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+The Project Gutenberg Etext of Fromont and Risler by Alphonse Daudet, v4
+#66 in our series The French Immortals Crowned by the French Academy
+#7 in our series by Alphonse Daudet
+
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+Title: Fromont and Risler, v4
+
+Author: Alphonse Daudet
+
+Release Date: April, 2003 [Etext #3979]
+[Yes, we are about one year ahead of schedule]
+[The actual date this file first posted = 09/23/01]
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+Edition: 10
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+Language: English
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+The Project Gutenberg Etext of Fromont and Risler by Alphonse Daudet, v4
+***********This file should be named 3979.txt or 3979.zip*********
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+
+
+
+
+
+FROMONT AND RISLER
+
+By ALPHONSE DAUDET
+
+
+
+BOOK 4.
+
+
+CHAPTER XXI
+
+THE DAY OF RECKONING
+
+The great clock of Saint-Gervais struck one in the morning. It was so
+cold that the fine snow, flying through the air, hardened as it fell,
+covering the pavements with a slippery, white blanket.
+
+Risler, wrapped in his cloak, was hastening home from the brewery through
+the deserted streets of the Marais. He had been celebrating, in company
+with his two faithful borrowers, Chebe and Delobelle, his first moment of
+leisure, the end of that almost endless period of seclusion during which
+he had been superintending the manufacture of his press, with all the
+searchings, the joys, and the disappointments of the inventor. It had
+been long, very long. At the last moment he had discovered a defect.
+The crane did not work well; and he had had to revise his plans and
+drawings. At last, on that very day, the new machine had been tried.
+Everything had succeeded to his heart's desire. The worthy man was
+triumphant. It seemed to him that he had paid a debt, by giving the
+house of Fromont the benefit of a new machine, which would lessen the
+labor, shorten the hours of the workmen, and at the same time double
+the profits and the reputation of the factory. He indulged in beautiful
+dreams as he plodded along. His footsteps rang out proudly, emphasized
+by the resolute and happy trend of his thoughts.
+
+Quickening his pace, he reached the corner of Rue des Vieilles-
+Haudriettes. A long line of carriages was standing in front of the
+factory, and the light of their lanterns in the street, the shadows of
+the drivers seeking shelter from the snow in the corners and angles that
+those old buildings have retained despite the straightening of the
+sidewalks, gave an animated aspect to that deserted, silent quarter.
+
+"Yes, yes! to be sure," thought the honest fellow, "we have a ball at
+our house." He remembered that Sidonie was giving a grand musical and
+dancing party, which she had excused him from attending, by the way,
+knowing that he was very busy.
+
+Shadows passed and repassed behind the fluttering veil of the curtains;
+the orchestra seemed to follow the movements of those stealthy
+apparitions with the rising and falling of its muffled notes. The guests
+were dancing. Risler let his eyes rest for a moment on that
+phantasmagoria of the ball, and fancied that he recognized Sidonie's
+shadow in a small room adjoining the salon.
+
+She was standing erect in her magnificent costume, in the attitude of a
+pretty woman before her mirror. A shorter shadow behind her, Madame
+Dobson doubtless, was repairing some accident to the costume, retieing
+the knot of a ribbon tied about her neck, its long ends floating down to
+the flounces of the train. It was all very indistinct, but the woman's
+graceful figure was recognizable in those faintly traced outlines, and
+Risler tarried long admiring her.
+
+The contrast on the first floor was most striking. There was no light
+visible, with the exception of a little lamp shining through the lilac
+hangings of the bedroom. Risler noticed that circumstance, and as the
+little girl had been ailing a few days before, he felt anxious about her,
+remembering Madame Georges's strange agitation when she passed him so
+hurriedly in the afternoon; and he retraced his steps as far as Pere
+Achille's lodge to inquire.
+
+The lodge was full. Coachmen were warming themselves around the stove,
+chatting and laughing amid the smoke from their pipes. When Risler
+appeared there was profound silence, a cunning, inquisitive, significant
+silence. They had evidently been speaking of him.
+
+"Is the Fromont child still sick?" he asked.
+
+"No, not the child, Monsieur."
+
+"Monsieur Georges sick?"
+
+"Yes, he was taken when he came home to-night. I went right off to get
+the doctor. He said that it wouldn't amount to anything--that all
+Monsieur needed was rest."
+
+As Risler closed the door Pere Achille added, under his breath, with the
+half-fearful, half-audacious insolence of an inferior, who would like to
+be listened to and yet not distinctly heard:
+
+"Ah! 'dame', they're not making such a show on the first floor as they
+are on the second."
+
+This is what had happened.
+
+Fromont jeune, on returning home during the evening, had found his wife
+with such a changed, heartbroken face, that he at once divined a
+catastrophe. But he had become so accustomed in the past two years to
+sin with impunity that it did not for one moment occur to him that his
+wife could have been informed of his conduct. Claire, for her part, to
+avoid humiliating him, was generous enough to speak only of Savigny.
+
+"Grandpapa refused," she said.
+
+The miserable man turned frightfully pale.
+
+"I am lost--I am lost!" he muttered two or three times in the wild
+accents of fever; and his sleepless nights, a last terrible scene which
+he had had with Sidonie, trying to induce her not to give this party on
+the eve of his downfall, M. Gardinois' refusal, all these maddening
+things which followed so closely on one another's heels and had agitated
+him terribly, culminated in a genuine nervous attack. Claire took pity
+on him, put him to bed, and established herself by his side; but her
+voice had lost that affectionate intonation which soothes and persuades.
+There was in her gestures, in the way in which she arranged the pillow
+under the patient's head and prepared a quieting draught, a strange
+indifference, listlessness.
+
+"But I have ruined you!" Georges said from time to time, as if to rouse
+her from that apathy which made him uncomfortable. She replied with a
+proud, disdainful gesture. Ah! if he had done only that to her!
+
+At last, however, his nerves became calmer, the fever subsided, and he
+fell asleep.
+
+She remained to attend to his wants.
+
+"It is my duty," she said to herself.
+
+Her duty. She had reached that point with the man whom she had adored so
+blindly, with the hope of a long and happy life together.
+
+At that moment the ball in Sidonie's apartments began to become very
+animated. The ceiling trembled rhythmically, for Madame had had all the
+carpets removed from her salons for the greater comfort of the dancers.
+Sometimes, too, the sound of voices reached Claire's ears in waves, and
+frequent tumultuous applause, from which one could divine the great
+number of the guests, the crowded condition of the rooms.
+
+Claire was lost in thought. She did not waste time in regrets, in
+fruitless lamentations. She knew that life was inflexible and that all
+the arguments in the world will not arrest the cruel logic of its
+inevitable progress. She did not ask herself how that man had succeeded
+in deceiving her so long--how he could have sacrificed the honor and
+happiness of his family for a mere caprice. That was the fact, and all
+her reflections could not wipe it out, could not repair the irreparable.
+The subject that engrossed her thoughts was the future. A new existence
+was unfolding before her eyes, dark, cruel, full of privation and toil;
+and, strangely enough, the prospect of ruin, instead of terrifying her,
+restored all her courage. The idea of the change of abode made necessary
+by the economy they would be obliged to practise, of work made compulsory
+for Georges and perhaps for herself, infused an indefinable energy into
+the distressing calmness of her despair. What a heavy burden of souls
+she would have with her three children: her mother, her child, and her
+husband! The feeling of responsibility prevented her giving way too much
+to her misfortune, to the wreck of her love; and in proportion as she
+forgot herself in the thought of the weak creatures she had to protect
+she realized more fully the meaning of the word "sacrifice," so vague on
+careless lips, so serious when it becomes a rule of life.
+
+Such were the poor woman's thoughts during that sad vigil, a vigil of
+arms and tears, while she was preparing her forces for the great battle.
+Such was the scene lighted by the modest little lamp which Risler had
+seen from below, like a star fallen from the radiant chandeliers of the
+ballroom.
+
+Reassured by Pere Achille's reply, the honest fellow thought of going up
+to his bedroom, avoiding the festivities and the guests, for whom he
+cared little.
+
+On such occasions he used a small servants' staircase communicating with
+the counting-room. So he walked through the many-windowed workshops,
+which the moon, reflected by the snow, made as light as at noonday. He
+breathed the atmosphere of the day of toil, a hot, stifling atmosphere,
+heavy with the odor of boiled talc and varnish. The papers spread out on
+the dryers formed long, rustling paths. On all sides tools were lying
+about, and blouses hanging here and there ready for the morrow. Risler
+never walked through the shops without a feeling of pleasure.
+
+Suddenly he spied a light in Planus's office, at the end of that long
+line of deserted rooms. The old cashier was still at work, at one
+o'clock in the morning! That was really most extraordinary.
+
+Risler's first impulse was to retrace his steps. In fact, since his
+unaccountable falling-out with Sigismond, since the cashier had adopted
+that attitude of cold silence toward him, he had avoided meeting him.
+His wounded friendship had always led him to shun an explanation; he had
+a sort of pride in not asking Planus why he bore him ill-will. But, on
+that evening, Risler felt so strongly the need of cordial sympathy, of
+pouring out his heart to some one, and then it was such an excellent
+opportunity for a tete-a-tete with his former friend, that he did not try
+to avoid him but boldly entered the counting-room.
+
+The cashier was sitting there, motionless, among heaps of papers and
+great books, which he had been turning over, some of which had fallen to
+the floor. At the sound of his employer's footsteps he did not even lift
+his eyes. He had recognized Risler's step. The latter, somewhat
+abashed, hesitated a moment; then, impelled by one of those secret
+springs which we have within us and which guide us, despite ourselves, in
+the path of our destiny, he walked straight to the cashier's grating.
+
+"Sigismond," he said in a grave voice.
+
+The old man raised his head and displayed a shrunken face down which two
+great tears were rolling, the first perhaps that that animate column of
+figures had ever shed in his life.
+
+"You are weeping, old man? What troubles you?"
+
+And honest Risler, deeply touched, held out his hand to his friend, who
+hastily withdrew his. That movement of repulsion was so instinctive, so
+brutal, that all Risler's emotion changed to indignation.
+
+He drew himself up with stern dignity.
+
+"I offer you my hand, Sigismond Planus!" he said.
+
+"And I refuse to take it," said Planus, rising.
+
+There was a terrible pause, during which they heard the muffled music of
+the orchestra upstairs and the noise of the ball, the dull, wearing noise
+of floors shaken by the rhythmic movement of the dance.
+
+"Why do you refuse to take my hand?" demanded Risler simply, while the
+grating upon which he leaned trembled with a metallic quiver.
+
+Sigismond was facing him, with both hands on his desk, as if to emphasize
+and drive home what he was about to say in reply.
+
+"Why? Because you have ruined the house; because in a few hours a
+messenger from the Bank will come and stand where you are, to collect a
+hundred thousand francs; and because, thanks to you, I haven't a sou in
+the cash-box--that's the reason why!"
+
+Risler was stupefied.
+
+"I have ruined the house--I?"
+
+"Worse than that, Monsieur. You have allowed it to be ruined by your
+wife, and you have arranged with her to benefit by our ruin and your
+dishonor. Oh! I can see your game well enough. The money your wife has
+wormed out of the wretched Fromont, the house at Asnieres, the diamonds
+and all the rest is invested in her name, of course, out of reach of
+disaster; and of course you can retire from business now."
+
+"Oh--oh!" exclaimed Risler in a faint voice, a restrained voice rather,
+that was insufficient for the multitude of thoughts it strove to express;
+and as he stammered helplessly he drew the grating toward him with such
+force that he broke off a piece of it. Then he staggered, fell to the
+floor, and lay there motionless, speechless, retaining only, in what
+little life was still left in him, the firm determination not to die
+until he had justified himself. That determination must have been very
+powerful; for while his temples throbbed madly, hammered by the blood
+that turned his face purple, while his ears were ringing and his glazed
+eyes seemed already turned toward the terrible unknown, the unhappy man
+muttered to himself in a thick voice, like the voice of a shipwrecked man
+speaking with his mouth full of water in a howling gale: "I must live!
+I must live!"
+
+When he recovered consciousness, he was sitting on the cushioned bench on
+which the workmen sat huddled together on pay-day, his cloak on the
+floor, his cravat untied, his shirt open at the neck, cut by Sigismond's
+knife. Luckily for him, he had cut his hands when he tore the grating
+apart; the blood had flowed freely, and that accident was enough to avert
+an attack of apoplexy. On opening his eyes, he saw on either side old
+Sigismond and Madame Georges, whom the cashier had summoned in his
+distress. As soon as Risler could speak, he said to her in a choking
+voice:
+
+"Is this true, Madame Chorche--is this true that he just told me?"
+
+She had not the courage to deceive him, so she turned her eyes away.
+
+"So," continued the poor fellow, "so the house is ruined, and I--"
+
+"No, Risler, my friend. No, not you."
+
+"My wife, was it not? Oh! it is horrible! This is how I have paid my
+debt of gratitude to you. But you, Madame Chorche, you could not have
+believed that I was a party to this infamy?"
+
+"No, my friend, no; be calm. I know that you are the most honorable man
+on earth."
+
+He looked at her a moment, with trembling lips and clasped hands, for
+there was something child-like in all the manifestations of that artless
+nature.
+
+"Oh! Madame Chorche, Madame Chorche," he murmured. "When I think that I
+am the one who has ruined you."
+
+In the terrible blow which overwhelmed him, and by which his heart,
+overflowing with love for Sidonie, was most deeply wounded, he refused to
+see anything but the financial disaster to the house of Fromont, caused
+by his blind devotion to his wife. Suddenly he stood erect.
+
+"Come," he said, "let us not give way to emotion. We must see about
+settling our accounts."
+
+Madame Fromont was frightened.
+
+"Risler, Risler--where are you going?"
+
+She thought that he was going up to Georges' room.
+
+Risler understood her and smiled in superb disdain.
+
+"Never fear, Madame. Monsieur Georges can sleep in peace. I have
+something more urgent to do than avenge my honor as a husband. Wait for
+me here. I will come back."
+
+He darted toward the narrow staircase; and Claire, relying upon his word,
+remained with Planus during one of those supreme moments of uncertainty
+which seem interminable because of all the conjectures with which they
+are thronged.
+
+A few moments later the sound of hurried steps, the rustling of silk
+filled the dark and narrow staircase. Sidonie appeared first, in ball
+costume, gorgeously arrayed and so pale that the jewels that glistened
+everywhere on her dead-white flesh seemed more alive than she, as if they
+were scattered over the cold marble of a statue. The breathlessness due
+to dancing, the trembling of intense excitement and her rapid descent,
+caused her to shake from head to foot, and her floating ribbons, her
+ruffles, her flowers, her rich and fashionable attire drooped tragically
+about her. Risler followed her, laden with jewel-cases, caskets, and
+papers. Upon reaching his apartments he had pounced upon his wife's
+desk, seized everything valuable that it contained, jewels, certificates,
+title-deeds of the house at Asnieres; then, standing in the doorway, he
+had shouted into the ballroom:
+
+"Madame Risler!"
+
+She had run quickly to him, and that brief scene had in no wise disturbed
+the guests, then at the height of the evening's enjoyment. When she saw
+her husband standing in front of the desk, the drawers broken open and
+overturned on the carpet with the multitude of trifles they contained,
+she realized that something terrible was taking place.
+
+"Come at once," said Risler; "I know all."
+
+She tried to assume an innocent, dignified attitude; but he seized her by
+the arm with such force that Frantz's words came to her mind: "It will
+kill him perhaps, but he will kill you first." As she was afraid of
+death, she allowed herself to be led away without resistance, and had not
+even the strength to lie.
+
+"Where are we going?" she asked, in a low voice.
+
+Risler did not answer. She had only time to throw over her shoulders,
+with the care for herself that never failed her, a light tulle veil, and
+he dragged her, pushed her, rather, down the stairs leading to the
+counting-room, which he descended at the same time, his steps close upon
+hers, fearing that his prey would escape.
+
+"There!" he said, as he entered the room. "We have stolen, we make
+restitution. Look, Planus, you can raise money with all this stuff."
+And he placed on the cashier's desk all the fashionable plunder with
+which his arms were filled--feminine trinkets, trivial aids to coquetry,
+stamped papers.
+
+Then he turned to his wife:
+
+"Take off your jewels! Come, be quick."
+
+She complied slowly, opened reluctantly the clasps of bracelets and
+buckles, and above all the superb fastening of her diamond necklace on
+which the initial of her name-a gleaming S-resembled a sleeping serpent,
+imprisoned in a circle of gold. Risler, thinking that she was too slow,
+ruthlessly broke, the fragile fastenings. Luxury shrieked beneath his
+fingers, as if it were being whipped.
+
+"Now it is my turn," he said; "I too must give up everything. Here is my
+portfolio. What else have I? What else have I?"
+
+He searched his pockets feverishly.
+
+"Ah! my watch. With the chain it will bring four-thousand francs. My
+rings, my wedding-ring. Everything goes into the cash-box, everything.
+We have a hundred thousand francs to pay this morning. As soon as it is
+daylight we must go to work, sell out and pay our debts. I know some one
+who wants the house at Asnieres. That can be settled at once."
+
+He alone spoke and acted. Sigismond and Madame Georges watched him
+without speaking. As for Sidonie, she seemed unconscious, lifeless.
+The cold air blowing from the garden through the little door, which was
+opened at the time of Risler's swoon, made her shiver, and she
+mechanically drew the folds of her scarf around her shoulders, her eyes
+fixed on vacancy, her thoughts wandering. Did she not hear the violins
+of her ball, which reached their ears in the intervals of silence, like
+bursts of savage irony, with the heavy thud of the dancers shaking the
+floors? An iron hand, falling upon her, aroused her abruptly from her
+torpor. Risler had taken her by the arm, and, leading her before his
+partner's wife, he said:
+
+"Down on your knees!"
+
+Madame Fromont drew back, remonstrating:
+
+"No, no, Risler, not that."
+
+"It must be," said the implacable Risler. "Restitution, reparation!
+Down on your knees then, wretched woman!" And with irresistible force he
+threw Sidonie at Claire's feet; then, still holding her arm;
+
+"You will repeat after me, word for word, what I say: Madame--"
+
+Sidonie, half dead with fear, repeated faintly: "Madame--"
+
+"A whole lifetime of humility and submission--"
+
+"A whole lifetime of humil-- No, I can not!" she exclaimed, springing to
+her feet with the agility of a deer; and, wresting herself from Risler's
+grasp, through that open door which had tempted her from the beginning of
+this horrible scene, luring her out into the darkness of the night to the
+liberty obtainable by flight, she rushed from the house, braving the
+falling snow and the wind that stung her bare shoulders.
+
+"Stop her, stop her!--Risler, Planus, I implore you! In pity's name do
+not let her go in this way," cried Claire.
+
+Planus stepped toward the door.
+
+Risler detained him.
+
+"I forbid you to stir! I ask your pardon, Madame, but we have more
+important matters than this to consider. Madame Risler concerns us no
+longer. We have to save the honor of the house of Fromont, which alone is
+at stake, which alone fills my thoughts at this moment."
+
+Sigismond put out his hand.
+
+"You are a noble man, Risler. Forgive me for having suspected you."
+
+Risler pretended not to hear him.
+
+"A hundred thousand francs to pay, you say? How much is there left in
+the strong-box?"
+
+He sat bravely down behind the gratin, looking over the books of account,
+the certificates of stock in the funds, opening the jewel-cases,
+estimating with Planus, whose father had been a jeweller, the value of
+all those diamonds, which he had once so admired on his wife, having no
+suspicion of their real value.
+
+Meanwhile Claire, trembling from head to foot, looked out through the
+window at the little garden, white with snow, where Sidonie's footsteps
+were already effaced by the fast-falling flakes, as if to bear witness
+that that precipitate departure was without hope of return.
+
+Up-stairs they were still dancing. The mistress of the house was
+supposed to be busy with the preparations for supper, while she was
+flying, bare-headed, forcing back sobs and shrieks of rage.
+
+Where was she going? She had started off like a mad woman, running
+across the garden and the courtyard of the factory, and under the dark
+arches, where the cruel, freezing wind blew in eddying circles. Pere
+Achille did not recognize her; he had seen so many shadows wrapped in
+white pass his lodge that night.
+
+The young woman's first thought was to join the tenor Cazaboni, whom at
+the last she had not dared to invite to her ball; but he lived at
+Montmartre, and that was very far away for her to go, in that garb; and
+then, would he be at home? Her parents would take her in, doubtless; but
+she could already hear Madame Chebe's lamentations and the little man's
+sermon under three heads. Thereupon she thought of Delobelle, her old
+Delobelle. In the downfall of all her splendors she remembered the man
+who had first initiated her into fashionable life, who had given her
+lessons in dancing and deportment when she was a little girl, laughed at
+her pretty ways, and taught her to look upon herself as beautiful before
+any one had ever told her that she was so. Something told her that that
+fallen star would take her part against all others. She entered one of
+the carriages standing at the gate and ordered the driver to take her to
+the actor's lodgings on the Boulevard Beaumarchais.
+
+For some time past Mamma Delobelle had been making straw hats for export-
+a dismal trade if ever there was one, which brought in barely two francs
+fifty for twelve hours' work.
+
+And Delobelle continued to grow fat in the same degree that his "sainted
+wife" grew thin. At the very moment when some one knocked hurriedly at
+his door he had just discovered a fragrant soup 'au fromage', which had
+been kept hot in the ashes on the hearth. The actor, who had been
+witnessing at Beaumarchais some dark-browed melodrama drenched with gore
+even to the illustrated headlines of its poster, was startled by that
+knock at such an advanced hour.
+
+"Who is there?" he asked in some alarm.
+
+"It is I, Sidonie. Open the door quickly."
+
+She entered the room, shivering all over, and, throwing aside her wrap,
+went close to the stove where the fire was almost extinct. She began to
+talk at once, to pour out the wrath that had been stifling her for an
+hour, and while she was describing the scene in the factory, lowering her
+voice because of Madame Delobelle, who was asleep close by, the
+magnificence of her costume in that poor, bare, fifth floor, the dazzling
+whiteness of her disordered finery amid the heaps of coarse hats and the
+wisps of straw strewn about the room, all combined to produce the effect
+of a veritable drama, of one of those terrible upheavals of life when
+rank, feelings, fortunes are suddenly jumbled together.
+
+"Oh! I never shall return home. It is all over. Free--I am free!"
+
+"But who could have betrayed you to your husband?" asked the actor.
+
+"It was Frantz! I am sure it was Frantz. He wouldn't have believed it
+from anybody else. Only last evening a letter came from Egypt. Oh! how
+he treated me before that woman! To force me to kneel! But I'll be
+revenged. Luckily I took something to revenge myself with before I came
+away."
+
+And the smile of former days played about the corners of her pale lips.
+
+The old strolling player listened to it all with deep interest.
+Notwithstanding his compassion for that poor devil of a Risler, and for
+Sidonie herself, for that matter, who seemed to him, in theatrical
+parlance, "a beautiful culprit," he could not help viewing the affair
+from a purely scenic standpoint, and finally cried out, carried away by
+his hobby:
+
+"What a first-class situation for a fifth act!"
+
+She did not bear him. Absorbed by some evil thought, which made her
+smile in anticipation, she stretched out to the fire her dainty shoes,
+saturated with snow, and her openwork stockings.
+
+"Well, what do you propose to do now?" Delobelle asked after a pause.
+
+"Stay here till daylight and get a little rest. Then I will see."
+
+"I have no bed to offer you, my poor girl. Mamma Delobelle has gone to
+bed."
+
+"Don't you worry about me, my dear Delobelle. I'll sleep in that
+armchair. I won't be in your way, I tell you!"
+
+The actor heaved a sigh.
+
+"Ah! yes, that armchair. It was our poor Zizi's. She sat up many a
+night in it, when work was pressing. Ah, me! those who leave this world
+are much the happiest."
+
+He had always at hand such selfish, comforting maxims. He had no sooner
+uttered that one than he discovered with dismay that his soup would soon
+be stone-cold. Sidonie noticed his movement.
+
+"Why, you were just eating your supper, weren't you? Pray go on."
+
+"'Dame'! yes, what would you have? It's part of the trade, of the hard
+existence we fellows have. For you see, my girl, I stand firm. I
+haven't given up. I never will give up."
+
+What still remained of Desiree's soul in that wretched household in which
+she had lived twenty years must have shuddered at that terrible
+declaration. He never would give up!
+
+"No matter what people may say," continued Delobelle, "it's the noblest
+profession in the world. You are free; you depend upon nobody. Devoted
+to the service of glory and the public! Ah! I know what I would do in
+your place. As if you were born to live with all those bourgeois--the
+devil! What you need is the artistic life, the fever of success, the
+unexpected, intense emotion."
+
+As he spoke he took his seat, tucked his napkin in his neck, and helped
+himself to a great plateful of soup.
+
+"To say nothing of the fact that your triumphs as a pretty woman would
+in no wise interfere with your triumph as an actress. By the way, do you
+know, you must take a few lessons in elocution. With your voice, your
+intelligence, your charms, you would have a magnificent prospect."
+
+Then he added abruptly, as if to initiate her into the joys of the
+dramatic art:
+
+"But it occurs to me that perhaps you have not supped! Excitement makes
+one hungry; sit there, and take this soup. I am sure that you haven't
+eaten soup 'au fromage' for a long while."
+
+He turned the closet topsy-turvy to find her a spoon and a napkin; and
+she took her seat opposite him, assisting him and laughing a little at
+the difficulties attending her entertainment. She was less pale already,
+and there was a pretty sparkle in her eyes, composed of the tears of a
+moment before and the present gayety.
+
+The strolling actress! All her happiness in life was lost forever:
+honor, family, wealth. She was driven from her house, stripped,
+dishonored. She had undergone all possible humiliations and disasters.
+That did not prevent her supping with a wonderful appetite and joyously
+holding her own under Delobelle's jocose remarks concerning her vocation
+and her future triumphs. She felt light-hearted and happy, fairly
+embarked for the land of Bohemia, her true country. What more would
+happen to her? Of how many ups and downs was her new, unforeseen, and
+whimsical existence to consist? She thought about that as she fell
+asleep in Desiree's great easy-chair; but she thought of her revenge,
+too--her cherished revenge which she held in her hand, all ready for use,
+and so unerring, so fierce!
+
+
+
+
+CHAPTER XXII
+
+THE NEW EMYLOYEE OF THE HOUSE OF FROMONT
+
+It was broad daylight when Fromont Jeune awoke. All night long, between
+the drama that was being enacted below him and the festivity in joyous
+progress above, he slept with clenched fists, the deep sleep of complete
+prostration like that of a condemned man on the eve of his execution or
+of a defeated General on the night following his disaster; a sleep from
+which one would wish never to awake, and in which, in the absence of all
+sensation, one has a foretaste of death.
+
+The bright light streaming through his curtains, made more dazzling by
+the deep snow with which the garden and the surrounding roofs were
+covered, recalled him to the consciousness of things as they were. He
+felt a shock throughout his whole being, and, even before his mind began
+to work, that vague impression of melancholy which misfortunes,
+momentarily forgotten, leave in their place. All the familiar noises of
+the factory, the dull throbbing of the machinery, were in full activity.
+So the world still existed! and by slow degrees the idea of his own
+responsibility awoke in him.
+
+"To-day is the day," he said to himself, with an involuntary movement
+toward the dark side of the room, as if he longed to bury himself anew in
+his long sleep.
+
+The factory bell rang, then other bells in the neighborhood, then the
+Angelus.
+
+"Noon! Already! How I have slept!"
+
+He felt some little remorse and a great sense of relief at the thought
+that the drama of settling-day had passed off without him. What had they
+done downstairs? Why did they not call him?
+
+He rose, drew the curtains aside, and saw Risler and Sigismond talking
+together in the garden. And it was so long since they had spoken to each
+other! What in heaven's name had happened? When he was ready to go down
+he found Claire at the door of his room.
+
+"You must not go out," she said.
+
+"Why not?"
+
+"Stay here. I will explain it to you."
+
+"But what's the matter? Did any one come from the Bank?"
+
+"Yes, they came--the notes are paid."
+
+"Paid?"
+
+"Risler obtained the money. He has been rushing about with Planus since
+early morning. It seems that his wife had superb jewels. The diamond
+necklace alone brought twenty thousand francs. He has also sold their
+house at Asnieres with all it contained; but as time was required to
+record the deed, Planus and his sister advanced the money."
+
+She turned away from him as she spoke. He, on his side, hung his head to
+avoid her glance.
+
+"Risler is an honorable man," she continued, "and when he learned from
+whom his wife received all her magnificent things--"
+
+"What!" exclaimed Georges in dismay. "He knows?"
+
+"All," Claire replied, lowering her voice.
+
+The wretched man turned pale, stammered feebly:
+
+"Why, then--you?"
+
+"Oh! I knew it all before Risler. Remember, that when I came home last
+night, I told you I had heard very cruel things down at Savigny, and that
+I would have given ten years of my life not to have taken that journey."
+
+"Claire!"
+
+Moved by a mighty outburst of affection, he stepped toward his wife; but
+her face was so cold, so sad, so resolute, her despair was so plainly
+written in the stern indifference of her whole bearing, that he dared not
+take her in his arms as he longed to do, but simply murmured under his
+breath:
+
+"Forgive!--forgive!"
+
+"You must think me strangely calm," said the brave woman; "but I shed all
+my tears yesterday. You may have thought that I was weeping over our
+ruin; you were mistaken. While one is young and strong as we are,
+such cowardly conduct is not permissible. We are armed against want and
+can fight it face to face. No, I was weeping for our departed happiness,
+for you, for the madness that led you to throw away your only, your true
+friend."
+
+She was lovely, lovelier than Sidonie had ever been, as she spoke thus,
+enveloped by a pure light which seemed to fall upon her from a great
+height, like the radiance of a fathomless, cloudless sky; whereas the
+other's irregular features had always seemed to owe their brilliancy,
+their saucy, insolent charm to the false glamour of the footlights in
+some cheap theatre. The touch of statuesque immobility formerly
+noticeable in Claire's face was vivified by anxiety, by doubt, by all the
+torture of passion; and like those gold ingots which have their full
+value only when the Mint has placed its stamp upon them, those beautiful
+features stamped with the effigy of sorrow had acquired since the
+preceding day an ineffaceable expression which perfected their beauty.
+
+Georges gazed at her in admiration. She seemed to him more alive, more
+womanly, and worthy of adoration because of their separation and all the
+obstacles that he now knew to stand between them. Remorse, despair,
+shame entered his heart simultaneously with this new love, and he would
+have fallen on his knees before her.
+
+"No, no, do not kneel," said Claire; "if you knew of what you remind me,
+if you knew what a lying face, distorted with hatred, I saw at my feet
+last night!"
+
+"Ah! but I am not lying," replied Georges with a shudder. "Claire, I
+implore you, in the name of our child--"
+
+At that moment some one knocked at the door.
+
+"Rise, I beg of you! You see that life has claims upon us," she said in
+a low voice and with a bitter smile; then she asked what was wanted.
+
+Monsieur Risler had sent for Monsieur to come down to the office.
+
+"Very well," she said; "say that he will come."
+
+Georges approached the door, but she stopped him.
+
+"No, let me go. He must not see you yet."
+
+"But--"
+
+"I wish you to stay here. You have no idea of the indignation and wrath
+of that poor man, whom you have deceived. If you had seen him last
+night, crushing his wife's wrists!"
+
+As she said it she looked him in the face with a curiosity most cruel to
+herself; but Georges did not wince, and replied simply:
+
+"My life belongs to him."
+
+"It belongs to me, too; and I do not wish you to go down. There has been
+scandal enough in my father's house. Remember that the whole factory is
+aware of what is going on. Every one is watching us, spying upon us.
+It required all the authority of the foremen to keep the men busy to-day,
+to compel them to keep their inquisitive looks on their work."
+
+"But I shall seem to be hiding."
+
+"And suppose it were so! That is just like a man. They do not recoil
+from the worst crimes: betraying a wife, betraying a friend; but the
+thought that they may be accused of being afraid touches them more keenly
+than anything. Moreover, listen to what I say. Sidonie has gone; she
+has gone forever; and if you leave this house I shall think that you have
+gone to join her."
+
+"Very well, I will stay," said Georges. "I will do whatever you wish."
+
+Claire descended into Planus' office.
+
+To see Risler striding to and fro, with his hands behind his back, as
+calm as usual, no one would ever have suspected all that had taken place
+in his life since the night before. As for Sigismond, he was fairly
+beaming, for he saw nothing in it all beyond the fact that the notes had
+been paid at maturity and that the honor of the firm was safe.
+
+When Madame Fromont appeared, Risler smiled sadly and shook his head.
+
+"I thought that you would prefer to come down in his place; but you are
+not the one with whom I have to deal. It is absolutely necessary that I
+should see Georges and talk with him. We have paid the notes that fell
+due this morning; the crisis has passed; but we must come to an
+understanding about many matters."
+
+"Risler, my friend, I beg you to wait a little longer."
+
+"Why, Madame Chorche, there's not a minute to lose. Oh! I suspect that
+you fear I may give way to an outbreak of anger. Have no fear--let him
+have no fear. You know what I told you, that the honor of the house of
+Fromont is to be assured before my own. I have endangered it by my
+fault. First of all, I must repair the evil I have done or allowed to be
+done."
+
+"Your conduct toward us is worthy of all admiration, my good Risler; I
+know it well."
+
+"Oh! Madame, if you could see him! he's a saint," said poor Sigismond,
+who, not daring to speak to his friend, was determined at all events to
+express his remorse.
+
+"But aren't you afraid?" continued Claire. "Human endurance has its
+limits. It may be that in presence of the man who has injured you so--"
+
+Risler took her hands, gazed into her eyes with grave admiration, and
+said:
+
+"You dear creature, who speak of nothing but the injury done to me! Do
+you not know that I hate him as bitterly for his falseness to you? But
+nothing of that sort has any existence for me at this moment. You see in
+me simply a business man who wishes to have an understanding with his
+partner for the good of the firm. So let him come down without the
+slightest fear, and if you dread any outbreak on my part, stay here with
+us. I shall need only to look at my old master's daughter to be reminded
+of my promise and my duty."
+
+"I trust you, my friend," said Claire; and she went up to bring her
+husband.
+
+The first minute of the interview was terrible. Georges was deeply
+moved, humiliated, pale as death. He would have preferred a hundred
+times over to be looking into the barrel of that man's pistol at twenty
+paces, awaiting his fire, instead of appearing before him as an
+unpunished culprit and being compelled to confine his feelings within the
+commonplace limits of a business conversation.
+
+Risler pretended not to look at him, and continued to pace the floor as
+he talked:
+
+"Our house is passing through a terrible crisis. We have averted the
+disaster for to-day; but this is not the last of our obligations. That
+cursed invention has kept my mind away from the business for a long
+while. Luckily, I am free now, and able to attend to it. But you must
+give your attention to it as well. The workmen and clerks have followed
+the example of their employers to some extent. Indeed, they have become
+extremely negligent and indifferent. This morning, for the first time in
+a year, they began work at the proper time. I expect that you will make
+it your business to change all that. As for me, I shall work at my
+drawings again. Our patterns are old-fashioned. We must have new ones
+for the new machines. I have great confidence in our presses. The
+experiments have succeeded beyond my hopes. We unquestionably have in
+them a means of building up our business. I didn't tell you sooner
+because I wished to surprise you; but we have no more surprises for each
+other, have we, Georges?"
+
+There was such a stinging note of irony in his voice that Claire
+shuddered, fearing an outbreak; but he continued, in his natural tone.
+
+"Yes, I think I can promise that in six months the Risler Press will
+begin to show magnificent results. But those six months will be very
+hard to live through. We must limit ourselves, cut down our expenses,
+save in every way that we can. We have five draughtsmen now; hereafter
+we will have but two. I will undertake to make the absence of the others
+of no consequence by working at night myself. Furthermore, beginning
+with this month, I abandon my interest in the firm. I will take my
+salary as foreman as I took it before, and nothing more."
+
+Fromont attempted to speak, but a gesture from his wife restrained him,
+and Risler continued:
+
+"I am no longer your partner, Georges. I am once more the clerk that I
+never should have ceased to be. From this day our partnership articles
+are cancelled. I insist upon it, you understand; I insist upon it. We
+will remain in that relation to each other until the house is out of
+difficulty and I can-- But what I shall do then concerns me alone. This
+is what I wanted to say to you, Georges. You must give your attention to
+the factory diligently; you must show yourself, make it felt that you are
+master now, and I believe there will turn out to be, among all our
+misfortunes, some that can be retrieved."
+
+During the silence that followed, they heard the sound of wheels in the
+garden, and two great furniture vans stopped at the door.
+
+"I beg your pardon," said Risler, "but I must leave you a moment. Those
+are the vans from the public auction rooms; they have come to take away
+my furniture from upstairs."
+
+"What! you are going to sell your furniture too?" asked Madame Fromont.
+
+"Certainly--to the last piece. I am simply giving it back to the firm.
+It belongs to it."
+
+"But that is impossible," said Georges. "I can not allow that."
+
+Risler turned upon him indignantly.
+
+"What's that? What is it that you can't allow?"
+
+Claire checked him with an imploring gesture.
+
+"True--true!" he muttered; and he hurried from the room to escape the
+sudden temptation to give vent to all that was in his heart.
+
+The second floor was deserted. The servants, who had been paid and
+dismissed in the morning, had abandoned the apartments to the disorder of
+the day following a ball; and they wore the aspect peculiar to places
+where a drama has been enacted, and which are left in suspense, as it
+were, between the events that have happened and those that are still to
+happen. The open doors, the rugs lying in heaps in the corners, the
+salvers laden with glasses, the preparations for the supper, the table
+still set and untouched, the dust from the dancing on all the furniture,
+its odor mingled with the fumes of punch, of withered flowers, of rice-
+powder--all these details attracted Risler's notice as he entered.
+
+In the disordered salon the piano was open, the bacchanal from 'Orphee
+aux Enfers' on the music-shelf, and the gaudy hangings surrounding that
+scene of desolation, the chairs overturned, as if in fear, reminded one
+of the saloon of a wrecked packet-boat, of one of those ghostly nights of
+watching when one is suddenly informed, in the midst of a fete at sea,
+that the ship has sprung a leak, that she is taking in water in every
+part.
+
+The men began to remove the furniture. Risler watched them at work with
+an indifferent air, as if he were in a stranger's house. That
+magnificence which had once made him so happy and proud inspired in him
+now an insurmountable disgust. But, when he entered his wife's bedroom,
+he was conscious of a vague emotion.
+
+It was a large room, hung with blue satin under white lace. A veritable
+cocotte's nest. There were torn and rumpled tulle ruffles lying about,
+bows, and artificial flowers. The wax candles around the mirror had
+burned down to the end and cracked the candlesticks; and the bed, with
+its lace flounces and valances, its great curtains raised and drawn back,
+untouched in the general confusion, seemed like the bed of a corpse, a
+state bed on which no one would ever sleep again.
+
+Risler's first feeling upon entering the room was one of mad indignation,
+a longing to fall upon the things before him, to tear and rend and
+shatter everything. Nothing, you see, resembles a woman so much as her
+bedroom. Even when she is absent, her image still smiles in the mirrors
+that have reflected it. A little something of her, of her favorite
+perfume, remains in everything she has touched. Her attitudes are
+reproduced in the cushions of her couch, and one can follow her goings
+and comings between the mirror and the toilette table in the pattern of
+the carpet. The one thing above all others in that room that recalled
+Sidonie was an 'etagere' covered with childish toys, petty, trivial
+knickknacks, microscopic fans, dolls' tea-sets, gilded shoes, little
+shepherds and shepherdesses facing one another, exchanging cold,
+gleaming, porcelain glances. That 'etagere' was Sidonie's very soul, and
+her thoughts, always commonplace, petty, vain, and empty, resembled those
+gewgaws. Yes, in very truth, if Risler, while he held her in his grasp
+last night, had in his frenzy broken that fragile little head, a whole
+world of 'etagere' ornaments would have come from it in place of a brain.
+
+The poor man was thinking sadly of all these things amid the ringing of
+hammers and the heavy footsteps of the furniture-movers, when he heard an
+interloping, authoritative step behind him, and Monsieur Chebe appeared,
+little Monsieur Chebe, flushed and breathless, with flames darting from
+his eyes. He assumed, as always, a very high tone with his son-in-law.
+
+"What does this mean? What is this I hear? Ah! so you're moving, are
+you?"
+
+"I am not moving, Monsieur Chebe--I am selling out."
+
+The little man gave a leap like a scalded fish.
+
+"You are selling out? What are you selling, pray?"
+
+"I am selling everything," said Risler in a hollow voice, without even
+looking at him.
+
+"Come, come, son-in-law, be reasonable. God knows I don't say that
+Sidonie's conduct-- But, for my part, I know nothing about it. I never
+wanted to know anything. Only I must remind you of your dignity. People
+wash their dirty linen in private, deuce take it! They don't make
+spectacles of themselves as you've been doing ever since morning. Just
+see everybody at the workshop windows; and on the porch, too! Why,
+you're the talk of the quarter, my dear fellow."
+
+"So much the better. The dishonor was public, the reparation must be
+public, too."
+
+This apparent coolness, this indifference to all his observations,
+exasperated Monsieur Chebe. He suddenly changed his tactics, and
+adopted, in addressing his son-in-law, the serious, peremptory tone which
+one uses with children or lunatics.
+
+"Well, I say that you haven't any right to take anything away from here.
+I remonstrate formally, with all my strength as a man, with all my
+authority as a father. Do you suppose I am going to let you drive my
+child into the street. No, indeed! Oh! no, indeed! Enough of such
+nonsense as that! Nothing more shall go out of these rooms."
+
+And Monsieur Chebe, having closed the door, planted himself in front of
+it with a heroic gesture. Deuce take it! his own interest was at stake
+in the matter. The fact was that when his child was once in the gutter
+he ran great risk of not having a feather bed to sleep on himself. He
+was superb in that attitude of an indignant father, but he did not keep
+it long. Two hands, two vises, seized his wrists, and he found himself
+in the middle of the room, leaving the doorway clear for the workmen.
+
+"Chebe, my boy, just listen," said Risler, leaning over him. "I am at
+the end of my forbearance. Since this morning I have been making
+superhuman efforts to restrain myself, but it would take very little now
+to make my anger burst all bonds, and woe to the man on whom it falls!
+I am quite capable of killing some one. Come! Be off at once!--"
+
+There was such an intonation in his son-in-law's voice, and the way that
+son-in-law shook him as he spoke was so eloquent, that Monsieur Chebe was
+fully convinced. He even stammered an apology. Certainly Risler had
+good reason for acting as he had. All honorable people would be on his
+side. And he backed toward the door as he spoke. When he reached it,
+he inquired timidly if Madame Chebe's little allowance would be
+continued.
+
+"Yes," was Risler's reply, "but never go beyond it, for my position here
+is not what it was. I am no longer a partner in the house."
+
+Monsieur Chebe stared at him in amazement, and assumed the idiotic
+expression which led many people to believe that the accident that had
+happened to him--exactly like that of the Duc d'Orleans, you know--was
+not a fable of his own invention; but he dared not make the slightest
+observation. Surely some one had changed his son-in-law. Was this
+really Risler, this tiger-cat, who bristled up at the slightest word
+and talked of nothing less than killing people?
+
+He took to his heels, recovered his self-possession at the foot of the
+stairs, and walked across the courtyard with the air of a conqueror.
+
+When all the rooms were cleared and empty, Risler walked through them for
+the last time, then took the key and went down to Planus's office to hand
+it to Madame Georges.
+
+"You can let the apartment," he said, "it will be so much added to the
+income of the factory."
+
+"But you, my friend?"
+
+"Oh! I don't need much. An iron bed up under the eaves. That's all a
+clerk needs. For, I repeat, I am nothing but a clerk from this time on.
+A useful clerk, by the way, faithful and courageous, of whom you will
+have no occasion to complain, I promise you."
+
+Georges, who was going over the books with Planus, was so affected at
+hearing the poor fellow talk in that strain that he left his seat
+precipitately. He was suffocated by his sobs. Claire, too, was deeply
+moved; she went to the new clerk of the house of Fromont and said to him:
+
+"Risler, I thank you in my father's name."
+
+At that moment Pere Achille appeared with the mail.
+
+Risler took the pile of letters, opened them tranquilly one by one, and
+passed them over to Sigismond.
+
+"Here's an order for Lyon. Why wasn't it answered at Saint-Etienne?"
+
+He plunged with all his energy into these details, and he brought to them
+a keen intelligence, due to the constant straining of the mind toward
+peace and forgetfulness.
+
+Suddenly, among those huge envelopes, stamped with the names of business
+houses, the paper of which and the manner of folding suggested the office
+and hasty despatch, he discovered one smaller one, carefully sealed, and
+hidden so cunningly between the others that at first he did not notice
+it. He recognized instantly that long, fine, firm writing,--To Monsieur
+Risler--Personal. It was Sidonie's writing! When he saw it he felt the
+same sensation he had felt in the bedroom upstairs.
+
+All his love, all the hot wrath of the betrayed husband poured back into
+his heart with the frantic force that makes assassins. What was she
+writing to him? What lie had she invented now? He was about to open the
+letter; then he paused. He realized that, if he should read that, it
+would be all over with his courage; so he leaned over to the old cashier,
+and said in an undertone:
+
+"Sigismond, old friend, will you do me a favor?"
+
+"I should think so!" said the worthy man enthusiastically. He was so
+delighted to hear his friend speak to him in the kindly voice of the old
+days.
+
+"Here's a letter someone has written me which I don't wish to read now.
+I am sure it would interfere with my thinking and living. You must keep
+it for me, and this with it."
+
+He took from his pocket a little package carefully tied, and handed it to
+him through the grating.
+
+"That is all I have left of the past, all I have left of that woman.
+I have determined not to see her, nor anything that reminds me of her,
+until my task here is concluded, and concluded satisfactorily,--I need
+all my intelligence, you understand. You will pay the Chebes' allowance.
+If she herself should ask for anything, you will give her what she needs.
+But you will never mention my name. And you will keep this package safe
+for me until I ask you for it."
+
+Sigismond locked the letter and the package in a secret drawer of his
+desk with other valuable papers. Risler returned at once to his
+correspondence; but all the time he had before his eyes the slender
+English letters traced by a little hand which he had so often and so
+ardently pressed to his heart.
+
+
+
+
+CHAPTER XXIII
+
+CAFE CHANTANT
+
+What a rare, what a conscientious clerk did that new employe of the house
+of Fromont prove himself!
+
+Every day his lamp was the first to appear at, and the last to disappear
+from, the windows of the factory. A little room had been arranged for
+him under the eaves, exactly like the one he had formerly occupied with
+Frantz, a veritable Trappist's cell, furnished with an iron cot and a
+white wooden table, that stood under his brother's portrait. He led the
+same busy, regular, quiet life as in those old days.
+
+He worked constantly, and had his meals brought from the same little
+creamery. But, alas! the disappearance forever of youth and hope
+deprived those memories of all their charm. Luckily he still had Frantz
+and Madame "Chorche," the only two human beings of whom he could think
+without a feeling of sadness. Madame "Chorche" was always at hand,
+always trying to minister to his comfort, to console him; and Frantz
+wrote to him often, without mentioning Sidonie, by the way. Risler
+supposed that some one had told Frantz of the disaster that had befallen
+him, and he too avoided all allusion to the subject in his letters.
+"Oh! when I can send for him to come home!" That was his dream, his sole
+ambition: to restore the factory and recall his brother.
+
+Meanwhile the days succeeded one another, always the same to him in the
+restless activity of business and the heartrending loneliness of his
+grief. Every morning he walked through the workshops, where the profound
+respect he inspired and his stern, silent countenance had reestablished
+the orderly conditions that had been temporarily disturbed. In the
+beginning there had been much gossip, and various explanations of
+Sidonie's departure had been made. Some said that she had eloped with a
+lover, others that Risler had turned her out. The one fact that upset
+all conjectures was the attitude of the two partners toward each other,
+apparently as unconstrained as before. Sometimes, however, when they
+were talking together in the office, with no one by, Risler would
+suddenly start convulsively, as a vision of the crime passed before his
+eyes.
+
+Then he would feel a mad longing to spring upon the villain, seize him by
+the throat, strangle him without mercy; but the thought of Madame
+"Chorche" was always there to restrain him. Should he be less
+courageous, less master of himself than that young wife? Neither Claire,
+nor Fromont, nor anybody else suspected what was in his mind. They could
+barely detect a severity, an inflexibility in his conduct, which were not
+habitual with him. Risler awed the workmen now; and those of them upon
+whom his white hair, blanched in one night, his drawn, prematurely old
+features did not impose respect, quailed before his strange glance-a
+glance from eyes of a bluish-black like the color of a gun-barrel.
+Whereas he had always been very kind and affable with the workmen, he had
+become pitilessly severe in regard to the slightest infraction of the
+rules. It seemed as if he were taking vengeance upon himself for some
+indulgence in the past, blind, culpable indulgence, for which he blamed
+himself.
+
+Surely he was a marvellous employe, was this new officer in the house of
+Fromont.
+
+Thanks to him, the factory bell, notwithstanding the quavering of its
+old, cracked voice, had very soon resumed its authority; and the man who
+guided the whole establishment denied himself the slightest recreation.
+Sober as an apprentice, he left three-fourths of his salary with Planus
+for the Chebes' allowance, but he never asked any questions about them.
+Punctually on the last day of the month the little man appeared to
+collect his little income, stiff and formal in his dealings with
+Sigismond, as became an annuitant on duty. Madame Chebe had tried to
+obtain an interview with her son-in-law, whom she pitied and loved; but
+the mere appearance of her palm-leaf shawl on the steps put Sidonie's
+husband to flight.
+
+In truth, the courage with which he armed himself was more apparent than
+real. The memory of his wife never left him. What had become of her?
+What was she doing? He was almost angry with Planus for never mentioning
+her. That letter, above all things, that letter which he had had the
+courage not to open, disturbed him. He thought of it continually. Ah!
+had he dared, how he would have liked to ask Sigismond for it!
+
+One day the temptation was too strong. He was alone in the office.
+The old cashier had gone out to luncheon, leaving the key in his drawer,
+a most extraordinary thing. Risler could not resist. He opened the
+drawer, moved the papers, and searched for his letter. It was not there.
+Sigismond must have put it away even more carefully, perhaps with a
+foreboding of what actually happened. In his heart Risler was not sorry
+for his disappointment; for he well knew that, had he found the letter,
+it would have been the end of the resigned and busy life which he imposed
+upon himself with so much difficulty.
+
+Through the week it was all very well. Life was endurable, absorbed by
+the innumerable duties of the factory, and so fatiguing that, when night
+came, Risler fell on his bed like a lifeless mass. But Sunday was long
+and sad. The silence of the deserted yards and workshops opened a far
+wider field to his thoughts. He tried to busy himself, but he missed the
+encouragement of the others' work. He alone was busy in that great,
+empty factory whose very breath was arrested. The locked doors, the
+closed blinds, the hoarse voice of Pere Achille playing with his dog in
+the deserted courtyard, all spoke of solitude. And the whole
+neighborhood also produced the same effect. In the streets, which seemed
+wider because of their emptiness, and where the passers-by were few and
+silent, the bells ringing for vespers had a melancholy sound, and
+sometimes an echo of the din of Paris, rumbling wheels, a belated hand-
+organ, the click of a toy-peddler's clappers, broke the silence, as if to
+make it even more noticeable.
+
+Risler would try to invent new combinations of flowers and leaves, and,
+while he handled his pencil, his thoughts, not finding sufficient food
+there, would escape him, would fly back to his past happiness, to his
+hopeless misfortunes, would suffer martyrdom, and then, on returning,
+would ask the poor somnambulist, still seated at his table: "What have
+you done in my absence?" Alas! he had done nothing.
+
+Oh! the long, heartbreaking, cruel Sundays! Consider that, mingled with
+all these perplexities in his mind, was the superstitious reverence of
+the common people for holy days, for the twenty-four hours of rest,
+wherein one recovers strength and courage. If he had gone out, the sight
+of a workingman with his wife and child would have made him weep, but his
+monastic seclusion gave him other forms of suffering, the despair of
+recluses, their terrible outbreaks of rebellion when the god to whom they
+have consecrated themselves does not respond to their sacrifices. Now,
+Risler's god was work, and as he no longer found comfort or serenity
+therein, he no longer believed in it, but cursed it.
+
+Often in those hours of mental struggle the door of the draughting-room
+would open gently and Claire Fromont would appear. The poor man's
+loneliness throughout those long Sunday afternoons filled her with
+compassion, and she would come with her little girl to keep him company,
+knowing by experience how contagious is the sweet joyousness of children.
+The little one, who could now walk alone, would slip from her mother's
+arms to run to her friend. Risler would hear the little, hurrying steps.
+He would feel the light breath behind him, and instantly he would be
+conscious of a soothing, rejuvenating influence. She would throw her
+plump little arms around his neck with affectionate warmth, with her
+artless, causeless laugh, and a kiss from that little mouth which never
+had lied. Claire Fromont, standing in the doorway, would smile as she
+looked at them.
+
+"Risler, my friend," she would say, "you must come down into the garden a
+while,--you work too hard. You will be ill."
+
+"No, no, Madame,--on the contrary, work is what saves me. It keeps me
+from thinking."
+
+Then, after a long pause, she would continue:
+
+"Come, my dear Risler, you must try to forget."
+
+Risler would shake his head.
+
+"Forget? Is that possible? There are some things beyond one's strength.
+A man may forgive, but he never forgets."
+
+The child almost always succeeded in dragging him down to the garden.
+He must play ball, or in the sand, with her; but her playfellow's
+awkwardness and lack of enthusiasm soon impressed the little girl. Then
+she would become very sedate, contenting herself with walking gravely
+between the hedges of box, with her hand in her friend's. After a moment
+Risler would entirely forget that she was there; but, although he did not
+realize it, the warmth of that little hand in his had a magnetic,
+softening effect upon his diseased mind.
+
+A man may forgive, but he never forgets!
+
+Poor Claire herself knew something about it; for she had never forgotten,
+notwithstanding her great courage and the conception she had formed of
+her duty. To her, as to Risler; her surroundings were a constant
+reminder of her sufferings. The objects amid which she lived pitilessly
+reopened the wound that was ready to close. The staircase, the garden,
+the courtyard, all those dumb witnesses of her husband's sin, assumed on
+certain days an implacable expression. Even the careful precaution her
+husband took to spare her painful reminders, the way in which he called
+attention to the fact that he no longer went out in the evening, and took
+pains to tell her where he had been during the day, served only to remind
+her the more forcibly of his wrong-doing. Sometimes she longed to ask
+him to forbear,--to say to him: "Do not protest too much." Faith was
+shattered within her, and the horrible agony of the priest who doubts,
+and seeks at the same time to remain faithful to his vows, betrayed
+itself in her bitter smile, her cold, uncomplaining gentleness.
+
+Georges was wofully unhappy. He loved his wife now. The nobility of her
+character had conquered him. There was admiration in his love, and--why
+not say it?--Claire's sorrow filled the place of the coquetry which was
+contrary to her nature, the lack of which had always been a defect in her
+husband's eyes. He was one of that strange type of men who love to make
+conquests. Sidonie, capricious and cold as she was, responded to that
+whim of his heart. After parting from her with a tender farewell, he
+found her indifferent and forgetful the next day, and that continual need
+of wooing her back to him took the place of genuine passion. Serenity in
+love bored him as a voyage without storms wearies a sailor. On this
+occasion he had been very near shipwreck with his wife, and the danger
+had not passed even yet. He knew that Claire was alienated from him and
+devoted entirely to the child, the only link between them thenceforth.
+Their separation made her seem lovelier, more desirable, and he exercised
+all his powers of fascination to recapture her. He knew how hard a task
+it would be, and that he had no ordinary, frivolous nature to deal with.
+But he did not despair. Sometimes a vague gleam in the depths of the
+mild and apparently impassive glance with which she watched his efforts,
+bade him hope.
+
+As for Sidonie, he no longer thought of her. Let no one be astonished at
+that abrupt mental rupture. Those two superficial beings had nothing to
+attach them securely to each other. Georges was incapable of receiving
+lasting impressions unless they were continually renewed; Sidonie, for
+her part, had no power to inspire any noble or durable sentiment. It was
+one of those intrigues between a cocotte and a coxcomb, compounded of
+vanity and of wounded self-love, which inspire neither devotion nor
+constancy, but tragic adventures, duels, suicides which are rarely fatal,
+and which end in a radical cure. Perhaps, had he seen her again, he
+might have had a relapse of his disease; but the impetus of flight had
+carried Sidonie away so swiftly and so far that her return was
+impossible. At all events, it was a relief for him to be able to live
+without lying; and the new life he was leading, a life of hard work and
+self-denial, with the goal of success in the distance, was not
+distasteful to him. Luckily; for the courage and determination of both
+partners were none too much to put the house on its feet once more.
+
+The poor house of Fromont had sprung leaks on all sides. So Pere Planus
+still had wretched nights, haunted by the nightmare of notes maturing and
+the ominous vision of the little blue man. But, by strict economy, they
+always succeeded in paying.
+
+Soon four Risler Presses were definitively set up and used in the work of
+the factory. People began to take a deep interest in them and in the
+wall-paper trade. Lyons, Caen, Rixbeim, the great centres of the
+industry, were much disturbed concerning that marvellous "rotary and
+dodecagonal" machine. One fine day the Prochassons appeared, and offered
+three hundred thousand francs simply for an interest in the patent
+rights.
+
+"What shall we do?" Fromont Jeune asked Risler Aine.
+
+The latter shrugged his shoulders indifferently.
+
+"Decide for yourself. It doesn't concern me. I am only an employe."
+
+The words, spoken coldly, without anger, fell heavily upon Fromont's
+bewildered joy, and reminded him of the gravity of a situation which he
+was always on the point of forgetting.
+
+But when he was alone with his dear Madame "Chorche," Risler advised her
+not to accept the Prochassons' offer.
+
+"Wait,--don't be in a hurry. Later you will have a better offer."
+
+He spoke only of them in that affair in which his own share was so
+glorious. She felt that he was preparing to cut himself adrift from
+their future.
+
+Meanwhile orders came pouring in and accumulated on their hands. The
+quality of the paper, the reduced price because of the improved methods
+of manufacture, made competition impossible. There was no doubt that a
+colossal fortune was in store for the house of Fromont. The factory had
+resumed its former flourishing aspect and its loud, business-like hum.
+Intensely alive were all the great buildings and the hundreds of workmen
+who filled them. Pere Planus never raised his nose from his desk; one
+could see him from the little garden, leaning over his great ledgers,
+jotting down in magnificently molded figures the profits of the Risler
+press.
+
+Risler still worked as before, without change or rest. The return of
+prosperity brought no alteration in his secluded habits, and from the
+highest window on the topmost floor of the house he listened to the
+ceaseless roar of his machines. He was no less gloomy, no less silent.
+One day, however, it became known at the factory that the press, a
+specimen of which had been sent to the great Exposition at Manchester,
+had received the gold medal, whereby its success was definitely
+established. Madame Georges called Risler into the garden at the
+luncheon hour, wishing to be the first to tell him the good news.
+
+For the moment a proud smile relaxed his prematurely old, gloomy
+features. His inventor's vanity, his pride in his renown, above all,
+the idea of repairing thus magnificently the wrong done to the family by
+his wife, gave him a moment of true happiness. He pressed Claire's hands
+and murmured, as in the old days:
+
+"I am very happy! I am very happy!"
+
+But what a difference in tone! He said it without enthusiasm,
+hopelessly, with the satisfaction of a task accomplished, and nothing
+more.
+
+The bell rang for the workmen to return, and Risler went calmly upstairs
+to resume his work as on other days.
+
+In a moment he came down again. In spite of all, that news had excited
+him more than he cared to show. He wandered about the garden, prowled
+around the counting-room, smiling sadly at Pere Planus through the
+window.
+
+"What ails him?" the old cashier wondered. "What does he want of me?"
+
+At last, when night came and it was time to close the office, Risler
+summoned courage to go and speak to him.
+
+"Planus, my old friend, I should like--"
+
+He hesitated a moment.
+
+"I should like you to give me the--letter, you know, the little letter
+and the package."
+
+Sigismond stared at him in amazement. In his innocence, he had imagined
+that Risler never thought of Sidonie, that he had entirely forgotten her.
+
+"What--you want--?"
+
+"Ah! I have well earned it; I can think of myself a little now. I have
+thought enough of others."
+
+"You are right," said Planus. "Well, this is what we'll do. The letter
+and package are at my house at Montrouge. If you choose, we will go and
+dine together at the Palais-Royal, as in the good old times. I will
+stand treat. We'll water your medal with a bottle of wine; something
+choice! Then we'll go to the house together. You can get your trinkets,
+and if it's too late for you to go home, Mademoiselle Planus, my sister,
+shall make up a bed for you, and you shall pass the night with us. We
+are very comfortable there--it's in the country. To-morrow morning at
+seven o'clock we'll come back to the factory by the first omnibus. Come,
+old fellow, give me this pleasure. If you don't, I shall think you still
+bear your old Sigismond a grudge."
+
+Risler accepted. He cared little about celebrating the award of his
+medal, but he desired to gain a few hours before opening the little
+letter he had at last earned the right to read.
+
+He must dress. That was quite a serious matter, for he had lived in a
+workman's jacket during the past six months. And what an event in the
+factory! Madame Fromont was informed at once.
+
+"Madame, Madame! Monsieur Risler is going out!"
+
+Claire looked at him from her window, and that tall form, bowed by
+sorrow, leaning on Sigismond's arm, aroused in her a profound, unusual
+emotion which she remembered ever after.
+
+In the street people bowed to Risler with great interest. Even their
+greetings warmed his heart. He was so much in need of kindness! But the
+noise of vehicles made him a little dizzy.
+
+"My head is spinning," he said to Planus:
+
+"Lean hard on me, old fellow-don't be afraid."
+
+And honest Planus drew himself up, escorting his friend with the artless,
+unconventional pride of a peasant of the South bearing aloft his village
+saint.
+
+At last they arrived at the Palais-Royal.
+
+The garden was full of people. They had come to hear the music,
+and were trying to find seats amid clouds of dust and the scraping of
+chairs. The two friends hurried into the restaurant to avoid all that
+turmoil. They established themselves in one of the large salons on the
+first floor, whence they could see the green trees, the promenaders, and
+the water spurting from the fountain between the two melancholy flower-
+gardens. To Sigismond it was the ideal of luxury, that restaurant, with
+gilding everywhere, around the mirrors, in the chandelier and even on the
+figured wallpaper. The white napkin, the roll, the menu of a table
+d'hote dinner filled his soul with joy. "We are comfortable here, aren't
+we?" he said to Risler.
+
+And he exclaimed at each of the courses of that banquet at two francs
+fifty, and insisted on filling his friend's plate.
+
+"Eat that--it's good."
+
+The other, notwithstanding his desire to do honor to the fete, seemed
+preoccupied and gazed out-of-doors.
+
+"Do you remember, Sigismond?" he said, after a pause.
+
+The old cashier, engrossed in his memories of long ago, of Risler's first
+employment at the factory, replied:
+
+"I should think I do remember--listen! The first time we dined together
+at the Palais-Royal was in February, 'forty-six, the year we put in the
+planches-plates at the factory."
+
+Risler shook his head.
+
+"Oh! no--I mean three years ago. It was in that room just opposite that
+we dined on that memorable evening."
+
+And he pointed to the great windows of the salon of Cafe Vefour, gleaming
+in the rays of the setting sun like the chandeliers at a wedding feast.
+
+"Ah! yes, true," murmured Sigismond, abashed. What an unlucky idea of
+his to bring his friend to a place that recalled such painful things!
+
+Risler, not wishing to cast a gloom upon their banquet, abruptly raised
+his glass.
+
+"Come! here's your health, my old comrade."
+
+He tried to change the subject. But a moment later he himself led the
+conversation back to it again, and asked Sigismond, in an undertone, as
+if he were ashamed:
+
+"Have you seen her?"
+
+"Your wife? No, never."
+
+"She hasn't written again?"
+
+"No--never again."
+
+"But you must have heard of her. What has she been doing these six
+months? Does she live with her parents?"
+
+"No."
+
+Risler turned pale.
+
+He hoped that Sidonie would have returned to her mother, that she would
+have worked, as he had worked, to forget and atone. He had often thought
+that he would arrange his life according to what he should learn of her
+when he should have the right to speak of her; and in one of those far-
+off visions of the future, which have the vagueness of a dream, he
+sometimes fancied himself living in exile with the Chebes in an unknown
+land, where nothing would remind him of his past shame. It was not a
+definite plan, to be sure; but the thought lived in the depths of his
+mind like a hope, caused by the need that all human creatures feel of
+finding their lost happiness.
+
+"Is she in Paris?" he asked, after a few moments' reflection.
+
+"No. She went away three months ago. No one knows where she has gone."
+
+Sigismond did not add that she had gone with her Cazaboni, whose name she
+now bore, that they were making the circuit of the provincial cities
+together, that her mother was in despair, never saw her, and heard of her
+only through Delobelle. Sigismond did not deem it his duty to mention
+all that, and after his last words he held his peace.
+
+Risler, for his part, dared ask no further questions.
+
+While they sat there, facing each other, both embarrassed by the long
+silence, the military band began to play under the trees in the garden.
+They played one of those Italian operatic overtures which seem to have
+been written expressly for public open-air resorts; the swiftly-flowing
+notes, as they rise into the air, blend with the call of the swallows and
+the silvery plash of the fountain. The blaring brass brings out in bold
+relief the mild warmth of the closing hours of those summer days, so long
+and enervating in Paris; it seems as if one could hear nothing else. The
+distant rumbling of wheels, the cries of children playing, the footsteps
+of the promenaders are wafted away in those resonant, gushing, refreshing
+waves of melody, as useful to the people of Paris as the daily watering
+of their streets. On all sides the faded flowers, the trees white with
+dust, the faces made pale and wan by the heat, all the sorrows, all the
+miseries of a great city, sitting dreamily, with bowed head, on the
+benches in the garden, feel its comforting, refreshing influence. The
+air is stirred, renewed by those strains that traverse it, filling it
+with harmony.
+
+Poor Risler felt as if the tension upon all his nerves were relaxed.
+
+"A little music does one good," he said, with glistening eyes. "My heart
+is heavy, old fellow," he added, in a lower tone; "if you knew--"
+
+They sat without speaking, their elbows resting on the window-sill, while
+their coffee was served.
+
+Then the music ceased, the garden became deserted. The light that had
+loitered in the corners crept upward to the roofs, cast its last rays
+upon the highest windowpanes, followed by the birds, the swallows, which
+saluted the close of day with a farewell chirp from the gutter where they
+were huddled together.
+
+"Now, where shall we go?" said Planus, as they left the restaurant.
+
+"Wherever you wish."
+
+On the first floor of a building on the Rue Montpensier, close at hand,
+was a cafe chantant, where many people entered.
+
+"Suppose we go in," said Planus, desirous of banishing his friend's
+melancholy at any cost, "the beer is excellent."
+
+Risler assented to the suggestion; he had not tasted beer for six months.
+
+It was a former restaurant transformed into a concert-hall. There were
+three large rooms, separated by gilded pillars, the partitions having
+been removed; the decoration was in the Moorish style, bright red, pale
+blue, with little crescents and turbans for ornament.
+
+Although it was still early, the place was full; and even before entering
+one had a feeling of suffocation, simply from seeing the crowds of people
+sitting around the tables, and at the farther end, half-hidden by the
+rows of pillars, a group of white-robed women on a raised platform, in
+the heat and glare of the gas.
+
+Our two friends had much difficulty in finding seats, and had to be
+content with a place behind a pillar whence they could see only half of
+the platform, then occupied by a superb person in black coat and yellow
+gloves, curled and waxed and oiled, who was singing in a vibrating voice
+
+ Mes beaux lions aux crins dores,
+ Du sang des troupeaux alteres,
+ Halte la!--Je fais sentinello!
+
+ [My proud lions with golden manes
+ Who thirst for the blood of my flocks,
+ Stand back!--I am on guard!]
+
+The audience--small tradesmen of the quarter with their wives and
+daughters-seemed highly enthusiastic: especially the women.
+He represented so perfectly the ideal of the shopkeeper imagination,
+that magnificent shepherd of the desert, who addressed lions with such an
+air of authority and tended his flocks in full evening dress. And so,
+despite their bourgeois bearing, their modest costumes and their
+expressionless shop-girl smiles, all those women, made up their little
+mouths to be caught by the hook of sentiment, and cast languishing
+glances upon the singer. It was truly comical to see that glance at the
+platform suddenly change and become contemptuous and fierce as it fell
+upon the husband, the poor husband tranquilly drinking a glass of beer
+opposite his wife: "You would never be capable of doing sentry duty in
+the very teeth of lions, and in a black coat too, and with yellow
+gloves!"
+
+And the husband's eye seemed to reply:
+
+"Ah! 'dame', yes, he's quite a dashing buck, that fellow."
+
+Being decidedly indifferent to heroism of that stamp, Risler and
+Sigismond were drinking their beer without paying much attention to the
+music, when, at the end of the song, amid the applause and cries and
+uproar that followed it, Pere Planus uttered an exclamation:
+
+"Why, that is odd; one would say--but no, I'm not mistaken. It is he,
+it's Delobelle!"
+
+It was, in fact, the illustrious actor, whom he had discovered in the
+front row near the platform. His gray head was turned partly away from
+them. He was leaning carelessly against a pillar, hat in hand, in his
+grand make-up as leading man: dazzlingly white linen, hair curled with
+the tongs, black coat with a camellia in the buttonhole, like the ribbon
+of an order. He glanced at the crowd from time to time with a
+patronizing air: but his eyes were most frequently turned toward the
+platform, with encouraging little gestures and smiles and pretended
+applause, addressed to some one whom Pere Planus could not see from his
+seat.
+
+There was nothing very extraordinary in the presence of the illustrious
+Delobelle at a cafe concert, as he spent all his evenings away from home;
+and yet the old cashier felt vaguely disturbed, especially when he
+discovered in the same row a blue cape and a pair of steely eyes. It was
+Madame Dobson, the sentimental singing-teacher. The conjunction of those
+two faces amid the pipe-smoke and the confusion of the crowd, produced
+upon Sigismond the effect of two ghosts evoked by a bad dream. He was
+afraid for his friend, without knowing exactly why; and suddenly it
+occurred to him to take him away.
+
+"Let us go, Risler. The heat here is enough to kill one."
+
+Just as they rose--for Risler was no more desirous to stay than to go--
+the orchestra, consisting of a piano and several violins, began a
+peculiar refrain. There was a flutter of curiosity throughout the room,
+and cries of "Hush! hush! sit down!"
+
+They were obliged to resume their seats. Risler, too, was beginning to
+be disturbed.
+
+"I know that tune," he said to himself. "Where have I heard it?"
+
+A thunder of applause and an exclamation from Planus made him raise his
+eyes.
+
+"Come, come, let us go," said the cashier, trying to lead him away.
+
+But it was too late.
+
+Risler had already seen his wife come forward to the front of the stage
+and curtsey to the audience with a ballet-dancer's smile.
+
+She wore a white gown, as on the night of the ball; but her whole costume
+was much less rich and shockingly immodest.
+
+The dress was barely caught together at the shoulders; her hair floated
+in a blond mist low over her eyes, and around her neck was a necklace of
+pearls too large to be real, alternated with bits of tinsel. Delobelle
+was right: the Bohemian life was better suited to her. Her beauty had
+gained an indefinably reckless expression, which was its most
+characteristic feature, and made her a perfect type of the woman who has
+escaped from all restraint, placed herself at the mercy of every
+accident, and is descending stage by stage to the lowest depths of the
+Parisian hell, from which nothing is powerful enough to lift her and
+restore her to the pure air and the light.
+
+And how perfectly at ease she seemed in her strolling life! With what
+self-possession she walked to the front of the stage! Ah! could she have
+seen the desperate, terrible glance fixed upon her down there in the
+hall, concealed behind a pillar, her smile would have lost that equivocal
+placidity, her voice would have sought in vain those wheedling,
+languorous tones in which she warbled the only song Madame Dobson had
+ever been able to teach her:
+
+ Pauv' pitit Mamz'elle Zizi,
+ C'est l'amou, l'amou qui tourne
+ La tete a li.
+
+Risler had risen, in spite of Planus's efforts. "Sit down! sit down!"
+the people shouted. The wretched man heard nothing. He was staring at
+his wife.
+
+ C'est l'amou, l'amou qui tourne
+ La tete a li,
+
+Sidonie repeated affectedly.
+
+For a moment he wondered whether he should not leap on the platform and
+kill her. Red flames shot before his eyes, and he was blinded with
+frenzy.
+
+Then, suddenly, shame and disgust seized upon him and he rushed from the
+hall, overturning chairs and tables, pursued by the terror and
+imprecations of all those scandalized bourgeois.
+
+
+
+
+CHAPTER XXIV
+
+SIDONIE'S VENGEANCE
+
+Never had Sigismond Planus returned home so late without giving his
+sister warning, during the twenty years and more that he had lived at
+Montrouge. Consequently Mademoiselle Planus was greatly worried. Living
+in community of ideas and of everything else with her brother, having but
+one mind for herself and for him, the old maid had felt for several
+months the rebound of all the cashier's anxiety and indignation; and the
+effect was still noticeable in her tendency to tremble and become
+agitated on slight provocation. At the slightest tardiness on
+Sigismond's part, she would think:
+
+"Ah! mon Dieu! If only nothing has happened at the factory!"
+
+That is the reason why on the evening in question, when the hens and
+chickens were all asleep on their perches, and the dinner had been
+removed untouched, Mademoiselle Planus was sitting in the little ground-
+floor living-room, waiting, in great agitation.
+
+At last, about eleven o'clock, some one rang. A timid, melancholy ring,
+in no wise resembling Sigismond's vigorous pull.
+
+"Is it you, Monsieur Planus?" queried the old lady from behind the door.
+
+It was he; but he was not alone. A tall, bent old man accompanied him,
+and, as they entered, bade her good-evening in a slow, hesitating voice.
+Not till then did Mademoiselle Planus recognize Risler Aine, whom she had
+not seen since the days of the New Year's calls, that is to say, some
+time before the dramas at the factory. She could hardly restrain an
+exclamation of pity; but the grave taciturnity of the two men told her
+that she must be silent.
+
+"Mademoiselle Planus, my sister, you will put clean sheets on my bed.
+Our friend Risler does us the honor to pass the night with us."
+
+The sister hastened away to prepare the bedroom with an almost
+affectionate zeal; for, as we know, beside "Monsieur Planus, my brother,"
+Risler was the only man excepted from the general reprobation in which
+she enveloped the whole male sex.
+
+Upon leaving the cafe concert, Sidonie's husband had had a moment of
+frantic excitement. He leaned on Planus's arm, every nerve in his body
+strained to the utmost. At that moment he had no thought of going to
+Montrouge to get the letter and the package.
+
+"Leave me--go away," he said to Sigismond. "I must be alone."
+
+But the other knew better than to abandon him thus to his despair.
+Unnoticed by Risler, he led him away from the factory, and as his
+affectionate heart suggested to the old cashier what he had best say to
+his friend, he talked to him all the time of Frantz, his little Frantz
+whom he loved so dearly.
+
+"That was genuine affection, genuine and trustworthy. No treachery to
+fear with such hearts as that!"
+
+While they talked they left behind them the noisy streets of the centre
+of Paris. They walked along the quays, skirted the Jardin des Plantes,
+plunged into Faubourg Saint-Marceau. Risler followed where the other
+led. Sigismond's words did him so much good!
+
+In due time they came to the Bievre, bordered at that point with
+tanneries whose tall drying-houses with open sides were outlined in blue
+against the sky; and then the ill-defined plains of Montsouris, vast
+tracts of land scorched and stripped of vegetation by the fiery breath
+that Paris exhales around its daily toil, like a monstrous dragon, whose
+breath of flame and smoke suffers no vegetation within its range.
+
+From Montsouris to the fortifications of Montrouge is but a step. When
+they had reached that point, Planus had no great difficulty in taking his
+friend home with him. He thought, and justly, that his tranquil
+fireside, the spectacle of a placid, fraternal, devoted affection, would
+give the wretched man's heart a sort of foretaste of the happiness that
+was in store for him with his brother Frantz. And, in truth, the charm
+of the little household began to work as soon as they arrived.
+
+"Yes, yes, you are right, old fellow," said Risler, pacing the floor of
+the living-room, "I mustn't think of that woman any more. She's like a
+dead woman to me now. I have nobody left in the world but my little
+Frantz; I don't know yet whether I shall send for him to come home, or go
+out and join him; the one thing that is certain is that we are going to
+stay together. Ah! I longed so to have a son! Now I have found one.
+I want no other. When I think that for a moment I had an idea of killing
+myself! Nonsense! it would make Madame What-d'ye-call-her, yonder, too
+happy. On the contrary, I mean to live--to live with my Frantz, and for
+him, and for nothing else."
+
+"Bravo!" said Sigismond, "that's the way I like to hear you talk."
+
+At that moment Mademoiselle Planus came to say that the room was ready.
+
+Risler apologized for the trouble he was causing them.
+
+"You are so comfortable, so happy here. Really, it's too bad to burden
+you with my melancholy."
+
+"Ah! my old friend, you can arrange just such happiness as ours for
+yourself," said honest Sigismond with beaming face. "I have my sister,
+you have your brother. What do we lack?"
+
+Risler smiled vaguely. He fancied himself already installed with Frantz
+in a quiet little quakerish house like that.
+
+Decidedly, that was an excellent idea of Pere Planus.
+
+"Come to bed," he said triumphantly. "We'll go and show you your room."
+
+Sigismond Planus's bedroom was on the ground floor, a large room simply
+but neatly furnished; with muslin curtains at the windows and the bed,
+and little squares of carpet on the polished floor, in front of the
+chairs. The dowager Madame Fromont herself could have found nothing to
+say as to the orderly and cleanly aspect of the place. On a shelf or two
+against the wall were a few books: Manual of Fishing, The Perfect Country
+Housewife, Bayeme's Book-keeping. That was the whole of the intellectual
+equipment of the room.
+
+Pere Planus glanced proudly around. The glass of water was in its place
+on the walnut table, the box of razors on the dressing-case.
+
+"You see, Risler. Here is everything you need. And if you should want
+anything else, the keys are in all the drawers--you have only to turn
+them. Just see what a beautiful view you get from here. It's a little
+dark just now, but when you wake up in the morning you'll see; it is
+magnificent."
+
+He opened the widow. Great drops of rain were beginning to fall, and
+lightning flashes rending the darkness disclosed the long, silent line of
+the fortifications, with telegraph poles at intervals, or the frowning
+door of a casemate. Now and then the footsteps of a patrol making the
+rounds, the clash of muskets or swords, reminded them that they were
+within the military zone.
+
+That was the outlook so vaunted by Planus--a melancholy outlook if ever
+there were one.
+
+"And now good-night. Sleep well!"
+
+But, as the old cashier was leaving the room, his friend called him back:
+
+"Sigismond."
+
+"Here!" said Sigismond, and he waited.
+
+Risler blushed slightly and moved his lips like a man who is about to
+speak; then, with a mighty effort, he said:
+
+"No, no-nothing. Good-night, old man."
+
+In the dining-room the brother and sister talked together a long while in
+low tones. Planus described the terrible occurrence of the evening, the
+meeting with Sidonie; and you can imagine the--"Oh! these women!" and
+"Oh! these men?" At last, when they had locked the little garden-door,
+Mademoiselle Planus went up to her room, and Sigismond made himself as
+comfortable as possible in a small cabinet adjoining.
+
+About midnight the cashier was aroused by his sister calling him in a
+terrified whisper:
+
+"Monsieur Planus, my brother?"
+
+"What is it?"
+
+"Did you hear?"
+
+"No. What?"
+
+"Oh! it was awful. Something like a deep sigh, but so loud and so sad!
+It came from the room below."
+
+They listened. Without, the rain was falling in torrents, with the
+dreary rustling of leaves that makes the country seem so lonely.
+
+"That is only the wind," said Planus.
+
+"I am sure not. Hush! Listen!"
+
+Amid the tumult of the storm, they heard a wailing sound, like a sob, in
+which a name was pronounced with difficulty:
+
+"Frantz! Frantz!"
+
+It was terrible and pitiful.
+
+When Christ on the Cross sent up to heaven His despairing cry: 'Eli, eli,
+lama sabachthani', they who heard him must have felt the same species of
+superstitious terror that suddenly seized upon Mademoiselle Planus.
+
+"I am afraid!" she whispered; "suppose you go and look--"
+
+"No, no, we will let him alone. He is thinking of his brother. Poor
+fellow! It's the very thought of all others that will do him the most
+good."
+
+And the old cashier went to sleep again.
+
+The next morning he woke as usual when the drums beat the reveille in the
+fortifications; for the little family, surrounded by barracks, regulated
+its life by the military calls. The sister had already risen and was
+feeding the poultry. When she saw Sigismond she came to him in
+agitation.
+
+"It is very strange," she said, "I hear nothing stirring in Monsieur
+Risler's room. But the window is wide open."
+
+Sigismond, greatly surprised, went and knocked at his friend's door.
+
+"Risler! Risler!"
+
+He called in great anxiety:
+
+"Risler, are you there? Are you asleep?"
+
+There was no reply. He opened the door.
+
+The room was cold. It was evident that the damp air had been blowing in
+all night through the open window. At the first glance at the bed,
+Sigismond thought: "He hasn't been in bed"--for the clothes were
+undisturbed and the condition of the room, even in the most trivial
+details, revealed an agitated vigil: the still smoking lamp, which he had
+neglected to extinguish, the carafe, drained to the last drop by the
+fever of sleeplessness; but the thing that filled the cashier with dismay
+was to find the bureau drawer wide open in which he had carefully
+bestowed the letter and package entrusted to him by his friend.
+
+The letter was no longer there. The package lay on the table, open,
+revealing a photograph of Sidonie at fifteen. With her high-necked
+frock, her rebellious hair parted over the forehead, and the embarrassed
+pose of an awkward girl, the little Chebe of the old days, Mademoiselle
+Le Mire's apprentice, bore little resemblance to the Sidonie of to-day.
+And that was the reason why Risler had kept that photograph, as a
+souvenir, not of his wife, but of the "little one."
+
+Sigismond was in great dismay.
+
+"This is my fault," he said to himself. "I ought to have taken away the
+keys. But who would have supposed that he was still thinking of her?
+He had sworn so many times that that woman no longer existed for him."
+
+At that moment Mademoiselle Planus entered the room with consternation
+written on her face.
+
+"Monsieur Risler has gone!" she exclaimed.
+
+"Gone? Why, wasn't the garden-gate locked?"
+
+"He must have climbed over the wall. You can see his footprints."
+
+They looked at each other, terrified beyond measure.
+
+"It was the letter!" thought Planus.
+
+Evidently that letter from his wife must have made some extraordinary
+revelation to Risler; and, in order not to disturb his hosts, he had made
+his escape noiselessly through the window, like a burglar. Why? With
+what aim in view?
+
+"You will see, sister," said poor Planus, as he dressed with all haste,
+"you will see that that hussy has played him still another trick." And
+when his sister tried to encourage him, he recurred to his favorite
+refrain:
+
+"I haf no gonfidence!"
+
+As soon as he was dressed, he darted out of the house.
+
+Risler's footprints could be distinguished on the wet ground as far as
+the gate of the little garden. He must have gone before daylight, for
+the beds of vegetables and flowers were trampled down at random by deep
+footprints with long spaces between; there were marks of heels on the
+garden-wall and the mortar was crumbled slightly on top. The brother and
+sister went out on the road skirting the fortifications. There it was
+impossible to follow the footprints. They could tell nothing more than
+that Risler had gone in the direction of the Orleans road.
+
+"After all," Mademoiselle Planus ventured to say, "we are very foolish to
+torment ourselves about him; perhaps he has simply gone back to the
+factory."
+
+Sigismond shook his head. Ah! if he had said all that he thought!
+
+"Return to the house, sister. I will go and see."
+
+And with the old "I haf no gonfidence" he rushed away like a hurricane,
+his white mane standing even more erect than usual.
+
+At that hour, on the road near the fortifications, was an endless
+procession of soldiers and market-gardeners, guard-mounting, officers'
+horses out for exercise, sutlers with their paraphernalia, all the bustle
+and activity that is seen in the morning in the neighborhood of forts.
+Planus was striding along amid the tumult, when suddenly he stopped. At
+the foot of the bank, on the left, in front of a small, square building,
+with the inscription.
+
+ CITY OF PARIS,
+ ENTRANCE TO THE QUARRIES,
+
+On the rough plaster, he saw a crowd assembled, and soldiers' and custom-
+house officers' uniforms, mingled with the shabby, dirty blouses of
+barracks-loafers. The old man instinctively approached. A customs
+officer, seated on the stone step below a round postern with iron bars,
+was talking with many gestures, as if he were acting out his narrative.
+
+"He was where I am," he said. "He had hanged himself sitting, by pulling
+with all his strength on the rope! It's clear that he had made up his
+mind to die, for he had a razor in his pocket that he would have used in
+case the rope had broken."
+
+A voice in the crowd exclaimed: "Poor devil!" Then another, a tremulous
+voice, choking with emotion, asked timidly:
+
+"Is it quite certain that he's dead?"
+
+Everybody looked at Planus and began to laugh.
+
+"Well, here's a greenhorn," said the officer. "Don't I tell you that he
+was all blue this morning, when we cut him down to take him to the
+chasseurs' barracks!"
+
+The barracks were not far away; and yet Sigismond Planus had the greatest
+difficulty in the world in dragging himself so far. In vain did he say
+to himself that suicides are of frequent occurrence in Paris, especially
+in those regions; that not a day passes that a dead body is not found
+somewhere along that line of fortifications, as upon the shores of a
+tempestuous sea,--he could not escape the terrible presentiment that had
+oppressed his heart since early morning.
+
+"Ah! you have come to see the man that hanged himself," said the
+quartermaster-sergeant at the door of the barracks. "See! there he is."
+
+The body had been laid on a table supported by trestles in a sort of
+shed. A cavalry cloak that had been thrown over it covered it from head
+to foot, and fell in the shroud-like folds which all draperies assume
+that come in contact with the rigidity of death. A group of officers and
+several soldiers in duck trousers were looking on at a distance,
+whispering as if in a church; and an assistant-surgeon was writing a
+report of the death on a high window-ledge. To him Sigismond spoke.
+
+"I should like very much to see him," he said softly.
+
+"Go and look."
+
+He walked to the table, hesitated a minute, then, summoning courage,
+uncovered a swollen face, a tall, motionless body in its rain-soaked
+garments.
+
+"She has killed you at last, my old comrade!" murmured Planus, and fell
+on his knees, sobbing bitterly.
+
+The officers had come forward, gazing curiously at the body, which was
+left uncovered.
+
+"Look, surgeon," said one of them. "His hand is closed, as if he were
+holding something in it."
+
+"That is true," the surgeon replied, drawing nearer. "That sometimes
+happens in the last convulsions.
+
+"You remember at Solferino, Commandant Bordy held his little daughter's
+miniature in his hand like that? We had much difficulty in taking it
+from him."
+
+As he spoke he tried to open the poor, tightly-closed dead hand.
+
+"Look!" said he, "it is a letter that he is holding so tight."
+
+He was about to read it; but one of the officers took it from his hands
+and passed it to Sigismond, who was still kneeling.
+
+"Here, Monsieur. Perhaps you will find in this some last wish to be
+carried out."
+
+Sigismond Planus rose. As the light in the room was dim, he walked with
+faltering step to the window, and read, his eyes filled with tears:
+
+"Well, yes, I love you, I love you, more than ever and forever! What is
+the use of struggling and fighting against fate? Our sin is stronger
+than we . . . "
+
+It was the letter which Frantz had written to his sister-in-law a year
+before, and which Sidonie had sent to her husband on the day following
+their terrible scene, to revenge herself on him and his brother at the
+same time.
+
+Risler could have survived his wife's treachery, but that of his brother
+had killed him.
+
+When Sigismond understood, he was petrified with horror. He stood there,
+with the letter in his hand, gazing mechanically through the open window.
+
+The clock struck six.
+
+Yonder, over Paris, whose dull roar they could hear although they could
+not see the city, a cloud of smoke arose, heavy and hot, moving slowly
+upward, with a fringe of red and black around its edges, like the powder-
+smoke on a field of battle. Little by little, steeples, white buildings,
+a gilded cupola, emerged from the mist, and burst forth in a splendid
+awakening.
+
+Then the thousands of tall factory chimneys, towering above that sea of
+clustered roofs, began with one accord to exhale their quivering vapor,
+with the energy of a steamer about to sail. Life was beginning anew.
+Forward, ye wheels of time! And so much the worse for him who lags
+behind!
+
+Thereupon old Planus gave way to a terrible outburst of wrath.
+
+"Ah! harlot-harlot!" he cried, shaking his fist; and no one could say
+whether he was addressing the woman or the city of Paris.
+
+
+
+
+ETEXT EDITOR'S BOOKMARKS:
+
+A man may forgive, but he never forgets
+Word "sacrifice," so vague on careless lips
+
+
+
+
+End of this Project Gutenberg Etext of Fromont and Risler, v4
+by Alphonse Daudet
+
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