpaw drum + Plumpness on the rocks that bruise: + + There we found the water-beech, + One forgotten August noon, + With a hornet-nest in reach,-- + Like a fairyland balloon, + Full of bustling fairy speech.-- + + Some invasion sure it was; + For we heard the captains scold; + Waspish cavalry a-buzz,-- + Troopers uniformed in gold, + Sable-slashed,--to charge on us. + + Could I find the sedgy angle, + Where the dragon-flies would turn + Slender flittings into spangle + On the sunlight? or would burn-- + Where the berries made a tangle-- + + Sparkling green and brassy blue; + Rendezvousing, by the stream, + Bands of elf-banditti, who, + Brigands of the bloom and beam, + Drunken were with honey-dew. + + Could I find the pond that lay + Where vermilion blossoms showered + Fragrance down the daisied way? + That the sassafras embowered + With the spice of early May? + + Could I find it--did I seek-- + The old mill? Its weather-beaten + Wheel and gable by the creek? + With its warping roof; worm-eaten, + Dusty rafters worn and weak. + + Where old shadows haunt old places, + Loft and hopper, stair and bin; + Ghostly with the dust that laces + Webs that usher phantoms in, + Wistful with remembered faces. + + While the frogs' grave litanies + Drowse in far-off antiphone, + Supplicating, till the eyes + Of dead friendships, long alone + In the dusky corners,--rise. + + Moonrays or the splintered slip + Of a star? within the darkling + Twilight, where the fireflies dip-- + As if Night a myriad sparkling + Jewels from her hands let slip: + + While again some farm-boy crosses,-- + With a corn-sack for the meal,-- + O'er the creek, through ferns and mosses + Sprinkled by the old mill-wheel, + Where the water drips and tosses. + + + + + THE FARMSTEAD + + + Yes, I love the homestead. There + In the spring the lilacs blew + Plenteous perfume everywhere; + There in summer gladioles grew + Parallels of scarlet glare. + + And the moon-hued primrose cool, + Satin-soft and redolent; + Honeysuckles beautiful, + Filling all the air with scent; + Roses red or white as wool. + + Roses, glorious and lush, + Rich in tender-tinted dyes, + Like the gay tempestuous rush + Of unnumbered butterflies, + Clustering o'er each bending bush. + + Here japonica and box, + And the wayward violets; + Clumps of star-enamelled phlox, + And the myriad flowery jets + Of the twilight four-o'-clocks. + + Ah, the beauty of the place! + When the June made one great rose, + Full of musk and mellow grace, + In the garden's humming close, + Of her comely mother face! + + Bubble-like, the hollyhocks + Budded, burst, and flaunted wide + Gypsy beauty from their stocks; + Morning glories, bubble-dyed, + Swung in honey-hearted flocks. + + Tawny tiger-lilies flung + Doublets slashed with crimson on; + Graceful slave-girls, fair and young, + Like Circassians, in the sun + Alabaster lilies swung. + + Ah, the droning of the bee; + In his dusty pantaloons + Tumbling in the fleurs-de-lis; + In the drowsy afternoons + Dreaming in the pink sweet-pea. + + Ah, the moaning wildwood-dove! + With its throat of amethyst + Rippled like a shining cove + Which a wind to pearl hath kissed, + Moaning, moaning of its love. + + And the insects' gossip thin-- + From the summer hotness hid-- + In lone, leafy deeps of green; + Then at eve the katydid + With its hard, unvaried din. + + Often from the whispering hills, + Borne from out the golden dusk,-- + Gold with gold of daffodils,-- + Thrilled into the garden's musk + The wild wail of whippoorwills. + + From the purple-tangled trees, + Like the white, full heart of night, + Solemn with majestic peace, + Swam the big moon, veined with light; + Like some gorgeous golden-fleece. + + She was there with me.--And who, + In the magic of the hour, + Had not sworn that they could view, + Beading on each blade and flower + Moony blisters of the dew? + + And each fairy of our home,-- + Firefly,--its taper lit + In the honey-scented gloam, + Dashing down the dusk with it + Like an instant-flaming foam. + + And we heard the calling, calling, + Of the screech-owl in the brake; + Where the trumpet-vine hung, crawling + Down the ledge, into the lake + Heard the sighing streamlet falling. + + Then we wandered to the creek + Where the water-lilies, growing + Thick as stars, lay white and weak; + Or against the brooklet's flowing + Bent and bathed a bashful cheek. + + And the moonlight, rippling golden, + Fell in virgin aureoles + On their bosoms, half unfolden, + Where, it seemed, the fairies' souls + Dwelt as perfume,--unbeholden;-- + + Or lay sleeping, pearly-tented, + Baby-cribbed within each bud, + While the night-wind, piney-scented, + Swooning over field and flood, + Rocked them on the waters dented. + + Then the low, melodious bell + Of a sleeping heifer tinkled, + In some berry-briered dell, + As her satin dewlap wrinkled + With the cud that made it swell. + + And, returning home, we heard, + In a beech-tree at the gate, + Some brown, dream-behaunted bird, + Singing of its absent mate, + Of the mate that never heard. + + And, you see, now I am gray, + Why within the old, old place, + With such memories, I stay; + Fancy out her absent face + Long since passed away. + + She was mine--yes! still is mine: + And my frosty memory + Reels about her, as with wine + Warmed into young eyes that see + All of her that was divine. + + Yes, I loved her, and have grown + Melancholy in that love, + And the memory alone + Of perfection such whereof + She could sanctify each stone. + + And where'er the poppies swing-- + There we walk,--as if a bee + Bent them with its airy wing,-- + Down her garden shadowy + In the hush the evenings bring. + + + + + A FLOWER OF THE FIELDS + + + Bee-bitten in the orchard hung + The peach; or, fallen in the weeds, + Lay rotting, where still sucked and sung + The gray bee, boring to its seed's + Pink pulp and honey blackly stung. + + The orchard-path, which led around + The garden,--with its heat one twinge + Of dinning locusts,--picket-bound + And ragged, brought me where one hinge + Held up the gate that scraped the ground. + + All seemed the same: the martin-box-- + Sun-warped with pigmy balconies-- + Still stood, with all its twittering flocks, + Perched on its pole above the peas + And silvery-seeded onion-stocks. + + The clove-pink and the rose; the clump + Of coppery sunflowers, with the heat + Sick to the heart: the garden stump, + Red with geranium-pots, and sweet + With moss and ferns, this side the pump. + + I rested, with one hesitant hand + Upon the gate. The lonesome day, + Droning with insects, made the land + One dry stagnation. Soaked with hay + And scents of weeds the hot wind fanned. + + I breathed the sultry scents, my eyes + Parched as my lips. And yet I felt + My limbs were ice.--As one who flies + To some wild woe.--How sleepy smelt + The hay-sweet heat that soaked the skies! + + Noon nodded; dreamier, lonesomer + For one long, plaintive, forest-side + Bird-quaver.--And I knew me near + Some heartbreak anguish.... She had died. + I felt it, and no need to hear! + + I passed the quince and pear-tree; where, + All up the porch, a grape-vine trails-- + How strange that fruit, whatever air + Or earth it grows in, never fails + To find its native flavour there! + + And she was as a flower, too, + That grows its proper bloom and scent + No matter what the soil: she, who, + Born better than her place, still lent + Grace to the lowliness she knew.... + + They met me at the porch, and were + Sad-eyed with weeping.--Then the room + Shut out the country's heat and purr, + And left light stricken into gloom-- + So love and I might look on her. + + + + + THE FEUD + + + Rocks, trees and rocks; and down a mossy stone + The murmuring ooze and trickle of a stream + Through bushes, where the mountain spring lies lone,-- + A gleaming cairngorm where the shadows dream,-- + And one wild road winds like a saffron seam. + + Here sang the thrush, whose pure, mellifluous note + Dropped golden sweetness on the fragrant June; + Here cat--and blue-bird and wood-sparrow wrote + Their presence on the silence with a tune; + And here the fox drank 'neath the mountain moon. + + Frail ferns and dewy mosses and dark brush,-- + Impenetrable briers, deep and dense, + And wiry bushes,--brush, that seemed to crush + The struggling saplings with its tangle, whence + Sprawled out the ramble of an old rail-fence. + + A wasp buzzed by; and then a butterfly + In orange and amber, like a floating flame; + And then a man, hard-eyed and very sly, + Gaunt-cheeked and haggard and a little lame, + With an old rifle, down the mountain came. + + He listened, drinking from a flask he took + Out of the ragged pocket of his coat; + Then all around him cast a stealthy look; + Lay down; and watched an eagle soar and float, + His fingers twitching at his hairy throat. + + The shades grew longer; and each Cumberland height + Loomed, framed in splendours of the dolphin dusk. + Around the road a horseman rode in sight; + Young, tall, blonde-bearded. Silent, grim, and brusque, + He in the thicket aimed--The gun ran husk; + + And echoes barked among the hills and made + Repeated instants of the shot's distress.-- + Then silence--and the trampled bushes swayed;-- + Then silence, packed with murder and the press + Of distant hoofs that galloped riderless. + + + + + LYNCHERS + + + At the moon's down-going, let it be + On the quarry hill with its one gnarled tree.... + + The red-rock road of the underbush, + Where the woman came through the summer hush. + + The sumach high and the elder thick, + Where we found the stone and the ragged stick + + The trampled road of the thicket, full + Of footprints down to the quarry pool. + + The rocks that ooze with the hue of lead, + Where we found her lying stark and dead. + + The scraggy wood; the negro hut, + With its doors and windows locked and shut. + + A secret signal; a foot's rough tramp; + A knock at the door; a lifted lamp. + + An oath; a scuffle; a ring of masks; + A voice that answers a voice that asks. + + A group of shadows; the moon's red fleck; + A running noose and a man's bared neck. + + A word, a curse, and a shape that swings; + The lonely night and a bat's black wings.... + + At the moon's down-going, let it be + On the quarry hill with its one gnarled tree. + + + + + DEAD MAN'S RUN + + + He rode adown the autumn wood, + A man dark-eyed and brown; + A mountain girl before him stood + Clad in a homespun gown. + + 'To ride this road is death for you! + My father waits you there; + My father and my brother, too,-- + You know the oath they swear.' + + He holds her by one berry-brown wrist, + And by one berry-brown hand; + And he hath laughed at her and kissed + Her cheek the sun hath tanned. + + 'The feud is to the death, sweetheart; + But forward will I ride.'-- + 'And if you ride to death, sweetheart, + My place is at your side.' + + Low hath he laughed again and kissed + And helped her with his hand; + And they have ridd'n into the mist + That belts the autumn land. + + And they had passed by Devil's Den, + And come to Dead Man's Run, + When in the brush rose up two men, + Each with a levelled gun. + + 'Down! down! my sister!' cries the one;-- + She gives the reins a twirl.-- + The other shouts, 'He shot my son! + And now he steals my girl!' + + The rifles crack: she will not wail: + He will not cease to ride: + But, oh! her face is pale, is pale, + And the red blood stains her side. + + 'Sit fast, sit fast by me, sweetheart! + The road is rough to ride!'-- + The road is rough by gulch and bluff, + And her hair blows wild and wide. + + 'Sit fast, sit fast by me, sweetheart! + The bank is steep to ride!'-- + The bank is steep for a strong man's leap, + And her eyes are staring wide. + + 'Sit fast, sit fast by me, sweetheart! + The Run is swift to ride!'-- + The Run is swift with mountain drift, + And she sways from side to side. + + Is it a wash of the yellow moss, + Or drift of the autumn's gold, + The mountain torrent foams across + For the dead pine's roots to hold? + + Is it the bark of the sycamore, + Or peel of the white birch-tree, + The mountaineer on the other shore + Hath followed and still can see? + + No mountain moss or leaves, dear heart! + No bark of birchen gray!-- + Young hair of gold and a face death-cold + The wild stream sweeps away. + + + + + AUGUST + + + I + + Clad on with glowing beauty and the peace, + Benign, of calm maturity, she stands + Among her meadows and her orchard-lands, + And on her mellowing gardens and her trees, + Out of the ripe abundance of her hands + Bestows increase + And fruitfulness, as, wrapped in sunny ease, + Blue-eyed and blonde she goes + Upon her bosom Summer's richest rose. + + + II + + And he who follows where her footsteps lead, + By hill and rock, by forest-side and stream, + Shall glimpse the glory of her visible dream, + In flower and fruit, in rounded nut and seed: + She, in whose path the very shadows gleam; + Whose humblest weed + Seems lovelier than June's loveliest flower, indeed, + And sweeter to the smell + Than April's self within a rainy dell. + + + III + + Hers is a sumptuous simplicity + Within the fair Republic of her flowers, + Where you may see her standing hours on hours, + Breast-deep in gold, soft-holding up a bee + To her hushed ear; or sitting under bowers + Of greenery, + A butterfly a-tilt upon her knee; + Or lounging on her hip, + Dancing a cricket on her finger-tip. + + + IV + + Ay, let me breathe hot scents that tell of you; + The hoary catnip and the meadow-mint, + On which the honour of your touch doth print + Itself as odour. Let me drink the hue + Of iron-weed and mist-flow'r here that hint, + With purple and blue, + The rapture that your presence doth imbue + Their inmost essence with, + Immortal though as transient as a myth. + + + V + + Yea, let me feed on sounds that still assure + Me where you hide: the brooks', whose happy din + Tells where, the deep retired woods within, + Disrobed, you bathe; the birds', whose drowsy lure + Tells where you slumber, your warm nestling chin + Soft on the pure, + Pink cushion of your palm.... What better cure + For care and memory's ache + Than to behold you so, and watch you wake! + + + + + THE BUSH-SPARROW + + + I + + Ere wild-haws, looming in the glooms, + Build bolted drifts of breezy blooms; + And in the whistling hollow there + The red-bud bends, as brown and bare + As buxom Roxy's up-stripped arm; + From some gray hickory or larch, + Sighed o'er the sodden meads of March, + The sad heart thrills and reddens warm + To hear you braving the rough storm, + Frail courier of green-gathering powers; + Rebelling sap in trees and flowers; + Love's minister come heralding-- + O sweet saint-voice among bleak bowers! + O brown-red pursuivant of Spring! + + + II + + 'Moan' sob the woodland waters still + Down bloomless ledges of the hill; + And gray, gaunt clouds like harpies hang + In harpy heavens, and swoop and clang + Sharp beaks and talons of the wind: + Black scowl the forests, and unkind + The far fields as the near: while song + Seems murdered and all beauty wrong. + One weak frog only in the thaw + Of spawny pools wakes cold and raw, + Expires a melancholy bass + And stops as if bewildered: then + Along the frowning wood again, + Flung in the thin wind's vulture face, + From woolly tassels of the proud, + Red-bannered maples, long and loud, + 'The Spring is come! is here! her Grace! her Grace!' + + + III + + 'Her Grace, the Spring! her Grace! her Grace! + Climbs, beautiful and sunny browed, + Up, up the kindling hills and wakes + Blue berries in the berry brakes: + With fragrant flakes, that blow and bleach, + Deep-powders smothered quince and peach: + Eyes dogwoods with a thousand eyes: + Teaches each sod how to be wise + With twenty wild-flowers to one weed, + And kisses germs that they may seed. + In purest purple and sweet white + Treads up the happier hills of light, + Bloom, cloudy-borne, song in her hair + And balm and beam of odorous air. + Winds, her retainers; and the rains + Her yeomen strong that sweep the plains: + Her scarlet knights of dawn, and gold + Of eve, her panoply unfold: + Her herald tabarded behold! + Awake to greet! prepare to sing! + She comes, the darling Duchess, Spring!' + + + + + QUIET + + + A log-hut in the solitude, + A clapboard roof to rest beneath! + This side, the shadow-haunted wood; + That side, the sunlight-haunted heath. + + At daybreak Morn shall come to me + In raiment of the white winds spun; + Slim in her rosy hand the key + That opes the gateway of the sun. + + Her smile shall help my heart enough + With love to labour all the day, + And cheer the road, whose rocks are rough, + With her smooth footprints, each a ray. + + At dusk a voice shall call afar, + A lone voice like the whippoorwill's; + And, on her shimmering brow one star, + Night shall descend the western hills. + + She at my door till dawn shall stand, + With gothic eyes, that, dark and deep, + Are mirrors of a mystic land, + Fantastic with the towns of sleep. + + + + + MUSIC + + + Thou, oh, thou! + Thou of the chorded shell and golden plectrum, thou + Of the dark eyes and pale pacific brow! + Music, who by the plangent waves, + Or in the echoing night of labyrinthine caves, + Or on God's mountains, lonely as the stars, + Touchest reverberant bars + Of immemorial sorrow and amaze;-- + Keeping regret and memory awake, + And all the immortal ache + Of love that leans upon the past's sweet days + In retrospection!--now, oh, now, + Interpreter and heart-physician, thou + Who gazest on the heaven and the hell + Of life, and singest each as well, + Touch with thy all-mellifluous finger-tips, + Or thy melodious lips, + This sickness named my soul, + Making it whole + As is an echo of a chord, + Or some symphonic word, + Or sweet vibrating sigh, + That deep, resurgent still doth rise and die + On thy voluminous roll; + Part of the beauty and the mystery + That axles Earth with music; as a slave, + Swinging it round and round on each sonorous pole, + 'Mid spheric harmony, + And choral majesty, + And diapasoning of wind and wave; + Speeding it on its far elliptic way + 'Mid vasty anthemings of night and day.-- + O cosmic cry + Of two eternities, wherein we see + The phantasms, Death and Life, + At endless strife + Above the silence of a monster grave. + + + + + THE PURPLE VALLEYS + + + Far in the purple valleys of illusion + I see her waiting, like the soul of music, + With deep eyes, lovelier than cerulean pansies, + Shadow and fire, yet merciless as poison; + With red lips sweeter than Arabian storax, + Yet bitterer than myrrh. O tears and kisses! + O eyes and lips, that haunt my soul for ever! + + Again Spring walks transcendent on the mountains: + The woods are hushed: the vales are blue with shadows: + Above the heights, steeped in a thousand splendours, + Like some vast canvas of the gods, hangs burning + The sunset's wild sciography: and slowly + The moon treads heaven's proscenium,--night's stately + White queen of love and tragedy and madness. + + Again I know forgotten dreams and longings; + Ideals lost; desires dead and buried + Beside the altar sacrifice erected + Within the heart's high sanctuary. Strangely + Again I know the horror and the rapture, + The utterless awe, the joy akin to anguish, + The terror and the worship of the spirit. + + Again I feel her eyes pierce through and through me; + Her deep eyes, lovelier than imperial pansies, + Velvet and flame, through which her fierce will holds me, + Powerless and tame, and draws me on and onward + To sad, unsatisfied and animal yearnings, + Wild, unrestrained--the brute within the human-- + To fling me panting on her mouth and bosom. + + Again I feel her lips like ice and fire, + Her red lips, odorous as Arabian storax, + Fragrance and fire, within whose kiss destruction + Lies serpent-like. Intoxicating languors + Resistlessly embrace me, soul and body; + And we go drifting, drifting--she is laughing-- + Outcasts of God, into the deep's abysm. + + + + + A DREAM SHAPE + + + With moon-white hearts that held a gleam + I gathered wild-flowers in a dream, + And shaped a woman, whose sweet blood + Was odour of the wildwood bud. + + From dew, the starlight arrowed through, + I wrought a woman's eyes of blue; + The lids that on her eyeballs lay, + Were rose-pale petals of the May. + + Out of a rosebud's veins I drew + The fragrant crimson beating through + The languid lips of her, whose kiss + Was as a poppy's drowsiness. + + Out of the moonlight and the air + I wrought the glory of her hair, + That o'er her eyes' blue heaven lay + Like some gold cloud o'er dawn of day. + + I took the music of the breeze + And water, whispering in the trees, + And shaped the soul that breathed below + A woman's blossom breasts of snow. + + A shadow's shadow in the glass + Of sleep, my spirit saw her pass: + And thinking of it now, meseems + We only live within our dreams. + + For in that time she was to me + More real than our reality; + More real than Earth, more real than I-- + The unreal things that pass and die. + + + + + THE OLD BARN + + + Low, swallow-swept and gray, + Between the orchard and the spring, + All its wide windows overflowing hay, + And crannied doors a-swing, + The old barn stands to-day. + + Deep in its hay the Leghorn hides + A round white nest; and, humming soft + On roof and rafter, or its log-rude sides, + Black in the sun-shot loft, + The building hornet glides. + + Along its corn-crib, cautiously + As thieving fingers, skulks the rat; + Or in warped stalls of fragrant timothy, + Gnaws at some loosened slat, + Or passes shadowy. + + A dream of drouth made audible + Before its door, hot, smooth, and shrill + All day the locust sings.... What other spell + Shall hold it, lazier still + Than the long day's, now tell:-- + + Dusk and the cricket and the strain + Of tree-toad and of frog; and stars + That burn above the rich west's ribbéd stain; + And dropping pasture bars, + And cow-bells up the lane. + + Night and the moon and katydid, + And leaf-lisp of the wind-touched boughs; + And mazy shadows that the fireflies thrid; + And sweet breath of the cows, + And the lone owl here hid. + + + + + THE WOOD WITCH + + + There is a woodland witch who lies + With bloom-bright limbs and beam-bright eyes, + Among the water-flags that rank + The slow brook's heron-haunted bank. + The dragon-flies, brass-bright and blue, + Are signs she works her sorcery through; + Weird, wizard characters she weaves + Her spells by under forest leaves,-- + These wait her word, like imps, upon + The gray flag-pods; their wings, of lawn + And gauze; their bodies, gleaming green. + While o'er the wet sand,--left between + The running water and the still,-- + In pansy hues and daffodil, + The fancies that she doth devise + Take on the forms of butterflies, + Rich-coloured.--And 'tis she you hear, + Whose sleepy rune, hummed in the ear + Of silence, bees and beetles purr, + And the dry-droning locusts whirr; + Till, where the wood is very lone, + Vague monotone meets monotone, + And slumber is begot and born, + A faery child beneath the thorn. + There is no mortal who may scorn + The witchery she spreads around + Her din demesne, wherein is bound + The beauty of abandoned time, + As some sweet thought 'twixt rhyme and rhyme. + And through her spells you shall behold + The blue turn gray, the gray turn gold + Of hollow heaven; and the brown + Of twilight vistas twinkled down + With fireflies; and in the gloom + Feel the cool vowels of perfume + Slow-syllabled of weed and bloom. + But, in the night, at languid rest,-- + When like a spirit's naked breast + The moon slips from a silver mist,-- + With star-bound brow, and star-wreathed wrist, + If you should see her rise and wave + You welcome--ah! what thing could save + You then? for evermore her slave! + + + + + AT SUNSET + + + Into the sunset's turquoise marge + The moon dips, like a pearly barge + Enchantment sails through magic seas + To fairyland Hesperides, + Over the hills and away. + + Into the fields, in ghost-gray gown, + The young-eyed Dusk comes slowly down; + Her apron filled with stars she stands, + And one or two slip from her hands + Over the hills and away. + + Above the wood's black caldron bends + The witch-faced Night and, muttering, blends + The dew and heat, whose bubbles make + The mist and musk that haunt the brake + Over the hills and away. + + Oh, come with me, and let us go + Beyond the sunset lying low, + Beyond the twilight and the night + Into Love's kingdom of long light + Over the hills and away. + + + + + MAY + + + The golden discs of the rattlesnake-weed, + That spangle the woods and dance-- + No gleam of gold that the twilights hold + Is strong as their necromance: + For, under the oaks where the woodpaths lead, + The golden discs of the rattlesnake-weed + Are the May's own utterance. + + The azure stars of the bluet bloom, + That sprinkle the woodland's trance-- + No blink of blue that a cloud lets through + Is sweet as their countenance: + For, over the knolls that the woods perfume, + The azure stars of the bluet bloom + Are the light of the May's own glance. + + With her wondering words and her looks she comes, + In a sunbeam of a gown; + She needs but think and the blossoms wink, + But look, and they shower down. + By orchard ways, where the wild bee hums, + With her wondering words and her looks she comes + Like a little maid to town. + + + + + RAIN + + + I + + Around, the stillness deepened; then the grain + Went wild with wind; and every briery lane + Was swept with dust; and then, tempestuous black, + Hillward the tempest heaved a monster back, + That on the thunder leaned as on a cane; + And on huge shoulders bore a cloudy pack, + That gullied gold from many a lightning-crack: + One great drop splashed and wrinkled down the pane, + And then field, hill, and wood were lost in rain. + + + II + + At last, through clouds,--as from a cavern hewn + Into night's heart,--the sun burst, angry roon; + And every cedar, with its weight of wet, + Against the sunset's fiery splendour set, + Frightened to beauty, seemed with rubies strewn: + Then in drenched gardens, like sweet phantoms met, + Dim odours rose of pink and mignonette; + And in the East a confidence, that soon + Grew to the calm assurance of the moon. + + + + + TO FALL + + + Sad-hearted spirit of the solitudes, + Who comest through the ruin-wedded woods! + Gray-gowned with fog, gold-girdled with the gloom + Of tawny twilights; burdened with perfume + Of rain-wet uplands, chilly with the mist; + And all the beauty of the fire-kissed + Cold forests crimsoning thy indolent way, + Odorous of death and drowsy with decay. + I think of thee as seated 'mid the showers + Of languid leaves that cover up the flowers,-- + The little flower-sisterhoods, whom June + Once gave wild sweetness to, as to a tune + A singer gives her soul's wild melody,-- + Watching the squirrel store his granary. + Or, 'mid old orchards I have pictured thee: + Thy hair's profusion blown about thy back; + One lovely shoulder bathed with gypsy black; + Upon thy palm one nestling cheek, and sweet + The rosy russets tumbled at thy feet. + Was it a voice lamenting for the flowers? + A heart-sick bird that sang of happier hours? + A cricket dirging days that soon must die? + Or did the ghost of Summer wander by? + + + + + SUNSET IN AUTUMN + + + Blood-coloured oaks, that stand against a sky of gold and brass; + Gaunt slopes, on which the bleak leaves glow of brier and sassafras, + And broom-sedge strips of smoky-pink and pearl-gray clumps of grass + In which, beneath the ragged sky, the rain pools gleam like glass. + + From West to East, from wood to wood, along the forest-side, + The winds,--the sowers of the Lord,--with thunderous footsteps + stride; + Their stormy hands rain acorns down; and mad leaves, wildly dyed, + Like tatters of their rushing cloaks, stream round them far and + wide. + + The frail leaf-cricket in the weeds rings a faint fairy bell; + And like a torch of phantom ray the milkweed's windy shell + Glimmers; while, wrapped in withered dreams, the wet autumnal smell + Of loam and leaf, like some sad ghost, steals over field and dell. + + The oaks, against a copper sky--o'er which, like some black lake + Of Dis, bronze clouds, like surges fringed with sullen fire, break-- + Loom sombre as Doom's citadel above the vales that make + A pathway to a land of mist the moon's pale feet shall take. + + Now, dyed with burning carbuncle, a limbo-litten pane, + Within its walls of storm, the West opens to hill and plain, + On which the wild-geese ink themselves, a far triangled train, + And then the shuttering clouds close down--and night is here again. + + + + + THE HILLS + + + There is no joy of earth that thrills + My bosom like the far-off hills! + Th' unchanging hills, that, shadowy, + Beckon our mutability + To follow and to gaze upon + Foundations of the dusk and dawn. + Meseems the very heavens are massed + Upon their shoulders, vague and vast + With all the skyey burden of + The winds and clouds and stars above. + Lo, how they sit before us, seeing + The laws that give all Beauty being! + Behold! to them, when dawn is near, + The nomads of the air appear, + Unfolding crimson camps of day + In brilliant bands; then march away; + And under burning battlements + Of twilight plant their tinted tents. + The truth of olden myths, that brood + By haunted stream and haunted wood, + They see; and feel the happiness + Of old at which we only guess: + The dreams, the ancients loved and knew, + Still as their rocks and trees are true: + Not otherwise than presences + The tempest and the calm to these: + One, shouting on them all the night, + Black-limbed and veined with lambent light; + The other with the ministry + Of all soft things that company + With music--an embodied form, + Giving to solitude the charm + Of leaves and waters and the peace + Of bird-begotten melodies-- + And who at night doth still confer + With the mild moon, that telleth her + Pale tale of lonely love, until + Wan images of passion fill + The heights with shapes that glimmer by + Clad on with sleep and memory. + + + + + CONTENT + + + When I behold how some pursue + Fame, that is Care's embodiment + Or fortune, whose false face looks true,-- + An humble home with sweet content + Is all I ask for me and you. + + An humble home, where pigeons coo, + Whose path leads under breezy lines + Of frosty-berried cedars to + A gate, one mass of trumpet-vines, + Is all I ask for me and you. + + A garden, which all summer through, + The roses old make redolent, + And morning-glories, gay of hue, + And tansy, with its homely scent, + Is all I ask for me and you. + + An orchard, that the pippins strew, + From whose bruised gold the juices spring; + A vineyard, where the grapes hang blue, + Wine-big and ripe for vintaging, + Is all I ask for me and you. + + A lane that leads to some far view + Of forest or of fallow-land, + Bloomed o'er with rose and meadow-rue, + Each with a bee in its hot hand, + Is all I ask for me and you. + + At morn, a pathway deep with dew, + And birds to vary time and tune; + At eve, a sunset avenue, + And whippoorwills that haunt the moon, + Is all I ask for me and you. + + Dear heart, with wants so small and few, + And faith, that's better far than gold, + A lowly friend, a child or two, + To care for us when we are old, + Is all I ask for me and you. + + + + + HEART OF MY HEART + + + Here where the season turns the land to gold, + Among the fields our feet have known of old,-- + When we were children who would laugh and run, + Glad little playmates of the wind and sun,-- + Before came toil and care and years went ill, + And one forgot and one remembered still; + Heart of my heart, among the old fields here, + Give me your hands and let me draw you near, + Heart of my heart. + + Stars are not truer than your soul is true-- + What need I more of heaven then than you? + Flowers are not sweeter than your face is sweet-- + What need I more to make my world complete? + O woman nature, love that still endures, + What strength has ours that is not born of yours? + Heart of my heart, to you, whatever come, + To you the lead, whose love hath led me home. + Heart of my heart. + + + + + OCTOBER + + + Long hosts of sunlight, and the bright wind blows + A tourney-trumpet on the listed hill; + Past is the splendour of the royal rose + And duchess daffodil. + + Crowned queen of beauty, in the garden's space, + Strong daughter of a bitter race and bold, + A ragged beggar with a lovely face, + Reigns the sad marigold. + + And I have sought June's butterfly for days, + To find it--like a coreopsis bloom-- + Amber and seal, rain-murdered 'neath the blaze + Of this sunflower's plume. + + Here drones the bee; and there sky-daring wings + Voyage blue gulfs of heaven; the last song + The red-bird flings me as adieu, still rings + Upon yon pear-tree's prong. + + No angry sunset brims with rubier red + The bowl of heaven than the days, indeed, + Pour in each blossom of this salvia-bed, + Where each leaf seems to bleed. + + And where the wood-gnats dance, like some slight mist, + Above the efforts of the weedy stream, + The girl, October, tired of the tryst, + Dreams a diviner dream. + + One foot just dipping the caressing wave, + One knee at languid angle; locks that drown + Hands nut-stained; hazel-eyed, she lies, and grave, + Watching the leaves drift down. + + + + + MYTH AND ROMANCE + + + I + + When I go forth to greet the glad-faced Spring, + Just at the time of opening apple-buds, + When brooks are laughing, winds are whispering, + On babbling hillsides or in warbling woods, + There is an unseen presence that eludes:-- + Perhaps a dryad, in whose tresses cling + The loamy odours of old solitudes, + Who, from her beechen doorway, calls, and leads + My soul to follow; now with dimpling words + Of leaves; and now with syllables of birds; + While here and there--is it her limbs that swing? + Or restless sunlight on the moss and weeds? + + + II + + Or, haply, 'tis a Naiad now who slips, + Like some white lily, from her fountain's glass, + While from her dripping hair and breasts and hips + The moisture rains cool music on the grass. + Her have I heard and followed, yet, alas! + Have seen no more than the wet ray that dips + The shivered waters, wrinkling where I pass; + But in the liquid light where she doth hide, + I have beheld the azure of her gaze + Smiling; and, where the orbing ripple plays, + Among her minnows I have heard her lips, + Bubbling, make merry by the waterside. + + + III + + Or now it is an Oread--whose eyes + Are constellated dusk--who stands confessed, + As naked as a flow'r; her heart's surprise, + Like morning's rose, mantling her brow and breast: + She, shrinking from my presence, all distressed + Stands for a startled moment ere she flies, + Her deep hair blowing, up the mountain crest, + Wild as a mist that trails along the dawn. + And is't her footfalls lure me? or the sound + Of airs that stir the crisp leaf on the ground? + And is't her body glimmers on yon rise? + Or dogwood blossoms snowing on the lawn? + + + IV + + Now 'tis a satyr piping serenades + On a slim reed. Now Pan and Faun advance + Beneath green-hollowed roofs of forest glades, + Their feet gone mad with music: now, perchance, + Sylvanus sleeping, on whose leafy trance + The nymphs stand gazing in dim ambuscades + Of sun-embodied perfume.--Myth, Romance, + Where'er I turn, reach out bewildering arms, + Compelling me to follow. Day and night + I hear their voices and behold the light + Of their divinity that still evades, + And still allures me in a thousand forms. + + + + + GENIUS LOCI + + + I + + What wood-god, on this water's mossy curb, + Lost in reflections of earth's loveliness, + Did I, just now, unconsciously disturb? + I who haphazard, wandering at a guess, + Came on this spot, wherein with gold and flame + Of buds and blooms the season writes its name.-- + Ah me! could I have seen him ere alarm + Of my approach aroused him from his calm! + As he, part Hamadryad and, mayhap, + Part Faun, lay here; who left the shadow warm + As a wood-rose, and filled the air with balm + Of his wild breath as with ethereal sap. + + + II + + Does not the moss retain some slight impress, + Green-dented down, of where he lay or trod? + Do not the flow'rs, so reticent, confess + With conscious looks the contact of a god? + Does not the very water garrulously + Boast the indulgence of a deity? + And, hark! in burly beech and sycamore + How all the birds proclaim it! and the leaves + Rejoice with clappings of their myriad hands! + And shall not I believe, too, and adore, + With such wide proof?--Yea, though my soul perceives + No evident presence, still it understands. + + + III + + And for a while it moves me to lie down + Here on the spot his god-head sanctified: + Mayhap some dream he dreamed may linger, brown + And young as joy, around the forest side; + Some dream within whose heart lives no disdain + For such as I whose love is sweet and sane; + That may repeat, so none but I may hear-- + As one might tell a pearl-strung rosary-- + Some epic that the leaves have learned to croon, + Some lyric whispered in the wild-flow'r's ear, + Whose murmurous lines are sung by bird and bee, + And all the insects of the night and noon. + + + IV + + For, all around me, upon field and hill, + Enchantment lies as of mysterious flutes; + As if the music of a god's goodwill + Had taken on material attributes + In blooms, like chords; and in the water-gleam, + That runs its silvery scales on every stream; + In sunbeam bars, up which the butterfly, + A golden note, vibrates then flutters on-- + Inaudible tunes, blown on the pipes of Pan, + That have assumed a visible entity, + And drugged the air with beauty so, a Faun, + Behold, I seem, and am no more a man. + + + + + DISCOVERY + + + What is it now that I shall seek + Where woods dip downward, in the hills; + A mossy nook, a ferny creek, + And May among the daffodils. + + Or in the valley's vistaed glow, + Past rocks of terraced trumpet-vines, + Shall I behold her coming slow, + Sweet May, among the columbines? + + With red-bud cheeks and bluet eyes, + Big eyes, the homes of happiness, + To meet me with the old surprise, + Her hoiden hair all bonnetless. + + Who waits for me, where, note for note, + The birds make glad the forest trees? + A dogwood blossom at her throat, + My May among th' anemones. + + As sweetheart breezes kiss the blooms, + And dewdrops drink the moonlight's gleam, + My soul shall kiss her lips' perfumes, + And drink the magic of her dreams. + + + + + THE OLD SPRING + + + I + + Under rocks whereon the rose + Like a strip of morning glows; + Where the azure-throated newt + Drowses on the twisted root; + And the brown bees, humming homeward, + Stop to suck the honey-dew; + Fern and leaf-hid, gleaming gloamward, + Drips the wildwood spring I knew, + Drips the spring my boyhood knew. + + + II + + Myrrh and music everywhere + Haunt its cascades;--like the hair + That a naiad tosses cool, + Swimming strangely beautiful, + With white fragrance for her bosom, + For her mouth a breath of song:-- + Under leaf and branch and blossom + Flows the woodland spring along, + Sparkling, singing flows along. + + + III + + Still the wet wan mornings touch + Its gray rocks, perhaps; and such + Slender stars as dusk may have + Pierce the rose that roofs its wave; + Still the thrush may call at noontide + And the whippoorwill at night; + Nevermore, by sun or moontide, + Shall I see it gliding white, + Falling, flowing, wild and white. + + + + + THE FOREST SPRING + + + Push back the brambles, berry-blue: + The hollowed spring is full in view: + Deep-tangled with luxuriant fern + Its rock-embedded, crystal urn. + + Not for the loneliness that keeps + The coigne wherein its silence sleeps; + Not for wild butterflies that sway + Their pansy pinions all the day + Above its mirror; nor the bee, + Nor dragonfly, that passing see + Themselves reflected in its spar; + Not for the one white liquid star, + That twinkles in its firmament; + Nor moon-shot clouds, so slowly sent + Athwart it when the kindly night + Beads all its grasses with the light + Small jewels of the dimpled dew; + Not for the day's inverted blue + Nor the quaint, dimly coloured stones + That dance within it where it moans: + Not for all these I love to sit + In silence and to gaze in it. + But, know, a nymph with merry eyes + Looks at me from its laughing skies; + A graceful glimmering nymph who plays + All the long fragrant summer days + With instant sights of bees and birds, + And speaks with them in water words, + And for whose nakedness the air + Weaves moony mists, and on whose hair, + Unfilleted, the night will set + That lone star as a coronet. + + + + + TRANSMUTATION + + + To me all beauty that I see + Is melody made visible: + An earth-translated state, may be, + Of music heard in Heaven or Hell. + + Out of some love-impassioned strain + Of saints, the rose evolved its bloom; + And, dreaming of it here again, + Perhaps re-lives it as perfume. + + Out of some chant that demons sing + Of hate and pain, the sunset grew; + And, haply, still remembering, + Re-lives it here as some wild hue. + + + + + DEAD CITIES + + + Out of it all but this remains:-- + I was with one who crossed wide chains + Of the Cordilleras, whose peaks + Lock in the wilds of Yucatan, + Chiapas and Honduras. Weeks-- + And then a city that no man + Had ever seen; so dim and old, + No chronicle has ever told + The history of men who piled + Its temples and huge teocallis + Among mimosa-blooming valleys; + Or how its altars were defiled + With human blood; whose idols there + With eyes of stone still stand and stare. + + So old the moon can only know + How old, since ancient forests grow + On mighty wall and pyramid. + Huge ceïbas, whose trunks were scarred + With ages, and dense yuccas, hid + Fanes 'mid the cacti, scarlet-starred. + I looked upon its paven ways, + And saw it in its kingliest days; + When from the lordly palace one, + A victim, walked with prince and priest, + Who turned brown faces toward the east + In worship of the rising sun: + At night ten hundred temples' spires + On gold burnt everlasting fires. + + Uxmal? Palenque? or Copan? + I know not. Only how no man + Had ever seen; and still my soul + Believes it vaster than the three. + Volcanic rock walled in the whole, + Lost in the woods as in some sea. + _I only_ read its hieroglyphs, + Perused its monster monoliths + Of death, gigantic heads; and read + The pictured codex of its fate, + The perished Toltec; while in hate + Mad monkeys cursed me, as if dead + Priests of its past had taken form + To guard its ruined shrines from harm. + + + + + FROST + + + Magician he, who, autumn nights, + Down from the starry heavens whirls; + A harlequin in spangled tights, + Whose wand's touch carpets earth with pearls. + + Through him each pane presents a scene, + A Lilliputian landscape, where + The world is white instead of green, + And trees and houses hang in air. + + Where Elfins gambol and delight, + And haunt the jewelled bells of flowers; + Where upside-down we see the night + With many moons and starry showers. + + And surely in his wand or hand + Is Midas magic, for, behold, + Some morn we wake and find the land, + Both field and forest, turned to gold. + + + + + A NIGHT IN JUNE + + + I + + White as a lily moulded of Earth's milk + That eve the moon bloomed in a hyacinth sky; + Soft in the gleaming glens the wind went by, + Faint as a phantom clothed in unseen silk: + Bright as a naiad's leap, from shine to shade + The runnel twinkled through the shaken brier; + Above the hills one long cloud, pulsed with fire, + Flashed like a great enchantment-welded blade. + And when the western sky seemed some weird land, + And night a witching spell at whose command + One sloping star fell green from heav'n; and deep + The warm rose opened for the moth to sleep; + Then she, consenting, laid her hands in his, + And lifted up her lips for their first kiss. + + + II + + There where they part, the porch's steps are strewn + With wind-blown petals of the purple vine; + Athwart the porch the shadow of a pine + Cleaves the white moonlight; and like some calm rune + Heaven says to Earth, shines the majestic moon; + And now a meteor draws a lilac line + Across the welkin, as if God would sign + The perfect poem of this night of June. + The wood-wind stirs the flowering chestnut-tree, + Whose curving blossoms strew the glimmering grass + Like crescents that wind-wrinkled waters glass; + And, like a moonstone in a frill of flame, + The dewdrop trembles on the peony, + As in a lover's heart his sweetheart's name. + + + + + THE DREAMER + + + Even as a child he loved to thrid the bowers, + And mark the loafing sunlight's lazy laugh; + Or, on each season, spell the epitaph + Of its dead months repeated in their flowers; + Or list the music of the strolling showers, + Whose vagabond notes strummed through a twinkling staff, + Or read the day's delivered monograph + Through all the chapters of its dædal hours. + Still with the same child-faith and child regard + He looks on Nature, hearing at her heart, + The Beautiful beat out the time and place, + Through which no lesson of this life is hard, + No struggle vain of science or of art, + That dies with failure written on its face. + + + + + WINTER + + + The flute, whence Summer's dreamy finger-tips + Drew music,--ripening the pinched kernels in + The burly chestnut and the chinquapin, + Red-rounding-out the oval haws and hips,-- + Now Winter crushes to his stormy lips, + And surly songs whistle around his chin; + Now the wild days and wilder nights begin + When, at the eaves, the crooked icicle drips. + Thy songs, O Summer, are not lost so soon! + Still dwells a memory in thy hollow flute, + Which unto Winter's masculine airs doth give + Thy own creative qualities of tune, + Through which we see each bough bend white with fruit, + Each bush with bloom, in snow commemorative. + + + + + MID-WINTER + + + All day the clouds hung ashen with the cold; + And through the snow the muffled waters fell; + The day seemed drowned in grief too deep to tell, + Like some old hermit whose last bead is told. + At eve the wind woke, and the snow clouds rolled + Aside to leave the fierce sky visible; + Harsh as an iron landscape of wan hell + The dark hills hung framed in with gloomy gold. + And then, towards night, the wind seemed some one at + My window wailing: now a little child + Crying outside my door; and now the long + Howl of some starved beast down the flue. I sat + And knew 'twas Winter with his madman song + Of miseries on which he stared and smiled. + + + + + SPRING + + + First came the rain, loud, with sonorous lips; + A pursuivant who heralded a prince: + And dawn put on her livery of tints, + And dusk bound gold about her hair and hips: + And, all in silver mail, the sunlight came, + A knight, who bade the winter let him pass; + And freed imprisoned beauty, naked as + The Court of Love, in all her wildflower shame. + And so she came, in breeze-borne loveliness, + Across the hills; and heav'n bent down to bless: + Above her head the birds were as a lyre; + And at her feet, like some strong worshipper, + The shouting water pæan'd praise of her + Who, with blue eyes, set the wild world on fire. + + + + + TRANSFORMATION + + + It is the time when, by the forest falls, + The touch-me-nots hang fairy folly-caps; + When ferns and flowers fill the lichened laps + Of rocks with colour, rich as orient shawls: + And in my heart I hear a voice that calls + Me woodward, where the hamadryad wraps + Her limbs in bark, and, bubbling in the saps, + Sings the sweet Greek of Pan's old madrigals: + There is a gleam that lures me up the stream-- + A Naiad swimming with wet limbs of light? + Perfume that leads me on from dream to dream-- + An Oread's footprints fragrant with her flight? + And, lo! meseems I am a Faun again, + Part of the myths that I pursue in vain. + + + + + RESPONSE + + + There is a music of immaculate love, + That beats within the virgin veins of Spring,-- + And trillium blossoms, like the stars that cling + To fairies' wands; and, strung on sprays above, + White-hearts and mandrake blooms--that look enough + Like the elves' washing--white with laundering + Of May-moon dews; and all pale-opening + Wild-flowers of the woods are born thereof. + There is no sod Spring's white foot brushes but + Must feel the music that vibrates within, + And thrill to the communicated touch + Responsive harmonies, that must unshut + The heart of Beauty for Song's concrete kin, + Emotions--that are flowers--born of such. + + + + + THE SWASHBUCKLER + + + Squat-nosed and broad, of big and pompous port; + A tavern visage, apoplexy haunts, + All pimple-puffed: the Falstaff-like resort + Of fat debauchery, whose veined cheek flaunts + A flabby purple: rusty-spurred he stands + In rakehell boots and belt, and hanger that + Claps when, with greasy gauntlets on his hands, + He swaggers past in cloak and slouch-plumed hat. + Aggression marches armies in his words; + And in his oaths great deeds ride cap-à-pie; + His looks, his gestures breathe the breath of swords; + And in his carriage camp all wars to be:-- + With him of battles there shall be no lack + While buxom wenches are and stoops of sack. + + + + + SIMULACRA + + + Dark in the west the sunset's sombre wrack + Unrolled vast walls the rams of war had split, + Along whose battlements the battle lit + Tempestuous beacons; and, with gates hurled back, + A mighty city, red with ruin and sack, + Through burning breaches, crumbling bit by bit, + Showed where the God of Slaughter seemed to sit + With Conflagration glaring at each crack.-- + Who knows? perhaps as sleep unto us makes + Our dreams as real as our waking seems + With recollections time can not destroy, + So in the mind of Nature now awakes, + Haply, some wilder memory, and she dreams + The stormy story of the fall of Troy. + + + + + CAVERNS + + WRITTEN OF COLOSSAL CAVE, KENTUCKY + + + Aisles and abysses; leagues no man explores, + Of rock that labyrinths and night that drips; + Where everlasting silence broods, with lips + Of adamant, o'er earthquake-builded floors. + Where forms, such as the Demon-World adores, + Laborious water carves; whence echo slips + Wild-tongued o'er pools where petrifaction strips + Her breasts of crystal from which crystal pours.-- + Here where primordial fear, the Gorgon, sits + Staring all life to stone in ghastly mirth, + I seem to tread, with awe no tongue can tell,-- + Beneath vast domes, by torrent-tortured pits, + 'Mid wrecks terrific of the ruined Earth,-- + An ancient causeway of forgotten Hell. + + + + + THE BLUE BIRD + + + From morn till noon upon the window-pane + The tempest tapped with rainy finger-nails, + And all the afternoon the blustering gales + Beat at the door with furious feet of rain. + The rose, near which the lily bloom lay slain, + Like some red wound dripped by the garden rails, + On which the sullen slug left slimy trails-- + Meseemed the sun would never shine again. + Then in the drench, long, loud and full of cheer,-- + A skyey herald tabarded in blue,-- + A bluebird bugled ... and at once a bow + Was bent in heaven, and I seemed to hear + God's sapphire spaces crystallising through + The strata'd clouds in azure tremolo. + + + + + QUATRAINS + + + POETRY + + Who hath beheld the goddess face to face, + Blind with her beauty, all his days shall go + Climbing lone mountains towards her temple's place, + Weighed with song's sweet, inexorable woe. + + + THE UNIMAGINATIVE + + Each form of beauty's but the new disguise + Of thoughts more beautiful than forms can be; + Sceptics, who search with unanointed eyes, + Never the Earth's wild fairy-dance shall see. + + + MUSIC + + God-born before the Sons of God, she hurled, + With awful symphonies of flood and fire, + God's name on rocking Chaos--world by world + Flamed as the universe rolled from her lyre. + + + THE THREE ELEMENTS + + They come as couriers of Heaven: their feet + Sonorous-sandalled with majestic awe; + In raiment of swift foam and wind and heat, + Blowing the trumpets of God's wrath and law. + + + ROME + + Above the circus of the world she sat, + Beautiful and base, a harlot crowned with pride: + Fierce nations, upon whom she sneered and spat, + Shrieked at her feet and for her pastime died. + + + ON READING THE LIFE OF HAROUN ER RESHID + + Down all the lanterned Bagdad of our youth + He steals, with golden justice for the poor: + Within his palace--you shall know the truth!-- + A blood-smeared headsman hides behind each door. + + + MNEMOSYNE + + In classic beauty, cold, immaculate, + A voiceful sculpture, stern and still she stands, + Upon her brow deep-chiselled love and hate, + That sorrow o'er dead roses in her hands. + + + BEAUTY + + High as a star, yet lowly as a flower, + Unknown she takes her unassuming place + At Earth's proud masquerade--the appointed hour + Strikes, and, behold! the marvel of her face. + + + THE STARS + + These--the bright symbols of man's hope and fame, + In which he reads his blessing or his curse-- + Are syllables with which God speaks his name + In the vast utterance of the universe. + + + ECHO + + Dweller in hollow places, hills and rocks, + Daughter of Silence and old Solitude, + Tip-toe she stands within her cave or wood, + Her only life the noises that she mocks. + + + + + ADVENTURERS + + + Seemingly over the hill-tops, + Possibly under the hills, + A tireless wing that never drops, + And a song that never stills. + + Epics heard on the stars' lips? + Lyrics read in the dew?-- + To sing the song at our finger-tips, + And live the world anew! + + Cavaliers of the Cortés kind, + Bold and stern and strong,-- + And, oh, for a fine and muscular mind + To sing a new-world's song! + + Sailing seas of the silver morn, + Winds of the balm and spice, + To put the old-world art to scorn + At the price of any price! + + Danger, death, but the hope high! + God's, if the purpose fail! + Into the deeds of a vaster sky + Sailing a dauntless sail. + + + + + EPILOGUE + + + I + + O Life! O Death! O God! + Have we not striven? + Have we not known Thee, God + As Thy stars know Heaven? + Have we not held Thee true, + True as thy deepest, + Sweet and immaculate blue + Heaven that feels Thy dew! + Have we not _known_ Thee true, + O God who keepest. + + + II + + O God, our Father, God!-- + Who gav'st us fire, + To soar beyond the sod, + To rise, aspire-- + What though we strive and strive, + And all our soul says 'live'? + The empty scorn of men + Will sneer it down again. + And, O sun-centred high, + Who, too, art Poet, + Beneath Thy tender sky + Each day new Keatses die, + Calling all life a lie; + Can this be so--and why?-- + And canst Thou know it? + + + III + + We know Thee beautiful, + We know Thee bitter! + Help Thou!--Men's eyes are dull, + O God most beautiful! + Make thou their souls less full + Of things mere glitter. + Dost Thou not see our tears? + Dost Thou not hear the years + Treading our hearts to shards, + O Lord of all the Lords?-- + Arouse Thee, God of Hosts, + There 'mid Thy glorious ghosts, + So high and holy! + Have mercy on our tears! + Have mercy on our years! + Our strivings and our fears, + O Lord of lordly peers, + On us, so lowly! + + + IV + + On us, so fondly fain + To tell what mother-pain + Of Nature makes the rain. + On us, so glad to show + The sorrow of her snow, + And all her winds that blow. + + Us, who interpret right + Her mystic rose of light, + Her moony rune of night. + + Us, who have utterance for + Each warm, flame-hearted star + That stammers from afar. + + Who hear the tears and sighs + Of every bud that dies + While heav'n's dew on it lies. + + Who see the power that dowers + The wildwood bosks and bowers + With musk of sap and flowers. + + Who see what no man sees + In water, earth, and breeze, + And in the hearts of trees. + + Turn not away Thy light, + O God!--Our strength is slight! + Help us who breast the height! + Have mercy, Infinite! + Have mercy! + + + Printed by T. and A. CONSTABLE, (late) Printers to Her Majesty + at the Edinburgh University Press + + + + + +End of the Project Gutenberg EBook of Kentucky Poems, by Madison J. Cawein + +*** END OF THIS PROJECT GUTENBERG EBOOK KENTUCKY POEMS *** + +***** This file should be named 36661-8.txt or 36661-8.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/6/6/6/36661/ + +Produced by David Garcia, Matthew Wheaton and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/36661-8.zip b/36661-8.zip Binary files differnew file mode 100644 index 0000000..45e7d55 --- /dev/null +++ b/36661-8.zip diff --git a/36661-h.zip b/36661-h.zip Binary files differnew file mode 100644 index 0000000..3991bd0 --- /dev/null +++ b/36661-h.zip diff --git a/36661-h/36661-h.htm b/36661-h/36661-h.htm new file mode 100644 index 0000000..3979982 --- /dev/null +++ b/36661-h/36661-h.htm @@ -0,0 +1,6693 @@ +<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN" + "http://www.w3.org/TR/xhtml1/DTD/xhtml1-transitional.dtd"> + <html xmlns="http://www.w3.org/1999/xhtml"> + +<head> + + <meta http-equiv="Content-Type" content="text/html; charset=us-ascii" /> + + <title> + The Project Gutenberg eBook of Kentucky Poems, by Madison Cawein. + </title> + + <style type="text/css"> + + body { + margin-left:10%; + margin-right:10%; + } + + #booktitle { + letter-spacing:3px; + } + + .cen, + .centered { + text-align:center; + font-weight:bold; + } + + div.centered { + text-align:center; + } + + div.centered table { + margin-left:auto; + margin-right:auto; + text-align:left; + } + .poem span.i1 {display: block; margin-left: 1em; padding-left: 3em; text-indent: -3em;} + .poem span.i10 {display: block; margin-left: 10em; padding-left: 3em; text-indent: -3em;} + .poem span.i18 {display: block; margin-left: 18em; padding-left: 3em; text-indent: -3em;} + .poem span.i3 {display: block; margin-left: 3em; padding-left: 3em; text-indent: -3em;} + .poem span.i6 {display: block; margin-left: 6em; padding-left: 3em; text-indent: -3em;} + .poem span.i8 {display: block; margin-left: 8em; padding-left: 3em; text-indent: -3em;} + + .figure, + .figcenter, + .figleft, + .figright { + padding:1em; + text-align:center; + font-size:0.8em; + border:none; + margin:0; + text-indent:1em; + } + + .figure img, + .figcenter img, + .figleft img, + .figright img { + border:none; + } + + .figure p, + .figcenter p, + .figleft p, + .figright p { + margin:0; + text-indent:1em; + } + + .h1 { + font-size:2em; + margin:.67em 0; + } + + .h1, + .h2, + .h3, + .h4, + .h5, + .h6 { + font-weight:bolder; + text-align:center; + text-indent:0; + } + + .h3l { + font-weight:bolder; + margin-left:10%; + margin-right:10%; + margin-bottom:1em; + text-align:left; + display:block; + padding-left:3em; + text-indent:-3em; + } + + h1, + h2, + h3, + h4, + h5, + h6, + hr { + text-align:center; + } + + .h2 { + font-size:1.5em; + margin:.75em 0; + } + + h2 + h3 { + margin-bottom:2em; + } + + .h3 { + font-size:1.17em; + margin:.83em 0; + } + + .h4 { + margin:1.12em 0 ; + } + + .h5 { + font-size:.83em; + margin:1.5em 0 ; + } + + h5 { + margin-bottom:1%; + margin-top:1%; + } + + .h6 { + font-size:.75em; + margin:1.67em 0; + } + + hr { + margin-right:25%; + margin-left:25%; + width:50%; + } + + p { + text-align:justify; + margin-top:.3em; + margin-bottom:.3em; + text-indent:1em; + } + + p.spacer { + margin-top:2em; + margin-bottom:3em; + } + + .pagenum { +/* visibility:hidden; remove comment out to hide page numbers */ + position:absolute; + right:2%; + font-size:75%; + color:gray; + background-color:inherit; + text-align:right; + text-indent:0; + font-style:normal; + font-weight:normal; + font-variant:normal; + } + + .poem { + margin-left:10%; + margin-right:10%; + margin-bottom:1em; + text-align:left; + } + + .poem .stanza { + margin:1em 0em 1em 0em; + } + + .poem br { + display:none; + } + + .poem p { + margin:0; + padding-left:3em; + text-indent:-3em; + } + + .poem p.i2 { + margin-left:1em; + } + + .poem p.i4 { + margin-left:2em; + } + + .poem p.i6 { + margin-left:3em; + } + + .poem p.i8 { + margin-left:4em; + } + + .poem p.i10 { + margin-left:5em; + } + + .poem span.i0 { + display:block; + margin-left:0em; + padding-left:3em; + text-indent:-3em; + } + + .poem span.i2 { + display:block; + margin-left:2em; + padding-left:3em; + text-indent:-3em; + } + + .poem span.i4 { + display:block; + margin-left:4em; + padding-left:3em; + text-indent:-3em; + } + + .sc, + .smcap { + font-variant:small-caps; + } + + span.in1 { + margin-left:1em; + } + + span.in2 { + margin-left:2em; + } + + span.in3 { + margin-left:3em; + } + + .tdl { + text-align:left; + } + + .tdr { + text-align:right; + padding-right:1em; + } + + </style> + +</head> + +<body> + + +<pre> + +The Project Gutenberg EBook of Kentucky Poems, by Madison J. Cawein + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Kentucky Poems + +Author: Madison J. Cawein + +Commentator: Edmund Gosse + +Release Date: July 9, 2011 [EBook #36661] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK KENTUCKY POEMS *** + + + + +Produced by David Garcia, Matthew Wheaton and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + + + + + +</pre> + +<div> + +<p class="spacer"> </p> + +<p><span class="pagenum">[Pg ii]</span></p> + +<p class="h5"> +The Author's thanks are due to Mr. R. H. RUSSELL,<br /> +of New York, for kind permission to reprint<br /> +from <i>Shapes and Shadows</i> four of the<br /> +poems published in this volume.</p> + +<p class="spacer"> </p> + +<p><span class="pagenum">[Pg iii]</span></p> + +<h1 id="booktitle"> +KENTUCKY POEMS</h1> + +<p class="h3">BY</p> + +<p class="h2">MADISON CAWEIN</p> + +<p class="h3">WITH AN INTRODUCTION BY</p> + +<p class="h2">EDMUND GOSSE</p> + +<div class="centered"> +<img src="images/decoration.jpg" width="8%" alt="decoration" /> +</div> + +<p class="spacer"> </p> + +<p class="h2">NEW YORK<br /> +E. P. DUTTON & CO.<br /> +1903</p> + +<p class="spacer"> </p> + +<p><span class="pagenum">[Pg iv]</span></p> + +<p class="h3"> +NOTE</p> + +<p class="h4">The poems included in this volume have been<br /> +selected from the following volumes of the author:<br /> +<i>Moods and Memories</i>, <i>Red Leaves and Roses</i>,<br /> +<i>Poems of Nature and Love</i>, <i>Intimations of the<br /> +Beautiful</i>, <i>Days and Dreams</i>, <i>Undertones</i>, <i>Idyllic<br /> +Monologues</i>, <i>The Garden of Dreams</i>, <i>Shapes and<br /> +Shadows</i>, <i>Myth and Romance</i>, and <i>Weeds by<br /> +the Wall</i>. None of the longer poems<br /> +have been included in this selection.</p> + +<p class="spacer"> </p> + +<p><span class="pagenum">[v]</span></p> + +<p class="h2">CONTENTS</p> + +<div class="centered"> +<table border="0" cellpadding="4" cellspacing="0" summary=""> +<tr> + <td class="tdl"></td> + <td class="tdr">PAGE</td> +</tr> +<tr> + <td class="tdl">PROLOGUE</td> + <td class="tdr"><a href="#Item001">1</a></td> +</tr> +<tr> + <td class="tdl">FOREST AND FIELD</td> + <td class="tdr"><a href="#Item002">5</a></td> +</tr> +<tr> + <td class="tdl">SUMMER</td> + <td class="tdr"><a href="#Item003">18</a></td> +</tr> +<tr> + <td class="tdl">TO SORROW</td> + <td class="tdr"><a href="#Item004">24</a></td> +</tr> +<tr> + <td class="tdl">NIGHT</td> + <td class="tdr"><a href="#Item005">28</a></td> +</tr> +<tr> + <td class="tdl">A FALLEN BEECH</td> + <td class="tdr"><a href="#Item006">31</a></td> +</tr> +<tr> + <td class="tdl">A TWILIGHT MOTH</td> + <td class="tdr"><a href="#Item007">35</a></td> +</tr> +<tr> + <td class="tdl">THE GRASSHOPPER</td> + <td class="tdr"><a href="#Item008">38</a></td> +</tr> +<tr> + <td class="tdl">BEFORE THE RAIN</td> + <td class="tdr"><a href="#Item009">41</a></td> +</tr> +<tr> + <td class="tdl">AFTER RAIN</td> + <td class="tdr"><a href="#Item010">43</a></td> +</tr> +<tr> + <td class="tdl">THE HAUNTED HOUSE</td> + <td class="tdr"><a href="#Item011">47</a></td> +</tr> +<tr> + <td class="tdl"><span class="pagenum">[vi]</span></td> +</tr> +<tr> + <td class="tdl">OCTOBER</td> + <td class="tdr"><a href="#Item012">52</a></td> +</tr> +<tr> + <td class="tdl">INDIAN SUMMER</td> + <td class="tdr"><a href="#Item013">56</a></td> +</tr> +<tr> + <td class="tdl">ALONG THE OHIO</td> + <td class="tdr"><a href="#Item014">58</a></td> +</tr> +<tr> + <td class="tdl">A COIGN OF THE FOREST</td> + <td class="tdr"><a href="#Item015">61</a></td> +</tr> +<tr> + <td class="tdl">CREOLE SERENADE</td> + <td class="tdr"><a href="#Item016">63</a></td> +</tr> +<tr> + <td class="tdl">WILL O' THE WISPS</td> + <td class="tdr"><a href="#Item017">67</a></td> +</tr> +<tr> + <td class="tdl">THE TOLLMAN'S DAUGHTER</td> + <td class="tdr"><a href="#Item018">70</a></td> +</tr> +<tr> + <td class="tdl">THE BOY COLUMBUS</td> + <td class="tdr"><a href="#Item019">73</a></td> +</tr> +<tr> + <td class="tdl">SONG OF THE ELF</td> + <td class="tdr"><a href="#Item020">76</a></td> +</tr> +<tr> + <td class="tdl">THE OLD INN</td> + <td class="tdr"><a href="#Item021">79</a></td> +</tr> +<tr> + <td class="tdl">THE MILL-WATER</td> + <td class="tdr"><a href="#Item022">81</a></td> +</tr> +<tr> + <td class="tdl">THE DREAM</td> + <td class="tdr"><a href="#Item023">84</a></td> +</tr> +<tr> + <td class="tdl">SPRING TWILIGHT</td> + <td class="tdr"><a href="#Item024">87</a></td> +</tr> +<tr> + <td class="tdl">A SLEET-STORM IN MAY</td> + <td class="tdr"><a href="#Item025">89</a></td> +</tr> +<tr> + <td class="tdl">UNREQUITED</td> + <td class="tdr"><a href="#Item026">92</a></td> +</tr> +<tr> + <td class="tdl">THE HEART O' SPRING</td> + <td class="tdr"><a href="#Item027">94</a></td> +</tr> +<tr> + <td class="tdl"><span class="pagenum">[vii]</span></td> +</tr> +<tr> + <td class="tdl">'A BROKEN RAINBOW ON THE SKIES OF MAY'</td> + <td class="tdr"><a href="#Item028">96</a></td> +</tr> +<tr> + <td class="tdl">ORGIE</td> + <td class="tdr"><a href="#Item029">99</a></td> +</tr> +<tr> + <td class="tdl">REVERIE</td> + <td class="tdr"><a href="#Item030">101</a></td> +</tr> +<tr> + <td class="tdl">LETHE</td> + <td class="tdr"><a href="#Item031">106</a></td> +</tr> +<tr> + <td class="tdl">DIONYSIA</td> + <td class="tdr"><a href="#Item032">109</a></td> +</tr> +<tr> + <td class="tdl">THE NAIAD</td> + <td class="tdr"><a href="#Item033">116</a></td> +</tr> +<tr> + <td class="tdl">THE LIMNAD</td> + <td class="tdr"><a href="#Item034">119</a></td> +</tr> +<tr> + <td class="tdl">INTIMATIONS</td> + <td class="tdr"><a href="#Item035">123</a></td> +</tr> +<tr> + <td class="tdl">BEFORE THE TEMPLE</td> + <td class="tdr"><a href="#Item036">128</a></td> +</tr> +<tr> + <td class="tdl">ANTHEM OF DAWN</td> + <td class="tdr"><a href="#Item037">130</a></td> +</tr> +<tr> + <td class="tdl">AT THE LANE'S END</td> + <td class="tdr"><a href="#Item038">134</a></td> +</tr> +<tr> + <td class="tdl">THE FARMSTEAD</td> + <td class="tdr"><a href="#Item039">146</a></td> +</tr> +<tr> + <td class="tdl">A FLOWER OF THE FIELDS</td> + <td class="tdr"><a href="#Item040">155</a></td> +</tr> +<tr> + <td class="tdl">THE FEUD</td> + <td class="tdr"><a href="#Item041">159</a></td> +</tr> +<tr> + <td class="tdl">LYNCHERS</td> + <td class="tdr"><a href="#Item042">162</a></td> +</tr> +<tr> + <td class="tdl">DEAD MAN'S RUN</td> + <td class="tdr"><a href="#Item043">164</a></td> +</tr> +<tr> + <td class="tdl"><span class="pagenum">[viii]</span></td> +</tr> +<tr> + <td class="tdl">AUGUST</td> + <td class="tdr"><a href="#Item044">168</a></td> +</tr> +<tr> + <td class="tdl">THE BUSH-SPARROW</td> + <td class="tdr"><a href="#Item045">172</a></td> +</tr> +<tr> + <td class="tdl">QUIET</td> + <td class="tdr"><a href="#Item046">176</a></td> +</tr> +<tr> + <td class="tdl">MUSIC</td> + <td class="tdr"><a href="#Item047">178</a></td> +</tr> +<tr> + <td class="tdl">THE PURPLE VALLEYS</td> + <td class="tdr"><a href="#Item048">181</a></td> +</tr> +<tr> + <td class="tdl">A DREAM SHAPE</td> + <td class="tdr"><a href="#Item049">184</a></td> +</tr> +<tr> + <td class="tdl">THE OLD BARN</td> + <td class="tdr"><a href="#Item050">186</a></td> +</tr> +<tr> + <td class="tdl">THE WOOD WITCH</td> + <td class="tdr"><a href="#Item051">189</a></td> +</tr> +<tr> + <td class="tdl">AT SUNSET</td> + <td class="tdr"><a href="#Item052">192</a></td> +</tr> +<tr> + <td class="tdl">MAY</td> + <td class="tdr"><a href="#Item053">194</a></td> +</tr> +<tr> + <td class="tdl">RAIN</td> + <td class="tdr"><a href="#Item054">196</a></td> +</tr> +<tr> + <td class="tdl">TO FALL</td> + <td class="tdr"><a href="#Item055">198</a></td> +</tr> +<tr> + <td class="tdl">SUNSET IN AUTUMN</td> + <td class="tdr"><a href="#Item056">200</a></td> +</tr> +<tr> + <td class="tdl">THE HILLS</td> + <td class="tdr"><a href="#Item057">203</a></td> +</tr> +<tr> + <td class="tdl">CONTENT</td> + <td class="tdr"><a href="#Item058">206</a></td> +</tr> +<tr> + <td class="tdl">HEART OF MY HEART</td> + <td class="tdr"><a href="#Item059">209</a></td> +</tr> +<tr> + <td class="tdl"><span class="pagenum">[ix]</span></td> +</tr> +<tr> + <td class="tdl">OCTOBER</td> + <td class="tdr"><a href="#Item060">211</a></td> +</tr> +<tr> + <td class="tdl">MYTH AND ROMANCE</td> + <td class="tdr"><a href="#Item061">214</a></td> +</tr> +<tr> + <td class="tdl">GENIUS LOCI</td> + <td class="tdr"><a href="#Item062">218</a></td> +</tr> +<tr> + <td class="tdl">DISCOVERY</td> + <td class="tdr"><a href="#Item063">222</a></td> +</tr> +<tr> + <td class="tdl">THE OLD SPRING</td> + <td class="tdr"><a href="#Item064">224</a></td> +</tr> +<tr> + <td class="tdl">THE FOREST SPRING</td> + <td class="tdr"><a href="#Item065">226</a></td> +</tr> +<tr> + <td class="tdl">TRANSMUTATION</td> + <td class="tdr"><a href="#Item066">228</a></td> +</tr> +<tr> + <td class="tdl">DEAD CITIES</td> + <td class="tdr"><a href="#Item067">229</a></td> +</tr> +<tr> + <td class="tdl">FROST</td> + <td class="tdr"><a href="#Item068">232</a></td> +</tr> +<tr> + <td class="tdl">A NIGHT IN JUNE</td> + <td class="tdr"><a href="#Item069">234</a></td> +</tr> +<tr> + <td class="tdl">THE DREAMER</td> + <td class="tdr"><a href="#Item070">237</a></td> +</tr> +<tr> + <td class="tdl">WINTER</td> + <td class="tdr"><a href="#Item071">238</a></td> +</tr> +<tr> + <td class="tdl">MID-WINTER</td> + <td class="tdr"><a href="#Item072">240</a></td> +</tr> +<tr> + <td class="tdl">SPRING</td> + <td class="tdr"><a href="#Item073">242</a></td> +</tr> +<tr> + <td class="tdl">TRANSFORMATION</td> + <td class="tdr"><a href="#Item074">243</a></td> +</tr> +<tr> + <td class="tdl">RESPONSE</td> + <td class="tdr"><a href="#Item075">245</a></td> +</tr> +<tr> + <td class="tdl"><span class="pagenum">[x]</span></td> +</tr> +<tr> + <td class="tdl">THE SWASHBUCKLER</td> + <td class="tdr"><a href="#Item076">247</a></td> +</tr> +<tr> + <td class="tdl">SIMULACRA</td> + <td class="tdr"><a href="#Item077">249</a></td> +</tr> +<tr> + <td class="tdl">CAVERNS</td> + <td class="tdr"><a href="#Item078">251</a></td> +</tr> +<tr> + <td class="tdl">THE BLUE BIRD</td> + <td class="tdr"><a href="#Item079">253</a></td> +</tr> +<tr> + <td class="tdl">QUATRAINS</td> + <td class="tdr"><a href="#Item080">254</a></td> +</tr> +<tr> + <td class="tdl">ADVENTURERS</td> + <td class="tdr"><a href="#Item081">258</a></td> +</tr> +<tr> + <td class="tdl">EPILOGUE</td> + <td class="tdr"><a href="#Item082">260</a></td> +</tr> +</table> +</div> + +<p class="spacer"> </p> + +<p><span class="pagenum">[xi]</span></p> + +<p class="h2">INTRODUCTION</p> + +<p>Since the disappearance of the latest survivors of that graceful and +somewhat academic school of poets who ruled American literature so long +from the shores of Massachusetts, serious poetry in the United States +seems to have been passing through a crisis of languor. Perhaps there is +no country on the civilised globe where, in theory, verse is treated +with more respect and, in practice, with a greater lack of grave +consideration than America. No conjecture as to the reason of this must +be attempted here, further than to suggest that the extreme value set +upon sharpness, ingenuity and rapid mobility is obviously calculated to +depreciate and to condemn<span class="pagenum">[xii]</span> the quiet practice of the most meditative of +the arts. Hence we find that it is what is called 'humorous' verse which +is mainly in fashion on the western side of the Atlantic. Those rhymes +are most warmly welcomed which play the most preposterous tricks with +language, which dazzle by the most mountebank swiftness of turn, and +which depend most for their effect upon paradox and the negation of +sober thought. It is probable that the diseased craving for what is +'smart,' 'snappy' and wide-awake, and the impulse to see everything +foreshortened and topsy-turvy, must wear themselves out before cooler +and more graceful tastes again prevail in imaginative literature.</p> + +<p>Whatever be the cause, it is certain that this is not a moment when +serious poetry, of any species, is flourishing in the United States. The +absence of anything like a common impulse<span class="pagenum">[xiii]</span> among young writers, of any +definite and intelligible, if excessive, <i>parti pris</i>, is immediately +observable if we contrast the American, for instance, with the French +poets of the last fifteen years. Where there is no school and no clear +trend of executive ambition, the solitary artist, whose talent forces +itself up into the light and air, suffers unusual difficulties, and runs +a constant danger of being choked in the aimless mediocrity that +surrounds him. We occasionally meet with a poet in the history of +literature, of whom we are inclined to say, Charming as he is, he would +have developed his talent more evenly and conspicuously,—with greater +decorum, perhaps,—if he had been accompanied from the first by other +young men like-minded, who would have formed for him an atmosphere and +cleared for him a space. This is the one regret I feel in contemplating, +as I have done for years<span class="pagenum">[xiv]</span> past, the ardent and beautiful talent of Mr. +Cawein. I deplore the fact that he seems to stand alone in his +generation; I think his poetry would have been even better than it is, +and its qualities would certainly have been more clearly perceived, and +more intelligently appreciated, if he were less isolated. In his own +country, at this particular moment, in this matter of serious +nature-painting in lyric verse, Mr. Cawein possesses what Cowley would +have called 'a monopoly of wit,' In one of his lyrics Mr. Cawein asks—</p> + +<div class="poem"> +<div class="stanza"> +<span class="i0">'The song-birds, are they flown away,<br /></span> +<span class="i2">The song-birds of the summer-time,<br /></span> +<span class="i0">That sang their souls into the day,<br /></span> +<span class="i2">And set the laughing hours to rhyme?<br /></span> +<span class="i0">No cat-bird scatters through the hush<br /></span> +<span class="i2">The sparkling crystals of her song;<br /></span> +<span class="i0">Within the woods no hermit-thrush<br /></span> +<span class="i2">Trails an enchanted flute along.'<br /></span> +</div> +</div> + +<p>To this inquiry, the answer is: the only hermit-<span class="pagenum">[xv]</span>thrush now audible +seems to sing from Louisville, Kentucky. America will, we may be +perfectly sure, calm herself into harmony again, and possess once more +her school of singers. In those coming days, history may perceive in Mr. +Cawein the golden link that bound the music of the past to the music of +the future through an interval of comparative tunelessness.</p> + +<p>The career of Mr. Madison Cawein is represented to me as being most +uneventful. He seems to have enjoyed unusual advantages for the +cultivation and protection of the poetical temperament. He was born on +the 23rd of March 1865, in the metropolis of Kentucky, the vigorous city +of Louisville, on the southern side of the Ohio, in the midst of a +country celebrated for tobacco and whisky and Indian corn. These are +commodities which may be consumed in excess, but in moderation they make +glad the<span class="pagenum">[xvi]</span> heart of man. They represent a certain glow of the earth, they +indicate the action of a serene and gentle climate upon a rich soil. It +was in this delicate and voluptuous state of Kentucky that Mr. Cawein +was born, that he was educated, that he became a poet, and that he has +lived ever since. His blood is full of the colour and odour of his +native landscape. The solemn books of history tell us that Kentucky was +discovered in 1769, by Daniel Boone, a hunter. But he first discovers a +country who sees it first, and teaches the world to see it; no doubt +some day the city of Louisville will erect, in one of its principal +squares, a statue to 'Madison Cawein, who discovered the Beauty of +Kentucky.' The genius of this poet is like one of those deep rivers of +his native state, which cut paths through the forests of chestnut and +hemlock as they hurry towards the south and west, brushing<span class="pagenum">[xvii]</span> with the +impulsive fringe of their currents the rhododendrons and calmias and +azaleas that bend from the banks to be mirrored in their flushing +waters.</p> + +<p>Mr. Cawein's vocation to poetry was irresistible. I do not know that he +ever tried to resist it. I have even the idea that a little more +resistance would have been salutary for a talent which nothing could +have discouraged, and which opposition might have taught the arts of +compression and selection. Mr. Cawein suffered at first, I think, from +lack of criticism more than from lack of eulogy. From his early writings +I seem to gather an impression of a Louisville more ready to praise what +was second-rate than what was first-rate, and practically, indeed, +without any scale of appreciation whatever. This may be a mistake of +mine; at all events, Mr. Cawein has had more to gain from the<span class="pagenum">[xviii]</span> passage +of years in self-criticism than in inspiring enthusiasm. The fount was +in him from the first; but it bubbled forth before he had digged a +definite channel for it. Sometimes, to this very day, he sports with the +principles of syntax as Nature played games so long ago with the +fantastic caverns of the valley of the Green River or with the +coral-reefs of his own Ohio. He has bad rhymes, amazing in so delicate +an ear; he has awkwardness of phrase not expected in one so plunged in +contemplation of the eternal harmony of Nature. But these grow fewer and +less obtrusive as the years pass by.</p> + +<p>The virgin timber-forests of Kentucky, the woods of honey-locust and +buck-eye, of white oak and yellow poplar, with their clearings full of +flowers unknown to us by sight or name, from which in the distance are +visible the domes of the far-away Cumberland Mountains, this seems to<span class="pagenum">[xix]</span> +be the hunting-field of Mr. Cawein's imagination. Here all, it must be +confessed, has hitherto been unfamiliar to the Muses. If Persephone 'of +our Cumnor cowslips never heard,' how much less can her attention have +been arrested by clusters of orchids from the Ocklawaha, or by the song +of the Whippoorwill, rung out when 'the west was hot geranium-red' under +the boughs of a black-jack on the slopes of Mount Kinnex. 'Not here,' +one is inclined to exclaim, 'not here, O Apollo, are haunts meet for +thee,' but the art of the poet is displayed by his skill in breaking +down these prejudices of time and place. Mr. Cawein reconciles us to his +strange landscape—the strangeness of which one has to admit is mainly +one of nomenclature,—by the exercise of a delightful instinctive +pantheism. He brings the ancient gods to Kentucky, and it is marvellous +how quickly they learn to be at<span class="pagenum">[xx]</span> home there. Here is Bacchus, with a +spicy fragment of calamus-root in his hand, trampling down the blue-eyed +grass, and skipping, with the air of a hunter born, into the hickory +thicket, to escape Artemis, whose robes, as she passes swiftly with her +dogs through the woods, startle the humming-birds, silence the green +tree-frogs, and fill the hot still air with the perfumes of peppermint +and penny-royal. It is a queer landscape, but one of new natural +beauties frankly and sympathetically discovered, and it forms a <i>mise en +scène</i> which, I make bold to say, would have scandalised neither Keats +nor Spenser.</p> + +<p>It was Mr. Howells,—ever as generous in discovering new native talent +as he is unflinching in reproof of the effeteness of European +taste,—who first drew attention to the originality and beauty of Mr. +Cawein's poetry. The Kentucky<span class="pagenum">[xxi]</span> poet had, at that time, published but one +tentative volume, the <i>Blooms of the Berry</i>, of 1887. This was followed, +in 1888, by <i>The Triumph of Music</i>, and since then hardly a year has +passed without a slender sheaf of verse from Mr. Cawein's garden. Among +these (if a single volume is to be indicated), the quality which +distinguishes him from all other poets,—the Kentucky flavour, if we may +call it so,—is perhaps to be most agreeably detected in <i>Intimations of +the Beautiful</i>. But it is time that I should leave the American lyrist +to make his own appeal to English ears, with but one additional word of +explanation, namely, that in this selection Mr. Cawein's narrative poems +on mediæval themes, and in general his cosmopolitan writings, have been +neglected in favour of such lyrics as would present him most vividly in +his own native landscape, no visitor in spirit to<span class="pagenum">[xxii]</span> Europe, but at home +in that bright and exuberant West—</p> + +<div class="poem"> +<div class="stanza"> +<span class="i0">Where, in the hazy morning, runs<br /></span> +<span class="i2">The stony branch that pools and drips,<br /></span> +<span class="i2">Where red-haws and the wild-rose hips<br /></span> +<span class="i0">Are strewn like pebbles; where the sun's<br /></span> +<span class="i2">Own gold seems captured by the weeds;<br /></span> +<span class="i2">To see, through scintillating seeds,<br /></span> +<span class="i0">The hunters steal with glimmering guns.<br /></span> +<span class="i0">To stand within the dewy ring<br /></span> +<span class="i2">Where pale death smites the bone-set blooms,<br /></span> +<span class="i2">And everlasting's flowers, and plumes<br /></span> +<span class="i0">Of mint, with aromatic wing!<br /></span> +<span class="i2">And hear the creek,—whose sobbing seems<br /></span> +<span class="i2">A wild man murmuring in his dreams,—<br /></span> +<span class="i0">And insect violins that sing!<br /></span> +</div> +</div> + +<p>So sweet a voice, so consonant with the music +of the singers of past times, heard in a place so +fresh and strange, will surely not pass without +its welcome from the lovers of genuine poetry.</p> + +<p>EDMUND GOSSE.</p> + +<p class="spacer"> </p> + +<p><span class="pagenum">[Pg 1]</span></p> + +<h2><a name="Item001" id="Item001"></a>PROLOGUE</h2> + +<div class="poem"> + +<div class="stanza"> +<i> +<span class="i1">There is a poetry that speaks<br /></span> +<span class="i3">Through common things: the grasshopper,<br /></span> +<span class="i1">That in the hot weeds creaks and creaks,<br /></span> +<span class="i3">Says all of summer to my ear:<br /></span> +<span class="i3">And in the cricket's cry I hear<br /></span> +<span class="i1">The fireside speak, and feel the frost<br /></span> +<span class="i3">Work mysteries of silver near<br /></span> +<span class="i1">On country casements, while, deep lost<br /></span> +<span class="i0">In snow, the gatepost seems a sheeted ghost.<br /></span> +</i> +</div> + +<div class="stanza"> +<i> +<span class="i4">And other things give rare delight:<br /></span> +<span class="i3">Those guttural harps the green-frogs tune,<br /></span> +<span class="i1">Those minstrels of the falling night,<br /></span> +<span class="i3">That hail the sickle of the moon<br /></span> +<span class="pagenum">[2]</span> +<span class="i6">From grassy pools that glass her lune:<br /></span> +<span class="i1">Or,—all of August in its loud<br /></span> +<span class="i3">Dry cry,—the locust's call at noon,<br /></span> +<span class="i1">That tells of heat and never a cloud<br /></span> +<span class="i0">To veil the pitiless sun as with a shroud.<br /></span> +</i> +</div> + +<div class="stanza"> +<i> +<span class="i4">The rain,—whose cloud dark-lids the moon,<br /></span> +<span class="i3">The great white eyeball of the night,—<br /></span> +<span class="i1">Makes music for me; to its tune<br /></span> +<span class="i3">I hear the flowers unfolding white,<br /></span> +<span class="i3">The mushroom growing, and the slight<br /></span> +<span class="i1">Green sound of grass that dances near;<br /></span> +<span class="i3">The melon ripening with delight;<br /></span> +<span class="i1">And in the orchard, soft and clear,<br /></span> +<span class="i0">The apple redly rounding out its sphere.<br /></span> +</i> +</div> + +<div class="stanza"> +<i> +<span class="i4">The grigs make music as of old,<br /></span> +<span class="i3">To which the fairies whirl and shine<br /></span> +<span class="pagenum">[3]</span><span class="i4">Within the moonlight's prodigal gold,<br /></span> +<span class="i3">On woodways wild with many a vine:<br /></span> +<span class="i3">When all the wilderness with wine<br /></span> +<span class="i1">Of stars is drunk, I hear it say—<br /></span> +<span class="i3">'Is God restricted to confine<br /></span> +<span class="i1">His wonders only to the day,<br /></span> +<span class="i0">That yields the abstract tangible to clay?'<br /></span> +</i> +</div> + +<div class="stanza"> +<i> +<span class="i4">And to my ear the wind of Morn,—<br /></span> +<span class="i3">When on her rubric forehead far<br /></span> +<span class="i1">One star burns big,—lifts a vast horn<br /></span> +<span class="i3">Of wonder where all murmurs are:<br /></span> +<span class="i3">In which I hear the waters war,<br /></span> +<span class="i1">The torrent and the blue abyss,<br /></span> +<span class="i3">And pines,—that terrace bar on bar<br /></span> +<span class="i1">The mountain side,—like lovers' kiss,<br /></span> +<span class="i0">And whisper words where naught but grandeur is.<br /></span> +<span class="pagenum">[4]</span> +</i> +</div> + +<div class="stanza"> +<i> +<span class="i4">The jutting crags,—all iron-veined<br /></span> +<span class="i3">With ore,—the peaks, where eagles scream,<br /></span> +<span class="i1">That pour their cataracts, rainbow-stained,<br /></span> +<span class="i3">Like hair, in many a mountain stream,<br /></span> +<span class="i3">Can lift my soul beyond the dream<br /></span> +<span class="i1">Of all religions; make me scan<br /></span> +<span class="i3">No mere external or extreme,<br /></span> +<span class="i1">But inward pierce the outward plan<br /></span> +<span class="i0">And learn that rocks have souls as well as man.<br /></span> +<span class="pagenum">[5]</span> +</i> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item002" id="Item002"></a>FOREST AND FIELD</h2> + +<p class="h3l">I</p> + +<div class="poem"> +<div class="stanza"> +<span class="i0">Green, watery jets of light let through<br /></span> +<span class="i0">The rippling foliage drenched with dew;<br /></span> +<span class="i0">And golden glimmers, warm and dim,<br /></span> +<span class="i0">That in the vistaed distance swim;<br /></span> +<span class="i0">Where, 'round the wood-spring's oozy urn,<br /></span> +<span class="i0">The limp, loose fronds of forest fern<br /></span> +<span class="i0">Trail like the tresses, green and wet,<br /></span> +<span class="i0">A wood-nymph binds with violet.<br /></span> +<span class="i0">O'er rocks that bulge and roots that knot<br /></span> +<span class="i0">The emerald-amber mosses clot;<br /></span> +<span class="i0">From matted walls of brier and brush<br /></span> +<span class="i0">The elder nods its plumes of plush;<br /></span> +<span class="i0">And, Argus-eyed with many a bloom,<br /></span> +<span class="i0">The wild-rose breathes its wild perfume;<br /></span> +<span class="pagenum">[6]</span><span class="i0">May-apples, ripening yellow, lean<br /></span> +<span class="i0">With oblong fruit, a lemon-green,<br /></span> +<span class="i0">Near Indian-turnips, long of stem,<br /></span> +<span class="i0">That bear an acorn-oval gem,<br /></span> +<span class="i0">As if some woodland Bacchus there,—<br /></span> +<span class="i0">While braiding locks of hyacinth hair<br /></span> +<span class="i0">With ivy-tod,—had idly tost<br /></span> +<span class="i0">His thyrsus down and so had lost:<br /></span> +<span class="i0">And blood-root, that from scarlet wombs<br /></span> +<span class="i0">Puts forth, in spring, its milk-white blooms,<br /></span> +<span class="i0">That then like starry footsteps shine<br /></span> +<span class="i0">Of April under beech and pine;<br /></span> +<span class="i0">At which the gnarled eyes of trees<br /></span> +<span class="i0">Stare, big as Fauns' at Dryades,<br /></span> +<span class="i0">That bend above a fountain's spar<br /></span> +<span class="i0">As white and naked as a star.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The stagnant stream flows sleepily<br /></span> +<span class="i0">Thick with its lily-pads; the bee,—<br /></span> +<span class="pagenum">[7]</span><span class="i0">All honey-drunk, a Bassarid,—<br /></span> +<span class="i0">Booms past the mottled toad, that, hid<br /></span> +<span class="i0">In calamus-plants and blue-eyed grass,<br /></span> +<span class="i0">Beside the water's pooling glass,<br /></span> +<span class="i0">Silenus-like, eyes stolidly<br /></span> +<span class="i0">The Mænad-glittering dragonfly.<br /></span> +<span class="i0">And pennyroyal and peppermint<br /></span> +<span class="i0">Pour dry-hot odours without stint<br /></span> +<span class="i0">From fields and banks of many streams;<br /></span> +<span class="i0">And in their scent one almost seems<br /></span> +<span class="i0">To see Demeter pass, her breath<br /></span> +<span class="i0">Sweet with her triumph over death.—<br /></span> +<span class="i0">A haze of floating saffron; sound<br /></span> +<span class="i0">Of shy, crisp creepings o'er the ground;<br /></span> +<span class="i0">The dip and stir of twig and leaf;<br /></span> +<span class="i0">Tempestuous gusts of spices brief<br /></span> +<span class="i0">Borne over bosks of sassafras<br /></span> +<span class="i0">By winds that foot it on the grass;<br /></span> +<span class="pagenum">[8]</span><span class="i0">Sharp, sudden songs and whisperings,<br /></span> +<span class="i0">That hint at untold hidden things—<br /></span> +<span class="i0">Pan and Sylvanus who of old<br /></span> +<span class="i0">Kept sacred each wild wood and wold.<br /></span> +<span class="i0">A wily light beneath the trees<br /></span> +<span class="i0">Quivers and dusks with every breeze—<br /></span> +<span class="i0">A Hamadryad, haply, who,—<br /></span> +<span class="i0">Culling her morning meal of dew<br /></span> +<span class="i0">From frail, accustomed cups of flowers,—<br /></span> +<span class="i0">Now sees some Satyr in the bowers,<br /></span> +<span class="i0">Or hears his goat-hoof snapping press<br /></span> +<span class="i0">Some brittle branch, and in distress<br /></span> +<span class="i0">Shrinks back; her dark, dishevelled hair<br /></span> +<span class="i0">Veiling her limbs one instant there.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Down precipices of the dawn<br /></span> +<span class="i0">The rivers of the day are drawn,<br /></span> +<span class="i0">The soundless torrents, free and far,<br /></span> +<span class="pagenum">[9]</span><span class="i0">Of gold that deluge every star.<br /></span> +<span class="i0">There is a sound of brooks and wings<br /></span> +<span class="i0">That fills the woods with carollings;<br /></span> +<span class="i0">And, dashed on moss and flow'r and fern,<br /></span> +<span class="i0">And leaves, that quiver, breathe and burn,<br /></span> +<span class="i0">Rose-radiance smites the solitudes,<br /></span> +<span class="i0">The dew-drenched hills, the dripping woods,<br /></span> +<span class="i0">That twitter as with canticles<br /></span> +<span class="i0">Of shade and light; and wind, that smells<br /></span> +<span class="i0">Of flowers, and buds, and boisterous bees,<br /></span> +<span class="i0">Delirious honey, and wet trees.—<br /></span> +<span class="i0">Through briers that trip them, one by one,<br /></span> +<span class="i0">With swinging pails, that take the sun,<br /></span> +<span class="i0">A troop of girls comes—berriers,<br /></span> +<span class="i0">Whose bare feet glitter where they pass<br /></span> +<span class="i0">Through dewdrop-trembling tufts of grass.<br /></span> +<span class="i0">And, oh! their laughter and their cheers<br /></span> +<span class="i0">Wake Echo 'mid her shrubby rocks<br /></span> +<span class="i0">Who, answering, from her mountain mocks<br /></span> +<span class="pagenum">[10]</span><span class="i0">With rapid fairy horns; as if<br /></span> +<span class="i0">Each mossy vale and weedy cliff<br /></span> +<span class="i0">Had its imperial Oberon,<br /></span> +<span class="i0">Who, seeking his Titania, hid<br /></span> +<span class="i0">In coverts caverned from the sun,<br /></span> +<span class="i0">In kingly wrath had called and chid.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Cloud-feathers, oozing orange light,<br /></span> +<span class="i0">Make rich the Indian locks of night;<br /></span> +<span class="i0">Her dusky waist with sultry gold<br /></span> +<span class="i0">Girdled and buckled fold on fold.<br /></span> +<span class="i0">One star. A sound of bleating flocks.<br /></span> +<span class="i0">Great shadows stretched along the rocks,<br /></span> +<span class="i0">Like giant curses overthrown<br /></span> +<span class="i0">By some Arthurian champion.<br /></span> +<span class="i0">Soft-swimming sorceries of mist<br /></span> +<span class="i0">That streak blue glens with amethyst.<br /></span> +<span class="i0">And, tinkling in the clover dells,<br /></span> +<span class="i0">The twilight sound of cattle-bells.<br /></span> +<span class="pagenum">[11]</span><span class="i0">And where the marsh in reed and grass<br /></span> +<span class="i0">Burns, angry as a shattered glass,<br /></span> +<span class="i0">The flies make golden blurs, that shine<br /></span> +<span class="i0">Like drops of amber-scattered wine<br /></span> +<span class="i0">Spun high by reeling Bacchanals,<br /></span> +<span class="i0">When Bacchus wreathes his curling hair<br /></span> +<span class="i0">With vine-leaves, and from every lair<br /></span> +<span class="i0">His worshippers around him calls.<br /></span> +<span class="i0">They come, they come, a happy throng,<br /></span> +<span class="i0">The berriers with gibe and song;<br /></span> +<span class="i0">Their pails brimmed black to tin-bright eaves<br /></span> +<span class="i0">With luscious fruit, kept cool with leaves<br /></span> +<span class="i0">Of aromatic sassafras;<br /></span> +<span class="i0">'Twixt which some sparkling berry slips,<br /></span> +<span class="i0">Like laughter, from the purple mass,<br /></span> +<span class="i0">Wine-swollen as Silenus' lips.<br /></span> +<span class="pagenum">[12]</span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The tanned and tired noon climbs high<br /></span> +<span class="i0">Up burning reaches of the sky;<br /></span> +<span class="i0">Below the drowsy belts of pines<br /></span> +<span class="i0">The rock-ledged river foams and shines;<br /></span> +<span class="i0">And over rainless hill and dell<br /></span> +<span class="i0">Is blown the harvest's sultry smell:<br /></span> +<span class="i0">While, in the fields, one sees and hears<br /></span> +<span class="i0">The brawny-throated harvesters,—<br /></span> +<span class="i0">Their red brows beaded with the heat,—<br /></span> +<span class="i0">By twos and threes among the wheat<br /></span> +<span class="i0">Flash their hot scythes; behind them press<br /></span> +<span class="i0">The binders—men and maids that sing<br /></span> +<span class="i0">Like some mad troop of piping Pan;—<br /></span> +<span class="i0">While all the hillsides swoon and ring<br /></span> +<span class="i0">Such sounds of Ariel airiness<br /></span> +<span class="i0">As haunted freckled Caliban.<br /></span> +<span class="pagenum">[13]</span><span class="i0">'O ho! O ho! 'tis noon I say.<br /></span> +<span class="i4">The roses blow.<br /></span> +<span class="i0">Away, away, above the hay,<br /></span> +<span class="i0">To the tune o' the bees the roses sway;<br /></span> +<span class="i0">The love-songs that they hum all day,<br /></span> +<span class="i4">So low! So low!<br /></span> +<span class="i0">The roses' Minnesingers they.'<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Up velvet lawns of lilac skies<br /></span> +<span class="i0">The tawny moon begins to rise<br /></span> +<span class="i0">Behind low, blue-black hills of trees,—<br /></span> +<span class="i0">As rises up, in Siren seas,<br /></span> +<span class="i0">To rock in purple deeps, hip-hid,<br /></span> +<span class="i0">A virgin-bosomed Oceanid.—<br /></span> +<span class="i0">Gaunt shadows crouch by tree and scaur,<br /></span> +<span class="i0">Like shaggy Satyrs waiting for<br /></span> +<span class="i0">The moonbeam Nymphs, the Dryads white,<br /></span> +<span class="i0">That take with loveliness the night,<br /></span> +<span class="i0">And glorify it with their love.<br /></span> +<span class="pagenum">[14]</span><span class="i0">The sweet, far notes I hear, I hear,<br /></span> +<span class="i0">Beyond dim pines and mellow ways,<br /></span> +<span class="i0">The song of some fair harvester,<br /></span> +<span class="i0">The lovely Limnad of the grove,<br /></span> +<span class="i0">Whose singing charms me while it slays.<br /></span> +<span class="i0">'O deep! O deep! the earth and air<br /></span> +<span class="i4">Are sunk in sleep.<br /></span> +<span class="i0">Adieu to care! Now everywhere<br /></span> +<span class="i0">Is rest; and by the old oak there<br /></span> +<span class="i0">The maiden with the nut-brown hair<br /></span> +<span class="i4">Doth keep, doth keep<br /></span> +<span class="i0">Tryst with her lover the young and fair.'<br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Like Atalanta's spheres of gold,<br /></span> +<span class="i0">Within the orchard, apples rolled<br /></span> +<span class="i0">From sudden hands of boughs that lay<br /></span> +<span class="i0">Their leaves, like palms, against the day;<br /></span> +<span class="pagenum">[15]</span><span class="i0">And near them pears of rusty brown<br /></span> +<span class="i0">Lay bruised; and peaches, pink with down,<br /></span> +<span class="i0">And furry as the ears of Pan,<br /></span> +<span class="i0">Or, like Diana's cheeks, a tan<br /></span> +<span class="i0">Beneath which burnt a tender fire;<br /></span> +<span class="i0">Or wan as Psyche's with desire.<br /></span> +<span class="i0">And down the orchard vistas,—young,<br /></span> +<span class="i0">A hickory basket by him swung,<br /></span> +<span class="i0">A straw-hat, 'gainst the sloping sun<br /></span> +<span class="i0">Drawn brim-broad o'er his face,—he strode;<br /></span> +<span class="i0">As if he looked to find some one,<br /></span> +<span class="i0">His eyes far-fixed beyond the road.<br /></span> +<span class="i0">Before him, like a living burr,<br /></span> +<span class="i0">Rattled the noisy grasshopper.<br /></span> +<span class="i0">And where the cows' melodious bells<br /></span> +<span class="i0">Trailed music up and down the dells,<br /></span> +<span class="i0">Beside the spring, that o'er the ground<br /></span> +<span class="i0">Went whimpering like a fretful hound,<br /></span> +<span class="pagenum">[16]</span> +<span class="i0">He saw her waiting, fair and slim,<br /></span> +<span class="i0">Her pail forgotten there, for him.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Yellow as sunset skies and pale<br /></span> +<span class="i0">As fairy clouds that stay or sail<br /></span> +<span class="i0">Through azure vaults of summer, blue<br /></span> +<span class="i0">As summer heavens, the wildflowers grew;<br /></span> +<span class="i0">And blossoms on which spurts of light<br /></span> +<span class="i0">Fell laughing, like the lips one might<br /></span> +<span class="i0">Feign for a Hebe, or a girl<br /></span> +<span class="i0">Whose mouth is laughter-lit with pearl.<br /></span> +<span class="i0">Long ferns, in murmuring masses heaped;<br /></span> +<span class="i0">And mosses moist, in beryl steeped<br /></span> +<span class="i0">And musk aromas of the wood<br /></span> +<span class="i0">And silence of the solitude:<br /></span> +<span class="i0">And everything that near her blew<br /></span> +<span class="i0">The spring had showered thick with dew.—<br /></span> +<span class="i0">Across the rambling fence she leaned,<br /></span> +<span class="i0">Her fresh, round arms all white and bare;<br /></span> +<span class="pagenum">[17]</span><span class="i0">Her artless beauty, bonnet-screened,<br /></span> +<span class="i0">Rich-coloured with its auburn hair.<br /></span> +<span class="i0">A wood-thrush gurgled in a vine—<br /></span> +<span class="i0">Ah! 'tis his step, 'tis he she hears;<br /></span> +<span class="i0">The wild-rose smelt like some rare wine—-<br /></span> +<span class="i0">He comes, ah, yes! 'tis he who nears.<br /></span> +<span class="i0">And her brown eyes and all her face<br /></span> +<span class="i0">Said welcome. And with rustic grace<br /></span> +<span class="i0">He leant beside her; and they had<br /></span> +<span class="i0">Some talk with youthful laughter glad:<br /></span> +<span class="i0">I know not what; I know but this<br /></span> +<span class="i0">Its final period was a kiss.<br /></span> +<span class="pagenum">[18]</span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item003" id="Item003"></a>SUMMER</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Hang out your loveliest star, O Night! O Night!<br /></span> +<span class="i4">Your richest rose, O Dawn!<br /></span> +<span class="i0">To greet sweet Summer, her, who, clothed in light,<br /></span> +<span class="i4">Leads Earth's best hours on.<br /></span> +<span class="i0">Hark! how the wild birds of the woods<br /></span> +<span class="i0">Throat it within the dewy solitudes!<br /></span> +<span class="i4">The brook sings low and soft,<br /></span> +<span class="i6">The trees make song,<br /></span> +<span class="i4">As, from her heaven aloft<br /></span> +<span class="i0">Comes blue-eyed Summer like a girl along.<br /></span> +<span class="pagenum">[19]</span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">And as the Day, her lover, leads her in,<br /></span> +<span class="i4">How bright his beauty glows!<br /></span> +<span class="i0">How red his lips, that ever try to win<br /></span> +<span class="i4">Her mouth's delicious rose!<br /></span> +<span class="i0">And from the beating of his heart<br /></span> +<span class="i0">Warm winds arise and sighing thence depart;<br /></span> +<span class="i4">And from his eyes and hair<br /></span> +<span class="i6">The light and dew<br /></span> +<span class="i4">Fall round her everywhere,<br /></span> +<span class="i0">And Heaven above her is an arch of blue.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Come to the forest, or the treeless meadows<br /></span> +<span class="i4">Deep with their hay or grain;<br /></span> +<span class="i0">Come where the hills lift high their thrones of shadows,<br /></span> +<span class="i4">Where tawny orchards reign.<br /></span> +<span class="pagenum">[20]</span><span class="i0">Come where the reapers whet the scythe;<br /></span> +<span class="i0">Where golden sheaves are heaped; where berriers blythe,<br /></span> +<span class="i4">With willow-basket and with pail,<br /></span> +<span class="i6">Swarm knoll and plain;<br /></span> +<span class="i4">Where flowers freckle every vale,<br /></span> +<span class="i0">And beauty goes with hands of berry-stain.<br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Come where the dragon-flies, a brassy blue,<br /></span> +<span class="i4">Flit round the wildwood streams,<br /></span> +<span class="i0">And, sucking at some horn of honey-dew,<br /></span> +<span class="i4">The wild-bee hums and dreams.<br /></span> +<span class="i0">Come where the butterfly waves wings of sleep,<br /></span> +<span class="i0">Gold-disked and mottled over blossoms deep;<br /></span> +<span class="pagenum">[21]</span><span class="i4">Come where beneath the rustic bridge<br /></span> +<span class="i6">The green frog cries;<br /></span> +<span class="i4">Or in the shade the rainbowed midge,<br /></span> +<span class="i0">Above the emerald pools, with murmurings flies.<br /></span> +</div> +</div> + +<p class="h3l">V</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Come where the cattle browse within the brake,<br /></span> +<span class="i4">As red as oak and strong;<br /></span> +<span class="i0">Where far-off bells the echoes faintly wake,<br /></span> +<span class="i4">And milkmaids sing their song.<br /></span> +<span class="i0">Come where the vine-trailed rocks, with waters hoary,<br /></span> +<span class="i0">Tell to the sun some legend or some story;<br /></span> +<span class="i4">Or, where the sunset to the land<br /></span> +<span class="i6">Speaks words of gold;<br /></span> +<span class="i4">Where ripeness walks, a wheaten band<br /></span> +<span class="i0">Around her hair and blossoms manifold.<br /></span> +<span class="pagenum">[22]</span> +</div> +</div> + +<p class="h3l">VI</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Come where the woods lift up their stalwart arms<br /></span> +<span class="i4">Unto the star-sown skies;<br /></span> +<span class="i0">Knotted and gnarled, that to the winds and storms<br /></span> +<span class="i4">Fling mighty rhapsodies:<br /></span> +<span class="i0">Or to the moon repeat what they have seen,<br /></span> +<span class="i0">When Night upon their shoulders vast doth lean.<br /></span> +<span class="i4">Come where the dew's clear syllable<br /></span> +<span class="i6">Drips from the rose;<br /></span> +<span class="i4">And where the fire-flies fill<br /></span> +<span class="i0">The night with golden music of their glows.<br /></span> +</div> +</div> + +<p class="h3l">VII</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Now while the dingles and the vine-roofed glens<br /></span> +<span class="i4">Whisper their flowery tale<br /></span> +<span class="pagenum">[23]</span><span class="i0">Unto the silence; and the lakes and fens<br /></span> +<span class="i4">Unto the moonlight pale<br /></span> +<span class="i0">Murmur their rapture, let us seek her out,<br /></span> +<span class="i0">Her of the honey throat, and peachy pout,<br /></span> +<span class="i4">Summer! and at her feet,<br /></span> +<span class="i6">The love of old<br /></span> +<span class="i4">Lay like a sheaf of wheat,<br /></span> +<span class="i0">And of our hearts the purest gold of gold.<span class="pagenum">[24]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item004" id="Item004"></a>TO SORROW</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">O dark-eyed goddess of the marble brow,<br /></span> +<span class="i2">Whose look is silence and whose touch is night,<br /></span> +<span class="i0">Who walkest lonely through the world, O thou,<br /></span> +<span class="i2">Who sittest lonely with Life's blown-out light;<br /></span> +<span class="i0">Who in the hollow hours of night's noon<br /></span> +<span class="i2">Criest like some lost child;<br /></span> +<span class="i0">Whose anguish-fevered eyeballs seek the moon<br /></span> +<span class="i2">To cool their pulses wild.<br /></span> +<span class="i0">Thou who dost bend to kiss Joy's sister cheek,<br /></span> +<span class="i2">Turning its rose to alabaster; yea,<br /></span> +<span class="pagenum">[25]</span><span class="i0">Thou who art terrible and mad and meek,<br /></span> +<span class="i2">Why in my heart art thou enshrined to-day?<br /></span> +<span class="i6">O Sorrow say, O say!<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Now Spring is here and all the world is white,<br /></span> +<span class="i2">I will go forth, and where the forest robes<br /></span> +<span class="i0">Itself in green, and every hill and height<br /></span> +<span class="i2">Crowns its fair head with blossoms,—spirit globes<br /></span> +<span class="i0">Of hyacinth and crocus dashed with dew,—<br /></span> +<span class="i2">I will forget my grief,<br /></span> +<span class="i0">And thee, O Sorrow, gazing on the blue,<br /></span> +<span class="i2">Beneath a last year's leaf,<br /></span> +<span class="i0">Of some brief violet the south wind woos,<br /></span> +<span class="i2">Or bluet, whence the west wind raked the snow;<br /></span> +<span class="i0">The baby eyes of love, the darling hues<br /></span> +<span class="i2">Of happiness, that thou canst never know,<br /></span> +<span class="i6">O child of pain and woe.<br /></span> +<span class="pagenum">[26]</span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">On some hoar upland, sweet with clustered thorns,<br /></span> +<span class="i2">Hard by a river's windy white of waves,<br /></span> +<span class="i0">I shall sit down with Spring,—whose eyes are morns<br /></span> +<span class="i2">Of light; whose cheeks the rose of health enslaves,—<br /></span> +<span class="i0">And so forget thee braiding in her hair<br /></span> +<span class="i2">The snowdrop, tipped with green,<br /></span> +<span class="i0">The cool-eyed primrose and the trillium fair,<br /></span> +<span class="i2">And moony celandine.<br /></span> +<span class="i0">Contented so to lie within her arms,<br /></span> +<span class="i2">Forgetting all the sear and sad and wan,<br /></span> +<span class="i0">Remembering love alone, who o'er earth's storms,<br /></span> +<span class="i2">High on the mountains of perpetual dawn,<br /></span> +<span class="i6">Leads the glad hours on.<br /></span> +<span class="pagenum">[27]</span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Or in the peace that follows storm, when Even,<br /></span> +<span class="i2">Within the west, stands dreaming lone and far,<br /></span> +<span class="i0">Clad on with green and silver, and the Heaven<br /></span> +<span class="i2">Is brightly brooched with one gold-glittering star.<br /></span> +<span class="i0">I will lie down beside some mountain lake,<br /></span> +<span class="i2">'Round which the tall pines sigh,<br /></span> +<span class="i0">And breathing musk of rain from boughs that shake<br /></span> +<span class="i2">Storm balsam from on high,<br /></span> +<span class="i0">Make friends of Dream and Contemplation high<br /></span> +<span class="i2">And Music, listening to the mocking-bird,—<br /></span> +<span class="i0">Who through the hush sends its melodious cry,—<br /></span> +<span class="i2">And so forget a while that other word,<br /></span> +<span class="i6">That all loved things must die.<br /></span> +<span class="pagenum">[28]</span></div> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item005" id="Item005"></a>NIGHT</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Out of the East, as from an unknown shore,<br /></span> +<span class="i2">Thou comest with thy children in thine arms,—<br /></span> +<span class="i0">Slumber and Dream,—whom mortals all adore,<br /></span> +<span class="i2">Their flowing raiment sculptured to their charms:<br /></span> +<span class="i0">Soft on thy breast thy lovely children rest,<br /></span> +<span class="i0">Laid like twin roses in one balmy nest.<br /></span> +<span class="i2">Silent thou comest, swiftly too and slow.<br /></span> +<span class="i0">There is no other presence like to thine,<br /></span> +<span class="i0">When thou approachest with thy babes divine,<br /></span> +<span class="i2">Thy shadowy face above them bending low,<br /></span> +<span class="i0">Blowing the ringlets from their brows of snow. +<span class="pagenum">[29]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Oft have I taken Sleep from thy dark arms,<br /></span> +<span class="i2">And fondled her fair head, with poppies wreathed,<br /></span> +<span class="i0">Within my bosom's depths, until its storms<br /></span> +<span class="i2">With her were hushed and I but faintly breathed.<br /></span> +<span class="i0">And then her sister, Dream, with frolic art<br /></span> +<span class="i0">Arose from rest, and on my sleeping heart<br /></span> +<span class="i2">Blew bubbles of dreams where elfin worlds were lost;<br /></span> +<span class="i0">Worlds where my stranger soul sang songs to me,<br /></span> +<span class="i0">And talked with spirits by a rainbowed sea,<br /></span> +<span class="i2">Or smiled, an unfamiliar shape of frost,<br /></span> +<span class="i0">Floating on gales of breathless melody.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Day comes to us in garish glory garbed;<br /></span> +<span class="i2">But thou, thou bringest to the tired heart<br /></span> +<span class="i0">Rest and deep silence, in which are absorbed<br /></span> +<span class="i2">All the vain tumults of the mind and mart.<br /></span> +<span class="pagenum">[30]</span><span class="i0">Whether thou comest with hands full of stars,<br /></span> +<span class="i0">Or clothed in storm and clouds, the lightning bars,<br /></span> +<span class="i2">Rolling the thunder like some mighty dress,<br /></span> +<span class="i0">God moves with thee; we seem to hear His feet,<br /></span> +<span class="i0">Wind-like, along the floors of Heaven beat;<br /></span> +<span class="i2">To see His face, revealed in awfulness,<br /></span> +<span class="i0">Through thee, O Night, to ban us or to bless.<br /></span> +<span class="pagenum">[31]</span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item006" id="Item006"></a>A FALLEN BEECH</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Nevermore at doorways that are barken<br /></span> +<span class="i0">Shall the madcap wind knock and the moonlight;<br /></span> +<span class="i0">Nor the circle which thou once didst darken,<br /></span> +<span class="i0">Shine with footsteps of the neighbouring moonlight,<br /></span> +<span class="i0">Visitors for whom thou oft didst hearken.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Nevermore, gallooned with cloudy laces,<br /></span> +<span class="i0">Shall the morning, like a fair freebooter,<br /></span> +<span class="i0">Make thy leaves his richest treasure-places;<br /></span> +<span class="i0">Nor the sunset, like a royal suitor,<br /></span> +<span class="i0">Clothe thy limbs with his imperial graces.<br /></span> +<span class="pagenum">[32]</span> +</div> + +<div class="stanza"> +<span class="i0">And no more, between the savage wonder<br /></span> +<span class="i0">Of the sunset and the moon's up-coming,<br /></span> +<span class="i0">Shall the storm, with boisterous hoof-beats, under<br /></span> +<span class="i0">Thy dark roof dance, Faun-like, to the humming<br /></span> +<span class="i0">Of the Pan-pipes of the rain and thunder.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Oft the Satyr-spirit, beauty-drunken,<br /></span> +<span class="i0">Of the Spring called; and the music measure<br /></span> +<span class="i0">Of thy sap made answer; and thy sunken<br /></span> +<span class="i0">Veins grew vehement with youth, whose pressure<br /></span> +<span class="i0">Swelled thy gnarly muscles, winter-shrunken.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And the germs, deep down in darkness rooted,<br /></span> +<span class="i0">Bubbled green from all thy million oilets,<br /></span> +<span class="i0">Where the spirits, rain-and-sunbeam-suited,<br /></span> +<span class="i0">Of the April made their whispering toilets,<br /></span> +<span class="i0">Or within thy stately shadow footed.<br /></span> +<span class="pagenum">[33]</span> +</div> + +<div class="stanza"> +<span class="i0">Oft the hours of blonde Summer tinkled<br /></span> +<span class="i0">At the windows of thy twigs, and found thee<br /></span> +<span class="i0">Bird-blithe; or, with shapely bodies, twinkled<br /></span> +<span class="i0">Lissom feet of naked flowers around thee,<br /></span> +<span class="i0">Where thy mats of moss lay sunbeam-sprinkled.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And the Autumn with his gypsy-coated<br /></span> +<span class="i0">Troop of days beneath thy branches rested,<br /></span> +<span class="i0">Swarthy-faced and dark of eye; and throated<br /></span> +<span class="i0">Songs of roaming; or with red hand tested<br /></span> +<span class="i0">Every nut-bur that above him floated.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Then the Winter, barren-browed, but rich in<br /></span> +<span class="i0">Shaggy followers of frost and freezing,<br /></span> +<span class="i0">Made the floor of thy broad boughs his kitchen,<br /></span> +<span class="i0">Trapper-like, to camp in; grimly easing<br /></span> +<span class="i0">Limbs snow-furred and moccasined with lichen.<br /></span> +<span class="pagenum">[34]</span> +</div> + +<div class="stanza"> +<span class="i0">Now, alas! no more do these invest thee<br /></span> +<span class="i0">With the dignity of whilom gladness!<br /></span> +<span class="i0">They—unto whose hearts thou once confessed thee<br /></span> +<span class="i0">Of thy dreams—now know thee not! and sadness<br /></span> +<span class="i0">Sits beside thee where, forgot, dost rest thee.<br /></span> +<span class="pagenum">[35]</span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item007" id="Item007"></a>A TWILIGHT MOTH</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">All day the primroses have thought of thee,<br /></span> +<span class="i2">Their golden heads close-haremed from the heat;<br /></span> +<span class="i0">All day the mystic moonflowers silkenly<br /></span> +<span class="i2">Veiled snowy faces,—that no bee might greet<br /></span> +<span class="i0">Or butterfly that, weighed with pollen, passed;—<br /></span> +<span class="i0">Keeping Sultana-charms for thee, at last,<br /></span> +<span class="i2">Their lord, who comest to salute each sweet.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Cool-throated flowers that avoid the day's<br /></span> +<span class="i2">Too fervid kisses; every bud that drinks<br /></span> +<span class="i0">The tipsy dew and to the starlight plays<br /></span> +<span class="i2">Nocturns of fragrance, thy wing'd shadow links<br /></span> +<span class="pagenum">[36]</span><span class="i0">In bonds of secret brotherhood and faith;<br /></span> +<span class="i0">O bearer of their order's shibboleth,<br /></span> +<span class="i2">Like some pale symbol fluttering o'er these pinks.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">What dost thou whisper in the balsam's ear<br /></span> +<span class="i2">That sets it blushing, or the hollyhock's,—<br /></span> +<span class="i0">A syllabled silence that no man may hear,—<br /></span> +<span class="i2">As dreamily upon its stem it rocks?<br /></span> +<span class="i0">What spell dost bear from listening plant to plant,<br /></span> +<span class="i0">Like some white witch, some ghostly ministrant,<br /></span> +<span class="i2">Some spectre of some perished flower of phlox?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">O voyager of that universe which lies<br /></span> +<span class="i2">Between the four walls of this garden fair,—<br /></span> +<span class="i0">Whose constellations are the fireflies<br /></span> +<span class="i2">That wheel their instant courses everywhere,—<br /></span> +<span class="pagenum">[37]</span><span class="i0">'Mid fairy firmaments wherein one sees<br /></span> +<span class="i0">Mimic Boötes and the Pleiades,<br /></span> +<span class="i2">Thou steerest like some fairy ship-of-air.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Gnome-wrought of moonbeam fluff and gossamer,<br /></span> +<span class="i2">Silent as scent, perhaps thou chariotest<br /></span> +<span class="i0">Mab or King Oberon; or, haply, her<br /></span> +<span class="i2">His queen, Titania, on some midnight quest.—<br /></span> +<span class="i0">Oh for the herb, the magic euphrasy,<br /></span> +<span class="i0">That should unmask thee to mine eyes, ah me!<br /></span> +<span class="i2">And all that world at which my soul hath guessed!<br /></span> +<span class="pagenum">[38]</span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item008" id="Item008"></a>THE GRASSHOPPER</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">What joy you take in making hotness hotter,<br /></span> +<span class="i2">In emphasising dulness with your buzz,<br /></span> +<span class="i2">Making monotony more monotonous!<br /></span> +<span class="i0">When Summer comes, and drouth hath dried the water<br /></span> +<span class="i0">In all the creeks, we hear your ragged rasp<br /></span> +<span class="i2">Filling the stillness. Or,—as urchins beat<br /></span> +<span class="i0">A stagnant pond whereon the bubbles gasp,—<br /></span> +<span class="i2">Your switch-like music whips the midday heat.<br /></span> +<span class="i0">O bur of sound caught in the Summer's hair,<br /></span> +<span class="i10">We hear you everywhere!<br /></span> +<span class="pagenum">[39]</span> +</div> + +<div class="stanza"> +<span class="i0">We hear you in the vines and berry-brambles,<br /></span> +<span class="i2">Along the unkempt lanes, among the weeds,<br /></span> +<span class="i2">Amid the shadeless meadows, gray with seeds,<br /></span> +<span class="i0">And by the wood 'round which the rail-fence rambles,<br /></span> +<span class="i0">Sawing the sunlight with your sultry saw.<br /></span> +<span class="i2">Or,—like to tomboy truants, at their play<br /></span> +<span class="i0">With noisy mirth among the barn's deep straw,—<br /></span> +<span class="i2">You sing away the careless summer-day.<br /></span> +<span class="i0">O brier-like voice that clings in idleness<br /></span> +<span class="i10">To Summer's drowsy dress!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">You tramp of insects, vagrant and unheeding,<br /></span> +<span class="i2">Improvident, who of the summer make<br /></span> +<span class="i2">One long green mealtime, and for winter take<br /></span> +<span class="i0">No care, aye singing or just merely feeding!<br /></span> +<span class="i0">Happy-go-lucky vagabond,—'though frost<br /></span> +<span class="pagenum">[40]</span><span class="i2">Shall pierce, ere long, your green coat or your brown,<br /></span> +<span class="i0">And pinch your body,—let no song be lost,<br /></span> +<span class="i2">But as you lived into your grave go down—<br /></span> +<span class="i0">Like some small poet with his little rhyme,<br /></span> +<span class="i10">Forgotten of all time.<br /></span> +<span class="pagenum">[41]</span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item009" id="Item009"></a>BEFORE THE RAIN</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Before the rain, low in the obscure east,<br /></span> +<span class="i2">Weak and morose the moon hung, sickly gray;<br /></span> +<span class="i0">Around its disc the storm mists, cracked and creased,<br /></span> +<span class="i2">Wove an enormous web, wherein it lay<br /></span> +<span class="i2">Like some white spider hungry for its prey.<br /></span> +<span class="i0">Vindictive looked the scowling firmament,<br /></span> +<span class="i2">In which each star, that flashed a dagger ray,<br /></span> +<span class="i0">Seemed filled with malice of some dark intent.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The marsh-frog croaked; and underneath the stone<br /></span> +<span class="i2">The peevish cricket raised a creaking cry.<br /></span> +<span class="pagenum">[42]</span><span class="i0">Within the world these sounds were heard alone,<br /></span> +<span class="i2">Save when the ruffian wind swept from the sky,<br /></span> +<span class="i2">Making each tree like some sad spirit sigh;<br /></span> +<span class="i0">Or shook the clumsy beetle from its weed,<br /></span> +<span class="i2">That, in the drowsy darkness, bungling by,<br /></span> +<span class="i0">Sharded the silence with its feverish speed.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Slowly the tempest gathered. Hours passed<br /></span> +<span class="i2">Before was heard the thunder's sullen drum<br /></span> +<span class="i0">Rumbling night's hollow; and the Earth at last,<br /></span> +<span class="i2">Restless with waiting,—like a woman, dumb<br /></span> +<span class="i2">With doubting of the love that should have clomb<br /></span> +<span class="i0">Her casement hours ago,—avowed again,<br /></span> +<span class="i2">'Mid protestations, joy that he had come.<br /></span> +<span class="i0">And all night long I heard the Heavens explain.<br /></span> +<span class="pagenum">[43]</span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item010" id="Item010"></a>AFTER RAIN</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Behold the blossom-bosomed Day again,<br /></span> +<span class="i0">With all the star-white Hours in her train,<br /></span> +<span class="i0">Laughs out of pearl-lights through a golden ray,<br /></span> +<span class="i0">That, leaning on the woodland wildness, blends<br /></span> +<span class="i0">A sprinkled amber with the showers that lay<br /></span> +<span class="i0">Their oblong emeralds on the leafy ends.<br /></span> +<span class="i0">Behold her bend with maiden-braided brows<br /></span> +<span class="i0">Above the wildflower, sidewise with its strain<br /></span> +<span class="i0">Of dewy happiness, to kiss again<br /></span> +<span class="i0">Each drop to death; or, under rainy boughs,<br /></span> +<span class="i0">With fingers, fragrant as the woodland rain,<br /></span> +<span class="i0">Gather the sparkles from the sycamore,<br /></span> +<span class="i8">To set within each core<br /></span> +<span class="i0">Of crimson roses girdling her hips,<br /></span> +<span class="i0">Where each bud dreams and drips.<br /></span> +<span class="pagenum">[44]</span> +<span class="i0">Smoothing her blue-black hair,—where many a tusk<br /></span> +<span class="i0">Of iris flashes,—like the falchions' sheen<br /></span> +<span class="i0">Of Faery 'round blue banners of its Queen,—<br /></span> +<span class="i0">Is it a Naiad singing in the dusk,<br /></span> +<span class="i0">That haunts the spring, where all the moss is musk<br /></span> +<span class="i0">With footsteps of the flowers on the banks?<br /></span> +<span class="i0">Or just a wild-bird voluble with thanks?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Balm for each blade of grass: the Hours prepare<br /></span> +<span class="i0">A festival each weed's invited to.<br /></span> +<span class="i0">Each bee is drunken with the honied air:<br /></span> +<span class="i0">And all the air is eloquent with blue.<br /></span> +<span class="i0">The wet hay glitters, and the harvester<br /></span> +<span class="i0">Tinkles his scythe,—as twinkling as the dew,—<br /></span> +<span class="i8">That shall not spare<br /></span> +<span class="i0">Blossom or brier in its sweeping path;<br /></span> +<span class="i8">And, ere it cut one swath,<br /></span> +<span class="i0">Rings them they die, and tells them to prepare.<br /></span> +<span class="pagenum">[45]</span></div><div class="stanza"> +<span class="i0">What is the spice that haunts each glen and glade?<br /></span> +<span class="i0">A Dryad's lips, who slumbers in the shade?<br /></span> +<span class="i0">A Faun, who lets the heavy ivy-wreath<br /></span> +<span class="i0">Slip to his thigh as, reaching up, he pulls<br /></span> +<span class="i0">The chestnut blossoms in whole bosomfuls?<br /></span> +<span class="i0">A sylvan Spirit, whose sweet mouth doth breathe<br /></span> +<span class="i0">Her viewless presence near us, unafraid?<br /></span> +<span class="i0">Or troops of ghosts of blooms, that whitely wade<br /></span> +<span class="i0">The brook? whose wisdom knows no other song<br /></span> +<span class="i0">Than that the bird sings where it builds beneath<br /></span> +<span class="i0">The wild-rose and sits singing all day long.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Oh, let me sit with silence for a space,<br /></span> +<span class="i0">A little while forgetting that fierce part<br /></span> +<span class="i0">Of man that struggles in the toiling mart;<br /></span> +<span class="i0">Where God can look into my heart's own heart<br /></span> +<span class="i0">From unsoiled heights made amiable with grace;<br /></span> +<span class="i0">And where the sermons that the old oaks keep<br /></span> +<span class="pagenum">[46]</span><span class="i0">Can steal into me.—And what better then<br /></span> +<span class="i0">Than, turning to the moss a quiet face,<br /></span> +<span class="i0">To fall asleep? a little while to sleep<br /></span> +<span class="i0">And dream of wiser worlds and wiser men.<br /></span> +<span class="pagenum">[47]</span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item011" id="Item011"></a>THE HAUNTED HOUSE</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The shadows sit and stand about its door<br /></span> +<span class="i0">Like uninvited guests and poor;<br /></span> +<span class="i0">And all the long, hot summer day<br /></span> +<span class="i0">The grating locust dins its roundelay<br /></span> +<span class="i0">In one old sycamore.<br /></span> +<span class="i0">The squirrel leaves upon its rotting roof,<br /></span> +<span class="i0">In empty hulls, its tracks;<br /></span> +<span class="i0">And in its clapboard cracks<br /></span> +<span class="i0">The spider weaves a windy woof;<br /></span> +<span class="i0">Its cells the mud-wasp packs.<br /></span> +<span class="i0">The she-fox whelps upon its floor;<br /></span> +<span class="i0">The owlet roosts above its door;<br /></span> +<span class="i0">And where the musty mosses run,<br /></span> +<span class="i0">The freckled snake basks in the sun.<br /></span> +<span class="pagenum">[48]</span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The children of what fathers sleep<br /></span> +<span class="i2">Beneath these melancholy pines?<br /></span> +<span class="i0">The slow slugs crawl among their graves where creep<br /></span> +<span class="i2">The doddered poison-vines.<br /></span> +<span class="i0">The orchard, near the meadow deep,<br /></span> +<span class="i2">Lifts up decrepit arms,<br /></span> +<span class="i0">Gray-lichened in a withering heap.<br /></span> +<span class="i0">No sap swells up to make it leap<br /></span> +<span class="i2">As once in calms and storms;<br /></span> +<span class="i0">No blossom lulls its age asleep;<br /></span> +<span class="i2">Each breeze brings sad alarms.<br /></span> +<span class="i0">Big, bell-round pears and apples, russet-red,<br /></span> +<span class="i2">No maiden gathers now;<br /></span> +<span class="i0">The worm-bored trunks weep gum, like tears, instead,<br /></span> +<span class="i2">From each decaying bough.<span class="pagenum">[49]</span><br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The woodlands around it are solitary<br /></span> +<span class="i2">And fold it like gaunt hands;<br /></span> +<span class="i0">The sunlight is sad and the moonlight is dreary,<br /></span> +<span class="i0">And the hum of the country is weary, so weary!<br /></span> +<span class="i2">And the bees go by in bands<br /></span> +<span class="i2">To other lovelier lands.<br /></span> +<span class="i0">The grasses are rotting in walk and in bower;<br /></span> +<span class="i2">The lonesomeness,—dank and rank<br /></span> +<span class="i0">As a chamber where lies for a lonely hour<br /></span> +<span class="i0">An old-man's corpse with many a flower,—<br /></span> +<span class="i2">Is hushed and blank.<br /></span> +<span class="i0">And even the birds have passed it by,<br /></span> +<span class="i0">To sing their songs to a happier sky,<br /></span> +<span class="i2">A happier sky and bank.<span class="pagenum">[50]</span><br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">In its desolate halls are lying,<br /></span> +<span class="i2">Gold, blood-red and browned,<br /></span> +<span class="i0">Drifted leaves of summer dying;<br /></span> +<span class="i0">And the winds, above them sighing,<br /></span> +<span class="i2">Turn them round and round,<br /></span> +<span class="i2">Make a ghostly sound<br /></span> +<span class="i0">As of footsteps falling, flying,<br /></span> +<span class="i0">Voices through the chambers crying,<br /></span> +<span class="i2">Of the haunted house.<br /></span> +</div> +</div> + +<p class="h3l">V</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Gazing down in her white shroud,<br /></span> +<span class="i2">Shroud of windy cloud,<br /></span> +<span class="i0">Comes at night the phantom moon;<br /></span> +<span class="i0">Comes and all the shadows soon,<br /></span> +<span class="i2">Crowding in the rooms, arouse;<br /></span> +<span class="i0">Shadows, ghosts, her rays lead on, +<span class="pagenum">[51]</span><br /></span> +<span class="i0">Till beneath the cloud<br /></span> +<span class="i0">Like a ghost she's gone,<br /></span> +<span class="i0">In her gusty shroud,<br /></span> +<span class="i0">O'er the haunted house. +<span class="pagenum">[52]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item012" id="Item012"></a>OCTOBER</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">I oft have met her slowly wandering<br /></span> +<span class="i2">Beside a leafy stream, her locks blown wild,<br /></span> +<span class="i0">Her cheeks a hectic flush, more fair than Spring,<br /></span> +<span class="i2">As if on her the sumach copse had smiled.<br /></span> +<span class="i0">Or I have seen her sitting, tall and brown,—<br /></span> +<span class="i2">Her gentle eyes with foolish weeping dim,—<br /></span> +<span class="i4">Beneath a twisted oak from whose red leaves<br /></span> +<span class="i0">She wound great drowsy wreaths and cast them down;<br /></span> +<span class="i2">The west-wind in her hair, that made it swim<br /></span> +<span class="i4">Far out behind, deep as the rustling sheaves.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Or in the hill-lands I have often seen<br /></span> +<span class="i2">The marvel of her passage; glimpses faint<span class="pagenum">[53]</span><br /></span> +<span class="i0">Of glimmering woods that glanced the hills between,<br /></span> +<span class="i2">Like Indian faces, fierce with forest paint.<br /></span> +<span class="i0">Or I have met her 'twixt two beechen hills,<br /></span> +<span class="i2">Within a dingled valley near a fall,<br /></span> +<span class="i4">Held in her nut-brown hand one cardinal flower;<br /></span> +<span class="i0">Or wading dimly where the leaf-dammed rills<br /></span> +<span class="i2">Went babbling through the wildwood's arrased hall,<br /></span> +<span class="i4">Where burned the beech and maples glared their power.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Or I have met her by some ruined mill,<br /></span> +<span class="i2">Where trailed the crimson creeper, serpentine,<br /></span> +<span class="i0">On fallen leaves that stirred and rustled chill,<br /></span> +<span class="i2">And watched her swinging in the wild-grape vine.<span class="pagenum">[54]</span><br /></span> +<span class="i0">While Beauty, sad among the vales and mountains,<br /></span> +<span class="i2">More sad than death, or all that death can teach,<br /></span> +<span class="i4">Dreamed of decay and stretched appealing arms,<br /></span> +<span class="i0">Where splashed the murmur of the forest's fountains;<br /></span> +<span class="i2">With all her loveliness did she beseech,<br /></span> +<span class="i4">And all the sorrow of her wildwood charms.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Once only in a hollow, girt with trees,<br /></span> +<span class="i2">A-dream amid wild asters filled with rain,<br /></span> +<span class="i0">I glimpsed her cheeks red-berried by the breeze,<br /></span> +<span class="i2">In her dark eyes the night's sidereal stain.<br /></span> +<span class="i0">And once upon an orchard's tangled path,<br /></span> +<span class="i2">Where all the golden-rod had turned to brown,<span class="pagenum">[55]</span><br /></span> +<span class="i4">Where russets rolled and leaves were sweet of breath,<br /></span> +<span class="i0">I have beheld her 'mid her aftermath<br /></span> +<span class="i2">Of blossoms standing, in her gypsy gown,<br /></span> +<span class="i4">Within her gaze the deeps of life and death. +<span class="pagenum">[56]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item013" id="Item013"></a>INDIAN SUMMER</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">The dawn is a warp of fever,<br /></span> +<span class="i2">The eve is a woof of fire;<br /></span> +<span class="i0">And the month is a singing weaver<br /></span> +<span class="i2">Weaving a red desire.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">With stars Dawn dices with Even<br /></span> +<span class="i2">For the rosy gold they heap<br /></span> +<span class="i0">On the blue of the day's deep heaven,<br /></span> +<span class="i2">On the black of the night's far deep.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">It's—'Reins to the blood!' and 'Marry!'—<br /></span> +<span class="i2">The season's a prince who burns<br /></span> +<span class="i0">With the teasing lusts that harry<br /></span> +<span class="i2">His heart for a wench who spurns.<span class="pagenum">[57]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">It's—'Crown us a beaker with sherry,<br /></span> +<span class="i2">To drink to the doxy's heels;<br /></span> +<span class="i0">A tankard of wine o' the berry,<br /></span> +<span class="i2">To lips like a cloven peel's.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">''S death! if a king be saddened,<br /></span> +<span class="i2">Right so let a fool laugh lies:<br /></span> +<span class="i0">But wine! when a king is gladdened,<br /></span> +<span class="i2">And a woman's waist and her eyes.'<br /></span> +</div> + +<div class="stanza"> +<span class="i0">He hath shattered the loom of the weaver,<br /></span> +<span class="i2">And left but a leaf that flits,<br /></span> +<span class="i0">He hath seized heaven's gold, and a fever<br /></span> +<span class="i2">Of mist and of frost is its.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">He hath tippled the buxom beauty,<br /></span> +<span class="i2">And gotten her hug and her kiss—<br /></span> +<span class="i0">The wide world's royal booty<br /></span> +<span class="i2">To pile at her feet for this. +<span class="pagenum">[58]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item014" id="Item014"></a>ALONG THE OHIO</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">Athwart a sky of brass long welts of gold;<br /></span> +<span class="i2">A path of gold the wide Ohio lies;<br /></span> +<span class="i0">Beneath the sunset, billowing manifold,<br /></span> +<span class="i8">The dark-blue hilltops rise.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And westward dips the crescent of the moon<br /></span> +<span class="i2">Through great cloud-feathers, flushed with rosy ray,<br /></span> +<span class="i0">That close around the crystal of her lune<br /></span> +<span class="i8">The redbird wings of Day.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A little skiff slips o'er the burnished stream;<br /></span> +<span class="i2">A fiery wake, that broadens far behind,<br /></span> +<span class="i0">Follows in ripples; and the paddles gleam<br /></span> +<span class="i8">Against the evening wind.<span class="pagenum">[59]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Was it the boat, the solitude and hush,<br /></span> +<span class="i2">That with dead Indians peopled all the glooms?<br /></span> +<span class="i0">That made each bank, meseemed, and every bush<br /></span> +<span class="i8">Start into eagle-plumes?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">That made me seem to hear the breaking brush,<br /></span> +<span class="i2">And as the deer's great antlers swelled in view,<br /></span> +<span class="i0">To hear the arrow twang from cane and rush,<br /></span> +<span class="i8">That dipped to the canoe?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">To see the glimmering wigwams by the waves?<br /></span> +<span class="i2">And, wildly clad, around the camp-fires' glow,<br /></span> +<span class="i0">The Shawnee chieftains with their painted braves,<br /></span> +<span class="i8">Each grasping his war-bow?<span class="pagenum">[60]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">But now the vision like the sunset fades,<br /></span> +<span class="i2">The ribs of golden clouds have oozed their light;<br /></span> +<span class="i0">And from the west, like sombre sachem shades,<br /></span> +<span class="i8">Gallop the shades of night.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The broad Ohio glitters to the stars;<br /></span> +<span class="i2">And many murmurs whisper in its woods—<br /></span> +<span class="i0">Is it the sorrow of dead warriors<br /></span> +<span class="i8">For their lost solitudes?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The moon goes down; and like another moon<br /></span> +<span class="i2">The crescent of the river twinkles there,<br /></span> +<span class="i0">Unchanged as when the eyes of Daniel Boone<br /></span> +<span class="i8">Beheld it flowing fair.<span class="pagenum">[61]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item015" id="Item015"></a>A COIGN OF THE FOREST</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">The hills hang woods around, where green, below<br /></span> +<span class="i0">Dark, breezy boughs of beech-trees, mats the moss,<br /></span> +<span class="i0">Crisp with the brittle hulls of last year's nuts;<br /></span> +<span class="i0">The water hums one bar there; and a glow<br /></span> +<span class="i0">Of gold lies steady where the trailers toss<br /></span> +<span class="i0">Red, bugled blossoms and a rock abuts;<br /></span> +<span class="i0">In spots the wild-phlox and oxalis grow<br /></span> +<span class="i0">Where beech-roots bulge the loam, protrude across<br /></span> +<span class="i0">The grass-grown road and roll it into ruts.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And where the sumach brakes grow dusk and dense,<br /></span> +<span class="i0">Among the rocks, great yellow violets,<span class="pagenum">[62]</span><br /></span> +<span class="i0">Blue-bells and wind-flowers bloom; the agaric<br /></span> +<span class="i0">In dampness crowds; a fungus, thick, intense<br /></span> +<span class="i0">With gold and crimson and wax-white, that sets<br /></span> +<span class="i0">The May-apples along the terraced creek<br /></span> +<span class="i0">At bold defiance. Where the old rail-fence<br /></span> +<span class="i0">Divides the hollow, there the bee-bird whets<br /></span> +<span class="i0">His bill, and there the elder hedge is thick.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">No one can miss it; for two cat-birds nest,<br /></span> +<span class="i0">Calling all morning, in the trumpet-vine;<br /></span> +<span class="i0">And there at noon the pewee sits and floats<br /></span> +<span class="i0">A woodland welcome; and his very best<br /></span> +<span class="i0">At eve the red-bird sings, as if to sign<br /></span> +<span class="i0">The record of its loveliness with notes.<br /></span> +<span class="i0">At night the moon stoops over it to rest,<br /></span> +<span class="i0">And unreluctant stars. Where waters shine<br /></span> +<span class="i0">There runs a whisper as of wind-swept oats.<span class="pagenum">[63]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item016" id="Item016"></a>CREOLE SERENADE</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">Under mossy oak and pine<br /></span> +<span class="i2">Whispering falls the fountained stream;<br /></span> +<span class="i0">In its pool the lilies shine<br /></span> +<span class="i2">Silvery, each a moonlight gleam.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Roses bloom and roses die<br /></span> +<span class="i2">In the warm rose-scented dark,<br /></span> +<span class="i0">Where the firefly, like an eye,<br /></span> +<span class="i2">Winks and glows, a golden spark.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Amber-belted through the night<br /></span> +<span class="i2">Swings the alabaster moon,<br /></span> +<span class="i0">Like a big magnolia white<br /></span> +<span class="i2">On the fragrant heart of June. +<span class="pagenum">[64]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">With a broken syrinx there,<br /></span> +<span class="i2">With bignonia overgrown,<br /></span> +<span class="i0">Is it Pan in hoof and hair,<br /></span> +<span class="i2">Or his image carved from stone?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">See! her casement's jessamines part,<br /></span> +<span class="i2">And, with starry blossoms blent,<br /></span> +<span class="i0">Like the moon she leans—O heart,<br /></span> +<span class="i2">'Tis another firmament.<br /></span> +</div> + +<div class="stanza"> +<span class="i6">SINGS<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The dim verbena drugs the dusk<br /></span> +<span class="i2">With lemon-heavy odours where<br /></span> +<span class="i0">The heliotropes breathe drowsy musk<br /></span> +<span class="i2">Into the jasmine-dreamy air;<br /></span> +<span class="i0">The moss-rose bursts its dewy husk<br /></span> +<span class="i2">And spills its attar there. +<span class="pagenum">[65]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">The orange at thy casement swings<br /></span> +<span class="i2">Star-censers oozing rich perfumes;<br /></span> +<span class="i0">The clematis, long-petalled, clings<br /></span> +<span class="i2">In clusters of dark purple blooms;<br /></span> +<span class="i0">With flowers, like moons or sylphide wings,<br /></span> +<span class="i2">Magnolias light the glooms.<br /></span> +</div> + +<div class="stanza"> +<span class="i4">Awake, awake from sleep!<br /></span> +<span class="i6">Thy balmy hair,<br /></span> +<span class="i4">Down-fallen, deep on deep,<br /></span> +<span class="i6">Like blossoms there,—<br /></span> +<span class="i4">That dew and fragrance weep,—<br /></span> +<span class="i6">Will fill the night with prayer.<br /></span> +<span class="i4">Awake, awake from sleep!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And dreaming here it seems to me<br /></span> +<span class="i2">A dryad's bosom grows confessed,<br /></span> +<span class="i0">Bright in the moss of yonder tree,<br /></span> +<span class="i2">That rustles with the murmurous West +<span class="pagenum">[66]</span>—<br /></span> +<span class="i0">Or is it but a bloom I see,<br /></span> +<span class="i2">Round as thy virgin breast?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Through fathomless deeps above are rolled<br /></span> +<span class="i2">A million feverish worlds, that burst,<br /></span> +<span class="i0">Like gems, from Heaven's caskets old<br /></span> +<span class="i2">Of darkness—fires that throb and thirst;<br /></span> +<span class="i0">An aloe, showering buds of gold,<br /></span> +<span class="i2">The night seems, star-immersed.<br /></span> +</div> + +<div class="stanza"> +<span class="i4">Unseal, unseal thine eyes!<br /></span> +<span class="i6">O'er which her rod<br /></span> +<span class="i4">Sleep sways;—and like the skies,<br /></span> +<span class="i6">That dream and nod,<br /></span> +<span class="i4">Their starry majesties<br /></span> +<span class="i6">Will fill the night with God.<br /></span> +<span class="i4">Unseal, unseal thine eyes!<span class="pagenum">[67]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item017" id="Item017"></a>WILL O' THE WISPS</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">Beyond the barley meads and hay,<br /></span> +<span class="i2">What was the light that beckoned there?<br /></span> +<span class="i0">That made her sweet lips smile and say—<br /></span> +<span class="i0">'Oh, busk me in a gown of May,<br /></span> +<span class="i2">And knot red poppies in my hair.'<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Over the meadow and the wood<br /></span> +<span class="i2">What was the voice that filled her ears?<br /></span> +<span class="i0">That sent into pale cheeks the blood,<br /></span> +<span class="i0">Until each seemed a wild-brier bud<br /></span> +<span class="i2">Mown down by mowing harvesters?...<span class="pagenum">[68]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Beyond the orchard, down the hill,<br /></span> +<span class="i2">The water flows, the water whirls;<br /></span> +<span class="i0">And there they found her past all ill,<br /></span> +<span class="i0">A plaintive face but smiling still,<br /></span> +<span class="i2">The cresses caught among her curls.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">At twilight in the willow glen<br /></span> +<span class="i2">What sound is that the silence hears,<br /></span> +<span class="i0">When all the dusk is hushed again<br /></span> +<span class="i0">And homeward from the fields strong men<br /></span> +<span class="i2">And women go, the harvesters?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">One seeks the place where she is laid,<br /></span> +<span class="i2">Where violets bloom from year to year—<br /></span> +<span class="i0">'O sunny head! O bird-like maid!<br /></span> +<span class="i0">The orchard blossoms fall and fade<br /></span> +<span class="i2">And I am lonely, lonely here.'<span class="pagenum">[69]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Two stars burn bright above the vale;<br /></span> +<span class="i2">They seem to him the eyes of Ruth:<br /></span> +<span class="i0">The low moon rises very pale<br /></span> +<span class="i0">As if she, too, had heard the tale,<br /></span> +<span class="i2">All heartbreak, of a maid and youth.<span class="pagenum">[70]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item018" id="Item018"></a>THE TOLLMAN'S DAUGHTER</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">She stood waist-deep among the briers:<br /></span> +<span class="i2">Above in twisted lengths were rolled<br /></span> +<span class="i2">The sunset's tangled whorls of gold,<br /></span> +<span class="i0">Blown from the west's cloud-pillared fires.<br /></span> +<span class="i0">And in the hush no sound did mar,<br /></span> +<span class="i2">You almost heard o'er hill and dell,<br /></span> +<span class="i0">Deep, bubbling over, star on star,<br /></span> +<span class="i2">The night's blue cisterns slowly well.<br /></span> +<span class="i0">A crane, like some dark crescent, crossed<br /></span> +<span class="i2">The sunset, winging towards the west;<br /></span> +<span class="i2">While up the east her silver breast<br /></span> +<span class="i0">Of light the moon brought, white as frost.<span class="pagenum">[71]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">So have I painted her, you see,<br /></span> +<span class="i2">The tollman's daughter.—What an arm<br /></span> +<span class="i2">And throat was hers! and what a form!—<br /></span> +<span class="i0">Art dreams of such divinity.<br /></span> +<span class="i0">What braids of night to hold and kiss!<br /></span> +<span class="i2">There is no pigment anywhere<br /></span> +<span class="i0">A man might use to picture this—<br /></span> +<span class="i2">The splendour of her raven hair.<br /></span> +<span class="i0">A face as beautiful and bright,<br /></span> +<span class="i2">As rosy fair as twilight skies,<br /></span> +<span class="i2">Lit with the stars of hazel eyes<br /></span> +<span class="i0">And eyebrowed black with pencilled night.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">For her, I know, where'er she trod<br /></span> +<span class="i2">Each dewdrop raised a looking-glass<br /></span> +<span class="i2">To flash her beauty from the grass;<br /></span> +<span class="i0">That wild-flowers bloomed along the sod,<br /></span> +<span class="i0">And whispered perfume when she smiled;<br /></span> +<span class="i2">The wood-bird hushed to hear her song, +<span class="pagenum">[72]</span><br /></span> +<span class="i0">Or, all enamoured, tame, not wild,<br /></span> +<span class="i2">Before her feet flew fluttering long.<br /></span> +<span class="i0">The brook went mad with melody,<br /></span> +<span class="i2">Eddied in laughter when she kissed<br /></span> +<span class="i2">With naked feet its amethyst—<br /></span> +<span class="i0">And I—I fell in love; ah me! +<span class="pagenum">[73]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item019" id="Item019"></a>THE BOY COLUMBUS</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">And he had mused on lands each bird,—<br /></span> +<span class="i2">That winged from realms of Falerina,<br /></span> +<span class="i0">O'er seas of the Enchanted Sword,—<br /></span> +<span class="i0">In romance sang him, till he heard<br /></span> +<span class="i2">Vague foam on Islands of Alcina.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">For rich Levant and old Castile<br /></span> +<span class="i2">Let other seamen freight their galleys;<br /></span> +<span class="i0">With Polo he and Mandeville<br /></span> +<span class="i0">Through stranger seas a dreamy keel<br /></span> +<span class="i2">Sailed into wonder-peopled valleys.<span class="pagenum">[74]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Far continents of flow'r and fruit,<br /></span> +<span class="i2">Of everlasting spring; where fountains<br /></span> +<span class="i0">'Mid flow'rs, with human faces, shoot;<br /></span> +<span class="i0">Where races dwell, both man and brute,<br /></span> +<span class="i2">In cities under golden mountains.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Where cataracts their thunders hurl<br /></span> +<span class="i2">From heights the tempest has at mercy;<br /></span> +<span class="i0">Vast peaks that touch the moon, and whirl<br /></span> +<span class="i0">Their torrents down of gold and pearl;<br /></span> +<span class="i2">And forests strange as those of Circe.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Let rapiered Love lute, in the shade<br /></span> +<span class="i2">Of royal gardens, to the Palace<br /></span> +<span class="i0">And Court, that haunt the balustrade<br /></span> +<span class="i0">Of terraces and still parade<br /></span> +<span class="i2">Their vanity and guile and malice. +<span class="pagenum">[75]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Him something calls diviner yet<br /></span> +<span class="i2">Than Love, more mighty than a lover;<br /></span> +<span class="i0">Heroic Truth that will not let<br /></span> +<span class="i0">Deed lag; a purpose, westward set,<br /></span> +<span class="i2">In eyes far-seeing to discover.<span class="pagenum">[76]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item020" id="Item020"></a>SONG OF THE ELF</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">When the poppies, with their shields,<br /></span> +<span class="i10">Sentinel<br /></span> +<span class="i0">Forest and the harvest fields,<br /></span> +<span class="i10">In the bell<br /></span> +<span class="i0">Of a blossom, fair to see,<br /></span> +<span class="i0">There I stall the bumble-bee,<br /></span> +<span class="i10">My good stud;<br /></span> +<span class="i0">There I stable him and hold,<br /></span> +<span class="i0">Harness him with hairy gold;<br /></span> +<span class="i0">There I ease his burly back<br /></span> +<span class="i0">Of the honey and its sack<br /></span> +<span class="i2">Gathered from each bud. +<span class="pagenum">[77]</span><br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Where the glow-worm lights its lamp,<br /></span> +<span class="i10">There I lie;<br /></span> +<span class="i0">Where, above the grasses damp,<br /></span> +<span class="i10">Moths go by;<br /></span> +<span class="i0">Now within the fussy brook,<br /></span> +<span class="i0">Where the waters wind and crook<br /></span> +<span class="i10">Round the rocks,<br /></span> +<span class="i0">I go sailing down the gloom<br /></span> +<span class="i0">Straddling on a wisp of broom;<br /></span> +<span class="i0">Or, beneath the owlet moon,<br /></span> +<span class="i0">Trip it to the cricket's tune<br /></span> +<span class="i2">Tossing back my locks.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Ere the crowfoot on the lawn<br /></span> +<span class="i10">Lifts its head,<br /></span> +<span class="i0">Or the glow-worm's light be gone,<br /></span> +<span class="i10">Dim and dead,<span class="pagenum">[78]</span><br /></span> +<span class="i0">In a cobweb hammock deep,<br /></span> +<span class="i0">'Twixt two ferns I swing and sleep,<br /></span> +<span class="i10">Hid away;<br /></span> +<span class="i0">Where the drowsy musk-rose blows<br /></span> +<span class="i0">And a dreamy runnel flows,<br /></span> +<span class="i0">In the land of Faëry,<br /></span> +<span class="i0">Where no mortal thing can see,<br /></span> +<span class="i2">All the elfin day.<span class="pagenum">[79]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item021" id="Item021"></a>THE OLD INN</h2> + +<div class="poem"> + +<div class="stanza"> + +<span class="i0">Red-winding from the sleepy town,<br /></span> +<span class="i2">One takes the lone, forgotten lane<br /></span> +<span class="i0">Straight through the hills. A brush-bird brown<br /></span> +<span class="i2">Bubbles in thorn-flowers, sweet with rain,<br /></span> +<span class="i2">Where breezes bend the gleaming grain,<br /></span> +<span class="i0">And cautious drip of higher leaves<br /></span> +<span class="i2">The lower dips that drip again.—<br /></span> +<span class="i0">Above the tangled trees it heaves<br /></span> +<span class="i0">Its gables and its haunted eaves.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">One creeper, gnarled and blossomless,<br /></span> +<span class="i2">O'erforests all its eastern wall;<br /></span> +<span class="i0">The sighing cedars rake and press<br /></span> +<span class="i2">Dark boughs along the panes they sprawl;<br /></span> +<span class="i2">While, where the sun beats, drone and drawl +<span class="pagenum">[80]</span><br /></span> +<span class="i0">The mud-wasps; and one bushy bee,<br /></span> +<span class="i2">Gold-dusty, hurls along the hall<br /></span> +<span class="i0">To buzz into a crack.—To me<br /></span> +<span class="i0">The shadows seem too scared to flee.<br /></span> +</div><div class="stanza"> +<span class="i0">Of ragged chimneys martins make<br /></span> +<span class="i2">Huge pipes of music; twittering, here<br /></span> +<span class="i0">They build and roost.—My footfalls wake<br /></span> +<span class="i2">Strange stealing echoes, till I fear<br /></span> +<span class="i2">I'll see my pale self drawing near,<br /></span> +<span class="i0">My phantom face as in a glass;<br /></span> +<span class="i2">Or one, men murdered, buried—where?—<br /></span> +<span class="i0">Dim in gray stealthy glimmer, pass<br /></span> +<span class="i0">With lips that seem to moan 'Alas.' +<span class="pagenum">[81]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item022" id="Item022"></a>THE MILL-WATER</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The water-flag and wild cane grow<br /></span> +<span class="i0">'Round banks whereon the sunbeams sow<br /></span> +<span class="i0">Fantastic gold when, on its shores,<br /></span> +<span class="i0">The wind sighs through the sycamores.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">In one green angle, just in reach,<br /></span> +<span class="i0">Between a willow-tree and beech,<br /></span> +<span class="i0">Moss-grown and leaky lies a boat<br /></span> +<span class="i0">The thick-grown lilies keep afloat.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And through its waters, half awake,<br /></span> +<span class="i0">Slow swims the spotted water-snake;<br /></span> +<span class="i0">And near its edge, like some gray streak,<br /></span> +<span class="i0">Stands gaunt the still fly-up-the-creek.<span class="pagenum">[82]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Between the lily-pads and blooms<br /></span> +<span class="i0">The water-spirits set their looms,<br /></span> +<span class="i0">That weave the lace-like light that dims<br /></span> +<span class="i0">The glimmering leaves of under limbs.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Each lily is the hiding-place<br /></span> +<span class="i0">Of some dim wood-imp's elvish face,<br /></span> +<span class="i0">That watches you with gold-green eyes<br /></span> +<span class="i0">Where bubbles of its breathing rise.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">I fancy, when the waxing moon<br /></span> +<span class="i0">Leans through the trees and dreams of June,<br /></span> +<span class="i0">And when the black bat slants its wing,<br /></span> +<span class="i0">And lonelier the green-frogs sing;<br /></span> +</div> + +<div class="stanza"> +<span class="i0">I fancy, when the whippoorwill<br /></span> +<span class="i0">In some old tree sings wild and shrill,<br /></span> +<span class="i0">With glow-worm eyes that dot the dark,—<br /></span> +<span class="i0">Each holding high a firefly spark<span class="pagenum">[83]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">To torch its way,—the wood-imps come:<br /></span> +<span class="i0">And some float rocking here; and some<br /></span> +<span class="i0">Unmoor the lily leaves and oar<br /></span> +<span class="i0">Around the old boat by the shore.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">They climb through oozy weeds and moss;<br /></span> +<span class="i0">They swarm its rotting sides and toss<br /></span> +<span class="i0">Their firefly torches o'er its edge<br /></span> +<span class="i0">Or hang them in the tangled sedge.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The boat is loosed. The moon is pale.<br /></span> +<span class="i0">Around the dam they slowly sail.<br /></span> +<span class="i0">Upon the bow, to pilot it,<br /></span> +<span class="i0">A jack-o'-lantern gleam doth sit.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Yes, I have seen it in my dreams!—<br /></span> +<span class="i0">Naught is forgotten! naught, it seems!—<br /></span> +<span class="i0">The strangled face, the tangled hair<br /></span> +<span class="i0">Of the drown'd woman trailing there. +<span class="pagenum">[84]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item023" id="Item023"></a>THE DREAM</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">This was my dream:<br /></span> +<span class="i8">It seemed the afternoon<br /></span> +<span class="i0">Of some deep tropic day; and yet the moon<br /></span> +<span class="i0">Stood round and bright with golden alchemy<br /></span> +<span class="i0">High in a heaven bluer than the sea.<br /></span> +<span class="i0">Long lawny lengths of perishable cloud<br /></span> +<span class="i0">Hung in a west o'er rolling forests bowed;<br /></span> +<span class="i0">Clouds raining colours, gold and violet,<br /></span> +<span class="i0">That, opening, seemed from mystic worlds to let<br /></span> +<span class="i0">Hints down of Parian beauty and lost charms<br /></span> +<span class="i0">Of dim immortals, young, with floating forms.<br /></span> +<span class="i0">And all about me fruited orchards grew,<br /></span> +<span class="i0">Pear, quince and peach, and plums of dusty blue; +<span class="pagenum">[85]</span><br /></span> +<span class="i0">Rose-apricots and apples streaked with fire,<br /></span> +<span class="i0">Kissed into ripeness by the sun's desire<br /></span> +<span class="i0">And big with juice. And on far, fading hills,<br /></span> +<span class="i0">Down which it seemed a hundred torrent rills<br /></span> +<span class="i0">Flashed rushing silver, vines and vines and vines<br /></span> +<span class="i0">Of purple vintage swollen with cool wines;<br /></span> +<span class="i0">Pale pleasant wines and fragrant as late June,<br /></span> +<span class="i0">Their delicate tang drawn from the wine-white moon.<br /></span> +<span class="i0">And from the clouds o'er this sweet world there dripped<br /></span> +<span class="i0">An odorous music, strangely feverish-lipped,<br /></span> +<span class="i0">That swung and swooned and panted in mad sighs;<br /></span> +<span class="i0">Investing at each throb the air with eyes,<br /></span> +<span class="i0">And forms of sensuous spirits, limpid white,<br /></span> +<span class="i0">Clad on with raiment as of starry night;<br /></span> +<span class="i0">Fair, faint embodiments of melody,<br /></span> +<span class="i0">From out whose hearts of crystal one could see +<span class="pagenum">[86]</span><br /></span> +<span class="i0">The music stream like light through delicate hands<br /></span> +<span class="i0">Hollowing a lamp. And as on sounding sands<br /></span> +<span class="i0">The ocean murmur haunts the rosy shells,<br /></span> +<span class="i0">Within whose convolutions beauty dwells,<br /></span> +<span class="i0">My soul became a vibrant harp of love,<br /></span> +<span class="i0">Re-echoing all the harmony above.<span class="pagenum">[87]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item024" id="Item024"></a>SPRING TWILIGHT</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The sun set late; and left along the west<br /></span> +<span class="i2">A belt of furious ruby, o'er which snows<br /></span> +<span class="i0">Of clouds unrolled; each cloud a mighty breast<br /></span> +<span class="i6">Blooming with almond-rose.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The sun set late; and wafts of wind beat down,<br /></span> +<span class="i2">And cuffed the blossoms from the blossoming quince;<br /></span> +<span class="i0">Scattered the pollen from the lily's crown,<br /></span> +<span class="i6">And made the clover wince.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">By dusky forests, through whose fretful boughs<br /></span> +<span class="i2">In flying fragments shot the evening's flame,<br /></span> +<span class="i0">Adown the tangled lane the quiet cows<br /></span> +<span class="i6">With dreamy tinklings came.<span class="pagenum">[88]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">The sun set late; but hardly had he gone<br /></span> +<span class="i2">When o'er the moon's gold-litten crescent there,<br /></span> +<span class="i0">Clean Phosphor, polished as a precious stone,<br /></span> +<span class="i6">Burned in fair deeps of air.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">As from faint stars the glory waned and waned,<br /></span> +<span class="i2">The crickets made the oldtime garden shrill;<br /></span> +<span class="i0">And past the luminous pasture-lands complained<br /></span> +<span class="i6">The first far whippoorwill.<span class="pagenum">[89]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item025" id="Item025"></a>A SLEET-STORM IN MAY</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">On southern winds shot through with amber light,<br /></span> +<span class="i0">Breathing soft balm and clothed in cloudy white,<br /></span> +<span class="i0">The lily-fingered Spring came o'er the hills,<br /></span> +<span class="i0">Waking the crocus and the daffodils.<br /></span> +<span class="i0">O'er the cold Earth she breathed a tender sigh—<br /></span> +<span class="i0">The maples sang and flung their banners high,<br /></span> +<span class="i0">Their crimson-tasselled pennons, and the elm<br /></span> +<span class="i0">Bound his dark brows with a green-crested helm.<br /></span> +<span class="i0">Beneath the musky rot of Autumn's leaves,<br /></span> +<span class="i0">Under the forest's myriad naked eaves,<br /></span> +<span class="i0">Life woke and rose in gold and green and blue,<br /></span> +<span class="i0">Robed in the starlight of the twinkling dew. +<span class="pagenum">[90]</span><br /></span> +<span class="i0">With timid tread adown the barren wood<br /></span> +<span class="i0">Spring held her way, when, lo! before her stood<br /></span> +<span class="i0">White-mantled Winter wagging his white head,<br /></span> +<span class="i0">Stormy his brow and stormily he said:<br /></span> +<span class="i2">'The God of Terror, and the King of Storm,<br /></span> +<span class="i0">Must I remind thee how my iron arm<br /></span> +<span class="i0">Raised my red standards 'mid these conquered bowers,<br /></span> +<span class="i0">Turning their green to crimson?—Thou, with flowers,<br /></span> +<span class="i0">Thou wouldst supplant me! nay! usurp my throne!—<br /></span> +<span class="i0">Audacious one!'—And at her breast he tossed<br /></span> +<span class="i0">A bitter javelin of ice and frost;<br /></span> +<span class="i0">And left her lying on th' unfeeling mould.<br /></span> +<span class="i0">The fragile blossoms, gathered in the fold<br /></span> +<span class="i0">Of her warm bosom, fell in desolate rows<br /></span> +<span class="i0">About her beauty, and, like fragrant snows, +<span class="pagenum">[91]</span><br /></span> +<span class="i0">Covered her lovely hands and beautiful feet,<br /></span> +<span class="i0">Or on her lips lay like last kisses sweet<br /></span> +<span class="i0">That died there. Lilacs, musky of the May,<br /></span> +<span class="i0">And bluer violets and snowdrops lay<br /></span> +<span class="i0">Entombed in crystal, icy dim and fair,<br /></span> +<span class="i0">Like teardrops scattered in her heavenly hair.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Alas! sad heart, break not beneath the pain!<br /></span> +<span class="i0">Time changeth all; the Beautiful wakes again.—<br /></span> +<span class="i0">We should not question such; a higher power<br /></span> +<span class="i0">Knows best what bud is ripest or what flower,<br /></span> +<span class="i0">And silently plucks it at the fittest hour.<span class="pagenum">[92]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item026" id="Item026"></a>UNREQUITED</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Passion? not hers, within whose virgin eyes<br /></span> +<span class="i2">All Eden lay.—And I remember how<br /></span> +<span class="i0">I drank the Heaven of her gaze with sighs—<br /></span> +<span class="i2">She never sighed, nor gave me kiss or vow.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">So have I seen a clear October pool,<br /></span> +<span class="i2">Cold, liquid topaz, set within the sear<br /></span> +<span class="i0">Gold of the woodland, tremorless and cool,<br /></span> +<span class="i2">Reflecting all the heartbreak of the year.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Sweetheart? not she whose voice was music sweet;<br /></span> +<span class="i2">Whose face was sweeter than melodious prayer.<br /></span> +<span class="i0">Sweetheart I called her.—When did she repeat<br /></span> +<span class="i2">Sweet to one hope or heart to one despair?<span class="pagenum">[93]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">So have I seen a rose set round with thorn,<br /></span> +<span class="i2">Sung to and sung to by a bird of spring,<br /></span> +<span class="i0">And when, breast-pierced, the bird lay all forlorn,<br /></span> +<span class="i2">The rose bloomed on, fair and unnoticing.<span class="pagenum">[94]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item027" id="Item027"></a>THE HEART O' SPRING</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Whiten, oh whiten, O clouds of lawn!<br /></span> +<span class="i2">Lily-like clouds that whiten above,<br /></span> +<span class="i0">Now like a dove, and now like a swan,<br /></span> +<span class="i0">But never, oh never—pass on! pass on!<br /></span> +<span class="i2">Never so white as the throat of my love.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Blue-black night on the mountain peaks<br /></span> +<span class="i2">Is not so black as the locks o' my love!<br /></span> +<span class="i0">Stars that shine through the evening streaks<br /></span> +<span class="i0">Over the torrent that flashes and breaks,<br /></span> +<span class="i2">Are not so bright as the eyes o' my love!<span class="pagenum">[95]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Moon in a cloud, a cloud of snow,<br /></span> +<span class="i2">Mist in the vale where the rivulet sounds,<br /></span> +<span class="i0">Dropping from ledge to ledge below,<br /></span> +<span class="i0">Turning to gold in the sunset's glow,<br /></span> +<span class="i2">Are not so soft as her footstep sounds.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Sound o' May winds in the blossoming trees,<br /></span> +<span class="i2">Is not so sweet as her laugh that rings;<br /></span> +<span class="i0">Song o' wild birds on the morning breeze,<br /></span> +<span class="i0">Birds and brooks and murmur o' bees,<br /></span> +<span class="i2">Are harsh to her voice when she laughs or sings.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The rose of my heart is she, my dawn!<br /></span> +<span class="i2">My star o' the east, my moon above!<br /></span> +<span class="i0">My soul takes ship for the Avalon<br /></span> +<span class="i0">Of her heart of hearts, and shall sail on<br /></span> +<span class="i2">Till it anchors safe in its haven of love.<span class="pagenum">[96]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item028" id="Item028"></a>'A BROKEN RAINBOW ON THE SKIES OF MAY'</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">A broken rainbow on the skies of May,<br /></span> +<span class="i0">Touching the dripping roses and low clouds,<br /></span> +<span class="i0">And in wet clouds its scattered glories lost:—<br /></span> +<span class="i0">So in the sorrow of her soul the ghost<br /></span> +<span class="i0">Of one great love, of iridescent ray,<br /></span> +<span class="i0">Spanning the roses dim of memory,<br /></span> +<span class="i0">Against the tumult of life's rushing crowds—<br /></span> +<span class="i0">A broken rainbow on the skies of May.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A flashing humming-bird among the flowers,<br /></span> +<span class="i0">Deep-coloured blooms; its slender tongue and bill<br /></span> +<span class="i0">Sucking the syrups and the calyxed myrrhs,<br /></span> +<span class="i0">Till, being full of sweets, away it whirrs:<span class="pagenum">[97]</span>—<br /></span> +<span class="i0">Such was his love that won her heart's rich bowers<br /></span> +<span class="i0">To give to him their all, their honied showers,<br /></span> +<span class="i0">The bloom from which he drank his body's fill—<br /></span> +<span class="i0">A flashing humming-bird among the flowers.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A moon, moth-white, that through long mists of fleece<br /></span> +<span class="i0">Moves amber-girt into a bulk of black,<br /></span> +<span class="i0">And, lost to vision, rims the black with froth:—<br /></span> +<span class="i0">A love that swept its moon, like some great moth,<br /></span> +<span class="i0">Across the heaven of her soul's young peace;<br /></span> +<span class="i0">And, smoothly passing, in the clouds did cease<br /></span> +<span class="i0">Of time, through which its burning light comes back—<br /></span> +<span class="i0">A moon, moth-white, that moves through mists of fleece.<span class="pagenum">[98]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">A bolt of living thunder downward hurled,<br /></span> +<span class="i0">Momental blazing from the piled-up storm,<br /></span> +<span class="i0">That instants out the mountains and the ocean,<br /></span> +<span class="i0">The towering crag, then blots the sight's commotion:—<br /></span> +<span class="i0">Love, love that swiftly coming bared the world,<br /></span> +<span class="i0">The deeps of life, 'round which fate's clouds are curled,<br /></span> +<span class="i0">And, ceasing, left all night and black alarm—<br /></span> +<span class="i0">A bolt of living thunder downward hurled.<span class="pagenum">[99]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item029" id="Item029"></a>ORGIE</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">On nights like this, when bayou and lagoon<br /></span> +<span class="i2">Dream in the moonlight's mystic radiance,<br /></span> +<span class="i2">I seem to walk like one deep in a trance<br /></span> +<span class="i0">With old-world myths born of the mist and moon.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Lascivious eyes and mouths of sensual rose<br /></span> +<span class="i2">Smile into mine; and breasts of luring light,<br /></span> +<span class="i2">And tresses streaming golden to the night,<br /></span> +<span class="i0">Persuade me onward where the forest glows.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And then it seems along the haunted hills<br /></span> +<span class="i2">There falls a flutter as of beautiful feet,<br /></span> +<span class="i2">As if tempestuous troops of Mænads meet<br /></span> +<span class="i0">To drain deep bowls and shout and have their wills.<span class="pagenum">[100]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">And then I feel her limbs will be revealed<br /></span> +<span class="i2">Like some great snow-white moth among the trees;<br /></span> +<span class="i2">Her vampire beauty, waiting there to seize<br /></span> +<span class="i0">And dance me downward where my doom is sealed.<span class="pagenum">[101]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item030" id="Item030"></a>REVERIE</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">What ogive gates from gold of Ophir wrought,<br /></span> +<span class="i2">What walls of Parian, whiter than a rose,<br /></span> +<span class="i0">What towers of crystal, for the eyes of thought,<br /></span> +<span class="i2">Hast builded on far Islands of Repose?<br /></span> +<span class="i0">Thy cloudy columns, vast, Corinthian,<br /></span> +<span class="i2">Or huge, Ionic, colonnade the heights<br /></span> +<span class="i4">Of dreamland, looming o'er the soul's deep seas;<br /></span> +<span class="i0">Built melodies of marble, that no man<br /></span> +<span class="i2">Has ever reached, except in fancy's flights,<br /></span> +<span class="i4">Templing the presence of perpetual ease.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Oft, where o'er plastic frieze and plinths of spar,—<br /></span> +<span class="i2">In glimmering solitudes of pillared stone,<span class="pagenum">[102]</span>—<br /></span> +<span class="i0">The twilight blossoms with one violet star,<br /></span> +<span class="i2">With thee, O Reverie, I have stood alone,<br /></span> +<span class="i0">And there beheld, from out the Mythic Age,<br /></span> +<span class="i2">The rosy breasts of Cytherea—fair,<br /></span> +<span class="i3">Full-cestused, and suggestive of what loves<br /></span> +<span class="i0">Immortal—rise; and heard the lyric rage<br /></span> +<span class="i2">Of sun-burnt Poesy, whose throat breathes bare<br /></span> +<span class="i4">O'er leopard skins, fluting among his groves.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Oft, where thy castled peaks and templed vales<br /></span> +<span class="i2">Cloud—like convulsive sunsets—shores that dream,<br /></span> +<span class="i0">Myrrh-fragrant, over siren seas whose sails<br /></span> +<span class="i2">Gleam white as lilies on a lilied stream,<span class="pagenum">[103]</span><br /></span> +<span class="i0">My soul has dreamed. Or by thy sapphire sea,<br /></span> +<span class="i2">In thy arcaded gardens, in the shade<br /></span> +<span class="i3">Of breathing sculpture, oft has walked with thought,<br /></span> +<span class="i0">And bent, in shadowy attitude, its knee<br /></span> +<span class="i2">Before the shrine of Beauty that must fade<br /></span> +<span class="i4">And leave no memory of the mind that wrought.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Who hath beheld thy caverns where, in heaps,<br /></span> +<span class="i2">The wines of Lethe and Love's witchery,<br /></span> +<span class="i0">In sealéd Amphoræ a sibyl keeps,<br /></span> +<span class="i2">World-old, for ever guarded secretly?—<br /></span> +<span class="i0">No wine of Xeres or of Syracuse!<br /></span> +<span class="i2">No fine Falernian and no vile Sabine!—<br /></span> +<span class="i4">The stolen fire of a demigod,<br /></span> +<span class="i0">Whose bubbled purple goddess feet did bruise<br /></span> +<span class="i2">In crusted vats of vintage, where the green<br /></span> +<span class="i4">Flames with wild poppies, on the Samian sod.<span class="pagenum">[104]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Oh, for the deep enchantment of one draught!<br /></span> +<span class="i2">The reckless ecstasy of classic earth!—<br /></span> +<span class="i0">With godlike eyes to laugh as gods have laughed<br /></span> +<span class="i2">In eyes of mortal brown, a mighty mirth.<br /></span> +<span class="i0">Of deity delirious with desire!<br /></span> +<span class="i2">To breathe the dropping roses of the shrines,<br /></span> +<span class="i4">The splashing wine-libation and the blood,<br /></span> +<span class="i0">And all the young priest's dreaming! To inspire<br /></span> +<span class="i2">My eager soul with beauty, 'til it shines<br /></span> +<span class="i4">An utt'rance of life's loftier brotherhood!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">So would I slumber in the old-world shades,<br /></span> +<span class="i2">And Poesy should touch me, as some bold<br /></span> +<span class="i0">Wild bee a pulpy lily of the glades,<br /></span> +<span class="i2">Barbaric-covered with the kernelled gold;<span class="pagenum">[105]</span><br /></span> +<span class="i0">And feel the glory of the Golden Age<br /></span> +<span class="i2">Less godly than my purpose, strong to dare<br /></span> +<span class="i3">Death with the pure immortal lips of love:<br /></span> +<span class="i0">Less lovely than my soul's ideal rage<br /></span> +<span class="i2">To mate itself with Music and declare<br /></span> +<span class="i4">Itself part meaning of the stars above.<span class="pagenum">[106]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item031" id="Item031"></a>LETHE</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">There is a scent of roses and spilt wine<br /></span> +<span class="i2">Between the moonlight and the laurel coppice;<br /></span> +<span class="i0">The marble idol glimmers on its shrine,<br /></span> +<span class="i2">White as a star, among a heaven of poppies.<br /></span> +<span class="i0">Here all my life lies like a spilth of wine.<br /></span> +<span class="i0">There is a mouth of music like a lute,<br /></span> +<span class="i2">A nightingale that singeth to one flower;<br /></span> +<span class="i0">Between the falling flower and the fruit,<br /></span> +<span class="i2">Where love hath died, the music of an hour.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">To sit alone with memory and a rose;<br /></span> +<span class="i2">To dwell with shadows of whilom romances;<br /></span> +<span class="i0">To make one hour of a year of woes<br /></span> +<span class="i2">And walk on starlight, in ethereal trances,<span class="pagenum">[107]</span><br /></span> +<span class="i0">With love's lost face fair as a moon-white rose.<br /></span> +<span class="i0">To shape from music and the scent of buds<br /></span> +<span class="i2">Love's spirit and its presence of sweet fire,<br /></span> +<span class="i0">Between the heart's wild burning and the blood's,<br /></span> +<span class="i2">Is part of life and of the soul's desire.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">There is a song to silence and the stars,<br /></span> +<span class="i2">Between the forest and the temple's arches;<br /></span> +<span class="i0">And down the stream of night, like nenuphars,<br /></span> +<span class="i2">The tossing fires of the revellers' torches.—<br /></span> +<span class="i0">Here all my life waits lonely as the stars.—<br /></span> +<span class="i0">Shall not one hour of all those hours suffice<br /></span> +<span class="i2">For resignation God hath given as dower?<br /></span> +<span class="i0">Between the summons and the sacrifice<br /></span> +<span class="i2">One hour of love, th' eternity of an hour?<span class="pagenum">[108]</span><br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The shrine is shattered and the bird is gone;<br /></span> +<span class="i2">Dark is the house of music and of bridal;<br /></span> +<span class="i0">The stars are stricken and the storm comes on;<br /></span> +<span class="i2">Lost in a wreck of roses lies the idol,<br /></span> +<span class="i0">Sad as the memory of a joy that's gone.—<br /></span> +<span class="i0">To dream of perished gladness and a kiss,<br /></span> +<span class="i2">Waking the last chord of love's broken lyre,<br /></span> +<span class="i0">Between remembering and forgetting, this<br /></span> +<span class="i2">Is part of life and of the soul's desire.<span class="pagenum">[109]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item032" id="Item032"></a>DIONYSIA</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The day is dead; and in the west<br /></span> +<span class="i0">The slender crescent of the moon—<br /></span> +<span class="i0">Diana's crystal-kindled crest—<br /></span> +<span class="i0">Sinks hillward in a silvery swoon.<br /></span> +<span class="i0">What is the murmur in the dell?<br /></span> +<span class="i0">The stealthy whisper and the drip?<br /></span> +<span class="i0">A Dryad with her leaf-light trip?<br /></span> +<span class="i0">A Naiad o'er her fountain well?—<br /></span> +<span class="i0">Who with white fingers for her comb,<br /></span> +<span class="i0">Sleeks her blue hair, and from its curls<br /></span> +<span class="i0">Showers slim minnows and pale pearls,<br /></span> +<span class="i0">And hollow music of the foam.<br /></span> +<span class="i0">What is it in the vistaed ways +<span class="pagenum">[110]</span><br /></span> +<span class="i0">That leans and springs, and stoops and sways?—<br /></span> +<span class="i0">The naked limbs of one who flees?<br /></span> +<span class="i0">An Oread who hesitates<br /></span> +<span class="i0">Before the Satyr form that waits,<br /></span> +<span class="i0">Crouching to leap, that there she sees?<br /></span> +<span class="i0">Or under boughs, reclining cool,<br /></span> +<span class="i0">A Hamadryad, like a pool<br /></span> +<span class="i0">Of moonlight, palely beautiful?<br /></span> +<span class="i0">Or Limnad, with her lilied face,<br /></span> +<span class="i0">More lovely than the misty lace<br /></span> +<span class="i0">That haunts a star and gives it grace?<br /></span> +<span class="i0">Or is it some Leimoniad<br /></span> +<span class="i0">In wildwood flowers dimly clad?<br /></span> +<span class="i0">Oblong blossoms white as froth,<br /></span> +<span class="i0">Or mottled like the tiger-moth;<br /></span> +<span class="i0">Or brindled as the brows of death,<br /></span> +<span class="i0">Wild of hue and wild of breath:<br /></span> +<span class="i0">Here ethereal flame and milk<br /></span> +<span class="i0">Blent with velvet and with silk;<span class="pagenum">[111]</span><br /></span> +<span class="i0">Here an iridescent glow<br /></span> +<span class="i0">Mixed with satin and with snow:<br /></span> +<span class="i0">Pansy, poppy and the pale<br /></span> +<span class="i0">Serpolet and galingale;<br /></span> +<span class="i0">Mandrake and anemone,<br /></span> +<span class="i0">Honey-reservoirs o' the bee;<br /></span> +<span class="i0">Cistus and the cyclamen,—<br /></span> +<span class="i0">Cheeked like blushing Hebe this,<br /></span> +<span class="i0">And the other white as is<br /></span> +<span class="i0">Bubbled milk of Venus when<br /></span> +<span class="i0">Cupid's baby mouth is pressed,<br /></span> +<span class="i0">Rosy to her rosy breast.<br /></span> +<span class="i0">And, besides, all flowers that mate<br /></span> +<span class="i0">With aroma, and in hue<br /></span> +<span class="i0">Stars and rainbows duplicate<br /></span> +<span class="i0">Here on earth for me and you.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Yea! at last mine eyes can see!<br /></span> +<span class="i0">'Tis no shadow of the tree<span class="pagenum">[112]</span><br /></span> +<span class="i0">Swaying softly there, but she!—<br /></span> +<span class="i0">Mænad, Bassarid, Bacchant,<br /></span> +<span class="i0">What you will, who doth enchant<br /></span> +<span class="i0">Night with sensuous nudity.<br /></span> +<span class="i0">Lo! again I hear her pant<br /></span> +<span class="i0">Breasting through the dewy glooms—<br /></span> +<span class="i0">Through the glow-worm gleams and glowers<br /></span> +<span class="i0">Of the starlight;—wood-perfumes<br /></span> +<span class="i0">Swoon around her and frail showers<br /></span> +<span class="i0">Of the leaflet-tilted rain.<br /></span> +<span class="i0">Lo! like love, she comes again<br /></span> +<span class="i0">Through the pale voluptuous dusk,<br /></span> +<span class="i0">Sweet of limb with breasts of musk.<br /></span> +<span class="i0">With her lips, like blossoms, breathing<br /></span> +<span class="i0">Honeyed pungence of her kiss,<br /></span> +<span class="i0">And her auburn tresses wreathing<br /></span> +<span class="i0">Like umbrageous helichrys,<br /></span> +<span class="i0">There she stands, like fire and snow,<br /></span> +<span class="i0">In the moon's ambrosial glow,<span class="pagenum">[113]</span><br /></span> +<span class="i0">Both her shapely loins low-looped<br /></span> +<span class="i0">With the balmy blossoms, drooped,<br /></span> +<span class="i0">Of the deep amaracus.<br /></span> +<span class="i0">Spiritual, yet sensual,<br /></span> +<span class="i0">Lo, she ever greets me thus<br /></span> +<span class="i0">In my vision; white and tall,<br /></span> +<span class="i0">Her delicious body there,—<br /></span> +<span class="i0">Raimented with amorous air,—<br /></span> +<span class="i0">To my mind expresses all<br /></span> +<span class="i0">The allurements of the world.<br /></span> +<span class="i0">And once more I seem to feel<br /></span> +<span class="i0">On my soul, like frenzy, hurled<br /></span> +<span class="i0">All the passionate past.—I reel,<br /></span> +<span class="i0">Greek again in ancient Greece,<br /></span> +<span class="i0">In the Pyrrhic revelries;<br /></span> +<span class="i0">In the mad and Mænad dance;<br /></span> +<span class="i0">Onward dragged with violence;<br /></span> +<span class="i0">Pan and old Silenus and<br /></span> +<span class="i0">Faunus and a Bacchant band<span class="pagenum">[114]</span><br /></span> +<span class="i0">Round me. Wild my wine-stained hand<br /></span> +<span class="i0">O'er tumultuous hair is lifted;<br /></span> +<span class="i0">While the flushed and Phallic orgies<br /></span> +<span class="i0">Whirl around me; and the marges<br /></span> +<span class="i0">Of the wood are torn and rifted<br /></span> +<span class="i0">With lascivious laugh and shout.<br /></span> +<span class="i0">And barbarian there again,—<br /></span> +<span class="i0">Shameless with the shameless rout,<br /></span> +<span class="i0">Bacchus lusting in each vein,—<br /></span> +<span class="i0">With her pagan lips on mine,<br /></span> +<span class="i0">Like a god made drunk with wine,<br /></span> +<span class="i0">On I reel; and in the revels<br /></span> +<span class="i0">Her loose hair, the dance dishevels,<br /></span> +<span class="i0">Blows, and 'thwart my vision swims<br /></span> +<span class="i0">All the splendour of her limbs....<br /></span> +</div> + +<div class="stanza"> +<span class="i0">So it seems. Yet woods are lonely.<br /></span> +<span class="i0">And when I again awake,<br /></span> +<span class="i0">I shall find their faces only<span class="pagenum">[115]</span><br /></span> +<span class="i0">Moonbeams in the boughs that shake;<br /></span> +<span class="i0">And their revels, but the rush<br /></span> +<span class="i0">Of night-winds through bough and brush.<br /></span> +<span class="i0">Yet my dreaming—is it more<br /></span> +<span class="i0">Than mere dreaming? Is a door<br /></span> +<span class="i0">Opened in my soul? a curtain<br /></span> +<span class="i0">Raised? to let me see for certain<br /></span> +<span class="i0">I have lived that life before?<span class="pagenum">[116]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item033" id="Item033"></a>THE NAIAD</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">She sits among the iris stalks<br /></span> +<span class="i2">Of babbling brooks; and leans for hours<br /></span> +<span class="i2">Among the river's lily flowers,<br /></span> +<span class="i0">Or on their whiteness walks:<br /></span> +<span class="i2">Above dark forest pools, gray rocks<br /></span> +<span class="i2">Wall in, she leans with dripping locks,<br /></span> +<span class="i0">And listening to the echo, talks<br /></span> +<span class="i2">With her own face—Iothera.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">There is no forest of the hills,<br /></span> +<span class="i2">No valley of the solitude,<br /></span> +<span class="i2">Nor fern nor moss, that may elude<br /></span> +<span class="i0">Her searching step that stills:<span class="pagenum">[117]</span><br /></span> +<span class="i2">She dreams among the wild-rose brakes<br /></span> +<span class="i2">Of fountains that the ripple shakes,<br /></span> +<span class="i0">And, dreaming of herself, she fills<br /></span> +<span class="i2">The silence with 'Iothera.'<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And every wind that haunts the ways<br /></span> +<span class="i2">Of leaf and bough, once having kissed<br /></span> +<span class="i2">Her virgin nudity, goes whist<br /></span> +<span class="i0">With wonder and amaze.<br /></span> +<span class="i2">There blows no breeze which hath not learned<br /></span> +<span class="i2">Her name's sweet melody, and yearned<br /></span> +<span class="i0">To kiss her mouth that laughs and says,<br /></span> +<span class="i2">'Iothera, Iothera.'<br /></span> +</div> + +<div class="stanza"> +<span class="i0">No wild thing of the wood, no bird,<br /></span> +<span class="i2">Or brown or blue, or gold or gray,<br /></span> +<span class="i2">Beneath the sun's or moonlight's ray,<br /></span> +<span class="i0">That hath not loved and heard;<span class="pagenum">[118]</span><br /></span> +<span class="i2">They are her pupils; she can say<br /></span> +<span class="i2">No new thing but, within a day,<br /></span> +<span class="i0">They have its music, word for word,<br /></span> +<span class="i2">Harmonious as Iothera.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">No man who lives and is not wise<br /></span> +<span class="i2">With love for common flowers and trees,<br /></span> +<span class="i2">Bee, bird, and beast, and brook, and breeze,<br /></span> +<span class="i0">And rocks and hills and skies,—<br /></span> +<span class="i2">Search where he will,—shall ever see<br /></span> +<span class="i2">One flutter of her drapery,<br /></span> +<span class="i0">One glimpse of limbs, or hair, or eyes<br /></span> +<span class="i2">Of beautiful Iothera.<span class="pagenum">[119]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item034" id="Item034"></a>THE LIMNAD</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The lake she haunts gleams dreamily<br /></span> +<span class="i0">'Twixt sleepy boughs of melody,<br /></span> +<span class="i0">Set 'mid the hills beside the sea,<br /></span> +<span class="i2">In tangled bush and brier;<br /></span> +<span class="i0">Where the ghostly sunsets write<br /></span> +<span class="i0">Wondrous things in golden light;<br /></span> +<span class="i0">And above the pine-crowned height,<br /></span> +<span class="i0">Clouds of twilight, rosy white,<br /></span> +<span class="i2">Build their towers of fire.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">'Mid the rushes there that swing,<br /></span> +<span class="i0">Flowering flags where voices sing<span class="pagenum">[120]</span><br /></span> +<span class="i0">When low winds are murmuring,<br /></span> +<span class="i2">Murmuring to stars that glitter;<br /></span> +<span class="i0">Blossom-white, with purple locks,<br /></span> +<span class="i0">Underneath the stars' still flocks,<br /></span> +<span class="i0">In the dusky waves she rocks,<br /></span> +<span class="i0">Rocks, and all the landscape mocks<br /></span> +<span class="i2">With a song most sweet and bitter.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Soft it sounds, at first, as dreams<br /></span> +<span class="i0">Filled with tears that fall in streams;<br /></span> +<span class="i0">Then it soars, until it seems<br /></span> +<span class="i2">Beauty's very self hath spoken;<br /></span> +<span class="i0">And the woods grow silent quite,<br /></span> +<span class="i0">Stars wax faint and flowers turn white;<br /></span> +<span class="i0">And the nightingales that light<br /></span> +<span class="i0">Near, or hear her through the night,<br /></span> +<span class="i2">Die, their hearts with longing broken.<span class="pagenum">[121]</span><br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Dark, dim and sad o'er mournful lands,<br /></span> +<span class="i0">White-throated stars heaped in her hands,<br /></span> +<span class="i0">Like wildwood buds, the Twilight stands,<br /></span> +<span class="i2">The Twilight dreaming lingers;<br /></span> +<span class="i0">Listening where the Limnad sings<br /></span> +<span class="i0">Witcheries, whose beauty brings<br /></span> +<span class="i0">A great moon from hidden springs,<br /></span> +<span class="i0">Pale with amorous quiverings<br /></span> +<span class="i2">Feet of fire and silvery fingers.<br /></span> +</div> +</div> + +<p class="h3l">V</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">In the vales Auloniads,<br /></span> +<span class="i0">On the mountains Oreads,<br /></span> +<span class="i0">On the leas Leimoniads,<br /></span> +<span class="i2">Naked as the stars that glisten,<br /></span> +<span class="i0">Pan, the Satyrs, Dryades,<br /></span> +<span class="i0">Fountain-lovely Naiades,<span class="pagenum">[122]</span><br /></span> +<span class="i0">Foam-lipped Oceanides,<br /></span> +<span class="i0">Breathless 'mid their seas and trees,<br /></span> +<span class="i2">Stay and stop and lean and listen.<br /></span> +</div> +</div> + +<p class="h3l">VI</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Large-eyed, Siren-like she stands,<br /></span> +<span class="i0">In the lake or on its sands,<br /></span> +<span class="i0">And with rapture from the hands<br /></span> +<span class="i2">Of the Night some stars are shaken;<br /></span> +<span class="i0">To her song the rushes swing,<br /></span> +<span class="i0">Lilies nod and ripples ring,<br /></span> +<span class="i0">Lost in helpless listening—<br /></span> +<span class="i0">These will wake that hear her sing,<br /></span> +<span class="i2">But one mortal will not waken.<span class="pagenum">[123]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item035" id="Item035"></a>INTIMATIONS</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Is it uneasy moonlight<br /></span> +<span class="i0">On the restless field, that stirs?<br /></span> +<span class="i0">Or wild white meadow-blossoms<br /></span> +<span class="i0">The night-wind bends and blurs?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Is it the dolorous water,<br /></span> +<span class="i0">That sobs in the woods and sighs?<br /></span> +<span class="i0">Or heart of an ancient oak-tree,<br /></span> +<span class="i0">That breaks and, sighing, dies?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The wind is vague with the shadows<br /></span> +<span class="i0">That wander in No-Man's Land;<br /></span> +<span class="i0">The water is dark with the voices<br /></span> +<span class="i0">That weep on the Unknown strand.<span class="pagenum">[124]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">O ghosts of the winds that call me!<br /></span> +<span class="i0">O ghosts of the whispering waves!<br /></span> +<span class="i0">As sad as forgotten flowers<br /></span> +<span class="i0">That die upon nameless graves!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">What is this thing you tell me<br /></span> +<span class="i0">In tongues of a twilight race,<br /></span> +<span class="i0">Of death, with the vanished features,<br /></span> +<span class="i0">Mantled, of my own face?<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The old enigmas of the deathless dawns<br /></span> +<span class="i0">And riddles of the all immortal eves,—<br /></span> +<span class="i0">That still o'er Delphic lawns<br /></span> +<span class="i0">Speak as the gods spoke through oracular leaves—<br /></span> +<span class="i0">I read with new-born eyes,<br /></span> +<span class="i0">Remembering how, a slave;<br /></span> +<span class="i0">They buried me, a living sacrifice,<br /></span> +<span class="i0">Once in a dead king's grave.<span class="pagenum">[125]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Or crowned with hyacinth and helichrys,<br /></span> +<span class="i0">How, towards the altar in the marble gloom,—<br /></span> +<span class="i0">Hearing the magadis<br /></span> +<span class="i0">Dirge through the pale amaracine perfume,—<br /></span> +<span class="i0">'Mid chanting priests I trod,<br /></span> +<span class="i0">With never a sigh or pause,<br /></span> +<span class="i0">To give my life to pacify a god,<br /></span> +<span class="i0">And save my country's cause.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Again: Cyrenian roses on wild hair,<br /></span> +<span class="i0">And oil and purple smeared on breasts and cheeks,<br /></span> +<span class="i0">How, with mad torches there,—<br /></span> +<span class="i0">Reddening the cedars of Cithæron's peaks,<span class="pagenum">[126]</span>—<br /></span> +<span class="i0">With gesture and fierce glance,<br /></span> +<span class="i0">Lascivious Mænad bands<br /></span> +<span class="i0">Once drew and slew me in the Pyrrhic dance,<br /></span> +<span class="i0">With Bacchanalian hands.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">In eons of the senses,<br /></span> +<span class="i0">My spirit knew of yore,<br /></span> +<span class="i0">I found the Isle of Circe<br /></span> +<span class="i0">And felt her magic lore;<br /></span> +<span class="i0">And still the soul remembers<br /></span> +<span class="i0">What I was once before.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">She gave me flowers to smell of<br /></span> +<span class="i0">That wizard branches bore,<br /></span> +<span class="i0">Of weird and sorcerous beauty,<br /></span> +<span class="i0">Whose stems dripped human gore<span class="pagenum">[127]</span>—<br /></span> +<span class="i0">Their scent when I remember<br /></span> +<span class="i0">I know that world once more.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">She gave me fruits to eat of<br /></span> +<span class="i0">That grew upon the shore,<br /></span> +<span class="i0">Of necromantic ripeness,<br /></span> +<span class="i0">With human flesh at core—<br /></span> +<span class="i0">Their taste when I remember<br /></span> +<span class="i0">I know that life once more.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And then, behold! a serpent,<br /></span> +<span class="i0">That glides my face before,<br /></span> +<span class="i0">With eyes of tears and fire<br /></span> +<span class="i0">That glare me o'er and o'er—<br /></span> +<span class="i0">I look into its eyeballs,<br /></span> +<span class="i0">And know myself once more.<span class="pagenum">[128]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item036" id="Item036"></a>BEFORE THE TEMPLE</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i2">All desolate she sate her down<br /></span> +<span class="i0">Upon the marble of the temple's stair.<br /></span> +<span class="i0">You would have thought her, with her eyes of brown,<br /></span> +<span class="i2">Flushed cheeks and hazel hair,<br /></span> +<span class="i4">A dryad dreaming there.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i2">A priest of Bacchus passed, nor stopped<br /></span> +<span class="i0">To chide her; deeming her—whose chiton hid<br /></span> +<span class="i0">But half her bosom, and whose girdle dropped—<br /></span> +<span class="i2">Some grief-drowned Bassarid,<br /></span> +<span class="i4">The god of wine had chid.<span class="pagenum">[129]</span><br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i2">With wreaths of woodland cyclamen<br /></span> +<span class="i0">For Dian's shrine, a shepherdess drew near,<br /></span> +<span class="i0">All her young thoughts on vestal beauty, when—<br /></span> +<span class="i2">She dare not look for fear—<br /></span> +<span class="i4">Behold the goddess here!<br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i2">Fierce lights on shields of bossy brass<br /></span> +<span class="i0">And helms of gold, next from the hills deploy<br /></span> +<span class="i0">Tall youths of Argos. And she sees <i>him</i> pass,<br /></span> +<span class="i2">Flushed with heroic joy,<br /></span> +<span class="i4">On towards the siege of Troy.<span class="pagenum">[130]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item037" id="Item037"></a>ANTHEM OF DAWN</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Then up the orient heights to the zenith that balanced the crescent,—<br /></span> +<span class="i0">Up and far up and over,—the heaven grew erubescent,<br /></span> +<span class="i0">Vibrant with rose and with ruby from hands of the harpist Dawn,<br /></span> +<span class="i0">Smiting symphonic fire on the firmament's barbition;<br /></span> +<span class="i0">And the East was a priest who adored with offerings of gold and of gems,<br /></span> +<span class="i0">And a wonderful carpet unrolled for the inaccessible hems<span class="pagenum">[131]</span><br /></span> +<span class="i0">Of the glittering robes of her limbs; that, lily and amethyst,<br /></span> +<span class="i0">Swept glorying on and on through temples of cloud and mist.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Then out of the splendour and richness, that burned like a magic stone,<br /></span> +<span class="i0">The torrent suffusion that deepened and dazzled and broadened and shone,<br /></span> +<span class="i0">The pomp and the pageant of colour, triumphal procession of glare,<br /></span> +<span class="i0">The sun, like a king in armour, breathing splendour from feet to hair,<br /></span> +<span class="i0">Stood forth with majesty girdled, as a hero who towers afar<br /></span> +<span class="i0">Where the bannered gates are bristling hells and the walls are roaring<br /></span> +<span class="i6">war:<span class="pagenum">[132]</span><br /></span> +<span class="i0">And broad on the back of the world, like a Cherubin's fiery blade,<br /></span> +<span class="i0">The effulgent gaze of his aspect fell in glittering accolade.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Then billowing blue, like an ocean, rolled from the shores of dawn to<br /></span> +<span class="i6">even:<br /></span> +<span class="i0">And the stars, like rafts, went down: and the moon, like a ghost-ship<br /></span> +<span class="i6">driven,<br /></span> +<span class="i0">A feather of foam, from port to port of the cloud-built isles that<br /></span> +<span class="i6">dotted,<br /></span> +<span class="i0">With pearl and cameo, bays of the day, her canvas webbed and rooted,<br /></span> +<span class="i0">Lay lost in the gulf of heaven: while over her mixed and melted<br /></span> +<span class="i0">The beautiful children of Morn, whose bodies are opal-belted;<span class="pagenum">[133]</span><br /></span> +<span class="i0">The beautiful daughters of Dawn, who, over and under and after<br /></span> +<span class="i0">The rivered radiance wrestled; and rainbowed heaven with laughter<br /></span> +<span class="i0">Of halcyon sapphire.—O Dawn! thou visible mirth,<br /></span> +<span class="i0">Thou hallelujah of heaven! hosanna of Earth!<span class="pagenum">[134]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item038" id="Item038"></a>AT THE LANE'S END</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">No more to strip the roses from<br /></span> +<span class="i2">The rose-boughs of her porch's place!—<br /></span> +<span class="i0">I dreamed last night that I was home<br /></span> +<span class="i2">Beside a rose—her face.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">I must have smiled in sleep—who knows?—<br /></span> +<span class="i2">The rose aroma filled the lane;<br /></span> +<span class="i0">I saw her white hand's lifted rose<br /></span> +<span class="i2">That called me home again.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And yet when I awoke—so wan,<br /></span> +<span class="i2">An old face wet with icy tears!—<br /></span> +<span class="i0">Somehow, it seems, sleep had misdrawn<br /></span> +<span class="i2">A love gone thirty years.<span class="pagenum">[135]</span><br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The clouds roll up and the clouds roll down<br /></span> +<span class="i0">Over the roofs of the little town;<br /></span> +<span class="i0">Out in the hills where the pike winds by<br /></span> +<span class="i0">Fields of clover and bottoms of rye,<br /></span> +<span class="i0">You will hear no sound but the barking cough<br /></span> +<span class="i0">Of the striped chipmunk where the lane leads off;<br /></span> +<span class="i0">You will hear no bird but the sapsuckers<br /></span> +<span class="i0">Far off in the forest,—that seems to purr,<br /></span> +<span class="i0">As the warm wind fondles its top, grown hot,<br /></span> +<span class="i0">Like the docile back of an ocelot:<br /></span> +<span class="i0">You will see no thing but the shine and shade<br /></span> +<span class="i0">Of briers that climb and of weeds that wade<br /></span> +<span class="i0">The glittering creeks of the light, that fills<br /></span> +<span class="i0">The dusty road and the red-keel hills—<br /></span> +<span class="i0">And all day long in the pennyroy'l<br /></span> +<span class="i0">The grasshoppers at their anvils toil;<span class="pagenum">[136]</span><br /></span> +<span class="i0">Thick click of their tireless hammers thrum,<br /></span> +<span class="i0">And the wheezy belts of their bellows hum;<br /></span> +<span class="i0">Tinkers who solder the silence and heat<br /></span> +<span class="i0">To make the loneliness more complete.<br /></span> +<span class="i0">Around old rails where the blackberries<br /></span> +<span class="i0">Are reddening ripe, and the bumble-bees<br /></span> +<span class="i0">Are a drowsy rustle of Summer's skirts,<br /></span> +<span class="i0">And the bob-white's wing is the fan she flirts.<br /></span> +<span class="i0">Under the hill, through the iron weeds,<br /></span> +<span class="i0">And ox-eyed daisies and milkweeds, leads<br /></span> +<span class="i0">The path forgotten of all but one.<br /></span> +<span class="i0">Where elder bushes are sick with sun,<br /></span> +<span class="i0">And wild raspberries branch big blue veins<br /></span> +<span class="i0">O'er the face of the rock, where the old spring rains<br /></span> +<span class="i0">Its sparkling splinters of molten spar<br /></span> +<span class="i0">On the gravel bed where the tadpoles are,—<br /></span> +<span class="i0">You will find the pales of the fallen fence,<br /></span> +<span class="i0">And the tangled orchard and vineyard, dense<span class="pagenum">[137]</span><br /></span> +<span class="i0">With the weedy neglect of thirty years.<br /></span> +<span class="i0">The garden there,—where the soft sky clears<br /></span> +<span class="i0">Like an old sweet face that has dried its tears;—<br /></span> +<span class="i0">The garden plot where the cabbage grew<br /></span> +<span class="i0">And the pompous pumpkin; and beans that blew<br /></span> +<span class="i0">Balloons of white by the melon patch;<br /></span> +<span class="i0">Maize; and tomatoes that seemed to catch<br /></span> +<span class="i0">Oblong amber and agate balls<br /></span> +<span class="i0">Thrown from the sun in the frosty falls:<br /></span> +<span class="i0">Long rows of currants and gooseberries,<br /></span> +<span class="i0">And the balsam-gourd with its honey-bees.<br /></span> +<span class="i0">And here was a nook for the princess-plumes,<br /></span> +<span class="i0">The snap-dragons and the poppy-blooms,<br /></span> +<span class="i0">Mother's sweet-williams and pansy flowers,<br /></span> +<span class="i0">And the morning-glories' bewildered bowers,<br /></span> +<span class="i0">Tipping their cornucopias up<br /></span> +<span class="i0">For the humming-birds that came to sup.<span class="pagenum">[138]</span><br /></span> +<span class="i0">And over it all was the Sabbath peace<br /></span> +<span class="i0">Of the land whose lap was the love of these;<br /></span> +<span class="i0">And the old log-house where my innocence died,<br /></span> +<span class="i0">With my boyhood buried side by side.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Shall a man with a face as withered and gray<br /></span> +<span class="i0">As the wasp-nest stowed in a loft away,—<br /></span> +<span class="i0">Where the hornets haunt and the mortar drops<br /></span> +<span class="i0">From the loosened logs of the clap-board tops;—<br /></span> +<span class="i0">Whom vice has aged as the rotting rooms<br /></span> +<span class="i0">The rain where memories haunt the glooms;<br /></span> +<span class="i0">A hitch in his joints like the rheum that gnars<br /></span> +<span class="i0">In the rasping hinge of the door that jars;<br /></span> +<span class="i0">A harsh, cracked throat like the old stone flue<br /></span> +<span class="i0">Where the swallows build the summer through;<br /></span> +<span class="i0">Shall a man, I say, with the spider sins<br /></span> +<span class="i0">That the long years spin in the outs and ins<span class="pagenum">[139]</span><br /></span> +<span class="i0">Of his soul, returning to see once more<br /></span> +<span class="i0">His boyhood's home, where his life was poor<br /></span> +<span class="i0">With toil and tears and their fretfulness,<br /></span> +<span class="i0">But rich with health and the hopes that bless<br /></span> +<span class="i0">The unsoiled wealth of a vigorous youth;<br /></span> +<span class="i0">Shall he not take comfort and know the truth<br /></span> +<span class="i0">In its threadbare raiment of falsehood?—Yea!<br /></span> +<span class="i0">In his crumbled past he shall kneel and pray,<br /></span> +<span class="i0">Like a pilgrim come to the shrine again<br /></span> +<span class="i0">Of the homely saints that shall soothe his pain,<br /></span> +<span class="i0">And arise and depart made clean from stain!<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Years of care can not erase<br /></span> +<span class="i2">Visions of the hills and trees<br /></span> +<span class="i0">Closing in the dam and race;<br /></span> +<span class="i2">Not the mile-long memories<br /></span> +<span class="i0">Of the mill-stream's lovely place.<span class="pagenum">[140]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">How the sunsets used to stain<br /></span> +<span class="i2">Mirror of the water lying<br /></span> +<span class="i0">Under eaves made dark with rain!<br /></span> +<span class="i2">Where the red-bird, westward flying,<br /></span> +<span class="i0">Lit to try one song again.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Dingles, hills, and woods, and springs,<br /></span> +<span class="i2">Where we came in calm and storm,<br /></span> +<span class="i0">Swinging in the grape-vine swings,<br /></span> +<span class="i2">Wading where the rocks were warm,<br /></span> +<span class="i0">With our fishing-nets and strings.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Here the road plunged down the hill,<br /></span> +<span class="i2">Under ash and chinquapin,—<br /></span> +<span class="i0">Where the grasshoppers would drill<br /></span> +<span class="i2">Ears of silence with their din,—<br /></span> +<span class="i0">To the willow-girdled mill.<span class="pagenum">[141]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">There the path beyond the ford<br /></span> +<span class="i2">Takes the woodside, just below<br /></span> +<span class="i0">Shallows that the lilies sword,<br /></span> +<span class="i2">Where the scarlet blossoms blow<br /></span> +<span class="i0">Of the trumpet-vine and gourd.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Summer winds, that sink with heat,<br /></span> +<span class="i2">On the pelted waters winnow<br /></span> +<span class="i0">Moony petals that repeat<br /></span> +<span class="i2">Crescents, where the startled minnow<br /></span> +<span class="i0">Beats a glittering retreat.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Summer winds that bear the scent<br /></span> +<span class="i2">Of the iron-weed and mint,<br /></span> +<span class="i0">Weary with sweet freight and spent,<br /></span> +<span class="i2">On the deeper pools imprint<br /></span> +<span class="i0">Stumbling steps in many a dent.<span class="pagenum">[142]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Summer winds, that split the husk<br /></span> +<span class="i2">Of the peach and nectarine,<br /></span> +<span class="i0">Trail along the amber dusk<br /></span> +<span class="i2">Hazy skirts of gray and green,<br /></span> +<span class="i0">Spilling balms of dew and musk.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Where with balls of bursting juice<br /></span> +<span class="i2">Summer sees the red wild-plum<br /></span> +<span class="i0">Strew the gravel; ripened loose,<br /></span> +<span class="i2">Autumn hears the pawpaw drum<br /></span> +<span class="i0">Plumpness on the rocks that bruise:<br /></span> +</div> + +<div class="stanza"> +<span class="i0">There we found the water-beech,<br /></span> +<span class="i2">One forgotten August noon,<br /></span> +<span class="i0">With a hornet-nest in reach,—<br /></span> +<span class="i2">Like a fairyland balloon,<br /></span> +<span class="i0">Full of bustling fairy speech.<span class="pagenum">[143]</span>—<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Some invasion sure it was;<br /></span> +<span class="i2">For we heard the captains scold;<br /></span> +<span class="i0">Waspish cavalry a-buzz,—<br /></span> +<span class="i2">Troopers uniformed in gold,<br /></span> +<span class="i0">Sable-slashed,—to charge on us.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Could I find the sedgy angle,<br /></span> +<span class="i2">Where the dragon-flies would turn<br /></span> +<span class="i0">Slender flittings into spangle<br /></span> +<span class="i2">On the sunlight? or would burn—<br /></span> +<span class="i0">Where the berries made a tangle—<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Sparkling green and brassy blue;<br /></span> +<span class="i2">Rendezvousing, by the stream,<br /></span> +<span class="i0">Bands of elf-banditti, who,<br /></span> +<span class="i2">Brigands of the bloom and beam,<br /></span> +<span class="i0">Drunken were with honey-dew.<span class="pagenum">[144]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Could I find the pond that lay<br /></span> +<span class="i2">Where vermilion blossoms showered<br /></span> +<span class="i0">Fragrance down the daisied way?<br /></span> +<span class="i2">That the sassafras embowered<br /></span> +<span class="i0">With the spice of early May?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Could I find it—did I seek—<br /></span> +<span class="i2">The old mill? Its weather-beaten<br /></span> +<span class="i0">Wheel and gable by the creek?<br /></span> +<span class="i2">With its warping roof; worm-eaten,<br /></span> +<span class="i0">Dusty rafters worn and weak.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Where old shadows haunt old places,<br /></span> +<span class="i2">Loft and hopper, stair and bin;<br /></span> +<span class="i0">Ghostly with the dust that laces<br /></span> +<span class="i2">Webs that usher phantoms in,<br /></span> +<span class="i0">Wistful with remembered faces.<span class="pagenum">[145]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">While the frogs' grave litanies<br /></span> +<span class="i2">Drowse in far-off antiphone,<br /></span> +<span class="i0">Supplicating, till the eyes<br /></span> +<span class="i2">Of dead friendships, long alone<br /></span> +<span class="i0">In the dusky corners,—rise.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Moonrays or the splintered slip<br /></span> +<span class="i2">Of a star? within the darkling<br /></span> +<span class="i0">Twilight, where the fire-flies dip—<br /></span> +<span class="i2">As if Night a myriad sparkling<br /></span> +<span class="i0">Jewels from her hands let slip:<br /></span> +</div> + +<div class="stanza"> +<span class="i0">While again some farm-boy crosses,—<br /></span> +<span class="i2">With a corn-sack for the meal,—<br /></span> +<span class="i0">O'er the creek, through ferns and mosses<br /></span> +<span class="i2">Sprinkled by the old mill-wheel,<br /></span> +<span class="i0">Where the water drips and tosses.<span class="pagenum">[146]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item039" id="Item039"></a>THE FARMSTEAD</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Yes, I love the homestead. There<br /></span> +<span class="i2">In the spring the lilacs blew<br /></span> +<span class="i0">Plenteous perfume everywhere;<br /></span> +<span class="i2">There in summer gladioles grew<br /></span> +<span class="i0">Parallels of scarlet glare.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And the moon-hued primrose cool,<br /></span> +<span class="i2">Satin-soft and redolent;<br /></span> +<span class="i0">Honeysuckles beautiful,<br /></span> +<span class="i2">Filling all the air with scent;<br /></span> +<span class="i0">Roses red or white as wool.<span class="pagenum">[147]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Roses, glorious and lush,<br /></span> +<span class="i2">Rich in tender-tinted dyes,<br /></span> +<span class="i0">Like the gay tempestuous rush<br /></span> +<span class="i2">Of unnumbered butterflies,<br /></span> +<span class="i0">Clustering o'er each bending bush.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Here japonica and box,<br /></span> +<span class="i2">And the wayward violets;<br /></span> +<span class="i0">Clumps of star-enamelled phlox,<br /></span> +<span class="i2">And the myriad flowery jets<br /></span> +<span class="i0">Of the twilight four-o'-clocks.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Ah, the beauty of the place!<br /></span> +<span class="i2">When the June made one great rose,<br /></span> +<span class="i0">Full of musk and mellow grace,<br /></span> +<span class="i2">In the garden's humming close,<br /></span> +<span class="i0">Of her comely mother face!<span class="pagenum">[148]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Bubble-like, the hollyhocks<br /></span> +<span class="i2">Budded, burst, and flaunted wide<br /></span> +<span class="i0">Gypsy beauty from their stocks;<br /></span> +<span class="i2">Morning glories, bubble-dyed,<br /></span> +<span class="i0">Swung in honey-hearted flocks.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Tawny tiger-lilies flung<br /></span> +<span class="i2">Doublets slashed with crimson on;<br /></span> +<span class="i0">Graceful slave-girls, fair and young,<br /></span> +<span class="i2">Like Circassians, in the sun<br /></span> +<span class="i0">Alabaster lilies swung.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Ah, the droning of the bee;<br /></span> +<span class="i2">In his dusty pantaloons<br /></span> +<span class="i0">Tumbling in the fleurs-de-lis;<br /></span> +<span class="i2">In the drowsy afternoons<br /></span> +<span class="i0">Dreaming in the pink sweet-pea.<span class="pagenum">[149]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Ah, the moaning wildwood-dove!<br /></span> +<span class="i2">With its throat of amethyst<br /></span> +<span class="i0">Rippled like a shining cove<br /></span> +<span class="i2">Which a wind to pearl hath kissed,<br /></span> +<span class="i0">Moaning, moaning of its love.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And the insects' gossip thin—<br /></span> +<span class="i2">From the summer hotness hid—<br /></span> +<span class="i0">In lone, leafy deeps of green;<br /></span> +<span class="i2">Then at eve the katydid<br /></span> +<span class="i0">With its hard, unvaried din.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Often from the whispering hills,<br /></span> +<span class="i2">Borne from out the golden dusk,—<br /></span> +<span class="i0">Gold with gold of daffodils,—<br /></span> +<span class="i2">Thrilled into the garden's musk<br /></span> +<span class="i0">The wild wail of whippoorwills.<span class="pagenum">[150]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">From the purple-tangled trees,<br /></span> +<span class="i2">Like the white, full heart of night,<br /></span> +<span class="i0">Solemn with majestic peace,<br /></span> +<span class="i2">Swam the big moon, veined with light;<br /></span> +<span class="i0">Like some gorgeous golden-fleece.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">She was there with me.—And who,<br /></span> +<span class="i2">In the magic of the hour,<br /></span> +<span class="i0">Had not sworn that they could view,<br /></span> +<span class="i2">Beading on each blade and flower<br /></span> +<span class="i0">Moony blisters of the dew?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And each fairy of our home,—<br /></span> +<span class="i2">Firefly,—its taper lit<br /></span> +<span class="i0">In the honey-scented gloam,<br /></span> +<span class="i2">Dashing down the dusk with it<br /></span> +<span class="i0">Like an instant-flaming foam.<span class="pagenum">[151]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">And we heard the calling, calling,<br /></span> +<span class="i2">Of the screech-owl in the brake;<br /></span> +<span class="i0">Where the trumpet-vine hung, crawling<br /></span> +<span class="i2">Down the ledge, into the lake<br /></span> +<span class="i0">Heard the sighing streamlet falling.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Then we wandered to the creek<br /></span> +<span class="i2">Where the water-lilies, growing<br /></span> +<span class="i0">Thick as stars, lay white and weak;<br /></span> +<span class="i2">Or against the brooklet's flowing<br /></span> +<span class="i0">Bent and bathed a bashful cheek.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And the moonlight, rippling golden,<br /></span> +<span class="i2">Fell in virgin aureoles<br /></span> +<span class="i0">On their bosoms, half unfolden,<br /></span> +<span class="i2">Where, it seemed, the fairies' souls<br /></span> +<span class="i0">Dwelt as perfume,—unbeholden;<span class="pagenum">[152]</span>—<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Or lay sleeping, pearly-tented,<br /></span> +<span class="i2">Baby-cribbed within each bud,<br /></span> +<span class="i0">While the night-wind, piney-scented,<br /></span> +<span class="i2">Swooning over field and flood,<br /></span> +<span class="i0">Rocked them on the waters dented.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Then the low, melodious bell<br /></span> +<span class="i2">Of a sleeping heifer tinkled,<br /></span> +<span class="i0">In some berry-briered dell,<br /></span> +<span class="i2">As her satin dewlap wrinkled<br /></span> +<span class="i0">With the cud that made it swell.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And, returning home, we heard,<br /></span> +<span class="i2">In a beech-tree at the gate,<br /></span> +<span class="i0">Some brown, dream-behaunted bird,<br /></span> +<span class="i2">Singing of its absent mate,<br /></span> +<span class="i0">Of the mate that never heard.<span class="pagenum">[153]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">And, you see, now I am gray,<br /></span> +<span class="i2">Why within the old, old place,<br /></span> +<span class="i0">With such memories, I stay;<br /></span> +<span class="i2">Fancy out her absent face<br /></span> +<span class="i0">Long since passed away.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">She was mine—yes! still is mine:<br /></span> +<span class="i2">And my frosty memory<br /></span> +<span class="i0">Reels about her, as with wine<br /></span> +<span class="i2">Warmed into young eyes that see<br /></span> +<span class="i0">All of her that was divine.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Yes, I loved her, and have grown<br /></span> +<span class="i2">Melancholy in that love,<br /></span> +<span class="i0">And the memory alone<br /></span> +<span class="i2">Of perfection such whereof<br /></span> +<span class="i0">She could sanctify each stone.<span class="pagenum">[154]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">And where'er the poppies swing—<br /></span> +<span class="i2">There we walk,—as if a bee<br /></span> +<span class="i0">Bent them with its airy wing,—<br /></span> +<span class="i2">Down her garden shadowy<br /></span> +<span class="i0">In the hush the evenings bring.<span class="pagenum">[155]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item040" id="Item040"></a>A FLOWER OF THE FIELDS</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Bee-bitten in the orchard hung<br /></span> +<span class="i0">The peach; or, fallen in the weeds,<br /></span> +<span class="i0">Lay rotting, where still sucked and sung<br /></span> +<span class="i0">The gray bee, boring to its seed's<br /></span> +<span class="i0">Pink pulp and honey blackly stung.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The orchard-path, which led around<br /></span> +<span class="i0">The garden,—with its heat one twinge<br /></span> +<span class="i0">Of dinning locusts,—picket-bound<br /></span> +<span class="i0">And ragged, brought me where one hinge<br /></span> +<span class="i0">Held up the gate that scraped the ground.<span class="pagenum">[156]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">All seemed the same: the martin-box—<br /></span> +<span class="i0">Sun-warped with pigmy balconies—<br /></span> +<span class="i0">Still stood, with all its twittering flocks,<br /></span> +<span class="i0">Perched on its pole above the peas<br /></span> +<span class="i0">And silvery-seeded onion-stocks.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The clove-pink and the rose; the clump<br /></span> +<span class="i0">Of coppery sunflowers, with the heat<br /></span> +<span class="i0">Sick to the heart: the garden stump,<br /></span> +<span class="i0">Red with geranium-pots, and sweet<br /></span> +<span class="i0">With moss and ferns, this side the pump.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">I rested, with one hesitant hand<br /></span> +<span class="i0">Upon the gate. The lonesome day,<br /></span> +<span class="i0">Droning with insects, made the land<br /></span> +<span class="i0">One dry stagnation. Soaked with hay<br /></span> +<span class="i0">And scents of weeds the hot wind fanned.<span class="pagenum">[157]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">I breathed the sultry scents, my eyes<br /></span> +<span class="i0">Parched as my lips. And yet I felt<br /></span> +<span class="i0">My limbs were ice.—As one who flies<br /></span> +<span class="i0">To some wild woe.—How sleepy smelt<br /></span> +<span class="i0">The hay-sweet heat that soaked the skies!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Noon nodded; dreamier, lonesomer<br /></span> +<span class="i0">For one long, plaintive, forest-side<br /></span> +<span class="i0">Bird-quaver.—And I knew me near<br /></span> +<span class="i0">Some heartbreak anguish.... She had died.<br /></span> +<span class="i0">I felt it, and no need to hear!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">I passed the quince and pear-tree; where,<br /></span> +<span class="i0">All up the porch, a grape-vine trails—<br /></span> +<span class="i0">How strange that fruit, whatever air<br /></span> +<span class="i0">Or earth it grows in, never fails<br /></span> +<span class="i0">To find its native flavour there!<span class="pagenum">[158]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">And she was as a flower, too,<br /></span> +<span class="i0">That grows its proper bloom and scent<br /></span> +<span class="i0">No matter what the soil: she, who,<br /></span> +<span class="i0">Born better than her place, still lent<br /></span> +<span class="i0">Grace to the lowliness she knew....<br /></span> +</div> + +<div class="stanza"> +<span class="i0">They met me at the porch, and were<br /></span> +<span class="i0">Sad-eyed with weeping.—Then the room<br /></span> +<span class="i0">Shut out the country's heat and purr,<br /></span> +<span class="i0">And left light stricken into gloom—<br /></span> +<span class="i0">So love and I might look on her.<span class="pagenum">[159]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item041" id="Item041"></a>THE FEUD</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Rocks, trees and rocks; and down a mossy stone<br /></span> +<span class="i2">The murmuring ooze and trickle of a stream<br /></span> +<span class="i0">Through bushes, where the mountain spring lies lone,—<br /></span> +<span class="i2">A gleaming cairngorm where the shadows dream,—<br /></span> +<span class="i0">And one wild road winds like a saffron seam.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Here sang the thrush, whose pure, mellifluous note<br /></span> +<span class="i2">Dropped golden sweetness on the fragrant June;<br /></span> +<span class="i0">Here cat—and blue-bird and wood-sparrow wrote<br /></span> +<span class="i2">Their presence on the silence with a tune;<br /></span> +<span class="i0">And here the fox drank 'neath the mountain moon.<span class="pagenum">[160]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Frail ferns and dewy mosses and dark brush,—<br /></span> +<span class="i2">Impenetrable briers, deep and dense,<br /></span> +<span class="i0">And wiry bushes,—brush, that seemed to crush<br /></span> +<span class="i2">The struggling saplings with its tangle, whence<br /></span> +<span class="i0">Sprawled out the ramble of an old rail-fence.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A wasp buzzed by; and then a butterfly<br /></span> +<span class="i2">In orange and amber, like a floating flame;<br /></span> +<span class="i0">And then a man, hard-eyed and very sly,<br /></span> +<span class="i2">Gaunt-cheeked and haggard and a little lame,<br /></span> +<span class="i0">With an old rifle, down the mountain came.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">He listened, drinking from a flask he took<br /></span> +<span class="i2">Out of the ragged pocket of his coat;<br /></span> +<span class="i0">Then all around him cast a stealthy look;<br /></span> +<span class="i2">Lay down; and watched an eagle soar and float,<br /></span> +<span class="i0">His fingers twitching at his hairy throat.<span class="pagenum">[161]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">The shades grew longer; and each Cumberland height<br /></span> +<span class="i2">Loomed, framed in splendours of the dolphin dusk.<br /></span> +<span class="i0">Around the road a horseman rode in sight;<br /></span> +<span class="i2">Young, tall, blonde-bearded. Silent, grim, and brusque,<br /></span> +<span class="i0">He in the thicket aimed—The gun ran husk;<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And echoes barked among the hills and made<br /></span> +<span class="i2">Repeated instants of the shot's distress.—<br /></span> +<span class="i0">Then silence—and the trampled bushes swayed;—<br /></span> +<span class="i2">Then silence, packed with murder and the press<br /></span> +<span class="i0">Of distant hoofs that galloped riderless.<span class="pagenum">[162]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item042" id="Item042"></a>LYNCHERS</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">At the moon's down-going, let it be<br /></span> +<span class="i0">On the quarry hill with its one gnarled tree....<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The red-rock road of the underbush,<br /></span> +<span class="i0">Where the woman came through the summer hush.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The sumach high and the elder thick,<br /></span> +<span class="i0">Where we found the stone and the ragged stick<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The trampled road of the thicket, full<br /></span> +<span class="i0">Of footprints down to the quarry pool.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The rocks that ooze with the hue of lead,<br /></span> +<span class="i0">Where we found her lying stark and dead.<span class="pagenum">[163]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">The scraggy wood; the negro hut,<br /></span> +<span class="i0">With its doors and windows locked and shut.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A secret signal; a foot's rough tramp;<br /></span> +<span class="i0">A knock at the door; a lifted lamp.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">An oath; a scuffle; a ring of masks;<br /></span> +<span class="i0">A voice that answers a voice that asks.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A group of shadows; the moon's red fleck;<br /></span> +<span class="i0">A running noose and a man's bared neck.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A word, a curse, and a shape that swings;<br /></span> +<span class="i0">The lonely night and a bat's black wings....<br /></span> +</div> + +<div class="stanza"> +<span class="i0">At the moon's down-going, let it be<br /></span> +<span class="i0">On the quarry hill with its one gnarled tree.<span class="pagenum">[164]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item043" id="Item043"></a>DEAD MAN'S RUN</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">He rode adown the autumn wood,<br /></span> +<span class="i2">A man dark-eyed and brown;<br /></span> +<span class="i0">A mountain girl before him stood<br /></span> +<span class="i2">Clad in a homespun gown.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">'To ride this road is death for you!<br /></span> +<span class="i2">My father waits you there;<br /></span> +<span class="i0">My father and my brother, too,—<br /></span> +<span class="i2">You know the oath they swear.'<br /></span> +</div> + +<div class="stanza"> +<span class="i0">He holds her by one berry-brown wrist,<br /></span> +<span class="i2">And by one berry-brown hand;<br /></span> +<span class="i0">And he hath laughed at her and kissed<br /></span> +<span class="i2">Her cheek the sun hath tanned.<span class="pagenum">[165]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">'The feud is to the death, sweetheart;<br /></span> +<span class="i2">But forward will I ride.'—<br /></span> +<span class="i0">'And if you ride to death, sweetheart,<br /></span> +<span class="i2">My place is at your side.'<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Low hath he laughed again and kissed<br /></span> +<span class="i2">And helped her with his hand;<br /></span> +<span class="i0">And they have ridd'n into the mist<br /></span> +<span class="i2">That belts the autumn land.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And they had passed by Devil's Den,<br /></span> +<span class="i2">And come to Dead Man's Run,<br /></span> +<span class="i0">When in the brush rose up two men,<br /></span> +<span class="i2">Each with a levelled gun.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">'Down! down! my sister!' cries the one;—<br /></span> +<span class="i2">She gives the reins a twirl.—<br /></span> +<span class="i0">The other shouts, 'He shot my son!<br /></span> +<span class="i2">And now he steals my girl!'<span class="pagenum">[166]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">The rifles crack: she will not wail:<br /></span> +<span class="i2">He will not cease to ride:<br /></span> +<span class="i0">But, oh! her face is pale, is pale,<br /></span> +<span class="i2">And the red blood stains her side.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">'Sit fast, sit fast by me, sweetheart!<br /></span> +<span class="i2">The road is rough to ride!'—<br /></span> +<span class="i0">The road is rough by gulch and bluff,<br /></span> +<span class="i2">And her hair blows wild and wide.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">'Sit fast, sit fast by me, sweetheart!<br /></span> +<span class="i2">The bank is steep to ride!'—<br /></span> +<span class="i0">The bank is steep for a strong man's leap,<br /></span> +<span class="i2">And her eyes are staring wide.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">'Sit fast, sit fast by me, sweetheart!<br /></span> +<span class="i2">The Run is swift to ride!'—<br /></span> +<span class="i0">The Run is swift with mountain drift,<br /></span> +<span class="i2">And she sways from side to side.<span class="pagenum">[167]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Is it a wash of the yellow moss,<br /></span> +<span class="i2">Or drift of the autumn's gold,<br /></span> +<span class="i0">The mountain torrent foams across<br /></span> +<span class="i2">For the dead pine's roots to hold?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Is it the bark of the sycamore,<br /></span> +<span class="i2">Or peel of the white birch-tree,<br /></span> +<span class="i0">The mountaineer on the other shore<br /></span> +<span class="i2">Hath followed and still can see?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">No mountain moss or leaves, dear heart!<br /></span> +<span class="i2">No bark of birchen gray!—<br /></span> +<span class="i0">Young hair of gold and a face death-cold<br /></span> +<span class="i2">The wild stream sweeps away.<span class="pagenum">[168]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item044" id="Item044"></a>AUGUST</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Clad on with glowing beauty and the peace,<br /></span> +<span class="i2">Benign, of calm maturity, she stands<br /></span> +<span class="i2">Among her meadows and her orchard-lands,<br /></span> +<span class="i0">And on her mellowing gardens and her trees,<br /></span> +<span class="i2">Out of the ripe abundance of her hands<br /></span> +<span class="i10">Bestows increase<br /></span> +<span class="i0">And fruitfulness, as, wrapped in sunny ease,<br /></span> +<span class="i4">Blue-eyed and blonde she goes<br /></span> +<span class="i0">Upon her bosom Summer's richest rose.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">And he who follows where her footsteps lead,<br /></span> +<span class="i2">By hill and rock, by forest-side and stream,<br /></span> +<span class="i2">Shall glimpse the glory of her visible dream,<span class="pagenum">[169]</span><br /></span> +<span class="i0">In flower and fruit, in rounded nut and seed:<br /></span> +<span class="i2">She, in whose path the very shadows gleam;<br /></span> +<span class="i10">Whose humblest weed<br /></span> +<span class="i0">Seems lovelier than June's loveliest flower, indeed,<br /></span> +<span class="i4">And sweeter to the smell<br /></span> +<span class="i0">Than April's self within a rainy dell.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Hers is a sumptuous simplicity<br /></span> +<span class="i2">Within the fair Republic of her flowers,<br /></span> +<span class="i2">Where you may see her standing hours on hours,<br /></span> +<span class="i0">Breast-deep in gold, soft-holding up a bee<br /></span> +<span class="i2">To her hushed ear; or sitting under bowers<br /></span> +<span class="i10">Of greenery,<br /></span> +<span class="i0">A butterfly a-tilt upon her knee;<br /></span> +<span class="i4">Or lounging on her hip,<br /></span> +<span class="i0">Dancing a cricket on her finger-tip.<span class="pagenum">[170]</span><br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Ay, let me breathe hot scents that tell of you;<br /></span> +<span class="i2">The hoary catnip and the meadow-mint,<br /></span> +<span class="i2">On which the honour of your touch doth print<br /></span> +<span class="i0">Itself as odour. Let me drink the hue<br /></span> +<span class="i2">Of iron-weed and mist-flow'r here that hint,<br /></span> +<span class="i10">With purple and blue,<br /></span> +<span class="i0">The rapture that your presence doth imbue<br /></span> +<span class="i4">Their inmost essence with,<br /></span> +<span class="i0">Immortal though as transient as a myth.<br /></span> +</div> +</div> + +<p class="h3l">V</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Yea, let me feed on sounds that still assure<br /></span> +<span class="i2">Me where you hide: the brooks', whose happy din<br /></span> +<span class="i2">Tells where, the deep retired woods within,<span class="pagenum">[171]</span><br /></span> +<span class="i0">Disrobed, you bathe; the birds', whose drowsy lure<br /></span> +<span class="i2">Tells where you slumber, your warm nestling chin<br /></span> +<span class="i10">Soft on the pure,<br /></span> +<span class="i0">Pink cushion of your palm.... What better cure<br /></span> +<span class="i4">For care and memory's ache<br /></span> +<span class="i0">Than to behold you so, and watch you wake!<span class="pagenum">[172]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item045" id="Item045"></a>THE BUSH-SPARROW</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Ere wild-haws, looming in the glooms,<br /></span> +<span class="i0">Build bolted drifts of breezy blooms;<br /></span> +<span class="i0">And in the whistling hollow there<br /></span> +<span class="i0">The red-bud bends, as brown and bare<br /></span> +<span class="i0">As buxom Roxy's up-stripped arm;<br /></span> +<span class="i0">From some gray hickory or larch,<br /></span> +<span class="i0">Sighed o'er the sodden meads of March,<br /></span> +<span class="i0">The sad heart thrills and reddens warm<br /></span> +<span class="i0">To hear you braving the rough storm,<br /></span> +<span class="i0">Frail courier of green-gathering powers;<br /></span> +<span class="i0">Rebelling sap in trees and flowers;<br /></span> +<span class="i0">Love's minister come heralding—<br /></span> +<span class="i0">O sweet saint-voice among bleak bowers!<br /></span> +<span class="i0">O brown-red pursuivant of Spring!<span class="pagenum">[173]</span><br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">'Moan' sob the woodland waters still<br /></span> +<span class="i0">Down bloomless ledges of the hill;<br /></span> +<span class="i0">And gray, gaunt clouds like harpies hang<br /></span> +<span class="i0">In harpy heavens, and swoop and clang<br /></span> +<span class="i0">Sharp beaks and talons of the wind:<br /></span> +<span class="i0">Black scowl the forests, and unkind<br /></span> +<span class="i0">The far fields as the near: while song<br /></span> +<span class="i0">Seems murdered and all beauty wrong.<br /></span> +<span class="i0">One weak frog only in the thaw<br /></span> +<span class="i0">Of spawny pools wakes cold and raw,<br /></span> +<span class="i0">Expires a melancholy bass<br /></span> +<span class="i0">And stops as if bewildered: then<br /></span> +<span class="i0">Along the frowning wood again,<br /></span> +<span class="i0">Flung in the thin wind's vulture face,<br /></span> +<span class="i0">From woolly tassels of the proud,<br /></span> +<span class="i0">Red-bannered maples, long and loud,<br /></span> +<span class="i0">'The Spring is come! is here! her Grace! her Grace!'<span class="pagenum">[174]</span><br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">'Her Grace, the Spring! her Grace! her Grace!<br /></span> +<span class="i0">Climbs, beautiful and sunny browed,<br /></span> +<span class="i0">Up, up the kindling hills and wakes<br /></span> +<span class="i0">Blue berries in the berry brakes:<br /></span> +<span class="i0">With fragrant flakes, that blow and bleach,<br /></span> +<span class="i0">Deep-powders smothered quince and peach:<br /></span> +<span class="i0">Eyes dogwoods with a thousand eyes:<br /></span> +<span class="i0">Teaches each sod how to be wise<br /></span> +<span class="i0">With twenty wildflowers to one weed,<br /></span> +<span class="i0">And kisses germs that they may seed.<br /></span> +<span class="i0">In purest purple and sweet white<br /></span> +<span class="i0">Treads up the happier hills of light,<br /></span> +<span class="i0">Bloom, cloudy-borne, song in her hair<br /></span> +<span class="i0">And balm and beam of odorous air.<br /></span> +<span class="i0">Winds, her retainers; and the rains<br /></span> +<span class="i0">Her yeomen strong that sweep the plains:<span class="pagenum">[175]</span><br /></span> +<span class="i0">Her scarlet knights of dawn, and gold<br /></span> +<span class="i0">Of eve, her panoply unfold:<br /></span> +<span class="i0">Her herald tabarded behold!<br /></span> +<span class="i0">Awake to greet! prepare to sing!<br /></span> +<span class="i0">She comes, the darling Duchess, Spring!'<span class="pagenum">[176]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item046" id="Item046"></a>QUIET</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">A log-hut in the solitude,<br /></span> +<span class="i2">A clapboard roof to rest beneath!<br /></span> +<span class="i0">This side, the shadow-haunted wood;<br /></span> +<span class="i2">That side, the sunlight-haunted heath.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">At daybreak Morn shall come to me<br /></span> +<span class="i2">In raiment of the white winds spun;<br /></span> +<span class="i0">Slim in her rosy hand the key<br /></span> +<span class="i2">That opes the gateway of the sun.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Her smile shall help my heart enough<br /></span> +<span class="i2">With love to labour all the day,<br /></span> +<span class="i0">And cheer the road, whose rocks are rough,<br /></span> +<span class="i2">With her smooth footprints, each a ray.<span class="pagenum">[177]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">At dusk a voice shall call afar,<br /></span> +<span class="i2">A lone voice like the whippoorwill's;<br /></span> +<span class="i0">And, on her shimmering brow one star,<br /></span> +<span class="i2">Night shall descend the western hills.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">She at my door till dawn shall stand,<br /></span> +<span class="i2">With gothic eyes, that, dark and deep,<br /></span> +<span class="i0">Are mirrors of a mystic land,<br /></span> +<span class="i2">Fantastic with the towns of sleep.<span class="pagenum">[178]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item047" id="Item047"></a>MUSIC</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Thou, oh, thou!<br /></span> +<span class="i0">Thou of the chorded shell and golden plectrum, thou<br /></span> +<span class="i0">Of the dark eyes and pale pacific brow!<br /></span> +<span class="i0">Music, who by the plangent waves,<br /></span> +<span class="i0">Or in the echoing night of labyrinthine caves,<br /></span> +<span class="i0">Or on God's mountains, lonely as the stars,<br /></span> +<span class="i0">Touchest reverberant bars<br /></span> +<span class="i0">Of immemorial sorrow and amaze;—<br /></span> +<span class="i0">Keeping regret and memory awake,<br /></span> +<span class="i0">And all the immortal ache<br /></span> +<span class="i0">Of love that leans upon the past's sweet days<br /></span> +<span class="i0">In retrospection!—now, oh, now,<br /></span> +<span class="i0">Interpreter and heart-physician, thou<span class="pagenum">[179]</span><br /></span> +<span class="i0">Who gazest on the heaven and the hell<br /></span> +<span class="i0">Of life, and singest each as well,<br /></span> +<span class="i0">Touch with thy all-mellifluous finger-tips,<br /></span> +<span class="i0">Or thy melodious lips,<br /></span> +<span class="i0">This sickness named my soul,<br /></span> +<span class="i0">Making it whole<br /></span> +<span class="i0">As is an echo of a chord,<br /></span> +<span class="i0">Or some symphonic word,<br /></span> +<span class="i0">Or sweet vibrating sigh,<br /></span> +<span class="i0">That deep, resurgent still doth rise and die<br /></span> +<span class="i0">On thy voluminous roll;<br /></span> +<span class="i0">Part of the beauty and the mystery<br /></span> +<span class="i0">That axles Earth with music; as a slave,<br /></span> +<span class="i0">Swinging it round and round on each sonorous pole,<br /></span> +<span class="i0">'Mid spheric harmony,<br /></span> +<span class="i0">And choral majesty,<br /></span> +<span class="i0">And diapasoning of wind and wave;<br /></span> +<span class="i0">Speeding it on its far elliptic way<span class="pagenum">[180]</span><br /></span> +<span class="i0">'Mid vasty anthemings of night and day.—<br /></span> +<span class="i0">O cosmic cry<br /></span> +<span class="i0">Of two eternities, wherein we see<br /></span> +<span class="i0">The phantasms, Death and Life,<br /></span> +<span class="i0">At endless strife<br /></span> +<span class="i0">Above the silence of a monster grave.<span class="pagenum">[181]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item048" id="Item048"></a>THE PURPLE VALLEYS</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Far in the purple valleys of illusion<br /></span> +<span class="i0">I see her waiting, like the soul of music,<br /></span> +<span class="i0">With deep eyes, lovelier than cerulean pansies,<br /></span> +<span class="i0">Shadow and fire, yet merciless as poison;<br /></span> +<span class="i0">With red lips sweeter than Arabian storax,<br /></span> +<span class="i0">Yet bitterer than myrrh. O tears and kisses!<br /></span> +<span class="i0">O eyes and lips, that haunt my soul for ever!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Again Spring walks transcendent on the mountains:<br /></span> +<span class="i0">The woods are hushed: the vales are blue with shadows:<br /></span> +<span class="i0">Above the heights, steeped in a thousand splendours,<span class="pagenum">[182]</span><br /></span> +<span class="i0">Like some vast canvas of the gods, hangs burning<br /></span> +<span class="i0">The sunset's wild sciography: and slowly<br /></span> +<span class="i0">The moon treads heaven's proscenium,—night's stately<br /></span> +<span class="i0">White queen of love and tragedy and madness.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Again I know forgotten dreams and longings;<br /></span> +<span class="i0">Ideals lost; desires dead and buried<br /></span> +<span class="i0">Beside the altar sacrifice erected<br /></span> +<span class="i0">Within the heart's high sanctuary. Strangely<br /></span> +<span class="i0">Again I know the horror and the rapture,<br /></span> +<span class="i0">The utterless awe, the joy akin to anguish,<br /></span> +<span class="i0">The terror and the worship of the spirit.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Again I feel her eyes pierce through and through me;<br /></span> +<span class="i0">Her deep eyes, lovelier than imperial pansies,<br /></span> +<span class="i0">Velvet and flame, through which her fierce will holds me,<span class="pagenum">[183]</span><br /></span> +<span class="i0">Powerless and tame, and draws me on and onward<br /></span> +<span class="i0">To sad, unsatisfied and animal yearnings,<br /></span> +<span class="i0">Wild, unrestrained—the brute within the human—<br /></span> +<span class="i0">To fling me panting on her mouth and bosom.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Again I feel her lips like ice and fire,<br /></span> +<span class="i0">Her red lips, odorous as Arabian storax,<br /></span> +<span class="i0">Fragrance and fire, within whose kiss destruction<br /></span> +<span class="i0">Lies serpent-like. Intoxicating languors<br /></span> +<span class="i0">Resistlessly embrace me, soul and body;<br /></span> +<span class="i0">And we go drifting, drifting—she is laughing—<br /></span> +<span class="i0">Outcasts of God, into the deep's abysm.<span class="pagenum">[184]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item049" id="Item049"></a>A DREAM SHAPE</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">With moon-white hearts that held a gleam<br /></span> +<span class="i0">I gathered wild-flowers in a dream,<br /></span> +<span class="i0">And shaped a woman, whose sweet blood<br /></span> +<span class="i0">Was odour of the wildwood bud.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">From dew, the starlight arrowed through,<br /></span> +<span class="i0">I wrought a woman's eyes of blue;<br /></span> +<span class="i0">The lids that on her eyeballs lay,<br /></span> +<span class="i0">Were rose-pale petals of the May.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Out of a rosebud's veins I drew<br /></span> +<span class="i0">The fragrant crimson beating through<br /></span> +<span class="i0">The languid lips of her, whose kiss<br /></span> +<span class="i0">Was as a poppy's drowsiness.<span class="pagenum">[185]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Out of the moonlight and the air<br /></span> +<span class="i0">I wrought the glory of her hair,<br /></span> +<span class="i0">That o'er her eyes' blue heaven lay<br /></span> +<span class="i0">Like some gold cloud o'er dawn of day.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">I took the music of the breeze<br /></span> +<span class="i0">And water, whispering in the trees,<br /></span> +<span class="i0">And shaped the soul that breathed below<br /></span> +<span class="i0">A woman's blossom breasts of snow.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A shadow's shadow in the glass<br /></span> +<span class="i0">Of sleep, my spirit saw her pass:<br /></span> +<span class="i0">And thinking of it now, meseems<br /></span> +<span class="i0">We only live within our dreams.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">For in that time she was to me<br /></span> +<span class="i0">More real than our reality;<br /></span> +<span class="i0">More real than Earth, more real than I—<br /></span> +<span class="i0">The unreal things that pass and die.<span class="pagenum">[186]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item050" id="Item050"></a>THE OLD BARN</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Low, swallow-swept and gray,<br /></span> +<span class="i0">Between the orchard and the spring,<br /></span> +<span class="i0">All its wide windows overflowing hay,<br /></span> +<span class="i0">And crannied doors a-swing,<br /></span> +<span class="i0">The old barn stands to-day.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Deep in its hay the Leghorn hides<br /></span> +<span class="i0">A round white nest; and, humming soft<br /></span> +<span class="i0">On roof and rafter, or its log-rude sides,<br /></span> +<span class="i0">Black in the sun-shot loft,<br /></span> +<span class="i0">The building hornet glides.<span class="pagenum">[187]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Along its corn-crib, cautiously<br /></span> +<span class="i0">As thieving fingers, skulks the rat;<br /></span> +<span class="i0">Or in warped stalls of fragrant timothy,<br /></span> +<span class="i0">Gnaws at some loosened slat,<br /></span> +<span class="i0">Or passes shadowy.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A dream of drouth made audible<br /></span> +<span class="i0">Before its door, hot, smooth, and shrill<br /></span> +<span class="i0">All day the locust sings.... What other spell<br /></span> +<span class="i0">Shall hold it, lazier still<br /></span> +<span class="i0">Than the long day's, now tell:—<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Dusk and the cricket and the strain<br /></span> +<span class="i0">Of tree-toad and of frog; and stars<br /></span> +<span class="i0">That burn above the rich west's ribbéd stain;<br /></span> +<span class="i0">And dropping pasture bars,<br /></span> +<span class="i0">And cow-bells up the lane.<span class="pagenum">[188]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Night and the moon and katydid,<br /></span> +<span class="i0">And leaf-lisp of the wind-touched boughs;<br /></span> +<span class="i0">And mazy shadows that the fireflies thrid;<br /></span> +<span class="i0">And sweet breath of the cows,<br /></span> +<span class="i0">And the lone owl here hid.<span class="pagenum">[189]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item051" id="Item051"></a>THE WOOD WITCH</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">There is a woodland witch who lies<br /></span> +<span class="i0">With bloom-bright limbs and beam-bright eyes,<br /></span> +<span class="i0">Among the water-flags that rank<br /></span> +<span class="i0">The slow brook's heron-haunted bank.<br /></span> +<span class="i0">The dragon-flies, brass-bright and blue,<br /></span> +<span class="i0">Are signs she works her sorcery through;<br /></span> +<span class="i0">Weird, wizard characters she weaves<br /></span> +<span class="i0">Her spells by under forest leaves,—<br /></span> +<span class="i0">These wait her word, like imps, upon<br /></span> +<span class="i0">The gray flag-pods; their wings, of lawn<br /></span> +<span class="i0">And gauze; their bodies, gleaming green.<br /></span> +<span class="i0">While o'er the wet sand,—left between<br /></span> +<span class="i0">The running water and the still,—<br /></span> +<span class="i0">In pansy hues and daffodil,<span class="pagenum">[190]</span><br /></span> +<span class="i0">The fancies that she doth devise<br /></span> +<span class="i0">Take on the forms of butterflies,<br /></span> +<span class="i0">Rich-coloured.—And 'tis she you hear,<br /></span> +<span class="i0">Whose sleepy rune, hummed in the ear<br /></span> +<span class="i0">Of silence, bees and beetles purr,<br /></span> +<span class="i0">And the dry-droning locusts whirr;<br /></span> +<span class="i0">Till, where the wood is very lone,<br /></span> +<span class="i0">Vague monotone meets monotone,<br /></span> +<span class="i0">And slumber is begot and born,<br /></span> +<span class="i0">A faery child beneath the thorn.<br /></span> +<span class="i0">There is no mortal who may scorn<br /></span> +<span class="i0">The witchery she spreads around<br /></span> +<span class="i0">Her din demesne, wherein is bound<br /></span> +<span class="i0">The beauty of abandoned time,<br /></span> +<span class="i0">As some sweet thought 'twixt rhyme and rhyme.<br /></span> +<span class="i0">And through her spells you shall behold<br /></span> +<span class="i0">The blue turn gray, the gray turn gold<span class="pagenum">[191]</span><br /></span> +<span class="i0">Of hollow heaven; and the brown<br /></span> +<span class="i0">Of twilight vistas twinkled down<br /></span> +<span class="i0">With fireflies; and in the gloom<br /></span> +<span class="i0">Feel the cool vowels of perfume<br /></span> +<span class="i0">Slow-syllabled of weed and bloom.<br /></span> +<span class="i0">But, in the night, at languid rest,—<br /></span> +<span class="i0">When like a spirit's naked breast<br /></span> +<span class="i0">The moon slips from a silver mist,—<br /></span> +<span class="i0">With star-bound brow, and star-wreathed wrist,<br /></span> +<span class="i0">If you should see her rise and wave<br /></span> +<span class="i0">You welcome—ah! what thing could save<br /></span> +<span class="i0">You then? for evermore her slave!<span class="pagenum">[192]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item052" id="Item052"></a>AT SUNSET</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Into the sunset's turquoise marge<br /></span> +<span class="i0">The moon dips, like a pearly barge<br /></span> +<span class="i0">Enchantment sails through magic seas<br /></span> +<span class="i0">To fairyland Hesperides,<br /></span> +<span class="i6">Over the hills and away.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Into the fields, in ghost-gray gown,<br /></span> +<span class="i0">The young-eyed Dusk comes slowly down;<br /></span> +<span class="i0">Her apron filled with stars she stands,<br /></span> +<span class="i0">And one or two slip from her hands<br /></span> +<span class="i6">Over the hills and away.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Above the wood's black caldron bends<br /></span> +<span class="i0">The witch-faced Night and, muttering, blends<span class="pagenum">[193]</span><br /></span> +<span class="i0">The dew and heat, whose bubbles make<br /></span> +<span class="i0">The mist and musk that haunt the brake<br /></span> +<span class="i6">Over the hills and away.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Oh, come with me, and let us go<br /></span> +<span class="i0">Beyond the sunset lying low,<br /></span> +<span class="i0">Beyond the twilight and the night<br /></span> +<span class="i0">Into Love's kingdom of long light<br /></span> +<span class="i6">Over the hills and away.<span class="pagenum">[194]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item053" id="Item053"></a>MAY</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The golden discs of the rattlesnake-weed,<br /></span> +<span class="i2">That spangle the woods and dance—<br /></span> +<span class="i0">No gleam of gold that the twilights hold<br /></span> +<span class="i2">Is strong as their necromance:<br /></span> +<span class="i0">For, under the oaks where the woodpaths lead,<br /></span> +<span class="i0">The golden discs of the rattlesnake-weed<br /></span> +<span class="i2">Are the May's own utterance.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The azure stars of the bluet bloom,<br /></span> +<span class="i2">That sprinkle the woodland's trance—<br /></span> +<span class="i0">No blink of blue that a cloud lets through<br /></span> +<span class="i2">Is sweet as their countenance:<br /></span> +<span class="i0">For, over the knolls that the woods perfume,<br /></span> +<span class="i0">The azure stars of the bluet bloom<br /></span> +<span class="i2">Are the light of the May's own glance.<span class="pagenum">[195]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">With her wondering words and her looks she comes,<br /></span> +<span class="i2">In a sunbeam of a gown;<br /></span> +<span class="i0">She needs but think and the blossoms wink,<br /></span> +<span class="i2">But look, and they shower down.<br /></span> +<span class="i0">By orchard ways, where the wild bee hums,<br /></span> +<span class="i0">With her wondering words and her looks she comes<br /></span> +<span class="i2">Like a little maid to town.<span class="pagenum">[196]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item054" id="Item054"></a>RAIN</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Around, the stillness deepened; then the grain<br /></span> +<span class="i0">Went wild with wind; and every briery lane<br /></span> +<span class="i0">Was swept with dust; and then, tempestuous black,<br /></span> +<span class="i0">Hillward the tempest heaved a monster back,<br /></span> +<span class="i0">That on the thunder leaned as on a cane;<br /></span> +<span class="i0">And on huge shoulders bore a cloudy pack,<br /></span> +<span class="i0">That gullied gold from many a lightning-crack:<br /></span> +<span class="i0">One great drop splashed and wrinkled down the pane,<br /></span> +<span class="i0">And then field, hill, and wood were lost in rain.<span class="pagenum">[197]</span><br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">At last, through clouds,—as from a cavern hewn<br /></span> +<span class="i0">Into night's heart,—the sun burst, angry roon;<br /></span> +<span class="i0">And every cedar, with its weight of wet,<br /></span> +<span class="i0">Against the sunset's fiery splendour set,<br /></span> +<span class="i0">Frightened to beauty, seemed with rubies strewn:<br /></span> +<span class="i0">Then in drenched gardens, like sweet phantoms met,<br /></span> +<span class="i0">Dim odours rose of pink and mignonette;<br /></span> +<span class="i0">And in the East a confidence, that soon<br /></span> +<span class="i0">Grew to the calm assurance of the moon.<span class="pagenum">[198]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item055" id="Item055"></a>TO FALL</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Sad-hearted spirit of the solitudes,<br /></span> +<span class="i0">Who comest through the ruin-wedded woods!<br /></span> +<span class="i0">Gray-gowned with fog, gold-girdled with the gloom<br /></span> +<span class="i0">Of tawny twilights; burdened with perfume<br /></span> +<span class="i0">Of rain-wet uplands, chilly with the mist;<br /></span> +<span class="i0">And all the beauty of the fire-kissed<br /></span> +<span class="i0">Cold forests crimsoning thy indolent way,<br /></span> +<span class="i0">Odorous of death and drowsy with decay.<br /></span> +<span class="i0">I think of thee as seated 'mid the showers<br /></span> +<span class="i0">Of languid leaves that cover up the flowers,—<br /></span> +<span class="i0">The little flower-sisterhoods, whom June<br /></span> +<span class="i0">Once gave wild sweetness to, as to a tune<span class="pagenum">[199]</span><br /></span> +<span class="i0">A singer gives her soul's wild melody,—<br /></span> +<span class="i0">Watching the squirrel store his granary.<br /></span> +<span class="i0">Or, 'mid old orchards I have pictured thee:<br /></span> +<span class="i0">Thy hair's profusion blown about thy back;<br /></span> +<span class="i0">One lovely shoulder bathed with gypsy black;<br /></span> +<span class="i0">Upon thy palm one nestling cheek, and sweet<br /></span> +<span class="i0">The rosy russets tumbled at thy feet.<br /></span> +<span class="i0">Was it a voice lamenting for the flowers?<br /></span> +<span class="i0">A heart-sick bird that sang of happier hours?<br /></span> +<span class="i0">A cricket dirging days that soon must die?<br /></span> +<span class="i0">Or did the ghost of Summer wander by?<span class="pagenum">[200]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item056" id="Item056"></a>SUNSET IN AUTUMN</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Blood-coloured oaks, that stand against a sky of gold and brass;<br /></span> +<span class="i0">Gaunt slopes, on which the bleak leaves glow of brier and sassafras,<br /></span> +<span class="i0">And broom-sedge strips of smoky-pink and pearl-gray clumps of grass<br /></span> +<span class="i0">In which, beneath the ragged sky, the rain pools gleam like glass.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">From West to East, from wood to wood, along the forest-side,<br /></span> +<span class="i0">The winds,—the sowers of the Lord,—with thunderous footsteps stride;<span class="pagenum">[201]</span><br /></span> +<span class="i0">Their stormy hands rain acorns down; and mad leaves, wildly dyed,<br /></span> +<span class="i0">Like tatters of their rushing cloaks, stream round them far and wide.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The frail leaf-cricket in the weeds rings a faint fairy bell;<br /></span> +<span class="i0">And like a torch of phantom ray the milkweed's windy shell<br /></span> +<span class="i0">Glimmers; while, wrapped in withered dreams, the wet autumnal smell<br /></span> +<span class="i0">Of loam and leaf, like some sad ghost, steals over field and dell.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">The oaks, against a copper sky—o'er which, like some black lake<br /></span> +<span class="i0">Of Dis, bronze clouds, like surges fringed with sullen fire, break<span class="pagenum">[202]</span>—<br /></span> +<span class="i0">Loom sombre as Doom's citadel above the vales that make<br /></span> +<span class="i0">A pathway to a land of mist the moon's pale feet shall take.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Now, dyed with burning carbuncle, a limbo-litten pane,<br /></span> +<span class="i0">Within its walls of storm, the West opens to hill and plain,<br /></span> +<span class="i0">On which the wild-geese ink themselves, a far triangled train,<br /></span> +<span class="i0">And then the shuttering clouds close down—and night is here again.<span class="pagenum">[203]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item057" id="Item057"></a>THE HILLS</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">There is no joy of earth that thrills<br /></span> +<span class="i0">My bosom like the far-off hills!<br /></span> +<span class="i0">Th' unchanging hills, that, shadowy,<br /></span> +<span class="i0">Beckon our mutability<br /></span> +<span class="i0">To follow and to gaze upon<br /></span> +<span class="i0">Foundations of the dusk and dawn.<br /></span> +<span class="i0">Meseems the very heavens are massed<br /></span> +<span class="i0">Upon their shoulders, vague and vast<br /></span> +<span class="i0">With all the skyey burden of<br /></span> +<span class="i0">The winds and clouds and stars above.<br /></span> +<span class="i0">Lo, how they sit before us, seeing<br /></span> +<span class="i0">The laws that give all Beauty being!<br /></span> +<span class="i0">Behold! to them, when dawn is near,<br /></span> +<span class="i0">The nomads of the air appear,<span class="pagenum">[204]</span><br /></span> +<span class="i0">Unfolding crimson camps of day<br /></span> +<span class="i0">In brilliant bands; then march away;<br /></span> +<span class="i0">And under burning battlements<br /></span> +<span class="i0">Of twilight plant their tinted tents.<br /></span> +<span class="i0">The truth of olden myths, that brood<br /></span> +<span class="i0">By haunted stream and haunted wood,<br /></span> +<span class="i0">They see; and feel the happiness<br /></span> +<span class="i0">Of old at which we only guess:<br /></span> +<span class="i0">The dreams, the ancients loved and knew,<br /></span> +<span class="i0">Still as their rocks and trees are true:<br /></span> +<span class="i0">Not otherwise than presences<br /></span> +<span class="i0">The tempest and the calm to these:<br /></span> +<span class="i0">One, shouting on them all the night,<br /></span> +<span class="i0">Black-limbed and veined with lambent light;<br /></span> +<span class="i0">The other with the ministry<br /></span> +<span class="i0">Of all soft things that company<br /></span> +<span class="i0">With music—an embodied form,<br /></span> +<span class="i0">Giving to solitude the charm<span class="pagenum">[205]</span><br /></span> +<span class="i0">Of leaves and waters and the peace<br /></span> +<span class="i0">Of bird-begotten melodies—<br /></span> +<span class="i0">And who at night doth still confer<br /></span> +<span class="i0">With the mild moon, that telleth her<br /></span> +<span class="i0">Pale tale of lonely love, until<br /></span> +<span class="i0">Wan images of passion fill<br /></span> +<span class="i0">The heights with shapes that glimmer by<br /></span> +<span class="i0">Clad on with sleep and memory.<span class="pagenum">[206]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item058" id="Item058"></a>CONTENT</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">When I behold how some pursue<br /></span> +<span class="i0">Fame, that is Care's embodiment<br /></span> +<span class="i0">Or fortune, whose false face looks true,—<br /></span> +<span class="i0">An humble home with sweet content<br /></span> +<span class="i0">Is all I ask for me and you.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">An humble home, where pigeons coo,<br /></span> +<span class="i0">Whose path leads under breezy lines<br /></span> +<span class="i0">Of frosty-berried cedars to<br /></span> +<span class="i0">A gate, one mass of trumpet-vines,<br /></span> +<span class="i0">Is all I ask for me and you.<span class="pagenum">[207]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">A garden, which all summer through,<br /></span> +<span class="i0">The roses old make redolent,<br /></span> +<span class="i0">And morning-glories, gay of hue,<br /></span> +<span class="i0">And tansy, with its homely scent,<br /></span> +<span class="i0">Is all I ask for me and you.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">An orchard, that the pippins strew,<br /></span> +<span class="i0">From whose bruised gold the juices spring;<br /></span> +<span class="i0">A vineyard, where the grapes hang blue,<br /></span> +<span class="i0">Wine-big and ripe for vintaging,<br /></span> +<span class="i0">Is all I ask for me and you.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">A lane that leads to some far view<br /></span> +<span class="i0">Of forest or of fallow-land,<br /></span> +<span class="i0">Bloomed o'er with rose and meadow-rue,<br /></span> +<span class="i0">Each with a bee in its hot hand,<br /></span> +<span class="i0">Is all I ask for me and you.<span class="pagenum">[208]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">At morn, a pathway deep with dew,<br /></span> +<span class="i0">And birds to vary time and tune;<br /></span> +<span class="i0">At eve, a sunset avenue,<br /></span> +<span class="i0">And whippoorwills that haunt the moon,<br /></span> +<span class="i0">Is all I ask for me and you.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Dear heart, with wants so small and few,<br /></span> +<span class="i0">And faith, that's better far than gold,<br /></span> +<span class="i0">A lowly friend, a child or two,<br /></span> +<span class="i0">To care for us when we are old,<br /></span> +<span class="i0">Is all I ask for me and you.<span class="pagenum">[209]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item059" id="Item059"></a>HEART OF MY HEART</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Here where the season turns the land to gold,<br /></span> +<span class="i0">Among the fields our feet have known of old,—<br /></span> +<span class="i0">When we were children who would laugh and run,<br /></span> +<span class="i0">Glad little playmates of the wind and sun,—<br /></span> +<span class="i0">Before came toil and care and years went ill,<br /></span> +<span class="i0">And one forgot and one remembered still;<br /></span> +<span class="i0">Heart of my heart, among the old fields here,<br /></span> +<span class="i0">Give me your hands and let me draw you near,<br /></span> +<span class="i10">Heart of my heart.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Stars are not truer than your soul is true—<br /></span> +<span class="i0">What need I more of heaven then than you?<br /></span> +<span class="i0">Flowers are not sweeter than your face is sweet—<br /></span> +<span class="i0">What need I more to make my world complete?<span class="pagenum">[210]</span><br /></span> +<span class="i0">O woman nature, love that still endures,<br /></span> +<span class="i0">What strength has ours that is not born of yours?<br /></span> +<span class="i0">Heart of my heart, to you, whatever come,<br /></span> +<span class="i0">To you the lead, whose love hath led me home.<br /></span> +<span class="i10">Heart of my heart.<span class="pagenum">[211]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item060" id="Item060"></a>OCTOBER</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Long hosts of sunlight, and the bright wind blows<br /></span> +<span class="i2">A tourney-trumpet on the listed hill;<br /></span> +<span class="i0">Past is the splendour of the royal rose<br /></span> +<span class="i10">And duchess daffodil.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Crowned queen of beauty, in the garden's space,<br /></span> +<span class="i2">Strong daughter of a bitter race and bold,<br /></span> +<span class="i0">A ragged beggar with a lovely face,<br /></span> +<span class="i10">Reigns the sad marigold.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And I have sought June's butterfly for days,<br /></span> +<span class="i2">To find it—like a coreopsis bloom<span class="pagenum">[212]</span>—<br /></span> +<span class="i0">Amber and seal, rain-murdered 'neath the blaze<br /></span> +<span class="i10">Of this sunflower's plume.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Here drones the bee; and there sky-daring wings<br /></span> +<span class="i2">Voyage blue gulfs of heaven; the last song<br /></span> +<span class="i0">The red-bird flings me as adieu, still rings<br /></span> +<span class="i10">Upon yon pear-tree's prong.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">No angry sunset brims with rubier red<br /></span> +<span class="i2">The bowl of heaven than the days, indeed,<br /></span> +<span class="i0">Pour in each blossom of this salvia-bed,<br /></span> +<span class="i10">Where each leaf seems to bleed.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">And where the wood-gnats dance, like some slight mist,<br /></span> +<span class="i2">Above the efforts of the weedy stream,<br /></span> +<span class="i0">The girl, October, tired of the tryst,<br /></span> +<span class="i10">Dreams a diviner dream.<span class="pagenum">[213]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">One foot just dipping the caressing wave,<br /></span> +<span class="i2">One knee at languid angle; locks that drown<br /></span> +<span class="i0">Hands nut-stained; hazel-eyed, she lies, and grave,<br /></span> +<span class="i10">Watching the leaves drift down.<span class="pagenum">[214]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item061" id="Item061"></a>MYTH AND ROMANCE</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">When I go forth to greet the glad-faced Spring,<br /></span> +<span class="i2">Just at the time of opening apple-buds,<br /></span> +<span class="i0">When brooks are laughing, winds are whispering,<br /></span> +<span class="i2">On babbling hillsides or in warbling woods,<br /></span> +<span class="i2">There is an unseen presence that eludes:—<br /></span> +<span class="i0">Perhaps a dryad, in whose tresses cling<br /></span> +<span class="i2">The loamy odours of old solitudes,<br /></span> +<span class="i0">Who, from her beechen doorway, calls, and leads<br /></span> +<span class="i2">My soul to follow; now with dimpling words<br /></span> +<span class="i2">Of leaves; and now with syllables of birds;<br /></span> +<span class="i0">While here and there—is it her limbs that swing?<br /></span> +<span class="i0">Or restless sunlight on the moss and weeds?<span class="pagenum">[215]</span><br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Or, haply, 'tis a Naiad now who slips,<br /></span> +<span class="i2">Like some white lily, from her fountain's glass,<br /></span> +<span class="i0">While from her dripping hair and breasts and hips<br /></span> +<span class="i2">The moisture rains cool music on the grass.<br /></span> +<span class="i2">Her have I heard and followed, yet, alas!<br /></span> +<span class="i0">Have seen no more than the wet ray that dips<br /></span> +<span class="i2">The shivered waters, wrinkling where I pass;<br /></span> +<span class="i0">But in the liquid light where she doth hide,<br /></span> +<span class="i2">I have beheld the azure of her gaze<br /></span> +<span class="i2">Smiling; and, where the orbing ripple plays,<br /></span> +<span class="i0">Among her minnows I have heard her lips,<br /></span> +<span class="i0">Bubbling, make merry by the waterside.<span class="pagenum">[216]</span><br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Or now it is an Oread—whose eyes<br /></span> +<span class="i2">Are constellated dusk—who stands confessed,<br /></span> +<span class="i0">As naked as a flow'r; her heart's surprise,<br /></span> +<span class="i2">Like morning's rose, mantling her brow and breast:<br /></span> +<span class="i2">She, shrinking from my presence, all distressed<br /></span> +<span class="i0">Stands for a startled moment ere she flies,<br /></span> +<span class="i2">Her deep hair blowing, up the mountain crest,<br /></span> +<span class="i0">Wild as a mist that trails along the dawn.<br /></span> +<span class="i2">And is't her footfalls lure me? or the sound<br /></span> +<span class="i2">Of airs that stir the crisp leaf on the ground?<br /></span> +<span class="i0">And is't her body glimmers on yon rise?<br /></span> +<span class="i0">Or dogwood blossoms snowing on the lawn?<span class="pagenum">[217]</span><br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Now 'tis a satyr piping serenades<br /></span> +<span class="i2">On a slim reed. Now Pan and Faun advance<br /></span> +<span class="i0">Beneath green-hollowed roofs of forest glades,<br /></span> +<span class="i2">Their feet gone mad with music: now, perchance,<br /></span> +<span class="i2">Sylvanus sleeping, on whose leafy trance<br /></span> +<span class="i0">The nymphs stand gazing in dim ambuscades<br /></span> +<span class="i2">Of sun-embodied perfume.—Myth, Romance,<br /></span> +<span class="i0">Where'er I turn, reach out bewildering arms,<br /></span> +<span class="i2">Compelling me to follow. Day and night<br /></span> +<span class="i2">I hear their voices and behold the light<br /></span> +<span class="i0">Of their divinity that still evades,<br /></span> +<span class="i0">And still allures me in a thousand forms.<span class="pagenum">[218]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item062" id="Item062"></a>GENIUS LOCI</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">What wood-god, on this water's mossy curb,<br /></span> +<span class="i2">Lost in reflections of earth's loveliness,<br /></span> +<span class="i0">Did I, just now, unconsciously disturb?<br /></span> +<span class="i2">I who haphazard, wandering at a guess,<br /></span> +<span class="i0">Came on this spot, wherein with gold and flame<br /></span> +<span class="i0">Of buds and blooms the season writes its name.—<br /></span> +<span class="i0">Ah me! could I have seen him ere alarm<br /></span> +<span class="i2">Of my approach aroused him from his calm!<br /></span> +<span class="i2">As he, part Hamadryad and, mayhap,<br /></span> +<span class="i0">Part Faun, lay here; who left the shadow warm<br /></span> +<span class="i2">As a wood-rose, and filled the air with balm<br /></span> +<span class="i2">Of his wild breath as with ethereal sap.<span class="pagenum">[219]</span><br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Does not the moss retain some slight impress,<br /></span> +<span class="i2">Green-dented down, of where he lay or trod?<br /></span> +<span class="i0">Do not the flow'rs, so reticent, confess<br /></span> +<span class="i2">With conscious looks the contact of a god?<br /></span> +<span class="i0">Does not the very water garrulously<br /></span> +<span class="i0">Boast the indulgence of a deity?<br /></span> +<span class="i0">And, hark! in burly beech and sycamore<br /></span> +<span class="i2">How all the birds proclaim it! and the leaves<br /></span> +<span class="i2">Rejoice with clappings of their myriad hands!<br /></span> +<span class="i0">And shall not I believe, too, and adore,<br /></span> +<span class="i2">With such wide proof?—Yea, though my soul perceives<br /></span> +<span class="i2">No evident presence, still it understands.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">And for a while it moves me to lie down<br /></span> +<span class="i2">Here on the spot his god-head sanctified:<span class="pagenum">[220]</span><br /></span> +<span class="i0">Mayhap some dream he dreamed may linger, brown<br /></span> +<span class="i2">And young as joy, around the forest side;<br /></span> +<span class="i0">Some dream within whose heart lives no disdain<br /></span> +<span class="i0">For such as I whose love is sweet and sane;<br /></span> +<span class="i0">That may repeat, so none but I may hear—<br /></span> +<span class="i2">As one might tell a pearl-strung rosary—<br /></span> +<span class="i2">Some epic that the leaves have learned to croon,<br /></span> +<span class="i0">Some lyric whispered in the wild-flow'r's ear,<br /></span> +<span class="i2">Whose murmurous lines are sung by bird and bee,<br /></span> +<span class="i2">And all the insects of the night and noon.<br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">For, all around me, upon field and hill,<br /></span> +<span class="i2">Enchantment lies as of mysterious flutes;<br /></span> +<span class="i0">As if the music of a god's goodwill<br /></span> +<span class="i2">Had taken on material attributes<span class="pagenum">[221]</span><br /></span> +<span class="i0">In blooms, like chords; and in the water-gleam,<br /></span> +<span class="i0">That runs its silvery scales on every stream;<br /></span> +<span class="i0">In sunbeam bars, up which the butterfly,<br /></span> +<span class="i2">A golden note, vibrates then flutters on—<br /></span> +<span class="i2">Inaudible tunes, blown on the pipes of Pan,<br /></span> +<span class="i0">That have assumed a visible entity,<br /></span> +<span class="i2">And drugged the air with beauty so, a Faun,<br /></span> +<span class="i2">Behold, I seem, and am no more a man.<span class="pagenum">[222]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item063" id="Item063"></a>DISCOVERY</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">What is it now that I shall seek<br /></span> +<span class="i0">Where woods dip downward, in the hills;<br /></span> +<span class="i0">A mossy nook, a ferny creek,<br /></span> +<span class="i0">And May among the daffodils.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Or in the valley's vistaed glow,<br /></span> +<span class="i0">Past rocks of terraced trumpet-vines,<br /></span> +<span class="i0">Shall I behold her coming slow,<br /></span> +<span class="i0">Sweet May, among the columbines?<br /></span> +</div> + +<div class="stanza"> +<span class="i0">With red-bud cheeks and bluet eyes,<br /></span> +<span class="i0">Big eyes, the homes of happiness,<br /></span> +<span class="i0">To meet me with the old surprise,<br /></span> +<span class="i0">Her hoiden hair all bonnetless.<span class="pagenum">[223]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Who waits for me, where, note for note,<br /></span> +<span class="i0">The birds make glad the forest trees?<br /></span> +<span class="i0">A dogwood blossom at her throat,<br /></span> +<span class="i0">My May among th' anemones.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">As sweetheart breezes kiss the blooms,<br /></span> +<span class="i0">And dewdrops drink the moonlight's gleam,<br /></span> +<span class="i0">My soul shall kiss her lips' perfumes,<br /></span> +<span class="i0">And drink the magic of her dreams.<span class="pagenum">[224]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item064" id="Item064"></a>THE OLD SPRING</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Under rocks whereon the rose<br /></span> +<span class="i0">Like a strip of morning glows;<br /></span> +<span class="i0">Where the azure-throated newt<br /></span> +<span class="i0">Drowses on the twisted root;<br /></span> +<span class="i0">And the brown bees, humming homeward,<br /></span> +<span class="i0">Stop to suck the honey-dew;<br /></span> +<span class="i0">Fern and leaf-hid, gleaming gloamward,<br /></span> +<span class="i0">Drips the wildwood spring I knew,<br /></span> +<span class="i0">Drips the spring my boyhood knew.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Myrrh and music everywhere<br /></span> +<span class="i0">Haunt its cascades;—like the hair<span class="pagenum">[225]</span><br /></span> +<span class="i0">That a naiad tosses cool,<br /></span> +<span class="i0">Swimming strangely beautiful,<br /></span> +<span class="i0">With white fragrance for her bosom,<br /></span> +<span class="i0">For her mouth a breath of song:—<br /></span> +<span class="i0">Under leaf and branch and blossom<br /></span> +<span class="i0">Flows the woodland spring along,<br /></span> +<span class="i0">Sparkling, singing flows along.<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Still the wet wan mornings touch<br /></span> +<span class="i0">Its gray rocks, perhaps; and such<br /></span> +<span class="i0">Slender stars as dusk may have<br /></span> +<span class="i0">Pierce the rose that roofs its wave;<br /></span> +<span class="i0">Still the thrush may call at noontide<br /></span> +<span class="i0">And the whippoorwill at night;<br /></span> +<span class="i0">Nevermore, by sun or moontide,<br /></span> +<span class="i0">Shall I see it gliding white,<br /></span> +<span class="i0">Falling, flowing, wild and white.<span class="pagenum">[226]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item065" id="Item065"></a>THE FOREST SPRING</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Push back the brambles, berry-blue:<br /></span> +<span class="i0">The hollowed spring is full in view:<br /></span> +<span class="i0">Deep-tangled with luxuriant fern<br /></span> +<span class="i0">Its rock-embedded, crystal urn.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Not for the loneliness that keeps<br /></span> +<span class="i0">The coigne wherein its silence sleeps;<br /></span> +<span class="i0">Not for wild butterflies that sway<br /></span> +<span class="i0">Their pansy pinions all the day<br /></span> +<span class="i0">Above its mirror; nor the bee,<br /></span> +<span class="i0">Nor dragon-fly, that passing see<br /></span> +<span class="i0">Themselves reflected in its spar;<br /></span> +<span class="i0">Not for the one white liquid star,<br /></span> +<span class="i0">That twinkles in its firmament;<br /></span> +<span class="i0">Nor moon-shot clouds, so slowly sent<br /></span> +<span class="pagenum">[227]</span><span class="i0">Athwart it when the kindly night<br /></span> +<span class="i0">Beads all its grasses with the light<br /></span> +<span class="i0">Small jewels of the dimpled dew;<br /></span> +<span class="i0">Not for the day's inverted blue<br /></span> +<span class="i0">Nor the quaint, dimly coloured stones<br /></span> +<span class="i0">That dance within it where it moans:<br /></span> +<span class="i0">Not for all these I love to sit<br /></span> +<span class="i0">In silence and to gaze in it.<br /></span> +<span class="i0">But, know, a nymph with merry eyes<br /></span> +<span class="i0">Looks at me from its laughing skies;<br /></span> +<span class="i0">A graceful glimmering nymph who plays<br /></span> +<span class="i0">All the long fragrant summer days<br /></span> +<span class="i0">With instant sights of bees and birds,<br /></span> +<span class="i0">And speaks with them in water words,<br /></span> +<span class="i0">And for whose nakedness the air<br /></span> +<span class="i0">Weaves moony mists, and on whose hair,<br /></span> +<span class="i0">Unfilleted, the night will set<br /></span> +<span class="i0">That lone star as a coronet.<span class="pagenum">[228]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item066" id="Item066"></a>TRANSMUTATION</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">To me all beauty that I see<br /></span> +<span class="i0">Is melody made visible:<br /></span> +<span class="i0">An earth-translated state, may be,<br /></span> +<span class="i0">Of music heard in Heaven or Hell.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Out of some love-impassioned strain<br /></span> +<span class="i0">Of saints, the rose evolved its bloom;<br /></span> +<span class="i0">And, dreaming of it here again,<br /></span> +<span class="i0">Perhaps re-lives it as perfume.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Out of some chant that demons sing<br /></span> +<span class="i0">Of hate and pain, the sunset grew;<br /></span> +<span class="i0">And, haply, still remembering,<br /></span> +<span class="i0">Re-lives it here as some wild hue.<span class="pagenum">[229]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item067" id="Item067"></a>DEAD CITIES</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Out of it all but this remains:—<br /></span> +<span class="i0">I was with one who crossed wide chains<br /></span> +<span class="i0">Of the Cordilleras, whose peaks<br /></span> +<span class="i0">Lock in the wilds of Yucatan,<br /></span> +<span class="i0">Chiapas and Honduras. Weeks—<br /></span> +<span class="i0">And then a city that no man<br /></span> +<span class="i0">Had ever seen; so dim and old,<br /></span> +<span class="i0">No chronicle has ever told<br /></span> +<span class="i0">The history of men who piled<br /></span> +<span class="i0">Its temples and huge teocallis<br /></span> +<span class="i0">Among mimosa-blooming valleys;<br /></span> +<span class="i0">Or how its altars were defiled<br /></span> +<span class="i0">With human blood; whose idols there<br /></span> +<span class="i0">With eyes of stone still stand and stare.<br /></span> +<span class="pagenum">[230]</span> +</div> + +<div class="stanza"> +<span class="i0">So old the moon can only know<br /></span> +<span class="i0">How old, since ancient forests grow<br /></span> +<span class="i0">On mighty wall and pyramid.<br /></span> +<span class="i0">Huge ceïbas, whose trunks were scarred<br /></span> +<span class="i0">With ages, and dense yuccas, hid<br /></span> +<span class="i0">Fanes 'mid the cacti, scarlet-starred.<br /></span> +<span class="i0">I looked upon its paven ways,<br /></span> +<span class="i0">And saw it in its kingliest days;<br /></span> +<span class="i0">When from the lordly palace one,<br /></span> +<span class="i0">A victim, walked with prince and priest,<br /></span> +<span class="i0">Who turned brown faces toward the east<br /></span> +<span class="i0">In worship of the rising sun:<br /></span> +<span class="i0">At night ten hundred temples' spires<br /></span> +<span class="i0">On gold burnt everlasting fires.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Uxmal? Palenque? or Copan?<br /></span> +<span class="i0">I know not. Only how no man<br /></span> +<span class="i0">Had ever seen; and still my soul<br /></span> +<span class="i0">Believes it vaster than the three.<span class="pagenum">[231]</span><br /></span> +<span class="i0">Volcanic rock walled in the whole,<br /></span> +<span class="i0">Lost in the woods as in some sea.<br /></span> +<span class="i0"><i>I only</i> read its hieroglyphs,<br /></span> +<span class="i0">Perused its monster monoliths<br /></span> +<span class="i0">Of death, gigantic heads; and read<br /></span> +<span class="i0">The pictured codex of its fate,<br /></span> +<span class="i0">The perished Toltec; while in hate<br /></span> +<span class="i0">Mad monkeys cursed me, as if dead<br /></span> +<span class="i0">Priests of its past had taken form<br /></span> +<span class="i0">To guard its ruined shrines from harm.<span class="pagenum">[232]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item068" id="Item068"></a>FROST</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Magician he, who, autumn nights,<br /></span> +<span class="i2">Down from the starry heavens whirls;<br /></span> +<span class="i0">A harlequin in spangled tights,<br /></span> +<span class="i2">Whose wand's touch carpets earth with pearls.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Through him each pane presents a scene,<br /></span> +<span class="i2">A Lilliputian landscape, where<br /></span> +<span class="i0">The world is white instead of green,<br /></span> +<span class="i2">And trees and houses hang in air.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Where Elfins gambol and delight,<br /></span> +<span class="i2">And haunt the jewelled bells of flowers;<br /></span> +<span class="i0">Where upside-down we see the night<br /></span> +<span class="i2">With many moons and starry showers.<span class="pagenum">[233]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">And surely in his wand or hand<br /></span> +<span class="i2">Is Midas magic, for, behold,<br /></span> +<span class="i0">Some morn we wake and find the land,<br /></span> +<span class="i2">Both field and forest, turned to gold.<span class="pagenum">[234]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item069" id="Item069"></a>A NIGHT IN JUNE</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">White as a lily moulded of Earth's milk<br /></span> +<span class="i2">That eve the moon bloomed in a hyacinth sky;<br /></span> +<span class="i2">Soft in the gleaming glens the wind went by,<br /></span> +<span class="i0">Faint as a phantom clothed in unseen silk:<br /></span> +<span class="i0">Bright as a naiad's leap, from shine to shade<br /></span> +<span class="i2">The runnel twinkled through the shaken brier;<br /></span> +<span class="i2">Above the hills one long cloud, pulsed with fire,<br /></span> +<span class="i0">Flashed like a great enchantment-welded blade.<br /></span> +<span class="i0">And when the western sky seemed some weird land,<br /></span> +<span class="i2">And night a witching spell at whose command<span class="pagenum">[235]</span><br /></span> +<span class="i2">One sloping star fell green from heav'n; and deep<br /></span> +<span class="i0">The warm rose opened for the moth to sleep;<br /></span> +<span class="i2">Then she, consenting, laid her hands in his,<br /></span> +<span class="i2">And lifted up her lips for their first kiss.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">There where they part, the porch's steps are strewn<br /></span> +<span class="i2">With wind-blown petals of the purple vine;<br /></span> +<span class="i2">Athwart the porch the shadow of a pine<br /></span> +<span class="i0">Cleaves the white moonlight; and like some calm rune<br /></span> +<span class="i0">Heaven says to Earth, shines the majestic moon;<br /></span> +<span class="i2">And now a meteor draws a lilac line<br /></span> +<span class="i2">Across the welkin, as if God would sign<br /></span> +<span class="i0">The perfect poem of this night of June.<br /></span> +<span class="i0">The wood-wind stirs the flowering chestnut-tree,<span class="pagenum">[236]</span><br /></span> +<span class="i2">Whose curving blossoms strew the glimmering grass<br /></span> +<span class="i2">Like crescents that wind-wrinkled waters glass;<br /></span> +<span class="i0">And, like a moonstone in a frill of flame,<br /></span> +<span class="i2">The dewdrop trembles on the peony,<br /></span> +<span class="i2">As in a lover's heart his sweetheart's name.<span class="pagenum">[237]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item070" id="Item070"></a>THE DREAMER</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Even as a child he loved to thrid the bowers,<br /></span> +<span class="i2">And mark the loafing sunlight's lazy laugh;<br /></span> +<span class="i2">Or, on each season, spell the epitaph<br /></span> +<span class="i0">Of its dead months repeated in their flowers;<br /></span> +<span class="i0">Or list the music of the strolling showers,<br /></span> +<span class="i2">Whose vagabond notes strummed through a twinkling staff,<br /></span> +<span class="i2">Or read the day's delivered monograph<br /></span> +<span class="i0">Through all the chapters of its dædal hours.<br /></span> +<span class="i0">Still with the same child-faith and child regard<br /></span> +<span class="i2">He looks on Nature, hearing at her heart,<br /></span> +<span class="i2">The Beautiful beat out the time and place,<br /></span> +<span class="i0">Through which no lesson of this life is hard,<br /></span> +<span class="i2">No struggle vain of science or of art,<br /></span> +<span class="i2">That dies with failure written on its face.<span class="pagenum">[238]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item071" id="Item071"></a>WINTER</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">The flute, whence Summer's dreamy fingertips<br /></span> +<span class="i2">Drew music,—ripening the pinched kernels in<br /></span> +<span class="i2">The burly chestnut and the chinquapin,<br /></span> +<span class="i0">Red-rounding-out the oval haws and hips,—<br /></span> +<span class="i0">Now Winter crushes to his stormy lips,<br /></span> +<span class="i2">And surly songs whistle around his chin;<br /></span> +<span class="i2">Now the wild days and wilder nights begin<br /></span> +<span class="i0">When, at the eaves, the crooked icicle drips.<br /></span> +<span class="i0">Thy songs, O Summer, are not lost so soon!<br /></span> +<span class="i2">Still dwells a memory in thy hollow flute,<br /></span> +<span class="i2">Which unto Winter's masculine airs doth give<span class="pagenum">[239]</span><br /></span> +<span class="i0">Thy own creative qualities of tune,<br /></span> +<span class="i2">Through which we see each bough bend white with fruit,<br /></span> +<span class="i2">Each bush with bloom, in snow commemorative.<span class="pagenum">[240]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item072" id="Item072"></a>MID-WINTER</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">All day the clouds hung ashen with the cold;<br /></span> +<span class="i2">And through the snow the muffled waters fell;<br /></span> +<span class="i2">The day seemed drowned in grief too deep to tell,<br /></span> +<span class="i0">Like some old hermit whose last bead is told.<br /></span> +<span class="i0">At eve the wind woke, and the snow clouds rolled<br /></span> +<span class="i2">Aside to leave the fierce sky visible;<br /></span> +<span class="i2">Harsh as an iron landscape of wan hell<br /></span> +<span class="i0">The dark hills hung framed in with gloomy gold.<br /></span> +<span class="i0">And then, towards night, the wind seemed some one at<span class="pagenum">[241]</span><br /></span> +<span class="i2">My window wailing: now a little child<br /></span> +<span class="i2">Crying outside my door; and now the long<br /></span> +<span class="i0">Howl of some starved beast down the flue. I sat<br /></span> +<span class="i2">And knew 'twas Winter with his madman song<br /></span> +<span class="i2">Of miseries on which he stared and smiled.<span class="pagenum">[242]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item073" id="Item073"></a>SPRING</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">First came the rain, loud, with sonorous lips;<br /></span> +<span class="i2">A pursuivant who heralded a prince:<br /></span> +<span class="i2">And dawn put on her livery of tints,<br /></span> +<span class="i0">And dusk bound gold about her hair and hips:<br /></span> +<span class="i0">And, all in silver mail, the sunlight came,<br /></span> +<span class="i2">A knight, who bade the winter let him pass;<br /></span> +<span class="i2">And freed imprisoned beauty, naked as<br /></span> +<span class="i0">The Court of Love, in all her wildflower shame.<br /></span> +<span class="i0">And so she came, in breeze-borne loveliness,<br /></span> +<span class="i2">Across the hills; and heav'n bent down to bless:<br /></span> +<span class="i2">Above her head the birds were as a lyre;<br /></span> +<span class="i0">And at her feet, like some strong worshipper,<br /></span> +<span class="i2">The shouting water pæan'd praise of her<br /></span> +<span class="i2">Who, with blue eyes, set the wild world on fire.<span class="pagenum">[243]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item074" id="Item074"></a>TRANSFORMATION</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">It is the time when, by the forest falls,<br /></span> +<span class="i2">The touch-me-nots hang fairy folly-caps;<br /></span> +<span class="i2">When ferns and flowers fill the lichened laps<br /></span> +<span class="i0">Of rocks with colour, rich as orient shawls:<br /></span> +<span class="i0">And in my heart I hear a voice that calls<br /></span> +<span class="i2">Me woodward, where the hamadryad wraps<br /></span> +<span class="i2">Her limbs in bark, and, bubbling in the saps,<br /></span> +<span class="i0">Sings the sweet Greek of Pan's old madrigals:<br /></span> +<span class="i0">There is a gleam that lures me up the stream—<br /></span> +<span class="i2">A Naiad swimming with wet limbs of light?<span class="pagenum">[244]</span><br /></span> +<span class="i2">Perfume that leads me on from dream to dream—<br /></span> +<span class="i0">An Oread's footprints fragrant with her flight?<br /></span> +<span class="i2">And, lo! meseems I am a Faun again,<br /></span> +<span class="i2">Part of the myths that I pursue in vain.<span class="pagenum">[245]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item075" id="Item075"></a>RESPONSE</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">There is a music of immaculate love,<br /></span> +<span class="i2">That beats within the virgin veins of Spring,—<br /></span> +<span class="i2">And trillium blossoms, like the stars that cling<br /></span> +<span class="i0">To fairies' wands; and, strung on sprays above,<br /></span> +<span class="i0">White-hearts and mandrake blooms—that look enough<br /></span> +<span class="i2">Like the elves' washing—white with laundering<br /></span> +<span class="i2">Of May-moon dews; and all pale-opening<br /></span> +<span class="i0">Wild-flowers of the woods are born thereof.<br /></span> +<span class="i0">There is no sod Spring's white foot brushes but<span class="pagenum">[246]</span><br /></span> +<span class="i2">Must feel the music that vibrates within,<br /></span> +<span class="i2">And thrill to the communicated touch<br /></span> +<span class="i0">Responsive harmonies, that must unshut<br /></span> +<span class="i2">The heart of Beauty for Song's concrete kin,<br /></span> +<span class="i2">Emotions—that are flowers—born of such.<span class="pagenum">[247]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item076" id="Item076"></a>THE SWASHBUCKLER</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Squat-nosed and broad, of big and pompous port;<br /></span> +<span class="i2">A tavern visage, apoplexy haunts,<br /></span> +<span class="i2">All pimple-puffed: the Falstaff-like resort<br /></span> +<span class="i0">Of fat debauchery, whose veined cheek flaunts<br /></span> +<span class="i0">A flabby purple: rusty-spurred he stands<br /></span> +<span class="i2">In rakehell boots and belt, and hanger that<br /></span> +<span class="i0">Claps when, with greasy gauntlets on his hands,<br /></span> +<span class="i2">He swaggers past in cloak and slouch-plumed hat.<br /></span> +<span class="i0">Aggression marches armies in his words;<br /></span> +<span class="i2">And in his oaths great deeds ride cap-à-pie;<span class="pagenum">[248]</span><br /></span> +<span class="i0">His looks, his gestures breathe the breath of swords;<br /></span> +<span class="i2">And in his carriage camp all wars to be:—<br /></span> +<span class="i2">With him of battles there shall be no lack<br /></span> +<span class="i0">While buxom wenches are and stoops of sack.<span class="pagenum">[249]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item077" id="Item077"></a>SIMULACRA</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Dark in the west the sunset's sombre wrack<br /></span> +<span class="i2">Unrolled vast walls the rams of war had split,<br /></span> +<span class="i2">Along whose battlements the battle lit<br /></span> +<span class="i0">Tempestuous beacons; and, with gates hurled back,<br /></span> +<span class="i0">A mighty city, red with ruin and sack,<br /></span> +<span class="i2">Through burning breaches, crumbling bit by bit,<br /></span> +<span class="i2">Showed where the God of Slaughter seemed to sit<br /></span> +<span class="i0">With Conflagration glaring at each crack.—<br /></span> +<span class="i0">Who knows? perhaps as sleep unto us makes<span class="pagenum">[250]</span><br /></span> +<span class="i2">Our dreams as real as our waking seems<br /></span> +<span class="i2">With recollections time can not destroy,<br /></span> +<span class="i0">So in the mind of Nature now awakes,<br /></span> +<span class="i2">Haply, some wilder memory, and she dreams<br /></span> +<span class="i2">The stormy story of the fall of Troy.<span class="pagenum">[251]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item078" id="Item078"></a>CAVERNS</h2> + +<p class="h3">WRITTEN OF COLOSSAL CAVE, KENTUCKY</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Aisles and abysses; leagues no man explores,<br /></span> +<span class="i2">Of rock that labyrinths and night that drips;<br /></span> +<span class="i2">Where everlasting silence broods, with lips<br /></span> +<span class="i0">Of adamant, o'er earthquake-builded floors.<br /></span> +<span class="i0">Where forms, such as the Demon-World adores,<br /></span> +<span class="i2">Laborious water carves; whence echo slips<br /></span> +<span class="i2">Wild-tongued o'er pools where petrifaction strips<br /></span> +<span class="i0">Her breasts of crystal from which crystal pours.—<br /></span> +<span class="i0">Here where primordial fear, the Gorgon, sits<br /></span> +<span class="i2">Staring all life to stone in ghastly mirth,<span class="pagenum">[252]</span><br /></span> +<span class="i2">I seem to tread, with awe no tongue can tell,—<br /></span> +<span class="i0">Beneath vast domes, by torrent-tortured pits,<br /></span> +<span class="i2">'Mid wrecks terrific of the ruined Earth,—<br /></span> +<span class="i2">An ancient causeway of forgotten Hell.<span class="pagenum">[253]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item079" id="Item079"></a>THE BLUE BIRD</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">From morn till noon upon the window-pane<br /></span> +<span class="i2">The tempest tapped with rainy finger-nails,<br /></span> +<span class="i2">And all the afternoon the blustering gales<br /></span> +<span class="i0">Beat at the door with furious feet of rain.<br /></span> +<span class="i0">The rose, near which the lily bloom lay slain,<br /></span> +<span class="i2">Like some red wound dripped by the garden rails,<br /></span> +<span class="i2">On which the sullen slug left slimy trails—<br /></span> +<span class="i0">Meseemed the sun would never shine again.<br /></span> +<span class="i0">Then in the drench, long, loud and full of cheer,—<br /></span> +<span class="i2">A skyey herald tabarded in blue,—<br /></span> +<span class="i2">A bluebird bugled ... and at once a bow<br /></span> +<span class="i0">Was bent in heaven, and I seemed to hear<br /></span> +<span class="i2">God's sapphire spaces crystallising through<br /></span> +<span class="i2">The strata'd clouds in azure tremolo.<span class="pagenum">[254]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item080" id="Item080"></a>QUATRAINS</h2> + +<h3>POETRY</h3> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Who hath beheld the goddess face to face,<br /></span> +<span class="i0">Blind with her beauty, all his days shall go<br /></span> +<span class="i0">Climbing lone mountains towards her temple's place,<br /></span> +<span class="i0">Weighed with song's sweet, inexorable woe.<br /></span> +</div> + +<h3>THE UNIMAGINATIVE</h3> + +<div class="stanza"> +<span class="i0">Each form of beauty's but the new disguise<br /></span> +<span class="i0">Of thoughts more beautiful than forms can be;<br /></span> +<span class="i0">Sceptics, who search with unanointed eyes,<br /></span> +<span class="i0">Never the Earth's wild fairy-dance shall see.<span class="pagenum">[255]</span><br /></span> +</div> + +<h3>MUSIC</h3> + +<div class="stanza"> +<span class="i0">God-born before the Sons of God, she hurled,<br /></span> +<span class="i0">With awful symphonies of flood and fire,<br /></span> +<span class="i0">God's name on rocking Chaos—world by world<br /></span> +<span class="i0">Flamed as the universe rolled from her lyre.<br /></span> +</div> + +<h3>THE THREE ELEMENTS</h3> + +<div class="stanza"> +<span class="i0">They come as couriers of Heaven: their feet<br /></span> +<span class="i0">Sonorous-sandalled with majestic awe;<br /></span> +<span class="i0">In raiment of swift foam and wind and heat,<br /></span> +<span class="i0">Blowing the trumpets of God's wrath and law.<br /></span> +</div> + +<h3>ROME</h3> + +<div class="stanza"> +<span class="i0">Above the circus of the world she sat,<br /></span> +<span class="i0">Beautiful and base, a harlot crowned with pride:<br /></span> +<span class="i0">Fierce nations, upon whom she sneered and spat,<br /></span> +<span class="i0">Shrieked at her feet and for her pastime died.<span class="pagenum">[256]</span><br /></span> +</div> + +<h3>ON READING THE LIFE OF HAROUN ER RESHID</h3> + +<div class="stanza"> +<span class="i0">Down all the lanterned Bagdad of our youth<br /></span> +<span class="i0">He steals, with golden justice for the poor:<br /></span> +<span class="i0">Within his palace—you shall know the truth!—<br /></span> +<span class="i0">A blood-smeared headsman hides behind each door.<br /></span> +</div> + +<h3>MNEMOSYNE</h3> + +<div class="stanza"> +<span class="i0">In classic beauty, cold, immaculate,<br /></span> +<span class="i0">A voiceful sculpture, stern and still she stands,<br /></span> +<span class="i0">Upon her brow deep-chiselled love and hate,<br /></span> +<span class="i0">That sorrow o'er dead roses in her hands.<br /></span> +</div> + +<h3>BEAUTY</h3> + +<div class="stanza"> +<span class="i0">High as a star, yet lowly as a flower,<br /></span> +<span class="i0">Unknown she takes her unassuming place<br /></span> +<span class="i0">At Earth's proud masquerade—the appointed hour<br /></span> +<span class="i0">Strikes, and, behold! the marvel of her face.<span class="pagenum">[257]</span><br /></span> +</div> + +<h3>THE STARS</h3> + +<div class="stanza"> +<span class="i0">These—the bright symbols of man's hope and fame,<br /></span> +<span class="i0">In which he reads his blessing or his curse—<br /></span> +<span class="i0">Are syllables with which God speaks his name<br /></span> +<span class="i0">In the vast utterance of the universe.<br /></span> +</div> + +<h3>ECHO</h3> + +<div class="stanza"> +<span class="i0">Dweller in hollow places, hills and rocks,<br /></span> +<span class="i0">Daughter of Silence and old Solitude,<br /></span> +<span class="i0">Tip-toe she stands within her cave or wood,<br /></span> +<span class="i0">Her only life the noises that she mocks.<span class="pagenum">[258]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item081" id="Item081"></a>ADVENTURERS</h2> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">Seemingly over the hill-tops,<br /></span> +<span class="i2">Possibly under the hills,<br /></span> +<span class="i0">A tireless wing that never drops,<br /></span> +<span class="i2">And a song that never stills.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Epics heard on the stars' lips?<br /></span> +<span class="i2">Lyrics read in the dew?—<br /></span> +<span class="i0">To sing the song at our finger-tips,<br /></span> +<span class="i2">And live the world anew!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Cavaliers of the Cortés kind,<br /></span> +<span class="i2">Bold and stern and strong,—<br /></span> +<span class="i0">And, oh, for a fine and muscular mind<br /></span> +<span class="i2">To sing a new-world's song!<span class="pagenum">[259]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Sailing seas of the silver morn,<br /></span> +<span class="i2">Winds of the balm and spice,<br /></span> +<span class="i0">To put the old-world art to scorn<br /></span> +<span class="i2">At the price of any price!<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Danger, death, but the hope high!<br /></span> +<span class="i2">God's, if the purpose fail!<br /></span> +<span class="i0">Into the deeds of a vaster sky<br /></span> +<span class="i2">Sailing a dauntless sail.<span class="pagenum">[260]</span><br /></span> +</div> +</div> + +<p class="spacer"> </p> + +<h2><a name="Item082" id="Item082"></a>EPILOGUE</h2> + +<p class="h3l">I</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">O Life! O Death! O God!<br /></span> +<span class="i2">Have we not striven?<br /></span> +<span class="i0">Have we not known Thee, God<br /></span> +<span class="i2">As Thy stars know Heaven?<br /></span> +<span class="i0">Have we not held Thee true,<br /></span> +<span class="i2">True as thy deepest,<br /></span> +<span class="i0">Sweet and immaculate blue<br /></span> +<span class="i0">Heaven that feels Thy dew!<br /></span> +<span class="i0">Have we not <i>known</i> Thee true,<br /></span> +<span class="i2">O God who keepest.<br /></span> +</div> +</div> + +<p class="h3l">II</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">O God, our Father, God!—<br /></span> +<span class="i2">Who gav'st us fire,<span class="pagenum">[261]</span><br /></span> +<span class="i0">To soar beyond the sod,<br /></span> +<span class="i2">To rise, aspire—<br /></span> +<span class="i0">What though we strive and strive,<br /></span> +<span class="i0">And all our soul says 'live'?<br /></span> +<span class="i0">The empty scorn of men<br /></span> +<span class="i0">Will sneer it down again.<br /></span> +<span class="i0">And, O sun-centred high,<br /></span> +<span class="i2">Who, too, art Poet,<br /></span> +<span class="i0">Beneath Thy tender sky<br /></span> +<span class="i0">Each day new Keatses die,<br /></span> +<span class="i0">Calling all life a lie;<br /></span> +<span class="i0">Can this be so—and why?—<br /></span> +<span class="i2">And canst Thou know it?<br /></span> +</div> +</div> + +<p class="h3l">III</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">We know Thee beautiful,<br /></span> +<span class="i2">We know Thee bitter!<br /></span> +<span class="i0">Help Thou!—Men's eyes are dull,<br /></span> +<span class="i0">O God most beautiful!<span class="pagenum">[262]</span><br /></span> +<span class="i0">Make thou their souls less full<br /></span> +<span class="i2">Of things mere glitter.<br /></span> +<span class="i0">Dost Thou not see our tears?<br /></span> +<span class="i0">Dost Thou not hear the years<br /></span> +<span class="i0">Treading our hearts to shards,<br /></span> +<span class="i0">O Lord of all the Lords?—<br /></span> +<span class="i0">Arouse Thee, God of Hosts,<br /></span> +<span class="i0">There 'mid Thy glorious ghosts,<br /></span> +<span class="i2">So high and holy!<br /></span> +<span class="i0">Have mercy on our tears!<br /></span> +<span class="i0">Have mercy on our years!<br /></span> +<span class="i0">Our strivings and our fears,<br /></span> +<span class="i0">O Lord of lordly peers,<br /></span> +<span class="i2">On us, so lowly!<br /></span> +</div> +</div> + +<p class="h3l">IV</p> + +<div class="poem"> + +<div class="stanza"> +<span class="i0">On us, so fondly fain<br /></span> +<span class="i0">To tell what mother-pain<br /></span> +<span class="i0">Of Nature makes the rain.<br /></span> +<span class="pagenum">[263]</span> +<span class="i0">On us, so glad to show<br /></span> +<span class="i0">The sorrow of her snow,<br /></span> +<span class="i0">And all her winds that blow.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Us, who interpret right<br /></span> +<span class="i0">Her mystic rose of light,<br /></span> +<span class="i0">Her moony rune of night.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Us, who have utterance for<br /></span> +<span class="i0">Each warm, flame-hearted star<br /></span> +<span class="i0">That stammers from afar.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Who hear the tears and sighs<br /></span> +<span class="i0">Of every bud that dies<br /></span> +<span class="i0">While heav'n's dew on it lies.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Who see the power that dowers<br /></span> +<span class="i0">The wildwood bosks and bowers<br /></span> +<span class="i0">With musk of sap and flowers.<span class="pagenum">[264]</span><br /></span> +</div> + +<div class="stanza"> +<span class="i0">Who see what no man sees<br /></span> +<span class="i0">In water, earth, and breeze,<br /></span> +<span class="i0">And in the hearts of trees.<br /></span> +</div> + +<div class="stanza"> +<span class="i0">Turn not away Thy light,<br /></span> +<span class="i0">O God!—Our strength is slight!<br /></span> +<span class="i0">Help us who breast the height!<br /></span> +<span class="i0">Have mercy, Infinite!<br /></span> +<span class="i2">Have mercy!<br /></span> +</div> +</div> + +<p class="spacer"> </p> +<hr /> +<p class="h6">Printed by T. and A. CONSTABLE, (late) Printers to Her Majesty<br /> +at the Edinburgh University Press</p> + + + + + + + + +<pre> + + + + + +End of the Project Gutenberg EBook of Kentucky Poems, by Madison J. Cawein + +*** END OF THIS PROJECT GUTENBERG EBOOK KENTUCKY POEMS *** + +***** This file should be named 36661-h.htm or 36661-h.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/6/6/6/36661/ + +Produced by David Garcia, Matthew Wheaton and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. + + +</pre> + +</body> +</html> diff --git a/36661-h/images/decoration.jpg b/36661-h/images/decoration.jpg Binary files differnew file mode 100644 index 0000000..3e13936 --- /dev/null +++ b/36661-h/images/decoration.jpg diff --git a/36661.txt b/36661.txt new file mode 100644 index 0000000..307861e --- /dev/null +++ b/36661.txt @@ -0,0 +1,5124 @@ +The Project Gutenberg EBook of Kentucky Poems, by Madison J. Cawein + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + + +Title: Kentucky Poems + +Author: Madison J. Cawein + +Commentator: Edmund Gosse + +Release Date: July 9, 2011 [EBook #36661] + +Language: English + +Character set encoding: ASCII + +*** START OF THIS PROJECT GUTENBERG EBOOK KENTUCKY POEMS *** + + + + +Produced by David Garcia, Matthew Wheaton and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + + + + + + The Author's thanks are due to Mr. R. H. RUSSELL, of New York, for + kind permission to reprint from _Shapes and Shadows_ four of the poems + published in this volume. + + + + + KENTUCKY POEMS + + BY MADISON CAWEIN + + + WITH AN INTRODUCTION BY EDMUND GOSSE + + NEW YORK + E. P. DUTTON & CO. + 1903 + + + + + NOTE + + + The poems included in this volume have been selected from the + following volumes of the author: _Moods and Memories_, _Red Leaves and + Roses_, _Poems of Nature and Love_, _Intimations of the Beautiful_, + _Days and Dreams_, _Undertones_, _Idyllic Monologues_, _The Garden of + Dreams_, _Shapes and Shadows_, _Myth and Romance_, and _Weeds by the + Wall_. None of the longer poems have been included in this selection. + + + + + CONTENTS + + + PROLOGUE + + FOREST AND FIELD + + SUMMER + + TO SORROW + + NIGHT + + A FALLEN BEECH + + A TWILIGHT MOTH + + THE GRASSHOPPER + + BEFORE THE RAIN + + AFTER RAIN + + THE HAUNTED HOUSE + + OCTOBER + + INDIAN SUMMER + + ALONG THE OHIO + + A COIGN OF THE FOREST + + CREOLE SERENADE + + WILL O' THE WISPS + + THE TOLLMAN'S DAUGHTER + + THE BOY COLUMBUS + + SONG OF THE ELF + + THE OLD INN + + THE MILL-WATER + + THE DREAM + + SPRING TWILIGHT + + A SLEET-STORM IN MAY + + UNREQUITED + + THE HEART O' SPRING + + 'A BROKEN RAINBOW ON THE SKIES OF MAY' + + ORGIE + + REVERIE + + LETHE + + DIONYSIA + + THE NAIAD + + THE LIMNAD + + INTIMATIONS + + BEFORE THE TEMPLE + + ANTHEM OF DAWN + + AT THE LANE'S END + + THE FARMSTEAD + + A FLOWER OF THE FIELDS + + THE FEUD + + LYNCHERS + + DEAD MAN'S RUN + + AUGUST + + THE BUSH-SPARROW + + QUIET + + MUSIC + + THE PURPLE VALLEYS + + A DREAM SHAPE + + THE OLD BARN + + THE WOOD WITCH + + AT SUNSET + + MAY + + RAIN + + TO FALL + + SUNSET IN AUTUMN + + THE HILLS + + CONTENT + + HEART OF MY HEART + + OCTOBER + + MYTH AND ROMANCE + + GENIUS LOCI + + DISCOVERY + + THE OLD SPRING + + THE FOREST SPRING + + TRANSMUTATION + + DEAD CITIES + + FROST + + A NIGHT IN JUNE + + THE DREAMER + + WINTER + + MID-WINTER + + SPRING + + TRANSFORMATION + + RESPONSE + + THE SWASHBUCKLER + + SIMULACRA + + CAVERNS + + THE BLUE BIRD + + QUATRAINS + + ADVENTURERS + + EPILOGUE + + + + +INTRODUCTION + + +Since the disappearance of the latest survivors of that graceful and +somewhat academic school of poets who ruled American literature so long +from the shores of Massachusetts, serious poetry in the United States +seems to have been passing through a crisis of languor. Perhaps there is +no country on the civilised globe where, in theory, verse is treated +with more respect and, in practice, with a greater lack of grave +consideration than America. No conjecture as to the reason of this must +be attempted here, further than to suggest that the extreme value set +upon sharpness, ingenuity and rapid mobility is obviously calculated to +depreciate and to condemn the quiet practice of the most meditative of +the arts. Hence we find that it is what is called 'humorous' verse which +is mainly in fashion on the western side of the Atlantic. Those rhymes +are most warmly welcomed which play the most preposterous tricks with +language, which dazzle by the most mountebank swiftness of turn, and +which depend most for their effect upon paradox and the negation of +sober thought. It is probable that the diseased craving for what is +'smart,' 'snappy' and wide-awake, and the impulse to see everything +foreshortened and topsy-turvy, must wear themselves out before cooler +and more graceful tastes again prevail in imaginative literature. + +Whatever be the cause, it is certain that this is not a moment when +serious poetry, of any species, is flourishing in the United States. The +absence of anything like a common impulse among young writers, of any +definite and intelligible, if excessive, _parti pris_, is immediately +observable if we contrast the American, for instance, with the French +poets of the last fifteen years. Where there is no school and no clear +trend of executive ambition, the solitary artist, whose talent forces +itself up into the light and air, suffers unusual difficulties, and runs +a constant danger of being choked in the aimless mediocrity that +surrounds him. We occasionally meet with a poet in the history of +literature, of whom we are inclined to say, Charming as he is, he would +have developed his talent more evenly and conspicuously,--with greater +decorum, perhaps,--if he had been accompanied from the first by other +young men like-minded, who would have formed for him an atmosphere and +cleared for him a space. This is the one regret I feel in contemplating, +as I have done for years past, the ardent and beautiful talent of Mr. +Cawein. I deplore the fact that he seems to stand alone in his +generation; I think his poetry would have been even better than it is, +and its qualities would certainly have been more clearly perceived, and +more intelligently appreciated, if he were less isolated. In his own +country, at this particular moment, in this matter of serious +nature-painting in lyric verse, Mr. Cawein possesses what Cowley would +have called 'a monopoly of wit,' In one of his lyrics Mr. Cawein asks-- + + 'The song-birds, are they flown away, + The song-birds of the summer-time, + That sang their souls into the day, + And set the laughing hours to rhyme? + No cat-bird scatters through the hush + The sparkling crystals of her song; + Within the woods no hermit-thrush + Trails an enchanted flute along.' + +To this inquiry, the answer is: the only hermit-thrush now audible +seems to sing from Louisville, Kentucky. America will, we may be +perfectly sure, calm herself into harmony again, and possess once more +her school of singers. In those coming days, history may perceive in Mr. +Cawein the golden link that bound the music of the past to the music of +the future through an interval of comparative tunelessness. + +The career of Mr. Madison Cawein is represented to me as being most +uneventful. He seems to have enjoyed unusual advantages for the +cultivation and protection of the poetical temperament. He was born on +the 23rd of March 1865, in the metropolis of Kentucky, the vigorous city +of Louisville, on the southern side of the Ohio, in the midst of a +country celebrated for tobacco and whisky and Indian corn. These are +commodities which may be consumed in excess, but in moderation they make +glad the heart of man. They represent a certain glow of the earth, they +indicate the action of a serene and gentle climate upon a rich soil. It +was in this delicate and voluptuous state of Kentucky that Mr. Cawein +was born, that he was educated, that he became a poet, and that he has +lived ever since. His blood is full of the colour and odour of his +native landscape. The solemn books of history tell us that Kentucky was +discovered in 1769, by Daniel Boone, a hunter. But he first discovers a +country who sees it first, and teaches the world to see it; no doubt +some day the city of Louisville will erect, in one of its principal +squares, a statue to 'Madison Cawein, who discovered the Beauty of +Kentucky.' The genius of this poet is like one of those deep rivers of +his native state, which cut paths through the forests of chestnut and +hemlock as they hurry towards the south and west, brushing with the +impulsive fringe of their currents the rhododendrons and calmias and +azaleas that bend from the banks to be mirrored in their flushing +waters. + +Mr. Cawein's vocation to poetry was irresistible. I do not know that he +ever tried to resist it. I have even the idea that a little more +resistance would have been salutary for a talent which nothing could +have discouraged, and which opposition might have taught the arts of +compression and selection. Mr. Cawein suffered at first, I think, from +lack of criticism more than from lack of eulogy. From his early writings +I seem to gather an impression of a Louisville more ready to praise what +was second-rate than what was first-rate, and practically, indeed, +without any scale of appreciation whatever. This may be a mistake of +mine; at all events, Mr. Cawein has had more to gain from the passage +of years in self-criticism than in inspiring enthusiasm. The fount was +in him from the first; but it bubbled forth before he had digged a +definite channel for it. Sometimes, to this very day, he sports with the +principles of syntax as Nature played games so long ago with the +fantastic caverns of the valley of the Green River or with the +coral-reefs of his own Ohio. He has bad rhymes, amazing in so delicate +an ear; he has awkwardness of phrase not expected in one so plunged in +contemplation of the eternal harmony of Nature. But these grow fewer and +less obtrusive as the years pass by. + +The virgin timber-forests of Kentucky, the woods of honey-locust and +buck-eye, of white oak and yellow poplar, with their clearings full of +flowers unknown to us by sight or name, from which in the distance are +visible the domes of the far-away Cumberland Mountains, this seems to +be the hunting-field of Mr. Cawein's imagination. Here all, it must be +confessed, has hitherto been unfamiliar to the Muses. If Persephone 'of +our Cumnor cowslips never heard,' how much less can her attention have +been arrested by clusters of orchids from the Ocklawaha, or by the song +of the Whippoorwill, rung out when 'the west was hot geranium-red' under +the boughs of a black-jack on the slopes of Mount Kinnex. 'Not here,' +one is inclined to exclaim, 'not here, O Apollo, are haunts meet for +thee,' but the art of the poet is displayed by his skill in breaking +down these prejudices of time and place. Mr. Cawein reconciles us to his +strange landscape--the strangeness of which one has to admit is mainly +one of nomenclature,--by the exercise of a delightful instinctive +pantheism. He brings the ancient gods to Kentucky, and it is marvellous +how quickly they learn to be at home there. Here is Bacchus, with a +spicy fragment of calamus-root in his hand, trampling down the blue-eyed +grass, and skipping, with the air of a hunter born, into the hickory +thicket, to escape Artemis, whose robes, as she passes swiftly with her +dogs through the woods, startle the humming-birds, silence the green +tree-frogs, and fill the hot still air with the perfumes of peppermint +and pennyroyal. It is a queer landscape, but one of new natural +beauties frankly and sympathetically discovered, and it forms a _mise en +scene_ which, I make bold to say, would have scandalised neither Keats +nor Spenser. + +It was Mr. Howells,--ever as generous in discovering new native talent +as he is unflinching in reproof of the effeteness of European +taste,--who first drew attention to the originality and beauty of Mr. +Cawein's poetry. The Kentucky poet had, at that time, published but one +tentative volume, the _Blooms of the Berry_, of 1887. This was followed, +in 1888, by _The Triumph of Music_, and since then hardly a year has +passed without a slender sheaf of verse from Mr. Cawein's garden. Among +these (if a single volume is to be indicated), the quality which +distinguishes him from all other poets,--the Kentucky flavour, if we may +call it so,--is perhaps to be most agreeably detected in _Intimations of +the Beautiful_. But it is time that I should leave the American lyrist +to make his own appeal to English ears, with but one additional word of +explanation, namely, that in this selection Mr. Cawein's narrative poems +on mediaeval themes, and in general his cosmopolitan writings, have been +neglected in favour of such lyrics as would present him most vividly in +his own native landscape, no visitor in spirit to Europe, but at home +in that bright and exuberant West-- + + Where, in the hazy morning, runs + The stony branch that pools and drips, + Where red-haws and the wild-rose hips + Are strewn like pebbles; where the sun's + Own gold seems captured by the weeds; + To see, through scintillating seeds, + The hunters steal with glimmering guns. + To stand within the dewy ring + Where pale death smites the bone-set blooms, + And everlasting's flowers, and plumes + Of mint, with aromatic wing! + And hear the creek,--whose sobbing seems + A wild man murmuring in his dreams,-- + And insect violins that sing! + +So sweet a voice, so consonant with the music +of the singers of past times, heard in a place so +fresh and strange, will surely not pass without +its welcome from the lovers of genuine poetry. + + EDMUND GOSSE. + + + + + PROLOGUE + + + _There is a poetry that speaks + Through common things: the grasshopper, + That in the hot weeds creaks and creaks, + Says all of summer to my ear: + And in the cricket's cry I hear + The fireside speak, and feel the frost + Work mysteries of silver near + On country casements, while, deep lost + In snow, the gatepost seems a sheeted ghost. + + And other things give rare delight: + Those guttural harps the green-frogs tune, + Those minstrels of the falling night, + That hail the sickle of the moon + From grassy pools that glass her lune: + Or,--all of August in its loud + Dry cry,--the locust's call at noon, + That tells of heat and never a cloud + To veil the pitiless sun as with a shroud. + + The rain,--whose cloud dark-lids the moon, + The great white eyeball of the night,-- + Makes music for me; to its tune + I hear the flowers unfolding white, + The mushroom growing, and the slight + Green sound of grass that dances near; + The melon ripening with delight; + And in the orchard, soft and clear, + The apple redly rounding out its sphere. + + The grigs make music as of old, + To which the fairies whirl and shine + Within the moonlight's prodigal gold, + On woodways wild with many a vine: + When all the wilderness with wine + Of stars is drunk, I hear it say-- + 'Is God restricted to confine + His wonders only to the day, + That yields the abstract tangible to clay?' + + And to my ear the wind of Morn,-- + When on her rubric forehead far + One star burns big,--lifts a vast horn + Of wonder where all murmurs are: + In which I hear the waters war, + The torrent and the blue abyss, + And pines,--that terrace bar on bar + The mountain side,--like lovers' kiss, + And whisper words where naught but grandeur is. + + The jutting crags,--all iron-veined + With ore,--the peaks, where eagles scream, + That pour their cataracts, rainbow-stained, + Like hair, in many a mountain stream, + Can lift my soul beyond the dream + Of all religions; make me scan + No mere external or extreme, + But inward pierce the outward plan + And learn that rocks have souls as well as man._ + + + + + FOREST AND FIELD + + + I + + Green, watery jets of light let through + The rippling foliage drenched with dew; + And golden glimmers, warm and dim, + That in the vistaed distance swim; + Where, 'round the wood-spring's oozy urn, + The limp, loose fronds of forest fern + Trail like the tresses, green and wet, + A wood-nymph binds with violet. + O'er rocks that bulge and roots that knot + The emerald-amber mosses clot; + From matted walls of brier and brush + The elder nods its plumes of plush; + And, Argus-eyed with many a bloom, + The wild-rose breathes its wild perfume; + May-apples, ripening yellow, lean + With oblong fruit, a lemon-green, + Near Indian-turnips, long of stem, + That bear an acorn-oval gem, + As if some woodland Bacchus there,-- + While braiding locks of hyacinth hair + With ivy-tod,--had idly tost + His thyrsus down and so had lost: + And blood-root, that from scarlet wombs + Puts forth, in spring, its milk-white blooms, + That then like starry footsteps shine + Of April under beech and pine; + At which the gnarled eyes of trees + Stare, big as Fauns' at Dryades, + That bend above a fountain's spar + As white and naked as a star. + + The stagnant stream flows sleepily + Thick with its lily-pads; the bee,-- + All honey-drunk, a Bassarid,-- + Booms past the mottled toad, that, hid + In calamus-plants and blue-eyed grass, + Beside the water's pooling glass, + Silenus-like, eyes stolidly + The Maenad-glittering dragonfly. + And pennyroyal and peppermint + Pour dry-hot odours without stint + From fields and banks of many streams; + And in their scent one almost seems + To see Demeter pass, her breath + Sweet with her triumph over death.-- + A haze of floating saffron; sound + Of shy, crisp creepings o'er the ground; + The dip and stir of twig and leaf; + Tempestuous gusts of spices brief + Borne over bosks of sassafras + By winds that foot it on the grass; + Sharp, sudden songs and whisperings, + That hint at untold hidden things-- + Pan and Sylvanus who of old + Kept sacred each wild wood and wold. + A wily light beneath the trees + Quivers and dusks with every breeze-- + A Hamadryad, haply, who,-- + Culling her morning meal of dew + From frail, accustomed cups of flowers,-- + Now sees some Satyr in the bowers, + Or hears his goat-hoof snapping press + Some brittle branch, and in distress + Shrinks back; her dark, dishevelled hair + Veiling her limbs one instant there. + + + II + + Down precipices of the dawn + The rivers of the day are drawn, + The soundless torrents, free and far, + Of gold that deluge every star. + There is a sound of brooks and wings + That fills the woods with carollings; + And, dashed on moss and flow'r and fern, + And leaves, that quiver, breathe and burn, + Rose-radiance smites the solitudes, + The dew-drenched hills, the dripping woods, + That twitter as with canticles + Of shade and light; and wind, that smells + Of flowers, and buds, and boisterous bees, + Delirious honey, and wet trees.-- + Through briers that trip them, one by one, + With swinging pails, that take the sun, + A troop of girls comes--berriers, + Whose bare feet glitter where they pass + Through dewdrop-trembling tufts of grass. + And, oh! their laughter and their cheers + Wake Echo 'mid her shrubby rocks + Who, answering, from her mountain mocks + With rapid fairy horns; as if + Each mossy vale and weedy cliff + Had its imperial Oberon, + Who, seeking his Titania, hid + In coverts caverned from the sun, + In kingly wrath had called and chid. + + Cloud-feathers, oozing orange light, + Make rich the Indian locks of night; + Her dusky waist with sultry gold + Girdled and buckled fold on fold. + One star. A sound of bleating flocks. + Great shadows stretched along the rocks, + Like giant curses overthrown + By some Arthurian champion. + Soft-swimming sorceries of mist + That streak blue glens with amethyst. + And, tinkling in the clover dells, + The twilight sound of cattle-bells. + And where the marsh in reed and grass + Burns, angry as a shattered glass, + The flies make golden blurs, that shine + Like drops of amber-scattered wine + Spun high by reeling Bacchanals, + When Bacchus wreathes his curling hair + With vine-leaves, and from every lair + His worshippers around him calls. + They come, they come, a happy throng, + The berriers with gibe and song; + Their pails brimmed black to tin-bright eaves + With luscious fruit, kept cool with leaves + Of aromatic sassafras; + 'Twixt which some sparkling berry slips, + Like laughter, from the purple mass, + Wine-swollen as Silenus' lips. + + + III + + The tanned and tired noon climbs high + Up burning reaches of the sky; + Below the drowsy belts of pines + The rock-ledged river foams and shines; + And over rainless hill and dell + Is blown the harvest's sultry smell: + While, in the fields, one sees and hears + The brawny-throated harvesters,-- + Their red brows beaded with the heat,-- + By twos and threes among the wheat + Flash their hot scythes; behind them press + The binders--men and maids that sing + Like some mad troop of piping Pan;-- + While all the hillsides swoon and ring + Such sounds of Ariel airiness + As haunted freckled Caliban. + 'O ho! O ho! 'tis noon I say. + The roses blow. + Away, away, above the hay, + To the tune o' the bees the roses sway; + The love-songs that they hum all day, + So low! So low! + The roses' Minnesingers they.' + + Up velvet lawns of lilac skies + The tawny moon begins to rise + Behind low, blue-black hills of trees,-- + As rises up, in Siren seas, + To rock in purple deeps, hip-hid, + A virgin-bosomed Oceanid.-- + Gaunt shadows crouch by tree and scaur, + Like shaggy Satyrs waiting for + The moonbeam Nymphs, the Dryads white, + That take with loveliness the night, + And glorify it with their love. + The sweet, far notes I hear, I hear, + Beyond dim pines and mellow ways, + The song of some fair harvester, + The lovely Limnad of the grove, + Whose singing charms me while it slays. + 'O deep! O deep! the earth and air + Are sunk in sleep. + Adieu to care! Now everywhere + Is rest; and by the old oak there + The maiden with the nut-brown hair + Doth keep, doth keep + Tryst with her lover the young and fair.' + + + IV + + Like Atalanta's spheres of gold, + Within the orchard, apples rolled + From sudden hands of boughs that lay + Their leaves, like palms, against the day; + And near them pears of rusty brown + Lay bruised; and peaches, pink with down, + And furry as the ears of Pan, + Or, like Diana's cheeks, a tan + Beneath which burnt a tender fire; + Or wan as Psyche's with desire. + And down the orchard vistas,--young, + A hickory basket by him swung, + A straw-hat, 'gainst the sloping sun + Drawn brim-broad o'er his face,--he strode; + As if he looked to find some one, + His eyes far-fixed beyond the road. + Before him, like a living burr, + Rattled the noisy grasshopper. + And where the cows' melodious bells + Trailed music up and down the dells, + Beside the spring, that o'er the ground + Went whimpering like a fretful hound, + He saw her waiting, fair and slim, + Her pail forgotten there, for him. + + Yellow as sunset skies and pale + As fairy clouds that stay or sail + Through azure vaults of summer, blue + As summer heavens, the wild-flowers grew; + And blossoms on which spurts of light + Fell laughing, like the lips one might + Feign for a Hebe, or a girl + Whose mouth is laughter-lit with pearl. + Long ferns, in murmuring masses heaped; + And mosses moist, in beryl steeped + And musk aromas of the wood + And silence of the solitude: + And everything that near her blew + The spring had showered thick with dew.-- + Across the rambling fence she leaned, + Her fresh, round arms all white and bare; + Her artless beauty, bonnet-screened, + Rich-coloured with its auburn hair. + A wood-thrush gurgled in a vine-- + Ah! 'tis his step, 'tis he she hears; + The wild-rose smelt like some rare wine-- + He comes, ah, yes! 'tis he who nears. + And her brown eyes and all her face + Said welcome. And with rustic grace + He leant beside her; and they had + Some talk with youthful laughter glad: + I know not what; I know but this + Its final period was a kiss. + + + + + SUMMER + + + I + + Hang out your loveliest star, O Night! O Night! + Your richest rose, O Dawn! + To greet sweet Summer, her, who, clothed in light, + Leads Earth's best hours on. + Hark! how the wild birds of the woods + Throat it within the dewy solitudes! + The brook sings low and soft, + The trees make song, + As, from her heaven aloft + Comes blue-eyed Summer like a girl along. + + + II + + And as the Day, her lover, leads her in, + How bright his beauty glows! + How red his lips, that ever try to win + Her mouth's delicious rose! + And from the beating of his heart + Warm winds arise and sighing thence depart; + And from his eyes and hair + The light and dew + Fall round her everywhere, + And Heaven above her is an arch of blue. + + + III + + Come to the forest, or the treeless meadows + Deep with their hay or grain; + Come where the hills lift high their thrones of shadows, + Where tawny orchards reign. + Come where the reapers whet the scythe; + Where golden sheaves are heaped; where berriers blythe, + With willow-basket and with pail, + Swarm knoll and plain; + Where flowers freckle every vale, + And beauty goes with hands of berry-stain. + + + IV + + Come where the dragon-flies, a brassy blue, + Flit round the wildwood streams, + And, sucking at some horn of honey-dew, + The wild-bee hums and dreams. + Come where the butterfly waves wings of sleep, + Gold-disked and mottled over blossoms deep; + Come where beneath the rustic bridge + The green frog cries; + Or in the shade the rainbowed midge, + Above the emerald pools, with murmurings flies. + + + V + + Come where the cattle browse within the brake, + As red as oak and strong; + Where far-off bells the echoes faintly wake, + And milkmaids sing their song. + Come where the vine-trailed rocks, with waters hoary, + Tell to the sun some legend or some story; + Or, where the sunset to the land + Speaks words of gold; + Where ripeness walks, a wheaten band + Around her hair and blossoms manifold. + + + VI + + Come where the woods lift up their stalwart arms + Unto the star-sown skies; + Knotted and gnarled, that to the winds and storms + Fling mighty rhapsodies: + Or to the moon repeat what they have seen, + When Night upon their shoulders vast doth lean. + Come where the dew's clear syllable + Drips from the rose; + And where the fireflies fill + The night with golden music of their glows. + + + VII + + Now while the dingles and the vine-roofed glens + Whisper their flowery tale + Unto the silence; and the lakes and fens + Unto the moonlight pale + Murmur their rapture, let us seek her out, + Her of the honey throat, and peachy pout, + Summer! and at her feet, + The love of old + Lay like a sheaf of wheat, + And of our hearts the purest gold of gold. + + + + + TO SORROW + + + I + + O dark-eyed goddess of the marble brow, + Whose look is silence and whose touch is night, + Who walkest lonely through the world, O thou, + Who sittest lonely with Life's blown-out light; + Who in the hollow hours of night's noon + Criest like some lost child; + Whose anguish-fevered eyeballs seek the moon + To cool their pulses wild. + Thou who dost bend to kiss Joy's sister cheek, + Turning its rose to alabaster; yea, + Thou who art terrible and mad and meek, + Why in my heart art thou enshrined to-day? + O Sorrow say, O say! + + + II + + Now Spring is here and all the world is white, + I will go forth, and where the forest robes + Itself in green, and every hill and height + Crowns its fair head with blossoms,--spirit globes + Of hyacinth and crocus dashed with dew,-- + I will forget my grief, + And thee, O Sorrow, gazing on the blue, + Beneath a last year's leaf, + Of some brief violet the south wind woos, + Or bluet, whence the west wind raked the snow; + The baby eyes of love, the darling hues + Of happiness, that thou canst never know, + O child of pain and woe. + + + III + + On some hoar upland, sweet with clustered thorns, + Hard by a river's windy white of waves, + I shall sit down with Spring,--whose eyes are morns + Of light; whose cheeks the rose of health enslaves,-- + And so forget thee braiding in her hair + The snowdrop, tipped with green, + The cool-eyed primrose and the trillium fair, + And moony celandine. + Contented so to lie within her arms, + Forgetting all the sear and sad and wan, + Remembering love alone, who o'er earth's storms, + High on the mountains of perpetual dawn, + Leads the glad hours on. + + + IV + + Or in the peace that follows storm, when Even, + Within the west, stands dreaming lone and far, + Clad on with green and silver, and the Heaven + Is brightly brooched with one gold-glittering star. + I will lie down beside some mountain lake, + 'Round which the tall pines sigh, + And breathing musk of rain from boughs that shake + Storm balsam from on high, + Make friends of Dream and Contemplation high + And Music, listening to the mocking-bird,-- + Who through the hush sends its melodious cry,-- + And so forget a while that other word, + That all loved things must die. + + + + + NIGHT + + + Out of the East, as from an unknown shore, + Thou comest with thy children in thine arms,-- + Slumber and Dream,--whom mortals all adore, + Their flowing raiment sculptured to their charms: + Soft on thy breast thy lovely children rest, + Laid like twin roses in one balmy nest. + Silent thou comest, swiftly too and slow. + There is no other presence like to thine, + When thou approachest with thy babes divine, + Thy shadowy face above them bending low, + Blowing the ringlets from their brows of snow. + + Oft have I taken Sleep from thy dark arms, + And fondled her fair head, with poppies wreathed, + Within my bosom's depths, until its storms + With her were hushed and I but faintly breathed. + And then her sister, Dream, with frolic art + Arose from rest, and on my sleeping heart + Blew bubbles of dreams where elfin worlds were lost; + Worlds where my stranger soul sang songs to me, + And talked with spirits by a rainbowed sea, + Or smiled, an unfamiliar shape of frost, + Floating on gales of breathless melody. + + Day comes to us in garish glory garbed; + But thou, thou bringest to the tired heart + Rest and deep silence, in which are absorbed + All the vain tumults of the mind and mart. + Whether thou comest with hands full of stars, + Or clothed in storm and clouds, the lightning bars, + Rolling the thunder like some mighty dress, + God moves with thee; we seem to hear His feet, + Wind-like, along the floors of Heaven beat; + To see His face, revealed in awfulness, + Through thee, O Night, to ban us or to bless. + + + + + A FALLEN BEECH + + + Nevermore at doorways that are barken + Shall the madcap wind knock and the moonlight; + Nor the circle which thou once didst darken, + Shine with footsteps of the neighbouring moonlight, + Visitors for whom thou oft didst hearken. + + Nevermore, gallooned with cloudy laces, + Shall the morning, like a fair freebooter, + Make thy leaves his richest treasure-places; + Nor the sunset, like a royal suitor, + Clothe thy limbs with his imperial graces. + + And no more, between the savage wonder + Of the sunset and the moon's up-coming, + Shall the storm, with boisterous hoof-beats, under + Thy dark roof dance, Faun-like, to the humming + Of the Pan-pipes of the rain and thunder. + + Oft the Satyr-spirit, beauty-drunken, + Of the Spring called; and the music measure + Of thy sap made answer; and thy sunken + Veins grew vehement with youth, whose pressure + Swelled thy gnarly muscles, winter-shrunken. + + And the germs, deep down in darkness rooted, + Bubbled green from all thy million oilets, + Where the spirits, rain-and-sunbeam-suited, + Of the April made their whispering toilets, + Or within thy stately shadow footed. + + Oft the hours of blonde Summer tinkled + At the windows of thy twigs, and found thee + Bird-blithe; or, with shapely bodies, twinkled + Lissom feet of naked flowers around thee, + Where thy mats of moss lay sunbeam-sprinkled. + + And the Autumn with his gypsy-coated + Troop of days beneath thy branches rested, + Swarthy-faced and dark of eye; and throated + Songs of roaming; or with red hand tested + Every nut-bur that above him floated. + + Then the Winter, barren-browed, but rich in + Shaggy followers of frost and freezing, + Made the floor of thy broad boughs his kitchen, + Trapper-like, to camp in; grimly easing + Limbs snow-furred and moccasined with lichen. + + Now, alas! no more do these invest thee + With the dignity of whilom gladness! + They--unto whose hearts thou once confessed thee + Of thy dreams--now know thee not! and sadness + Sits beside thee where, forgot, dost rest thee. + + + + + A TWILIGHT MOTH + + + All day the primroses have thought of thee, + Their golden heads close-haremed from the heat; + All day the mystic moonflowers silkenly + Veiled snowy faces,--that no bee might greet + Or butterfly that, weighed with pollen, passed;-- + Keeping Sultana-charms for thee, at last, + Their lord, who comest to salute each sweet. + + Cool-throated flowers that avoid the day's + Too fervid kisses; every bud that drinks + The tipsy dew and to the starlight plays + Nocturns of fragrance, thy wing'd shadow links + In bonds of secret brotherhood and faith; + O bearer of their order's shibboleth, + Like some pale symbol fluttering o'er these pinks. + + What dost thou whisper in the balsam's ear + That sets it blushing, or the hollyhock's,-- + A syllabled silence that no man may hear,-- + As dreamily upon its stem it rocks? + What spell dost bear from listening plant to plant, + Like some white witch, some ghostly ministrant, + Some spectre of some perished flower of phlox? + + O voyager of that universe which lies + Between the four walls of this garden fair,-- + Whose constellations are the fireflies + That wheel their instant courses everywhere,-- + 'Mid fairy firmaments wherein one sees + Mimic Booetes and the Pleiades, + Thou steerest like some fairy ship-of-air. + + Gnome-wrought of moonbeam fluff and gossamer, + Silent as scent, perhaps thou chariotest + Mab or King Oberon; or, haply, her + His queen, Titania, on some midnight quest.-- + Oh for the herb, the magic euphrasy, + That should unmask thee to mine eyes, ah me! + And all that world at which my soul hath guessed! + + + + + THE GRASSHOPPER + + + What joy you take in making hotness hotter, + In emphasising dulness with your buzz, + Making monotony more monotonous! + When Summer comes, and drouth hath dried the water + In all the creeks, we hear your ragged rasp + Filling the stillness. Or,--as urchins beat + A stagnant pond whereon the bubbles gasp,-- + Your switch-like music whips the midday heat. + O bur of sound caught in the Summer's hair, + We hear you everywhere! + + We hear you in the vines and berry-brambles, + Along the unkempt lanes, among the weeds, + Amid the shadeless meadows, gray with seeds, + And by the wood 'round which the rail-fence rambles, + Sawing the sunlight with your sultry saw. + Or,--like to tomboy truants, at their play + With noisy mirth among the barn's deep straw,-- + You sing away the careless summer-day. + O brier-like voice that clings in idleness + To Summer's drowsy dress! + + You tramp of insects, vagrant and unheeding, + Improvident, who of the summer make + One long green mealtime, and for winter take + No care, aye singing or just merely feeding! + Happy-go-lucky vagabond,--'though frost + Shall pierce, ere long, your green coat or your brown, + And pinch your body,--let no song be lost, + But as you lived into your grave go down-- + Like some small poet with his little rhyme, + Forgotten of all time. + + + + + BEFORE THE RAIN + + + Before the rain, low in the obscure east, + Weak and morose the moon hung, sickly gray; + Around its disc the storm mists, cracked and creased, + Wove an enormous web, wherein it lay + Like some white spider hungry for its prey. + Vindictive looked the scowling firmament, + In which each star, that flashed a dagger ray, + Seemed filled with malice of some dark intent. + + The marsh-frog croaked; and underneath the stone + The peevish cricket raised a creaking cry. + Within the world these sounds were heard alone, + Save when the ruffian wind swept from the sky, + Making each tree like some sad spirit sigh; + Or shook the clumsy beetle from its weed, + That, in the drowsy darkness, bungling by, + Sharded the silence with its feverish speed. + + Slowly the tempest gathered. Hours passed + Before was heard the thunder's sullen drum + Rumbling night's hollow; and the Earth at last, + Restless with waiting,--like a woman, dumb + With doubting of the love that should have clomb + Her casement hours ago,--avowed again, + 'Mid protestations, joy that he had come. + And all night long I heard the Heavens explain. + + + + + AFTER RAIN + + + Behold the blossom-bosomed Day again, + With all the star-white Hours in her train, + Laughs out of pearl-lights through a golden ray, + That, leaning on the woodland wildness, blends + A sprinkled amber with the showers that lay + Their oblong emeralds on the leafy ends. + Behold her bend with maiden-braided brows + Above the wildflower, sidewise with its strain + Of dewy happiness, to kiss again + Each drop to death; or, under rainy boughs, + With fingers, fragrant as the woodland rain, + Gather the sparkles from the sycamore, + To set within each core + Of crimson roses girdling her hips, + Where each bud dreams and drips. + Smoothing her blue-black hair,--where many a tusk + Of iris flashes,--like the falchions' sheen + Of Faery 'round blue banners of its Queen,-- + Is it a Naiad singing in the dusk, + That haunts the spring, where all the moss is musk + With footsteps of the flowers on the banks? + Or just a wild-bird voluble with thanks? + + Balm for each blade of grass: the Hours prepare + A festival each weed's invited to. + Each bee is drunken with the honied air: + And all the air is eloquent with blue. + The wet hay glitters, and the harvester + Tinkles his scythe,--as twinkling as the dew,-- + That shall not spare + Blossom or brier in its sweeping path; + And, ere it cut one swath, + Rings them they die, and tells them to prepare. + + What is the spice that haunts each glen and glade? + A Dryad's lips, who slumbers in the shade? + A Faun, who lets the heavy ivy-wreath + Slip to his thigh as, reaching up, he pulls + The chestnut blossoms in whole bosomfuls? + A sylvan Spirit, whose sweet mouth doth breathe + Her viewless presence near us, unafraid? + Or troops of ghosts of blooms, that whitely wade + The brook? whose wisdom knows no other song + Than that the bird sings where it builds beneath + The wild-rose and sits singing all day long. + + Oh, let me sit with silence for a space, + A little while forgetting that fierce part + Of man that struggles in the toiling mart; + Where God can look into my heart's own heart + From unsoiled heights made amiable with grace; + And where the sermons that the old oaks keep + Can steal into me.--And what better then + Than, turning to the moss a quiet face, + To fall asleep? a little while to sleep + And dream of wiser worlds and wiser men. + + + + + THE HAUNTED HOUSE + + + I + + The shadows sit and stand about its door + Like uninvited guests and poor; + And all the long, hot summer day + The grating locust dins its roundelay + In one old sycamore. + The squirrel leaves upon its rotting roof, + In empty hulls, its tracks; + And in its clapboard cracks + The spider weaves a windy woof; + Its cells the mud-wasp packs. + The she-fox whelps upon its floor; + The owlet roosts above its door; + And where the musty mosses run, + The freckled snake basks in the sun. + + + II + + The children of what fathers sleep + Beneath these melancholy pines? + The slow slugs crawl among their graves where creep + The doddered poison-vines. + The orchard, near the meadow deep, + Lifts up decrepit arms, + Gray-lichened in a withering heap. + No sap swells up to make it leap + As once in calms and storms; + No blossom lulls its age asleep; + Each breeze brings sad alarms. + Big, bell-round pears and apples, russet-red, + No maiden gathers now; + The worm-bored trunks weep gum, like tears, instead, + From each decaying bough. + + + III + + The woodlands around it are solitary + And fold it like gaunt hands; + The sunlight is sad and the moonlight is dreary, + And the hum of the country is weary, so weary! + And the bees go by in bands + To other lovelier lands. + The grasses are rotting in walk and in bower; + The lonesomeness,--dank and rank + As a chamber where lies for a lonely hour + An old-man's corpse with many a flower,-- + Is hushed and blank. + And even the birds have passed it by, + To sing their songs to a happier sky, + A happier sky and bank. + + + IV + + In its desolate halls are lying, + Gold, blood-red and browned, + Drifted leaves of summer dying; + And the winds, above them sighing, + Turn them round and round, + Make a ghostly sound + As of footsteps falling, flying, + Voices through the chambers crying, + Of the haunted house. + + + V + + Gazing down in her white shroud, + Shroud of windy cloud, + Comes at night the phantom moon; + Comes and all the shadows soon, + Crowding in the rooms, arouse; + Shadows, ghosts, her rays lead on, + Till beneath the cloud + Like a ghost she's gone, + In her gusty shroud, + O'er the haunted house. + + + + + OCTOBER + + + I oft have met her slowly wandering + Beside a leafy stream, her locks blown wild, + Her cheeks a hectic flush, more fair than Spring, + As if on her the sumach copse had smiled. + Or I have seen her sitting, tall and brown,-- + Her gentle eyes with foolish weeping dim,-- + Beneath a twisted oak from whose red leaves + She wound great drowsy wreaths and cast them down; + The west-wind in her hair, that made it swim + Far out behind, deep as the rustling sheaves. + + Or in the hill-lands I have often seen + The marvel of her passage; glimpses faint + Of glimmering woods that glanced the hills between, + Like Indian faces, fierce with forest paint. + Or I have met her 'twixt two beechen hills, + Within a dingled valley near a fall, + Held in her nut-brown hand one cardinal flower; + Or wading dimly where the leaf-dammed rills + Went babbling through the wildwood's arrased hall, + Where burned the beech and maples glared their power. + + Or I have met her by some ruined mill, + Where trailed the crimson creeper, serpentine, + On fallen leaves that stirred and rustled chill, + And watched her swinging in the wild-grape vine. + While Beauty, sad among the vales and mountains, + More sad than death, or all that death can teach, + Dreamed of decay and stretched appealing arms, + Where splashed the murmur of the forest's fountains; + With all her loveliness did she beseech, + And all the sorrow of her wildwood charms. + + Once only in a hollow, girt with trees, + A-dream amid wild asters filled with rain, + I glimpsed her cheeks red-berried by the breeze, + In her dark eyes the night's sidereal stain. + And once upon an orchard's tangled path, + Where all the golden-rod had turned to brown, + Where russets rolled and leaves were sweet of breath, + I have beheld her 'mid her aftermath + Of blossoms standing, in her gypsy gown, + Within her gaze the deeps of life and death. + + + + + INDIAN SUMMER + + + The dawn is a warp of fever, + The eve is a woof of fire; + And the month is a singing weaver + Weaving a red desire. + + With stars Dawn dices with Even + For the rosy gold they heap + On the blue of the day's deep heaven, + On the black of the night's far deep. + + It's--'Reins to the blood!' and 'Marry!'-- + The season's a prince who burns + With the teasing lusts that harry + His heart for a wench who spurns. + + It's--'Crown us a beaker with sherry, + To drink to the doxy's heels; + A tankard of wine o' the berry, + To lips like a cloven peel's. + + ''S death! if a king be saddened, + Right so let a fool laugh lies: + But wine! when a king is gladdened, + And a woman's waist and her eyes.' + + He hath shattered the loom of the weaver, + And left but a leaf that flits, + He hath seized heaven's gold, and a fever + Of mist and of frost is its. + + He hath tippled the buxom beauty, + And gotten her hug and her kiss-- + The wide world's royal booty + To pile at her feet for this. + + + + + ALONG THE OHIO + + + Athwart a sky of brass long welts of gold; + A path of gold the wide Ohio lies; + Beneath the sunset, billowing manifold, + The dark-blue hill-tops rise. + + And westward dips the crescent of the moon + Through great cloud-feathers, flushed with rosy ray, + That close around the crystal of her lune + The redbird wings of Day. + + A little skiff slips o'er the burnished stream; + A fiery wake, that broadens far behind, + Follows in ripples; and the paddles gleam + Against the evening wind. + + Was it the boat, the solitude and hush, + That with dead Indians peopled all the glooms? + That made each bank, meseemed, and every bush + Start into eagle-plumes? + + That made me seem to hear the breaking brush, + And as the deer's great antlers swelled in view, + To hear the arrow twang from cane and rush, + That dipped to the canoe? + + To see the glimmering wigwams by the waves? + And, wildly clad, around the camp-fires' glow, + The Shawnee chieftains with their painted braves, + Each grasping his war-bow? + + But now the vision like the sunset fades, + The ribs of golden clouds have oozed their light; + And from the west, like sombre sachem shades, + Gallop the shades of night. + + The broad Ohio glitters to the stars; + And many murmurs whisper in its woods-- + Is it the sorrow of dead warriors + For their lost solitudes? + + The moon goes down; and like another moon + The crescent of the river twinkles there, + Unchanged as when the eyes of Daniel Boone + Beheld it flowing fair. + + + + + A COIGN OF THE FOREST + + + The hills hang woods around, where green, below + Dark, breezy boughs of beech-trees, mats the moss, + Crisp with the brittle hulls of last year's nuts; + The water hums one bar there; and a glow + Of gold lies steady where the trailers toss + Red, bugled blossoms and a rock abuts; + In spots the wild-phlox and oxalis grow + Where beech-roots bulge the loam, protrude across + The grass-grown road and roll it into ruts. + + And where the sumach brakes grow dusk and dense, + Among the rocks, great yellow violets, + Blue-bells and wind-flowers bloom; the agaric + In dampness crowds; a fungus, thick, intense + With gold and crimson and wax-white, that sets + The May-apples along the terraced creek + At bold defiance. Where the old rail-fence + Divides the hollow, there the bee-bird whets + His bill, and there the elder hedge is thick. + + No one can miss it; for two cat-birds nest, + Calling all morning, in the trumpet-vine; + And there at noon the pewee sits and floats + A woodland welcome; and his very best + At eve the red-bird sings, as if to sign + The record of its loveliness with notes. + At night the moon stoops over it to rest, + And unreluctant stars. Where waters shine + There runs a whisper as of wind-swept oats. + + + + + CREOLE SERENADE + + + Under mossy oak and pine + Whispering falls the fountained stream; + In its pool the lilies shine + Silvery, each a moonlight gleam. + + Roses bloom and roses die + In the warm rose-scented dark, + Where the firefly, like an eye, + Winks and glows, a golden spark. + + Amber-belted through the night + Swings the alabaster moon, + Like a big magnolia white + On the fragrant heart of June. + + With a broken syrinx there, + With bignonia overgrown, + Is it Pan in hoof and hair, + Or his image carved from stone? + + See! her casement's jessamines part, + And, with starry blossoms blent, + Like the moon she leans--O heart, + 'Tis another firmament. + + SINGS + + The dim verbena drugs the dusk + With lemon-heavy odours where + The heliotropes breathe drowsy musk + Into the jasmine-dreamy air; + The moss-rose bursts its dewy husk + And spills its attar there. + + The orange at thy casement swings + Star-censers oozing rich perfumes; + The clematis, long-petalled, clings + In clusters of dark purple blooms; + With flowers, like moons or sylphide wings, + Magnolias light the glooms. + + Awake, awake from sleep! + Thy balmy hair, + Down-fallen, deep on deep, + Like blossoms there,-- + That dew and fragrance weep,-- + Will fill the night with prayer. + Awake, awake from sleep! + + And dreaming here it seems to me + A dryad's bosom grows confessed, + Bright in the moss of yonder tree, + That rustles with the murmurous West-- + Or is it but a bloom I see, + Round as thy virgin breast? + + Through fathomless deeps above are rolled + A million feverish worlds, that burst, + Like gems, from Heaven's caskets old + Of darkness--fires that throb and thirst; + An aloe, showering buds of gold, + The night seems, star-immersed. + + Unseal, unseal thine eyes! + O'er which her rod + Sleep sways;--and like the skies, + That dream and nod, + Their starry majesties + Will fill the night with God. + Unseal, unseal thine eyes! + + + + + WILL O' THE WISPS + + + Beyond the barley meads and hay, + What was the light that beckoned there? + That made her sweet lips smile and say-- + 'Oh, busk me in a gown of May, + And knot red poppies in my hair.' + + Over the meadow and the wood + What was the voice that filled her ears? + That sent into pale cheeks the blood, + Until each seemed a wild-brier bud + Mown down by mowing harvesters?... + + Beyond the orchard, down the hill, + The water flows, the water whirls; + And there they found her past all ill, + A plaintive face but smiling still, + The cresses caught among her curls. + + At twilight in the willow glen + What sound is that the silence hears, + When all the dusk is hushed again + And homeward from the fields strong men + And women go, the harvesters? + + One seeks the place where she is laid, + Where violets bloom from year to year-- + 'O sunny head! O bird-like maid! + The orchard blossoms fall and fade + And I am lonely, lonely here.' + + Two stars burn bright above the vale; + They seem to him the eyes of Ruth: + The low moon rises very pale + As if she, too, had heard the tale, + All heartbreak, of a maid and youth. + + + + + THE TOLLMAN'S DAUGHTER + + + She stood waist-deep among the briers: + Above in twisted lengths were rolled + The sunset's tangled whorls of gold, + Blown from the west's cloud-pillared fires. + And in the hush no sound did mar, + You almost heard o'er hill and dell, + Deep, bubbling over, star on star, + The night's blue cisterns slowly well. + A crane, like some dark crescent, crossed + The sunset, winging towards the west; + While up the east her silver breast + Of light the moon brought, white as frost. + + So have I painted her, you see, + The tollman's daughter.--What an arm + And throat was hers! and what a form!-- + Art dreams of such divinity. + What braids of night to hold and kiss! + There is no pigment anywhere + A man might use to picture this-- + The splendour of her raven hair. + A face as beautiful and bright, + As rosy fair as twilight skies, + Lit with the stars of hazel eyes + And eyebrowed black with pencilled night. + + For her, I know, where'er she trod + Each dewdrop raised a looking-glass + To flash her beauty from the grass; + That wild-flowers bloomed along the sod, + And whispered perfume when she smiled; + The wood-bird hushed to hear her song, + Or, all enamoured, tame, not wild, + Before her feet flew fluttering long. + The brook went mad with melody, + Eddied in laughter when she kissed + With naked feet its amethyst-- + And I--I fell in love; ah me! + + + + + THE BOY COLUMBUS + + + And he had mused on lands each bird,-- + That winged from realms of Falerina, + O'er seas of the Enchanted Sword,-- + In romance sang him, till he heard + Vague foam on Islands of Alcina. + + For rich Levant and old Castile + Let other seamen freight their galleys; + With Polo he and Mandeville + Through stranger seas a dreamy keel + Sailed into wonder-peopled valleys. + + Far continents of flow'r and fruit, + Of everlasting spring; where fountains + 'Mid flow'rs, with human faces, shoot; + Where races dwell, both man and brute, + In cities under golden mountains. + + Where cataracts their thunders hurl + From heights the tempest has at mercy; + Vast peaks that touch the moon, and whirl + Their torrents down of gold and pearl; + And forests strange as those of Circe. + + Let rapiered Love lute, in the shade + Of royal gardens, to the Palace + And Court, that haunt the balustrade + Of terraces and still parade + Their vanity and guile and malice. + + Him something calls diviner yet + Than Love, more mighty than a lover; + Heroic Truth that will not let + Deed lag; a purpose, westward set, + In eyes far-seeing to discover. + + + + + SONG OF THE ELF + + + I + + When the poppies, with their shields, + Sentinel + Forest and the harvest fields, + In the bell + Of a blossom, fair to see, + There I stall the bumble-bee, + My good stud; + There I stable him and hold, + Harness him with hairy gold; + There I ease his burly back + Of the honey and its sack + Gathered from each bud. + + + II + + Where the glow-worm lights its lamp, + There I lie; + Where, above the grasses damp, + Moths go by; + Now within the fussy brook, + Where the waters wind and crook + Round the rocks, + I go sailing down the gloom + Straddling on a wisp of broom; + Or, beneath the owlet moon, + Trip it to the cricket's tune + Tossing back my locks. + + + III + + Ere the crowfoot on the lawn + Lifts its head, + Or the glow-worm's light be gone, + Dim and dead, + In a cobweb hammock deep, + 'Twixt two ferns I swing and sleep, + Hid away; + Where the drowsy musk-rose blows + And a dreamy runnel flows, + In the land of Faery, + Where no mortal thing can see, + All the elfin day. + + + + + THE OLD INN + + + Red-winding from the sleepy town, + One takes the lone, forgotten lane + Straight through the hills. A brush-bird brown + Bubbles in thorn-flowers, sweet with rain, + Where breezes bend the gleaming grain, + And cautious drip of higher leaves + The lower dips that drip again.-- + Above the tangled trees it heaves + Its gables and its haunted eaves. + + One creeper, gnarled and blossomless, + O'erforests all its eastern wall; + The sighing cedars rake and press + Dark boughs along the panes they sprawl; + While, where the sun beats, drone and drawl + The mud-wasps; and one bushy bee, + Gold-dusty, hurls along the hall + To buzz into a crack.--To me + The shadows seem too scared to flee. + + Of ragged chimneys martins make + Huge pipes of music; twittering, here + They build and roost.--My footfalls wake + Strange stealing echoes, till I fear + I'll see my pale self drawing near, + My phantom face as in a glass; + Or one, men murdered, buried--where?-- + Dim in gray stealthy glimmer, pass + With lips that seem to moan 'Alas.' + + + + + THE MILL-WATER + + + The water-flag and wild cane grow + 'Round banks whereon the sunbeams sow + Fantastic gold when, on its shores, + The wind sighs through the sycamores. + + In one green angle, just in reach, + Between a willow-tree and beech, + Moss-grown and leaky lies a boat + The thick-grown lilies keep afloat. + + And through its waters, half awake, + Slow swims the spotted water-snake; + And near its edge, like some gray streak, + Stands gaunt the still fly-up-the-creek. + + Between the lily-pads and blooms + The water-spirits set their looms, + That weave the lace-like light that dims + The glimmering leaves of under limbs. + + Each lily is the hiding-place + Of some dim wood-imp's elvish face, + That watches you with gold-green eyes + Where bubbles of its breathing rise. + + I fancy, when the waxing moon + Leans through the trees and dreams of June, + And when the black bat slants its wing, + And lonelier the green-frogs sing; + + I fancy, when the whippoorwill + In some old tree sings wild and shrill, + With glow-worm eyes that dot the dark,-- + Each holding high a firefly spark + + To torch its way,--the wood-imps come: + And some float rocking here; and some + Unmoor the lily leaves and oar + Around the old boat by the shore. + + They climb through oozy weeds and moss; + They swarm its rotting sides and toss + Their firefly torches o'er its edge + Or hang them in the tangled sedge. + + The boat is loosed. The moon is pale. + Around the dam they slowly sail. + Upon the bow, to pilot it, + A jack-o'-lantern gleam doth sit. + + Yes, I have seen it in my dreams!-- + Naught is forgotten! naught, it seems!-- + The strangled face, the tangled hair + Of the drown'd woman trailing there. + + + + + THE DREAM + + + This was my dream: + It seemed the afternoon + Of some deep tropic day; and yet the moon + Stood round and bright with golden alchemy + High in a heaven bluer than the sea. + Long lawny lengths of perishable cloud + Hung in a west o'er rolling forests bowed; + Clouds raining colours, gold and violet, + That, opening, seemed from mystic worlds to let + Hints down of Parian beauty and lost charms + Of dim immortals, young, with floating forms. + And all about me fruited orchards grew, + Pear, quince and peach, and plums of dusty blue; + Rose-apricots and apples streaked with fire, + Kissed into ripeness by the sun's desire + And big with juice. And on far, fading hills, + Down which it seemed a hundred torrent rills + Flashed rushing silver, vines and vines and vines + Of purple vintage swollen with cool wines; + Pale pleasant wines and fragrant as late June, + Their delicate tang drawn from the wine-white moon. + And from the clouds o'er this sweet world there dripped + An odorous music, strangely feverish-lipped, + That swung and swooned and panted in mad sighs; + Investing at each throb the air with eyes, + And forms of sensuous spirits, limpid white, + Clad on with raiment as of starry night; + Fair, faint embodiments of melody, + From out whose hearts of crystal one could see + The music stream like light through delicate hands + Hollowing a lamp. And as on sounding sands + The ocean murmur haunts the rosy shells, + Within whose convolutions beauty dwells, + My soul became a vibrant harp of love, + Re-echoing all the harmony above. + + + + + SPRING TWILIGHT + + + The sun set late; and left along the west + A belt of furious ruby, o'er which snows + Of clouds unrolled; each cloud a mighty breast + Blooming with almond-rose. + + The sun set late; and wafts of wind beat down, + And cuffed the blossoms from the blossoming quince; + Scattered the pollen from the lily's crown, + And made the clover wince. + + By dusky forests, through whose fretful boughs + In flying fragments shot the evening's flame, + Adown the tangled lane the quiet cows + With dreamy tinklings came. + + The sun set late; but hardly had he gone + When o'er the moon's gold-litten crescent there, + Clean Phosphor, polished as a precious stone, + Burned in fair deeps of air. + + As from faint stars the glory waned and waned, + The crickets made the oldtime garden shrill; + And past the luminous pasture-lands complained + The first far whippoorwill. + + + + + A SLEET-STORM IN MAY + + + On southern winds shot through with amber light, + Breathing soft balm and clothed in cloudy white, + The lily-fingered Spring came o'er the hills, + Waking the crocus and the daffodils. + O'er the cold Earth she breathed a tender sigh-- + The maples sang and flung their banners high, + Their crimson-tasselled pennons, and the elm + Bound his dark brows with a green-crested helm. + Beneath the musky rot of Autumn's leaves, + Under the forest's myriad naked eaves, + Life woke and rose in gold and green and blue, + Robed in the starlight of the twinkling dew. + With timid tread adown the barren wood + Spring held her way, when, lo! before her stood + White-mantled Winter wagging his white head, + Stormy his brow and stormily he said: + 'The God of Terror, and the King of Storm, + Must I remind thee how my iron arm + Raised my red standards 'mid these conquered bowers, + Turning their green to crimson?--Thou, with flowers, + Thou wouldst supplant me! nay! usurp my throne!-- + Audacious one!'--And at her breast he tossed + A bitter javelin of ice and frost; + And left her lying on th' unfeeling mould. + The fragile blossoms, gathered in the fold + Of her warm bosom, fell in desolate rows + About her beauty, and, like fragrant snows, + Covered her lovely hands and beautiful feet, + Or on her lips lay like last kisses sweet + That died there. Lilacs, musky of the May, + And bluer violets and snowdrops lay + Entombed in crystal, icy dim and fair, + Like teardrops scattered in her heavenly hair. + + Alas! sad heart, break not beneath the pain! + Time changeth all; the Beautiful wakes again.-- + We should not question such; a higher power + Knows best what bud is ripest or what flower, + And silently plucks it at the fittest hour. + + + + + UNREQUITED + + + Passion? not hers, within whose virgin eyes + All Eden lay.--And I remember how + I drank the Heaven of her gaze with sighs-- + She never sighed, nor gave me kiss or vow. + + So have I seen a clear October pool, + Cold, liquid topaz, set within the sear + Gold of the woodland, tremorless and cool, + Reflecting all the heartbreak of the year. + + Sweetheart? not she whose voice was music sweet; + Whose face was sweeter than melodious prayer. + Sweetheart I called her.--When did she repeat + Sweet to one hope or heart to one despair? + + So have I seen a rose set round with thorn, + Sung to and sung to by a bird of spring, + And when, breast-pierced, the bird lay all forlorn, + The rose bloomed on, fair and unnoticing. + + + + + THE HEART O' SPRING + + + Whiten, oh whiten, O clouds of lawn! + Lily-like clouds that whiten above, + Now like a dove, and now like a swan, + But never, oh never--pass on! pass on! + Never so white as the throat of my love. + + Blue-black night on the mountain peaks + Is not so black as the locks o' my love! + Stars that shine through the evening streaks + Over the torrent that flashes and breaks, + Are not so bright as the eyes o' my love! + + Moon in a cloud, a cloud of snow, + Mist in the vale where the rivulet sounds, + Dropping from ledge to ledge below, + Turning to gold in the sunset's glow, + Are not so soft as her footstep sounds. + + Sound o' May winds in the blossoming trees, + Is not so sweet as her laugh that rings; + Song o' wild birds on the morning breeze, + Birds and brooks and murmur o' bees, + Are harsh to her voice when she laughs or sings. + + The rose of my heart is she, my dawn! + My star o' the east, my moon above! + My soul takes ship for the Avalon + Of her heart of hearts, and shall sail on + Till it anchors safe in its haven of love. + + + + + 'A BROKEN RAINBOW ON THE SKIES OF MAY' + + + A broken rainbow on the skies of May, + Touching the dripping roses and low clouds, + And in wet clouds its scattered glories lost:-- + So in the sorrow of her soul the ghost + Of one great love, of iridescent ray, + Spanning the roses dim of memory, + Against the tumult of life's rushing crowds-- + A broken rainbow on the skies of May. + + A flashing humming-bird among the flowers, + Deep-coloured blooms; its slender tongue and bill + Sucking the syrups and the calyxed myrrhs, + Till, being full of sweets, away it whirrs:-- + Such was his love that won her heart's rich bowers + To give to him their all, their honied showers, + The bloom from which he drank his body's fill-- + A flashing humming-bird among the flowers. + + A moon, moth-white, that through long mists of fleece + Moves amber-girt into a bulk of black, + And, lost to vision, rims the black with froth:-- + A love that swept its moon, like some great moth, + Across the heaven of her soul's young peace; + And, smoothly passing, in the clouds did cease + Of time, through which its burning light comes back-- + A moon, moth-white, that moves through mists of fleece. + + A bolt of living thunder downward hurled, + Momental blazing from the piled-up storm, + That instants out the mountains and the ocean, + The towering crag, then blots the sight's commotion:-- + Love, love that swiftly coming bared the world, + The deeps of life, 'round which fate's clouds are curled, + And, ceasing, left all night and black alarm-- + A bolt of living thunder downward hurled. + + + + + ORGIE + + + On nights like this, when bayou and lagoon + Dream in the moonlight's mystic radiance, + I seem to walk like one deep in a trance + With old-world myths born of the mist and moon. + + Lascivious eyes and mouths of sensual rose + Smile into mine; and breasts of luring light, + And tresses streaming golden to the night, + Persuade me onward where the forest glows. + + And then it seems along the haunted hills + There falls a flutter as of beautiful feet, + As if tempestuous troops of Maenads meet + To drain deep bowls and shout and have their wills. + + And then I feel her limbs will be revealed + Like some great snow-white moth among the trees; + Her vampire beauty, waiting there to seize + And dance me downward where my doom is sealed. + + + + + REVERIE + + + What ogive gates from gold of Ophir wrought, + What walls of Parian, whiter than a rose, + What towers of crystal, for the eyes of thought, + Hast builded on far Islands of Repose? + Thy cloudy columns, vast, Corinthian, + Or huge, Ionic, colonnade the heights + Of dreamland, looming o'er the soul's deep seas; + Built melodies of marble, that no man + Has ever reached, except in fancy's flights, + Templing the presence of perpetual ease. + + Oft, where o'er plastic frieze and plinths of spar,-- + In glimmering solitudes of pillared stone,-- + The twilight blossoms with one violet star, + With thee, O Reverie, I have stood alone, + And there beheld, from out the Mythic Age, + The rosy breasts of Cytherea--fair, + Full-cestused, and suggestive of what loves + Immortal--rise; and heard the lyric rage + Of sun-burnt Poesy, whose throat breathes bare + O'er leopard skins, fluting among his groves. + + Oft, where thy castled peaks and templed vales + Cloud--like convulsive sunsets--shores that dream, + Myrrh-fragrant, over siren seas whose sails + Gleam white as lilies on a lilied stream, + My soul has dreamed. Or by thy sapphire sea, + In thy arcaded gardens, in the shade + Of breathing sculpture, oft has walked with thought, + And bent, in shadowy attitude, its knee + Before the shrine of Beauty that must fade + And leave no memory of the mind that wrought. + + Who hath beheld thy caverns where, in heaps, + The wines of Lethe and Love's witchery, + In sealed Amphorae a sibyl keeps, + World-old, for ever guarded secretly?-- + No wine of Xeres or of Syracuse! + No fine Falernian and no vile Sabine!-- + The stolen fire of a demigod, + Whose bubbled purple goddess feet did bruise + In crusted vats of vintage, where the green + Flames with wild poppies, on the Samian sod. + + Oh, for the deep enchantment of one draught! + The reckless ecstasy of classic earth!-- + With godlike eyes to laugh as gods have laughed + In eyes of mortal brown, a mighty mirth. + Of deity delirious with desire! + To breathe the dropping roses of the shrines, + The splashing wine-libation and the blood, + And all the young priest's dreaming! To inspire + My eager soul with beauty, 'til it shines + An utt'rance of life's loftier brotherhood! + + So would I slumber in the old-world shades, + And Poesy should touch me, as some bold + Wild bee a pulpy lily of the glades, + Barbaric-covered with the kernelled gold; + And feel the glory of the Golden Age + Less godly than my purpose, strong to dare + Death with the pure immortal lips of love: + Less lovely than my soul's ideal rage + To mate itself with Music and declare + Itself part meaning of the stars above. + + + + + LETHE + + + I + + There is a scent of roses and spilt wine + Between the moonlight and the laurel coppice; + The marble idol glimmers on its shrine, + White as a star, among a heaven of poppies. + Here all my life lies like a spilth of wine. + There is a mouth of music like a lute, + A nightingale that singeth to one flower; + Between the falling flower and the fruit, + Where love hath died, the music of an hour. + + + II + + To sit alone with memory and a rose; + To dwell with shadows of whilom romances; + To make one hour of a year of woes + And walk on starlight, in ethereal trances, + With love's lost face fair as a moon-white rose. + To shape from music and the scent of buds + Love's spirit and its presence of sweet fire, + Between the heart's wild burning and the blood's, + Is part of life and of the soul's desire. + + + III + + There is a song to silence and the stars, + Between the forest and the temple's arches; + And down the stream of night, like nenuphars, + The tossing fires of the revellers' torches.-- + Here all my life waits lonely as the stars.-- + Shall not one hour of all those hours suffice + For resignation God hath given as dower? + Between the summons and the sacrifice + One hour of love, th' eternity of an hour? + + + IV + + The shrine is shattered and the bird is gone; + Dark is the house of music and of bridal; + The stars are stricken and the storm comes on; + Lost in a wreck of roses lies the idol, + Sad as the memory of a joy that's gone.-- + To dream of perished gladness and a kiss, + Waking the last chord of love's broken lyre, + Between remembering and forgetting, this + Is part of life and of the soul's desire. + + + + + DIONYSIA + + + The day is dead; and in the west + The slender crescent of the moon-- + Diana's crystal-kindled crest-- + Sinks hillward in a silvery swoon. + What is the murmur in the dell? + The stealthy whisper and the drip? + A Dryad with her leaf-light trip? + A Naiad o'er her fountain well?-- + Who with white fingers for her comb, + Sleeks her blue hair, and from its curls + Showers slim minnows and pale pearls, + And hollow music of the foam. + What is it in the vistaed ways + That leans and springs, and stoops and sways?-- + The naked limbs of one who flees? + An Oread who hesitates + Before the Satyr form that waits, + Crouching to leap, that there she sees? + Or under boughs, reclining cool, + A Hamadryad, like a pool + Of moonlight, palely beautiful? + Or Limnad, with her lilied face, + More lovely than the misty lace + That haunts a star and gives it grace? + Or is it some Leimoniad + In wildwood flowers dimly clad? + Oblong blossoms white as froth, + Or mottled like the tiger-moth; + Or brindled as the brows of death, + Wild of hue and wild of breath: + Here ethereal flame and milk + Blent with velvet and with silk; + Here an iridescent glow + Mixed with satin and with snow: + Pansy, poppy and the pale + Serpolet and galingale; + Mandrake and anemone, + Honey-reservoirs o' the bee; + Cistus and the cyclamen,-- + Cheeked like blushing Hebe this, + And the other white as is + Bubbled milk of Venus when + Cupid's baby mouth is pressed, + Rosy to her rosy breast. + And, besides, all flowers that mate + With aroma, and in hue + Stars and rainbows duplicate + Here on earth for me and you. + + Yea! at last mine eyes can see! + 'Tis no shadow of the tree + Swaying softly there, but she!-- + Maenad, Bassarid, Bacchant, + What you will, who doth enchant + Night with sensuous nudity. + Lo! again I hear her pant + Breasting through the dewy glooms-- + Through the glow-worm gleams and glowers + Of the starlight;--wood-perfumes + Swoon around her and frail showers + Of the leaflet-tilted rain. + Lo! like love, she comes again + Through the pale voluptuous dusk, + Sweet of limb with breasts of musk. + With her lips, like blossoms, breathing + Honeyed pungence of her kiss, + And her auburn tresses wreathing + Like umbrageous helichrys, + There she stands, like fire and snow, + In the moon's ambrosial glow, + Both her shapely loins low-looped + With the balmy blossoms, drooped, + Of the deep amaracus. + Spiritual, yet sensual, + Lo, she ever greets me thus + In my vision; white and tall, + Her delicious body there,-- + Raimented with amorous air,-- + To my mind expresses all + The allurements of the world. + And once more I seem to feel + On my soul, like frenzy, hurled + All the passionate past.--I reel, + Greek again in ancient Greece, + In the Pyrrhic revelries; + In the mad and Maenad dance; + Onward dragged with violence; + Pan and old Silenus and + Faunus and a Bacchant band + Round me. Wild my wine-stained hand + O'er tumultuous hair is lifted; + While the flushed and Phallic orgies + Whirl around me; and the marges + Of the wood are torn and rifted + With lascivious laugh and shout. + And barbarian there again,-- + Shameless with the shameless rout, + Bacchus lusting in each vein,-- + With her pagan lips on mine, + Like a god made drunk with wine, + On I reel; and in the revels + Her loose hair, the dance dishevels, + Blows, and 'thwart my vision swims + All the splendour of her limbs.... + + So it seems. Yet woods are lonely. + And when I again awake, + I shall find their faces only + Moonbeams in the boughs that shake; + And their revels, but the rush + Of night-winds through bough and brush. + Yet my dreaming--is it more + Than mere dreaming? Is a door + Opened in my soul? a curtain + Raised? to let me see for certain + I have lived that life before? + + + + + THE NAIAD + + + She sits among the iris stalks + Of babbling brooks; and leans for hours + Among the river's lily flowers, + Or on their whiteness walks: + Above dark forest pools, gray rocks + Wall in, she leans with dripping locks, + And listening to the echo, talks + With her own face--Iothera. + + There is no forest of the hills, + No valley of the solitude, + Nor fern nor moss, that may elude + Her searching step that stills: + She dreams among the wild-rose brakes + Of fountains that the ripple shakes, + And, dreaming of herself, she fills + The silence with 'Iothera.' + + And every wind that haunts the ways + Of leaf and bough, once having kissed + Her virgin nudity, goes whist + With wonder and amaze. + There blows no breeze which hath not learned + Her name's sweet melody, and yearned + To kiss her mouth that laughs and says, + 'Iothera, Iothera.' + + No wild thing of the wood, no bird, + Or brown or blue, or gold or gray, + Beneath the sun's or moonlight's ray, + That hath not loved and heard; + They are her pupils; she can say + No new thing but, within a day, + They have its music, word for word, + Harmonious as Iothera. + + No man who lives and is not wise + With love for common flowers and trees, + Bee, bird, and beast, and brook, and breeze, + And rocks and hills and skies,-- + Search where he will,--shall ever see + One flutter of her drapery, + One glimpse of limbs, or hair, or eyes + Of beautiful Iothera. + + + + + THE LIMNAD + + + I + + The lake she haunts gleams dreamily + 'Twixt sleepy boughs of melody, + Set 'mid the hills beside the sea, + In tangled bush and brier; + Where the ghostly sunsets write + Wondrous things in golden light; + And above the pine-crowned height, + Clouds of twilight, rosy white, + Build their towers of fire. + + + II + + 'Mid the rushes there that swing, + Flowering flags where voices sing + When low winds are murmuring, + Murmuring to stars that glitter; + Blossom-white, with purple locks, + Underneath the stars' still flocks, + In the dusky waves she rocks, + Rocks, and all the landscape mocks + With a song most sweet and bitter. + + + III + + Soft it sounds, at first, as dreams + Filled with tears that fall in streams; + Then it soars, until it seems + Beauty's very self hath spoken; + And the woods grow silent quite, + Stars wax faint and flowers turn white; + And the nightingales that light + Near, or hear her through the night, + Die, their hearts with longing broken. + + + IV + + Dark, dim and sad o'er mournful lands, + White-throated stars heaped in her hands, + Like wildwood buds, the Twilight stands, + The Twilight dreaming lingers; + Listening where the Limnad sings + Witcheries, whose beauty brings + A great moon from hidden springs, + Pale with amorous quiverings + Feet of fire and silvery fingers. + + + V + + In the vales Auloniads, + On the mountains Oreads, + On the leas Leimoniads, + Naked as the stars that glisten, + Pan, the Satyrs, Dryades, + Fountain-lovely Naiades, + Foam-lipped Oceanides, + Breathless 'mid their seas and trees, + Stay and stop and lean and listen. + + + VI + + Large-eyed, Siren-like she stands, + In the lake or on its sands, + And with rapture from the hands + Of the Night some stars are shaken; + To her song the rushes swing, + Lilies nod and ripples ring, + Lost in helpless listening-- + These will wake that hear her sing, + But one mortal will not waken. + + + + + INTIMATIONS + + + I + + Is it uneasy moonlight + On the restless field, that stirs? + Or wild white meadow-blossoms + The night-wind bends and blurs? + + Is it the dolorous water, + That sobs in the woods and sighs? + Or heart of an ancient oak-tree, + That breaks and, sighing, dies? + + The wind is vague with the shadows + That wander in No-Man's Land; + The water is dark with the voices + That weep on the Unknown strand. + + O ghosts of the winds that call me! + O ghosts of the whispering waves! + As sad as forgotten flowers + That die upon nameless graves! + + What is this thing you tell me + In tongues of a twilight race, + Of death, with the vanished features, + Mantled, of my own face? + + + II + + The old enigmas of the deathless dawns + And riddles of the all immortal eves,-- + That still o'er Delphic lawns + Speak as the gods spoke through oracular leaves-- + I read with new-born eyes, + Remembering how, a slave; + They buried me, a living sacrifice, + Once in a dead king's grave. + + Or crowned with hyacinth and helichrys, + How, towards the altar in the marble gloom,-- + Hearing the magadis + Dirge through the pale amaracine perfume,-- + 'Mid chanting priests I trod, + With never a sigh or pause, + To give my life to pacify a god, + And save my country's cause. + + Again: Cyrenian roses on wild hair, + And oil and purple smeared on breasts and cheeks, + How, with mad torches there,-- + Reddening the cedars of Cithaeron's peaks,-- + With gesture and fierce glance, + Lascivious Maenad bands + Once drew and slew me in the Pyrrhic dance, + With Bacchanalian hands. + + + III + + In eons of the senses, + My spirit knew of yore, + I found the Isle of Circe + And felt her magic lore; + And still the soul remembers + What I was once before. + + She gave me flowers to smell of + That wizard branches bore, + Of weird and sorcerous beauty, + Whose stems dripped human gore-- + Their scent when I remember + I know that world once more. + + She gave me fruits to eat of + That grew upon the shore, + Of necromantic ripeness, + With human flesh at core-- + Their taste when I remember + I know that life once more. + + And then, behold! a serpent, + That glides my face before, + With eyes of tears and fire + That glare me o'er and o'er-- + I look into its eyeballs, + And know myself once more. + + + + + BEFORE THE TEMPLE + + + I + + All desolate she sate her down + Upon the marble of the temple's stair. + You would have thought her, with her eyes of brown, + Flushed cheeks and hazel hair, + A dryad dreaming there. + + + II + + A priest of Bacchus passed, nor stopped + To chide her; deeming her--whose chiton hid + But half her bosom, and whose girdle dropped-- + Some grief-drowned Bassarid, + The god of wine had chid. + + + III + + With wreaths of woodland cyclamen + For Dian's shrine, a shepherdess drew near, + All her young thoughts on vestal beauty, when-- + She dare not look for fear-- + Behold the goddess here! + + + IV + + Fierce lights on shields of bossy brass + And helms of gold, next from the hills deploy + Tall youths of Argos. And she sees _him_ pass, + Flushed with heroic joy, + On towards the siege of Troy. + + + + + ANTHEM OF DAWN + + + I + + Then up the orient heights to the zenith that balanced the + crescent,-- + Up and far up and over,--the heaven grew erubescent, + Vibrant with rose and with ruby from hands of the harpist Dawn, + Smiting symphonic fire on the firmament's barbition; + And the East was a priest who adored with offerings of gold and of + gems, + And a wonderful carpet unrolled for the inaccessible hems + Of the glittering robes of her limbs; that, lily and amethyst, + Swept glorying on and on through temples of cloud and mist. + + + II + + Then out of the splendour and richness, that burned like a magic + stone, + The torrent suffusion that deepened and dazzled and broadened and + shone, + The pomp and the pageant of colour, triumphal procession of glare, + The sun, like a king in armour, breathing splendour from feet to + hair, + Stood forth with majesty girdled, as a hero who towers afar + Where the bannered gates are bristling hells and the walls are + roaring war: + And broad on the back of the world, like a Cherubin's fiery blade, + The effulgent gaze of his aspect fell in glittering accolade. + + + III + + Then billowing blue, like an ocean, rolled from the shores of dawn + to even: + And the stars, like rafts, went down: and the moon, like a + ghost-ship driven, + A feather of foam, from port to port of the cloud-built isles that + dotted, + With pearl and cameo, bays of the day, her canvas webbed and rooted, + Lay lost in the gulf of heaven: while over her mixed and melted + The beautiful children of Morn, whose bodies are opal-belted; + The beautiful daughters of Dawn, who, over and under and after + The rivered radiance wrestled; and rainbowed heaven with laughter + Of halcyon sapphire.--O Dawn! thou visible mirth, + Thou hallelujah of heaven! hosanna of Earth! + + + + + AT THE LANE'S END + + + I + + No more to strip the roses from + The rose-boughs of her porch's place!-- + I dreamed last night that I was home + Beside a rose--her face. + + I must have smiled in sleep--who knows?-- + The rose aroma filled the lane; + I saw her white hand's lifted rose + That called me home again. + + And yet when I awoke--so wan, + An old face wet with icy tears!-- + Somehow, it seems, sleep had misdrawn + A love gone thirty years. + + + II + + The clouds roll up and the clouds roll down + Over the roofs of the little town; + Out in the hills where the pike winds by + Fields of clover and bottoms of rye, + You will hear no sound but the barking cough + Of the striped chipmunk where the lane leads off; + You will hear no bird but the sapsuckers + Far off in the forest,--that seems to purr, + As the warm wind fondles its top, grown hot, + Like the docile back of an ocelot: + You will see no thing but the shine and shade + Of briers that climb and of weeds that wade + The glittering creeks of the light, that fills + The dusty road and the red-keel hills-- + And all day long in the pennyroy'l + The grasshoppers at their anvils toil; + Thick click of their tireless hammers thrum, + And the wheezy belts of their bellows hum; + Tinkers who solder the silence and heat + To make the loneliness more complete. + Around old rails where the blackberries + Are reddening ripe, and the bumble-bees + Are a drowsy rustle of Summer's skirts, + And the bob-white's wing is the fan she flirts. + Under the hill, through the iron weeds, + And ox-eyed daisies and milkweeds, leads + The path forgotten of all but one. + Where elder bushes are sick with sun, + And wild raspberries branch big blue veins + O'er the face of the rock, where the old spring rains + Its sparkling splinters of molten spar + On the gravel bed where the tadpoles are,-- + You will find the pales of the fallen fence, + And the tangled orchard and vineyard, dense + With the weedy neglect of thirty years. + The garden there,--where the soft sky clears + Like an old sweet face that has dried its tears;-- + The garden plot where the cabbage grew + And the pompous pumpkin; and beans that blew + Balloons of white by the melon patch; + Maize; and tomatoes that seemed to catch + Oblong amber and agate balls + Thrown from the sun in the frosty falls: + Long rows of currants and gooseberries, + And the balsam-gourd with its honey-bees. + And here was a nook for the princess-plumes, + The snap-dragons and the poppy-blooms, + Mother's sweet-williams and pansy flowers, + And the morning-glories' bewildered bowers, + Tipping their cornucopias up + For the humming-birds that came to sup. + And over it all was the Sabbath peace + Of the land whose lap was the love of these; + And the old log-house where my innocence died, + With my boyhood buried side by side. + + Shall a man with a face as withered and gray + As the wasp-nest stowed in a loft away,-- + Where the hornets haunt and the mortar drops + From the loosened logs of the clapboard tops;-- + Whom vice has aged as the rotting rooms + The rain where memories haunt the glooms; + A hitch in his joints like the rheum that gnars + In the rasping hinge of the door that jars; + A harsh, cracked throat like the old stone flue + Where the swallows build the summer through; + Shall a man, I say, with the spider sins + That the long years spin in the outs and ins + Of his soul, returning to see once more + His boyhood's home, where his life was poor + With toil and tears and their fretfulness, + But rich with health and the hopes that bless + The unsoiled wealth of a vigorous youth; + Shall he not take comfort and know the truth + In its threadbare raiment of falsehood?--Yea! + In his crumbled past he shall kneel and pray, + Like a pilgrim come to the shrine again + Of the homely saints that shall soothe his pain, + And arise and depart made clean from stain! + + + III + + Years of care can not erase + Visions of the hills and trees + Closing in the dam and race; + Not the mile-long memories + Of the mill-stream's lovely place. + + How the sunsets used to stain + Mirror of the water lying + Under eaves made dark with rain! + Where the red-bird, westward flying, + Lit to try one song again. + + Dingles, hills, and woods, and springs, + Where we came in calm and storm, + Swinging in the grape-vine swings, + Wading where the rocks were warm, + With our fishing-nets and strings. + + Here the road plunged down the hill, + Under ash and chinquapin,-- + Where the grasshoppers would drill + Ears of silence with their din,-- + To the willow-girdled mill. + + There the path beyond the ford + Takes the woodside, just below + Shallows that the lilies sword, + Where the scarlet blossoms blow + Of the trumpet-vine and gourd. + + Summer winds, that sink with heat, + On the pelted waters winnow + Moony petals that repeat + Crescents, where the startled minnow + Beats a glittering retreat. + + Summer winds that bear the scent + Of the iron-weed and mint, + Weary with sweet freight and spent, + On the deeper pools imprint + Stumbling steps in many a dent. + + Summer winds, that split the husk + Of the peach and nectarine, + Trail along the amber dusk + Hazy skirts of gray and green, + Spilling balms of dew and musk. + + Where with balls of bursting juice + Summer sees the red wild-plum + Strew the gravel; ripened loose, + Autumn hears the pawpaw drum + Plumpness on the rocks that bruise: + + There we found the water-beech, + One forgotten August noon, + With a hornet-nest in reach,-- + Like a fairyland balloon, + Full of bustling fairy speech.-- + + Some invasion sure it was; + For we heard the captains scold; + Waspish cavalry a-buzz,-- + Troopers uniformed in gold, + Sable-slashed,--to charge on us. + + Could I find the sedgy angle, + Where the dragon-flies would turn + Slender flittings into spangle + On the sunlight? or would burn-- + Where the berries made a tangle-- + + Sparkling green and brassy blue; + Rendezvousing, by the stream, + Bands of elf-banditti, who, + Brigands of the bloom and beam, + Drunken were with honey-dew. + + Could I find the pond that lay + Where vermilion blossoms showered + Fragrance down the daisied way? + That the sassafras embowered + With the spice of early May? + + Could I find it--did I seek-- + The old mill? Its weather-beaten + Wheel and gable by the creek? + With its warping roof; worm-eaten, + Dusty rafters worn and weak. + + Where old shadows haunt old places, + Loft and hopper, stair and bin; + Ghostly with the dust that laces + Webs that usher phantoms in, + Wistful with remembered faces. + + While the frogs' grave litanies + Drowse in far-off antiphone, + Supplicating, till the eyes + Of dead friendships, long alone + In the dusky corners,--rise. + + Moonrays or the splintered slip + Of a star? within the darkling + Twilight, where the fireflies dip-- + As if Night a myriad sparkling + Jewels from her hands let slip: + + While again some farm-boy crosses,-- + With a corn-sack for the meal,-- + O'er the creek, through ferns and mosses + Sprinkled by the old mill-wheel, + Where the water drips and tosses. + + + + + THE FARMSTEAD + + + Yes, I love the homestead. There + In the spring the lilacs blew + Plenteous perfume everywhere; + There in summer gladioles grew + Parallels of scarlet glare. + + And the moon-hued primrose cool, + Satin-soft and redolent; + Honeysuckles beautiful, + Filling all the air with scent; + Roses red or white as wool. + + Roses, glorious and lush, + Rich in tender-tinted dyes, + Like the gay tempestuous rush + Of unnumbered butterflies, + Clustering o'er each bending bush. + + Here japonica and box, + And the wayward violets; + Clumps of star-enamelled phlox, + And the myriad flowery jets + Of the twilight four-o'-clocks. + + Ah, the beauty of the place! + When the June made one great rose, + Full of musk and mellow grace, + In the garden's humming close, + Of her comely mother face! + + Bubble-like, the hollyhocks + Budded, burst, and flaunted wide + Gypsy beauty from their stocks; + Morning glories, bubble-dyed, + Swung in honey-hearted flocks. + + Tawny tiger-lilies flung + Doublets slashed with crimson on; + Graceful slave-girls, fair and young, + Like Circassians, in the sun + Alabaster lilies swung. + + Ah, the droning of the bee; + In his dusty pantaloons + Tumbling in the fleurs-de-lis; + In the drowsy afternoons + Dreaming in the pink sweet-pea. + + Ah, the moaning wildwood-dove! + With its throat of amethyst + Rippled like a shining cove + Which a wind to pearl hath kissed, + Moaning, moaning of its love. + + And the insects' gossip thin-- + From the summer hotness hid-- + In lone, leafy deeps of green; + Then at eve the katydid + With its hard, unvaried din. + + Often from the whispering hills, + Borne from out the golden dusk,-- + Gold with gold of daffodils,-- + Thrilled into the garden's musk + The wild wail of whippoorwills. + + From the purple-tangled trees, + Like the white, full heart of night, + Solemn with majestic peace, + Swam the big moon, veined with light; + Like some gorgeous golden-fleece. + + She was there with me.--And who, + In the magic of the hour, + Had not sworn that they could view, + Beading on each blade and flower + Moony blisters of the dew? + + And each fairy of our home,-- + Firefly,--its taper lit + In the honey-scented gloam, + Dashing down the dusk with it + Like an instant-flaming foam. + + And we heard the calling, calling, + Of the screech-owl in the brake; + Where the trumpet-vine hung, crawling + Down the ledge, into the lake + Heard the sighing streamlet falling. + + Then we wandered to the creek + Where the water-lilies, growing + Thick as stars, lay white and weak; + Or against the brooklet's flowing + Bent and bathed a bashful cheek. + + And the moonlight, rippling golden, + Fell in virgin aureoles + On their bosoms, half unfolden, + Where, it seemed, the fairies' souls + Dwelt as perfume,--unbeholden;-- + + Or lay sleeping, pearly-tented, + Baby-cribbed within each bud, + While the night-wind, piney-scented, + Swooning over field and flood, + Rocked them on the waters dented. + + Then the low, melodious bell + Of a sleeping heifer tinkled, + In some berry-briered dell, + As her satin dewlap wrinkled + With the cud that made it swell. + + And, returning home, we heard, + In a beech-tree at the gate, + Some brown, dream-behaunted bird, + Singing of its absent mate, + Of the mate that never heard. + + And, you see, now I am gray, + Why within the old, old place, + With such memories, I stay; + Fancy out her absent face + Long since passed away. + + She was mine--yes! still is mine: + And my frosty memory + Reels about her, as with wine + Warmed into young eyes that see + All of her that was divine. + + Yes, I loved her, and have grown + Melancholy in that love, + And the memory alone + Of perfection such whereof + She could sanctify each stone. + + And where'er the poppies swing-- + There we walk,--as if a bee + Bent them with its airy wing,-- + Down her garden shadowy + In the hush the evenings bring. + + + + + A FLOWER OF THE FIELDS + + + Bee-bitten in the orchard hung + The peach; or, fallen in the weeds, + Lay rotting, where still sucked and sung + The gray bee, boring to its seed's + Pink pulp and honey blackly stung. + + The orchard-path, which led around + The garden,--with its heat one twinge + Of dinning locusts,--picket-bound + And ragged, brought me where one hinge + Held up the gate that scraped the ground. + + All seemed the same: the martin-box-- + Sun-warped with pigmy balconies-- + Still stood, with all its twittering flocks, + Perched on its pole above the peas + And silvery-seeded onion-stocks. + + The clove-pink and the rose; the clump + Of coppery sunflowers, with the heat + Sick to the heart: the garden stump, + Red with geranium-pots, and sweet + With moss and ferns, this side the pump. + + I rested, with one hesitant hand + Upon the gate. The lonesome day, + Droning with insects, made the land + One dry stagnation. Soaked with hay + And scents of weeds the hot wind fanned. + + I breathed the sultry scents, my eyes + Parched as my lips. And yet I felt + My limbs were ice.--As one who flies + To some wild woe.--How sleepy smelt + The hay-sweet heat that soaked the skies! + + Noon nodded; dreamier, lonesomer + For one long, plaintive, forest-side + Bird-quaver.--And I knew me near + Some heartbreak anguish.... She had died. + I felt it, and no need to hear! + + I passed the quince and pear-tree; where, + All up the porch, a grape-vine trails-- + How strange that fruit, whatever air + Or earth it grows in, never fails + To find its native flavour there! + + And she was as a flower, too, + That grows its proper bloom and scent + No matter what the soil: she, who, + Born better than her place, still lent + Grace to the lowliness she knew.... + + They met me at the porch, and were + Sad-eyed with weeping.--Then the room + Shut out the country's heat and purr, + And left light stricken into gloom-- + So love and I might look on her. + + + + + THE FEUD + + + Rocks, trees and rocks; and down a mossy stone + The murmuring ooze and trickle of a stream + Through bushes, where the mountain spring lies lone,-- + A gleaming cairngorm where the shadows dream,-- + And one wild road winds like a saffron seam. + + Here sang the thrush, whose pure, mellifluous note + Dropped golden sweetness on the fragrant June; + Here cat--and blue-bird and wood-sparrow wrote + Their presence on the silence with a tune; + And here the fox drank 'neath the mountain moon. + + Frail ferns and dewy mosses and dark brush,-- + Impenetrable briers, deep and dense, + And wiry bushes,--brush, that seemed to crush + The struggling saplings with its tangle, whence + Sprawled out the ramble of an old rail-fence. + + A wasp buzzed by; and then a butterfly + In orange and amber, like a floating flame; + And then a man, hard-eyed and very sly, + Gaunt-cheeked and haggard and a little lame, + With an old rifle, down the mountain came. + + He listened, drinking from a flask he took + Out of the ragged pocket of his coat; + Then all around him cast a stealthy look; + Lay down; and watched an eagle soar and float, + His fingers twitching at his hairy throat. + + The shades grew longer; and each Cumberland height + Loomed, framed in splendours of the dolphin dusk. + Around the road a horseman rode in sight; + Young, tall, blonde-bearded. Silent, grim, and brusque, + He in the thicket aimed--The gun ran husk; + + And echoes barked among the hills and made + Repeated instants of the shot's distress.-- + Then silence--and the trampled bushes swayed;-- + Then silence, packed with murder and the press + Of distant hoofs that galloped riderless. + + + + + LYNCHERS + + + At the moon's down-going, let it be + On the quarry hill with its one gnarled tree.... + + The red-rock road of the underbush, + Where the woman came through the summer hush. + + The sumach high and the elder thick, + Where we found the stone and the ragged stick + + The trampled road of the thicket, full + Of footprints down to the quarry pool. + + The rocks that ooze with the hue of lead, + Where we found her lying stark and dead. + + The scraggy wood; the negro hut, + With its doors and windows locked and shut. + + A secret signal; a foot's rough tramp; + A knock at the door; a lifted lamp. + + An oath; a scuffle; a ring of masks; + A voice that answers a voice that asks. + + A group of shadows; the moon's red fleck; + A running noose and a man's bared neck. + + A word, a curse, and a shape that swings; + The lonely night and a bat's black wings.... + + At the moon's down-going, let it be + On the quarry hill with its one gnarled tree. + + + + + DEAD MAN'S RUN + + + He rode adown the autumn wood, + A man dark-eyed and brown; + A mountain girl before him stood + Clad in a homespun gown. + + 'To ride this road is death for you! + My father waits you there; + My father and my brother, too,-- + You know the oath they swear.' + + He holds her by one berry-brown wrist, + And by one berry-brown hand; + And he hath laughed at her and kissed + Her cheek the sun hath tanned. + + 'The feud is to the death, sweetheart; + But forward will I ride.'-- + 'And if you ride to death, sweetheart, + My place is at your side.' + + Low hath he laughed again and kissed + And helped her with his hand; + And they have ridd'n into the mist + That belts the autumn land. + + And they had passed by Devil's Den, + And come to Dead Man's Run, + When in the brush rose up two men, + Each with a levelled gun. + + 'Down! down! my sister!' cries the one;-- + She gives the reins a twirl.-- + The other shouts, 'He shot my son! + And now he steals my girl!' + + The rifles crack: she will not wail: + He will not cease to ride: + But, oh! her face is pale, is pale, + And the red blood stains her side. + + 'Sit fast, sit fast by me, sweetheart! + The road is rough to ride!'-- + The road is rough by gulch and bluff, + And her hair blows wild and wide. + + 'Sit fast, sit fast by me, sweetheart! + The bank is steep to ride!'-- + The bank is steep for a strong man's leap, + And her eyes are staring wide. + + 'Sit fast, sit fast by me, sweetheart! + The Run is swift to ride!'-- + The Run is swift with mountain drift, + And she sways from side to side. + + Is it a wash of the yellow moss, + Or drift of the autumn's gold, + The mountain torrent foams across + For the dead pine's roots to hold? + + Is it the bark of the sycamore, + Or peel of the white birch-tree, + The mountaineer on the other shore + Hath followed and still can see? + + No mountain moss or leaves, dear heart! + No bark of birchen gray!-- + Young hair of gold and a face death-cold + The wild stream sweeps away. + + + + + AUGUST + + + I + + Clad on with glowing beauty and the peace, + Benign, of calm maturity, she stands + Among her meadows and her orchard-lands, + And on her mellowing gardens and her trees, + Out of the ripe abundance of her hands + Bestows increase + And fruitfulness, as, wrapped in sunny ease, + Blue-eyed and blonde she goes + Upon her bosom Summer's richest rose. + + + II + + And he who follows where her footsteps lead, + By hill and rock, by forest-side and stream, + Shall glimpse the glory of her visible dream, + In flower and fruit, in rounded nut and seed: + She, in whose path the very shadows gleam; + Whose humblest weed + Seems lovelier than June's loveliest flower, indeed, + And sweeter to the smell + Than April's self within a rainy dell. + + + III + + Hers is a sumptuous simplicity + Within the fair Republic of her flowers, + Where you may see her standing hours on hours, + Breast-deep in gold, soft-holding up a bee + To her hushed ear; or sitting under bowers + Of greenery, + A butterfly a-tilt upon her knee; + Or lounging on her hip, + Dancing a cricket on her finger-tip. + + + IV + + Ay, let me breathe hot scents that tell of you; + The hoary catnip and the meadow-mint, + On which the honour of your touch doth print + Itself as odour. Let me drink the hue + Of iron-weed and mist-flow'r here that hint, + With purple and blue, + The rapture that your presence doth imbue + Their inmost essence with, + Immortal though as transient as a myth. + + + V + + Yea, let me feed on sounds that still assure + Me where you hide: the brooks', whose happy din + Tells where, the deep retired woods within, + Disrobed, you bathe; the birds', whose drowsy lure + Tells where you slumber, your warm nestling chin + Soft on the pure, + Pink cushion of your palm.... What better cure + For care and memory's ache + Than to behold you so, and watch you wake! + + + + + THE BUSH-SPARROW + + + I + + Ere wild-haws, looming in the glooms, + Build bolted drifts of breezy blooms; + And in the whistling hollow there + The red-bud bends, as brown and bare + As buxom Roxy's up-stripped arm; + From some gray hickory or larch, + Sighed o'er the sodden meads of March, + The sad heart thrills and reddens warm + To hear you braving the rough storm, + Frail courier of green-gathering powers; + Rebelling sap in trees and flowers; + Love's minister come heralding-- + O sweet saint-voice among bleak bowers! + O brown-red pursuivant of Spring! + + + II + + 'Moan' sob the woodland waters still + Down bloomless ledges of the hill; + And gray, gaunt clouds like harpies hang + In harpy heavens, and swoop and clang + Sharp beaks and talons of the wind: + Black scowl the forests, and unkind + The far fields as the near: while song + Seems murdered and all beauty wrong. + One weak frog only in the thaw + Of spawny pools wakes cold and raw, + Expires a melancholy bass + And stops as if bewildered: then + Along the frowning wood again, + Flung in the thin wind's vulture face, + From woolly tassels of the proud, + Red-bannered maples, long and loud, + 'The Spring is come! is here! her Grace! her Grace!' + + + III + + 'Her Grace, the Spring! her Grace! her Grace! + Climbs, beautiful and sunny browed, + Up, up the kindling hills and wakes + Blue berries in the berry brakes: + With fragrant flakes, that blow and bleach, + Deep-powders smothered quince and peach: + Eyes dogwoods with a thousand eyes: + Teaches each sod how to be wise + With twenty wild-flowers to one weed, + And kisses germs that they may seed. + In purest purple and sweet white + Treads up the happier hills of light, + Bloom, cloudy-borne, song in her hair + And balm and beam of odorous air. + Winds, her retainers; and the rains + Her yeomen strong that sweep the plains: + Her scarlet knights of dawn, and gold + Of eve, her panoply unfold: + Her herald tabarded behold! + Awake to greet! prepare to sing! + She comes, the darling Duchess, Spring!' + + + + + QUIET + + + A log-hut in the solitude, + A clapboard roof to rest beneath! + This side, the shadow-haunted wood; + That side, the sunlight-haunted heath. + + At daybreak Morn shall come to me + In raiment of the white winds spun; + Slim in her rosy hand the key + That opes the gateway of the sun. + + Her smile shall help my heart enough + With love to labour all the day, + And cheer the road, whose rocks are rough, + With her smooth footprints, each a ray. + + At dusk a voice shall call afar, + A lone voice like the whippoorwill's; + And, on her shimmering brow one star, + Night shall descend the western hills. + + She at my door till dawn shall stand, + With gothic eyes, that, dark and deep, + Are mirrors of a mystic land, + Fantastic with the towns of sleep. + + + + + MUSIC + + + Thou, oh, thou! + Thou of the chorded shell and golden plectrum, thou + Of the dark eyes and pale pacific brow! + Music, who by the plangent waves, + Or in the echoing night of labyrinthine caves, + Or on God's mountains, lonely as the stars, + Touchest reverberant bars + Of immemorial sorrow and amaze;-- + Keeping regret and memory awake, + And all the immortal ache + Of love that leans upon the past's sweet days + In retrospection!--now, oh, now, + Interpreter and heart-physician, thou + Who gazest on the heaven and the hell + Of life, and singest each as well, + Touch with thy all-mellifluous finger-tips, + Or thy melodious lips, + This sickness named my soul, + Making it whole + As is an echo of a chord, + Or some symphonic word, + Or sweet vibrating sigh, + That deep, resurgent still doth rise and die + On thy voluminous roll; + Part of the beauty and the mystery + That axles Earth with music; as a slave, + Swinging it round and round on each sonorous pole, + 'Mid spheric harmony, + And choral majesty, + And diapasoning of wind and wave; + Speeding it on its far elliptic way + 'Mid vasty anthemings of night and day.-- + O cosmic cry + Of two eternities, wherein we see + The phantasms, Death and Life, + At endless strife + Above the silence of a monster grave. + + + + + THE PURPLE VALLEYS + + + Far in the purple valleys of illusion + I see her waiting, like the soul of music, + With deep eyes, lovelier than cerulean pansies, + Shadow and fire, yet merciless as poison; + With red lips sweeter than Arabian storax, + Yet bitterer than myrrh. O tears and kisses! + O eyes and lips, that haunt my soul for ever! + + Again Spring walks transcendent on the mountains: + The woods are hushed: the vales are blue with shadows: + Above the heights, steeped in a thousand splendours, + Like some vast canvas of the gods, hangs burning + The sunset's wild sciography: and slowly + The moon treads heaven's proscenium,--night's stately + White queen of love and tragedy and madness. + + Again I know forgotten dreams and longings; + Ideals lost; desires dead and buried + Beside the altar sacrifice erected + Within the heart's high sanctuary. Strangely + Again I know the horror and the rapture, + The utterless awe, the joy akin to anguish, + The terror and the worship of the spirit. + + Again I feel her eyes pierce through and through me; + Her deep eyes, lovelier than imperial pansies, + Velvet and flame, through which her fierce will holds me, + Powerless and tame, and draws me on and onward + To sad, unsatisfied and animal yearnings, + Wild, unrestrained--the brute within the human-- + To fling me panting on her mouth and bosom. + + Again I feel her lips like ice and fire, + Her red lips, odorous as Arabian storax, + Fragrance and fire, within whose kiss destruction + Lies serpent-like. Intoxicating languors + Resistlessly embrace me, soul and body; + And we go drifting, drifting--she is laughing-- + Outcasts of God, into the deep's abysm. + + + + + A DREAM SHAPE + + + With moon-white hearts that held a gleam + I gathered wild-flowers in a dream, + And shaped a woman, whose sweet blood + Was odour of the wildwood bud. + + From dew, the starlight arrowed through, + I wrought a woman's eyes of blue; + The lids that on her eyeballs lay, + Were rose-pale petals of the May. + + Out of a rosebud's veins I drew + The fragrant crimson beating through + The languid lips of her, whose kiss + Was as a poppy's drowsiness. + + Out of the moonlight and the air + I wrought the glory of her hair, + That o'er her eyes' blue heaven lay + Like some gold cloud o'er dawn of day. + + I took the music of the breeze + And water, whispering in the trees, + And shaped the soul that breathed below + A woman's blossom breasts of snow. + + A shadow's shadow in the glass + Of sleep, my spirit saw her pass: + And thinking of it now, meseems + We only live within our dreams. + + For in that time she was to me + More real than our reality; + More real than Earth, more real than I-- + The unreal things that pass and die. + + + + + THE OLD BARN + + + Low, swallow-swept and gray, + Between the orchard and the spring, + All its wide windows overflowing hay, + And crannied doors a-swing, + The old barn stands to-day. + + Deep in its hay the Leghorn hides + A round white nest; and, humming soft + On roof and rafter, or its log-rude sides, + Black in the sun-shot loft, + The building hornet glides. + + Along its corn-crib, cautiously + As thieving fingers, skulks the rat; + Or in warped stalls of fragrant timothy, + Gnaws at some loosened slat, + Or passes shadowy. + + A dream of drouth made audible + Before its door, hot, smooth, and shrill + All day the locust sings.... What other spell + Shall hold it, lazier still + Than the long day's, now tell:-- + + Dusk and the cricket and the strain + Of tree-toad and of frog; and stars + That burn above the rich west's ribbed stain; + And dropping pasture bars, + And cow-bells up the lane. + + Night and the moon and katydid, + And leaf-lisp of the wind-touched boughs; + And mazy shadows that the fireflies thrid; + And sweet breath of the cows, + And the lone owl here hid. + + + + + THE WOOD WITCH + + + There is a woodland witch who lies + With bloom-bright limbs and beam-bright eyes, + Among the water-flags that rank + The slow brook's heron-haunted bank. + The dragon-flies, brass-bright and blue, + Are signs she works her sorcery through; + Weird, wizard characters she weaves + Her spells by under forest leaves,-- + These wait her word, like imps, upon + The gray flag-pods; their wings, of lawn + And gauze; their bodies, gleaming green. + While o'er the wet sand,--left between + The running water and the still,-- + In pansy hues and daffodil, + The fancies that she doth devise + Take on the forms of butterflies, + Rich-coloured.--And 'tis she you hear, + Whose sleepy rune, hummed in the ear + Of silence, bees and beetles purr, + And the dry-droning locusts whirr; + Till, where the wood is very lone, + Vague monotone meets monotone, + And slumber is begot and born, + A faery child beneath the thorn. + There is no mortal who may scorn + The witchery she spreads around + Her din demesne, wherein is bound + The beauty of abandoned time, + As some sweet thought 'twixt rhyme and rhyme. + And through her spells you shall behold + The blue turn gray, the gray turn gold + Of hollow heaven; and the brown + Of twilight vistas twinkled down + With fireflies; and in the gloom + Feel the cool vowels of perfume + Slow-syllabled of weed and bloom. + But, in the night, at languid rest,-- + When like a spirit's naked breast + The moon slips from a silver mist,-- + With star-bound brow, and star-wreathed wrist, + If you should see her rise and wave + You welcome--ah! what thing could save + You then? for evermore her slave! + + + + + AT SUNSET + + + Into the sunset's turquoise marge + The moon dips, like a pearly barge + Enchantment sails through magic seas + To fairyland Hesperides, + Over the hills and away. + + Into the fields, in ghost-gray gown, + The young-eyed Dusk comes slowly down; + Her apron filled with stars she stands, + And one or two slip from her hands + Over the hills and away. + + Above the wood's black caldron bends + The witch-faced Night and, muttering, blends + The dew and heat, whose bubbles make + The mist and musk that haunt the brake + Over the hills and away. + + Oh, come with me, and let us go + Beyond the sunset lying low, + Beyond the twilight and the night + Into Love's kingdom of long light + Over the hills and away. + + + + + MAY + + + The golden discs of the rattlesnake-weed, + That spangle the woods and dance-- + No gleam of gold that the twilights hold + Is strong as their necromance: + For, under the oaks where the woodpaths lead, + The golden discs of the rattlesnake-weed + Are the May's own utterance. + + The azure stars of the bluet bloom, + That sprinkle the woodland's trance-- + No blink of blue that a cloud lets through + Is sweet as their countenance: + For, over the knolls that the woods perfume, + The azure stars of the bluet bloom + Are the light of the May's own glance. + + With her wondering words and her looks she comes, + In a sunbeam of a gown; + She needs but think and the blossoms wink, + But look, and they shower down. + By orchard ways, where the wild bee hums, + With her wondering words and her looks she comes + Like a little maid to town. + + + + + RAIN + + + I + + Around, the stillness deepened; then the grain + Went wild with wind; and every briery lane + Was swept with dust; and then, tempestuous black, + Hillward the tempest heaved a monster back, + That on the thunder leaned as on a cane; + And on huge shoulders bore a cloudy pack, + That gullied gold from many a lightning-crack: + One great drop splashed and wrinkled down the pane, + And then field, hill, and wood were lost in rain. + + + II + + At last, through clouds,--as from a cavern hewn + Into night's heart,--the sun burst, angry roon; + And every cedar, with its weight of wet, + Against the sunset's fiery splendour set, + Frightened to beauty, seemed with rubies strewn: + Then in drenched gardens, like sweet phantoms met, + Dim odours rose of pink and mignonette; + And in the East a confidence, that soon + Grew to the calm assurance of the moon. + + + + + TO FALL + + + Sad-hearted spirit of the solitudes, + Who comest through the ruin-wedded woods! + Gray-gowned with fog, gold-girdled with the gloom + Of tawny twilights; burdened with perfume + Of rain-wet uplands, chilly with the mist; + And all the beauty of the fire-kissed + Cold forests crimsoning thy indolent way, + Odorous of death and drowsy with decay. + I think of thee as seated 'mid the showers + Of languid leaves that cover up the flowers,-- + The little flower-sisterhoods, whom June + Once gave wild sweetness to, as to a tune + A singer gives her soul's wild melody,-- + Watching the squirrel store his granary. + Or, 'mid old orchards I have pictured thee: + Thy hair's profusion blown about thy back; + One lovely shoulder bathed with gypsy black; + Upon thy palm one nestling cheek, and sweet + The rosy russets tumbled at thy feet. + Was it a voice lamenting for the flowers? + A heart-sick bird that sang of happier hours? + A cricket dirging days that soon must die? + Or did the ghost of Summer wander by? + + + + + SUNSET IN AUTUMN + + + Blood-coloured oaks, that stand against a sky of gold and brass; + Gaunt slopes, on which the bleak leaves glow of brier and sassafras, + And broom-sedge strips of smoky-pink and pearl-gray clumps of grass + In which, beneath the ragged sky, the rain pools gleam like glass. + + From West to East, from wood to wood, along the forest-side, + The winds,--the sowers of the Lord,--with thunderous footsteps + stride; + Their stormy hands rain acorns down; and mad leaves, wildly dyed, + Like tatters of their rushing cloaks, stream round them far and + wide. + + The frail leaf-cricket in the weeds rings a faint fairy bell; + And like a torch of phantom ray the milkweed's windy shell + Glimmers; while, wrapped in withered dreams, the wet autumnal smell + Of loam and leaf, like some sad ghost, steals over field and dell. + + The oaks, against a copper sky--o'er which, like some black lake + Of Dis, bronze clouds, like surges fringed with sullen fire, break-- + Loom sombre as Doom's citadel above the vales that make + A pathway to a land of mist the moon's pale feet shall take. + + Now, dyed with burning carbuncle, a limbo-litten pane, + Within its walls of storm, the West opens to hill and plain, + On which the wild-geese ink themselves, a far triangled train, + And then the shuttering clouds close down--and night is here again. + + + + + THE HILLS + + + There is no joy of earth that thrills + My bosom like the far-off hills! + Th' unchanging hills, that, shadowy, + Beckon our mutability + To follow and to gaze upon + Foundations of the dusk and dawn. + Meseems the very heavens are massed + Upon their shoulders, vague and vast + With all the skyey burden of + The winds and clouds and stars above. + Lo, how they sit before us, seeing + The laws that give all Beauty being! + Behold! to them, when dawn is near, + The nomads of the air appear, + Unfolding crimson camps of day + In brilliant bands; then march away; + And under burning battlements + Of twilight plant their tinted tents. + The truth of olden myths, that brood + By haunted stream and haunted wood, + They see; and feel the happiness + Of old at which we only guess: + The dreams, the ancients loved and knew, + Still as their rocks and trees are true: + Not otherwise than presences + The tempest and the calm to these: + One, shouting on them all the night, + Black-limbed and veined with lambent light; + The other with the ministry + Of all soft things that company + With music--an embodied form, + Giving to solitude the charm + Of leaves and waters and the peace + Of bird-begotten melodies-- + And who at night doth still confer + With the mild moon, that telleth her + Pale tale of lonely love, until + Wan images of passion fill + The heights with shapes that glimmer by + Clad on with sleep and memory. + + + + + CONTENT + + + When I behold how some pursue + Fame, that is Care's embodiment + Or fortune, whose false face looks true,-- + An humble home with sweet content + Is all I ask for me and you. + + An humble home, where pigeons coo, + Whose path leads under breezy lines + Of frosty-berried cedars to + A gate, one mass of trumpet-vines, + Is all I ask for me and you. + + A garden, which all summer through, + The roses old make redolent, + And morning-glories, gay of hue, + And tansy, with its homely scent, + Is all I ask for me and you. + + An orchard, that the pippins strew, + From whose bruised gold the juices spring; + A vineyard, where the grapes hang blue, + Wine-big and ripe for vintaging, + Is all I ask for me and you. + + A lane that leads to some far view + Of forest or of fallow-land, + Bloomed o'er with rose and meadow-rue, + Each with a bee in its hot hand, + Is all I ask for me and you. + + At morn, a pathway deep with dew, + And birds to vary time and tune; + At eve, a sunset avenue, + And whippoorwills that haunt the moon, + Is all I ask for me and you. + + Dear heart, with wants so small and few, + And faith, that's better far than gold, + A lowly friend, a child or two, + To care for us when we are old, + Is all I ask for me and you. + + + + + HEART OF MY HEART + + + Here where the season turns the land to gold, + Among the fields our feet have known of old,-- + When we were children who would laugh and run, + Glad little playmates of the wind and sun,-- + Before came toil and care and years went ill, + And one forgot and one remembered still; + Heart of my heart, among the old fields here, + Give me your hands and let me draw you near, + Heart of my heart. + + Stars are not truer than your soul is true-- + What need I more of heaven then than you? + Flowers are not sweeter than your face is sweet-- + What need I more to make my world complete? + O woman nature, love that still endures, + What strength has ours that is not born of yours? + Heart of my heart, to you, whatever come, + To you the lead, whose love hath led me home. + Heart of my heart. + + + + + OCTOBER + + + Long hosts of sunlight, and the bright wind blows + A tourney-trumpet on the listed hill; + Past is the splendour of the royal rose + And duchess daffodil. + + Crowned queen of beauty, in the garden's space, + Strong daughter of a bitter race and bold, + A ragged beggar with a lovely face, + Reigns the sad marigold. + + And I have sought June's butterfly for days, + To find it--like a coreopsis bloom-- + Amber and seal, rain-murdered 'neath the blaze + Of this sunflower's plume. + + Here drones the bee; and there sky-daring wings + Voyage blue gulfs of heaven; the last song + The red-bird flings me as adieu, still rings + Upon yon pear-tree's prong. + + No angry sunset brims with rubier red + The bowl of heaven than the days, indeed, + Pour in each blossom of this salvia-bed, + Where each leaf seems to bleed. + + And where the wood-gnats dance, like some slight mist, + Above the efforts of the weedy stream, + The girl, October, tired of the tryst, + Dreams a diviner dream. + + One foot just dipping the caressing wave, + One knee at languid angle; locks that drown + Hands nut-stained; hazel-eyed, she lies, and grave, + Watching the leaves drift down. + + + + + MYTH AND ROMANCE + + + I + + When I go forth to greet the glad-faced Spring, + Just at the time of opening apple-buds, + When brooks are laughing, winds are whispering, + On babbling hillsides or in warbling woods, + There is an unseen presence that eludes:-- + Perhaps a dryad, in whose tresses cling + The loamy odours of old solitudes, + Who, from her beechen doorway, calls, and leads + My soul to follow; now with dimpling words + Of leaves; and now with syllables of birds; + While here and there--is it her limbs that swing? + Or restless sunlight on the moss and weeds? + + + II + + Or, haply, 'tis a Naiad now who slips, + Like some white lily, from her fountain's glass, + While from her dripping hair and breasts and hips + The moisture rains cool music on the grass. + Her have I heard and followed, yet, alas! + Have seen no more than the wet ray that dips + The shivered waters, wrinkling where I pass; + But in the liquid light where she doth hide, + I have beheld the azure of her gaze + Smiling; and, where the orbing ripple plays, + Among her minnows I have heard her lips, + Bubbling, make merry by the waterside. + + + III + + Or now it is an Oread--whose eyes + Are constellated dusk--who stands confessed, + As naked as a flow'r; her heart's surprise, + Like morning's rose, mantling her brow and breast: + She, shrinking from my presence, all distressed + Stands for a startled moment ere she flies, + Her deep hair blowing, up the mountain crest, + Wild as a mist that trails along the dawn. + And is't her footfalls lure me? or the sound + Of airs that stir the crisp leaf on the ground? + And is't her body glimmers on yon rise? + Or dogwood blossoms snowing on the lawn? + + + IV + + Now 'tis a satyr piping serenades + On a slim reed. Now Pan and Faun advance + Beneath green-hollowed roofs of forest glades, + Their feet gone mad with music: now, perchance, + Sylvanus sleeping, on whose leafy trance + The nymphs stand gazing in dim ambuscades + Of sun-embodied perfume.--Myth, Romance, + Where'er I turn, reach out bewildering arms, + Compelling me to follow. Day and night + I hear their voices and behold the light + Of their divinity that still evades, + And still allures me in a thousand forms. + + + + + GENIUS LOCI + + + I + + What wood-god, on this water's mossy curb, + Lost in reflections of earth's loveliness, + Did I, just now, unconsciously disturb? + I who haphazard, wandering at a guess, + Came on this spot, wherein with gold and flame + Of buds and blooms the season writes its name.-- + Ah me! could I have seen him ere alarm + Of my approach aroused him from his calm! + As he, part Hamadryad and, mayhap, + Part Faun, lay here; who left the shadow warm + As a wood-rose, and filled the air with balm + Of his wild breath as with ethereal sap. + + + II + + Does not the moss retain some slight impress, + Green-dented down, of where he lay or trod? + Do not the flow'rs, so reticent, confess + With conscious looks the contact of a god? + Does not the very water garrulously + Boast the indulgence of a deity? + And, hark! in burly beech and sycamore + How all the birds proclaim it! and the leaves + Rejoice with clappings of their myriad hands! + And shall not I believe, too, and adore, + With such wide proof?--Yea, though my soul perceives + No evident presence, still it understands. + + + III + + And for a while it moves me to lie down + Here on the spot his god-head sanctified: + Mayhap some dream he dreamed may linger, brown + And young as joy, around the forest side; + Some dream within whose heart lives no disdain + For such as I whose love is sweet and sane; + That may repeat, so none but I may hear-- + As one might tell a pearl-strung rosary-- + Some epic that the leaves have learned to croon, + Some lyric whispered in the wild-flow'r's ear, + Whose murmurous lines are sung by bird and bee, + And all the insects of the night and noon. + + + IV + + For, all around me, upon field and hill, + Enchantment lies as of mysterious flutes; + As if the music of a god's goodwill + Had taken on material attributes + In blooms, like chords; and in the water-gleam, + That runs its silvery scales on every stream; + In sunbeam bars, up which the butterfly, + A golden note, vibrates then flutters on-- + Inaudible tunes, blown on the pipes of Pan, + That have assumed a visible entity, + And drugged the air with beauty so, a Faun, + Behold, I seem, and am no more a man. + + + + + DISCOVERY + + + What is it now that I shall seek + Where woods dip downward, in the hills; + A mossy nook, a ferny creek, + And May among the daffodils. + + Or in the valley's vistaed glow, + Past rocks of terraced trumpet-vines, + Shall I behold her coming slow, + Sweet May, among the columbines? + + With red-bud cheeks and bluet eyes, + Big eyes, the homes of happiness, + To meet me with the old surprise, + Her hoiden hair all bonnetless. + + Who waits for me, where, note for note, + The birds make glad the forest trees? + A dogwood blossom at her throat, + My May among th' anemones. + + As sweetheart breezes kiss the blooms, + And dewdrops drink the moonlight's gleam, + My soul shall kiss her lips' perfumes, + And drink the magic of her dreams. + + + + + THE OLD SPRING + + + I + + Under rocks whereon the rose + Like a strip of morning glows; + Where the azure-throated newt + Drowses on the twisted root; + And the brown bees, humming homeward, + Stop to suck the honey-dew; + Fern and leaf-hid, gleaming gloamward, + Drips the wildwood spring I knew, + Drips the spring my boyhood knew. + + + II + + Myrrh and music everywhere + Haunt its cascades;--like the hair + That a naiad tosses cool, + Swimming strangely beautiful, + With white fragrance for her bosom, + For her mouth a breath of song:-- + Under leaf and branch and blossom + Flows the woodland spring along, + Sparkling, singing flows along. + + + III + + Still the wet wan mornings touch + Its gray rocks, perhaps; and such + Slender stars as dusk may have + Pierce the rose that roofs its wave; + Still the thrush may call at noontide + And the whippoorwill at night; + Nevermore, by sun or moontide, + Shall I see it gliding white, + Falling, flowing, wild and white. + + + + + THE FOREST SPRING + + + Push back the brambles, berry-blue: + The hollowed spring is full in view: + Deep-tangled with luxuriant fern + Its rock-embedded, crystal urn. + + Not for the loneliness that keeps + The coigne wherein its silence sleeps; + Not for wild butterflies that sway + Their pansy pinions all the day + Above its mirror; nor the bee, + Nor dragonfly, that passing see + Themselves reflected in its spar; + Not for the one white liquid star, + That twinkles in its firmament; + Nor moon-shot clouds, so slowly sent + Athwart it when the kindly night + Beads all its grasses with the light + Small jewels of the dimpled dew; + Not for the day's inverted blue + Nor the quaint, dimly coloured stones + That dance within it where it moans: + Not for all these I love to sit + In silence and to gaze in it. + But, know, a nymph with merry eyes + Looks at me from its laughing skies; + A graceful glimmering nymph who plays + All the long fragrant summer days + With instant sights of bees and birds, + And speaks with them in water words, + And for whose nakedness the air + Weaves moony mists, and on whose hair, + Unfilleted, the night will set + That lone star as a coronet. + + + + + TRANSMUTATION + + + To me all beauty that I see + Is melody made visible: + An earth-translated state, may be, + Of music heard in Heaven or Hell. + + Out of some love-impassioned strain + Of saints, the rose evolved its bloom; + And, dreaming of it here again, + Perhaps re-lives it as perfume. + + Out of some chant that demons sing + Of hate and pain, the sunset grew; + And, haply, still remembering, + Re-lives it here as some wild hue. + + + + + DEAD CITIES + + + Out of it all but this remains:-- + I was with one who crossed wide chains + Of the Cordilleras, whose peaks + Lock in the wilds of Yucatan, + Chiapas and Honduras. Weeks-- + And then a city that no man + Had ever seen; so dim and old, + No chronicle has ever told + The history of men who piled + Its temples and huge teocallis + Among mimosa-blooming valleys; + Or how its altars were defiled + With human blood; whose idols there + With eyes of stone still stand and stare. + + So old the moon can only know + How old, since ancient forests grow + On mighty wall and pyramid. + Huge ceibas, whose trunks were scarred + With ages, and dense yuccas, hid + Fanes 'mid the cacti, scarlet-starred. + I looked upon its paven ways, + And saw it in its kingliest days; + When from the lordly palace one, + A victim, walked with prince and priest, + Who turned brown faces toward the east + In worship of the rising sun: + At night ten hundred temples' spires + On gold burnt everlasting fires. + + Uxmal? Palenque? or Copan? + I know not. Only how no man + Had ever seen; and still my soul + Believes it vaster than the three. + Volcanic rock walled in the whole, + Lost in the woods as in some sea. + _I only_ read its hieroglyphs, + Perused its monster monoliths + Of death, gigantic heads; and read + The pictured codex of its fate, + The perished Toltec; while in hate + Mad monkeys cursed me, as if dead + Priests of its past had taken form + To guard its ruined shrines from harm. + + + + + FROST + + + Magician he, who, autumn nights, + Down from the starry heavens whirls; + A harlequin in spangled tights, + Whose wand's touch carpets earth with pearls. + + Through him each pane presents a scene, + A Lilliputian landscape, where + The world is white instead of green, + And trees and houses hang in air. + + Where Elfins gambol and delight, + And haunt the jewelled bells of flowers; + Where upside-down we see the night + With many moons and starry showers. + + And surely in his wand or hand + Is Midas magic, for, behold, + Some morn we wake and find the land, + Both field and forest, turned to gold. + + + + + A NIGHT IN JUNE + + + I + + White as a lily moulded of Earth's milk + That eve the moon bloomed in a hyacinth sky; + Soft in the gleaming glens the wind went by, + Faint as a phantom clothed in unseen silk: + Bright as a naiad's leap, from shine to shade + The runnel twinkled through the shaken brier; + Above the hills one long cloud, pulsed with fire, + Flashed like a great enchantment-welded blade. + And when the western sky seemed some weird land, + And night a witching spell at whose command + One sloping star fell green from heav'n; and deep + The warm rose opened for the moth to sleep; + Then she, consenting, laid her hands in his, + And lifted up her lips for their first kiss. + + + II + + There where they part, the porch's steps are strewn + With wind-blown petals of the purple vine; + Athwart the porch the shadow of a pine + Cleaves the white moonlight; and like some calm rune + Heaven says to Earth, shines the majestic moon; + And now a meteor draws a lilac line + Across the welkin, as if God would sign + The perfect poem of this night of June. + The wood-wind stirs the flowering chestnut-tree, + Whose curving blossoms strew the glimmering grass + Like crescents that wind-wrinkled waters glass; + And, like a moonstone in a frill of flame, + The dewdrop trembles on the peony, + As in a lover's heart his sweetheart's name. + + + + + THE DREAMER + + + Even as a child he loved to thrid the bowers, + And mark the loafing sunlight's lazy laugh; + Or, on each season, spell the epitaph + Of its dead months repeated in their flowers; + Or list the music of the strolling showers, + Whose vagabond notes strummed through a twinkling staff, + Or read the day's delivered monograph + Through all the chapters of its daedal hours. + Still with the same child-faith and child regard + He looks on Nature, hearing at her heart, + The Beautiful beat out the time and place, + Through which no lesson of this life is hard, + No struggle vain of science or of art, + That dies with failure written on its face. + + + + + WINTER + + + The flute, whence Summer's dreamy finger-tips + Drew music,--ripening the pinched kernels in + The burly chestnut and the chinquapin, + Red-rounding-out the oval haws and hips,-- + Now Winter crushes to his stormy lips, + And surly songs whistle around his chin; + Now the wild days and wilder nights begin + When, at the eaves, the crooked icicle drips. + Thy songs, O Summer, are not lost so soon! + Still dwells a memory in thy hollow flute, + Which unto Winter's masculine airs doth give + Thy own creative qualities of tune, + Through which we see each bough bend white with fruit, + Each bush with bloom, in snow commemorative. + + + + + MID-WINTER + + + All day the clouds hung ashen with the cold; + And through the snow the muffled waters fell; + The day seemed drowned in grief too deep to tell, + Like some old hermit whose last bead is told. + At eve the wind woke, and the snow clouds rolled + Aside to leave the fierce sky visible; + Harsh as an iron landscape of wan hell + The dark hills hung framed in with gloomy gold. + And then, towards night, the wind seemed some one at + My window wailing: now a little child + Crying outside my door; and now the long + Howl of some starved beast down the flue. I sat + And knew 'twas Winter with his madman song + Of miseries on which he stared and smiled. + + + + + SPRING + + + First came the rain, loud, with sonorous lips; + A pursuivant who heralded a prince: + And dawn put on her livery of tints, + And dusk bound gold about her hair and hips: + And, all in silver mail, the sunlight came, + A knight, who bade the winter let him pass; + And freed imprisoned beauty, naked as + The Court of Love, in all her wildflower shame. + And so she came, in breeze-borne loveliness, + Across the hills; and heav'n bent down to bless: + Above her head the birds were as a lyre; + And at her feet, like some strong worshipper, + The shouting water paean'd praise of her + Who, with blue eyes, set the wild world on fire. + + + + + TRANSFORMATION + + + It is the time when, by the forest falls, + The touch-me-nots hang fairy folly-caps; + When ferns and flowers fill the lichened laps + Of rocks with colour, rich as orient shawls: + And in my heart I hear a voice that calls + Me woodward, where the hamadryad wraps + Her limbs in bark, and, bubbling in the saps, + Sings the sweet Greek of Pan's old madrigals: + There is a gleam that lures me up the stream-- + A Naiad swimming with wet limbs of light? + Perfume that leads me on from dream to dream-- + An Oread's footprints fragrant with her flight? + And, lo! meseems I am a Faun again, + Part of the myths that I pursue in vain. + + + + + RESPONSE + + + There is a music of immaculate love, + That beats within the virgin veins of Spring,-- + And trillium blossoms, like the stars that cling + To fairies' wands; and, strung on sprays above, + White-hearts and mandrake blooms--that look enough + Like the elves' washing--white with laundering + Of May-moon dews; and all pale-opening + Wild-flowers of the woods are born thereof. + There is no sod Spring's white foot brushes but + Must feel the music that vibrates within, + And thrill to the communicated touch + Responsive harmonies, that must unshut + The heart of Beauty for Song's concrete kin, + Emotions--that are flowers--born of such. + + + + + THE SWASHBUCKLER + + + Squat-nosed and broad, of big and pompous port; + A tavern visage, apoplexy haunts, + All pimple-puffed: the Falstaff-like resort + Of fat debauchery, whose veined cheek flaunts + A flabby purple: rusty-spurred he stands + In rakehell boots and belt, and hanger that + Claps when, with greasy gauntlets on his hands, + He swaggers past in cloak and slouch-plumed hat. + Aggression marches armies in his words; + And in his oaths great deeds ride cap-a-pie; + His looks, his gestures breathe the breath of swords; + And in his carriage camp all wars to be:-- + With him of battles there shall be no lack + While buxom wenches are and stoops of sack. + + + + + SIMULACRA + + + Dark in the west the sunset's sombre wrack + Unrolled vast walls the rams of war had split, + Along whose battlements the battle lit + Tempestuous beacons; and, with gates hurled back, + A mighty city, red with ruin and sack, + Through burning breaches, crumbling bit by bit, + Showed where the God of Slaughter seemed to sit + With Conflagration glaring at each crack.-- + Who knows? perhaps as sleep unto us makes + Our dreams as real as our waking seems + With recollections time can not destroy, + So in the mind of Nature now awakes, + Haply, some wilder memory, and she dreams + The stormy story of the fall of Troy. + + + + + CAVERNS + + WRITTEN OF COLOSSAL CAVE, KENTUCKY + + + Aisles and abysses; leagues no man explores, + Of rock that labyrinths and night that drips; + Where everlasting silence broods, with lips + Of adamant, o'er earthquake-builded floors. + Where forms, such as the Demon-World adores, + Laborious water carves; whence echo slips + Wild-tongued o'er pools where petrifaction strips + Her breasts of crystal from which crystal pours.-- + Here where primordial fear, the Gorgon, sits + Staring all life to stone in ghastly mirth, + I seem to tread, with awe no tongue can tell,-- + Beneath vast domes, by torrent-tortured pits, + 'Mid wrecks terrific of the ruined Earth,-- + An ancient causeway of forgotten Hell. + + + + + THE BLUE BIRD + + + From morn till noon upon the window-pane + The tempest tapped with rainy finger-nails, + And all the afternoon the blustering gales + Beat at the door with furious feet of rain. + The rose, near which the lily bloom lay slain, + Like some red wound dripped by the garden rails, + On which the sullen slug left slimy trails-- + Meseemed the sun would never shine again. + Then in the drench, long, loud and full of cheer,-- + A skyey herald tabarded in blue,-- + A bluebird bugled ... and at once a bow + Was bent in heaven, and I seemed to hear + God's sapphire spaces crystallising through + The strata'd clouds in azure tremolo. + + + + + QUATRAINS + + + POETRY + + Who hath beheld the goddess face to face, + Blind with her beauty, all his days shall go + Climbing lone mountains towards her temple's place, + Weighed with song's sweet, inexorable woe. + + + THE UNIMAGINATIVE + + Each form of beauty's but the new disguise + Of thoughts more beautiful than forms can be; + Sceptics, who search with unanointed eyes, + Never the Earth's wild fairy-dance shall see. + + + MUSIC + + God-born before the Sons of God, she hurled, + With awful symphonies of flood and fire, + God's name on rocking Chaos--world by world + Flamed as the universe rolled from her lyre. + + + THE THREE ELEMENTS + + They come as couriers of Heaven: their feet + Sonorous-sandalled with majestic awe; + In raiment of swift foam and wind and heat, + Blowing the trumpets of God's wrath and law. + + + ROME + + Above the circus of the world she sat, + Beautiful and base, a harlot crowned with pride: + Fierce nations, upon whom she sneered and spat, + Shrieked at her feet and for her pastime died. + + + ON READING THE LIFE OF HAROUN ER RESHID + + Down all the lanterned Bagdad of our youth + He steals, with golden justice for the poor: + Within his palace--you shall know the truth!-- + A blood-smeared headsman hides behind each door. + + + MNEMOSYNE + + In classic beauty, cold, immaculate, + A voiceful sculpture, stern and still she stands, + Upon her brow deep-chiselled love and hate, + That sorrow o'er dead roses in her hands. + + + BEAUTY + + High as a star, yet lowly as a flower, + Unknown she takes her unassuming place + At Earth's proud masquerade--the appointed hour + Strikes, and, behold! the marvel of her face. + + + THE STARS + + These--the bright symbols of man's hope and fame, + In which he reads his blessing or his curse-- + Are syllables with which God speaks his name + In the vast utterance of the universe. + + + ECHO + + Dweller in hollow places, hills and rocks, + Daughter of Silence and old Solitude, + Tip-toe she stands within her cave or wood, + Her only life the noises that she mocks. + + + + + ADVENTURERS + + + Seemingly over the hill-tops, + Possibly under the hills, + A tireless wing that never drops, + And a song that never stills. + + Epics heard on the stars' lips? + Lyrics read in the dew?-- + To sing the song at our finger-tips, + And live the world anew! + + Cavaliers of the Cortes kind, + Bold and stern and strong,-- + And, oh, for a fine and muscular mind + To sing a new-world's song! + + Sailing seas of the silver morn, + Winds of the balm and spice, + To put the old-world art to scorn + At the price of any price! + + Danger, death, but the hope high! + God's, if the purpose fail! + Into the deeds of a vaster sky + Sailing a dauntless sail. + + + + + EPILOGUE + + + I + + O Life! O Death! O God! + Have we not striven? + Have we not known Thee, God + As Thy stars know Heaven? + Have we not held Thee true, + True as thy deepest, + Sweet and immaculate blue + Heaven that feels Thy dew! + Have we not _known_ Thee true, + O God who keepest. + + + II + + O God, our Father, God!-- + Who gav'st us fire, + To soar beyond the sod, + To rise, aspire-- + What though we strive and strive, + And all our soul says 'live'? + The empty scorn of men + Will sneer it down again. + And, O sun-centred high, + Who, too, art Poet, + Beneath Thy tender sky + Each day new Keatses die, + Calling all life a lie; + Can this be so--and why?-- + And canst Thou know it? + + + III + + We know Thee beautiful, + We know Thee bitter! + Help Thou!--Men's eyes are dull, + O God most beautiful! + Make thou their souls less full + Of things mere glitter. + Dost Thou not see our tears? + Dost Thou not hear the years + Treading our hearts to shards, + O Lord of all the Lords?-- + Arouse Thee, God of Hosts, + There 'mid Thy glorious ghosts, + So high and holy! + Have mercy on our tears! + Have mercy on our years! + Our strivings and our fears, + O Lord of lordly peers, + On us, so lowly! + + + IV + + On us, so fondly fain + To tell what mother-pain + Of Nature makes the rain. + On us, so glad to show + The sorrow of her snow, + And all her winds that blow. + + Us, who interpret right + Her mystic rose of light, + Her moony rune of night. + + Us, who have utterance for + Each warm, flame-hearted star + That stammers from afar. + + Who hear the tears and sighs + Of every bud that dies + While heav'n's dew on it lies. + + Who see the power that dowers + The wildwood bosks and bowers + With musk of sap and flowers. + + Who see what no man sees + In water, earth, and breeze, + And in the hearts of trees. + + Turn not away Thy light, + O God!--Our strength is slight! + Help us who breast the height! + Have mercy, Infinite! + Have mercy! + + + Printed by T. and A. CONSTABLE, (late) Printers to Her Majesty + at the Edinburgh University Press + + + + + +End of the Project Gutenberg EBook of Kentucky Poems, by Madison J. Cawein + +*** END OF THIS PROJECT GUTENBERG EBOOK KENTUCKY POEMS *** + +***** This file should be named 36661.txt or 36661.zip ***** +This and all associated files of various formats will be found in: + http://www.gutenberg.org/3/6/6/6/36661/ + +Produced by David Garcia, Matthew Wheaton and the Online +Distributed Proofreading Team at http://www.pgdp.net (This +file was produced from images generously made available +by The Kentuckiana Digital Library) + + +Updated editions will replace the previous one--the old editions +will be renamed. + +Creating the works from public domain print editions means that no +one owns a United States copyright in these works, so the Foundation +(and you!) can copy and distribute it in the United States without +permission and without paying copyright royalties. Special rules, +set forth in the General Terms of Use part of this license, apply to +copying and distributing Project Gutenberg-tm electronic works to +protect the PROJECT GUTENBERG-tm concept and trademark. Project +Gutenberg is a registered trademark, and may not be used if you +charge for the eBooks, unless you receive specific permission. If you +do not charge anything for copies of this eBook, complying with the +rules is very easy. You may use this eBook for nearly any purpose +such as creation of derivative works, reports, performances and +research. They may be modified and printed and given away--you may do +practically ANYTHING with public domain eBooks. Redistribution is +subject to the trademark license, especially commercial +redistribution. + + + +*** START: FULL LICENSE *** + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full Project +Gutenberg-tm License (available with this file or online at +http://gutenberg.org/license). + + +Section 1. General Terms of Use and Redistributing Project Gutenberg-tm +electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or destroy +all copies of Project Gutenberg-tm electronic works in your possession. +If you paid a fee for obtaining a copy of or access to a Project +Gutenberg-tm electronic work and you do not agree to be bound by the +terms of this agreement, you may obtain a refund from the person or +entity to whom you paid the fee as set forth in paragraph 1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this agreement +and help preserve free future access to Project Gutenberg-tm electronic +works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" +or PGLAF), owns a compilation copyright in the collection of Project +Gutenberg-tm electronic works. Nearly all the individual works in the +collection are in the public domain in the United States. If an +individual work is in the public domain in the United States and you are +located in the United States, we do not claim a right to prevent you from +copying, distributing, performing, displaying or creating derivative +works based on the work as long as all references to Project Gutenberg +are removed. Of course, we hope that you will support the Project +Gutenberg-tm mission of promoting free access to electronic works by +freely sharing Project Gutenberg-tm works in compliance with the terms of +this agreement for keeping the Project Gutenberg-tm name associated with +the work. You can easily comply with the terms of this agreement by +keeping this work in the same format with its attached full Project +Gutenberg-tm License when you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are in +a constant state of change. If you are outside the United States, check +the laws of your country in addition to the terms of this agreement +before downloading, copying, displaying, performing, distributing or +creating derivative works based on this work or any other Project +Gutenberg-tm work. The Foundation makes no representations concerning +the copyright status of any work in any country outside the United +States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other immediate +access to, the full Project Gutenberg-tm License must appear prominently +whenever any copy of a Project Gutenberg-tm work (any work on which the +phrase "Project Gutenberg" appears, or with which the phrase "Project +Gutenberg" is associated) is accessed, displayed, performed, viewed, +copied or distributed: + +This eBook is for the use of anyone anywhere at no cost and with +almost no restrictions whatsoever. You may copy it, give it away or +re-use it under the terms of the Project Gutenberg License included +with this eBook or online at www.gutenberg.org + +1.E.2. If an individual Project Gutenberg-tm electronic work is derived +from the public domain (does not contain a notice indicating that it is +posted with permission of the copyright holder), the work can be copied +and distributed to anyone in the United States without paying any fees +or charges. If you are redistributing or providing access to a work +with the phrase "Project Gutenberg" associated with or appearing on the +work, you must comply either with the requirements of paragraphs 1.E.1 +through 1.E.7 or obtain permission for the use of the work and the +Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or +1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any additional +terms imposed by the copyright holder. Additional terms will be linked +to the Project Gutenberg-tm License for all works posted with the +permission of the copyright holder found at the beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including any +word processing or hypertext form. However, if you provide access to or +distribute copies of a Project Gutenberg-tm work in a format other than +"Plain Vanilla ASCII" or other format used in the official version +posted on the official Project Gutenberg-tm web site (www.gutenberg.org), +you must, at no additional cost, fee or expense to the user, provide a +copy, a means of exporting a copy, or a means of obtaining a copy upon +request, of the work in its original "Plain Vanilla ASCII" or other +form. Any alternate format must include the full Project Gutenberg-tm +License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works provided +that + +- You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is + owed to the owner of the Project Gutenberg-tm trademark, but he + has agreed to donate royalties under this paragraph to the + Project Gutenberg Literary Archive Foundation. Royalty payments + must be paid within 60 days following each date on which you + prepare (or are legally required to prepare) your periodic tax + returns. Royalty payments should be clearly marked as such and + sent to the Project Gutenberg Literary Archive Foundation at the + address specified in Section 4, "Information about donations to + the Project Gutenberg Literary Archive Foundation." + +- You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or + destroy all copies of the works possessed in a physical medium + and discontinue all use of and all access to other copies of + Project Gutenberg-tm works. + +- You provide, in accordance with paragraph 1.F.3, a full refund of any + money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days + of receipt of the work. + +- You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm +electronic work or group of works on different terms than are set +forth in this agreement, you must obtain permission in writing from +both the Project Gutenberg Literary Archive Foundation and Michael +Hart, the owner of the Project Gutenberg-tm trademark. Contact the +Foundation as set forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +public domain works in creating the Project Gutenberg-tm +collection. Despite these efforts, Project Gutenberg-tm electronic +works, and the medium on which they may be stored, may contain +"Defects," such as, but not limited to, incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other intellectual +property infringement, a defective or damaged disk or other medium, a +computer virus, or computer codes that damage or cannot be read by +your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium with +your written explanation. The person or entity that provided you with +the defective work may elect to provide a replacement copy in lieu of a +refund. If you received the work electronically, the person or entity +providing it to you may choose to give you a second opportunity to +receive the work electronically in lieu of a refund. If the second copy +is also defective, you may demand a refund in writing without further +opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO +WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of damages. +If any disclaimer or limitation set forth in this agreement violates the +law of the state applicable to this agreement, the agreement shall be +interpreted to make the maximum disclaimer or limitation permitted by +the applicable state law. The invalidity or unenforceability of any +provision of this agreement shall not void the remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in accordance +with this agreement, and any volunteers associated with the production, +promotion and distribution of Project Gutenberg-tm electronic works, +harmless from all liability, costs and expenses, including legal fees, +that arise directly or indirectly from any of the following which you do +or cause to occur: (a) distribution of this or any Project Gutenberg-tm +work, (b) alteration, modification, or additions or deletions to any +Project Gutenberg-tm work, and (c) any Defect you cause. + + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of computers +including obsolete, old, middle-aged and new computers. It exists +because of the efforts of hundreds of volunteers and donations from +people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need, are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future generations. +To learn more about the Project Gutenberg Literary Archive Foundation +and how your efforts and donations can help, see Sections 3 and 4 +and the Foundation web page at http://www.pglaf.org. + + +Section 3. Information about the Project Gutenberg Literary Archive +Foundation + +The Project Gutenberg Literary Archive Foundation is a non profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Its 501(c)(3) letter is posted at +http://pglaf.org/fundraising. Contributions to the Project Gutenberg +Literary Archive Foundation are tax deductible to the full extent +permitted by U.S. federal laws and your state's laws. + +The Foundation's principal office is located at 4557 Melan Dr. S. +Fairbanks, AK, 99712., but its volunteers and employees are scattered +throughout numerous locations. Its business office is located at +809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email +business@pglaf.org. Email contact links and up to date contact +information can be found at the Foundation's web site and official +page at http://pglaf.org + +For additional contact information: + Dr. Gregory B. Newby + Chief Executive and Director + gbnewby@pglaf.org + + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without wide +spread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To +SEND DONATIONS or determine the status of compliance for any +particular state visit http://pglaf.org + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg Web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. +To donate, please visit: http://pglaf.org/donate + + +Section 5. General Information About Project Gutenberg-tm electronic +works. + +Professor Michael S. Hart is the originator of the Project Gutenberg-tm +concept of a library of electronic works that could be freely shared +with anyone. For thirty years, he produced and distributed Project +Gutenberg-tm eBooks with only a loose network of volunteer support. + + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the U.S. +unless a copyright notice is included. Thus, we do not necessarily +keep eBooks in compliance with any particular paper edition. + + +Most people start at our Web site which has the main PG search facility: + + http://www.gutenberg.org + +This Web site includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/36661.zip b/36661.zip Binary files differnew file mode 100644 index 0000000..97a3d08 --- /dev/null +++ b/36661.zip diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..53e8f99 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #36661 (https://www.gutenberg.org/ebooks/36661) |
