summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/50809-8.txt2442
-rw-r--r--old/50809-8.zipbin43454 -> 0 bytes
-rw-r--r--old/50809-h.zipbin1194202 -> 0 bytes
-rw-r--r--old/50809-h/50809-h.htm2720
-rw-r--r--old/50809-h/images/ill_001.jpgbin95345 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_002.jpgbin208907 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_003.jpgbin81245 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_004.jpgbin6399 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_005.jpgbin104942 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_006.jpgbin17381 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_007.jpgbin73608 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_008.jpgbin62561 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_009.jpgbin51450 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_010.jpgbin48897 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_011.jpgbin51243 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_012.jpgbin143589 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_013.jpgbin35340 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_014.jpgbin24002 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_015.jpgbin10914 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_016.jpgbin9261 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_017.jpgbin7734 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_018.jpgbin10162 -> 0 bytes
-rw-r--r--old/50809-h/images/ill_019.jpgbin107349 -> 0 bytes
26 files changed, 17 insertions, 5162 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..7f6521e
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #50809 (https://www.gutenberg.org/ebooks/50809)
diff --git a/old/50809-8.txt b/old/50809-8.txt
deleted file mode 100644
index 83b496f..0000000
--- a/old/50809-8.txt
+++ /dev/null
@@ -1,2442 +0,0 @@
-Project Gutenberg's Harper's Young People, December 27, 1881, by Various
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Harper's Young People, December 27, 1881
- An Illustrated Weekly
-
-Author: Various
-
-Release Date: December 31, 2015 [EBook #50809]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, DEC 27, 1881 ***
-
-
-
-
-Produced by Annie R. McGuire
-
-
-
-
-
-
-
-
-[Illustration: HARPER'S YOUNG PEOPLE]
-
- * * * * *
-
-VOL. III.--NO. 113. PUBLISHED BY HARPER & BROTHERS, NEW YORK. PRICE FOUR
-CENTS.
-
-Tuesday, December 27, 1881. Copyright, 1881, by HARPER & BROTHERS. $1.50
-per Year, in Advance.
-
- * * * * *
-
-
-
-
-[Illustration: "I BRING YOU GOOD TIDINGS OF GREAT JOY."]
-
-"GOOD TIDINGS OF GREAT JOY."
-
-
- An angel voice on Judah's plain
- Announced to men a Saviour's birth:
- Each Christmas sends the sweet refrain
- Re-echoing wider o'er the earth.
-
- Whence come the joys of Christmas-tide?
- A Child from Heaven has given us them.
- Above all thoughts let this abide:
- _The Christ is born in Bethlehem._
-
-
-
-
-A CHRISTMAS MYSTERY; OR, JO AND HIS PET CROW.
-
-BY MRS. FRANK McCARTHY.
-
-
-The sharp crack of a rifle startled the echoes around Judge Malcom's
-country home, and a big black crow dropped from the wood-pile. Out ran a
-little darky boy from the kitchen, followed by Aunt Dinah, his fat old
-grandmother.
-
-"Now, you Jo, what you gwine to do wid dat dar crow? You better drap him
-like a hot potater. He's a-gwine to de Ole Scratch, whar he belongs."
-
-But Jo had run over to the wood-pile, picked up the poor old crow, and
-held it to his bosom. His woollen shirt was open, and down his black
-skin ran the red blood of the wounded bird, down his black cheeks ran
-the tears, and he rocked himself to and fro in an agony of grief.
-
-"He's done gone dead for suah," sobbed Jo. "Oh, Mas'r Harry! what made
-yer kill poor old 'Thus'lem?"
-
-"I'm sorry, Jo," said a handsome lad of twelve, putting down his gun. "I
-didn't know it was your crow, and he made such a capital target up there
-on that jagged stick, I couldn't help it. Don't cry, Jo; I'll get you
-another much nicer pet than that. He's the most broken-down,
-dilapidated-looking customer I ever saw. He's blind in one eye, and no
-wonder Aunt Dinah named him Methuselah; he must be a thousand years old.
-Let the miserable thing die, Jo, and I'll give you one of my bull-pups."
-
-"An' I'll dib oo a pet tennary, Do," lisped little Laura.
-
-"An' I'll gib you a good lickin' ef you don't shet dat dar bawlin',"
-said Aunt Dinah. "Why, yer couldn't make more ob a rumpus over a pore
-Christian."
-
-But entreaties or threats were of no avail. Jo thanked Master Harry for
-his offer of the bull-pup, and Miss Laura for hers of a canary, but he
-said he didn't want any more pets if 'Thus'lem died. Then he climbed the
-back steps to the room over the kitchen where he and Aunt Dinah slept.
-Taking out of an old box a checked shirt, he proceeded to tear off the
-tail some narrow strips. These he bound tightly about the bleeding body
-of the crow, and finding one leg hanging limp and useless, he cut a
-splinter from the box, and set the shattered limb. Then he bathed
-'Thus'lem's head with water, all the while calling upon his favorite to
-open his eyes and look at him once more before he died.
-
-'Thus'lem seemed to have made up his mind to look at Jo a good many more
-times before he died, for his best eye opened and began to blink in such
-a lively manner that Jo jumped up and clapped his hands with delight.
-
-"Why, 'Thus'lem," he stammered--"why, why, yer ain't done gone, is yer?
-Yer's a-gwine to lib, mebbe?"
-
-"Jes so, jes so," feebly croaked the crow.
-
-Not that I mean to say 'Thus'lem could talk. No member of the crow
-family has ever been known to carry on a conversation; but as for those
-two words, everybody said they were plain enough when you knew what they
-were.
-
-"'Clar to goodness," said Aunt Dinah, "ef dere's any kill in dat dar
-crow! He's been froze to deff, an' scalded to deff, an' crushed to deff,
-an' shot to deff, an' here he is agin, peart as a maggot. Reckon he's
-lived 's long 's de creation itseff, an' looked on wid dat dar crooked
-eye o' his'n when Noah built de ark. He's enuff to scar' de life out ob
-any one. Jes look at him, Mas'r Harry."
-
-He certainly was a very queer specimen of the bird creation. His body
-seemed to be held together with strips of Jo's old shirt, he had only
-one leg to stand on, and every feather seemed to straggle in a different
-direction.
-
-"He hasn't got off by de skin ob his teef for nuffin," said Aunt Dinah;
-"he's chock-full ob inikity, dat dar crow."
-
-"Jes so, jes so," croaked the crow.
-
-But Jo patted tenderly the wounded body of his favorite, and told him
-not to mind granny, to be a good crow, and get well and comfort the
-oppressed heart of his master.
-
-"For, 'Thus'lem," said Jo, as he settled down to his potato-paring, with
-the bird on his shoulder, "I know you's ill-used an' pussecuted an'
-slanderized, an' folks don't gib yer no peace, sleepin' nor wakin'; but
-dat's acause you's black, 'Thus'lem, an' I's black, an' we's bofe black.
-Ef yer woz a lubly yaller canary ob Missy Laura's, you'd hab a mos'
-spreneriferous time, 'Thus'lem. You'd hab a shinin' gilt cage to lib in,
-an' a boss swing to swing on, an' all de lump-sugar yer could swaller
-down, an' Missy Laura'd call yer 'honey' an' 'sugar-plum,' an' let yer
-roost on her lily-white finger, an' peck out ob her lubly red lips. Oh,
-goodness gracious' sakes alive, 'Thus'lem!" said Jo, his eyes rolling in
-his head at the thoughts of such ecstasy, "ef yer woz only a yaller
-canary!"
-
-But 'Thus'lem shook his head, as much as to say that he wouldn't give a
-rotten cherry for such felicity.
-
-"It's a mos' drefful pity," sighed poor Jo, "dat yer looks is so
-mightily agin yer, 'Thus'lem; dat dar nose o' yourn bein' so drefful
-hooked, an' dat dar eye o' yourn so powerful skewed. But don't worry
-about it, 'Thus'lem; it can't be helped, yer know."
-
-"Jes so, jes so," meekly croaked the crow.
-
-"We'll hab to be sassyfried, 'Thus'lem, an' do de bes' we can. Don' yer
-smell de good tings a-cookin', 'Thus'lem? Don' yer sniff up de pies an'
-cookies, 'Thus'lem, an' de ginger an' spice an' all de lubly cookin',
-'Thus'lem? Dat's acause it's Christmas-time, when eberybody's kinder
-happy, 'Thus'lem, even a pore old crow."
-
-"Jes so, jes so," croaked the crow, and apparently a little tired of
-Jo's sermonizing, he limped out of his sight.
-
-Shortly after, Master Harry entered the kitchen, and told Jo he had some
-very particular work for him to do.
-
-"You see, Jo," said Harry, "Santa Claus is very busy this year, and he
-can't get time to provide Christmas trees for folks that have them
-handy. We'll have to help him a little." And winking mysteriously to Jo,
-he beckoned him outside, and told him the joyful news that he too was to
-help get the Christmas tree and greens.
-
-It may not seem such a very pleasant thing to some people to go out in
-the freezing air, and hack down a lot of tough cedars, but to Jo it was
-simply delightful.
-
-"Jes tink of dat dar, 'Thus'lem," he said to his crow, "'ter be sot ter
-work for Santy Claws himseff! 'Pears like as ef de good times is comin'
-for dis yere Jo, 'Thus'lem. Mas'r Harry's powerful good to bofe of us
-nowadays. It's a bressed Christmas dis yere, 'Thus'lem."
-
-The fact was that Harry had determined to make up to Jo for the grief he
-had given him in the careless shooting of his favorite crow. He was
-shocked when he saw the agony his careless indifference had given Jo. He
-had no idea a little darky like that could feel even worse than he would
-if any accident should happen to one of his pets. When Harry found out
-that the color of Jo's skin did not hinder him from being a real boy
-like himself, with all a boy's appreciation, and much more than an
-average boy's feeling, Jo went up a good many pegs in Harry's
-estimation, and not having any white boys handy, he made excellent use
-of Jo.
-
-There was an air of secrecy about the house that always belonged to
-Christmas-time. When the Judge came home from town with his pockets
-bulging out, and winked to his wife to follow him to an adjoining room,
-nobody thought of prying into their secrets except 'Thus'lem; but then
-no one minded him.
-
-Harry had his own secrets too, shared by nobody except Jo. He was almost
-too dignified to take a poor little negro like Jo into his full
-confidence, but there was a little package in his bureau drawer, and he
-was bursting to show it to somebody. It was a likeness of himself nicely
-inclosed in a little locket that would just fit upon his mother's gold
-chain.
-
-"Don't you say anything about it, Jo."
-
-"Not for de worl', Mas'r Harry. I'd die afore I'd reveal a solemn secret
-like dat dar."
-
-"I believe you would, Jo. I think I can trust you."
-
-Jo's heart almost burst with pride at this mark of confidence. He did
-not even tell 'Thus'lem, though he was sorely tempted to, as he never
-kept anything from his pet crow. The very next day it happened that
-another honor was conferred upon Jo.
-
-Mrs. Malcom had shut herself up in her room, and when Jo brought a
-scuttle of coal, she did not put aside the pretty purse she was
-knitting, but nodded and smiled when she saw Jo looking at it.
-
-"It's for Master Harry, Jo. When I get it done and put a few gold pieces
-in it, don't you think he'll like it all the better because his mother
-knit it?"
-
-"Shouldn't wunner a bit ef he would, missus. My souls an' bodies! wot a
-Christmas this will be!"
-
-"Don't tell him, Jo."
-
-"I'd be chopped into bits afore I'd tell it!"
-
-"Jo is a faithful, honest, good little fellow," said Mrs. Malcom to
-Harry; "we mustn't forget Jo at Christmas."
-
-"No, indeed, mamma. Do you know what I think would please him more than
-anything? A pretty collar for 'Thus'lem, as he calls that old crow. Of
-course we'll give him clothes and things; but he'd like something of
-that kind for Methuselah--darkies like trinkets, you know."
-
-"Jes so, jes so," said the crow.
-
-Harry remembered this remark bitterly enough upon Christmas-eve, when
-the happy moment had at last come for him to bring forth his treasure
-from its hiding-place, and put it triumphantly in the hands of his
-mamma.
-
-The Christmas greens were all hung, the Christmas tree was ready for
-Santa Claus to trim, and Jack Frost had already begun his wonderful
-decorations. Little Laura was fast asleep in her snug little bed; Jo had
-gone, whistling cheerfully, to his garret; and even 'Thus'lem had
-squeezed himself through the hole in the plaster that led from the main
-building to the room over the kitchen, and gone to roost comfortably in
-Jo's black bosom.
-
-Jo looked out of the little window up to the clear cold sky. One tiny
-star was glimmering there.
-
-"Pears like as ef it might be de bressed star ob Bethlehem, 'Thus'lem,"
-said Jo; "it's de berry same hebben, 'Thus'lem, as it woz long ago."
-
-"Jes so, jes so," sleepily croaked the crow.
-
-In the mean while Harry had gone to get his treasure. He opened the
-bureau, put his hand to the accustomed place, and lo! the treasure was
-gone. With a trembling hand Harry tossed every article over a dozen
-times. He looked, as people will for missing articles, in all sorts of
-out-of-the-way and impossible places. At length he yielded to the fact
-that the locket was gone. The little treasure was lost at the one moment
-that it was of priceless value to him; for he could get nothing now to
-take its place. It was too late to secure the cheapest trinket. For the
-first time since he could remember he must go empty-handed on Christmas
-to his mother. Tears of grief, of rage, of disappointment, burst from
-his eyes. How in the world could it have gone? Nobody knew it was there
-but himself, nobody but--Jo.
-
-"Darkies love trinkets," he muttered, bitterly. "Jo is the only living
-soul that could possibly have taken it."
-
-Then he jumped upon his feet, and went down stairs.
-
-"Oh, mamma," he faltered, "I had something for you that I know you'd
-like, but it's gone, it's stolen."
-
-Then with clinched fists and streaming eyes, Harry told her of his loss.
-
-"My dear boy," said Mrs. Malcom, "don't grieve; above all, don't lose
-your temper on Christmas-eve, of all times in the year. I'm just as glad
-as if I had the pretty picture in my hand; and as for poor Jo, if he did
-take it, it was from love of your dear face and ignorance of the crime
-he was committing. But now that you have as good as given me your
-present, you shall have mine."
-
-She went into her little sitting-room and put her hand into the work-box
-for her purse. Only that morning she had put in the gold pieces--it
-ought to be an easy thing to feel them in the dark. But it was not. She
-lit the lamp, and even then her search was vain. The purse was gone. A
-serious, sad, and pained expression overshadowed her face. Nobody knew
-even of the existence of the purse. Nobody had seen it, nobody but--Jo.
-
-Sighing heavily, she went back into the parlor. "Harry, my son," she
-said, "it is so sad to have such a thing happen upon Christmas-eve! I
-would not have believed it possible; even now I can scarcely credit my
-senses."
-
-Then she told him all.
-
-Harry's face lit with sudden wrath.
-
-"Come, mamma, let's go to Jo's room. I believe he's run away with them.
-I don't believe he's there."
-
-Mrs. Malcom followed Harry to the kitchen, and up the back stairs to the
-little garret. Her heart smote her as she saw the miserable rags upon
-which Dinah and Jo and 'Thus'lem were all sleeping. For Jo was there,
-soundly sleeping as if innocent of everything of which they thought him
-guilty. How cold it was in that miserable place! How the wind whistled
-through the unplastered beams! How scant and wretched was their bed,
-their covering! How wicked she had been not to look after these poor
-creatures who had served her so long and faithfully! The crime, the
-fault, was partly hers.
-
-But Harry had shaken Jo rudely by the shoulder. The startled crow limped
-out of his warm black resting-place and blinked maliciously at the
-intruders. Jo started to his feet in surprise.
-
-A loud chink upon the old floor was distinctly heard, and by the light
-of Harry's lamp could be plainly seen the lost treasures. From under the
-ragged quilt had fallen the locket and the purse.
-
-"Oh, you miserable thief!" said Harry to Jo.
-
-Jo's teeth began to chatter in his head, his eyes to roll wildly. He
-looked from one to the other in a dazed and bewildered way.
-
-"Wot in de canopy's de matter?" said Aunt Dinah, rubbing her eyes.
-
-"Matter enough," said Harry. "Jo's a mean, sneaking thief. See what he
-has stolen from mamma and me."
-
-When Harry held up the little locket and the purse, it seemed as if Jo's
-eyes would start out of his head.
-
-"Mas'r Harry, Mas'r Harry," he cried, "I neber fotched 'em here. I neber
-laid a finger on 'em; wisher may die on dis berry spot ef I did!"
-
-The poor black had crouched upon the floor, and held up his shaking
-hands in entreaty. His teeth chattered in his head, and his face was
-overspread with that ashen hue that can make even a black skin pale.
-
-Harry had never seen such abject misery. It blunted the edge of his rage
-and disappointment. "Jo, Jo," he said, "don't add lying to your other
-crimes. Didn't we find the things here where you had hidden them?"
-
-"Dis beats creation!" said Aunt Dinah. "In all de bressed borned days ob
-my life, I neber see de like ob dis. Jes you leab him to me, Mas'r
-Harry. I'll wollup de trufe out ob him, ef it takes me all night."
-
-But Mrs. Malcom stepped forward and held her hands over the poor
-shrinking head of the little black boy.
-
-"No," she said, "he shall no longer be treated like a brute. I will find
-another way to reach his heart. Oh, Harry! oh, my son! the fault is
-mine. I have cared nothing for poor Jo--for his body or his soul. Our
-dumb, soulless animals are better cared for. I'll wait awhile, Jo; I'll
-go away, and leave you to think it over. By-and-by you'll remember all
-about it, won't you, Jo?"
-
-Jo shook his head to and fro hopelessly. "Ef you wait until de day ob
-judgment, missus, I neber can 'member. It's a mos' drefful mystery how
-dem dar tings got here."
-
-"Come, mother," said Harry, in disgust. "I wouldn't have had this happen
-for ten times the worth of the things."
-
-"Nor I," said his mother, and they both sat sadly down to wait for the
-Judge, who had been detained in town. He was surprised and vexed, when
-he came, to find that Christmas-eve was being rapidly spoiled.
-
-"That's the worst of these blacks, they will steal," said the Judge.
-"But don't you want to see my presents? They have been kept out of the
-reach of thieves."
-
-The Judge took from his vest pocket a tiny jewel-box containing a ring.
-Mrs. Malcom had never seen a finer diamond. She quite forgot poor Jo in
-her delight and surprise. Then the Judge took from his other vest pocket
-an American watch. As he handed it over to Harry, the lad's clouded face
-was bright with joy.
-
-But as the Judge was placing the ring upon his wife's finger, it
-suddenly slipped from his hold, and rolled away upon the floor. All
-three of them stooped to look for it. It seemed scarcely to have left
-their sight. They lifted chairs and tables, looked closely around the
-solid base of the Christmas tree, but the ring had vanished. Again and
-again they fruitlessly hunted. Tired, vexed, bewildered, they looked at
-each other in dismay.
-
-"Jo is not the thief, anyway. He didn't take it."
-
-"Who _did_ take it?" said the Judge.
-
-"I give it up," said Harry. "The place is bewitched."
-
-The Judge looked blankly around the room, in utter bewilderment.
-Suddenly, he put his finger upon Harry's arm.
-
-"Hush!" he said. "Be perfectly quiet. I think I've got your thief as
-well as mine. He's black, but he isn't Jo. Look over there in that
-corner; don't you see a spark of light? Don't frighten the scoundrel.
-I'll lay a dollar he'll make off with that ring when I give him the
-chance."
-
-True enough, a black object moved slowly along the floor, and with it
-something that shone like a star.
-
-The Judge softly opened the parlor door. Out hopped 'Thus'lem, with the
-ring in his beak.
-
-"It's worth the risk of the diamond to clear poor Jo," said the Judge to
-Harry, and carefully they followed the sly old crow. Up the back stairs
-he limped, through the hole in the plaster he squeezed his way, and soon
-he was clasped to the bursting heart of his master.
-
-[Illustration: "''THUS'LEM, MY PORE HEART IS 'MOS' BROKE.'"]
-
-"Why, why, 'Thus'lem," faltered poor Jo, "I woz afeard you'd turned agin
-me, an' believed all de slanderizin'. 'Pears like as ef I don' care to
-lib much longer, 'Thus'lem; my pore heart is 'mos' broke. Mas'r Harry
-he's done gone agin me, an' missus she's done gone wuss 'n Mas'r Harry;
-an' dem dar tings dat fell out o' my bed-quilt goes fur to show I'm a
-burgular, 'Thus'lem, even ef I don't know nuffin 'bout it. I s'pect I'll
-be put in jail; dere ain't nobody to help a pore black boy. 'Pears like
-as ef dat dar sky woz so fur away dat no star of Bethlehem eber shined
-dar--leastways for pore black people like you an' me, 'Thus'lem. Yer
-don' somehow tink dat yer could scrape 'long in a jail, does yer,
-'Thus'lem? Yer could squeeze in an' out de bars, yer know."
-
-"Yes, take him off to jail," said the voice of the Judge. "That's where
-he belongs, the rascal. 'Thus'lem's the thief, Jo. Look at him there
-with the ring still in his beak. I've heard that crows will steal, but
-'Thus'lem beats all the 'burgulars' I know."
-
-"Jes so, jes so," chuckled the crow; and down fell the diamond ring, and
-rolled to the feet of the Judge.
-
-Up jumped Jo in wonder and affright. Down he fell upon his knees, and
-begged harder for 'Thus'lem than he ever did for himself.
-
-"He's on'y a pore ole crow, Mas'r Jedge, an' don' know no better. He
-mus' hab thought I woz mos' drefful pore, an' he'd try to help me. He
-won't do so no more, Mas'r Jedge. Will yer, 'Thus'lem?"
-
-"Jes so, jes so," croaked the crow.
-
-"He's chock-full ob inikity," said Aunt Dinah, "an' his neck ought to be
-twisted dis berry minute."
-
-"We'll spare his life for Jo's sake," said the Judge, "to show him that
-the star of Bethlehem _did_ shine for everybody, black or white, and our
-blessed Saviour had compassion upon as big a thief as his wicked old
-crow."
-
-"Jes so, jes so," chuckled the crow.
-
-So the Christmas mystery was cleared up, and everybody was thoroughly
-happy at last, particularly Jo, who had plenty of presents. But dearer
-to him than the apple of his rolling eye was the gift of Mas'r Harry's
-second-best watch, which made the fastest time on record, and carried Jo
-along into the next week in a single day.
-
-'Thus'lem waxed old in years, sharing his master's prosperity; and I
-shouldn't wonder if he was alive and "chock-full ob inikity" this very
-day.
-
-
-
-
-THE TALKING LEAVES.[1]
-
-[1] Begun in No. 101, HARPER'S YOUNG PEOPLE.
-
-An Indian Story.
-
-BY WILLIAM O. STODDARD.
-
-CHAPTER XII.
-
-
-During one part of the journey Steve Harrison and Murray had found the
-ledge along the mountain-side pretty rough travelling, but after a while
-they succeeded in getting out on to the comparatively smooth slope of
-the pine forest.
-
-"Our only risk now is that we may meet some of their hunters up here
-after game. We'll push right on."
-
-"I'll fight if it can't be helped, Murray, but I'd a good deal rather
-not meet anybody."
-
-"We must find a hiding-place for the horses, and creep down into the
-valley on foot. I'll show you some new tricks to-day."
-
-After searching some time, they tethered their horses between two
-rocks, where the thickly woven vines overhead made almost a dark stable
-for them.
-
-"Now, Steve, a good look up and down, and we're off."
-
-Between them, and what could be called "the road" were many yards of
-tangled growth, and before they had gotten through it, Steve felt his
-arm gripped hard.
-
-"Listen! Horses coming. Lie still."
-
-A minute more and they were both willing to lie as still as mice, for
-they had nearly walked into the very cover chosen by Bill and his two
-comrades in which to wait for their intended prisoners.
-
-They and their horses were hardly twenty feet from Steve and Murray.
-
-Suddenly Murray whispered: "Two young squaws. The foolish things are
-coming right into the trap."
-
-"Can't we help 'em?"
-
-"They're Apache squaws, Steve."
-
-"I don't care. I'm white."
-
-"So am I. Tell you what, Steve-- Ha! I declare!"
-
-"What's the matter, Murray."
-
-"One of 'em's white. Sure's you live. They sha'n't touch a hair of their
-heads."
-
-The expression of Murray's face astonished Steve. It was ghastly white
-under all its tan and sunburn, and the wrinkles seemed twice as deep as
-usual, while the fire in his sunken eyes was fairly blazing.
-
-"There's an Indian coming."
-
-"Apache. After the squaws. Don't you hear his whoop? I suppose they'll
-shoot him first thing, but they won't send a bullet at the girls.
-They're a bad crowd. Worse than Apache Indians."
-
-"I don't consider them white men."
-
-"Not inside, they ain't. I'd rather be a Lipan."
-
-The two merry, laughing girls rode by in happy ignorance of the danger
-that was lurking in the thicket, and Red Wolf galloped swiftly on to
-join them. Then the three miners, with Bill at their head, sprang out of
-their cover.
-
-"Look out, boys. Don't use your rifles. Thar must be plenty more within
-hearin'."
-
-"We'll have to kill the brave."
-
-"Of course. Git close to him, though. No noise. I'd like not to give him
-a chance to so much as whoop."
-
-They never dreamed of looking behind.
-
-"They've start enough now," growled Murray. "Come on, Steve. Step like a
-cat. We must take them unawares. Have your tie-up ready."
-
-The buckskin thongs which hang from the belt, or shoulder, or knee of an
-Indian warrior are not all put there for ornament. They are for use in
-tying things, and they are terribly strong.
-
-The two men saw Red Wolf join his sisters; they heard the startled cries
-of Rita and Ni-ha-be, the demand for their surrender, and Red Wolf's
-reply.
-
-"Now, Steve, quick! Do just as I tell you."
-
-Twang! went Ni-ha-be's bow at that instant, and the man next to Bill was
-raising his rifle to fire, when his arms were suddenly seized by a grasp
-of iron, and jerked behind him.
-
-"Right at the elbows, Steve. Draw the loop hard. Quick!"
-
-As the second miner turned in his tracks, he was astonished by a blow
-between the eyes that laid him flat.
-
-"Give it up, boys. Don't one of ye lift a hand."
-
-Bill could not lift his, with the arrow in his arm. The man Steve had
-tied could not move his elbows. The man on the ground was ruefully
-looking into the barrel of Murray's rifle. Besides, here was Red Wolf
-springing forward, with his lance in one hand and his revolver in the
-other. Rita held his horse, while Ni-ha-be sat upon her own, with her
-second arrow on the string.
-
-"We give it up," said Bill; "but what are you fellows up to? I see.
-You're the two miners, and you're down on us because we jumped your
-claim to that thar gold ledge."
-
-Red Wolf lowered his lance, and stuck his pistol in his belt. "Your
-prisoners; not mine," he said to Murray. "Glad to meet friend. Come in
-good time."
-
-Murray answered, short and sharp: "Young brave, take friend's advice.
-Jump on horse. Take young squaws back to camp. Tell chief to ride hard.
-Kill pony. Get away fast."
-
-"Who shall I tell him you are?"
-
-"Say you don't know. Tell him I'm an enemy. Killed you. Killed young
-squaws. Going to kill him."
-
-There was a sort of grim humor in Murray's face as he said that. Not
-only Red Wolf, but the two girls, understood it.
-
-Steve had not said a word, but he was narrowly watching the three miners
-for any signs of an effort to get loose.
-
-"It's that other one, Steve. He's watching his chance. That's it. Draw
-it hard. Now he won't be cutting any capers."
-
-The expression of the miner's eyes promised the unfriendliest kind of
-"capers" if he should ever get an opportunity to cut them.
-
-"It's no use, boys," said Bill. "Mister, will you jest cut this arrer
-close to my arm, so's I can pull it out?"
-
-"I will in a minute. It's as good as a tie of deer-skin jest now. Watch
-'em, Steve!"
-
-He walked forward, and looked long and hard into the face of Rita.
-
-[Illustration: "'THEY'D BETTER HAVE KILLED HER, LIKE THEY DID MINE.'"]
-
-"Too bad! too bad! They'd better have killed her, like they did mine.
-It's awful to think of a white girl growing up to be a squaw. Ride for
-your camp, young man. I'll take care of these three."
-
-"I will send out warriors to help you. You shall see them all burned and
-cut to pieces."
-
-"Oh, Rita," whispered Ni-ha-be, "they ought to be burned!"
-
-Rita was gazing at the face of old Murray, and did not say a word in
-reply.
-
-"Come," said Red Wolf; "the great chief is waiting for us."
-
-And then he added, to Murray and Steve:
-
-"The lodges of the Apaches are open to their friends. You will come?"
-
-"Steve, you had better say yes. It may be a lift for you."
-
-"I will come some day," said Steve, quickly. "I don't know when."
-
-"The white head must come too. He has the heart of an Apache, and his
-hand is strong for his friends. We must go now."
-
-He looked at the three miners for a moment, as if he disliked leaving
-them behind, and then he bounded upon his pony, and the two girls
-followed him.
-
-"Was he not handsome, Rita?"
-
-Ni-ha-be was thinking of Steve Harrison, but Rita replied:
-
-"Oh, very handsome! His hair is white, and his face is wrinkled, but he
-is so good. He is a great warrior, too. The bad pale-face went down
-before him like a small boy."
-
-"His hair is not white. It is brown. His face is not wrinkled. He is a
-young brave. He will be a chief."
-
-"Oh, that other one. I hardly looked at him. I hope they will come. I
-want to see them again."
-
-Red Wolf rode fast, and did not pause until he reached the very presence
-of Many Bears and his counsellors.
-
-There were already signs, in all directions, that the camp was beginning
-to break up, as well as tokens of impatience on the face of the chief.
-
-"Where go?" he said, angrily. "Why do young squaws ride away when they
-are wanted?"
-
-Ni-ha-be was about to answer, but Red Wolf had his own story to tell
-first. It was eagerly listened to.
-
-Pale-face enemies so near? Who could they be? White friends too, ready
-to fight for them, and send them warning of danger? That was more
-remarkable yet.
-
-A trusty chief and a dozen braves were instantly ordered to dash into
-the pass, bring back the prisoners, and learn all they could of the
-friendly pale-faces.
-
-Perhaps Steve Harrison would hardly have felt proud of the name which
-was given him on the instant.
-
-The only feat the Apaches knew of his performing was the thorough manner
-in which he had tied up the two miners. So, for lack of any other name,
-they spoke of him as the "Knotted Cord." Murray was named "Send
-Warning." He had actually earned a "good name" among his old enemies.
-
-Rita and Ni-ha-be were saved any further scolding. The chief was too
-anxious to ask questions of the "talking leaves," now he was sure of the
-neighborhood of danger.
-
-"Ask about the bad pale-faces. Who are they?"
-
-Rita took her magazines from the folds of her antelope-skin tunic with
-trembling hands, for she was beginning to understand that they could not
-tell her of things which were to be. It seemed to her in that moment
-that she could not remember a single word of English.
-
-The one she opened first was not that which contained the pictures of
-the cavalry; but Rita's face instantly brightened. There were five or
-six pages, each of which contained a picture of men engaged in mining
-for gold.
-
-The chief gravely turned the leaves till he came to a sketch that drew
-from him a sharp and sullen "Ugh!"
-
-There were the sturdy miners, with rifles instead of picks, making a
-gallant charge upon a party of Indians.
-
-"No need of talk. Great chief see for himself. No lie. I remember. Kill
-some of them. Rest got away. Now they come to strike the Apaches. Ugh!"
-
-It was only a "fancy sketch"; but it must have been true to life when an
-Apache chief could say he had been one of the very crowd of Indians who
-were being shot at in the picture.
-
-"That do. Talk more by-and-by. Big fight come."
-
-Many Bears rapidly transformed his buffalo-hunters into "warriors." All
-that was needed was a chance to put on their war-paint, and a double
-allowance of cartridges.
-
-When that was done, they made a formidable-looking array, and the last
-chance of the Lipans or any other enemies for "surprising" them was
-gone. Then they rode slowly on after their women and children, and the
-braves came back from the pass to report to Many Bears that "Send
-Warning, Knotted Cord, and their three prisoners had gone, no one could
-guess whither."
-
-[TO BE CONTINUED.]
-
-
-
-
-PEOPLE WE HEAR ABOUT.
-
-JOHN BRIGHT.
-
-
-Seventy years ago a boy was born in Rochdale, England, who was destined
-to fill a great place in the world. His parents were Jacob and Martha
-Bright--people of good old Quaker stock--and they called their eldest
-boy simply John.
-
-Jacob Bright was a cotton manufacturer, and both he and his wife were
-beloved for their charitable deeds. One Sunday Mrs. Bright and little
-John were walking out, and the boy wore his pair of long trousers for
-the first time. Of course he felt proud of them. But soon they met a
-poor woman with her little boy, and _he_ was clothed in rags. Mrs.
-Bright stopped them, and the result of a few minutes' conversation was
-that the poor woman and her ragged son returned home with them, and
-Master John had to strip off his new suit and let the other boy put it
-on in place of his rags. Mrs. Bright's charity was very thorough.
-
-At school young John was quick and industrious, but his father thought
-business more important than book-learning; so at fifteen the boy was
-placed in his father's cotton mill. Fortunately for himself and the
-world he did not give up learning from books when he left school, or he
-would not have been the great man he is.
-
-As a boy and a young man he was a good cricketer, and all his life he
-has been very fond of fishing, having caught minnows and other small
-fish in the river that ran by his home, and salmon of forty pounds
-weight in Scotland and in Norway. At twenty-two years of age he began
-training himself in public speaking in a literary society of which he
-was one of the founders, and doubtless it is to this early training that
-he owes the honor of being the greatest of living English orators.
-
-Mr. Bright was first elected a member of Parliament in 1843, and
-fourteen years later he was chosen to represent the great manufacturing
-town of Birmingham, which seat he still occupies.
-
-Mr. Bright's public life has been a busy and a useful one. No man has
-done more for the benefit of the working classes than he, and he has
-never hesitated in the pursuit of the course which he felt to be the
-right one.
-
-In this country the name of John Bright is justly honored, for he was
-the only English statesman who supported the Union without wavering
-during the late war between the North and the South. Six weeks ago
-(November 16), Mr. Bright celebrated his seventieth birthday.
-
-
-
-
-CHATS ABOUT PHILATELY.
-
-BY J. J. CASEY.
-
-VII.
-
-[Illustration]
-
-The illustration, which accompanies this article is a fac-simile, so far
-as the drawing is concerned, of the postage stamps at present in use in
-one of the Dutch possessions off the coast of South America, namely, the
-island of Curaçoa. It represents the uniform type of the whole series,
-and was introduced in 1873. The head on the stamp represents King
-William III. of Holland.
-
-The series consists of the following values and colors.
-
- 2-1/2c., bright green.
- 3c., stone.
- 5c., rose.
- 10c., bright blue.
- 25c., light brown.
- 50c., mauve.
-
-The currency is in cents, one hundred of which go to the guilder, or
-florin. A guilder is equal to nearly forty-one cents of our money.
-
-Curaçoa, or, as printed on the stamps, Curaçao--the "c" being sounded
-like "s"--is an island in the Caribbean Sea, lying off the north coast
-of Venezuela. It is forty miles in length from northwest to southeast,
-and ten miles in average breadth; the area is two hundred and twelve
-square miles. The island is hilly, and deficient in water, being wholly
-dependent upon the rains, yet, owing to the industry of the Dutch
-planters, considerable quantities of sugar, cotton, tobacco, and maize
-are raised. A peculiar variety of orange grows abundantly, and supplies
-an important part in the liqueur which takes its name from the island.
-The principal export is salt. The shores are bold, in some places deeply
-indented, and present several harbors, the chief one being Santa Anna,
-on the southwest side of the island. The narrow entrance to this harbor
-is protected by Fort Amsterdam and other batteries; but the harbor
-itself is large and secure, and is the port of the chief town, Curaçoa,
-or Willemstad. The population in 1875 amounted to nearly twenty-four
-thousand, about one-third being emancipated negroes. All belonged to the
-Roman Catholic Church, except about two thousand Protestants and one
-thousand Jews.
-
-The island was settled by the Spaniards about 1527, was captured by the
-Dutch in 1634, was taken by the English in 1798, and again in 1806, but
-was restored to the Dutch in 1814, in whose possession it has since
-remained. It is seldom that the name of this island is found in ordinary
-geographies, although stamp-collectors think it ought to be given a
-place.
-
-
-
-
-[Illustration]
-
-CHRISTMAS PIE.
-
-(BEING SUE'S LETTER TO COUSIN ANNIE.)
-
-
- Oh, that marvellous Christmas pie!
- Fred, and Fanny, and Carl, and I
- Sat up one night till the clock struck one
- To plan the party; and oh, the fun
- Of having a secret among us four!
- (The "Queer Quadrangle" admits no more
- Within its circle--or, no--its square,
- I should have written, perhaps, just there.)
- I can not tell you the things we said
- (It's against the rules), but I'll tell instead
- About the party, the pie, and all.
-
- 'Twas not, you know, like a grown-up ball,
- But just a rally of all the clan,
- And quite the thing for our little plan.
- Thirty cousins from far and near,
- With aunts and uncles were gathered here.
- But I must hasten. The hour drew nigh
- When Fred announced with a flourish:
- "Pie!
-
- "Down the staircase, and through the hall.
- This side of the supper, and free to all!
- 'Put in your thumb, and pull out a plum,'
- But mind, the word of the hour is 'mum,'
- Forward, march!"
-
- And the march began,
- Headed, of course, by Fred and Fan,
- And close behind them were Carl and I--
- We four were guards of the precious pie,
- And sat in glory behind it, while
- The others passed it in solemn file.
- 'Twas heaped and frosted as white as snow
- In grandpa's punch-bowl--the one, you know,
- He calls his "Kaga," so deep and round,
- With painted dragons and golden ground.
- The ice was broken by Lottie's hand
- (The pie, you know, was of white sea-sand
- And packed with presents), and Lottie drew
- The sweetest locket of gold and blue,
- And Maud a letter, and Ruth a ring,
- And Will's was a fan--such a funny thing!
- But my sheet is full. I will surely call,
- When I get to the city, and tell you all,
- And how we missed you, and how a plum
- Was saved for the cousin that couldn't come.
- A Merry Christmas to all of you,
- With love unfailing, from
- (Q. Q.)
-
- COUSIN SUE.
-
-
-
-
-[Illustration: A VERY BAD BOY.]
-
-THE TALE OF A VERY BAD BOY.
-
-
- Oh! this is the tale of a very bad boy;
- He had done all he could other folks to annoy;
- Then what do you think there was found to employ
- The very bad wits of this very bad boy?
-
- On the night before Christmas, St. Nick to decoy,
- Two stockings were hung by the very bad boy,
- Who said to himself, "Of the sweet Christmas joy
- To double my share, a trick I'll employ;
- I'll watch for St. Nick--and the fun I'll enjoy--
- I'll give him these stockings his time to employ;
- And while he's at work," said the very bad boy,
- "I'll hook from his pack just the handsomest toy."
-
- But somehow the fun had a bit of alloy;
- St. Nick got a peep at the very bad boy;
- He whipped up his steeds, and he cried out, "Ahoy!
- You'll get, my young lad, neither candy nor toy."
-
- Then away went St. Nick, and he chuckled with joy,
- And he left not a thing for the very bad boy.
-
-
-
-
-SAM JENKINS'S DREAM.
-
-A New-Year's Story.
-
-BY ANSON D. F. RANDOLPH.
-
-
-"I just wish there wasn't any New-Year."
-
-It was a boy--Sam Jenkins--who spoke, the time New-Year's Eve, the place
-Madison Avenue and Sixty-ninth Street. And what a night it was! and what
-a day it had been! Snow and slush all day long, and now the wind was
-blowing a gale across the Harlem flats, and the slush was freezing on
-the sidewalk, and there was not a star to be seen in all the sky.
-
-Sam was a District Messenger boy, and had been on duty all day and all
-the evening, and this final call at nine o'clock, when his legs were
-tired, was the last ounce that broke the camel's back.
-
-Since the noon hour he had been in a bad humor. Now he was not only
-tired, but cold and down-hearted, and as his foot slipped, and he just
-managed to save the fragile parcel he was carrying, he cried out with a
-spiteful voice, "I just wish there wasn't any New-Years."
-
-Somehow Sam's ill-humor had made him very uncomfortable all the
-afternoon. He had had a scuffle near the office with Dick Rainey, and
-all about nothing, for Dick, noticing his peculiar gait, simply asked
-him what made his legs so heavy. He had quarrelled with the old apple
-woman in the little shop round the corner because she wouldn't give him
-two apples for three cents, when the price was two cents apiece; he had
-thrown a lump of ice at a poor cat shivering behind a barrel on the
-Third Avenue, and kicked at a wretched little dog that had sniffed up to
-him with his tail between his legs. Altogether Sam was in a very bad
-way. He didn't care for anybody or anything. Down town the gay shop
-windows had failed to catch his eye; the bright lights in the houses on
-the avenue were nothing to him. He was out with himself, and so he was
-out with everybody else.
-
-I am sorry to say that when Sam had delivered his parcel he snapped up
-the servant for having kept him waiting so long for his ticket, although
-the poor girl had nothing to do with that, and that he kicked the
-sidewalk very hard when he again put his foot upon it. And yet he had
-now only to report himself at the office, and then go home.
-
-Sam lived on one of the side streets, where the great tenement-houses
-loom up in long rows. It was past ten o'clock when he entered the dark
-hallway, and began his climb to the fourth floor. On the third floor he
-passed the room in which Jenny Wilson, the little lame girl, lived, and
-just then some one opened the door for a moment, and he heard Jenny say,
-
-"Oh, I wonder if I will ever be well!" and "I am so tired!"
-
-Then Sam, still cross, said to himself, "Why don't you go to sleep,
-then?" but in a moment he was ashamed of himself for having said it.
-
-Bang! went the door behind him as he entered his mother's room. Without
-saying a word, he pitched his heavy coat into a corner, and shied his
-cap across the room.
-
-"What's the matter, Sam?" asked his mother, with a kindly voice.
-
-"Matter enough," answered Sam. "I'm tired to death. It's nothing but
-run, run, run all day and all night. I just wish there wasn't any
-New-Year's. Nobody cares for a boy. It's Sam here, and Sam there, and
-Sam all the time. That's because I'm a boy. I wish I was a girl--yes, I
-do."
-
-His mother soothed him while he ate his supper; but the frown did not
-lift from his face, for there was no sunshine in his heart.
-
-Then he went to bed--went, too, without saying his prayers. It was not
-long before he fell asleep, and then he dreamed.
-
-He dreamed that he was still in New York, that he was a messenger boy,
-and that it was the day before New-Year's. All day long he was busy
-carrying messages and delivering parcels, and everybody was kind, and
-everybody happy. It seemed to him that it was a great thing to be a
-messenger boy at such a time, when every one was doing something for
-some one else, and he had a hand in so much of it. As he thought of this
-(he was going up Madison Avenue again), some one seemed to say: "Sam,
-you're a little fellow, but you can have a big heart if you want to. All
-day it's been growing bigger and bigger; now all you have to do is to
-keep it open, and see how much it will hold."
-
-Then Sam laughed. He didn't know why, but he couldn't help it, he felt
-so good all over.
-
-Pretty soon he came across a blind man. A dog was leading the man, but
-Sam helped the man over the crossing, and motioned to a butcher's cart
-to hold up. Then he saw a cat, half sick, lying in the gutter, and
-picked her up, saying, "Poor pussy!" and laid her inside the railing of
-a house, and asked the cook, who stood in the basement doorway, if she
-wouldn't give her a sop of milk. After a little he saw an old colored
-woman struggling along with a heavy basket of clothes, and said, "Aunty,
-I'm going up a few streets, and I'll take hold of the basket on this
-side." And so he went on up the avenue and down, and the sun was so
-bright and the air so pleasant, while it seemed as if he was just
-helping everybody. He didn't quite understand how, but kept on taking
-them into his heart, all the time feeling and saying, "Come in; there is
-still plenty of room." Soon all the poor people down in the side
-streets, and all the rich people up on the avenue, all the sick people
-in the hospital where he was yesterday, and the dreadful people he had
-seen down by the Tombs--why, he just thought of them all, and before he
-knew it they came crowding up and upon him, and he took all of them into
-his heart, and they didn't seem crowded a bit, for the more that came,
-the more room was there left. He could not understand it, but he was
-sure that the increase in the number only made him the happier; and as
-he went on thinking it over, he stretched out his arms just as wide as
-he could, and cried out: "Come in, all the world; come into my heart.
-I've plenty of room for all, for my heart grows just as fast as my love,
-and I just love everybody in this big, blessed world."
-
-As Sam stretched out his arms, his mother woke him, saying, "I wish you
-a happy New-Year, Sam, and it's time to get up."
-
-And Sam got up. You could tell by his face that he had had a pleasant
-dream, for his voice was gentle and his manner very kind, as he said,
-"Well, mother, I guess I was pretty cross last night, but I'm going to
-try and be good-natured to-day."
-
-Then his mother said, "You were tired last night, Sam." That's the way
-our mothers always try and overlook our faults when we are sorry.
-
-Sam had to go to the office for half a day, and he had a little money
-which he intended to spend on his presents. Before he started for home,
-however, he made up with Dick Rainey by dancing a jig to show that his
-legs were light to-day. On his way home he called in at the old apple
-woman's to wish her a very happy New-Year, and to take two apples at her
-price. He hoped to get a sight of the poor old cat and the wretched
-little dog, that he might show them how sorry he was, but they were
-gone. On the Third Avenue he bought two or three little things for his
-mother, and an orange, some candy, and a bright picture paper for his
-little sister. And as Sam thought of these friends and all his other
-friends, and all the poor people in the houses and on the streets, oh!
-how he wished he could buy something for them all, but he couldn't. But
-then he could love them all the same.
-
-There is not room to tell you all that he said to his mother, and
-sister, and Jenny, and what a bright, happy day it was to them and to
-Sam. He tried hard to make it all out, but he couldn't exactly
-understand it. "It was a nice, queer dream," he said, "and I found out
-one thing by it, and that is that you can make room in your heart for
-just as many folks as you please, and that you can't make other folks
-pleasant when you are cross yourself; and I just wish that New-Year
-would come twenty times in a year."
-
-
-
-
-TOM FAIRWEATHER'S HOLIDAY IN MADEIRA.
-
-BY LIEUTENANT E. W. STURDY.
-
-
-Tom Fairweather sighed as he stood on the quarter-deck. "Holiday-time,
-indeed!" said he. "What are the holidays without snow, I'd like to know?
-I'd give a good deal for a real old-fashioned coasting lark to-day, but
-I don't believe these people ever heard of such a thing."
-
-It was a balmy day off the island of Madeira, where Tom's ship, or
-rather his father's, lay. Here spring and summer reign the year round.
-
-"Old-time coasting is what you would like, eh, Tom?" said Lieutenant
-Jollytarre, with a twinkle in his eye. "Ask your father to let you go
-ashore with me, and I'll give you a frolic that you'll not be apt to
-forget."
-
-Captain Fairweather gave his consent, and they hurried off.
-
-A ten minutes' pull took them close to the island; but this Madeira
-shore is so steep that it makes an uncomfortable landing for a
-man-of-war's boat. Another boat, one belonging to the shore men, lay off
-waiting for passengers. Into this Tom and the lieutenant stepped, and
-were rowed close to the beach by two Madeira men.
-
-As soon as the boat's bow touched the beach, two other men standing
-there made fast to it one end of a rope of which the other was attached
-to two strong oxen. At the word these oxen started, and up glided the
-boat over the round smooth pebbles, so easily that Tom was astonished to
-find himself at the top of the bank. With a laugh he jumped out. "That
-was a coast up hill, sure enough," he said. "Was that what you meant?"
-
-The lieutenant looked mysterious. "No, it wasn't. Wait a while."
-
-"What queer narrow streets!" said Tom, as he surveyed critically
-Funchal, the capital of Madeira. "And what a lingo--Portuguese--only it
-sounds even more like gibberish than it did in Lisbon. And what a lot of
-peddlers! They swarm like gnats."
-
-Mr. Jollytarre was busy buying an inlaid box of one of the peddlers
-referred to, and did not answer.
-
-[Illustration: CARRIAGE DRAWN BY OXEN.]
-
-Meanwhile Tom's attention was attracted by a very odd carriage. This
-vehicle was drawn by oxen, and like a sleigh was set on runners, which
-offered less resistance than wheels would have done to the smooth round
-little stones of the pavement. These cobble-stones are very like the
-stones of the beach. The body of the carriage reminded Tom of a
-Sedan-chair; it seated comfortably two persons facing each other, had a
-top, and was draped on the sides by curtains drawn apart. Tom began to
-laugh, so much was he entertained by this strange equipage, whereat the
-lieutenant turned to see what had caught his eye.
-
-"We might take a drive," said he, meditatively. "I want to take you to
-the Church of Nossa Senhora do Monte, on the top of that hill over
-there. What do you say, Tom?"
-
-"I'd sooner walk," said our young friend. "I should think it would be
-slow work riding in an ox-cart, for that's all that amounts to, unless
-you choose to call it a sleigh."
-
-[Illustration: HAMMOCK-RIDING IN MADEIRA.]
-
-At this moment two men came slowly down the street bearing between them
-a pole on which was slung a curtained hammock, wherein reclined a pale
-sweet-faced lady.
-
-As she passed Tom his bright face took her fancy, and she glanced at him
-with a smile.
-
-"Wasn't that a beautiful lady?" he cried to Mr. Jollytarre.
-
-"Indeed she was. But what do you think of her method of travelling? Slow
-as the ox-cart, eh?" Then suddenly, "Tom, I have it; we'll go on
-horseback." And almost in the same breath, cried, "Caballos."
-
-The lieutenant's knowledge of Portuguese was limited, and he was obliged
-to make a little of it, mixed with Spanish, go a long way.
-
-But the people about him were quick-witted, and it seemed to Tom that
-two horses with their two owners appeared on the scene as if by magic.
-
-"Now, Tom," said Lieutenant Jollytarre, "you may walk if you please--I
-shall ride. The coasting I told you of is up there at that church. Will
-you take a horse?"
-
-Tom replied by leaping into the saddle, and starting off at a slow
-canter.
-
-As they rode away, the owners of the horses followed them, keeping up to
-the increasing pace by each clinging to his horse's tail.
-
-This was all very well as long as they remained in the narrow streets,
-where a little steering was necessary; but as they left them, Tom grew
-impatient for a run.
-
-"See here, now, this won't do," he called to his man. "I ain't a baby. I
-know how to ride. Leave go."
-
-He slackened his pace to say this. The man slackened his pace, but did
-not drop the horse's tail. He grinned upon Tom, showing his even white
-teeth.
-
-Tom waxed wroth. "Come now, let go," and he gave his horse a cut which
-started him into a gallop. The guide kept up, tugging away at the
-horse's tail.
-
-"Come now, be off," cried Tom. "You keep my horse back. I say, Mr.
-Jollytarre, do put this into Portuguese for me. Tell this beggar I'll
-give him a cut if he don't let go."
-
-"Cut away," said Mr. Jollytarre. "It won't make any difference. He
-understands you, but he wouldn't let go if you were to shout to him from
-now until doomsday. I know all about it. I've been here before."
-
-"What does he hold it for?"
-
-"Tom, I have often wondered. I suppose he knows. I don't. Wants to keep
-his horse in sight, perhaps; wants a run; likes our society. You see my
-fellow is doing the same thing. However, we are not going any slower in
-consequence. The horses are used to it. They don't mind in the least."
-
-At this point the guides stopped both horses. They were in front of a
-little wine-shop half way up the hill.
-
-The guides pulled off their caps, and urged the lieutenant to treat.
-This was another custom of the country, to which the lieutenant also
-submitted gracefully.
-
-The waiters poured out a glassful all around.
-
-"Take care, Tom; this is strong Madeira wine, although these people
-drink it almost like water. Better not do more than taste it."
-
-"Never fear," replied Tom. "I wouldn't poison myself with the stuff. No,
-thank you" (to the waiter). "Drink it yourself, if you've a mind to."
-
-"Temperance, are you?" said the lieutenant. "Well, that's a very good
-thing."
-
-"I should say it was," said Tom, stoutly. "Anyway for a boy."
-
-The rest of the road was very steep. But it was fun. Tom was sorry to
-reach the top, where, at the door of the church, they dismounted, and
-sat down to rest. The horses were led off.
-
-When Mr. Jollytarre rose to his feet and announced that they must be
-going, Tom looked around for his horse in vain. Instead, two sleds
-approached, each pushed by two men toward our friends.
-
-"Get on board, Tom," exclaimed the lieutenant; "that is, if you want to
-have the best coasting you ever had in your life. If your prejudices
-hold you back now, you'll regret it the longest day you live."
-
-[Illustration: THE MOUNTAIN SLED.]
-
-So saying, he scrambled into one of the sleds himself, and Tom followed
-his example, although still a little doubtful as to the success of the
-experiment. There were two thongs for steering tied to the front of each
-sled, which were held by the two men behind.
-
-When everything was ready, the two sleds started together down the hill.
-It was like the wind. It was like chain-lightning. It was like a
-telegram. As they tore down the hill, they made a hissing sound like the
-cracking of whips. There were sudden turns in the road, beneath which
-lay dark and deep ravines. If Tom had known that sometimes in these wild
-rides persons had been hurled over the sides of such precipices, a still
-greater zest would have been imparted to his flying trip; for he was a
-thorough boy, and loved a spice of danger. However, he would have had
-hardly time to dwell upon this thought, for in less time than it has
-taken to write of it he was landed again in Funchal.
-
-
-
-
-THE SHOP WINDOWS.
-
-
-I think I can hear some little tongue ask, "Are these beautiful pictures
-really to be seen in the shops, or has the artist only imagined them?"
-
-Every one of these pretty sights is taken from actual windows in New
-York, and for days past gay throngs of people have tiptoed and crowded
-close to the panes that they might assist at such dainty doll
-receptions.
-
-The central scene here is a bit of Venice. There are the bridge and the
-stairs and the arches, and there, too, are the ladies and gentlemen
-coming in their gondolas to attend a reception at some grand palace.
-
-It is almost as good as going to the circus to look at the fairy figure
-standing on the back of yonder spirited steed, with the rows of doll
-spectators in the background. I think I like it even better than the
-real thing, for one is sure that this little lady has never known a
-blow, nor an unkind word, and we are not at all easy in our minds when
-we are watching some poor little Queen of the Ring, and holding our
-breath at her wonderful leaps.
-
-The little picture entitled "Charity" may be seen in the streets every
-cold day. The contrast between the child, with her golden hair and warm
-furs, and the barefooted boy, ragged and shivering, who sweeps the
-crossings, and holds out his thin hand for a penny, is true to life.
-
-Here is Baby, as large as the one at home in the nursery, her
-christening dress on, to be sure, and her bottle in her hands. What
-comfort she is taking!
-
-But wouldn't you rather have that sailor lad, whose jaunty air tells you
-that he knows every rope in the ship, and can climb the rigging like a
-cat?
-
-How graceful are these musicians! and how quaint this coquettish
-milk-maid, who will presently give a cup of milk to the high-bred girl
-and boy watching her! One can take a history lesson, for just as these
-children are dressed were Mistress Dorothy Quincy and his Excellency
-John Hancock more than a hundred years ago.
-
-Perhaps our eyes linger longest on the sea-side window, which brings
-back memories of the summer. There is the donkey on which Minnie used to
-ride; Chloe with her parasol; and the children at play on the sands,
-with the waves rolling in.
-
-Well, well, we can not look all day at the shop windows, be they ever so
-attractive, for the holidays are full of fun and frolic, and we want to
-catch it all.
-
-[Illustration: SCENES IN SHOP WINDOWS, NEW YORK CITY.--DRAWN BY MISS
-JESSIE MCDERMOTT.]
-
-
-
-
-[Illustration: HAPPY NEW-YEAR!]
-
-
-
-
-OUR POST-OFFICE BOX.
-
-
-A Happy New Year to all the boys and girls who read this paper! Every
-mail which comes to Our Post-office Box brings us letters which we are
-too modest to publish, so lavish is their praise of the stories,
-pictures, and instructive articles which we furnish for the weekly feast
-of the young writers. Now, little men and women, since you like the
-paper so well, and enjoy it so thoroughly, let us tell you how you can
-give us a useful proof of your friendship. We would like you to help us
-extend the circulation of HARPER'S YOUNG PEOPLE by showing it to your
-friends and their parents, and asking them to subscribe for it the
-coming year. The more subscribers the paper shall have, the more
-attractive and valuable the publishers will be able to make it. That you
-may have the prospect of a reward for your efforts, we make the
-following tempting offers, to which we ask your attention.
-
-To any boy or girl sending us at one time before March 1, 1882, the
-names and addresses of ten new yearly subscribers, together with the
-money, and referring to this offer, we will mail, postage paid, any one
-of the volumes mentioned in the following list:
-
-COL. KNOX'S BOOKS OF TRAVEL IN THE FAR EAST.
-
-_The Boy Travellers in the Far East--Part I.--Adventures of two Youths
-in a Journey to Japan and China. Copiously Illustrated. 8vo, Ornamental
-Cloth, $3._
-
-_The Boy Travellers in the Far East--Part II.--Adventures of two Youths
-in a Journey to Siam and Java. With Descriptions of Cochin China,
-Cambodia, Sumatra, and the Malay Archipelago. Copiously Illustrated.
-8vo, Ornamental Cloth, $3._
-
-_The Boy Travellers in the Far East.--Part III.--Adventures of two
-Youths in a Journey to Ceylon and India. With Descriptions of Borneo,
-the Philippine Islands, and Burmah. Copiously Illustrated. 8vo,
-Ornamental Cloth, $3._
-
-COFFIN'S HISTORICAL READING FOR THE YOUNG.
-
-_The Story of Liberty.--Copiously Illustrated. 8vo, Cloth, $3._
-
-_Old Times in the Colonies.--Copiously Illustrated. 8vo, Cloth, $3._
-
-_The Boys of '76.--A History of the Battles of the Revolution. Copiously
-Illustrated. 8vo, Cloth, $3._
-
-Here you have your choice from a beautiful little library of travel and
-history. Any one of these books will be a constant source of pleasure to
-everybody in the household.
-
-To the boy or girl who, before March 1, 1882, shall send us the largest
-number of new yearly subscriptions, with the money, we further offer to
-present
-
-_Harper's Household Edition of Charles Dickens's Works, in 16 Volumes,
-handsomely bound in Cloth, in a box. Price, $22._
-
-No collection of books is complete which does not include the works of
-the great English novelist, whose characters are as vivid as real
-flesh-and-blood people, and whose humor and pathos never lose their
-charm.
-
-We feel sure that every boy and girl among our readers will be anxious
-to win this handsome edition of Dickens's works, which is full of
-exquisite illustrations by leading English and American artists.
-
-In order that we may keep an accurate account of the number of
-subscriptions we receive, it will be necessary for each one, when
-sending a list of new subscriptions, to notify us that he or she intends
-to try to secure this valuable prize. Cash must accompany each order.
-
-HARPER'S YOUNG PEOPLE, $1.50 a year.
-
- * * * * *
-
- WESTPORT, CALIFORNIA.
-
- I have a darling doll, and it has light blue eyes and golden hair.
- It is a wax doll. I have no name for it. Would somebody please tell
- me a pretty one? I have a cunning little carriage in which I take
- my doll to ride. I have a little pony named Daisy, and papa bought
- me a saddle, so that I can ride to school. I have to go three miles
- through the woods, and Daisy sometimes rears up with me, but I have
- never yet fallen off. I received two very pretty cards at school
- last week. I have a pair of roller skates. When I read Augusta C.'s
- letter I said, "I will join you, Augusta, for I hate cats too."
-
- ETTA M.
-
-How delightful it must be to canter to school through the woods. If
-Daisy is sometimes a little frisky, her mistress must keep a steady and
-delicate hand on the rein, sit firmly in her saddle, and often pet and
-caress her horse, so that she will understand that her rider is her
-friend. It is possible to win the affection and confidence of a horse so
-that it will understand nearly every word you say to it.
-
-Why not call your dolly Katrine, or Gretchen, or Fairy, or Maud? There
-are many pretty names for dolls, and as you are dolly's mamma, you
-should not neglect the duty of naming her.
-
- * * * * *
-
- WILDWOOD, CATAHOULA PARISH, LOUISIANA.
-
- Several weeks ago I wrote you proposing an exchange of deer horns,
- leaves, and mosses, never dreaming of having so many applications
- for the horns--all nice offers, too. As I am at home only one day
- of the week--boarding from home to attend school--I could not
- possibly reply to all; so I decided to answer through the
- Post-office Box. I wish to say I think Jackson Bechler's offer
- would best please me, if he would only name his curiosities, and
- the expense of my getting them. As we have no near express office,
- the horns would have to be sent by boat to New Orleans; the expense
- from here to New Jersey would be about $1.75. I forgot in my
- previous letter to say that one of the horns on one point was
- fractured by a shot. I have three pairs, the one just mentioned the
- largest, which measures twenty-four inches from head to tip--that
- is, _one shank_; fifteen inches from tip to tip; four points on
- each shank. The second pair is a little less, but not so pretty, as
- they were shot before the horns hardened, and instead of making a
- straight point, it is somewhat contorted. The third are little
- beauties, which we used on the bow of our boat when we had skiff
- races during high water. As I had only one offer for leaves, etc.,
- I answered by postal. I hope to hear soon from my young friends.
-
- MARIE LOUISE USHER.
-
- * * * * *
-
- BOSTON, MASSACHUSETTS.
-
- In a recent number of YOUNG PEOPLE you said that some little New
- England girl could have a corner if she chose to write, and
- although I am not so very little, I hope I may have part of a
- corner in the Post-office Box.
-
- In a letter from Viola B. a week or two ago she spoke of the names
- of Southern children, and afterward you said that you had seen an
- allusion to the same thing in a book you had read lately. Will you
- please tell me in what book you saw it, if you remember, as I wish
- to know if it is the same book I saw it in.
-
- I agree with Miss Viola in regard to telling the age.
-
- L. H.
-
-The book was _Homoselle_, which belongs to the "No Name Series" of
-novels.
-
- * * * * *
-
- KNOWLTON, CANADA.
-
- I am a little girl six years old. The only pet I have is a little
- baby sister, whom I love very much. I went to a mill with papa a
- few weeks ago, and saw them card wool into rolls, and weave
- flannel. I live on a farm near Brome Lake, and there is a river
- runs through the pasture back of our house, and in warm weather we
- like to take off our shoes and stockings and go in wading. I had a
- little flower garden last summer. It was my very own. I had some
- petunias and sweet-peas, and some pretty gladioli; and I had some
- daisies and pansies, and sweet-williams too. My sister Connie
- helped me weed my garden. I have a wax doll which I often play
- with. Her name is May. The prettiest dress she has is a red one
- trimmed with fringe, and she wears a lace bib with it. Her
- every-day dress is gray, with little red bows all down the front of
- it. I have a carriage to push her around in. It was one of my
- Christmas presents last year. I read all the letters and most of
- the stories in YOUNG PEOPLE, but I can not write yet, so mamma is
- writing this for me. The stories I like best are "Susie Kingman's
- Decision," "Phil's Fairies," "Toby Tyler," and "The Cruise of the
- 'Ghost.'" I am tired now, so I will not write any more.
-
- BESSIE C.
-
- * * * * *
-
- WEEDVILLE, PENNSYLVANIA.
-
- Please may some of the boys write in defense of the cats, as well
- as the girls? We think Augusta would like our cat if she could see
- it. It is white, with large black and yellow spots. We call it
- Popcorn. The white for the corn that is popped, the yellow for
- before it is popped, and the black for that that got burned.
- Popcorn and our little dog Felix go fishing with us down in the
- woods. She can follow as well as Felix. When Felix has to be
- punished, he cries; then Popcorn runs up to him and licks his face,
- and we know she is sorry for him. We think so much of both! We had
- to go a mile to school last summer, and Felix would start from home
- about four o'clock, and meet us sometimes nearly half of the way.
- We wondered how he knew when to start. He would be so glad to see
- us, he would jump nearly as high as our heads. When we got home,
- Popcorn would be waiting for us on the front steps. We like YOUNG
- PEOPLE, and are glad Tip didn't die.
-
- We have coaxed mamma to write this for us.
-
- DWIGHT, EDDIE, and CLARE A.
-
- * * * * *
-
- WESTMORELAND COUNTY, VIRGINIA.
-
- One of the little correspondents said she had a three-legged cat. I
- want to tell you of a kitten we had which had six legs, one on
- either side with the toes turning backward.
-
- EMILY C. M.
-
- * * * * *
-
- OVIEDO, ORANGE COUNTY, FLORIDA.
-
- I am a little boy seven years old, and live in South Florida, on
- Lake Jessup--a large lake in Orange County. My father has a
- beautiful orange grove, and some of the trees are just loaded with
- oranges. We also have a pine-apple grove; but the strangest thing I
- ever saw is a pawpaw-tree; it is bearing and blooming at the same
- time, and the shape of the fruit is like a musk-melon in size, and
- my father could get a hundred dollars for it if he were to try. I
- have some pets and other things, but I won't write about them now.
- I have been taking YOUNG PEOPLE for nearly a year.
-
- THEODORE A.
-
- * * * * *
-
- QUEENSTOWN, MARYLAND.
-
- I have wished for some time to write and thank you for the great
- pleasure YOUNG PEOPLE gives me. I love so its coming once a week.
-
- I wish I had something to offer little Marie Louise Usher in
- exchange for her deer horns. We all read her letter with so much
- pleasure last week. One of my uncles went, some winters ago, to
- look after his interests in Hope Estate, Louisiana. It adjoins Dr.
- Usher's residence; and Uncle George says then Marie Louise was a
- little girl like I am now, not more than six or seven years old. He
- was so pleased to read her letter, for he enjoyed his visit to the
- sunny South.
-
- My subscription to YOUNG PEOPLE runs out the 11th of December, but
- Aunt Kate, who is going to Baltimore in a few days, will renew it
- for another year. I made the money myself, selling "Stowell's
- Evergreen Corn." I have every number of this year, not one torn or
- soiled, and I want to have it bound by the Baltimore News Company,
- where I subscribe. It was a Christmas gift this year from my two
- aunts.
-
- I have a nice little girl, Clara, from an orphan asylum, who plays
- with and reads to me. I go to school, and do not play much with
- dolls, though I have eighteen. Like most of the subscribers, I have
- a cat, Toby; for "Toby Tyler" was the very nicest continued story I
- ever read.
-
- I was in a spelling-class yesterday of a dozen or more girls and
- boys, and I spelled "duenna" after it had passed almost all the
- others. I was so "clapped" (because I am so little), I thought the
- school-house was on fire; so I began to cry.
-
- I shall think it a very nice Christmas gift if you will publish my
- letter. Good-by, Mr. Harper.
-
- ANNA H. D.
-
- * * * * *
-
-GEORGE H. P.--Your long trip must have been very delightful. There is
-nothing much pleasanter in life than a boy's journey under the care of a
-kind and indulgent father. But your mother must have felt a little
-anxious about her travellers while they were enduring 500 miles of
-staging, bathing in Salt Lake, and venturing into other dangerous
-places. No doubt she was very glad indeed when you both arrived safely
-at home. Your exchange will duly appear.
-
- * * * * *
-
-MARIAN M.--The two kittens named Cenny and Tenny, after the Centennial
-year, in which they were born, must have been very amusing, from your
-description of them.
-
- * * * * *
-
-FLORA S.--Carlo must be a little torment, and yet we do not wonder at
-your loving him dearly.
-
- * * * * *
-
-C. Y. P. R. U.
-
-We have pleasure in giving our readers this vivid description of the
-cruise of the adventurous little _Toby Tyler_ since we left her, some
-weeks ago, in the beautiful harbor of Norfolk, Virginia.
-
-FIVE DAYS IN THE DISMAL SWAMP.
-
- There is one portion of the journey of the _Toby Tyler_ which can
- hardly fail to interest the readers of YOUNG PEOPLE, although they
- might not care much for a record of the entire voyage. The trip
- through the Dismal Swamp occupied nearly five days, not because the
- little steamer could not have passed over the thirty miles of canal
- sooner, but because all on board were disposed to linger where the
- scenery was so novel and fascinating.
-
- We will not try to give here a lesson in geography, nor to tell the
- exact size, location, and characteristics of these three hundred
- miles of submerged forest. This letter will simply contain an
- account of what the passengers of the _Toby Tyler_ saw after
- leaving Norfolk, sailing five miles up the Elizabeth River, and
- entering what is known as the Dismal Swamp Canal.
-
- Each one had expected to see a veritable swamp, where the trees
- would appear to be growing in the water, and where it would be
- impossible to walk, even a few paces, save at the risk of sinking
- deep in the mud. But dismal as the swamp is, it is not quite as bad
- as had been imagined. To be sure, there are miles and miles of
- territory where one would find it impossible to walk, owing both to
- the water and tangle of brake and vine; but along the banks of the
- canal the land is not only quite as firm as elsewhere, but there
- are several villages, where were found children who had read of the
- coming of the _Toby Tyler_, and were watching for the little
- steamer.
-
- At those points where the marshy portions of the great swamp extend
- fully out to the canal, hedges of cane and flags have been trained,
- so that one sees only the masses of verdure which seem to have been
- cut apart by the narrow ribbon of water on which floated great
- barges and steamers, past which it seemed impossible the _Toby_
- could go, from sheer lack of space.
-
- And the water in the canal looked so very strange, because, instead
- of being clear, it is exactly the color of strong tea, owing to the
- juniper-trees, which grow in the swamp in such profusion as to
- discolor it. But it tastes like the purest of spring water despite
- its queer look, and the ships of war sailing from the Portsmouth
- Navy-yard carry it for drinking purposes, because it will keep
- sweet and fresh six or eight months.
-
- The charm and beauty of the swamp are not to be seen as one sails
- through its brown water-way; if one wishes to see it in all its
- dismal waste, he should do as did the voyagers on the _Toby_, and
- that is, explore some of the small rivers that cross the canal by
- means of a boat. The one belonging to the _Toby_ is fourteen feet
- long, and can sail where the water is not more than five or six
- inches deep; it may also interest some of your readers to know that
- it is named _Mr. Stubbs_. In this little craft the writer and the
- artist almost forced their way up what is known as Old River,
- pushing aside branches of trees and clinging vines that seemed
- doing their best to prevent any one from entering the retreat they
- guarded.
-
- Fifty yards in from the canal it was as if one had gotten miles
- away from all traces of civilization; not a sound was to be heard
- save the hooting of an owl or the twitter of the small birds; on a
- log just ahead an assembly of terrapin were holding a convention,
- probably to protest against being considered such a delicacy in the
- way of food; while just beyond, under the roots of an overturned
- tree, could be seen the head of a small bear, that was trying to
- make up his mind whether it would be better to run away, or stay
- and find out what the intruders wanted. He concluded to leave,
- however, and the terrapin followed his example by rolling off the
- log with a great splash, thus leaving the two explorers alone in a
- river that seemed all trees and but little water. It was indeed a
- swamp, or rather a submerged forest, this river, and it was only
- with the greatest difficulty the little boat could be forced along.
- After the banks of the canal were left astern it was no longer
- possible to distinguish the course of this river, for it stretched
- out in one broad body of water, which so mingled with the swamp
- that no one could say it had banks, or even a channel.
-
- Perhaps a mile was passed over by alternate rowing and pulling, and
- then further progress was impeded by huge trees that had fallen
- into the water, completely blocking the way. Ahead, astern, and on
- either hand could be seen the dark, shallow water, thickly studded
- with trees from which hung the gray trailing moss so plentiful
- here. No sound broke the silence, no sign of life could be seen, no
- traces of man anywhere. It was certainly as wild a place as can be
- imagined, and the two exploring it thought they had seen the most
- dismal portion of this wonderful swamp.
-
- In this, however, they found they were mistaken, when, on the
- following day, the _Toby_ was anchored in the main canal, and in
- _Mr. Stubbs_ the party rowed up a smaller canal into the lake of
- the swamp--Lake Drummond. Imagine this vast swamp (for up this last
- canal there was no question as to the swampy nature of the place),
- in the heart of which is a large body of water separated from that
- around it by an army of tree trunks bleached to a light gray by the
- sun and weather. Back of this ashen-colored border the juniper and
- pine trees lift their heads so high that the sun only illumines the
- water at noonday, while at other times the shadows cast by the
- trees on the brown water lend to all objects a purplish hue that is
- at least startling when first seen. It is a strange, weird-looking
- place, where one involuntarily whispers, as if he feared to waken
- nature from its solemn repose.
-
- To describe this body of water in the midst of the vast swamp is
- impossible, so strange is the sensation the visitor has when seeing
- it for the first time. It was early in the morning when the
- passengers from the _Toby_ arrived at the lake, and it was late in
- the afternoon before any of them remembered that they must return
- to the little steamer. Then it was almost a race to get back to the
- yacht in order that the village of South Mills could be reached
- before dark.
-
- In this attempt, however, the voyagers were unsuccessful, owing to
- an exciting hunt which a party of gentlemen were having after a
- deer. They succeeded in their murderous design, for they killed him
- as he attempted to swim across the canal just under the bow of the
- _Toby_.
-
- Late that night, when the little steamer was made fast to the pier
- at the village that marks the southern end of the canal, the
- voyagers on the yacht had venison steaks for supper that were cut
- from the deer they had seen killed, and all hands retired, almost
- sad that the journey through the swamp was ended, but anticipating
- very much from the trip down the Pasquotank River to Albemarle
- Sound.
-
- JAMES OTIS.
-
- * * * * *
-
-HOWARD B.--You could have no more appropriate name for your dancing club
-than the one you have selected, "Lads and Lasses." All sorts of pretty
-and tasteful trifles may be used for favors, such as little bells,
-rosettes, flags, stars, butterflies, sashes, pictures, and flowers. At
-present tiny Japanese fans, umbrellas, cups, and vases are fashionable.
-Flowers are always appropriate as favors. The German affords scope for
-individual taste, and the favors may be very simple or very costly, as
-circumstances may regulate the affair. But while in some cases gold or
-silver jewelry has been given in the way of favors, it will be better
-for a club of young people to confine themselves to trinkets which,
-while of small money value, may still be pretty enough to be kept as
-souvenirs of a happy evening.
-
- * * * * *
-
- DEAR POSTMISTRESS,--We have had a little discussion as to the
- proper method of hanging our pictures, and as we can not agree,
- will you kindly settle the question. We have hung them about on a
- level with our eyes, and are satisfied that that arrangement is
- good. The trouble is to know the proper angle of inclination. We
- had the tops of the frames about four inches from the wall; but a
- friend came in the other evening, and deliberately told us that
- that was all wrong. He then made rolls of stiff paper and, with
- them behind the pictures, forced the top of each frame about
- eighteen inches from the wall. Some of the family like the effect,
- and some declare it hideous. Which plan is considered the correct
- one by those who ought to know?
-
- TRENTON.
-
-In hanging pictures it is well to have the middle of the picture in line
-with the eye. Let all small pictures be as flat as possible against the
-wall, and for larger ones let the angle of inclination depend upon size,
-making it invariably as small as you can. Only for a very large picture
-would an angle of eighteen inches be admissible. I would advise you to
-take away the stiff rolls of paper, and trust to your own sense of the
-beautiful and becoming rather than, in this instance, to your friend's
-judgment.
-
- * * * * *
-
-ELSIE.--Your question whether it is ever right to make other people the
-subject of conversation is easily answered. It is right to speak of our
-friends and acquaintances, if we do so kindly, and talk of their good
-qualities. Nothing is so mean as to speak unkindly of the absent, who
-can not defend themselves. Conversation, if restricted to historical
-facts, as you propose, would be very dull.
-
- * * * * *
-
-CONSTANT READER.--It would be better to meet on some evening in the week
-than to confine yourselves to Sunday evening. But if you are engaged
-every other evening, why not meet from four to six on Sunday afternoon,
-and leave the evening free to go to church? You might take up some good
-book of Eastern travel, or the life of some noble man like Garfield or
-Lincoln, and read it together. Call yourselves the Inquirers, if your
-aim is, as I imagine it to be, to find out what is worthy, and follow
-it. I do not think boys of your age should stay away from church on
-Sunday evening either to read or hold debates. You will learn much more,
-both mentally and spiritually, by attending regularly on the ministry of
-some clergyman whom you enjoy hearing.
-
- * * * * *
-
-FLAVEL S. M., New Brighton, New York, found a dandelion in an exposed
-place, as bright as ever, and in full bloom, on December 5.
-
- * * * * *
-
-GRACIE M.--The Postmistress knows of nothing which will remove
-superfluous hair from the face or arms.
-
- * * * * *
-
-This week we would call the attention of the C. Y. P. R. U. to the
-comprehensive little article on John Bright under the head of "People We
-Hear About"; to the "Chat on Philately," which carries us away to the
-northern coast of South America; and to the charming article on foreign
-travel, entitled "Tom Fairweather's Holiday in Madeira." Then we want
-them all to read the story called "Sam Jenkins's Dream." Not that any of
-them are like the Sam of the Old Year, but because every one of us, no
-matter how good we are already, wants to take a new and a fresh and a
-better start in the New Year to come.
-
- * * * * *
-
-PUZZLES FROM YOUNG CONTRIBUTORS.
-
-No. 1.
-
-TWO ENIGMAS.
-
-1.
-
- My first is in snow, but not in rain.
- My second in nip, but not in bite.
- My third is in mount, but not in plain.
- My fourth is in weasel, but not in kite.
- My fifth is in butter, but not in cheese,
- My sixth is in ice, but not in freeze.
- My seventh is in rosy, but not in pale.
- My eighth is in dimple, but not in veil.
- My whole is as lovely as well can be
- Anything half so wild and free.
-
-2.
-
- In scatter, not in plant.
- In polish, not in rub.
- In arrow, not in bow.
- In ripple, not in flow.
- In river, not in tub.
- In ocean, not in lake.
- In ewer, not in dish.
- Of me now, what do you make?
- Am I bird, or bee, or fish?
-
- SUSAN NIPPER.
-
- * * * * *
-
-No. 2.
-
-NUMERICAL ENIGMA.
-
- My first is the initial letter of a city in Illinois.
- My second, of a city in Connecticut.
- My third, of a river in Virginia.
- My fourth, of one of the Territories.
- My fifth, of a city in Georgia.
- My sixth, of a city in Florida.
- My seventh, of a State in New England.
- My eighth, of a city in Texas.
- My ninth, of a river in Pennsylvania.
- My whole was delightful to us all.
-
- C. C. R.
-
- * * * * *
-
-No. 3.
-
-EASY DIAMOND.
-
-1. A letter. 2. To wager. 3. A spiral line. 4. A metal. 5. A letter.
-
- TOBY TYLER.
-
- * * * * *
-
-ANSWERS TO PUZZLES IN No. 110.
-
-No. 1.
-
-1.
-
- U ru S
- N es T
- I ow A
- T ar T
- E as E
- D og S
-
-2.
-
- M ai L
- A si A
- R ai N
- Y ar D
-
-No. 2.
-
- Z O N E S
- C E D A R
- C O B R A
- B L U R T
- E X T R A
-
-No. 3. Evil communications corrupt good manners.
-
- * * * * *
-
-Correct answers to puzzles have been received from Effie M. Laurence,
-Florence Chambers, Elvira Urisarri, Gracie S., J. H., Jessie and Willie
-Martin, "Fill Buster," Forrest F., "Queen Bess," Rita Harris, Olive A.
-McAdams. "Lodestar," Frank G. Ames, Clara, Percy L. McDermott, Roy W.
-Osborne, A. E. Cressingham, Bob, Frank M. Scott, "Toby Tyler," Willie
-Curtis, William A. Lewis, George Sylvester, Annetta Jackson, "Day Z."
-M. L. H., "No Name."
-
- * * * * *
-
-The answer to the Enigma published on the concluding page of No. 111 is
-Comb.
-
- * * * * *
-
-The prize puzzle and the name of the successful puzzler will be given in
-No. 114.
-
- * * * * *
-
-[_For Exchanges, see third page of cover._]
-
-
-
-
-[Illustration]
-
-A DIRE CATASTROPHE.
-
-
- "'Tis very true
- I'm dressed in silk,
- But I must have
- A drink of milk."
-
- A sudden fall:
- What has been done?
- Too much, alas!
- Is worse than none.
-
-
-
-
-SCIENTIFIC PUZZLES.
-
-
-[Illustration: FIG. 1.]
-
-The experiment represented in Fig. 1 illustrates the pressure of the
-atmosphere. Fill a goblet with water up to the brim, and then cover it
-with a sheet of paper which touches both the edge of the glass and the
-surface of the water. Turn the glass upside down, and the sheet of
-paper, held in its place by the pressure of the air, will prevent the
-water from running out. It frequently happens that this experiment is
-only successfully performed after a series of fruitless attempts on the
-part of the operator. We therefore suggest that it shall be made over a
-basin, and not where there are expensive articles to be ruined by a
-douche of water.
-
-[Illustration: FIG. 2.]
-
-Fig. 2 represents another illustration of atmospheric pressure. Light a
-piece of paper, and when it begins to burn brightly, thrust it into an
-empty water bottle. Within a few seconds close the neck of the bottle
-with a hard-boiled egg from which the shell has been removed. The
-burning of the paper exhausts the air in the bottle, and the egg is
-gradually thrust in by the pressure of the outside atmosphere. It will
-finally pass completely through the neck of the bottle, giving a little
-explosive sound.
-
-[Illustration: FIG. 3.]
-
-In Fig. 3 we have an experiment illustrating the laws of force. A dime
-is placed on a table covered with a cloth or napkin. The coin can be
-drawn from beneath the glass without touching it or slipping anything
-under it. If the cloth near by be simply scratched with the nail of the
-forefinger, the elasticity of the material communicates the motion to
-the dime, which moves slowly in the direction of the finger, until it
-finally comes out entirely from beneath the glass.
-
-[Illustration: FIG. 4.]
-
-The experiment shown in Fig. 4 is certain to result in the smashing of
-several eggs; we therefore advise that they should be hard-boiled in
-order to avoid serious catastrophes. By blowing into a claret glass
-containing an egg, it is possible to cause it to jump out of the glass,
-and with practice it may be made to pass from one glass into another.
-
-
-
-
-WHAT IS A CHRISTMAS-BOX?
-
-
-This question is not so easily answered as you may suppose; for though
-all little folk know that a Christmas-box is a gift made at
-Christmas-tide, such was not the original meaning of the word.
-Christmas-boxes were at first what we now call money-boxes. They were
-known as thrift-boxes, and consisted of small wide clay bottles with
-imitation stoppers, the upper part covered with a kind of green glaze.
-On the side was a slit into which money could be put, and as the money
-was collected at Christmas, the boxes in the course of time gave the
-name to the present.
-
-
-
-
-[Illustration: DISSATISFIED WITH HIS SUNDAY DINNER.
-
-"See here, Ma, why didn't you buy this Goose when he was alive, so's I
-could o' rode him home?"]
-
-
-
-
-
-End of the Project Gutenberg EBook of Harper's Young People, December 27,
-1881, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, DEC 27, 1881 ***
-
-***** This file should be named 50809-8.txt or 50809-8.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/0/8/0/50809/
-
-Produced by Annie R. McGuire
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
diff --git a/old/50809-8.zip b/old/50809-8.zip
deleted file mode 100644
index 50ba30c..0000000
--- a/old/50809-8.zip
+++ /dev/null
Binary files differ
diff --git a/old/50809-h.zip b/old/50809-h.zip
deleted file mode 100644
index f95abb3..0000000
--- a/old/50809-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/50809-h.htm b/old/50809-h/50809-h.htm
deleted file mode 100644
index a4b37dc..0000000
--- a/old/50809-h/50809-h.htm
+++ /dev/null
@@ -1,2720 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=iso-8859-1" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- The Project Gutenberg eBook of Harper's Young People, December 27, 1881, by Various.
- </title>
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2,h3,h4,h5,h6 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-.p2 {margin-top: 2em;}
-.p4 {margin-top: 4em;}
-.p6 {margin-top: 6em;}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: auto;
- margin-right: auto;
- clear: both;
-}
-
-hr.tb {width: 45%;}
-hr.chap {width: 65%}
-hr.full {width: 95%;}
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- /* visibility: hidden; */
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
-} /* page numbers */
-
-.blockquot {
- margin-left: 5%;
- margin-right: 10%;
-}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.smcap {font-variant: small-caps;}
-
-.caption {font-weight: bold;}
-
-/* Images */
-.figcenter {
- margin: auto;
- text-align: center;
-}
-
-.figleft {
- float: left;
- clear: left;
- margin-left: 0;
- margin-bottom: 1em;
- margin-top: 1em;
- margin-right: 1em;
- padding: 0;
- text-align: center;
-}
-
-.figright {
- float: right;
- clear: right;
- margin-left: 1em;
- margin-bottom:
- 1em;
- margin-top: 1em;
- margin-right: 0;
- padding: 0;
- text-align: center;
-}
-
-/* Footnotes */
-.footnotes {border: dashed 1px;}
-
-.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
-
-.fnanchor {
- vertical-align: super;
- font-size: .8em;
- text-decoration:
- none;
-}
-
- </style>
- </head>
-<body>
-
-
-<pre>
-
-Project Gutenberg's Harper's Young People, December 27, 1881, by Various
-
-This eBook is for the use of anyone anywhere in the United States and most
-other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of
-the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you'll have
-to check the laws of the country where you are located before using this ebook.
-
-Title: Harper's Young People, December 27, 1881
- An Illustrated Weekly
-
-Author: Various
-
-Release Date: December 31, 2015 [EBook #50809]
-
-Language: English
-
-Character set encoding: ISO-8859-1
-
-*** START OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, DEC 27, 1881 ***
-
-
-
-
-Produced by Annie R. McGuire
-
-
-
-
-
-</pre>
-
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left"><a href="#GOOD_TIDINGS_OF_GREAT_JOY">"GOOD TIDINGS OF GREAT JOY."</a></td></tr>
-<tr><td align="left"><a href="#A_CHRISTMAS_MYSTERY_OR_JO_AND_HIS_PET_CROW">A CHRISTMAS MYSTERY; OR, JO AND HIS PET CROW.</a></td></tr>
-<tr><td align="left"><a href="#THE_TALKING_LEAVES">THE TALKING LEAVES.</a></td></tr>
-<tr><td align="left"><a href="#PEOPLE_WE_HEAR_ABOUT">PEOPLE WE HEAR ABOUT.</a></td></tr>
-<tr><td align="left"><a href="#CHATS_ABOUT_PHILATELY">CHATS ABOUT PHILATELY.</a></td></tr>
-<tr><td align="left"><a href="#CHRISTMAS_PIE">CHRISTMAS PIE.</a></td></tr>
-<tr><td align="left"><a href="#THE_TALE_OF_A_VERY_BAD_BOY">THE TALE OF A VERY BAD BOY.</a></td></tr>
-<tr><td align="left"><a href="#SAM_JENKINSS_DREAM">SAM JENKINS'S DREAM.</a></td></tr>
-<tr><td align="left"><a href="#TOM_FAIRWEATHERS_HOLIDAY_IN_MADEIRA">TOM FAIRWEATHER'S HOLIDAY IN MADEIRA.</a></td></tr>
-<tr><td align="left"><a href="#THE_SHOP_WINDOWS">THE SHOP WINDOWS.</a></td></tr>
-<tr><td align="left"><a href="#OUR_POST-OFFICE_BOX">OUR POST-OFFICE BOX.</a></td></tr>
-<tr><td align="left"><a href="#A_DIRE_CATASTROPHE">A DIRE CATASTROPHE.</a></td></tr>
-<tr><td align="left"><a href="#SCIENTIFIC_PUZZLES">SCIENTIFIC PUZZLES.</a></td></tr>
-<tr><td align="left"><a href="#WHAT_IS_A_CHRISTMAS-BOX">WHAT IS A CHRISTMAS-BOX?</a></td></tr>
-</table></div>
-
-<p><span class="pagenum"><a name="Page_129" id="Page_129">[Pg 129]</a></span></p>
-
-<div class="figcenter" style="width: 800px;">
-<img src="images/ill_001.jpg" width="800" height="310" alt="HARPER'S YOUNG PEOPLE" />
-</div>
-
-<hr class="full" />
-
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" width="100%" summary="">
-<tr><td align="left"><span class="smcap">Vol</span>. III.&mdash;<span class="smcap">No</span>. 113.</td><td align="center"><span class="smcap">Published by</span> HARPER &amp; BROTHERS, <span class="smcap">New York</span>.</td><td align="right"><span class="smcap">price four cents</span>.</td></tr>
-<tr><td align="left">Tuesday, December 27, 1881.</td><td align="center">Copyright, 1881, by <span class="smcap">Harper &amp; Brothers</span>.</td><td align="right">$1.50 per Year, in Advance.</td></tr>
-</table></div>
-
-<hr class="full" />
-
-<div class="figcenter" style="width: 603px;"><a name="GOOD_TIDINGS_OF_GREAT_JOY" id="GOOD_TIDINGS_OF_GREAT_JOY"></a>
-<img src="images/ill_002.jpg" width="603" height="700" alt="" />
-<span class="caption">"I BRING YOU GOOD TIDINGS OF GREAT JOY."</span>
-</div>
-
-<p><span class="pagenum"><a name="Page_130" id="Page_130">[Pg 130]</a></span></p>
-
-<h2>"GOOD TIDINGS OF GREAT JOY."</h2>
-
-<p>
-<span style="margin-left: 16em;">An angel voice on Judah's plain</span><br />
-<span style="margin-left: 17em;">Announced to men a Saviour's birth:</span><br />
-<span style="margin-left: 16em;">Each Christmas sends the sweet refrain</span><br />
-<span style="margin-left: 17em;">Re-echoing wider o'er the earth.</span><br />
-<br />
-<span style="margin-left: 16em;">Whence come the joys of Christmas-tide?</span><br />
-<span style="margin-left: 17em;">A Child from Heaven has given us them.</span><br />
-<span style="margin-left: 16em;">Above all thoughts let this abide:</span><br />
-<span style="margin-left: 17em;"><i>The Christ is born in Bethlehem.</i></span><br />
-</p>
-
-<hr class="chap" />
-<h2><a name="A_CHRISTMAS_MYSTERY_OR_JO_AND_HIS_PET_CROW" id="A_CHRISTMAS_MYSTERY_OR_JO_AND_HIS_PET_CROW">A CHRISTMAS MYSTERY; OR, JO AND HIS PET CROW.</a></h2>
-
-<h3>BY MRS. FRANK McCARTHY.</h3>
-
-<p>The sharp crack of a rifle startled the echoes around Judge Malcom's
-country home, and a big black crow dropped from the wood-pile. Out ran a
-little darky boy from the kitchen, followed by Aunt Dinah, his fat old
-grandmother.</p>
-
-<p>"Now, you Jo, what you gwine to do wid dat dar crow? You better drap him
-like a hot potater. He's a-gwine to de Ole Scratch, whar he belongs."</p>
-
-<p>But Jo had run over to the wood-pile, picked up the poor old crow, and
-held it to his bosom. His woollen shirt was open, and down his black
-skin ran the red blood of the wounded bird, down his black cheeks ran
-the tears, and he rocked himself to and fro in an agony of grief.</p>
-
-<p>"He's done gone dead for suah," sobbed Jo. "Oh, Mas'r Harry! what made
-yer kill poor old 'Thus'lem?"</p>
-
-<p>"I'm sorry, Jo," said a handsome lad of twelve, putting down his gun. "I
-didn't know it was your crow, and he made such a capital target up there
-on that jagged stick, I couldn't help it. Don't cry, Jo; I'll get you
-another much nicer pet than that. He's the most broken-down,
-dilapidated-looking customer I ever saw. He's blind in one eye, and no
-wonder Aunt Dinah named him Methuselah; he must be a thousand years old.
-Let the miserable thing die, Jo, and I'll give you one of my bull-pups."</p>
-
-<p>"An' I'll dib oo a pet tennary, Do," lisped little Laura.</p>
-
-<p>"An' I'll gib you a good lickin' ef you don't shet dat dar bawlin',"
-said Aunt Dinah. "Why, yer couldn't make more ob a rumpus over a pore
-Christian."</p>
-
-<p>But entreaties or threats were of no avail. Jo thanked Master Harry for
-his offer of the bull-pup, and Miss Laura for hers of a canary, but he
-said he didn't want any more pets if 'Thus'lem died. Then he climbed the
-back steps to the room over the kitchen where he and Aunt Dinah slept.
-Taking out of an old box a checked shirt, he proceeded to tear off the
-tail some narrow strips. These he bound tightly about the bleeding body
-of the crow, and finding one leg hanging limp and useless, he cut a
-splinter from the box, and set the shattered limb. Then he bathed
-'Thus'lem's head with water, all the while calling upon his favorite to
-open his eyes and look at him once more before he died.</p>
-
-<p>'Thus'lem seemed to have made up his mind to look at Jo a good many more
-times before he died, for his best eye opened and began to blink in such
-a lively manner that Jo jumped up and clapped his hands with delight.</p>
-
-<p>"Why, 'Thus'lem," he stammered&mdash;"why, why, yer ain't done gone, is yer?
-Yer's a-gwine to lib, mebbe?"</p>
-
-<p>"Jes so, jes so," feebly croaked the crow.</p>
-
-<p>Not that I mean to say 'Thus'lem could talk. No member of the crow
-family has ever been known to carry on a conversation; but as for those
-two words, everybody said they were plain enough when you knew what they
-were.</p>
-
-<p>"'Clar to goodness," said Aunt Dinah, "ef dere's any kill in dat dar
-crow! He's been froze to deff, an' scalded to deff, an' crushed to deff,
-an' shot to deff, an' here he is agin, peart as a maggot. Reckon he's
-lived 's long 's de creation itseff, an' looked on wid dat dar crooked
-eye o' his'n when Noah built de ark. He's enuff to scar' de life out ob
-any one. Jes look at him, Mas'r Harry."</p>
-
-<p>He certainly was a very queer specimen of the bird creation. His body
-seemed to be held together with strips of Jo's old shirt, he had only
-one leg to stand on, and every feather seemed to straggle in a different
-direction.</p>
-
-<p>"He hasn't got off by de skin ob his teef for nuffin," said Aunt Dinah;
-"he's chock-full ob inikity, dat dar crow."</p>
-
-<p>"Jes so, jes so," croaked the crow.</p>
-
-<p>But Jo patted tenderly the wounded body of his favorite, and told him
-not to mind granny, to be a good crow, and get well and comfort the
-oppressed heart of his master.</p>
-
-<p>"For, 'Thus'lem," said Jo, as he settled down to his potato-paring, with
-the bird on his shoulder, "I know you's ill-used an' pussecuted an'
-slanderized, an' folks don't gib yer no peace, sleepin' nor wakin'; but
-dat's acause you's black, 'Thus'lem, an' I's black, an' we's bofe black.
-Ef yer woz a lubly yaller canary ob Missy Laura's, you'd hab a mos'
-spreneriferous time, 'Thus'lem. You'd hab a shinin' gilt cage to lib in,
-an' a boss swing to swing on, an' all de lump-sugar yer could swaller
-down, an' Missy Laura'd call yer 'honey' an' 'sugar-plum,' an' let yer
-roost on her lily-white finger, an' peck out ob her lubly red lips. Oh,
-goodness gracious' sakes alive, 'Thus'lem!" said Jo, his eyes rolling in
-his head at the thoughts of such ecstasy, "ef yer woz only a yaller
-canary!"</p>
-
-<p>But 'Thus'lem shook his head, as much as to say that he wouldn't give a
-rotten cherry for such felicity.</p>
-
-<p>"It's a mos' drefful pity," sighed poor Jo, "dat yer looks is so
-mightily agin yer, 'Thus'lem; dat dar nose o' yourn bein' so drefful
-hooked, an' dat dar eye o' yourn so powerful skewed. But don't worry
-about it, 'Thus'lem; it can't be helped, yer know."</p>
-
-<p>"Jes so, jes so," meekly croaked the crow.</p>
-
-<p>"We'll hab to be sassyfried, 'Thus'lem, an' do de bes' we can. Don' yer
-smell de good tings a-cookin', 'Thus'lem? Don' yer sniff up de pies an'
-cookies, 'Thus'lem, an' de ginger an' spice an' all de lubly cookin',
-'Thus'lem? Dat's acause it's Christmas-time, when eberybody's kinder
-happy, 'Thus'lem, even a pore old crow."</p>
-
-<p>"Jes so, jes so," croaked the crow, and apparently a little tired of
-Jo's sermonizing, he limped out of his sight.</p>
-
-<p>Shortly after, Master Harry entered the kitchen, and told Jo he had some
-very particular work for him to do.</p>
-
-<p>"You see, Jo," said Harry, "Santa Claus is very busy this year, and he
-can't get time to provide Christmas trees for folks that have them
-handy. We'll have to help him a little." And winking mysteriously to Jo,
-he beckoned him outside, and told him the joyful news that he too was to
-help get the Christmas tree and greens.</p>
-
-<p>It may not seem such a very pleasant thing to some people to go out in
-the freezing air, and hack down a lot of tough cedars, but to Jo it was
-simply delightful.</p>
-
-<p>"Jes tink of dat dar, 'Thus'lem," he said to his crow, "'ter be sot ter
-work for Santy Claws himseff! 'Pears like as ef de good times is comin'
-for dis yere Jo, 'Thus'lem. Mas'r Harry's powerful good to bofe of us
-nowadays. It's a bressed Christmas dis yere, 'Thus'lem."</p>
-
-<p>The fact was that Harry had determined to make up to Jo for the grief he
-had given him in the careless shooting of his favorite crow. He was
-shocked when he saw the agony his careless indifference had given Jo. He
-had no idea a little darky like that could feel even worse than he would
-if any accident should happen to one of his pets. When Harry found out
-that the color of Jo's skin did not hinder him from being a real boy
-like himself, with all a boy's appreciation, and much more than an
-average boy's feeling, Jo went up a good many pegs in Harry's
-estimation, and not having any white boys handy, he made excellent use
-of Jo.</p>
-
-<p>There was an air of secrecy about the house that always belonged to
-Christmas-time. When the Judge came home from town with his pockets
-bulging out, and winked to his wife to follow him to an adjoining room,<span class="pagenum"><a name="Page_131" id="Page_131">[Pg 131]</a></span>
-nobody thought of prying into their secrets except 'Thus'lem; but then
-no one minded him.</p>
-
-<p>Harry had his own secrets too, shared by nobody except Jo. He was almost
-too dignified to take a poor little negro like Jo into his full
-confidence, but there was a little package in his bureau drawer, and he
-was bursting to show it to somebody. It was a likeness of himself nicely
-inclosed in a little locket that would just fit upon his mother's gold
-chain.</p>
-
-<p>"Don't you say anything about it, Jo."</p>
-
-<p>"Not for de worl', Mas'r Harry. I'd die afore I'd reveal a solemn secret
-like dat dar."</p>
-
-<p>"I believe you would, Jo. I think I can trust you."</p>
-
-<p>Jo's heart almost burst with pride at this mark of confidence. He did
-not even tell 'Thus'lem, though he was sorely tempted to, as he never
-kept anything from his pet crow. The very next day it happened that
-another honor was conferred upon Jo.</p>
-
-<p>Mrs. Malcom had shut herself up in her room, and when Jo brought a
-scuttle of coal, she did not put aside the pretty purse she was
-knitting, but nodded and smiled when she saw Jo looking at it.</p>
-
-<p>"It's for Master Harry, Jo. When I get it done and put a few gold pieces
-in it, don't you think he'll like it all the better because his mother
-knit it?"</p>
-
-<p>"Shouldn't wunner a bit ef he would, missus. My souls an' bodies! wot a
-Christmas this will be!"</p>
-
-<p>"Don't tell him, Jo."</p>
-
-<p>"I'd be chopped into bits afore I'd tell it!"</p>
-
-<p>"Jo is a faithful, honest, good little fellow," said Mrs. Malcom to
-Harry; "we mustn't forget Jo at Christmas."</p>
-
-<p>"No, indeed, mamma. Do you know what I think would please him more than
-anything? A pretty collar for 'Thus'lem, as he calls that old crow. Of
-course we'll give him clothes and things; but he'd like something of
-that kind for Methuselah&mdash;darkies like trinkets, you know."</p>
-
-<p>"Jes so, jes so," said the crow.</p>
-
-<p>Harry remembered this remark bitterly enough upon Christmas-eve, when
-the happy moment had at last come for him to bring forth his treasure
-from its hiding-place, and put it triumphantly in the hands of his
-mamma.</p>
-
-<p>The Christmas greens were all hung, the Christmas tree was ready for
-Santa Claus to trim, and Jack Frost had already begun his wonderful
-decorations. Little Laura was fast asleep in her snug little bed; Jo had
-gone, whistling cheerfully, to his garret; and even 'Thus'lem had
-squeezed himself through the hole in the plaster that led from the main
-building to the room over the kitchen, and gone to roost comfortably in
-Jo's black bosom.</p>
-
-<p>Jo looked out of the little window up to the clear cold sky. One tiny
-star was glimmering there.</p>
-
-<p>"Pears like as ef it might be de bressed star ob Bethlehem, 'Thus'lem,"
-said Jo; "it's de berry same hebben, 'Thus'lem, as it woz long ago."</p>
-
-<p>"Jes so, jes so," sleepily croaked the crow.</p>
-
-<p>In the mean while Harry had gone to get his treasure. He opened the
-bureau, put his hand to the accustomed place, and lo! the treasure was
-gone. With a trembling hand Harry tossed every article over a dozen
-times. He looked, as people will for missing articles, in all sorts of
-out-of-the-way and impossible places. At length he yielded to the fact
-that the locket was gone. The little treasure was lost at the one moment
-that it was of priceless value to him; for he could get nothing now to
-take its place. It was too late to secure the cheapest trinket. For the
-first time since he could remember he must go empty-handed on Christmas
-to his mother. Tears of grief, of rage, of disappointment, burst from
-his eyes. How in the world could it have gone? Nobody knew it was there
-but himself, nobody but&mdash;Jo.</p>
-
-<p>"Darkies love trinkets," he muttered, bitterly. "Jo is the only living
-soul that could possibly have taken it."</p>
-
-<p>Then he jumped upon his feet, and went down stairs.</p>
-
-<p>"Oh, mamma," he faltered, "I had something for you that I know you'd
-like, but it's gone, it's stolen."</p>
-
-<p>Then with clinched fists and streaming eyes, Harry told her of his loss.</p>
-
-<p>"My dear boy," said Mrs. Malcom, "don't grieve; above all, don't lose
-your temper on Christmas-eve, of all times in the year. I'm just as glad
-as if I had the pretty picture in my hand; and as for poor Jo, if he did
-take it, it was from love of your dear face and ignorance of the crime
-he was committing. But now that you have as good as given me your
-present, you shall have mine."</p>
-
-<p>She went into her little sitting-room and put her hand into the work-box
-for her purse. Only that morning she had put in the gold pieces&mdash;it
-ought to be an easy thing to feel them in the dark. But it was not. She
-lit the lamp, and even then her search was vain. The purse was gone. A
-serious, sad, and pained expression overshadowed her face. Nobody knew
-even of the existence of the purse. Nobody had seen it, nobody but&mdash;Jo.</p>
-
-<p>Sighing heavily, she went back into the parlor. "Harry, my son," she
-said, "it is so sad to have such a thing happen upon Christmas-eve! I
-would not have believed it possible; even now I can scarcely credit my
-senses."</p>
-
-<p>Then she told him all.</p>
-
-<p>Harry's face lit with sudden wrath.</p>
-
-<p>"Come, mamma, let's go to Jo's room. I believe he's run away with them.
-I don't believe he's there."</p>
-
-<p>Mrs. Malcom followed Harry to the kitchen, and up the back stairs to the
-little garret. Her heart smote her as she saw the miserable rags upon
-which Dinah and Jo and 'Thus'lem were all sleeping. For Jo was there,
-soundly sleeping as if innocent of everything of which they thought him
-guilty. How cold it was in that miserable place! How the wind whistled
-through the unplastered beams! How scant and wretched was their bed,
-their covering! How wicked she had been not to look after these poor
-creatures who had served her so long and faithfully! The crime, the
-fault, was partly hers.</p>
-
-<p>But Harry had shaken Jo rudely by the shoulder. The startled crow limped
-out of his warm black resting-place and blinked maliciously at the
-intruders. Jo started to his feet in surprise.</p>
-
-<p>A loud chink upon the old floor was distinctly heard, and by the light
-of Harry's lamp could be plainly seen the lost treasures. From under the
-ragged quilt had fallen the locket and the purse.</p>
-
-<p>"Oh, you miserable thief!" said Harry to Jo.</p>
-
-<p>Jo's teeth began to chatter in his head, his eyes to roll wildly. He
-looked from one to the other in a dazed and bewildered way.</p>
-
-<p>"Wot in de canopy's de matter?" said Aunt Dinah, rubbing her eyes.</p>
-
-<p>"Matter enough," said Harry. "Jo's a mean, sneaking thief. See what he
-has stolen from mamma and me."</p>
-
-<p>When Harry held up the little locket and the purse, it seemed as if Jo's
-eyes would start out of his head.</p>
-
-<p>"Mas'r Harry, Mas'r Harry," he cried, "I neber fotched 'em here. I neber
-laid a finger on 'em; wisher may die on dis berry spot ef I did!"</p>
-
-<p>The poor black had crouched upon the floor, and held up his shaking
-hands in entreaty. His teeth chattered in his head, and his face was
-overspread with that ashen hue that can make even a black skin pale.</p>
-
-<p>Harry had never seen such abject misery. It blunted the edge of his rage
-and disappointment. "Jo, Jo," he said, "don't add lying to your other
-crimes. Didn't we find the things here where you had hidden them?"</p>
-
-<p>"Dis beats creation!" said Aunt Dinah. "In all de bressed borned days ob
-my life, I neber see de like ob dis. Jes you leab him to me, Mas'r
-Harry. I'll wollup de trufe out ob him, ef it takes me all night."</p>
-
-<p>But Mrs. Malcom stepped forward and held her hands over the poor
-shrinking head of the little black boy.</p>
-
-<p><span class="pagenum"><a name="Page_132" id="Page_132">[Pg 132]</a></span></p>
-
-<p>"No," she said, "he shall no longer be treated like a brute. I will find
-another way to reach his heart. Oh, Harry! oh, my son! the fault is
-mine. I have cared nothing for poor Jo&mdash;for his body or his soul. Our
-dumb, soulless animals are better cared for. I'll wait awhile, Jo; I'll
-go away, and leave you to think it over. By-and-by you'll remember all
-about it, won't you, Jo?"</p>
-
-<p>Jo shook his head to and fro hopelessly. "Ef you wait until de day ob
-judgment, missus, I neber can 'member. It's a mos' drefful mystery how
-dem dar tings got here."</p>
-
-<p>"Come, mother," said Harry, in disgust. "I wouldn't have had this happen
-for ten times the worth of the things."</p>
-
-<p>"Nor I," said his mother, and they both sat sadly down to wait for the
-Judge, who had been detained in town. He was surprised and vexed, when
-he came, to find that Christmas-eve was being rapidly spoiled.</p>
-
-<p>"That's the worst of these blacks, they will steal," said the Judge.
-"But don't you want to see my presents? They have been kept out of the
-reach of thieves."</p>
-
-<p>The Judge took from his vest pocket a tiny jewel-box containing a ring.
-Mrs. Malcom had never seen a finer diamond. She quite forgot poor Jo in
-her delight and surprise. Then the Judge took from his other vest pocket
-an American watch. As he handed it over to Harry, the lad's clouded face
-was bright with joy.</p>
-
-<p>But as the Judge was placing the ring upon his wife's finger, it
-suddenly slipped from his hold, and rolled away upon the floor. All
-three of them stooped to look for it. It seemed scarcely to have left
-their sight. They lifted chairs and tables, looked closely around the
-solid base of the Christmas tree, but the ring had vanished. Again and
-again they fruitlessly hunted. Tired, vexed, bewildered, they looked at
-each other in dismay.</p>
-
-<p>"Jo is not the thief, anyway. He didn't take it."</p>
-
-<p>"Who <i>did</i> take it?" said the Judge.</p>
-
-<p>"I give it up," said Harry. "The place is bewitched."</p>
-
-<p>The Judge looked blankly around the room, in utter bewilderment.
-Suddenly, he put his finger upon Harry's arm.</p>
-
-<p>"Hush!" he said. "Be perfectly quiet. I think I've got your thief as
-well as mine. He's black, but he isn't Jo. Look over there in that
-corner; don't you see a spark of light? Don't frighten the scoundrel.
-I'll lay a dollar he'll make off with that ring when I give him the
-chance."</p>
-
-<p>True enough, a black object moved slowly along the floor, and with it
-something that shone like a star.</p>
-
-<p>The Judge softly opened the parlor door. Out hopped 'Thus'lem, with the
-ring in his beak.</p>
-
-<p>"It's worth the risk of the diamond to clear poor Jo," said the Judge to
-Harry, and carefully they followed the sly old crow. Up the back stairs
-he limped, through the hole in the plaster he squeezed his way, and soon
-he was clasped to the bursting heart of his master.</p>
-
-<div class="figcenter" style="width: 500px;">
-<img src="images/ill_003.jpg" width="500" height="332" alt="" />
-<span class="caption">"''THUS'LEM, MY PORE HEART IS 'MOS' BROKE.'"</span>
-</div>
-
-<p>"Why, why, 'Thus'lem," faltered poor Jo, "I woz afeard you'd turned agin
-me, an' believed all de slanderizin'. 'Pears like as ef I don' care to
-lib much longer, 'Thus'lem; my pore heart is 'mos' broke. Mas'r Harry
-he's done gone agin me, an' missus she's done gone wuss 'n Mas'r Harry;
-an' dem dar tings dat fell out o' my bed-quilt goes fur to show I'm a
-burgular, 'Thus'lem, even ef I don't know nuffin 'bout it. I s'pect I'll
-be put in jail; dere ain't nobody to help a pore black boy. 'Pears like
-as ef dat dar sky woz so fur away dat no star of Bethlehem eber shined
-dar&mdash;leastways for pore black people like you an' me, 'Thus'lem. Yer
-don' somehow tink dat yer could scrape 'long in a jail, does yer,
-'Thus'lem? Yer could squeeze in an' out de bars, yer know."</p>
-
-<p>"Yes, take him off to jail," said the voice of the Judge. "That's where
-he belongs, the rascal. 'Thus'lem's the thief, Jo. Look at him there
-with the ring still in his<span class="pagenum"><a name="Page_133" id="Page_133">[Pg 133]</a></span> beak. I've heard that crows will steal, but
-'Thus'lem beats all the 'burgulars' I know."</p>
-
-<p>"Jes so, jes so," chuckled the crow; and down fell the diamond ring, and
-rolled to the feet of the Judge.</p>
-
-<p>Up jumped Jo in wonder and affright. Down he fell upon his knees, and
-begged harder for 'Thus'lem than he ever did for himself.</p>
-
-<p>"He's on'y a pore ole crow, Mas'r Jedge, an' don' know no better. He
-mus' hab thought I woz mos' drefful pore, an' he'd try to help me. He
-won't do so no more, Mas'r Jedge. Will yer, 'Thus'lem?"</p>
-
-<p>"Jes so, jes so," croaked the crow.</p>
-
-<p>"He's chock-full ob inikity," said Aunt Dinah, "an' his neck ought to be
-twisted dis berry minute."</p>
-
-<p>"We'll spare his life for Jo's sake," said the Judge, "to show him that
-the star of Bethlehem <i>did</i> shine for everybody, black or white, and our
-blessed Saviour had compassion upon as big a thief as his wicked old
-crow."</p>
-
-<p>"Jes so, jes so," chuckled the crow.</p>
-
-<p>So the Christmas mystery was cleared up, and everybody was thoroughly
-happy at last, particularly Jo, who had plenty of presents. But dearer
-to him than the apple of his rolling eye was the gift of Mas'r Harry's
-second-best watch, which made the fastest time on record, and carried Jo
-along into the next week in a single day.</p>
-
-<p>'Thus'lem waxed old in years, sharing his master's prosperity; and I
-shouldn't wonder if he was alive and "chock-full ob inikity" this very
-day.</p>
-
-<hr class="chap" />
-<h2><a name="THE_TALKING_LEAVES" id="THE_TALKING_LEAVES"></a>THE TALKING LEAVES.<a name="FNanchor_1_1" id="FNanchor_1_1"></a><a href="#Footnote_1_1" class="fnanchor">[1]</a></h2>
-
-<h4>An Indian Story.</h4>
-
-<h3>BY WILLIAM O. STODDARD.</h3>
-
-<h3><span class="smcap">Chapter XII</span>.</h3>
-
-<div class="figleft" style="width: 104px;">
-<img src="images/ill_004.jpg" width="104" height="150" alt="Drop Cap D" />
-</div>
-
-<p>uring one part of the journey Steve Harrison and Murray had found the
-ledge along the mountain-side pretty rough travelling, but after a while
-they succeeded in getting out on to the comparatively smooth slope of
-the pine forest.</p>
-
-<p>"Our only risk now is that we may meet some of their hunters up here
-after game. We'll push right on."</p>
-
-<p>"I'll fight if it can't be helped, Murray, but I'd a good deal rather
-not meet anybody."</p>
-
-<p>"We must find a hiding-place for the horses, and creep down into the
-valley on foot. I'll show you some new tricks to-day."</p>
-
-<p>After searching some time, they tethered their horses<span class="pagenum"><a name="Page_134" id="Page_134">[Pg 134]</a></span> between two
-rocks, where the thickly woven vines overhead made almost a dark stable
-for them.</p>
-
-<p>"Now, Steve, a good look up and down, and we're off."</p>
-
-<p>Between them, and what could be called "the road" were many yards of
-tangled growth, and before they had gotten through it, Steve felt his
-arm gripped hard.</p>
-
-<p>"Listen! Horses coming. Lie still."</p>
-
-<p>A minute more and they were both willing to lie as still as mice, for
-they had nearly walked into the very cover chosen by Bill and his two
-comrades in which to wait for their intended prisoners.</p>
-
-<p>They and their horses were hardly twenty feet from Steve and Murray.</p>
-
-<p>Suddenly Murray whispered: "Two young squaws. The foolish things are
-coming right into the trap."</p>
-
-<p>"Can't we help 'em?"</p>
-
-<p>"They're Apache squaws, Steve."</p>
-
-<p>"I don't care. I'm white."</p>
-
-<p>"So am I. Tell you what, Steve&mdash; Ha! I declare!"</p>
-
-<p>"What's the matter, Murray."</p>
-
-<p>"One of 'em's white. Sure's you live. They sha'n't touch a hair of their
-heads."</p>
-
-<p>The expression of Murray's face astonished Steve. It was ghastly white
-under all its tan and sunburn, and the wrinkles seemed twice as deep as
-usual, while the fire in his sunken eyes was fairly blazing.</p>
-
-<p>"There's an Indian coming."</p>
-
-<p>"Apache. After the squaws. Don't you hear his whoop? I suppose they'll
-shoot him first thing, but they won't send a bullet at the girls.
-They're a bad crowd. Worse than Apache Indians."</p>
-
-<p>"I don't consider them white men."</p>
-
-<p>"Not inside, they ain't. I'd rather be a Lipan."</p>
-
-<p>The two merry, laughing girls rode by in happy ignorance of the danger
-that was lurking in the thicket, and Red Wolf galloped swiftly on to
-join them. Then the three miners, with Bill at their head, sprang out of
-their cover.</p>
-
-<p>"Look out, boys. Don't use your rifles. Thar must be plenty more within
-hearin'."</p>
-
-<p>"We'll have to kill the brave."</p>
-
-<p>"Of course. Git close to him, though. No noise. I'd like not to give him
-a chance to so much as whoop."</p>
-
-<p>They never dreamed of looking behind.</p>
-
-<p>"They've start enough now," growled Murray. "Come on, Steve. Step like a
-cat. We must take them unawares. Have your tie-up ready."</p>
-
-<p>The buckskin thongs which hang from the belt, or shoulder, or knee of an
-Indian warrior are not all put there for ornament. They are for use in
-tying things, and they are terribly strong.</p>
-
-<p>The two men saw Red Wolf join his sisters; they heard the startled cries
-of Rita and Ni-ha-be, the demand for their surrender, and Red Wolf's
-reply.</p>
-
-<p>"Now, Steve, quick! Do just as I tell you."</p>
-
-<p>Twang! went Ni-ha-be's bow at that instant, and the man next to Bill was
-raising his rifle to fire, when his arms were suddenly seized by a grasp
-of iron, and jerked behind him.</p>
-
-<p>"Right at the elbows, Steve. Draw the loop hard. Quick!"</p>
-
-<p>As the second miner turned in his tracks, he was astonished by a blow
-between the eyes that laid him flat.</p>
-
-<p>"Give it up, boys. Don't one of ye lift a hand."</p>
-
-<p>Bill could not lift his, with the arrow in his arm. The man Steve had
-tied could not move his elbows. The man on the ground was ruefully
-looking into the barrel of Murray's rifle. Besides, here was Red Wolf
-springing forward, with his lance in one hand and his revolver in the
-other. Rita held his horse, while Ni-ha-be sat upon her own, with her
-second arrow on the string.</p>
-
-<p>"We give it up," said Bill; "but what are you fellows up to? I see.
-You're the two miners, and you're down on us because we jumped your
-claim to that thar gold ledge."</p>
-
-<p>Red Wolf lowered his lance, and stuck his pistol in his belt. "Your
-prisoners; not mine," he said to Murray. "Glad to meet friend. Come in
-good time."</p>
-
-<p>Murray answered, short and sharp: "Young brave, take friend's advice.
-Jump on horse. Take young squaws back to camp. Tell chief to ride hard.
-Kill pony. Get away fast."</p>
-
-<p>"Who shall I tell him you are?"</p>
-
-<p>"Say you don't know. Tell him I'm an enemy. Killed you. Killed young
-squaws. Going to kill him."</p>
-
-<p>There was a sort of grim humor in Murray's face as he said that. Not
-only Red Wolf, but the two girls, understood it.</p>
-
-<p>Steve had not said a word, but he was narrowly watching the three miners
-for any signs of an effort to get loose.</p>
-
-<p>"It's that other one, Steve. He's watching his chance. That's it. Draw
-it hard. Now he won't be cutting any capers."</p>
-
-<p>The expression of the miner's eyes promised the unfriendliest kind of
-"capers" if he should ever get an opportunity to cut them.</p>
-
-<p>"It's no use, boys," said Bill. "Mister, will you jest cut this arrer
-close to my arm, so's I can pull it out?"</p>
-
-<p>"I will in a minute. It's as good as a tie of deer-skin jest now. Watch
-'em, Steve!"</p>
-
-<p>He walked forward, and looked long and hard into the face of Rita.</p>
-
-<div class="figcenter" style="width: 500px;">
-<img src="images/ill_005.jpg" width="500" height="419" alt="" />
-<span class="caption">"'THEY'D BETTER HAVE KILLED HER, LIKE THEY DID MINE.'"</span>
-</div>
-
-<p>"Too bad! too bad! They'd better have killed her, like they did mine.
-It's awful to think of a white girl growing up to be a squaw. Ride for
-your camp, young man. I'll take care of these three."</p>
-
-<p>"I will send out warriors to help you. You shall see them all burned and
-cut to pieces."</p>
-
-<p>"Oh, Rita," whispered Ni-ha-be, "they ought to be burned!"</p>
-
-<p>Rita was gazing at the face of old Murray, and did not say a word in
-reply.</p>
-
-<p>"Come," said Red Wolf; "the great chief is waiting for us."</p>
-
-<p>And then he added, to Murray and Steve:</p>
-
-<p>"The lodges of the Apaches are open to their friends. You will come?"</p>
-
-<p>"Steve, you had better say yes. It may be a lift for you."</p>
-
-<p>"I will come some day," said Steve, quickly. "I don't know when."</p>
-
-<p>"The white head must come too. He has the heart of an Apache, and his
-hand is strong for his friends. We must go now."</p>
-
-<p>He looked at the three miners for a moment, as if he disliked leaving
-them behind, and then he bounded upon his pony, and the two girls
-followed him.</p>
-
-<p>"Was he not handsome, Rita?"</p>
-
-<p>Ni-ha-be was thinking of Steve Harrison, but Rita replied:</p>
-
-<p>"Oh, very handsome! His hair is white, and his face is wrinkled, but he
-is so good. He is a great warrior, too. The bad pale-face went down
-before him like a small boy."</p>
-
-<p>"His hair is not white. It is brown. His face is not wrinkled. He is a
-young brave. He will be a chief."</p>
-
-<p>"Oh, that other one. I hardly looked at him. I hope they will come. I
-want to see them again."</p>
-
-<p>Red Wolf rode fast, and did not pause until he reached the very presence
-of Many Bears and his counsellors.</p>
-
-<p>There were already signs, in all directions, that the camp was beginning
-to break up, as well as tokens of impatience on the face of the chief.</p>
-
-<p>"Where go?" he said, angrily. "Why do young squaws ride away when they
-are wanted?"</p>
-
-<p>Ni-ha-be was about to answer, but Red Wolf had his own story to tell
-first. It was eagerly listened to.</p>
-
-<p><span class="pagenum"><a name="Page_135" id="Page_135">[Pg 135]</a></span></p>
-
-<p>Pale-face enemies so near? Who could they be? White friends too, ready
-to fight for them, and send them warning of danger? That was more
-remarkable yet.</p>
-
-<p>A trusty chief and a dozen braves were instantly ordered to dash into
-the pass, bring back the prisoners, and learn all they could of the
-friendly pale-faces.</p>
-
-<p>Perhaps Steve Harrison would hardly have felt proud of the name which
-was given him on the instant.</p>
-
-<p>The only feat the Apaches knew of his performing was the thorough manner
-in which he had tied up the two miners. So, for lack of any other name,
-they spoke of him as the "Knotted Cord." Murray was named "Send
-Warning." He had actually earned a "good name" among his old enemies.</p>
-
-<p>Rita and Ni-ha-be were saved any further scolding. The chief was too
-anxious to ask questions of the "talking leaves," now he was sure of the
-neighborhood of danger.</p>
-
-<p>"Ask about the bad pale-faces. Who are they?"</p>
-
-<p>Rita took her magazines from the folds of her antelope-skin tunic with
-trembling hands, for she was beginning to understand that they could not
-tell her of things which were to be. It seemed to her in that moment
-that she could not remember a single word of English.</p>
-
-<p>The one she opened first was not that which contained the pictures of
-the cavalry; but Rita's face instantly brightened. There were five or
-six pages, each of which contained a picture of men engaged in mining
-for gold.</p>
-
-<p>The chief gravely turned the leaves till he came to a sketch that drew
-from him a sharp and sullen "Ugh!"</p>
-
-<p>There were the sturdy miners, with rifles instead of picks, making a
-gallant charge upon a party of Indians.</p>
-
-<p>"No need of talk. Great chief see for himself. No lie. I remember. Kill
-some of them. Rest got away. Now they come to strike the Apaches. Ugh!"</p>
-
-<p>It was only a "fancy sketch"; but it must have been true to life when an
-Apache chief could say he had been one of the very crowd of Indians who
-were being shot at in the picture.</p>
-
-<p>"That do. Talk more by-and-by. Big fight come."</p>
-
-<p>Many Bears rapidly transformed his buffalo-hunters into "warriors." All
-that was needed was a chance to put on their war-paint, and a double
-allowance of cartridges.</p>
-
-<p>When that was done, they made a formidable-looking array, and the last
-chance of the Lipans or any other enemies for "surprising" them was
-gone. Then they rode slowly on after their women and children, and the
-braves came back from the pass to report to Many Bears that "Send
-Warning, Knotted Cord, and their three prisoners had gone, no one could
-guess whither."</p>
-
-<h4>[<span class="smcap">to be continued</span>.]</h4>
-
-<hr class="chap" />
-<h2><a name="PEOPLE_WE_HEAR_ABOUT" id="PEOPLE_WE_HEAR_ABOUT">PEOPLE WE HEAR ABOUT.</a></h2>
-
-<h3>JOHN BRIGHT.</h3>
-
-<p>Seventy years ago a boy was born in Rochdale, England, who was destined
-to fill a great place in the world. His parents were Jacob and Martha
-Bright&mdash;people of good old Quaker stock&mdash;and they called their eldest
-boy simply John.</p>
-
-<p>Jacob Bright was a cotton manufacturer, and both he and his wife were
-beloved for their charitable deeds. One Sunday Mrs. Bright and little
-John were walking out, and the boy wore his pair of long trousers for
-the first time. Of course he felt proud of them. But soon they met a
-poor woman with her little boy, and <i>he</i> was clothed in rags. Mrs.
-Bright stopped them, and the result of a few minutes' conversation was
-that the poor woman and her ragged son returned home with them, and
-Master John had to strip off his new suit and let the other boy put it
-on in place of his rags. Mrs. Bright's charity was very thorough.</p>
-
-<p>At school young John was quick and industrious, but his father thought
-business more important than book-learning; so at fifteen the boy was
-placed in his father's cotton mill. Fortunately for himself and the
-world he did not give up learning from books when he left school, or he
-would not have been the great man he is.</p>
-
-<p>As a boy and a young man he was a good cricketer, and all his life he
-has been very fond of fishing, having caught minnows and other small
-fish in the river that ran by his home, and salmon of forty pounds
-weight in Scotland and in Norway. At twenty-two years of age he began
-training himself in public speaking in a literary society of which he
-was one of the founders, and doubtless it is to this early training that
-he owes the honor of being the greatest of living English orators.</p>
-
-<p>Mr. Bright was first elected a member of Parliament in 1843, and
-fourteen years later he was chosen to represent the great manufacturing
-town of Birmingham, which seat he still occupies.</p>
-
-<p>Mr. Bright's public life has been a busy and a useful one. No man has
-done more for the benefit of the working classes than he, and he has
-never hesitated in the pursuit of the course which he felt to be the
-right one.</p>
-
-<p>In this country the name of John Bright is justly honored, for he was
-the only English statesman who supported the Union without wavering
-during the late war between the North and the South. Six weeks ago
-(November 16), Mr. Bright celebrated his seventieth birthday.</p>
-
-<hr class="chap" />
-<h2><a name="CHATS_ABOUT_PHILATELY" id="CHATS_ABOUT_PHILATELY">CHATS ABOUT PHILATELY.</a></h2>
-
-<h3>BY J.&nbsp;J. CASEY.</h3>
-
-<h3>VII.</h3>
-
-<div class="figright" style="width: 171px;">
-<img src="images/ill_006.jpg" width="171" height="200" alt="" />
-</div>
-
-<p>The illustration, which accompanies this article is a fac-simile, so far
-as the drawing is concerned, of the postage stamps at present in use in
-one of the Dutch possessions off the coast of South America, namely, the
-island of Curaçoa. It represents the uniform type of the whole series,
-and was introduced in 1873. The head on the stamp represents King
-William III. of Holland.</p>
-
-<p>The series consists of the following values and colors.</p>
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left">2-1/2c., bright green.</td></tr>
-<tr><td align="left">3c., stone.</td></tr>
-<tr><td align="left">5c., rose.</td></tr>
-<tr><td align="left">10c., bright blue.</td></tr>
-<tr><td align="left">25c., light brown.</td></tr>
-<tr><td align="left">50c., mauve.</td></tr>
-</table></div>
-
-<p>The currency is in cents, one hundred of which go to the guilder, or
-florin. A guilder is equal to nearly forty-one cents of our money.</p>
-
-<p>Curaçoa, or, as printed on the stamps, Curaçao&mdash;the "c" being sounded
-like "s"&mdash;is an island in the Caribbean Sea, lying off the north coast
-of Venezuela. It is forty miles in length from northwest to southeast,
-and ten miles in average breadth; the area is two hundred and twelve
-square miles. The island is hilly, and deficient in water, being wholly
-dependent upon the rains, yet, owing to the industry of the Dutch
-planters, considerable quantities of sugar, cotton, tobacco, and maize
-are raised. A peculiar variety of orange grows abundantly, and supplies
-an important part in the liqueur which takes its name from the island.
-The principal export is salt. The shores are bold, in some places deeply
-indented, and present several harbors, the chief one being Santa Anna,
-on the southwest side of the island. The narrow entrance to this harbor
-is protected by Fort Amsterdam and other batteries; but the harbor
-itself is large and secure, and is the port of the chief town, Curaçoa,
-or Willemstad. The population in 1875 amounted to nearly twenty-four
-thousand, about one-third being emancipated negroes. All belonged to the
-Roman Catholic Church, except about two thousand Protestants and one
-thousand Jews.</p>
-
-<p>The island was settled by the Spaniards about 1527, was captured by the
-Dutch in 1634, was taken by the English<span class="pagenum"><a name="Page_136" id="Page_136">[Pg 136]</a></span> in 1798, and again in 1806, but
-was restored to the Dutch in 1814, in whose possession it has since
-remained. It is seldom that the name of this island is found in ordinary
-geographies, although stamp-collectors think it ought to be given a
-place.</p>
-
-<hr class="chap" />
-<div class="figcenter" style="width: 367px;"><a name="CHRISTMAS_PIE" id="CHRISTMAS_PIE"></a>
-<img src="images/ill_007.jpg" width="367" height="500" alt="" />
-</div>
-
-<h2>CHRISTMAS PIE.</h2>
-
-<h3>(BEING SUE'S LETTER TO COUSIN ANNIE.)</h3>
-
-<p>
-<span style="margin-left: 17em;">Oh, that marvellous Christmas pie!</span><br />
-<span style="margin-left: 17em;">Fred, and Fanny, and Carl, and I</span><br />
-<span style="margin-left: 17em;">Sat up one night till the clock struck one</span><br />
-<span style="margin-left: 17em;">To plan the party; and oh, the fun</span><br />
-<span style="margin-left: 17em;">Of having a secret among us four!</span><br />
-<span style="margin-left: 17em;">(The "Queer Quadrangle" admits no more</span><br />
-<span style="margin-left: 17em;">Within its circle&mdash;or, no&mdash;its square,</span><br />
-<span style="margin-left: 17em;">I should have written, perhaps, just there.)</span><br />
-<span style="margin-left: 17em;">I can not tell you the things we said</span><br />
-<span style="margin-left: 17em;">(It's against the rules), but I'll tell instead</span><br />
-<span style="margin-left: 17em;">About the party, the pie, and all.</span><br />
-<br />
-<span style="margin-left: 18em;">'Twas not, you know, like a grown-up ball,</span><br />
-<span style="margin-left: 17em;">But just a rally of all the clan,</span><br />
-<span style="margin-left: 17em;">And quite the thing for our little plan.</span><br />
-<span style="margin-left: 17em;">Thirty cousins from far and near,</span><br />
-<span style="margin-left: 17em;">With aunts and uncles were gathered here.</span><br />
-<span style="margin-left: 17em;">But I must hasten. The hour drew nigh</span><br />
-<span style="margin-left: 17em;">When Fred announced with a flourish:</span><br />
-<span style="margin-left: 36em;">"Pie!</span><br />
-<br />
-<span style="margin-left: 17em;">Down the staircase, and through the hall.</span><br />
-<span style="margin-left: 17em;">This side of the supper, and free to all!</span><br />
-<span style="margin-left: 17em;">'Put in your thumb, and pull out a plum,'</span><br />
-<span style="margin-left: 17em;">But mind, the word of the hour is 'mum,'</span><br />
-<span style="margin-left: 17em;">Forward, march!"</span><br />
-<br />
-<span style="margin-left: 27em;">And the march began,</span><br />
-<span style="margin-left: 17em;">Headed, of course, by Fred and Fan,</span><br />
-<span style="margin-left: 17em;">And close behind them were Carl and I&mdash;</span><br />
-<span style="margin-left: 17em;">We four were guards of the precious pie,</span><br />
-<span style="margin-left: 17em;">And sat in glory behind it, while</span><br />
-<span style="margin-left: 17em;">The others passed it in solemn file.</span><br />
-<span style="margin-left: 18em;">'Twas heaped and frosted as white as snow</span><br />
-<span style="margin-left: 17em;">In grandpa's punch-bowl&mdash;the one, you know,</span><br />
-<span style="margin-left: 17em;">He calls his "Kaga," so deep and round,</span><br />
-<span style="margin-left: 17em;">With painted dragons and golden ground.</span><br />
-<span style="margin-left: 17em;">The ice was broken by Lottie's hand</span><br />
-<span style="margin-left: 17em;">(The pie, you know, was of white sea-sand</span><br />
-<span style="margin-left: 17em;">And packed with presents), and Lottie drew</span><br />
-<span style="margin-left: 17em;">The sweetest locket of gold and blue,</span><br />
-<span style="margin-left: 17em;">And Maud a letter, and Ruth a ring,</span><br />
-<span style="margin-left: 17em;">And Will's was a fan&mdash;such a funny thing!</span><br />
-<span style="margin-left: 18em;">But my sheet is full. I will surely call,</span><br />
-<span style="margin-left: 17em;">When I get to the city, and tell you all,</span><br />
-<span style="margin-left: 17em;">And how we missed you, and how a plum</span><br />
-<span style="margin-left: 17em;">Was saved for the cousin that couldn't come.</span><br />
-<span style="margin-left: 18em;">A Merry Christmas to all of you,</span><br />
-<span style="margin-left: 17em;">With love unfailing, from</span><br />
-<span style="margin-left: 17em;">(Q.&nbsp;Q.)</span><br />
-<br />
-<span style="margin-left: 23em;"><span class="smcap">Cousin Sue</span>.</span><br />
-</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_137" id="Page_137">[Pg 137]</a></span></p>
-
-<div class="figcenter" style="width: 332px;"><a name="THE_TALE_OF_A_VERY_BAD_BOY" id="THE_TALE_OF_A_VERY_BAD_BOY"></a>
-<img src="images/ill_008.jpg" width="332" height="500" alt="" />
-<span class="caption">A VERY BAD BOY.</span>
-</div>
-
-<p><span class="pagenum"><a name="Page_138" id="Page_138">[Pg 138]</a></span></p>
-
-<h2>THE TALE OF A VERY BAD BOY.</h2>
-
-<p>
-<span style="margin-left: 15em;">Oh! this is the tale of a very bad boy;</span><br />
-<span style="margin-left: 15em;">He had done all he could other folks to annoy;</span><br />
-<span style="margin-left: 15em;">Then what do you think there was found to employ</span><br />
-<span style="margin-left: 15em;">The very bad wits of this very bad boy?</span><br />
-<br />
-<span style="margin-left: 15em;">On the night before Christmas, St. Nick to decoy,</span><br />
-<span style="margin-left: 15em;">Two stockings were hung by the very bad boy,</span><br />
-<span style="margin-left: 15em;">Who said to himself, "Of the sweet Christmas joy</span><br />
-<span style="margin-left: 15em;">To double my share, a trick I'll employ;</span><br />
-<span style="margin-left: 15em;">I'll watch for St. Nick&mdash;and the fun I'll enjoy&mdash;</span><br />
-<span style="margin-left: 15em;">I'll give him these stockings his time to employ;</span><br />
-<span style="margin-left: 15em;">And while he's at work," said the very bad boy,</span><br />
-<span style="margin-left: 15em;">"I'll hook from his pack just the handsomest toy."</span><br />
-<br />
-<span style="margin-left: 15em;">But somehow the fun had a bit of alloy;</span><br />
-<span style="margin-left: 15em;">St. Nick got a peep at the very bad boy;</span><br />
-<span style="margin-left: 15em;">He whipped up his steeds, and he cried out, "Ahoy!</span><br />
-<span style="margin-left: 15em;">You'll get, my young lad, neither candy nor toy."</span><br />
-<br />
-<span style="margin-left: 15em;">Then away went St. Nick, and he chuckled with joy,</span><br />
-<span style="margin-left: 15em;">And he left not a thing for the very bad boy.</span><br />
-</p>
-
-<hr class="chap" />
-<h2><a name="SAM_JENKINSS_DREAM" id="SAM_JENKINSS_DREAM">SAM JENKINS'S DREAM.</a></h2>
-
-<h4>A New-Year's Story.</h4>
-
-<h3>BY ANSON D.&nbsp;F. RANDOLPH.</h3>
-
-<p>"I just wish there wasn't any New-Year."</p>
-
-<p>It was a boy&mdash;Sam Jenkins&mdash;who spoke, the time New-Year's Eve, the place
-Madison Avenue and Sixty-ninth Street. And what a night it was! and what
-a day it had been! Snow and slush all day long, and now the wind was
-blowing a gale across the Harlem flats, and the slush was freezing on
-the sidewalk, and there was not a star to be seen in all the sky.</p>
-
-<p>Sam was a District Messenger boy, and had been on duty all day and all
-the evening, and this final call at nine o'clock, when his legs were
-tired, was the last ounce that broke the camel's back.</p>
-
-<p>Since the noon hour he had been in a bad humor. Now he was not only
-tired, but cold and down-hearted, and as his foot slipped, and he just
-managed to save the fragile parcel he was carrying, he cried out with a
-spiteful voice, "I just wish there wasn't any New-Years."</p>
-
-<p>Somehow Sam's ill-humor had made him very uncomfortable all the
-afternoon. He had had a scuffle near the office with Dick Rainey, and
-all about nothing, for Dick, noticing his peculiar gait, simply asked
-him what made his legs so heavy. He had quarrelled with the old apple
-woman in the little shop round the corner because she wouldn't give him
-two apples for three cents, when the price was two cents apiece; he had
-thrown a lump of ice at a poor cat shivering behind a barrel on the
-Third Avenue, and kicked at a wretched little dog that had sniffed up to
-him with his tail between his legs. Altogether Sam was in a very bad
-way. He didn't care for anybody or anything. Down town the gay shop
-windows had failed to catch his eye; the bright lights in the houses on
-the avenue were nothing to him. He was out with himself, and so he was
-out with everybody else.</p>
-
-<p>I am sorry to say that when Sam had delivered his parcel he snapped up
-the servant for having kept him waiting so long for his ticket, although
-the poor girl had nothing to do with that, and that he kicked the
-sidewalk very hard when he again put his foot upon it. And yet he had
-now only to report himself at the office, and then go home.</p>
-
-<p>Sam lived on one of the side streets, where the great tenement-houses
-loom up in long rows. It was past ten o'clock when he entered the dark
-hallway, and began his climb to the fourth floor. On the third floor he
-passed the room in which Jenny Wilson, the little lame girl, lived, and
-just then some one opened the door for a moment, and he heard Jenny say,</p>
-
-<p>"Oh, I wonder if I will ever be well!" and "I am so tired!"</p>
-
-<p>Then Sam, still cross, said to himself, "Why don't you go to sleep,
-then?" but in a moment he was ashamed of himself for having said it.</p>
-
-<p>Bang! went the door behind him as he entered his mother's room. Without
-saying a word, he pitched his heavy coat into a corner, and shied his
-cap across the room.</p>
-
-<p>"What's the matter, Sam?" asked his mother, with a kindly voice.</p>
-
-<p>"Matter enough," answered Sam. "I'm tired to death. It's nothing but
-run, run, run all day and all night. I just wish there wasn't any
-New-Year's. Nobody cares for a boy. It's Sam here, and Sam there, and
-Sam all the time. That's because I'm a boy. I wish I was a girl&mdash;yes, I
-do."</p>
-
-<p>His mother soothed him while he ate his supper; but the frown did not
-lift from his face, for there was no sunshine in his heart.</p>
-
-<p>Then he went to bed&mdash;went, too, without saying his prayers. It was not
-long before he fell asleep, and then he dreamed.</p>
-
-<p>He dreamed that he was still in New York, that he was a messenger boy,
-and that it was the day before New-Year's. All day long he was busy
-carrying messages and delivering parcels, and everybody was kind, and
-everybody happy. It seemed to him that it was a great thing to be a
-messenger boy at such a time, when every one was doing something for
-some one else, and he had a hand in so much of it. As he thought of this
-(he was going up Madison Avenue again), some one seemed to say: "Sam,
-you're a little fellow, but you can have a big heart if you want to. All
-day it's been growing bigger and bigger; now all you have to do is to
-keep it open, and see how much it will hold."</p>
-
-<p>Then Sam laughed. He didn't know why, but he couldn't help it, he felt
-so good all over.</p>
-
-<p>Pretty soon he came across a blind man. A dog was leading the man, but
-Sam helped the man over the crossing, and motioned to a butcher's cart
-to hold up. Then he saw a cat, half sick, lying in the gutter, and
-picked her up, saying, "Poor pussy!" and laid her inside the railing of
-a house, and asked the cook, who stood in the basement doorway, if she
-wouldn't give her a sop of milk. After a little he saw an old colored
-woman struggling along with a heavy basket of clothes, and said, "Aunty,
-I'm going up a few streets, and I'll take hold of the basket on this
-side." And so he went on up the avenue and down, and the sun was so
-bright and the air so pleasant, while it seemed as if he was just
-helping everybody. He didn't quite understand how, but kept on taking
-them into his heart, all the time feeling and saying, "Come in; there is
-still plenty of room." Soon all the poor people down in the side
-streets, and all the rich people up on the avenue, all the sick people
-in the hospital where he was yesterday, and the dreadful people he had
-seen down by the Tombs&mdash;why, he just thought of them all, and before he
-knew it they came crowding up and upon him, and he took all of them into
-his heart, and they didn't seem crowded a bit, for the more that came,
-the more room was there left. He could not understand it, but he was
-sure that the increase in the number only made him the happier; and as
-he went on thinking it over, he stretched out his arms just as wide as
-he could, and cried out: "Come in, all the world; come into my heart.
-I've plenty of room for all, for my heart grows just as fast as my love,
-and I just love everybody in this big, blessed world."</p>
-
-<p>As Sam stretched out his arms, his mother woke him, saying, "I wish you
-a happy New-Year, Sam, and it's time to get up."</p>
-
-<p>And Sam got up. You could tell by his face that he had had a pleasant
-dream, for his voice was gentle and his manner very kind, as he said,
-"Well, mother, I guess I was pretty cross last night, but I'm going to
-try and be good-natured to-day."</p>
-
-<p><span class="pagenum"><a name="Page_139" id="Page_139">[Pg 139]</a></span></p>
-
-<p>Then his mother said, "You were tired last night, Sam." That's the way
-our mothers always try and overlook our faults when we are sorry.</p>
-
-<p>Sam had to go to the office for half a day, and he had a little money
-which he intended to spend on his presents. Before he started for home,
-however, he made up with Dick Rainey by dancing a jig to show that his
-legs were light to-day. On his way home he called in at the old apple
-woman's to wish her a very happy New-Year, and to take two apples at her
-price. He hoped to get a sight of the poor old cat and the wretched
-little dog, that he might show them how sorry he was, but they were
-gone. On the Third Avenue he bought two or three little things for his
-mother, and an orange, some candy, and a bright picture paper for his
-little sister. And as Sam thought of these friends and all his other
-friends, and all the poor people in the houses and on the streets, oh!
-how he wished he could buy something for them all, but he couldn't. But
-then he could love them all the same.</p>
-
-<p>There is not room to tell you all that he said to his mother, and
-sister, and Jenny, and what a bright, happy day it was to them and to
-Sam. He tried hard to make it all out, but he couldn't exactly
-understand it. "It was a nice, queer dream," he said, "and I found out
-one thing by it, and that is that you can make room in your heart for
-just as many folks as you please, and that you can't make other folks
-pleasant when you are cross yourself; and I just wish that New-Year
-would come twenty times in a year."</p>
-
-<hr class="chap" />
-<h2><a name="TOM_FAIRWEATHERS_HOLIDAY_IN_MADEIRA" id="TOM_FAIRWEATHERS_HOLIDAY_IN_MADEIRA">TOM FAIRWEATHER'S HOLIDAY IN MADEIRA.</a></h2>
-
-<h3>BY LIEUTENANT E.&nbsp;W. STURDY.</h3>
-
-<p>Tom Fairweather sighed as he stood on the quarter-deck. "Holiday-time,
-indeed!" said he. "What are the holidays without snow, I'd like to know?
-I'd give a good deal for a real old-fashioned coasting lark to-day, but
-I don't believe these people ever heard of such a thing."</p>
-
-<p>It was a balmy day off the island of Madeira, where Tom's ship, or
-rather his father's, lay. Here spring and summer reign the year round.</p>
-
-<p>"Old-time coasting is what you would like, eh, Tom?" said Lieutenant
-Jollytarre, with a twinkle in his eye. "Ask your father to let you go
-ashore with me, and I'll give you a frolic that you'll not be apt to
-forget."</p>
-
-<p>Captain Fairweather gave his consent, and they hurried off.</p>
-
-<p>A ten minutes' pull took them close to the island; but this Madeira
-shore is so steep that it makes an uncomfortable landing for a
-man-of-war's boat. Another boat, one belonging to the shore men, lay off
-waiting for passengers. Into this Tom and the lieutenant stepped, and
-were rowed close to the beach by two Madeira men.</p>
-
-<p>As soon as the boat's bow touched the beach, two other men standing
-there made fast to it one end of a rope of which the other was attached
-to two strong oxen. At the word these oxen started, and up glided the
-boat over the round smooth pebbles, so easily that Tom was astonished to
-find himself at the top of the bank. With a laugh he jumped out. "That
-was a coast up hill, sure enough," he said. "Was that what you meant?"</p>
-
-<p>The lieutenant looked mysterious. "No, it wasn't. Wait a while."</p>
-
-<p>"What queer narrow streets!" said Tom, as he surveyed critically
-Funchal, the capital of Madeira. "And what a lingo&mdash;Portuguese&mdash;only it
-sounds even more like gibberish than it did in Lisbon. And what a lot of
-peddlers! They swarm like gnats."</p>
-
-<p>Mr. Jollytarre was busy buying an inlaid box of one of the peddlers
-referred to, and did not answer.</p>
-
-<div class="figleft" style="width: 400px;">
-<img src="images/ill_009.jpg" width="400" height="271" alt="" />
-<span class="caption">CARRIAGE DRAWN BY OXEN.</span>
-</div>
-
-<p>Meanwhile Tom's attention was attracted by a very odd carriage. This
-vehicle was drawn by oxen, and like a sleigh was set on runners, which
-offered less resistance than wheels would have done to the smooth round
-little stones of the pavement. These cobble-stones are very like the
-stones of the beach. The body of the carriage reminded Tom of a
-Sedan-chair; it seated comfortably two persons facing each other, had a
-top, and was draped on the sides by curtains drawn apart. Tom began to
-laugh, so much was he entertained by this strange equipage, whereat the
-lieutenant turned to see what had caught his eye.</p>
-
-<p>"We might take a drive," said he, meditatively. "I want to take you to
-the Church of Nossa Senhora do Monte, on the top of that hill over
-there. What do you say, Tom?"</p>
-
-<p>"I'd sooner walk," said our young friend. "I should think it would be
-slow work riding in an ox-cart, for that's all that amounts to, unless
-you choose to call it a sleigh."</p>
-
-<div class="figright" style="width: 400px;">
-<img src="images/ill_010.jpg" width="400" height="278" alt="" />
-<span class="caption">HAMMOCK-RIDING IN MADEIRA.</span>
-</div>
-
-<p>At this moment two men came slowly down the street bearing between them
-a pole on which was slung a curtained hammock, wherein reclined a pale
-sweet-faced lady.</p>
-
-<p>As she passed Tom his bright face took her fancy, and she glanced at him
-with a smile.</p>
-
-<p>"Wasn't that a beautiful lady?" he cried to Mr. Jollytarre.</p>
-
-<p>"Indeed she was. But what do you think of her method of travelling? Slow
-as the ox-cart, eh?" Then suddenly, "Tom, I have it; we'll go on
-horseback." And almost in the same breath, cried, "Caballos."</p>
-
-<p>The lieutenant's knowledge of Portuguese was limited, and he was obliged
-to make a little of it, mixed with Spanish, go a long way.</p>
-
-<p>But the people about him were quick-witted, and it seemed to Tom that
-two horses with their two owners appeared on the scene as if by magic.</p>
-
-<p>"Now, Tom," said Lieutenant Jollytarre, "you may walk if you please&mdash;I
-shall ride. The coasting I told you of is up there at that church. Will
-you take a horse?"</p>
-
-<p>Tom replied by leaping into the saddle, and starting off at a slow
-canter.</p>
-
-<p>As they rode away, the owners of the horses followed them, keeping up to
-the increasing pace by each clinging to his horse's tail.</p>
-
-<p>This was all very well as long as they remained in the narrow streets,
-where a little steering was necessary; but as they left them, Tom grew
-impatient for a run.</p>
-
-<p>"See here, now, this won't do," he called to his man. "I ain't a baby. I
-know how to ride. Leave go."</p>
-
-<p>He slackened his pace to say this. The man slackened his pace, but did
-not drop the horse's tail. He grinned upon Tom, showing his even white
-teeth.</p>
-
-<p>Tom waxed wroth. "Come now, let go," and he gave his horse a cut which
-started him into a gallop. The guide kept up, tugging away at the
-horse's tail.</p>
-
-<p>"Come now, be off," cried Tom. "You keep my horse back. I say, Mr.
-Jollytarre, do put this into Portuguese for me. Tell this beggar I'll
-give him a cut if he don't let go."</p>
-
-<p>"Cut away," said Mr. Jollytarre. "It won't make any difference. He
-understands you, but he wouldn't let go if you were to shout to him from
-now until doomsday. I know all about it. I've been here before."</p>
-
-<p>"What does he hold it for?"</p>
-
-<p>"Tom, I have often wondered. I suppose he knows. I don't. Wants to keep
-his horse in sight, perhaps; wants a run; likes our society. You see my
-fellow is doing the same thing. However, we are not going any slower in
-consequence. The horses are used to it. They don't mind in the least."</p>
-
-<p>At this point the guides stopped both horses. They were in front of a
-little wine-shop half way up the hill.</p>
-
-<p>The guides pulled off their caps, and urged the lieutenant to treat.
-This was another custom of the country, to which the lieutenant also
-submitted gracefully.</p>
-
-<p><span class="pagenum"><a name="Page_140" id="Page_140">[Pg 140]</a></span></p>
-
-<p>The waiters poured out a glassful all around.</p>
-
-<p>"Take care, Tom; this is strong Madeira wine, although these people
-drink it almost like water. Better not do more than taste it."</p>
-
-<p>"Never fear," replied Tom. "I wouldn't poison myself with the stuff. No,
-thank you" (to the waiter). "Drink it yourself, if you've a mind to."</p>
-
-<p>"Temperance, are you?" said the lieutenant. "Well, that's a very good
-thing."</p>
-
-<p>"I should say it was," said Tom, stoutly. "Anyway for a boy."</p>
-
-<p>The rest of the road was very steep. But it was fun. Tom was sorry to
-reach the top, where, at the door of the church, they dismounted, and
-sat down to rest. The horses were led off.</p>
-
-<p>When Mr. Jollytarre rose to his feet and announced that they must be
-going, Tom looked around for his horse in vain. Instead, two sleds
-approached, each pushed by two men toward our friends.</p>
-
-<p>"Get on board, Tom," exclaimed the lieutenant; "that is, if you want to
-have the best coasting you ever had in your life. If your prejudices
-hold you back now, you'll regret it the longest day you live."</p>
-
-<div class="figleft" style="width: 400px;">
-<img src="images/ill_011.jpg" width="400" height="265" alt="" />
-<span class="caption">THE MOUNTAIN SLED.</span>
-</div>
-
-<p>So saying, he scrambled into one of the sleds himself, and Tom followed
-his example, although still a little doubtful as to the success of the
-experiment. There were two thongs for steering tied to the front of each
-sled, which were held by the two men behind.</p>
-
-<p>When everything was ready, the two sleds started together down the hill.
-It was like the wind. It was like chain-lightning. It was like a
-telegram. As they tore down the hill, they made a hissing sound like the
-cracking of whips. There were sudden turns in the road, beneath which
-lay dark and deep ravines. If Tom had known that sometimes in these wild
-rides persons had been hurled over the sides of such precipices, a still
-greater zest would have been imparted to his flying trip; for he was a
-thorough boy, and loved a spice of danger. However, he would have had
-hardly time to dwell upon this thought, for in less time than it has
-taken to write of it he was landed again in Funchal.</p>
-
-<hr class="chap" />
-<h2><a name="THE_SHOP_WINDOWS" id="THE_SHOP_WINDOWS">THE SHOP WINDOWS.</a></h2>
-
-<p>I think I can hear some little tongue ask, "Are these beautiful pictures
-really to be seen in the shops, or has the artist only imagined them?"</p>
-
-<p>Every one of these pretty sights is taken from actual windows in New
-York, and for days past gay throngs of people have tiptoed and crowded
-close to the panes that they might assist at such dainty doll
-receptions.</p>
-
-<p>The central scene here is a bit of Venice. There are the bridge and the
-stairs and the arches, and there, too, are the ladies and gentlemen
-coming in their gondolas to attend a reception at some grand palace.</p>
-
-<p>It is almost as good as going to the circus to look at the fairy figure
-standing on the back of yonder spirited steed, with the rows of doll
-spectators in the background. I think I like it even better than the
-real thing, for one is sure that this little lady has never known a
-blow, nor an unkind word, and we are not at all easy in our minds when
-we are watching some poor little Queen of the Ring, and holding our
-breath at her wonderful leaps.</p>
-
-<p>The little picture entitled "Charity" may be seen in the streets every
-cold day. The contrast between the child, with her golden hair and warm
-furs, and the barefooted boy, ragged and shivering, who sweeps the
-crossings, and holds out his thin hand for a penny, is true to life.</p>
-
-<p>Here is Baby, as large as the one at home in the nursery, her
-christening dress on, to be sure, and her bottle in her hands. What
-comfort she is taking!</p>
-
-<p>But wouldn't you rather have that sailor lad, whose jaunty air tells you
-that he knows every rope in the ship, and can climb the rigging like a
-cat?</p>
-
-<p>How graceful are these musicians! and how quaint this coquettish
-milk-maid, who will presently give a cup of milk to the high-bred girl
-and boy watching her! One can take a history lesson, for just as these
-children are dressed were Mistress Dorothy Quincy and his Excellency
-John Hancock more than a hundred years ago.</p>
-
-<p>Perhaps our eyes linger longest on the sea-side window, which brings
-back memories of the summer. There is the donkey on which Minnie used to
-ride; Chloe with her parasol; and the children at play on the sands,
-with the waves rolling in.</p>
-
-<p>Well, well, we can not look all day at the shop windows, be they ever so
-attractive, for the holidays are full of fun and frolic, and we want to
-catch it all.</p>
-
-<p><span class="pagenum"><a name="Page_141" id="Page_141">[Pg 141]</a></span></p>
-
-<div class="figcenter" style="width: 470px;">
-<img src="images/ill_012.jpg" width="470" height="700" alt="" />
-<span class="caption">SCENES IN SHOP WINDOWS, NEW YORK CITY.&mdash;<span class="smcap">Drawn by Miss Jessie McDermott</span>.</span>
-</div>
-
-<p><span class="pagenum"><a name="Page_142" id="Page_142">[Pg 142]</a></span></p>
-
-<hr class="chap" />
-<div class="figcenter" style="width: 267px;">
-<img src="images/ill_013.jpg" width="267" height="400" alt="" />
-<span class="caption">HAPPY NEW-YEAR!</span>
-</div>
-
-<hr class="chap" />
-<h2><a name="OUR_POST-OFFICE_BOX" id="OUR_POST-OFFICE_BOX">OUR POST-OFFICE BOX.</a></h2>
-
-<p>A Happy New Year to all the boys and girls who read this paper! Every
-mail which comes to Our Post-office Box brings us letters which we are
-too modest to publish, so lavish is their praise of the stories,
-pictures, and instructive articles which we furnish for the weekly feast
-of the young writers. Now, little men and women, since you like the
-paper so well, and enjoy it so thoroughly, let us tell you how you can
-give us a useful proof of your friendship. We would like you to help us
-extend the circulation of <span class="smcap">Harper's Young People</span> by showing it to your
-friends and their parents, and asking them to subscribe for it the
-coming year. The more subscribers the paper shall have, the more
-attractive and valuable the publishers will be able to make it. That you
-may have the prospect of a reward for your efforts, we make the
-following tempting offers, to which we ask your attention.</p>
-
-<p>To any boy or girl sending us at one time before March 1, 1882, the
-names and addresses of ten new yearly subscribers, together with the
-money, and referring to this offer, we will mail, postage paid, any one
-of the volumes mentioned in the following list:</p>
-
-<h4><span class="smcap">Col. Knox's Books of Travel in the Far East</span>.</h4>
-
-<blockquote>
-<p><i>The Boy Travellers in the Far East&mdash;Part I.&mdash;Adventures of two Youths
-in a Journey to Japan and China. Copiously Illustrated. 8vo, Ornamental
-Cloth, $3.</i></p>
-
-<p><i>The Boy Travellers in the Far East&mdash;Part II.&mdash;Adventures of two Youths
-in a Journey to Siam and Java. With Descriptions of Cochin China,
-Cambodia, Sumatra, and the Malay Archipelago. Copiously Illustrated.
-8vo, Ornamental Cloth, $3.</i></p>
-
-<p><i>The Boy Travellers in the Far East.&mdash;Part III.&mdash;Adventures of two
-Youths in a Journey to Ceylon and India. With Descriptions of Borneo,
-the Philippine Islands, and Burmah. Copiously Illustrated. 8vo,
-Ornamental Cloth, $3.</i></p></blockquote>
-
-<h4><span class="smcap">Coffin's Historical Reading for the Young</span>.</h4>
-
-<blockquote>
-<p><i>The Story of Liberty.&mdash;Copiously Illustrated. 8vo, Cloth, $3.</i></p>
-
-<p><i>Old Times in the Colonies.&mdash;Copiously Illustrated. 8vo, Cloth, $3.</i></p>
-
-<p><i>The Boys of '76.&mdash;A History of the Battles of the Revolution. Copiously
-Illustrated. 8vo, Cloth, $3.</i></p></blockquote>
-
-<p>Here you have your choice from a beautiful little library of travel and
-history. Any one of these books will be a constant source of pleasure to
-everybody in the household.</p>
-
-<p>To the boy or girl who, before March 1, 1882, shall send us the largest
-number of new yearly subscriptions, with the money, we further offer to
-present</p>
-
-<blockquote>
-<p><i>Harper's Household Edition of Charles Dickens's Works, in 16 Volumes,
-handsomely bound in Cloth, in a box. Price, $22.</i></p></blockquote>
-
-<p>No collection of books is complete which does not include the works of
-the great English novelist, whose characters are as vivid as real
-flesh-and-blood people, and whose humor and pathos never lose their
-charm.</p>
-
-<p>We feel sure that every boy and girl among our readers will be anxious
-to win this handsome edition of Dickens's works, which is full of
-exquisite illustrations by leading English and American artists.</p>
-
-<p>In order that we may keep an accurate account of the number of
-subscriptions we receive, it will be necessary for each one, when
-sending a list of new subscriptions, to notify us that he or she intends
-to try to secure this valuable prize. Cash must accompany each order.</p>
-
-<p><span class="smcap">Harper's Young People</span>, $1.50 a year.</p>
-
-<hr class="tb" />
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Westport, California</span>.</span><br />
-</p>
-
-<blockquote>
-
-<p>I have a darling doll, and it has light blue eyes and golden hair.
-It is a wax doll. I have no name for it. Would somebody please tell
-me a pretty one? I have a cunning little carriage in which I take
-my doll to ride. I have a little pony named Daisy, and papa bought
-me a saddle, so that I can ride to school. I have to go three miles
-through the woods, and Daisy sometimes rears up with me, but I have
-never yet fallen off. I received two very pretty cards at school
-last week. I have a pair of roller skates. When I read Augusta C.'s
-letter I said, "I will join you, Augusta, for I hate cats too."</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Etta M</span>.</span><br />
-</p>
-
-<p>How delightful it must be to canter to school through the woods. If
-Daisy is sometimes a little frisky, her mistress must keep a steady and
-delicate hand on the rein, sit firmly in her saddle, and often pet and
-caress her horse, so that she will understand that her rider is her
-friend. It is possible to win the affection and confidence of a horse so
-that it will understand nearly every word you say to it.</p>
-
-<p>Why not call your dolly Katrine, or Gretchen, or Fairy, or Maud? There
-are many pretty names for dolls, and as you are dolly's mamma, you
-should not neglect the duty of naming her.</p>
-
-<hr class="tb" />
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Wildwood, Catahoula Parish, Louisiana</span>.</span><br />
-</p>
-
-<blockquote>
-
-<p>Several weeks ago I wrote you proposing an exchange of deer horns,
-leaves, and mosses, never dreaming of having so many applications
-for the horns&mdash;all nice offers, too. As I am at home only one day
-of the week&mdash;boarding from home to attend school&mdash;I could not
-possibly reply to all; so I decided to answer through the
-Post-office Box. I wish to say I think Jackson Bechler's offer
-would best please me, if he would only name his curiosities, and
-the expense of my getting them. As we have no near express office,
-the horns would have to be sent by boat to New Orleans; the expense
-from here to New Jersey would be about $1.75. I forgot in my
-previous letter to say that one of the horns on one point was
-fractured by a shot. I have three pairs, the one just mentioned the
-largest, which measures twenty-four inches from head to tip&mdash;that
-is, <i>one shank</i>; fifteen inches from tip to tip; four points on
-each shank. The second pair is a little less, but not so pretty, as
-they were shot before the horns hardened, and instead of making a
-straight point, it is somewhat contorted. The third are little
-beauties, which we used on the bow of our boat when we had skiff
-races during high water. As I had only one offer for leaves, etc.,
-I answered by postal. I hope to hear soon from my young friends.</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Marie Louise Usher</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Boston, Massachusetts</span>.</span><br />
-</p>
-
-<blockquote>
-
-<p>In a recent number of <span class="smcap">Young People</span> you said that some little New
-England girl could have a corner if she chose to write, and
-although I am not so very little, I hope I may have part of a
-corner in the Post-office Box.</p>
-
-<p>In a letter from Viola B. a week or two ago she spoke of the names
-of Southern children, and afterward you said that you had seen an
-allusion to the same thing in a book you had read lately. Will you
-please tell me in what book you saw it, if you remember, as I wish
-to know if it is the same book I saw it in.</p>
-
-<p>I agree with Miss Viola in regard to telling the age.</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;">L.&nbsp;H.</span><br />
-</p>
-
-<p>The book was <i>Homoselle</i>, which belongs to the "No Name Series" of
-novels.</p>
-
-<hr class="tb" />
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Knowlton, Canada</span>.</span><br />
-</p>
-
-<blockquote>
-
-<p>I am a little girl six years old. The only pet I have is a little
-baby sister, whom I love very much. I went to a mill with papa a
-few weeks ago, and saw them card wool into rolls, and weave
-flannel. I live on a farm near Brome Lake, and there is a river
-runs through the pasture back of our house, and in warm weather we
-like to take off our shoes and stockings and go in wading. I had a
-little flower garden last summer. It was my very own. I had some
-petunias and sweet-peas, and some pretty gladioli; and I had some
-daisies and pansies, and sweet-williams too. My sister Connie
-helped me weed my garden. I have a wax doll which I often play
-with. Her name is May. The prettiest dress she has is a red one
-trimmed with fringe, and she wears a lace bib with it. Her
-every-day dress is gray, with little red bows all down the front of
-it. I have a carriage to push her around in. It was one of my
-Christmas presents last year. I read all the letters and most of
-the stories in <span class="smcap">Young People</span>, but I can not write yet, so mamma is
-writing this for me. The stories I like best are "Susie Kingman's
-Decision," "Phil's Fairies," "Toby Tyler," and "The Cruise of the
-'Ghost.'" I am tired now, so I will not write any more.</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Bessie C</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Weedville, Pennsylvania</span>.</span><br />
-</p>
-
-<blockquote>
-
-<p>Please may some of the boys write in defense of the cats, as well
-as the girls? We think Augusta would like our cat if she could see
-it. It is white, with large black and yellow spots. We call it
-Popcorn. The white for the corn that is popped, the yellow for
-before it is popped, and the black for that that got burned.
-Popcorn and our little dog Felix go fishing with us down in the
-woods. She can follow as well as Felix. When Felix has to be
-punished, he cries; then Popcorn runs up to him and licks his face,
-and we know she is sorry for him. We think so much of both! We had
-to go a mile to school last summer, and Felix would start from home
-about four o'clock, and meet us sometimes nearly half of the way.
-We wondered how he knew when to start. He would be so glad to see
-us, he would jump nearly as high as our heads. When we got home,
-Popcorn would be waiting for us on the front steps. We like <span class="smcap">Young
-People</span>, and are glad Tip didn't die.</p>
-
-<p>We have coaxed mamma to write this for us.</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Dwight</span>, <span class="smcap">Eddie</span>, and <span class="smcap">Clare A</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Westmoreland County, Virginia</span>.</span><br />
-</p>
-
-<blockquote>
-
-<p>One of the little correspondents said she had a three-legged cat. I
-want to tell you of a kitten we had which had six legs, one on
-either side with the toes turning backward.</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Emily C.&nbsp;M</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Oviedo, Orange County, Florida</span>.</span><br />
-</p>
-
-<blockquote>
-
-<p>I am a little boy seven years old, and live in South Florida, on
-Lake Jessup&mdash;a large lake in Orange County. My father has a
-beautiful orange grove, and some of the trees are just loaded with
-oranges. We also have a pine-apple grove; but the strangest thing I
-ever saw is a pawpaw-tree; it is bearing and blooming at the same
-time, and the shape of the fruit is like a musk-melon in size, and
-my father could get a hundred dollars for it if he were to try. I
-have some pets and other things, but I won't write about them now.
-I have been taking <span class="smcap">Young People</span> for nearly a year.</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Theodore A</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Queenstown, Maryland</span>.</span><br />
-</p>
-
-<blockquote>
-
-<p>I have wished for some time to write and thank you for the great
-pleasure <span class="smcap">Young People</span> gives me. I love so its coming once a week.</p>
-
-<p>I wish I had something to offer little Marie Louise Usher in
-exchange for her deer horns. We all read her letter with so much
-pleasure last week. One of my uncles went, some winters ago, to
-look after his interests in Hope Estate, Louisiana. It adjoins Dr.
-Usher's residence; and Uncle George says then Marie Louise was a
-little girl like I am now, not more than six or seven years old. He
-was so pleased to read her letter, for he enjoyed his visit to the
-sunny South.</p>
-
-<p>My subscription to <span class="smcap">Young People</span> runs out the 11th of December, but
-Aunt Kate, who is going to Baltimore in a few days, will renew it
-for another year. I made the money myself, selling "Stowell's
-Evergreen Corn." I have every number of this year, not one torn or
-soiled, and I want to have it bound by the Baltimore News Company,
-where I subscribe. It was a Christmas gift this year from my two
-aunts.</p>
-
-<p>I have a nice little girl, Clara, from an orphan asylum, who plays
-with and reads to me. I go to school, and do not play much with
-dolls, though I have eighteen. Like most of the subscribers, I have
-a cat, Toby; for "Toby Tyler" was the very nicest continued story I
-ever read.</p>
-
-<p>I was in a spelling-class yesterday of a dozen or more girls and
-boys, and I spelled "duenna" after it had passed almost all the
-others. I was so "clapped" (because I am so little), I thought the
-school-house was on fire; so I began to cry.</p>
-
-<p>I shall think it a very nice Christmas gift if you will publish my
-letter. Good-by, Mr. Harper.</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Anna H.&nbsp;D</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<p><span class="smcap">George H.&nbsp;P</span>.&mdash;Your long trip must have been very delightful. There is
-nothing much pleasanter in life than a boy's journey under the care of a
-kind and indulgent father. But your mother must have felt a little
-anxious about her travellers while they were enduring 500 miles of
-staging, bathing in Salt Lake, and venturing into other dangerous
-places. No doubt she was very glad indeed when you both arrived safely
-at home. Your exchange will duly appear.</p>
-
-<hr class="tb" />
-
-<p><span class="smcap">Marian M</span>.&mdash;The two kittens named Cenny and Tenny, after the Centennial
-year, in which they were born, must have been very amusing, from your
-description of them.</p>
-
-<hr class="tb" />
-
-<p><span class="smcap">Flora S</span>.&mdash;Carlo must be a little torment, and yet we do not wonder at
-your loving him dearly.</p>
-
-<p><span class="pagenum"><a name="Page_143" id="Page_143">[Pg 143]</a></span></p>
-
-<hr class="tb" />
-
-<h3>C.&nbsp;Y.&nbsp;P.&nbsp;R.&nbsp;U.</h3>
-
-<p>We have pleasure in giving our readers this vivid description of the
-cruise of the adventurous little <i>Toby Tyler</i> since we left her, some
-weeks ago, in the beautiful harbor of Norfolk, Virginia.</p>
-
-<h4>FIVE DAYS IN THE DISMAL SWAMP.</h4>
-
-<blockquote>
-
-<p>There is one portion of the journey of the <i>Toby Tyler</i> which can
-hardly fail to interest the readers of <span class="smcap">Young People</span>, although they
-might not care much for a record of the entire voyage. The trip
-through the Dismal Swamp occupied nearly five days, not because the
-little steamer could not have passed over the thirty miles of canal
-sooner, but because all on board were disposed to linger where the
-scenery was so novel and fascinating.</p>
-
-<p>We will not try to give here a lesson in geography, nor to tell the
-exact size, location, and characteristics of these three hundred
-miles of submerged forest. This letter will simply contain an
-account of what the passengers of the <i>Toby Tyler</i> saw after
-leaving Norfolk, sailing five miles up the Elizabeth River, and
-entering what is known as the Dismal Swamp Canal.</p>
-
-<p>Each one had expected to see a veritable swamp, where the trees
-would appear to be growing in the water, and where it would be
-impossible to walk, even a few paces, save at the risk of sinking
-deep in the mud. But dismal as the swamp is, it is not quite as bad
-as had been imagined. To be sure, there are miles and miles of
-territory where one would find it impossible to walk, owing both to
-the water and tangle of brake and vine; but along the banks of the
-canal the land is not only quite as firm as elsewhere, but there
-are several villages, where were found children who had read of the
-coming of the <i>Toby Tyler</i>, and were watching for the little
-steamer.</p>
-
-<p>At those points where the marshy portions of the great swamp extend
-fully out to the canal, hedges of cane and flags have been trained,
-so that one sees only the masses of verdure which seem to have been
-cut apart by the narrow ribbon of water on which floated great
-barges and steamers, past which it seemed impossible the <i>Toby</i>
-could go, from sheer lack of space.</p>
-
-<p>And the water in the canal looked so very strange, because, instead
-of being clear, it is exactly the color of strong tea, owing to the
-juniper-trees, which grow in the swamp in such profusion as to
-discolor it. But it tastes like the purest of spring water despite
-its queer look, and the ships of war sailing from the Portsmouth
-Navy-yard carry it for drinking purposes, because it will keep
-sweet and fresh six or eight months.</p>
-
-<p>The charm and beauty of the swamp are not to be seen as one sails
-through its brown water-way; if one wishes to see it in all its
-dismal waste, he should do as did the voyagers on the <i>Toby</i>, and
-that is, explore some of the small rivers that cross the canal by
-means of a boat. The one belonging to the <i>Toby</i> is fourteen feet
-long, and can sail where the water is not more than five or six
-inches deep; it may also interest some of your readers to know that
-it is named <i>Mr. Stubbs</i>. In this little craft the writer and the
-artist almost forced their way up what is known as Old River,
-pushing aside branches of trees and clinging vines that seemed
-doing their best to prevent any one from entering the retreat they
-guarded.</p>
-
-<p>Fifty yards in from the canal it was as if one had gotten miles
-away from all traces of civilization; not a sound was to be heard
-save the hooting of an owl or the twitter of the small birds; on a
-log just ahead an assembly of terrapin were holding a convention,
-probably to protest against being considered such a delicacy in the
-way of food; while just beyond, under the roots of an overturned
-tree, could be seen the head of a small bear, that was trying to
-make up his mind whether it would be better to run away, or stay
-and find out what the intruders wanted. He concluded to leave,
-however, and the terrapin followed his example by rolling off the
-log with a great splash, thus leaving the two explorers alone in a
-river that seemed all trees and but little water. It was indeed a
-swamp, or rather a submerged forest, this river, and it was only
-with the greatest difficulty the little boat could be forced along.
-After the banks of the canal were left astern it was no longer
-possible to distinguish the course of this river, for it stretched
-out in one broad body of water, which so mingled with the swamp
-that no one could say it had banks, or even a channel.</p>
-
-<p>Perhaps a mile was passed over by alternate rowing and pulling, and
-then further progress was impeded by huge trees that had fallen
-into the water, completely blocking the way. Ahead, astern, and on
-either hand could be seen the dark, shallow water, thickly studded
-with trees from which hung the gray trailing moss so plentiful
-here. No sound broke the silence, no sign of life could be seen, no
-traces of man anywhere. It was certainly as wild a place as can be
-imagined, and the two exploring it thought they had seen the most
-dismal portion of this wonderful swamp.</p>
-
-<p>In this, however, they found they were mistaken, when, on the
-following day, the <i>Toby</i> was anchored in the main canal, and in
-<i>Mr. Stubbs</i> the party rowed up a smaller canal into the lake of
-the swamp&mdash;Lake Drummond. Imagine this vast swamp (for up this last
-canal there was no question as to the swampy nature of the place),
-in the heart of which is a large body of water separated from that
-around it by an army of tree trunks bleached to a light gray by the
-sun and weather. Back of this ashen-colored border the juniper and
-pine trees lift their heads so high that the sun only illumines the
-water at noonday, while at other times the shadows cast by the
-trees on the brown water lend to all objects a purplish hue that is
-at least startling when first seen. It is a strange, weird-looking
-place, where one involuntarily whispers, as if he feared to waken
-nature from its solemn repose.</p>
-
-<p>To describe this body of water in the midst of the vast swamp is
-impossible, so strange is the sensation the visitor has when seeing
-it for the first time. It was early in the morning when the
-passengers from the <i>Toby</i> arrived at the lake, and it was late in
-the afternoon before any of them remembered that they must return
-to the little steamer. Then it was almost a race to get back to the
-yacht in order that the village of South Mills could be reached
-before dark.</p>
-
-<p>In this attempt, however, the voyagers were unsuccessful, owing to
-an exciting hunt which a party of gentlemen were having after a
-deer. They succeeded in their murderous design, for they killed him
-as he attempted to swim across the canal just under the bow of the
-<i>Toby</i>.</p>
-
-<p>Late that night, when the little steamer was made fast to the pier
-at the village that marks the southern end of the canal, the
-voyagers on the yacht had venison steaks for supper that were cut
-from the deer they had seen killed, and all hands retired, almost
-sad that the journey through the swamp was ended, but anticipating
-very much from the trip down the Pasquotank River to Albemarle
-Sound.</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">James Otis</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<p><span class="smcap">Howard B</span>.&mdash;You could have no more appropriate name for your dancing club
-than the one you have selected, "Lads and Lasses." All sorts of pretty
-and tasteful trifles may be used for favors, such as little bells,
-rosettes, flags, stars, butterflies, sashes, pictures, and flowers. At
-present tiny Japanese fans, umbrellas, cups, and vases are fashionable.
-Flowers are always appropriate as favors. The German affords scope for
-individual taste, and the favors may be very simple or very costly, as
-circumstances may regulate the affair. But while in some cases gold or
-silver jewelry has been given in the way of favors, it will be better
-for a club of young people to confine themselves to trinkets which,
-while of small money value, may still be pretty enough to be kept as
-souvenirs of a happy evening.</p>
-
-<hr class="tb" />
-
-<blockquote>
-
-<p><span class="smcap">Dear Postmistress</span>,&mdash;We have had a little discussion as to the
-proper method of hanging our pictures, and as we can not agree,
-will you kindly settle the question. We have hung them about on a
-level with our eyes, and are satisfied that that arrangement is
-good. The trouble is to know the proper angle of inclination. We
-had the tops of the frames about four inches from the wall; but a
-friend came in the other evening, and deliberately told us that
-that was all wrong. He then made rolls of stiff paper and, with
-them behind the pictures, forced the top of each frame about
-eighteen inches from the wall. Some of the family like the effect,
-and some declare it hideous. Which plan is considered the correct
-one by those who ought to know?</p></blockquote>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Trenton</span>.</span><br />
-</p>
-
-<p>In hanging pictures it is well to have the middle of the picture in line
-with the eye. Let all small pictures be as flat as possible against the
-wall, and for larger ones let the angle of inclination depend upon size,
-making it invariably as small as you can. Only for a very large picture
-would an angle of eighteen inches be admissible. I would advise you to
-take away the stiff rolls of paper, and trust to your own sense of the
-beautiful and becoming rather than, in this instance, to your friend's
-judgment.</p>
-
-<hr class="tb" />
-
-<p><span class="smcap">Elsie</span>.&mdash;Your question whether it is ever right to make other people the
-subject of conversation is easily answered. It is right to speak of our
-friends and acquaintances, if we do so kindly, and talk of their good
-qualities. Nothing is so mean as to speak unkindly of the absent, who
-can not defend themselves. Conversation, if restricted to historical
-facts, as you propose, would be very dull.</p>
-
-<hr class="tb" />
-
-<p><span class="smcap">Constant Reader</span>.&mdash;It would be better to meet on some evening in the week
-than to confine yourselves to Sunday evening. But if you are engaged
-every other evening, why not meet from four to six on Sunday afternoon,
-and leave the evening free to go to church? You might take up some good
-book of Eastern travel, or the life of some noble man like Garfield or
-Lincoln, and read it together. Call yourselves the Inquirers, if your
-aim is, as I imagine it to be, to find out what is worthy, and follow
-it. I do not think boys of your age should stay away from church on
-Sunday evening either to read or hold debates. You will learn much more,
-both mentally and spiritually, by attending regularly on the ministry of
-some clergyman whom you enjoy hearing.</p>
-
-<hr class="tb" />
-
-<p><span class="smcap">Flavel S.&nbsp;M</span>., New Brighton, New York, found a dandelion in an exposed
-place, as bright as ever, and in full bloom, on December 5.</p>
-
-<hr class="tb" />
-
-<p><span class="smcap">Gracie M</span>.&mdash;The Postmistress knows of nothing which will remove
-superfluous hair from the face or arms.</p>
-
-<hr class="tb" />
-
-<p>This week we would call the attention of the C.&nbsp;Y.&nbsp;P.&nbsp;R.&nbsp;U. to the
-comprehensive little article on John Bright under the head of "People We
-Hear About"; to the "Chat on Philately," which carries us away to the
-northern coast of South America; and to the charming article on foreign
-travel, entitled "Tom Fairweather's Holiday in Madeira." Then we want
-them all to read the story called "Sam Jenkins's Dream." Not that any of
-them are like the Sam of the Old Year, but because every one of us, no
-matter how good we are already, wants to take a new and a fresh and a
-better start in the New Year to come.</p>
-
-<hr class="tb" />
-
-<h3>PUZZLES FROM YOUNG CONTRIBUTORS.</h3>
-
-<h3>No. 1.</h3>
-
-<h3>TWO ENIGMAS.</h3>
-
-<h3>1.</h3>
-
-<p>
-<span style="margin-left: 17em;">My first is in snow, but not in rain.</span><br />
-<span style="margin-left: 18em;">My second in nip, but not in bite.</span><br />
-<span style="margin-left: 17em;">My third is in mount, but not in plain.</span><br />
-<span style="margin-left: 18em;">My fourth is in weasel, but not in kite.</span><br />
-<span style="margin-left: 17em;">My fifth is in butter, but not in cheese,</span><br />
-<span style="margin-left: 17em;">My sixth is in ice, but not in freeze.</span><br />
-<span style="margin-left: 17em;">My seventh is in rosy, but not in pale.</span><br />
-<span style="margin-left: 17em;">My eighth is in dimple, but not in veil.</span><br />
-<span style="margin-left: 17em;">My whole is as lovely as well can be</span><br />
-<span style="margin-left: 17em;">Anything half so wild and free.</span><br />
-</p>
-
-<h3>2.</h3>
-
-<p>
-<span style="margin-left: 18em;">In scatter, not in plant.</span><br />
-<span style="margin-left: 19em;">In polish, not in rub.</span><br />
-<span style="margin-left: 18em;">In arrow, not in bow.</span><br />
-<span style="margin-left: 18em;">In ripple, not in flow.</span><br />
-<span style="margin-left: 19em;">In river, not in tub.</span><br />
-<span style="margin-left: 18em;">In ocean, not in lake.</span><br />
-<span style="margin-left: 19em;">In ewer, not in dish.</span><br />
-<span style="margin-left: 18em;">Of me now, what do you make?</span><br />
-<span style="margin-left: 19em;">Am I bird, or bee, or fish?</span><br />
-<br />
-<span style="margin-left: 23em;"><span class="smcap">Susan Nipper</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<h3>No. 2.</h3>
-
-<h3>NUMERICAL ENIGMA.</h3>
-
-<div class="center">
-<table border="0" cellpadding="0" cellspacing="0" summary="">
-<tr><td align="left">My first is the initial letter of a city in Illinois.</td></tr>
-<tr><td align="left">My second, of a city in Connecticut.</td></tr>
-<tr><td align="left">My third, of a river in Virginia.</td></tr>
-<tr><td align="left">My fourth, of one of the Territories.</td></tr>
-<tr><td align="left">My fifth, of a city in Georgia.</td></tr>
-<tr><td align="left">My sixth, of a city in Florida.</td></tr>
-<tr><td align="left">My seventh, of a State in New England.</td></tr>
-<tr><td align="left">My eighth, of a city in Texas.</td></tr>
-<tr><td align="left">My ninth, of a river in Pennsylvania.</td></tr>
-<tr><td align="left">My whole was delightful to us all.</td></tr>
-</table></div>
-
-<p>
-<span style="margin-left: 23em;">C.&nbsp;C.&nbsp;R.</span><br />
-</p>
-
-<hr class="tb" />
-
-<h3>No. 3.</h3>
-
-<h3>EASY DIAMOND.</h3>
-
-<p class="center">1. A letter. 2. To wager. 3. A spiral line. 4. A metal. 5. A letter.</p>
-
-<p>
-<span style="margin-left: 23em;"><span class="smcap">Toby Tyler</span>.</span><br />
-</p>
-
-<hr class="tb" />
-
-<h3>ANSWERS TO PUZZLES IN No. 110.</h3>
-
-<h3>No. 1.</h3>
-
-<h3>1.</h3>
-
-<div class="center">
-<table border="0" cellpadding="2" cellspacing="0" summary="">
-<tr><td align="center">U</td><td align="center">ru</td><td align="center">S</td></tr>
-<tr><td align="center">N</td><td align="center">es</td><td align="center">T</td></tr>
-<tr><td align="center">I</td><td align="center">ow</td><td align="center">A</td></tr>
-<tr><td align="center">T</td><td align="center">ar</td><td align="center">T</td></tr>
-<tr><td align="center">E</td><td align="center">as</td><td align="center">E</td></tr>
-<tr><td align="center">D</td><td align="center">og</td><td align="center">S</td></tr>
-</table></div>
-
-<h3>2.</h3>
-
-<div class="center">
-<table border="0" cellpadding="2" cellspacing="0" summary="">
-<tr><td align="center">M</td><td align="center">ai</td><td align="center">L</td></tr>
-<tr><td align="center">A</td><td align="center">si</td><td align="center">A</td></tr>
-<tr><td align="center">R</td><td align="center">ai</td><td align="center">N</td></tr>
-<tr><td align="center">Y</td><td align="center">ar</td><td align="center">D</td></tr>
-</table></div>
-
-<h3>No. 2.</h3>
-
-<div class="center">
-<table border="0" cellpadding="4" cellspacing="0" summary="">
-<tr><td align="center">Z</td><td align="center">O</td><td align="center">N</td><td align="center">E</td><td align="center">S</td></tr>
-<tr><td align="center">C</td><td align="center">E</td><td align="center">D</td><td align="center">A</td><td align="center">R</td></tr>
-<tr><td align="center">C</td><td align="center">O</td><td align="center">B</td><td align="center">R</td><td align="center">A</td></tr>
-<tr><td align="center">B</td><td align="center">L</td><td align="center">U</td><td align="center">R</td><td align="center">T</td></tr>
-<tr><td align="center">E</td><td align="center">X</td><td align="center">T</td><td align="center">R</td><td align="center">A</td></tr>
-</table></div>
-
-<h3>No. 3.</h3>
-
-<p class="center">Evil communications corrupt good manners.</p>
-
-<hr class="tb" />
-
-<p>Correct answers to puzzles have been received from Effie M. Laurence,
-Florence Chambers, Elvira Urisarri, Gracie S., J.&nbsp;H., Jessie and Willie
-Martin, "Fill Buster," Forrest F., "Queen Bess," Rita Harris, Olive A.
-McAdams. "Lodestar," Frank G. Ames, Clara, Percy L. McDermott, Roy W.
-Osborne, A.&nbsp;E. Cressingham, Bob, Frank M. Scott, "Toby Tyler," Willie
-Curtis, William A. Lewis, George Sylvester, Annetta Jackson, "Day Z." M.&nbsp;L.&nbsp;H.,
-"No Name."</p>
-
-<hr class="tb" />
-
-<p class="center">The answer to the Enigma published on the concluding page of No. 111 is Comb.</p>
-
-<hr class="tb" />
-
-<p class="center">The prize puzzle and the name of the successful puzzler will be given in No. 114.</p>
-
-<hr class="tb" />
-
-<p class="center">[<i>For Exchanges, see third page of cover.</i>]</p>
-
-<hr class="chap" />
-
-<p><span class="pagenum"><a name="Page_144" id="Page_144">[Pg 144]</a></span></p>
-
-<div class="figcenter" style="width: 273px;"><a name="A_DIRE_CATASTROPHE" id="A_DIRE_CATASTROPHE"></a>
-<img src="images/ill_014.jpg" width="273" height="400" alt="" />
-</div>
-
-<h2>A DIRE CATASTROPHE.</h2>
-
-<p>
-<span style="margin-left: 19em;">"'Tis very true</span><br />
-<span style="margin-left: 20em;">I'm dressed in silk,</span><br />
-<span style="margin-left: 19em;">But I must have</span><br />
-<span style="margin-left: 20em;">A drink of milk."</span><br />
-<br />
-<span style="margin-left: 19em;">A sudden fall:</span><br />
-<span style="margin-left: 20em;">What has been done?</span><br />
-<span style="margin-left: 19em;">Too much, alas!</span><br />
-<span style="margin-left: 20em;">Is worse than none.</span><br />
-</p>
-
-<hr class="chap" />
-<h2><a name="SCIENTIFIC_PUZZLES" id="SCIENTIFIC_PUZZLES">SCIENTIFIC PUZZLES.</a></h2>
-
-<div class="figleft" style="width: 200px;">
-<img src="images/ill_015.jpg" width="200" height="191" alt="" />
-<span class="caption"><span class="smcap">Fig</span>. 1.</span>
-</div>
-
-<div class="figright" style="width: 197px;">
-<img src="images/ill_016.jpg" width="197" height="200" alt="" />
-<span class="caption"><span class="smcap">Fig</span>. 2.</span>
-</div>
-
-<p>The experiment represented in Fig. 1 illustrates the pressure of the
-atmosphere. Fill a goblet with water up to the brim, and then cover it
-with a sheet of paper which touches both the edge of the glass and the
-surface of the water. Turn the glass upside down, and the sheet of
-paper, held in its place by the pressure of the air, will prevent the
-water from running out. It frequently happens that this experiment is
-only successfully performed after a series of fruitless attempts on the
-part of the operator. We therefore suggest that it shall be made over a
-basin, and not where there are expensive articles to be ruined by a
-douche of water.</p>
-
-<p>Fig. 2 represents another illustration of atmospheric pressure. Light a
-piece of paper, and when it begins to burn brightly, thrust it into an
-empty water bottle. Within a few seconds close the neck of the bottle
-with a hard-boiled egg from which the shell has been removed. The
-burning of the paper exhausts the air in the bottle, and the egg is
-gradually thrust in by the pressure of the outside atmosphere. It will
-finally pass completely through the neck of the bottle, giving a little
-explosive sound.</p>
-
-<div class="figleft" style="width: 200px;">
-<img src="images/ill_017.jpg" width="200" height="228" alt="" />
-<span class="caption"><span class="smcap">Fig</span>. 3.</span>
-</div>
-
-<div class="figright" style="width: 200px;">
-<img src="images/ill_018.jpg" width="200" height="200" alt="" />
-<span class="caption"><span class="smcap">Fig</span>. 4.</span>
-</div>
-
-<p>In Fig. 3 we have an experiment illustrating the laws of force. A dime
-is placed on a table covered with a cloth or napkin. The coin can be
-drawn from beneath the glass without touching it or slipping anything
-under it. If the cloth near by be simply scratched with the nail of the
-forefinger, the elasticity of the material communicates the motion to
-the dime, which moves slowly in the direction of the finger, until it
-finally comes out entirely from beneath the glass.</p>
-
-<p>The experiment shown in Fig. 4 is certain to result in the smashing of
-several eggs; we therefore advise that they should be hard-boiled in
-order to avoid serious catastrophes. By blowing into a claret glass
-containing an egg, it is possible to cause it to jump out of the glass,
-and with practice it may be made to pass from one glass into another.</p>
-
-<hr class="chap" />
-<h2><a name="WHAT_IS_A_CHRISTMAS-BOX" id="WHAT_IS_A_CHRISTMAS-BOX">WHAT IS A CHRISTMAS-BOX?</a></h2>
-
-<p>This question is not so easily answered as you may suppose; for though
-all little folk know that a Christmas-box is a gift made at
-Christmas-tide, such was not the original meaning of the word.
-Christmas-boxes were at first what we now call money-boxes. They were
-known as thrift-boxes, and consisted of small wide clay bottles with
-imitation stoppers, the upper part covered with a kind of green glaze.
-On the side was a slit into which money could be put, and as the money
-was collected at Christmas, the boxes in the course of time gave the
-name to the present.</p>
-
-<hr class="chap" />
-<div class="figcenter" style="width: 498px;">
-<img src="images/ill_019.jpg" width="498" height="500" alt="" />
-<span class="caption">DISSATISFIED WITH HIS SUNDAY DINNER.<br /><br />
-"See here, Ma, why didn't you buy this Goose when he was alive, so's I could o' rode him home?"</span>
-</div>
-
-<p style="clear:both;">&nbsp;</p>
-
-<div class="footnotes"><h3>FOOTNOTES:</h3>
-
-<div class="footnote">
-
-<p><a name="Footnote_1_1" id="Footnote_1_1"></a><a href="#FNanchor_1_1"><span class="label">[1]</span></a> Begun in No. 101, <span class="smcap">Harper's Young People</span>.</p></div></div>
-
-
-
-
-
-
-
-
-<pre>
-
-
-
-
-
-End of the Project Gutenberg EBook of Harper's Young People, December 27,
-1881, by Various
-
-*** END OF THIS PROJECT GUTENBERG EBOOK HARPER'S YOUNG PEOPLE, DEC 27, 1881 ***
-
-***** This file should be named 50809-h.htm or 50809-h.zip *****
-This and all associated files of various formats will be found in:
- http://www.gutenberg.org/5/0/8/0/50809/
-
-Produced by Annie R. McGuire
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for the eBooks, unless you receive
-specific permission. If you do not charge anything for copies of this
-eBook, complying with the rules is very easy. You may use this eBook
-for nearly any purpose such as creation of derivative works, reports,
-performances and research. They may be modified and printed and given
-away--you may do practically ANYTHING in the United States with eBooks
-not protected by U.S. copyright law. Redistribution is subject to the
-trademark license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country outside the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you'll have to check the laws of the country where you
- are located before using this ebook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm web site
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from both the Project Gutenberg Literary Archive Foundation and The
-Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
-trademark. Contact the Foundation as set forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-
-
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's principal office is in Fairbanks, Alaska, with the
-mailing address: PO Box 750175, Fairbanks, AK 99775, but its
-volunteers and employees are scattered throughout numerous
-locations. Its business office is located at 809 North 1500 West, Salt
-Lake City, UT 84116, (801) 596-1887. Email contact links and up to
-date contact information can be found at the Foundation's web site and
-official page at www.gutenberg.org/contact
-
-For additional contact information:
-
- Dr. Gregory B. Newby
- Chief Executive and Director
- gbnewby@pglaf.org
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without wide
-spread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg Web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works.
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our Web site which has the main PG search
-facility: www.gutenberg.org
-
-This Web site includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-
-
-
-</pre>
-
-</body>
-</html>
diff --git a/old/50809-h/images/ill_001.jpg b/old/50809-h/images/ill_001.jpg
deleted file mode 100644
index f4f7298..0000000
--- a/old/50809-h/images/ill_001.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_002.jpg b/old/50809-h/images/ill_002.jpg
deleted file mode 100644
index b0aab76..0000000
--- a/old/50809-h/images/ill_002.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_003.jpg b/old/50809-h/images/ill_003.jpg
deleted file mode 100644
index 6dd8867..0000000
--- a/old/50809-h/images/ill_003.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_004.jpg b/old/50809-h/images/ill_004.jpg
deleted file mode 100644
index 5d2a172..0000000
--- a/old/50809-h/images/ill_004.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_005.jpg b/old/50809-h/images/ill_005.jpg
deleted file mode 100644
index ff2e3f2..0000000
--- a/old/50809-h/images/ill_005.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_006.jpg b/old/50809-h/images/ill_006.jpg
deleted file mode 100644
index 0ca537d..0000000
--- a/old/50809-h/images/ill_006.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_007.jpg b/old/50809-h/images/ill_007.jpg
deleted file mode 100644
index ee821b2..0000000
--- a/old/50809-h/images/ill_007.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_008.jpg b/old/50809-h/images/ill_008.jpg
deleted file mode 100644
index b425f67..0000000
--- a/old/50809-h/images/ill_008.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_009.jpg b/old/50809-h/images/ill_009.jpg
deleted file mode 100644
index e59cd25..0000000
--- a/old/50809-h/images/ill_009.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_010.jpg b/old/50809-h/images/ill_010.jpg
deleted file mode 100644
index 0cdb592..0000000
--- a/old/50809-h/images/ill_010.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_011.jpg b/old/50809-h/images/ill_011.jpg
deleted file mode 100644
index 7d9c3f3..0000000
--- a/old/50809-h/images/ill_011.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_012.jpg b/old/50809-h/images/ill_012.jpg
deleted file mode 100644
index cc64c86..0000000
--- a/old/50809-h/images/ill_012.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_013.jpg b/old/50809-h/images/ill_013.jpg
deleted file mode 100644
index ed00501..0000000
--- a/old/50809-h/images/ill_013.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_014.jpg b/old/50809-h/images/ill_014.jpg
deleted file mode 100644
index 25323e2..0000000
--- a/old/50809-h/images/ill_014.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_015.jpg b/old/50809-h/images/ill_015.jpg
deleted file mode 100644
index 7f86f82..0000000
--- a/old/50809-h/images/ill_015.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_016.jpg b/old/50809-h/images/ill_016.jpg
deleted file mode 100644
index 36013db..0000000
--- a/old/50809-h/images/ill_016.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_017.jpg b/old/50809-h/images/ill_017.jpg
deleted file mode 100644
index acd2190..0000000
--- a/old/50809-h/images/ill_017.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_018.jpg b/old/50809-h/images/ill_018.jpg
deleted file mode 100644
index f8100ad..0000000
--- a/old/50809-h/images/ill_018.jpg
+++ /dev/null
Binary files differ
diff --git a/old/50809-h/images/ill_019.jpg b/old/50809-h/images/ill_019.jpg
deleted file mode 100644
index 339bf5a..0000000
--- a/old/50809-h/images/ill_019.jpg
+++ /dev/null
Binary files differ