summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-03-08 01:39:13 -0800
committernfenwick <nfenwick@pglaf.org>2025-03-08 01:39:13 -0800
commit1d8868d3c626073ed8bdfb6dd27f4a057e976e3a (patch)
tree41ee5d77e55d33743260e92450e2d7e74247b5ed
parentc9e4ae81b11b12ab7c821d0275f01158139f1e39 (diff)
Add files from ibiblio as of 2025-03-08 01:39:13HEADmain
-rw-r--r--42301-0.txt (renamed from 42301.txt)532
-rw-r--r--42301-8.txt7218
-rw-r--r--42301-8.zipbin98112 -> 0 bytes
-rw-r--r--42301-h.zipbin299798 -> 0 bytes
-rw-r--r--42301-h/42301-h.htm503
-rw-r--r--42301.zipbin97996 -> 0 bytes
6 files changed, 141 insertions, 8112 deletions
diff --git a/42301.txt b/42301-0.txt
index 607fd56..b232575 100644
--- a/42301.txt
+++ b/42301-0.txt
@@ -1,37 +1,4 @@
-The Project Gutenberg eBook, Poems, by Alexander Smith
-
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-
-
-
-Title: Poems
- Third Edition
-
-
-Author: Alexander Smith
-
-
-
-Release Date: March 10, 2013 [eBook #42301]
-
-Language: English
-
-Character set encoding: ISO-646-US (US-ASCII)
-
-
-***START OF THE PROJECT GUTENBERG EBOOK POEMS***
-
-
-E-text prepared by Judith Wirawan, David Clarke, and the Online
-Distributed Proofreading Team (http://www.pgdp.net)
-
-
+*** START OF THE PROJECT GUTENBERG EBOOK 42301 ***
Transcriber's note:
@@ -47,6 +14,9 @@ Transcriber's note:
is represented in this e-text by an em-dash and a "greater
than" sign (-->).
+ The symbol of double dagger is represented in this e-text by
+ two plus signs (++).
+
@@ -197,7 +167,7 @@ _Reading from a paper on which he has been writing_.
Has had thine eyes too long; thine eyes are mine!
Alack! there's sorrow in my Anthony's face!
Dost think of Rome? I'll make thee, with a kiss,
- Richer than Caesar! Come, I'll crown thy lips."
+ Richer than Cæsar! Come, I'll crown thy lips."
[_Another pause._
How tenderly the moon doth fill the night!
Not like the passion that doth fill my soul;
@@ -285,7 +255,7 @@ LADY.
Life is transfigured in the soft and tender
Light of Love, as a volume dun
- Of rolling smoke becomes a wreathed splendour
+ Of rolling smoke becomes a wreathèd splendour
In the declining sun.
Driven from cities by his restless moods,
@@ -386,7 +356,7 @@ LADY.
And do not poets' brows throb feverous
Till they are cooled with laurels? Therefore, sir,
If such dote more on praise than all the wealth
- Of precious-wombed earth and pearled mains,
+ Of precious-wombèd earth and pearlèd mains,
Blame not the cheeks of simple maidenhood.
Fair sir, I am the empress of this wood!
The courtier oaks bow in proud homages,
@@ -424,7 +394,7 @@ WALTER.
Before a thunder-storm, are power and gladness,
And majesty and beauty. They seize the reader
As tempests seize a ship, and bear him on
- With a wild joy. Some books are drenched sands,
+ With a wild joy. Some books are drenchèd sands,
On which a great soul's wealth lies all in heaps,
Like a wrecked argosy. What power in books!
They mingle gloom and splendour, as I've oft,
@@ -518,7 +488,7 @@ LADY.
From his heart he unclasped his love
Amid the trembling trees,
And sent it to the Lady Blanche
- On winged poesies.
+ On wingèd poesies.
The Lady Blanche was saintly fair,
Nor proud, but meek her look;
@@ -659,7 +629,7 @@ WALTER.
One great life in my myriad veins, in leaves, in flowers, in cloudy cars,
Blowing, underfoot, in clover; beating, overhead, in stars!
Once I saw a blissful harvest-moon, but not through forest-leaves;
- 'Twas not whitening o'er a country, costly with the piled sheaves;
+ 'Twas not whitening o'er a country, costly with the pilèd sheaves;
Rose not o'er the am'rous ocean, trembling round his happy isles;
It came circling large and queenly o'er yon roof of smoky tiles,
And I saw it with such feeling, joy in blood, in heart, in brain,
@@ -722,7 +692,7 @@ WALTER.
Ev'n now are stretched in blessing o'er the sea and o'er the lands.
Sit not like a mourner, Brother! by the grave of that dear Past,
Throw the Present! 'tis thy servant only when 'tis overcast,--
- Give battle to the leagued world, if thou'rt worthy, truly brave,
+ Give battle to the leaguèd world, if thou'rt worthy, truly brave,
Thou shalt make the hardest circumstance a helper or a slave,
As when thunder wraps the setting sun, he struggles, glows with ire,
Rifts the gloom with golden furrows, with a hundred bursts of fire,
@@ -826,7 +796,7 @@ LADY.
Must be the shoutings of the morning stars!
What martial music is to marching men
Should Song be to Humanity. In song
- The infant ages born and swathed are.
+ The infant ages born and swathèd are.
A beauteous menial to our wants divine,
A shape celestial tending the dark earth
With light and silver service like the moon,
@@ -846,7 +816,7 @@ LADY.
Is wide and daring as a comet's path!
And doubtless 'twill contain the tale of earth
By way of episode or anecdote.
- This precious world which one pale marred face
+ This precious world which one pale marrèd face
Dropt tears upon. This base and beggar world
To your rich soul! O! Marc Anthony,
With a fine scorn did toss your world away
@@ -930,7 +900,7 @@ WALTER.
But there was one among that soft-voiced band
Who pined away for love of his sweet eyes,
And died among the roses of the spring.
- When Eve sat in the dew with closed lids,
+ When Eve sat in the dew with closèd lids,
Came gentle maidens bearing forest flowers
To strew upon her green and quiet grave.
They soothed the dead with love-songs low and sweet;
@@ -962,7 +932,7 @@ WALTER.
Pants out her gladness the luxurious night,
The moon and stars all hanging on her song,
She poured her soul in music. When she ceased,
- The charmed woods and breezes silent stood,
+ The charmèd woods and breezes silent stood,
As if all ear to catch her voice again.
Uprose the dreamer from his couch of flowers,
With awful expectation in his look,
@@ -1059,7 +1029,7 @@ WALTER.
Citadels throbbing in their own fierce light,
Tall spires that came and went like spires of flame,
Cliffs quivering with fire-snow, and peaks
- Of piled gorgeousness, and rocks of fire
+ Of pilèd gorgeousness, and rocks of fire
A-tilt and poised, bare beaches, crimson seas,
All these were huddled in that dreadful west,
All shook and trembled in unsteadfast light,
@@ -1184,8 +1154,8 @@ WALTER.
Golden and green, soft-showering through the leaves,
Silent she sat one-half the silent noon;
At last she sank luxurious in her couch,
- Purple and golden-fringed, like the sun's,
- And stretched her white arms on the warmed air,
+ Purple and golden-fringèd, like the sun's,
+ And stretched her white arms on the warmèd air,
As if to take some object wherewithal
To ease the empty aching of her heart.
"Oh, what a weariness of life is mine!"
@@ -1354,7 +1324,7 @@ WALTER.
Weary I of pride and jest,
In this rich heart I would rest,
- Purple and love-lined nest.
+ Purple and love-linèd nest.
"My dazzling panther of the smoking hills,
When the hot sun hath touched their loads of dew,
@@ -1376,9 +1346,9 @@ WALTER.
Would joy rush through her spirit like a stream,
When to her lips he came with victory back:
Acclaims and blessings on his head like crowns,
- His mouthed wounds brave trumpets in his praise,
+ His mouthèd wounds brave trumpets in his praise,
Drawing huge shoals of people, like the moon,
- Whose beauty draws the solemn-noised seas?
+ Whose beauty draws the solemn-noisèd seas?
Or would his bright and lovely sanguine-stains
Scare all the coward blood into her heart,
Leaving her cheeks as pale as lily leaves?
@@ -1396,7 +1366,7 @@ WALTER.
Yet are unthreaded, loosened by a sneer,
And their resolve doth pass as doth a wave:
Of this sort was my cousin. I saw him once,
- Adown a pleached alley, in the sun,
+ Adown a pleachèd alley, in the sun,
Two gorgeous peacocks pecking from his hand;
At sight of me he first turned red, then pale.
I laughed and said, 'I saw a misery perched
@@ -1441,7 +1411,7 @@ WALTER.
To charm her blood with the fine touch of praise,
And as she listens--steal away the heart.
If the good gods do grant me such a man,
- More would I dote upon his trenched brows,
+ More would I dote upon his trenchèd brows,
His coal-black hair, proud eyes, and scornful lips,
Than on a gallant, curled like Absalom,
Cheek'd like Apollo, with his luted voice.
@@ -1527,7 +1497,7 @@ WALTER.
By trembling into music.--"Thee I love."
"Thou!" and the Lady, with a cruel laugh,
(Each silver throb went through him like a sword,)
- Flung herself back upon her fringed couch.
+ Flung herself back upon her fringèd couch.
From which she rose upon him like a queen,
She rose and stabbed him with her angry eyes.
"'Tis well my father did not hear thee, boy,
@@ -1718,7 +1688,7 @@ WALTER.
Night mounts her chariot in the eastern glooms
To chase the flying Sun, whose flight has left
Footprints of glory in the clouded west:
- Swift is she haled by winged swimming steeds,
+ Swift is she haled by wingèd swimming steeds,
Whose cloudy manes are wet with heavy dews,
And dews are drizzling from her chariot wheels.
Soft in her lap lies drowsy-lidded Sleep,
@@ -1873,7 +1843,7 @@ _A Room in London._ WALTER _reading from a manuscript._
She sat on shaven plot of grass,
With earnest face, and weaving
- Lilies white and freaked pansies
+ Lilies white and freakèd pansies
Into quaint delicious fancies,
Then, on a sudden leaving
Her floral wreath, she would upspring
@@ -1899,10 +1869,10 @@ _A Room in London._ WALTER _reading from a manuscript._
Two are still leaping in the sun,
Three are married; _that_ dearest one
Is 'neath the violets.
- I gazed till my heart grew wild,
+ I gazèd till my heart grew wild,
To fold her in my warm caresses,
Clasp her showers of golden tresses,--
- Oh, dreamy-eyed child!
+ Oh, dreamy-eyèd child!
O Child of Beauty! still thou art
A sunbeam in this lonely heart.
@@ -1923,11 +1893,11 @@ _A Room in London._ WALTER _reading from a manuscript._
A dear friend and I were walking
('Twas the Sabbath), we were talking
Of dreams and feelings vague;
- We paused by a place of graves,
+ We pausèd by a place of graves,
Scarcely a word was 'twixt us given,
Silent the earth, silent the heaven,
No murmur of the waves,
- The awed Loch lay black and still
+ The awèd Loch lay black and still
In the black shadow of the hill.
We loosed the gate and wandered in,
@@ -2626,7 +2596,7 @@ EDWARD _sings._
I sang this song some twenty years ago,
(Hot to the ear-tips, with great thumps of heart),
- On the gold lawn, while, Caesar-like, the sun
+ On the gold lawn, while, Cæsar-like, the sun
Gathered his robes around him as he fell.
ARTHUR.
@@ -3232,7 +3202,7 @@ WALTER.
Before the door there lay a plot of grass,
Snowed o'er with daisies,--flower by all beloved,
And famousest in song--and in the midst,
- A carved fountain stood, dried up and broken,
+ A carvèd fountain stood, dried up and broken,
On which a peacock perched and sunned itself;
Beneath, two petted rabbits, snowy white,
Squatted upon the sward.
@@ -3250,7 +3220,7 @@ WALTER.
And the cool wind waved in upon his brow,
And stirred his curls. Soft fell the summer night.
Then he arose, and with inspired lips said,--
- "Stars! ye are golden-voiced clarions
+ "Stars! ye are golden-voicèd clarions
To high-aspiring and heroic dooms.
To-night, as I look up unto ye, Stars!
I feel my soul rise to its destiny,
@@ -3441,7 +3411,7 @@ WALTER.
Down to the dewy grass! Here lean thy head,
Now you will feel my heart leap 'gainst thy cheek;
Imprison me with those white arms of thine.
- So, so. O sweet upturned face! (_Kisses her._) If God
+ So, so. O sweet upturnèd face! (_Kisses her._) If God
Told you to-night He'd grant your dearest wish,
What would it be?
@@ -3802,7 +3772,7 @@ CHARLES.
Not in plain terms. Oft an unhappy thought,
Telling all is not well, falls from his soul
- Like a diseased feather from the wing
+ Like a diseasèd feather from the wing
Of a sick eagle; a scorched meteor-stone
Dropt from the ruined moon.
@@ -3924,7 +3894,7 @@ WALTER.
From its wide circle to its leafy heart,
Is as familiar to me as my soul.
Memories dwell like doves among the trees,
- Like nymphs in glooms, like naiads in the wells;
+ Like nymphs in glooms, like naïads in the wells;
And some are sweet, and sadder some than death.
[_A pause._
I could have sworn the world did sing in air,
@@ -4699,7 +4669,7 @@ SONNETS.
I wrote a Name upon the river sands
With her who bore it standing by my side,
Her large dark eyes lit up with gentle pride,
- And leaning on my arm with clasped hands,
+ And leaning on my arm with claspèd hands,
To burning words of mine she thus replied,
"Nay, writ not on thy heart. This tablet frail
Fitteth as frail a vow. Fantastic bands
@@ -4802,7 +4772,7 @@ Turner and his Works:
A Biography, illustrated by Examples from his Pictures and a
Critical Examination of his Principles and Practice. By JOHN BURNET,
F.S.A. The Memoir by PETER CUNNINGHAM: with Plates. Demy 4to. 31s.
- 6d.; Autograph Proofs (only 25 printed), folio, L5. 5s.
+ 6d.; Autograph Proofs (only 25 printed), folio, £5. 5s.
Bunyan's Pilgrim's Progress.
@@ -4827,8 +4797,8 @@ The Heroines of Shakspeare:
Forty-five Portraits of the principal Female Characters. Engraved
under the superintendence of Mr. CHARLES HEATH, from Drawings by the
best Artists. Imperial 8vo. handsomely bound in morocco, 42s.;
- coloured Plates, L3. 13s. 6d.; proofs, imperial folio, half-morocco,
- L3. 13s. 6d.; India proofs, L5. 5s.
+ coloured Plates, £3. 13s. 6d.; proofs, imperial folio, half-morocco,
+ £3. 13s. 6d.; India proofs, £5. 5s.
The Book of Beauty.
@@ -4846,7 +4816,7 @@ Rembrandt and his Works;
with a Critical Examination into his Principles and Practice. By
JOHN BURNET, F.R.S. 15 Plates, 4to. 31s. 6d.; Artist's Autograph
- Proofs, imperial 4to. L5. 5s. (only 50 printed).
+ Proofs, imperial 4to. £5. 5s. (only 50 printed).
Curiosities of Glass-making:
@@ -4871,7 +4841,7 @@ Views in Rome;
comprising all its principal Edifices, and its surrounding Scenery.
Engraved by W.B. COOKE. 38 Plates, with a Panoramic View of the
- City. 4to. 21s.; India proofs, L2. 2s.
+ City. 4to. 21s.; India proofs, £2. 2s.
The Bible Gallery:
@@ -4888,20 +4858,20 @@ The Gallery of Byron Beauties:
Portraits of the Heroines of Lord Byron's Poems, from Drawings by
the most eminent Artists. Super-royal 8vo. morocco, 31s. 6d.; highly
- coloured, L3.
+ coloured, £3.
Heath's Waverley Gallery.
Portraits of the principal Female Characters in the Writings of
SCOTT. 36 highly-finished Plates, super-royal 8vo. splendidly bound
- in morocco, 31s. 6d.; with coloured plates, L3.
+ in morocco, 31s. 6d.; with coloured plates, £3.
Gallery of the Graces;
or, Beauties of British Poets: 36 beautiful Female Heads by
Landseer, Boxall, F. Stone, &c., illustrating Tennyson, Campbell,
Rogers, Landon, &c. Super-royal 8vo. 31s. 6d. morocco; with coloured
- Plates, L3.
+ Plates, £3.
Milton's Poetical Works.
@@ -4968,7 +4938,7 @@ Sketches at Home and Abroad.
By J.D. HARDING. Sixty Views of the most interesting Scenes, Foreign
and Domestic, printed in tints, in exact imitation of the Original
- Drawings. Imperial folio, half-morocco, L6. 6s.
+ Drawings. Imperial folio, half-morocco, £6. 6s.
"A treasure-house of delight. Here northern Italy yields up its
architectural glories and its lake scenery--Venice its palaces--the
@@ -5096,20 +5066,20 @@ An Analysis of Gothic Architecture.
Illustrated by a series of upwards of Seven Hundred Examples of
Doorways, Windows, &c.; accompanied with Remarks on the several
Details of an Ecclesiastical Edifice. By R. and J.A. BRANDON,
- Architects. 2 large vols. royal 4to. L5. 5s.
+ Architects. 2 large vols. royal 4to. £5. 5s.
The Open Timber Roofs of the Middle Ages.
Illustrated by Perspective and Working Drawings of some of the best
varieties of Church Roofs; with descriptive Letterpress. By R. and
- J.A. BRANDON. Royal 4to. uniform with the above, L3. 3s.
+ J.A. BRANDON. Royal 4to. uniform with the above, £3. 3s.
Parish Churches;
being Perspective Views of English Ecclesiastical Structures;
accompanied by Plans drawn to a Uniform Scale, and Letterpress
Descriptions. By R. and J.A. BRANDON, Architects. 2 vols. large 8vo.
- containing 160 Plates, L2. 2s.
+ containing 160 Plates, £2. 2s.
* * * * *
@@ -5119,8 +5089,8 @@ Winkles's English Cathedrals.
CHURCHES OF ENGLAND AND WALES. New Edition, with the MANCHESTER
CATHEDRAL. 186 Plates, beautifully engraved by B. WINKLES; with
Historical and Descriptive Accounts of the various Cathedrals. In
- three handsome vols. imp. 8vo. cloth, L2. 8s.; roy. 4to. India
- proofs (_very few left_), L6. 6s.
+ three handsome vols. imp. 8vo. cloth, £2. 8s.; roy. 4to. India
+ proofs (_very few left_), £6. 6s.
*** The Third Volume, comprising Lichfield, Gloucester, Hereford,
Worcester, Durham, Carlisle, Chester, Ripon, Manchester, and the
@@ -5131,7 +5101,7 @@ Winkles's French Cathedrals.
From Drawings by R. GARLAND; with Historical and Descriptive
Accounts. Containing Fifty large Plates. Cloth, 21s.; royal 4to.
- India proofs, L2. 2s.
+ India proofs, £2. 2s.
Glossary of Architecture.
@@ -5194,7 +5164,7 @@ A Month in Constantinople.
Prince Adalbert.
Travels of H.R.H. Prince Adalbert, of Prussia, in the South of
- Europe and in Brazil; with a Voyage up the Amazon and the Xingu.
+ Europe and in Brazil; with a Voyage up the Amazon and the Xingú.
Translated by Sir R.H. SCHOMBURCK and J.E. TAYLOR. 2 vols. 8vo. Maps
and Plates, 16s.
@@ -5213,7 +5183,7 @@ The Boat and the Caravan:
Tour on the Prairies.
Narrative of an Expedition across the Great South Western Prairies,
- from Texas to Santa Fe. By GEORGE W. KENDALL. 2 vols. fcp. 8vo, with
+ from Texas to Santa Fé. By GEORGE W. KENDALL. 2 vols. fcp. 8vo, with
Map and Plates, 12s.
The Wonders of Travel;
@@ -5463,7 +5433,7 @@ _Also, in same style,_
Hearts are Trumps. By James Hannay.
Natural History of Tuft-hunters and Toadies.
" " the Hawk Tribe (Swindlers, Blacklegs, &c.).
- " " a Bal Masque. By the Count Chicard.
+ " " a Bal Masqué. By the Count Chicard.
@@ -5476,14 +5446,14 @@ Alexander Smith's Poems.
A Life Drama, and other Poems. By ALEXANDER SMITH. _Third Edition._
Fcp. 8vo. cloth, 5s.
-Life and Times of Madame de Stael.
+Life and Times of Madame de Staël.
By MARIA NORRIS. Post 8vo. 9s. cloth.
My Life and Acts in Hungary:
Being a Personal Narrative of his Career in connection with the
- Revolution. By ARTHUR GOERGEI, Commander-in-Chief of the Hungarian
+ Revolution. By ARTHUR GÖRGEI, Commander-in-Chief of the Hungarian
Army. 2 vols. post 8vo. 21s.
Men of the Time:
@@ -5700,7 +5670,7 @@ Year-Book of Facts in Science and Art;
in the arts and sciences, &c. The volumes, from its commencement in
1839, may still be had, 5s. each.
- "Ably and honestly compiled."--ATHENAEUM.
+ "Ably and honestly compiled."--ATHENÆUM.
Life's Lessons:
@@ -5714,7 +5684,7 @@ Williams's Symbolical Euclid,
Edition, 6s. 6d. cloth; 7s. roan.--An 8vo. Edition may also be had,
7s. cloth.
- This edition is in use at many of the Public Schools.
+ ++§++ This edition is in use at many of the Public Schools.
King's Interest Tables,
@@ -5817,7 +5787,7 @@ Tilt's Cabinet Library Editions.
3. OLIVER GOLDSMITH'S WORKS.
4. HERVEY'S MEDITATIONS and CONTEMPLATIONS.
- These Works are clearly and beautifully printed by
+ ++§++ These Works are clearly and beautifully printed by
Whittingham, and each comprised in a handsome fcp. 8vo. vol. Their
elegance and cheapness render them very suitable for Presents,
School Prizes, or Travelling Companions. Price 6s. each, neatly
@@ -5862,7 +5832,7 @@ Memorable Women;
The Boy's Own Book:
- a complete Encyclopaedia of all the Diversions--Athletic, Scientific,
+ a complete Encyclopædia of all the Diversions--Athletic, Scientific,
and Recreative--of Boyhood and Youth. With several hundred Woodcuts.
New Edition, greatly enlarged and improved. Handsomely bound, 8s.
6d.
@@ -6151,7 +6121,7 @@ necessary, in ordering, to specify--"TILT'S EDITION."
The whole Series may be had in a Case, representing two handsome
Quarto Volumes, lettered "LONDON LIBRARY OF BRITISH CLASSICS," which,
-when shut, is secured by a patent spring lock, for L5. 5s., forming a
+when shut, is secured by a patent spring lock, for £5. 5s., forming a
very useful and acceptable
BIRTHDAY AND WEDDING PRESENT.
@@ -6304,7 +6274,7 @@ Water-colour Gallery;
containing large and highly-finished Engravings of the Works of the
most distinguished Painters in Water-colours &c. 18 Plates, imperial
- 4to. cloth. _Originally published at_ L3. 3s.; _reduced to_ 21s.
+ 4to. cloth. _Originally published at_ £3. 3s.; _reduced to_ 21s.
Museum of Painting and Sculpture:
@@ -6314,7 +6284,7 @@ Museum of Painting and Sculpture:
Dutch, French, and English Schools, includes TWELVE HUNDRED PLATES,
and is an indispensable _vade-mecum_ to the Artist or Collector. In
17 handsome vols. small 8vo. neatly bound, with gilt tops.
- _Originally published at_ L17. 17s.; _reduced to_ L4. 14s. 6d.
+ _Originally published at_ £17. 17s.; _reduced to_ £4. 14s. 6d.
Laconics;
@@ -6337,14 +6307,14 @@ The English School of Painting:
Sculpture executed by British Artists, from the days of Hogarth:
with Descriptive and Explanatory Notices, by G. HAMILTON. Four
volumes, containing nearly Three Hundred Plates, neatly bound, with
- gilt tops. _Originally published at_ L3. 12s.; _reduced to_ 28s.
+ gilt tops. _Originally published at_ £3. 12s.; _reduced to_ 28s.
Martin's Illustrations of the Bible;
consisting of Twenty large and magnificent Plates, designed and
engraved by John Martin, Author of "Belshazzar's Feast," &c. In a
- large folio volume, cloth. _Originally published at_ L10. 10s.;
- _reduced to_ L2. 2s.
+ large folio volume, cloth. _Originally published at_ £10. 10s.;
+ _reduced to_ £2. 2s.
@@ -6471,7 +6441,7 @@ INDEX.
Dale's Poems, 12
- De Stael's (Mad.) Life and Times, 11
+ De Staël's (Mad.) Life and Times, 11
De Vigny's Cinq Mars, 19
@@ -6536,7 +6506,7 @@ INDEX.
Goldsmith's Works, 16
- Goergei's Life in Hungary, 11
+ Görgei's Life in Hungary, 11
Graces, Gallery of the, 3
@@ -6840,7 +6810,7 @@ punctuations and spellings have been left as printed in the book,
including:
- inconsistent use of hyphen (e.g. "dew-drop" and "dewdrop");
-- inconsistent use of accents (e.g. "fringed" and "fringed");
+- inconsistent use of accents (e.g. "fringèd" and "fringed");
- inconsistent use of apostrophe (e.g. "would'st" and "wouldst");
- inconsistent use of archaic forms (e.g. "goes" and "goeth");
- and any other variable spellings.
@@ -6849,367 +6819,9 @@ Index entries that do not match their referred text are corrected,
including:
- Index entry "Foxhunting" corrected to be "Fox-hunting."
-- Index entry "Gorgei" corrected to be "Goergei."
+- Index entry "Gorgei" corrected to be "Görgei."
- Index entry "Rafaelle" corrected to be "Raffaelle."
- Index entry "Winkle" corrected to be "Winkles."
- Index entry "Wurtemburg" corrected to be "Wurtemberg."
-
-
-***END OF THE PROJECT GUTENBERG EBOOK POEMS***
-
-
-******* This file should be named 42301.txt or 42301.zip *******
-
-
-This and all associated files of various formats will be found in:
-http://www.gutenberg.org/dirs/4/2/3/0/42301
-
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** END OF THE PROJECT GUTENBERG EBOOK 42301 ***
diff --git a/42301-8.txt b/42301-8.txt
deleted file mode 100644
index d9c7df2..0000000
--- a/42301-8.txt
+++ /dev/null
@@ -1,7218 +0,0 @@
-The Project Gutenberg eBook, Poems, by Alexander Smith
-
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-
-
-
-
-Title: Poems
- Third Edition
-
-
-Author: Alexander Smith
-
-
-
-Release Date: March 10, 2013 [eBook #42301]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-
-***START OF THE PROJECT GUTENBERG EBOOK POEMS***
-
-
-E-text prepared by Judith Wirawan, David Clarke, and the Online
-Distributed Proofreading Team (http://www.pgdp.net)
-
-
-
-Transcriber's note:
-
- Text enclosed by underscores is in italics (_italics_).
-
- Text enclosed by equal signs is in bold face (=bold=).
-
- The symbol of inverted asterism (three asterisks forming
- an inverted triangle) is represented in this e-text by
- three consecutive asterisks (***).
-
- The symbol of index/fist (a hand with pointing index finger)
- is represented in this e-text by an em-dash and a "greater
- than" sign (-->).
-
- The symbol of double dagger is represented in this e-text by
- two plus signs (++).
-
-
-
-
-
-POEMS
-
-by
-
-ALEXANDER SMITH.
-
-Third Edition.
-
-
-
-
-
-
-
-London:
-David Bogue, Fleet Street.
-MDCCCLIV.
-
-LONDON:
-Printed by G. Barclay, Castle St. Leicester Sq.
-
-
-
-
-CONTENTS.
-
-
- Page
-
- A LIFE-DRAMA 9
-
- AN EVENING AT HOME 213
-
- LADY BARBARA 229
-
- TO ---- 236
-
- SONNETS 239
-
-
-
-
-A LIFE-DRAMA.
-
-
-SCENE I.--_An Antique Room: Midnight._
-
-WALTER,
-_Reading from a paper on which he has been writing_.
-
- As a wild maiden, with love-drinking eyes,
- Sees in sweet dreams a beaming Youth of Glory,
- And wakes to weep, and ever after, sighs
- For that bright vision till her hair is hoary;
- Ev'n so, alas! is my life's-passion story.
- For Poesy my heart and pulses beat,
- For Poesy my blood runs red and fleet,
- As Aaron's serpent the Egyptians' swallow'd,
- One passion eats the rest. My soul is follow'd
- By strong ambition to out-roll a lay,
- Whose melody will haunt the world for aye,
- Charming it onward on its golden way.
- [_Tears the paper and paces the room with disordered steps._
- Oh, that my heart were quiet as a grave
- Asleep in moonlight!
- For, as a torrid sunset boils with gold
- Up to the zenith, fierce within my soul
- A passion burns from basement to the cope.
- Poesy! Poesy! I'd give to thee,
- As passionately, my rich-laden years,
- My bubble pleasures, and my awful joys,
- As Hero gave her trembling sighs to find
- Delicious death on wet Leander's lip.
- Bare, bald, and tawdry, as a fingered moth,
- Is my poor life, but with one smile thou canst
- Clothe me with kingdoms. Wilt thou smile on me?
- Wilt bid me die for thee? O fair and cold!
- As well may some wild maiden waste her love
- Upon the calm front of a marble Jove.
- I cannot draw regard of thy great eyes.
- I love thee, Poesy! Thou art a rock,
- I, a weak wave, would break on thee and die.
- There is a deadlier pang than that which beads
- With chilly death-drops the o'er-tortured brow,
- When one has a big heart and feeble hands,--
- A heart to hew his name out upon time
- As on a rock, then in immortalness
- To stand on time as on a pedestal;
- When hearts beat to this tune, and hands are weak,
- We find our aspirations quenched in tears,
- The tears of impotence, and self-contempt
- That loathsome weed, up-springing in the heart,
- Like nightshade 'mong the ruins of a shrine;
- I am so cursed, and wear within my soul
- A pang as fierce as Dives' drowsed with wine,
- Lipping his leman in luxurious dreams;
- Waked by a fiend in hell!----
- 'T is not for me, ye Heavens! 't is not for me
- To fling a Poem, like a comet, out,
- Far-splendouring the sleepy realms of night.
- I cannot give men glimpses so divine,
- As when, upon a racking night, the wind
- Draws the pale curtains of the vapoury clouds,
- And shows those wonderful, mysterious voids,
- Throbbing with stars like pulses.--Naught for me
- But to creep quietly into my grave;
- Or calm and tame the swelling of my heart
- With this foul lie, painted as sweet as truth.
- That "great and small, weakness and strength, are naught,
- That each thing being equal in its sphere,
- The May-night glow-worm with its emerald lamp,
- Is worthy as the mighty moon that drowns
- Continents in her white and silent light."
- This--this were easy to believe, were I
- The planet that doth nightly wash the earth's
- Fair sides with moonlight; not the shining worm.
- But as I am--beaten, and foiled, and shamed,
- The arrow of my soul which I have shot
- To bring down Fame, dissolved like shaft of mist--
- This painted falsehood, this most damned lie,
- Freezes me like a fiendish human face,
- With all its features gathered in a sneer.
- Oh, let me rend this breathing tent of flesh;
- Uncoop the soul--fool, fool, 't were still the same,
- 'T is the deep soul that's touch'd, _it_ bears the wound;
- And memory doth stick in 't like a knife,
- Keeping it wide for ever. [_A long pause._
- I am fain
- To feed upon the beauty of the moon!
- [_Opens the casement._
- Sorrowful moon! seeming so drowned in woe,
- A queen, whom some grand battle-day has left
- Unkingdomed and a widow, while the stars,
- Thy handmaidens, are standing back in awe,
- Gazing in silence on thy mighty grief!
- All men have loved thee for thy beauty, moon!
- Adam has turned from Eve's fair face to thine,
- And drunk thy beauty with his serene eyes.
- Anthony once, when seated with his queen,
- Worth all the East, a moment gazed at thee:
- She struck him on the cheek with jealous hand,
- And chiding said,--"Now, by my Egypt's gods,
- That pale and squeamish beauty of the night
- Has had thine eyes too long; thine eyes are mine!
- Alack! there's sorrow in my Anthony's face!
- Dost think of Rome? I'll make thee, with a kiss,
- Richer than Cæsar! Come, I'll crown thy lips."
- [_Another pause._
- How tenderly the moon doth fill the night!
- Not like the passion that doth fill my soul;
- It burns within me like an Indian sun.
- A star is trembling on the horizon's verge,
- That star shall grow and broaden on the night,
- Until it hangs divine and beautiful
- In the proud zenith--
- Might I so broaden on the skies of fame!
- O Fame! Fame! Fame! next grandest word to God!
- I seek the look of Fame! Poor fool--so tries
- Some lonely wanderer 'mong the desert sands
- By shouts to gain the notice of the Sphynx,
- Staring right on with calm eternal eyes.
-
-
-SCENE II.
-
-_A Forest._ WALTER _sleeping beneath a tree._
-
-_Enter_ LADY _with a fawn._
-
-LADY.
-
- Halt! Flora, halt! This race
- Has danced my ringlets all about my brows,
- And brought my cheeks to bloom. Here will I rest
- And weave a garland for thy dappled neck.
- [_Weaves flowers._
- I look, sweet Flora, in thine innocent eyes,
- And see in them a meaning and a glee
- Fitting this universal summer joy:
- Each leaf upon the trees doth shake with joy,
- With joy the white clouds navigate the blue,
- And, on his painted wings, the butterfly,
- Most splendid masker in this carnival,
- Floats through the air in joy! Better for man,
- Were he and Nature more familiar friends!
- His part is worst that touches this base world.
- Although the ocean's inmost heart be pure,
- Yet the salt fringe that daily licks the shore
- Is gross with sand. On, my sweet Flora, on!
- [_Rises and approaches_ WALTER.
- Ha! what is this? A bright and wander'd youth,
- Thick in the light of his own beauty, sleeps
- Like young Apollo, in his golden curls!
- At the oak-roots I've seen full many a flower,
- But never one so fair. A lovely youth,
- With dainty cheeks and ringlets like a girl,
- And slumber-parted lips 'twere sweet to kiss!
- Ye envious lids! I fain would see his eyes!
- Jewels so richly cased as those of his
- Must be a sight. So, here's a well-worn book,
- From which he drinks such joy as doth a pale
- And dim-eyed worker who escapes, in Spring,
- The thousand-streeted and smoke-smothered town,
- And treads awhile the breezy hills of health.
- [LADY _opens the book, a slip of paper falls out;
- she reads._
-
- The fierce exulting worlds, the motes in rays,
- The churlish thistles, scented briers,
- The wind-swept blue-bells on the sunny braes,
- Down to the central fires,
-
- Exist alike in Love. Love is a sea,
- Filling all the abysses dim
- Of lornest space, in whose deeps regally
- Suns and their bright broods swim.
-
- This mighty sea of Love with wondrous tides,
- Is sternly just to sun and grain;
- 'Tis laving at this moment Saturn's sides,--
- 'Tis in my blood and brain.
-
- All things have something more than barren use;
- There is a scent upon the brier,
- A tremulous splendour in the autumn dews,
- Cold morns are fringed with fire;
-
- The clodded earth goes up in sweet-breathed flowers;
- In music dies poor human speech,
- And into beauty blow those hearts of ours,
- When Love is born in each.
-
- Life is transfigured in the soft and tender
- Light of Love, as a volume dun
- Of rolling smoke becomes a wreathèd splendour
- In the declining sun.
-
- Driven from cities by his restless moods,
- In incense-glooms and secret nooks,
- A miser o'er his gold--the lover broods
- O'er vague words, earnest looks.
-
- Oft is he startled on the sweetest lip;
- Across his midnight sea of mind
- A Thought comes streaming, like a blazing ship
- Upon a mighty wind,
-
- A Terror and a Glory! Shocked with light,
- His boundless being glares aghast;
- Then slowly settles down the wonted night,
- All desolate and vast.
-
- Daisies are white upon the churchyard sod,
- Sweet tears, the clouds lean down and give.
- This world is very lovely. O my God,
- I thank Thee that I live!
-
- Ringed with his flaming guards of many kinds,
- The proud Sun stoops his golden head,
- Grey Eve sobs crazed with grief; to her the winds
- Shriek out, "The Day is dead."
-
- I gave this beggar Day no alms, this Night
- Has seen nor work accomplished, planned,
- Yet this poor Day shall soon in memory's light
- A summer rainbow stand!
-
- There is no evil in this present strife;
- From th' shivering Seal's low moans,
- Up through the shining tiers and ranks of life,
- To stars upon their thrones,
-
- The seeming ills are Loves in dim disguise;
- Dark moral knots, that pose the seer,
- If _we_ are lovers, in our wider eyes
- Shall hang, like dew-drops, clear.
-
- Ye are my menials, ye thick-crowding years!
- Ha! yet with a triumphant shout
- My spirit shall take captive all the spheres,
- And wring their riches out.
-
- God! what a glorious future gleams on me;
- With nobler senses, nobler peers,
- I'll wing me through Creation like a bee,
- And taste the gleaming spheres!
-
- While some are trembling o'er the poison-cup,
- While some grow lean with care, some weep,
- In this luxurious faith I'll wrap me up,
- As in a robe, and sleep.
-
- Oh, 'tis a sleeping Poet! and his verse
- Sings like the syren-isles. An opulent Soul
- Dropt in my path like a great cup of gold,
- All rich and rough with stories of the gods!
- Methinks all poets should be gentle, fair,
- And ever young, and ever beautiful:
- I'd have all Poets to be like to this,--
- Gold-haired and rosy-lipped, to sing of Love.
- Love! Love! Old song that Poet ever chanteth,
- Of which the listening world is never weary.
- Soul is a moon, Love is its loveliest phase.
- Alas! to me this Love will never come
- Till summer days shall visit dark December.
- Woe's me! 'tis very sad, but 'tis my doom
- To hide a ghastly grief within my heart,
- And then to coin my lying cheek to smiles,
- Sure, smiles become a victim garlanded!
- Hist! he awakes----
-
-WALTER (_awakening_).
-
- Fair lady, in my dream
- Methought I was a weak and lonely bird,
- In search of summer, wander'd on the sea,
- Toiling through mists, drenched by the arrowy rain,
- Struck by the heartless winds: at last, methought
- I came upon an isle in whose sweet air
- I dried my feathers, smoothed my ruffled breast,
- And skimmed delight from off the waving woods.
- Thy coming, lady, reads this dream of mine:
- I am the swallow, thou the summer land.
-
-LADY.
-
- Sweet, sweet is flattery to mortal ears,
- And, if I drink thy praise too greedily,
- My fault I'll match with grosser instances.
- Do not the royal souls that van the world
- Hunger for praises? Does not the hero burn
- To blow his triumphs in the trumpet's mouth?
- And do not poets' brows throb feverous
- Till they are cooled with laurels? Therefore, sir,
- If such dote more on praise than all the wealth
- Of precious-wombèd earth and pearlèd mains,
- Blame not the cheeks of simple maidenhood.
- Fair sir, I am the empress of this wood!
- The courtier oaks bow in proud homages,
- And shake down o'er my path their golden leaves.
- Queen am I of this green and summer realm.
- This wood I've entered oft when all in sheen
- The princely Morning walks o'er diamond dews,
- And still have lingered, till the vain young Night
- Trembles o'er her own beauty in the sea.
-
-WALTER.
-
- And as thou passest some mid-forest glade,
- The simple woodman stands amazed, as if
- An angel flashed by on his gorgeous wings.
-
-LADY.
-
- I am thine empress. Who and what art thou?
- Art thou Sir Bookworm? Haunter of old tomes,
- Sitting the silent term of stars to watch
- Your own thought passing into beauty, like
- An earnest mother watching the first smile
- Dawning upon her sleeping infant's face,
- Until she cannot see it for her tears?
- And when the lark, the laureate of the sun,
- Doth climb the east, eager to celebrate
- His monarch's crowning, goeth pale to bed,--
- Art thou such denizen of book-world, pray?
-
-WALTER.
-
- Books written when the soul is at spring-tide,
- When it is laden like a groaning sky
- Before a thunder-storm, are power and gladness,
- And majesty and beauty. They seize the reader
- As tempests seize a ship, and bear him on
- With a wild joy. Some books are drenchèd sands,
- On which a great soul's wealth lies all in heaps,
- Like a wrecked argosy. What power in books!
- They mingle gloom and splendour, as I've oft,
- In thund'rous sunsets, seen the thunder-piles
- Seamed with dull fire and fiercest glory-rents.
- They awe me to my knees, as if I stood
- In presence of a king. They give me tears;
- Such glorious tears as Eve's fair daughters shed,
- When first they clasped a Son of God, all bright
- With burning plumes and splendours of the sky,
- In zoning heaven of their milky arms.
- How few read books aright! Most souls are shut
- By sense from grandeur, as a man who snores,
- Night-capped and wrapt in blankets to the nose,
- Is shut in from the night, which, like a sea,
- Breaketh for ever on a strand of stars.
- Lady, in book-world have I ever dwelt,
- This book has domed my being like a sky.
-
-LADY.
-
- And who was its creator?
-
-WALTER.
-
- He was one
- Who could not help it, for it was his nature
- To blossom into song, as 'tis a tree's
- To leaf itself in April.
-
-LADY.
-
- Did he love?
-
-WALTER.
-
- Ay; and he suffered.--His was not that love
- That comes on men with their beards. His soul was rich;
- And this his book unveils it, as the night
- Her panting wealth of stars. The world was cold,
- And he went down like a lone ship at sea;
- And now the fame that scorned him while he lived
- Waits on him like a menial.----
- When the dark dumb Earth
- Lay on her back and watched the shining stars,
- A Soul from its warm body shuddered out
- To the dim air and trembled with the cold;
- Through the waste air it passed as swift and still,
- As a dream passes through the lands of sleep,
- Till at the very gates of spirit-world
- 'Twas asked by a most worn and earnest shape
- That seemed to tremble on the coming word,
- About an orphan Poem, and if yet
- A Name was heard on earth.
-
-LADY.
-
- 'Tis very sad,
- And doth remind me of an old, low strain,
- I used to sing in lap of summers dead,
- When I was but a child, and when we played
- Like April sunbeams 'mong the meadow-flowers;
- Or romped i' the dews with weak complaining lambs;
- Or sat in circles on the primrose knolls,
- Striving with eager and palm-shaded eyes,
- 'Mid shouts and silver laughs, who first should catch
- The lark, a singing speck, go up the blue.
- I'll sing it to thee; 'tis a song of One--
- (An image slept within his soul's caress,
- Like a sweet thought within a Poet's heart
- Ere it is born in joy and golden words)--
- Of One whose naked soul stood clad in love,
- Like a pale martyr in his shirt of fire.
- I'll sing it to thee. [LADY _sings._
-
- In winter when the dismal rain
- Came down in slanting lines,
- And Wind, that grand old harper, smote
- His thunder-harp of pines,
-
- A Poet sat in his antique room,
- His lamp the valley kinged,
- 'Neath dry crusts of dead tongues he found
- Truth, fresh and golden-winged.
-
- When violets came and woods were green,
- And larks did skyward dart,
- A Love alit and white did sit,
- Like an angel on his heart.
-
- From his heart he unclasped his love
- Amid the trembling trees,
- And sent it to the Lady Blanche
- On wingèd poesies.
-
- The Lady Blanche was saintly fair,
- Nor proud, but meek her look;
- In her hazel eyes her thoughts lay clear
- As pebbles in a brook.
-
- Her father's veins ran noble blood,
- His hall rose 'mid the trees;
- Like a sunbeam she came and went
- 'Mong the white cottages.
-
- The peasants thanked her with their tears,
- When food and clothes were given,--
- "This is a joy," the Lady said,
- "Saints cannot taste in Heaven!"
-
- They met--the Poet told his love,
- His hopes, despairs, his pains,--
- The Lady with her calm eyes mocked
- The tumult in his veins.
-
- He passed away--a fierce song leapt
- From cloud of his despair,
- As lightning, like a bright, wild beast,
- Leaps from its thunder-lair.
-
- He poured his frenzy forth in song,--
- Bright heir of tears and praises!
- Now resteth that unquiet heart
- Beneath the quiet daisies.
-
- The world is old,--Oh! very old,--
- The wild winds weep and rave;
- The world is old, and grey, and cold,
- Let it drop into its grave!
-
- Our ears, Sir Bookworm, hunger for _thy_ song.
-
-WALTER.
-
- I have a strain of a departed bard;
- One who was born too late into this world.
- A mighty day was past, and he saw nought
- But ebbing sunset and the rising stars,--
- Still o'er him rose those melancholy stars!
- Unknown his childhood, save that he was born
- 'Mong woodland waters full of silver breaks;
- That he grew up 'mong primroses moon-pale
- In the hearts of purple hills; that he o'er ran
- Green meadows golden in the level sun,
- A bright-haired child; and that, when these he left
- To dwell within a monstrous city's heart,
- The trees were gazing up into the sky,
- Their bare arms stretched in prayer for the snows.
- When first we met, his book was six months old,
- And eagerly his name was buzzed abroad;
- Praises fell thick on him. Men said, "This Dawn
- Will widen to a clear and boundless Day;
- And when it ripens to a sumptuous west
- With a great sunset 'twill be closed and crowned."
- Lady! he was as far 'bove common men
- As a sun-steed, wild-eyed and meteor-maned,
- Neighing the reeling stars, is 'bove a hack
- With sluggish veins of mud. More tremulous
- Than the soft star that in the azure east
- Trembles with pity o'er bright bleeding day,
- Was his frail soul; I dwelt with him for years;
- I was to him but Labrador to Ind;
- His pearls were plentier than my pebble-stones.
- He was the sun, I was that squab--the earth,
- And basked me in his light until he drew
- Flowers from my barren sides. Oh! he was rich,
- And I rejoiced upon his shore of pearls,
- A weak enamoured sea. Once did he say,
- "My Friend! a Poet must ere long arise,
- And with a regal song sun-crown this age,
- As a saint's head is with a halo crown'd;--
- One, who shall hallow Poetry to God
- And to its own high use, for Poetry is
- The grandest chariot wherein king-thoughts ride;--
- One, who shall fervent grasp the sword of song
- As a stern swordsman grasps his keenest blade,
- To find the quickest passage to the heart.
- A mighty Poet whom this age shall choose
- To be its spokesman to all coming times.
- In the ripe full-blown season of his soul,
- He shall go forward in his spirit's strength,
- And grapple with the questions of all time,
- And wring from them their meanings. As King Saul
- Called up the buried prophet from his grave
- To speak his doom, so shall this Poet-king
- Call up the dead Past from its awful grave
- To tell him of our future. As the air
- Doth sphere the world, so shall his heart of love--
- Loving mankind, not peoples. As the lake
- Reflects the flower, tree, rook, and bending heaven,
- Shall he reflect our great humanity;
- And as the young Spring breathes with living breath
- On a dead branch, till it sprouts fragrantly
- Green leaves and sunny flowers, shall he breathe life
- Through every theme he touch, making all Beauty
- And Poetry for ever like the stars."
- His words set me on fire; I cried aloud,
- "Gods! what a portion to forerun this Soul!"
- He grasped my hand,--I looked upon his face,--
- A thought struck all the blood into his cheeks,
- Like a strong buffet. His great flashing eyes
- Burned on mine own. He said, "A grim old king,
- Whose blood leapt madly when the trumpets brayed
- To joyous battle 'mid a storm of steeds,
- Won a rich kingdom on a battle-day;
- But in the sunset he was ebbing fast,
- Ringed by his weeping lords. His left hand held
- His white steed, to the belly splashed with blood,
- That seemed to mourn him with its drooping head;
- His right, his broken brand; and in his ear
- His old victorious banners flap the winds.
- He called his faithful herald to his side,--
- 'Go! tell the dead I come!' With a proud smile,
- The warrior with a stab let out his soul,
- Which fled and shrieked through all the other world,
- 'Ye dead! My master comes!' And there was pause
- Till the great shade should enter. Like that herald,
- Walter, I'd rush across this waiting world
- And cry, '_He_ comes!'" Lady, wilt hear the song?
- [_Sings._
-
- In the street, the tide of being, how it surges, how it rolls!
- God! what base ignoble faces, God! what bodies wanting souls,
- 'Mid this stream of human being, banked by houses tall and grim,
- Pale I stand this shining morrow with a pant for woodlands dim,
- To hear the soft and whispering rain, feel the dewy cool of leaves,
- Watch the lightnings dart like swallows round the brooding thunder-eaves,
- To lose the sense of whirling streets, 'mong breezy crests of hills,
- Skies of larks, and hazy landscapes, with fine threads of silver rills,--
- Stand with forehead bathed in sunset on a mountain's summer crown,
- And look up and watch the shadow of the great night coming down,
- One great life in my myriad veins, in leaves, in flowers, in cloudy cars,
- Blowing, underfoot, in clover; beating, overhead, in stars!
- Once I saw a blissful harvest-moon, but not through forest-leaves;
- 'Twas not whitening o'er a country, costly with the pilèd sheaves;
- Rose not o'er the am'rous ocean, trembling round his happy isles;
- It came circling large and queenly o'er yon roof of smoky tiles,
- And I saw it with such feeling, joy in blood, in heart, in brain,
- I would give to call the affluence of that moment back again,
- Europe, with her cities, rivers, hills of prey, sheep-sprinkled downs,--
- Ay, a hundred sheaves of sceptres! Ay, a planet's gathered crowns!
- For with that resplendent harvest-moon, my inmost thoughts were shared
- By a bright and shining maiden, hazel-eyed and golden-haired;
- One blest hour we sat together in a lone and silent place,
- O'er us, starry tears were trembling on the mighty midnight's face.
- Gradual crept my arm around her, 'gainst my shoulder came her head,
- And I could but draw her closer, whilst I tremulously said,--
- "Passion as it runs grows purer, loses every tinge of clay,
- As from Dawn all red and turbid flows the white transparent Day,
- And in mingled lives of lovers, the array of human ills
- Breaks their gentle course to music, as the stones break summer rills."
- "You should give the world," she murmured, "such delicious thoughts as
- these."
- "They are fit to line portmanteaus;" "Nay," she whispered, "Memories."
- And thereat she looked upon me with a smile so full of grace,
- All my blood was in a moment glowing in my ardent face!
- Half-blind, I looked up to the host of palpitating stars,
- 'Gainst my sides my heart was leaping, like a lion 'gainst his bars,
- For a thought was born within me, and I said within my mind,
- "I will risk all in this moment, I will either lose or find."
- "Dost thou love me?" then I whispered; for a minute after this,
- I sat and trembled in great blackness--On my lips I felt a kiss;--
- Than a roseleaf's touch 'twas lighter,--on her face her hands she prest,
- And a heaven of tears and blushes was deep buried in my breast.
- I could make _her_ faith, _my_ passion, a wide mark for scorn and sneers,
- I could laugh a hollow laughter but for these hot bursting tears;
- In the strong hand of my frenzy, laws and statutes snapt like reeds,
- And furious as a wounded bull I tore at all the creeds;
- I rushed into the desert, where I stood with hopeless eyes,
- Glaring on vast desolations, barren sands, and empty skies!
- Soon a trembling naked figure, to the earth my face was bowed,
- For the curse of God gloomed o'er me like a bursting thunder-cloud.
- Rolled away that fearful darkness, pass'd my weakness, pass'd my grief,
- Washed with bitter tears I sat full in the sunshine of belief.
- Weary eyes are looking eastward, whence the golden sun upsprings,
- Cry the young and fervid spirits, clad with ardour as with wings,
- "Life and Soul make wretched jangling, they should mingle to one Sire
- As the lovely voices mingle in a holy temple choir.
- O! those souls of ours, my brothers! prisoned now in mortal bars,
- Have been riched by growth and travel, by the round of all the stars.
- Soul, alas! is unregarded; Brothers! it is closely shut:
- All unknown as royal Alfred in the Saxon neatherd's hut,
- In the Dark house of the Body, cooking victuals, lighting fires,
- Swelters on the starry stranger, to our nature's base desires.
- From its lips is 't any marvel that no revelations come?
- We have wronged it; we do wrong it--'tis majestically dumb!
- God! our souls are aproned waiters! God! our souls are hired slaves:
- Let us hide from Life, my Brothers! let us hide us in our graves.
- O! why stain our holy childhoods? Why sell all for drinks and meats?
- Why degrade, like those old mansions, standing in our pauper streets,
- Lodgings _once_ of kings and nobles, silken stirs and trumpet's din,
- _Now_, where crouch 'mong rags and fever, shapes of squalor and of sin?"
- Like a mist this wail surrounds me; Brothers, hush; the Lord Christ's
- hands
- Ev'n now are stretched in blessing o'er the sea and o'er the lands.
- Sit not like a mourner, Brother! by the grave of that dear Past,
- Throw the Present! 'tis thy servant only when 'tis overcast,--
- Give battle to the leaguèd world, if thou'rt worthy, truly brave,
- Thou shalt make the hardest circumstance a helper or a slave,
- As when thunder wraps the setting sun, he struggles, glows with ire,
- Rifts the gloom with golden furrows, with a hundred bursts of fire,
- Melts the black and thund'rous masses to a sphere of rosy light,
- Then on edge of glowing heaven smiles in triumph on the night.
- Lo! the song of Earth--a maniac's on a black and dreary road--
- Rises up, and swells, and grandeurs, to the loud triumphal ode--
- Earth casts off a slough of darkness, an eclipse of hell and sin,
- In each cycle of her being, as an adder casts her skin;
- Lo! I see long blissful ages, when these mammon days are done,
- Stretching like a golden ev'ning forward to the setting sun.
-
- He sat one winter 'neath a linden tree
- In my bare orchard: "See, my friend," he said,
- "The stars among the branches hang like fruit,
- So, hopes were thick within me. When I'm gone
- The world will like a valuator sit
- Upon my soul, and say, 'I was a cloud
- That caught its glory from a sunken sun,
- And gradual burn'd into its native grey.'"
- On an October eve, 'twas his last wish
- To see again the mists and golden woods;
- Upon his death-bed he was lifted up,
- The slumb'rous sun within the lazy west
- With their last gladness filled his dying eyes.
- No sooner was he hence than critic-worms
- Were swarming on the body of his fame,
- And thus they judged the dead: "This Poet was
- An April tree whose vermeil-loaded boughs
- Promised to Autumn apples juiced and red,
- But never came to fruit." "He is to us
- But a rich odour,--a faint music-swell."
- "Poet he was not in the larger sense;
- He could write pearls, but he could never write
- A Poem round and perfect as a star."
- "Politic i' faith. His most judicious act
- Was dying when he did; the next five years
- Had fingered all the fine dust from his wings,
- And left him poor as we. He died--'twas shrewd!
- And came with all his youth and unblown hopes
- On the world's heart, and touched it into tears."
-
-LADY.
-
- Would'st thou, too, be a poet?
-
-WALTER.
-
- Lady! ay!
- A passion has grown up to be a King,
- Ruling my being with as fierce a sway
- As the mad sun the prostrate desert sands,
- And it is _that_.
-
-LADY.
-
- Hast some great cherished theme?
-
-WALTER.
-
- Lovely in God's eyes, where, in barren space,
- Like a rich jewel hangs His universe,
- Unwrinkled as a dew-drop, and as fair,
- In my poor eyes, my loved and chosen theme
- Is lovely as the universe in His.
-
-LADY.
-
- Wilt write of some young wanton of an isle
- Whose beauty so enamoured hath the sea,
- It clasps it ever in its summer arms
- And wastes itself away on it in kisses?
- Or the hot Indes, on whose teeming plains
- The seasons four knit in one flowery band
- Are dancing ever? Or some older realm?
-
-WALTER.
-
- I will begin in the oldest; far in God.
- When all the ages, and all suns, and worlds,
- And souls of men and angels, lay in Him
- Like unborn forests in an acorn cup.
-
-LADY.
-
- And how wilt thou begin it?
-
-WALTER.
-
- With old words!
- With the soliloquy with which God broke
- The silence of the dead eternities.
- At which most ancient words, O beautiful!
- With showery tresses like a child from sleep,
- Uprose the splendid-mooned and jewelled night,--
- The loveliest born of God.
-
-LADY.
-
- Then your first chorus
- Must be the shoutings of the morning stars!
- What martial music is to marching men
- Should Song be to Humanity. In song
- The infant ages born and swathèd are.
- A beauteous menial to our wants divine,
- A shape celestial tending the dark earth
- With light and silver service like the moon,
- Is Poesy; ever remember this--
- How wilt thou end it?
-
-WALTER.
-
- With God and Silence!
- When the great universe subsides in God,
- Ev'n as a moment's foam subsides again
- Upon the wave that bears it.
-
-LADY.
-
- Why, thy plan
- Is wide and daring as a comet's path!
- And doubtless 'twill contain the tale of earth
- By way of episode or anecdote.
- This precious world which one pale marrèd face
- Dropt tears upon. This base and beggar world
- To your rich soul! O! Marc Anthony,
- With a fine scorn did toss your world away
- For Cleopatra's lips!--so rich, so poor.
-
-
-SCENE III.
-
-_Antique Room._ WALTER _pacing up and down._
-
-WALTER.
-
- Thou day beyond to-morrow! though my life
- Should cease in thee, I'd dash aside the hours
- That intervene to bring thee quicklier here.
- Again to meet her in the windy woods!
- When last we met she was as marble, calm:
- I, with thick-beating heart and sight grown dim,
- And leaping pulses and loud-ringing ears,
- And tell-tale blood that rushed into my face,
- And blabbed the love secreted in my heart.
- She must have understood that crimson speech,
- And yet she frowned not. No, she never frowned
- I think that I am worthy to be loved.
- Oh, could I lift my heart into her sight,
- As an old mountain lifts its martyr's cairn
- Into the pure sight of the holy heavens!
- Would she but love me, I would live for her!
- Were she plain Night, I'd clothe her with my stars.
- My spirit, Poesy, would be her slave,
- 'Twould rifle for her ocean's secret hoards,
- And make her rough with pearls. If Death's pale realms
- Contained a gem out-lust'ring all the world,
- I would adventure there, and bring it her.
-
- My inmost being dwells upon her words,
- "Wilt trim a verse for me by this night week?
- Make it as jubilant as marriage bells;
- Or, if it please you, make it doleful sad
- As bells that knoll a maiden to her grave,
- When the spring earth is sweet in violets,
- And it will fit _one_ heart, yea, as the cry
- Of the lone plover fits a dismal heath."
- I'll write a tale through which my passion runs,
- Like honeysuckle through a hedge of June.
-
- A silent isle on which the love-sick sea
- Dies with faint kisses and a murmured joy,
- In the clear blue the lark hangs like a speck,
- And empties his full heart of music-rain
- O'er sunny slopes, where tender lambkins bleat,
- And new-born rills go laughing to the sea,
- O'er woods that smooth down to the southern shore,
- Waving in green, as the young breezes blow
- O'er the sea sphere all sweet and summer smells.
- Not of these years, but by-gone minstrel times,
- Of shepherd-days in the young world's sunrise,
- Was this warm clime, this quiet land of health,
- By gentle pagans filled, whose red blood ran
- Healthy and cool as milk,--pure, simple men:
- Ah, how unlike the swelterers in towns!
- Who ne'er can glad their eyes upon the green
- Sunshine-swathed earth; nor hear the singing rills,
- Nor feel the breezes in their lifted hair.
-
- A lovely youth, in manhood's very edge,
- Lived 'mong these shepherds and their quiet downs;
- Tall and blue-eyed, and bright in golden hair,
- With half-shut dreamy eyes, sweet earnest eyes,
- That seemed unoccupied with outward things,
- Feeding on something richer! Strangely, oft,
- A wildered smile lay on his noble lips.
- The sunburnt shepherds stared with awful eyes
- As he went past; and timid girls upstole,
- With wond'ring looks, to gaze upon his face,
- And on his cataract of golden curls,
- Then lonely grew, and went into the woods
- To think sweet thoughts, and marvel why they shook
- With heart-beat and with tremor when he came,
- And in the night he filled their dreams with joy.
- But there was one among that soft-voiced band
- Who pined away for love of his sweet eyes,
- And died among the roses of the spring.
- When Eve sat in the dew with closèd lids,
- Came gentle maidens bearing forest flowers
- To strew upon her green and quiet grave.
- They soothed the dead with love-songs low and sweet;
- Songs sung of old beneath the purple night,
- Songs heard on earth with heart-beat and a blush,
- Songs heard in heaven by the breathless stars.
-
- Thought-wrapt, he wandered in the breezy woods
- In which the Summer, like a hermit, dwelt.
- He laid him down by the old haunted springs,
- Up-bubbling 'mid a world of greenery,
- Shut-eyed, and dreaming of the fairest shapes
- That roam the woods; and when the autumn nights
- Were dark and moonless, to the level sands
- He would betake him, there to hear, o'er-awed,
- The old Sea moaning like a monster pained.
-
- One day he lay within the pleasant woods
- On bed of flowers edging a fountain's brim,
- And gazed into its heart as if to count
- The veined and lucid pebbles one by one,
- Up-shining richly through the crystal clear.
- Thus lay he many hours, when, lo! he heard
- A maiden singing in the woods alone
- A sad and tender island melody,
- Which made a golden conquest of his soul,
- Bringing a sadness sweeter than delight.
- As nightingale, embowered in vernal leaves,
- Pants out her gladness the luxurious night,
- The moon and stars all hanging on her song,
- She poured her soul in music. When she ceased,
- The charmèd woods and breezes silent stood,
- As if all ear to catch her voice again.
- Uprose the dreamer from his couch of flowers,
- With awful expectation in his look,
- And happy tears upon his pallid face,
- With eager steps, as if toward a heaven,
- He onward went, and, lo! he saw her stand,
- Fairer than Dian, in the forest glade.
- His footsteps startled her, and quick she turned
- Her face,--looks met like swords. He clasped his hands,
- And fell upon his knees; the while there broke
- A sudden splendour o'er his yearning face;
- 'Twas a pale prayer in its very self.
- "I know thee, lovely maiden!" then he cried;
- "I know thee, and of thee I have been told:
- Been told by all the roses of the vale,
- By hermit streams, by pale sea-setting stars,
- And by the roaring of the storm-tost pines;
- And I have sought for thee upon the hills,
- In dim sweet dreams, on the complacent sea,
- When breathless midnight, with her thousand hearts,
- Beats to the same love-tune as my own heart.
- I've waited for thee many seasons through,
- Seen many autumns shed their yellow leaves
- O'er the oak-roots, heard many winters moan
- Through the leafless forests drearily.
- Now am I joyful, as storm-battered dove
- That finds a perch in the Hesperides,
- For thou art found. Thou, whom I long have sought,
- My other self! Our blood, our hearts, our souls,
- Shall henceforth mingle in one being, like
- The married colours in the bow of heaven.
- My soul is like a wide and empty fane,
- Sit thou in 't like a god, O maid divine!
- With worship and religion 'twill be filled.
- My soul is empty, lorn, and hungry space;
- Leap thou into it like a new-born star,
- And 'twill o'erflow with splendour and with bliss.
- More music! music! music! maid divine!
- My hungry senses, like a finch's brood,
- Are all a-gape. O feed them, maid divine!
- Feed, feed my hungry soul with melodies!"
- Thus, like a worshipper before a shrine,
- He earnest syllabled, and, rising up,
- He led that lovely stranger tenderly
- Through the green forest toward the burning west.
- He never, by the maidens of the isle
- Nor by the shepherds, was thereafter seen
- 'Mong sunrise splendours on the misty hills,
- Or stretched at noon by the old haunted wells,
- Or by the level sands on autumn nights.
-
- I've heard that maidens have been won by song.
- O Poesy, fine sprite! I'd bless thee more
- If thou would'st bring that lady's love to me,
- Than immortality in twenty worlds.
- I'd rather win her than God's youngest star,
- With singing continents and seas of bliss.----
- Thou day beyond to-morrow, haste thee on!
-
-
-SCENE IV.
-
-_The Banks of a River._--WALTER _and the_ LADY.
-
-LADY.
-
- The stream of sunsets?
-
-WALTER.
-
- 'Tis that loveliest stream.
- I've learned by heart its sweet and devious course
- By frequent tracing, as a lover learns
- The features of his best-beloved's face.
- In memory it runs, a shining thread,
- With sunsets strung upon it thick, like pearls.
- From yonder trees I've seen the western sky
- All washed with fire, while, in the midst, the sun
- Beat like a pulse, welling at ev'ry beat
- A spreading wave of light. Where yonder church
- Stands up to heaven, as if to intercede
- For sinful hamlets scattered at its feet,
- I saw the dreariest sight. The sun was down,
- And all the west was paved with sullen fire.
- I cried, "Behold! the barren beach of hell
- At ebb of tide." The ghost of one bright hour
- Comes from its grave and stands before me now.
- 'Twas at the close of a long summer day,
- As we were sitting on yon grassy slope,
- The sunset hung before us like a dream
- That shakes a demon in his fiery lair;
- The clouds were standing round the setting sun
- Like gaping caves, fantastic pinnacles,
- Citadels throbbing in their own fierce light,
- Tall spires that came and went like spires of flame,
- Cliffs quivering with fire-snow, and peaks
- Of pilèd gorgeousness, and rocks of fire
- A-tilt and poised, bare beaches, crimson seas,
- All these were huddled in that dreadful west,
- All shook and trembled in unsteadfast light,
- And from the centre blazed the angry sun,
- Stern as the unlashed eye of God a-glare
- O'er evening city with its boom of sin.
- I do remember, as we journeyed home,
- (That dreadful sunset burnt into our brains),
- With what a soothing came the naked moon.
- She, like a swimmer who has found his ground,
- Came rippling up a silver strand of cloud,
- And plunged from the other side into the night.
- I and that friend, the feeder of my soul,
- Did wander up and down these banks for years,
- Talking of blessed hopes and holy faiths,
- How sin and weeping all should pass away
- In the calm sunshine of the earth's old age.
- Breezes are blowing in old Chaucer's verse,
- 'Twas here we drank them. Here for hours we hung
- O'er the fine pants and trembles of a line.
- Oft, standing on a hill's green head, we felt
- Breezes of love, and joy, and melody,
- Blow through us, as the winds blow through the sky.
- Oft with our souls in our eyes all day we fed
- On summer landscapes, silver-veined with streams,
- O'er which the air hung silent in its joy--
- With a great city lying in its smoke,
- A monster sleeping in its own thick breath;
- And surgy plains of wheat, and ancient woods,
- In the calm evenings cawed by clouds of rooks,
- Acres of moss, and long black strips of firs,
- And sweet cots dropt in green, where children played
- To us unheard, till, gradual, all was lost
- In distance-haze to a blue rim of hills,
- Upon whose heads came down the closing sky.
- Beneath the crescent moon on autumn nights
- We paced its banks with overflowing hearts,
- Discoursing long of great thought-wealthy souls,
- And with what spendthrift hands they scatter wide
- Their spirit-wealth, making mankind their debtors:
- Affluent spirits, dropt from the teeming stars,
- Who come before their time, are starved, and die,
- Like swallows that arrive before the summer.
- Or haply talked of dearer personal themes,
- Blind guesses at each other's after fate;
- Feeling our leaping hearts, we marvelled oft
- How they should be unleashed, and have free course
- To stretch and strain far down the coming time--
- But in our guesses never was the _grave_.
-
-LADY.
-
- The tale! the tale! the tale! As empty halls
- Gape for a coming pageant, my fond ears
- To take its music are all eager-wide.
-
-WALTER.
-
- Within yon grove of beeches is a well,
- I've made a vow to read it only there.
-
-LADY.
-
- As I suppose, by way of recompense,
- For quenching thirst on some hot summer day.
-
-WALTER.
-
- Memories grow around it thick as flow
- That well is loved and haunted by a star.
- The live-long day her clear and patient eye
- Is open on the soft and bending blue,
- Just where she lost her lover in the morn.
- But with the night the star creeps o'er the trees
- And smiles upon her, and some happy hours
- She holds his image in her crystal heart.
- Beside that well I read the mighty Bard
- Who clad himself with beauty, genius, wealth,
- Then flung himself on his own passion-pyre
- And was consumed. Beside that lucid well
- The whitest lilies grow for many miles.
- 'Tis said that, 'mong the flowers of perished years,
- A prince woo'd here a lady of the land,
- And when with faltering lips he told his love,
- Into her proud face leapt her prouder blood;
- She struck him blind with scorn, then with an air
- As if she wore the crowns of all the world,
- She swept right on and left him in the dew.
- Again he sat at even with his love,
- He sent a song into her haughty ears
- To plead for him;--she listened, still he sang.
- Tears, drawn by music, were upon her face,
- Till on its trembling close, to which she clung
- Like dying wretch to life, with a low cry
- She flung her arms around him, told her love,
- And how she long had loved him, but had kept
- It in her heart, like one who has a gem
- And hoards it up in some most secret place,
- While he who owns it seeks it and with tears.
- Won by the sweet omnipotence of song!
- He gave her lands! she paid him with herself.
- Brow-bound with gold she sat, the fairest thing
- Within his sea-washed shores.
-
-LADY.
-
- Most fit reward!
- A poet's love should ever thus be paid.
-
-WALTER.
-
- Ha! Dost thou think so?
-
-LADY.
-
- Yes. The tale! the tale!
-
-WALTER.
-
- On balcony, all summer roofed with vines,
- A lady half-reclined amid the light,
- Golden and green, soft-showering through the leaves,
- Silent she sat one-half the silent noon;
- At last she sank luxurious in her couch,
- Purple and golden-fringèd, like the sun's,
- And stretched her white arms on the warmèd air,
- As if to take some object wherewithal
- To ease the empty aching of her heart.
- "Oh, what a weariness of life is mine!"
- The lady said, "soothing myself to sleep
- With my own lute, floating about the lake
- To feed my swans; with nought to stir my blood,
- Unless I scold my women thrice a-day.
- Unwrought yet in the tapestry of my life
- Are princely suitors kneeling evermore.
- I, in my beauty, standing in the midst,
- Touching them, careless, with most stately eyes.
- Oh, I could love, methinks, with all my soul!
- But I see nought to love; nought save some score
- Of lisping, curl'd gallants, with words i' their mouths
- Soft as their mothers' milk. Oh, empty heart!
- Oh, palace, rich and purple-chambered!
- When will thy lord come home?
-
- "When the grey morn was groping 'bout the east
- The Earl went trooping forth to chase the stag;
- I trust he hath not, to the sport he loves
- Better than ale-bouts, ta'en my cub of Ind.
- My sweetest plaything. He is bright and wild
- As is a gleaming panther of the hills,--
- Lovely as lightning, beautiful as wild!
- His sports and laughters are with fierceness edged;
- There's something in his beauty all untamed,
- As I were toying with a naked sword,
- Which starts within my veins the blood of earls.
- I fain would have the service of his voice
- To kill with music this most languid noon."
- She rang a silver bell: with downcast eyes
- The tawny nursling of the Indian sun
- Stood at her feet. "I pr'ythee, Leopard, sing;
- Give me some stormy song of sword and lance,
- Which, rushing upward from a hero's heart,
- Straight rose upon a hundred leaguered hills,
- Ragged and wild as pyramid of flame.
- Or, better, sing some hungry lay of love
- Like that you sang me on the eve you told
- How poor our English to your Indian darks;
- Shaken from od'rous hills, what tender smells
- Pass like fine pulses through the mellow nights;
- The purple ether that embathes the moon,--
- Your large round moon, more beautiful than ours;
- Your showers of stars, each hanging luminous,
- Like golden dewdrops in the Indian air."
- "I know a song, born in the heart of love,
- Its sweetest sweet, steeped ere the close in tears.
- 'Twas sung into the cold ears of the stars
- Beside the murmured margent of the sea.
- 'Tis of two lovers, matched like cymbals fine,
- Who, in a moment of luxurious blood,
- Their pale lips trembling in the kiss of gods,
- Made their lives wine-cups, and then drank them off,
- And died with beings full-blown like a rose;
- A mighty heart-pant bore them like a wave,
- And flung them, flowers, upon the next world's strand.
-
- Night the solemn, night the starry,
- 'Mong the oak-trees old and gnarry;
- By the sea-shore and the ships,
- 'Neath the stars I sat with Clari;
- Her silken bodice was unlaced,
- My arm was trembling round her waist,
- I plucked the joys upon her lips;
- Joys that plucked still grow again!
- Canst thou say the same, old Night?
- Ha! thy life is vain.
-
- Oh, that death would let me tarry
- Like a dewdrop on a flower,
- Ever on those lips of Clari!
- Our beings mellow, then they fall,
- Like o'er-ripe peaches from the wall;
- We ripen, drop, and all is o'er;
- On the cold grave weeps the rain;
- I weep it should be so, old Night.
- Ah! my tears are vain.
-
- Night the solemn, night the starry,
- Say, alas! that years should harry
- Gloss from life and joy from lips,
- Love-lustre from the eyes of Clari!
- Moon! that walkest the blue deep,
- Like naked maiden in her sleep;
- Star! whose pallid splendour dips
- In the ghost-waves of the main.
- Oh, ye hear me not! old Night,
- My tears and cries are vain."
-
- He ceased to sing; queenly the lady lay,
- One white hand hidden in a golden shoal
- Of ringlets, reeling down upon her couch,
- And heaving on the heavings of her breast,
- The while the thoughts rose in her eyes like stars,
- Rising and setting in the blue of night.
- "I had a cousin once," the lady said,
- "Who brooding sat, a melancholy owl,
- Among the twilight-branches of his thoughts.
- He was a rhymer, and great knights he spoiled,
- And damsels saved, and giants slew--in verse.
- He died in youth; his heart held a dead hope,
- As holds the wretched west the sunset's corpse:
- He went to his grave, nor told what man he was.
- He was unlanguaged, like the earnest sea,
- Which strives to gain an utterance on the shore,
- But ne'er can shape unto the listening hills
- The lore it gathered in its awful age;
- The crime for which 'tis lashed by cruel winds;
- The thought, pain, grief, within its labouring breast.
- To fledge with music, wings of heavy noon,
- I'll sing some verses that he sent to me:--
-
- Where the west has sunset-bloomed,
- Where a hero's heart is tombed,
- Where a thunder-cloud has gloomed,
-
- Seen, becomes a part of me.
- Flowers and rills live sunnily
- In gardens of my memory.
-
- Through its walks and leafy lanes,
- Float fair shapes 'mong sunlight rains;
- Blood is running in their veins.
-
- One, a queenly maiden fair,
- Sweepeth past me with an air,
- Kings might kneel beneath her stare.
-
- Round her heart, a rosebud free,
- Reeled I, like a drunken bee;
- Alas! it would not ope to me.
-
- One comes shining like a saint,
- But her face I cannot paint,
- For mine eyes and blood grow faint.
-
- Eyes are dimmed as by a tear,
- Sounds are ringing in mine ear,
- I feel only, she is here,
-
- That she laugheth where she stands,
- That she mocketh with her hands;
- I am bound in tighter bands.
-
- Laid 'mong faintest blooms is one,
- Singing in the setting sun,
- And her song is never done.
-
- She was born 'mong water-mills;
- She grew up 'mong flowers and rills,
- In the hearts of distant hills.
-
- There, into her being stole
- Nature, and embued the whole,
- And illumed her face and soul.
-
- She grew fairer than her peers;
- Still her gentle forehead wears
- Holy lights of infant years.
-
- Her blue eyes, so mild and meek,
- She uplifteth, when I speak,
- Lo! the blushes mount her cheek.
-
- Weary I of pride and jest,
- In this rich heart I would rest,
- Purple and love-linèd nest.
-
- "My dazzling panther of the smoking hills,
- When the hot sun hath touched their loads of dew,
- What strange eyes had my cousin, who could thus
- (For you must know I am the first o' the three
- That pace the gardens of his memory)
- Prefer before the daughter of great earls,
- This giglot, shining in her golden hair,
- Haunting him like a gleam or happy thought;
- Or her, the last, up whose cheeks blushes went
- As thick and frequent as the streamers pass
- Up cold December nights. True, she might be
- A dainty partner in the game of lips,
- Sweet'ning the honeymoon; but what, alas!
- When redhot youth cools down to iron man?
- Could her white fingers close a helmet up,
- And send her lord unkissed away to field,
- Her heart striking with his arm in every blow?
- Would joy rush through her spirit like a stream,
- When to her lips he came with victory back:
- Acclaims and blessings on his head like crowns,
- His mouthèd wounds brave trumpets in his praise,
- Drawing huge shoals of people, like the moon,
- Whose beauty draws the solemn-noisèd seas?
- Or would his bright and lovely sanguine-stains
- Scare all the coward blood into her heart,
- Leaving her cheeks as pale as lily leaves?
- And at his great step would she quail and faint,
- And pay his seeking arms with bloodless swoon?
- My heart would leap to greet such coming lord,
- Eager to meet him, tiptoe on my lips."
-
- "This cousin loved the Lady Constance; did
- The Lady Constance love her cousin, too?"
-
- "Ay, as a cousin. He woo'd me, Leopard mine,
- I speared him with a jest; for there are men
- Whose sinews stiffen 'gainst a knitted brow,
- Yet are unthreaded, loosened by a sneer,
- And their resolve doth pass as doth a wave:
- Of this sort was my cousin. I saw him once,
- Adown a pleachèd alley, in the sun,
- Two gorgeous peacocks pecking from his hand;
- At sight of me he first turned red, then pale.
- I laughed and said, 'I saw a misery perched
- I' the melancholy corners of his mouth,
- Like griffins on each side my father's gates.'
- And, 'That by sighing he would win my heart,
- Somewhere as soon as he could hug the earth,
- And crack its golden ribs.' A week the boy
- Dwelt in his sorrow, like a cataract
- Unseen, yet sounding through its shrouding mists.
- Strange likings, too, this cousin had of mine.
- A frail cloud trailing o'er the midnight moon,
- Was lovelier sight than wounded boar a-foam
- Among the yelping dogs. He'd lie in fields,
- And through his fingers watch the changing clouds,
- Those playful fancies of the mighty sky,
- With deeper interest than a lady's face.
- He had no heart to grasp the fleeting hour,
- Which, like a thief, steals by with silent foot,
- In his closed hand the jewel of a life.
- He scarce would match this throned and kingdom'd earth
- Against a dew drop.
-
- "Who'd leap into the chariot of my heart,
- And seize the reins, and wind it to his will,
- Must be of other stuff, my cub of Ind;
- White honour shall be like a plaything to him,
- Borne lightly, a pet falcon on his wrist;
- One who can feel the very pulse o' the time,
- Instant to act, to plunge into the strife,
- And with a strong arm hold the rearing world.
- In costly chambers hushed with carpets rich,
- Swept by proud beauties in their whistling silks,
- Mars' plait shall smooth to sweetness on his brow;
- His mighty front whose steel flung back the sun,
- When horsed for battle, shall bend above a hand
- Laid like a lily in his tawny palm,
- With such a grace as takes the gazer's eye.
- His voice that shivered the mad trumpet's blare,--
- A new-raised standard to the reeling field,--
- Shall know to tremble at a lady's ear,
- To charm her blood with the fine touch of praise,
- And as she listens--steal away the heart.
- If the good gods do grant me such a man,
- More would I dote upon his trenchèd brows,
- His coal-black hair, proud eyes, and scornful lips,
- Than on a gallant, curled like Absalom,
- Cheek'd like Apollo, with his luted voice.
-
- "Canst tell me, Sir Dark-eyes,
- Is 't true what these strange-thoughted poets say,
- That hearts are tangled in a golden smile?
- That brave cheeks pale before a queenly brow?
- That mail'd knees bend beneath a lighted eye?
- That trickling tears are deadlier than swords?
- That with our full-mooned beauty we can slave
- Spirits that walk time, like the travelling sun,
- With sunset glories girt around his loins?
- That love can thrive upon such dainty food
- As sweet words, showering from a rosy lip,
- As sighs, and smiles, and tears, and kisses warm?"
- The dark Page lifted up his Indian eyes
- To that bright face, and saw it all a-smile;
- And then half grave, half jestingly, he said,--
- "The devil fisheth best for souls of men
- When his hook is baited with a lovely limb;
- Love lights upon the heart, and straight we feel
- More worlds of wealth gleam in an upturned eye,
- Than in the rich heart of the miser sea.
- Beauty hath made our greatest manhoods weak.
- There have been men who chafed, leapt on their times,
- And reined them in as gallants rein their steeds
- To curvetings, to show their sweep of limb;
- Yet love hath on their broad brows written 'fool.'
- Sages, with passions held in leash like hounds;
- Grave Doctors, tilting with a lance of light
- In lists of argument, have knelt and sighed
- Most plethoric sighs, and been but very men;
- Stern hearts, close barred against a wanton world,
- Have had their gates burst open by a kiss.
- Why, there was one who might have topped all men,
- Who bartered joyously for a single smile
- This empired planet with its load of crowns,
- And thought himself enriched. If ye are fair,
- Mankind will crowd around you thick as when
- The full-faced moon sits silver on the sea,
- The eager waves lift up their gleaming heads,
- Each shouldering for her smile."
-
- The lady dowered him with her richest look,
- Her arch head half aside, her liquid eyes,
- From 'neath their dim lids drooping slumberous,
- Stood full on his, and called the wild blood up
- All in a tumult to his sun-kissed cheek,
- As if it wished to see her beauty too--
- Then asked in dulcet tones, "Dost think _me_ fair?"
- "Oh, thou art fairer than an Indian morn,
- Seated in her sheen palace of the east.
- Thy faintest smile out-prices the swelled wombs
- Of fleets, rich-glutted, toiling wearily
- To vomit all their wealth on English strands.
- The whiteness of this hand should ne'er receive
- A poorer greeting than the kiss of kings;
- And on thy happy lips doth sit a joy,
- Fuller than any gathered by the gods,
- In all the rich range of their golden heaven."
- "Now, by my mother's white enskied soul!"
- The lady cried, 'twixt laugh and blush the while,
- "I'll swear thou'st been in love, my Indian sweet.
- Thy spirit on another breaks in joy,
- Like the pleased sea on a white-breasted shore--
- That blush tells tales. And now, I swear by all
- The well-washed jewels strewn on fathom-sands,
- That thou dost keep her looks, her words, her sighs,
- Her laughs, her tears, her angers, and her frowns,
- Balmed between memory's leaves; and ev'ry day
- Dost count them o'er and o'er in solitude,
- As pious monks count o'er their rosaries.
- Now, tell me, did she give thee love for love?
- Or didst thou make Midnight thy confidant,
- Telling her all about thy lady's eyes,
- How rich her cheek, how cold as death her scorn?
- My lustrous Leopard, hast thou been in love?"
- The Page's dark face flushed the hue of wine
- In crystal goblet stricken by the sun;
- His soul stood like a moon within his eyes,
- Suddenly orbed; his passionate voice was shook
- By trembling into music.--"Thee I love."
- "Thou!" and the Lady, with a cruel laugh,
- (Each silver throb went through him like a sword,)
- Flung herself back upon her fringèd couch.
- From which she rose upon him like a queen,
- She rose and stabbed him with her angry eyes.
- "'Tis well my father did not hear thee, boy,
- Or else my pretty plaything of an hour
- Might have gone sleep to-night without his head,
- And I might waste rich tears upon his fate.
- I would not have my sweetest plaything hurt.
- Dost think to scorch me with those blazing eyes,
- My fierce and lightning-blooded cub o' the sun?
- Thy blood is up in riot on thy brow,
- I' the face o' its monarch. Peace! By my grey sire,
- Now could I slay thee with one look of hate,
- One single look! My Hero! my Heart-god!
- My dusk Hyperion, Bacchus of the Inds!
- My Hercules, with chin as smooth as my own!
- I am so sorry maid, I cannot wear
- This great and proffered jewel of thy love.
- Thou art too bold, methinks! Didst never fear
- That on my poor deserts thy love would sit
- Like a great diamond on a threadbare robe?
- I tremble for 't. I pr'ythee, come to-morrow
- And I will pasture you upon my lips
- Until thy beard be grown. Go now, sir, go."
- As thence she waved him with arm-sweep superb,
- The light of scorn was cold within her eyes,
- And withered his bloom'd heart, which, like a rose,
- Had opened, timid, to the noon of love.
-
- The lady sank again into her couch,
- Panting and flushed; slowly she paled with thought;
- When she looked up the sun had sunk an hour,
- And one round star shook in the orange west.
- The lady sighed, "It was my father's blood
- That bore me, as a red and wrathful stream
- Bears a shed leaf. I would recall my words,
- And yet I would not.
- Into what angry beauty rushed his face!
- What lips! what splendid eyes! 'twas pitiful
- To see such splendours ebb in utter woe.
- His eyes half-won me. Tush! I am a fool;
- The blood that purples in these azure veins,
- Rich'd with its long course through a hundred earls,
- Were fouled and mudded if I stooped to him.
- My father loves him for his free wild wit;
- I for his beauty and sun-lighted eyes.
- To bring him to my feet, to kiss my hand,
- Had I it in my gift, I'd give the world,
- Its panting fire-heart, diamonds, veins of gold;
- Its rich strands, oceans, belts of cedared hills,
- Whence summer smells are struck by all the winds.
- But whether I might lance him through the brain
- With a proud look,--or whether sternly kill
- Him with a single deadly word of scorn,--
- Or whether yield me up,
- And sink all tears and weakness in his arms,
- And strike him blind with a strong shock of joy--
- Alas! I feel I could do each and all.
- I will be kind when next he brings me flowers,
- Plucked from the shining forehead of the morn,
- Ere they have oped their rich cores to the bee.
- His wild heart with a ringlet will I chain,
- And o'er him I will lean me like a heaven,
- And feed him with sweet looks and dew-soft words,
- And beauty that might make a monarch pale,
- And thrill him to the heart's core with a touch;
- Smile him to Paradise at close of eve,
- To hang upon my lips in silver dreams."
-
-LADY.
-
- What, art thou done already? Thy tale is like
- A day unsealed with sunset. What though dusk?
- A dusky rod of iron hath power to draw
- The lightnings from their heaven to itself.
- The richest wage you can pay love is--love.
-
-WALTER.
-
- Then close the tale thyself, I drop the mask;
- I am the sun-tanned Page; the Lady, thou!
- I take thy hand, it trembles in my grasp;
- I look in thy face and see no frown in it.
- O may my spirit on hope's ladder climb
- From hungry nothing up to star-packed space,
- Thence strain on tip-toe to thy love beyond--
- The only heaven I ask!
-
-LADY.
-
- My God! 'tis hard!
- When I was all in leaf the frost winds came,
- And now, when o'er me runs the summer's breath,
- It waves but iron boughs.
-
-WALTER.
-
- What dost thou murmur?
- Thy cheeks burn mad as mine. O untouched lips!
- I see them as a glorious rebel sees
- A crown within his reach. I'll taste their bliss
- Although the price be death----
-
-LADY (_springing up_).
-
- Walter! beware!
- These tell-tale heavens are list'ning earnestly.
- O Sir! within a month my bridal bells
- Will make a village glad. The fainting Earth
- Is bleeding at her million golden veins,
- And by her blood I'm bought. The sun shall see
- A pale bride wedded to grey hair, and eyes
- Of cold and cruel blue; and in the spring
- A grave with daisies on it. [_A pause._
- O my friend!
- We twain have met like ships upon the sea,
- Who hold an hour's converse, so short, so sweet;
- One little hour! and then, away they speed
- On lonely paths, through mist, and cloud, and foam,
- To meet no more. We have been foolish, Walter!
- I would to God that I had never known
- This secret of thy heart, or else had met thee
- Years before this. I bear a heavy doom.
- If thy rich heart is like a palace shattered,
- Stand up amid the ruins of thy heart,
- And with a calm brow front the solemn stars.
- [LADY _pauses;_ WALTER _remains silent._
- 'Tis four o'clock already. She, the moon,
- Has climbed the blue steep of the eastern sky,
- And sits and tarries for the coming night.
- So let thy soul be up and ready armed,
- In waiting till occasion comes like night;
- As night to moons to souls occasion comes.
- I am thine elder, WALTER! in the heart,
- I read thy future like an open book:
- I see thou shalt have grief; I also see
- Thy grief's edge blunted on the iron world.
- Be brave and strong through all thy wrestling years,
- A brave soul is a thing which all things serve;
- When the great Corsican from Elba came,
- The soldiers sent to take him, bound or dead,
- Were struck to statues by his kingly eyes:
- He spoke--they broke their ranks, they clasped his knees,
- With tears along a cheering road of triumph
- They bore him to a throne. Know when to die!
- Perform thy work and straight return to God.
- Oh! there are men who linger on the stage
- To gather crumbs and fragments of applause
- When they should sleep in earth--who, like the moon,
- Have brightened up some little night of time,
- And 'stead of setting when their light is worn,
- Still linger, like its blank and beamless orb,
- When daylight fills the sky. But I must go.
- Nay, nay, I go alone! Yet one word more,--
- Strive for the Poet's crown, but ne'er forget
- How poor are fancy's blooms to thoughtful fruits;
- That gold and crimson mornings, though more bright
- Than soft blue days, are scarcely half their worth.
- Walter, farewell! the world shall hear of thee.
- [LADY _still lingers._
- I have a strange sweet thought. I do believe
- I shall be dead in spring, and that the soul
- Which animates and doth inform these limbs
- Will pass into the daisies of my grave:
- If memory shall ever lead thee there,
- Through daisies I'll look up into thy face
- And feel a dim sweet joy; and if they move,
- As in a little wind, thou'lt know 't is I. [LADY _goes._
-
-WALTER (_after a long interval, looking up_).
-
- God! what a light has passed away from earth
- Since my last look! How hideous this night!
- How beautiful the yesterday that stood
- Over me like a rainbow! I am alone.
- The past is past. I see the future stretch
- All dark and barren as a rainy sea.
-
-
-SCENE V.
-
-WALTER, _wandering down a rural lane. Evening of the same day as
-Scene IV._
-
-WALTER.
-
- Sunset is burning like the seal of God
- Upon the close of day.--This very hour
- Night mounts her chariot in the eastern glooms
- To chase the flying Sun, whose flight has left
- Footprints of glory in the clouded west:
- Swift is she haled by wingèd swimming steeds,
- Whose cloudy manes are wet with heavy dews,
- And dews are drizzling from her chariot wheels.
- Soft in her lap lies drowsy-lidded Sleep,
- Brainful of dreams, as summer hive with bees;
- And round her in the pale and spectral light
- Flock bats and grisly owls on noiseless wings.
- The flying sun goes down the burning west,
- Vast night comes noiseless up the eastern slope,
- And so the eternal chase goes round the world.
-
- Unrest! unrest! The passion-panting sea
- Watches the unveiled beauty of the stars
- Like a great hungry soul. The unquiet clouds
- Break and dissolve, then gather in a mass,
- And float like mighty icebergs through the blue.
- Summers, like blushes, sweep the face of earth;
- Heaven yearns in stars. Down comes the frantic rain;
- We hear the wail of the remorseful winds
- In their strange penance. And this wretched orb
- Knows not the taste of rest; a maniac world,
- Homeless and sobbing through the deep she goes.
- [_A Child runs past;_ WALTER _looks after her._
- O thou bright thing, fresh from the hand of God,
- The motions of thy dancing limbs are swayed
- By the unceasing music of thy being!
- Nearer I seem to God when looking on thee.
- 'Tis ages since he made his younger star.
- His hand was on thee as 'twere yesterday,
- Thou later Revelation! Silver Stream,
- Breaking with laughter from the lake divine
- Whence all things flow! O bright and singing babe!
- What wilt thou be hereafter?--Why should man
- Perpetuate this round of misery
- When he has in his hand the power to close it?
- Let there be no warm hearts, no love on earth.
- No Love! No Love! Love bringeth wretchedness.
- No holy marriage. No sweet infant smiles.
- No mother's bending o'er the innocent sleep
- With unvoiced prayers and with happy tears.
- Let the whole race die out, and with a stroke,
- A master-stroke, at once cheat Death and Hell
- Of half of their enormous revenues.
- [WALTER _approaches a cottage; a peasant sitting at the door._
- One of my peasants. 'Tis a fair eve.
-
-PEASANT.
-
- Ay, Master!
- How sweet the smell of beans upon the air;
- The wheat is earing fairly. We have reason
- For thankfulness to God.
-
-WALTER (_looking upward_).
-
- We _have_ great reason;
- For He provides a balm for all our woes.
- He has made Death. Thrice blessed be His name!
-
-PEASANT.
-
- He has made Heaven----
-
-WALTER.
-
- To yawn eternities.
- Did I say death? O God! there is no death.
- When our eyes close, we only pass one stage
- Of our long being.--Dost thou wish to die?
-
-PEASANT.
-
- I trust in God to live for many years,
- Although with a worn frame and with a heart
- Somewhat the worse for wear.
-
-WALTER.
-
- O fool! fool! fool!
- These hands are brown with toil; that brow is seamed,
- Still must you sweat and swelter in the sun,
- And trudge, with feet benumbed, the winter's snow,
- Nor intermission have until the end.
- Thou canst not draw down fame upon thy head,
- And yet would cling to life! I'll not believe it;
- The faces of all things belie their hearts,
- Each man's as weary of his life as I.
- This anguish'd earth shines on the moon--a moon.
- The moon hides with a cloak of tender light
- A scarr'd heart fed upon by hungry fires.
- Black is this world, but blacker is the next;
- There is no rest for any living soul:
- We are immortals--and must bear with us
- Through all eternity this hateful being;
- Restlessly flitting from pure star to star,
- The memory of our sins, deceits, and crimes,
- Eating into us like a poisoned robe.
- Yet thou canst wear content upon thy face
- And talk of thankfulness! O die, man, die!
- Get underneath the earth for very shame.
- [_During this speech the Child draws near;
- at its close her Father presents her to_ WALTER.
- Is this thy answer? [_Looks at her earnestly._
- O my worthy friend,
- I lost a world to-day and shed no tear;
- Now I could weep for _thee_. Sweet sinless one!
- My heart is weak as a great globe, all sea.
- It finds no shore to break on but thyself:
- So let it break.
- [_He hides his face in his hands, the Child
- looking fearfully up at him._
-
-
-SCENE VI.
-
-_A Room in London._ WALTER _reading from a manuscript._
-
- My head is grey, my blood is young,
- Red-leaping in my veins,
- The spring doth stir my spirit yet
- To seek the cloistered violet,
- The primrose in the lanes.
- In heart I am a very boy,
- Haunting the woods, the waterfalls,
- The ivies on grey castle-walls;
- Weeping in silent joy
- When the broad sun goes down the west,
- Or trembling o'er a sparrow's nest.
-
- The world might laugh were I to tell
- What most my old age cheers,--
- Mem'ries of stars and crescent moons,
- Of nutting strolls through autumn noons,
- Rainbows 'mong April's tears.
- But chief, to live that hour again,
- When first I stood on sea-beach old,
- First heard the voice, first saw out-rolled
- The glory of the main.
- Many rich draughts hath Memory,
- The Soul's cup-bearer, brought to me.
-
- I saw a garden in my strolls,
- A lovely place, I ween,
- With rows of vermeil-blossomed trees,
- With flowers, with slumb'rous haunts of bees,
- With summer-house of green.
- A peacock perched upon a dial,
- In the sun's face he did unclose
- His train superb with eyes and glows,
- To dare the sun to trial.
- A child sat in a shady place,
- A shower of ringlets round her face.
-
- She sat on shaven plot of grass,
- With earnest face, and weaving
- Lilies white and freakèd pansies
- Into quaint delicious fancies,
- Then, on a sudden leaving
- Her floral wreath, she would upspring
- With silver shouts and ardent eyes,
- To chase the yellow butterflies,
- Making the garden ring;
- Then gravely pace the scented walk,
- Soothing her doll with childish talk.
- And being, as I said before,
- An old man who could find
- A boundless joy beneath the skies,
- And in the light of human eyes,
- And in the blowing wind,
- There, daily were my footsteps turned,
- Through the long spring, until the peach
- Was drooping full-juiced in my reach.--
- Each day my old heart yearned
- To look upon that child so fair,
- That infant in her golden hair.
-
- In this green lovely world of ours
- I have had many pets,
- Two are still leaping in the sun,
- Three are married; _that_ dearest one
- Is 'neath the violets.
- I gazèd till my heart grew wild,
- To fold her in my warm caresses,
- Clasp her showers of golden tresses,--
- Oh, dreamy-eyèd child!
- O Child of Beauty! still thou art
- A sunbeam in this lonely heart.
-
- When autumn eves grew chill and rainy,
- England left I for the Ganges;
- I couched 'mong groves of cedar-trees,
- Blue lakes, and slumb'rous palaces,
- Crossed the snows of mountain-ranges,
- Watched the set of old Orion,
- Saw wild flocks and wild-eyed shepherds,
- Princes charioted by leopards,
- In the desert met the lion,
- The mad sun above us glaring,--
- Child! for thee I still was caring.
-
- Home returned from realms barbaric,
- By the shores of Loch Lubnaig,
- A dear friend and I were walking
- ('Twas the Sabbath), we were talking
- Of dreams and feelings vague;
- We pausèd by a place of graves,
- Scarcely a word was 'twixt us given,
- Silent the earth, silent the heaven,
- No murmur of the waves,
- The awèd Loch lay black and still
- In the black shadow of the hill.
-
- We loosed the gate and wandered in,
- When the sun eternal
- Was sudden blanched with amethyst,
- As if a thick and purple mist
- Dusked his brows supernal.
- Soon like a god in mortal throes,
- City, hill, and sea, he dips
- In the death-hues of eclipse;
- Mightier his anguish grows,
- Till he hung black, with ring intense,
- The wreck of his magnificence.
- Above the earth's cold face he hung
- With a pale ring of glory,
- Like that which cunning limners paint
- Around the forehead of a saint,
- Or brow of martyr hoary.
- And sitting there I could but choose,--
- That blind and stricken sun aboon,
- Stars shuddering through the ghostly noon,
- 'Mong the thick-falling dews,--
- To tell, with features pale and wild,
- About that Garden and that Child.
-
- When moons had waxed and waned, I stood
- Beside the garden gate,
- The Peacock's dial was overthrown,
- The walks with moss were overgrown,
- _Her_ bower was desolate.
- Gazing in utter misery
- Upon that sad and silent place,
- A woman came with mournful face,
- And thus she said to me,--
- "Those trees, as they were human souls,
- All withered at the death-bell knolls."
-
- I turned and asked her of the child.
- "She is gone hence," quoth she,
- "To be with Christ in Paradise.
- Oh, sir! I stilled her infant cries,
- I nursed her on my knee.
- Though we were ever at her side,
- And saw life fading in her cheek,
- She knew us not, nor did she speak,
- Till just before she died;
- In the wild heart of that eclipse,
- These words came through her wasted lips:--
-
- 'The callow young were huddling in the nests,
- The marigold was burning in the marsh,
- Like a thing dipt in sunset, when He came.
-
- My blood went up to meet Him on my face,
- Glad as a child that hears its father's step,
- And runs to meet him at the open porch.
-
- I gave Him all my being, like a flower
- That flings its perfume on a vagrant breeze;
- A breeze that wanders on and heeds it not.
-
- His scorn is lying on my heart like snow,
- My eyes are weary, and I fain would sleep;
- The quietest sleep is underneath the ground.
-
- Are ye around me, friends? I cannot see,
- I cannot hear the voices that I love,
- I lift my hands to you from out the night!
-
- Methought I felt a tear upon my cheek;
- Weep not, my mother! It is time to rest,
- And I am very weary; so, good night!'
-
- "My heart is in the grave with her,
- The family went abroad;
- Last autumn you might see the fruits,
- Neglected, rot round the tree-roots;
- This spring no leaves they shewed.
- I sometimes fear my brain is crost:
- Around this place, the churchyard yonder,
- All day, all night, I silent wander,
- As woeful as a ghost----
- God take me to His gracious keeping,
- But this old man is wildly weeping!"
-
- That night the sky was heaped with clouds;
- Through one blue gulf profound,
- Begirt with many a cloudy crag,
- The moon came rushing like a stag,
- And one star like a hound.
- Wearily the chase I eyed,
- Wearily I saw the Dawn's
- Feet sheening o'er the dewy lawns.
- O God! that I had died.
- My heart's red tendrils were all torn
- And bleeding on that summer morn.
-
-WALTER (_after a long silence, speaking abstractedly, and with
-frequent pauses_).
-
- Twice hath the windy Summer made a noise
- Of leaves o'er all the land from sea to sea,
- And still that Child's face sleeps within my heart
- Like a young sunbeam in a gloomy wood,
- Making the darkness smile--I almost smile
- At the strange fancies I have girt her with;
- The garden, peacock, and the black eclipse,
- The still old graveyard 'mong the dreary hills,
- Grey mourners round it--I wonder if she's dead?
- She was too fair for earth. Ah! she would die
- Like music, sunbeams, and the pallid flowers
- That spring on Winter's corse--I saw those graves
- With Him who is no more. They are all dead,
- The beings whom I loved, and I am sad,
- But would not change my sadness for a life
- Without a fissure running through its joy.
- This very hour a suite of sumptuous rooms
- O'erflows with music like a cup with wine;
- Outside, the night is weeping like a girl
- At her seducer's door, and still the rooms
- Run o'er with music, careless of her woe.
- I would not have my heart thus. This poor rhyme
- Is but an adumbration of my life,
- My misery tricked out in a quaint disguise.
- Oh, it did happen on a summer day
- When I was playing unawares with flowers,
- That happiness shot past me like a planet,
- And I was barren left!
-
-_Enter_ EDWARD, _unobserved._
-
-EDWARD.
-
- Walter's love-sick for Fame:
- A haughty mistress! How this mad old world
- Reels to its burning grave, shouting forth names,
- Like a wild drunkard at his frenzy's height,
- And they who bear them deem such shoutings _Fame_,
- And, smiling, die content. What is thy thought?
-
-WALTER.
-
- 'Tis this, a sad one:--Though our beings point
- Upward, like prayers or quick spires of flame,
- We soon lose interest in this breathing world.
- Joy palls from taste to taste, until we yawn
- In Pleasure's glowing face. When first we love,
- Our souls are clad with joy, as if a tree,
- All winter-bare, had on a sudden leapt
- To a full load of blooms; next time 'tis nought.
- Great weariness doth feed upon the soul;
- I sometimes think the highest-blest in heaven
- Will weary 'mong its flowers. As for myself,
- There's nothing new between me and the grave
- But the cold feel of Death.
-
-EDWARD.
-
- Watch well thy heart!
- It is, methinks, an eager shaking star,
- Not a calm steady planet.
-
-WALTER.
-
- I love thee much,
- But thou art all unlike the glorious guide
- Of my proud boyhood. Oh, he led me up,
- As Hesper, large and brilliant, leads the night!
- Our pulses beat together, and our beings
- Mixed like two voices in one perfect tune,
- And his the richest voice. He loved all things,
- From God to foam-bells dancing down a stream,
- With a most equal love. Thou mock'st at much;
- And he who sneers at any living hope
- Or aspiration of a human heart,
- Is just so many stages less than God,
- That universal and all-sided Love.
- I'm wretched, Edward! to the very heart;
- I see an unreached heaven of young desire
- Shine through my hopeless tears. My drooping sails
- Flap idly 'gainst the mast of my intent.
- I rot upon the waters when my prow
- Should grate the golden isles.
-
-EDWARD.
-
- What wouldst thou do?
- Thy brain did teem with vapours wild and vast.
-
-WALTER.
-
- But since my younger and my hotter days
- (As nebula condenses to an orb),
- These vapours gathered to one shining hope,
- Sole-hanging in my sky.
-
-EDWARD.
-
- What hope is that?
-
-WALTER.
-
- To set this Age to music--The great work
- Before the Poet now--I do believe
- When it is fully sung, its great complaint,
- Its hope, its yearning, told to earth and heaven,
- Our troubled age shall pass, as doth a day
- That leaves the west all crimson with the promise
- Of the diviner morrow, which even then
- Is hurrying up the world's great side with light.
- Father! if I should live to see that morn,
- Let me go upward, like a lark, to sing
- One song in the dawning!
-
-EDWARD.
-
- Ah, my ardent friend!
- You need not tinker at this leaking world,
- 'Tis ruined past all cure.
-
-WALTER.
-
- Edward, for shame!
- Not on a path of reprobation runs
- The trembling earth. God's eye doth follow her
- With far more love than doth her maid, the moon.
- Speak no harsh words of Earth, she is our mother,
- And few of us, her sons, who have not added
- A wrinkle to her brow. She gave us birth,
- We drew our nurture from her ample breast,
- And there is coming, for us both, an hour
- When we shall pray that she will ope her arms
- And take us back again. Oh, I would pledge
- My heart, my blood, my brain, to ease the earth
- Of but one single pang!
-
-EDWARD.
-
- So would not I.
- Because the pangs of earth shall ne'er be eased.
- We sleep on velvets now, instead of leaves;
- The land is covered with a net of iron,
- Upon whose spider-like, far-stretching lines,
- The trains are rushing, and the peevish sea
- Frets 'gainst the bulging bosoms of the ships,
- Whose keels have waked it from its hour's repose.
- Walter! this height of civilisation's tide
- Measures our wrong. We've made the immortal Soul
- Slave to the Body. 'Tis the Soul has wrought
- And laid the iron roads, evoked a power
- Next mightiest to God, to drive the trains
- That bring the country butter up to town;
- Has drawn the terrible lightning from its cloud,
- And tamed it to an eager Mercury,
- Running with messages of news and gain;
- And still the Soul is tasked to harder work,
- For Paradise, according to the world,
- Is scarce a league a-head.
-
-WALTER.
-
- The man I loved
- Wrought this complaint of thine into a song,
- Which I sung long ago.
-
-EDWARD.
-
- We must reverse
- The plans of ages. Let the Body sweat,
- So that the soul be calm, why should _it_ work?
- Say, had I spent the pith of half my life,
- And made me master of our English law,
- What gain had I on resurrection morn,
- But such as hath the body of a clown,
- That it could turn a summerset on earth?
- A single soul is richer than all worlds,
- Its acts are only shadows of itself,
- And oft its wondrous wealth is all unknown;
- 'Tis like a mountain-range, whose rugged sides
- Feed starveling flocks of sheep; pierce the bare sides,
- And they ooze plenteous gold. We must go down
- And work our souls like mines, make books our lamps,
- Not shrines to worship at, nor heed the world--
- Let it go roaring past. You sigh for Fame;
- Would serve as long as Jacob for his love,
- So you might win her. Spirits calm and still
- Are high above your order, as the stars
- Sit large and tranquil o'er the restless clouds
- That weep and lighten, pelt the earth with hail,
- And fret themselves away. The truly great
- Rest in the knowledge of their own deserts,
- Nor seek the confirmation of the world.
- Wouldst thou be calm and still?
-
-WALTER.
-
- I'd be as lieve
- A minnow to leviathan, that draws
- A furrow like a ship. Away! away!
- You'd make the world a very oyster-bed.
- I'd rather be the glad, bright-leaping foam,
- Than the smooth sluggish sea. O let me live
- To love and flush and thrill--or let me die!
-
-EDWARD.
-
- And yet, what weariness was on your tongue
- An hour ago!--you shall be wearier yet.
-
-
-SCENE VII.
-
-_A Balcony overlooking the Sea_--EDWARD _and_ WALTER _seated._
-
-WALTER.
-
- The lark is singing in the blinding sky,
- Hedges are white with May. The bridegroom sea
- Is toying with the shore, his wedded bride,
- And, in the fulness of his marriage joy,
- He decorates her tawny brow with shells,
- Retires a space, to see how fair she looks,
- Then proud, runs up to kiss her. All is fair--
- All glad, from grass to sun! Yet more I love
- Than this, the shrinking day, that sometimes comes
- In Winter's front, so fair 'mong its dark peers,
- It seems a straggler from the files of June,
- Which in its wanderings had lost its wits,
- And half its beauty; and, when it returned,
- Finding its old companions gone away,
- It joined November's troop, then marching past;
- And so the frail thing comes, and greets the world
- With a thin crazy smile, then bursts in tears,
- And all the while it holds within its hand
- A few half-withered flowers. I love and pity it!
-
-EDWARD.
-
- Air is like Happiness or Poetry.
- We see it in the glorious roof of day,
- We feel it lift the down upon the cheek,
- We hear it when it sways the heavy woods,
- We close our hand on 't--and we have it not.
-
-WALTER.
-
- I'd be above all things the summer wind
- Blowing across a kingdom, rich with alms
- From ev'ry flower and forest, ruffling oft
- The sea to transient wrinkles in the sun,
- Where ev'ry wrinkle is a flash of light.
-
-EDWARD.
-
- Like God, I would pervade Humanity,
- From bridegroom dreaming on his marriage morn,
- To a wild wretch tied on the farthest bough
- Of oak that roars on edge of an abyss,
- The while the desperate wind with all its strength
- Strains the whole night to drive it down the gulf,
- Which like a beast gapes wide for man and tree.
- I'd creep into the lost and ruined hearts
- Of sinful women dying in the streets,--
- Of pinioned men, their necks upon the block,
- Axe gleaming in the air.
-
-WALTER.
-
- Away, away!
- Break not, my Edward, this consummate hour;
- For very oft within the year that's past
- I've fought against thy drifts of wintry thought
- Till they put out my fires, and I have lain,
- A volcano choked with snow. Now let me rest!
- If I should wear a rose but once in life,
- You surely would not tear it leaf from leaf,
- And trample all its sweetness in the dust!
- Thy dreary thoughts will make my festal heart
- As empty and as desolate's a church
- When worshippers are gone and night comes down.
- Spare me this happy hour, and let me rest!
-
-EDWARD.
-
- The banquet you do set before your joys
- Is surely but indifferently served,
- When they so readily vacate their seats.
-
-WALTER (_abstractedly_).
-
- Would I could raise the dead!
- I am as happy as the singing heavens--
- There was one very dear to me that died,
- With heart as vacant as a last-year's nest.
- Oh, could I bring her back, I'd empty mine,
- And brim hers with my joy!--enough for both.
-
-EDWARD (_after a pause_).
-
- The garrulous sea is talking to the shore,
- Let us go down and hear the greybeard's speech.
- [_They walk along the sands._
- I shall go down to Bedfordshire to-morrow.
- Will you go with me?
-
-WALTER.
-
- Whom shall we see there?
-
-EDWARD.
-
- Why, various specimens of that biped, Man.
- I'll show you one who might have been an abbot
- In the old time; a large and portly man,
- With merry eyes, and crown that shines like glass.
- No thin-smiled April he, bedript with tears,
- But appled-Autumn, golden-cheeked and tan;
- A jest in his mouth feels sweet as crusted wine.
- As if all eager for a merry thought,
- The pits of laughter dimple in his cheeks.
- His speech is flavorous, evermore he talks
- In a warm, brown, autumnal sort of style.
- A worthy man, Sir! who shall stand at compt
- With conscience white, save some few stains of wine.
-
-WALTER.
-
- Commend me to him! He is half right. The Past
- Is but an emptied flask, and the rich Future
- A bottle yet uncorked. Who is the next?
-
-EDWARD.
-
- Old Mr. Wilmott; nothing in himself,
- But rich as ocean. He has in his hand
- Sea-marge and moor, and miles of stream and grove,
- Dull flats, scream-startled, as the exulting train
- Streams like a meteor through the frighted night,
- Wind-billowed plains of wheat, and marshy fens,
- Unto whose reeds on midnights blue and cold,
- Long strings of geese come clanging from the stars.
- Yet wealthier in one child than in all these!
- Oh! she is fair as Heaven! and she wears
- The sweetest name that woman ever wore.
- And eyes to match her name--'Tis Violet.
-
-WALTER.
-
- If like her name, she must be beautiful.
-
-EDWARD.
-
- And so she is; she has dark violet eyes,
- A voice as soft as moonlight. On her cheek
- The blushing blood miraculous doth range
- From tender dawn to sunset. When she speaks
- Her soul is shining through her earnest face,
- As shines a moon through its up-swathing cloud--
- My tongue's a very beggar in her praise,
- It cannot gild her gold with all its words.
-
-WALTER.
-
- Hath unbreeched Cupid struck your heart of ice?
- You speak of her as if you were her lover.
- Could _you_ not find a home within her heart?
- No, no! you are too cold, you never loved.
-
-EDWARD.
-
- There's nothing colder than a desolate hearth.
-
-WALTER.
-
- A desolate hearth! Did fire leap on it once?
-
-EDWARD.
-
- My hand is o'er my heart--and shall remain.--
- Let the swift minutes run, red sink the sun,
- To-morrow will be rich with Violet.
-
-WALTER.
-
- So be it, large he sinks! Repentant Day
- Frees with his dying hand the pallid stars
- He held imprisoned since his young hot dawn.
- Now watch with what a silent step of fear
- They'll steal out one by one, and overspread
- The cool delicious meadows of the night.
-
-EDWARD.
-
- And lo, the first one flutters in the blue
- With a quick sense of liberty and joy!
-
-(_Two hours afterwards_), WALTER.
-
- The rosy glow has faded from the sky,
- The rosy glow has faded from the sea.
- A tender sadness drops upon my soul,
- Like the soft twilight dropping on the world.
-
-EDWARD.
-
- Behold yon shining symbol overhead,
- Clear Venus hanging in the mellow west,
- Jupiter large and sovereign in the east,
- With the red Mars between.
-
-WALTER.
-
- See yon poor star
- That shudders o'er the mournful hill of pines!
- 'Twould almost make you weep, it seems so sad.
- 'Tis like an orphan trembling with the cold
- Over his mother's grave among the pines.
- Like a wild lover who has found his love
- Worthless and foul, our friend, the sea, has left
- His paramour the shore; naked she lies,
- Ugly and black and bare. Hark how he moans!
- The pain is in his heart. Inconstant fool!
- He will be up upon her breast to-morrow,
- As eager as to-day.
-
-EDWARD.
-
- Like man in that.
- We cannot see the lighthouse in the gloom,
- We cannot see the rock; but look! now, now,
- It opes its ruddy eye, the night recoils,
- A crimson line of light runs out to sea,
- A guiding torch to the benighted ships.
- [_After a long pause._
- O God! 'mid our despairs and throbs and pains,
- What a calm joy doth fill great Nature's heart!
-
-WALTER.
-
- Thou look'st up to the night as to the face
- Of one thou lov'st; I know her beauty is
- Deep-mirrored in thy soul as in a sea.
- What are thy thinkings of the earth and stars?
- A theatre magnificently lit
- For sorry acting, undeserved applause?
- Dost think there's any music in the spheres?
- Or doth the whole creation, in thine ear,
- Moan like a stricken creature to its God,
- Fettered eternal in a lair of pain?
-
-EDWARD.
-
- I think--we are two fools: let us to bed.
- What care the stars for us?
-
-
-SCENE VIII.
-
-_Evening_--_A Room in a Manor_--Mr. WILMOTT, ARTHUR, EDWARD--WALTER
-_seated a little apart._
-
-WALTER.
-
- She grows on me like moonrise on the night--
- My life is shaped in spite of me, the same
- As ocean by his shores. Why am I here?
- The weary sun was lolling in the west,
- Edward and I were sauntering on the shore
- Yawning with idleness; and so we came
- To kill the tedium of slow-creeping days.
- On such slight hinges an existence turns!
- How frequent in the very thick of life
- We rub clothes with a fate that hurries past!
- A tiresome friend detains us in the street,
- We part, and turning, meet fate in the teeth.
- A moment more or less had 'voided it.
- Yet through the subtle texture of our souls,
- From circumstance each draws a different hue.
- The sunlight falls upon a bed of flowers,
- From the same sunlight one draws crimson deep,
- Another azure pale. Edward and I
- See Violet each day, her silks brush both,
- She smiles on both alike--My heart! she comes.
- [VIOLET _enters and crosses the room._
- O God! I'd be the very floor that bears
- Such a majestic thing! Now feed, my eyes,
- On beauteous poison, Nightshade, honey sweet.
- [_A silence._
-
-VIOLET.
-
- There is a ghastly chasm in the talk,
- As if a fate hung in the midst of us,
- Its shadow on each heart. Why, this should be
- A dark and lustrous night of wit and wine,
- Rich with quick bouts of merry argument,
- And witty sallies quenched in laughter sweet,
- Yet my voice trembles in a solitude,
- Like a lone man in a great wilderness.
-
-MR. WILMOTT.
-
- Arthur, you once could sing a roaring song,
- That to the chorus drew our voices out;
- 'Twere no bad plan to sing us one to-night.
- Come, wash the roughness from your throat with wine.
-
-ARTHUR.
-
- What sort of song, Sirs, shall I sing to you--
- Dame Venus panting on her bed of flowers,
- Or Bacchus purple-mouthed astride his tun?
- Now for a headlong song of blooded youth,
- Give 't such a welcome as shall lift the roof off--
- Sweet friends, be ready with a hip hurrah!
-
-ARTHUR _sings._
-
- A fig for a draught from your crystalline fountains,
- Your cold sunken wells,
- In mid forest dells,
- Ha! bring me the fiery bright dew of the mountains,
- When yellowed with peat-reek, and mellowed with age,
- O, richest joy-giver!
- Rare warmer of liver!
- Diviner than kisses, thou droll and thou sage!
- Fine soul of a land struck with brightest sun-tints,
- Of dark purple moors,
- Of sleek ocean-floors,
- Of hills stained with heather like bloody footprints;
- In sunshine, in rain, a flask shall be nigh me,
- Warm heart, blood and brain, Fine Sprite deify me!
-
- I've drunk 'mong slain deer in a lone mountain shieling,
- I've drunk till delirious,
- While rain beat imperious,
- And rang roof and rafter with bagpipes and reeling.
- I've drunk in Red Rannoch, amid its grey boulders:
- Where, fain to be kist,
- Through his thin scarf of mist,
- Ben-More to the sun heaves his wet shining shoulders!
- I've tumbled in hay with the fresh ruddy lasses,
- I've drunk with the reapers,
- I've roared with the keepers,
- And scared night away with the ring of our glasses!
- In sunshine, in rain, a flask shall be nigh me,
- Warm heart, blood, and brain, Fine Sprite deify me!
-
- Come, string bright songs upon a thread of wine,
- And let the coming midnight pass through us,
- Like a dusk prince crusted with gold and gems!
- Our studious Edward from his Lincoln fens,
- And home quaint-gabled hid in rooky trees,
- Seen distant is the sun in the arch of noon,
- Seen close at hand, the same sun large and red,
- His day's work done, within the lazy west
- Sitting right portly, staring at the world
- With a round, rubicund, wine-bibbing face--
- Ha! like a dove, I see a merry song
- Pluming itself for flight upon his lips.
-
-EDWARD _sings._
-
- My heart is beating with all things that are,
- My blood is wild unrest;
- With what a passion pants yon eager star
- Upon the water's breast!
- Clasped in the air's soft arms the world doth sleep,
- Asleep its moving seas, its humming lands;
- With what an hungry lip the ocean deep
- Lappeth for ever the white-breasted sands;
- What love is in the moon's eternal eyes,
- Leaning unto the earth from out the midnight skies!
-
- Thy large dark eyes are wide upon my brow,
- Filled with as tender light
- As yon low moon doth fill the heavens now,
- This mellow autumn night!
- On the late flowers I linger at thy feet,
- I tremble when I touch thy garment's rim,
- I clasp thy waist, I feel thy bosom's beat--
- O kiss me into faintness sweet and dim!
- Thou leanest to me as a swelling peach,
- Full-juiced and mellow, leaneth to the taker's reach.
-
- Thy hair is loosened by that kiss you gave,
- It floods my shoulders o'er;
- Another yet! Oh, as a weary wave
- Subsides upon the shore,
- My hungry being with its hopes, its fears,
- My heart like moon-charmed waters, all unrest,
- Yet strong as is despair, as weak as tears,
- Doth faint upon thy breast!
- I feel thy clasping arms, my cheek is wet
- With thy rich tears. One kiss! Sweet, sweet, another yet!
-
- I sang this song some twenty years ago,
- (Hot to the ear-tips, with great thumps of heart),
- On the gold lawn, while, Cæsar-like, the sun
- Gathered his robes around him as he fell.
-
-ARTHUR.
-
- Struck by some country cousin, a rosy beauty
- Of the Dutch-cheese order, riched with great black eyes,
- Which, when you planned a theft upon her lips,
- Looked your heart quite away!
- Oh, Love! oh, Wine! thou sun and moon o' our lives,
- What oysters were we without love and wine!
- Our host, I doubt not, vaults a mighty tun,
- Wide-wombed and old, cobwebbed and dusted o'er.
- Broach! and within its gloomy sides you'll find
- A beating heart of wine. The world's a tun,
- A gloomy tun, but he who taps the world
- Will find much sweetness in 't. Walter, my boy,
- Against this sun of wine's most purple light
- Burst into song.
-
-WALTER.
-
- I fear, Sir, I have none.
-
-ARTHUR.
-
- Hang nuts in autumn woods? Then 't is your trade,
- Spin us a new one. Come! some youth love-mad,
- Reading the thoughts within his lady's eyes,
- Earnest as One that looks into the Book,
- Seeking the road to bliss--
- Clothe me this bare bough with your sunny flowers.
-
-WALTER.
-
- The evening heaven is not always dressed
- With frail cloud-empires of the setting sun,
- Nor are we always in our singing-robes.
- I have no song, nor can I make you one;
- But, with permission, I will tell a tale.
-
-ARTHUR.
-
- If short and merry, Heaven speed your tongue;
- If long and sad, the Lord have mercy on us!
-
-WALTER.
-
- Within a city One was born to toil,
- Whose heart could not mate with the common doom
- To fall like a spent arrow in the grave.
- 'Mid the eternal hum, the boy clomb up
- Into a shy and solitary youth,
- With strange joys and strange sorrows, oft to tears
- He was moved, he knew not why, when he has stood
- Among the lengthening shadows of the eve,
- Such feeling overflowed him from the sky.
- 'Mong crowds he dwelt, as lonely as a star
- Unsphered and exiled, yet he knew no scorn.
- Once did he say, "For me, I'd rather live
- With this weak human heart and yearning blood,
- Lonely as God, than mate with barren souls;
- More brave, more beautiful, than myself must be
- The man whom truly I can call my Friend;
- He must be an Inspirer, who can draw
- To higher heights of Being, and aye stand
- O'er me in unreached beauty, like the moon;
- Soon as he fail in this, the crest and crown
- Of noble friendship, he is nought to me.
- What so unguessed as Death? Yet to the dead
- It lies as plain as yesterday to us.
- Let me go forward to my grave alone,
- What need have I to linger by dry wells?"
- Books were his chiefest friends. In them he read
- Of those great spirits who went down like suns,
- And left upon the mountain-tops of Death
- A light that made them lovely. His own heart
- Made him a Poet. Yesterday to him
- Was richer far than fifty years to come.
- Alchymist Memory turned his past to gold.
- When morn awakes against the dark wet earth,
- Back to the morn she laughs with dewy sides,
- Up goes her voice of larks! With like effect
- Imagination opened on his life,
- _It_ lay all lovely in that rarer light.
-
- He was with Nature on the sabbath-days;
- Far from the dressed throngs and the city bells
- He gave his hot brows to the kissing wind,
- While restless thoughts were stirring in his heart.
- "These worldly men will kill me with their scorns,
- But Nature never mocks or jeers at me;
- Her dewy soothings of the earth and air
- Do wean me from the thoughts that mad my brain.
- Our interviews are stolen, I can look,
- Nature! in thy serene and griefless eyes
- But at long intervals; yet, Nature! yet,
- Thy silence and the fairness of thy face
- Are present with me in the booming streets.
- Yon quarry shattered by the bursting fire,
- And disembowelled by the biting pick,
- Kind Nature! thou hast taken to thyself;
- Thy weeping Aprils and soft-blowing Mays,
- Thy blossom-buried Junes, have smoothed its scars,
- And hid its wounds and trenches deep in flowers.
- So take my worn and passion-wasted heart,
- Maternal Nature! Take it to thyself,
- Efface the scars of scorn, the rents of hate,
- The wounds of alien eyes, visit my brain
- With thy deep peace, fill with thy calm my heart,
- And the quick courses of my human blood."
- Thus would he muse and wander, till the sun
- Reached the red west, where all the waiting clouds,
- Attired before in homely dun and grey,
- Like Parasites that dress themselves in smiles
- To feed a great man's eye, in haste put on
- Their purple mantles rimmed with ragged gold,
- And congregating in a shining crowd,
- Flattered the sinking orb with faces bright.
- As slow he journeyed home, the wanderer saw
- The labouring fires come out against the dark,
- For with the night the country seemed on flame:
- Innumerable furnaces and pits,
- And gloomy holds, in which that bright slave, Fire,
- Doth pant and toil all day and night for man,
- Threw large and angry lustres on the sky,
- And shifting lights across the long black roads.
-
- Dungeoned in poverty, he saw afar
- The shining peaks of fame that wore the sun,
- Most heavenly bright, they mocked him through his bars,
- A lost man wildered on the dreary sea,
- When loneliness hath somewhat touched his brain,
- Doth shrink and shrink beneath the watching sky,
- Which hour by hour more plainly doth express
- The features of a deadly enemy,
- Drinking his woes with a most hungry eye.
- Ev'n so, by constant staring on his ills,
- They grew worse-featured; till, in his great rage,
- His spirit, like a roused sea, white with wrath,
- Struck at the stars. "Hold fast! Hold fast! my brain!
- Had I a curse to kill with, by yon Heaven!
- I'd feast the worms to-night." Dreadfuller words,
- Whose very terror blanched his conscious lips,
- He uttered in his hour of agony.
- With quick and subtle poison in his veins,
- With madness burning in his heart and brain,
- With words, like lightnings, round his pallid lips,
- He rushed to die in the very eyes of God.
- 'Twas late, for as he reached the open roads,
- Where night was reddened by the drudging fires,
- The drowsy steeples tolled the hour of One.
- The city now was left long miles behind,
- A large black hill was looming 'gainst the stars,
- He reached its summit. Far above his head,
- Up there upon the still and mighty night,
- God's name was writ in worlds. Awhile he stood,
- Silent and throbbing like a midnight star,
- He raised his hands, alas! 'twas not in prayer--
- He long had ceased to pray. "Father," he said,
- "I wished to loose some music o'er Thy world,
- To strike from its firm seat some hoary wrong,
- And then to die in autumn with the flowers,
- And leaves, and sunshine I have loved so well.
- Thou might'st have smoothed my way to some great end--
- But wherefore speak? Thou art the mighty God.
- This gleaming wilderness of suns and worlds
- Is an eternal and triumphant hymn,
- Chanted by Thee unto Thine own great self!
- Wrapt in Thy skies, what were my prayers to Thee?
- My pangs? My tears of blood? They could not move
- Thee from the depths of Thine immortal dream.
- Thou hast forgotten me, God! Here, therefore, here,
- To-night upon this bleak and cold hill-side,
- Like a forsaken watch-fire will I die,
- And as my pale corse fronts the glittering night,
- It shall reproach Thee before all Thy worlds."
- His death did not disturb that ancient Night.
- Scornfullest Night! Over the dead there hung
- Greats gulfs of silence, blue, and strewn with stars--
- No sound--no motion--in the eternal depths.
-
-EDWARD.
-
- Now, what a sullen-blooded fool was this,
- At sulks with earth and Heaven! Could he not
- Out-weep his passion like a blustering day,
- And be clear-skied thereafter? He, poor wretch,
- Must needs be famous! Lord! how Poets geck
- At Fame, their idol. Call 't a worthless thing,
- Colder than lunar rainbows, changefuller
- Than sleeked purples on a pigeon's neck,
- More transitory than a woman's loves,
- The bubbles of her heart--and yet each mocker
- Would gladly sell his soul for one sweet crumb
- To roll beneath his tongue.
-
-WALTER.
-
- Alas! the youth
- Earnest as flame, could not so tame his heart
- As to live quiet days. When the heart-sick Earth
- Turns her broad back upon the gaudy sun,
- And stoops her weary forehead to the night,
- To struggle with her sorrow all alone,
- The moon, that patient sufferer, pale with pain,
- Presses her cold lips on her sister's brow,
- Till she is calm. But in _his_ sorrow's night
- He found no comforter. A man can bear
- A world's contempt when he has that within
- Which says he's worthy--when he contemns himself,
- There burns the hell. So this wild youth was foiled
- In a great purpose--in an agony,
- In which he learned to hate and scorn himself,
- He foamed at God, and died.
-
-MR. WILMOTT.
-
- Rain similes upon his corse like tears--
- The youth you spoke of was a glowing moth,
- Born in the eve and crushed before the dawn.
-
-VIOLET.
-
- He was, methinks, like that frail flower that comes
- Amid the nips and gusts of churlish March,
- Drinking pale beauty from sweet April's tears,
- Dead on the hem of May.
-
-EDWARD.
-
- A Lapland fool,
- Who, staring upward as the Northern lights
- Banner the skies with glory, breaks his heart,
- Because his smoky hut and greasy furs
- Are not so rich as they.
-
-ARTHUR.
-
- Mine is pathetic--
- A ginger-beer bottle burst.
-
-WALTER (_aside_).
-
- And mine would be
- The pale child, Eve, leading her mother, Night.
- [MR. WILMOTT, ARTHUR, _and_ EDWARD, _converse_--VIOLET
- _approaches_ WALTER.
-
-VIOLET.
-
- Did you know well that youth of whom you spake?
-
-WALTER.
-
- Know him! Oh, yes, I knew him as myself--
- Two passions dwelt at once within his soul,
- Like eve and sunset dwelling in one sky.
- And as the sunset dies along the west,
- Eve higher lifts her front of trembling stars,
- Till she is seated in the middle sky,
- So gradual, one passion slowly died,
- And from its death the other drew fresh life,
- Until 't was seated in his soul alone--
- The dead was Love--the living, Poetry.
-
-VIOLET.
-
- Alas! if Love rose never from the dead.
-
-WALTER.
-
- Between him and the Lady of his Love
- There stood a wrinkled worldling ripe for hell.
- When with his golden hand he plucked that flower,
- And would have smelt it, lo! it paled and shrank,
- And withered in his grasp. And when she died,
- The rivers of his heart ran all to waste;
- They found no ocean, dry sands sucked them up.
-
- Lady! he was a fool--a pitiful fool.
- She said she loved him, would be dead in spring--
- She asked him but to stand beside her grave--
- She said she would be daisies--and she thought
- 'Twould give her joy to feel that he was near.
- She died like music; and, would you believe 't?
- He kept her foolish words within his heart
- As ceremonious as a chapel keeps
- A relic of a saint. And in the spring
- The doting idiot went!
-
-VIOLET.
-
- What found he there?
-
-WALTER.
-
- Laugh till your sides ache! Oh, he went, poor fool!
- But he found nothing save red-trampled clay,
- And a dull sobbing rain. Do you not laugh?
- Amid the comfortless rain he stood and wept,
- Bare-headed, in the mocking, pelting rain.
- He might have known 'twas ever so on earth.
-
-VIOLET.
-
- You cannot laugh yourself, Sir, nor can I.
- Her unpolluted corse doth sleep in earth,
- Like a pure thought within a sinful soul.
- Dearer is earth to God for her sweet sake.
-
-WALTER.
-
- 'Tis said our nature is corrupt; but she
- O'erlaid hers with all graces, ev'n as Night
- Wears such a crowd of jewels on her face,
- You cannot see 'tis black.
-
-VIOLET.
-
- How looked this youth?
- Did he in voice or mien resemble you?
- Was he about your age? Wore he such curls?
- Such eyes of dark sea-blue?
-
-WALTER.
-
- Why do you ask?
-
-VIOLET.
-
- I thought just now you might resemble him.
- Were you not brothers?--twins? Or was the one
- A shadow of the other?
-
-WALTER.
-
- What mean you?
-
-VIOLET.
-
- That like the moon you need not wrap yourself
- In any cloud; you shine through each disguise;
- You are a masker in a mask of glass.
- You've such transparent sides, each casual eye
- May see the heaving heart.
-
-WALTER.
-
- Oh, misery!
- Is 't visible to thee?
-
-VIOLET.
-
- 'Tis clear as dew!
- Mine eyes have been upon it all the night,
- Unknown to you.
-
-WALTER.
-
- The sorrowful alone
- Can know the sorrowful. What woe is thine,
- That thou canst read me thus?
-
-VIOLET.
-
- A new-born power,
- Whose unformed features cannot clearly show
- Whether 'tis Joy or Sorrow. But the years
- May nurture it to either.
-
-WALTER.
-
- To thee I'm bare.
- My heart lies open to you, as the earth
- To the omniscient sun. I have a work--
- The finger of my soul doth point it out;
- I trust God's finger points it also out.
- I must attempt it; if my sinews fail,
- On my unsheltered head men's scorns will fall,
- Like a slow shower of fire. Yet if one tear
- Were mingled with them, it were less to bear.
-
-VIOLET.
-
- I'll give thee tears.--
-
-WALTER.
-
- That were as queenly Night
- Would loosen all the jewels from her hair,
- And hail them on this sordid thing, the earth.
- Thy tears keep for a worthier head than mine.
-
-VIOLET.
-
- I will not cope with you in compliment.
- I'll give you tears, and pity, and true thoughts;
- If you are desolate, my heart is open;
- I know 'tis little worth, but any hut,
- However poor, unto a homeless man,
- Is welcomer than mists or nipping winds.
- But if you conquer Fame----
-
-WALTER.
-
- With eager hands
- I'll bend the awful thing into a crown,
- And you shall wear it.
-
-VIOLET.
-
- Oh, no, no!
- Lay it upon _her_ grave. [_Another silence._
-
-ARTHUR.
-
- Run out again!
- We should he jovial as the feasting gods,
- We're silent as a synod of the stars!
- The night is out at elbows. Laughter's dead.
- To the rescue, Violet! A song! a song!
-
-VIOLET _sings._
-
- Upon my knee a modern minstrel's tales,
- Full as a choir with music, lies unread;
- My impatient shallop flaps its silken sails
- To rouse me, but I cannot lift my head.
- I see a wretched isle, that ghost-like stands,
- Wrapt in its mist-shroud in the wint'ry main;
- And now a cheerless gleam of red-ploughed lands,
- O'er which a crow flies heavy in the rain.
-
- I've neither heart nor voice!
- [_Rises and draws the curtain._
- You've sat the night out, Masters! See, the moon
- Lies stranded on the pallid coast of morn.
-
-ARTHUR.
-
- Methinks our merriment lies stranded, too.
- Draw the long table for a game of bowls.
- You will be captain, Edward,--Gods! he yawns.
- [_To_ WALTER.
- Your thunder, Jove, has soured these cream-pots all.
-
-MR. WILMOTT.
-
- To bed! To bed!
-
-
-SCENE IX.
-
-_A Lawn_--_Sunset_--WALTER _lying at_ VIOLET'S _feet._
-
-
-VIOLET.
-
- You loved, then, very much, this friend of thine?
-
-WALTER.
-
- The sound of his voice did warm my heart like wine.
- He's long since dead; but if there is a heaven,
- He's in its heart of bliss.
-
-VIOLET.
-
- How did you live?
-
-WALTER.
-
- We read and wrote together, slept together;
- We dwelt on slopes against the morning sun,
- We dwelt in crowded streets, and loved to walk
- While Labour slept; for, in the ghastly dawn,
- The wildered city seemed a demon's brain,
- The children of the night its evil thoughts.
- Sometimes we sat whole afternoons, and watched
- The sunset build a city frail as dream,
- With bridges, streets of splendour, towers; and saw
- The fabrics crumble into rosy ruins,
- And then grow grey as heath. But our chief joy
- Was to draw images from everything;
- And images lay thick upon our talk,
- As shells on ocean sands.
-
-VIOLET.
-
- From everything!
- Here is the sunset, yonder grows the moon,
- What image would you draw from these?
-
-WALTER.
-
- Why, this.
- The sun is dying like a cloven king
- In his own blood; the while the distant moon,
- Like a pale prophetess, whom he has wronged,
- Leans eager forward, with most hungry eyes,
- Watching him bleed to death, and, as he faints,
- She brightens and dilates; revenge complete,
- She walks in lonely triumph through the night.
-
-VIOLET.
-
- Give not such hateful passion to the orb
- That cools the heated lands; that ripes the fields,
- While sleep the husbandmen, then hastes away
- Ere the first step of dawn, doing all good
- In secret and the night. 'Tis very wrong.
- Would I had known your friend!
-
-WALTER.
-
- Iconoclast!
- 'Tis better as it is.
-
-VIOLET.
-
- Why is it so?
-
-WALTER.
-
- Because you would have loved him, and then I
- Would have to wander outside of all joy,
- Like Neptune in the cold. [_A pause._
-
-VIOLET.
-
- Do you remember
- You promised yesterday you'd paint for me
- Three pictures from your life?
-
-WALTER.
-
- I'll do so now.
- On this delicious eve, with words like colours,
- I'll limn them on the canvass of your sense.
-
-VIOLET.
-
- Be quick! be quick! for see, the parting sun
- But peers above yon range of crimson hills,
- Taking his last look of this lovely scene.
- Dusk will be here anon.
-
-WALTER.
-
- And all the stars!
-
-VIOLET.
-
- Great friends of yours; you love them overmuch.
-
-WALTER.
-
- I love the stars too much! The tameless sea
- Spreads itself out beneath them, smooth as glass.
- You cannot love them, lady, till you dwell
- In mighty towns; immured in their black hearts,
- The stars are nearer to you than the fields.
- I'd grow an Atheist in these towns of trade,
- Were 't not for stars. The smoke puts heaven out;
- I meet sin-bloated faces in the streets,
- And shrink as from a blow. I hear wild oaths,
- And curses spilt from lips that once were sweet,
- And sealed for Heaven by a mother's kiss.
- I mix with men whose hearts of human flesh,
- Beneath the petrifying touch of gold,
- Have grown as stony as the trodden ways.
- I see no trace of God, till in the night,
- While the vast city lies in dreams of gain,
- He doth reveal himself to me in heaven.
- My heart swells to Him as the sea to the moon;
- Therefore it is I love the midnight stars.
-
-VIOLET.
-
- I would I had a lover who could give
- Such ample reasons for his loving me,
- As you for loving stars! But to your task.
-
-WALTER.
-
- Wilt listen to the pictures of my life?
-
-VIOLET.
-
- Patient as evening to the nightingale!
-
-WALTER.
-
- 'Mong the green lanes of Kent--green sunny lanes--
- Where troops of children shout, and laugh, and play,
- And gather daisies, stood an antique home,
- Within its orchard, rich with ruddy fruits,
- For the full year was laughing in his prime.
- Wealth of all flowers grew in that garden green,
- And the old porch with its great oaken door
- Was smothered in rose-blooms, while o'er the walls
- The honeysuckle clung deliriously.
- Before the door there lay a plot of grass,
- Snowed o'er with daisies,--flower by all beloved,
- And famousest in song--and in the midst,
- A carvèd fountain stood, dried up and broken,
- On which a peacock perched and sunned itself;
- Beneath, two petted rabbits, snowy white,
- Squatted upon the sward.
- A row of poplars darkly rose behind,
- Around whose tops, and the old-fashioned vanes,
- White pigeons fluttered, and o'er all was bent
- The mighty sky, with sailing sunny clouds.
- One casement was thrown open, and within,
- A boy hung o'er a book of poesy,
- Silent as planet hanging o'er the sea.
- In at the casement open to the noon
- Came sweetest garden-odours, and the hum--
- The drowsy hum--of the rejoicing bees,
- Heavened in blooms that overclad the walls;
- And the cool wind waved in upon his brow,
- And stirred his curls. Soft fell the summer night.
- Then he arose, and with inspired lips said,--
- "Stars! ye are golden-voicèd clarions
- To high-aspiring and heroic dooms.
- To-night, as I look up unto ye, Stars!
- I feel my soul rise to its destiny,
- Like a strong eagle to its eyrie soaring.
- Who thinks of weakness underneath ye, Stars?
- A hum shall be on earth, a name be heard,
- An epitaph shall look up proud to God.
- Stars! read and listen, it may not be long."
-
-VIOLET (_leaning over him_).
-
- I'll see that grand desire within your eyes--
- Oh, I only see myself!
-
-WALTER.
-
- Violet!
- Could you look through my heart as through mine eyes,
- You'd find yourself there, too.
-
-VIOLET.
-
- Hush, flatterer!
- Yet go on with your tale.
-
-WALTER.
-
- Three blue days passed,
- Full of the sun, loud with a thousand larks;
- An evening like a grey child walked 'tween each.
- 'Twas in the quiet of the fourth day's noon,
- The boy I speak of slumbered in the wood.
- Like a dropt rose at an oak-root he lay,
- A lady bent above him. He awoke;
- She blushed like sunset, 'mid embarrassed speech;
- A shock of laughter made them friends at once,
- And laughter fluttered through their after-talk,
- As darts a bright bird in and out the leaves.
- All day he drank her splendid light of eyes;
- Nor did they part until the deepening east
- Gan to be sprinkled with the lights of eve.
-
-VIOLET.
-
- Go on! go on!
-
-WALTER.
-
- June sang herself to death.
- They parted in the wood, she very pale,
- And he walked home the weariest thing on earth.
- That night he sat in his unlighted room,
- Pale, sad, and solitary, sick at heart,
- For he had parted with his dearest friends,
- High aspirations, bright dreams golden-winged,
- Troops of fine fancies that like lambs did play
- Amid the sunshine and the virgin dews,
- Thick-lying in the green fields of his heart.
- Calm thoughts that dwelt like hermits in his soul,
- Fair shapes that slept in fancifullest bowers,
- Hopes and delights,--He parted with them all.
- Linked hand in hand they went, tears in their eyes,
- As faint and beautiful as eyes of flowers,
- And now he sat alone with empty soul.
- Last night his soul was like a forest, haunted
- With pagan shapes; when one nymph slumbering lay,
- A sweet dream 'neath her eyelids, her white limbs
- Sinking full softly in the violets dim;
- When timbrelled troops rushed past with branches green.
- One in each fountain, riched with golden sands,
- With her delicious face a moment seen,
- And limbs faint-gleaming through their watery veil.
- To-night his soul was like that forest old,
- When these were reft away, and the wild wind
- Running like one distract 'mong their old haunts,
- Gold-sanded fountains, and the bladed flags.
- [_A pause._
- It is enough to shake one into tears.
- A palace full of music was his heart,
- An earthquake rent it open to the rain;
- The lovely music died--the bright throngs fled--
- Despair came like a foul and grizzly beast,
- And littered in its consecrated rooms.
-
- Nature was leaping like a Bacchanal
- On the next morn, beneath its sky-wide sheen
- The boy stood pallid in the rosy porch.
- The mad larks bathing in the golden light,
- The flowers close-fondled by the impassioned winds,
- The smells that came and went upon the sense,
- Like faint waves on a shore, he heeded not;
- He could not look the morning in the eyes.
- That singing morn he went forth like a ship;
- Long years have passed, and he has not returned,
- Beggared or laden, home.
-
-VIOLET.
-
- Ah, me, 'tis sad!
- And sorrow's hand as well as mine has been
- Among these golden curls. 'Tis past, 'tis past;
- It has dissolved, as did the bank of cloud
- That lay in the west last night.
-
-WALTER.
-
- I yearned for love,
- As earnestly as sun-cracked summer earth
- Yearns to the heavens for rain--none ever came.
-
-VIOLET.
-
- Oh, say not so! I love thee very much;
- Let me but grow up like a sweet-breathed flower
- Within this ghastly fissure of thy heart!
- Do you not love me, Walter?
-
-WALTER.
-
- By thy tears
- I love thee as my own immortal soul.
- Weep, weep, my Beautiful! Upon thy face
- There is no cloud of sorrow or distress.
- It is as moonlight, pale, serene, and clear.
- Thy tears are spilt of joy, they fall like rain
- From heaven's stainless blue.
- Bend over me, my Beautiful, my Own.
- Oh, I could lie with face upturned for ever,
- And on thy beauty feed as on a star!
- [_Another pause._
- Thy face doth come between me and the heaven--
- Start not, my dearest! for I would not give
- Thee in thy tears for all yon sky lit up
- For a god's feast to-night. And I am loved!
- Why did you love me, Violet?
-
-VIOLET.
-
- The sun
- Smiles on the earth, and the exuberant earth
- Returns the smile in flowers--'twas so with me.
- I love thee as a fountain leaps to light--
- I can do nothing else.
-
-WALTER.
-
- Say these words again,
- And yet again; never fell on my ear
- Such drops of music.
-
-VIOLET.
-
- Alas! poor words are weak,
- So are the daily ills of common life,
- To draw the ingots and the hoarded pearls
- From out the treasure-caverns of my heart.
- Suffering, despair, and death alone can do it:
- Poor Walter! [_Kisses him._
-
-WALTER.
-
- Gods! I could out-Anthony
- Anthony! This moment I could scatter
- Kingdoms life halfpence. I am drunk with joy.
- This is a royal hour--the top of life.
- Henceforth my path slopes downward to the grave--
- All's dross but love. That largest Son of Time,
- Who wandered singing through the listening world,
- Will be as much forgot as the canoe
- That crossed the bosom of a lonely lake
- A thousand years ago. My Beautiful!
- I would not give thy cheek for all his songs--
- Thy kiss for all his fame. Why do you weep?
-
-VIOLET.
-
- To think that we, so happy now, must die.
-
-WALTER.
-
- That thought hangs like a cold and slimy snail
- On the rich rose of love--shake it away--
- Give me another kiss, and I will take
- Death at a flying leap. The night is fair,
- But thou art fairer, Violet! Unloose
- The midnight of thy tresses, let them float
- Around us both. How the freed ringlets reel
- Down to the dewy grass! Here lean thy head,
- Now you will feel my heart leap 'gainst thy cheek;
- Imprison me with those white arms of thine.
- So, so. O sweet upturnèd face! (_Kisses her._) If God
- Told you to-night He'd grant your dearest wish,
- What would it be?
-
-VIOLET.
-
- That He would let you grow
- To your ambition's height. What would be yours?
-
-WALTER.
-
- A greater boon than Satan's forfeit throne!
- That He would keep us beautiful and young
- For ever, as to-night. Oh, I could live
- Unwearied on thy beauty, till the sun
- Grows dim and wrinkled as an old man's face.
- Our cheeks are close, our breaths mix like our souls.
- We have been starved hereto; Love's banquet's spread,
- Now let us feast our fills.
-
-VIOLET.
-
- Walter!
-
-
-SCENE X.
-
-_A Bridge in a City_--_Midnight_--WALTER _alone._
-
-WALTER.
-
- Adam lost Paradise--eternal tale
- Repeated in the lives of all his sons.
- I had a shining orb of happiness,
- God gave it me; but sin passed over it
- As small-pox passes o'er a lovely face,
- Leaving it hideous. I have lost for ever
- The Paradise of young and happy thoughts,
- And now stand in the middle of my life
- Looking back through my tears--ne'er to return.
- I've a stern tryst with Death, and must go on,
- Though with slow steps and oft-reverted eyes.
-
- 'Tis a thick, rich-hazed, sumptuous autumn night;
- The moon grows like a white flower in the sky;
- The stars are dim. The tired year rests content
- Among her sheaves, as a fond mother rests
- Among her children; all her work is done.
- There is a weight of peace upon the world;
- It sleeps: God's blessing on it. Not on _me_!
- Oh, as a lewd dream stains the holy sleep,
- I stain the holy night, yet dare not die!
- I knew this river's childhood, from the lake
- That gave it birth, till, as if spilt from heaven,
- It floated o'er the face of jet-black rocks,
- Graceful and gauzy as a snowy veil.
- Then we were pure as the blue sky above us,
- Now we are black alike. This stream has turned
- The wheels of commerce, and come forth distained;
- And now trails slowly through a city's heart,
- Drawing its filth as doth an evil soul
- Attract all evil things; putrid and black
- It mingles with the clear and stainless sea.
- So into pure eternity my soul
- Will disembogue itself.
- Good men have said
- That sometimes God leaves sinners to their sin,--
- He has left me to mine, and I am changed;
- My worst part is insurgent, and my will
- Is weak and powerless as a trembling king
- When millions rise up hungry. Woe is me!
- My soul breeds sins as a dead body worms!
- They swarm and feed upon me. Hear me, God!
- Sin met me and embraced me on my way;
- Methought her cheeks were red, her lips had bloom;
- I kissed her bold lips, dallied with her hair:
- She sang me into slumber. I awoke--
- It was a putrid corse that clung to me,
- That _clings_ to me like memory to the damned,
- That rots into my being. Father! God!
- I cannot shake it off, it clings, it clings;--
- I soon will grow as corrupt as itself. [_A pause._
- God sends me back my prayers, as a father
- Returns unoped the letters of a son
- Who has dishonoured him.
- Have mercy, Fiend!
- Thou Devil, thou wilt drag me down to hell.
- Oh, if she had proclivity to sin
- Who did appear so beauteous and so pure,
- Nature may leer behind a gracious mask.
- And God himself may be----I'm giddy, blind,
- The world reels from beneath me.
- [_Catches hold of the parapet._
- (_An outcast approaches._) Wilt pray for me?
-
-GIRL (_shuddering_).
-
- 'Tis a dreadful thing to pray.
-
-WALTER.
-
- Why is it so?
- Hast thou, like me, a spot upon thy soul
- That neither tears can cleanse nor fires eterne?
-
-GIRL.
-
- But few request _my_ prayers.
-
-WALTER.
-
- I request them.
- For ne'er did a dishevelled woman cling
- So earnest-pale to a stern conqueror's knees,
- Pleading for a dear life, as did my prayer
- Cling to the knees of God. He shook it off,
- And went upon His way. Wilt pray for me?
-
-GIRL.
-
- Sin crusts me o'er as limpets crust the rocks.
- I would be thrust from ev'ry human door;
- I dare not knock at heaven's.
-
-WALTER.
-
- Poor homeless one!
- There is a door stands wide for thee and me--
- The door of hell. Methinks we are well met.
- I saw a little girl three years ago,
- With eyes of azure and with cheeks of red,
- A crowd of sunbeams hanging down her face;
- Sweet laughter round her; dancing like a breeze.
- I'd rather lair me with a fiend in fire
- Than look on such a face as hers to-night.
- But I can look on thee, and such as thee;
- I'll call thee "Sister;" do thou call me "Brother."
- A thousand years hence, when we both are damned,
- We'll sit like ghosts upon the wailing shore,
- And read our lives by the red light of hell.
- Shall we not, Sister?
-
-GIRL.
-
- O thou strange, wild man!
- Let me alone: what would you seek with me?
-
-WALTER.
-
- Your ear, my Sister. I have that within
- Which urges me to utterance. I could accost
- A pensive angel, singing to himself
- Upon a hill in heaven, and leave his mind
- As dark and turbid as a trampled pool,
- To purify at leisure.--I have none
- To listen to me, save a sinful woman
- Upon a midnight bridge.--She was so fair,
- God's eye could rest with pleasure on her face.
- Oh, God, she was so happy! Her short life,
- As full of music as the crowded June
- Of an unfallen orb. What is it now?
- She gave me her young heart, full, full of love:
- My return--was to break it. Worse, far worse;
- I crept into the chambers of her soul,
- Like a foul toad, polluting as I went.
-
-GIRL.
-
- I pity her--not you. Man trusts in God;
- He is eternal. Woman trusts in man,
- And he is shifting sand.
-
-WALTER.
-
- Poor child, poor child!
- We sat in dreadful silence with our sin,
- Looking each other wildly in the eyes:
- Methought I heard the gates of heaven close,
- She flung herself against me, burst in tears,
- As a wave bursts in spray. She covered me
- With her wild sorrow, as an April cloud
- With dim dishevelled tresses hides the hill
- On which its heart is breaking. She clung to me
- With piteous arms, and shook me with her sobs,
- For she had lost her world, her heaven, her God,
- And now had nought but me and her great wrong.
- She did not kill me with a single word,
- But once she lifted her tear-dabbled face--
- Had hell gaped at my feet I would have leapt
- Into its burning throat, from that pale look.
- Still it pursues me like a haunting fiend:
- It drives me out to the black moors at night,
- Where I am smitten by the hissing rain,
- And ruffian winds, dislodging from their troops,
- Hustle me shrieking, then with sudden turn
- Go laughing to their fellows. Merciful God!
- It comes--that face again, that white, white face,
- Set in a night of hair; reproachful eyes,
- That make me mad. Oh, save me from those eyes!
- They will torment me even in the grave,
- And burn on me in Tophet.
-
-GIRL.
-
- Where are you going?
-
-WALTER.
-
- My heart's on fire by hell, and on I drive
- To outer blackness, like a blazing ship.
- [_He rushes away._
-
-
-SCENE XI.
-
-_Night._--WALTER, _standing alone in his garden._
-
-WALTER.
-
- Summer hath murmured with her leafy lips
- Around my home, and I have heard her not;
- I've missed the process of three several years,
- From shaking wind-flowers to the tarnished gold
- That rustles sere on Autumn's aged boughs.
- I went three years ago, and now return,
- As stag sore-hunted a long summer day
- Creeps in the eve to its deep forest-home. [_A pause._
- This is my home again! Once more I hail
- The dear old gables and the creaking vanes.
- It stands all flecked with shadows in the moon,
- Patient, and white, and woeful. 'Tis so still,
- It seems to brood upon its youthful years,
- When children sported on its ringing floors,
- And music trembled through its happy rooms.
- 'Twas here I spent my youth, as far removed
- From the great heavings, hopes, and fears of man,
- As unknown isle asleep in unknown seas.
- Gone my pure heart, and with it happy days;
- No manna falls around me from on high,
- Barely from off the desert of my life
- I gather patience and severe content.
- God is a worker. He has thickly strewn
- Infinity with grandeur. God is Love;
- He yet will wipe away Creation's tears,
- And all the worlds shall summer in His smile.
- Why work I not? The veriest mote that sports
- Its one-day life within the sunny beam
- Has its stern duties. Wherefore have I none?
- I will throw off this dead and useless past,
- As a strong runner, straining for his life,
- Unclasps a mantle to the hungry winds.
- A mighty purpose rises large and slow
- From out the fluctuations of my soul,
- As, ghost-like, from the dim and tumbling sea
- Starts the completed moon. [_Another pause._
- I have a heart to dare,
- And spirit-thews to work my daring out;
- I'll cleave the world as a swimmer cleaves the sea,
- Breaking the sleek green billows into froth,
- With tilting full-blown chest, and scattering
- With scornful breath the kissing, flattering foam,
- That leaps and dallies with his dipping lip.
- Thou'rt distant, now, O World! I hear thee not;
- No pallid fringes of thy fires to-night
- Droop round the large horizon. Yet, O World!
- I have thee in my power, and as a man
- By some mysterious influence can sway
- Another's mind, making him laugh and weep,
- Shudder or thrill, such power have I on thee.
- Much have I suffered, both from thee and thine;
- Thou shalt not 'scape me, World! I'll make thee weep;
- I'll make my lone thought cross thee like a spirit,
- And blanch thy braggart cheeks, lift up thy hair,
- And make thy great knees tremble; I will send
- Across thy soul dark herds of demon dreams,
- And make thee toss and moan in troubled sleep;
- And, waking, I will fill thy forlorn heart
- With pure and happy thoughts, as summer woods
- Are full of singing-birds. I come from far,
- I'll rest myself, O World! awhile on thee,
- And half in earnest, half in jest, I'll cut
- My name upon thee, pass the arch of Death,
- Then on a stair of stars go up to God.
-
-
-SCENE XII.
-
-_An Apartment_--CHARLES _and_ EDWARD _seated._
-
-EDWARD.
-
- Have you seen Walter lately?
-
-CHARLES.
-
- Very much;
- I wintered with him.
-
-EDWARD.
-
- What was he about?
-
-CHARLES.
-
- He wrote his Poem then.
-
-EDWARD.
-
- That was a hit!
- The world is murmuring like a hive of bees:
- He is its theme--to-morrow it may change.
- Was it done at a dash?
-
-CHARLES.
-
- It was; each word sincere,
- As blood-drops from the heart. The full-faced moon,
- Set round with stars, in at his casement looked,
- And saw him write and write: and when the moon
- Was waning dim upon the edge of morn,
- Still sat he writing, thoughtful-eyed and pale;
- And, as of yore, round his white temples reeled
- His golden hair, in ringlets beautiful.
- Great joy he had, for thought came glad and thick
- As leaves upon a tree in primrose-time;
- And as he wrote, his task the lovelier grew,
- Like April unto May, or as a child,
- A-smile in the lap of life, by fine degrees
- Orbs to a maiden, walking with meek eyes
- In atmosphere of beauty round her breathed.
- He wrote all winter in an olden room,
- Hallowed with glooms and books. Priests who have wed
- Their makers unto Fame, Moons that have shed
- Eternal halos around England's head;
- Books dusky and thumbed without, _within_, a sphere
- Smelling of Spring, as genial, fresh, and clear,
- And beautiful, as is the rainbowed air
- After May showers. Within this pleasant lair
- He passed in writing all the winter moons;
- But when May came, with train of sunny noons,
- He chose a leafy summer-house within
- The greenest nook in all his garden green;
- Oft a fine thought would flush his face divine,
- As he had quaffed a cup of olden wine,
- Which deifies the drinker: oft his face
- Gleamed like a spirit's in that shady place,
- While he saw, smiling upward from the scroll,
- The image of the thought within his soul;
- There, 'mid the waving shadows of the trees,
- 'Mong garden-odours and the hum of bees,
- He wrote the last and closing passages.
- He is not happy.
-
-EDWARD.
-
- Has he told you so?
-
-CHARLES.
-
- Not in plain terms. Oft an unhappy thought,
- Telling all is not well, falls from his soul
- Like a diseasèd feather from the wing
- Of a sick eagle; a scorched meteor-stone
- Dropt from the ruined moon.
-
-EDWARD.
-
- What are these thoughts?
-
-CHARLES.
-
- I walked with him upon a windy night;
- We saw the streaming moon flee through the sky,
- Pursued by all the dark and hungry clouds.
- He stopped and said: "Weariness feeds on all.
- God wearies, and so makes a universe,
- And gathers angels round him.--He is weak;
- I weary, and so wreak myself in verse,----
- Away with scrannel-pipes. Oh, for mad War!
- I'd give my next twelve years to head but once
- Ten thousand horse in a victorious charge.
- Give me some one to hate, and let me chase
- Him through the zones, and finding him at last,
- Make his accursed eyes leap on his cheeks,
- And his face blacken, with one choking gripe."
-
-EDWARD.
-
- Savage enough, i' faith!
-
-CHARLES.
-
- He often said,
- His strivings after Poesy and Fame
- Were vain as turning blind eyes on the sun.
- His Book came out; I told him that the world
- Hailed him a Poet. He said, with feeble smile,
- "I have arisen like a dawn--the world,
- Like the touched Memnon, murmurs--that is all."
- He said, as we were lying on the moss,
- (A forest sounding o'er us, like a sea
- Above two mermen seated on the sands,)
- "Our human hearts are deeper than our souls,
- And Love than Knowledge is diviner food--
- Oh, Charles! if God will ever send to thee
- A heart that loves thee, reverence that heart.
- We think that Death is hard, when he can kill
- An infant smiling in his very face:
- Harder was I than Death.--In cup of sin
- I did dissolve thee, thou most precious pearl,
- Then drank thee up." We sat one eve,
- Gazing in silence on the falling sun:
- We saw him sink. Upon the silent world,
- Like a fine veil, came down the tender gloom;
- A dove came fluttering round the window, flew
- Away, and then came fluttering back. He said,
- "As that dove flutters round the casement, comes
- A pale shape round my soul; I've done it wrong,
- I never will be happy till I ope
- My heart and take it in."--'Twas ever so;
- To some strange sorrow all his thoughts did tend,
- Like waves unto a shore. Dost know his grief?
-
-EDWARD.
-
- I dimly guess it; a rich cheek grew pale,
- A happy spirit singing on her way
- Grew mute as winter. Walter, mad and blind,
- Threw off the world, God, unclasped loving arms,
- Rushed wild through Pleasure and through Devil-world,
- Till he fell down exhausted.--Do you know
- If he believes in God?
-
-CHARLES.
-
- He told me once,
- The saddest thing that can befall a soul
- Is when it loses faith in God and Woman;
- For he had lost them both. Lost I those gems--
- Though the world's throne stood empty in my path,
- I would go wandering back into my childhood,
- Searching for them with tears.
-
-EDWARD.
-
- Let him go
- Alone upon his waste and dreary road,
- He will return to the old faith he learned
- Beside his mother's knee. That memory
- That haunts him, as the sweet and gracious moon
- Haunts the poor outcast Earth, will lead him back
- To happiness and God.
-
-CHARLES.
-
- May it be so!
-
-
-SCENE XIII.
-
-_Afternoon._--WALTER _and_ VIOLET _entering the garden from the
-house._
-
-VIOLET.
-
- This is the dwelling you have told me of,--
- Summer again hath dressed its bloomy walls,
- Its fragrant front is populous with bees;
- This is the garden--all is very like,
- And yet unlike the picture in my heart;
- I know not which is loveliest. I see
- Afar the wandering beauty of the stream,
- And nearer I can trace it as it shows
- Its broad and gleaming back among the woods.
- Is that the wood you slept in?
-
-WALTER.
-
- That is it.
- And every nook and glade and tangled dell,
- From its wide circle to its leafy heart,
- Is as familiar to me as my soul.
- Memories dwell like doves among the trees,
- Like nymphs in glooms, like naïads in the wells;
- And some are sweet, and sadder some than death.
- [_A pause._
- I could have sworn the world did sing in air,
- I was so happy once. The eagle drinks
- The keen blue morning, and the morn was mine.
- I bathed in sunset, and to me the night
- Was a perpetual wonder and an awe.
- Oft, as I lay on earth and gazed at her,
- The gliding moon with influence divine
- Would draw a most delicious tide of tears
- And spill it o'er my eyes. Sadness was joy
- Of but another sort. My happiness
- Was flecked with vague and transitory griefs,
- As sweetly as the shining length of June
- With evanescent eves; and through my soul
- At intervals a regal pageant passed,
- As through the palpitating streets the corse
- Of a great chieftain, rolled in music rich,
- Moves slow towards its rest. In these young days
- Existence was to me sufficient joy;
- At once a throne and kingdom, crown and lyre.
- Now it is but a strip of barren sand,
- On which with earnest heart I strive to rear
- A temple to the Gods. I will not sadden you.
- [_They move on._
- This is the fountain: once it flashed and sang
- (Possessed of such exuberance of joy)
- To golden sunrise, the blue day, and when
- The night grew gradual o'er it, star by star,--
- Now it is mute as Memnon.
-
-VIOLET.
-
- Sad again!
- Its brim is written over--o'er and o'er;
- 'Tis mute; but have you made its marble lips
- As sweet as Music's?
-
-WALTER.
-
- Miserable words!
- The offspring of some most unhappy hours.
- To me this fountain's brim is sad as though
- 'Twere splashed with my own blood.
-
-
-
-VIOLET (_reads_).
-
- "Nature cares not
- Although her loveliness should ne'er be seen
- By human eyes, nor praised by human tongues.
- The cataract exults among the hills,
- And wears its crown of rainbows all alone.
- Libel the ocean on his tawny sands,
- Write verses in his praise,--the unmoved sea
- Erases both alike. Alas for man!
- Unless his fellows can behold his deeds
- He cares not to be great." 'Tis very true.
- The next is written in a languid hand:
- "Sin hath drunk up my pleasure, as eclipse
- Drinks up the sunlight. On my spirit lies
- A malison and ban. What though the Spring
- Makes all the hills and valleys laugh in green,--
- Is the sea healed, or is the plover's cry
- Merry upon the moor? I now am kin
- To these, and winds, and ever-suffering things."
- Oh, I could blot these words out with my tears!
-
-WALTER.
-
- So could I when I wrote them.
-
-VIOLET.
-
- What is next?
- "A sin lies dead and dreadful in my soul,
- Why should I gaze upon it day by day?
- Oh, rather, since it cannot be destroyed,
- Let me as reverently cover it
- As with a cloth we cover up the dead,
- And place it in some chamber of my soul,
- Where it may lie unseen as sound, yet _felt_,--
- Making life hushed and awful."
-
-WALTER.
-
- No more. No more.
- Let God wash out this record with His rain!
- This is the summer-house. [_They enter._
- It is as sweet
- As if enamoured Summer did adorn
- It for his Love to dwell in. I love to sit
- And hear the pattering footsteps of the shower,
- As he runs over it, or watch at noon
- The curious sunbeams peeping through the leaves.
-
-VIOLET.
-
- I've always pictured you in such a place
- Writing your Book, and hurrying on, as if
- You had a long and wondrous tale to tell,
- And felt Death's cold hand closing round your heart.
-
-WALTER.
-
- Have you read my Book?
-
-VIOLET.
-
- I have.
-
-WALTER.
-
- It is enough.
- The Book was only written for two souls,
- And they are thine and mine.
-
-VIOLET.
-
- For many weeks,
- When I was dwelling by the moaning sea,
- Your name was blown to me on ev'ry wind,
- And I was glad; for by that sign I knew
- You had fulfilled your heart, and hoped you would
- Put off the robes of sorrow, and put on
- The singing crown of Fame. One dreary morn
- Your Book came to me, and I fondled it,
- As though it were a pigeon sent from thee
- With love beneath its wing. I read and read
- Until the sun lifted his cloudy lids
- And shot wild light along the leaping deep,
- Then closed his eyes in death. I shed no tear,
- I laid it down in silence, and went forth
- Burdened with its sad thoughts: slowly I went;
- And, as I wandered through the deepening gloom,
- I saw the pale and penitential moon
- Rise from dark waves that plucked at her, and go
- Sorrowful up the sky. Then gushed my tears--
- The tangled problem of my life was plain--
- I cried aloud, "Oh, would he come to me!
- I know he is unhappy; that he strives
- As fiercely as that blind and desperate sea,
- Clutching with all its waves--in vain, in vain.
- He never will be happy till he comes."
- As I went home the thought that you would come
- Filled my lorn heart with gladness, as the moon
- Filled the great vacant night with moonlight, till
- Its silver bliss ran o'er--so after prayer
- I slept in the lap of peace--next morn you came.
-
-WALTER.
-
- And then I found you beautiful and pale--
- Pale as that moonlight night! O Violet,
- I have been undeceived. In my hot youth
- I kissed the painted bloom off Pleasure's lips
- And found them pale as Pain's,--and wept aloud.
- Never henceforward can I hope to drain
- The rapture of a lifetime at a gulp.
- My happiness is not a troubled joy;
- 'Tis deep, serene as death. The sweet contents,
- The happy thoughts from which I've been estranged,
- Again come round me, as the old known peers
- Surround and welcome a repentant spirit,
- Who by the steps of sorrow hath regained
- His throne and golden prime. The eve draws nigh!
- The prosperous sun is in the west, and sees
- From the pale east to where he sets in bliss,
- His long road glorious. Wilt thou sing, my love,
- And sadden me into a deeper joy?
-
-VIOLET _sings._
-
- The wondrous ages pass like rushing waves,
- Each crowned with its own foam. Bards die, and Fame
- Hangs like a pallid meteor o'er their graves.
- Religions change, and come and go like flame.
-
- Nothing remains but Love, the world's round mass
- It doth pervade, all forms of life it shares,
- The institutions that like moments pass
- Are but the shapes the masking spirit wears.
-
- Love is a sanctifier; 'tis a moon,
- Turning each dusk to silver. A pure light,
- Redeemer of all errors----
- [_Ceases, and bursts into tears._
-
-WALTER.
-
- What ails you, Violet?
- Has music stung you like a very snake?
- Why do you weep?
-
-VIOLET.
-
- Walter! dost thou believe
- Love will redeem all errors? Oh, my friend,
- This gospel saves you! doubt it, you are lost.
- Deep in the mists of sorrow long I lay,
- Hopeless and still, when suddenly _this_ truth
- Like a slant sunbeam quivered through the mist,
- And turned it into radiance. In the light
- I wrote these words, while you were far away
- Fighting with shadows. Oh! Walter, in one boat
- We floated o'er the smooth, moon-silvered sea;
- The sky was smiling with its orbs of bliss;
- And while we lived within each other's eyes,
- We struck and split, and all the world was lost
- In one wild whirl of horror darkening down;
- At last I gained a deep and silent isle,
- Moaned on by a dim sea, and wandered round,
- Week after week, the happy-mournful shore,
- Wond'ring if you had 'scaped.
-
-WALTER.
-
- Thou noble soul,
- Teach me, for thou art nearer God than I!
- My life was a long dream; when I awoke,
- Duty stood like an angel in my path,
- And seemed so terrible, I could have turned
- Into my yesterdays, and wandered back
- To distant childhood, and gone out to God
- By the gate of birth, not death. Lift, lift me up
- By thy sweet inspiration, as the tide
- Lifts up a stranded boat upon the beach.
- I will go forth 'mong men, not mailed in scorn,
- But in the armour of a pure intent.
- Great duties are before me and great songs,
- And whether crowned or crownless, when I fall
- It matters not, so that God's work is done.
- I've learned to prize the quiet lightning-deed,
- Not the applauding thunder at its heels
- Which men call Fame. Our night is past;
- We stand in precious sunrise, and beyond
- A long day stretches to the very end.
- Look out, my beautiful, upon the sky!
- Even puts on her jewels. Look! she sets,
- Venus upon her brow. I never gaze
- Upon the evening but a tide of awe,
- And love, and wonder, from the Infinite,
- Swells up within me, as the running brine
- From the smooth-glistening, wide-heaving sea,
- Grows in the creeks and channels of a stream
- Until it threats its banks. It is not joy,
- 'Tis sadness more divine.
-
-VIOLET.
-
- How quick they come,--
- World after world! See the great moon above
- Yon undistinguishable clump of trees
- Is slowly from the darkness gathering light!
- You used to love the moon!
-
-WALTER.
-
- This mournful wind
- Has surely been with Winter, 'tis so cold;
- The dews are falling, Violet! Your cloak--
- Draw it around you. Let the still night shine!
- A star's a cold thing to a human heart,
- And love is better than their radiance. Come!
- Let us go in together.
-
-
-
-
-AN EVENING AT HOME.
-
-
- To-day a chief was buried--let him rest.
- His country's bards are up like larks, and fill
- With singing the wide heavens of his fame.
- To-night I sit within my lonely room,
- The atmosphere is full of misty rain,
- Wretched the earth and heaven. Yesterday
- The streets and squares were choked with yellow fogs,
- To-morrow we may all be drenched in sleet!
- Stretched like a homeless beggar on the ground,
- The city sleeps amid the misty rain.
- Though Rain hath pitched his tent above my head,
- 'Tis but a speck upon the happy world.
- Since I've begun to trace these lines, Sunrise
- Has struck a land and woke its bleating hills;
- Afar upon some black and silent moor
- The crystal stars are shaking in the wind;
- An ocean gurgles, for the stooping moon
- Hath kissed him into peace, and now she smooths
- The well-pleased monster with her silver hand.
- Come, naked, gleaming Spring! great crowds of larks
- Fluttering above thy head, thy happy ears
- Loud with their ringing songs, Bright Saviour, come!
- And kill old Winter with thy glorious look,
- And turn his corse to flowers!
-
- I sit to-night
- As dreary as the pale, deserted East,
- That sees the Sun, the Sun that once was hers,
- Forgetful of her, flattering his new love,
- The happy-blushing West. In these long streets
- Of traffic and of noise, the human hearts
- Are hard and loveless as a wreck-strewn coast.
- Eternity doth wear upon her face
- The veil of Time. They only see the veil,
- And thus they know not what they stand so near.
- Oh, rich in gold! Beggars in heart and soul!
- Poor as the empty void! Why, even I,
- Sitting in this bare chamber with my thoughts,
- Am richer than ye all, despite your bales,
- Your streets of warehouses, your mighty mills,
- Each booming like a world faint heard in space:
- Your ships; unwilling fires, that day and night
- Writhe in your service seven years, then die
- Without one taste of peace. Do ye believe
- A simple primrose on a grassy bank
- Forth-peeping to the sun, a wild bird's nest,
- The great orb dying in a ring of clouds,
- Like hoary Jacob 'mong his waiting sons;
- The rising moon, and the young stars of God,
- Are things to love? With _these_ my soul is brimmed;
- With a diviner and serener joy
- Then all thy heaven of money-bags can bring
- Thy dry heart, Worldling!
-
- The terror-stricken rain
- Flings itself wildly on the window-panes,
- Imploring shelter from the chasing wind.
- Alas! to-night in this wide waste of streets
- It beats on human limbs as well as walls!
- God led Eve forth into the empty world
- From Paradise. Could our great Mother come
- And see her children now, what sight were worst;
- A worker woke by cruel Day, the while
- A kind dream feeds with sweetest phantom-bread,
- Him, and his famished ones; or when the Wind,
- With shuddering fingers, draws the veil of smoke,
- And scares her with a battle's bleeding face?
-
- Most brilliant star upon the crest of Time
- Is England. England! Oh, I know a tale
- Of those far summers when she lay in the sun,
- Listening to her own larks, with growing limbs,
- And mighty hands, which since have tamed the world,
- Dreaming about their tasks. This dreary night
- I'll tell the story to my listening heart.
- I sang 't to thee, O unforgotten Friend!
- (Who dwellest now on breezy English downs,
- While I am drowning in the hateful smoke)
- Beside the river which I long have loved.
- O happy Days! O happy, happy Past!
- O Friend! I am a lone benighted ship;
- Before me hangs the vast untravelled gloom,
- Behind, a wake of splendour, fading fast
- Into the hungry gloom from whence it came.
-
- Two days the Lady gazed toward the west,
- The way that he had gone; and when the third
- From its high noon sloped to a rosy close,
- Upon the western margin of the isle,
- Feeding her petted swans by tossing bread
- Among the clumps of water-lilies white,
- She stood. The fond Day pressed against her face;
- His am'rous, airy fingers, with her robe
- Fluttered and played, and trembling, touched her throat,
- And toying with her ringlets, could have died
- Upon her sweet lips and her happy cheeks!
- With a long rippling sigh she turned away,
- And wished the sun was underneath the hills.
- Anon she sang; and ignorant Solitude,
- Astonished at the marvel of her voice,
- Stood tranced and mute as savage at the door
- Of rich cathedral when the organ rolls,
- And all the answering choirs awake at once.
- Then she sat down and thought upon her love;
- Fed on the various wonders of his face
- To make his absence rich. "'Tis but three days
- Since he went from me in his light canoe,
- And all the world went with him, and to-night
- He will be back again. Oh, when he comes,
- And when my head is laid upon his breast,
- And in the pauses of the sweetest storm
- Of kisses that e'er beat upon a face,
- I'll tell him how I've pined, and sighed, and wept,
- And thought of those sweet days and nights that flew
- O'er us unheeded as a string of swans,
- That wavers down the sky toward the sea,--
- And he will chide me into blissful tears,
- Then kiss the tears away." Quick leapt she up,
- "He comes! he comes!" She laughed, and clapt her hands,
- A light canoe came dancing o'er the lake,
- And he within it gave a cry of joy.
- She sent an answer back that drew him on.
- The swans are scared,--the lilies rippled--now
- Her happy face is hidden in his breast,
- And words are lost in joy. "My Bertha! let
- Me see myself again in those dear orbs.
- Have you been lonely, love?" She raised her head,
- "You surely will not leave me so again!
- I'll grow as pale 's the moon, and my praised cheeks
- Will be as wet as April's if you do."
- As when the moon hath sleeked the blissful sea,
- A light wind wrinkles it and passes off,
- So ran a transient trouble o'er his face.
- "My Bertha! we must leave this isle to-night.
- Thy shining face is blanked! We will return
- Ere thrice the day, like a great bird of light
- Flees 'cross the dark, and hides it with his wings."
- "Ah, wherefore?" "Listen, I will tell you why.
-
- "I stood afar upon the grassy hills,
- I saw the country with its golden slopes,
- And woods, and streams, run down to meet the sea.
- I saw the basking ocean skinned with light.
- I saw the surf upon the distant sands
- Silent and white as snow. Above my head
- A lark was singing, 'neath a sunny cloud,
- Around the playing winds. As I went down
- There seemed a special wonder on the shore,
- Low murmuring crowds around a temple stood:
- There was a wildered music on the air,
- Which came and went, yet ever nearer grew,
- When, lo! a train came upward from the sea
- With snowy garments, and with reverend steps,
- Full in their front a silver cross they bore,
- And this sweet hymn they strewed along the winds.
-
- 'Blest be this sunny morning, sweet and fair!
- Blest be the people of this pleasant land!
- Ye unseen larks that sing a mile in air,
- Ye waving forests, waving green and grand,
- Ye waves, that dance upon the flashing strand,
- Ye children golden-haired! we bring, we bring
- A gospel hallowing.'
- Then one stood forth and spoke against the gods;
- He called them 'cruel gods,' and then he said,
- 'We have a Father, One who dwells serene,
- 'Bove thunder and the stars, Whose eye is mild,
- And ever open as the summer sky;
- Who cares for everything on earth alike,
- Who hears the plovers crying in the wind,
- The happy linnets singing in the broom,
- Whose smile is sunshine.' When the old man ceased,
- Forth from the murmuring crowd there stepped a youth,
- As bright-haired as a star, and cried aloud,
- 'Friends! I've grown up among the wilds, and found
- Each outward form is but a window whence
- Terror or Beauty looks. Beauty I've seen
- In the sweet eyes of flowers, along the streams,
- And in the cold and crystal wells that sleep
- Far in the murmur of the summer woods;
- Terror in fire and thunder, in the worn
- And haggard faces of the winter clouds,
- In shuddering winds, and oft on moonless nights
- I've heard it in the white and wailing fringe
- That runs along the coast from end to end.
- The mountains brooded on some wondrous thought
- Which they would ne'er reveal. I seemed to stand
- Outside of all things; my desire to know
- Grew wild and eager as a starving wolf.
- To gain the secret of the awful world,
- I knelt before the gods, and then held up
- My heart to them in the pure arms of prayer--
- They gave no answer, or had none to give.
- Friends! I will test these sour and sullen gods:
- If they are weak, 'tis well, we then may list
- Unto the strangers; but if my affront
- Draw angry fire, I shall be slain by gods,
- And Death may have no secrets. A spear! a steed!'
- A steed was brought by trembling hands, he sprang
- And dashed towards the temple with a cry.
- A shudder ran through all the pallid crowds.
- I saw him enter, and my sight grew dim,
- And on a long-suspended breath I stood,
- Till one might count a hundred beats of heart:
- Then he rode slowly forth, and, wondrous strange!
- Although an awful gleam lay on his face,
- His charger's limbs were drenched with terror-sweat.
- Amid the anxious silence loud he cried,
- 'Gods, marvellously meek! Why, any child
- May pluck them by the beard, spit in their face,
- Or smite them on the mouth; they can do nought,
- But sit like poor old foolish men, and moan.
- I flung my spear.'--Here, as a singing rill
- Is in the mighty noise of ocean drowned,
- His voice was swallowed in the shout that rose,
- And touched the heavens, ran along the hills,
- Thence came on after silence, strange and dim.
-
- A voice rose 'mong the strangers like a lark,
- And warbled out its joy, then died away.
- And the old man that spoke before went on,
- And, oh! the gentle music of his voice
- Stirred through my heart-strings like a wind through reeds.
- He said, 'It was God's hand that shaped the world
- And laid it in the sunbeams:' and that 'God,
- With His great presence fills the universe.
- That, could we dwell like night among the stars,
- Or plunge with whales in the unsounded sea,
- He still would be around us with His care.'
- And also, 'That, as flowers come back in Spring,
- We would live after Death.' I heard no more.
- I thought of thee in this delightful isle,
- Pure as a prayer, and wished that I had wings
- To tell you swiftly, that the death we feared
- Was but a grey eve 'tween two shining days,
- That we would love for ever! Then I thought
- Our home might be in that transparent star
- Which we have often watched from off this verge,
- Stand in the dying sunset, large and clear--
- The humming world awoke me from my dream.
- I saw the old gods tumbled on the grass
- Like uncouth stones, they threw the temple wide,
- And Summer, with her bright and happy face,
- Looked in upon its gloom, and pensive grew.
- The while among the tumult of the crowds,
- Divinest hymns the white-robed strangers sang.
- I wearied for thee, Bertha! and I came.
- Wilt go and hear these strangers?" She turned on him
- A look of love--a look that richly crowned
- A moment heavenly rich, and murmured "Yes."
- He kissed her proudly, while a giddy tear,
- Wild with its happiness, ran down her cheek
- And perished in the dew. They took their seats,
- And as the paddles struck, grey-pinioned Time
- Flew through the gates of sunset into Night,
- And held through stars to gain the coasts of Morn.
-
- 'Tis done! The phantoms of my soul have fled
- Into the night, and I am left alone
- With that sweet sadness which doth ever dwell
- On the brink of tears; I stare i' th' crumbling fire
- Which from my brooding eye takes strangest shapes.
- The Past is with me, and I scarcely hear
- Outside the weeping of the homeless rain.
-
-
-
-
-LADY BARBARA.
-
-
- Earl Gawain wooed the Lady Barbara,--
- High-thoughted Barbara, so white and cold!
- 'Mong broad-branched beeches in the summer shaw,
- In soft green light his passion he has told.
- When rain-beat winds did shriek across the wold,
- The Earl to take her fair reluctant ear
- Framed passion-trembled ditties manifold;
- Silent she sat his am'rous breath to hear,
- With calm and steady eyes, her heart was otherwhere.
-
- He sighed for her through all the summer weeks;
- Sitting beneath a tree whose fruitful boughs
- Bore glorious apples with smooth-shining cheeks,
- Earl Gawain came and whispered, "Lady, rouse!
- Thou art no vestal held in holy vows;
- Out with our falcons to the pleasant heath."
- Her father's blood leapt up unto her brows--
- He who, exulting on the trumpet's breath,
- Came charging like a star across the lists of death,
-
- Trembled, and passed before her high rebuke:
- And then she sat, her hands clasped round her knee:
- Like one far-thoughted was the lady's look,
- For in a morning cold as misery
- She saw a lone ship sailing on the sea;
- Before the north 'twas driven like a cloud,
- High on the poop a man sat mournfully:
- The wind was whistling thorough mast and shroud.
- And to the whistling wind thus did he sing aloud:--
-
- "Didst look last night upon my native vales,
- Thou Sun! that from the drenching sea hast clomb?
- Ye demon winds! that glut my gaping sails,
- Upon the salt sea must I ever roam,
- Wander for ever on the barren foam?
- O happy are ye, resting mariners.
- O Death, that thou wouldst come and take me home!
- A hand unseen this vessel onward steers,
- And onward I must float through slow moon-measured years.
-
- "Ye winds! when like a curse ye drove us on,
- Frothing the waters, and along our way,
- Nor cape nor headland through red mornings shone,
- One wept aloud, one shuddered down to pray,
- One howled, 'Upon the Deep we are astray.'
- On our wild hearts his words fell like a blight:
- In one short hour my hair was stricken grey,
- For all the crew sank ghastly in my sight
- As we went driving on through the cold starry night.
-
- "Madness fell on me in my loneliness,
- The sea foamed curses, and the reeling sky
- Became a dreadful face which did oppress
- Me with the weight of its unwinking eye.
- It fled, when I burst forth into a cry--
- A shoal of fiends came on me from the deep;
- I hid, but in all corners they did pry,
- And dragged me forth, and round did dance and leap;
- They mouthed on me in dream, and tore me from sweet sleep.
-
- "Strange constellations burned above my head,
- Strange birds around the vessel shrieked and flew,
- Strange shapes, like shadows, through the clear sea fled,
- As our lone ship, wide-winged, came rippling through,
- Angering to foam the smooth and sleeping blue."
- The lady sighed, "Far, far upon the sea,
- My own Sir Arthur, could I die with you!
- The wind blows shrill between my love and me."
- Fond heart! the space between was but the apple-tree.
-
- There was a cry of joy, with seeking hands
- She fled to him, like worn bird to her nest;
- Like washing water on the figured sands,
- His being came and went in sweet unrest,
- As from the mighty shelter of his breast
- The Lady Barbara her head uprears
- With a wan smile, "Methinks I'm but half blest:
- Now when I've found thee, after weary years,
- I cannot see thee, love! so blind I am with tears."
-
-
-
-
-TO ----
-
-
- The broken moon lay in the autumn sky,
- And I lay at thy feet;
- You bent above me; in the silence I
- Could hear my wild heart beat.
-
- I spoke; my soul was full of trembling fears
- At what my words would bring:
- You raised your face, your eyes were full of tears,
- As the sweet eyes of Spring.
-
- You kissed me then, I worshipped at thy feet
- Upon the shadowy sod.
- Oh, fool, I loved thee! loved thee, lovely cheat!
- Better than Fame or God.
-
- My soul leaped up beneath thy timid kiss:
- What then to me were groans,
- Or pain, or death? Earth was a round of bliss,
- I seemed to walk on thrones.
-
- And you were with me 'mong the rushing wheels,
- 'Mid Trade's tumultuous jars;
- And where to awe-struck wilds the Night reveals
- Her hollow gulfs of stars.
-
- Before your window, as before a shrine,
- I've knelt 'mong dew-soaked flowers,
- While distant music-bells, with voices fine,
- Measured the midnight hours.
-
- There came a fearful moment: I was pale,
- You wept, and never spoke,
- But clung around me as the woodbine frail
- Clings, pleading, round an oak.
-
- Upon my wrong I steadied up my soul,
- And flung thee from myself;
- I spurned thy love as 'twere a rich man's dole,--
- It was my only wealth.
-
- I spurned thee! I, who loved thee, could have died,
- That hoped to call thee "wife,"
- And bear thee, gently-smiling at my side,
- Through all the shocks of life!
-
- Too late, thy fatal beauty and thy tears,
- Thy vows, thy passionate breath;
- I'll meet thee not in Life, nor in the spheres
- Made visible by Death.
-
-
-
-
-SONNETS.
-
-
- I cannot deem why men toil so for Fame.
- A porter is a porter though his load
- Be the oceaned world, and although his road
- Be down the ages. What is in a name?
- Ah! 'tis our spirit's curse to strive and seek.
- Although its heart is rich in pearls and ores,
- The Sea complains upon a thousand shores;
- Sea-like we moan for ever. We are weak.
- We ever hunger for diviner stores.
- I cannot say I have a thirsting deep
- For human fame, nor is my spirit bowed
- To be a mummy above ground to keep
- For stare and handling of the vulgar crowd,
- Defrauded of my natural rest and sleep.
-
- * * * * *
-
- There have been vast displays of critic wit
- O'er those who vainly flutter feeble wings,
- Nor rise an inch 'bove ground,--weak Poetlings!
- And on them to the death men's brows are knit.
- Ye men! ye critics! seems 't so very fit
- They on a storm of laughter should be blown
- O'er the world's edge to Limbo? Be it known,
- Ye men! ye critics! that beneath the sun
- The chiefest woe is this,--When all alone,
- And strong as life, a soul's great currents run
- Poesy-ward, like rivers to the sea,
- But never reach 't. Critic, let that soul moan
- In its own hell without a kick from thee.
- Kind Death, kiss gently, ease this weary one!
-
- * * * * *
-
- Joy like a stream flows through the Christmas-streets,
- But I am sitting in my silent room,
- Sitting all silent in congenial gloom.
- To-night, while half the world the other greets
- With smiles and grasping hands and drinks and meats,
- I sit and muse on my poetic doom;
- Like the dim scent within a budded rose,
- A joy is folded in my heart; and when
- I think on Poets nurtured 'mong the throes,
- And by the lowly hearths of common men,--
- Think of their works, some song, some swelling ode
- With gorgeous music growing to a close,
- Deep-muffled as the dead-march of a god,--
- My heart is burning to be one of those.
-
- * * * * *
-
- Beauty still walketh on the earth and air,
- Our present sunsets are as rich in gold
- As ere the Iliad's music was out-rolled;
- The roses of the Spring are ever fair,
- 'Mong branches green still ring-doves coo and pair,
- And the deep sea still foams its music old.
- So, if we are at all divinely souled,
- This beauty will unloose our bonds of care.
- 'Tis pleasant, when blue skies are o'er us bending
- Within old starry-gated Poesy,
- To meet a soul set to no worldly tune,
- Like thine, sweet Friend! Oh, dearer this to me
- Than are the dewy trees, the sun, the moon,
- Or noble music with a golden ending.
-
- * * * * *
-
- Last night my cheek was wetted with warm tears,
- Each worth a world. They fell from eyes divine.
- Last night a loving lip was pressed to mine,
- And at its touch fled all the barren years;
- And softly couched upon a bosom white,
- Which came and went beneath me like a sea,
- An emperor I lay in empire bright,
- Lord of the beating heart, while tenderly
- Love-words were glutting my love-greedy ears.
- Kind Love, I thank thee for that happy night!
- Richer this cheek with those warm tears of thine
- Than the vast midnight with its gleaming spheres.
- Leander toiling through the moonlight brine,
- Kingdomless Anthony, were scarce my peers.
-
- * * * * *
-
- I wrote a Name upon the river sands
- With her who bore it standing by my side,
- Her large dark eyes lit up with gentle pride,
- And leaning on my arm with claspèd hands,
- To burning words of mine she thus replied,
- "Nay, writ not on thy heart. This tablet frail
- Fitteth as frail a vow. Fantastic bands
- Will scarce confine these limbs." I turned love-pale,
- I gazed upon the river'd landscape wide,
- And thought how little _it_ would all avail
- Without her love. 'Twas on a morn of May,
- Within a month I stood upon the sand,
- Gone was the name I traced with trembling hand,--
- And from my heart 'twas also gone away.
-
- * * * * *
-
- Like clouds or streams we wandered on at will,
- Three glorious days, till, near our journey's end,
- As down the moorland road we straight did wend,
- To Wordsworth's "Inversneyd," talking to kill
- The cold and cheerless drizzle in the air,
- 'Bove me I saw, at pointing of my friend,
- An old fort like a ghost upon the hill,
- Stare in blank misery through the blinding rain,
- So human-like it seemed in its despair--
- So stunned with grief--long gazed at it we twain.
- Weary and damp we reached our poor abode,
- I, warmly seated in the chimney-nook,
- Still saw that old Fort o'er the moorland road
- Stare through the rain with strange woe-wildered look.
-
- * * * * *
-
- Sheath'd is the river as it glideth by,
- Frost-pearl'd are all the boughs in forests old,
- The sheep are huddling close upon the wold,
- And over them the stars tremble on high.
- Pure joys these winter nights around me lie;
- 'Tis fine to loiter through the lighted street
- At Christmas time, and guess from brow and pace
- The doom and history of each one we meet,
- What kind of heart beats in each dusky case;
- Whiles startled by the beauty of a face
- In a shop-light a moment. Or instead,
- To dream of silent fields where calm and deep
- The sunshine lieth like a golden sleep--
- Recalling sweetest looks of Summers dead.
-
-
-London:--Printed by G. BARCLAY, Castle St. Leicester Sq.
-
-
-
-
- 86, FLEET STREET, _London_.
- _January 1854._
-
-DAVID BOGUE'S
-
-LATE TILT AND BOGUE,
-
-ANNUAL CATALOGUE.
-
-[Illustration: Logo]
-
-
-
-
-New Illustrated Works.
-
-
-Longfellow's Golden Legend, Illustrated.
-
- A New and Revised Edition, with numerous alterations and notes by
- the author. Illustrated by BIRKET FOSTER. Crown 8vo. handsomely
- bound, 12s.; morocco, 21s.
-
-Longfellow's Poetical Works, Illustrated.
-
- Including "Evangeline," "Voices of the Night," "Seaside and
- Fireside," and other Poems; beautifully illustrated by BIRKET
- FOSTER, JANE BENHAM, and JOHN GILBERT. Crown 8vo, 21s. cloth; 30s.
- morocco.
-
- "Evangeline," separately, 10s. 6d. boards; 16s. morocco.
-
- "Voices of the Night," "Seaside," &c. 15s. boards; 21s. morocco.
-
-Longfellow's Hyperion Illustrated.
-
- Illustrated by BIRKET FOSTER. Crown 8vo. 21s. cloth; 30s. morocco.
-
-Christmas with the Poets:
-
- A collection of English Poetry relating to the Festival of
- Christmas, with Introductory Observations, explanatory of obsolete
- rites and customs, and upwards of Fifty Engravings from Drawings by
- BIRKET FOSTER, and numerous Initial Letters and Borders printed in
- gold. Super-royal 8vo. richly bound, 25s.; morocco, 35s.
-
-Turner and his Works:
-
- A Biography, illustrated by Examples from his Pictures and a
- Critical Examination of his Principles and Practice. By JOHN BURNET,
- F.S.A. The Memoir by PETER CUNNINGHAM: with Plates. Demy 4to. 31s.
- 6d.; Autograph Proofs (only 25 printed), folio, £5. 5s.
-
-Bunyan's Pilgrim's Progress.
-
- Profusely illustrated by WILLIAM HARVEY; with Life by the Rev.
- GEORGE CHEEVER, D.D. Cr. 8vo. 12s. cloth; 17s. mor.; large paper,
- 42s. cloth; 60s. morocco.
-
-The Landscape Painters of England:
-
- Sketches after English Landscape Painters: Twenty Etchings of their
- most characteristic works, by LOUIS MARVY, with short Notices by
- W.M. THACKERAY. Royal 4to. 31s. 6d.; coloured, 52s. 6d.
-
-The Christian Graces in Olden Time:
-
- A series of Female Portraits, beautifully engraved by the best
- Artists, with Poetical Illustrations by HENRY STEBBING, D.D.
- Imperial 8vo. 21s. richly bound and gilt; 42s. coloured.
-
-The Heroines of Shakspeare:
-
- Forty-five Portraits of the principal Female Characters. Engraved
- under the superintendence of Mr. CHARLES HEATH, from Drawings by the
- best Artists. Imperial 8vo. handsomely bound in morocco, 42s.;
- coloured Plates, £3. 13s. 6d.; proofs, imperial folio, half-morocco,
- £3. 13s. 6d.; India proofs, £5. 5s.
-
-The Book of Beauty.
-
- The Court Album, or Book of Beauty. A series of charming Portraits
- of the young Female Nobility, with Historical and Biographical
- Memoirs. 4to. richly gilt, 21s.; coloured, 42s.
-
-Heath's Keepsake.
-
- The Keepsake. Edited by Miss M.A. POWER, (LADY BLESSINGTON'S niece),
- assisted by the most popular writers of the day. Royal 8vo. 21s.;
- India proofs, 52s. 6d.
-
-Rembrandt and his Works;
-
- with a Critical Examination into his Principles and Practice. By
- JOHN BURNET, F.R.S. 15 Plates, 4to. 31s. 6d.; Artist's Autograph
- Proofs, imperial 4to. £5. 5s. (only 50 printed).
-
-Curiosities of Glass-making:
-
- a History of the Art, Ancient and Modern. By APSLEY PELLATT, Esq.
- With Six beautifully coloured Plates of Antique Vases, &c. Small
- 4to. cloth, 12s.
-
-The Cartoons of Raffaelle,
-
- from Hampton Court Palace. Engraved by JOHN BURNET. With Descriptive
- Letterpress and Critical Remarks. Seven large Plates (24 inches by
- 34). In wrapper, 31s. 6d.; or coloured, 63s.
-
-Vestiges of Old London:
-
- A series of finished Etchings from original drawings, with
- descriptions, historical associations, and other references; by J.
- WYKEHAM ARCHER. Imperial 4to. 42s. bound; proofs, 50s.; coloured,
- 63s.
-
-Views in Rome;
-
- comprising all its principal Edifices, and its surrounding Scenery.
- Engraved by W.B. COOKE. 38 Plates, with a Panoramic View of the
- City. 4to. 21s.; India proofs, £2. 2s.
-
-The Bible Gallery:
-
- Eighteen Portraits of the Women mentioned in Scripture, beautifully
- engraved from Original Drawings, with letterpress Descriptions. Imp.
- 8vo. handsomely bound, 21s.; with Plates beautifully coloured, 42s.
-
-The Women of the Bible.
-
- Eighteen Portraits (forming a Second Series of THE BIBLE GALLERY).
- Handsomely bound, 21s.; coloured, 42s.
-
-The Gallery of Byron Beauties:
-
- Portraits of the Heroines of Lord Byron's Poems, from Drawings by
- the most eminent Artists. Super-royal 8vo. morocco, 31s. 6d.; highly
- coloured, £3.
-
-Heath's Waverley Gallery.
-
- Portraits of the principal Female Characters in the Writings of
- SCOTT. 36 highly-finished Plates, super-royal 8vo. splendidly bound
- in morocco, 31s. 6d.; with coloured plates, £3.
-
-Gallery of the Graces;
-
- or, Beauties of British Poets: 36 beautiful Female Heads by
- Landseer, Boxall, F. Stone, &c., illustrating Tennyson, Campbell,
- Rogers, Landon, &c. Super-royal 8vo. 31s. 6d. morocco; with coloured
- Plates, £3.
-
-Milton's Poetical Works.
-
- Paradise Lost and Regained, Comus, Samson Agonistes, L'Allegro, &c.:
- with Essay on Milton's Life and Writings, by JAMES MONTGOMERY;
- illustrated with One Hundred and Twenty Engravings, by THOMPSON,
- WILLIAMS, ORRIN SMITH, &c. from Drawings by WILLIAM HARVEY. Two
- volumes, crown 8vo. 24s. cloth; 34s. morocco.
-
-Thomson's Seasons and Castle of Indolence.
-
- With Life and Critical Remarks by ALLAN CUNNINGHAM; and 48
- Illustrations by Samuel Williams. 12s. cloth; 17s. morocco.
-
-Beattie and Collins' Poetical Works.
-
- With an Essay on their Lives and Writings, and Illustrations,
- engraved by S. WILLIAMS, &c. from Drawings by JOHN ABSOLON. Crown
- 8vo. cloth, 12s.; morocco, 17s.
-
-The Language of Flowers;
-
- or, the Pilgrimage of Love. By THOMAS MILLER. With Twelve
- beautifully coloured Plates. Fcp. 8vo. silk, 10s. 6d.; morocco, 12s.
-
-The Romance of Nature;
-
- or, the Flower Seasons Illustrated. By L.A. TWAMLEY. With
- Twenty-seven coloured Plates, 3d Edition, 31s. 6d. morocco.
-
-Flora's Gems:
-
- Twelve splendid Groups of Flowers, drawn and coloured by JAMES
- ANDREWS; with Poetical Illustrations by L.A. Twamley. Imp. 4to 21s.
- handsomely bound.
-
-Sir Walter Scott's most Popular Works--
-
- _Tilt's Illustrated Editions._
- 1. THE LAY OF THE LAST MINSTREL.
- 2. THE LADY OF THE LAKE.
- 3. MARMION: A TALE OF FLODDEN FIELD.
- 4. ROKEBY.
-
- These elegant volumes are uniformly printed in fcp. 8vo. and
- illustrated with numerous Engravings on Steel, price 7s. cloth; 10s.
- 6d. morocco elegant.
-
-Cowper's Poems.
-
- With Life and Critical Remarks, by the Rev. THOMAS DALE: and 75 fine
- Engravings by J. Orrin Smith, from Drawings by J. Gilbert. Two vols.
- crown 8vo. 24s. cloth; 34s. morocco.
-
- "The handsomest of the editions of Cowper."--SPECTATOR.
-
-Pictures of Country Life;
-
- or, Summer Rambles in Green and Shady Places. By THOS. MILLER,
- Author of "Beauties of the Country." With Illustrations by Samuel
- Williams. Crown 8vo. cloth, 6s.
-
-Sketches at Home and Abroad.
-
- By J.D. HARDING. Sixty Views of the most interesting Scenes, Foreign
- and Domestic, printed in tints, in exact imitation of the Original
- Drawings. Imperial folio, half-morocco, £6. 6s.
-
- "A treasure-house of delight. Here northern Italy yields up its
- architectural glories and its lake scenery--Venice its palaces--the
- Tyrol its romantic valleys and villages--the Rhenish cities their
- picturesque beauty--and France and England their greenest spots of
- remembrance."--ATHEN.
-
-The Beauty of the Heavens.
-
- In One Hundred and Four Coloured Plates, representing the principal
- Astronomical Phenomena; and an Elementary Lecture, expressly adapted
- for Family Instruction and Entertainment. By CHARLES F. BLUNT. New
- Edition, 4to. cloth, 28s.
-
-Le Keux's Memorials of Cambridge.
-
- Views of the Colleges, Halls, Churches, and other Public Buildings
- of the University and Town, engraved by J. Le Keux; with Historical
- and Descriptive Accounts, by THOMAS WRIGHT, B.A., and the Rev. H.L.
- JONES. Two volumes, demy 8vo. cloth, 24s.; India proofs, 63s.
-
-Pearls of the East:
-
- Beauties from "Lalla Rookh." Twelve large-sized Portraits, by FANNY
- CORBAUX. Imp. 4to. 31s. 6d. tinted; plates highly coloured, 52s. 6d.
-
-Walton and Cotton's Complete Angler.
-
- Edited by JOHN MAJOR, with Illustrations by ABSOLON. New Edition,
- fcp. 8vo. cloth, 12s.; morocco, 18s.; large paper, boards, 24s.;
- morocco, 31s. 6d.
-
-
-
-
-PRACTICAL WORKS ON
-
-Drawing and Painting.
-
-
-JOHN BURNET, F.R.S.
-
-Landscape Painting in Oil Colours
-
- explained, in Letters on the Theory and Practice of the Art.
- Illustrated by 14 Plates of Examples from the several Schools. By
- JOHN BURNET, F.R.S. Author of "Practical Hints on Painting." Quarto,
- 21s. cloth.
-
-Practical Hints on Portrait Painting.
-
- Illustrated by Examples from the Works of the best Masters. By JOHN
- BURNET. Demy 4to. 21s.
-
-Practical Essays on the Fine Arts;
-
- with a Critical Examination into the Principles and Practice of the
- late Sir David Wilkie. By JOHN BURNET. Post 8vo. 6s.
-
-
-J.D. HARDING.
-
-Lessons on Art:
-
- a complete Course of Instruction, with Examples for Practice. By
- J.D. HARDING. 4to. 25s. cloth; or in separate Numbers, 21s.
-
- *** This work is dedicated to _His Royal Highness the Prince of
- Wales_, by special permission of _Her Majesty the Queen_.
-
-Elementary Art;
-
- or, the Use of the Chalk and Lead Pencil advocated and explained. By
- J.D. HARDING. With numerous Plates. Third Edition, imp. 4to. 42s.
-
-
-Lessons on Trees.
-
- A progressive series of examples; by J.D. HARDING. Imp. 4to. 25s.
- cloth; or in separate Numbers, 21s.
-
- *** For List of Mr. HARDING'S DRAWING BOOKS, see page 21.
-
- * * * * *
-
-Fielding's Works on Painting.
-
- I. Treatise on Painting in Water Colours in Theory and Practice. By
- T.H. FIELDING, late Professor of Painting at the H.E.I. College at
- Addiscombe. With Plates, plain and coloured. Fourth Edition. 10s. 6d.
-
- II. The Theory and Practice of Painting in Oil and Water Colours.
- With an Appendix on Lithography. Fifth Edition. With numerous
- Plates, plain and coloured, 16s.
-
-
-Harry Willson on Water Colours.
-
- A Practical Treatise on Composition, Light and Shade, and Colour.
- Illustrated by coloured Plates. New Edition, imp. 8vo. 16s. cloth.
-
-
-The Elements of Art:
-
- a Manual for the Amateur, and Basis of Study for the Professional
- Artist. By J.G. CHAPMAN. Many Woodcuts. 4to. 10s. 6d.
-
-The Art of Painting Restored
-
- to its simplest and surest principles. By L. HUNDERTPFUND. 24
- coloured Plates. Post 8vo. 9s. 6d.
-
- --> MANUALS OF ART, see page 15.----DRAWING BOOKS, page 21.
-
-
-
-
-Architectural Works.
-
-
-RAPHAEL AND J. ARTHUR BRANDON.
-
-An Analysis of Gothic Architecture.
-
- Illustrated by a series of upwards of Seven Hundred Examples of
- Doorways, Windows, &c.; accompanied with Remarks on the several
- Details of an Ecclesiastical Edifice. By R. and J.A. BRANDON,
- Architects. 2 large vols. royal 4to. £5. 5s.
-
-The Open Timber Roofs of the Middle Ages.
-
- Illustrated by Perspective and Working Drawings of some of the best
- varieties of Church Roofs; with descriptive Letterpress. By R. and
- J.A. BRANDON. Royal 4to. uniform with the above, £3. 3s.
-
-Parish Churches;
-
- being Perspective Views of English Ecclesiastical Structures;
- accompanied by Plans drawn to a Uniform Scale, and Letterpress
- Descriptions. By R. and J.A. BRANDON, Architects. 2 vols. large 8vo.
- containing 160 Plates, £2. 2s.
-
- * * * * *
-
-Winkles's English Cathedrals.
-
- ARCHITECTURAL AND PICTURESQUE ILLUSTRATIONS OF THE CATHEDRAL
- CHURCHES OF ENGLAND AND WALES. New Edition, with the MANCHESTER
- CATHEDRAL. 186 Plates, beautifully engraved by B. WINKLES; with
- Historical and Descriptive Accounts of the various Cathedrals. In
- three handsome vols. imp. 8vo. cloth, £2. 8s.; roy. 4to. India
- proofs (_very few left_), £6. 6s.
-
- *** The Third Volume, comprising Lichfield, Gloucester, Hereford,
- Worcester, Durham, Carlisle, Chester, Ripon, Manchester, and the
- Welsh Cathedrals, may still be had separately, to complete sets,
- price 24s. in 8vo., 48s. 4to.
-
-Winkles's French Cathedrals.
-
- From Drawings by R. GARLAND; with Historical and Descriptive
- Accounts. Containing Fifty large Plates. Cloth, 21s.; royal 4to.
- India proofs, £2. 2s.
-
-Glossary of Architecture.
-
- Explanation of the Terms used in Grecian, Roman, Italian, and Gothic
- Architecture, exemplified by many Hundred Woodcuts. Fifth Edition,
- much enlarged. 3 vols. 8vo. 48s.
-
-Introduction to Gothic Architecture.
-
- By the Editor of the "Glossary;" with numerous Illustrations, 4s.
- 6d. cl.
-
-Principles of Gothic Ecclesiastical Architecture.
-
- By M.H. BLOXAM. With an Explanation of Technical Terms. Ninth
- Edition, enlarged, with 260 Woodcuts, 6s. cloth.
-
-Stuart's Antiquities of Athens,
-
- And other Monuments of Greece. With Seventy Plates, accurately
- reduced from the great work of Stuart and Revett; and a
- Chronological Table, forming a valuable Introduction to the Study of
- Grecian Architecture. 10s. 6d. cloth.
-
-Domestic Architecture.
-
- Illustrations of the Ancient Domestic Architecture of England, from
- the XIth to the XVIIth Century. Arranged by JOHN BRITTON, F.S.A.
- With an Historical and Descriptive Essay. Fcp. 8vo. 5s. cloth.
-
-Suggestions in Design.
-
- For the use of Artists and Art-workmen. Many Hundred subjects drawn
- by LUKE LIMNER. 4to. cloth, 16s.
-
-
-
-
-Books of Travel, &c.
-
-
-MR. ANGUS B. REACH'S NEW WORK.
-
-The Loire and the Rhone,
-
- with a Dash into Normandy: the Journal of a Summer Tour. By A.B.
- REACH, Author of "Claret and Olives." Post 8vo. with
- Illustrations.--_Nearly ready._
-
-Albert Smith's Story of Mont Blanc
-
- and the various Ascents thereof, from the time of Saussure to the
- present day. With Illustrations. Crown 8vo. 10s. 6d. cloth.
-
-A Month in Constantinople.
-
- By ALBERT SMITH. With numerous Illustrations on Steel and Wood.
- Third Edition, fcp. 8vo. 5s. cloth.
-
-Prince Adalbert.
-
- Travels of H.R.H. Prince Adalbert, of Prussia, in the South of
- Europe and in Brazil; with a Voyage up the Amazon and the Xingú.
- Translated by Sir R.H. SCHOMBURCK and J.E. TAYLOR. 2 vols. 8vo. Maps
- and Plates, 16s.
-
-Travels in Peru,
-
- during the years 1838-42, across the Cordilleras and the Andes into
- the Primeval Forests. By Dr. J.J. VON TSCHUDI. Translated by Miss
- Ross. 8vo. 12s.
-
-The Boat and the Caravan:
-
- a Family Tour in Egypt and Syria. With Engravings on Steel from
- Original Drawings. Fourth Edit. Fcp. 8vo. cloth, 7s.; morocco, 10s.
- 6d.
-
-Tour on the Prairies.
-
- Narrative of an Expedition across the Great South Western Prairies,
- from Texas to Santa Fé. By GEORGE W. KENDALL. 2 vols. fcp. 8vo, with
- Map and Plates, 12s.
-
-The Wonders of Travel;
-
- containing choice Extracts from the best Books of Travel. Fcp. 8vo.
- Plates, 3s. 6d.
-
-
-
-
-Fiction and Amusement.
-
-
-Leonard Lindsay.
-
- The Story of a Buccaneer. By ANGUS B. REACH. 2 vols. post 8vo. 21s.
-
-Reveries of a Bachelor.
-
- By IK. MARVEL. Fcp. 8vo. 4s. 6d. cloth.
-
-
-THE BROTHERS MAYHEW.
-
-The Greatest Plague of Life;
-
- or, The Adventures of a Lady in Search of a Servant, by One who has
- been almost Worried to Death. Edited by the Brothers MAYHEW.
- Illustrated by George Cruikshank. Crown 8vo. 7s. cloth.
-
-The Magic of Industry;
-
- or, The Good Genius that turned Everything to Gold: a Fairy Tale. By
- the Brothers MAYHEW. With Plates by George Cruikshank. 2s. 6d.
- cloth.
-
-Acting Charades;
-
- or, Deeds not Words. A Christmas game to make a long evening short.
- By the Brothers MAYHEW. Illustrated with many hundred woodcuts. 5s.
- cloth.
-
-Round Games
-
- for all Parties, containing an inexhaustible Budget of Amusement for
- the Fireside, &c. 5s. cloth.
-
- * * * * *
-
-The Sandboys' Adventures;
-
- or, London in 1851, during the Great Exhibition. By HENRY MAYHEW and
- G. CRUIKSHANK. 8vo. cloth, 8s. 6d.
-
-Cracker Bon-Bon for Christmas Parties:
-
- A Collection of Humorous Dramas, Poems, and Sketches. By R.B.
- BROUGH. Profusely illustrated by Hine. Cloth, 3s. 6d.
-
-Christopher Tadpole:
-
- his Struggles and Adventures. By ALBERT SMITH. With 42 Illustrations
- on Steel, by JOHN LEECH, and a Portrait of the Author. 8s.
-
- *** See also COMIC NATURAL HISTORIES, &c. page 10.
-
-Gavarni in London.
-
- Scenes and Sketches of London Life and Manners. By Mons. GAVARNI.
- Beautifully engraved and tinted. Imp. 8vo. handsomely bound, 6s.
-
-The Pentamerone;
-
- or, Story of Stories: an admirable Collection of Fairy Tales. By
- GIAM. BASILE. Translated from the Neapolitan by J.E. TAYLOR. With
- Illustrations by George Cruikshank. New Edition Revised. Crown 8vo.
- 6s. cloth.
-
-Village Tales from the Black Forest.
-
- By BERTHOLD AUERBACH. Translated by META TAYLOR. With Illustrations
- by Absolon. Post 8vo. 6s. cloth.
-
-Adventures of Robinson Crusoe, complete.
-
- Reprinted from the Original Edition, with Illustrations by Stothard.
- Crown 8vo cloth, 7s. 6d.
-
-Robinson Crusoe,
-
- with numerous Woodcuts by George Cruikshank and others. Fcp. 8vo.
- 3s. 6d. cloth.
-
-Pen and Ink Sketches of Poets, Preachers, and
-
- Politicians. Second Edition. Post 8vo. 5s.
-
-The Young Lady's Oracle:
-
- A Fireside Amusement, with coloured Plate. 2s. 6d. cloth.
-
-
-
-
-Comic Works.
-
-
-GEORGE CRUIKSHANK'S WORKS.
-
-My Sketch-book;
-
- containing more than Two Hundred laughable Sketches. By GEORGE
- CRUIKSHANK. In 9 Numbers, 2s. 6d. each plain; 3s. 6d. coloured.
-
-Scraps and Sketches.
-
- In 4 Parts, each 8s. plain; 12s. coloured.
-
-Illustrations of Time.
-
- 8s. plain; 12s. coloured.
-
-Illustrations of Phrenology.
-
- 8s. plain; 12s. coloured.
-
-The Bottle.
-
- In 8 large Plates, 1s.; or printed in tints, 6s.
-
-The Drunkard's Children: a Sequel to the Bottle.
-
- 8 large Plates, 1s.; printed in tints, 6s.
-
- *** These two works may be had stitched up with Dr. Charles Mackay's
- illustrative Poem, price 3s.--The Poem separate, 1s.
-
-The Comic Alphabet.
-
- Twenty-six Humorous Designs. In case, 2s. 6d. plain; 4s. coloured.
-
-The Loving Ballad of Lord Bateman.
-
- With Twelve Humorous Plates. Cloth, 2s.
-
-The Bachelor's Own Book:
-
- being Twenty-four Passages in the Life of Mr. Lambkin in the Pursuit
- of Pleasure and Amusement. 5s. sewed; coloured, 8s. 6d.
-
-The Comic Almanack, since its commencement
-
- in 1835 to 1853. Illustrated with numerous large Plates by George
- Cruikshank, and many hundred amusing Cuts.
-
- *** Any of the separate Years (except that for 1835) may be had at
- One Shilling and Threepence each.
-
-John Gilpin:
-
- Cowper's humorous Poem. With Six Illustrations by G. Cruikshank.
- Fcp. 8vo. 1s.
-
-The Epping Hunt.
-
- The Poetry by THOMAS HOOD, the Illustrations by George Cruikshank.
- New Edition, fcp. 8vo. 1s. 6d.
-
-The Toothache,
-
- imagined by HORACE MAYHEW, and realized by George Cruikshank: a
- Series of Sketches. In case, 1s. 6d. plain; 3s. coloured.
-
-Mr. Bachelor Butterfly:
-
- his Veritable History; showing how, after being Married, he narrowly
- escaped Bigamy, and became the Stepfather of Eight Hopeful Children.
- By the Author of "Mr. Oldbuck." 5s. cloth.
-
-Comic Adventures of Obadiah Oldbuck:
-
- wherein are duly set forth the Crosses, Chagrins, Changes, and
- Calamities, by which his Courtship was attended; showing, also, the
- Issue of his Suit, and his Espousal to his Ladye-love. Large 8vo.
- with 84 Plates, 7s. cloth.
-
-The History of Mr. Ogleby:
-
- shewing how, by the polish of his manners, the brilliancy of his
- repartees, and the elegance of his attitudes, he attained
- distinction in the fashionable world. 150 Designs, 6s. cloth.
-
-The Comic Latin Grammar:
-
- A New and Facetious Introduction to the Latin Tongue. Profusely
- illustrated with Humorous Engravings by Leech. New Edition, 5s.
- cloth.
-
- "Without exception the most richly comic work we have ever
- seen."--TAIT'S MAG.
-
-New Readings from Old Authors.
-
- Illustrations of Shakspeare, by ROBERT SEYMOUR. 4s. cloth.
-
-Tale of a Tiger.
-
- With Six Illustrations. By J.S. COTTON. Fcp. 8vo. 1s.
-
-Table-Wit, and After-dinner Anecdote.
-
- By the Editor of "Hints for the Table." Fcp. 8vo. 1s. 6d. cloth.
-
-
-Comic Natural Histories.
-
-By ALBERT SMITH, A.B. REACH, HORACE MAYHEW, &c. &c.
-
-_Profusely Illustrated by the best Comic Artists of the day_.
-
-Price One Shilling each.
-
-ALBERT SMITH.
-
- The Gent.
- The Ballet Girl.
- Stuck-up People.
- Idler upon Town.
- The Flirt.
- Evening Parties.
- A Bowl of Punch.
-
-A.B. REACH.
-
- Bores.
- Humbugs.
- Romance of a Mince Pie.
-
-HORACE MAYHEW.
-
- Model Men.
- Model Women.
- Change for a Shilling.
-
-_Also, in same style,_
-
- Hearts are Trumps. By James Hannay.
- Natural History of Tuft-hunters and Toadies.
- " " the Hawk Tribe (Swindlers, Blacklegs, &c.).
- " " a Bal Masqué. By the Count Chicard.
-
-
-
-
-Miscellaneous Works.
-
-
-Alexander Smith's Poems.
-
- A Life Drama, and other Poems. By ALEXANDER SMITH. _Third Edition._
- Fcp. 8vo. cloth, 5s.
-
-Life and Times of Madame de Staël.
-
- By MARIA NORRIS. Post 8vo. 9s. cloth.
-
-My Life and Acts in Hungary:
-
- Being a Personal Narrative of his Career in connection with the
- Revolution. By ARTHUR GÖRGEI, Commander-in-Chief of the Hungarian
- Army. 2 vols. post 8vo. 21s.
-
-Men of the Time:
-
- A Series of Succinct Biographies of the most Eminent Living
- Notables:--Authors, Artists, Engravers, Poets, Preachers,
- Travellers, &c. &c. Small 8vo. 6s. cloth.
-
-Lectures on the Great Exhibition
-
- and its Results on the Arts and Manufactures, delivered before the
- Society of Arts, by some of the most EMINENT MEN of the day. In Two
- Series, price 7s. 6d. each, neatly bound in cloth.
-
-Lectures on Gold,
-
- delivered at the Government School of Mines, for the Use of
- Emigrants to Australia. Crown 8vo. with illustrations, 2s. 6d.
-
-BOGUE'S GUIDES _for Travellers_,
-
- in compact and convenient volumes, pocket size;--
-
- I. BELGIUM and the RHINE, maps and plans.
- II. SWITZERLAND and SAVOY, map.
- III. FRANCE: with a complete Guide to Paris.
-
- *** Others _in preparation_.
-
-The Pocket Peerage and Baronetage of Great
-
- Britain and Ireland. By HENRY R. FORSTER, of "The Morning Post."
- Neatly bound, 6s.
-
-Webster's Quarto Dictionary, unabridged;
-
- containing all the Words in the English Language, with their
- Etymologies and Derivations. By NOAH WEBSTER, LL.D. Revised by
- Professor GOODRICH. With Pronouncing Vocabularies of Scripture,
- Classical, and Geographical Names. New Edition, carefully printed in
- a large 4to. volume, 31s. 6d. cloth; 42s. calf.
-
- *** The only _complete work_. _All_ the octavo editions are
- Abridgments.
-
-Webster's Octavo Dictionary.
-
- Abridged from the above. Cloth, 7s. 6d.
-
-The Fourth Estate.
-
- A History of Newspapers and the Liberty of the Press. By F.K. HUNT.
- Two vols. post 8vo. 21s. cloth.
-
-The Religion of Geology,
-
- and its Connected Sciences. By EDWARD HITCHCOCK, D.D., of Amherst
- College. Crown 8vo. 7s. cloth.
-
-Longfellow's Poems.
-
- The Poetical Works of H.W. LONGFELLOW. New Edition, with plates and
- portrait, fcp. 8vo. cloth, 4s. 6d.; morocco, 9s.
-
-Longfellow's Prose Works.
-
- Uniform with the above. Fcp. 8vo, cloth, 4s. 6d.; morocco, 9s.
-
-Longfellow's Golden Legend.
-
- The Golden Legend. By H.W. LONGFELLOW. Second Edition, fcp. 8vo. 5s.
- cloth; 9s. morocco.
-
- *** This volume is necessary to complete _all_ editions of the
- author's works.
-
-The Happy Home:
-
- a Series of Papers affectionately ascribed to the Working People. By
- the Author of "Life in Earnest." Sewed, 1s.; cloth gilt, 1s. 6d.
-
-The Fountain of Living Waters:
-
- 2s. cloth gilt.
-
-The Angel's Song.
-
- By the Rev. C.B. TAYLER, M.A. With Illustrations by Harvey. Fcp.
- bds. 5s.
-
-French Domestic Cookery,
-
- combining Elegance with Economy; in 1200 Receipts. With numerous
- Engravings, Fcp. 8vo. 4s. cloth.
-
-The Stowe Catalogue
-
- Priced and Annotated, by HENRY RUMSEY FORSTER, of the "Morning Post"
- newspaper. With numerous Illustrations of the principal Objects.
- 4to. half-morocco, 15s.
-
-Emma de Lissau;
-
- or, Memoirs of a Converted Jewess. With Illustrations by Gilbert.
- New Edition, 7s. cloth; 10s. 6d. morocco.
-
-Miriam and Rosette;
-
- or, The Twin Sisters: a Jewish Narrative of the XVIIIth Century. By
- the Author of "Emma de Lissau." Illustrated by Gilbert. 3s. 6d.
- cloth.
-
-Rev. Thomas Dale's Poetical Works.
-
- Including The Widow of Nain, The Daughter of Jairus, &c. New and
- Enlarged Edition, fcp. 8vo. 7s. cloth; 10s. 6d. morocco.
-
-Windsor in the Olden Time:
-
- its Historical and Romantic Annals, from the earliest Records. By
- JOHN STOUGHTON. Crown 8vo. 6s.
-
-The Whaleman's Adventures in the Southern Ocean.
-
- Edited by the Rev. W. SCORESBY, D.D. Fcp. 8vo. cloth, 6s.
-
-The Maid of Honour;
-
- or, Massacre of St. Bartholomew: an Historical Tale of the Sixteenth
- Century. With Illustrations by ABSOLON. Fcp. 8vo. 3s. 6d.
-
-Madame Guizot's Young Student;
-
- or, Ralph and Victor: a Tale for Youth, by Madame GUIZOT. Translated
- by SAMUEL JACKSON. With Engravings. New Edition, fcp. 8vo. 3s. 6d.
- cloth.
-
-The London Anecdotes for all Readers,
-
- on the Plan of the Percy Anecdotes. 2 vols. 6s. cloth.
-
-The Glory of Christ
-
- illustrated in his Character and History, and in the last things of
- his Mediatorial Government. By GARDINER SPRING, D.D. Fcp. 8vo. 7s.
- cloth.
-
-The Singing-Book.
-
- The art of Singing at Sight taught by Progressive Exercises. By
- JAMES TURLE, Organist of Westminster Abbey; and EDWARD TAYLOR,
- Gresham Professor of Music. 4s. 6d. cloth.
-
-Egeria; or, the Spirit of Nature.
-
- By CHARLES MACKAY, LL.D. Fcp. 8vo. 5s. cloth.
-
-Town Lyrics.
-
- By CHARLES MACKAY. Crown 8vo. sewed, 1s.
-
-The Book of the Months,
-
- and CIRCLE of the SEASONS. Embellished with Twenty-eight Engravings
- from Drawings by WILLIAM HARVEY. Beautifully printed in fcp. 8vo.
- 3s. 6d. cloth.
-
-Miniature French Dictionary,
-
- in French and English, and English and French: comprising all the
- words in general use. The remarkably comprehensive nature and
- compact size of this little dictionary admirably fit it for the
- student and tourist. Neatly bound in roan, 4s. morocco, gilt edges,
- 5s. 6d.
-
-Sharpe's Diamond Dictionary
-
- of the ENGLISH LANGUAGE. A very small volume, beautifully printed in
- a clear and legible type. Roan neat, 2s. 6d.; morocco, 3s. 6d.
-
-May You Like It:
-
- a Series of Tales and Sketches. By the Rev. CHARLES B. TAYLER,
- Author of "Records of a Good Man's Life." Fcp. 8vo. 7s. 6d. cloth;
- 10s. 6d. morocco.
-
-Sketches of Canadian Life,
-
- Lay and Ecclesiastical, illustrative of Canada and the Canadian
- Church. By a PRESBYTER of the DIOCESE of TORONTO. Post 8vo. 6s.
-
-Panorama of Jerusalem
-
- and the surrounding Scenery, from a Drawing by the Librarian of the
- Armenian Convent: with Historical and Descriptive Notices from the
- works of Robinson, Keith, Rae Wilson, Buckingham, &c. In cloth case,
- 2s. 6d.
-
-Recollections of the Lakes;
-
- and OTHER POEMS. By the Author of "Moral of Flowers," "Spirit of the
- Woods," &c. Fcp. 8vo. with Frontispiece, 7s. cloth; 10s. 6d. mor.
-
-Year-Book of Facts in Science and Art;
-
- exhibiting the most important Discoveries and Improvements of the
- Year, and a Literary and Scientific Obituary. By the Editor of "The
- Arcana of Science." Illustrated with Engravings, fcp. 8vo. 5s.
- cloth.
-
- *** This work is published annually, and contains a complete and
- condensed view of the progress of discovery during the year,
- systematically arranged, with engravings illustrative of novelties
- in the arts and sciences, &c. The volumes, from its commencement in
- 1839, may still be had, 5s. each.
-
- "Ably and honestly compiled."--ATHENÆUM.
-
-Life's Lessons:
-
- a Domestic Tale. By the Author of "Tales that Might be True." New
- Edition, with Frontispiece, fcp. 8vo. 4s, cloth.
-
-Williams's Symbolical Euclid,
-
- chiefly from the Text of Dr. Simson. Adapted to the Use of Students
- by the Rev. J.M. WILLIAMS, of Queen's College, Cambridge. New
- Edition, 6s. 6d. cloth; 7s. roan.--An 8vo. Edition may also be had,
- 7s. cloth.
-
- ++§++ This edition is in use at many of the Public Schools.
-
-King's Interest Tables,
-
- on Sums from One to Ten Thousand Pounds. Enlarged and improved, with
- several useful Additions. By JOSEPH KING, of Liverpool. In 1 large
- vol. 8vo. 21s.
-
-Seven Hundred Domestic Hints,
-
- combining Elegance and Economy with the Enjoyment of Home. By a
- LADY. Neatly bound in cloth, 2s. 6d.
-
-Floral Fancies;
-
- or, Morals from Flowers. With Seventy Illustrations. Fcp. 8vo. 7s.
- cloth.
-
-The Game of Whist;
-
- its Theory and Practice, by an Amateur. With Illustrations by KENNY
- MEADOWS. New Edition, fcp. 8vo. 3s. cloth.
-
-Backgammon:
-
- its History and Practice, by the Author of "Whist." Illustrated by
- MEADOWS. Fcp. 8vo. 2s. cloth.
-
-The Dream of Eugene Aram.
-
- By THOMAS HOOD, Author of "The Song of a Shirt." With Illustrations
- by Harvey. Crown 8vo. 1s. sewed.
-
-
-WORKS WITH ILLUMINATED TITLES.
-
-IN THE STYLE OF THE OLD ROMISH MISSALS.
-
-Books of Poetry.
-
- THE POETRY OF FLOWERS.
- POETRY OF THE SENTIMENTS.
- THE LYRE.--Fugitive Poetry of the Nineteenth Century.
- THE LAUREL.--a Companion Volume to the Lyre.
-
- 3s. 6d. neatly bound in French morocco elegant.
-
-Elegant Miniature Editions.
-
- COWPER'S POEMS. 2 vols.
- THOMSON'S SEASONS.
- SCOTT'S LADY OF THE LAKE.
- SCOTT'S MARMION.
- SCOTT'S LAY AND BALLADS.
- SCOTT'S ROKEBY.
- SCOTT'S SELECT POETICAL WORKS.
- 4 vols. containing the above Poems uniformly bound.
- VICAR OF WAKEFIELD.
- COTTAGERS OF GLENBURNIE.
- SACRED HARP.
-
- *** Each volume, very neatly bound and gilt, 2s. 6d. cloth; 4s.
- morocco.
-
-
-USEFUL WORKS.
-
-_One Shilling each, neatly bound._
-
- ETIQUETTE FOR THE LADIES.--_Fortieth Edition._
- ETIQUETTE FOR THE GENTLEMEN.--_Thirty-fourth Edition._
- ETIQUETTE OF COURTSHIP AND MATRIMONY, with a complete Guide to the
- Forms of a Wedding.
- HAND-BOOK OF PENCIL DRAWING (Plates).
- A SHILLING'S WORTH OF SENSE.
- THE WEATHER BOOK: 300 Rules for Telling the Weather.
- THE BALL ROOM PRECEPTOR AND POLKA GUIDE.
- LANGUAGE OF FLOWERS, with illuminated covers and coloured Frontispiece.
- BALL ROOM POLKA, with Music and Figures.
-
-
-Manuals of Instruction and Amusement.
-
-Price One Shilling each, neatly printed and illustrated.
-
- 1. Manual of Flower Gardening for Ladies. By J.B. Whiting,
- Practical Gardener. 2d Edition.
- 2. --------- Chess. By Charles Kenny.
- 3. --------- Music. By C.W. Manby.
- 4. --------- Domestic Economy. By John Timbs.
- 5. --------- Cage Birds. By a Practical Bird-keeper.
- 6. --------- Oil Painting; with a Glossary of Terms of Art.
- 7. --------- for Butterfly Collectors. By Abel Ingpen. Plates.
- 8. --------- Painting in Water Colours.
-
-
-Tilt's Cabinet Library Editions.
-
- 1. DR. JOHNSON'S LIVES of the ENGLISH POETS.
- 2. BOSWELL'S LIFE of JOHNSON.
- 3. OLIVER GOLDSMITH'S WORKS.
- 4. HERVEY'S MEDITATIONS and CONTEMPLATIONS.
-
- ++§++ These Works are clearly and beautifully printed by
- Whittingham, and each comprised in a handsome fcp. 8vo. vol. Their
- elegance and cheapness render them very suitable for Presents,
- School Prizes, or Travelling Companions. Price 6s. each, neatly
- half-bound morocco; or 9s. calf extra.
-
- "TILT'S EDITION" must be specified in ordering the above.
-
-
-
-
-Juvenile Works.
-
-
-Captain Mayne Reid's Books for Boys.
-
- I. The Desert Home; or, English Family Robinson. With numerous
- Illustrations by W. HARVEY. Third Edition, cloth, 7s.; with
- coloured plates, 10s. 6d.
-
- II. The Boy Hunters; or, Adventures in Search of a White Buffalo.
- With numerous Plates by HARVEY. Third Edition, cloth, 7s.;
- coloured, 10s. 6d.
-
- III. The Young Voyageurs; or, Adventures in the Fur Countries of the
- Far North. Plates by Harvey. Fcp. 8vo. 7s.; with coloured plates,
- 10s. 6d.
-
-The Boyhood of Great Men.
-
- As an Example to Youth. By JOHN G. EDGAR. With Cuts by B. Foster.
- Third Edition, 3s. 6d. cloth; with gilt edges, 4s.
-
-Footprints of Famous Men;
-
- or, Biography for Boys. By J.G. EDGAR. Cuts by Foster. 3s. 6d.
- cloth; 4s. gilt edges.
-
-Memorable Women;
-
- The Story of their Lives. By Mrs. NEWTON CROSLAND. Illustrated by B.
- Foster. Fcp. 8vo. 6s.
-
-The Boy's Own Book:
-
- a complete Encyclopædia of all the Diversions--Athletic, Scientific,
- and Recreative--of Boyhood and Youth. With several hundred Woodcuts.
- New Edition, greatly enlarged and improved. Handsomely bound, 8s.
- 6d.
-
-Picture Book for Young People.
-
- Fifty quarto Plates, with Descriptions, cloth, 5s.; coloured, 10s.
- 6d.
-
-George Cruikshank's Fairy Library.
-
- Edited and Illustrated by George Cruikshank.
-
- I. Hop o' My Thumb, 1s.
- II. Jack and the Bean-stalk, 1s.
-
-The Comical Creatures from Wurtemberg:
-
- from the Stuffed Animals in the Great Exhibition. Square cloth, 3s.
- 6d.; coloured, 6s.
-
-Comical People
-
- met with at the Great Exhibition, from Drawings by J.J. GRANDVILLE.
- Small quarto, 3s. 6d.; coloured, 6s.
-
-Comical Story Books,
-
- With Coloured Plates. Price One Shilling each.
-
- 1. The Weasels of Holmwood.
- 2. The Wonderful Hare Hunt.
- 3. Story of Reynard the Fox.
- 4. Lady Chaffinch's Ball.
- 5. Alderman Gobble.
- 6. A Comical Fight.
-
-Original Poems for my Children.
-
- By THOMAS MILLER. Profusely Illustrated. 2s. 6d. cloth.
-
-The Young Islanders;
-
- a Tale of the Seaward-House Boys. By JEF. TAYLOR. Tinted plates, 6s.
- cl.
-
-History of England,
-
- for Young Persons. By ANNE LYDIA BOND. 80 illustrations, 3s. 6d.
-
-Little Mary's Books for Children.
-
- Price 6d. each, profusely illustrated:--
-
- Primer; Spelling Book; Reading Book; History of England; Scripture
- Lessons; First Book of Poetry; Second Book of Poetry; Babes in the
- Wood; Picture Riddles; Little Mary and her Doll.
-
-Little Mary's Treasury,
-
- Being Eight of the above bound in one volume, cloth, 5s.
-
-Little Mary's Lesson Book;
-
- containing "Primer," "Spelling," and "Reading," in One Volume.
- Cloth, gilt, 2s. 6d.
-
-Harry's Ladder to Learning.
-
- Picture Books for Children. Price 6d. each, plain; 1s. coloured:--
- HARRY'S HORN BOOK.
- " PICTURE BOOK.
- " COUNTRY WALKS.
- " NURSERY SONGS.
- " SIMPLE STORIES.
- " NURSERY TALES.
-
- Or the Six bound in one volume, 3s. 6d. cloth; or with col'd plates,
- 6s.
-
-The Playmate;
-
- a Pleasant Companion for Spare Hours. With numerous illustrations.
- Complete in One Volume, cloth gilt, 5s.
-
-The Church Catechism Illustrated:
-
- With the Order of Confirmation. With numerous Engravings on wood.
- Neatly done up in gilt cover as a gift or reward book. 1s.
-
-Home Lesson Books.
-
- The Home Primer, nearly 200 cuts, cloth, 1s.
- The Home Natural History, cuts, cloth, 1s.
-
- Each may be had with Coloured Plates, 2s. 6d.
-
-Home Story Books.
-
- The Well-bred Doll, cuts, cloth, 1s.
- Discontented Chicken, cloth, 1s.;
-
- Or, with Coloured Plates, 2s. 6d.
-
-Bertie's Indestructible Books.
-
- Printed on Calico, 6d. each.
-
- 1. HORN BOOK.
- 2. WORD BOOK.
- 3. FARM YARD.
- 4. WOODSIDE.
- 5. WILD BEASTS.
- 6. BIRD BOOK.
-
- * * * * *
-
- _s._ _d._
- ABBOTT'S CALEB IN THE COUNTRY (Plates) 1 0
- ARABIAN NIGHTS, as related by a Mother (many Plates) 3 6
- BARBAULD'S LESSONS FOR CHILDREN (Coloured Plates) 1 0
- BINGLEY'S STORIES ABOUT DOGS (Plates) 4 0
- BINGLEY'S STORIES ABOUT INSTINCT (Plates) 4 0
- BINGLEY'S TALES OF SHIPWRECK (Plates) 4 0
- BINGLEY'S STORIES ABOUT HORSES (Plates) 4 0
- BINGLEY'S TALES ABOUT BIRDS (Plates) 4 0
- BINGLEY'S TALES ABOUT TRAVELLERS (Plates) 4 0
- BINGLEY'S BIBLE QUADRUPEDS (Plates) 4 0
- BOY'S TREASURY OF SPORTS AND PASTIMES (300 Engravings by S.
- Williams) fcp. 8vo. cloth 6 0
- CHILD'S FIRST LESSON BOOK (many Cuts) square, cloth 3 6
- FAMILY POETRY, by the Editor of "Sacred Harp," silk 2 6
- FIGURES OF FUN; Two Parts (Coloured Plates) 1 0
- FLOWERS OF FABLE (180 Engravings) 4 0
- HEROES OF ENGLAND: Lives of celebrated Soldiers and Sailors
- (Plates) cloth gilt 4 0
- HERVEY'S REFLECTIONS IN A FLOWER GARDEN (12 Coloured Plates) 4 0
- HISTORY OF MY PETS, by Grace Greenwood (Coloured Plates) 2 6
- LIFE OF CHRIST, New Edition (28 Plates) 4 0
- MOTHER'S PRESENT TO HER DAUGHTER, silk 2 6
- PARLEY'S VISIT TO LONDON (Col'd Plates), cloth 4 0
- PARLOUR MAGIC, Amusing Recreations (many Plates) 4 6
- PICTORIAL BIBLE HISTORY, complete in 1 volume, cloth 3 6
- RURAL AMUSEMENTS FOR SCHOOLBOYS DURING THE HOLIDAYS
- (Cuts) cloth 3 6
- SEDGWICK'S STORIES FOR YOUNG PERSONS (Plates), cloth 3 6
-
-
-
-
-The European Library.
-
-A COLLECTION OF THE BEST WORKS OF THE BEST AUTHORS.
-
-_At the low price of 3s. 6d. per Volume._
-
-
-=Miller (Thomas).=--History of the Anglo-Saxons. 12 plates, 3s. 6d.
-
-=Thierry.=--History of the CONQUEST of ENGLAND by the Normans. By
-AUGUSTIN THIERRY. Two vols.
-
-=Guizot.=--History of the ENGLISH REVOLUTION of 1640, from the
-Accession to the Death of Charles I. By F. GUIZOT. One vol.
-
-=Guizot.=--History of CIVILIZATION in EUROPE and in FRANCE; comprising
-the _Cours d'Histoire Moderne_ complete, and now translated _entire_
-for the first time. Three vols.
-
-=Michelet.=--Life of LUTHER: written by Himself. Collected and
-arranged by J. MICHELET; with additions from AUDIN. One vol.
-
-=Luther.=--TABLE-TALK. Translated by W. HAZLITT. One vol.
-
-=Michelet.=--History of the ROMAN REPUBLIC. By J. MICHELET. One vol.
-
-=Berington.=--LITERARY HISTORY of the MIDDLE AGES, from the Reign of
-Augustus to the Revival of Learning. By the Rev. JOSEPH BERINGTON. One
-vol.
-
-=Carrel=} History of the COUNTER REVOLUTION, for the re-establishment
-and } of Popery in England under Charles II. and James II.,
-=Fox.= } by ARMAND CARREL; and History of the EARLY PART of the
- REIGN of JAMES II., by C.J. Fox. One vol.
-
-=De Vigny.=--CINQ MARS; or, a Conspiracy under Louis XIII.: an
-Historical Romance. By Count ALFRED DE VIGNY. One vol.
-
-=Duppa= } Lives of the ITALIAN PAINTERS.--Michael Angelo, by
-and } R. DUPPA, LL.B.; and Raffaello, by Q. DE QUINCY.
-=De Quincy.=}
-
-=Galt= } Life of CARDINAL WOLSEY. By JOHN GALT. With
-and } additions from CAVENDISH. One vol.
-=Cavendish.=}
-
-=Roscoe.=--Life of LORENZO DE MEDICI. By WILLIAM ROSCOE. Edited by W.
-HAZLITT. One vol.
-
-=Roscoe.=--Life and Pontificate of LEO X. By WILLIAM ROSCOE. Edited by
-W. HAZLITT. Two vols.
-
-=Dumas.=--MARGUERITE DE VALOIS: an Historical Romance. By ALEXANDER
-DUMAS. One vol.
-
-=Bouterwek.=--History of SPANISH LITERATURE. By FREDERICK BOUTERWEK.
-One vol.
-
-=Mignet.=--History of the FRENCH REVOLUTION--1789, 1814. By F.A.
-MIGNET. One vol.
-
-
-
-
-MINIATURE CLASSICS:
-
-
-A Choice Collection of Standard Works, elegantly printed, illustrated
-with Frontispieces, and published at extremely low prices, with a view
-to extensive circulation. The binding is executed in a superior
-manner, and very tastefully ornamented.
-
-Any work may be purchased separately. The prices per volume are--
-
- Ornamented cloth, gilt edges 1s. 6d.
- Prettily bound in silk 2s.
- Very handsome in morocco 3s.
-
-Those to which a star is prefixed, being much thicker than the others,
-are 6d. per vol. extra.
-
- Bacon's Essays.
- Beattie's Minstrel.
- Channing's Essays. 2 vols.
- Chapone's Letters on the Mind.
- Coleridge's Ancient Mariner, &c.
- *Cowper's Poems. 2 vols.
- Elizabeth, or the Exiles of Siberia.
- Falconer's Shipwreck.
- Fenelon's Reflections.
- *Gems of Anecdote.
- *Gems of Wit and Humour.
- *Gems from American Poets.
- *Gems from Shakspeare.
- *Gems of American Wit.
- *Gems of British Poets--
- 1st Ser. Chaucer to Goldsmith.
- 2d " Falconer to Campbell.
- 3d " Living Authors.
- 4th " Sacred.
- *Goldsmith's Vicar of Wakefield.
- Goldsmith's Essays.
- Goldsmith's Poetical Works.
- Gray's Poetical Works.
- Guide to Domestic Happiness.
- Gregory's Legacy to his Daughters.
- *Hamilton's Cottagers of Glenburnie.
- *Hamilton's Letters on Education. 2 v.
- Lamb's Tales from Shakspeare. 2 v.
- Lamb's Rosamund Gray.
- *Irving's Essays and Sketches.
- Johnson's Rasselas.
- Lewis's Tales of Wonder.
- Mason on Self-knowledge.
- Milton's Paradise Lost. 2 vols.
- *More's Coelebs. 2 vols.
- More's Practical Piety. 2 vols.
- *Pious Minstrel.
- Paul and Virginia.
- Pure Gold from Rivers of Wisdom.
- *Sacred Harp.
- Scott's Ballads, &c.
- *Scott's Lady of the Lake.
- Scott's Lay of the Last Minstrel.
- *Scott's Marmion.
- *Scott's Rokeby.
- *Shakspeare's Works. 8 vols.
- *Thomson's Seasons.
- Talbot's Reflections and Essays.
- Walton's Angler. 2 vols.
- Warwick's Spare Minutes.
- Young's Night Thoughts. 2 vols.
-
-As there are several inferior imitations of this popular series, it is
-necessary, in ordering, to specify--"TILT'S EDITION."
-
-The whole Series may be had in a Case, representing two handsome
-Quarto Volumes, lettered "LONDON LIBRARY OF BRITISH CLASSICS," which,
-when shut, is secured by a patent spring lock, for £5. 5s., forming a
-very useful and acceptable
-
-BIRTHDAY AND WEDDING PRESENT.
-
- * * * * *
-
-The Edition of Shakspeare included in the above may also be had
-IN LEATHER CASE, WITH GLASS FRONT.
-
-SHAKSPEARE'S DRAMATIC WORKS.
-
-COMPLETE IN EIGHT VOLUMES.
-
-Beautifully printed by Whittingham; uniform in size with "Tilt's
-Classics." Each volume embellished with a Frontispiece, designed by
-HARVEY, and numerous other Engravings, amounting in all to
-Fifty-three.
-
-This elegant Edition of the first of English Poets may be had in
-various styles of binding, at the following very low prices:--Cloth,
-gilt edges, and ornamented, 16s.; Silk, 20s.; Morocco, very elegant,
-28s.
-
-
-
-
-Drawing Books.
-
-
-J.D. HARDING.
-
-EARLY DRAWING BOOK:
-
- Elementary Lessons. 6 Numbers, 1s. 6d.; or in cloth, 10s. 6d.
-
-DRAWING BOOK FOR 1847.
-
- 6 Nos. 1s. 6d.; or cloth, 10s. 6d.
-
-HARDING'S "LESSONS ON ART"--_see_ page 5.
-
-
-SAMUEL PROUT, F.S.A.
-
-PROUT'S MICROCOSM;
-
- Or, Artist's Sketch-book: many Hundred Groups of Figures, Boats, &c.
- Imperial 4to. 24s. neatly bd.
-
-ELEMENTARY DRAWING BOOK
-
- of Landscapes, Buildings, &c. Six Numbers, 1s. 6d.; cloth, 10s. 6d.
-
-
-MONS. JULIEN.
-
-STUDIES OF HEADS:
-
- By Mons. JULIEN, Professor of Drawing in the Military School of
- Paris. Lithographed by T. FAIRLAND. Six Numbers, 2s. each; or cloth,
- 14s.
-
-THE HUMAN FIGURE:
-
- a Series of Progressive Studies, by Mons. JULIEN. With Instructions.
- Six Numbers, 2s.; or cloth, 14s.
-
-
-GEORGE CHILDS.
-
-DRAWING BOOK OF OBJECTS:
-
- Nearly 500 Subjects for young Pupils, and Drawing-classes in
- Schools. Six Nos. 1s.; cloth, 7s. 6d.
-
-LITTLE SKETCH BOOK:
-
- Easy Studies in Landscapes, Figures, &c. Improved Edition. Fourteen
- Nos. 6d.; or 2 vols. cloth, 4s. each.
-
-ENGLISH LANDSCAPE SCENERY:
-
- Sketches from Nature for finished Copies. Six Numbers, 1s. each;
- cloth, 7s. 6d.
-
-DRAWING BOOK OF FIGURES:
-
- Sketches from Life at Home and Abroad. Several hundred Figures. Six
- Nos. 1s.; or bd. 7s. 6d.
-
-DRAWING COPY BOOKS.
-
- A New Method of Teaching Drawing by means of Pencilled Copies, in
- progressive lessons. In 12 Nos. 6d. each.
-
- "It is not too much to say that if this method were universally
- adopted in out schools it would be attended with complete success."
-
- * * * * *
-
- ANDREWS' ART OF FLOWER-PAINTING. Col. Plates. 6 Nos. 2s. 6d.; cl. 16s.
- BARNARD'S (GEORGE) DRAWING BOOK OF TREES. 6 Nos. 1s.
- BARRAUD'S STUDIES OF ANIMALS. Six Nos. 3s.; coloured, 5s.
- COOPER'S (T.S.) DRAWING BOOK OF ANIMALS. 8 Nos. 1s. each; bd. 10s. 6d.
- DIBDIN'S EASY DRAWING BOOK, AND GUIDE TO SKETCHING. 6 Nos.
- 2s. 6d.; bound, 18s.
- -------- LESSONS IN WATER COLOURS. 4 Nos. 4s.
- FAIRLAND'S JUVENILE ARTIST. 8 Nos. 1s.; cloth, 8s.
- FORD'S EASY LESSONS IN LANDSCAPE. 8 Nos. 9d.; cloth, 7s. 6d.
- GREENWOOD'S STUDIES OF TREES. 6 Nos. 1s.; cloth, 7s. 6d.
- GRUNDY'S SHIPPING AND CRAFT. 6 Nos. 1s.; cloth, 7s. 6d.
- HAND-BOOK OF PENCIL DRAWING; or, Self-Instructor in Art. 2 Plates,
- cl. 1s.
- PHILLIPS'S ETCHINGS OF FAMILIAR LIFE. 3 Nos. 1s. 6d.
- RAWLINS'S ELEMENTARY PERSPECTIVE. Royal 4to. sewed, 4s.
- SUTCLIFFE'S DRAWING-BOOK OF HORSES, 6 Nos. 1s.; cloth, 7s. 6d.
- WORSLEY'S LITTLE DRAWING BOOK OF LANDSCAPES, &c. 14 Nos. 6d.; or
- 2 vols. cloth, 4s. each.
-
-
-
-
-Books Reduced in Price.
-
-
-Roman Art.--Il Vaticano:
-
- an Historical and Descriptive Account of the Church of St. Peter,
- and the Vatican Museum, and Galleries. By ERASMO PISTOLESI. In Eight
- Volumes folio, containing upwards of Nine Hundred Plates. Half-bound
- in morocco, gilt tops, _Thirty Guineas._
-
-Authors of England:
-
- Portraits of the Principal Literary Characters, engraved in
- Basso-relievo by Mr. COLLAS; with Lives by H.F. CHORLEY. Royal 4to.
- cloth gilt, _published at_ 31s. 6d.; _reduced to_ 10s. 6d.
-
-The Georgian Era:
-
- Modern British Biography since the Reign of Queen Anne. Handsomely
- bound in cloth. _Published at_ 34s. 6d.; _now reduced to_ 14s.
-
-The Noble Science--Fox-hunting.
-
- By F.P. DELME RADCLIFFE, Esq. Master of the Hertfordshire Hounds.
- Royal 8vo. _Originally published at_ 28s.; _reduced to_ 12s.
-
-Water-colour Gallery;
-
- containing large and highly-finished Engravings of the Works of the
- most distinguished Painters in Water-colours &c. 18 Plates, imperial
- 4to. cloth. _Originally published at_ £3. 3s.; _reduced to_ 21s.
-
-Museum of Painting and Sculpture:
-
- a Collection of the principal Pictures, Statues, and Bas-Reliefs in
- the Public and Private Galleries of Europe. This work, which
- contains Engravings of all the chief works in the Italian, German,
- Dutch, French, and English Schools, includes TWELVE HUNDRED PLATES,
- and is an indispensable _vade-mecum_ to the Artist or Collector. In
- 17 handsome vols. small 8vo. neatly bound, with gilt tops.
- _Originally published at_ £17. 17s.; _reduced to_ £4. 14s. 6d.
-
-Laconics;
-
- or, the Best Words of the Best Authors. 3 vols. cloth, _published
- at_ 12s.; _reduced to_ 7s. 6d.
-
-Travels in S.E. Asia, Malaya, Burmah,
-
- and HINDUSTAN. By the Rev. H. MALCOM. 2 vols. 8vo. _published at_
- 16s.; _reduced to_ 8s.
-
-Puckle's Club;
-
- or, a Grey Cap for a Green Head. Many first-rate Wood Engravings,
- cloth. _Published at_ 7s. 6d.; _reduced to_ 2s. 6d.
-
-The English School of Painting:
-
- a Series of Engravings of the most admired Works in Painting and
- Sculpture executed by British Artists, from the days of Hogarth:
- with Descriptive and Explanatory Notices, by G. HAMILTON. Four
- volumes, containing nearly Three Hundred Plates, neatly bound, with
- gilt tops. _Originally published at_ £3. 12s.; _reduced to_ 28s.
-
-Martin's Illustrations of the Bible;
-
- consisting of Twenty large and magnificent Plates, designed and
- engraved by John Martin, Author of "Belshazzar's Feast," &c. In a
- large folio volume, cloth. _Originally published at_ £10. 10s.;
- _reduced to_ £2. 2s.
-
-
-
-
-INDEX.
-
-
- Adalbert's (Prince) Travels, 7
-
- Acting Charades, 8
-
- Andrews' Flower Painting, 21
-
- Aram, Eugene, Dream of, 14
-
- Architectural Works, 5
-
- Art of Painting Restored, 5
-
- Auerbach's Village Tales, 8
-
- Authors of England, 22
-
-
- Backgammon, 14
-
- Beattie and Collins, 3
-
- Berington's Middle Ages, 19
-
- Bertie's Indestructible Books, 18
-
- Bible Gallery, 2
-
- ----- Women of the, 3
-
- Bingley's Tales, 18
-
- Bloxam's Gothic Architecture, 6
-
- Blunt's Beauty of the Heavens, 4
-
- Boat (The) and the Caravan, 7
-
- Bond's History of England, 17
-
- Book of Beauty, 2
-
- ------- the Months, 13
-
- Boswell's Johnson, 16
-
- Boyhood of Great Men, 16
-
- Boy's Own Book, 16
-
- ----- Treasury, 18
-
- Bouterwek's Spanish Literature, 19
-
- Brandon's Architectural Works, 5, 6
-
- Bunyan's Pilgrim's Progress, 2
-
- Burnet on Painting, 4, 5
-
- ------'s Essays, 5
-
- -------- Life of Turner, 1
-
- ---------------- Rembrandt, 2
-
- Butterfly (Bachelor), 10
-
- Byron Gallery, 3
-
-
- Canadian Life, Sketches of, 13
-
- Carrel's Counter Revolution, 19
-
- Chapman's Elements of Art, 5
-
- Cheever's Whaleman's Adventures, 12
-
- Child's Drawing Books, 21
-
- ------- First Lesson Book, 18
-
- Christian Graces in Olden Time, 2
-
- Christmas with the Poets, 1
-
- Church Catechism Illustrated, 18
-
- Comic Works, 9
-
- ----- Latin Grammar, 10
-
- ----- Natural Histories, 10
-
- ----- Almanack, 9
-
- Comical Creatures from Wurtemberg, 17
-
- ------- People, 17
-
- ------- Story Books, 17
-
- Cooke's Rome, 2
-
- Cooper's (T.S.) Animals, 21
-
- Cowper's Poems, 4, 15, 20
-
- Cracker Bon Bon for Christmas, 8
-
- Crosland's Memorable Women, 16
-
- Cruikshank's (Geo.) Works, 9
-
- ------------------- Fairy Lib., 16
-
-
- Dale's Poems, 12
-
- De Staël's (Mad.) Life and Times, 11
-
- De Vigny's Cinq Mars, 19
-
- Domestic Architecture, 6
-
- -------- Hints, 14
-
- Drawing Books, 21
-
- ------- Copy Books, 21
-
- Dumas' Marguerite de Valois, 19
-
-
- Edgar's Biographies for Boys, 16
-
- ------- Boyhood of Great Men, 16
-
- Emma de Lissau, 12
-
- English School of Painting, 22
-
- Etiquette for the Ladies, 15
-
- ------------- Gentlemen, 15
-
- --------- of Courtship, 15
-
- Euclid, Symbolical, 14
-
- European Library, 19
-
-
- Fielding's Works on Painting, 5
-
- Floral Fancies, 14
-
- Flora's Gems, 3
-
- Footprints of Famous Men, 16
-
- Forster's Pocket Peerage, 11
-
- Fountain of Living Waters, 12
-
- Fox-hunting, Noble Science of, 22
-
- French Domestic Cookery, 12
-
- ------ Dictionary, Miniature, 13
-
-
- Galt's Life of Wolsey, 19
-
- Games for Christmas, 8
-
- Gavarni in London, 8
-
- Georgian Era (The), 22
-
- Glossary of Architecture, 6
-
- Goldsmith's Works, 16
-
- Görgei's Life in Hungary, 11
-
- Graces, Gallery of the, 3
-
- Guides for Travellers, 11
-
- Guizot's English Revolution, 19
-
- -------- Civilization, 19
-
- -------- (Mad.) Young Student, 13
-
-
- Happy Home (The), 12
-
- Harding's Works on Art, 5
-
- --------- Drawing Books, 21
-
- --------- Sketches at Home, 4
-
- Harry's Ladder to Learning, 17
-
- Heroes of England, 18
-
- Heroines of Shakspeare, 2
-
- Hervey's Meditations, 16
-
- Hitchcock's Religion of Geology, 11
-
- Home Lesson Books, 18
-
- ---- Story Books, 18
-
- Hood's Epping Hunt, 9
-
- ------ Eugene Aram, 14
-
- Hunt's Fourth Estate, 11
-
-
- Introd. to Gothic Architecture, 6
-
-
- Johnson's Lives of the Poets, 16
-
- Julien's Studies of Heads, 21
-
- -------- Human Figure, 21
-
- Juvenile Books, 17
-
-
- Keepsake (The), 2
-
- Kendall's Travels, 7
-
- King's Interest Tables, 14
-
- Laconics, 22
-
- Landscape Painters of England, 2
-
- Language of Flowers, 3
-
- Laurel and Lyre, 15
-
- Lectures on Great Exhibition, 11
-
- ----------- Gold, 11
-
- Le Keux's Cambridge, 4
-
- Life's Lessons, 14
-
- Little Mary's Books, 17
-
- ------------- Treasury, 17
-
- ------------- Lesson Book, 17
-
- Lives of Italian Painters, 19
-
- London Anecdotes, 13
-
- Longfellow's Poems, 1, 12
-
- ------------ Hyperion, 1
-
- ------------ Golden Legend, 1, 12
-
- ------------ Prose Works, 12
-
- Luther's Life, 19
-
- -------- Table Talk, 19
-
-
- Mackay's (Charles) Egeria, 13
-
- ------------------ Town Lyrics, 13
-
- Maid of Honour, 13
-
- Malcom's Travels in Hindustan, 22
-
- Manuals of Instruction, &c., 15
-
- Martin's (John) Bible, 22
-
- Mayhew's Greatest Plague, 7
-
- -------- Acting Charades, 8
-
- -------- Magic of Industry, 8
-
- -------- Sandboys' Adventures, 8
-
- -------- Toothache, 9
-
- -------- Model Men & Women, 10
-
- Men of the Time, 11
-
- Michelet's Life of Luther, 19
-
- ---------- Roman Republic, 19
-
- Miguet's French Revolution, 19
-
- Miller's (T.) Poems for Children, 17
-
- ------------- Anglo-Saxons, 19
-
- ------------- Pictures of Country Life, 4
-
- Milton's Poetical Works, 3
-
- Miniature Classics, 20
-
- Miriam and Rosette, 12
-
- Museum of Painting & Sculpture, 22
-
-
- Ogleby's Adventures, 10
-
- Oldbuck's Adventures, 10
-
-
- Painting, Drawing, &c. Works on, 4
-
- Panorama of Jerusalem, 14
-
- Parlour Magic, 18
-
- Pearls of the East, 4
-
- Pellatt on Glass-making, 2
-
- Pen and Ink Sketches, 8
-
- Pentamerone (The), 8
-
- Pictorial Bible History, 18
-
- Picture Book for the Young, 16
-
- Playmate (The), 17
-
- Poetry of Flowers, 15
-
- --------- the Sentiments, 15
-
- Prout's (Sam.) Microcosm, &c., 21
-
- Puckle's Club, 22
-
-
- Raffaelle's Cartoons, 2
-
- Reach's (A.B.) Loire and Rhone, 7
-
- -------------- Leonard Lindsay, 7
-
- -------------- Comic. Nat. Hists., 10
-
- Recollections of the Lakes, 14
-
- Reid's (Capt. M.) Desert Home, 16
-
- ----------------- Boy Hunters, 16
-
- ----------------- Young Voyag., 16
-
- Rembrandt and his Works, 2
-
- Reveries of a Bachelor, 7
-
- Robinson Crusoe, 8
-
- Romance of Nature, 3
-
- Roscoe's Lorenzo de Medici, 19
-
- -------- Leo X., 19
-
- Round Games, 8
-
-
- Scott's Poems, 3, 15, 20
-
- Seymour's New Readings, 10
-
- Shakspeare Heroines, 2
-
- ----------'s Works, 20
-
- Sharpe's Diamond Dictionary, 13
-
- Singing Book, 13
-
- Smith's (Alexander) Poems, 11
-
- ------- (Albert) Mont Blanc, 7
-
- ---------------- Constantinople, 7
-
- ---------------- Christ. Tadpole, 8
-
- ---------------- Comic Natural Histories, 10
-
- Spring's Glory of Christ, 13
-
- Stowe Catalogue, 12
-
- Stuart's Antiquities of Athens, 6
-
- Suggestions in Design, 6
-
-
- Tayler's (C.B.) Angel's Song, 12
-
- --------------- May You Like It, 13
-
- Taylor's Young Islanders, 17
-
- Thierry's Norman Conquest, 19
-
- Thomson's Seasons, 3, 15
-
- Tschudi's Travels in Peru, 7
-
- Turner and his Works, 1
-
-
- Vaticano (Il), 22
-
- Vestiges of Old London, 2
-
-
- Walton's Angler, 4, 20
-
- Water Colour Gallery, 22
-
- Waverley Gallery, 3
-
- Webster's Quarto Dictionary, 11
-
- --------- Octavo Dictionary, 11
-
- Whist, Game of, 14
-
- Willson on Water Colours, 5
-
- Windsor in Olden Time, 12
-
- Winkles's Cathedrals, 6
-
- Women of the Bible, 3
-
- Wonders of Travel, 7
-
-
- Year Book of Facts, 14
-
- Young Lady's Oracle, 8
-
-
-
-
- * * * * *
-
-
-
-
-Transcriber's note:
-
-Obvious punctuation and printer's errors have been corrected. Other
-punctuations and spellings have been left as printed in the book,
-including:
-
-- inconsistent use of hyphen (e.g. "dew-drop" and "dewdrop");
-- inconsistent use of accents (e.g. "fringèd" and "fringed");
-- inconsistent use of apostrophe (e.g. "would'st" and "wouldst");
-- inconsistent use of archaic forms (e.g. "goes" and "goeth");
-- and any other variable spellings.
-
-Index entries that do not match their referred text are corrected,
-including:
-
-- Index entry "Foxhunting" corrected to be "Fox-hunting."
-- Index entry "Gorgei" corrected to be "Görgei."
-- Index entry "Rafaelle" corrected to be "Raffaelle."
-- Index entry "Winkle" corrected to be "Winkles."
-- Index entry "Wurtemburg" corrected to be "Wurtemberg."
-
-
-
-***END OF THE PROJECT GUTENBERG EBOOK POEMS***
-
-
-******* This file should be named 42301-8.txt or 42301-8.zip *******
-
-
-This and all associated files of various formats will be found in:
-http://www.gutenberg.org/dirs/4/2/3/0/42301
-
-
-
-Updated editions will replace the previous one--the old editions
-will be renamed.
-
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-
-
-
-*** START: FULL LICENSE ***
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
- www.gutenberg.org/license.
-
-
-Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:
-
-This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at www.gutenberg.org
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that
-
-- You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."
-
-- You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.
-
-- You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.
-
-- You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.
-
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4
-and the Foundation information page at www.gutenberg.org
-
-
-Section 3. Information about the Project Gutenberg Literary Archive
-Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.
-
-The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at www.gutenberg.org/contact
-
-For additional contact information:
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: www.gutenberg.org/donate
-
-
-Section 5. General Information About Project Gutenberg-tm electronic
-works.
-
-Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.
-
-Most people start at our Web site which has the main PG search facility:
-
- www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/42301-8.zip b/42301-8.zip
deleted file mode 100644
index c895497..0000000
--- a/42301-8.zip
+++ /dev/null
Binary files differ
diff --git a/42301-h.zip b/42301-h.zip
deleted file mode 100644
index 06b9d07..0000000
--- a/42301-h.zip
+++ /dev/null
Binary files differ
diff --git a/42301-h/42301-h.htm b/42301-h/42301-h.htm
index 801448f..4db431c 100644
--- a/42301-h/42301-h.htm
+++ b/42301-h/42301-h.htm
@@ -2,7 +2,7 @@
"http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
<html xmlns="http://www.w3.org/1999/xhtml">
<head>
-<meta http-equiv="Content-Type" content="text/html; charset=ISO-8859-1" />
+<meta http-equiv="Content-Type" content="text/html; charset=UTF-8" />
<title>The Project Gutenberg eBook of Poems, by Alexander Smith</title>
<style type="text/css">
@@ -69,19 +69,8 @@ table {margin-left: auto; margin-right: auto;}
</style>
</head>
<body>
+<div>*** START OF THE PROJECT GUTENBERG EBOOK 42301 ***</div>
<h1>The Project Gutenberg eBook, Poems, by Alexander Smith</h1>
-<p>This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-<p>Title: Poems</p>
-<p> Third Edition</p>
-<p>Author: Alexander Smith</p>
-<p>Release Date: March 10, 2013 [eBook #42301]</p>
-<p>Language: English</p>
-<p>Character set encoding: ISO-8859-1</p>
-<p>***START OF THE PROJECT GUTENBERG EBOOK POEMS***</p>
<p>&nbsp;</p>
<h3>E-text prepared by Judith Wirawan, David Clarke,<br />
and the Online Distributed Proofreading Team<br />
@@ -248,7 +237,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Has had thine eyes too long; thine eyes are mine!<br /></span>
<span class="i0">Alack! there's sorrow in my Anthony's face!<br /></span>
<span class="i0">Dost think of Rome? I'll make thee, with a kiss,<br /></span>
-<span class="i0">Richer than Cæsar! Come, I'll crown thy lips."<br /></span>
+<span class="i0">Richer than Cæsar! Come, I'll crown thy lips."<br /></span>
<span class="i26">[<i>Another pause.</i><br /></span>
<span class="i0">How tenderly the moon doth fill the night!<br /></span>
<span class="i0">Not like the passion that doth fill my soul;<br /></span>
@@ -340,7 +329,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
</div><div class="stanza">
<span class="i0">Life is transfigured in the soft and tender<br /></span>
<span class="i2">Light of Love, as a volume dun<br /></span>
-<span class="i0">Of rolling smoke becomes a wreathèd splendour<br /></span>
+<span class="i0">Of rolling smoke becomes a wreathèd splendour<br /></span>
<span class="i2">In the declining sun.<br /></span>
</div><div class="stanza">
<span class="i0">Driven from cities by his restless moods,<br /></span>
@@ -445,7 +434,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">And do not poets' brows throb feverous<br /></span>
<span class="i0">Till they are cooled with laurels? Therefore, sir,<br /></span>
<span class="i0">If such dote more on praise than all the wealth<br /></span>
-<span class="i0">Of precious-wombèd earth and pearlèd mains,<br /></span>
+<span class="i0">Of precious-wombèd earth and pearlèd mains,<br /></span>
<span class="i0">Blame not the cheeks of simple maidenhood.<br /></span>
<span class="i0">Fair sir, I am the empress of this wood!<br /></span>
<span class="i0">The courtier oaks bow in proud homages,<br /></span>
@@ -489,7 +478,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Before a thunder-storm, are power and gladness,<br /></span>
<span class="i0">And majesty and beauty. They seize the reader<br /></span>
<span class="i0">As tempests seize a ship, and bear him on<br /></span>
-<span class="i0">With a wild joy. Some books are drenchèd sands,<br /></span>
+<span class="i0">With a wild joy. Some books are drenchèd sands,<br /></span>
<span class="i0">On which a great soul's wealth lies all in heaps,<br /></span>
<span class="i0">Like a wrecked argosy. What power in books!<br /></span>
<span class="i0">They mingle gloom and splendour, as I've oft,<br /></span>
@@ -593,7 +582,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">From his heart he unclasped his love<br /></span>
<span class="i2">Amid the trembling trees,<br /></span>
<span class="i0">And sent it to the Lady Blanche<br /></span>
-<span class="i2">On wingèd poesies.<br /></span>
+<span class="i2">On wingèd poesies.<br /></span>
</div><div class="stanza">
<span class="i0">The Lady Blanche was saintly fair,<br /></span>
<span class="i2">Nor proud, but meek her look;<br /></span>
@@ -736,7 +725,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">One great life in my myriad veins, in leaves, in flowers, in cloudy cars,<br /></span>
<span class="i0">Blowing, underfoot, in clover; beating, overhead, in stars!<br /></span>
<span class="i0">Once I saw a blissful harvest-moon, but not through forest-leaves;<br /></span>
-<span class="i0">'Twas not whitening o'er a country, costly with the pilèd sheaves;<br /></span>
+<span class="i0">'Twas not whitening o'er a country, costly with the pilèd sheaves;<br /></span>
<span class="i0">Rose not o'er the am'rous ocean, trembling round his happy isles;<br /></span>
<span class="i0">It came circling large and queenly o'er yon roof of smoky tiles,<br /></span>
<span class="i0">And I saw it with such feeling, joy in blood, in heart, in brain,<br /></span>
@@ -797,7 +786,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Ev'n now are stretched in blessing o'er the sea and o'er the lands.<br /></span><span class="pagenum"><a name="Page_44" id="Page_44">[Pg 44]</a></span>
<span class="i0">Sit not like a mourner, Brother! by the grave of that dear Past,<br /></span>
<span class="i0">Throw the Present! 'tis thy servant only when 'tis overcast,&mdash;<br /></span>
-<span class="i0">Give battle to the leaguèd world, if thou'rt worthy, truly brave,<br /></span>
+<span class="i0">Give battle to the leaguèd world, if thou'rt worthy, truly brave,<br /></span>
<span class="i0">Thou shalt make the hardest circumstance a helper or a slave,<br /></span>
<span class="i0">As when thunder wraps the setting sun, he struggles, glows with ire,<br /></span>
<span class="i0">Rifts the gloom with golden furrows, with a hundred bursts of fire,<br /></span>
@@ -919,7 +908,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Must be the shoutings of the morning stars!<br /></span>
<span class="i0">What martial music is to marching men<br /></span>
<span class="i0">Should Song be to Humanity. In song<br /></span>
-<span class="i0">The infant ages born and swathèd are.<br /></span>
+<span class="i0">The infant ages born and swathèd are.<br /></span>
<span class="i0">A beauteous menial to our wants divine,<br /></span>
<span class="i0">A shape celestial tending the dark earth<br /></span>
<span class="i0">With light and silver service like the moon,<br /></span>
@@ -943,7 +932,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Is wide and daring as a comet's path!<br /></span>
<span class="i0">And doubtless 'twill contain the tale of earth<br /></span>
<span class="i0">By way of episode or anecdote.<br /></span>
-<span class="i0">This precious world which one pale marrèd face<br /></span>
+<span class="i0">This precious world which one pale marrèd face<br /></span>
<span class="i0">Dropt tears upon. This base and beggar world<br /></span>
<span class="i0">To your rich soul! O! Marc Anthony,<br /></span>
<span class="i0">With a fine scorn did toss your world away<br /></span>
@@ -1030,7 +1019,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">But there was one among that soft-voiced band<br /></span><span class="pagenum"><a name="Page_55" id="Page_55">[Pg 55]</a></span>
<span class="i0">Who pined away for love of his sweet eyes,<br /></span>
<span class="i0">And died among the roses of the spring.<br /></span>
-<span class="i0">When Eve sat in the dew with closèd lids,<br /></span>
+<span class="i0">When Eve sat in the dew with closèd lids,<br /></span>
<span class="i0">Came gentle maidens bearing forest flowers<br /></span>
<span class="i0">To strew upon her green and quiet grave.<br /></span>
<span class="i0">They soothed the dead with love-songs low and sweet;<br /></span>
@@ -1062,7 +1051,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Pants out her gladness the luxurious night,<br /></span>
<span class="i0">The moon and stars all hanging on her song,<br /></span>
<span class="i0">She poured her soul in music. When she ceased,<br /></span>
-<span class="i0">The charmèd woods and breezes silent stood,<br /></span>
+<span class="i0">The charmèd woods and breezes silent stood,<br /></span>
<span class="i0">As if all ear to catch her voice again.<br /></span>
<span class="i0">Uprose the dreamer from his couch of flowers,<br /></span>
<span class="i0">With awful expectation in his look,<br /></span>
@@ -1164,7 +1153,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Citadels throbbing in their own fierce light,<br /></span>
<span class="i0">Tall spires that came and went like spires of flame,<br /></span>
<span class="i0">Cliffs quivering with fire-snow, and peaks<br /></span><span class="pagenum"><a name="Page_62" id="Page_62">[Pg 62]</a></span>
-<span class="i0">Of pilèd gorgeousness, and rocks of fire<br /></span>
+<span class="i0">Of pilèd gorgeousness, and rocks of fire<br /></span>
<span class="i0">A-tilt and poised, bare beaches, crimson seas,<br /></span>
<span class="i0">All these were huddled in that dreadful west,<br /></span>
<span class="i0">All shook and trembled in unsteadfast light,<br /></span>
@@ -1305,8 +1294,8 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Golden and green, soft-showering through the leaves,<br /></span>
<span class="i0">Silent she sat one-half the silent noon;<br /></span>
<span class="i0">At last she sank luxurious in her couch,<br /></span>
-<span class="i0">Purple and golden-fringèd, like the sun's,<br /></span>
-<span class="i0">And stretched her white arms on the warmèd air,<br /></span>
+<span class="i0">Purple and golden-fringèd, like the sun's,<br /></span>
+<span class="i0">And stretched her white arms on the warmèd air,<br /></span>
<span class="i0">As if to take some object wherewithal<br /></span>
<span class="i0">To ease the empty aching of her heart.<br /></span>
<span class="i0">"Oh, what a weariness of life is mine!"<br /></span>
@@ -1475,7 +1464,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
</div><div class="stanza">
<span class="i0">Weary I of pride and jest,<br /></span>
<span class="i0">In this rich heart I would rest,<br /></span><span class="pagenum"><a name="Page_76" id="Page_76">[Pg 76]</a></span>
-<span class="i0">Purple and love-linèd nest.<br /></span>
+<span class="i0">Purple and love-linèd nest.<br /></span>
</div><div class="stanza">
<span class="i0">"My dazzling panther of the smoking hills,<br /></span>
<span class="i0">When the hot sun hath touched their loads of dew,<br /></span>
@@ -1497,9 +1486,9 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Would joy rush through her spirit like a stream,<br /></span>
<span class="i0">When to her lips he came with victory back:<br /></span><span class="pagenum"><a name="Page_77" id="Page_77">[Pg 77]</a></span>
<span class="i0">Acclaims and blessings on his head like crowns,<br /></span>
-<span class="i0">His mouthèd wounds brave trumpets in his praise,<br /></span>
+<span class="i0">His mouthèd wounds brave trumpets in his praise,<br /></span>
<span class="i0">Drawing huge shoals of people, like the moon,<br /></span>
-<span class="i0">Whose beauty draws the solemn-noisèd seas?<br /></span>
+<span class="i0">Whose beauty draws the solemn-noisèd seas?<br /></span>
<span class="i0">Or would his bright and lovely sanguine-stains<br /></span>
<span class="i0">Scare all the coward blood into her heart,<br /></span>
<span class="i0">Leaving her cheeks as pale as lily leaves?<br /></span>
@@ -1517,7 +1506,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">Yet are unthreaded, loosened by a sneer,<br /></span>
<span class="i0">And their resolve doth pass as doth a wave:<br /></span><span class="pagenum"><a name="Page_78" id="Page_78">[Pg 78]</a></span>
<span class="i0">Of this sort was my cousin. I saw him once,<br /></span>
-<span class="i0">Adown a pleachèd alley, in the sun,<br /></span>
+<span class="i0">Adown a pleachèd alley, in the sun,<br /></span>
<span class="i0">Two gorgeous peacocks pecking from his hand;<br /></span>
<span class="i0">At sight of me he first turned red, then pale.<br /></span>
<span class="i0">I laughed and said, 'I saw a misery perched<br /></span>
@@ -1562,7 +1551,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">To charm her blood with the fine touch of praise,<br /></span>
<span class="i0">And as she listens&mdash;steal away the heart.<br /></span>
<span class="i0">If the good gods do grant me such a man,<br /></span>
-<span class="i0">More would I dote upon his trenchèd brows,<br /></span>
+<span class="i0">More would I dote upon his trenchèd brows,<br /></span>
<span class="i0">His coal-black hair, proud eyes, and scornful lips,<br /></span>
<span class="i0">Than on a gallant, curled like Absalom,<br /></span>
<span class="i0">Cheek'd like Apollo, with his luted voice.<br /></span>
@@ -1648,7 +1637,7 @@ Printed by <span class="smcap">G. Barclay</span>, Castle St. Leicester Sq.</b></
<span class="i0">By trembling into music.&mdash;"Thee I love."<br /></span>
<span class="i0">"Thou!" and the Lady, with a cruel laugh,<br /></span>
<span class="i0">(Each silver throb went through him like a sword,)<br /></span>
-<span class="i0">Flung herself back upon her fringèd couch.<br /></span>
+<span class="i0">Flung herself back upon her fringèd couch.<br /></span>
<span class="i0">From which she rose upon him like a queen,<br /></span>
<span class="i0">She rose and stabbed him with her angry eyes.<br /></span>
<span class="i0">"'Tis well my father did not hear thee, boy,<br /></span>
@@ -1854,7 +1843,7 @@ of the same day as Scene IV.</i></p>
<span class="i0">Night mounts her chariot in the eastern glooms<br /></span>
<span class="i0">To chase the flying Sun, whose flight has left<br /></span>
<span class="i0">Footprints of glory in the clouded west:<br /></span>
-<span class="i0">Swift is she haled by wingèd swimming steeds,<br /></span>
+<span class="i0">Swift is she haled by wingèd swimming steeds,<br /></span>
<span class="i0">Whose cloudy manes are wet with heavy dews,<br /></span><span class="pagenum"><a name="Page_95" id="Page_95">[Pg 95]</a></span>
<span class="i0">And dews are drizzling from her chariot wheels.<br /></span>
<span class="i0">Soft in her lap lies drowsy-lidded Sleep,<br /></span>
@@ -2024,7 +2013,7 @@ manuscript.</i></p>
</div><div class="stanza">
<span class="i0">She sat on shaven plot of grass,<br /></span>
<span class="i0">With earnest face, and weaving<br /></span>
-<span class="i0">Lilies white and freakèd pansies<br /></span>
+<span class="i0">Lilies white and freakèd pansies<br /></span>
<span class="i0">Into quaint delicious fancies,<br /></span>
<span class="i0">Then, on a sudden leaving<br /></span>
<span class="i0">Her floral wreath, she would upspring<br /></span>
@@ -2050,10 +2039,10 @@ manuscript.</i></p>
<span class="i0">Two are still leaping in the sun,<br /></span>
<span class="i0">Three are married; <i>that</i> dearest one<br /></span>
<span class="i0">Is 'neath the violets.<br /></span>
-<span class="i0">I gazèd till my heart grew wild,<br /></span>
+<span class="i0">I gazèd till my heart grew wild,<br /></span>
<span class="i0">To fold her in my warm caresses,<br /></span><span class="pagenum"><a name="Page_105" id="Page_105">[Pg 105]</a></span>
<span class="i0">Clasp her showers of golden tresses,&mdash;<br /></span>
-<span class="i0">Oh, dreamy-eyèd child!<br /></span>
+<span class="i0">Oh, dreamy-eyèd child!<br /></span>
<span class="i0">O Child of Beauty! still thou art<br /></span>
<span class="i0">A sunbeam in this lonely heart.<br /></span>
</div><div class="stanza">
@@ -2074,11 +2063,11 @@ manuscript.</i></p>
<span class="i0">A dear friend and I were walking<br /></span><span class="pagenum"><a name="Page_106" id="Page_106">[Pg 106]</a></span>
<span class="i0">('Twas the Sabbath), we were talking<br /></span>
<span class="i0">Of dreams and feelings vague;<br /></span>
-<span class="i0">We pausèd by a place of graves,<br /></span>
+<span class="i0">We pausèd by a place of graves,<br /></span>
<span class="i0">Scarcely a word was 'twixt us given,<br /></span>
<span class="i0">Silent the earth, silent the heaven,<br /></span>
<span class="i0">No murmur of the waves,<br /></span>
-<span class="i0">The awèd Loch lay black and still<br /></span>
+<span class="i0">The awèd Loch lay black and still<br /></span>
<span class="i0">In the black shadow of the hill.<br /></span>
</div><div class="stanza">
<span class="i0">We loosed the gate and wandered in,<br /></span>
@@ -2877,7 +2866,7 @@ a little apart.</i></p>
</div><div class="stanza">
<span class="i0">I sang this song some twenty years ago,<br /></span>
<span class="i0">(Hot to the ear-tips, with great thumps of heart),<br /></span>
-<span class="i0">On the gold lawn, while, Cæsar-like, the sun<br /></span>
+<span class="i0">On the gold lawn, while, Cæsar-like, the sun<br /></span>
<span class="i0">Gathered his robes around him as he fell.<br /></span>
</div></div>
@@ -3605,7 +3594,7 @@ a little apart.</i></p>
<span class="i0">Before the door there lay a plot of grass,<br /></span>
<span class="i0">Snowed o'er with daisies,&mdash;flower by all beloved,<br /></span>
<span class="i0">And famousest in song&mdash;and in the midst,<br /></span>
-<span class="i0">A carvèd fountain stood, dried up and broken,<br /></span>
+<span class="i0">A carvèd fountain stood, dried up and broken,<br /></span>
<span class="i0">On which a peacock perched and sunned itself;<br /></span>
<span class="i0">Beneath, two petted rabbits, snowy white,<br /></span>
<span class="i0">Squatted upon the sward.<br /></span>
@@ -3623,7 +3612,7 @@ a little apart.</i></p>
<span class="i0">And the cool wind waved in upon his brow,<br /></span>
<span class="i0">And stirred his curls. Soft fell the summer night.<br /></span>
<span class="i0">Then he arose, and with inspired lips said,&mdash;<br /></span>
-<span class="i0">"Stars! ye are golden-voicèd clarions<br /></span>
+<span class="i0">"Stars! ye are golden-voicèd clarions<br /></span>
<span class="i0">To high-aspiring and heroic dooms.<br /></span>
<span class="i0">To-night, as I look up unto ye, Stars!<br /></span>
<span class="i0">I feel my soul rise to its destiny,<br /></span>
@@ -3848,7 +3837,7 @@ a little apart.</i></p>
<span class="i0">Down to the dewy grass! Here lean thy head,<br /></span>
<span class="i0">Now you will feel my heart leap 'gainst thy cheek;<br /></span>
<span class="i0">Imprison me with those white arms of thine.<br /></span>
-<span class="i0">So, so. O sweet upturnèd face! (<i>Kisses her.</i>) If God<br /></span>
+<span class="i0">So, so. O sweet upturnèd face! (<i>Kisses her.</i>) If God<br /></span>
<span class="i0">Told you to-night He'd grant your dearest wish,<br /></span>
<span class="i0">What would it be?<br /></span>
</div></div>
@@ -4264,7 +4253,7 @@ a little apart.</i></p>
<div class="poem"><div class="stanza">
<span class="i0">Not in plain terms. Oft an unhappy thought,<br /></span>
<span class="i0">Telling all is not well, falls from his soul<br /></span>
-<span class="i0">Like a diseasèd feather from the wing<br /></span>
+<span class="i0">Like a diseasèd feather from the wing<br /></span>
<span class="i0">Of a sick eagle; a scorched meteor-stone<br /></span>
<span class="i0">Dropt from the ruined moon.<br /></span>
</div></div>
@@ -4407,7 +4396,7 @@ garden from the house.</i></p>
<span class="i0">From its wide circle to its leafy heart,<br /></span>
<span class="i0">Is as familiar to me as my soul.<br /></span>
<span class="i0">Memories dwell like doves among the trees,<br /></span>
-<span class="i0">Like nymphs in glooms, like naïads in the wells;<br /></span>
+<span class="i0">Like nymphs in glooms, like naïads in the wells;<br /></span>
<span class="i0">And some are sweet, and sadder some than death.<br /></span>
<span class="i33">[<i>A pause.</i><br /></span>
<span class="i0">I could have sworn the world did sing in air,<br /></span>
@@ -5251,7 +5240,7 @@ garden from the house.</i></p>
<span class="i0">I wrote a Name upon the river sands<br /></span>
<span class="i0">With her who bore it standing by my side,<br /></span>
<span class="i0">Her large dark eyes lit up with gentle pride,<br /></span>
-<span class="i0">And leaning on my arm with claspèd hands,<br /></span>
+<span class="i0">And leaning on my arm with claspèd hands,<br /></span>
<span class="i0">To burning words of mine she thus replied,<br /></span>
<span class="i0">"Nay, writ not on thy heart. This tablet frail<br /></span>
<span class="i0">Fitteth as frail a vow. Fantastic bands<br /></span>
@@ -5375,7 +5364,7 @@ Super-royal 8vo. richly bound, 25s.; morocco, 35s.</p></blockquote>
<p>A Biography, illustrated by Examples from his Pictures and a Critical
Examination of his Principles and Practice. By <span class="smcap">John Burnet</span>, F.S.A.
The Memoir by <span class="smcap">Peter Cunningham</span>: with Plates. Demy 4to. 31s. 6d.;
-Autograph Proofs (only 25 printed), folio, £5. 5s.</p></blockquote>
+Autograph Proofs (only 25 printed), folio, £5. 5s.</p></blockquote>
<p><span class="pagenum"><a name="Page_2" id="Page_2">[Pg 2]</a></span></p>
@@ -5410,8 +5399,8 @@ with Poetical Illustrations by <span class="smcap">Henry Stebbing</span>, D.D. I
<p>Forty-five Portraits of the principal Female Characters. Engraved
under the superintendence of Mr. <span class="smcap">Charles Heath</span>, from Drawings
by the best Artists. Imperial 8vo. handsomely bound in morocco, 42s.;
-coloured Plates, £3. 13s. 6d.; proofs, imperial folio, half-morocco,
-£3. 13s. 6d.; India proofs, £5. 5s.</p></blockquote>
+coloured Plates, £3. 13s. 6d.; proofs, imperial folio, half-morocco,
+£3. 13s. 6d.; India proofs, £5. 5s.</p></blockquote>
<p><big>The Book of Beauty.</big></p>
@@ -5435,7 +5424,7 @@ niece), assisted by the most popular writers of the day. Royal 8vo.
<p>with a Critical Examination into his Principles and Practice. By <span class="smcap">John
Burnet</span>, F.R.S. 15 Plates, 4to. 31s. 6d.; Artist's Autograph Proofs,
-imperial 4to. £5. 5s. (only 50 printed).</p></blockquote>
+imperial 4to. £5. 5s. (only 50 printed).</p></blockquote>
<p><big>Curiosities of Glass-making:</big></p>
@@ -5467,7 +5456,7 @@ Imperial 4to. 42s. bound; proofs, 50s.; coloured, 63s.</p></blockquote>
<p>comprising all its principal Edifices, and its surrounding Scenery.
Engraved by <span class="smcap">W.B. Cooke</span>. 38 Plates, with a Panoramic View of the
-City. 4to. 21s.; India proofs, £2. 2s.</p></blockquote>
+City. 4to. 21s.; India proofs, £2. 2s.</p></blockquote>
<p><big>The Bible Gallery:</big></p>
@@ -5492,7 +5481,7 @@ Handsomely bound, 21s.; coloured, 42s.</p></blockquote>
<p>Portraits of the Heroines of Lord Byron's Poems, from Drawings by
the most eminent Artists. Super-royal 8vo. morocco, 31s. 6d.; highly
-coloured, £3.</p></blockquote>
+coloured, £3.</p></blockquote>
<p><big>Heath's Waverley Gallery.</big></p>
@@ -5500,7 +5489,7 @@ coloured, £3.</p></blockquote>
<p>Portraits of the principal Female Characters in the Writings of <span class="smcap">Scott</span>.
36 highly-finished Plates, super-royal 8vo. splendidly bound in morocco,
-31s. 6d.; with coloured plates, £3.</p></blockquote>
+31s. 6d.; with coloured plates, £3.</p></blockquote>
<p><big>Gallery of the Graces;</big></p>
@@ -5508,7 +5497,7 @@ coloured, £3.</p></blockquote>
<p>or, Beauties of British Poets: 36 beautiful Female Heads by Landseer,
Boxall, F. Stone, &amp;c., illustrating Tennyson, Campbell, Rogers, Landon,
-&amp;c. Super-royal 8vo. 31s. 6d. morocco; with coloured Plates, £3.</p></blockquote>
+&amp;c. Super-royal 8vo. 31s. 6d. morocco; with coloured Plates, £3.</p></blockquote>
<p><big>Milton's Poetical Works.</big></p>
@@ -5600,7 +5589,7 @@ Williams. Crown 8vo. cloth, 6s.</p></blockquote>
<p>By <span class="smcap">J.D. Harding</span>. Sixty Views of the most interesting Scenes, Foreign
and Domestic, printed in tints, in exact imitation of the Original Drawings.
-Imperial folio, half-morocco, £6. 6s.</p>
+Imperial folio, half-morocco, £6. 6s.</p>
<p>"A treasure-house of delight. Here northern Italy yields up its architectural glories and its
lake scenery&mdash;Venice its palaces&mdash;the Tyrol its romantic valleys and villages&mdash;the Rhenish cities
@@ -5753,7 +5742,7 @@ coloured Plates. Post 8vo. 9s. 6d.</p>
<p>Illustrated by a series of upwards of Seven Hundred Examples of Doorways,
Windows, &amp;c.; accompanied with Remarks on the several Details
of an Ecclesiastical Edifice. By R. and <span class="smcap">J.A. Brandon</span>, Architects.
-2 large vols. royal 4to. £5. 5s.</p></blockquote>
+2 large vols. royal 4to. £5. 5s.</p></blockquote>
<p><span class="pagenum"><a name="Page_6" id="Page_6">[Pg 6]</a></span></p>
@@ -5763,7 +5752,7 @@ of an Ecclesiastical Edifice. By R. and <span class="smcap">J.A. Brandon</span>,
<p>Illustrated by Perspective and Working Drawings of some of the best
varieties of Church Roofs; with descriptive Letterpress. By R. and <span class="smcap">J.A.
-Brandon</span>. Royal 4to. uniform with the above, £3. 3s.</p></blockquote>
+Brandon</span>. Royal 4to. uniform with the above, £3. 3s.</p></blockquote>
<p><big>Parish Churches;</big></p>
@@ -5772,7 +5761,7 @@ Brandon</span>. Royal 4to. uniform with the above, £3. 3s.</p></blockquote>
<p>being Perspective Views of English Ecclesiastical Structures; accompanied
by Plans drawn to a Uniform Scale, and Letterpress Descriptions.
By R. and <span class="smcap">J.A. Brandon</span>, Architects. 2 vols. large 8vo. containing
-160 Plates, £2. 2s.</p></blockquote>
+160 Plates, £2. 2s.</p></blockquote>
<hr />
@@ -5784,8 +5773,8 @@ By R. and <span class="smcap">J.A. Brandon</span>, Architects. 2 vols. large 8vo
Churches of England and Wales.</span> New Edition, with the
<span class="smcap">Manchester Cathedral</span>. 186 Plates, beautifully engraved by <span class="smcap">B.
Winkles</span>; with Historical and Descriptive Accounts of the various
-Cathedrals. In three handsome vols. imp. 8vo. cloth, £2. 8s.; roy. 4to.
-India proofs (<i>very few left</i>), £6. 6s.</p>
+Cathedrals. In three handsome vols. imp. 8vo. cloth, £2. 8s.; roy. 4to.
+India proofs (<i>very few left</i>), £6. 6s.</p>
<p>&#8258; The Third Volume, comprising Lichfield, Gloucester, Hereford, Worcester,
Durham, Carlisle, Chester, Ripon, Manchester, and the Welsh Cathedrals,
@@ -5797,7 +5786,7 @@ may still be had separately, to complete sets, price 24s. in 8vo., 48s. 4to.</p>
<p>From Drawings by <span class="smcap">R. Garland</span>; with Historical and Descriptive
Accounts. Containing Fifty large Plates. Cloth, 21s.; royal 4to.
-India proofs, £2. 2s.</p></blockquote>
+India proofs, £2. 2s.</p></blockquote>
<p><big>Glossary of Architecture.</big></p>
@@ -5883,7 +5872,7 @@ Third Edition, fcp. 8vo. 5s. cloth.</p></blockquote>
<blockquote>
<p>Travels of H.R.H. Prince Adalbert, of Prussia, in the South of Europe
-and in Brazil; with a Voyage up the Amazon and the Xingú. Translated
+and in Brazil; with a Voyage up the Amazon and the Xingú. Translated
by Sir <span class="smcap">R.H. Schomburck</span> and <span class="smcap">J.E. Taylor</span>. 2 vols. 8vo. Maps
and Plates, 16s.</p></blockquote>
@@ -5907,7 +5896,7 @@ Original Drawings. Fourth Edit. Fcp. 8vo. cloth, 7s.; morocco, 10s. 6d.</p></blo
<blockquote>
<p>Narrative of an Expedition across the Great South Western Prairies,
-from Texas to Santa Fé. By <span class="smcap">George W. Kendall</span>. 2 vols. fcp. 8vo,
+from Texas to Santa Fé. By <span class="smcap">George W. Kendall</span>. 2 vols. fcp. 8vo,
with Map and Plates, 12s.</p></blockquote>
<p><big>The Wonders of Travel;</big></p>
@@ -6238,7 +6227,7 @@ with Humorous Engravings by Leech. New Edition, 5s. cloth.</p>
Hearts are Trumps. By James Hannay.<br />
Natural History of Tuft-hunters and Toadies.<br />
<span style="margin-left: 1.5em;">"</span><span style="margin-left: 2.5em;">"</span><span style="margin-left: 2.5em;">the Hawk Tribe (Swindlers, Blacklegs, &amp;c.).</span><br />
-<span style="margin-left: 1.5em;">"</span><span style="margin-left: 2.5em;">"</span><span style="margin-left: 2.5em;">a Bal Masqué. By the Count Chicard.</span><br />
+<span style="margin-left: 1.5em;">"</span><span style="margin-left: 2.5em;">"</span><span style="margin-left: 2.5em;">a Bal Masqué. By the Count Chicard.</span><br />
</p></blockquote>
<hr class="chap" />
@@ -6258,7 +6247,7 @@ Natural History of Tuft-hunters and Toadies.<br />
<p>A Life Drama, and other Poems. By <span class="smcap">Alexander Smith</span>. <i>Third
Edition.</i> Fcp. 8vo. cloth, 5s.</p></blockquote>
-<p><big>Life and Times of Madame de Staël.</big></p>
+<p><big>Life and Times of Madame de Staël.</big></p>
<blockquote>
@@ -6269,7 +6258,7 @@ Edition.</i> Fcp. 8vo. cloth, 5s.</p></blockquote>
<blockquote>
<p>Being a Personal Narrative of his Career in connection with the Revolution.
-By <span class="smcap">Arthur Görgei</span>, Commander-in-Chief of the Hungarian
+By <span class="smcap">Arthur Görgei</span>, Commander-in-Chief of the Hungarian
Army. 2 vols. post 8vo. 21s.</p></blockquote>
<p><big>Men of the Time:</big></p>
@@ -6563,7 +6552,7 @@ view of the progress of discovery during the year, systematically arranged,
with engravings illustrative of novelties in the arts and sciences, &amp;c.
The volumes, from its commencement in 1839, may still be had, 5s. each.</p>
-<p>"Ably and honestly compiled."&mdash;<span class="smcap">Athenæum.</span></p></blockquote>
+<p>"Ably and honestly compiled."&mdash;<span class="smcap">Athenæum.</span></p></blockquote>
<p><big>Life's Lessons:</big></p>
@@ -6580,7 +6569,7 @@ Edition, with Frontispiece, fcp. 8vo. 4s, cloth.</p></blockquote>
the Rev. <span class="smcap">J.M. Williams</span>, of Queen's College, Cambridge. New Edition,
6s. 6d. cloth; 7s. roan.&mdash;An 8vo. Edition may also be had, 7s. cloth.</p>
-<p>&#8225;§&#8225; This edition is in use at many of the Public Schools.</p></blockquote>
+<p>&#8225;§&#8225; This edition is in use at many of the Public Schools.</p></blockquote>
<p><big>King's Interest Tables,</big></p>
@@ -6712,7 +6701,7 @@ by Harvey. Crown 8vo. 1s. sewed.</p></blockquote>
<tr><td align="left">3.</td><td align="left"> OLIVER GOLDSMITH'S WORKS.</td></tr>
<tr><td align="left">4.</td><td align="left"> HERVEY'S MEDITATIONS and CONTEMPLATIONS.</td></tr>
</table></div>
-<p>&#8225;§&#8225; These Works are clearly and beautifully printed by Whittingham, and
+<p>&#8225;§&#8225; These Works are clearly and beautifully printed by Whittingham, and
each comprised in a handsome fcp. 8vo. vol. Their elegance and cheapness
render them very suitable for Presents, School Prizes, or Travelling Companions.
Price 6s. each, neatly half-bound morocco; or 9s. calf extra.</p>
@@ -6763,7 +6752,7 @@ B. Foster. Fcp. 8vo. 6s.</p></blockquote>
<blockquote>
-<p>a complete Encyclopædia of all the Diversions&mdash;Athletic, Scientific, and
+<p>a complete Encyclopædia of all the Diversions&mdash;Athletic, Scientific, and
Recreative&mdash;of Boyhood and Youth. With several hundred Woodcuts.
New Edition, greatly enlarged and improved. Handsomely bound, 8s. 6d.</p></blockquote>
@@ -7102,7 +7091,7 @@ specify&mdash;"TILT'S EDITION."</p>
<p>The whole Series may be had in a Case, representing two handsome Quarto
Volumes, lettered "<span class="smcap">London Library of British Classics</span>," which,
-when shut, is secured by a patent spring lock, for £5. 5s., forming a very
+when shut, is secured by a patent spring lock, for £5. 5s., forming a very
useful and acceptable</p>
<p class="center">BIRTHDAY AND WEDDING PRESENT.</p>
@@ -7305,7 +7294,7 @@ Royal 8vo. <i>Originally published at</i> 28s.; <i>reduced to</i> 12s.</p></bloc
<p>containing large and highly-finished Engravings of the Works of the most
distinguished Painters in Water-colours &amp;c. 18 Plates, imperial 4to.
-cloth. <i>Originally published at</i> £3. 3s.; <i>reduced to</i> 21s.</p></blockquote>
+cloth. <i>Originally published at</i> £3. 3s.; <i>reduced to</i> 21s.</p></blockquote>
<p><big>Museum of Painting and Sculpture:</big></p>
@@ -7317,7 +7306,7 @@ Engravings of all the chief works in the Italian, German, Dutch,
French, and English Schools, includes <span class="smcap">Twelve Hundred Plates</span>, and
is an indispensable <i>vade-mecum</i> to the Artist or Collector. In 17 handsome
vols. small 8vo. neatly bound, with gilt tops. <i>Originally published
-at</i> £17. 17s.; <i>reduced to</i> £4. 14s. 6d.</p></blockquote>
+at</i> £17. 17s.; <i>reduced to</i> £4. 14s. 6d.</p></blockquote>
<p><big>Laconics;</big></p>
@@ -7348,7 +7337,7 @@ cloth. <i>Published at</i> 7s. 6d.; <i>reduced to</i> 2s. 6d.</p></blockquote>
Sculpture executed by British Artists, from the days of Hogarth: with
Descriptive and Explanatory Notices, by <span class="smcap">G. Hamilton</span>. Four volumes,
containing nearly Three Hundred Plates, neatly bound, with gilt tops.
-<i>Originally published at</i> £3. 12s.; <i>reduced to</i> 28s.</p></blockquote>
+<i>Originally published at</i> £3. 12s.; <i>reduced to</i> 28s.</p></blockquote>
<p><big>Martin's Illustrations of the Bible;</big></p>
@@ -7356,7 +7345,7 @@ containing nearly Three Hundred Plates, neatly bound, with gilt tops.
<p>consisting of Twenty large and magnificent Plates, designed and engraved
by John Martin, Author of "Belshazzar's Feast," &amp;c. In a large folio
-volume, cloth. <i>Originally published at</i> £10. 10s.; <i>reduced to</i> £2. 2s.</p></blockquote>
+volume, cloth. <i>Originally published at</i> £10. 10s.; <i>reduced to</i> £2. 2s.</p></blockquote>
<hr class="chap" />
@@ -7483,7 +7472,7 @@ Cruikshank's (Geo.) Works, <a href="#Page_9">9</a><br />
<br />
Dale's Poems, <a href="#Page_12">12</a><br />
<br />
-De Staël's (Mad.) Life and Times, <a href="#Page_11">11</a><br />
+De Staël's (Mad.) Life and Times, <a href="#Page_11">11</a><br />
<br />
De Vigny's Cinq Mars, <a href="#Page_19">19</a><br />
<br />
@@ -7548,7 +7537,7 @@ Glossary of Architecture, <a href="#Page_6">6</a><br />
<br />
Goldsmith's Works, <a href="#Page_16">16</a><br />
<br />
-Görgei's Life in Hungary, <a href="#Page_11">11</a><br />
+Görgei's Life in Hungary, <a href="#Page_11">11</a><br />
<br />
Graces, Gallery of the, <a href="#Page_3">3</a><br />
<br />
@@ -7851,7 +7840,7 @@ Young Lady's Oracle, <a href="#Page_8">8</a><br />
punctuations and spellings have been left as they appear in the original text, including:</p>
<ul>
<li>inconsistent use of hyphen (e.g. "dew-drop" and "dewdrop");</li>
-<li>inconsistent use of accents (e.g. "fringèd" and "fringed");</li>
+<li>inconsistent use of accents (e.g. "fringèd" and "fringed");</li>
<li>inconsistent use of apostrophe (e.g. "would'st" and "wouldst");</li>
<li>inconsistent use of archaic forms (e.g. "goes" and "goeth");</li>
<li>and any other variable spellings.</li></ul>
@@ -7861,7 +7850,7 @@ punctuations and spellings have been left as they appear in the original text, i
Index entries that do not match their referred text are corrected,
including:</p>
<ul><li>Index entry "Foxhunting" corrected to be "Fox-hunting."</li>
-<li>Index entry "Gorgei" corrected to be "Görgei."</li>
+<li>Index entry "Gorgei" corrected to be "Görgei."</li>
<li>Index entry "Rafaelle" corrected to be "Raffaelle."</li>
<li>Index entry "Winkle" corrected to be "Winkles."</li>
<li>Index entry "Wurtemburg" corrected to be "Wurtemberg."</li>
@@ -7869,360 +7858,6 @@ including:</p>
</div>
-<hr class="full" />
-<p>***END OF THE PROJECT GUTENBERG EBOOK POEMS***</p>
-<p>******* This file should be named 42301-h.txt or 42301-h.zip *******</p>
-<p>This and all associated files of various formats will be found in:<br />
-<a href="http://www.gutenberg.org/dirs/4/2/3/0/42301">http://www.gutenberg.org/4/2/3/0/42301</a></p>
-<p>
-Updated editions will replace the previous one--the old editions
-will be renamed.</p>
-
-<p>
-Creating the works from public domain print editions means that no
-one owns a United States copyright in these works, so the Foundation
-(and you!) can copy and distribute it in the United States without
-permission and without paying copyright royalties. Special rules,
-set forth in the General Terms of Use part of this license, apply to
-copying and distributing Project Gutenberg-tm electronic works to
-protect the PROJECT GUTENBERG-tm concept and trademark. Project
-Gutenberg is a registered trademark, and may not be used if you
-charge for the eBooks, unless you receive specific permission. If you
-do not charge anything for copies of this eBook, complying with the
-rules is very easy. You may use this eBook for nearly any purpose
-such as creation of derivative works, reports, performances and
-research. They may be modified and printed and given away--you may do
-practically ANYTHING with public domain eBooks. Redistribution is
-subject to the trademark license, especially commercial
-redistribution.
-</p>
-
-<h2>*** START: FULL LICENSE ***<br />
-
-THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</h2>
-
-<p>To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full Project
-Gutenberg-tm License available with this file or online at
-<a href="http://www.gutenberg.org/license">www.gutenberg.org/license</a>.</p>
-
-<h3>Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
-electronic works</h3>
-
-<p>1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or destroy
-all copies of Project Gutenberg-tm electronic works in your possession.
-If you paid a fee for obtaining a copy of or access to a Project
-Gutenberg-tm electronic work and you do not agree to be bound by the
-terms of this agreement, you may obtain a refund from the person or
-entity to whom you paid the fee as set forth in paragraph 1.E.8.</p>
-
-<p>1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this agreement
-and help preserve free future access to Project Gutenberg-tm electronic
-works. See paragraph 1.E below.</p>
-
-<p>1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
-or PGLAF), owns a compilation copyright in the collection of Project
-Gutenberg-tm electronic works. Nearly all the individual works in the
-collection are in the public domain in the United States. If an
-individual work is in the public domain in the United States and you are
-located in the United States, we do not claim a right to prevent you from
-copying, distributing, performing, displaying or creating derivative
-works based on the work as long as all references to Project Gutenberg
-are removed. Of course, we hope that you will support the Project
-Gutenberg-tm mission of promoting free access to electronic works by
-freely sharing Project Gutenberg-tm works in compliance with the terms of
-this agreement for keeping the Project Gutenberg-tm name associated with
-the work. You can easily comply with the terms of this agreement by
-keeping this work in the same format with its attached full Project
-Gutenberg-tm License when you share it without charge with others.</p>
-
-<p>1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are in
-a constant state of change. If you are outside the United States, check
-the laws of your country in addition to the terms of this agreement
-before downloading, copying, displaying, performing, distributing or
-creating derivative works based on this work or any other Project
-Gutenberg-tm work. The Foundation makes no representations concerning
-the copyright status of any work in any country outside the United
-States.</p>
-
-<p>1.E. Unless you have removed all references to Project Gutenberg:</p>
-
-<p>1.E.1. The following sentence, with active links to, or other immediate
-access to, the full Project Gutenberg-tm License must appear prominently
-whenever any copy of a Project Gutenberg-tm work (any work on which the
-phrase "Project Gutenberg" appears, or with which the phrase "Project
-Gutenberg" is associated) is accessed, displayed, performed, viewed,
-copied or distributed:</p>
-
-<p>This eBook is for the use of anyone anywhere at no cost and with
-almost no restrictions whatsoever. You may copy it, give it away or
-re-use it under the terms of the Project Gutenberg License included
-with this eBook or online at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-
-<p>1.E.2. If an individual Project Gutenberg-tm electronic work is derived
-from the public domain (does not contain a notice indicating that it is
-posted with permission of the copyright holder), the work can be copied
-and distributed to anyone in the United States without paying any fees
-or charges. If you are redistributing or providing access to a work
-with the phrase "Project Gutenberg" associated with or appearing on the
-work, you must comply either with the requirements of paragraphs 1.E.1
-through 1.E.7 or obtain permission for the use of the work and the
-Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
-1.E.9.</p>
-
-<p>1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
-terms imposed by the copyright holder. Additional terms will be linked
-to the Project Gutenberg-tm License for all works posted with the
-permission of the copyright holder found at the beginning of this work.</p>
-
-<p>1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.</p>
-
-<p>1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.</p>
-
-<p>1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including any
-word processing or hypertext form. However, if you provide access to or
-distribute copies of a Project Gutenberg-tm work in a format other than
-"Plain Vanilla ASCII" or other format used in the official version
-posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
-you must, at no additional cost, fee or expense to the user, provide a
-copy, a means of exporting a copy, or a means of obtaining a copy upon
-request, of the work in its original "Plain Vanilla ASCII" or other
-form. Any alternate format must include the full Project Gutenberg-tm
-License as specified in paragraph 1.E.1.</p>
-
-<p>1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.</p>
-
-<p>1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works provided
-that</p>
-
-<ul>
-<li>You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is
- owed to the owner of the Project Gutenberg-tm trademark, but he
- has agreed to donate royalties under this paragraph to the
- Project Gutenberg Literary Archive Foundation. Royalty payments
- must be paid within 60 days following each date on which you
- prepare (or are legally required to prepare) your periodic tax
- returns. Royalty payments should be clearly marked as such and
- sent to the Project Gutenberg Literary Archive Foundation at the
- address specified in Section 4, "Information about donations to
- the Project Gutenberg Literary Archive Foundation."</li>
-
-<li>You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or
- destroy all copies of the works possessed in a physical medium
- and discontinue all use of and all access to other copies of
- Project Gutenberg-tm works.</li>
-
-<li>You provide, in accordance with paragraph 1.F.3, a full refund of any
- money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days
- of receipt of the work.</li>
-
-<li>You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.</li>
-</ul>
-
-<p>1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
-electronic work or group of works on different terms than are set
-forth in this agreement, you must obtain permission in writing from
-both the Project Gutenberg Literary Archive Foundation and Michael
-Hart, the owner of the Project Gutenberg-tm trademark. Contact the
-Foundation as set forth in Section 3 below.</p>
-
-<p>1.F.</p>
-
-<p>1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-public domain works in creating the Project Gutenberg-tm
-collection. Despite these efforts, Project Gutenberg-tm electronic
-works, and the medium on which they may be stored, may contain
-"Defects," such as, but not limited to, incomplete, inaccurate or
-corrupt data, transcription errors, a copyright or other intellectual
-property infringement, a defective or damaged disk or other medium, a
-computer virus, or computer codes that damage or cannot be read by
-your equipment.</p>
-
-<p>1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.</p>
-
-<p>1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium with
-your written explanation. The person or entity that provided you with
-the defective work may elect to provide a replacement copy in lieu of a
-refund. If you received the work electronically, the person or entity
-providing it to you may choose to give you a second opportunity to
-receive the work electronically in lieu of a refund. If the second copy
-is also defective, you may demand a refund in writing without further
-opportunities to fix the problem.</p>
-
-<p>1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
-WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
-WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.</p>
-
-<p>1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of damages.
-If any disclaimer or limitation set forth in this agreement violates the
-law of the state applicable to this agreement, the agreement shall be
-interpreted to make the maximum disclaimer or limitation permitted by
-the applicable state law. The invalidity or unenforceability of any
-provision of this agreement shall not void the remaining provisions.</p>
-
-<p>1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in accordance
-with this agreement, and any volunteers associated with the production,
-promotion and distribution of Project Gutenberg-tm electronic works,
-harmless from all liability, costs and expenses, including legal fees,
-that arise directly or indirectly from any of the following which you do
-or cause to occur: (a) distribution of this or any Project Gutenberg-tm
-work, (b) alteration, modification, or additions or deletions to any
-Project Gutenberg-tm work, and (c) any Defect you cause.</p>
-
-<h3>Section 2. Information about the Mission of Project Gutenberg-tm</h3>
-
-<p>Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of computers
-including obsolete, old, middle-aged and new computers. It exists
-because of the efforts of hundreds of volunteers and donations from
-people in all walks of life.</p>
-
-<p>Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future generations.
-To learn more about the Project Gutenberg Literary Archive Foundation
-and how your efforts and donations can help, see Sections 3 and 4 and
-the Foundation information page at <a
-href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-
-<h3>Section 3. Information about the Project Gutenberg Literary Archive
-Foundation</h3>
-
-<p>The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg
-Literary Archive Foundation are tax deductible to the full extent
-permitted by U.S. federal laws and your state's laws.</p>
-
-<p>The Foundation's principal office is located at 4557 Melan Dr. S.
-Fairbanks, AK, 99712., but its volunteers and employees are scattered
-throughout numerous locations. Its business office is located at 809
-North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
-contact links and up to date contact information can be found at the
-Foundation's web site and official page at <a
-href="http://www.gutenberg.org/contact">www.gutenberg.org/contact</a></p>
-
-<p>For additional contact information:<br />
- Dr. Gregory B. Newby<br />
- Chief Executive and Director<br />
- gbnewby@pglaf.org</p>
-
-<h3>Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation</h3>
-
-<p>Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.</p>
-
-<p>The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To
-SEND DONATIONS or determine the status of compliance for any
-particular state visit <a
-href="http://www.gutenberg.org/donate">www.gutenberg.org/donate</a></p>
-
-<p>While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.</p>
-
-<p>International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.</p>
-
-<p>Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations.
-To donate, please visit: <a
-href="http://www.gutenberg.org/donate">www.gutenberg.org/donate</a></p>
-
-<h3>Section 5. General Information About Project Gutenberg-tm electronic
-works.</h3>
-
-<p>Professor Michael S. Hart was the originator of the Project Gutenberg-tm
-concept of a library of electronic works that could be freely shared
-with anyone. For forty years, he produced and distributed Project
-Gutenberg-tm eBooks with only a loose network of volunteer support.</p>
-
-<p>Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as Public Domain in the U.S.
-unless a copyright notice is included. Thus, we do not necessarily
-keep eBooks in compliance with any particular paper edition.</p>
-
-<p>Most people start at our Web site which has the main PG search facility:
-<a href="http://www.gutenberg.org">www.gutenberg.org</a></p>
-
-<p>This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.</p>
-
+<div>*** END OF THE PROJECT GUTENBERG EBOOK 42301 ***</div>
</body>
</html>
diff --git a/42301.zip b/42301.zip
deleted file mode 100644
index f5ac536..0000000
--- a/42301.zip
+++ /dev/null
Binary files differ